summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
authornfenwick <nfenwick@pglaf.org>2025-02-05 20:27:47 -0800
committernfenwick <nfenwick@pglaf.org>2025-02-05 20:27:47 -0800
commitb50a31f5d1bcee3f746c8b16e56a18a17c8bab66 (patch)
tree05a0962660b3e78110f7328ef69d64744e48ffe6
parent268b110f580f5c0e9e547fceafdb2ce757c019e5 (diff)
NormalizeHEADmain
-rw-r--r--.gitattributes4
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
-rw-r--r--old/51965-0.txt8976
-rw-r--r--old/51965-0.zipbin160174 -> 0 bytes
-rw-r--r--old/51965-8.txt8977
-rw-r--r--old/51965-8.zipbin159523 -> 0 bytes
-rw-r--r--old/51965-h.zipbin395197 -> 0 bytes
-rw-r--r--old/51965-h/51965-h.htm11212
-rw-r--r--old/51965-h/images/0001.jpgbin87963 -> 0 bytes
-rw-r--r--old/51965-h/images/0007.jpgbin49702 -> 0 bytes
-rw-r--r--old/51965-h/images/cover.jpgbin87963 -> 0 bytes
-rw-r--r--old/51965-h/images/enlarge.jpgbin789 -> 0 bytes
-rw-r--r--old/old/51965-h.htm.2018-03-3111211
14 files changed, 17 insertions, 40376 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..d7b82bc
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,4 @@
+*.txt text eol=lf
+*.htm text eol=lf
+*.html text eol=lf
+*.md text eol=lf
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..85239dc
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #51965 (https://www.gutenberg.org/ebooks/51965)
diff --git a/old/51965-0.txt b/old/51965-0.txt
deleted file mode 100644
index f648cd9..0000000
--- a/old/51965-0.txt
+++ /dev/null
@@ -1,8976 +0,0 @@
-The Project Gutenberg EBook of Pawned, by Frank L. Packard
-
-This eBook is for the use of anyone anywhere in the United States and most
-other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms of
-the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you'll have
-to check the laws of the country where you are located before using this ebook.
-
-
-
-Title: Pawned
-
-Author: Frank L. Packard
-
-Release Date: May 2, 2016 [EBook #51965]
-Last Updated: March 13, 2018
-
-Language: English
-
-Character set encoding: UTF-8
-
-*** START OF THIS PROJECT GUTENBERG EBOOK PAWNED ***
-
-
-
-
-Produced by David Widger from page images generously
-provided by the Internet Archive
-
-
-
-
-
-
-
-
-
-PAWNED
-
-By Frank L. Packard
-
-The Copp, Clark Co., Limited Toronto
-
-1921
-
-[Illustration: 0001]
-
-[Illustration: 0007]
-
-
-
-
-PAWNED
-
-
-
-
-BY WAY OF INTRODUCTION
-
-
-
-
-HER STORY
-
-
-|A HANSOM cab, somewhat woebegone in appearance, threaded its way in a
-curiously dejected manner through the heart of New York's East Side. A
-fine drizzle fell, through which the street lamps showed as through a
-mist; and, with the pavements slippery, the emaciated looking horse,
-the shafts jerking and lifting up at intervals around its ears, appeared
-hard put to it to preserve its footing.
-
-The cabman on his perch drove with his coat collar turned up and his
-chin on his breast. He held the reins listlessly, permitting the horse
-to choose its own gait. At times he lifted the little trap door in the
-roof of the cab and peered into the interior; occasionally his hand,
-tentatively, hesitantly, edged toward a bulge in his coat pocket-only to
-be drawn back again in a sort of panic haste.
-
-The cab turned into a street where, in spite of the drizzle, hawkers
-with their push-carts under flaring, spitting gasoline banjoes were
-doing a thriving business. The horse went more slowly. There was very
-little room. With the push-carts lining the curbs on both sides, and
-the overflow of pedestrians from the sidewalks into the street, it was
-perhaps over-taxing the horse's instinct to steer a safe course for the
-vehicle it dragged behind it. Halfway along the block a wheel of
-the hansom bumped none too gently into one of the push-carts, nearly
-upsetting the latter. The hawker, with a frantic grab, saved his wares
-from disaster-by an uncomfortably narrow margin, and, this done, hurled
-an impassioned flood of lurid oratory at the two-wheeler.
-
-The cabman lifted his chin from his breast, stared stonily at the
-hawker, slapped the reins mechanically on the roof of the cab as an
-intimation to the horse to proceed, and the cab wended its way along
-again.
-
-At the end of the block, it turned the corner, and drew up before a
-small building that was nested in between two tenements. The cabman
-climbed down from his perch, and stood for a moment surveying the three
-gilded balls that hung over the dingy doorway, and the lettering--“Paul
-Veniza. Pawnbroker”--that showed on the dully-lighted windows which
-confronted him.
-
-He drew his hand across his eyes; then, reaching suddenly inside the
-cab, lifted a bundle in his arms, and entered the shop. A man behind the
-counter stared at him, and uttered a quick ejaculation. The cabman went
-on into a rear room. The man from behind the counter followed. In the
-rear room, a woman rose from a table where she had been sewing, and took
-the bundle quickly from the cabman's arms, as it emitted a querulous
-little cry.
-
-The cabman spoke for the first time.
-
-“She's dead,” he said heavily.
-
-The woman, buxom, middle-aged, stared at him, white-faced, her eyes
-filling suddenly with tears.
-
-“She died an hour ago,” said the cabman, in the same monotonous
-voice. “I thought mabbe you'd look after the baby girl for a bit, Mrs.
-Veniza--you and Paul.”
-
-“Of course!” said the woman in a choked voice. “I wanted to before,
-but--but your wife wouldn't let the wee mite out of her sight.”
-
-“She's dead now,” said the cabman. “An hour ago.”
-
-Paul Veniza, the pawnbroker, crossed to the cabman's side, and, placing
-his hands on the other's shoulders, drew the man down into a chair.
-
-“Hawkins,” he said slowly, “we're getting on in years, fifty each of us,
-and we've known each other for a good many of those fifty.” He cleared
-his throat. “You've made a mess of things, Hawkins.”
-
-The woman, holding the baby, started suddenly forward, a red flush
-dyeing her cheeks.
-
-“Paul!” she cried out sharply. “How can you be so cruel at such an hour
-as this?”
-
-The pawnbroker shook his head. He had moved to the back of the cabman's
-chair. Tall, slight, grave and kindly-faced, with high forehead and the
-dark hair beginning to silver at the temples, there seemed something
-almost esthetic about the man.
-
-“It is _the_ hour,” he said deliberately; “the one hour in which I must
-speak plainly to my old friend, the one hour that has come into his
-life which may mean everything to him.” His right hand slipped from the
-cabman's shoulder and started, tentatively, hesitantly, toward a bulge
-in the cabman's coat pocket--but was drawn back again, and found its
-place once more on the cabman's shoulder. “I was afraid, Hawkins, when
-you married the young wife. I was afraid of your curse.”
-
-The cabman's elbows were on the table; he had sunk his chin in his
-hands. His blue eyes, out of a wrinkled face of wind-beaten tan, roved
-around the little room, and rested finally on the bundle in the woman's
-arms.
-
-“That's finished now,” he said dully.
-
-“I pray God it is,” said Paul Veniza earnestly; “but you said that
-before--when you married the young wife.”
-
-“It's finished now--so help me, God!” The cabman's lips scarcely moved.
-He stared straight in front of him.
-
-There was silence in the little, plainly furnished room for a moment;
-then the pawnbroker spoke again:
-
-“I was born here in New York, you know, after my parents came from
-Italy. There was no money, nothing--only misery. I remember. It is like
-that, Hawkins, isn't it, where you have just come from, and where you
-have left the young wife?”
-
-“Paul!” his wife cried out again. “How can you say such things? It--it
-is not like you!” Her lips quivered. She burst into tears, and buried
-her face in the little bundle she snuggled to her breast.
-
-The cabman seemed curiously unmoved--as though dazed, almost detached
-from his immediate surroundings. He said nothing.
-
-The pawnbroker's hands still rested on the cabman's shoulders, a
-strange gentleness in his touch that sought somehow, it seemed, to offer
-sympathy for his own merciless words.
-
-“I have been thinking of this for a long time, ever since we knew that
-Claire could not get better,” he said. “We knew you would bring the
-little one here. There was no other place, except an institution. And so
-I have been thinking about it. What is the little one's name?”
-
-The cabman shook his head.
-
-“She has no name,” he said.
-
-“Shall it be Claire, then?” asked the pawnbroker gently.
-
-The cabman's fingers, where they rested on his cheeks, gathered a fold
-of flesh and tightened until the blood fled, leaving little white spots.
-He nodded his head.
-
-Again the pawnbroker was silent for a little while.
-
-“My wife and I will take little Claire--on one condition,” he said at
-last, gravely. “And that condition is that she is to grow up as our
-child, and that, though you may come here and see her as often as you
-like, she is not to know that you are her father.”
-
-The cabman turned about a haggard face.
-
-“Not to know that I am her father--ever,” he said huskily.
-
-“I did not say that,” said Paul Veniza quietly. He smiled now, leaning
-over the cabman. “I am a pawnbroker; this is a pawn-shop. There is a way
-in which you may redeem her.”
-
-The cabman pressed a heavy hand over his eyes.
-
-“What is that way?” He swallowed hard as he spoke.
-
-“By redeeming yourself.” The pawnbroker's voice was low and earnest.
-“What have you to offer her to-day, save a past that has brought only
-ruin and misery? And for the future, my old friend? There is no home.
-There was no home for the young wife. You said when you married Claire,
-as you have said to-night, that it was all finished. But it was not
-finished. And your curse was the stronger. Well, little Claire is only
-a baby, and there would be years, anyhow, before just a man could take
-care of her. Do you understand, my old friend? If, at the end of those
-years, enough of them to make sure that you are sure of yourself, you
-have changed your life and overcome your weakness, then you shall have
-little Claire back again, and she shall know you as her father, and be
-proud of you. But if you do not do this, then she remains with us, and
-we are her parents, and you pledge me your word that it shall be so.”
-
-There was no answer for a long time. The woman was still crying--but
-more softly now. The cabman's chin had sunk into his hands again. The
-minutes dragged along. Finally the cabman lifted his head, and, pushing
-back his chair, stumbled to his feet.
-
-“God--God bless you both!” he whispered. “It's all finished now for
-good, as I told you, but you are right, Paul. I--I ain't fit to have her
-yet. I'll stand by the bargain.” He moved blindly toward the door.
-
-The pawnbroker interposed.
-
-“Wait, Hawkins, old friend,” he said. “I'll go with you. You'll need
-some help back there in the tenement, some one to look after the things
-that are to be done.”
-
-The cabman shook his head.
-
-“Not to-night,” he said in a choked way. “Leave me alone to-night.”
-
-He moved again toward the door, and this time Paul Veniza stepped aside,
-but, following, stood bareheaded in the doorway as the other clambered
-to his perch on the hansom cab.
-
-Hawkins slapped his reins on the roof of the cab. The horse started
-slowly forward.
-
-The drizzle had ceased; but the horse, left to his own initiative, was
-still wary of the wet pavements and moved at no greater pace than a
-walk. Hawkins drove with his coat collar still turned up and his chin on
-his breast.
-
-And horse and man went aimlessly from street to street--and the night
-grew late.
-
-And the cabman's hand reached tentatively, hesitantly, a great many
-times, toward a bulge in his coat pocket, and for a great many times
-was withdrawn as empty as it had set forth. And then, once, his fingers
-touched a glass bottle neck... and then, not his fingers, but his
-lips... and for a great many times.
-
-It had begun to rain again.
-
-The horse, as if conscious of the futility of its own movements, had
-stopped, and, with head hanging, seemed to cower down as though seeking
-even the slender protection of the shafts, whose ends now made half
-circles above his ears.
-
-Something slipped from the cabman's fingers and fell with a crash to the
-pavement. The cabman leaned out from his perch and stared down at the
-shattered glass.
-
-“Broken,” said the cabman vacantly.
-
-
-
-
-TWENTY YEARS LATER
-
-|IT was silver light. Inside the reefs the water lay placid and still,
-mirroring in a long, shimmering line the reflection of the full tropic
-moon; beyond, ever and anon, it splashed against its coral barriers in
-little crystal showers. It was a soundless night. No breeze stirred the
-palms that, fringing white stretches of beach around the bay, stood out
-in serene beauty, their irregular tops etched with divine artistry into
-the sky-line of the night.
-
-Out from the shore, in that harbor which holds no sanctuary in storm,
-the mail boat, dark save for her riding lights, swung at her moorings;
-shoreward, the perspective altered in the moonlight until it seemed that
-Mount Vaea had lowered its sturdy head that it might hover in closer
-guardianship over the little town, Apia straggled in white patches along
-the road. And from these white patches, which were dwellings and stores,
-there issued no light.
-
-From a point on the shore nearest the mail boat, a figure in cotton
-drawers and undershirt slipped silently into the water and disappeared.
-Thereafter, at intervals, a slight ripple disturbed the surface as the
-man, coming up to breathe, turned upon his back and lay with his face
-exposed; for the rest he swam under water. It was as though he were in
-his natural element. He swam superbly even where, there in the Islands,
-all the natives were born to the sea; but his face, when visible on the
-few occasions that it floated above the surface, was the face, not of a
-native, but of a white man.
-
-And now he came up in the shadow of the steamer's hull where, near the
-stern, a rope dangled over the side, almost touching the water's edge.
-And for a moment he hung to the rope, motionless, listening. Then he
-began to swarm upward with fine agility, without a sound, his bare feet
-finding silent purchase against the iron plates of the hull.
-
-Halfway up he paused and listened intently again. Was that a sound as of
-some one astir, the soft movement of feet on the deck above? No, there
-was nothing now. Why should there be? It was very late, and Nanu, the
-man who lisped, was no fool. The rope had hung from exactly that place
-where, of all others, one might steal aboard without attracting the
-attention of the watch.
-
-He went on again, and finally raised his head above the rail. The deck,
-flooded with moonlight, lay white and deserted below him. He swung
-himself over, dropped to the deck--and the next instant reeled back
-against the rail as a rope-end, swung with brutal force, lashed across
-his face, raising a welt from cheek to cheek. Half stunned, he was
-still conscious that a form had sprung suddenly at him from out of the
-darkness of the after alleyway, that the form was one of the vessel's
-mates, that the form still swung a short rope-end that was a murderous
-weapon because it was little more flexible than iron and was an inch in
-thickness, and that, behind this form, other forms, big forms, Tongans
-of the crew, pressed forward.
-
-A voice roared out, hoarse, profane, the mate's voice:
-
-“Thought you'd try it again, did you, you damned beachcomber? I'll teach
-you! And when I find the dog that left that rope for you, I'll give
-him a leaf out of the same book! You bloody waster! I'll teach you!
-I'll----”
-
-The rope-end hissed as it cut through the air again, aiming for the
-swimmer's face. But it missed its mark. Perhaps it was an illusion
-of the white moonlight, lending unreality to the scene, exciting the
-imagination to exaggerate the details, but the swimmer seemed to move
-with incredible speed, with the lithe, terrible swiftness of a panther
-in its spring. The rope-end swished through the air, missing a suddenly
-lowered head by the barest fraction of an inch, and then, driven home
-with lightning-like rapidity, so quick that the blows seemed as one, the
-swimmer's fists swung, right and left, crashing with terrific impact to
-the point of the mate's jaw. And the mate's head jolted back, quivered
-grotesquely on his shoulders for an instant like a tuning fork, sagged,
-and the great bulk of the man collapsed and sprawled inertly on the
-deck.
-
-There was a shuffle of feet from the alleyway, cries. The swimmer swung
-to face the expected rush, and it halted, hesitant. It gave him time to
-spring and stand erect upon the steamer's rail. On the upper deck faces
-and forms began to appear. A man in pajamas leaned far out and peered at
-the scene.
-
-There was a shout from out of the dark, grouped throng in the alleyway;
-it was chorused. The rush came on again for the rail; and the dripping
-figure that stood there, with the first sound that he had made--a laugh,
-half bitter, half of cool contempt--turned, and with a clean dive took
-the water again and disappeared.
-
-Presently he reached the shore. There were more than riding lights out
-there on the steamer now. He gave one glance in that direction, shrugged
-his shoulders, and started off along the road. At times he raised his
-hand to brush it across his face where the welt, raw and swollen now,
-was a dull red sear. He walked neither fast nor slow.
-
-The moonlight caught the dripping figure now and then in the open
-spaces, and seemed to peer inquisitively at the great breadth of
-shoulder, and the rippling play of muscle under the thin cotton drawers
-and shirt, which, wet and clinging, almost transparent, scarce hid the
-man's nakedness; and at the face, that of a young man, whose square jaw
-was locked, whose gray eyes stared steadily along the road, and over
-whose forehead, from the drenched, untrimmed mass of fair hair, the
-brine trickled in little rivulets as though persistent in its effort
-to torture with its salt caress the raw, skin-broken flesh across the
-cheeks.
-
-Then presently a point of land ran out, and, the road ignoring this, the
-bay behind was shut out from view. And presently again, farther on, the
-road came to a long white stretch of beach on the one hand, and foliage
-and trees on the other. And here the dripping figure halted and stood
-hesitant as though undecided between the moonlit stretch of sand, and
-the darkness of a native hut that was dimly outlined amongst the trees
-on the other side of the road.
-
-After a moment he made his way to the hut and, groping around, secured
-some matches and a box of cigarettes. He spoke into the empty blackness.
-
-“You lose, Nanu,” he muttered whimsically. “They wouldn't stand water
-and I left them for you. But now, you see, I'm back again, after all.”
-
-He lighted a cigarette, and in the flame of the match stared
-speculatively at the small, broken pieces of coral that made the floor
-of the hut, and equally, by the addition of a thin piece of native
-matting, his bed.
-
-“The sand is softer,” he said with a grim drawl.
-
-He went out from the hut, crossed the road, flung himself upon his back
-on the beach, and clasped his hands behind his head. The smoke from his
-cigarette curled languidly upward in wavering spirals, and he stared for
-a long time at the moon.
-
-“Moon madness,” he said at last. “They say if you look long enough the
-old boy does you in.”
-
-The cigarette finished, he flung the stub away. After a time, he raised
-his head and listened. A moment later he lay back again full length on
-the sand. The sound of some one's footsteps coming rapidly along the
-road from the direction of the town was now unmistakably audible.
-
-“The jug for mine, I guess,” observed the young man to the moon.
-“Probably a file of native constabulary in bare feet that you can't hear
-bringing up the rear!”
-
-The footsteps drew nearer, until, still some distance away, the
-white-clad figure of a man showed upon the tree-fringed road. The
-sprawled figure on the beach made no effort toward flight, and less
-toward concealment. With a sort of studied insolence injected into his
-challenge, he stuck another cigarette between his lips and deliberately
-allowed full play to the flare of the match.
-
-The footsteps halted abruptly. Then, in another moment, they crunched
-upon the sand, and a tall man, with thin, swarthy face, a man of perhaps
-forty or forty-five, who picked assiduously at his teeth with a quill
-toothpick, stood over the recumbent figure.
-
-“Found you, have I?” he grunted complacently.
-
-“If you like to put it that way,” said the young man indifferently. He
-raised himself on his elbow again, and stared toward the road. “Where's
-the army?” he inquired.
-
-The tall man allowed the point of the quill toothpick to flex and strike
-back against his teeth. The sound was distinctive. _Tck!_ He ignored the
-question.
-
-“When the mate came out of dreamland,” he said, “he lowered a boat and
-came ashore to lay a complaint against you.”
-
-“I can't say I'm surprised,” admitted the young man. “I suppose I am
-to go with you quietly and make no trouble or it will be the worse for
-me--I believe that's the usual formula, isn't it?”
-
-The man with the quill toothpick sat down on the sand. He appeared to be
-absorbed for a moment in a contemplation of his surroundings.
-
-“These tropic nights are wonderful, aren't they? Kind of get you.”
- He plied the quill toothpick industriously. “I'm a passenger on the
-steamer, and I came ashore with the mate. He's gone back--without laying
-the complaint. There's always a way of fixing things--even injured
-feelings. One of the native boat's-crew said he knew where you were to
-be found. He's over there.” He jerked his head in the direction of the
-road.
-
-The young man sat bolt upright.
-
-“I don't get you,” he said slowly, “except that you are evidently not
-personifying the majesty of the law. What's the idea?”
-
-“Well,” said the other, “I had three reasons for coming. The first was
-that I thought I recognized you yesterday when they threw you off the
-steamer, and was sure of it to-night when--I am a light sleeper--I came
-out on the upper deck at the sound of the row and saw you take your
-departure from the vessel for the second time.”
-
-“I had no idea,” said the young man caustically, “that I was so well
-known. Are you quite sure you haven't made a mistake?”
-
-“Quite!” asserted the other composedly. “Of course, I am not prepared
-to say what your present name is--you may have considered a change
-beneficial--so I will not presume in that respect. But you are, or were,
-a resident of San Francisco. You were very nice people there. I have
-no knowledge of your mother, except that I understand she died in your
-infancy. A few years ago your father died and left you, not a fortune,
-but quite a moderate amount of money. I believe the pulpits designate
-it as a 'besetting sin.' You had one--gambling. The result was that you
-traveled the road a great many other young men have traveled; the only
-difference being that, in so far as I am competent to speak, you
-hold the belt for speed and all-round proficiency. You went utterly,
-completely and whole-heartedly to hell.”
-
-The tall man became absorbed again in his surroundings. “And I take it,”
-he said presently, “that in spite of the wonders of a tropic night, you are still there.”
-
-The young man shrugged his shoulders.
-
-“You have put it very delicately,” he said, with a grim smile. “I'm
-sorry, but I am obliged to confess that the recognition isn't mutual.
-Would you mind telling me who you are?”
-
-“We'll get to that in due course,” said the other. “My second reason was
-that it appeared to me to be logical to suppose that, having once
-been the bona fide article, you could readily disguise yourself as a
-gentleman again, and your interpretation of the rôle would be beyond
-suspicion or----”
-
-“By God!” The welt across the young man's face grew suddenly white, as
-though the blood had fled from it to suffuse his temples. He half rose,
-staring levelly into the other's eyes.
-
-The tall man apparently was quite undisturbed.
-
-“And the third reason is that I have been looking for just such a--there
-really isn't any other word--gentleman, providing he was possessed
-of another and very essential characteristic. You possess that
-characteristic in a most marked degree. Your actions tonight are
-unmistakable evidence that you have nerve.”
-
-“It strikes me that you've got a little of it yourself,” observed the
-young man evenly.
-
-The quill toothpick under the adroit guidance of his tongue traveled
-from the left- to the right-hand side of the other's mouth.
-
-“It is equally as essential to me,” he said dryly. “You appear to fill
-the bill; but there is always the possibility of a fly in the ointment;
-complications--er--unpleasant complications, perhaps, you know,
-that might have arisen since you left San Francisco, and that
-might--er--complicate matters.”
-
-The young man relapsed into a recumbent position upon the sand, his
-hands clasped under his head again, and in his turn appeared to be
-absorbed in the beauty of the night.
-
-“Moon-madness!” he murmured pityingly.
-
-“A myth!” said the tall man promptly. “Would you mind sketching in
-roughly the details of your interesting career since you left the haunts
-of the aristocracy?”
-
-“I don't see any reason why I should.” The young man yawned.
-
-“Do you see any reason why you shouldn't?” inquired the other
-composedly.
-
-“None,” said the young man, “except that the steamer sails at daybreak,
-and I should never forgive myself if you were left behind.”
-
-“Nor forgive yourself, perhaps, if you failed to sail on her as a
-first-class passenger,” said the tall man quietly.
-
-“What?” ejaculated the young man sharply.
-
-The other shrugged his shoulders.
-
-“It depends on the story,” he said.
-
-“I--I don't understand.” The young man frowned. “There's a chance for me
-to get aboard the mail boat?”
-
-“It depends on the story,” said the other again.
-
-“Moon-mad!” murmured the young man once more, after a moment's silence.
-“But it's cheap at the price, for it's not much of a story. Beginning
-where you left off in my biography, I ducked when the crash came in San
-Francisco, and having arrived in hell, as you so delicately put it, I
-started out to explore. Mr. Dante had it right--there's no use stopping
-in the suburbs. I lived a while in his last circle. It's too bad he
-never knew the 'Frisco water-front; it would have fired his imagination!
-I'm not sure, though, but Honolulu's got a little on 'Frisco, at that!
-Luck was out. I was flat on my back when I got a chance to work my way
-out to Honolulu. One place was as good as another by then.”
-
-The young man lit a cigarette, and stared at the glowing tip
-reminiscently with his gray eyes.
-
-“You said something about gambling,” he went on; “but you didn't say
-enough. It's a disease, a fever that sets your blood on fire, and makes
-your life kind of delirious, I guess--if you get it chronic. I guess I
-was born with it. I remember when I was a kid I--but I forgot, pardon
-me, the mail boat sails at daybreak.”
-
-“Go as far as you like,” said the tall man, picking at his teeth with
-the quill toothpick.
-
-The young man shook his head.
-
-“Honolulu is the next stopping place,” he said. “On the way out I picked
-up a few odd dollars from my fellow-members of the crew, and----”
-
-“Tck!” It was the quill toothpick.
-
-The young man's eyes narrowed, and his jaw set challengingly.
-
-“Whatever else I've done,” he stated in a significant monotone, “I've
-never played crooked. It was on the level.”
-
-“Of course,” agreed the tall man hastily.
-
-“I sat in with the only stakes I had,” said the young man, still
-monotonously. “A bit of tobacco, a rather good knife that I've got yet,
-and a belt that some one took a fancy to as being worth half a dollar.”
-
-“Certainly! Of course!” reiterated the tall man in haste.
-
-The quill toothpick was silent.
-
-“A pal of mine, one of the stokers, said he knew of a good place to play
-in Honolulu where there was a square deal,” continued the young man;
-“so, a night or so after we reached there, we got shore leave and
-started off. Perhaps you know that part of Honolulu. I don't. I didn't
-see much of it. I know there's some queer dumps, and queer doings, and
-the scum of every nationality under the sun to run up against. And I
-know it was a queer place my mate steered me into. It was faro. The
-box was run by an old Chinaman who looked as though he were trying to
-impersonate one of his ancestors, he was so old. My mate and I formed
-the English-speaking community. There were a Jap or two, and a couple of
-pleasant-looking cutthroats who cursed in Spanish, and a Chink lying on
-a bunk rolling his pill. Oh, yes, the place stunk! Every once in a while
-the door opened and some other Godforsaken piece of refuse drifted in.
-By midnight we had a full house of pretty bad stuff.
-
-“It ended in a row, of course. Some fool of a tout came in chaperoning
-a party of three men, who were out to see the sights; they were
-passengers, I found out later, from one of the ships in port. I don't
-know what started the rumpus; some private feud, I guess. The first
-thing I knew one of the Spaniards had a knife out and had jumped for the
-tout. It was a free-for-all in a minute. I saw the tout go down, and he
-didn't look good, and the place suddenly struck me as a mighty unhealthy
-place to be found in on that account. The stoker and I started to fight
-our way through the jam to the door. There was a row infernal. I guess
-you could have heard it a mile away. Anyway, before we could break from
-the clinches, as it were, the police were fighting their way in just as
-eagerly as we were fighting our way out.
-
-“I didn't like the sight of that tout lying on the floor, or the thought
-of what might happen in the police court the next morning if I were one
-of the crowd to adorn the dock. And things weren't going very well. The
-police were streaming in through the doorway. And then I caught sight of
-something I hadn't seen before because it had previously been hidden by
-a big Chinese screen--one of those iron-shuttered windows they seem so
-fond of down there. Things weren't very rosy just at that moment because
-about the worst hell-cat scramble on record was being made a little
-worse by some cheerful maniac starting a bit of revolver practice, but I
-remember that I couldn't help laughing to save my soul. In the mêlée one
-of the folding wings of the screen had suddenly doubled up, and,
-besides the window, I saw hiding behind there for dear life, his
-face pasty-white with terror, a very courageous gentleman--one of the
-rubbernecks who had come in with the tout. He was too scared, I imagine,
-even to have the thought of tackling such formidable things as iron
-shutters enter his head. I yelled to the stoker to get them open, and
-tried to form a sort of rear guard for him while he did it. Then I heard
-them creak on their hinges, and heard him shout. I made a dash for it,
-but I wasn't quite quick enough. One of the policemen grabbed me, but
-I was playing in luck then. I got in a fortunate swing and he went down
-for the count. I remember toppling the screen and the man behind it
-over on the floor as I jumped sideways for the window; and I remember a
-glimpse of his terrorized face, his eyes staring at me, his mouth wide
-open, as I took a headlong dive over the window sill. The stoker picked
-me up, and we started on the run.
-
-“The police were scrambling through the window after us. I didn't need
-to be told that there wouldn't be a happy time ahead if I were caught.
-Apart from that tout who, though I had nothing to do with it, gave the
-affair a very serious aspect, I was good for the limit on the statute
-books for resisting arrest in the first place, and for knocking out an
-officer in the second. But the stoker knew his way about. We gave
-the police the slip, and a little later on we landed up in a sailors'
-boarding-house run by a one-eyed cousin of Satan, known as Lascar Joe.
-We lay there hidden while the tout got better, and the Spanish hidalgo
-got sent up for a long term for murderous assault. Finally Lascar Joe
-slipped the stoker aboard some ship; and a week or so later he slipped
-me, the transfer being made in the night, aboard a frowsy tramp, bound
-for New Zealand.”
-
-The young man paused, evidently inviting comment.
-
-“Go on,” prompted the man with the quill toothpick softly.
-
-“There isn't very much more,” said the young man. He laughed shortly.
-“As far as I know I'm the sole survivor from that tramp. She never got
-to New Zealand; and that's how I got here to Samoa. She went down in
-a hurricane. I was washed ashore on one of this group of islands about
-forty or fifty miles from here. I don't know much about the details; I
-was past knowing anything when the bit of wreckage on which I had lashed
-myself days before came to port. There weren't any--I was going to say
-white people on the island, but I'm wrong about that. The Samoans are
-about the whitest people on God's green earth. I found that out. There
-were only natives on that island. I lived with them for about two
-months, and I got to be pretty friendly with them, especially the old
-fellow who originally picked me up half drowned and unconscious on the
-beach, and who took me into the bosom of his family. Then the missionary
-boat came along, and I came back with it to Apia here.”
-
-The young man laughed again suddenly, a jarring note in his mirth.
-
-“I don't suppose you've heard that original remark about the world
-being such a small place after all! I figured that back here in Apia a
-shipwrecked and destitute white man would get the glad hand and at least
-a chance to earn his stake. Maybe he would ordinarily; but I didn't. I
-hadn't said anything to the missionary about that Honolulu escapade, and
-I was keeping it dark when I got here and started to tell the shipwreck
-end of my story over again. Queer, isn't it? Lined up in about the first
-audience I had was the gentleman with the pasty face that I had toppled
-over with the screen in the old Chink's faro dump. He was one of the big
-guns here, and had been away on a pleasure trip, and Honolulu had been
-on his itinerary. That settled it. The missionary chap spoke up a bit
-for me, I'll give him credit for that, though I had a hunch he was going
-to use that play as an opening wedge in an effort to reform me later on.
-But I had my fingers crossed. The whites here turned their backs on me,
-and I turned my back on the missionary. That's about all there was to
-it. That was about two weeks ago, and for those two weeks I've lived in
-another of Mr. Dante's delightful circles.”
-
-He sat suddenly upright, a clenched fist flung outward.
-
-“Not a cent! Not a damned sou-marquee! Nothing but this torn shirt, and
-what's left of these cotton pants! Hell!”
-
-He lay back on the sand quite as suddenly again, and fell to laughing
-softly.
-
-“Tck!” It was the quill toothpick.
-
-“But at that,” said the young man, “I'm not sure you could call me
-a cynic, though the more I see of my own breed as compared with the
-so-called heathen the less I think of--my own breed! I still had a card
-up my sleeve. I had a letter of introduction to a real gentleman and
-landed proprietor here. His name was Nanu, and he gave me his house to
-live in, and made me free of his taro and his breadfruit and all his
-worldly possessions; and it was the old native who took care of me on
-the other island that gave me the letter. It was a queer sort of letter,
-too--but never mind that now.
-
-“Splendid isolation! That's me for the last two weeks as a cross between
-a pariah and a mangy cur! What amazes me most is myself. The gentleman
-of the Chinese screen is still in the land of the living and walking
-blithely around. Funny, isn't it? That's one reason I was crazy to get
-away--before anything happened to him.” The tanned fist closed fiercely
-over a handful of sand, then opened and allowed the grains to trickle
-slowly through the fingers, and its owner laughed softly again. “I've
-lived through hell here in those two weeks. I guess we're only built to
-stand so much. I was about at the end of my rope when the mail steamer
-put in yesterday. I hope I haven't idealized my sojourn here in a way
-that would cause you to minimize my necessity for getting away, no
-matter to where or by what means! Nanu and I went out to the ship in his
-outrigger. Perhaps I would have had better luck if I had run into any
-other than the particular mate I did. I don't know. I offered to work my
-passage. Perhaps my fame had already gone abroad--or aboard. He invited
-me to make another excursion into Dante-land. But when he turned his
-back on me I slipped below, and tucked myself in behind some of the
-copra sacks they were loading. Once the steamer was away I was away
-with her, and I was willing to take what was coming. But I didn't get a
-chance. I guess the mate was sharper than I gave him credit for. After
-about four hours of heat and stink down there below decks that I had to
-grit my teeth to stand, he hauled me out as though he knew I had been
-there all the time. I was thrown off the steamer.
-
-“But I wasn't through. Steamers do not call here every day. I wonder
-if you'll know what I mean when I say I was beginning to be afraid of
-myself and what might happen if I had to stick it out much longer? That
-mangy cur I spoke of had me lashed to the mast from a social standpoint.
-I tried it again--to-night. Nanu fixed it for me with one of the crew to
-hang that rope over the side, and--well, I believe you said you had seen
-what happened. I believe you said, too, that a chance still existed of
-my sailing with the mail boat, depending upon my story.” He laughed a
-little raucously. “I hope it's been interesting enough to bail me out;
-anyway, that's all of it.”
-
-The tall man sat for a moment in silence.
-
-“Yes,” he said at last; “I am quite satisfied. Dressed as a gentleman,
-with money in your pockets, and such other details as go with the rôle,
-you would never be associated with that affair in Honolulu. As a matter
-of fact your share in it was not so serious that the police would dog
-you all over the world on account of it. In other words, and what really
-interests me, is that you are not what is commonly designated as a
-'wanted' man. Yes, I may say I am thoroughly satisfied.”
-
-The young man yawned and stretched himself.
-
-“I'm delighted to hear it. I haven't any packing to do. Shall we stroll
-back to the ship?”
-
-“I hope so.” The quill toothpick was busy again. “The decision
-rests with you. I am not a philanthropist. I am about to offer you a
-situation--to fill which I have been searching a good many years to find
-some one who had the necessary qualifications. I am satisfied you are
-that man. You do not know me; you do not know my name, and though you
-have already asked what it is, I shall still withhold that information
-until your decision has been given. If you agree, I will here and now
-sign a contract with you to which we will both affix our bona fide
-signatures; if you refuse, we will shake hands and part as friends and
-strangers who have been--shall we use your expression?--moon-mad under
-the influence of the wonders of a tropic night.”
-
-“Something tells me,” said the young man softly, “that the situation is
-not an ordinary one.”
-
-“And you are right,” replied the other quietly. “It is not only not
-ordinary, but is, I think I may safely say, absolutely unique and
-without its counterpart. I might mention in passing that I am not in
-particularly good health, and the sea voyage I was ordered to take
-explains my presence here. I am the sole owner of one of the largest,
-if not the largest, business enterprises in America; certainly its
-turn-over, at least, is beyond question the biggest on the American
-continent. I have establishments in every city of any size in both the
-United States and Canada--and even in Mexico. The situation I offer you
-is that of my confidential representative. No connection whatever will
-be known to exist between us; your title will be that of a gentleman of
-leisure--but your duties will be more arduous. I regret to say that in
-many cases I fear my local managers are not--er--making accurate returns
-to me, and they are very hard to check up. I would require you to travel
-from place to place as a sort of, say, secret inspector of branches,
-and furnish me with the inside information from the lack of which my
-business at present, I am afraid, is suffering severely.”
-
-“And that business?” The young man had raised himself to his elbow on
-the sand.
-
-“The one that is nearest to your heart,” said the tall man calmly.
-“Gambling.”
-
-The young man leaned slowly forward, staring at the other.
-
-“I wonder if I quite get you?” he said.
-
-“I am sure you do.” The tall man smiled. “My business is a chain of
-select and exclusive gambling houses where only high play is indulged
-in, and whose clientele is the richest in the land.”
-
-The young man rose to his feet, walked a few steps away along the beach,
-and came back again.
-
-“You're devilishly complimentary!” he flung out, with a short laugh. “As
-I understand it, then, the price I am to pay for getting away from here
-is the pawning of my soul?”
-
-“Have you anything else to pawn?” inquired the other--and the quill
-toothpick punctuated the remark: “Tck!”
-
-“No,” said the young man, with a twisted smile. “And I'm not sure I've
-got that left! I am beginning to have a suspicion that it was in your
-'branch' at San Francisco that I lost my money.”
-
-“You did,” said the other coolly. “That is how I came to know you.
-Though not personally in evidence in the 'house' itself, San Francisco
-is my home, and my information as to what goes on there at least is
-fairly accurate.”
-
-The young man resumed his pacing up and down the sand.
-
-“And I might add,” said the tall man after a moment, “that from a point
-of ethics I see little difference in the moral status between one who
-comes to gamble and one who furnishes the other with the opportunity to
-do so. You are perhaps hesitating to take the hurdle on that account?”
-
-“Moral status!” exclaimed the young man sharply. He halted abruptly
-before the other. “No--at least I am not a hypocrite! What right have I
-to quarrel with moral status?”
-
-“Very well, then,” said the other; “I will go farther. I will give you
-everything in life that you desire. You will live as a gentleman of
-wealth surrounded by every luxury that money can procure, for that is
-your rôle. You may gamble to your heart's content, ten, twenty, fifty
-thousand a night--in my houses. You will travel the length and breadth
-of America. I will pay every expense. There is nothing that you may not
-have, nothing that you may not do.”
-
-The young man was silent for a full minute then, with his hands dug in
-his pockets, he fell to whistling under his breath very softly--but very
-deliberately.
-
-An almost sinister smile spread over the tall man's lips as he listened.
-
-“If I am not mistaken,” he observed dryly, “that is the aria from
-Faust.”
-
-“Yes,” said the young man--and stared the other in the eye. “It is the
-aria from Faust.”
-
-The tall man nodded--but now his lips were straight.
-
-“I accept the rôle of Mephistopheles, then,” he said softly. “Doctor
-Faustus, you know, signed the bond.”
-
-The young man squatted on the sand again. His face was curiously white;
-only the ugly welt, dull red, across his cheeks, like the mark of some
-strange branding-iron, held color.
-
-“Then, draw it!” he said shortly. “And be damned to you!”
-
-The tall man took a notebook and a fountain pen from his pocket. He
-wrote rapidly, tore out the leaf, and on a second leaf made a copy of
-the first. This, too, he tore out.
-
-“I will read it,” he said. “You will observe that no names are
-mentioned; that I have still reserved the privilege of keeping my
-identity in abeyance until the document is signed. This is what I have
-written: _For good and valid consideration the second signatory to
-this contract hereby enters unreservedly into the employ of the first
-signatory for a period which shall include the lifetime of one or
-other of the undersigned, or until such time as this agreement may be
-dissolved either by mutual consent or at the will of the first signatory
-alone. And the first signatory to this contract agrees to maintain
-the second signatory in a station in life commensurate with that of a
-gentleman of wealth irrespective of expense, and further to pay to the
-second signatory as a stated salary the sum of one thousand dollars a
-month._” He looked up. “Shall I sign?”
-
-“Body and soul,” murmured the young man. He appeared to be fascinated
-with the restless movement of the quill toothpick in the other's
-mouth. “Have you another toothpick you could let me have?” he inquired
-casually.
-
-The tall man mechanically thrust his fingers into his vest pocket; and
-then, as though but suddenly struck with the irrelevancy, and perhaps
-facetiousness, of the request, frowned as he found himself handing over
-the article in question.
-
-“Shall I sign?” His tone was sterner. “It is understood that the
-signatures are to be bona fide and----”
-
-“Yes, sign it. It is quite understood.” The young man spoke without
-looking up. He seemed to be engrossed in carefully slitting the point of
-the quill toothpick he had acquired with his knife.
-
-The other signed both sheets from the notebook.
-
-The young man accepted the two slips of paper, but refused the proffered
-fountain pen. In the moonlight he read the other's signature: Gilbert
-Larmon. His lips tightened a little. It was a big name in San Francisco,
-a name of power. Few dreamed perhaps where the sinews of that power came
-from! He drew from his pocket a small bottle, uncorked it, dipped in
-the quill toothpick, and with his improvised pen wrote with a rasping,
-spluttering noise beneath the other's signature on each of the two slips
-of paper. One of these slips he returned to the other--but beneath the
-tall man's signature there was no mark of any kind whatever.
-
-Through narrowing eyes the tall man had been watching, and now his face
-darkened ominously, and there was something of deadly coolness in his
-voice as he spoke.
-
-“What tomfoolery is this?” he demanded evenly.
-
-“No; it's quite all right,” said the young man placidly. “Just a whim
-of mine. I can't seem to get that Doctor Faustus thing out of my head.
-According to the story, I think, he signed in a drop of blood--and I
-thought I'd carry a sort of analogy along a bit. That stuff's all right.
-I got it from my old native friend on that island I was telling you
-about. It's what my letter of introduction to Nanu was written with.
-And--well, at least, I guess it stands for the drop of blood, all right!
-Take it down there to the shore and dip that part of the paper in the
-salt water.”
-
-The tall man made no answer. For a moment he remained staring with
-grim-set features at the other, then he got up, walked sharply to the
-water's edge, and, bending down, moistened the lower portion of the
-paper. He held it up to the moonlight. Heavy black letters were slowly
-taking form just beneath his own signature. Presently he walked back up
-the beach to the young man, and held out his hand.
-
-“Let us get back to the ship--John Bruce,” he said.
-
-
-
-
-CHAPTER ONE--ALADDIN'S LAMP
-
-|JOHN BRUCE, stretched at full length on a luxurious divan in the most
-sumptuous apartment of the Bayne-Miloy, New York's newest and most
-pretentious hostelry, rose suddenly to his feet and switched off the
-lights. The same impulse carried him in a few strides to the window. The
-night was still, and the moon rode high and full. It was the same moon
-that, three months ago, he had stared at from the flat of his back
-on the beach at Apia. A smile, curiously tight, and yet curiously
-whimsical, touched his lips. If it had been “moon-madness” that had
-fallen upon the gambler king and himself that night, it had been a
-madness that was strangely free in its development from hallucination!
-That diagnosis no longer held. It would be much more apposite to lay it
-bluntly to the door of--Mephistopheles! From the moment he had boarded
-the mail steamer he had lived as a man possessed of unlimited wealth,
-as a man with unlimited funds always in his possession or at his instant
-command.
-
-He whistled softly. It was, though, if not moon-madness, perhaps the
-moon, serene and full up there as it had been that other night, which he
-had been watching from the divan a few moments before, that had sent his
-mind scurrying backward over those intervening months. And yet, perhaps
-not; for there would come often enough, as now, moments of mind groping,
-yes, even the sense of hallucination, when he was not quite sure but
-that a certain bubble, floating at one moment in dazzlingly iridescent
-beauty before his eyes, would dissolve the next into blank nothingness,
-and---- Well, what would it be then? Another beach at some Apia, until
-another Mephistopheles, in some other guise, came to play up against his
-rôle of Doctor Faustus again?
-
-He looked sharply behind him around the darkened room, whose darkness
-did not hide its luxury. His shoulder brushed the heavy silken portière
-at his side; his fingers touched a roll of banknotes in his pocket,
-a generous roll, whose individual units were of denominations more
-generous still. These were realities!
-
-Mephistopheles at play! He had left Larmon at Suva, Fiji. Thereafter,
-their ways and their lives lay apart--outwardly. Actually, even here
-in New York with the continent between them, for Larmon had resumed
-his life in which he played the rôle of a benevolent and retired man of
-wealth in San Francisco, they were in constant and extremely intimate
-touch with each other.
-
-A modern Mephistopheles! Two men only in the world knew Gilbert Larmon
-for what he was! One other besides himself! And that other was a man
-named Maldeck, Peter Maldeck. But only one man knew him, John Bruce, in
-his new rôle, and that was Gilbert Larmon. Maldeck was the manager of
-the entire ring of gambling houses, and likewise the clearing house
-through which the profits flowed into Larmon's coffers; but to Maldeck,
-he, John Bruce, was exactly what he appeared to be to the world at
-large, and to the local managers of the gambling houses in particular--a
-millionaire plunger to whom gambling was as the breath of life. The
-“inspector of branches” dealt with Gilbert Larmon alone, and dealt
-confidentially and secretively over Maldeck's head--even that invisible
-writing fluid supplied by the old Samoan Islander playing its part when
-found necessary, for it had been agreed between Larmon and himself that
-even the most innocent appearing document received from him, John Bruce,
-should be subjected to the salt water test; and he had, indeed, already
-used it in several of the especially confidential reports that he had
-sent Larmon on some of the branches.
-
-He shrugged his shoulders. The whole scheme of his changed existence
-had all been artfully simple--and superbly efficient. He was under no
-necessity to explain the source of his wealth except in his native city,
-San Francisco, where he was known--and San Francisco was outside
-his jurisdiction. With both Larmon and Maldeck making that their
-headquarters, other supervision of the local “branch” was superfluous;
-elsewhere, his wealth was inherited--that was all. So, skipping San
-Francisco, he had come leisurely eastward, gambling for a week or
-two weeks, as the case might be, in the various cities, following as
-guidance apparently but the whim of his supposedly roué inclinations,
-and he had lost a lot of money--which would eventually find its way
-back to its original source in the pockets of Gilbert Larmon, via the
-clearing house conducted by Peter Maldeck. It was extremely simple--but,
-equally, extremely systematic. The habitues of every branch were
-carefully catalogued. He had only--and casually--to make the
-acquaintance of one of these in each city, and, in turn, quite
-inevitably, would follow an introduction to the local “house”; and, once
-introduced, the entrée, then or on any subsequent visit to that city,
-was an established fact.
-
-John Bruce laughed suddenly, softly, out into the night. It had been
-a good bargain that he had made with Mephistopheles! Wealth, luxury,
-everything he desired in life was his. On the trail behind him in the
-cities he had already visited he had nightly lost or won huge sums of
-money until he had become known as the millionaire plunger. It was quite
-true that, in as much as the money, whether lost or won, but passed from
-his right- to his left-hand pocket--the pockets being represented by
-one Gilbert Larmon--the gambler craving within him was but ill
-served, almost in a sense mocked; but that phase of it had sunk into
-insignificance. The whole idea was a gigantic gamble--a gamble with
-life. The whole fabric was of texture most precarious. It exhilarated
-him. Excitement, adventure, yes, even peril, beckoned alluringly and
-always from around the corner just ahead. He stood against the police;
-he stood a very excellent chance of being discovered some morning minus
-his life if the men he was set to watch, and who now fawned upon him and
-treated him with awe and an unholy admiration, should get an inkling of
-his real identity and his real purpose in their houses!
-
-He yawned, and as though glorying in his own strength flexed his great
-shoulders, and stretched his arms to their full length above his head.
-God, it was life! It made of him a superman. He had no human ties to
-bind him; no restraint to know; no desire that could not be satiated.
-The past was wiped away. It was like some reincarnation in which he
-stood supreme above his fellow men, and they bowed to their god. And he
-was their god. And if he but nodded approval they would lie, and cheat,
-and steal, and commit murder in their greed of worship, they whose souls
-were in pawn to their god!
-
-He turned suddenly from the window, switched on the lights, drew from
-his pocket a great sum of money in banknotes, and stood staring at it.
-There were thousands in his hand. Thousands and thousands! Money! The
-one universally-orthodox god! For but one of these pieces of paper in
-his hand he could command what he would, play upon human passions at his
-whim, and like puppets on a stage of his own setting move the followers
-of the Great Creed, that were numbered in their millions, at his will!
-It was only over the few outcasts, the unbelievers, that he held no
-sway. But he could afford to ignore the minority! Was he not indeed a
-god?
-
-And it had cost him nothing. Only the pawning of his soul; and, like
-Faustus, the day of settlement was afar off. Only the signing of a bond
-that postulated a denial of what he had already beforehand held in light
-esteem--a code of canting morals. It was well such things were out of
-the way! Life stretched the fuller, the rosier, the more red-blooded
-before him on that account. He was well content. The future lured him.
-Nor was it money alone. There was the spice of adventure, the battle
-of wits, hardly inaugurated yet, between himself and those whose
-underground methods were the _raison d'être_ of his own magically
-enhanced circumstances.
-
-John Bruce replaced the money in his pocket abruptly, and frowned. That
-was something, from still another standpoint, which he could not afford
-to lose sight of. He had to justify his job. Gilbert Larmon had stated
-that he was not a philanthropist, and it was written in the bond that
-Larmon could terminate the agreement at will. Yes, and that was
-queer, too! What kind of a man was Larmon? He knew Larmon, as Larmon
-superficially subjected himself to inspection and speculation; but
-he was fully aware that he did not know Larmon the man. There seemed
-something almost sinister in its inconsistency that Larmon should at one
-and the same time reserve the right to terminate that bond at will while
-his very signature upon it furnished a weapon which, if he, John Bruce,
-chose to use it, placed the other at his mercy. What kind of a man was
-Larmon? No fool, no weakling--that was certain. And yet at a word he,
-John Bruce, could tear the other from the pseudorighteous pedestal upon
-which he posed, strip the other naked of the garments that clothed his
-criminal activities, and destroy utterly the carefully reared structure
-of respectability that Larmon had built up around himself. It might be
-very true that he, John Bruce, would never use such a weapon, even under
-provocation; but Larmon could not be sure of that. How then did Larmon
-reconcile his reservation to terminate the contract at will and yet
-furnish his co-signatory with the means of black-mailing him into a
-continuance of it? What kind of a man was Larmon? What would he be like
-with his back to the wall? What _other_ reservation had been in Larmon's
-mind when he had drawn that bond?
-
-And then a queer and bitter smile came to John Bruce's lips. The god
-of money! Was he so sure that he was the god and not the worshiper? Was
-that it? Was that what Larmon counted upon?--that only a fool would risk
-the sacrifice of the Aladdin's lamp that had been thrust into his
-hands, and that only a fool but would devote body and soul to Larmon's
-interests under the circumstances!
-
-The smile grew whimsical. It was complimentary in a sense. It was based
-on the premise that he, John Bruce, was not a fool. He shrugged his
-shoulders. Well, therein Larmon was right. It would not be his, John
-Bruce's, fault if anything short of death terminated the bond which had
-originated that tropic night on the moon-lit beach in Samoa three months
-ago!
-
-He looked at his watch. It was nine o'clock. It was still early for
-play; but it was not so early that his arrival in the New York “branch,”
- where he had been a constant visitor for the last four nights, could
-possibly arouse any suspicion, and one's opportunities for inside
-observation were very much better when the play was desultory and but
-few present than in the crowded rooms of the later hours.
-
-“If I were in England now,” said John Bruce, addressing the chandelier,
-as he put on a light coat over his evening clothes, “I couldn't get away
-with this without a man to valet me--and at times, though he might be
-useful, he might be awkward. Damned awkward! But in America you do, or
-you don't, as you please--and I don't!”
-
-
-
-
-CHAPTER TWO--THE MILLIONAIRE PLUNGER
-
-|JOHN BRUCE left the hotel and entered a taxi. A little later, in
-that once most fashionable section of New York, in the neighborhood of
-Gramercy Square, he was admitted to a stately mansion by a white-haired
-negro butler, who bowed obsequiously.
-
-Thereafter, for a little while, John Bruce wandered leisurely from room
-to room in the magnificently appointed house, where in the rich carpets
-the sound of footsteps was lost, where bronzes and paintings, exquisite
-in their art, charmed the eye, where soft-toned draperies and portières
-were eloquent of refinement and good taste; he paused for a moment at
-the threshold of the supper room, whose table was a profusion of every
-delicacy to tempt the palate, where wines of a vintage that was almost
-priceless were to be had at no greater cost than the effort required
-to lift a beckoning finger to the smiling ebony face of old Jake, the
-attendant. And here John Bruce extended a five-dollar bill, but shook
-his head as the said Jake hastened toward him. Later, perhaps, he might
-revisit the room--when a few hours' play had dimmed the recollection of
-his recent dinner, and his appetite was again sharpened.
-
-In the card rooms there were, as yet, scarcely any “guests.” He chatted
-pleasantly with the “dealers”--John Bruce, the millionaire plunger,
-was _persona grata_, almost effusively so, everywhere in the house.
-Lavergne, the manager, as Parisian as he was immaculate from the tips of
-his patent-leathers to the tips of his waxed mustache, joined him; and
-for ten minutes, until the other was called away, John Bruce proceeded
-to nourish the already extremely healthy germ of intimacy that, from the
-first meeting, he had planted between them.
-
-With the manager's million apologies for the unpardonable act of tearing
-himself away still sounding in his ears, John Bruce placidly resumed
-his wanderings. The New York “branch,” which being interpreted meant
-Monsieur Henri de Lavergne, the exquisite little manager, was heavily
-underscored on Gilbert Larmon's black-list!
-
-The faint, musical whir of the little ivory ball from the roulette table
-caught John Bruce's attention, and he strolled in that direction. Here
-a “guest” was already at play. The croupier smiled as John Bruce
-approached the table. John Bruce smiled pleasantly in return, and sat
-down. After a moment, he began to make small five-dollar bets on the
-“red.” His fellow-player was plunging heavily--and losing. Also, the man
-was slightly under the influence of liquor. The croupier's voice droned
-through half a dozen plays. John Bruce continued to make five-dollar
-bets. The little by-play interested him. He knew the signs.
-
-His fellow-player descended to the supper room for another drink, it
-being against the rules of the house to serve anything in the gambling
-rooms. The croupier laughed as he glanced at the retreating figure and
-then at another five-dollar bet that John Bruce pushed upon the “red.”
-
-“He'll rob you of your reputation, Mr. Bruce, if you don't look out!”
- the croupier smiled quizzically. “Are you finding a thrill in playing
-the minimum for a change?”
-
-“Just feeling my way.” John Bruce returned the smile. “It's a bit early
-yet, isn't it?”
-
-The other player returned. He continued to bet heavily. He made another
-excursion below stairs. Other “guests” drifted into the room, and the
-play became more general.
-
-John Bruce increased his stakes slightly, quite indifferent naturally as
-to whether he lost or won--since he could neither lose nor win. He was
-sitting beside the player he had originally joined at the table, and
-suddenly his interest in the other became still more enlivened. The man,
-after a series of disastrous plays, was palpably broke, for he snatched
-off a large diamond ring from his finger and held it out to the
-croupier.
-
-“Give me--hic!--somethin' on that,” he hiccoughed. “Might as well make a
-clean-up, eh?”
-
-The croupier took the ring, examined it critically for an instant, and
-handed it back.
-
-“I'm sorry,” he said; “but you know the rules of the house. I couldn't
-advance anything on it if it were worth a million. But the stone's
-valuable, all right. You'd better take a trip to Persia.”
-
-The man replaced the ring with some difficulty upon his finger, and
-stared owlishly at the croupier.
-
-“T' hell with your--hic!--trip to Persia!” he said thickly. “Don't like
-Persia! Been--hic!--there before! Guess I'll go home!”
-
-The man negotiated his way to the door; the game went on. John Bruce
-began to increase his stakes materially. A trip to Persia! What,
-exactly, did that mean? It both piqued his curiosity and stirred his
-suspicions. He smiled as he placed a heavy stake upon the table. It
-would probably be a much more expensive trip to this fanciful Persia
-than to the Persia of reality, for it seemed that one must go broke
-first! Well, he would go broke--though it would require some little
-finesse for John Bruce, the millionaire plunger, to attain that envious
-situation without exciting suspicion. He was very keenly interested in
-this personally conducted tour, obviously inaugurated by that exquisite
-little man, Monsieur Paul de Lavergne!
-
-John Bruce to his inward chagrin--won. He began to play now with a
-zest, eagerness and excitement which, heretofore, the juggling of
-Mephistopheles' money had deprived him of. Outwardly, however, the calm
-impassiveness that, in the few evenings he had been in the house, had
-already won him the reputation of being par excellence a cool and nervy
-plunger, remained unchanged.
-
-He continued to win for a while; and then suddenly he began to lose.
-This was much better! He lost steadily now. He staked with lavish hand,
-playing numerous long chances for the limit at every voyage of the
-clicking little ivory ball. Finally, the last of his visible assets were
-on the table, and he leaned forward to watch the fall of the ball. He
-was already fingering the magnificent jeweled watch-fob that dangled
-from the pocket of his evening clothes.
-
-“Zero!” announced the croupier.
-
-The “zero” had been one of his selections. The “zero” paid 35 for 1.
-
-A subdued ripple of excitement went up from around the table. The room
-was filling up. The still-early comers, mostly spectators for the time
-being, lured to the roulette table at the whisper that the millionaire
-plunger was out to-night to break the bank, were whetting their own
-appetites in the play of Mr. John Bruce, who had obviously just escaped
-being broke himself by a very narrow margin.
-
-John Bruce smiled. He was in funds again--more so than pleased him!
-
-“It's a 'zero' night, Mr. Croupier,” observed John Bruce pleasantly.
-“Roll her again!”
-
-But now luck was with John Bruce. The “zero” and his other combinations
-were as shy and elusive as fawns. At the expiration of another half hour
-the net result of John Bruce's play consisted in his having transferred
-from his own keeping into the keeping of the New York branch thirty
-thousand dollars of Mephistopheles' money. He was to all appearances
-flagrantly broke as far as funds in his immediate possession were
-concerned.
-
-“I guess,” said John Bruce, with a whimsical smile, “that I didn't bring
-enough with me. I don't know where I can get any more to-night, and--oh,
-here!” He laughed with easy grace, as he suddenly tossed his jeweled
-watch-fob to the croupier. “One more fling anyhow--I've still unbounded
-faith in 'zero'! Let me have a thousand on that. It's worth about two.”
-
-The croupier, as on the previous occasion, examined the article, but, as
-before, shook his head.
-
-“I'm awfully sorry, Mr. Bruce, but it's strictly against the rules of
-the house,” he said apologetically. “I can fix it for you easily enough
-though, if you care to take a trip to Persia.”
-
-“A trip to Persia?” inquired John Bruce in a puzzled way. “I think I
-heard you suggest that before this evening. What's the idea?”
-
-Some of those around the table were smiling.
-
-“It's all right,” volunteered a player opposite, with a laugh. “Only
-look out for the conductor!”
-
-“Shoot!” said John Bruce nonchalantly. “That's good enough! You can book
-my passage, Mr. Croupier.”
-
-The croupier called an attendant, spoke to him, and the man left the
-room.
-
-“It will take a few minutes, Mr. Bruce--while you are getting your hat
-and coat. The doorman will let you know,” said the croupier, and with a
-bow to John Bruce resumed the interrupted game.
-
-John Bruce strolled from the room, and descended to the lower floor. He
-entered the supper room, and while old Jake plied him with delicacies he
-saw the doorman emerge from the telephone booth out in the hall, hurry
-away, and presently return, talking earnestly with Monsieur Henri de
-Lavergne. The manager, in turn, entered the booth.
-
-Monsieur Henri de Lavergne came into the supper room after a moment.
-
-“In just a few minutes, Mr. Bruce--there will be a slight delay,” he
-said effusively. “Too bad to keep you waiting.”
-
-“Not at all!” responded John Bruce. He held a wine glass up to the
-light. “This is very excellent, Monsieur de Lavergne.”
-
-Monsieur Henri de Lavergne accepted the compliment with a gratified bow.
-
-“Mr. Bruce is very kind to say so,” he said--and launched into an
-elaborate apology that Mr. Bruce should be put to any inconvenience
-to obtain the financial accommodation asked for. The security that Mr.
-Bruce offered was unquestioned. It was not that. It was the rule of the
-house. Mr. Bruce would understand.
-
-Mr. Bruce understood perfectly.
-
-“Quite so!” he said cordially.
-
-Monsieur Henri de Lavergne excused himself, and left the room.
-
-“A fishy, clever little crook,” confided John Bruce to himself. “I
-wonder what's the game?”
-
-He continued to sip his wine in apparent indifference to the passing
-minutes, nor was his indifference altogether assumed. His mind was quite
-otherwise occupied. It was rather neat, that--a trip to Persia. The
-expression in itself held a lure which had probably not been overlooked
-as an asset. It suggested Bagdad, and the Arabian Nights, and a Caliph
-and a Grand Vizier who stalked about in disguise. On the other hand, the
-inebriated gentleman had evidently had his fill of it on one occasion,
-and would have no more of it. And the other gentleman who had, as it
-were, indorsed the proceeding, had, at the same time, taken the occasion
-to throw out a warning to beware of the conductor.
-
-John Bruce smiled pleasantly into his wine glass. Not very difficult to
-fathom, perhaps, after all! It was probably some shrewd old reprobate
-with usurious rates in cahoots with the sleek Monsieur Henri de
-Lavergne, who made a side-split on the said rates in return for the
-exclusive privilege accorded the other of acting as leech to the guests
-of the house when in extremity.
-
-It had been perhaps twenty minutes since he had left the roulette table.
-He looked at his watch now as he saw the doorman coming toward the
-supper room with his hat and coat. The night was still early. It was a
-quarter to eleven.
-
-He went out into the hall.
-
-“Yassuh,” said the gray-haired and obsequious old darky, as he assisted
-John Bruce into his coat, “if yo'all will just come with me, Mistuh
-Bruce, yo'all will be 'commodated right prompt.”
-
-John Bruce followed his guide to the doorstep.
-
-The darky pointed to a closed motor car at the curb by the corner, a few
-houses away.
-
-“Yo'all just say 'Persia' to the shuffer, Mistuh Bruce, and-------”
-
-“All right!” John Bruce smiled his interruption, and went down the steps
-to the sidewalk.
-
-John Bruce approached the waiting car leisurely, scrutinizing it the
-while; and as he approached, it seemed to take on more and more the
-aspect of a venerable and decrepit ark. The body of the car was entirely
-without light; the glass front, if there were one, behind the man whom
-he discerned sitting in the chauffeur's seat, was evidently closely
-curtained; and so, too, he now discovered as he drew nearer, were the
-windows and doors of the car as well.
-
-“The parlor looks a little ominous,” said John
-
-Bruce softly to himself. “I wonder how far it is to the spider's dining
-room?”
-
-He halted as he reached the vehicle.
-
-“I'm bound for Persia, I believe,” he suggested pleasantly to the
-chauffeur.
-
-The chauffeur leaned out, and John Bruce was conscious that he was
-undergoing a critical inspection. In turn he looked at the chauffeur,
-but there was very little light. The car seemed to have chosen a spot
-as little disturbed by the rays of the street lamps as possible, and
-he gained but a vague impression of a red, weather-beaten face, clean
-shaved, with shaggy brows under grizzled hair, the whole topped by an
-equally weather-beaten felt hat of nondescript shape and color.
-
-The inspection, on the chauffeur's part at least, appeared to be
-satisfactory.
-
-“Yes, sir,” said the man. “Step in, sir, please.”
-
-The door swung open--just how, John Bruce could not have explained.
-He stepped briskly into the car--only to draw back instinctively as he
-found it already occupied. But the door had closed behind him. It was
-inky black in the interior now with the door shut. The car was jolting
-into motion.
-
-“Pardon me!” said John Bruce a little grimly, and sat down on the back
-seat.
-
-A woman! He had just been able to make out a woman's form as he had
-stepped in. It was clever--damned clever! Of both the exquisite Monsieur
-Henri de Lavergne and the money-lending spider at the other end of this
-pleasant little jaunt into unexplored Persia! A woman in it--a luring,
-painted, fair and winsome damsel, no doubt--to make the usurious pill
-of illegal interest a little sweeter! Oh, yes, he quite understood now
-that warning to beware of the conductor!
-
-“I did not anticipate such charming company,” said John Bruce
-facetiously. “Have we far to go?”
-
-There was no answer.
-
-Something like a shadow, deeper than the surrounding blackness, seemed
-to pass before John Bruce's eyes, and then he sat bolt upright, startled
-and amazed. In front of him, let down from the roof of the car, was a
-small table covered with black velvet, and suspended some twelve inches
-above the table, throwing the glow downward in a round spot of light
-over the velvet surface, was a shaded electric lamp. A small white hand,
-bare of any ornament, palm upward, lay upon the velvet table-top under
-the play of the light.
-
-A voice spoke now softly from beside him:
-
-“You have something to pawn?”
-
-John Bruce stared. He still could not see her face. “Er--yes,” he said.
-He frowned in perplexity. “When we get to Persia, alias the pawn-shop.”
-
-“This is the pawn-shop,” she answered. “Let me see what you have,
-please.”
-
-“Well, I'm da----” John Bruce checked himself.
-
-There was a delicacy about that white hand resting there under the light
-that rebuked him. “Er--pardon me,” said John Bruce.
-
-He felt for his jeweled watch-fob, unfastened it, and laid it in the
-extended palm. He laughed a little to himself. On with the game! The
-lure was here, all right; the stage setting was masterly--and now the
-piper would be paid on a basis, probably, that would relegate Shylock
-himself to the kindergarten class of money lenders!
-
-And then, suddenly, it seemed to John Bruce as though his blood whipping
-through his veins was afire. A face in profile, bending forward to
-examine the diamonds and the setting of the fob-pendant, came under the
-light. He gazed at it fascinated. It was the most beautiful face he had
-ever seen. His eyes drank in the rich masses of brown, silken hair,
-the perfect throat, the chin and lips that, while modelled in sweet
-womanliness, were still eloquent of self-reliance and strength. He had
-thought to see a pretty face, a little brazen perhaps, and artfully
-powdered and rouged; what he saw was a vision of loveliness that seemed
-to personify the unsullied, God-given freshness and purity of youth.
-
-He spoke involuntarily; no power of his could have kept back the words.
-
-“My God, you are wonderful!” he exclaimed in a low voice.
-
-He saw the color swiftly tinge the throat a coral pink, and mount
-upwards; but she did not look at him. Her eyes! He wanted to see her
-eyes--to look into them! But she did not turn her head.
-
-“You probably paid two thousand dollars for this,” she said quietly,
-“and----”
-
-“Nineteen hundred,” corrected John Bruce mechanically.
-
-“I will allow you seventeen hundred on it, then,” she said, still
-quietly. “The interest will be at seven per cent. Do you wish to accept
-the offer?”
-
-Seventeen hundred! Seven per cent! It was in consonance with the vision!
-His mind was topsy-turvy.
-
-He did not understand.
-
-“It is very liberal,” said John Bruce, trying to control his voice. “Of
-course, I accept.”
-
-The shapely head nodded.
-
-He watched her spellbound. The watch-fob had vanished, and in its place
-now under the little conical shaft of light she was swiftly counting
-out a pile of crisp, new, fifty-dollar banknotes. To these she added a
-stamped and numbered ticket.
-
-“You may redeem the pledge at any time by making application to the same
-person to whom you originally applied for a loan to-night,” she said, as
-she handed him the money. “Please count it.”
-
-Her head was in shadow now. He could no longer even see her profile. She
-was sitting back in her corner of the car.
-
-“I--I am quite satisfied,” said John Bruce a little helplessly.
-
-“Please count it,” she insisted.
-
-With a shrug of protest, John Bruce obeyed her. It was not at all the
-money that concerned him, nor the touch of it that was quickening his
-pulse.
-
-“It is quite correct,” he said, putting money and ticket in his pocket.
-He turned toward her. “And now----”
-
-His words ended in a little gasp. The light was out. In the darkness
-that shadow passed again before his eyes, and he was conscious that the
-table had vanished--also that the car had stopped.
-
-The door opened.
-
-“If you please, sir!” It was the chauffeur, holding the door open.
-
-John Bruce hesitated.
-
-“I--er--look here!” he said. “I----”
-
-“If you please, sir!” There was something of significant finality in the
-man's patient and respectful tones.
-
-John Bruce smiled wryly.
-
-“Well, at least, I may say good-night,” he said, as he backed out of the
-car.
-
-“Certainly, sir--good-night, sir,” said the chauffeur calmly--and closed
-the door, and touched his hat, and climbed back to his seat.
-
-John Bruce glared at the man.
-
-“Well, I'm damned!” said John Bruce fervently.
-
-
-
-
-CHAPTER THREE--SANCTUARY
-
-
-|THE car started off. It turned the corner. John Bruce looked around
-him. He was standing on precisely the same spot from which he had
-entered the car. He had been driven around the block, that was all!
-
-He caught his breath. Was it real? That wondrous face which, almost as
-though at the touch of some magician's wand, had risen before him out of
-the blackness! His blood afire was leaping through his veins again. That
-face!
-
-He ran to the corner and peered down the street. The car was perhaps
-a hundred yards away--and suddenly John Bruce started to run again,
-following the car. Madness! His lips had set grim and hard. Who was she
-that prowled the night in that bizarre traveling pawn-shop? Where did
-she live? Was it actually the Arabian Nights back again? He laughed at
-himself--not mirthfully. But still he ran on.
-
-The car was outdistancing him. Fool! For a woman's face! Even though it
-were a divine symphony of beauty! Fool? Love-smitten idiot? Not at
-all! It was his job! Nice sound to that word in conjunction with that
-haunting memory of loveliness--job!
-
-The traveling pawn-shop turned into Fourth Avenue, and headed downtown.
-John Bruce caught the sound of a street car gong, spurted and swung
-breathlessly to the platform of a car going in the same direction.
-
-Of course, it was his job! The exquisite Monsieur Henri de Lavergne was
-mixed up in this.
-
-“Hell!”
-
-The street car conductor stared at him. John Bruce scowled. He swore
-again--but this time under his breath. It brought a sudden wild,
-unreasonable rage and rebellion, the thought that there should be
-anything, even of the remotest nature, between the glorious vision in
-that car and the mincing, silken-tongued manager of Larmon's gambling
-hell. But there was, for all that, wasn't there? How else had she come
-there? It was the usual thing, wasn't it? And--beware of the conductor!
-The warning now appeared to be very apt! And how well he had profited by
-it! A fool chasing a siren's beauty!
-
-His face grew very white.
-
-“John Bruce,” he whispered to himself, “if I could get at you I'd pound
-your face to pulp for that!”
-
-He leaned out from the platform. The traveling pawn-shop had increased
-its speed and was steadily leaving the street car behind. He looked back
-in the opposite direction. The street was almost entirely deserted as
-far as traffic went. The only vehicle in sight was a taxi bowling along
-a block in the rear. He laughed out again harshly. The conductor eyed
-him suspiciously.
-
-John Bruce dropped off the car, and planted himself in the path of the
-on-coming taxi. Call it his job, then, if it pleased him! He owed it to
-Larmon to get to the bottom of this. How extremely logical he was! The
-transaction in the traveling pawn-shop had been so fair-minded as almost
-to exonerate Monsieur Henri de Lavergne on the face of it, and if it had
-not been for a certain vision therein, and a fire in his own veins,
-and a fury at the thought that even her acquaintance with the gambling
-manager was profanity, he could have heartily applauded Monsieur Henri
-de Lavergne for a unique and original----
-
-The taxi bellowed at him, hoarsely indignant.
-
-John Bruce stepped neatly to one side--and jumped on the footboard.
-
-“Here, you! What the hell!” shouted the chauffeur. “You----”
-
-“Push your foot on it a little,” said John Bruce calmly. “And don't lose
-sight of that closed car ahead.”
-
-“Lose sight of nothin'!” yelled the chauffeur. “I've got a fare,
-an'----”
-
-“I hear him,” said John Bruce composedly. He edged in beside the
-chauffeur, and one of the crisp, new, fifty-dollar banknotes passed
-into the latter's possession. “Keep that car in sight, and don't make it
-hopelessly obvious that you are following it. I'll attend to your fare.”
-
-He screwed around in his seat. An elderly, gray-whiskered gentleman, a
-patently irate gentleman, was pounding furiously on the glass panel.
-
-“We should be turnin' down this street we're just passin',” grinned the
-chauffeur.
-
-John Bruce lowered the panel.
-
-“What's the meaning of this?” thundered the fare.
-
-“I'm very sorry, sir,” said John Bruce respectfully.
-
-“A little detective business.” He coughed. It was really quite true.
-His voice became confidential. “The occupants of that car ahead got away
-from me. I--I want to arrest one of them. I'm very sorry to put you to
-any inconvenience, but it couldn't be helped. There was no other way
-than to commandeer your taxi. It will be only for a matter of a few
-minutes.”
-
-“It's preposterous!” spluttered the fare. “Outrageous! I--I'll----”
-
-“Yes, sir,” said John Bruce. “But there was nothing else I could do. You
-can report it to headquarters, of course.”
-
-He closed the panel.
-
-“Fly-cop--not!” said the chauffeur, with his tongue in his cheek. “Any
-fly-cop that ever got his mitt on a whole fifty-dollar bill all at one
-time couldn't be pried lose from it with a crowbar!”
-
-“It lets you out, doesn't it?” inquired John Bruce pleasantly. “Now
-let's see you earn it.”
-
-“I'll earn it!” said the chauffeur with unction. “You leave it to me,
-boss!”
-
-The quarry, in the shape of the traveling pawn shop, directed its way
-into the heart of the East Side. Presently it turned into a hiving,
-narrow street, where hawkers with their push-carts in the light of
-flaring, spitting gasoline banjoes were doing a thriving business. The
-two cars went more slowly now. There was very little room. The
-taxi almost upset a fish vendor's wheeled emporium. The vendor was
-eloquent--fervently so. But the chauffeur's eyes, after an impersonal
-and indifferent glance at the other, returned to the car ahead. The taxi
-continued on its way, trailing fifty yards in the rear of the traveling
-pawn-shop.
-
-At the end of the block the car ahead turned the corner. As the taxi,
-in turn, rounded the corner, John Bruce saw that the traveling pawn-shop
-was drawn up before a small building that was nested in between two
-tenements. The blood quickened in his pulse. The girl had alighted, and
-was entering the small building.
-
-“Hit it up a little to the next corner, turn it, and let me off there,”
- directed John Bruce.
-
-“I get you!” said the chauffeur.
-
-The taxi swept past the car at the curb. Another minute and it had swung
-the next corner, and was slowing down. John Bruce jumped to the ground
-before the taxi stopped.
-
-“Good-night!” he called to the chauffeur.
-
-He waved his hand debonairly at the scowling, whiskered visage that was
-watching him from the interior of the cab, and hurriedly retraced his
-way back around the corner.
-
-The traveling pawn-shop had turned and was driving away. John Bruce
-moderated his pace, and sauntered on along the street. He smiled half
-grimly, half contentedly to himself. The “trip to Persia” had led him
-a little farther afield than Monsieur Henri de Lavergne had perhaps
-counted on--or than he, John Bruce, himself had, either! But he knew now
-where the most glorious woman he had ever seen in his life lived, or, at
-least, was to be found again. No, it wasn't the _moon!_ To him, she was
-exactly that. And he had not seen her for the last time, either! That
-was what he was here for, though he wasn't so mad as to risk, or,
-rather, invite an affront to begin with by so bald an act as to go to
-the front door, say, and ring the bell--which would be tantamount to
-informing her that he had--er--played the detective from the moment
-he had left her in the car. To-morrow, perhaps, or the next day, or
-whenever fate saw fit to be in a kindly mood, a meeting that possessed
-all the hall-marks of being quite inadvertent offered him high hopes.
-Later, if fate still were kind, he would tell her that he had followed
-her, and what she would be thoroughly justified in misconstruing now,
-she might then accept as the tribute to her that he meant it to be--when
-she knew him better.
-
-John Bruce was whistling softly to himself.
-
-He was passing the house now, his scrutiny none the less exhaustive
-because it was apparently casual. It was a curious little two-story
-place tucked away between the two flanking tenements, the further one of
-which alone separated the house from the corner he was approaching. Not
-a light showed from the front of the house. Yes, it was quite a curious
-place! Although curtains were on the lower front windows, indicating
-that it was purely a dwelling, the windows themselves were of abnormal
-size, as though, originally perhaps, the ground floor had once been a
-shop of some kind.
-
-John Bruce turned the corner, and from a comparatively deserted street
-found himself among the vendors' push-carts and the spluttering gasoline
-torches again. He skirted the side of the tenement that made the corner,
-discovered the fact that a lane cut in from the street and ran past the
-rear of the tenement, which he mentally noted must likewise run past the
-rear of the little house that was now so vitally interesting to him--and
-halted on the opposite side of the lane to survey his surroundings. Here
-a dirty and uninviting café attracted his attention, which, if its dingy
-sign were to be believed, was run by one Palasco Ratti, a gentleman of
-parts in the choice of wines which he offered to his patrons. John Bruce
-surveyed Palasco Ratti's potential clientele--the street was full of it;
-the shawled women, the dark-visaged, ear-ringed men. He smiled a little
-to himself. No--probably not the half-naked children who sprawled in the
-gutter and crawled amongst the push-carts' wheels! How was it that _she_
-should ever have come to live in a neighborhood to which the designation
-“foreign,” as far as she was concerned, must certainly apply in
-particularly full measure? It was strange that she----
-
-John Bruce's mental soliloquy came to an abrupt end. Half humorously,
-half grimly his eyes were riveted on the push-cart at the curb directly
-opposite to him, the proprietor of which dealt in that brand of
-confection so much in favor on the East Side--a great slab of candy from
-which, as occasion required, he cut slices with a large carving knife.
-A brown and grimy fist belonging to a tot of a girl of perhaps eight or
-nine years of age, who had crept in under the pushcart, was stealthily
-feeling its way upward behind the vendor's back, its objective being,
-obviously, a generous piece of candy that reposed on the edge of the
-push-cart. There was a certain fascination in watching developments. It
-was quite immoral, of course, but his sympathies were with the child.
-It was a gamble whether the grimy little hand would close on the coveted
-prize and disappear again victorious, or whether the vendor would turn
-in time to frustrate the raid.
-
-The tot's hand crept nearer and nearer its goal.
-
-No one, save himself of the many about, appeared to notice the little
-cameo of primal instinct that was on exhibition before them. The
-small and dirty fingers touched the candy, closed on it, and
-were withdrawn--but were withdrawn too quickly. The child, at the
-psychological moment under stress of excitement, eagerness and probably
-a wildly thumping heart, had failed in finesse. Perhaps the paper
-that covered the surface of the push-cart and on which the wares were
-displayed rattled; perhaps the sudden movement in itself attracted the
-vendor's attention. The man whirled and made a vicious dive for the
-child as she darted out from between the wheels. And then she screamed.
-The man had hit her a brutal clout across the head.
-
-John Bruce straightened suddenly, a dull red creeping from his set
-jaw to his cheeks. Still clutching the candy in her hand the child was
-running blindly and in terror straight toward him. The man struck again,
-and the child staggered, and, reeling, sought sanctuary between John
-Bruce's legs. A bearded, snarling face in pursuit loomed up before
-him--and John Bruce struck, struck as he had once struck before on a
-white moon-flooded deck when a man, a brute beast, had gone down before
-him--and the vendor, screaming shrilly, lay kicking in pain on the
-sidewalk.
-
-It had happened quickly. Not one, probably, of those on the street
-had caught the details of the little scene. And now the tiny thief had
-wriggled through his legs, and with the magnificent irresponsibility
-of childhood had darted away and was lost to sight. It had happened
-quickly--but not so quickly as the gathering together of an angry,
-surging crowd around John Bruce.
-
-Some one in the crowd shrieked out above the clamor of voices:
-
-“He kill-a Pietro! Kill-a da dude!”
-
-It was a fire-brand.
-
-John Bruce backed away a little--up against the door of Signor Pascalo
-Ratti's wine shop. A glance showed him that, with the blow he had
-struck, his light overcoat had become loosened, and that he was
-flaunting an immaculate and gleaming shirt-front in the faces of the
-crowd. And between their Pietro with a broken jaw and an intruder far
-too well dressed to please their fancy, the psychology of the crowd
-became the psychology of a mob.
-
-The fire-brand took.
-
-“Kill-a da dude!” It was echoed in chorus--and then a rush.
-
-It flung John Bruce heavily against the wine shop door, and the door
-crashed inward--and for a moment he was down, and the crowd, like a
-snarling wolf pack, was upon him. And then the massive shoulders heaved,
-and he shook them off and was on his feet; and all that was primal,
-elemental in the man was dominant, the mad glorying in strife upon him,
-and he struck right and left with blows before which, again and again, a
-man went down.
-
-But the rush still bore him backward, and the doorway was black and
-jammed with reenforcements constantly pouring in. Tables crashed to the
-floor, chairs were overturned. Out of the corner of his eye he saw a
-white-mustached Italian leap upon the counter and alternately wave his
-arms and wring his hands together frantically.
-
-“For the mercy of God!” the man screamed--and then his voice added to
-the din in a flood of impassioned Italian.
-
-It was Signor Pascalo Ratti, probably.
-
-John Bruce was panting now, his breath coming in short, hard gasps. It
-was not easy to keep them in front of him, to keep his back free. He
-caught the glint of knife blades now.
-
-He was borne back foot by foot, the space widening as he retreated from
-the door, giving room for more to come upon him at the same time. A
-knife blade lunged at him. He evaded it--but another glittering in
-the ceiling light at the same instant, flashing a murderous arc in its
-downward plunge, caught him, and, before he could turn, sank home.
-
-A yell of triumph went up. He felt no pain. Only a sudden sickening of
-his brain, a sudden weakness that robbed his limbs of strength, and he
-reeled and staggered, fighting blindly now.
-
-And then his brain cleared. He flung a quick glance over his shoulder.
-Yes, there was one chance. Only one! And in another minute, with another
-knife thrust, it would be too late. He whirled suddenly and raced down
-the length of the café. In the moment's grace earned through surprise at
-his sudden action, he gained a door he had seen there, and threw himself
-upon it. It was not fastened, though there was a key in the lock. He
-whipped out the key, plunged through, locked the door on the outside
-with the fraction of a second to spare before they came battering upon
-it--and stumbled and fell headlong out into the open.
-
-It was as though he were lashing his brain into action and virility. It
-kept wobbling and fogging. Didn't the damned thing understand that his
-life, was at stake! He lurched to his feet. He was in a lane.
-
-In front of him, like great looming shadows, shadows that wobbled too,
-he saw the shapes of two tenements, and like an inset between them, a
-small house with a light gleaming in the lower window.
-
-That was where the vision lived. Only there was a fence between.
-Sanctuary! He lunged toward the fence. He had not meant to--to make a
-call to-night--she--she might have misunderstood. But in a second now
-_they_ would come sweeping around into the lane after him from the
-street.
-
-He clawed his way to the top of the fence, and because his strength was
-almost gone fell from the top of the fence to the ground on the other
-side.
-
-And now he crawled, crawled with what frantic haste he could, because he
-heard the uproar from the street. And he laughed. The kid was
-probably munching her hunk of candy now. Queer things--kids! Got her
-candy--happy----
-
-He reached up to the sill of an open window, clawed his way upward,
-as he had clawed his way up the fence, straddled the sill unsteadily,
-clutched at nothingness to save himself, and toppled inward to the floor
-of the room.
-
-A yell from the head of the lane, a cry from the other end of the room,
-spurred him into final effort. He gained his feet, and swept his hand,
-wet with blood, across his eyes. That was the vision there running
-toward him, wasn't it?--the wonderful, glorious vision!
-
-“Pardon me!” said John Bruce in a sing-song voice, and with a desperate
-effort reached up and pulled down the window shade. He tried to smile
-“Queer--queer things--kids--aren't they? She--she just ducked out from
-under.”
-
-The girl was staring at him wildly, her hands tightly clasped to her
-bosom.
-
-“Pardon me!” whispered John Bruce thickly. He couldn't see her any more,
-just a multitude of objects whirling like a kaleidoscope before his
-eyes. “She--she got the candy,” said John Bruce, attempting to smile
-again--and pitched unconscious to the floor.
-
-
-
-
-CHAPTER FOUR--A DOCTOR OF MANY DEGREES
-
-|DEAD! The girl was on her knees beside John Bruce. Dead--he did not
-move! It was the man who had pawned his watch-fob hardly half an hour
-before! What did it mean? What did those angry shouts, that scurrying
-of many feet out there in the lane mean? Hurriedly, her face as deadly
-white as the face upturned to her from the floor, she tore open the once
-immaculate shirt-front, that was now limp and wet and ugly with a great
-crimson stain, and laid bare the wound.
-
-The sounds from without were receding, the scurrying footsteps were
-keeping on along the lane. A quiver ran through the form on the floor.
-Dead! No, he was not dead--not--not yet.
-
-A little cry escaped from her tightly closed lips, and for an instant
-she covered her eyes with her hands. The wound was terrible--it
-frightened her. It frightened her the more because, intuitively, she
-knew that it was beyond any inexperienced aid that she could give. But
-she must act, and act quickly.
-
-She turned and ran into the adjoining room to the telephone, but even as
-she reached out to lift the receiver from the hook she hesitated. Doctor
-Crang! A little shudder of aversion swept over her--and then resolutely,
-even pleading with central to hurry, she asked for the connection. It
-was not a matter of choice, or aversion, or any other consideration in
-the world save a question of minutes. The life of that man in there on
-the floor hung by a thread. Doctor Crang was nearby enough to respond
-almost instantly, and there was no one else she knew of who she could
-hope would reach the man in time. And--she stared frantically at the
-instrument now--was even he unavailable? Why didn't he answer? Why
-didn't----
-
-A voice reached her. She recognized it.
-
-“Doctor Crang, this is Claire Veniza,” she said, and it did not seem as
-though she could speak fast enough. “Come at once--oh, at once--please!
-There's a man here frightfully wounded. There isn't a second to lose,
-so----”
-
-“My dear Claire,” interrupted the voice suavely, “instead of losing one
-you can save several by telling me what kind of a wound it is, and where
-the man is wounded.”
-
-“It's a knife wound, a stab, I think,” she answered; “and it's in his
-side. He is unconscious, and----”
-
-The receiver at the other end had been replaced on its hook.
-
-She turned from the telephone, and swiftly, hurrying, but in cool
-self-control now, she obtained some cloths and a basin of warm water,
-and returned to John Bruce's side. She could not do much, she realized
-that--only make what effort she could to staunch the appalling flow of
-blood from the wound; that, and place a cushion under the man's head,
-for she could not lift him to the couch.
-
-The minutes passed; and then, thinking she heard a footstep at the front
-door, she glanced in that direction, half in relief, and yet, too, in
-curious apprehension. She listened. No, there was no one there yet. She
-had been mistaken.
-
-Suddenly she caught her breath in a little gasp, as though startled.
-Doctor Crang was clever; but faith in Doctor Crang professionally was
-one thing, and faith in him in other respects was quite another. Why
-hadn't she thought of it before? It wasn't too late yet, was it?
-
-She began to search hastily through John Bruce's pockets. Doctor Crang
-would almost certainly suggest removing the man from the sitting room
-down here and getting him upstairs to a bedroom, and then he would
-undress his patient, and--and it was perhaps as well to anticipate
-Doctor Crang! This man here should have quite a sum of money on his
-person. She had given it to him herself, and--yes, here it was!
-
-The crisp new fifty-dollar bills, the stamped and numbered ticket that
-identified the watch-fob he had pawned, were in her hand. She ran across
-the room, opened a little safe in the corner, placed the money and
-ticket inside, locked the safe again, and returned to John Bruce's side
-once more.
-
-And suddenly her eyes filled. There was no tremor, no movement in the
-man's form now; she could not even feel his heartbeat. Yes, she wanted
-Doctor Crang now, passionately, wildly. John Bruce--that was the man's
-name. She knew that much. But she had left him miles away--and he was
-here now--and she did not understand. How had he got here, why had he
-come here, climbing in through that window to fall at her feet like one
-dead?
-
-The front door opened without premonitory ring of bell, and closed
-again. A footstep came quickly forward through the outer room--and
-paused on the threshold.
-
-Claire Veniza rose to her feet, and her eyes went swiftly, sharply,
-to the figure standing there--a man of perhaps thirty years of age,
-of powerful build, and yet whose frame seemed now woefully loose,
-disjointed and without virility. Her eyes traveled to the man's clothing
-that was dirty, spotted, and in dire need of sponging, to the necktie
-that hung awry, to the face that, but for its unhealthy, pasty-yellow
-complexion, would have been almost strikingly handsome, to the jet-black
-eyes that somehow at the moment seemed to lack fire and life. And with a
-little despairing shrug of her shoulders, Claire Veniza turned away her
-head, and pointed to the form of John Bruce on the floor.
-
-“I--I am afraid it is very serious, Doctor Crang,” she faltered.
-
-“That's all right, Claire,” he said complacently. “That's all right, my
-dear. You can leave it with confidence to Sydney Angus Crang, M.D.”
-
-She drew a little away as he stepped forward, her face hardening into
-tight little lines. Hidden, her hands clasped anxiously together. It--it
-was what she had feared. Doctor Sydney Angus Crang, gold medalist from
-one of the greatest American universities, brilliant far beyond his
-fellows, with additional degrees from London, from Vienna, from Heaven
-alone knew where else, was just about entering upon, or emerging from,
-a groveling debauch with that Thing to which he had pawned his manhood,
-his intellect and his soul, that Thing of gray places, of horror, of
-forgetfulness, of bliss, of torture--cocaine.
-
-Halfway from the threshold to where John Bruce lay, Doctor Crang halted
-abruptly.
-
-“Hello!” he exclaimed, and glanced with suddenly darkening face from
-Claire Veniza to the form of John Bruce, and back to Claire Veniza
-again.
-
-“Oh, _will_ you hurry!” she implored. “Can't you see that the wound----”
-
-“I am more interested in the man than in the wound,” said Doctor Crang,
-and there was a hint of menace in his voice. “Quite a gentleman of
-parts! I had expected--let me see what I had expected--well, say, one of
-the common knife-sticking breed that curses this neighborhood.”
-
-Claire Veniza stamped her foot.
-
-“Oh, hurry!” she burst out wildly. “Don't stand there talking while the
-man is dying! Do something!”
-
-Doctor Crang advanced to John Bruce's side, set down the little handbag
-he was carrying, and began to examine the wound.
-
-“Yes, quite a gentleman of parts!” he repeated. His lips had thinned.
-“How did he get here?”
-
-“I do not know,” she answered. “He came in through that window there and
-fell on the floor.”
-
-“How peculiar!” observed Doctor Crang. “A _gentleman_ down here in this
-locality, who is, yes, I will state it as a professional fact, in a very
-critical state, climbs in through Miss Claire Veniza's window, and----”
-
-The telephone in the other room rang. Claire Veniza ran to it. Doctor
-Crang's fingers nestled on John Bruce's pulse; he made no other movement
-save to cock his head in a listening attitude in the girl's direction;
-he made no effort either to examine further or to dress the wound.
-
-Claire Veniza's voice came distinctly:
-
-“Yes... No, I do not think he will return to-night”--she was
-hesitating--“he--he met with an--an accident-----”
-
-Doctor Crang had sprung from the other room and had snatched the
-receiver from the girl's hand. A wave of insensate fury swept his face
-now. He pushed her roughly from the instrument, and clapped his hand
-over the transmitter.
-
-“That's one lie you've told me!” he said hoarsely. “I'll attend to the
-rest of this now.” He withdrew his hand from the transmitter. “Yes,
-hello!” His voice was cool, even suave. “What is it?... Monsieur Henri
-de Lavergne speaking--yes... Mister--who?... Mister John Bruce--yes.” He
-listened for a moment, his lips twitching, his eyes narrowed on Claire
-Veniza, who had retreated a few steps away. “No, not to-night,” he said,
-speaking again into the transmitter. “Yes, a slight accident.... Yes..,
-Good-by.”
-
-Doctor Sydney Angus Crang hung up the receiver, and with a placid smile
-at variance with the glitter that suddenly brought life into his dulled
-eyes, advanced toward the girl. She stepped backward quickly into the
-other room, retreating as far as the motionless form that lay upon the
-floor. Doctor Crang followed her.
-
-And then Claire Veniza, her face grown stony, her small hands clenched,
-found her voice again.
-
-“Aren't you going to help him? Aren't you going to do something? Is he
-to die there before your eyes?” she cried.
-
-Doctor Crang shrugged his shoulders.
-
-“What can I do?” he inquired with velvet softness. “I am helpless. How
-can I bring the dead back to life?”
-
-“Dead!” All color had fled her face; she bent and looked searchingly at
-John Bruce.
-
-“Oh, no; not yet,” said Doctor Crang easily. “But very nearly so.”
-
-“And you will do nothing!” She was facing him again. “Then--then I will
-try and get some one else.”
-
-She stepped forward abruptly.
-
-Doctor Crang barred her way.
-
-“I don't think you will, Claire, my dear!” His voice was monotonous; the
-placid smile was vanishing. “You see, having spoken to that dear little
-doll of a man, Monsieur Henri de Lavergne, I'm very much interested in
-hearing your side of the story.”
-
-“Story!” the girl echoed wildly. “Story--while that man's life is lost!
-Are you mad--or a murderer--or----”
-
-“Another lover,” said Doctor Crang, and threw back his head and laughed.
-
-She shrank away; her hands tight against her bosom. She glanced around
-her. If she could only reach the telephone and lock the connecting door!
-No! She did not dare leave him _alone_ with the wounded man.
-
-“What--what are you going to do?” she whispered.
-
-“Nothing--till I hear the story,” he answered.
-
-“If--if he dies”--her voice rang steadily again--“I'll have you charged
-with murder.”
-
-“What nonsense!” said Doctor Crang imperturbably. “Did I stab the
-gentleman?” He took from his pocket a little case, produced a hypodermic
-syringe, and pushed back his sleeve. “A doctor is not a magician. If he
-finds a patient beyond reach of aid what can he be expected to do? My
-dear Claire, where are your brains to-night--you who are usually so
-amazingly clever?”
-
-“You are mad--insane with drug!” she cried out piteously.
-
-He shook his head, and coolly inserted the needle of the hypodermic in
-his arm.
-
-“Not yet,” he said. “I am only implacable. Shall we get on with the
-story? Monsieur de Lavergne says he sent a gentleman by the name of John
-Bruce out in your father's car a little while ago for the purpose of
-obtaining a loan in order that the said John Bruce might return to the
-gambling joint and continue to play. But Mr. Bruce did not return,
-and the doll, for some reason being anxious, telephones here to make
-inquiries. Of course”--there was a savage laugh in his voice--“it is
-only a suspicion, but could this gentleman on the floor here by any
-chance be Mr. John Bruce?”
-
-“Yes,” she said faintly. “He is John Bruce.”
-
-“Thanks!” said Doctor Crang sarcastically. He very carefully replaced
-his hypodermic in his pocket. “Now another little matter. I happen to
-know that your father is spending the evening uptown, so I wonder who
-was in the car with Mr. John Bruce.”
-
-She stared at him with flashing eyes.
-
-“I was!” she answered passionately. “I don't know what you are driving
-at! I never did it before, but father was away, and Monsieur de Lavergne
-was terribly insistent. He said it was for a very special guest.
-I--I didn't, of course, tell Monsieur de Lavergne that father couldn't
-go. I only said that I was afraid it would not be convenient to make any
-loan to-night. But he wouldn't listen to a refusal, and so I went--but
-Monsieur de Lavergne had no idea that it was any one but father in the
-car.”
-
-Doctor Crang's lips parted wickedly.
-
-“Naturally!” he snarled. “I quite understand that you took good care of
-that! Who drove you?”
-
-“Hawkins.”
-
-“Drunk as usual, I suppose! Brain too fuddled to ask questions!”
-
-“That's not true!” she cried out sharply. “Hawkins hasn't touched a drop
-for a year.”
-
-“All right!” snapped Doctor Crang. “Have it that way, then! Being in his
-dotage, he makes a good blind, even sober. And so you went for a little
-ride with Mr. John Bruce to-night?”
-
-Claire Veniza was wringing her hands as she glanced in an agony of
-apprehension at the wounded man on the floor.
-
-“Yes,” she said; “but--but won't you----”
-
-“And where did you first meet Mr. John Bruce, and how long ago?” he
-jerked out.
-
-Claire Veniza's great brown eyes widened.
-
-“Why, I never saw him in my life until to-night!” she exclaimed. “And he
-wasn't in the car ten minutes. Hawkins drove back to the corner just as
-he always does with father, and Mr. Bruce got out. Then Hawkins drove me
-home and went uptown to get father. I--I wish they were here now!”
-
-Doctor Crang was gritting his teeth together. A slight unnatural color
-was tinging his cheeks. He moved a little closer to the girl.
-
-“I'm glad to hear you never saw Mr. Bruce before,” he said cunningly.
-“You must have traveled _fast_ then--metaphorically speaking. Love at
-first sight, eh? A cooing exchange of confidences--or was it all on one
-side? You told him who you were, and where you lived, and----”
-
-“I did nothing of the kind!” Claire Veniza interrupted angrily. “I did
-not tell him anything!”
-
-“Just strictly business then, of course!” Doctor Crang moved a step
-still nearer to the girl. “In that case he must have pawned something,
-and as Lavergne sends nothing but high-priced articles to your father,
-we shall probably find quite a sum of money in Mr. Bruce's pockets.
-Eh--Claire?”
-
-She bit her lips. She still did not quite understand--only that she
-bitterly regretted now, somehow, that she had removed the money from
-John Bruce's person; only that the drug-crazed brain of the man in front
-of her was digging, had dug, a trap into which she was falling. What
-answer was she to make? What was she to----
-
-With a sudden cry she shrank back--but too late to save herself. A face
-alight with passion was close to hers now; hands that clamped like a
-steel vise, and that hurt, were upon her shoulder and throat.
-
-“You lie!” Doctor Crang shouted hoarsely. “You've lied from the minute
-I came into this room. John Bruce--hell! I know now why you have always
-refused to have anything to do with me. That's why!” He loosened one
-hand and pointed to the figure on the floor. “How long has this been
-going on? How long have you been meeting him? To-night is nothing,
-though you worked it well. Hawkins to take you for a little joy ride
-with your lover while father's away. Damned clever! You left him on that
-corner--and he's here wounded! How did he get wounded? You never saw him
-before! You never heard of him! You told him nothing about yourself! He
-didn't know where you lived--he could only find the private entrance!
-Just knows enough about you to climb in through your back window like a
-skewered dog! But, of course, your story is true, because in his pockets
-will be the money you gave him for what he pawned! Shall we look and see
-how much it was?”
-
-She tore herself free and caught at her throat, gasping for breath.
-
-“You--you beast!” she choked. “No; you needn't look! I took it from him,
-and put it in the safe over there before _you_ came--to keep it away
-from you.”
-
-Doctor Crang swept a hand across his eyes and through his hair with a
-savage, jerky movement, and then he laughed immoderately.
-
-“What a little liar you are! Well, then, two can play at the same game.
-I lied to you about your lover there. I said there was nothing could
-save him. Yes, yes, Claire, my dear, I lied.” He knelt suddenly, and
-suddenly intent and professional studied John Bruce's face, and felt
-again for the pulse beat at John Bruce's wrist. “Pretty near the limit,”
- he stated coolly. “Internal bleeding.” He threw back his shoulders in
-a strangely egotistical way. “Not many men could do anything; but I,
-Sydney Angus Crang, could! Ha, ha! In ten minutes he could be on the
-road to recovery--but ten minutes, otherwise, is exactly the length of
-time he has to live.”
-
-An instant Claire Veniza stared at him. Her mind reeled with chaos, with
-terror and dismay.
-
-“Then do something!” she implored wildly. “If you can save him, do it!
-You must! You shall!”
-
-“Why should I?” he demanded. His teeth were clamped hard together. “Why
-should I save your lover? No--damn him!”
-
-She drew away from him, and, suddenly, on her knees, buried her face in
-her hands and burst into sobs.
-
-“This--this is terrible--terrible!” she cried out. “Has that frightful
-stuff transformed you into an absolute fiend? Are you no longer even
-human?” Flushed, a curious look of hunger in his eyes, he gazed at her.
-
-“I'm devilishly human in some respects!” His voice rose, out of control.
-“I want you! I have wanted you from the day I saw you.”
-
-She shivered. Her hands felt suddenly icy as she pressed them against
-her face.
-
-“Thank God then,” she breathed, “for this, at least--that you will never
-get me!”
-
-“Won't I?” His voice rose higher, trembling with passion. “Won't I? By
-God, I will! The one thing in life I will have some way or another! You
-understand? I will! And do you think I would let _him_ stand in the way?
-You drive me mad, Claire, with those wonderful eyes of yours, with that
-hair, those lips, that throat----”
-
-“Stop!” She was on her feet, and in an instant had reached him, and
-with her hands upon his shoulders was shaking him fiercely with all her
-strength. “I hated you, despised you, loathed you before, but with that
-man dying here, you murderer, I----”
-
-Her voice trailed off, strangled, choked. He had caught her in his
-arms, his lips were upon hers. She struggled like a tigress. And as they
-lurched about the room he laughed in mad abandon. She wrenched herself
-free at last, and slipped and fell upon the floor.
-
-“Do you believe me now!” he panted. “I will have you! Neither this man
-nor any other will live to get you. His life is a snap of my fingers--so
-is any other life. It's you I want, and you I will have. And I'll tame
-you! Then I'll show you what love is.”
-
-She was moaning now a little to herself. She crept to John Bruce and
-stared into his face. Dying! They were letting this man die. She tried
-to readjust the cloths upon the wound. She heard Doctor Crang laugh at
-her again. It seemed as though her soul were sinking into some great
-bottomless abyss that was black with horror. She did not know this
-John Bruce. She had told Doctor Crang so. It was useless to repeat it,
-useless to argue with a drug-steeped brain. There was only one thing
-that was absolute and final, and that was that a man's life was ebbing
-away, and a fiend, an inhuman fiend who could save him, but whom
-pleading would not touch, stood callously by, not wholly indifferent,
-rather gloating over what took the form of triumph in his diseased mind.
-And then suddenly she seemed so tired and weary. And she tried to pray
-to God. And tears came, and on her knees she turned and flung out her
-arms imploringly to the unkempt figure that stood over her, and who
-smiled as no other man she had ever seen had smiled before.
-
-“For the pity of God, for anything you have ever known in your life that
-was pure and sacred,” she said brokenly, “save this man.”
-
-He looked at her for a moment, still with that sardonic smile upon his
-lips, and then, swift in its transition, his expression changed and
-cunning was in his eyes.
-
-“What would you give?” he purred.
-
-“Give?” She did not look up. She felt a sudden surge of relief. It
-debased the man the more, for it was evidently money now; but her father
-would supply that. She had only to ask for it. “What do you want?” she
-asked eagerly.
-
-“Yourself,” said Doctor Crang.
-
-She looked up now, quickly, startled; read the lurking triumph in his
-eyes, and with a sudden cry of fear turned away her head.
-
-“My--myself!” Her lips scarcely moved.
-
-“Yes, my dear! Yourself--Claire!” Doctor
-
-Crang shrugged his shoulders. “Edinburgh, London, Vienna, Paris, degrees
-from everywhere--ha, ha!--am I a high-priced man? Well, then, why don't
-you dismiss me? You called me in! That is my price--or shall we call it
-fee? Promise to marry me, Claire, and I'll save that man.”
-
-Her face had lost all vestige of color. She stood and looked at him, but
-it did not seem as though she any longer had control over her limbs.
-She did not seem able to move them. They were numbed; her brain was
-mercifully numbed--there was only a sense of impending horror, without
-that horror taking concrete form. A voice came to her as though from
-some great distance:
-
-“Don't take too long to make up your mind. There isn't much time. It's
-about touch and go with him now.”
-
-The words, the tone, the voice roused her. Realization, understanding
-swept upon her. A faintness came. She closed her eyes, swayed
-unsteadily, but recovered herself. Something made her look at the
-upturned face on the floor. She did not know this man. He was nothing
-to her. Why was he pleading with her to pawn herself for him? What right
-had he to ask for worse than death from her that he might live? Her soul
-turned sick within her. If she refused, this man would die. Death! It
-was a very little thing compared with days and months and years linked,
-fettered, bound to a drug fiend, a coward, a foul thing, a potential
-murderer, a man only in the sense of physical form, who had abused every
-other God-given attribute until it had rotted away! Her hands pressed
-to her temples fiercely, in torment. Was this man to live or die? In her
-hands was balanced a human life. It seemed as though she must scream
-out in her anguish of soul; and then it seemed as though she must fling
-herself upon the drug-crazed being who had forced this torture upon her,
-fling herself upon him to batter and pommel with her fists at his face
-that smiled in hideous contentment at her. What was she to do? The
-choice was hers. To let this man here die, or to accept a living
-death for herself--no, worse than that--something that was abominable,
-revolting, that profaned.... She drew her breath in sharply. She was
-staring at the man on the floor. His eyelids fluttered and opened. Gray
-eyes were fixed upon her, eyes that did not seem to see for there was a
-vacant stare in them--and then suddenly recognition crept into them and
-they lighted up, full of a strange, glad wonder. He made an effort to
-speak, an effort, more feeble still, to reach out his hand to her--and
-then the eyes had closed and he was unconscious again.
-
-She turned slowly and faced Doctor Crang.
-
-“You do not know what you are doing.” She formed the words with a great
-effort.
-
-“Oh, yes, I do!” he answered with mocking deliberation. “I know that if
-I can't get you one way, I can another--and the way doesn't matter.”
-
-“God forgive you, then,” she said in a dead voice, “for I never can or
-will! I--I agree.”
-
-He took a step toward her.
-
-“You'll marry me?” His face was fired with passion.
-
-She retreated a step.
-
-“Yes,” she said.
-
-He reached out for her with savage eagerness.
-
-“Claire!” he cried. “Claire!”
-
-She pushed him back with both hands.
-
-“Not yet!” she said, and tried to steady her voice. “There is another
-side to the bargain. The price is this man's life. If he lives I will
-marry you, and in that case, as you well know, I can say nothing of what
-you have done to-night; but if he dies, I am not only free, but I will
-do my utmost to make you criminally responsible for his death.”
-
-“Ah!” Doctor Crang stared at her. His hands, still reaching out to touch
-her, trembled; his face was hectic; his eyes were alight again with
-feverish hunger--and then suddenly the man seemed transformed into
-another being. He was on his knees beside John Bruce, and had opened his
-handbag in an instant, and in another he had forced something from a
-vial between John Bruce's lips; then an instrument was in his hands. The
-man of a moment before was gone; one Sydney Angus Crang, of many
-degrees, professional, deft, immersed in his work, had taken the other's
-place. “More water! An extra basin!” he ordered curtly.
-
-Claire Veniza obeyed him in a mechanical way. Her brain was numbed,
-exhausted, possessed of a great weariness. She watched him for a little
-while. He flung another order at her.
-
-“Make that couch up into a bed,” he directed. “He can't be moved even
-upstairs to-night.”
-
-Again she obeyed him; finally she helped him to lift John Bruce to the
-couch.
-
-She sat down in a chair and waited--she did not know what for. Doctor
-Crang had drawn another chair to the couch and sat there watching his
-patient. John Bruce, as far as she could tell, showed no sign of life.
-
-Then Doctor Crang's voice seemed to float out of nothingness:
-
-“He will live, Claire, my dear! By God, I'd like to have done that piece
-of work in a clinic! Some of 'em would sit up! D'ye hear, Claire, he'll
-live!”
-
-She was conscious that he was studying her; she did not look at him, nor
-did she answer.
-
-An eternity seemed to pass. She heard a motor stop outside in front of
-the house. That would be her father and Hawkins.
-
-The front door opened and closed, footsteps entered the room--and
-suddenly seemed to quicken and hurry forward. She rose from her chair.
-
-“What's this? What's the matter? What's happened?” a tall, white-haired
-man cried out.
-
-It was Doctor Crang who answered.
-
-“Oh--this, Mr. Veniza?” He waved his hand indifferently toward the
-couch. “Nothing of any importance.” He shrugged his shoulders in cool
-imperturbability, and smiled into the grave, serious face of Paul
-Veniza. “The really important thing is that Claire has promised to be my
-wife.”
-
-For an instant no one moved or spoke--only Doctor Crang still smiled.
-And then the silence was broken by a curious half laugh, half curse that
-was full of menace.
-
-“You lie!” Hawkins, the round, red-faced chauffeur, had stepped from
-behind Paul Veniza, and now faced Doctor Crang. “You lie! You damned
-coke-eater! I'd kill you first!”
-
-“Drunk--again!” drawled Doctor Crang contemptuously. “And what have you
-to do with it?”
-
-“Steady, Hawkins!” counselled Paul Veniza quietly. He turned to Claire
-Veniza. “Claire,” he asked, “is--is this true?”
-
-She nodded--and suddenly, blindly, started toward the door.
-
-“It is true,” she said.
-
-“Claire!” Paul Veniza stepped after her. “Claire,
-
-“Not to-night, father,” she said in a low voice. “Please let me go.”
-
-He stood aside, allowing her to pass, his face grave and anxious--and
-then he turned again to Doctor Crang.
-
-“She is naturally very upset over what has happened here,” said Doctor
-Crang easily--and suddenly reaching out grasped Hawkins' arm, and pulled
-the old man forward to the couch. “Here, you!” he jerked out. “You've
-got so much to say for yourself--take a look at this fellow!”
-
-The old chauffeur bent over the couch.
-
-“My God!” he cried out in a startled way. “It's the man we--I--drove
-to-night!”
-
-“Quite so!” observed Doctor Crang. He smiled at Paul Veniza again.
-“Apart from the fact that the fellow came in through that window with a
-knife stab in his side that's pretty nearly done for him, Hawkins knows
-as much about it as either Claire or I do. He's in bad shape. Extremely
-serious. I will stay with him to-night. He cannot be moved.” He nodded
-suggestively toward the door. “Hawkins can tell you as much as I can.
-It's got to be quiet in here. As for Claire”--he seemed suddenly to be
-greatly disturbed and occupied with the condition of the wounded man on
-the couch--“that will have to wait until morning. This man's condition
-is critical. I can't put you out of your own room, but-----” Again he
-nodded toward the door.
-
-For a moment Paul Veniza hesitated--but Doctor Crang's back was already
-turned, and he was bending over the wounded man, apparently oblivious to
-every other consideration. He motioned to Hawkins, and the two left the
-room.
-
-Doctor Crang looked around over his shoulder as the door closed. A
-malicious grin spread over his face. He rubbed his hands together. Then
-he sat down in his chair again, and began to prepare a solution for his
-hypodermic syringe.
-
-“Yes, yes,” said Doctor Crang softly, addressing the unconscious form of
-John Bruce, “you'll live, all right, my friend, I'll see to that, though
-the odds are still against you. You're too--ha, ha!--valuable to die!
-You played in luck when you drew Sydney Angus Crang, M.D., as your
-attending physician!”
-
-And then Doctor Sydney Angus Crang made a little grimace as he punctured
-the flesh of his arm with the needle of the hypodermic syringe and
-injected into himself another dose of cocaine.
-
-“Yes,” said Doctor Sydney Angus Crang very softly, his eyes lighting,
-“too valuable, much too valuable--to die!”
-
-
-
-
-CHAPTER FIVE--HAWKINS
-
-|IN the outer room, the door closed behind them, Paul Veniza and
-Hawkins stared into each other's eyes. Hawkins' face had lost its ruddy,
-weatherbeaten color, and there was a strained, perplexed anxiety in his
-expression.
-
-“D'ye hear what she said?” he mumbled. “D'ye hear what he said? Going
-to be married! My little girl, my innocent little girl, and--and that
-dope-feeding devil! I--I don't understand, Paul. What's it mean?”
-
-Paul Veniza laid his hand on the other's shoulder, as much to seek, it
-seemed, as to offer sympathy. He shook his head.
-
-“I don't know,” he said blankly.
-
-Hawkins' watery blue eyes under their shaggy brows traveled miserably in
-the direction of the staircase.
-
-“I--I ain't got the right,” he choked. “You go up and talk to her,
-Paul.”
-
-Paul Veniza ran his fingers in a troubled way through his white hair;
-then, nodding his head, he turned abruptly and began to mount the
-stairs.
-
-Hawkins watched until the other had disappeared from sight, watched
-until he heard a door open and close softly above; then he swung sharply
-around, and with his old, drooping shoulders suddenly squared, strode
-toward the door that shut him off from Doctor Crang and the man he had
-recognized as his passenger in the traveling pawn-shop earlier that
-night. But at the door itself he hesitated, and after a moment drew
-back, and the shoulders drooped again, and he fell to twisting his hands
-together in nervous indecision as he retreated to the center of the
-room.
-
-And he stood there again, where Paul Veniza had left him, and stared
-with the hurt of a dumb animal in his eyes at the top of the staircase.
-
-“It's all my fault,” the old man whispered, and fell to twisting his
-hands together once more. “But--but I thought she'd be safe with me.”
-
-For a long time he seemed to ponder his own words, and gradually they
-seemed to bring an added burden upon him, and heavily now he drew his
-hand across his eyes.
-
-“Why ain't I dead?” he whispered. “I ain't never been no good to
-her. Twenty years, it is--twenty years. Just old Hawkins--shabby old
-Hawkins--that she loves 'cause she's sorry for him.”
-
-Hawkins' eyes roved about the room.
-
-“I remember the night I brought her here.” He was still whispering to
-himself. “In there, it was, I took her.” He jerked his hand toward the
-inner room. “This here room was the pawn-shop then. God, all those years
-ago--and--and I ain't never bought her back again, and she ain't known
-no father but Paul, and----” His voice trailed off and died away.
-
-He sank his chin in his hands.
-
-Occasionally he heard the murmur of voices from above, occasionally the
-sound of movement through the closed door that separated him from Doctor
-Crang; but he did not move or speak again until Paul Veniza came down
-the stairs and stood before him.
-
-Hawkins searched the other's face.
-
-“It--it ain't true, is it, what she said?” he questioned almost
-fiercely. “She didn't really mean it, did she, Paul?”
-
-Paul Veniza turned his head away.
-
-“Yes, she meant it,” he answered in a low voice. “I don't understand.
-She wouldn't give me any explanation.”
-
-Hawkins clenched his fists suddenly.
-
-“But didn't you tell her what kind of a man Crang is? Good God, Paul,
-didn't you tell her what he is?”
-
-“She knows it without my telling her,” Paul Veniza said in a dull tone.
-“But I told her again; I told her it was impossible, incredible. Her
-only answer was that it was inevitable.”
-
-“But she doesn't love him! She can't love him!” Hawkins burst out.
-“There's never been anything between them before.”
-
-“No, she doesn't love him. Of course, she doesn't!” Paul Veniza said, as
-though speaking to himself. He looked at Hawkins suddenly under knitted
-brows. “And she says she never saw that other man in her life before
-until he stepped into the car. She says she only went out to-night
-because they were so urgent about it up at the house, and that she felt
-everything would be perfectly safe with you driving the car. I can't
-make anything out of it!”
-
-Hawkins drew the sleeve of his coat across his brow. It was cool in the
-room, but little beads of moisture were standing out on his forehead.
-
-“I ain't brought her nothing but harm all my life,” he said brokenly.
-“I----”
-
-“Don't take it that way, old friend!” Paul Veniza's hands sought the
-other's shoulders. “I don't see how you are to blame for this. Claire
-said that other man treated her with all courtesy, and left the car
-after you had gone around the block; and she doesn't know how he
-afterwards came here wounded any more than we do--and anyway, it can't
-have anything to do with her marrying Doctor Crang.”
-
-“What's she doing now?” demanded Hawkins abruptly. “She's up there
-crying her heart out, ain't she?”
-
-Paul Veniza did not answer.
-
-Hawkins straightened up. A sudden dignity came to the shabby old figure.
-
-“What hold has that devil got on my little girl?” he cried out
-sharply. “I'll make him pay for it, so help me God! My little girl, my
-little------”
-
-“S-sh!” Paul Veniza caught hurriedly at Hawkins' arm. “Be careful, old
-friend!” he warned. “Not so loud! She might hear you.”
-
-Hawkins cast a timorous, startled glance in the direction of the stairs.
-He seemed to shrink again, into a stature as shabby as his clothing. His
-lips twitched; he twisted his hands together.
-
-“Yes,” he mumbled; “yes, she--she might hear me.” He stared around the
-room; and then, as though blindly, his hands groping out in front of
-him, he started for the street door. “I'm going home,” said Hawkins.
-“I'm going home to think this out.”
-
-Paul Veniza's voice choked a little.
-
-“Your hat, old friend,” he said, picking up the old man's hat from the
-table and following the other to the door.
-
-“Yes, my hat,” said Hawkins--and pulling it far down over his eyes,
-crossed the sidewalk, and climbed into the driver's seat of the old,
-closed car that stood at the curb.
-
-He started the car mechanically. He did not look back. He stared
-straight ahead of him except when, at the corner, his eyes lifted and
-held for a moment on the lighted windows and the swinging doors of a
-saloon--and the car went perceptibly slower. Then his hands tightened
-fiercely in their hold upon the wheel until the white of the knuckles
-showed, and the car passed the saloon and turned the next corner and
-went on.
-
-Halfway down the next block it almost came to a halt again when opposite
-a dark and dingy driveway that led in between, and to the rear of,
-two poverty-stricken frame houses. Hawkins stared at this uninviting
-prospect, and made as though to turn the car into the driveway; then,
-shaking his head heavily, he continued on along the street.
-
-“I can't go in there and sit by myself all alone,” said Hawkins
-hoarsely. “I--I'd go mad. It's--it's like as though they'd told me
-to-night that she'd died--same as they told me about her mother the
-night I went to Paul's.”
-
-The car moved slowly onward. It turned the next corner--and the next. It
-almost completed the circuit of the block. Hawkins now was wetting his
-lips with the tip of his tongue. His hands on the wheel were trembling.
-The car had stopped. Hawkins was staring again at the lighted windows
-and the swinging doors of the saloon.
-
-He sat for a long time motionless; then he climbed down from his seat.
-
-“Just one,” Hawkins whispered to himself. “Just one. I--I'd go mad if I
-didn't.”
-
-Hawkins pushed the swinging doors open, and sidled up to the bar.
-
-“Hello, Hawkins!” grinned the barkeeper. “Been out of town? I ain't seen
-you the whole afternoon!”
-
-“You mind your own business!” said Hawkins surlily.
-
-“Sure!” nodded the barkeeper cheerily. “Same as usual?” He slid a
-square-faced bottle and a glass toward the old man.
-
-Hawkins helped himself and drank moodily. He set his empty glass back
-on the bar, jerked down his shabby vest and straightened up, his eyes
-resolutely fixed on the door. Then he felt in his pocket for his pipe
-and tobacco. His eyes shifted from the door to his pipe. He filled it
-slowly.
-
-“Give me another,” said Hawkins presently--without looking at the
-barkeeper.
-
-Again the old man drank, and jerked down his vest, and squared his thin
-shoulders. He lighted his pipe, tamping the bowl carefully with his
-forefinger. His eyes sought the swinging doors once more.
-
-“I'm going home,” said Hawkins defiantly to himself. “I've got to think
-this out.” He dug into his vest pocket for money, and produced a few
-small bills. He stared at these for a moment, hesitated, started to
-replace them in his pocket, hesitated again, and the tip of his tongue
-circled his lips; then he pushed the money across the bar. “Take the
-drinks out of that, and--and give me a bottle,” he said. “I--I don't
-like to be without anything in the house, and I got to go home.”
-
-“You said something!” said the barkeeper. “Have one on the house before
-you go?”
-
-“No; I won't.”
-
-“No,” said Hawkins with stern determination.
-
-Hawkins crowded the bottle into the side pocket of his coat, passed out
-through the swinging doors, and resumed his seat on the car. And again
-the car started forward. But it went faster now. Hawkins' face was
-flushed; he seemed nervously and excitedly in haste. At the driveway
-he turned in, garaged his car in an old shed at the rear of one of the
-houses, locked the shed with a padlock, and, by way of the back door,
-entered the house that was in front of the shed.
-
-It was quite dark inside, but Hawkins had been an inmate of the somewhat
-seedy rooming-house too many years either to expect that a light should
-be burning at that hour, or, for that matter, to require any light.
-He groped his way up a flight of creaking stairs, opened the door of a
-room, and stepped inside. He shut the door behind him, locked it, and
-struck a match. A gas-jet wheezed asthmatically, and finally flung a
-thin and sullen yellow glow about the place. It disclosed a cot bed, a
-small strip of carpet long since worn bare of nap, a washstand, an old
-trunk, a battered table, and two chairs.
-
-Hawkins, with some difficulty, extricated the bottle from his pocket,
-and lifted the lid of his trunk. He thrust the bottle inside, and in the
-act of closing the lid upon it--hesitated.
-
-“I--I ain't myself to-night, I ain't,” said Hawkins tremulously. “It's
-shook me, it has--bad. Just one--so help me God!--just one.”
-
-Hawkins sat down at the table with the bottle in front of him.
-
-And while Hawkins sat there it grew very late.
-
-At intervals Hawkins talked to himself. At times he stared owlishly
-from a half-emptied bottle to the black square of window pane above the
-trunk--and once he shook his fist in that direction.
-
-“Crang--eh--damn you!” he gritted out. “You think you got her, do you?
-Some dirty, cunning trick you've played her! But you don't know old
-Hawkins. Ha, ha! You think he's only a drunken bum!”
-
-Hawkins, as it grew later still, became unsteady in his seat. Gradually
-his head sank down upon the table.
-
-“I--hie!--gotta think this--out,” said Hawkins earnestly--and fell
-asleep.
-
-
-
-
-CHAPTER SIX--THE ALIBI
-
-|JOHN BRUCE opened his eyes dreamily, unseeingly; and then his eyelids
-fluttered and closed again. There was an exquisite sense of languor
-upon him, of cool, comfortable repose; a curious absence of all
-material things. It seemed as though he were in some suspended state of
-animation.
-
-It was very strange. It wasn't life--not life as he had ever known it.
-Perhaps it was death. He did not understand.
-
-He tried to think. He was conscious that his mind for some long
-indeterminate period had been occupied with the repetition of queer,
-vague, broken snatches of things, fantastic things born of illusions,
-brain fancies, cobwebby, intangible, which had no meaning, and were
-without beginning or end. There was a white beach, very white, and a
-full round moon, and the moon winked knowingly while he whittled with a
-huge jack-knife at a quill toothpick. And then there was a great chasm
-of blackness which separated the beach from some other place that seemed
-to have nothing to identify it except this black chasm which was the
-passageway to it; and here a man's face, a face that was sinister in
-its expression, and both repulsive and unhealthy in its color, was
-constantly bending over him, and the man's head was always in the same
-posture--cocked a little to one side, as though listening intently
-and straining to hear something. And then, in the same place, but less
-frequently, there was another face--and this seemed to bring with it
-always a shaft of warm, bright sunlight that dispelled the abominable
-gloom, and before which the first face vanished--a beautiful, the
-wondrously beautiful, face of a girl, one that he had seen somewhere
-before, that was haunting in its familiarity and for which it seemed
-he had always known a great yearning, but which plagued him miserably
-because there seemed to be some unseen barrier between them, and because
-he could not recognize her, and she could not speak and tell him who she
-was.
-
-John Bruce opened his eyes again. Dimly, faintly, his mind seemed to be
-grasping coherent realities. He began to remember fragments of the past,
-but it was very hard to piece those fragments together into a concrete
-whole. That white beach--yes, he remembered that. And the quill
-toothpick. Only the huge jack-knife was absurd! It was at Apia with
-Larmon. But he was in a room somewhere now, and lying on a cot of some
-sort. And it was night. How had he come here?
-
-He moved a little, and suddenly felt a twinge of pain in his side. His
-hand groped under the covering, and his fingers came into contact with
-bandages that were wrapped tightly around his body.
-
-And then in a flash memory returned. He remembered the fight in Ratti's
-wine shop, the knife stab, and how he had dragged himself along the lane
-and climbed in through _her_ window. His eyes now in a startled way were
-searching his surroundings. Perhaps this was the room! He could not
-be quite sure, but there seemed to be something familiar about it. The
-light was very low, like a gas-jet turned down, and he could not make
-out where it came from, nor could he see any window through which he
-might have climbed in.
-
-He frowned in a troubled way. It was true that, as he had climbed in
-that night, he had not been in a condition to take much note of the
-room, but yet it did seem to be the same place. The frown vanished. What
-did it matter? He knew now beyond any question whose face it was that
-had come to him so often in that shaft of sunlight. Yes, it _did_
-matter! He must have been unconscious, perhaps for only a few hours,
-perhaps for days, but if this was the same place, then she was _here_,
-not as a figment of the brain, not as one created out of his own
-longing, but here in her actual person, a living, breathing reality. It
-was the girl of the traveling pawn-shop, and----
-
-John Bruce found himself listening with sudden intentness. Was he
-drifting back into unconsciousness again, into that realm of unreal
-things, where the mind, fevered and broken, wove out of its sick
-imagination queer, meaningless fancies? It was strange that unreal
-things should seem so real! Wasn't that an animal of some sort
-scratching at the wall of the house outside?
-
-He lifted his head slightly from the pillow--and held it there. A voice
-from within the room reached him in an angry, rasping whisper:
-
-“Damn you, Birdie, why don't you pull the house down and have done with
-it? You clumsy hog! Do you want the police on us? Can't you climb three
-feet without waking up the whole of New York?”
-
-John Bruce's lips drew together until they formed a tight, straight
-line. This was strange! Very strange! It wasn't a vagary of his brain
-this time. His brain was as clear now as it had ever been in his life.
-The voice came from beyond the head of his cot. He had seen no one in
-the room, but that was natural enough since from the position in which
-he was lying his line of vision was decidedly restricted; what seemed
-incomprehensible though, taken in conjunction with the words he had
-just heard, was that his own presence there appeared to be completely
-ignored.
-
-He twisted his head around cautiously, and found that the head of the
-cot was surrounded by a screen. He nodded to himself a little grimly.
-That accounted for it! There was a scraping sound now, and heavy,
-labored breathing.
-
-John Bruce silently and stealthily stretched out his arm. He could just
-reach the screen. It was made of some soft, silken material, and his
-fingers found no difficulty in drawing this back a little from the edge
-of that portion of the upright framework which was directly in front of
-him.
-
-He scarcely breathed now. Perhaps he was in so weak a state that his
-mind faltered if crowded, for there was so much to see that he could
-not seem to grasp it all as a single picture. He gazed fascinated. The
-details came slowly--one by one. It _was_ the room where he had crawled
-in through the window and had fallen senseless to the floor--whenever
-that had been! That was the window there. And, curiously enough, another
-man was crawling in through it now! And there was whispering. And two
-other men were already standing in the room, but he could not see their
-faces because their backs were turned to him. Then one of the two swung
-around in the direction of the window, bringing his face into view. John
-Bruce closed his eyes for a moment. Yes, it must be that! His mind was
-off wandering once more, painting and picturing for itself its fanciful
-unrealities, bringing back again the character it had created, the man
-with the sinister face whose pallor was unhealthy and repulsive.
-
-And then he opened his eyes and looked again, and the face was still
-there--and it was real. And now the man spoke:
-
-“Come on, get busy, Birdie! If you take as long to crack the box as you
-have taken to climb in through a low window, maybe we'll be invited to
-breakfast with the family! You act just like a swell cracksman--not! But
-here's the combination--so try and play up to the part!”
-
-The man addressed was heavy of build, with a pockmarked and forbidding
-countenance. He was panting from his exertions, as, inside the room now,
-he leaned against the sill.
-
-“That's all right, Doc!” he grunted. “That's all right! But how about
-his nibs over there behind the screen? Ain't he ever comin' out of his
-nap?”
-
-The man addressed as “Doc” rolled up the sleeve of his left arm, and
-produced a hypodermic syringe from his pocket.
-
-“There's the safe over there, Birdie,” he drawled, as he pricked his arm
-with the needle and pushed home the plunger. “Get busy!”
-
-The big man shuffled his feet.
-
-“I know you know your business, Doc,” he said uneasily; “but I guess
-me an' Pete here 'd feel more comfortable if you'd have put that shot of
-coke into the guy I'm speakin' about instead of into yourself. Ain't I
-right, Pete?”
-
-The third man was lounging against the wall, his back still turned to
-John Bruce.
-
-“Sure,” he said; “but I guess you can leave it to Doc. A guy that's
-been pawin' the air for two days ain't likely to butt in much all of a
-sudden.”
-
-The man with the hypodermic, in the act of replacing the syringe in his
-pocket, drew it out again.
-
-“Coming from you, Birdie,” he murmured caustically, “that's a
-surprisingly bright idea. I've been here for the last three hours
-listening to his interesting addresses from the rostrum of delirium, and
-I should say he was quite safe. Still, to oblige you, Birdie, and make
-you feel more comfortable, we'll act on your suggestion.”
-
-John Bruce's teeth gritted together. How weak he was! His arm ached from
-even the slight strain of extending it beyond his head to the screen.
-
-And then he smiled grimly. But it wasn't a case of strength now, was it?
-He was obviously quite helpless in that respect. This man they called
-Doc believed him to be still unconscious, and--he drew his arm silently
-back, tucked it again under the sheet and blanket that covered him,
-and closed his eyes--and even if he could resist, which he couldn't, a
-hypodermic injection of morphine, or cocaine, or whatever it was that
-the supreme crook of the trio indulged in, could not _instantly_ take
-effect. There ought to be time enough to watch at least----
-
-John Bruce lay perfectly still. He heard a footstep come quickly around
-the screen; he sensed the presence of some one bending over him; then
-the coverings were pulled down and his arm was bared. He steeled himself
-against the instinctive impulse to wince at the sharp prick of the
-needle which he knew was coming--and felt instead a cold and curiously
-merciless rage sweep over him as the act was performed. Then the
-footstep retreated--and John Bruce quietly twisted his head around on
-the pillow, reached out his arm, and his fingers drew the silk panel of
-the screen slightly away from the edge of the framework again.
-
-He could see the safe they had referred to now. It was over at the far
-side of the room against the wall, and the three men were standing in
-front of it. Presently it was opened. The man called Doc knelt down in
-front of it and began to examine its contents. He swung around to his
-companions after a moment with a large pile of banknotes in his hands.
-From this pile he counted out and handed a small portion to each of the
-other two men--and coolly stuffed the bulk of the money into his own
-pockets.
-
-The scene went blurry then for a moment before John Bruce's eyes, and
-he lifted his free hand and brushed it across his forehead. He was so
-beastly weak, anyhow, and the infernal dope was getting in its work
-too fast! He fought with all his mental strength against the impulse
-to relax and close his eyes. What was it they were doing now? It looked
-like some foolish masquerade. The two companions of the man with the
-sinister, pasty face were tying handkerchiefs over their faces and
-drawing revolvers from their pockets; and then the big man began to
-close the door of the safe.
-
-The Doc's voice came sharply:
-
-“Look out you don't lock it, you fool!”
-
-Once more John Bruce brushed his hand across his eyes. His brain must
-be playing him tricks again. A din infernal rose suddenly in the room.
-While the big man lounged nonchalantly against the safe, the other two
-were scuffling all over the floor and throwing chairs about. And then
-from somewhere upstairs, on the floor there too, John Bruce thought he
-caught the sound of hurried movements.
-
-Then for an instant the scuffling in the room ceased, and the
-pasty-faced man's voice came in a peremptory whisper:
-
-“The minute any one shows at the door you swing that safe open as though
-you'd been working at it all the time, Birdie, and pretend to shove
-everything in sight into your pockets. And you, Joe, you've got me
-cornered and covered here--see? And you hold the doorway with your gun
-too; and then both of you back away and make your getaway through the
-window.” The scuffling began again. John Bruce watched the scene, a
-sense of drowsiness and apathy creeping upon him. He tried to rouse
-himself. He ought to do something. That vicious-faced little crook who
-had haunted him with unwelcome visitations, and who at this precise
-moment had the bulk of the money from the safe in his own pockets, was
-in the act of planting a somewhat crude, but probably none the less
-effective, alibi, and----
-
-John Bruce heard a door flung open, and then a sudden, startled cry,
-first in a woman's and then in a man's voice. But he could not see any
-door from the position in which he lay. He turned over with a great
-effort, facing the other way, and reached out with his fingers for the
-panel of the screen that overlapped the head of the cot. And then John
-Bruce lay motionless, the blood pounding fiercely at his temples.
-
-He was conscious that a tall, white-haired man in scanty attire was
-there, because the doorway framed two figures; but he _saw_ only a
-beautiful face, pitifully white, only the slim form of a girl whose
-great brown eyes were very wide with fear, and who held her dressing
-gown tightly clutched around her throat. It was the girl of the
-traveling pawn-shop, it was the girl of his dreams in the shaft of
-sunlight, it was the girl he had followed here--only--only the picture
-seemed to be fading away. It was very strange! It was most curious! She
-always seemed to leave that way. This was Larmon now instead, wasn't it?
-Larmon... and a jack-knife... and a quill toothpick... and....
-
-
-
-
-CHAPTER SEVEN--THE GIRL OF THE TRAVELING PAWN-SHOP
-
-|JOHN BRUCE abstractedly twirled the tassel of the old and faded
-dressing gown which he wore, the temporary possession of which he
-owed to Paul Veniza, his host. From the chair in which he sat his eyes
-ventured stolen glances at the nape of a dainty neck, and at a great
-coiled mass of silken brown hair that shone like burnished copper in the
-afternoon sunlight, as Claire Veniza, her back turned toward him, busied
-herself about the room. He could walk now across the floor--and a
-great deal further, he was sure, if they would only let him. He had not
-pressed that point; it might be taking an unfair advantage of an already
-over-generous hospitality, but he was not at all anxious to speed his
-departure from--well, from where he was at that precise moment.
-
-And now as he looked at Claire Veniza, his thoughts went back to the
-night he had stepped, at old Hawkins' invitation, into the traveling
-pawn-shop. That was not so very long ago--two weeks of grave illness,
-and then the past week of convalescence--but it seemed to span a great
-and almost limitless stretch of time, and to mark a new and entirely
-different era in his life; an era that perplexed and troubled and
-intrigued him with conditions and surroundings and disturbing elements
-that he did not comprehend--but at the same time made the blood in his
-veins to course with wild abandon, and the future to hold out glad and
-beckoning hands.
-
-He loved, with a great, overwhelming, masterful love, the girl who stood
-there just across the room all unconscious of the worship that he knew
-was in his eyes, and which he neither tried nor wished to curb. Of his
-own love he was sure. He had loved her from the moment he had first seen
-her, and in his heart he knew he held fate kind to have given him the
-wound that in its turn had brought the week of convalescence just past.
-And yet--and yet---- Here dismay came, and his brain seemed to stumble.
-Sometimes he dared to hope; sometimes he was plunged into the depths of
-misery and despair. Little things, a touch of the hand as she had nursed
-him that had seemed like some God-given tender caress, a glance when
-she had thought he had not seen and which he had allowed his heart to
-interpret to its advantage with perhaps no other justification than
-its own yearning and desire, had buoyed him up; and then, at times,
-a strange, almost bitter aloofness, it seemed, in her attitude toward
-him--and this had checked, had always checked, the words that were ever
-on his lips.
-
-A faint flush dyed his cheeks. But even so, and for all his boasted
-love, did he not in his own soul wrong her sometimes? The questions
-_would_ come. What was the meaning of the strange environment in which
-she lived? Why should she have driven to a gambling hell late at night,
-and quite as though it were the usual thing, to transact business alone
-in that car with----
-
-God! His hands clenched fiercely. He remembered that night, and how the
-same thought had come then, mocking him, jeering him, making sport of
-him. He was a cad, a pitiful, vile-minded cad! Thank God that he was at
-least still man enough to be ashamed of his own thoughts, even if they
-came in spite of him!
-
-Perhaps it was the strange, unusual characters that surrounded her, that
-came and went in this curious place here, that fostered such thoughts;
-perhaps he was not strong enough yet to grapple with all these confusing
-things. He smiled a little grimly. The robbery of the safe, for
-instance--and that reptile whom he now knew to be his own attending
-physician, Doctor Crang! He had said nothing about his knowledge of the
-robbery--yet. As nearly as he could judge it had occurred two or three
-days prior to the time when his actual convalescence had set in, and as
-a material witness to the crime he was not at all sure that in law his
-testimony would be of much value. They must certainly have found him in
-an unconscious state immediately afterward--and Doctor Crang would
-as indubitably attack his testimony as being nothing more than the
-hallucination of a sick brain.
-
-The luck of the devil had been with Crang! Why had he, John Bruce, gone
-drifting off into unconsciousness just at the psychological moment when,
-if the plan had been carried out as arranged and the other two had made
-their fake escape, Crang would have been left in the room with Claire
-and Paul Veniza--with the money in his pockets! He would have had Doctor
-Crang cold then! It was quite different now. He was not quite sure what
-he meant to do, except that he fully proposed to have a reckoning with
-Doctor Crang. But that reckoning, something, he could not quite define
-what, had prompted him to postpone until he had become physically a
-little stronger!
-
-And then there was another curious thing about it all, which too had
-influenced him in keeping silent. Hawkins, Paul Veniza, Claire and
-Doctor Crang had each, severally and collectively, been here in this
-room many times since the robbery, and not once in his presence had the
-affair ever been mentioned! And--oh, what did it matter! He shrugged his
-shoulders as though to rid himself of some depressing physical weight.
-What did anything matter on this wonderful sunlit afternoon--save Claire
-there in her white, cool dress, that seemed somehow to typify her own
-glorious youth and freshness.
-
-How dainty and sweet and alluring she looked! His eyes were no longer
-contented with stolen glances; they held now masterfully, defiant of any
-self-restraint, upon the slim figure that was all grace from the trim
-little ankles to the poise of the shapely head. He felt the blood
-quicken his pulse. Stronger than he had ever known it before, straining
-to burst all barriers, demanding expression as a right that would not be
-denied, his love rose dominant within him, and----
-
-The tassel he had been twirling dropped from his hand. She had
-turned suddenly; and across the room her eyes met his, calm, deep and
-unperturbed at first, but wide the next instant with a startled shyness,
-and the color sweeping upward from her throat crimsoned her face, and in
-confusion she turned away her head.
-
-John Bruce was on his feet. He stumbled a little as he took a step
-forward. His heart was pounding, flinging a red tide into the pallor of
-his cheeks that illness had claimed as one of its tolls.
-
-“I--I did not mean to tell you like that,” he said huskily. “But I have
-wanted to tell you for so long. It seems as though I have always wanted
-to tell you. Claire--I love you.”
-
-She did not answer.
-
-He was beside her now--only her head was lowered and averted and he
-could not look into her face. Her fingers were plucking tremulously at a
-fold of her dress. He caught her hand between both his own.
-
-“Claire--Claire, I love you!” he whispered.
-
-She disengaged her hand gently; and, still refusing to let him see her
-face, shook her head slowly.
-
-“I--I-----” Her voice was very low. “Oh, don't you know?”
-
-“I know I love you,” he answered passionately. “I know that nothing else
-but that matters.”
-
-Again she shook her head.
-
-“I thought perhaps he would have told you. I--I am going to marry Doctor
-Crang.”
-
-John Bruce stepped back involuntarily; and for a moment incredulity and
-helpless amazement held sway in his expression--then his lips tightened
-in a hurt, half angry way.
-
-“Is that fair to me, Claire--to give me an answer like that?” he said in
-a low tone. “I know it isn't true, of course; it couldn't be--but--but
-it isn't much of a joke either, is it?”
-
-“It is true,” she said monotonously.
-
-He leaned suddenly forward, and taking her face between his hands, made
-her lift her head and look at him. The brown eyes were swimming with
-tears. The red swept her face in a great wave, and, receding, left it
-deathly pale--and in a frenzy of confusion she wrenched herself free
-from him and retreated a step.
-
-“My God!” said John Bruce hoarsely. “You--and Doctor Crang! I don't
-understand! It is monstrous! You can't love that----” He checked
-himself, biting at his lips. “You can't love Doctor Crang. It is
-impossible! You dare not stand there and tell me that you do. Answer me,
-Claire--answer me!”
-
-She seemed to have regained her self-control--or perhaps it was the one
-defense she knew. The little figure was drawn up, her head held back.
-
-“You have no right to ask me that,” she said steadily.
-
-“Right!” John Bruce echoed almost fiercely. His soul itself seemed
-suddenly to be in passionate turmoil; it seemed to juggle two figures
-before his consciousness, contrasting one with the other in most hideous
-fashion--this woman here whom he loved, who struggled to hold herself
-bravely, who stood for all that was pure, for all that he reverenced in
-a woman; and that sallow, evil-faced degenerate, a drug fiend so lost to
-the shame of his vice that he pricked himself with his miserable needle
-quite as unconcernedly in public as one would smoke a cigarette--and
-worse--a crook--a thief! Was it a coward's act to tell this girl _what_
-the man was whom she proposed to marry? Was it contemptible to pull a
-rival such as that down from the pedestal which in some fiendish way he
-must have erected for himself? Surely she did not know the man for what
-he actually was! She could not know! “Right!” he cried out. “Yes, I have
-the right--both for your sake and for my own. I have the right my love
-gives me. Do you know how I came here that first night?”
-
-“Yes,” she said with an effort. “You told me. You were in a fight in
-Ratti's place, and were wounded.”
-
-He laughed out harshly.
-
-“And I told you the truth--as far as it went,” he said. “But do you know
-how I came to be in this locality after leaving you in that motor car? I
-followed you. I loved you from the moment I saw you that night. It seems
-as though I have always loved you--as I always shall love you. That is
-what gives me the right to speak. And I mean to speak. If it were an
-honorable man to whom you were to be married it would be quite another
-matter; but you cannot know what you are doing, you do not know this man
-as he really is, or what he----”
-
-“Please! Please stop!” she cried out brokenly. “Nothing you could say
-would tell me anything I do not already know.”
-
-“I am not so sure!” said John Bruce grimly. “Suppose I told you he was a
-criminal?”
-
-“He is a criminal.” Her voice was without inflection.
-
-“Suppose then he were sent to jail--to serve a sentence?”
-
-“I would marry him when he came out,” she said. “Oh, please do not
-say any more! I know far more about him than you do; but--but that has
-nothing to do with it.”
-
-For an instant, motionless, John Bruce stared at Claire; then his hands
-swept out and caught her wrists in a tight grip and held her prisoner.
-
-“Claire!” His voice choked. “What does this mean? You do not love him;
-you say you know he is even a criminal--and yet you are going to marry
-him! What hold has he got on you? What is it? What damnable trap has he
-got you in? I am going to know, Claire! I will know! And whatever it is,
-whatever the cause of it, I'll crush it, strangle it, sweep it out of
-your dear life at any cost! Tell me, Claire!”
-
-Her face had gone white; she struggled a little to release herself.
-
-“You--you do not know what you are saying. You----” Her voice broke in a
-half sob.
-
-“Claire, look at me!” He was pleading now with his soul in his eyes and
-voice. “Claire, I----”
-
-“Oh, please let me go!” she cried out frantically. “You cannot say
-anything that will make any difference. I--it only makes it harder.”
- The tears were brimming in her eyes again. “Oh, please let me
-go--there's--there's some one coming.”
-
-John Bruce's hands dropped to his sides. The door, already half open,
-was pushed wide, and Hawkins, the old chauffeur, stood on the threshold.
-And as John Bruce looked in that direction, he was suddenly and
-strangely conscious that somehow for the moment the old man dominated
-his attention even to the exclusion of Claire. There was something of
-curious self-effacement, of humbleness in the bent, stoop-shouldered
-figure there, who twisted a shapeless hat awkwardly in his hands; but
-also something of trouble and deep anxiety in the faded blue eyes as
-they fixed on the girl, and yet without meeting her eyes in return, held
-upon her as she walked slowly now toward the door.
-
-“Dear old Hawkins,” she said softly, and laid her hand for an instant on
-the other's arm as she passed by him, “you and Mr. Bruce will be able
-to entertain each other, won't you? I--I'm going upstairs for a little
-while.”
-
-And the old man made no answer; but, turning on the threshold, he
-watched her, his attitude, it seemed to John Bruce, one of almost
-pathetic wistfulness, as Claire disappeared from view.
-
-
-
-
-CHAPTER EIGHT--ALLIES
-
-|CLAIRE'S footsteps, ascending the stairs, died away. John Bruce
-returned to his chair. His eyes were still on the old chauffeur.
-
-Hawkins was no longer twisting his shapeless hat nervously in his
-fingers; instead, he held it now in one clenched hand, while with the
-other he closed the door behind him as he stepped forward across the
-threshold, and with squared shoulders advanced toward John Bruce. And
-then, quite as suddenly again, as though alarmed at his own temerity,
-the old man paused, and the question on his lips, aggressively enough
-framed, became irresolute in tone.
-
-“What--what's the matter with Claire?” he stammered. “What's this mean?”
-
-It was a moment before John Bruce answered, while he eyed the other from
-head to foot. Hawkins was not the least interesting by any means of the
-queer characters that came and went and centered around this one-time
-pawn-shop of Paul Veniza; but Hawkins, of them all, was the one he
-was least able, from what he had seen of the man, to fathom. And yet,
-somehow, he liked Hawkins.
-
-“That's exactly what I want to know,” he said a little brusquely.
-“And”--he eyed Hawkins once more with cool appraisal--“I think you are
-the man best able to supply the information.”
-
-Hawkins began to fumble with his hat again.
-
-“I--I--why do you say that?” he faltered, a sudden note of what seemed
-almost trepidation in his voice.
-
-John Bruce shrugged his shoulders.
-
-“Possibly it is just a hunch,” he said calmly. “But you were the one who
-was driving that old bus on a certain night--you remember? And you seem
-to hang around here about as you please. Therefore you must stand in on
-a fairly intimate basis with the family circle. I'd like to know what
-hold a rotten crook like Doctor Crang has got on Claire Veniza that she
-should be willing to marry him, when she doesn't love him. I'd like to
-know why a girl like Claire Veniza drives alone at night to a gambling
-hell to----”
-
-“That's enough!” Hawkins' voice rose abruptly, peremptorily. He advanced
-again threateningly oft John Bruce. “Don't you dare to say one word
-against my--against--against her. I'll choke the life out of you, if you
-do! Who are you, anyway? You are asking a lot of questions. How did you
-get here in the first place? You answer that! I've always meant to ask
-you. You answer that--and leave Claire out of it!”
-
-John Bruce whistled softly.
-
-“I can't very well do that,” he said quietly, “because it was Claire who
-brought me here.”
-
-“Claire brought you!” The old blue eyes grew very hard and very steady.
-“That's a lie! She never saw you after you got out at the corner that
-night until you came in through the window here. She didn't tell you
-where she lived. She didn't invite you here. She's not that kind, and,
-sick though you may be, I'll not keep my hands off you, if----”
-
-“Steady, Hawkins--steady!” said John Bruce, his voice as quiet as
-before. “We seem to possess a common bond. You seem to be pretty fond
-of Claire. Well, so am I. That ought to make us allies.” He held out his
-hand suddenly to the old man. “I had just asked Claire to marry me when
-you came to the door.”
-
-Hawkins stared from the outstretched hand into John Bruce's eyes, and
-back again at the outstretched hand. Bewilderment, hesitation, a curious
-excitement was in his face.
-
-“You asked Claire to marry you?” He swallowed hard. “You--you want to
-marry Claire? I--why?”
-
-“Why?” John Bruce echoed helplessly. “Good Lord, Hawkins, you _are_ a
-queer one! Barring beasts like Crang, why does a man ordinarily ask a
-woman to marry him? Because he loves her. Well, I love Claire. I loved
-her from the moment I saw her. I followed her, or, rather, that old bus
-of yours, here that night. And that is how, after that fight at Ratti's
-when I got out the back door and into the lane, I crawled over here for
-sanctuary. I said Claire brought me here. You understand now, don't you?
-That's how she brought me here--because I loved her that night. But it
-is because of Crang”--his voice grew hard--“that I am telling you this.
-I love her now--and a great deal too much, whether she could ever care
-for me or not, to see her in the clutches of a crook, and her
-life wrecked by a degenerate cur. And somehow”--his hand was still
-extended--“I thought you seemed to think enough of her to feel the same
-way about this marriage--for I imagine you must know about it. Well,
-Hawkins, where do you stand? There's something rotten here. Are you for
-Claire, or the dope-eater?”
-
-“Oh, my God!” Hawkins whispered huskily. And then almost blindly he
-snatched at John Bruce's hand and wrung it hard. “I--I believe you're
-straight,” he choked. “I know you are. I can see it in your eyes. I
-wouldn't ask anything more in the world for her than a man's honest
-love. And she ain't going to marry that devil! You understand?” His
-voice was rising in a curious cracked shrillness. “She ain't! Not while
-old Hawkins is alive!”
-
-John Bruce drew his brows together in a puzzled way.
-
-“I pass you up, Hawkins,” he said slowly. “I can't make you out. But if
-you mean what you say, and if you trust me----”
-
-“I'm going to trust you!” There was eagerness, excitement, a tremble in
-the old man's voice. “I've got to trust you after what you've said. I
-ain't slept for nights on account of this. It looks like God sent you.
-You wait! Wait just a second, and I'll show you how much I trust you.”
-
-John Bruce straightened up in his chair. Was the old man simply erratic,
-or perhaps a little irresponsible--or what? Hawkins had pattered across
-the floor, had cautiously opened the door, and was now peering with
-equal caution into the outer room. Apparently satisfied at last, he
-closed the door noiselessly, and started back across the room. And
-then John Bruce knew suddenly an indefinable remorse at having somehow
-misjudged the shabby old chauffeur, whose figure seemed to totter now a
-little as it advanced toward him. Hawkins' face was full of misery, and
-the old blue eyes were brimming with tears.
-
-“It--it ain't easy”--Hawkins' voice quavered--“to say--what I got to
-say. There ain't no one on earth but Paul Veniza knows it; but you've
-got a right to know after what you've said. And I've got to tell you for
-Claire's sake too, because it seems to me there ain't nobody going to
-help me save her the way you are. She--she's my little girl. I--I'm
-Claire's father.” John Bruce stared numbly at the other. He could find
-no words; he could only stare.
-
-“Yes, look at me!” burst out the old man finally, and into his voice
-there came an infinite bitterness. “Look at my clothes! I'm just what I
-look like! I ain't no good--and that's what has kept my little girl and
-me apart from the day she was born. Yes, look at me! I don't blame you!”
-
-John Bruce was on his feet. His hand reached out and rested on the old
-man's shoulder.
-
-“That isn't the way to trust me, Hawkins,” he said gently. “What do your
-clothes matter? What do your looks matter? What does anything in the
-world matter alongside of so wonderful a thing as that which you have
-just told me? Straighten those shoulders, Hawkins; throw back that
-head of yours. Her father! Why, you're the richest man in New York, and
-you've reason to be the proudest!”
-
-John Bruce was smiling with both lips and eyes into the other's face. He
-felt a tremor pass through the old man's frame; he saw a momentary flash
-of joy and pride light up the wrinkled, weather-beaten face--and then
-Hawkins turned his head away.
-
-“God bless you,” said Hawkins brokenly; “but you don't know. She's all
-I've got; she's the only kith and kin I've got in all the world, and
-oh, my God, how these old arms have ached just to take her and hold her
-tight, and--and----” He lifted his head suddenly, met John Bruce's eyes,
-and a flush dyed his cheeks. “She's my little girl; but I lie when I say
-I love her. It's drink I love. That's my shame, John Bruce--you've got
-it all now. I pawned my soul, and I pawned my little girl for drink.”
-
-“Hawkins,” said John Bruce huskily, “I think you're a bigger man than
-you've any idea you are.”
-
-“D'ye mean that?” Hawkins spoke eagerly--only to shake his head
-miserably the next instant. “You don't understand,” he said. “I as
-good as killed her mother with drink. She died when Claire was born. I
-brought Claire here, and Paul Veniza and his wife took her in. And Paul
-Veniza was right about it. He made me promise she wasn't to know I was
-her father until--until she would have a man and not a drunken sot to
-look after her. That's twenty years ago. I've tried.. God knows I've
-tried, but it's beaten me ever since. Paul's wife died when Claire was
-sixteen, and Claire's run the house for Paul--and--and I'm Hawkins--just
-Hawkins--the old cab driver that's dropping in the harness. Just Hawkins
-that shuffers the traveling pawn-shop now that Paul's quit the regular
-shop. That's what I am--just old Hawkins, who's always swearing to God
-he's going to leave the booze alone.”
-
-John Bruce did not speak for a moment. He returned to his chair and sat
-down. Somehow he wanted to think; somehow he felt that he had not quite
-grasped the full significance of what he had just heard. He looked at
-Hawkins. Hawkins had sunk into a chair by the table, and his face was
-buried in his hands.
-
-And then John Bruce smiled.
-
-“Look here, Hawkins,” he said briskly, “let's talk about something else
-for a minute. Tell me about Paul Veniza and this traveling pawn-shop.
-It's a bit out of the ordinary, to say the least.”
-
-Hawkins raised his head, and his thoughts for the moment diverted into
-other channels, his face brightened, and he scratched at the scanty
-fringe of hair behind his ear.
-
-“It ain't bad, is it?” he said with interest. “I'm kind of proud of it
-too, 'cause I guess mabbe, when all's said and done, it was my idea. You
-see, when Paul's wife died, Paul went all to pieces. He ain't well now,
-for that matter--nowhere near as well as he looks. I'm kind of scared
-about Paul. He keeps getting sick turns once every so often. But when
-the wife died he was just clean broken up. She'd been his right hand
-from the start in his business here, and--I dunno--it just seemed to
-affect him that way. He didn't want to go on any more without her. And
-as far as money was concerned he didn't have to. Paul ain't rich, but
-he's mighty comfortably off. Anyway, he took the three balls down from
-over the door, and he took the signs off the windows, and in comes
-the carpenters to change things around here, and there ain't any more
-pawn-shop.”
-
-Hawkins for the first time smiled broadly.
-
-“But it didn't work out,” said Hawkins. “Paul's got a bigger business
-and a more profitable one to-day than he ever had before in his life.
-You see, he had been at it a good many years, and he had what you might
-call a private connection--swells up on the Avenue, mostly ladies, but
-gents too, who needed money sometimes without having it printed in the
-papers, and they wouldn't let Paul alone. Paul ain't got a hair in his
-head that ain't honest and fair and square and above-board--and they
-were the ones that knew it better than anybody else. See?”
-
-“Yes,” said John Bruce. “Go on, Hawkins,” he prompted.
-
-“Well,” said Hawkins, “I used to drive an old hansom cab in those days,
-and I used to drive Paul out on those private calls to the swell houses.
-And then when Mrs. Paul died and Paul closed up the shop here he kind of
-drew himself into his shell all round, and mostly he wouldn't go out any
-more, though the swells kept telephoning and telephoning him. He'd only
-go to just a few people that he'd done business with since almost
-the beginning. He said he didn't want to go around ringing people's
-doorbells, and being ushered into boudoirs or anywhere else, and he was
-settling down to shun everybody and everything. It wasn't good for Paul.
-And then a sort of crazy notion struck me, and I chewed it over and over
-in my mind, and finally I put it up to Paul. In the mood he was in, it
-just caught his fancy; and so I bought a second-hand closed car, and
-fitted it up like you saw, and learned to drive it--and that's how there
-came to be the traveling pawn-shop.
-
-“After that, there wasn't anything to it. It caught everybody else's
-fancy as well as Paul's, and it began to get him out of himself. The old
-bus, as you called it, was running all the time. Lots of the swells
-who really didn't want to pawn anything took a ride and did a bit of
-business just for the sake of the experience, and the regular customers
-just went nutty over it, they were that pleased.
-
-“And then some one who stood in with that swell gambling joint where
-we picked you up must have tipped the manager off about it, and he
-saw where he could do a good stroke of business--make it a kind of
-advertisement, you know, besides doing away with any lending by the
-house itself, and he put up a proposition to Paul where Paul was to
-get all the business at regular rates, and a bit of a salary besides on
-account of the all-night hours he'd have to keep sometimes. Paul said
-he'd do it, and turned the salary over to me; and they doped out that
-pass word about a trip to Persia to make it sound mysterious and help
-out the advertising end, and--well, I guess that's all.”
-
-John Bruce was twirling the tassel of his dressing gown again
-abstractedly; but now he stopped as Hawkins rose abruptly and came
-toward him.
-
-“No--it ain't all,” said Hawkins, a curious note almost of challenge
-in his voice. “You said something about Claire going to that gambling
-joint. It was the first time she had ever been there. That night Paul
-was out when they telephoned. You must be one of their big customers,
-'cause they wouldn't listen to anything but a trip to Persia right on
-the spot. They were so set on it that Claire said it would be all right.
-She sent for me. At first I wasn't for it at all, but she said it seemed
-to be of such importance, and that there wasn't anything else to do.
-Claire knows a bit of jewelry or a stone as well as Paul does, and I
-knew Claire could take care of herself; and besides, although she didn't
-know it, it--it was her own old father driving the car there with her.”
-
-“Thank you, Hawkins,” said John Bruce simply; and after a moment: “It
-doesn't make the love I said I had for her show up very creditably to
-me, does it--that I should have had any questions?”
-
-Hawkins shook his head.
-
-“I didn't mean it that way,” he said earnestly. “It would have been a
-wonder if you hadn't. Anyway, you had a right to know, and it was only
-fair to Claire.”
-
-
-
-
-CHAPTER NINE--THE CONSPIRATORS
-
-|JOHN BRUCE fumbled in the pocket of his dressing gown and produced a
-cigarette; but he was a long time in lighting it.
-
-“Hawkins,” he demanded abruptly, “is Paul Veniza in the house now?”
-
-“He's upstairs, I think,” Hawkins answered. “Do you want him?”
-
-“Yes--in a moment,” said John Bruce slowly. “I've been thinking a good
-deal while you were talking. I can only see things one way; and that
-is that the time has come when you should take your place as Claire's
-father.”
-
-The old man drew back, startled.
-
-“Tell Claire?” he whispered. Then he shook his head miserably. “No, no!
-I--I haven't earned the right. I--I can't break my word to Paul.”
-
-“I do not ask you to break your word to Paul. I want you to earn the
-right--now.”
-
-Hawkins was still shaking his head.
-
-“Earn it now--after all these years! How can I?”
-
-“By promising that you won't drink any more,” said John Bruce quietly.
-
-Hawkins' eyes went to the floor.
-
-“Promise!” he said in a shamed way. “I've been promising that for twenty
-years. Paul wouldn't believe me. I wouldn't believe myself. I went and
-got drunker than I've been in all my life the night that dog said he was
-going to marry Claire, and Claire said it was true, and wouldn't listen
-to anything Paul could say to her against it.”
-
-“I would believe you,” said John Bruce gravely.
-
-For an instant Hawkins' face glowed, while tears came into the old blue
-eyes--and then he turned hurriedly and walked to the window, his back to
-John Bruce.
-
-“It's no use,” he said, with a catch in his voice. “You don't know me.
-Nobody that knows me would take my word for that--least of all Paul.”
-
-“I know this,” said John Bruce steadily, “that you have never been
-really put to the test. The test is here now. You'd stop, and stop
-forever, wouldn't you, if it meant Claire's happiness, her future,
-her salvation from the horror and degradation and misery and utter
-hopelessness that a life with a man who is lost to every sense of
-decency must bring her? I would believe you if you promised under those
-conditions. It seems to me to be the only chance there is left to save
-her. It is true she believes Paul is her father and accepts him as
-such, and neither his influence nor his arguments will move her from her
-determination to marry Crang; but I think there is a chance if she is
-told your story, if she is brought to her own father through this very
-thing. I think if you are in each other's arms at last after all these
-years from just that cause it might succeed where everything else
-failed. But this much is sure. It has a chance of success, and you owe
-Claire that chance. Will you take it, Hawkins? Will you promise?”
-
-There was no answer from the window, only the shaking of the old man's
-shoulders.
-
-“Hawkins,” said John Bruce softly, “wouldn't it be very wonderful if you
-saved her, and saved yourself; and wonderful, too, to know the joy of
-your own daughter's love?”
-
-The old man turned suddenly from the window, his arms stretched out
-before him as though in intense yearning; and there was something almost
-of nobility in the gray head held high on the bent shoulders, something
-of greatness in the old wrinkled face that seemed to exalt the worn and
-shabby clothes hanging so formlessly about him.
-
-“My little girl,” he said brokenly.
-
-“Your promise, Hawkins,” said John Bruce in a low voice. “Will you
-promise?”
-
-“Yes,” breathed the old man fiercely. “_Yes_--so help me, God! But”--he
-faltered suddenly--“but Paul-----”
-
-“Ask Paul to come down here,” said John Bruce. “I have something to say
-to both of you--more than I have already said to you. I will answer for
-Paul.”
-
-The old cab driver obeyed mechanically. He crossed the room and went
-out. John Bruce heard him mounting the stairs. Presently he returned,
-followed by the tall, straight, white-haired figure of Paul Veniza.
-
-Hawkins closed the door behind them.
-
-Paul Veniza turned sharply at the sound, and glanced gravely from one to
-the other. His eyebrows went up as he looked at John Bruce. John Bruce's
-face was set.
-
-“What is the matter?” inquired Paul Veniza anxiously.
-
-“I want you to listen first to a little story,” said John Bruce
-seriously--and in a few words he told Paul Veniza, as he had told
-Hawkins, of his love for Claire and the events of the night that had
-brought him there a wounded man. “And this afternoon,” John Bruce ended,
-“I asked Claire to marry me, and she told me she was going to marry
-Doctor Crang.”
-
-Paul Veniza had listened with growing anxiety, casting troubled and
-uncertain glances the while at Hawkins.
-
-“Yes,” he said in a low voice.
-
-John Bruce spoke abruptly:
-
-“Hawkins has promised he will never drink again.”
-
-Paul Veniza, with a sudden start, stared at Hawkins, and then a sort of
-kindly tolerance dawned in his face.
-
-“My poor friend!” said Paul Veniza as though he were comforting a
-wayward child, and went over and laid his hand affectionately on
-Hawkins' arm.
-
-“I have told Hawkins,” went on John Bruce, “that I love Claire, that I
-asked her to marry me; and Hawkins in turn has told me he is Claire's
-father, and how he brought her to you and Mrs. Veniza when she was a
-baby, and of the pledge he made you then. It is because I love Claire
-too that I feel I can speak now. You once told Hawkins how he could
-redeem his daughter. He wants to redeem her now. He has promised never
-to drink again.”
-
-Paul Veniza's face had whitened a little. Half in a startled, half in a
-troubled way, he looked once more at John Bruce and then at Hawkins.
-
-“My poor friend!” he said again.
-
-John Bruce's hand on the arm of his chair clenched suddenly.
-
-“You may perhaps feel that he should not have told me of his
-relationship to Claire; but it was this damnable situation with Crang
-that forced the issue.”
-
-Paul Veniza left Hawkins' side and began to pace the room in an agitated
-way.
-
-“No!” he said heavily. “I do not blame Hawkins. We--we neither of us
-know what to do. It is a terrible, an awful thing. Crang is like some
-loathsome creature to her, and yet in some way that I cannot discover
-he has got her into his power. I have tried everything, used every
-argument I can with her, pleaded with her--and it has been useless.”
- He raised his arms suddenly above his head, partly it seemed in
-supplication, partly in menace. “Oh, God!” he cried out. “I, too, love
-her, for she has really been my daughter through all these years. But I
-do not quite understand.” He turned to Hawkins. “Even if you kept your
-promise now, my friend, what connection has that with Doctor Crang?
-Could that in any way prevent this marriage?”
-
-It was John Bruce who answered.
-
-“It is the last ditch,” he said evenly; “the one way you have not
-tried--to tell her her own and her father's story. I do not say it will
-succeed. But it is the great crisis in her life. It is the one thing
-in the world that ought to sway her, win her. Her father! After twenty
-years--her father!”
-
-Paul Veniza's hands, trembling, ruffled through his white hair. Hawkins'
-fingers fumbled, now with the buttons on his vest, now with the brim of
-his hat which He had picked up aimlessly from the table; and his eyes,
-lifting from the floor, glanced timorously, almost furtively, at Paul
-Veniza, and sought the floor again.
-
-John Bruce got up from his chair and stepped toward them.
-
-“I want to tell you something,” he said sharply, “that ought to put an
-end to any hesitation on your parts at _any_ plan, no matter what, that
-offers even the slightest chance of stopping this marriage. Listen!
-Devil though you both believe this Crang to be, you do not either of you
-even know the man for what he is. While I was lying there”--he flung out
-his hand impulsively toward the couch--“the safe here in this room was
-opened and robbed one night. You know that. But you do not know that it
-was done by Doctor Crang and his confederates. You know what happened.
-But you do not know that while the 'burglars' pretended to hold Crang
-at bay with a revolver and then made their 'escape,' Crang, with most
-of the proceeds of that robbery in his own pockets, was laughing up his
-sleeve at you.”
-
-Hawkins' jaw had dropped as he stared at John Bruce.
-
-“Crang did it! You--you say Crang committed that robbery?” stammered
-Paul Veniza. “But you were unconscious! Still you--you seem to know that
-the safe was robbed!”
-
-“Apparently I do!” John Bruce laughed shortly. “Crang too thought I
-was unconscious, but to make sure he jabbed me with his needle. It
-took effect just at the right time--for Crang--just as you and Claire
-appeared in the doorway. And”--his brows knitted together--“it seems a
-little strange that none of you have ever mentioned it in my presence;
-that not a word has ever been said to me about it.”
-
-Paul Veniza coughed nervously.
-
-“You were sick,” he said; “too sick, we thought, for any excitement.”
-
-Hawkins suddenly leaned forward; his wrinkled face was earnest.
-
-“That is not true!” he said bluntly. “It might have been at first,
-but it wasn't after you got better. It was mostly your money that was
-stolen. Claire put it there the night you came here, and----”
-
-“Hawkins!” Paul Veniza called out sharply in reproof.
-
-“But he knows now it's gone,” said the old cabman a little helplessly.
-He blundered on: “Paul felt he was responsible for your money, and he
-was afraid you might not want to take it if you knew he had to make it
-up out of his own pocket, and----”
-
-John Bruce took a step forward, and laid his hand on Paul Veniza's
-shoulder. He stood silently, looking at the other.
-
-“It is nothing!” said Paul Veniza, abashed.
-
-“Perhaps not!” said John Bruce. “But”--he turned abruptly away, his lips
-tight--“it just made me think for a minute. In the life I've led men
-like you are rare.”
-
-“We were speaking of Doctor Crang,” said Paul Veniza a little awkwardly.
-“If you know that Doctor Crang is the thief, then that is the way out of
-our trouble. Instead of marrying Claire, he will be sent to prison.”
-
-John Bruce shook his head.
-
-“You said yourself I was unconscious at the time. You certainly must
-have found me that way, and Crang would make you testify that for days I
-had been raving in delirium. I do not think you could convict him on my
-testimony.”
-
-“But even so,” said Paul Veniza, “there is Claire. If she knew that
-Crang was a criminal, she----”
-
-“She does know,” said John Bruce tersely.
-
-“Claire knows!” ejaculated Paul Veniza in surprise. “You--you told her,
-then?”
-
-“No,” John Bruce answered. “I said to her: 'Suppose I were to tell you
-that the man is a criminal?' She answered: 'He is a criminal.' I said
-then: 'Suppose he were sent to jail--to serve a sentence?' She answered:
-'I would marry him when he came out.'”
-
-“My God!” mumbled the old cabman miserably.
-
-“I tell you this,” said John Bruce through set teeth, and speaking
-directly to Paul Veniza, “because it seems to me to be the final proof
-that mere argument with Claire is useless, and that something more is
-necessary. I do not ask you to release Hawkins from his pledge; I ask
-you to believe his promise this time because back of it he knows it may
-save Claire from what would mean worse than death to her. I believe him;
-I will vouch for him. Do you agree, Paul Veniza?”
-
-For an instant the white-haired pawnbroker seemed lost in thought; then
-he nodded his head gravely.
-
-“In the last few days,” he said slowly, “I have felt that it was no
-longer my province to masquerade as her father. I know that my influence
-is powerless. As you have said, it is the crisis, a very terrible
-crisis, in her life.” He turned toward Hawkins, and held out his hand.
-“My old friend”--his voice broke--“I pray Heaven to aid you--to aid us
-all.”
-
-Hawkins' blue eyes filled suddenly with tears.
-
-“You believe me, too, Paul, this time!” he said in a choking voice.
-“Listen, Paul! I promise! So help me, God--I promise!”
-
-A lump had somehow risen in John Bruce's throat. He turned away, and for
-a moment there was silence in the room. And then he heard Paul Veniza
-speak:
-
-“She is dear to us all. Let us call her--unless, my old friend, you
-would rather be alone.”
-
-“No, no!” Hawkins cried hurriedly. “I--I want you both; but--but
-not now, don't call her now.” He swept his hands over his shabby,
-ill-fitting clothes. “I--not like this. I----”
-
-“Yes,” said Paul Veniza gently, “I understand--and you are right. This
-evening then--at eight o'clock. You will come back here, my old friend,
-at eight o'clock. And do you remember, it was in this very room, twenty
-years ago, that----” He did not complete his sentence; the hot tears
-were streaming unashamed down his cheeks.
-
-John Bruce was staring out of the window, the panes of which seemed
-curiously blurred.
-
-“Come,” he heard Paul Veniza say.
-
-And then, as the two men reached the door, John Bruce looked around.
-Hawkins had turned on the threshold. Something seemed to have
-transfigured the old cab driver's face. It was illumined. There seemed
-something of infinite pathos in the head held high, in the drooped
-shoulders resolutely squared.
-
-“My little girl!” said Hawkins tenderly. “To-night at eight o'clock--my
-little girl!”
-
-
-
-
-CHAPTER TEN--AT FIVE MINUTES TO EIGHT
-
-|BEFORE the rickety washstand and in front of the cracked glass that
-served as a mirror and was suspended from a nail driven into the wall,
-Hawkins was shaving himself. Perhaps the light from the wheezing
-gas-jet was over-bad that evening, or perhaps it was only in playful
-and facetious mood with the mirror acting the rôle of co-conspirator;
-Hawkins' chin smarted and was raw; little specks of red showed here and
-there through the repeated coats of lather which he kept scraping off
-with his razor. But Hawkins appeared willing to sacrifice even the skin
-itself to obtain the standard of smoothness which he had evidently set
-before himself as his goal. And so over and over again he applied the
-lather, and hoed it off, and tested the result by rubbing thumb and
-forefinger critically over his face. He made no grimace, nor did he show
-any irritation at the none-too-keen blade that played havoc with more
-than the lather, nor did he wince at what must at times have been
-anything but a painless operation. Hawkins' round, weatherbeaten face
-and old watery blue eyes smiled into the mirror.
-
-On the washstand beside him lay a large, ungainly silver watch, its case
-worn smooth with years of service. It had a hunting-case, and it was
-open. Hawkins glanced at it. It was twenty minutes to eight.
-
-“I got to hurry,” said Hawkins happily. “Just twenty minutes--after
-twenty years.”
-
-Hawkins laid aside the razor, and washed and scrubbed at his face until
-it shone; then he went to his trunk and opened it. From underneath the
-tray he lifted out an old black suit. Perhaps again it was the gas-jet
-in either baleful or facetious mood, for, as he put on the suit, the
-cloth in spots seemed to possess, here a rusty, and there a greenish,
-tinge, and elsewhere to be woefully shiny. Also, but of this the gas-jet
-could not have been held guilty, the coat and trousers, and indeed the
-waistcoat, were undeniably most sadly wrinkled.
-
-And now there seemed to be something peculiarly congruous as between the
-feeble gas-jet, the cracked mirror, the wobbly washstand, the threadbare
-strip of carpet that lay beside the iron bed, and the old bent-shouldered
-figure with wrinkled face in wrinkled finery that stood there knotting
-with anxious, awkward fingers a large, frayed, black cravat about his
-neck; there seemed to be something strikingly in keeping between the man
-and his surroundings, a sort of common intimacy, as it were, with the
-twilight of an existence that, indeed, had never known the full sunlight
-of high noon.
-
-It was ten minutes to eight.
-
-Hawkins put the silver watch in his pocket, extinguished the spluttering
-gas-jet, that hissed at him as though in protest at the scant ceremony
-with which it was treated, and went down the stairs. He stepped briskly
-out on the street.
-
-“Claire!” said Hawkins radiantly. “My little Claire! I'm her daddy, and
-she's going to know it. I'm going to get her to call me that--daddy!”
-
-Hawkins walked on halfway along the block, erect, with a quick, firm
-step, his head high, smiling into every face he met--and turning to
-smile again, conscious that people as they passed had turned to look
-back at him. And then very gradually Hawkins' pace slackened, and into
-his face and eyes there came a dawning anxiety, and the smile was gone.
-
-“I'm kind of forgetting,” said Hawkins presently to himself, “that it
-ain't just that I'm getting my little girl. I--I'm kind of forgetting
-her 'rouble. There--there's Crang.”
-
-The old man's face was furrowed now deep with storm and care; he walked
-still more slowly. He began to mutter to himself. At the corner of the
-street he raised an old gnarled fist and shook it, clenched, above his
-head, unconscious and oblivious now that people still turned and looked
-at him.
-
-And then a little way ahead of him along the street that he must go to
-reach the one-time pawn-shop of Paul Veniza, his eyes caught the patch
-of light that filtered out to the sidewalk from under the swinging doors
-of the familiar saloon, and from the windows in a more brilliant flood.
-
-Hawkins drew in a long breath.
-
-“No, no!” he whispered fiercely. “I will never go in there again--so
-help me, God! If I did--and--and she knew it was her daddy, it would
-just break her heart like--like Crang 'll break it.”
-
-He went on, but his footsteps seemed to drag the more now as he
-approached the saloon. His hand as he raised it trembled; and as he
-brushed it across his brow it came away wet with sweat.
-
-The saloon was just a yard away from him now.
-
-There was a strange, feverish glitter in the blue eyes. His face was
-chalky white.
-
-“So help me, God!” Hawkins mumbled hoarsely.
-
-It was five minutes of eight.
-
-Hawkins had halted in front of the swinging doors.
-
-
-
-
-CHAPTER ELEVEN--THE RENDEZVOUS
-
-|PAUL VENIZA, pacing restlessly about the room, glanced surreptitiously
-at his watch, and then glanced anxiously at John Bruce.
-
-John Bruce in turn stole a look at Claire. His lips tightened a little.
-Since she had been told nothing, she was quite unconscious, of course,
-that it mattered at all because it was already long after eight o'clock;
-that Hawkins in particular, or any one else in general, was expected to
-join the little evening circle here in what he, John Bruce, had by now
-almost come to call his room. His forehead gathered in a frown. What was
-it that was keeping Hawkins?
-
-Claire's face was full in the light, and as she sat there at the table,
-busy with some sewing, it seemed to John Bruce that, due perhaps to the
-perspective of what he now knew, he detected a weariness in her eyes and
-in sharp lines around her mouth, that he had not noticed before. It
-was Crang, of course; but perhaps he too--what he had said to her that
-afternoon--his love--had not made it any easier for her.
-
-Paul Veniza continued his restless pacing about the room.
-
-“Father, do sit down!” said Claire suddenly. “What makes you so nervous
-to-night? Is anything the matter?”
-
-“The matter? No! No, no; of course not!” said Paul Veniza hurriedly.
-
-“But I'm sure there is,” said Claire, with a positive' little nod of her
-head. “With both of you, for that matter. Mr. Bruce has done nothing but
-fidget with the tassel of that dressing gown for the last half hour.”
-
-John Bruce let the tassel fall as though it had suddenly burned his
-fingers.
-
-“I? Not at all!” he denied stoutly.
-
-“Oh, dear!” sighed Claire, with mock plaintiveness. “What bores you two
-men are, then! I wish I could send out--what do you call it?--a thought
-wave, and inspire some one, and most of all Hawkins, to come over here
-this evening. He, at least, is never deadly dull.”
-
-Neither of the two men spoke.
-
-“You don't know Hawkins, do you, Mr. Bruce?” Claire went on. She was
-smiling now as she looked at John Bruce. “I mean really know him, of
-course. He's a dear, quaint, lovable soul, and I'm so fond of him.”
-
-“I'm sure he is,” said John Bruce heartily. “Even from the little I've
-seen of him I'd trust him with--well, you know”--John Bruce coughed as
-his words stumbled--“I mean, I'd take his word for anything.”
-
-“Of course, you would!” asserted Claire. “You couldn't think of doing
-anything else--nobody could. He's just as honest as--as--well, as father
-there, and I don't know any one more honest.” She smiled at Paul Veniza,
-and then her face grew very earnest. “I'm going to tell you something
-about Hawkins, and something that even you never knew, father. Ever
-since I was old enough to remember any one, I remember Hawkins. And when
-I got old enough to understand at all, though I could never get him to
-talk about it, I knew his life wasn't a very happy one, and perhaps I
-loved him all the more for that reason. Hawkins used to drink a great
-deal. Everybody knew it. I--I never felt I had the right to speak to him
-about it, though it made me feel terribly, until--until mother died.”
-
-Claire had dropped her sewing in her lap, and now she picked it up again
-and fumbled with it nervously.
-
-“I spoke to him then,” she said in a low voice. “I told him how much you
-needed him, father; and how glad and happy it would make me. And--and I
-remember so well his words: 'I promise, Claire. I promise, so help me,
-God, that I will never drink another drop.'” Claire looked up, her face
-aglow “And I know, no matter what anybody says, that from that day to
-this, he never has.”
-
-Paul Veniza, motionless now in the center of the room, was staring at
-her in a sort of numbed fascination.
-
-John Bruce was staring at the door. He had heard, he thought, a step in
-the outer room.
-
-The door opened. Hawkins stood there. He plucked at his frayed, black
-cravat, which was awry. He lurched against the jamb, and in groping
-unsteadily for support his hat fell from his other hand and rolled
-across the floor.
-
-Hawkins reeled into the room.
-
-“Good--hic!--good-evenin',” said Hawkins thickly.
-
-Claire alone moved. She rose to her feet, but as though her weight were
-too heavy for her limbs. Her lips quivered.
-
-“Oh, Hawkins!” she cried out pitifully--and burst into tears, and ran
-from the room.
-
-It seemed to John Bruce that for a moment the room swirled around before
-his eyes; and then over him swept an uncontrollable desire to get his
-hands upon this maudlin, lurching creature. Rage, disgust, a bitter
-resentment, a mad hunger for reprisal possessed him; Claire's future,
-her faith which she had but a moment gone so proudly vaunted, were
-all shattered, swept to the winds, by this seedy, dissolute wreck. Her
-father! No, her shame! Thank God she did not know!
-
-“You drunken beast!” he gritted in merciless fury, and stepped suddenly
-forward.
-
-But halfway across the room he halted as though turned to stone. Hawkins
-wasn't lurching any more. Hawkins had turned and closed the door; and
-Hawkins now, with his face white and drawn, a look in his old blue eyes
-that mingled agony and an utter hopelessness, sank into a chair and
-buried his face in his hands.
-
-It was Paul Veniza who moved now. He went and stood behind the old
-cabman.
-
-Hawkins looked up.
-
-“You are sober. What does this mean?” Paul Veniza asked heavily.
-
-Hawkins shook his head.
-
-“I couldn't do it,” he said in a broken voice. “And--and I've settled
-it once for all now. I got to thinking as I came along to-night, and
-I found out that it wasn't any good for me to swear I wasn't going to
-touch anything any more. I'm afraid of myself. I--I came near going into
-the saloon. It--it taught me something, that did; because the only way
-I could get by was to promise myself I'd go back there after I'd been
-here.”
-
-Hawkins paused. A flush dyed his cheeks. He turned around and looked at
-Paul Veniza again, and then at John Bruce.
-
-“You don't understand--neither of you understand. Once I promised Claire
-that I'd stop, and--and until just now she believed me. And I've
-hurt her. But I ain't broken her heart. It was only old Hawkins, just
-Hawkins, who promised her then; it would have been her _father_ who
-promised her to-night, and--and it ain't any good, I'd have broken that
-promise, I know it now--and she ain't ever going to share that shame.”
-
-Hawkins brushed his hands across his eyes.
-
-“And then,” he went on, A sudden fierceness in his voice, “suppose she'd
-had that on top of Crang, 'cause it ain't sure that knowing who I am
-would have saved her from him! Oh, my God, she'd better be dead! I'd
-rather see her dead. You're wrong, John Bruce! It wasn't the way. You
-meant right, and God bless you; but it wasn't the way. I saw it all so
-clearly after--after I'd got past that saloon; and--and then it was all
-right for me to promise myself that I'd go back. It wouldn't hurt her
-none then.”
-
-John Bruce cleared his throat.
-
-“I don't quite understand what you mean by that, Hawkins,” he said a
-little huskily.
-
-Hawkins rose slowly to his feet.
-
-“I dressed all up for this,” said Hawkins, with a wan smile; “but
-something's snapped here--inside here.” His hand felt a little aimlessly
-over his heart. “I know now that I ain't ever going to be worthy; and I
-know now that she ain't ever to know that I--that I--I'm her old daddy.
-And so I--I've fixed it just now like you saw so there ain't no going
-back on it. But I ain't throwing my little girl down. It ain't Claire
-that's got to be made change her mind--_it's Crang_.” He raised a
-clenched fist. “And Crang's going to change it! I can swear to _that_
-and know I'll keep it, so--so help me, God! And when she's rid of him,
-she ain't going to have no shame and sorrow from me. That's what I
-meant.”
-
-“Yes,” said John Bruce mechanically.
-
-“I'm going now,” said Hawkins in a low voice. “Around by the other way,”
- said Paul Veniza softly. “And I'll go with you, old friend.”
-
-For a moment Hawkins hesitated, and then he nodded his head.
-
-No one spoke. Paul Veniza's arm was around Hawkins' shoulders as they
-left the room. The door closed behind them. John Bruce sat down on the
-edge of his bed.
-
-
-
-
-CHAPTER TWELVE--THE FIGHT
-
-|FOR a long time John Bruce stared at the closed door; first a little
-helplessly because the bottom seemed quite to have dropped out of
-things, and then with set face as the old cabman's words came back to
-him: “Crang--not Claire.” And at this, a sort of merciless joy crept
-into his eyes, and he nodded his head in savage satisfaction. Yes,
-Hawkins had been right in that respect, and--well, it would be easier to
-deal with Crang!
-
-And then suddenly John Bruce's face softened. Hawkins! He remembered
-the fury with which the old man had inspired him as the other had reeled
-into the room, and Clare, hurt and miserable, had risen from her chair.
-But he remembered Hawkins in a different way now. It was Hawkins, not
-Claire, who had been hurt. The shabby old figure standing there had paid
-a price, and as he believed for Claire's sake, that had put beyond his
-reach forever what must have meant, what did mean, all that he cherished
-most in life.
-
-John Bruce smiled a little wistfully. Somehow he envied Hawkins, so
-pitifully unstable and so weak--his strength!
-
-He shook his head in a puzzled way. His thoughts led him on. What a
-strange, almost incomprehensible, little world it was into which fate,
-if one wished to call it fate, had flung him! It was an alien world to
-him. His own life of the past rose up in contrast with it--> not of his
-own volition, but because the comparison seemed to insist on thrusting
-itself upon him.
-
-He had never before met men like Hawkins and Paul Veniza. He had met
-drunkards and pawnbrokers. Very many of them! He had lived his life,
-or, rather, impoverished it with a spendthrift hand, among just such
-classes--but he was conscious that it would never have been the poorer
-for an intimacy with either Hawkins or Paul Veniza.
-
-John Bruce raised his head abruptly. The front door had opened. A moment
-later a footstep sounded in the outer room, and then upon the stairs.
-That would be Paul Veniza returning of course, though he hadn't been
-gone very long; or was it that he, John Bruce, had been sitting
-here staring at that closed door for a far longer period than he had
-imagined?
-
-He shrugged his shoulders, dismissing the interruption from his mind,
-and again the wistful smile flickered on his lips.
-
-So that was why nothing had been said in his hearing about the robbery!
-Queer people--with their traveling pawn-shop, which was bizarre; and
-their standards of honesty, and their unaffected hospitality which
-verged on the bizarre too, because their genuineness and simplicity were
-so unostentatious--and so rare. And somehow, suddenly, as he sat
-there with his chin cupped now in his hands, he was not proud of this
-contrast--himself on the one hand, a drunkard and a pawnbroker on the
-other!
-
-And then John Bruce raised his head again, sharply this time, almost in
-a startled way. Was that a cry--in a woman's voice? It was muffled
-by the closed door, and it was perhaps therefore his imagination; but
-it----
-
-He was on his feet. It had come again. No door could have shut it out
-from his ears. It was from Claire upstairs, and the cry seemed most
-curiously to mingle terror and a passionate anger. He ran across the
-room and threw the door open. It was strange! It would be Paul Veniza
-in a new rôle, if the gentle, white-haired old pawnbroker could inspire
-terror in any one!
-
-A rasping, jeering oath--in a man's voice this time--reached him.
-John Bruce, a sudden fury whipping his blood into lire, found himself
-stumbling up the stairs. It wasn't Veniza! His mind seemed to convert
-that phrase into a sing-song refrain: “It wasn't Veniza! It wasn't
-Veniza!”
-
-Claire's voice came to him distinctly now, and there was the same terror
-in it, the same passionate anger that he had distinguished in her cry:
-
-“Keep away from me! I loathe you! It is men like you that prompt a woman
-to murder! But--but instead, I have prayed God with all my soul to let
-me die before----” Her voice ended in a sharp cry, a scuffle of feet.
-
-It was Crang in there! John Bruce, now almost at the top of the
-stairs, was unconscious that he was panting heavily from his exertions,
-unconscious of everything save a new refrain that had taken possession
-of his mind: “It was Crang in there! It was Crang in there!”
-
-It was the door just at the right of the landing.
-
-Crang's voice came from there; and the voice was high, like the squeal
-of an enraged animal:
-
-“You're mine! I've got a right to those red lips, you vixen, and I'm
-going to have them! A man's got the right to take the girl he's going to
-marry in his arms! Do you think I'm going to be held off forever? You're
-mine, and----”
-
-The words were lost again in a cry from Claire, and in the sound of a
-struggle--a falling chair, the scuffle once more of feet.
-
-John Bruce flung himself across the hall and against the door, It
-yielded without resistance, and the impetus of his own rush carried him,
-staggering, far into the room. Two forms were circling there under the
-gas light as though in the throes of some mad dance--only the face
-of the woman was deathly white, and her small clenched fists beat
-frantically at the face of the man whose arms were around her. John
-Bruce sprang forward. He laughed aloud, unnaturally. His brain, his
-mind, was whirling; but something soft was grasped in his two encircling
-hands, and that was why he laughed--because his soul laughed. His
-fingers pressed tighter. It was Crang's throat that was soft under his
-fingers.
-
-Suddenly the room swirled around him. A giddiness seemed to seize
-upon him--and that soft thing in his grip slipped from his fingers and
-escaped him. He brushed his hand across his eyes. It would pass, of
-course. It was strange that he should go giddy like that, and that his
-limbs should be trembling as though with the ague! Again he brushed his
-hand across his eyes. It would pass off. He could see better now. Claire
-had somehow fallen to the floor; but she was rising to her knees now,
-using the side of the bed for support, and----
-
-Her voice rang wildly through the room.
-
-“Look out! Oh, look out!” she cried.
-
-To John Bruce it seemed as though something leaped at him out of
-space--and struck. The blow, aimed at his side, which was still
-bandaged, went home. It brought an agony that racked and tore and
-twisted at every nerve in his body. It wrung a moan from his lips, it
-brought the sweat beads bursting out upon his forehead--but it cleared
-his brain.
-
-Yes, it was Doctor Crang--but disreputable in appearance as he had never
-before seen the man. Crang's clothes were filthy and unkempt, as though
-the man had fallen somewhere in the mire and was either unconscious
-or callous of the fact; his hair draggled in a matted way over his
-forehead, and though his face worked with passion, and the passion
-brought a curious hectic rose-color to supplant the customary lifeless
-gray of his cheeks, the eyes were most strangely glazed and fixed.
-
-And again John Bruce laughed--and with a vicious guard swept aside a
-second blow aimed at his side, and his left fist, from a full arm swing,
-crashed to the point of Doctor Crang's jaw. But the next instant they
-had closed, their arms locked around each other's waists, their chins
-dug hard into each other's shoulders. And they rocked there, and swayed,
-and lurched, a curious impotence in their ferocity--and toppled to the
-floor.
-
-John Bruce's grip tightened as Doctor Crang fought madly now to tear
-himself free--and they rolled over and over in the direction of the
-door. Hot and cold waves swept over John Bruce. He was weak, pitifully
-weak, barely a convalescent. But he was content to call it an equal
-fight. He asked for no other odds than Crang himself had offered. The
-man for once had over-steeped himself with dope, and was near the point
-of collapse. He had read that in the other's eyes, as surely as though
-he had been told. And so John Bruce, between his gasping breaths, still
-laughed, and rolled over and over--always toward the door.
-
-From somewhere Claire's voice reached John Bruce, imploringly, in
-terror. Of course! That was why he was trying to get to the door, to
-get out of her room--through respect for her--to get somewhere where he
-could finish this fight between one man who could scarcely stand upon
-his feet through weakness, and another whose drug-shattered body was
-approaching that state of coma which he, John Bruce, had been made to
-suffer on the night the robbery had been committed. And by the same
-needle! He remembered that! Weak in body, his mind was very clear. And
-so he rolled over and over, always toward the door, because Crang was
-heedless of the direction they were taking, and he, John Bruce, was
-probably not strong enough in any other way to force the other out of
-the room where they could finish this.
-
-They rolled to the threshold--and out into the hall. John Bruce loosened
-his hold suddenly, staggered to his feet, and leaned heavily for an
-instant against the jamb of the door. But it was only for an instant.
-Crang was the quicker upon his feet. Like a beast there was slaver
-on the other's lips, his hands clawed the air, his face was contorted
-hideously like the face of one demented, one from whom reason had flown,
-and with whom maniacal passion alone remained--and from the banister
-railing opposite the door Crang launched himself forward upon John Bruce
-again.
-
-“She's mine!” he screamed. “I've been watching you two! I'll teach you!
-She's mine--mine! I'll finish you for this!”
-
-John Bruce side-stepped the rush, and Crang pitched with his head
-against the door jamb, but recovering, whirled again, and rushed again.
-The man began to curse steadily now in a low, abominable monotone. It
-seemed to John Bruce that he ought to use his fist as a cork and thrust
-it into the other's mouth to bottle up the vile flow of epithets that
-included Claire, and coupled his name with Claire's. Claire might hear!
-The man was raving, insane with jealousy. John Bruce struck. His fist
-found its mark on Crang's lips, and found it again; but somehow his arm
-seemed to possess but little strength, and to sag back at the elbow from
-each impact. He writhed suddenly as Crang reached him with another blow
-on his side.
-
-And then they had grappled and locked together again, and were swaying
-like drunken men, now to this side, and now to that, of the narrow hall.
-
-It could not last. John Bruce felt his knees giving way beneath him. He
-had under-estimated Crang's resistance to the over-dose of drug. Crang
-was the stronger--and seemed to be growing stronger every instant. Or
-was it his own increasing weakness?
-
-Crang's fist with a short-arm jab smashed at John Bruce's wounded side
-once more. The man struck nowhere else--always, with the cunning born
-of hell, at the wounded side. John Bruce dug his teeth into his lips.
-A wave of nausea swept over him. He felt his senses leaving him, and
-he clung now to the other, close, tight-pressed, as the only means of
-protecting his side.
-
-He forced himself then desperately to a last effort. There was one
-chance left, just one. In the livid face, in the hot, panting breath
-with which the other mouthed his hideous profanity, there was murder.
-Over his shoulder, barely a foot away, John Bruce glimpsed the
-staircase. He let his weight sag with seeming helplessness upon Crang.
-It brought Crang around in a half circle. Crang's back was to the stairs
-now. John Bruce let his hands slip slowly from their hold upon the
-other, as though the last of his strength was ebbing away. He accepted
-a vicious blow on his wounded side as the price that he must pay, a
-blow that brought his chin crumpling down upon his breast--and then
-with every ounce of remaining strength he hurled himself at Crang, and
-Crang's foot stumbled out into space over the topmost stair, and with a
-scream of infuriated surprise the man pitched backward.
-
-John Bruce grasped with both hands at the banister for support.
-Something went rolling, rolling, rolling down the stairs with queer,
-dull thumps like a sack of meal. His hands slipped from the banister,
-and he sat limply down on the topmost step and laughed. He laughed
-because that curious looking bundle at the bottom there began a series
-of fruitless efforts to roll back up the stairs again.
-
-And then the front door opened. He could see it from where he sat, and
-Paul Veniza--that was Paul Veniza, wasn't it?--stepped into the room
-below, and cried out, and ran toward the bundle at the foot of the
-stairs.
-
-John Bruce felt some one suddenly hold him back from pitching down the
-stairs himself, but nevertheless he kept on falling and falling into
-some great pit that grew darker and darker the farther he went down, and
-this in spite of some one who tried to hold him back, and--and who had a
-face that looked like Claire's, only it was as--as white as driven snow.
-And as he descended into the blackness some one screamed at him: “I'll
-finish you for this!” And screamed it again--only the voice kept growing
-fainter. And--and then he could neither see nor hear any more.
-
-*****
-
-When John Bruce opened his eyes again he was lying on his cot. A little
-way from him, their backs turned, Claire and Paul Veniza were whispering
-earnestly together. He watched them for a moment, and gradually as his
-senses became normally acute again he caught Claire's words:
-
-“He is not safe here for a moment. Father, we must get him away. I am
-afraid. There is not a threat Doctor Crang made to-night but that he is
-quite capable of carrying out.”
-
-“But he is safe for to-night,” Paul Veniza answered soothingly. “I
-got Crang home to bed, and as I told you, he is too badly bruised and
-knocked about to move around any before morning at least.”
-
-“And yet I am afraid,” Claire insisted anxiously. “Fortunately Mr.
-Bruce's wound hasn't opened, and he could be moved. Oh, if Hawkins only
-hadn't----”
-
-She stopped, and twisted her hands together nervously.
-
-Paul Veniza coughed, averted his head suddenly and in turning met John
-Bruce's eyes--and stared in a startled way.
-
-“Claire!” John Bruce called softly.
-
-“Oh!” she cried, and ran toward him. “You----”
-
-“Yes,” smiled John Bruce. “And I have been listening. Why isn't it safe
-for me to stay here any longer? On account of Crang's wild threats?”
-
-“Yes,” she said in a low voice.
-
-John Bruce laughed.
-
-“But you don't believe them, do you?” he asked. “At least, I mean, you
-don't take them literally.” Claire's lips were trembling.
-
-“There is no other way to take them.” She was making an effort to steady
-her voice. “It is not a question of believing them. I know only too well
-that he will carry them out if he can. You are not safe here, or even in
-New York now--but less safe here in this house than anywhere else.”
-
-John Bruce came up on his elbow.
-
-“Then, Claire, isn't this the end?” he demanded passionately. “You know
-him for what he is. You do not love him, for I distinctly heard you
-tell him that you loathed him, as I went up the stairs. Claire, I am not
-asking for myself now--only for you. Tell me, tell Paul Veniza here,
-to whom it will mean so much, that you have now no further thought of
-marriage with that”--John Bruce's voice choked--“with Crang.” She shook
-her head.
-
-“I cannot tell you that,” she said dully, “for I am going to marry
-Doctor Crang.”
-
-John Bruce's face hardened. He looked at Paul Veniza. The old pawnbroker
-had his eyes on the floor, and was ruffling his white hair helplessly
-with his fingers.
-
-“Why?” John Bruce asked.
-
-“Because I promised,” Claire said slowly.
-
-“But a promise like that!” John Bruce burst out. “A promise that you
-will regret all your life is----”
-
-“No!” Her face was half averted; her head was lowered to hide the tears
-that suddenly welled into her eyes. “No; it is a promise that I--that I
-am glad now I made.”
-
-“_Glad!_” John Bruce sat upright. She had turned her head away from the
-cot. He could not see her face. “Glad!” he repeated incredulously.
-
-“Yes.” Her voice was scarcely audible.
-
-For a moment John Bruce stared at her; then a bitter smile tightened his
-lips, and he lay back on the cot, and turned on his side away from both
-Claire and Paul Veniza.
-
-When John Bruce looked around again, only Paul Veniza was in the room.
-
-“I don't understand,” said Paul Veniza--he was still ruffling his hair,
-still with his eyes on the floor.
-
-“I do,” said John Bruce grimly. “Claire is right. It isn't safe for me
-to stay here, and I'll go to-night. If only Hawkins hadn't----” He
-laughed a little harshly. “But I'll go to-night, just the same. A taxi
-will do quite as well.”
-
-
-
-
-CHAPTER THIRTEEN--TRAPPINGS OF TINSEL
-
-|UNDER the shaded light on his table, in his private sitting room in
-the Bayne-Miloy Hotel, John Bruce had been writing steadily for half an
-hour--but the sheets of paper over which his pen had traveled freely and
-swiftly were virgin white. He paused now, remained a moment in thought,
-and then added a line to the last sheet. No mark was left, but from the
-movement of the pen this appeared to be a signature.
-
-He gathered the sheets together, folded them neatly, and slipped them
-into an envelope. He replaced the cap on the fountain pen he had been
-using, placed the pen in his vest pocket, and from another pocket took
-out another pen that was apparently identical with the first. With
-this second pen, in black ink, he addressed the envelope to one Gilbert
-Larmon in San Francisco. He sealed the envelope, stamped it, put it in
-his pocket, returned the second fountain pen to his vest pocket, lighted
-a cigarette leaned back in his chair, and frowned at the ascending
-spirals of smoke from the cigarette's tip.
-
-The report which he had just written to Larmon, explaining his inaction
-during the past weeks, had been an effort--not physical, but mental. He
-had somehow, curiously, felt no personal regret for the enforced absence
-from his “work,” and he now felt no enthusiasm at the prospect of
-resuming it. He had had no right to tinge or color his letter to Larmon
-with these views; nor had he intended to do so. Perhaps he had not;
-perhaps he had. He did not know. The ink originated by the old Samoan
-Islander had its disadvantages as well as its advantages. He could not
-now read the letter over once it was written!
-
-He flicked the ash irritably from his cigarette. He had been back here
-in the hotel now for two days and that feeling had been constantly
-growing upon him. Why? He did not know except that the cause seemed to
-insist on associating itself with his recent illness, his life in the
-one-time pawn-shop of Paul Veniza. But, logically, that did not hold
-water. Why should it? He had met a pawnbroker who roamed the streets at
-night in a fantastic motor car, driven by a drunkard; and he had fallen
-in love with a girl who was glad she was going to marry a dope-eating
-criminal. Good God, it was a spectacle to make----
-
-John Bruce's fist crashed suddenly down on the desk beside him, and he
-rose from his chair and stood there staring unseeingly before him.
-That was not fair! What was uppermost now was the recrudescence of the
-bitterness that had possessed him two nights ago when he had returned
-from Paul Veniza's to the hotel here. Nor was it any more true than
-it was fair! What of the days and nights of nursing, of care, of the
-ungrudging and kindly hospitality they had given to an utter stranger?
-Yes, he knew! Only--only she had said she was _glad!_
-
-He began to pace the room. He had left Veniza's in bitterness. He had
-not seen Claire. It was a strange sort of love he boasted, little of
-unselfishness in it, much of impatience, and still more of intolerance!
-That it was a hopeless love in so far as he was concerned did not place
-him before himself in any better light. If he cared for her, if there
-was any depth of feeling in this love he claimed to have, then at least
-her happiness, her welfare and her future could not be extraneous
-and indifferent considerations to him. And on the spur of the moment,
-piqued, in spite of Paul Veniza's protestations, he had left that night
-without seeing Claire again!
-
-He had been ashamed of himself. Yesterday, he had telephoned Claire. He
-had begged her forgiveness. He had not meant to say more--but he had!
-Something in her voice had--no, not invited; he could not say that--but
-had brought the passion, pleading almost, back into his own. It had
-seemed to him that she was in tears at the other end of the wire; at
-least, bravely as she had evidently tried to do so, she had been unable
-to keep her voice under control. But she had evaded an answer. There had
-been nothing to forgive, she had said. He had told her that he must see
-her, that he would see her again. And then almost hysterically, over
-and over again, she had begged him to attempt nothing of the sort, but
-instead to leave New York because she insisted that it was not safe for
-him to stay even in the city.
-
-John Bruce hurled the butt of his cigarette in the direction of the
-cuspidor, and clenched his fist. Crang! Safe from Crang! He laughed
-aloud harshly. He asked nothing better than to meet Crang again. He
-would not be so weak the next time! And the sooner the better!
-
-He gnawed at his under lip, as he continued to pace the room. To-day, he
-had telephoned Claire again--but he had not spoken to her this time. He
-had not been surprised at the news he had received, for he remembered
-that Hawkins had once told him that the old pawnbroker was in reality
-far from well. Some one, he did not know who, some neighbor probably,
-had answered the phone. Paul Veniza had been taken ill. Claire had been
-up with him all the previous night, and was then resting.
-
-John Bruce paused abruptly before the desk at which he had been writing,
-and looked at his watch. It was a little after ten o'clock. He was
-going back to “work” again to-night. He smiled suddenly, and a little
-quizzically, as he caught sight of himself in a mirror. What would they
-say--the white-haired negro butler, and the exquisite Monsieur Henri
-de Lavergne, for instance--when the millionaire plunger, usually so
-immaculate in evening clothes, presented himself at their door in a suit
-of business tweeds?
-
-He shrugged his shoulders. Down at Ratti's that night his apparel--it
-was a matter of viewpoint--had been a source of eminent displeasure, and
-as such had been very effectively disposed of. He had had no opportunity
-to be measured for new clothes.
-
-The smile faded, and he stood staring at the desk. The millionaire
-plunger! It seemed to jar somehow on his sensibilities. Work! That was a
-queer way, too, to designate it. He was going to take up his work again
-to-night, pick up the threads of his life again where he had dropped
-them. A bit ragged those threads, weren't they? Frayed, as it were!
-
-What the devil was the matter with him, anyway?
-
-There was money in it, a princely existence. What more could any one
-ask? What did Claire, his love for a girl who was glad to marry some
-one else infinitely worse than he was, have to do with it? Ah, she _did_
-have something to do with it, then! Nonsense! It was absurd!
-
-He took a key abruptly from his pocket, and unlocked one of the drawers
-of the desk. From the drawer he took out a large roll of bills. The
-hotel management had sent to the bank and cashed a check for him that
-afternoon. He had not forgotten that he would need money, and plenty of
-it, at the tables this evening. Well, he was quite ready to go now, and
-it was time; it would be halfpast ten before he got there, and----
-
-“The devil!” said John Bruce savagely--and suddenly tossed the money
-back into the drawer, and locked the drawer. “If I don't feel like
-it to-night, why should I? I guess I'll just drop around for a little
-convalescent visit, and let it go at that.”
-
-John Bruce put on a light overcoat, and left the room. In the lobby
-downstairs he posted his letter to Gilbert Larmon. He stepped out on the
-street, and from the rank in front of the hotel secured a taxi. Twenty
-minutes later he entered Gilbert Larmon's New York gambling hell.
-
-Here he received a sort of rhapsodical welcome from the exquisite
-Monsieur Henri de Lavergne, which embraced poignant regret at the
-accident that had befallen him, and unspeakable joy at his so-splendid
-recovery. It was a delight so great to shake the hand of Mr. Bruce again
-that Monsieur Henri de Lavergne complained bitterly at the poverty of
-language which prevented an adequate expression of his true and sincere
-feelings. Also, Monsieur Henri de Lavergne, if he were not trespassing,
-would be flattered indeed with Mr. Bruce's confidence, if Mr. Bruce
-should see fit to honor him with an account of how the accident had
-happened. He would be desolated if in any way it could be attributable
-to any suggestion that he, Monsieur de Lavergne, on behalf of the house
-which he had the honor to represent as manager, had made to Mr. Bruce
-which might have induced----
-
-“Not at all!” John Bruce assured him heartily. He smiled at Monsieur de
-Lavergne. The other knew nothing of Claire's presence in the car that
-night, and for Claire's sake it was necessary to set the man's mind so
-completely at rest that the subject would lack further interest. The
-only way to accomplish that was to appear whole-heartedly frank. John
-Bruce became egregiously frank. “It was just my own damned curiosity,”
- he said with a wry smile. “I got out of that ingenious contraption at
-the corner after going around the block, and, well, my curiosity, as I
-said, got the better of me. I followed the thing, and found out where
-Mr. Veniza lived. I started on my way back, but I didn't get very far.
-I got into trouble with a rather tough crowd just around the corner, who
-didn't like my shirt front, I believe they said. The fight ended by
-my being backed into a wine shop where I was stabbed, but from which I
-managed to escape into the lane. I was about all in, and the only chance
-I could see was a lighted window on the other side of a low fence. I
-crawled in the window, and flopped on the floor. It proved to be Mr.
-Veniza's house.”
-
-“_Pour l'amour du dieu!_” exclaimed Monsieur Henri de Lavergne
-breathlessly.
-
-“And which also accounts,” said John Bruce pleasantly, “for the apology
-I must offer you for my appearance this evening in these clothes. The
-mob in that respect was quite successful.”
-
-“But that you are back!” Monsieur de Lavergne's hands were raised in
-protest. “That is alone what matters. Monsieur Bruce knows that in any
-attire it is the same here for monsieur as though he were at home.”
-
-“Thank you!” said John Bruce cordially. “I have only dropped in through
-the urge of old habits, I guess. I'm hardly on my feet yet, and I
-thought I'd just watch the play for a little while to-night.”
-
-“And that, too,” said Monsieur Henri de Lavergne with a bow, as John
-Bruce moved toward the staircase, “is entirely as monsieur desires.”
-
-John Bruce mounted the stairs, and began a stroll through the roulette
-and card rooms. The croupiers and dealers nodded to him genially; those
-of the “guests” Whom he knew did likewise. He was treated with marked
-courtesy and consideration by every attendant in the establishment.
-Everything was exactly as it had been on his previous visits. There were
-the soft mellow lights; the siren pur of the roulette wheel, the musical
-_click_ of the ball as it spun around on its little fateful orbit; the
-low, quiet voices of the croupiers and dealers; the well-dressed
-players grouped around the tables, the hilarious and the grim, the
-devil-may-care laugh from one, the thin smile from another. It was
-exactly the same, all exactly the same, even to the table in the supper
-room, free to all though laden with every wine and delicacy that money
-could procure; but somehow, even at the end of half an hour, where he
-was wont to be engrossed till daylight, John Bruce became excessively
-bored.
-
-Perhaps it was because he was simply an on-looker, and not playing
-himself. He had drawn close to a group around a faro bank. The play was
-grim earnest and for high stakes. No, it wasn't that! He did not want
-to play. Somehow, rather, he knew a slight sense both of contempt and
-disgust at the eager clutch and grasp of hands, the hoarse, short laugh
-of victory, the snarl of defeat, the trembling fingers of the more
-timorous who staked with Chance and demanded that the god be charitable
-in its omnipotence and toss them crumbs!
-
-Well, what was he caviling about? It was the life he had chosen. It was
-his life work. Wasn't he pleased with it? He had certainly liked it well
-enough in the old days to squander upon it the fair-sized fortune
-his father had left him. He decidedly had not gone into that infernal
-compact with Larmon blindfolded. Perhaps it was because in those days
-he played when he wanted to; and in these, and hereafter, he would play
-because he had to. Perhaps it was only that, to-night, there was upon
-him the feeling, which was natural enough, and which was immeasurably
-human too, that it was irksome to be a slave, to be fettered and
-shackled and bound to anything, even to what one, with one's freedom his
-own, was ordinarily out of choice most prone to do and delight in. Well,
-maybe! But that was not entirely a satisfactory or conclusive solution
-either.
-
-He looked around him. There seemed to be something hollow to-night in
-these trappings of tinsel; and something not only hollow, but sardonic
-in his connection with them--that he should act as a monitor over the
-honesty of those who in turn acted as the agents of Larmon in an already
-illicit traffic.
-
-“Oh, hell!” said John Bruce suddenly.
-
-The dealer looked up from the table, surprise mingling with polite
-disapproval. Several of the players screwed around their heads.
-
-“That's what I say!” snarled one of the latter with an added oath, as a
-large stack of chips was swept away from him.
-
-Some one touched John Bruce on the elbow. He turned around. It was one
-of the attendants.
-
-“You are being asked for downstairs, Mr. Bruce,” the man informed him.
-
-John Bruce followed the attendant. In the hall below the white-haired
-negro doorkeeper came toward him.
-
-“I done let him in, Mistuh Bruce, suh,” the old darky explained a little
-anxiously, “'cause he done say, Mistuh Bruce, that it was a case of
-most particular illness, suh, and----”
-
-John Bruce did not wait for more. It was Veniza probably--a turn for the
-worse. He nodded, and passed hurriedly along the hall to where, near the
-door, a poorly dressed man, hat in hand and apparently somewhat ill at
-ease in his luxurious surroundings, stood waiting.
-
-“I am Mr. Bruce,” he said quickly. “Some one is critically ill, you say?
-Is it Mr. Veniza?”
-
-“No, sir,” the man answered. “I don't know anything about Mr. Veniza.
-It's Hawkins.”
-
-“Hawkins!” ejaculated John Bruce.
-
-“Yes, sir,” said the man. He shuffled his feet. “I--I guess you know,
-sir.”
-
-John Bruce for a moment made no comment. Hawkins! Yes, he knew! Hawkins
-had even renounced his pledge, hadn't he? Not, perhaps, that that would
-have made any difference!
-
-“Bad?” he asked tersely.
-
-“I'm afraid so, sir,” the man replied. “I've seen a good bit of Hawkins
-off and on in the last two years, sir, because I room in the same house;
-but I've never seen him like this. He's been out of his head and clawing
-the air, sir, if you know what I mean. He's over that now, but that weak
-he had me scared once, sir, that he'd gone.”
-
-“What does the doctor say?” John Bruce bit off his words.
-
-The man shook his head.
-
-“He wouldn't have one, sir. It's you he wants. You'll understand, sir,
-that he's been alone. I don't know how long ago he started on this
-spree. It was only by luck that I walked into his room to-night. I was
-for getting a doctor at once, of course, but he wouldn't have it; he
-wanted you. At times, sir, he was crying like a baby, only he hadn't
-the strength of one left. Knowing I could run her, me being a motortruck
-driver, he told me to take that car he drives and go to the hotel for
-you, and if you weren't there to try here--which I've done, sir, as
-you see, and I hope you'll come back with me. I don't know what to do,
-though I'm for picking up a doctor on the way back whether he wants one
-or not.”
-
-John Bruce turned abruptly, secured his coat and hat, motioned the man
-to lead the way, and followed the other out of the house and down the
-steps to the sidewalk.
-
-The traveling pawn-shop was at the curb. The man opened the door, and
-John Bruce stepped inside--and was instantly flung violently down upon a
-seat. The door closed. The car started forward. And in a sudden glare of
-light John Bruce stared into the muzzle of a revolver, and, behind the
-revolver, into a bruised and battered face, which was the face of Doctor
-Crang.
-
-
-
-
-CHAPTER FOURTEEN--THE TWO PENS
-
-|JOHN BRUCE stared for a moment longer at the revolver that held a
-steady bead between his eyes, and at the evil face of Crang that leered
-at him from the opposite seat; then he deliberately turned his head and
-stared at the face of still another occupant of the car--a man who sat
-on the seat beside him. He was trapped--and well trapped! He recognized
-the other to be the man known as Birdie, who had participated on a
-certain night in the robbery of Paul Veniza's safe. It was quite plain.
-The third man in that robbery, whose face he had not seen at the time,
-was undoubtedly the man who had brought the “message” a few minutes ago,
-and who was now, with almost equal certainty, engaged in driving the
-car. Thieving, at least, was in the trio's line! They must somehow or
-other have stolen the traveling pawn-shop from Hawkins!
-
-He smiled grimly. If it had been Birdie now who had brought the message
-he would never have fallen into the trap! Crang had played in luck and
-won by a very narrow margin, for Crang was naturally in ignorance that
-he, John Bruce, had ever seen either of the men before. And then John
-Bruce thought of the bulky roll of bills which by an equally narrow
-margin was _not_ in his pocket at that moment, and his smile deepened.
-
-Crang spoke for the first time.
-
-“Take his gun away from him, if he's got one!” he gnarled tersely.
-
-“It's in the breast pocket of my coat,” said John Bruce imperturbably.
-
-Birdie, beside John Bruce, reached over and secured the weapon.
-
-John Bruce leaned back in his seat. The car was speeding rapidly along
-now.
-
-The minutes passed. None of the three men spoke. Crang sat like some
-repulsive gargoyle, leering maliciously.
-
-John Bruce half closed his eyes against the uncanny fascination of that
-round black muzzle which never wavered in its direction, and which was
-causing him to strain too intently upon it. What was the game? How far
-did Crang intend to go with his insane jealousy? How far would Crang
-dare to go? The man wasn't doped to-night. Perhaps he was even the
-more dangerous on that account. Instead of mouthing threats, there was
-something ominous now, it seemed, in the man's silence. John Bruce's
-lips drew together. He remembered Claire's insistence that Crang had
-meant what he said literally--and Claire had repeated that warning over
-the telephone. Well, if she were right, it meant--_murder_.
-
-From under his half closed lids, John Bruce looked around the car. The
-curtains, as they always were, were closely drawn. The interior was
-lighted by that same soft central light, only the light was high up now
-near the roof of the car. Well, if it was to be murder, why not _now?_
-The little velvet-topped table was not in place, and there was nothing
-between himself and that sneering, sallow face. Yes, why not now--and
-settle it!
-
-He straightened almost imperceptibly in his seat, as impulse suddenly
-bade him fling himself forward upon Crang. Why not? The sound of a
-revolver shot would be heard in the street, and Crang might not even
-dare to fire at all. And then John Bruce's glance rested on the man
-beside him--and impulse gave way to common sense. He had no intention of
-submitting tamely and without a struggle to any fate, no matter what it
-might be, that Crang proposed for him, but that struggle would better
-come when there was at least a chance. There was no chance here. Birdie,
-on the seat beside him, held a deadlier and even more effective weapon
-than was Crang's revolver, a silent thing--a black-jack.
-
-“Wait! Don't play the fool! You'll get a better chance than this!” the
-voice of what he took to be common sense whispered to him.
-
-The car began to go slower. It swerved twice as though making sharp
-turns; and then, running still more slowly, began to bump over rough
-ground.
-
-Crang spoke again.
-
-“You can make all the noise you want to, if you think it will do you any
-good,” he said viciously; “but if you make a move you are not told to
-make you'll be _carried_ the rest of the way! Understand?”
-
-John Bruce did not answer.
-
-The car stopped. Birdie opened the door on his side, and stepped to the
-ground. He was joined by the man who had driven the car, and who, as
-John Bruce now found he had correctly assumed, had acted as the decoy at
-the gambling house.
-
-“Get out!” ordered Doctor Crang curtly.
-
-John Bruce followed Birdie from the car. It was dark out here,
-exceedingly dark, but he could make out that the car had been driven
-into a narrow lane, and that they were close to the wall of a building
-of some sort. The two men gripped him by his arms. He felt the muzzle of
-Crang's revolver pressed into the small of his back.
-
-“Mind your step!” cautioned Birdie gruffly.
-
-It was evidently the entrance to a cellar. John Bruce found himself
-descending a few short steps; and then, on the level again, he was
-guided forward through what was now pitch blackness. A moment more and
-they had halted, but not before John Bruce's foot had come into contact
-with a wall or partition of some kind in front of him. One of the
-men who gripped his arms knocked twice with three short raps in quick
-succession.
-
-A door opened in front of them, and for an instant John Bruce was
-blinded by a sudden glare of light; but the next instant, his eyes grown
-accustomed to the transition, he saw before him a large basement room,
-disreputable and filthy in appearance, where half a dozen men sat at
-tables drinking and playing cards.
-
-A shove from the muzzle of Crang's revolver urged John Bruce forward
-into an atmosphere that was foul, hot and fetid, and thick with tobacco
-smoke that floated in heavy, sinuous layers in mid-air. He was led down
-the length of the room toward another door at the opposite end. The men
-at the tables, as he passed them, paid him little attention other than
-to leer curiously at him. They greeted Birdie and his companion with
-blasphemous familiarity; but their attitude toward Crang, it seemed to
-John Bruce, was one of cowed and abject respect.
-
-John Bruce's teeth closed hard together. This was a nice place, an
-ominously nice place--a hidden den of the rats of the underworld,
-where Crang was obviously the leader. He was not so sure now that the
-promptings of so-called common sense had been common sense at all! His
-chances of escaping, practically hopeless as they had been in the car,
-would certainly have been worth trying in view of this! He began to
-regret his “common sense” bitterly now.
-
-He was in front of the door toward which they had been heading now.
-It was opened by Birdie, and John Bruce was pushed into a small,
-dimly-lighted, cave-like place. Crang said something in a low voice to
-the two men, and, leaving them outside, entered himself, closing the
-door only partially behind him.
-
-For a moment they faced each other, and then Crang laughed--tauntingly,
-in menace.
-
-John Bruce's eyes, from Crang's sallow face, and from Crang's revolver,
-swept coolly over his surroundings. A mattress, a foul thing, lay on the
-ground in one corner. There was no flooring here in the cellar. A small
-incandescent bulb hung from the roof. There was one chair and a battered
-table--nothing else; not even a window.
-
-“It was like stealing from a child!” sneered Crang suddenly. “You poor
-mark!”
-
-“Quite so!” said John Bruce calmly. “And the more so since I was warned
-that you were quite capable of--murder. I suppose that is what I am here
-for.”
-
-“Oh, you were warned, were you?” Crang took an abrupt step forward, his
-lips working. An angry purple clouded the pallor of his face. “More of
-that love stuff, eh? Well, by God, here's the end of it! I'll teach you
-with your damned sanctimonious airs to fool around the girl I'm going to
-marry! You snivelling hypocrite, you didn't tell her who _you_ were, did
-you?”
-
-John Bruce stared blankly.
-
-“Who I am?” he repeated. “What do you mean?”
-
-Crang for the moment was silent. He seemed to be waging a battle with
-himself to control his passion.
-
-“I'm too clever a man to lose my temper, now I've got you!” he rasped
-finally. “That's about the size of your mentality! The sweet, naïve,
-innocent rôle! Yes, I said a snivelling hypocrite! You don't eat dope,
-but perhaps you've heard of a man named Larmon--Mr. Gilbert Larmon, of
-San Francisco!”
-
-To John Bruce it seemed as though Crang's words in their effect were
-something like one of those blows the same man had dealt him on his
-wounded side in that fight of the other night. They seemed to jar him,
-and rob his mind of quick thinking and virility--and yet he was quite
-sure that not a muscle of his face had moved.
-
-“You needn't answer,” Crang grinned mockingly. “If you haven't met him,
-you'll have the opportunity of doing so in a few hours. Mr. Larmon will
-arrive in New York to-night in response to the telegram you sent him.”
-
-“I know you said you were clever,” said John Bruce shortly, “and I have
-no doubt this is the proof of it! But what is the idea? I did not send a
-telegram to any one.
-
-“Oh, yes, you did!” Crang was chuckling evilly.
-
-“It was something to the effect that Mr. Larmon's immediate presence in
-New York was imperative; that you were in serious difficulties. And in
-order that Mr. Larmon might have no suspicions or anxiety aroused as to
-his own personal safety, he was to go on his arrival to the Bayne-Miloy
-Hotel; but was, at the same time, to register under the name of R. L.
-Peters, and to make no effort to communicate with you until you gave
-him the cue. The answer to the telegram was to be sent to a--er--quite
-different address. And here's the answer.”
-
-His revolver levelled, Crang laid a telegram on the table, and then
-backed away a few steps.
-
-John Bruce picked up the message. It was dated from San Francisco
-several days before, and was authentic beyond question. It was addressed
-to John Bruce in the care of one William Anderson, at an address which
-he took to be somewhere over on the East Side. He read it quickly:
-
-Leaving at once and will follow instructions. Arrive Wednesday night. Am
-exceedingly anxious.
-
-Gilbert Larmon.
-
-“This is Wednesday night,” sneered Crang.
-
-John Bruce laid down the telegram. That Crang in some way had discovered
-his, John Bruce's connection with Larmon, was obvious. But how--and what
-did it mean? He smiled coldly. There was no use in playing the fool by
-denying any knowledge of Larmon. It was simply a question of exactly how
-_much_ Crang knew.
-
-“Well?” he inquired indifferently.
-
-The door was pushed open, and Birdie came in. He carried pen and ink, a
-large sheet of paper, and an envelope.
-
-Crang motioned toward the table.
-
-“Put them down there--and get out!” he ordered curtly; and then as the
-man obeyed, he stared for an instant in malicious silence at John Bruce.
-“I guess we're wasting time!” he snapped. “I sent the telegram to Larmon
-a few days ago, and I know all about you and Larmon, and his ring
-of gambling houses. You talked your fool head off when you were
-delirious--understand? And----”
-
-John Bruce, his face suddenly white, took a step forward--and stopped,
-and shrugged his shoulders. Crang's outflung revolver was on a level
-with his eyes. And then John Bruce turned his back deliberately, and
-walked to the far end of the little room.
-
-Crang laughed wickedly.
-
-“I am afraid I committed a breach of medical étiquette,” he said. “I
-sent to San Francisco and got the dope on the quiet about this Mr.
-Larmon. I found out that he is an enormously wealthy man; and I also
-found out that he poses as an immaculate pillar of society. It looks
-pretty good, doesn't it, Bruce--for me? Two birds with one stone; you
-for trying to get between me and Claire; and Larmon coughing up the
-dough to save your hide and save himself from being exposed for what he
-is!”
-
-John Bruce made no answer. They were not so fanciful now, not so unreal
-and wandering, those dreams when he had been ill, those dreams in
-which there had been a man with a quill toothpick, and another with a
-sinister, loathsome face, whose head was always cocked in a listening
-attitude.
-
-“Well, I guess you've got it now, all of it, haven't you?” Crang
-snarled. “It's lucky for you Larmon's got the coin, or I'd pass you
-out for what you did the other night. As it is you're getting out of it
-light. There's paper on the table. You write him a letter that will get
-him down here with a blank check in his pocket. I'll help you to word
-it.” Crang smiled unpleasantly. “He will be quite comfortable here while
-the check is going through the bank; for it would be most unfortunate,
-you know, if he had a chance to stop payment on it. And I might say that
-I am not worrying at all about any reprisals through the tracing of the
-check afterward, for if Mr. Larmon is paying me to keep my mouth shut
-there is no fear of his opening his own.”
-
-John Bruce turned slowly around.
-
-“And if I don't?” he asked quietly.
-
-Crang studied the revolver in his hand for a moment. He looked up
-finally with a smile that was hideous in its malignancy.
-
-“I'm not sure that I particularly care,” he said. “You are going to get
-out of my path in any case, though my personal inclination is to snuff
-you out, and”--his voice rose suddenly--“damn you, I'd like to see you
-dead; but on the other hand, my business sense tells me that I'd be
-better off with, say, a hundred thousand dollars in my pocket. Do you
-get the idea, my dear Mr. Bruce? I am sure you do. And as your medical
-advisor, for your health is still very much involved, I would strongly
-urge you to write the letter. But at the same time I want to be
-perfectly frank with you. There is a tail to it as far as you are
-concerned. I have a passage in my pocket--a first-class passage, in fact
-a stateroom where you can be secured so that I may make certain you
-do not leave the ship prematurely at the dock--for South America, on a
-steamer sailing to-morrow afternoon. The passage is made out in the name
-of John Bruce.”
-
-“You seem to have taken it for granted that I would agree to your
-proposal,” said John Bruce pleasantly.
-
-“I have,” Crang answered shortly. “I give you credit in some respects
-for not being altogether a fool.”
-
-“In other words,” said John Bruce, still pleasantly, “if I will trap Mr.
-Larmon into coming here so that you will have him in your power, and can
-hold him until you have squeezed out of him what you consider the fair
-amount he should pay as blackmail, or do away with him perhaps, if he
-is obstinate, I am to go free and sail for South America to-morrow
-afternoon; failing this, I am to snuff out--I think you called it--at
-the hands of either yourself or this gentlemanly looking band of apaches
-you have gathered around you.”
-
-“You haven't made any mistake so far!” said Crang evenly. He jerked his
-hand toward the table. “It's that piece of paper there, or your hide.”
-
-“Yes,” said John Bruce slowly. He stared for an instant, set-faced, into
-Crang's eyes. “Well, then, go ahead!”
-
-Crang's eyes narrowed.
-
-“You mean,” his voice was hoarse with menace, “you mean----”
-
-“Yes!” said John Bruce tersely. “My hide!”
-
-Crang did not answer for a moment. The revolver in his hand seemed to
-edge a little nearer to John Bruce as though to make more certain of its
-aim. Crang's eyes were alight with passion.
-
-John Bruce did not move. It was over--this second--or the next. Crang's
-threats were _literal_. Claire had said so. He knew it. It was in
-Crang's eyes--a sort of unholy joy, a madman's frenzy. Well, why didn't
-the man fire and have done with it?
-
-And then suddenly Crang's shoulders lifted in a mocking shrug.
-
-“Maybe you haven't got this--_straight_,” he said between closed teeth.
-“I guess I've paid you the compliment of crediting you with a quicker
-intelligence than you possess! I'll give you thirty minutes alone to
-think it over and figure out where you stand.”
-
-Crang backed to the door.
-
-The door closed. John Bruce heard the key turn in the lock. He stared
-about him at the miserable surroundings. Thirty minutes! He did not need
-thirty minutes, or thirty seconds, to realize his position. He was not
-even sure that he was thankful for the reprieve. It meant half an hour
-more of life, but----
-
-Cornered like a rat! To go out at the hands of a degenerate dope
-fiend... the man had been cunning enough... Hawkins!
-
-John Bruce paced his little section of the cellar. His footsteps made
-no sound on the soft earth. This was his condemned cell; his warders a
-batch of gunmen whose trade was murder.
-
-Larmon! They had not been able to trick Larmon into their power so
-easily, because there wasn't any Hawkins. No, there was--John Bruce.
-John Bruce was the bait. Queer! Queer that he had ever met Larmon, and
-queer that the end should come like this.
-
-Faustus hadn't had his fling yet. That quill toothpick with which he had
-signed----
-
-John Bruce stood stock still--his eyes suddenly fastened on the piece of
-paper on the table.
-
-“My God!” John Bruce whispered hoarsely.
-
-He ran silently to the door and listened. He could hear nothing. He ran
-back to the table, threw himself into the chair, and snatching the sheet
-of paper toward him, took out a fountain pen from his pocket. Near the
-lower edge of the paper, and in a minutely small hand, he began to write
-rapidly.
-
-At the end of a few minutes John Bruce stood up. There was neither sign
-nor mark upon the paper, save an almost invisible impression made by
-his thumb nail, which he had set as a sign post, as it were, to indicate
-where he had begun to write. It was a large sheet of unruled paper,
-foolscap in size, and there was but little likelihood of reaching so far
-down with the letter that Crang was so insistent upon having, but he did
-not propose in any event to superimpose anything over what he had just
-written. He could always turn the sheet and begin at the top on the
-other side! Again he began to pace up and down across the soft floor,
-but now there was a grim smile on his face. Behind Larmon and his
-enormous wealth lay Larmon's secret organization, that, once set in
-motion, would have little difficulty in laying a dozen Crangs, by the
-heels. And Crang was yellow. Let Crang but for an instant realize that
-his own skin was at stake, and he would squeal without hesitation--and
-what had narrowly escaped being tragedy would dissolve into opera
-bouffe. Also, it was very nice indeed of Crang to see that the message
-reached Larmon's hands!
-
-And it was the way out for Claire, too! It was Crang who had mentioned
-something about two birds with one stone, wasn't it? Claire! John
-Bruce frowned. Was he so sure after all? There seemed to be something
-unfathomable between Claire and Crang; the bond between them one that no
-ordinary means would break.
-
-His brain seemed to go around in cycles now--Claire, Larmon, Crang;
-Claire, Larmon, Crang.... He lost track of time--until suddenly he heard
-a key rattle in the lock. And then, quick and silent as a cat in his
-movements, he slipped across the earthen floor, and flung himself face
-down upon the mattress.
-
-A moment more, and some one prodded him roughly. His hair was rumpled,
-his face anxious and dejected, as he raised himself on his elbow. Crang
-and two of his apaches were standing over him. One of the latter held an
-ugly looking stiletto.
-
-“Stand him up!” ordered Crang.
-
-John Bruce made no resistance as the two men jerked him unceremoniously
-to his feet.
-
-Crang came and stared into his face.
-
-“I guess from the look of you,” Crang leered, “you've put in those
-thirty minutes to good advantage. You're about ready to write that
-letter, aren't you?”
-
-John Bruce looked around him miserably. He shook his head.
-
-“No--no; I--I can't,” he said weakly. “For God's sake, Crang, you--you
-know I can't.”
-
-“Sure--I know!” said Crang imperturbably. He nodded to the man with the
-stiletto. “He's more used to steel than bullets, and he likes it better.
-Don't keep him waiting.”
-
-John Bruce felt the sudden prick of the weapon on his flesh--it went a
-little deeper.
-
-“Wait! Stop!” he screamed out in a well-simulated paroxysm of terror.
-“I--I'll write it.”
-
-“I thought so!” said Crang coolly. “Well, go over there to the
-table then, and sit down.” He turned to the two men. “Beat it!” he
-snapped--and the room empty again, save for himself and John Bruce,
-he tapped the sheet of paper with the muzzle of his revolver. “I'll
-dictate. Pick up that pen!”
-
-John Bruce obeyed. He circled his lips with his tongue.
-
-“You--you won't do Larmon any harm, will you?” he questioned abjectly.
-“I--my life's worth more than a little money, if it's only that,
-and--and, if that's all, I--I'm sure he'd rather pay.”
-
-“Don't apologize!” sneered Crang. “Go on now, and write. Address him as
-you always do.”
-
-John Bruce dipped the pen in the ink, and wrote in a small hand:
-
-“Dear Mr. Larmon:--”
-
-He looked up in a cowed way.
-
-“All right!” grunted Crang. “I guess we'll kill another bird, too, while
-we're at it.” He smiled cryptically. “Go on again, and write!”
-
-And John Bruce wrote as Crang dictated:
-
-“I'm here in my rooms in the same hotel with you, but am closely
-watched. Our compact is known. I asked a girl to marry me, and in doing
-so felt she had the right to my full confidence. She did me in. She----”
-
-John Bruce's pen had halted.
-
-“Go on!” prompted Crang sharply. “It's got to sound right for Larmon--so
-that he will believe it. He's not a fool, is he?”
-
-“No,” said John Bruce.
-
-“Well, go on then!”
-
-And John Bruce wrote:
-
-“She was all the time engaged to the head of a gang of crooks.” Crang's
-malicious chuckle interrupted his dictation.
-
-“I'm not sparing myself, you see. Go on!”
-
-John Bruce continued his writing:
-
-“They are after blackmail now, and threaten to expose you. I telegraphed
-you to come under an alias because we are up against it and you should
-be on the spot; but if they knew you were here they would only attach
-the more importance to it, and the price would go up. They believe you
-are still in San Francisco, and that I am communicating with you by
-mail. They are growing impatient. You can trust the bearer of this
-letter absolutely. Go with him. He will take you where we can meet
-without arousing any suspicion. I am leaving the hotel now. If possible
-we should not risk more than one conference together, so bring a blank
-check with you. There is no other way out. It is simply a question of
-the amount. I am bitterly sorry that this has happened through me. John
-Bruce.”
-
-Crang, with his revolver pressed into the back of John Bruce's neck,
-leaned over John Bruce's shoulder and read the letter carefully.
-
-“Fold it, and put it in that envelope without sealing it, and address
-the envelope to Mr. R. L. Peters at the Bayne-Miloy Hotel!” he
-instructed.
-
-John Bruce folded the letter. As he did so, he noted that his signature
-was a good two or three inches above the thumb nail mark. He placed the
-letter in the envelope, and addressed the latter as Crang had directed.
-
-Crang moved around to the other side of the table, tucked the envelope
-into his pocket, and grinned mockingly.
-
-And then without a word John Bruce got up from his chair, and flung
-himself face down on the mattress again.
-
-
-
-
-CHAPTER FIFTEEN--THE CLEW
-
-|PAUL VENIZA, propped up in bed on his pillows, followed Claire with his
-eyes as she moved about the room. It was perhaps because he had been too
-ill of late to notice anything, that he experienced now a sudden
-shock at Claire's appearance. She looked pale and drawn, and even her
-movements seemed listless.
-
-“What's to-night?” he asked abruptly.
-
-“Wednesday, father,” she answered.
-
-Paul Veniza plucked at the counterpane. It was all too much for Claire.
-Besides--besides Crang, she had been up all night for the last two
-nights, and since Monday she had not been out of the house.
-
-“Put on your hat, dear, and run over and tell Hawkins I want to see
-him,” he smiled.
-
-Claire stared at the old pawnbroker.
-
-“Why, father,” she protested, “it's rather late, isn't it? And, besides,
-you would be all alone in the house.”
-
-“Nonsense!” said Paul Veniza. “I'm all right. Much better. I'll be up
-to-morrow. But I particularly want to see Hawkins to-night.” He did not
-particularly want to see Hawkins or any one else, but if he did not have
-some valid excuse she would most certainly refuse to go out and leave
-him alone. A little walk and a breath of fresh air would do Claire
-a world of good. And as for the lateness of the hour, Claire in that
-section of the city was as safe as in her own home. “Please do as I ask
-you, Claire,” he insisted.
-
-“Very well, father,” she agreed after a moment's hesitation, and went
-and put on her hat.
-
-From downstairs, as she opened the front door, she called up to him a
-little anxiously:
-
-“You are sure you are all right?”
-
-“Quite sure, dear,” Paul Veniza called back. “Don't hurry.”
-
-Claire stepped out on the street. It was not far to go--just around the
-first corner and halfway down the next block--and at first she walked
-briskly, impelled by an anxiety to get back to the house again as soon
-as possible, but insensibly, little by little, her footsteps dragged.
-
-What was it? Something in the night, the darkness, that promised a
-kindly cloak against the breaking of her self-restraint, that bade her
-let go of herself and welcome the tears that welled so spontaneously
-to her eyes? Would it bring relief? To-day, all evening, more than ever
-before, she had felt her endurance almost at an end. She turned her face
-upward to the night. It was black; not a star showed anywhere. It seemed
-as though something dense and forbidding had been drawn like a somber
-mantle over the world. God, even, seemed far away to-night.
-
-She shivered a little. Could that really be true--that God was turning
-His face away from her? She had tried so hard to cling to her faith.
-It was all she had; it was all that of late had stood between her and
-a despair and misery, a horror so overwhelming that death by contrast
-seemed a boon.
-
-Her lips quivered as she walked along. It almost seemed as though she
-did not want to fight any more. And yet there had been a great and
-very wonderful reward given to her before she had even made the final
-sacrifice that she had pledged herself to make. If her soul revolted
-from the association that must come with Doctor Crang, if every instinct
-within her rose up in stark horror before the contamination of the man's
-wanton moral filth, one strange and wondrous thing sustained her. And
-she had no right to mistrust God, for God must have brought her this.
-She had bought an unknown life--that had become dearer to her than her
-own, or anything that might happen to her. She knew love. It was no
-longer a _stranger_ who would live on through the years because she
-was soon to pay the price that had been set upon his life--it was John
-Bruce.
-
-Claire caught her hands suddenly to her breast. John Bruce! She was
-still afraid--for John Bruce. And to-night, all evening, that fear had
-been growing stronger, chilling her with a sense of evil premonition and
-foreboding. Was it only premonition? Crang had threatened. She had heard
-the threats. And she knew out of her own terrible experience that Crang,
-as between human life and his own desires, held human life as naught.
-And yet, surely John Bruce was safe from him now--at least his life was
-safe. That was how Crang had wrung the promise from her. No, she was
-not so sure! There was personal enmity between them now. Besides,
-if anything happened she would not be able to bring it to Crang's
-door--Crang would take care of that--and her promise would still hold.
-And so she was afraid.
-
-She had not seen Crang since the night that John Bruce had thrown him
-down the stairs. She had thanked God for the relief his absence had
-brought her--but now, here again, she was not so sure! What had kept him
-away? Where was John Bruce? She began to regret that she had told John
-Bruce he must not attempt to see her or communicate with her any
-more, though she had only done so because she had been afraid for his
-sake--that it would but arouse the very worst in Doctor Crang. Perhaps
-John Bruce had yielded to her pleading and had left the city. She shook
-her head. If she knew the man she loved at all, John Bruce would run
-from no one, and----
-
-Claire halted abruptly. She had reached the dingy rooming house where
-Hawkins lived. She brushed her hand resolutely across her eyes as she
-mounted the steps. The tears had come after all, for her lashes were
-wet.
-
-It was not necessary either to ring or knock; the door was always
-unfastened; and, besides, she had been here so many, many times that
-she knew the house almost as well as her own home. She opened the door,
-stepped into a black hallway, and began to feel her way up the creaking
-staircase. There was the possibility, of course, that Hawkins was either
-out or already in bed; but if he were out she would leave a note in his
-room for him so that he would come over to the old pawn-shop when he
-returned, and if he were already in bed her message delivered through
-the door would soon bring Hawkins out of it again--Hawkins, since he had
-been driving that old car which he had created, was well accustomed to
-calls at all hours of the night.
-
-A thin, irregular streak of light, the only sign of light she had
-seen anywhere in the house, showed now at the threshold under Hawkins'
-ill-fitting door, as she reached the landing. She stepped quickly to
-the door and knocked. There was no answer. She knocked again. There was
-still no answer. Claire smiled a little whimsically. Hawkins was growing
-extravagant--he had gone out and left the light burning. She tried the
-door, and, finding it unlocked, opened it, stepped forward into the
-room--and with a sudden, low, half-hurt, half-frightened cry, stood
-still. Hawkins was neither out, nor was he in bed. Hawkins was sprawled
-partly on the floor and partly across a chair in which he had obviously
-been unable to preserve his balance. Several bottles, all empty but one,
-stood upon the table. There were two dirty glasses beside the bottles,
-and another one, broken, on the floor. Hawkins was snoring stertorously.
-
-It seemed somehow to Claire standing there that this was the last
-straw--and yet, too, there was only a world of pity in her heart for
-the old man. All the years rolled before her. She remembered as a child
-climbing upon his knee and pleading for the _tick-tick_--that great
-cumbersome silver watch, which, fallen out of his pocket now, dangled by
-its chain and swung in jerky rhythm to his breathing. She remembered the
-days when, a little older, she had dressed herself in her best clothes,
-and to Hawkins' huge delight had played at princess, while he drove her
-about in his old ramshackle hansom cab; and, later still, his gentle
-faithfulness to Paul Veniza in his trouble, and to her--and the love,
-and a strange, always welcome, tenderness that he had ever shown her.
-Poor frail soul! Hawkins had been good to every one--but Hawkins!
-
-She could not leave him like this, but she was not strong enough alone
-to carry him to his bed. She turned and ran hurriedly downstairs. There
-was the widow Hedges, of course, the old landlady.
-
-Back at the end of the lower hall, Claire pounded upon a door. Presently
-a woman's voice answered her. A moment later a light appeared as the
-door was opened, and with it an apparition in an old gingham wrapper and
-curl papers.
-
-“Oh, it's you, Miss Claire!” the woman exclaimed in surprise. “What's
-brought you over here to-night, dear? Is your father worse?”
-
-“No,” Claire answered. “He wanted Hawkins, and----”
-
-Mrs. Hedges shook her head.
-
-“Hawkins ain't in,” she said; “but I'll see that he gets the message
-when he comes back. He went out with the car quite a little while ago
-with some men he had with him.”
-
-“With the car?” Claire found herself suddenly a little frightened, she
-did not quite know why. “Well, he's back now, Mrs. Hedges.”
-
-“Oh, no,” asserted Mrs. Hedges positively. “I might not have heard him
-going upstairs, but I would have heard the car coming in. It ain't come
-back yet.”
-
-“But Hawkins _is_ upstairs,” said Claire a little heavily. “I--I've been
-up.”
-
-“You say Hawkins is upstairs?” Mrs. Hedges stared incredulously. “That's
-very strange!” She turned and ran back into her room and to a rear
-window. “Look, Miss Claire! Come here! You can see!” And as Claire
-joined her: “The door of the shed, or the gradge as he calls it, is
-open, and you can see for yourself it's empty. If he's upstairs what
-could he have done with the car? It ain't out in front of the house,
-is it, and--oh!” She caught Claire's arm anxiously. “There's been an
-accident, you mean, and he's----”
-
-“I am sure he never left the house,” said Claire, and her voice in
-its composed finality sounded strange even in her own ears. She was
-thoroughly frightened now, and her fears were beginning to take concrete
-form. There were not many who would have any use for that queer old car
-that was so intimately associated with Hawkins! She could think of
-only one--and of only one reason. She pulled at Mrs. Hedges' arm. “Come
-upstairs,” she said.
-
-Mrs. Hedges reached the door of Hawkins' room first.
-
-“Oh, my God!” Mrs. Hedges cried out wildly. “He ain't dead, is he?”
-
-“No,” said Claire in a strained voice. “He's--he's only had too much to
-drink. Help me lift him on the bed.”
-
-It taxed the strength of the two women.
-
-“And the car's stole!” gasped Mrs. Hedges, fighting for her breath.
-
-“Yes,” said Claire; “I am afraid so.”
-
-“Then we'll get the police at once!” announced Mrs. Hedges.
-
-Claire looked at her for a moment.
-
-“No,” she said slowly, shaking her head. “You mustn't do that. It--it
-will come back.”
-
-“Come back?” Mrs. Hedges stared helplessly. “It ain't a cat! You--you
-ain't quite yourself, are you, Miss Claire? Poor dear, this has upset
-you. It ain't a fit thing for young eyes like yours to see. Me--I'm used
-to it.”
-
-“I am quite myself.” Claire forced a calmness she was far from feeling
-into her voice. “You mustn't notify the police, or do a thing, except
-just look after Hawkins. It--it's father's car, you know; and he'll know
-best what to do.”
-
-“Well, maybe that's so,” admitted Mrs. Hedges.
-
-“Do you know who the men were who were here with Hawkins?” Claire asked.
-
-“No, I don't,” Mrs. Hedges answered excitedly. “The thieving devils,
-coming here and getting Hawkins off like this! I just knew there were
-some men up in his room with him because I heard them talking during the
-evening, and then when I heard them go out and get the car I thought, of
-course, that Hawkins had gone with them.”
-
-“I--I see,” said Claire, striving to speak naturally. “I--I'll go back
-to father now. I can't leave him alone very long, anyhow. I'll tell him
-what has happened, and--and he'll decide what to do. You'll look after
-Hawkins, won't you, Mrs. Hedges?”
-
-“You run along, dear,” said Mrs. Hedges reassuringly. “Who else but me
-has looked after him these ten years?”
-
-Claire ran from the room and down the stairs, and out to the street.
-The one thing left for her to do was to reach home and get to the
-telephone--get the Bayne-Miloy Hotel--and John Bruce. Perhaps she was
-already too late. She ran almost blindly along the street. Her
-intuition, the foreboding that had obsessed her so heavily all evening,
-was only too likely now to prove itself far from groundless. What
-object, save one, could anybody have in obtaining possession of the
-traveling pawn-shop, and at the same time of keeping Hawkins temporarily
-out of the road? Perhaps her deduction would show flaws if it were
-subjected to the test of pure logic, perhaps there were a thousand other
-reasons that would account equally well, and even more logically, for
-what had happened, but she _knew_ it was Crang--and Crang could have but
-one object in view. The man was clever, diabolically clever. In some way
-he was using that car and Hawkins' helplessness to trap the man he had
-threatened. She must warn John Bruce. There was not an instant to lose!
-To lose! How long ago had that car been taken? Was there even a chance
-left that it was not already far too late? She had not thought to ask
-how long ago it was when Mrs. Hedges had heard the car leave the garage.
-
-It had never seemed so far--just that little half block and halfway
-along another. It seemed as though she had been an hour in coming that
-little way when she finally reached her home. Her breath coming in hard,
-short gasps, she opened the door, closed it, and, with no thought but
-one in her mind, ran across the room to the telephone. She remembered
-the number of the Bayne-Miloy. She snatched the telephone receiver from
-the hook--and then, as though her arm had suddenly become incapable of
-further movement, the receiver remained poised halfway to her ear.
-
-Doctor Crang was leaning over the banister, and looking down at her.
-
-With a stifled little cry, Claire replaced the receiver.
-
-Paul Veniza's voice reached her from above.
-
-“Is that you, Claire?” he called.
-
-“Yes, father,” she answered.
-
-Doctor Crang came down the stairs.
-
-“I just dropped in a minute ago--not professionally”--a snarl crept into
-his voice--“for I have never been informed that your father was ill.”
-
-Claire did not look up.
-
-“It--it wasn't serious,” she said.
-
-“So!” Crang smiled a little wickedly. “I wonder where you get the
-_gambling_ spirit from? One of these days you'll find out how serious
-these attacks are!” He took a step forward. “Your father tells me you
-have been over to Hawkins' room.”
-
-There was a curious hint of both challenge and perverted humor in his
-voice. It set at rest any lingering doubt Claire might have had.
-
-“Yes,” she said, and faced him now, her eyes, hard and steady, fixed on
-his.
-
-“Poor Hawkins!” sighed Doctor Crang ironically. “Even the best of us
-have our vices! It should teach us to be tolerant with others!”
-
-Claire's little form was rigidly erect.
-
-“I wonder if you know how much I hate you?” she said in a tense, low
-voice.
-
-“You've told me often enough!” A savage, hungry look came into Crang's
-eyes. “But you're mine, for all that! Mine, Claire! Mine! You understand
-that, eh?”
-
-He advanced toward her. The door of the inner room, that for weeks,
-until a few days ago, had been occupied by John Bruce, was just behind
-her, and she retreated through it. He followed her. She did not want to
-cry out--the sound would reach the sick room above; and, besides, she
-dared not show the man that she had any fear.
-
-“Don't follow me like that!” she breathed fiercely.
-
-“Why not?” he retorted, as he switched on the light and closed the door.
-“I've got the right to, even if I hadn't something that I came over here
-particularly to-night to tell you about--quite privately.”
-
-She had put the table between them. That he made no effort to come
-nearer for the moment afforded her a certain relief, but there was
-something in the smile with which he surveyed her now, a cynical,
-gloating triumph, that chilled her.
-
-“Well, what is it?” she demanded.
-
-“I trapped that damned lover of yours to-night!” he announced coolly.
-
-Claire felt her face go white. It _was_ true, then! She fought madly
-with herself for self-possession.
-
-“If you mean Mr. Bruce,” she said deliberately, “I was just going to try
-to warn him over the phone; though, even then, I was afraid I was too
-late.”
-
-“Ah!” he exclaimed sharply. “You knew, then?”
-
-Claire shrugged her shoulders.
-
-“Oh, yes!” she said contemptuously. “My faith in you where evil is
-concerned is limitless. I heard your threats. I saw Hawkins a few
-minutes ago. He was quite--quite helpless. You, or some of your
-confederates, traded on his weakness, took the key of the car away from
-him, and then stole the car. Ordinary thieves would not have acted like
-that.” An icy smile came to her lips. “His landlady thought the police
-should be notified that the car had been stolen.”
-
-“You always were clever, Claire,” Crang grinned admiringly. “You've got
-some brains--all there are around here, as far as I can make out.
-You've got it straight, all right. Mr. John Bruce, Esquire, came out of
-Lavergne's on being informed that Hawkins was in bad shape--no lie about
-that!--and walked into the car without a murmur. Too bad to bother the
-police, though--the car will have been left in front of Hawkins' door
-again by now.”
-
-It was hard to keep her courage; hard to keep her lips from trembling;
-hard to keep the tears back; hard to pretend that she was not afraid.
-
-“What are you going to do with him?” Her voice was very low. “The
-promise that I gave you was on the condition that he _lived_--not only
-then, but now.” Crang laughed outright.
-
-“Oh, don't worry about that! He'd never let it get that far. He thinks
-too much of Mr. Bruce! He has already taken care of himself--at another
-man's expense.”
-
-Claire stared numbly. She did not understand.
-
-“I'll tell you,” said Crang, with brutal viciousness. “He's a
-professional gambler, this supposedly wealthy gentleman of leisure. He
-works for a man in San Francisco named Larmon, who really is wealthy,
-but who poses as a pillar of the church, or words to that effect. Never
-mind how, but Larmon will be here to-night in New York--just at the
-right moment. And Mr. Bruce has very kindly consented to assist in
-convincing Mr. Larmon that exposure isn't worth the few dollars that
-would buy him immunity.”
-
-Claire did not speak. Still she did not understand. She sat down wearily
-in the chair beside the table.
-
-Crang took a letter from his pocket abruptly, and, opening it, laid it
-in front of Claire.
-
-“I thought perhaps you would like to read it,” he said carelessly.
-
-Claire rested her elbows on the table and cupped her chin in her hands.
-She stared at the letter. At first the words ran together, and she could
-not make them out. Then a sentence took form, and then another--and she
-read them piteously. “... I asked a girl to marry me, and in doing so
-felt she had the right to my full confidence. She did me in... She read
-on to the end.
-
-“But it's not true!” she cried out sharply. “I don't believe it!”
-
-“Of course, it isn't true!” said Crang complacently. “And, of course,
-you don't believe it! But Larmon will. I've only shown you the letter to
-let you see what kind of a yellow cur this would-be lover of yours is.
-Anything to save himself! But so long as he wrote the letter, I had no
-quarrel with him if he wanted to fake excuses for himself that gave him
-a chance of holding his job with Larmon afterwards.”
-
-It couldn't be true--true that John Bruce had even written the letter, a
-miserable Judas thing that baited a trap, for one who trusted him, with
-the good name of a woman for whom he had professed to care. It couldn't
-be true--but the signature was there, and--and it was genuine: “John
-Bruce.... John Bruce.... John Bruce.” It seemed to strike at her with
-the cruel, stinging blows of a whip-lash: “John Bruce.... John Bruce....
-John----”
-
-The words became blurred. It was the infinite hopelessness of everything
-that crushed her fortitude, and mocked it, and made of it at last a
-beaten thing. A tear fell and splashed upon the page--and still another.
-She kept looking at the letter, though she could only see it through a
-blinding mist. And there was something ominous, and something that
-added to her fear, that she should imagine that her tears made _black_
-splashes on the blurred letter as they fell, and-----
-
-She heard a sudden startled snarl from Crang, and the letter was
-snatched up from the table. And then he seemed to laugh wildly, without
-reason, as a maniac would laugh--and with the letter clutched in his
-hand rushed from the room. Claire crushed her hands against her temples.
-Perhaps it was herself who had gone mad.
-
-The front door banged.
-
-
-
-
-CHAPTER SIXTEEN--A WOLF LICKS HIS CHOPS
-
-|OUTSIDE the house Crang continued to run. He was unconscious that he
-had forgotten his hat. His face worked in livid fury. Alternately he
-burst out into short, ugly gusts of laughter that made of laughter an
-evil thing; alternately, racked with unbridled passion, he mouthed a
-flood of oaths.
-
-He ran on for some three blocks, and finally dashed up the steps of a
-small, drab-looking, cheap frame house. A brass sign, greenish with mold
-from neglect, flanked one side of the door. Under the street light it
-could just barely be deciphered: SYDNEY ANGUS CRANG, M.D.
-
-He tried the door. It was locked. He searched impatiently and hastily in
-his pockets for his pass-key, and failing to find it instantly he rang
-the bell; and then, without waiting for an answer to the summons, he
-immediately began to bang furiously upon the panels.
-
-An old woman, his housekeeper, whose bare feet had obviously been
-thrust hurriedly into slippers, and who clutched at the neck of a woolen
-dressing gown that also obviously, and with equal haste, had been flung
-around her shoulders over her nightdress, finally opened the door.
-
-“Get out of the road!” Crang snarled--and brushed his way roughly past
-her.
-
-He stepped forward along an unlighted hall, opened a door, and slammed
-it behind him. He switched on the light. He was in his consulting room.
-The next instant he was standing beside his desk, and had wrenched
-John Bruce's letter from his pocket. He spread this out on the desk and
-glared at it. Beyond any doubt whatever, where Claire's tears had fallen
-on the paper, traces of writing were faintly discernible. Here, out of
-an abortive word, was a well-formed “e”; and there, unmistakably, was a
-capital “L.”
-
-Crang burst into a torrent of abuse and oaths; his fists clenched, and
-he shook one of them in the air.
-
-“Double-crossed--eh?--damn him!” he choked. “He tried to double-cross
-me--did he?”
-
-Carrying the letter, he ran now into a little room behind his office,
-where he compounded his medicines, and that was fitted up as a sort of
-small laboratory.
-
-“I'm a clever man,” Crang mumbled to himself. “We'll see about this!”
-
-With sudden complacence he began to study the sheet of paper. He nodded
-curtly to himself as he noted that the traces of the secret writing were
-all on the lower edge of the paper.
-
-“We'll be very careful, _very_ careful”--Doctor Crang was still
-mumbling--“it may be useful in more ways than one.”
-
-He turned on the water faucet, wet a camel's-hair brush, and applied the
-brush to the lower edge of the letter. The experiment was productive of
-no result. He stared at the paper for a while with wrinkled brow, and
-then suddenly he began to laugh ironically.
-
-“No, of course, not!” He was jeering at himself now. “Clever? You are
-not clever, you are a fool! She _cried_ on the paper. Tears! Tears
-possess a slight trace of”--he reached quickly for a glass container,
-and began to prepare a solution of some sort--“a very slight trace...
-that's why the characters that already show are so faint. Now we'll see,
-Mr. John Bruce, what you've got to say.... Salt!... A little salt, eh?”
-
-He dipped the camel's-hair brush in the solution and drew it across the
-bottom edge of the paper again.
-
-“Ha, ha!” exclaimed Doctor Crang in eager excitement. Letters, words and
-sentences began to take form under the brush. “Ha, ha! He'd play that
-game with me, would he? Damn him!”
-
-Very carefully Sydney Angus Crang, M.D., worked his brush upward on
-the paper line by line, until, still well below the signature that John
-Bruce had affixed in his, Crang's, presence, there failed to appear
-any further trace of the secret writing. He read as fast as a word
-appeared--like a starving beast snatching in ferocious greed at morsels
-of food. It made whole and complete sense. His eyes feasted on it now in
-its entirety:
-
-Keep away. This is a trap. Stall till you can turn tables. Information
-obtained while I was delirious. Am a prisoner in hands of a gang whose
-leader is a doctor named Crang. Veniza will tell you where Crang lives.
-Get Veniza's address from Lavergne at the house. The only way to save
-either of Us is to trick Crang. Look out for yourself. Bruce.
-
-He tossed the camel's-hair brush away, returned to his desk, spread the
-letter out on a blotter to allow the lower edge to dry, and slumping
-down in his desk chair, glued his eyes on the secret message, reading it
-over and over again.
-
-“Trick Crang--eh?--ha, ha!” He began to chuckle low; then suddenly his
-fingers, crooked and curved until they looked like claws, reached out
-as though to fasten upon some prey at hand. And then he chuckled once
-more--and then grew somber, and slumped deeper in his chair, and his
-eyes, brooding, were half closed. “Not to-night,” he muttered. “One job
-of it to-morrow... squeal like a pair of rats that----”
-
-He sat suddenly bolt upright in his chair. It came again---a low tapping
-on the window; two raps, three times repeated. He rose quickly, crossed
-the room, opened the door, and stood motionless for a moment peering
-out into the hall. It was a purely precautionary measure--he had little
-doubt but that his old housekeeper had long since mounted the stairs and
-returned to her bed. He stepped rapidly then along the hall, and opened
-the front door.
-
-“That you, Birdie?” he called in a low voice.
-
-A man's form appeared from the shadow of the stoop.
-
-“Sure!” the man answered.
-
-“Come in!” Doctor Crang said tersely.
-
-He led the way back into the consulting room, and slumped down again in
-his chair.
-
-“Well?” he demanded.
-
-“Peters arrived all right,” Birdie reported. “He registered at the
-Bayne-Miloy Hotel, and he's there now.”
-
-“Good!” grunted Crang.
-
-For a full five minutes he remained silent and without movement in his
-chair, apparently utterly oblivious of the other, who stood, shifting a
-little awkwardly from foot to foot, on the opposite side of the desk.
-
-Then Crang spoke--more to himself than to Birdie.
-
-“He'll be anxious, of course, and growing more so,” he said. “He might
-make a break of some kind. I'll have to fix that. I'm not ready yet.
-What?”
-
-Birdie, from staring inanely at the wall, came to himself with a sudden
-start at what he evidently interpreted as a direct question.
-
-“Yes--sure!” he said hurriedly. “No--I mean, no, you're not ready.”
-
-Crang glared at the man contemptuously.
-
-“What the hell do you know about it?” he inquired caustically.
-
-He picked up the telephone directory, studied it for a moment, then,
-reaching for the desk telephone, asked for his connection. Presently the
-Bayne-Miloy Hotel answered him, and he asked for Mr. R. L. Peters' room.
-A moment more and a voice reached him over the phone.
-
-“Is that Mr. Peters?” Crang inquired quietly. “Mr. R. L. Peters, of San
-Francisco?... Yes? Then I have a message for you, Mr. Peters, from the
-person who sent you a telegram a few days ago... I beg your pardon?...
-Yes, I am sure you do... Myself? I'd rather not mention any names over
-the phone. You understand, don't you? He told me to tell you that it is
-absolutely necessary that no connection is known to exist between you,
-and for that reason he does not dare take the chance of getting
-into touch with you to-night, but he will manage it somehow by early
-afternoon to-morrow... What say?... Yes, it is very serious, otherwise
-he would hardly have telegraphed you to come on from San Francisco...
-No, personally, I don't know. That was his message; but I was also to
-warn you on no account to leave your rooms, or have communication
-with anybody until you hear direct from him.... No, I do not know the
-particulars. I only know that he is apparently in a hole, and a bad one,
-and that he is now afraid that you will get into it too.... Yes. You are
-sure you fully understand?... No, not at all! I am only too glad....
-Good-night.”
-
-Crang, with a curious smile on his lips, hung up the receiver. He turned
-abruptly to Birdie.
-
-“You get a taxi to-morrow,” he said brusquely. “We'll want it for two or
-three hours. Slip the chauffeur whatever is necessary, and change places
-with him. See? You'll know where to find one that will fall for that.
-Then you come here for me at--let's see--the boat sails at four--you
-come here at half past one sharp. Get me?”
-
-“Sure!” said Birdie, with a grin. “That's a cinch!”
-
-“All right, then!” Crang waved his hand. “Beat it!”
-
-Birdie left the room. A moment later the front door closed behind him.
-
-Crang picked up the letter and examined it critically. The lower three
-or four inches of the paper was slightly crinkled, but quite dry now;
-the body of the original letter showed no sign whatever of his work upon
-the lower portion.
-
-Doctor Crang nodded contentedly.
-
-He rose abruptly, secured his surgical bag, and from it selected a
-lance. With the aid of a ruler and the keen-bladed little instrument,
-he very carefully cut away the lower section of the paper. The slip
-containing the erstwhile secret message he tucked away in his inside
-pocket; then he examined the letter itself again even more critically
-than before. For all evidence that it presented to the contrary,
-it might have been the original size of the sheet. There was even a
-generous margin of paper still left beneath John Bruce's signature.
-He folded the letter, replaced it in its envelope--and now sealed the
-envelope.
-
-“To-morrow!” said Doctor Sydney Angus Crang with a sinister smile, as he
-produced a hypodermic syringe from his pocket and rolled up the
-sleeve of his left arm. He laughed as the needle pricked his flesh.
-“To-morrow--John Bruce!”
-
-He slumped far down in his chair once more. For half an hour he sat
-motionless, his eyes closed. Then he spoke again.
-
-“Damn you!” he said.
-
-
-
-
-CHAPTER SEVENTEEN--ALIAS MR. ANDERSON
-
-DOCTOR Sydney Angus Crang looked at his watch, as he stepped from a taxi
-the next afternoon, and entered the Bayne-Miloy Hotel. It was fifteen
-minutes of two. He approached the desk and obtained a blank card. “From
-J. B.,” he wrote upon it. He handed it to the clerk.
-
-“Please send this up to Mr. R. L. Peters,” he requested.
-
-He leaned nonchalantly against the desk as a bellboy departed with
-the card. From where he stood the front windows gave him a view of the
-street, and he could see Birdie parking the taxi a little way up past
-the entrance. He smiled pleasantly as he waited.
-
-Presently the bell-boy returned with the information that Mr. Peters
-would see him; and, following the boy upstairs, he was ushered into the
-sitting room of one of the Bayne-Miloy's luxurious suites. A tall man
-with a thin, swarthy face confronted him. Between his fingers the tall
-man held the card that he, Crang, had sent up; and between his lips the
-tall man sucked assiduously at a quill toothpick.
-
-“Mr. Peters, of course?” Crang inquired easily, as the door closed
-behind the bell-boy.
-
-Mr. Peters, alias Gilbert Larmon, nodded quietly. “I was rather
-expecting Mr. Bruce in person,” he said.
-
-Crang looked cautiously around him.
-
-“It still isn't safe,” he said in a lowered voice. “At least, not here;
-so I am going to take you to him. But perhaps you would prefer that I
-should explain my own connection with this affair first?”
-
-Again Larmon nodded.
-
-“Perhaps it would be just as well,” he said.
-
-Once more Crang looked cautiously around him.
-
-“We--we are quite alone, I take it?”
-
-“Quite,” said Larmon.
-
-“My name is Anderson, William Anderson,” Crang stated smoothly. “I was
-the one who telephoned you last night. I am a friend of John Bruce--the
-only one he's got, I guess, except yourself. Bruce and I used to be boys
-together in San Francisco. I hadn't seen him for years until we ran into
-each other here in New York a few weeks ago and chummed up again. As I
-told you over the phone, I don't know the ins and outs of this, but I
-know he is in some trouble with a gang that he got mixed up with in the
-underworld somehow.”
-
-“_Tck!_” The quill toothpick flexed sharply against one of the
-tall man's front teeth. “William Anderson”--he repeated the name
-musingly--“yes, I remember. I sent a telegram in your care to Mr. Bruce
-a few days ago.”
-
-“Yes,” said Crang.
-
-The quill toothpick appeared to occupy the tall man's full attention for
-a period of many seconds.
-
-“Are you conversant with the contents of that telegram, Mr. Anderson?”
- he asked casually at last.
-
-Crang suppressed a crafty smile. Mr Gilbert Larmon was no fool! Mr.
-Gilbert Larmon stood here as Mr. R. L. Peters--the telegram had been
-signed: “Gilbert Larmon.” The question that Larmon was actually asking
-was: How much do you really know?
-
-“Why, yes,” said Crang readily. “I did not actually see the telegram,
-but Bruce told me it was from a friend of his, a Mr. Peters, who would
-arrive in New York Wednesday night, and whom he seemed to think he
-needed pretty badly in his present scrape.” Larmon took a turn or two up
-and down the room. He halted again before Crang.
-
-“I am obliged to admit that I am both anxious and considerably at sea,”
- he said deliberately. “There seems to be an air of mystery surrounding
-all this that I neither like nor understand. You did not allay my fears
-last night when you telephoned me. Have you no more to tell me?”
-
-Crang shook his head slowly.
-
-“No,” he said. “You've got everything I know. Bruce has been like a
-clam as far as the nature of what is between himself and this gang is
-concerned. He will have to tell you himself--if he will. He won't tell
-me. Meanwhile, he sent you this.”
-
-Crang reached into his pocket and took out the envelope addressed to Mr.
-R. L. Peters, that he had taken pains to seal the night before.
-
-Larmon took the envelope, stepped over to the window, presumably for
-better light, and opening the letter, began to read it.
-
-Crang watched the other furtively. The quill toothpick, from a series
-of violent gyrations, became motionless between Larmon's lips. The thin
-face seemed to mold itself into sharp, dogged lines. Again and again
-Larmon appeared to read the letter over; and then the hand that held the
-sheet of paper dropped to his side, and he stood for a long time staring
-out of the window. Finally he turned slowly and came back across the
-room.
-
-“This is bad, Mr. Anderson--far worse than I had imagined,” he said in a
-hard voice. “I believe you said you would take me to Bruce. This letter
-asks me to accompany you, and I see we are to go at once.” He motioned
-toward a box of cigars on the table. “Help yourself to a cigar, Mr.
-Anderson, and take a chair while I change and get ready. I will only be
-a few minutes, if you will excuse me for that length of time?”
-
-Crang's face expressed concern.
-
-“Why, certainly, Mr. Peters,” he agreed readily. He helped himself to a
-cigar, and sat down in a chair. “I'm sorry if it's as bad as that.”
-
-Larmon made no answer, save to nod his head gravely as he stepped
-quickly toward the door of the apartment's adjoining room.
-
-Crang struck a match and lighted his cigar. The door of the connecting
-room closed behind Larmon. A cloud of blue smoke veiled Crang's
-face--and a leer that lighted his suddenly narrowed eyes.
-
-“So that's it, is it?” grinned Crang to himself. “I wondered how he was
-going to work it! Well, I guess he would have got away with it, too--if
-I hadn't got away with it first!”
-
-He sat motionless in his chair--and listened. And suddenly he smiled
-maliciously. The sound of running water from a tap turned on somewhere
-on the other side of the connecting door reached him faintly.
-
-“And now a little salt!” murmured Doctor Sydney
-
-Angus Crang. He blew a smoke ring into the air and watched it dissolve.
-“And, presto!--like the smoke ring--nothing!”
-
-The minutes passed, perhaps five of them, and then the door opened again
-and Larmon reappeared.
-
-“I'm ready now,” he announced quietly. “Shall we go?”
-
-Crang rose from his chair.
-
-“Yes,” he said. He glanced at Larmon, as he tapped the ash from the end
-of his cigar. Larmon had _not_ forgotten to change his clothes. “I've
-got a taxi waiting.”
-
-“All right,” agreed Larmon briskly--and led the way to the elevator.
-
-Out on the street, Crang led the way in turn--to the taxi. Birdie
-reached out from his seat, and flung the door open. Crang motioned
-Larmon to enter, and then leaned toward Birdie as though to give the man
-the necessary address. He spoke in a low, quiet tone:
-
-“Keep to the decent streets as long as you can, so that he won't have
-a chance to get leery until it won't matter whether he does or not.
-Understand?”
-
-Birdie touched his cap.
-
-“Yes, sir,” he said.
-
-The taxi jerked forward.
-
-“It's not very far,” said Crang. He smiled engagingly as he settled
-back in his seat--and his hand in his coat pocket sought and fondled his
-revolver.
-
-Larmon, apparently immersed in his own thoughts, made no immediate
-reply. The taxi traversed a dozen blocks, during which time Crang, quite
-contented to let well enough alone, made no effort at conversation.
-Larmon chewed at his quill toothpick until, following a savage little
-click, he removed it in two pieces from his mouth. He had bitten it in
-half. He tossed the pieces on the floor, and produced a fresh one from
-his pocket.
-
-“My word!” observed Crang dryly. “You've got good teeth.”
-
-Larmon turned and looked at him.
-
-“Yes, Mr. Anderson, I have!” His voice was level. “And I am going to
-show them--when I get hold of Bruce.”
-
-Crang's expression was instantly one of innocent bewilderment.
-
-“Why,” he said, “I thought you----”
-
-“Have you ever met the lady?” Larmon asked abruptly.
-
-“The--lady?” Crang glanced out of the window. Birdie was making good
-time, very good time indeed. Another five minutes at the outside and the
-trick was done.
-
-“The woman in the case,” said Larmon.
-
-“Oh!” Crang whistled low. “I see! No, I've never met her. I didn't know
-there was one. I told you he had said nothing to me.”
-
-Larmon was frowning heavily; his face was strained and worried. He
-laughed out suddenly, jerkily.
-
-“I suppose I should give him credit for keeping you at least in the
-dark,” he said shortly; “though it strikes me as more or less of a case
-of locking the stable door after the horse has gone.”
-
-Crang's eyebrows were raised in well-simulated perplexity.
-
-“I don't quite get you, Mr. Peters,” he said politely.
-
-“It's of no consequence.” Larmon's eyes were suddenly fastened on the
-window. From an already shabby street where cheap tenements hived a
-polyglot nationality, the taxi had swerved into an intersection that
-seemed more a lane than anything else, and that was still more shabby
-and uninviting. “This is a rather sordid neighborhood, isn't it?” he
-observed curiously.
-
-“It's safe,” said Crang significantly.
-
-The taxi stopped.
-
-“We get out here, Mr. Peters,” Crang announced pleasantly, as Birdie
-opened the door. “It's a bit rough, I'll admit; but”--he shrugged his
-shoulders and smiled--“you'll have to blame Bruce, not me. Just follow
-me, Mr. Peters--it's down these steps.”
-
-He began to descend the steps of a cellar entrance, which was
-unprepossessingly black, and which opened from the rear of a seedy
-looking building that abutted on the lane. He did not look behind him.
-Larmon had made _sure_ that the letter was to be relied upon, hadn't
-he?--and it was John Bruce, not anybody else, that Larmon was trusting
-now. Certainly, it was much easier to _lead_ Larmon as long as Larmon
-could be led; if Larmon hesitated about following, Birdie stood ready to
-pitch the other headlong down the steps--the same end would be attained
-in either case!
-
-But Larmon still showed no suspicion of the good faith of one William
-Anderson. He was following without question. The daylight streaking down
-through the entrance afforded enough light to enable Crang, over his
-shoulder, to note that Larmon was always close behind him. At a door
-across the cellar Crang gave two raps, three times repeated, and as the
-door was opened, entered with Larmon beside him.
-
-The man who had let them in--one of three, who had evidently been
-rolling dice at a table close to the entrance--closed the door behind
-them, and resumed his game.
-
-“If you'll just wait here a minute, Mr. Peters,” Crang said breezily,
-“I'll find Bruce for you.”
-
-He did not wait for a reply. It mattered very little as to what Larmon
-said or did now, anyhow--Larmon's exit was barred by three men! He
-walked up the length of the low-ceiled, evil-smelling place, and with a
-key which he took from his pocket unlocked a door at the farther end. As
-he stepped through the door his revolver was in his hand.
-
-He laughed in an ugly way, as John Bruce rose from the mattress and
-faced him.
-
-“Salt is a great thing, isn't it?” he jeered. He drew from his pocket
-the slip of paper he had cut from the bottom of the letter, and held
-it so that John Bruce could see it. Then he put it back in his pocket
-again. “Understand? He got the _rest_ of the letter, all right; and so
-he has come down to pay you a little visit. He's outside there now.”
-
-John Bruce made no answer.
-
-Crang laughed again.
-
-“You thought you'd double-cross me, did you? You poor fool! Well, it's a
-showdown now. I'm going to bring him in here--and let you tell him what
-he's up against. I guess you can convince him. He's got less than an
-hour in which to come across--if you are going to sail on that steamer.
-If you don't make yourself useful to that extent, you go out--for keeps;
-and Larmon stays here until he antes up--or rots! Is that quite clear?”
-
-John Bruce's lips scarcely moved.
-
-“Yes; it is quite clear,” he said.
-
-“I thought it would be!” snarled Crang--and backed out through the door.
-
-
-
-
-CHAPTER EIGHTEEN--THE HOSTAGE
-
-|AS Crang disappeared through the doorway, John Bruce stepped
-noiselessly forward across the earthen floor. With the door half open
-and swung inward, it left a generous aperture at the hinges through
-which he could see down the length of the cave-like den outside.
-
-He was strangely calm. Yes, there was Larmon down there--and Crang was
-walking toward him. And Crang had left the door open here. Well,
-why not?--with those three apaches at that table yonder! Yes, why
-not?--except that Crang had also left open the way to one last move,
-left him, John Bruce, one last card to play!
-
-Strange, the cold, unnatural calmness that possessed him! His mind
-seemed instantaneously to have conceived and created a project that
-almost subconsciously he was now in the act of putting into effect.
-He reached out, and extracting the key from the outside of the door,
-inserted it on the inside of the lock. He smiled grimly. So far, it was
-quite safe! The door was swung so far inward that the inner edge of it,
-and therefore his act, certainly could not be seen by any one out there.
-
-A last card! His lips tightened. Well, perhaps! But it was more than
-that. His unnatural composure had something deeper than that behind
-it--a passionate fury smoldering on the verge of flame. Larmon was out
-there--trapped! He could not put Larmon in greater jeopardy now, no
-matter what he, John Bruce, did personally, because Larmon dead would
-not be worth anything to them. But for himself--to stand and take it all
-like a sheep at the hands of a damned, cringing----
-
-He shook his head in quick, curious self-rebuke. Not yet! He needed that
-cold composure a little longer since it was to be a showdown now. That
-was what Crang had said--a showdown. And Crang was right! It meant the
-end--one way or the other. But with luck, if Crang was as yellow as he
-believed the man to be, the idea of the bluff that had leaped into his
-mind would work successfully; and if it didn't work--well, then, there
-was the end--and at least it would not be a scatheless one for Crang!
-
-The mind works swiftly. Had Crang had time only to walk down _half_ the
-length of that room out there toward Larmon? Yes, he saw Crang halt now,
-and heard Crang call out sharply to the three men at the table:
-
-“See if he's got a gun!”
-
-John Bruce, through the crack, saw Larmon whirl around suddenly, as
-though aware for the first time that he was in danger; saw two of the
-men grasp Larmon roughly, while the third searched through his clothes.
-
-And then Crang laughed out raucously:
-
-“This way, _Mr. Peters_--please! You three can stay where you are--I'll
-call you if I need you!”
-
-For still another instant John Bruce watched through the crack. Larmon,
-though his face was set and stern, advanced calmly to where Crang stood.
-Crang, with a prod of his revolver, pushed him onward. They were coming
-now--Larmon first, and Crang immediately behind the other. Without a
-sound, John Bruce slipped around to the other side of the door; and,
-back just far enough so that he would not be seen the instant the
-threshold was reached, crouched down close against the wall.
-
-A second passed.
-
-“Go on in there!” he heard Crang order.
-
-Larmon's form crossed the threshold; and then Crang's--and John Bruce
-hurled himself forward, striking, even while his hands flew upward to
-lock like a vise around Crang's throat, a lightning blow at Crang's
-wrist that sent the revolver to the soft earthen floor without a
-sound--and a low, strangling, gurgling noise was alone the result of
-Crang's effort at a shout of alarm.
-
-“Shut the door--_quietly!_ And lock it, Larmon!” John Bruce flung out.
-
-It was an impotent thing. It struck at the air blindly, its fists going
-like disjointed flails. Strong! He had not just risen from a sick bed
-this time! John Bruce and the soul within him seemed to chuckle In
-unison together at this wriggling thing that he held up by the neck with
-its feet off the ground. But he saw Larmon, though for the fraction of a
-second held spellbound in amazement, spring and lock the door.
-
-“If you make a sound that reaches out there”--John Bruce was whispering
-now with panting, labored breath, as he swung Crang over to the corner
-and forced him down upon the mattress--“it will take too long to break
-that door in to be of any use to you! Understand?”
-
-“Bruce!”
-
-It was Larmon standing over them. John Bruce scarcely turned his head.
-His hands were still on Crang's throat, though the man lay cowed and
-passive now.
-
-“His inside coat pocket!” John Bruce jerked out. “It will save a lot of
-explanation.”
-
-Larmon leaned over and thrust his hand into Crang's pocket. He produced
-several envelopes and the slip of paper cut from John Bruce's letter.
-
-“Read the slip!” said John Bruce grimly. “He showed it to me a minute
-ago when he came in to tell me you were here. It was written in our
-invisible ink at the bottom of the letter he brought you.” He laughed
-shortly. “When you've read it, I'll introduce you.”
-
-Larmon read the slip hurriedly.
-
-“Good God!” he cried out.
-
-“This is Crang,” said John Bruce evenly.
-
-“But”--Larmon's face was tense and strained--“how------”
-
-“How did he discover there was anything there to begin with, and then
-hit on the salt solution?” John Bruce interrupted. “I don't know. We'll
-find out.” He relaxed his hold a little on Crang's throat, and taking
-the slip of paper from Larmon, thrust it into his own pocket. “Go on,
-Crang! Tell us!”
-
-Crang's eyes roved from John Bruce to Larmon and back to John Bruce
-again. His face was ashen. He shook his head.
-
-“You'll _talk!_” said John Bruce with ominous quiet.
-
-“And the less urging”--his grip began to tighten again--“the better for
-you.”
-
-“Wait!” Crang choked. “Yes--I--I'll tell you. I showed the letter to
-Claire. She--she cried on it. A tear splash--black letter began to
-appear. I took the letter home, and--trace of salt in tears--and----”
-
-Crang's voice died away in a strangling cry. Claire! John Bruce had
-barely caught any other word but that. Claire! The face beneath him
-began to grow livid. Claire! So the devil had brought Claire into this,
-too. _Too!_ Yes, there was something else. Something else! He remembered
-now. There was a reckoning to come that was beyond all other reckonings,
-wasn't there? He would know now what hold this thing, that was beast,
-not man, had upon her. He would know now--or it would end now!
-
-“Claire! D'ye hear?” John Bruce whispered hoarsely. “You know what I
-mean! What trick of hell did you play to make her promise to marry you?
-Answer me!”
-
-The thing on the mattress moaned.
-
-“Bruce! For God's sake, Bruce, what are you doing?” Larmon cried out
-sharply.
-
-John Bruce raised his head and snarled at Larmon. Neither Larmon, nor
-any other man, would rob him of this now!
-
-“You stand aside, Larmon!” he rasped out. “This is between me and Crang.
-Keep out of the way!”
-
-He shook at Crang again. He laughed. The man's head bobbed limply.
-
-“Answer me!” He loosened his grip suddenly. Queer, he had forgotten
-that--Crang couldn't speak, of course, if he wouldn't let him!
-
-The man gasped, and gasped again, for his breath.
-
-“I give you one second.” John Bruce's lips did not move as he spoke.
-
-Twice Crang tried to speak.
-
-“Quick!” John Bruce planted his knees on the other's chest.
-
-“Yes--yes, yes, yes!” Crang gurgled out. “It's you--the night you--you
-were stabbed. You were--were nearly gone. I--I gave her the--the
-choice--to marry me, or--or I'd let you--go out.”
-
-John Bruce felt his shoulders surge forward, felt his muscles grow taut
-as steel, and he shook at something flabby that made no resistance,
-and his knees rocked upon something soft where they were bedded.
-_him_--Claire had faced that inhuman choice, born in this monster's
-brain--to save _his_ life! Madness seized upon him. The room, everything
-before him whirled around in great, red, pulsing circles. A fury that
-shook at the roots of his soul took possession of him. He knew nothing,
-saw nothing, was moved by nothing save an overwhelming lust for
-vengeance that seemed to give him superhuman strength, that enabled him
-to crush between his two bare hands this nauseous thing that-----
-
-He heard a voice. It seemed to come from some infinite distance:
-
-“You are killing the man! In the name of God, John Bruce, come away!”
-
-It was Larmon's voice. He looked up. He was vaguely conscious that it
-was Larmon who was pulling at his shoulders, wrenching madly at his
-hands, but he could not see Larmon--only a blurred red figure that
-danced insanely up and down. Killing the man! Of course! What an inane
-thing to say! Then he felt his hands suddenly torn away from a hold they
-had had upon something, and he felt himself pulled to his feet. And
-then for a little he stood swaying unsteadily, and he shuddered, then he
-groped his way over to the chair by the table and dropped into it.
-
-He stared in front of him. Something on the floor near the door
-glittered and reflected the light from the single, dim incandescent. He
-lurched up from the chair, and going toward the object, snatched it up.
-It was Crang's revolver--but Larmon was upon him _in_ an instant.
-
-“Not that way, either!” said Larmon hoarsely.
-
-John Bruce brushed his hand across his eyes.
-
-“No, not that way, either,” he repeated like a child.
-
-He went back to the chair and sat down. He was aware that Larmon was
-kneeling beside the mattress, but he paid no attention to the other.
-
-“The man's unconscious,” Larmon said.
-
-John Bruce did not turn his head.
-
-The minutes passed.
-
-John Bruce's brain began to clear; but the unbalanced fury that had
-possessed him was giving place now only to one more implacable in its
-considered phase. He looked around him. Crang, evidently recovered, was
-sitting up on the mattress. The letters Larmon had taken from Crang's
-pocket lay on the table. John Bruce picked them up idly. From one
-of them a steamer ticket fell out. He stared at this for a moment. A
-passage for John Bruce to South America! Then low, an ugly sound, his
-laugh echoed around the place.
-
-South America! It recalled him to his actual surroundings--that on the
-other side of the door were Crang's apaches. There was still time
-to catch the steamer, wasn't there--for South America? “If the bluff
-worked”--he remembered his thoughts, the plan that had actuated him when
-he had crouched there at the door, waiting for Crang to enter. Strange!
-It wouldn't be a _bluff_ any more! All that was gone. What he would do
-now, and carry it through to its end, was what he had intended to bluff
-Crang into believing he would do. And Crang, too, would understand now
-how little of bluff there was--or, misunderstanding, pay for it with his
-life.
-
-He thrust the ticket suddenly into his pocket, stepped from his chair,
-the revolver in his hand, and confronted Crang. The man shrank back,
-trembling, his face gray with fear.
-
-“Stand up!” John Bruce commanded.
-
-Crang, groveling against the wall, got upon his feet.
-
-It was a full minute before John Bruce spoke again, and then the words
-came choking hot from his lips.
-
-“You damned cur!” he cried. “That's what you did, was it? The price
-Claire paid was for my life. Well, it's hers, then; it's no longer mine.
-Can you understand that, and understand that I am going to pay it back,
-if necessary, to rid her of you? We are going to walk out of here. You
-will lead the way. We are going down to that steamer, and you are going
-on John Bruce's ticket where you proposed to send me--to South America.
-Either that--or you are going on a longer journey. I shall carry this
-revolver in the pocket of my coat, and walk beside you. It is your
-affair how we pass those men out there. If you make any attempt at
-trickery in getting out of here, or later in the street attempt to
-escape, I will fire instantly. It does not matter in the slightest
-degree what happens to me at the hands of your men, or at the hands of
-a thousand people in the most crowded street. You will have gone out
-_first_. The only consideration that exists is that Claire shall be free
-of you.”
-
-“Tck!” It was the quill toothpick flexing against one of Larmon's teeth.
-
-John Bruce turned.
-
-“I did not understand,” said Larmon in a low, grim way. “If I had, I am
-not sure I should have stopped you from throttling him when I did.”
-
-John Bruce nodded curtly. He spoke again to Crang.
-
-“I am not asking you whether you agree to this or not,” he said with
-level emphasis. “You have your choice at any moment to do as you
-like--you know the consequences.” He slipped his hand with his revolver
-into the right-hand side pocket of his coat, and took his place at
-Crang's left side. “Now, go ahead and open that door, and lead the way
-out! Mr. Larmon, you follow close behind me.”
-
-“Yes,” Crang stammered, “yes--for God's sake--I--I'll do it--I---”
-
-“Open that door!” said John Bruce monotonously. “I didn't ask you to
-talk about it!”
-
-Crang opened the door. The little procession stepped out into the long,
-low cellar, and started down toward the lower end. The three men, from
-playing dice at the table near the door, rose uncertainly to their feet.
-John Bruce's revolver in his pocket pressed suggestively against Crang's
-side.
-
-“It's all right, boys,” Crang called out. “Open the door. I've got
-Birdie outside.”
-
-They passed the table, passed through the doorway, and the door closed
-behind them. In the semi-darkness here, as they headed for the exit to
-the lane, Larmon touched John Bruce's elbow.
-
-“He brought me down here in a taxi,” Larmon whispered. “I suppose now it
-was one of his men who drove it.”
-
-“Birdie, he just told those rats,” said John Bruce tersely. “Do you
-hear, Crang? If he's still out there, send him away!”
-
-They emerged into the lane. A taxi-cab stood opposite the exit; Birdie
-lounged in the driver's seat.
-
-John Bruce's revolver bored into Crang's side.
-
-“Beat it!” said Crang surlily to the man. “I won't want you any more.”
-
-“You won't--what?” Birdie leaned out from his seat. He stared for a
-moment in bewilderment, and then started to climb out of the taxi.
-
-The pressure of John Bruce's revolver increased steadily.
-
-“Damn it, you fool!” Crang screamed out wildly. “Beat it! Do you hear?
-Beat it!”
-
-Birdie's face darkened.
-
-“Oh--sure!” he muttered, with a disgruntled oath. He shot the gears into
-place with a vicious snap. “Sure--anything _you_ say!” The taxi
-roared down the lane, and disappeared around the corner in a volley of
-exhausts.
-
-“Go on!” John Bruce ordered.
-
-At the corner of the lane John Bruce turned to Larmon.
-
-“You are safe, and out of it now,” he said. “I am going to ask you to
-step into the first store we pass and get me some good light rope, but
-after that I think you had better leave us. If anything happened between
-here and the steamer, or on the steamer, you would be implicated.”
-
-“Tck!” It was the quill toothpick again. “I'll get the rope with
-pleasure,” Larmon said calmly; “but I never lay down a good hand. I am
-going to the steamer.”
-
-John Bruce shrugged his shoulders. Larmon somehow seemed an abstract
-consideration at the moment--but Larmon had had his chance.
-
-“What time does the steamer sail, Crang?” John Bruce bit off his words,
-as he looked at his watch.
-
-“Four o'clock,” Crang mumbled.
-
-“Walk faster!”
-
-They stopped for a moment in front of a store. Larmon entered, and came
-out again almost immediately with a package under his arm.
-
-A block farther on John Bruce hailed a passing taxi.
-
-Fifteen minutes later, pushing through the throng on the dock, John
-Bruce produced the ticket, they mounted the gangway, and a steward led
-them to a stateroom on one of the lower decks.
-
-John Bruce closed the door and locked it. His revolver was in his hand
-now.
-
-“There isn't much time left,” he said coldly. “About ten minutes.”
-
-At the end of five, Crang, bound hand and foot, and gagged, lay lashed
-into his bunk.
-
-A bugle sounded the “All Ashore!”
-
-John Bruce tossed the ticket on the couch.
-
-“There's your ticket!” he said sternly. “I wouldn't advise you to come
-back--nor worry any further about exposing Mr. Larmon, unless you
-want to force a showdown that will place some very interesting details
-connected with the life of Doctor Crang in the hands of the police!”
-
-The bugle rang out again.
-
-John Bruce, without a further glance in Crang's direction, opened the
-cabin window slightly, then unlocking the door, he motioned Larmon to
-pass out. He locked the door on the outside, stepped to the deck, tossed
-the key through the window to the floor of Crang's cabin, and drew the
-window shut again. A minute more, and with Larmon beside him, he was
-standing on the dock.
-
-Neither John Bruce nor Larmon spoke.
-
-And presently the tugs caught hold of the big liner and warped her out
-of her berth.
-
-“John Bruce” had sailed for South America.
-
-
-
-
-CHAPTER NINETEEN--CABIN H-14
-
-|FOR a time, Crang lay passive. Fear was dominant. He could move his
-head a little, and he kept screwing it around to cast furtive glances
-at the cabin door. He was sure that Bruce was still outside there, or
-somewhere near--Bruce wouldn't leave the ship until the last moment,
-and....
-
-The craven soul of the man shrivelled within him. Bruce's eyes! Damn
-Bruce's eyes, and that hideous touch of Bruce's pocketed revolver! The
-fool would even have killed him back there in the cellar if it hadn't
-been for Larmon! He could still feel those strangling fingers at his
-throat.
-
-Mechanically he made to lift his hand to touch the bruised and swollen
-flesh--but he could not move his hands because they were bound behind
-his back and beneath him. The fool! The fool had _wanted_ to shoot.
-Perhaps with Larmon out of the road, and just at the last minute, that
-was what he still meant to do--to open the door there, and--and _kill_.
-Terror swept upon him. He tried to scream--but a gag was in his mouth.
-
-What was that? He felt a slight jar, another, and another. He
-listened intently. He heard a steady throbbing sound. The ship was
-moving--moving! That meant that Bruce was ashore--that he need not fear
-that door there. He snarled to himself, suddenly arrogant with courage.
-To the devil's pit with John Bruce!
-
-He began to work at his bonds now--at first with a measure of contained
-persistence; and then, as he made no progress, angry impatience came,
-and he began to struggle. He tossed now, and twisted himself about on
-the bunk, and strained with all his might. The gag choked him. The bonds
-but grew the tighter and cut into his wrists. He became a madman in his
-frenzy. Passion and fury lashed him on and on. He flogged himself into
-effort beyond physical endurance--and finally collapsed through utter
-exhaustion, a limp thing bathed in sweat.
-
-Then he began the struggle again, and after that again. The periods came
-in cycles... the insensate fury... exhaustion... recuperation...
-
-After a time he no longer heard the throbbing of the engines or the
-movement of the ship during those moments when he lay passive in
-weakness, nor did the desire for freedom, for merely freedom's sake, any
-longer actuate him; instead, beneath him, in his pocket, he had felt
-the little case that held his hypodermic syringe, and it had brought
-the craving for the drug. And the craving grew. It grew until it became
-torture, and to satisfy it became the one incentive that possessed
-him. It tormented, it mocked him. He could feel it there in his
-pocket, always there in his pocket. Hell could not keep him from it.
-He blasphemed at the ropes that kept it from his fingers' reach, and
-he wrenched and tore at them, and sobbed and snarled--and after long
-minutes of maniacal struggle would again lie trembling, drained of the
-power either to move or think.
-
-It grew dark in the cabin.
-
-And now, in one of his series of struggles, something snapped beneath
-him--a cord! One of the cords around his wrists had given away. He tore
-one hand free. Yes, yes--he could reach his pocket! Ha, ha--his pocket!
-And now his other hand was free. He snatched at the hypodermic syringe
-with feverish greed--and the plunger went home as the needle pricked its
-way beneath the skin of his forearm.
-
-He reached up then, unloosened the knots at the back of his head, and
-spat the gag from his mouth. His penknife freed his legs. He stood
-up--tottered--and sat down on the edge of his bunk. He remained
-motionless for a few minutes. The drug steadied him.
-
-He looked around him. It was dark. The ship was very still; there was no
-sense of movement, none of vibration from the engines. It seemed to him
-that in a hazy, vague way he had noticed that fact a long time ago. But,
-nevertheless, it was very curious!
-
-He stood up again. This was better! He felt secure enough now on his
-feet. It was only as though a great fatigue were upon him, and that he
-seemed to be weighted down with lead--nothing more than that. He crossed
-to the window, drew the shade, and opened the window itself.
-
-And then, for a long time, puzzled, his brows drawn together, he stood
-there staring out. Close at hand, though but faintly outlined in the
-darkness, he could see the shore. And it was not imagination, for beyond
-the shore line, he could see innumerable little lights twinkling.
-
-It was strange! He rubbed his eyes. Here was something else! The window
-opened on a narrow, dimly lighted and deserted deck--one of the lower
-decks, he remembered. Below this deck, and evidently alongside of the
-steamer's hull, he could make out the upper-structure of some small
-vessel.
-
-A figure came along the deck now from the forward end--one of the crew,
-Crang could see from the other's dress, as the man drew nearer. Crang
-thrust his head out of the window.
-
-“I say, look here!” he called, as the other came opposite to him.
-“What's all this about? Where are we?”
-
-“Down the bay a bit, that's all, sir,” the man answered. “We've had some
-engine trouble.”
-
-Crang pointed to the small vessel alongside. A sudden, wild elation
-surged upon him.
-
-“That's a tug down there, isn't it?” he said. “They're going to tow us
-back, I suppose?”
-
-“Oh, no, sir,” the man replied. “It's the company's tug, all right,
-that they sent down to us, but she'll be going back as soon as we're off
-again. It's nothin' serious, and we won't be more'n another hour, sir.”
-
-Crang snarled under his breath.
-
-“I beg your pardon, sir?” inquired the man.
-
-“Nothing!” said Crang. “I'm much obliged to you.”
-
-“Thank you, sir,” said the man, and went on along the deck.
-
-Crang returned to his bunk and sat down again on its edge. He could
-still see the reflection of the shore lights. This seemed to obsess
-him. He kept staring out through the window. Suddenly he chuckled
-hoarsely--and then, as suddenly, his fist clenched and he shook it in
-the air.
-
-“Another hour, eh?” he muttered. “Then, I'll get you yet, Bruce--ha, ha,
-I'll get you yet! But I'll make sure of Claire _first_ this time! That's
-where I made the mistake--but Doctor Sydney Angus Crang doesn't make two
-mistakes alike!”
-
-He relapsed into silent meditation. At the end of five minutes he spoke
-again.
-
-“I'm a clever man,” said Doctor Crang between his teeth. “First
-Claire--then you, Bruce. And I'll take good care that you know nothing,
-Mr. John Bruce--not this time--not until it is too late--both ways! I'll
-show you! I'll teach you to pit your clumsy wits against me!”
-
-He got up from the bunk and turned on a single incandescent light. Bruce
-had thrown the key in through the window, he remembered. Yes, there it
-was on the floor! He picked it up; and quickly and methodically he began
-to work now. He gathered together the pieces of rope with which he
-had been bound, tucked them under his coat, and running to the window,
-thrust his head outside again. The deck was clear, there was not a soul
-in sight. He unlocked the door now, stepped noiselessly out on the deck,
-dropped the pieces of rope overboard, and then, returning to the cabin,
-smiled ironically as he made a mental note of the number on the cabin
-door.
-
-“H-14,” observed Doctor Crang grimly. “Quite so--H-14!”
-
-He halted before the mirror and removed the more flagrant traces of his
-dishevelled appearance; then he took off his coat, flung it on a chair,
-pushed the electric button, and returned to his bunk.
-
-He was sitting up on the edge of the bunk, and yawning, as the steward
-answered his summons.
-
-“Hello, steward!” said Crang somewhat thickly. “I guess I've overslept
-myself. Overdid the send-off a little, I'm afraid. What are we stopping
-for?”
-
-“A little engine trouble, sir,” the steward answered. “It was right
-after we started. We're only a little way down the bay. But it's all
-right, sir. Nothing serious. We'll be off again shortly.”
-
-“Humph!” Crang dismissed the subject with a grunt. “I suppose I've
-missed my dinner, eh?”
-
-“Oh, no, sir,” replied the steward. “It's only just a little after seven
-now, sir.”
-
-“That's better!” smiled Crang. “Well, get my traps right up here, like a
-good fellow, and I'll clean up a bit. And hurry, will you?”
-
-The steward looked a little blank.
-
-“Your traps, sir?”
-
-“Luggage--traps--baggage,” defined Crang with facetious terseness.
-
-“Oh, I knew what you meant, sir,” said the steward. “It's where your
-traps are, sir? I--I thought it a bit strange you didn't have anything
-with you when you came aboard this afternoon.”
-
-“Did you, now?” inquired Crang sweetly. “Well, then, the sooner you get
-them here the less strange it will seem. Beat it!”
-
-“But where are they, sir?” persisted the man. “Where are they? Good God,
-how do I know!” ejaculated Crang sarcastically. “I sent them down to the
-ship early this morning to be put aboard--in your baggage room. You've
-got a baggage room aboard, haven't you?”
-
-“Yes, sir; but----”
-
-“I would suggest the baggage room, then!” interrupted Crang crisply.
-“And if they are not there, ask the captain to let you have any of the
-crew who aren't too busy on this engine trouble, and get them to help
-you search the ship!”
-
-The steward grinned.
-
-“Very good, sir. Would you mind describing the pieces?”
-
-“There are four,” said Crang with exaggerated patience, as he created
-the non-existent baggage out of his imagination. “And they have all got
-your 'wanted on the voyage' labels, with my name and cabin written on
-them--Mr. John Bruce; Cabin H-14. There is a steamer trunk, and two
-brown alligator-leather--which I do not guarantee to be genuine in spite
-of the price--suit-cases, and a hat box.”
-
-“Very good, sir,” said the steward again--and hurried from the cabin.
-
-Crang got up and went to the window. The tug alongside seemed to furnish
-him with engrossing reflections, for he stood there, smiling queerly,
-until he swung around in answer to a knock upon his door.
-
-A man in ship's uniform entered ahead of the steward.
-
-“The steward here, sir,” said the man, “was speaking about your
-baggage.”
-
-“_Speaking_ about it!” murmured Crang helplessly. “I told him to get
-it.”
-
-“Yes, sir,” said the man; “but I am sorry to say that no such baggage as
-you describe has come aboard the ship. There has been no baggage at all
-for Mr. Bruce, sir.”
-
-“Not aboard!” gasped Crang. “Then--then where is it?”
-
-“I can't say, sir, of course,” said the other sympathetically. “I am
-only stating a fact to you.”
-
-“But--but I sent it down to the dock early this morning.” Crang's voice
-was rising in well-affected excitement. “It must be here! I tell you, it
-must be here!”
-
-The man shook his head.
-
-“It's my job, sir. I'm sorry, Mr. Bruce, but I know positively your
-baggage is not aboard this ship.”
-
-“Then what's to be done?” Crang's voice rose louder. “You've left it on
-the dock, that's what--fools, thundering idiots!”
-
-The man with the baggage job looked uncomfortable.
-
-Crang danced up and down on the floor of the cabin.
-
-“On the way to South America to stay six months,” he yelled insanely,
-“and my baggage left behind! I can't go on without my baggage, do you
-hear?”
-
-There was a whispered conference between the two men. The steward
-vanished through the doorway.
-
-“I've sent for the purser, sir,” volunteered the other.
-
-Crang stormed up and down the floor.
-
-Presently the purser appeared. Crang swung on him on the instant.
-
-“You've left my baggage behind!” he shouted. “My papers, plans,
-everything! I can't go on without them!” He shook his fist. “You'll
-either get that baggage here, or get me ashore!”
-
-The purser eyed Crang's fist, and stiffened perceptibly.
-
-“I'm not a magician, Mr. Bruce,” he said quietly. “I am very sorry
-indeed that this should have happened; but it is quite impossible, of
-course, to get your baggage here.”
-
-“Then get me ashore!” Crang snatched up his coat and put it on. “There's
-a tug, or something, out there, isn't there?”
-
-“Yes,” said the purser, “that's the company's tug, and I suppose you
-could go back on her, if you think you----”
-
-“Think!” howled Crang. “I don't _think_ anything about it! I know
-that----” His eye suddenly caught the envelope on the couch containing
-the ticket. “And what about this?” He picked it up, jerked out the
-ticket, and waved it in the purser's face.
-
-The purser refused the document.
-
-“You'll have to see the New York office, sir, about that,” he said.
-
-“I will, will I?” snapped Crang. “Well, that isn't all I'll see them
-about!”
-
-“I am sure they will do what they can, sir, to make things right--if
-they are to blame,” said the purser a little sharply. “But it might
-have been your teamer, you know, who made the mistake.” He turned to the
-door. “I will arrange about your going ashore, Mr. Bruce.”
-
-“Yes!” growled Crang savagely--and five minutes later, swearing volubly
-for the benefit of those within hearing, he wriggled his way down a rope
-ladder to the tug's deck.
-
-A deck hand led him to the pilot house.
-
-“The captain 'll be along as soon as we start,” the man informed him.
-
-Crang made himself comfortable in a cushioned chair. He sat chuckling
-maliciously, as he stared up at the towering hull that twinkled with
-lights above him--and then the chuckle died away, and little red spots
-came and burned in his sallow cheeks, and his lips worked, and his hands
-curled until the nails bit into the palms.
-
-He lost track of time.
-
-A man came into the pilot house, and gave the wheel a spin.
-
-“We're off!” said the man heartily. “You've had tough luck, I hear.”
-
-Crang's fingers caressed his bruised and swollen throat.
-
-“Yes,” said Crang with a thin smile; “but I think somebody is going to
-pay the bill--in full.”
-
-The tug was heading toward New York.
-
-
-
-
-CHAPTER TWENTY--OUTSIDE THE DOOR
-
-|HAWKINS very cautiously got out of bed, and consulted his watch. It was
-five minutes after nine. He stole to the door and listened. There was no
-sound from below. Mrs. Hedges, who had been his jailor all day, had now,
-he was fairly certain, finally retired for the night.
-
-The old blue eyes blinked in perplexity and he scratched at the
-fringe of hair behind his ear in a perturbed way, as he began, still
-cautiously, to dress. It had been a very dreary day, during which he
-had suffered not a little physical discomfort. Mrs. Hedges had been
-assiduous in her attentions; more than that, even--motherly.
-
-“God bless her!” said Hawkins to one of his boots, as he laced it up.
-“Only she wouldn't let me out.”
-
-He stopped lacing the boot suddenly, and sat staring in front of him.
-Mrs. Hedges had been more than even motherly; she had been--been--yes,
-that was it--been puzzling. If she had said Paul Veniza wanted to see
-him, why had she insisted that Paul Veniza didn't want to see him?
-Hawkins' gaze at the blank wall in front of him became a little more
-bewildered. He tried to reconstruct certain fragments of conversation
-that had taken place between Mrs. Hedges and himself.
-
-“Now, you just lie still,” Mrs. Hedges had insisted during the
-afternoon, when he had wanted to get up. “Claire told me----”
-
-He remembered the sinking of his heart as he had interrupted her.
-
-“Claire,” he had said anxiously, “Claire ain't--she don't know about
-this, does she?”
-
-“Certainly _not!_” Mrs. Hedges had assured him.
-
-“But you said she told you something”--Hawkins continued to reconstruct
-the conversation--“so she must have been here.”
-
-“Law!” Mrs. Hedges had returned. “I nearly put my foot in it, didn't
-I--I--I mean starting you in to worry. Certainly she don't know anything
-about it. She just came over to say her father wanted to see you, and I
-says to her you ain't feeling very well, and she says it's all right.”
-
-Hawkins resumed his dressing. His mind continued to mull over the
-afternoon. Later on he had made another attempt to get up. He was
-feeling quite well enough to go over and find out what Paul Veniza
-wanted. And then Mrs. Hedges, as though she had quite forgotten what she
-had said before, said that Paul Veniza didn't want to see him, or else
-he'd send word.
-
-Hawkins scratched behind his ear again. His head wasn't quite clear.
-Maybe he had not got it all quite straight. Suddenly he smiled. Of
-course! There wasn't anything to be bewildered about. Mrs. Hedges was
-just simply determined that he would not go out--and he was equally
-determined that he would. Paul Veniza or not, he had been long enough in
-bed!
-
-“Yes,” said Hawkins; “God bless her, that's it!”
-
-Hawkins completed his toilet, and picking up his old felt hat,
-reconnoitered the hallway. Thereafter he descended the stairs with
-amazing stealth.
-
-“God bless her!” said Hawkins softly again, as he gained the front door
-without raising any alarm and stepped outside--and then Hawkins halted
-as though his feet had been suddenly rooted to the spot.
-
-At the curb in front of the house was an old closed motor car. Hawkins
-stared at it. Then he rubbed his eyes. Then he stared at it again. He
-stared for a long time. No; there was no doubt about it--it was the
-traveling pawn-shop.
-
-Hawkins' mind harked back to the preceding evening. He had met two men
-in the saloon around the corner, whom he had seen there once or twice
-before. He had had several drinks with them, and then at some one's
-suggestion, he could not recollect whose, there had followed the
-purchase of a few bottles, and an adjournment to his room for a
-convivial evening. After that his mind was quite blank. He could not
-even remember having taken out the car.
-
-“I--I must have been bad,” said Hawkins to himself, with a rueful
-countenance.
-
-He descended the steps, and approached the car with the intention of
-running it into the shed that served as garage behind the house. But
-again he halted.
-
-“No,” said Hawkins, with a furtive glance over his shoulder at the front
-door; “if I started it up, Mrs. Hedges would hear me. I guess I'll wait
-till I come back.”
-
-Hawkins went on down the street and turned the corner. He had grown a
-little dejected.
-
-“I'm just an old bum,” said Hawkins, “who ain't ever going to swear off
-any more 'cause it don't do any good.”
-
-He spoke aloud to himself again, as he approached the door of Paul
-Veniza's house.
-
-“But I _am_ her daddy,” whispered the old man fiercely; “and she is my
-little girl. It don't change nothing her not knowing, except--except
-she ain't hiding her face in shame, and”--Hawkins' voice broke a
-little--“and that I ain't never had her in these arms like I'd ought to
-have.” A gleam of anger came suddenly into the watery blue eyes under
-the shaggy brows. “But he ain't going to have her in _his!_ That
-devil from the pit of hell ain't going to kill the soul of my little
-girl--somehow he ain't--that's all I got to live for--old Hawkins--ha,
-ha!--somehow old Haw-kins 'll----”
-
-Hawkins' soliloquy ended abruptly. He was startled to find himself in
-the act of opening the front door of the one-time pawn-shop. He even
-hesitated, holding the door ajar--and then suddenly he pushed the door
-wider open and stepped softly inside, as the sound of a voice, angry and
-threatening in its tones, though strangely low and muffled, reached him.
-He knew that voice. It was Doctor Crang's.
-
-It was dark here in the room that had once been the office of the
-pawn-shop, and upon which the front door opened directly; but from under
-the door leading into the rear room there showed a thread of light, and
-it was from there that Hawkins now placed the voice.
-
-He stood irresolute. He stared around him. Upstairs it was dark.
-Paul Veniza, because he had not been well, had probably gone to bed
-early--unless it was Paul in there with Crang. No! He caught the sound
-of Claire's voice now, and it seemed to come to him brokenly, in a
-strangely tired, dreary way. And then Crang's voice again, and an ugly
-laugh.
-
-The wrinkled skin of Hawkins' old weather-beaten hands grew taut and
-white across the knuckles as his fists clenched. He tiptoed toward the
-door. He could hear distinctly now. It was Crang speaking:
-
-“... I'm not a fool! I did not speak about it to make you lie again. I
-don't care where you met him, or how long you had been lovers before he
-crawled in here. That's nothing to do with it. It's enough that I know
-you were lovers before that night. But you belong to me now. Understand?
-I spoke of it because the sooner you realize that _you_ are the one who
-is the cause of the trouble between Bruce and me, the better--_for him!_
-I wasn't crowding you before, but I'm through fooling with it now for
-keeps. I let you go too long as it is. To-day, for just a little while,
-he won out--yes, by God, if you want the truth, he nearly killed me. He
-got me tied in a cabin of a ship that sailed this afternoon for South
-America; but the engines broke down in the harbor, and, damn him, I'm
-back! You know what for. I've told you. There's one way to save him.
-I've told you what that is, too. I'm waiting for your answer.”
-
-“Why should it be me?” Claire's voice was dull and colorless. “Why
-cannot you leave me alone--I, who hate and loathe you? Do you look for
-happiness with me? There will be none.”
-
-“Why should it be you?” Crang's voice was suddenly hoarse with passion.
-“Because you have set my brain on fire, because you have filled me with
-a madness that would mock God Himself if He stood between us. Do you
-understand--Claire? Claire! Do you understand? Because I want you,
-because I'm going to have you, because I'm going to own you--yes,
-_own_ you, one way or another--by marriage, or----”
-
-A low cry came from Claire. It tore at Hawkins' heart in its bitter
-shame and anguish. His face blanched.
-
-“Well, you asked for it, and you got it!” Crang snarled. “Now, I'm
-waiting for your answer.”
-
-There was a long pause, then Claire spoke with an obvious effort to
-steady her voice:
-
-“Have I got to buy him _twice?”_
-
-“You haven't bought him _once_ yet,” Crang answered swiftly. “I
-performed my part of the bargain. I haven't been paid.”
-
-And Hawkins, standing there, listening, heard nothing for a long time;
-and then he distinguished Claire's voice, but it was so low that he
-could not catch the words. But he heard Crang's reply because it was
-loud with what seemed like passionate savagery and triumph:
-
-“You're wise, my dear! At eight o'clock to-morrow morning, then. And
-since Mr. John Bruce's skin is involved in this, you quite understand
-that he is not to be communicated with in any way?”
-
-“I understand.” Hawkins this time caught the almost inaudible reply.
-
-“All right!” Crang said. “There's a padre I know, who's down on Staten
-Island now. We'll go down there and be married without any fuss. I'll be
-here at eight o'clock. Your father isn't fit to ride in that rattle-trap
-old bus of yours. I'll have a comfortable limousine for him, and you can
-go with him. Hawkins can drive me, and”--he was laughing softly--“and be
-my best man. I'll see that he knows about it in time to----”
-
-Like a blind man, Hawkins was groping his way toward the front door.
-Married! They were to be married to-morrow morning!
-
-He found himself on the street. He hurried. Impulse drove him along. He
-did not reason. His mind was a tortured thing. And yet he laughed as he
-scurried around the corner, laughed in an unhinged way, and raised both
-hands above his head and pounded at the air with his doubled fists. They
-were to be married to-morrow morning, and he--he was to be _best man_.
-And as he laughed, his once ruddy, weather-beaten face was white as a
-winding-sheet, and in the whiteness there was stamped a look that it was
-good on no man's face to see.
-
-And then suddenly two great tears rolled down his cheeks, opening the
-flood gates of his soul.
-
-“My little girl!” he sobbed. “Daddy's little girl!”
-
-And reason and a strange calmness came.
-
-“John Bruce,” he said. “He loves her too.”
-
-And in front of Mrs. Hedges' rooming-house he climbed into the driver's
-seat of the old traveling pawn-shop.
-
-It didn't matter now how much noise he made.
-
-
-
-
-CHAPTER TWENTY-ONE--THE LAST CHANCE
-
-|JOHN BRUCE closed the door of Larmon's suite, and, taking the elevator,
-went up to his own room in the Bayne-Miloy Hotel, two floors above.
-Here, he flung himself almost wearily into a chair. Larmon had gone to
-bed; but bed offered no appeal to him, John Bruce, in spite of the fact
-that he was conscious of great mental fatigue. Bed without sleep was
-a horror, and his spirits were too depressed to make sleep even a
-possibility.
-
-From a purely selfish standpoint, and he admitted to utter selfishness
-now, it had been a hollow victory. Crang was gone, disposed of, and as
-far as Larmon was concerned the man no longer existed, for if Crang had
-held certain intimate knowledge of Larmon's life over Larmon's head,
-Larmon was now in exactly the same position in respect to Crang. And
-Crang, too, for the time being at least, was no longer a factor in
-Claire's life.
-
-He smiled grimly to himself. Hollow! The victory had been sweeping,
-complete, conclusive--for every one but himself! He had not even waited
-to leave the dock before he had telephoned Claire. And Claire had---- He
-rose suddenly and began to walk feverishly up and down the room. Hollow!
-He laughed out shortly. She had curtly refused to talk to him.
-
-He had only meant to telephone to say that he was on the way up to
-her house, and he had managed to say that much--and she had coldly,
-contemptuously informed him that she would not be at home, and had hung
-up the receiver. She had given him no opportunity to say any more.
-
-It was not like Claire. It had been so unexpected that he had left the
-dock mentally dazed. The sight of the liner out in the stream had seemed
-to mock him ironically. After that, until now, he had followed the line
-of least resistance. He had come back here to the hotel, and dined with
-Larmon.
-
-He stood still in the middle of the room. Larmon! It had been a singular
-evening that he had just spent with Larmon. He had got a new viewpoint
-on Larmon--a strange, grave, sympathetic Larmon. He had given Larmon the
-details of everything that had happened; and Larmon had led him on to
-talk--of everything, and anything, it seemed now, as he looked back upon
-it. And somehow, he could not tell why, even while he felt that Larmon
-was drawing him out, urging him even to speak of Claire and the most
-intimate things of the last few weeks, he had been glad to respond. It
-was only when Larmon for a little while had discussed his great chain of
-gambling houses that he, John Bruce, had felt curiously detached from it
-all and estranged from the other, as though he were masquerading as
-some one else, as some one whom Larmon believed to be John Bruce, and as
-though he in his true self had no interest in these matters any
-longer in a personal sense, as though his connection with them had
-automatically ceased with the climax of Crang's removal. It was queer!
-But then his mind had been obsessed, elsewhere. And yet here, too, he
-had been frank with Larmon--frank enough to admit the feelings that
-had prompted him to refrain from actual play only two nights before. He
-remembered the quick little tattoo of Larmon's quill toothpick at this
-admission, and Larmon's tight little smile.
-
-Yes, it had been a singular evening! In those few hours he seemed to
-have grown to know Larmon as though he had known the man all his life,
-to be drawn to Larmon in a personal way, to admire Larmon as a man.
-There was something of debonair sang-froid about Larmon. He had made
-no fuss over his escape that day, and much less been effusive in any
-thanks. Larmon's philosophy of life was apparently definitely fixed and
-settled; and, in so far as Larmon was concerned, satisfactorily so. The
-whole world to Larmon was a gamble--and, consistently enough, his own
-activities in that respect were on as vast a scale as possible.
-
-Larmon with his unemotional face and his quill toothpick! No; not
-unemotional! When Larmon had finally pleaded fatigue and a desire to
-go to bed, there had been something in Larmon's face and Larmon's
-“good-night,” that still lingered with him, John Bruce, and which even
-now he could not define.
-
-John Bruce's brows gathered into tight furrows. His mind had flown off
-at a tangent. There was Claire! It had not been like Claire. Nor had he
-meant, nor did he intend now to accept her dismissal as final. But
-what was it that had happened? What was it? He could think of only one
-thing--the letter he had written to Larmon, and which, on that account,
-he had asked for and received back from the other.
-
-It was a certainty that Crang's hand was in this somewhere, and Crang
-had said that he had shown the letter to Claire, but----
-
-The telephone rang.
-
-John Bruce stepped to the desk, and picked up the instrument.
-
-“Yes? Hello!” he said.
-
-The clerk's voice from the office answered him:
-
-“There's a man down here, Mr. Bruce, who insists on seeing you. He's
-pretty seedy, and looks as though he had been on a bat for a week. I'm
-sorry to bother you, but we can't get rid of him. He says his name is
-Hawkins.”
-
-“Send him up at once!” said John Bruce sharply.
-
-“Yes, sir.” The clerk coughed deprecatingly. “Very well, Mr. Bruce.
-Thank you.”
-
-Hawkins! John Bruce walked to the door of his suite, and opened it. He
-looked at his watch. It was getting on now to eleven o'clock. What on
-earth had brought Hawkins up here to the Bayne-Miloy at this hour? He
-smiled a little grimly as he stood waiting on the threshold, and the
-recollection of the night before last came back to him. Well, at least,
-he was safe to-night from any kidnaping through the medium of Hawkins!
-
-The elevator door clanged a little way down the corridor, and Hawkins,
-followed by a bell boy, stepped out.
-
-“This way, Hawkins!” John Bruce called--and dismissed the bell boy with
-a wave of his hand.
-
-And then, as Hawkins reached the door, John Bruce stared in amazement,
-and for a moment absolved the clerk for his diagnosis. Hawkins' face
-was like parchment, devoid of color; his hands, twisting at the old felt
-hat, trembled as with the ague; and the blue eyes, fever-burned they
-seemed, stared out in a fixed way from under the shaggy brows.
-
-John Bruce pulled the old man inside the apartment, and closed the door.
-
-“Good Lord, Hawkins!” he exclaimed anxiously. “What's the matter with
-you?”
-
-Hawkins caught at John Bruce's arm.
-
-“It's to-morrow morning,” he said hoarsely. “Tomorrow morning at eight
-o'clock.”
-
-“What is?” inquired John Bruce. He forced the old cabman gently into a
-chair. “You're upset, Hawkins. Here--wait! I'll get you something.”
-
-But Hawkins held him back.
-
-“I don't want a drink.” There was misery, bitterness, in Hawkins' voice.
-“I don't want a drink--for once. It's come! It--it's come to the end
-now. Crang and--and my little girl are going to be married to-morrow
-morning.”
-
-And then John Bruce laughed quietly, and laid his hand reassuringly on
-the old cabman's shoulder.
-
-“No, Hawkins,” he said. “I don't know where you got that idea; but
-it won't be to-morrow morning, nor for a good many to-morrow mornings
-either. Crang at the present moment is on board a ship on his way to
-South America.”
-
-“I know,” said Hawkins dully. “But half an hour ago I left him with
-Claire in Paul Veniza's house.”
-
-John Bruce's hand tightened on Hawkins' shoulder until the old man
-winced.
-
-“You what?” John Bruce cried out.
-
-“Yes,” said Hawkins. “I heard him talking about it in the back room.
-They didn't know I was there. He said there was something the matter
-with the engines.”
-
-Crang back! John Bruce's face was set as chiselled marble.
-
-“Do you know what you are saying, Hawkins?” he demanded fiercely, as
-though to trample down and sweep aside by the brute force of his own
-incredulity the other's assertion. “Do you know what you are saying--_do
-you?”_
-
-“Yes, I know,” said Hawkins helplessly. “He said you nearly killed him
-to-day, and----”
-
-John Bruce's laugh, with a savagery that had him now at its mercy and in
-its grip, rang suddenly through the room.
-
-“Then, for once, he told the truth!” he cried. “He tricked me cold with
-that old bus last night, and trapped me in the rats' hole where his gang
-holds out, but----”
-
-Hawkins stumbled to his feet. His face seemed to have grown grayer
-still, more haggard and full of abject misery.
-
-“That's it, then!” he whispered. “I--I understand now. I was drunk last
-night. Oh, my God, I'm to blame for this, too!”
-
-John Bruce pushed Hawkins almost roughly back into his chair. Last night
-was gone. It was of no significance any more.
-
-“Never mind about that!” he said between his teeth. “It doesn't matter
-now. Nothing matters now except Claire. Go on, tell me! What does
-it mean? To-morrow morning, you said. Why this sudden decision about
-to-morrow morning?”
-
-Hawkins' lips seemed dry. He circled them again and again with his
-tongue.
-
-“He said you nearly killed him to-day, as I--I told you,” said Hawkins,
-fumbling for his words. “And he said that you had been lovers before
-that night when you were stabbed, and that he wasn't going to stand for
-it any longer, and--and”--Hawkins' voice broke--“and that she belonged
-to him. And he said she was the only one who could stop this trouble
-between you and him before it was too late, and that was by marrying him
-at once. And--and Claire said she would.”
-
-Hawkins stopped. His old felt hat was on his knees, and he twisted at it
-aimlessly with shaking fingers.
-
-John Bruce stood motionless.
-
-“Go on!” he bit off his words.
-
-“That's all,” said Hawkins, “except he made her promise not to let
-you know anything about it. They're going to leave the house to-morrow
-morning, and are going down to Staten Island to get married because
-there's some minister down there he knows, Crang said. And I'm to take
-Crang, and--and”--the old man turned away his face--“I--I'm to be best
-man. That--that's what he said--best man.”
-
-John Bruce walked abruptly to the window, and stared blindly out into
-the night. His brain seemed afire.
-
-For a time neither man spoke.
-
-“You said you loved her,” said Hawkins at last. “I came to you. There
-wasn't any other place to go. Paul Veniza can't do anything.”
-
-John Bruce turned from the window, and walking to
-
-Hawkins, laid his two hands on the other's shoulders. He was calmer now.
-
-“Yes, I love her,” he said huskily. “And I think--I am not sure--but I
-think now there is a chance that she can be made to change her mind even
-here at the last minute. But that means I must see her; or, rather, that
-she must see me.”
-
-Hawkins paused in the twisting of his felt hat to raise bewildered eyes.
-
-“I've got the car here,” he said. “I'll take you down.”
-
-“The car!” exclaimed John Bruce quickly. “Yes, I never thought of that!
-Listen, Hawkins! Claire refused to see me this afternoon, or even to
-talk to me over the telephone. I am not quite sure why. But no matter
-what her reason was, I must see her now at once. I have something to
-tell her that I hope will persuade her not to go on with this to-morrow
-morning--or ever.” His voice was growing grave and hard. “I hope you
-understand, Hawkins. I believe it may succeed. If it fails, then neither
-you nor I, nor any soul on earth can alter her decision. That's all that
-I can tell you now.”
-
-Hawkins nodded his head. A little color, eagerness, hope, had come into
-his face.
-
-“That's enough,” he said tremulously, “as long as you--you think there
-is a chance even yet. And--and you do, don't you?”
-
-“Yes,” said John Bruce, “I think there is more than a chance--if I can
-see her alone and make her listen to me. The car will be just the thing.
-But she would refuse to come out, if she knew I were in it. I depend
-on you for that. We'll drive down there, and you will have to make some
-excuse to get her to come with you. After that you can keep on driving
-us around the block until I either win or lose.”
-
-Hawkins rose hurriedly to his feet.
-
-“Let us go, John Bruce! For God's sake, let us go!” he cried eagerly.
-“I'll--I'll tell her Mrs. Hedges--that's my landlady--has got to see her
-at once. She'll come quick enough.”
-
-John Bruce put on his hat and coat, and without a word led the way
-to the door--but at the door he paused for an instant. There was
-Larmon--and Crang was back. And then he shook his head in quick
-decision. There was time enough later. It would serve no purpose to tell
-Larmon now, other than the thankless one of giving Larmon a restless
-night.
-
-John Bruce went on. He did not speak again until, outside the hotel, he
-stepped into the traveling pawnshop as Hawkins opened the car door for
-him.
-
-“You will have to make sure that Crang has gone,” he said quietly.
-“Don't stop in front of the house, Hawkins.”
-
-“I'll make sure,” whispered Hawkins, as he climbed to his seat. “Oh, my
-God, my little girl!”
-
-The old car jolted forward. John Bruce's face was set again in hard,
-chiselled lines. He tried to think--but now his brain seemed curiously
-impotent, as though it groped through chaos and through turmoil only to
-stagger back bewildered, defeated, a wounded thing. And for a time it
-was like that, as he sat there swaying with the lurch of the speeding
-car, one thought impinging fast upon another only to be swallowed up so
-quickly in turn by still another that he could correlate-no one of them.
-
-And then, after a little time again, out of this strange mental strife
-images began to take form, as sharply defined and distinct one from
-the other as before they had been mingled in hopeless confusion--and he
-cried out aloud in sudden agony of soul. It was to save his life that
-this had happened. He had wrung that knowledge from Crang. That was the
-lever he meant to use with Claire now, and it _must_ succeed. He must
-make it succeed! It seemed to drive him mad now, that thought--that
-to-morrow morning she should die for him. Not physical death--worse than
-that! God! It was unthinkable, horrible, abominable. It seemed to flaunt
-and mock with ruthless, hell-born sacrilege what was holiest in his
-heart. It stirred him to a fury that brought him to his feet, his fists
-clenched. Claire in her purity--at the mercy of a degenerate beast!
-
-He dropped back on the seat. He battled for calmness. In a little while
-Claire would be here beside him--_for a little while_. He shook his
-head. This was not real, nothing of his life had been real since that
-moon-mad night on the sands of Apia. No; that was not true! Soul,
-mind and body rose up in fierce denial. His love was real, a living,
-breathing, actual reality, Claire----
-
-John Bruce sank his face in his hands. Hours seemed to pass. And then he
-was conscious that the car had stopped. He roused himself, and drawing
-the window curtain slightly, looked out. Hawkins had stopped a few
-houses down past the one-time pawnshop.
-
-John Bruce rose suddenly and changed his seat to the one in the far
-opposite corner, his back to the front of the car. The time seemed
-interminable. Then he heard a light footstep ring on the pavement, and
-he heard Hawkins' voice. The car door was opened, a dark form entered,
-sat down, the door closed, and the car started forward.
-
-It was strange! It was like that, here in this car, that he had stepped
-in one night and found Claire--as she would now find him. That was
-so long ago! And it seemed so long too since even he had last seen
-her--since that night when, piqued so unwarrantably, he had left Paul
-Veniza's house. He felt his hands tremble. He steadied himself. He did
-not want to frighten or startle her now.
-
-“Claire!” he said softly.
-
-He heard a slight, quick rustle of garments--and then the light in the
-car was flashed on.
-
-She was leaning tensely forward, a little figure with loose cloak flung
-over her shoulders, without hat, a wondrous sheen from the light on the
-dark, silken hair, her eyes wide, her finger still on the electric-light
-button.
-
-“You!” she cried sharply. “And Hawkins, too, in this!”
-
-She reached for the door handle; but John Bruce caught her hand.
-
-“Claire!” he pleaded hoarsely. “Wait! If it is a trick, at least you
-know that with Hawkins and me you will come to no harm. What else could
-I do? You would not speak to me this afternoon, you would not let me see
-you, and I must talk to you to-night.”
-
-She looked at him steadily.
-
-_“Must?”_ she repeated coldly. “And to-night? Why to-night?”
-
-“Because,” John Bruce answered quickly, “to-morrow would be too late. I
-know about to-morrow morning. Hawkins told me. He was outside the door
-of that room when Crang was talking to you to-night.” She sank back
-in her seat with a little cry. Her face had gone white--but again she
-steadied herself.
-
-“And--and do you think that is any reason why you should have inveigled
-me into this car?” she asked dully. “Do you think that anything you can
-say will alter--to-morrow morning?”
-
-“Yes; I do!” said John Bruce earnestly. “But”--he smiled a little
-bitterly--“I am afraid, too, that it will be hopeless enough if first
-you will not tell me what has so suddenly come between us. Claire, what
-is it?”
-
-The dark eyes lighted with a glint, half angry, half ironical.
-
-“Is _that_ what you brought me here for?”
-
-“No,” he said quietly.
-
-“Then,” she said coolly, “if you do not know, I will tell you. I read
-a letter that you wrote to a certain Mr. Larmon.”
-
-It was a long minute before he spoke.
-
-“I--I thought it might be that,” he said slowly. “I knew you had
-seen it. Crang told me so. And--and I was afraid you might believe
-it--Claire.”
-
-“Believe it!” she returned monotonously. “Had I any choice? Have I any
-now? I knew you were in danger. I knew it was written to save your life.
-I knew it was your handwriting. I knew you wrote it.” She turned away
-her head. “It was so miserable a lie, so cowardly a betrayal--to save
-your life.”
-
-“But so hard to believe, and so bitter a thing to believe”--there was a
-sudden eager thrill in John Bruce's voice--“that you wept upon it. Look,
-Claire!” he cried. “I have that letter here--and this, that I took from
-Crang to-day when I turned the tables on him. See! Read them both!” He
-took from his pocket the letter and the slip cut from the bottom of the
-sheet, and laid them in her lap. “The bottom was written in invisible
-ink--the way always communicated privately with Larmon. Salt brings it
-out. I knew Larmon would subject it to the test, so I was willing to
-write anything that Crang dictated. I wrote that secret message on the
-bottom of the paper while Crang was out of the room where he had me a
-prisoner. Oh, don't you see now, Claire? When your tears fell on the
-paper faint traces of the secret writing began to appear. That gave
-Crang the clew, and he worked at it until he had brought out the
-message, and then he cut off the bottom before delivering the letter to
-Larmon, and----”
-
-John Bruce stopped. Claire's face was buried in the cushions, and,
-huddled in the corner of the car, she was sobbing bitterly.
-
-“Don't! Don't cry, Claire!” John Bruce whispered, and laid his hand over
-hers where it crushed the letter in her lap.
-
-“I believed it,” she said. “I did you that wrong. There is no
-forgiveness for such meanness of soul as that.”
-
-“No,” John Bruce answered gently, “there is no forgiveness--because
-there is nothing to forgive. It was only another piece of that miserable
-hound's cunning that tricked us both. I did not appreciate what he was
-after in that reference to you; I thought he was only trying to make the
-letter bullet-proof in its plausibility for Larmon's benefit--I never
-thought that he would show it to you.”
-
-She had not drawn her hand away, but her face was still hidden; and for
-a moment there was silence between them.
-
-“Claire,” John Bruce said in a low voice, “the night I left your house
-you said that, rather than regretting your promise to marry Crang, you
-had come to be glad you had made it. Can you still say that?”
-
-She lifted her face now, tear-stained, the brown eyes strangely radiant
-through the wet lashes.
-
-“Yes,” she said. “I am glad. So glad--because I know now that it was
-worth it all so many, many times over.”
-
-“Claire”--his voice was lower still--“I left your house that night,
-angry, jealous, misjudging you because you had said that. You asked for
-forgiveness a minute ago when there was nothing to forgive; I asked for
-forgiveness from you after that night, but even then I did not know how
-far beyond the right to forgiveness I had gone.”
-
-She stared at him in a startled way.
-
-“What--what do you mean?” she breathed.
-
-And now John Bruce's face was alight.
-
-“You have confessed your love, Claire!” he cried passionately. “It was
-not fair, perhaps, but I am past all that now--and you would not have
-confessed it in any other way. Glad! I was a stranger that night when
-you bought my life--and to-night you are glad, not because my life is
-now or ever could be worth such a sacrifice as yours, but because love
-has come to make you think so, sweetheart, and you care--you care for
-me.”
-
-“You know!” Her face was deathly white. “You know about--about that
-night?” she faltered.
-
-John Bruce had both her hands imprisoned now.
-
-“Yes; I know!” He laughed with a strange buoyancy; passion, triumph,
-were vibrant in his voice. “Did Crang not tell you how near to death he
-came to-day? I choked the truth out of him. Yes; I know! I know that it
-was to save my life you made that promise, that you sold everything you
-held dear in life for me--but it is over now!”
-
-He was beside her. He raised her two hands to draw her arms around his
-neck.
-
-She struggled back.
-
-“No, no!” she cried wildly. “Oh, you must not--you must not!”
-
-“Must not!” His voice rang his challenge to the world. The blood was
-pounding in mad abandon through his veins. His soul itself seemed
-aflame. Closer, closer he drew her to him. “Must not! There is only you
-and me--and our love--on all the earth!”
-
-But still she struggled---and then suddenly the tears came.
-
-“Oh, you are so strong--so strong,” she sobbed--and like some weary
-child finding rest her head dropped upon his shoulder and lay hidden
-there.
-
-“Claire! Claire!” It was his soul that spoke.
-
-He kissed the silken hair, and fondled it; and kissed the tear-wet eyes;
-and his cheek lay against hers; and she was in his arms, and he held her
-there tight-clasped so that she might never go again.
-
-And after a time she sobbed no more; and her hand, lifting, found his
-face and touched it gently, and creeping upward, brushed the hair back
-from his forehead--and then suddenly she clung to him with all her
-strength and drew his head down until her lips met his.
-
-And there was no world about them, and time was non-existent, and only
-they two lived.
-
-It was Claire at last who put his arms from her in a wistful, lingering
-way.
-
-“We have been mad for a little while,” she whispered. “Take me back home
-now, John--and--and you must never try to see me again.”
-
-And something seemed to grow chill and cold within John Bruce's heart.
-
-“Not that, Claire!” he cried out. “You do not mean that--that, after
-this, you will go on with--with tomorrow morning!”
-
-A brave little effort at a smile quivered on her lips.
-
-“We have had our hour, John,” she said; “yours and mine. It can never be
-taken from us, and I shall live in it all my life; but it is over now.
-Yes; I shall go through with it to-morrow morning. There is no other
-way. I must keep my promise.”
-
-“No!” he cried out again. “It shall never be! Claire, you cannot
-mean what you are saying! A promise like that! It was forced upon you
-inhumanly, horribly. He would have murdered me.”
-
-“But to-night you are alive,” she answered quietly.
-
-“Alive! Yes!” he said fiercely. “I am alive, and----”
-
-“It is because you are alive that I promised,” she broke in gently. “He
-kept his word. I cannot break mine.”
-
-“Alive!” John Bruce laughed now in sudden, bitter agony. “Alive--yes!
-And do you think that I can walk about the streets, and talk, and
-smile, and suck the honey out of life, while you have paid for it with a
-tortured soul? Claire, you shall not! That man is---- No, wait! There is
-myself. He called me a snivelling hypocrite. You shall know the worst of
-me before you know the worst of him. There is not much to tell--because
-he has told you. I am a gambler. All my life I've gambled. As far back
-as I can remember I've been a rolling stone. My life has been useless,
-utterly worthless. But I was never ashamed of it; I never saw any reason
-to be ashamed until you came into my life. It hasn't been the same since
-then '--and it will never be the same again. You have given me something
-to live for now, Claire.”
-
-She shook her head. “You do not argue well,” she said softly. “If I have
-brought this to you, John, I am so glad--so glad for this, too. Oh, I
-cannot tell you how glad I am, for, because I loved you, the knowledge
-of what your life was hurt me. But I had faith in you, John, as I always
-shall have. So don't you see”--the brave little smile came again--“that
-this is a reward, something tangible and great, to make still more worth
-while the promise that I made?”
-
-He stared at her. He swept his hand across his eyes. She seemed--she
-seemed to be slipping away from him--beyond--beyond his reach.
-
-“That man!” he said desperately. “You said you knew him--but you do not
-know him. He is the head and front and brains of a gang of crooks.
-I know! He held me a prisoner in their dirty lair, a hidden place, a
-cellar over in the slums--like rats they were. He is a criminal, and a
-dangerous one--while he masquerades with his medicine. God alone knows
-the crimes, if there are any, that he has not committed. He is a foul,
-unclean and filthy thing, debauched and dissolute, a moral leper.
-Claire, do you understand all this--that his life is pollution and
-defilement, that love to him is lust, that your innocence----”
-
-With a broken, piteous cry, Claire stopped him.
-
-And again he stared at her. She did not speak, but in her eyes he read
-the torment of a far greater and fuller appreciation of the price than
-he, he knew, though it turned his soul sick within him, could ever have.
-
-And suddenly he covered his face with his hands.
-
-“Bought!” he said brokenly in his agony. “Oh, my God, this has bought
-me!”
-
-He felt his hands drawn away, and her two palms laid upon his cheeks. He
-looked at her. How white she was!
-
-“Help me, John,” she said steadily. “Don't--don't make it harder.”
-
-She reached out and touched the bell button beside the seat. In a
-subconscious way he remembered that was the signal for Hawkins to bring
-the traveling pawn-shop to the end of its circuit around the block in
-its old-time trips to Persia. He made no effort to stop her. There
-was something of ultimate finality in her face and eyes that answered,
-before it was uttered, the question that stumbled on his lips.
-
-“Claire! Claire!” he pleaded wildly. “Will nothing change you?”
-
-“There is no other way,” she said.
-
-He stretched out his arms to draw her to him again, to lay her head once
-more upon his shoulder--but now she held him back.
-
-“No!” she whispered. “Be merciful now, John--my strength is almost
-gone.”
-
-And there was something in her voice that held him from the act.
-
-The car stopped.
-
-And then, as the door was opened and she stood up, suddenly she leaned
-swiftly forward and pressed her lips to his--and springing from the car,
-was gone.
-
-John Bruce groped his way out of the car. Across the sidewalk the
-door of Paul Veniza's house closed. Hawkins, standing by the car door,
-clutched at his arm. And Hawkins' hand was trembling violently. Slowly
-his eyes met Hawkins'.
-
-He shook his head.
-
-The old lined face seemed to gray even in the murky light of a distant
-street lamp.
-
-“I'd rather see her dead,” said the old cab driver brokenly.
-
-John Bruce made no answer.
-
-Then Hawkins, gulping his words, spoke again:
-
-“I--where'll I drive you?”
-
-John Bruce started blindly on past Hawkins down the street.
-
-“Nowhere,” he said.
-
-
-
-
-CHAPTER TWENTY-TWO--THROUGH THE NIGHT
-
-|A GAUNT and haggard figure stalked through the night; around him only
-shuttered windows, darkened houses, and deserted streets. The pavements
-rang hollow to the impact of his boot-heels. Where the way lay open
-he went. But always he walked, walked incessantly, without pause,
-hurrying--nowhere.
-
-There was a raw, biting chill in the air, and his hands, ungloved, as
-they swung at his sides, were blue with cold. But sweat in great beads
-stood out upon his forehead. At times his lips moved and he spoke aloud.
-It was a hoarse sound.
-
-“Or him!” he said. “Or him!”
-
-On! Always on! There was no rest. It was ceaseless. The gray came into
-the East.
-
-And then at last the figure halted.
-
-There was a large window with wire grating, and a light burned within.
-In the window was a plate mirror, and a time-piece. It was a jeweler's
-window.
-
-The man looked at the time-piece. It was five o'clock. He looked at the
-mirror. It reflected the face of a young man grown old. The eyes burned
-deep in their sockets; the lines were hard, without softness; the skin
-was tightly drawn across the cheek bones, and was colorless. And he
-stared at the face, stared for a time without recognition. And then
-as he smiled and the face in the mirror smiled with him in a distorted
-movement of the lips, he swept his hand across his eyes.
-
-“John Bruce,” he said.
-
-It seemed to arouse him from some mental absorption in which his
-physical entity had been lost. It was five o'clock, and he was John
-Bruce. At eleven o'clock--or was it twelve?--last night he had left
-Hawkins standing by the door of the traveling pawn-shop, and since
-then----
-
-He stared around him. He was somewhere downtown. He did not know where.
-He began to walk in an uptown direction.
-
-Something had been born in those hours. Something cataclysmic. What was
-it?
-
-“Or him!” The words came again--aloud--without apparent volition.
-
-What did that mean? It had something to do with Hawkins; with what
-Hawkins had said, standing there by the traveling pawn-shop. What was it
-Hawkins had said? Yes; he remembered: “I'd rather see her dead.”
-
-“Or him!”
-
-With cold judicial precision now the hours unrolled themselves before
-him.
-
-“Or him!”
-
-He was going to kill Crang.
-
-The hours of mental strife, of torment through which he had just passed,
-were as the memory of some rack upon which his soul had been put to
-torture. They came back vividly now, those hours--every minute of them a
-living eternity. His soul had shrunk back aghast at first, and called it
-murder; but it was not murder, or, if it was, it was imperative. It was
-the life of a foul viper--or Claire's. It was the life of an unclean
-thing that mocked and desecrated all decency, that flung its sordid
-challenge at every law, both human and divine--or the life of a pure,
-clean soul made the plaything of this beast, and dragged into a mire
-of unutterable abomination to suffocate and strangle in its noxious
-surroundings and die.
-
-And that soul was in jeopardy because at this moment he, John Bruce, had
-the power of movement in his limbs, the sense of sight, the ability to
-stretch out his hand and feel it touch that lamp-post there, and, if
-he would, to speak aloud and designate that object for what it was--a
-lamp-post. She had bought him these things with her life. Should she
-die--and he live?
-
-And he remembered back through those hours since midnight, when his soul
-had still faltered before the taking of human life, how it had sought
-some other way, some alternative, _any_ alternative. A jail sentence
-for Crang. There was enough, more than enough now with the evidence of
-Crang's double life, to convict the man for the robbery of that safe.
-But Claire had answered that in the long ago: “I will marry him when he
-comes out.” Or, then, to get Crang away again like this afternoon--no,
-_yesterday_ afternoon. It was _this_ morning, in a few hours, that they
-were to be married. There was no time left in which to attempt anything
-like that; but, even if there were, he knew now, that it but postponed
-the day of reckoning. Claire would wait. Crang would come back.
-
-He was going to kill Crang.
-
-If he didn't, Crang would kill him. He knew that, too. But his
-decision was not actuated, or even swayed, by any consideration of
-self-preservation. He had no thought of his future or his safety. That
-was already settled. With his decision was irrevocably coupled the
-forfeiting of his own life. Not his own life! It belonged to Claire.
-Claire had bought it. He was only giving it back that the abysmal price
-she had agreed to pay should not be extorted from her. Once he had
-accomplished his purpose, he would give himself up to the police.
-
-He was going to kill Crang.
-
-That was what had been born out of the travail of those hours of the
-night. But there were other things to do first. He walked briskly now.
-The decision in itself no longer occupied his thoughts. The decision
-was absolute; it was final. It was those “other things” that he must
-consider now. There was Larmon. He could not tell Larmon what he, John
-Bruce, was going to do, but he must warn Larmon to be on his guard
-against any past or present connection with John Bruce coming to light.
-Fortunately Larmon had come to New York and registered as Peters. He
-must make Larmon understand that Larmon and John Bruce had never met,
-even if he could not give Larmon any specific reason or explanation.
-Larmon would probably refuse at first, and attribute it as an attempt to
-break, for some ulterior reason, the bond they had signed together that
-night on the beach at Apia.
-
-John Bruce smiled gravely. The bond would be broken in any case.
-Faustus was at the end of the play. A few months in prison, the electric
-chair--how apt had been his whistling of that aria _in his youth!_
-
-Youth! Yes, he was old now; he had been young that night on the beach at
-Apia.
-
-He took off his hat and let the sharp air sweep his head. He was not
-thinking clearly. All this did not express what he meant. There was
-Larmon's safety. He must take care of that; see to it, first of all,
-that Larmon could not be implicated, held by law as an accomplice
-through foreknowledge of what was to happen; then, almost of as great
-importance for Larmon's sake and future, the intimacy between them,
-their business relations of the past, must never be subjected to the
-probe of the trial that was to come.
-
-John Bruce nodded his head sharply. Yes, that was better! But there was
-still something else--that bond. He knew to-night, even if prison
-walls and a death penalty were not about to nullify that bond far more
-effectively than either he or Larmon ever could, that the one thing
-he wanted now, while yet he was a free agent, while yet it was not
-arbitrarily his choice, was to cancel that agreement which was so
-typical of what his life up to the present time had always stood for;
-and in its cancellation, for what little time was left, to have it
-typify, instead, a finer manhood. The future, premonitive, grim in its
-promise, seemed to hold up before him as in a mirror where no lines were
-softened, where only the blunt, brutal truth was reflected, the waste
-and worthlessness of the past. He had no wish to evade it, or temporize
-with it, or seek to palliate it. He knew only a vain and bitter regret;
-knew only the desire now at the end, in so far as he could, to face
-death a changed man.
-
-He walked on and on. He was getting into the uptown section now. How
-many miles he must have covered since he had left Hawkins, and since
-the door of the one-time pawn-shop had closed on that little bare-headed
-figure with the loose cloak clutched about her throat--the last sight
-he had had of Claire! How many miles? He did not know. It must have been
-many, very many. But he felt no weariness. It was strange! It was
-as though his vitality and energy flowed into him from some wholly
-extraneous source; and as though physically he were non-existent.
-
-He wondered what Larmon would say. Larmon alone had the right to cancel
-the bond. That was the way it had been written. Would Larmon refuse? He
-hoped not, because he wanted to part with Larmon as a friend. He hoped
-not, though in the final analysis, in a practical way, Larmon's refusal
-must be so futile a thing. Would Larmon laugh at him, and, not knowing,
-call him a fool? He shook his head. He did not know. At least Larmon
-would not be surprised. The conversation of last evening----
-
-John Bruce looked up. He was at the entrance to the Bayne-Miloy Hotel.
-He entered, nodded mechanically to the night clerk, stepped into the
-elevator, and went up to his room. There was his revolver to be got.
-Afterward he would go down to Larmon's room. Somehow, even in the face
-of that other thing which he was to do, this interview which was to
-come with Larmon obsessed him. It seemed to signify some vital line of
-demarcation between the old life and the new.
-
-The new! He smiled grimly, without mirth, as, entering his room,
-he switched on the light, stepped quickly to his desk, pulled open a
-drawer, and took out his revolver. The new! There would be very little
-of the new! He laughed now in a low, raucous way, as he slipped the
-weapon into his pocket. The new! A few weeks, a few months of a prison
-cell, and then---- His laugh died away, and a half startled, half
-perplexed look settled on his face. For the first time he noticed that
-a letter, most obviously placed to attract his attention, lay on the
-center of the desk pad. Strange, he had not seen it instantly!
-
-He stared at it now. It was a plain envelope, unstamped, and addressed
-to him. The writing was familiar too! Larmon's! He picked it up, opened
-it--and from the folds of the letter, as he drew it from the envelope,
-four torn pieces of paper fluttered to the desk. And for a long time,
-in a dazed way, he gazed at them. The letter dropped from his hand.
-Then mechanically he pieced the four scraps together. It was one of the
-leaves torn from Larmon's notebook that night in Apia--and here was the
-heavy scrawl where he, John Bruce, had signed with the quill toothpick.
-It was Larmon's copy of the bond.
-
-And again for a long time he stared at it, then he picked up the letter
-again. He read it slowly, for somehow his brain seemed only able to
-absorb the words in a stunned way. Then he read it again:
-
-Dear Bruce:--11 P. M.
-
-Something has come into your life that was not there on a night you will
-remember in the Southern Seas, and I know of no other way to repay you
-for what you did for me to-day than to hand you this. I knew from what
-you said to-night, or, rather perhaps, from what you did not say, that
-this was in your heart. And if I were young again, and the love of a
-good woman had come to me, I too should try--and fail, I fear, where you
-will succeed--to play a man's part in life.
-
-And so I bid you good-by, for when you read this I shall be on my way
-back West. What I lose another will gain. Amongst even my friends are
-men of honorable callings and wide interests who need a John Bruce. You
-will hear from one of them. Godspeed to you, for you are too good and
-clean a man to end your days as I shall end mine--a gambler.
-
-Yours,
-
-Gilbert Larmon.
-
-The love of a good woman--and young again! John Bruce's face was white.
-A thousand conflicting emotions seemed to surge upon him. There was
-something fine and big in what Larmon had done, like the Larmon whose
-real self he had come to glimpse for the first time last night; and
-something that was almost ghastly in the unconscious irony that lay
-behind it all. And for a little while he stood there motionless, holding
-the letter in his hand; then with a quick, abrupt return to action, he
-began to tear the letter into little shreds, and from his pocket he
-took his own copy of the bond and tore that up, and the four pieces of
-Larmon's copy he tore into still smaller fragments, and gathering all
-these up in his hands, he walked to the window and let them flutter out
-into the night.
-
-The way was clear. There was nothing to connect Gilbert Larmon with the
-man who to-morrow--no, _to-day_--would be in the hands of the police
-charged with murder. Nothing to bring to light Larmon's private affairs,
-for nothing bearing Larmon's signature had ever been kept; it was always
-destroyed. Larmon was safe--for, at least, they could never make John
-Bruce _talk_.
-
-There was a strange relief upon him, a strange uplift; not only for
-Larmon's sake, but for his own. The link that had bound him to the past
-was gone, broken, dissolved. He stood free--for the little time that was
-left; he stood free--to make a fresh start in the narrow confines of a
-prison cell. He smiled grimly. There was no irony here where it seemed
-all of irony. It meant everything--all. It was the only atonement he
-could make.
-
-He switched off the light, left his room, and went down to the desk.
-Here he consulted the directory. He requested the clerk to procure a
-taxi for him.
-
-It was five minutes after six by the clock over the desk.
-
-He entered the taxi and gave the chauffeur the address. He was
-unconscious of emotion now. He knew only a cold, fixed, merciless
-purpose.
-
-He was going to kill Crang.
-
-The taxi stopped in front of a frame house that bore a dirty brass
-name-plate. He dismissed the taxi, and mounted the steps. His right
-hand was in the pocket of his coat. He rang the bell, and obtaining no
-response, rang again--and after that insistently.
-
-The door was finally opened by an old woman, evidently aroused from bed,
-for she clutched tightly at a dressing gown that was flung around her
-shoulders.
-
-“I want to see Doctor Crang,” said John Bruce.
-
-She shook her head.
-
-“The doctor isn't in,” she answered.
-
-“I will wait for him,” said John Bruce.
-
-Again she shook her head.
-
-“I don't know when he will be back. He hasn't been here since yesterday
-morning.”
-
-“I will wait for him,” said John Bruce monotonously.
-
-“But----”
-
-John Bruce brushed his way past her into the hall.
-
-“I will wait for him,” he repeated.
-
-A door was open off the hallway. John Bruce looked in. It was obviously
-Crang's office. He went in and sat down by the window.
-
-The woman stood for a long time in the doorway watching him. Finally she
-went away.
-
-John Bruce's mind was coldly logical. Crang was not aware that his
-escape was known to any one except Claire, and he had been cunning
-enough to keep under cover. That was why he had not been home. But he
-would be home before he went out to be married. Even a man like Crang
-would have a few preparations to make.
-
-John Bruce sat by the window. Occasionally the old woman came and stood
-in the doorway--and went away again.
-
-There was no sign of Crang.
-
-At fifteen minutes of eight John Bruce rose from his chair and left the
-house.
-
-“He was to be at Paul Veniza's at eight,” said John Bruce to himself
-with cool precision.
-
-
-
-
-CHAPTER TWENTY-THREE--THE BEST MAN
-
-|HAWKINS sat at the table in his room, and twined and twined one old
-storm-beaten hand over the other. For hours he had sat like that. It was
-light in the room now, for it was long after seven o'clock. His bed had
-not been slept in. He was dressed in his shiny best suit; he wore his
-frayed black cravat. He had been dressed like that since midnight; since
-he had returned home after Claire had fled into her house, and John
-Bruce had strode by him on the sidewalk with set, stony face and
-unseeing eyes; since, on reaching his room here, he had found a note
-whose signature was false because it read “Paul Veniza,” when he knew
-that it came from Crang. Crang was taking precautions that his return
-should not leak out! The note only corroborated what he had heard
-through the door. He was to be at Paul Veniza's at eight o'clock with
-the traveling pawn-shop..
-
-The note had said nothing about any marriage; but, then, he knew! He
-was to be the best man. And so he had dressed himself. After that he had
-waited. He was waiting now.
-
-“The first,” said Hawkins, with grave confidence to the cracked mirror.
-“Yes, that's it--the first in line, because I _am_ her old father, and
-there ain't nothing can change that.”
-
-His own voice seemed to arouse him. He stared around the shabby room
-that was his home, his eyes lingering with strange wistfulness on
-each old battered, and long familiar object--and then suddenly, with a
-choking cry, his head went down, buried in his arms outflung across the
-table.
-
-“Pawned!” the old man cried brokenly. “It's twenty years ago, I pawned
-her--twenty years ago. And it's come to this because--because I
-ain't never redeemed her--but, oh God, I love her--I love my little
-girl--and--and she ain't never going to know how much.”
-
-His voice died away. In its place the asthmatic gas-jet spat venomous
-defiance at the daylight that was so contumaciously deriding its puny
-flame.
-
-And after a little while, Hawkins raised his head. He looked at his
-watch.
-
-“It's time to go,” said Hawkins--and cleared his throat.
-
-Hawkins picked up his hat and brushed it carefully with his coat sleeve;
-his shoulders, and such of his attire as he could reach, he brushed
-with his hands; he readjusted his frayed black cravat before the cracked
-mirror.
-
-“I'm the best man,” said Hawkins.
-
-Oblivious to the chattering gas-jet, he descended the stairs, and went
-out to the shed in the rear that housed the traveling pawn-shop.
-
-“The first in line,” said the old cab driver, as he climbed into the
-seat.
-
-Five minutes later, he drew up in front of the onetime pawn-shop. He
-consulted his watch as he got down from his seat and entered the house.
-It was twenty-five minutes of eight.
-
-He twisted his hat awkwardly in his hands, as he entered the rear room.
-He felt a sudden, wild rush of hope spring up within him because
-there was no sign of Crang. And then the hope died. He was early; and,
-besides, Claire had her hat on and was dressed to go out. Paul Veniza,
-also dressed, lay on the cot.
-
-No one spoke.
-
-Then Paul Veniza's frame was racked with a fit of coughing, and out of a
-face ashen in pallor his eyes met Hawkins' in silent agony--and then he
-turned his head away.
-
-Hawkins twisted at his hat.
-
-“I came a little early;” he said wistfully, “because I thought mabbe
-you might--that mabbe there might be some change--that mabbe you might
-not----”
-
-He stopped. He was looking at Claire. Her face was very white too. Her
-smile seemed to cut at his heart like a knife.
-
-“No, Hawkins,” she said in a low voice; “there is no change. We
-are going to Staten Island. You will drive Doctor Crang. There is a
-limousine coming for father and me, that will be more comfortable for
-father.”
-
-Hawkins' eyes went to the floor.
-
-“I--I didn't mean that kind of a change,” he said.
-
-“I know you didn't, Hawkins. But--but I am trying to be practical.” Her
-voice broke a little in spite of herself. “Doctor Crang doesn't know
-that you overheard anything last night, or that you know anything about
-the arrangements, so--so I am explaining them to you now.”
-
-Hawkins' eyes were still on the floor.
-
-“Ain't there nothing”--his voice was thick and husky--“ain't there
-nothing in all the world that any of us can do to make you change your
-mind? Claire, ain't there nothing, nothing at all? John Bruce said there
-wasn't, and you love John Bruce, but----”
-
-“Don't, Hawkins!” she cried out pitifully.
-
-The old shoulders came slowly up, and the old head; and the old blue
-eyes were of a sudden strangely flints like.
-
-“I've got to know,” said Hawkins, in a dead, stubborn way.
-
-“There is nothing,” she answered.
-
-Hawkins' eyes reverted to the floor. He spoke now without lifting them.
-
-“Then--then it's--it's like saying good-by,” he said, and the broken
-note was back again in his voice. “It's--it's so many years that mabbe
-you've forgotten, but when you were a little girl, and before you grew
-up, and--and were too big for that, I--I used to hold you in my arms,
-and you used to put your little arms around my neck, and kiss me,
-and--and you used to say that--Hawkins would never let the bugaboos get
-you, and--and I wonder if--if----”
-
-“Oh, Hawkins!” Claire's eyes were full of tears. “I remember. Dear, dear
-Hawkins! And I used to call you Daddy Hawkins. Do _you_ remember?”
-
-A tear found a furrow and trickled down the old weather-beaten face
-unchecked, as Hawkins raised his head.
-
-“Claire! Claire!” His voice trembled in its yearning. “Will--will you
-say that again, Claire?”
-
-“Dear Daddy Hawkins,” she whispered.
-
-His arms stretched out to her, and she came to them smiling through her
-tears.
-
-“You've been so good to me,” she whispered again. “You _are_ so good to
-me--dear, dear Daddy Hawkins.”
-
-A wondrous light was in the old cabman's face. He held the slight form
-to him, trying to be so tenderly careful that he should not hurt her
-in his strength. He kissed her, and patted her head, and his fingers
-lingered as they smoothed the hair back from where it made a tiny curl
-about her ear.
-
-And then he felt her drawing him toward the couch--and he became
-conscious that Paul Veniza was holding out his hands to them both.
-
-And Claire knelt at the side of the couch and took one of Paul Veniza's
-hands, and Hawkins took the other. And no one of them looked into the
-other's face.
-
-The outer door opened, and Doctor Crang came in. He stood for an instant
-surveying the scene, a half angry, half sarcastic smile spreading over
-his sallow face, and then he shrugged his shoulders.
-
-“Ah, you're here, like me, ahead of time, Hawkins, I see!” he said
-shortly. “You're going to drive me to Staten Island where----”
-
-Claire rose to her feet.
-
-“I have told Hawkins,” she said quietly.
-
-Hawkins' hand tightened over Paul Veniza's for a moment, and then he
-turned away.
-
-“I--I'll wait outside,” said Hawkins--and brushed has hand across his
-eyes as he went through the doorway.
-
-Paul Veniza was racked with a sudden fit of coughing again. Doctor
-Crang walked quickly to the couch and looked at the other sharply. After
-a moment he turned to Claire.
-
-“Are you ready to go?” he asked crisply.
-
-“Yes; I am ready,” she answered steadily.
-
-“Very well, then,” said Crang, “you had better go out and get into the
-old bus. You can go with Hawkins and me.”
-
-“But”--Claire looked in a bewildered way at Paul Veniza--“but you
-said----”
-
-“I know I did,” Crang interrupted brusquely, “but we're all here a
-little early and there's lots of time to countermand the other car.” He
-indicated Paul Veniza with a jerk of his head. “He's far from as well as
-he was last night. At least you'll admit that I'm a _good_ doctor, and
-when I tell you he is not fit to go this morning that ought to be enough
-for both of you. I'll phone and tell them not to send the limousine.”
-
-Still Claire hesitated. Paul Veniza had closed his eyes.
-
-Crang shrugged his shoulders.
-
-“You can do as you like, but I don't imagine”--a snarl crept into his
-voice--“that it will give him any joy to witness the ceremony, or you to
-have him. Suit yourselves; but I won't answer for the consequences.”
-
-“I'll go,” said Claire simply--and as Paul Veniza lifted himself up
-suddenly in protest, she forced him gently back upon the couch again.
-“It's better that way,” she said, and for a moment talked to him in low,
-earnest tones, then kissed him, and rose, and walked out from the room.
-
-Crang, with a grunt of approval, started toward the telephone.
-
-“Wait!” Paul Veniza had raised himself on his elbow.
-
-Crang turned and faced the other with darkened face.
-
-“It is not too late even now at the last moment!” Paul Veniza's face was
-drawn with agony. “I know you for what you are, and in the name of God
-I charge you not to do this thing. It is foul and loathsome, the basest
-passion--and whatever crimes lay at your door, even if murder be among
-them, no one of them is comparable with this, for you do more than take
-a human life, you desecrate a soul pure as the day God gave it life,
-and----”
-
-The red surged into Crang's face, and changed to mottled purple.
-
-“Damn you!” he flung out hoarsely. “Hold your cackling tongue! This is
-my wedding morning--understand?” He laughed out raucously. “My wedding
-morning--and I'm in a hurry!”
-
-Paul Veniza raised himself a little higher. White his face was--white as
-death.
-
-“Then God have mercy on your soul!” he cried.
-
-And Crang stared for a moment, then turned on his heel--and laughed.
-
-
-
-
-CHAPTER TWENTY-FOUR--THE RIDE
-
-|JOHN BRUCE turned the corner, and, on the opposite side of the street,
-drew back under the shelter of a door porch where he could command
-a view of the entrance to Paul Veniza's house. And now he stood
-motionless, waiting with cold patience, his eyes fixed on the doorway
-across the street. He was there because Crang was either at the present
-moment within the house, or presently would come to the house. It was
-nearly eight o'clock. The old traveling pawn-shop was drawn up before
-the door.
-
-He had no definite plan now. No plan was needed. He was simply waiting
-for Crang.
-
-His eyes had not left the doorway. Suddenly, tense, he leaned a little
-forward. The door opened. No; it was only Hawkins! He relaxed again.
-
-Only Hawkins! John Bruce's face grew a little sterner, his lips a little
-more tightly compressed. Only Hawkins--only an old man who swayed there
-outside the door, and whose face was covered with his hands.
-
-He watched Hawkins. The old cabman moved blindly along the sidewalk for
-the few steps that took him to the corner, and turning the corner, out
-of sight of the house, sat down on the edge of the curb, and with his
-shoulders sunk forward, buried his face in his hands again.
-
-And John Bruce understood; and his fingers, in his pocket, snuggled
-curiously around the revolver that was hidden there. He wanted to go to
-that old bent figure there in its misery and despair, who was fighting
-now so obviously to get a grip upon himself. But he did not move. He
-could not tell Hawkins what he meant to do.
-
-Were they minutes or were they hours that passed? Again the front door
-of Paul Veniza's house opened, and again John Bruce leaned tensely
-forward. But this time he did not relax. Claire! His eyes drank in the
-slim, little, dark-garbed figure, greedy that no smallest gesture,
-no movement, no single line of face or form should escape him. It was
-perhaps the last time that he would see her. He would not see her in his
-prison cell--he would not let her go there.
-
-A queer sound issued from his throat, a strange and broken little cry.
-She was gone now. She had crossed the sidewalk and entered the traveling
-pawn-shop. The curtains were down, and she was hidden from sight. And
-for a moment there seemed a blur and mist before John Bruce's eyes--then
-Hawkins, still around the corner, still with crouched shoulders, still
-with his face hidden in his hands, took form and grew distinct again.
-And then after a little while, Hawkins rose slowly, and came back
-along the street, and climbed into the driver's seat of the traveling
-pawnshop, and sat fumbling at the wheel with his hands.
-
-The door of Paul Veniza's house opened for the third time--and now John
-Bruce laughed in a low, grim 'way, and his hand, hugging the revolver in
-his pocket, tightened and grew vise-like in its grip upon the weapon. It
-was Crang at last!
-
-And then John Bruce's hand came out from his pocket--empty.
-
-_Not in front of Claire!_
-
-He swept his hand across his forehead. It was as though a sudden shock
-had aroused him to some stark reality to which he had been strangely
-oblivious. Not in front of Claire! Claire was in the car there. He felt
-himself bewildered for a moment. Hawkins had said nothing about driving
-Claire too.
-
-Crang's voice reached him from across the street:
-
-“All right, Hawkins! Go ahead!”
-
-Where was Paul Veniza? Crang had got into the car, and the car was
-moving forward. Wasn't Paul Veniza going too?
-
-Well, it did not matter, did it? Crang was there. And it was a long way
-to Staten Island, and before then a chance would come, _must_ come; he
-would make one somehow, and-----
-
-John Bruce ran swiftly out into the street, and, as the car turned the
-corner, swung himself lightly and silently in beside Hawkins. Crang
-would not know. The curtained panel at the back of the driver's seat hid
-the interior of the car from view.
-
-Hawkins turned his head, stared into John Bruce's face for an instant,
-half in a startled, half in a curiously perplexed way, made as though to
-speak--and then, without a word, gave his attention to the wheel again.
-
-The car rattled on down the block.
-
-John Bruce, as silent as Hawkins, stared ahead. On the ferry! Yes, that
-was it! It was a long way to Staten Island. Claire would not stay cooped
-up in a closed car below; she would go up on deck to get the air. And
-even if Crang accompanied her, it would not prove very difficult to
-separate them.
-
-He looked around suddenly and intercepted a furtive, puzzled glance cast
-at him by Hawkins.
-
-And then Hawkins spoke for the first time.
-
-“You'd better get off, John Bruce,” he said in a choked voice. “You've
-done all you could, and God bless you over and over again for it, but
-you can't do anything more now, and it won't do you any good to come any
-further.”
-
-“No,” said John Bruce, “I'm going all the way, Hawkins.”
-
-Hawkins relapsed into silence. They were near the Battery when he spoke
-again.
-
-“All the way,” Hawkins repeated then, as though it were but a moment
-gone since John Bruce had spoken. “All the way. Yes, that's it--after
-twenty years. That's when I pawned her--twenty years ago. And I couldn't
-never redeem her the way Paul Veniza said. And she ain't never known,
-and thank God she ain't never going to know, that I--that I----”
- A tear trickled down the old face, and splashed upon the wrinkled skin
-of the hand upon the wheel. And then old Hawkins smiled suddenly, and
-nodded toward the clock on the cowl-board--and the speed of the car
-increased. “I looked up the ferry time,” said Hawkins.
-
-They swung out in front of the ferry house, and the car stopped. A
-ferry, just berthing, was beginning to disgorge its stream of motors and
-pedestrians.
-
-“We're first in line,” said Hawkins, nodding his head. “We'll have to
-wait a minute or two.”
-
-John Bruce nodded back indifferently. His eyes were fixed on the ferry
-that he could just see through the ferry house. Certainly, Claire would
-not stay down in the confined space of the ferry's run-way all the trip;
-or if she did, Crang wouldn't. His face set. Quite unconsciously his
-hand had gone to his pocket, and he found his fingers now snuggling
-again around the weapon that lay there.
-
-And then he looked at Hawkins--and stared again at the other, startled.
-Strange, he had not noticed it before! The smile on Hawkins' face did
-not hide it. The man seemed to have aged a thousand years; the old face
-was pinched and worn, and deep in the faded, watery blue eyes were hurt
-and agony. And a great sympathy for the man surged upon John Bruce. He
-could not tell Hawkins, but---- He reached out, and laid his hand on the
-other's arm.
-
-“Don't take it too hard, Hawkins,” he said gently. “I--perhaps--perhaps,
-well, there's always a last chance that something may happen.”
-
-“Me?” said Hawkins, and bent down over his gears as he got the signal to
-move forward. “Do I look like that? I--I thought it all out last night,
-and I don't feel that way. I'll tell you what I was thinking about. I
-was just thinking that I did something to-day when I left my room that I
-haven't done before--in twenty years. I've left the light burning.”
-
-John Bruce stared a little helplessly.
-
-“Yes,” said Hawkins. He smiled at John Bruce. “Don't you worry about
-me. Mabbe you don't understand, but that's all I've been thinking about
-since we've been waiting here. I've left the light burning.”
-
-Sick at heart, John Bruce turned his head away. He made no response.
-
-Hawkins paid the fare, ran the car through the ferry house, and aboard
-the ferry itself. He was fumbling with a catch of some kind behind his
-seat, as he proceeded slowly up the run-way.
-
-“He'll want a little air in there,” said Hawkins, “because it's close
-down here. It opens back, you know--the whole panel. I had it made that
-way when the car was turned into a traveling pawn-shop--didn't know what
-tough kind of a customer Paul might run into sometime, and I'd want to
-get in beside him quick to help, and I----” The old cabman straightened
-up.
-
-The car was at the extreme forward end of the ferry--and suddenly it
-leaped forward. “Jump, John Bruce! Jump clear!” old Hawkins cried.
-“There's only two of us going all the way--and that's Crang and me!
-Claire and Paul 'll be along in another car--tell them it was an
-accident, and----”
-
-John Bruce was on his feet--too late. There was a crash, and the
-collapsible steel gates went down before the plunging car, and the guard
-chain beyond was swept from its sockets. He reeled and lost his balance
-as something, a piece of wreckage from the gates or chain posts, struck
-him. He felt the hot blood spurt from shoulder and arm. And then, as the
-car shot out in mid-air, diving madly for the water below, and he
-was thrown from his feet, he found himself clinging to the footboard,
-fighting wildly to reach the door handle. Claire was in there! Claire
-was in there!
-
-There was a terrific splash. A mighty rush of water closed over him.
-Horror, fear, madness possessed his soul. Claire was in there! Claire
-was in there--and somehow Hawkins had not known! Yes, he had the door
-handle now! He wrenched and tore at the door. The pressure of the water
-seemed to pit itself against his strength. He worked like a maniac. It
-opened. He had it now! It opened. He could scarcely see in the murky
-water--only the indistinct outlines of two forms undulating grotesquely,
-the hands of one gripped around the throat of the other--only that, and
-floating within his reach a woman's dress. He snatched at the dress. His
-lungs were bursting. Claire! It was Claire! She was in his arms--then
-blackness--then sunlight again--and then, faintly, he heard a cheer.
-
-He held her head above the water. She was motionless, inert.
-
-“Claire! Claire!” he cried. Fear, cold, horrible, seized upon him. He
-swam in mad haste for the iron ladder rungs at the side of the slip.
-
-Faces, a multitude of them, seemed to peer at him from above, from the
-brink of this abyss in which he was struggling. He heard a cheer again.
-Why were they cheering? Were they cheering because two men were locked
-in a death grip deep down there in the water below?
-
-“Claire!” he cried out again.
-
-And then, as his hand grasped the lower rung, she opened her eyes
-slowly, and a tremor ran through her frame.
-
-She lived! Was he weak with the sudden revulsion that swept upon him
-now? Was that it? He tried to carry her up--and found that it was beyond
-his strength. And he could only cling there and wait for assistance from
-above, thankful even for the support the water gave his weight. It was
-strange! What were those red stains that spread out and tinged the water
-around him? His arm! Yes, he remembered now! His shoulder and arm! It
-was the loss of blood that must have sapped his strength, that must be
-sapping it now so that---
-
-“John!” Claire whispered. “You--John!”
-
-He buried his face in the great wet masses of hair that fell around her.
-Weak? No, he was not weak! He could hold her here always--always.
-
-He felt her clutch spasmodically at his arm.
-
-“And--and Hawkins, John?” she faltered.
-
-He lifted his head and stared at the water. Little waves rippled across
-its surface, gamboling inconsequentially--at play. There wasn't anything
-else there. There never would be. He made no answer.
-
-A sob shook her shoulders.
-
-“How--how did it happen?” she whispered again.
-
-“I think a--a gear jammed, or something,” he said huskily.
-
-He heard her speak again, but her voice was very low. He bent his head
-until it rested upon hers to catch the words.
-
-She was crying softly.
-
-“Dear, dear Hawkins--dear Daddy Hawkins,” she said.
-
-A great mist seemed to gather before John Bruce's eyes. A voice seemed
-to come again, Hawkins' voice; and words that he understood now,
-Hawkins' words:
-
-“I've left the light burning.”
-
-THE END.
-
-
-
-
-
-
-
-End of the Project Gutenberg EBook of Pawned, by Frank L. Packard
-
-*** END OF THIS PROJECT GUTENBERG EBOOK PAWNED ***
-
-***** This file should be named 51965-0.txt or 51965-0.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/5/1/9/6/51965/
-
-Produced by David Widger from page images generously
-provided by the Internet Archive
-
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for the eBooks, unless you receive
-specific permission. If you do not charge anything for copies of this
-eBook, complying with the rules is very easy. You may use this eBook
-for nearly any purpose such as creation of derivative works, reports,
-performances and research. They may be modified and printed and given
-away--you may do practically ANYTHING in the United States with eBooks
-not protected by U.S. copyright law. Redistribution is subject to the
-trademark license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase “Project
-Gutenberg”), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. “Project Gutenberg” is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation (“the
-Foundation” or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country outside the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase “Project Gutenberg” appears, or with which the
-phrase “Project Gutenberg” is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you'll have to check the laws of the country where you
- are located before using this ebook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase “Project
-Gutenberg” associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than “Plain Vanilla ASCII” or other format used in the official
-version posted on the official Project Gutenberg-tm web site
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original “Plain
-Vanilla ASCII” or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, “Information about donations to the Project Gutenberg
- Literary Archive Foundation.”
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from both the Project Gutenberg Literary Archive Foundation and The
-Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
-trademark. Contact the Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain “Defects,” such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
-of Replacement or Refund” described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org Section 3. Information about the Project Gutenberg
-Literary Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's principal office is in Fairbanks, Alaska, with the
-mailing address: PO Box 750175, Fairbanks, AK 99775, but its
-volunteers and employees are scattered throughout numerous
-locations. Its business office is located at 809 North 1500 West, Salt
-Lake City, UT 84116, (801) 596-1887. Email contact links and up to
-date contact information can be found at the Foundation's web site and
-official page at www.gutenberg.org/contact
-
-For additional contact information:
-
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works.
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our Web site which has the main PG search
-facility: www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-
diff --git a/old/51965-0.zip b/old/51965-0.zip
deleted file mode 100644
index 584c5cb..0000000
--- a/old/51965-0.zip
+++ /dev/null
Binary files differ
diff --git a/old/51965-8.txt b/old/51965-8.txt
deleted file mode 100644
index 6d57c84..0000000
--- a/old/51965-8.txt
+++ /dev/null
@@ -1,8977 +0,0 @@
-The Project Gutenberg EBook of Pawned, by Frank L. Packard
-
-This eBook is for the use of anyone anywhere in the United States and most
-other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms of
-the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you'll have
-to check the laws of the country where you are located before using this ebook.
-
-
-
-Title: Pawned
-
-Author: Frank L. Packard
-
-Release Date: May 2, 2016 [EBook #51965]
-
-Language: English
-
-Character set encoding: ISO-8859-1
-
-*** START OF THIS PROJECT GUTENBERG EBOOK PAWNED ***
-
-
-
-
-Produced by David Widger from page images generously
-provided by the Internet Archive
-
-
-
-
-
-
-
-
-
-PAWNED
-
-By Frank L. Packard
-
-The Copp, Clark Co., Limited Toronto
-
-1921
-
-[Illustration: 0001]
-
-[Illustration: 0007]
-
-
-
-
-PAWNED
-
-
-
-
-BY WAY OF INTRODUCTION
-
-
-
-
-HER STORY
-
-
-|A HANSOM cab, somewhat woebegone in appearance, threaded its way in a
-curiously dejected manner through the heart of New York's East Side. A
-fine drizzle fell, through which the street lamps showed as through a
-mist; and, with the pavements slippery, the emaciated looking horse,
-the shafts jerking and lifting up at intervals around its ears, appeared
-hard put to it to preserve its footing.
-
-The cabman on his perch drove with his coat collar turned up and his
-chin on his breast. He held the reins listlessly, permitting the horse
-to choose its own gait. At times he lifted the little trap door in the
-roof of the cab and peered into the interior; occasionally his hand,
-tentatively, hesitantly, edged toward a bulge in his coat pocket-only to
-be drawn back again in a sort of panic haste.
-
-The cab turned into a street where, in spite of the drizzle, hawkers
-with their push-carts under flaring, spitting gasoline banjoes were
-doing a thriving business. The horse went more slowly. There was very
-little room. With the push-carts lining the curbs on both sides, and
-the overflow of pedestrians from the sidewalks into the street, it was
-perhaps over-taxing the horse's instinct to steer a safe course for the
-vehicle it dragged behind it. Halfway along the block a wheel of
-the hansom bumped none too gently into one of the push-carts, nearly
-upsetting the latter. The hawker, with a frantic grab, saved his wares
-from dis-aster-by an uncomfortably narrow margin, and, this done, hurled
-an impassioned flood of lurid oratory at the two-wheeler.
-
-The cabman lifted his chin from his breast, stared stonily at the
-hawker, slapped the reins mechanically on the roof of the cab as an
-intimation to the horse to proceed, and the cab wended its way along
-again.
-
-At the end of the block, it turned the corner, and drew up before a
-small building that was nested in between two tenements. The cabman
-climbed down from his perch, and stood for a moment surveying the three
-gilded balls that hung over the dingy doorway, and the lettering--"Paul
-Veniza. Pawnbroker"--that showed on the dully-lighted windows which
-confronted him.
-
-He drew his hand across his eyes; then, reaching suddenly inside the
-cab, lifted a bundle in his arms, and entered the shop. A man behind the
-counter stared at him, and uttered a quick ejaculation. The cabman went
-on into a rear room. The man from behind the counter followed. In the
-rear room, a woman rose from a table where she had been sewing, and took
-the bundle quickly from the cabman's arms, as it emitted a querulous
-little cry.
-
-The cabman spoke for the first time.
-
-"She's dead," he said heavily.
-
-The woman, buxom, middle-aged, stared at him, white-faced, her eyes
-filling suddenly with tears.
-
-"She died an hour ago," said the cabman, in the same monotonous
-voice. "I thought mabbe you'd look after the baby girl for a bit, Mrs.
-Veniza--you and Paul."
-
-"Of course!" said the woman in a choked voice. "I wanted to before,
-but--but your wife wouldn't let the wee mite out of her sight."
-
-"She's dead now," said the cabman. "An hour ago."
-
-Paul Veniza, the pawnbroker, crossed to the cabman's side, and, placing
-his hands on the other's shoulders, drew the man down into a chair.
-
-"Hawkins," he said slowly, "we're getting on in years, fifty each of us,
-and we've known each other for a good many of those fifty." He cleared
-his throat. "You've made a mess of things, Hawkins."
-
-The woman, holding the baby, started suddenly forward, a red flush
-dyeing her cheeks.
-
-"Paul!" she cried out sharply. "How can you be so cruel at such an hour
-as this?"
-
-The pawnbroker shook his head. He had moved to the back of the cabman's
-chair. Tall, slight, grave and kindly-faced, with high forehead and the
-dark hair beginning to silver at the temples, there seemed something
-almost esthetic about the man.
-
-"It is _the_ hour," he said deliberately; "the one hour in which I must
-speak plainly to my old friend, the one hour that has come into his
-life which may mean everything to him." His right hand slipped from the
-cabman's shoulder and started, tentatively, hesitantly, toward a bulge
-in the cabman's coat pocket--but was drawn back again, and found its
-place once more on the cabman's shoulder. "I was afraid, Hawkins, when
-you married the young wife. I was afraid of your curse."
-
-The cabman's elbows were on the table; he had sunk his chin in his
-hands. His blue eyes, out of a wrinkled face of wind-beaten tan, roved
-around the little room, and rested finally on the bundle in the woman's
-arms.
-
-"That's finished now," he said dully.
-
-"I pray God it is," said Paul Veniza earnestly; "but you said that
-before--when you married the young wife."
-
-"It's finished now--so help me, God!" The cabman's lips scarcely moved.
-He stared straight in front of him.
-
-There was silence in the little, plainly furnished room for a moment;
-then the pawnbroker spoke again:
-
-"I was born here in New York, you know, after my parents came from
-Italy. There was no money, nothing--only misery. I remember. It is like
-that, Hawkins, isn't it, where you have just come from, and where you
-have left the young wife?"
-
-"Paul!" his wife cried out again. "How can you say such things? It--it
-is not like you!" Her lips quivered. She burst into tears, and buried
-her face in the little bundle she snuggled to her breast.
-
-The cabman seemed curiously unmoved--as though dazed, almost detached
-from his immediate surroundings. He said nothing.
-
-The pawnbroker's hands still rested on the cabman's shoulders, a
-strange gentleness in his touch that sought somehow, it seemed, to offer
-sympathy for his own merciless words.
-
-"I have been thinking of this for a long time, ever since we knew that
-Claire could not get better," he said. "We knew you would bring the
-little one here. There was no other place, except an institution. And so
-I have been thinking about it. What is the little one's name?"
-
-The cabman shook his head.
-
-"She has no name," he said.
-
-"Shall it be Claire, then?" asked the pawnbroker gently.
-
-The cabman's fingers, where they rested on his cheeks, gathered a fold
-of flesh and tightened until the blood fled, leaving little white spots.
-He nodded his head.
-
-Again the pawnbroker was silent for a little while.
-
-"My wife and I will take little Claire--on one condition," he said at
-last, gravely. "And that condition is that she is to grow up as our
-child, and that, though you may come here and see her as often as you
-like, she is not to know that you are her father."
-
-The cabman turned about a haggard face.
-
-"Not to know that I am her father--ever," he said huskily.
-
-"I did not say that," said Paul Veniza quietly. He smiled now, leaning
-over the cabman. "I am a pawnbroker; this is a pawn-shop. There is a way
-in which you may redeem her."
-
-The cabman pressed a heavy hand over his eyes.
-
-"What is that way?" He swallowed hard as he spoke.
-
-"By redeeming yourself." The pawnbroker's voice was low and earnest.
-"What have you to offer her to-day, save a past that has brought only
-ruin and misery? And for the future, my old friend? There is no home.
-There was no home for the young wife. You said when you married Claire,
-as you have said to-night, that it was all finished. But it was not
-finished. And your curse was the stronger. Well, little Claire is only
-a baby, and there would be years, anyhow, before just a man could take
-care of her. Do you understand, my old friend? If, at the end of those
-years, enough of them to make sure that you are sure of yourself, you
-have changed your life and overcome your weakness, then you shall have
-little Claire back again, and she shall know you as her father, and be
-proud of you. But if you do not do this, then she remains with us, and
-we are her parents, and you pledge me your word that it shall be so."
-
-There was no answer for a long time. The woman was still crying--but
-more softly now. The cabman's chin had sunk into his hands again. The
-minutes dragged along. Finally the cabman lifted his head, and, pushing
-back his chair, stumbled to his feet.
-
-"God--God bless you both!" he whispered. "It's all finished now for
-good, as I told you, but you are right, Paul. I--I ain't fit to have her
-yet. I'll stand by the bargain." He moved blindly toward the door.
-
-The pawnbroker interposed.
-
-"Wait, Hawkins, old friend," he said. "I'll go with you. You'll need
-some help back there in the tenement, some one to look after the things
-that are to be done."
-
-The cabman shook his head.
-
-"Not to-night," he said in a choked way. "Leave me alone to-night."
-
-He moved again toward the door, and this time Paul Veniza stepped aside,
-but, following, stood bareheaded in the doorway as the other clambered
-to his perch on the hansom cab.
-
-Hawkins slapped his reins on the roof of the cab. The horse started
-slowly forward.
-
-The drizzle had ceased; but the horse, left to his own initiative, was
-still wary of the wet pavements and moved at no greater pace than a
-walk. Hawkins drove with his coat collar still turned up and his chin on
-his breast.
-
-And horse and man went aimlessly from street to street--and the night
-grew late.
-
-And the cabman's hand reached tentatively, hesitantly, a great many
-times, toward a bulge in his coat pocket, and for a great many times
-was withdrawn as empty as it had set forth. And then, once, his fingers
-touched a glass bottle neck... and then, not his fingers, but his
-lips... and for a great many times.
-
-It had begun to rain again.
-
-The horse, as if conscious of the futility of its own movements, had
-stopped, and, with head hanging, seemed to cower down as though seeking
-even the slender protection of the shafts, whose ends now made half
-circles above his ears.
-
-Something slipped from the cabman's fingers and fell with a crash to the
-pavement. The cabman leaned out from his perch and stared down at the
-shattered glass.
-
-"Broken," said the cabman vacantly.
-
-
-
-
-TWENTY YEARS LATER
-
-|IT was silver light. Inside the reefs the water lay placid and still,
-mirroring in a long, shimmering line the reflection of the full tropic
-moon; beyond, ever and anon, it splashed against its coral barriers in
-little crystal showers. It was a soundless night. No breeze stirred the
-palms that, fringing white stretches of beach around the bay, stood out
-in serene beauty, their irregular tops etched with divine artistry into
-the sky-line of the night.
-
-Out from the shore, in that harbor which holds no sanctuary in storm,
-the mail boat, dark save for her riding lights, swung at her moorings;
-shoreward, the perspective altered in the moonlight until it seemed that
-Mount Vaea had lowered its sturdy head that it might hover in closer
-guardianship over the little town, Apia straggled in white patches along
-the road. And from these white patches, which were dwellings and stores,
-there issued no light.
-
-From a point on the shore nearest the mail boat, a figure in cotton
-drawers and undershirt slipped silently into the water and disappeared.
-Thereafter, at intervals, a slight ripple disturbed the surface as the
-man, coming up to breathe, turned upon his back and lay with his face
-exposed; for the rest he swam under water. It was as though he were in
-his natural element. He swam superbly even where, there in the Islands,
-all the natives were born to the sea; but his face, when visible on the
-few occasions that it floated above the surface, was the face, not of a
-native, but of a white man.
-
-And now he came up in the shadow of the steamer's hull where, near the
-stern, a rope dangled over the side, almost touching the water's edge.
-And for a moment he hung to the rope, motionless, listening. Then he
-began to swarm upward with fine agility, without a sound, his bare feet
-finding silent purchase against the iron plates of the hull.
-
-Halfway up he paused and listened intently again. Was that a sound as of
-some one astir, the soft movement of feet on the deck above? No, there
-was nothing now. Why should there be? It was very late, and Nanu, the
-man who lisped, was no fool. The rope had hung from exactly that place
-where, of all others, one might steal aboard without attracting the
-attention of the watch.
-
-He went on again, and finally raised his head above the rail. The deck,
-flooded with moonlight, lay white and deserted below him. He swung
-himself over, dropped to the deck--and the next instant reeled back
-against the rail as a rope-end, swung with brutal force, lashed across
-his face, raising a welt from cheek to cheek. Half stunned, he was
-still conscious that a form had sprung suddenly at him from out of the
-darkness of the after alleyway, that the form was one of the vessel's
-mates, that the form still swung a short rope-end that was a murderous
-weapon because it was little more flexible than iron and was an inch in
-thickness, and that, behind this form, other forms, big forms, Tongans
-of the crew, pressed forward.
-
-A voice roared out, hoarse, profane, the mate's voice:
-
-"Thought you'd try it again, did you, you damned beachcomber? I'll teach
-you! And when I find the dog that left that rope for you, I'll give
-him a leaf out of the same book! You bloody waster! I'll teach you!
-I'll----"
-
-The rope-end hissed as it cut through the air again, aiming for the
-swimmer's face. But it missed its mark. Perhaps it was an illusion
-of the white moonlight, lending unreality to the scene, exciting the
-imagination to exaggerate the details, but the swimmer seemed to move
-with incredible speed, with the lithe, terrible swiftness of a panther
-in its spring. The rope-end swished through the air, missing a suddenly
-lowered head by the barest fraction of an inch, and then, driven home
-with lightning-like rapidity, so quick that the blows seemed as one, the
-swimmer's fists swung, right and left, crashing with terrific impact to
-the point of the mate's jaw. And the mate's head jolted back, quivered
-grotesquely on his shoulders for an instant like a tuning fork, sagged,
-and the great bulk of the man collapsed and sprawled inertly on the
-deck.
-
-There was a shuffle of feet from the alleyway, cries. The swimmer swung
-to face the expected rush, and it halted, hesitant. It gave him time to
-spring and stand erect upon the steamer's rail. On the upper deck faces
-and forms began to appear. A man in pajamas leaned far out and peered at
-the scene.
-
-There was a shout from out of the dark, grouped throng in the alleyway;
-it was chorused. The rush came on again for the rail; and the dripping
-figure that stood there, with the first sound that he had made--a laugh,
-half bitter, half of cool contempt--turned, and with a clean dive took
-the water again and disappeared.
-
-Presently he reached the shore. There were more than riding lights out
-there on the steamer now. He gave one glance in that direction, shrugged
-his shoulders, and started off along the road. At times he raised his
-hand to brush it across his face where the welt, raw and swollen now,
-was a dull red sear. He walked neither fast nor slow.
-
-The moonlight caught the dripping figure now and then in the open
-spaces, and seemed to peer inquisitively at the great breadth of
-shoulder, and the rippling play of muscle under the thin cotton drawers
-and shirt, which, wet and clinging, almost transparent, scarce hid the
-man's nakedness; and at the face, that of a young man, whose square jaw
-was locked, whose gray eyes stared steadily along the road, and over
-whose forehead, from the drenched, untrimmed mass of fair hair, the
-brine trickled in little rivulets as though persistent in its effort
-to torture with its salt caress the raw, skin-broken flesh across the
-cheeks.
-
-Then presently a point of land ran out, and, the road ignoring this, the
-bay behind was shut out from view. And presently again, farther on, the
-road came to a long white stretch of beach on the one hand, and foliage
-and trees on the other. And here the dripping figure halted and stood
-hesitant as though undecided between the moonlit stretch of sand, and
-the darkness of a native hut that was dimly outlined amongst the trees
-on the other side of the road.
-
-After a moment he made his way to the hut and, groping around, secured
-some matches and a box of cigarettes. He spoke into the empty blackness.
-
-"You lose, Nanu," he muttered whimsically. "They wouldn't stand water
-and I left them for you. But now, you see, I'm back again, after all."
-
-He lighted a cigarette, and in the flame of the match stared
-speculatively at the small, broken pieces of coral that made the floor
-of the hut, and equally, by the addition of a thin piece of native
-matting, his bed.
-
-"The sand is softer," he said with a grim drawl.
-
-He went out from the hut, crossed the road, flung himself upon his back
-on the beach, and clasped his hands behind his head. The smoke from his
-cigarette curled languidly upward in wavering spirals, and he stared for
-a long time at the moon.
-
-"Moon madness," he said at last. "They say if you look long enough the
-old boy does you in."
-
-The cigarette finished, he flung the stub away. After a time, he raised
-his head and listened. A moment later he lay back again full length on
-the sand. The sound of some one's footsteps coming rapidly along the
-road from the direction of the town was now unmistakably audible.
-
-"The jug for mine, I guess," observed the young man to the moon.
-"Probably a file of native constabulary in bare feet that you can't hear
-bringing up the rear!"
-
-The footsteps drew nearer, until, still some distance away, the
-white-clad figure of a man showed upon the tree-fringed road. The
-sprawled figure on the beach made no effort toward flight, and less
-toward concealment. With a sort of studied insolence injected into his
-challenge, he stuck another cigarette between his lips and deliberately
-allowed full play to the flare of the match.
-
-The footsteps halted abruptly. Then, in another moment, they crunched
-upon the sand, and a tall man, with thin, swarthy face, a man of perhaps
-forty or forty-five, who picked assiduously at his teeth with a quill
-toothpick, stood over the recumbent figure.
-
-"Found you, have I?" he grunted complacently.
-
-"If you like to put it that way," said the young man indifferently. He
-raised himself on his elbow again, and stared toward the road. "Where's
-the army?" he inquired.
-
-The tall man allowed the point of the quill toothpick to flex and strike
-back against his teeth. The sound was distinctive. _Tck!_ He ignored the
-question.
-
-"When the mate came out of dreamland," he said, "he lowered a boat and
-came ashore to lay a complaint against you."
-
-"I can't say I'm surprised," admitted the young man. "I suppose I am
-to go with you quietly and make no trouble or it will be the worse for
-me--I believe that's the usual formula, isn't it?"
-
-The man with the quill toothpick sat down on the sand. He appeared to be
-absorbed for a moment in a contemplation of his surroundings.
-
-"These tropic nights are wonderful, aren't they? Kind of get you."
-He plied the quill toothpick industriously. "I'm a passenger on the
-steamer, and I came ashore with the mate. He's gone back--without laying
-the complaint. There's always a way of fixing things--even injured
-feelings. One of the native boat's-crew said he knew where you were to
-be found. He's over there." He jerked his head in the direction of the
-road.
-
-The young man sat bolt upright.
-
-"I don't get you," he said slowly, "except that you are evidently not
-personifying the majesty of the law. What's the idea?"
-
-"Well," said the other, "I had three reasons for coming. The first was
-that I thought I recognized you yesterday when they threw you off the
-steamer, and was sure of it to-night when--I am a light sleeper--I came
-out on the upper deck at the sound of the row and saw you take your
-departure from the vessel for the second time."
-
-"I had no idea," said the young man caustically, "that I was so well
-known. Are you quite sure you haven't made a mistake?"
-
-"Quite!" asserted the other composedly. "Of course, I am not prepared
-to say what your present name is--you may have considered a change
-beneficial--so I will not presume in that respect. But you are, or were,
-a resident of San Francisco. You were very nice people there. I have
-no knowledge of your mother, except that I understand she died in your
-infancy. A few years ago your father died and left you, not a fortune,
-but quite a moderate amount of money. I believe the pulpits designate
-it as a 'besetting sin.' You had one--gambling. The result was that you
-traveled the road a great many other young men have traveled; the only
-difference being that, in so far as I am competent to speak, you
-hold the belt for speed and all-round proficiency. You went utterly,
-completely and whole-heartedly to hell."
-
-The tall man became absorbed again in his surroundings. "And I take it,"
-he said presently, "that in spite of the won became absorbed again in
-his surroundings. And I take it," he said presently, "that in spite of
-the wonders of a tropic night, you are still there."
-
-The young man shrugged his shoulders.
-
-"You have put it very delicately," he said, with a grim smile. "I'm
-sorry, but I am obliged to confess that the recognition isn't mutual.
-Would you mind telling me who you are?"
-
-"We'll get to that in due course," said the other. "My second reason was
-that it appeared to me to be logical to suppose that, having once
-been the bona fide article, you could readily disguise yourself as a
-gentleman again, and your interpretation of the rle would be beyond
-suspicion or----"
-
-"By God!" The welt across the young man's face grew suddenly white, as
-though the blood had fled from it to suffuse his temples. He half rose,
-staring levelly into the other's eyes.
-
-The tall man apparently was quite undisturbed.
-
-"And the third reason is that I have been looking for just such a--there
-really isn't any other word--gentleman, providing he was possessed
-of another and very essential characteristic. You possess that
-characteristic in a most marked degree. Your actions tonight are
-unmistakable evidence that you have nerve."
-
-"It strikes me that you've got a little of it yourself," observed the
-young man evenly.
-
-The quill toothpick under the adroit guidance of his tongue traveled
-from the left- to the right-hand side of the other's mouth.
-
-"It is equally as essential to me," he said dryly. "You appear to fill
-the bill; but there is always the possibility of a fly in the ointment;
-complications--er--unpleasant complications, perhaps, you know,
-that might have arisen since you left San Francisco, and that
-might--er--complicate matters."
-
-The young man relapsed into a recumbent position upon the sand, his
-hands clasped under his head again, and in his turn appeared to be
-absorbed in the beauty of the night.
-
-"Moon-madness!" he murmured pityingly.
-
-"A myth!" said the tall man promptly. "Would you mind sketching in
-roughly the details of your interesting career since you left the haunts
-of the aristocracy?"
-
-"I don't see any reason why I should." The young man yawned.
-
-"Do you see any reason why you shouldn't?" inquired the other
-composedly.
-
-"None," said the young man, "except that the steamer sails at daybreak,
-and I should never forgive myself if you were left behind."
-
-"Nor forgive yourself, perhaps, if you failed to sail on her as a
-first-class passenger," said the tall man quietly.
-
-"What?" ejaculated the young man sharply.
-
-The other shrugged his shoulders.
-
-"It depends on the story," he said.
-
-"I--I don't understand." The young man frowned. "There's a chance for me
-to get aboard the mail boat?"
-
-"It depends on the story," said the other again.
-
-"Moon-mad!" murmured the young man once more, after a moment's silence.
-"But it's cheap at the price, for it's not much of a story. Beginning
-where you left off in my biography, I ducked when the crash came in San
-Francisco, and having arrived in hell, as you so delicately put it, I
-started out to explore. Mr. Dante had it right--there's no use stopping
-in the suburbs. I lived a while in his last circle. It's too bad he
-never knew the 'Frisco water-front; it would have fired his imagination!
-I'm not sure, though, but Honolulu's got a little on 'Frisco, at that!
-Luck was out. I was flat on my back when I got a chance to work my way
-out to Honolulu. One place was as good as another by then."
-
-The young man lit a cigarette, and stared at the glowing tip
-reminiscently with his gray eyes.
-
-"You said something about gambling," he went on; "but you didn't say
-enough. It's a disease, a fever that sets your blood on fire, and makes
-your life kind of delirious, I guess--if you get it chronic. I guess I
-was born with it. I remember when I was a kid I--but I forgot, pardon
-me, the mail boat sails at daybreak."
-
-"Go as far as you like," said the tall man, picking at his teeth with
-the quill toothpick.
-
-The young man shook his head.
-
-"Honolulu is the next stopping place," he said. "On the way out I picked
-up a few odd dollars from my fellow-members of the crew, and----"
-
-"Tck!" It was the quill toothpick.
-
-The young man's eyes narrowed, and his jaw set challengingly.
-
-"Whatever else I've done," he stated in a significant monotone, "I've
-never played crooked. It was on the level."
-
-"Of course," agreed the tall man hastily.
-
-"I sat in with the only stakes I had," said the young man, still
-monotonously. "A bit of tobacco, a rather good knife that I've got yet,
-and a belt that some one took a fancy to as being worth half a dollar."
-
-"Certainly! Of course!" reiterated the tall man in haste.
-
-The quill toothpick was silent.
-
-"A pal of mine, one of the stokers, said he knew of a good place to play
-in Honolulu where there was a square deal," continued the young man;
-"so, a night or so after we reached there, we got shore leave and
-started off. Perhaps you know that part of Honolulu. I don't. I didn't
-see much of it. I know there's some queer dumps, and queer doings, and
-the scum of every nationality under the sun to run up against. And I
-know it was a queer place my mate steered me into. It was faro. The
-box was run by an old Chinaman who looked as though he were trying to
-impersonate one of his ancestors, he was so old. My mate and I formed
-the English-speaking community. There were a Jap or two, and a couple of
-pleasant-looking cutthroats who cursed in Spanish, and a Chink lying on
-a bunk rolling his pill. Oh, yes, the place stunk! Every once in a while
-the door opened and some other Godforsaken piece of refuse drifted in.
-By midnight we had a full house of pretty bad stuff.
-
-"It ended in a row, of course. Some fool of a tout came in chaperoning
-a party of three men, who were out to see the sights; they were
-passengers, I found out later, from one of the ships in port. I don't
-know what started the rumpus; some private feud, I guess. The first
-thing I knew one of the Spaniards had a knife out and had jumped for the
-tout. It was a free-for-all in a minute. I saw the tout go down, and he
-didn't look good, and the place suddenly struck me as a mighty unhealthy
-place to be found in on that account. The stoker and I started to fight
-our way through the jam to the door. There was a row infernal. I guess
-you could have heard it a mile away. Anyway, before we could break from
-the clinches, as it were, the police were fighting their way in just as
-eagerly as we were fighting our way out.
-
-"I didn't like the sight of that tout lying on the floor, or the thought
-of what might happen in the police court the next morning if I were one
-of the crowd to adorn the dock. And things weren't going very well. The
-police were streaming in through the doorway. And then I caught sight of
-something I hadn't seen before because it had previously been hidden by
-a big Chinese screen--one of those iron-shuttered windows they seem so
-fond of down there. Things weren't very rosy just at that moment because
-about the worst hell-cat scramble on record was being made a little
-worse by some cheerful maniac starting a bit of revolver practice, but I
-remember that I couldn't help laughing to save my soul. In the mle one
-of the folding wings of the screen had suddenly doubled up, and,
-besides the window, I saw hiding behind there for dear life, his
-face pasty-white with terror, a very courageous gentleman--one of the
-rubbernecks who had come in with the tout. He was too scared, I imagine,
-even to have the thought of tackling such formidable things as iron
-shutters enter his head. I yelled to the stoker to get them open, and
-tried to form a sort of rear guard for him while he did it. Then I heard
-them creak on their hinges, and heard him shout. I made a dash for it,
-but I wasn't quite quick enough. One of the policemen grabbed me, but
-I was playing in luck then. I got in a fortunate swing and he went down
-for the count. I remember toppling the screen and the man behind it
-over on the floor as I jumped sideways for the window; and I remember a
-glimpse of his terrorized face, his eyes staring at me, his mouth wide
-open, as I took a headlong dive over the window sill. The stoker picked
-me up, and we started on the run.
-
-"The police were scrambling through the window after us. I didn't need
-to be told that there wouldn't be a happy time ahead if I were caught.
-Apart from that tout who, though I had nothing to do with it, gave the
-affair a very serious aspect, I was good for the limit on the statute
-books for resisting arrest in the first place, and for knocking out an
-officer in the second. But the stoker knew his way about. We gave
-the police the slip, and a little later on we landed up in a sailors'
-boarding-house run by a one-eyed cousin of Satan, known as Lascar Joe.
-We lay there hidden while the tout got better, and the Spanish hidalgo
-got sent up for a long term for murderous assault. Finally Lascar Joe
-slipped the stoker aboard some ship; and a week or so later he slipped
-me, the transfer being made in the night, aboard a frowsy tramp, bound
-for New Zealand."
-
-The young man paused, evidently inviting comment.
-
-"Go on," prompted the man with the quill toothpick softly.
-
-"There isn't very much more," said the young man. He laughed shortly.
-"As far as I know I'm the sole survivor from that tramp. She never got
-to New Zealand; and that's how I got here to Samoa. She went down in
-a hurricane. I was washed ashore on one of this group of islands about
-forty or fifty miles from here. I don't know much about the details; I
-was past knowing anything when the bit of wreckage on which I had lashed
-myself days before came to port. There weren't any--I was going to say
-white people on the island, but I'm wrong about that. The Samoans are
-about the whitest people on God's green earth. I found that out. There
-were only natives on that island. I lived with them for about two
-months, and I got to be pretty friendly with them, especially the old
-fellow who originally picked me up half drowned and unconscious on the
-beach, and who took me into the bosom of his family. Then the missionary
-boat came along, and I came back with it to Apia here."
-
-The young man laughed again suddenly, a jarring note in his mirth.
-
-"I don't suppose you've heard that original remark about the world
-being such a small place after all! I figured that back here in Apia a
-shipwrecked and destitute white man would get the glad hand and at least
-a chance to earn his stake. Maybe he would ordinarily; but I didn't. I
-hadn't said anything to the missionary about that Honolulu escapade, and
-I was keeping it dark when I got here and started to tell the shipwreck
-end of my story over again. Queer, isn't it? Lined up in about the first
-audience I had was the gentleman with the pasty face that I had toppled
-over with the screen in the old Chink's faro dump. He was one of the big
-guns here, and had been away on a pleasure trip, and Honolulu had been
-on his itinerary. That settled it. The missionary chap spoke up a bit
-for me, I'll give him credit for that, though I had a hunch he was going
-to use that play as an opening wedge in an effort to reform me later on.
-But I had my fingers crossed. The whites here turned their backs on me,
-and I turned my back on the missionary. That's about all there was to
-it. That was about two weeks ago, and for those two weeks I've lived in
-another of Mr. Dante's delightful circles."
-
-He sat suddenly upright, a clenched fist flung outward.
-
-"Not a cent! Not a damned sou-marquee! Nothing but this torn shirt, and
-what's left of these cotton pants! Hell!"
-
-He lay back on the sand quite as suddenly again, and fell to laughing
-softly.
-
-"Tck!" It was the quill toothpick.
-
-"But at that," said the young man, "I'm not sure you could call me
-a cynic, though the more I see of my own breed as compared with the
-so-called heathen the less I think of--my own breed! I still had a card
-up my sleeve. I had a letter of introduction to a real gentleman and
-landed proprietor here. His name was Nanu, and he gave me his house to
-live in, and made me free of his taro and his breadfruit and all his
-worldly possessions; and it was the old native who took care of me on
-the other island that gave me the letter. It was a queer sort of letter,
-too--but never mind that now.
-
-"Splendid isolation! That's me for the last two weeks as a cross between
-a pariah and a mangy cur! What amazes me most is myself. The gentleman
-of the Chinese screen is still in the land of the living and walking
-blithely around. Funny, isn't it? That's one reason I was crazy to get
-away--before anything happened to him." The tanned fist closed fiercely
-over a handful of sand, then opened and allowed the grains to trickle
-slowly through the fingers, and its owner laughed softly again. "I've
-lived through hell here in those two weeks. I guess we're only built to
-stand so much. I was about at the end of my rope when the mail steamer
-put in yesterday. I hope I haven't idealized my sojourn here in a way
-that would cause you to minimize my necessity for getting away, no
-matter to where or by what means! Nanu and I went out to the ship in his
-outrigger. Perhaps I would have had better luck if I had run into any
-other than the particular mate I did. I don't know. I offered to work my
-passage. Perhaps my fame had already gone abroad--or aboard. He invited
-me to make another excursion into Dante-land. But when he turned his
-back on me I slipped below, and tucked myself in behind some of the
-copra sacks they were loading. Once the steamer was away I was away
-with her, and I was willing to take what was coming. But I didn't get a
-chance. I guess the mate was sharper than I gave him credit for. After
-about four hours of heat and stink down there below decks that I had to
-grit my teeth to stand, he hauled me out as though he knew I had been
-there all the time. I was thrown off the steamer.
-
-"But I wasn't through. Steamers do not call here every day. I wonder
-if you'll know what I mean when I say I was beginning to be afraid of
-myself and what might happen if I had to stick it out much longer? That
-mangy cur I spoke of had me lashed to the mast from a social standpoint.
-I tried it again--to-night. Nanu fixed it for me with one of the crew to
-hang that rope over the side, and--well, I believe you said you had seen
-what happened. I believe you said, too, that a chance still existed of
-my sailing with the mail boat, depending upon my story." He laughed a
-little raucously. "I hope it's been interesting enough to bail me out;
-anyway, that's all of it."
-
-The tall man sat for a moment in silence.
-
-"Yes," he said at last; "I am quite satisfied. Dressed as a gentleman,
-with money in your pockets, and such other details as go with the rle,
-you would never be associated with that affair in Honolulu. As a matter
-of fact your share in it was not so serious that the police would dog
-you all over the world on account of it. In other words, and what really
-interests me, is that you are not what is commonly designated as a
-'wanted' man. Yes, I may say I am thoroughly satisfied."
-
-The young man yawned and stretched himself.
-
-"I'm delighted to hear it. I haven't any packing to do. Shall we stroll
-back to the ship?"
-
-"I hope so." The quill toothpick was busy again. "The decision
-rests with you. I am not a philanthropist. I am about to offer you a
-situation--to fill which I have been searching a good many years to find
-some one who had the necessary qualifications. I am satisfied you are
-that man. You do not know me; you do not know my name, and though you
-have already asked what it is, I shall still withhold that information
-until your decision has been given. If you agree, I will here and now
-sign a contract with you to which we will both affix our bona fide
-signatures; if you refuse, we will shake hands and part as friends and
-strangers who have been--shall we use your expression?--moon-mad under
-the influence of the wonders of a tropic night."
-
-"Something tells me," said the young man softly, "that the situation is
-not an ordinary one."
-
-"And you are right," replied the other quietly. "It is not only not
-ordinary, but is, I think I may safely say, absolutely unique and
-without its counterpart. I might mention in passing that I am not in
-particularly good health, and the sea voyage I was ordered to take
-explains my presence here. I am the sole owner of one of the largest,
-if not the largest, business enterprises in America; certainly its
-turn-over, at least, is beyond question the biggest on the American
-continent. I have establishments in every city of any size in both the
-United States and Canada--and even in Mexico. The situation I offer you
-is that of my confidential representative. No connection whatever will
-be known to exist between us; your title will be that of a gentleman of
-leisure--but your duties will be more arduous. I regret to say that in
-many cases I fear my local managers are not--er--making accurate returns
-to me, and they are very hard to check up. I would require you to travel
-from place to place as a sort of, say, secret inspector of branches,
-and furnish me with the inside information from the lack of which my
-business at present, I am afraid, is suffering severely."
-
-"And that business?" The young man had raised himself to his elbow on
-the sand.
-
-"The one that is nearest to your heart," said the tall man calmly.
-"Gambling."
-
-The young man leaned slowly forward, staring at the other.
-
-"I wonder if I quite get you?" he said.
-
-"I am sure you do." The tall man smiled. "My business is a chain of
-select and exclusive gambling houses where only high play is indulged
-in, and whose clientele is the richest in the land."
-
-The young man rose to his feet, walked a few steps away along the beach,
-and came back again.
-
-"You're devilishly complimentary!" he flung out, with a short laugh. "As
-I understand it, then, the price I am to pay for getting away from here
-is the pawning of my soul?"
-
-"Have you anything else to pawn?" inquired the other--and the quill
-toothpick punctuated the remark: "Tck!"
-
-"No," said the young man, with a twisted smile. "And I'm not sure I've
-got that left! I am beginning to have a suspicion that it was in your
-'branch' at San Francisco that I lost my money."
-
-"You did," said the other coolly. "That is how I came to know you.
-Though not personally in evidence in the 'house' itself, San Francisco
-is my home, and my information as to what goes on there at least is
-fairly accurate."
-
-The young man resumed his pacing up and down the sand.
-
-"And I might add," said the tall man after a moment, "that from a point
-of ethics I see little difference in the moral status between one who
-comes to gamble and one who furnishes the other with the opportunity to
-do so. You are perhaps hesitating to take the hurdle on that account?"
-
-"Moral status!" exclaimed the young man sharply. He halted abruptly
-before the other. "No--at least I am not a hypocrite! What right have I
-to quarrel with moral status?"
-
-"Very well, then," said the other; "I will go farther. I will give you
-everything in life that you desire. You will live as a gentleman of
-wealth surrounded by every luxury that money can procure, for that is
-your rle. You may gamble to your heart's content, ten, twenty, fifty
-thousand a night--in my houses. You will travel the length and breadth
-of America. I will pay every expense. There is nothing that you may not
-have, nothing that you may not do."
-
-The young man was silent for a full minute then, with his hands dug in
-his pockets, he fell to whistling under his breath very softly--but very
-deliberately.
-
-An almost sinister smile spread over the tall man's lips as he listened.
-
-"If I am not mistaken," he observed dryly, "that is the aria from
-Faust."
-
-"Yes," said the young man--and stared the other in the eye. "It is the
-aria from Faust."
-
-The tall man nodded--but now his lips were straight.
-
-"I accept the rle of Mephistopheles, then," he said softly. "Doctor
-Faustus, you know, signed the bond."
-
-The young man squatted on the sand again. His face was curiously white;
-only the ugly welt, dull red, across his cheeks, like the mark of some
-strange branding-iron, held color.
-
-"Then, draw it!" he said shortly. "And be damned to you!"
-
-The tall man took a notebook and a fountain pen from his pocket. He
-wrote rapidly, tore out the leaf, and on a second leaf made a copy of
-the first. This, too, he tore out.
-
-"I will read it," he said. "You will observe that no names are
-mentioned; that I have still reserved the privilege of keeping my
-identity in abeyance until the document is signed. This is what I have
-written: _For good and valid consideration the second signatory to
-this contract hereby enters unreservedly into the employ of the first
-signatory for a period which shall include the lifetime of one or
-other of the undersigned, or until such time as this agreement may be
-dissolved either by mutual consent or at the will of the first signatory
-alone. And the first signatory to this contract agrees to maintain
-the second signatory in a station in life commensurate with that of a
-gentleman of wealth irrespective of expense, and further to pay to the
-second signatory as a stated salary the sum of one thousand dollars a
-month._" He looked up. "Shall I sign?"
-
-"Body and soul," murmured the young man. He appeared to be fascinated
-with the restless movement of the quill toothpick in the other's
-mouth. "Have you another toothpick you could let me have?" he inquired
-casually.
-
-The tall man mechanically thrust his fingers into his vest pocket; and
-then, as though but suddenly struck with the irrelevancy, and perhaps
-facetiousness, of the request, frowned as he found himself handing over
-the article in question.
-
-"Shall I sign?" His tone was sterner. "It is understood that the
-signatures are to be bona fide and----"
-
-"Yes, sign it. It is quite understood." The young man spoke without
-looking up. He seemed to be engrossed in carefully slitting the point of
-the quill toothpick he had acquired with his knife.
-
-The other signed both sheets from the notebook.
-
-The young man accepted the two slips of paper, but refused the proffered
-fountain pen. In the moonlight he read the other's signature: Gilbert
-Larmon. His lips tightened a little. It was a big name in San Francisco,
-a name of power. Few dreamed perhaps where the sinews of that power came
-from! He drew from his pocket a small bottle, uncorked it, dipped in
-the quill toothpick, and with his improvised pen wrote with a rasping,
-spluttering noise beneath the other's signature on each of the two slips
-of paper. One of these slips he returned to the other--but beneath the
-tall man's signature there was no mark of any kind whatever.
-
-Through narrowing eyes the tall man had been watching, and now his face
-darkened ominously, and there was something of deadly coolness in his
-voice as he spoke.
-
-"What tomfoolery is this?" he demanded evenly.
-
-"No; it's quite all right," said the young man placidly. "Just a whim
-of mine. I can't seem to get that Doctor Faustus thing out of my head.
-According to the story, I think, he signed in a drop of blood--and I
-thought I'd carry a sort of analogy along a bit. That stuff's all right.
-I got it from my old native friend on that island I was telling you
-about. It's what my letter of introduction to Nanu was written with.
-And--well, at least, I guess it stands for the drop of blood, all right!
-Take it down there to the shore and dip that part of the paper in the
-salt water."
-
-The tall man made no answer. For a moment he remained staring with
-grim-set features at the other, then he got up, walked sharply to the
-water's edge, and, bending down, moistened the lower portion of the
-paper. He held it up to the moonlight. Heavy black letters were slowly
-taking form just beneath his own signature. Presently he walked back up
-the beach to the young man, and held out his hand.
-
-"Let us get back to the ship--John Bruce," he said.
-
-
-
-
-CHAPTER ONE--ALADDIN'S LAMP
-
-|JOHN BRUCE, stretched at full length on a luxurious divan in the most
-sumptuous apartment of the Bayne-Miloy, New York's newest and most
-pretentious hostelry, rose suddenly to his feet and switched off the
-lights. The same impulse carried him in a few strides to the window. The
-night was still, and the moon rode high and full. It was the same moon
-that, three months ago, he had stared at from the flat of his back
-on the beach at Apia. A smile, curiously tight, and yet curiously
-whimsical, touched his lips. If it had been "moon-madness" that had
-fallen upon the gambler king and himself that night, it had been a
-madness that was strangely free in its development from hallucination!
-That diagnosis no longer held. It would be much more apposite to lay it
-bluntly to the door of--Mephistopheles! From the moment he had boarded
-the mail steamer he had lived as a man possessed of unlimited wealth,
-as a man with unlimited funds always in his possession or at his instant
-command.
-
-He whistled softly. It was, though, if not moon-madness, perhaps the
-moon, serene and full up there as it had been that other night, which he
-had been watching from the divan a few moments before, that had sent his
-mind scurrying backward over those intervening months. And yet, perhaps
-not; for there would come often enough, as now, moments of mind groping,
-yes, even the sense of hallucination, when he was not quite sure but
-that a certain bubble, floating at one moment in dazzlingly iridescent
-beauty before his eyes, would dissolve the next into blank nothingness,
-and---- Well, what would it be then? Another beach at some Apia, until
-another Mephistopheles, in some other guise, came to play up against his
-rle of Doctor Faustus again?
-
-He looked sharply behind him around the darkened room, whose darkness
-did not hide its luxury. His shoulder brushed the heavy silken portire
-at his side; his fingers touched a roll of banknotes in his pocket,
-a generous roll, whose individual units were of denominations more
-generous still. These were realities!
-
-Mephistopheles at play! He had left Larmon at Suva, Fiji. Thereafter,
-their ways and their lives lay apart--outwardly. Actually, even here
-in New York with the continent between them, for Larmon had resumed
-his life in which he played the rle of a benevolent and retired man of
-wealth in San Francisco, they were in constant and extremely intimate
-touch with each other.
-
-A modern Mephistopheles! Two men only in the world knew Gilbert Larmon
-for what he was! One other besides himself! And that other was a man
-named Maldeck, Peter Maldeck. But only one man knew him, John Bruce, in
-his new rle, and that was Gilbert Larmon. Maldeck was the manager of
-the entire ring of gambling houses, and likewise the clearing house
-through which the profits flowed into Larmon's coffers; but to Maldeck,
-he, John Bruce, was exactly what he appeared to be to the world at
-large, and to the local managers of the gambling houses in particular--a
-millionaire plunger to whom gambling was as the breath of life. The
-"inspector of branches" dealt with Gilbert Larmon alone, and dealt
-confidentially and secretively over Maldeck's head--even that invisible
-writing fluid supplied by the old Samoan Islander playing its part when
-found necessary, for it had been agreed between Larmon and himself that
-even the most innocent appearing document received from him, John Bruce,
-should be subjected to the salt water test; and he had, indeed, already
-used it in several of the especially confidential reports that he had
-sent Larmon on some of the branches.
-
-He shrugged his shoulders. The whole scheme of his changed existence
-had all been artfully simple--and superbly efficient. He was under no
-necessity to explain the source of his wealth except in his native city,
-San Francisco, where he was known--and San Francisco was outside
-his jurisdiction. With both Larmon and Maldeck making that their
-headquarters, other supervision of the local "branch" was superfluous;
-elsewhere, his wealth was inherited--that was all. So, skipping San
-Francisco, he had come leisurely eastward, gambling for a week or
-two weeks, as the case might be, in the various cities, following as
-guidance apparently but the whim of his supposedly rou inclinations,
-and he had lost a lot of money--which would eventually find its way
-back to its original source in the pockets of Gilbert Larmon, via the
-clearing house conducted by Peter Maldeck. It was extremely simple--but,
-equally, extremely systematic. The habitues of every branch were
-carefully catalogued. He had only--and casually--to make the
-acquaintance of one of these in each city, and, in turn, quite
-inevitably, would follow an introduction to the local "house"; and, once
-introduced, the entre, then or on any subsequent visit to that city,
-was an established fact.
-
-John Bruce laughed suddenly, softly, out into the night. It had been
-a good bargain that he had made with Mephistopheles! Wealth, luxury,
-everything he desired in life was his. On the trail behind him in the
-cities he had already visited he had nightly lost or won huge sums of
-money until he had become known as the millionaire plunger. It was quite
-true that, in as much as the money, whether lost or won, but passed from
-his right- to his left-hand pocket--the pockets being represented by
-one Gilbert Larmon--the gambler craving within him was but ill
-served, almost in a sense mocked; but that phase of it had sunk into
-insignificance. The whole idea was a gigantic gamble--a gamble with
-life. The whole fabric was of texture most precarious. It exhilarated
-him. Excitement, adventure, yes, even peril, beckoned alluringly and
-always from around the corner just ahead. He stood against the police;
-he stood a very excellent chance of being discovered some morning minus
-his life if the men he was set to watch, and who now fawned upon him and
-treated him with awe and an unholy admiration, should get an inkling of
-his real identity and his real purpose in their houses!
-
-He yawned, and as though glorying in his own strength flexed his great
-shoulders, and stretched his arms to their full length above his head.
-God, it was life! It made of him a superman. He had no human ties to
-bind him; no restraint to know; no desire that could not be satiated.
-The past was wiped away. It was like some reincarnation in which he
-stood supreme above his fellow men, and they bowed to their god. And he
-was their god. And if he but nodded approval they would lie, and cheat,
-and steal, and commit murder in their greed of worship, they whose souls
-were in pawn to their god!
-
-He turned suddenly from the window, switched on the lights, drew from
-his pocket a great sum of money in banknotes, and stood staring at it.
-There were thousands in his hand. Thousands and thousands! Money! The
-one universally-orthodox god! For but one of these pieces of paper in
-his hand he could command what he would, play upon human passions at his
-whim, and like puppets on a stage of his own setting move the followers
-of the Great Creed, that were numbered in their millions, at his will!
-It was only over the few outcasts, the unbelievers, that he held no
-sway. But he could afford to ignore the minority! Was he not indeed a
-god?
-
-And it had cost him nothing. Only the pawning of his soul; and, like
-Faustus, the day of settlement was afar off. Only the signing of a bond
-that postulated a denial of what he had already beforehand held in light
-esteem--a code of canting morals. It was well such things were out of
-the way! Life stretched the fuller, the rosier, the more red-blooded
-before him on that account. He was well content. The future lured him.
-Nor was it money alone. There was the spice of adventure, the battle
-of wits, hardly inaugurated yet, between himself and those whose
-underground methods were the _raison d'tre_ of his own magically
-enhanced circumstances.
-
-John Bruce replaced the money in his pocket abruptly, and frowned. That
-was something, from still another standpoint, which he could not afford
-to lose sight of. He had to justify his job. Gilbert Larmon had stated
-that he was not a philanthropist, and it was written in the bond that
-Larmon could terminate the agreement at will. Yes, and that was
-queer, tool What kind of a man was Larmon? He knew Larmon, as Larmon
-superficially subjected himself to inspection and speculation; but
-he was fully aware that he did not know Larmon the man. There seemed
-something almost sinister in its inconsistency that Larmon should at one
-and the same time reserve the right to terminate that bond at will while
-his very signature upon it furnished a weapon which, if he, John Bruce,
-chose to use it, placed the other at his mercy. What kind of a man was
-Larmon? No fool, no weak-ling--that was certain. And yet at a word he,
-John Bruce, could tear the other from the pseudorighteous pedestal upon
-which he posed, strip the other naked of the garments that clothed his
-criminal activities, and destroy utterly the carefully reared structure
-of respectability that Larmon had built up around himself. It might be
-very true that he, John Bruce, would never use such a weapon, even under
-provocation; but Larmon could not be sure of that. How then did Larmon
-reconcile his reservation to terminate the contract at will and yet
-furnish his co-signatory with the means of black-mailing him into a
-continuance of it? What kind of a man was Larmon? What would he be like
-with his back to the wall? What _other_ reservation had been in Larmon's
-mind when he had drawn that bond?
-
-And then a queer and bitter smile came to John Bruce's lips. The god
-of money! Was he so sure that he was the god and not the worshiper? Was
-that it? Was that what Larmon counted upon?--that only a fool would risk
-the sacrifice of the Aladdin's lamp that had been thrust into his
-hands, and that only a fool but would devote body and soul to Larmon's
-interests under the circumstances!
-
-The smile grew whimsical. It was complimentary in a sense. It was based
-on the premise that he, John Bruce, was not a fool. He shrugged his
-shoulders. Well, therein Larmon was right. It would not be his, John
-Bruce's, fault if anything short of death terminated the bond which had
-originated that tropic night on the moon-lit beach in Samoa three months
-ago!
-
-He looked at his watch. It was nine o'clock. It was still early for
-play; but it was not so early that his arrival in the New York "branch,"
-where he had been a constant visitor for the last four nights, could
-possibly arouse any suspicion, and one's opportunities for inside
-observation were very much better when the play was desultory and but
-few present than in the crowded rooms of the later hours.
-
-"If I were in England now," said John Bruce, addressing the chandelier,
-as he put on a light coat over his evening clothes, "I couldn't get away
-with this without a man to valet me--and at times, though he might be
-useful, he might be awkward. Damned awkward! But in America you do, or
-you don't, as you please--and I don't!"
-
-
-
-
-CHAPTER TWO--THE MILLIONAIRE PLUNGER
-
-|JOHN BRUCE left the hotel and entered a taxi. A little later, in
-that once most fashionable section of New York, in the neighborhood of
-Gramercy Square, he was admitted to a stately mansion by a white-haired
-negro butler, who bowed obsequiously.
-
-Thereafter, for a little while, John Bruce wandered leisurely from room
-to room in the magnificently appointed house, where in the rich carpets
-the sound of footsteps was lost, where bronzes and paintings, exquisite
-in their art, charmed the eye, where soft-toned draperies and portires
-were eloquent of refinement and good taste; he paused for a moment at
-the threshold of the supper room, whose table was a profusion of every
-delicacy to tempt the palate, where wines of a vintage that was almost
-priceless were to be had at no greater cost than the effort required
-to lift a beckoning finger to the smiling ebony face of old Jake, the
-attendant. And here John Bruce extended a five-dollar bill, but shook
-his head as the said Jake hastened toward him. Later, perhaps, he might
-revisit the room--when a few hours' play had dimmed the recollection of
-his recent dinner, and his appetite was again sharpened.
-
-In the card rooms there were, as yet, scarcely any "guests." He chatted
-pleasantly with the "dealers"--John Bruce, the millionaire plunger,
-was _persona grata_, almost effusively so, everywhere in the house.
-Lavergne, the manager, as Parisian as he was immaculate from the tips of
-his patent-leathers to the tips of his waxed mustache, joined him; and
-for ten minutes, until the other was called away, John Bruce proceeded
-to nourish the already extremely healthy germ of intimacy that, from the
-first meeting, he had planted between them.
-
-With the manager's million apologies for the unpardonable act of tearing
-himself away still sounding in his ears, John Bruce placidly resumed
-his wanderings. The New York "branch," which being interpreted meant
-Monsieur Henri de Lavergne, the exquisite little manager, was heavily
-underscored on Gilbert Larmon's black-list!
-
-The faint, musical whir of the little ivory ball from the roulette table
-caught John Bruce's attention, and he strolled in that direction. Here
-a "guest" was already at play. The croupier smiled as John Bruce
-approached the table. John Bruce smiled pleasantly in return, and sat
-down. After a moment, he began to make small five-dollar bets on the
-"red." His fellow-player was plunging heavily--and losing. Also, the man
-was slightly under the influence of liquor. The croupier's voice droned
-through half a dozen plays. John Bruce continued to make five-dollar
-bets. The little by-play interested him. He knew the signs.
-
-His fellow-player descended to the supper room for another drink, it
-being against the rules of the house to serve anything in the gambling
-rooms. The croupier laughed as he glanced at the retreating figure and
-then at another five-dollar bet that John Bruce pushed upon the "red."
-
-"He'll rob you of your reputation, Mr. Bruce, if you don't look out!"
-the croupier smiled quizzically. "Are you finding a thrill in playing
-the minimum for a change?"
-
-"Just feeling my way." John Bruce returned the smile. "It's a bit early
-yet, isn't it?"
-
-The other player returned. He continued to bet heavily. He made another
-excursion below stairs. Other "guests" drifted into the room, and the
-play became more general.
-
-John Bruce increased his stakes slightly, quite indifferent naturally as
-to whether he lost or won--since he could neither lose nor win. He was
-sitting beside the player he had originally joined at the table, and
-suddenly his interest in the other became still more enlivened. The man,
-after a series of disastrous plays, was palpably broke, for he snatched
-off a large diamond ring from his finger and held it out to the
-croupier.
-
-"Give me--hic!--somethin' on that," he hiccoughed. "Might as well make a
-clean-up, eh?"
-
-The croupier took the ring, examined it critically for an instant, and
-handed it back.
-
-"I'm sorry," he said; "but you know the rules of the house. I couldn't
-advance anything on it if it were worth a million. But the stone's
-valuable, all right. You'd better take a trip to Persia."
-
-The man replaced the ring with some difficulty upon his finger, and
-stared owlishly at the croupier.
-
-"T' hell with your--hic!--trip to Persia!" he said thickly. "Don't like
-Persia! Been--hic!--there before! Guess I'll go home!"
-
-The man negotiated his way to the door; the game went on. John Bruce
-began to increase his stakes materially. A trip to Persia! What,
-exactly, did that mean? It both piqued his curiosity and stirred his
-suspicions. He smiled as he placed a heavy stake upon the table. It
-would probably be a much more expensive trip to this fanciful Persia
-than to the Persia of reality, for it seemed that one must go broke
-first! Well, he would go broke--though it would require some little
-finesse for John Bruce, the millionaire plunger, to attain that envious
-situation without exciting suspicion. He was very keenly interested in
-this personally conducted tour, obviously inaugurated by that exquisite
-little man, Monsieur Paul de Lavergne!
-
-John Bruce to his inward chagrin--won. He began to play now with a
-zest, eagerness and excitement which, heretofore, the juggling of
-Mephistopheles' money had deprived him of. Outwardly, however, the calm
-impassiveness that, in the few evenings he had been in the house, had
-already won him the reputation of being par excellence a cool and nervy
-plunger, remained unchanged.
-
-He continued to win for a while; and then suddenly he began to lose.
-This was much better! He lost steadily now. He staked with lavish hand,
-playing numerous long chances for the limit at every voyage of the
-clicking little ivory ball. Finally, the last of his visible assets were
-on the table, and he leaned forward to watch the fall of the ball. He
-was already fingering the magnificent jeweled watch-fob that dangled
-from the pocket of his evening clothes.
-
-"Zero!" announced the croupier.
-
-The "zero" had been one of his selections. The "zero" paid 35 for 1.
-
-A subdued ripple of excitement went up from around the table. The room
-was filling up. The still-early comers, mostly spectators for the time
-being, lured to the roulette table at the whisper that the millionaire
-plunger was out to-night to break the bank, were whetting their own
-appetites in the play of Mr. John Bruce, who had obviously just escaped
-being broke himself by a very narrow margin.
-
-John Bruce smiled. He was in funds again--more so than pleased him!
-
-"It's a 'zero' night, Mr. Croupier," observed John Bruce pleasantly.
-"Roll her again!"
-
-But now luck was with John Bruce. The "zero" and his other combinations
-were as shy and elusive as fawns. At the expiration of another half hour
-the net result of John Bruce's play consisted in his having transferred
-from his own keeping into the keeping of the New York branch thirty
-thousand dollars of Mephistopheles' money. He was to all appearances
-flagrantly broke as far as funds in his immediate possession were
-concerned.
-
-"I guess," said John Bruce, with a whimsical smile, "that I didn't bring
-enough with me. I don't know where I can get any more to-night, and--oh,
-here!" He laughed with easy grace, as he suddenly tossed his jeweled
-watch-fob to the croupier. "One more fling anyhow--I've still unbounded
-faith in 'zero'! Let me have a thousand on that. It's worth about two."
-
-The croupier, as on the previous occasion, examined the article, but, as
-before, shook his head.
-
-"I'm awfully sorry, Mr. Bruce, but it's strictly against the rules of
-the house," he said apologetically. "I can fix it for you easily enough
-though, if you care to take a trip to Persia."
-
-"A trip to Persia?" inquired John Bruce in a puzzled way. "I think I
-heard you suggest that before this evening. What's the idea?"
-
-Some of those around the table were smiling.
-
-"It's all right," volunteered a player opposite, with a laugh. "Only
-look out for the conductor!"
-
-"Shoot!" said John Bruce nonchalantly. "That's good enough! You can book
-my passage, Mr. Croupier."
-
-The croupier called an attendant, spoke to him, and the man left the
-room.
-
-"It will take a few minutes, Mr. Bruce--while you are getting your hat
-and coat. The doorman will let you know," said the croupier, and with a
-bow to John Bruce resumed the interrupted game.
-
-John Bruce strolled from the room, and descended to the lower floor. He
-entered the supper room, and while old Jake plied him with delicacies he
-saw the doorman emerge from the telephone booth out in the hall, hurry
-away, and presently return, talking earnestly with Monsieur Henri de
-Lavergne. The manager, in turn, entered the booth.
-
-Monsieur Henri de Lavergne came into the supper room after a moment.
-
-"In just a few minutes, Mr. Bruce--there will be a slight delay," he
-said effusively. "Too bad to keep you waiting."
-
-"Not at all!" responded John Bruce. He held a wine glass up to the
-light. "This is very excellent, Monsieur de Lavergne."
-
-Monsieur Henri de Lavergne accepted the compliment with a gratified bow.
-
-"Mr. Bruce is very kind to say so," he said--and launched into an
-elaborate apology that Mr. Bruce should be put to any inconvenience
-to obtain the financial accommodation asked for. The security that Mr.
-Bruce offered was unquestioned. It was not that. It was the rule of the
-house. Mr. Bruce would understand.
-
-Mr. Bruce understood perfectly.
-
-"Quite so!" he said cordially.
-
-Monsieur Henri de Lavergne excused himself, and left the room.
-
-"A fishy, clever little crook," confided John Bruce to himself. "I
-wonder what's the game?"
-
-He continued to sip his wine in apparent indifference to the passing
-minutes, nor was his indifference altogether assumed. His mind was quite
-otherwise occupied. It was rather neat, that--a trip to Persia. The
-expression in itself held a lure which had probably not been overlooked
-as an asset. It suggested Bagdad, and the Arabian Nights, and a Caliph
-and a Grand Vizier who stalked about in disguise. On the other hand, the
-inebriated gentleman had evidently had his fill of it on one occasion,
-and would have no more of it. And the other gentleman who had, as it
-were, indorsed the proceeding, had, at the same time, taken the occasion
-to throw out a warning to beware of the conductor.
-
-John Bruce smiled pleasantly into his wine glass. Not very difficult to
-fathom, perhaps, after all! It was probably some shrewd old reprobate
-with usurious rates in cahoots with the sleek Monsieur Henri de
-Lavergne, who made a side-split on the said rates in return for the
-exclusive privilege accorded the other of acting as leech to the guests
-of the house when in extremity.
-
-It had been perhaps twenty minutes since he had left the roulette table.
-He looked at his watch now as he saw the doorman coming toward the
-supper room with his hat and coat. The night was still early. It was a
-quarter to eleven.
-
-He went out into the hall.
-
-"Yassuh," said the gray-haired and obsequious old darky, as he assisted
-John Bruce into his coat, "if yo'all will just come with me, Mistuh
-Bruce, yo'all will be 'commodated right prompt."
-
-John Bruce followed his guide to the doorstep.
-
-The darky pointed to a closed motor car at the curb by the corner, a few
-houses away.
-
-"Yo'all just say 'Persia' to the shuffer, Mistuh Bruce, and-------"
-
-"All right!" John Bruce smiled his interruption, and went down the steps
-to the sidewalk.
-
-John Bruce approached the waiting car leisurely, scrutinizing it the
-while; and as he approached, it seemed to take on more and more the
-aspect of a venerable and decrepit ark. The body of the car was entirely
-without light; the glass front, if there were one, behind the man whom
-he discerned sitting in the chauffeur's seat, was evidently closely
-curtained; and so, too, he now discovered as he drew nearer, were the
-windows and doors of the car as well.
-
-"The parlor looks a little ominous," said John
-
-Bruce softly to himself. "I wonder how far it is to the spider's dining
-room?"
-
-He halted as he reached the vehicle.
-
-"I'm bound for Persia, I believe," he suggested pleasantly to the
-chauffeur.
-
-The chauffeur leaned out, and John Bruce was conscious that he was
-undergoing a critical inspection. In turn he looked at the chauffeur,
-but there was very little light. The car seemed to have chosen a spot
-as little disturbed by the rays of the street lamps as possible, and
-he gained but a vague impression of a red, weather-beaten face, clean
-shaved, with shaggy brows under grizzled hair, the whole topped by an
-equally weather-beaten felt hat of nondescript shape and color.
-
-The inspection, on the chauffeur's part at least, appeared to be
-satisfactory.
-
-"Yes, sir," said the man. "Step in, sir, please."
-
-The door swung open--just how, John Bruce could not have explained.
-He stepped briskly into the car--only to draw back instinctively as he
-found it already occupied. But the door had closed behind him. It was
-inky black in the interior now with the door shut. The car was jolting
-into motion.
-
-"Pardon me!" said John Bruce a little grimly, and sat down on the back
-seat.
-
-A woman! He had just been able to make out a woman's form as he had
-stepped in. It was clever--damned clever! Of both the exquisite Monsieur
-Henri de Lavergne and the money-lending spider at the other end of this
-pleasant little jaunt into unexplored Persia! A woman in it--a luring,
-painted, fair and winsome damsel, no doubt--to make the usurious pill
-of illegal interest a little sweeter I Oh, yes, he quite understood now
-that warning to beware of the conductor!
-
-"I did not anticipate such charming company," said John Bruce
-facetiously. "Have we far to go?"
-
-There was no answer.
-
-Something like a shadow, deeper than the surrounding blackness, seemed
-to pass before John Bruce's eyes, and then he sat bolt upright, startled
-and amazed. In front of him, let down from the roof of the car, was a
-small table covered with black velvet, and suspended some twelve inches
-above the table, throwing the glow downward in a round spot of light
-over the velvet surface, was a shaded electric lamp. A small white hand,
-bare of any ornament, palm upward, lay upon the velvet table-top under
-the play of the light.
-
-A voice spoke now softly from beside him:
-
-"You have something to pawn?"
-
-John Bruce stared. He still could not see her face. "Er--yes," he said.
-He frowned in perplexity. "When we get to Persia, alias the pawn-shop."
-
-"This is the pawn-shop," she answered. "Let me see what you have,
-please."
-
-"Well, I'm da----" John Bruce checked himself.
-
-There was a delicacy about that white hand resting there under the light
-that rebuked him. "Er--pardon me," said John Bruce.
-
-He felt for his jeweled watch-fob, unfastened it, and laid it in the
-extended palm. He laughed a little to himself. On with the game! The
-lure was here, all right; the stage setting was masterly--and now the
-piper would be paid on a basis, probably, that would relegate Shylock
-himself to the kindergarten class of money lenders!
-
-And then, suddenly, it seemed to John Bruce as though his blood whipping
-through his veins was afire. A face in profile, bending forward to
-examine the diamonds and the setting of the fob-pendant, came under the
-light. He gazed at it fascinated. It was the most beautiful face he had
-ever seen. His eyes drank in the rich masses of brown, silken hair,
-the perfect throat, the chin and lips that, while modelled in sweet
-womanliness, were still eloquent of self-reliance and strength. He had
-thought to see a pretty face, a little brazen perhaps, and artfully
-powdered and rouged; what he saw was a vision of loveliness that seemed
-to personify the unsullied, God-given freshness and purity of youth.
-
-He spoke involuntarily; no power of his could have kept back the words.
-
-"My God, you are wonderful!" he exclaimed in a low voice.
-
-He saw the color swiftly tinge the throat a coral pink, and mount
-upwards; but she did not look at him. Her eyes! He wanted to see her
-eyes--to look into them! But she did not turn her head.
-
-"You probably paid two thousand dollars for this," she said quietly,
-"and----"
-
-"Nineteen hundred," corrected John Bruce mechanically.
-
-"I will allow you seventeen hundred on it, then," she said, still
-quietly. "The interest will be at seven per cent. Do you wish to accept
-the offer?"
-
-Seventeen hundred! Seven per cent! It was in consonance with the vision!
-His mind was topsy-turvy.
-
-He did not understand.
-
-"It is very liberal," said John Bruce, trying to control his voice. "Of
-course, I accept."
-
-The shapely head nodded.
-
-He watched her spellbound. The watch-fob had vanished, and in its place
-now under the little conical shaft of light she was swiftly counting
-out a pile of crisp, new, fifty-dollar banknotes. To these she added a
-stamped and numbered ticket.
-
-"You may redeem the pledge at any time by making application to the same
-person to whom you originally applied for a loan to-night," she said, as
-she handed him the money. "Please count it."
-
-Her head was in shadow now. He could no longer even see her profile. She
-was sitting back in her corner of the car.
-
-"I--I am quite satisfied," said John Bruce a little helplessly.
-
-"Please count it," she insisted.
-
-With a shrug of protest, John Bruce obeyed her. It was not at all the
-money that concerned him, nor the touch of it that was quickening his
-pulse.
-
-"It is quite correct," he said, putting money and ticket in his pocket.
-He turned toward her. "And now----"
-
-His words ended in a little gasp. The light was out. In the darkness
-that shadow passed again before his eyes, and he was conscious that the
-table had vanished--also that the car had stopped.
-
-The door opened.
-
-"If you please, sir!" It was the chauffeur, holding the door open.
-
-John Bruce hesitated.
-
-"I--er--look here!" he said. "I----"
-
-"If you please, sir!" There was something of significant finality in the
-man's patient and respectful tones.
-
-John Bruce smiled wryly.
-
-"Well, at least, I may say good-night," he said, as he backed out of the
-car.
-
-"Certainly, sir--good-night, sir," said the chauffeur calmly--and closed
-the door, and touched his hat, and climbed back to his seat.
-
-John Bruce glared at the man.
-
-"Well, I'm damned!" said John Bruce fervently.
-
-
-
-
-CHAPTER THREE--SANCTUARY
-
-
-|THE car started off. It turned the corner. John Bruce looked around
-him. He was standing on precisely the same spot from which he had
-entered the car. He had been driven around the block, that was all!
-
-He caught his breath. Was it real? That wondrous face which, almost as
-though at the touch of some magician's wand, had risen before him out of
-the blackness! His blood afire was leaping through his veins again. That
-face!
-
-He ran to the corner and peered down the street. The car was perhaps
-a hundred yards away--and suddenly John Bruce started to run again,
-following the car. Madness! His lips had set grim and hard. Who was she
-that prowled the night in that bizarre traveling pawn-shop? Where did
-she live? Was it actually the Arabian Nights back again? He laughed at
-himself--not mirthfully. But still he ran on.
-
-The car was outdistancing him. Fool! For a woman's face! Even though it
-were a divine symphony of beauty! Fool? Love-smitten idiot? Not at
-all! It was his job! Nice sound to that word in conjunction with that
-haunting memory of loveliness--job!
-
-The traveling pawn-shop turned into Fourth Avenue, and headed downtown.
-John Bruce caught the sound of a street car gong, spurted and swung
-breathlessly to the platform of a car going in the same direction.
-
-Of course, it was his job! The exquisite Monsieur Henri de Lavergne was
-mixed up in this.
-
-"Hell!"
-
-The street car conductor stared at him. John Bruce scowled. He swore
-again--but this time under his breath. It brought a sudden wild,
-unreasonable rage and rebellion, the thought that there should be
-anything, even of the remotest nature, between the glorious vision in
-that car and the mincing, silken-tongued manager of Larmon's gambling
-hell. But there was, for all that, wasn't there? How else had she come
-there? It was the usual thing, wasn't it? And--beware of the conductor!
-The warning now appeared to be very apt! And how well he had profited by
-it! A fool chasing a siren's beauty!
-
-His face grew very white.
-
-"John Bruce," he whispered to himself, "if I could get at you I'd pound
-your face to pulp for that!"
-
-He leaned out from the platform. The traveling pawn-shop had increased
-its speed and was steadily leaving the street car behind. He looked back
-in the opposite direction. The street was almost entirely deserted as
-far as traffic went. The only vehicle in sight was a taxi bowling along
-a block in the rear. He laughed out again harshly. The conductor eyed
-him suspiciously.
-
-John Bruce dropped off the car, and planted himself in the path of the
-on-coming taxi. Call it his job, then, if it pleased him! He owed it to
-Larmon to get to the bottom of this. How extremely logical he was! The
-transaction in the traveling pawn-shop had been so fair-minded as almost
-to exonerate Monsieur Henri de Lavergne on the face of it, and if it had
-not been for a certain vision therein, and a fire in his own veins,
-and a fury at the thought that even her acquaintance with the gambling
-manager was profanity, he could have heartily applauded Monsieur Henri
-de Lavergne for a unique and original----
-
-The taxi bellowed at him, hoarsely indignant.
-
-John Bruce stepped neatly to one side--and jumped on the footboard.
-
-"Here, you! What the hell!" shouted the chauffeur. "You----"
-
-"Push your foot on it a little," said John Bruce calmly. "And don't lose
-sight of that closed car ahead."
-
-"Lose sight of nothin'!" yelled the chauffeur. "I've got a fare,
-an'----"
-
-"I hear him," said John Bruce composedly. He edged in beside the
-chauffeur, and one of the crisp, new, fifty-dollar banknotes passed
-into the latter's possession. "Keep that car in sight, and don't make it
-hopelessly obvious that you are following it. I'll attend to your fare."
-
-He screwed around in his seat. An elderly, gray-whiskered gentleman, a
-patently irate gentleman, was pounding furiously on the glass panel.
-
-"We should be turnin' down this street we're just passin'," grinned the
-chauffeur.
-
-John Bruce lowered the panel.
-
-"What's the meaning of this?" thundered the fare.
-
-"I'm very sorry, sir," said John Bruce respectfully.
-
-"A little detective business." He coughed. It was really quite true.
-His voice became confidential. "The occupants of that car ahead got away
-from me. I--I want to arrest one of them. I'm very sorry to put you to
-any inconvenience, but it couldn't be helped.. There was no other way
-than to commandeer your taxi. It will be only for a matter of a few
-minutes."
-
-"It's preposterous!" spluttered the fare. "Outrageous! I--I'll----"
-
-"Yes, sir," said John Bruce. "But there was nothing else I could do. You
-can report it to headquarters, of course."
-
-He closed the panel.
-
-"Fly-cop--not!" said the chauffeur, with his tongue in his cheek. "Any
-fly-cop that ever got his mitt on a whole fifty-dollar bill all at one
-time couldn't be pried lose from it with a crowbar!"
-
-"It lets you out, doesn't it?" inquired John Bruce pleasantly. "Now
-let's see you earn it."
-
-"I'll earn it!" said the chauffeur with unction. "You leave it to me,
-boss!"
-
-The quarry, in the shape of the traveling pawn shop, directed its way
-into the heart of the East Side. Presently it turned into a hiving,
-narrow street, where hawkers with their push-carts in the light of
-flaring, spitting gasoline banjoes were doing a thriving business. The
-two cars went more slowly now. There was very little room. The
-taxi almost upset a fish vendor's wheeled emporium. The vendor was
-eloquent--fervently so. But the chauffeur's eyes, after an impersonal
-and indifferent glance at the other, returned to the car ahead. The taxi
-continued on its way, trailing fifty yards in the rear of the traveling
-pawn-shop.
-
-At the end of the block the car ahead turned the corner. As the taxi,
-in turn, rounded the corner, John Bruce saw that the traveling pawn-shop
-was drawn up before a small building that was nested in between two
-tenements. The blood quickened in his pulse. The girl had alighted, and
-was entering the small building.
-
-"Hit it up a little to the next corner, turn it, and let me off there,"
-directed John Bruce.
-
-"I get you!" said the chauffeur.
-
-The taxi swept past the car at the curb. Another minute and it had swung
-the next corner, and was slowing down. John Bruce jumped to the ground
-before the taxi stopped.
-
-"Good-night!" he called to the chauffeur.
-
-He waved his hand debonairly at the scowling, whiskered visage that was
-watching him from the interior of the cab, and hurriedly retraced his
-way back around the corner.
-
-The traveling pawn-shop had turned and was driving away. John Bruce
-moderated his pace, and sauntered on along the street. He smiled half
-grimly, half contentedly to himself. The "trip to Persia" had led him
-a little farther afield than Monsieur Henri de Lavergne had perhaps
-counted on--or than he, John Bruce, himself had, either! But he knew now
-where the most glorious woman he had ever seen in his life lived, or, at
-least, was to be found again. No, it wasn't the _moon!_ To him, she was
-exactly that. And he had not seen her for the last time, either! That
-was what he was here for, though he wasn't so mad as to risk, or,
-rather, invite an affront to begin with by so bald an act as to go to
-the front door, say, and ring the bell--which would be tantamount to
-informing her that he had--er--played the detective from the moment
-he had left her in the car. To-morrow, perhaps, or the next day, or
-whenever fate saw fit to be in a kindly mood, a meeting that possessed
-all the hall-marks of being quite inadvertent offered him high hopes.
-Later, if fate still were kind, he would tell her that he had followed
-her, and what she would be thoroughly justified in misconstruing now,
-she might then accept as the tribute to her that he meant it to be--when
-she knew him better.
-
-John Bruce was whistling softly to himself.
-
-He was passing the house now, his scrutiny none the less exhaustive
-because it was apparently casual. It was a curious little two-story
-place tucked away between the two flanking tenements, the further one of
-which alone separated the house from the corner he was approaching. Not
-a light showed from the front of the house. Yes, it was quite a curious
-place! Although curtains were on the lower front windows, indicating
-that it was purely a dwelling, the windows themselves were of abnormal
-size, as though, originally perhaps, the ground floor had once been a
-shop of some kind.
-
-John Bruce turned the corner, and from a comparatively deserted street
-found himself among the vendors' push-carts and the spluttering gasoline
-torches again. He skirted the side of the tenement that made the corner,
-discovered the fact that a lane cut in from the street and ran past the
-rear of the tenement, which he mentally noted must likewise run past the
-rear of the little house that was now so vitally interesting to him--and
-halted on the opposite side of the lane to survey his surroundings. Here
-a dirty and uninviting caf attracted his attention, which, if its dingy
-sign were to be believed, was run by one Palasco Ratti, a gentleman of
-parts in the choice of wines which he offered to his patrons. John Bruce
-surveyed Palasco Ratti's potential clientele--the street was full of it;
-the shawled women, the dark-visaged, ear-ringed men. He smiled a little
-to himself. No--probably not the half-naked children who sprawled in the
-gutter and crawled amongst the push-carts' wheels! How was it that _she_
-should ever have come to live in a neighborhood to which the designation
-"foreign," as far as she was concerned, must certainly apply in
-particularly full measure? It was strange that she----
-
-John Bruce's mental soliloquy came to an abrupt end. Half humorously,
-half grimly his eyes were riveted on the push-cart at the curb directly
-opposite to him, the proprietor of which dealt in that brand of
-confection so much in favor on the East Side--a great slab of candy from
-which, as occasion required, he cut slices with a large carving knife.
-A brown and grimy fist belonging to a tot of a girl of perhaps eight or
-nine years of age, who had crept in under the pushcart, was stealthily
-feeling its way upward behind the vendor's back, its objective being,
-obviously, a generous piece of candy that reposed on the edge of the
-push-cart. There was a certain fascination in watching developments. It
-was quite immoral, of course, but his sympathies were with the child.
-It was a gamble whether the grimy little hand would close on the coveted
-prize and disappear again victorious, or whether the vendor would turn
-in time to frustrate the raid.
-
-The tot's hand crept nearer and nearer its goal.
-
-No one, save himself of the many about, appeared to notice the little
-cameo of primal instinct that was on exhibition before them. The
-small and dirty fingers touched the candy, closed on it, and
-were withdrawn--but were withdrawn too quickly. The child, at the
-psychological moment under stress of excitement, eagerness and probably
-a wildly thumping heart, had failed in finesse. Perhaps the paper
-that covered the surface of the push-cart and on which the wares were
-displayed rattled; perhaps the sudden movement in itself attracted the
-vendor's attention. The man whirled and made a vicious dive for the
-child as she darted out from between the wheels. And then she screamed.
-The man had hit her a brutal clout across the head.
-
-John Bruce straightened suddenly, a dull red creeping from his set
-jaw to his cheeks. Still clutching the candy in her hand the child was
-running blindly and in terror straight toward him. The man struck again,
-and the child staggered, and, reeling, sought sanctuary between John
-Bruce's legs. A bearded, snarling face in pursuit loomed up before
-him--and John Bruce struck, struck as he had once struck before on a
-white moon-flooded deck when a man, a brute beast, had gone down before
-him--and the vendor, screaming shrilly, lay kicking in pain on the
-sidewalk.
-
-It had happened quickly. Not one, probably, of those on the street
-had caught the details of the little scene. And now the tiny thief had
-wriggled through his legs, and with the magnificent irresponsibility
-of childhood had darted away and was lost to sight. It had happened
-quickly--but not so quickly as the gathering together of an angry,
-surging crowd around John Bruce.
-
-Some one in the crowd shrieked out above the clamor of voices:
-
-"He kill-a Pietro! Kill-a da dude!"
-
-It was a fire-brand.
-
-John Bruce backed away a little--up against the door of Signor Pascalo
-Ratti's wine shop. A glance showed him that, with the blow he had
-struck, his light overcoat had become loosened, and that he was
-flaunting an immaculate and gleaming shirt-front in the faces of the
-crowd. And between their Pietro with a broken jaw and an intruder far
-too well dressed to please their fancy, the psychology of the crowd
-became the psychology of a mob.
-
-The fire-brand took.
-
-"Kill-a da dude!" It was echoed in chorus--and then a rush.
-
-It flung John Bruce heavily against the wine shop door, and the door
-crashed inward--and for a moment he was down, and the crowd, like a
-snarling wolf pack, was upon him. And then the massive shoulders heaved,
-and he shook them off and was on his feet; and all that was primal,
-elemental in the man was dominant, the mad glorying in strife upon him,
-and he struck right and left with blows before which, again and again, a
-man went down.
-
-But the rush still bore him backward, and the doorway was black and
-jammed with reenforcements constantly pouring in. Tables crashed to the
-floor, chairs were overturned. Out of the corner of his eye he saw a
-white-mustached Italian leap upon the counter and alternately wave his
-arms and wring his hands together frantically.
-
-"For the mercy of God!" the man screamed--and then his voice added to
-the din in a flood of impassioned Italian.
-
-It was Signor Pascalo Ratti, probably.
-
-John Bruce was panting now, his breath coming in short, hard gasps. It
-was not easy to keep them in front of him, to keep his back free. He
-caught the glint of knife blades now.
-
-He was borne back foot by foot, the space widening as he retreated from
-the door, giving room for more to come upon him at the same time. A
-knife blade lunged at him. He evaded it--but another glittering in
-the ceiling light at the same instant, flashing a murderous arc in its
-downward plunge, caught him, and, before he could turn, sank home.
-
-A yell of triumph went up. He felt no pain. Only a sudden sickening of
-his brain, a sudden weakness that robbed his limbs of strength, and he
-reeled and staggered, fighting blindly now.
-
-And then his brain cleared. He flung a quick glance over his shoulder.
-Yes, there was one chance. Only one! And in another minute, with another
-knife thrust, it would be too late. He whirled suddenly and raced down
-the length of the caf. In the moment's grace earned through surprise at
-his sudden action, he gained a door he had seen there, and threw himself
-upon it. It was not fastened, though there was a key in the lock. He
-whipped out the key, plunged through, locked the door on the outside
-with the fraction of a second to spare before they came battering upon
-it--and stumbled and fell headlong out into the open.
-
-It was as though he were lashing his brain into action and virility. It
-kept wobbling and fogging. Didn't the damned thing understand that his
-life, was at stake! He lurched to his feet. He was in a lane.
-
-In front of him, like great looming shadows, shadows that wobbled too,
-he saw the shapes of two tenements, and like an inset between them, a
-small house with a light gleaming in the lower window.
-
-That was where the vision lived. Only there was a fence between.
-Sanctuary! He lunged toward the fence. He had not meant to--to make a
-call to-night--she--she might have misunderstood. But in a second now
-_they_ would come sweeping around into the lane after him from the
-street.
-
-He clawed his way to the top of the fence, and because his strength was
-almost gone fell from the top of the fence to the ground on the other
-side.
-
-And now he crawled, crawled with what frantic haste he could, because he
-heard the uproar from the street. And he laughed. The kid was
-probably munching her hunk of candy now. Queer things--kids! Got her
-candy--happy----
-
-He reached up to the sill of an open window, clawed his way upward,
-as he had clawed his way up the fence, straddled the sill unsteadily,
-clutched at nothingness to save himself, and toppled inward to the floor
-of the room.
-
-A yell from the head of the lane, a cry from the other end of the room,
-spurred him into final effort. He gained his feet, and swept his hand,
-wet with blood, across his eyes. That was the vision there running
-toward him, wasn't it?--the wonderful, glorious vision!
-
-"Pardon me!" said John Bruce in a sing-song voice, and with a desperate
-effort reached up and pulled down the window shade. He tried to smile
-"Queer--queer things--kids--aren't they? She--she just ducked out from
-under."
-
-The girl was staring at him wildly, her hands tightly clasped to her
-bosom.
-
-"Pardon me!" whispered John Bruce thickly. He couldn't see her any more,
-just a multitude of objects whirling like a kaleidoscope before his
-eyes. "She--she got the candy," said John Bruce, attempting to smile
-again--and pitched unconscious to the floor.
-
-
-
-
-CHAPTER FOUR--A DOCTOR OF MANY DEGREES
-
-|DEAD! The girl was on her knees beside John Bruce. Dead--he did not
-move! It was the man who had pawned his watch-fob hardly half an hour
-before! What did it mean? What did those angry shouts, that scurrying
-of many feet out there in the lane mean? Hurriedly, her face as deadly
-white as the face upturned to her from the floor, she tore open the once
-immaculate shirt-front, that was now limp and wet and ugly with a great
-crimson stain, and laid bare the wound.
-
-The sounds from without were receding, the scurrying footsteps were
-keeping on along the lane. A quiver ran through the form on the floor.
-Dead! No, he was not dead--not--not yet.
-
-A little cry escaped from her tightly closed lips, and for an instant
-she covered her eyes with her hands. The wound was terrible--it
-frightened her. It frightened her the more because, intuitively, she
-knew that it was beyond any inexperienced aid that she could give. But
-she must act, and act quickly.
-
-She turned and ran into the adjoining room to the telephone, but even as
-she reached out to lift the receiver from the hook she hesitated. Doctor
-Crang! A little shudder of aversion swept over her--and then resolutely,
-even pleading with central to hurry, she asked for the connection. It
-was not a matter of choice, or aversion, or any other consideration in
-the world save a question of minutes. The life of that man in there on
-the floor hung by a thread. Doctor Crang was nearby enough to respond
-almost instantly, and there was no one else she knew of who she could
-hope would reach the man in time. And--she stared frantically at the
-instrument now--was even he unavailable? Why didn't he answer? Why
-didn't----
-
-A voice reached her. She recognized it.
-
-"Doctor Crang, this is Claire Veniza," she said, and it did not seem as
-though she could speak fast enough. "Come at once--oh, at once--please!
-There's a man here frightfully wounded. There isn't a second to lose,
-so----"
-
-"My dear Claire," interrupted the voice suavely, "instead of losing one
-you can save several by telling me what kind of a wound it is, and where
-the man is wounded."
-
-"It's a knife wound, a stab, I think," she answered; "and it's in his
-side. He is unconscious, and----"
-
-The receiver at the other end had been replaced on its hook.
-
-She turned from the telephone, and swiftly, hurrying, but in cool
-self-control now, she obtained some cloths and a basin of warm water,
-and returned to John Bruce's side. She could not do much, she realized
-that--only make what effort she could to staunch the appalling flow of
-blood from the wound; that, and place a cushion under the man's head,
-for she could not lift him to the couch.
-
-The minutes passed; and then, thinking she heard a footstep at the front
-door, she glanced in that direction, half in relief, and yet, too, in
-curious apprehension. She listened. No, there was no one there yet. She
-had been mistaken.
-
-Suddenly she caught her breath in a little gasp, as though startled.
-Doctor Crang was clever; but faith in Doctor Crang professionally was
-one thing, and faith in him in other respects was quite another. Why
-hadn't she thought of it before? It wasn't too late yet, was it?
-
-She began to search hastily through John Bruce's pockets. Doctor Crang
-would almost certainly suggest removing the man from the sitting room
-down here and getting him upstairs to a bedroom, and then he would
-undress his patient, and--and it was perhaps as well to anticipate
-Doctor Crang! This man here should have quite a sum of money on his
-person. She had given it to him herself, and--yes, here it was!
-
-The crisp new fifty-dollar bills, the stamped and numbered ticket that
-identified the watch-fob he had pawned, were in her hand. She ran across
-the room, opened a little safe in the corner, placed the money and
-ticket inside, locked the safe again, and returned to John Bruce's side
-once more.
-
-And suddenly her eyes filled. There was no tremor, no movement in the
-man's form now; she could not even feel his heartbeat. Yes, she wanted
-Doctor Crang now, passionately, wildly. John Bruce--that was the man's
-name. She knew that much. But she had left him miles away--and he was
-here now--and she did not understand. How had he got here, why had he
-come here, climbing in through that window to fall at her feet like one
-dead?
-
-The front door opened without premonitory ring of bell, and closed
-again. A footstep came quickly forward through the outer room--and
-paused on the threshold.
-
-Claire Veniza rose to her feet, and her eyes went swiftly, sharply,
-to the figure standing there--a man of perhaps thirty years of age,
-of powerful build, and yet whose frame seemed now woefully loose,
-disjointed and without virility. Her eyes traveled to the man's clothing
-that was dirty, spotted, and in dire need of sponging, to the necktie
-that hung awry, to the face that, but for its unhealthy, pasty-yellow
-complexion, would have been almost strikingly handsome, to the jet-black
-eyes that somehow at the moment seemed to lack fire and life. And with a
-little despairing shrug of her shoulders, Claire Veniza turned away her
-head, and pointed to the form of John Bruce on the floor.
-
-"I--I am afraid it is very serious, Doctor Crang," she faltered.
-
-"That's all right, Claire," he said complacently. "That's all right, my
-dear. You can leave it with confidence to Sydney Angus Crang, M.D."
-
-She drew a little away as he stepped forward, her face hardening into
-tight little lines. Hidden, her hands clasped anxiously together. It--it
-was what she had feared. Doctor Sydney Angus Crang, gold medalist from
-one of the greatest American universities, brilliant far beyond his
-fellows, with additional degrees from London, from Vienna, from Heaven
-alone knew where else, was just about entering upon, or emerging from,
-a groveling debauch with that Thing to which he had pawned his manhood,
-his intellect and his soul, that Thing of gray places, of horror, of
-forgetfulness, of bliss, of torture--cocaine.
-
-Halfway from the threshold to where John Bruce lay, Doctor Crang halted
-abruptly.
-
-"Hello!" he exclaimed, and glanced with suddenly darkening face from
-Claire Veniza to the form of John Bruce, and back to Claire Veniza
-again.
-
-"Oh, _will_ you hurry!" she implored. "Can't you see that the wound----"
-
-"I am more interested in the man than in the wound," said Doctor Crang,
-and there was a hint of menace in his voice. "Quite a gentleman of
-parts! I had expected--let me see what I had expected--well, say, one of
-the common knife-sticking breed that curses this neighborhood."
-
-Claire Veniza stamped her foot.
-
-"Oh, hurry!" she burst out wildly. "Don't stand there talking while the
-man is dying! Do something!"
-
-Doctor Crang advanced to John Bruce's side, set down the little handbag
-he was carrying, and began to examine the wound.
-
-"Yes, quite a gentleman of parts!" he repeated. His lips had thinned.
-"How did he get here?"
-
-"I do not know," she answered. "He came in through that window there and
-fell on the floor."
-
-"How peculiar!" observed Doctor Crang. "A _gentleman_ down here in this
-locality, who is, yes, I will state it as a professional fact, in a very
-critical state, climbs in through Miss Claire Veniza's window, and----"
-
-The telephone in the other room rang. Claire Veniza ran to it. Doctor
-Crang's fingers nestled on John Bruce's pulse; he made no other movement
-save to cock his head in a listening attitude in the girl's direction;
-he made no effort either to examine further or to dress the wound.
-
-Claire Veniza's voice came distinctly:
-
-"Yes... No, I do not think he will return to-night"--she was
-hesitating--"he--he met with an--an accident-----"
-
-Doctor Crang had sprung from the other room and had snatched the
-receiver from the girl's hand. A wave of insensate fury swept his face
-now. He pushed her roughly from the instrument, and clapped his hand
-over the transmitter.
-
-"That's one lie you've told me!" he said hoarsely. "I'll attend to the
-rest of this now." He withdrew his hand from the transmitter. "Yes,
-hello!" His voice was cool, even suave. "What is it?... Monsieur Henri
-de Lavergne speaking--yes... Mister--who?... Mister John Bruce--yes." He
-listened for a moment, his lips twitching, his eyes narrowed on Claire
-Veniza, who had retreated a few steps away. "No, not to-night," he said,
-speaking again into the transmitter. "Yes, a slight accident.... Yes..,
-Good-by."
-
-Doctor Sydney Angus Crang hung up the receiver, and with a placid smile
-at variance with the glitter that suddenly brought life into his dulled
-eyes, advanced toward the girl. She stepped backward quickly into the
-other room, retreating as far as the motionless form that lay upon the
-floor. Doctor Crang followed her.
-
-And then Claire Veniza, her face grown stony, her small hands clenched,
-found her voice again.
-
-"Aren't you going to help him? Aren't you going to do something? Is he
-to die there before your eyes?" she cried.
-
-Doctor Crang shrugged his shoulders.
-
-"What can I do?" he inquired with velvet softness. "I am helpless. How
-can I bring the dead back to life?"
-
-"Dead!" All color had fled her face; she bent and looked searchingly at
-John Bruce.
-
-"Oh, no; not yet," said Doctor Crang easily. "But very nearly so."
-
-"And you will do nothing!" She was facing him again. "Then--then I will
-try and get some one else."
-
-She stepped forward abruptly.
-
-Doctor Crang barred her way.
-
-"I don't think you will, Claire, my dear!" His voice was monotonous; the
-placid smile was vanishing. "You see, having spoken to that dear little
-doll of a man, Monsieur Henri de Lavergne, I'm very much interested in
-hearing your side of the story."
-
-"Story!" the girl echoed wildly. "Story--while that man's life is lost!
-Are you mad--or a murderer--or----"
-
-"Another lover," said Doctor Crang, and threw back his head and laughed.
-
-She shrank away; her hands tight against her bosom. She glanced around
-her. If she could only reach the telephone and lock the connecting door!
-No! She did not dare leave him _alone_ with the wounded man.
-
-"What--what are you going to do?" she whispered.
-
-"Nothing--till I hear the story," he answered.
-
-"If--if he dies"--her voice rang steadily again--"I'll have you charged
-with murder."
-
-"What nonsense!" said Doctor Crang imperturbably. "Did I stab the
-gentleman?" He took from his pocket a little case, produced a hypodermic
-syringe, and pushed back his sleeve. "A doctor is not a magician. If he
-finds a patient beyond reach of aid what can he be expected to do? My
-dear Claire, where are your brains to-night--you who are usually so
-amazingly clever?"
-
-"You are mad--insane with drug!" she cried out piteously.
-
-He shook his head, and coolly inserted the needle of the hypodermic in
-his arm.
-
-"Not yet," he said. "I am only implacable. Shall we get on with the
-story? Monsieur de Lavergne says he sent a gentleman by the name of John
-Bruce out in your father's car a little while ago for the purpose of
-obtaining a loan in order that the said John Bruce might return to the
-gambling joint and continue to play. But Mr. Bruce did not return,
-and the doll, for some reason being anxious, telephones here to make
-inquiries. Of course"--there was a savage laugh in his voice--"it is
-only a suspicion, but could this gentleman on the floor here by any
-chance be Mr. John Bruce?"
-
-"Yes," she said faintly. "He is John Bruce."
-
-"Thanks!" said Doctor Crang sarcastically. He very carefully replaced
-his hypodermic in his pocket. "Now another little matter. I happen to
-know that your father is spending the evening uptown, so I wonder who
-was in the car with Mr. John Bruce."
-
-She stared at him with flashing eyes.
-
-"I was!" she answered passionately. "I don't know what you are driving
-at! I never did it before, but father was away, and Monsieur de Lavergne
-was terribly insistent. He said it was for a very special guest.
-I--I didn't, of course, tell Monsieur de Lavergne that father couldn't
-go. I only said that I was afraid it would not be convenient to make any
-loan to-night. But he wouldn't listen to a refusal, and so I went--but
-Monsieur de Lavergne had no idea that it was any one but father in the
-car."
-
-Doctor Crang's lips parted wickedly.
-
-"Naturally!" he snarled. "I quite understand that you took good care of
-that! Who drove you?"
-
-"Hawkins."
-
-"Drunk as usual, I suppose! Brain too fuddled to ask questions!"
-
-"That's not true!" she cried out sharply. "Hawkins hasn't touched a drop
-for a year."
-
-"All right!" snapped Doctor Crang. "Have it that way, then! Being in his
-dotage, he makes a good blind, even sober. And so you went for a little
-ride with Mr. John Bruce to-night?"
-
-Claire Veniza was wringing her hands as she glanced in an agony of
-apprehension at the wounded man on the floor.
-
-"Yes," she said; "but--but won't you----"
-
-"And where did you first meet Mr. John Bruce, and how long ago?" he
-jerked out.
-
-Claire Veniza's great brown eyes widened.
-
-"Why, I never saw him in my life until to-night!" she exclaimed. "And he
-wasn't in the car ten minutes. Hawkins drove back to the corner just as
-he always does with father, and Mr. Bruce got out. Then Hawkins drove me
-home and went uptown to get father. I--I wish they were here now!"
-
-Doctor Crang was gritting his teeth together. A slight unnatural color
-was tinging his cheeks. He moved a little closer to the girl.
-
-"I'm glad to hear you never saw Mr. Bruce before," he said cunningly.
-"You must have traveled _fast_ then--metaphorically speaking. Love at
-first sight, eh? A cooing exchange of confidences--or was it all on one
-side? You told him who you were, and where you lived, and----"
-
-"I did nothing of the kind!" Claire Veniza interrupted angrily. "I did
-not tell him anything!"
-
-"Just strictly business then, of course!" Doctor Crang moved a step
-still nearer to the girl. "In that case he must have pawned something,
-and as Lavergne sends nothing but high-priced articles to your father,
-we shall probably find quite a sum of money in Mr. Bruce's pockets.
-Eh--Claire?"
-
-She bit her lips. She still did not quite understand--only that she
-bitterly regretted now, somehow, that she had removed the money from
-John Bruce's person; only that the drug-crazed brain of the man in front
-of her was digging, had dug, a trap into which she was falling. What
-answer was she to make? What was she to----
-
-With a sudden cry she shrank back--but too late to save herself. A face
-alight with passion was close to hers now; hands that clamped like a
-steel vise, and that hurt, were upon her shoulder and throat.
-
-"You lie!" Doctor Crang shouted hoarsely. "You've lied from the minute
-I came into this room. John Bruce--hell! I know now why you have always
-refused to have anything to do with me. That's why!" He loosened one
-hand and pointed to the figure on the floor. "How long has this been
-going on? How long have you been meeting him? To-night is nothing,
-though you worked it well. Hawkins to take you for a little joy ride
-with your lover while father's away. Damned clever! You left him on that
-corner--and he's here wounded! How did he get wounded? You never saw him
-before! You never heard of him! You told him nothing about yourself! He
-didn't know where you lived--he could only find the private entrance!
-Just knows enough about you to climb in through your back window like a
-skewered dog! But, of course, your story is true, because in his pockets
-will be the money you gave him for what he pawned! Shall we look and see
-how much it was?"
-
-She tore herself free and caught at her throat, gasping for breath.
-
-"You--you beast!" she choked. "No; you needn't look! I took it from him,
-and put it in the safe over there before _you_ came--to keep it away
-from you."
-
-Doctor Crang swept a hand across his eyes and through his hair with a
-savage, jerky movement, and then he laughed immoderately.
-
-"What a little liar you are! Well, then, two can play at the same game.
-I lied to you about your lover there. I said there was nothing could
-save him. Yes, yes, Claire, my dear, I lied." He knelt suddenly, and
-suddenly intent and professional studied John Bruce's face, and felt
-again for the pulse beat at John Bruce's wrist. "Pretty near the limit,"
-he stated coolly. "Internal bleeding." He threw back his shoulders in
-a strangely egotistical way. "Not many men could do anything; but I,
-Sydney Angus Crang, could! Ha, ha! In ten minutes he could be on the
-road to recovery--but ten minutes, otherwise, is exactly the length of
-time he has to live."
-
-An instant Claire Veniza stared at him. Her mind reeled with chaos, with
-terror and dismay.
-
-"Then do something!" she implored wildly. "If you can save him, do it!
-You must! You shall!"
-
-"Why should I?" he demanded. His teeth were clamped hard together. "Why
-should I save your lover? No--damn him!"
-
-She drew away from him, and, suddenly, on her knees, buried her face in
-her hands and burst into sobs.
-
-"This--this is terrible--terrible!" she cried out. "Has that frightful
-stuff transformed you into an absolute fiend? Are you no longer even
-human?" Flushed, a curious look of hunger in his eyes, he gazed at her.
-
-"I'm devilishly human in some respects!" His voice rose, out of control.
-"I want you! I have wanted you from the day I saw you."
-
-She shivered. Her hands felt suddenly icy as she pressed them against
-her face.
-
-"Thank God then," she breathed, "for this, at least--that you will never
-get me!"
-
-"Won't I?" His voice rose higher, trembling with passion. "Won't I? By
-God, I will! The one thing in life I will have some way or another! You
-understand? I will! And do you think I would let _him_ stand in the way?
-You drive me mad, Claire, with those wonderful eyes of yours, with that
-hair, those lips, that throat----"
-
-"Stop!" She was on her feet, and in an instant had reached him, and
-with her hands upon his shoulders was shaking him fiercely with all her
-strength. "I hated you, despised you, loathed you before, but with that
-man dying here, you murderer, I----"
-
-Her voice trailed off, strangled, choked. He had caught her in his
-arms, his lips were upon hers. She struggled like a tigress. And as they
-lurched about the room he laughed in mad abandon. She wrenched herself
-free at last, and slipped and fell upon the floor.
-
-"Do you believe me now!" he panted. "I will have you! Neither this man
-nor any other will live to get you. His life is a snap of my fingers--so
-is any other life. It's you I want, and you I will have. And I'll tame
-you! Then I'll show you what love is."
-
-She was moaning now a little to herself. She crept to John Bruce and
-stared into his face. Dying! They were letting this man die. She tried
-to readjust the cloths upon the wound. She heard Doctor Crang laugh at
-her again. It seemed as though her soul were sinking into some great
-bottomless abyss that was black with horror. She did not know this
-John Bruce. She had told Doctor Crang so. It was useless to repeat it,
-useless to argue with a drug-steeped brain. There was only one thing
-that was absolute and final, and that was that a man's life was ebbing
-away, and a fiend, an inhuman fiend who could save him, but whom
-pleading would not touch, stood callously by, not wholly indifferent,
-rather gloating over what took the form of triumph in his diseased mind.
-And then suddenly she seemed so tired and weary. And she tried to pray
-to God. And tears came, and on her knees she turned and flung out her
-arms imploringly to the unkempt figure that stood over her, and who
-smiled as no other man she had ever seen had smiled before.
-
-"For the pity of God, for anything you have ever known in your life that
-was pure and sacred," she said brokenly, "save this man."
-
-He looked at her for a moment, still with that sardonic smile upon his
-lips, and then, swift in its transition, his expression changed and
-cunning was in his eyes.
-
-"What would you give?" he purred.
-
-"Give?" She did not look up. She felt a sudden surge of relief. It
-debased the man the more, for it was evidently money now; but her father
-would supply that. She had only to ask for it. "What do you want?" she
-asked eagerly.
-
-"Yourself," said Doctor Crang.
-
-She looked up now, quickly, startled; read the lurking triumph in his
-eyes, and with a sudden cry of fear turned away her head.
-
-"My--myself!" Her lips scarcely moved.
-
-"Yes, my dear! Yourself--Claire!" Doctor
-
-Crang shrugged his shoulders. "Edinburgh, London, Vienna, Paris, degrees
-from everywhere--ha, ha!--am I a high-priced man? Well, then, why don't
-you dismiss me? You called me in! That is my price--or shall we call it
-fee? Promise to marry me, Claire, and I'll save that man."
-
-Her face had lost all vestige of color. She stood and looked at him, but
-it did not seem as though she any longer had control over her limbs.
-She did not seem able to move them. They were numbed; her brain was
-mercifully numbed--there was only a sense of impending horror, without
-that horror taking concrete form. A voice came to her as though from
-some great distance:
-
-"Don't take too long to make up your mind. There isn't much time. It's
-about touch and go with him now."
-
-The words, the tone, the voice roused her. Realization, understanding
-swept upon her. A faintness came. She closed her eyes, swayed
-unsteadily, but recovered herself. Something made her look at the
-upturned face on the floor. She did not know this man. He was nothing
-to her. Why was he pleading with her to pawn herself for him? What right
-had he to ask for worse than death from her that he might live? Her soul
-turned sick within her. If she refused, this man would die. Death! It
-was a very little thing compared with days and months and years linked,
-fettered, bound to a drug fiend, a coward, a foul thing, a potential
-murderer, a man only in the sense of physical form, who had abused every
-other God-given attribute until it had rotted away! Her hands pressed
-to her temples fiercely, in torment. Was this man to live or die? In her
-hands was balanced a human life. It seemed as though she must scream
-out in her anguish of soul; and then it seemed as though she must fling
-herself upon the drug-crazed being who had forced this torture upon her,
-fling herself upon him to batter and pommel with her fists at his face
-that smiled in hideous contentment at her. What was she to do? The
-choice was hers. To let this man here die, or to accept a living
-death for herself--no, worse than that--something that was abominable,
-revolting, that profaned.... She drew her breath in sharply. She was
-staring at the man on the floor. His eyelids fluttered and opened. Gray
-eyes were fixed upon her, eyes that did not seem to see for there was a
-vacant stare in them--and then suddenly recognition crept into them and
-they lighted up, full of a strange, glad wonder. He made an effort to
-speak, an effort, more feeble still, to reach out his hand to her--and
-then the eyes had closed and he was unconscious again.
-
-She turned slowly and faced Doctor Crang.
-
-"You do not know what you are doing." She formed the words with a great
-effort.
-
-"Oh, yes, I do!" he answered with mocking deliberation. "I know that if
-I can't get you one way, I can another--and the way doesn't matter."
-
-"God forgive you, then," she said in a dead voice, "for I never can or
-will! I--I agree."
-
-He took a step toward her.
-
-"You'll marry me?" His face was fired with passion.
-
-She retreated a step.
-
-"Yes," she said.
-
-He reached out for her with savage eagerness.
-
-"Claire!" he cried. "Claire!"
-
-She pushed him back with both hands.
-
-"Not yet!" she said, and tried to steady her voice. "There is another
-side to the bargain. The price is this man's life. If he lives I will
-marry you, and in that case, as you well know, I can say nothing of what
-you have done to-night; but if he dies, I am not only free, but I will
-do my utmost to make you criminally responsible for his death."
-
-"Ah!" Doctor Crang stared at her. His hands, still reaching out to touch
-her, trembled; his face was hectic; his eyes were alight again with
-feverish hunger--and then suddenly the man seemed transformed into
-another being. He was on his knees beside John Bruce, and had opened his
-handbag in an instant, and in another he had forced something from a
-vial between John Bruce's lips; then an instrument was in his hands. The
-man of a moment before was gone; one Sydney Angus Crang, of many
-degrees, professional, deft, immersed in his work, had taken the other's
-place. "More water! An extra basin!" he ordered curtly.
-
-Claire Veniza obeyed him in a mechanical way. Her brain was numbed,
-exhausted, possessed of a great weariness. She watched him for a little
-while. He flung another order at her.
-
-"Make that couch up into a bed," he directed. "He can't be moved even
-upstairs to-night."
-
-Again she obeyed him; finally she helped him to lift John Bruce to the
-couch.
-
-She sat down in a chair and waited--she did not know what for. Doctor
-Crang had drawn another chair to the couch and sat there watching his
-patient. John Bruce, as far as she could tell, showed no sign of life.
-
-Then Doctor Crang's voice seemed to float out of nothingness:
-
-"He will live, Claire, my dear! By God, I'd like to have done that piece
-of work in a clinic! Some of 'em would sit up! D'ye hear, Claire, he'll
-live!"
-
-She was conscious that he was studying her; she did not look at him, nor
-did she answer.
-
-An eternity seemed to pass. She heard a motor stop outside in front of
-the house. That would be her father and Hawkins.
-
-The front door opened and closed, footsteps entered the room--and
-suddenly seemed to quicken and hurry forward. She rose from her chair.
-
-"What's this? What's the matter? What's happened?" a tall, white-haired
-man cried out.
-
-It was Doctor Crang who answered.
-
-"Oh--this, Mr. Veniza?" He waved his hand indifferently toward the
-couch. "Nothing of any importance." He shrugged his shoulders in cool
-imperturbability, and smiled into the grave, serious face of Paul
-Veniza. "The really important thing is that Claire has promised to be my
-wife."
-
-For an instant no one moved or spoke--only Doctor Crang still smiled.
-And then the silence was broken by a curious half laugh, half curse that
-was full of menace.
-
-"You lie!" Hawkins, the round, red-faced chauffeur, had stepped from
-behind Paul Veniza, and now faced Doctor Crang. "You lie! You damned
-coke-eater! I'd kill you first!"
-
-"Drunk--again!" drawled Doctor Crang contemptuously. "And what have you
-to do with it?"
-
-"Steady, Hawkins!" counselled Paul Veniza quietly. He turned to Claire
-Veniza. "Claire," he asked, "is--is this true?"
-
-She nodded--and suddenly, blindly, started toward the door.
-
-"It is true," she said.
-
-"Claire!" Paul Veniza stepped after her. "Claire,
-
-"Not to-night, father," she said in a low voice. "Please let me go."
-
-He stood aside, allowing her to pass, his face grave and anxious--and
-then he turned again to Doctor Crang.
-
-"She is naturally very upset over what has happened here," said Doctor
-Crang easily--and suddenly reaching out grasped Hawkins' arm, and pulled
-the old man forward to the couch. "Here, you!" he jerked out. "You've
-got so much to say for yourself--take a look at this fellow!"
-
-The old chauffeur bent over the couch.
-
-"My God!" he cried out in a startled way. "It's the man we--I--drove
-to-night!"
-
-"Quite so!" observed Doctor Crang. He smiled at Paul Veniza again.
-"Apart from the fact that the fellow came in through that window with a
-knife stab in his side that's pretty nearly done for him, Hawkins knows
-as much about it as either Claire or I do. He's in bad shape. Extremely
-serious. I will stay with him to-night. He cannot be moved." He nodded
-suggestively toward the door. "Hawkins can tell you as much as I can.
-It's got to be quiet in here. As for Claire"--he seemed suddenly to be
-greatly disturbed and occupied with the condition of the wounded man on
-the couch--"that will have to wait until morning. This man's condition
-is critical. I can't put you out of your own room, but-----" Again he
-nodded toward the door.
-
-For a moment Paul Veniza hesitated--but Doctor Crang's back was already
-turned, and he was bending over the wounded man, apparently oblivious to
-every other consideration. He motioned to Hawkins, and the two left the
-room.
-
-Doctor Crang looked around over his shoulder as the door closed. A
-malicious grin spread over his face. He rubbed his hands together. Then
-he sat down in his chair again, and began to prepare a solution for his
-hypodermic syringe.
-
-"Yes, yes," said Doctor Crang softly, addressing the unconscious form of
-John Bruce, "you'll live, all right, my friend, I'll see to that, though
-the odds are still against you. You're too--ha, ha!--valuable to die!
-You played in luck when you drew Sydney Angus Crang, M.D., as your
-attending physician!"
-
-And then Doctor Sydney Angus Crang made a little grimace as he punctured
-the flesh of his arm with the needle of the hypodermic syringe and
-injected into himself another dose of cocaine.
-
-"Yes," said Doctor Sydney Angus Crang very softly, his eyes lighting,
-"too valuable, much too valuable--to die!"
-
-
-
-
-CHAPTER FIVE--HAWKINS
-
-|IN the outer room, the door closed behind them, Paul Veniza and
-Hawkins stared into each other's eyes. Hawkins' face had lost its ruddy,
-weatherbeaten color, and there was a strained, perplexed anxiety in his
-expression.
-
-"D'ye hear what she said?" he mumbled. "D'ye hear what he said? Going
-to be married! My little girl, my innocent little girl, and--and that
-dope-feeding devil! I--I don't understand, Paul. What's it mean?"
-
-Paul Veniza laid his hand on the other's shoulder, as much to seek, it
-seemed, as to offer sympathy. He shook his head.
-
-"I don't know," he said blankly.
-
-Hawkins' watery blue eyes under their shaggy brows traveled miserably in
-the direction of the staircase.
-
-"I--I ain't got the right," he choked. "You go up and talk to her,
-Paul."
-
-Paul Veniza ran his fingers in a troubled way through his white hair;
-then, nodding his head, he turned abruptly and began to mount the
-stairs.
-
-Hawkins watched until the other had disappeared from sight, watched
-until he heard a door open and close softly above; then he swung sharply
-around, and with his old, drooping shoulders suddenly squared, strode
-toward the door that shut him off from Doctor Crang and the man he had
-recognized as his passenger in the traveling pawn-shop earlier that
-night. But at the door itself he hesitated, and after a moment drew
-back, and the shoulders drooped again, and he fell to twisting his hands
-together in nervous indecision as he retreated to the center of the
-room.
-
-And he stood there again, where Paul Veniza had left him, and stared
-with the hurt of a dumb animal in his eyes at the top of the staircase.
-
-"It's all my fault," the old man whispered, and fell to twisting his
-hands together once more. "But--but I thought she'd be safe with me."
-
-For a long time he seemed to ponder his own words, and gradually they
-seemed to bring an added burden upon him, and heavily now he drew his
-hand across his eyes.
-
-"Why ain't I dead?" he whispered. "I ain't never been no good to
-her. Twenty years, it is--twenty years. Just old Hawkins--shabby old
-Hawkins--that she loves 'cause she's sorry for him."
-
-Hawkins' eyes roved about the room.
-
-"I remember the night I brought her here." He was still whispering to
-himself. "In there, it was, I took her." He jerked his hand toward the
-inner room. "This here room was the pawn-shop then. God, all those years
-ago--and--and I ain't never bought her back again, and she ain't known
-no father but Paul, and----" His voice trailed off and died away.
-
-He sank his chin in his hands.
-
-Occasionally he heard the murmur of voices from above, occasionally the
-sound of movement through the closed door that separated him from Doctor
-Crang; but he did not move or speak again until Paul Veniza came down
-the stairs and stood before him.
-
-Hawkins searched the other's face.
-
-"It--it ain't true, is it, what she said?" he questioned almost
-fiercely. "She didn't really mean it, did she, Paul?"
-
-Paul Veniza turned his head away.
-
-"Yes, she meant it," he answered in a low voice. "I don't understand.
-She wouldn't give me any explanation."
-
-Hawkins clenched his fists suddenly.
-
-"But didn't you tell her what kind of a man Crang is? Good God, Paul,
-didn't you tell her what he is?"
-
-"She knows it without my telling her," Paul Veniza said in a dull tone.
-"But I told her again; I told her it was impossible, incredible. Her
-only answer was that it was inevitable."
-
-"But she doesn't love him! She can't love him!" Hawkins burst out.
-"There's never been anything between them before."
-
-"No, she doesn't love him. Of course, she doesn't!" Paul Veniza said, as
-though speaking to himself. He looked at Hawkins suddenly under knitted
-brows. "And she says she never saw that other man in her life before
-until he stepped into the car. She says she only went out to-night
-because they were so urgent about it up at the house, and that she felt
-everything would be perfectly safe with you driving the car. I can't
-make anything out of it!"
-
-Hawkins drew the sleeve of his coat across his brow. It was cool in the
-room, but little beads of moisture were standing out on his forehead.
-
-"I ain't brought her nothing but harm all my life," he said brokenly.
-"I----"
-
-"Don't take it that way, old friend!" Paul Veniza's hands sought the
-other's shoulders. "I don't see how you are to blame for this. Claire
-said that other man treated her with all courtesy, and left the car
-after you had gone around the block; and she doesn't know how he
-afterwards came here wounded any more than we do--and anyway, it can't
-have anything to do with her marrying Doctor Crang."
-
-"What's she doing now?" demanded Hawkins abruptly. "She's up there
-crying her heart out, ain't she?"
-
-Paul Veniza did not answer.
-
-Hawkins straightened up. A sudden dignity came to the shabby old figure.
-
-"What hold has that devil got on my little girl?" he cried out
-sharply. "I'll make him pay for it, so help me God! My little girl, my
-little------"
-
-"S-sh!" Paul Veniza caught hurriedly at Hawkins' arm. "Be careful, old
-friend!" he warned. "Not so loud! She might hear you."
-
-Hawkins cast a timorous, startled glance in the direction of the stairs.
-He seemed to shrink again, into a stature as shabby as his clothing. His
-lips twitched; he twisted his hands together.
-
-"Yes," he mumbled; "yes, she--she might hear me." He stared around the
-room; and then, as though blindly, his hands groping out in front of
-him, he started for the street door. "I'm going home," said Hawkins.
-"I'm going home to think this out."
-
-Paul Veniza's voice choked a little.
-
-"Your hat, old friend," he said, picking up the old man's hat from the
-table and following the other to the door.
-
-"Yes, my hat," said Hawkins--and pulling it far down over his eyes,
-crossed the sidewalk, and climbed into the driver's seat of the old,
-closed car that stood at the curb.
-
-He started the car mechanically. He did not look back. He stared
-straight ahead of him except when, at the corner, his eyes lifted and
-held for a moment on the lighted windows and the swinging doors of a
-saloon--and the car went perceptibly slower. Then his hands tightened
-fiercely in their hold upon the wheel until the white of the knuckles
-showed, and the car passed the saloon and turned the next corner and
-went on.
-
-Halfway down the next block it almost came to a halt again when opposite
-a dark and dingy driveway that led in between, and to the rear of,
-two poverty-stricken frame houses. Hawkins stared at this uninviting
-prospect, and made as though to turn the car into the driveway; then,
-shaking his head heavily, he continued on along the street.
-
-"I can't go in there and sit by myself all alone," said Hawkins
-hoarsely. "I--I'd go mad. It's--it's like as though they'd told me
-to-night that she'd died--same as they told me about her mother the
-night I went to Paul's."
-
-The car moved slowly onward. It turned the next corner--and the next. It
-almost completed the circuit of the block. Hawkins now was wetting his
-lips with the tip of his tongue. His hands on the wheel were trembling.
-The car had stopped. Hawkins was staring again at the lighted windows
-and the swinging doors of the saloon.
-
-He sat for a long time motionless; then he climbed down from his seat.
-
-"Just one," Hawkins whispered to himself. "Just one. I--I'd go mad if I
-didn't."
-
-Hawkins pushed the swinging doors open, and sidled up to the bar.
-
-"Hello, Hawkins!" grinned the barkeeper. "Been out of town? I ain't seen
-you the whole afternoon!"
-
-"You mind your own business!" said Hawkins surlily.
-
-"Sure!" nodded the barkeeper cheerily. "Same as usual?" He slid a
-square-faced bottle and a glass toward the old man.
-
-Hawkins helped himself and drank moodily. He set his empty glass back
-on the bar, jerked down his shabby vest and straightened up, his eyes
-resolutely fixed on the door. Then he felt in his pocket for his pipe
-and tobacco. His eyes shifted from the door to his pipe. He filled it
-slowly.
-
-"Give me another," said Hawkins presently--without looking at the
-barkeeper.
-
-Again the old man drank, and jerked down his vest, and squared his thin
-shoulders. He lighted his pipe, tamping the bowl carefully with his
-forefinger. His eyes sought the swinging doors once more.
-
-"I'm going home," said Hawkins defiantly to himself. "I've got to think
-this out." He dug into his vest pocket for money, and produced a few
-small bills. He stared at these for a moment, hesitated, started to
-replace them in his pocket, hesitated again, and the tip of his tongue
-circled his lips; then he pushed the money across the bar. "Take the
-drinks out of that, and--and give me a bottle," he said. "I--I don't
-like to be without anything in the house, and I got to go home."
-
-"You said something!" said the barkeeper. "Have one on the house before
-you go?"
-
-"No; I won't."
-
-"No," said Hawkins with stern determination.
-
-Hawkins crowded the bottle into the side pocket of his coat, passed out
-through the swinging doors, and resumed his seat on the car. And again
-the car started forward. But it went faster now. Hawkins' face was
-flushed; he seemed nervously and excitedly in haste. At the driveway
-he turned in, garaged his car in an old shed at the rear of one of the
-houses, locked the shed with a padlock, and, by way of the back door,
-entered the house that was in front of the shed.
-
-It was quite dark inside, but Hawkins had been an inmate of the somewhat
-seedy rooming-house too many years either to expect that a light should
-be burning at that hour, or, for that matter, to require any light.
-He groped his way up a flight of creaking stairs, opened the door of a
-room, and stepped inside. He shut the door behind him, locked it, and
-struck a match. A gas-jet wheezed asthmatically, and finally flung a
-thin and sullen yellow glow about the place. It disclosed a cot bed, a
-small strip of carpet long since worn bare of nap, a washstand, an old
-trunk, a battered table, and two chairs.
-
-Hawkins, with some difficulty, extricated the bottle from his pocket,
-and lifted the lid of his trunk. He thrust the bottle inside, and in the
-act of closing the lid upon it--hesitated.
-
-"I--I ain't myself to-night, I ain't," said Hawkins tremulously. "It's
-shook me, it has--bad. Just one--so help me God!--just one."
-
-Hawkins sat down at the table with the bottle in front of him.
-
-And while Hawkins sat there it grew very late.
-
-At intervals Hawkins talked to himself. At times he stared owlishly
-from a half-emptied bottle to the black square of window pane above the
-trunk--and once he shook his fist in that direction.
-
-"Crang--eh--damn you!" he gritted out. "You think you got her, do you?
-Some dirty, cunning trick you've played her! But you don't know old
-Hawkins. Ha, ha! You think he's only a drunken bum!"
-
-Hawkins, as it grew later still, became unsteady in his seat. Gradually
-his head sank down upon the table.
-
-"I--hie!--gotta think this--out," said Hawkins earnestly--and fell
-asleep.
-
-
-
-
-CHAPTER SIX--THE ALIBI
-
-|JOHN BRUCE opened his eyes dreamily, unseeingly; and then his eyelids
-fluttered and closed again. There was an exquisite sense of languor
-upon him, of cool, comfortable repose; a curious absence of all
-material things. It seemed as though he were in some suspended state of
-animation.
-
-It was very strange. It wasn't life--not life as he had ever known it.
-Perhaps it was death. He did not understand.
-
-He tried to think. He was conscious that his mind for some long
-indeterminate period had been occupied with the repetition of queer,
-vague, broken snatches of things, fantastic things born of illusions,
-brain fancies, cobwebby, intangible, which had no meaning, and were
-without beginning or end. There was a white beach, very white, and a
-full round moon, and the moon winked knowingly while he whittled with a
-huge jack-knife at a quill toothpick. And then there was a great chasm
-of blackness which separated the beach from some other place that seemed
-to have nothing to identify it except this black chasm which was the
-passageway to it; and here a man's face, a face that was sinister in
-its expression, and both repulsive and unhealthy in its color, was
-constantly bending over him, and the man's head was always in the same
-posture--cocked a little to one side, as though listening intently
-and straining to hear something. And then, in the same place, but less
-frequently, there was another face--and this seemed to bring with it
-always a shaft of warm, bright sunlight that dispelled the abominable
-gloom, and before which the first face vanished--a beautiful, the
-wondrously beautiful, face of a girl, one that he had seen somewhere
-before, that was haunting in its familiarity and for which it seemed
-he had always known a great yearning, but which plagued him miserably
-because there seemed to be some unseen barrier between them, and because
-he could not recognize her, and she could not speak and tell him who she
-was.
-
-John Bruce opened his eyes again. Dimly, faintly, his mind seemed to be
-grasping coherent realities. He began to remember fragments of the past,
-but it was very hard to piece those fragments together into a concrete
-whole. That white beach--yes, he remembered that. And the quill
-toothpick. Only the huge jack-knife was absurd! It was at Apia with
-Larmon. But he was in a room somewhere now, and lying on a cot of some
-sort. And it was night. How had he come here?
-
-He moved a little, and suddenly felt a twinge of pain in his side. His
-hand groped under the covering, and his fingers came into contact with
-bandages that were wrapped tightly around his body.
-
-And then in a flash memory returned. He remembered the fight in Ratti's
-wine shop, the knife stab, and how he had dragged himself along the lane
-and climbed in through _her_ window. His eyes now in a startled way were
-searching his surroundings. Perhaps this was the room! He could not
-be quite sure, but there seemed to be something familiar about it. The
-light was very low, like a gas-jet turned down, and he could not make
-out where it came from, nor could he see any window through which he
-might have climbed in.
-
-He frowned in a troubled way. It was true that, as he had climbed in
-that night, he had not been in a condition to take much note of the
-room, but yet it did seem to be the same place. The frown vanished. What
-did it matter? He knew now beyond any question whose face it was that
-had come to him so often in that shaft of sunlight. Yes, it _did_
-matter! He must have been unconscious, perhaps for only a few hours,
-perhaps for days, but if this was the same place, then she was _here_,
-not as a figment of the brain, not as one created out of his own
-longing, but here in her actual person, a living, breathing reality. It
-was the girl of the traveling pawn-shop, and----
-
-John Bruce found himself listening with sudden intentness. Was he
-drifting back into unconsciousness again, into that realm of unreal
-things, where the mind, fevered and broken, wove out of its sick
-imagination queer, meaningless fancies? It was strange that unreal
-things should seem so real! Wasn't that an animal of some sort
-scratching at the wall of the house outside?
-
-He lifted his head slightly from the pillow--and held it there. A voice
-from within the room reached him in an angry, rasping whisper:
-
-"Damn you, Birdie, why don't you pull the house down and have done with
-it? You clumsy hog! Do you want the police on us? Can't you climb three
-feet without waking up the whole of New York?"
-
-John Bruce's lips drew together until they formed a tight, straight
-line. This was strange! Very strange! It wasn't a vagary of his brain
-this time. His brain was as clear now as it had ever been in his life.
-The voice came from beyond the head of his cot. He had seen no one in
-the room, but that was natural enough since from the position in which
-he was lying his line of vision was decidedly restricted; what seemed
-incomprehensible though, taken in conjunction with the words he had
-just heard, was that his own presence there appeared to be completely
-ignored.
-
-He twisted his head around cautiously, and found that the head of the
-cot was surrounded by a screen. He nodded to himself a little grimly.
-That accounted for it! There was a scraping sound now, and heavy,
-labored breathing.
-
-John Bruce silently and stealthily stretched out his arm. He could just
-reach the screen. It was made of some soft, silken material, and his
-fingers found no difficulty in drawing this back a little from the edge
-of that portion of the upright framework which was directly in front of
-him.
-
-He scarcely breathed now. Perhaps he was in so weak a state that his
-mind faltered if crowded, for there was so much to see that he could
-not seem to grasp it all as a single picture. He gazed fascinated. The
-details came slowly--one by one. It _was_ the room where he had crawled
-in through the window and had fallen senseless to the floor--whenever
-that had been! That was the window there. And, curiously enough, another
-man was crawling in through it now! And there was whispering. And two
-other men were already standing in the room, but he could not see their
-faces because their backs were turned to him. Then one of the two swung
-around in the direction of the window, bringing his face into view. John
-Bruce closed his eyes for a moment. Yes, it must be that! His mind was
-off wandering once more, painting and picturing for itself its fanciful
-unrealities, bringing back again the character it had created, the man
-with the sinister face whose pallor was unhealthy and repulsive.
-
-And then he opened his eyes and looked again, and the face was still
-there--and it was real. And now the man spoke:
-
-"Come on, get busy, Birdie! If you take as long to crack the box as you
-have taken to climb in through a low window, maybe we'll be invited to
-breakfast with the family! You act just like a swell cracksman--not! But
-here's the combination--so try and play up to the part!"
-
-The man addressed was heavy of build, with a pockmarked and forbidding
-countenance. He was panting from his exertions, as, inside the room now,
-he leaned against the sill.
-
-"That's all right, Doc!" he grunted. "That's all right! But how about
-his nibs over there behind the screen? Ain't he ever comin' out of his
-nap?"
-
-The man addressed as "Doc" rolled up the sleeve of his left arm, and
-produced a hypodermic syringe from his pocket.
-
-"There's the safe over there, Birdie," he drawled, as he pricked his arm
-with the needle and pushed home the plunger. "Get busy!"
-
-The big man shuffled his feet.
-
-"I know you know your business, Doc," he said uneasily; "but I guess
-me an' Pete here 'd feel more comfortable if you'd have put that shot of
-coke into the guy I'm speakin' about instead of into yourself. Ain't I
-right, Pete?"
-
-The third man was lounging against the wall, his back still turned to
-John Bruce.
-
-"Sure," he said; "but I guess you can leave it to Doc. A guy that's
-been pawin' the air for two days ain't likely to butt in much all of a
-sudden."
-
-The man with the hypodermic, in the act of replacing the syringe in his
-pocket, drew it out again.
-
-"Coming from you, Birdie," he murmured caustically, "that's a
-surprisingly bright idea. I've been here for the last three hours
-listening to his interesting addresses from the rostrum of delirium, and
-I should say he was quite safe. Still, to oblige you, Birdie, and make
-you feel more comfortable, we'll act on your suggestion."
-
-John Bruce's teeth gritted together. How weak he was! His arm ached from
-even the slight strain of extending it beyond his head to the screen.
-
-And then he smiled grimly. But it wasn't a case of strength now, was it?
-He was obviously quite helpless in that respect. This man they called
-Doc believed him to be still unconscious, and--he drew his arm silently
-back, tucked it again under the sheet and blanket that covered him,
-and closed his eyes--and even if he could resist, which he couldn't, a
-hypodermic injection of morphine, or cocaine, or whatever it was that
-the supreme crook of the trio indulged in, could not _instantly_ take
-effect. There ought to be time enough to watch at least----
-
-John Bruce lay perfectly still. He heard a footstep come quickly around
-the screen; he sensed the presence of some one bending over him; then
-the coverings were pulled down and his arm was bared. He steeled himself
-against the instinctive impulse to wince at the sharp prick of the
-needle which he knew was coming--and felt instead a cold and curiously
-merciless rage sweep over him as the act was performed. Then the
-footstep retreated--and John Bruce quietly twisted his head around on
-the pillow, reached out his arm, and his fingers drew the silk panel of
-the screen slightly away from the edge of the framework again.
-
-He could see the safe they had referred to now. It was over at the far
-side of the room against the wall, and the three men were standing in
-front of it. Presently it was opened. The man called Doc knelt down in
-front of it and began to examine its contents. He swung around to his
-companions after a moment with a large pile of banknotes in his hands.
-From this pile he counted out and handed a small portion to each of the
-other two men--and coolly stuffed the bulk of the money into his own
-pockets.
-
-The scene went blurry then for a moment before John Bruce's eyes, and
-he lifted his free hand and brushed it across his forehead. He was so
-beastly weak, anyhow, and the infernal dope was getting in its work
-too fast! He fought with all his mental strength against the impulse
-to relax and close his eyes. What was it they were doing now? It looked
-like some foolish masquerade. The two companions of the man with the
-sinister, pasty face were tying handkerchiefs over their faces and
-drawing revolvers from their pockets; and then the big man began to
-close the door of the safe.
-
-The Doc's voice came sharply:
-
-"Look out you don't lock it, you fool!"
-
-Once more John Bruce brushed his hand across his eyes. His brain must
-be playing him tricks again. A din infernal rose suddenly in the room.
-While the big man lounged nonchalantly against the safe, the other two
-were scuffling all over the floor and throwing chairs about. And then
-from somewhere upstairs, on the floor there too, John Bruce thought he
-caught the sound of hurried movements.
-
-Then for an instant the scuffling in the room ceased, and the
-pasty-faced man's voice came in a peremptory whisper:
-
-"The minute any one shows at the door you swing that safe open as though
-you'd been working at it all the time, Birdie, and pretend to shove
-everything in sight into your pockets. And you, Joe, you've got me
-cornered and covered here--see? And you hold the doorway with your gun
-too; and then both of you back away and make your getaway through the
-window." The scuffling began again. John Bruce watched the scene, a
-sense of drowsiness and apathy creeping upon him. He tried to rouse
-himself. He ought to do something. That vicious-faced little crook who
-had haunted him with unwelcome visitations, and who at this precise
-moment had the bulk of the money from the safe in his own pockets, was
-in the act of planting a somewhat crude, but probably none the less
-effective, alibi, and----
-
-John Bruce heard a door flung open, and then a sudden, startled cry,
-first in a woman's and then in a man's voice. But he could not see any
-door from the position in which he lay. He turned over with a great
-effort, facing the other way, and reached out with his fingers for the
-panel of the screen that overlapped the head of the cot. And then John
-Bruce lay motionless, the blood pounding fiercely at his temples.
-
-He was conscious that a tall, white-haired man in scanty attire was
-there, because the doorway framed two figures; but he _saw_ only a
-beautiful face, pitifully white, only the slim form of a girl whose
-great brown eyes were very wide with fear, and who held her dressing
-gown tightly clutched around her throat. It was the girl of the
-traveling pawn-shop, it was the girl of his dreams in the shaft of
-sunlight, it was the girl he had followed here--only--only the picture
-seemed to be fading away. It was very strange! It was most curious! She
-always seemed to leave that way. This was Larmon now instead, wasn't it?
-Larmon... and a jack-knife... and a quill toothpick... and....
-
-
-
-
-CHAPTER SEVEN--THE GIRL OF THE TRAVELING PAWN-SHOP
-
-|JOHN BRUCE abstractedly twirled the tassel of the old and faded
-dressing gown which he wore, the temporary possession of which he
-owed to Paul Veniza, his host. From the chair in which he sat his eyes
-ventured stolen glances at the nape of a dainty neck, and at a great
-coiled mass of silken brown hair that shone like burnished copper in the
-afternoon sunlight, as Claire Veniza, her back turned toward him, busied
-herself about the room. He could walk now across the floor--and a
-great deal further, he was sure, if they would only let him. He had not
-pressed that point; it might be taking an unfair advantage of an already
-over-generous hospitality, but he was not at all anxious to speed his
-departure from--well, from where he was at that precise moment.
-
-And now as he looked at Claire Veniza, his thoughts went back to the
-night he had stepped, at old Hawkins' invitation, into the traveling
-pawn-shop. That was not so very long ago--two weeks of grave illness,
-and then the past week of convalescence--but it seemed to span a great
-and almost limitless stretch of time, and to mark a new and entirely
-different era in his life; an era that perplexed and troubled and
-intrigued him with conditions and surroundings and disturbing elements
-that he did not comprehend--but at the same time made the blood in his
-veins to course with wild abandon, and the future to hold out glad and
-beckoning hands.
-
-He loved, with a great, overwhelming, masterful love, the girl who stood
-there just across the room all unconscious of the worship that he knew
-was in his eyes, and which he neither tried nor wished to curb. Of his
-own love he was sure. He had loved her from the moment he had first seen
-her, and in his heart he knew he held fate kind to have given him the
-wound that in its turn had brought the week of convalescence just past.
-And yet--and yet---- Here dismay came, and his brain seemed to stumble.
-Sometimes he dared to hope; sometimes he was plunged into the depths of
-misery and despair. Little things, a touch of the hand as she had nursed
-him that had seemed like some God-given tender caress, a glance when
-she had thought he had not seen and which he had allowed his heart to
-interpret to its advantage with perhaps no other justification than
-its own yearning and desire, had buoyed him up; and then, at times,
-a strange, almost bitter aloofness, it seemed, in her attitude toward
-him--and this had checked, had always checked, the words that were ever
-on his lips.
-
-A faint flush dyed his cheeks. But even so, and for all his boasted
-love, did he not in his own soul wrong her sometimes? The questions
-_would_ come. What was the meaning of the strange environment in which
-she lived? Why should she have driven to a gambling hell late at night,
-and quite as though it were the usual thing, to transact business alone
-in that car with----
-
-God! His hands clenched fiercely. He remembered that night, and how the
-same thought had come then, mocking him, jeering him, making sport of
-him. He was a cad, a pitiful, vile-minded cad! Thank God that he was at
-least still man enough to be ashamed of his own thoughts, even if they
-came in spite of him!
-
-Perhaps it was the strange, unusual characters that surrounded her, that
-came and went in this curious place here, that fostered such thoughts;
-perhaps he was not strong enough yet to grapple with all these confusing
-things. He smiled a little grimly. The robbery of the safe, for
-instance--and that reptile whom he now knew to be his own attending
-physician, Doctor Crang! He had said nothing about his knowledge of the
-robbery--yet. As nearly as he could judge it had occurred two or three
-days prior to the time when his actual convalescence had set in, and as
-a material witness to the crime he was not at all sure that in law his
-testimony would be of much value. They must certainly have found him in
-an unconscious state immediately afterward--and Doctor Crang would
-as indubitably attack his testimony as being nothing more than the
-hallucination of a sick brain.
-
-The luck of the devil had been with Crang! Why had he, John Bruce, gone
-drifting off into unconsciousness just at the psychological moment when,
-if the plan had been carried out as arranged and the other two had made
-their fake escape, Crang would have been left in the room with Claire
-and Paul Veniza--with the money in his pockets! He would have had Doctor
-Crang cold then! It was quite different now. He was not quite sure what
-he meant to do, except that he fully proposed to have a reckoning with
-Doctor Crang. But that reckoning, something, he could not quite define
-what, had prompted him to postpone until he had become physically a
-little stronger!
-
-And then there was another curious thing about it all, which too had
-influenced him in keeping silent. Hawkins, Paul Veniza, Claire and
-Doctor Crang had each, severally and collectively, been here in this
-room many times since the robbery, and not once in his presence had the
-affair ever been mentioned! And--oh, what did it matter! He shrugged his
-shoulders as though to rid himself of some depressing physical weight.
-What did anything matter on this wonderful sunlit afternoon--save Claire
-there in her white, cool dress, that seemed somehow to typify her own
-glorious youth and freshness.
-
-How dainty and sweet and alluring she looked! His eyes were no longer
-contented with stolen glances; they held now masterfully, defiant of any
-self-restraint, upon the slim figure that was all grace from the trim
-little ankles to the poise of the shapely head. He felt the blood
-quicken his pulse. Stronger than he had ever known it before, straining
-to burst all barriers, demanding expression as a right that would not be
-denied, his love rose dominant within him, and----
-
-The tassel he had been twirling dropped from his hand. She had
-turned suddenly; and across the room her eyes met his, calm, deep and
-unperturbed at first, but wide the next instant with a startled shyness,
-and the color sweeping upward from her throat crimsoned her face, and in
-confusion she turned away her head.
-
-John Bruce was on his feet. He stumbled a little as he took a step
-forward. His heart was pounding, flinging a red tide into the pallor of
-his cheeks that illness had claimed as one of its tolls.
-
-"I--I did not mean to tell you like that," he said huskily. "But I have
-wanted to tell you for so long. It seems as though I have always wanted
-to tell you. Claire--I love you."
-
-She did not answer.
-
-He was beside her now--only her head was lowered and averted and he
-could not look into her face. Her fingers were plucking tremulously at a
-fold of her dress. He caught her hand between both his own.
-
-"Claire--Claire, I love you!" he whispered.
-
-She disengaged her hand gently; and, still refusing to let him see her
-face, shook her head slowly.
-
-"I--I-----" Her voice was very low. "Oh, don't you know?"
-
-"I know I love you," he answered passionately. "I know that nothing else
-but that matters."
-
-Again she shook her head.
-
-"I thought perhaps he would have told you. I--I am going to marry Doctor
-Crang."
-
-John Bruce stepped back involuntarily; and for a moment incredulity and
-helpless amazement held sway in his expression--then his lips tightened
-in a hurt, half angry way.
-
-"Is that fair to me, Claire--to give me an answer like that?" he said in
-a low tone. "I know it isn't true, of course; it couldn't be--but--but
-it isn't much of a joke either, is it?"
-
-"It is true," she said monotonously.
-
-He leaned suddenly forward, and taking her face between his hands, made
-her lift her head and look at him. The brown eyes were swimming with
-tears. The red swept her face in a great wave, and, receding, left it
-deathly pale--and in a frenzy of confusion she wrenched herself free
-from him and retreated a step.
-
-"My God!" said John Bruce hoarsely. "You--and Doctor Crang! I don't
-understand! It is monstrous! You can't love that----" He checked
-himself, biting at his lips. "You can't love Doctor Crang. It is
-impossible! You dare not stand there and tell me that you do. Answer me,
-Claire--answer me!"
-
-She seemed to have regained her self-control--or perhaps it was the one
-defense she knew. The little figure was drawn up, her head held back.
-
-"You have no right to ask me that," she said steadily.
-
-"Right!" John Bruce echoed almost fiercely. His soul itself seemed
-suddenly to be in passionate turmoil; it seemed to juggle two figures
-before his consciousness, contrasting one with the other in most hideous
-fashion--this woman here whom he loved, who struggled to hold herself
-bravely, who stood for all that was pure, for all that he reverenced in
-a woman; and that sallow, evil-faced degenerate, a drug fiend so lost to
-the shame of his vice that he pricked himself with his miserable needle
-quite as unconcernedly in public as one would smoke a cigarette--and
-worse--a crook--a thief! Was it a coward's act to tell this girl _what_
-the man was whom she proposed to marry? Was it contemptible to pull a
-rival such as that down from the pedestal which in some fiendish way he
-must have erected for himself? Surely she did not know the man for what
-he actually was! She could not know! "Right!" he cried out. "Yes, I have
-the right--both for your sake and for my own. I have the right my love
-gives me. Do you know how I came here that first night?"
-
-"Yes," she said with an effort. "You told me. You were in a fight in
-Ratti's place, and were wounded."
-
-He laughed out harshly.
-
-"And I told you the truth--as far as it went," he said. "But do you know
-how I came to be in this locality after leaving you in that motor car? I
-followed you. I loved you from the moment I saw you that night. It seems
-as though I have always loved you--as I always shall love you. That is
-what gives me the right to speak. And I mean to speak. If it were an
-honorable man to whom you were to be married it would be quite another
-matter; but you cannot know what you are doing, you do not know this man
-as he really is, or what he----"
-
-"Please! Please stop!" she cried out brokenly. "Nothing you could say
-would tell me anything I do not already know."
-
-"I am not so sure!" said John Bruce grimly. "Suppose I told you he was a
-criminal?"
-
-"He is a criminal." Her voice was without inflection.
-
-"Suppose then he were sent to jail--to serve a sentence?"
-
-"I would marry him when he came out," she said. "Oh, please do not
-say any more! I know far more about him than you do; but--but that has
-nothing to do with it."
-
-For an instant, motionless, John Bruce stared at Claire; then his hands
-swept out and caught her wrists in a tight grip and held her prisoner.
-
-"Claire!" His voice choked. "What does this mean? You do not love him;
-you say you know he is even a criminal--and yet you are going to marry
-him! What hold has he got on you? What is it? What damnable trap has he
-got you in? I am going to know, Claire! I will know! And whatever it is,
-whatever the cause of it, I'll crush it, strangle it, sweep it out of
-your dear life at any cost! Tell me, Claire!"
-
-Her face had gone white; she struggled a little to release herself.
-
-"You--you do not know what you are saying. You----" Her voice broke in a
-half sob.
-
-"Claire, look at me!" He was pleading now with his soul in his eyes and
-voice. "Claire, I----"
-
-"Oh, please let me go!" she cried out frantically. "You cannot say
-anything that will make any difference. I--it only makes it harder."
-The tears were brimming in her eyes again. "Oh, please let me
-go--there's--there's some one coming."
-
-John Bruce's hands dropped to his sides. The door, already half open,
-was pushed wide, and Hawkins, the old chauffeur, stood on the threshold.
-And as John Bruce looked in that direction, he was suddenly and
-strangely conscious that somehow for the moment the old man dominated
-his attention even to the exclusion of Claire. There was something of
-curious self-effacement, of humbleness in the bent, stoop-shouldered
-figure there, who twisted a shapeless hat awkwardly in his hands; but
-also something of trouble and deep anxiety in the faded blue eyes as
-they fixed on the girl, and yet without meeting her eyes in return, held
-upon her as she walked slowly now toward the door.
-
-"Dear old Hawkins," she said softly, and laid her hand for an instant on
-the other's arm as she passed by him, "you and Mr. Bruce will be able
-to entertain each other, won't you? I--I'm going upstairs for a little
-while."
-
-And the old man made no answer; but, turning on the threshold, he
-watched her, his attitude, it seemed to John Bruce, one of almost
-pathetic wistfulness, as Claire disappeared from view.
-
-
-
-
-CHAPTER EIGHT--ALLIES
-
-|CLAIRE'S footsteps, ascending the stairs, died away. John Bruce
-returned to his chair. His eyes were still on the old chauffeur.
-
-Hawkins was no longer twisting his shapeless hat nervously in his
-fingers; instead, he held it now in one clenched hand, while with the
-other he closed the door behind him as he stepped forward across the
-threshold, and with squared shoulders advanced toward John Bruce. And
-then, quite as suddenly again, as though alarmed at his own temerity,
-the old man paused, and the question on his lips, aggressively enough
-framed, became irresolute in tone.
-
-"What--what's the matter with Claire?" he stammered. "What's this mean?"
-
-It was a moment before John Bruce answered, while he eyed the other from
-head to foot. Hawkins was not the least interesting by any means of the
-queer characters that came and went and centered around this one-time
-pawn-shop of Paul Veniza; but Hawkins, of them all, was the one he
-was least able, from what he had seen of the man, to fathom. And yet,
-somehow, he liked Hawkins.
-
-"That's exactly what I want to know," he said a little brusquely.
-"And"--he eyed Hawkins once more with cool appraisal--"I think you are
-the man best able to supply the information."
-
-Hawkins began to fumble with his hat again.
-
-"I--I--why do you say that?" he faltered, a sudden note of what seemed
-almost trepidation in his voice.
-
-John Bruce shrugged his shoulders.
-
-"Possibly it is just a hunch," he said calmly. "But you were the one who
-was driving that old bus on a certain night--you remember? And you seem
-to hang around here about as you please. Therefore you must stand in on
-a fairly intimate basis with the family circle. I'd like to know what
-hold a rotten crook like Doctor Crang has got on Claire Veniza that she
-should be willing to marry him, when she doesn't love him. I'd like to
-know why a girl like Claire Veniza drives alone at night to a gambling
-hell to----"
-
-"That's enough!" Hawkins' voice rose abruptly, peremptorily. He advanced
-again threateningly oft John Bruce. "Don't you dare to say one word
-against my--against--against her. I'll choke the life out of you, if you
-do! Who are you, anyway? You are asking a lot of questions. How did you
-get here in the first place? You answer that! I've always meant to ask
-you. You answer that--and leave Claire out of it!"
-
-John Bruce whistled softly.
-
-"I can't very well do that," he said quietly, "because it was Claire who
-brought me here."
-
-"Claire brought you!" The old blue eyes grew very hard and very steady.
-"That's a lie! She never saw you after you got out at the corner that
-night until you came in through the window here. She didn't tell you
-where she lived. She didn't invite you here. She's not that kind, and,
-sick though you may be, I'll not keep my hands off you, if----"
-
-"Steady, Hawkins--steady!" said John Bruce, his voice as quiet as
-before. "We seem to possess a common bond. You seem to be pretty fond
-of Claire. Well, so am I. That ought to make us allies." He held out his
-hand suddenly to the old man. "I had just asked Claire to marry me when
-you came to the door."
-
-Hawkins stared from the outstretched hand into John Bruce's eyes, and
-back again at the outstretched hand. Bewilderment, hesitation, a curious
-excitement was in his face.
-
-"You asked Claire to marry you?" He swallowed hard. "You--you want to
-marry Claire? I--why?"
-
-"Why?" John Bruce echoed helplessly. "Good Lord, Hawkins, you _are_ a
-queer one! Barring beasts like Crang, why does a man ordinarily ask a
-woman to marry him? Because he loves her. Well, I love Claire. I loved
-her from the moment I saw her. I followed her, or, rather, that old bus
-of yours, here that night. And that is how, after that fight at Ratti's
-when I got out the back door and into the lane, I crawled over here for
-sanctuary. I said Claire brought me here. You understand now, don't you?
-That's how she brought me here--because I loved her that night. But it
-is because of Crang"--his voice grew hard--"that I am telling you this.
-I love her now--and a great deal too much, whether she could ever care
-for me or not, to see her in the clutches of a crook, and her
-life wrecked by a degenerate cur. And somehow"--his hand was still
-extended--"I thought you seemed to think enough of her to feel the same
-way about this marriage--for I imagine you must know about it. Well,
-Hawkins, where do you stand? There's something rotten here. Are you for
-Claire, or the dope-eater?"
-
-"Oh, my God!" Hawkins whispered huskily. And then almost blindly he
-snatched at John Bruce's hand and wrung it hard. "I--I believe you're
-straight," he choked. "I know you are. I can see it in your eyes. I
-wouldn't ask anything more in the world for her than a man's honest
-love. And she ain't going to marry that devil! You understand?" His
-voice was rising in a curious cracked shrillness. "She ain't! Not while
-old Hawkins is alive!"
-
-John Bruce drew his brows together in a puzzled way.
-
-"I pass you up, Hawkins," he said slowly. "I can't make you out. But if
-you mean what you say, and if you trust me----"
-
-"I'm going to trust you!" There was eagerness, excitement, a tremble in
-the old man's voice. "I've got to trust you after what you've said. I
-ain't slept for nights on account of this. It looks like God sent you.
-You wait! Wait just a second, and I'll show you how much I trust you."
-
-John Bruce straightened up in his chair. Was the old man simply erratic,
-or perhaps a little irresponsible--or what? Hawkins had pattered across
-the floor, had cautiously opened the door, and was now peering with
-equal caution into the outer room. Apparently satisfied at last, he
-closed the door noiselessly, and started back across the room. And
-then John Bruce knew suddenly an indefinable remorse at having somehow
-misjudged the shabby old chauffeur, whose figure seemed to totter now a
-little as it advanced toward him. Hawkins' face was full of misery, and
-the old blue eyes were brimming with tears.
-
-"It--it ain't easy"--Hawkins' voice quavered--"to say--what I got to
-say. There ain't no one on earth but Paul Veniza knows it; but you've
-got a right to know after what you've said. And I've got to tell you for
-Claire's sake too, because it seems to me there ain't nobody going to
-help me save her the way you are. She--she's my little girl. I--I'm
-Claire's father." John Bruce stared numbly at the other. He could find
-no words; he could only stare.
-
-"Yes, look at me!" burst out the old man finally, and into his voice
-there came an infinite bitterness. "Look at my clothes! I'm just what I
-look like! I ain't no good--and that's what has kept my little girl and
-me apart from the day she was born. Yes, look at me! I don't blame you!"
-
-John Bruce was on his feet. His hand reached out and rested on the old
-man's shoulder.
-
-"That isn't the way to trust me, Hawkins," he said gently. "What do your
-clothes matter? What do your looks matter? What does anything in the
-world matter alongside of so wonderful a thing as that which you have
-just told me? Straighten those shoulders, Hawkins; throw back that
-head of yours. Her father! Why, you're the richest man in New York, and
-you've reason to be the proudest!"
-
-John Bruce was smiling with both lips and eyes into the other's face. He
-felt a tremor pass through the old man's frame; he saw a momentary flash
-of joy and pride light up the wrinkled, weather-beaten face--and then
-Hawkins turned his head away.
-
-"God bless you," said Hawkins brokenly; "but you don't know. She's all
-I've got; she's the only kith and kin I've got in all the world, and
-oh, my God, how these old arms have ached just to take her and hold her
-tight, and--and----" He lifted his head suddenly, met John Bruce's eyes,
-and a flush dyed his cheeks. "She's my little girl; but I lie when I say
-I love her. It's drink I love. That's my shame, John Bruce--you've got
-it all now. I pawned my soul, and I pawned my little girl for drink."
-
-"Hawkins," said John Bruce huskily, "I think you're a bigger man than
-you've any idea you are."
-
-"D'ye mean that?" Hawkins spoke eagerly--only to shake his head
-miserably the next instant. "You don't understand," he said. "I as
-good as killed her mother with drink. She died when Claire was born. I
-brought Claire here, and Paul Veniza and his wife took her in. And Paul
-Veniza was right about it. He made me promise she wasn't to know I was
-her father until--until she would have a man and not a drunken sot to
-look after her. That's twenty years ago. I've tried.. God knows I've
-tried, but it's beaten me ever since. Paul's wife died when Claire was
-sixteen, and Claire's run the house for Paul--and--and I'm Hawkins--just
-Hawkins--the old cab driver that's dropping in the harness. Just Hawkins
-that shuffers the traveling pawn-shop now that Paul's quit the regular
-shop. That's what I am--just old Hawkins, who's always swearing to God
-he's going to leave the booze alone."
-
-John Bruce did not speak for a moment. He returned to his chair and sat
-down. Somehow he wanted to think; somehow he felt that he had not quite
-grasped the full significance of what he had just heard. He looked at
-Hawkins. Hawkins had sunk into a chair by the table, and his face was
-buried in his hands.
-
-And then John Bruce smiled.
-
-"Look here, Hawkins," he said briskly, "let's talk about something else
-for a minute. Tell me about Paul Veniza and this traveling pawn-shop.
-It's a bit out of the ordinary, to say the least."
-
-Hawkins raised his head, and his thoughts for the moment diverted into
-other channels, his face brightened, and he scratched at the scanty
-fringe of hair behind his ear.
-
-"It ain't bad, is it?" he said with interest. "I'm kind of proud of it
-too, 'cause I guess mabbe, when all's said and done, it was my idea. You
-see, when Paul's wife died, Paul went all to pieces. He ain't well now,
-for that matter--nowhere near as well as he looks. I'm kind of scared
-about Paul. He keeps getting sick turns once every so often. But when
-the wife died he was just clean broken up. She'd been his right hand
-from the start in his business here, and--I dunno--it just seemed to
-affect him that way. He didn't want to go on any more without her. And
-as far as money was concerned he didn't have to. Paul ain't rich, but
-he's mighty comfortably off. Anyway, he took the three balls down from
-over the door, and he took the signs off the windows, and in comes
-the carpenters to change things around here, and there ain't any more
-pawn-shop."
-
-Hawkins for the first time smiled broadly.
-
-"But it didn't work out," said Hawkins. "Paul's got a bigger business
-and a more profitable one to-day than he ever had before in his life.
-You see, he had been at it a good many years, and he had what you might
-call a private connection--swells up on the Avenue, mostly ladies, but
-gents too, who needed money sometimes without having it printed in the
-papers, and they wouldn't let Paul alone. Paul ain't got a hair in his
-head that ain't honest and fair and square and above-board--and they
-were the ones that knew it better than anybody else. See?"
-
-"Yes," said John Bruce. "Go on, Hawkins," he prompted.
-
-"Well," said Hawkins, "I used to drive an old hansom cab in those days,
-and I used to drive Paul out on those private calls to the swell houses.
-And then when Mrs. Paul died and Paul closed up the shop here he kind of
-drew himself into his shell all round, and mostly he wouldn't go out any
-more, though the swells kept telephoning and telephoning him. He'd only
-go to just a few people that he'd done business with since almost
-the beginning. He said he didn't want to go around ringing people's
-doorbells, and being ushered into boudoirs or anywhere else, and he was
-settling down to shun everybody and everything. It wasn't good for Paul.
-And then a sort of crazy notion struck me, and I chewed it over and over
-in my mind, and finally I put it up to Paul. In the mood he was in, it
-just caught his fancy; and so I bought a second-hand closed car, and
-fitted it up like you saw, and learned to drive it--and that's how there
-came to be the traveling pawn-shop.
-
-"After that, there wasn't anything to it. It caught everybody else's
-fancy as well as Paul's, and it began to get him out of himself. The old
-bus, as you called it, was running all the time. Lots of the swells
-who really didn't want to pawn anything took a ride and did a bit of
-business just for the sake of the experience, and the regular customers
-just went nutty over it, they were that pleased.
-
-"And then some one who stood in with that swell gambling joint where
-we picked you up must have tipped the manager off about it, and he
-saw where he could do a good stroke of business--make it a kind of
-advertisement, you know, besides doing away with any lending by the
-house itself, and he put up a proposition to Paul where Paul was to
-get all the business at regular rates, and a bit of a salary besides on
-account of the all-night hours he'd have to keep sometimes. Paul said
-he'd do it, and turned the salary over to me; and they doped out that
-pass word about a trip to Persia to make it sound mysterious and help
-out the advertising end, and--well, I guess that's all."
-
-John Bruce was twirling the tassel of his dressing gown again
-abstractedly; but now he stopped as Hawkins rose abruptly and came
-toward him.
-
-"No--it ain't all," said Hawkins, a curious note almost of challenge
-in his voice. "You said something about Claire going to that gambling
-joint. It was the first time she had ever been there. That night Paul
-was out when they telephoned. You must be one of their big customers,
-'cause they wouldn't listen to anything but a trip to Persia right on
-the spot. They were so set on it that Claire said it would be all right.
-She sent for me. At first I wasn't for it at all, but she said it seemed
-to be of such importance, and that there wasn't anything else to do.
-Claire knows a bit of jewelry or a stone as well as Paul does, and I
-knew Claire could take care of herself; and besides, although she didn't
-know it, it--it was her own old father driving the car there with her."
-
-"Thank you, Hawkins," said John Bruce simply; and after a moment: "It
-doesn't make the love I said I had for her show up very creditably to
-me, does it--that I should have had any questions?"
-
-Hawkins shook his head.
-
-"I didn't mean it that way," he said earnestly. "It would have been a
-wonder if you hadn't. Anyway, you had a right to know, and it was only
-fair to Claire."
-
-
-
-
-CHAPTER NINE--THE CONSPIRATORS
-
-|JOHN BRUCE fumbled in the pocket of his dressing gown and produced a
-cigarette; but he was a long time in lighting it.
-
-"Hawkins," he demanded abruptly, "is Paul Veniza in the house now?"
-
-"He's upstairs, I think," Hawkins answered. "Do you want him?"
-
-"Yes--in a moment," said John Bruce slowly. "I've been thinking a good
-deal while you were talking. I can only see things one way; and that
-is that the time has come when you should take your place as Claire's
-father."
-
-The old man drew back, startled.
-
-"Tell Claire?" he whispered. Then he shook his head miserably. "No, no!
-I--I haven't earned the right. I--I can't break my word to Paul."
-
-"I do not ask you to break your word to Paul. I want you to earn the
-right--now."
-
-Hawkins was still shaking his head.
-
-"Earn it now--after all these years! How can I?"
-
-"By promising that you won't drink any more," said John Bruce quietly.
-
-Hawkins' eyes went to the floor.
-
-"Promise!" he said in a shamed way. "I've been promising that for twenty
-years. Paul wouldn't believe me. I wouldn't believe myself. I went and
-got drunker than I've been in all my life the night that dog said he was
-going to marry Claire, and Claire said it was true, and wouldn't listen
-to anything Paul could say to her against it."
-
-"I would believe you," said John Bruce gravely.
-
-For an instant Hawkins' face glowed, while tears came into the old blue
-eyes--and then he turned hurriedly and walked to the window, his back to
-John Bruce.
-
-"It's no use," he said, with a catch in his voice. "You don't know me.
-Nobody that knows me would take my word for that--least of all Paul."
-
-"I know this," said John Bruce steadily, "that you have never been
-really put to the test. The test is here now. You'd stop, and stop
-forever, wouldn't you, if it meant Claire's happiness, her future,
-her salvation from the horror and degradation and misery and utter
-hopelessness that a life with a man who is lost to every sense of
-decency must bring her? I would believe you if you promised under those
-conditions. It seems to me to be the only chance there is left to save
-her. It is true she believes Paul is her father and accepts him as
-such, and neither his influence nor his arguments will move her from her
-determination to marry Crang; but I think there is a chance if she is
-told your story, if she is brought to her own father through this very
-thing. I think if you are in each other's arms at last after all these
-years from just that cause it might succeed where everything else
-failed. But this much is sure. It has a chance of success, and you owe
-Claire that chance. Will you take it, Hawkins? Will you promise?"
-
-There was no answer from the window, only the shaking of the old man's
-shoulders.
-
-"Hawkins," said John Bruce softly, "wouldn't it be very wonderful if you
-saved her, and saved yourself; and wonderful, too, to know the joy of
-your own daughter's love?"
-
-The old man turned suddenly from the window, his arms stretched out
-before him as though in intense yearning; and there was something almost
-of nobility in the gray head held high on the bent shoulders, something
-of greatness in the old wrinkled face that seemed to exalt the worn and
-shabby clothes hanging so formlessly about him.
-
-"My little girl," he said brokenly.
-
-"Your promise, Hawkins," said John Bruce in a low voice. "Will you
-promise?"
-
-"Yes," breathed the old man fiercely. "_Yes_--so help me, God! But"--he
-faltered suddenly--"but Paul-----"
-
-"Ask Paul to come down here," said John Bruce. "I have something to say
-to both of you--more than I have already said to you. I will answer for
-Paul."
-
-The old cab driver obeyed mechanically. He crossed the room and went
-out. John Bruce heard him mounting the stairs. Presently he returned,
-followed by the tall, straight, white-haired figure of Paul Veniza.
-
-Hawkins closed the door behind them.
-
-Paul Veniza turned sharply at the sound, and glanced gravely from one to
-the other. His eyebrows went up as he looked at John Bruce. John Bruce's
-face was set.
-
-"What is the matter?" inquired Paul Veniza anxiously.
-
-"I want you to listen first to a little story," said John Bruce
-seriously--and in a few words he told Paul Veniza, as he had told
-Hawkins, of his love for Claire and the events of the night that had
-brought him there a wounded man. "And this afternoon," John Bruce ended,
-"I asked Claire to marry me, and she told me she was going to marry
-Doctor Crang."
-
-Paul Veniza had listened with growing anxiety, casting troubled and
-uncertain glances the while at Hawkins.
-
-"Yes," he said in a low voice.
-
-John Bruce spoke abruptly:
-
-"Hawkins has promised he will never drink again."
-
-Paul Veniza, with a sudden start, stared at Hawkins, and then a sort of
-kindly tolerance dawned in his face.
-
-"My poor friend!" said Paul Veniza as though he were comforting a
-wayward child, and went over and laid his hand affectionately on
-Hawkins' arm.
-
-"I have told Hawkins," went on John Bruce, "that I love Claire, that I
-asked her to marry me; and Hawkins in turn has told me he is Claire's
-father, and how he brought her to you and Mrs. Veniza when she was a
-baby, and of the pledge he made you then. It is because I love Claire
-too that I feel I can speak now. You once told Hawkins how he could
-redeem his daughter. He wants to redeem her now. He has promised never
-to drink again."
-
-Paul Veniza's face had whitened a little. Half in a startled, half in a
-troubled way, he looked once more at John Bruce and then at Hawkins.
-
-"My poor friend!" he said again.
-
-John Bruce's hand on the arm of his chair clenched suddenly.
-
-"You may perhaps feel that he should not have told me of his
-relationship to Claire; but it was this damnable situation with Crang
-that forced the issue."
-
-Paul Veniza left Hawkins' side and began to pace the room in an agitated
-way.
-
-"No!" he said heavily. "I do not blame Hawkins. We--we neither of us
-know what to do. It is a terrible, an awful thing. Crang is like some
-loathsome creature to her, and yet in some way that I cannot discover
-he has got her into his power. I have tried everything, used every
-argument I can with her, pleaded with her--and it has been useless."
-He raised his arms suddenly above his head, partly it seemed in
-supplication, partly in menace. "Oh, God!" he cried out. "I, too, love
-her, for she has really been my daughter through all these years. But I
-do not quite understand." He turned to Hawkins. "Even if you kept your
-promise now, my friend, what connection has that with Doctor Crang?
-Could that in any way prevent this marriage?"
-
-It was John Bruce who answered.
-
-"It is the last ditch," he said evenly; "the one way you have not
-tried--to tell her her own and her father's story. I do not say it will
-succeed. But it is the great crisis in her life. It is the one thing
-in the world that ought to sway her, win her. Her father! After twenty
-years--her father!"
-
-Paul Veniza's hands, trembling, ruffled through his white hair. Hawkins'
-fingers fumbled, now with the buttons on his vest, now with the brim of
-his hat which He had picked up aimlessly from the table; and his eyes,
-lifting from the floor, glanced timorously, almost furtively, at Paul
-Veniza, and sought the floor again.
-
-John Bruce got up from his chair and stepped toward them.
-
-"I want to tell you something," he said sharply, "that ought to put an
-end to any hesitation on your parts at _any_ plan, no matter what, that
-offers even the slightest chance of stopping this marriage. Listen!
-Devil though you both believe this Crang to be, you do not either of you
-even know the man for what he is. While I was lying there"--he flung out
-his hand impulsively toward the couch--"the safe here in this room was
-opened and robbed one night. You know that. But you do not know that it
-was done by Doctor Crang and his confederates. You know what happened.
-But you do not know that while the 'burglars' pretended to hold Crang
-at bay with a revolver and then made their 'escape,' Crang, with most
-of the proceeds of that robbery in his own pockets, was laughing up his
-sleeve at you."
-
-Hawkins' jaw had dropped as he stared at John Bruce.
-
-"Crang did it! You--you say Crang committed that robbery?" stammered
-Paul Veniza. "But you were unconscious! Still you--you seem to know that
-the safe was robbed!"
-
-"Apparently I do!" John Bruce laughed shortly. "Crang too thought I
-was unconscious, but to make sure he jabbed me with his needle. It
-took effect just at the right time--for Crang--just as you and Claire
-appeared in the doorway. And"--his brows knitted together--"it seems a
-little strange that none of you have ever mentioned it in my presence;
-that not a word has ever been said to me about it."
-
-Paul Veniza coughed nervously.
-
-"You were sick," he said; "too sick, we thought, for any excitement."
-
-Hawkins suddenly leaned forward; his wrinkled face was earnest.
-
-"That is not true!" he said bluntly. "It might have been at first,
-but it wasn't after you got better. It was mostly your money that was
-stolen. Claire put it there the night you came here, and----"
-
-"Hawkins!" Paul Veniza called out sharply in reproof.
-
-"But he knows now it's gone," said the old cabman a little helplessly.
-He blundered on: "Paul felt he was responsible for your money, and he
-was afraid you might not want to take it if you knew he had to make it
-up out of his own pocket, and----"
-
-John Bruce took a step forward, and laid his hand on Paul Veniza's
-shoulder. He stood silently, looking at the other.
-
-"It is nothing!" said Paul Veniza, abashed.
-
-"Perhaps not!" said John Bruce. "But"--he turned abruptly away, his lips
-tight--"it just made me think for a minute. In the life I've led men
-like you are rare."
-
-"We were speaking of Doctor Crang," said Paul Veniza a little awkwardly.
-"If you know that Doctor Crang is the thief, then that is the way out of
-our trouble. Instead of marrying Claire, he will be sent to prison."
-
-John Bruce shook his head.
-
-"You said yourself I was unconscious at the time. You certainly must
-have found me that way, and Crang would make you testify that for days I
-had been raving in delirium. I do not think you could convict him on my
-testimony."
-
-"But even so," said Paul Veniza, "there is Claire. If she knew that
-Crang was a criminal, she----"
-
-"She does know," said John Bruce tersely.
-
-"Claire knows!" ejaculated Paul Veniza in surprise. "You--you told her,
-then?"
-
-"No," John Bruce answered. "I said to her: 'Suppose I were to tell you
-that the man is a criminal?' She answered: 'He is a criminal.' I said
-then: 'Suppose he were sent to jail--to serve a sentence?' She answered:
-'I would marry him when he came out.'"
-
-"My God!" mumbled the old cabman miserably.
-
-"I tell you this," said John Bruce through set teeth, and speaking
-directly to Paul Veniza, "because it seems to me to be the final proof
-that mere argument with Claire is useless, and that something more is
-necessary. I do not ask you to release Hawkins from his pledge; I ask
-you to believe his promise this time because back of it he knows it may
-save Claire from what would mean worse than death to her. I believe him;
-I will vouch for him. Do you agree, Paul Veniza?"
-
-For an instant the white-haired pawnbroker seemed lost in thought; then
-he nodded his head gravely.
-
-"In the last few days," he said slowly, "I have felt that it was no
-longer my province to masquerade as her father. I know that my influence
-is powerless. As you have said, it is the crisis, a very terrible
-crisis, in her life." He turned toward Hawkins, and held out his hand.
-"My old friend"--his voice broke--"I pray Heaven to aid you--to aid us
-all."
-
-Hawkins' blue eyes filled suddenly with tears.
-
-"You believe me, too, Paul, this time!" he said in a choking voice.
-"Listen, Paul! I promise! So help me, God--I promise!"
-
-A lump had somehow risen in John Bruce's throat. He turned away, and for
-a moment there was silence in the room. And then he heard Paul Veniza
-speak:
-
-"She is dear to us all. Let us call her--unless, my old friend, you
-would rather be alone."
-
-"No, no!" Hawkins cried hurriedly. "I--I want you both; but--but
-not now, don't call her now." He swept his hands over his shabby,
-ill-fitting clothes. "I--not like this. I----"
-
-"Yes," said Paul Veniza gently, "I understand--and you are right. This
-evening then--at eight o'clock. You will come back here, my old friend,
-at eight o'clock. And do you remember, it was in this very room, twenty
-years ago, that----" He did not complete his sentence; the hot tears
-were streaming unashamed down his cheeks.
-
-John Bruce was staring out of the window, the panes of which seemed
-curiously blurred.
-
-"Come," he heard Paul Veniza say.
-
-And then, as the two men reached the door, John Bruce looked around.
-Hawkins had turned on the threshold. Something seemed to have
-transfigured the old cab driver's face. It was illumined. There seemed
-something of infinite pathos in the head held high, in the drooped
-shoulders resolutely squared.
-
-"My little girl!" said Hawkins tenderly. "To-night at eight o'clock--my
-little girl!"
-
-
-
-
-CHAPTER TEN--AT FIVE MINUTES TO EIGHT
-
-|BEFORE the rickety washstand and in front of the cracked glass that
-served as a mirror and was suspended from a nail driven into the wall,
-Hawkins was shaving himself. Perhaps the light from the wheezing
-gas-jet was over-bad that evening, or perhaps it was only in playful
-and facetious mood with the mirror acting the rle of co-conspirator;
-Hawkins' chin smarted and was raw; little specks of red showed here and
-there through the repeated coats of lather which he kept scraping off
-with his razor. But Hawkins appeared willing to sacrifice even the skin
-itself to obtain the standard of smoothness which he had evidently set
-before himself as his goal. And so over and over again he applied the
-lather, and hoed it off, and tested the result by rubbing thumb and
-forefinger critically over his face. He made no grimace, nor did he show
-any irritation at the none-too-keen blade that played havoc with more
-than the lather, nor did he wince at what must at times have been
-anything but a painless operation. Hawkins' round, weatherbeaten face
-and old watery blue eyes smiled into the mirror.
-
-On the washstand beside him lay a large, ungainly silver watch, its case
-worn smooth with years of service. It had a hunting-case, and it was
-open. Hawkins glanced at it. It was twenty minutes to eight.
-
-"I got to hurry," said Hawkins happily. "Just twenty minutes--after
-twenty years."
-
-Hawkins laid aside the razor, and washed and scrubbed at his face until
-it shone; then he went to his trunk and opened it. From underneath the
-tray he lifted out an old black suit. Perhaps again it was the gas-jet
-in either baleful or facetious mood, for, as he put on the suit, the
-cloth in spots seemed to possess, here a rusty, and there a greenish,
-tinge, and elsewhere to be woefully shiny. Also, but of this the gas-jet
-could not have been held guilty, the coat and trousers, and indeed the
-waistcoat, were undeniably most sadly wrinkled.
-
-And now there seemed to be something peculiarly congruous as between the
-feeble gas-jet, the cracked mirror, the wobbly washstand, the threadbare
-strip of carpet that lay beside the iron bed, and the old bent-shouldered
-figure with wrinkled face in wrinkled finery that stood there knotting
-with anxious, awkward fingers a large, frayed, black cravat about his
-neck; there seemed to be something strikingly in keeping between the man
-and his surroundings, a sort of common intimacy, as it were, with the
-twilight of an existence that, indeed, had never known the full sunlight
-of high noon.
-
-It was ten minutes to eight.
-
-Hawkins put the silver watch in his pocket, extinguished the spluttering
-gas-jet, that hissed at him as though in protest at the scant ceremony
-with which it was treated, and went down the stairs. He stepped briskly
-out on the street.
-
-"Claire!" said Hawkins radiantly. "My little Claire! I'm her daddy, and
-she's going to know it. I'm going to get her to call me that--daddy!"
-
-Hawkins walked on halfway along the block, erect, with a quick, firm
-step, his head high, smiling into every face he met--and turning to
-smile again, conscious that people as they passed had turned to look
-back at him. And then very gradually Hawkins' pace slackened, and into
-his face and eyes there came a dawning anxiety, and the smile was gone.
-
-"I'm kind of forgetting," said Hawkins presently to himself, "that it
-ain't just that I'm getting my little girl. I--I'm kind of forgetting
-her 'rouble. There--there's Crang."
-
-The old man's face was furrowed now deep with storm and care; he walked
-still more slowly. He began to mutter to himself. At the corner of the
-street he raised an old gnarled fist and shook it, clenched, above his
-head, unconscious and oblivious now that people still turned and looked
-at him.
-
-And then a little way ahead of him along the street that he must go to
-reach the one-time pawn-shop of Paul Veniza, his eyes caught the patch
-of light that filtered out to the sidewalk from under the swinging doors
-of the familiar saloon, and from the windows in a more brilliant flood.
-
-Hawkins drew in a long breath.
-
-"No, no!" he whispered fiercely. "I will never go in there again--so
-help me, God! If I did--and--and she knew it was her daddy, it would
-just break her heart like--like Crang 'll break it."
-
-He went on, but his footsteps seemed to drag the more now as he
-approached the saloon. His hand as he raised it trembled; and as he
-brushed it across his brow it came away wet with sweat.
-
-The saloon was just a yard away from him now.
-
-There was a strange, feverish glitter in the blue eyes. His face was
-chalky white.
-
-"So help me, God!" Hawkins mumbled hoarsely.
-
-It was five minutes of eight.
-
-Hawkins had halted in front of the swinging doors.
-
-
-
-
-CHAPTER ELEVEN--THE RENDEZVOUS
-
-|PAUL VENIZA, pacing restlessly about the room, glanced surreptitiously
-at his watch, and then glanced anxiously at John Bruce.
-
-John Bruce in turn stole a look at Claire. His lips tightened a little.
-Since she had been told nothing, she was quite unconscious, of course,
-that it mattered at all because it was already long after eight o'clock;
-that Hawkins in particular, or any one else in general, was expected to
-join the little evening circle here in what he, John Bruce, had by now
-almost come to call his room. His forehead gathered in a frown. What was
-it that was keeping Hawkins?
-
-Claire's face was full in the light, and as she sat there at the table,
-busy with some sewing, it seemed to John Bruce that, due perhaps to the
-perspective of what he now knew, he detected a weariness in her eyes and
-in sharp lines around her mouth, that he had not noticed before. It
-was Crang, of course; but perhaps he too--what he had said to her that
-afternoon--his love--had not made it any easier for her.
-
-Paul Veniza continued his restless pacing about the room.
-
-"Father, do sit down!" said Claire suddenly. "What makes you so nervous
-to-night? Is anything the matter?"
-
-"The matter? No! No, no; of course not!" said Paul Veniza hurriedly.
-
-"But I'm sure there is," said Claire, with a positive' little nod of her
-head. "With both of you, for that matter. Mr. Bruce has done nothing but
-fidget with the tassel of that dressing gown for the last half hour."
-
-John Bruce let the tassel fall as though it had suddenly burned his
-fingers.
-
-"I? Not at all!" he denied stoutly.
-
-"Oh, dear!" sighed Claire, with mock plaintiveness. "What bores you two
-men are, then! I wish I could send out--what do you call it?--a thought
-wave, and inspire some one, and most of all Hawkins, to come over here
-this evening. He, at least, is never deadly dull."
-
-Neither of the two men spoke.
-
-"You don't know Hawkins, do you, Mr. Bruce?" Claire went on. She was
-smiling now as she looked at John Bruce. "I mean really know him, of
-course. He's a dear, quaint, lovable soul, and I'm so fond of him."
-
-"I'm sure he is," said John Bruce heartily. "Even from the little I've
-seen of him I'd trust him with--well, you know"--John Bruce coughed as
-his words stumbled--"I mean, I'd take his word for anything."
-
-"Of course, you would!" asserted Claire. "You couldn't think of doing
-anything else--nobody could. He's just as honest as--as--well, as father
-there, and I don't know any one more honest." She smiled at Paul Veniza,
-and then her face grew very earnest. "I'm going to tell you something
-about Hawkins, and something that even you never knew, father. Ever
-since I was old enough to remember any one, I remember Hawkins. And when
-I got old enough to understand at all, though I could never get him to
-talk about it, I knew his life wasn't a very happy one, and perhaps I
-loved him all the more for that reason. Hawkins used to drink a great
-deal. Everybody knew it. I--I never felt I had the right to speak to him
-about it, though it made me feel terribly, until--until mother died."
-
-Claire had dropped her sewing in her lap, and now she picked it up again
-and fumbled with it nervously.
-
-"I spoke to him then," she said in a low voice. "I told him how much you
-needed him, father; and how glad and happy it would make me. And--and I
-remember so well his words: 'I promise, Claire. I promise, so help me,
-God, that I will never drink another drop.'" Claire looked up, her face
-aglow "And I know, no matter what anybody says, that from that day to
-this, he never has."
-
-Paul Veniza, motionless now in the center of the room, was staring at
-her in a sort of numbed fascination.
-
-John Bruce was staring at the door. He had heard, he thought, a step in
-the outer room.
-
-The door opened. Hawkins stood there. He plucked at his frayed, black
-cravat, which was awry. He lurched against the jamb, and in groping
-unsteadily for support his hat fell from his other hand and rolled
-across the floor.
-
-Hawkins reeled into the room.
-
-"Good--hic!--good-evenin'," said Hawkins thickly.
-
-Claire alone moved. She rose to her feet, but as though her weight were
-too heavy for her limbs. Her lips quivered.
-
-"Oh, Hawkins!" she cried out pitifully--and burst into tears, and ran
-from the room.
-
-It seemed to John Bruce that for a moment the room swirled around before
-his eyes; and then over him swept an uncontrollable desire to get his
-hands upon this maudlin, lurching creature. Rage, disgust, a bitter
-resentment, a mad hunger for reprisal possessed him; Claire's future,
-her faith which she had but a moment gone so proudly vaunted, were
-all shattered, swept to the winds, by this seedy, dissolute wreck. Her
-father! No, her shame! Thank God she did not know!
-
-"You drunken beast!" he gritted in merciless fury, and stepped suddenly
-forward.
-
-But halfway across the room he halted as though turned to stone. Hawkins
-wasn't lurching any more. Hawkins had turned and closed the door; and
-Hawkins now, with his face white and drawn, a look in his old blue eyes
-that mingled agony and an utter hopelessness, sank into a chair and
-buried his face in his hands.
-
-It was Paul Veniza who moved now. He went and stood behind the old
-cabman.
-
-Hawkins looked up.
-
-"You are sober. What does this mean?" Paul Veniza asked heavily.
-
-Hawkins shook his head.
-
-"I couldn't do it," he said in a broken voice. "And--and I've settled
-it once for all now. I got to thinking as I came along to-night, and
-I found out that it wasn't any good for me to swear I wasn't going to
-touch anything any more. I'm afraid of myself. I--I came near going into
-the saloon. It--it taught me something, that did; because the only way
-I could get by was to promise myself I'd go back there after I'd been
-here."
-
-Hawkins paused. A flush dyed his cheeks. He turned around and looked at
-Paul Veniza again, and then at John Bruce.
-
-"You don't understand--neither of you understand. Once I promised Claire
-that I'd stop, and--and until just now she believed me. And I've
-hurt her. But I ain't broken her heart. It was only old Hawkins, just
-Hawkins, who promised her then; it would have been her _father_ who
-promised her to-night, and--and it ain't any good, I'd have broken that
-promise, I know it now--and she ain't ever going to share that shame."
-
-Hawkins brushed his hands across his eyes.
-
-"And then," he went on, A sudden fierceness in his voice, "suppose she'd
-had that on top of Crang, 'cause it ain't sure that knowing who I am
-would have saved her from him! Oh, my God, she'd better be dead! I'd
-rather see her dead. You're wrong, John Bruce! It wasn't the way. You
-meant right, and God bless you; but it wasn't the way. I saw it all so
-clearly after--after I'd got past that saloon; and--and then it was all
-right for me to promise myself that I'd go back. It wouldn't hurt her
-none then."
-
-John Bruce cleared his throat.
-
-"I don't quite understand what you mean by that, Hawkins," he said a
-little huskily.
-
-Hawkins rose slowly to his feet.
-
-"I dressed all up for this," said Hawkins, with a wan smile; "but
-something's snapped here--inside here." His hand felt a little aimlessly
-over his heart. "I know now that I ain't ever going to be worthy; and I
-know now that she ain't ever to know that I--that I--I'm her old daddy.
-And so I--I've fixed it just now like you saw so there ain't no going
-back on it. But I ain't throwing my little girl down. It ain't Claire
-that's got to be made change her mind--_it's Crang_." He raised a
-clenched fist. "And Crang's going to change it! I can swear to _that_
-and know I'll keep it, so--so help me, God! And when she's rid of him,
-she ain't going to have no shame and sorrow from me. That's what I
-meant."
-
-"Yes," said John Bruce mechanically.
-
-"I'm going now," said Hawkins in a low voice. "Around by the other way,"
-said Paul Veniza softly. "And I'll go with you, old friend."
-
-For a moment Hawkins hesitated, and then he nodded his head.
-
-No one spoke. Paul Veniza's arm was around Hawkins' shoulders as they
-left the room. The door closed behind them. John Bruce sat down on the
-edge of his bed.
-
-
-
-
-CHAPTER TWELVE--THE FIGHT
-
-|FOR a long time John Bruce stared at the closed door; first a little
-helplessly because the bottom seemed quite to have dropped out of
-things, and then with set face as the old cabman's words came back to
-him: "Crang--not Claire." And at this, a sort of merciless joy crept
-into his eyes, and he nodded his head in savage satisfaction. Yes,
-Hawkins had been right in that respect, and--well, it would be easier to
-deal with Crang!
-
-And then suddenly John Bruce's face softened. Hawkins! He remembered
-the fury with which the old man had inspired him as the other had reeled
-into the room, and Clare, hurt and miserable, had risen from her chair.
-But he remembered Hawkins in a different way now. It was Hawkins, not
-Claire, who had been hurt. The shabby old figure standing there had paid
-a price, and as he believed for Claire's sake, that had put beyond his
-reach forever what must have meant, what did mean, all that he cherished
-most in life.
-
-John Bruce smiled a little wistfully. Somehow he envied Hawkins, so
-pitifully unstable and so weak--his strength!
-
-He shook his head in a puzzled way. His thoughts led him on. What a
-strange, almost incomprehensible, little world it was into which fate,
-if one wished to call it fate, had flung him! It was an alien world to
-him. His own life of the past rose up in contrast with it--> not of his
-own volition, but because the comparison seemed to insist on thrusting
-itself upon him.
-
-He had never before met men like Hawkins and Paul Veniza. He had met
-drunkards and pawnbrokers. Very many of them! He had lived his life,
-or, rather, impoverished it with a spendthrift hand, among just such
-classes--but he was conscious that it would never have been the poorer
-for an intimacy with either Hawkins or Paul Veniza.
-
-John Bruce raised his head abruptly. The front door had opened. A moment
-later a footstep sounded in the outer room, and then upon the stairs.
-That would be Paul Veniza returning of course, though he hadn't been
-gone very long; or was it that he, John Bruce, had been sitting
-here staring at that closed door for a far longer period than he had
-imagined?
-
-He shrugged his shoulders, dismissing the interruption from his mind,
-and again the wistful smile flickered on his lips.
-
-So that was why nothing had been said in his hearing about the robbery!
-Queer people--with their traveling pawn-shop, which was bizarre; and
-their standards of honesty, and their unaffected hospitality which
-verged on the bizarre too, because their genuineness and simplicity were
-so unostentatious--and so rare. And somehow, suddenly, as he sat
-there with his chin cupped now in his hands, he was not proud of this
-contrast--himself on the one hand, a drunkard and a pawnbroker on the
-other!
-
-And then John Bruce raised his head again, sharply this time, almost in
-a startled way. Was that a cry--in a woman's voice? It was muffled
-by the closed door, and it was perhaps therefore his imagination; but
-it----
-
-He was on his feet. It had come again. No door could have shut it out
-from his ears. It was from Claire upstairs, and the cry seemed most
-curiously to mingle terror and a passionate anger. He ran across the
-room and threw the door open. It was strange! It would be Paul Veniza
-in a new rle, if the gentle, white-haired old pawnbroker could inspire
-terror in any one!
-
-A rasping, jeering oath--in a man's voice this time--reached him.
-John Bruce, a sudden fury whipping his blood into lire, found himself
-stumbling up the stairs. It wasn't Veniza! His mind seemed to convert
-that phrase into a sing-song refrain: "It wasn't Veniza! It wasn't
-Veniza!"
-
-Claire's voice came to him distinctly now, and there was the same terror
-in it, the same passionate anger that he had distinguished in her cry:
-
-"Keep away from me! I loathe you! It is men like you that prompt a woman
-to murder! But--but instead, I have prayed God with all my soul to let
-me die before----" Her voice ended in a sharp cry, a scuffle of feet.
-
-It was Crang in there! John Bruce, now almost at the top of the
-stairs, was unconscious that he was panting heavily from his exertions,
-unconscious of everything save a new refrain that had taken possession
-of his mind: "It was Crang in there! It was Crang in there!"
-
-It was the door just at the right of the landing.
-
-Crang's voice came from there; and the voice was high, like the squeal
-of an enraged animal:
-
-"You're mine! I've got a right to those red lips, you vixen, and I'm
-going to have them! A man's got the right to take the girl he's going to
-marry in his arms! Do you think I'm going to be held off forever? You're
-mine, and----"
-
-The words were lost again in a cry from Claire, and in the sound of a
-struggle--a falling chair, the scuffle once more of feet.
-
-John Bruce flung himself across the hall and against the door, It
-yielded without resistance, and the impetus of his own rush carried him,
-staggering, far into the room. Two forms were circling there under the
-gas light as though in the throes of some mad dance--only the face
-of the woman was deathly white, and her small clenched fists beat
-frantically at the face of the man whose arms were around her. John
-Bruce sprang forward. He laughed aloud, unnaturally. His brain, his
-mind, was whirling; but something soft was grasped in his two encircling
-hands, and that was why he laughed--because his soul laughed. His
-fingers pressed tighter. It was Crang's throat that was soft under his
-fingers.
-
-Suddenly the room swirled around him. A giddiness seemed to seize
-upon him--and that soft thing in his grip slipped from his fingers and
-escaped him. He brushed his hand across his eyes. It would pass, of
-course. It was strange that he should go giddy like that, and that his
-limbs should be trembling as though with the ague! Again he brushed his
-hand across his eyes. It would pass off. He could see better now. Claire
-had somehow fallen to the floor; but she was rising to her knees now,
-using the side of the bed for support, and----
-
-Her voice rang wildly through the room.
-
-"Look out! Oh, look out!" she cried.
-
-To John Bruce it seemed as though something leaped at him out of
-space--and struck. The blow, aimed at his side, which was still
-bandaged, went home. It brought an agony that racked and tore and
-twisted at every nerve in his body. It wrung a moan from his lips, it
-brought the sweat beads bursting out upon his forehead--but it cleared
-his brain.
-
-Yes, it was Doctor Crang--but disreputable in appearance as he had never
-before seen the man. Crang's clothes were filthy and unkempt, as though
-the man had fallen somewhere in the mire and was either unconscious
-or callous of the fact; his hair draggled in a matted way over his
-forehead, and though his face worked with passion, and the passion
-brought a curious hectic rose-color to supplant the customary lifeless
-gray of his cheeks, the eyes were most strangely glazed and fixed.
-
-And again John Bruce laughed--and with a vicious guard swept aside a
-second blow aimed at his side, and his left fist, from a full arm swing,
-crashed to the point of Doctor Crang's jaw. But the next instant they
-had closed, their arms locked around each other's waists, their chins
-dug hard into each other's shoulders. And they rocked there, and swayed,
-and lurched, a curious impotence in their ferocity--and toppled to the
-floor.
-
-John Bruce's grip tightened as Doctor Crang fought madly now to tear
-himself free--and they rolled over and over in the direction of the
-door. Hot and cold waves swept over John Bruce. He was weak, pitifully
-weak, barely a convalescent. But he was content to call it an equal
-fight. He asked for no other odds than Crang himself had offered. The
-man for once had over-steeped himself with dope, and was near the point
-of collapse. He had read that in the other's eyes, as surely as though
-he had been told. And so John Bruce, between his gasping breaths, still
-laughed, and rolled over and over--always toward the door.
-
-From somewhere Claire's voice reached John Bruce, imploringly, in
-terror. Of course! That was why he was trying to get to the door, to
-get out of her room--through respect for her--to get somewhere where he
-could finish this fight between one man who could scarcely stand upon
-his feet through weakness, and another whose drug-shattered body was
-approaching that state of coma which he, John Bruce, had been made to
-suffer on the night the robbery had been committed. And by the same
-needle! He remembered that! Weak in body, his mind was very clear. And
-so he rolled over and over, always toward the door, because Crang was
-heedless of the direction they were taking, and he, John Bruce, was
-probably not strong enough in any other way to force the other out of
-the room where they could finish this.
-
-They rolled to the threshold--and out into the hall. John Bruce loosened
-his hold suddenly, staggered to his feet, and leaned heavily for an
-instant against the jamb of the door. But it was only for an instant.
-Crang was the quicker upon his feet. Like a beast there was slaver
-on the other's lips, his hands clawed the air, his face was contorted
-hideously like the face of one demented, one from whom reason had flown,
-and with whom maniacal passion alone remained--and from the banister
-railing opposite the door Crang launched himself forward upon John Bruce
-again.
-
-"She's mine!" he screamed. "I've been watching you two! I'll teach you!
-She's mine--mine! I'll finish you for this!"
-
-John Bruce side-stepped the rush, and Crang pitched with his head
-against the door jamb, but recovering, whirled again, and rushed again.
-The man began to curse steadily now in a low, abominable monotone. It
-seemed to John Bruce that he ought to use his fist as a cork and thrust
-it into the other's mouth to bottle up the vile flow of epithets that
-included Claire, and coupled his name with Claire's. Claire might hear!
-The man was raving, insane with jealousy. John Bruce struck. His fist
-found its mark on Crang's lips, and found it again; but somehow his arm
-seemed to possess but little strength, and to sag back at the elbow from
-each impact. He writhed suddenly as Crang reached him with another blow
-on his side.
-
-And then they had grappled and locked together again, and were swaying
-like drunken men, now to this side, and now to that, of the narrow hall.
-
-It could not last. John Bruce felt his knees giving way beneath him. He
-had under-estimated Crang's resistance to the over-dose of drug. Crang
-was the stronger--and seemed to be growing stronger every instant. Or
-was it his own increasing weakness?
-
-Crang's fist with a short-arm jab smashed at John Bruce's wounded side
-once more. The man struck nowhere else--always, with the cunning born
-of hell, at the wounded side. John Bruce dug his teeth into his lips.
-A wave of nausea swept over him. He felt his senses leaving him, and
-he clung now to the other, close, tight-pressed, as the only means of
-protecting his side.
-
-He forced himself then desperately to a last effort. There was one
-chance left, just one. In the livid face, in the hot, panting breath
-with which the other mouthed his hideous profanity, there was murder.
-Over his shoulder, barely a foot away, John Bruce glimpsed the
-staircase. He let his weight sag with seeming helplessness upon Crang.
-It brought Crang around in a half circle. Crang's back was to the stairs
-now. John Bruce let his hands slip slowly from their hold upon the
-other, as though the last of his strength was ebbing away. He accepted
-a vicious blow on his wounded side as the price that he must pay, a
-blow that brought his chin crumpling down upon his breast--and then
-with every ounce of remaining strength he hurled himself at Crang, and
-Crang's foot stumbled out into space over the topmost stair, and with a
-scream of infuriated surprise the man pitched backward.
-
-John Bruce grasped with both hands at the banister for support.
-Something went rolling, rolling, rolling down the stairs with queer,
-dull thumps like a sack of meal. His hands slipped from the banister,
-and he sat limply down on the topmost step and laughed. He laughed
-because that curious looking bundle at the bottom there began a series
-of fruitless efforts to roll back up the stairs again.
-
-And then the front door opened. He could see it from where he sat, and
-Paul Veniza--that was Paul Veniza, wasn't it?--stepped into the room
-below, and cried out, and ran toward the bundle at the foot of the
-stairs.
-
-John Bruce felt some one suddenly hold him back from pitching down the
-stairs himself, but nevertheless he kept on falling and falling into
-some great pit that grew darker and darker the farther he went down, and
-this in spite of some one who tried to hold him back, and--and who had a
-face that looked like Claire's, only it was as--as white as driven snow.
-And as he descended into the blackness some one screamed at him: "I'll
-finish you for this!" And screamed it again--only the voice kept growing
-fainter. And--and then he could neither see nor hear any more.
-
-*****
-
-When John Bruce opened his eyes again he was lying on his cot. A little
-way from him, their backs turned, Claire and Paul Veniza were whispering
-earnestly together. He watched them for a moment, and gradually as his
-senses became normally acute again he caught Claire's words:
-
-"He is not safe here for a moment. Father, we must get him away. I am
-afraid. There is not a threat Doctor Crang made to-night but that he is
-quite capable of carrying out."
-
-"But he is safe for to-night," Paul Veniza answered soothingly. "I
-got Crang home to bed, and as I told you, he is too badly bruised and
-knocked about to move around any before morning at least."
-
-"And yet I am afraid," Claire insisted anxiously. "Fortunately Mr.
-Bruce's wound hasn't opened, and he could be moved. Oh, if Hawkins only
-hadn't----"
-
-She stopped, and twisted her hands together nervously.
-
-Paul Veniza coughed, averted his head suddenly and in turning met John
-Bruce's eyes--and stared in a startled way.
-
-"Claire!" John Bruce called softly.
-
-"Oh!" she cried, and ran toward him. "You----"
-
-"Yes," smiled John Bruce. "And I have been listening. Why isn't it safe
-for me to stay here any longer? On account of Crang's wild threats?"
-
-"Yes," she said in a low voice.
-
-John Bruce laughed.
-
-"But you don't believe them, do you?" he asked. "At least, I mean, you
-don't take them literally." Claire's lips were trembling.
-
-"There is no other way to take them." She was making an effort to steady
-her voice. "It is not a question of believing them. I know only too well
-that he will carry them out if he can. You are not safe here, or even in
-New York now--but less safe here in this house than anywhere else."
-
-John Bruce came up on his elbow.
-
-"Then, Claire, isn't this the end?" he demanded passionately. "You know
-him for what he is. You do not love him, for I distinctly heard you
-tell him that you loathed him, as I went up the stairs. Claire, I am not
-asking for myself now--only for you. Tell me, tell Paul Veniza here,
-to whom it will mean so much, that you have now no further thought of
-marriage with that"--John Bruce's voice choked--"with Crang." She shook
-her head.
-
-"I cannot tell you that," she said dully, "for I am going to marry
-Doctor Crang."
-
-John Bruce's face hardened. He looked at Paul Veniza. The old pawnbroker
-had his eyes on the floor, and was ruffling his white hair helplessly
-with his fingers.
-
-"Why?" John Bruce asked.
-
-"Because I promised," Claire said slowly.
-
-"But a promise like that!" John Bruce burst out. "A promise that you
-will regret all your life is----"
-
-"No!" Her face was half averted; her head was lowered to hide the tears
-that suddenly welled into her eyes. "No; it is a promise that I--that I
-am glad now I made."
-
-"_Glad!_" John Bruce sat upright. She had turned her head away from the
-cot. He could not see her face. "Glad!" he repeated incredulously.
-
-"Yes." Her voice was scarcely audible.
-
-For a moment John Bruce stared at her; then a bitter smile tightened his
-lips, and he lay back on the cot, and turned on his side away from both
-Claire and Paul Veniza.
-
-When John Bruce looked around again, only Paul Veniza was in the room.
-
-"I don't understand," said Paul Veniza--he was still ruffling his hair,
-still with his eyes on the floor.
-
-"I do," said John Bruce grimly. "Claire is right. It isn't safe for me
-to stay here, and I'll go to-night. If only Hawkins hadn't----" He
-laughed a little harshly. "But I'll go to-night, just the same. A taxi
-will do quite as well."
-
-
-
-
-CHAPTER THIRTEEN--TRAPPINGS OF TINSEL
-
-|UNDER the shaded light on his table, in his private sitting room in
-the Bayne-Miloy Hotel, John Bruce had been writing steadily for half an
-hour--but the sheets of paper over which his pen had traveled freely and
-swiftly were virgin white. He paused now, remained a moment in thought,
-and then added a line to the last sheet. No mark was left, but from the
-movement of the pen this appeared to be a signature.
-
-He gathered the sheets together, folded them neatly, and slipped them
-into an envelope. He replaced the cap on the fountain pen he had been
-using, placed the pen in his vest pocket, and from another pocket took
-out another pen that was apparently identical with the first. With
-this second pen, in black ink, he addressed the envelope to one Gilbert
-Larmon in San Francisco. He sealed the envelope, stamped it, put it in
-his pocket, returned the second fountain pen to his vest pocket, lighted
-a cigarette leaned back in his chair, and frowned at the ascending
-spirals of smoke from the cigarette's tip.
-
-The report which he had just written to Larmon, explaining his inaction
-during the past weeks, had been an effort--not physical, but mental. He
-had somehow, curiously, felt no personal regret for the enforced absence
-from his "work," and he now felt no enthusiasm at the prospect of
-resuming it. He had had no right to tinge or color his letter to Larmon
-with these views; nor had he intended to do so. Perhaps he had not;
-perhaps he had. He did not know. The ink originated by the old Samoan
-Islander had its disadvantages as well as its advantages. He could not
-now read the letter over once it was written!
-
-He flicked the ash irritably from his cigarette. He had been back here
-in the hotel now for two days and that feeling had been constantly
-growing upon him. Why? He did not know except that the cause seemed to
-insist on associating itself with his recent illness, his life in the
-one-time pawn-shop of Paul Veniza. But, logically, that did not hold
-water. Why should it? He had met a pawnbroker who roamed the streets at
-night in a fantastic motor car, driven by a drunkard; and he had fallen
-in love with a girl who was glad she was going to marry a dope-eating
-criminal. Good God, it was a spectacle to make----
-
-John Bruce's fist crashed suddenly down on the desk beside him, and he
-rose from his chair and stood there staring unseeingly before him.
-That was not fair! What was uppermost now was the recrudescence of the
-bitterness that had possessed him two nights ago when he had returned
-from Paul Veniza's to the hotel here. Nor was it any more true than
-it was fair! What of the days and nights of nursing, of care, of the
-ungrudging and kindly hospitality they had given to an utter stranger?
-Yes, he knew! Only--only she had said she was _glad!_
-
-He began to pace the room. He had left Veniza's in bitterness. He had
-not seen Claire. It was a strange sort of love he boasted, little of
-unselfishness in it, much of impatience, and still more of intolerance!
-That it was a hopeless love in so far as he was concerned did not place
-him before himself in any better light. If he cared for her, if there
-was any depth of feeling in this love he claimed to have, then at least
-her happiness, her welfare and her future could not be extraneous
-and indifferent considerations to him. And on the spur of the moment,
-piqued, in spite of Paul Veniza's protestations, he had left that night
-without seeing Claire again!
-
-He had been ashamed of himself. Yesterday, he had telephoned Claire. He
-had begged her forgiveness. He had not meant to say more--but he had!
-Something in her voice had--no, not invited; he could not say that--but
-had brought the passion, pleading almost, back into his own. It had
-seemed to him that she was in tears at the other end of the wire; at
-least, bravely as she had evidently tried to do so, she had been unable
-to keep her voice under control. But she had evaded an answer. There had
-been nothing to forgive, she had said. He had told her that he must see
-her, that he would see her again. And then almost hysterically, over
-and over again, she had begged him to attempt nothing of the sort, but
-instead to leave New York because she insisted that it was not safe for
-him to stay even in the city.
-
-John Bruce hurled the butt of his cigarette in the direction of the
-cuspidor, and clenched his fist. Crang! Safe from Crang! He laughed
-aloud harshly. He asked nothing better than to meet Crang again. He
-would not be so weak the next time! And the sooner the better!
-
-He gnawed at his under lip, as he continued to pace the room. To-day, he
-had telephoned Claire again--but he had not spoken to her this time. He
-had not been surprised at the news he had received, for he remembered
-that Hawkins had once told him that the old pawnbroker was in reality
-far from well. Some one, he did not know who, some neighbor probably,
-had answered the phone. Paul Veniza had been taken ill. Claire had been
-up with him all the previous night, and was then resting.
-
-John Bruce paused abruptly before the desk at which he had been writing,
-and looked at his watch. It was a little after ten o'clock. He was
-going back to "work" again to-night. He smiled suddenly, and a little
-quizzically, as he caught sight of himself in a mirror. What would they
-say--the white-haired negro butler, and the exquisite Monsieur Henri
-de Lavergne, for instance--when the millionaire plunger, usually so
-immaculate in evening clothes, presented himself at their door in a suit
-of business tweeds?
-
-He shrugged his shoulders. Down at Ratti's that night his apparel--it
-was a matter of viewpoint--had been a source of eminent displeasure, and
-as such had been very effectively disposed of. He had had no opportunity
-to be measured for new clothes.
-
-The smile faded, and he stood staring at the desk. The millionaire
-plunger! It seemed to jar somehow on his sensibilities. Work! That was a
-queer way, too, to designate it. He was going to take up his work again
-to-night, pick up the threads of his life again where he had dropped
-them. A bit ragged those threads, weren't they? Frayed, as it were!
-
-What the devil was the matter with him, anyway?
-
-There was money in it, a princely existence. What more could any one
-ask? What did Claire, his love for a girl who was glad to marry some
-one else infinitely worse than he was, have to do with it? Ah, she _did_
-have something to do with it, then! Nonsense! It was absurd!
-
-He took a key abruptly from his pocket, and unlocked one of the drawers
-of the desk. From the drawer he took out a large roll of bills. The
-hotel management had sent to the bank and cashed a check for him that
-afternoon. He had not forgotten that he would need money, and plenty of
-it, at the tables this evening. Well, he was quite ready to go now, and
-it was time; it would be halfpast ten before he got there, and----
-
-"The devil!" said John Bruce savagely--and suddenly tossed the money
-back into the drawer, and locked the drawer. "If I don't feel like
-it to-night, why should I? I guess I'll just drop around for a little
-convalescent visit, and let it go at that."
-
-John Bruce put on a light overcoat, and left the room. In the lobby
-downstairs he posted his letter to Gilbert Larmon. He stepped out on the
-street, and from the rank in front of the hotel secured a taxi. Twenty
-minutes later he entered Gilbert Larmon's New York gambling hell.
-
-Here he received a sort of rhapsodical welcome from the exquisite
-Monsieur Henri de Lavergne, which embraced poignant regret at the
-accident that had befallen him, and unspeakable joy at his so-splendid
-recovery. It was a delight so great to shake the hand of Mr. Bruce again
-that Monsieur Henri de Lavergne complained bitterly at the poverty of
-language which prevented an adequate expression of his true and sincere
-feelings. Also, Monsieur Henri de Lavergne, if he were not trespassing,
-would be flattered indeed with Mr. Bruce's confidence, if Mr. Bruce
-should see fit to honor him with an account of how the accident had
-happened. He would be desolated if in any way it could be attributable
-to any suggestion that he, Monsieur de Lavergne, on behalf of the house
-which he had the honor to represent as manager, had made to Mr. Bruce
-which might have induced----
-
-"Not at all!" John Bruce assured him heartily. He smiled at Monsieur de
-Lavergne. The other knew nothing of Claire's presence in the car that
-night, and for Claire's sake it was necessary to set the man's mind so
-completely at rest that the subject would lack further interest. The
-only way to accomplish that was to appear whole-heartedly frank. John
-Bruce became egregiously frank. "It was just my own damned curiosity,"
-he said with a wry smile. "I got out of that ingenious contraption at
-the corner after going around the block, and, well, my curiosity, as I
-said, got the better of me. I followed the thing, and found out where
-Mr. Veniza lived. I started on my way back, but I didn't get very far.
-I got into trouble with a rather tough crowd just around the corner, who
-didn't like my shirt front, I believe they said. The fight ended by
-my being backed into a wine shop where I was stabbed, but from which I
-managed to escape into the lane. I was about all in, and the only chance
-I could see was a lighted window on the other side of a low fence. I
-crawled in the window, and flopped on the floor. It proved to be Mr.
-Veniza's house."
-
-"_Pour l'amour du dieu!_" exclaimed Monsieur Henri de Lavergne
-breathlessly.
-
-"And which also accounts," said John Bruce pleasantly, "for the apology
-I must offer you for my appearance this evening in these clothes. The
-mob in that respect was quite successful."
-
-"But that you are back!" Monsieur de Lavergne's hands were raised in
-protest. "That is alone what matters. Monsieur Bruce knows that in any
-attire it is the same here for monsieur as though he were at home."
-
-"Thank you!" said John Bruce cordially. "I have only dropped in through
-the urge of old habits, I guess. I'm hardly on my feet yet, and I
-thought I'd just watch the play for a little while to-night."
-
-"And that, too," said Monsieur Henri de Lavergne with a bow, as John
-Bruce moved toward the staircase, "is entirely as monsieur desires."
-
-John Bruce mounted the stairs, and began a stroll through the roulette
-and card rooms. The croupiers and dealers nodded to him genially; those
-of the "guests" Whom he knew did likewise. He was treated with marked
-courtesy and consideration by every attendant in the establishment.
-Everything was exactly as it had been on his previous visits. There were
-the soft mellow lights; the siren pur of the roulette wheel, the musical
-_click_ of the ball as it spun around on its little fateful orbit; the
-low, quiet voices of the croupiers and dealers; the well-dressed
-players grouped around the tables, the hilarious and the grim, the
-devil-may-care laugh from one, the thin smile from another. It was
-exactly the same, all exactly the same, even to the table in the supper
-room, free to all though laden with every wine and delicacy that money
-could procure; but somehow, even at the end of half an hour, where he
-was wont to be engrossed till daylight, John Bruce became excessively
-bored.
-
-Perhaps it was because he was simply an on-looker, and not playing
-himself. He had drawn close to a group around a faro bank. The play was
-grim earnest and for high stakes. No, it wasn't that! He did not want
-to play. Somehow, rather, he knew a slight sense both of contempt and
-disgust at the eager clutch and grasp of hands, the hoarse, short laugh
-of victory, the snarl of defeat, the trembling fingers of the more
-timorous who staked with Chance and demanded that the god be charitable
-in its omnipotence and toss them crumbs!
-
-Well, what was he caviling about? It was the life he had chosen. It was
-his life work. Wasn't he pleased with it? He had certainly liked it well
-enough in the old days to squander upon it the fair-sized fortune
-his father had left him. He decidedly had not gone into that infernal
-compact with Larmon blindfolded. Perhaps it was because in those days
-he played when he wanted to; and in these, and hereafter, he would play
-because he had to. Perhaps it was only that, to-night, there was upon
-him the feeling, which was natural enough, and which was immeasurably
-human too, that it was irksome to be a slave, to be fettered and
-shackled and bound to anything, even to what one, with one's freedom his
-own, was ordinarily out of choice most prone to do and delight in. Well,
-maybe! But that was not entirely a satisfactory or conclusive solution
-either.
-
-He looked around him. There seemed to be something hollow to-night in
-these trappings of tinsel; and something not only hollow, but sardonic
-in his connection with them--that he should act as a monitor over the
-honesty of those who in turn acted as the agents of Larmon in an already
-illicit traffic.
-
-"Oh, hell!" said John Bruce suddenly.
-
-The dealer looked up from the table, surprise mingling with polite
-disapproval. Several of the players screwed around their heads.
-
-"That's what I say!" snarled one of the latter with an added oath, as a
-large stack of chips was swept away from him.
-
-Some one touched John Bruce on the elbow. He turned around. It was one
-of the attendants.
-
-"You are being asked for downstairs, Mr. Bruce," the man informed him.
-
-John Bruce followed the attendant. In the hall below the white-haired
-negro doorkeeper came toward him.
-
-"I done let him in, Mistuh Bruce, suh," the old darky explained a little
-anxiously, "'cause he done say, Mistuh Bruce, that it was a case of
-most particular illness, suh, and----"
-
-John Bruce did not wait for more. It was Veniza probably--a turn for the
-worse. He nodded, and passed hurriedly along the hall to where, near the
-door, a poorly dressed man, hat in hand and apparently somewhat ill at
-ease in his luxurious surroundings, stood waiting.
-
-"I am Mr. Bruce," he said quickly. "Some one is critically ill, you say?
-Is it Mr. Veniza?"
-
-"No, sir," the man answered. "I don't know anything about Mr. Veniza.
-It's Hawkins."
-
-"Hawkins!" ejaculated John Bruce.
-
-"Yes, sir," said the man. He shuffled his feet. "I--I guess you know,
-sir."
-
-John Bruce for a moment made no comment. Hawkins! Yes, he knew! Hawkins
-had even renounced his pledge, hadn't he? Not, perhaps, that that would
-have made any difference!
-
-"Bad?" he asked tersely.
-
-"I'm afraid so, sir," the man replied. "I've seen a good bit of Hawkins
-off and on in the last two years, sir, because I room in the same house;
-but I've never seen him like this. He's been out of his head and clawing
-the air, sir, if you know what I mean. He's over that now, but that weak
-he had me scared once, sir, that he'd gone."
-
-"What does the doctor say?" John Bruce bit off his words.
-
-The man shook his head.
-
-"He wouldn't have one, sir. It's you he wants. You'll understand, sir,
-that he's been alone. I don't know how long ago he started on this
-spree. It was only by luck that I walked into his room to-night. I was
-for getting a doctor at once, of course, but he wouldn't have it; he
-wanted you. At times, sir, he was crying like a baby, only he hadn't
-the strength of one left. Knowing I could run her, me being a motortruck
-driver, he told me to take that car he drives and go to the hotel for
-you, and if you weren't there to try here--which I've done, sir, as
-you see, and I hope you'll come back with me. I don't know what to do,
-though I'm for picking up a doctor on the way back whether he wants one
-or not."
-
-John Bruce turned abruptly, secured his coat and hat, motioned the man
-to lead the way, and followed the other out of the house and down the
-steps to the sidewalk.
-
-The traveling pawn-shop was at the curb. The man opened the door, and
-John Bruce stepped inside--and was instantly flung violently down upon a
-seat. The door closed. The car started forward. And in a sudden glare of
-light John Bruce stared into the muzzle of a revolver, and, behind the
-revolver, into a bruised and battered face, which was the face of Doctor
-Crang.
-
-
-
-
-CHAPTER FOURTEEN--THE TWO PENS
-
-|JOHN BRUCE stared for a moment longer at the revolver that held a
-steady bead between his eyes, and at the evil face of Crang that leered
-at him from the opposite seat; then he deliberately turned his head and
-stared at the face of still another occupant of the car--a man who sat
-on the seat beside him. He was trapped--and well trapped! He recognized
-the other to be the man known as Birdie, who had participated on a
-certain night in the robbery of Paul Veniza's safe. It was quite plain.
-The third man in that robbery, whose face he had not seen at the time,
-was undoubtedly the man who had brought the "message" a few minutes ago,
-and who was now, with almost equal certainty, engaged in driving the
-car. Thieving, at least, was in the trio's line! They must somehow or
-other have stolen the traveling pawn-shop from Hawkins!
-
-He smiled grimly. If it had been Birdie now who had brought the message
-he would never have fallen into the trap! Crang had played in luck and
-won by a very narrow margin, for Crang was naturally in ignorance that
-he, John Bruce, had ever seen either of the men before. And then John
-Bruce thought of the bulky roll of bills which by an equally narrow
-margin was _not_ in his pocket at that moment, and his smile deepened.
-
-Crang spoke for the first time.
-
-"Take his gun away from him, if he's got one!" he gnarled tersely.
-
-"It's in the breast pocket of my coat," said John Bruce imperturbably.
-
-Birdie, beside John Bruce, reached over and secured the weapon.
-
-John Bruce leaned back in his seat. The car was speeding rapidly along
-now.
-
-The minutes passed. None of the three men spoke. Crang sat like some
-repulsive gargoyle, leering maliciously.
-
-John Bruce half closed his eyes against the uncanny fascination of that
-round black muzzle which never wavered in its direction, and which was
-causing him to strain too intently upon it. What was the game? How far
-did Crang intend to go with his insane jealousy? How far would Crang
-dare to go? The man wasn't doped to-night. Perhaps he was even the
-more dangerous on that account. Instead of mouthing threats, there was
-something ominous now, it seemed, in the man's silence. John Bruce's
-lips drew together. He remembered Claire's insistence that Crang had
-meant what he said literally--and Claire had repeated that warning over
-the telephone. Well, if she were right, it meant--_murder_.
-
-From under his half closed lids, John Bruce looked around the car. The
-curtains, as they always were, were closely drawn. The interior was
-lighted by that same soft central light, only the light was high up now
-near the roof of the car. Well, if it was to be murder, why not _now?_
-The little velvet-topped table was not in place, and there was nothing
-between himself and that sneering, sallow face. Yes, why not now--and
-settle it!
-
-He straightened almost imperceptibly in his seat, as impulse suddenly
-bade him fling himself forward upon Crang. Why not? The sound of a
-revolver shot would be heard in the street, and Crang might not even
-dare to fire at all. And then John Bruce's glance rested on the man
-beside him--and impulse gave way to common sense. He had no intention of
-submitting tamely and without a struggle to any fate, no matter what it
-might be, that Crang proposed for him, but that struggle would better
-come when there was at least a chance. There was no chance here. Birdie,
-on the seat beside him, held a deadlier and even more effective weapon
-than was Crang's revolver, a silent thing--a black-jack.
-
-"Wait! Don't play the fool! You'll get a better chance than this!" the
-voice of what he took to be common sense whispered to him.
-
-The car began to go slower. It swerved twice as though making sharp
-turns; and then, running still more slowly, began to bump over rough
-ground.
-
-Crang spoke again.
-
-"You can make all the noise you want to, if you think it will do you any
-good," he said viciously; "but if you make a move you are not told to
-make you'll be _carried_ the rest of the way! Understand?"
-
-John Bruce did not answer.
-
-The car stopped. Birdie opened the door on his side, and stepped to the
-ground. He was joined by the man who had driven the car, and who, as
-John Bruce now found he had correctly assumed, had acted as the decoy at
-the gambling house.
-
-"Get out!" ordered Doctor Crang curtly.
-
-John Bruce followed Birdie from the car. It was dark out here,
-exceedingly dark, but he could make out that the car had been driven
-into a narrow lane, and that they were close to the wall of a building
-of some sort. The two men gripped him by his arms. He felt the muzzle of
-Crang's revolver pressed into the small of his back.
-
-"Mind your step!" cautioned Birdie gruffly.
-
-It was evidently the entrance to a cellar. John Bruce found himself
-descending a few short steps; and then, on the level again, he was
-guided forward through what was now pitch blackness. A moment more and
-they had halted, but not before John Bruce's foot had come into contact
-with a wall or partition of some kind in front of him. One of the
-men who gripped his arms knocked twice with three short raps in quick
-succession.
-
-A door opened in front of them, and for an instant John Bruce was
-blinded by a sudden glare of light; but the next instant, his eyes grown
-accustomed to the transition, he saw before him a large basement room,
-disreputable and filthy in appearance, where half a dozen men sat at
-tables drinking and playing cards.
-
-A shove from the muzzle of Crang's revolver urged John Bruce forward
-into an atmosphere that was foul, hot and fetid, and thick with tobacco
-smoke that floated in heavy, sinuous layers in mid-air. He was led down
-the length of the room toward another door at the opposite end. The men
-at the tables, as he passed them, paid him little attention other than
-to leer curiously at him. They greeted Birdie and his companion with
-blasphemous familiarity; but their attitude toward Crang, it seemed to
-John Bruce, was one of cowed and abject respect.
-
-John Bruce's teeth closed hard together. This was a nice place, an
-ominously nice place--a hidden den of the rats of the underworld,
-where Crang was obviously the leader. He was not so sure now that the
-promptings of so-called common sense had been common sense at all! His
-chances of escaping, practically hopeless as they had been in the car,
-would certainly have been worth trying in view of this! He began to
-regret his "common sense" bitterly now.
-
-He was in front of the door toward which they had been heading now.
-It was opened by Birdie, and John Bruce was pushed into a small,
-dimly-lighted, cave-like place. Crang said something in a low voice to
-the two men, and, leaving them outside, entered himself, closing the
-door only partially behind him.
-
-For a moment they faced each other, and then Crang laughed--tauntingly,
-in menace.
-
-John Bruce's eyes, from Crang's sallow face, and from Crang's revolver,
-swept coolly over his surroundings. A mattress, a foul thing, lay on the
-ground in one corner. There was no flooring here in the cellar. A small
-incandescent bulb hung from the roof. There was one chair and a battered
-table--nothing else; not even a window.
-
-"It was like stealing from a child!" sneered Crang suddenly. "You poor
-mark!"
-
-"Quite so!" said John Bruce calmly. "And the more so since I was warned
-that you were quite capable of--murder. I suppose that is what I am here
-for."
-
-"Oh, you were warned, were you?" Crang took an abrupt step forward, his
-lips working. An angry purple clouded the pallor of his face. "More of
-that love stuff, eh? Well, by God, here's the end of it! I'll teach you
-with your damned sanctimonious airs to fool around the girl I'm going to
-marry! You snivelling hypocrite, you didn't tell her who _you_ were, did
-you?"
-
-John Bruce stared blankly.
-
-"Who I am?" he repeated. "What do you mean?"
-
-Crang for the moment was silent. He seemed to be waging a battle with
-himself to control his passion.
-
-"I'm too clever a man to lose my temper, now I've got you!" he rasped
-finally. "That's about the size of your mentality! The sweet, nave,
-innocent rle! Yes, I said a snivelling hypocrite! You don't eat dope,
-but perhaps you've heard of a man named Larmon--Mr. Gilbert Larmon, of
-San Francisco!"
-
-To John Bruce it seemed as though Crang's words in their effect were
-something like one of those blows the same man had dealt him on his
-wounded side in that fight of the other night. They seemed to jar him,
-and rob his mind of quick thinking and virility--and yet he was quite
-sure that not a muscle of his face had moved.
-
-"You needn't answer," Crang grinned mockingly. "If you haven't met him,
-you'll have the opportunity of doing so in a few hours. Mr. Larmon will
-arrive in New York to-night in response to the telegram you sent him."
-
-"I know you said you were clever," said John Bruce shortly, "and I have
-no doubt this is the proof of it! But what is the idea? I did not send a
-telegram to any one.
-
-"Oh, yes, you did!" Crang was chuckling evilly.
-
-"It was something to the effect that Mr. Larmon's immediate presence in
-New York was imperative; that you were in serious difficulties. And in
-order that Mr. Larmon might have no suspicions or anxiety aroused as to
-his own personal safety, he was to go on his arrival to the Bayne-Miloy
-Hotel; but was, at the same time, to register under the name of R. L.
-Peters, and to make no effort to communicate with you until you gave
-him the cue. The answer to the telegram was to be sent to a--er--quite
-different address. And here's the answer."
-
-His revolver levelled, Crang laid a telegram on the table, and then
-backed away a few steps.
-
-John Bruce picked up the message. It was dated from San Francisco
-several days before, and was authentic beyond question. It was addressed
-to John Bruce in the care of one William Anderson, at an address which
-he took to be somewhere over on the East Side. He read it quickly:
-
-Leaving at once and will follow instructions. Arrive Wednesday night. Am
-exceedingly anxious.
-
-Gilbert Larmon.
-
-"This is Wednesday night," sneered Crang.
-
-John Bruce laid down the telegram. That Crang in some way had discovered
-his, John Bruce's connection with Larmon, was obvious. But how--and what
-did it mean? He smiled coldly. There was no use in playing the fool by
-denying any knowledge of Larmon. It was simply a question of exactly how
-_much_ Crang knew.
-
-"Well?" he inquired indifferently.
-
-The door was pushed open, and Birdie came in. He carried pen and ink, a
-large sheet of paper, and an envelope.
-
-Crang motioned toward the table.
-
-"Put them down there--and get out!" he ordered curtly; and then as the
-man obeyed, he stared for an instant in malicious silence at John Bruce.
-"I guess we're wasting time!" he snapped. "I sent the telegram to Larmon
-a few days ago, and I know all about you and Larmon, and his ring
-of gambling houses. You talked your fool head off when you were
-delirious--understand? And----"
-
-John Bruce, his face suddenly white, took a step forward--and stopped,
-and shrugged his shoulders. Crang's outflung revolver was on a level
-with his eyes. And then John Bruce turned his back deliberately, and
-walked to the far end of the little room.
-
-Crang laughed wickedly.
-
-"I am afraid I committed a breach of medical tiquette," he said. "I
-sent to San Francisco and got the dope on the quiet about this Mr.
-Larmon. I found out that he is an enormously wealthy man; and I also
-found out that he poses as an immaculate pillar of society. It looks
-pretty good, doesn't it, Bruce--for me? Two birds with one stone; you
-for trying to get between me and Claire; and Larmon coughing up the
-dough to save your hide and save himself from being exposed for what he
-is!"
-
-John Bruce made no answer. They were not so fanciful now, not so unreal
-and wandering, those dreams when he had been ill, those dreams in
-which there had been a man with a quill toothpick, and another with a
-sinister, loathsome face, whose head was always cocked in a listening
-attitude.
-
-"Well, I guess you've got it now, all of it, haven't you?" Crang
-snarled. "It's lucky for you Larmon's got the coin, or I'd pass you
-out for what you did the other night. As it is you're getting out of it
-light. There's paper on the table. You write him a letter that will get
-him down here with a blank check in his pocket. I'll help you to word
-it." Crang smiled unpleasantly. "He will be quite comfortable here while
-the check is going through the bank; for it would be most unfortunate,
-you know, if he had a chance to stop payment on it. And I might say that
-I am not worrying at all about any reprisals through the tracing of the
-check afterward, for if Mr. Larmon is paying me to keep my mouth shut
-there is no fear of his opening his own."
-
-John Bruce turned slowly around.
-
-"And if I don't?" he asked quietly.
-
-Crang studied the revolver in his hand for a moment. He looked up
-finally with a smile that was hideous in its malignancy.
-
-"I'm not sure that I particularly care," he said. "You are going to get
-out of my path in any case, though my personal inclination is to snuff
-you out, and"--his voice rose suddenly--"damn you, I'd like to see you
-dead; but on the other hand, my business sense tells me that I'd be
-better off with, say, a hundred thousand dollars in my pocket. Do you
-get the idea, my dear Mr. Bruce? I am sure you do. And as your medical
-advisor, for your health is still very much involved, I would strongly
-urge you to write the letter. But at the same time I want to be
-perfectly frank with you. There is a tail to it as far as you are
-concerned. I have a passage in my pocket--a first-class passage, in fact
-a stateroom where you can be secured so that I may make certain you
-do not leave the ship prematurely at the dock--for South America, on a
-steamer sailing to-morrow afternoon. The passage is made out in the name
-of John Bruce."
-
-"You seem to have taken it for granted that I would agree to your
-proposal," said John Bruce pleasantly.
-
-"I have," Crang answered shortly. "I give you credit in some respects
-for not being altogether a fool."
-
-"In other words," said John Bruce, still pleasantly, "if I will trap Mr.
-Larmon into coming here so that you will have him in your power, and can
-hold him until you have squeezed out of him what you consider the fair
-amount he should pay as blackmail, or do away with him perhaps, if he
-is obstinate, I am to go free and sail for South America to-morrow
-afternoon; failing this, I am to snuff out--I think you called it--at
-the hands of either yourself or this gentlemanly looking band of apaches
-you have gathered around you."
-
-"You haven't made any mistake so far!" said Crang evenly. He jerked his
-hand toward the table. "It's that piece of paper there, or your hide."
-
-"Yes," said John Bruce slowly. He stared for an instant, set-faced, into
-Crang's eyes. "Well, then, go ahead!"
-
-Crang's eyes narrowed.
-
-"You mean," his voice was hoarse with menace, "you mean----"
-
-"Yes!" said John Bruce tersely. "My hide!"
-
-Crang did not answer for a moment. The revolver in his hand seemed to
-edge a little nearer to John Bruce as though to make more certain of its
-aim. Crang's eyes were alight with passion.
-
-John Bruce did not move. It was over--this second--or the next. Crang's
-threats were _literal_. Claire had said so. He knew it. It was in
-Crang's eyes--a sort of unholy joy, a madman's frenzy. Well, why didn't
-the man fire and have done with it?
-
-And then suddenly Crang's shoulders lifted in a mocking shrug.
-
-"Maybe you haven't got this--_straight_," he said between closed teeth.
-"I guess I've paid you the compliment of crediting you with a quicker
-intelligence than you possess! I'll give you thirty minutes alone to
-think it over and figure out where you stand."
-
-Crang backed to the door.
-
-The door closed. John Bruce heard the key turn in the lock. He stared
-about him at the miserable surroundings. Thirty minutes! He did not need
-thirty minutes, or thirty seconds, to realize his position. He was not
-even sure that he was thankful for the reprieve. It meant half an hour
-more of life, but----
-
-Cornered like a rat! To go out at the hands of a degenerate dope
-fiend... the man had been cunning enough... Hawkins!
-
-John Bruce paced his little section of the cellar. His footsteps made
-no sound on the soft earth. This was his condemned cell; his warders a
-batch of gunmen whose trade was murder.
-
-Larmon! They had not been able to trick Larmon into their power so
-easily, because there wasn't any Hawkins. No, there was--John Bruce.
-John Bruce was the bait. Queer! Queer that he had ever met Larmon, and
-queer that the end should come like this.
-
-Faustus hadn't had his fling yet. That quill toothpick with which he had
-signed----
-
-John Bruce stood stock still--his eyes suddenly fastened on the piece of
-paper on the table.
-
-"My God!" John Bruce whispered hoarsely.
-
-He ran silently to the door and listened. He could hear nothing. He ran
-back to the table, threw himself into the chair, and snatching the sheet
-of paper toward him, took out a fountain pen from his pocket. Near the
-lower edge of the paper, and in a minutely small hand, he began to write
-rapidly.
-
-At the end of a few minutes John Bruce stood up. There was neither sign
-nor mark upon the paper, save an almost invisible impression made by
-his thumb nail, which he had set as a sign post, as it were, to indicate
-where he had begun to write. It was a large sheet of unruled paper,
-foolscap in size, and there was but little likelihood of reaching so far
-down with the letter that Crang was so insistent upon having, but he did
-not propose in any event to superimpose anything over what he had just
-written. He could always turn the sheet and begin at the top on the
-other side! Again he began to pace up and down across the soft floor,
-but now there was a grim smile on his face. Behind Larmon and his
-enormous wealth lay Lar-mon's secret organization, that, once set in
-motion, would have little difficulty in laying a dozen Crangs, by the
-heels. And Crang was yellow. Let Crang but for an instant realize that
-his own skin was at stake, and he would squeal without hesitation--and
-what had narrowly escaped being tragedy would dissolve into opera
-bouffe. Also, it was very nice indeed of Crang to see that the message
-reached Larmon's hands!
-
-And it was the way out for Claire, too! It was Crang who had mentioned
-something about two birds with one stone, wasn't it? Claire! John
-Bruce frowned. Was he so sure after all? There seemed to be something
-unfathomable between Claire and Crang; the bond between them one that no
-ordinary means would break.
-
-His brain seemed to go around in cycles now--Claire, Larmon, Crang;
-Claire, Larmon, Crang.... He lost track of time--until suddenly he heard
-a key rattle in the lock. And then, quick and silent as a cat in his
-movements, he slipped across the earthen floor, and flung himself face
-down upon the mattress.
-
-A moment more, and some one prodded him roughly. His hair was rumpled,
-his face anxious and dejected, as he raised himself on his elbow. Crang
-and two of his apaches were standing over him. One of the latter held an
-ugly looking stiletto.
-
-"Stand him up!" ordered Crang.
-
-John Bruce made no resistance as the two men jerked him unceremoniously
-to his feet.
-
-Crang came and stared into his face.
-
-"I guess from the look of you," Crang leered, "you've put in those
-thirty minutes to good advantage. You're about ready to write that
-letter, aren't you?"
-
-John Bruce looked around him miserably. He shook his head.
-
-"No--no; I--I can't," he said weakly. "For God's sake, Crang, you--you
-know I can't."
-
-"Sure--I know!" said Crang imperturbably. He nodded to the man with the
-stiletto. "He's more used to steel than bullets, and he likes it better.
-Don't keep him waiting."
-
-John Bruce felt the sudden prick of the weapon on his flesh--it went a
-little deeper.
-
-"Wait! Stop!" he screamed out in a well-simulated paroxysm of terror.
-"I--I'll write it."
-
-"I thought so!" said Crang coolly. "Well, go over there to the
-table then, and sit down." He turned to the two men. "Beat it!" he
-snapped--and the room empty again, save for himself and John Bruce,
-he tapped the sheet of paper with the muzzle of his revolver. "I'll
-dictate. Pick up that pen!"
-
-John Bruce obeyed. He circled his lips with his tongue.
-
-"You--you won't do Larmon any harm, will you?" he questioned abjectly.
-"I--my life's worth more than a little money, if it's only that,
-and--and, if that's all, I--I'm sure he'd rather pay."
-
-"Don't apologize!" sneered Crang. "Go on now, and write. Address him as
-you always do."
-
-John Bruce dipped the pen in the ink, and wrote in a small hand:
-
-"Dear Mr. Larmon:--"
-
-He looked up in a cowed way.
-
-"All right!" grunted Crang. "I guess we'll kill another bird, too, while
-we're at it." He smiled cryptically. "Go on again, and write!"
-
-And John Bruce wrote as Crang dictated:
-
-"I'm here in my rooms in the same hotel with you, but am closely
-watched. Our compact is known. I asked a girl to marry me, and in doing
-so felt she had the right to my full confidence. She did me in. She----"
-
-John Bruce's pen had halted.
-
-"Go on!" prompted Crang sharply. "It's got to sound right for Larmon--so
-that he will believe it. He's not a fool, is he?"
-
-"No," said John Bruce.
-
-"Well, go on then!"
-
-And John Bruce wrote:
-
-"She was all the time engaged to the head of a gang of crooks." Crang's
-malicious chuckle interrupted his dictation.
-
-"I'm not sparing myself, you see. Go on!"
-
-John Bruce continued his writing:
-
-"They are after blackmail now, and threaten to expose you. I telegraphed
-you to come under an alias because we are up against it and you should
-be on the spot; but if they knew you were here they would only attach
-the more importance to it, and the price would go up. They believe you
-are still in San Francisco, and that I am communicating with you by
-mail. They are growing impatient. You can trust the bearer of this
-letter absolutely. Go with him. He will take you where we can meet
-without arousing any suspicion. I am leaving the hotel now. If possible
-we should not risk more than one conference together, so bring a blank
-check with you. There is no other way out. It is simply a question of
-the amount. I am bitterly sorry that this has happened through me. John
-Bruce."
-
-Crang, with his revolver pressed into the back of John Bruce's neck,
-leaned over John Bruce's shoulder and read the letter carefully.
-
-"Fold it, and put it in that envelope without sealing it, and address
-the envelope to Mr. R. L. Peters at the Bayne-Miloy Hotel!" he
-instructed.
-
-John Bruce folded the letter. As he did so, he noted that his signature
-was a good two or three inches above the thumb nail mark. He placed the
-letter in the envelope, and addressed the latter as Crang had directed.
-
-Crang moved around to the other side of the table, tucked the envelope
-into his pocket, and grinned mockingly.
-
-And then without a word John Bruce got up from his chair, and flung
-himself face down on the mattress again.
-
-
-
-
-CHAPTER FIFTEEN--THE CLEW
-
-|PAUL VENIZA, propped up in bed on his pillows, followed Claire with his
-eyes as she moved about the room. It was perhaps because he had been too
-ill of late to notice anything, that he experienced now a sudden
-shock at Claire's appearance. She looked pale and drawn, and even her
-movements seemed listless.
-
-"What's to-night?" he asked abruptly.
-
-"Wednesday, father," she answered.
-
-Paul Veniza plucked at the counterpane. It was all too much for Claire.
-Besides--besides Crang, she had been up all night for the last two
-nights, and since Monday she had not been out of the house.
-
-"Put on your hat, dear, and run over and tell Hawkins I want to see
-him," he smiled.
-
-Claire stared at the old pawnbroker.
-
-"Why, father," she protested, "it's rather late, isn't it? And, besides,
-you would be all alone in the house."
-
-"Nonsense!" said Paul Veniza. "I'm all right. Much better. I'll be up
-to-morrow. But I particularly want to see Hawkins to-night." He did not
-particularly want to see Hawkins or any one else, but if he did not have
-some valid excuse she would most certainly refuse to go out and leave
-him alone. A little walk and a breath of fresh air would do Claire
-a world of good. And as for the lateness of the hour, Claire in that
-section of the city was as safe as in her own home. "Please do as I ask
-you, Claire," he insisted.
-
-"Very well, father," she agreed after a moment's hesitation, and went
-and put on her hat.
-
-From downstairs, as she opened the front door, she called up to him a
-little anxiously:
-
-"You are sure you are all right?"
-
-"Quite sure, dear," Paul Veniza called back. "Don't hurry."
-
-Claire stepped out on the street. It was not far to go--just around the
-first corner and halfway down the next block--and at first she walked
-briskly, impelled by an anxiety to get back to the house again as soon
-as possible, but insensibly, little by little, her footsteps dragged.
-
-What was it? Something in the night, the darkness, that promised a
-kindly cloak against the breaking of her self-restraint, that bade her
-let go of herself and welcome the tears that welled so spontaneously
-to her eyes? Would it bring relief? To-day, all evening, more than ever
-before, she had felt her endurance almost at an end. She turned her face
-upward to the night. It was black; not a star showed anywhere. It seemed
-as though something dense and forbidding had been drawn like a somber
-mantle over the world. God, even, seemed far away to-night.
-
-She shivered a little. Could that really be true--that God was turning
-His face away from her? She had tried so hard to cling to her faith.
-It was all she had; it was all that of late had stood between her and
-a despair and misery, a horror so overwhelming that death by contrast
-seemed a boon.
-
-Her lips quivered as she walked along. It almost seemed as though she
-did not want to fight any more. And yet there had been a great and
-very wonderful reward given to her before she had even made the final
-sacrifice that she had pledged herself to make. If her soul revolted
-from the association that must come with Doctor Crang, if every instinct
-within her rose up in stark horror before the contamination of the man's
-wanton moral filth, one strange and wondrous thing sustained her. And
-she had no right to mistrust God, for God must have brought her this.
-She had bought an unknown life--that had become dearer to her than her
-own, or anything that might happen to her. She knew love. It was no
-longer a _stranger_ who would live on through the years because she
-was soon to pay the price that had been set upon his life--it was John
-Bruce.
-
-Claire caught her hands suddenly to her breast. John Bruce! She was
-still afraid--for John Bruce. And to-night, all evening, that fear had
-been growing stronger, chilling her with a sense of evil premonition and
-foreboding. Was it only premonition? Crang had threatened. She had heard
-the threats. And she knew out of her own terrible experience that Crang,
-as between human life and his own desires, held human life as naught.
-And yet, surely John Bruce was safe from him now--at least his life was
-safe. That was how Crang had wrung the promise from her. No, she was
-not so sure! There was personal enmity between them now. Besides,
-if anything happened she would not be able to bring it to Crang's
-door--Crang would take care of that--and her promise would still hold.
-And so she was afraid.
-
-She had not seen Crang since the night that John Bruce had thrown him
-down the stairs. She had thanked God for the relief his absence had
-brought her--but now, here again, she was not so sure! What had kept him
-away? Where was John Bruce? She began to regret that she had told John
-Bruce he must not attempt to see her or communicate with her any
-more, though she had only done so because she had been afraid for his
-sake--that it would but arouse the very worst in Doctor Crang. Perhaps
-John Bruce had yielded to her pleading and had left the city. She shook
-her head. If she knew the man she loved at all, John Bruce would run
-from no one, and----
-
-Claire halted abruptly. She had reached the dingy rooming house where
-Hawkins lived. She brushed her hand resolutely across her eyes as she
-mounted the steps. The tears had come after all, for her lashes were
-wet.
-
-It was not necessary either to ring or knock; the door was always
-unfastened; and, besides, she had been here so many, many times that
-she knew the house almost as well as her own home. She opened the door,
-stepped into a black hallway, and began to feel her way up the creaking
-staircase. There was the possibility, of course, that Hawkins was either
-out or already in bed; but if he were out she would leave a note in his
-room for him so that he would come over to the old pawn-shop when he
-returned, and if he were already in bed her message delivered through
-the door would soon bring Hawkins out of it again--Hawkins, since he had
-been driving that old car which he had created, was well accustomed to
-calls at all hours of the night.
-
-A thin, irregular streak of light, the only sign of light she had
-seen anywhere in the house, showed now at the threshold under Hawkins'
-ill-fitting door, as she reached the landing. She stepped quickly to
-the door and knocked. There was no answer. She knocked again. There was
-still no answer. Claire smiled a little whimsically. Hawkins was growing
-extravagant--he had gone out and left the light burning. She tried the
-door, and, finding it unlocked, opened it, stepped forward into the
-room--and with a sudden, low, half-hurt, half-frightened cry, stood
-still. Hawkins was neither out, nor was he in bed. Hawkins was sprawled
-partly on the floor and partly across a chair in which he had obviously
-been unable to preserve his balance. Several bottles, all empty but one,
-stood upon the table. There were two dirty glasses beside the bottles,
-and another one, broken, on the floor. Hawkins was snoring stertorously.
-
-It seemed somehow to Claire standing there that this was the last
-straw--and yet, too, there was only a world of pity in her heart for
-the old man. All the years rolled before her. She remembered as a child
-climbing upon his knee and pleading for the _tick-tick_--that great
-cumbersome silver watch, which, fallen out of his pocket now, dangled by
-its chain and swung in jerky rhythm to his breathing. She remembered the
-days when, a little older, she had dressed herself in her best clothes,
-and to Hawkins' huge delight had played at princess, while he drove her
-about in his old ramshackle hansom cab; and, later still, his gentle
-faithfulness to Paul Veniza in his trouble, and to her--and the love,
-and a strange, always welcome, tenderness that he had ever shown her.
-Poor frail soul! Hawkins had been good to every one--but Hawkins!
-
-She could not leave him like this, but she was not strong enough alone
-to carry him to his bed. She turned and ran hurriedly downstairs. There
-was the widow Hedges, of course, the old landlady.
-
-Back at the end of the lower hall, Claire pounded upon a door. Presently
-a woman's voice answered her. A moment later a light appeared as the
-door was opened, and with it an apparition in an old gingham wrapper and
-curl papers.
-
-"Oh, it's you, Miss Claire!" the woman exclaimed in surprise. "What's
-brought you over here to-night, dear? Is your father worse?"
-
-"No," Claire answered. "He wanted Hawkins, and----"
-
-Mrs. Hedges shook her head.
-
-"Hawkins ain't in," she said; "but I'll see that he gets the message
-when he comes back. He went out with the car quite a little while ago
-with some men he had with him."
-
-"With the car?" Claire found herself suddenly a little frightened, she
-did not quite know why. "Well, he's back now, Mrs. Hedges."
-
-"Oh, no," asserted Mrs. Hedges positively. "I might not have heard him
-going upstairs, but I would have heard the car coming in. It ain't come
-back yet."
-
-"But Hawkins _is_ upstairs," said Claire a little heavily. "I--I've been
-up."
-
-"You say Hawkins is upstairs?" Mrs. Hedges stared incredulously. "That's
-very strange!" She turned and ran back into her room and to a rear
-window. "Look, Miss Claire! Come here! You can see!" And as Claire
-joined her: "The door of the shed, or the gradge as he calls it, is
-open, and you can see for yourself it's empty. If he's upstairs what
-could he have done with the car? It ain't out in front of the house,
-is it, and--oh!" She caught Claire's arm anxiously. "There's been an
-accident, you mean, and he's----"
-
-"I am sure he never left the house," said Claire, and her voice in
-its composed finality sounded strange even in her own ears. She was
-thoroughly frightened now, and her fears were beginning to take concrete
-form. There were not many who would have any use for that queer old car
-that was so intimately associated with Hawkins! She could think of
-only one--and of only one reason. She pulled at Mrs. Hedges' arm. "Come
-upstairs," she said.
-
-Mrs. Hedges reached the door of Hawkins' room first.
-
-"Oh, my God!" Mrs. Hedges cried out wildly. "He ain't dead, is he?"
-
-"No," said Claire in a strained voice. "He's--he's only had too much to
-drink. Help me lift him on the bed."
-
-It taxed the strength of the two women.
-
-"And the car's stole!" gasped Mrs. Hedges, fighting for her breath.
-
-"Yes," said Claire; "I am afraid so."
-
-"Then we'll get the police at once!" announced Mrs. Hedges.
-
-Claire looked at her for a moment.
-
-"No," she said slowly, shaking her head. "You mustn't do that. It--it
-will come back."
-
-"Come back?" Mrs. Hedges stared helplessly. "It ain't a cat! You--you
-ain't quite yourself, are you, Miss Claire? Poor dear, this has upset
-you. It ain't a fit thing for young eyes like yours to see. Me--I'm used
-to it."
-
-"I am quite myself." Claire forced a calmness she was far from feeling
-into her voice. "You mustn't notify the police, or do a thing, except
-just look after Hawkins. It--it's father's car, you know; and he'll know
-best what to do."
-
-"Well, maybe that's so," admitted Mrs. Hedges.
-
-"Do you know who the men were who were here with Hawkins?" Claire asked.
-
-"No, I don't," Mrs. Hedges answered excitedly. "The thieving devils,
-coming here and getting Hawkins off like this! I just knew there were
-some men up in his room with him because I heard them talking during the
-evening, and then when I heard them go out and get the car I thought, of
-course, that Hawkins had gone with them."
-
-"I--I see," said Claire, striving to speak naturally. "I--I'll go back
-to father now. I can't leave him alone very long, anyhow. I'll tell him
-what has happened, and--and he'll decide what to do. You'll look after
-Hawkins, won't you, Mrs. Hedges?"
-
-"You run along, dear," said Mrs. Hedges reassuringly. "Who else but me
-has looked after him these ten years?"
-
-Claire ran from the room and down the stairs, and out to the street.
-The one thing left for her to do was to reach home and get to the
-telephone--get the Bayne-Miloy Hotel--and John Bruce. Perhaps she was
-already too late. She ran almost blindly along the street. Her
-intuition, the foreboding that had obsessed her so heavily all evening,
-was only too likely now to prove itself far from groundless. What
-object, save one, could anybody have in obtaining possession of the
-traveling pawn-shop, and at the same time of keeping Hawkins temporarily
-out of the road? Perhaps her deduction would show flaws if it were
-subjected to the test of pure logic, perhaps there were a thousand other
-reasons that would account equally well, and even more logically, for
-what had happened, but she _knew_ it was Crang--and Crang could have but
-one object in view. The man was clever, diabolically clever. In some way
-he was using that car and Hawkins' helplessness to trap the man he had
-threatened. She must warn John Bruce. There was not an instant to lose!
-To lose! How long ago had that car been taken? Was there even a chance
-left that it was not already far too late? She had not thought to ask
-how long ago it was when Mrs. Hedges had heard the car leave the garage.
-
-It had never seemed so far--just that little half block and halfway
-along another. It seemed as though she had been an hour in coming that
-little way when she finally reached her home. Her breath coming in hard,
-short gasps, she opened the door, closed it, and, with no thought but
-one in her mind, ran across the room to the telephone. She remembered
-the number of the Bayne-Miloy. She snatched the telephone receiver from
-the hook--and then, as though her arm had suddenly become incapable of
-further movement, the receiver remained poised halfway to her ear.
-
-Doctor Crang was leaning over the banister, and looking down at her.
-
-With a stifled little cry, Claire replaced the receiver.
-
-Paul Veniza's voice reached her from above.
-
-"Is that you, Claire?" he called.
-
-"Yes, father," she answered.
-
-Doctor Crang came down the stairs.
-
-"I just dropped in a minute ago--not professionally"--a snarl crept into
-his voice--"for I have never been informed that your father was ill."
-
-Claire did not look up.
-
-"It--it wasn't serious," she said.
-
-"So!" Crang smiled a little wickedly. "I wonder where you get the
-_gambling_ spirit from? One of these days you'll find out how serious
-these attacks are!" He took a step forward. "Your father tells me you
-have been over to Hawkins' room."
-
-There was a curious hint of both challenge and perverted humor in his
-voice. It set at rest any lingering doubt Claire might have had.
-
-"Yes," she said, and faced him now, her eyes, hard and steady, fixed on
-his.
-
-"Poor Hawkins!" sighed Doctor Crang ironically. "Even the best of us
-have our vices! It should teach us to be tolerant with others!"
-
-Claire's little form was rigidly erect.
-
-"I wonder if you know how much I hate you?" she said in a tense, low
-voice.
-
-"You've told me often enough!" A savage, hungry look came into Crang's
-eyes. "But you're mine, for all that! Mine, Claire! Mine! You understand
-that, eh?"
-
-He advanced toward her. The door of the inner room, that for weeks,
-until a few days ago, had been occupied by John Bruce, was just behind
-her, and she retreated through it. He followed her. She did not want to
-cry out--the sound would reach the sick room above; and, besides, she
-dared not show the man that she had any fear.
-
-"Don't follow me like that!" she breathed fiercely.
-
-"Why not?" he retorted, as he switched on the light and closed the door.
-"I've got the right to, even if I hadn't something that I came over here
-particularly to-night to tell you about--quite privately."
-
-She had put the table between them. That he made no effort to come
-nearer for the moment afforded her a certain relief, but there was
-something in the smile with which he surveyed her now, a cynical,
-gloating triumph, that chilled her.
-
-"Well, what is it?" she demanded.
-
-"I trapped that damned lover of yours to-night!" he announced coolly.
-
-Claire felt her face go white. It _was_ true, then! She fought madly
-with herself for self-possession.
-
-"If you mean Mr. Bruce," she said deliberately, "I was just going to try
-to warn him over the phone; though, even then, I was afraid I was too
-late."
-
-"Ah!" he exclaimed sharply. "You knew, then?"
-
-Claire shrugged her shoulders.
-
-"Oh, yes!" she said contemptuously. "My faith in you where evil is
-concerned is limitless. I heard your threats. I saw Hawkins a few
-minutes ago. He was quite--quite helpless. You, or some of your
-confederates, traded on his weakness, took the key of the car away from
-him, and then stole the car. Ordinary thieves would not have acted like
-that." An icy smile came to her lips. "His landlady thought the police
-should be notified that the car had been stolen."
-
-"You always were clever, Claire," Crang grinned admiringly. "You've got
-some brains--all there are around here, as far as I can make out.
-You've got it straight, all right. Mr. John Bruce, Esquire, came out of
-Lavergne's on being informed that Hawkins was in bad shape--no lie about
-that!--and walked into the car without a murmur. Too bad to bother the
-police, though--the car will have been left in front of Hawkins' door
-again by now."
-
-It was hard to keep her courage; hard to keep her lips from trembling;
-hard to keep the tears back; hard to pretend that she was not afraid.
-
-"What are you going to do with him?" Her voice was very low. "The
-promise that I gave you was on the condition that he _lived_--not only
-then, but now." Crang laughed outright.
-
-"Oh, don't worry about that! He'd never let it get that far. He thinks
-too much of Mr. Bruce! He has already taken care of himself--at another
-man's expense."
-
-Claire stared numbly. She did not understand.
-
-"I'll tell you," said Crang, with brutal viciousness. "He's a
-professional gambler, this supposedly wealthy gentleman of leisure. He
-works for a man in San Francisco named Larmon, who really is wealthy,
-but who poses as a pillar of the church, or words to that effect. Never
-mind how, but Larmon will be here to-night in New York--just at the
-right moment. And Mr. Bruce has very kindly consented to assist in
-convincing Mr. Larmon that exposure isn't worth the few dollars that
-would buy him immunity."
-
-Claire did not speak. Still she did not understand. She sat down wearily
-in the chair beside the table.
-
-Crang took a letter from his pocket abruptly, and, opening it, laid it
-in front of Claire.
-
-"I thought perhaps you would like to read it," he said carelessly.
-
-Claire rested her elbows on the table and cupped her chin in her hands.
-She stared at the letter. At first the words ran together, and she could
-not make them out. Then a sentence took form, and then another--and she
-read them piteously. "... I asked a girl to marry me, and in doing so
-felt she had the right to my full confidence. She did me in... She read
-on to the end.
-
-"But it's not true!" she cried out sharply. "I don't believe it!"
-
-"Of course, it isn't true!" said Crang complacently. "And, of course,
-you don't believe it! But Larmon will. I've only shown you the letter to
-let you see what kind of a yellow cur this would-be lover of yours is.
-Anything to save himself! But so long as he wrote the letter, I had no
-quarrel with him if he wanted to fake excuses for himself that gave him
-a chance of holding his job with Larmon afterwards."
-
-It couldn't be true--true that John Bruce had even written the letter, a
-miserable Judas thing that baited a trap, for one who trusted him, with
-the good name of a woman for whom he had professed to care. It couldn't
-be true--but the signature was there, and--and it was genuine: "John
-Bruce.... John Bruce.... John Bruce." It seemed to strike at her with
-the cruel, stinging blows of a whip-lash: "John Bruce.... John Bruce....
-John----"
-
-The words became blurred. It was the infinite hopelessness of everything
-that crushed her fortitude, and mocked it, and made of it at last a
-beaten thing. A tear fell and splashed upon the page--and still another.
-She kept looking at the letter, though she could only see it through a
-blinding mist. And there was something ominous, and something that
-added to her fear, that she should imagine that her tears made _black_
-splashes on the blurred letter as they fell, and-----
-
-She heard a sudden startled snarl from Crang, and the letter was
-snatched up from the table. And then he seemed to laugh wildly, without
-reason, as a maniac would laugh--and with the letter clutched in his
-hand rushed from the room. Claire crushed her hands against her temples.
-Perhaps it was herself who had gone mad.
-
-The front door banged.
-
-
-
-
-CHAPTER SIXTEEN--A WOLF LICKS HIS CHOPS
-
-|OUTSIDE the house Crang continued to run. He was unconscious that he
-had forgotten his hat. His face worked in livid fury. Alternately he
-burst out into short, ugly gusts of laughter that made of laughter an
-evil thing; alternately, racked with unbridled passion, he mouthed a
-flood of oaths.
-
-He ran on for some three blocks, and finally dashed up the steps of a
-small, drab-looking, cheap frame house. A brass sign, greenish with mold
-from neglect, flanked one side of the door. Under the street light it
-could just barely be deciphered: SYDNEY ANGUS CRANG, M.D.
-
-He tried the door. It was locked. He searched impatiently and hastily in
-his pockets for his pass-key, and failing to find it instantly he rang
-the bell; and then, without waiting for an answer to the summons, he
-immediately began to bang furiously upon the panels.
-
-An old woman, his housekeeper, whose bare feet had obviously been
-thrust hurriedly into slippers, and who clutched at the neck of a woolen
-dressing gown that also obviously, and with equal haste, had been flung
-around her shoulders over her nightdress, finally opened the door.
-
-"Get out of the road!" Crang snarled--and brushed his way roughly past
-her.
-
-He stepped forward along an unlighted hall, opened a door, and slammed
-it behind him. He switched on the light. He was in his consulting room.
-The next instant he was standing beside his desk, and had wrenched
-John Bruce's letter from his pocket. He spread this out on the desk and
-glared at it. Beyond any doubt whatever, where Claire's tears had fallen
-on the paper, traces of writing were faintly discernible. Here, out of
-an abortive word, was a well-formed "e"; and there, unmistakably, was a
-capital "L."
-
-Crang burst into a torrent of abuse and oaths; his fists clenched, and
-he shook one of them in the air.
-
-"Double-crossed--eh?--damn him!" he choked. "He tried to double-cross
-me--did he?"
-
-Carrying the letter, he ran now into a little room behind his office,
-where he compounded his medicines, and that was fitted up as a sort of
-small laboratory.
-
-"I'm a clever man," Crang mumbled to himself. "We'll see about this!"
-
-With sudden complacence he began to study the sheet of paper. He nodded
-curtly to himself as he noted that the traces of the secret writing were
-all on the lower edge of the paper.
-
-"We'll be very careful, _very_ careful"--Doctor Crang was still
-mumbling--"it may be useful in more ways than one."
-
-He turned on the water faucet, wet a camel's-hair brush, and applied the
-brush to the lower edge of the letter. The experiment was productive of
-no result. He stared at the paper for a while with wrinkled brow, and
-then suddenly he began to laugh ironically.
-
-"No, of course, not!" He was jeering at himself now. "Clever? You are
-not clever, you are a fool! She _cried_ on the paper. Tears! Tears
-possess a slight trace of"--he reached quickly for a glass container,
-and began to prepare a solution of some sort--"a very slight trace...
-that's why the characters that already show are so faint. Now we'll see,
-Mr. John Bruce, what you've got to say.... Salt!... A little salt, eh?"
-
-He dipped the camel's-hair brush in the solution and drew it across the
-bottom edge of the paper again.
-
-"Ha, ha!" exclaimed Doctor Crang in eager excitement. Letters, words and
-sentences began to take form under the brush. "Ha, ha! He'd play that
-game with me, would he? Damn him!"
-
-Very carefully Sydney Angus Crang, M.D., worked his brush upward on
-the paper line by line, until, still well below the signature that John
-Bruce had affixed in his, Crang's, presence, there failed to appear
-any further trace of the secret writing. He read as fast as a word
-appeared--like a starving beast snatching in ferocious greed at morsels
-of food. It made whole and complete sense. His eyes feasted on it now in
-its entirety:
-
-Keep away. This is a trap. Stall till you can turn tables. Information
-obtained while I was delirious. Am a prisoner in hands of a gang whose
-leader is a doctor named Crang. Veniza will tell you where Crang lives.
-Get Veniza's address from Lavergne at the house. The only way to save
-either of Us is to trick Crang. Look out for yourself. Bruce.
-
-He tossed the camel's-hair brush away, returned to his desk, spread the
-letter out on a blotter to allow the lower edge to dry, and slumping
-down in his desk chair, glued his eyes on the secret message, reading it
-over and over again.
-
-"Trick Crang--eh?--ha, ha!" He began to chuckle low; then suddenly his
-fingers, crooked and curved until they looked like claws, reached out
-as though to fasten upon some prey at hand. And then he chuckled once
-more--and then grew somber, and slumped deeper in his chair, and his
-eyes, brooding, were half closed. "Not to-night," he muttered. "One job
-of it to-morrow... squeal like a pair of rats that----"
-
-He sat suddenly bolt upright in his chair. It came again---a low tapping
-on the window; two raps, three times repeated. He rose quickly, crossed
-the room, opened the door, and stood motionless for a moment peering
-out into the hall. It was a purely precautionary measure--he had little
-doubt but that his old housekeeper had long since mounted the stairs and
-returned to her bed. He stepped rapidly then along the hall, and opened
-the front door.
-
-"That you, Birdie?" he called in a low voice.
-
-A man's form appeared from the shadow of the stoop.
-
-"Sure!" the man answered.
-
-"Come in!" Doctor Crang said tersely.
-
-He led the way back into the consulting room, and slumped down again in
-his chair.
-
-"Well?" he demanded.
-
-"Peters arrived all right," Birdie reported. "He registered at the
-Bayne-Miloy Hotel, and he's there now."
-
-"Good!" grunted Crang.
-
-For a full five minutes he remained silent and without movement in his
-chair, apparently utterly oblivious of the other, who stood, shifting a
-little awkwardly from foot to foot, on the opposite side of the desk.
-
-Then Crang spoke--more to himself than to Birdie.
-
-"He'll be anxious, of course, and growing more so," he said. "He might
-make a break of some kind. I'll have to fix that. I'm not ready yet.
-What?"
-
-Birdie, from staring inanely at the wall, came to himself with a sudden
-start at what he evidently interpreted as a direct question.
-
-"Yes--sure!" he said hurriedly. "No--I mean, no, you're not ready."
-
-Crang glared at the man contemptuously.
-
-"What the hell do you know about it?" he inquired caustically.
-
-He picked up the telephone directory, studied it for a moment, then,
-reaching for the desk telephone, asked for his connection. Presently the
-Bayne-Miloy Hotel answered him, and he asked for Mr. R. L. Peters' room.
-A moment more and a voice reached him over the phone.
-
-"Is that Mr. Peters?" Crang inquired quietly. "Mr. R. L. Peters, of San
-Francisco?... Yes? Then I' have a message for you, Mr. Peters, from the
-person who sent you a telegram a few days ago... I beg your pardon?...
-Yes, I am sure you do... Myself? I'd rather not mention any names over
-the phone. You understand, don't you? He told me to tell you that it is
-absolutely necessary that no connection is known to exist between you,
-and for that reason he does not dare take the chance of getting
-into touch with you to-night, but he will manage it somehow by early
-afternoon to-morrow... What say?... Yes, it is very serious, otherwise
-he would hardly have telegraphed you to come on from San Francisco...
-No, personally, I don't know. That was his message; but I was also to
-warn you on no account to leave your rooms, or have communication
-with anybody until you hear direct from him.... No, I do not know the
-particulars. I only know that he is apparently in a hole, and a bad one,
-and that he is now afraid that you will get into it too.... Yes. You are
-sure you fully understand?... No, not at all I I am only too glad....
-Good-night."
-
-Crang, with a curious smile on his lips, hung up the receiver. He turned
-abruptly to Birdie.
-
-"You get a taxi to-morrow," he said brusquely. "We'll want it for two or
-three hours. Slip the chauffeur whatever is necessary, and change places
-with him. See? You'll know where to find one that will fall for that.
-Then you come here for me at--let's see--the boat sails at four--you
-come here at half past one sharp. Get me?"
-
-"Sure!" said Birdie, with a grin. "That's a cinch!"
-
-"All right, then!" Crang waved his hand. "Beat it!"
-
-Birdie left the room. A moment later the front door closed behind him.
-
-Crang picked up the letter and examined it critically. The lower three
-or four inches of the paper was slightly crinkled, but quite dry now;
-the body of the original letter showed no sign whatever of his work upon
-the lower portion.
-
-Doctor Crang nodded contentedly.
-
-He rose abruptly, secured his surgical bag, and from it selected a
-lance. With the aid of a ruler and the keen-bladed little instrument,
-he very carefully cut away the lower section of the paper. The slip
-containing the erstwhile secret message he tucked away in his inside
-pocket; then he examined the letter itself again even more critically
-than before. For all evidence that it presented to the contrary,
-it might have been the original size of the sheet. There was even a
-generous margin of paper still left beneath John Bruce's signature.
-He folded the letter, replaced it in its envelope--and now sealed the
-envelope.
-
-"To-morrow!" said Doctor Sydney Angus Crang with a sinister smile, as he
-produced a hypodermic syringe from his pocket and rolled up the
-sleeve of his left arm. He laughed as the needle pricked his flesh.
-"To-morrow--John Bruce!"
-
-He slumped far down in his chair once more. For half an hour he sat
-motionless, his eyes closed. Then he spoke again.
-
-"Damn you!" he said.
-
-
-
-
-CHAPTER SEVENTEEN--ALIAS MR. ANDERSON
-
-DOCTOR Sydney Angus Crang looked at his watch, as he stepped from a taxi
-the next afternoon, and entered the Bayne-Miloy Hotel. It was fifteen
-minutes of two. He approached the desk and obtained a blank card. "From
-J. B.," he wrote upon it. He handed it to the clerk.
-
-"Please send this up to Mr. R. L. Peters," he requested.
-
-He leaned nonchalantly against the desk as a bellboy departed with
-the card. From where he stood the front windows gave him a view of the
-street, and he could see Birdie parking the taxi a little way up past
-the entrance. He smiled pleasantly as he waited.
-
-Presently the bell-boy returned with the information that Mr. Peters
-would see him; and, following the boy upstairs, he was ushered into the
-sitting room of one of the Bayne-Miloy's luxurious suites. A tall man
-with a thin, swarthy face confronted him. Between his fingers the tall
-man held the card that he, Crang, had sent up; and between his lips the
-tall man sucked assiduously at a quill toothpick.
-
-"Mr. Peters, of course?" Crang inquired easily, as the door closed
-behind the bell-boy.
-
-Mr. Peters, alias Gilbert Larmon, nodded quietly. "I was rather
-expecting Mr. Bruce in person," he said.
-
-Crang looked cautiously around him.
-
-"It still isn't safe," he said in a lowered voice. "At least, not here;
-so I am going to take you to him. But perhaps you would prefer that I
-should explain my own connection with this affair first?"
-
-Again Larmon nodded.
-
-"Perhaps it would be just as well," he said.
-
-Once more Crang looked cautiously around him.
-
-"We--we are quite alone, I take it?"
-
-"Quite," said Larmon.
-
-"My name is Anderson, William Anderson," Crang stated smoothly. "I was
-the one who telephoned you last night. I am a friend of John Bruce--the
-only one he's got, I guess, except yourself. Bruce and I used to be boys
-together in San Francisco. I hadn't seen him for years until we ran into
-each other here in New York a few weeks ago and chummed up again. As I
-told you over the phone, I don't know the ins and outs of this, but I
-know he is in some trouble with a gang that he got mixed up with in the
-underworld somehow."
-
-"_Tck!_" The quill toothpick flexed sharply against one of the
-tall man's front teeth. "William Anderson"--he repeated the name
-musingly--"yes, I remember. I sent a telegram in your care to Mr. Bruce
-a few days ago."
-
-"Yes," said Crang.
-
-The quill toothpick appeared to occupy the tall man's full attention for
-a period of many seconds.
-
-"Are you conversant with the contents of that telegram, Mr. Anderson?"
-he asked casually at last.
-
-Crang suppressed a crafty smile. Mr Gilbert Larmon was no fool! Mr.
-Gilbert Larmon stood here as Mr. R. L. Peters--the telegram had been
-signed: "Gilbert Larmon." The question that Larmon was actually asking
-was: How much do you really know?
-
-"Why, yes," said Crang readily. "I did not actually see the telegram,
-but Bruce told me it was from a friend of his, a Mr. Peters, who would
-arrive in New York Wednesday night, and whom he seemed to think he
-needed pretty badly in his present scrape." Larmon took a turn or two up
-and down the room. He halted again before Crang.
-
-"I am obliged to admit that I am both anxious and considerably at sea,"
-he said deliberately. "There seems to be an air of mystery surrounding
-all this that I neither like nor understand. You did not allay my fears
-last night when you telephoned me. Have you no more to tell me?"
-
-Crang shook his head slowly.
-
-"No," he said. "You've got everything I know. Bruce has been like a
-clam as far as the nature of what is between himself and this gang is
-concerned. He will have to tell you himself--if he will. He won't tell
-me. Meanwhile, he sent you this."
-
-Crang reached into his pocket and took out the envelope addressed to Mr.
-R. L. Peters, that he had taken pains to seal the night before.
-
-Larmon took the envelope, stepped over to the window, presumably for
-better light, and opening the letter, began to read it.
-
-Crang watched the other furtively. The quill toothpick, from a series
-of violent gyrations, became motionless between Larmon's lips. The thin
-face seemed to mold itself into sharp, dogged lines. Again and again
-Larmon appeared to read the letter over; and then the hand that held the
-sheet of paper dropped to his side, and he stood for a long time staring
-out of the window. Finally he turned slowly and came back across the
-room.
-
-"This is bad, Mr. Anderson--far worse than I had imagined," he said in a
-hard voice. "I believe you said you would take me to Bruce. This letter
-asks me to accompany you, and I see we are to go at once." He motioned
-toward a box of cigars on the table. "Help yourself to a cigar, Mr.
-Anderson, and take a chair while I change and get ready. I will only be
-a few minutes, if you will excuse me for that length of time?"
-
-Crang's face expressed concern.
-
-"Why, certainly, Mr. Peters," he agreed readily. He helped himself to a
-cigar, and sat down in a chair. "I'm sorry if it's as bad as that."
-
-Larmon made no answer, save to nod his head gravely as he stepped
-quickly toward the door of the apartment's adjoining room.
-
-Crang struck a match and lighted his cigar. The door of the connecting
-room closed behind Larmon. A cloud of blue smoke veiled Crang's
-face--and a leer that lighted his suddenly narrowed eyes.
-
-"So that's it, is it?" grinned Crang to himself. "I wondered how he was
-going to work it! Well, I guess he would have got away with it, too--if
-I hadn't got away with it first!"
-
-He sat motionless in his chair--and listened. And suddenly he smiled
-maliciously. The sound of running water from a tap turned on somewhere
-on the other side of the connecting door reached him faintly.
-
-"And now a little salt!" murmured Doctor Sydney
-
-Angus Crang. He blew a smoke ring into the air and watched it dissolve.
-"And, presto!--like the smoke ring--nothing!"
-
-The minutes passed, perhaps five of them, and then the door opened again
-and Larmon reappeared.
-
-"I'm ready now," he announced quietly. "Shall we go?"
-
-Crang rose from his chair.
-
-"Yes," he said. He glanced at Larmon, as he tapped the ash from the end
-of his cigar. Larmon had _not_ forgotten to change his clothes. "I've
-got a taxi waiting."
-
-"All right," agreed Larmon briskly--and led the way to the elevator.
-
-Out on the street, Crang led the way in turn--to the taxi. Birdie
-reached out from his seat, and flung the door open. Crang motioned
-Larmon to enter, and then leaned toward Birdie as though to give the man
-the necessary address. He spoke in a low, quiet tone:
-
-"Keep to the decent streets as long as you can, so that he won't have
-a chance to get leery until it won't matter whether he does or not.
-Understand?"
-
-Birdie touched his cap.
-
-"Yes, sir," he said.
-
-The taxi jerked forward.
-
-"It's not very far," said Crang. He smiled engagingly as he settled
-back in his seat--and his hand in his coat pocket sought and fondled his
-revolver.
-
-Larmon, apparently immersed in his own thoughts, made no immediate
-reply. The taxi traversed a dozen blocks, during which time Crang, quite
-contented to let well enough alone, made no effort at conversation.
-Larmon chewed at his quill toothpick until, following a savage little
-click, he removed it in two pieces from his mouth. He had bitten it in
-half. He tossed the pieces on the floor, and produced a fresh one from
-his pocket.
-
-"My word!" observed Crang dryly. "You've got good teeth."
-
-Larmon turned and looked at him.
-
-"Yes, Mr. Anderson, I have!" His voice was level. "And I am going to
-show them--when I get hold of Bruce."
-
-Crang's expression was instantly one of innocent bewilderment.
-
-"Why," he said, "I thought you----"
-
-"Have you ever met the lady?" Larmon asked abruptly.
-
-"The--lady?" Crang glanced out of the window. Birdie was making good
-time, very good time indeed. Another five minutes at the outside and the
-trick was done.
-
-"The woman in the case," said Larmon.
-
-"Oh!" Crang whistled low. "I see! No, I've never met her. I didn't know
-there was one. I told you he had said nothing to me."
-
-Larmon was frowning heavily; his face was strained and worried. He
-laughed out suddenly, jerkily.
-
-"I suppose I should give him credit for keeping you at least in the
-dark," he said shortly; "though it strikes me as more or less of a case
-of locking the stable door after the horse has gone."
-
-Crang's eyebrows were raised in well-simulated perplexity.
-
-"I don't quite get you, Mr. Peters," he said politely.
-
-"It's of no consequence." Larmon's eyes were suddenly fastened on the
-window. From an already shabby street where cheap tenements hived a
-polyglot nationality, the taxi had swerved into an intersection that
-seemed more a lane than anything else, and that was still more shabby
-and uninviting. "This is a rather sordid neighborhood, isn't it?" he
-observed curiously.
-
-"It's safe," said Crang significantly.
-
-The taxi stopped.
-
-"We get out here, Mr. Peters," Crang announced pleasantly, as Birdie
-opened the door. "It's a bit rough, I'll admit; but"--he shrugged his
-shoulders and smiled--"you'll have to blame Bruce, not me. Just follow
-me, Mr. Peters--it's down these steps."
-
-He began to descend the steps of a cellar entrance, which was
-unprepossessingly black, and which opened from the rear of a seedy
-looking building that abutted on the lane. He did not look behind him.
-Larmon had made _sure_ that the letter was to be relied upon, hadn't
-he?--and it was John Bruce, not anybody else, that Larmon was trusting
-now. Certainly, it was much easier to _lead_ Larmon as long as Larmon
-could be led; if Larmon hesitated about following, Birdie stood ready to
-pitch the other headlong down the steps--the same end would be attained
-in either case!
-
-But Larmon still showed no suspicion of the good faith of one William
-Anderson. He was following without question. The daylight streaking down
-through the entrance afforded enough light to enable Crang, over his
-shoulder, to note that Larmon was always close behind him. At a door
-across the cellar Crang gave two raps, three times repeated, and as the
-door was opened, entered with Larmon beside him.
-
-The man who had let them in--one of three, who had evidently been
-rolling dice at a table close to the entrance--closed the door behind
-them, and resumed his game.
-
-"If you'll just wait here a minute, Mr. Peters," Crang said breezily,
-"I'll find Bruce for you."
-
-He did not wait for a reply. It mattered very little as to what Larmon
-said or did now, anyhow--Larmon's exit was barred by three men! He
-walked up the length of the low-ceiled, evil-smelling place, and with a
-key which he took from his pocket unlocked a door at the farther end. As
-he stepped through the door his revolver was in his hand.
-
-He laughed in an ugly way, as John Bruce rose from the mattress and
-faced him.
-
-"Salt is a great thing, isn't it?" he jeered. He drew from his pocket
-the slip of paper he had cut from the bottom of the letter, and held
-it so that John Bruce could see it. Then he put it back in his pocket
-again. "Understand? He got the _rest_ of the letter, all right; and so
-he has come down to pay you a little visit. He's outside there now."
-
-John Bruce made no answer.
-
-Crang laughed again.
-
-"You thought you'd double-cross me, did you? You poor fool! Well, it's a
-showdown now. I'm going to bring him in here--and let you tell him what
-he's up against. I guess you can convince him. He's got less than an
-hour in which to come across--if you are going to sail on that steamer.
-If you don't make yourself useful to that extent, you go out--for keeps;
-and Larmon stays here until he antes up--or rots! Is that quite clear?"
-
-John Bruce's lips scarcely moved.
-
-"Yes; it is quite clear," he said.
-
-"I thought it would be!" snarled Crang--and backed out through the door.
-
-
-
-
-CHAPTER EIGHTEEN--THE HOSTAGE
-
-|AS Crang disappeared through the doorway, John Bruce stepped
-noiselessly forward across the earthen floor. With the door half open
-and swung inward, it left a generous aperture at the hinges through
-which he could see down the length of the cave-like den outside.
-
-He was strangely calm. Yes, there was Larmon down there--and Crang was
-walking toward him. And Crang had left the door open here. Well,
-why not?--with those three apaches at that table yonder! Yes, why
-not?--except that Crang had also left open the way to one last move,
-left him, John Bruce, one last card to play!
-
-Strange, the cold, unnatural calmness that possessed him! His mind
-seemed instantaneously to have conceived and created a project that
-almost subconsciously he was now in the act of putting into effect.
-He reached out, and extracting the key from the outside of the door,
-inserted it on the inside of the lock. He smiled grimly. So far, it was
-quite safe! The door was swung so far inward that the inner edge of it,
-and therefore his act, certainly could not be seen by any one out there.
-
-A last card! His lips tightened. Well, perhaps! But it was more than
-that. His unnatural composure had something deeper than that behind
-it--a passionate fury smoldering on the verge of flame. Larmon was out
-there--trapped! He could not put Larmon in greater jeopardy now, no
-matter what he, John Bruce, did personally, because Larmon dead would
-not be worth anything to them. But for himself--to stand and take it all
-like a sheep at the hands of a damned, cringing----
-
-He shook his head in quick, curious self-rebuke. Not yet! He needed that
-cold composure a little longer since it was to be a showdown now. That
-was what Crang had said--a showdown. And Crang was right! It meant the
-end--one way or the other. But with luck, if Crang was as yellow as he
-believed the man to be, the idea of the bluff that had leaped into his
-mind would work successfully; and if it didn't work--well, then, there
-was the end--and at least it would not be a scatheless one for Crang!
-
-The mind works swiftly. Had Crang had time only to walk down _half_ the
-length of that room out there toward Larmon? Yes, he saw Crang halt now,
-and heard Crang call out sharply to the three men at the table:
-
-"See if he's got a gun!"
-
-John Bruce, through the crack, saw Larmon whirl around suddenly, as
-though aware for the first time that he was in danger; saw two of the
-men grasp Larmon roughly, while the third searched through his clothes.
-
-And then Crang laughed out raucously:
-
-"This way, _Mr. Peters_--please! You three can stay where you are--I'll
-call you if I need you!"
-
-For still another instant John Bruce watched through the crack. Larmon,
-though his face was set and stern, advanced calmly to where Crang stood.
-Crang, with a prod of his revolver, pushed him onward. They were coming
-now--Larmon first, and Crang immediately behind the other. Without a
-sound, John Bruce slipped around to the other side of the door; and,
-back just far enough so that he would not be seen the instant the
-threshold was reached, crouched down close against the wall.
-
-A second passed.
-
-"Go on in there!" he heard Crang order.
-
-Larmon's form crossed the threshold; and then Crang's--and John Bruce
-hurled himself forward, striking, even while his hands flew upward to
-lock like a vise around Crang's throat, a lightning blow at Crang's
-wrist that sent the revolver to the soft earthen floor without a
-sound--and a low, strangling, gurgling noise was alone the result of
-Crang's effort at a shout of alarm.
-
-"Shut the door--_quietly!_ And lock it, Larmon!" John Bruce flung out.
-
-It was an impotent thing. It struck at the air blindly, its fists going
-like disjointed flails. Strong! He had not just risen from a sick bed
-this time! John Bruce and the soul within him seemed to chuckle In
-unison together at this wriggling thing that he held up by the neck with
-its feet off the ground. But he saw Larmon, though for the fraction of a
-second held spellbound in amazement, spring and lock the door.
-
-"If you make a sound that reaches out there"--John Bruce was whispering
-now with panting, labored breath, as he swung Crang over to the corner
-and forced him down upon the mattress--"it will take too long to break
-that door in to be of any use to you! Understand?"
-
-"Bruce!"
-
-It was Larmon standing over them. John Bruce scarcely turned his head.
-His hands were still on Crang's throat, though the man lay cowed and
-passive now.
-
-"His inside coat pocket!" John Bruce jerked out. "It will save a lot of
-explanation."
-
-Larmon leaned over and thrust his hand into Crang's pocket. He produced
-several envelopes and the slip of paper cut from John Bruce's letter.
-
-"Read the slip!" said John Bruce grimly. "He showed it to me a minute
-ago when he came in to tell me you were here. It was written in our
-invisible ink at the bottom of the letter he brought you." He laughed
-shortly. "When you've read it, I'll introduce you."
-
-Larmon read the slip hurriedly.
-
-"Good God!" he cried out.
-
-"This is Crang," said John Bruce evenly.
-
-"But"--Larmon's face was tense and strained--"how------"
-
-"How did he discover there was anything there to begin with, and then
-hit on the salt solution?" John Bruce interrupted. "I don't know. We'll
-find out." He relaxed his hold a little on Crang's throat, and taking
-the slip of paper from Larmon, thrust it into his own pocket. "Go on,
-Crang! Tell us!"
-
-Crang's eyes roved from John Bruce to Larmon and back to John Bruce
-again. His face was ashen. He shook his head.
-
-"You'll _talk!_" said John Bruce with ominous quiet.
-
-"And the less urging"--his grip began to tighten again--"the better for
-you."
-
-"Wait!" Crang choked. "Yes--I--I'll tell you. I showed the letter to
-Claire. She--she cried on it. A tear splash--black letter began to
-appear. I took the letter home, and--trace of salt in tears--and----"
-
-Crang's voice died away in a strangling cry. Claire! John Bruce had
-barely caught any other word but that. Claire! The face beneath him
-began to grow livid. Claire! So the devil had brought Claire into this,
-too. _Too!_ Yes, there was something else. Something else! He remembered
-now. There was a reckoning to come that was beyond all other reckonings,
-wasn't there? He would know now what hold this thing, that was beast,
-not man, had upon her. He would know now--or it would end now!
-
-"Claire! D'ye hear?" John Bruce whispered hoarsely. "You know what I
-mean! What trick of hell did you play to make her promise to marry you?
-Answer me!"
-
-The thing on the mattress moaned.
-
-"Bruce! For God's sake, Bruce, what are you doing?" Larmon cried out
-sharply.
-
-John Bruce raised his head and snarled at Larmon. Neither Larmon, nor
-any other man, would rob him of this now!
-
-"You stand aside, Larmon!" he rasped out. "This is between me and Crang.
-Keep out of the way!"
-
-He shook at Crang again. He laughed. The man's head bobbed limply.
-
-"Answer me!" He loosened his grip suddenly. Queer, he had forgotten
-that--Crang couldn't speak, of course, if he wouldn't let him!
-
-The man gasped, and gasped again, for his breath.
-
-"I give you one second." John Bruce's lips did not move as he spoke.
-
-Twice Crang tried to speak.
-
-"Quick!" John Bruce planted his knees on the other's chest.
-
-"Yes--yes, yes, yes!" Crang gurgled out. "It's you--the night you--you
-were stabbed. You were--were nearly gone. I--I gave her the--the
-choice--to marry me, or--or I'd let you--go out."
-
-John Bruce felt his shoulders surge forward, felt his muscles grow taut
-as steel, and he shook at something flabby that made no resistance,
-and his knees rocked upon something soft where they were bedded.
-_him_--Claire had faced that inhuman choice, born in this monster's
-brain--to save _his_ life! Madness seized upon him. The room, everything
-before him whirled around in great, red, pulsing circles. A fury that
-shook at the roots of his soul took possession of him. He knew nothing,
-saw nothing, was moved by nothing save an overwhelming lust for
-vengeance that seemed to give him superhuman strength, that enabled him
-to crush between his two bare hands this nauseous thing that-----
-
-He heard a voice. It seemed to come from some infinite distance:
-
-"You are killing the man! In the name of God, John Bruce, come away!"
-
-It was Larmon's voice. He looked up. He was vaguely conscious that it
-was Larmon who was pulling at his shoulders, wrenching madly at his
-hands, but he could not see Larmon--only a blurred red figure that
-danced insanely up and down. Killing the man! Of course! What an inane
-thing to say! Then he felt his hands suddenly torn away from a hold they
-had had upon something, and he felt himself pulled to his feet. And
-then for a little he stood swaying unsteadily, and he shuddered, then he
-groped his way over to the chair by the table and dropped into it.
-
-He stared in front of him. Something on the floor near the door
-glittered and reflected the light from the single, dim incandescent. He
-lurched up from the chair, and going toward the object, snatched it up.
-It was Crang's revolver--but Larmon was upon him _in_ an instant.
-
-"Not that way, either!" said Larmon hoarsely.
-
-John Bruce brushed his hand across his eyes.
-
-"No, not that way, either," he repeated like a child.
-
-He went back to the chair and sat down. He was aware that Larmon was
-kneeling beside the mattress, but he paid no attention to the other.
-
-"The man's unconscious," Larmon said.
-
-John Bruce did not turn his head.
-
-The minutes passed.
-
-John Bruce's brain began to clear; but the unbalanced fury that had
-possessed him was giving place now only to one more implacable in its
-considered phase. He looked around him. Crang, evidently recovered, was
-sitting up on the mattress. The letters Larmon had taken from Crang's
-pocket lay on the table. John Bruce picked them up idly. From one
-of them a steamer ticket fell out. He stared at this for a moment. A
-passage for John Bruce to South America! Then low, an ugly sound, his
-laugh echoed around the place.
-
-South America! It recalled him to his actual surroundings--that on the
-other side of the door were Crang's apaches. There was still time
-to catch the steamer, wasn't there--for South America? "If the bluff
-worked"--he remembered his thoughts, the plan that had actuated him when
-he had crouched there at the door, waiting for Crang to enter. Strange!
-It wouldn't be a _bluff_ any more! All that was gone. What he would do
-now, and carry it through to its end, was what he had intended to bluff
-Crang into believing he would do. And Crang, too, would understand now
-how little of bluff there was--or, misunderstanding, pay for it with his
-life.
-
-He thrust the ticket suddenly into his pocket, stepped from his chair,
-the revolver in his hand, and confronted Crang. The man shrank back,
-trembling, his face gray with fear.
-
-"Stand up!" John Bruce commanded.
-
-Crang, groveling against the wall, got upon his feet.
-
-It was a full minute before John Bruce spoke again, and then the words
-came choking hot from his lips.
-
-"You damned cur!" he cried. "That's what you did, was it? The price
-Claire paid was for my life. Well, it's hers, then; it's no longer mine.
-Can you understand that, and understand that I am going to pay it back,
-if necessary, to rid her of you? We are going to walk out of here. You
-will lead the way. We are going down to that steamer, and you are going
-on John Bruce's ticket where you proposed to send me--to South America.
-Either that--or you are going on a longer journey. I shall carry this
-revolver in the pocket of my coat, and walk beside you. It is your
-affair how we pass those men out there. If you make any attempt at
-trickery in getting out of here, or later in the street attempt to
-escape, I will fire instantly. It does not matter in the slightest
-degree what happens to me at the hands of your men, or at the hands of
-a thousand people in the most crowded street. You will have gone out
-_first_. The only consideration that exists is that Claire shall be free
-of you."
-
-"Tck!" It was the quill toothpick flexing against one of Larmon's teeth.
-
-John Bruce turned.
-
-"I did not understand," said Larmon in a low, grim way. "If I had, I am
-not sure I should have stopped you from throttling him when I did."
-
-John Bruce nodded curtly. He spoke again to Crang.
-
-"I am not asking you whether you agree to this or not," he said with
-level emphasis. "You have your choice at any moment to do as you
-like--you know the consequences." He slipped his hand with his revolver
-into the right-hand side pocket of his coat, and took his place at
-Crang's left side. "Now, go ahead and open that door, and lead the way
-out! Mr. Larmon, you follow close behind me."
-
-"Yes," Crang stammered, "yes--for God's sake--I--I'll do it--I---"
-
-"Open that door!" said John Bruce monotonously. "I didn't ask you to
-talk about it!"
-
-Crang opened the door. The little procession stepped out into the long,
-low cellar, and started down toward the lower end. The three men, from
-playing dice at the table near the door, rose uncertainly to their feet.
-John Bruce's revolver in his pocket pressed suggestively against Crang's
-side.
-
-"It's all right, boys," Crang called out. "Open the door. I've got
-Birdie outside."
-
-They passed the table, passed through the doorway, and the door closed
-behind them. In the semi-darkness here, as they headed for the exit to
-the lane, Larmon touched John Bruce's elbow.
-
-"He brought me down here in a taxi," Larmon whispered. "I suppose now it
-was one of his men who drove it."
-
-"Birdie, he just told those rats," said John Bruce tersely. "Do you
-hear, Crang? If he's still out there, send him away!"
-
-They emerged into the lane. A taxi-cab stood opposite the exit; Birdie
-lounged in the driver's seat.
-
-John Bruce's revolver bored into Crang's side.
-
-"Beat it!" said Crang surlily to the man. "I won't want you any more."
-
-"You won't--what?" Birdie leaned out from his seat. He stared for a
-moment in bewilderment, and then started to climb out of the taxi.
-
-The pressure of John Bruce's revolver increased steadily.
-
-"Damn it, you fool!" Crang screamed out wildly. "Beat it! Do you hear?
-Beat it!"
-
-Birdie's face darkened.
-
-"Oh--sure!" he muttered, with a disgruntled oath. He shot the gears into
-place with a vicious snap. "Sure--anything _you_ say!" The taxi
-roared down the lane, and disappeared around the corner in a volley of
-exhausts.
-
-"Go on!" John Bruce ordered.
-
-At the corner of the lane John Bruce turned to Larmon.
-
-"You are safe, and out of it now," he said. "I am going to ask you to
-step into the first store we pass and get me some good light rope, but
-after that I think you had better leave us. If anything happened between
-here and the steamer, or on the steamer, you would be implicated."
-
-"Tck!" It was the quill toothpick again. "I'll get the rope with
-pleasure," Larmon said calmly; "but I never lay down a good hand. I am
-going to the steamer."
-
-John Bruce shrugged his shoulders. Larmon somehow seemed an abstract
-consideration at the moment--but Larmon had had his chance.
-
-"What time does the steamer sail, Crang?" John Bruce bit off his words,
-as he looked at his watch.
-
-"Four o'clock," Crang mumbled.
-
-"Walk faster!"
-
-They stopped for a moment in front of a store. Larmon entered, and came
-out again almost immediately with a package under his arm.
-
-A block farther on John Bruce hailed a passing taxi.
-
-Fifteen minutes later, pushing through the throng on the dock, John
-Bruce produced the ticket, they mounted the gangway, and a steward led
-them to a stateroom on one of the lower decks.
-
-John Bruce closed the door and locked it. His revolver was in his hand
-now.
-
-"There isn't much time left," he said coldly. "About ten minutes."
-
-At the end of five, Crang, bound hand and foot, and gagged, lay lashed
-into his bunk.
-
-A bugle sounded the "All Ashore!"
-
-John Bruce tossed the ticket on the couch.
-
-"There's your ticket!" he said sternly. "I wouldn't advise you to come
-back--nor worry any further about exposing Mr. Larmon, unless you
-want to force a showdown that will place some very interesting details
-connected with the life of Doctor Crang in the hands of the police!"
-
-The bugle rang out again.
-
-John Bruce, without a further glance in Crang's direction, opened the
-cabin window slightly, then unlocking the door, he motioned Larmon to
-pass out. He locked the door on the outside, stepped to the deck, tossed
-the key through the window to the floor of Crang's cabin, and drew the
-window shut again. A minute more, and with Larmon beside him, he was
-standing on the dock.
-
-Neither John Bruce nor Larmon spoke.
-
-And presently the tugs caught hold of the big liner and warped her out
-of her berth.
-
-"John Bruce" had sailed for South America.
-
-
-
-
-CHAPTER NINETEEN--CABIN H-14
-
-|FOR a time, Crang lay passive. Fear was dominant. He could move his
-head a little, and he kept screwing it around to cast furtive glances
-at the cabin door. He was sure that Bruce was still outside there, or
-somewhere near--Bruce wouldn't leave the ship until the last moment,
-and....
-
-The craven soul of the man shrivelled within him. Bruce's eyes! Damn
-Bruce's eyes, and that hideous touch of Bruce's pocketed revolver! The
-fool would even have killed him back there in the cellar if it hadn't
-been for Larmon! He could still feel those strangling fingers at his
-throat.
-
-Mechanically he made to lift his hand to touch the bruised and swollen
-flesh--but he could not move his hands because they were bound behind
-his back and beneath him. The fool! The fool had _wanted_ to shoot.
-Perhaps with Larmon out of the road, and just at the last minute, that
-was what he still meant to do--to open the door there, and--and _kill_.
-Terror swept upon him. He tried to scream--but a gag was in his mouth.
-
-What was that? He felt a slight jar, another, and another. He
-listened intently. He heard a steady throbbing sound. The ship was
-moving--moving! That meant that Bruce was ashore--that he need not fear
-that door there. He snarled to himself, suddenly arrogant with courage.
-To the devil's pit with John Bruce!
-
-He began to work at his bonds now--at first with a measure of contained
-persistence; and then, as he made no progress, angry impatience came,
-and he began to struggle. He tossed now, and twisted himself about on
-the bunk, and strained with all his might. The gag choked him. The bonds
-but grew the tighter and cut into his wrists. He became a madman in his
-frenzy. Passion and fury lashed him on and on. He flogged himself into
-effort beyond physical endurance--and finally collapsed through utter
-exhaustion, a limp thing bathed in sweat.
-
-Then he began the struggle again, and after that again. The periods came
-in cycles... the insensate fury... exhaustion... recuperation...
-
-After a time he no longer heard the throbbing of the engines or the
-movement of the ship during those moments when he lay passive in
-weakness, nor did the desire for freedom, for merely freedom's sake, any
-longer actuate him; instead, beneath him, in his pocket, he had felt
-the little case that held his hypodermic syringe, and it had brought
-the craving for the drug. And the craving grew. It grew until it became
-torture, and to satisfy it became the one incentive that possessed
-him. It tormented, it mocked him. He could feel it there in his
-pocket, always there in his pocket. Hell could not keep him from it.
-He blasphemed at the ropes that kept it from his fingers' reach, and
-he wrenched and tore at them, and sobbed and snarled--and after long
-minutes of maniacal struggle would again lie trembling, drained of the
-power either to move or think.
-
-It grew dark in the cabin.
-
-And now, in one of his series of struggles, something snapped beneath
-him--a cord! One of the cords around his wrists had given away. He tore
-one hand free. Yes, yes--he could reach his pocket! Ha, ha--his pocket!
-And now his other hand was free. He snatched at the hypodermic syringe
-with feverish greed--and the plunger went home as the needle pricked its
-way beneath the skin of his forearm.
-
-He reached up then, unloosened the knots at the back of his head, and
-spat the gag from his mouth. His penknife freed his legs. He stood
-up--tottered--and sat down on the edge of his bunk. He remained
-motionless for a few minutes. The drug steadied him.
-
-He looked around him. It was dark. The ship was very still; there was no
-sense of movement, none of vibration from the engines. It seemed to him
-that in a hazy, vague way he had noticed that fact a long time ago. But,
-nevertheless, it was very curious!
-
-He stood up again. This was better! He felt secure enough now on his
-feet. It was only as though a great fatigue were upon him, and that he
-seemed to be weighted down with lead--nothing more than that. He crossed
-to the window, drew the shade, and opened the window itself.
-
-And then, for a long time, puzzled, his brows drawn together, he stood
-there staring out. Close at hand, though but faintly outlined in the
-darkness, he could see the shore. And it was not imagination, for beyond
-the shore line, he could see innumerable little lights twinkling.
-
-It was strange! He rubbed his eyes. Here was something else! The window
-opened on a narrow, dimly lighted and deserted deck--one of the lower
-decks, he remembered. Below this deck, and evidently alongside of the
-steamer's hull, he could make out the upper-structure of some small
-vessel.
-
-A figure came along the deck now from the forward end--one of the crew,
-Crang could see from the other's dress, as the man drew nearer. Crang
-thrust his head out of the window.
-
-"I say, look here!" he called, as the other came opposite to him.
-"What's all this about? Where are we?"
-
-"Down the bay a bit, that's all, sir," the man answered. "We've had some
-engine trouble."
-
-Crang pointed to the small vessel alongside. A sudden, wild elation
-surged upon him.
-
-"That's a tug down there, isn't it?" he said. "They're going to tow us
-back, I suppose?"
-
-"Oh, no, sir," the man replied. "It's the company's tug, all right,
-that they sent down to us, but she'll be going back as soon as we're off
-again. It's nothin' serious, and we won't be more'n another hour, sir."
-
-Crang snarled under his breath.
-
-"I beg your pardon, sir?" inquired the man.
-
-"Nothing!" said Crang. "I'm much obliged to you."
-
-"Thank you, sir," said the man, and went on along the deck.
-
-Crang returned to his bunk and sat down again on its edge. He could
-still see the reflection of the shore lights. This seemed to obsess
-him. He kept staring out through the window. Suddenly he chuckled
-hoarsely--and then, as suddenly, his fist clenched and he shook it in
-the air.
-
-"Another hour, eh?" he muttered. "Then, I'll get you yet, Bruce--ha, ha,
-I'll get you yet! But I'll make sure of Claire _first_ this time! That's
-where I made the mistake--but Doctor Sydney Angus Crang doesn't make two
-mistakes alike!"
-
-He relapsed into silent meditation. At the end of five minutes he spoke
-again.
-
-"I'm a clever man," said Doctor Crang between his teeth. "First
-Claire--then you, Bruce. And I'll take good care that you know nothing,
-Mr. John Bruce--not this time--not until it is too late--both ways! I'll
-show you! I'll teach you to pit your clumsy wits against me!"
-
-He got up from the bunk and turned on a single incandescent light. Bruce
-had thrown the key in through the window, he remembered. Yes, there it
-was on the floor! He picked it up; and quickly and methodically he began
-to work now. He gathered together the pieces of rope with which he
-had been bound, tucked them under his coat, and running to the window,
-thrust his head outside again. The deck was clear, there was not a soul
-in sight. He unlocked the door now, stepped noiselessly out on the deck,
-dropped the pieces of rope overboard, and then, returning to the cabin,
-smiled ironically as he made a mental note of the number on the cabin
-door.
-
-"H-14," observed Doctor Crang grimly. "Quite so--H-14!"
-
-He halted before the mirror and removed the more flagrant traces of his
-dishevelled appearance; then he took off his coat, flung it on a chair,
-pushed the electric button, and returned to his bunk.
-
-He was sitting up on the edge of the bunk, and yawning, as the steward
-answered his summons.
-
-"Hello, steward!" said Crang somewhat thickly. "I guess I've overslept
-myself. Overdid the send-off a little, I'm afraid. What are we stopping
-for?"
-
-"A little engine trouble, sir," the steward answered. "It was right
-after we started. We're only a little way down the bay. But it's all
-right, sir. Nothing serious. We'll be off again shortly."
-
-"Humph!" Crang dismissed the subject with a grunt. "I suppose I've
-missed my dinner, eh?"
-
-"Oh, no, sir," replied the steward. "It's only just a little after seven
-now, sir."
-
-"That's better!" smiled Crang. "Well, get my traps right up here, like a
-good fellow, and I'll clean up a bit. And hurry, will you?"
-
-The steward looked a little blank.
-
-"Your traps, sir?"
-
-"Luggage--traps--baggage," defined Crang with facetious terseness.
-
-"Oh, I knew what you meant, sir," said the steward. "It's where your
-traps are, sir? I--I thought it a bit strange you didn't have anything
-with you when you came aboard this afternoon."
-
-"Did you, now?" inquired Crang sweetly. "Well, then, the sooner you get
-them here the less strange it will seem. Beat it!"
-
-"But where are they, sir?" persisted the man. "Where are they? Good God,
-how do I know!" ejaculated Crang sarcastically. "I sent them down to the
-ship early this morning to be put aboard--in your baggage room. You've
-got a baggage room aboard, haven't you?"
-
-"Yes, sir; but----"
-
-"I would suggest the baggage room, then!" interrupted Crang crisply.
-"And if they are not there, ask the captain to let you have any of the
-crew who aren't too busy on this engine trouble, and get them to help
-you search the ship!"
-
-The steward grinned.
-
-"Very good, sir. Would you mind describing the pieces?"
-
-"There are four," said Crang with exaggerated patience, as he created
-the non-existent baggage out of his imagination. "And they have all got
-your 'wanted on the voyage' labels, with my name and cabin written on
-them--Mr. John Bruce; Cabin H-14. There is a steamer trunk, and two
-brown alligator-leather--which I do not guarantee to be genuine in spite
-of the price--suit-cases, and a hat box."
-
-"Very good, sir," said the steward again--and hurried from the cabin.
-
-Crang got up and went to the window. The tug alongside seemed to furnish
-him with engrossing reflections, for he stood there, smiling queerly,
-until he swung around in answer to a knock upon his door.
-
-A man in ship's uniform entered ahead of the steward.
-
-"The steward here, sir," said the man, "was speaking about your
-baggage."
-
-"_Speaking_ about it!" murmured Crang helplessly. "I told him to get
-it."
-
-"Yes, sir," said the man; "but I am sorry to say that no such baggage as
-you describe has come aboard the ship. There has been no baggage at all
-for Mr. Bruce, sir."
-
-"Not aboard!" gasped Crang. "Then--then where is it?"
-
-"I can't say, sir, of course," said the other sympathetically. "I am
-only stating a fact to you."
-
-"But--but I sent it down to the dock early this morning." Crang's voice
-was rising in well-affected excitement. "It must be here! I tell you, it
-must be here!"
-
-The man shook his head.
-
-"It's my job, sir. I'm sorry, Mr. Bruce, but I know positively your
-baggage is not aboard this ship."
-
-"Then what's to be done?" Crang's voice rose louder. "You've left it on
-the dock, that's what--fools, thundering idiots!"
-
-The man with the baggage job looked uncomfortable.
-
-Crang danced up and down on the floor of the cabin.
-
-"On the way to South America to stay six months," he yelled insanely,
-"and my baggage left behind! I can't go on without my baggage, do you
-hear?"
-
-There was a whispered conference between the two men. The steward
-vanished through the doorway.
-
-"I've sent for the purser, sir," volunteered the other.
-
-Crang stormed up and down the floor.
-
-Presently the purser appeared. Crang swung on him on the instant.
-
-"You've left my baggage behind!" he shouted. "My papers, plans,
-everything! I can't go on without them!" He shook his fist. "You'll
-either get that baggage here, or get me ashore!"
-
-The purser eyed Crang's fist, and stiffened perceptibly.
-
-"I'm not a magician, Mr. Bruce," he said quietly. "I am very sorry
-indeed that this should have happened; but it is quite impossible, of
-course, to get your baggage here."
-
-"Then get me ashore!" Crang snatched up his coat and put it on. "There's
-a tug, or something, out there, isn't there?"
-
-"Yes," said the purser, "that's the company's tug, and I suppose you
-could go back on her, if you think you----"
-
-"Think!" howled Crang. "I don't _think_ anything about it! I know
-that----" His eye suddenly caught the envelope on the couch containing
-the ticket. "And what about this?" He picked it up, jerked out the
-ticket, and waved it in the purser's face.
-
-The purser refused the document.
-
-"You'll have to see the New York office, sir, about that," he said.
-
-"I will, will I?" snapped Crang. "Well, that isn't all I'll see them
-about!"
-
-"I am sure they will do what they can, sir, to make things right--if
-they are to blame," said the purser a little sharply. "But it might
-have been your teamer, you know, who made the mistake." He turned to the
-door. "I will arrange about your going ashore, Mr. Bruce."
-
-"Yes!" growled Crang savagely--and five minutes later, swearing volubly
-for the benefit of those within hearing, he wriggled his way down a rope
-ladder to the tug's deck.
-
-A deck hand led him to the pilot house.
-
-"The captain 'll be along as soon as we start," the man informed him.
-
-Crang made himself comfortable in a cushioned chair. He sat chuckling
-maliciously, as he stared up at the towering hull that twinkled with
-lights above him--and then the chuckle died away, and little red spots
-came and burned in his sallow cheeks, and his lips worked, and his hands
-curled until the nails bit into the palms.
-
-He lost track of time.
-
-A man came into the pilot house, and gave the wheel a spin.
-
-"We're off!" said the man heartily. "You've had tough luck, I hear."
-
-Crang's fingers caressed his bruised and swollen throat.
-
-"Yes," said Crang with a thin smile; "but I think somebody is going to
-pay the bill--in full."
-
-The tug was heading toward New York.
-
-
-
-
-CHAPTER TWENTY--OUTSIDE THE DOOR
-
-|HAWKINS very cautiously got out of bed, and consulted his watch. It was
-five minutes after nine. He stole to the door and listened. There was no
-sound from below. Mrs. Hedges, who had been his jailor all day, had now,
-he was fairly certain, finally retired for the night.
-
-The old blue eyes blinked in perplexity and he scratched at the
-fringe of hair behind his ear in a perturbed way, as he began, still
-cautiously, to dress. It had been a very dreary day, during which he
-had suffered not a little physical discomfort. Mrs. Hedges had been
-assiduous in her attentions; more than that, even--motherly.
-
-"God bless her!" said Hawkins to one of his boots, as he laced it up.
-"Only she wouldn't let me out."
-
-He stopped lacing the boot suddenly, and sat staring in front of him.
-Mrs. Hedges had been more than even motherly; she had been--been--yes,
-that was it--been puzzling. If she had said Paul Veniza wanted to see
-him, why had she insisted that Paul Veniza didn't want to see him?
-Hawkins' gaze at the blank wall in front of him became a little more
-bewildered. He tried to reconstruct certain fragments of conversation
-that had taken place between Mrs. Hedges and himself.
-
-"Now, you just lie still," Mrs. Hedges had insisted during the
-afternoon, when he had wanted to get up. "Claire told me----"
-
-He remembered the sinking of his heart as he had interrupted her.
-
-"Claire," he had said anxiously, "Claire ain't--she don't know about
-this, does she?"
-
-"Certainly _not!_" Mrs. Hedges had assured him.
-
-"But you said she told you something"--Hawkins continued to reconstruct
-the conversation--"so she must have been here."
-
-"Law!" Mrs. Hedges had returned. "I nearly put my foot in it, didn't
-I--I--I mean starting you in to worry. Certainly she don't know anything
-about it. She just came over to say her father wanted to see you, and I
-says to her you ain't feeling very well, and she says it's all right."
-
-Hawkins resumed his dressing. His mind continued to mull over the
-afternoon. Later on he had made another attempt to get up. He was
-feeling quite well enough to go over and find out what Paul Veniza
-wanted. And then Mrs. Hedges, as though she had quite forgotten what she
-had said before, said that Paul Veniza didn't want to see him, or else
-he'd send word.
-
-Hawkins scratched behind his ear again. His head wasn't quite clear.
-Maybe he had not got it all quite straight. Suddenly he smiled. Of
-course! There wasn't anything to be bewildered about. Mrs. Hedges was
-just simply determined that he would not go out--and he was equally
-determined that he would. Paul Veniza or not, he had been long enough in
-bed!
-
-"Yes," said Hawkins; "God bless her, that's it!"
-
-Hawkins completed his toilet, and picking up his old felt hat,
-reconnoitered the hallway. Thereafter he descended the stairs with
-amazing stealth.
-
-"God bless her!" said Hawkins softly again, as he gained the front door
-without raising any alarm and stepped outside--and then Hawkins halted
-as though his feet had been suddenly rooted to the spot.
-
-At the curb in front of the house was an old closed motor car. Hawkins
-stared at it. Then he rubbed his eyes. Then he stared at it again. He
-stared for a long time. No; there was no doubt about it--it was the
-traveling pawn-shop.
-
-Hawkins' mind harked back to the preceding evening. He had met two men
-in the saloon around the corner, whom he had seen there once or twice
-before. He had had several drinks with them, and then at some one's
-suggestion, he could not recollect whose. There had followed the
-purchase of a few bottles, and an adjournment to his room for a
-convivial evening. After that his mind was quite blank. He could not
-even remember having taken out the car.
-
-"I--I must have been bad," said Hawkins to himself, with a rueful
-countenance.
-
-He descended the steps, and approached the car with the intention of
-running it into the shed that served as garage behind the house. But
-again he halted.
-
-"No," said Hawkins, with a furtive glance over his shoulder at the front
-door; "if I started it up, Mrs. Hedges would hear me. I guess I'll wait
-till I come back."
-
-Hawkins went on down the street and turned the corner. He had grown a
-little dejected.
-
-"I'm just an old bum," said Hawkins, "who ain't ever going to swear off
-any more 'cause it don't do any good."
-
-He spoke aloud to himself again, as he approached the door of Paul
-Veniza's house.
-
-"But I _am_ her daddy," whispered the old man fiercely; "and she is my
-little girl. It don't change nothing her not knowing, except--except
-she ain't hiding her face in shame, and"--Hawkins' voice broke a
-little--"and that I ain't never had her in these arms like I'd ought to
-have." A gleam of anger came suddenly into the watery blue eyes under
-the shaggy brows. "But he ain't going to have her in _his!_ That
-devil from the pit of hell ain't going to kill the soul of my little
-girl--somehow he ain't--that's all I got to live for--old Hawkins--ha,
-ha!--somehow old Haw-kins 'll----"
-
-Hawkins' soliloquy ended abruptly. He was startled to find himself in
-the act of opening the front door of the one-time pawn-shop. He even
-hesitated, holding the door ajar--and then suddenly he pushed the door
-wider open and stepped softly inside, as the sound of a voice, angry and
-threatening in its tones, though strangely low and muffled, reached him.
-He knew that voice. It was Doctor Crang's.
-
-It was dark here in the room that had once been the office of the
-pawn-shop, and upon which the front door opened directly; but from under
-the door leading into the rear room there showed a thread of light, and
-it was from there that Hawkins now placed the voice.
-
-He stood irresolute. He stared around him. Upstairs it was dark.
-Paul Veniza, because he had not been well, had probably gone to bed
-early--unless it was Paul in there with Crang. No! He caught the sound
-of Claire's voice now, and it seemed to come to him brokenly, in a
-strangely tired, dreary way. And then Crang's voice again, and an ugly
-laugh.
-
-The wrinkled skin of Hawkins' old weather-beaten hands grew taut and
-white across the knuckles as his fists clenched. He tiptoed toward the
-door. He could hear distinctly now. It was Crang speaking:
-
-"... I'm not a fool! I did not speak about it to make you lie again. I
-don't care where you met him, or how long you had been lovers before he
-crawled in here. That's nothing to do with it. It's enough that I know
-you were lovers before that night. But you belong to me now. Understand?
-I spoke of it because the sooner you realize that _you_ are the one who
-is the cause of the trouble between Bruce and me, the better--_for him!_
-I wasn't crowding you before, but I'm through fooling with it now for
-keeps. I let you go too long as it is. To-day, for just a little while,
-he won out--yes, by God, if you want the truth, he nearly killed me. He
-got me tied in a cabin of a ship that sailed this afternoon for South
-America; but the engines broke down in the harbor, and, damn him, I'm
-back! You know what for. I've told you. There's one way to save him.
-I've told you what that is, too. I'm waiting for your answer."
-
-"Why should it be me?" Claire's voice was dull and colorless. "Why
-cannot you leave me alone--I, who hate and loathe you? Do you look for
-happiness with me? There will be none."
-
-"Why should it be you?" Crang's voice was suddenly hoarse with passion.
-"Because you have set my brain on fire, because you have filled me with
-a madness that would mock God Himself if He stood between us. Do you
-understand--Claire? Claire! Do you understand? Because I want you,
-because I'm going to have you, because I'm going to own you--yes,
-_own_ you, one way or another--by marriage, or----"
-
-A low cry came from Claire. It tore at Hawkins' heart in its bitter
-shame and anguish. His face blanched.
-
-"Well, you asked for it, and you got it!" Crang snarled. "Now, I'm
-waiting for your answer."
-
-There was a long pause, then Claire spoke with an obvious effort to
-steady her voice:
-
-"Have I got to buy him _twice?"_
-
-"You haven't bought him _once_ yet," Crang answered swiftly. "I
-performed my part of the bargain. I haven't been paid."
-
-And Hawkins, standing there, listening, heard nothing for a long time;
-and then he distinguished Claire's voice, but it was so low that he
-could not catch the words. But he heard Crang's reply because it was
-loud with what seemed like passionate savagery and triumph:
-
-"You're wise, my dear! At eight o'clock to-morrow morning, then. And
-since Mr. John Bruce's skin is involved in this, you quite understand
-that he is not to be communicated with in any way?"
-
-"I understand." Hawkins this time caught the almost inaudible reply.
-
-"All right!" Crang said. "There's a padre I know, who's down on Staten
-Island now. We'll go down there and be married without any fuss. I'll be
-here at eight o'clock. Your father isn't fit to ride in that rattle-trap
-old bus of yours. I'll have a comfortable limousine for him, and you can
-go with him. Hawkins can drive me, and"--he was laughing softly--"and be
-my best man. I'll see that he knows about it in time to----"
-
-Like a blind man, Hawkins was groping his way toward the front door.
-Married! They were to be married to-morrow morning!
-
-He found himself on the street. He hurried. Impulse drove him along. He
-did not reason. His mind was a tortured thing. And yet he laughed as he
-scurried around the corner, laughed in an unhinged way, and raised both
-hands above his head and pounded at the air with his doubled fists. They
-were to be married to-morrow morning, and he--he was to be _best man_.
-And as he laughed, his once ruddy, weather-beaten face was white as a
-winding-sheet, and in the whiteness there was stamped a look that it was
-good on no man's face to see.
-
-And then suddenly two great tears rolled down his cheeks, opening the
-flood gates of his soul.
-
-"My little girl!" he sobbed. "Daddy's little girl!"
-
-And reason and a strange calmness came.
-
-"John Bruce," he said. "He loves her too."
-
-And in front of Mrs. Hedges' rooming-house he climbed into the driver's
-seat of the old traveling pawn-shop.
-
-It didn't matter now how much noise he made.
-
-
-
-
-CHAPTER TWENTY-ONE--THE LAST CHANCE
-
-|JOHN BRUCE closed the door of Larmon's suite, and, taking the elevator,
-went up to his own room in the Bayne-Miloy Hotel, two floors above.
-Here, he flung himself almost wearily into a chair. Larmon had gone to
-bed; but bed offered no appeal to him, John Bruce, in spite of the fact
-that he was conscious of great mental fatigue. Bed without sleep was
-a horror, and his spirits were too depressed to make sleep even a
-possibility.
-
-From a purely selfish standpoint, and he admitted to utter selfishness
-now, it had been a hollow victory. Crang was gone, disposed of, and as
-far as Larmon was concerned the man no longer existed, for if Crang had
-held certain intimate knowledge of Larmon's life over Larmon's head,
-Larmon was now in exactly the same position in respect to Crang. And
-Crang, too, for the time being at least, was no longer a factor in
-Claire's life.
-
-He smiled grimly to himself. Hollow! The victory had been sweeping,
-complete, conclusive--for every one but himself! He had not even waited
-to leave the dock before he had telephoned Claire. And Claire had---- He
-rose suddenly and began to walk feverishly up and down the room. Hollow!
-He laughed out shortly. She had curtly refused to talk to him.
-
-He had only meant to telephone to say that he was on the way up to
-her house, and he had managed to say that much--and she had coldly,
-contemptuously informed him that she would not be at home, and had hung
-up the receiver. She had given him no opportunity to say any more.
-
-It was not like Claire. It had been so unexpected that he had left the
-dock mentally dazed. The sight of the liner out in the stream had seemed
-to mock him ironically. After that, until now, he had followed the line
-of least resistance. He had come back here to the hotel, and dined with
-Larmon.
-
-He stood still in the middle of the room. Larmon! It had been a singular
-evening that he had just spent with Larmon. He had got a new viewpoint
-on Larmon--a strange, grave, sympathetic Larmon. He had given Larmon the
-details of everything that had happened; and Larmon had led him on to
-talk--of everything, and anything, it seemed now, as he looked back upon
-it. And somehow, he could not tell why, even while he felt that Larmon
-was drawing him out, urging him even to speak of Claire and the most
-intimate things of the last few weeks, he had been glad to respond. It
-was only when Larmon for a little while had discussed his great chain of
-gambling houses that he, John Bruce, had felt curiously detached from it
-all and estranged from the other, as though he were masquerading as
-some one else, as some one whom Larmon believed to be John Bruce, and as
-though he in his true self had no interest in these matters any
-longer in a personal sense, as though his connection with them had
-automatically ceased with the climax of Crang's removal. It was queer!
-But then his mind had been obsessed, elsewhere. And yet here, too, he
-had been frank with Larmon--frank enough to admit the feelings that
-had prompted him to refrain from actual play only two nights before. He
-remembered the quick little tattoo of Larmon's quill toothpick at this
-admission, and Larmon's tight little smile.
-
-Yes, it had been a singular evening! In those few hours he seemed to
-have grown to know Larmon as though he had known the man all his life,
-to be drawn to Larmon in a personal way, to admire Larmon as a man.
-There was something of debonair sang-froid about Larmon. He had made
-no fuss over his escape that day, and much less been effusive in any
-thanks. Larmon's philosophy of life was apparently definitely fixed and
-settled; and, in so far as Larmon was concerned, satisfactorily so. The
-whole world to Larmon was a gamble--and, consistently enough, his own
-activities in that respect were on as vast a scale as possible.
-
-Larmon with his unemotional face and his quill toothpick! No; not
-unemotional! When Larmon had finally pleaded fatigue and a desire to
-go to bed, there had been something in Larmon's face and Larmon's
-"good-night," that still lingered with him, John Bruce, and which even
-now he could not define.
-
-John Bruce's brows gathered into tight furrows. His mind had flown off
-at a tangent. There was Claire! It had not been like Claire. Nor had he
-meant, nor did he intend now to accept her dismissal as final. But
-what was it that had happened? What was it? He could think of only one
-thing--the letter he had written to Larmon, and which, on that account,
-he had asked for and received back from the other.
-
-It was a certainty that Crang's hand was in this somewhere, and Crang
-had said that he had shown the letter to Claire, but----
-
-The telephone rang.
-
-John Bruce stepped to the desk, and picked up the instrument.
-
-"Yes? Hello!" he said.
-
-The clerk's voice from the office answered him:
-
-"There's a man down here, Mr. Bruce, who insists on seeing you. He's
-pretty seedy, and looks as though he had been on a bat for a week. I'm
-sorry to bother you, but we can't get rid of him. He says his name is
-Hawkins."
-
-"Send him up at once!" said John Bruce sharply.
-
-"Yes, sir." The clerk coughed deprecatingly. "Very well, Mr. Bruce.
-Thank you."
-
-Hawkins! John Bruce walked to the door of his suite, and opened it. He
-looked at his watch. It was getting on now to eleven o'clock. What on
-earth had brought Hawkins up here to the Bayne-Miloy at this hour? He
-smiled a little grimly as he stood waiting on the threshold, and the
-recollection of the night before last came back to him. Well, at least,
-he was safe to-night from any kidnaping through the medium of Hawkins!
-
-The elevator door clanged a little way down the corridor, and Hawkins,
-followed by a bell boy, stepped out.
-
-"This way, Hawkins!" John Bruce called--and dismissed the bell boy with
-a wave of his hand.
-
-And then, as Hawkins reached the door, John Bruce stared in amazement,
-and for a moment absolved the clerk for his diagnosis. Hawkins' face
-was like parchment, devoid of color; his hands, twisting at the old felt
-hat, trembled as with the ague; and the blue eyes, fever-burned they
-seemed, stared out in a fixed way from under the shaggy brows.
-
-John Bruce pulled the old man inside the apartment, and closed the door.
-
-"Good Lord, Hawkins!" he exclaimed anxiously. "What's the matter with
-you?"
-
-Hawkins caught at John Bruce's arm.
-
-"It's to-morrow morning," he said hoarsely. "Tomorrow morning at eight
-o'clock."
-
-"What is?" inquired John Bruce. He forced the old cabman gently into a
-chair. "You're upset, Hawkins. Here--wait! I'll get you something."
-
-But Hawkins held him back.
-
-"I don't want a drink." There was misery, bitterness, in Hawkins' voice.
-"I don't want a drink--for once. It's come! It--it's come to the end
-now. Crang and--and my little girl are going to be married to-morrow
-morning."
-
-And then John Bruce laughed quietly, and laid his hand reassuringly on
-the old cabman's shoulder.
-
-"No, Hawkins," he said. "I don't know where you got that idea; but
-it won't be to-morrow morning, nor for a good many to-morrow mornings
-either. Crang at the present moment is on board a ship on his way to
-South America."
-
-"I know," said Hawkins dully. "But half an hour ago I left him with
-Claire in Paul Veniza's house."
-
-John Bruce's hand tightened on Hawkins' shoulder until the old man
-winced.
-
-"You what?" John Bruce cried out.
-
-"Yes," said Hawkins. "I heard him talking about it in the back room.
-They didn't know I was there. He said there was something the matter
-with the engines."
-
-Crang back! John Bruce's face was set as chiselled marble.
-
-"Do you know what you are saying, Hawkins?" he demanded fiercely, as
-though to trample down and sweep aside by the brute force of his own
-incredulity the other's assertion. "Do you know what you are saying--_do
-you?"'_
-
-"Yes, I know," said Hawkins helplessly. "He said you nearly killed him
-to-day, and----"
-
-John Bruce's laugh, with a savagery that had him now at its mercy and in
-its grip, rang suddenly through the room.
-
-"Then, for once, he told the truth!" he cried. "He tricked me cold with
-that old bus last night, and trapped me in the rats' hole where his gang
-holds out, but----"
-
-Hawkins stumbled to his feet. His face seemed to have grown grayer
-still, more haggard and full of abject misery.
-
-"That's it, then!" he whispered. "I--I understand now. I was drunk last
-night. Oh, my God, I'm to blame for this, too!"
-
-John Bruce pushed Hawkins almost roughly back into his chair. Last night
-was gone. It was of no significance any more.
-
-"Never mind about that!" he said between his teeth. "It doesn't matter
-now. Nothing matters now except Claire. Go on, tell me! What does
-it mean? To-morrow morning, you said. Why this sudden decision about
-to-morrow morning?"
-
-Hawkins' lips seemed dry. He circled them again and again with his
-tongue.
-
-"He said you nearly killed him to-day, as I--I told you," said Hawkins,
-fumbling for his words. "And he said that you had been lovers before
-that night when you were stabbed, and that he wasn't going to stand for
-it any longer, and--and"--Hawkins' voice broke--"and that she belonged
-to him. And he said she was the only one who could stop this trouble
-between you and him before it was too late, and that was by marrying him
-at once. And--and Claire said she would."
-
-Hawkins stopped. His old felt hat was on his knees, and he twisted at it
-aimlessly with shaking fingers.
-
-John Bruce stood motionless.
-
-"Go on!" he bit off his words.
-
-"That's all," said Hawkins, "except he made her promise not to let
-you know anything about it. They're going to leave the house to-morrow
-morning, and are going down to Staten Island to get married because
-there's some minister down there he knows, Crang said. And I'm to take
-Crang, and--and"--the old man turned away his face--"I--I'm to be best
-man. That--that's what he said--best man."
-
-John Bruce walked abruptly to the window, and stared blindly out into
-the night. His brain seemed afire.
-
-For a time neither man spoke.
-
-"You said you loved her," said Hawkins at last. "I came to you. There
-wasn't any other place to go. Paul Veniza can't do anything."
-
-John Bruce turned from the window, and walking to
-
-Hawkins, laid his two hands on the other's shoulders. He was calmer now.
-
-"Yes, I love her," he said huskily. "And I think--I am not sure--but I
-think now there is a chance that she can be made to change her mind even
-here at the last minute. But that means I must see her; or, rather, that
-she must see me."
-
-Hawkins paused in the twisting of his felt hat to raise bewildered eyes.
-
-"I've got the car here," he said. "I'll take you down."
-
-"The car!" exclaimed John Bruce quickly. "Yes, I never thought of that!
-Listen, Hawkins! Claire refused to see me this afternoon, or even to
-talk to me over the telephone. I am not quite sure why. But no matter
-what her reason was, I must see her now at once. I have something to
-tell her that I hope will persuade her not to go on with this to-morrow
-morning--or ever." His voice was growing grave and hard. "I hope you
-understand, Hawkins. I believe it may succeed. If it fails, then neither
-you nor I, nor any soul on earth can alter her decision. That's all that
-I can tell you now."
-
-Hawkins nodded his head. A little color, eagerness, hope, had come into
-his face.
-
-"That's enough," he said tremulously, "as long as you--you think there
-is a chance even yet. And--and you do, don't you?"
-
-"Yes," said John Bruce, "I think there is more than a chance--if I can
-see her alone and make her listen to me. The car will be just the thing.
-But she would refuse to come out, if she knew I were in it. I depend
-on you for that. We'll drive down there, and you will have to make some
-excuse to get her to come with you. After that you can keep on driving
-us around the block until I either win or lose."
-
-Hawkins rose hurriedly to his feet.
-
-"Let us go, John Bruce! For God's sake, let us go!" he cried eagerly.
-"I'll--I'll tell her Mrs. Hedges--that's my landlady--has got to see her
-at once. She'll come quick enough."
-
-John Bruce put on his hat and coat, and without a word led the way
-to the door--but at the door he paused for an instant. There was
-Larmon--and Crang was back. And then he shook his head in quick
-decision. There was time enough later. It would serve no purpose to tell
-Larmon now, other than the thankless one of giving Larmon a restless
-night.
-
-John Bruce went on. He did not speak again until, outside the hotel, he
-stepped into the traveling pawnshop as Hawkins opened the car door for
-him.
-
-"You will have to make sure that Crang has gone," he said quietly.
-"Don't stop in front of the house, Hawkins."
-
-"I'll make sure," whispered Hawkins, as he climbed to his seat. "Oh, my
-God, my little girl!"
-
-The old car jolted forward. John Bruce's face was set again in hard,
-chiselled lines. He tried to think--but now his brain seemed curiously
-impotent, as though it groped through chaos and through turmoil only to
-stagger back bewildered, defeated, a wounded thing. And for a time it
-was like that, as he sat there swaying with the lurch of the speeding
-car, one thought impinging fast upon another only to be swallowed up so
-quickly in turn by still another that he could correlate-no one of them.
-
-And then, after a little time again, out of this strange mental strife
-images began to take form, as sharply defined and distinct one from
-the other as before they had been mingled in hopeless confusion--and he
-cried out aloud in sudden agony of soul. It was to save his life that
-this had happened. He had wrung that knowledge from Crang. That was the
-lever he meant to use with Claire now, and it _must_ succeed. He must
-make it succeed! It seemed to drive him mad now, that thought--that
-to-morrow morning she should die for him. Not physical death--worse than
-that! God! It was unthinkable, horrible, abominable. It seemed to flaunt
-and mock with ruthless, hell-born sacrilege what was holiest in his
-heart. It stirred him to a fury that brought him to his feet, his fists
-clenched. Claire in her purity--at the mercy of a degenerate beast!
-
-He dropped back on the seat. He battled for calmness. In a little while
-Claire would be here beside him--_for a little while_. He shook his
-head. This was not real, nothing of his life had been real since that
-moon-mad night on the sands of Apia. No; that was not true! Soul,
-mind and body rose up in fierce denial. His love was real, a living,
-breathing, actual reality, Claire----
-
-John Bruce sank his face in his hands. Hours seemed to pass. And then he
-was conscious that the car had stopped. He roused himself, and drawing
-the window curtain slightly, looked out. Hawkins had stopped a few
-houses down past the one-time pawnshop.
-
-John Bruce rose suddenly and changed his seat to the one in the far
-opposite corner, his back to the front of the car. The time seemed
-interminable. Then he heard a light footstep ring on the pavement, and
-he heard Hawkins' voice. The car door was opened, a dark form entered,
-sat down, the door closed, and the car started forward.
-
-It was strange! It was like that, here in this car, that he had stepped
-in one night and found Claire--as she would now find him. That was
-so long ago! And it seemed so long too since even he had last seen
-her--since that night when, piqued so unwarrantably, he had left Paul
-Veniza's house. He felt his hands tremble. He steadied himself. He did
-not want to frighten or startle her now.
-
-"Claire!" he said softly.
-
-He heard a slight, quick rustle of garments--and then the light in the
-car was flashed on.
-
-She was leaning tensely forward, a little figure with loose cloak flung
-over her shoulders, without hat, a wondrous sheen from the light on the
-dark, silken hair, her eyes wide, her finger still on the electric-light
-button.
-
-"You!" she cried sharply. "And Hawkins, too, in this!"
-
-She reached for the door handle; but John Bruce caught her hand.
-
-"Claire!" he pleaded hoarsely. "Wait! If it is a trick, at least you
-know that with Hawkins and me you will come to no harm. What else could
-I do? You would not speak to me this afternoon, you would not let me see
-you, and I must talk to you to-night."
-
-She looked at him steadily.
-
-_"Must?"_ she repeated coldly. "And to-night? Why to-night?"
-
-"Because," John Bruce answered quickly, "to-morrow would be too late. I
-know about to-morrow morning. Hawkins told me. He was outside the door
-of that room when Crang was talking to you to-night." She sank back
-in her seat with a little cry. Her face had gone white--but again she
-steadied herself.
-
-"And--and do you think that is any reason why you should have inveigled
-me into this car?" she asked dully. "Do you think that anything you can
-say will alter--to-morrow morning?"
-
-"Yes; I do!" said John Bruce earnestly. "But"--he smiled a little
-bitterly--"I am afraid, too, that it will be hopeless enough if first
-you will not tell me what has so suddenly come between us. Claire, what
-is it?"
-
-The dark eyes lighted with a glint, half angry, half ironical.
-
-"Is _that_ what you brought me here for?"
-
-"No," he said quietly.
-
-"Then," she said coolly, "if you do not know, I will tell you. I read
-a letter that you wrote to a certain Mr. Larmon."
-
-It was a long minute before he spoke.
-
-"I--I thought it might be that," he said slowly. "I knew you had
-seen it. Crang told me so. And--and I was afraid you might believe
-it--Claire."
-
-"Believe it!" she returned monotonously. "Had I any choice? Have I any
-now? I knew you were in danger. I knew it was written to save your life.
-I knew it was your handwriting. I knew you wrote it." She turned away
-her head. "It was so miserable a lie, so cowardly a betrayal--to save
-your life."
-
-"But so hard to believe, and so bitter a thing to believe"--there was a
-sudden eager thrill in John Bruce's voice--"that you wept upon it. Look,
-Claire!" he cried. "I have that letter here--and this, that I took from
-Crang to-day when I turned the tables on him. See! Read them both!" He
-took from his pocket the letter and the slip cut from the bottom of the
-sheet, and laid them in her lap. "The bottom was written in invisible
-ink--the way always communicated privately with Larmon. Salt brings it
-out. I knew Larmon would subject it to the test, so I was willing to
-write anything that Crang dictated. I wrote that secret message on the
-bottom of the paper while Crang was out of the room where he had me a
-prisoner. Oh, don't you see now, Claire? When your tears fell on the
-paper faint traces of the secret writing began to appear. That gave
-Crang the clew, and he worked at it until he had brought out the
-message, and then he cut off the bottom before delivering the letter to
-Larmon, and----"
-
-John Bruce stopped. Claire's face was buried in the cushions, and,
-huddled in the corner of the car, she was sobbing bitterly.
-
-"Don't! Don't cry, Claire!" John Bruce whispered, and laid his hand over
-hers where it crushed the letter in her lap.
-
-"I believed it," she said. "I did you that wrong. There is no
-forgiveness for such meanness of soul as that."
-
-"No," John Bruce answered gently, "there is no forgiveness--because
-there is nothing to forgive. It was only another piece of that miserable
-hound's cunning that tricked us both. I did not appreciate what he was
-after in that reference to you; I thought he was only trying to make the
-letter bullet-proof in its plausibility for Larmon's benefit--I never
-thought that he would show it to you."
-
-She had not drawn her hand away, but her face was still hidden; and for
-a moment there was silence between them.
-
-"Claire," John Bruce said in a low voice, "the night I left your house
-you said that, rather than regretting your promise to marry Crang, you
-had come to be glad you had made it. Can you still say that?"
-
-She lifted her face now, tear-stained, the brown eyes strangely radiant
-through the wet lashes.
-
-"Yes," she said. "I am glad. So glad--because I know now that it was
-worth it all so many, many times over."
-
-"Claire"--his voice was lower still--"I left your house that night,
-angry, jealous, misjudging you because you had said that. You asked for
-forgiveness a minute ago when there was nothing to forgive; I asked for
-forgiveness from you after that night, but even then I did not know how
-far beyond the right to forgiveness I had gone."
-
-She stared at him in a startled way.
-
-"What--what do you mean?" she breathed.
-
-And now John Bruce's face was alight.
-
-"You have confessed your love, Claire!" he cried passionately. "It was
-not fair, perhaps, but I am past all that now--and you would not have
-confessed it in any other way. Glad! I was a stranger that night when
-you bought my life--and to-night you are glad, not because my life is
-now or ever could be worth such a sacrifice as yours, but because love
-has come to make you think so, sweetheart, and you care--you care for
-me."
-
-"You know!" Her face was deathly white. "You know about--about that
-night?" she faltered.
-
-John Bruce had both her hands imprisoned now.
-
-"Yes; I know!" He laughed with a strange buoyancy; passion, triumph,
-were vibrant in his voice. "Did Crang not tell you how near to death he
-came to-day? I choked the truth out of him. Yes; I know! I know that it
-was to save my life you made that promise, that you sold everything you
-held dear in life for me--but it is over now!"
-
-He was beside her. He raised her two hands to draw her arms around his
-neck.
-
-She struggled back.
-
-"No, no!" she cried wildly. "Oh, you must not--you must not!"
-
-"Must not!" His voice rang his challenge to the world. The blood was
-pounding in mad abandon through his veins. His soul itself seemed
-aflame. Closer, closer he drew her to him. "Must not! There is only you
-and me--and our love--on all the earth!"
-
-But still she struggled---and then suddenly the tears came.
-
-"Oh, you are so strong--so strong," she sobbed--and like some weary
-child finding rest her head dropped upon his shoulder and lay hidden
-there.
-
-"Claire! Claire!" It was his soul that spoke.
-
-He kissed the silken hair, and fondled it; and kissed the tear-wet eyes;
-and his cheek lay against hers; and she was in his arms, and he held her
-there tight-clasped so that she might never go again.
-
-And after a time she sobbed no more; and her hand, lifting, found his
-face and touched it gently, and creeping upward, brushed the hair back
-from his forehead--and then suddenly she clung to him with all her
-strength and drew his head down until her lips met his.
-
-And there was no world about them, and time was non-existent, and only
-they two lived.
-
-It was Claire at last who put his arms from her in a wistful, lingering
-way.
-
-"We have been mad for a little while," she whispered. "Take me back home
-now, John--and--and you must never try to see me again."
-
-And something seemed to grow chill and cold within John Bruce's heart.
-
-"Not that, Claire!" he cried out. "You do not mean that--that, after
-this, you will go on with--with tomorrow morning!"
-
-A brave little effort at a smile quivered on her lips.
-
-"We have had our hour, John," she said; "yours and mine. It can never be
-taken from us, and I shall live in it all my life; but it is over now.
-Yes; I shall go through with it to-morrow morning. There is no other
-way. I must keep my promise."
-
-"No!" he cried out again. "It shall never be! Claire, you cannot
-mean what you are saying! A promise like that! It was forced upon you
-inhumanly, horribly. He would have murdered me."
-
-"But to-night you are alive," she answered quietly.
-
-"Alive! Yes!" he said fiercely. "I am alive, and----"
-
-"It is because you are alive that I promised," she broke in gently. "He
-kept his word. I cannot break mine."
-
-"Alive!" John Bruce laughed now in sudden, bitter agony. "Alive--yes!
-And do you think that I can walk about the streets, and talk, and
-smile, and suck the honey out of life, while you have paid for it with a
-tortured soul? Claire, you shall not! That man is---- No, wait! There is
-myself. He called me a snivelling hypocrite. You shall know the worst of
-me before you know the worst of him. There is not much to tell--because
-he has told you. I am a gambler. All my life I've gambled. As far back
-as I can remember I've been a rolling stone. My life has been useless,
-utterly worthless. But I was never ashamed of it; I never saw any reason
-to be ashamed until you came into my life. It hasn't been the same since
-then '--and it will never be the same again. You have given me something
-to live for now, Claire."
-
-She shook her head. "You do not argue well," she said softly. "If I have
-brought this to you, John, I am so glad--so glad for this, too. Oh, I
-cannot tell you how glad I am, for, because I loved you, the knowledge
-of what your life was hurt me. But I had faith in you, John, as I always
-shall have. So don't you see"--the brave little smile came again--"that
-this is a reward, something tangible and great, to make still more worth
-while the promise that I made?"
-
-He stared at her. He swept his hand across his eyes. She seemed--she
-seemed to be slipping away from him--beyond--beyond his reach.
-
-"That man!" he said desperately. "You said you knew him--but you do not
-know him. He is the head and front and brains of a gang of crooks.
-I know! He held me a prisoner in their dirty lair, a hidden place, a
-cellar over in the slums--like rats they were. He is a criminal, and a
-dangerous one--while he masquerades with his medicine. God alone knows
-the crimes, if there are any, that he has not committed. He is a foul,
-unclean and filthy thing, debauched and dissolute, a moral leper.
-Claire, do you understand all this--that his life is pollution and
-defilement, that love to him is lust, that your innocence----"
-
-With a broken, piteous cry, Claire stopped him.
-
-And again he stared at her. She did not speak, but in her eyes he read
-the torment of a far greater and fuller appreciation of the price than
-he, he knew, though it turned his soul sick within him, could ever have.
-
-And suddenly he covered his face with his hands.
-
-"Bought!" he said brokenly in his agony. "Oh, my God, this has bought
-me!"
-
-He felt his hands drawn away, and her two palms laid upon his cheeks. He
-looked at her. How white she was!
-
-"Help me, John," she said steadily. "Don't--don't make it harder."
-
-She reached out and touched the bell button beside the seat. In a
-subconscious way he remembered that was the signal for Hawkins to bring
-the traveling pawn-shop to the end of its circuit around the block in
-its old-time trips to Persia. He made no effort to stop her. There
-was something of ultimate finality in her face and eyes that answered,
-before it was uttered, the question that stumbled on his lips.
-
-"Claire! Claire!" he pleaded wildly. "Will nothing change you?"
-
-"There is no other way," she said.
-
-He stretched out his arms to draw her to him again, to lay her head once
-more upon his shoulder--but now she held him back.
-
-"No!" she whispered. "Be merciful now, John--my strength is almost
-gone."
-
-And there was something in her voice that held him from the act.
-
-The car stopped.
-
-And then, as the door was opened and she stood up, suddenly she leaned
-swiftly forward and pressed her lips to his--and springing from the car,
-was gone.
-
-John Bruce groped his way out of the car. Across the sidewalk the
-door of Paul Veniza's house closed. Hawkins, standing by the car door,
-clutched at his arm. And Hawkins' hand was trembling violently. Slowly
-his eyes met Hawkins'.
-
-He shook his head.
-
-The old lined face seemed to gray even in the murky light of a distant
-street lamp.
-
-"I'd rather see her dead," said the old cab driver brokenly.
-
-John Bruce made no answer.
-
-Then Hawkins, gulping his words, spoke again:
-
-"I--where'll I drive you?"
-
-John Bruce started blindly on past Hawkins down the street.
-
-"Nowhere," he said.
-
-
-
-
-CHAPTER TWENTY-TWO--THROUGH THE NIGHT
-
-|A GAUNT and haggard figure stalked through the night; around him only
-shuttered windows, darkened houses, and deserted streets. The pavements
-rang hollow to the impact of his boot-heels. Where the way lay open
-he went. But always he walked, walked incessantly, without pause,
-hurrying--nowhere.
-
-There was a raw, biting chill in the air, and his hands, ungloved, as
-they swung at his sides, were blue with cold. But sweat in great beads
-stood out upon his forehead. At times his lips moved and he spoke aloud.
-It was a hoarse sound.
-
-"Or him!" he said. "Or him!"
-
-On! Always on! There was no rest. It was ceaseless. The gray came into
-the East.
-
-And then at last the figure halted.
-
-There was a large window with wire grating, and a light burned within.
-In the window was a plate mirror, and a time-piece. It was a jeweler's
-window.
-
-The man looked at the time-piece. It was five o'clock. He looked at the
-mirror. It reflected the face of a young man grown old. The eyes burned
-deep in their sockets; the lines were hard, without softness; the skin
-was tightly drawn across the cheek bones, and was colorless. And he
-stared at the face, stared for a time without recognition. And then
-as he smiled and the face in the mirror smiled with him in a distorted
-movement of the lips, he swept his hand across his eyes.
-
-"John Bruce," he said.
-
-It seemed to arouse him from some mental absorption in which his
-physical entity had been lost. It was five o'clock, and he was John
-Bruce. At eleven o'clock--or was it twelve?--last night he had left
-Hawkins standing by the door of the traveling pawn-shop, and since
-then----
-
-He stared around him. He was somewhere downtown. He did not know where.
-He began to walk in an uptown direction.
-
-Something had been born in those hours. Something cataclysmic. What was
-it?
-
-"Or him!" The words came again--aloud--without apparent volition.
-
-What did that mean? It had something to do with Hawkins; with what
-Hawkins had said, standing there by the traveling pawn-shop. What was it
-Hawkins had said? Yes; he remembered: "I'd rather see her dead."
-
-"Or him!"
-
-With cold judicial precision now the hours unrolled themselves before
-him.
-
-"Or him!"
-
-He was going to kill Crang.
-
-The hours of mental strife, of torment through which he had just passed,
-were as the memory of some rack upon which his soul had been put to
-torture. They came back vividly now, those hours--every minute of them a
-living eternity. His soul had shrunk back aghast at first, and called it
-murder; but it was not murder, or, if it was, it was imperative. It was
-the life of a foul viper--or Claire's. It was the life of an unclean
-thing that mocked and desecrated all decency, that flung its sordid
-challenge at every law, both human and divine--or the life of a pure,
-clean soul made the plaything of this beast, and dragged into a mire
-of unutterable abomination to suffocate and strangle in its noxious
-surroundings and die.
-
-And that soul was in jeopardy because at this moment he, John Bruce, had
-the power of movement in his limbs, the sense of sight, the ability to
-stretch out his hand and feel it touch that lamp-post there, and, if
-he would, to speak aloud and designate that object for what it was--a
-lamp-post. She had bought him these things with her life. Should she
-die--and he live?
-
-And he remembered back through those hours since midnight, when his soul
-had still faltered before the taking of human life, how it had sought
-some other way, some alternative, _any_ alternative. A jail sentence
-for Crang. There was enough, more than enough now with the evidence of
-Crang's double life, to convict the man for the robbery of that safe.
-But Claire had answered that in the long ago: "I will marry him when he
-comes out." Or, then, to get Crang away again like this afternoon--no,
-_yesterday_ afternoon. It was _this_ morning, in a few hours, that they
-were to be married. There was no time left in which to attempt anything
-like that; but, even if there were, he knew now, that it but postponed
-the day of reckoning. Claire would wait. Crang would come back.
-
-He was going to kill Crang.
-
-If he didn't, Crang would kill him. He knew that, too. But his
-decision was not actuated, or even swayed, by any consideration of
-self-preservation. He had no thought of his future or his safety. That
-was already settled. With his decision was irrevocably coupled the
-forfeiting of his own life. Not his own life! It belonged to Claire.
-Claire had bought it. He was only giving it back that the abysmal price
-she had agreed to pay should not be extorted from her. Once he had
-accomplished his purpose, he would give himself up to the police.
-
-He was going to kill Crang.
-
-That was what had been born out of the travail of those hours of the
-night. But there were other things to do first. He walked briskly now.
-The decision in itself no longer occupied his thoughts. The decision
-was absolute; it was final. It was those "other things" that he must
-consider now. There was Larmon. He could not tell Larmon what he, John
-Bruce, was going to do, but he must warn Larmon to be on his guard
-against any past or present connection with John Bruce coming to light.
-Fortunately Larmon had come to New York and registered as Peters. He
-must make Larmon understand that Larmon and John Bruce had never met,
-even if he could not give Larmon any specific reason or explanation.
-Larmon would probably refuse at first, and attribute it as an attempt to
-break, for some ulterior reason, the bond they had signed together that
-night on the beach at Apia.
-
-John Bruce smiled gravely. The bond would be broken in any case.
-Faustus was at the end of the play. A few months in prison, the electric
-chair--how apt had been his whistling of that aria _in his youth!_
-
-Youth! Yes, he was old now; he had been young that night on the beach at
-Apia.
-
-He took off his hat and let the sharp air sweep his head. He was not
-thinking clearly. All this did not express what he meant. There was
-Larmon's safety. He must take care of that; see to it, first of all,
-that Larmon could not be implicated, held by law as an accomplice
-through foreknowledge of what was to happen; then, almost of as great
-importance for Larmon's sake and future, the intimacy between them,
-their business relations of the past, must never be subjected to the
-probe of the trial that was to come.
-
-John Bruce nodded his head sharply. Yes, that was better! But there was
-still something else--that bond. He knew to-night, even if prison
-walls and a death penalty were not about to nullify that bond far more
-effectively than either he or Larmon ever could, that the one thing
-he wanted now, while yet he was a free agent, while yet it was not
-arbitrarily his choice, was to cancel that agreement which was so
-typical of what his life up to the present time had always stood for;
-and in its cancellation, for what little time was left, to have it
-typify, instead, a finer manhood. The future, premonitive, grim in its
-promise, seemed to hold up before him as in a mirror where no lines were
-softened, where only the blunt, brutal truth was reflected, the waste
-and worthlessness of the past. He had no wish to evade it, or temporize
-with it, or seek to palliate it. He knew only a vain and bitter regret;
-knew only the desire now at the end, in so far as he could, to face
-death a changed man.
-
-He walked on and on. He was getting into the uptown section now. How
-many miles he must have covered since he had left Hawkins, and since
-the door of the one-time pawn-shop had closed on that little bare-headed
-figure with the loose cloak clutched about her throat--the last sight
-he had had of Claire! How many miles? He did not know. It must have been
-many, very many. But he felt no weariness. It was strange! It was
-as though his vitality and energy flowed into him from some wholly
-extraneous source; and as though physically he were non-existent.
-
-He wondered what Larmon would say. Larmon alone had the right to cancel
-the bond. That was the way it had been written. Would Larmon refuse? He
-hoped not, because he wanted to part with Larmon as a friend. He hoped
-not, though in the final analysis, in a practical way, Larmon's refusal
-must be so futile a thing. Would Larmon laugh at him, and, not knowing,
-call him a fool? He shook his head. He did not know. At least Larmon
-would not be surprised. The conversation of last evening----
-
-John Bruce looked up. He was at the entrance to the Bayne-Miloy Hotel.
-He entered, nodded mechanically to the night clerk, stepped into the
-elevator, and went up to his room. There was his revolver to be got.
-Afterward he would go down to Larmon's room. Somehow, even in the face
-of that other thing which he was to do, this interview which was to
-come with Larmon obsessed him. It seemed to signify some vital line of
-demarcation between the old life and the new.
-
-The new I He smiled grimly, without mirth, as, entering his room,
-he switched on the light, stepped quickly to his desk, pulled open a
-drawer, and took out his revolver. The new! There would be very little
-of the new! He laughed now in a low, raucous way, as he slipped the
-weapon into his pocket. The new! A few weeks, a few months of a prison
-cell, and then---- His laugh died away, and a half startled, half
-perplexed look settled on his face. For the first time he noticed that
-a letter, most obviously placed to attract his attention, lay on the
-center of the desk pad. Strange, he had not seen it instantly!
-
-He stared at it now. It was a plain envelope, unstamped, and addressed
-to him. The writing was familiar too! Larmon's! He picked it up, opened
-it--and from the folds of the letter, as he drew it from the envelope,
-four torn pieces of paper fluttered to the desk. And for a long time,
-in a dazed way, he gazed at them. The letter dropped from his hand.
-Then mechanically he pieced the four scraps together. It was one of the
-leaves torn from Larmon's notebook that night in Apia--and here was the
-heavy scrawl where he, John Bruce, had signed with the quill toothpick.
-It was Larmon's copy of the bond.
-
-And again for a long time he stared at it, then he picked up the letter
-again. He read it slowly, for somehow his brain seemed only able to
-absorb the words in a stunned way. Then he read it again:
-
-Dear Bruce:--11 P. M.
-
-Something has come into your life that was not there on a night you will
-remember in the Southern Seas, and I know of no other way to repay you
-for what you did for me to-day than to hand you this. I knew from what
-you said to-night, or, rather perhaps, from what you did not say, that
-this was in your heart. And if I were young again, and the love of a
-good woman had come to me, I too should try--and fail, I fear, where you
-will succeed--to play a man's part in life.
-
-And so I bid you good-by, for when you read this I shall be on my way
-back West. What I lose another will gain. Amongst even my friends are
-men of honorable callings and wide interests who need a John Bruce. You
-will hear from one of them. Godspeed to you, for you are too good and
-clean a man to end your days as I shall end mine--a gambler.
-
-Yours,
-
-Gilbert Larmon.
-
-The love of a good woman--and young again! John Bruce's face was white.
-A thousand conflicting emotions seemed to surge upon him. There was
-something fine and big in what Larmon had done, like the Larmon whose
-real self he had come to glimpse for the first time last night; and
-something that was almost ghastly in the unconscious irony that lay
-behind it all. And for a little while he stood there motionless, holding
-the letter in his hand; then with a quick, abrupt return to action, he
-began to tear the letter into little shreds, and from his pocket he
-took his own copy of the bond and tore that up, and the four pieces of
-Larmon's copy he tore into still smaller fragments, and gathering all
-these up in his hands, he walked to the window and let them flutter out
-into the night.
-
-The way was clear. There was nothing to connect Gilbert Larmon with the
-man who to-morrow--no, _to-day_--would be in the hands of the police
-charged with murder. Nothing to bring to light Larmon's private affairs,
-for nothing bearing Larmon's signature had ever been kept; it was always
-destroyed. Larmon was safe--for, at least, they could never make John
-Bruce _talk_.
-
-There was a strange relief upon him, a strange uplift; not only for
-Larmon's sake, but for his own. The link that had bound him to the past
-was gone, broken, dissolved. He stood free--for the little time that was
-left; he stood free--to make a fresh start in the narrow confines of a
-prison cell. He smiled grimly. There was no irony here where it seemed
-all of irony. It meant everything--all. It was the only atonement he
-could make.
-
-He switched off the light, left his room, and went down to the desk.
-Here he consulted the directory. He requested the clerk to procure a
-taxi for him.
-
-It was five minutes after six by the clock over the desk.
-
-He entered the taxi and gave the chauffeur the address. He was
-unconscious of emotion now. He knew only a cold, fixed, merciless
-purpose.
-
-He was going to kill Crang.
-
-The taxi stopped in front of a frame house that bore a dirty brass
-name-plate. He dismissed the taxi, and mounted the steps. His right
-hand was in the pocket of his coat. He rang the bell, and obtaining no
-response, rang again--and after that insistently.
-
-The door was finally opened by an old woman, evidently aroused from bed,
-for she clutched tightly at a dressing gown that was flung around her
-shoulders.
-
-"I want to see Doctor Crang," said John Bruce.
-
-She shook her head.
-
-"The doctor isn't in," she answered.
-
-"I will wait for him," said John Bruce.
-
-Again she shook her head.
-
-"I don't know when he will be back. He hasn't been here since yesterday
-morning."
-
-"I will wait for him," said John Bruce monotonously.
-
-"But----"
-
-John Bruce brushed his way past her into the hall.
-
-"I will wait for him," he repeated.
-
-A door was open off the hallway. John Bruce looked in. It was obviously
-Crang's office. He went in and sat down by the window.
-
-The woman stood for a long time in the doorway watching him. Finally she
-went away.
-
-John Bruce's mind was coldly logical. Crang was not aware that his
-escape was known to any one except Claire, and he had been cunning
-enough to keep under cover. That was why he had not been home. But he
-would be home before he went out to be married. Even a man like Crang
-would have a few preparations to make.
-
-John Bruce sat by the window. Occasionally the old woman came and stood
-in the doorway--and went away again.
-
-There was no sign of Crang.
-
-At fifteen minutes of eight John Bruce rose from his chair and left the
-house.
-
-"He was to be at Paul Veniza's at eight," said John Bruce to himself
-with cool precision.
-
-
-
-
-CHAPTER TWENTY-THREE--THE BEST MAN
-
-|HAWKINS sat at the table in his room, and twined and twined one old
-storm-beaten hand over the other. For hours he had sat like that. It was
-light in the room now, for it was long after seven o'clock. His bed had
-not been slept in. He was dressed in his shiny best suit; he wore his
-frayed black cravat. He had been dressed like that since midnight; since
-he had returned home after Claire had fled into her house, and John
-Bruce had strode by him on the sidewalk with set, stony face and
-unseeing eyes; since, on reaching his room here, he had found a note
-whose signature was false because it read "Paul Veniza," when he knew
-that it came from Crang. Crang was taking precautions that his return
-should not leak out! The note only corroborated what he had heard
-through the door. He was to be at Paul Veniza's at eight o'clock with
-the traveling pawn-shop..
-
-The note had said nothing about any marriage; but, then, he knew! He
-was to be the best man. And so he had dressed himself. After that he had
-waited. He was waiting now.
-
-"The first," said Hawkins, with grave confidence to the cracked mirror.
-"Yes, that's it--the first in line, because I _am_ her old father, and
-there ain't nothing can change that."
-
-His own voice seemed to arouse him. He stared around the shabby room
-that was his home, his eyes lingering with strange wistfulness on
-each old battered, and long familiar object--and then suddenly, with a
-choking cry, his head went down, buried in his arms outflung across the
-table.
-
-"Pawned!" the old man cried brokenly. "It's twenty years ago, I pawned
-her--twenty years ago. And it's come to this because--because I
-ain't never redeemed her--but, oh God, I love her--I love my little
-girl--and--and she ain't never going to know how much."
-
-His voice died away. In its place the asthmatic gas-jet spat venomous
-defiance at the daylight that was so contumaciously deriding its puny
-flame.
-
-And after a little while, Hawkins raised his head. He looked at his
-watch.
-
-"It's time to go," said Hawkins--and cleared his throat.
-
-Hawkins picked up his hat and brushed it carefully with his coat sleeve;
-his shoulders, and such of his attire as he could reach, he brushed
-with his hands; he readjusted his frayed black cravat before the cracked
-mirror.
-
-"I'm the best man," said Hawkins.
-
-Oblivious to the chattering gas-jet, he descended the stairs, and went
-out to the shed in the rear that housed the traveling pawn-shop.
-
-"The first in line," said the old cab driver, as he climbed into the
-seat.
-
-Five minutes later, he drew up in front of the onetime pawn-shop. He
-consulted his watch as he got down from his seat and entered the house.
-It was twenty-five minutes of eight.
-
-He twisted his hat awkwardly in his hands, as he entered the rear room.
-He felt a sudden, wild rush of hope spring up within him because
-there was no sign of Crang. And then the hope died. He was early; and,
-besides, Claire had her hat on and was dressed to go out. Paul Veniza,
-also dressed, lay on the cot.
-
-No one spoke.
-
-Then Paul Veniza's frame was racked with a fit of coughing, and out of a
-face ashen in pallor his eyes met Hawkins' in silent agony--and then he
-turned his head away.
-
-Hawkins twisted at his hat.
-
-"I came a little early;" he said wistfully, "because I thought mabbe
-you might--that mabbe there might be some change--that mabbe you might
-not----"
-
-He stopped. He was looking at Claire. Her face was very white too. Her
-smile seemed to cut at his heart like a knife.
-
-"No, Hawkins," she said in a low voice; "there is no change. We
-are going to Staten Island. You will drive Doctor Crang. There is a
-limousine coming for father and me, that will be more comfortable for
-father."
-
-Hawkins' eyes went to the floor.
-
-"I--I didn't mean that kind of a change," he said.
-
-"I know you didn't, Hawkins. But--but I am trying to be practical." Her
-voice broke a little in spite of herself. "Doctor Crang doesn't know
-that you overheard anything last night, or that you know anything about
-the arrangements, so--so I am explaining them to you now."
-
-Hawkins' eyes were still on the floor.
-
-"Ain't there nothing"--his voice was thick and husky--"ain't there
-nothing in all the world that any of us can do to make you change your
-mind? Claire, ain't there nothing, nothing at all? John Bruce said there
-wasn't, and you love John Bruce, but----"
-
-"Don't, Hawkins!" she cried out pitifully.
-
-The old shoulders came slowly up, and the old head; and the old blue
-eyes were of a sudden strangely flints like.
-
-"I've got to know," said Hawkins, in a dead, stubborn way.
-
-"There is nothing," she answered.
-
-Hawkins' eyes reverted to the floor. He spoke now without lifting them.
-
-"Then--then it's--it's like saying good-by," he said, and the broken
-note was back again in his voice. "It's--it's so many years that mabbe
-you've forgotten, but when you were a little girl, and before you grew
-up, and--and were too big for that, I--I used to hold you in my arms,
-and you used to put your little arms around my neck, and kiss me,
-and--and you used to say that--Hawkins would never let the bugaboos get
-you, and--and I wonder if--if----"
-
-"Oh, Hawkins!" Claire's eyes were full of tears. "I remember. Dear, dear
-Hawkins! And I used to call you Daddy Hawkins. Do _you_ remember?"
-
-A tear found a furrow and trickled down the old weather-beaten face
-unchecked, as Hawkins raised his head.
-
-"Claire! Claire!" His voice trembled in its yearning. "Will--will you
-say that again, Claire?"
-
-"Dear Daddy Hawkins," she whispered.
-
-His arms stretched out to her, and she came to them smiling through her
-tears.
-
-"You've been so good to me," she whispered again. "You _are_ so good to
-me--dear, dear Daddy Hawkins."
-
-A wondrous light was in the old cabman's face. He held the slight form
-to him, trying to be so tenderly careful that he should not hurt her
-in his strength. He kissed her, and patted her head, and his fingers
-lingered as they smoothed the hair back from where it made a tiny curl
-about her ear.
-
-And then he felt her drawing him toward the couch--and he became
-conscious that Paul Veniza was holding out his hands to them both.
-
-And Claire knelt at the side of the couch and took one of Paul Veniza's
-hands, and Hawkins took the other. And no one of them looked into the
-other's face.
-
-The outer door opened, and Doctor Crang came in. He stood for an instant
-surveying the scene, a half angry, half sarcastic smile spreading over
-his sallow face, and then he shrugged his shoulders.
-
-"Ah, you're here, like me, ahead of time, Hawkins, I see!" he said
-shortly. "You're going to drive me to Staten Island where----"
-
-Claire rose to her feet.
-
-"I have told Hawkins," she said quietly.
-
-Hawkins' hand tightened over Paul Veniza's for a moment, and then he
-turned away.
-
-"I--I'll wait outside," said Hawkins--and brushed has hand across his
-eyes as he went through the doorway.
-
-Paul Veniza was racked with a sudden fit of cough ing again. Doctor
-Crang walked quickly to the couch and looked at the other sharply. After
-a moment he turned to Claire.
-
-"Are you ready to go?" he asked crisply.
-
-"Yes; I am ready," she answered steadily.
-
-"Very well, then," said Crang, "you had better go out and get into the
-old bus. You can go with Hawkins and me."
-
-"But"--Claire looked in a bewildered way at Paul Veniza--"but you
-said----"
-
-"I know I did," Crang interrupted brusquely, "but we're all here a
-little early and there's lots of time to countermand the other car." He
-indicated Paul Veniza with a jerk of his head. "He's far from as well as
-he was last night. At least you'll admit that I'm a _good_ doctor, and
-when I tell you he is not fit to go this morning that ought to be enough
-for both of you. I'll phone and tell them not to send the limousine."
-
-Still Claire hesitated. Paul Veniza had closed his eyes.
-
-Crang shrugged his shoulders.
-
-"You can do as you like, but I don't imagine"--a snarl crept into his
-voice--"that it will give him any joy to witness the ceremony, or you to
-have him. Suit yourselves; but I won't answer for the consequences."
-
-"I'll go," said Claire simply--and as Paul Veniza lifted himself up
-suddenly in protest, she forced him gently back upon the couch again.
-"It's better that way," she said, and for a moment talked to him in low,
-earnest tones, then kissed him, and rose, and walked out from the room.
-
-Crang, with a grunt of approval, started toward the telephone.
-
-"Wait!" Paul Veniza had raised himself on his elbow.
-
-Crang turned and faced the other with darkened face.
-
-"It is not too late even now at the last moment!" Paul Veniza's face was
-drawn with agony. "I know you for what you are, and in the name of God
-I charge you not to do this thing. It is foul and loathsome, the basest
-passion--and whatever crimes lay at your door, even if murder be among
-them, no one of them is comparable with this, for you do more than take
-a human life, you desecrate a soul pure as the day God gave it life,
-and----"
-
-The red surged into Crang's face, and changed to mottled purple.
-
-"Damn you!" he flung out hoarsely. "Hold your cackling tongue! This is
-my wedding morning--understand?" He laughed out raucously. "My wedding
-morning--and I'm in a hurry!"
-
-Paul Veniza raised himself a little higher. White his face was--white as
-death.
-
-"Then God have mercy on your soul!" he cried.
-
-And Crang stared for a moment, then turned on his heel--and laughed.
-
-
-
-
-CHAPTER TWENTY-FOUR--THE RIDE
-
-|JOHN BRUCE turned the corner, and, on the opposite side of the street,
-drew back under the shelter of a door porch where he could command
-a view of the entrance to Paul Veniza's house. And now he stood
-motionless, waiting with cold patience, his eyes fixed on the doorway
-across the street. He was there because Crang was either at the present
-moment within the house, or presently would come to the house. It was
-nearly eight o'clock. The old traveling pawn-shop was drawn up before
-the door.
-
-He had no definite plan now. No plan was needed. He was simply waiting
-for Crang.
-
-His eyes had not left the doorway. Suddenly, tense, he leaned a little
-forward. The door opened. No; it was only Hawkins! He relaxed again.
-
-Only Hawkins! John Bruce's face grew a little sterner, his lips a little
-more tightly compressed. Only Hawkins--only an old man who swayed there
-outside the door, and whose face was covered with his hands.
-
-He watched Hawkins. The old cabman moved blindly along the sidewalk for
-the few steps that took him to the corner, and turning the corner, out
-of sight of the house, sat down on the edge of the curb, and with his
-shoulders sunk forward, buried his face in his hands again.
-
-And John Bruce understood; and his fingers, in his pocket, snuggled
-curiously around the revolver that was hidden there. He wanted to go to
-that old bent figure there in its misery and despair, who was fighting
-now so obviously to get a grip upon himself. But he did not move. He
-could not tell Hawkins what he meant to do.
-
-Were they minutes or were they hours that passed? Again the front door
-of Paul Veniza's house opened, and again John Bruce leaned tensely
-forward. But this time he did not relax. Claire! His eyes drank in the
-slim, little, dark-garbed figure, greedy that no smallest gesture,
-no movement, no single line of face or form should escape him. It was
-perhaps the last time that he would see her. He would not see her in his
-prison cell--he would not let her go there.
-
-A queer sound issued from his throat, a strange and broken little cry.
-She was gone now. She had crossed the sidewalk and entered the traveling
-pawn-shop. The curtains were down, and she was hidden from sight. And
-for a moment there seemed a blur and mist before John Bruce's eyes--then
-Hawkins, still around the corner, still with crouched shoulders, still
-with his face hidden in his hands, took form and grew distinct again.
-And then after a little while, Hawkins rose slowly, and came back
-along the street, and climbed into the driver's seat of the traveling
-pawnshop, and sat fumbling at the wheel with his hands.
-
-The door of Paul Veniza's house opened for the third time--and now John
-Bruce laughed in a low, grim 'way, and his hand, hugging the revolver in
-his pocket, tightened and grew vise-like in its grip upon the weapon. It
-was Crang at last!
-
-And then John Bruce's hand came out from his pocket--empty.
-
-_Not in front of Claire!_
-
-He swept his hand across his forehead. It was as though a sudden shock
-had aroused him to some stark reality to which he had been strangely
-oblivious. Not in front of Claire! Claire was in the car there. He felt
-himself bewildered for a moment. Hawkins had said nothing about driving
-Claire too.
-
-Crang's voice reached him from across the street:
-
-"All right, Hawkins! Go ahead!"
-
-Where was Paul Veniza? Crang had got into the car, and the car was
-moving forward. Wasn't Paul Veniza going too?
-
-Well, it did not matter, did it? Crang was there. And it was a long way
-to Staten Island, and before then a chance would come, _must_ come; he
-would make one somehow, and-----
-
-John Bruce ran swiftly out into the street, and, as the car turned the
-corner, swung himself lightly and silently in beside Hawkins. Crang
-would not know. The curtained panel at the back of the driver's seat hid
-the interior of the car from view.
-
-Hawkins turned his head, stared into John Bruce's face for an instant,
-half in a startled, half in a curiously perplexed way, made as though to
-speak--and then, without a word, gave his attention to the wheel again.
-
-The car rattled on down the block.
-
-John Bruce, as silent as Hawkins, stared ahead. On the ferry! Yes, that
-was it! It was a long way to Staten Island. Claire would not stay cooped
-up in a closed car below; she would go up on deck to get the air. And
-even if Crang accompanied her, it would not prove very difficult to
-separate them.
-
-He looked around suddenly and intercepted a furtive, puzzled glance cast
-at him by Hawkins.
-
-And then Hawkins spoke for the first time.
-
-"You'd better get off, John Bruce," he said in a choked voice. "You've
-done all you could, and God bless you over and over again for it, but
-you can't do anything more now, and it won't do you any good to come any
-further."
-
-"No," said John Bruce, "I'm going all the way, Hawkins."
-
-Hawkins relapsed into silence. They were near the Battery when he spoke
-again.
-
-"All the way," Hawkins repeated then, as though it were but a moment
-gone since John Bruce had spoken. "All the way. Yes, that's it--after
-twenty years. That's when I pawned her--twenty years ago. And I couldn't
-never redeem her the way Paul Veniza said. And she ain't never known,
-and thank God she ain't never going to know, that I--that I----"
-A tear trickled down the old face, and splashed upon the wrinkled skin
-of the hand upon the wheel. And then old Hawkins smiled suddenly, and
-nodded toward the clock on the cowl-board--and the speed of the car
-increased. "I looked up the ferry time," said Hawkins.
-
-They swung out in front of the ferry house, and the car stopped. A
-ferry, just berthing, was beginning to disgorge its stream of motors and
-pedestrians.
-
-"We're first in line," said Hawkins, nodding his head. "We'll have to
-wait a minute or two."
-
-John Bruce nodded back indifferently. His eyes were fixed on the ferry
-that he could just see through the ferry house. Certainly, Claire would
-not stay down in the confined space of the ferry's run-way all the trip;
-or if she did, Crang wouldn't. His face set. Quite unconsciously his
-hand had gone to his pocket, and he found his fingers now snuggling
-again around the weapon that lay there.
-
-And then he looked at Hawkins--and stared again at the other, startled.
-Strange, he had not noticed it before! The smile on Hawkins' face did
-not hide it. The man seemed to have aged a thousand years; the old face
-was pinched and worn, and deep in the faded, watery blue eyes were hurt
-and agony. And a great sympathy for the man surged upon John Bruce. He
-could not tell Hawkins, but---- He reached out, and laid his hand on the
-other's arm.
-
-"Don't take it too hard, Hawkins," he said gently. "I--perhaps--perhaps,
-well, there's always a last chance that something may happen."
-
-"Me?" said Hawkins, and bent down over his gears as he got the signal to
-move forward. "Do I look like that? I--I thought it all out last night,
-and I don't feel that way. I'll tell you what I was thinking about. I
-was just thinking that I did something to-day when I left my room that I
-haven't done before--in twenty years. I've left the light burning."
-
-John Bruce stared a little helplessly.
-
-"Yes," said Hawkins. He smiled at John Bruce. "Don't you worry about
-me. Mabbe you don't understand, but that's all I've been thinking about
-since we've been waiting here. I've left the light burning."
-
-Sick at heart, John Bruce turned his head away. He made no response.
-
-Hawkins paid the fare, ran the car through the ferry house, and aboard
-the ferry itself. He was fumbling with a catch of some kind behind his
-seat, as he proceeded slowly up the run-way.
-
-"He'll want a little air in there," said Hawkins, "because it's close
-down here. It opens back, you know--the whole panel. I had it made that
-way when the car was turned into a traveling pawn-shop--didn't know what
-tough kind of a customer Paul might run into sometime, and I'd want to
-get in beside him quick to help, and I----" The old cabman straightened
-up.
-
-The car was at the extreme forward end of the ferry--and suddenly it
-leaped forward. "Jump, John Bruce! Jump clear!" old Hawkins cried.
-"There's only two of us going all the way--and that's Crang and me!
-Claire and Paul 'll be along in another car--tell them it was an
-accident, and----"
-
-John Bruce was on his feet--too late. There was a crash, and the
-collapsible steel gates went down before the plunging car, and the guard
-chain beyond was swept from its sockets. He reeled and lost his balance
-as something, a piece of wreckage from the gates or chain posts, struck
-him. He felt the hot blood spurt from shoulder and arm. And then, as the
-car shot out in mid-air, diving madly for the water below, and he
-was thrown from his feet, he found himself clinging to the footboard,
-fighting wildly to reach the door handle. Claire was in there! Claire
-was in there!
-
-There was a terrific splash. A mighty rush of water closed over him.
-Horror, fear, madness possessed his soul. Claire was in there! Claire
-was in there--and somehow Hawkins had not known! Yes, he had the door
-handle now! He wrenched and tore at the door. The pressure of the water
-seemed to pit itself against his strength. He worked like a maniac. It
-opened. He had it now! It opened. He could scarcely see in the murky
-water--only the indistinct outlines of two forms undulating grotesquely,
-the hands of one gripped around the throat of the other--only that, and
-floating within his reach a woman's dress. He snatched at the dress. His
-lungs were bursting. Claire! It was Claire! She was in his arms--then
-blackness--then sunlight again--and then, faintly, he heard a cheer.
-
-He held her head above the water. She was motionless, inert.
-
-"Claire! Claire!" he cried. Fear, cold, horrible, seized upon him. He
-swam in mad haste for the iron ladder rungs at the side of the slip.
-
-Faces, a multitude of them, seemed to peer at him from above, from the
-brink of this abyss in which he was struggling. He heard a cheer again.
-Why were they cheering? Were they cheering because two men were locked
-in a death grip deep down there in the water below?
-
-"Claire!" he cried out again.
-
-And then, as his hand grasped the lower rung, she opened her eyes
-slowly, and a tremor ran through her frame.
-
-She lived! Was he weak with the sudden revulsion that swept upon him
-now? Was that it? He tried to carry her up--and found that it was beyond
-his strength. And he could only cling there and wait for assistance from
-above, thankful even for the support the water gave his weight. It was
-strange! What were those red stains that spread out and tinged the water
-around him? His arm! Yes, he remembered now! His shoulder and arm! It
-was the loss of blood that must have sapped his strength, that must be
-sapping it now so that---
-
-"John!" Claire whispered. "You--John!"
-
-He buried his face in the great wet masses of hair that fell around her.
-Weak? No, he was not weak! He could hold her here always--always.
-
-He felt her clutch spasmodically at his arm.
-
-"And--and Hawkins, John?" she faltered.
-
-He lifted his head and stared at the water. Little waves rippled across
-its surface, gamboling inconsequentially--at play. There wasn't anything
-else there. There never would be. He made no answer.
-
-A sob shook her shoulders.
-
-"How--how did it happen?" she whispered again.
-
-"I think a--a gear jammed, or something," he said huskily.
-
-He heard her speak again, but her voice was very low. He bent his head
-until it rested upon hers to catch the words.
-
-She was crying softly.
-
-"Dear, dear Hawkins--dear Daddy Hawkins," she said.
-
-A great mist seemed to gather before John Bruce's eyes. A voice seemed
-to come again, Hawkins' voice; and words that he understood now,
-Hawkins' words:
-
-"I've left the light burning."
-
-THE END.
-
-
-
-
-
-
-
-End of the Project Gutenberg EBook of Pawned, by Frank L. Packard
-
-*** END OF THIS PROJECT GUTENBERG EBOOK PAWNED ***
-
-***** This file should be named 51965-8.txt or 51965-8.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/5/1/9/6/51965/
-
-Produced by David Widger from page images generously
-provided by the Internet Archive
-
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for the eBooks, unless you receive
-specific permission. If you do not charge anything for copies of this
-eBook, complying with the rules is very easy. You may use this eBook
-for nearly any purpose such as creation of derivative works, reports,
-performances and research. They may be modified and printed and given
-away--you may do practically ANYTHING in the United States with eBooks
-not protected by U.S. copyright law. Redistribution is subject to the
-trademark license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country outside the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you'll have to check the laws of the country where you
- are located before using this ebook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm web site
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from both the Project Gutenberg Literary Archive Foundation and The
-Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
-trademark. Contact the Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org Section 3. Information about the Project Gutenberg
-Literary Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's principal office is in Fairbanks, Alaska, with the
-mailing address: PO Box 750175, Fairbanks, AK 99775, but its
-volunteers and employees are scattered throughout numerous
-locations. Its business office is located at 809 North 1500 West, Salt
-Lake City, UT 84116, (801) 596-1887. Email contact links and up to
-date contact information can be found at the Foundation's web site and
-official page at www.gutenberg.org/contact
-
-For additional contact information:
-
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works.
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our Web site which has the main PG search
-facility: www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-
diff --git a/old/51965-8.zip b/old/51965-8.zip
deleted file mode 100644
index c06b7b9..0000000
--- a/old/51965-8.zip
+++ /dev/null
Binary files differ
diff --git a/old/51965-h.zip b/old/51965-h.zip
deleted file mode 100644
index 3d8c926..0000000
--- a/old/51965-h.zip
+++ /dev/null
Binary files differ
diff --git a/old/51965-h/51965-h.htm b/old/51965-h/51965-h.htm
deleted file mode 100644
index d7f431f..0000000
--- a/old/51965-h/51965-h.htm
+++ /dev/null
@@ -1,11212 +0,0 @@
-<?xml version="1.0" encoding="utf-8"?>
-
-<!DOCTYPE html
- PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
- "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" >
-
-<html xmlns="http://www.w3.org/1999/xhtml" lang="en">
- <head>
- <meta http-equiv="Content-Type" content="text/html;charset=UTF-8" />
- <title>
- Pawned, by Frank L. Packard
- </title>
- <link rel="coverpage" href="images/cover.jpg" />
- <style type="text/css" xml:space="preserve">
-
- body { margin:5%; background:#faebd0; text-align:justify}
- P { text-indent: 1em; margin-top: .25em; margin-bottom: .25em; }
- H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; }
- hr { width: 50%; text-align: center;}
- .foot { margin-left: 5%; margin-right: 5%; text-align: justify; font-size: 80%; font-style: italic;}
- blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;}
- .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;}
- .toc { margin-left: 10%; margin-bottom: .75em;}
- .toc2 { margin-left: 20%;}
- .xx-small {font-size: 60%;}
- .x-small {font-size: 75%;}
- .small {font-size: 85%;}
- .large {font-size: 115%;}
- .x-large {font-size: 130%;}
- .indent5 { margin-left: 5%;}
- .indent10 { margin-left: 10%;}
- .indent15 { margin-left: 15%;}
- .indent20 { margin-left: 20%;}
- .indent30 { margin-left: 30%;}
- .indent40 { margin-left: 40%;}
- div.fig { display:block; margin:0 auto; text-align:center; }
- div.middle { margin-left: 20%; margin-right: 20%; text-align: justify; }
- .figleft {float: left; margin-left: 0%; margin-right: 1%;}
- .figright {float: right; margin-right: 0%; margin-left: 1%;}
- .pagenum {position: absolute; right: 1%; font-size: 0.6em;
- font-variant: normal; font-style: normal;
- text-align: right; background-color: #FFFACD;
- border: 1px solid; padding: 0.3em;text-indent: 0em;}
- .side { float: left; font-size: 75%; width: 15%; padding-left: 0.8em;
- border-left: dashed thin; text-align: left;
- text-indent: 0; font-weight: bold; font-style: italic;
- font-weight: bold; color: black; background: #eeeeee; border: solid 1px;}
- .head { float: left; font-size: 90%; width: 98%; padding-left: 0.8em;
- border-left: dashed thin; text-align: center;
- text-indent: 0; font-weight: bold; font-style: italic;
- font-weight: bold; color: black; background: #eeeeee; border: solid 1px;}
- p.pfirst, p.noindent {text-indent: 0}
- span.dropcap { float: left; margin: 0 0.1em 0 0; line-height: 0.8 }
- pre { font-style: italic; font-size: 90%; margin-left: 10%;}
-
-</style>
- </head>
- <body>
-
-
-<pre>
-
-The Project Gutenberg EBook of Pawned, by Frank L. Packard
-
-This eBook is for the use of anyone anywhere in the United States and most
-other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms of
-the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you'll have
-to check the laws of the country where you are located before using this ebook.
-
-
-
-Title: Pawned
-
-Author: Frank L. Packard
-
-Release Date: May 2, 2016 [EBook #51965]
-Last Updated: March 13, 2018
-
-Language: English
-
-Character set encoding: UTF-8
-
-*** START OF THIS PROJECT GUTENBERG EBOOK PAWNED ***
-
-
-
-
-Produced by David Widger from page images generously
-provided by the Internet Archive
-
-
-
-
-
-
-</pre>
-
- <div style="height: 8em;">
- <br /><br /><br /><br /><br /><br /><br /><br />
- </div>
- <h1>
- PAWNED
- </h1>
- <h2>
- By Frank L. Packard
- </h2>
- <h4>
- The Copp, Clark Co., Limited Toronto
- </h4>
- <h3>
- 1921
- </h3>
- <p>
- <br /><br /><a name="linkimage-0001" id="linkimage-0001"> </a>
- </p>
- <div class="fig" style="width:50%;">
- <img src="images/0001.jpg" alt="0001 " width="100%" /><br />
- </div>
- <h5>
- <a href="images/0001.jpg"><img src="images/enlarge.jpg" alt="" /> </a>
- </h5>
- <p>
- <br /><br /><a name="linkimage-0002" id="linkimage-0002"> </a>
- </p>
- <div class="fig" style="width:50%;">
- <img src="images/0007.jpg" alt="0007 " width="100%" /><br />
- </div>
- <h5>
- <a href="images/0007.jpg"><img src="images/enlarge.jpg" alt="" /> </a>
- </h5>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <br /><br />
- </p>
- <p>
- <b>CONTENTS</b>
- </p>
- <p class="toc">
- <a href="#link2H_4_0001"> PAWNED </a>
- </p>
- <p class="toc">
- <a href="#link2H_4_0002"> BY WAY OF INTRODUCTION </a>
- </p>
- <p class="toc">
- <a href="#link2H_4_0003"> HER STORY </a>
- </p>
- <p class="toc">
- <a href="#link2H_4_0004"> TWENTY YEARS LATER </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0001"> CHAPTER ONE&mdash;ALADDIN'S LAMP </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0002"> CHAPTER TWO&mdash;THE MILLIONAIRE PLUNGER </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0003"> CHAPTER THREE&mdash;SANCTUARY </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0004"> CHAPTER FOUR&mdash;A DOCTOR OF MANY DEGREES </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0005"> CHAPTER FIVE&mdash;HAWKINS </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0006"> CHAPTER SIX&mdash;THE ALIBI </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0007"> CHAPTER SEVEN&mdash;THE GIRL OF THE TRAVELING
- PAWN-SHOP </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0008"> CHAPTER EIGHT&mdash;ALLIES </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0009"> CHAPTER NINE&mdash;THE CONSPIRATORS </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0010"> CHAPTER TEN&mdash;AT FIVE MINUTES TO EIGHT </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0011"> CHAPTER ELEVEN&mdash;THE RENDEZVOUS </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0012"> CHAPTER TWELVE&mdash;THE FIGHT </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0013"> CHAPTER THIRTEEN&mdash;TRAPPINGS OF TINSEL </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0014"> CHAPTER FOURTEEN&mdash;THE TWO PENS </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0015"> CHAPTER FIFTEEN&mdash;THE CLEW </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0016"> CHAPTER SIXTEEN&mdash;A WOLF LICKS HIS CHOPS </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0017"> CHAPTER SEVENTEEN&mdash;ALIAS MR. ANDERSON </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0018"> CHAPTER EIGHTEEN&mdash;THE HOSTAGE </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0019"> CHAPTER NINETEEN&mdash;CABIN H-14 </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0020"> CHAPTER TWENTY&mdash;OUTSIDE THE DOOR </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0021"> CHAPTER TWENTY-ONE&mdash;THE LAST CHANCE </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0022"> CHAPTER TWENTY-TWO&mdash;THROUGH THE NIGHT </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0023"> CHAPTER TWENTY-THREE&mdash;THE BEST MAN </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0024"> CHAPTER TWENTY-FOUR&mdash;THE RIDE </a>
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2H_4_0001" id="link2H_4_0001"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h1>
- PAWNED
- </h1>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2H_4_0002" id="link2H_4_0002"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- BY WAY OF INTRODUCTION
- </h2>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2H_4_0003" id="link2H_4_0003"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- HER STORY
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">A</span> HANSOM cab,
- somewhat woebegone in appearance, threaded its way in a curiously dejected
- manner through the heart of New York's East Side. A fine drizzle fell,
- through which the street lamps showed as through a mist; and, with the
- pavements slippery, the emaciated looking horse, the shafts jerking and
- lifting up at intervals around its ears, appeared hard put to it to
- preserve its footing.
- </p>
- <p>
- The cabman on his perch drove with his coat collar turned up and his chin
- on his breast. He held the reins listlessly, permitting the horse to
- choose its own gait. At times he lifted the little trap door in the roof
- of the cab and peered into the interior; occasionally his hand,
- tentatively, hesitantly, edged toward a bulge in his coat pocket-only to
- be drawn back again in a sort of panic haste.
- </p>
- <p>
- The cab turned into a street where, in spite of the drizzle, hawkers with
- their push-carts under flaring, spitting gasoline banjoes were doing a
- thriving business. The horse went more slowly. There was very little room.
- With the push-carts lining the curbs on both sides, and the overflow of
- pedestrians from the sidewalks into the street, it was perhaps over-taxing
- the horse's instinct to steer a safe course for the vehicle it dragged
- behind it. Halfway along the block a wheel of the hansom bumped none too
- gently into one of the push-carts, nearly upsetting the latter. The
- hawker, with a frantic grab, saved his wares from disaster-by an
- uncomfortably narrow margin, and, this done, hurled an impassioned flood
- of lurid oratory at the two-wheeler.
- </p>
- <p>
- The cabman lifted his chin from his breast, stared stonily at the hawker,
- slapped the reins mechanically on the roof of the cab as an intimation to
- the horse to proceed, and the cab wended its way along again.
- </p>
- <p>
- At the end of the block, it turned the corner, and drew up before a small
- building that was nested in between two tenements. The cabman climbed down
- from his perch, and stood for a moment surveying the three gilded balls
- that hung over the dingy doorway, and the lettering&mdash;&ldquo;Paul Veniza.
- Pawnbroker&rdquo;&mdash;that showed on the dully-lighted windows which
- confronted him.
- </p>
- <p>
- He drew his hand across his eyes; then, reaching suddenly inside the cab,
- lifted a bundle in his arms, and entered the shop. A man behind the
- counter stared at him, and uttered a quick ejaculation. The cabman went on
- into a rear room. The man from behind the counter followed. In the rear
- room, a woman rose from a table where she had been sewing, and took the
- bundle quickly from the cabman's arms, as it emitted a querulous little
- cry.
- </p>
- <p>
- The cabman spoke for the first time.
- </p>
- <p>
- &ldquo;She's dead,&rdquo; he said heavily.
- </p>
- <p>
- The woman, buxom, middle-aged, stared at him, white-faced, her eyes
- filling suddenly with tears.
- </p>
- <p>
- &ldquo;She died an hour ago,&rdquo; said the cabman, in the same monotonous voice. &ldquo;I
- thought mabbe you'd look after the baby girl for a bit, Mrs. Veniza&mdash;you
- and Paul.&rdquo;
- </p>
- <p>
- &ldquo;Of course!&rdquo; said the woman in a choked voice. &ldquo;I wanted to before, but&mdash;but
- your wife wouldn't let the wee mite out of her sight.&rdquo;
- </p>
- <p>
- &ldquo;She's dead now,&rdquo; said the cabman. &ldquo;An hour ago.&rdquo;
- </p>
- <p>
- Paul Veniza, the pawnbroker, crossed to the cabman's side, and, placing
- his hands on the other's shoulders, drew the man down into a chair.
- </p>
- <p>
- &ldquo;Hawkins,&rdquo; he said slowly, &ldquo;we're getting on in years, fifty each of us,
- and we've known each other for a good many of those fifty.&rdquo; He cleared his
- throat. &ldquo;You've made a mess of things, Hawkins.&rdquo;
- </p>
- <p>
- The woman, holding the baby, started suddenly forward, a red flush dyeing
- her cheeks.
- </p>
- <p>
- &ldquo;Paul!&rdquo; she cried out sharply. &ldquo;How can you be so cruel at such an hour as
- this?&rdquo;
- </p>
- <p>
- The pawnbroker shook his head. He had moved to the back of the cabman's
- chair. Tall, slight, grave and kindly-faced, with high forehead and the
- dark hair beginning to silver at the temples, there seemed something
- almost esthetic about the man.
- </p>
- <p>
- &ldquo;It is <i>the</i> hour,&rdquo; he said deliberately; &ldquo;the one hour in which I
- must speak plainly to my old friend, the one hour that has come into his
- life which may mean everything to him.&rdquo; His right hand slipped from the
- cabman's shoulder and started, tentatively, hesitantly, toward a bulge in
- the cabman's coat pocket&mdash;but was drawn back again, and found its
- place once more on the cabman's shoulder. &ldquo;I was afraid, Hawkins, when you
- married the young wife. I was afraid of your curse.&rdquo;
- </p>
- <p>
- The cabman's elbows were on the table; he had sunk his chin in his hands.
- His blue eyes, out of a wrinkled face of wind-beaten tan, roved around the
- little room, and rested finally on the bundle in the woman's arms.
- </p>
- <p>
- &ldquo;That's finished now,&rdquo; he said dully.
- </p>
- <p>
- &ldquo;I pray God it is,&rdquo; said Paul Veniza earnestly; &ldquo;but you said that before&mdash;when
- you married the young wife.&rdquo;
- </p>
- <p>
- &ldquo;It's finished now&mdash;so help me, God!&rdquo; The cabman's lips scarcely
- moved. He stared straight in front of him.
- </p>
- <p>
- There was silence in the little, plainly furnished room for a moment; then
- the pawnbroker spoke again:
- </p>
- <p>
- &ldquo;I was born here in New York, you know, after my parents came from Italy.
- There was no money, nothing&mdash;only misery. I remember. It is like
- that, Hawkins, isn't it, where you have just come from, and where you have
- left the young wife?&rdquo;
- </p>
- <p>
- &ldquo;Paul!&rdquo; his wife cried out again. &ldquo;How can you say such things? It&mdash;it
- is not like you!&rdquo; Her lips quivered. She burst into tears, and buried her
- face in the little bundle she snuggled to her breast.
- </p>
- <p>
- The cabman seemed curiously unmoved&mdash;as though dazed, almost detached
- from his immediate surroundings. He said nothing.
- </p>
- <p>
- The pawnbroker's hands still rested on the cabman's shoulders, a strange
- gentleness in his touch that sought somehow, it seemed, to offer sympathy
- for his own merciless words.
- </p>
- <p>
- &ldquo;I have been thinking of this for a long time, ever since we knew that
- Claire could not get better,&rdquo; he said. &ldquo;We knew you would bring the little
- one here. There was no other place, except an institution. And so I have
- been thinking about it. What is the little one's name?&rdquo;
- </p>
- <p>
- The cabman shook his head.
- </p>
- <p>
- &ldquo;She has no name,&rdquo; he said.
- </p>
- <p>
- &ldquo;Shall it be Claire, then?&rdquo; asked the pawnbroker gently.
- </p>
- <p>
- The cabman's fingers, where they rested on his cheeks, gathered a fold of
- flesh and tightened until the blood fled, leaving little white spots. He
- nodded his head.
- </p>
- <p>
- Again the pawnbroker was silent for a little while.
- </p>
- <p>
- &ldquo;My wife and I will take little Claire&mdash;on one condition,&rdquo; he said at
- last, gravely. &ldquo;And that condition is that she is to grow up as our child,
- and that, though you may come here and see her as often as you like, she
- is not to know that you are her father.&rdquo;
- </p>
- <p>
- The cabman turned about a haggard face.
- </p>
- <p>
- &ldquo;Not to know that I am her father&mdash;ever,&rdquo; he said huskily.
- </p>
- <p>
- &ldquo;I did not say that,&rdquo; said Paul Veniza quietly. He smiled now, leaning
- over the cabman. &ldquo;I am a pawnbroker; this is a pawn-shop. There is a way
- in which you may redeem her.&rdquo;
- </p>
- <p>
- The cabman pressed a heavy hand over his eyes.
- </p>
- <p>
- &ldquo;What is that way?&rdquo; He swallowed hard as he spoke.
- </p>
- <p>
- &ldquo;By redeeming yourself.&rdquo; The pawnbroker's voice was low and earnest. &ldquo;What
- have you to offer her to-day, save a past that has brought only ruin and
- misery? And for the future, my old friend? There is no home. There was no
- home for the young wife. You said when you married Claire, as you have
- said to-night, that it was all finished. But it was not finished. And your
- curse was the stronger. Well, little Claire is only a baby, and there
- would be years, anyhow, before just a man could take care of her. Do you
- understand, my old friend? If, at the end of those years, enough of them
- to make sure that you are sure of yourself, you have changed your life and
- overcome your weakness, then you shall have little Claire back again, and
- she shall know you as her father, and be proud of you. But if you do not
- do this, then she remains with us, and we are her parents, and you pledge
- me your word that it shall be so.&rdquo;
- </p>
- <p>
- There was no answer for a long time. The woman was still crying&mdash;but
- more softly now. The cabman's chin had sunk into his hands again. The
- minutes dragged along. Finally the cabman lifted his head, and, pushing
- back his chair, stumbled to his feet.
- </p>
- <p>
- &ldquo;God&mdash;God bless you both!&rdquo; he whispered. &ldquo;It's all finished now for
- good, as I told you, but you are right, Paul. I&mdash;I ain't fit to have
- her yet. I'll stand by the bargain.&rdquo; He moved blindly toward the door.
- </p>
- <p>
- The pawnbroker interposed.
- </p>
- <p>
- &ldquo;Wait, Hawkins, old friend,&rdquo; he said. &ldquo;I'll go with you. You'll need some
- help back there in the tenement, some one to look after the things that
- are to be done.&rdquo;
- </p>
- <p>
- The cabman shook his head.
- </p>
- <p>
- &ldquo;Not to-night,&rdquo; he said in a choked way. &ldquo;Leave me alone to-night.&rdquo;
- </p>
- <p>
- He moved again toward the door, and this time Paul Veniza stepped aside,
- but, following, stood bareheaded in the doorway as the other clambered to
- his perch on the hansom cab.
- </p>
- <p>
- Hawkins slapped his reins on the roof of the cab. The horse started slowly
- forward.
- </p>
- <p>
- The drizzle had ceased; but the horse, left to his own initiative, was
- still wary of the wet pavements and moved at no greater pace than a walk.
- Hawkins drove with his coat collar still turned up and his chin on his
- breast.
- </p>
- <p>
- And horse and man went aimlessly from street to street&mdash;and the night
- grew late.
- </p>
- <p>
- And the cabman's hand reached tentatively, hesitantly, a great many times,
- toward a bulge in his coat pocket, and for a great many times was
- withdrawn as empty as it had set forth. And then, once, his fingers
- touched a glass bottle neck... and then, not his fingers, but his lips...
- and for a great many times.
- </p>
- <p>
- It had begun to rain again.
- </p>
- <p>
- The horse, as if conscious of the futility of its own movements, had
- stopped, and, with head hanging, seemed to cower down as though seeking
- even the slender protection of the shafts, whose ends now made half
- circles above his ears.
- </p>
- <p>
- Something slipped from the cabman's fingers and fell with a crash to the
- pavement. The cabman leaned out from his perch and stared down at the
- shattered glass.
- </p>
- <p>
- &ldquo;Broken,&rdquo; said the cabman vacantly.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2H_4_0004" id="link2H_4_0004"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- TWENTY YEARS LATER
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">I</span>T was silver
- light. Inside the reefs the water lay placid and still, mirroring in a
- long, shimmering line the reflection of the full tropic moon; beyond, ever
- and anon, it splashed against its coral barriers in little crystal
- showers. It was a soundless night. No breeze stirred the palms that,
- fringing white stretches of beach around the bay, stood out in serene
- beauty, their irregular tops etched with divine artistry into the sky-line
- of the night.
- </p>
- <p>
- Out from the shore, in that harbor which holds no sanctuary in storm, the
- mail boat, dark save for her riding lights, swung at her moorings;
- shoreward, the perspective altered in the moonlight until it seemed that
- Mount Vaea had lowered its sturdy head that it might hover in closer
- guardianship over the little town, Apia straggled in white patches along
- the road. And from these white patches, which were dwellings and stores,
- there issued no light.
- </p>
- <p>
- From a point on the shore nearest the mail boat, a figure in cotton
- drawers and undershirt slipped silently into the water and disappeared.
- Thereafter, at intervals, a slight ripple disturbed the surface as the
- man, coming up to breathe, turned upon his back and lay with his face
- exposed; for the rest he swam under water. It was as though he were in his
- natural element. He swam superbly even where, there in the Islands, all
- the natives were born to the sea; but his face, when visible on the few
- occasions that it floated above the surface, was the face, not of a
- native, but of a white man.
- </p>
- <p>
- And now he came up in the shadow of the steamer's hull where, near the
- stern, a rope dangled over the side, almost touching the water's edge. And
- for a moment he hung to the rope, motionless, listening. Then he began to
- swarm upward with fine agility, without a sound, his bare feet finding
- silent purchase against the iron plates of the hull.
- </p>
- <p>
- Halfway up he paused and listened intently again. Was that a sound as of
- some one astir, the soft movement of feet on the deck above? No, there was
- nothing now. Why should there be? It was very late, and Nanu, the man who
- lisped, was no fool. The rope had hung from exactly that place where, of
- all others, one might steal aboard without attracting the attention of the
- watch.
- </p>
- <p>
- He went on again, and finally raised his head above the rail. The deck,
- flooded with moonlight, lay white and deserted below him. He swung himself
- over, dropped to the deck&mdash;and the next instant reeled back against
- the rail as a rope-end, swung with brutal force, lashed across his face,
- raising a welt from cheek to cheek. Half stunned, he was still conscious
- that a form had sprung suddenly at him from out of the darkness of the
- after alleyway, that the form was one of the vessel's mates, that the form
- still swung a short rope-end that was a murderous weapon because it was
- little more flexible than iron and was an inch in thickness, and that,
- behind this form, other forms, big forms, Tongans of the crew, pressed
- forward.
- </p>
- <p>
- A voice roared out, hoarse, profane, the mate's voice:
- </p>
- <p>
- &ldquo;Thought you'd try it again, did you, you damned beachcomber? I'll teach
- you! And when I find the dog that left that rope for you, I'll give him a
- leaf out of the same book! You bloody waster! I'll teach you! I'll&mdash;&mdash;&rdquo;
- </p>
- <p>
- The rope-end hissed as it cut through the air again, aiming for the
- swimmer's face. But it missed its mark. Perhaps it was an illusion of the
- white moonlight, lending unreality to the scene, exciting the imagination
- to exaggerate the details, but the swimmer seemed to move with incredible
- speed, with the lithe, terrible swiftness of a panther in its spring. The
- rope-end swished through the air, missing a suddenly lowered head by the
- barest fraction of an inch, and then, driven home with lightning-like
- rapidity, so quick that the blows seemed as one, the swimmer's fists
- swung, right and left, crashing with terrific impact to the point of the
- mate's jaw. And the mate's head jolted back, quivered grotesquely on his
- shoulders for an instant like a tuning fork, sagged, and the great bulk of
- the man collapsed and sprawled inertly on the deck.
- </p>
- <p>
- There was a shuffle of feet from the alleyway, cries. The swimmer swung to
- face the expected rush, and it halted, hesitant. It gave him time to
- spring and stand erect upon the steamer's rail. On the upper deck faces
- and forms began to appear. A man in pajamas leaned far out and peered at
- the scene.
- </p>
- <p>
- There was a shout from out of the dark, grouped throng in the alleyway; it
- was chorused. The rush came on again for the rail; and the dripping figure
- that stood there, with the first sound that he had made&mdash;a laugh,
- half bitter, half of cool contempt&mdash;turned, and with a clean dive
- took the water again and disappeared.
- </p>
- <p>
- Presently he reached the shore. There were more than riding lights out
- there on the steamer now. He gave one glance in that direction, shrugged
- his shoulders, and started off along the road. At times he raised his hand
- to brush it across his face where the welt, raw and swollen now, was a
- dull red sear. He walked neither fast nor slow.
- </p>
- <p>
- The moonlight caught the dripping figure now and then in the open spaces,
- and seemed to peer inquisitively at the great breadth of shoulder, and the
- rippling play of muscle under the thin cotton drawers and shirt, which,
- wet and clinging, almost transparent, scarce hid the man's nakedness; and
- at the face, that of a young man, whose square jaw was locked, whose gray
- eyes stared steadily along the road, and over whose forehead, from the
- drenched, untrimmed mass of fair hair, the brine trickled in little
- rivulets as though persistent in its effort to torture with its salt
- caress the raw, skin-broken flesh across the cheeks.
- </p>
- <p>
- Then presently a point of land ran out, and, the road ignoring this, the
- bay behind was shut out from view. And presently again, farther on, the
- road came to a long white stretch of beach on the one hand, and foliage
- and trees on the other. And here the dripping figure halted and stood
- hesitant as though undecided between the moonlit stretch of sand, and the
- darkness of a native hut that was dimly outlined amongst the trees on the
- other side of the road.
- </p>
- <p>
- After a moment he made his way to the hut and, groping around, secured
- some matches and a box of cigarettes. He spoke into the empty blackness.
- </p>
- <p>
- &ldquo;You lose, Nanu,&rdquo; he muttered whimsically. &ldquo;They wouldn't stand water and
- I left them for you. But now, you see, I'm back again, after all.&rdquo;
- </p>
- <p>
- He lighted a cigarette, and in the flame of the match stared speculatively
- at the small, broken pieces of coral that made the floor of the hut, and
- equally, by the addition of a thin piece of native matting, his bed.
- </p>
- <p>
- &ldquo;The sand is softer,&rdquo; he said with a grim drawl.
- </p>
- <p>
- He went out from the hut, crossed the road, flung himself upon his back on
- the beach, and clasped his hands behind his head. The smoke from his
- cigarette curled languidly upward in wavering spirals, and he stared for a
- long time at the moon.
- </p>
- <p>
- &ldquo;Moon madness,&rdquo; he said at last. &ldquo;They say if you look long enough the old
- boy does you in.&rdquo;
- </p>
- <p>
- The cigarette finished, he flung the stub away. After a time, he raised
- his head and listened. A moment later he lay back again full length on the
- sand. The sound of some one's footsteps coming rapidly along the road from
- the direction of the town was now unmistakably audible.
- </p>
- <p>
- &ldquo;The jug for mine, I guess,&rdquo; observed the young man to the moon. &ldquo;Probably
- a file of native constabulary in bare feet that you can't hear bringing up
- the rear!&rdquo;
- </p>
- <p>
- The footsteps drew nearer, until, still some distance away, the white-clad
- figure of a man showed upon the tree-fringed road. The sprawled figure on
- the beach made no effort toward flight, and less toward concealment. With
- a sort of studied insolence injected into his challenge, he stuck another
- cigarette between his lips and deliberately allowed full play to the flare
- of the match.
- </p>
- <p>
- The footsteps halted abruptly. Then, in another moment, they crunched upon
- the sand, and a tall man, with thin, swarthy face, a man of perhaps forty
- or forty-five, who picked assiduously at his teeth with a quill toothpick,
- stood over the recumbent figure.
- </p>
- <p>
- &ldquo;Found you, have I?&rdquo; he grunted complacently.
- </p>
- <p>
- &ldquo;If you like to put it that way,&rdquo; said the young man indifferently. He
- raised himself on his elbow again, and stared toward the road. &ldquo;Where's
- the army?&rdquo; he inquired.
- </p>
- <p>
- The tall man allowed the point of the quill toothpick to flex and strike
- back against his teeth. The sound was distinctive. <i>Tck!</i> He ignored
- the question.
- </p>
- <p>
- &ldquo;When the mate came out of dreamland,&rdquo; he said, &ldquo;he lowered a boat and
- came ashore to lay a complaint against you.&rdquo;
- </p>
- <p>
- &ldquo;I can't say I'm surprised,&rdquo; admitted the young man. &ldquo;I suppose I am to go
- with you quietly and make no trouble or it will be the worse for me&mdash;I
- believe that's the usual formula, isn't it?&rdquo;
- </p>
- <p>
- The man with the quill toothpick sat down on the sand. He appeared to be
- absorbed for a moment in a contemplation of his surroundings.
- </p>
- <p>
- &ldquo;These tropic nights are wonderful, aren't they? Kind of get you.&rdquo; He
- plied the quill toothpick industriously. &ldquo;I'm a passenger on the steamer,
- and I came ashore with the mate. He's gone back&mdash;without laying the
- complaint. There's always a way of fixing things&mdash;even injured
- feelings. One of the native boat's-crew said he knew where you were to be
- found. He's over there.&rdquo; He jerked his head in the direction of the road.
- </p>
- <p>
- The young man sat bolt upright.
- </p>
- <p>
- &ldquo;I don't get you,&rdquo; he said slowly, &ldquo;except that you are evidently not
- personifying the majesty of the law. What's the idea?&rdquo;
- </p>
- <p>
- &ldquo;Well,&rdquo; said the other, &ldquo;I had three reasons for coming. The first was
- that I thought I recognized you yesterday when they threw you off the
- steamer, and was sure of it to-night when&mdash;I am a light sleeper&mdash;I
- came out on the upper deck at the sound of the row and saw you take your
- departure from the vessel for the second time.&rdquo;
- </p>
- <p>
- &ldquo;I had no idea,&rdquo; said the young man caustically, &ldquo;that I was so well
- known. Are you quite sure you haven't made a mistake?&rdquo;
- </p>
- <p>
- &ldquo;Quite!&rdquo; asserted the other composedly. &ldquo;Of course, I am not prepared to
- say what your present name is&mdash;you may have considered a change
- beneficial&mdash;so I will not presume in that respect. But you are, or
- were, a resident of San Francisco. You were very nice people there. I have
- no knowledge of your mother, except that I understand she died in your
- infancy. A few years ago your father died and left you, not a fortune, but
- quite a moderate amount of money. I believe the pulpits designate it as a
- 'besetting sin.' You had one&mdash;gambling. The result was that you
- traveled the road a great many other young men have traveled; the only
- difference being that, in so far as I am competent to speak, you hold the
- belt for speed and all-round proficiency. You went utterly, completely and
- whole-heartedly to hell.&rdquo;
- </p>
- <p>
- The tall man became absorbed again in his surroundings. &ldquo;And I take it,&rdquo;
- he said presently, &ldquo;that in spite of the wonders of a tropic night, you are still there.&rdquo;
- </p>
- <p>
- The young man shrugged his shoulders.
- </p>
- <p>
- &ldquo;You have put it very delicately,&rdquo; he said, with a grim smile. &ldquo;I'm sorry,
- but I am obliged to confess that the recognition isn't mutual. Would you
- mind telling me who you are?&rdquo;
- </p>
- <p>
- &ldquo;We'll get to that in due course,&rdquo; said the other. &ldquo;My second reason was
- that it appeared to me to be logical to suppose that, having once been the
- bona fide article, you could readily disguise yourself as a gentleman
- again, and your interpretation of the rôle would be beyond suspicion or&mdash;&mdash;&rdquo;
- </p>
- <p>
- &ldquo;By God!&rdquo; The welt across the young man's face grew suddenly white, as
- though the blood had fled from it to suffuse his temples. He half rose,
- staring levelly into the other's eyes.
- </p>
- <p>
- The tall man apparently was quite undisturbed.
- </p>
- <p>
- &ldquo;And the third reason is that I have been looking for just such a&mdash;there
- really isn't any other word&mdash;gentleman, providing he was possessed of
- another and very essential characteristic. You possess that characteristic
- in a most marked degree. Your actions tonight are unmistakable evidence
- that you have nerve.&rdquo;
- </p>
- <p>
- &ldquo;It strikes me that you've got a little of it yourself,&rdquo; observed the
- young man evenly.
- </p>
- <p>
- The quill toothpick under the adroit guidance of his tongue traveled from
- the left- to the right-hand side of the other's mouth.
- </p>
- <p>
- &ldquo;It is equally as essential to me,&rdquo; he said dryly. &ldquo;You appear to fill the
- bill; but there is always the possibility of a fly in the ointment;
- complications&mdash;er&mdash;unpleasant complications, perhaps, you know,
- that might have arisen since you left San Francisco, and that might&mdash;er&mdash;complicate
- matters.&rdquo;
- </p>
- <p>
- The young man relapsed into a recumbent position upon the sand, his hands
- clasped under his head again, and in his turn appeared to be absorbed in
- the beauty of the night.
- </p>
- <p>
- &ldquo;Moon-madness!&rdquo; he murmured pityingly.
- </p>
- <p>
- &ldquo;A myth!&rdquo; said the tall man promptly. &ldquo;Would you mind sketching in roughly
- the details of your interesting career since you left the haunts of the
- aristocracy?&rdquo;
- </p>
- <p>
- &ldquo;I don't see any reason why I should.&rdquo; The young man yawned.
- </p>
- <p>
- &ldquo;Do you see any reason why you shouldn't?&rdquo; inquired the other composedly.
- </p>
- <p>
- &ldquo;None,&rdquo; said the young man, &ldquo;except that the steamer sails at daybreak,
- and I should never forgive myself if you were left behind.&rdquo;
- </p>
- <p>
- &ldquo;Nor forgive yourself, perhaps, if you failed to sail on her as a
- first-class passenger,&rdquo; said the tall man quietly.
- </p>
- <p>
- &ldquo;What?&rdquo; ejaculated the young man sharply.
- </p>
- <p>
- The other shrugged his shoulders.
- </p>
- <p>
- &ldquo;It depends on the story,&rdquo; he said.
- </p>
- <p>
- &ldquo;I&mdash;I don't understand.&rdquo; The young man frowned. &ldquo;There's a chance for
- me to get aboard the mail boat?&rdquo;
- </p>
- <p>
- &ldquo;It depends on the story,&rdquo; said the other again.
- </p>
- <p>
- &ldquo;Moon-mad!&rdquo; murmured the young man once more, after a moment's silence.
- &ldquo;But it's cheap at the price, for it's not much of a story. Beginning
- where you left off in my biography, I ducked when the crash came in San
- Francisco, and having arrived in hell, as you so delicately put it, I
- started out to explore. Mr. Dante had it right&mdash;there's no use
- stopping in the suburbs. I lived a while in his last circle. It's too bad
- he never knew the 'Frisco water-front; it would have fired his
- imagination! I'm not sure, though, but Honolulu's got a little on 'Frisco,
- at that! Luck was out. I was flat on my back when I got a chance to work
- my way out to Honolulu. One place was as good as another by then.&rdquo;
- </p>
- <p>
- The young man lit a cigarette, and stared at the glowing tip reminiscently
- with his gray eyes.
- </p>
- <p>
- &ldquo;You said something about gambling,&rdquo; he went on; &ldquo;but you didn't say
- enough. It's a disease, a fever that sets your blood on fire, and makes
- your life kind of delirious, I guess&mdash;if you get it chronic. I guess
- I was born with it. I remember when I was a kid I&mdash;but I forgot,
- pardon me, the mail boat sails at daybreak.&rdquo;
- </p>
- <p>
- &ldquo;Go as far as you like,&rdquo; said the tall man, picking at his teeth with the
- quill toothpick.
- </p>
- <p>
- The young man shook his head.
- </p>
- <p>
- &ldquo;Honolulu is the next stopping place,&rdquo; he said. &ldquo;On the way out I picked
- up a few odd dollars from my fellow-members of the crew, and&mdash;&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Tck!&rdquo; It was the quill toothpick.
- </p>
- <p>
- The young man's eyes narrowed, and his jaw set challengingly.
- </p>
- <p>
- &ldquo;Whatever else I've done,&rdquo; he stated in a significant monotone, &ldquo;I've
- never played crooked. It was on the level.&rdquo;
- </p>
- <p>
- &ldquo;Of course,&rdquo; agreed the tall man hastily.
- </p>
- <p>
- &ldquo;I sat in with the only stakes I had,&rdquo; said the young man, still
- monotonously. &ldquo;A bit of tobacco, a rather good knife that I've got yet,
- and a belt that some one took a fancy to as being worth half a dollar.&rdquo;
- </p>
- <p>
- &ldquo;Certainly! Of course!&rdquo; reiterated the tall man in haste.
- </p>
- <p>
- The quill toothpick was silent.
- </p>
- <p>
- &ldquo;A pal of mine, one of the stokers, said he knew of a good place to play
- in Honolulu where there was a square deal,&rdquo; continued the young man; &ldquo;so,
- a night or so after we reached there, we got shore leave and started off.
- Perhaps you know that part of Honolulu. I don't. I didn't see much of it.
- I know there's some queer dumps, and queer doings, and the scum of every
- nationality under the sun to run up against. And I know it was a queer
- place my mate steered me into. It was faro. The box was run by an old
- Chinaman who looked as though he were trying to impersonate one of his
- ancestors, he was so old. My mate and I formed the English-speaking
- community. There were a Jap or two, and a couple of pleasant-looking
- cutthroats who cursed in Spanish, and a Chink lying on a bunk rolling his
- pill. Oh, yes, the place stunk! Every once in a while the door opened and
- some other Godforsaken piece of refuse drifted in. By midnight we had a
- full house of pretty bad stuff.
- </p>
- <p>
- &ldquo;It ended in a row, of course. Some fool of a tout came in chaperoning a
- party of three men, who were out to see the sights; they were passengers,
- I found out later, from one of the ships in port. I don't know what
- started the rumpus; some private feud, I guess. The first thing I knew one
- of the Spaniards had a knife out and had jumped for the tout. It was a
- free-for-all in a minute. I saw the tout go down, and he didn't look good,
- and the place suddenly struck me as a mighty unhealthy place to be found
- in on that account. The stoker and I started to fight our way through the
- jam to the door. There was a row infernal. I guess you could have heard it
- a mile away. Anyway, before we could break from the clinches, as it were,
- the police were fighting their way in just as eagerly as we were fighting
- our way out.
- </p>
- <p>
- &ldquo;I didn't like the sight of that tout lying on the floor, or the thought
- of what might happen in the police court the next morning if I were one of
- the crowd to adorn the dock. And things weren't going very well. The
- police were streaming in through the doorway. And then I caught sight of
- something I hadn't seen before because it had previously been hidden by a
- big Chinese screen&mdash;one of those iron-shuttered windows they seem so
- fond of down there. Things weren't very rosy just at that moment because
- about the worst hell-cat scramble on record was being made a little worse
- by some cheerful maniac starting a bit of revolver practice, but I
- remember that I couldn't help laughing to save my soul. In the mêlée one
- of the folding wings of the screen had suddenly doubled up, and, besides
- the window, I saw hiding behind there for dear life, his face pasty-white
- with terror, a very courageous gentleman&mdash;one of the rubbernecks who
- had come in with the tout. He was too scared, I imagine, even to have the
- thought of tackling such formidable things as iron shutters enter his
- head. I yelled to the stoker to get them open, and tried to form a sort of
- rear guard for him while he did it. Then I heard them creak on their
- hinges, and heard him shout. I made a dash for it, but I wasn't quite
- quick enough. One of the policemen grabbed me, but I was playing in luck
- then. I got in a fortunate swing and he went down for the count. I
- remember toppling the screen and the man behind it over on the floor as I
- jumped sideways for the window; and I remember a glimpse of his terrorized
- face, his eyes staring at me, his mouth wide open, as I took a headlong
- dive over the window sill. The stoker picked me up, and we started on the
- run.
- </p>
- <p>
- &ldquo;The police were scrambling through the window after us. I didn't need to
- be told that there wouldn't be a happy time ahead if I were caught. Apart
- from that tout who, though I had nothing to do with it, gave the affair a
- very serious aspect, I was good for the limit on the statute books for
- resisting arrest in the first place, and for knocking out an officer in
- the second. But the stoker knew his way about. We gave the police the
- slip, and a little later on we landed up in a sailors' boarding-house run
- by a one-eyed cousin of Satan, known as Lascar Joe. We lay there hidden
- while the tout got better, and the Spanish hidalgo got sent up for a long
- term for murderous assault. Finally Lascar Joe slipped the stoker aboard
- some ship; and a week or so later he slipped me, the transfer being made
- in the night, aboard a frowsy tramp, bound for New Zealand.&rdquo;
- </p>
- <p>
- The young man paused, evidently inviting comment.
- </p>
- <p>
- &ldquo;Go on,&rdquo; prompted the man with the quill toothpick softly.
- </p>
- <p>
- &ldquo;There isn't very much more,&rdquo; said the young man. He laughed shortly. &ldquo;As
- far as I know I'm the sole survivor from that tramp. She never got to New
- Zealand; and that's how I got here to Samoa. She went down in a hurricane.
- I was washed ashore on one of this group of islands about forty or fifty
- miles from here. I don't know much about the details; I was past knowing
- anything when the bit of wreckage on which I had lashed myself days before
- came to port. There weren't any&mdash;I was going to say white people on
- the island, but I'm wrong about that. The Samoans are about the whitest
- people on God's green earth. I found that out. There were only natives on
- that island. I lived with them for about two months, and I got to be
- pretty friendly with them, especially the old fellow who originally picked
- me up half drowned and unconscious on the beach, and who took me into the
- bosom of his family. Then the missionary boat came along, and I came back
- with it to Apia here.&rdquo;
- </p>
- <p>
- The young man laughed again suddenly, a jarring note in his mirth.
- </p>
- <p>
- &ldquo;I don't suppose you've heard that original remark about the world being
- such a small place after all! I figured that back here in Apia a
- shipwrecked and destitute white man would get the glad hand and at least a
- chance to earn his stake. Maybe he would ordinarily; but I didn't. I
- hadn't said anything to the missionary about that Honolulu escapade, and I
- was keeping it dark when I got here and started to tell the shipwreck end
- of my story over again. Queer, isn't it? Lined up in about the first
- audience I had was the gentleman with the pasty face that I had toppled
- over with the screen in the old Chink's faro dump. He was one of the big
- guns here, and had been away on a pleasure trip, and Honolulu had been on
- his itinerary. That settled it. The missionary chap spoke up a bit for me,
- I'll give him credit for that, though I had a hunch he was going to use
- that play as an opening wedge in an effort to reform me later on. But I
- had my fingers crossed. The whites here turned their backs on me, and I
- turned my back on the missionary. That's about all there was to it. That
- was about two weeks ago, and for those two weeks I've lived in another of
- Mr. Dante's delightful circles.&rdquo;
- </p>
- <p>
- He sat suddenly upright, a clenched fist flung outward.
- </p>
- <p>
- &ldquo;Not a cent! Not a damned sou-marquee! Nothing but this torn shirt, and
- what's left of these cotton pants! Hell!&rdquo;
- </p>
- <p>
- He lay back on the sand quite as suddenly again, and fell to laughing
- softly.
- </p>
- <p>
- &ldquo;Tck!&rdquo; It was the quill toothpick.
- </p>
- <p>
- &ldquo;But at that,&rdquo; said the young man, &ldquo;I'm not sure you could call me a
- cynic, though the more I see of my own breed as compared with the
- so-called heathen the less I think of&mdash;my own breed! I still had a
- card up my sleeve. I had a letter of introduction to a real gentleman and
- landed proprietor here. His name was Nanu, and he gave me his house to
- live in, and made me free of his taro and his breadfruit and all his
- worldly possessions; and it was the old native who took care of me on the
- other island that gave me the letter. It was a queer sort of letter, too&mdash;but
- never mind that now.
- </p>
- <p>
- &ldquo;Splendid isolation! That's me for the last two weeks as a cross between a
- pariah and a mangy cur! What amazes me most is myself. The gentleman of
- the Chinese screen is still in the land of the living and walking blithely
- around. Funny, isn't it? That's one reason I was crazy to get away&mdash;before
- anything happened to him.&rdquo; The tanned fist closed fiercely over a handful
- of sand, then opened and allowed the grains to trickle slowly through the
- fingers, and its owner laughed softly again. &ldquo;I've lived through hell here
- in those two weeks. I guess we're only built to stand so much. I was about
- at the end of my rope when the mail steamer put in yesterday. I hope I
- haven't idealized my sojourn here in a way that would cause you to
- minimize my necessity for getting away, no matter to where or by what
- means! Nanu and I went out to the ship in his outrigger. Perhaps I would
- have had better luck if I had run into any other than the particular mate
- I did. I don't know. I offered to work my passage. Perhaps my fame had
- already gone abroad&mdash;or aboard. He invited me to make another
- excursion into Dante-land. But when he turned his back on me I slipped
- below, and tucked myself in behind some of the copra sacks they were
- loading. Once the steamer was away I was away with her, and I was willing
- to take what was coming. But I didn't get a chance. I guess the mate was
- sharper than I gave him credit for. After about four hours of heat and
- stink down there below decks that I had to grit my teeth to stand, he
- hauled me out as though he knew I had been there all the time. I was
- thrown off the steamer.
- </p>
- <p>
- &ldquo;But I wasn't through. Steamers do not call here every day. I wonder if
- you'll know what I mean when I say I was beginning to be afraid of myself
- and what might happen if I had to stick it out much longer? That mangy cur
- I spoke of had me lashed to the mast from a social standpoint. I tried it
- again&mdash;to-night. Nanu fixed it for me with one of the crew to hang
- that rope over the side, and&mdash;well, I believe you said you had seen
- what happened. I believe you said, too, that a chance still existed of my
- sailing with the mail boat, depending upon my story.&rdquo; He laughed a little
- raucously. &ldquo;I hope it's been interesting enough to bail me out; anyway,
- that's all of it.&rdquo;
- </p>
- <p>
- The tall man sat for a moment in silence.
- </p>
- <p>
- &ldquo;Yes,&rdquo; he said at last; &ldquo;I am quite satisfied. Dressed as a gentleman,
- with money in your pockets, and such other details as go with the rôle,
- you would never be associated with that affair in Honolulu. As a matter of
- fact your share in it was not so serious that the police would dog you all
- over the world on account of it. In other words, and what really interests
- me, is that you are not what is commonly designated as a 'wanted' man.
- Yes, I may say I am thoroughly satisfied.&rdquo;
- </p>
- <p>
- The young man yawned and stretched himself.
- </p>
- <p>
- &ldquo;I'm delighted to hear it. I haven't any packing to do. Shall we stroll
- back to the ship?&rdquo;
- </p>
- <p>
- &ldquo;I hope so.&rdquo; The quill toothpick was busy again. &ldquo;The decision rests with
- you. I am not a philanthropist. I am about to offer you a situation&mdash;to
- fill which I have been searching a good many years to find some one who
- had the necessary qualifications. I am satisfied you are that man. You do
- not know me; you do not know my name, and though you have already asked
- what it is, I shall still withhold that information until your decision
- has been given. If you agree, I will here and now sign a contract with you
- to which we will both affix our bona fide signatures; if you refuse, we
- will shake hands and part as friends and strangers who have been&mdash;shall
- we use your expression?&mdash;moon-mad under the influence of the wonders
- of a tropic night.&rdquo;
- </p>
- <p>
- &ldquo;Something tells me,&rdquo; said the young man softly, &ldquo;that the situation is
- not an ordinary one.&rdquo;
- </p>
- <p>
- &ldquo;And you are right,&rdquo; replied the other quietly. &ldquo;It is not only not
- ordinary, but is, I think I may safely say, absolutely unique and without
- its counterpart. I might mention in passing that I am not in particularly
- good health, and the sea voyage I was ordered to take explains my presence
- here. I am the sole owner of one of the largest, if not the largest,
- business enterprises in America; certainly its turn-over, at least, is
- beyond question the biggest on the American continent. I have
- establishments in every city of any size in both the United States and
- Canada&mdash;and even in Mexico. The situation I offer you is that of my
- confidential representative. No connection whatever will be known to exist
- between us; your title will be that of a gentleman of leisure&mdash;but
- your duties will be more arduous. I regret to say that in many cases I
- fear my local managers are not&mdash;er&mdash;making accurate returns to
- me, and they are very hard to check up. I would require you to travel from
- place to place as a sort of, say, secret inspector of branches, and
- furnish me with the inside information from the lack of which my business
- at present, I am afraid, is suffering severely.&rdquo;
- </p>
- <p>
- &ldquo;And that business?&rdquo; The young man had raised himself to his elbow on the
- sand.
- </p>
- <p>
- &ldquo;The one that is nearest to your heart,&rdquo; said the tall man calmly.
- &ldquo;Gambling.&rdquo;
- </p>
- <p>
- The young man leaned slowly forward, staring at the other.
- </p>
- <p>
- &ldquo;I wonder if I quite get you?&rdquo; he said.
- </p>
- <p>
- &ldquo;I am sure you do.&rdquo; The tall man smiled. &ldquo;My business is a chain of select
- and exclusive gambling houses where only high play is indulged in, and
- whose clientele is the richest in the land.&rdquo;
- </p>
- <p>
- The young man rose to his feet, walked a few steps away along the beach,
- and came back again.
- </p>
- <p>
- &ldquo;You're devilishly complimentary!&rdquo; he flung out, with a short laugh. &ldquo;As I
- understand it, then, the price I am to pay for getting away from here is
- the pawning of my soul?&rdquo;
- </p>
- <p>
- &ldquo;Have you anything else to pawn?&rdquo; inquired the other&mdash;and the quill
- toothpick punctuated the remark: &ldquo;Tck!&rdquo;
- </p>
- <p>
- &ldquo;No,&rdquo; said the young man, with a twisted smile. &ldquo;And I'm not sure I've got
- that left! I am beginning to have a suspicion that it was in your 'branch'
- at San Francisco that I lost my money.&rdquo;
- </p>
- <p>
- &ldquo;You did,&rdquo; said the other coolly. &ldquo;That is how I came to know you. Though
- not personally in evidence in the 'house' itself, San Francisco is my
- home, and my information as to what goes on there at least is fairly
- accurate.&rdquo;
- </p>
- <p>
- The young man resumed his pacing up and down the sand.
- </p>
- <p>
- &ldquo;And I might add,&rdquo; said the tall man after a moment, &ldquo;that from a point of
- ethics I see little difference in the moral status between one who comes
- to gamble and one who furnishes the other with the opportunity to do so.
- You are perhaps hesitating to take the hurdle on that account?&rdquo;
- </p>
- <p>
- &ldquo;Moral status!&rdquo; exclaimed the young man sharply. He halted abruptly before
- the other. &ldquo;No&mdash;at least I am not a hypocrite! What right have I to
- quarrel with moral status?&rdquo;
- </p>
- <p>
- &ldquo;Very well, then,&rdquo; said the other; &ldquo;I will go farther. I will give you
- everything in life that you desire. You will live as a gentleman of wealth
- surrounded by every luxury that money can procure, for that is your rôle.
- You may gamble to your heart's content, ten, twenty, fifty thousand a
- night&mdash;in my houses. You will travel the length and breadth of
- America. I will pay every expense. There is nothing that you may not have,
- nothing that you may not do.&rdquo;
- </p>
- <p>
- The young man was silent for a full minute then, with his hands dug in his
- pockets, he fell to whistling under his breath very softly&mdash;but very
- deliberately.
- </p>
- <p>
- An almost sinister smile spread over the tall man's lips as he listened.
- </p>
- <p>
- &ldquo;If I am not mistaken,&rdquo; he observed dryly, &ldquo;that is the aria from Faust.&rdquo;
- </p>
- <p>
- &ldquo;Yes,&rdquo; said the young man&mdash;and stared the other in the eye. &ldquo;It is
- the aria from Faust.&rdquo;
- </p>
- <p>
- The tall man nodded&mdash;but now his lips were straight.
- </p>
- <p>
- &ldquo;I accept the rôle of Mephistopheles, then,&rdquo; he said softly. &ldquo;Doctor
- Faustus, you know, signed the bond.&rdquo;
- </p>
- <p>
- The young man squatted on the sand again. His face was curiously white;
- only the ugly welt, dull red, across his cheeks, like the mark of some
- strange branding-iron, held color.
- </p>
- <p>
- &ldquo;Then, draw it!&rdquo; he said shortly. &ldquo;And be damned to you!&rdquo;
- </p>
- <p>
- The tall man took a notebook and a fountain pen from his pocket. He wrote
- rapidly, tore out the leaf, and on a second leaf made a copy of the first.
- This, too, he tore out.
- </p>
- <p>
- &ldquo;I will read it,&rdquo; he said. &ldquo;You will observe that no names are mentioned;
- that I have still reserved the privilege of keeping my identity in
- abeyance until the document is signed. This is what I have written: <i>For
- good and valid consideration the second signatory to this contract hereby
- enters unreservedly into the employ of the first signatory for a period
- which shall include the lifetime of one or other of the undersigned, or
- until such time as this agreement may be dissolved either by mutual
- consent or at the will of the first signatory alone. And the first
- signatory to this contract agrees to maintain the second signatory in a
- station in life commensurate with that of a gentleman of wealth
- irrespective of expense, and further to pay to the second signatory as a
- stated salary the sum of one thousand dollars a month.</i>&rdquo; He looked up.
- &ldquo;Shall I sign?&rdquo;
- </p>
- <p>
- &ldquo;Body and soul,&rdquo; murmured the young man. He appeared to be fascinated with
- the restless movement of the quill toothpick in the other's mouth. &ldquo;Have
- you another toothpick you could let me have?&rdquo; he inquired casually.
- </p>
- <p>
- The tall man mechanically thrust his fingers into his vest pocket; and
- then, as though but suddenly struck with the irrelevancy, and perhaps
- facetiousness, of the request, frowned as he found himself handing over
- the article in question.
- </p>
- <p>
- &ldquo;Shall I sign?&rdquo; His tone was sterner. &ldquo;It is understood that the
- signatures are to be bona fide and&mdash;&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Yes, sign it. It is quite understood.&rdquo; The young man spoke without
- looking up. He seemed to be engrossed in carefully slitting the point of
- the quill toothpick he had acquired with his knife.
- </p>
- <p>
- The other signed both sheets from the notebook.
- </p>
- <p>
- The young man accepted the two slips of paper, but refused the proffered
- fountain pen. In the moonlight he read the other's signature: Gilbert
- Larmon. His lips tightened a little. It was a big name in San Francisco, a
- name of power. Few dreamed perhaps where the sinews of that power came
- from! He drew from his pocket a small bottle, uncorked it, dipped in the
- quill toothpick, and with his improvised pen wrote with a rasping,
- spluttering noise beneath the other's signature on each of the two slips
- of paper. One of these slips he returned to the other&mdash;but beneath
- the tall man's signature there was no mark of any kind whatever.
- </p>
- <p>
- Through narrowing eyes the tall man had been watching, and now his face
- darkened ominously, and there was something of deadly coolness in his
- voice as he spoke.
- </p>
- <p>
- &ldquo;What tomfoolery is this?&rdquo; he demanded evenly.
- </p>
- <p>
- &ldquo;No; it's quite all right,&rdquo; said the young man placidly. &ldquo;Just a whim of
- mine. I can't seem to get that Doctor Faustus thing out of my head.
- According to the story, I think, he signed in a drop of blood&mdash;and I
- thought I'd carry a sort of analogy along a bit. That stuff's all right. I
- got it from my old native friend on that island I was telling you about.
- It's what my letter of introduction to Nanu was written with. And&mdash;well,
- at least, I guess it stands for the drop of blood, all right! Take it down
- there to the shore and dip that part of the paper in the salt water.&rdquo;
- </p>
- <p>
- The tall man made no answer. For a moment he remained staring with
- grim-set features at the other, then he got up, walked sharply to the
- water's edge, and, bending down, moistened the lower portion of the paper.
- He held it up to the moonlight. Heavy black letters were slowly taking
- form just beneath his own signature. Presently he walked back up the beach
- to the young man, and held out his hand.
- </p>
- <p>
- &ldquo;Let us get back to the ship&mdash;John Bruce,&rdquo; he said.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0001" id="link2HCH0001"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER ONE&mdash;ALADDIN'S LAMP
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">J</span>OHN BRUCE,
- stretched at full length on a luxurious divan in the most sumptuous
- apartment of the Bayne-Miloy, New York's newest and most pretentious
- hostelry, rose suddenly to his feet and switched off the lights. The same
- impulse carried him in a few strides to the window. The night was still,
- and the moon rode high and full. It was the same moon that, three months
- ago, he had stared at from the flat of his back on the beach at Apia. A
- smile, curiously tight, and yet curiously whimsical, touched his lips. If
- it had been &ldquo;moon-madness&rdquo; that had fallen upon the gambler king and
- himself that night, it had been a madness that was strangely free in its
- development from hallucination! That diagnosis no longer held. It would be
- much more apposite to lay it bluntly to the door of&mdash;Mephistopheles!
- From the moment he had boarded the mail steamer he had lived as a man
- possessed of unlimited wealth, as a man with unlimited funds always in his
- possession or at his instant command.
- </p>
- <p>
- He whistled softly. It was, though, if not moon-madness, perhaps the moon,
- serene and full up there as it had been that other night, which he had
- been watching from the divan a few moments before, that had sent his mind
- scurrying backward over those intervening months. And yet, perhaps not;
- for there would come often enough, as now, moments of mind groping, yes,
- even the sense of hallucination, when he was not quite sure but that a
- certain bubble, floating at one moment in dazzlingly iridescent beauty
- before his eyes, would dissolve the next into blank nothingness, and&mdash;&mdash;
- Well, what would it be then? Another beach at some Apia, until another
- Mephistopheles, in some other guise, came to play up against his rôle of
- Doctor Faustus again?
- </p>
- <p>
- He looked sharply behind him around the darkened room, whose darkness did
- not hide its luxury. His shoulder brushed the heavy silken portière at his
- side; his fingers touched a roll of banknotes in his pocket, a generous
- roll, whose individual units were of denominations more generous still.
- These were realities!
- </p>
- <p>
- Mephistopheles at play! He had left Larmon at Suva, Fiji. Thereafter,
- their ways and their lives lay apart&mdash;outwardly. Actually, even here
- in New York with the continent between them, for Larmon had resumed his
- life in which he played the rôle of a benevolent and retired man of wealth
- in San Francisco, they were in constant and extremely intimate touch with
- each other.
- </p>
- <p>
- A modern Mephistopheles! Two men only in the world knew Gilbert Larmon for
- what he was! One other besides himself! And that other was a man named
- Maldeck, Peter Maldeck. But only one man knew him, John Bruce, in his new
- rôle, and that was Gilbert Larmon. Maldeck was the manager of the entire
- ring of gambling houses, and likewise the clearing house through which the
- profits flowed into Larmon's coffers; but to Maldeck, he, John Bruce, was
- exactly what he appeared to be to the world at large, and to the local
- managers of the gambling houses in particular&mdash;a millionaire plunger
- to whom gambling was as the breath of life. The &ldquo;inspector of branches&rdquo;
- dealt with Gilbert Larmon alone, and dealt confidentially and secretively
- over Maldeck's head&mdash;even that invisible writing fluid supplied by
- the old Samoan Islander playing its part when found necessary, for it had
- been agreed between Larmon and himself that even the most innocent
- appearing document received from him, John Bruce, should be subjected to
- the salt water test; and he had, indeed, already used it in several of the
- especially confidential reports that he had sent Larmon on some of the
- branches.
- </p>
- <p>
- He shrugged his shoulders. The whole scheme of his changed existence had
- all been artfully simple&mdash;and superbly efficient. He was under no
- necessity to explain the source of his wealth except in his native city,
- San Francisco, where he was known&mdash;and San Francisco was outside his
- jurisdiction. With both Larmon and Maldeck making that their headquarters,
- other supervision of the local &ldquo;branch&rdquo; was superfluous; elsewhere, his
- wealth was inherited&mdash;that was all. So, skipping San Francisco, he
- had come leisurely eastward, gambling for a week or two weeks, as the case
- might be, in the various cities, following as guidance apparently but the
- whim of his supposedly roué inclinations, and he had lost a lot of money&mdash;which
- would eventually find its way back to its original source in the pockets
- of Gilbert Larmon, via the clearing house conducted by Peter Maldeck. It
- was extremely simple&mdash;but, equally, extremely systematic. The
- habitues of every branch were carefully catalogued. He had only&mdash;and
- casually&mdash;to make the acquaintance of one of these in each city, and,
- in turn, quite inevitably, would follow an introduction to the local
- &ldquo;house&rdquo;; and, once introduced, the entrée, then or on any subsequent visit
- to that city, was an established fact.
- </p>
- <p>
- John Bruce laughed suddenly, softly, out into the night. It had been a
- good bargain that he had made with Mephistopheles! Wealth, luxury,
- everything he desired in life was his. On the trail behind him in the
- cities he had already visited he had nightly lost or won huge sums of
- money until he had become known as the millionaire plunger. It was quite
- true that, in as much as the money, whether lost or won, but passed from
- his right- to his left-hand pocket&mdash;the pockets being represented by
- one Gilbert Larmon&mdash;the gambler craving within him was but ill
- served, almost in a sense mocked; but that phase of it had sunk into
- insignificance. The whole idea was a gigantic gamble&mdash;a gamble with
- life. The whole fabric was of texture most precarious. It exhilarated him.
- Excitement, adventure, yes, even peril, beckoned alluringly and always
- from around the corner just ahead. He stood against the police; he stood a
- very excellent chance of being discovered some morning minus his life if
- the men he was set to watch, and who now fawned upon him and treated him
- with awe and an unholy admiration, should get an inkling of his real
- identity and his real purpose in their houses!
- </p>
- <p>
- He yawned, and as though glorying in his own strength flexed his great
- shoulders, and stretched his arms to their full length above his head.
- God, it was life! It made of him a superman. He had no human ties to bind
- him; no restraint to know; no desire that could not be satiated. The past
- was wiped away. It was like some reincarnation in which he stood supreme
- above his fellow men, and they bowed to their god. And he was their god.
- And if he but nodded approval they would lie, and cheat, and steal, and
- commit murder in their greed of worship, they whose souls were in pawn to
- their god!
- </p>
- <p>
- He turned suddenly from the window, switched on the lights, drew from his
- pocket a great sum of money in banknotes, and stood staring at it. There
- were thousands in his hand. Thousands and thousands! Money! The one
- universally-orthodox god! For but one of these pieces of paper in his hand
- he could command what he would, play upon human passions at his whim, and
- like puppets on a stage of his own setting move the followers of the Great
- Creed, that were numbered in their millions, at his will! It was only over
- the few outcasts, the unbelievers, that he held no sway. But he could
- afford to ignore the minority! Was he not indeed a god?
- </p>
- <p>
- And it had cost him nothing. Only the pawning of his soul; and, like
- Faustus, the day of settlement was afar off. Only the signing of a bond
- that postulated a denial of what he had already beforehand held in light
- esteem&mdash;a code of canting morals. It was well such things were out of
- the way! Life stretched the fuller, the rosier, the more red-blooded
- before him on that account. He was well content. The future lured him. Nor
- was it money alone. There was the spice of adventure, the battle of wits,
- hardly inaugurated yet, between himself and those whose underground
- methods were the <i>raison d'être</i> of his own magically enhanced
- circumstances.
- </p>
- <p>
- John Bruce replaced the money in his pocket abruptly, and frowned. That
- was something, from still another standpoint, which he could not afford to
- lose sight of. He had to justify his job. Gilbert Larmon had stated that
- he was not a philanthropist, and it was written in the bond that Larmon
- could terminate the agreement at will. Yes, and that was queer, too! What
- kind of a man was Larmon? He knew Larmon, as Larmon superficially
- subjected himself to inspection and speculation; but he was fully aware
- that he did not know Larmon the man. There seemed something almost
- sinister in its inconsistency that Larmon should at one and the same time
- reserve the right to terminate that bond at will while his very signature
- upon it furnished a weapon which, if he, John Bruce, chose to use it,
- placed the other at his mercy. What kind of a man was Larmon? No fool, no
- weakling&mdash;that was certain. And yet at a word he, John Bruce, could
- tear the other from the pseudorighteous pedestal upon which he posed,
- strip the other naked of the garments that clothed his criminal
- activities, and destroy utterly the carefully reared structure of
- respectability that Larmon had built up around himself. It might be very
- true that he, John Bruce, would never use such a weapon, even under
- provocation; but Larmon could not be sure of that. How then did Larmon
- reconcile his reservation to terminate the contract at will and yet
- furnish his co-signatory with the means of black-mailing him into a
- continuance of it? What kind of a man was Larmon? What would he be like
- with his back to the wall? What <i>other</i> reservation had been in
- Larmon's mind when he had drawn that bond?
- </p>
- <p>
- And then a queer and bitter smile came to John Bruce's lips. The god of
- money! Was he so sure that he was the god and not the worshiper? Was that
- it? Was that what Larmon counted upon?&mdash;that only a fool would risk
- the sacrifice of the Aladdin's lamp that had been thrust into his hands,
- and that only a fool but would devote body and soul to Larmon's interests
- under the circumstances!
- </p>
- <p>
- The smile grew whimsical. It was complimentary in a sense. It was based on
- the premise that he, John Bruce, was not a fool. He shrugged his
- shoulders. Well, therein Larmon was right. It would not be his, John
- Bruce's, fault if anything short of death terminated the bond which had
- originated that tropic night on the moon-lit beach in Samoa three months
- ago!
- </p>
- <p>
- He looked at his watch. It was nine o'clock. It was still early for play;
- but it was not so early that his arrival in the New York &ldquo;branch,&rdquo; where
- he had been a constant visitor for the last four nights, could possibly
- arouse any suspicion, and one's opportunities for inside observation were
- very much better when the play was desultory and but few present than in
- the crowded rooms of the later hours.
- </p>
- <p>
- &ldquo;If I were in England now,&rdquo; said John Bruce, addressing the chandelier, as
- he put on a light coat over his evening clothes, &ldquo;I couldn't get away with
- this without a man to valet me&mdash;and at times, though he might be
- useful, he might be awkward. Damned awkward! But in America you do, or you
- don't, as you please&mdash;and I don't!&rdquo;
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0002" id="link2HCH0002"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER TWO&mdash;THE MILLIONAIRE PLUNGER
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">J</span>OHN BRUCE left the
- hotel and entered a taxi. A little later, in that once most fashionable
- section of New York, in the neighborhood of Gramercy Square, he was
- admitted to a stately mansion by a white-haired negro butler, who bowed
- obsequiously.
- </p>
- <p>
- Thereafter, for a little while, John Bruce wandered leisurely from room to
- room in the magnificently appointed house, where in the rich carpets the
- sound of footsteps was lost, where bronzes and paintings, exquisite in
- their art, charmed the eye, where soft-toned draperies and portières were
- eloquent of refinement and good taste; he paused for a moment at the
- threshold of the supper room, whose table was a profusion of every
- delicacy to tempt the palate, where wines of a vintage that was almost
- priceless were to be had at no greater cost than the effort required to
- lift a beckoning finger to the smiling ebony face of old Jake, the
- attendant. And here John Bruce extended a five-dollar bill, but shook his
- head as the said Jake hastened toward him. Later, perhaps, he might
- revisit the room&mdash;when a few hours' play had dimmed the recollection
- of his recent dinner, and his appetite was again sharpened.
- </p>
- <p>
- In the card rooms there were, as yet, scarcely any &ldquo;guests.&rdquo; He chatted
- pleasantly with the &ldquo;dealers&rdquo;&mdash;John Bruce, the millionaire plunger,
- was <i>persona grata</i>, almost effusively so, everywhere in the house.
- Lavergne, the manager, as Parisian as he was immaculate from the tips of
- his patent-leathers to the tips of his waxed mustache, joined him; and for
- ten minutes, until the other was called away, John Bruce proceeded to
- nourish the already extremely healthy germ of intimacy that, from the
- first meeting, he had planted between them.
- </p>
- <p>
- With the manager's million apologies for the unpardonable act of tearing
- himself away still sounding in his ears, John Bruce placidly resumed his
- wanderings. The New York &ldquo;branch,&rdquo; which being interpreted meant Monsieur
- Henri de Lavergne, the exquisite little manager, was heavily underscored
- on Gilbert Larmon's black-list!
- </p>
- <p>
- The faint, musical whir of the little ivory ball from the roulette table
- caught John Bruce's attention, and he strolled in that direction. Here a
- &ldquo;guest&rdquo; was already at play. The croupier smiled as John Bruce approached
- the table. John Bruce smiled pleasantly in return, and sat down. After a
- moment, he began to make small five-dollar bets on the &ldquo;red.&rdquo; His
- fellow-player was plunging heavily&mdash;and losing. Also, the man was
- slightly under the influence of liquor. The croupier's voice droned
- through half a dozen plays. John Bruce continued to make five-dollar bets.
- The little by-play interested him. He knew the signs.
- </p>
- <p>
- His fellow-player descended to the supper room for another drink, it being
- against the rules of the house to serve anything in the gambling rooms.
- The croupier laughed as he glanced at the retreating figure and then at
- another five-dollar bet that John Bruce pushed upon the &ldquo;red.&rdquo;
- </p>
- <p>
- &ldquo;He'll rob you of your reputation, Mr. Bruce, if you don't look out!&rdquo; the
- croupier smiled quizzically. &ldquo;Are you finding a thrill in playing the
- minimum for a change?&rdquo;
- </p>
- <p>
- &ldquo;Just feeling my way.&rdquo; John Bruce returned the smile. &ldquo;It's a bit early
- yet, isn't it?&rdquo;
- </p>
- <p>
- The other player returned. He continued to bet heavily. He made another
- excursion below stairs. Other &ldquo;guests&rdquo; drifted into the room, and the play
- became more general.
- </p>
- <p>
- John Bruce increased his stakes slightly, quite indifferent naturally as
- to whether he lost or won&mdash;since he could neither lose nor win. He
- was sitting beside the player he had originally joined at the table, and
- suddenly his interest in the other became still more enlivened. The man,
- after a series of disastrous plays, was palpably broke, for he snatched
- off a large diamond ring from his finger and held it out to the croupier.
- </p>
- <p>
- &ldquo;Give me&mdash;hic!&mdash;somethin' on that,&rdquo; he hiccoughed. &ldquo;Might as
- well make a clean-up, eh?&rdquo;
- </p>
- <p>
- The croupier took the ring, examined it critically for an instant, and
- handed it back.
- </p>
- <p>
- &ldquo;I'm sorry,&rdquo; he said; &ldquo;but you know the rules of the house. I couldn't
- advance anything on it if it were worth a million. But the stone's
- valuable, all right. You'd better take a trip to Persia.&rdquo;
- </p>
- <p>
- The man replaced the ring with some difficulty upon his finger, and stared
- owlishly at the croupier.
- </p>
- <p>
- &ldquo;T' hell with your&mdash;hic!&mdash;trip to Persia!&rdquo; he said thickly.
- &ldquo;Don't like Persia! Been&mdash;hic!&mdash;there before! Guess I'll go
- home!&rdquo;
- </p>
- <p>
- The man negotiated his way to the door; the game went on. John Bruce began
- to increase his stakes materially. A trip to Persia! What, exactly, did
- that mean? It both piqued his curiosity and stirred his suspicions. He
- smiled as he placed a heavy stake upon the table. It would probably be a
- much more expensive trip to this fanciful Persia than to the Persia of
- reality, for it seemed that one must go broke first! Well, he would go
- broke&mdash;though it would require some little finesse for John Bruce,
- the millionaire plunger, to attain that envious situation without exciting
- suspicion. He was very keenly interested in this personally conducted
- tour, obviously inaugurated by that exquisite little man, Monsieur Paul de
- Lavergne!
- </p>
- <p>
- John Bruce to his inward chagrin&mdash;won. He began to play now with a
- zest, eagerness and excitement which, heretofore, the juggling of
- Mephistopheles' money had deprived him of. Outwardly, however, the calm
- impassiveness that, in the few evenings he had been in the house, had
- already won him the reputation of being par excellence a cool and nervy
- plunger, remained unchanged.
- </p>
- <p>
- He continued to win for a while; and then suddenly he began to lose. This
- was much better! He lost steadily now. He staked with lavish hand, playing
- numerous long chances for the limit at every voyage of the clicking little
- ivory ball. Finally, the last of his visible assets were on the table, and
- he leaned forward to watch the fall of the ball. He was already fingering
- the magnificent jeweled watch-fob that dangled from the pocket of his
- evening clothes.
- </p>
- <p>
- &ldquo;Zero!&rdquo; announced the croupier.
- </p>
- <p>
- The &ldquo;zero&rdquo; had been one of his selections. The &ldquo;zero&rdquo; paid 35 for 1.
- </p>
- <p>
- A subdued ripple of excitement went up from around the table. The room was
- filling up. The still-early comers, mostly spectators for the time being,
- lured to the roulette table at the whisper that the millionaire plunger
- was out to-night to break the bank, were whetting their own appetites in
- the play of Mr. John Bruce, who had obviously just escaped being broke
- himself by a very narrow margin.
- </p>
- <p>
- John Bruce smiled. He was in funds again&mdash;more so than pleased him!
- </p>
- <p>
- &ldquo;It's a 'zero' night, Mr. Croupier,&rdquo; observed John Bruce pleasantly. &ldquo;Roll
- her again!&rdquo;
- </p>
- <p>
- But now luck was with John Bruce. The &ldquo;zero&rdquo; and his other combinations
- were as shy and elusive as fawns. At the expiration of another half hour
- the net result of John Bruce's play consisted in his having transferred
- from his own keeping into the keeping of the New York branch thirty
- thousand dollars of Mephistopheles' money. He was to all appearances
- flagrantly broke as far as funds in his immediate possession were
- concerned.
- </p>
- <p>
- &ldquo;I guess,&rdquo; said John Bruce, with a whimsical smile, &ldquo;that I didn't bring
- enough with me. I don't know where I can get any more to-night, and&mdash;oh,
- here!&rdquo; He laughed with easy grace, as he suddenly tossed his jeweled
- watch-fob to the croupier. &ldquo;One more fling anyhow&mdash;I've still
- unbounded faith in 'zero'! Let me have a thousand on that. It's worth
- about two.&rdquo;
- </p>
- <p>
- The croupier, as on the previous occasion, examined the article, but, as
- before, shook his head.
- </p>
- <p>
- &ldquo;I'm awfully sorry, Mr. Bruce, but it's strictly against the rules of the
- house,&rdquo; he said apologetically. &ldquo;I can fix it for you easily enough
- though, if you care to take a trip to Persia.&rdquo;
- </p>
- <p>
- &ldquo;A trip to Persia?&rdquo; inquired John Bruce in a puzzled way. &ldquo;I think I heard
- you suggest that before this evening. What's the idea?&rdquo;
- </p>
- <p>
- Some of those around the table were smiling.
- </p>
- <p>
- &ldquo;It's all right,&rdquo; volunteered a player opposite, with a laugh. &ldquo;Only look
- out for the conductor!&rdquo;
- </p>
- <p>
- &ldquo;Shoot!&rdquo; said John Bruce nonchalantly. &ldquo;That's good enough! You can book
- my passage, Mr. Croupier.&rdquo;
- </p>
- <p>
- The croupier called an attendant, spoke to him, and the man left the room.
- </p>
- <p>
- &ldquo;It will take a few minutes, Mr. Bruce&mdash;while you are getting your
- hat and coat. The doorman will let you know,&rdquo; said the croupier, and with
- a bow to John Bruce resumed the interrupted game.
- </p>
- <p>
- John Bruce strolled from the room, and descended to the lower floor. He
- entered the supper room, and while old Jake plied him with delicacies he
- saw the doorman emerge from the telephone booth out in the hall, hurry
- away, and presently return, talking earnestly with Monsieur Henri de
- Lavergne. The manager, in turn, entered the booth.
- </p>
- <p>
- Monsieur Henri de Lavergne came into the supper room after a moment.
- </p>
- <p>
- &ldquo;In just a few minutes, Mr. Bruce&mdash;there will be a slight delay,&rdquo; he
- said effusively. &ldquo;Too bad to keep you waiting.&rdquo;
- </p>
- <p>
- &ldquo;Not at all!&rdquo; responded John Bruce. He held a wine glass up to the light.
- &ldquo;This is very excellent, Monsieur de Lavergne.&rdquo;
- </p>
- <p>
- Monsieur Henri de Lavergne accepted the compliment with a gratified bow.
- </p>
- <p>
- &ldquo;Mr. Bruce is very kind to say so,&rdquo; he said&mdash;and launched into an
- elaborate apology that Mr. Bruce should be put to any inconvenience to
- obtain the financial accommodation asked for. The security that Mr. Bruce
- offered was unquestioned. It was not that. It was the rule of the house.
- Mr. Bruce would understand.
- </p>
- <p>
- Mr. Bruce understood perfectly.
- </p>
- <p>
- &ldquo;Quite so!&rdquo; he said cordially.
- </p>
- <p>
- Monsieur Henri de Lavergne excused himself, and left the room.
- </p>
- <p>
- &ldquo;A fishy, clever little crook,&rdquo; confided John Bruce to himself. &ldquo;I wonder
- what's the game?&rdquo;
- </p>
- <p>
- He continued to sip his wine in apparent indifference to the passing
- minutes, nor was his indifference altogether assumed. His mind was quite
- otherwise occupied. It was rather neat, that&mdash;a trip to Persia. The
- expression in itself held a lure which had probably not been overlooked as
- an asset. It suggested Bagdad, and the Arabian Nights, and a Caliph and a
- Grand Vizier who stalked about in disguise. On the other hand, the
- inebriated gentleman had evidently had his fill of it on one occasion, and
- would have no more of it. And the other gentleman who had, as it were,
- indorsed the proceeding, had, at the same time, taken the occasion to
- throw out a warning to beware of the conductor.
- </p>
- <p>
- John Bruce smiled pleasantly into his wine glass. Not very difficult to
- fathom, perhaps, after all! It was probably some shrewd old reprobate with
- usurious rates in cahoots with the sleek Monsieur Henri de Lavergne, who
- made a side-split on the said rates in return for the exclusive privilege
- accorded the other of acting as leech to the guests of the house when in
- extremity.
- </p>
- <p>
- It had been perhaps twenty minutes since he had left the roulette table.
- He looked at his watch now as he saw the doorman coming toward the supper
- room with his hat and coat. The night was still early. It was a quarter to
- eleven.
- </p>
- <p>
- He went out into the hall.
- </p>
- <p>
- &ldquo;Yassuh,&rdquo; said the gray-haired and obsequious old darky, as he assisted
- John Bruce into his coat, &ldquo;if yo'all will just come with me, Mistuh Bruce,
- yo'all will be 'commodated right prompt.&rdquo;
- </p>
- <p>
- John Bruce followed his guide to the doorstep.
- </p>
- <p>
- The darky pointed to a closed motor car at the curb by the corner, a few
- houses away.
- </p>
- <p>
- &ldquo;Yo'all just say 'Persia' to the shuffer, Mistuh Bruce, and&mdash;&mdash;&mdash;-&rdquo;
- </p>
- <p>
- &ldquo;All right!&rdquo; John Bruce smiled his interruption, and went down the steps
- to the sidewalk.
- </p>
- <p>
- John Bruce approached the waiting car leisurely, scrutinizing it the
- while; and as he approached, it seemed to take on more and more the aspect
- of a venerable and decrepit ark. The body of the car was entirely without
- light; the glass front, if there were one, behind the man whom he
- discerned sitting in the chauffeur's seat, was evidently closely
- curtained; and so, too, he now discovered as he drew nearer, were the
- windows and doors of the car as well.
- </p>
- <p>
- &ldquo;The parlor looks a little ominous,&rdquo; said John
- </p>
- <p>
- Bruce softly to himself. &ldquo;I wonder how far it is to the spider's dining
- room?&rdquo;
- </p>
- <p>
- He halted as he reached the vehicle.
- </p>
- <p>
- &ldquo;I'm bound for Persia, I believe,&rdquo; he suggested pleasantly to the
- chauffeur.
- </p>
- <p>
- The chauffeur leaned out, and John Bruce was conscious that he was
- undergoing a critical inspection. In turn he looked at the chauffeur, but
- there was very little light. The car seemed to have chosen a spot as
- little disturbed by the rays of the street lamps as possible, and he
- gained but a vague impression of a red, weather-beaten face, clean shaved,
- with shaggy brows under grizzled hair, the whole topped by an equally
- weather-beaten felt hat of nondescript shape and color.
- </p>
- <p>
- The inspection, on the chauffeur's part at least, appeared to be
- satisfactory.
- </p>
- <p>
- &ldquo;Yes, sir,&rdquo; said the man. &ldquo;Step in, sir, please.&rdquo;
- </p>
- <p>
- The door swung open&mdash;just how, John Bruce could not have explained.
- He stepped briskly into the car&mdash;only to draw back instinctively as
- he found it already occupied. But the door had closed behind him. It was
- inky black in the interior now with the door shut. The car was jolting
- into motion.
- </p>
- <p>
- &ldquo;Pardon me!&rdquo; said John Bruce a little grimly, and sat down on the back
- seat.
- </p>
- <p>
- A woman! He had just been able to make out a woman's form as he had
- stepped in. It was clever&mdash;damned clever! Of both the exquisite
- Monsieur Henri de Lavergne and the money-lending spider at the other end
- of this pleasant little jaunt into unexplored Persia! A woman in it&mdash;a
- luring, painted, fair and winsome damsel, no doubt&mdash;to make the
- usurious pill of illegal interest a little sweeter! Oh, yes, he quite
- understood now that warning to beware of the conductor!
- </p>
- <p>
- &ldquo;I did not anticipate such charming company,&rdquo; said John Bruce facetiously.
- &ldquo;Have we far to go?&rdquo;
- </p>
- <p>
- There was no answer.
- </p>
- <p>
- Something like a shadow, deeper than the surrounding blackness, seemed to
- pass before John Bruce's eyes, and then he sat bolt upright, startled and
- amazed. In front of him, let down from the roof of the car, was a small
- table covered with black velvet, and suspended some twelve inches above
- the table, throwing the glow downward in a round spot of light over the
- velvet surface, was a shaded electric lamp. A small white hand, bare of
- any ornament, palm upward, lay upon the velvet table-top under the play of
- the light.
- </p>
- <p>
- A voice spoke now softly from beside him:
- </p>
- <p>
- &ldquo;You have something to pawn?&rdquo;
- </p>
- <p>
- John Bruce stared. He still could not see her face. &ldquo;Er&mdash;yes,&rdquo; he
- said. He frowned in perplexity. &ldquo;When we get to Persia, alias the
- pawn-shop.&rdquo;
- </p>
- <p>
- &ldquo;This is the pawn-shop,&rdquo; she answered. &ldquo;Let me see what you have, please.&rdquo;
- </p>
- <p>
- &ldquo;Well, I'm da&mdash;&mdash;&rdquo; John Bruce checked himself.
- </p>
- <p>
- There was a delicacy about that white hand resting there under the light
- that rebuked him. &ldquo;Er&mdash;pardon me,&rdquo; said John Bruce.
- </p>
- <p>
- He felt for his jeweled watch-fob, unfastened it, and laid it in the
- extended palm. He laughed a little to himself. On with the game! The lure
- was here, all right; the stage setting was masterly&mdash;and now the
- piper would be paid on a basis, probably, that would relegate Shylock
- himself to the kindergarten class of money lenders!
- </p>
- <p>
- And then, suddenly, it seemed to John Bruce as though his blood whipping
- through his veins was afire. A face in profile, bending forward to examine
- the diamonds and the setting of the fob-pendant, came under the light. He
- gazed at it fascinated. It was the most beautiful face he had ever seen.
- His eyes drank in the rich masses of brown, silken hair, the perfect
- throat, the chin and lips that, while modelled in sweet womanliness, were
- still eloquent of self-reliance and strength. He had thought to see a
- pretty face, a little brazen perhaps, and artfully powdered and rouged;
- what he saw was a vision of loveliness that seemed to personify the
- unsullied, God-given freshness and purity of youth.
- </p>
- <p>
- He spoke involuntarily; no power of his could have kept back the words.
- </p>
- <p>
- &ldquo;My God, you are wonderful!&rdquo; he exclaimed in a low voice.
- </p>
- <p>
- He saw the color swiftly tinge the throat a coral pink, and mount upwards;
- but she did not look at him. Her eyes! He wanted to see her eyes&mdash;to
- look into them! But she did not turn her head.
- </p>
- <p>
- &ldquo;You probably paid two thousand dollars for this,&rdquo; she said quietly, &ldquo;and&mdash;&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Nineteen hundred,&rdquo; corrected John Bruce mechanically.
- </p>
- <p>
- &ldquo;I will allow you seventeen hundred on it, then,&rdquo; she said, still quietly.
- &ldquo;The interest will be at seven per cent. Do you wish to accept the offer?&rdquo;
- </p>
- <p>
- Seventeen hundred! Seven per cent! It was in consonance with the vision!
- His mind was topsy-turvy.
- </p>
- <p>
- He did not understand.
- </p>
- <p>
- &ldquo;It is very liberal,&rdquo; said John Bruce, trying to control his voice. &ldquo;Of
- course, I accept.&rdquo;
- </p>
- <p>
- The shapely head nodded.
- </p>
- <p>
- He watched her spellbound. The watch-fob had vanished, and in its place
- now under the little conical shaft of light she was swiftly counting out a
- pile of crisp, new, fifty-dollar banknotes. To these she added a stamped
- and numbered ticket.
- </p>
- <p>
- &ldquo;You may redeem the pledge at any time by making application to the same
- person to whom you originally applied for a loan to-night,&rdquo; she said, as
- she handed him the money. &ldquo;Please count it.&rdquo;
- </p>
- <p>
- Her head was in shadow now. He could no longer even see her profile. She
- was sitting back in her corner of the car.
- </p>
- <p>
- &ldquo;I&mdash;I am quite satisfied,&rdquo; said John Bruce a little helplessly.
- </p>
- <p>
- &ldquo;Please count it,&rdquo; she insisted.
- </p>
- <p>
- With a shrug of protest, John Bruce obeyed her. It was not at all the
- money that concerned him, nor the touch of it that was quickening his
- pulse.
- </p>
- <p>
- &ldquo;It is quite correct,&rdquo; he said, putting money and ticket in his pocket. He
- turned toward her. &ldquo;And now&mdash;&mdash;&rdquo;
- </p>
- <p>
- His words ended in a little gasp. The light was out. In the darkness that
- shadow passed again before his eyes, and he was conscious that the table
- had vanished&mdash;also that the car had stopped.
- </p>
- <p>
- The door opened.
- </p>
- <p>
- &ldquo;If you please, sir!&rdquo; It was the chauffeur, holding the door open.
- </p>
- <p>
- John Bruce hesitated.
- </p>
- <p>
- &ldquo;I&mdash;er&mdash;look here!&rdquo; he said. &ldquo;I&mdash;&mdash;&rdquo;
- </p>
- <p>
- &ldquo;If you please, sir!&rdquo; There was something of significant finality in the
- man's patient and respectful tones.
- </p>
- <p>
- John Bruce smiled wryly.
- </p>
- <p>
- &ldquo;Well, at least, I may say good-night,&rdquo; he said, as he backed out of the
- car.
- </p>
- <p>
- &ldquo;Certainly, sir&mdash;good-night, sir,&rdquo; said the chauffeur calmly&mdash;and
- closed the door, and touched his hat, and climbed back to his seat.
- </p>
- <p>
- John Bruce glared at the man.
- </p>
- <p>
- &ldquo;Well, I'm damned!&rdquo; said John Bruce fervently.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0003" id="link2HCH0003"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER THREE&mdash;SANCTUARY
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">T</span>HE car started
- off. It turned the corner. John Bruce looked around him. He was standing
- on precisely the same spot from which he had entered the car. He had been
- driven around the block, that was all!
- </p>
- <p>
- He caught his breath. Was it real? That wondrous face which, almost as
- though at the touch of some magician's wand, had risen before him out of
- the blackness! His blood afire was leaping through his veins again. That
- face!
- </p>
- <p>
- He ran to the corner and peered down the street. The car was perhaps a
- hundred yards away&mdash;and suddenly John Bruce started to run again,
- following the car. Madness! His lips had set grim and hard. Who was she
- that prowled the night in that bizarre traveling pawn-shop? Where did she
- live? Was it actually the Arabian Nights back again? He laughed at himself&mdash;not
- mirthfully. But still he ran on.
- </p>
- <p>
- The car was outdistancing him. Fool! For a woman's face! Even though it
- were a divine symphony of beauty! Fool? Love-smitten idiot? Not at all! It
- was his job! Nice sound to that word in conjunction with that haunting
- memory of loveliness&mdash;job!
- </p>
- <p>
- The traveling pawn-shop turned into Fourth Avenue, and headed downtown.
- John Bruce caught the sound of a street car gong, spurted and swung
- breathlessly to the platform of a car going in the same direction.
- </p>
- <p>
- Of course, it was his job! The exquisite Monsieur Henri de Lavergne was
- mixed up in this.
- </p>
- <p>
- &ldquo;Hell!&rdquo;
- </p>
- <p>
- The street car conductor stared at him. John Bruce scowled. He swore again&mdash;but
- this time under his breath. It brought a sudden wild, unreasonable rage
- and rebellion, the thought that there should be anything, even of the
- remotest nature, between the glorious vision in that car and the mincing,
- silken-tongued manager of Larmon's gambling hell. But there was, for all
- that, wasn't there? How else had she come there? It was the usual thing,
- wasn't it? And&mdash;beware of the conductor! The warning now appeared to
- be very apt! And how well he had profited by it! A fool chasing a siren's
- beauty!
- </p>
- <p>
- His face grew very white.
- </p>
- <p>
- &ldquo;John Bruce,&rdquo; he whispered to himself, &ldquo;if I could get at you I'd pound
- your face to pulp for that!&rdquo;
- </p>
- <p>
- He leaned out from the platform. The traveling pawn-shop had increased its
- speed and was steadily leaving the street car behind. He looked back in
- the opposite direction. The street was almost entirely deserted as far as
- traffic went. The only vehicle in sight was a taxi bowling along a block
- in the rear. He laughed out again harshly. The conductor eyed him
- suspiciously.
- </p>
- <p>
- John Bruce dropped off the car, and planted himself in the path of the
- on-coming taxi. Call it his job, then, if it pleased him! He owed it to
- Larmon to get to the bottom of this. How extremely logical he was! The
- transaction in the traveling pawn-shop had been so fair-minded as almost
- to exonerate Monsieur Henri de Lavergne on the face of it, and if it had
- not been for a certain vision therein, and a fire in his own veins, and a
- fury at the thought that even her acquaintance with the gambling manager
- was profanity, he could have heartily applauded Monsieur Henri de Lavergne
- for a unique and original&mdash;&mdash;
- </p>
- <p>
- The taxi bellowed at him, hoarsely indignant.
- </p>
- <p>
- John Bruce stepped neatly to one side&mdash;and jumped on the footboard.
- </p>
- <p>
- &ldquo;Here, you! What the hell!&rdquo; shouted the chauffeur. &ldquo;You&mdash;&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Push your foot on it a little,&rdquo; said John Bruce calmly. &ldquo;And don't lose
- sight of that closed car ahead.&rdquo;
- </p>
- <p>
- &ldquo;Lose sight of nothin'!&rdquo; yelled the chauffeur. &ldquo;I've got a fare, an'&mdash;&mdash;&rdquo;
- </p>
- <p>
- &ldquo;I hear him,&rdquo; said John Bruce composedly. He edged in beside the
- chauffeur, and one of the crisp, new, fifty-dollar banknotes passed into
- the latter's possession. &ldquo;Keep that car in sight, and don't make it
- hopelessly obvious that you are following it. I'll attend to your fare.&rdquo;
- </p>
- <p>
- He screwed around in his seat. An elderly, gray-whiskered gentleman, a
- patently irate gentleman, was pounding furiously on the glass panel.
- </p>
- <p>
- &ldquo;We should be turnin' down this street we're just passin',&rdquo; grinned the
- chauffeur.
- </p>
- <p>
- John Bruce lowered the panel.
- </p>
- <p>
- &ldquo;What's the meaning of this?&rdquo; thundered the fare.
- </p>
- <p>
- &ldquo;I'm very sorry, sir,&rdquo; said John Bruce respectfully.
- </p>
- <p>
- &ldquo;A little detective business.&rdquo; He coughed. It was really quite true. His
- voice became confidential. &ldquo;The occupants of that car ahead got away from
- me. I&mdash;I want to arrest one of them. I'm very sorry to put you to any
- inconvenience, but it couldn't be helped. There was no other way than to
- commandeer your taxi. It will be only for a matter of a few minutes.&rdquo;
- </p>
- <p>
- &ldquo;It's preposterous!&rdquo; spluttered the fare. &ldquo;Outrageous! I&mdash;I'll&mdash;&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Yes, sir,&rdquo; said John Bruce. &ldquo;But there was nothing else I could do. You
- can report it to headquarters, of course.&rdquo;
- </p>
- <p>
- He closed the panel.
- </p>
- <p>
- &ldquo;Fly-cop&mdash;not!&rdquo; said the chauffeur, with his tongue in his cheek.
- &ldquo;Any fly-cop that ever got his mitt on a whole fifty-dollar bill all at
- one time couldn't be pried lose from it with a crowbar!&rdquo;
- </p>
- <p>
- &ldquo;It lets you out, doesn't it?&rdquo; inquired John Bruce pleasantly. &ldquo;Now let's
- see you earn it.&rdquo;
- </p>
- <p>
- &ldquo;I'll earn it!&rdquo; said the chauffeur with unction. &ldquo;You leave it to me,
- boss!&rdquo;
- </p>
- <p>
- The quarry, in the shape of the traveling pawn shop, directed its way into
- the heart of the East Side. Presently it turned into a hiving, narrow
- street, where hawkers with their push-carts in the light of flaring,
- spitting gasoline banjoes were doing a thriving business. The two cars
- went more slowly now. There was very little room. The taxi almost upset a
- fish vendor's wheeled emporium. The vendor was eloquent&mdash;fervently
- so. But the chauffeur's eyes, after an impersonal and indifferent glance
- at the other, returned to the car ahead. The taxi continued on its way,
- trailing fifty yards in the rear of the traveling pawn-shop.
- </p>
- <p>
- At the end of the block the car ahead turned the corner. As the taxi, in
- turn, rounded the corner, John Bruce saw that the traveling pawn-shop was
- drawn up before a small building that was nested in between two tenements.
- The blood quickened in his pulse. The girl had alighted, and was entering
- the small building.
- </p>
- <p>
- &ldquo;Hit it up a little to the next corner, turn it, and let me off there,&rdquo;
- directed John Bruce.
- </p>
- <p>
- &ldquo;I get you!&rdquo; said the chauffeur.
- </p>
- <p>
- The taxi swept past the car at the curb. Another minute and it had swung
- the next corner, and was slowing down. John Bruce jumped to the ground
- before the taxi stopped.
- </p>
- <p>
- &ldquo;Good-night!&rdquo; he called to the chauffeur.
- </p>
- <p>
- He waved his hand debonairly at the scowling, whiskered visage that was
- watching him from the interior of the cab, and hurriedly retraced his way
- back around the corner.
- </p>
- <p>
- The traveling pawn-shop had turned and was driving away. John Bruce
- moderated his pace, and sauntered on along the street. He smiled half
- grimly, half contentedly to himself. The &ldquo;trip to Persia&rdquo; had led him a
- little farther afield than Monsieur Henri de Lavergne had perhaps counted
- on&mdash;or than he, John Bruce, himself had, either! But he knew now
- where the most glorious woman he had ever seen in his life lived, or, at
- least, was to be found again. No, it wasn't the <i>moon!</i> To him, she
- was exactly that. And he had not seen her for the last time, either! That
- was what he was here for, though he wasn't so mad as to risk, or, rather,
- invite an affront to begin with by so bald an act as to go to the front
- door, say, and ring the bell&mdash;which would be tantamount to informing
- her that he had&mdash;er&mdash;played the detective from the moment he had
- left her in the car. To-morrow, perhaps, or the next day, or whenever fate
- saw fit to be in a kindly mood, a meeting that possessed all the
- hall-marks of being quite inadvertent offered him high hopes. Later, if
- fate still were kind, he would tell her that he had followed her, and what
- she would be thoroughly justified in misconstruing now, she might then
- accept as the tribute to her that he meant it to be&mdash;when she knew
- him better.
- </p>
- <p>
- John Bruce was whistling softly to himself.
- </p>
- <p>
- He was passing the house now, his scrutiny none the less exhaustive
- because it was apparently casual. It was a curious little two-story place
- tucked away between the two flanking tenements, the further one of which
- alone separated the house from the corner he was approaching. Not a light
- showed from the front of the house. Yes, it was quite a curious place!
- Although curtains were on the lower front windows, indicating that it was
- purely a dwelling, the windows themselves were of abnormal size, as
- though, originally perhaps, the ground floor had once been a shop of some
- kind.
- </p>
- <p>
- John Bruce turned the corner, and from a comparatively deserted street
- found himself among the vendors' push-carts and the spluttering gasoline
- torches again. He skirted the side of the tenement that made the corner,
- discovered the fact that a lane cut in from the street and ran past the
- rear of the tenement, which he mentally noted must likewise run past the
- rear of the little house that was now so vitally interesting to him&mdash;and
- halted on the opposite side of the lane to survey his surroundings. Here a
- dirty and uninviting café attracted his attention, which, if its dingy
- sign were to be believed, was run by one Palasco Ratti, a gentleman of
- parts in the choice of wines which he offered to his patrons. John Bruce
- surveyed Palasco Ratti's potential clientele&mdash;the street was full of
- it; the shawled women, the dark-visaged, ear-ringed men. He smiled a
- little to himself. No&mdash;probably not the half-naked children who
- sprawled in the gutter and crawled amongst the push-carts' wheels! How was
- it that <i>she</i> should ever have come to live in a neighborhood to
- which the designation &ldquo;foreign,&rdquo; as far as she was concerned, must
- certainly apply in particularly full measure? It was strange that she&mdash;&mdash;
- </p>
- <p>
- John Bruce's mental soliloquy came to an abrupt end. Half humorously, half
- grimly his eyes were riveted on the push-cart at the curb directly
- opposite to him, the proprietor of which dealt in that brand of confection
- so much in favor on the East Side&mdash;a great slab of candy from which,
- as occasion required, he cut slices with a large carving knife. A brown
- and grimy fist belonging to a tot of a girl of perhaps eight or nine years
- of age, who had crept in under the pushcart, was stealthily feeling its
- way upward behind the vendor's back, its objective being, obviously, a
- generous piece of candy that reposed on the edge of the push-cart. There
- was a certain fascination in watching developments. It was quite immoral,
- of course, but his sympathies were with the child. It was a gamble whether
- the grimy little hand would close on the coveted prize and disappear again
- victorious, or whether the vendor would turn in time to frustrate the
- raid.
- </p>
- <p>
- The tot's hand crept nearer and nearer its goal.
- </p>
- <p>
- No one, save himself of the many about, appeared to notice the little
- cameo of primal instinct that was on exhibition before them. The small and
- dirty fingers touched the candy, closed on it, and were withdrawn&mdash;but
- were withdrawn too quickly. The child, at the psychological moment under
- stress of excitement, eagerness and probably a wildly thumping heart, had
- failed in finesse. Perhaps the paper that covered the surface of the
- push-cart and on which the wares were displayed rattled; perhaps the
- sudden movement in itself attracted the vendor's attention. The man
- whirled and made a vicious dive for the child as she darted out from
- between the wheels. And then she screamed. The man had hit her a brutal
- clout across the head.
- </p>
- <p>
- John Bruce straightened suddenly, a dull red creeping from his set jaw to
- his cheeks. Still clutching the candy in her hand the child was running
- blindly and in terror straight toward him. The man struck again, and the
- child staggered, and, reeling, sought sanctuary between John Bruce's legs.
- A bearded, snarling face in pursuit loomed up before him&mdash;and John
- Bruce struck, struck as he had once struck before on a white moon-flooded
- deck when a man, a brute beast, had gone down before him&mdash;and the
- vendor, screaming shrilly, lay kicking in pain on the sidewalk.
- </p>
- <p>
- It had happened quickly. Not one, probably, of those on the street had
- caught the details of the little scene. And now the tiny thief had
- wriggled through his legs, and with the magnificent irresponsibility of
- childhood had darted away and was lost to sight. It had happened quickly&mdash;but
- not so quickly as the gathering together of an angry, surging crowd around
- John Bruce.
- </p>
- <p>
- Some one in the crowd shrieked out above the clamor of voices:
- </p>
- <p>
- &ldquo;He kill-a Pietro! Kill-a da dude!&rdquo;
- </p>
- <p>
- It was a fire-brand.
- </p>
- <p>
- John Bruce backed away a little&mdash;up against the door of Signor
- Pascalo Ratti's wine shop. A glance showed him that, with the blow he had
- struck, his light overcoat had become loosened, and that he was flaunting
- an immaculate and gleaming shirt-front in the faces of the crowd. And
- between their Pietro with a broken jaw and an intruder far too well
- dressed to please their fancy, the psychology of the crowd became the
- psychology of a mob.
- </p>
- <p>
- The fire-brand took.
- </p>
- <p>
- &ldquo;Kill-a da dude!&rdquo; It was echoed in chorus&mdash;and then a rush.
- </p>
- <p>
- It flung John Bruce heavily against the wine shop door, and the door
- crashed inward&mdash;and for a moment he was down, and the crowd, like a
- snarling wolf pack, was upon him. And then the massive shoulders heaved,
- and he shook them off and was on his feet; and all that was primal,
- elemental in the man was dominant, the mad glorying in strife upon him,
- and he struck right and left with blows before which, again and again, a
- man went down.
- </p>
- <p>
- But the rush still bore him backward, and the doorway was black and jammed
- with reenforcements constantly pouring in. Tables crashed to the floor,
- chairs were overturned. Out of the corner of his eye he saw a
- white-mustached Italian leap upon the counter and alternately wave his
- arms and wring his hands together frantically.
- </p>
- <p>
- &ldquo;For the mercy of God!&rdquo; the man screamed&mdash;and then his voice added to
- the din in a flood of impassioned Italian.
- </p>
- <p>
- It was Signor Pascalo Ratti, probably.
- </p>
- <p>
- John Bruce was panting now, his breath coming in short, hard gasps. It was
- not easy to keep them in front of him, to keep his back free. He caught
- the glint of knife blades now.
- </p>
- <p>
- He was borne back foot by foot, the space widening as he retreated from
- the door, giving room for more to come upon him at the same time. A knife
- blade lunged at him. He evaded it&mdash;but another glittering in the
- ceiling light at the same instant, flashing a murderous arc in its
- downward plunge, caught him, and, before he could turn, sank home.
- </p>
- <p>
- A yell of triumph went up. He felt no pain. Only a sudden sickening of his
- brain, a sudden weakness that robbed his limbs of strength, and he reeled
- and staggered, fighting blindly now.
- </p>
- <p>
- And then his brain cleared. He flung a quick glance over his shoulder.
- Yes, there was one chance. Only one! And in another minute, with another
- knife thrust, it would be too late. He whirled suddenly and raced down the
- length of the café. In the moment's grace earned through surprise at his
- sudden action, he gained a door he had seen there, and threw himself upon
- it. It was not fastened, though there was a key in the lock. He whipped
- out the key, plunged through, locked the door on the outside with the
- fraction of a second to spare before they came battering upon it&mdash;and
- stumbled and fell headlong out into the open.
- </p>
- <p>
- It was as though he were lashing his brain into action and virility. It
- kept wobbling and fogging. Didn't the damned thing understand that his
- life, was at stake! He lurched to his feet. He was in a lane.
- </p>
- <p>
- In front of him, like great looming shadows, shadows that wobbled too, he
- saw the shapes of two tenements, and like an inset between them, a small
- house with a light gleaming in the lower window.
- </p>
- <p>
- That was where the vision lived. Only there was a fence between.
- Sanctuary! He lunged toward the fence. He had not meant to&mdash;to make a
- call to-night&mdash;she&mdash;she might have misunderstood. But in a
- second now <i>they</i> would come sweeping around into the lane after him
- from the street.
- </p>
- <p>
- He clawed his way to the top of the fence, and because his strength was
- almost gone fell from the top of the fence to the ground on the other
- side.
- </p>
- <p>
- And now he crawled, crawled with what frantic haste he could, because he
- heard the uproar from the street. And he laughed. The kid was probably
- munching her hunk of candy now. Queer things&mdash;kids! Got her candy&mdash;happy&mdash;&mdash;
- </p>
- <p>
- He reached up to the sill of an open window, clawed his way upward, as he
- had clawed his way up the fence, straddled the sill unsteadily, clutched
- at nothingness to save himself, and toppled inward to the floor of the
- room.
- </p>
- <p>
- A yell from the head of the lane, a cry from the other end of the room,
- spurred him into final effort. He gained his feet, and swept his hand, wet
- with blood, across his eyes. That was the vision there running toward him,
- wasn't it?&mdash;the wonderful, glorious vision!
- </p>
- <p>
- &ldquo;Pardon me!&rdquo; said John Bruce in a sing-song voice, and with a desperate
- effort reached up and pulled down the window shade. He tried to smile
- &ldquo;Queer&mdash;queer things&mdash;kids&mdash;aren't they? She&mdash;she just
- ducked out from under.&rdquo;
- </p>
- <p>
- The girl was staring at him wildly, her hands tightly clasped to her
- bosom.
- </p>
- <p>
- &ldquo;Pardon me!&rdquo; whispered John Bruce thickly. He couldn't see her any more,
- just a multitude of objects whirling like a kaleidoscope before his eyes.
- &ldquo;She&mdash;she got the candy,&rdquo; said John Bruce, attempting to smile again&mdash;and
- pitched unconscious to the floor.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0004" id="link2HCH0004"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER FOUR&mdash;A DOCTOR OF MANY DEGREES
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">D</span>EAD! The girl was
- on her knees beside John Bruce. Dead&mdash;he did not move! It was the man
- who had pawned his watch-fob hardly half an hour before! What did it mean?
- What did those angry shouts, that scurrying of many feet out there in the
- lane mean? Hurriedly, her face as deadly white as the face upturned to her
- from the floor, she tore open the once immaculate shirt-front, that was
- now limp and wet and ugly with a great crimson stain, and laid bare the
- wound.
- </p>
- <p>
- The sounds from without were receding, the scurrying footsteps were
- keeping on along the lane. A quiver ran through the form on the floor.
- Dead! No, he was not dead&mdash;not&mdash;not yet.
- </p>
- <p>
- A little cry escaped from her tightly closed lips, and for an instant she
- covered her eyes with her hands. The wound was terrible&mdash;it
- frightened her. It frightened her the more because, intuitively, she knew
- that it was beyond any inexperienced aid that she could give. But she must
- act, and act quickly.
- </p>
- <p>
- She turned and ran into the adjoining room to the telephone, but even as
- she reached out to lift the receiver from the hook she hesitated. Doctor
- Crang! A little shudder of aversion swept over her&mdash;and then
- resolutely, even pleading with central to hurry, she asked for the
- connection. It was not a matter of choice, or aversion, or any other
- consideration in the world save a question of minutes. The life of that
- man in there on the floor hung by a thread. Doctor Crang was nearby enough
- to respond almost instantly, and there was no one else she knew of who she
- could hope would reach the man in time. And&mdash;she stared frantically
- at the instrument now&mdash;was even he unavailable? Why didn't he answer?
- Why didn't&mdash;&mdash;
- </p>
- <p>
- A voice reached her. She recognized it.
- </p>
- <p>
- &ldquo;Doctor Crang, this is Claire Veniza,&rdquo; she said, and it did not seem as
- though she could speak fast enough. &ldquo;Come at once&mdash;oh, at once&mdash;please!
- There's a man here frightfully wounded. There isn't a second to lose, so&mdash;&mdash;&rdquo;
- </p>
- <p>
- &ldquo;My dear Claire,&rdquo; interrupted the voice suavely, &ldquo;instead of losing one
- you can save several by telling me what kind of a wound it is, and where
- the man is wounded.&rdquo;
- </p>
- <p>
- &ldquo;It's a knife wound, a stab, I think,&rdquo; she answered; &ldquo;and it's in his
- side. He is unconscious, and&mdash;&mdash;&rdquo;
- </p>
- <p>
- The receiver at the other end had been replaced on its hook.
- </p>
- <p>
- She turned from the telephone, and swiftly, hurrying, but in cool
- self-control now, she obtained some cloths and a basin of warm water, and
- returned to John Bruce's side. She could not do much, she realized that&mdash;only
- make what effort she could to staunch the appalling flow of blood from the
- wound; that, and place a cushion under the man's head, for she could not
- lift him to the couch.
- </p>
- <p>
- The minutes passed; and then, thinking she heard a footstep at the front
- door, she glanced in that direction, half in relief, and yet, too, in
- curious apprehension. She listened. No, there was no one there yet. She
- had been mistaken.
- </p>
- <p>
- Suddenly she caught her breath in a little gasp, as though startled.
- Doctor Crang was clever; but faith in Doctor Crang professionally was one
- thing, and faith in him in other respects was quite another. Why hadn't
- she thought of it before? It wasn't too late yet, was it?
- </p>
- <p>
- She began to search hastily through John Bruce's pockets. Doctor Crang
- would almost certainly suggest removing the man from the sitting room down
- here and getting him upstairs to a bedroom, and then he would undress his
- patient, and&mdash;and it was perhaps as well to anticipate Doctor Crang!
- This man here should have quite a sum of money on his person. She had
- given it to him herself, and&mdash;yes, here it was!
- </p>
- <p>
- The crisp new fifty-dollar bills, the stamped and numbered ticket that
- identified the watch-fob he had pawned, were in her hand. She ran across
- the room, opened a little safe in the corner, placed the money and ticket
- inside, locked the safe again, and returned to John Bruce's side once
- more.
- </p>
- <p>
- And suddenly her eyes filled. There was no tremor, no movement in the
- man's form now; she could not even feel his heartbeat. Yes, she wanted
- Doctor Crang now, passionately, wildly. John Bruce&mdash;that was the
- man's name. She knew that much. But she had left him miles away&mdash;and
- he was here now&mdash;and she did not understand. How had he got here, why
- had he come here, climbing in through that window to fall at her feet like
- one dead?
- </p>
- <p>
- The front door opened without premonitory ring of bell, and closed again.
- A footstep came quickly forward through the outer room&mdash;and paused on
- the threshold.
- </p>
- <p>
- Claire Veniza rose to her feet, and her eyes went swiftly, sharply, to the
- figure standing there&mdash;a man of perhaps thirty years of age, of
- powerful build, and yet whose frame seemed now woefully loose, disjointed
- and without virility. Her eyes traveled to the man's clothing that was
- dirty, spotted, and in dire need of sponging, to the necktie that hung
- awry, to the face that, but for its unhealthy, pasty-yellow complexion,
- would have been almost strikingly handsome, to the jet-black eyes that
- somehow at the moment seemed to lack fire and life. And with a little
- despairing shrug of her shoulders, Claire Veniza turned away her head, and
- pointed to the form of John Bruce on the floor.
- </p>
- <p>
- &ldquo;I&mdash;I am afraid it is very serious, Doctor Crang,&rdquo; she faltered.
- </p>
- <p>
- &ldquo;That's all right, Claire,&rdquo; he said complacently. &ldquo;That's all right, my
- dear. You can leave it with confidence to Sydney Angus Crang, M.D.&rdquo;
- </p>
- <p>
- She drew a little away as he stepped forward, her face hardening into
- tight little lines. Hidden, her hands clasped anxiously together. It&mdash;it
- was what she had feared. Doctor Sydney Angus Crang, gold medalist from one
- of the greatest American universities, brilliant far beyond his fellows,
- with additional degrees from London, from Vienna, from Heaven alone knew
- where else, was just about entering upon, or emerging from, a groveling
- debauch with that Thing to which he had pawned his manhood, his intellect
- and his soul, that Thing of gray places, of horror, of forgetfulness, of
- bliss, of torture&mdash;cocaine.
- </p>
- <p>
- Halfway from the threshold to where John Bruce lay, Doctor Crang halted
- abruptly.
- </p>
- <p>
- &ldquo;Hello!&rdquo; he exclaimed, and glanced with suddenly darkening face from
- Claire Veniza to the form of John Bruce, and back to Claire Veniza again.
- </p>
- <p>
- &ldquo;Oh, <i>will</i> you hurry!&rdquo; she implored. &ldquo;Can't you see that the wound&mdash;&mdash;&rdquo;
- </p>
- <p>
- &ldquo;I am more interested in the man than in the wound,&rdquo; said Doctor Crang,
- and there was a hint of menace in his voice. &ldquo;Quite a gentleman of parts!
- I had expected&mdash;let me see what I had expected&mdash;well, say, one
- of the common knife-sticking breed that curses this neighborhood.&rdquo;
- </p>
- <p>
- Claire Veniza stamped her foot.
- </p>
- <p>
- &ldquo;Oh, hurry!&rdquo; she burst out wildly. &ldquo;Don't stand there talking while the
- man is dying! Do something!&rdquo;
- </p>
- <p>
- Doctor Crang advanced to John Bruce's side, set down the little handbag he
- was carrying, and began to examine the wound.
- </p>
- <p>
- &ldquo;Yes, quite a gentleman of parts!&rdquo; he repeated. His lips had thinned. &ldquo;How
- did he get here?&rdquo;
- </p>
- <p>
- &ldquo;I do not know,&rdquo; she answered. &ldquo;He came in through that window there and
- fell on the floor.&rdquo;
- </p>
- <p>
- &ldquo;How peculiar!&rdquo; observed Doctor Crang. &ldquo;A <i>gentleman</i> down here in
- this locality, who is, yes, I will state it as a professional fact, in a
- very critical state, climbs in through Miss Claire Veniza's window, and&mdash;&mdash;&rdquo;
- </p>
- <p>
- The telephone in the other room rang. Claire Veniza ran to it. Doctor
- Crang's fingers nestled on John Bruce's pulse; he made no other movement
- save to cock his head in a listening attitude in the girl's direction; he
- made no effort either to examine further or to dress the wound.
- </p>
- <p>
- Claire Veniza's voice came distinctly:
- </p>
- <p>
- &ldquo;Yes... No, I do not think he will return to-night&rdquo;&mdash;she was
- hesitating&mdash;&ldquo;he&mdash;he met with an&mdash;an accident&mdash;&mdash;-&rdquo;
- </p>
- <p>
- Doctor Crang had sprung from the other room and had snatched the receiver
- from the girl's hand. A wave of insensate fury swept his face now. He
- pushed her roughly from the instrument, and clapped his hand over the
- transmitter.
- </p>
- <p>
- &ldquo;That's one lie you've told me!&rdquo; he said hoarsely. &ldquo;I'll attend to the
- rest of this now.&rdquo; He withdrew his hand from the transmitter. &ldquo;Yes,
- hello!&rdquo; His voice was cool, even suave. &ldquo;What is it?... Monsieur Henri de
- Lavergne speaking&mdash;yes... Mister&mdash;who?... Mister John Bruce&mdash;yes.&rdquo;
- He listened for a moment, his lips twitching, his eyes narrowed on Claire
- Veniza, who had retreated a few steps away. &ldquo;No, not to-night,&rdquo; he said,
- speaking again into the transmitter. &ldquo;Yes, a slight accident.... Yes..,
- Good-by.&rdquo;
- </p>
- <p>
- Doctor Sydney Angus Crang hung up the receiver, and with a placid smile at
- variance with the glitter that suddenly brought life into his dulled eyes,
- advanced toward the girl. She stepped backward quickly into the other
- room, retreating as far as the motionless form that lay upon the floor.
- Doctor Crang followed her.
- </p>
- <p>
- And then Claire Veniza, her face grown stony, her small hands clenched,
- found her voice again.
- </p>
- <p>
- &ldquo;Aren't you going to help him? Aren't you going to do something? Is he to
- die there before your eyes?&rdquo; she cried.
- </p>
- <p>
- Doctor Crang shrugged his shoulders.
- </p>
- <p>
- &ldquo;What can I do?&rdquo; he inquired with velvet softness. &ldquo;I am helpless. How can
- I bring the dead back to life?&rdquo;
- </p>
- <p>
- &ldquo;Dead!&rdquo; All color had fled her face; she bent and looked searchingly at
- John Bruce.
- </p>
- <p>
- &ldquo;Oh, no; not yet,&rdquo; said Doctor Crang easily. &ldquo;But very nearly so.&rdquo;
- </p>
- <p>
- &ldquo;And you will do nothing!&rdquo; She was facing him again. &ldquo;Then&mdash;then I
- will try and get some one else.&rdquo;
- </p>
- <p>
- She stepped forward abruptly.
- </p>
- <p>
- Doctor Crang barred her way.
- </p>
- <p>
- &ldquo;I don't think you will, Claire, my dear!&rdquo; His voice was monotonous; the
- placid smile was vanishing. &ldquo;You see, having spoken to that dear little
- doll of a man, Monsieur Henri de Lavergne, I'm very much interested in
- hearing your side of the story.&rdquo;
- </p>
- <p>
- &ldquo;Story!&rdquo; the girl echoed wildly. &ldquo;Story&mdash;while that man's life is
- lost! Are you mad&mdash;or a murderer&mdash;or&mdash;&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Another lover,&rdquo; said Doctor Crang, and threw back his head and laughed.
- </p>
- <p>
- She shrank away; her hands tight against her bosom. She glanced around
- her. If she could only reach the telephone and lock the connecting door!
- No! She did not dare leave him <i>alone</i> with the wounded man.
- </p>
- <p>
- &ldquo;What&mdash;what are you going to do?&rdquo; she whispered.
- </p>
- <p>
- &ldquo;Nothing&mdash;till I hear the story,&rdquo; he answered.
- </p>
- <p>
- &ldquo;If&mdash;if he dies&rdquo;&mdash;her voice rang steadily again&mdash;&ldquo;I'll have
- you charged with murder.&rdquo;
- </p>
- <p>
- &ldquo;What nonsense!&rdquo; said Doctor Crang imperturbably. &ldquo;Did I stab the
- gentleman?&rdquo; He took from his pocket a little case, produced a hypodermic
- syringe, and pushed back his sleeve. &ldquo;A doctor is not a magician. If he
- finds a patient beyond reach of aid what can he be expected to do? My dear
- Claire, where are your brains to-night&mdash;you who are usually so
- amazingly clever?&rdquo;
- </p>
- <p>
- &ldquo;You are mad&mdash;insane with drug!&rdquo; she cried out piteously.
- </p>
- <p>
- He shook his head, and coolly inserted the needle of the hypodermic in his
- arm.
- </p>
- <p>
- &ldquo;Not yet,&rdquo; he said. &ldquo;I am only implacable. Shall we get on with the story?
- Monsieur de Lavergne says he sent a gentleman by the name of John Bruce
- out in your father's car a little while ago for the purpose of obtaining a
- loan in order that the said John Bruce might return to the gambling joint
- and continue to play. But Mr. Bruce did not return, and the doll, for some
- reason being anxious, telephones here to make inquiries. Of course&rdquo;&mdash;there
- was a savage laugh in his voice&mdash;&ldquo;it is only a suspicion, but could
- this gentleman on the floor here by any chance be Mr. John Bruce?&rdquo;
- </p>
- <p>
- &ldquo;Yes,&rdquo; she said faintly. &ldquo;He is John Bruce.&rdquo;
- </p>
- <p>
- &ldquo;Thanks!&rdquo; said Doctor Crang sarcastically. He very carefully replaced his
- hypodermic in his pocket. &ldquo;Now another little matter. I happen to know
- that your father is spending the evening uptown, so I wonder who was in
- the car with Mr. John Bruce.&rdquo;
- </p>
- <p>
- She stared at him with flashing eyes.
- </p>
- <p>
- &ldquo;I was!&rdquo; she answered passionately. &ldquo;I don't know what you are driving at!
- I never did it before, but father was away, and Monsieur de Lavergne was
- terribly insistent. He said it was for a very special guest. I&mdash;I
- didn't, of course, tell Monsieur de Lavergne that father couldn't go. I
- only said that I was afraid it would not be convenient to make any loan
- to-night. But he wouldn't listen to a refusal, and so I went&mdash;but
- Monsieur de Lavergne had no idea that it was any one but father in the
- car.&rdquo;
- </p>
- <p>
- Doctor Crang's lips parted wickedly.
- </p>
- <p>
- &ldquo;Naturally!&rdquo; he snarled. &ldquo;I quite understand that you took good care of
- that! Who drove you?&rdquo;
- </p>
- <p>
- &ldquo;Hawkins.&rdquo;
- </p>
- <p>
- &ldquo;Drunk as usual, I suppose! Brain too fuddled to ask questions!&rdquo;
- </p>
- <p>
- &ldquo;That's not true!&rdquo; she cried out sharply. &ldquo;Hawkins hasn't touched a drop
- for a year.&rdquo;
- </p>
- <p>
- &ldquo;All right!&rdquo; snapped Doctor Crang. &ldquo;Have it that way, then! Being in his
- dotage, he makes a good blind, even sober. And so you went for a little
- ride with Mr. John Bruce to-night?&rdquo;
- </p>
- <p>
- Claire Veniza was wringing her hands as she glanced in an agony of
- apprehension at the wounded man on the floor.
- </p>
- <p>
- &ldquo;Yes,&rdquo; she said; &ldquo;but&mdash;but won't you&mdash;&mdash;&rdquo;
- </p>
- <p>
- &ldquo;And where did you first meet Mr. John Bruce, and how long ago?&rdquo; he jerked
- out.
- </p>
- <p>
- Claire Veniza's great brown eyes widened.
- </p>
- <p>
- &ldquo;Why, I never saw him in my life until to-night!&rdquo; she exclaimed. &ldquo;And he
- wasn't in the car ten minutes. Hawkins drove back to the corner just as he
- always does with father, and Mr. Bruce got out. Then Hawkins drove me home
- and went uptown to get father. I&mdash;I wish they were here now!&rdquo;
- </p>
- <p>
- Doctor Crang was gritting his teeth together. A slight unnatural color was
- tinging his cheeks. He moved a little closer to the girl.
- </p>
- <p>
- &ldquo;I'm glad to hear you never saw Mr. Bruce before,&rdquo; he said cunningly. &ldquo;You
- must have traveled <i>fast</i> then&mdash;metaphorically speaking. Love at
- first sight, eh? A cooing exchange of confidences&mdash;or was it all on
- one side? You told him who you were, and where you lived, and&mdash;&mdash;&rdquo;
- </p>
- <p>
- &ldquo;I did nothing of the kind!&rdquo; Claire Veniza interrupted angrily. &ldquo;I did not
- tell him anything!&rdquo;
- </p>
- <p>
- &ldquo;Just strictly business then, of course!&rdquo; Doctor Crang moved a step still
- nearer to the girl. &ldquo;In that case he must have pawned something, and as
- Lavergne sends nothing but high-priced articles to your father, we shall
- probably find quite a sum of money in Mr. Bruce's pockets. Eh&mdash;Claire?&rdquo;
- </p>
- <p>
- She bit her lips. She still did not quite understand&mdash;only that she
- bitterly regretted now, somehow, that she had removed the money from John
- Bruce's person; only that the drug-crazed brain of the man in front of her
- was digging, had dug, a trap into which she was falling. What answer was
- she to make? What was she to&mdash;&mdash;
- </p>
- <p>
- With a sudden cry she shrank back&mdash;but too late to save herself. A
- face alight with passion was close to hers now; hands that clamped like a
- steel vise, and that hurt, were upon her shoulder and throat.
- </p>
- <p>
- &ldquo;You lie!&rdquo; Doctor Crang shouted hoarsely. &ldquo;You've lied from the minute I
- came into this room. John Bruce&mdash;hell! I know now why you have always
- refused to have anything to do with me. That's why!&rdquo; He loosened one hand
- and pointed to the figure on the floor. &ldquo;How long has this been going on?
- How long have you been meeting him? To-night is nothing, though you worked
- it well. Hawkins to take you for a little joy ride with your lover while
- father's away. Damned clever! You left him on that corner&mdash;and he's
- here wounded! How did he get wounded? You never saw him before! You never
- heard of him! You told him nothing about yourself! He didn't know where
- you lived&mdash;he could only find the private entrance! Just knows enough
- about you to climb in through your back window like a skewered dog! But,
- of course, your story is true, because in his pockets will be the money
- you gave him for what he pawned! Shall we look and see how much it was?&rdquo;
- </p>
- <p>
- She tore herself free and caught at her throat, gasping for breath.
- </p>
- <p>
- &ldquo;You&mdash;you beast!&rdquo; she choked. &ldquo;No; you needn't look! I took it from
- him, and put it in the safe over there before <i>you</i> came&mdash;to
- keep it away from you.&rdquo;
- </p>
- <p>
- Doctor Crang swept a hand across his eyes and through his hair with a
- savage, jerky movement, and then he laughed immoderately.
- </p>
- <p>
- &ldquo;What a little liar you are! Well, then, two can play at the same game. I
- lied to you about your lover there. I said there was nothing could save
- him. Yes, yes, Claire, my dear, I lied.&rdquo; He knelt suddenly, and suddenly
- intent and professional studied John Bruce's face, and felt again for the
- pulse beat at John Bruce's wrist. &ldquo;Pretty near the limit,&rdquo; he stated
- coolly. &ldquo;Internal bleeding.&rdquo; He threw back his shoulders in a strangely
- egotistical way. &ldquo;Not many men could do anything; but I, Sydney Angus
- Crang, could! Ha, ha! In ten minutes he could be on the road to recovery&mdash;but
- ten minutes, otherwise, is exactly the length of time he has to live.&rdquo;
- </p>
- <p>
- An instant Claire Veniza stared at him. Her mind reeled with chaos, with
- terror and dismay.
- </p>
- <p>
- &ldquo;Then do something!&rdquo; she implored wildly. &ldquo;If you can save him, do it! You
- must! You shall!&rdquo;
- </p>
- <p>
- &ldquo;Why should I?&rdquo; he demanded. His teeth were clamped hard together. &ldquo;Why
- should I save your lover? No&mdash;damn him!&rdquo;
- </p>
- <p>
- She drew away from him, and, suddenly, on her knees, buried her face in
- her hands and burst into sobs.
- </p>
- <p>
- &ldquo;This&mdash;this is terrible&mdash;terrible!&rdquo; she cried out. &ldquo;Has that
- frightful stuff transformed you into an absolute fiend? Are you no longer
- even human?&rdquo; Flushed, a curious look of hunger in his eyes, he gazed at
- her.
- </p>
- <p>
- &ldquo;I'm devilishly human in some respects!&rdquo; His voice rose, out of control.
- &ldquo;I want you! I have wanted you from the day I saw you.&rdquo;
- </p>
- <p>
- She shivered. Her hands felt suddenly icy as she pressed them against her
- face.
- </p>
- <p>
- &ldquo;Thank God then,&rdquo; she breathed, &ldquo;for this, at least&mdash;that you will
- never get me!&rdquo;
- </p>
- <p>
- &ldquo;Won't I?&rdquo; His voice rose higher, trembling with passion. &ldquo;Won't I? By
- God, I will! The one thing in life I will have some way or another! You
- understand? I will! And do you think I would let <i>him</i> stand in the
- way? You drive me mad, Claire, with those wonderful eyes of yours, with
- that hair, those lips, that throat&mdash;&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Stop!&rdquo; She was on her feet, and in an instant had reached him, and with
- her hands upon his shoulders was shaking him fiercely with all her
- strength. &ldquo;I hated you, despised you, loathed you before, but with that
- man dying here, you murderer, I&mdash;&mdash;&rdquo;
- </p>
- <p>
- Her voice trailed off, strangled, choked. He had caught her in his arms,
- his lips were upon hers. She struggled like a tigress. And as they lurched
- about the room he laughed in mad abandon. She wrenched herself free at
- last, and slipped and fell upon the floor.
- </p>
- <p>
- &ldquo;Do you believe me now!&rdquo; he panted. &ldquo;I will have you! Neither this man nor
- any other will live to get you. His life is a snap of my fingers&mdash;so
- is any other life. It's you I want, and you I will have. And I'll tame
- you! Then I'll show you what love is.&rdquo;
- </p>
- <p>
- She was moaning now a little to herself. She crept to John Bruce and
- stared into his face. Dying! They were letting this man die. She tried to
- readjust the cloths upon the wound. She heard Doctor Crang laugh at her
- again. It seemed as though her soul were sinking into some great
- bottomless abyss that was black with horror. She did not know this John
- Bruce. She had told Doctor Crang so. It was useless to repeat it, useless
- to argue with a drug-steeped brain. There was only one thing that was
- absolute and final, and that was that a man's life was ebbing away, and a
- fiend, an inhuman fiend who could save him, but whom pleading would not
- touch, stood callously by, not wholly indifferent, rather gloating over
- what took the form of triumph in his diseased mind. And then suddenly she
- seemed so tired and weary. And she tried to pray to God. And tears came,
- and on her knees she turned and flung out her arms imploringly to the
- unkempt figure that stood over her, and who smiled as no other man she had
- ever seen had smiled before.
- </p>
- <p>
- &ldquo;For the pity of God, for anything you have ever known in your life that
- was pure and sacred,&rdquo; she said brokenly, &ldquo;save this man.&rdquo;
- </p>
- <p>
- He looked at her for a moment, still with that sardonic smile upon his
- lips, and then, swift in its transition, his expression changed and
- cunning was in his eyes.
- </p>
- <p>
- &ldquo;What would you give?&rdquo; he purred.
- </p>
- <p>
- &ldquo;Give?&rdquo; She did not look up. She felt a sudden surge of relief. It debased
- the man the more, for it was evidently money now; but her father would
- supply that. She had only to ask for it. &ldquo;What do you want?&rdquo; she asked
- eagerly.
- </p>
- <p>
- &ldquo;Yourself,&rdquo; said Doctor Crang.
- </p>
- <p>
- She looked up now, quickly, startled; read the lurking triumph in his
- eyes, and with a sudden cry of fear turned away her head.
- </p>
- <p>
- &ldquo;My&mdash;myself!&rdquo; Her lips scarcely moved.
- </p>
- <p>
- &ldquo;Yes, my dear! Yourself&mdash;Claire!&rdquo; Doctor
- </p>
- <p>
- Crang shrugged his shoulders. &ldquo;Edinburgh, London, Vienna, Paris, degrees
- from everywhere&mdash;ha, ha!&mdash;am I a high-priced man? Well, then,
- why don't you dismiss me? You called me in! That is my price&mdash;or
- shall we call it fee? Promise to marry me, Claire, and I'll save that
- man.&rdquo;
- </p>
- <p>
- Her face had lost all vestige of color. She stood and looked at him, but
- it did not seem as though she any longer had control over her limbs. She
- did not seem able to move them. They were numbed; her brain was mercifully
- numbed&mdash;there was only a sense of impending horror, without that
- horror taking concrete form. A voice came to her as though from some great
- distance:
- </p>
- <p>
- &ldquo;Don't take too long to make up your mind. There isn't much time. It's
- about touch and go with him now.&rdquo;
- </p>
- <p>
- The words, the tone, the voice roused her. Realization, understanding
- swept upon her. A faintness came. She closed her eyes, swayed unsteadily,
- but recovered herself. Something made her look at the upturned face on the
- floor. She did not know this man. He was nothing to her. Why was he
- pleading with her to pawn herself for him? What right had he to ask for
- worse than death from her that he might live? Her soul turned sick within
- her. If she refused, this man would die. Death! It was a very little thing
- compared with days and months and years linked, fettered, bound to a drug
- fiend, a coward, a foul thing, a potential murderer, a man only in the
- sense of physical form, who had abused every other God-given attribute
- until it had rotted away! Her hands pressed to her temples fiercely, in
- torment. Was this man to live or die? In her hands was balanced a human
- life. It seemed as though she must scream out in her anguish of soul; and
- then it seemed as though she must fling herself upon the drug-crazed being
- who had forced this torture upon her, fling herself upon him to batter and
- pommel with her fists at his face that smiled in hideous contentment at
- her. What was she to do? The choice was hers. To let this man here die, or
- to accept a living death for herself&mdash;no, worse than that&mdash;something
- that was abominable, revolting, that profaned.... She drew her breath in
- sharply. She was staring at the man on the floor. His eyelids fluttered
- and opened. Gray eyes were fixed upon her, eyes that did not seem to see
- for there was a vacant stare in them&mdash;and then suddenly recognition
- crept into them and they lighted up, full of a strange, glad wonder. He
- made an effort to speak, an effort, more feeble still, to reach out his
- hand to her&mdash;and then the eyes had closed and he was unconscious
- again.
- </p>
- <p>
- She turned slowly and faced Doctor Crang.
- </p>
- <p>
- &ldquo;You do not know what you are doing.&rdquo; She formed the words with a great
- effort.
- </p>
- <p>
- &ldquo;Oh, yes, I do!&rdquo; he answered with mocking deliberation. &ldquo;I know that if I
- can't get you one way, I can another&mdash;and the way doesn't matter.&rdquo;
- </p>
- <p>
- &ldquo;God forgive you, then,&rdquo; she said in a dead voice, &ldquo;for I never can or
- will! I&mdash;I agree.&rdquo;
- </p>
- <p>
- He took a step toward her.
- </p>
- <p>
- &ldquo;You'll marry me?&rdquo; His face was fired with passion.
- </p>
- <p>
- She retreated a step.
- </p>
- <p>
- &ldquo;Yes,&rdquo; she said.
- </p>
- <p>
- He reached out for her with savage eagerness.
- </p>
- <p>
- &ldquo;Claire!&rdquo; he cried. &ldquo;Claire!&rdquo;
- </p>
- <p>
- She pushed him back with both hands.
- </p>
- <p>
- &ldquo;Not yet!&rdquo; she said, and tried to steady her voice. &ldquo;There is another side
- to the bargain. The price is this man's life. If he lives I will marry
- you, and in that case, as you well know, I can say nothing of what you
- have done to-night; but if he dies, I am not only free, but I will do my
- utmost to make you criminally responsible for his death.&rdquo;
- </p>
- <p>
- &ldquo;Ah!&rdquo; Doctor Crang stared at her. His hands, still reaching out to touch
- her, trembled; his face was hectic; his eyes were alight again with
- feverish hunger&mdash;and then suddenly the man seemed transformed into
- another being. He was on his knees beside John Bruce, and had opened his
- handbag in an instant, and in another he had forced something from a vial
- between John Bruce's lips; then an instrument was in his hands. The man of
- a moment before was gone; one Sydney Angus Crang, of many degrees,
- professional, deft, immersed in his work, had taken the other's place.
- &ldquo;More water! An extra basin!&rdquo; he ordered curtly.
- </p>
- <p>
- Claire Veniza obeyed him in a mechanical way. Her brain was numbed,
- exhausted, possessed of a great weariness. She watched him for a little
- while. He flung another order at her.
- </p>
- <p>
- &ldquo;Make that couch up into a bed,&rdquo; he directed. &ldquo;He can't be moved even
- upstairs to-night.&rdquo;
- </p>
- <p>
- Again she obeyed him; finally she helped him to lift John Bruce to the
- couch.
- </p>
- <p>
- She sat down in a chair and waited&mdash;she did not know what for. Doctor
- Crang had drawn another chair to the couch and sat there watching his
- patient. John Bruce, as far as she could tell, showed no sign of life.
- </p>
- <p>
- Then Doctor Crang's voice seemed to float out of nothingness:
- </p>
- <p>
- &ldquo;He will live, Claire, my dear! By God, I'd like to have done that piece
- of work in a clinic! Some of 'em would sit up! D'ye hear, Claire, he'll
- live!&rdquo;
- </p>
- <p>
- She was conscious that he was studying her; she did not look at him, nor
- did she answer.
- </p>
- <p>
- An eternity seemed to pass. She heard a motor stop outside in front of the
- house. That would be her father and Hawkins.
- </p>
- <p>
- The front door opened and closed, footsteps entered the room&mdash;and
- suddenly seemed to quicken and hurry forward. She rose from her chair.
- </p>
- <p>
- &ldquo;What's this? What's the matter? What's happened?&rdquo; a tall, white-haired
- man cried out.
- </p>
- <p>
- It was Doctor Crang who answered.
- </p>
- <p>
- &ldquo;Oh&mdash;this, Mr. Veniza?&rdquo; He waved his hand indifferently toward the
- couch. &ldquo;Nothing of any importance.&rdquo; He shrugged his shoulders in cool
- imperturbability, and smiled into the grave, serious face of Paul Veniza.
- &ldquo;The really important thing is that Claire has promised to be my wife.&rdquo;
- </p>
- <p>
- For an instant no one moved or spoke&mdash;only Doctor Crang still smiled.
- And then the silence was broken by a curious half laugh, half curse that
- was full of menace.
- </p>
- <p>
- &ldquo;You lie!&rdquo; Hawkins, the round, red-faced chauffeur, had stepped from
- behind Paul Veniza, and now faced Doctor Crang. &ldquo;You lie! You damned
- coke-eater! I'd kill you first!&rdquo;
- </p>
- <p>
- &ldquo;Drunk&mdash;again!&rdquo; drawled Doctor Crang contemptuously. &ldquo;And what have
- you to do with it?&rdquo;
- </p>
- <p>
- &ldquo;Steady, Hawkins!&rdquo; counselled Paul Veniza quietly. He turned to Claire
- Veniza. &ldquo;Claire,&rdquo; he asked, &ldquo;is&mdash;is this true?&rdquo;
- </p>
- <p>
- She nodded&mdash;and suddenly, blindly, started toward the door.
- </p>
- <p>
- &ldquo;It is true,&rdquo; she said.
- </p>
- <p>
- &ldquo;Claire!&rdquo; Paul Veniza stepped after her. &ldquo;Claire,
- </p>
- <p>
- &ldquo;Not to-night, father,&rdquo; she said in a low voice. &ldquo;Please let me go.&rdquo;
- </p>
- <p>
- He stood aside, allowing her to pass, his face grave and anxious&mdash;and
- then he turned again to Doctor Crang.
- </p>
- <p>
- &ldquo;She is naturally very upset over what has happened here,&rdquo; said Doctor
- Crang easily&mdash;and suddenly reaching out grasped Hawkins' arm, and
- pulled the old man forward to the couch. &ldquo;Here, you!&rdquo; he jerked out.
- &ldquo;You've got so much to say for yourself&mdash;take a look at this fellow!&rdquo;
- </p>
- <p>
- The old chauffeur bent over the couch.
- </p>
- <p>
- &ldquo;My God!&rdquo; he cried out in a startled way. &ldquo;It's the man we&mdash;I&mdash;drove
- to-night!&rdquo;
- </p>
- <p>
- &ldquo;Quite so!&rdquo; observed Doctor Crang. He smiled at Paul Veniza again. &ldquo;Apart
- from the fact that the fellow came in through that window with a knife
- stab in his side that's pretty nearly done for him, Hawkins knows as much
- about it as either Claire or I do. He's in bad shape. Extremely serious. I
- will stay with him to-night. He cannot be moved.&rdquo; He nodded suggestively
- toward the door. &ldquo;Hawkins can tell you as much as I can. It's got to be
- quiet in here. As for Claire&rdquo;&mdash;he seemed suddenly to be greatly
- disturbed and occupied with the condition of the wounded man on the couch&mdash;&ldquo;that
- will have to wait until morning. This man's condition is critical. I can't
- put you out of your own room, but&mdash;&mdash;-&rdquo; Again he nodded toward
- the door.
- </p>
- <p>
- For a moment Paul Veniza hesitated&mdash;but Doctor Crang's back was
- already turned, and he was bending over the wounded man, apparently
- oblivious to every other consideration. He motioned to Hawkins, and the
- two left the room.
- </p>
- <p>
- Doctor Crang looked around over his shoulder as the door closed. A
- malicious grin spread over his face. He rubbed his hands together. Then he
- sat down in his chair again, and began to prepare a solution for his
- hypodermic syringe.
- </p>
- <p>
- &ldquo;Yes, yes,&rdquo; said Doctor Crang softly, addressing the unconscious form of
- John Bruce, &ldquo;you'll live, all right, my friend, I'll see to that, though
- the odds are still against you. You're too&mdash;ha, ha!&mdash;valuable to
- die! You played in luck when you drew Sydney Angus Crang, M.D., as your
- attending physician!&rdquo;
- </p>
- <p>
- And then Doctor Sydney Angus Crang made a little grimace as he punctured
- the flesh of his arm with the needle of the hypodermic syringe and
- injected into himself another dose of cocaine.
- </p>
- <p>
- &ldquo;Yes,&rdquo; said Doctor Sydney Angus Crang very softly, his eyes lighting, &ldquo;too
- valuable, much too valuable&mdash;to die!&rdquo;
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0005" id="link2HCH0005"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER FIVE&mdash;HAWKINS
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">I</span>N the outer room,
- the door closed behind them, Paul Veniza and Hawkins stared into each
- other's eyes. Hawkins' face had lost its ruddy, weatherbeaten color, and
- there was a strained, perplexed anxiety in his expression.
- </p>
- <p>
- &ldquo;D'ye hear what she said?&rdquo; he mumbled. &ldquo;D'ye hear what he said? Going to
- be married! My little girl, my innocent little girl, and&mdash;and that
- dope-feeding devil! I&mdash;I don't understand, Paul. What's it mean?&rdquo;
- </p>
- <p>
- Paul Veniza laid his hand on the other's shoulder, as much to seek, it
- seemed, as to offer sympathy. He shook his head.
- </p>
- <p>
- &ldquo;I don't know,&rdquo; he said blankly.
- </p>
- <p>
- Hawkins' watery blue eyes under their shaggy brows traveled miserably in
- the direction of the staircase.
- </p>
- <p>
- &ldquo;I&mdash;I ain't got the right,&rdquo; he choked. &ldquo;You go up and talk to her,
- Paul.&rdquo;
- </p>
- <p>
- Paul Veniza ran his fingers in a troubled way through his white hair;
- then, nodding his head, he turned abruptly and began to mount the stairs.
- </p>
- <p>
- Hawkins watched until the other had disappeared from sight, watched until
- he heard a door open and close softly above; then he swung sharply around,
- and with his old, drooping shoulders suddenly squared, strode toward the
- door that shut him off from Doctor Crang and the man he had recognized as
- his passenger in the traveling pawn-shop earlier that night. But at the
- door itself he hesitated, and after a moment drew back, and the shoulders
- drooped again, and he fell to twisting his hands together in nervous
- indecision as he retreated to the center of the room.
- </p>
- <p>
- And he stood there again, where Paul Veniza had left him, and stared with
- the hurt of a dumb animal in his eyes at the top of the staircase.
- </p>
- <p>
- &ldquo;It's all my fault,&rdquo; the old man whispered, and fell to twisting his hands
- together once more. &ldquo;But&mdash;but I thought she'd be safe with me.&rdquo;
- </p>
- <p>
- For a long time he seemed to ponder his own words, and gradually they
- seemed to bring an added burden upon him, and heavily now he drew his hand
- across his eyes.
- </p>
- <p>
- &ldquo;Why ain't I dead?&rdquo; he whispered. &ldquo;I ain't never been no good to her.
- Twenty years, it is&mdash;twenty years. Just old Hawkins&mdash;shabby old
- Hawkins&mdash;that she loves 'cause she's sorry for him.&rdquo;
- </p>
- <p>
- Hawkins' eyes roved about the room.
- </p>
- <p>
- &ldquo;I remember the night I brought her here.&rdquo; He was still whispering to
- himself. &ldquo;In there, it was, I took her.&rdquo; He jerked his hand toward the
- inner room. &ldquo;This here room was the pawn-shop then. God, all those years
- ago&mdash;and&mdash;and I ain't never bought her back again, and she ain't
- known no father but Paul, and&mdash;&mdash;&rdquo; His voice trailed off and
- died away.
- </p>
- <p>
- He sank his chin in his hands.
- </p>
- <p>
- Occasionally he heard the murmur of voices from above, occasionally the
- sound of movement through the closed door that separated him from Doctor
- Crang; but he did not move or speak again until Paul Veniza came down the
- stairs and stood before him.
- </p>
- <p>
- Hawkins searched the other's face.
- </p>
- <p>
- &ldquo;It&mdash;it ain't true, is it, what she said?&rdquo; he questioned almost
- fiercely. &ldquo;She didn't really mean it, did she, Paul?&rdquo;
- </p>
- <p>
- Paul Veniza turned his head away.
- </p>
- <p>
- &ldquo;Yes, she meant it,&rdquo; he answered in a low voice. &ldquo;I don't understand. She
- wouldn't give me any explanation.&rdquo;
- </p>
- <p>
- Hawkins clenched his fists suddenly.
- </p>
- <p>
- &ldquo;But didn't you tell her what kind of a man Crang is? Good God, Paul,
- didn't you tell her what he is?&rdquo;
- </p>
- <p>
- &ldquo;She knows it without my telling her,&rdquo; Paul Veniza said in a dull tone.
- &ldquo;But I told her again; I told her it was impossible, incredible. Her only
- answer was that it was inevitable.&rdquo;
- </p>
- <p>
- &ldquo;But she doesn't love him! She can't love him!&rdquo; Hawkins burst out.
- &ldquo;There's never been anything between them before.&rdquo;
- </p>
- <p>
- &ldquo;No, she doesn't love him. Of course, she doesn't!&rdquo; Paul Veniza said, as
- though speaking to himself. He looked at Hawkins suddenly under knitted
- brows. &ldquo;And she says she never saw that other man in her life before until
- he stepped into the car. She says she only went out to-night because they
- were so urgent about it up at the house, and that she felt everything
- would be perfectly safe with you driving the car. I can't make anything
- out of it!&rdquo;
- </p>
- <p>
- Hawkins drew the sleeve of his coat across his brow. It was cool in the
- room, but little beads of moisture were standing out on his forehead.
- </p>
- <p>
- &ldquo;I ain't brought her nothing but harm all my life,&rdquo; he said brokenly. &ldquo;I&mdash;&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Don't take it that way, old friend!&rdquo; Paul Veniza's hands sought the
- other's shoulders. &ldquo;I don't see how you are to blame for this. Claire said
- that other man treated her with all courtesy, and left the car after you
- had gone around the block; and she doesn't know how he afterwards came
- here wounded any more than we do&mdash;and anyway, it can't have anything
- to do with her marrying Doctor Crang.&rdquo;
- </p>
- <p>
- &ldquo;What's she doing now?&rdquo; demanded Hawkins abruptly. &ldquo;She's up there crying
- her heart out, ain't she?&rdquo;
- </p>
- <p>
- Paul Veniza did not answer.
- </p>
- <p>
- Hawkins straightened up. A sudden dignity came to the shabby old figure.
- </p>
- <p>
- &ldquo;What hold has that devil got on my little girl?&rdquo; he cried out sharply.
- &ldquo;I'll make him pay for it, so help me God! My little girl, my little&mdash;&mdash;&mdash;&rdquo;
- </p>
- <p>
- &ldquo;S-sh!&rdquo; Paul Veniza caught hurriedly at Hawkins' arm. &ldquo;Be careful, old
- friend!&rdquo; he warned. &ldquo;Not so loud! She might hear you.&rdquo;
- </p>
- <p>
- Hawkins cast a timorous, startled glance in the direction of the stairs.
- He seemed to shrink again, into a stature as shabby as his clothing. His
- lips twitched; he twisted his hands together.
- </p>
- <p>
- &ldquo;Yes,&rdquo; he mumbled; &ldquo;yes, she&mdash;she might hear me.&rdquo; He stared around
- the room; and then, as though blindly, his hands groping out in front of
- him, he started for the street door. &ldquo;I'm going home,&rdquo; said Hawkins. &ldquo;I'm
- going home to think this out.&rdquo;
- </p>
- <p>
- Paul Veniza's voice choked a little.
- </p>
- <p>
- &ldquo;Your hat, old friend,&rdquo; he said, picking up the old man's hat from the
- table and following the other to the door.
- </p>
- <p>
- &ldquo;Yes, my hat,&rdquo; said Hawkins&mdash;and pulling it far down over his eyes,
- crossed the sidewalk, and climbed into the driver's seat of the old,
- closed car that stood at the curb.
- </p>
- <p>
- He started the car mechanically. He did not look back. He stared straight
- ahead of him except when, at the corner, his eyes lifted and held for a
- moment on the lighted windows and the swinging doors of a saloon&mdash;and
- the car went perceptibly slower. Then his hands tightened fiercely in
- their hold upon the wheel until the white of the knuckles showed, and the
- car passed the saloon and turned the next corner and went on.
- </p>
- <p>
- Halfway down the next block it almost came to a halt again when opposite a
- dark and dingy driveway that led in between, and to the rear of, two
- poverty-stricken frame houses. Hawkins stared at this uninviting prospect,
- and made as though to turn the car into the driveway; then, shaking his
- head heavily, he continued on along the street.
- </p>
- <p>
- &ldquo;I can't go in there and sit by myself all alone,&rdquo; said Hawkins hoarsely.
- &ldquo;I&mdash;I'd go mad. It's&mdash;it's like as though they'd told me
- to-night that she'd died&mdash;same as they told me about her mother the
- night I went to Paul's.&rdquo;
- </p>
- <p>
- The car moved slowly onward. It turned the next corner&mdash;and the next.
- It almost completed the circuit of the block. Hawkins now was wetting his
- lips with the tip of his tongue. His hands on the wheel were trembling.
- The car had stopped. Hawkins was staring again at the lighted windows and
- the swinging doors of the saloon.
- </p>
- <p>
- He sat for a long time motionless; then he climbed down from his seat.
- </p>
- <p>
- &ldquo;Just one,&rdquo; Hawkins whispered to himself. &ldquo;Just one. I&mdash;I'd go mad if
- I didn't.&rdquo;
- </p>
- <p>
- Hawkins pushed the swinging doors open, and sidled up to the bar.
- </p>
- <p>
- &ldquo;Hello, Hawkins!&rdquo; grinned the barkeeper. &ldquo;Been out of town? I ain't seen
- you the whole afternoon!&rdquo;
- </p>
- <p>
- &ldquo;You mind your own business!&rdquo; said Hawkins surlily.
- </p>
- <p>
- &ldquo;Sure!&rdquo; nodded the barkeeper cheerily. &ldquo;Same as usual?&rdquo; He slid a
- square-faced bottle and a glass toward the old man.
- </p>
- <p>
- Hawkins helped himself and drank moodily. He set his empty glass back on
- the bar, jerked down his shabby vest and straightened up, his eyes
- resolutely fixed on the door. Then he felt in his pocket for his pipe and
- tobacco. His eyes shifted from the door to his pipe. He filled it slowly.
- </p>
- <p>
- &ldquo;Give me another,&rdquo; said Hawkins presently&mdash;without looking at the
- barkeeper.
- </p>
- <p>
- Again the old man drank, and jerked down his vest, and squared his thin
- shoulders. He lighted his pipe, tamping the bowl carefully with his
- forefinger. His eyes sought the swinging doors once more.
- </p>
- <p>
- &ldquo;I'm going home,&rdquo; said Hawkins defiantly to himself. &ldquo;I've got to think
- this out.&rdquo; He dug into his vest pocket for money, and produced a few small
- bills. He stared at these for a moment, hesitated, started to replace them
- in his pocket, hesitated again, and the tip of his tongue circled his
- lips; then he pushed the money across the bar. &ldquo;Take the drinks out of
- that, and&mdash;and give me a bottle,&rdquo; he said. &ldquo;I&mdash;I don't like to
- be without anything in the house, and I got to go home.&rdquo;
- </p>
- <p>
- &ldquo;You said something!&rdquo; said the barkeeper. &ldquo;Have one on the house before
- you go?&rdquo;
- </p>
- <p>
- &ldquo;No; I won't.&rdquo;
- </p>
- <p>
- &ldquo;No,&rdquo; said Hawkins with stern determination.
- </p>
- <p>
- Hawkins crowded the bottle into the side pocket of his coat, passed out
- through the swinging doors, and resumed his seat on the car. And again the
- car started forward. But it went faster now. Hawkins' face was flushed; he
- seemed nervously and excitedly in haste. At the driveway he turned in,
- garaged his car in an old shed at the rear of one of the houses, locked
- the shed with a padlock, and, by way of the back door, entered the house
- that was in front of the shed.
- </p>
- <p>
- It was quite dark inside, but Hawkins had been an inmate of the somewhat
- seedy rooming-house too many years either to expect that a light should be
- burning at that hour, or, for that matter, to require any light. He groped
- his way up a flight of creaking stairs, opened the door of a room, and
- stepped inside. He shut the door behind him, locked it, and struck a
- match. A gas-jet wheezed asthmatically, and finally flung a thin and
- sullen yellow glow about the place. It disclosed a cot bed, a small strip
- of carpet long since worn bare of nap, a washstand, an old trunk, a
- battered table, and two chairs.
- </p>
- <p>
- Hawkins, with some difficulty, extricated the bottle from his pocket, and
- lifted the lid of his trunk. He thrust the bottle inside, and in the act
- of closing the lid upon it&mdash;hesitated.
- </p>
- <p>
- &ldquo;I&mdash;I ain't myself to-night, I ain't,&rdquo; said Hawkins tremulously.
- &ldquo;It's shook me, it has&mdash;bad. Just one&mdash;so help me God!&mdash;just
- one.&rdquo;
- </p>
- <p>
- Hawkins sat down at the table with the bottle in front of him.
- </p>
- <p>
- And while Hawkins sat there it grew very late.
- </p>
- <p>
- At intervals Hawkins talked to himself. At times he stared owlishly from a
- half-emptied bottle to the black square of window pane above the trunk&mdash;and
- once he shook his fist in that direction.
- </p>
- <p>
- &ldquo;Crang&mdash;eh&mdash;damn you!&rdquo; he gritted out. &ldquo;You think you got her,
- do you? Some dirty, cunning trick you've played her! But you don't know
- old Hawkins. Ha, ha! You think he's only a drunken bum!&rdquo;
- </p>
- <p>
- Hawkins, as it grew later still, became unsteady in his seat. Gradually
- his head sank down upon the table.
- </p>
- <p>
- &ldquo;I&mdash;hie!&mdash;gotta think this&mdash;out,&rdquo; said Hawkins earnestly&mdash;and
- fell asleep.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0006" id="link2HCH0006"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER SIX&mdash;THE ALIBI
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">J</span>OHN BRUCE opened
- his eyes dreamily, unseeingly; and then his eyelids fluttered and closed
- again. There was an exquisite sense of languor upon him, of cool,
- comfortable repose; a curious absence of all material things. It seemed as
- though he were in some suspended state of animation.
- </p>
- <p>
- It was very strange. It wasn't life&mdash;not life as he had ever known
- it. Perhaps it was death. He did not understand.
- </p>
- <p>
- He tried to think. He was conscious that his mind for some long
- indeterminate period had been occupied with the repetition of queer,
- vague, broken snatches of things, fantastic things born of illusions,
- brain fancies, cobwebby, intangible, which had no meaning, and were
- without beginning or end. There was a white beach, very white, and a full
- round moon, and the moon winked knowingly while he whittled with a huge
- jack-knife at a quill toothpick. And then there was a great chasm of
- blackness which separated the beach from some other place that seemed to
- have nothing to identify it except this black chasm which was the
- passageway to it; and here a man's face, a face that was sinister in its
- expression, and both repulsive and unhealthy in its color, was constantly
- bending over him, and the man's head was always in the same posture&mdash;cocked
- a little to one side, as though listening intently and straining to hear
- something. And then, in the same place, but less frequently, there was
- another face&mdash;and this seemed to bring with it always a shaft of
- warm, bright sunlight that dispelled the abominable gloom, and before
- which the first face vanished&mdash;a beautiful, the wondrously beautiful,
- face of a girl, one that he had seen somewhere before, that was haunting
- in its familiarity and for which it seemed he had always known a great
- yearning, but which plagued him miserably because there seemed to be some
- unseen barrier between them, and because he could not recognize her, and
- she could not speak and tell him who she was.
- </p>
- <p>
- John Bruce opened his eyes again. Dimly, faintly, his mind seemed to be
- grasping coherent realities. He began to remember fragments of the past,
- but it was very hard to piece those fragments together into a concrete
- whole. That white beach&mdash;yes, he remembered that. And the quill
- toothpick. Only the huge jack-knife was absurd! It was at Apia with
- Larmon. But he was in a room somewhere now, and lying on a cot of some
- sort. And it was night. How had he come here?
- </p>
- <p>
- He moved a little, and suddenly felt a twinge of pain in his side. His
- hand groped under the covering, and his fingers came into contact with
- bandages that were wrapped tightly around his body.
- </p>
- <p>
- And then in a flash memory returned. He remembered the fight in Ratti's
- wine shop, the knife stab, and how he had dragged himself along the lane
- and climbed in through <i>her</i> window. His eyes now in a startled way
- were searching his surroundings. Perhaps this was the room! He could not
- be quite sure, but there seemed to be something familiar about it. The
- light was very low, like a gas-jet turned down, and he could not make out
- where it came from, nor could he see any window through which he might
- have climbed in.
- </p>
- <p>
- He frowned in a troubled way. It was true that, as he had climbed in that
- night, he had not been in a condition to take much note of the room, but
- yet it did seem to be the same place. The frown vanished. What did it
- matter? He knew now beyond any question whose face it was that had come to
- him so often in that shaft of sunlight. Yes, it <i>did</i> matter! He must
- have been unconscious, perhaps for only a few hours, perhaps for days, but
- if this was the same place, then she was <i>here</i>, not as a figment of
- the brain, not as one created out of his own longing, but here in her
- actual person, a living, breathing reality. It was the girl of the
- traveling pawn-shop, and&mdash;&mdash;
- </p>
- <p>
- John Bruce found himself listening with sudden intentness. Was he drifting
- back into unconsciousness again, into that realm of unreal things, where
- the mind, fevered and broken, wove out of its sick imagination queer,
- meaningless fancies? It was strange that unreal things should seem so
- real! Wasn't that an animal of some sort scratching at the wall of the
- house outside?
- </p>
- <p>
- He lifted his head slightly from the pillow&mdash;and held it there. A
- voice from within the room reached him in an angry, rasping whisper:
- </p>
- <p>
- &ldquo;Damn you, Birdie, why don't you pull the house down and have done with
- it? You clumsy hog! Do you want the police on us? Can't you climb three
- feet without waking up the whole of New York?&rdquo;
- </p>
- <p>
- John Bruce's lips drew together until they formed a tight, straight line.
- This was strange! Very strange! It wasn't a vagary of his brain this time.
- His brain was as clear now as it had ever been in his life. The voice came
- from beyond the head of his cot. He had seen no one in the room, but that
- was natural enough since from the position in which he was lying his line
- of vision was decidedly restricted; what seemed incomprehensible though,
- taken in conjunction with the words he had just heard, was that his own
- presence there appeared to be completely ignored.
- </p>
- <p>
- He twisted his head around cautiously, and found that the head of the cot
- was surrounded by a screen. He nodded to himself a little grimly. That
- accounted for it! There was a scraping sound now, and heavy, labored
- breathing.
- </p>
- <p>
- John Bruce silently and stealthily stretched out his arm. He could just
- reach the screen. It was made of some soft, silken material, and his
- fingers found no difficulty in drawing this back a little from the edge of
- that portion of the upright framework which was directly in front of him.
- </p>
- <p>
- He scarcely breathed now. Perhaps he was in so weak a state that his mind
- faltered if crowded, for there was so much to see that he could not seem
- to grasp it all as a single picture. He gazed fascinated. The details came
- slowly&mdash;one by one. It <i>was</i> the room where he had crawled in
- through the window and had fallen senseless to the floor&mdash;whenever
- that had been! That was the window there. And, curiously enough, another
- man was crawling in through it now! And there was whispering. And two
- other men were already standing in the room, but he could not see their
- faces because their backs were turned to him. Then one of the two swung
- around in the direction of the window, bringing his face into view. John
- Bruce closed his eyes for a moment. Yes, it must be that! His mind was off
- wandering once more, painting and picturing for itself its fanciful
- unrealities, bringing back again the character it had created, the man
- with the sinister face whose pallor was unhealthy and repulsive.
- </p>
- <p>
- And then he opened his eyes and looked again, and the face was still there&mdash;and
- it was real. And now the man spoke:
- </p>
- <p>
- &ldquo;Come on, get busy, Birdie! If you take as long to crack the box as you
- have taken to climb in through a low window, maybe we'll be invited to
- breakfast with the family! You act just like a swell cracksman&mdash;not!
- But here's the combination&mdash;so try and play up to the part!&rdquo;
- </p>
- <p>
- The man addressed was heavy of build, with a pockmarked and forbidding
- countenance. He was panting from his exertions, as, inside the room now,
- he leaned against the sill.
- </p>
- <p>
- &ldquo;That's all right, Doc!&rdquo; he grunted. &ldquo;That's all right! But how about his
- nibs over there behind the screen? Ain't he ever comin' out of his nap?&rdquo;
- </p>
- <p>
- The man addressed as &ldquo;Doc&rdquo; rolled up the sleeve of his left arm, and
- produced a hypodermic syringe from his pocket.
- </p>
- <p>
- &ldquo;There's the safe over there, Birdie,&rdquo; he drawled, as he pricked his arm
- with the needle and pushed home the plunger. &ldquo;Get busy!&rdquo;
- </p>
- <p>
- The big man shuffled his feet.
- </p>
- <p>
- &ldquo;I know you know your business, Doc,&rdquo; he said uneasily; &ldquo;but I guess me
- an' Pete here 'd feel more comfortable if you'd have put that shot of coke
- into the guy I'm speakin' about instead of into yourself. Ain't I right,
- Pete?&rdquo;
- </p>
- <p>
- The third man was lounging against the wall, his back still turned to John
- Bruce.
- </p>
- <p>
- &ldquo;Sure,&rdquo; he said; &ldquo;but I guess you can leave it to Doc. A guy that's been
- pawin' the air for two days ain't likely to butt in much all of a sudden.&rdquo;
- </p>
- <p>
- The man with the hypodermic, in the act of replacing the syringe in his
- pocket, drew it out again.
- </p>
- <p>
- &ldquo;Coming from you, Birdie,&rdquo; he murmured caustically, &ldquo;that's a surprisingly
- bright idea. I've been here for the last three hours listening to his
- interesting addresses from the rostrum of delirium, and I should say he
- was quite safe. Still, to oblige you, Birdie, and make you feel more
- comfortable, we'll act on your suggestion.&rdquo;
- </p>
- <p>
- John Bruce's teeth gritted together. How weak he was! His arm ached from
- even the slight strain of extending it beyond his head to the screen.
- </p>
- <p>
- And then he smiled grimly. But it wasn't a case of strength now, was it?
- He was obviously quite helpless in that respect. This man they called Doc
- believed him to be still unconscious, and&mdash;he drew his arm silently
- back, tucked it again under the sheet and blanket that covered him, and
- closed his eyes&mdash;and even if he could resist, which he couldn't, a
- hypodermic injection of morphine, or cocaine, or whatever it was that the
- supreme crook of the trio indulged in, could not <i>instantly</i> take
- effect. There ought to be time enough to watch at least&mdash;&mdash;
- </p>
- <p>
- John Bruce lay perfectly still. He heard a footstep come quickly around
- the screen; he sensed the presence of some one bending over him; then the
- coverings were pulled down and his arm was bared. He steeled himself
- against the instinctive impulse to wince at the sharp prick of the needle
- which he knew was coming&mdash;and felt instead a cold and curiously
- merciless rage sweep over him as the act was performed. Then the footstep
- retreated&mdash;and John Bruce quietly twisted his head around on the
- pillow, reached out his arm, and his fingers drew the silk panel of the
- screen slightly away from the edge of the framework again.
- </p>
- <p>
- He could see the safe they had referred to now. It was over at the far
- side of the room against the wall, and the three men were standing in
- front of it. Presently it was opened. The man called Doc knelt down in
- front of it and began to examine its contents. He swung around to his
- companions after a moment with a large pile of banknotes in his hands.
- From this pile he counted out and handed a small portion to each of the
- other two men&mdash;and coolly stuffed the bulk of the money into his own
- pockets.
- </p>
- <p>
- The scene went blurry then for a moment before John Bruce's eyes, and he
- lifted his free hand and brushed it across his forehead. He was so beastly
- weak, anyhow, and the infernal dope was getting in its work too fast! He
- fought with all his mental strength against the impulse to relax and close
- his eyes. What was it they were doing now? It looked like some foolish
- masquerade. The two companions of the man with the sinister, pasty face
- were tying handkerchiefs over their faces and drawing revolvers from their
- pockets; and then the big man began to close the door of the safe.
- </p>
- <p>
- The Doc's voice came sharply:
- </p>
- <p>
- &ldquo;Look out you don't lock it, you fool!&rdquo;
- </p>
- <p>
- Once more John Bruce brushed his hand across his eyes. His brain must be
- playing him tricks again. A din infernal rose suddenly in the room. While
- the big man lounged nonchalantly against the safe, the other two were
- scuffling all over the floor and throwing chairs about. And then from
- somewhere upstairs, on the floor there too, John Bruce thought he caught
- the sound of hurried movements.
- </p>
- <p>
- Then for an instant the scuffling in the room ceased, and the pasty-faced
- man's voice came in a peremptory whisper:
- </p>
- <p>
- &ldquo;The minute any one shows at the door you swing that safe open as though
- you'd been working at it all the time, Birdie, and pretend to shove
- everything in sight into your pockets. And you, Joe, you've got me
- cornered and covered here&mdash;see? And you hold the doorway with your
- gun too; and then both of you back away and make your getaway through the
- window.&rdquo; The scuffling began again. John Bruce watched the scene, a sense
- of drowsiness and apathy creeping upon him. He tried to rouse himself. He
- ought to do something. That vicious-faced little crook who had haunted him
- with unwelcome visitations, and who at this precise moment had the bulk of
- the money from the safe in his own pockets, was in the act of planting a
- somewhat crude, but probably none the less effective, alibi, and&mdash;&mdash;
- </p>
- <p>
- John Bruce heard a door flung open, and then a sudden, startled cry, first
- in a woman's and then in a man's voice. But he could not see any door from
- the position in which he lay. He turned over with a great effort, facing
- the other way, and reached out with his fingers for the panel of the
- screen that overlapped the head of the cot. And then John Bruce lay
- motionless, the blood pounding fiercely at his temples.
- </p>
- <p>
- He was conscious that a tall, white-haired man in scanty attire was there,
- because the doorway framed two figures; but he <i>saw</i> only a beautiful
- face, pitifully white, only the slim form of a girl whose great brown eyes
- were very wide with fear, and who held her dressing gown tightly clutched
- around her throat. It was the girl of the traveling pawn-shop, it was the
- girl of his dreams in the shaft of sunlight, it was the girl he had
- followed here&mdash;only&mdash;only the picture seemed to be fading away.
- It was very strange! It was most curious! She always seemed to leave that
- way. This was Larmon now instead, wasn't it? Larmon... and a jack-knife...
- and a quill toothpick... and....
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0007" id="link2HCH0007"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER SEVEN&mdash;THE GIRL OF THE TRAVELING PAWN-SHOP
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">J</span>OHN BRUCE
- abstractedly twirled the tassel of the old and faded dressing gown which
- he wore, the temporary possession of which he owed to Paul Veniza, his
- host. From the chair in which he sat his eyes ventured stolen glances at
- the nape of a dainty neck, and at a great coiled mass of silken brown hair
- that shone like burnished copper in the afternoon sunlight, as Claire
- Veniza, her back turned toward him, busied herself about the room. He
- could walk now across the floor&mdash;and a great deal further, he was
- sure, if they would only let him. He had not pressed that point; it might
- be taking an unfair advantage of an already over-generous hospitality, but
- he was not at all anxious to speed his departure from&mdash;well, from
- where he was at that precise moment.
- </p>
- <p>
- And now as he looked at Claire Veniza, his thoughts went back to the night
- he had stepped, at old Hawkins' invitation, into the traveling pawn-shop.
- That was not so very long ago&mdash;two weeks of grave illness, and then
- the past week of convalescence&mdash;but it seemed to span a great and
- almost limitless stretch of time, and to mark a new and entirely different
- era in his life; an era that perplexed and troubled and intrigued him with
- conditions and surroundings and disturbing elements that he did not
- comprehend&mdash;but at the same time made the blood in his veins to
- course with wild abandon, and the future to hold out glad and beckoning
- hands.
- </p>
- <p>
- He loved, with a great, overwhelming, masterful love, the girl who stood
- there just across the room all unconscious of the worship that he knew was
- in his eyes, and which he neither tried nor wished to curb. Of his own
- love he was sure. He had loved her from the moment he had first seen her,
- and in his heart he knew he held fate kind to have given him the wound
- that in its turn had brought the week of convalescence just past. And yet&mdash;and
- yet&mdash;&mdash; Here dismay came, and his brain seemed to stumble.
- Sometimes he dared to hope; sometimes he was plunged into the depths of
- misery and despair. Little things, a touch of the hand as she had nursed
- him that had seemed like some God-given tender caress, a glance when she
- had thought he had not seen and which he had allowed his heart to
- interpret to its advantage with perhaps no other justification than its
- own yearning and desire, had buoyed him up; and then, at times, a strange,
- almost bitter aloofness, it seemed, in her attitude toward him&mdash;and
- this had checked, had always checked, the words that were ever on his
- lips.
- </p>
- <p>
- A faint flush dyed his cheeks. But even so, and for all his boasted love,
- did he not in his own soul wrong her sometimes? The questions <i>would</i>
- come. What was the meaning of the strange environment in which she lived?
- Why should she have driven to a gambling hell late at night, and quite as
- though it were the usual thing, to transact business alone in that car
- with&mdash;&mdash;
- </p>
- <p>
- God! His hands clenched fiercely. He remembered that night, and how the
- same thought had come then, mocking him, jeering him, making sport of him.
- He was a cad, a pitiful, vile-minded cad! Thank God that he was at least
- still man enough to be ashamed of his own thoughts, even if they came in
- spite of him!
- </p>
- <p>
- Perhaps it was the strange, unusual characters that surrounded her, that
- came and went in this curious place here, that fostered such thoughts;
- perhaps he was not strong enough yet to grapple with all these confusing
- things. He smiled a little grimly. The robbery of the safe, for instance&mdash;and
- that reptile whom he now knew to be his own attending physician, Doctor
- Crang! He had said nothing about his knowledge of the robbery&mdash;yet.
- As nearly as he could judge it had occurred two or three days prior to the
- time when his actual convalescence had set in, and as a material witness
- to the crime he was not at all sure that in law his testimony would be of
- much value. They must certainly have found him in an unconscious state
- immediately afterward&mdash;and Doctor Crang would as indubitably attack
- his testimony as being nothing more than the hallucination of a sick
- brain.
- </p>
- <p>
- The luck of the devil had been with Crang! Why had he, John Bruce, gone
- drifting off into unconsciousness just at the psychological moment when,
- if the plan had been carried out as arranged and the other two had made
- their fake escape, Crang would have been left in the room with Claire and
- Paul Veniza&mdash;with the money in his pockets! He would have had Doctor
- Crang cold then! It was quite different now. He was not quite sure what he
- meant to do, except that he fully proposed to have a reckoning with Doctor
- Crang. But that reckoning, something, he could not quite define what, had
- prompted him to postpone until he had become physically a little stronger!
- </p>
- <p>
- And then there was another curious thing about it all, which too had
- influenced him in keeping silent. Hawkins, Paul Veniza, Claire and Doctor
- Crang had each, severally and collectively, been here in this room many
- times since the robbery, and not once in his presence had the affair ever
- been mentioned! And&mdash;oh, what did it matter! He shrugged his
- shoulders as though to rid himself of some depressing physical weight.
- What did anything matter on this wonderful sunlit afternoon&mdash;save
- Claire there in her white, cool dress, that seemed somehow to typify her
- own glorious youth and freshness.
- </p>
- <p>
- How dainty and sweet and alluring she looked! His eyes were no longer
- contented with stolen glances; they held now masterfully, defiant of any
- self-restraint, upon the slim figure that was all grace from the trim
- little ankles to the poise of the shapely head. He felt the blood quicken
- his pulse. Stronger than he had ever known it before, straining to burst
- all barriers, demanding expression as a right that would not be denied,
- his love rose dominant within him, and&mdash;&mdash;
- </p>
- <p>
- The tassel he had been twirling dropped from his hand. She had turned
- suddenly; and across the room her eyes met his, calm, deep and unperturbed
- at first, but wide the next instant with a startled shyness, and the color
- sweeping upward from her throat crimsoned her face, and in confusion she
- turned away her head.
- </p>
- <p>
- John Bruce was on his feet. He stumbled a little as he took a step
- forward. His heart was pounding, flinging a red tide into the pallor of
- his cheeks that illness had claimed as one of its tolls.
- </p>
- <p>
- &ldquo;I&mdash;I did not mean to tell you like that,&rdquo; he said huskily. &ldquo;But I
- have wanted to tell you for so long. It seems as though I have always
- wanted to tell you. Claire&mdash;I love you.&rdquo;
- </p>
- <p>
- She did not answer.
- </p>
- <p>
- He was beside her now&mdash;only her head was lowered and averted and he
- could not look into her face. Her fingers were plucking tremulously at a
- fold of her dress. He caught her hand between both his own.
- </p>
- <p>
- &ldquo;Claire&mdash;Claire, I love you!&rdquo; he whispered.
- </p>
- <p>
- She disengaged her hand gently; and, still refusing to let him see her
- face, shook her head slowly.
- </p>
- <p>
- &ldquo;I&mdash;I&mdash;&mdash;-&rdquo; Her voice was very low. &ldquo;Oh, don't you know?&rdquo;
- </p>
- <p>
- &ldquo;I know I love you,&rdquo; he answered passionately. &ldquo;I know that nothing else
- but that matters.&rdquo;
- </p>
- <p>
- Again she shook her head.
- </p>
- <p>
- &ldquo;I thought perhaps he would have told you. I&mdash;I am going to marry
- Doctor Crang.&rdquo;
- </p>
- <p>
- John Bruce stepped back involuntarily; and for a moment incredulity and
- helpless amazement held sway in his expression&mdash;then his lips
- tightened in a hurt, half angry way.
- </p>
- <p>
- &ldquo;Is that fair to me, Claire&mdash;to give me an answer like that?&rdquo; he said
- in a low tone. &ldquo;I know it isn't true, of course; it couldn't be&mdash;but&mdash;but
- it isn't much of a joke either, is it?&rdquo;
- </p>
- <p>
- &ldquo;It is true,&rdquo; she said monotonously.
- </p>
- <p>
- He leaned suddenly forward, and taking her face between his hands, made
- her lift her head and look at him. The brown eyes were swimming with
- tears. The red swept her face in a great wave, and, receding, left it
- deathly pale&mdash;and in a frenzy of confusion she wrenched herself free
- from him and retreated a step.
- </p>
- <p>
- &ldquo;My God!&rdquo; said John Bruce hoarsely. &ldquo;You&mdash;and Doctor Crang! I don't
- understand! It is monstrous! You can't love that&mdash;&mdash;&rdquo; He checked
- himself, biting at his lips. &ldquo;You can't love Doctor Crang. It is
- impossible! You dare not stand there and tell me that you do. Answer me,
- Claire&mdash;answer me!&rdquo;
- </p>
- <p>
- She seemed to have regained her self-control&mdash;or perhaps it was the
- one defense she knew. The little figure was drawn up, her head held back.
- </p>
- <p>
- &ldquo;You have no right to ask me that,&rdquo; she said steadily.
- </p>
- <p>
- &ldquo;Right!&rdquo; John Bruce echoed almost fiercely. His soul itself seemed
- suddenly to be in passionate turmoil; it seemed to juggle two figures
- before his consciousness, contrasting one with the other in most hideous
- fashion&mdash;this woman here whom he loved, who struggled to hold herself
- bravely, who stood for all that was pure, for all that he reverenced in a
- woman; and that sallow, evil-faced degenerate, a drug fiend so lost to the
- shame of his vice that he pricked himself with his miserable needle quite
- as unconcernedly in public as one would smoke a cigarette&mdash;and worse&mdash;a
- crook&mdash;a thief! Was it a coward's act to tell this girl <i>what</i>
- the man was whom she proposed to marry? Was it contemptible to pull a
- rival such as that down from the pedestal which in some fiendish way he
- must have erected for himself? Surely she did not know the man for what he
- actually was! She could not know! &ldquo;Right!&rdquo; he cried out. &ldquo;Yes, I have the
- right&mdash;both for your sake and for my own. I have the right my love
- gives me. Do you know how I came here that first night?&rdquo;
- </p>
- <p>
- &ldquo;Yes,&rdquo; she said with an effort. &ldquo;You told me. You were in a fight in
- Ratti's place, and were wounded.&rdquo;
- </p>
- <p>
- He laughed out harshly.
- </p>
- <p>
- &ldquo;And I told you the truth&mdash;as far as it went,&rdquo; he said. &ldquo;But do you
- know how I came to be in this locality after leaving you in that motor
- car? I followed you. I loved you from the moment I saw you that night. It
- seems as though I have always loved you&mdash;as I always shall love you.
- That is what gives me the right to speak. And I mean to speak. If it were
- an honorable man to whom you were to be married it would be quite another
- matter; but you cannot know what you are doing, you do not know this man
- as he really is, or what he&mdash;&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Please! Please stop!&rdquo; she cried out brokenly. &ldquo;Nothing you could say
- would tell me anything I do not already know.&rdquo;
- </p>
- <p>
- &ldquo;I am not so sure!&rdquo; said John Bruce grimly. &ldquo;Suppose I told you he was a
- criminal?&rdquo;
- </p>
- <p>
- &ldquo;He is a criminal.&rdquo; Her voice was without inflection.
- </p>
- <p>
- &ldquo;Suppose then he were sent to jail&mdash;to serve a sentence?&rdquo;
- </p>
- <p>
- &ldquo;I would marry him when he came out,&rdquo; she said. &ldquo;Oh, please do not say any
- more! I know far more about him than you do; but&mdash;but that has
- nothing to do with it.&rdquo;
- </p>
- <p>
- For an instant, motionless, John Bruce stared at Claire; then his hands
- swept out and caught her wrists in a tight grip and held her prisoner.
- </p>
- <p>
- &ldquo;Claire!&rdquo; His voice choked. &ldquo;What does this mean? You do not love him; you
- say you know he is even a criminal&mdash;and yet you are going to marry
- him! What hold has he got on you? What is it? What damnable trap has he
- got you in? I am going to know, Claire! I will know! And whatever it is,
- whatever the cause of it, I'll crush it, strangle it, sweep it out of your
- dear life at any cost! Tell me, Claire!&rdquo;
- </p>
- <p>
- Her face had gone white; she struggled a little to release herself.
- </p>
- <p>
- &ldquo;You&mdash;you do not know what you are saying. You&mdash;&mdash;&rdquo; Her
- voice broke in a half sob.
- </p>
- <p>
- &ldquo;Claire, look at me!&rdquo; He was pleading now with his soul in his eyes and
- voice. &ldquo;Claire, I&mdash;&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Oh, please let me go!&rdquo; she cried out frantically. &ldquo;You cannot say
- anything that will make any difference. I&mdash;it only makes it harder.&rdquo;
- The tears were brimming in her eyes again. &ldquo;Oh, please let me go&mdash;there's&mdash;there's
- some one coming.&rdquo;
- </p>
- <p>
- John Bruce's hands dropped to his sides. The door, already half open, was
- pushed wide, and Hawkins, the old chauffeur, stood on the threshold. And
- as John Bruce looked in that direction, he was suddenly and strangely
- conscious that somehow for the moment the old man dominated his attention
- even to the exclusion of Claire. There was something of curious
- self-effacement, of humbleness in the bent, stoop-shouldered figure there,
- who twisted a shapeless hat awkwardly in his hands; but also something of
- trouble and deep anxiety in the faded blue eyes as they fixed on the girl,
- and yet without meeting her eyes in return, held upon her as she walked
- slowly now toward the door.
- </p>
- <p>
- &ldquo;Dear old Hawkins,&rdquo; she said softly, and laid her hand for an instant on
- the other's arm as she passed by him, &ldquo;you and Mr. Bruce will be able to
- entertain each other, won't you? I&mdash;I'm going upstairs for a little
- while.&rdquo;
- </p>
- <p>
- And the old man made no answer; but, turning on the threshold, he watched
- her, his attitude, it seemed to John Bruce, one of almost pathetic
- wistfulness, as Claire disappeared from view.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0008" id="link2HCH0008"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER EIGHT&mdash;ALLIES
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">C</span>LAIRE'S footsteps,
- ascending the stairs, died away. John Bruce returned to his chair. His
- eyes were still on the old chauffeur.
- </p>
- <p>
- Hawkins was no longer twisting his shapeless hat nervously in his fingers;
- instead, he held it now in one clenched hand, while with the other he
- closed the door behind him as he stepped forward across the threshold, and
- with squared shoulders advanced toward John Bruce. And then, quite as
- suddenly again, as though alarmed at his own temerity, the old man paused,
- and the question on his lips, aggressively enough framed, became
- irresolute in tone.
- </p>
- <p>
- &ldquo;What&mdash;what's the matter with Claire?&rdquo; he stammered. &ldquo;What's this
- mean?&rdquo;
- </p>
- <p>
- It was a moment before John Bruce answered, while he eyed the other from
- head to foot. Hawkins was not the least interesting by any means of the
- queer characters that came and went and centered around this one-time
- pawn-shop of Paul Veniza; but Hawkins, of them all, was the one he was
- least able, from what he had seen of the man, to fathom. And yet, somehow,
- he liked Hawkins.
- </p>
- <p>
- &ldquo;That's exactly what I want to know,&rdquo; he said a little brusquely. &ldquo;And&rdquo;&mdash;he
- eyed Hawkins once more with cool appraisal&mdash;&ldquo;I think you are the man
- best able to supply the information.&rdquo;
- </p>
- <p>
- Hawkins began to fumble with his hat again.
- </p>
- <p>
- &ldquo;I&mdash;I&mdash;why do you say that?&rdquo; he faltered, a sudden note of what
- seemed almost trepidation in his voice.
- </p>
- <p>
- John Bruce shrugged his shoulders.
- </p>
- <p>
- &ldquo;Possibly it is just a hunch,&rdquo; he said calmly. &ldquo;But you were the one who
- was driving that old bus on a certain night&mdash;you remember? And you
- seem to hang around here about as you please. Therefore you must stand in
- on a fairly intimate basis with the family circle. I'd like to know what
- hold a rotten crook like Doctor Crang has got on Claire Veniza that she
- should be willing to marry him, when she doesn't love him. I'd like to
- know why a girl like Claire Veniza drives alone at night to a gambling
- hell to&mdash;&mdash;&rdquo;
- </p>
- <p>
- &ldquo;That's enough!&rdquo; Hawkins' voice rose abruptly, peremptorily. He advanced
- again threateningly oft John Bruce. &ldquo;Don't you dare to say one word
- against my&mdash;against&mdash;against her. I'll choke the life out of
- you, if you do! Who are you, anyway? You are asking a lot of questions.
- How did you get here in the first place? You answer that! I've always
- meant to ask you. You answer that&mdash;and leave Claire out of it!&rdquo;
- </p>
- <p>
- John Bruce whistled softly.
- </p>
- <p>
- &ldquo;I can't very well do that,&rdquo; he said quietly, &ldquo;because it was Claire who
- brought me here.&rdquo;
- </p>
- <p>
- &ldquo;Claire brought you!&rdquo; The old blue eyes grew very hard and very steady.
- &ldquo;That's a lie! She never saw you after you got out at the corner that
- night until you came in through the window here. She didn't tell you where
- she lived. She didn't invite you here. She's not that kind, and, sick
- though you may be, I'll not keep my hands off you, if&mdash;&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Steady, Hawkins&mdash;steady!&rdquo; said John Bruce, his voice as quiet as
- before. &ldquo;We seem to possess a common bond. You seem to be pretty fond of
- Claire. Well, so am I. That ought to make us allies.&rdquo; He held out his hand
- suddenly to the old man. &ldquo;I had just asked Claire to marry me when you
- came to the door.&rdquo;
- </p>
- <p>
- Hawkins stared from the outstretched hand into John Bruce's eyes, and back
- again at the outstretched hand. Bewilderment, hesitation, a curious
- excitement was in his face.
- </p>
- <p>
- &ldquo;You asked Claire to marry you?&rdquo; He swallowed hard. &ldquo;You&mdash;you want to
- marry Claire? I&mdash;why?&rdquo;
- </p>
- <p>
- &ldquo;Why?&rdquo; John Bruce echoed helplessly. &ldquo;Good Lord, Hawkins, you <i>are</i> a
- queer one! Barring beasts like Crang, why does a man ordinarily ask a
- woman to marry him? Because he loves her. Well, I love Claire. I loved her
- from the moment I saw her. I followed her, or, rather, that old bus of
- yours, here that night. And that is how, after that fight at Ratti's when
- I got out the back door and into the lane, I crawled over here for
- sanctuary. I said Claire brought me here. You understand now, don't you?
- That's how she brought me here&mdash;because I loved her that night. But
- it is because of Crang&rdquo;&mdash;his voice grew hard&mdash;&ldquo;that I am telling
- you this. I love her now&mdash;and a great deal too much, whether she
- could ever care for me or not, to see her in the clutches of a crook, and
- her life wrecked by a degenerate cur. And somehow&rdquo;&mdash;his hand was
- still extended&mdash;&ldquo;I thought you seemed to think enough of her to feel
- the same way about this marriage&mdash;for I imagine you must know about
- it. Well, Hawkins, where do you stand? There's something rotten here. Are
- you for Claire, or the dope-eater?&rdquo;
- </p>
- <p>
- &ldquo;Oh, my God!&rdquo; Hawkins whispered huskily. And then almost blindly he
- snatched at John Bruce's hand and wrung it hard. &ldquo;I&mdash;I believe you're
- straight,&rdquo; he choked. &ldquo;I know you are. I can see it in your eyes. I
- wouldn't ask anything more in the world for her than a man's honest love.
- And she ain't going to marry that devil! You understand?&rdquo; His voice was
- rising in a curious cracked shrillness. &ldquo;She ain't! Not while old Hawkins
- is alive!&rdquo;
- </p>
- <p>
- John Bruce drew his brows together in a puzzled way.
- </p>
- <p>
- &ldquo;I pass you up, Hawkins,&rdquo; he said slowly. &ldquo;I can't make you out. But if
- you mean what you say, and if you trust me&mdash;&mdash;&rdquo;
- </p>
- <p>
- &ldquo;I'm going to trust you!&rdquo; There was eagerness, excitement, a tremble in
- the old man's voice. &ldquo;I've got to trust you after what you've said. I
- ain't slept for nights on account of this. It looks like God sent you. You
- wait! Wait just a second, and I'll show you how much I trust you.&rdquo;
- </p>
- <p>
- John Bruce straightened up in his chair. Was the old man simply erratic,
- or perhaps a little irresponsible&mdash;or what? Hawkins had pattered
- across the floor, had cautiously opened the door, and was now peering with
- equal caution into the outer room. Apparently satisfied at last, he closed
- the door noiselessly, and started back across the room. And then John
- Bruce knew suddenly an indefinable remorse at having somehow misjudged the
- shabby old chauffeur, whose figure seemed to totter now a little as it
- advanced toward him. Hawkins' face was full of misery, and the old blue
- eyes were brimming with tears.
- </p>
- <p>
- &ldquo;It&mdash;it ain't easy&rdquo;&mdash;Hawkins' voice quavered&mdash;&ldquo;to say&mdash;what
- I got to say. There ain't no one on earth but Paul Veniza knows it; but
- you've got a right to know after what you've said. And I've got to tell
- you for Claire's sake too, because it seems to me there ain't nobody going
- to help me save her the way you are. She&mdash;she's my little girl. I&mdash;I'm
- Claire's father.&rdquo; John Bruce stared numbly at the other. He could find no
- words; he could only stare.
- </p>
- <p>
- &ldquo;Yes, look at me!&rdquo; burst out the old man finally, and into his voice there
- came an infinite bitterness. &ldquo;Look at my clothes! I'm just what I look
- like! I ain't no good&mdash;and that's what has kept my little girl and me
- apart from the day she was born. Yes, look at me! I don't blame you!&rdquo;
- </p>
- <p>
- John Bruce was on his feet. His hand reached out and rested on the old
- man's shoulder.
- </p>
- <p>
- &ldquo;That isn't the way to trust me, Hawkins,&rdquo; he said gently. &ldquo;What do your
- clothes matter? What do your looks matter? What does anything in the world
- matter alongside of so wonderful a thing as that which you have just told
- me? Straighten those shoulders, Hawkins; throw back that head of yours.
- Her father! Why, you're the richest man in New York, and you've reason to
- be the proudest!&rdquo;
- </p>
- <p>
- John Bruce was smiling with both lips and eyes into the other's face. He
- felt a tremor pass through the old man's frame; he saw a momentary flash
- of joy and pride light up the wrinkled, weather-beaten face&mdash;and then
- Hawkins turned his head away.
- </p>
- <p>
- &ldquo;God bless you,&rdquo; said Hawkins brokenly; &ldquo;but you don't know. She's all
- I've got; she's the only kith and kin I've got in all the world, and oh,
- my God, how these old arms have ached just to take her and hold her tight,
- and&mdash;and&mdash;&mdash;&rdquo; He lifted his head suddenly, met John Bruce's
- eyes, and a flush dyed his cheeks. &ldquo;She's my little girl; but I lie when I
- say I love her. It's drink I love. That's my shame, John Bruce&mdash;you've
- got it all now. I pawned my soul, and I pawned my little girl for drink.&rdquo;
- </p>
- <p>
- &ldquo;Hawkins,&rdquo; said John Bruce huskily, &ldquo;I think you're a bigger man than
- you've any idea you are.&rdquo;
- </p>
- <p>
- &ldquo;D'ye mean that?&rdquo; Hawkins spoke eagerly&mdash;only to shake his head
- miserably the next instant. &ldquo;You don't understand,&rdquo; he said. &ldquo;I as good as
- killed her mother with drink. She died when Claire was born. I brought
- Claire here, and Paul Veniza and his wife took her in. And Paul Veniza was
- right about it. He made me promise she wasn't to know I was her father
- until&mdash;until she would have a man and not a drunken sot to look after
- her. That's twenty years ago. I've tried.. God knows I've tried, but it's
- beaten me ever since. Paul's wife died when Claire was sixteen, and
- Claire's run the house for Paul&mdash;and&mdash;and I'm Hawkins&mdash;just
- Hawkins&mdash;the old cab driver that's dropping in the harness. Just
- Hawkins that shuffers the traveling pawn-shop now that Paul's quit the
- regular shop. That's what I am&mdash;just old Hawkins, who's always
- swearing to God he's going to leave the booze alone.&rdquo;
- </p>
- <p>
- John Bruce did not speak for a moment. He returned to his chair and sat
- down. Somehow he wanted to think; somehow he felt that he had not quite
- grasped the full significance of what he had just heard. He looked at
- Hawkins. Hawkins had sunk into a chair by the table, and his face was
- buried in his hands.
- </p>
- <p>
- And then John Bruce smiled.
- </p>
- <p>
- &ldquo;Look here, Hawkins,&rdquo; he said briskly, &ldquo;let's talk about something else
- for a minute. Tell me about Paul Veniza and this traveling pawn-shop. It's
- a bit out of the ordinary, to say the least.&rdquo;
- </p>
- <p>
- Hawkins raised his head, and his thoughts for the moment diverted into
- other channels, his face brightened, and he scratched at the scanty fringe
- of hair behind his ear.
- </p>
- <p>
- &ldquo;It ain't bad, is it?&rdquo; he said with interest. &ldquo;I'm kind of proud of it
- too, 'cause I guess mabbe, when all's said and done, it was my idea. You
- see, when Paul's wife died, Paul went all to pieces. He ain't well now,
- for that matter&mdash;nowhere near as well as he looks. I'm kind of scared
- about Paul. He keeps getting sick turns once every so often. But when the
- wife died he was just clean broken up. She'd been his right hand from the
- start in his business here, and&mdash;I dunno&mdash;it just seemed to
- affect him that way. He didn't want to go on any more without her. And as
- far as money was concerned he didn't have to. Paul ain't rich, but he's
- mighty comfortably off. Anyway, he took the three balls down from over the
- door, and he took the signs off the windows, and in comes the carpenters
- to change things around here, and there ain't any more pawn-shop.&rdquo;
- </p>
- <p>
- Hawkins for the first time smiled broadly.
- </p>
- <p>
- &ldquo;But it didn't work out,&rdquo; said Hawkins. &ldquo;Paul's got a bigger business and
- a more profitable one to-day than he ever had before in his life. You see,
- he had been at it a good many years, and he had what you might call a
- private connection&mdash;swells up on the Avenue, mostly ladies, but gents
- too, who needed money sometimes without having it printed in the papers,
- and they wouldn't let Paul alone. Paul ain't got a hair in his head that
- ain't honest and fair and square and above-board&mdash;and they were the
- ones that knew it better than anybody else. See?&rdquo;
- </p>
- <p>
- &ldquo;Yes,&rdquo; said John Bruce. &ldquo;Go on, Hawkins,&rdquo; he prompted.
- </p>
- <p>
- &ldquo;Well,&rdquo; said Hawkins, &ldquo;I used to drive an old hansom cab in those days,
- and I used to drive Paul out on those private calls to the swell houses.
- And then when Mrs. Paul died and Paul closed up the shop here he kind of
- drew himself into his shell all round, and mostly he wouldn't go out any
- more, though the swells kept telephoning and telephoning him. He'd only go
- to just a few people that he'd done business with since almost the
- beginning. He said he didn't want to go around ringing people's doorbells,
- and being ushered into boudoirs or anywhere else, and he was settling down
- to shun everybody and everything. It wasn't good for Paul. And then a sort
- of crazy notion struck me, and I chewed it over and over in my mind, and
- finally I put it up to Paul. In the mood he was in, it just caught his
- fancy; and so I bought a second-hand closed car, and fitted it up like you
- saw, and learned to drive it&mdash;and that's how there came to be the
- traveling pawn-shop.
- </p>
- <p>
- &ldquo;After that, there wasn't anything to it. It caught everybody else's fancy
- as well as Paul's, and it began to get him out of himself. The old bus, as
- you called it, was running all the time. Lots of the swells who really
- didn't want to pawn anything took a ride and did a bit of business just
- for the sake of the experience, and the regular customers just went nutty
- over it, they were that pleased.
- </p>
- <p>
- &ldquo;And then some one who stood in with that swell gambling joint where we
- picked you up must have tipped the manager off about it, and he saw where
- he could do a good stroke of business&mdash;make it a kind of
- advertisement, you know, besides doing away with any lending by the house
- itself, and he put up a proposition to Paul where Paul was to get all the
- business at regular rates, and a bit of a salary besides on account of the
- all-night hours he'd have to keep sometimes. Paul said he'd do it, and
- turned the salary over to me; and they doped out that pass word about a
- trip to Persia to make it sound mysterious and help out the advertising
- end, and&mdash;well, I guess that's all.&rdquo;
- </p>
- <p>
- John Bruce was twirling the tassel of his dressing gown again
- abstractedly; but now he stopped as Hawkins rose abruptly and came toward
- him.
- </p>
- <p>
- &ldquo;No&mdash;it ain't all,&rdquo; said Hawkins, a curious note almost of challenge
- in his voice. &ldquo;You said something about Claire going to that gambling
- joint. It was the first time she had ever been there. That night Paul was
- out when they telephoned. You must be one of their big customers, 'cause
- they wouldn't listen to anything but a trip to Persia right on the spot.
- They were so set on it that Claire said it would be all right. She sent
- for me. At first I wasn't for it at all, but she said it seemed to be of
- such importance, and that there wasn't anything else to do. Claire knows a
- bit of jewelry or a stone as well as Paul does, and I knew Claire could
- take care of herself; and besides, although she didn't know it, it&mdash;it
- was her own old father driving the car there with her.&rdquo;
- </p>
- <p>
- &ldquo;Thank you, Hawkins,&rdquo; said John Bruce simply; and after a moment: &ldquo;It
- doesn't make the love I said I had for her show up very creditably to me,
- does it&mdash;that I should have had any questions?&rdquo;
- </p>
- <p>
- Hawkins shook his head.
- </p>
- <p>
- &ldquo;I didn't mean it that way,&rdquo; he said earnestly. &ldquo;It would have been a
- wonder if you hadn't. Anyway, you had a right to know, and it was only
- fair to Claire.&rdquo;
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0009" id="link2HCH0009"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER NINE&mdash;THE CONSPIRATORS
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">J</span>OHN BRUCE fumbled
- in the pocket of his dressing gown and produced a cigarette; but he was a
- long time in lighting it.
- </p>
- <p>
- &ldquo;Hawkins,&rdquo; he demanded abruptly, &ldquo;is Paul Veniza in the house now?&rdquo;
- </p>
- <p>
- &ldquo;He's upstairs, I think,&rdquo; Hawkins answered. &ldquo;Do you want him?&rdquo;
- </p>
- <p>
- &ldquo;Yes&mdash;in a moment,&rdquo; said John Bruce slowly. &ldquo;I've been thinking a
- good deal while you were talking. I can only see things one way; and that
- is that the time has come when you should take your place as Claire's
- father.&rdquo;
- </p>
- <p>
- The old man drew back, startled.
- </p>
- <p>
- &ldquo;Tell Claire?&rdquo; he whispered. Then he shook his head miserably. &ldquo;No, no! I&mdash;I
- haven't earned the right. I&mdash;I can't break my word to Paul.&rdquo;
- </p>
- <p>
- &ldquo;I do not ask you to break your word to Paul. I want you to earn the right&mdash;now.&rdquo;
- </p>
- <p>
- Hawkins was still shaking his head.
- </p>
- <p>
- &ldquo;Earn it now&mdash;after all these years! How can I?&rdquo;
- </p>
- <p>
- &ldquo;By promising that you won't drink any more,&rdquo; said John Bruce quietly.
- </p>
- <p>
- Hawkins' eyes went to the floor.
- </p>
- <p>
- &ldquo;Promise!&rdquo; he said in a shamed way. &ldquo;I've been promising that for twenty
- years. Paul wouldn't believe me. I wouldn't believe myself. I went and got
- drunker than I've been in all my life the night that dog said he was going
- to marry Claire, and Claire said it was true, and wouldn't listen to
- anything Paul could say to her against it.&rdquo;
- </p>
- <p>
- &ldquo;I would believe you,&rdquo; said John Bruce gravely.
- </p>
- <p>
- For an instant Hawkins' face glowed, while tears came into the old blue
- eyes&mdash;and then he turned hurriedly and walked to the window, his back
- to John Bruce.
- </p>
- <p>
- &ldquo;It's no use,&rdquo; he said, with a catch in his voice. &ldquo;You don't know me.
- Nobody that knows me would take my word for that&mdash;least of all Paul.&rdquo;
- </p>
- <p>
- &ldquo;I know this,&rdquo; said John Bruce steadily, &ldquo;that you have never been really
- put to the test. The test is here now. You'd stop, and stop forever,
- wouldn't you, if it meant Claire's happiness, her future, her salvation
- from the horror and degradation and misery and utter hopelessness that a
- life with a man who is lost to every sense of decency must bring her? I
- would believe you if you promised under those conditions. It seems to me
- to be the only chance there is left to save her. It is true she believes
- Paul is her father and accepts him as such, and neither his influence nor
- his arguments will move her from her determination to marry Crang; but I
- think there is a chance if she is told your story, if she is brought to
- her own father through this very thing. I think if you are in each other's
- arms at last after all these years from just that cause it might succeed
- where everything else failed. But this much is sure. It has a chance of
- success, and you owe Claire that chance. Will you take it, Hawkins? Will
- you promise?&rdquo;
- </p>
- <p>
- There was no answer from the window, only the shaking of the old man's
- shoulders.
- </p>
- <p>
- &ldquo;Hawkins,&rdquo; said John Bruce softly, &ldquo;wouldn't it be very wonderful if you
- saved her, and saved yourself; and wonderful, too, to know the joy of your
- own daughter's love?&rdquo;
- </p>
- <p>
- The old man turned suddenly from the window, his arms stretched out before
- him as though in intense yearning; and there was something almost of
- nobility in the gray head held high on the bent shoulders, something of
- greatness in the old wrinkled face that seemed to exalt the worn and
- shabby clothes hanging so formlessly about him.
- </p>
- <p>
- &ldquo;My little girl,&rdquo; he said brokenly.
- </p>
- <p>
- &ldquo;Your promise, Hawkins,&rdquo; said John Bruce in a low voice. &ldquo;Will you
- promise?&rdquo;
- </p>
- <p>
- &ldquo;Yes,&rdquo; breathed the old man fiercely. &ldquo;<i>Yes</i>&mdash;so help me, God!
- But&rdquo;&mdash;he faltered suddenly&mdash;&ldquo;but Paul&mdash;&mdash;-&rdquo;
- </p>
- <p>
- &ldquo;Ask Paul to come down here,&rdquo; said John Bruce. &ldquo;I have something to say to
- both of you&mdash;more than I have already said to you. I will answer for
- Paul.&rdquo;
- </p>
- <p>
- The old cab driver obeyed mechanically. He crossed the room and went out.
- John Bruce heard him mounting the stairs. Presently he returned, followed
- by the tall, straight, white-haired figure of Paul Veniza.
- </p>
- <p>
- Hawkins closed the door behind them.
- </p>
- <p>
- Paul Veniza turned sharply at the sound, and glanced gravely from one to
- the other. His eyebrows went up as he looked at John Bruce. John Bruce's
- face was set.
- </p>
- <p>
- &ldquo;What is the matter?&rdquo; inquired Paul Veniza anxiously.
- </p>
- <p>
- &ldquo;I want you to listen first to a little story,&rdquo; said John Bruce seriously&mdash;and
- in a few words he told Paul Veniza, as he had told Hawkins, of his love
- for Claire and the events of the night that had brought him there a
- wounded man. &ldquo;And this afternoon,&rdquo; John Bruce ended, &ldquo;I asked Claire to
- marry me, and she told me she was going to marry Doctor Crang.&rdquo;
- </p>
- <p>
- Paul Veniza had listened with growing anxiety, casting troubled and
- uncertain glances the while at Hawkins.
- </p>
- <p>
- &ldquo;Yes,&rdquo; he said in a low voice.
- </p>
- <p>
- John Bruce spoke abruptly:
- </p>
- <p>
- &ldquo;Hawkins has promised he will never drink again.&rdquo;
- </p>
- <p>
- Paul Veniza, with a sudden start, stared at Hawkins, and then a sort of
- kindly tolerance dawned in his face.
- </p>
- <p>
- &ldquo;My poor friend!&rdquo; said Paul Veniza as though he were comforting a wayward
- child, and went over and laid his hand affectionately on Hawkins' arm.
- </p>
- <p>
- &ldquo;I have told Hawkins,&rdquo; went on John Bruce, &ldquo;that I love Claire, that I
- asked her to marry me; and Hawkins in turn has told me he is Claire's
- father, and how he brought her to you and Mrs. Veniza when she was a baby,
- and of the pledge he made you then. It is because I love Claire too that I
- feel I can speak now. You once told Hawkins how he could redeem his
- daughter. He wants to redeem her now. He has promised never to drink
- again.&rdquo;
- </p>
- <p>
- Paul Veniza's face had whitened a little. Half in a startled, half in a
- troubled way, he looked once more at John Bruce and then at Hawkins.
- </p>
- <p>
- &ldquo;My poor friend!&rdquo; he said again.
- </p>
- <p>
- John Bruce's hand on the arm of his chair clenched suddenly.
- </p>
- <p>
- &ldquo;You may perhaps feel that he should not have told me of his relationship
- to Claire; but it was this damnable situation with Crang that forced the
- issue.&rdquo;
- </p>
- <p>
- Paul Veniza left Hawkins' side and began to pace the room in an agitated
- way.
- </p>
- <p>
- &ldquo;No!&rdquo; he said heavily. &ldquo;I do not blame Hawkins. We&mdash;we neither of us
- know what to do. It is a terrible, an awful thing. Crang is like some
- loathsome creature to her, and yet in some way that I cannot discover he
- has got her into his power. I have tried everything, used every argument I
- can with her, pleaded with her&mdash;and it has been useless.&rdquo; He raised
- his arms suddenly above his head, partly it seemed in supplication, partly
- in menace. &ldquo;Oh, God!&rdquo; he cried out. &ldquo;I, too, love her, for she has really
- been my daughter through all these years. But I do not quite understand.&rdquo;
- He turned to Hawkins. &ldquo;Even if you kept your promise now, my friend, what
- connection has that with Doctor Crang? Could that in any way prevent this
- marriage?&rdquo;
- </p>
- <p>
- It was John Bruce who answered.
- </p>
- <p>
- &ldquo;It is the last ditch,&rdquo; he said evenly; &ldquo;the one way you have not tried&mdash;to
- tell her her own and her father's story. I do not say it will succeed. But
- it is the great crisis in her life. It is the one thing in the world that
- ought to sway her, win her. Her father! After twenty years&mdash;her
- father!&rdquo;
- </p>
- <p>
- Paul Veniza's hands, trembling, ruffled through his white hair. Hawkins'
- fingers fumbled, now with the buttons on his vest, now with the brim of
- his hat which He had picked up aimlessly from the table; and his eyes,
- lifting from the floor, glanced timorously, almost furtively, at Paul
- Veniza, and sought the floor again.
- </p>
- <p>
- John Bruce got up from his chair and stepped toward them.
- </p>
- <p>
- &ldquo;I want to tell you something,&rdquo; he said sharply, &ldquo;that ought to put an end
- to any hesitation on your parts at <i>any</i> plan, no matter what, that
- offers even the slightest chance of stopping this marriage. Listen! Devil
- though you both believe this Crang to be, you do not either of you even
- know the man for what he is. While I was lying there&rdquo;&mdash;he flung out
- his hand impulsively toward the couch&mdash;&ldquo;the safe here in this room
- was opened and robbed one night. You know that. But you do not know that
- it was done by Doctor Crang and his confederates. You know what happened.
- But you do not know that while the 'burglars' pretended to hold Crang at
- bay with a revolver and then made their 'escape,' Crang, with most of the
- proceeds of that robbery in his own pockets, was laughing up his sleeve at
- you.&rdquo;
- </p>
- <p>
- Hawkins' jaw had dropped as he stared at John Bruce.
- </p>
- <p>
- &ldquo;Crang did it! You&mdash;you say Crang committed that robbery?&rdquo; stammered
- Paul Veniza. &ldquo;But you were unconscious! Still you&mdash;you seem to know
- that the safe was robbed!&rdquo;
- </p>
- <p>
- &ldquo;Apparently I do!&rdquo; John Bruce laughed shortly. &ldquo;Crang too thought I was
- unconscious, but to make sure he jabbed me with his needle. It took effect
- just at the right time&mdash;for Crang&mdash;just as you and Claire
- appeared in the doorway. And&rdquo;&mdash;his brows knitted together&mdash;&ldquo;it
- seems a little strange that none of you have ever mentioned it in my
- presence; that not a word has ever been said to me about it.&rdquo;
- </p>
- <p>
- Paul Veniza coughed nervously.
- </p>
- <p>
- &ldquo;You were sick,&rdquo; he said; &ldquo;too sick, we thought, for any excitement.&rdquo;
- </p>
- <p>
- Hawkins suddenly leaned forward; his wrinkled face was earnest.
- </p>
- <p>
- &ldquo;That is not true!&rdquo; he said bluntly. &ldquo;It might have been at first, but it
- wasn't after you got better. It was mostly your money that was stolen.
- Claire put it there the night you came here, and&mdash;&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Hawkins!&rdquo; Paul Veniza called out sharply in reproof.
- </p>
- <p>
- &ldquo;But he knows now it's gone,&rdquo; said the old cabman a little helplessly. He
- blundered on: &ldquo;Paul felt he was responsible for your money, and he was
- afraid you might not want to take it if you knew he had to make it up out
- of his own pocket, and&mdash;&mdash;&rdquo;
- </p>
- <p>
- John Bruce took a step forward, and laid his hand on Paul Veniza's
- shoulder. He stood silently, looking at the other.
- </p>
- <p>
- &ldquo;It is nothing!&rdquo; said Paul Veniza, abashed.
- </p>
- <p>
- &ldquo;Perhaps not!&rdquo; said John Bruce. &ldquo;But&rdquo;&mdash;he turned abruptly away, his
- lips tight&mdash;&ldquo;it just made me think for a minute. In the life I've led
- men like you are rare.&rdquo;
- </p>
- <p>
- &ldquo;We were speaking of Doctor Crang,&rdquo; said Paul Veniza a little awkwardly.
- &ldquo;If you know that Doctor Crang is the thief, then that is the way out of
- our trouble. Instead of marrying Claire, he will be sent to prison.&rdquo;
- </p>
- <p>
- John Bruce shook his head.
- </p>
- <p>
- &ldquo;You said yourself I was unconscious at the time. You certainly must have
- found me that way, and Crang would make you testify that for days I had
- been raving in delirium. I do not think you could convict him on my
- testimony.&rdquo;
- </p>
- <p>
- &ldquo;But even so,&rdquo; said Paul Veniza, &ldquo;there is Claire. If she knew that Crang
- was a criminal, she&mdash;&mdash;&rdquo;
- </p>
- <p>
- &ldquo;She does know,&rdquo; said John Bruce tersely.
- </p>
- <p>
- &ldquo;Claire knows!&rdquo; ejaculated Paul Veniza in surprise. &ldquo;You&mdash;you told
- her, then?&rdquo;
- </p>
- <p>
- &ldquo;No,&rdquo; John Bruce answered. &ldquo;I said to her: 'Suppose I were to tell you
- that the man is a criminal?' She answered: 'He is a criminal.' I said
- then: 'Suppose he were sent to jail&mdash;to serve a sentence?' She
- answered: 'I would marry him when he came out.'&rdquo;
- </p>
- <p>
- &ldquo;My God!&rdquo; mumbled the old cabman miserably.
- </p>
- <p>
- &ldquo;I tell you this,&rdquo; said John Bruce through set teeth, and speaking
- directly to Paul Veniza, &ldquo;because it seems to me to be the final proof
- that mere argument with Claire is useless, and that something more is
- necessary. I do not ask you to release Hawkins from his pledge; I ask you
- to believe his promise this time because back of it he knows it may save
- Claire from what would mean worse than death to her. I believe him; I will
- vouch for him. Do you agree, Paul Veniza?&rdquo;
- </p>
- <p>
- For an instant the white-haired pawnbroker seemed lost in thought; then he
- nodded his head gravely.
- </p>
- <p>
- &ldquo;In the last few days,&rdquo; he said slowly, &ldquo;I have felt that it was no longer
- my province to masquerade as her father. I know that my influence is
- powerless. As you have said, it is the crisis, a very terrible crisis, in
- her life.&rdquo; He turned toward Hawkins, and held out his hand. &ldquo;My old
- friend&rdquo;&mdash;his voice broke&mdash;&ldquo;I pray Heaven to aid you&mdash;to aid
- us all.&rdquo;
- </p>
- <p>
- Hawkins' blue eyes filled suddenly with tears.
- </p>
- <p>
- &ldquo;You believe me, too, Paul, this time!&rdquo; he said in a choking voice.
- &ldquo;Listen, Paul! I promise! So help me, God&mdash;I promise!&rdquo;
- </p>
- <p>
- A lump had somehow risen in John Bruce's throat. He turned away, and for a
- moment there was silence in the room. And then he heard Paul Veniza speak:
- </p>
- <p>
- &ldquo;She is dear to us all. Let us call her&mdash;unless, my old friend, you
- would rather be alone.&rdquo;
- </p>
- <p>
- &ldquo;No, no!&rdquo; Hawkins cried hurriedly. &ldquo;I&mdash;I want you both; but&mdash;but
- not now, don't call her now.&rdquo; He swept his hands over his shabby,
- ill-fitting clothes. &ldquo;I&mdash;not like this. I&mdash;&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Yes,&rdquo; said Paul Veniza gently, &ldquo;I understand&mdash;and you are right.
- This evening then&mdash;at eight o'clock. You will come back here, my old
- friend, at eight o'clock. And do you remember, it was in this very room,
- twenty years ago, that&mdash;&mdash;&rdquo; He did not complete his sentence;
- the hot tears were streaming unashamed down his cheeks.
- </p>
- <p>
- John Bruce was staring out of the window, the panes of which seemed
- curiously blurred.
- </p>
- <p>
- &ldquo;Come,&rdquo; he heard Paul Veniza say.
- </p>
- <p>
- And then, as the two men reached the door, John Bruce looked around.
- Hawkins had turned on the threshold. Something seemed to have transfigured
- the old cab driver's face. It was illumined. There seemed something of
- infinite pathos in the head held high, in the drooped shoulders resolutely
- squared.
- </p>
- <p>
- &ldquo;My little girl!&rdquo; said Hawkins tenderly. &ldquo;To-night at eight o'clock&mdash;my
- little girl!&rdquo;
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0010" id="link2HCH0010"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER TEN&mdash;AT FIVE MINUTES TO EIGHT
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">B</span>EFORE the rickety
- washstand and in front of the cracked glass that served as a mirror and
- was suspended from a nail driven into the wall, Hawkins was shaving
- himself. Perhaps the light from the wheezing gas-jet was over-bad that
- evening, or perhaps it was only in playful and facetious mood with the
- mirror acting the rôle of co-conspirator; Hawkins' chin smarted and was
- raw; little specks of red showed here and there through the repeated coats
- of lather which he kept scraping off with his razor. But Hawkins appeared
- willing to sacrifice even the skin itself to obtain the standard of
- smoothness which he had evidently set before himself as his goal. And so
- over and over again he applied the lather, and hoed it off, and tested the
- result by rubbing thumb and forefinger critically over his face. He made
- no grimace, nor did he show any irritation at the none-too-keen blade that
- played havoc with more than the lather, nor did he wince at what must at
- times have been anything but a painless operation. Hawkins' round,
- weatherbeaten face and old watery blue eyes smiled into the mirror.
- </p>
- <p>
- On the washstand beside him lay a large, ungainly silver watch, its case
- worn smooth with years of service. It had a hunting-case, and it was open.
- Hawkins glanced at it. It was twenty minutes to eight.
- </p>
- <p>
- &ldquo;I got to hurry,&rdquo; said Hawkins happily. &ldquo;Just twenty minutes&mdash;after
- twenty years.&rdquo;
- </p>
- <p>
- Hawkins laid aside the razor, and washed and scrubbed at his face until it
- shone; then he went to his trunk and opened it. From underneath the tray
- he lifted out an old black suit. Perhaps again it was the gas-jet in
- either baleful or facetious mood, for, as he put on the suit, the cloth in
- spots seemed to possess, here a rusty, and there a greenish, tinge, and
- elsewhere to be woefully shiny. Also, but of this the gas-jet could not
- have been held guilty, the coat and trousers, and indeed the waistcoat,
- were undeniably most sadly wrinkled.
- </p>
- <p>
- And now there seemed to be something peculiarly congruous as between the
- feeble gas-jet, the cracked mirror, the wobbly washstand, the threadbare
- strip of carpet that lay beside the iron bed, and the old bent-shouldered
- figure with wrinkled face in wrinkled finery that stood there knotting
- with anxious, awkward fingers a large, frayed, black cravat about his
- neck; there seemed to be something strikingly in keeping between the man
- and his surroundings, a sort of common intimacy, as it were, with the
- twilight of an existence that, indeed, had never known the full sunlight
- of high noon.
- </p>
- <p>
- It was ten minutes to eight.
- </p>
- <p>
- Hawkins put the silver watch in his pocket, extinguished the spluttering
- gas-jet, that hissed at him as though in protest at the scant ceremony
- with which it was treated, and went down the stairs. He stepped briskly
- out on the street.
- </p>
- <p>
- &ldquo;Claire!&rdquo; said Hawkins radiantly. &ldquo;My little Claire! I'm her daddy, and
- she's going to know it. I'm going to get her to call me that&mdash;daddy!&rdquo;
- </p>
- <p>
- Hawkins walked on halfway along the block, erect, with a quick, firm step,
- his head high, smiling into every face he met&mdash;and turning to smile
- again, conscious that people as they passed had turned to look back at
- him. And then very gradually Hawkins' pace slackened, and into his face
- and eyes there came a dawning anxiety, and the smile was gone.
- </p>
- <p>
- &ldquo;I'm kind of forgetting,&rdquo; said Hawkins presently to himself, &ldquo;that it
- ain't just that I'm getting my little girl. I&mdash;I'm kind of forgetting
- her 'rouble. There&mdash;there's Crang.&rdquo;
- </p>
- <p>
- The old man's face was furrowed now deep with storm and care; he walked
- still more slowly. He began to mutter to himself. At the corner of the
- street he raised an old gnarled fist and shook it, clenched, above his
- head, unconscious and oblivious now that people still turned and looked at
- him.
- </p>
- <p>
- And then a little way ahead of him along the street that he must go to
- reach the one-time pawn-shop of Paul Veniza, his eyes caught the patch of
- light that filtered out to the sidewalk from under the swinging doors of
- the familiar saloon, and from the windows in a more brilliant flood.
- </p>
- <p>
- Hawkins drew in a long breath.
- </p>
- <p>
- &ldquo;No, no!&rdquo; he whispered fiercely. &ldquo;I will never go in there again&mdash;so
- help me, God! If I did&mdash;and&mdash;and she knew it was her daddy, it
- would just break her heart like&mdash;like Crang 'll break it.&rdquo;
- </p>
- <p>
- He went on, but his footsteps seemed to drag the more now as he approached
- the saloon. His hand as he raised it trembled; and as he brushed it across
- his brow it came away wet with sweat.
- </p>
- <p>
- The saloon was just a yard away from him now.
- </p>
- <p>
- There was a strange, feverish glitter in the blue eyes. His face was
- chalky white.
- </p>
- <p>
- &ldquo;So help me, God!&rdquo; Hawkins mumbled hoarsely.
- </p>
- <p>
- It was five minutes of eight.
- </p>
- <p>
- Hawkins had halted in front of the swinging doors.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0011" id="link2HCH0011"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER ELEVEN&mdash;THE RENDEZVOUS
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">P</span>AUL VENIZA, pacing
- restlessly about the room, glanced surreptitiously at his watch, and then
- glanced anxiously at John Bruce.
- </p>
- <p>
- John Bruce in turn stole a look at Claire. His lips tightened a little.
- Since she had been told nothing, she was quite unconscious, of course,
- that it mattered at all because it was already long after eight o'clock;
- that Hawkins in particular, or any one else in general, was expected to
- join the little evening circle here in what he, John Bruce, had by now
- almost come to call his room. His forehead gathered in a frown. What was
- it that was keeping Hawkins?
- </p>
- <p>
- Claire's face was full in the light, and as she sat there at the table,
- busy with some sewing, it seemed to John Bruce that, due perhaps to the
- perspective of what he now knew, he detected a weariness in her eyes and
- in sharp lines around her mouth, that he had not noticed before. It was
- Crang, of course; but perhaps he too&mdash;what he had said to her that
- afternoon&mdash;his love&mdash;had not made it any easier for her.
- </p>
- <p>
- Paul Veniza continued his restless pacing about the room.
- </p>
- <p>
- &ldquo;Father, do sit down!&rdquo; said Claire suddenly. &ldquo;What makes you so nervous
- to-night? Is anything the matter?&rdquo;
- </p>
- <p>
- &ldquo;The matter? No! No, no; of course not!&rdquo; said Paul Veniza hurriedly.
- </p>
- <p>
- &ldquo;But I'm sure there is,&rdquo; said Claire, with a positive' little nod of her
- head. &ldquo;With both of you, for that matter. Mr. Bruce has done nothing but
- fidget with the tassel of that dressing gown for the last half hour.&rdquo;
- </p>
- <p>
- John Bruce let the tassel fall as though it had suddenly burned his
- fingers.
- </p>
- <p>
- &ldquo;I? Not at all!&rdquo; he denied stoutly.
- </p>
- <p>
- &ldquo;Oh, dear!&rdquo; sighed Claire, with mock plaintiveness. &ldquo;What bores you two
- men are, then! I wish I could send out&mdash;what do you call it?&mdash;a
- thought wave, and inspire some one, and most of all Hawkins, to come over
- here this evening. He, at least, is never deadly dull.&rdquo;
- </p>
- <p>
- Neither of the two men spoke.
- </p>
- <p>
- &ldquo;You don't know Hawkins, do you, Mr. Bruce?&rdquo; Claire went on. She was
- smiling now as she looked at John Bruce. &ldquo;I mean really know him, of
- course. He's a dear, quaint, lovable soul, and I'm so fond of him.&rdquo;
- </p>
- <p>
- &ldquo;I'm sure he is,&rdquo; said John Bruce heartily. &ldquo;Even from the little I've
- seen of him I'd trust him with&mdash;well, you know&rdquo;&mdash;John Bruce
- coughed as his words stumbled&mdash;&ldquo;I mean, I'd take his word for
- anything.&rdquo;
- </p>
- <p>
- &ldquo;Of course, you would!&rdquo; asserted Claire. &ldquo;You couldn't think of doing
- anything else&mdash;nobody could. He's just as honest as&mdash;as&mdash;well,
- as father there, and I don't know any one more honest.&rdquo; She smiled at Paul
- Veniza, and then her face grew very earnest. &ldquo;I'm going to tell you
- something about Hawkins, and something that even you never knew, father.
- Ever since I was old enough to remember any one, I remember Hawkins. And
- when I got old enough to understand at all, though I could never get him
- to talk about it, I knew his life wasn't a very happy one, and perhaps I
- loved him all the more for that reason. Hawkins used to drink a great
- deal. Everybody knew it. I&mdash;I never felt I had the right to speak to
- him about it, though it made me feel terribly, until&mdash;until mother
- died.&rdquo;
- </p>
- <p>
- Claire had dropped her sewing in her lap, and now she picked it up again
- and fumbled with it nervously.
- </p>
- <p>
- &ldquo;I spoke to him then,&rdquo; she said in a low voice. &ldquo;I told him how much you
- needed him, father; and how glad and happy it would make me. And&mdash;and
- I remember so well his words: 'I promise, Claire. I promise, so help me,
- God, that I will never drink another drop.'&rdquo; Claire looked up, her face
- aglow &ldquo;And I know, no matter what anybody says, that from that day to
- this, he never has.&rdquo;
- </p>
- <p>
- Paul Veniza, motionless now in the center of the room, was staring at her
- in a sort of numbed fascination.
- </p>
- <p>
- John Bruce was staring at the door. He had heard, he thought, a step in
- the outer room.
- </p>
- <p>
- The door opened. Hawkins stood there. He plucked at his frayed, black
- cravat, which was awry. He lurched against the jamb, and in groping
- unsteadily for support his hat fell from his other hand and rolled across
- the floor.
- </p>
- <p>
- Hawkins reeled into the room.
- </p>
- <p>
- &ldquo;Good&mdash;hic!&mdash;good-evenin',&rdquo; said Hawkins thickly.
- </p>
- <p>
- Claire alone moved. She rose to her feet, but as though her weight were
- too heavy for her limbs. Her lips quivered.
- </p>
- <p>
- &ldquo;Oh, Hawkins!&rdquo; she cried out pitifully&mdash;and burst into tears, and ran
- from the room.
- </p>
- <p>
- It seemed to John Bruce that for a moment the room swirled around before
- his eyes; and then over him swept an uncontrollable desire to get his
- hands upon this maudlin, lurching creature. Rage, disgust, a bitter
- resentment, a mad hunger for reprisal possessed him; Claire's future, her
- faith which she had but a moment gone so proudly vaunted, were all
- shattered, swept to the winds, by this seedy, dissolute wreck. Her father!
- No, her shame! Thank God she did not know!
- </p>
- <p>
- &ldquo;You drunken beast!&rdquo; he gritted in merciless fury, and stepped suddenly
- forward.
- </p>
- <p>
- But halfway across the room he halted as though turned to stone. Hawkins
- wasn't lurching any more. Hawkins had turned and closed the door; and
- Hawkins now, with his face white and drawn, a look in his old blue eyes
- that mingled agony and an utter hopelessness, sank into a chair and buried
- his face in his hands.
- </p>
- <p>
- It was Paul Veniza who moved now. He went and stood behind the old cabman.
- </p>
- <p>
- Hawkins looked up.
- </p>
- <p>
- &ldquo;You are sober. What does this mean?&rdquo; Paul Veniza asked heavily.
- </p>
- <p>
- Hawkins shook his head.
- </p>
- <p>
- &ldquo;I couldn't do it,&rdquo; he said in a broken voice. &ldquo;And&mdash;and I've settled
- it once for all now. I got to thinking as I came along to-night, and I
- found out that it wasn't any good for me to swear I wasn't going to touch
- anything any more. I'm afraid of myself. I&mdash;I came near going into
- the saloon. It&mdash;it taught me something, that did; because the only
- way I could get by was to promise myself I'd go back there after I'd been
- here.&rdquo;
- </p>
- <p>
- Hawkins paused. A flush dyed his cheeks. He turned around and looked at
- Paul Veniza again, and then at John Bruce.
- </p>
- <p>
- &ldquo;You don't understand&mdash;neither of you understand. Once I promised
- Claire that I'd stop, and&mdash;and until just now she believed me. And
- I've hurt her. But I ain't broken her heart. It was only old Hawkins, just
- Hawkins, who promised her then; it would have been her <i>father</i> who
- promised her to-night, and&mdash;and it ain't any good, I'd have broken
- that promise, I know it now&mdash;and she ain't ever going to share that
- shame.&rdquo;
- </p>
- <p>
- Hawkins brushed his hands across his eyes.
- </p>
- <p>
- &ldquo;And then,&rdquo; he went on, A sudden fierceness in his voice, &ldquo;suppose she'd
- had that on top of Crang, 'cause it ain't sure that knowing who I am would
- have saved her from him! Oh, my God, she'd better be dead! I'd rather see
- her dead. You're wrong, John Bruce! It wasn't the way. You meant right,
- and God bless you; but it wasn't the way. I saw it all so clearly after&mdash;after
- I'd got past that saloon; and&mdash;and then it was all right for me to
- promise myself that I'd go back. It wouldn't hurt her none then.&rdquo;
- </p>
- <p>
- John Bruce cleared his throat.
- </p>
- <p>
- &ldquo;I don't quite understand what you mean by that, Hawkins,&rdquo; he said a
- little huskily.
- </p>
- <p>
- Hawkins rose slowly to his feet.
- </p>
- <p>
- &ldquo;I dressed all up for this,&rdquo; said Hawkins, with a wan smile; &ldquo;but
- something's snapped here&mdash;inside here.&rdquo; His hand felt a little
- aimlessly over his heart. &ldquo;I know now that I ain't ever going to be
- worthy; and I know now that she ain't ever to know that I&mdash;that I&mdash;I'm
- her old daddy. And so I&mdash;I've fixed it just now like you saw so there
- ain't no going back on it. But I ain't throwing my little girl down. It
- ain't Claire that's got to be made change her mind&mdash;<i>it's Crang</i>.&rdquo;
- He raised a clenched fist. &ldquo;And Crang's going to change it! I can swear to
- <i>that</i> and know I'll keep it, so&mdash;so help me, God! And when
- she's rid of him, she ain't going to have no shame and sorrow from me.
- That's what I meant.&rdquo;
- </p>
- <p>
- &ldquo;Yes,&rdquo; said John Bruce mechanically.
- </p>
- <p>
- &ldquo;I'm going now,&rdquo; said Hawkins in a low voice. &ldquo;Around by the other way,&rdquo;
- said Paul Veniza softly. &ldquo;And I'll go with you, old friend.&rdquo;
- </p>
- <p>
- For a moment Hawkins hesitated, and then he nodded his head.
- </p>
- <p>
- No one spoke. Paul Veniza's arm was around Hawkins' shoulders as they left
- the room. The door closed behind them. John Bruce sat down on the edge of
- his bed.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0012" id="link2HCH0012"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER TWELVE&mdash;THE FIGHT
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">F</span>OR a long time
- John Bruce stared at the closed door; first a little helplessly because
- the bottom seemed quite to have dropped out of things, and then with set
- face as the old cabman's words came back to him: &ldquo;Crang&mdash;not Claire.&rdquo;
- And at this, a sort of merciless joy crept into his eyes, and he nodded
- his head in savage satisfaction. Yes, Hawkins had been right in that
- respect, and&mdash;well, it would be easier to deal with Crang!
- </p>
- <p>
- And then suddenly John Bruce's face softened. Hawkins! He remembered the
- fury with which the old man had inspired him as the other had reeled into
- the room, and Clare, hurt and miserable, had risen from her chair. But he
- remembered Hawkins in a different way now. It was Hawkins, not Claire, who
- had been hurt. The shabby old figure standing there had paid a price, and
- as he believed for Claire's sake, that had put beyond his reach forever
- what must have meant, what did mean, all that he cherished most in life.
- </p>
- <p>
- John Bruce smiled a little wistfully. Somehow he envied Hawkins, so
- pitifully unstable and so weak&mdash;his strength!
- </p>
- <p>
- He shook his head in a puzzled way. His thoughts led him on. What a
- strange, almost incomprehensible, little world it was into which fate, if
- one wished to call it fate, had flung him! It was an alien world to him.
- His own life of the past rose up in contrast with it&mdash;> not of his
- own volition, but because the comparison seemed to insist on thrusting
- itself upon him.
- </p>
- <p>
- He had never before met men like Hawkins and Paul Veniza. He had met
- drunkards and pawnbrokers. Very many of them! He had lived his life, or,
- rather, impoverished it with a spendthrift hand, among just such classes&mdash;but
- he was conscious that it would never have been the poorer for an intimacy
- with either Hawkins or Paul Veniza.
- </p>
- <p>
- John Bruce raised his head abruptly. The front door had opened. A moment
- later a footstep sounded in the outer room, and then upon the stairs. That
- would be Paul Veniza returning of course, though he hadn't been gone very
- long; or was it that he, John Bruce, had been sitting here staring at that
- closed door for a far longer period than he had imagined?
- </p>
- <p>
- He shrugged his shoulders, dismissing the interruption from his mind, and
- again the wistful smile flickered on his lips.
- </p>
- <p>
- So that was why nothing had been said in his hearing about the robbery!
- Queer people&mdash;with their traveling pawn-shop, which was bizarre; and
- their standards of honesty, and their unaffected hospitality which verged
- on the bizarre too, because their genuineness and simplicity were so
- unostentatious&mdash;and so rare. And somehow, suddenly, as he sat there
- with his chin cupped now in his hands, he was not proud of this contrast&mdash;himself
- on the one hand, a drunkard and a pawnbroker on the other!
- </p>
- <p>
- And then John Bruce raised his head again, sharply this time, almost in a
- startled way. Was that a cry&mdash;in a woman's voice? It was muffled by
- the closed door, and it was perhaps therefore his imagination; but it&mdash;&mdash;
- </p>
- <p>
- He was on his feet. It had come again. No door could have shut it out from
- his ears. It was from Claire upstairs, and the cry seemed most curiously
- to mingle terror and a passionate anger. He ran across the room and threw
- the door open. It was strange! It would be Paul Veniza in a new rôle, if
- the gentle, white-haired old pawnbroker could inspire terror in any one!
- </p>
- <p>
- A rasping, jeering oath&mdash;in a man's voice this time&mdash;reached
- him. John Bruce, a sudden fury whipping his blood into lire, found himself
- stumbling up the stairs. It wasn't Veniza! His mind seemed to convert that
- phrase into a sing-song refrain: &ldquo;It wasn't Veniza! It wasn't Veniza!&rdquo;
- </p>
- <p>
- Claire's voice came to him distinctly now, and there was the same terror
- in it, the same passionate anger that he had distinguished in her cry:
- </p>
- <p>
- &ldquo;Keep away from me! I loathe you! It is men like you that prompt a woman
- to murder! But&mdash;but instead, I have prayed God with all my soul to
- let me die before&mdash;&mdash;&rdquo; Her voice ended in a sharp cry, a scuffle
- of feet.
- </p>
- <p>
- It was Crang in there! John Bruce, now almost at the top of the stairs,
- was unconscious that he was panting heavily from his exertions,
- unconscious of everything save a new refrain that had taken possession of
- his mind: &ldquo;It was Crang in there! It was Crang in there!&rdquo;
- </p>
- <p>
- It was the door just at the right of the landing.
- </p>
- <p>
- Crang's voice came from there; and the voice was high, like the squeal of
- an enraged animal:
- </p>
- <p>
- &ldquo;You're mine! I've got a right to those red lips, you vixen, and I'm going
- to have them! A man's got the right to take the girl he's going to marry
- in his arms! Do you think I'm going to be held off forever? You're mine,
- and&mdash;&mdash;&rdquo;
- </p>
- <p>
- The words were lost again in a cry from Claire, and in the sound of a
- struggle&mdash;a falling chair, the scuffle once more of feet.
- </p>
- <p>
- John Bruce flung himself across the hall and against the door, It yielded
- without resistance, and the impetus of his own rush carried him,
- staggering, far into the room. Two forms were circling there under the gas
- light as though in the throes of some mad dance&mdash;only the face of the
- woman was deathly white, and her small clenched fists beat frantically at
- the face of the man whose arms were around her. John Bruce sprang forward.
- He laughed aloud, unnaturally. His brain, his mind, was whirling; but
- something soft was grasped in his two encircling hands, and that was why
- he laughed&mdash;because his soul laughed. His fingers pressed tighter. It
- was Crang's throat that was soft under his fingers.
- </p>
- <p>
- Suddenly the room swirled around him. A giddiness seemed to seize upon him&mdash;and
- that soft thing in his grip slipped from his fingers and escaped him. He
- brushed his hand across his eyes. It would pass, of course. It was strange
- that he should go giddy like that, and that his limbs should be trembling
- as though with the ague! Again he brushed his hand across his eyes. It
- would pass off. He could see better now. Claire had somehow fallen to the
- floor; but she was rising to her knees now, using the side of the bed for
- support, and&mdash;&mdash;
- </p>
- <p>
- Her voice rang wildly through the room.
- </p>
- <p>
- &ldquo;Look out! Oh, look out!&rdquo; she cried.
- </p>
- <p>
- To John Bruce it seemed as though something leaped at him out of space&mdash;and
- struck. The blow, aimed at his side, which was still bandaged, went home.
- It brought an agony that racked and tore and twisted at every nerve in his
- body. It wrung a moan from his lips, it brought the sweat beads bursting
- out upon his forehead&mdash;but it cleared his brain.
- </p>
- <p>
- Yes, it was Doctor Crang&mdash;but disreputable in appearance as he had
- never before seen the man. Crang's clothes were filthy and unkempt, as
- though the man had fallen somewhere in the mire and was either unconscious
- or callous of the fact; his hair draggled in a matted way over his
- forehead, and though his face worked with passion, and the passion brought
- a curious hectic rose-color to supplant the customary lifeless gray of his
- cheeks, the eyes were most strangely glazed and fixed.
- </p>
- <p>
- And again John Bruce laughed&mdash;and with a vicious guard swept aside a
- second blow aimed at his side, and his left fist, from a full arm swing,
- crashed to the point of Doctor Crang's jaw. But the next instant they had
- closed, their arms locked around each other's waists, their chins dug hard
- into each other's shoulders. And they rocked there, and swayed, and
- lurched, a curious impotence in their ferocity&mdash;and toppled to the
- floor.
- </p>
- <p>
- John Bruce's grip tightened as Doctor Crang fought madly now to tear
- himself free&mdash;and they rolled over and over in the direction of the
- door. Hot and cold waves swept over John Bruce. He was weak, pitifully
- weak, barely a convalescent. But he was content to call it an equal fight.
- He asked for no other odds than Crang himself had offered. The man for
- once had over-steeped himself with dope, and was near the point of
- collapse. He had read that in the other's eyes, as surely as though he had
- been told. And so John Bruce, between his gasping breaths, still laughed,
- and rolled over and over&mdash;always toward the door.
- </p>
- <p>
- From somewhere Claire's voice reached John Bruce, imploringly, in terror.
- Of course! That was why he was trying to get to the door, to get out of
- her room&mdash;through respect for her&mdash;to get somewhere where he
- could finish this fight between one man who could scarcely stand upon his
- feet through weakness, and another whose drug-shattered body was
- approaching that state of coma which he, John Bruce, had been made to
- suffer on the night the robbery had been committed. And by the same
- needle! He remembered that! Weak in body, his mind was very clear. And so
- he rolled over and over, always toward the door, because Crang was
- heedless of the direction they were taking, and he, John Bruce, was
- probably not strong enough in any other way to force the other out of the
- room where they could finish this.
- </p>
- <p>
- They rolled to the threshold&mdash;and out into the hall. John Bruce
- loosened his hold suddenly, staggered to his feet, and leaned heavily for
- an instant against the jamb of the door. But it was only for an instant.
- Crang was the quicker upon his feet. Like a beast there was slaver on the
- other's lips, his hands clawed the air, his face was contorted hideously
- like the face of one demented, one from whom reason had flown, and with
- whom maniacal passion alone remained&mdash;and from the banister railing
- opposite the door Crang launched himself forward upon John Bruce again.
- </p>
- <p>
- &ldquo;She's mine!&rdquo; he screamed. &ldquo;I've been watching you two! I'll teach you!
- She's mine&mdash;mine! I'll finish you for this!&rdquo;
- </p>
- <p>
- John Bruce side-stepped the rush, and Crang pitched with his head against
- the door jamb, but recovering, whirled again, and rushed again. The man
- began to curse steadily now in a low, abominable monotone. It seemed to
- John Bruce that he ought to use his fist as a cork and thrust it into the
- other's mouth to bottle up the vile flow of epithets that included Claire,
- and coupled his name with Claire's. Claire might hear! The man was raving,
- insane with jealousy. John Bruce struck. His fist found its mark on
- Crang's lips, and found it again; but somehow his arm seemed to possess
- but little strength, and to sag back at the elbow from each impact. He
- writhed suddenly as Crang reached him with another blow on his side.
- </p>
- <p>
- And then they had grappled and locked together again, and were swaying
- like drunken men, now to this side, and now to that, of the narrow hall.
- </p>
- <p>
- It could not last. John Bruce felt his knees giving way beneath him. He
- had under-estimated Crang's resistance to the over-dose of drug. Crang was
- the stronger&mdash;and seemed to be growing stronger every instant. Or was
- it his own increasing weakness?
- </p>
- <p>
- Crang's fist with a short-arm jab smashed at John Bruce's wounded side
- once more. The man struck nowhere else&mdash;always, with the cunning born
- of hell, at the wounded side. John Bruce dug his teeth into his lips. A
- wave of nausea swept over him. He felt his senses leaving him, and he
- clung now to the other, close, tight-pressed, as the only means of
- protecting his side.
- </p>
- <p>
- He forced himself then desperately to a last effort. There was one chance
- left, just one. In the livid face, in the hot, panting breath with which
- the other mouthed his hideous profanity, there was murder. Over his
- shoulder, barely a foot away, John Bruce glimpsed the staircase. He let
- his weight sag with seeming helplessness upon Crang. It brought Crang
- around in a half circle. Crang's back was to the stairs now. John Bruce
- let his hands slip slowly from their hold upon the other, as though the
- last of his strength was ebbing away. He accepted a vicious blow on his
- wounded side as the price that he must pay, a blow that brought his chin
- crumpling down upon his breast&mdash;and then with every ounce of
- remaining strength he hurled himself at Crang, and Crang's foot stumbled
- out into space over the topmost stair, and with a scream of infuriated
- surprise the man pitched backward.
- </p>
- <p>
- John Bruce grasped with both hands at the banister for support. Something
- went rolling, rolling, rolling down the stairs with queer, dull thumps
- like a sack of meal. His hands slipped from the banister, and he sat
- limply down on the topmost step and laughed. He laughed because that
- curious looking bundle at the bottom there began a series of fruitless
- efforts to roll back up the stairs again.
- </p>
- <p>
- And then the front door opened. He could see it from where he sat, and
- Paul Veniza&mdash;that was Paul Veniza, wasn't it?&mdash;stepped into the
- room below, and cried out, and ran toward the bundle at the foot of the
- stairs.
- </p>
- <p>
- John Bruce felt some one suddenly hold him back from pitching down the
- stairs himself, but nevertheless he kept on falling and falling into some
- great pit that grew darker and darker the farther he went down, and this
- in spite of some one who tried to hold him back, and&mdash;and who had a
- face that looked like Claire's, only it was as&mdash;as white as driven
- snow. And as he descended into the blackness some one screamed at him:
- &ldquo;I'll finish you for this!&rdquo; And screamed it again&mdash;only the voice
- kept growing fainter. And&mdash;and then he could neither see nor hear any
- more.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <br /><br />
- </p>
- <p>
- When John Bruce opened his eyes again he was lying on his cot. A little
- way from him, their backs turned, Claire and Paul Veniza were whispering
- earnestly together. He watched them for a moment, and gradually as his
- senses became normally acute again he caught Claire's words:
- </p>
- <p>
- &ldquo;He is not safe here for a moment. Father, we must get him away. I am
- afraid. There is not a threat Doctor Crang made to-night but that he is
- quite capable of carrying out.&rdquo;
- </p>
- <p>
- &ldquo;But he is safe for to-night,&rdquo; Paul Veniza answered soothingly. &ldquo;I got
- Crang home to bed, and as I told you, he is too badly bruised and knocked
- about to move around any before morning at least.&rdquo;
- </p>
- <p>
- &ldquo;And yet I am afraid,&rdquo; Claire insisted anxiously. &ldquo;Fortunately Mr. Bruce's
- wound hasn't opened, and he could be moved. Oh, if Hawkins only hadn't&mdash;&mdash;&rdquo;
- </p>
- <p>
- She stopped, and twisted her hands together nervously.
- </p>
- <p>
- Paul Veniza coughed, averted his head suddenly and in turning met John
- Bruce's eyes&mdash;and stared in a startled way.
- </p>
- <p>
- &ldquo;Claire!&rdquo; John Bruce called softly.
- </p>
- <p>
- &ldquo;Oh!&rdquo; she cried, and ran toward him. &ldquo;You&mdash;&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Yes,&rdquo; smiled John Bruce. &ldquo;And I have been listening. Why isn't it safe
- for me to stay here any longer? On account of Crang's wild threats?&rdquo;
- </p>
- <p>
- &ldquo;Yes,&rdquo; she said in a low voice.
- </p>
- <p>
- John Bruce laughed.
- </p>
- <p>
- &ldquo;But you don't believe them, do you?&rdquo; he asked. &ldquo;At least, I mean, you
- don't take them literally.&rdquo; Claire's lips were trembling.
- </p>
- <p>
- &ldquo;There is no other way to take them.&rdquo; She was making an effort to steady
- her voice. &ldquo;It is not a question of believing them. I know only too well
- that he will carry them out if he can. You are not safe here, or even in
- New York now&mdash;but less safe here in this house than anywhere else.&rdquo;
- </p>
- <p>
- John Bruce came up on his elbow.
- </p>
- <p>
- &ldquo;Then, Claire, isn't this the end?&rdquo; he demanded passionately. &ldquo;You know
- him for what he is. You do not love him, for I distinctly heard you tell
- him that you loathed him, as I went up the stairs. Claire, I am not asking
- for myself now&mdash;only for you. Tell me, tell Paul Veniza here, to whom
- it will mean so much, that you have now no further thought of marriage
- with that&rdquo;&mdash;John Bruce's voice choked&mdash;&ldquo;with Crang.&rdquo; She shook
- her head.
- </p>
- <p>
- &ldquo;I cannot tell you that,&rdquo; she said dully, &ldquo;for I am going to marry Doctor
- Crang.&rdquo;
- </p>
- <p>
- John Bruce's face hardened. He looked at Paul Veniza. The old pawnbroker
- had his eyes on the floor, and was ruffling his white hair helplessly with
- his fingers.
- </p>
- <p>
- &ldquo;Why?&rdquo; John Bruce asked.
- </p>
- <p>
- &ldquo;Because I promised,&rdquo; Claire said slowly.
- </p>
- <p>
- &ldquo;But a promise like that!&rdquo; John Bruce burst out. &ldquo;A promise that you will
- regret all your life is&mdash;&mdash;&rdquo;
- </p>
- <p>
- &ldquo;No!&rdquo; Her face was half averted; her head was lowered to hide the tears
- that suddenly welled into her eyes. &ldquo;No; it is a promise that I&mdash;that
- I am glad now I made.&rdquo;
- </p>
- <p>
- &ldquo;<i>Glad!</i>&rdquo; John Bruce sat upright. She had turned her head away from
- the cot. He could not see her face. &ldquo;Glad!&rdquo; he repeated incredulously.
- </p>
- <p>
- &ldquo;Yes.&rdquo; Her voice was scarcely audible.
- </p>
- <p>
- For a moment John Bruce stared at her; then a bitter smile tightened his
- lips, and he lay back on the cot, and turned on his side away from both
- Claire and Paul Veniza.
- </p>
- <p>
- When John Bruce looked around again, only Paul Veniza was in the room.
- </p>
- <p>
- &ldquo;I don't understand,&rdquo; said Paul Veniza&mdash;he was still ruffling his
- hair, still with his eyes on the floor.
- </p>
- <p>
- &ldquo;I do,&rdquo; said John Bruce grimly. &ldquo;Claire is right. It isn't safe for me to
- stay here, and I'll go to-night. If only Hawkins hadn't&mdash;&mdash;&rdquo; He
- laughed a little harshly. &ldquo;But I'll go to-night, just the same. A taxi
- will do quite as well.&rdquo;
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0013" id="link2HCH0013"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER THIRTEEN&mdash;TRAPPINGS OF TINSEL
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">U</span>NDER the shaded
- light on his table, in his private sitting room in the Bayne-Miloy Hotel,
- John Bruce had been writing steadily for half an hour&mdash;but the sheets
- of paper over which his pen had traveled freely and swiftly were virgin
- white. He paused now, remained a moment in thought, and then added a line
- to the last sheet. No mark was left, but from the movement of the pen this
- appeared to be a signature.
- </p>
- <p>
- He gathered the sheets together, folded them neatly, and slipped them into
- an envelope. He replaced the cap on the fountain pen he had been using,
- placed the pen in his vest pocket, and from another pocket took out
- another pen that was apparently identical with the first. With this second
- pen, in black ink, he addressed the envelope to one Gilbert Larmon in San
- Francisco. He sealed the envelope, stamped it, put it in his pocket,
- returned the second fountain pen to his vest pocket, lighted a cigarette
- leaned back in his chair, and frowned at the ascending spirals of smoke
- from the cigarette's tip.
- </p>
- <p>
- The report which he had just written to Larmon, explaining his inaction
- during the past weeks, had been an effort&mdash;not physical, but mental.
- He had somehow, curiously, felt no personal regret for the enforced
- absence from his &ldquo;work,&rdquo; and he now felt no enthusiasm at the prospect of
- resuming it. He had had no right to tinge or color his letter to Larmon
- with these views; nor had he intended to do so. Perhaps he had not;
- perhaps he had. He did not know. The ink originated by the old Samoan
- Islander had its disadvantages as well as its advantages. He could not now
- read the letter over once it was written!
- </p>
- <p>
- He flicked the ash irritably from his cigarette. He had been back here in
- the hotel now for two days and that feeling had been constantly growing
- upon him. Why? He did not know except that the cause seemed to insist on
- associating itself with his recent illness, his life in the one-time
- pawn-shop of Paul Veniza. But, logically, that did not hold water. Why
- should it? He had met a pawnbroker who roamed the streets at night in a
- fantastic motor car, driven by a drunkard; and he had fallen in love with
- a girl who was glad she was going to marry a dope-eating criminal. Good
- God, it was a spectacle to make&mdash;&mdash;
- </p>
- <p>
- John Bruce's fist crashed suddenly down on the desk beside him, and he
- rose from his chair and stood there staring unseeingly before him. That
- was not fair! What was uppermost now was the recrudescence of the
- bitterness that had possessed him two nights ago when he had returned from
- Paul Veniza's to the hotel here. Nor was it any more true than it was
- fair! What of the days and nights of nursing, of care, of the ungrudging
- and kindly hospitality they had given to an utter stranger? Yes, he knew!
- Only&mdash;only she had said she was <i>glad!</i>
- </p>
- <p>
- He began to pace the room. He had left Veniza's in bitterness. He had not
- seen Claire. It was a strange sort of love he boasted, little of
- unselfishness in it, much of impatience, and still more of intolerance!
- That it was a hopeless love in so far as he was concerned did not place
- him before himself in any better light. If he cared for her, if there was
- any depth of feeling in this love he claimed to have, then at least her
- happiness, her welfare and her future could not be extraneous and
- indifferent considerations to him. And on the spur of the moment, piqued,
- in spite of Paul Veniza's protestations, he had left that night without
- seeing Claire again!
- </p>
- <p>
- He had been ashamed of himself. Yesterday, he had telephoned Claire. He
- had begged her forgiveness. He had not meant to say more&mdash;but he had!
- Something in her voice had&mdash;no, not invited; he could not say that&mdash;but
- had brought the passion, pleading almost, back into his own. It had seemed
- to him that she was in tears at the other end of the wire; at least,
- bravely as she had evidently tried to do so, she had been unable to keep
- her voice under control. But she had evaded an answer. There had been
- nothing to forgive, she had said. He had told her that he must see her,
- that he would see her again. And then almost hysterically, over and over
- again, she had begged him to attempt nothing of the sort, but instead to
- leave New York because she insisted that it was not safe for him to stay
- even in the city.
- </p>
- <p>
- John Bruce hurled the butt of his cigarette in the direction of the
- cuspidor, and clenched his fist. Crang! Safe from Crang! He laughed aloud
- harshly. He asked nothing better than to meet Crang again. He would not be
- so weak the next time! And the sooner the better!
- </p>
- <p>
- He gnawed at his under lip, as he continued to pace the room. To-day, he
- had telephoned Claire again&mdash;but he had not spoken to her this time.
- He had not been surprised at the news he had received, for he remembered
- that Hawkins had once told him that the old pawnbroker was in reality far
- from well. Some one, he did not know who, some neighbor probably, had
- answered the phone. Paul Veniza had been taken ill. Claire had been up
- with him all the previous night, and was then resting.
- </p>
- <p>
- John Bruce paused abruptly before the desk at which he had been writing,
- and looked at his watch. It was a little after ten o'clock. He was going
- back to &ldquo;work&rdquo; again to-night. He smiled suddenly, and a little
- quizzically, as he caught sight of himself in a mirror. What would they
- say&mdash;the white-haired negro butler, and the exquisite Monsieur Henri
- de Lavergne, for instance&mdash;when the millionaire plunger, usually so
- immaculate in evening clothes, presented himself at their door in a suit
- of business tweeds?
- </p>
- <p>
- He shrugged his shoulders. Down at Ratti's that night his apparel&mdash;it
- was a matter of viewpoint&mdash;had been a source of eminent displeasure,
- and as such had been very effectively disposed of. He had had no
- opportunity to be measured for new clothes.
- </p>
- <p>
- The smile faded, and he stood staring at the desk. The millionaire
- plunger! It seemed to jar somehow on his sensibilities. Work! That was a
- queer way, too, to designate it. He was going to take up his work again
- to-night, pick up the threads of his life again where he had dropped them.
- A bit ragged those threads, weren't they? Frayed, as it were!
- </p>
- <p>
- What the devil was the matter with him, anyway?
- </p>
- <p>
- There was money in it, a princely existence. What more could any one ask?
- What did Claire, his love for a girl who was glad to marry some one else
- infinitely worse than he was, have to do with it? Ah, she <i>did</i> have
- something to do with it, then! Nonsense! It was absurd!
- </p>
- <p>
- He took a key abruptly from his pocket, and unlocked one of the drawers of
- the desk. From the drawer he took out a large roll of bills. The hotel
- management had sent to the bank and cashed a check for him that afternoon.
- He had not forgotten that he would need money, and plenty of it, at the
- tables this evening. Well, he was quite ready to go now, and it was time;
- it would be halfpast ten before he got there, and&mdash;&mdash;
- </p>
- <p>
- &ldquo;The devil!&rdquo; said John Bruce savagely&mdash;and suddenly tossed the money
- back into the drawer, and locked the drawer. &ldquo;If I don't feel like it
- to-night, why should I? I guess I'll just drop around for a little
- convalescent visit, and let it go at that.&rdquo;
- </p>
- <p>
- John Bruce put on a light overcoat, and left the room. In the lobby
- downstairs he posted his letter to Gilbert Larmon. He stepped out on the
- street, and from the rank in front of the hotel secured a taxi. Twenty
- minutes later he entered Gilbert Larmon's New York gambling hell.
- </p>
- <p>
- Here he received a sort of rhapsodical welcome from the exquisite Monsieur
- Henri de Lavergne, which embraced poignant regret at the accident that had
- befallen him, and unspeakable joy at his so-splendid recovery. It was a
- delight so great to shake the hand of Mr. Bruce again that Monsieur Henri
- de Lavergne complained bitterly at the poverty of language which prevented
- an adequate expression of his true and sincere feelings. Also, Monsieur
- Henri de Lavergne, if he were not trespassing, would be flattered indeed
- with Mr. Bruce's confidence, if Mr. Bruce should see fit to honor him with
- an account of how the accident had happened. He would be desolated if in
- any way it could be attributable to any suggestion that he, Monsieur de
- Lavergne, on behalf of the house which he had the honor to represent as
- manager, had made to Mr. Bruce which might have induced&mdash;&mdash;
- </p>
- <p>
- &ldquo;Not at all!&rdquo; John Bruce assured him heartily. He smiled at Monsieur de
- Lavergne. The other knew nothing of Claire's presence in the car that
- night, and for Claire's sake it was necessary to set the man's mind so
- completely at rest that the subject would lack further interest. The only
- way to accomplish that was to appear whole-heartedly frank. John Bruce
- became egregiously frank. &ldquo;It was just my own damned curiosity,&rdquo; he said
- with a wry smile. &ldquo;I got out of that ingenious contraption at the corner
- after going around the block, and, well, my curiosity, as I said, got the
- better of me. I followed the thing, and found out where Mr. Veniza lived.
- I started on my way back, but I didn't get very far. I got into trouble
- with a rather tough crowd just around the corner, who didn't like my shirt
- front, I believe they said. The fight ended by my being backed into a wine
- shop where I was stabbed, but from which I managed to escape into the
- lane. I was about all in, and the only chance I could see was a lighted
- window on the other side of a low fence. I crawled in the window, and
- flopped on the floor. It proved to be Mr. Veniza's house.&rdquo;
- </p>
- <p>
- &ldquo;<i>Pour l'amour du dieu!</i>&rdquo; exclaimed Monsieur Henri de Lavergne
- breathlessly.
- </p>
- <p>
- &ldquo;And which also accounts,&rdquo; said John Bruce pleasantly, &ldquo;for the apology I
- must offer you for my appearance this evening in these clothes. The mob in
- that respect was quite successful.&rdquo;
- </p>
- <p>
- &ldquo;But that you are back!&rdquo; Monsieur de Lavergne's hands were raised in
- protest. &ldquo;That is alone what matters. Monsieur Bruce knows that in any
- attire it is the same here for monsieur as though he were at home.&rdquo;
- </p>
- <p>
- &ldquo;Thank you!&rdquo; said John Bruce cordially. &ldquo;I have only dropped in through
- the urge of old habits, I guess. I'm hardly on my feet yet, and I thought
- I'd just watch the play for a little while to-night.&rdquo;
- </p>
- <p>
- &ldquo;And that, too,&rdquo; said Monsieur Henri de Lavergne with a bow, as John Bruce
- moved toward the staircase, &ldquo;is entirely as monsieur desires.&rdquo;
- </p>
- <p>
- John Bruce mounted the stairs, and began a stroll through the roulette and
- card rooms. The croupiers and dealers nodded to him genially; those of the
- &ldquo;guests&rdquo; Whom he knew did likewise. He was treated with marked courtesy
- and consideration by every attendant in the establishment. Everything was
- exactly as it had been on his previous visits. There were the soft mellow
- lights; the siren pur of the roulette wheel, the musical <i>click</i> of
- the ball as it spun around on its little fateful orbit; the low, quiet
- voices of the croupiers and dealers; the well-dressed players grouped
- around the tables, the hilarious and the grim, the devil-may-care laugh
- from one, the thin smile from another. It was exactly the same, all
- exactly the same, even to the table in the supper room, free to all though
- laden with every wine and delicacy that money could procure; but somehow,
- even at the end of half an hour, where he was wont to be engrossed till
- daylight, John Bruce became excessively bored.
- </p>
- <p>
- Perhaps it was because he was simply an on-looker, and not playing
- himself. He had drawn close to a group around a faro bank. The play was
- grim earnest and for high stakes. No, it wasn't that! He did not want to
- play. Somehow, rather, he knew a slight sense both of contempt and disgust
- at the eager clutch and grasp of hands, the hoarse, short laugh of
- victory, the snarl of defeat, the trembling fingers of the more timorous
- who staked with Chance and demanded that the god be charitable in its
- omnipotence and toss them crumbs!
- </p>
- <p>
- Well, what was he caviling about? It was the life he had chosen. It was
- his life work. Wasn't he pleased with it? He had certainly liked it well
- enough in the old days to squander upon it the fair-sized fortune his
- father had left him. He decidedly had not gone into that infernal compact
- with Larmon blindfolded. Perhaps it was because in those days he played
- when he wanted to; and in these, and hereafter, he would play because he
- had to. Perhaps it was only that, to-night, there was upon him the
- feeling, which was natural enough, and which was immeasurably human too,
- that it was irksome to be a slave, to be fettered and shackled and bound
- to anything, even to what one, with one's freedom his own, was ordinarily
- out of choice most prone to do and delight in. Well, maybe! But that was
- not entirely a satisfactory or conclusive solution either.
- </p>
- <p>
- He looked around him. There seemed to be something hollow to-night in
- these trappings of tinsel; and something not only hollow, but sardonic in
- his connection with them&mdash;that he should act as a monitor over the
- honesty of those who in turn acted as the agents of Larmon in an already
- illicit traffic.
- </p>
- <p>
- &ldquo;Oh, hell!&rdquo; said John Bruce suddenly.
- </p>
- <p>
- The dealer looked up from the table, surprise mingling with polite
- disapproval. Several of the players screwed around their heads.
- </p>
- <p>
- &ldquo;That's what I say!&rdquo; snarled one of the latter with an added oath, as a
- large stack of chips was swept away from him.
- </p>
- <p>
- Some one touched John Bruce on the elbow. He turned around. It was one of
- the attendants.
- </p>
- <p>
- &ldquo;You are being asked for downstairs, Mr. Bruce,&rdquo; the man informed him.
- </p>
- <p>
- John Bruce followed the attendant. In the hall below the white-haired
- negro doorkeeper came toward him.
- </p>
- <p>
- &ldquo;I done let him in, Mistuh Bruce, suh,&rdquo; the old darky explained a little
- anxiously, &ldquo;'cause he done say, Mistuh Bruce, that it was a case of most
- particular illness, suh, and&mdash;&mdash;&rdquo;
- </p>
- <p>
- John Bruce did not wait for more. It was Veniza probably&mdash;a turn for
- the worse. He nodded, and passed hurriedly along the hall to where, near
- the door, a poorly dressed man, hat in hand and apparently somewhat ill at
- ease in his luxurious surroundings, stood waiting.
- </p>
- <p>
- &ldquo;I am Mr. Bruce,&rdquo; he said quickly. &ldquo;Some one is critically ill, you say?
- Is it Mr. Veniza?&rdquo;
- </p>
- <p>
- &ldquo;No, sir,&rdquo; the man answered. &ldquo;I don't know anything about Mr. Veniza. It's
- Hawkins.&rdquo;
- </p>
- <p>
- &ldquo;Hawkins!&rdquo; ejaculated John Bruce.
- </p>
- <p>
- &ldquo;Yes, sir,&rdquo; said the man. He shuffled his feet. &ldquo;I&mdash;I guess you know,
- sir.&rdquo;
- </p>
- <p>
- John Bruce for a moment made no comment. Hawkins! Yes, he knew! Hawkins
- had even renounced his pledge, hadn't he? Not, perhaps, that that would
- have made any difference!
- </p>
- <p>
- &ldquo;Bad?&rdquo; he asked tersely.
- </p>
- <p>
- &ldquo;I'm afraid so, sir,&rdquo; the man replied. &ldquo;I've seen a good bit of Hawkins
- off and on in the last two years, sir, because I room in the same house;
- but I've never seen him like this. He's been out of his head and clawing
- the air, sir, if you know what I mean. He's over that now, but that weak
- he had me scared once, sir, that he'd gone.&rdquo;
- </p>
- <p>
- &ldquo;What does the doctor say?&rdquo; John Bruce bit off his words.
- </p>
- <p>
- The man shook his head.
- </p>
- <p>
- &ldquo;He wouldn't have one, sir. It's you he wants. You'll understand, sir,
- that he's been alone. I don't know how long ago he started on this spree.
- It was only by luck that I walked into his room to-night. I was for
- getting a doctor at once, of course, but he wouldn't have it; he wanted
- you. At times, sir, he was crying like a baby, only he hadn't the strength
- of one left. Knowing I could run her, me being a motortruck driver, he
- told me to take that car he drives and go to the hotel for you, and if you
- weren't there to try here&mdash;which I've done, sir, as you see, and I
- hope you'll come back with me. I don't know what to do, though I'm for
- picking up a doctor on the way back whether he wants one or not.&rdquo;
- </p>
- <p>
- John Bruce turned abruptly, secured his coat and hat, motioned the man to
- lead the way, and followed the other out of the house and down the steps
- to the sidewalk.
- </p>
- <p>
- The traveling pawn-shop was at the curb. The man opened the door, and John
- Bruce stepped inside&mdash;and was instantly flung violently down upon a
- seat. The door closed. The car started forward. And in a sudden glare of
- light John Bruce stared into the muzzle of a revolver, and, behind the
- revolver, into a bruised and battered face, which was the face of Doctor
- Crang.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0014" id="link2HCH0014"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER FOURTEEN&mdash;THE TWO PENS
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">J</span>OHN BRUCE stared
- for a moment longer at the revolver that held a steady bead between his
- eyes, and at the evil face of Crang that leered at him from the opposite
- seat; then he deliberately turned his head and stared at the face of still
- another occupant of the car&mdash;a man who sat on the seat beside him. He
- was trapped&mdash;and well trapped! He recognized the other to be the man
- known as Birdie, who had participated on a certain night in the robbery of
- Paul Veniza's safe. It was quite plain. The third man in that robbery,
- whose face he had not seen at the time, was undoubtedly the man who had
- brought the &ldquo;message&rdquo; a few minutes ago, and who was now, with almost
- equal certainty, engaged in driving the car. Thieving, at least, was in
- the trio's line! They must somehow or other have stolen the traveling
- pawn-shop from Hawkins!
- </p>
- <p>
- He smiled grimly. If it had been Birdie now who had brought the message he
- would never have fallen into the trap! Crang had played in luck and won by
- a very narrow margin, for Crang was naturally in ignorance that he, John
- Bruce, had ever seen either of the men before. And then John Bruce thought
- of the bulky roll of bills which by an equally narrow margin was <i>not</i>
- in his pocket at that moment, and his smile deepened.
- </p>
- <p>
- Crang spoke for the first time.
- </p>
- <p>
- &ldquo;Take his gun away from him, if he's got one!&rdquo; he gnarled tersely.
- </p>
- <p>
- &ldquo;It's in the breast pocket of my coat,&rdquo; said John Bruce imperturbably.
- </p>
- <p>
- Birdie, beside John Bruce, reached over and secured the weapon.
- </p>
- <p>
- John Bruce leaned back in his seat. The car was speeding rapidly along
- now.
- </p>
- <p>
- The minutes passed. None of the three men spoke. Crang sat like some
- repulsive gargoyle, leering maliciously.
- </p>
- <p>
- John Bruce half closed his eyes against the uncanny fascination of that
- round black muzzle which never wavered in its direction, and which was
- causing him to strain too intently upon it. What was the game? How far did
- Crang intend to go with his insane jealousy? How far would Crang dare to
- go? The man wasn't doped to-night. Perhaps he was even the more dangerous
- on that account. Instead of mouthing threats, there was something ominous
- now, it seemed, in the man's silence. John Bruce's lips drew together. He
- remembered Claire's insistence that Crang had meant what he said literally&mdash;and
- Claire had repeated that warning over the telephone. Well, if she were
- right, it meant&mdash;<i>murder</i>.
- </p>
- <p>
- From under his half closed lids, John Bruce looked around the car. The
- curtains, as they always were, were closely drawn. The interior was
- lighted by that same soft central light, only the light was high up now
- near the roof of the car. Well, if it was to be murder, why not <i>now?</i>
- The little velvet-topped table was not in place, and there was nothing
- between himself and that sneering, sallow face. Yes, why not now&mdash;and
- settle it!
- </p>
- <p>
- He straightened almost imperceptibly in his seat, as impulse suddenly bade
- him fling himself forward upon Crang. Why not? The sound of a revolver
- shot would be heard in the street, and Crang might not even dare to fire
- at all. And then John Bruce's glance rested on the man beside him&mdash;and
- impulse gave way to common sense. He had no intention of submitting tamely
- and without a struggle to any fate, no matter what it might be, that Crang
- proposed for him, but that struggle would better come when there was at
- least a chance. There was no chance here. Birdie, on the seat beside him,
- held a deadlier and even more effective weapon than was Crang's revolver,
- a silent thing&mdash;a black-jack.
- </p>
- <p>
- &ldquo;Wait! Don't play the fool! You'll get a better chance than this!&rdquo; the
- voice of what he took to be common sense whispered to him.
- </p>
- <p>
- The car began to go slower. It swerved twice as though making sharp turns;
- and then, running still more slowly, began to bump over rough ground.
- </p>
- <p>
- Crang spoke again.
- </p>
- <p>
- &ldquo;You can make all the noise you want to, if you think it will do you any
- good,&rdquo; he said viciously; &ldquo;but if you make a move you are not told to make
- you'll be <i>carried</i> the rest of the way! Understand?&rdquo;
- </p>
- <p>
- John Bruce did not answer.
- </p>
- <p>
- The car stopped. Birdie opened the door on his side, and stepped to the
- ground. He was joined by the man who had driven the car, and who, as John
- Bruce now found he had correctly assumed, had acted as the decoy at the
- gambling house.
- </p>
- <p>
- &ldquo;Get out!&rdquo; ordered Doctor Crang curtly.
- </p>
- <p>
- John Bruce followed Birdie from the car. It was dark out here, exceedingly
- dark, but he could make out that the car had been driven into a narrow
- lane, and that they were close to the wall of a building of some sort. The
- two men gripped him by his arms. He felt the muzzle of Crang's revolver
- pressed into the small of his back.
- </p>
- <p>
- &ldquo;Mind your step!&rdquo; cautioned Birdie gruffly.
- </p>
- <p>
- It was evidently the entrance to a cellar. John Bruce found himself
- descending a few short steps; and then, on the level again, he was guided
- forward through what was now pitch blackness. A moment more and they had
- halted, but not before John Bruce's foot had come into contact with a wall
- or partition of some kind in front of him. One of the men who gripped his
- arms knocked twice with three short raps in quick succession.
- </p>
- <p>
- A door opened in front of them, and for an instant John Bruce was blinded
- by a sudden glare of light; but the next instant, his eyes grown
- accustomed to the transition, he saw before him a large basement room,
- disreputable and filthy in appearance, where half a dozen men sat at
- tables drinking and playing cards.
- </p>
- <p>
- A shove from the muzzle of Crang's revolver urged John Bruce forward into
- an atmosphere that was foul, hot and fetid, and thick with tobacco smoke
- that floated in heavy, sinuous layers in mid-air. He was led down the
- length of the room toward another door at the opposite end. The men at the
- tables, as he passed them, paid him little attention other than to leer
- curiously at him. They greeted Birdie and his companion with blasphemous
- familiarity; but their attitude toward Crang, it seemed to John Bruce, was
- one of cowed and abject respect.
- </p>
- <p>
- John Bruce's teeth closed hard together. This was a nice place, an
- ominously nice place&mdash;a hidden den of the rats of the underworld,
- where Crang was obviously the leader. He was not so sure now that the
- promptings of so-called common sense had been common sense at all! His
- chances of escaping, practically hopeless as they had been in the car,
- would certainly have been worth trying in view of this! He began to regret
- his &ldquo;common sense&rdquo; bitterly now.
- </p>
- <p>
- He was in front of the door toward which they had been heading now. It was
- opened by Birdie, and John Bruce was pushed into a small, dimly-lighted,
- cave-like place. Crang said something in a low voice to the two men, and,
- leaving them outside, entered himself, closing the door only partially
- behind him.
- </p>
- <p>
- For a moment they faced each other, and then Crang laughed&mdash;tauntingly,
- in menace.
- </p>
- <p>
- John Bruce's eyes, from Crang's sallow face, and from Crang's revolver,
- swept coolly over his surroundings. A mattress, a foul thing, lay on the
- ground in one corner. There was no flooring here in the cellar. A small
- incandescent bulb hung from the roof. There was one chair and a battered
- table&mdash;nothing else; not even a window.
- </p>
- <p>
- &ldquo;It was like stealing from a child!&rdquo; sneered Crang suddenly. &ldquo;You poor
- mark!&rdquo;
- </p>
- <p>
- &ldquo;Quite so!&rdquo; said John Bruce calmly. &ldquo;And the more so since I was warned
- that you were quite capable of&mdash;murder. I suppose that is what I am
- here for.&rdquo;
- </p>
- <p>
- &ldquo;Oh, you were warned, were you?&rdquo; Crang took an abrupt step forward, his
- lips working. An angry purple clouded the pallor of his face. &ldquo;More of
- that love stuff, eh? Well, by God, here's the end of it! I'll teach you
- with your damned sanctimonious airs to fool around the girl I'm going to
- marry! You snivelling hypocrite, you didn't tell her who <i>you</i> were,
- did you?&rdquo;
- </p>
- <p>
- John Bruce stared blankly.
- </p>
- <p>
- &ldquo;Who I am?&rdquo; he repeated. &ldquo;What do you mean?&rdquo;
- </p>
- <p>
- Crang for the moment was silent. He seemed to be waging a battle with
- himself to control his passion.
- </p>
- <p>
- &ldquo;I'm too clever a man to lose my temper, now I've got you!&rdquo; he rasped
- finally. &ldquo;That's about the size of your mentality! The sweet, naïve,
- innocent rôle! Yes, I said a snivelling hypocrite! You don't eat dope, but
- perhaps you've heard of a man named Larmon&mdash;Mr. Gilbert Larmon, of
- San Francisco!&rdquo;
- </p>
- <p>
- To John Bruce it seemed as though Crang's words in their effect were
- something like one of those blows the same man had dealt him on his
- wounded side in that fight of the other night. They seemed to jar him, and
- rob his mind of quick thinking and virility&mdash;and yet he was quite
- sure that not a muscle of his face had moved.
- </p>
- <p>
- &ldquo;You needn't answer,&rdquo; Crang grinned mockingly. &ldquo;If you haven't met him,
- you'll have the opportunity of doing so in a few hours. Mr. Larmon will
- arrive in New York to-night in response to the telegram you sent him.&rdquo;
- </p>
- <p>
- &ldquo;I know you said you were clever,&rdquo; said John Bruce shortly, &ldquo;and I have no
- doubt this is the proof of it! But what is the idea? I did not send a
- telegram to any one.
- </p>
- <p>
- &ldquo;Oh, yes, you did!&rdquo; Crang was chuckling evilly.
- </p>
- <p>
- &ldquo;It was something to the effect that Mr. Larmon's immediate presence in
- New York was imperative; that you were in serious difficulties. And in
- order that Mr. Larmon might have no suspicions or anxiety aroused as to
- his own personal safety, he was to go on his arrival to the Bayne-Miloy
- Hotel; but was, at the same time, to register under the name of R. L.
- Peters, and to make no effort to communicate with you until you gave him
- the cue. The answer to the telegram was to be sent to a&mdash;er&mdash;quite
- different address. And here's the answer.&rdquo;
- </p>
- <p>
- His revolver levelled, Crang laid a telegram on the table, and then backed
- away a few steps.
- </p>
- <p>
- John Bruce picked up the message. It was dated from San Francisco several
- days before, and was authentic beyond question. It was addressed to John
- Bruce in the care of one William Anderson, at an address which he took to
- be somewhere over on the East Side. He read it quickly:
- </p>
- <p>
- Leaving at once and will follow instructions. Arrive Wednesday night. Am
- exceedingly anxious.
- </p>
- <p>
- Gilbert Larmon.
- </p>
- <p>
- &ldquo;This is Wednesday night,&rdquo; sneered Crang.
- </p>
- <p>
- John Bruce laid down the telegram. That Crang in some way had discovered
- his, John Bruce's connection with Larmon, was obvious. But how&mdash;and
- what did it mean? He smiled coldly. There was no use in playing the fool
- by denying any knowledge of Larmon. It was simply a question of exactly
- how <i>much</i> Crang knew.
- </p>
- <p>
- &ldquo;Well?&rdquo; he inquired indifferently.
- </p>
- <p>
- The door was pushed open, and Birdie came in. He carried pen and ink, a
- large sheet of paper, and an envelope.
- </p>
- <p>
- Crang motioned toward the table.
- </p>
- <p>
- &ldquo;Put them down there&mdash;and get out!&rdquo; he ordered curtly; and then as
- the man obeyed, he stared for an instant in malicious silence at John
- Bruce. &ldquo;I guess we're wasting time!&rdquo; he snapped. &ldquo;I sent the telegram to
- Larmon a few days ago, and I know all about you and Larmon, and his ring
- of gambling houses. You talked your fool head off when you were delirious&mdash;understand?
- And&mdash;&mdash;&rdquo;
- </p>
- <p>
- John Bruce, his face suddenly white, took a step forward&mdash;and
- stopped, and shrugged his shoulders. Crang's outflung revolver was on a
- level with his eyes. And then John Bruce turned his back deliberately, and
- walked to the far end of the little room.
- </p>
- <p>
- Crang laughed wickedly.
- </p>
- <p>
- &ldquo;I am afraid I committed a breach of medical étiquette,&rdquo; he said. &ldquo;I sent
- to San Francisco and got the dope on the quiet about this Mr. Larmon. I
- found out that he is an enormously wealthy man; and I also found out that
- he poses as an immaculate pillar of society. It looks pretty good, doesn't
- it, Bruce&mdash;for me? Two birds with one stone; you for trying to get
- between me and Claire; and Larmon coughing up the dough to save your hide
- and save himself from being exposed for what he is!&rdquo;
- </p>
- <p>
- John Bruce made no answer. They were not so fanciful now, not so unreal
- and wandering, those dreams when he had been ill, those dreams in which
- there had been a man with a quill toothpick, and another with a sinister,
- loathsome face, whose head was always cocked in a listening attitude.
- </p>
- <p>
- &ldquo;Well, I guess you've got it now, all of it, haven't you?&rdquo; Crang snarled.
- &ldquo;It's lucky for you Larmon's got the coin, or I'd pass you out for what
- you did the other night. As it is you're getting out of it light. There's
- paper on the table. You write him a letter that will get him down here
- with a blank check in his pocket. I'll help you to word it.&rdquo; Crang smiled
- unpleasantly. &ldquo;He will be quite comfortable here while the check is going
- through the bank; for it would be most unfortunate, you know, if he had a
- chance to stop payment on it. And I might say that I am not worrying at
- all about any reprisals through the tracing of the check afterward, for if
- Mr. Larmon is paying me to keep my mouth shut there is no fear of his
- opening his own.&rdquo;
- </p>
- <p>
- John Bruce turned slowly around.
- </p>
- <p>
- &ldquo;And if I don't?&rdquo; he asked quietly.
- </p>
- <p>
- Crang studied the revolver in his hand for a moment. He looked up finally
- with a smile that was hideous in its malignancy.
- </p>
- <p>
- &ldquo;I'm not sure that I particularly care,&rdquo; he said. &ldquo;You are going to get
- out of my path in any case, though my personal inclination is to snuff you
- out, and&rdquo;&mdash;his voice rose suddenly&mdash;&ldquo;damn you, I'd like to see
- you dead; but on the other hand, my business sense tells me that I'd be
- better off with, say, a hundred thousand dollars in my pocket. Do you get
- the idea, my dear Mr. Bruce? I am sure you do. And as your medical
- advisor, for your health is still very much involved, I would strongly
- urge you to write the letter. But at the same time I want to be perfectly
- frank with you. There is a tail to it as far as you are concerned. I have
- a passage in my pocket&mdash;a first-class passage, in fact a stateroom
- where you can be secured so that I may make certain you do not leave the
- ship prematurely at the dock&mdash;for South America, on a steamer sailing
- to-morrow afternoon. The passage is made out in the name of John Bruce.&rdquo;
- </p>
- <p>
- &ldquo;You seem to have taken it for granted that I would agree to your
- proposal,&rdquo; said John Bruce pleasantly.
- </p>
- <p>
- &ldquo;I have,&rdquo; Crang answered shortly. &ldquo;I give you credit in some respects for
- not being altogether a fool.&rdquo;
- </p>
- <p>
- &ldquo;In other words,&rdquo; said John Bruce, still pleasantly, &ldquo;if I will trap Mr.
- Larmon into coming here so that you will have him in your power, and can
- hold him until you have squeezed out of him what you consider the fair
- amount he should pay as blackmail, or do away with him perhaps, if he is
- obstinate, I am to go free and sail for South America to-morrow afternoon;
- failing this, I am to snuff out&mdash;I think you called it&mdash;at the
- hands of either yourself or this gentlemanly looking band of apaches you
- have gathered around you.&rdquo;
- </p>
- <p>
- &ldquo;You haven't made any mistake so far!&rdquo; said Crang evenly. He jerked his
- hand toward the table. &ldquo;It's that piece of paper there, or your hide.&rdquo;
- </p>
- <p>
- &ldquo;Yes,&rdquo; said John Bruce slowly. He stared for an instant, set-faced, into
- Crang's eyes. &ldquo;Well, then, go ahead!&rdquo;
- </p>
- <p>
- Crang's eyes narrowed.
- </p>
- <p>
- &ldquo;You mean,&rdquo; his voice was hoarse with menace, &ldquo;you mean&mdash;&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Yes!&rdquo; said John Bruce tersely. &ldquo;My hide!&rdquo;
- </p>
- <p>
- Crang did not answer for a moment. The revolver in his hand seemed to edge
- a little nearer to John Bruce as though to make more certain of its aim.
- Crang's eyes were alight with passion.
- </p>
- <p>
- John Bruce did not move. It was over&mdash;this second&mdash;or the next.
- Crang's threats were <i>literal</i>. Claire had said so. He knew it. It
- was in Crang's eyes&mdash;a sort of unholy joy, a madman's frenzy. Well,
- why didn't the man fire and have done with it?
- </p>
- <p>
- And then suddenly Crang's shoulders lifted in a mocking shrug.
- </p>
- <p>
- &ldquo;Maybe you haven't got this&mdash;<i>straight</i>,&rdquo; he said between closed
- teeth. &ldquo;I guess I've paid you the compliment of crediting you with a
- quicker intelligence than you possess! I'll give you thirty minutes alone
- to think it over and figure out where you stand.&rdquo;
- </p>
- <p>
- Crang backed to the door.
- </p>
- <p>
- The door closed. John Bruce heard the key turn in the lock. He stared
- about him at the miserable surroundings. Thirty minutes! He did not need
- thirty minutes, or thirty seconds, to realize his position. He was not
- even sure that he was thankful for the reprieve. It meant half an hour
- more of life, but&mdash;&mdash;
- </p>
- <p>
- Cornered like a rat! To go out at the hands of a degenerate dope fiend...
- the man had been cunning enough... Hawkins!
- </p>
- <p>
- John Bruce paced his little section of the cellar. His footsteps made no
- sound on the soft earth. This was his condemned cell; his warders a batch
- of gunmen whose trade was murder.
- </p>
- <p>
- Larmon! They had not been able to trick Larmon into their power so easily,
- because there wasn't any Hawkins. No, there was&mdash;John Bruce. John
- Bruce was the bait. Queer! Queer that he had ever met Larmon, and queer
- that the end should come like this.
- </p>
- <p>
- Faustus hadn't had his fling yet. That quill toothpick with which he had
- signed&mdash;&mdash;
- </p>
- <p>
- John Bruce stood stock still&mdash;his eyes suddenly fastened on the piece
- of paper on the table.
- </p>
- <p>
- &ldquo;My God!&rdquo; John Bruce whispered hoarsely.
- </p>
- <p>
- He ran silently to the door and listened. He could hear nothing. He ran
- back to the table, threw himself into the chair, and snatching the sheet
- of paper toward him, took out a fountain pen from his pocket. Near the
- lower edge of the paper, and in a minutely small hand, he began to write
- rapidly.
- </p>
- <p>
- At the end of a few minutes John Bruce stood up. There was neither sign
- nor mark upon the paper, save an almost invisible impression made by his
- thumb nail, which he had set as a sign post, as it were, to indicate where
- he had begun to write. It was a large sheet of unruled paper, foolscap in
- size, and there was but little likelihood of reaching so far down with the
- letter that Crang was so insistent upon having, but he did not propose in
- any event to superimpose anything over what he had just written. He could
- always turn the sheet and begin at the top on the other side! Again he
- began to pace up and down across the soft floor, but now there was a grim
- smile on his face. Behind Larmon and his enormous wealth lay Larmon's
- secret organization, that, once set in motion, would have little
- difficulty in laying a dozen Crangs, by the heels. And Crang was yellow.
- Let Crang but for an instant realize that his own skin was at stake, and
- he would squeal without hesitation&mdash;and what had narrowly escaped
- being tragedy would dissolve into opera bouffe. Also, it was very nice
- indeed of Crang to see that the message reached Larmon's hands!
- </p>
- <p>
- And it was the way out for Claire, too! It was Crang who had mentioned
- something about two birds with one stone, wasn't it? Claire! John Bruce
- frowned. Was he so sure after all? There seemed to be something
- unfathomable between Claire and Crang; the bond between them one that no
- ordinary means would break.
- </p>
- <p>
- His brain seemed to go around in cycles now&mdash;Claire, Larmon, Crang;
- Claire, Larmon, Crang.... He lost track of time&mdash;until suddenly he
- heard a key rattle in the lock. And then, quick and silent as a cat in his
- movements, he slipped across the earthen floor, and flung himself face
- down upon the mattress.
- </p>
- <p>
- A moment more, and some one prodded him roughly. His hair was rumpled, his
- face anxious and dejected, as he raised himself on his elbow. Crang and
- two of his apaches were standing over him. One of the latter held an ugly
- looking stiletto.
- </p>
- <p>
- &ldquo;Stand him up!&rdquo; ordered Crang.
- </p>
- <p>
- John Bruce made no resistance as the two men jerked him unceremoniously to
- his feet.
- </p>
- <p>
- Crang came and stared into his face.
- </p>
- <p>
- &ldquo;I guess from the look of you,&rdquo; Crang leered, &ldquo;you've put in those thirty
- minutes to good advantage. You're about ready to write that letter, aren't
- you?&rdquo;
- </p>
- <p>
- John Bruce looked around him miserably. He shook his head.
- </p>
- <p>
- &ldquo;No&mdash;no; I&mdash;I can't,&rdquo; he said weakly. &ldquo;For God's sake, Crang,
- you&mdash;you know I can't.&rdquo;
- </p>
- <p>
- &ldquo;Sure&mdash;I know!&rdquo; said Crang imperturbably. He nodded to the man with
- the stiletto. &ldquo;He's more used to steel than bullets, and he likes it
- better. Don't keep him waiting.&rdquo;
- </p>
- <p>
- John Bruce felt the sudden prick of the weapon on his flesh&mdash;it went
- a little deeper.
- </p>
- <p>
- &ldquo;Wait! Stop!&rdquo; he screamed out in a well-simulated paroxysm of terror. &ldquo;I&mdash;I'll
- write it.&rdquo;
- </p>
- <p>
- &ldquo;I thought so!&rdquo; said Crang coolly. &ldquo;Well, go over there to the table then,
- and sit down.&rdquo; He turned to the two men. &ldquo;Beat it!&rdquo; he snapped&mdash;and
- the room empty again, save for himself and John Bruce, he tapped the sheet
- of paper with the muzzle of his revolver. &ldquo;I'll dictate. Pick up that
- pen!&rdquo;
- </p>
- <p>
- John Bruce obeyed. He circled his lips with his tongue.
- </p>
- <p>
- &ldquo;You&mdash;you won't do Larmon any harm, will you?&rdquo; he questioned
- abjectly. &ldquo;I&mdash;my life's worth more than a little money, if it's only
- that, and&mdash;and, if that's all, I&mdash;I'm sure he'd rather pay.&rdquo;
- </p>
- <p>
- &ldquo;Don't apologize!&rdquo; sneered Crang. &ldquo;Go on now, and write. Address him as
- you always do.&rdquo;
- </p>
- <p>
- John Bruce dipped the pen in the ink, and wrote in a small hand:
- </p>
- <p>
- &ldquo;Dear Mr. Larmon:&mdash;&rdquo;
- </p>
- <p>
- He looked up in a cowed way.
- </p>
- <p>
- &ldquo;All right!&rdquo; grunted Crang. &ldquo;I guess we'll kill another bird, too, while
- we're at it.&rdquo; He smiled cryptically. &ldquo;Go on again, and write!&rdquo;
- </p>
- <p>
- And John Bruce wrote as Crang dictated:
- </p>
- <p>
- &ldquo;I'm here in my rooms in the same hotel with you, but am closely watched.
- Our compact is known. I asked a girl to marry me, and in doing so felt she
- had the right to my full confidence. She did me in. She&mdash;&mdash;&rdquo;
- </p>
- <p>
- John Bruce's pen had halted.
- </p>
- <p>
- &ldquo;Go on!&rdquo; prompted Crang sharply. &ldquo;It's got to sound right for Larmon&mdash;so
- that he will believe it. He's not a fool, is he?&rdquo;
- </p>
- <p>
- &ldquo;No,&rdquo; said John Bruce.
- </p>
- <p>
- &ldquo;Well, go on then!&rdquo;
- </p>
- <p>
- And John Bruce wrote:
- </p>
- <p>
- &ldquo;She was all the time engaged to the head of a gang of crooks.&rdquo; Crang's
- malicious chuckle interrupted his dictation.
- </p>
- <p>
- &ldquo;I'm not sparing myself, you see. Go on!&rdquo;
- </p>
- <p>
- John Bruce continued his writing:
- </p>
- <p>
- &ldquo;They are after blackmail now, and threaten to expose you. I telegraphed
- you to come under an alias because we are up against it and you should be
- on the spot; but if they knew you were here they would only attach the
- more importance to it, and the price would go up. They believe you are
- still in San Francisco, and that I am communicating with you by mail. They
- are growing impatient. You can trust the bearer of this letter absolutely.
- Go with him. He will take you where we can meet without arousing any
- suspicion. I am leaving the hotel now. If possible we should not risk more
- than one conference together, so bring a blank check with you. There is no
- other way out. It is simply a question of the amount. I am bitterly sorry
- that this has happened through me. John Bruce.&rdquo;
- </p>
- <p>
- Crang, with his revolver pressed into the back of John Bruce's neck,
- leaned over John Bruce's shoulder and read the letter carefully.
- </p>
- <p>
- &ldquo;Fold it, and put it in that envelope without sealing it, and address the
- envelope to Mr. R. L. Peters at the Bayne-Miloy Hotel!&rdquo; he instructed.
- </p>
- <p>
- John Bruce folded the letter. As he did so, he noted that his signature
- was a good two or three inches above the thumb nail mark. He placed the
- letter in the envelope, and addressed the latter as Crang had directed.
- </p>
- <p>
- Crang moved around to the other side of the table, tucked the envelope
- into his pocket, and grinned mockingly.
- </p>
- <p>
- And then without a word John Bruce got up from his chair, and flung
- himself face down on the mattress again.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0015" id="link2HCH0015"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER FIFTEEN&mdash;THE CLEW
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">P</span>AUL VENIZA,
- propped up in bed on his pillows, followed Claire with his eyes as she
- moved about the room. It was perhaps because he had been too ill of late
- to notice anything, that he experienced now a sudden shock at Claire's
- appearance. She looked pale and drawn, and even her movements seemed
- listless.
- </p>
- <p>
- &ldquo;What's to-night?&rdquo; he asked abruptly.
- </p>
- <p>
- &ldquo;Wednesday, father,&rdquo; she answered.
- </p>
- <p>
- Paul Veniza plucked at the counterpane. It was all too much for Claire.
- Besides&mdash;besides Crang, she had been up all night for the last two
- nights, and since Monday she had not been out of the house.
- </p>
- <p>
- &ldquo;Put on your hat, dear, and run over and tell Hawkins I want to see him,&rdquo;
- he smiled.
- </p>
- <p>
- Claire stared at the old pawnbroker.
- </p>
- <p>
- &ldquo;Why, father,&rdquo; she protested, &ldquo;it's rather late, isn't it? And, besides,
- you would be all alone in the house.&rdquo;
- </p>
- <p>
- &ldquo;Nonsense!&rdquo; said Paul Veniza. &ldquo;I'm all right. Much better. I'll be up
- to-morrow. But I particularly want to see Hawkins to-night.&rdquo; He did not
- particularly want to see Hawkins or any one else, but if he did not have
- some valid excuse she would most certainly refuse to go out and leave him
- alone. A little walk and a breath of fresh air would do Claire a world of
- good. And as for the lateness of the hour, Claire in that section of the
- city was as safe as in her own home. &ldquo;Please do as I ask you, Claire,&rdquo; he
- insisted.
- </p>
- <p>
- &ldquo;Very well, father,&rdquo; she agreed after a moment's hesitation, and went and
- put on her hat.
- </p>
- <p>
- From downstairs, as she opened the front door, she called up to him a
- little anxiously:
- </p>
- <p>
- &ldquo;You are sure you are all right?&rdquo;
- </p>
- <p>
- &ldquo;Quite sure, dear,&rdquo; Paul Veniza called back. &ldquo;Don't hurry.&rdquo;
- </p>
- <p>
- Claire stepped out on the street. It was not far to go&mdash;just around
- the first corner and halfway down the next block&mdash;and at first she
- walked briskly, impelled by an anxiety to get back to the house again as
- soon as possible, but insensibly, little by little, her footsteps dragged.
- </p>
- <p>
- What was it? Something in the night, the darkness, that promised a kindly
- cloak against the breaking of her self-restraint, that bade her let go of
- herself and welcome the tears that welled so spontaneously to her eyes?
- Would it bring relief? To-day, all evening, more than ever before, she had
- felt her endurance almost at an end. She turned her face upward to the
- night. It was black; not a star showed anywhere. It seemed as though
- something dense and forbidding had been drawn like a somber mantle over
- the world. God, even, seemed far away to-night.
- </p>
- <p>
- She shivered a little. Could that really be true&mdash;that God was
- turning His face away from her? She had tried so hard to cling to her
- faith. It was all she had; it was all that of late had stood between her
- and a despair and misery, a horror so overwhelming that death by contrast
- seemed a boon.
- </p>
- <p>
- Her lips quivered as she walked along. It almost seemed as though she did
- not want to fight any more. And yet there had been a great and very
- wonderful reward given to her before she had even made the final sacrifice
- that she had pledged herself to make. If her soul revolted from the
- association that must come with Doctor Crang, if every instinct within her
- rose up in stark horror before the contamination of the man's wanton moral
- filth, one strange and wondrous thing sustained her. And she had no right
- to mistrust God, for God must have brought her this. She had bought an
- unknown life&mdash;that had become dearer to her than her own, or anything
- that might happen to her. She knew love. It was no longer a <i>stranger</i>
- who would live on through the years because she was soon to pay the price
- that had been set upon his life&mdash;it was John Bruce.
- </p>
- <p>
- Claire caught her hands suddenly to her breast. John Bruce! She was still
- afraid&mdash;for John Bruce. And to-night, all evening, that fear had been
- growing stronger, chilling her with a sense of evil premonition and
- foreboding. Was it only premonition? Crang had threatened. She had heard
- the threats. And she knew out of her own terrible experience that Crang,
- as between human life and his own desires, held human life as naught. And
- yet, surely John Bruce was safe from him now&mdash;at least his life was
- safe. That was how Crang had wrung the promise from her. No, she was not
- so sure! There was personal enmity between them now. Besides, if anything
- happened she would not be able to bring it to Crang's door&mdash;Crang
- would take care of that&mdash;and her promise would still hold. And so she
- was afraid.
- </p>
- <p>
- She had not seen Crang since the night that John Bruce had thrown him down
- the stairs. She had thanked God for the relief his absence had brought her&mdash;but
- now, here again, she was not so sure! What had kept him away? Where was
- John Bruce? She began to regret that she had told John Bruce he must not
- attempt to see her or communicate with her any more, though she had only
- done so because she had been afraid for his sake&mdash;that it would but
- arouse the very worst in Doctor Crang. Perhaps John Bruce had yielded to
- her pleading and had left the city. She shook her head. If she knew the
- man she loved at all, John Bruce would run from no one, and&mdash;&mdash;
- </p>
- <p>
- Claire halted abruptly. She had reached the dingy rooming house where
- Hawkins lived. She brushed her hand resolutely across her eyes as she
- mounted the steps. The tears had come after all, for her lashes were wet.
- </p>
- <p>
- It was not necessary either to ring or knock; the door was always
- unfastened; and, besides, she had been here so many, many times that she
- knew the house almost as well as her own home. She opened the door,
- stepped into a black hallway, and began to feel her way up the creaking
- staircase. There was the possibility, of course, that Hawkins was either
- out or already in bed; but if he were out she would leave a note in his
- room for him so that he would come over to the old pawn-shop when he
- returned, and if he were already in bed her message delivered through the
- door would soon bring Hawkins out of it again&mdash;Hawkins, since he had
- been driving that old car which he had created, was well accustomed to
- calls at all hours of the night.
- </p>
- <p>
- A thin, irregular streak of light, the only sign of light she had seen
- anywhere in the house, showed now at the threshold under Hawkins'
- ill-fitting door, as she reached the landing. She stepped quickly to the
- door and knocked. There was no answer. She knocked again. There was still
- no answer. Claire smiled a little whimsically. Hawkins was growing
- extravagant&mdash;he had gone out and left the light burning. She tried
- the door, and, finding it unlocked, opened it, stepped forward into the
- room&mdash;and with a sudden, low, half-hurt, half-frightened cry, stood
- still. Hawkins was neither out, nor was he in bed. Hawkins was sprawled
- partly on the floor and partly across a chair in which he had obviously
- been unable to preserve his balance. Several bottles, all empty but one,
- stood upon the table. There were two dirty glasses beside the bottles, and
- another one, broken, on the floor. Hawkins was snoring stertorously.
- </p>
- <p>
- It seemed somehow to Claire standing there that this was the last straw&mdash;and
- yet, too, there was only a world of pity in her heart for the old man. All
- the years rolled before her. She remembered as a child climbing upon his
- knee and pleading for the <i>tick-tick</i>&mdash;that great cumbersome
- silver watch, which, fallen out of his pocket now, dangled by its chain
- and swung in jerky rhythm to his breathing. She remembered the days when,
- a little older, she had dressed herself in her best clothes, and to
- Hawkins' huge delight had played at princess, while he drove her about in
- his old ramshackle hansom cab; and, later still, his gentle faithfulness
- to Paul Veniza in his trouble, and to her&mdash;and the love, and a
- strange, always welcome, tenderness that he had ever shown her. Poor frail
- soul! Hawkins had been good to every one&mdash;but Hawkins!
- </p>
- <p>
- She could not leave him like this, but she was not strong enough alone to
- carry him to his bed. She turned and ran hurriedly downstairs. There was
- the widow Hedges, of course, the old landlady.
- </p>
- <p>
- Back at the end of the lower hall, Claire pounded upon a door. Presently a
- woman's voice answered her. A moment later a light appeared as the door
- was opened, and with it an apparition in an old gingham wrapper and curl
- papers.
- </p>
- <p>
- &ldquo;Oh, it's you, Miss Claire!&rdquo; the woman exclaimed in surprise. &ldquo;What's
- brought you over here to-night, dear? Is your father worse?&rdquo;
- </p>
- <p>
- &ldquo;No,&rdquo; Claire answered. &ldquo;He wanted Hawkins, and&mdash;&mdash;&rdquo;
- </p>
- <p>
- Mrs. Hedges shook her head.
- </p>
- <p>
- &ldquo;Hawkins ain't in,&rdquo; she said; &ldquo;but I'll see that he gets the message when
- he comes back. He went out with the car quite a little while ago with some
- men he had with him.&rdquo;
- </p>
- <p>
- &ldquo;With the car?&rdquo; Claire found herself suddenly a little frightened, she did
- not quite know why. &ldquo;Well, he's back now, Mrs. Hedges.&rdquo;
- </p>
- <p>
- &ldquo;Oh, no,&rdquo; asserted Mrs. Hedges positively. &ldquo;I might not have heard him
- going upstairs, but I would have heard the car coming in. It ain't come
- back yet.&rdquo;
- </p>
- <p>
- &ldquo;But Hawkins <i>is</i> upstairs,&rdquo; said Claire a little heavily. &ldquo;I&mdash;I've
- been up.&rdquo;
- </p>
- <p>
- &ldquo;You say Hawkins is upstairs?&rdquo; Mrs. Hedges stared incredulously. &ldquo;That's
- very strange!&rdquo; She turned and ran back into her room and to a rear window.
- &ldquo;Look, Miss Claire! Come here! You can see!&rdquo; And as Claire joined her:
- &ldquo;The door of the shed, or the gradge as he calls it, is open, and you can
- see for yourself it's empty. If he's upstairs what could he have done with
- the car? It ain't out in front of the house, is it, and&mdash;oh!&rdquo; She
- caught Claire's arm anxiously. &ldquo;There's been an accident, you mean, and
- he's&mdash;&mdash;&rdquo;
- </p>
- <p>
- &ldquo;I am sure he never left the house,&rdquo; said Claire, and her voice in its
- composed finality sounded strange even in her own ears. She was thoroughly
- frightened now, and her fears were beginning to take concrete form. There
- were not many who would have any use for that queer old car that was so
- intimately associated with Hawkins! She could think of only one&mdash;and
- of only one reason. She pulled at Mrs. Hedges' arm. &ldquo;Come upstairs,&rdquo; she
- said.
- </p>
- <p>
- Mrs. Hedges reached the door of Hawkins' room first.
- </p>
- <p>
- &ldquo;Oh, my God!&rdquo; Mrs. Hedges cried out wildly. &ldquo;He ain't dead, is he?&rdquo;
- </p>
- <p>
- &ldquo;No,&rdquo; said Claire in a strained voice. &ldquo;He's&mdash;he's only had too much
- to drink. Help me lift him on the bed.&rdquo;
- </p>
- <p>
- It taxed the strength of the two women.
- </p>
- <p>
- &ldquo;And the car's stole!&rdquo; gasped Mrs. Hedges, fighting for her breath.
- </p>
- <p>
- &ldquo;Yes,&rdquo; said Claire; &ldquo;I am afraid so.&rdquo;
- </p>
- <p>
- &ldquo;Then we'll get the police at once!&rdquo; announced Mrs. Hedges.
- </p>
- <p>
- Claire looked at her for a moment.
- </p>
- <p>
- &ldquo;No,&rdquo; she said slowly, shaking her head. &ldquo;You mustn't do that. It&mdash;it
- will come back.&rdquo;
- </p>
- <p>
- &ldquo;Come back?&rdquo; Mrs. Hedges stared helplessly. &ldquo;It ain't a cat! You&mdash;you
- ain't quite yourself, are you, Miss Claire? Poor dear, this has upset you.
- It ain't a fit thing for young eyes like yours to see. Me&mdash;I'm used
- to it.&rdquo;
- </p>
- <p>
- &ldquo;I am quite myself.&rdquo; Claire forced a calmness she was far from feeling
- into her voice. &ldquo;You mustn't notify the police, or do a thing, except just
- look after Hawkins. It&mdash;it's father's car, you know; and he'll know
- best what to do.&rdquo;
- </p>
- <p>
- &ldquo;Well, maybe that's so,&rdquo; admitted Mrs. Hedges.
- </p>
- <p>
- &ldquo;Do you know who the men were who were here with Hawkins?&rdquo; Claire asked.
- </p>
- <p>
- &ldquo;No, I don't,&rdquo; Mrs. Hedges answered excitedly. &ldquo;The thieving devils,
- coming here and getting Hawkins off like this! I just knew there were some
- men up in his room with him because I heard them talking during the
- evening, and then when I heard them go out and get the car I thought, of
- course, that Hawkins had gone with them.&rdquo;
- </p>
- <p>
- &ldquo;I&mdash;I see,&rdquo; said Claire, striving to speak naturally. &ldquo;I&mdash;I'll
- go back to father now. I can't leave him alone very long, anyhow. I'll
- tell him what has happened, and&mdash;and he'll decide what to do. You'll
- look after Hawkins, won't you, Mrs. Hedges?&rdquo;
- </p>
- <p>
- &ldquo;You run along, dear,&rdquo; said Mrs. Hedges reassuringly. &ldquo;Who else but me has
- looked after him these ten years?&rdquo;
- </p>
- <p>
- Claire ran from the room and down the stairs, and out to the street. The
- one thing left for her to do was to reach home and get to the telephone&mdash;get
- the Bayne-Miloy Hotel&mdash;and John Bruce. Perhaps she was already too
- late. She ran almost blindly along the street. Her intuition, the
- foreboding that had obsessed her so heavily all evening, was only too
- likely now to prove itself far from groundless. What object, save one,
- could anybody have in obtaining possession of the traveling pawn-shop, and
- at the same time of keeping Hawkins temporarily out of the road? Perhaps
- her deduction would show flaws if it were subjected to the test of pure
- logic, perhaps there were a thousand other reasons that would account
- equally well, and even more logically, for what had happened, but she <i>knew</i>
- it was Crang&mdash;and Crang could have but one object in view. The man
- was clever, diabolically clever. In some way he was using that car and
- Hawkins' helplessness to trap the man he had threatened. She must warn
- John Bruce. There was not an instant to lose! To lose! How long ago had
- that car been taken? Was there even a chance left that it was not already
- far too late? She had not thought to ask how long ago it was when Mrs.
- Hedges had heard the car leave the garage.
- </p>
- <p>
- It had never seemed so far&mdash;just that little half block and halfway
- along another. It seemed as though she had been an hour in coming that
- little way when she finally reached her home. Her breath coming in hard,
- short gasps, she opened the door, closed it, and, with no thought but one
- in her mind, ran across the room to the telephone. She remembered the
- number of the Bayne-Miloy. She snatched the telephone receiver from the
- hook&mdash;and then, as though her arm had suddenly become incapable of
- further movement, the receiver remained poised halfway to her ear.
- </p>
- <p>
- Doctor Crang was leaning over the banister, and looking down at her.
- </p>
- <p>
- With a stifled little cry, Claire replaced the receiver.
- </p>
- <p>
- Paul Veniza's voice reached her from above.
- </p>
- <p>
- &ldquo;Is that you, Claire?&rdquo; he called.
- </p>
- <p>
- &ldquo;Yes, father,&rdquo; she answered.
- </p>
- <p>
- Doctor Crang came down the stairs.
- </p>
- <p>
- &ldquo;I just dropped in a minute ago&mdash;not professionally&rdquo;&mdash;a snarl
- crept into his voice&mdash;&ldquo;for I have never been informed that your
- father was ill.&rdquo;
- </p>
- <p>
- Claire did not look up.
- </p>
- <p>
- &ldquo;It&mdash;it wasn't serious,&rdquo; she said.
- </p>
- <p>
- &ldquo;So!&rdquo; Crang smiled a little wickedly. &ldquo;I wonder where you get the <i>gambling</i>
- spirit from? One of these days you'll find out how serious these attacks
- are!&rdquo; He took a step forward. &ldquo;Your father tells me you have been over to
- Hawkins' room.&rdquo;
- </p>
- <p>
- There was a curious hint of both challenge and perverted humor in his
- voice. It set at rest any lingering doubt Claire might have had.
- </p>
- <p>
- &ldquo;Yes,&rdquo; she said, and faced him now, her eyes, hard and steady, fixed on
- his.
- </p>
- <p>
- &ldquo;Poor Hawkins!&rdquo; sighed Doctor Crang ironically. &ldquo;Even the best of us have
- our vices! It should teach us to be tolerant with others!&rdquo;
- </p>
- <p>
- Claire's little form was rigidly erect.
- </p>
- <p>
- &ldquo;I wonder if you know how much I hate you?&rdquo; she said in a tense, low
- voice.
- </p>
- <p>
- &ldquo;You've told me often enough!&rdquo; A savage, hungry look came into Crang's
- eyes. &ldquo;But you're mine, for all that! Mine, Claire! Mine! You understand
- that, eh?&rdquo;
- </p>
- <p>
- He advanced toward her. The door of the inner room, that for weeks, until
- a few days ago, had been occupied by John Bruce, was just behind her, and
- she retreated through it. He followed her. She did not want to cry out&mdash;the
- sound would reach the sick room above; and, besides, she dared not show
- the man that she had any fear.
- </p>
- <p>
- &ldquo;Don't follow me like that!&rdquo; she breathed fiercely.
- </p>
- <p>
- &ldquo;Why not?&rdquo; he retorted, as he switched on the light and closed the door.
- &ldquo;I've got the right to, even if I hadn't something that I came over here
- particularly to-night to tell you about&mdash;quite privately.&rdquo;
- </p>
- <p>
- She had put the table between them. That he made no effort to come nearer
- for the moment afforded her a certain relief, but there was something in
- the smile with which he surveyed her now, a cynical, gloating triumph,
- that chilled her.
- </p>
- <p>
- &ldquo;Well, what is it?&rdquo; she demanded.
- </p>
- <p>
- &ldquo;I trapped that damned lover of yours to-night!&rdquo; he announced coolly.
- </p>
- <p>
- Claire felt her face go white. It <i>was</i> true, then! She fought madly
- with herself for self-possession.
- </p>
- <p>
- &ldquo;If you mean Mr. Bruce,&rdquo; she said deliberately, &ldquo;I was just going to try
- to warn him over the phone; though, even then, I was afraid I was too
- late.&rdquo;
- </p>
- <p>
- &ldquo;Ah!&rdquo; he exclaimed sharply. &ldquo;You knew, then?&rdquo;
- </p>
- <p>
- Claire shrugged her shoulders.
- </p>
- <p>
- &ldquo;Oh, yes!&rdquo; she said contemptuously. &ldquo;My faith in you where evil is
- concerned is limitless. I heard your threats. I saw Hawkins a few minutes
- ago. He was quite&mdash;quite helpless. You, or some of your confederates,
- traded on his weakness, took the key of the car away from him, and then
- stole the car. Ordinary thieves would not have acted like that.&rdquo; An icy
- smile came to her lips. &ldquo;His landlady thought the police should be
- notified that the car had been stolen.&rdquo;
- </p>
- <p>
- &ldquo;You always were clever, Claire,&rdquo; Crang grinned admiringly. &ldquo;You've got
- some brains&mdash;all there are around here, as far as I can make out.
- You've got it straight, all right. Mr. John Bruce, Esquire, came out of
- Lavergne's on being informed that Hawkins was in bad shape&mdash;no lie
- about that!&mdash;and walked into the car without a murmur. Too bad to
- bother the police, though&mdash;the car will have been left in front of
- Hawkins' door again by now.&rdquo;
- </p>
- <p>
- It was hard to keep her courage; hard to keep her lips from trembling;
- hard to keep the tears back; hard to pretend that she was not afraid.
- </p>
- <p>
- &ldquo;What are you going to do with him?&rdquo; Her voice was very low. &ldquo;The promise
- that I gave you was on the condition that he <i>lived</i>&mdash;not only
- then, but now.&rdquo; Crang laughed outright.
- </p>
- <p>
- &ldquo;Oh, don't worry about that! He'd never let it get that far. He thinks too
- much of Mr. Bruce! He has already taken care of himself&mdash;at another
- man's expense.&rdquo;
- </p>
- <p>
- Claire stared numbly. She did not understand.
- </p>
- <p>
- &ldquo;I'll tell you,&rdquo; said Crang, with brutal viciousness. &ldquo;He's a professional
- gambler, this supposedly wealthy gentleman of leisure. He works for a man
- in San Francisco named Larmon, who really is wealthy, but who poses as a
- pillar of the church, or words to that effect. Never mind how, but Larmon
- will be here to-night in New York&mdash;just at the right moment. And Mr.
- Bruce has very kindly consented to assist in convincing Mr. Larmon that
- exposure isn't worth the few dollars that would buy him immunity.&rdquo;
- </p>
- <p>
- Claire did not speak. Still she did not understand. She sat down wearily
- in the chair beside the table.
- </p>
- <p>
- Crang took a letter from his pocket abruptly, and, opening it, laid it in
- front of Claire.
- </p>
- <p>
- &ldquo;I thought perhaps you would like to read it,&rdquo; he said carelessly.
- </p>
- <p>
- Claire rested her elbows on the table and cupped her chin in her hands.
- She stared at the letter. At first the words ran together, and she could
- not make them out. Then a sentence took form, and then another&mdash;and
- she read them piteously. &ldquo;... I asked a girl to marry me, and in doing so
- felt she had the right to my full confidence. She did me in... She read on
- to the end.
- </p>
- <p>
- &ldquo;But it's not true!&rdquo; she cried out sharply. &ldquo;I don't believe it!&rdquo;
- </p>
- <p>
- &ldquo;Of course, it isn't true!&rdquo; said Crang complacently. &ldquo;And, of course, you
- don't believe it! But Larmon will. I've only shown you the letter to let
- you see what kind of a yellow cur this would-be lover of yours is.
- Anything to save himself! But so long as he wrote the letter, I had no
- quarrel with him if he wanted to fake excuses for himself that gave him a
- chance of holding his job with Larmon afterwards.&rdquo;
- </p>
- <p>
- It couldn't be true&mdash;true that John Bruce had even written the
- letter, a miserable Judas thing that baited a trap, for one who trusted
- him, with the good name of a woman for whom he had professed to care. It
- couldn't be true&mdash;but the signature was there, and&mdash;and it was
- genuine: &ldquo;John Bruce.... John Bruce.... John Bruce.&rdquo; It seemed to strike
- at her with the cruel, stinging blows of a whip-lash: &ldquo;John Bruce.... John
- Bruce.... John&mdash;&mdash;&rdquo;
- </p>
- <p>
- The words became blurred. It was the infinite hopelessness of everything
- that crushed her fortitude, and mocked it, and made of it at last a beaten
- thing. A tear fell and splashed upon the page&mdash;and still another. She
- kept looking at the letter, though she could only see it through a
- blinding mist. And there was something ominous, and something that added
- to her fear, that she should imagine that her tears made <i>black</i>
- splashes on the blurred letter as they fell, and&mdash;&mdash;-
- </p>
- <p>
- She heard a sudden startled snarl from Crang, and the letter was snatched
- up from the table. And then he seemed to laugh wildly, without reason, as
- a maniac would laugh&mdash;and with the letter clutched in his hand rushed
- from the room. Claire crushed her hands against her temples. Perhaps it
- was herself who had gone mad.
- </p>
- <p>
- The front door banged.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0016" id="link2HCH0016"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER SIXTEEN&mdash;A WOLF LICKS HIS CHOPS
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">O</span>UTSIDE the house
- Crang continued to run. He was unconscious that he had forgotten his hat.
- His face worked in livid fury. Alternately he burst out into short, ugly
- gusts of laughter that made of laughter an evil thing; alternately, racked
- with unbridled passion, he mouthed a flood of oaths.
- </p>
- <p>
- He ran on for some three blocks, and finally dashed up the steps of a
- small, drab-looking, cheap frame house. A brass sign, greenish with mold
- from neglect, flanked one side of the door. Under the street light it
- could just barely be deciphered: SYDNEY ANGUS CRANG, M.D.
- </p>
- <p>
- He tried the door. It was locked. He searched impatiently and hastily in
- his pockets for his pass-key, and failing to find it instantly he rang the
- bell; and then, without waiting for an answer to the summons, he
- immediately began to bang furiously upon the panels.
- </p>
- <p>
- An old woman, his housekeeper, whose bare feet had obviously been thrust
- hurriedly into slippers, and who clutched at the neck of a woolen dressing
- gown that also obviously, and with equal haste, had been flung around her
- shoulders over her nightdress, finally opened the door.
- </p>
- <p>
- &ldquo;Get out of the road!&rdquo; Crang snarled&mdash;and brushed his way roughly
- past her.
- </p>
- <p>
- He stepped forward along an unlighted hall, opened a door, and slammed it
- behind him. He switched on the light. He was in his consulting room. The
- next instant he was standing beside his desk, and had wrenched John
- Bruce's letter from his pocket. He spread this out on the desk and glared
- at it. Beyond any doubt whatever, where Claire's tears had fallen on the
- paper, traces of writing were faintly discernible. Here, out of an
- abortive word, was a well-formed &ldquo;e&rdquo;; and there, unmistakably, was a
- capital &ldquo;L.&rdquo;
- </p>
- <p>
- Crang burst into a torrent of abuse and oaths; his fists clenched, and he
- shook one of them in the air.
- </p>
- <p>
- &ldquo;Double-crossed&mdash;eh?&mdash;damn him!&rdquo; he choked. &ldquo;He tried to
- double-cross me&mdash;did he?&rdquo;
- </p>
- <p>
- Carrying the letter, he ran now into a little room behind his office,
- where he compounded his medicines, and that was fitted up as a sort of
- small laboratory.
- </p>
- <p>
- &ldquo;I'm a clever man,&rdquo; Crang mumbled to himself. &ldquo;We'll see about this!&rdquo;
- </p>
- <p>
- With sudden complacence he began to study the sheet of paper. He nodded
- curtly to himself as he noted that the traces of the secret writing were
- all on the lower edge of the paper.
- </p>
- <p>
- &ldquo;We'll be very careful, <i>very</i> careful&rdquo;&mdash;Doctor Crang was still
- mumbling&mdash;&ldquo;it may be useful in more ways than one.&rdquo;
- </p>
- <p>
- He turned on the water faucet, wet a camel's-hair brush, and applied the
- brush to the lower edge of the letter. The experiment was productive of no
- result. He stared at the paper for a while with wrinkled brow, and then
- suddenly he began to laugh ironically.
- </p>
- <p>
- &ldquo;No, of course, not!&rdquo; He was jeering at himself now. &ldquo;Clever? You are not
- clever, you are a fool! She <i>cried</i> on the paper. Tears! Tears
- possess a slight trace of&rdquo;&mdash;he reached quickly for a glass container,
- and began to prepare a solution of some sort&mdash;&ldquo;a very slight trace...
- that's why the characters that already show are so faint. Now we'll see,
- Mr. John Bruce, what you've got to say.... Salt!... A little salt, eh?&rdquo;
- </p>
- <p>
- He dipped the camel's-hair brush in the solution and drew it across the
- bottom edge of the paper again.
- </p>
- <p>
- &ldquo;Ha, ha!&rdquo; exclaimed Doctor Crang in eager excitement. Letters, words and
- sentences began to take form under the brush. &ldquo;Ha, ha! He'd play that game
- with me, would he? Damn him!&rdquo;
- </p>
- <p>
- Very carefully Sydney Angus Crang, M.D., worked his brush upward on the
- paper line by line, until, still well below the signature that John Bruce
- had affixed in his, Crang's, presence, there failed to appear any further
- trace of the secret writing. He read as fast as a word appeared&mdash;like
- a starving beast snatching in ferocious greed at morsels of food. It made
- whole and complete sense. His eyes feasted on it now in its entirety:
- </p>
- <p>
- Keep away. This is a trap. Stall till you can turn tables. Information
- obtained while I was delirious. Am a prisoner in hands of a gang whose
- leader is a doctor named Crang. Veniza will tell you where Crang lives.
- Get Veniza's address from Lavergne at the house. The only way to save
- either of Us is to trick Crang. Look out for yourself. Bruce.
- </p>
- <p>
- He tossed the camel's-hair brush away, returned to his desk, spread the
- letter out on a blotter to allow the lower edge to dry, and slumping down
- in his desk chair, glued his eyes on the secret message, reading it over
- and over again.
- </p>
- <p>
- &ldquo;Trick Crang&mdash;eh?&mdash;ha, ha!&rdquo; He began to chuckle low; then
- suddenly his fingers, crooked and curved until they looked like claws,
- reached out as though to fasten upon some prey at hand. And then he
- chuckled once more&mdash;and then grew somber, and slumped deeper in his
- chair, and his eyes, brooding, were half closed. &ldquo;Not to-night,&rdquo; he
- muttered. &ldquo;One job of it to-morrow... squeal like a pair of rats that&mdash;&mdash;&rdquo;
- </p>
- <p>
- He sat suddenly bolt upright in his chair. It came again&mdash;-a low
- tapping on the window; two raps, three times repeated. He rose quickly,
- crossed the room, opened the door, and stood motionless for a moment
- peering out into the hall. It was a purely precautionary measure&mdash;he
- had little doubt but that his old housekeeper had long since mounted the
- stairs and returned to her bed. He stepped rapidly then along the hall,
- and opened the front door.
- </p>
- <p>
- &ldquo;That you, Birdie?&rdquo; he called in a low voice.
- </p>
- <p>
- A man's form appeared from the shadow of the stoop.
- </p>
- <p>
- &ldquo;Sure!&rdquo; the man answered.
- </p>
- <p>
- &ldquo;Come in!&rdquo; Doctor Crang said tersely.
- </p>
- <p>
- He led the way back into the consulting room, and slumped down again in
- his chair.
- </p>
- <p>
- &ldquo;Well?&rdquo; he demanded.
- </p>
- <p>
- &ldquo;Peters arrived all right,&rdquo; Birdie reported. &ldquo;He registered at the
- Bayne-Miloy Hotel, and he's there now.&rdquo;
- </p>
- <p>
- &ldquo;Good!&rdquo; grunted Crang.
- </p>
- <p>
- For a full five minutes he remained silent and without movement in his
- chair, apparently utterly oblivious of the other, who stood, shifting a
- little awkwardly from foot to foot, on the opposite side of the desk.
- </p>
- <p>
- Then Crang spoke&mdash;more to himself than to Birdie.
- </p>
- <p>
- &ldquo;He'll be anxious, of course, and growing more so,&rdquo; he said. &ldquo;He might
- make a break of some kind. I'll have to fix that. I'm not ready yet.
- What?&rdquo;
- </p>
- <p>
- Birdie, from staring inanely at the wall, came to himself with a sudden
- start at what he evidently interpreted as a direct question.
- </p>
- <p>
- &ldquo;Yes&mdash;sure!&rdquo; he said hurriedly. &ldquo;No&mdash;I mean, no, you're not
- ready.&rdquo;
- </p>
- <p>
- Crang glared at the man contemptuously.
- </p>
- <p>
- &ldquo;What the hell do you know about it?&rdquo; he inquired caustically.
- </p>
- <p>
- He picked up the telephone directory, studied it for a moment, then,
- reaching for the desk telephone, asked for his connection. Presently the
- Bayne-Miloy Hotel answered him, and he asked for Mr. R. L. Peters' room. A
- moment more and a voice reached him over the phone.
- </p>
- <p>
- &ldquo;Is that Mr. Peters?&rdquo; Crang inquired quietly. &ldquo;Mr. R. L. Peters, of San
- Francisco?... Yes? Then I have a message for you, Mr. Peters, from the
- person who sent you a telegram a few days ago... I beg your pardon?...
- Yes, I am sure you do... Myself? I'd rather not mention any names over the
- phone. You understand, don't you? He told me to tell you that it is
- absolutely necessary that no connection is known to exist between you, and
- for that reason he does not dare take the chance of getting into touch
- with you to-night, but he will manage it somehow by early afternoon
- to-morrow... What say?... Yes, it is very serious, otherwise he would
- hardly have telegraphed you to come on from San Francisco... No,
- personally, I don't know. That was his message; but I was also to warn you
- on no account to leave your rooms, or have communication with anybody
- until you hear direct from him.... No, I do not know the particulars. I
- only know that he is apparently in a hole, and a bad one, and that he is
- now afraid that you will get into it too.... Yes. You are sure you fully
- understand?... No, not at all! I am only too glad.... Good-night.&rdquo;
- </p>
- <p>
- Crang, with a curious smile on his lips, hung up the receiver. He turned
- abruptly to Birdie.
- </p>
- <p>
- &ldquo;You get a taxi to-morrow,&rdquo; he said brusquely. &ldquo;We'll want it for two or
- three hours. Slip the chauffeur whatever is necessary, and change places
- with him. See? You'll know where to find one that will fall for that. Then
- you come here for me at&mdash;let's see&mdash;the boat sails at four&mdash;you
- come here at half past one sharp. Get me?&rdquo;
- </p>
- <p>
- &ldquo;Sure!&rdquo; said Birdie, with a grin. &ldquo;That's a cinch!&rdquo;
- </p>
- <p>
- &ldquo;All right, then!&rdquo; Crang waved his hand. &ldquo;Beat it!&rdquo;
- </p>
- <p>
- Birdie left the room. A moment later the front door closed behind him.
- </p>
- <p>
- Crang picked up the letter and examined it critically. The lower three or
- four inches of the paper was slightly crinkled, but quite dry now; the
- body of the original letter showed no sign whatever of his work upon the
- lower portion.
- </p>
- <p>
- Doctor Crang nodded contentedly.
- </p>
- <p>
- He rose abruptly, secured his surgical bag, and from it selected a lance.
- With the aid of a ruler and the keen-bladed little instrument, he very
- carefully cut away the lower section of the paper. The slip containing the
- erstwhile secret message he tucked away in his inside pocket; then he
- examined the letter itself again even more critically than before. For all
- evidence that it presented to the contrary, it might have been the
- original size of the sheet. There was even a generous margin of paper
- still left beneath John Bruce's signature. He folded the letter, replaced
- it in its envelope&mdash;and now sealed the envelope.
- </p>
- <p>
- &ldquo;To-morrow!&rdquo; said Doctor Sydney Angus Crang with a sinister smile, as he
- produced a hypodermic syringe from his pocket and rolled up the sleeve of
- his left arm. He laughed as the needle pricked his flesh. &ldquo;To-morrow&mdash;John
- Bruce!&rdquo;
- </p>
- <p>
- He slumped far down in his chair once more. For half an hour he sat
- motionless, his eyes closed. Then he spoke again.
- </p>
- <p>
- &ldquo;Damn you!&rdquo; he said.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0017" id="link2HCH0017"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER SEVENTEEN&mdash;ALIAS MR. ANDERSON
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">D</span> OCTOR Sydney
- Angus Crang looked at his watch, as he stepped from a taxi the next
- afternoon, and entered the Bayne-Miloy Hotel. It was fifteen minutes of
- two. He approached the desk and obtained a blank card. &ldquo;From J. B.,&rdquo; he
- wrote upon it. He handed it to the clerk.
- </p>
- <p>
- &ldquo;Please send this up to Mr. R. L. Peters,&rdquo; he requested.
- </p>
- <p>
- He leaned nonchalantly against the desk as a bellboy departed with the
- card. From where he stood the front windows gave him a view of the street,
- and he could see Birdie parking the taxi a little way up past the
- entrance. He smiled pleasantly as he waited.
- </p>
- <p>
- Presently the bell-boy returned with the information that Mr. Peters would
- see him; and, following the boy upstairs, he was ushered into the sitting
- room of one of the Bayne-Miloy's luxurious suites. A tall man with a thin,
- swarthy face confronted him. Between his fingers the tall man held the
- card that he, Crang, had sent up; and between his lips the tall man sucked
- assiduously at a quill toothpick.
- </p>
- <p>
- &ldquo;Mr. Peters, of course?&rdquo; Crang inquired easily, as the door closed behind
- the bell-boy.
- </p>
- <p>
- Mr. Peters, alias Gilbert Larmon, nodded quietly. &ldquo;I was rather expecting
- Mr. Bruce in person,&rdquo; he said.
- </p>
- <p>
- Crang looked cautiously around him.
- </p>
- <p>
- &ldquo;It still isn't safe,&rdquo; he said in a lowered voice. &ldquo;At least, not here; so
- I am going to take you to him. But perhaps you would prefer that I should
- explain my own connection with this affair first?&rdquo;
- </p>
- <p>
- Again Larmon nodded.
- </p>
- <p>
- &ldquo;Perhaps it would be just as well,&rdquo; he said.
- </p>
- <p>
- Once more Crang looked cautiously around him.
- </p>
- <p>
- &ldquo;We&mdash;we are quite alone, I take it?&rdquo;
- </p>
- <p>
- &ldquo;Quite,&rdquo; said Larmon.
- </p>
- <p>
- &ldquo;My name is Anderson, William Anderson,&rdquo; Crang stated smoothly. &ldquo;I was the
- one who telephoned you last night. I am a friend of John Bruce&mdash;the
- only one he's got, I guess, except yourself. Bruce and I used to be boys
- together in San Francisco. I hadn't seen him for years until we ran into
- each other here in New York a few weeks ago and chummed up again. As I
- told you over the phone, I don't know the ins and outs of this, but I know
- he is in some trouble with a gang that he got mixed up with in the
- underworld somehow.&rdquo;
- </p>
- <p>
- &ldquo;<i>Tck!</i>&rdquo; The quill toothpick flexed sharply against one of the tall
- man's front teeth. &ldquo;William Anderson&rdquo;&mdash;he repeated the name musingly&mdash;&ldquo;yes,
- I remember. I sent a telegram in your care to Mr. Bruce a few days ago.&rdquo;
- </p>
- <p>
- &ldquo;Yes,&rdquo; said Crang.
- </p>
- <p>
- The quill toothpick appeared to occupy the tall man's full attention for a
- period of many seconds.
- </p>
- <p>
- &ldquo;Are you conversant with the contents of that telegram, Mr. Anderson?&rdquo; he
- asked casually at last.
- </p>
- <p>
- Crang suppressed a crafty smile. Mr Gilbert Larmon was no fool! Mr.
- Gilbert Larmon stood here as Mr. R. L. Peters&mdash;the telegram had been
- signed: &ldquo;Gilbert Larmon.&rdquo; The question that Larmon was actually asking
- was: How much do you really know?
- </p>
- <p>
- &ldquo;Why, yes,&rdquo; said Crang readily. &ldquo;I did not actually see the telegram, but
- Bruce told me it was from a friend of his, a Mr. Peters, who would arrive
- in New York Wednesday night, and whom he seemed to think he needed pretty
- badly in his present scrape.&rdquo; Larmon took a turn or two up and down the
- room. He halted again before Crang.
- </p>
- <p>
- &ldquo;I am obliged to admit that I am both anxious and considerably at sea,&rdquo; he
- said deliberately. &ldquo;There seems to be an air of mystery surrounding all
- this that I neither like nor understand. You did not allay my fears last
- night when you telephoned me. Have you no more to tell me?&rdquo;
- </p>
- <p>
- Crang shook his head slowly.
- </p>
- <p>
- &ldquo;No,&rdquo; he said. &ldquo;You've got everything I know. Bruce has been like a clam
- as far as the nature of what is between himself and this gang is
- concerned. He will have to tell you himself&mdash;if he will. He won't
- tell me. Meanwhile, he sent you this.&rdquo;
- </p>
- <p>
- Crang reached into his pocket and took out the envelope addressed to Mr.
- R. L. Peters, that he had taken pains to seal the night before.
- </p>
- <p>
- Larmon took the envelope, stepped over to the window, presumably for
- better light, and opening the letter, began to read it.
- </p>
- <p>
- Crang watched the other furtively. The quill toothpick, from a series of
- violent gyrations, became motionless between Larmon's lips. The thin face
- seemed to mold itself into sharp, dogged lines. Again and again Larmon
- appeared to read the letter over; and then the hand that held the sheet of
- paper dropped to his side, and he stood for a long time staring out of the
- window. Finally he turned slowly and came back across the room.
- </p>
- <p>
- &ldquo;This is bad, Mr. Anderson&mdash;far worse than I had imagined,&rdquo; he said
- in a hard voice. &ldquo;I believe you said you would take me to Bruce. This
- letter asks me to accompany you, and I see we are to go at once.&rdquo; He
- motioned toward a box of cigars on the table. &ldquo;Help yourself to a cigar,
- Mr. Anderson, and take a chair while I change and get ready. I will only
- be a few minutes, if you will excuse me for that length of time?&rdquo;
- </p>
- <p>
- Crang's face expressed concern.
- </p>
- <p>
- &ldquo;Why, certainly, Mr. Peters,&rdquo; he agreed readily. He helped himself to a
- cigar, and sat down in a chair. &ldquo;I'm sorry if it's as bad as that.&rdquo;
- </p>
- <p>
- Larmon made no answer, save to nod his head gravely as he stepped quickly
- toward the door of the apartment's adjoining room.
- </p>
- <p>
- Crang struck a match and lighted his cigar. The door of the connecting
- room closed behind Larmon. A cloud of blue smoke veiled Crang's face&mdash;and
- a leer that lighted his suddenly narrowed eyes.
- </p>
- <p>
- &ldquo;So that's it, is it?&rdquo; grinned Crang to himself. &ldquo;I wondered how he was
- going to work it! Well, I guess he would have got away with it, too&mdash;if
- I hadn't got away with it first!&rdquo;
- </p>
- <p>
- He sat motionless in his chair&mdash;and listened. And suddenly he smiled
- maliciously. The sound of running water from a tap turned on somewhere on
- the other side of the connecting door reached him faintly.
- </p>
- <p>
- &ldquo;And now a little salt!&rdquo; murmured Doctor Sydney
- </p>
- <p>
- Angus Crang. He blew a smoke ring into the air and watched it dissolve.
- &ldquo;And, presto!&mdash;like the smoke ring&mdash;nothing!&rdquo;
- </p>
- <p>
- The minutes passed, perhaps five of them, and then the door opened again
- and Larmon reappeared.
- </p>
- <p>
- &ldquo;I'm ready now,&rdquo; he announced quietly. &ldquo;Shall we go?&rdquo;
- </p>
- <p>
- Crang rose from his chair.
- </p>
- <p>
- &ldquo;Yes,&rdquo; he said. He glanced at Larmon, as he tapped the ash from the end of
- his cigar. Larmon had <i>not</i> forgotten to change his clothes. &ldquo;I've
- got a taxi waiting.&rdquo;
- </p>
- <p>
- &ldquo;All right,&rdquo; agreed Larmon briskly&mdash;and led the way to the elevator.
- </p>
- <p>
- Out on the street, Crang led the way in turn&mdash;to the taxi. Birdie
- reached out from his seat, and flung the door open. Crang motioned Larmon
- to enter, and then leaned toward Birdie as though to give the man the
- necessary address. He spoke in a low, quiet tone:
- </p>
- <p>
- &ldquo;Keep to the decent streets as long as you can, so that he won't have a
- chance to get leery until it won't matter whether he does or not.
- Understand?&rdquo;
- </p>
- <p>
- Birdie touched his cap.
- </p>
- <p>
- &ldquo;Yes, sir,&rdquo; he said.
- </p>
- <p>
- The taxi jerked forward.
- </p>
- <p>
- &ldquo;It's not very far,&rdquo; said Crang. He smiled engagingly as he settled back
- in his seat&mdash;and his hand in his coat pocket sought and fondled his
- revolver.
- </p>
- <p>
- Larmon, apparently immersed in his own thoughts, made no immediate reply.
- The taxi traversed a dozen blocks, during which time Crang, quite
- contented to let well enough alone, made no effort at conversation. Larmon
- chewed at his quill toothpick until, following a savage little click, he
- removed it in two pieces from his mouth. He had bitten it in half. He
- tossed the pieces on the floor, and produced a fresh one from his pocket.
- </p>
- <p>
- &ldquo;My word!&rdquo; observed Crang dryly. &ldquo;You've got good teeth.&rdquo;
- </p>
- <p>
- Larmon turned and looked at him.
- </p>
- <p>
- &ldquo;Yes, Mr. Anderson, I have!&rdquo; His voice was level. &ldquo;And I am going to show
- them&mdash;when I get hold of Bruce.&rdquo;
- </p>
- <p>
- Crang's expression was instantly one of innocent bewilderment.
- </p>
- <p>
- &ldquo;Why,&rdquo; he said, &ldquo;I thought you&mdash;&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Have you ever met the lady?&rdquo; Larmon asked abruptly.
- </p>
- <p>
- &ldquo;The&mdash;lady?&rdquo; Crang glanced out of the window. Birdie was making good
- time, very good time indeed. Another five minutes at the outside and the
- trick was done.
- </p>
- <p>
- &ldquo;The woman in the case,&rdquo; said Larmon.
- </p>
- <p>
- &ldquo;Oh!&rdquo; Crang whistled low. &ldquo;I see! No, I've never met her. I didn't know
- there was one. I told you he had said nothing to me.&rdquo;
- </p>
- <p>
- Larmon was frowning heavily; his face was strained and worried. He laughed
- out suddenly, jerkily.
- </p>
- <p>
- &ldquo;I suppose I should give him credit for keeping you at least in the dark,&rdquo;
- he said shortly; &ldquo;though it strikes me as more or less of a case of
- locking the stable door after the horse has gone.&rdquo;
- </p>
- <p>
- Crang's eyebrows were raised in well-simulated perplexity.
- </p>
- <p>
- &ldquo;I don't quite get you, Mr. Peters,&rdquo; he said politely.
- </p>
- <p>
- &ldquo;It's of no consequence.&rdquo; Larmon's eyes were suddenly fastened on the
- window. From an already shabby street where cheap tenements hived a
- polyglot nationality, the taxi had swerved into an intersection that
- seemed more a lane than anything else, and that was still more shabby and
- uninviting. &ldquo;This is a rather sordid neighborhood, isn't it?&rdquo; he observed
- curiously.
- </p>
- <p>
- &ldquo;It's safe,&rdquo; said Crang significantly.
- </p>
- <p>
- The taxi stopped.
- </p>
- <p>
- &ldquo;We get out here, Mr. Peters,&rdquo; Crang announced pleasantly, as Birdie
- opened the door. &ldquo;It's a bit rough, I'll admit; but&rdquo;&mdash;he shrugged his
- shoulders and smiled&mdash;&ldquo;you'll have to blame Bruce, not me. Just
- follow me, Mr. Peters&mdash;it's down these steps.&rdquo;
- </p>
- <p>
- He began to descend the steps of a cellar entrance, which was
- unprepossessingly black, and which opened from the rear of a seedy looking
- building that abutted on the lane. He did not look behind him. Larmon had
- made <i>sure</i> that the letter was to be relied upon, hadn't he?&mdash;and
- it was John Bruce, not anybody else, that Larmon was trusting now.
- Certainly, it was much easier to <i>lead</i> Larmon as long as Larmon
- could be led; if Larmon hesitated about following, Birdie stood ready to
- pitch the other headlong down the steps&mdash;the same end would be
- attained in either case!
- </p>
- <p>
- But Larmon still showed no suspicion of the good faith of one William
- Anderson. He was following without question. The daylight streaking down
- through the entrance afforded enough light to enable Crang, over his
- shoulder, to note that Larmon was always close behind him. At a door
- across the cellar Crang gave two raps, three times repeated, and as the
- door was opened, entered with Larmon beside him.
- </p>
- <p>
- The man who had let them in&mdash;one of three, who had evidently been
- rolling dice at a table close to the entrance&mdash;closed the door behind
- them, and resumed his game.
- </p>
- <p>
- &ldquo;If you'll just wait here a minute, Mr. Peters,&rdquo; Crang said breezily,
- &ldquo;I'll find Bruce for you.&rdquo;
- </p>
- <p>
- He did not wait for a reply. It mattered very little as to what Larmon
- said or did now, anyhow&mdash;Larmon's exit was barred by three men! He
- walked up the length of the low-ceiled, evil-smelling place, and with a
- key which he took from his pocket unlocked a door at the farther end. As
- he stepped through the door his revolver was in his hand.
- </p>
- <p>
- He laughed in an ugly way, as John Bruce rose from the mattress and faced
- him.
- </p>
- <p>
- &ldquo;Salt is a great thing, isn't it?&rdquo; he jeered. He drew from his pocket the
- slip of paper he had cut from the bottom of the letter, and held it so
- that John Bruce could see it. Then he put it back in his pocket again.
- &ldquo;Understand? He got the <i>rest</i> of the letter, all right; and so he
- has come down to pay you a little visit. He's outside there now.&rdquo;
- </p>
- <p>
- John Bruce made no answer.
- </p>
- <p>
- Crang laughed again.
- </p>
- <p>
- &ldquo;You thought you'd double-cross me, did you? You poor fool! Well, it's a
- showdown now. I'm going to bring him in here&mdash;and let you tell him
- what he's up against. I guess you can convince him. He's got less than an
- hour in which to come across&mdash;if you are going to sail on that
- steamer. If you don't make yourself useful to that extent, you go out&mdash;for
- keeps; and Larmon stays here until he antes up&mdash;or rots! Is that
- quite clear?&rdquo;
- </p>
- <p>
- John Bruce's lips scarcely moved.
- </p>
- <p>
- &ldquo;Yes; it is quite clear,&rdquo; he said.
- </p>
- <p>
- &ldquo;I thought it would be!&rdquo; snarled Crang&mdash;and backed out through the
- door.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0018" id="link2HCH0018"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER EIGHTEEN&mdash;THE HOSTAGE
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">A</span>S Crang
- disappeared through the doorway, John Bruce stepped noiselessly forward
- across the earthen floor. With the door half open and swung inward, it
- left a generous aperture at the hinges through which he could see down the
- length of the cave-like den outside.
- </p>
- <p>
- He was strangely calm. Yes, there was Larmon down there&mdash;and Crang
- was walking toward him. And Crang had left the door open here. Well, why
- not?&mdash;with those three apaches at that table yonder! Yes, why not?&mdash;except
- that Crang had also left open the way to one last move, left him, John
- Bruce, one last card to play!
- </p>
- <p>
- Strange, the cold, unnatural calmness that possessed him! His mind seemed
- instantaneously to have conceived and created a project that almost
- subconsciously he was now in the act of putting into effect. He reached
- out, and extracting the key from the outside of the door, inserted it on
- the inside of the lock. He smiled grimly. So far, it was quite safe! The
- door was swung so far inward that the inner edge of it, and therefore his
- act, certainly could not be seen by any one out there.
- </p>
- <p>
- A last card! His lips tightened. Well, perhaps! But it was more than that.
- His unnatural composure had something deeper than that behind it&mdash;a
- passionate fury smoldering on the verge of flame. Larmon was out there&mdash;trapped!
- He could not put Larmon in greater jeopardy now, no matter what he, John
- Bruce, did personally, because Larmon dead would not be worth anything to
- them. But for himself&mdash;to stand and take it all like a sheep at the
- hands of a damned, cringing&mdash;&mdash;
- </p>
- <p>
- He shook his head in quick, curious self-rebuke. Not yet! He needed that
- cold composure a little longer since it was to be a showdown now. That was
- what Crang had said&mdash;a showdown. And Crang was right! It meant the
- end&mdash;one way or the other. But with luck, if Crang was as yellow as
- he believed the man to be, the idea of the bluff that had leaped into his
- mind would work successfully; and if it didn't work&mdash;well, then,
- there was the end&mdash;and at least it would not be a scatheless one for
- Crang!
- </p>
- <p>
- The mind works swiftly. Had Crang had time only to walk down <i>half</i>
- the length of that room out there toward Larmon? Yes, he saw Crang halt
- now, and heard Crang call out sharply to the three men at the table:
- </p>
- <p>
- &ldquo;See if he's got a gun!&rdquo;
- </p>
- <p>
- John Bruce, through the crack, saw Larmon whirl around suddenly, as though
- aware for the first time that he was in danger; saw two of the men grasp
- Larmon roughly, while the third searched through his clothes.
- </p>
- <p>
- And then Crang laughed out raucously:
- </p>
- <p>
- &ldquo;This way, <i>Mr. Peters</i>&mdash;please! You three can stay where you
- are&mdash;I'll call you if I need you!&rdquo;
- </p>
- <p>
- For still another instant John Bruce watched through the crack. Larmon,
- though his face was set and stern, advanced calmly to where Crang stood.
- Crang, with a prod of his revolver, pushed him onward. They were coming
- now&mdash;Larmon first, and Crang immediately behind the other. Without a
- sound, John Bruce slipped around to the other side of the door; and, back
- just far enough so that he would not be seen the instant the threshold was
- reached, crouched down close against the wall.
- </p>
- <p>
- A second passed.
- </p>
- <p>
- &ldquo;Go on in there!&rdquo; he heard Crang order.
- </p>
- <p>
- Larmon's form crossed the threshold; and then Crang's&mdash;and John Bruce
- hurled himself forward, striking, even while his hands flew upward to lock
- like a vise around Crang's throat, a lightning blow at Crang's wrist that
- sent the revolver to the soft earthen floor without a sound&mdash;and a
- low, strangling, gurgling noise was alone the result of Crang's effort at
- a shout of alarm.
- </p>
- <p>
- &ldquo;Shut the door&mdash;<i>quietly!</i> And lock it, Larmon!&rdquo; John Bruce
- flung out.
- </p>
- <p>
- It was an impotent thing. It struck at the air blindly, its fists going
- like disjointed flails. Strong! He had not just risen from a sick bed this
- time! John Bruce and the soul within him seemed to chuckle In unison
- together at this wriggling thing that he held up by the neck with its feet
- off the ground. But he saw Larmon, though for the fraction of a second
- held spellbound in amazement, spring and lock the door.
- </p>
- <p>
- &ldquo;If you make a sound that reaches out there&rdquo;&mdash;John Bruce was
- whispering now with panting, labored breath, as he swung Crang over to the
- corner and forced him down upon the mattress&mdash;&ldquo;it will take too long
- to break that door in to be of any use to you! Understand?&rdquo;
- </p>
- <p>
- &ldquo;Bruce!&rdquo;
- </p>
- <p>
- It was Larmon standing over them. John Bruce scarcely turned his head. His
- hands were still on Crang's throat, though the man lay cowed and passive
- now.
- </p>
- <p>
- &ldquo;His inside coat pocket!&rdquo; John Bruce jerked out. &ldquo;It will save a lot of
- explanation.&rdquo;
- </p>
- <p>
- Larmon leaned over and thrust his hand into Crang's pocket. He produced
- several envelopes and the slip of paper cut from John Bruce's letter.
- </p>
- <p>
- &ldquo;Read the slip!&rdquo; said John Bruce grimly. &ldquo;He showed it to me a minute ago
- when he came in to tell me you were here. It was written in our invisible
- ink at the bottom of the letter he brought you.&rdquo; He laughed shortly. &ldquo;When
- you've read it, I'll introduce you.&rdquo;
- </p>
- <p>
- Larmon read the slip hurriedly.
- </p>
- <p>
- &ldquo;Good God!&rdquo; he cried out.
- </p>
- <p>
- &ldquo;This is Crang,&rdquo; said John Bruce evenly.
- </p>
- <p>
- &ldquo;But&rdquo;&mdash;Larmon's face was tense and strained&mdash;&ldquo;how&mdash;&mdash;&mdash;&rdquo;
- </p>
- <p>
- &ldquo;How did he discover there was anything there to begin with, and then hit
- on the salt solution?&rdquo; John Bruce interrupted. &ldquo;I don't know. We'll find
- out.&rdquo; He relaxed his hold a little on Crang's throat, and taking the slip
- of paper from Larmon, thrust it into his own pocket. &ldquo;Go on, Crang! Tell
- us!&rdquo;
- </p>
- <p>
- Crang's eyes roved from John Bruce to Larmon and back to John Bruce again.
- His face was ashen. He shook his head.
- </p>
- <p>
- &ldquo;You'll <i>talk!</i>&rdquo; said John Bruce with ominous quiet.
- </p>
- <p>
- &ldquo;And the less urging&rdquo;&mdash;his grip began to tighten again&mdash;&ldquo;the
- better for you.&rdquo;
- </p>
- <p>
- &ldquo;Wait!&rdquo; Crang choked. &ldquo;Yes&mdash;I&mdash;I'll tell you. I showed the
- letter to Claire. She&mdash;she cried on it. A tear splash&mdash;black
- letter began to appear. I took the letter home, and&mdash;trace of salt in
- tears&mdash;and&mdash;&mdash;&rdquo;
- </p>
- <p>
- Crang's voice died away in a strangling cry. Claire! John Bruce had barely
- caught any other word but that. Claire! The face beneath him began to grow
- livid. Claire! So the devil had brought Claire into this, too. <i>Too!</i>
- Yes, there was something else. Something else! He remembered now. There
- was a reckoning to come that was beyond all other reckonings, wasn't
- there? He would know now what hold this thing, that was beast, not man,
- had upon her. He would know now&mdash;or it would end now!
- </p>
- <p>
- &ldquo;Claire! D'ye hear?&rdquo; John Bruce whispered hoarsely. &ldquo;You know what I mean!
- What trick of hell did you play to make her promise to marry you? Answer
- me!&rdquo;
- </p>
- <p>
- The thing on the mattress moaned.
- </p>
- <p>
- &ldquo;Bruce! For God's sake, Bruce, what are you doing?&rdquo; Larmon cried out
- sharply.
- </p>
- <p>
- John Bruce raised his head and snarled at Larmon. Neither Larmon, nor any
- other man, would rob him of this now!
- </p>
- <p>
- &ldquo;You stand aside, Larmon!&rdquo; he rasped out. &ldquo;This is between me and Crang.
- Keep out of the way!&rdquo;
- </p>
- <p>
- He shook at Crang again. He laughed. The man's head bobbed limply.
- </p>
- <p>
- &ldquo;Answer me!&rdquo; He loosened his grip suddenly. Queer, he had forgotten that&mdash;Crang
- couldn't speak, of course, if he wouldn't let him!
- </p>
- <p>
- The man gasped, and gasped again, for his breath.
- </p>
- <p>
- &ldquo;I give you one second.&rdquo; John Bruce's lips did not move as he spoke.
- </p>
- <p>
- Twice Crang tried to speak.
- </p>
- <p>
- &ldquo;Quick!&rdquo; John Bruce planted his knees on the other's chest.
- </p>
- <p>
- &ldquo;Yes&mdash;yes, yes, yes!&rdquo; Crang gurgled out. &ldquo;It's you&mdash;the night
- you&mdash;you were stabbed. You were&mdash;were nearly gone. I&mdash;I
- gave her the&mdash;the choice&mdash;to marry me, or&mdash;or I'd let you&mdash;go
- out.&rdquo;
- </p>
- <p>
- John Bruce felt his shoulders surge forward, felt his muscles grow taut as
- steel, and he shook at something flabby that made no resistance, and his
- knees rocked upon something soft where they were bedded. <i>him</i>&mdash;Claire
- had faced that inhuman choice, born in this monster's brain&mdash;to save
- <i>his</i> life! Madness seized upon him. The room, everything before him
- whirled around in great, red, pulsing circles. A fury that shook at the
- roots of his soul took possession of him. He knew nothing, saw nothing,
- was moved by nothing save an overwhelming lust for vengeance that seemed
- to give him superhuman strength, that enabled him to crush between his two
- bare hands this nauseous thing that&mdash;&mdash;-
- </p>
- <p>
- He heard a voice. It seemed to come from some infinite distance:
- </p>
- <p>
- &ldquo;You are killing the man! In the name of God, John Bruce, come away!&rdquo;
- </p>
- <p>
- It was Larmon's voice. He looked up. He was vaguely conscious that it was
- Larmon who was pulling at his shoulders, wrenching madly at his hands, but
- he could not see Larmon&mdash;only a blurred red figure that danced
- insanely up and down. Killing the man! Of course! What an inane thing to
- say! Then he felt his hands suddenly torn away from a hold they had had
- upon something, and he felt himself pulled to his feet. And then for a
- little he stood swaying unsteadily, and he shuddered, then he groped his
- way over to the chair by the table and dropped into it.
- </p>
- <p>
- He stared in front of him. Something on the floor near the door glittered
- and reflected the light from the single, dim incandescent. He lurched up
- from the chair, and going toward the object, snatched it up. It was
- Crang's revolver&mdash;but Larmon was upon him <i>in</i> an instant.
- </p>
- <p>
- &ldquo;Not that way, either!&rdquo; said Larmon hoarsely.
- </p>
- <p>
- John Bruce brushed his hand across his eyes.
- </p>
- <p>
- &ldquo;No, not that way, either,&rdquo; he repeated like a child.
- </p>
- <p>
- He went back to the chair and sat down. He was aware that Larmon was
- kneeling beside the mattress, but he paid no attention to the other.
- </p>
- <p>
- &ldquo;The man's unconscious,&rdquo; Larmon said.
- </p>
- <p>
- John Bruce did not turn his head.
- </p>
- <p>
- The minutes passed.
- </p>
- <p>
- John Bruce's brain began to clear; but the unbalanced fury that had
- possessed him was giving place now only to one more implacable in its
- considered phase. He looked around him. Crang, evidently recovered, was
- sitting up on the mattress. The letters Larmon had taken from Crang's
- pocket lay on the table. John Bruce picked them up idly. From one of them
- a steamer ticket fell out. He stared at this for a moment. A passage for
- John Bruce to South America! Then low, an ugly sound, his laugh echoed
- around the place.
- </p>
- <p>
- South America! It recalled him to his actual surroundings&mdash;that on
- the other side of the door were Crang's apaches. There was still time to
- catch the steamer, wasn't there&mdash;for South America? &ldquo;If the bluff
- worked&rdquo;&mdash;he remembered his thoughts, the plan that had actuated him
- when he had crouched there at the door, waiting for Crang to enter.
- Strange! It wouldn't be a <i>bluff</i> any more! All that was gone. What
- he would do now, and carry it through to its end, was what he had intended
- to bluff Crang into believing he would do. And Crang, too, would
- understand now how little of bluff there was&mdash;or, misunderstanding,
- pay for it with his life.
- </p>
- <p>
- He thrust the ticket suddenly into his pocket, stepped from his chair, the
- revolver in his hand, and confronted Crang. The man shrank back,
- trembling, his face gray with fear.
- </p>
- <p>
- &ldquo;Stand up!&rdquo; John Bruce commanded.
- </p>
- <p>
- Crang, groveling against the wall, got upon his feet.
- </p>
- <p>
- It was a full minute before John Bruce spoke again, and then the words
- came choking hot from his lips.
- </p>
- <p>
- &ldquo;You damned cur!&rdquo; he cried. &ldquo;That's what you did, was it? The price Claire
- paid was for my life. Well, it's hers, then; it's no longer mine. Can you
- understand that, and understand that I am going to pay it back, if
- necessary, to rid her of you? We are going to walk out of here. You will
- lead the way. We are going down to that steamer, and you are going on John
- Bruce's ticket where you proposed to send me&mdash;to South America.
- Either that&mdash;or you are going on a longer journey. I shall carry this
- revolver in the pocket of my coat, and walk beside you. It is your affair
- how we pass those men out there. If you make any attempt at trickery in
- getting out of here, or later in the street attempt to escape, I will fire
- instantly. It does not matter in the slightest degree what happens to me
- at the hands of your men, or at the hands of a thousand people in the most
- crowded street. You will have gone out <i>first</i>. The only
- consideration that exists is that Claire shall be free of you.&rdquo;
- </p>
- <p>
- &ldquo;Tck!&rdquo; It was the quill toothpick flexing against one of Larmon's teeth.
- </p>
- <p>
- John Bruce turned.
- </p>
- <p>
- &ldquo;I did not understand,&rdquo; said Larmon in a low, grim way. &ldquo;If I had, I am
- not sure I should have stopped you from throttling him when I did.&rdquo;
- </p>
- <p>
- John Bruce nodded curtly. He spoke again to Crang.
- </p>
- <p>
- &ldquo;I am not asking you whether you agree to this or not,&rdquo; he said with level
- emphasis. &ldquo;You have your choice at any moment to do as you like&mdash;you
- know the consequences.&rdquo; He slipped his hand with his revolver into the
- right-hand side pocket of his coat, and took his place at Crang's left
- side. &ldquo;Now, go ahead and open that door, and lead the way out! Mr. Larmon,
- you follow close behind me.&rdquo;
- </p>
- <p>
- &ldquo;Yes,&rdquo; Crang stammered, &ldquo;yes&mdash;for God's sake&mdash;I&mdash;I'll do it&mdash;I&mdash;-&rdquo;
- </p>
- <p>
- &ldquo;Open that door!&rdquo; said John Bruce monotonously. &ldquo;I didn't ask you to talk
- about it!&rdquo;
- </p>
- <p>
- Crang opened the door. The little procession stepped out into the long,
- low cellar, and started down toward the lower end. The three men, from
- playing dice at the table near the door, rose uncertainly to their feet.
- John Bruce's revolver in his pocket pressed suggestively against Crang's
- side.
- </p>
- <p>
- &ldquo;It's all right, boys,&rdquo; Crang called out. &ldquo;Open the door. I've got Birdie
- outside.&rdquo;
- </p>
- <p>
- They passed the table, passed through the doorway, and the door closed
- behind them. In the semi-darkness here, as they headed for the exit to the
- lane, Larmon touched John Bruce's elbow.
- </p>
- <p>
- &ldquo;He brought me down here in a taxi,&rdquo; Larmon whispered. &ldquo;I suppose now it
- was one of his men who drove it.&rdquo;
- </p>
- <p>
- &ldquo;Birdie, he just told those rats,&rdquo; said John Bruce tersely. &ldquo;Do you hear,
- Crang? If he's still out there, send him away!&rdquo;
- </p>
- <p>
- They emerged into the lane. A taxi-cab stood opposite the exit; Birdie
- lounged in the driver's seat.
- </p>
- <p>
- John Bruce's revolver bored into Crang's side.
- </p>
- <p>
- &ldquo;Beat it!&rdquo; said Crang surlily to the man. &ldquo;I won't want you any more.&rdquo;
- </p>
- <p>
- &ldquo;You won't&mdash;what?&rdquo; Birdie leaned out from his seat. He stared for a
- moment in bewilderment, and then started to climb out of the taxi.
- </p>
- <p>
- The pressure of John Bruce's revolver increased steadily.
- </p>
- <p>
- &ldquo;Damn it, you fool!&rdquo; Crang screamed out wildly. &ldquo;Beat it! Do you hear?
- Beat it!&rdquo;
- </p>
- <p>
- Birdie's face darkened.
- </p>
- <p>
- &ldquo;Oh&mdash;sure!&rdquo; he muttered, with a disgruntled oath. He shot the gears
- into place with a vicious snap. &ldquo;Sure&mdash;anything <i>you</i> say!&rdquo; The
- taxi roared down the lane, and disappeared around the corner in a volley
- of exhausts.
- </p>
- <p>
- &ldquo;Go on!&rdquo; John Bruce ordered.
- </p>
- <p>
- At the corner of the lane John Bruce turned to Larmon.
- </p>
- <p>
- &ldquo;You are safe, and out of it now,&rdquo; he said. &ldquo;I am going to ask you to step
- into the first store we pass and get me some good light rope, but after
- that I think you had better leave us. If anything happened between here
- and the steamer, or on the steamer, you would be implicated.&rdquo;
- </p>
- <p>
- &ldquo;Tck!&rdquo; It was the quill toothpick again. &ldquo;I'll get the rope with
- pleasure,&rdquo; Larmon said calmly; &ldquo;but I never lay down a good hand. I am
- going to the steamer.&rdquo;
- </p>
- <p>
- John Bruce shrugged his shoulders. Larmon somehow seemed an abstract
- consideration at the moment&mdash;but Larmon had had his chance.
- </p>
- <p>
- &ldquo;What time does the steamer sail, Crang?&rdquo; John Bruce bit off his words, as
- he looked at his watch.
- </p>
- <p>
- &ldquo;Four o'clock,&rdquo; Crang mumbled.
- </p>
- <p>
- &ldquo;Walk faster!&rdquo;
- </p>
- <p>
- They stopped for a moment in front of a store. Larmon entered, and came
- out again almost immediately with a package under his arm.
- </p>
- <p>
- A block farther on John Bruce hailed a passing taxi.
- </p>
- <p>
- Fifteen minutes later, pushing through the throng on the dock, John Bruce
- produced the ticket, they mounted the gangway, and a steward led them to a
- stateroom on one of the lower decks.
- </p>
- <p>
- John Bruce closed the door and locked it. His revolver was in his hand
- now.
- </p>
- <p>
- &ldquo;There isn't much time left,&rdquo; he said coldly. &ldquo;About ten minutes.&rdquo;
- </p>
- <p>
- At the end of five, Crang, bound hand and foot, and gagged, lay lashed
- into his bunk.
- </p>
- <p>
- A bugle sounded the &ldquo;All Ashore!&rdquo;
- </p>
- <p>
- John Bruce tossed the ticket on the couch.
- </p>
- <p>
- &ldquo;There's your ticket!&rdquo; he said sternly. &ldquo;I wouldn't advise you to come
- back&mdash;nor worry any further about exposing Mr. Larmon, unless you
- want to force a showdown that will place some very interesting details
- connected with the life of Doctor Crang in the hands of the police!&rdquo;
- </p>
- <p>
- The bugle rang out again.
- </p>
- <p>
- John Bruce, without a further glance in Crang's direction, opened the
- cabin window slightly, then unlocking the door, he motioned Larmon to pass
- out. He locked the door on the outside, stepped to the deck, tossed the
- key through the window to the floor of Crang's cabin, and drew the window
- shut again. A minute more, and with Larmon beside him, he was standing on
- the dock.
- </p>
- <p>
- Neither John Bruce nor Larmon spoke.
- </p>
- <p>
- And presently the tugs caught hold of the big liner and warped her out of
- her berth.
- </p>
- <p>
- &ldquo;John Bruce&rdquo; had sailed for South America.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0019" id="link2HCH0019"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER NINETEEN&mdash;CABIN H-14
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">F</span>OR a time, Crang
- lay passive. Fear was dominant. He could move his head a little, and he
- kept screwing it around to cast furtive glances at the cabin door. He was
- sure that Bruce was still outside there, or somewhere near&mdash;Bruce
- wouldn't leave the ship until the last moment, and....
- </p>
- <p>
- The craven soul of the man shrivelled within him. Bruce's eyes! Damn
- Bruce's eyes, and that hideous touch of Bruce's pocketed revolver! The
- fool would even have killed him back there in the cellar if it hadn't been
- for Larmon! He could still feel those strangling fingers at his throat.
- </p>
- <p>
- Mechanically he made to lift his hand to touch the bruised and swollen
- flesh&mdash;but he could not move his hands because they were bound behind
- his back and beneath him. The fool! The fool had <i>wanted</i> to shoot.
- Perhaps with Larmon out of the road, and just at the last minute, that was
- what he still meant to do&mdash;to open the door there, and&mdash;and <i>kill</i>.
- Terror swept upon him. He tried to scream&mdash;but a gag was in his
- mouth.
- </p>
- <p>
- What was that? He felt a slight jar, another, and another. He listened
- intently. He heard a steady throbbing sound. The ship was moving&mdash;moving!
- That meant that Bruce was ashore&mdash;that he need not fear that door
- there. He snarled to himself, suddenly arrogant with courage. To the
- devil's pit with John Bruce!
- </p>
- <p>
- He began to work at his bonds now&mdash;at first with a measure of
- contained persistence; and then, as he made no progress, angry impatience
- came, and he began to struggle. He tossed now, and twisted himself about
- on the bunk, and strained with all his might. The gag choked him. The
- bonds but grew the tighter and cut into his wrists. He became a madman in
- his frenzy. Passion and fury lashed him on and on. He flogged himself into
- effort beyond physical endurance&mdash;and finally collapsed through utter
- exhaustion, a limp thing bathed in sweat.
- </p>
- <p>
- Then he began the struggle again, and after that again. The periods came
- in cycles... the insensate fury... exhaustion... recuperation...
- </p>
- <p>
- After a time he no longer heard the throbbing of the engines or the
- movement of the ship during those moments when he lay passive in weakness,
- nor did the desire for freedom, for merely freedom's sake, any longer
- actuate him; instead, beneath him, in his pocket, he had felt the little
- case that held his hypodermic syringe, and it had brought the craving for
- the drug. And the craving grew. It grew until it became torture, and to
- satisfy it became the one incentive that possessed him. It tormented, it
- mocked him. He could feel it there in his pocket, always there in his
- pocket. Hell could not keep him from it. He blasphemed at the ropes that
- kept it from his fingers' reach, and he wrenched and tore at them, and
- sobbed and snarled&mdash;and after long minutes of maniacal struggle would
- again lie trembling, drained of the power either to move or think.
- </p>
- <p>
- It grew dark in the cabin.
- </p>
- <p>
- And now, in one of his series of struggles, something snapped beneath him&mdash;a
- cord! One of the cords around his wrists had given away. He tore one hand
- free. Yes, yes&mdash;he could reach his pocket! Ha, ha&mdash;his pocket!
- And now his other hand was free. He snatched at the hypodermic syringe
- with feverish greed&mdash;and the plunger went home as the needle pricked
- its way beneath the skin of his forearm.
- </p>
- <p>
- He reached up then, unloosened the knots at the back of his head, and spat
- the gag from his mouth. His penknife freed his legs. He stood up&mdash;tottered&mdash;and
- sat down on the edge of his bunk. He remained motionless for a few
- minutes. The drug steadied him.
- </p>
- <p>
- He looked around him. It was dark. The ship was very still; there was no
- sense of movement, none of vibration from the engines. It seemed to him
- that in a hazy, vague way he had noticed that fact a long time ago. But,
- nevertheless, it was very curious!
- </p>
- <p>
- He stood up again. This was better! He felt secure enough now on his feet.
- It was only as though a great fatigue were upon him, and that he seemed to
- be weighted down with lead&mdash;nothing more than that. He crossed to the
- window, drew the shade, and opened the window itself.
- </p>
- <p>
- And then, for a long time, puzzled, his brows drawn together, he stood
- there staring out. Close at hand, though but faintly outlined in the
- darkness, he could see the shore. And it was not imagination, for beyond
- the shore line, he could see innumerable little lights twinkling.
- </p>
- <p>
- It was strange! He rubbed his eyes. Here was something else! The window
- opened on a narrow, dimly lighted and deserted deck&mdash;one of the lower
- decks, he remembered. Below this deck, and evidently alongside of the
- steamer's hull, he could make out the upper-structure of some small
- vessel.
- </p>
- <p>
- A figure came along the deck now from the forward end&mdash;one of the
- crew, Crang could see from the other's dress, as the man drew nearer.
- Crang thrust his head out of the window.
- </p>
- <p>
- &ldquo;I say, look here!&rdquo; he called, as the other came opposite to him. &ldquo;What's
- all this about? Where are we?&rdquo;
- </p>
- <p>
- &ldquo;Down the bay a bit, that's all, sir,&rdquo; the man answered. &ldquo;We've had some
- engine trouble.&rdquo;
- </p>
- <p>
- Crang pointed to the small vessel alongside. A sudden, wild elation surged
- upon him.
- </p>
- <p>
- &ldquo;That's a tug down there, isn't it?&rdquo; he said. &ldquo;They're going to tow us
- back, I suppose?&rdquo;
- </p>
- <p>
- &ldquo;Oh, no, sir,&rdquo; the man replied. &ldquo;It's the company's tug, all right, that
- they sent down to us, but she'll be going back as soon as we're off again.
- It's nothin' serious, and we won't be more'n another hour, sir.&rdquo;
- </p>
- <p>
- Crang snarled under his breath.
- </p>
- <p>
- &ldquo;I beg your pardon, sir?&rdquo; inquired the man.
- </p>
- <p>
- &ldquo;Nothing!&rdquo; said Crang. &ldquo;I'm much obliged to you.&rdquo;
- </p>
- <p>
- &ldquo;Thank you, sir,&rdquo; said the man, and went on along the deck.
- </p>
- <p>
- Crang returned to his bunk and sat down again on its edge. He could still
- see the reflection of the shore lights. This seemed to obsess him. He kept
- staring out through the window. Suddenly he chuckled hoarsely&mdash;and
- then, as suddenly, his fist clenched and he shook it in the air.
- </p>
- <p>
- &ldquo;Another hour, eh?&rdquo; he muttered. &ldquo;Then, I'll get you yet, Bruce&mdash;ha,
- ha, I'll get you yet! But I'll make sure of Claire <i>first</i> this time!
- That's where I made the mistake&mdash;but Doctor Sydney Angus Crang
- doesn't make two mistakes alike!&rdquo;
- </p>
- <p>
- He relapsed into silent meditation. At the end of five minutes he spoke
- again.
- </p>
- <p>
- &ldquo;I'm a clever man,&rdquo; said Doctor Crang between his teeth. &ldquo;First Claire&mdash;then
- you, Bruce. And I'll take good care that you know nothing, Mr. John Bruce&mdash;not
- this time&mdash;not until it is too late&mdash;both ways! I'll show you!
- I'll teach you to pit your clumsy wits against me!&rdquo;
- </p>
- <p>
- He got up from the bunk and turned on a single incandescent light. Bruce
- had thrown the key in through the window, he remembered. Yes, there it was
- on the floor! He picked it up; and quickly and methodically he began to
- work now. He gathered together the pieces of rope with which he had been
- bound, tucked them under his coat, and running to the window, thrust his
- head outside again. The deck was clear, there was not a soul in sight. He
- unlocked the door now, stepped noiselessly out on the deck, dropped the
- pieces of rope overboard, and then, returning to the cabin, smiled
- ironically as he made a mental note of the number on the cabin door.
- </p>
- <p>
- &ldquo;H-14,&rdquo; observed Doctor Crang grimly. &ldquo;Quite so&mdash;H-14!&rdquo;
- </p>
- <p>
- He halted before the mirror and removed the more flagrant traces of his
- dishevelled appearance; then he took off his coat, flung it on a chair,
- pushed the electric button, and returned to his bunk.
- </p>
- <p>
- He was sitting up on the edge of the bunk, and yawning, as the steward
- answered his summons.
- </p>
- <p>
- &ldquo;Hello, steward!&rdquo; said Crang somewhat thickly. &ldquo;I guess I've overslept
- myself. Overdid the send-off a little, I'm afraid. What are we stopping
- for?&rdquo;
- </p>
- <p>
- &ldquo;A little engine trouble, sir,&rdquo; the steward answered. &ldquo;It was right after
- we started. We're only a little way down the bay. But it's all right, sir.
- Nothing serious. We'll be off again shortly.&rdquo;
- </p>
- <p>
- &ldquo;Humph!&rdquo; Crang dismissed the subject with a grunt. &ldquo;I suppose I've missed
- my dinner, eh?&rdquo;
- </p>
- <p>
- &ldquo;Oh, no, sir,&rdquo; replied the steward. &ldquo;It's only just a little after seven
- now, sir.&rdquo;
- </p>
- <p>
- &ldquo;That's better!&rdquo; smiled Crang. &ldquo;Well, get my traps right up here, like a
- good fellow, and I'll clean up a bit. And hurry, will you?&rdquo;
- </p>
- <p>
- The steward looked a little blank.
- </p>
- <p>
- &ldquo;Your traps, sir?&rdquo;
- </p>
- <p>
- &ldquo;Luggage&mdash;traps&mdash;baggage,&rdquo; defined Crang with facetious
- terseness.
- </p>
- <p>
- &ldquo;Oh, I knew what you meant, sir,&rdquo; said the steward. &ldquo;It's where your traps
- are, sir? I&mdash;I thought it a bit strange you didn't have anything with
- you when you came aboard this afternoon.&rdquo;
- </p>
- <p>
- &ldquo;Did you, now?&rdquo; inquired Crang sweetly. &ldquo;Well, then, the sooner you get
- them here the less strange it will seem. Beat it!&rdquo;
- </p>
- <p>
- &ldquo;But where are they, sir?&rdquo; persisted the man. &ldquo;Where are they? Good God,
- how do I know!&rdquo; ejaculated Crang sarcastically. &ldquo;I sent them down to the
- ship early this morning to be put aboard&mdash;in your baggage room.
- You've got a baggage room aboard, haven't you?&rdquo;
- </p>
- <p>
- &ldquo;Yes, sir; but&mdash;&mdash;&rdquo;
- </p>
- <p>
- &ldquo;I would suggest the baggage room, then!&rdquo; interrupted Crang crisply. &ldquo;And
- if they are not there, ask the captain to let you have any of the crew who
- aren't too busy on this engine trouble, and get them to help you search
- the ship!&rdquo;
- </p>
- <p>
- The steward grinned.
- </p>
- <p>
- &ldquo;Very good, sir. Would you mind describing the pieces?&rdquo;
- </p>
- <p>
- &ldquo;There are four,&rdquo; said Crang with exaggerated patience, as he created the
- non-existent baggage out of his imagination. &ldquo;And they have all got your
- 'wanted on the voyage' labels, with my name and cabin written on them&mdash;Mr.
- John Bruce; Cabin H-14. There is a steamer trunk, and two brown
- alligator-leather&mdash;which I do not guarantee to be genuine in spite of
- the price&mdash;suit-cases, and a hat box.&rdquo;
- </p>
- <p>
- &ldquo;Very good, sir,&rdquo; said the steward again&mdash;and hurried from the cabin.
- </p>
- <p>
- Crang got up and went to the window. The tug alongside seemed to furnish
- him with engrossing reflections, for he stood there, smiling queerly,
- until he swung around in answer to a knock upon his door.
- </p>
- <p>
- A man in ship's uniform entered ahead of the steward.
- </p>
- <p>
- &ldquo;The steward here, sir,&rdquo; said the man, &ldquo;was speaking about your baggage.&rdquo;
- </p>
- <p>
- &ldquo;<i>Speaking</i> about it!&rdquo; murmured Crang helplessly. &ldquo;I told him to get
- it.&rdquo;
- </p>
- <p>
- &ldquo;Yes, sir,&rdquo; said the man; &ldquo;but I am sorry to say that no such baggage as
- you describe has come aboard the ship. There has been no baggage at all
- for Mr. Bruce, sir.&rdquo;
- </p>
- <p>
- &ldquo;Not aboard!&rdquo; gasped Crang. &ldquo;Then&mdash;then where is it?&rdquo;
- </p>
- <p>
- &ldquo;I can't say, sir, of course,&rdquo; said the other sympathetically. &ldquo;I am only
- stating a fact to you.&rdquo;
- </p>
- <p>
- &ldquo;But&mdash;but I sent it down to the dock early this morning.&rdquo; Crang's
- voice was rising in well-affected excitement. &ldquo;It must be here! I tell
- you, it must be here!&rdquo;
- </p>
- <p>
- The man shook his head.
- </p>
- <p>
- &ldquo;It's my job, sir. I'm sorry, Mr. Bruce, but I know positively your
- baggage is not aboard this ship.&rdquo;
- </p>
- <p>
- &ldquo;Then what's to be done?&rdquo; Crang's voice rose louder. &ldquo;You've left it on
- the dock, that's what&mdash;fools, thundering idiots!&rdquo;
- </p>
- <p>
- The man with the baggage job looked uncomfortable.
- </p>
- <p>
- Crang danced up and down on the floor of the cabin.
- </p>
- <p>
- &ldquo;On the way to South America to stay six months,&rdquo; he yelled insanely, &ldquo;and
- my baggage left behind! I can't go on without my baggage, do you hear?&rdquo;
- </p>
- <p>
- There was a whispered conference between the two men. The steward vanished
- through the doorway.
- </p>
- <p>
- &ldquo;I've sent for the purser, sir,&rdquo; volunteered the other.
- </p>
- <p>
- Crang stormed up and down the floor.
- </p>
- <p>
- Presently the purser appeared. Crang swung on him on the instant.
- </p>
- <p>
- &ldquo;You've left my baggage behind!&rdquo; he shouted. &ldquo;My papers, plans,
- everything! I can't go on without them!&rdquo; He shook his fist. &ldquo;You'll either
- get that baggage here, or get me ashore!&rdquo;
- </p>
- <p>
- The purser eyed Crang's fist, and stiffened perceptibly.
- </p>
- <p>
- &ldquo;I'm not a magician, Mr. Bruce,&rdquo; he said quietly. &ldquo;I am very sorry indeed
- that this should have happened; but it is quite impossible, of course, to
- get your baggage here.&rdquo;
- </p>
- <p>
- &ldquo;Then get me ashore!&rdquo; Crang snatched up his coat and put it on. &ldquo;There's a
- tug, or something, out there, isn't there?&rdquo;
- </p>
- <p>
- &ldquo;Yes,&rdquo; said the purser, &ldquo;that's the company's tug, and I suppose you could
- go back on her, if you think you&mdash;&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Think!&rdquo; howled Crang. &ldquo;I don't <i>think</i> anything about it! I know
- that&mdash;&mdash;&rdquo; His eye suddenly caught the envelope on the couch
- containing the ticket. &ldquo;And what about this?&rdquo; He picked it up, jerked out
- the ticket, and waved it in the purser's face.
- </p>
- <p>
- The purser refused the document.
- </p>
- <p>
- &ldquo;You'll have to see the New York office, sir, about that,&rdquo; he said.
- </p>
- <p>
- &ldquo;I will, will I?&rdquo; snapped Crang. &ldquo;Well, that isn't all I'll see them
- about!&rdquo;
- </p>
- <p>
- &ldquo;I am sure they will do what they can, sir, to make things right&mdash;if
- they are to blame,&rdquo; said the purser a little sharply. &ldquo;But it might have
- been your teamer, you know, who made the mistake.&rdquo; He turned to the door.
- &ldquo;I will arrange about your going ashore, Mr. Bruce.&rdquo;
- </p>
- <p>
- &ldquo;Yes!&rdquo; growled Crang savagely&mdash;and five minutes later, swearing
- volubly for the benefit of those within hearing, he wriggled his way down
- a rope ladder to the tug's deck.
- </p>
- <p>
- A deck hand led him to the pilot house.
- </p>
- <p>
- &ldquo;The captain 'll be along as soon as we start,&rdquo; the man informed him.
- </p>
- <p>
- Crang made himself comfortable in a cushioned chair. He sat chuckling
- maliciously, as he stared up at the towering hull that twinkled with
- lights above him&mdash;and then the chuckle died away, and little red
- spots came and burned in his sallow cheeks, and his lips worked, and his
- hands curled until the nails bit into the palms.
- </p>
- <p>
- He lost track of time.
- </p>
- <p>
- A man came into the pilot house, and gave the wheel a spin.
- </p>
- <p>
- &ldquo;We're off!&rdquo; said the man heartily. &ldquo;You've had tough luck, I hear.&rdquo;
- </p>
- <p>
- Crang's fingers caressed his bruised and swollen throat.
- </p>
- <p>
- &ldquo;Yes,&rdquo; said Crang with a thin smile; &ldquo;but I think somebody is going to pay
- the bill&mdash;in full.&rdquo;
- </p>
- <p>
- The tug was heading toward New York.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0020" id="link2HCH0020"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER TWENTY&mdash;OUTSIDE THE DOOR
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">H</span>AWKINS very
- cautiously got out of bed, and consulted his watch. It was five minutes
- after nine. He stole to the door and listened. There was no sound from
- below. Mrs. Hedges, who had been his jailor all day, had now, he was
- fairly certain, finally retired for the night.
- </p>
- <p>
- The old blue eyes blinked in perplexity and he scratched at the fringe of
- hair behind his ear in a perturbed way, as he began, still cautiously, to
- dress. It had been a very dreary day, during which he had suffered not a
- little physical discomfort. Mrs. Hedges had been assiduous in her
- attentions; more than that, even&mdash;motherly.
- </p>
- <p>
- &ldquo;God bless her!&rdquo; said Hawkins to one of his boots, as he laced it up.
- &ldquo;Only she wouldn't let me out.&rdquo;
- </p>
- <p>
- He stopped lacing the boot suddenly, and sat staring in front of him. Mrs.
- Hedges had been more than even motherly; she had been&mdash;been&mdash;yes,
- that was it&mdash;been puzzling. If she had said Paul Veniza wanted to see
- him, why had she insisted that Paul Veniza didn't want to see him?
- Hawkins' gaze at the blank wall in front of him became a little more
- bewildered. He tried to reconstruct certain fragments of conversation that
- had taken place between Mrs. Hedges and himself.
- </p>
- <p>
- &ldquo;Now, you just lie still,&rdquo; Mrs. Hedges had insisted during the afternoon,
- when he had wanted to get up. &ldquo;Claire told me&mdash;&mdash;&rdquo;
- </p>
- <p>
- He remembered the sinking of his heart as he had interrupted her.
- </p>
- <p>
- &ldquo;Claire,&rdquo; he had said anxiously, &ldquo;Claire ain't&mdash;she don't know about
- this, does she?&rdquo;
- </p>
- <p>
- &ldquo;Certainly <i>not!</i>&rdquo; Mrs. Hedges had assured him.
- </p>
- <p>
- &ldquo;But you said she told you something&rdquo;&mdash;Hawkins continued to
- reconstruct the conversation&mdash;&ldquo;so she must have been here.&rdquo;
- </p>
- <p>
- &ldquo;Law!&rdquo; Mrs. Hedges had returned. &ldquo;I nearly put my foot in it, didn't I&mdash;I&mdash;I
- mean starting you in to worry. Certainly she don't know anything about it.
- She just came over to say her father wanted to see you, and I says to her
- you ain't feeling very well, and she says it's all right.&rdquo;
- </p>
- <p>
- Hawkins resumed his dressing. His mind continued to mull over the
- afternoon. Later on he had made another attempt to get up. He was feeling
- quite well enough to go over and find out what Paul Veniza wanted. And
- then Mrs. Hedges, as though she had quite forgotten what she had said
- before, said that Paul Veniza didn't want to see him, or else he'd send
- word.
- </p>
- <p>
- Hawkins scratched behind his ear again. His head wasn't quite clear. Maybe
- he had not got it all quite straight. Suddenly he smiled. Of course! There
- wasn't anything to be bewildered about. Mrs. Hedges was just simply
- determined that he would not go out&mdash;and he was equally determined
- that he would. Paul Veniza or not, he had been long enough in bed!
- </p>
- <p>
- &ldquo;Yes,&rdquo; said Hawkins; &ldquo;God bless her, that's it!&rdquo;
- </p>
- <p>
- Hawkins completed his toilet, and picking up his old felt hat,
- reconnoitered the hallway. Thereafter he descended the stairs with amazing
- stealth.
- </p>
- <p>
- &ldquo;God bless her!&rdquo; said Hawkins softly again, as he gained the front door
- without raising any alarm and stepped outside&mdash;and then Hawkins
- halted as though his feet had been suddenly rooted to the spot.
- </p>
- <p>
- At the curb in front of the house was an old closed motor car. Hawkins
- stared at it. Then he rubbed his eyes. Then he stared at it again. He
- stared for a long time. No; there was no doubt about it&mdash;it was the
- traveling pawn-shop.
- </p>
- <p>
- Hawkins' mind harked back to the preceding evening. He had met two men in
- the saloon around the corner, whom he had seen there once or twice before.
- He had had several drinks with them, and then at some one's suggestion, he
- could not recollect whose, there had followed the purchase of a few
- bottles, and an adjournment to his room for a convivial evening. After
- that his mind was quite blank. He could not even remember having taken out
- the car.
- </p>
- <p>
- &ldquo;I&mdash;I must have been bad,&rdquo; said Hawkins to himself, with a rueful
- countenance.
- </p>
- <p>
- He descended the steps, and approached the car with the intention of
- running it into the shed that served as garage behind the house. But again
- he halted.
- </p>
- <p>
- &ldquo;No,&rdquo; said Hawkins, with a furtive glance over his shoulder at the front
- door; &ldquo;if I started it up, Mrs. Hedges would hear me. I guess I'll wait
- till I come back.&rdquo;
- </p>
- <p>
- Hawkins went on down the street and turned the corner. He had grown a
- little dejected.
- </p>
- <p>
- &ldquo;I'm just an old bum,&rdquo; said Hawkins, &ldquo;who ain't ever going to swear off
- any more 'cause it don't do any good.&rdquo;
- </p>
- <p>
- He spoke aloud to himself again, as he approached the door of Paul
- Veniza's house.
- </p>
- <p>
- &ldquo;But I <i>am</i> her daddy,&rdquo; whispered the old man fiercely; &ldquo;and she is
- my little girl. It don't change nothing her not knowing, except&mdash;except
- she ain't hiding her face in shame, and&rdquo;&mdash;Hawkins' voice broke a
- little&mdash;&ldquo;and that I ain't never had her in these arms like I'd ought
- to have.&rdquo; A gleam of anger came suddenly into the watery blue eyes under
- the shaggy brows. &ldquo;But he ain't going to have her in <i>his!</i> That
- devil from the pit of hell ain't going to kill the soul of my little girl&mdash;somehow
- he ain't&mdash;that's all I got to live for&mdash;old Hawkins&mdash;ha,
- ha!&mdash;somehow old Haw-kins 'll&mdash;&mdash;&rdquo;
- </p>
- <p>
- Hawkins' soliloquy ended abruptly. He was startled to find himself in the
- act of opening the front door of the one-time pawn-shop. He even
- hesitated, holding the door ajar&mdash;and then suddenly he pushed the
- door wider open and stepped softly inside, as the sound of a voice, angry
- and threatening in its tones, though strangely low and muffled, reached
- him. He knew that voice. It was Doctor Crang's.
- </p>
- <p>
- It was dark here in the room that had once been the office of the
- pawn-shop, and upon which the front door opened directly; but from under
- the door leading into the rear room there showed a thread of light, and it
- was from there that Hawkins now placed the voice.
- </p>
- <p>
- He stood irresolute. He stared around him. Upstairs it was dark. Paul
- Veniza, because he had not been well, had probably gone to bed early&mdash;unless
- it was Paul in there with Crang. No! He caught the sound of Claire's voice
- now, and it seemed to come to him brokenly, in a strangely tired, dreary
- way. And then Crang's voice again, and an ugly laugh.
- </p>
- <p>
- The wrinkled skin of Hawkins' old weather-beaten hands grew taut and white
- across the knuckles as his fists clenched. He tiptoed toward the door. He
- could hear distinctly now. It was Crang speaking:
- </p>
- <p>
- &ldquo;... I'm not a fool! I did not speak about it to make you lie again. I
- don't care where you met him, or how long you had been lovers before he
- crawled in here. That's nothing to do with it. It's enough that I know you
- were lovers before that night. But you belong to me now. Understand? I
- spoke of it because the sooner you realize that <i>you</i> are the one who
- is the cause of the trouble between Bruce and me, the better&mdash;<i>for
- him!</i> I wasn't crowding you before, but I'm through fooling with it now
- for keeps. I let you go too long as it is. To-day, for just a little
- while, he won out&mdash;yes, by God, if you want the truth, he nearly
- killed me. He got me tied in a cabin of a ship that sailed this afternoon
- for South America; but the engines broke down in the harbor, and, damn
- him, I'm back! You know what for. I've told you. There's one way to save
- him. I've told you what that is, too. I'm waiting for your answer.&rdquo;
- </p>
- <p>
- &ldquo;Why should it be me?&rdquo; Claire's voice was dull and colorless. &ldquo;Why cannot
- you leave me alone&mdash;I, who hate and loathe you? Do you look for
- happiness with me? There will be none.&rdquo;
- </p>
- <p>
- &ldquo;Why should it be you?&rdquo; Crang's voice was suddenly hoarse with passion.
- &ldquo;Because you have set my brain on fire, because you have filled me with a
- madness that would mock God Himself if He stood between us. Do you
- understand&mdash;Claire? Claire! Do you understand? Because I want you,
- because I'm going to have you, because I'm going to own you&mdash;yes, <i>own</i>
- you, one way or another&mdash;by marriage, or&mdash;&mdash;&rdquo;
- </p>
- <p>
- A low cry came from Claire. It tore at Hawkins' heart in its bitter shame
- and anguish. His face blanched.
- </p>
- <p>
- &ldquo;Well, you asked for it, and you got it!&rdquo; Crang snarled. &ldquo;Now, I'm waiting
- for your answer.&rdquo;
- </p>
- <p>
- There was a long pause, then Claire spoke with an obvious effort to steady
- her voice:
- </p>
- <p>
- &ldquo;Have I got to buy him <i>twice?&rdquo;</i>
- </p>
- <p>
- &ldquo;You haven't bought him <i>once</i> yet,&rdquo; Crang answered swiftly. &ldquo;I
- performed my part of the bargain. I haven't been paid.&rdquo;
- </p>
- <p>
- And Hawkins, standing there, listening, heard nothing for a long time; and
- then he distinguished Claire's voice, but it was so low that he could not
- catch the words. But he heard Crang's reply because it was loud with what
- seemed like passionate savagery and triumph:
- </p>
- <p>
- &ldquo;You're wise, my dear! At eight o'clock to-morrow morning, then. And since
- Mr. John Bruce's skin is involved in this, you quite understand that he is
- not to be communicated with in any way?&rdquo;
- </p>
- <p>
- &ldquo;I understand.&rdquo; Hawkins this time caught the almost inaudible reply.
- </p>
- <p>
- &ldquo;All right!&rdquo; Crang said. &ldquo;There's a padre I know, who's down on Staten
- Island now. We'll go down there and be married without any fuss. I'll be
- here at eight o'clock. Your father isn't fit to ride in that rattle-trap
- old bus of yours. I'll have a comfortable limousine for him, and you can
- go with him. Hawkins can drive me, and&rdquo;&mdash;he was laughing softly&mdash;&ldquo;and
- be my best man. I'll see that he knows about it in time to&mdash;&mdash;&rdquo;
- </p>
- <p>
- Like a blind man, Hawkins was groping his way toward the front door.
- Married! They were to be married to-morrow morning!
- </p>
- <p>
- He found himself on the street. He hurried. Impulse drove him along. He
- did not reason. His mind was a tortured thing. And yet he laughed as he
- scurried around the corner, laughed in an unhinged way, and raised both
- hands above his head and pounded at the air with his doubled fists. They
- were to be married to-morrow morning, and he&mdash;he was to be <i>best
- man</i>. And as he laughed, his once ruddy, weather-beaten face was white
- as a winding-sheet, and in the whiteness there was stamped a look that it
- was good on no man's face to see.
- </p>
- <p>
- And then suddenly two great tears rolled down his cheeks, opening the
- flood gates of his soul.
- </p>
- <p>
- &ldquo;My little girl!&rdquo; he sobbed. &ldquo;Daddy's little girl!&rdquo;
- </p>
- <p>
- And reason and a strange calmness came.
- </p>
- <p>
- &ldquo;John Bruce,&rdquo; he said. &ldquo;He loves her too.&rdquo;
- </p>
- <p>
- And in front of Mrs. Hedges' rooming-house he climbed into the driver's
- seat of the old traveling pawn-shop.
- </p>
- <p>
- It didn't matter now how much noise he made.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0021" id="link2HCH0021"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER TWENTY-ONE&mdash;THE LAST CHANCE
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">J</span>OHN BRUCE closed
- the door of Larmon's suite, and, taking the elevator, went up to his own
- room in the Bayne-Miloy Hotel, two floors above. Here, he flung himself
- almost wearily into a chair. Larmon had gone to bed; but bed offered no
- appeal to him, John Bruce, in spite of the fact that he was conscious of
- great mental fatigue. Bed without sleep was a horror, and his spirits were
- too depressed to make sleep even a possibility.
- </p>
- <p>
- From a purely selfish standpoint, and he admitted to utter selfishness
- now, it had been a hollow victory. Crang was gone, disposed of, and as far
- as Larmon was concerned the man no longer existed, for if Crang had held
- certain intimate knowledge of Larmon's life over Larmon's head, Larmon was
- now in exactly the same position in respect to Crang. And Crang, too, for
- the time being at least, was no longer a factor in Claire's life.
- </p>
- <p>
- He smiled grimly to himself. Hollow! The victory had been sweeping,
- complete, conclusive&mdash;for every one but himself! He had not even
- waited to leave the dock before he had telephoned Claire. And Claire had&mdash;&mdash;
- He rose suddenly and began to walk feverishly up and down the room.
- Hollow! He laughed out shortly. She had curtly refused to talk to him.
- </p>
- <p>
- He had only meant to telephone to say that he was on the way up to her
- house, and he had managed to say that much&mdash;and she had coldly,
- contemptuously informed him that she would not be at home, and had hung up
- the receiver. She had given him no opportunity to say any more.
- </p>
- <p>
- It was not like Claire. It had been so unexpected that he had left the
- dock mentally dazed. The sight of the liner out in the stream had seemed
- to mock him ironically. After that, until now, he had followed the line of
- least resistance. He had come back here to the hotel, and dined with
- Larmon.
- </p>
- <p>
- He stood still in the middle of the room. Larmon! It had been a singular
- evening that he had just spent with Larmon. He had got a new viewpoint on
- Larmon&mdash;a strange, grave, sympathetic Larmon. He had given Larmon the
- details of everything that had happened; and Larmon had led him on to talk&mdash;of
- everything, and anything, it seemed now, as he looked back upon it. And
- somehow, he could not tell why, even while he felt that Larmon was drawing
- him out, urging him even to speak of Claire and the most intimate things
- of the last few weeks, he had been glad to respond. It was only when
- Larmon for a little while had discussed his great chain of gambling houses
- that he, John Bruce, had felt curiously detached from it all and estranged
- from the other, as though he were masquerading as some one else, as some
- one whom Larmon believed to be John Bruce, and as though he in his true
- self had no interest in these matters any longer in a personal sense, as
- though his connection with them had automatically ceased with the climax
- of Crang's removal. It was queer! But then his mind had been obsessed,
- elsewhere. And yet here, too, he had been frank with Larmon&mdash;frank
- enough to admit the feelings that had prompted him to refrain from actual
- play only two nights before. He remembered the quick little tattoo of
- Larmon's quill toothpick at this admission, and Larmon's tight little
- smile.
- </p>
- <p>
- Yes, it had been a singular evening! In those few hours he seemed to have
- grown to know Larmon as though he had known the man all his life, to be
- drawn to Larmon in a personal way, to admire Larmon as a man. There was
- something of debonair sang-froid about Larmon. He had made no fuss over
- his escape that day, and much less been effusive in any thanks. Larmon's
- philosophy of life was apparently definitely fixed and settled; and, in so
- far as Larmon was concerned, satisfactorily so. The whole world to Larmon
- was a gamble&mdash;and, consistently enough, his own activities in that
- respect were on as vast a scale as possible.
- </p>
- <p>
- Larmon with his unemotional face and his quill toothpick! No; not
- unemotional! When Larmon had finally pleaded fatigue and a desire to go to
- bed, there had been something in Larmon's face and Larmon's &ldquo;good-night,&rdquo;
- that still lingered with him, John Bruce, and which even now he could not
- define.
- </p>
- <p>
- John Bruce's brows gathered into tight furrows. His mind had flown off at
- a tangent. There was Claire! It had not been like Claire. Nor had he
- meant, nor did he intend now to accept her dismissal as final. But what
- was it that had happened? What was it? He could think of only one thing&mdash;the
- letter he had written to Larmon, and which, on that account, he had asked
- for and received back from the other.
- </p>
- <p>
- It was a certainty that Crang's hand was in this somewhere, and Crang had
- said that he had shown the letter to Claire, but&mdash;&mdash;
- </p>
- <p>
- The telephone rang.
- </p>
- <p>
- John Bruce stepped to the desk, and picked up the instrument.
- </p>
- <p>
- &ldquo;Yes? Hello!&rdquo; he said.
- </p>
- <p>
- The clerk's voice from the office answered him:
- </p>
- <p>
- &ldquo;There's a man down here, Mr. Bruce, who insists on seeing you. He's
- pretty seedy, and looks as though he had been on a bat for a week. I'm
- sorry to bother you, but we can't get rid of him. He says his name is
- Hawkins.&rdquo;
- </p>
- <p>
- &ldquo;Send him up at once!&rdquo; said John Bruce sharply.
- </p>
- <p>
- &ldquo;Yes, sir.&rdquo; The clerk coughed deprecatingly. &ldquo;Very well, Mr. Bruce. Thank
- you.&rdquo;
- </p>
- <p>
- Hawkins! John Bruce walked to the door of his suite, and opened it. He
- looked at his watch. It was getting on now to eleven o'clock. What on
- earth had brought Hawkins up here to the Bayne-Miloy at this hour? He
- smiled a little grimly as he stood waiting on the threshold, and the
- recollection of the night before last came back to him. Well, at least, he
- was safe to-night from any kidnaping through the medium of Hawkins!
- </p>
- <p>
- The elevator door clanged a little way down the corridor, and Hawkins,
- followed by a bell boy, stepped out.
- </p>
- <p>
- &ldquo;This way, Hawkins!&rdquo; John Bruce called&mdash;and dismissed the bell boy
- with a wave of his hand.
- </p>
- <p>
- And then, as Hawkins reached the door, John Bruce stared in amazement, and
- for a moment absolved the clerk for his diagnosis. Hawkins' face was like
- parchment, devoid of color; his hands, twisting at the old felt hat,
- trembled as with the ague; and the blue eyes, fever-burned they seemed,
- stared out in a fixed way from under the shaggy brows.
- </p>
- <p>
- John Bruce pulled the old man inside the apartment, and closed the door.
- </p>
- <p>
- &ldquo;Good Lord, Hawkins!&rdquo; he exclaimed anxiously. &ldquo;What's the matter with
- you?&rdquo;
- </p>
- <p>
- Hawkins caught at John Bruce's arm.
- </p>
- <p>
- &ldquo;It's to-morrow morning,&rdquo; he said hoarsely. &ldquo;Tomorrow morning at eight
- o'clock.&rdquo;
- </p>
- <p>
- &ldquo;What is?&rdquo; inquired John Bruce. He forced the old cabman gently into a
- chair. &ldquo;You're upset, Hawkins. Here&mdash;wait! I'll get you something.&rdquo;
- </p>
- <p>
- But Hawkins held him back.
- </p>
- <p>
- &ldquo;I don't want a drink.&rdquo; There was misery, bitterness, in Hawkins' voice.
- &ldquo;I don't want a drink&mdash;for once. It's come! It&mdash;it's come to the
- end now. Crang and&mdash;and my little girl are going to be married
- to-morrow morning.&rdquo;
- </p>
- <p>
- And then John Bruce laughed quietly, and laid his hand reassuringly on the
- old cabman's shoulder.
- </p>
- <p>
- &ldquo;No, Hawkins,&rdquo; he said. &ldquo;I don't know where you got that idea; but it
- won't be to-morrow morning, nor for a good many to-morrow mornings either.
- Crang at the present moment is on board a ship on his way to South
- America.&rdquo;
- </p>
- <p>
- &ldquo;I know,&rdquo; said Hawkins dully. &ldquo;But half an hour ago I left him with Claire
- in Paul Veniza's house.&rdquo;
- </p>
- <p>
- John Bruce's hand tightened on Hawkins' shoulder until the old man winced.
- </p>
- <p>
- &ldquo;You what?&rdquo; John Bruce cried out.
- </p>
- <p>
- &ldquo;Yes,&rdquo; said Hawkins. &ldquo;I heard him talking about it in the back room. They
- didn't know I was there. He said there was something the matter with the
- engines.&rdquo;
- </p>
- <p>
- Crang back! John Bruce's face was set as chiselled marble.
- </p>
- <p>
- &ldquo;Do you know what you are saying, Hawkins?&rdquo; he demanded fiercely, as
- though to trample down and sweep aside by the brute force of his own
- incredulity the other's assertion. &ldquo;Do you know what you are saying&mdash;<i>do
- you?"''</i>
- </p>
- <p>
- &ldquo;Yes, I know,&rdquo; said Hawkins helplessly. &ldquo;He said you nearly killed him
- to-day, and&mdash;&mdash;&rdquo;
- </p>
- <p>
- John Bruce's laugh, with a savagery that had him now at its mercy and in
- its grip, rang suddenly through the room.
- </p>
- <p>
- &ldquo;Then, for once, he told the truth!&rdquo; he cried. &ldquo;He tricked me cold with
- that old bus last night, and trapped me in the rats' hole where his gang
- holds out, but&mdash;&mdash;&rdquo;
- </p>
- <p>
- Hawkins stumbled to his feet. His face seemed to have grown grayer still,
- more haggard and full of abject misery.
- </p>
- <p>
- &ldquo;That's it, then!&rdquo; he whispered. &ldquo;I&mdash;I understand now. I was drunk
- last night. Oh, my God, I'm to blame for this, too!&rdquo;
- </p>
- <p>
- John Bruce pushed Hawkins almost roughly back into his chair. Last night
- was gone. It was of no significance any more.
- </p>
- <p>
- &ldquo;Never mind about that!&rdquo; he said between his teeth. &ldquo;It doesn't matter
- now. Nothing matters now except Claire. Go on, tell me! What does it mean?
- To-morrow morning, you said. Why this sudden decision about to-morrow
- morning?&rdquo;
- </p>
- <p>
- Hawkins' lips seemed dry. He circled them again and again with his tongue.
- </p>
- <p>
- &ldquo;He said you nearly killed him to-day, as I&mdash;I told you,&rdquo; said
- Hawkins, fumbling for his words. &ldquo;And he said that you had been lovers
- before that night when you were stabbed, and that he wasn't going to stand
- for it any longer, and&mdash;and&rdquo;&mdash;Hawkins' voice broke&mdash;&ldquo;and
- that she belonged to him. And he said she was the only one who could stop
- this trouble between you and him before it was too late, and that was by
- marrying him at once. And&mdash;and Claire said she would.&rdquo;
- </p>
- <p>
- Hawkins stopped. His old felt hat was on his knees, and he twisted at it
- aimlessly with shaking fingers.
- </p>
- <p>
- John Bruce stood motionless.
- </p>
- <p>
- &ldquo;Go on!&rdquo; he bit off his words.
- </p>
- <p>
- &ldquo;That's all,&rdquo; said Hawkins, &ldquo;except he made her promise not to let you
- know anything about it. They're going to leave the house to-morrow
- morning, and are going down to Staten Island to get married because
- there's some minister down there he knows, Crang said. And I'm to take
- Crang, and&mdash;and&rdquo;&mdash;the old man turned away his face&mdash;&ldquo;I&mdash;I'm
- to be best man. That&mdash;that's what he said&mdash;best man.&rdquo;
- </p>
- <p>
- John Bruce walked abruptly to the window, and stared blindly out into the
- night. His brain seemed afire.
- </p>
- <p>
- For a time neither man spoke.
- </p>
- <p>
- &ldquo;You said you loved her,&rdquo; said Hawkins at last. &ldquo;I came to you. There
- wasn't any other place to go. Paul Veniza can't do anything.&rdquo;
- </p>
- <p>
- John Bruce turned from the window, and walking to
- </p>
- <p>
- Hawkins, laid his two hands on the other's shoulders. He was calmer now.
- </p>
- <p>
- &ldquo;Yes, I love her,&rdquo; he said huskily. &ldquo;And I think&mdash;I am not sure&mdash;but
- I think now there is a chance that she can be made to change her mind even
- here at the last minute. But that means I must see her; or, rather, that
- she must see me.&rdquo;
- </p>
- <p>
- Hawkins paused in the twisting of his felt hat to raise bewildered eyes.
- </p>
- <p>
- &ldquo;I've got the car here,&rdquo; he said. &ldquo;I'll take you down.&rdquo;
- </p>
- <p>
- &ldquo;The car!&rdquo; exclaimed John Bruce quickly. &ldquo;Yes, I never thought of that!
- Listen, Hawkins! Claire refused to see me this afternoon, or even to talk
- to me over the telephone. I am not quite sure why. But no matter what her
- reason was, I must see her now at once. I have something to tell her that
- I hope will persuade her not to go on with this to-morrow morning&mdash;or
- ever.&rdquo; His voice was growing grave and hard. &ldquo;I hope you understand,
- Hawkins. I believe it may succeed. If it fails, then neither you nor I,
- nor any soul on earth can alter her decision. That's all that I can tell
- you now.&rdquo;
- </p>
- <p>
- Hawkins nodded his head. A little color, eagerness, hope, had come into
- his face.
- </p>
- <p>
- &ldquo;That's enough,&rdquo; he said tremulously, &ldquo;as long as you&mdash;you think
- there is a chance even yet. And&mdash;and you do, don't you?&rdquo;
- </p>
- <p>
- &ldquo;Yes,&rdquo; said John Bruce, &ldquo;I think there is more than a chance&mdash;if I
- can see her alone and make her listen to me. The car will be just the
- thing. But she would refuse to come out, if she knew I were in it. I
- depend on you for that. We'll drive down there, and you will have to make
- some excuse to get her to come with you. After that you can keep on
- driving us around the block until I either win or lose.&rdquo;
- </p>
- <p>
- Hawkins rose hurriedly to his feet.
- </p>
- <p>
- &ldquo;Let us go, John Bruce! For God's sake, let us go!&rdquo; he cried eagerly.
- &ldquo;I'll&mdash;I'll tell her Mrs. Hedges&mdash;that's my landlady&mdash;has
- got to see her at once. She'll come quick enough.&rdquo;
- </p>
- <p>
- John Bruce put on his hat and coat, and without a word led the way to the
- door&mdash;but at the door he paused for an instant. There was Larmon&mdash;and
- Crang was back. And then he shook his head in quick decision. There was
- time enough later. It would serve no purpose to tell Larmon now, other
- than the thankless one of giving Larmon a restless night.
- </p>
- <p>
- John Bruce went on. He did not speak again until, outside the hotel, he
- stepped into the traveling pawnshop as Hawkins opened the car door for
- him.
- </p>
- <p>
- &ldquo;You will have to make sure that Crang has gone,&rdquo; he said quietly. &ldquo;Don't
- stop in front of the house, Hawkins.&rdquo;
- </p>
- <p>
- &ldquo;I'll make sure,&rdquo; whispered Hawkins, as he climbed to his seat. &ldquo;Oh, my
- God, my little girl!&rdquo;
- </p>
- <p>
- The old car jolted forward. John Bruce's face was set again in hard,
- chiselled lines. He tried to think&mdash;but now his brain seemed
- curiously impotent, as though it groped through chaos and through turmoil
- only to stagger back bewildered, defeated, a wounded thing. And for a time
- it was like that, as he sat there swaying with the lurch of the speeding
- car, one thought impinging fast upon another only to be swallowed up so
- quickly in turn by still another that he could correlate-no one of them.
- </p>
- <p>
- And then, after a little time again, out of this strange mental strife
- images began to take form, as sharply defined and distinct one from the
- other as before they had been mingled in hopeless confusion&mdash;and he
- cried out aloud in sudden agony of soul. It was to save his life that this
- had happened. He had wrung that knowledge from Crang. That was the lever
- he meant to use with Claire now, and it <i>must</i> succeed. He must make
- it succeed! It seemed to drive him mad now, that thought&mdash;that
- to-morrow morning she should die for him. Not physical death&mdash;worse
- than that! God! It was unthinkable, horrible, abominable. It seemed to
- flaunt and mock with ruthless, hell-born sacrilege what was holiest in his
- heart. It stirred him to a fury that brought him to his feet, his fists
- clenched. Claire in her purity&mdash;at the mercy of a degenerate beast!
- </p>
- <p>
- He dropped back on the seat. He battled for calmness. In a little while
- Claire would be here beside him&mdash;<i>for a little while</i>. He shook
- his head. This was not real, nothing of his life had been real since that
- moon-mad night on the sands of Apia. No; that was not true! Soul, mind and
- body rose up in fierce denial. His love was real, a living, breathing,
- actual reality, Claire&mdash;&mdash;
- </p>
- <p>
- John Bruce sank his face in his hands. Hours seemed to pass. And then he
- was conscious that the car had stopped. He roused himself, and drawing the
- window curtain slightly, looked out. Hawkins had stopped a few houses down
- past the one-time pawnshop.
- </p>
- <p>
- John Bruce rose suddenly and changed his seat to the one in the far
- opposite corner, his back to the front of the car. The time seemed
- interminable. Then he heard a light footstep ring on the pavement, and he
- heard Hawkins' voice. The car door was opened, a dark form entered, sat
- down, the door closed, and the car started forward.
- </p>
- <p>
- It was strange! It was like that, here in this car, that he had stepped in
- one night and found Claire&mdash;as she would now find him. That was so
- long ago! And it seemed so long too since even he had last seen her&mdash;since
- that night when, piqued so unwarrantably, he had left Paul Veniza's house.
- He felt his hands tremble. He steadied himself. He did not want to
- frighten or startle her now.
- </p>
- <p>
- &ldquo;Claire!&rdquo; he said softly.
- </p>
- <p>
- He heard a slight, quick rustle of garments&mdash;and then the light in
- the car was flashed on.
- </p>
- <p>
- She was leaning tensely forward, a little figure with loose cloak flung
- over her shoulders, without hat, a wondrous sheen from the light on the
- dark, silken hair, her eyes wide, her finger still on the electric-light
- button.
- </p>
- <p>
- &ldquo;You!&rdquo; she cried sharply. &ldquo;And Hawkins, too, in this!&rdquo;
- </p>
- <p>
- She reached for the door handle; but John Bruce caught her hand.
- </p>
- <p>
- &ldquo;Claire!&rdquo; he pleaded hoarsely. &ldquo;Wait! If it is a trick, at least you know
- that with Hawkins and me you will come to no harm. What else could I do?
- You would not speak to me this afternoon, you would not let me see you,
- and I must talk to you to-night.&rdquo;
- </p>
- <p>
- She looked at him steadily.
- </p>
- <p>
- <i>&ldquo;Must?&rdquo;</i> she repeated coldly. &ldquo;And to-night? Why to-night?&rdquo;
- </p>
- <p>
- &ldquo;Because,&rdquo; John Bruce answered quickly, &ldquo;to-morrow would be too late. I
- know about to-morrow morning. Hawkins told me. He was outside the door of
- that room when Crang was talking to you to-night.&rdquo; She sank back in her
- seat with a little cry. Her face had gone white&mdash;but again she
- steadied herself.
- </p>
- <p>
- &ldquo;And&mdash;and do you think that is any reason why you should have
- inveigled me into this car?&rdquo; she asked dully. &ldquo;Do you think that anything
- you can say will alter&mdash;to-morrow morning?&rdquo;
- </p>
- <p>
- &ldquo;Yes; I do!&rdquo; said John Bruce earnestly. &ldquo;But&rdquo;&mdash;he smiled a little
- bitterly&mdash;&ldquo;I am afraid, too, that it will be hopeless enough if first
- you will not tell me what has so suddenly come between us. Claire, what is
- it?&rdquo;
- </p>
- <p>
- The dark eyes lighted with a glint, half angry, half ironical.
- </p>
- <p>
- &ldquo;Is <i>that</i> what you brought me here for?&rdquo;
- </p>
- <p>
- &ldquo;No,&rdquo; he said quietly.
- </p>
- <p>
- &ldquo;Then,&rdquo; she said coolly, &ldquo;if you do not know, I will tell you. I read a
- letter that you wrote to a certain Mr. Larmon.&rdquo;
- </p>
- <p>
- It was a long minute before he spoke.
- </p>
- <p>
- &ldquo;I&mdash;I thought it might be that,&rdquo; he said slowly. &ldquo;I knew you had seen
- it. Crang told me so. And&mdash;and I was afraid you might believe it&mdash;Claire.&rdquo;
- </p>
- <p>
- &ldquo;Believe it!&rdquo; she returned monotonously. &ldquo;Had I any choice? Have I any
- now? I knew you were in danger. I knew it was written to save your life. I
- knew it was your handwriting. I knew you wrote it.&rdquo; She turned away her
- head. &ldquo;It was so miserable a lie, so cowardly a betrayal&mdash;to save
- your life.&rdquo;
- </p>
- <p>
- &ldquo;But so hard to believe, and so bitter a thing to believe&rdquo;&mdash;there was
- a sudden eager thrill in John Bruce's voice&mdash;&ldquo;that you wept upon it.
- Look, Claire!&rdquo; he cried. &ldquo;I have that letter here&mdash;and this, that I
- took from Crang to-day when I turned the tables on him. See! Read them
- both!&rdquo; He took from his pocket the letter and the slip cut from the bottom
- of the sheet, and laid them in her lap. &ldquo;The bottom was written in
- invisible ink&mdash;the way always communicated privately with Larmon.
- Salt brings it out. I knew Larmon would subject it to the test, so I was
- willing to write anything that Crang dictated. I wrote that secret message
- on the bottom of the paper while Crang was out of the room where he had me
- a prisoner. Oh, don't you see now, Claire? When your tears fell on the
- paper faint traces of the secret writing began to appear. That gave Crang
- the clew, and he worked at it until he had brought out the message, and
- then he cut off the bottom before delivering the letter to Larmon, and&mdash;&mdash;&rdquo;
- </p>
- <p>
- John Bruce stopped. Claire's face was buried in the cushions, and, huddled
- in the corner of the car, she was sobbing bitterly.
- </p>
- <p>
- &ldquo;Don't! Don't cry, Claire!&rdquo; John Bruce whispered, and laid his hand over
- hers where it crushed the letter in her lap.
- </p>
- <p>
- &ldquo;I believed it,&rdquo; she said. &ldquo;I did you that wrong. There is no forgiveness
- for such meanness of soul as that.&rdquo;
- </p>
- <p>
- &ldquo;No,&rdquo; John Bruce answered gently, &ldquo;there is no forgiveness&mdash;because
- there is nothing to forgive. It was only another piece of that miserable
- hound's cunning that tricked us both. I did not appreciate what he was
- after in that reference to you; I thought he was only trying to make the
- letter bullet-proof in its plausibility for Larmon's benefit&mdash;I never
- thought that he would show it to you.&rdquo;
- </p>
- <p>
- She had not drawn her hand away, but her face was still hidden; and for a
- moment there was silence between them.
- </p>
- <p>
- &ldquo;Claire,&rdquo; John Bruce said in a low voice, &ldquo;the night I left your house you
- said that, rather than regretting your promise to marry Crang, you had
- come to be glad you had made it. Can you still say that?&rdquo;
- </p>
- <p>
- She lifted her face now, tear-stained, the brown eyes strangely radiant
- through the wet lashes.
- </p>
- <p>
- &ldquo;Yes,&rdquo; she said. &ldquo;I am glad. So glad&mdash;because I know now that it was
- worth it all so many, many times over.&rdquo;
- </p>
- <p>
- &ldquo;Claire&rdquo;&mdash;his voice was lower still&mdash;&ldquo;I left your house that
- night, angry, jealous, misjudging you because you had said that. You asked
- for forgiveness a minute ago when there was nothing to forgive; I asked
- for forgiveness from you after that night, but even then I did not know
- how far beyond the right to forgiveness I had gone.&rdquo;
- </p>
- <p>
- She stared at him in a startled way.
- </p>
- <p>
- &ldquo;What&mdash;what do you mean?&rdquo; she breathed.
- </p>
- <p>
- And now John Bruce's face was alight.
- </p>
- <p>
- &ldquo;You have confessed your love, Claire!&rdquo; he cried passionately. &ldquo;It was not
- fair, perhaps, but I am past all that now&mdash;and you would not have
- confessed it in any other way. Glad! I was a stranger that night when you
- bought my life&mdash;and to-night you are glad, not because my life is now
- or ever could be worth such a sacrifice as yours, but because love has
- come to make you think so, sweetheart, and you care&mdash;you care for
- me.&rdquo;
- </p>
- <p>
- &ldquo;You know!&rdquo; Her face was deathly white. &ldquo;You know about&mdash;about that
- night?&rdquo; she faltered.
- </p>
- <p>
- John Bruce had both her hands imprisoned now.
- </p>
- <p>
- &ldquo;Yes; I know!&rdquo; He laughed with a strange buoyancy; passion, triumph, were
- vibrant in his voice. &ldquo;Did Crang not tell you how near to death he came
- to-day? I choked the truth out of him. Yes; I know! I know that it was to
- save my life you made that promise, that you sold everything you held dear
- in life for me&mdash;but it is over now!&rdquo;
- </p>
- <p>
- He was beside her. He raised her two hands to draw her arms around his
- neck.
- </p>
- <p>
- She struggled back.
- </p>
- <p>
- &ldquo;No, no!&rdquo; she cried wildly. &ldquo;Oh, you must not&mdash;you must not!&rdquo;
- </p>
- <p>
- &ldquo;Must not!&rdquo; His voice rang his challenge to the world. The blood was
- pounding in mad abandon through his veins. His soul itself seemed aflame.
- Closer, closer he drew her to him. &ldquo;Must not! There is only you and me&mdash;and
- our love&mdash;on all the earth!&rdquo;
- </p>
- <p>
- But still she struggled&mdash;-and then suddenly the tears came.
- </p>
- <p>
- &ldquo;Oh, you are so strong&mdash;so strong,&rdquo; she sobbed&mdash;and like some
- weary child finding rest her head dropped upon his shoulder and lay hidden
- there.
- </p>
- <p>
- &ldquo;Claire! Claire!&rdquo; It was his soul that spoke.
- </p>
- <p>
- He kissed the silken hair, and fondled it; and kissed the tear-wet eyes;
- and his cheek lay against hers; and she was in his arms, and he held her
- there tight-clasped so that she might never go again.
- </p>
- <p>
- And after a time she sobbed no more; and her hand, lifting, found his face
- and touched it gently, and creeping upward, brushed the hair back from his
- forehead&mdash;and then suddenly she clung to him with all her strength
- and drew his head down until her lips met his.
- </p>
- <p>
- And there was no world about them, and time was non-existent, and only
- they two lived.
- </p>
- <p>
- It was Claire at last who put his arms from her in a wistful, lingering
- way.
- </p>
- <p>
- &ldquo;We have been mad for a little while,&rdquo; she whispered. &ldquo;Take me back home
- now, John&mdash;and&mdash;and you must never try to see me again.&rdquo;
- </p>
- <p>
- And something seemed to grow chill and cold within John Bruce's heart.
- </p>
- <p>
- &ldquo;Not that, Claire!&rdquo; he cried out. &ldquo;You do not mean that&mdash;that, after
- this, you will go on with&mdash;with tomorrow morning!&rdquo;
- </p>
- <p>
- A brave little effort at a smile quivered on her lips.
- </p>
- <p>
- &ldquo;We have had our hour, John,&rdquo; she said; &ldquo;yours and mine. It can never be
- taken from us, and I shall live in it all my life; but it is over now.
- Yes; I shall go through with it to-morrow morning. There is no other way.
- I must keep my promise.&rdquo;
- </p>
- <p>
- &ldquo;No!&rdquo; he cried out again. &ldquo;It shall never be! Claire, you cannot mean what
- you are saying! A promise like that! It was forced upon you inhumanly,
- horribly. He would have murdered me.&rdquo;
- </p>
- <p>
- &ldquo;But to-night you are alive,&rdquo; she answered quietly.
- </p>
- <p>
- &ldquo;Alive! Yes!&rdquo; he said fiercely. &ldquo;I am alive, and&mdash;&mdash;&rdquo;
- </p>
- <p>
- &ldquo;It is because you are alive that I promised,&rdquo; she broke in gently. &ldquo;He
- kept his word. I cannot break mine.&rdquo;
- </p>
- <p>
- &ldquo;Alive!&rdquo; John Bruce laughed now in sudden, bitter agony. &ldquo;Alive&mdash;yes!
- And do you think that I can walk about the streets, and talk, and smile,
- and suck the honey out of life, while you have paid for it with a tortured
- soul? Claire, you shall not! That man is&mdash;&mdash; No, wait! There is
- myself. He called me a snivelling hypocrite. You shall know the worst of
- me before you know the worst of him. There is not much to tell&mdash;because
- he has told you. I am a gambler. All my life I've gambled. As far back as
- I can remember I've been a rolling stone. My life has been useless,
- utterly worthless. But I was never ashamed of it; I never saw any reason
- to be ashamed until you came into my life. It hasn't been the same since
- then '&mdash;and it will never be the same again. You have given me
- something to live for now, Claire.&rdquo;
- </p>
- <p>
- She shook her head. &ldquo;You do not argue well,&rdquo; she said softly. &ldquo;If I have
- brought this to you, John, I am so glad&mdash;so glad for this, too. Oh, I
- cannot tell you how glad I am, for, because I loved you, the knowledge of
- what your life was hurt me. But I had faith in you, John, as I always
- shall have. So don't you see&rdquo;&mdash;the brave little smile came again&mdash;&ldquo;that
- this is a reward, something tangible and great, to make still more worth
- while the promise that I made?&rdquo;
- </p>
- <p>
- He stared at her. He swept his hand across his eyes. She seemed&mdash;she
- seemed to be slipping away from him&mdash;beyond&mdash;beyond his reach.
- </p>
- <p>
- &ldquo;That man!&rdquo; he said desperately. &ldquo;You said you knew him&mdash;but you do
- not know him. He is the head and front and brains of a gang of crooks. I
- know! He held me a prisoner in their dirty lair, a hidden place, a cellar
- over in the slums&mdash;like rats they were. He is a criminal, and a
- dangerous one&mdash;while he masquerades with his medicine. God alone
- knows the crimes, if there are any, that he has not committed. He is a
- foul, unclean and filthy thing, debauched and dissolute, a moral leper.
- Claire, do you understand all this&mdash;that his life is pollution and
- defilement, that love to him is lust, that your innocence&mdash;&mdash;&rdquo;
- </p>
- <p>
- With a broken, piteous cry, Claire stopped him.
- </p>
- <p>
- And again he stared at her. She did not speak, but in her eyes he read the
- torment of a far greater and fuller appreciation of the price than he, he
- knew, though it turned his soul sick within him, could ever have.
- </p>
- <p>
- And suddenly he covered his face with his hands.
- </p>
- <p>
- &ldquo;Bought!&rdquo; he said brokenly in his agony. &ldquo;Oh, my God, this has bought me!&rdquo;
- </p>
- <p>
- He felt his hands drawn away, and her two palms laid upon his cheeks. He
- looked at her. How white she was!
- </p>
- <p>
- &ldquo;Help me, John,&rdquo; she said steadily. &ldquo;Don't&mdash;don't make it harder.&rdquo;
- </p>
- <p>
- She reached out and touched the bell button beside the seat. In a
- subconscious way he remembered that was the signal for Hawkins to bring
- the traveling pawn-shop to the end of its circuit around the block in its
- old-time trips to Persia. He made no effort to stop her. There was
- something of ultimate finality in her face and eyes that answered, before
- it was uttered, the question that stumbled on his lips.
- </p>
- <p>
- &ldquo;Claire! Claire!&rdquo; he pleaded wildly. &ldquo;Will nothing change you?&rdquo;
- </p>
- <p>
- &ldquo;There is no other way,&rdquo; she said.
- </p>
- <p>
- He stretched out his arms to draw her to him again, to lay her head once
- more upon his shoulder&mdash;but now she held him back.
- </p>
- <p>
- &ldquo;No!&rdquo; she whispered. &ldquo;Be merciful now, John&mdash;my strength is almost
- gone.&rdquo;
- </p>
- <p>
- And there was something in her voice that held him from the act.
- </p>
- <p>
- The car stopped.
- </p>
- <p>
- And then, as the door was opened and she stood up, suddenly she leaned
- swiftly forward and pressed her lips to his&mdash;and springing from the
- car, was gone.
- </p>
- <p>
- John Bruce groped his way out of the car. Across the sidewalk the door of
- Paul Veniza's house closed. Hawkins, standing by the car door, clutched at
- his arm. And Hawkins' hand was trembling violently. Slowly his eyes met
- Hawkins'.
- </p>
- <p>
- He shook his head.
- </p>
- <p>
- The old lined face seemed to gray even in the murky light of a distant
- street lamp.
- </p>
- <p>
- &ldquo;I'd rather see her dead,&rdquo; said the old cab driver brokenly.
- </p>
- <p>
- John Bruce made no answer.
- </p>
- <p>
- Then Hawkins, gulping his words, spoke again:
- </p>
- <p>
- &ldquo;I&mdash;where'll I drive you?&rdquo;
- </p>
- <p>
- John Bruce started blindly on past Hawkins down the street.
- </p>
- <p>
- &ldquo;Nowhere,&rdquo; he said.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0022" id="link2HCH0022"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER TWENTY-TWO&mdash;THROUGH THE NIGHT
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">A</span> GAUNT and haggard
- figure stalked through the night; around him only shuttered windows,
- darkened houses, and deserted streets. The pavements rang hollow to the
- impact of his boot-heels. Where the way lay open he went. But always he
- walked, walked incessantly, without pause, hurrying&mdash;nowhere.
- </p>
- <p>
- There was a raw, biting chill in the air, and his hands, ungloved, as they
- swung at his sides, were blue with cold. But sweat in great beads stood
- out upon his forehead. At times his lips moved and he spoke aloud. It was
- a hoarse sound.
- </p>
- <p>
- &ldquo;Or him!&rdquo; he said. &ldquo;Or him!&rdquo;
- </p>
- <p>
- On! Always on! There was no rest. It was ceaseless. The gray came into the
- East.
- </p>
- <p>
- And then at last the figure halted.
- </p>
- <p>
- There was a large window with wire grating, and a light burned within. In
- the window was a plate mirror, and a time-piece. It was a jeweler's
- window.
- </p>
- <p>
- The man looked at the time-piece. It was five o'clock. He looked at the
- mirror. It reflected the face of a young man grown old. The eyes burned
- deep in their sockets; the lines were hard, without softness; the skin was
- tightly drawn across the cheek bones, and was colorless. And he stared at
- the face, stared for a time without recognition. And then as he smiled and
- the face in the mirror smiled with him in a distorted movement of the
- lips, he swept his hand across his eyes.
- </p>
- <p>
- &ldquo;John Bruce,&rdquo; he said.
- </p>
- <p>
- It seemed to arouse him from some mental absorption in which his physical
- entity had been lost. It was five o'clock, and he was John Bruce. At
- eleven o'clock&mdash;or was it twelve?&mdash;last night he had left
- Hawkins standing by the door of the traveling pawn-shop, and since then&mdash;&mdash;
- </p>
- <p>
- He stared around him. He was somewhere downtown. He did not know where. He
- began to walk in an uptown direction.
- </p>
- <p>
- Something had been born in those hours. Something cataclysmic. What was
- it?
- </p>
- <p>
- &ldquo;Or him!&rdquo; The words came again&mdash;aloud&mdash;without apparent
- volition.
- </p>
- <p>
- What did that mean? It had something to do with Hawkins; with what Hawkins
- had said, standing there by the traveling pawn-shop. What was it Hawkins
- had said? Yes; he remembered: &ldquo;I'd rather see her dead.&rdquo;
- </p>
- <p>
- &ldquo;Or him!&rdquo;
- </p>
- <p>
- With cold judicial precision now the hours unrolled themselves before him.
- </p>
- <p>
- &ldquo;Or him!&rdquo;
- </p>
- <p>
- He was going to kill Crang.
- </p>
- <p>
- The hours of mental strife, of torment through which he had just passed,
- were as the memory of some rack upon which his soul had been put to
- torture. They came back vividly now, those hours&mdash;every minute of
- them a living eternity. His soul had shrunk back aghast at first, and
- called it murder; but it was not murder, or, if it was, it was imperative.
- It was the life of a foul viper&mdash;or Claire's. It was the life of an
- unclean thing that mocked and desecrated all decency, that flung its
- sordid challenge at every law, both human and divine&mdash;or the life of
- a pure, clean soul made the plaything of this beast, and dragged into a
- mire of unutterable abomination to suffocate and strangle in its noxious
- surroundings and die.
- </p>
- <p>
- And that soul was in jeopardy because at this moment he, John Bruce, had
- the power of movement in his limbs, the sense of sight, the ability to
- stretch out his hand and feel it touch that lamp-post there, and, if he
- would, to speak aloud and designate that object for what it was&mdash;a
- lamp-post. She had bought him these things with her life. Should she die&mdash;and
- he live?
- </p>
- <p>
- And he remembered back through those hours since midnight, when his soul
- had still faltered before the taking of human life, how it had sought some
- other way, some alternative, <i>any</i> alternative. A jail sentence for
- Crang. There was enough, more than enough now with the evidence of Crang's
- double life, to convict the man for the robbery of that safe. But Claire
- had answered that in the long ago: &ldquo;I will marry him when he comes out.&rdquo;
- Or, then, to get Crang away again like this afternoon&mdash;no, <i>yesterday</i>
- afternoon. It was <i>this</i> morning, in a few hours, that they were to
- be married. There was no time left in which to attempt anything like that;
- but, even if there were, he knew now, that it but postponed the day of
- reckoning. Claire would wait. Crang would come back.
- </p>
- <p>
- He was going to kill Crang.
- </p>
- <p>
- If he didn't, Crang would kill him. He knew that, too. But his decision
- was not actuated, or even swayed, by any consideration of
- self-preservation. He had no thought of his future or his safety. That was
- already settled. With his decision was irrevocably coupled the forfeiting
- of his own life. Not his own life! It belonged to Claire. Claire had
- bought it. He was only giving it back that the abysmal price she had
- agreed to pay should not be extorted from her. Once he had accomplished
- his purpose, he would give himself up to the police.
- </p>
- <p>
- He was going to kill Crang.
- </p>
- <p>
- That was what had been born out of the travail of those hours of the
- night. But there were other things to do first. He walked briskly now. The
- decision in itself no longer occupied his thoughts. The decision was
- absolute; it was final. It was those &ldquo;other things&rdquo; that he must consider
- now. There was Larmon. He could not tell Larmon what he, John Bruce, was
- going to do, but he must warn Larmon to be on his guard against any past
- or present connection with John Bruce coming to light. Fortunately Larmon
- had come to New York and registered as Peters. He must make Larmon
- understand that Larmon and John Bruce had never met, even if he could not
- give Larmon any specific reason or explanation. Larmon would probably
- refuse at first, and attribute it as an attempt to break, for some
- ulterior reason, the bond they had signed together that night on the beach
- at Apia.
- </p>
- <p>
- John Bruce smiled gravely. The bond would be broken in any case. Faustus
- was at the end of the play. A few months in prison, the electric chair&mdash;how
- apt had been his whistling of that aria <i>in his youth!</i>
- </p>
- <p>
- Youth! Yes, he was old now; he had been young that night on the beach at
- Apia.
- </p>
- <p>
- He took off his hat and let the sharp air sweep his head. He was not
- thinking clearly. All this did not express what he meant. There was
- Larmon's safety. He must take care of that; see to it, first of all, that
- Larmon could not be implicated, held by law as an accomplice through
- foreknowledge of what was to happen; then, almost of as great importance
- for Larmon's sake and future, the intimacy between them, their business
- relations of the past, must never be subjected to the probe of the trial
- that was to come.
- </p>
- <p>
- John Bruce nodded his head sharply. Yes, that was better! But there was
- still something else&mdash;that bond. He knew to-night, even if prison
- walls and a death penalty were not about to nullify that bond far more
- effectively than either he or Larmon ever could, that the one thing he
- wanted now, while yet he was a free agent, while yet it was not
- arbitrarily his choice, was to cancel that agreement which was so typical
- of what his life up to the present time had always stood for; and in its
- cancellation, for what little time was left, to have it typify, instead, a
- finer manhood. The future, premonitive, grim in its promise, seemed to
- hold up before him as in a mirror where no lines were softened, where only
- the blunt, brutal truth was reflected, the waste and worthlessness of the
- past. He had no wish to evade it, or temporize with it, or seek to
- palliate it. He knew only a vain and bitter regret; knew only the desire
- now at the end, in so far as he could, to face death a changed man.
- </p>
- <p>
- He walked on and on. He was getting into the uptown section now. How many
- miles he must have covered since he had left Hawkins, and since the door
- of the one-time pawn-shop had closed on that little bare-headed figure
- with the loose cloak clutched about her throat&mdash;the last sight he had
- had of Claire! How many miles? He did not know. It must have been many,
- very many. But he felt no weariness. It was strange! It was as though his
- vitality and energy flowed into him from some wholly extraneous source;
- and as though physically he were non-existent.
- </p>
- <p>
- He wondered what Larmon would say. Larmon alone had the right to cancel
- the bond. That was the way it had been written. Would Larmon refuse? He
- hoped not, because he wanted to part with Larmon as a friend. He hoped
- not, though in the final analysis, in a practical way, Larmon's refusal
- must be so futile a thing. Would Larmon laugh at him, and, not knowing,
- call him a fool? He shook his head. He did not know. At least Larmon would
- not be surprised. The conversation of last evening&mdash;&mdash;
- </p>
- <p>
- John Bruce looked up. He was at the entrance to the Bayne-Miloy Hotel. He
- entered, nodded mechanically to the night clerk, stepped into the
- elevator, and went up to his room. There was his revolver to be got.
- Afterward he would go down to Larmon's room. Somehow, even in the face of
- that other thing which he was to do, this interview which was to come with
- Larmon obsessed him. It seemed to signify some vital line of demarcation
- between the old life and the new.
- </p>
- <p>
- The new! He smiled grimly, without mirth, as, entering his room, he
- switched on the light, stepped quickly to his desk, pulled open a drawer,
- and took out his revolver. The new! There would be very little of the new!
- He laughed now in a low, raucous way, as he slipped the weapon into his
- pocket. The new! A few weeks, a few months of a prison cell, and then&mdash;&mdash;
- His laugh died away, and a half startled, half perplexed look settled on
- his face. For the first time he noticed that a letter, most obviously
- placed to attract his attention, lay on the center of the desk pad.
- Strange, he had not seen it instantly!
- </p>
- <p>
- He stared at it now. It was a plain envelope, unstamped, and addressed to
- him. The writing was familiar too! Larmon's! He picked it up, opened it&mdash;and
- from the folds of the letter, as he drew it from the envelope, four torn
- pieces of paper fluttered to the desk. And for a long time, in a dazed
- way, he gazed at them. The letter dropped from his hand. Then mechanically
- he pieced the four scraps together. It was one of the leaves torn from
- Larmon's notebook that night in Apia&mdash;and here was the heavy scrawl
- where he, John Bruce, had signed with the quill toothpick. It was Larmon's
- copy of the bond.
- </p>
- <p>
- And again for a long time he stared at it, then he picked up the letter
- again. He read it slowly, for somehow his brain seemed only able to absorb
- the words in a stunned way. Then he read it again:
- </p>
- <p>
- Dear Bruce:&mdash;11 P. M.
- </p>
- <p>
- Something has come into your life that was not there on a night you will
- remember in the Southern Seas, and I know of no other way to repay you for
- what you did for me to-day than to hand you this. I knew from what you
- said to-night, or, rather perhaps, from what you did not say, that this
- was in your heart. And if I were young again, and the love of a good woman
- had come to me, I too should try&mdash;and fail, I fear, where you will
- succeed&mdash;to play a man's part in life.
- </p>
- <p>
- And so I bid you good-by, for when you read this I shall be on my way back
- West. What I lose another will gain. Amongst even my friends are men of
- honorable callings and wide interests who need a John Bruce. You will hear
- from one of them. Godspeed to you, for you are too good and clean a man to
- end your days as I shall end mine&mdash;a gambler.
- </p>
- <p>
- Yours,
- </p>
- <p>
- Gilbert Larmon.
- </p>
- <p>
- The love of a good woman&mdash;and young again! John Bruce's face was
- white. A thousand conflicting emotions seemed to surge upon him. There was
- something fine and big in what Larmon had done, like the Larmon whose real
- self he had come to glimpse for the first time last night; and something
- that was almost ghastly in the unconscious irony that lay behind it all.
- And for a little while he stood there motionless, holding the letter in
- his hand; then with a quick, abrupt return to action, he began to tear the
- letter into little shreds, and from his pocket he took his own copy of the
- bond and tore that up, and the four pieces of Larmon's copy he tore into
- still smaller fragments, and gathering all these up in his hands, he
- walked to the window and let them flutter out into the night.
- </p>
- <p>
- The way was clear. There was nothing to connect Gilbert Larmon with the
- man who to-morrow&mdash;no, <i>to-day</i>&mdash;would be in the hands of
- the police charged with murder. Nothing to bring to light Larmon's private
- affairs, for nothing bearing Larmon's signature had ever been kept; it was
- always destroyed. Larmon was safe&mdash;for, at least, they could never
- make John Bruce <i>talk</i>.
- </p>
- <p>
- There was a strange relief upon him, a strange uplift; not only for
- Larmon's sake, but for his own. The link that had bound him to the past
- was gone, broken, dissolved. He stood free&mdash;for the little time that
- was left; he stood free&mdash;to make a fresh start in the narrow confines
- of a prison cell. He smiled grimly. There was no irony here where it
- seemed all of irony. It meant everything&mdash;all. It was the only
- atonement he could make.
- </p>
- <p>
- He switched off the light, left his room, and went down to the desk. Here
- he consulted the directory. He requested the clerk to procure a taxi for
- him.
- </p>
- <p>
- It was five minutes after six by the clock over the desk.
- </p>
- <p>
- He entered the taxi and gave the chauffeur the address. He was unconscious
- of emotion now. He knew only a cold, fixed, merciless purpose.
- </p>
- <p>
- He was going to kill Crang.
- </p>
- <p>
- The taxi stopped in front of a frame house that bore a dirty brass
- name-plate. He dismissed the taxi, and mounted the steps. His right hand
- was in the pocket of his coat. He rang the bell, and obtaining no
- response, rang again&mdash;and after that insistently.
- </p>
- <p>
- The door was finally opened by an old woman, evidently aroused from bed,
- for she clutched tightly at a dressing gown that was flung around her
- shoulders.
- </p>
- <p>
- &ldquo;I want to see Doctor Crang,&rdquo; said John Bruce.
- </p>
- <p>
- She shook her head.
- </p>
- <p>
- &ldquo;The doctor isn't in,&rdquo; she answered.
- </p>
- <p>
- &ldquo;I will wait for him,&rdquo; said John Bruce.
- </p>
- <p>
- Again she shook her head.
- </p>
- <p>
- &ldquo;I don't know when he will be back. He hasn't been here since yesterday
- morning.&rdquo;
- </p>
- <p>
- &ldquo;I will wait for him,&rdquo; said John Bruce monotonously.
- </p>
- <p>
- &ldquo;But&mdash;&mdash;&rdquo;
- </p>
- <p>
- John Bruce brushed his way past her into the hall.
- </p>
- <p>
- &ldquo;I will wait for him,&rdquo; he repeated.
- </p>
- <p>
- A door was open off the hallway. John Bruce looked in. It was obviously
- Crang's office. He went in and sat down by the window.
- </p>
- <p>
- The woman stood for a long time in the doorway watching him. Finally she
- went away.
- </p>
- <p>
- John Bruce's mind was coldly logical. Crang was not aware that his escape
- was known to any one except Claire, and he had been cunning enough to keep
- under cover. That was why he had not been home. But he would be home
- before he went out to be married. Even a man like Crang would have a few
- preparations to make.
- </p>
- <p>
- John Bruce sat by the window. Occasionally the old woman came and stood in
- the doorway&mdash;and went away again.
- </p>
- <p>
- There was no sign of Crang.
- </p>
- <p>
- At fifteen minutes of eight John Bruce rose from his chair and left the
- house.
- </p>
- <p>
- &ldquo;He was to be at Paul Veniza's at eight,&rdquo; said John Bruce to himself with
- cool precision.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0023" id="link2HCH0023"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER TWENTY-THREE&mdash;THE BEST MAN
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">H</span>AWKINS sat at the
- table in his room, and twined and twined one old storm-beaten hand over
- the other. For hours he had sat like that. It was light in the room now,
- for it was long after seven o'clock. His bed had not been slept in. He was
- dressed in his shiny best suit; he wore his frayed black cravat. He had
- been dressed like that since midnight; since he had returned home after
- Claire had fled into her house, and John Bruce had strode by him on the
- sidewalk with set, stony face and unseeing eyes; since, on reaching his
- room here, he had found a note whose signature was false because it read
- &ldquo;Paul Veniza,&rdquo; when he knew that it came from Crang. Crang was taking
- precautions that his return should not leak out! The note only
- corroborated what he had heard through the door. He was to be at Paul
- Veniza's at eight o'clock with the traveling pawn-shop..
- </p>
- <p>
- The note had said nothing about any marriage; but, then, he knew! He was
- to be the best man. And so he had dressed himself. After that he had
- waited. He was waiting now.
- </p>
- <p>
- &ldquo;The first,&rdquo; said Hawkins, with grave confidence to the cracked mirror.
- &ldquo;Yes, that's it&mdash;the first in line, because I <i>am</i> her old
- father, and there ain't nothing can change that.&rdquo;
- </p>
- <p>
- His own voice seemed to arouse him. He stared around the shabby room that
- was his home, his eyes lingering with strange wistfulness on each old
- battered, and long familiar object&mdash;and then suddenly, with a choking
- cry, his head went down, buried in his arms outflung across the table.
- </p>
- <p>
- &ldquo;Pawned!&rdquo; the old man cried brokenly. &ldquo;It's twenty years ago, I pawned her&mdash;twenty
- years ago. And it's come to this because&mdash;because I ain't never
- redeemed her&mdash;but, oh God, I love her&mdash;I love my little girl&mdash;and&mdash;and
- she ain't never going to know how much.&rdquo;
- </p>
- <p>
- His voice died away. In its place the asthmatic gas-jet spat venomous
- defiance at the daylight that was so contumaciously deriding its puny
- flame.
- </p>
- <p>
- And after a little while, Hawkins raised his head. He looked at his watch.
- </p>
- <p>
- &ldquo;It's time to go,&rdquo; said Hawkins&mdash;and cleared his throat.
- </p>
- <p>
- Hawkins picked up his hat and brushed it carefully with his coat sleeve;
- his shoulders, and such of his attire as he could reach, he brushed with
- his hands; he readjusted his frayed black cravat before the cracked
- mirror.
- </p>
- <p>
- &ldquo;I'm the best man,&rdquo; said Hawkins.
- </p>
- <p>
- Oblivious to the chattering gas-jet, he descended the stairs, and went out
- to the shed in the rear that housed the traveling pawn-shop.
- </p>
- <p>
- &ldquo;The first in line,&rdquo; said the old cab driver, as he climbed into the seat.
- </p>
- <p>
- Five minutes later, he drew up in front of the onetime pawn-shop. He
- consulted his watch as he got down from his seat and entered the house. It
- was twenty-five minutes of eight.
- </p>
- <p>
- He twisted his hat awkwardly in his hands, as he entered the rear room. He
- felt a sudden, wild rush of hope spring up within him because there was no
- sign of Crang. And then the hope died. He was early; and, besides, Claire
- had her hat on and was dressed to go out. Paul Veniza, also dressed, lay
- on the cot.
- </p>
- <p>
- No one spoke.
- </p>
- <p>
- Then Paul Veniza's frame was racked with a fit of coughing, and out of a
- face ashen in pallor his eyes met Hawkins' in silent agony&mdash;and then
- he turned his head away.
- </p>
- <p>
- Hawkins twisted at his hat.
- </p>
- <p>
- &ldquo;I came a little early;&rdquo; he said wistfully, &ldquo;because I thought mabbe you
- might&mdash;that mabbe there might be some change&mdash;that mabbe you
- might not&mdash;&mdash;&rdquo;
- </p>
- <p>
- He stopped. He was looking at Claire. Her face was very white too. Her
- smile seemed to cut at his heart like a knife.
- </p>
- <p>
- &ldquo;No, Hawkins,&rdquo; she said in a low voice; &ldquo;there is no change. We are going
- to Staten Island. You will drive Doctor Crang. There is a limousine coming
- for father and me, that will be more comfortable for father.&rdquo;
- </p>
- <p>
- Hawkins' eyes went to the floor.
- </p>
- <p>
- &ldquo;I&mdash;I didn't mean that kind of a change,&rdquo; he said.
- </p>
- <p>
- &ldquo;I know you didn't, Hawkins. But&mdash;but I am trying to be practical.&rdquo;
- Her voice broke a little in spite of herself. &ldquo;Doctor Crang doesn't know
- that you overheard anything last night, or that you know anything about
- the arrangements, so&mdash;so I am explaining them to you now.&rdquo;
- </p>
- <p>
- Hawkins' eyes were still on the floor.
- </p>
- <p>
- &ldquo;Ain't there nothing&rdquo;&mdash;his voice was thick and husky&mdash;&ldquo;ain't
- there nothing in all the world that any of us can do to make you change
- your mind? Claire, ain't there nothing, nothing at all? John Bruce said
- there wasn't, and you love John Bruce, but&mdash;&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Don't, Hawkins!&rdquo; she cried out pitifully.
- </p>
- <p>
- The old shoulders came slowly up, and the old head; and the old blue eyes
- were of a sudden strangely flints like.
- </p>
- <p>
- &ldquo;I've got to know,&rdquo; said Hawkins, in a dead, stubborn way.
- </p>
- <p>
- &ldquo;There is nothing,&rdquo; she answered.
- </p>
- <p>
- Hawkins' eyes reverted to the floor. He spoke now without lifting them.
- </p>
- <p>
- &ldquo;Then&mdash;then it's&mdash;it's like saying good-by,&rdquo; he said, and the
- broken note was back again in his voice. &ldquo;It's&mdash;it's so many years
- that mabbe you've forgotten, but when you were a little girl, and before
- you grew up, and&mdash;and were too big for that, I&mdash;I used to hold
- you in my arms, and you used to put your little arms around my neck, and
- kiss me, and&mdash;and you used to say that&mdash;Hawkins would never let
- the bugaboos get you, and&mdash;and I wonder if&mdash;if&mdash;&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Oh, Hawkins!&rdquo; Claire's eyes were full of tears. &ldquo;I remember. Dear, dear
- Hawkins! And I used to call you Daddy Hawkins. Do <i>you</i> remember?&rdquo;
- </p>
- <p>
- A tear found a furrow and trickled down the old weather-beaten face
- unchecked, as Hawkins raised his head.
- </p>
- <p>
- &ldquo;Claire! Claire!&rdquo; His voice trembled in its yearning. &ldquo;Will&mdash;will you
- say that again, Claire?&rdquo;
- </p>
- <p>
- &ldquo;Dear Daddy Hawkins,&rdquo; she whispered.
- </p>
- <p>
- His arms stretched out to her, and she came to them smiling through her
- tears.
- </p>
- <p>
- &ldquo;You've been so good to me,&rdquo; she whispered again. &ldquo;You <i>are</i> so good
- to me&mdash;dear, dear Daddy Hawkins.&rdquo;
- </p>
- <p>
- A wondrous light was in the old cabman's face. He held the slight form to
- him, trying to be so tenderly careful that he should not hurt her in his
- strength. He kissed her, and patted her head, and his fingers lingered as
- they smoothed the hair back from where it made a tiny curl about her ear.
- </p>
- <p>
- And then he felt her drawing him toward the couch&mdash;and he became
- conscious that Paul Veniza was holding out his hands to them both.
- </p>
- <p>
- And Claire knelt at the side of the couch and took one of Paul Veniza's
- hands, and Hawkins took the other. And no one of them looked into the
- other's face.
- </p>
- <p>
- The outer door opened, and Doctor Crang came in. He stood for an instant
- surveying the scene, a half angry, half sarcastic smile spreading over his
- sallow face, and then he shrugged his shoulders.
- </p>
- <p>
- &ldquo;Ah, you're here, like me, ahead of time, Hawkins, I see!&rdquo; he said
- shortly. &ldquo;You're going to drive me to Staten Island where&mdash;&mdash;&rdquo;
- </p>
- <p>
- Claire rose to her feet.
- </p>
- <p>
- &ldquo;I have told Hawkins,&rdquo; she said quietly.
- </p>
- <p>
- Hawkins' hand tightened over Paul Veniza's for a moment, and then he
- turned away.
- </p>
- <p>
- &ldquo;I&mdash;I'll wait outside,&rdquo; said Hawkins&mdash;and brushed has hand
- across his eyes as he went through the doorway.
- </p>
- <p>
- Paul Veniza was racked with a sudden fit of coughing again. Doctor Crang
- walked quickly to the couch and looked at the other sharply. After a
- moment he turned to Claire.
- </p>
- <p>
- &ldquo;Are you ready to go?&rdquo; he asked crisply.
- </p>
- <p>
- &ldquo;Yes; I am ready,&rdquo; she answered steadily.
- </p>
- <p>
- &ldquo;Very well, then,&rdquo; said Crang, &ldquo;you had better go out and get into the old
- bus. You can go with Hawkins and me.&rdquo;
- </p>
- <p>
- &ldquo;But&rdquo;&mdash;Claire looked in a bewildered way at Paul Veniza&mdash;&ldquo;but
- you said&mdash;&mdash;&rdquo;
- </p>
- <p>
- &ldquo;I know I did,&rdquo; Crang interrupted brusquely, &ldquo;but we're all here a little
- early and there's lots of time to countermand the other car.&rdquo; He indicated
- Paul Veniza with a jerk of his head. &ldquo;He's far from as well as he was last
- night. At least you'll admit that I'm a <i>good</i> doctor, and when I
- tell you he is not fit to go this morning that ought to be enough for both
- of you. I'll phone and tell them not to send the limousine.&rdquo;
- </p>
- <p>
- Still Claire hesitated. Paul Veniza had closed his eyes.
- </p>
- <p>
- Crang shrugged his shoulders.
- </p>
- <p>
- &ldquo;You can do as you like, but I don't imagine&rdquo;&mdash;a snarl crept into his
- voice&mdash;&ldquo;that it will give him any joy to witness the ceremony, or you
- to have him. Suit yourselves; but I won't answer for the consequences.&rdquo;
- </p>
- <p>
- &ldquo;I'll go,&rdquo; said Claire simply&mdash;and as Paul Veniza lifted himself up
- suddenly in protest, she forced him gently back upon the couch again.
- &ldquo;It's better that way,&rdquo; she said, and for a moment talked to him in low,
- earnest tones, then kissed him, and rose, and walked out from the room.
- </p>
- <p>
- Crang, with a grunt of approval, started toward the telephone.
- </p>
- <p>
- &ldquo;Wait!&rdquo; Paul Veniza had raised himself on his elbow.
- </p>
- <p>
- Crang turned and faced the other with darkened face.
- </p>
- <p>
- &ldquo;It is not too late even now at the last moment!&rdquo; Paul Veniza's face was
- drawn with agony. &ldquo;I know you for what you are, and in the name of God I
- charge you not to do this thing. It is foul and loathsome, the basest
- passion&mdash;and whatever crimes lay at your door, even if murder be
- among them, no one of them is comparable with this, for you do more than
- take a human life, you desecrate a soul pure as the day God gave it life,
- and&mdash;&mdash;&rdquo;
- </p>
- <p>
- The red surged into Crang's face, and changed to mottled purple.
- </p>
- <p>
- &ldquo;Damn you!&rdquo; he flung out hoarsely. &ldquo;Hold your cackling tongue! This is my
- wedding morning&mdash;understand?&rdquo; He laughed out raucously. &ldquo;My wedding
- morning&mdash;and I'm in a hurry!&rdquo;
- </p>
- <p>
- Paul Veniza raised himself a little higher. White his face was&mdash;white
- as death.
- </p>
- <p>
- &ldquo;Then God have mercy on your soul!&rdquo; he cried.
- </p>
- <p>
- And Crang stared for a moment, then turned on his heel&mdash;and laughed.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0024" id="link2HCH0024"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER TWENTY-FOUR&mdash;THE RIDE
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">J</span>OHN BRUCE turned
- the corner, and, on the opposite side of the street, drew back under the
- shelter of a door porch where he could command a view of the entrance to
- Paul Veniza's house. And now he stood motionless, waiting with cold
- patience, his eyes fixed on the doorway across the street. He was there
- because Crang was either at the present moment within the house, or
- presently would come to the house. It was nearly eight o'clock. The old
- traveling pawn-shop was drawn up before the door.
- </p>
- <p>
- He had no definite plan now. No plan was needed. He was simply waiting for
- Crang.
- </p>
- <p>
- His eyes had not left the doorway. Suddenly, tense, he leaned a little
- forward. The door opened. No; it was only Hawkins! He relaxed again.
- </p>
- <p>
- Only Hawkins! John Bruce's face grew a little sterner, his lips a little
- more tightly compressed. Only Hawkins&mdash;only an old man who swayed
- there outside the door, and whose face was covered with his hands.
- </p>
- <p>
- He watched Hawkins. The old cabman moved blindly along the sidewalk for
- the few steps that took him to the corner, and turning the corner, out of
- sight of the house, sat down on the edge of the curb, and with his
- shoulders sunk forward, buried his face in his hands again.
- </p>
- <p>
- And John Bruce understood; and his fingers, in his pocket, snuggled
- curiously around the revolver that was hidden there. He wanted to go to
- that old bent figure there in its misery and despair, who was fighting now
- so obviously to get a grip upon himself. But he did not move. He could not
- tell Hawkins what he meant to do.
- </p>
- <p>
- Were they minutes or were they hours that passed? Again the front door of
- Paul Veniza's house opened, and again John Bruce leaned tensely forward.
- But this time he did not relax. Claire! His eyes drank in the slim,
- little, dark-garbed figure, greedy that no smallest gesture, no movement,
- no single line of face or form should escape him. It was perhaps the last
- time that he would see her. He would not see her in his prison cell&mdash;he
- would not let her go there.
- </p>
- <p>
- A queer sound issued from his throat, a strange and broken little cry. She
- was gone now. She had crossed the sidewalk and entered the traveling
- pawn-shop. The curtains were down, and she was hidden from sight. And for
- a moment there seemed a blur and mist before John Bruce's eyes&mdash;then
- Hawkins, still around the corner, still with crouched shoulders, still
- with his face hidden in his hands, took form and grew distinct again. And
- then after a little while, Hawkins rose slowly, and came back along the
- street, and climbed into the driver's seat of the traveling pawnshop, and
- sat fumbling at the wheel with his hands.
- </p>
- <p>
- The door of Paul Veniza's house opened for the third time&mdash;and now
- John Bruce laughed in a low, grim 'way, and his hand, hugging the revolver
- in his pocket, tightened and grew vise-like in its grip upon the weapon.
- It was Crang at last!
- </p>
- <p>
- And then John Bruce's hand came out from his pocket&mdash;empty.
- </p>
- <p>
- <i>Not in front of Claire!</i>
- </p>
- <p>
- He swept his hand across his forehead. It was as though a sudden shock had
- aroused him to some stark reality to which he had been strangely
- oblivious. Not in front of Claire! Claire was in the car there. He felt
- himself bewildered for a moment. Hawkins had said nothing about driving
- Claire too.
- </p>
- <p>
- Crang's voice reached him from across the street:
- </p>
- <p>
- &ldquo;All right, Hawkins! Go ahead!&rdquo;
- </p>
- <p>
- Where was Paul Veniza? Crang had got into the car, and the car was moving
- forward. Wasn't Paul Veniza going too?
- </p>
- <p>
- Well, it did not matter, did it? Crang was there. And it was a long way to
- Staten Island, and before then a chance would come, <i>must</i> come; he
- would make one somehow, and&mdash;&mdash;-
- </p>
- <p>
- John Bruce ran swiftly out into the street, and, as the car turned the
- corner, swung himself lightly and silently in beside Hawkins. Crang would
- not know. The curtained panel at the back of the driver's seat hid the
- interior of the car from view.
- </p>
- <p>
- Hawkins turned his head, stared into John Bruce's face for an instant,
- half in a startled, half in a curiously perplexed way, made as though to
- speak&mdash;and then, without a word, gave his attention to the wheel
- again.
- </p>
- <p>
- The car rattled on down the block.
- </p>
- <p>
- John Bruce, as silent as Hawkins, stared ahead. On the ferry! Yes, that
- was it! It was a long way to Staten Island. Claire would not stay cooped
- up in a closed car below; she would go up on deck to get the air. And even
- if Crang accompanied her, it would not prove very difficult to separate
- them.
- </p>
- <p>
- He looked around suddenly and intercepted a furtive, puzzled glance cast
- at him by Hawkins.
- </p>
- <p>
- And then Hawkins spoke for the first time.
- </p>
- <p>
- &ldquo;You'd better get off, John Bruce,&rdquo; he said in a choked voice. &ldquo;You've
- done all you could, and God bless you over and over again for it, but you
- can't do anything more now, and it won't do you any good to come any
- further.&rdquo;
- </p>
- <p>
- &ldquo;No,&rdquo; said John Bruce, &ldquo;I'm going all the way, Hawkins.&rdquo;
- </p>
- <p>
- Hawkins relapsed into silence. They were near the Battery when he spoke
- again.
- </p>
- <p>
- &ldquo;All the way,&rdquo; Hawkins repeated then, as though it were but a moment gone
- since John Bruce had spoken. &ldquo;All the way. Yes, that's it&mdash;after
- twenty years. That's when I pawned her&mdash;twenty years ago. And I
- couldn't never redeem her the way Paul Veniza said. And she ain't never
- known, and thank God she ain't never going to know, that I&mdash;that I&mdash;&mdash;&rdquo;
- A tear trickled down the old face, and splashed upon the wrinkled skin of
- the hand upon the wheel. And then old Hawkins smiled suddenly, and nodded
- toward the clock on the cowl-board&mdash;and the speed of the car
- increased. &ldquo;I looked up the ferry time,&rdquo; said Hawkins.
- </p>
- <p>
- They swung out in front of the ferry house, and the car stopped. A ferry,
- just berthing, was beginning to disgorge its stream of motors and
- pedestrians.
- </p>
- <p>
- &ldquo;We're first in line,&rdquo; said Hawkins, nodding his head. &ldquo;We'll have to wait
- a minute or two.&rdquo;
- </p>
- <p>
- John Bruce nodded back indifferently. His eyes were fixed on the ferry
- that he could just see through the ferry house. Certainly, Claire would
- not stay down in the confined space of the ferry's run-way all the trip;
- or if she did, Crang wouldn't. His face set. Quite unconsciously his hand
- had gone to his pocket, and he found his fingers now snuggling again
- around the weapon that lay there.
- </p>
- <p>
- And then he looked at Hawkins&mdash;and stared again at the other,
- startled. Strange, he had not noticed it before! The smile on Hawkins'
- face did not hide it. The man seemed to have aged a thousand years; the
- old face was pinched and worn, and deep in the faded, watery blue eyes
- were hurt and agony. And a great sympathy for the man surged upon John
- Bruce. He could not tell Hawkins, but&mdash;&mdash; He reached out, and
- laid his hand on the other's arm.
- </p>
- <p>
- &ldquo;Don't take it too hard, Hawkins,&rdquo; he said gently. &ldquo;I&mdash;perhaps&mdash;perhaps,
- well, there's always a last chance that something may happen.&rdquo;
- </p>
- <p>
- &ldquo;Me?&rdquo; said Hawkins, and bent down over his gears as he got the signal to
- move forward. &ldquo;Do I look like that? I&mdash;I thought it all out last
- night, and I don't feel that way. I'll tell you what I was thinking about.
- I was just thinking that I did something to-day when I left my room that I
- haven't done before&mdash;in twenty years. I've left the light burning.&rdquo;
- </p>
- <p>
- John Bruce stared a little helplessly.
- </p>
- <p>
- &ldquo;Yes,&rdquo; said Hawkins. He smiled at John Bruce. &ldquo;Don't you worry about me.
- Mabbe you don't understand, but that's all I've been thinking about since
- we've been waiting here. I've left the light burning.&rdquo;
- </p>
- <p>
- Sick at heart, John Bruce turned his head away. He made no response.
- </p>
- <p>
- Hawkins paid the fare, ran the car through the ferry house, and aboard the
- ferry itself. He was fumbling with a catch of some kind behind his seat,
- as he proceeded slowly up the run-way.
- </p>
- <p>
- &ldquo;He'll want a little air in there,&rdquo; said Hawkins, &ldquo;because it's close down
- here. It opens back, you know&mdash;the whole panel. I had it made that
- way when the car was turned into a traveling pawn-shop&mdash;didn't know
- what tough kind of a customer Paul might run into sometime, and I'd want
- to get in beside him quick to help, and I&mdash;&mdash;&rdquo; The old cabman
- straightened up.
- </p>
- <p>
- The car was at the extreme forward end of the ferry&mdash;and suddenly it
- leaped forward. &ldquo;Jump, John Bruce! Jump clear!&rdquo; old Hawkins cried.
- &ldquo;There's only two of us going all the way&mdash;and that's Crang and me!
- Claire and Paul 'll be along in another car&mdash;tell them it was an
- accident, and&mdash;&mdash;&rdquo;
- </p>
- <p>
- John Bruce was on his feet&mdash;too late. There was a crash, and the
- collapsible steel gates went down before the plunging car, and the guard
- chain beyond was swept from its sockets. He reeled and lost his balance as
- something, a piece of wreckage from the gates or chain posts, struck him.
- He felt the hot blood spurt from shoulder and arm. And then, as the car
- shot out in mid-air, diving madly for the water below, and he was thrown
- from his feet, he found himself clinging to the footboard, fighting wildly
- to reach the door handle. Claire was in there! Claire was in there!
- </p>
- <p>
- There was a terrific splash. A mighty rush of water closed over him.
- Horror, fear, madness possessed his soul. Claire was in there! Claire was
- in there&mdash;and somehow Hawkins had not known! Yes, he had the door
- handle now! He wrenched and tore at the door. The pressure of the water
- seemed to pit itself against his strength. He worked like a maniac. It
- opened. He had it now! It opened. He could scarcely see in the murky water&mdash;only
- the indistinct outlines of two forms undulating grotesquely, the hands of
- one gripped around the throat of the other&mdash;only that, and floating
- within his reach a woman's dress. He snatched at the dress. His lungs were
- bursting. Claire! It was Claire! She was in his arms&mdash;then blackness&mdash;then
- sunlight again&mdash;and then, faintly, he heard a cheer.
- </p>
- <p>
- He held her head above the water. She was motionless, inert.
- </p>
- <p>
- &ldquo;Claire! Claire!&rdquo; he cried. Fear, cold, horrible, seized upon him. He swam
- in mad haste for the iron ladder rungs at the side of the slip.
- </p>
- <p>
- Faces, a multitude of them, seemed to peer at him from above, from the
- brink of this abyss in which he was struggling. He heard a cheer again.
- Why were they cheering? Were they cheering because two men were locked in
- a death grip deep down there in the water below?
- </p>
- <p>
- &ldquo;Claire!&rdquo; he cried out again.
- </p>
- <p>
- And then, as his hand grasped the lower rung, she opened her eyes slowly,
- and a tremor ran through her frame.
- </p>
- <p>
- She lived! Was he weak with the sudden revulsion that swept upon him now?
- Was that it? He tried to carry her up&mdash;and found that it was beyond
- his strength. And he could only cling there and wait for assistance from
- above, thankful even for the support the water gave his weight. It was
- strange! What were those red stains that spread out and tinged the water
- around him? His arm! Yes, he remembered now! His shoulder and arm! It was
- the loss of blood that must have sapped his strength, that must be sapping
- it now so that&mdash;-
- </p>
- <p>
- &ldquo;John!&rdquo; Claire whispered. &ldquo;You&mdash;John!&rdquo;
- </p>
- <p>
- He buried his face in the great wet masses of hair that fell around her.
- Weak? No, he was not weak! He could hold her here always&mdash;always.
- </p>
- <p>
- He felt her clutch spasmodically at his arm.
- </p>
- <p>
- &ldquo;And&mdash;and Hawkins, John?&rdquo; she faltered.
- </p>
- <p>
- He lifted his head and stared at the water. Little waves rippled across
- its surface, gamboling inconsequentially&mdash;at play. There wasn't
- anything else there. There never would be. He made no answer.
- </p>
- <p>
- A sob shook her shoulders.
- </p>
- <p>
- &ldquo;How&mdash;how did it happen?&rdquo; she whispered again.
- </p>
- <p>
- &ldquo;I think a&mdash;a gear jammed, or something,&rdquo; he said huskily.
- </p>
- <p>
- He heard her speak again, but her voice was very low. He bent his head
- until it rested upon hers to catch the words.
- </p>
- <p>
- She was crying softly.
- </p>
- <p>
- &ldquo;Dear, dear Hawkins&mdash;dear Daddy Hawkins,&rdquo; she said.
- </p>
- <p>
- A great mist seemed to gather before John Bruce's eyes. A voice seemed to
- come again, Hawkins' voice; and words that he understood now, Hawkins'
- words:
- </p>
- <p>
- &ldquo;I've left the light burning.&rdquo;
- </p>
- <h3>
- THE END.
- </h3>
- <div style="height: 6em;">
- <br /><br /><br /><br /><br /><br />
- </div>
-
-
-
-
-
-
-
-<pre>
-
-
-
-
-
-End of the Project Gutenberg EBook of Pawned, by Frank L. Packard
-
-*** END OF THIS PROJECT GUTENBERG EBOOK PAWNED ***
-
-***** This file should be named 51965-h.htm or 51965-h.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/5/1/9/6/51965/
-
-Produced by David Widger from page images generously
-provided by the Internet Archive
-
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for the eBooks, unless you receive
-specific permission. If you do not charge anything for copies of this
-eBook, complying with the rules is very easy. You may use this eBook
-for nearly any purpose such as creation of derivative works, reports,
-performances and research. They may be modified and printed and given
-away--you may do practically ANYTHING in the United States with eBooks
-not protected by U.S. copyright law. Redistribution is subject to the
-trademark license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase &ldquo;Project
-Gutenberg&rdquo;), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. &ldquo;Project Gutenberg&rdquo; is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation (&ldquo;the
-Foundation&rdquo; or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country outside the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase &ldquo;Project Gutenberg&rdquo; appears, or with which the
-phrase &ldquo;Project Gutenberg&rdquo; is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you'll have to check the laws of the country where you
- are located before using this ebook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase &ldquo;Project
-Gutenberg&rdquo; associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than &ldquo;Plain Vanilla ASCII&rdquo; or other format used in the official
-version posted on the official Project Gutenberg-tm web site
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original &ldquo;Plain
-Vanilla ASCII&rdquo; or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, &ldquo;Information about donations to the Project Gutenberg
- Literary Archive Foundation.&rdquo;
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from both the Project Gutenberg Literary Archive Foundation and The
-Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
-trademark. Contact the Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain &ldquo;Defects,&rdquo; such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the &ldquo;Right
-of Replacement or Refund&rdquo; described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org Section 3. Information about the Project Gutenberg
-Literary Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's principal office is in Fairbanks, Alaska, with the
-mailing address: PO Box 750175, Fairbanks, AK 99775, but its
-volunteers and employees are scattered throughout numerous
-locations. Its business office is located at 809 North 1500 West, Salt
-Lake City, UT 84116, (801) 596-1887. Email contact links and up to
-date contact information can be found at the Foundation's web site and
-official page at www.gutenberg.org/contact
-
-For additional contact information:
-
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works.
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our Web site which has the main PG search
-facility: www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-
-
-
-</pre>
-
- </body>
-</html>
diff --git a/old/51965-h/images/0001.jpg b/old/51965-h/images/0001.jpg
deleted file mode 100644
index 043bf71..0000000
--- a/old/51965-h/images/0001.jpg
+++ /dev/null
Binary files differ
diff --git a/old/51965-h/images/0007.jpg b/old/51965-h/images/0007.jpg
deleted file mode 100644
index bef4083..0000000
--- a/old/51965-h/images/0007.jpg
+++ /dev/null
Binary files differ
diff --git a/old/51965-h/images/cover.jpg b/old/51965-h/images/cover.jpg
deleted file mode 100644
index 043bf71..0000000
--- a/old/51965-h/images/cover.jpg
+++ /dev/null
Binary files differ
diff --git a/old/51965-h/images/enlarge.jpg b/old/51965-h/images/enlarge.jpg
deleted file mode 100644
index 5a9bcf3..0000000
--- a/old/51965-h/images/enlarge.jpg
+++ /dev/null
Binary files differ
diff --git a/old/old/51965-h.htm.2018-03-31 b/old/old/51965-h.htm.2018-03-31
deleted file mode 100644
index 14ebc0f..0000000
--- a/old/old/51965-h.htm.2018-03-31
+++ /dev/null
@@ -1,11211 +0,0 @@
-<?xml version="1.0" encoding="utf-8"?>
-
-<!DOCTYPE html
- PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
- "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" >
-
-<html xmlns="http://www.w3.org/1999/xhtml" lang="en">
- <head>
- <title>
- Pawned, by Frank L. Packard
- </title>
- <link rel="coverpage" href="images/cover.jpg" />
- <style type="text/css" xml:space="preserve">
-
- body { margin:5%; background:#faebd0; text-align:justify}
- P { text-indent: 1em; margin-top: .25em; margin-bottom: .25em; }
- H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; }
- hr { width: 50%; text-align: center;}
- .foot { margin-left: 5%; margin-right: 5%; text-align: justify; font-size: 80%; font-style: italic;}
- blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;}
- .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;}
- .toc { margin-left: 10%; margin-bottom: .75em;}
- .toc2 { margin-left: 20%;}
- .xx-small {font-size: 60%;}
- .x-small {font-size: 75%;}
- .small {font-size: 85%;}
- .large {font-size: 115%;}
- .x-large {font-size: 130%;}
- .indent5 { margin-left: 5%;}
- .indent10 { margin-left: 10%;}
- .indent15 { margin-left: 15%;}
- .indent20 { margin-left: 20%;}
- .indent30 { margin-left: 30%;}
- .indent40 { margin-left: 40%;}
- div.fig { display:block; margin:0 auto; text-align:center; }
- div.middle { margin-left: 20%; margin-right: 20%; text-align: justify; }
- .figleft {float: left; margin-left: 0%; margin-right: 1%;}
- .figright {float: right; margin-right: 0%; margin-left: 1%;}
- .pagenum {position: absolute; right: 1%; font-size: 0.6em;
- font-variant: normal; font-style: normal;
- text-align: right; background-color: #FFFACD;
- border: 1px solid; padding: 0.3em;text-indent: 0em;}
- .side { float: left; font-size: 75%; width: 15%; padding-left: 0.8em;
- border-left: dashed thin; text-align: left;
- text-indent: 0; font-weight: bold; font-style: italic;
- font-weight: bold; color: black; background: #eeeeee; border: solid 1px;}
- .head { float: left; font-size: 90%; width: 98%; padding-left: 0.8em;
- border-left: dashed thin; text-align: center;
- text-indent: 0; font-weight: bold; font-style: italic;
- font-weight: bold; color: black; background: #eeeeee; border: solid 1px;}
- p.pfirst, p.noindent {text-indent: 0}
- span.dropcap { float: left; margin: 0 0.1em 0 0; line-height: 0.8 }
- pre { font-style: italic; font-size: 90%; margin-left: 10%;}
-
-</style>
- </head>
- <body>
-
-
-<pre>
-
-The Project Gutenberg EBook of Pawned, by Frank L. Packard
-
-This eBook is for the use of anyone anywhere in the United States and most
-other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms of
-the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you'll have
-to check the laws of the country where you are located before using this ebook.
-
-
-
-Title: Pawned
-
-Author: Frank L. Packard
-
-Release Date: May 2, 2016 [EBook #51965]
-Last Updated: March 13, 2018
-
-Language: English
-
-Character set encoding: UTF-8
-
-*** START OF THIS PROJECT GUTENBERG EBOOK PAWNED ***
-
-
-
-
-Produced by David Widger from page images generously
-provided by the Internet Archive
-
-
-
-
-
-
-</pre>
-
- <div style="height: 8em;">
- <br /><br /><br /><br /><br /><br /><br /><br />
- </div>
- <h1>
- PAWNED
- </h1>
- <h2>
- By Frank L. Packard
- </h2>
- <h4>
- The Copp, Clark Co., Limited Toronto
- </h4>
- <h3>
- 1921
- </h3>
- <p>
- <br /><br /><a name="linkimage-0001" id="linkimage-0001"> </a>
- </p>
- <div class="fig" style="width:50%;">
- <img src="images/0001.jpg" alt="0001 " width="100%" /><br />
- </div>
- <h5>
- <a href="images/0001.jpg"><img src="images/enlarge.jpg" alt="" /> </a>
- </h5>
- <p>
- <br /><br /><a name="linkimage-0002" id="linkimage-0002"> </a>
- </p>
- <div class="fig" style="width:50%;">
- <img src="images/0007.jpg" alt="0007 " width="100%" /><br />
- </div>
- <h5>
- <a href="images/0007.jpg"><img src="images/enlarge.jpg" alt="" /> </a>
- </h5>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <br /><br />
- </p>
- <p>
- <b>CONTENTS</b>
- </p>
- <p class="toc">
- <a href="#link2H_4_0001"> PAWNED </a>
- </p>
- <p class="toc">
- <a href="#link2H_4_0002"> BY WAY OF INTRODUCTION </a>
- </p>
- <p class="toc">
- <a href="#link2H_4_0003"> HER STORY </a>
- </p>
- <p class="toc">
- <a href="#link2H_4_0004"> TWENTY YEARS LATER </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0001"> CHAPTER ONE&mdash;ALADDIN'S LAMP </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0002"> CHAPTER TWO&mdash;THE MILLIONAIRE PLUNGER </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0003"> CHAPTER THREE&mdash;SANCTUARY </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0004"> CHAPTER FOUR&mdash;A DOCTOR OF MANY DEGREES </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0005"> CHAPTER FIVE&mdash;HAWKINS </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0006"> CHAPTER SIX&mdash;THE ALIBI </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0007"> CHAPTER SEVEN&mdash;THE GIRL OF THE TRAVELING
- PAWN-SHOP </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0008"> CHAPTER EIGHT&mdash;ALLIES </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0009"> CHAPTER NINE&mdash;THE CONSPIRATORS </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0010"> CHAPTER TEN&mdash;AT FIVE MINUTES TO EIGHT </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0011"> CHAPTER ELEVEN&mdash;THE RENDEZVOUS </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0012"> CHAPTER TWELVE&mdash;THE FIGHT </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0013"> CHAPTER THIRTEEN&mdash;TRAPPINGS OF TINSEL </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0014"> CHAPTER FOURTEEN&mdash;THE TWO PENS </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0015"> CHAPTER FIFTEEN&mdash;THE CLEW </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0016"> CHAPTER SIXTEEN&mdash;A WOLF LICKS HIS CHOPS </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0017"> CHAPTER SEVENTEEN&mdash;ALIAS MR. ANDERSON </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0018"> CHAPTER EIGHTEEN&mdash;THE HOSTAGE </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0019"> CHAPTER NINETEEN&mdash;CABIN H-14 </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0020"> CHAPTER TWENTY&mdash;OUTSIDE THE DOOR </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0021"> CHAPTER TWENTY-ONE&mdash;THE LAST CHANCE </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0022"> CHAPTER TWENTY-TWO&mdash;THROUGH THE NIGHT </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0023"> CHAPTER TWENTY-THREE&mdash;THE BEST MAN </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0024"> CHAPTER TWENTY-FOUR&mdash;THE RIDE </a>
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2H_4_0001" id="link2H_4_0001"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h1>
- PAWNED
- </h1>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2H_4_0002" id="link2H_4_0002"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- BY WAY OF INTRODUCTION
- </h2>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2H_4_0003" id="link2H_4_0003"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- HER STORY
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">A</span> HANSOM cab,
- somewhat woebegone in appearance, threaded its way in a curiously dejected
- manner through the heart of New York's East Side. A fine drizzle fell,
- through which the street lamps showed as through a mist; and, with the
- pavements slippery, the emaciated looking horse, the shafts jerking and
- lifting up at intervals around its ears, appeared hard put to it to
- preserve its footing.
- </p>
- <p>
- The cabman on his perch drove with his coat collar turned up and his chin
- on his breast. He held the reins listlessly, permitting the horse to
- choose its own gait. At times he lifted the little trap door in the roof
- of the cab and peered into the interior; occasionally his hand,
- tentatively, hesitantly, edged toward a bulge in his coat pocket-only to
- be drawn back again in a sort of panic haste.
- </p>
- <p>
- The cab turned into a street where, in spite of the drizzle, hawkers with
- their push-carts under flaring, spitting gasoline banjoes were doing a
- thriving business. The horse went more slowly. There was very little room.
- With the push-carts lining the curbs on both sides, and the overflow of
- pedestrians from the sidewalks into the street, it was perhaps over-taxing
- the horse's instinct to steer a safe course for the vehicle it dragged
- behind it. Halfway along the block a wheel of the hansom bumped none too
- gently into one of the push-carts, nearly upsetting the latter. The
- hawker, with a frantic grab, saved his wares from disaster-by an
- uncomfortably narrow margin, and, this done, hurled an impassioned flood
- of lurid oratory at the two-wheeler.
- </p>
- <p>
- The cabman lifted his chin from his breast, stared stonily at the hawker,
- slapped the reins mechanically on the roof of the cab as an intimation to
- the horse to proceed, and the cab wended its way along again.
- </p>
- <p>
- At the end of the block, it turned the corner, and drew up before a small
- building that was nested in between two tenements. The cabman climbed down
- from his perch, and stood for a moment surveying the three gilded balls
- that hung over the dingy doorway, and the lettering&mdash;&ldquo;Paul Veniza.
- Pawnbroker&rdquo;&mdash;that showed on the dully-lighted windows which
- confronted him.
- </p>
- <p>
- He drew his hand across his eyes; then, reaching suddenly inside the cab,
- lifted a bundle in his arms, and entered the shop. A man behind the
- counter stared at him, and uttered a quick ejaculation. The cabman went on
- into a rear room. The man from behind the counter followed. In the rear
- room, a woman rose from a table where she had been sewing, and took the
- bundle quickly from the cabman's arms, as it emitted a querulous little
- cry.
- </p>
- <p>
- The cabman spoke for the first time.
- </p>
- <p>
- &ldquo;She's dead,&rdquo; he said heavily.
- </p>
- <p>
- The woman, buxom, middle-aged, stared at him, white-faced, her eyes
- filling suddenly with tears.
- </p>
- <p>
- &ldquo;She died an hour ago,&rdquo; said the cabman, in the same monotonous voice. &ldquo;I
- thought mabbe you'd look after the baby girl for a bit, Mrs. Veniza&mdash;you
- and Paul.&rdquo;
- </p>
- <p>
- &ldquo;Of course!&rdquo; said the woman in a choked voice. &ldquo;I wanted to before, but&mdash;but
- your wife wouldn't let the wee mite out of her sight.&rdquo;
- </p>
- <p>
- &ldquo;She's dead now,&rdquo; said the cabman. &ldquo;An hour ago.&rdquo;
- </p>
- <p>
- Paul Veniza, the pawnbroker, crossed to the cabman's side, and, placing
- his hands on the other's shoulders, drew the man down into a chair.
- </p>
- <p>
- &ldquo;Hawkins,&rdquo; he said slowly, &ldquo;we're getting on in years, fifty each of us,
- and we've known each other for a good many of those fifty.&rdquo; He cleared his
- throat. &ldquo;You've made a mess of things, Hawkins.&rdquo;
- </p>
- <p>
- The woman, holding the baby, started suddenly forward, a red flush dyeing
- her cheeks.
- </p>
- <p>
- &ldquo;Paul!&rdquo; she cried out sharply. &ldquo;How can you be so cruel at such an hour as
- this?&rdquo;
- </p>
- <p>
- The pawnbroker shook his head. He had moved to the back of the cabman's
- chair. Tall, slight, grave and kindly-faced, with high forehead and the
- dark hair beginning to silver at the temples, there seemed something
- almost esthetic about the man.
- </p>
- <p>
- &ldquo;It is <i>the</i> hour,&rdquo; he said deliberately; &ldquo;the one hour in which I
- must speak plainly to my old friend, the one hour that has come into his
- life which may mean everything to him.&rdquo; His right hand slipped from the
- cabman's shoulder and started, tentatively, hesitantly, toward a bulge in
- the cabman's coat pocket&mdash;but was drawn back again, and found its
- place once more on the cabman's shoulder. &ldquo;I was afraid, Hawkins, when you
- married the young wife. I was afraid of your curse.&rdquo;
- </p>
- <p>
- The cabman's elbows were on the table; he had sunk his chin in his hands.
- His blue eyes, out of a wrinkled face of wind-beaten tan, roved around the
- little room, and rested finally on the bundle in the woman's arms.
- </p>
- <p>
- &ldquo;That's finished now,&rdquo; he said dully.
- </p>
- <p>
- &ldquo;I pray God it is,&rdquo; said Paul Veniza earnestly; &ldquo;but you said that before&mdash;when
- you married the young wife.&rdquo;
- </p>
- <p>
- &ldquo;It's finished now&mdash;so help me, God!&rdquo; The cabman's lips scarcely
- moved. He stared straight in front of him.
- </p>
- <p>
- There was silence in the little, plainly furnished room for a moment; then
- the pawnbroker spoke again:
- </p>
- <p>
- &ldquo;I was born here in New York, you know, after my parents came from Italy.
- There was no money, nothing&mdash;only misery. I remember. It is like
- that, Hawkins, isn't it, where you have just come from, and where you have
- left the young wife?&rdquo;
- </p>
- <p>
- &ldquo;Paul!&rdquo; his wife cried out again. &ldquo;How can you say such things? It&mdash;it
- is not like you!&rdquo; Her lips quivered. She burst into tears, and buried her
- face in the little bundle she snuggled to her breast.
- </p>
- <p>
- The cabman seemed curiously unmoved&mdash;as though dazed, almost detached
- from his immediate surroundings. He said nothing.
- </p>
- <p>
- The pawnbroker's hands still rested on the cabman's shoulders, a strange
- gentleness in his touch that sought somehow, it seemed, to offer sympathy
- for his own merciless words.
- </p>
- <p>
- &ldquo;I have been thinking of this for a long time, ever since we knew that
- Claire could not get better,&rdquo; he said. &ldquo;We knew you would bring the little
- one here. There was no other place, except an institution. And so I have
- been thinking about it. What is the little one's name?&rdquo;
- </p>
- <p>
- The cabman shook his head.
- </p>
- <p>
- &ldquo;She has no name,&rdquo; he said.
- </p>
- <p>
- &ldquo;Shall it be Claire, then?&rdquo; asked the pawnbroker gently.
- </p>
- <p>
- The cabman's fingers, where they rested on his cheeks, gathered a fold of
- flesh and tightened until the blood fled, leaving little white spots. He
- nodded his head.
- </p>
- <p>
- Again the pawnbroker was silent for a little while.
- </p>
- <p>
- &ldquo;My wife and I will take little Claire&mdash;on one condition,&rdquo; he said at
- last, gravely. &ldquo;And that condition is that she is to grow up as our child,
- and that, though you may come here and see her as often as you like, she
- is not to know that you are her father.&rdquo;
- </p>
- <p>
- The cabman turned about a haggard face.
- </p>
- <p>
- &ldquo;Not to know that I am her father&mdash;ever,&rdquo; he said huskily.
- </p>
- <p>
- &ldquo;I did not say that,&rdquo; said Paul Veniza quietly. He smiled now, leaning
- over the cabman. &ldquo;I am a pawnbroker; this is a pawn-shop. There is a way
- in which you may redeem her.&rdquo;
- </p>
- <p>
- The cabman pressed a heavy hand over his eyes.
- </p>
- <p>
- &ldquo;What is that way?&rdquo; He swallowed hard as he spoke.
- </p>
- <p>
- &ldquo;By redeeming yourself.&rdquo; The pawnbroker's voice was low and earnest. &ldquo;What
- have you to offer her to-day, save a past that has brought only ruin and
- misery? And for the future, my old friend? There is no home. There was no
- home for the young wife. You said when you married Claire, as you have
- said to-night, that it was all finished. But it was not finished. And your
- curse was the stronger. Well, little Claire is only a baby, and there
- would be years, anyhow, before just a man could take care of her. Do you
- understand, my old friend? If, at the end of those years, enough of them
- to make sure that you are sure of yourself, you have changed your life and
- overcome your weakness, then you shall have little Claire back again, and
- she shall know you as her father, and be proud of you. But if you do not
- do this, then she remains with us, and we are her parents, and you pledge
- me your word that it shall be so.&rdquo;
- </p>
- <p>
- There was no answer for a long time. The woman was still crying&mdash;but
- more softly now. The cabman's chin had sunk into his hands again. The
- minutes dragged along. Finally the cabman lifted his head, and, pushing
- back his chair, stumbled to his feet.
- </p>
- <p>
- &ldquo;God&mdash;God bless you both!&rdquo; he whispered. &ldquo;It's all finished now for
- good, as I told you, but you are right, Paul. I&mdash;I ain't fit to have
- her yet. I'll stand by the bargain.&rdquo; He moved blindly toward the door.
- </p>
- <p>
- The pawnbroker interposed.
- </p>
- <p>
- &ldquo;Wait, Hawkins, old friend,&rdquo; he said. &ldquo;I'll go with you. You'll need some
- help back there in the tenement, some one to look after the things that
- are to be done.&rdquo;
- </p>
- <p>
- The cabman shook his head.
- </p>
- <p>
- &ldquo;Not to-night,&rdquo; he said in a choked way. &ldquo;Leave me alone to-night.&rdquo;
- </p>
- <p>
- He moved again toward the door, and this time Paul Veniza stepped aside,
- but, following, stood bareheaded in the doorway as the other clambered to
- his perch on the hansom cab.
- </p>
- <p>
- Hawkins slapped his reins on the roof of the cab. The horse started slowly
- forward.
- </p>
- <p>
- The drizzle had ceased; but the horse, left to his own initiative, was
- still wary of the wet pavements and moved at no greater pace than a walk.
- Hawkins drove with his coat collar still turned up and his chin on his
- breast.
- </p>
- <p>
- And horse and man went aimlessly from street to street&mdash;and the night
- grew late.
- </p>
- <p>
- And the cabman's hand reached tentatively, hesitantly, a great many times,
- toward a bulge in his coat pocket, and for a great many times was
- withdrawn as empty as it had set forth. And then, once, his fingers
- touched a glass bottle neck... and then, not his fingers, but his lips...
- and for a great many times.
- </p>
- <p>
- It had begun to rain again.
- </p>
- <p>
- The horse, as if conscious of the futility of its own movements, had
- stopped, and, with head hanging, seemed to cower down as though seeking
- even the slender protection of the shafts, whose ends now made half
- circles above his ears.
- </p>
- <p>
- Something slipped from the cabman's fingers and fell with a crash to the
- pavement. The cabman leaned out from his perch and stared down at the
- shattered glass.
- </p>
- <p>
- &ldquo;Broken,&rdquo; said the cabman vacantly.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2H_4_0004" id="link2H_4_0004"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- TWENTY YEARS LATER
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">I</span>T was silver
- light. Inside the reefs the water lay placid and still, mirroring in a
- long, shimmering line the reflection of the full tropic moon; beyond, ever
- and anon, it splashed against its coral barriers in little crystal
- showers. It was a soundless night. No breeze stirred the palms that,
- fringing white stretches of beach around the bay, stood out in serene
- beauty, their irregular tops etched with divine artistry into the sky-line
- of the night.
- </p>
- <p>
- Out from the shore, in that harbor which holds no sanctuary in storm, the
- mail boat, dark save for her riding lights, swung at her moorings;
- shoreward, the perspective altered in the moonlight until it seemed that
- Mount Vaea had lowered its sturdy head that it might hover in closer
- guardianship over the little town, Apia straggled in white patches along
- the road. And from these white patches, which were dwellings and stores,
- there issued no light.
- </p>
- <p>
- From a point on the shore nearest the mail boat, a figure in cotton
- drawers and undershirt slipped silently into the water and disappeared.
- Thereafter, at intervals, a slight ripple disturbed the surface as the
- man, coming up to breathe, turned upon his back and lay with his face
- exposed; for the rest he swam under water. It was as though he were in his
- natural element. He swam superbly even where, there in the Islands, all
- the natives were born to the sea; but his face, when visible on the few
- occasions that it floated above the surface, was the face, not of a
- native, but of a white man.
- </p>
- <p>
- And now he came up in the shadow of the steamer's hull where, near the
- stern, a rope dangled over the side, almost touching the water's edge. And
- for a moment he hung to the rope, motionless, listening. Then he began to
- swarm upward with fine agility, without a sound, his bare feet finding
- silent purchase against the iron plates of the hull.
- </p>
- <p>
- Halfway up he paused and listened intently again. Was that a sound as of
- some one astir, the soft movement of feet on the deck above? No, there was
- nothing now. Why should there be? It was very late, and Nanu, the man who
- lisped, was no fool. The rope had hung from exactly that place where, of
- all others, one might steal aboard without attracting the attention of the
- watch.
- </p>
- <p>
- He went on again, and finally raised his head above the rail. The deck,
- flooded with moonlight, lay white and deserted below him. He swung himself
- over, dropped to the deck&mdash;and the next instant reeled back against
- the rail as a rope-end, swung with brutal force, lashed across his face,
- raising a welt from cheek to cheek. Half stunned, he was still conscious
- that a form had sprung suddenly at him from out of the darkness of the
- after alleyway, that the form was one of the vessel's mates, that the form
- still swung a short rope-end that was a murderous weapon because it was
- little more flexible than iron and was an inch in thickness, and that,
- behind this form, other forms, big forms, Tongans of the crew, pressed
- forward.
- </p>
- <p>
- A voice roared out, hoarse, profane, the mate's voice:
- </p>
- <p>
- &ldquo;Thought you'd try it again, did you, you damned beachcomber? I'll teach
- you! And when I find the dog that left that rope for you, I'll give him a
- leaf out of the same book! You bloody waster! I'll teach you! I'll&mdash;&mdash;&rdquo;
- </p>
- <p>
- The rope-end hissed as it cut through the air again, aiming for the
- swimmer's face. But it missed its mark. Perhaps it was an illusion of the
- white moonlight, lending unreality to the scene, exciting the imagination
- to exaggerate the details, but the swimmer seemed to move with incredible
- speed, with the lithe, terrible swiftness of a panther in its spring. The
- rope-end swished through the air, missing a suddenly lowered head by the
- barest fraction of an inch, and then, driven home with lightning-like
- rapidity, so quick that the blows seemed as one, the swimmer's fists
- swung, right and left, crashing with terrific impact to the point of the
- mate's jaw. And the mate's head jolted back, quivered grotesquely on his
- shoulders for an instant like a tuning fork, sagged, and the great bulk of
- the man collapsed and sprawled inertly on the deck.
- </p>
- <p>
- There was a shuffle of feet from the alleyway, cries. The swimmer swung to
- face the expected rush, and it halted, hesitant. It gave him time to
- spring and stand erect upon the steamer's rail. On the upper deck faces
- and forms began to appear. A man in pajamas leaned far out and peered at
- the scene.
- </p>
- <p>
- There was a shout from out of the dark, grouped throng in the alleyway; it
- was chorused. The rush came on again for the rail; and the dripping figure
- that stood there, with the first sound that he had made&mdash;a laugh,
- half bitter, half of cool contempt&mdash;turned, and with a clean dive
- took the water again and disappeared.
- </p>
- <p>
- Presently he reached the shore. There were more than riding lights out
- there on the steamer now. He gave one glance in that direction, shrugged
- his shoulders, and started off along the road. At times he raised his hand
- to brush it across his face where the welt, raw and swollen now, was a
- dull red sear. He walked neither fast nor slow.
- </p>
- <p>
- The moonlight caught the dripping figure now and then in the open spaces,
- and seemed to peer inquisitively at the great breadth of shoulder, and the
- rippling play of muscle under the thin cotton drawers and shirt, which,
- wet and clinging, almost transparent, scarce hid the man's nakedness; and
- at the face, that of a young man, whose square jaw was locked, whose gray
- eyes stared steadily along the road, and over whose forehead, from the
- drenched, untrimmed mass of fair hair, the brine trickled in little
- rivulets as though persistent in its effort to torture with its salt
- caress the raw, skin-broken flesh across the cheeks.
- </p>
- <p>
- Then presently a point of land ran out, and, the road ignoring this, the
- bay behind was shut out from view. And presently again, farther on, the
- road came to a long white stretch of beach on the one hand, and foliage
- and trees on the other. And here the dripping figure halted and stood
- hesitant as though undecided between the moonlit stretch of sand, and the
- darkness of a native hut that was dimly outlined amongst the trees on the
- other side of the road.
- </p>
- <p>
- After a moment he made his way to the hut and, groping around, secured
- some matches and a box of cigarettes. He spoke into the empty blackness.
- </p>
- <p>
- &ldquo;You lose, Nanu,&rdquo; he muttered whimsically. &ldquo;They wouldn't stand water and
- I left them for you. But now, you see, I'm back again, after all.&rdquo;
- </p>
- <p>
- He lighted a cigarette, and in the flame of the match stared speculatively
- at the small, broken pieces of coral that made the floor of the hut, and
- equally, by the addition of a thin piece of native matting, his bed.
- </p>
- <p>
- &ldquo;The sand is softer,&rdquo; he said with a grim drawl.
- </p>
- <p>
- He went out from the hut, crossed the road, flung himself upon his back on
- the beach, and clasped his hands behind his head. The smoke from his
- cigarette curled languidly upward in wavering spirals, and he stared for a
- long time at the moon.
- </p>
- <p>
- &ldquo;Moon madness,&rdquo; he said at last. &ldquo;They say if you look long enough the old
- boy does you in.&rdquo;
- </p>
- <p>
- The cigarette finished, he flung the stub away. After a time, he raised
- his head and listened. A moment later he lay back again full length on the
- sand. The sound of some one's footsteps coming rapidly along the road from
- the direction of the town was now unmistakably audible.
- </p>
- <p>
- &ldquo;The jug for mine, I guess,&rdquo; observed the young man to the moon. &ldquo;Probably
- a file of native constabulary in bare feet that you can't hear bringing up
- the rear!&rdquo;
- </p>
- <p>
- The footsteps drew nearer, until, still some distance away, the white-clad
- figure of a man showed upon the tree-fringed road. The sprawled figure on
- the beach made no effort toward flight, and less toward concealment. With
- a sort of studied insolence injected into his challenge, he stuck another
- cigarette between his lips and deliberately allowed full play to the flare
- of the match.
- </p>
- <p>
- The footsteps halted abruptly. Then, in another moment, they crunched upon
- the sand, and a tall man, with thin, swarthy face, a man of perhaps forty
- or forty-five, who picked assiduously at his teeth with a quill toothpick,
- stood over the recumbent figure.
- </p>
- <p>
- &ldquo;Found you, have I?&rdquo; he grunted complacently.
- </p>
- <p>
- &ldquo;If you like to put it that way,&rdquo; said the young man indifferently. He
- raised himself on his elbow again, and stared toward the road. &ldquo;Where's
- the army?&rdquo; he inquired.
- </p>
- <p>
- The tall man allowed the point of the quill toothpick to flex and strike
- back against his teeth. The sound was distinctive. <i>Tck!</i> He ignored
- the question.
- </p>
- <p>
- &ldquo;When the mate came out of dreamland,&rdquo; he said, &ldquo;he lowered a boat and
- came ashore to lay a complaint against you.&rdquo;
- </p>
- <p>
- &ldquo;I can't say I'm surprised,&rdquo; admitted the young man. &ldquo;I suppose I am to go
- with you quietly and make no trouble or it will be the worse for me&mdash;I
- believe that's the usual formula, isn't it?&rdquo;
- </p>
- <p>
- The man with the quill toothpick sat down on the sand. He appeared to be
- absorbed for a moment in a contemplation of his surroundings.
- </p>
- <p>
- &ldquo;These tropic nights are wonderful, aren't they? Kind of get you.&rdquo; He
- plied the quill toothpick industriously. &ldquo;I'm a passenger on the steamer,
- and I came ashore with the mate. He's gone back&mdash;without laying the
- complaint. There's always a way of fixing things&mdash;even injured
- feelings. One of the native boat's-crew said he knew where you were to be
- found. He's over there.&rdquo; He jerked his head in the direction of the road.
- </p>
- <p>
- The young man sat bolt upright.
- </p>
- <p>
- &ldquo;I don't get you,&rdquo; he said slowly, &ldquo;except that you are evidently not
- personifying the majesty of the law. What's the idea?&rdquo;
- </p>
- <p>
- &ldquo;Well,&rdquo; said the other, &ldquo;I had three reasons for coming. The first was
- that I thought I recognized you yesterday when they threw you off the
- steamer, and was sure of it to-night when&mdash;I am a light sleeper&mdash;I
- came out on the upper deck at the sound of the row and saw you take your
- departure from the vessel for the second time.&rdquo;
- </p>
- <p>
- &ldquo;I had no idea,&rdquo; said the young man caustically, &ldquo;that I was so well
- known. Are you quite sure you haven't made a mistake?&rdquo;
- </p>
- <p>
- &ldquo;Quite!&rdquo; asserted the other composedly. &ldquo;Of course, I am not prepared to
- say what your present name is&mdash;you may have considered a change
- beneficial&mdash;so I will not presume in that respect. But you are, or
- were, a resident of San Francisco. You were very nice people there. I have
- no knowledge of your mother, except that I understand she died in your
- infancy. A few years ago your father died and left you, not a fortune, but
- quite a moderate amount of money. I believe the pulpits designate it as a
- 'besetting sin.' You had one&mdash;gambling. The result was that you
- traveled the road a great many other young men have traveled; the only
- difference being that, in so far as I am competent to speak, you hold the
- belt for speed and all-round proficiency. You went utterly, completely and
- whole-heartedly to hell.&rdquo;
- </p>
- <p>
- The tall man became absorbed again in his surroundings. &ldquo;And I take it,&rdquo;
- he said presently, &ldquo;that in spite of the wonders of a tropic night, you are still there.&rdquo;
- </p>
- <p>
- The young man shrugged his shoulders.
- </p>
- <p>
- &ldquo;You have put it very delicately,&rdquo; he said, with a grim smile. &ldquo;I'm sorry,
- but I am obliged to confess that the recognition isn't mutual. Would you
- mind telling me who you are?&rdquo;
- </p>
- <p>
- &ldquo;We'll get to that in due course,&rdquo; said the other. &ldquo;My second reason was
- that it appeared to me to be logical to suppose that, having once been the
- bona fide article, you could readily disguise yourself as a gentleman
- again, and your interpretation of the rôle would be beyond suspicion or&mdash;&mdash;&rdquo;
- </p>
- <p>
- &ldquo;By God!&rdquo; The welt across the young man's face grew suddenly white, as
- though the blood had fled from it to suffuse his temples. He half rose,
- staring levelly into the other's eyes.
- </p>
- <p>
- The tall man apparently was quite undisturbed.
- </p>
- <p>
- &ldquo;And the third reason is that I have been looking for just such a&mdash;there
- really isn't any other word&mdash;gentleman, providing he was possessed of
- another and very essential characteristic. You possess that characteristic
- in a most marked degree. Your actions tonight are unmistakable evidence
- that you have nerve.&rdquo;
- </p>
- <p>
- &ldquo;It strikes me that you've got a little of it yourself,&rdquo; observed the
- young man evenly.
- </p>
- <p>
- The quill toothpick under the adroit guidance of his tongue traveled from
- the left- to the right-hand side of the other's mouth.
- </p>
- <p>
- &ldquo;It is equally as essential to me,&rdquo; he said dryly. &ldquo;You appear to fill the
- bill; but there is always the possibility of a fly in the ointment;
- complications&mdash;er&mdash;unpleasant complications, perhaps, you know,
- that might have arisen since you left San Francisco, and that might&mdash;er&mdash;complicate
- matters.&rdquo;
- </p>
- <p>
- The young man relapsed into a recumbent position upon the sand, his hands
- clasped under his head again, and in his turn appeared to be absorbed in
- the beauty of the night.
- </p>
- <p>
- &ldquo;Moon-madness!&rdquo; he murmured pityingly.
- </p>
- <p>
- &ldquo;A myth!&rdquo; said the tall man promptly. &ldquo;Would you mind sketching in roughly
- the details of your interesting career since you left the haunts of the
- aristocracy?&rdquo;
- </p>
- <p>
- &ldquo;I don't see any reason why I should.&rdquo; The young man yawned.
- </p>
- <p>
- &ldquo;Do you see any reason why you shouldn't?&rdquo; inquired the other composedly.
- </p>
- <p>
- &ldquo;None,&rdquo; said the young man, &ldquo;except that the steamer sails at daybreak,
- and I should never forgive myself if you were left behind.&rdquo;
- </p>
- <p>
- &ldquo;Nor forgive yourself, perhaps, if you failed to sail on her as a
- first-class passenger,&rdquo; said the tall man quietly.
- </p>
- <p>
- &ldquo;What?&rdquo; ejaculated the young man sharply.
- </p>
- <p>
- The other shrugged his shoulders.
- </p>
- <p>
- &ldquo;It depends on the story,&rdquo; he said.
- </p>
- <p>
- &ldquo;I&mdash;I don't understand.&rdquo; The young man frowned. &ldquo;There's a chance for
- me to get aboard the mail boat?&rdquo;
- </p>
- <p>
- &ldquo;It depends on the story,&rdquo; said the other again.
- </p>
- <p>
- &ldquo;Moon-mad!&rdquo; murmured the young man once more, after a moment's silence.
- &ldquo;But it's cheap at the price, for it's not much of a story. Beginning
- where you left off in my biography, I ducked when the crash came in San
- Francisco, and having arrived in hell, as you so delicately put it, I
- started out to explore. Mr. Dante had it right&mdash;there's no use
- stopping in the suburbs. I lived a while in his last circle. It's too bad
- he never knew the 'Frisco water-front; it would have fired his
- imagination! I'm not sure, though, but Honolulu's got a little on 'Frisco,
- at that! Luck was out. I was flat on my back when I got a chance to work
- my way out to Honolulu. One place was as good as another by then.&rdquo;
- </p>
- <p>
- The young man lit a cigarette, and stared at the glowing tip reminiscently
- with his gray eyes.
- </p>
- <p>
- &ldquo;You said something about gambling,&rdquo; he went on; &ldquo;but you didn't say
- enough. It's a disease, a fever that sets your blood on fire, and makes
- your life kind of delirious, I guess&mdash;if you get it chronic. I guess
- I was born with it. I remember when I was a kid I&mdash;but I forgot,
- pardon me, the mail boat sails at daybreak.&rdquo;
- </p>
- <p>
- &ldquo;Go as far as you like,&rdquo; said the tall man, picking at his teeth with the
- quill toothpick.
- </p>
- <p>
- The young man shook his head.
- </p>
- <p>
- &ldquo;Honolulu is the next stopping place,&rdquo; he said. &ldquo;On the way out I picked
- up a few odd dollars from my fellow-members of the crew, and&mdash;&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Tck!&rdquo; It was the quill toothpick.
- </p>
- <p>
- The young man's eyes narrowed, and his jaw set challengingly.
- </p>
- <p>
- &ldquo;Whatever else I've done,&rdquo; he stated in a significant monotone, &ldquo;I've
- never played crooked. It was on the level.&rdquo;
- </p>
- <p>
- &ldquo;Of course,&rdquo; agreed the tall man hastily.
- </p>
- <p>
- &ldquo;I sat in with the only stakes I had,&rdquo; said the young man, still
- monotonously. &ldquo;A bit of tobacco, a rather good knife that I've got yet,
- and a belt that some one took a fancy to as being worth half a dollar.&rdquo;
- </p>
- <p>
- &ldquo;Certainly! Of course!&rdquo; reiterated the tall man in haste.
- </p>
- <p>
- The quill toothpick was silent.
- </p>
- <p>
- &ldquo;A pal of mine, one of the stokers, said he knew of a good place to play
- in Honolulu where there was a square deal,&rdquo; continued the young man; &ldquo;so,
- a night or so after we reached there, we got shore leave and started off.
- Perhaps you know that part of Honolulu. I don't. I didn't see much of it.
- I know there's some queer dumps, and queer doings, and the scum of every
- nationality under the sun to run up against. And I know it was a queer
- place my mate steered me into. It was faro. The box was run by an old
- Chinaman who looked as though he were trying to impersonate one of his
- ancestors, he was so old. My mate and I formed the English-speaking
- community. There were a Jap or two, and a couple of pleasant-looking
- cutthroats who cursed in Spanish, and a Chink lying on a bunk rolling his
- pill. Oh, yes, the place stunk! Every once in a while the door opened and
- some other Godforsaken piece of refuse drifted in. By midnight we had a
- full house of pretty bad stuff.
- </p>
- <p>
- &ldquo;It ended in a row, of course. Some fool of a tout came in chaperoning a
- party of three men, who were out to see the sights; they were passengers,
- I found out later, from one of the ships in port. I don't know what
- started the rumpus; some private feud, I guess. The first thing I knew one
- of the Spaniards had a knife out and had jumped for the tout. It was a
- free-for-all in a minute. I saw the tout go down, and he didn't look good,
- and the place suddenly struck me as a mighty unhealthy place to be found
- in on that account. The stoker and I started to fight our way through the
- jam to the door. There was a row infernal. I guess you could have heard it
- a mile away. Anyway, before we could break from the clinches, as it were,
- the police were fighting their way in just as eagerly as we were fighting
- our way out.
- </p>
- <p>
- &ldquo;I didn't like the sight of that tout lying on the floor, or the thought
- of what might happen in the police court the next morning if I were one of
- the crowd to adorn the dock. And things weren't going very well. The
- police were streaming in through the doorway. And then I caught sight of
- something I hadn't seen before because it had previously been hidden by a
- big Chinese screen&mdash;one of those iron-shuttered windows they seem so
- fond of down there. Things weren't very rosy just at that moment because
- about the worst hell-cat scramble on record was being made a little worse
- by some cheerful maniac starting a bit of revolver practice, but I
- remember that I couldn't help laughing to save my soul. In the mêlée one
- of the folding wings of the screen had suddenly doubled up, and, besides
- the window, I saw hiding behind there for dear life, his face pasty-white
- with terror, a very courageous gentleman&mdash;one of the rubbernecks who
- had come in with the tout. He was too scared, I imagine, even to have the
- thought of tackling such formidable things as iron shutters enter his
- head. I yelled to the stoker to get them open, and tried to form a sort of
- rear guard for him while he did it. Then I heard them creak on their
- hinges, and heard him shout. I made a dash for it, but I wasn't quite
- quick enough. One of the policemen grabbed me, but I was playing in luck
- then. I got in a fortunate swing and he went down for the count. I
- remember toppling the screen and the man behind it over on the floor as I
- jumped sideways for the window; and I remember a glimpse of his terrorized
- face, his eyes staring at me, his mouth wide open, as I took a headlong
- dive over the window sill. The stoker picked me up, and we started on the
- run.
- </p>
- <p>
- &ldquo;The police were scrambling through the window after us. I didn't need to
- be told that there wouldn't be a happy time ahead if I were caught. Apart
- from that tout who, though I had nothing to do with it, gave the affair a
- very serious aspect, I was good for the limit on the statute books for
- resisting arrest in the first place, and for knocking out an officer in
- the second. But the stoker knew his way about. We gave the police the
- slip, and a little later on we landed up in a sailors' boarding-house run
- by a one-eyed cousin of Satan, known as Lascar Joe. We lay there hidden
- while the tout got better, and the Spanish hidalgo got sent up for a long
- term for murderous assault. Finally Lascar Joe slipped the stoker aboard
- some ship; and a week or so later he slipped me, the transfer being made
- in the night, aboard a frowsy tramp, bound for New Zealand.&rdquo;
- </p>
- <p>
- The young man paused, evidently inviting comment.
- </p>
- <p>
- &ldquo;Go on,&rdquo; prompted the man with the quill toothpick softly.
- </p>
- <p>
- &ldquo;There isn't very much more,&rdquo; said the young man. He laughed shortly. &ldquo;As
- far as I know I'm the sole survivor from that tramp. She never got to New
- Zealand; and that's how I got here to Samoa. She went down in a hurricane.
- I was washed ashore on one of this group of islands about forty or fifty
- miles from here. I don't know much about the details; I was past knowing
- anything when the bit of wreckage on which I had lashed myself days before
- came to port. There weren't any&mdash;I was going to say white people on
- the island, but I'm wrong about that. The Samoans are about the whitest
- people on God's green earth. I found that out. There were only natives on
- that island. I lived with them for about two months, and I got to be
- pretty friendly with them, especially the old fellow who originally picked
- me up half drowned and unconscious on the beach, and who took me into the
- bosom of his family. Then the missionary boat came along, and I came back
- with it to Apia here.&rdquo;
- </p>
- <p>
- The young man laughed again suddenly, a jarring note in his mirth.
- </p>
- <p>
- &ldquo;I don't suppose you've heard that original remark about the world being
- such a small place after all! I figured that back here in Apia a
- shipwrecked and destitute white man would get the glad hand and at least a
- chance to earn his stake. Maybe he would ordinarily; but I didn't. I
- hadn't said anything to the missionary about that Honolulu escapade, and I
- was keeping it dark when I got here and started to tell the shipwreck end
- of my story over again. Queer, isn't it? Lined up in about the first
- audience I had was the gentleman with the pasty face that I had toppled
- over with the screen in the old Chink's faro dump. He was one of the big
- guns here, and had been away on a pleasure trip, and Honolulu had been on
- his itinerary. That settled it. The missionary chap spoke up a bit for me,
- I'll give him credit for that, though I had a hunch he was going to use
- that play as an opening wedge in an effort to reform me later on. But I
- had my fingers crossed. The whites here turned their backs on me, and I
- turned my back on the missionary. That's about all there was to it. That
- was about two weeks ago, and for those two weeks I've lived in another of
- Mr. Dante's delightful circles.&rdquo;
- </p>
- <p>
- He sat suddenly upright, a clenched fist flung outward.
- </p>
- <p>
- &ldquo;Not a cent! Not a damned sou-marquee! Nothing but this torn shirt, and
- what's left of these cotton pants! Hell!&rdquo;
- </p>
- <p>
- He lay back on the sand quite as suddenly again, and fell to laughing
- softly.
- </p>
- <p>
- &ldquo;Tck!&rdquo; It was the quill toothpick.
- </p>
- <p>
- &ldquo;But at that,&rdquo; said the young man, &ldquo;I'm not sure you could call me a
- cynic, though the more I see of my own breed as compared with the
- so-called heathen the less I think of&mdash;my own breed! I still had a
- card up my sleeve. I had a letter of introduction to a real gentleman and
- landed proprietor here. His name was Nanu, and he gave me his house to
- live in, and made me free of his taro and his breadfruit and all his
- worldly possessions; and it was the old native who took care of me on the
- other island that gave me the letter. It was a queer sort of letter, too&mdash;but
- never mind that now.
- </p>
- <p>
- &ldquo;Splendid isolation! That's me for the last two weeks as a cross between a
- pariah and a mangy cur! What amazes me most is myself. The gentleman of
- the Chinese screen is still in the land of the living and walking blithely
- around. Funny, isn't it? That's one reason I was crazy to get away&mdash;before
- anything happened to him.&rdquo; The tanned fist closed fiercely over a handful
- of sand, then opened and allowed the grains to trickle slowly through the
- fingers, and its owner laughed softly again. &ldquo;I've lived through hell here
- in those two weeks. I guess we're only built to stand so much. I was about
- at the end of my rope when the mail steamer put in yesterday. I hope I
- haven't idealized my sojourn here in a way that would cause you to
- minimize my necessity for getting away, no matter to where or by what
- means! Nanu and I went out to the ship in his outrigger. Perhaps I would
- have had better luck if I had run into any other than the particular mate
- I did. I don't know. I offered to work my passage. Perhaps my fame had
- already gone abroad&mdash;or aboard. He invited me to make another
- excursion into Dante-land. But when he turned his back on me I slipped
- below, and tucked myself in behind some of the copra sacks they were
- loading. Once the steamer was away I was away with her, and I was willing
- to take what was coming. But I didn't get a chance. I guess the mate was
- sharper than I gave him credit for. After about four hours of heat and
- stink down there below decks that I had to grit my teeth to stand, he
- hauled me out as though he knew I had been there all the time. I was
- thrown off the steamer.
- </p>
- <p>
- &ldquo;But I wasn't through. Steamers do not call here every day. I wonder if
- you'll know what I mean when I say I was beginning to be afraid of myself
- and what might happen if I had to stick it out much longer? That mangy cur
- I spoke of had me lashed to the mast from a social standpoint. I tried it
- again&mdash;to-night. Nanu fixed it for me with one of the crew to hang
- that rope over the side, and&mdash;well, I believe you said you had seen
- what happened. I believe you said, too, that a chance still existed of my
- sailing with the mail boat, depending upon my story.&rdquo; He laughed a little
- raucously. &ldquo;I hope it's been interesting enough to bail me out; anyway,
- that's all of it.&rdquo;
- </p>
- <p>
- The tall man sat for a moment in silence.
- </p>
- <p>
- &ldquo;Yes,&rdquo; he said at last; &ldquo;I am quite satisfied. Dressed as a gentleman,
- with money in your pockets, and such other details as go with the rôle,
- you would never be associated with that affair in Honolulu. As a matter of
- fact your share in it was not so serious that the police would dog you all
- over the world on account of it. In other words, and what really interests
- me, is that you are not what is commonly designated as a 'wanted' man.
- Yes, I may say I am thoroughly satisfied.&rdquo;
- </p>
- <p>
- The young man yawned and stretched himself.
- </p>
- <p>
- &ldquo;I'm delighted to hear it. I haven't any packing to do. Shall we stroll
- back to the ship?&rdquo;
- </p>
- <p>
- &ldquo;I hope so.&rdquo; The quill toothpick was busy again. &ldquo;The decision rests with
- you. I am not a philanthropist. I am about to offer you a situation&mdash;to
- fill which I have been searching a good many years to find some one who
- had the necessary qualifications. I am satisfied you are that man. You do
- not know me; you do not know my name, and though you have already asked
- what it is, I shall still withhold that information until your decision
- has been given. If you agree, I will here and now sign a contract with you
- to which we will both affix our bona fide signatures; if you refuse, we
- will shake hands and part as friends and strangers who have been&mdash;shall
- we use your expression?&mdash;moon-mad under the influence of the wonders
- of a tropic night.&rdquo;
- </p>
- <p>
- &ldquo;Something tells me,&rdquo; said the young man softly, &ldquo;that the situation is
- not an ordinary one.&rdquo;
- </p>
- <p>
- &ldquo;And you are right,&rdquo; replied the other quietly. &ldquo;It is not only not
- ordinary, but is, I think I may safely say, absolutely unique and without
- its counterpart. I might mention in passing that I am not in particularly
- good health, and the sea voyage I was ordered to take explains my presence
- here. I am the sole owner of one of the largest, if not the largest,
- business enterprises in America; certainly its turn-over, at least, is
- beyond question the biggest on the American continent. I have
- establishments in every city of any size in both the United States and
- Canada&mdash;and even in Mexico. The situation I offer you is that of my
- confidential representative. No connection whatever will be known to exist
- between us; your title will be that of a gentleman of leisure&mdash;but
- your duties will be more arduous. I regret to say that in many cases I
- fear my local managers are not&mdash;er&mdash;making accurate returns to
- me, and they are very hard to check up. I would require you to travel from
- place to place as a sort of, say, secret inspector of branches, and
- furnish me with the inside information from the lack of which my business
- at present, I am afraid, is suffering severely.&rdquo;
- </p>
- <p>
- &ldquo;And that business?&rdquo; The young man had raised himself to his elbow on the
- sand.
- </p>
- <p>
- &ldquo;The one that is nearest to your heart,&rdquo; said the tall man calmly.
- &ldquo;Gambling.&rdquo;
- </p>
- <p>
- The young man leaned slowly forward, staring at the other.
- </p>
- <p>
- &ldquo;I wonder if I quite get you?&rdquo; he said.
- </p>
- <p>
- &ldquo;I am sure you do.&rdquo; The tall man smiled. &ldquo;My business is a chain of select
- and exclusive gambling houses where only high play is indulged in, and
- whose clientele is the richest in the land.&rdquo;
- </p>
- <p>
- The young man rose to his feet, walked a few steps away along the beach,
- and came back again.
- </p>
- <p>
- &ldquo;You're devilishly complimentary!&rdquo; he flung out, with a short laugh. &ldquo;As I
- understand it, then, the price I am to pay for getting away from here is
- the pawning of my soul?&rdquo;
- </p>
- <p>
- &ldquo;Have you anything else to pawn?&rdquo; inquired the other&mdash;and the quill
- toothpick punctuated the remark: &ldquo;Tck!&rdquo;
- </p>
- <p>
- &ldquo;No,&rdquo; said the young man, with a twisted smile. &ldquo;And I'm not sure I've got
- that left! I am beginning to have a suspicion that it was in your 'branch'
- at San Francisco that I lost my money.&rdquo;
- </p>
- <p>
- &ldquo;You did,&rdquo; said the other coolly. &ldquo;That is how I came to know you. Though
- not personally in evidence in the 'house' itself, San Francisco is my
- home, and my information as to what goes on there at least is fairly
- accurate.&rdquo;
- </p>
- <p>
- The young man resumed his pacing up and down the sand.
- </p>
- <p>
- &ldquo;And I might add,&rdquo; said the tall man after a moment, &ldquo;that from a point of
- ethics I see little difference in the moral status between one who comes
- to gamble and one who furnishes the other with the opportunity to do so.
- You are perhaps hesitating to take the hurdle on that account?&rdquo;
- </p>
- <p>
- &ldquo;Moral status!&rdquo; exclaimed the young man sharply. He halted abruptly before
- the other. &ldquo;No&mdash;at least I am not a hypocrite! What right have I to
- quarrel with moral status?&rdquo;
- </p>
- <p>
- &ldquo;Very well, then,&rdquo; said the other; &ldquo;I will go farther. I will give you
- everything in life that you desire. You will live as a gentleman of wealth
- surrounded by every luxury that money can procure, for that is your rôle.
- You may gamble to your heart's content, ten, twenty, fifty thousand a
- night&mdash;in my houses. You will travel the length and breadth of
- America. I will pay every expense. There is nothing that you may not have,
- nothing that you may not do.&rdquo;
- </p>
- <p>
- The young man was silent for a full minute then, with his hands dug in his
- pockets, he fell to whistling under his breath very softly&mdash;but very
- deliberately.
- </p>
- <p>
- An almost sinister smile spread over the tall man's lips as he listened.
- </p>
- <p>
- &ldquo;If I am not mistaken,&rdquo; he observed dryly, &ldquo;that is the aria from Faust.&rdquo;
- </p>
- <p>
- &ldquo;Yes,&rdquo; said the young man&mdash;and stared the other in the eye. &ldquo;It is
- the aria from Faust.&rdquo;
- </p>
- <p>
- The tall man nodded&mdash;but now his lips were straight.
- </p>
- <p>
- &ldquo;I accept the rôle of Mephistopheles, then,&rdquo; he said softly. &ldquo;Doctor
- Faustus, you know, signed the bond.&rdquo;
- </p>
- <p>
- The young man squatted on the sand again. His face was curiously white;
- only the ugly welt, dull red, across his cheeks, like the mark of some
- strange branding-iron, held color.
- </p>
- <p>
- &ldquo;Then, draw it!&rdquo; he said shortly. &ldquo;And be damned to you!&rdquo;
- </p>
- <p>
- The tall man took a notebook and a fountain pen from his pocket. He wrote
- rapidly, tore out the leaf, and on a second leaf made a copy of the first.
- This, too, he tore out.
- </p>
- <p>
- &ldquo;I will read it,&rdquo; he said. &ldquo;You will observe that no names are mentioned;
- that I have still reserved the privilege of keeping my identity in
- abeyance until the document is signed. This is what I have written: <i>For
- good and valid consideration the second signatory to this contract hereby
- enters unreservedly into the employ of the first signatory for a period
- which shall include the lifetime of one or other of the undersigned, or
- until such time as this agreement may be dissolved either by mutual
- consent or at the will of the first signatory alone. And the first
- signatory to this contract agrees to maintain the second signatory in a
- station in life commensurate with that of a gentleman of wealth
- irrespective of expense, and further to pay to the second signatory as a
- stated salary the sum of one thousand dollars a month.</i>&rdquo; He looked up.
- &ldquo;Shall I sign?&rdquo;
- </p>
- <p>
- &ldquo;Body and soul,&rdquo; murmured the young man. He appeared to be fascinated with
- the restless movement of the quill toothpick in the other's mouth. &ldquo;Have
- you another toothpick you could let me have?&rdquo; he inquired casually.
- </p>
- <p>
- The tall man mechanically thrust his fingers into his vest pocket; and
- then, as though but suddenly struck with the irrelevancy, and perhaps
- facetiousness, of the request, frowned as he found himself handing over
- the article in question.
- </p>
- <p>
- &ldquo;Shall I sign?&rdquo; His tone was sterner. &ldquo;It is understood that the
- signatures are to be bona fide and&mdash;&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Yes, sign it. It is quite understood.&rdquo; The young man spoke without
- looking up. He seemed to be engrossed in carefully slitting the point of
- the quill toothpick he had acquired with his knife.
- </p>
- <p>
- The other signed both sheets from the notebook.
- </p>
- <p>
- The young man accepted the two slips of paper, but refused the proffered
- fountain pen. In the moonlight he read the other's signature: Gilbert
- Larmon. His lips tightened a little. It was a big name in San Francisco, a
- name of power. Few dreamed perhaps where the sinews of that power came
- from! He drew from his pocket a small bottle, uncorked it, dipped in the
- quill toothpick, and with his improvised pen wrote with a rasping,
- spluttering noise beneath the other's signature on each of the two slips
- of paper. One of these slips he returned to the other&mdash;but beneath
- the tall man's signature there was no mark of any kind whatever.
- </p>
- <p>
- Through narrowing eyes the tall man had been watching, and now his face
- darkened ominously, and there was something of deadly coolness in his
- voice as he spoke.
- </p>
- <p>
- &ldquo;What tomfoolery is this?&rdquo; he demanded evenly.
- </p>
- <p>
- &ldquo;No; it's quite all right,&rdquo; said the young man placidly. &ldquo;Just a whim of
- mine. I can't seem to get that Doctor Faustus thing out of my head.
- According to the story, I think, he signed in a drop of blood&mdash;and I
- thought I'd carry a sort of analogy along a bit. That stuff's all right. I
- got it from my old native friend on that island I was telling you about.
- It's what my letter of introduction to Nanu was written with. And&mdash;well,
- at least, I guess it stands for the drop of blood, all right! Take it down
- there to the shore and dip that part of the paper in the salt water.&rdquo;
- </p>
- <p>
- The tall man made no answer. For a moment he remained staring with
- grim-set features at the other, then he got up, walked sharply to the
- water's edge, and, bending down, moistened the lower portion of the paper.
- He held it up to the moonlight. Heavy black letters were slowly taking
- form just beneath his own signature. Presently he walked back up the beach
- to the young man, and held out his hand.
- </p>
- <p>
- &ldquo;Let us get back to the ship&mdash;John Bruce,&rdquo; he said.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0001" id="link2HCH0001"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER ONE&mdash;ALADDIN'S LAMP
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">J</span>OHN BRUCE,
- stretched at full length on a luxurious divan in the most sumptuous
- apartment of the Bayne-Miloy, New York's newest and most pretentious
- hostelry, rose suddenly to his feet and switched off the lights. The same
- impulse carried him in a few strides to the window. The night was still,
- and the moon rode high and full. It was the same moon that, three months
- ago, he had stared at from the flat of his back on the beach at Apia. A
- smile, curiously tight, and yet curiously whimsical, touched his lips. If
- it had been &ldquo;moon-madness&rdquo; that had fallen upon the gambler king and
- himself that night, it had been a madness that was strangely free in its
- development from hallucination! That diagnosis no longer held. It would be
- much more apposite to lay it bluntly to the door of&mdash;Mephistopheles!
- From the moment he had boarded the mail steamer he had lived as a man
- possessed of unlimited wealth, as a man with unlimited funds always in his
- possession or at his instant command.
- </p>
- <p>
- He whistled softly. It was, though, if not moon-madness, perhaps the moon,
- serene and full up there as it had been that other night, which he had
- been watching from the divan a few moments before, that had sent his mind
- scurrying backward over those intervening months. And yet, perhaps not;
- for there would come often enough, as now, moments of mind groping, yes,
- even the sense of hallucination, when he was not quite sure but that a
- certain bubble, floating at one moment in dazzlingly iridescent beauty
- before his eyes, would dissolve the next into blank nothingness, and&mdash;&mdash;
- Well, what would it be then? Another beach at some Apia, until another
- Mephistopheles, in some other guise, came to play up against his rôle of
- Doctor Faustus again?
- </p>
- <p>
- He looked sharply behind him around the darkened room, whose darkness did
- not hide its luxury. His shoulder brushed the heavy silken portière at his
- side; his fingers touched a roll of banknotes in his pocket, a generous
- roll, whose individual units were of denominations more generous still.
- These were realities!
- </p>
- <p>
- Mephistopheles at play! He had left Larmon at Suva, Fiji. Thereafter,
- their ways and their lives lay apart&mdash;outwardly. Actually, even here
- in New York with the continent between them, for Larmon had resumed his
- life in which he played the rôle of a benevolent and retired man of wealth
- in San Francisco, they were in constant and extremely intimate touch with
- each other.
- </p>
- <p>
- A modern Mephistopheles! Two men only in the world knew Gilbert Larmon for
- what he was! One other besides himself! And that other was a man named
- Maldeck, Peter Maldeck. But only one man knew him, John Bruce, in his new
- rôle, and that was Gilbert Larmon. Maldeck was the manager of the entire
- ring of gambling houses, and likewise the clearing house through which the
- profits flowed into Larmon's coffers; but to Maldeck, he, John Bruce, was
- exactly what he appeared to be to the world at large, and to the local
- managers of the gambling houses in particular&mdash;a millionaire plunger
- to whom gambling was as the breath of life. The &ldquo;inspector of branches&rdquo;
- dealt with Gilbert Larmon alone, and dealt confidentially and secretively
- over Maldeck's head&mdash;even that invisible writing fluid supplied by
- the old Samoan Islander playing its part when found necessary, for it had
- been agreed between Larmon and himself that even the most innocent
- appearing document received from him, John Bruce, should be subjected to
- the salt water test; and he had, indeed, already used it in several of the
- especially confidential reports that he had sent Larmon on some of the
- branches.
- </p>
- <p>
- He shrugged his shoulders. The whole scheme of his changed existence had
- all been artfully simple&mdash;and superbly efficient. He was under no
- necessity to explain the source of his wealth except in his native city,
- San Francisco, where he was known&mdash;and San Francisco was outside his
- jurisdiction. With both Larmon and Maldeck making that their headquarters,
- other supervision of the local &ldquo;branch&rdquo; was superfluous; elsewhere, his
- wealth was inherited&mdash;that was all. So, skipping San Francisco, he
- had come leisurely eastward, gambling for a week or two weeks, as the case
- might be, in the various cities, following as guidance apparently but the
- whim of his supposedly roué inclinations, and he had lost a lot of money&mdash;which
- would eventually find its way back to its original source in the pockets
- of Gilbert Larmon, via the clearing house conducted by Peter Maldeck. It
- was extremely simple&mdash;but, equally, extremely systematic. The
- habitues of every branch were carefully catalogued. He had only&mdash;and
- casually&mdash;to make the acquaintance of one of these in each city, and,
- in turn, quite inevitably, would follow an introduction to the local
- &ldquo;house&rdquo;; and, once introduced, the entrée, then or on any subsequent visit
- to that city, was an established fact.
- </p>
- <p>
- John Bruce laughed suddenly, softly, out into the night. It had been a
- good bargain that he had made with Mephistopheles! Wealth, luxury,
- everything he desired in life was his. On the trail behind him in the
- cities he had already visited he had nightly lost or won huge sums of
- money until he had become known as the millionaire plunger. It was quite
- true that, in as much as the money, whether lost or won, but passed from
- his right- to his left-hand pocket&mdash;the pockets being represented by
- one Gilbert Larmon&mdash;the gambler craving within him was but ill
- served, almost in a sense mocked; but that phase of it had sunk into
- insignificance. The whole idea was a gigantic gamble&mdash;a gamble with
- life. The whole fabric was of texture most precarious. It exhilarated him.
- Excitement, adventure, yes, even peril, beckoned alluringly and always
- from around the corner just ahead. He stood against the police; he stood a
- very excellent chance of being discovered some morning minus his life if
- the men he was set to watch, and who now fawned upon him and treated him
- with awe and an unholy admiration, should get an inkling of his real
- identity and his real purpose in their houses!
- </p>
- <p>
- He yawned, and as though glorying in his own strength flexed his great
- shoulders, and stretched his arms to their full length above his head.
- God, it was life! It made of him a superman. He had no human ties to bind
- him; no restraint to know; no desire that could not be satiated. The past
- was wiped away. It was like some reincarnation in which he stood supreme
- above his fellow men, and they bowed to their god. And he was their god.
- And if he but nodded approval they would lie, and cheat, and steal, and
- commit murder in their greed of worship, they whose souls were in pawn to
- their god!
- </p>
- <p>
- He turned suddenly from the window, switched on the lights, drew from his
- pocket a great sum of money in banknotes, and stood staring at it. There
- were thousands in his hand. Thousands and thousands! Money! The one
- universally-orthodox god! For but one of these pieces of paper in his hand
- he could command what he would, play upon human passions at his whim, and
- like puppets on a stage of his own setting move the followers of the Great
- Creed, that were numbered in their millions, at his will! It was only over
- the few outcasts, the unbelievers, that he held no sway. But he could
- afford to ignore the minority! Was he not indeed a god?
- </p>
- <p>
- And it had cost him nothing. Only the pawning of his soul; and, like
- Faustus, the day of settlement was afar off. Only the signing of a bond
- that postulated a denial of what he had already beforehand held in light
- esteem&mdash;a code of canting morals. It was well such things were out of
- the way! Life stretched the fuller, the rosier, the more red-blooded
- before him on that account. He was well content. The future lured him. Nor
- was it money alone. There was the spice of adventure, the battle of wits,
- hardly inaugurated yet, between himself and those whose underground
- methods were the <i>raison d'être</i> of his own magically enhanced
- circumstances.
- </p>
- <p>
- John Bruce replaced the money in his pocket abruptly, and frowned. That
- was something, from still another standpoint, which he could not afford to
- lose sight of. He had to justify his job. Gilbert Larmon had stated that
- he was not a philanthropist, and it was written in the bond that Larmon
- could terminate the agreement at will. Yes, and that was queer, too! What
- kind of a man was Larmon? He knew Larmon, as Larmon superficially
- subjected himself to inspection and speculation; but he was fully aware
- that he did not know Larmon the man. There seemed something almost
- sinister in its inconsistency that Larmon should at one and the same time
- reserve the right to terminate that bond at will while his very signature
- upon it furnished a weapon which, if he, John Bruce, chose to use it,
- placed the other at his mercy. What kind of a man was Larmon? No fool, no
- weakling&mdash;that was certain. And yet at a word he, John Bruce, could
- tear the other from the pseudorighteous pedestal upon which he posed,
- strip the other naked of the garments that clothed his criminal
- activities, and destroy utterly the carefully reared structure of
- respectability that Larmon had built up around himself. It might be very
- true that he, John Bruce, would never use such a weapon, even under
- provocation; but Larmon could not be sure of that. How then did Larmon
- reconcile his reservation to terminate the contract at will and yet
- furnish his co-signatory with the means of black-mailing him into a
- continuance of it? What kind of a man was Larmon? What would he be like
- with his back to the wall? What <i>other</i> reservation had been in
- Larmon's mind when he had drawn that bond?
- </p>
- <p>
- And then a queer and bitter smile came to John Bruce's lips. The god of
- money! Was he so sure that he was the god and not the worshiper? Was that
- it? Was that what Larmon counted upon?&mdash;that only a fool would risk
- the sacrifice of the Aladdin's lamp that had been thrust into his hands,
- and that only a fool but would devote body and soul to Larmon's interests
- under the circumstances!
- </p>
- <p>
- The smile grew whimsical. It was complimentary in a sense. It was based on
- the premise that he, John Bruce, was not a fool. He shrugged his
- shoulders. Well, therein Larmon was right. It would not be his, John
- Bruce's, fault if anything short of death terminated the bond which had
- originated that tropic night on the moon-lit beach in Samoa three months
- ago!
- </p>
- <p>
- He looked at his watch. It was nine o'clock. It was still early for play;
- but it was not so early that his arrival in the New York &ldquo;branch,&rdquo; where
- he had been a constant visitor for the last four nights, could possibly
- arouse any suspicion, and one's opportunities for inside observation were
- very much better when the play was desultory and but few present than in
- the crowded rooms of the later hours.
- </p>
- <p>
- &ldquo;If I were in England now,&rdquo; said John Bruce, addressing the chandelier, as
- he put on a light coat over his evening clothes, &ldquo;I couldn't get away with
- this without a man to valet me&mdash;and at times, though he might be
- useful, he might be awkward. Damned awkward! But in America you do, or you
- don't, as you please&mdash;and I don't!&rdquo;
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0002" id="link2HCH0002"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER TWO&mdash;THE MILLIONAIRE PLUNGER
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">J</span>OHN BRUCE left the
- hotel and entered a taxi. A little later, in that once most fashionable
- section of New York, in the neighborhood of Gramercy Square, he was
- admitted to a stately mansion by a white-haired negro butler, who bowed
- obsequiously.
- </p>
- <p>
- Thereafter, for a little while, John Bruce wandered leisurely from room to
- room in the magnificently appointed house, where in the rich carpets the
- sound of footsteps was lost, where bronzes and paintings, exquisite in
- their art, charmed the eye, where soft-toned draperies and portières were
- eloquent of refinement and good taste; he paused for a moment at the
- threshold of the supper room, whose table was a profusion of every
- delicacy to tempt the palate, where wines of a vintage that was almost
- priceless were to be had at no greater cost than the effort required to
- lift a beckoning finger to the smiling ebony face of old Jake, the
- attendant. And here John Bruce extended a five-dollar bill, but shook his
- head as the said Jake hastened toward him. Later, perhaps, he might
- revisit the room&mdash;when a few hours' play had dimmed the recollection
- of his recent dinner, and his appetite was again sharpened.
- </p>
- <p>
- In the card rooms there were, as yet, scarcely any &ldquo;guests.&rdquo; He chatted
- pleasantly with the &ldquo;dealers&rdquo;&mdash;John Bruce, the millionaire plunger,
- was <i>persona grata</i>, almost effusively so, everywhere in the house.
- Lavergne, the manager, as Parisian as he was immaculate from the tips of
- his patent-leathers to the tips of his waxed mustache, joined him; and for
- ten minutes, until the other was called away, John Bruce proceeded to
- nourish the already extremely healthy germ of intimacy that, from the
- first meeting, he had planted between them.
- </p>
- <p>
- With the manager's million apologies for the unpardonable act of tearing
- himself away still sounding in his ears, John Bruce placidly resumed his
- wanderings. The New York &ldquo;branch,&rdquo; which being interpreted meant Monsieur
- Henri de Lavergne, the exquisite little manager, was heavily underscored
- on Gilbert Larmon's black-list!
- </p>
- <p>
- The faint, musical whir of the little ivory ball from the roulette table
- caught John Bruce's attention, and he strolled in that direction. Here a
- &ldquo;guest&rdquo; was already at play. The croupier smiled as John Bruce approached
- the table. John Bruce smiled pleasantly in return, and sat down. After a
- moment, he began to make small five-dollar bets on the &ldquo;red.&rdquo; His
- fellow-player was plunging heavily&mdash;and losing. Also, the man was
- slightly under the influence of liquor. The croupier's voice droned
- through half a dozen plays. John Bruce continued to make five-dollar bets.
- The little by-play interested him. He knew the signs.
- </p>
- <p>
- His fellow-player descended to the supper room for another drink, it being
- against the rules of the house to serve anything in the gambling rooms.
- The croupier laughed as he glanced at the retreating figure and then at
- another five-dollar bet that John Bruce pushed upon the &ldquo;red.&rdquo;
- </p>
- <p>
- &ldquo;He'll rob you of your reputation, Mr. Bruce, if you don't look out!&rdquo; the
- croupier smiled quizzically. &ldquo;Are you finding a thrill in playing the
- minimum for a change?&rdquo;
- </p>
- <p>
- &ldquo;Just feeling my way.&rdquo; John Bruce returned the smile. &ldquo;It's a bit early
- yet, isn't it?&rdquo;
- </p>
- <p>
- The other player returned. He continued to bet heavily. He made another
- excursion below stairs. Other &ldquo;guests&rdquo; drifted into the room, and the play
- became more general.
- </p>
- <p>
- John Bruce increased his stakes slightly, quite indifferent naturally as
- to whether he lost or won&mdash;since he could neither lose nor win. He
- was sitting beside the player he had originally joined at the table, and
- suddenly his interest in the other became still more enlivened. The man,
- after a series of disastrous plays, was palpably broke, for he snatched
- off a large diamond ring from his finger and held it out to the croupier.
- </p>
- <p>
- &ldquo;Give me&mdash;hic!&mdash;somethin' on that,&rdquo; he hiccoughed. &ldquo;Might as
- well make a clean-up, eh?&rdquo;
- </p>
- <p>
- The croupier took the ring, examined it critically for an instant, and
- handed it back.
- </p>
- <p>
- &ldquo;I'm sorry,&rdquo; he said; &ldquo;but you know the rules of the house. I couldn't
- advance anything on it if it were worth a million. But the stone's
- valuable, all right. You'd better take a trip to Persia.&rdquo;
- </p>
- <p>
- The man replaced the ring with some difficulty upon his finger, and stared
- owlishly at the croupier.
- </p>
- <p>
- &ldquo;T' hell with your&mdash;hic!&mdash;trip to Persia!&rdquo; he said thickly.
- &ldquo;Don't like Persia! Been&mdash;hic!&mdash;there before! Guess I'll go
- home!&rdquo;
- </p>
- <p>
- The man negotiated his way to the door; the game went on. John Bruce began
- to increase his stakes materially. A trip to Persia! What, exactly, did
- that mean? It both piqued his curiosity and stirred his suspicions. He
- smiled as he placed a heavy stake upon the table. It would probably be a
- much more expensive trip to this fanciful Persia than to the Persia of
- reality, for it seemed that one must go broke first! Well, he would go
- broke&mdash;though it would require some little finesse for John Bruce,
- the millionaire plunger, to attain that envious situation without exciting
- suspicion. He was very keenly interested in this personally conducted
- tour, obviously inaugurated by that exquisite little man, Monsieur Paul de
- Lavergne!
- </p>
- <p>
- John Bruce to his inward chagrin&mdash;won. He began to play now with a
- zest, eagerness and excitement which, heretofore, the juggling of
- Mephistopheles' money had deprived him of. Outwardly, however, the calm
- impassiveness that, in the few evenings he had been in the house, had
- already won him the reputation of being par excellence a cool and nervy
- plunger, remained unchanged.
- </p>
- <p>
- He continued to win for a while; and then suddenly he began to lose. This
- was much better! He lost steadily now. He staked with lavish hand, playing
- numerous long chances for the limit at every voyage of the clicking little
- ivory ball. Finally, the last of his visible assets were on the table, and
- he leaned forward to watch the fall of the ball. He was already fingering
- the magnificent jeweled watch-fob that dangled from the pocket of his
- evening clothes.
- </p>
- <p>
- &ldquo;Zero!&rdquo; announced the croupier.
- </p>
- <p>
- The &ldquo;zero&rdquo; had been one of his selections. The &ldquo;zero&rdquo; paid 35 for 1.
- </p>
- <p>
- A subdued ripple of excitement went up from around the table. The room was
- filling up. The still-early comers, mostly spectators for the time being,
- lured to the roulette table at the whisper that the millionaire plunger
- was out to-night to break the bank, were whetting their own appetites in
- the play of Mr. John Bruce, who had obviously just escaped being broke
- himself by a very narrow margin.
- </p>
- <p>
- John Bruce smiled. He was in funds again&mdash;more so than pleased him!
- </p>
- <p>
- &ldquo;It's a 'zero' night, Mr. Croupier,&rdquo; observed John Bruce pleasantly. &ldquo;Roll
- her again!&rdquo;
- </p>
- <p>
- But now luck was with John Bruce. The &ldquo;zero&rdquo; and his other combinations
- were as shy and elusive as fawns. At the expiration of another half hour
- the net result of John Bruce's play consisted in his having transferred
- from his own keeping into the keeping of the New York branch thirty
- thousand dollars of Mephistopheles' money. He was to all appearances
- flagrantly broke as far as funds in his immediate possession were
- concerned.
- </p>
- <p>
- &ldquo;I guess,&rdquo; said John Bruce, with a whimsical smile, &ldquo;that I didn't bring
- enough with me. I don't know where I can get any more to-night, and&mdash;oh,
- here!&rdquo; He laughed with easy grace, as he suddenly tossed his jeweled
- watch-fob to the croupier. &ldquo;One more fling anyhow&mdash;I've still
- unbounded faith in 'zero'! Let me have a thousand on that. It's worth
- about two.&rdquo;
- </p>
- <p>
- The croupier, as on the previous occasion, examined the article, but, as
- before, shook his head.
- </p>
- <p>
- &ldquo;I'm awfully sorry, Mr. Bruce, but it's strictly against the rules of the
- house,&rdquo; he said apologetically. &ldquo;I can fix it for you easily enough
- though, if you care to take a trip to Persia.&rdquo;
- </p>
- <p>
- &ldquo;A trip to Persia?&rdquo; inquired John Bruce in a puzzled way. &ldquo;I think I heard
- you suggest that before this evening. What's the idea?&rdquo;
- </p>
- <p>
- Some of those around the table were smiling.
- </p>
- <p>
- &ldquo;It's all right,&rdquo; volunteered a player opposite, with a laugh. &ldquo;Only look
- out for the conductor!&rdquo;
- </p>
- <p>
- &ldquo;Shoot!&rdquo; said John Bruce nonchalantly. &ldquo;That's good enough! You can book
- my passage, Mr. Croupier.&rdquo;
- </p>
- <p>
- The croupier called an attendant, spoke to him, and the man left the room.
- </p>
- <p>
- &ldquo;It will take a few minutes, Mr. Bruce&mdash;while you are getting your
- hat and coat. The doorman will let you know,&rdquo; said the croupier, and with
- a bow to John Bruce resumed the interrupted game.
- </p>
- <p>
- John Bruce strolled from the room, and descended to the lower floor. He
- entered the supper room, and while old Jake plied him with delicacies he
- saw the doorman emerge from the telephone booth out in the hall, hurry
- away, and presently return, talking earnestly with Monsieur Henri de
- Lavergne. The manager, in turn, entered the booth.
- </p>
- <p>
- Monsieur Henri de Lavergne came into the supper room after a moment.
- </p>
- <p>
- &ldquo;In just a few minutes, Mr. Bruce&mdash;there will be a slight delay,&rdquo; he
- said effusively. &ldquo;Too bad to keep you waiting.&rdquo;
- </p>
- <p>
- &ldquo;Not at all!&rdquo; responded John Bruce. He held a wine glass up to the light.
- &ldquo;This is very excellent, Monsieur de Lavergne.&rdquo;
- </p>
- <p>
- Monsieur Henri de Lavergne accepted the compliment with a gratified bow.
- </p>
- <p>
- &ldquo;Mr. Bruce is very kind to say so,&rdquo; he said&mdash;and launched into an
- elaborate apology that Mr. Bruce should be put to any inconvenience to
- obtain the financial accommodation asked for. The security that Mr. Bruce
- offered was unquestioned. It was not that. It was the rule of the house.
- Mr. Bruce would understand.
- </p>
- <p>
- Mr. Bruce understood perfectly.
- </p>
- <p>
- &ldquo;Quite so!&rdquo; he said cordially.
- </p>
- <p>
- Monsieur Henri de Lavergne excused himself, and left the room.
- </p>
- <p>
- &ldquo;A fishy, clever little crook,&rdquo; confided John Bruce to himself. &ldquo;I wonder
- what's the game?&rdquo;
- </p>
- <p>
- He continued to sip his wine in apparent indifference to the passing
- minutes, nor was his indifference altogether assumed. His mind was quite
- otherwise occupied. It was rather neat, that&mdash;a trip to Persia. The
- expression in itself held a lure which had probably not been overlooked as
- an asset. It suggested Bagdad, and the Arabian Nights, and a Caliph and a
- Grand Vizier who stalked about in disguise. On the other hand, the
- inebriated gentleman had evidently had his fill of it on one occasion, and
- would have no more of it. And the other gentleman who had, as it were,
- indorsed the proceeding, had, at the same time, taken the occasion to
- throw out a warning to beware of the conductor.
- </p>
- <p>
- John Bruce smiled pleasantly into his wine glass. Not very difficult to
- fathom, perhaps, after all! It was probably some shrewd old reprobate with
- usurious rates in cahoots with the sleek Monsieur Henri de Lavergne, who
- made a side-split on the said rates in return for the exclusive privilege
- accorded the other of acting as leech to the guests of the house when in
- extremity.
- </p>
- <p>
- It had been perhaps twenty minutes since he had left the roulette table.
- He looked at his watch now as he saw the doorman coming toward the supper
- room with his hat and coat. The night was still early. It was a quarter to
- eleven.
- </p>
- <p>
- He went out into the hall.
- </p>
- <p>
- &ldquo;Yassuh,&rdquo; said the gray-haired and obsequious old darky, as he assisted
- John Bruce into his coat, &ldquo;if yo'all will just come with me, Mistuh Bruce,
- yo'all will be 'commodated right prompt.&rdquo;
- </p>
- <p>
- John Bruce followed his guide to the doorstep.
- </p>
- <p>
- The darky pointed to a closed motor car at the curb by the corner, a few
- houses away.
- </p>
- <p>
- &ldquo;Yo'all just say 'Persia' to the shuffer, Mistuh Bruce, and&mdash;&mdash;&mdash;-&rdquo;
- </p>
- <p>
- &ldquo;All right!&rdquo; John Bruce smiled his interruption, and went down the steps
- to the sidewalk.
- </p>
- <p>
- John Bruce approached the waiting car leisurely, scrutinizing it the
- while; and as he approached, it seemed to take on more and more the aspect
- of a venerable and decrepit ark. The body of the car was entirely without
- light; the glass front, if there were one, behind the man whom he
- discerned sitting in the chauffeur's seat, was evidently closely
- curtained; and so, too, he now discovered as he drew nearer, were the
- windows and doors of the car as well.
- </p>
- <p>
- &ldquo;The parlor looks a little ominous,&rdquo; said John
- </p>
- <p>
- Bruce softly to himself. &ldquo;I wonder how far it is to the spider's dining
- room?&rdquo;
- </p>
- <p>
- He halted as he reached the vehicle.
- </p>
- <p>
- &ldquo;I'm bound for Persia, I believe,&rdquo; he suggested pleasantly to the
- chauffeur.
- </p>
- <p>
- The chauffeur leaned out, and John Bruce was conscious that he was
- undergoing a critical inspection. In turn he looked at the chauffeur, but
- there was very little light. The car seemed to have chosen a spot as
- little disturbed by the rays of the street lamps as possible, and he
- gained but a vague impression of a red, weather-beaten face, clean shaved,
- with shaggy brows under grizzled hair, the whole topped by an equally
- weather-beaten felt hat of nondescript shape and color.
- </p>
- <p>
- The inspection, on the chauffeur's part at least, appeared to be
- satisfactory.
- </p>
- <p>
- &ldquo;Yes, sir,&rdquo; said the man. &ldquo;Step in, sir, please.&rdquo;
- </p>
- <p>
- The door swung open&mdash;just how, John Bruce could not have explained.
- He stepped briskly into the car&mdash;only to draw back instinctively as
- he found it already occupied. But the door had closed behind him. It was
- inky black in the interior now with the door shut. The car was jolting
- into motion.
- </p>
- <p>
- &ldquo;Pardon me!&rdquo; said John Bruce a little grimly, and sat down on the back
- seat.
- </p>
- <p>
- A woman! He had just been able to make out a woman's form as he had
- stepped in. It was clever&mdash;damned clever! Of both the exquisite
- Monsieur Henri de Lavergne and the money-lending spider at the other end
- of this pleasant little jaunt into unexplored Persia! A woman in it&mdash;a
- luring, painted, fair and winsome damsel, no doubt&mdash;to make the
- usurious pill of illegal interest a little sweeter! Oh, yes, he quite
- understood now that warning to beware of the conductor!
- </p>
- <p>
- &ldquo;I did not anticipate such charming company,&rdquo; said John Bruce facetiously.
- &ldquo;Have we far to go?&rdquo;
- </p>
- <p>
- There was no answer.
- </p>
- <p>
- Something like a shadow, deeper than the surrounding blackness, seemed to
- pass before John Bruce's eyes, and then he sat bolt upright, startled and
- amazed. In front of him, let down from the roof of the car, was a small
- table covered with black velvet, and suspended some twelve inches above
- the table, throwing the glow downward in a round spot of light over the
- velvet surface, was a shaded electric lamp. A small white hand, bare of
- any ornament, palm upward, lay upon the velvet table-top under the play of
- the light.
- </p>
- <p>
- A voice spoke now softly from beside him:
- </p>
- <p>
- &ldquo;You have something to pawn?&rdquo;
- </p>
- <p>
- John Bruce stared. He still could not see her face. &ldquo;Er&mdash;yes,&rdquo; he
- said. He frowned in perplexity. &ldquo;When we get to Persia, alias the
- pawn-shop.&rdquo;
- </p>
- <p>
- &ldquo;This is the pawn-shop,&rdquo; she answered. &ldquo;Let me see what you have, please.&rdquo;
- </p>
- <p>
- &ldquo;Well, I'm da&mdash;&mdash;&rdquo; John Bruce checked himself.
- </p>
- <p>
- There was a delicacy about that white hand resting there under the light
- that rebuked him. &ldquo;Er&mdash;pardon me,&rdquo; said John Bruce.
- </p>
- <p>
- He felt for his jeweled watch-fob, unfastened it, and laid it in the
- extended palm. He laughed a little to himself. On with the game! The lure
- was here, all right; the stage setting was masterly&mdash;and now the
- piper would be paid on a basis, probably, that would relegate Shylock
- himself to the kindergarten class of money lenders!
- </p>
- <p>
- And then, suddenly, it seemed to John Bruce as though his blood whipping
- through his veins was afire. A face in profile, bending forward to examine
- the diamonds and the setting of the fob-pendant, came under the light. He
- gazed at it fascinated. It was the most beautiful face he had ever seen.
- His eyes drank in the rich masses of brown, silken hair, the perfect
- throat, the chin and lips that, while modelled in sweet womanliness, were
- still eloquent of self-reliance and strength. He had thought to see a
- pretty face, a little brazen perhaps, and artfully powdered and rouged;
- what he saw was a vision of loveliness that seemed to personify the
- unsullied, God-given freshness and purity of youth.
- </p>
- <p>
- He spoke involuntarily; no power of his could have kept back the words.
- </p>
- <p>
- &ldquo;My God, you are wonderful!&rdquo; he exclaimed in a low voice.
- </p>
- <p>
- He saw the color swiftly tinge the throat a coral pink, and mount upwards;
- but she did not look at him. Her eyes! He wanted to see her eyes&mdash;to
- look into them! But she did not turn her head.
- </p>
- <p>
- &ldquo;You probably paid two thousand dollars for this,&rdquo; she said quietly, &ldquo;and&mdash;&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Nineteen hundred,&rdquo; corrected John Bruce mechanically.
- </p>
- <p>
- &ldquo;I will allow you seventeen hundred on it, then,&rdquo; she said, still quietly.
- &ldquo;The interest will be at seven per cent. Do you wish to accept the offer?&rdquo;
- </p>
- <p>
- Seventeen hundred! Seven per cent! It was in consonance with the vision!
- His mind was topsy-turvy.
- </p>
- <p>
- He did not understand.
- </p>
- <p>
- &ldquo;It is very liberal,&rdquo; said John Bruce, trying to control his voice. &ldquo;Of
- course, I accept.&rdquo;
- </p>
- <p>
- The shapely head nodded.
- </p>
- <p>
- He watched her spellbound. The watch-fob had vanished, and in its place
- now under the little conical shaft of light she was swiftly counting out a
- pile of crisp, new, fifty-dollar banknotes. To these she added a stamped
- and numbered ticket.
- </p>
- <p>
- &ldquo;You may redeem the pledge at any time by making application to the same
- person to whom you originally applied for a loan to-night,&rdquo; she said, as
- she handed him the money. &ldquo;Please count it.&rdquo;
- </p>
- <p>
- Her head was in shadow now. He could no longer even see her profile. She
- was sitting back in her corner of the car.
- </p>
- <p>
- &ldquo;I&mdash;I am quite satisfied,&rdquo; said John Bruce a little helplessly.
- </p>
- <p>
- &ldquo;Please count it,&rdquo; she insisted.
- </p>
- <p>
- With a shrug of protest, John Bruce obeyed her. It was not at all the
- money that concerned him, nor the touch of it that was quickening his
- pulse.
- </p>
- <p>
- &ldquo;It is quite correct,&rdquo; he said, putting money and ticket in his pocket. He
- turned toward her. &ldquo;And now&mdash;&mdash;&rdquo;
- </p>
- <p>
- His words ended in a little gasp. The light was out. In the darkness that
- shadow passed again before his eyes, and he was conscious that the table
- had vanished&mdash;also that the car had stopped.
- </p>
- <p>
- The door opened.
- </p>
- <p>
- &ldquo;If you please, sir!&rdquo; It was the chauffeur, holding the door open.
- </p>
- <p>
- John Bruce hesitated.
- </p>
- <p>
- &ldquo;I&mdash;er&mdash;look here!&rdquo; he said. &ldquo;I&mdash;&mdash;&rdquo;
- </p>
- <p>
- &ldquo;If you please, sir!&rdquo; There was something of significant finality in the
- man's patient and respectful tones.
- </p>
- <p>
- John Bruce smiled wryly.
- </p>
- <p>
- &ldquo;Well, at least, I may say good-night,&rdquo; he said, as he backed out of the
- car.
- </p>
- <p>
- &ldquo;Certainly, sir&mdash;good-night, sir,&rdquo; said the chauffeur calmly&mdash;and
- closed the door, and touched his hat, and climbed back to his seat.
- </p>
- <p>
- John Bruce glared at the man.
- </p>
- <p>
- &ldquo;Well, I'm damned!&rdquo; said John Bruce fervently.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0003" id="link2HCH0003"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER THREE&mdash;SANCTUARY
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">T</span>HE car started
- off. It turned the corner. John Bruce looked around him. He was standing
- on precisely the same spot from which he had entered the car. He had been
- driven around the block, that was all!
- </p>
- <p>
- He caught his breath. Was it real? That wondrous face which, almost as
- though at the touch of some magician's wand, had risen before him out of
- the blackness! His blood afire was leaping through his veins again. That
- face!
- </p>
- <p>
- He ran to the corner and peered down the street. The car was perhaps a
- hundred yards away&mdash;and suddenly John Bruce started to run again,
- following the car. Madness! His lips had set grim and hard. Who was she
- that prowled the night in that bizarre traveling pawn-shop? Where did she
- live? Was it actually the Arabian Nights back again? He laughed at himself&mdash;not
- mirthfully. But still he ran on.
- </p>
- <p>
- The car was outdistancing him. Fool! For a woman's face! Even though it
- were a divine symphony of beauty! Fool? Love-smitten idiot? Not at all! It
- was his job! Nice sound to that word in conjunction with that haunting
- memory of loveliness&mdash;job!
- </p>
- <p>
- The traveling pawn-shop turned into Fourth Avenue, and headed downtown.
- John Bruce caught the sound of a street car gong, spurted and swung
- breathlessly to the platform of a car going in the same direction.
- </p>
- <p>
- Of course, it was his job! The exquisite Monsieur Henri de Lavergne was
- mixed up in this.
- </p>
- <p>
- &ldquo;Hell!&rdquo;
- </p>
- <p>
- The street car conductor stared at him. John Bruce scowled. He swore again&mdash;but
- this time under his breath. It brought a sudden wild, unreasonable rage
- and rebellion, the thought that there should be anything, even of the
- remotest nature, between the glorious vision in that car and the mincing,
- silken-tongued manager of Larmon's gambling hell. But there was, for all
- that, wasn't there? How else had she come there? It was the usual thing,
- wasn't it? And&mdash;beware of the conductor! The warning now appeared to
- be very apt! And how well he had profited by it! A fool chasing a siren's
- beauty!
- </p>
- <p>
- His face grew very white.
- </p>
- <p>
- &ldquo;John Bruce,&rdquo; he whispered to himself, &ldquo;if I could get at you I'd pound
- your face to pulp for that!&rdquo;
- </p>
- <p>
- He leaned out from the platform. The traveling pawn-shop had increased its
- speed and was steadily leaving the street car behind. He looked back in
- the opposite direction. The street was almost entirely deserted as far as
- traffic went. The only vehicle in sight was a taxi bowling along a block
- in the rear. He laughed out again harshly. The conductor eyed him
- suspiciously.
- </p>
- <p>
- John Bruce dropped off the car, and planted himself in the path of the
- on-coming taxi. Call it his job, then, if it pleased him! He owed it to
- Larmon to get to the bottom of this. How extremely logical he was! The
- transaction in the traveling pawn-shop had been so fair-minded as almost
- to exonerate Monsieur Henri de Lavergne on the face of it, and if it had
- not been for a certain vision therein, and a fire in his own veins, and a
- fury at the thought that even her acquaintance with the gambling manager
- was profanity, he could have heartily applauded Monsieur Henri de Lavergne
- for a unique and original&mdash;&mdash;
- </p>
- <p>
- The taxi bellowed at him, hoarsely indignant.
- </p>
- <p>
- John Bruce stepped neatly to one side&mdash;and jumped on the footboard.
- </p>
- <p>
- &ldquo;Here, you! What the hell!&rdquo; shouted the chauffeur. &ldquo;You&mdash;&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Push your foot on it a little,&rdquo; said John Bruce calmly. &ldquo;And don't lose
- sight of that closed car ahead.&rdquo;
- </p>
- <p>
- &ldquo;Lose sight of nothin'!&rdquo; yelled the chauffeur. &ldquo;I've got a fare, an'&mdash;&mdash;&rdquo;
- </p>
- <p>
- &ldquo;I hear him,&rdquo; said John Bruce composedly. He edged in beside the
- chauffeur, and one of the crisp, new, fifty-dollar banknotes passed into
- the latter's possession. &ldquo;Keep that car in sight, and don't make it
- hopelessly obvious that you are following it. I'll attend to your fare.&rdquo;
- </p>
- <p>
- He screwed around in his seat. An elderly, gray-whiskered gentleman, a
- patently irate gentleman, was pounding furiously on the glass panel.
- </p>
- <p>
- &ldquo;We should be turnin' down this street we're just passin',&rdquo; grinned the
- chauffeur.
- </p>
- <p>
- John Bruce lowered the panel.
- </p>
- <p>
- &ldquo;What's the meaning of this?&rdquo; thundered the fare.
- </p>
- <p>
- &ldquo;I'm very sorry, sir,&rdquo; said John Bruce respectfully.
- </p>
- <p>
- &ldquo;A little detective business.&rdquo; He coughed. It was really quite true. His
- voice became confidential. &ldquo;The occupants of that car ahead got away from
- me. I&mdash;I want to arrest one of them. I'm very sorry to put you to any
- inconvenience, but it couldn't be helped. There was no other way than to
- commandeer your taxi. It will be only for a matter of a few minutes.&rdquo;
- </p>
- <p>
- &ldquo;It's preposterous!&rdquo; spluttered the fare. &ldquo;Outrageous! I&mdash;I'll&mdash;&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Yes, sir,&rdquo; said John Bruce. &ldquo;But there was nothing else I could do. You
- can report it to headquarters, of course.&rdquo;
- </p>
- <p>
- He closed the panel.
- </p>
- <p>
- &ldquo;Fly-cop&mdash;not!&rdquo; said the chauffeur, with his tongue in his cheek.
- &ldquo;Any fly-cop that ever got his mitt on a whole fifty-dollar bill all at
- one time couldn't be pried lose from it with a crowbar!&rdquo;
- </p>
- <p>
- &ldquo;It lets you out, doesn't it?&rdquo; inquired John Bruce pleasantly. &ldquo;Now let's
- see you earn it.&rdquo;
- </p>
- <p>
- &ldquo;I'll earn it!&rdquo; said the chauffeur with unction. &ldquo;You leave it to me,
- boss!&rdquo;
- </p>
- <p>
- The quarry, in the shape of the traveling pawn shop, directed its way into
- the heart of the East Side. Presently it turned into a hiving, narrow
- street, where hawkers with their push-carts in the light of flaring,
- spitting gasoline banjoes were doing a thriving business. The two cars
- went more slowly now. There was very little room. The taxi almost upset a
- fish vendor's wheeled emporium. The vendor was eloquent&mdash;fervently
- so. But the chauffeur's eyes, after an impersonal and indifferent glance
- at the other, returned to the car ahead. The taxi continued on its way,
- trailing fifty yards in the rear of the traveling pawn-shop.
- </p>
- <p>
- At the end of the block the car ahead turned the corner. As the taxi, in
- turn, rounded the corner, John Bruce saw that the traveling pawn-shop was
- drawn up before a small building that was nested in between two tenements.
- The blood quickened in his pulse. The girl had alighted, and was entering
- the small building.
- </p>
- <p>
- &ldquo;Hit it up a little to the next corner, turn it, and let me off there,&rdquo;
- directed John Bruce.
- </p>
- <p>
- &ldquo;I get you!&rdquo; said the chauffeur.
- </p>
- <p>
- The taxi swept past the car at the curb. Another minute and it had swung
- the next corner, and was slowing down. John Bruce jumped to the ground
- before the taxi stopped.
- </p>
- <p>
- &ldquo;Good-night!&rdquo; he called to the chauffeur.
- </p>
- <p>
- He waved his hand debonairly at the scowling, whiskered visage that was
- watching him from the interior of the cab, and hurriedly retraced his way
- back around the corner.
- </p>
- <p>
- The traveling pawn-shop had turned and was driving away. John Bruce
- moderated his pace, and sauntered on along the street. He smiled half
- grimly, half contentedly to himself. The &ldquo;trip to Persia&rdquo; had led him a
- little farther afield than Monsieur Henri de Lavergne had perhaps counted
- on&mdash;or than he, John Bruce, himself had, either! But he knew now
- where the most glorious woman he had ever seen in his life lived, or, at
- least, was to be found again. No, it wasn't the <i>moon!</i> To him, she
- was exactly that. And he had not seen her for the last time, either! That
- was what he was here for, though he wasn't so mad as to risk, or, rather,
- invite an affront to begin with by so bald an act as to go to the front
- door, say, and ring the bell&mdash;which would be tantamount to informing
- her that he had&mdash;er&mdash;played the detective from the moment he had
- left her in the car. To-morrow, perhaps, or the next day, or whenever fate
- saw fit to be in a kindly mood, a meeting that possessed all the
- hall-marks of being quite inadvertent offered him high hopes. Later, if
- fate still were kind, he would tell her that he had followed her, and what
- she would be thoroughly justified in misconstruing now, she might then
- accept as the tribute to her that he meant it to be&mdash;when she knew
- him better.
- </p>
- <p>
- John Bruce was whistling softly to himself.
- </p>
- <p>
- He was passing the house now, his scrutiny none the less exhaustive
- because it was apparently casual. It was a curious little two-story place
- tucked away between the two flanking tenements, the further one of which
- alone separated the house from the corner he was approaching. Not a light
- showed from the front of the house. Yes, it was quite a curious place!
- Although curtains were on the lower front windows, indicating that it was
- purely a dwelling, the windows themselves were of abnormal size, as
- though, originally perhaps, the ground floor had once been a shop of some
- kind.
- </p>
- <p>
- John Bruce turned the corner, and from a comparatively deserted street
- found himself among the vendors' push-carts and the spluttering gasoline
- torches again. He skirted the side of the tenement that made the corner,
- discovered the fact that a lane cut in from the street and ran past the
- rear of the tenement, which he mentally noted must likewise run past the
- rear of the little house that was now so vitally interesting to him&mdash;and
- halted on the opposite side of the lane to survey his surroundings. Here a
- dirty and uninviting café attracted his attention, which, if its dingy
- sign were to be believed, was run by one Palasco Ratti, a gentleman of
- parts in the choice of wines which he offered to his patrons. John Bruce
- surveyed Palasco Ratti's potential clientele&mdash;the street was full of
- it; the shawled women, the dark-visaged, ear-ringed men. He smiled a
- little to himself. No&mdash;probably not the half-naked children who
- sprawled in the gutter and crawled amongst the push-carts' wheels! How was
- it that <i>she</i> should ever have come to live in a neighborhood to
- which the designation &ldquo;foreign,&rdquo; as far as she was concerned, must
- certainly apply in particularly full measure? It was strange that she&mdash;&mdash;
- </p>
- <p>
- John Bruce's mental soliloquy came to an abrupt end. Half humorously, half
- grimly his eyes were riveted on the push-cart at the curb directly
- opposite to him, the proprietor of which dealt in that brand of confection
- so much in favor on the East Side&mdash;a great slab of candy from which,
- as occasion required, he cut slices with a large carving knife. A brown
- and grimy fist belonging to a tot of a girl of perhaps eight or nine years
- of age, who had crept in under the pushcart, was stealthily feeling its
- way upward behind the vendor's back, its objective being, obviously, a
- generous piece of candy that reposed on the edge of the push-cart. There
- was a certain fascination in watching developments. It was quite immoral,
- of course, but his sympathies were with the child. It was a gamble whether
- the grimy little hand would close on the coveted prize and disappear again
- victorious, or whether the vendor would turn in time to frustrate the
- raid.
- </p>
- <p>
- The tot's hand crept nearer and nearer its goal.
- </p>
- <p>
- No one, save himself of the many about, appeared to notice the little
- cameo of primal instinct that was on exhibition before them. The small and
- dirty fingers touched the candy, closed on it, and were withdrawn&mdash;but
- were withdrawn too quickly. The child, at the psychological moment under
- stress of excitement, eagerness and probably a wildly thumping heart, had
- failed in finesse. Perhaps the paper that covered the surface of the
- push-cart and on which the wares were displayed rattled; perhaps the
- sudden movement in itself attracted the vendor's attention. The man
- whirled and made a vicious dive for the child as she darted out from
- between the wheels. And then she screamed. The man had hit her a brutal
- clout across the head.
- </p>
- <p>
- John Bruce straightened suddenly, a dull red creeping from his set jaw to
- his cheeks. Still clutching the candy in her hand the child was running
- blindly and in terror straight toward him. The man struck again, and the
- child staggered, and, reeling, sought sanctuary between John Bruce's legs.
- A bearded, snarling face in pursuit loomed up before him&mdash;and John
- Bruce struck, struck as he had once struck before on a white moon-flooded
- deck when a man, a brute beast, had gone down before him&mdash;and the
- vendor, screaming shrilly, lay kicking in pain on the sidewalk.
- </p>
- <p>
- It had happened quickly. Not one, probably, of those on the street had
- caught the details of the little scene. And now the tiny thief had
- wriggled through his legs, and with the magnificent irresponsibility of
- childhood had darted away and was lost to sight. It had happened quickly&mdash;but
- not so quickly as the gathering together of an angry, surging crowd around
- John Bruce.
- </p>
- <p>
- Some one in the crowd shrieked out above the clamor of voices:
- </p>
- <p>
- &ldquo;He kill-a Pietro! Kill-a da dude!&rdquo;
- </p>
- <p>
- It was a fire-brand.
- </p>
- <p>
- John Bruce backed away a little&mdash;up against the door of Signor
- Pascalo Ratti's wine shop. A glance showed him that, with the blow he had
- struck, his light overcoat had become loosened, and that he was flaunting
- an immaculate and gleaming shirt-front in the faces of the crowd. And
- between their Pietro with a broken jaw and an intruder far too well
- dressed to please their fancy, the psychology of the crowd became the
- psychology of a mob.
- </p>
- <p>
- The fire-brand took.
- </p>
- <p>
- &ldquo;Kill-a da dude!&rdquo; It was echoed in chorus&mdash;and then a rush.
- </p>
- <p>
- It flung John Bruce heavily against the wine shop door, and the door
- crashed inward&mdash;and for a moment he was down, and the crowd, like a
- snarling wolf pack, was upon him. And then the massive shoulders heaved,
- and he shook them off and was on his feet; and all that was primal,
- elemental in the man was dominant, the mad glorying in strife upon him,
- and he struck right and left with blows before which, again and again, a
- man went down.
- </p>
- <p>
- But the rush still bore him backward, and the doorway was black and jammed
- with reenforcements constantly pouring in. Tables crashed to the floor,
- chairs were overturned. Out of the corner of his eye he saw a
- white-mustached Italian leap upon the counter and alternately wave his
- arms and wring his hands together frantically.
- </p>
- <p>
- &ldquo;For the mercy of God!&rdquo; the man screamed&mdash;and then his voice added to
- the din in a flood of impassioned Italian.
- </p>
- <p>
- It was Signor Pascalo Ratti, probably.
- </p>
- <p>
- John Bruce was panting now, his breath coming in short, hard gasps. It was
- not easy to keep them in front of him, to keep his back free. He caught
- the glint of knife blades now.
- </p>
- <p>
- He was borne back foot by foot, the space widening as he retreated from
- the door, giving room for more to come upon him at the same time. A knife
- blade lunged at him. He evaded it&mdash;but another glittering in the
- ceiling light at the same instant, flashing a murderous arc in its
- downward plunge, caught him, and, before he could turn, sank home.
- </p>
- <p>
- A yell of triumph went up. He felt no pain. Only a sudden sickening of his
- brain, a sudden weakness that robbed his limbs of strength, and he reeled
- and staggered, fighting blindly now.
- </p>
- <p>
- And then his brain cleared. He flung a quick glance over his shoulder.
- Yes, there was one chance. Only one! And in another minute, with another
- knife thrust, it would be too late. He whirled suddenly and raced down the
- length of the café. In the moment's grace earned through surprise at his
- sudden action, he gained a door he had seen there, and threw himself upon
- it. It was not fastened, though there was a key in the lock. He whipped
- out the key, plunged through, locked the door on the outside with the
- fraction of a second to spare before they came battering upon it&mdash;and
- stumbled and fell headlong out into the open.
- </p>
- <p>
- It was as though he were lashing his brain into action and virility. It
- kept wobbling and fogging. Didn't the damned thing understand that his
- life, was at stake! He lurched to his feet. He was in a lane.
- </p>
- <p>
- In front of him, like great looming shadows, shadows that wobbled too, he
- saw the shapes of two tenements, and like an inset between them, a small
- house with a light gleaming in the lower window.
- </p>
- <p>
- That was where the vision lived. Only there was a fence between.
- Sanctuary! He lunged toward the fence. He had not meant to&mdash;to make a
- call to-night&mdash;she&mdash;she might have misunderstood. But in a
- second now <i>they</i> would come sweeping around into the lane after him
- from the street.
- </p>
- <p>
- He clawed his way to the top of the fence, and because his strength was
- almost gone fell from the top of the fence to the ground on the other
- side.
- </p>
- <p>
- And now he crawled, crawled with what frantic haste he could, because he
- heard the uproar from the street. And he laughed. The kid was probably
- munching her hunk of candy now. Queer things&mdash;kids! Got her candy&mdash;happy&mdash;&mdash;
- </p>
- <p>
- He reached up to the sill of an open window, clawed his way upward, as he
- had clawed his way up the fence, straddled the sill unsteadily, clutched
- at nothingness to save himself, and toppled inward to the floor of the
- room.
- </p>
- <p>
- A yell from the head of the lane, a cry from the other end of the room,
- spurred him into final effort. He gained his feet, and swept his hand, wet
- with blood, across his eyes. That was the vision there running toward him,
- wasn't it?&mdash;the wonderful, glorious vision!
- </p>
- <p>
- &ldquo;Pardon me!&rdquo; said John Bruce in a sing-song voice, and with a desperate
- effort reached up and pulled down the window shade. He tried to smile
- &ldquo;Queer&mdash;queer things&mdash;kids&mdash;aren't they? She&mdash;she just
- ducked out from under.&rdquo;
- </p>
- <p>
- The girl was staring at him wildly, her hands tightly clasped to her
- bosom.
- </p>
- <p>
- &ldquo;Pardon me!&rdquo; whispered John Bruce thickly. He couldn't see her any more,
- just a multitude of objects whirling like a kaleidoscope before his eyes.
- &ldquo;She&mdash;she got the candy,&rdquo; said John Bruce, attempting to smile again&mdash;and
- pitched unconscious to the floor.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0004" id="link2HCH0004"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER FOUR&mdash;A DOCTOR OF MANY DEGREES
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">D</span>EAD! The girl was
- on her knees beside John Bruce. Dead&mdash;he did not move! It was the man
- who had pawned his watch-fob hardly half an hour before! What did it mean?
- What did those angry shouts, that scurrying of many feet out there in the
- lane mean? Hurriedly, her face as deadly white as the face upturned to her
- from the floor, she tore open the once immaculate shirt-front, that was
- now limp and wet and ugly with a great crimson stain, and laid bare the
- wound.
- </p>
- <p>
- The sounds from without were receding, the scurrying footsteps were
- keeping on along the lane. A quiver ran through the form on the floor.
- Dead! No, he was not dead&mdash;not&mdash;not yet.
- </p>
- <p>
- A little cry escaped from her tightly closed lips, and for an instant she
- covered her eyes with her hands. The wound was terrible&mdash;it
- frightened her. It frightened her the more because, intuitively, she knew
- that it was beyond any inexperienced aid that she could give. But she must
- act, and act quickly.
- </p>
- <p>
- She turned and ran into the adjoining room to the telephone, but even as
- she reached out to lift the receiver from the hook she hesitated. Doctor
- Crang! A little shudder of aversion swept over her&mdash;and then
- resolutely, even pleading with central to hurry, she asked for the
- connection. It was not a matter of choice, or aversion, or any other
- consideration in the world save a question of minutes. The life of that
- man in there on the floor hung by a thread. Doctor Crang was nearby enough
- to respond almost instantly, and there was no one else she knew of who she
- could hope would reach the man in time. And&mdash;she stared frantically
- at the instrument now&mdash;was even he unavailable? Why didn't he answer?
- Why didn't&mdash;&mdash;
- </p>
- <p>
- A voice reached her. She recognized it.
- </p>
- <p>
- &ldquo;Doctor Crang, this is Claire Veniza,&rdquo; she said, and it did not seem as
- though she could speak fast enough. &ldquo;Come at once&mdash;oh, at once&mdash;please!
- There's a man here frightfully wounded. There isn't a second to lose, so&mdash;&mdash;&rdquo;
- </p>
- <p>
- &ldquo;My dear Claire,&rdquo; interrupted the voice suavely, &ldquo;instead of losing one
- you can save several by telling me what kind of a wound it is, and where
- the man is wounded.&rdquo;
- </p>
- <p>
- &ldquo;It's a knife wound, a stab, I think,&rdquo; she answered; &ldquo;and it's in his
- side. He is unconscious, and&mdash;&mdash;&rdquo;
- </p>
- <p>
- The receiver at the other end had been replaced on its hook.
- </p>
- <p>
- She turned from the telephone, and swiftly, hurrying, but in cool
- self-control now, she obtained some cloths and a basin of warm water, and
- returned to John Bruce's side. She could not do much, she realized that&mdash;only
- make what effort she could to staunch the appalling flow of blood from the
- wound; that, and place a cushion under the man's head, for she could not
- lift him to the couch.
- </p>
- <p>
- The minutes passed; and then, thinking she heard a footstep at the front
- door, she glanced in that direction, half in relief, and yet, too, in
- curious apprehension. She listened. No, there was no one there yet. She
- had been mistaken.
- </p>
- <p>
- Suddenly she caught her breath in a little gasp, as though startled.
- Doctor Crang was clever; but faith in Doctor Crang professionally was one
- thing, and faith in him in other respects was quite another. Why hadn't
- she thought of it before? It wasn't too late yet, was it?
- </p>
- <p>
- She began to search hastily through John Bruce's pockets. Doctor Crang
- would almost certainly suggest removing the man from the sitting room down
- here and getting him upstairs to a bedroom, and then he would undress his
- patient, and&mdash;and it was perhaps as well to anticipate Doctor Crang!
- This man here should have quite a sum of money on his person. She had
- given it to him herself, and&mdash;yes, here it was!
- </p>
- <p>
- The crisp new fifty-dollar bills, the stamped and numbered ticket that
- identified the watch-fob he had pawned, were in her hand. She ran across
- the room, opened a little safe in the corner, placed the money and ticket
- inside, locked the safe again, and returned to John Bruce's side once
- more.
- </p>
- <p>
- And suddenly her eyes filled. There was no tremor, no movement in the
- man's form now; she could not even feel his heartbeat. Yes, she wanted
- Doctor Crang now, passionately, wildly. John Bruce&mdash;that was the
- man's name. She knew that much. But she had left him miles away&mdash;and
- he was here now&mdash;and she did not understand. How had he got here, why
- had he come here, climbing in through that window to fall at her feet like
- one dead?
- </p>
- <p>
- The front door opened without premonitory ring of bell, and closed again.
- A footstep came quickly forward through the outer room&mdash;and paused on
- the threshold.
- </p>
- <p>
- Claire Veniza rose to her feet, and her eyes went swiftly, sharply, to the
- figure standing there&mdash;a man of perhaps thirty years of age, of
- powerful build, and yet whose frame seemed now woefully loose, disjointed
- and without virility. Her eyes traveled to the man's clothing that was
- dirty, spotted, and in dire need of sponging, to the necktie that hung
- awry, to the face that, but for its unhealthy, pasty-yellow complexion,
- would have been almost strikingly handsome, to the jet-black eyes that
- somehow at the moment seemed to lack fire and life. And with a little
- despairing shrug of her shoulders, Claire Veniza turned away her head, and
- pointed to the form of John Bruce on the floor.
- </p>
- <p>
- &ldquo;I&mdash;I am afraid it is very serious, Doctor Crang,&rdquo; she faltered.
- </p>
- <p>
- &ldquo;That's all right, Claire,&rdquo; he said complacently. &ldquo;That's all right, my
- dear. You can leave it with confidence to Sydney Angus Crang, M.D.&rdquo;
- </p>
- <p>
- She drew a little away as he stepped forward, her face hardening into
- tight little lines. Hidden, her hands clasped anxiously together. It&mdash;it
- was what she had feared. Doctor Sydney Angus Crang, gold medalist from one
- of the greatest American universities, brilliant far beyond his fellows,
- with additional degrees from London, from Vienna, from Heaven alone knew
- where else, was just about entering upon, or emerging from, a groveling
- debauch with that Thing to which he had pawned his manhood, his intellect
- and his soul, that Thing of gray places, of horror, of forgetfulness, of
- bliss, of torture&mdash;cocaine.
- </p>
- <p>
- Halfway from the threshold to where John Bruce lay, Doctor Crang halted
- abruptly.
- </p>
- <p>
- &ldquo;Hello!&rdquo; he exclaimed, and glanced with suddenly darkening face from
- Claire Veniza to the form of John Bruce, and back to Claire Veniza again.
- </p>
- <p>
- &ldquo;Oh, <i>will</i> you hurry!&rdquo; she implored. &ldquo;Can't you see that the wound&mdash;&mdash;&rdquo;
- </p>
- <p>
- &ldquo;I am more interested in the man than in the wound,&rdquo; said Doctor Crang,
- and there was a hint of menace in his voice. &ldquo;Quite a gentleman of parts!
- I had expected&mdash;let me see what I had expected&mdash;well, say, one
- of the common knife-sticking breed that curses this neighborhood.&rdquo;
- </p>
- <p>
- Claire Veniza stamped her foot.
- </p>
- <p>
- &ldquo;Oh, hurry!&rdquo; she burst out wildly. &ldquo;Don't stand there talking while the
- man is dying! Do something!&rdquo;
- </p>
- <p>
- Doctor Crang advanced to John Bruce's side, set down the little handbag he
- was carrying, and began to examine the wound.
- </p>
- <p>
- &ldquo;Yes, quite a gentleman of parts!&rdquo; he repeated. His lips had thinned. &ldquo;How
- did he get here?&rdquo;
- </p>
- <p>
- &ldquo;I do not know,&rdquo; she answered. &ldquo;He came in through that window there and
- fell on the floor.&rdquo;
- </p>
- <p>
- &ldquo;How peculiar!&rdquo; observed Doctor Crang. &ldquo;A <i>gentleman</i> down here in
- this locality, who is, yes, I will state it as a professional fact, in a
- very critical state, climbs in through Miss Claire Veniza's window, and&mdash;&mdash;&rdquo;
- </p>
- <p>
- The telephone in the other room rang. Claire Veniza ran to it. Doctor
- Crang's fingers nestled on John Bruce's pulse; he made no other movement
- save to cock his head in a listening attitude in the girl's direction; he
- made no effort either to examine further or to dress the wound.
- </p>
- <p>
- Claire Veniza's voice came distinctly:
- </p>
- <p>
- &ldquo;Yes... No, I do not think he will return to-night&rdquo;&mdash;she was
- hesitating&mdash;&ldquo;he&mdash;he met with an&mdash;an accident&mdash;&mdash;-&rdquo;
- </p>
- <p>
- Doctor Crang had sprung from the other room and had snatched the receiver
- from the girl's hand. A wave of insensate fury swept his face now. He
- pushed her roughly from the instrument, and clapped his hand over the
- transmitter.
- </p>
- <p>
- &ldquo;That's one lie you've told me!&rdquo; he said hoarsely. &ldquo;I'll attend to the
- rest of this now.&rdquo; He withdrew his hand from the transmitter. &ldquo;Yes,
- hello!&rdquo; His voice was cool, even suave. &ldquo;What is it?... Monsieur Henri de
- Lavergne speaking&mdash;yes... Mister&mdash;who?... Mister John Bruce&mdash;yes.&rdquo;
- He listened for a moment, his lips twitching, his eyes narrowed on Claire
- Veniza, who had retreated a few steps away. &ldquo;No, not to-night,&rdquo; he said,
- speaking again into the transmitter. &ldquo;Yes, a slight accident.... Yes..,
- Good-by.&rdquo;
- </p>
- <p>
- Doctor Sydney Angus Crang hung up the receiver, and with a placid smile at
- variance with the glitter that suddenly brought life into his dulled eyes,
- advanced toward the girl. She stepped backward quickly into the other
- room, retreating as far as the motionless form that lay upon the floor.
- Doctor Crang followed her.
- </p>
- <p>
- And then Claire Veniza, her face grown stony, her small hands clenched,
- found her voice again.
- </p>
- <p>
- &ldquo;Aren't you going to help him? Aren't you going to do something? Is he to
- die there before your eyes?&rdquo; she cried.
- </p>
- <p>
- Doctor Crang shrugged his shoulders.
- </p>
- <p>
- &ldquo;What can I do?&rdquo; he inquired with velvet softness. &ldquo;I am helpless. How can
- I bring the dead back to life?&rdquo;
- </p>
- <p>
- &ldquo;Dead!&rdquo; All color had fled her face; she bent and looked searchingly at
- John Bruce.
- </p>
- <p>
- &ldquo;Oh, no; not yet,&rdquo; said Doctor Crang easily. &ldquo;But very nearly so.&rdquo;
- </p>
- <p>
- &ldquo;And you will do nothing!&rdquo; She was facing him again. &ldquo;Then&mdash;then I
- will try and get some one else.&rdquo;
- </p>
- <p>
- She stepped forward abruptly.
- </p>
- <p>
- Doctor Crang barred her way.
- </p>
- <p>
- &ldquo;I don't think you will, Claire, my dear!&rdquo; His voice was monotonous; the
- placid smile was vanishing. &ldquo;You see, having spoken to that dear little
- doll of a man, Monsieur Henri de Lavergne, I'm very much interested in
- hearing your side of the story.&rdquo;
- </p>
- <p>
- &ldquo;Story!&rdquo; the girl echoed wildly. &ldquo;Story&mdash;while that man's life is
- lost! Are you mad&mdash;or a murderer&mdash;or&mdash;&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Another lover,&rdquo; said Doctor Crang, and threw back his head and laughed.
- </p>
- <p>
- She shrank away; her hands tight against her bosom. She glanced around
- her. If she could only reach the telephone and lock the connecting door!
- No! She did not dare leave him <i>alone</i> with the wounded man.
- </p>
- <p>
- &ldquo;What&mdash;what are you going to do?&rdquo; she whispered.
- </p>
- <p>
- &ldquo;Nothing&mdash;till I hear the story,&rdquo; he answered.
- </p>
- <p>
- &ldquo;If&mdash;if he dies&rdquo;&mdash;her voice rang steadily again&mdash;&ldquo;I'll have
- you charged with murder.&rdquo;
- </p>
- <p>
- &ldquo;What nonsense!&rdquo; said Doctor Crang imperturbably. &ldquo;Did I stab the
- gentleman?&rdquo; He took from his pocket a little case, produced a hypodermic
- syringe, and pushed back his sleeve. &ldquo;A doctor is not a magician. If he
- finds a patient beyond reach of aid what can he be expected to do? My dear
- Claire, where are your brains to-night&mdash;you who are usually so
- amazingly clever?&rdquo;
- </p>
- <p>
- &ldquo;You are mad&mdash;insane with drug!&rdquo; she cried out piteously.
- </p>
- <p>
- He shook his head, and coolly inserted the needle of the hypodermic in his
- arm.
- </p>
- <p>
- &ldquo;Not yet,&rdquo; he said. &ldquo;I am only implacable. Shall we get on with the story?
- Monsieur de Lavergne says he sent a gentleman by the name of John Bruce
- out in your father's car a little while ago for the purpose of obtaining a
- loan in order that the said John Bruce might return to the gambling joint
- and continue to play. But Mr. Bruce did not return, and the doll, for some
- reason being anxious, telephones here to make inquiries. Of course&rdquo;&mdash;there
- was a savage laugh in his voice&mdash;&ldquo;it is only a suspicion, but could
- this gentleman on the floor here by any chance be Mr. John Bruce?&rdquo;
- </p>
- <p>
- &ldquo;Yes,&rdquo; she said faintly. &ldquo;He is John Bruce.&rdquo;
- </p>
- <p>
- &ldquo;Thanks!&rdquo; said Doctor Crang sarcastically. He very carefully replaced his
- hypodermic in his pocket. &ldquo;Now another little matter. I happen to know
- that your father is spending the evening uptown, so I wonder who was in
- the car with Mr. John Bruce.&rdquo;
- </p>
- <p>
- She stared at him with flashing eyes.
- </p>
- <p>
- &ldquo;I was!&rdquo; she answered passionately. &ldquo;I don't know what you are driving at!
- I never did it before, but father was away, and Monsieur de Lavergne was
- terribly insistent. He said it was for a very special guest. I&mdash;I
- didn't, of course, tell Monsieur de Lavergne that father couldn't go. I
- only said that I was afraid it would not be convenient to make any loan
- to-night. But he wouldn't listen to a refusal, and so I went&mdash;but
- Monsieur de Lavergne had no idea that it was any one but father in the
- car.&rdquo;
- </p>
- <p>
- Doctor Crang's lips parted wickedly.
- </p>
- <p>
- &ldquo;Naturally!&rdquo; he snarled. &ldquo;I quite understand that you took good care of
- that! Who drove you?&rdquo;
- </p>
- <p>
- &ldquo;Hawkins.&rdquo;
- </p>
- <p>
- &ldquo;Drunk as usual, I suppose! Brain too fuddled to ask questions!&rdquo;
- </p>
- <p>
- &ldquo;That's not true!&rdquo; she cried out sharply. &ldquo;Hawkins hasn't touched a drop
- for a year.&rdquo;
- </p>
- <p>
- &ldquo;All right!&rdquo; snapped Doctor Crang. &ldquo;Have it that way, then! Being in his
- dotage, he makes a good blind, even sober. And so you went for a little
- ride with Mr. John Bruce to-night?&rdquo;
- </p>
- <p>
- Claire Veniza was wringing her hands as she glanced in an agony of
- apprehension at the wounded man on the floor.
- </p>
- <p>
- &ldquo;Yes,&rdquo; she said; &ldquo;but&mdash;but won't you&mdash;&mdash;&rdquo;
- </p>
- <p>
- &ldquo;And where did you first meet Mr. John Bruce, and how long ago?&rdquo; he jerked
- out.
- </p>
- <p>
- Claire Veniza's great brown eyes widened.
- </p>
- <p>
- &ldquo;Why, I never saw him in my life until to-night!&rdquo; she exclaimed. &ldquo;And he
- wasn't in the car ten minutes. Hawkins drove back to the corner just as he
- always does with father, and Mr. Bruce got out. Then Hawkins drove me home
- and went uptown to get father. I&mdash;I wish they were here now!&rdquo;
- </p>
- <p>
- Doctor Crang was gritting his teeth together. A slight unnatural color was
- tinging his cheeks. He moved a little closer to the girl.
- </p>
- <p>
- &ldquo;I'm glad to hear you never saw Mr. Bruce before,&rdquo; he said cunningly. &ldquo;You
- must have traveled <i>fast</i> then&mdash;metaphorically speaking. Love at
- first sight, eh? A cooing exchange of confidences&mdash;or was it all on
- one side? You told him who you were, and where you lived, and&mdash;&mdash;&rdquo;
- </p>
- <p>
- &ldquo;I did nothing of the kind!&rdquo; Claire Veniza interrupted angrily. &ldquo;I did not
- tell him anything!&rdquo;
- </p>
- <p>
- &ldquo;Just strictly business then, of course!&rdquo; Doctor Crang moved a step still
- nearer to the girl. &ldquo;In that case he must have pawned something, and as
- Lavergne sends nothing but high-priced articles to your father, we shall
- probably find quite a sum of money in Mr. Bruce's pockets. Eh&mdash;Claire?&rdquo;
- </p>
- <p>
- She bit her lips. She still did not quite understand&mdash;only that she
- bitterly regretted now, somehow, that she had removed the money from John
- Bruce's person; only that the drug-crazed brain of the man in front of her
- was digging, had dug, a trap into which she was falling. What answer was
- she to make? What was she to&mdash;&mdash;
- </p>
- <p>
- With a sudden cry she shrank back&mdash;but too late to save herself. A
- face alight with passion was close to hers now; hands that clamped like a
- steel vise, and that hurt, were upon her shoulder and throat.
- </p>
- <p>
- &ldquo;You lie!&rdquo; Doctor Crang shouted hoarsely. &ldquo;You've lied from the minute I
- came into this room. John Bruce&mdash;hell! I know now why you have always
- refused to have anything to do with me. That's why!&rdquo; He loosened one hand
- and pointed to the figure on the floor. &ldquo;How long has this been going on?
- How long have you been meeting him? To-night is nothing, though you worked
- it well. Hawkins to take you for a little joy ride with your lover while
- father's away. Damned clever! You left him on that corner&mdash;and he's
- here wounded! How did he get wounded? You never saw him before! You never
- heard of him! You told him nothing about yourself! He didn't know where
- you lived&mdash;he could only find the private entrance! Just knows enough
- about you to climb in through your back window like a skewered dog! But,
- of course, your story is true, because in his pockets will be the money
- you gave him for what he pawned! Shall we look and see how much it was?&rdquo;
- </p>
- <p>
- She tore herself free and caught at her throat, gasping for breath.
- </p>
- <p>
- &ldquo;You&mdash;you beast!&rdquo; she choked. &ldquo;No; you needn't look! I took it from
- him, and put it in the safe over there before <i>you</i> came&mdash;to
- keep it away from you.&rdquo;
- </p>
- <p>
- Doctor Crang swept a hand across his eyes and through his hair with a
- savage, jerky movement, and then he laughed immoderately.
- </p>
- <p>
- &ldquo;What a little liar you are! Well, then, two can play at the same game. I
- lied to you about your lover there. I said there was nothing could save
- him. Yes, yes, Claire, my dear, I lied.&rdquo; He knelt suddenly, and suddenly
- intent and professional studied John Bruce's face, and felt again for the
- pulse beat at John Bruce's wrist. &ldquo;Pretty near the limit,&rdquo; he stated
- coolly. &ldquo;Internal bleeding.&rdquo; He threw back his shoulders in a strangely
- egotistical way. &ldquo;Not many men could do anything; but I, Sydney Angus
- Crang, could! Ha, ha! In ten minutes he could be on the road to recovery&mdash;but
- ten minutes, otherwise, is exactly the length of time he has to live.&rdquo;
- </p>
- <p>
- An instant Claire Veniza stared at him. Her mind reeled with chaos, with
- terror and dismay.
- </p>
- <p>
- &ldquo;Then do something!&rdquo; she implored wildly. &ldquo;If you can save him, do it! You
- must! You shall!&rdquo;
- </p>
- <p>
- &ldquo;Why should I?&rdquo; he demanded. His teeth were clamped hard together. &ldquo;Why
- should I save your lover? No&mdash;damn him!&rdquo;
- </p>
- <p>
- She drew away from him, and, suddenly, on her knees, buried her face in
- her hands and burst into sobs.
- </p>
- <p>
- &ldquo;This&mdash;this is terrible&mdash;terrible!&rdquo; she cried out. &ldquo;Has that
- frightful stuff transformed you into an absolute fiend? Are you no longer
- even human?&rdquo; Flushed, a curious look of hunger in his eyes, he gazed at
- her.
- </p>
- <p>
- &ldquo;I'm devilishly human in some respects!&rdquo; His voice rose, out of control.
- &ldquo;I want you! I have wanted you from the day I saw you.&rdquo;
- </p>
- <p>
- She shivered. Her hands felt suddenly icy as she pressed them against her
- face.
- </p>
- <p>
- &ldquo;Thank God then,&rdquo; she breathed, &ldquo;for this, at least&mdash;that you will
- never get me!&rdquo;
- </p>
- <p>
- &ldquo;Won't I?&rdquo; His voice rose higher, trembling with passion. &ldquo;Won't I? By
- God, I will! The one thing in life I will have some way or another! You
- understand? I will! And do you think I would let <i>him</i> stand in the
- way? You drive me mad, Claire, with those wonderful eyes of yours, with
- that hair, those lips, that throat&mdash;&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Stop!&rdquo; She was on her feet, and in an instant had reached him, and with
- her hands upon his shoulders was shaking him fiercely with all her
- strength. &ldquo;I hated you, despised you, loathed you before, but with that
- man dying here, you murderer, I&mdash;&mdash;&rdquo;
- </p>
- <p>
- Her voice trailed off, strangled, choked. He had caught her in his arms,
- his lips were upon hers. She struggled like a tigress. And as they lurched
- about the room he laughed in mad abandon. She wrenched herself free at
- last, and slipped and fell upon the floor.
- </p>
- <p>
- &ldquo;Do you believe me now!&rdquo; he panted. &ldquo;I will have you! Neither this man nor
- any other will live to get you. His life is a snap of my fingers&mdash;so
- is any other life. It's you I want, and you I will have. And I'll tame
- you! Then I'll show you what love is.&rdquo;
- </p>
- <p>
- She was moaning now a little to herself. She crept to John Bruce and
- stared into his face. Dying! They were letting this man die. She tried to
- readjust the cloths upon the wound. She heard Doctor Crang laugh at her
- again. It seemed as though her soul were sinking into some great
- bottomless abyss that was black with horror. She did not know this John
- Bruce. She had told Doctor Crang so. It was useless to repeat it, useless
- to argue with a drug-steeped brain. There was only one thing that was
- absolute and final, and that was that a man's life was ebbing away, and a
- fiend, an inhuman fiend who could save him, but whom pleading would not
- touch, stood callously by, not wholly indifferent, rather gloating over
- what took the form of triumph in his diseased mind. And then suddenly she
- seemed so tired and weary. And she tried to pray to God. And tears came,
- and on her knees she turned and flung out her arms imploringly to the
- unkempt figure that stood over her, and who smiled as no other man she had
- ever seen had smiled before.
- </p>
- <p>
- &ldquo;For the pity of God, for anything you have ever known in your life that
- was pure and sacred,&rdquo; she said brokenly, &ldquo;save this man.&rdquo;
- </p>
- <p>
- He looked at her for a moment, still with that sardonic smile upon his
- lips, and then, swift in its transition, his expression changed and
- cunning was in his eyes.
- </p>
- <p>
- &ldquo;What would you give?&rdquo; he purred.
- </p>
- <p>
- &ldquo;Give?&rdquo; She did not look up. She felt a sudden surge of relief. It debased
- the man the more, for it was evidently money now; but her father would
- supply that. She had only to ask for it. &ldquo;What do you want?&rdquo; she asked
- eagerly.
- </p>
- <p>
- &ldquo;Yourself,&rdquo; said Doctor Crang.
- </p>
- <p>
- She looked up now, quickly, startled; read the lurking triumph in his
- eyes, and with a sudden cry of fear turned away her head.
- </p>
- <p>
- &ldquo;My&mdash;myself!&rdquo; Her lips scarcely moved.
- </p>
- <p>
- &ldquo;Yes, my dear! Yourself&mdash;Claire!&rdquo; Doctor
- </p>
- <p>
- Crang shrugged his shoulders. &ldquo;Edinburgh, London, Vienna, Paris, degrees
- from everywhere&mdash;ha, ha!&mdash;am I a high-priced man? Well, then,
- why don't you dismiss me? You called me in! That is my price&mdash;or
- shall we call it fee? Promise to marry me, Claire, and I'll save that
- man.&rdquo;
- </p>
- <p>
- Her face had lost all vestige of color. She stood and looked at him, but
- it did not seem as though she any longer had control over her limbs. She
- did not seem able to move them. They were numbed; her brain was mercifully
- numbed&mdash;there was only a sense of impending horror, without that
- horror taking concrete form. A voice came to her as though from some great
- distance:
- </p>
- <p>
- &ldquo;Don't take too long to make up your mind. There isn't much time. It's
- about touch and go with him now.&rdquo;
- </p>
- <p>
- The words, the tone, the voice roused her. Realization, understanding
- swept upon her. A faintness came. She closed her eyes, swayed unsteadily,
- but recovered herself. Something made her look at the upturned face on the
- floor. She did not know this man. He was nothing to her. Why was he
- pleading with her to pawn herself for him? What right had he to ask for
- worse than death from her that he might live? Her soul turned sick within
- her. If she refused, this man would die. Death! It was a very little thing
- compared with days and months and years linked, fettered, bound to a drug
- fiend, a coward, a foul thing, a potential murderer, a man only in the
- sense of physical form, who had abused every other God-given attribute
- until it had rotted away! Her hands pressed to her temples fiercely, in
- torment. Was this man to live or die? In her hands was balanced a human
- life. It seemed as though she must scream out in her anguish of soul; and
- then it seemed as though she must fling herself upon the drug-crazed being
- who had forced this torture upon her, fling herself upon him to batter and
- pommel with her fists at his face that smiled in hideous contentment at
- her. What was she to do? The choice was hers. To let this man here die, or
- to accept a living death for herself&mdash;no, worse than that&mdash;something
- that was abominable, revolting, that profaned.... She drew her breath in
- sharply. She was staring at the man on the floor. His eyelids fluttered
- and opened. Gray eyes were fixed upon her, eyes that did not seem to see
- for there was a vacant stare in them&mdash;and then suddenly recognition
- crept into them and they lighted up, full of a strange, glad wonder. He
- made an effort to speak, an effort, more feeble still, to reach out his
- hand to her&mdash;and then the eyes had closed and he was unconscious
- again.
- </p>
- <p>
- She turned slowly and faced Doctor Crang.
- </p>
- <p>
- &ldquo;You do not know what you are doing.&rdquo; She formed the words with a great
- effort.
- </p>
- <p>
- &ldquo;Oh, yes, I do!&rdquo; he answered with mocking deliberation. &ldquo;I know that if I
- can't get you one way, I can another&mdash;and the way doesn't matter.&rdquo;
- </p>
- <p>
- &ldquo;God forgive you, then,&rdquo; she said in a dead voice, &ldquo;for I never can or
- will! I&mdash;I agree.&rdquo;
- </p>
- <p>
- He took a step toward her.
- </p>
- <p>
- &ldquo;You'll marry me?&rdquo; His face was fired with passion.
- </p>
- <p>
- She retreated a step.
- </p>
- <p>
- &ldquo;Yes,&rdquo; she said.
- </p>
- <p>
- He reached out for her with savage eagerness.
- </p>
- <p>
- &ldquo;Claire!&rdquo; he cried. &ldquo;Claire!&rdquo;
- </p>
- <p>
- She pushed him back with both hands.
- </p>
- <p>
- &ldquo;Not yet!&rdquo; she said, and tried to steady her voice. &ldquo;There is another side
- to the bargain. The price is this man's life. If he lives I will marry
- you, and in that case, as you well know, I can say nothing of what you
- have done to-night; but if he dies, I am not only free, but I will do my
- utmost to make you criminally responsible for his death.&rdquo;
- </p>
- <p>
- &ldquo;Ah!&rdquo; Doctor Crang stared at her. His hands, still reaching out to touch
- her, trembled; his face was hectic; his eyes were alight again with
- feverish hunger&mdash;and then suddenly the man seemed transformed into
- another being. He was on his knees beside John Bruce, and had opened his
- handbag in an instant, and in another he had forced something from a vial
- between John Bruce's lips; then an instrument was in his hands. The man of
- a moment before was gone; one Sydney Angus Crang, of many degrees,
- professional, deft, immersed in his work, had taken the other's place.
- &ldquo;More water! An extra basin!&rdquo; he ordered curtly.
- </p>
- <p>
- Claire Veniza obeyed him in a mechanical way. Her brain was numbed,
- exhausted, possessed of a great weariness. She watched him for a little
- while. He flung another order at her.
- </p>
- <p>
- &ldquo;Make that couch up into a bed,&rdquo; he directed. &ldquo;He can't be moved even
- upstairs to-night.&rdquo;
- </p>
- <p>
- Again she obeyed him; finally she helped him to lift John Bruce to the
- couch.
- </p>
- <p>
- She sat down in a chair and waited&mdash;she did not know what for. Doctor
- Crang had drawn another chair to the couch and sat there watching his
- patient. John Bruce, as far as she could tell, showed no sign of life.
- </p>
- <p>
- Then Doctor Crang's voice seemed to float out of nothingness:
- </p>
- <p>
- &ldquo;He will live, Claire, my dear! By God, I'd like to have done that piece
- of work in a clinic! Some of 'em would sit up! D'ye hear, Claire, he'll
- live!&rdquo;
- </p>
- <p>
- She was conscious that he was studying her; she did not look at him, nor
- did she answer.
- </p>
- <p>
- An eternity seemed to pass. She heard a motor stop outside in front of the
- house. That would be her father and Hawkins.
- </p>
- <p>
- The front door opened and closed, footsteps entered the room&mdash;and
- suddenly seemed to quicken and hurry forward. She rose from her chair.
- </p>
- <p>
- &ldquo;What's this? What's the matter? What's happened?&rdquo; a tall, white-haired
- man cried out.
- </p>
- <p>
- It was Doctor Crang who answered.
- </p>
- <p>
- &ldquo;Oh&mdash;this, Mr. Veniza?&rdquo; He waved his hand indifferently toward the
- couch. &ldquo;Nothing of any importance.&rdquo; He shrugged his shoulders in cool
- imperturbability, and smiled into the grave, serious face of Paul Veniza.
- &ldquo;The really important thing is that Claire has promised to be my wife.&rdquo;
- </p>
- <p>
- For an instant no one moved or spoke&mdash;only Doctor Crang still smiled.
- And then the silence was broken by a curious half laugh, half curse that
- was full of menace.
- </p>
- <p>
- &ldquo;You lie!&rdquo; Hawkins, the round, red-faced chauffeur, had stepped from
- behind Paul Veniza, and now faced Doctor Crang. &ldquo;You lie! You damned
- coke-eater! I'd kill you first!&rdquo;
- </p>
- <p>
- &ldquo;Drunk&mdash;again!&rdquo; drawled Doctor Crang contemptuously. &ldquo;And what have
- you to do with it?&rdquo;
- </p>
- <p>
- &ldquo;Steady, Hawkins!&rdquo; counselled Paul Veniza quietly. He turned to Claire
- Veniza. &ldquo;Claire,&rdquo; he asked, &ldquo;is&mdash;is this true?&rdquo;
- </p>
- <p>
- She nodded&mdash;and suddenly, blindly, started toward the door.
- </p>
- <p>
- &ldquo;It is true,&rdquo; she said.
- </p>
- <p>
- &ldquo;Claire!&rdquo; Paul Veniza stepped after her. &ldquo;Claire,
- </p>
- <p>
- &ldquo;Not to-night, father,&rdquo; she said in a low voice. &ldquo;Please let me go.&rdquo;
- </p>
- <p>
- He stood aside, allowing her to pass, his face grave and anxious&mdash;and
- then he turned again to Doctor Crang.
- </p>
- <p>
- &ldquo;She is naturally very upset over what has happened here,&rdquo; said Doctor
- Crang easily&mdash;and suddenly reaching out grasped Hawkins' arm, and
- pulled the old man forward to the couch. &ldquo;Here, you!&rdquo; he jerked out.
- &ldquo;You've got so much to say for yourself&mdash;take a look at this fellow!&rdquo;
- </p>
- <p>
- The old chauffeur bent over the couch.
- </p>
- <p>
- &ldquo;My God!&rdquo; he cried out in a startled way. &ldquo;It's the man we&mdash;I&mdash;drove
- to-night!&rdquo;
- </p>
- <p>
- &ldquo;Quite so!&rdquo; observed Doctor Crang. He smiled at Paul Veniza again. &ldquo;Apart
- from the fact that the fellow came in through that window with a knife
- stab in his side that's pretty nearly done for him, Hawkins knows as much
- about it as either Claire or I do. He's in bad shape. Extremely serious. I
- will stay with him to-night. He cannot be moved.&rdquo; He nodded suggestively
- toward the door. &ldquo;Hawkins can tell you as much as I can. It's got to be
- quiet in here. As for Claire&rdquo;&mdash;he seemed suddenly to be greatly
- disturbed and occupied with the condition of the wounded man on the couch&mdash;&ldquo;that
- will have to wait until morning. This man's condition is critical. I can't
- put you out of your own room, but&mdash;&mdash;-&rdquo; Again he nodded toward
- the door.
- </p>
- <p>
- For a moment Paul Veniza hesitated&mdash;but Doctor Crang's back was
- already turned, and he was bending over the wounded man, apparently
- oblivious to every other consideration. He motioned to Hawkins, and the
- two left the room.
- </p>
- <p>
- Doctor Crang looked around over his shoulder as the door closed. A
- malicious grin spread over his face. He rubbed his hands together. Then he
- sat down in his chair again, and began to prepare a solution for his
- hypodermic syringe.
- </p>
- <p>
- &ldquo;Yes, yes,&rdquo; said Doctor Crang softly, addressing the unconscious form of
- John Bruce, &ldquo;you'll live, all right, my friend, I'll see to that, though
- the odds are still against you. You're too&mdash;ha, ha!&mdash;valuable to
- die! You played in luck when you drew Sydney Angus Crang, M.D., as your
- attending physician!&rdquo;
- </p>
- <p>
- And then Doctor Sydney Angus Crang made a little grimace as he punctured
- the flesh of his arm with the needle of the hypodermic syringe and
- injected into himself another dose of cocaine.
- </p>
- <p>
- &ldquo;Yes,&rdquo; said Doctor Sydney Angus Crang very softly, his eyes lighting, &ldquo;too
- valuable, much too valuable&mdash;to die!&rdquo;
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0005" id="link2HCH0005"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER FIVE&mdash;HAWKINS
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">I</span>N the outer room,
- the door closed behind them, Paul Veniza and Hawkins stared into each
- other's eyes. Hawkins' face had lost its ruddy, weatherbeaten color, and
- there was a strained, perplexed anxiety in his expression.
- </p>
- <p>
- &ldquo;D'ye hear what she said?&rdquo; he mumbled. &ldquo;D'ye hear what he said? Going to
- be married! My little girl, my innocent little girl, and&mdash;and that
- dope-feeding devil! I&mdash;I don't understand, Paul. What's it mean?&rdquo;
- </p>
- <p>
- Paul Veniza laid his hand on the other's shoulder, as much to seek, it
- seemed, as to offer sympathy. He shook his head.
- </p>
- <p>
- &ldquo;I don't know,&rdquo; he said blankly.
- </p>
- <p>
- Hawkins' watery blue eyes under their shaggy brows traveled miserably in
- the direction of the staircase.
- </p>
- <p>
- &ldquo;I&mdash;I ain't got the right,&rdquo; he choked. &ldquo;You go up and talk to her,
- Paul.&rdquo;
- </p>
- <p>
- Paul Veniza ran his fingers in a troubled way through his white hair;
- then, nodding his head, he turned abruptly and began to mount the stairs.
- </p>
- <p>
- Hawkins watched until the other had disappeared from sight, watched until
- he heard a door open and close softly above; then he swung sharply around,
- and with his old, drooping shoulders suddenly squared, strode toward the
- door that shut him off from Doctor Crang and the man he had recognized as
- his passenger in the traveling pawn-shop earlier that night. But at the
- door itself he hesitated, and after a moment drew back, and the shoulders
- drooped again, and he fell to twisting his hands together in nervous
- indecision as he retreated to the center of the room.
- </p>
- <p>
- And he stood there again, where Paul Veniza had left him, and stared with
- the hurt of a dumb animal in his eyes at the top of the staircase.
- </p>
- <p>
- &ldquo;It's all my fault,&rdquo; the old man whispered, and fell to twisting his hands
- together once more. &ldquo;But&mdash;but I thought she'd be safe with me.&rdquo;
- </p>
- <p>
- For a long time he seemed to ponder his own words, and gradually they
- seemed to bring an added burden upon him, and heavily now he drew his hand
- across his eyes.
- </p>
- <p>
- &ldquo;Why ain't I dead?&rdquo; he whispered. &ldquo;I ain't never been no good to her.
- Twenty years, it is&mdash;twenty years. Just old Hawkins&mdash;shabby old
- Hawkins&mdash;that she loves 'cause she's sorry for him.&rdquo;
- </p>
- <p>
- Hawkins' eyes roved about the room.
- </p>
- <p>
- &ldquo;I remember the night I brought her here.&rdquo; He was still whispering to
- himself. &ldquo;In there, it was, I took her.&rdquo; He jerked his hand toward the
- inner room. &ldquo;This here room was the pawn-shop then. God, all those years
- ago&mdash;and&mdash;and I ain't never bought her back again, and she ain't
- known no father but Paul, and&mdash;&mdash;&rdquo; His voice trailed off and
- died away.
- </p>
- <p>
- He sank his chin in his hands.
- </p>
- <p>
- Occasionally he heard the murmur of voices from above, occasionally the
- sound of movement through the closed door that separated him from Doctor
- Crang; but he did not move or speak again until Paul Veniza came down the
- stairs and stood before him.
- </p>
- <p>
- Hawkins searched the other's face.
- </p>
- <p>
- &ldquo;It&mdash;it ain't true, is it, what she said?&rdquo; he questioned almost
- fiercely. &ldquo;She didn't really mean it, did she, Paul?&rdquo;
- </p>
- <p>
- Paul Veniza turned his head away.
- </p>
- <p>
- &ldquo;Yes, she meant it,&rdquo; he answered in a low voice. &ldquo;I don't understand. She
- wouldn't give me any explanation.&rdquo;
- </p>
- <p>
- Hawkins clenched his fists suddenly.
- </p>
- <p>
- &ldquo;But didn't you tell her what kind of a man Crang is? Good God, Paul,
- didn't you tell her what he is?&rdquo;
- </p>
- <p>
- &ldquo;She knows it without my telling her,&rdquo; Paul Veniza said in a dull tone.
- &ldquo;But I told her again; I told her it was impossible, incredible. Her only
- answer was that it was inevitable.&rdquo;
- </p>
- <p>
- &ldquo;But she doesn't love him! She can't love him!&rdquo; Hawkins burst out.
- &ldquo;There's never been anything between them before.&rdquo;
- </p>
- <p>
- &ldquo;No, she doesn't love him. Of course, she doesn't!&rdquo; Paul Veniza said, as
- though speaking to himself. He looked at Hawkins suddenly under knitted
- brows. &ldquo;And she says she never saw that other man in her life before until
- he stepped into the car. She says she only went out to-night because they
- were so urgent about it up at the house, and that she felt everything
- would be perfectly safe with you driving the car. I can't make anything
- out of it!&rdquo;
- </p>
- <p>
- Hawkins drew the sleeve of his coat across his brow. It was cool in the
- room, but little beads of moisture were standing out on his forehead.
- </p>
- <p>
- &ldquo;I ain't brought her nothing but harm all my life,&rdquo; he said brokenly. &ldquo;I&mdash;&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Don't take it that way, old friend!&rdquo; Paul Veniza's hands sought the
- other's shoulders. &ldquo;I don't see how you are to blame for this. Claire said
- that other man treated her with all courtesy, and left the car after you
- had gone around the block; and she doesn't know how he afterwards came
- here wounded any more than we do&mdash;and anyway, it can't have anything
- to do with her marrying Doctor Crang.&rdquo;
- </p>
- <p>
- &ldquo;What's she doing now?&rdquo; demanded Hawkins abruptly. &ldquo;She's up there crying
- her heart out, ain't she?&rdquo;
- </p>
- <p>
- Paul Veniza did not answer.
- </p>
- <p>
- Hawkins straightened up. A sudden dignity came to the shabby old figure.
- </p>
- <p>
- &ldquo;What hold has that devil got on my little girl?&rdquo; he cried out sharply.
- &ldquo;I'll make him pay for it, so help me God! My little girl, my little&mdash;&mdash;&mdash;&rdquo;
- </p>
- <p>
- &ldquo;S-sh!&rdquo; Paul Veniza caught hurriedly at Hawkins' arm. &ldquo;Be careful, old
- friend!&rdquo; he warned. &ldquo;Not so loud! She might hear you.&rdquo;
- </p>
- <p>
- Hawkins cast a timorous, startled glance in the direction of the stairs.
- He seemed to shrink again, into a stature as shabby as his clothing. His
- lips twitched; he twisted his hands together.
- </p>
- <p>
- &ldquo;Yes,&rdquo; he mumbled; &ldquo;yes, she&mdash;she might hear me.&rdquo; He stared around
- the room; and then, as though blindly, his hands groping out in front of
- him, he started for the street door. &ldquo;I'm going home,&rdquo; said Hawkins. &ldquo;I'm
- going home to think this out.&rdquo;
- </p>
- <p>
- Paul Veniza's voice choked a little.
- </p>
- <p>
- &ldquo;Your hat, old friend,&rdquo; he said, picking up the old man's hat from the
- table and following the other to the door.
- </p>
- <p>
- &ldquo;Yes, my hat,&rdquo; said Hawkins&mdash;and pulling it far down over his eyes,
- crossed the sidewalk, and climbed into the driver's seat of the old,
- closed car that stood at the curb.
- </p>
- <p>
- He started the car mechanically. He did not look back. He stared straight
- ahead of him except when, at the corner, his eyes lifted and held for a
- moment on the lighted windows and the swinging doors of a saloon&mdash;and
- the car went perceptibly slower. Then his hands tightened fiercely in
- their hold upon the wheel until the white of the knuckles showed, and the
- car passed the saloon and turned the next corner and went on.
- </p>
- <p>
- Halfway down the next block it almost came to a halt again when opposite a
- dark and dingy driveway that led in between, and to the rear of, two
- poverty-stricken frame houses. Hawkins stared at this uninviting prospect,
- and made as though to turn the car into the driveway; then, shaking his
- head heavily, he continued on along the street.
- </p>
- <p>
- &ldquo;I can't go in there and sit by myself all alone,&rdquo; said Hawkins hoarsely.
- &ldquo;I&mdash;I'd go mad. It's&mdash;it's like as though they'd told me
- to-night that she'd died&mdash;same as they told me about her mother the
- night I went to Paul's.&rdquo;
- </p>
- <p>
- The car moved slowly onward. It turned the next corner&mdash;and the next.
- It almost completed the circuit of the block. Hawkins now was wetting his
- lips with the tip of his tongue. His hands on the wheel were trembling.
- The car had stopped. Hawkins was staring again at the lighted windows and
- the swinging doors of the saloon.
- </p>
- <p>
- He sat for a long time motionless; then he climbed down from his seat.
- </p>
- <p>
- &ldquo;Just one,&rdquo; Hawkins whispered to himself. &ldquo;Just one. I&mdash;I'd go mad if
- I didn't.&rdquo;
- </p>
- <p>
- Hawkins pushed the swinging doors open, and sidled up to the bar.
- </p>
- <p>
- &ldquo;Hello, Hawkins!&rdquo; grinned the barkeeper. &ldquo;Been out of town? I ain't seen
- you the whole afternoon!&rdquo;
- </p>
- <p>
- &ldquo;You mind your own business!&rdquo; said Hawkins surlily.
- </p>
- <p>
- &ldquo;Sure!&rdquo; nodded the barkeeper cheerily. &ldquo;Same as usual?&rdquo; He slid a
- square-faced bottle and a glass toward the old man.
- </p>
- <p>
- Hawkins helped himself and drank moodily. He set his empty glass back on
- the bar, jerked down his shabby vest and straightened up, his eyes
- resolutely fixed on the door. Then he felt in his pocket for his pipe and
- tobacco. His eyes shifted from the door to his pipe. He filled it slowly.
- </p>
- <p>
- &ldquo;Give me another,&rdquo; said Hawkins presently&mdash;without looking at the
- barkeeper.
- </p>
- <p>
- Again the old man drank, and jerked down his vest, and squared his thin
- shoulders. He lighted his pipe, tamping the bowl carefully with his
- forefinger. His eyes sought the swinging doors once more.
- </p>
- <p>
- &ldquo;I'm going home,&rdquo; said Hawkins defiantly to himself. &ldquo;I've got to think
- this out.&rdquo; He dug into his vest pocket for money, and produced a few small
- bills. He stared at these for a moment, hesitated, started to replace them
- in his pocket, hesitated again, and the tip of his tongue circled his
- lips; then he pushed the money across the bar. &ldquo;Take the drinks out of
- that, and&mdash;and give me a bottle,&rdquo; he said. &ldquo;I&mdash;I don't like to
- be without anything in the house, and I got to go home.&rdquo;
- </p>
- <p>
- &ldquo;You said something!&rdquo; said the barkeeper. &ldquo;Have one on the house before
- you go?&rdquo;
- </p>
- <p>
- &ldquo;No; I won't.&rdquo;
- </p>
- <p>
- &ldquo;No,&rdquo; said Hawkins with stern determination.
- </p>
- <p>
- Hawkins crowded the bottle into the side pocket of his coat, passed out
- through the swinging doors, and resumed his seat on the car. And again the
- car started forward. But it went faster now. Hawkins' face was flushed; he
- seemed nervously and excitedly in haste. At the driveway he turned in,
- garaged his car in an old shed at the rear of one of the houses, locked
- the shed with a padlock, and, by way of the back door, entered the house
- that was in front of the shed.
- </p>
- <p>
- It was quite dark inside, but Hawkins had been an inmate of the somewhat
- seedy rooming-house too many years either to expect that a light should be
- burning at that hour, or, for that matter, to require any light. He groped
- his way up a flight of creaking stairs, opened the door of a room, and
- stepped inside. He shut the door behind him, locked it, and struck a
- match. A gas-jet wheezed asthmatically, and finally flung a thin and
- sullen yellow glow about the place. It disclosed a cot bed, a small strip
- of carpet long since worn bare of nap, a washstand, an old trunk, a
- battered table, and two chairs.
- </p>
- <p>
- Hawkins, with some difficulty, extricated the bottle from his pocket, and
- lifted the lid of his trunk. He thrust the bottle inside, and in the act
- of closing the lid upon it&mdash;hesitated.
- </p>
- <p>
- &ldquo;I&mdash;I ain't myself to-night, I ain't,&rdquo; said Hawkins tremulously.
- &ldquo;It's shook me, it has&mdash;bad. Just one&mdash;so help me God!&mdash;just
- one.&rdquo;
- </p>
- <p>
- Hawkins sat down at the table with the bottle in front of him.
- </p>
- <p>
- And while Hawkins sat there it grew very late.
- </p>
- <p>
- At intervals Hawkins talked to himself. At times he stared owlishly from a
- half-emptied bottle to the black square of window pane above the trunk&mdash;and
- once he shook his fist in that direction.
- </p>
- <p>
- &ldquo;Crang&mdash;eh&mdash;damn you!&rdquo; he gritted out. &ldquo;You think you got her,
- do you? Some dirty, cunning trick you've played her! But you don't know
- old Hawkins. Ha, ha! You think he's only a drunken bum!&rdquo;
- </p>
- <p>
- Hawkins, as it grew later still, became unsteady in his seat. Gradually
- his head sank down upon the table.
- </p>
- <p>
- &ldquo;I&mdash;hie!&mdash;gotta think this&mdash;out,&rdquo; said Hawkins earnestly&mdash;and
- fell asleep.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0006" id="link2HCH0006"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER SIX&mdash;THE ALIBI
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">J</span>OHN BRUCE opened
- his eyes dreamily, unseeingly; and then his eyelids fluttered and closed
- again. There was an exquisite sense of languor upon him, of cool,
- comfortable repose; a curious absence of all material things. It seemed as
- though he were in some suspended state of animation.
- </p>
- <p>
- It was very strange. It wasn't life&mdash;not life as he had ever known
- it. Perhaps it was death. He did not understand.
- </p>
- <p>
- He tried to think. He was conscious that his mind for some long
- indeterminate period had been occupied with the repetition of queer,
- vague, broken snatches of things, fantastic things born of illusions,
- brain fancies, cobwebby, intangible, which had no meaning, and were
- without beginning or end. There was a white beach, very white, and a full
- round moon, and the moon winked knowingly while he whittled with a huge
- jack-knife at a quill toothpick. And then there was a great chasm of
- blackness which separated the beach from some other place that seemed to
- have nothing to identify it except this black chasm which was the
- passageway to it; and here a man's face, a face that was sinister in its
- expression, and both repulsive and unhealthy in its color, was constantly
- bending over him, and the man's head was always in the same posture&mdash;cocked
- a little to one side, as though listening intently and straining to hear
- something. And then, in the same place, but less frequently, there was
- another face&mdash;and this seemed to bring with it always a shaft of
- warm, bright sunlight that dispelled the abominable gloom, and before
- which the first face vanished&mdash;a beautiful, the wondrously beautiful,
- face of a girl, one that he had seen somewhere before, that was haunting
- in its familiarity and for which it seemed he had always known a great
- yearning, but which plagued him miserably because there seemed to be some
- unseen barrier between them, and because he could not recognize her, and
- she could not speak and tell him who she was.
- </p>
- <p>
- John Bruce opened his eyes again. Dimly, faintly, his mind seemed to be
- grasping coherent realities. He began to remember fragments of the past,
- but it was very hard to piece those fragments together into a concrete
- whole. That white beach&mdash;yes, he remembered that. And the quill
- toothpick. Only the huge jack-knife was absurd! It was at Apia with
- Larmon. But he was in a room somewhere now, and lying on a cot of some
- sort. And it was night. How had he come here?
- </p>
- <p>
- He moved a little, and suddenly felt a twinge of pain in his side. His
- hand groped under the covering, and his fingers came into contact with
- bandages that were wrapped tightly around his body.
- </p>
- <p>
- And then in a flash memory returned. He remembered the fight in Ratti's
- wine shop, the knife stab, and how he had dragged himself along the lane
- and climbed in through <i>her</i> window. His eyes now in a startled way
- were searching his surroundings. Perhaps this was the room! He could not
- be quite sure, but there seemed to be something familiar about it. The
- light was very low, like a gas-jet turned down, and he could not make out
- where it came from, nor could he see any window through which he might
- have climbed in.
- </p>
- <p>
- He frowned in a troubled way. It was true that, as he had climbed in that
- night, he had not been in a condition to take much note of the room, but
- yet it did seem to be the same place. The frown vanished. What did it
- matter? He knew now beyond any question whose face it was that had come to
- him so often in that shaft of sunlight. Yes, it <i>did</i> matter! He must
- have been unconscious, perhaps for only a few hours, perhaps for days, but
- if this was the same place, then she was <i>here</i>, not as a figment of
- the brain, not as one created out of his own longing, but here in her
- actual person, a living, breathing reality. It was the girl of the
- traveling pawn-shop, and&mdash;&mdash;
- </p>
- <p>
- John Bruce found himself listening with sudden intentness. Was he drifting
- back into unconsciousness again, into that realm of unreal things, where
- the mind, fevered and broken, wove out of its sick imagination queer,
- meaningless fancies? It was strange that unreal things should seem so
- real! Wasn't that an animal of some sort scratching at the wall of the
- house outside?
- </p>
- <p>
- He lifted his head slightly from the pillow&mdash;and held it there. A
- voice from within the room reached him in an angry, rasping whisper:
- </p>
- <p>
- &ldquo;Damn you, Birdie, why don't you pull the house down and have done with
- it? You clumsy hog! Do you want the police on us? Can't you climb three
- feet without waking up the whole of New York?&rdquo;
- </p>
- <p>
- John Bruce's lips drew together until they formed a tight, straight line.
- This was strange! Very strange! It wasn't a vagary of his brain this time.
- His brain was as clear now as it had ever been in his life. The voice came
- from beyond the head of his cot. He had seen no one in the room, but that
- was natural enough since from the position in which he was lying his line
- of vision was decidedly restricted; what seemed incomprehensible though,
- taken in conjunction with the words he had just heard, was that his own
- presence there appeared to be completely ignored.
- </p>
- <p>
- He twisted his head around cautiously, and found that the head of the cot
- was surrounded by a screen. He nodded to himself a little grimly. That
- accounted for it! There was a scraping sound now, and heavy, labored
- breathing.
- </p>
- <p>
- John Bruce silently and stealthily stretched out his arm. He could just
- reach the screen. It was made of some soft, silken material, and his
- fingers found no difficulty in drawing this back a little from the edge of
- that portion of the upright framework which was directly in front of him.
- </p>
- <p>
- He scarcely breathed now. Perhaps he was in so weak a state that his mind
- faltered if crowded, for there was so much to see that he could not seem
- to grasp it all as a single picture. He gazed fascinated. The details came
- slowly&mdash;one by one. It <i>was</i> the room where he had crawled in
- through the window and had fallen senseless to the floor&mdash;whenever
- that had been! That was the window there. And, curiously enough, another
- man was crawling in through it now! And there was whispering. And two
- other men were already standing in the room, but he could not see their
- faces because their backs were turned to him. Then one of the two swung
- around in the direction of the window, bringing his face into view. John
- Bruce closed his eyes for a moment. Yes, it must be that! His mind was off
- wandering once more, painting and picturing for itself its fanciful
- unrealities, bringing back again the character it had created, the man
- with the sinister face whose pallor was unhealthy and repulsive.
- </p>
- <p>
- And then he opened his eyes and looked again, and the face was still there&mdash;and
- it was real. And now the man spoke:
- </p>
- <p>
- &ldquo;Come on, get busy, Birdie! If you take as long to crack the box as you
- have taken to climb in through a low window, maybe we'll be invited to
- breakfast with the family! You act just like a swell cracksman&mdash;not!
- But here's the combination&mdash;so try and play up to the part!&rdquo;
- </p>
- <p>
- The man addressed was heavy of build, with a pockmarked and forbidding
- countenance. He was panting from his exertions, as, inside the room now,
- he leaned against the sill.
- </p>
- <p>
- &ldquo;That's all right, Doc!&rdquo; he grunted. &ldquo;That's all right! But how about his
- nibs over there behind the screen? Ain't he ever comin' out of his nap?&rdquo;
- </p>
- <p>
- The man addressed as &ldquo;Doc&rdquo; rolled up the sleeve of his left arm, and
- produced a hypodermic syringe from his pocket.
- </p>
- <p>
- &ldquo;There's the safe over there, Birdie,&rdquo; he drawled, as he pricked his arm
- with the needle and pushed home the plunger. &ldquo;Get busy!&rdquo;
- </p>
- <p>
- The big man shuffled his feet.
- </p>
- <p>
- &ldquo;I know you know your business, Doc,&rdquo; he said uneasily; &ldquo;but I guess me
- an' Pete here 'd feel more comfortable if you'd have put that shot of coke
- into the guy I'm speakin' about instead of into yourself. Ain't I right,
- Pete?&rdquo;
- </p>
- <p>
- The third man was lounging against the wall, his back still turned to John
- Bruce.
- </p>
- <p>
- &ldquo;Sure,&rdquo; he said; &ldquo;but I guess you can leave it to Doc. A guy that's been
- pawin' the air for two days ain't likely to butt in much all of a sudden.&rdquo;
- </p>
- <p>
- The man with the hypodermic, in the act of replacing the syringe in his
- pocket, drew it out again.
- </p>
- <p>
- &ldquo;Coming from you, Birdie,&rdquo; he murmured caustically, &ldquo;that's a surprisingly
- bright idea. I've been here for the last three hours listening to his
- interesting addresses from the rostrum of delirium, and I should say he
- was quite safe. Still, to oblige you, Birdie, and make you feel more
- comfortable, we'll act on your suggestion.&rdquo;
- </p>
- <p>
- John Bruce's teeth gritted together. How weak he was! His arm ached from
- even the slight strain of extending it beyond his head to the screen.
- </p>
- <p>
- And then he smiled grimly. But it wasn't a case of strength now, was it?
- He was obviously quite helpless in that respect. This man they called Doc
- believed him to be still unconscious, and&mdash;he drew his arm silently
- back, tucked it again under the sheet and blanket that covered him, and
- closed his eyes&mdash;and even if he could resist, which he couldn't, a
- hypodermic injection of morphine, or cocaine, or whatever it was that the
- supreme crook of the trio indulged in, could not <i>instantly</i> take
- effect. There ought to be time enough to watch at least&mdash;&mdash;
- </p>
- <p>
- John Bruce lay perfectly still. He heard a footstep come quickly around
- the screen; he sensed the presence of some one bending over him; then the
- coverings were pulled down and his arm was bared. He steeled himself
- against the instinctive impulse to wince at the sharp prick of the needle
- which he knew was coming&mdash;and felt instead a cold and curiously
- merciless rage sweep over him as the act was performed. Then the footstep
- retreated&mdash;and John Bruce quietly twisted his head around on the
- pillow, reached out his arm, and his fingers drew the silk panel of the
- screen slightly away from the edge of the framework again.
- </p>
- <p>
- He could see the safe they had referred to now. It was over at the far
- side of the room against the wall, and the three men were standing in
- front of it. Presently it was opened. The man called Doc knelt down in
- front of it and began to examine its contents. He swung around to his
- companions after a moment with a large pile of banknotes in his hands.
- From this pile he counted out and handed a small portion to each of the
- other two men&mdash;and coolly stuffed the bulk of the money into his own
- pockets.
- </p>
- <p>
- The scene went blurry then for a moment before John Bruce's eyes, and he
- lifted his free hand and brushed it across his forehead. He was so beastly
- weak, anyhow, and the infernal dope was getting in its work too fast! He
- fought with all his mental strength against the impulse to relax and close
- his eyes. What was it they were doing now? It looked like some foolish
- masquerade. The two companions of the man with the sinister, pasty face
- were tying handkerchiefs over their faces and drawing revolvers from their
- pockets; and then the big man began to close the door of the safe.
- </p>
- <p>
- The Doc's voice came sharply:
- </p>
- <p>
- &ldquo;Look out you don't lock it, you fool!&rdquo;
- </p>
- <p>
- Once more John Bruce brushed his hand across his eyes. His brain must be
- playing him tricks again. A din infernal rose suddenly in the room. While
- the big man lounged nonchalantly against the safe, the other two were
- scuffling all over the floor and throwing chairs about. And then from
- somewhere upstairs, on the floor there too, John Bruce thought he caught
- the sound of hurried movements.
- </p>
- <p>
- Then for an instant the scuffling in the room ceased, and the pasty-faced
- man's voice came in a peremptory whisper:
- </p>
- <p>
- &ldquo;The minute any one shows at the door you swing that safe open as though
- you'd been working at it all the time, Birdie, and pretend to shove
- everything in sight into your pockets. And you, Joe, you've got me
- cornered and covered here&mdash;see? And you hold the doorway with your
- gun too; and then both of you back away and make your getaway through the
- window.&rdquo; The scuffling began again. John Bruce watched the scene, a sense
- of drowsiness and apathy creeping upon him. He tried to rouse himself. He
- ought to do something. That vicious-faced little crook who had haunted him
- with unwelcome visitations, and who at this precise moment had the bulk of
- the money from the safe in his own pockets, was in the act of planting a
- somewhat crude, but probably none the less effective, alibi, and&mdash;&mdash;
- </p>
- <p>
- John Bruce heard a door flung open, and then a sudden, startled cry, first
- in a woman's and then in a man's voice. But he could not see any door from
- the position in which he lay. He turned over with a great effort, facing
- the other way, and reached out with his fingers for the panel of the
- screen that overlapped the head of the cot. And then John Bruce lay
- motionless, the blood pounding fiercely at his temples.
- </p>
- <p>
- He was conscious that a tall, white-haired man in scanty attire was there,
- because the doorway framed two figures; but he <i>saw</i> only a beautiful
- face, pitifully white, only the slim form of a girl whose great brown eyes
- were very wide with fear, and who held her dressing gown tightly clutched
- around her throat. It was the girl of the traveling pawn-shop, it was the
- girl of his dreams in the shaft of sunlight, it was the girl he had
- followed here&mdash;only&mdash;only the picture seemed to be fading away.
- It was very strange! It was most curious! She always seemed to leave that
- way. This was Larmon now instead, wasn't it? Larmon... and a jack-knife...
- and a quill toothpick... and....
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0007" id="link2HCH0007"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER SEVEN&mdash;THE GIRL OF THE TRAVELING PAWN-SHOP
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">J</span>OHN BRUCE
- abstractedly twirled the tassel of the old and faded dressing gown which
- he wore, the temporary possession of which he owed to Paul Veniza, his
- host. From the chair in which he sat his eyes ventured stolen glances at
- the nape of a dainty neck, and at a great coiled mass of silken brown hair
- that shone like burnished copper in the afternoon sunlight, as Claire
- Veniza, her back turned toward him, busied herself about the room. He
- could walk now across the floor&mdash;and a great deal further, he was
- sure, if they would only let him. He had not pressed that point; it might
- be taking an unfair advantage of an already over-generous hospitality, but
- he was not at all anxious to speed his departure from&mdash;well, from
- where he was at that precise moment.
- </p>
- <p>
- And now as he looked at Claire Veniza, his thoughts went back to the night
- he had stepped, at old Hawkins' invitation, into the traveling pawn-shop.
- That was not so very long ago&mdash;two weeks of grave illness, and then
- the past week of convalescence&mdash;but it seemed to span a great and
- almost limitless stretch of time, and to mark a new and entirely different
- era in his life; an era that perplexed and troubled and intrigued him with
- conditions and surroundings and disturbing elements that he did not
- comprehend&mdash;but at the same time made the blood in his veins to
- course with wild abandon, and the future to hold out glad and beckoning
- hands.
- </p>
- <p>
- He loved, with a great, overwhelming, masterful love, the girl who stood
- there just across the room all unconscious of the worship that he knew was
- in his eyes, and which he neither tried nor wished to curb. Of his own
- love he was sure. He had loved her from the moment he had first seen her,
- and in his heart he knew he held fate kind to have given him the wound
- that in its turn had brought the week of convalescence just past. And yet&mdash;and
- yet&mdash;&mdash; Here dismay came, and his brain seemed to stumble.
- Sometimes he dared to hope; sometimes he was plunged into the depths of
- misery and despair. Little things, a touch of the hand as she had nursed
- him that had seemed like some God-given tender caress, a glance when she
- had thought he had not seen and which he had allowed his heart to
- interpret to its advantage with perhaps no other justification than its
- own yearning and desire, had buoyed him up; and then, at times, a strange,
- almost bitter aloofness, it seemed, in her attitude toward him&mdash;and
- this had checked, had always checked, the words that were ever on his
- lips.
- </p>
- <p>
- A faint flush dyed his cheeks. But even so, and for all his boasted love,
- did he not in his own soul wrong her sometimes? The questions <i>would</i>
- come. What was the meaning of the strange environment in which she lived?
- Why should she have driven to a gambling hell late at night, and quite as
- though it were the usual thing, to transact business alone in that car
- with&mdash;&mdash;
- </p>
- <p>
- God! His hands clenched fiercely. He remembered that night, and how the
- same thought had come then, mocking him, jeering him, making sport of him.
- He was a cad, a pitiful, vile-minded cad! Thank God that he was at least
- still man enough to be ashamed of his own thoughts, even if they came in
- spite of him!
- </p>
- <p>
- Perhaps it was the strange, unusual characters that surrounded her, that
- came and went in this curious place here, that fostered such thoughts;
- perhaps he was not strong enough yet to grapple with all these confusing
- things. He smiled a little grimly. The robbery of the safe, for instance&mdash;and
- that reptile whom he now knew to be his own attending physician, Doctor
- Crang! He had said nothing about his knowledge of the robbery&mdash;yet.
- As nearly as he could judge it had occurred two or three days prior to the
- time when his actual convalescence had set in, and as a material witness
- to the crime he was not at all sure that in law his testimony would be of
- much value. They must certainly have found him in an unconscious state
- immediately afterward&mdash;and Doctor Crang would as indubitably attack
- his testimony as being nothing more than the hallucination of a sick
- brain.
- </p>
- <p>
- The luck of the devil had been with Crang! Why had he, John Bruce, gone
- drifting off into unconsciousness just at the psychological moment when,
- if the plan had been carried out as arranged and the other two had made
- their fake escape, Crang would have been left in the room with Claire and
- Paul Veniza&mdash;with the money in his pockets! He would have had Doctor
- Crang cold then! It was quite different now. He was not quite sure what he
- meant to do, except that he fully proposed to have a reckoning with Doctor
- Crang. But that reckoning, something, he could not quite define what, had
- prompted him to postpone until he had become physically a little stronger!
- </p>
- <p>
- And then there was another curious thing about it all, which too had
- influenced him in keeping silent. Hawkins, Paul Veniza, Claire and Doctor
- Crang had each, severally and collectively, been here in this room many
- times since the robbery, and not once in his presence had the affair ever
- been mentioned! And&mdash;oh, what did it matter! He shrugged his
- shoulders as though to rid himself of some depressing physical weight.
- What did anything matter on this wonderful sunlit afternoon&mdash;save
- Claire there in her white, cool dress, that seemed somehow to typify her
- own glorious youth and freshness.
- </p>
- <p>
- How dainty and sweet and alluring she looked! His eyes were no longer
- contented with stolen glances; they held now masterfully, defiant of any
- self-restraint, upon the slim figure that was all grace from the trim
- little ankles to the poise of the shapely head. He felt the blood quicken
- his pulse. Stronger than he had ever known it before, straining to burst
- all barriers, demanding expression as a right that would not be denied,
- his love rose dominant within him, and&mdash;&mdash;
- </p>
- <p>
- The tassel he had been twirling dropped from his hand. She had turned
- suddenly; and across the room her eyes met his, calm, deep and unperturbed
- at first, but wide the next instant with a startled shyness, and the color
- sweeping upward from her throat crimsoned her face, and in confusion she
- turned away her head.
- </p>
- <p>
- John Bruce was on his feet. He stumbled a little as he took a step
- forward. His heart was pounding, flinging a red tide into the pallor of
- his cheeks that illness had claimed as one of its tolls.
- </p>
- <p>
- &ldquo;I&mdash;I did not mean to tell you like that,&rdquo; he said huskily. &ldquo;But I
- have wanted to tell you for so long. It seems as though I have always
- wanted to tell you. Claire&mdash;I love you.&rdquo;
- </p>
- <p>
- She did not answer.
- </p>
- <p>
- He was beside her now&mdash;only her head was lowered and averted and he
- could not look into her face. Her fingers were plucking tremulously at a
- fold of her dress. He caught her hand between both his own.
- </p>
- <p>
- &ldquo;Claire&mdash;Claire, I love you!&rdquo; he whispered.
- </p>
- <p>
- She disengaged her hand gently; and, still refusing to let him see her
- face, shook her head slowly.
- </p>
- <p>
- &ldquo;I&mdash;I&mdash;&mdash;-&rdquo; Her voice was very low. &ldquo;Oh, don't you know?&rdquo;
- </p>
- <p>
- &ldquo;I know I love you,&rdquo; he answered passionately. &ldquo;I know that nothing else
- but that matters.&rdquo;
- </p>
- <p>
- Again she shook her head.
- </p>
- <p>
- &ldquo;I thought perhaps he would have told you. I&mdash;I am going to marry
- Doctor Crang.&rdquo;
- </p>
- <p>
- John Bruce stepped back involuntarily; and for a moment incredulity and
- helpless amazement held sway in his expression&mdash;then his lips
- tightened in a hurt, half angry way.
- </p>
- <p>
- &ldquo;Is that fair to me, Claire&mdash;to give me an answer like that?&rdquo; he said
- in a low tone. &ldquo;I know it isn't true, of course; it couldn't be&mdash;but&mdash;but
- it isn't much of a joke either, is it?&rdquo;
- </p>
- <p>
- &ldquo;It is true,&rdquo; she said monotonously.
- </p>
- <p>
- He leaned suddenly forward, and taking her face between his hands, made
- her lift her head and look at him. The brown eyes were swimming with
- tears. The red swept her face in a great wave, and, receding, left it
- deathly pale&mdash;and in a frenzy of confusion she wrenched herself free
- from him and retreated a step.
- </p>
- <p>
- &ldquo;My God!&rdquo; said John Bruce hoarsely. &ldquo;You&mdash;and Doctor Crang! I don't
- understand! It is monstrous! You can't love that&mdash;&mdash;&rdquo; He checked
- himself, biting at his lips. &ldquo;You can't love Doctor Crang. It is
- impossible! You dare not stand there and tell me that you do. Answer me,
- Claire&mdash;answer me!&rdquo;
- </p>
- <p>
- She seemed to have regained her self-control&mdash;or perhaps it was the
- one defense she knew. The little figure was drawn up, her head held back.
- </p>
- <p>
- &ldquo;You have no right to ask me that,&rdquo; she said steadily.
- </p>
- <p>
- &ldquo;Right!&rdquo; John Bruce echoed almost fiercely. His soul itself seemed
- suddenly to be in passionate turmoil; it seemed to juggle two figures
- before his consciousness, contrasting one with the other in most hideous
- fashion&mdash;this woman here whom he loved, who struggled to hold herself
- bravely, who stood for all that was pure, for all that he reverenced in a
- woman; and that sallow, evil-faced degenerate, a drug fiend so lost to the
- shame of his vice that he pricked himself with his miserable needle quite
- as unconcernedly in public as one would smoke a cigarette&mdash;and worse&mdash;a
- crook&mdash;a thief! Was it a coward's act to tell this girl <i>what</i>
- the man was whom she proposed to marry? Was it contemptible to pull a
- rival such as that down from the pedestal which in some fiendish way he
- must have erected for himself? Surely she did not know the man for what he
- actually was! She could not know! &ldquo;Right!&rdquo; he cried out. &ldquo;Yes, I have the
- right&mdash;both for your sake and for my own. I have the right my love
- gives me. Do you know how I came here that first night?&rdquo;
- </p>
- <p>
- &ldquo;Yes,&rdquo; she said with an effort. &ldquo;You told me. You were in a fight in
- Ratti's place, and were wounded.&rdquo;
- </p>
- <p>
- He laughed out harshly.
- </p>
- <p>
- &ldquo;And I told you the truth&mdash;as far as it went,&rdquo; he said. &ldquo;But do you
- know how I came to be in this locality after leaving you in that motor
- car? I followed you. I loved you from the moment I saw you that night. It
- seems as though I have always loved you&mdash;as I always shall love you.
- That is what gives me the right to speak. And I mean to speak. If it were
- an honorable man to whom you were to be married it would be quite another
- matter; but you cannot know what you are doing, you do not know this man
- as he really is, or what he&mdash;&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Please! Please stop!&rdquo; she cried out brokenly. &ldquo;Nothing you could say
- would tell me anything I do not already know.&rdquo;
- </p>
- <p>
- &ldquo;I am not so sure!&rdquo; said John Bruce grimly. &ldquo;Suppose I told you he was a
- criminal?&rdquo;
- </p>
- <p>
- &ldquo;He is a criminal.&rdquo; Her voice was without inflection.
- </p>
- <p>
- &ldquo;Suppose then he were sent to jail&mdash;to serve a sentence?&rdquo;
- </p>
- <p>
- &ldquo;I would marry him when he came out,&rdquo; she said. &ldquo;Oh, please do not say any
- more! I know far more about him than you do; but&mdash;but that has
- nothing to do with it.&rdquo;
- </p>
- <p>
- For an instant, motionless, John Bruce stared at Claire; then his hands
- swept out and caught her wrists in a tight grip and held her prisoner.
- </p>
- <p>
- &ldquo;Claire!&rdquo; His voice choked. &ldquo;What does this mean? You do not love him; you
- say you know he is even a criminal&mdash;and yet you are going to marry
- him! What hold has he got on you? What is it? What damnable trap has he
- got you in? I am going to know, Claire! I will know! And whatever it is,
- whatever the cause of it, I'll crush it, strangle it, sweep it out of your
- dear life at any cost! Tell me, Claire!&rdquo;
- </p>
- <p>
- Her face had gone white; she struggled a little to release herself.
- </p>
- <p>
- &ldquo;You&mdash;you do not know what you are saying. You&mdash;&mdash;&rdquo; Her
- voice broke in a half sob.
- </p>
- <p>
- &ldquo;Claire, look at me!&rdquo; He was pleading now with his soul in his eyes and
- voice. &ldquo;Claire, I&mdash;&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Oh, please let me go!&rdquo; she cried out frantically. &ldquo;You cannot say
- anything that will make any difference. I&mdash;it only makes it harder.&rdquo;
- The tears were brimming in her eyes again. &ldquo;Oh, please let me go&mdash;there's&mdash;there's
- some one coming.&rdquo;
- </p>
- <p>
- John Bruce's hands dropped to his sides. The door, already half open, was
- pushed wide, and Hawkins, the old chauffeur, stood on the threshold. And
- as John Bruce looked in that direction, he was suddenly and strangely
- conscious that somehow for the moment the old man dominated his attention
- even to the exclusion of Claire. There was something of curious
- self-effacement, of humbleness in the bent, stoop-shouldered figure there,
- who twisted a shapeless hat awkwardly in his hands; but also something of
- trouble and deep anxiety in the faded blue eyes as they fixed on the girl,
- and yet without meeting her eyes in return, held upon her as she walked
- slowly now toward the door.
- </p>
- <p>
- &ldquo;Dear old Hawkins,&rdquo; she said softly, and laid her hand for an instant on
- the other's arm as she passed by him, &ldquo;you and Mr. Bruce will be able to
- entertain each other, won't you? I&mdash;I'm going upstairs for a little
- while.&rdquo;
- </p>
- <p>
- And the old man made no answer; but, turning on the threshold, he watched
- her, his attitude, it seemed to John Bruce, one of almost pathetic
- wistfulness, as Claire disappeared from view.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0008" id="link2HCH0008"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER EIGHT&mdash;ALLIES
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">C</span>LAIRE'S footsteps,
- ascending the stairs, died away. John Bruce returned to his chair. His
- eyes were still on the old chauffeur.
- </p>
- <p>
- Hawkins was no longer twisting his shapeless hat nervously in his fingers;
- instead, he held it now in one clenched hand, while with the other he
- closed the door behind him as he stepped forward across the threshold, and
- with squared shoulders advanced toward John Bruce. And then, quite as
- suddenly again, as though alarmed at his own temerity, the old man paused,
- and the question on his lips, aggressively enough framed, became
- irresolute in tone.
- </p>
- <p>
- &ldquo;What&mdash;what's the matter with Claire?&rdquo; he stammered. &ldquo;What's this
- mean?&rdquo;
- </p>
- <p>
- It was a moment before John Bruce answered, while he eyed the other from
- head to foot. Hawkins was not the least interesting by any means of the
- queer characters that came and went and centered around this one-time
- pawn-shop of Paul Veniza; but Hawkins, of them all, was the one he was
- least able, from what he had seen of the man, to fathom. And yet, somehow,
- he liked Hawkins.
- </p>
- <p>
- &ldquo;That's exactly what I want to know,&rdquo; he said a little brusquely. &ldquo;And&rdquo;&mdash;he
- eyed Hawkins once more with cool appraisal&mdash;&ldquo;I think you are the man
- best able to supply the information.&rdquo;
- </p>
- <p>
- Hawkins began to fumble with his hat again.
- </p>
- <p>
- &ldquo;I&mdash;I&mdash;why do you say that?&rdquo; he faltered, a sudden note of what
- seemed almost trepidation in his voice.
- </p>
- <p>
- John Bruce shrugged his shoulders.
- </p>
- <p>
- &ldquo;Possibly it is just a hunch,&rdquo; he said calmly. &ldquo;But you were the one who
- was driving that old bus on a certain night&mdash;you remember? And you
- seem to hang around here about as you please. Therefore you must stand in
- on a fairly intimate basis with the family circle. I'd like to know what
- hold a rotten crook like Doctor Crang has got on Claire Veniza that she
- should be willing to marry him, when she doesn't love him. I'd like to
- know why a girl like Claire Veniza drives alone at night to a gambling
- hell to&mdash;&mdash;&rdquo;
- </p>
- <p>
- &ldquo;That's enough!&rdquo; Hawkins' voice rose abruptly, peremptorily. He advanced
- again threateningly oft John Bruce. &ldquo;Don't you dare to say one word
- against my&mdash;against&mdash;against her. I'll choke the life out of
- you, if you do! Who are you, anyway? You are asking a lot of questions.
- How did you get here in the first place? You answer that! I've always
- meant to ask you. You answer that&mdash;and leave Claire out of it!&rdquo;
- </p>
- <p>
- John Bruce whistled softly.
- </p>
- <p>
- &ldquo;I can't very well do that,&rdquo; he said quietly, &ldquo;because it was Claire who
- brought me here.&rdquo;
- </p>
- <p>
- &ldquo;Claire brought you!&rdquo; The old blue eyes grew very hard and very steady.
- &ldquo;That's a lie! She never saw you after you got out at the corner that
- night until you came in through the window here. She didn't tell you where
- she lived. She didn't invite you here. She's not that kind, and, sick
- though you may be, I'll not keep my hands off you, if&mdash;&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Steady, Hawkins&mdash;steady!&rdquo; said John Bruce, his voice as quiet as
- before. &ldquo;We seem to possess a common bond. You seem to be pretty fond of
- Claire. Well, so am I. That ought to make us allies.&rdquo; He held out his hand
- suddenly to the old man. &ldquo;I had just asked Claire to marry me when you
- came to the door.&rdquo;
- </p>
- <p>
- Hawkins stared from the outstretched hand into John Bruce's eyes, and back
- again at the outstretched hand. Bewilderment, hesitation, a curious
- excitement was in his face.
- </p>
- <p>
- &ldquo;You asked Claire to marry you?&rdquo; He swallowed hard. &ldquo;You&mdash;you want to
- marry Claire? I&mdash;why?&rdquo;
- </p>
- <p>
- &ldquo;Why?&rdquo; John Bruce echoed helplessly. &ldquo;Good Lord, Hawkins, you <i>are</i> a
- queer one! Barring beasts like Crang, why does a man ordinarily ask a
- woman to marry him? Because he loves her. Well, I love Claire. I loved her
- from the moment I saw her. I followed her, or, rather, that old bus of
- yours, here that night. And that is how, after that fight at Ratti's when
- I got out the back door and into the lane, I crawled over here for
- sanctuary. I said Claire brought me here. You understand now, don't you?
- That's how she brought me here&mdash;because I loved her that night. But
- it is because of Crang&rdquo;&mdash;his voice grew hard&mdash;&ldquo;that I am telling
- you this. I love her now&mdash;and a great deal too much, whether she
- could ever care for me or not, to see her in the clutches of a crook, and
- her life wrecked by a degenerate cur. And somehow&rdquo;&mdash;his hand was
- still extended&mdash;&ldquo;I thought you seemed to think enough of her to feel
- the same way about this marriage&mdash;for I imagine you must know about
- it. Well, Hawkins, where do you stand? There's something rotten here. Are
- you for Claire, or the dope-eater?&rdquo;
- </p>
- <p>
- &ldquo;Oh, my God!&rdquo; Hawkins whispered huskily. And then almost blindly he
- snatched at John Bruce's hand and wrung it hard. &ldquo;I&mdash;I believe you're
- straight,&rdquo; he choked. &ldquo;I know you are. I can see it in your eyes. I
- wouldn't ask anything more in the world for her than a man's honest love.
- And she ain't going to marry that devil! You understand?&rdquo; His voice was
- rising in a curious cracked shrillness. &ldquo;She ain't! Not while old Hawkins
- is alive!&rdquo;
- </p>
- <p>
- John Bruce drew his brows together in a puzzled way.
- </p>
- <p>
- &ldquo;I pass you up, Hawkins,&rdquo; he said slowly. &ldquo;I can't make you out. But if
- you mean what you say, and if you trust me&mdash;&mdash;&rdquo;
- </p>
- <p>
- &ldquo;I'm going to trust you!&rdquo; There was eagerness, excitement, a tremble in
- the old man's voice. &ldquo;I've got to trust you after what you've said. I
- ain't slept for nights on account of this. It looks like God sent you. You
- wait! Wait just a second, and I'll show you how much I trust you.&rdquo;
- </p>
- <p>
- John Bruce straightened up in his chair. Was the old man simply erratic,
- or perhaps a little irresponsible&mdash;or what? Hawkins had pattered
- across the floor, had cautiously opened the door, and was now peering with
- equal caution into the outer room. Apparently satisfied at last, he closed
- the door noiselessly, and started back across the room. And then John
- Bruce knew suddenly an indefinable remorse at having somehow misjudged the
- shabby old chauffeur, whose figure seemed to totter now a little as it
- advanced toward him. Hawkins' face was full of misery, and the old blue
- eyes were brimming with tears.
- </p>
- <p>
- &ldquo;It&mdash;it ain't easy&rdquo;&mdash;Hawkins' voice quavered&mdash;&ldquo;to say&mdash;what
- I got to say. There ain't no one on earth but Paul Veniza knows it; but
- you've got a right to know after what you've said. And I've got to tell
- you for Claire's sake too, because it seems to me there ain't nobody going
- to help me save her the way you are. She&mdash;she's my little girl. I&mdash;I'm
- Claire's father.&rdquo; John Bruce stared numbly at the other. He could find no
- words; he could only stare.
- </p>
- <p>
- &ldquo;Yes, look at me!&rdquo; burst out the old man finally, and into his voice there
- came an infinite bitterness. &ldquo;Look at my clothes! I'm just what I look
- like! I ain't no good&mdash;and that's what has kept my little girl and me
- apart from the day she was born. Yes, look at me! I don't blame you!&rdquo;
- </p>
- <p>
- John Bruce was on his feet. His hand reached out and rested on the old
- man's shoulder.
- </p>
- <p>
- &ldquo;That isn't the way to trust me, Hawkins,&rdquo; he said gently. &ldquo;What do your
- clothes matter? What do your looks matter? What does anything in the world
- matter alongside of so wonderful a thing as that which you have just told
- me? Straighten those shoulders, Hawkins; throw back that head of yours.
- Her father! Why, you're the richest man in New York, and you've reason to
- be the proudest!&rdquo;
- </p>
- <p>
- John Bruce was smiling with both lips and eyes into the other's face. He
- felt a tremor pass through the old man's frame; he saw a momentary flash
- of joy and pride light up the wrinkled, weather-beaten face&mdash;and then
- Hawkins turned his head away.
- </p>
- <p>
- &ldquo;God bless you,&rdquo; said Hawkins brokenly; &ldquo;but you don't know. She's all
- I've got; she's the only kith and kin I've got in all the world, and oh,
- my God, how these old arms have ached just to take her and hold her tight,
- and&mdash;and&mdash;&mdash;&rdquo; He lifted his head suddenly, met John Bruce's
- eyes, and a flush dyed his cheeks. &ldquo;She's my little girl; but I lie when I
- say I love her. It's drink I love. That's my shame, John Bruce&mdash;you've
- got it all now. I pawned my soul, and I pawned my little girl for drink.&rdquo;
- </p>
- <p>
- &ldquo;Hawkins,&rdquo; said John Bruce huskily, &ldquo;I think you're a bigger man than
- you've any idea you are.&rdquo;
- </p>
- <p>
- &ldquo;D'ye mean that?&rdquo; Hawkins spoke eagerly&mdash;only to shake his head
- miserably the next instant. &ldquo;You don't understand,&rdquo; he said. &ldquo;I as good as
- killed her mother with drink. She died when Claire was born. I brought
- Claire here, and Paul Veniza and his wife took her in. And Paul Veniza was
- right about it. He made me promise she wasn't to know I was her father
- until&mdash;until she would have a man and not a drunken sot to look after
- her. That's twenty years ago. I've tried.. God knows I've tried, but it's
- beaten me ever since. Paul's wife died when Claire was sixteen, and
- Claire's run the house for Paul&mdash;and&mdash;and I'm Hawkins&mdash;just
- Hawkins&mdash;the old cab driver that's dropping in the harness. Just
- Hawkins that shuffers the traveling pawn-shop now that Paul's quit the
- regular shop. That's what I am&mdash;just old Hawkins, who's always
- swearing to God he's going to leave the booze alone.&rdquo;
- </p>
- <p>
- John Bruce did not speak for a moment. He returned to his chair and sat
- down. Somehow he wanted to think; somehow he felt that he had not quite
- grasped the full significance of what he had just heard. He looked at
- Hawkins. Hawkins had sunk into a chair by the table, and his face was
- buried in his hands.
- </p>
- <p>
- And then John Bruce smiled.
- </p>
- <p>
- &ldquo;Look here, Hawkins,&rdquo; he said briskly, &ldquo;let's talk about something else
- for a minute. Tell me about Paul Veniza and this traveling pawn-shop. It's
- a bit out of the ordinary, to say the least.&rdquo;
- </p>
- <p>
- Hawkins raised his head, and his thoughts for the moment diverted into
- other channels, his face brightened, and he scratched at the scanty fringe
- of hair behind his ear.
- </p>
- <p>
- &ldquo;It ain't bad, is it?&rdquo; he said with interest. &ldquo;I'm kind of proud of it
- too, 'cause I guess mabbe, when all's said and done, it was my idea. You
- see, when Paul's wife died, Paul went all to pieces. He ain't well now,
- for that matter&mdash;nowhere near as well as he looks. I'm kind of scared
- about Paul. He keeps getting sick turns once every so often. But when the
- wife died he was just clean broken up. She'd been his right hand from the
- start in his business here, and&mdash;I dunno&mdash;it just seemed to
- affect him that way. He didn't want to go on any more without her. And as
- far as money was concerned he didn't have to. Paul ain't rich, but he's
- mighty comfortably off. Anyway, he took the three balls down from over the
- door, and he took the signs off the windows, and in comes the carpenters
- to change things around here, and there ain't any more pawn-shop.&rdquo;
- </p>
- <p>
- Hawkins for the first time smiled broadly.
- </p>
- <p>
- &ldquo;But it didn't work out,&rdquo; said Hawkins. &ldquo;Paul's got a bigger business and
- a more profitable one to-day than he ever had before in his life. You see,
- he had been at it a good many years, and he had what you might call a
- private connection&mdash;swells up on the Avenue, mostly ladies, but gents
- too, who needed money sometimes without having it printed in the papers,
- and they wouldn't let Paul alone. Paul ain't got a hair in his head that
- ain't honest and fair and square and above-board&mdash;and they were the
- ones that knew it better than anybody else. See?&rdquo;
- </p>
- <p>
- &ldquo;Yes,&rdquo; said John Bruce. &ldquo;Go on, Hawkins,&rdquo; he prompted.
- </p>
- <p>
- &ldquo;Well,&rdquo; said Hawkins, &ldquo;I used to drive an old hansom cab in those days,
- and I used to drive Paul out on those private calls to the swell houses.
- And then when Mrs. Paul died and Paul closed up the shop here he kind of
- drew himself into his shell all round, and mostly he wouldn't go out any
- more, though the swells kept telephoning and telephoning him. He'd only go
- to just a few people that he'd done business with since almost the
- beginning. He said he didn't want to go around ringing people's doorbells,
- and being ushered into boudoirs or anywhere else, and he was settling down
- to shun everybody and everything. It wasn't good for Paul. And then a sort
- of crazy notion struck me, and I chewed it over and over in my mind, and
- finally I put it up to Paul. In the mood he was in, it just caught his
- fancy; and so I bought a second-hand closed car, and fitted it up like you
- saw, and learned to drive it&mdash;and that's how there came to be the
- traveling pawn-shop.
- </p>
- <p>
- &ldquo;After that, there wasn't anything to it. It caught everybody else's fancy
- as well as Paul's, and it began to get him out of himself. The old bus, as
- you called it, was running all the time. Lots of the swells who really
- didn't want to pawn anything took a ride and did a bit of business just
- for the sake of the experience, and the regular customers just went nutty
- over it, they were that pleased.
- </p>
- <p>
- &ldquo;And then some one who stood in with that swell gambling joint where we
- picked you up must have tipped the manager off about it, and he saw where
- he could do a good stroke of business&mdash;make it a kind of
- advertisement, you know, besides doing away with any lending by the house
- itself, and he put up a proposition to Paul where Paul was to get all the
- business at regular rates, and a bit of a salary besides on account of the
- all-night hours he'd have to keep sometimes. Paul said he'd do it, and
- turned the salary over to me; and they doped out that pass word about a
- trip to Persia to make it sound mysterious and help out the advertising
- end, and&mdash;well, I guess that's all.&rdquo;
- </p>
- <p>
- John Bruce was twirling the tassel of his dressing gown again
- abstractedly; but now he stopped as Hawkins rose abruptly and came toward
- him.
- </p>
- <p>
- &ldquo;No&mdash;it ain't all,&rdquo; said Hawkins, a curious note almost of challenge
- in his voice. &ldquo;You said something about Claire going to that gambling
- joint. It was the first time she had ever been there. That night Paul was
- out when they telephoned. You must be one of their big customers, 'cause
- they wouldn't listen to anything but a trip to Persia right on the spot.
- They were so set on it that Claire said it would be all right. She sent
- for me. At first I wasn't for it at all, but she said it seemed to be of
- such importance, and that there wasn't anything else to do. Claire knows a
- bit of jewelry or a stone as well as Paul does, and I knew Claire could
- take care of herself; and besides, although she didn't know it, it&mdash;it
- was her own old father driving the car there with her.&rdquo;
- </p>
- <p>
- &ldquo;Thank you, Hawkins,&rdquo; said John Bruce simply; and after a moment: &ldquo;It
- doesn't make the love I said I had for her show up very creditably to me,
- does it&mdash;that I should have had any questions?&rdquo;
- </p>
- <p>
- Hawkins shook his head.
- </p>
- <p>
- &ldquo;I didn't mean it that way,&rdquo; he said earnestly. &ldquo;It would have been a
- wonder if you hadn't. Anyway, you had a right to know, and it was only
- fair to Claire.&rdquo;
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0009" id="link2HCH0009"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER NINE&mdash;THE CONSPIRATORS
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">J</span>OHN BRUCE fumbled
- in the pocket of his dressing gown and produced a cigarette; but he was a
- long time in lighting it.
- </p>
- <p>
- &ldquo;Hawkins,&rdquo; he demanded abruptly, &ldquo;is Paul Veniza in the house now?&rdquo;
- </p>
- <p>
- &ldquo;He's upstairs, I think,&rdquo; Hawkins answered. &ldquo;Do you want him?&rdquo;
- </p>
- <p>
- &ldquo;Yes&mdash;in a moment,&rdquo; said John Bruce slowly. &ldquo;I've been thinking a
- good deal while you were talking. I can only see things one way; and that
- is that the time has come when you should take your place as Claire's
- father.&rdquo;
- </p>
- <p>
- The old man drew back, startled.
- </p>
- <p>
- &ldquo;Tell Claire?&rdquo; he whispered. Then he shook his head miserably. &ldquo;No, no! I&mdash;I
- haven't earned the right. I&mdash;I can't break my word to Paul.&rdquo;
- </p>
- <p>
- &ldquo;I do not ask you to break your word to Paul. I want you to earn the right&mdash;now.&rdquo;
- </p>
- <p>
- Hawkins was still shaking his head.
- </p>
- <p>
- &ldquo;Earn it now&mdash;after all these years! How can I?&rdquo;
- </p>
- <p>
- &ldquo;By promising that you won't drink any more,&rdquo; said John Bruce quietly.
- </p>
- <p>
- Hawkins' eyes went to the floor.
- </p>
- <p>
- &ldquo;Promise!&rdquo; he said in a shamed way. &ldquo;I've been promising that for twenty
- years. Paul wouldn't believe me. I wouldn't believe myself. I went and got
- drunker than I've been in all my life the night that dog said he was going
- to marry Claire, and Claire said it was true, and wouldn't listen to
- anything Paul could say to her against it.&rdquo;
- </p>
- <p>
- &ldquo;I would believe you,&rdquo; said John Bruce gravely.
- </p>
- <p>
- For an instant Hawkins' face glowed, while tears came into the old blue
- eyes&mdash;and then he turned hurriedly and walked to the window, his back
- to John Bruce.
- </p>
- <p>
- &ldquo;It's no use,&rdquo; he said, with a catch in his voice. &ldquo;You don't know me.
- Nobody that knows me would take my word for that&mdash;least of all Paul.&rdquo;
- </p>
- <p>
- &ldquo;I know this,&rdquo; said John Bruce steadily, &ldquo;that you have never been really
- put to the test. The test is here now. You'd stop, and stop forever,
- wouldn't you, if it meant Claire's happiness, her future, her salvation
- from the horror and degradation and misery and utter hopelessness that a
- life with a man who is lost to every sense of decency must bring her? I
- would believe you if you promised under those conditions. It seems to me
- to be the only chance there is left to save her. It is true she believes
- Paul is her father and accepts him as such, and neither his influence nor
- his arguments will move her from her determination to marry Crang; but I
- think there is a chance if she is told your story, if she is brought to
- her own father through this very thing. I think if you are in each other's
- arms at last after all these years from just that cause it might succeed
- where everything else failed. But this much is sure. It has a chance of
- success, and you owe Claire that chance. Will you take it, Hawkins? Will
- you promise?&rdquo;
- </p>
- <p>
- There was no answer from the window, only the shaking of the old man's
- shoulders.
- </p>
- <p>
- &ldquo;Hawkins,&rdquo; said John Bruce softly, &ldquo;wouldn't it be very wonderful if you
- saved her, and saved yourself; and wonderful, too, to know the joy of your
- own daughter's love?&rdquo;
- </p>
- <p>
- The old man turned suddenly from the window, his arms stretched out before
- him as though in intense yearning; and there was something almost of
- nobility in the gray head held high on the bent shoulders, something of
- greatness in the old wrinkled face that seemed to exalt the worn and
- shabby clothes hanging so formlessly about him.
- </p>
- <p>
- &ldquo;My little girl,&rdquo; he said brokenly.
- </p>
- <p>
- &ldquo;Your promise, Hawkins,&rdquo; said John Bruce in a low voice. &ldquo;Will you
- promise?&rdquo;
- </p>
- <p>
- &ldquo;Yes,&rdquo; breathed the old man fiercely. &ldquo;<i>Yes</i>&mdash;so help me, God!
- But&rdquo;&mdash;he faltered suddenly&mdash;&ldquo;but Paul&mdash;&mdash;-&rdquo;
- </p>
- <p>
- &ldquo;Ask Paul to come down here,&rdquo; said John Bruce. &ldquo;I have something to say to
- both of you&mdash;more than I have already said to you. I will answer for
- Paul.&rdquo;
- </p>
- <p>
- The old cab driver obeyed mechanically. He crossed the room and went out.
- John Bruce heard him mounting the stairs. Presently he returned, followed
- by the tall, straight, white-haired figure of Paul Veniza.
- </p>
- <p>
- Hawkins closed the door behind them.
- </p>
- <p>
- Paul Veniza turned sharply at the sound, and glanced gravely from one to
- the other. His eyebrows went up as he looked at John Bruce. John Bruce's
- face was set.
- </p>
- <p>
- &ldquo;What is the matter?&rdquo; inquired Paul Veniza anxiously.
- </p>
- <p>
- &ldquo;I want you to listen first to a little story,&rdquo; said John Bruce seriously&mdash;and
- in a few words he told Paul Veniza, as he had told Hawkins, of his love
- for Claire and the events of the night that had brought him there a
- wounded man. &ldquo;And this afternoon,&rdquo; John Bruce ended, &ldquo;I asked Claire to
- marry me, and she told me she was going to marry Doctor Crang.&rdquo;
- </p>
- <p>
- Paul Veniza had listened with growing anxiety, casting troubled and
- uncertain glances the while at Hawkins.
- </p>
- <p>
- &ldquo;Yes,&rdquo; he said in a low voice.
- </p>
- <p>
- John Bruce spoke abruptly:
- </p>
- <p>
- &ldquo;Hawkins has promised he will never drink again.&rdquo;
- </p>
- <p>
- Paul Veniza, with a sudden start, stared at Hawkins, and then a sort of
- kindly tolerance dawned in his face.
- </p>
- <p>
- &ldquo;My poor friend!&rdquo; said Paul Veniza as though he were comforting a wayward
- child, and went over and laid his hand affectionately on Hawkins' arm.
- </p>
- <p>
- &ldquo;I have told Hawkins,&rdquo; went on John Bruce, &ldquo;that I love Claire, that I
- asked her to marry me; and Hawkins in turn has told me he is Claire's
- father, and how he brought her to you and Mrs. Veniza when she was a baby,
- and of the pledge he made you then. It is because I love Claire too that I
- feel I can speak now. You once told Hawkins how he could redeem his
- daughter. He wants to redeem her now. He has promised never to drink
- again.&rdquo;
- </p>
- <p>
- Paul Veniza's face had whitened a little. Half in a startled, half in a
- troubled way, he looked once more at John Bruce and then at Hawkins.
- </p>
- <p>
- &ldquo;My poor friend!&rdquo; he said again.
- </p>
- <p>
- John Bruce's hand on the arm of his chair clenched suddenly.
- </p>
- <p>
- &ldquo;You may perhaps feel that he should not have told me of his relationship
- to Claire; but it was this damnable situation with Crang that forced the
- issue.&rdquo;
- </p>
- <p>
- Paul Veniza left Hawkins' side and began to pace the room in an agitated
- way.
- </p>
- <p>
- &ldquo;No!&rdquo; he said heavily. &ldquo;I do not blame Hawkins. We&mdash;we neither of us
- know what to do. It is a terrible, an awful thing. Crang is like some
- loathsome creature to her, and yet in some way that I cannot discover he
- has got her into his power. I have tried everything, used every argument I
- can with her, pleaded with her&mdash;and it has been useless.&rdquo; He raised
- his arms suddenly above his head, partly it seemed in supplication, partly
- in menace. &ldquo;Oh, God!&rdquo; he cried out. &ldquo;I, too, love her, for she has really
- been my daughter through all these years. But I do not quite understand.&rdquo;
- He turned to Hawkins. &ldquo;Even if you kept your promise now, my friend, what
- connection has that with Doctor Crang? Could that in any way prevent this
- marriage?&rdquo;
- </p>
- <p>
- It was John Bruce who answered.
- </p>
- <p>
- &ldquo;It is the last ditch,&rdquo; he said evenly; &ldquo;the one way you have not tried&mdash;to
- tell her her own and her father's story. I do not say it will succeed. But
- it is the great crisis in her life. It is the one thing in the world that
- ought to sway her, win her. Her father! After twenty years&mdash;her
- father!&rdquo;
- </p>
- <p>
- Paul Veniza's hands, trembling, ruffled through his white hair. Hawkins'
- fingers fumbled, now with the buttons on his vest, now with the brim of
- his hat which He had picked up aimlessly from the table; and his eyes,
- lifting from the floor, glanced timorously, almost furtively, at Paul
- Veniza, and sought the floor again.
- </p>
- <p>
- John Bruce got up from his chair and stepped toward them.
- </p>
- <p>
- &ldquo;I want to tell you something,&rdquo; he said sharply, &ldquo;that ought to put an end
- to any hesitation on your parts at <i>any</i> plan, no matter what, that
- offers even the slightest chance of stopping this marriage. Listen! Devil
- though you both believe this Crang to be, you do not either of you even
- know the man for what he is. While I was lying there&rdquo;&mdash;he flung out
- his hand impulsively toward the couch&mdash;&ldquo;the safe here in this room
- was opened and robbed one night. You know that. But you do not know that
- it was done by Doctor Crang and his confederates. You know what happened.
- But you do not know that while the 'burglars' pretended to hold Crang at
- bay with a revolver and then made their 'escape,' Crang, with most of the
- proceeds of that robbery in his own pockets, was laughing up his sleeve at
- you.&rdquo;
- </p>
- <p>
- Hawkins' jaw had dropped as he stared at John Bruce.
- </p>
- <p>
- &ldquo;Crang did it! You&mdash;you say Crang committed that robbery?&rdquo; stammered
- Paul Veniza. &ldquo;But you were unconscious! Still you&mdash;you seem to know
- that the safe was robbed!&rdquo;
- </p>
- <p>
- &ldquo;Apparently I do!&rdquo; John Bruce laughed shortly. &ldquo;Crang too thought I was
- unconscious, but to make sure he jabbed me with his needle. It took effect
- just at the right time&mdash;for Crang&mdash;just as you and Claire
- appeared in the doorway. And&rdquo;&mdash;his brows knitted together&mdash;&ldquo;it
- seems a little strange that none of you have ever mentioned it in my
- presence; that not a word has ever been said to me about it.&rdquo;
- </p>
- <p>
- Paul Veniza coughed nervously.
- </p>
- <p>
- &ldquo;You were sick,&rdquo; he said; &ldquo;too sick, we thought, for any excitement.&rdquo;
- </p>
- <p>
- Hawkins suddenly leaned forward; his wrinkled face was earnest.
- </p>
- <p>
- &ldquo;That is not true!&rdquo; he said bluntly. &ldquo;It might have been at first, but it
- wasn't after you got better. It was mostly your money that was stolen.
- Claire put it there the night you came here, and&mdash;&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Hawkins!&rdquo; Paul Veniza called out sharply in reproof.
- </p>
- <p>
- &ldquo;But he knows now it's gone,&rdquo; said the old cabman a little helplessly. He
- blundered on: &ldquo;Paul felt he was responsible for your money, and he was
- afraid you might not want to take it if you knew he had to make it up out
- of his own pocket, and&mdash;&mdash;&rdquo;
- </p>
- <p>
- John Bruce took a step forward, and laid his hand on Paul Veniza's
- shoulder. He stood silently, looking at the other.
- </p>
- <p>
- &ldquo;It is nothing!&rdquo; said Paul Veniza, abashed.
- </p>
- <p>
- &ldquo;Perhaps not!&rdquo; said John Bruce. &ldquo;But&rdquo;&mdash;he turned abruptly away, his
- lips tight&mdash;&ldquo;it just made me think for a minute. In the life I've led
- men like you are rare.&rdquo;
- </p>
- <p>
- &ldquo;We were speaking of Doctor Crang,&rdquo; said Paul Veniza a little awkwardly.
- &ldquo;If you know that Doctor Crang is the thief, then that is the way out of
- our trouble. Instead of marrying Claire, he will be sent to prison.&rdquo;
- </p>
- <p>
- John Bruce shook his head.
- </p>
- <p>
- &ldquo;You said yourself I was unconscious at the time. You certainly must have
- found me that way, and Crang would make you testify that for days I had
- been raving in delirium. I do not think you could convict him on my
- testimony.&rdquo;
- </p>
- <p>
- &ldquo;But even so,&rdquo; said Paul Veniza, &ldquo;there is Claire. If she knew that Crang
- was a criminal, she&mdash;&mdash;&rdquo;
- </p>
- <p>
- &ldquo;She does know,&rdquo; said John Bruce tersely.
- </p>
- <p>
- &ldquo;Claire knows!&rdquo; ejaculated Paul Veniza in surprise. &ldquo;You&mdash;you told
- her, then?&rdquo;
- </p>
- <p>
- &ldquo;No,&rdquo; John Bruce answered. &ldquo;I said to her: 'Suppose I were to tell you
- that the man is a criminal?' She answered: 'He is a criminal.' I said
- then: 'Suppose he were sent to jail&mdash;to serve a sentence?' She
- answered: 'I would marry him when he came out.'&rdquo;
- </p>
- <p>
- &ldquo;My God!&rdquo; mumbled the old cabman miserably.
- </p>
- <p>
- &ldquo;I tell you this,&rdquo; said John Bruce through set teeth, and speaking
- directly to Paul Veniza, &ldquo;because it seems to me to be the final proof
- that mere argument with Claire is useless, and that something more is
- necessary. I do not ask you to release Hawkins from his pledge; I ask you
- to believe his promise this time because back of it he knows it may save
- Claire from what would mean worse than death to her. I believe him; I will
- vouch for him. Do you agree, Paul Veniza?&rdquo;
- </p>
- <p>
- For an instant the white-haired pawnbroker seemed lost in thought; then he
- nodded his head gravely.
- </p>
- <p>
- &ldquo;In the last few days,&rdquo; he said slowly, &ldquo;I have felt that it was no longer
- my province to masquerade as her father. I know that my influence is
- powerless. As you have said, it is the crisis, a very terrible crisis, in
- her life.&rdquo; He turned toward Hawkins, and held out his hand. &ldquo;My old
- friend&rdquo;&mdash;his voice broke&mdash;&ldquo;I pray Heaven to aid you&mdash;to aid
- us all.&rdquo;
- </p>
- <p>
- Hawkins' blue eyes filled suddenly with tears.
- </p>
- <p>
- &ldquo;You believe me, too, Paul, this time!&rdquo; he said in a choking voice.
- &ldquo;Listen, Paul! I promise! So help me, God&mdash;I promise!&rdquo;
- </p>
- <p>
- A lump had somehow risen in John Bruce's throat. He turned away, and for a
- moment there was silence in the room. And then he heard Paul Veniza speak:
- </p>
- <p>
- &ldquo;She is dear to us all. Let us call her&mdash;unless, my old friend, you
- would rather be alone.&rdquo;
- </p>
- <p>
- &ldquo;No, no!&rdquo; Hawkins cried hurriedly. &ldquo;I&mdash;I want you both; but&mdash;but
- not now, don't call her now.&rdquo; He swept his hands over his shabby,
- ill-fitting clothes. &ldquo;I&mdash;not like this. I&mdash;&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Yes,&rdquo; said Paul Veniza gently, &ldquo;I understand&mdash;and you are right.
- This evening then&mdash;at eight o'clock. You will come back here, my old
- friend, at eight o'clock. And do you remember, it was in this very room,
- twenty years ago, that&mdash;&mdash;&rdquo; He did not complete his sentence;
- the hot tears were streaming unashamed down his cheeks.
- </p>
- <p>
- John Bruce was staring out of the window, the panes of which seemed
- curiously blurred.
- </p>
- <p>
- &ldquo;Come,&rdquo; he heard Paul Veniza say.
- </p>
- <p>
- And then, as the two men reached the door, John Bruce looked around.
- Hawkins had turned on the threshold. Something seemed to have transfigured
- the old cab driver's face. It was illumined. There seemed something of
- infinite pathos in the head held high, in the drooped shoulders resolutely
- squared.
- </p>
- <p>
- &ldquo;My little girl!&rdquo; said Hawkins tenderly. &ldquo;To-night at eight o'clock&mdash;my
- little girl!&rdquo;
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0010" id="link2HCH0010"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER TEN&mdash;AT FIVE MINUTES TO EIGHT
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">B</span>EFORE the rickety
- washstand and in front of the cracked glass that served as a mirror and
- was suspended from a nail driven into the wall, Hawkins was shaving
- himself. Perhaps the light from the wheezing gas-jet was over-bad that
- evening, or perhaps it was only in playful and facetious mood with the
- mirror acting the rôle of co-conspirator; Hawkins' chin smarted and was
- raw; little specks of red showed here and there through the repeated coats
- of lather which he kept scraping off with his razor. But Hawkins appeared
- willing to sacrifice even the skin itself to obtain the standard of
- smoothness which he had evidently set before himself as his goal. And so
- over and over again he applied the lather, and hoed it off, and tested the
- result by rubbing thumb and forefinger critically over his face. He made
- no grimace, nor did he show any irritation at the none-too-keen blade that
- played havoc with more than the lather, nor did he wince at what must at
- times have been anything but a painless operation. Hawkins' round,
- weatherbeaten face and old watery blue eyes smiled into the mirror.
- </p>
- <p>
- On the washstand beside him lay a large, ungainly silver watch, its case
- worn smooth with years of service. It had a hunting-case, and it was open.
- Hawkins glanced at it. It was twenty minutes to eight.
- </p>
- <p>
- &ldquo;I got to hurry,&rdquo; said Hawkins happily. &ldquo;Just twenty minutes&mdash;after
- twenty years.&rdquo;
- </p>
- <p>
- Hawkins laid aside the razor, and washed and scrubbed at his face until it
- shone; then he went to his trunk and opened it. From underneath the tray
- he lifted out an old black suit. Perhaps again it was the gas-jet in
- either baleful or facetious mood, for, as he put on the suit, the cloth in
- spots seemed to possess, here a rusty, and there a greenish, tinge, and
- elsewhere to be woefully shiny. Also, but of this the gas-jet could not
- have been held guilty, the coat and trousers, and indeed the waistcoat,
- were undeniably most sadly wrinkled.
- </p>
- <p>
- And now there seemed to be something peculiarly congruous as between the
- feeble gas-jet, the cracked mirror, the wobbly washstand, the threadbare
- strip of carpet that lay beside the iron bed, and the old bent-shouldered
- figure with wrinkled face in wrinkled finery that stood there knotting
- with anxious, awkward fingers a large, frayed, black cravat about his
- neck; there seemed to be something strikingly in keeping between the man
- and his surroundings, a sort of common intimacy, as it were, with the
- twilight of an existence that, indeed, had never known the full sunlight
- of high noon.
- </p>
- <p>
- It was ten minutes to eight.
- </p>
- <p>
- Hawkins put the silver watch in his pocket, extinguished the spluttering
- gas-jet, that hissed at him as though in protest at the scant ceremony
- with which it was treated, and went down the stairs. He stepped briskly
- out on the street.
- </p>
- <p>
- &ldquo;Claire!&rdquo; said Hawkins radiantly. &ldquo;My little Claire! I'm her daddy, and
- she's going to know it. I'm going to get her to call me that&mdash;daddy!&rdquo;
- </p>
- <p>
- Hawkins walked on halfway along the block, erect, with a quick, firm step,
- his head high, smiling into every face he met&mdash;and turning to smile
- again, conscious that people as they passed had turned to look back at
- him. And then very gradually Hawkins' pace slackened, and into his face
- and eyes there came a dawning anxiety, and the smile was gone.
- </p>
- <p>
- &ldquo;I'm kind of forgetting,&rdquo; said Hawkins presently to himself, &ldquo;that it
- ain't just that I'm getting my little girl. I&mdash;I'm kind of forgetting
- her 'rouble. There&mdash;there's Crang.&rdquo;
- </p>
- <p>
- The old man's face was furrowed now deep with storm and care; he walked
- still more slowly. He began to mutter to himself. At the corner of the
- street he raised an old gnarled fist and shook it, clenched, above his
- head, unconscious and oblivious now that people still turned and looked at
- him.
- </p>
- <p>
- And then a little way ahead of him along the street that he must go to
- reach the one-time pawn-shop of Paul Veniza, his eyes caught the patch of
- light that filtered out to the sidewalk from under the swinging doors of
- the familiar saloon, and from the windows in a more brilliant flood.
- </p>
- <p>
- Hawkins drew in a long breath.
- </p>
- <p>
- &ldquo;No, no!&rdquo; he whispered fiercely. &ldquo;I will never go in there again&mdash;so
- help me, God! If I did&mdash;and&mdash;and she knew it was her daddy, it
- would just break her heart like&mdash;like Crang 'll break it.&rdquo;
- </p>
- <p>
- He went on, but his footsteps seemed to drag the more now as he approached
- the saloon. His hand as he raised it trembled; and as he brushed it across
- his brow it came away wet with sweat.
- </p>
- <p>
- The saloon was just a yard away from him now.
- </p>
- <p>
- There was a strange, feverish glitter in the blue eyes. His face was
- chalky white.
- </p>
- <p>
- &ldquo;So help me, God!&rdquo; Hawkins mumbled hoarsely.
- </p>
- <p>
- It was five minutes of eight.
- </p>
- <p>
- Hawkins had halted in front of the swinging doors.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0011" id="link2HCH0011"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER ELEVEN&mdash;THE RENDEZVOUS
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">P</span>AUL VENIZA, pacing
- restlessly about the room, glanced surreptitiously at his watch, and then
- glanced anxiously at John Bruce.
- </p>
- <p>
- John Bruce in turn stole a look at Claire. His lips tightened a little.
- Since she had been told nothing, she was quite unconscious, of course,
- that it mattered at all because it was already long after eight o'clock;
- that Hawkins in particular, or any one else in general, was expected to
- join the little evening circle here in what he, John Bruce, had by now
- almost come to call his room. His forehead gathered in a frown. What was
- it that was keeping Hawkins?
- </p>
- <p>
- Claire's face was full in the light, and as she sat there at the table,
- busy with some sewing, it seemed to John Bruce that, due perhaps to the
- perspective of what he now knew, he detected a weariness in her eyes and
- in sharp lines around her mouth, that he had not noticed before. It was
- Crang, of course; but perhaps he too&mdash;what he had said to her that
- afternoon&mdash;his love&mdash;had not made it any easier for her.
- </p>
- <p>
- Paul Veniza continued his restless pacing about the room.
- </p>
- <p>
- &ldquo;Father, do sit down!&rdquo; said Claire suddenly. &ldquo;What makes you so nervous
- to-night? Is anything the matter?&rdquo;
- </p>
- <p>
- &ldquo;The matter? No! No, no; of course not!&rdquo; said Paul Veniza hurriedly.
- </p>
- <p>
- &ldquo;But I'm sure there is,&rdquo; said Claire, with a positive' little nod of her
- head. &ldquo;With both of you, for that matter. Mr. Bruce has done nothing but
- fidget with the tassel of that dressing gown for the last half hour.&rdquo;
- </p>
- <p>
- John Bruce let the tassel fall as though it had suddenly burned his
- fingers.
- </p>
- <p>
- &ldquo;I? Not at all!&rdquo; he denied stoutly.
- </p>
- <p>
- &ldquo;Oh, dear!&rdquo; sighed Claire, with mock plaintiveness. &ldquo;What bores you two
- men are, then! I wish I could send out&mdash;what do you call it?&mdash;a
- thought wave, and inspire some one, and most of all Hawkins, to come over
- here this evening. He, at least, is never deadly dull.&rdquo;
- </p>
- <p>
- Neither of the two men spoke.
- </p>
- <p>
- &ldquo;You don't know Hawkins, do you, Mr. Bruce?&rdquo; Claire went on. She was
- smiling now as she looked at John Bruce. &ldquo;I mean really know him, of
- course. He's a dear, quaint, lovable soul, and I'm so fond of him.&rdquo;
- </p>
- <p>
- &ldquo;I'm sure he is,&rdquo; said John Bruce heartily. &ldquo;Even from the little I've
- seen of him I'd trust him with&mdash;well, you know&rdquo;&mdash;John Bruce
- coughed as his words stumbled&mdash;&ldquo;I mean, I'd take his word for
- anything.&rdquo;
- </p>
- <p>
- &ldquo;Of course, you would!&rdquo; asserted Claire. &ldquo;You couldn't think of doing
- anything else&mdash;nobody could. He's just as honest as&mdash;as&mdash;well,
- as father there, and I don't know any one more honest.&rdquo; She smiled at Paul
- Veniza, and then her face grew very earnest. &ldquo;I'm going to tell you
- something about Hawkins, and something that even you never knew, father.
- Ever since I was old enough to remember any one, I remember Hawkins. And
- when I got old enough to understand at all, though I could never get him
- to talk about it, I knew his life wasn't a very happy one, and perhaps I
- loved him all the more for that reason. Hawkins used to drink a great
- deal. Everybody knew it. I&mdash;I never felt I had the right to speak to
- him about it, though it made me feel terribly, until&mdash;until mother
- died.&rdquo;
- </p>
- <p>
- Claire had dropped her sewing in her lap, and now she picked it up again
- and fumbled with it nervously.
- </p>
- <p>
- &ldquo;I spoke to him then,&rdquo; she said in a low voice. &ldquo;I told him how much you
- needed him, father; and how glad and happy it would make me. And&mdash;and
- I remember so well his words: 'I promise, Claire. I promise, so help me,
- God, that I will never drink another drop.'&rdquo; Claire looked up, her face
- aglow &ldquo;And I know, no matter what anybody says, that from that day to
- this, he never has.&rdquo;
- </p>
- <p>
- Paul Veniza, motionless now in the center of the room, was staring at her
- in a sort of numbed fascination.
- </p>
- <p>
- John Bruce was staring at the door. He had heard, he thought, a step in
- the outer room.
- </p>
- <p>
- The door opened. Hawkins stood there. He plucked at his frayed, black
- cravat, which was awry. He lurched against the jamb, and in groping
- unsteadily for support his hat fell from his other hand and rolled across
- the floor.
- </p>
- <p>
- Hawkins reeled into the room.
- </p>
- <p>
- &ldquo;Good&mdash;hic!&mdash;good-evenin',&rdquo; said Hawkins thickly.
- </p>
- <p>
- Claire alone moved. She rose to her feet, but as though her weight were
- too heavy for her limbs. Her lips quivered.
- </p>
- <p>
- &ldquo;Oh, Hawkins!&rdquo; she cried out pitifully&mdash;and burst into tears, and ran
- from the room.
- </p>
- <p>
- It seemed to John Bruce that for a moment the room swirled around before
- his eyes; and then over him swept an uncontrollable desire to get his
- hands upon this maudlin, lurching creature. Rage, disgust, a bitter
- resentment, a mad hunger for reprisal possessed him; Claire's future, her
- faith which she had but a moment gone so proudly vaunted, were all
- shattered, swept to the winds, by this seedy, dissolute wreck. Her father!
- No, her shame! Thank God she did not know!
- </p>
- <p>
- &ldquo;You drunken beast!&rdquo; he gritted in merciless fury, and stepped suddenly
- forward.
- </p>
- <p>
- But halfway across the room he halted as though turned to stone. Hawkins
- wasn't lurching any more. Hawkins had turned and closed the door; and
- Hawkins now, with his face white and drawn, a look in his old blue eyes
- that mingled agony and an utter hopelessness, sank into a chair and buried
- his face in his hands.
- </p>
- <p>
- It was Paul Veniza who moved now. He went and stood behind the old cabman.
- </p>
- <p>
- Hawkins looked up.
- </p>
- <p>
- &ldquo;You are sober. What does this mean?&rdquo; Paul Veniza asked heavily.
- </p>
- <p>
- Hawkins shook his head.
- </p>
- <p>
- &ldquo;I couldn't do it,&rdquo; he said in a broken voice. &ldquo;And&mdash;and I've settled
- it once for all now. I got to thinking as I came along to-night, and I
- found out that it wasn't any good for me to swear I wasn't going to touch
- anything any more. I'm afraid of myself. I&mdash;I came near going into
- the saloon. It&mdash;it taught me something, that did; because the only
- way I could get by was to promise myself I'd go back there after I'd been
- here.&rdquo;
- </p>
- <p>
- Hawkins paused. A flush dyed his cheeks. He turned around and looked at
- Paul Veniza again, and then at John Bruce.
- </p>
- <p>
- &ldquo;You don't understand&mdash;neither of you understand. Once I promised
- Claire that I'd stop, and&mdash;and until just now she believed me. And
- I've hurt her. But I ain't broken her heart. It was only old Hawkins, just
- Hawkins, who promised her then; it would have been her <i>father</i> who
- promised her to-night, and&mdash;and it ain't any good, I'd have broken
- that promise, I know it now&mdash;and she ain't ever going to share that
- shame.&rdquo;
- </p>
- <p>
- Hawkins brushed his hands across his eyes.
- </p>
- <p>
- &ldquo;And then,&rdquo; he went on, A sudden fierceness in his voice, &ldquo;suppose she'd
- had that on top of Crang, 'cause it ain't sure that knowing who I am would
- have saved her from him! Oh, my God, she'd better be dead! I'd rather see
- her dead. You're wrong, John Bruce! It wasn't the way. You meant right,
- and God bless you; but it wasn't the way. I saw it all so clearly after&mdash;after
- I'd got past that saloon; and&mdash;and then it was all right for me to
- promise myself that I'd go back. It wouldn't hurt her none then.&rdquo;
- </p>
- <p>
- John Bruce cleared his throat.
- </p>
- <p>
- &ldquo;I don't quite understand what you mean by that, Hawkins,&rdquo; he said a
- little huskily.
- </p>
- <p>
- Hawkins rose slowly to his feet.
- </p>
- <p>
- &ldquo;I dressed all up for this,&rdquo; said Hawkins, with a wan smile; &ldquo;but
- something's snapped here&mdash;inside here.&rdquo; His hand felt a little
- aimlessly over his heart. &ldquo;I know now that I ain't ever going to be
- worthy; and I know now that she ain't ever to know that I&mdash;that I&mdash;I'm
- her old daddy. And so I&mdash;I've fixed it just now like you saw so there
- ain't no going back on it. But I ain't throwing my little girl down. It
- ain't Claire that's got to be made change her mind&mdash;<i>it's Crang</i>.&rdquo;
- He raised a clenched fist. &ldquo;And Crang's going to change it! I can swear to
- <i>that</i> and know I'll keep it, so&mdash;so help me, God! And when
- she's rid of him, she ain't going to have no shame and sorrow from me.
- That's what I meant.&rdquo;
- </p>
- <p>
- &ldquo;Yes,&rdquo; said John Bruce mechanically.
- </p>
- <p>
- &ldquo;I'm going now,&rdquo; said Hawkins in a low voice. &ldquo;Around by the other way,&rdquo;
- said Paul Veniza softly. &ldquo;And I'll go with you, old friend.&rdquo;
- </p>
- <p>
- For a moment Hawkins hesitated, and then he nodded his head.
- </p>
- <p>
- No one spoke. Paul Veniza's arm was around Hawkins' shoulders as they left
- the room. The door closed behind them. John Bruce sat down on the edge of
- his bed.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0012" id="link2HCH0012"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER TWELVE&mdash;THE FIGHT
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">F</span>OR a long time
- John Bruce stared at the closed door; first a little helplessly because
- the bottom seemed quite to have dropped out of things, and then with set
- face as the old cabman's words came back to him: &ldquo;Crang&mdash;not Claire.&rdquo;
- And at this, a sort of merciless joy crept into his eyes, and he nodded
- his head in savage satisfaction. Yes, Hawkins had been right in that
- respect, and&mdash;well, it would be easier to deal with Crang!
- </p>
- <p>
- And then suddenly John Bruce's face softened. Hawkins! He remembered the
- fury with which the old man had inspired him as the other had reeled into
- the room, and Clare, hurt and miserable, had risen from her chair. But he
- remembered Hawkins in a different way now. It was Hawkins, not Claire, who
- had been hurt. The shabby old figure standing there had paid a price, and
- as he believed for Claire's sake, that had put beyond his reach forever
- what must have meant, what did mean, all that he cherished most in life.
- </p>
- <p>
- John Bruce smiled a little wistfully. Somehow he envied Hawkins, so
- pitifully unstable and so weak&mdash;his strength!
- </p>
- <p>
- He shook his head in a puzzled way. His thoughts led him on. What a
- strange, almost incomprehensible, little world it was into which fate, if
- one wished to call it fate, had flung him! It was an alien world to him.
- His own life of the past rose up in contrast with it&mdash;> not of his
- own volition, but because the comparison seemed to insist on thrusting
- itself upon him.
- </p>
- <p>
- He had never before met men like Hawkins and Paul Veniza. He had met
- drunkards and pawnbrokers. Very many of them! He had lived his life, or,
- rather, impoverished it with a spendthrift hand, among just such classes&mdash;but
- he was conscious that it would never have been the poorer for an intimacy
- with either Hawkins or Paul Veniza.
- </p>
- <p>
- John Bruce raised his head abruptly. The front door had opened. A moment
- later a footstep sounded in the outer room, and then upon the stairs. That
- would be Paul Veniza returning of course, though he hadn't been gone very
- long; or was it that he, John Bruce, had been sitting here staring at that
- closed door for a far longer period than he had imagined?
- </p>
- <p>
- He shrugged his shoulders, dismissing the interruption from his mind, and
- again the wistful smile flickered on his lips.
- </p>
- <p>
- So that was why nothing had been said in his hearing about the robbery!
- Queer people&mdash;with their traveling pawn-shop, which was bizarre; and
- their standards of honesty, and their unaffected hospitality which verged
- on the bizarre too, because their genuineness and simplicity were so
- unostentatious&mdash;and so rare. And somehow, suddenly, as he sat there
- with his chin cupped now in his hands, he was not proud of this contrast&mdash;himself
- on the one hand, a drunkard and a pawnbroker on the other!
- </p>
- <p>
- And then John Bruce raised his head again, sharply this time, almost in a
- startled way. Was that a cry&mdash;in a woman's voice? It was muffled by
- the closed door, and it was perhaps therefore his imagination; but it&mdash;&mdash;
- </p>
- <p>
- He was on his feet. It had come again. No door could have shut it out from
- his ears. It was from Claire upstairs, and the cry seemed most curiously
- to mingle terror and a passionate anger. He ran across the room and threw
- the door open. It was strange! It would be Paul Veniza in a new rôle, if
- the gentle, white-haired old pawnbroker could inspire terror in any one!
- </p>
- <p>
- A rasping, jeering oath&mdash;in a man's voice this time&mdash;reached
- him. John Bruce, a sudden fury whipping his blood into lire, found himself
- stumbling up the stairs. It wasn't Veniza! His mind seemed to convert that
- phrase into a sing-song refrain: &ldquo;It wasn't Veniza! It wasn't Veniza!&rdquo;
- </p>
- <p>
- Claire's voice came to him distinctly now, and there was the same terror
- in it, the same passionate anger that he had distinguished in her cry:
- </p>
- <p>
- &ldquo;Keep away from me! I loathe you! It is men like you that prompt a woman
- to murder! But&mdash;but instead, I have prayed God with all my soul to
- let me die before&mdash;&mdash;&rdquo; Her voice ended in a sharp cry, a scuffle
- of feet.
- </p>
- <p>
- It was Crang in there! John Bruce, now almost at the top of the stairs,
- was unconscious that he was panting heavily from his exertions,
- unconscious of everything save a new refrain that had taken possession of
- his mind: &ldquo;It was Crang in there! It was Crang in there!&rdquo;
- </p>
- <p>
- It was the door just at the right of the landing.
- </p>
- <p>
- Crang's voice came from there; and the voice was high, like the squeal of
- an enraged animal:
- </p>
- <p>
- &ldquo;You're mine! I've got a right to those red lips, you vixen, and I'm going
- to have them! A man's got the right to take the girl he's going to marry
- in his arms! Do you think I'm going to be held off forever? You're mine,
- and&mdash;&mdash;&rdquo;
- </p>
- <p>
- The words were lost again in a cry from Claire, and in the sound of a
- struggle&mdash;a falling chair, the scuffle once more of feet.
- </p>
- <p>
- John Bruce flung himself across the hall and against the door, It yielded
- without resistance, and the impetus of his own rush carried him,
- staggering, far into the room. Two forms were circling there under the gas
- light as though in the throes of some mad dance&mdash;only the face of the
- woman was deathly white, and her small clenched fists beat frantically at
- the face of the man whose arms were around her. John Bruce sprang forward.
- He laughed aloud, unnaturally. His brain, his mind, was whirling; but
- something soft was grasped in his two encircling hands, and that was why
- he laughed&mdash;because his soul laughed. His fingers pressed tighter. It
- was Crang's throat that was soft under his fingers.
- </p>
- <p>
- Suddenly the room swirled around him. A giddiness seemed to seize upon him&mdash;and
- that soft thing in his grip slipped from his fingers and escaped him. He
- brushed his hand across his eyes. It would pass, of course. It was strange
- that he should go giddy like that, and that his limbs should be trembling
- as though with the ague! Again he brushed his hand across his eyes. It
- would pass off. He could see better now. Claire had somehow fallen to the
- floor; but she was rising to her knees now, using the side of the bed for
- support, and&mdash;&mdash;
- </p>
- <p>
- Her voice rang wildly through the room.
- </p>
- <p>
- &ldquo;Look out! Oh, look out!&rdquo; she cried.
- </p>
- <p>
- To John Bruce it seemed as though something leaped at him out of space&mdash;and
- struck. The blow, aimed at his side, which was still bandaged, went home.
- It brought an agony that racked and tore and twisted at every nerve in his
- body. It wrung a moan from his lips, it brought the sweat beads bursting
- out upon his forehead&mdash;but it cleared his brain.
- </p>
- <p>
- Yes, it was Doctor Crang&mdash;but disreputable in appearance as he had
- never before seen the man. Crang's clothes were filthy and unkempt, as
- though the man had fallen somewhere in the mire and was either unconscious
- or callous of the fact; his hair draggled in a matted way over his
- forehead, and though his face worked with passion, and the passion brought
- a curious hectic rose-color to supplant the customary lifeless gray of his
- cheeks, the eyes were most strangely glazed and fixed.
- </p>
- <p>
- And again John Bruce laughed&mdash;and with a vicious guard swept aside a
- second blow aimed at his side, and his left fist, from a full arm swing,
- crashed to the point of Doctor Crang's jaw. But the next instant they had
- closed, their arms locked around each other's waists, their chins dug hard
- into each other's shoulders. And they rocked there, and swayed, and
- lurched, a curious impotence in their ferocity&mdash;and toppled to the
- floor.
- </p>
- <p>
- John Bruce's grip tightened as Doctor Crang fought madly now to tear
- himself free&mdash;and they rolled over and over in the direction of the
- door. Hot and cold waves swept over John Bruce. He was weak, pitifully
- weak, barely a convalescent. But he was content to call it an equal fight.
- He asked for no other odds than Crang himself had offered. The man for
- once had over-steeped himself with dope, and was near the point of
- collapse. He had read that in the other's eyes, as surely as though he had
- been told. And so John Bruce, between his gasping breaths, still laughed,
- and rolled over and over&mdash;always toward the door.
- </p>
- <p>
- From somewhere Claire's voice reached John Bruce, imploringly, in terror.
- Of course! That was why he was trying to get to the door, to get out of
- her room&mdash;through respect for her&mdash;to get somewhere where he
- could finish this fight between one man who could scarcely stand upon his
- feet through weakness, and another whose drug-shattered body was
- approaching that state of coma which he, John Bruce, had been made to
- suffer on the night the robbery had been committed. And by the same
- needle! He remembered that! Weak in body, his mind was very clear. And so
- he rolled over and over, always toward the door, because Crang was
- heedless of the direction they were taking, and he, John Bruce, was
- probably not strong enough in any other way to force the other out of the
- room where they could finish this.
- </p>
- <p>
- They rolled to the threshold&mdash;and out into the hall. John Bruce
- loosened his hold suddenly, staggered to his feet, and leaned heavily for
- an instant against the jamb of the door. But it was only for an instant.
- Crang was the quicker upon his feet. Like a beast there was slaver on the
- other's lips, his hands clawed the air, his face was contorted hideously
- like the face of one demented, one from whom reason had flown, and with
- whom maniacal passion alone remained&mdash;and from the banister railing
- opposite the door Crang launched himself forward upon John Bruce again.
- </p>
- <p>
- &ldquo;She's mine!&rdquo; he screamed. &ldquo;I've been watching you two! I'll teach you!
- She's mine&mdash;mine! I'll finish you for this!&rdquo;
- </p>
- <p>
- John Bruce side-stepped the rush, and Crang pitched with his head against
- the door jamb, but recovering, whirled again, and rushed again. The man
- began to curse steadily now in a low, abominable monotone. It seemed to
- John Bruce that he ought to use his fist as a cork and thrust it into the
- other's mouth to bottle up the vile flow of epithets that included Claire,
- and coupled his name with Claire's. Claire might hear! The man was raving,
- insane with jealousy. John Bruce struck. His fist found its mark on
- Crang's lips, and found it again; but somehow his arm seemed to possess
- but little strength, and to sag back at the elbow from each impact. He
- writhed suddenly as Crang reached him with another blow on his side.
- </p>
- <p>
- And then they had grappled and locked together again, and were swaying
- like drunken men, now to this side, and now to that, of the narrow hall.
- </p>
- <p>
- It could not last. John Bruce felt his knees giving way beneath him. He
- had under-estimated Crang's resistance to the over-dose of drug. Crang was
- the stronger&mdash;and seemed to be growing stronger every instant. Or was
- it his own increasing weakness?
- </p>
- <p>
- Crang's fist with a short-arm jab smashed at John Bruce's wounded side
- once more. The man struck nowhere else&mdash;always, with the cunning born
- of hell, at the wounded side. John Bruce dug his teeth into his lips. A
- wave of nausea swept over him. He felt his senses leaving him, and he
- clung now to the other, close, tight-pressed, as the only means of
- protecting his side.
- </p>
- <p>
- He forced himself then desperately to a last effort. There was one chance
- left, just one. In the livid face, in the hot, panting breath with which
- the other mouthed his hideous profanity, there was murder. Over his
- shoulder, barely a foot away, John Bruce glimpsed the staircase. He let
- his weight sag with seeming helplessness upon Crang. It brought Crang
- around in a half circle. Crang's back was to the stairs now. John Bruce
- let his hands slip slowly from their hold upon the other, as though the
- last of his strength was ebbing away. He accepted a vicious blow on his
- wounded side as the price that he must pay, a blow that brought his chin
- crumpling down upon his breast&mdash;and then with every ounce of
- remaining strength he hurled himself at Crang, and Crang's foot stumbled
- out into space over the topmost stair, and with a scream of infuriated
- surprise the man pitched backward.
- </p>
- <p>
- John Bruce grasped with both hands at the banister for support. Something
- went rolling, rolling, rolling down the stairs with queer, dull thumps
- like a sack of meal. His hands slipped from the banister, and he sat
- limply down on the topmost step and laughed. He laughed because that
- curious looking bundle at the bottom there began a series of fruitless
- efforts to roll back up the stairs again.
- </p>
- <p>
- And then the front door opened. He could see it from where he sat, and
- Paul Veniza&mdash;that was Paul Veniza, wasn't it?&mdash;stepped into the
- room below, and cried out, and ran toward the bundle at the foot of the
- stairs.
- </p>
- <p>
- John Bruce felt some one suddenly hold him back from pitching down the
- stairs himself, but nevertheless he kept on falling and falling into some
- great pit that grew darker and darker the farther he went down, and this
- in spite of some one who tried to hold him back, and&mdash;and who had a
- face that looked like Claire's, only it was as&mdash;as white as driven
- snow. And as he descended into the blackness some one screamed at him:
- &ldquo;I'll finish you for this!&rdquo; And screamed it again&mdash;only the voice
- kept growing fainter. And&mdash;and then he could neither see nor hear any
- more.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <br /><br />
- </p>
- <p>
- When John Bruce opened his eyes again he was lying on his cot. A little
- way from him, their backs turned, Claire and Paul Veniza were whispering
- earnestly together. He watched them for a moment, and gradually as his
- senses became normally acute again he caught Claire's words:
- </p>
- <p>
- &ldquo;He is not safe here for a moment. Father, we must get him away. I am
- afraid. There is not a threat Doctor Crang made to-night but that he is
- quite capable of carrying out.&rdquo;
- </p>
- <p>
- &ldquo;But he is safe for to-night,&rdquo; Paul Veniza answered soothingly. &ldquo;I got
- Crang home to bed, and as I told you, he is too badly bruised and knocked
- about to move around any before morning at least.&rdquo;
- </p>
- <p>
- &ldquo;And yet I am afraid,&rdquo; Claire insisted anxiously. &ldquo;Fortunately Mr. Bruce's
- wound hasn't opened, and he could be moved. Oh, if Hawkins only hadn't&mdash;&mdash;&rdquo;
- </p>
- <p>
- She stopped, and twisted her hands together nervously.
- </p>
- <p>
- Paul Veniza coughed, averted his head suddenly and in turning met John
- Bruce's eyes&mdash;and stared in a startled way.
- </p>
- <p>
- &ldquo;Claire!&rdquo; John Bruce called softly.
- </p>
- <p>
- &ldquo;Oh!&rdquo; she cried, and ran toward him. &ldquo;You&mdash;&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Yes,&rdquo; smiled John Bruce. &ldquo;And I have been listening. Why isn't it safe
- for me to stay here any longer? On account of Crang's wild threats?&rdquo;
- </p>
- <p>
- &ldquo;Yes,&rdquo; she said in a low voice.
- </p>
- <p>
- John Bruce laughed.
- </p>
- <p>
- &ldquo;But you don't believe them, do you?&rdquo; he asked. &ldquo;At least, I mean, you
- don't take them literally.&rdquo; Claire's lips were trembling.
- </p>
- <p>
- &ldquo;There is no other way to take them.&rdquo; She was making an effort to steady
- her voice. &ldquo;It is not a question of believing them. I know only too well
- that he will carry them out if he can. You are not safe here, or even in
- New York now&mdash;but less safe here in this house than anywhere else.&rdquo;
- </p>
- <p>
- John Bruce came up on his elbow.
- </p>
- <p>
- &ldquo;Then, Claire, isn't this the end?&rdquo; he demanded passionately. &ldquo;You know
- him for what he is. You do not love him, for I distinctly heard you tell
- him that you loathed him, as I went up the stairs. Claire, I am not asking
- for myself now&mdash;only for you. Tell me, tell Paul Veniza here, to whom
- it will mean so much, that you have now no further thought of marriage
- with that&rdquo;&mdash;John Bruce's voice choked&mdash;&ldquo;with Crang.&rdquo; She shook
- her head.
- </p>
- <p>
- &ldquo;I cannot tell you that,&rdquo; she said dully, &ldquo;for I am going to marry Doctor
- Crang.&rdquo;
- </p>
- <p>
- John Bruce's face hardened. He looked at Paul Veniza. The old pawnbroker
- had his eyes on the floor, and was ruffling his white hair helplessly with
- his fingers.
- </p>
- <p>
- &ldquo;Why?&rdquo; John Bruce asked.
- </p>
- <p>
- &ldquo;Because I promised,&rdquo; Claire said slowly.
- </p>
- <p>
- &ldquo;But a promise like that!&rdquo; John Bruce burst out. &ldquo;A promise that you will
- regret all your life is&mdash;&mdash;&rdquo;
- </p>
- <p>
- &ldquo;No!&rdquo; Her face was half averted; her head was lowered to hide the tears
- that suddenly welled into her eyes. &ldquo;No; it is a promise that I&mdash;that
- I am glad now I made.&rdquo;
- </p>
- <p>
- &ldquo;<i>Glad!</i>&rdquo; John Bruce sat upright. She had turned her head away from
- the cot. He could not see her face. &ldquo;Glad!&rdquo; he repeated incredulously.
- </p>
- <p>
- &ldquo;Yes.&rdquo; Her voice was scarcely audible.
- </p>
- <p>
- For a moment John Bruce stared at her; then a bitter smile tightened his
- lips, and he lay back on the cot, and turned on his side away from both
- Claire and Paul Veniza.
- </p>
- <p>
- When John Bruce looked around again, only Paul Veniza was in the room.
- </p>
- <p>
- &ldquo;I don't understand,&rdquo; said Paul Veniza&mdash;he was still ruffling his
- hair, still with his eyes on the floor.
- </p>
- <p>
- &ldquo;I do,&rdquo; said John Bruce grimly. &ldquo;Claire is right. It isn't safe for me to
- stay here, and I'll go to-night. If only Hawkins hadn't&mdash;&mdash;&rdquo; He
- laughed a little harshly. &ldquo;But I'll go to-night, just the same. A taxi
- will do quite as well.&rdquo;
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0013" id="link2HCH0013"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER THIRTEEN&mdash;TRAPPINGS OF TINSEL
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">U</span>NDER the shaded
- light on his table, in his private sitting room in the Bayne-Miloy Hotel,
- John Bruce had been writing steadily for half an hour&mdash;but the sheets
- of paper over which his pen had traveled freely and swiftly were virgin
- white. He paused now, remained a moment in thought, and then added a line
- to the last sheet. No mark was left, but from the movement of the pen this
- appeared to be a signature.
- </p>
- <p>
- He gathered the sheets together, folded them neatly, and slipped them into
- an envelope. He replaced the cap on the fountain pen he had been using,
- placed the pen in his vest pocket, and from another pocket took out
- another pen that was apparently identical with the first. With this second
- pen, in black ink, he addressed the envelope to one Gilbert Larmon in San
- Francisco. He sealed the envelope, stamped it, put it in his pocket,
- returned the second fountain pen to his vest pocket, lighted a cigarette
- leaned back in his chair, and frowned at the ascending spirals of smoke
- from the cigarette's tip.
- </p>
- <p>
- The report which he had just written to Larmon, explaining his inaction
- during the past weeks, had been an effort&mdash;not physical, but mental.
- He had somehow, curiously, felt no personal regret for the enforced
- absence from his &ldquo;work,&rdquo; and he now felt no enthusiasm at the prospect of
- resuming it. He had had no right to tinge or color his letter to Larmon
- with these views; nor had he intended to do so. Perhaps he had not;
- perhaps he had. He did not know. The ink originated by the old Samoan
- Islander had its disadvantages as well as its advantages. He could not now
- read the letter over once it was written!
- </p>
- <p>
- He flicked the ash irritably from his cigarette. He had been back here in
- the hotel now for two days and that feeling had been constantly growing
- upon him. Why? He did not know except that the cause seemed to insist on
- associating itself with his recent illness, his life in the one-time
- pawn-shop of Paul Veniza. But, logically, that did not hold water. Why
- should it? He had met a pawnbroker who roamed the streets at night in a
- fantastic motor car, driven by a drunkard; and he had fallen in love with
- a girl who was glad she was going to marry a dope-eating criminal. Good
- God, it was a spectacle to make&mdash;&mdash;
- </p>
- <p>
- John Bruce's fist crashed suddenly down on the desk beside him, and he
- rose from his chair and stood there staring unseeingly before him. That
- was not fair! What was uppermost now was the recrudescence of the
- bitterness that had possessed him two nights ago when he had returned from
- Paul Veniza's to the hotel here. Nor was it any more true than it was
- fair! What of the days and nights of nursing, of care, of the ungrudging
- and kindly hospitality they had given to an utter stranger? Yes, he knew!
- Only&mdash;only she had said she was <i>glad!</i>
- </p>
- <p>
- He began to pace the room. He had left Veniza's in bitterness. He had not
- seen Claire. It was a strange sort of love he boasted, little of
- unselfishness in it, much of impatience, and still more of intolerance!
- That it was a hopeless love in so far as he was concerned did not place
- him before himself in any better light. If he cared for her, if there was
- any depth of feeling in this love he claimed to have, then at least her
- happiness, her welfare and her future could not be extraneous and
- indifferent considerations to him. And on the spur of the moment, piqued,
- in spite of Paul Veniza's protestations, he had left that night without
- seeing Claire again!
- </p>
- <p>
- He had been ashamed of himself. Yesterday, he had telephoned Claire. He
- had begged her forgiveness. He had not meant to say more&mdash;but he had!
- Something in her voice had&mdash;no, not invited; he could not say that&mdash;but
- had brought the passion, pleading almost, back into his own. It had seemed
- to him that she was in tears at the other end of the wire; at least,
- bravely as she had evidently tried to do so, she had been unable to keep
- her voice under control. But she had evaded an answer. There had been
- nothing to forgive, she had said. He had told her that he must see her,
- that he would see her again. And then almost hysterically, over and over
- again, she had begged him to attempt nothing of the sort, but instead to
- leave New York because she insisted that it was not safe for him to stay
- even in the city.
- </p>
- <p>
- John Bruce hurled the butt of his cigarette in the direction of the
- cuspidor, and clenched his fist. Crang! Safe from Crang! He laughed aloud
- harshly. He asked nothing better than to meet Crang again. He would not be
- so weak the next time! And the sooner the better!
- </p>
- <p>
- He gnawed at his under lip, as he continued to pace the room. To-day, he
- had telephoned Claire again&mdash;but he had not spoken to her this time.
- He had not been surprised at the news he had received, for he remembered
- that Hawkins had once told him that the old pawnbroker was in reality far
- from well. Some one, he did not know who, some neighbor probably, had
- answered the phone. Paul Veniza had been taken ill. Claire had been up
- with him all the previous night, and was then resting.
- </p>
- <p>
- John Bruce paused abruptly before the desk at which he had been writing,
- and looked at his watch. It was a little after ten o'clock. He was going
- back to &ldquo;work&rdquo; again to-night. He smiled suddenly, and a little
- quizzically, as he caught sight of himself in a mirror. What would they
- say&mdash;the white-haired negro butler, and the exquisite Monsieur Henri
- de Lavergne, for instance&mdash;when the millionaire plunger, usually so
- immaculate in evening clothes, presented himself at their door in a suit
- of business tweeds?
- </p>
- <p>
- He shrugged his shoulders. Down at Ratti's that night his apparel&mdash;it
- was a matter of viewpoint&mdash;had been a source of eminent displeasure,
- and as such had been very effectively disposed of. He had had no
- opportunity to be measured for new clothes.
- </p>
- <p>
- The smile faded, and he stood staring at the desk. The millionaire
- plunger! It seemed to jar somehow on his sensibilities. Work! That was a
- queer way, too, to designate it. He was going to take up his work again
- to-night, pick up the threads of his life again where he had dropped them.
- A bit ragged those threads, weren't they? Frayed, as it were!
- </p>
- <p>
- What the devil was the matter with him, anyway?
- </p>
- <p>
- There was money in it, a princely existence. What more could any one ask?
- What did Claire, his love for a girl who was glad to marry some one else
- infinitely worse than he was, have to do with it? Ah, she <i>did</i> have
- something to do with it, then! Nonsense! It was absurd!
- </p>
- <p>
- He took a key abruptly from his pocket, and unlocked one of the drawers of
- the desk. From the drawer he took out a large roll of bills. The hotel
- management had sent to the bank and cashed a check for him that afternoon.
- He had not forgotten that he would need money, and plenty of it, at the
- tables this evening. Well, he was quite ready to go now, and it was time;
- it would be halfpast ten before he got there, and&mdash;&mdash;
- </p>
- <p>
- &ldquo;The devil!&rdquo; said John Bruce savagely&mdash;and suddenly tossed the money
- back into the drawer, and locked the drawer. &ldquo;If I don't feel like it
- to-night, why should I? I guess I'll just drop around for a little
- convalescent visit, and let it go at that.&rdquo;
- </p>
- <p>
- John Bruce put on a light overcoat, and left the room. In the lobby
- downstairs he posted his letter to Gilbert Larmon. He stepped out on the
- street, and from the rank in front of the hotel secured a taxi. Twenty
- minutes later he entered Gilbert Larmon's New York gambling hell.
- </p>
- <p>
- Here he received a sort of rhapsodical welcome from the exquisite Monsieur
- Henri de Lavergne, which embraced poignant regret at the accident that had
- befallen him, and unspeakable joy at his so-splendid recovery. It was a
- delight so great to shake the hand of Mr. Bruce again that Monsieur Henri
- de Lavergne complained bitterly at the poverty of language which prevented
- an adequate expression of his true and sincere feelings. Also, Monsieur
- Henri de Lavergne, if he were not trespassing, would be flattered indeed
- with Mr. Bruce's confidence, if Mr. Bruce should see fit to honor him with
- an account of how the accident had happened. He would be desolated if in
- any way it could be attributable to any suggestion that he, Monsieur de
- Lavergne, on behalf of the house which he had the honor to represent as
- manager, had made to Mr. Bruce which might have induced&mdash;&mdash;
- </p>
- <p>
- &ldquo;Not at all!&rdquo; John Bruce assured him heartily. He smiled at Monsieur de
- Lavergne. The other knew nothing of Claire's presence in the car that
- night, and for Claire's sake it was necessary to set the man's mind so
- completely at rest that the subject would lack further interest. The only
- way to accomplish that was to appear whole-heartedly frank. John Bruce
- became egregiously frank. &ldquo;It was just my own damned curiosity,&rdquo; he said
- with a wry smile. &ldquo;I got out of that ingenious contraption at the corner
- after going around the block, and, well, my curiosity, as I said, got the
- better of me. I followed the thing, and found out where Mr. Veniza lived.
- I started on my way back, but I didn't get very far. I got into trouble
- with a rather tough crowd just around the corner, who didn't like my shirt
- front, I believe they said. The fight ended by my being backed into a wine
- shop where I was stabbed, but from which I managed to escape into the
- lane. I was about all in, and the only chance I could see was a lighted
- window on the other side of a low fence. I crawled in the window, and
- flopped on the floor. It proved to be Mr. Veniza's house.&rdquo;
- </p>
- <p>
- &ldquo;<i>Pour l'amour du dieu!</i>&rdquo; exclaimed Monsieur Henri de Lavergne
- breathlessly.
- </p>
- <p>
- &ldquo;And which also accounts,&rdquo; said John Bruce pleasantly, &ldquo;for the apology I
- must offer you for my appearance this evening in these clothes. The mob in
- that respect was quite successful.&rdquo;
- </p>
- <p>
- &ldquo;But that you are back!&rdquo; Monsieur de Lavergne's hands were raised in
- protest. &ldquo;That is alone what matters. Monsieur Bruce knows that in any
- attire it is the same here for monsieur as though he were at home.&rdquo;
- </p>
- <p>
- &ldquo;Thank you!&rdquo; said John Bruce cordially. &ldquo;I have only dropped in through
- the urge of old habits, I guess. I'm hardly on my feet yet, and I thought
- I'd just watch the play for a little while to-night.&rdquo;
- </p>
- <p>
- &ldquo;And that, too,&rdquo; said Monsieur Henri de Lavergne with a bow, as John Bruce
- moved toward the staircase, &ldquo;is entirely as monsieur desires.&rdquo;
- </p>
- <p>
- John Bruce mounted the stairs, and began a stroll through the roulette and
- card rooms. The croupiers and dealers nodded to him genially; those of the
- &ldquo;guests&rdquo; Whom he knew did likewise. He was treated with marked courtesy
- and consideration by every attendant in the establishment. Everything was
- exactly as it had been on his previous visits. There were the soft mellow
- lights; the siren pur of the roulette wheel, the musical <i>click</i> of
- the ball as it spun around on its little fateful orbit; the low, quiet
- voices of the croupiers and dealers; the well-dressed players grouped
- around the tables, the hilarious and the grim, the devil-may-care laugh
- from one, the thin smile from another. It was exactly the same, all
- exactly the same, even to the table in the supper room, free to all though
- laden with every wine and delicacy that money could procure; but somehow,
- even at the end of half an hour, where he was wont to be engrossed till
- daylight, John Bruce became excessively bored.
- </p>
- <p>
- Perhaps it was because he was simply an on-looker, and not playing
- himself. He had drawn close to a group around a faro bank. The play was
- grim earnest and for high stakes. No, it wasn't that! He did not want to
- play. Somehow, rather, he knew a slight sense both of contempt and disgust
- at the eager clutch and grasp of hands, the hoarse, short laugh of
- victory, the snarl of defeat, the trembling fingers of the more timorous
- who staked with Chance and demanded that the god be charitable in its
- omnipotence and toss them crumbs!
- </p>
- <p>
- Well, what was he caviling about? It was the life he had chosen. It was
- his life work. Wasn't he pleased with it? He had certainly liked it well
- enough in the old days to squander upon it the fair-sized fortune his
- father had left him. He decidedly had not gone into that infernal compact
- with Larmon blindfolded. Perhaps it was because in those days he played
- when he wanted to; and in these, and hereafter, he would play because he
- had to. Perhaps it was only that, to-night, there was upon him the
- feeling, which was natural enough, and which was immeasurably human too,
- that it was irksome to be a slave, to be fettered and shackled and bound
- to anything, even to what one, with one's freedom his own, was ordinarily
- out of choice most prone to do and delight in. Well, maybe! But that was
- not entirely a satisfactory or conclusive solution either.
- </p>
- <p>
- He looked around him. There seemed to be something hollow to-night in
- these trappings of tinsel; and something not only hollow, but sardonic in
- his connection with them&mdash;that he should act as a monitor over the
- honesty of those who in turn acted as the agents of Larmon in an already
- illicit traffic.
- </p>
- <p>
- &ldquo;Oh, hell!&rdquo; said John Bruce suddenly.
- </p>
- <p>
- The dealer looked up from the table, surprise mingling with polite
- disapproval. Several of the players screwed around their heads.
- </p>
- <p>
- &ldquo;That's what I say!&rdquo; snarled one of the latter with an added oath, as a
- large stack of chips was swept away from him.
- </p>
- <p>
- Some one touched John Bruce on the elbow. He turned around. It was one of
- the attendants.
- </p>
- <p>
- &ldquo;You are being asked for downstairs, Mr. Bruce,&rdquo; the man informed him.
- </p>
- <p>
- John Bruce followed the attendant. In the hall below the white-haired
- negro doorkeeper came toward him.
- </p>
- <p>
- &ldquo;I done let him in, Mistuh Bruce, suh,&rdquo; the old darky explained a little
- anxiously, &ldquo;'cause he done say, Mistuh Bruce, that it was a case of most
- particular illness, suh, and&mdash;&mdash;&rdquo;
- </p>
- <p>
- John Bruce did not wait for more. It was Veniza probably&mdash;a turn for
- the worse. He nodded, and passed hurriedly along the hall to where, near
- the door, a poorly dressed man, hat in hand and apparently somewhat ill at
- ease in his luxurious surroundings, stood waiting.
- </p>
- <p>
- &ldquo;I am Mr. Bruce,&rdquo; he said quickly. &ldquo;Some one is critically ill, you say?
- Is it Mr. Veniza?&rdquo;
- </p>
- <p>
- &ldquo;No, sir,&rdquo; the man answered. &ldquo;I don't know anything about Mr. Veniza. It's
- Hawkins.&rdquo;
- </p>
- <p>
- &ldquo;Hawkins!&rdquo; ejaculated John Bruce.
- </p>
- <p>
- &ldquo;Yes, sir,&rdquo; said the man. He shuffled his feet. &ldquo;I&mdash;I guess you know,
- sir.&rdquo;
- </p>
- <p>
- John Bruce for a moment made no comment. Hawkins! Yes, he knew! Hawkins
- had even renounced his pledge, hadn't he? Not, perhaps, that that would
- have made any difference!
- </p>
- <p>
- &ldquo;Bad?&rdquo; he asked tersely.
- </p>
- <p>
- &ldquo;I'm afraid so, sir,&rdquo; the man replied. &ldquo;I've seen a good bit of Hawkins
- off and on in the last two years, sir, because I room in the same house;
- but I've never seen him like this. He's been out of his head and clawing
- the air, sir, if you know what I mean. He's over that now, but that weak
- he had me scared once, sir, that he'd gone.&rdquo;
- </p>
- <p>
- &ldquo;What does the doctor say?&rdquo; John Bruce bit off his words.
- </p>
- <p>
- The man shook his head.
- </p>
- <p>
- &ldquo;He wouldn't have one, sir. It's you he wants. You'll understand, sir,
- that he's been alone. I don't know how long ago he started on this spree.
- It was only by luck that I walked into his room to-night. I was for
- getting a doctor at once, of course, but he wouldn't have it; he wanted
- you. At times, sir, he was crying like a baby, only he hadn't the strength
- of one left. Knowing I could run her, me being a motortruck driver, he
- told me to take that car he drives and go to the hotel for you, and if you
- weren't there to try here&mdash;which I've done, sir, as you see, and I
- hope you'll come back with me. I don't know what to do, though I'm for
- picking up a doctor on the way back whether he wants one or not.&rdquo;
- </p>
- <p>
- John Bruce turned abruptly, secured his coat and hat, motioned the man to
- lead the way, and followed the other out of the house and down the steps
- to the sidewalk.
- </p>
- <p>
- The traveling pawn-shop was at the curb. The man opened the door, and John
- Bruce stepped inside&mdash;and was instantly flung violently down upon a
- seat. The door closed. The car started forward. And in a sudden glare of
- light John Bruce stared into the muzzle of a revolver, and, behind the
- revolver, into a bruised and battered face, which was the face of Doctor
- Crang.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0014" id="link2HCH0014"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER FOURTEEN&mdash;THE TWO PENS
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">J</span>OHN BRUCE stared
- for a moment longer at the revolver that held a steady bead between his
- eyes, and at the evil face of Crang that leered at him from the opposite
- seat; then he deliberately turned his head and stared at the face of still
- another occupant of the car&mdash;a man who sat on the seat beside him. He
- was trapped&mdash;and well trapped! He recognized the other to be the man
- known as Birdie, who had participated on a certain night in the robbery of
- Paul Veniza's safe. It was quite plain. The third man in that robbery,
- whose face he had not seen at the time, was undoubtedly the man who had
- brought the &ldquo;message&rdquo; a few minutes ago, and who was now, with almost
- equal certainty, engaged in driving the car. Thieving, at least, was in
- the trio's line! They must somehow or other have stolen the traveling
- pawn-shop from Hawkins!
- </p>
- <p>
- He smiled grimly. If it had been Birdie now who had brought the message he
- would never have fallen into the trap! Crang had played in luck and won by
- a very narrow margin, for Crang was naturally in ignorance that he, John
- Bruce, had ever seen either of the men before. And then John Bruce thought
- of the bulky roll of bills which by an equally narrow margin was <i>not</i>
- in his pocket at that moment, and his smile deepened.
- </p>
- <p>
- Crang spoke for the first time.
- </p>
- <p>
- &ldquo;Take his gun away from him, if he's got one!&rdquo; he gnarled tersely.
- </p>
- <p>
- &ldquo;It's in the breast pocket of my coat,&rdquo; said John Bruce imperturbably.
- </p>
- <p>
- Birdie, beside John Bruce, reached over and secured the weapon.
- </p>
- <p>
- John Bruce leaned back in his seat. The car was speeding rapidly along
- now.
- </p>
- <p>
- The minutes passed. None of the three men spoke. Crang sat like some
- repulsive gargoyle, leering maliciously.
- </p>
- <p>
- John Bruce half closed his eyes against the uncanny fascination of that
- round black muzzle which never wavered in its direction, and which was
- causing him to strain too intently upon it. What was the game? How far did
- Crang intend to go with his insane jealousy? How far would Crang dare to
- go? The man wasn't doped to-night. Perhaps he was even the more dangerous
- on that account. Instead of mouthing threats, there was something ominous
- now, it seemed, in the man's silence. John Bruce's lips drew together. He
- remembered Claire's insistence that Crang had meant what he said literally&mdash;and
- Claire had repeated that warning over the telephone. Well, if she were
- right, it meant&mdash;<i>murder</i>.
- </p>
- <p>
- From under his half closed lids, John Bruce looked around the car. The
- curtains, as they always were, were closely drawn. The interior was
- lighted by that same soft central light, only the light was high up now
- near the roof of the car. Well, if it was to be murder, why not <i>now?</i>
- The little velvet-topped table was not in place, and there was nothing
- between himself and that sneering, sallow face. Yes, why not now&mdash;and
- settle it!
- </p>
- <p>
- He straightened almost imperceptibly in his seat, as impulse suddenly bade
- him fling himself forward upon Crang. Why not? The sound of a revolver
- shot would be heard in the street, and Crang might not even dare to fire
- at all. And then John Bruce's glance rested on the man beside him&mdash;and
- impulse gave way to common sense. He had no intention of submitting tamely
- and without a struggle to any fate, no matter what it might be, that Crang
- proposed for him, but that struggle would better come when there was at
- least a chance. There was no chance here. Birdie, on the seat beside him,
- held a deadlier and even more effective weapon than was Crang's revolver,
- a silent thing&mdash;a black-jack.
- </p>
- <p>
- &ldquo;Wait! Don't play the fool! You'll get a better chance than this!&rdquo; the
- voice of what he took to be common sense whispered to him.
- </p>
- <p>
- The car began to go slower. It swerved twice as though making sharp turns;
- and then, running still more slowly, began to bump over rough ground.
- </p>
- <p>
- Crang spoke again.
- </p>
- <p>
- &ldquo;You can make all the noise you want to, if you think it will do you any
- good,&rdquo; he said viciously; &ldquo;but if you make a move you are not told to make
- you'll be <i>carried</i> the rest of the way! Understand?&rdquo;
- </p>
- <p>
- John Bruce did not answer.
- </p>
- <p>
- The car stopped. Birdie opened the door on his side, and stepped to the
- ground. He was joined by the man who had driven the car, and who, as John
- Bruce now found he had correctly assumed, had acted as the decoy at the
- gambling house.
- </p>
- <p>
- &ldquo;Get out!&rdquo; ordered Doctor Crang curtly.
- </p>
- <p>
- John Bruce followed Birdie from the car. It was dark out here, exceedingly
- dark, but he could make out that the car had been driven into a narrow
- lane, and that they were close to the wall of a building of some sort. The
- two men gripped him by his arms. He felt the muzzle of Crang's revolver
- pressed into the small of his back.
- </p>
- <p>
- &ldquo;Mind your step!&rdquo; cautioned Birdie gruffly.
- </p>
- <p>
- It was evidently the entrance to a cellar. John Bruce found himself
- descending a few short steps; and then, on the level again, he was guided
- forward through what was now pitch blackness. A moment more and they had
- halted, but not before John Bruce's foot had come into contact with a wall
- or partition of some kind in front of him. One of the men who gripped his
- arms knocked twice with three short raps in quick succession.
- </p>
- <p>
- A door opened in front of them, and for an instant John Bruce was blinded
- by a sudden glare of light; but the next instant, his eyes grown
- accustomed to the transition, he saw before him a large basement room,
- disreputable and filthy in appearance, where half a dozen men sat at
- tables drinking and playing cards.
- </p>
- <p>
- A shove from the muzzle of Crang's revolver urged John Bruce forward into
- an atmosphere that was foul, hot and fetid, and thick with tobacco smoke
- that floated in heavy, sinuous layers in mid-air. He was led down the
- length of the room toward another door at the opposite end. The men at the
- tables, as he passed them, paid him little attention other than to leer
- curiously at him. They greeted Birdie and his companion with blasphemous
- familiarity; but their attitude toward Crang, it seemed to John Bruce, was
- one of cowed and abject respect.
- </p>
- <p>
- John Bruce's teeth closed hard together. This was a nice place, an
- ominously nice place&mdash;a hidden den of the rats of the underworld,
- where Crang was obviously the leader. He was not so sure now that the
- promptings of so-called common sense had been common sense at all! His
- chances of escaping, practically hopeless as they had been in the car,
- would certainly have been worth trying in view of this! He began to regret
- his &ldquo;common sense&rdquo; bitterly now.
- </p>
- <p>
- He was in front of the door toward which they had been heading now. It was
- opened by Birdie, and John Bruce was pushed into a small, dimly-lighted,
- cave-like place. Crang said something in a low voice to the two men, and,
- leaving them outside, entered himself, closing the door only partially
- behind him.
- </p>
- <p>
- For a moment they faced each other, and then Crang laughed&mdash;tauntingly,
- in menace.
- </p>
- <p>
- John Bruce's eyes, from Crang's sallow face, and from Crang's revolver,
- swept coolly over his surroundings. A mattress, a foul thing, lay on the
- ground in one corner. There was no flooring here in the cellar. A small
- incandescent bulb hung from the roof. There was one chair and a battered
- table&mdash;nothing else; not even a window.
- </p>
- <p>
- &ldquo;It was like stealing from a child!&rdquo; sneered Crang suddenly. &ldquo;You poor
- mark!&rdquo;
- </p>
- <p>
- &ldquo;Quite so!&rdquo; said John Bruce calmly. &ldquo;And the more so since I was warned
- that you were quite capable of&mdash;murder. I suppose that is what I am
- here for.&rdquo;
- </p>
- <p>
- &ldquo;Oh, you were warned, were you?&rdquo; Crang took an abrupt step forward, his
- lips working. An angry purple clouded the pallor of his face. &ldquo;More of
- that love stuff, eh? Well, by God, here's the end of it! I'll teach you
- with your damned sanctimonious airs to fool around the girl I'm going to
- marry! You snivelling hypocrite, you didn't tell her who <i>you</i> were,
- did you?&rdquo;
- </p>
- <p>
- John Bruce stared blankly.
- </p>
- <p>
- &ldquo;Who I am?&rdquo; he repeated. &ldquo;What do you mean?&rdquo;
- </p>
- <p>
- Crang for the moment was silent. He seemed to be waging a battle with
- himself to control his passion.
- </p>
- <p>
- &ldquo;I'm too clever a man to lose my temper, now I've got you!&rdquo; he rasped
- finally. &ldquo;That's about the size of your mentality! The sweet, naïve,
- innocent rôle! Yes, I said a snivelling hypocrite! You don't eat dope, but
- perhaps you've heard of a man named Larmon&mdash;Mr. Gilbert Larmon, of
- San Francisco!&rdquo;
- </p>
- <p>
- To John Bruce it seemed as though Crang's words in their effect were
- something like one of those blows the same man had dealt him on his
- wounded side in that fight of the other night. They seemed to jar him, and
- rob his mind of quick thinking and virility&mdash;and yet he was quite
- sure that not a muscle of his face had moved.
- </p>
- <p>
- &ldquo;You needn't answer,&rdquo; Crang grinned mockingly. &ldquo;If you haven't met him,
- you'll have the opportunity of doing so in a few hours. Mr. Larmon will
- arrive in New York to-night in response to the telegram you sent him.&rdquo;
- </p>
- <p>
- &ldquo;I know you said you were clever,&rdquo; said John Bruce shortly, &ldquo;and I have no
- doubt this is the proof of it! But what is the idea? I did not send a
- telegram to any one.
- </p>
- <p>
- &ldquo;Oh, yes, you did!&rdquo; Crang was chuckling evilly.
- </p>
- <p>
- &ldquo;It was something to the effect that Mr. Larmon's immediate presence in
- New York was imperative; that you were in serious difficulties. And in
- order that Mr. Larmon might have no suspicions or anxiety aroused as to
- his own personal safety, he was to go on his arrival to the Bayne-Miloy
- Hotel; but was, at the same time, to register under the name of R. L.
- Peters, and to make no effort to communicate with you until you gave him
- the cue. The answer to the telegram was to be sent to a&mdash;er&mdash;quite
- different address. And here's the answer.&rdquo;
- </p>
- <p>
- His revolver levelled, Crang laid a telegram on the table, and then backed
- away a few steps.
- </p>
- <p>
- John Bruce picked up the message. It was dated from San Francisco several
- days before, and was authentic beyond question. It was addressed to John
- Bruce in the care of one William Anderson, at an address which he took to
- be somewhere over on the East Side. He read it quickly:
- </p>
- <p>
- Leaving at once and will follow instructions. Arrive Wednesday night. Am
- exceedingly anxious.
- </p>
- <p>
- Gilbert Larmon.
- </p>
- <p>
- &ldquo;This is Wednesday night,&rdquo; sneered Crang.
- </p>
- <p>
- John Bruce laid down the telegram. That Crang in some way had discovered
- his, John Bruce's connection with Larmon, was obvious. But how&mdash;and
- what did it mean? He smiled coldly. There was no use in playing the fool
- by denying any knowledge of Larmon. It was simply a question of exactly
- how <i>much</i> Crang knew.
- </p>
- <p>
- &ldquo;Well?&rdquo; he inquired indifferently.
- </p>
- <p>
- The door was pushed open, and Birdie came in. He carried pen and ink, a
- large sheet of paper, and an envelope.
- </p>
- <p>
- Crang motioned toward the table.
- </p>
- <p>
- &ldquo;Put them down there&mdash;and get out!&rdquo; he ordered curtly; and then as
- the man obeyed, he stared for an instant in malicious silence at John
- Bruce. &ldquo;I guess we're wasting time!&rdquo; he snapped. &ldquo;I sent the telegram to
- Larmon a few days ago, and I know all about you and Larmon, and his ring
- of gambling houses. You talked your fool head off when you were delirious&mdash;understand?
- And&mdash;&mdash;&rdquo;
- </p>
- <p>
- John Bruce, his face suddenly white, took a step forward&mdash;and
- stopped, and shrugged his shoulders. Crang's outflung revolver was on a
- level with his eyes. And then John Bruce turned his back deliberately, and
- walked to the far end of the little room.
- </p>
- <p>
- Crang laughed wickedly.
- </p>
- <p>
- &ldquo;I am afraid I committed a breach of medical étiquette,&rdquo; he said. &ldquo;I sent
- to San Francisco and got the dope on the quiet about this Mr. Larmon. I
- found out that he is an enormously wealthy man; and I also found out that
- he poses as an immaculate pillar of society. It looks pretty good, doesn't
- it, Bruce&mdash;for me? Two birds with one stone; you for trying to get
- between me and Claire; and Larmon coughing up the dough to save your hide
- and save himself from being exposed for what he is!&rdquo;
- </p>
- <p>
- John Bruce made no answer. They were not so fanciful now, not so unreal
- and wandering, those dreams when he had been ill, those dreams in which
- there had been a man with a quill toothpick, and another with a sinister,
- loathsome face, whose head was always cocked in a listening attitude.
- </p>
- <p>
- &ldquo;Well, I guess you've got it now, all of it, haven't you?&rdquo; Crang snarled.
- &ldquo;It's lucky for you Larmon's got the coin, or I'd pass you out for what
- you did the other night. As it is you're getting out of it light. There's
- paper on the table. You write him a letter that will get him down here
- with a blank check in his pocket. I'll help you to word it.&rdquo; Crang smiled
- unpleasantly. &ldquo;He will be quite comfortable here while the check is going
- through the bank; for it would be most unfortunate, you know, if he had a
- chance to stop payment on it. And I might say that I am not worrying at
- all about any reprisals through the tracing of the check afterward, for if
- Mr. Larmon is paying me to keep my mouth shut there is no fear of his
- opening his own.&rdquo;
- </p>
- <p>
- John Bruce turned slowly around.
- </p>
- <p>
- &ldquo;And if I don't?&rdquo; he asked quietly.
- </p>
- <p>
- Crang studied the revolver in his hand for a moment. He looked up finally
- with a smile that was hideous in its malignancy.
- </p>
- <p>
- &ldquo;I'm not sure that I particularly care,&rdquo; he said. &ldquo;You are going to get
- out of my path in any case, though my personal inclination is to snuff you
- out, and&rdquo;&mdash;his voice rose suddenly&mdash;&ldquo;damn you, I'd like to see
- you dead; but on the other hand, my business sense tells me that I'd be
- better off with, say, a hundred thousand dollars in my pocket. Do you get
- the idea, my dear Mr. Bruce? I am sure you do. And as your medical
- advisor, for your health is still very much involved, I would strongly
- urge you to write the letter. But at the same time I want to be perfectly
- frank with you. There is a tail to it as far as you are concerned. I have
- a passage in my pocket&mdash;a first-class passage, in fact a stateroom
- where you can be secured so that I may make certain you do not leave the
- ship prematurely at the dock&mdash;for South America, on a steamer sailing
- to-morrow afternoon. The passage is made out in the name of John Bruce.&rdquo;
- </p>
- <p>
- &ldquo;You seem to have taken it for granted that I would agree to your
- proposal,&rdquo; said John Bruce pleasantly.
- </p>
- <p>
- &ldquo;I have,&rdquo; Crang answered shortly. &ldquo;I give you credit in some respects for
- not being altogether a fool.&rdquo;
- </p>
- <p>
- &ldquo;In other words,&rdquo; said John Bruce, still pleasantly, &ldquo;if I will trap Mr.
- Larmon into coming here so that you will have him in your power, and can
- hold him until you have squeezed out of him what you consider the fair
- amount he should pay as blackmail, or do away with him perhaps, if he is
- obstinate, I am to go free and sail for South America to-morrow afternoon;
- failing this, I am to snuff out&mdash;I think you called it&mdash;at the
- hands of either yourself or this gentlemanly looking band of apaches you
- have gathered around you.&rdquo;
- </p>
- <p>
- &ldquo;You haven't made any mistake so far!&rdquo; said Crang evenly. He jerked his
- hand toward the table. &ldquo;It's that piece of paper there, or your hide.&rdquo;
- </p>
- <p>
- &ldquo;Yes,&rdquo; said John Bruce slowly. He stared for an instant, set-faced, into
- Crang's eyes. &ldquo;Well, then, go ahead!&rdquo;
- </p>
- <p>
- Crang's eyes narrowed.
- </p>
- <p>
- &ldquo;You mean,&rdquo; his voice was hoarse with menace, &ldquo;you mean&mdash;&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Yes!&rdquo; said John Bruce tersely. &ldquo;My hide!&rdquo;
- </p>
- <p>
- Crang did not answer for a moment. The revolver in his hand seemed to edge
- a little nearer to John Bruce as though to make more certain of its aim.
- Crang's eyes were alight with passion.
- </p>
- <p>
- John Bruce did not move. It was over&mdash;this second&mdash;or the next.
- Crang's threats were <i>literal</i>. Claire had said so. He knew it. It
- was in Crang's eyes&mdash;a sort of unholy joy, a madman's frenzy. Well,
- why didn't the man fire and have done with it?
- </p>
- <p>
- And then suddenly Crang's shoulders lifted in a mocking shrug.
- </p>
- <p>
- &ldquo;Maybe you haven't got this&mdash;<i>straight</i>,&rdquo; he said between closed
- teeth. &ldquo;I guess I've paid you the compliment of crediting you with a
- quicker intelligence than you possess! I'll give you thirty minutes alone
- to think it over and figure out where you stand.&rdquo;
- </p>
- <p>
- Crang backed to the door.
- </p>
- <p>
- The door closed. John Bruce heard the key turn in the lock. He stared
- about him at the miserable surroundings. Thirty minutes! He did not need
- thirty minutes, or thirty seconds, to realize his position. He was not
- even sure that he was thankful for the reprieve. It meant half an hour
- more of life, but&mdash;&mdash;
- </p>
- <p>
- Cornered like a rat! To go out at the hands of a degenerate dope fiend...
- the man had been cunning enough... Hawkins!
- </p>
- <p>
- John Bruce paced his little section of the cellar. His footsteps made no
- sound on the soft earth. This was his condemned cell; his warders a batch
- of gunmen whose trade was murder.
- </p>
- <p>
- Larmon! They had not been able to trick Larmon into their power so easily,
- because there wasn't any Hawkins. No, there was&mdash;John Bruce. John
- Bruce was the bait. Queer! Queer that he had ever met Larmon, and queer
- that the end should come like this.
- </p>
- <p>
- Faustus hadn't had his fling yet. That quill toothpick with which he had
- signed&mdash;&mdash;
- </p>
- <p>
- John Bruce stood stock still&mdash;his eyes suddenly fastened on the piece
- of paper on the table.
- </p>
- <p>
- &ldquo;My God!&rdquo; John Bruce whispered hoarsely.
- </p>
- <p>
- He ran silently to the door and listened. He could hear nothing. He ran
- back to the table, threw himself into the chair, and snatching the sheet
- of paper toward him, took out a fountain pen from his pocket. Near the
- lower edge of the paper, and in a minutely small hand, he began to write
- rapidly.
- </p>
- <p>
- At the end of a few minutes John Bruce stood up. There was neither sign
- nor mark upon the paper, save an almost invisible impression made by his
- thumb nail, which he had set as a sign post, as it were, to indicate where
- he had begun to write. It was a large sheet of unruled paper, foolscap in
- size, and there was but little likelihood of reaching so far down with the
- letter that Crang was so insistent upon having, but he did not propose in
- any event to superimpose anything over what he had just written. He could
- always turn the sheet and begin at the top on the other side! Again he
- began to pace up and down across the soft floor, but now there was a grim
- smile on his face. Behind Larmon and his enormous wealth lay Larmon's
- secret organization, that, once set in motion, would have little
- difficulty in laying a dozen Crangs, by the heels. And Crang was yellow.
- Let Crang but for an instant realize that his own skin was at stake, and
- he would squeal without hesitation&mdash;and what had narrowly escaped
- being tragedy would dissolve into opera bouffe. Also, it was very nice
- indeed of Crang to see that the message reached Larmon's hands!
- </p>
- <p>
- And it was the way out for Claire, too! It was Crang who had mentioned
- something about two birds with one stone, wasn't it? Claire! John Bruce
- frowned. Was he so sure after all? There seemed to be something
- unfathomable between Claire and Crang; the bond between them one that no
- ordinary means would break.
- </p>
- <p>
- His brain seemed to go around in cycles now&mdash;Claire, Larmon, Crang;
- Claire, Larmon, Crang.... He lost track of time&mdash;until suddenly he
- heard a key rattle in the lock. And then, quick and silent as a cat in his
- movements, he slipped across the earthen floor, and flung himself face
- down upon the mattress.
- </p>
- <p>
- A moment more, and some one prodded him roughly. His hair was rumpled, his
- face anxious and dejected, as he raised himself on his elbow. Crang and
- two of his apaches were standing over him. One of the latter held an ugly
- looking stiletto.
- </p>
- <p>
- &ldquo;Stand him up!&rdquo; ordered Crang.
- </p>
- <p>
- John Bruce made no resistance as the two men jerked him unceremoniously to
- his feet.
- </p>
- <p>
- Crang came and stared into his face.
- </p>
- <p>
- &ldquo;I guess from the look of you,&rdquo; Crang leered, &ldquo;you've put in those thirty
- minutes to good advantage. You're about ready to write that letter, aren't
- you?&rdquo;
- </p>
- <p>
- John Bruce looked around him miserably. He shook his head.
- </p>
- <p>
- &ldquo;No&mdash;no; I&mdash;I can't,&rdquo; he said weakly. &ldquo;For God's sake, Crang,
- you&mdash;you know I can't.&rdquo;
- </p>
- <p>
- &ldquo;Sure&mdash;I know!&rdquo; said Crang imperturbably. He nodded to the man with
- the stiletto. &ldquo;He's more used to steel than bullets, and he likes it
- better. Don't keep him waiting.&rdquo;
- </p>
- <p>
- John Bruce felt the sudden prick of the weapon on his flesh&mdash;it went
- a little deeper.
- </p>
- <p>
- &ldquo;Wait! Stop!&rdquo; he screamed out in a well-simulated paroxysm of terror. &ldquo;I&mdash;I'll
- write it.&rdquo;
- </p>
- <p>
- &ldquo;I thought so!&rdquo; said Crang coolly. &ldquo;Well, go over there to the table then,
- and sit down.&rdquo; He turned to the two men. &ldquo;Beat it!&rdquo; he snapped&mdash;and
- the room empty again, save for himself and John Bruce, he tapped the sheet
- of paper with the muzzle of his revolver. &ldquo;I'll dictate. Pick up that
- pen!&rdquo;
- </p>
- <p>
- John Bruce obeyed. He circled his lips with his tongue.
- </p>
- <p>
- &ldquo;You&mdash;you won't do Larmon any harm, will you?&rdquo; he questioned
- abjectly. &ldquo;I&mdash;my life's worth more than a little money, if it's only
- that, and&mdash;and, if that's all, I&mdash;I'm sure he'd rather pay.&rdquo;
- </p>
- <p>
- &ldquo;Don't apologize!&rdquo; sneered Crang. &ldquo;Go on now, and write. Address him as
- you always do.&rdquo;
- </p>
- <p>
- John Bruce dipped the pen in the ink, and wrote in a small hand:
- </p>
- <p>
- &ldquo;Dear Mr. Larmon:&mdash;&rdquo;
- </p>
- <p>
- He looked up in a cowed way.
- </p>
- <p>
- &ldquo;All right!&rdquo; grunted Crang. &ldquo;I guess we'll kill another bird, too, while
- we're at it.&rdquo; He smiled cryptically. &ldquo;Go on again, and write!&rdquo;
- </p>
- <p>
- And John Bruce wrote as Crang dictated:
- </p>
- <p>
- &ldquo;I'm here in my rooms in the same hotel with you, but am closely watched.
- Our compact is known. I asked a girl to marry me, and in doing so felt she
- had the right to my full confidence. She did me in. She&mdash;&mdash;&rdquo;
- </p>
- <p>
- John Bruce's pen had halted.
- </p>
- <p>
- &ldquo;Go on!&rdquo; prompted Crang sharply. &ldquo;It's got to sound right for Larmon&mdash;so
- that he will believe it. He's not a fool, is he?&rdquo;
- </p>
- <p>
- &ldquo;No,&rdquo; said John Bruce.
- </p>
- <p>
- &ldquo;Well, go on then!&rdquo;
- </p>
- <p>
- And John Bruce wrote:
- </p>
- <p>
- &ldquo;She was all the time engaged to the head of a gang of crooks.&rdquo; Crang's
- malicious chuckle interrupted his dictation.
- </p>
- <p>
- &ldquo;I'm not sparing myself, you see. Go on!&rdquo;
- </p>
- <p>
- John Bruce continued his writing:
- </p>
- <p>
- &ldquo;They are after blackmail now, and threaten to expose you. I telegraphed
- you to come under an alias because we are up against it and you should be
- on the spot; but if they knew you were here they would only attach the
- more importance to it, and the price would go up. They believe you are
- still in San Francisco, and that I am communicating with you by mail. They
- are growing impatient. You can trust the bearer of this letter absolutely.
- Go with him. He will take you where we can meet without arousing any
- suspicion. I am leaving the hotel now. If possible we should not risk more
- than one conference together, so bring a blank check with you. There is no
- other way out. It is simply a question of the amount. I am bitterly sorry
- that this has happened through me. John Bruce.&rdquo;
- </p>
- <p>
- Crang, with his revolver pressed into the back of John Bruce's neck,
- leaned over John Bruce's shoulder and read the letter carefully.
- </p>
- <p>
- &ldquo;Fold it, and put it in that envelope without sealing it, and address the
- envelope to Mr. R. L. Peters at the Bayne-Miloy Hotel!&rdquo; he instructed.
- </p>
- <p>
- John Bruce folded the letter. As he did so, he noted that his signature
- was a good two or three inches above the thumb nail mark. He placed the
- letter in the envelope, and addressed the latter as Crang had directed.
- </p>
- <p>
- Crang moved around to the other side of the table, tucked the envelope
- into his pocket, and grinned mockingly.
- </p>
- <p>
- And then without a word John Bruce got up from his chair, and flung
- himself face down on the mattress again.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0015" id="link2HCH0015"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER FIFTEEN&mdash;THE CLEW
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">P</span>AUL VENIZA,
- propped up in bed on his pillows, followed Claire with his eyes as she
- moved about the room. It was perhaps because he had been too ill of late
- to notice anything, that he experienced now a sudden shock at Claire's
- appearance. She looked pale and drawn, and even her movements seemed
- listless.
- </p>
- <p>
- &ldquo;What's to-night?&rdquo; he asked abruptly.
- </p>
- <p>
- &ldquo;Wednesday, father,&rdquo; she answered.
- </p>
- <p>
- Paul Veniza plucked at the counterpane. It was all too much for Claire.
- Besides&mdash;besides Crang, she had been up all night for the last two
- nights, and since Monday she had not been out of the house.
- </p>
- <p>
- &ldquo;Put on your hat, dear, and run over and tell Hawkins I want to see him,&rdquo;
- he smiled.
- </p>
- <p>
- Claire stared at the old pawnbroker.
- </p>
- <p>
- &ldquo;Why, father,&rdquo; she protested, &ldquo;it's rather late, isn't it? And, besides,
- you would be all alone in the house.&rdquo;
- </p>
- <p>
- &ldquo;Nonsense!&rdquo; said Paul Veniza. &ldquo;I'm all right. Much better. I'll be up
- to-morrow. But I particularly want to see Hawkins to-night.&rdquo; He did not
- particularly want to see Hawkins or any one else, but if he did not have
- some valid excuse she would most certainly refuse to go out and leave him
- alone. A little walk and a breath of fresh air would do Claire a world of
- good. And as for the lateness of the hour, Claire in that section of the
- city was as safe as in her own home. &ldquo;Please do as I ask you, Claire,&rdquo; he
- insisted.
- </p>
- <p>
- &ldquo;Very well, father,&rdquo; she agreed after a moment's hesitation, and went and
- put on her hat.
- </p>
- <p>
- From downstairs, as she opened the front door, she called up to him a
- little anxiously:
- </p>
- <p>
- &ldquo;You are sure you are all right?&rdquo;
- </p>
- <p>
- &ldquo;Quite sure, dear,&rdquo; Paul Veniza called back. &ldquo;Don't hurry.&rdquo;
- </p>
- <p>
- Claire stepped out on the street. It was not far to go&mdash;just around
- the first corner and halfway down the next block&mdash;and at first she
- walked briskly, impelled by an anxiety to get back to the house again as
- soon as possible, but insensibly, little by little, her footsteps dragged.
- </p>
- <p>
- What was it? Something in the night, the darkness, that promised a kindly
- cloak against the breaking of her self-restraint, that bade her let go of
- herself and welcome the tears that welled so spontaneously to her eyes?
- Would it bring relief? To-day, all evening, more than ever before, she had
- felt her endurance almost at an end. She turned her face upward to the
- night. It was black; not a star showed anywhere. It seemed as though
- something dense and forbidding had been drawn like a somber mantle over
- the world. God, even, seemed far away to-night.
- </p>
- <p>
- She shivered a little. Could that really be true&mdash;that God was
- turning His face away from her? She had tried so hard to cling to her
- faith. It was all she had; it was all that of late had stood between her
- and a despair and misery, a horror so overwhelming that death by contrast
- seemed a boon.
- </p>
- <p>
- Her lips quivered as she walked along. It almost seemed as though she did
- not want to fight any more. And yet there had been a great and very
- wonderful reward given to her before she had even made the final sacrifice
- that she had pledged herself to make. If her soul revolted from the
- association that must come with Doctor Crang, if every instinct within her
- rose up in stark horror before the contamination of the man's wanton moral
- filth, one strange and wondrous thing sustained her. And she had no right
- to mistrust God, for God must have brought her this. She had bought an
- unknown life&mdash;that had become dearer to her than her own, or anything
- that might happen to her. She knew love. It was no longer a <i>stranger</i>
- who would live on through the years because she was soon to pay the price
- that had been set upon his life&mdash;it was John Bruce.
- </p>
- <p>
- Claire caught her hands suddenly to her breast. John Bruce! She was still
- afraid&mdash;for John Bruce. And to-night, all evening, that fear had been
- growing stronger, chilling her with a sense of evil premonition and
- foreboding. Was it only premonition? Crang had threatened. She had heard
- the threats. And she knew out of her own terrible experience that Crang,
- as between human life and his own desires, held human life as naught. And
- yet, surely John Bruce was safe from him now&mdash;at least his life was
- safe. That was how Crang had wrung the promise from her. No, she was not
- so sure! There was personal enmity between them now. Besides, if anything
- happened she would not be able to bring it to Crang's door&mdash;Crang
- would take care of that&mdash;and her promise would still hold. And so she
- was afraid.
- </p>
- <p>
- She had not seen Crang since the night that John Bruce had thrown him down
- the stairs. She had thanked God for the relief his absence had brought her&mdash;but
- now, here again, she was not so sure! What had kept him away? Where was
- John Bruce? She began to regret that she had told John Bruce he must not
- attempt to see her or communicate with her any more, though she had only
- done so because she had been afraid for his sake&mdash;that it would but
- arouse the very worst in Doctor Crang. Perhaps John Bruce had yielded to
- her pleading and had left the city. She shook her head. If she knew the
- man she loved at all, John Bruce would run from no one, and&mdash;&mdash;
- </p>
- <p>
- Claire halted abruptly. She had reached the dingy rooming house where
- Hawkins lived. She brushed her hand resolutely across her eyes as she
- mounted the steps. The tears had come after all, for her lashes were wet.
- </p>
- <p>
- It was not necessary either to ring or knock; the door was always
- unfastened; and, besides, she had been here so many, many times that she
- knew the house almost as well as her own home. She opened the door,
- stepped into a black hallway, and began to feel her way up the creaking
- staircase. There was the possibility, of course, that Hawkins was either
- out or already in bed; but if he were out she would leave a note in his
- room for him so that he would come over to the old pawn-shop when he
- returned, and if he were already in bed her message delivered through the
- door would soon bring Hawkins out of it again&mdash;Hawkins, since he had
- been driving that old car which he had created, was well accustomed to
- calls at all hours of the night.
- </p>
- <p>
- A thin, irregular streak of light, the only sign of light she had seen
- anywhere in the house, showed now at the threshold under Hawkins'
- ill-fitting door, as she reached the landing. She stepped quickly to the
- door and knocked. There was no answer. She knocked again. There was still
- no answer. Claire smiled a little whimsically. Hawkins was growing
- extravagant&mdash;he had gone out and left the light burning. She tried
- the door, and, finding it unlocked, opened it, stepped forward into the
- room&mdash;and with a sudden, low, half-hurt, half-frightened cry, stood
- still. Hawkins was neither out, nor was he in bed. Hawkins was sprawled
- partly on the floor and partly across a chair in which he had obviously
- been unable to preserve his balance. Several bottles, all empty but one,
- stood upon the table. There were two dirty glasses beside the bottles, and
- another one, broken, on the floor. Hawkins was snoring stertorously.
- </p>
- <p>
- It seemed somehow to Claire standing there that this was the last straw&mdash;and
- yet, too, there was only a world of pity in her heart for the old man. All
- the years rolled before her. She remembered as a child climbing upon his
- knee and pleading for the <i>tick-tick</i>&mdash;that great cumbersome
- silver watch, which, fallen out of his pocket now, dangled by its chain
- and swung in jerky rhythm to his breathing. She remembered the days when,
- a little older, she had dressed herself in her best clothes, and to
- Hawkins' huge delight had played at princess, while he drove her about in
- his old ramshackle hansom cab; and, later still, his gentle faithfulness
- to Paul Veniza in his trouble, and to her&mdash;and the love, and a
- strange, always welcome, tenderness that he had ever shown her. Poor frail
- soul! Hawkins had been good to every one&mdash;but Hawkins!
- </p>
- <p>
- She could not leave him like this, but she was not strong enough alone to
- carry him to his bed. She turned and ran hurriedly downstairs. There was
- the widow Hedges, of course, the old landlady.
- </p>
- <p>
- Back at the end of the lower hall, Claire pounded upon a door. Presently a
- woman's voice answered her. A moment later a light appeared as the door
- was opened, and with it an apparition in an old gingham wrapper and curl
- papers.
- </p>
- <p>
- &ldquo;Oh, it's you, Miss Claire!&rdquo; the woman exclaimed in surprise. &ldquo;What's
- brought you over here to-night, dear? Is your father worse?&rdquo;
- </p>
- <p>
- &ldquo;No,&rdquo; Claire answered. &ldquo;He wanted Hawkins, and&mdash;&mdash;&rdquo;
- </p>
- <p>
- Mrs. Hedges shook her head.
- </p>
- <p>
- &ldquo;Hawkins ain't in,&rdquo; she said; &ldquo;but I'll see that he gets the message when
- he comes back. He went out with the car quite a little while ago with some
- men he had with him.&rdquo;
- </p>
- <p>
- &ldquo;With the car?&rdquo; Claire found herself suddenly a little frightened, she did
- not quite know why. &ldquo;Well, he's back now, Mrs. Hedges.&rdquo;
- </p>
- <p>
- &ldquo;Oh, no,&rdquo; asserted Mrs. Hedges positively. &ldquo;I might not have heard him
- going upstairs, but I would have heard the car coming in. It ain't come
- back yet.&rdquo;
- </p>
- <p>
- &ldquo;But Hawkins <i>is</i> upstairs,&rdquo; said Claire a little heavily. &ldquo;I&mdash;I've
- been up.&rdquo;
- </p>
- <p>
- &ldquo;You say Hawkins is upstairs?&rdquo; Mrs. Hedges stared incredulously. &ldquo;That's
- very strange!&rdquo; She turned and ran back into her room and to a rear window.
- &ldquo;Look, Miss Claire! Come here! You can see!&rdquo; And as Claire joined her:
- &ldquo;The door of the shed, or the gradge as he calls it, is open, and you can
- see for yourself it's empty. If he's upstairs what could he have done with
- the car? It ain't out in front of the house, is it, and&mdash;oh!&rdquo; She
- caught Claire's arm anxiously. &ldquo;There's been an accident, you mean, and
- he's&mdash;&mdash;&rdquo;
- </p>
- <p>
- &ldquo;I am sure he never left the house,&rdquo; said Claire, and her voice in its
- composed finality sounded strange even in her own ears. She was thoroughly
- frightened now, and her fears were beginning to take concrete form. There
- were not many who would have any use for that queer old car that was so
- intimately associated with Hawkins! She could think of only one&mdash;and
- of only one reason. She pulled at Mrs. Hedges' arm. &ldquo;Come upstairs,&rdquo; she
- said.
- </p>
- <p>
- Mrs. Hedges reached the door of Hawkins' room first.
- </p>
- <p>
- &ldquo;Oh, my God!&rdquo; Mrs. Hedges cried out wildly. &ldquo;He ain't dead, is he?&rdquo;
- </p>
- <p>
- &ldquo;No,&rdquo; said Claire in a strained voice. &ldquo;He's&mdash;he's only had too much
- to drink. Help me lift him on the bed.&rdquo;
- </p>
- <p>
- It taxed the strength of the two women.
- </p>
- <p>
- &ldquo;And the car's stole!&rdquo; gasped Mrs. Hedges, fighting for her breath.
- </p>
- <p>
- &ldquo;Yes,&rdquo; said Claire; &ldquo;I am afraid so.&rdquo;
- </p>
- <p>
- &ldquo;Then we'll get the police at once!&rdquo; announced Mrs. Hedges.
- </p>
- <p>
- Claire looked at her for a moment.
- </p>
- <p>
- &ldquo;No,&rdquo; she said slowly, shaking her head. &ldquo;You mustn't do that. It&mdash;it
- will come back.&rdquo;
- </p>
- <p>
- &ldquo;Come back?&rdquo; Mrs. Hedges stared helplessly. &ldquo;It ain't a cat! You&mdash;you
- ain't quite yourself, are you, Miss Claire? Poor dear, this has upset you.
- It ain't a fit thing for young eyes like yours to see. Me&mdash;I'm used
- to it.&rdquo;
- </p>
- <p>
- &ldquo;I am quite myself.&rdquo; Claire forced a calmness she was far from feeling
- into her voice. &ldquo;You mustn't notify the police, or do a thing, except just
- look after Hawkins. It&mdash;it's father's car, you know; and he'll know
- best what to do.&rdquo;
- </p>
- <p>
- &ldquo;Well, maybe that's so,&rdquo; admitted Mrs. Hedges.
- </p>
- <p>
- &ldquo;Do you know who the men were who were here with Hawkins?&rdquo; Claire asked.
- </p>
- <p>
- &ldquo;No, I don't,&rdquo; Mrs. Hedges answered excitedly. &ldquo;The thieving devils,
- coming here and getting Hawkins off like this! I just knew there were some
- men up in his room with him because I heard them talking during the
- evening, and then when I heard them go out and get the car I thought, of
- course, that Hawkins had gone with them.&rdquo;
- </p>
- <p>
- &ldquo;I&mdash;I see,&rdquo; said Claire, striving to speak naturally. &ldquo;I&mdash;I'll
- go back to father now. I can't leave him alone very long, anyhow. I'll
- tell him what has happened, and&mdash;and he'll decide what to do. You'll
- look after Hawkins, won't you, Mrs. Hedges?&rdquo;
- </p>
- <p>
- &ldquo;You run along, dear,&rdquo; said Mrs. Hedges reassuringly. &ldquo;Who else but me has
- looked after him these ten years?&rdquo;
- </p>
- <p>
- Claire ran from the room and down the stairs, and out to the street. The
- one thing left for her to do was to reach home and get to the telephone&mdash;get
- the Bayne-Miloy Hotel&mdash;and John Bruce. Perhaps she was already too
- late. She ran almost blindly along the street. Her intuition, the
- foreboding that had obsessed her so heavily all evening, was only too
- likely now to prove itself far from groundless. What object, save one,
- could anybody have in obtaining possession of the traveling pawn-shop, and
- at the same time of keeping Hawkins temporarily out of the road? Perhaps
- her deduction would show flaws if it were subjected to the test of pure
- logic, perhaps there were a thousand other reasons that would account
- equally well, and even more logically, for what had happened, but she <i>knew</i>
- it was Crang&mdash;and Crang could have but one object in view. The man
- was clever, diabolically clever. In some way he was using that car and
- Hawkins' helplessness to trap the man he had threatened. She must warn
- John Bruce. There was not an instant to lose! To lose! How long ago had
- that car been taken? Was there even a chance left that it was not already
- far too late? She had not thought to ask how long ago it was when Mrs.
- Hedges had heard the car leave the garage.
- </p>
- <p>
- It had never seemed so far&mdash;just that little half block and halfway
- along another. It seemed as though she had been an hour in coming that
- little way when she finally reached her home. Her breath coming in hard,
- short gasps, she opened the door, closed it, and, with no thought but one
- in her mind, ran across the room to the telephone. She remembered the
- number of the Bayne-Miloy. She snatched the telephone receiver from the
- hook&mdash;and then, as though her arm had suddenly become incapable of
- further movement, the receiver remained poised halfway to her ear.
- </p>
- <p>
- Doctor Crang was leaning over the banister, and looking down at her.
- </p>
- <p>
- With a stifled little cry, Claire replaced the receiver.
- </p>
- <p>
- Paul Veniza's voice reached her from above.
- </p>
- <p>
- &ldquo;Is that you, Claire?&rdquo; he called.
- </p>
- <p>
- &ldquo;Yes, father,&rdquo; she answered.
- </p>
- <p>
- Doctor Crang came down the stairs.
- </p>
- <p>
- &ldquo;I just dropped in a minute ago&mdash;not professionally&rdquo;&mdash;a snarl
- crept into his voice&mdash;&ldquo;for I have never been informed that your
- father was ill.&rdquo;
- </p>
- <p>
- Claire did not look up.
- </p>
- <p>
- &ldquo;It&mdash;it wasn't serious,&rdquo; she said.
- </p>
- <p>
- &ldquo;So!&rdquo; Crang smiled a little wickedly. &ldquo;I wonder where you get the <i>gambling</i>
- spirit from? One of these days you'll find out how serious these attacks
- are!&rdquo; He took a step forward. &ldquo;Your father tells me you have been over to
- Hawkins' room.&rdquo;
- </p>
- <p>
- There was a curious hint of both challenge and perverted humor in his
- voice. It set at rest any lingering doubt Claire might have had.
- </p>
- <p>
- &ldquo;Yes,&rdquo; she said, and faced him now, her eyes, hard and steady, fixed on
- his.
- </p>
- <p>
- &ldquo;Poor Hawkins!&rdquo; sighed Doctor Crang ironically. &ldquo;Even the best of us have
- our vices! It should teach us to be tolerant with others!&rdquo;
- </p>
- <p>
- Claire's little form was rigidly erect.
- </p>
- <p>
- &ldquo;I wonder if you know how much I hate you?&rdquo; she said in a tense, low
- voice.
- </p>
- <p>
- &ldquo;You've told me often enough!&rdquo; A savage, hungry look came into Crang's
- eyes. &ldquo;But you're mine, for all that! Mine, Claire! Mine! You understand
- that, eh?&rdquo;
- </p>
- <p>
- He advanced toward her. The door of the inner room, that for weeks, until
- a few days ago, had been occupied by John Bruce, was just behind her, and
- she retreated through it. He followed her. She did not want to cry out&mdash;the
- sound would reach the sick room above; and, besides, she dared not show
- the man that she had any fear.
- </p>
- <p>
- &ldquo;Don't follow me like that!&rdquo; she breathed fiercely.
- </p>
- <p>
- &ldquo;Why not?&rdquo; he retorted, as he switched on the light and closed the door.
- &ldquo;I've got the right to, even if I hadn't something that I came over here
- particularly to-night to tell you about&mdash;quite privately.&rdquo;
- </p>
- <p>
- She had put the table between them. That he made no effort to come nearer
- for the moment afforded her a certain relief, but there was something in
- the smile with which he surveyed her now, a cynical, gloating triumph,
- that chilled her.
- </p>
- <p>
- &ldquo;Well, what is it?&rdquo; she demanded.
- </p>
- <p>
- &ldquo;I trapped that damned lover of yours to-night!&rdquo; he announced coolly.
- </p>
- <p>
- Claire felt her face go white. It <i>was</i> true, then! She fought madly
- with herself for self-possession.
- </p>
- <p>
- &ldquo;If you mean Mr. Bruce,&rdquo; she said deliberately, &ldquo;I was just going to try
- to warn him over the phone; though, even then, I was afraid I was too
- late.&rdquo;
- </p>
- <p>
- &ldquo;Ah!&rdquo; he exclaimed sharply. &ldquo;You knew, then?&rdquo;
- </p>
- <p>
- Claire shrugged her shoulders.
- </p>
- <p>
- &ldquo;Oh, yes!&rdquo; she said contemptuously. &ldquo;My faith in you where evil is
- concerned is limitless. I heard your threats. I saw Hawkins a few minutes
- ago. He was quite&mdash;quite helpless. You, or some of your confederates,
- traded on his weakness, took the key of the car away from him, and then
- stole the car. Ordinary thieves would not have acted like that.&rdquo; An icy
- smile came to her lips. &ldquo;His landlady thought the police should be
- notified that the car had been stolen.&rdquo;
- </p>
- <p>
- &ldquo;You always were clever, Claire,&rdquo; Crang grinned admiringly. &ldquo;You've got
- some brains&mdash;all there are around here, as far as I can make out.
- You've got it straight, all right. Mr. John Bruce, Esquire, came out of
- Lavergne's on being informed that Hawkins was in bad shape&mdash;no lie
- about that!&mdash;and walked into the car without a murmur. Too bad to
- bother the police, though&mdash;the car will have been left in front of
- Hawkins' door again by now.&rdquo;
- </p>
- <p>
- It was hard to keep her courage; hard to keep her lips from trembling;
- hard to keep the tears back; hard to pretend that she was not afraid.
- </p>
- <p>
- &ldquo;What are you going to do with him?&rdquo; Her voice was very low. &ldquo;The promise
- that I gave you was on the condition that he <i>lived</i>&mdash;not only
- then, but now.&rdquo; Crang laughed outright.
- </p>
- <p>
- &ldquo;Oh, don't worry about that! He'd never let it get that far. He thinks too
- much of Mr. Bruce! He has already taken care of himself&mdash;at another
- man's expense.&rdquo;
- </p>
- <p>
- Claire stared numbly. She did not understand.
- </p>
- <p>
- &ldquo;I'll tell you,&rdquo; said Crang, with brutal viciousness. &ldquo;He's a professional
- gambler, this supposedly wealthy gentleman of leisure. He works for a man
- in San Francisco named Larmon, who really is wealthy, but who poses as a
- pillar of the church, or words to that effect. Never mind how, but Larmon
- will be here to-night in New York&mdash;just at the right moment. And Mr.
- Bruce has very kindly consented to assist in convincing Mr. Larmon that
- exposure isn't worth the few dollars that would buy him immunity.&rdquo;
- </p>
- <p>
- Claire did not speak. Still she did not understand. She sat down wearily
- in the chair beside the table.
- </p>
- <p>
- Crang took a letter from his pocket abruptly, and, opening it, laid it in
- front of Claire.
- </p>
- <p>
- &ldquo;I thought perhaps you would like to read it,&rdquo; he said carelessly.
- </p>
- <p>
- Claire rested her elbows on the table and cupped her chin in her hands.
- She stared at the letter. At first the words ran together, and she could
- not make them out. Then a sentence took form, and then another&mdash;and
- she read them piteously. &ldquo;... I asked a girl to marry me, and in doing so
- felt she had the right to my full confidence. She did me in... She read on
- to the end.
- </p>
- <p>
- &ldquo;But it's not true!&rdquo; she cried out sharply. &ldquo;I don't believe it!&rdquo;
- </p>
- <p>
- &ldquo;Of course, it isn't true!&rdquo; said Crang complacently. &ldquo;And, of course, you
- don't believe it! But Larmon will. I've only shown you the letter to let
- you see what kind of a yellow cur this would-be lover of yours is.
- Anything to save himself! But so long as he wrote the letter, I had no
- quarrel with him if he wanted to fake excuses for himself that gave him a
- chance of holding his job with Larmon afterwards.&rdquo;
- </p>
- <p>
- It couldn't be true&mdash;true that John Bruce had even written the
- letter, a miserable Judas thing that baited a trap, for one who trusted
- him, with the good name of a woman for whom he had professed to care. It
- couldn't be true&mdash;but the signature was there, and&mdash;and it was
- genuine: &ldquo;John Bruce.... John Bruce.... John Bruce.&rdquo; It seemed to strike
- at her with the cruel, stinging blows of a whip-lash: &ldquo;John Bruce.... John
- Bruce.... John&mdash;&mdash;&rdquo;
- </p>
- <p>
- The words became blurred. It was the infinite hopelessness of everything
- that crushed her fortitude, and mocked it, and made of it at last a beaten
- thing. A tear fell and splashed upon the page&mdash;and still another. She
- kept looking at the letter, though she could only see it through a
- blinding mist. And there was something ominous, and something that added
- to her fear, that she should imagine that her tears made <i>black</i>
- splashes on the blurred letter as they fell, and&mdash;&mdash;-
- </p>
- <p>
- She heard a sudden startled snarl from Crang, and the letter was snatched
- up from the table. And then he seemed to laugh wildly, without reason, as
- a maniac would laugh&mdash;and with the letter clutched in his hand rushed
- from the room. Claire crushed her hands against her temples. Perhaps it
- was herself who had gone mad.
- </p>
- <p>
- The front door banged.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0016" id="link2HCH0016"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER SIXTEEN&mdash;A WOLF LICKS HIS CHOPS
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">O</span>UTSIDE the house
- Crang continued to run. He was unconscious that he had forgotten his hat.
- His face worked in livid fury. Alternately he burst out into short, ugly
- gusts of laughter that made of laughter an evil thing; alternately, racked
- with unbridled passion, he mouthed a flood of oaths.
- </p>
- <p>
- He ran on for some three blocks, and finally dashed up the steps of a
- small, drab-looking, cheap frame house. A brass sign, greenish with mold
- from neglect, flanked one side of the door. Under the street light it
- could just barely be deciphered: SYDNEY ANGUS CRANG, M.D.
- </p>
- <p>
- He tried the door. It was locked. He searched impatiently and hastily in
- his pockets for his pass-key, and failing to find it instantly he rang the
- bell; and then, without waiting for an answer to the summons, he
- immediately began to bang furiously upon the panels.
- </p>
- <p>
- An old woman, his housekeeper, whose bare feet had obviously been thrust
- hurriedly into slippers, and who clutched at the neck of a woolen dressing
- gown that also obviously, and with equal haste, had been flung around her
- shoulders over her nightdress, finally opened the door.
- </p>
- <p>
- &ldquo;Get out of the road!&rdquo; Crang snarled&mdash;and brushed his way roughly
- past her.
- </p>
- <p>
- He stepped forward along an unlighted hall, opened a door, and slammed it
- behind him. He switched on the light. He was in his consulting room. The
- next instant he was standing beside his desk, and had wrenched John
- Bruce's letter from his pocket. He spread this out on the desk and glared
- at it. Beyond any doubt whatever, where Claire's tears had fallen on the
- paper, traces of writing were faintly discernible. Here, out of an
- abortive word, was a well-formed &ldquo;e&rdquo;; and there, unmistakably, was a
- capital &ldquo;L.&rdquo;
- </p>
- <p>
- Crang burst into a torrent of abuse and oaths; his fists clenched, and he
- shook one of them in the air.
- </p>
- <p>
- &ldquo;Double-crossed&mdash;eh?&mdash;damn him!&rdquo; he choked. &ldquo;He tried to
- double-cross me&mdash;did he?&rdquo;
- </p>
- <p>
- Carrying the letter, he ran now into a little room behind his office,
- where he compounded his medicines, and that was fitted up as a sort of
- small laboratory.
- </p>
- <p>
- &ldquo;I'm a clever man,&rdquo; Crang mumbled to himself. &ldquo;We'll see about this!&rdquo;
- </p>
- <p>
- With sudden complacence he began to study the sheet of paper. He nodded
- curtly to himself as he noted that the traces of the secret writing were
- all on the lower edge of the paper.
- </p>
- <p>
- &ldquo;We'll be very careful, <i>very</i> careful&rdquo;&mdash;Doctor Crang was still
- mumbling&mdash;&ldquo;it may be useful in more ways than one.&rdquo;
- </p>
- <p>
- He turned on the water faucet, wet a camel's-hair brush, and applied the
- brush to the lower edge of the letter. The experiment was productive of no
- result. He stared at the paper for a while with wrinkled brow, and then
- suddenly he began to laugh ironically.
- </p>
- <p>
- &ldquo;No, of course, not!&rdquo; He was jeering at himself now. &ldquo;Clever? You are not
- clever, you are a fool! She <i>cried</i> on the paper. Tears! Tears
- possess a slight trace of&rdquo;&mdash;he reached quickly for a glass container,
- and began to prepare a solution of some sort&mdash;&ldquo;a very slight trace...
- that's why the characters that already show are so faint. Now we'll see,
- Mr. John Bruce, what you've got to say.... Salt!... A little salt, eh?&rdquo;
- </p>
- <p>
- He dipped the camel's-hair brush in the solution and drew it across the
- bottom edge of the paper again.
- </p>
- <p>
- &ldquo;Ha, ha!&rdquo; exclaimed Doctor Crang in eager excitement. Letters, words and
- sentences began to take form under the brush. &ldquo;Ha, ha! He'd play that game
- with me, would he? Damn him!&rdquo;
- </p>
- <p>
- Very carefully Sydney Angus Crang, M.D., worked his brush upward on the
- paper line by line, until, still well below the signature that John Bruce
- had affixed in his, Crang's, presence, there failed to appear any further
- trace of the secret writing. He read as fast as a word appeared&mdash;like
- a starving beast snatching in ferocious greed at morsels of food. It made
- whole and complete sense. His eyes feasted on it now in its entirety:
- </p>
- <p>
- Keep away. This is a trap. Stall till you can turn tables. Information
- obtained while I was delirious. Am a prisoner in hands of a gang whose
- leader is a doctor named Crang. Veniza will tell you where Crang lives.
- Get Veniza's address from Lavergne at the house. The only way to save
- either of Us is to trick Crang. Look out for yourself. Bruce.
- </p>
- <p>
- He tossed the camel's-hair brush away, returned to his desk, spread the
- letter out on a blotter to allow the lower edge to dry, and slumping down
- in his desk chair, glued his eyes on the secret message, reading it over
- and over again.
- </p>
- <p>
- &ldquo;Trick Crang&mdash;eh?&mdash;ha, ha!&rdquo; He began to chuckle low; then
- suddenly his fingers, crooked and curved until they looked like claws,
- reached out as though to fasten upon some prey at hand. And then he
- chuckled once more&mdash;and then grew somber, and slumped deeper in his
- chair, and his eyes, brooding, were half closed. &ldquo;Not to-night,&rdquo; he
- muttered. &ldquo;One job of it to-morrow... squeal like a pair of rats that&mdash;&mdash;&rdquo;
- </p>
- <p>
- He sat suddenly bolt upright in his chair. It came again&mdash;-a low
- tapping on the window; two raps, three times repeated. He rose quickly,
- crossed the room, opened the door, and stood motionless for a moment
- peering out into the hall. It was a purely precautionary measure&mdash;he
- had little doubt but that his old housekeeper had long since mounted the
- stairs and returned to her bed. He stepped rapidly then along the hall,
- and opened the front door.
- </p>
- <p>
- &ldquo;That you, Birdie?&rdquo; he called in a low voice.
- </p>
- <p>
- A man's form appeared from the shadow of the stoop.
- </p>
- <p>
- &ldquo;Sure!&rdquo; the man answered.
- </p>
- <p>
- &ldquo;Come in!&rdquo; Doctor Crang said tersely.
- </p>
- <p>
- He led the way back into the consulting room, and slumped down again in
- his chair.
- </p>
- <p>
- &ldquo;Well?&rdquo; he demanded.
- </p>
- <p>
- &ldquo;Peters arrived all right,&rdquo; Birdie reported. &ldquo;He registered at the
- Bayne-Miloy Hotel, and he's there now.&rdquo;
- </p>
- <p>
- &ldquo;Good!&rdquo; grunted Crang.
- </p>
- <p>
- For a full five minutes he remained silent and without movement in his
- chair, apparently utterly oblivious of the other, who stood, shifting a
- little awkwardly from foot to foot, on the opposite side of the desk.
- </p>
- <p>
- Then Crang spoke&mdash;more to himself than to Birdie.
- </p>
- <p>
- &ldquo;He'll be anxious, of course, and growing more so,&rdquo; he said. &ldquo;He might
- make a break of some kind. I'll have to fix that. I'm not ready yet.
- What?&rdquo;
- </p>
- <p>
- Birdie, from staring inanely at the wall, came to himself with a sudden
- start at what he evidently interpreted as a direct question.
- </p>
- <p>
- &ldquo;Yes&mdash;sure!&rdquo; he said hurriedly. &ldquo;No&mdash;I mean, no, you're not
- ready.&rdquo;
- </p>
- <p>
- Crang glared at the man contemptuously.
- </p>
- <p>
- &ldquo;What the hell do you know about it?&rdquo; he inquired caustically.
- </p>
- <p>
- He picked up the telephone directory, studied it for a moment, then,
- reaching for the desk telephone, asked for his connection. Presently the
- Bayne-Miloy Hotel answered him, and he asked for Mr. R. L. Peters' room. A
- moment more and a voice reached him over the phone.
- </p>
- <p>
- &ldquo;Is that Mr. Peters?&rdquo; Crang inquired quietly. &ldquo;Mr. R. L. Peters, of San
- Francisco?... Yes? Then I have a message for you, Mr. Peters, from the
- person who sent you a telegram a few days ago... I beg your pardon?...
- Yes, I am sure you do... Myself? I'd rather not mention any names over the
- phone. You understand, don't you? He told me to tell you that it is
- absolutely necessary that no connection is known to exist between you, and
- for that reason he does not dare take the chance of getting into touch
- with you to-night, but he will manage it somehow by early afternoon
- to-morrow... What say?... Yes, it is very serious, otherwise he would
- hardly have telegraphed you to come on from San Francisco... No,
- personally, I don't know. That was his message; but I was also to warn you
- on no account to leave your rooms, or have communication with anybody
- until you hear direct from him.... No, I do not know the particulars. I
- only know that he is apparently in a hole, and a bad one, and that he is
- now afraid that you will get into it too.... Yes. You are sure you fully
- understand?... No, not at all! I am only too glad.... Good-night.&rdquo;
- </p>
- <p>
- Crang, with a curious smile on his lips, hung up the receiver. He turned
- abruptly to Birdie.
- </p>
- <p>
- &ldquo;You get a taxi to-morrow,&rdquo; he said brusquely. &ldquo;We'll want it for two or
- three hours. Slip the chauffeur whatever is necessary, and change places
- with him. See? You'll know where to find one that will fall for that. Then
- you come here for me at&mdash;let's see&mdash;the boat sails at four&mdash;you
- come here at half past one sharp. Get me?&rdquo;
- </p>
- <p>
- &ldquo;Sure!&rdquo; said Birdie, with a grin. &ldquo;That's a cinch!&rdquo;
- </p>
- <p>
- &ldquo;All right, then!&rdquo; Crang waved his hand. &ldquo;Beat it!&rdquo;
- </p>
- <p>
- Birdie left the room. A moment later the front door closed behind him.
- </p>
- <p>
- Crang picked up the letter and examined it critically. The lower three or
- four inches of the paper was slightly crinkled, but quite dry now; the
- body of the original letter showed no sign whatever of his work upon the
- lower portion.
- </p>
- <p>
- Doctor Crang nodded contentedly.
- </p>
- <p>
- He rose abruptly, secured his surgical bag, and from it selected a lance.
- With the aid of a ruler and the keen-bladed little instrument, he very
- carefully cut away the lower section of the paper. The slip containing the
- erstwhile secret message he tucked away in his inside pocket; then he
- examined the letter itself again even more critically than before. For all
- evidence that it presented to the contrary, it might have been the
- original size of the sheet. There was even a generous margin of paper
- still left beneath John Bruce's signature. He folded the letter, replaced
- it in its envelope&mdash;and now sealed the envelope.
- </p>
- <p>
- &ldquo;To-morrow!&rdquo; said Doctor Sydney Angus Crang with a sinister smile, as he
- produced a hypodermic syringe from his pocket and rolled up the sleeve of
- his left arm. He laughed as the needle pricked his flesh. &ldquo;To-morrow&mdash;John
- Bruce!&rdquo;
- </p>
- <p>
- He slumped far down in his chair once more. For half an hour he sat
- motionless, his eyes closed. Then he spoke again.
- </p>
- <p>
- &ldquo;Damn you!&rdquo; he said.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0017" id="link2HCH0017"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER SEVENTEEN&mdash;ALIAS MR. ANDERSON
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">D</span> OCTOR Sydney
- Angus Crang looked at his watch, as he stepped from a taxi the next
- afternoon, and entered the Bayne-Miloy Hotel. It was fifteen minutes of
- two. He approached the desk and obtained a blank card. &ldquo;From J. B.,&rdquo; he
- wrote upon it. He handed it to the clerk.
- </p>
- <p>
- &ldquo;Please send this up to Mr. R. L. Peters,&rdquo; he requested.
- </p>
- <p>
- He leaned nonchalantly against the desk as a bellboy departed with the
- card. From where he stood the front windows gave him a view of the street,
- and he could see Birdie parking the taxi a little way up past the
- entrance. He smiled pleasantly as he waited.
- </p>
- <p>
- Presently the bell-boy returned with the information that Mr. Peters would
- see him; and, following the boy upstairs, he was ushered into the sitting
- room of one of the Bayne-Miloy's luxurious suites. A tall man with a thin,
- swarthy face confronted him. Between his fingers the tall man held the
- card that he, Crang, had sent up; and between his lips the tall man sucked
- assiduously at a quill toothpick.
- </p>
- <p>
- &ldquo;Mr. Peters, of course?&rdquo; Crang inquired easily, as the door closed behind
- the bell-boy.
- </p>
- <p>
- Mr. Peters, alias Gilbert Larmon, nodded quietly. &ldquo;I was rather expecting
- Mr. Bruce in person,&rdquo; he said.
- </p>
- <p>
- Crang looked cautiously around him.
- </p>
- <p>
- &ldquo;It still isn't safe,&rdquo; he said in a lowered voice. &ldquo;At least, not here; so
- I am going to take you to him. But perhaps you would prefer that I should
- explain my own connection with this affair first?&rdquo;
- </p>
- <p>
- Again Larmon nodded.
- </p>
- <p>
- &ldquo;Perhaps it would be just as well,&rdquo; he said.
- </p>
- <p>
- Once more Crang looked cautiously around him.
- </p>
- <p>
- &ldquo;We&mdash;we are quite alone, I take it?&rdquo;
- </p>
- <p>
- &ldquo;Quite,&rdquo; said Larmon.
- </p>
- <p>
- &ldquo;My name is Anderson, William Anderson,&rdquo; Crang stated smoothly. &ldquo;I was the
- one who telephoned you last night. I am a friend of John Bruce&mdash;the
- only one he's got, I guess, except yourself. Bruce and I used to be boys
- together in San Francisco. I hadn't seen him for years until we ran into
- each other here in New York a few weeks ago and chummed up again. As I
- told you over the phone, I don't know the ins and outs of this, but I know
- he is in some trouble with a gang that he got mixed up with in the
- underworld somehow.&rdquo;
- </p>
- <p>
- &ldquo;<i>Tck!</i>&rdquo; The quill toothpick flexed sharply against one of the tall
- man's front teeth. &ldquo;William Anderson&rdquo;&mdash;he repeated the name musingly&mdash;&ldquo;yes,
- I remember. I sent a telegram in your care to Mr. Bruce a few days ago.&rdquo;
- </p>
- <p>
- &ldquo;Yes,&rdquo; said Crang.
- </p>
- <p>
- The quill toothpick appeared to occupy the tall man's full attention for a
- period of many seconds.
- </p>
- <p>
- &ldquo;Are you conversant with the contents of that telegram, Mr. Anderson?&rdquo; he
- asked casually at last.
- </p>
- <p>
- Crang suppressed a crafty smile. Mr Gilbert Larmon was no fool! Mr.
- Gilbert Larmon stood here as Mr. R. L. Peters&mdash;the telegram had been
- signed: &ldquo;Gilbert Larmon.&rdquo; The question that Larmon was actually asking
- was: How much do you really know?
- </p>
- <p>
- &ldquo;Why, yes,&rdquo; said Crang readily. &ldquo;I did not actually see the telegram, but
- Bruce told me it was from a friend of his, a Mr. Peters, who would arrive
- in New York Wednesday night, and whom he seemed to think he needed pretty
- badly in his present scrape.&rdquo; Larmon took a turn or two up and down the
- room. He halted again before Crang.
- </p>
- <p>
- &ldquo;I am obliged to admit that I am both anxious and considerably at sea,&rdquo; he
- said deliberately. &ldquo;There seems to be an air of mystery surrounding all
- this that I neither like nor understand. You did not allay my fears last
- night when you telephoned me. Have you no more to tell me?&rdquo;
- </p>
- <p>
- Crang shook his head slowly.
- </p>
- <p>
- &ldquo;No,&rdquo; he said. &ldquo;You've got everything I know. Bruce has been like a clam
- as far as the nature of what is between himself and this gang is
- concerned. He will have to tell you himself&mdash;if he will. He won't
- tell me. Meanwhile, he sent you this.&rdquo;
- </p>
- <p>
- Crang reached into his pocket and took out the envelope addressed to Mr.
- R. L. Peters, that he had taken pains to seal the night before.
- </p>
- <p>
- Larmon took the envelope, stepped over to the window, presumably for
- better light, and opening the letter, began to read it.
- </p>
- <p>
- Crang watched the other furtively. The quill toothpick, from a series of
- violent gyrations, became motionless between Larmon's lips. The thin face
- seemed to mold itself into sharp, dogged lines. Again and again Larmon
- appeared to read the letter over; and then the hand that held the sheet of
- paper dropped to his side, and he stood for a long time staring out of the
- window. Finally he turned slowly and came back across the room.
- </p>
- <p>
- &ldquo;This is bad, Mr. Anderson&mdash;far worse than I had imagined,&rdquo; he said
- in a hard voice. &ldquo;I believe you said you would take me to Bruce. This
- letter asks me to accompany you, and I see we are to go at once.&rdquo; He
- motioned toward a box of cigars on the table. &ldquo;Help yourself to a cigar,
- Mr. Anderson, and take a chair while I change and get ready. I will only
- be a few minutes, if you will excuse me for that length of time?&rdquo;
- </p>
- <p>
- Crang's face expressed concern.
- </p>
- <p>
- &ldquo;Why, certainly, Mr. Peters,&rdquo; he agreed readily. He helped himself to a
- cigar, and sat down in a chair. &ldquo;I'm sorry if it's as bad as that.&rdquo;
- </p>
- <p>
- Larmon made no answer, save to nod his head gravely as he stepped quickly
- toward the door of the apartment's adjoining room.
- </p>
- <p>
- Crang struck a match and lighted his cigar. The door of the connecting
- room closed behind Larmon. A cloud of blue smoke veiled Crang's face&mdash;and
- a leer that lighted his suddenly narrowed eyes.
- </p>
- <p>
- &ldquo;So that's it, is it?&rdquo; grinned Crang to himself. &ldquo;I wondered how he was
- going to work it! Well, I guess he would have got away with it, too&mdash;if
- I hadn't got away with it first!&rdquo;
- </p>
- <p>
- He sat motionless in his chair&mdash;and listened. And suddenly he smiled
- maliciously. The sound of running water from a tap turned on somewhere on
- the other side of the connecting door reached him faintly.
- </p>
- <p>
- &ldquo;And now a little salt!&rdquo; murmured Doctor Sydney
- </p>
- <p>
- Angus Crang. He blew a smoke ring into the air and watched it dissolve.
- &ldquo;And, presto!&mdash;like the smoke ring&mdash;nothing!&rdquo;
- </p>
- <p>
- The minutes passed, perhaps five of them, and then the door opened again
- and Larmon reappeared.
- </p>
- <p>
- &ldquo;I'm ready now,&rdquo; he announced quietly. &ldquo;Shall we go?&rdquo;
- </p>
- <p>
- Crang rose from his chair.
- </p>
- <p>
- &ldquo;Yes,&rdquo; he said. He glanced at Larmon, as he tapped the ash from the end of
- his cigar. Larmon had <i>not</i> forgotten to change his clothes. &ldquo;I've
- got a taxi waiting.&rdquo;
- </p>
- <p>
- &ldquo;All right,&rdquo; agreed Larmon briskly&mdash;and led the way to the elevator.
- </p>
- <p>
- Out on the street, Crang led the way in turn&mdash;to the taxi. Birdie
- reached out from his seat, and flung the door open. Crang motioned Larmon
- to enter, and then leaned toward Birdie as though to give the man the
- necessary address. He spoke in a low, quiet tone:
- </p>
- <p>
- &ldquo;Keep to the decent streets as long as you can, so that he won't have a
- chance to get leery until it won't matter whether he does or not.
- Understand?&rdquo;
- </p>
- <p>
- Birdie touched his cap.
- </p>
- <p>
- &ldquo;Yes, sir,&rdquo; he said.
- </p>
- <p>
- The taxi jerked forward.
- </p>
- <p>
- &ldquo;It's not very far,&rdquo; said Crang. He smiled engagingly as he settled back
- in his seat&mdash;and his hand in his coat pocket sought and fondled his
- revolver.
- </p>
- <p>
- Larmon, apparently immersed in his own thoughts, made no immediate reply.
- The taxi traversed a dozen blocks, during which time Crang, quite
- contented to let well enough alone, made no effort at conversation. Larmon
- chewed at his quill toothpick until, following a savage little click, he
- removed it in two pieces from his mouth. He had bitten it in half. He
- tossed the pieces on the floor, and produced a fresh one from his pocket.
- </p>
- <p>
- &ldquo;My word!&rdquo; observed Crang dryly. &ldquo;You've got good teeth.&rdquo;
- </p>
- <p>
- Larmon turned and looked at him.
- </p>
- <p>
- &ldquo;Yes, Mr. Anderson, I have!&rdquo; His voice was level. &ldquo;And I am going to show
- them&mdash;when I get hold of Bruce.&rdquo;
- </p>
- <p>
- Crang's expression was instantly one of innocent bewilderment.
- </p>
- <p>
- &ldquo;Why,&rdquo; he said, &ldquo;I thought you&mdash;&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Have you ever met the lady?&rdquo; Larmon asked abruptly.
- </p>
- <p>
- &ldquo;The&mdash;lady?&rdquo; Crang glanced out of the window. Birdie was making good
- time, very good time indeed. Another five minutes at the outside and the
- trick was done.
- </p>
- <p>
- &ldquo;The woman in the case,&rdquo; said Larmon.
- </p>
- <p>
- &ldquo;Oh!&rdquo; Crang whistled low. &ldquo;I see! No, I've never met her. I didn't know
- there was one. I told you he had said nothing to me.&rdquo;
- </p>
- <p>
- Larmon was frowning heavily; his face was strained and worried. He laughed
- out suddenly, jerkily.
- </p>
- <p>
- &ldquo;I suppose I should give him credit for keeping you at least in the dark,&rdquo;
- he said shortly; &ldquo;though it strikes me as more or less of a case of
- locking the stable door after the horse has gone.&rdquo;
- </p>
- <p>
- Crang's eyebrows were raised in well-simulated perplexity.
- </p>
- <p>
- &ldquo;I don't quite get you, Mr. Peters,&rdquo; he said politely.
- </p>
- <p>
- &ldquo;It's of no consequence.&rdquo; Larmon's eyes were suddenly fastened on the
- window. From an already shabby street where cheap tenements hived a
- polyglot nationality, the taxi had swerved into an intersection that
- seemed more a lane than anything else, and that was still more shabby and
- uninviting. &ldquo;This is a rather sordid neighborhood, isn't it?&rdquo; he observed
- curiously.
- </p>
- <p>
- &ldquo;It's safe,&rdquo; said Crang significantly.
- </p>
- <p>
- The taxi stopped.
- </p>
- <p>
- &ldquo;We get out here, Mr. Peters,&rdquo; Crang announced pleasantly, as Birdie
- opened the door. &ldquo;It's a bit rough, I'll admit; but&rdquo;&mdash;he shrugged his
- shoulders and smiled&mdash;&ldquo;you'll have to blame Bruce, not me. Just
- follow me, Mr. Peters&mdash;it's down these steps.&rdquo;
- </p>
- <p>
- He began to descend the steps of a cellar entrance, which was
- unprepossessingly black, and which opened from the rear of a seedy looking
- building that abutted on the lane. He did not look behind him. Larmon had
- made <i>sure</i> that the letter was to be relied upon, hadn't he?&mdash;and
- it was John Bruce, not anybody else, that Larmon was trusting now.
- Certainly, it was much easier to <i>lead</i> Larmon as long as Larmon
- could be led; if Larmon hesitated about following, Birdie stood ready to
- pitch the other headlong down the steps&mdash;the same end would be
- attained in either case!
- </p>
- <p>
- But Larmon still showed no suspicion of the good faith of one William
- Anderson. He was following without question. The daylight streaking down
- through the entrance afforded enough light to enable Crang, over his
- shoulder, to note that Larmon was always close behind him. At a door
- across the cellar Crang gave two raps, three times repeated, and as the
- door was opened, entered with Larmon beside him.
- </p>
- <p>
- The man who had let them in&mdash;one of three, who had evidently been
- rolling dice at a table close to the entrance&mdash;closed the door behind
- them, and resumed his game.
- </p>
- <p>
- &ldquo;If you'll just wait here a minute, Mr. Peters,&rdquo; Crang said breezily,
- &ldquo;I'll find Bruce for you.&rdquo;
- </p>
- <p>
- He did not wait for a reply. It mattered very little as to what Larmon
- said or did now, anyhow&mdash;Larmon's exit was barred by three men! He
- walked up the length of the low-ceiled, evil-smelling place, and with a
- key which he took from his pocket unlocked a door at the farther end. As
- he stepped through the door his revolver was in his hand.
- </p>
- <p>
- He laughed in an ugly way, as John Bruce rose from the mattress and faced
- him.
- </p>
- <p>
- &ldquo;Salt is a great thing, isn't it?&rdquo; he jeered. He drew from his pocket the
- slip of paper he had cut from the bottom of the letter, and held it so
- that John Bruce could see it. Then he put it back in his pocket again.
- &ldquo;Understand? He got the <i>rest</i> of the letter, all right; and so he
- has come down to pay you a little visit. He's outside there now.&rdquo;
- </p>
- <p>
- John Bruce made no answer.
- </p>
- <p>
- Crang laughed again.
- </p>
- <p>
- &ldquo;You thought you'd double-cross me, did you? You poor fool! Well, it's a
- showdown now. I'm going to bring him in here&mdash;and let you tell him
- what he's up against. I guess you can convince him. He's got less than an
- hour in which to come across&mdash;if you are going to sail on that
- steamer. If you don't make yourself useful to that extent, you go out&mdash;for
- keeps; and Larmon stays here until he antes up&mdash;or rots! Is that
- quite clear?&rdquo;
- </p>
- <p>
- John Bruce's lips scarcely moved.
- </p>
- <p>
- &ldquo;Yes; it is quite clear,&rdquo; he said.
- </p>
- <p>
- &ldquo;I thought it would be!&rdquo; snarled Crang&mdash;and backed out through the
- door.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0018" id="link2HCH0018"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER EIGHTEEN&mdash;THE HOSTAGE
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">A</span>S Crang
- disappeared through the doorway, John Bruce stepped noiselessly forward
- across the earthen floor. With the door half open and swung inward, it
- left a generous aperture at the hinges through which he could see down the
- length of the cave-like den outside.
- </p>
- <p>
- He was strangely calm. Yes, there was Larmon down there&mdash;and Crang
- was walking toward him. And Crang had left the door open here. Well, why
- not?&mdash;with those three apaches at that table yonder! Yes, why not?&mdash;except
- that Crang had also left open the way to one last move, left him, John
- Bruce, one last card to play!
- </p>
- <p>
- Strange, the cold, unnatural calmness that possessed him! His mind seemed
- instantaneously to have conceived and created a project that almost
- subconsciously he was now in the act of putting into effect. He reached
- out, and extracting the key from the outside of the door, inserted it on
- the inside of the lock. He smiled grimly. So far, it was quite safe! The
- door was swung so far inward that the inner edge of it, and therefore his
- act, certainly could not be seen by any one out there.
- </p>
- <p>
- A last card! His lips tightened. Well, perhaps! But it was more than that.
- His unnatural composure had something deeper than that behind it&mdash;a
- passionate fury smoldering on the verge of flame. Larmon was out there&mdash;trapped!
- He could not put Larmon in greater jeopardy now, no matter what he, John
- Bruce, did personally, because Larmon dead would not be worth anything to
- them. But for himself&mdash;to stand and take it all like a sheep at the
- hands of a damned, cringing&mdash;&mdash;
- </p>
- <p>
- He shook his head in quick, curious self-rebuke. Not yet! He needed that
- cold composure a little longer since it was to be a showdown now. That was
- what Crang had said&mdash;a showdown. And Crang was right! It meant the
- end&mdash;one way or the other. But with luck, if Crang was as yellow as
- he believed the man to be, the idea of the bluff that had leaped into his
- mind would work successfully; and if it didn't work&mdash;well, then,
- there was the end&mdash;and at least it would not be a scatheless one for
- Crang!
- </p>
- <p>
- The mind works swiftly. Had Crang had time only to walk down <i>half</i>
- the length of that room out there toward Larmon? Yes, he saw Crang halt
- now, and heard Crang call out sharply to the three men at the table:
- </p>
- <p>
- &ldquo;See if he's got a gun!&rdquo;
- </p>
- <p>
- John Bruce, through the crack, saw Larmon whirl around suddenly, as though
- aware for the first time that he was in danger; saw two of the men grasp
- Larmon roughly, while the third searched through his clothes.
- </p>
- <p>
- And then Crang laughed out raucously:
- </p>
- <p>
- &ldquo;This way, <i>Mr. Peters</i>&mdash;please! You three can stay where you
- are&mdash;I'll call you if I need you!&rdquo;
- </p>
- <p>
- For still another instant John Bruce watched through the crack. Larmon,
- though his face was set and stern, advanced calmly to where Crang stood.
- Crang, with a prod of his revolver, pushed him onward. They were coming
- now&mdash;Larmon first, and Crang immediately behind the other. Without a
- sound, John Bruce slipped around to the other side of the door; and, back
- just far enough so that he would not be seen the instant the threshold was
- reached, crouched down close against the wall.
- </p>
- <p>
- A second passed.
- </p>
- <p>
- &ldquo;Go on in there!&rdquo; he heard Crang order.
- </p>
- <p>
- Larmon's form crossed the threshold; and then Crang's&mdash;and John Bruce
- hurled himself forward, striking, even while his hands flew upward to lock
- like a vise around Crang's throat, a lightning blow at Crang's wrist that
- sent the revolver to the soft earthen floor without a sound&mdash;and a
- low, strangling, gurgling noise was alone the result of Crang's effort at
- a shout of alarm.
- </p>
- <p>
- &ldquo;Shut the door&mdash;<i>quietly!</i> And lock it, Larmon!&rdquo; John Bruce
- flung out.
- </p>
- <p>
- It was an impotent thing. It struck at the air blindly, its fists going
- like disjointed flails. Strong! He had not just risen from a sick bed this
- time! John Bruce and the soul within him seemed to chuckle In unison
- together at this wriggling thing that he held up by the neck with its feet
- off the ground. But he saw Larmon, though for the fraction of a second
- held spellbound in amazement, spring and lock the door.
- </p>
- <p>
- &ldquo;If you make a sound that reaches out there&rdquo;&mdash;John Bruce was
- whispering now with panting, labored breath, as he swung Crang over to the
- corner and forced him down upon the mattress&mdash;&ldquo;it will take too long
- to break that door in to be of any use to you! Understand?&rdquo;
- </p>
- <p>
- &ldquo;Bruce!&rdquo;
- </p>
- <p>
- It was Larmon standing over them. John Bruce scarcely turned his head. His
- hands were still on Crang's throat, though the man lay cowed and passive
- now.
- </p>
- <p>
- &ldquo;His inside coat pocket!&rdquo; John Bruce jerked out. &ldquo;It will save a lot of
- explanation.&rdquo;
- </p>
- <p>
- Larmon leaned over and thrust his hand into Crang's pocket. He produced
- several envelopes and the slip of paper cut from John Bruce's letter.
- </p>
- <p>
- &ldquo;Read the slip!&rdquo; said John Bruce grimly. &ldquo;He showed it to me a minute ago
- when he came in to tell me you were here. It was written in our invisible
- ink at the bottom of the letter he brought you.&rdquo; He laughed shortly. &ldquo;When
- you've read it, I'll introduce you.&rdquo;
- </p>
- <p>
- Larmon read the slip hurriedly.
- </p>
- <p>
- &ldquo;Good God!&rdquo; he cried out.
- </p>
- <p>
- &ldquo;This is Crang,&rdquo; said John Bruce evenly.
- </p>
- <p>
- &ldquo;But&rdquo;&mdash;Larmon's face was tense and strained&mdash;&ldquo;how&mdash;&mdash;&mdash;&rdquo;
- </p>
- <p>
- &ldquo;How did he discover there was anything there to begin with, and then hit
- on the salt solution?&rdquo; John Bruce interrupted. &ldquo;I don't know. We'll find
- out.&rdquo; He relaxed his hold a little on Crang's throat, and taking the slip
- of paper from Larmon, thrust it into his own pocket. &ldquo;Go on, Crang! Tell
- us!&rdquo;
- </p>
- <p>
- Crang's eyes roved from John Bruce to Larmon and back to John Bruce again.
- His face was ashen. He shook his head.
- </p>
- <p>
- &ldquo;You'll <i>talk!</i>&rdquo; said John Bruce with ominous quiet.
- </p>
- <p>
- &ldquo;And the less urging&rdquo;&mdash;his grip began to tighten again&mdash;&ldquo;the
- better for you.&rdquo;
- </p>
- <p>
- &ldquo;Wait!&rdquo; Crang choked. &ldquo;Yes&mdash;I&mdash;I'll tell you. I showed the
- letter to Claire. She&mdash;she cried on it. A tear splash&mdash;black
- letter began to appear. I took the letter home, and&mdash;trace of salt in
- tears&mdash;and&mdash;&mdash;&rdquo;
- </p>
- <p>
- Crang's voice died away in a strangling cry. Claire! John Bruce had barely
- caught any other word but that. Claire! The face beneath him began to grow
- livid. Claire! So the devil had brought Claire into this, too. <i>Too!</i>
- Yes, there was something else. Something else! He remembered now. There
- was a reckoning to come that was beyond all other reckonings, wasn't
- there? He would know now what hold this thing, that was beast, not man,
- had upon her. He would know now&mdash;or it would end now!
- </p>
- <p>
- &ldquo;Claire! D'ye hear?&rdquo; John Bruce whispered hoarsely. &ldquo;You know what I mean!
- What trick of hell did you play to make her promise to marry you? Answer
- me!&rdquo;
- </p>
- <p>
- The thing on the mattress moaned.
- </p>
- <p>
- &ldquo;Bruce! For God's sake, Bruce, what are you doing?&rdquo; Larmon cried out
- sharply.
- </p>
- <p>
- John Bruce raised his head and snarled at Larmon. Neither Larmon, nor any
- other man, would rob him of this now!
- </p>
- <p>
- &ldquo;You stand aside, Larmon!&rdquo; he rasped out. &ldquo;This is between me and Crang.
- Keep out of the way!&rdquo;
- </p>
- <p>
- He shook at Crang again. He laughed. The man's head bobbed limply.
- </p>
- <p>
- &ldquo;Answer me!&rdquo; He loosened his grip suddenly. Queer, he had forgotten that&mdash;Crang
- couldn't speak, of course, if he wouldn't let him!
- </p>
- <p>
- The man gasped, and gasped again, for his breath.
- </p>
- <p>
- &ldquo;I give you one second.&rdquo; John Bruce's lips did not move as he spoke.
- </p>
- <p>
- Twice Crang tried to speak.
- </p>
- <p>
- &ldquo;Quick!&rdquo; John Bruce planted his knees on the other's chest.
- </p>
- <p>
- &ldquo;Yes&mdash;yes, yes, yes!&rdquo; Crang gurgled out. &ldquo;It's you&mdash;the night
- you&mdash;you were stabbed. You were&mdash;were nearly gone. I&mdash;I
- gave her the&mdash;the choice&mdash;to marry me, or&mdash;or I'd let you&mdash;go
- out.&rdquo;
- </p>
- <p>
- John Bruce felt his shoulders surge forward, felt his muscles grow taut as
- steel, and he shook at something flabby that made no resistance, and his
- knees rocked upon something soft where they were bedded. <i>him</i>&mdash;Claire
- had faced that inhuman choice, born in this monster's brain&mdash;to save
- <i>his</i> life! Madness seized upon him. The room, everything before him
- whirled around in great, red, pulsing circles. A fury that shook at the
- roots of his soul took possession of him. He knew nothing, saw nothing,
- was moved by nothing save an overwhelming lust for vengeance that seemed
- to give him superhuman strength, that enabled him to crush between his two
- bare hands this nauseous thing that&mdash;&mdash;-
- </p>
- <p>
- He heard a voice. It seemed to come from some infinite distance:
- </p>
- <p>
- &ldquo;You are killing the man! In the name of God, John Bruce, come away!&rdquo;
- </p>
- <p>
- It was Larmon's voice. He looked up. He was vaguely conscious that it was
- Larmon who was pulling at his shoulders, wrenching madly at his hands, but
- he could not see Larmon&mdash;only a blurred red figure that danced
- insanely up and down. Killing the man! Of course! What an inane thing to
- say! Then he felt his hands suddenly torn away from a hold they had had
- upon something, and he felt himself pulled to his feet. And then for a
- little he stood swaying unsteadily, and he shuddered, then he groped his
- way over to the chair by the table and dropped into it.
- </p>
- <p>
- He stared in front of him. Something on the floor near the door glittered
- and reflected the light from the single, dim incandescent. He lurched up
- from the chair, and going toward the object, snatched it up. It was
- Crang's revolver&mdash;but Larmon was upon him <i>in</i> an instant.
- </p>
- <p>
- &ldquo;Not that way, either!&rdquo; said Larmon hoarsely.
- </p>
- <p>
- John Bruce brushed his hand across his eyes.
- </p>
- <p>
- &ldquo;No, not that way, either,&rdquo; he repeated like a child.
- </p>
- <p>
- He went back to the chair and sat down. He was aware that Larmon was
- kneeling beside the mattress, but he paid no attention to the other.
- </p>
- <p>
- &ldquo;The man's unconscious,&rdquo; Larmon said.
- </p>
- <p>
- John Bruce did not turn his head.
- </p>
- <p>
- The minutes passed.
- </p>
- <p>
- John Bruce's brain began to clear; but the unbalanced fury that had
- possessed him was giving place now only to one more implacable in its
- considered phase. He looked around him. Crang, evidently recovered, was
- sitting up on the mattress. The letters Larmon had taken from Crang's
- pocket lay on the table. John Bruce picked them up idly. From one of them
- a steamer ticket fell out. He stared at this for a moment. A passage for
- John Bruce to South America! Then low, an ugly sound, his laugh echoed
- around the place.
- </p>
- <p>
- South America! It recalled him to his actual surroundings&mdash;that on
- the other side of the door were Crang's apaches. There was still time to
- catch the steamer, wasn't there&mdash;for South America? &ldquo;If the bluff
- worked&rdquo;&mdash;he remembered his thoughts, the plan that had actuated him
- when he had crouched there at the door, waiting for Crang to enter.
- Strange! It wouldn't be a <i>bluff</i> any more! All that was gone. What
- he would do now, and carry it through to its end, was what he had intended
- to bluff Crang into believing he would do. And Crang, too, would
- understand now how little of bluff there was&mdash;or, misunderstanding,
- pay for it with his life.
- </p>
- <p>
- He thrust the ticket suddenly into his pocket, stepped from his chair, the
- revolver in his hand, and confronted Crang. The man shrank back,
- trembling, his face gray with fear.
- </p>
- <p>
- &ldquo;Stand up!&rdquo; John Bruce commanded.
- </p>
- <p>
- Crang, groveling against the wall, got upon his feet.
- </p>
- <p>
- It was a full minute before John Bruce spoke again, and then the words
- came choking hot from his lips.
- </p>
- <p>
- &ldquo;You damned cur!&rdquo; he cried. &ldquo;That's what you did, was it? The price Claire
- paid was for my life. Well, it's hers, then; it's no longer mine. Can you
- understand that, and understand that I am going to pay it back, if
- necessary, to rid her of you? We are going to walk out of here. You will
- lead the way. We are going down to that steamer, and you are going on John
- Bruce's ticket where you proposed to send me&mdash;to South America.
- Either that&mdash;or you are going on a longer journey. I shall carry this
- revolver in the pocket of my coat, and walk beside you. It is your affair
- how we pass those men out there. If you make any attempt at trickery in
- getting out of here, or later in the street attempt to escape, I will fire
- instantly. It does not matter in the slightest degree what happens to me
- at the hands of your men, or at the hands of a thousand people in the most
- crowded street. You will have gone out <i>first</i>. The only
- consideration that exists is that Claire shall be free of you.&rdquo;
- </p>
- <p>
- &ldquo;Tck!&rdquo; It was the quill toothpick flexing against one of Larmon's teeth.
- </p>
- <p>
- John Bruce turned.
- </p>
- <p>
- &ldquo;I did not understand,&rdquo; said Larmon in a low, grim way. &ldquo;If I had, I am
- not sure I should have stopped you from throttling him when I did.&rdquo;
- </p>
- <p>
- John Bruce nodded curtly. He spoke again to Crang.
- </p>
- <p>
- &ldquo;I am not asking you whether you agree to this or not,&rdquo; he said with level
- emphasis. &ldquo;You have your choice at any moment to do as you like&mdash;you
- know the consequences.&rdquo; He slipped his hand with his revolver into the
- right-hand side pocket of his coat, and took his place at Crang's left
- side. &ldquo;Now, go ahead and open that door, and lead the way out! Mr. Larmon,
- you follow close behind me.&rdquo;
- </p>
- <p>
- &ldquo;Yes,&rdquo; Crang stammered, &ldquo;yes&mdash;for God's sake&mdash;I&mdash;I'll do it&mdash;I&mdash;-&rdquo;
- </p>
- <p>
- &ldquo;Open that door!&rdquo; said John Bruce monotonously. &ldquo;I didn't ask you to talk
- about it!&rdquo;
- </p>
- <p>
- Crang opened the door. The little procession stepped out into the long,
- low cellar, and started down toward the lower end. The three men, from
- playing dice at the table near the door, rose uncertainly to their feet.
- John Bruce's revolver in his pocket pressed suggestively against Crang's
- side.
- </p>
- <p>
- &ldquo;It's all right, boys,&rdquo; Crang called out. &ldquo;Open the door. I've got Birdie
- outside.&rdquo;
- </p>
- <p>
- They passed the table, passed through the doorway, and the door closed
- behind them. In the semi-darkness here, as they headed for the exit to the
- lane, Larmon touched John Bruce's elbow.
- </p>
- <p>
- &ldquo;He brought me down here in a taxi,&rdquo; Larmon whispered. &ldquo;I suppose now it
- was one of his men who drove it.&rdquo;
- </p>
- <p>
- &ldquo;Birdie, he just told those rats,&rdquo; said John Bruce tersely. &ldquo;Do you hear,
- Crang? If he's still out there, send him away!&rdquo;
- </p>
- <p>
- They emerged into the lane. A taxi-cab stood opposite the exit; Birdie
- lounged in the driver's seat.
- </p>
- <p>
- John Bruce's revolver bored into Crang's side.
- </p>
- <p>
- &ldquo;Beat it!&rdquo; said Crang surlily to the man. &ldquo;I won't want you any more.&rdquo;
- </p>
- <p>
- &ldquo;You won't&mdash;what?&rdquo; Birdie leaned out from his seat. He stared for a
- moment in bewilderment, and then started to climb out of the taxi.
- </p>
- <p>
- The pressure of John Bruce's revolver increased steadily.
- </p>
- <p>
- &ldquo;Damn it, you fool!&rdquo; Crang screamed out wildly. &ldquo;Beat it! Do you hear?
- Beat it!&rdquo;
- </p>
- <p>
- Birdie's face darkened.
- </p>
- <p>
- &ldquo;Oh&mdash;sure!&rdquo; he muttered, with a disgruntled oath. He shot the gears
- into place with a vicious snap. &ldquo;Sure&mdash;anything <i>you</i> say!&rdquo; The
- taxi roared down the lane, and disappeared around the corner in a volley
- of exhausts.
- </p>
- <p>
- &ldquo;Go on!&rdquo; John Bruce ordered.
- </p>
- <p>
- At the corner of the lane John Bruce turned to Larmon.
- </p>
- <p>
- &ldquo;You are safe, and out of it now,&rdquo; he said. &ldquo;I am going to ask you to step
- into the first store we pass and get me some good light rope, but after
- that I think you had better leave us. If anything happened between here
- and the steamer, or on the steamer, you would be implicated.&rdquo;
- </p>
- <p>
- &ldquo;Tck!&rdquo; It was the quill toothpick again. &ldquo;I'll get the rope with
- pleasure,&rdquo; Larmon said calmly; &ldquo;but I never lay down a good hand. I am
- going to the steamer.&rdquo;
- </p>
- <p>
- John Bruce shrugged his shoulders. Larmon somehow seemed an abstract
- consideration at the moment&mdash;but Larmon had had his chance.
- </p>
- <p>
- &ldquo;What time does the steamer sail, Crang?&rdquo; John Bruce bit off his words, as
- he looked at his watch.
- </p>
- <p>
- &ldquo;Four o'clock,&rdquo; Crang mumbled.
- </p>
- <p>
- &ldquo;Walk faster!&rdquo;
- </p>
- <p>
- They stopped for a moment in front of a store. Larmon entered, and came
- out again almost immediately with a package under his arm.
- </p>
- <p>
- A block farther on John Bruce hailed a passing taxi.
- </p>
- <p>
- Fifteen minutes later, pushing through the throng on the dock, John Bruce
- produced the ticket, they mounted the gangway, and a steward led them to a
- stateroom on one of the lower decks.
- </p>
- <p>
- John Bruce closed the door and locked it. His revolver was in his hand
- now.
- </p>
- <p>
- &ldquo;There isn't much time left,&rdquo; he said coldly. &ldquo;About ten minutes.&rdquo;
- </p>
- <p>
- At the end of five, Crang, bound hand and foot, and gagged, lay lashed
- into his bunk.
- </p>
- <p>
- A bugle sounded the &ldquo;All Ashore!&rdquo;
- </p>
- <p>
- John Bruce tossed the ticket on the couch.
- </p>
- <p>
- &ldquo;There's your ticket!&rdquo; he said sternly. &ldquo;I wouldn't advise you to come
- back&mdash;nor worry any further about exposing Mr. Larmon, unless you
- want to force a showdown that will place some very interesting details
- connected with the life of Doctor Crang in the hands of the police!&rdquo;
- </p>
- <p>
- The bugle rang out again.
- </p>
- <p>
- John Bruce, without a further glance in Crang's direction, opened the
- cabin window slightly, then unlocking the door, he motioned Larmon to pass
- out. He locked the door on the outside, stepped to the deck, tossed the
- key through the window to the floor of Crang's cabin, and drew the window
- shut again. A minute more, and with Larmon beside him, he was standing on
- the dock.
- </p>
- <p>
- Neither John Bruce nor Larmon spoke.
- </p>
- <p>
- And presently the tugs caught hold of the big liner and warped her out of
- her berth.
- </p>
- <p>
- &ldquo;John Bruce&rdquo; had sailed for South America.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0019" id="link2HCH0019"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER NINETEEN&mdash;CABIN H-14
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">F</span>OR a time, Crang
- lay passive. Fear was dominant. He could move his head a little, and he
- kept screwing it around to cast furtive glances at the cabin door. He was
- sure that Bruce was still outside there, or somewhere near&mdash;Bruce
- wouldn't leave the ship until the last moment, and....
- </p>
- <p>
- The craven soul of the man shrivelled within him. Bruce's eyes! Damn
- Bruce's eyes, and that hideous touch of Bruce's pocketed revolver! The
- fool would even have killed him back there in the cellar if it hadn't been
- for Larmon! He could still feel those strangling fingers at his throat.
- </p>
- <p>
- Mechanically he made to lift his hand to touch the bruised and swollen
- flesh&mdash;but he could not move his hands because they were bound behind
- his back and beneath him. The fool! The fool had <i>wanted</i> to shoot.
- Perhaps with Larmon out of the road, and just at the last minute, that was
- what he still meant to do&mdash;to open the door there, and&mdash;and <i>kill</i>.
- Terror swept upon him. He tried to scream&mdash;but a gag was in his
- mouth.
- </p>
- <p>
- What was that? He felt a slight jar, another, and another. He listened
- intently. He heard a steady throbbing sound. The ship was moving&mdash;moving!
- That meant that Bruce was ashore&mdash;that he need not fear that door
- there. He snarled to himself, suddenly arrogant with courage. To the
- devil's pit with John Bruce!
- </p>
- <p>
- He began to work at his bonds now&mdash;at first with a measure of
- contained persistence; and then, as he made no progress, angry impatience
- came, and he began to struggle. He tossed now, and twisted himself about
- on the bunk, and strained with all his might. The gag choked him. The
- bonds but grew the tighter and cut into his wrists. He became a madman in
- his frenzy. Passion and fury lashed him on and on. He flogged himself into
- effort beyond physical endurance&mdash;and finally collapsed through utter
- exhaustion, a limp thing bathed in sweat.
- </p>
- <p>
- Then he began the struggle again, and after that again. The periods came
- in cycles... the insensate fury... exhaustion... recuperation...
- </p>
- <p>
- After a time he no longer heard the throbbing of the engines or the
- movement of the ship during those moments when he lay passive in weakness,
- nor did the desire for freedom, for merely freedom's sake, any longer
- actuate him; instead, beneath him, in his pocket, he had felt the little
- case that held his hypodermic syringe, and it had brought the craving for
- the drug. And the craving grew. It grew until it became torture, and to
- satisfy it became the one incentive that possessed him. It tormented, it
- mocked him. He could feel it there in his pocket, always there in his
- pocket. Hell could not keep him from it. He blasphemed at the ropes that
- kept it from his fingers' reach, and he wrenched and tore at them, and
- sobbed and snarled&mdash;and after long minutes of maniacal struggle would
- again lie trembling, drained of the power either to move or think.
- </p>
- <p>
- It grew dark in the cabin.
- </p>
- <p>
- And now, in one of his series of struggles, something snapped beneath him&mdash;a
- cord! One of the cords around his wrists had given away. He tore one hand
- free. Yes, yes&mdash;he could reach his pocket! Ha, ha&mdash;his pocket!
- And now his other hand was free. He snatched at the hypodermic syringe
- with feverish greed&mdash;and the plunger went home as the needle pricked
- its way beneath the skin of his forearm.
- </p>
- <p>
- He reached up then, unloosened the knots at the back of his head, and spat
- the gag from his mouth. His penknife freed his legs. He stood up&mdash;tottered&mdash;and
- sat down on the edge of his bunk. He remained motionless for a few
- minutes. The drug steadied him.
- </p>
- <p>
- He looked around him. It was dark. The ship was very still; there was no
- sense of movement, none of vibration from the engines. It seemed to him
- that in a hazy, vague way he had noticed that fact a long time ago. But,
- nevertheless, it was very curious!
- </p>
- <p>
- He stood up again. This was better! He felt secure enough now on his feet.
- It was only as though a great fatigue were upon him, and that he seemed to
- be weighted down with lead&mdash;nothing more than that. He crossed to the
- window, drew the shade, and opened the window itself.
- </p>
- <p>
- And then, for a long time, puzzled, his brows drawn together, he stood
- there staring out. Close at hand, though but faintly outlined in the
- darkness, he could see the shore. And it was not imagination, for beyond
- the shore line, he could see innumerable little lights twinkling.
- </p>
- <p>
- It was strange! He rubbed his eyes. Here was something else! The window
- opened on a narrow, dimly lighted and deserted deck&mdash;one of the lower
- decks, he remembered. Below this deck, and evidently alongside of the
- steamer's hull, he could make out the upper-structure of some small
- vessel.
- </p>
- <p>
- A figure came along the deck now from the forward end&mdash;one of the
- crew, Crang could see from the other's dress, as the man drew nearer.
- Crang thrust his head out of the window.
- </p>
- <p>
- &ldquo;I say, look here!&rdquo; he called, as the other came opposite to him. &ldquo;What's
- all this about? Where are we?&rdquo;
- </p>
- <p>
- &ldquo;Down the bay a bit, that's all, sir,&rdquo; the man answered. &ldquo;We've had some
- engine trouble.&rdquo;
- </p>
- <p>
- Crang pointed to the small vessel alongside. A sudden, wild elation surged
- upon him.
- </p>
- <p>
- &ldquo;That's a tug down there, isn't it?&rdquo; he said. &ldquo;They're going to tow us
- back, I suppose?&rdquo;
- </p>
- <p>
- &ldquo;Oh, no, sir,&rdquo; the man replied. &ldquo;It's the company's tug, all right, that
- they sent down to us, but she'll be going back as soon as we're off again.
- It's nothin' serious, and we won't be more'n another hour, sir.&rdquo;
- </p>
- <p>
- Crang snarled under his breath.
- </p>
- <p>
- &ldquo;I beg your pardon, sir?&rdquo; inquired the man.
- </p>
- <p>
- &ldquo;Nothing!&rdquo; said Crang. &ldquo;I'm much obliged to you.&rdquo;
- </p>
- <p>
- &ldquo;Thank you, sir,&rdquo; said the man, and went on along the deck.
- </p>
- <p>
- Crang returned to his bunk and sat down again on its edge. He could still
- see the reflection of the shore lights. This seemed to obsess him. He kept
- staring out through the window. Suddenly he chuckled hoarsely&mdash;and
- then, as suddenly, his fist clenched and he shook it in the air.
- </p>
- <p>
- &ldquo;Another hour, eh?&rdquo; he muttered. &ldquo;Then, I'll get you yet, Bruce&mdash;ha,
- ha, I'll get you yet! But I'll make sure of Claire <i>first</i> this time!
- That's where I made the mistake&mdash;but Doctor Sydney Angus Crang
- doesn't make two mistakes alike!&rdquo;
- </p>
- <p>
- He relapsed into silent meditation. At the end of five minutes he spoke
- again.
- </p>
- <p>
- &ldquo;I'm a clever man,&rdquo; said Doctor Crang between his teeth. &ldquo;First Claire&mdash;then
- you, Bruce. And I'll take good care that you know nothing, Mr. John Bruce&mdash;not
- this time&mdash;not until it is too late&mdash;both ways! I'll show you!
- I'll teach you to pit your clumsy wits against me!&rdquo;
- </p>
- <p>
- He got up from the bunk and turned on a single incandescent light. Bruce
- had thrown the key in through the window, he remembered. Yes, there it was
- on the floor! He picked it up; and quickly and methodically he began to
- work now. He gathered together the pieces of rope with which he had been
- bound, tucked them under his coat, and running to the window, thrust his
- head outside again. The deck was clear, there was not a soul in sight. He
- unlocked the door now, stepped noiselessly out on the deck, dropped the
- pieces of rope overboard, and then, returning to the cabin, smiled
- ironically as he made a mental note of the number on the cabin door.
- </p>
- <p>
- &ldquo;H-14,&rdquo; observed Doctor Crang grimly. &ldquo;Quite so&mdash;H-14!&rdquo;
- </p>
- <p>
- He halted before the mirror and removed the more flagrant traces of his
- dishevelled appearance; then he took off his coat, flung it on a chair,
- pushed the electric button, and returned to his bunk.
- </p>
- <p>
- He was sitting up on the edge of the bunk, and yawning, as the steward
- answered his summons.
- </p>
- <p>
- &ldquo;Hello, steward!&rdquo; said Crang somewhat thickly. &ldquo;I guess I've overslept
- myself. Overdid the send-off a little, I'm afraid. What are we stopping
- for?&rdquo;
- </p>
- <p>
- &ldquo;A little engine trouble, sir,&rdquo; the steward answered. &ldquo;It was right after
- we started. We're only a little way down the bay. But it's all right, sir.
- Nothing serious. We'll be off again shortly.&rdquo;
- </p>
- <p>
- &ldquo;Humph!&rdquo; Crang dismissed the subject with a grunt. &ldquo;I suppose I've missed
- my dinner, eh?&rdquo;
- </p>
- <p>
- &ldquo;Oh, no, sir,&rdquo; replied the steward. &ldquo;It's only just a little after seven
- now, sir.&rdquo;
- </p>
- <p>
- &ldquo;That's better!&rdquo; smiled Crang. &ldquo;Well, get my traps right up here, like a
- good fellow, and I'll clean up a bit. And hurry, will you?&rdquo;
- </p>
- <p>
- The steward looked a little blank.
- </p>
- <p>
- &ldquo;Your traps, sir?&rdquo;
- </p>
- <p>
- &ldquo;Luggage&mdash;traps&mdash;baggage,&rdquo; defined Crang with facetious
- terseness.
- </p>
- <p>
- &ldquo;Oh, I knew what you meant, sir,&rdquo; said the steward. &ldquo;It's where your traps
- are, sir? I&mdash;I thought it a bit strange you didn't have anything with
- you when you came aboard this afternoon.&rdquo;
- </p>
- <p>
- &ldquo;Did you, now?&rdquo; inquired Crang sweetly. &ldquo;Well, then, the sooner you get
- them here the less strange it will seem. Beat it!&rdquo;
- </p>
- <p>
- &ldquo;But where are they, sir?&rdquo; persisted the man. &ldquo;Where are they? Good God,
- how do I know!&rdquo; ejaculated Crang sarcastically. &ldquo;I sent them down to the
- ship early this morning to be put aboard&mdash;in your baggage room.
- You've got a baggage room aboard, haven't you?&rdquo;
- </p>
- <p>
- &ldquo;Yes, sir; but&mdash;&mdash;&rdquo;
- </p>
- <p>
- &ldquo;I would suggest the baggage room, then!&rdquo; interrupted Crang crisply. &ldquo;And
- if they are not there, ask the captain to let you have any of the crew who
- aren't too busy on this engine trouble, and get them to help you search
- the ship!&rdquo;
- </p>
- <p>
- The steward grinned.
- </p>
- <p>
- &ldquo;Very good, sir. Would you mind describing the pieces?&rdquo;
- </p>
- <p>
- &ldquo;There are four,&rdquo; said Crang with exaggerated patience, as he created the
- non-existent baggage out of his imagination. &ldquo;And they have all got your
- 'wanted on the voyage' labels, with my name and cabin written on them&mdash;Mr.
- John Bruce; Cabin H-14. There is a steamer trunk, and two brown
- alligator-leather&mdash;which I do not guarantee to be genuine in spite of
- the price&mdash;suit-cases, and a hat box.&rdquo;
- </p>
- <p>
- &ldquo;Very good, sir,&rdquo; said the steward again&mdash;and hurried from the cabin.
- </p>
- <p>
- Crang got up and went to the window. The tug alongside seemed to furnish
- him with engrossing reflections, for he stood there, smiling queerly,
- until he swung around in answer to a knock upon his door.
- </p>
- <p>
- A man in ship's uniform entered ahead of the steward.
- </p>
- <p>
- &ldquo;The steward here, sir,&rdquo; said the man, &ldquo;was speaking about your baggage.&rdquo;
- </p>
- <p>
- &ldquo;<i>Speaking</i> about it!&rdquo; murmured Crang helplessly. &ldquo;I told him to get
- it.&rdquo;
- </p>
- <p>
- &ldquo;Yes, sir,&rdquo; said the man; &ldquo;but I am sorry to say that no such baggage as
- you describe has come aboard the ship. There has been no baggage at all
- for Mr. Bruce, sir.&rdquo;
- </p>
- <p>
- &ldquo;Not aboard!&rdquo; gasped Crang. &ldquo;Then&mdash;then where is it?&rdquo;
- </p>
- <p>
- &ldquo;I can't say, sir, of course,&rdquo; said the other sympathetically. &ldquo;I am only
- stating a fact to you.&rdquo;
- </p>
- <p>
- &ldquo;But&mdash;but I sent it down to the dock early this morning.&rdquo; Crang's
- voice was rising in well-affected excitement. &ldquo;It must be here! I tell
- you, it must be here!&rdquo;
- </p>
- <p>
- The man shook his head.
- </p>
- <p>
- &ldquo;It's my job, sir. I'm sorry, Mr. Bruce, but I know positively your
- baggage is not aboard this ship.&rdquo;
- </p>
- <p>
- &ldquo;Then what's to be done?&rdquo; Crang's voice rose louder. &ldquo;You've left it on
- the dock, that's what&mdash;fools, thundering idiots!&rdquo;
- </p>
- <p>
- The man with the baggage job looked uncomfortable.
- </p>
- <p>
- Crang danced up and down on the floor of the cabin.
- </p>
- <p>
- &ldquo;On the way to South America to stay six months,&rdquo; he yelled insanely, &ldquo;and
- my baggage left behind! I can't go on without my baggage, do you hear?&rdquo;
- </p>
- <p>
- There was a whispered conference between the two men. The steward vanished
- through the doorway.
- </p>
- <p>
- &ldquo;I've sent for the purser, sir,&rdquo; volunteered the other.
- </p>
- <p>
- Crang stormed up and down the floor.
- </p>
- <p>
- Presently the purser appeared. Crang swung on him on the instant.
- </p>
- <p>
- &ldquo;You've left my baggage behind!&rdquo; he shouted. &ldquo;My papers, plans,
- everything! I can't go on without them!&rdquo; He shook his fist. &ldquo;You'll either
- get that baggage here, or get me ashore!&rdquo;
- </p>
- <p>
- The purser eyed Crang's fist, and stiffened perceptibly.
- </p>
- <p>
- &ldquo;I'm not a magician, Mr. Bruce,&rdquo; he said quietly. &ldquo;I am very sorry indeed
- that this should have happened; but it is quite impossible, of course, to
- get your baggage here.&rdquo;
- </p>
- <p>
- &ldquo;Then get me ashore!&rdquo; Crang snatched up his coat and put it on. &ldquo;There's a
- tug, or something, out there, isn't there?&rdquo;
- </p>
- <p>
- &ldquo;Yes,&rdquo; said the purser, &ldquo;that's the company's tug, and I suppose you could
- go back on her, if you think you&mdash;&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Think!&rdquo; howled Crang. &ldquo;I don't <i>think</i> anything about it! I know
- that&mdash;&mdash;&rdquo; His eye suddenly caught the envelope on the couch
- containing the ticket. &ldquo;And what about this?&rdquo; He picked it up, jerked out
- the ticket, and waved it in the purser's face.
- </p>
- <p>
- The purser refused the document.
- </p>
- <p>
- &ldquo;You'll have to see the New York office, sir, about that,&rdquo; he said.
- </p>
- <p>
- &ldquo;I will, will I?&rdquo; snapped Crang. &ldquo;Well, that isn't all I'll see them
- about!&rdquo;
- </p>
- <p>
- &ldquo;I am sure they will do what they can, sir, to make things right&mdash;if
- they are to blame,&rdquo; said the purser a little sharply. &ldquo;But it might have
- been your teamer, you know, who made the mistake.&rdquo; He turned to the door.
- &ldquo;I will arrange about your going ashore, Mr. Bruce.&rdquo;
- </p>
- <p>
- &ldquo;Yes!&rdquo; growled Crang savagely&mdash;and five minutes later, swearing
- volubly for the benefit of those within hearing, he wriggled his way down
- a rope ladder to the tug's deck.
- </p>
- <p>
- A deck hand led him to the pilot house.
- </p>
- <p>
- &ldquo;The captain 'll be along as soon as we start,&rdquo; the man informed him.
- </p>
- <p>
- Crang made himself comfortable in a cushioned chair. He sat chuckling
- maliciously, as he stared up at the towering hull that twinkled with
- lights above him&mdash;and then the chuckle died away, and little red
- spots came and burned in his sallow cheeks, and his lips worked, and his
- hands curled until the nails bit into the palms.
- </p>
- <p>
- He lost track of time.
- </p>
- <p>
- A man came into the pilot house, and gave the wheel a spin.
- </p>
- <p>
- &ldquo;We're off!&rdquo; said the man heartily. &ldquo;You've had tough luck, I hear.&rdquo;
- </p>
- <p>
- Crang's fingers caressed his bruised and swollen throat.
- </p>
- <p>
- &ldquo;Yes,&rdquo; said Crang with a thin smile; &ldquo;but I think somebody is going to pay
- the bill&mdash;in full.&rdquo;
- </p>
- <p>
- The tug was heading toward New York.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0020" id="link2HCH0020"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER TWENTY&mdash;OUTSIDE THE DOOR
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">H</span>AWKINS very
- cautiously got out of bed, and consulted his watch. It was five minutes
- after nine. He stole to the door and listened. There was no sound from
- below. Mrs. Hedges, who had been his jailor all day, had now, he was
- fairly certain, finally retired for the night.
- </p>
- <p>
- The old blue eyes blinked in perplexity and he scratched at the fringe of
- hair behind his ear in a perturbed way, as he began, still cautiously, to
- dress. It had been a very dreary day, during which he had suffered not a
- little physical discomfort. Mrs. Hedges had been assiduous in her
- attentions; more than that, even&mdash;motherly.
- </p>
- <p>
- &ldquo;God bless her!&rdquo; said Hawkins to one of his boots, as he laced it up.
- &ldquo;Only she wouldn't let me out.&rdquo;
- </p>
- <p>
- He stopped lacing the boot suddenly, and sat staring in front of him. Mrs.
- Hedges had been more than even motherly; she had been&mdash;been&mdash;yes,
- that was it&mdash;been puzzling. If she had said Paul Veniza wanted to see
- him, why had she insisted that Paul Veniza didn't want to see him?
- Hawkins' gaze at the blank wall in front of him became a little more
- bewildered. He tried to reconstruct certain fragments of conversation that
- had taken place between Mrs. Hedges and himself.
- </p>
- <p>
- &ldquo;Now, you just lie still,&rdquo; Mrs. Hedges had insisted during the afternoon,
- when he had wanted to get up. &ldquo;Claire told me&mdash;&mdash;&rdquo;
- </p>
- <p>
- He remembered the sinking of his heart as he had interrupted her.
- </p>
- <p>
- &ldquo;Claire,&rdquo; he had said anxiously, &ldquo;Claire ain't&mdash;she don't know about
- this, does she?&rdquo;
- </p>
- <p>
- &ldquo;Certainly <i>not!</i>&rdquo; Mrs. Hedges had assured him.
- </p>
- <p>
- &ldquo;But you said she told you something&rdquo;&mdash;Hawkins continued to
- reconstruct the conversation&mdash;&ldquo;so she must have been here.&rdquo;
- </p>
- <p>
- &ldquo;Law!&rdquo; Mrs. Hedges had returned. &ldquo;I nearly put my foot in it, didn't I&mdash;I&mdash;I
- mean starting you in to worry. Certainly she don't know anything about it.
- She just came over to say her father wanted to see you, and I says to her
- you ain't feeling very well, and she says it's all right.&rdquo;
- </p>
- <p>
- Hawkins resumed his dressing. His mind continued to mull over the
- afternoon. Later on he had made another attempt to get up. He was feeling
- quite well enough to go over and find out what Paul Veniza wanted. And
- then Mrs. Hedges, as though she had quite forgotten what she had said
- before, said that Paul Veniza didn't want to see him, or else he'd send
- word.
- </p>
- <p>
- Hawkins scratched behind his ear again. His head wasn't quite clear. Maybe
- he had not got it all quite straight. Suddenly he smiled. Of course! There
- wasn't anything to be bewildered about. Mrs. Hedges was just simply
- determined that he would not go out&mdash;and he was equally determined
- that he would. Paul Veniza or not, he had been long enough in bed!
- </p>
- <p>
- &ldquo;Yes,&rdquo; said Hawkins; &ldquo;God bless her, that's it!&rdquo;
- </p>
- <p>
- Hawkins completed his toilet, and picking up his old felt hat,
- reconnoitered the hallway. Thereafter he descended the stairs with amazing
- stealth.
- </p>
- <p>
- &ldquo;God bless her!&rdquo; said Hawkins softly again, as he gained the front door
- without raising any alarm and stepped outside&mdash;and then Hawkins
- halted as though his feet had been suddenly rooted to the spot.
- </p>
- <p>
- At the curb in front of the house was an old closed motor car. Hawkins
- stared at it. Then he rubbed his eyes. Then he stared at it again. He
- stared for a long time. No; there was no doubt about it&mdash;it was the
- traveling pawn-shop.
- </p>
- <p>
- Hawkins' mind harked back to the preceding evening. He had met two men in
- the saloon around the corner, whom he had seen there once or twice before.
- He had had several drinks with them, and then at some one's suggestion, he
- could not recollect whose, there had followed the purchase of a few
- bottles, and an adjournment to his room for a convivial evening. After
- that his mind was quite blank. He could not even remember having taken out
- the car.
- </p>
- <p>
- &ldquo;I&mdash;I must have been bad,&rdquo; said Hawkins to himself, with a rueful
- countenance.
- </p>
- <p>
- He descended the steps, and approached the car with the intention of
- running it into the shed that served as garage behind the house. But again
- he halted.
- </p>
- <p>
- &ldquo;No,&rdquo; said Hawkins, with a furtive glance over his shoulder at the front
- door; &ldquo;if I started it up, Mrs. Hedges would hear me. I guess I'll wait
- till I come back.&rdquo;
- </p>
- <p>
- Hawkins went on down the street and turned the corner. He had grown a
- little dejected.
- </p>
- <p>
- &ldquo;I'm just an old bum,&rdquo; said Hawkins, &ldquo;who ain't ever going to swear off
- any more 'cause it don't do any good.&rdquo;
- </p>
- <p>
- He spoke aloud to himself again, as he approached the door of Paul
- Veniza's house.
- </p>
- <p>
- &ldquo;But I <i>am</i> her daddy,&rdquo; whispered the old man fiercely; &ldquo;and she is
- my little girl. It don't change nothing her not knowing, except&mdash;except
- she ain't hiding her face in shame, and&rdquo;&mdash;Hawkins' voice broke a
- little&mdash;&ldquo;and that I ain't never had her in these arms like I'd ought
- to have.&rdquo; A gleam of anger came suddenly into the watery blue eyes under
- the shaggy brows. &ldquo;But he ain't going to have her in <i>his!</i> That
- devil from the pit of hell ain't going to kill the soul of my little girl&mdash;somehow
- he ain't&mdash;that's all I got to live for&mdash;old Hawkins&mdash;ha,
- ha!&mdash;somehow old Haw-kins 'll&mdash;&mdash;&rdquo;
- </p>
- <p>
- Hawkins' soliloquy ended abruptly. He was startled to find himself in the
- act of opening the front door of the one-time pawn-shop. He even
- hesitated, holding the door ajar&mdash;and then suddenly he pushed the
- door wider open and stepped softly inside, as the sound of a voice, angry
- and threatening in its tones, though strangely low and muffled, reached
- him. He knew that voice. It was Doctor Crang's.
- </p>
- <p>
- It was dark here in the room that had once been the office of the
- pawn-shop, and upon which the front door opened directly; but from under
- the door leading into the rear room there showed a thread of light, and it
- was from there that Hawkins now placed the voice.
- </p>
- <p>
- He stood irresolute. He stared around him. Upstairs it was dark. Paul
- Veniza, because he had not been well, had probably gone to bed early&mdash;unless
- it was Paul in there with Crang. No! He caught the sound of Claire's voice
- now, and it seemed to come to him brokenly, in a strangely tired, dreary
- way. And then Crang's voice again, and an ugly laugh.
- </p>
- <p>
- The wrinkled skin of Hawkins' old weather-beaten hands grew taut and white
- across the knuckles as his fists clenched. He tiptoed toward the door. He
- could hear distinctly now. It was Crang speaking:
- </p>
- <p>
- &ldquo;... I'm not a fool! I did not speak about it to make you lie again. I
- don't care where you met him, or how long you had been lovers before he
- crawled in here. That's nothing to do with it. It's enough that I know you
- were lovers before that night. But you belong to me now. Understand? I
- spoke of it because the sooner you realize that <i>you</i> are the one who
- is the cause of the trouble between Bruce and me, the better&mdash;<i>for
- him!</i> I wasn't crowding you before, but I'm through fooling with it now
- for keeps. I let you go too long as it is. To-day, for just a little
- while, he won out&mdash;yes, by God, if you want the truth, he nearly
- killed me. He got me tied in a cabin of a ship that sailed this afternoon
- for South America; but the engines broke down in the harbor, and, damn
- him, I'm back! You know what for. I've told you. There's one way to save
- him. I've told you what that is, too. I'm waiting for your answer.&rdquo;
- </p>
- <p>
- &ldquo;Why should it be me?&rdquo; Claire's voice was dull and colorless. &ldquo;Why cannot
- you leave me alone&mdash;I, who hate and loathe you? Do you look for
- happiness with me? There will be none.&rdquo;
- </p>
- <p>
- &ldquo;Why should it be you?&rdquo; Crang's voice was suddenly hoarse with passion.
- &ldquo;Because you have set my brain on fire, because you have filled me with a
- madness that would mock God Himself if He stood between us. Do you
- understand&mdash;Claire? Claire! Do you understand? Because I want you,
- because I'm going to have you, because I'm going to own you&mdash;yes, <i>own</i>
- you, one way or another&mdash;by marriage, or&mdash;&mdash;&rdquo;
- </p>
- <p>
- A low cry came from Claire. It tore at Hawkins' heart in its bitter shame
- and anguish. His face blanched.
- </p>
- <p>
- &ldquo;Well, you asked for it, and you got it!&rdquo; Crang snarled. &ldquo;Now, I'm waiting
- for your answer.&rdquo;
- </p>
- <p>
- There was a long pause, then Claire spoke with an obvious effort to steady
- her voice:
- </p>
- <p>
- &ldquo;Have I got to buy him <i>twice?&rdquo;</i>
- </p>
- <p>
- &ldquo;You haven't bought him <i>once</i> yet,&rdquo; Crang answered swiftly. &ldquo;I
- performed my part of the bargain. I haven't been paid.&rdquo;
- </p>
- <p>
- And Hawkins, standing there, listening, heard nothing for a long time; and
- then he distinguished Claire's voice, but it was so low that he could not
- catch the words. But he heard Crang's reply because it was loud with what
- seemed like passionate savagery and triumph:
- </p>
- <p>
- &ldquo;You're wise, my dear! At eight o'clock to-morrow morning, then. And since
- Mr. John Bruce's skin is involved in this, you quite understand that he is
- not to be communicated with in any way?&rdquo;
- </p>
- <p>
- &ldquo;I understand.&rdquo; Hawkins this time caught the almost inaudible reply.
- </p>
- <p>
- &ldquo;All right!&rdquo; Crang said. &ldquo;There's a padre I know, who's down on Staten
- Island now. We'll go down there and be married without any fuss. I'll be
- here at eight o'clock. Your father isn't fit to ride in that rattle-trap
- old bus of yours. I'll have a comfortable limousine for him, and you can
- go with him. Hawkins can drive me, and&rdquo;&mdash;he was laughing softly&mdash;&ldquo;and
- be my best man. I'll see that he knows about it in time to&mdash;&mdash;&rdquo;
- </p>
- <p>
- Like a blind man, Hawkins was groping his way toward the front door.
- Married! They were to be married to-morrow morning!
- </p>
- <p>
- He found himself on the street. He hurried. Impulse drove him along. He
- did not reason. His mind was a tortured thing. And yet he laughed as he
- scurried around the corner, laughed in an unhinged way, and raised both
- hands above his head and pounded at the air with his doubled fists. They
- were to be married to-morrow morning, and he&mdash;he was to be <i>best
- man</i>. And as he laughed, his once ruddy, weather-beaten face was white
- as a winding-sheet, and in the whiteness there was stamped a look that it
- was good on no man's face to see.
- </p>
- <p>
- And then suddenly two great tears rolled down his cheeks, opening the
- flood gates of his soul.
- </p>
- <p>
- &ldquo;My little girl!&rdquo; he sobbed. &ldquo;Daddy's little girl!&rdquo;
- </p>
- <p>
- And reason and a strange calmness came.
- </p>
- <p>
- &ldquo;John Bruce,&rdquo; he said. &ldquo;He loves her too.&rdquo;
- </p>
- <p>
- And in front of Mrs. Hedges' rooming-house he climbed into the driver's
- seat of the old traveling pawn-shop.
- </p>
- <p>
- It didn't matter now how much noise he made.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0021" id="link2HCH0021"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER TWENTY-ONE&mdash;THE LAST CHANCE
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">J</span>OHN BRUCE closed
- the door of Larmon's suite, and, taking the elevator, went up to his own
- room in the Bayne-Miloy Hotel, two floors above. Here, he flung himself
- almost wearily into a chair. Larmon had gone to bed; but bed offered no
- appeal to him, John Bruce, in spite of the fact that he was conscious of
- great mental fatigue. Bed without sleep was a horror, and his spirits were
- too depressed to make sleep even a possibility.
- </p>
- <p>
- From a purely selfish standpoint, and he admitted to utter selfishness
- now, it had been a hollow victory. Crang was gone, disposed of, and as far
- as Larmon was concerned the man no longer existed, for if Crang had held
- certain intimate knowledge of Larmon's life over Larmon's head, Larmon was
- now in exactly the same position in respect to Crang. And Crang, too, for
- the time being at least, was no longer a factor in Claire's life.
- </p>
- <p>
- He smiled grimly to himself. Hollow! The victory had been sweeping,
- complete, conclusive&mdash;for every one but himself! He had not even
- waited to leave the dock before he had telephoned Claire. And Claire had&mdash;&mdash;
- He rose suddenly and began to walk feverishly up and down the room.
- Hollow! He laughed out shortly. She had curtly refused to talk to him.
- </p>
- <p>
- He had only meant to telephone to say that he was on the way up to her
- house, and he had managed to say that much&mdash;and she had coldly,
- contemptuously informed him that she would not be at home, and had hung up
- the receiver. She had given him no opportunity to say any more.
- </p>
- <p>
- It was not like Claire. It had been so unexpected that he had left the
- dock mentally dazed. The sight of the liner out in the stream had seemed
- to mock him ironically. After that, until now, he had followed the line of
- least resistance. He had come back here to the hotel, and dined with
- Larmon.
- </p>
- <p>
- He stood still in the middle of the room. Larmon! It had been a singular
- evening that he had just spent with Larmon. He had got a new viewpoint on
- Larmon&mdash;a strange, grave, sympathetic Larmon. He had given Larmon the
- details of everything that had happened; and Larmon had led him on to talk&mdash;of
- everything, and anything, it seemed now, as he looked back upon it. And
- somehow, he could not tell why, even while he felt that Larmon was drawing
- him out, urging him even to speak of Claire and the most intimate things
- of the last few weeks, he had been glad to respond. It was only when
- Larmon for a little while had discussed his great chain of gambling houses
- that he, John Bruce, had felt curiously detached from it all and estranged
- from the other, as though he were masquerading as some one else, as some
- one whom Larmon believed to be John Bruce, and as though he in his true
- self had no interest in these matters any longer in a personal sense, as
- though his connection with them had automatically ceased with the climax
- of Crang's removal. It was queer! But then his mind had been obsessed,
- elsewhere. And yet here, too, he had been frank with Larmon&mdash;frank
- enough to admit the feelings that had prompted him to refrain from actual
- play only two nights before. He remembered the quick little tattoo of
- Larmon's quill toothpick at this admission, and Larmon's tight little
- smile.
- </p>
- <p>
- Yes, it had been a singular evening! In those few hours he seemed to have
- grown to know Larmon as though he had known the man all his life, to be
- drawn to Larmon in a personal way, to admire Larmon as a man. There was
- something of debonair sang-froid about Larmon. He had made no fuss over
- his escape that day, and much less been effusive in any thanks. Larmon's
- philosophy of life was apparently definitely fixed and settled; and, in so
- far as Larmon was concerned, satisfactorily so. The whole world to Larmon
- was a gamble&mdash;and, consistently enough, his own activities in that
- respect were on as vast a scale as possible.
- </p>
- <p>
- Larmon with his unemotional face and his quill toothpick! No; not
- unemotional! When Larmon had finally pleaded fatigue and a desire to go to
- bed, there had been something in Larmon's face and Larmon's &ldquo;good-night,&rdquo;
- that still lingered with him, John Bruce, and which even now he could not
- define.
- </p>
- <p>
- John Bruce's brows gathered into tight furrows. His mind had flown off at
- a tangent. There was Claire! It had not been like Claire. Nor had he
- meant, nor did he intend now to accept her dismissal as final. But what
- was it that had happened? What was it? He could think of only one thing&mdash;the
- letter he had written to Larmon, and which, on that account, he had asked
- for and received back from the other.
- </p>
- <p>
- It was a certainty that Crang's hand was in this somewhere, and Crang had
- said that he had shown the letter to Claire, but&mdash;&mdash;
- </p>
- <p>
- The telephone rang.
- </p>
- <p>
- John Bruce stepped to the desk, and picked up the instrument.
- </p>
- <p>
- &ldquo;Yes? Hello!&rdquo; he said.
- </p>
- <p>
- The clerk's voice from the office answered him:
- </p>
- <p>
- &ldquo;There's a man down here, Mr. Bruce, who insists on seeing you. He's
- pretty seedy, and looks as though he had been on a bat for a week. I'm
- sorry to bother you, but we can't get rid of him. He says his name is
- Hawkins.&rdquo;
- </p>
- <p>
- &ldquo;Send him up at once!&rdquo; said John Bruce sharply.
- </p>
- <p>
- &ldquo;Yes, sir.&rdquo; The clerk coughed deprecatingly. &ldquo;Very well, Mr. Bruce. Thank
- you.&rdquo;
- </p>
- <p>
- Hawkins! John Bruce walked to the door of his suite, and opened it. He
- looked at his watch. It was getting on now to eleven o'clock. What on
- earth had brought Hawkins up here to the Bayne-Miloy at this hour? He
- smiled a little grimly as he stood waiting on the threshold, and the
- recollection of the night before last came back to him. Well, at least, he
- was safe to-night from any kidnaping through the medium of Hawkins!
- </p>
- <p>
- The elevator door clanged a little way down the corridor, and Hawkins,
- followed by a bell boy, stepped out.
- </p>
- <p>
- &ldquo;This way, Hawkins!&rdquo; John Bruce called&mdash;and dismissed the bell boy
- with a wave of his hand.
- </p>
- <p>
- And then, as Hawkins reached the door, John Bruce stared in amazement, and
- for a moment absolved the clerk for his diagnosis. Hawkins' face was like
- parchment, devoid of color; his hands, twisting at the old felt hat,
- trembled as with the ague; and the blue eyes, fever-burned they seemed,
- stared out in a fixed way from under the shaggy brows.
- </p>
- <p>
- John Bruce pulled the old man inside the apartment, and closed the door.
- </p>
- <p>
- &ldquo;Good Lord, Hawkins!&rdquo; he exclaimed anxiously. &ldquo;What's the matter with
- you?&rdquo;
- </p>
- <p>
- Hawkins caught at John Bruce's arm.
- </p>
- <p>
- &ldquo;It's to-morrow morning,&rdquo; he said hoarsely. &ldquo;Tomorrow morning at eight
- o'clock.&rdquo;
- </p>
- <p>
- &ldquo;What is?&rdquo; inquired John Bruce. He forced the old cabman gently into a
- chair. &ldquo;You're upset, Hawkins. Here&mdash;wait! I'll get you something.&rdquo;
- </p>
- <p>
- But Hawkins held him back.
- </p>
- <p>
- &ldquo;I don't want a drink.&rdquo; There was misery, bitterness, in Hawkins' voice.
- &ldquo;I don't want a drink&mdash;for once. It's come! It&mdash;it's come to the
- end now. Crang and&mdash;and my little girl are going to be married
- to-morrow morning.&rdquo;
- </p>
- <p>
- And then John Bruce laughed quietly, and laid his hand reassuringly on the
- old cabman's shoulder.
- </p>
- <p>
- &ldquo;No, Hawkins,&rdquo; he said. &ldquo;I don't know where you got that idea; but it
- won't be to-morrow morning, nor for a good many to-morrow mornings either.
- Crang at the present moment is on board a ship on his way to South
- America.&rdquo;
- </p>
- <p>
- &ldquo;I know,&rdquo; said Hawkins dully. &ldquo;But half an hour ago I left him with Claire
- in Paul Veniza's house.&rdquo;
- </p>
- <p>
- John Bruce's hand tightened on Hawkins' shoulder until the old man winced.
- </p>
- <p>
- &ldquo;You what?&rdquo; John Bruce cried out.
- </p>
- <p>
- &ldquo;Yes,&rdquo; said Hawkins. &ldquo;I heard him talking about it in the back room. They
- didn't know I was there. He said there was something the matter with the
- engines.&rdquo;
- </p>
- <p>
- Crang back! John Bruce's face was set as chiselled marble.
- </p>
- <p>
- &ldquo;Do you know what you are saying, Hawkins?&rdquo; he demanded fiercely, as
- though to trample down and sweep aside by the brute force of his own
- incredulity the other's assertion. &ldquo;Do you know what you are saying&mdash;<i>do
- you?"''</i>
- </p>
- <p>
- &ldquo;Yes, I know,&rdquo; said Hawkins helplessly. &ldquo;He said you nearly killed him
- to-day, and&mdash;&mdash;&rdquo;
- </p>
- <p>
- John Bruce's laugh, with a savagery that had him now at its mercy and in
- its grip, rang suddenly through the room.
- </p>
- <p>
- &ldquo;Then, for once, he told the truth!&rdquo; he cried. &ldquo;He tricked me cold with
- that old bus last night, and trapped me in the rats' hole where his gang
- holds out, but&mdash;&mdash;&rdquo;
- </p>
- <p>
- Hawkins stumbled to his feet. His face seemed to have grown grayer still,
- more haggard and full of abject misery.
- </p>
- <p>
- &ldquo;That's it, then!&rdquo; he whispered. &ldquo;I&mdash;I understand now. I was drunk
- last night. Oh, my God, I'm to blame for this, too!&rdquo;
- </p>
- <p>
- John Bruce pushed Hawkins almost roughly back into his chair. Last night
- was gone. It was of no significance any more.
- </p>
- <p>
- &ldquo;Never mind about that!&rdquo; he said between his teeth. &ldquo;It doesn't matter
- now. Nothing matters now except Claire. Go on, tell me! What does it mean?
- To-morrow morning, you said. Why this sudden decision about to-morrow
- morning?&rdquo;
- </p>
- <p>
- Hawkins' lips seemed dry. He circled them again and again with his tongue.
- </p>
- <p>
- &ldquo;He said you nearly killed him to-day, as I&mdash;I told you,&rdquo; said
- Hawkins, fumbling for his words. &ldquo;And he said that you had been lovers
- before that night when you were stabbed, and that he wasn't going to stand
- for it any longer, and&mdash;and&rdquo;&mdash;Hawkins' voice broke&mdash;&ldquo;and
- that she belonged to him. And he said she was the only one who could stop
- this trouble between you and him before it was too late, and that was by
- marrying him at once. And&mdash;and Claire said she would.&rdquo;
- </p>
- <p>
- Hawkins stopped. His old felt hat was on his knees, and he twisted at it
- aimlessly with shaking fingers.
- </p>
- <p>
- John Bruce stood motionless.
- </p>
- <p>
- &ldquo;Go on!&rdquo; he bit off his words.
- </p>
- <p>
- &ldquo;That's all,&rdquo; said Hawkins, &ldquo;except he made her promise not to let you
- know anything about it. They're going to leave the house to-morrow
- morning, and are going down to Staten Island to get married because
- there's some minister down there he knows, Crang said. And I'm to take
- Crang, and&mdash;and&rdquo;&mdash;the old man turned away his face&mdash;&ldquo;I&mdash;I'm
- to be best man. That&mdash;that's what he said&mdash;best man.&rdquo;
- </p>
- <p>
- John Bruce walked abruptly to the window, and stared blindly out into the
- night. His brain seemed afire.
- </p>
- <p>
- For a time neither man spoke.
- </p>
- <p>
- &ldquo;You said you loved her,&rdquo; said Hawkins at last. &ldquo;I came to you. There
- wasn't any other place to go. Paul Veniza can't do anything.&rdquo;
- </p>
- <p>
- John Bruce turned from the window, and walking to
- </p>
- <p>
- Hawkins, laid his two hands on the other's shoulders. He was calmer now.
- </p>
- <p>
- &ldquo;Yes, I love her,&rdquo; he said huskily. &ldquo;And I think&mdash;I am not sure&mdash;but
- I think now there is a chance that she can be made to change her mind even
- here at the last minute. But that means I must see her; or, rather, that
- she must see me.&rdquo;
- </p>
- <p>
- Hawkins paused in the twisting of his felt hat to raise bewildered eyes.
- </p>
- <p>
- &ldquo;I've got the car here,&rdquo; he said. &ldquo;I'll take you down.&rdquo;
- </p>
- <p>
- &ldquo;The car!&rdquo; exclaimed John Bruce quickly. &ldquo;Yes, I never thought of that!
- Listen, Hawkins! Claire refused to see me this afternoon, or even to talk
- to me over the telephone. I am not quite sure why. But no matter what her
- reason was, I must see her now at once. I have something to tell her that
- I hope will persuade her not to go on with this to-morrow morning&mdash;or
- ever.&rdquo; His voice was growing grave and hard. &ldquo;I hope you understand,
- Hawkins. I believe it may succeed. If it fails, then neither you nor I,
- nor any soul on earth can alter her decision. That's all that I can tell
- you now.&rdquo;
- </p>
- <p>
- Hawkins nodded his head. A little color, eagerness, hope, had come into
- his face.
- </p>
- <p>
- &ldquo;That's enough,&rdquo; he said tremulously, &ldquo;as long as you&mdash;you think
- there is a chance even yet. And&mdash;and you do, don't you?&rdquo;
- </p>
- <p>
- &ldquo;Yes,&rdquo; said John Bruce, &ldquo;I think there is more than a chance&mdash;if I
- can see her alone and make her listen to me. The car will be just the
- thing. But she would refuse to come out, if she knew I were in it. I
- depend on you for that. We'll drive down there, and you will have to make
- some excuse to get her to come with you. After that you can keep on
- driving us around the block until I either win or lose.&rdquo;
- </p>
- <p>
- Hawkins rose hurriedly to his feet.
- </p>
- <p>
- &ldquo;Let us go, John Bruce! For God's sake, let us go!&rdquo; he cried eagerly.
- &ldquo;I'll&mdash;I'll tell her Mrs. Hedges&mdash;that's my landlady&mdash;has
- got to see her at once. She'll come quick enough.&rdquo;
- </p>
- <p>
- John Bruce put on his hat and coat, and without a word led the way to the
- door&mdash;but at the door he paused for an instant. There was Larmon&mdash;and
- Crang was back. And then he shook his head in quick decision. There was
- time enough later. It would serve no purpose to tell Larmon now, other
- than the thankless one of giving Larmon a restless night.
- </p>
- <p>
- John Bruce went on. He did not speak again until, outside the hotel, he
- stepped into the traveling pawnshop as Hawkins opened the car door for
- him.
- </p>
- <p>
- &ldquo;You will have to make sure that Crang has gone,&rdquo; he said quietly. &ldquo;Don't
- stop in front of the house, Hawkins.&rdquo;
- </p>
- <p>
- &ldquo;I'll make sure,&rdquo; whispered Hawkins, as he climbed to his seat. &ldquo;Oh, my
- God, my little girl!&rdquo;
- </p>
- <p>
- The old car jolted forward. John Bruce's face was set again in hard,
- chiselled lines. He tried to think&mdash;but now his brain seemed
- curiously impotent, as though it groped through chaos and through turmoil
- only to stagger back bewildered, defeated, a wounded thing. And for a time
- it was like that, as he sat there swaying with the lurch of the speeding
- car, one thought impinging fast upon another only to be swallowed up so
- quickly in turn by still another that he could correlate-no one of them.
- </p>
- <p>
- And then, after a little time again, out of this strange mental strife
- images began to take form, as sharply defined and distinct one from the
- other as before they had been mingled in hopeless confusion&mdash;and he
- cried out aloud in sudden agony of soul. It was to save his life that this
- had happened. He had wrung that knowledge from Crang. That was the lever
- he meant to use with Claire now, and it <i>must</i> succeed. He must make
- it succeed! It seemed to drive him mad now, that thought&mdash;that
- to-morrow morning she should die for him. Not physical death&mdash;worse
- than that! God! It was unthinkable, horrible, abominable. It seemed to
- flaunt and mock with ruthless, hell-born sacrilege what was holiest in his
- heart. It stirred him to a fury that brought him to his feet, his fists
- clenched. Claire in her purity&mdash;at the mercy of a degenerate beast!
- </p>
- <p>
- He dropped back on the seat. He battled for calmness. In a little while
- Claire would be here beside him&mdash;<i>for a little while</i>. He shook
- his head. This was not real, nothing of his life had been real since that
- moon-mad night on the sands of Apia. No; that was not true! Soul, mind and
- body rose up in fierce denial. His love was real, a living, breathing,
- actual reality, Claire&mdash;&mdash;
- </p>
- <p>
- John Bruce sank his face in his hands. Hours seemed to pass. And then he
- was conscious that the car had stopped. He roused himself, and drawing the
- window curtain slightly, looked out. Hawkins had stopped a few houses down
- past the one-time pawnshop.
- </p>
- <p>
- John Bruce rose suddenly and changed his seat to the one in the far
- opposite corner, his back to the front of the car. The time seemed
- interminable. Then he heard a light footstep ring on the pavement, and he
- heard Hawkins' voice. The car door was opened, a dark form entered, sat
- down, the door closed, and the car started forward.
- </p>
- <p>
- It was strange! It was like that, here in this car, that he had stepped in
- one night and found Claire&mdash;as she would now find him. That was so
- long ago! And it seemed so long too since even he had last seen her&mdash;since
- that night when, piqued so unwarrantably, he had left Paul Veniza's house.
- He felt his hands tremble. He steadied himself. He did not want to
- frighten or startle her now.
- </p>
- <p>
- &ldquo;Claire!&rdquo; he said softly.
- </p>
- <p>
- He heard a slight, quick rustle of garments&mdash;and then the light in
- the car was flashed on.
- </p>
- <p>
- She was leaning tensely forward, a little figure with loose cloak flung
- over her shoulders, without hat, a wondrous sheen from the light on the
- dark, silken hair, her eyes wide, her finger still on the electric-light
- button.
- </p>
- <p>
- &ldquo;You!&rdquo; she cried sharply. &ldquo;And Hawkins, too, in this!&rdquo;
- </p>
- <p>
- She reached for the door handle; but John Bruce caught her hand.
- </p>
- <p>
- &ldquo;Claire!&rdquo; he pleaded hoarsely. &ldquo;Wait! If it is a trick, at least you know
- that with Hawkins and me you will come to no harm. What else could I do?
- You would not speak to me this afternoon, you would not let me see you,
- and I must talk to you to-night.&rdquo;
- </p>
- <p>
- She looked at him steadily.
- </p>
- <p>
- <i>&ldquo;Must?&rdquo;</i> she repeated coldly. &ldquo;And to-night? Why to-night?&rdquo;
- </p>
- <p>
- &ldquo;Because,&rdquo; John Bruce answered quickly, &ldquo;to-morrow would be too late. I
- know about to-morrow morning. Hawkins told me. He was outside the door of
- that room when Crang was talking to you to-night.&rdquo; She sank back in her
- seat with a little cry. Her face had gone white&mdash;but again she
- steadied herself.
- </p>
- <p>
- &ldquo;And&mdash;and do you think that is any reason why you should have
- inveigled me into this car?&rdquo; she asked dully. &ldquo;Do you think that anything
- you can say will alter&mdash;to-morrow morning?&rdquo;
- </p>
- <p>
- &ldquo;Yes; I do!&rdquo; said John Bruce earnestly. &ldquo;But&rdquo;&mdash;he smiled a little
- bitterly&mdash;&ldquo;I am afraid, too, that it will be hopeless enough if first
- you will not tell me what has so suddenly come between us. Claire, what is
- it?&rdquo;
- </p>
- <p>
- The dark eyes lighted with a glint, half angry, half ironical.
- </p>
- <p>
- &ldquo;Is <i>that</i> what you brought me here for?&rdquo;
- </p>
- <p>
- &ldquo;No,&rdquo; he said quietly.
- </p>
- <p>
- &ldquo;Then,&rdquo; she said coolly, &ldquo;if you do not know, I will tell you. I read a
- letter that you wrote to a certain Mr. Larmon.&rdquo;
- </p>
- <p>
- It was a long minute before he spoke.
- </p>
- <p>
- &ldquo;I&mdash;I thought it might be that,&rdquo; he said slowly. &ldquo;I knew you had seen
- it. Crang told me so. And&mdash;and I was afraid you might believe it&mdash;Claire.&rdquo;
- </p>
- <p>
- &ldquo;Believe it!&rdquo; she returned monotonously. &ldquo;Had I any choice? Have I any
- now? I knew you were in danger. I knew it was written to save your life. I
- knew it was your handwriting. I knew you wrote it.&rdquo; She turned away her
- head. &ldquo;It was so miserable a lie, so cowardly a betrayal&mdash;to save
- your life.&rdquo;
- </p>
- <p>
- &ldquo;But so hard to believe, and so bitter a thing to believe&rdquo;&mdash;there was
- a sudden eager thrill in John Bruce's voice&mdash;&ldquo;that you wept upon it.
- Look, Claire!&rdquo; he cried. &ldquo;I have that letter here&mdash;and this, that I
- took from Crang to-day when I turned the tables on him. See! Read them
- both!&rdquo; He took from his pocket the letter and the slip cut from the bottom
- of the sheet, and laid them in her lap. &ldquo;The bottom was written in
- invisible ink&mdash;the way always communicated privately with Larmon.
- Salt brings it out. I knew Larmon would subject it to the test, so I was
- willing to write anything that Crang dictated. I wrote that secret message
- on the bottom of the paper while Crang was out of the room where he had me
- a prisoner. Oh, don't you see now, Claire? When your tears fell on the
- paper faint traces of the secret writing began to appear. That gave Crang
- the clew, and he worked at it until he had brought out the message, and
- then he cut off the bottom before delivering the letter to Larmon, and&mdash;&mdash;&rdquo;
- </p>
- <p>
- John Bruce stopped. Claire's face was buried in the cushions, and, huddled
- in the corner of the car, she was sobbing bitterly.
- </p>
- <p>
- &ldquo;Don't! Don't cry, Claire!&rdquo; John Bruce whispered, and laid his hand over
- hers where it crushed the letter in her lap.
- </p>
- <p>
- &ldquo;I believed it,&rdquo; she said. &ldquo;I did you that wrong. There is no forgiveness
- for such meanness of soul as that.&rdquo;
- </p>
- <p>
- &ldquo;No,&rdquo; John Bruce answered gently, &ldquo;there is no forgiveness&mdash;because
- there is nothing to forgive. It was only another piece of that miserable
- hound's cunning that tricked us both. I did not appreciate what he was
- after in that reference to you; I thought he was only trying to make the
- letter bullet-proof in its plausibility for Larmon's benefit&mdash;I never
- thought that he would show it to you.&rdquo;
- </p>
- <p>
- She had not drawn her hand away, but her face was still hidden; and for a
- moment there was silence between them.
- </p>
- <p>
- &ldquo;Claire,&rdquo; John Bruce said in a low voice, &ldquo;the night I left your house you
- said that, rather than regretting your promise to marry Crang, you had
- come to be glad you had made it. Can you still say that?&rdquo;
- </p>
- <p>
- She lifted her face now, tear-stained, the brown eyes strangely radiant
- through the wet lashes.
- </p>
- <p>
- &ldquo;Yes,&rdquo; she said. &ldquo;I am glad. So glad&mdash;because I know now that it was
- worth it all so many, many times over.&rdquo;
- </p>
- <p>
- &ldquo;Claire&rdquo;&mdash;his voice was lower still&mdash;&ldquo;I left your house that
- night, angry, jealous, misjudging you because you had said that. You asked
- for forgiveness a minute ago when there was nothing to forgive; I asked
- for forgiveness from you after that night, but even then I did not know
- how far beyond the right to forgiveness I had gone.&rdquo;
- </p>
- <p>
- She stared at him in a startled way.
- </p>
- <p>
- &ldquo;What&mdash;what do you mean?&rdquo; she breathed.
- </p>
- <p>
- And now John Bruce's face was alight.
- </p>
- <p>
- &ldquo;You have confessed your love, Claire!&rdquo; he cried passionately. &ldquo;It was not
- fair, perhaps, but I am past all that now&mdash;and you would not have
- confessed it in any other way. Glad! I was a stranger that night when you
- bought my life&mdash;and to-night you are glad, not because my life is now
- or ever could be worth such a sacrifice as yours, but because love has
- come to make you think so, sweetheart, and you care&mdash;you care for
- me.&rdquo;
- </p>
- <p>
- &ldquo;You know!&rdquo; Her face was deathly white. &ldquo;You know about&mdash;about that
- night?&rdquo; she faltered.
- </p>
- <p>
- John Bruce had both her hands imprisoned now.
- </p>
- <p>
- &ldquo;Yes; I know!&rdquo; He laughed with a strange buoyancy; passion, triumph, were
- vibrant in his voice. &ldquo;Did Crang not tell you how near to death he came
- to-day? I choked the truth out of him. Yes; I know! I know that it was to
- save my life you made that promise, that you sold everything you held dear
- in life for me&mdash;but it is over now!&rdquo;
- </p>
- <p>
- He was beside her. He raised her two hands to draw her arms around his
- neck.
- </p>
- <p>
- She struggled back.
- </p>
- <p>
- &ldquo;No, no!&rdquo; she cried wildly. &ldquo;Oh, you must not&mdash;you must not!&rdquo;
- </p>
- <p>
- &ldquo;Must not!&rdquo; His voice rang his challenge to the world. The blood was
- pounding in mad abandon through his veins. His soul itself seemed aflame.
- Closer, closer he drew her to him. &ldquo;Must not! There is only you and me&mdash;and
- our love&mdash;on all the earth!&rdquo;
- </p>
- <p>
- But still she struggled&mdash;-and then suddenly the tears came.
- </p>
- <p>
- &ldquo;Oh, you are so strong&mdash;so strong,&rdquo; she sobbed&mdash;and like some
- weary child finding rest her head dropped upon his shoulder and lay hidden
- there.
- </p>
- <p>
- &ldquo;Claire! Claire!&rdquo; It was his soul that spoke.
- </p>
- <p>
- He kissed the silken hair, and fondled it; and kissed the tear-wet eyes;
- and his cheek lay against hers; and she was in his arms, and he held her
- there tight-clasped so that she might never go again.
- </p>
- <p>
- And after a time she sobbed no more; and her hand, lifting, found his face
- and touched it gently, and creeping upward, brushed the hair back from his
- forehead&mdash;and then suddenly she clung to him with all her strength
- and drew his head down until her lips met his.
- </p>
- <p>
- And there was no world about them, and time was non-existent, and only
- they two lived.
- </p>
- <p>
- It was Claire at last who put his arms from her in a wistful, lingering
- way.
- </p>
- <p>
- &ldquo;We have been mad for a little while,&rdquo; she whispered. &ldquo;Take me back home
- now, John&mdash;and&mdash;and you must never try to see me again.&rdquo;
- </p>
- <p>
- And something seemed to grow chill and cold within John Bruce's heart.
- </p>
- <p>
- &ldquo;Not that, Claire!&rdquo; he cried out. &ldquo;You do not mean that&mdash;that, after
- this, you will go on with&mdash;with tomorrow morning!&rdquo;
- </p>
- <p>
- A brave little effort at a smile quivered on her lips.
- </p>
- <p>
- &ldquo;We have had our hour, John,&rdquo; she said; &ldquo;yours and mine. It can never be
- taken from us, and I shall live in it all my life; but it is over now.
- Yes; I shall go through with it to-morrow morning. There is no other way.
- I must keep my promise.&rdquo;
- </p>
- <p>
- &ldquo;No!&rdquo; he cried out again. &ldquo;It shall never be! Claire, you cannot mean what
- you are saying! A promise like that! It was forced upon you inhumanly,
- horribly. He would have murdered me.&rdquo;
- </p>
- <p>
- &ldquo;But to-night you are alive,&rdquo; she answered quietly.
- </p>
- <p>
- &ldquo;Alive! Yes!&rdquo; he said fiercely. &ldquo;I am alive, and&mdash;&mdash;&rdquo;
- </p>
- <p>
- &ldquo;It is because you are alive that I promised,&rdquo; she broke in gently. &ldquo;He
- kept his word. I cannot break mine.&rdquo;
- </p>
- <p>
- &ldquo;Alive!&rdquo; John Bruce laughed now in sudden, bitter agony. &ldquo;Alive&mdash;yes!
- And do you think that I can walk about the streets, and talk, and smile,
- and suck the honey out of life, while you have paid for it with a tortured
- soul? Claire, you shall not! That man is&mdash;&mdash; No, wait! There is
- myself. He called me a snivelling hypocrite. You shall know the worst of
- me before you know the worst of him. There is not much to tell&mdash;because
- he has told you. I am a gambler. All my life I've gambled. As far back as
- I can remember I've been a rolling stone. My life has been useless,
- utterly worthless. But I was never ashamed of it; I never saw any reason
- to be ashamed until you came into my life. It hasn't been the same since
- then '&mdash;and it will never be the same again. You have given me
- something to live for now, Claire.&rdquo;
- </p>
- <p>
- She shook her head. &ldquo;You do not argue well,&rdquo; she said softly. &ldquo;If I have
- brought this to you, John, I am so glad&mdash;so glad for this, too. Oh, I
- cannot tell you how glad I am, for, because I loved you, the knowledge of
- what your life was hurt me. But I had faith in you, John, as I always
- shall have. So don't you see&rdquo;&mdash;the brave little smile came again&mdash;&ldquo;that
- this is a reward, something tangible and great, to make still more worth
- while the promise that I made?&rdquo;
- </p>
- <p>
- He stared at her. He swept his hand across his eyes. She seemed&mdash;she
- seemed to be slipping away from him&mdash;beyond&mdash;beyond his reach.
- </p>
- <p>
- &ldquo;That man!&rdquo; he said desperately. &ldquo;You said you knew him&mdash;but you do
- not know him. He is the head and front and brains of a gang of crooks. I
- know! He held me a prisoner in their dirty lair, a hidden place, a cellar
- over in the slums&mdash;like rats they were. He is a criminal, and a
- dangerous one&mdash;while he masquerades with his medicine. God alone
- knows the crimes, if there are any, that he has not committed. He is a
- foul, unclean and filthy thing, debauched and dissolute, a moral leper.
- Claire, do you understand all this&mdash;that his life is pollution and
- defilement, that love to him is lust, that your innocence&mdash;&mdash;&rdquo;
- </p>
- <p>
- With a broken, piteous cry, Claire stopped him.
- </p>
- <p>
- And again he stared at her. She did not speak, but in her eyes he read the
- torment of a far greater and fuller appreciation of the price than he, he
- knew, though it turned his soul sick within him, could ever have.
- </p>
- <p>
- And suddenly he covered his face with his hands.
- </p>
- <p>
- &ldquo;Bought!&rdquo; he said brokenly in his agony. &ldquo;Oh, my God, this has bought me!&rdquo;
- </p>
- <p>
- He felt his hands drawn away, and her two palms laid upon his cheeks. He
- looked at her. How white she was!
- </p>
- <p>
- &ldquo;Help me, John,&rdquo; she said steadily. &ldquo;Don't&mdash;don't make it harder.&rdquo;
- </p>
- <p>
- She reached out and touched the bell button beside the seat. In a
- subconscious way he remembered that was the signal for Hawkins to bring
- the traveling pawn-shop to the end of its circuit around the block in its
- old-time trips to Persia. He made no effort to stop her. There was
- something of ultimate finality in her face and eyes that answered, before
- it was uttered, the question that stumbled on his lips.
- </p>
- <p>
- &ldquo;Claire! Claire!&rdquo; he pleaded wildly. &ldquo;Will nothing change you?&rdquo;
- </p>
- <p>
- &ldquo;There is no other way,&rdquo; she said.
- </p>
- <p>
- He stretched out his arms to draw her to him again, to lay her head once
- more upon his shoulder&mdash;but now she held him back.
- </p>
- <p>
- &ldquo;No!&rdquo; she whispered. &ldquo;Be merciful now, John&mdash;my strength is almost
- gone.&rdquo;
- </p>
- <p>
- And there was something in her voice that held him from the act.
- </p>
- <p>
- The car stopped.
- </p>
- <p>
- And then, as the door was opened and she stood up, suddenly she leaned
- swiftly forward and pressed her lips to his&mdash;and springing from the
- car, was gone.
- </p>
- <p>
- John Bruce groped his way out of the car. Across the sidewalk the door of
- Paul Veniza's house closed. Hawkins, standing by the car door, clutched at
- his arm. And Hawkins' hand was trembling violently. Slowly his eyes met
- Hawkins'.
- </p>
- <p>
- He shook his head.
- </p>
- <p>
- The old lined face seemed to gray even in the murky light of a distant
- street lamp.
- </p>
- <p>
- &ldquo;I'd rather see her dead,&rdquo; said the old cab driver brokenly.
- </p>
- <p>
- John Bruce made no answer.
- </p>
- <p>
- Then Hawkins, gulping his words, spoke again:
- </p>
- <p>
- &ldquo;I&mdash;where'll I drive you?&rdquo;
- </p>
- <p>
- John Bruce started blindly on past Hawkins down the street.
- </p>
- <p>
- &ldquo;Nowhere,&rdquo; he said.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0022" id="link2HCH0022"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER TWENTY-TWO&mdash;THROUGH THE NIGHT
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">A</span> GAUNT and haggard
- figure stalked through the night; around him only shuttered windows,
- darkened houses, and deserted streets. The pavements rang hollow to the
- impact of his boot-heels. Where the way lay open he went. But always he
- walked, walked incessantly, without pause, hurrying&mdash;nowhere.
- </p>
- <p>
- There was a raw, biting chill in the air, and his hands, ungloved, as they
- swung at his sides, were blue with cold. But sweat in great beads stood
- out upon his forehead. At times his lips moved and he spoke aloud. It was
- a hoarse sound.
- </p>
- <p>
- &ldquo;Or him!&rdquo; he said. &ldquo;Or him!&rdquo;
- </p>
- <p>
- On! Always on! There was no rest. It was ceaseless. The gray came into the
- East.
- </p>
- <p>
- And then at last the figure halted.
- </p>
- <p>
- There was a large window with wire grating, and a light burned within. In
- the window was a plate mirror, and a time-piece. It was a jeweler's
- window.
- </p>
- <p>
- The man looked at the time-piece. It was five o'clock. He looked at the
- mirror. It reflected the face of a young man grown old. The eyes burned
- deep in their sockets; the lines were hard, without softness; the skin was
- tightly drawn across the cheek bones, and was colorless. And he stared at
- the face, stared for a time without recognition. And then as he smiled and
- the face in the mirror smiled with him in a distorted movement of the
- lips, he swept his hand across his eyes.
- </p>
- <p>
- &ldquo;John Bruce,&rdquo; he said.
- </p>
- <p>
- It seemed to arouse him from some mental absorption in which his physical
- entity had been lost. It was five o'clock, and he was John Bruce. At
- eleven o'clock&mdash;or was it twelve?&mdash;last night he had left
- Hawkins standing by the door of the traveling pawn-shop, and since then&mdash;&mdash;
- </p>
- <p>
- He stared around him. He was somewhere downtown. He did not know where. He
- began to walk in an uptown direction.
- </p>
- <p>
- Something had been born in those hours. Something cataclysmic. What was
- it?
- </p>
- <p>
- &ldquo;Or him!&rdquo; The words came again&mdash;aloud&mdash;without apparent
- volition.
- </p>
- <p>
- What did that mean? It had something to do with Hawkins; with what Hawkins
- had said, standing there by the traveling pawn-shop. What was it Hawkins
- had said? Yes; he remembered: &ldquo;I'd rather see her dead.&rdquo;
- </p>
- <p>
- &ldquo;Or him!&rdquo;
- </p>
- <p>
- With cold judicial precision now the hours unrolled themselves before him.
- </p>
- <p>
- &ldquo;Or him!&rdquo;
- </p>
- <p>
- He was going to kill Crang.
- </p>
- <p>
- The hours of mental strife, of torment through which he had just passed,
- were as the memory of some rack upon which his soul had been put to
- torture. They came back vividly now, those hours&mdash;every minute of
- them a living eternity. His soul had shrunk back aghast at first, and
- called it murder; but it was not murder, or, if it was, it was imperative.
- It was the life of a foul viper&mdash;or Claire's. It was the life of an
- unclean thing that mocked and desecrated all decency, that flung its
- sordid challenge at every law, both human and divine&mdash;or the life of
- a pure, clean soul made the plaything of this beast, and dragged into a
- mire of unutterable abomination to suffocate and strangle in its noxious
- surroundings and die.
- </p>
- <p>
- And that soul was in jeopardy because at this moment he, John Bruce, had
- the power of movement in his limbs, the sense of sight, the ability to
- stretch out his hand and feel it touch that lamp-post there, and, if he
- would, to speak aloud and designate that object for what it was&mdash;a
- lamp-post. She had bought him these things with her life. Should she die&mdash;and
- he live?
- </p>
- <p>
- And he remembered back through those hours since midnight, when his soul
- had still faltered before the taking of human life, how it had sought some
- other way, some alternative, <i>any</i> alternative. A jail sentence for
- Crang. There was enough, more than enough now with the evidence of Crang's
- double life, to convict the man for the robbery of that safe. But Claire
- had answered that in the long ago: &ldquo;I will marry him when he comes out.&rdquo;
- Or, then, to get Crang away again like this afternoon&mdash;no, <i>yesterday</i>
- afternoon. It was <i>this</i> morning, in a few hours, that they were to
- be married. There was no time left in which to attempt anything like that;
- but, even if there were, he knew now, that it but postponed the day of
- reckoning. Claire would wait. Crang would come back.
- </p>
- <p>
- He was going to kill Crang.
- </p>
- <p>
- If he didn't, Crang would kill him. He knew that, too. But his decision
- was not actuated, or even swayed, by any consideration of
- self-preservation. He had no thought of his future or his safety. That was
- already settled. With his decision was irrevocably coupled the forfeiting
- of his own life. Not his own life! It belonged to Claire. Claire had
- bought it. He was only giving it back that the abysmal price she had
- agreed to pay should not be extorted from her. Once he had accomplished
- his purpose, he would give himself up to the police.
- </p>
- <p>
- He was going to kill Crang.
- </p>
- <p>
- That was what had been born out of the travail of those hours of the
- night. But there were other things to do first. He walked briskly now. The
- decision in itself no longer occupied his thoughts. The decision was
- absolute; it was final. It was those &ldquo;other things&rdquo; that he must consider
- now. There was Larmon. He could not tell Larmon what he, John Bruce, was
- going to do, but he must warn Larmon to be on his guard against any past
- or present connection with John Bruce coming to light. Fortunately Larmon
- had come to New York and registered as Peters. He must make Larmon
- understand that Larmon and John Bruce had never met, even if he could not
- give Larmon any specific reason or explanation. Larmon would probably
- refuse at first, and attribute it as an attempt to break, for some
- ulterior reason, the bond they had signed together that night on the beach
- at Apia.
- </p>
- <p>
- John Bruce smiled gravely. The bond would be broken in any case. Faustus
- was at the end of the play. A few months in prison, the electric chair&mdash;how
- apt had been his whistling of that aria <i>in his youth!</i>
- </p>
- <p>
- Youth! Yes, he was old now; he had been young that night on the beach at
- Apia.
- </p>
- <p>
- He took off his hat and let the sharp air sweep his head. He was not
- thinking clearly. All this did not express what he meant. There was
- Larmon's safety. He must take care of that; see to it, first of all, that
- Larmon could not be implicated, held by law as an accomplice through
- foreknowledge of what was to happen; then, almost of as great importance
- for Larmon's sake and future, the intimacy between them, their business
- relations of the past, must never be subjected to the probe of the trial
- that was to come.
- </p>
- <p>
- John Bruce nodded his head sharply. Yes, that was better! But there was
- still something else&mdash;that bond. He knew to-night, even if prison
- walls and a death penalty were not about to nullify that bond far more
- effectively than either he or Larmon ever could, that the one thing he
- wanted now, while yet he was a free agent, while yet it was not
- arbitrarily his choice, was to cancel that agreement which was so typical
- of what his life up to the present time had always stood for; and in its
- cancellation, for what little time was left, to have it typify, instead, a
- finer manhood. The future, premonitive, grim in its promise, seemed to
- hold up before him as in a mirror where no lines were softened, where only
- the blunt, brutal truth was reflected, the waste and worthlessness of the
- past. He had no wish to evade it, or temporize with it, or seek to
- palliate it. He knew only a vain and bitter regret; knew only the desire
- now at the end, in so far as he could, to face death a changed man.
- </p>
- <p>
- He walked on and on. He was getting into the uptown section now. How many
- miles he must have covered since he had left Hawkins, and since the door
- of the one-time pawn-shop had closed on that little bare-headed figure
- with the loose cloak clutched about her throat&mdash;the last sight he had
- had of Claire! How many miles? He did not know. It must have been many,
- very many. But he felt no weariness. It was strange! It was as though his
- vitality and energy flowed into him from some wholly extraneous source;
- and as though physically he were non-existent.
- </p>
- <p>
- He wondered what Larmon would say. Larmon alone had the right to cancel
- the bond. That was the way it had been written. Would Larmon refuse? He
- hoped not, because he wanted to part with Larmon as a friend. He hoped
- not, though in the final analysis, in a practical way, Larmon's refusal
- must be so futile a thing. Would Larmon laugh at him, and, not knowing,
- call him a fool? He shook his head. He did not know. At least Larmon would
- not be surprised. The conversation of last evening&mdash;&mdash;
- </p>
- <p>
- John Bruce looked up. He was at the entrance to the Bayne-Miloy Hotel. He
- entered, nodded mechanically to the night clerk, stepped into the
- elevator, and went up to his room. There was his revolver to be got.
- Afterward he would go down to Larmon's room. Somehow, even in the face of
- that other thing which he was to do, this interview which was to come with
- Larmon obsessed him. It seemed to signify some vital line of demarcation
- between the old life and the new.
- </p>
- <p>
- The new! He smiled grimly, without mirth, as, entering his room, he
- switched on the light, stepped quickly to his desk, pulled open a drawer,
- and took out his revolver. The new! There would be very little of the new!
- He laughed now in a low, raucous way, as he slipped the weapon into his
- pocket. The new! A few weeks, a few months of a prison cell, and then&mdash;&mdash;
- His laugh died away, and a half startled, half perplexed look settled on
- his face. For the first time he noticed that a letter, most obviously
- placed to attract his attention, lay on the center of the desk pad.
- Strange, he had not seen it instantly!
- </p>
- <p>
- He stared at it now. It was a plain envelope, unstamped, and addressed to
- him. The writing was familiar too! Larmon's! He picked it up, opened it&mdash;and
- from the folds of the letter, as he drew it from the envelope, four torn
- pieces of paper fluttered to the desk. And for a long time, in a dazed
- way, he gazed at them. The letter dropped from his hand. Then mechanically
- he pieced the four scraps together. It was one of the leaves torn from
- Larmon's notebook that night in Apia&mdash;and here was the heavy scrawl
- where he, John Bruce, had signed with the quill toothpick. It was Larmon's
- copy of the bond.
- </p>
- <p>
- And again for a long time he stared at it, then he picked up the letter
- again. He read it slowly, for somehow his brain seemed only able to absorb
- the words in a stunned way. Then he read it again:
- </p>
- <p>
- Dear Bruce:&mdash;11 P. M.
- </p>
- <p>
- Something has come into your life that was not there on a night you will
- remember in the Southern Seas, and I know of no other way to repay you for
- what you did for me to-day than to hand you this. I knew from what you
- said to-night, or, rather perhaps, from what you did not say, that this
- was in your heart. And if I were young again, and the love of a good woman
- had come to me, I too should try&mdash;and fail, I fear, where you will
- succeed&mdash;to play a man's part in life.
- </p>
- <p>
- And so I bid you good-by, for when you read this I shall be on my way back
- West. What I lose another will gain. Amongst even my friends are men of
- honorable callings and wide interests who need a John Bruce. You will hear
- from one of them. Godspeed to you, for you are too good and clean a man to
- end your days as I shall end mine&mdash;a gambler.
- </p>
- <p>
- Yours,
- </p>
- <p>
- Gilbert Larmon.
- </p>
- <p>
- The love of a good woman&mdash;and young again! John Bruce's face was
- white. A thousand conflicting emotions seemed to surge upon him. There was
- something fine and big in what Larmon had done, like the Larmon whose real
- self he had come to glimpse for the first time last night; and something
- that was almost ghastly in the unconscious irony that lay behind it all.
- And for a little while he stood there motionless, holding the letter in
- his hand; then with a quick, abrupt return to action, he began to tear the
- letter into little shreds, and from his pocket he took his own copy of the
- bond and tore that up, and the four pieces of Larmon's copy he tore into
- still smaller fragments, and gathering all these up in his hands, he
- walked to the window and let them flutter out into the night.
- </p>
- <p>
- The way was clear. There was nothing to connect Gilbert Larmon with the
- man who to-morrow&mdash;no, <i>to-day</i>&mdash;would be in the hands of
- the police charged with murder. Nothing to bring to light Larmon's private
- affairs, for nothing bearing Larmon's signature had ever been kept; it was
- always destroyed. Larmon was safe&mdash;for, at least, they could never
- make John Bruce <i>talk</i>.
- </p>
- <p>
- There was a strange relief upon him, a strange uplift; not only for
- Larmon's sake, but for his own. The link that had bound him to the past
- was gone, broken, dissolved. He stood free&mdash;for the little time that
- was left; he stood free&mdash;to make a fresh start in the narrow confines
- of a prison cell. He smiled grimly. There was no irony here where it
- seemed all of irony. It meant everything&mdash;all. It was the only
- atonement he could make.
- </p>
- <p>
- He switched off the light, left his room, and went down to the desk. Here
- he consulted the directory. He requested the clerk to procure a taxi for
- him.
- </p>
- <p>
- It was five minutes after six by the clock over the desk.
- </p>
- <p>
- He entered the taxi and gave the chauffeur the address. He was unconscious
- of emotion now. He knew only a cold, fixed, merciless purpose.
- </p>
- <p>
- He was going to kill Crang.
- </p>
- <p>
- The taxi stopped in front of a frame house that bore a dirty brass
- name-plate. He dismissed the taxi, and mounted the steps. His right hand
- was in the pocket of his coat. He rang the bell, and obtaining no
- response, rang again&mdash;and after that insistently.
- </p>
- <p>
- The door was finally opened by an old woman, evidently aroused from bed,
- for she clutched tightly at a dressing gown that was flung around her
- shoulders.
- </p>
- <p>
- &ldquo;I want to see Doctor Crang,&rdquo; said John Bruce.
- </p>
- <p>
- She shook her head.
- </p>
- <p>
- &ldquo;The doctor isn't in,&rdquo; she answered.
- </p>
- <p>
- &ldquo;I will wait for him,&rdquo; said John Bruce.
- </p>
- <p>
- Again she shook her head.
- </p>
- <p>
- &ldquo;I don't know when he will be back. He hasn't been here since yesterday
- morning.&rdquo;
- </p>
- <p>
- &ldquo;I will wait for him,&rdquo; said John Bruce monotonously.
- </p>
- <p>
- &ldquo;But&mdash;&mdash;&rdquo;
- </p>
- <p>
- John Bruce brushed his way past her into the hall.
- </p>
- <p>
- &ldquo;I will wait for him,&rdquo; he repeated.
- </p>
- <p>
- A door was open off the hallway. John Bruce looked in. It was obviously
- Crang's office. He went in and sat down by the window.
- </p>
- <p>
- The woman stood for a long time in the doorway watching him. Finally she
- went away.
- </p>
- <p>
- John Bruce's mind was coldly logical. Crang was not aware that his escape
- was known to any one except Claire, and he had been cunning enough to keep
- under cover. That was why he had not been home. But he would be home
- before he went out to be married. Even a man like Crang would have a few
- preparations to make.
- </p>
- <p>
- John Bruce sat by the window. Occasionally the old woman came and stood in
- the doorway&mdash;and went away again.
- </p>
- <p>
- There was no sign of Crang.
- </p>
- <p>
- At fifteen minutes of eight John Bruce rose from his chair and left the
- house.
- </p>
- <p>
- &ldquo;He was to be at Paul Veniza's at eight,&rdquo; said John Bruce to himself with
- cool precision.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0023" id="link2HCH0023"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER TWENTY-THREE&mdash;THE BEST MAN
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">H</span>AWKINS sat at the
- table in his room, and twined and twined one old storm-beaten hand over
- the other. For hours he had sat like that. It was light in the room now,
- for it was long after seven o'clock. His bed had not been slept in. He was
- dressed in his shiny best suit; he wore his frayed black cravat. He had
- been dressed like that since midnight; since he had returned home after
- Claire had fled into her house, and John Bruce had strode by him on the
- sidewalk with set, stony face and unseeing eyes; since, on reaching his
- room here, he had found a note whose signature was false because it read
- &ldquo;Paul Veniza,&rdquo; when he knew that it came from Crang. Crang was taking
- precautions that his return should not leak out! The note only
- corroborated what he had heard through the door. He was to be at Paul
- Veniza's at eight o'clock with the traveling pawn-shop..
- </p>
- <p>
- The note had said nothing about any marriage; but, then, he knew! He was
- to be the best man. And so he had dressed himself. After that he had
- waited. He was waiting now.
- </p>
- <p>
- &ldquo;The first,&rdquo; said Hawkins, with grave confidence to the cracked mirror.
- &ldquo;Yes, that's it&mdash;the first in line, because I <i>am</i> her old
- father, and there ain't nothing can change that.&rdquo;
- </p>
- <p>
- His own voice seemed to arouse him. He stared around the shabby room that
- was his home, his eyes lingering with strange wistfulness on each old
- battered, and long familiar object&mdash;and then suddenly, with a choking
- cry, his head went down, buried in his arms outflung across the table.
- </p>
- <p>
- &ldquo;Pawned!&rdquo; the old man cried brokenly. &ldquo;It's twenty years ago, I pawned her&mdash;twenty
- years ago. And it's come to this because&mdash;because I ain't never
- redeemed her&mdash;but, oh God, I love her&mdash;I love my little girl&mdash;and&mdash;and
- she ain't never going to know how much.&rdquo;
- </p>
- <p>
- His voice died away. In its place the asthmatic gas-jet spat venomous
- defiance at the daylight that was so contumaciously deriding its puny
- flame.
- </p>
- <p>
- And after a little while, Hawkins raised his head. He looked at his watch.
- </p>
- <p>
- &ldquo;It's time to go,&rdquo; said Hawkins&mdash;and cleared his throat.
- </p>
- <p>
- Hawkins picked up his hat and brushed it carefully with his coat sleeve;
- his shoulders, and such of his attire as he could reach, he brushed with
- his hands; he readjusted his frayed black cravat before the cracked
- mirror.
- </p>
- <p>
- &ldquo;I'm the best man,&rdquo; said Hawkins.
- </p>
- <p>
- Oblivious to the chattering gas-jet, he descended the stairs, and went out
- to the shed in the rear that housed the traveling pawn-shop.
- </p>
- <p>
- &ldquo;The first in line,&rdquo; said the old cab driver, as he climbed into the seat.
- </p>
- <p>
- Five minutes later, he drew up in front of the onetime pawn-shop. He
- consulted his watch as he got down from his seat and entered the house. It
- was twenty-five minutes of eight.
- </p>
- <p>
- He twisted his hat awkwardly in his hands, as he entered the rear room. He
- felt a sudden, wild rush of hope spring up within him because there was no
- sign of Crang. And then the hope died. He was early; and, besides, Claire
- had her hat on and was dressed to go out. Paul Veniza, also dressed, lay
- on the cot.
- </p>
- <p>
- No one spoke.
- </p>
- <p>
- Then Paul Veniza's frame was racked with a fit of coughing, and out of a
- face ashen in pallor his eyes met Hawkins' in silent agony&mdash;and then
- he turned his head away.
- </p>
- <p>
- Hawkins twisted at his hat.
- </p>
- <p>
- &ldquo;I came a little early;&rdquo; he said wistfully, &ldquo;because I thought mabbe you
- might&mdash;that mabbe there might be some change&mdash;that mabbe you
- might not&mdash;&mdash;&rdquo;
- </p>
- <p>
- He stopped. He was looking at Claire. Her face was very white too. Her
- smile seemed to cut at his heart like a knife.
- </p>
- <p>
- &ldquo;No, Hawkins,&rdquo; she said in a low voice; &ldquo;there is no change. We are going
- to Staten Island. You will drive Doctor Crang. There is a limousine coming
- for father and me, that will be more comfortable for father.&rdquo;
- </p>
- <p>
- Hawkins' eyes went to the floor.
- </p>
- <p>
- &ldquo;I&mdash;I didn't mean that kind of a change,&rdquo; he said.
- </p>
- <p>
- &ldquo;I know you didn't, Hawkins. But&mdash;but I am trying to be practical.&rdquo;
- Her voice broke a little in spite of herself. &ldquo;Doctor Crang doesn't know
- that you overheard anything last night, or that you know anything about
- the arrangements, so&mdash;so I am explaining them to you now.&rdquo;
- </p>
- <p>
- Hawkins' eyes were still on the floor.
- </p>
- <p>
- &ldquo;Ain't there nothing&rdquo;&mdash;his voice was thick and husky&mdash;&ldquo;ain't
- there nothing in all the world that any of us can do to make you change
- your mind? Claire, ain't there nothing, nothing at all? John Bruce said
- there wasn't, and you love John Bruce, but&mdash;&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Don't, Hawkins!&rdquo; she cried out pitifully.
- </p>
- <p>
- The old shoulders came slowly up, and the old head; and the old blue eyes
- were of a sudden strangely flints like.
- </p>
- <p>
- &ldquo;I've got to know,&rdquo; said Hawkins, in a dead, stubborn way.
- </p>
- <p>
- &ldquo;There is nothing,&rdquo; she answered.
- </p>
- <p>
- Hawkins' eyes reverted to the floor. He spoke now without lifting them.
- </p>
- <p>
- &ldquo;Then&mdash;then it's&mdash;it's like saying good-by,&rdquo; he said, and the
- broken note was back again in his voice. &ldquo;It's&mdash;it's so many years
- that mabbe you've forgotten, but when you were a little girl, and before
- you grew up, and&mdash;and were too big for that, I&mdash;I used to hold
- you in my arms, and you used to put your little arms around my neck, and
- kiss me, and&mdash;and you used to say that&mdash;Hawkins would never let
- the bugaboos get you, and&mdash;and I wonder if&mdash;if&mdash;&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Oh, Hawkins!&rdquo; Claire's eyes were full of tears. &ldquo;I remember. Dear, dear
- Hawkins! And I used to call you Daddy Hawkins. Do <i>you</i> remember?&rdquo;
- </p>
- <p>
- A tear found a furrow and trickled down the old weather-beaten face
- unchecked, as Hawkins raised his head.
- </p>
- <p>
- &ldquo;Claire! Claire!&rdquo; His voice trembled in its yearning. &ldquo;Will&mdash;will you
- say that again, Claire?&rdquo;
- </p>
- <p>
- &ldquo;Dear Daddy Hawkins,&rdquo; she whispered.
- </p>
- <p>
- His arms stretched out to her, and she came to them smiling through her
- tears.
- </p>
- <p>
- &ldquo;You've been so good to me,&rdquo; she whispered again. &ldquo;You <i>are</i> so good
- to me&mdash;dear, dear Daddy Hawkins.&rdquo;
- </p>
- <p>
- A wondrous light was in the old cabman's face. He held the slight form to
- him, trying to be so tenderly careful that he should not hurt her in his
- strength. He kissed her, and patted her head, and his fingers lingered as
- they smoothed the hair back from where it made a tiny curl about her ear.
- </p>
- <p>
- And then he felt her drawing him toward the couch&mdash;and he became
- conscious that Paul Veniza was holding out his hands to them both.
- </p>
- <p>
- And Claire knelt at the side of the couch and took one of Paul Veniza's
- hands, and Hawkins took the other. And no one of them looked into the
- other's face.
- </p>
- <p>
- The outer door opened, and Doctor Crang came in. He stood for an instant
- surveying the scene, a half angry, half sarcastic smile spreading over his
- sallow face, and then he shrugged his shoulders.
- </p>
- <p>
- &ldquo;Ah, you're here, like me, ahead of time, Hawkins, I see!&rdquo; he said
- shortly. &ldquo;You're going to drive me to Staten Island where&mdash;&mdash;&rdquo;
- </p>
- <p>
- Claire rose to her feet.
- </p>
- <p>
- &ldquo;I have told Hawkins,&rdquo; she said quietly.
- </p>
- <p>
- Hawkins' hand tightened over Paul Veniza's for a moment, and then he
- turned away.
- </p>
- <p>
- &ldquo;I&mdash;I'll wait outside,&rdquo; said Hawkins&mdash;and brushed has hand
- across his eyes as he went through the doorway.
- </p>
- <p>
- Paul Veniza was racked with a sudden fit of coughing again. Doctor Crang
- walked quickly to the couch and looked at the other sharply. After a
- moment he turned to Claire.
- </p>
- <p>
- &ldquo;Are you ready to go?&rdquo; he asked crisply.
- </p>
- <p>
- &ldquo;Yes; I am ready,&rdquo; she answered steadily.
- </p>
- <p>
- &ldquo;Very well, then,&rdquo; said Crang, &ldquo;you had better go out and get into the old
- bus. You can go with Hawkins and me.&rdquo;
- </p>
- <p>
- &ldquo;But&rdquo;&mdash;Claire looked in a bewildered way at Paul Veniza&mdash;&ldquo;but
- you said&mdash;&mdash;&rdquo;
- </p>
- <p>
- &ldquo;I know I did,&rdquo; Crang interrupted brusquely, &ldquo;but we're all here a little
- early and there's lots of time to countermand the other car.&rdquo; He indicated
- Paul Veniza with a jerk of his head. &ldquo;He's far from as well as he was last
- night. At least you'll admit that I'm a <i>good</i> doctor, and when I
- tell you he is not fit to go this morning that ought to be enough for both
- of you. I'll phone and tell them not to send the limousine.&rdquo;
- </p>
- <p>
- Still Claire hesitated. Paul Veniza had closed his eyes.
- </p>
- <p>
- Crang shrugged his shoulders.
- </p>
- <p>
- &ldquo;You can do as you like, but I don't imagine&rdquo;&mdash;a snarl crept into his
- voice&mdash;&ldquo;that it will give him any joy to witness the ceremony, or you
- to have him. Suit yourselves; but I won't answer for the consequences.&rdquo;
- </p>
- <p>
- &ldquo;I'll go,&rdquo; said Claire simply&mdash;and as Paul Veniza lifted himself up
- suddenly in protest, she forced him gently back upon the couch again.
- &ldquo;It's better that way,&rdquo; she said, and for a moment talked to him in low,
- earnest tones, then kissed him, and rose, and walked out from the room.
- </p>
- <p>
- Crang, with a grunt of approval, started toward the telephone.
- </p>
- <p>
- &ldquo;Wait!&rdquo; Paul Veniza had raised himself on his elbow.
- </p>
- <p>
- Crang turned and faced the other with darkened face.
- </p>
- <p>
- &ldquo;It is not too late even now at the last moment!&rdquo; Paul Veniza's face was
- drawn with agony. &ldquo;I know you for what you are, and in the name of God I
- charge you not to do this thing. It is foul and loathsome, the basest
- passion&mdash;and whatever crimes lay at your door, even if murder be
- among them, no one of them is comparable with this, for you do more than
- take a human life, you desecrate a soul pure as the day God gave it life,
- and&mdash;&mdash;&rdquo;
- </p>
- <p>
- The red surged into Crang's face, and changed to mottled purple.
- </p>
- <p>
- &ldquo;Damn you!&rdquo; he flung out hoarsely. &ldquo;Hold your cackling tongue! This is my
- wedding morning&mdash;understand?&rdquo; He laughed out raucously. &ldquo;My wedding
- morning&mdash;and I'm in a hurry!&rdquo;
- </p>
- <p>
- Paul Veniza raised himself a little higher. White his face was&mdash;white
- as death.
- </p>
- <p>
- &ldquo;Then God have mercy on your soul!&rdquo; he cried.
- </p>
- <p>
- And Crang stared for a moment, then turned on his heel&mdash;and laughed.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0024" id="link2HCH0024"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER TWENTY-FOUR&mdash;THE RIDE
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">J</span>OHN BRUCE turned
- the corner, and, on the opposite side of the street, drew back under the
- shelter of a door porch where he could command a view of the entrance to
- Paul Veniza's house. And now he stood motionless, waiting with cold
- patience, his eyes fixed on the doorway across the street. He was there
- because Crang was either at the present moment within the house, or
- presently would come to the house. It was nearly eight o'clock. The old
- traveling pawn-shop was drawn up before the door.
- </p>
- <p>
- He had no definite plan now. No plan was needed. He was simply waiting for
- Crang.
- </p>
- <p>
- His eyes had not left the doorway. Suddenly, tense, he leaned a little
- forward. The door opened. No; it was only Hawkins! He relaxed again.
- </p>
- <p>
- Only Hawkins! John Bruce's face grew a little sterner, his lips a little
- more tightly compressed. Only Hawkins&mdash;only an old man who swayed
- there outside the door, and whose face was covered with his hands.
- </p>
- <p>
- He watched Hawkins. The old cabman moved blindly along the sidewalk for
- the few steps that took him to the corner, and turning the corner, out of
- sight of the house, sat down on the edge of the curb, and with his
- shoulders sunk forward, buried his face in his hands again.
- </p>
- <p>
- And John Bruce understood; and his fingers, in his pocket, snuggled
- curiously around the revolver that was hidden there. He wanted to go to
- that old bent figure there in its misery and despair, who was fighting now
- so obviously to get a grip upon himself. But he did not move. He could not
- tell Hawkins what he meant to do.
- </p>
- <p>
- Were they minutes or were they hours that passed? Again the front door of
- Paul Veniza's house opened, and again John Bruce leaned tensely forward.
- But this time he did not relax. Claire! His eyes drank in the slim,
- little, dark-garbed figure, greedy that no smallest gesture, no movement,
- no single line of face or form should escape him. It was perhaps the last
- time that he would see her. He would not see her in his prison cell&mdash;he
- would not let her go there.
- </p>
- <p>
- A queer sound issued from his throat, a strange and broken little cry. She
- was gone now. She had crossed the sidewalk and entered the traveling
- pawn-shop. The curtains were down, and she was hidden from sight. And for
- a moment there seemed a blur and mist before John Bruce's eyes&mdash;then
- Hawkins, still around the corner, still with crouched shoulders, still
- with his face hidden in his hands, took form and grew distinct again. And
- then after a little while, Hawkins rose slowly, and came back along the
- street, and climbed into the driver's seat of the traveling pawnshop, and
- sat fumbling at the wheel with his hands.
- </p>
- <p>
- The door of Paul Veniza's house opened for the third time&mdash;and now
- John Bruce laughed in a low, grim 'way, and his hand, hugging the revolver
- in his pocket, tightened and grew vise-like in its grip upon the weapon.
- It was Crang at last!
- </p>
- <p>
- And then John Bruce's hand came out from his pocket&mdash;empty.
- </p>
- <p>
- <i>Not in front of Claire!</i>
- </p>
- <p>
- He swept his hand across his forehead. It was as though a sudden shock had
- aroused him to some stark reality to which he had been strangely
- oblivious. Not in front of Claire! Claire was in the car there. He felt
- himself bewildered for a moment. Hawkins had said nothing about driving
- Claire too.
- </p>
- <p>
- Crang's voice reached him from across the street:
- </p>
- <p>
- &ldquo;All right, Hawkins! Go ahead!&rdquo;
- </p>
- <p>
- Where was Paul Veniza? Crang had got into the car, and the car was moving
- forward. Wasn't Paul Veniza going too?
- </p>
- <p>
- Well, it did not matter, did it? Crang was there. And it was a long way to
- Staten Island, and before then a chance would come, <i>must</i> come; he
- would make one somehow, and&mdash;&mdash;-
- </p>
- <p>
- John Bruce ran swiftly out into the street, and, as the car turned the
- corner, swung himself lightly and silently in beside Hawkins. Crang would
- not know. The curtained panel at the back of the driver's seat hid the
- interior of the car from view.
- </p>
- <p>
- Hawkins turned his head, stared into John Bruce's face for an instant,
- half in a startled, half in a curiously perplexed way, made as though to
- speak&mdash;and then, without a word, gave his attention to the wheel
- again.
- </p>
- <p>
- The car rattled on down the block.
- </p>
- <p>
- John Bruce, as silent as Hawkins, stared ahead. On the ferry! Yes, that
- was it! It was a long way to Staten Island. Claire would not stay cooped
- up in a closed car below; she would go up on deck to get the air. And even
- if Crang accompanied her, it would not prove very difficult to separate
- them.
- </p>
- <p>
- He looked around suddenly and intercepted a furtive, puzzled glance cast
- at him by Hawkins.
- </p>
- <p>
- And then Hawkins spoke for the first time.
- </p>
- <p>
- &ldquo;You'd better get off, John Bruce,&rdquo; he said in a choked voice. &ldquo;You've
- done all you could, and God bless you over and over again for it, but you
- can't do anything more now, and it won't do you any good to come any
- further.&rdquo;
- </p>
- <p>
- &ldquo;No,&rdquo; said John Bruce, &ldquo;I'm going all the way, Hawkins.&rdquo;
- </p>
- <p>
- Hawkins relapsed into silence. They were near the Battery when he spoke
- again.
- </p>
- <p>
- &ldquo;All the way,&rdquo; Hawkins repeated then, as though it were but a moment gone
- since John Bruce had spoken. &ldquo;All the way. Yes, that's it&mdash;after
- twenty years. That's when I pawned her&mdash;twenty years ago. And I
- couldn't never redeem her the way Paul Veniza said. And she ain't never
- known, and thank God she ain't never going to know, that I&mdash;that I&mdash;&mdash;&rdquo;
- A tear trickled down the old face, and splashed upon the wrinkled skin of
- the hand upon the wheel. And then old Hawkins smiled suddenly, and nodded
- toward the clock on the cowl-board&mdash;and the speed of the car
- increased. &ldquo;I looked up the ferry time,&rdquo; said Hawkins.
- </p>
- <p>
- They swung out in front of the ferry house, and the car stopped. A ferry,
- just berthing, was beginning to disgorge its stream of motors and
- pedestrians.
- </p>
- <p>
- &ldquo;We're first in line,&rdquo; said Hawkins, nodding his head. &ldquo;We'll have to wait
- a minute or two.&rdquo;
- </p>
- <p>
- John Bruce nodded back indifferently. His eyes were fixed on the ferry
- that he could just see through the ferry house. Certainly, Claire would
- not stay down in the confined space of the ferry's run-way all the trip;
- or if she did, Crang wouldn't. His face set. Quite unconsciously his hand
- had gone to his pocket, and he found his fingers now snuggling again
- around the weapon that lay there.
- </p>
- <p>
- And then he looked at Hawkins&mdash;and stared again at the other,
- startled. Strange, he had not noticed it before! The smile on Hawkins'
- face did not hide it. The man seemed to have aged a thousand years; the
- old face was pinched and worn, and deep in the faded, watery blue eyes
- were hurt and agony. And a great sympathy for the man surged upon John
- Bruce. He could not tell Hawkins, but&mdash;&mdash; He reached out, and
- laid his hand on the other's arm.
- </p>
- <p>
- &ldquo;Don't take it too hard, Hawkins,&rdquo; he said gently. &ldquo;I&mdash;perhaps&mdash;perhaps,
- well, there's always a last chance that something may happen.&rdquo;
- </p>
- <p>
- &ldquo;Me?&rdquo; said Hawkins, and bent down over his gears as he got the signal to
- move forward. &ldquo;Do I look like that? I&mdash;I thought it all out last
- night, and I don't feel that way. I'll tell you what I was thinking about.
- I was just thinking that I did something to-day when I left my room that I
- haven't done before&mdash;in twenty years. I've left the light burning.&rdquo;
- </p>
- <p>
- John Bruce stared a little helplessly.
- </p>
- <p>
- &ldquo;Yes,&rdquo; said Hawkins. He smiled at John Bruce. &ldquo;Don't you worry about me.
- Mabbe you don't understand, but that's all I've been thinking about since
- we've been waiting here. I've left the light burning.&rdquo;
- </p>
- <p>
- Sick at heart, John Bruce turned his head away. He made no response.
- </p>
- <p>
- Hawkins paid the fare, ran the car through the ferry house, and aboard the
- ferry itself. He was fumbling with a catch of some kind behind his seat,
- as he proceeded slowly up the run-way.
- </p>
- <p>
- &ldquo;He'll want a little air in there,&rdquo; said Hawkins, &ldquo;because it's close down
- here. It opens back, you know&mdash;the whole panel. I had it made that
- way when the car was turned into a traveling pawn-shop&mdash;didn't know
- what tough kind of a customer Paul might run into sometime, and I'd want
- to get in beside him quick to help, and I&mdash;&mdash;&rdquo; The old cabman
- straightened up.
- </p>
- <p>
- The car was at the extreme forward end of the ferry&mdash;and suddenly it
- leaped forward. &ldquo;Jump, John Bruce! Jump clear!&rdquo; old Hawkins cried.
- &ldquo;There's only two of us going all the way&mdash;and that's Crang and me!
- Claire and Paul 'll be along in another car&mdash;tell them it was an
- accident, and&mdash;&mdash;&rdquo;
- </p>
- <p>
- John Bruce was on his feet&mdash;too late. There was a crash, and the
- collapsible steel gates went down before the plunging car, and the guard
- chain beyond was swept from its sockets. He reeled and lost his balance as
- something, a piece of wreckage from the gates or chain posts, struck him.
- He felt the hot blood spurt from shoulder and arm. And then, as the car
- shot out in mid-air, diving madly for the water below, and he was thrown
- from his feet, he found himself clinging to the footboard, fighting wildly
- to reach the door handle. Claire was in there! Claire was in there!
- </p>
- <p>
- There was a terrific splash. A mighty rush of water closed over him.
- Horror, fear, madness possessed his soul. Claire was in there! Claire was
- in there&mdash;and somehow Hawkins had not known! Yes, he had the door
- handle now! He wrenched and tore at the door. The pressure of the water
- seemed to pit itself against his strength. He worked like a maniac. It
- opened. He had it now! It opened. He could scarcely see in the murky water&mdash;only
- the indistinct outlines of two forms undulating grotesquely, the hands of
- one gripped around the throat of the other&mdash;only that, and floating
- within his reach a woman's dress. He snatched at the dress. His lungs were
- bursting. Claire! It was Claire! She was in his arms&mdash;then blackness&mdash;then
- sunlight again&mdash;and then, faintly, he heard a cheer.
- </p>
- <p>
- He held her head above the water. She was motionless, inert.
- </p>
- <p>
- &ldquo;Claire! Claire!&rdquo; he cried. Fear, cold, horrible, seized upon him. He swam
- in mad haste for the iron ladder rungs at the side of the slip.
- </p>
- <p>
- Faces, a multitude of them, seemed to peer at him from above, from the
- brink of this abyss in which he was struggling. He heard a cheer again.
- Why were they cheering? Were they cheering because two men were locked in
- a death grip deep down there in the water below?
- </p>
- <p>
- &ldquo;Claire!&rdquo; he cried out again.
- </p>
- <p>
- And then, as his hand grasped the lower rung, she opened her eyes slowly,
- and a tremor ran through her frame.
- </p>
- <p>
- She lived! Was he weak with the sudden revulsion that swept upon him now?
- Was that it? He tried to carry her up&mdash;and found that it was beyond
- his strength. And he could only cling there and wait for assistance from
- above, thankful even for the support the water gave his weight. It was
- strange! What were those red stains that spread out and tinged the water
- around him? His arm! Yes, he remembered now! His shoulder and arm! It was
- the loss of blood that must have sapped his strength, that must be sapping
- it now so that&mdash;-
- </p>
- <p>
- &ldquo;John!&rdquo; Claire whispered. &ldquo;You&mdash;John!&rdquo;
- </p>
- <p>
- He buried his face in the great wet masses of hair that fell around her.
- Weak? No, he was not weak! He could hold her here always&mdash;always.
- </p>
- <p>
- He felt her clutch spasmodically at his arm.
- </p>
- <p>
- &ldquo;And&mdash;and Hawkins, John?&rdquo; she faltered.
- </p>
- <p>
- He lifted his head and stared at the water. Little waves rippled across
- its surface, gamboling inconsequentially&mdash;at play. There wasn't
- anything else there. There never would be. He made no answer.
- </p>
- <p>
- A sob shook her shoulders.
- </p>
- <p>
- &ldquo;How&mdash;how did it happen?&rdquo; she whispered again.
- </p>
- <p>
- &ldquo;I think a&mdash;a gear jammed, or something,&rdquo; he said huskily.
- </p>
- <p>
- He heard her speak again, but her voice was very low. He bent his head
- until it rested upon hers to catch the words.
- </p>
- <p>
- She was crying softly.
- </p>
- <p>
- &ldquo;Dear, dear Hawkins&mdash;dear Daddy Hawkins,&rdquo; she said.
- </p>
- <p>
- A great mist seemed to gather before John Bruce's eyes. A voice seemed to
- come again, Hawkins' voice; and words that he understood now, Hawkins'
- words:
- </p>
- <p>
- &ldquo;I've left the light burning.&rdquo;
- </p>
- <h3>
- THE END.
- </h3>
- <div style="height: 6em;">
- <br /><br /><br /><br /><br /><br />
- </div>
-
-
-
-
-
-
-
-<pre>
-
-
-
-
-
-End of the Project Gutenberg EBook of Pawned, by Frank L. Packard
-
-*** END OF THIS PROJECT GUTENBERG EBOOK PAWNED ***
-
-***** This file should be named 51965-h.htm or 51965-h.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/5/1/9/6/51965/
-
-Produced by David Widger from page images generously
-provided by the Internet Archive
-
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for the eBooks, unless you receive
-specific permission. If you do not charge anything for copies of this
-eBook, complying with the rules is very easy. You may use this eBook
-for nearly any purpose such as creation of derivative works, reports,
-performances and research. They may be modified and printed and given
-away--you may do practically ANYTHING in the United States with eBooks
-not protected by U.S. copyright law. Redistribution is subject to the
-trademark license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase &ldquo;Project
-Gutenberg&rdquo;), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. &ldquo;Project Gutenberg&rdquo; is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation (&ldquo;the
-Foundation&rdquo; or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country outside the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase &ldquo;Project Gutenberg&rdquo; appears, or with which the
-phrase &ldquo;Project Gutenberg&rdquo; is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you'll have to check the laws of the country where you
- are located before using this ebook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase &ldquo;Project
-Gutenberg&rdquo; associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than &ldquo;Plain Vanilla ASCII&rdquo; or other format used in the official
-version posted on the official Project Gutenberg-tm web site
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original &ldquo;Plain
-Vanilla ASCII&rdquo; or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, &ldquo;Information about donations to the Project Gutenberg
- Literary Archive Foundation.&rdquo;
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from both the Project Gutenberg Literary Archive Foundation and The
-Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
-trademark. Contact the Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain &ldquo;Defects,&rdquo; such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the &ldquo;Right
-of Replacement or Refund&rdquo; described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org Section 3. Information about the Project Gutenberg
-Literary Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's principal office is in Fairbanks, Alaska, with the
-mailing address: PO Box 750175, Fairbanks, AK 99775, but its
-volunteers and employees are scattered throughout numerous
-locations. Its business office is located at 809 North 1500 West, Salt
-Lake City, UT 84116, (801) 596-1887. Email contact links and up to
-date contact information can be found at the Foundation's web site and
-official page at www.gutenberg.org/contact
-
-For additional contact information:
-
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works.
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our Web site which has the main PG search
-facility: www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-
-
-
-</pre>
-
- </body>
-</html>