summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
-rw-r--r--.gitattributes4
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
-rw-r--r--old/53602-0.txt5379
-rw-r--r--old/53602-0.zipbin79531 -> 0 bytes
-rw-r--r--old/53602-h.zipbin241404 -> 0 bytes
-rw-r--r--old/53602-h/53602-h.htm6382
-rw-r--r--old/53602-h/images/cover.jpgbin93767 -> 0 bytes
-rw-r--r--old/53602-h/images/frontispiece.jpgbin62978 -> 0 bytes
9 files changed, 17 insertions, 11761 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..d7b82bc
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,4 @@
+*.txt text eol=lf
+*.htm text eol=lf
+*.html text eol=lf
+*.md text eol=lf
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..7cd06bb
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #53602 (https://www.gutenberg.org/ebooks/53602)
diff --git a/old/53602-0.txt b/old/53602-0.txt
deleted file mode 100644
index a81f23d..0000000
--- a/old/53602-0.txt
+++ /dev/null
@@ -1,5379 +0,0 @@
-The Project Gutenberg EBook of Brave and Bold Weekly No 362, A Taxicab
-Tangle, by Stanley R. Matthews
-
-This eBook is for the use of anyone anywhere in the United States and most
-other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms of
-the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you'll have
-to check the laws of the country where you are located before using this ebook.
-
-Title: Brave and Bold Weekly No 362, A Taxicab Tangle
- or, The Mission of the Motor Boys
-
-Author: Stanley R. Matthews
-
-Release Date: November 26, 2016 [EBook #53602]
-
-Language: English
-
-Character set encoding: UTF-8
-
-*** START OF THIS PROJECT GUTENBERG EBOOK BRAVE AND BOLD WEEKLY NO 362 ***
-
-
-
-
-Produced by David Edwards, Craig Kirkwood, and the Online
-Distributed Proofreading Team at http://www.pgdp.net (Images
-courtesy of the Digital Library@Villanova University
-(http://digital.library.villanova.edu/).)
-
-
-
-
-
-
-Transcriber’s Notes:
-
-Text enclosed by underscores is in italics (_italics_), and text
-enclosed by equal signs is in bold (=bold=).
-
-Additional Transcriber’s Notes are at the end.
-
- * * * * *
-
-[Illustration: Turning to give his attention to the young fellow who
-was lying beside the taxicab, Matt received another start. Strands of
-long, yellow hair had been released and were waving about Granger’s
-head.]
-
- * * * * *
-
-BRAVE AND BOLD WEEKLY
-
-_Issued Weekly. By subscription $2.50 per year. Copyright, 1909, by_
-STREET & SMITH, _79-89 Seventh Avenue, New York, N. Y._
-
-=No. 362.= NEW YORK, November 27, 1909. =Price Five Cents.=
-
-
-
-
-A TAXICAB TANGLE; OR, The Mission of the Motor Boys.
-
-
-By STANLEY R. MATTHEWS.
-
-
-
-
-CHAPTER I. A LETTER--AND A SURPRISE.
-
-
-“For its size, pard, I reckon this is about the biggest town on the
-map. We’ve been here five days, and the traffic squad has been some
-busy with our bubble-wagon, but if there’s any part of this burg we
-haven’t seen, now’s the time to get out a search warrant, and go after
-it. What’s on for to-day?”
-
-Joe McGlory was the speaker. He and his chum, Matt King, known far and
-wide as Motor Matt, were in the lobby of the big hotel in which they
-had established themselves when they first arrived in New York. In a
-couple of “sleepy-hollow” chairs they were watching the endless tide of
-humanity, as it ebbed and flowed through the great rotunda.
-
-For five days the gasoline motor had whirled the boys in every
-direction, an automobile rushing them around the city, with side trips
-to Coney Island, north as far as Tarrytown, and across the river as far
-as Fort Lee, while a power boat had given them a view of the bay and
-the sound. Out of these five days, too, they had spent one afternoon
-fishing near City Island, and had given up several hours to watching
-the oystermen off Sound Beach.
-
-Matt, having lived in the Berkshires, and having put in some time
-working for a motor manufactory in Albany, had visited the metropolis
-many times. He was able, therefore, to act as pilot for his cowboy pard.
-
-“I thought,” he remarked, “that it’s about time we coupled a little
-business with this random knocking around. There’s a man in the
-Flatiron Building who is interested in aviation--I heard of him through
-Cameron, up at Fort Totten--and I believe we’ll call and have a little
-talk. It might lead to something, you know.”
-
-“Aviation!” muttered the cowboy. “That’s a brand-new one. Tell me what
-it’s about, pard.”
-
-“Aviation,” and Matt coughed impressively, “is the science of flight on
-a heavier-than-air machine. When we used that Traquair aëroplane, Joe,
-we were aviators.”
-
-“Much obliged, professor,” grinned the cowboy. “When we scooted through
-the air we were aviating, eh? Well, between you and me and the brindle
-maverick, I’d rather aviate than do anything else. All we lack, now, is
-a bird’s-eye view of the met-ro-po-lus. Let’s get a flying machine from
-this man in the Flatiron Building, and ‘do’ the town from overhead.
-We can roost on top of the Statue of Liberty, see how Grant’s Tomb
-looks from the clouds, scrape the top of the Singer Building, give the
-Metropolitan----”
-
-“That’s a dream,” laughed Matt. “It will be a long time before there’s
-much flying done over the city of New York. I’m going to see if we have
-any mail. After that, we’ll get a car and start for downtown.”
-
-McGlory sat back in his chair and waited while his chum disappeared in
-the crowd. When Matt got back, he showed his comrade a letter.
-
-“Who’s it from?” inquired McGlory.
-
-“Not being a mind reader, Joe,” Matt replied, “I’ll have to pass,” and
-he handed the letter to the cowboy.
-
-“For me?” cried McGlory.
-
-“Your name’s on the envelope. The letter, as you see, has been
-forwarded from Catskill.”
-
-“Speak to me about this! I haven’t had a letter since you and I left
-’Frisco. Who in the wide world is writing to me, and what for?”
-
-McGlory opened the letter and pulled out two folded sheets. His
-amazement grew as he read. Presently his surprise gave way to a look of
-delight, and he chuckled jubilantly.
-
-“This is from the colonel,” said he.
-
-“Who’s the colonel?” asked Matt.
-
-“Why, Colonel Mark Antony Billings, of Tucson, Arizona. Everybody in
-the Southwest knows the colonel. He’s in the mining business, the
-colonel is, and he tells me that I’m on the ragged edge of dropping
-into a fortune.”
-
-A man of forty, rather “loudly” dressed, was seated behind the boys,
-smoking and reading a newspaper. He was not so deeply interested in
-the paper as he pretended to be, for he got up suddenly, stepped to a
-marble column near Matt’s chair, and leaned there, still with the cigar
-between his lips, and the paper in front of his eyes. But he was not
-smoking, and neither was he reading. He was listening.
-
-“Bully!” exclaimed the overjoyed Matt, all agog with interest. “I’d
-like to see you come into a whole lot of money, Joe.”
-
-“Well, I haven’t got this yet, pard. There’s a string to it. The
-colonel’s got one end of the string, ’way off there in Tucson, and
-the other end is here in New York with a baited hook tied to it. This
-long-distance fishing is mighty uncertain.”
-
-“What is it? A mining deal?”
-
-“Listen, pard. About a year ago I had a notion I’d like to get rich
-out of this mining game. Riding range was my long suit, but gold mines
-seemed to offer better prospects. I had five hundred saved up and to
-my credit in the Tucson bank. The colonel got next to it, and he told
-me about the ‘Pauper’s Dream’ claim, which needed only a fifty-foot
-shaft to make it show up a bonanza. I gave the colonel my five hundred,
-and he got a lot more fellows to chip in. Then the colonel went ahead,
-built a ten-stamp mill, and started digging the shaft. When that
-shaft got down fifty feet, ore indications had petered out complete;
-and when it got down a hundred feet, there wasn’t even a limestone
-stringer--nothing but country rock, with no more yellow metal than
-you’d find in the sand at Far Rockaway. I bade an affectionate farewell
-to my five hundred, and asked my friends to rope-down and tie me, and
-snake me over to the nearest asylum for the feeble-minded if I ever
-dropped so much as a two-bit piece into another hole in the ground.
-After that, I forgot about the colonel and the ‘Pauper’s Dream.’ But
-things have been happening since I’ve been away from Tucson. Read the
-letter for yourself, pard. It will explain the whole situation to you.
-After you read it, tell me what you think. You might go over it out
-loud, while I sit back here, drink in your words, and try to imagine
-myself the big high boy with a brownstone front on Easy Street.”
-
-Matt took the sheet which McGlory handed to him, and read aloud, as
-follows:
-
- “MY DEAR YOUNG FRIEND: I knew the ‘Pauper’s Dream’ was all right,
- and I said all along it was the goods, although there were some who
- doubted me. Within the last three months we have picked up a vein of
- free milling ore which assays one thousand dollars to the ton--and
- there’s a mountain of it. Your stock, just on this three months’
- showing, is worth, at a conservative estimate, five hundred dollars
- a share--and you paid only five dollars a share for it! You’re worth
- fifty thousand now, but you’ll be worth ten times that if the deal I
- have on with certain New York parties goes through.
-
- “Now, from an item I read in the papers, I find you are at Catskill,
- New York, with that young motor wonder, Matt King, so I am hustling
- this letter right off to you. By express, to-day, I am sending,
- consigned to the Merchants’ & Miners’ National Bank, for you, two
- gold bars which weigh-up five thousand dollars each. Inclosed
- herewith you will find an order on the bank to deliver the bars
- to you. On Wednesday evening, the twenty-fourth, there will be a
- meeting of the proposed Eastern Syndicate in the offices of Random &
- Griggs, No. -- Liberty Street. You can help the deal along by taking
- the bullion to these capitalists, along with my affidavit--which is
- with the bars--stating that the gold came out of a week’s run at the
- ‘Pauper’s Dream’ with our little ten-stamp mill. That will do the
- business. Random & Griggs have had an expert here looking over the
- mine. After you show the bullion at the syndicate’s meeting, return
- it to the bank.
-
- “I am not sure that this letter will reach you. If it doesn’t, I
- shall have to get some one else to take the gold to the meeting.
- Would come myself, but am head over heels in work here, and can’t
- leave the ‘Dream’ for a minute. Wire me as soon as you get this
- letter. I hope that you are in a position to attend to this matter,
- my lad, because there is no one else I could trust as I could you,
- with ten thousand dollars’ worth of gold bullion.
-
- “Catskill is only a little way from New York City, and you can run
- down there and attend to this. Let me know at once if you will.
-
- “Sincerely yours,
-
- “M. A. BILLINGS.”
-
-“Fine!” cried Matt heartily, grabbing his chum’s hand as he returned
-the letter.
-
-“It sounds like a yarn from the ‘Thousand and One Nights,’” returned
-the cowboy, “and I’m not going to call myself Gotrox until the
-‘Pauper’s Dream’ is sold, and the fortune is in the bank, subject to
-Joe McGlory’s check.”
-
-“This is Monday,” went on Matt, “and the meeting of the syndicate is
-called for Wednesday evening.”
-
-“Plenty of time,” said McGlory. “I’m not going to let the prospect of
-wealth keep me from enjoying the sights for the next three days.”
-
-“Well,” returned Matt, “there’s one thing you’ve got to do, and at
-least two more it would be wise for you to do, without delay.”
-
-“The thing I’ve got to do, Matt, is to wire the colonel that I’m on
-deck and ready to look after the bullion. What are the two things it
-would be wise for me to do?”
-
-“Why, call at the bank and see whether the bullion is there.”
-
-“I don’t want to load up with it before Wednesday afternoon.”
-
-“Of course not, but find out whether it has arrived in New York. Then
-I’d call on Random & Griggs, introduce yourself, and tell them you’ll
-be around Wednesday evening.”
-
-“Keno! You’ll go with me, won’t you?”
-
-“I don’t think it will be necessary, Joe. While you’re attending to
-this, I’ll make my call at the Flatiron Building.”
-
-“I’ll have to hunt up Random & Griggs, and I haven’t the least notion
-where to find the Merchants’ & Miners’ National Bank.”
-
-“We’ll get all that out of the directory.”
-
-“Then where am I to cross trails with you again?”
-
-“Come to the Flatiron Building in two hours; that,” and Matt flashed a
-look at a clock, “will bring us together at ten. You’ll find me on the
-walk, at the point of the Flatiron Building, at ten o’clock.”
-
-“Correct.” McGlory put the folded papers back into the envelope, and
-stowed the envelope in his pocket. “I reckon I won’t get lost, strayed,
-or stolen while I’m attending to this business of the colonel’s, but
-from the time I take that bullion out of the bank, Wednesday afternoon,
-until I get it into some safe place again, you’ve got to hang onto me.”
-
-“I’ll be with you, then, of course,” Matt laughed. “Now, let’s get the
-street addresses of the bank and the firm of Random & Griggs, and then
-our trails will divide for a couple of hours.”
-
-The boys got up and moved away. The man by the marble column stared
-after them for a moment, a gleam of growing resolution showing in his
-black eyes. Turning suddenly, he dropped his newspaper into one of the
-vacant chairs and bolted for the street.
-
-His mind had evolved a plan, and it was aimed at the motor boys.
-
-
-
-
-CHAPTER II. STARTLING NEWS.
-
-
-Matt and McGlory decided that they would not use an automobile for
-their morning’s work. The cowboy would go downtown by the subway and
-Matt would use a surface car. They separated, McGlory rather dazed and
-skeptical about his prospective fortune, and Matt more confident and
-highly delighted over his chum’s unexpected good luck.
-
-It chanced that Matt had spent some time in Arizona, and he knew, from
-near-at-hand observation, how suddenly the wheel of fortune changes for
-better or for worse in mining affairs.
-
-One of Matt’s best friends, “Chub” McReady, had leaped from poverty to
-wealth by such a turn of the wheel, and Matt was prepared to believe
-that the same dazzling luck could come McGlory’s way.
-
-Within half an hour after leaving his chum, the young motorist was in
-the Flatiron Building, asking the man on duty at the elevators where
-he could find Mr. James Arthur Lafitte, the gentleman whom Cameron
-had mentioned as being interested in the problem of aëronautics.
-Lafitte, Cameron had told Matt, was a member of the Aëro Club, had
-owned a balloon of his own, and had made many ascensions from the
-town of Pittsfield, Massachusetts--which was near Matt’s old home in
-the Berkshire Hills; but, Cameron had also said, Lafitte had given up
-plain ballooning for dirigibles, and, finally, had turned his back on
-dirigibles for heavier-than-air machines. He was a civil engineer of
-an inventive turn, and with an adventurous nature--just the sort of
-person Matt would like to meet.
-
-Having learned the number of Lafitte’s suite of rooms, Matt stepped
-aboard the elevator and was whisked skyward. Getting out under the
-roof, he made his way to the door bearing Lafitte’s name, and passed
-inside.
-
-A young man, in his shirt sleeves, was working at a drawing table. Matt
-asked for Mr. Lafitte, and was informed, much to his disappointment,
-that he was at his workshop on Long Island, and would probably not be
-in the city for two or three days.
-
-Matt introduced himself to the young man, who was a draughtsman for
-Lafitte, and who immediately laid aside his compasses and pencil, and
-climbed down from his high stool to grasp the caller’s hand.
-
-“Mr. Lafitte has heard a good deal about you,” said he, “and has
-followed your work pretty closely. He’ll be sorry not to have seen you,
-Motor Matt. Can’t you come in again? Better still, can’t you run out to
-his workshop and see him?”
-
-“I don’t know,” Matt answered. “I’m in the city with a friend, and he
-has a little business to attend to which will probably take up some of
-our time.”
-
-“I think,” went on the other, “that you won’t regret taking the time to
-talk with Mr. Lafitte. He’s working on something, out there at his Long
-Island place, which is going to make a big stir, one of these days.”
-
-“Something on the aëroplane order?”
-
-The draughtsman looked thoughtful for a moment.
-
-“Suppose,” said he, “that something was discovered which had fifty
-times the buoyancy of hydrogen gas, that the buoyancy could be
-regulated at will by electrically heated platinum wires--would that
-revolutionize this flying proposition?”
-
-Matt was struck at once with the far-reaching influence of the novel
-proposition.
-
-“It would, certainly,” he declared. “Is that what----”
-
-“I’m not saying any more than that, Motor Matt,” broke in the young
-man; “in fact, I _can’t_ say anything more, but you take the trouble to
-talk with Mr. Lafitte. It may be worth something to you.”
-
-Matt lingered in the office for a few minutes longer, then went
-away. The spell cast over him by the clerk’s words went with him.
-He had often thought and dreamed along the lines of the subject the
-draughtsman had mentioned.
-
-The drawback, in the matter of dirigible balloons, lay in the fact
-that the huge bag, necessary to keep them aloft, made them the sport
-of every wind that blew. If the volume of gas could be reduced, then,
-naturally, the smaller the gas bag, the more practicable the dirigible
-would become. With the volume of gas reduced _fifty times_, a field
-opened for power-driven balloons which fairly took Matt’s breath away.
-And this lifting power of Lafitte’s was under control! This seemed to
-offer realization of another of Matt’s dreams--of an automobile flying
-machine, a surface and air craft which could fly along the roads as
-well as leap aloft and sail through the atmosphere above him.
-
-Carried away by his thoughts, Matt suddenly came back to his sober
-senses and found himself staring blankly into a window filled with
-pipes and tobacco at the V-shaped point of the Flatiron Building. He
-laughed under his breath as he dismissed his wild visions.
-
-“I won’t take any stock in this new gas,” he muttered, “until I can
-see it demonstrated. Just now I’m more interested in Joe and his good
-luck than in anything else.”
-
-He looked at his watch. It was only half-past nine, and it would be
-half an hour, at least, before he could expect his chum. Matt had
-suddenly remembered, too, that it would probably be ten o’clock before
-Joe could finish his business at the bank, and that would delay his
-arrival at the Flatiron Building until after the appointed time.
-
-Crossing over into Madison Square, Matt idled away his time, roaming
-around and building air castles for McGlory. The cowboy was a fine
-fellow, a lad of sterling worth, and fortune could not have visited her
-favors upon one more deserving.
-
-By ten o’clock Matt was back at the Flatiron Building. As he came
-around on the Fifth Avenue side, a taxicab drew up at the curb, the
-door opened, and a lad sprang out. The youth was well dressed and
-carried a small tin box.
-
-Matt supposed the lad was some one who had business inside the
-building, and merely gave him a casual glance as he strolled on. Matt
-had not gone far, however, before he felt a hand on his shoulder. He
-whirled around, thinking it was McGlory, and was a little surprised to
-observe the youth who had got out of the taxicab.
-
-“Are you Motor Matt?” came a low voice.
-
-“That’s my name,” answered Matt.
-
-“And you’re waiting here for your friend, Joe McGlory?”
-
-“He was to meet me here at ten,” said Matt, his surprise growing.
-
-“Well,” went on the lad, a tinge of color coming into his face, “he--he
-won’t be able to meet you.”
-
-“Won’t be able to meet me?” echoed Matt. “Is business keeping him?”
-
-“That’s it. I’m from the office of Random & Griggs, and Mr. McGlory
-wants you in a hurry.”
-
-“What does he want me for?”
-
-“That’s more than I know. You see, I’m only a messenger in the brokers’
-office.”
-
-He was a well-dressed young fellow, for a messenger, but Matt knew that
-some of the messengers, from the Wall Street section, spend a good
-share of their salary on clothes, and, in fact, are required to dress
-well.
-
-“I can’t imagine what Joe wants me for,” said the wondering Matt, “but
-I’ll go with you to Liberty Street and find out.”
-
-“He’s not at the office, now,” went on the messenger, “but started into
-the country with Mr. Random just as I left the office to come after
-you.”
-
-“What in the world is Joe going into the country for?”
-
-“That’s too many for me. All he told me to tell you was that it had
-something to do with the ‘Pauper’s Dream.’ He said you’d understand.”
-
-This was startling news for Matt, inasmuch as it seemed to indicate
-that McGlory had encountered a snag of some kind in the matter of the
-mine.
-
-“We’d better hurry,” urged the messenger, as Matt stood reflecting upon
-the odd twist the “Pauper’s Dream” matter was taking.
-
-“All right,” said Motor Matt.
-
-Accompanying the young fellow to the taxicab, Matt climbed inside and
-the messenger followed and closed the door. The driver, it appeared,
-already had his instructions, and the machine was off the moment the
-door had closed.
-
-“My name is Granger, Motor Matt,” observed the messenger, “Harold
-Granger.”
-
-“You don’t look much like a granger,” laughed Matt, taking in the
-messenger’s trim, up-to-date garments.
-
-Harold Granger joined in the laugh.
-
-“What’s in a name, anyhow?” he asked.
-
-“That’s so,” answered Matt good-naturedly. “I’d give a good deal to
-know what’s gone crossways with McGlory. I suppose you haven’t any
-idea?”
-
-“There are not many leaks to Mr. Random’s private room,” answered
-Harold, “and I can’t even guess what’s going on. Mr. Random seemed
-excited, though, and it takes a lot to make _him_ show his nerves.”
-
-“Where are we going?”
-
-“To Rye, a small place beyond Mamaroneck.”
-
-“Great spark-plugs!” exclaimed Matt, watching the figures jump up in
-the dial, recording the distance they were covering in dollars and
-cents. “What’s the use of using a taxicab for a trip like that? You
-ought to have hired a touring car by the hour.”
-
-“Oh, this was the only car handy, and Mr. Random never stops at
-expense.”
-
-“Why couldn’t he and McGlory have come by way of the Flatiron Building
-and picked me up?”
-
-“I think Mr. McGlory said you were not expecting him until ten o’clock.”
-
-“That needn’t have made any difference. Joe knew where I was to be in
-the Flatiron Building and he could have come for me.”
-
-“He and Mr. Random seemed to be in a hurry,” was the indefinite
-response, “and that’s all I know.”
-
-When the taxicab got beyond the place where the eight-miles-an-hour
-speed limit did not interfere, the driver let the machine out, and the
-figures in the dial danced a jig. But Random & Griggs were furnishing
-the music for the dance, and Matt composed himself.
-
-“You’re a stranger in New York, aren’t you?” Harold inquired.
-
-“I haven’t been in the city for a long time,” Matt answered.
-
-“This is the Pelham Road,” the messenger went on, “and that’s the
-sound, over there.”
-
-“I was never out this way before,” said Matt, “but----”
-
-Just at that moment something went wrong with the taxicab. There was
-a wobble, a wild lurch sidewise, a brief jump across the road, and a
-terrific jolt as the machine came to a halt. The body of the car was
-thrown over to a dangerous angle, Matt was flung violently against
-Harold Granger, and both of them struck the door. Under the impact of
-their bodies, the door yielded, and they fell out of the vehicle and
-into the road.
-
-Malt had given vent to a sharp exclamation, and his companion had
-uttered a shrill cry. The next moment they were on the ground, Matt
-picking himself up quickly, a little shaken but in no wise injured.
-
-The taxicab, he saw at a glance, had dived from the road into a stone
-wall. The driver had vanished, and Matt took a hurried glance over the
-wall to see if he had landed on the other side of it. He was not there,
-and the mystery as to his whereabouts deepened.
-
-Turning to give his attention to Granger, Matt received another start.
-The young fellow was lying beside the taxicab, lifting himself weakly
-on one arm. His tin box had dropped near him, and his derby hat had
-fallen off. Strands of long, yellow hair, which must have been done
-into a coil and hidden under a wig of some sort, had been released and
-were waving about Granger’s shoulders.
-
-A woman! Here was a pretty tangle, and Motor Matt was astounded.
-
-
-
-
-CHAPTER III. A TWISTED SKEIN.
-
-
-As though a taxicab, minus its driver and running amuck into a stone
-wall, was not enough hard luck to throw across the path of Motor Matt,
-he had also to deal with a young woman masquerading in man’s attire.
-But for the mishap to the taxicab, Matt would probably never have
-discovered that the supposed youth was other than “he” seemed.
-
-There were a number of details that perplexed our young friend just
-then, and among them--and not the least--was the strange disappearance
-of the driver of the machine. This problem, however, would have to
-wait. Matt felt that the young woman should claim his first attention.
-
-“Are you hurt?” he asked, feeling more concern on that point than he
-would have done had his companion been of the other sex.
-
-“No,” answered the girl, her face reddening with mortification.
-
-Matt started to help her up, but she regained her feet without his aid
-and picked up the tin box and the hat.
-
-“I suppose, Miss Granger,” said he, “that I should have known, from the
-way those yellow tresses were smoothed upward at the back of your head,
-that--that you were not what you were trying to appear; but, of course,
-I wasn’t looking for any such deception as this.”
-
-Tears sprang to the girl’s eyes.
-
-“I--I don’t know what you will think of me,” she murmured. “You see,
-a man has so much better chance for getting on in the world that I--I
-have been obliged to play this--this rôle in--in self-defense.”
-
-“You have played the rôle for some time?”
-
-“For--for a year, now.”
-
-“You can’t expect me to believe that, Miss Granger,” said Matt calmly.
-
-“Why not?” she flashed.
-
-“Well,” he answered, “you would have cut off those long locks if you
-had made a business of playing such a part for a year. That would have
-been the reasonable thing to do, and I am sure you would have done it.”
-
-“Do you doubt my word?” she asked defiantly.
-
-“I don’t want to doubt your word, Miss Granger, but I have to take
-matters as I find them. You’re not a messenger for Random & Griggs,
-either, are you?”
-
-She did not reply.
-
-“And all this about my chum, Joe McGlory, going into the country and
-wanting me to join him, isn’t true, is it?”
-
-“Yes, it’s true,” she declared desperately. “You’ll have to go with me
-if you want to find Mr. McGlory.”
-
-“Did McGlory go into the country in a touring car with Mr. Random?”
-
-This was another question which the girl did not see fit to answer.
-
-“You’re not frank with me,” continued Matt, “and how can you expect me
-to have any confidence in you? Have you any idea what became of the
-driver of the taxicab?”
-
-“No,” she replied.
-
-“I’m going back down the road to look for him. While I’m gone, Miss
-Granger, you do a little good, hard thinking. I guess you’ll make up
-your mind that it’s best to be perfectly frank with me.”
-
-Without saying anything further, Matt turned away and started back
-along the road. He was caught in a twisted skein of events, and was the
-more perturbed because he could not think of any possible object the
-girl might have in trying to deceive him.
-
-But, whatever plot was afoot, Matt was positive that the accident to
-the taxicab had nothing whatever to do with it. That had been something
-outside the girl’s calculations, and an investigation might lead to
-results.
-
-The driver had not been long off the seat of the taxicab when the
-machine collided with the wall. This was self-evident, for the machine
-could not have proceeded any great distance without a controlling hand
-on the steering wheel.
-
-Less than a hundred feet from the spot where the accident had happened,
-Matt found the driver sitting up at the edge of some bushes by the
-roadside. He was covered with dust, and was holding his hat in his
-hands. There was a vacant stare in his eyes as he watched Matt approach.
-
-“What’s the matter with you?” queried Matt.
-
-The driver acted as though he did not understand. He began turning the
-hat around and around in his hands and peering into the crown in the
-abstracted fashion of one who is struggling with a hard mental problem.
-
-A little way back, Matt remembered that they had passed a road house.
-If he could get the driver to the road house, perhaps the people there
-could do something for him.
-
-“Come,” said he, catching the man by the arm and trying to lift him.
-“You are sick, and I’ll help you to a place where they can look after
-you.”
-
-Mechanically the driver put his hat on his head and got to his feet.
-For a moment he stood still, staring at Matt speculatively, as though
-trying to guess who he was and where he had come from; then, suddenly,
-he whirled and broke from Matt’s grasp, running farther back into the
-bushes.
-
-In half a dozen leaps Matt was upon him again, and had caught him
-firmly by the collar.
-
-“I’m a friend of yours,” he said soothingly, “and I want to take you to
-a place where you can be cared for. You’re not right in your head.”
-
-“Who are you?” mumbled the driver.
-
-“Can’t you remember me? I was in your taxicab; you picked me up at the
-Flatiron Building.”
-
-“What taxicab?” the man asked, drawing one hand across his forehead.
-
-“Yours.”
-
-The man’s blank look slowly yielded to a glimmering of reason.
-
-“Oh, yes,” he muttered, “I--I remember. The young chap hired me at
-Herald Square. I was to take him to the Flatiron Building, pick up
-another fare, and then go along the Pelham Road as far as Rye. I guess
-I’ve got that straight.”
-
-“Sure it was at Herald Square that the young fellow hired you?”
-
-“Yes, I’m positive of it.”
-
-The driver was getting back his wits by swift degrees.
-
-“What was the matter with you?” asked Matt.
-
-“Sort of a fit. I used to have ’em a whole lot, but this is the first
-that’s come on me for purty nigh six months. No matter what I’m doin’,
-I jest drop an’ don’t know a thing for a minute or two; then, after I
-come out of it, I’m gen’rally a little while piecin’ things together.”
-
-“You shouldn’t be driving a taxicab, if you’re subject to such spells.”
-
-“Thought I’d got over ’em. I won’t have another, now, for two or three
-weeks, anyway. Didn’t you see me when I tumbled from the seat?”
-
-“No.”
-
-“That’s blamed queer! Didn’t you hear me, either?”
-
-“No.”
-
-“How did you find out I was gone from up front?”
-
-“The taxi jumped into a stone wall,” answered Matt dryly, “and threw us
-out. If you’ll step out of this patch of brush you can see the machine.”
-
-“Was it damaged much?” asked the man anxiously.
-
-“It doesn’t seem to be.”
-
-“Think I can tinker it up so as to take you and that other young chap
-on to Rye?”
-
-“That’s where you’re to take us, is it?”
-
-“Yes.”
-
-“And the young fellow hired you at Herald Square?”
-
-“Say, my brain’s as clear as yours, now. I know jest what I’m sayin’.
-I was hired at Herald Square to take him to the Flatiron Buildin’, and
-then to pick you----”
-
-“All right,” cut in Matt. “Do you know who the young fellow is?”
-
-“Don’t know him from Adam. Never saw him before.”
-
-“After you get to Rye, what----”
-
-The drumming of a motor car, traveling swiftly, was heard at that
-moment. The car was close and, through the bushes, Matt caught a
-glimpse of its fleeting red body as it plunged past.
-
-Thinking that the car, which seemed to be big and powerful, might be
-used for towing the taxicab--in case it was very seriously damaged--to
-the nearest garage, Matt jumped for the road.
-
-By the time he had gained the road, however, the touring car was
-abreast of the taxicab and forging straight onward at a tremendous
-clip. Matt’s intention of hailing the machine was lost in a spasm of
-astonishment the moment he had caught sight of the single passenger
-in the tonneau. There was one man in front with the driver, but the
-passenger in the tonneau--there could be no doubt about it--was Joe
-McGlory!
-
-By the time Matt had recovered full possession of his senses, the
-touring car was out of sight.
-
-
-
-
-CHAPTER IV. MOTOR MATT’S DUTY.
-
-
-For Matt, in this queer taxicab tangle, one mystery was piling upon
-another. Joe McGlory, in a faster car than the “taxi,” had left New
-York after Matt and the girl had taken their departure. Joe might be
-with Mr. Random, but the girl had certainly made a misstatement when
-she said that the cowboy and the broker had hurried off in advance of
-the taxicab. But then, the girl had made many misstatements.
-
-By the narrow margin of no more than thirty seconds, Matt had failed
-to reach the road in time to hail the touring car. Fate works with
-trifles, drawing her thread fine from the insignificant affairs of life.
-
-The driver came unsteadily through the bushes and stood at Matt’s side,
-gazing toward the taxicab.
-
-“What was you intendin’ to do?” he asked of Matt.
-
-“I was thinking we could hail that automobile and, if the taxicab was
-too badly injured to proceed under its own power, we could have the
-machine towed to the nearest garage.”
-
-“We won’t have any trouble findin’ a car to tow us--if we have to. If
-the machine ain’t too badly smashed, I’m goin’ to take you on to Rye.”
-
-“Perhaps I’d better do the driving,” suggested Matt.
-
-“Bosh! I’m all right for two or three weeks. The spells ain’t bad, but
-they’re mighty inconvenient.”
-
-“I should say so!” exclaimed Matt. “That other passenger and myself
-might have been killed.”
-
-“You wasn’t either of you hurt, was you?”
-
-That was the first remark the driver had made that showed any
-solicitude for his passengers.
-
-“No,” Matt answered. “Let’s get back and see if we can repair the taxi.”
-
-When they reached the taxicab, the girl was sitting on a stone near the
-machine. Her long tresses had been replaced under the derby hat, and
-she looked sufficiently boyish to keep up the deception--so far as the
-driver was concerned. Matt passed her with hardly a glance, and helped
-the driver make his investigation.
-
-No serious damage had been done to the taxicab. A lamp was smashed, and
-some of the electric terminals had been jarred from their posts, but
-not a tire had been punctured, and the machine seemed as capable as
-ever of taking the road.
-
-If the girl was curious as to the sudden disappearance and reappearance
-of the driver, she kept her curiosity to herself. When the driver had
-backed the machine into the road and headed it eastward, Matt turned to
-the girl.
-
-“Rye is the place we are bound for?” he said tentatively.
-
-She gave him a quick, troubled glance.
-
-“Yes,” she answered.
-
-Probably she was wondering whether he was intending to keep on with the
-journey.
-
-“Then,” proceeded Matt, “let’s get inside. We’ve lost a good deal of
-time.”
-
-He held the door open and the girl got into the vehicle. He followed
-her, after telling the driver to make his best speed.
-
-“The driver had some sort of a fit,” Matt explained, when they were
-once more under way, “and fell off the seat. You didn’t see him when he
-dropped, did you?”
-
-“If I had,” she answered, somewhat tartly, “I should have spoken about
-it.”
-
-“Of course,” returned Matt calmly. “So many peculiar things are
-happening, though, that I wasn’t sure but the disappearance of the
-driver might have had something to do with your plans.”
-
-“_My_ plans?” she echoed.
-
-“I don’t know whose plans they are, but I suppose, if some one else
-laid them, you are pretty well informed or you couldn’t carry them out.
-What are we to do when we get to Rye?”
-
-“There will be another automobile there--a fast car--waiting to take us
-on along the Boston Post Road.”
-
-“How far?”
-
-“Somewhere between Loon Lake and Stoughton, on the Boston Pike.”
-
-Again Matt was astounded.
-
-“That’s pretty close to Boston, isn’t it?” he inquired.
-
-“It’s a good deal closer to Boston than it is to New York.”
-
-“When do you think we’ll get to--to where we’re going?”
-
-“Some time to-night,” was the careless response.
-
-“You don’t seem to realize,” said Matt, just the barest riffle of
-temper showing itself, “that I hadn’t any intention of taking such a
-long ride as this when I left the Flatiron Building.”
-
-“Your friend wants you,” said the girl. “If that’s not enough to keep
-you on the long ride, then you can get out at Mamaroneck--we’ve already
-passed New Rochelle--and take the train back to New York.”
-
-The girl’s indifferent manner puzzled him. She must have seen the
-touring car pass the taxicab, and she must have known that Joe McGlory
-was in the car. What this had to do with her present attitude, if
-anything, Matt could not guess. For all that, he felt positive she did
-not think he had seen the touring car dash along the road with McGlory.
-
-“You told me McGlory had left New York ahead of us,” said he.
-
-“That’s what I was told.”
-
-“As a matter of fact, he didn’t leave until after we did, for he passed
-us while I was looking for the missing driver.”
-
-She shot a quick look at him.
-
-“You saw that, did you?” she inquired.
-
-“Yes.”
-
-“Then why didn’t you stop the car and find out what Mr. McGlory wanted?”
-
-“The car was going too fast. Besides, I didn’t know my friend was in
-the car until it was too far away.”
-
-She laughed softly.
-
-“Then you _do_ have a little confidence in me, after all?”
-
-“Not a bit,” answered Matt, with a little laugh. “For reasons of your
-own, I believe you’re going to take me to the place where some one else
-is taking McGlory. I don’t know why, but I suppose I’ll find out if I
-wait long enough. Anyway, if Joe McGlory is in any sort of trouble, my
-place is at his side. And if you try to get away from me before I find
-McGlory,” he threatened, “I shall turn you over to the police in one of
-these small towns we’re passing through.”
-
-“You couldn’t do that without a legal excuse.”
-
-“Haven’t I a legal excuse? You got me away from New York by telling me
-something that wasn’t true.”
-
-“You don’t know, yet, that what I told you isn’t true. I don’t think
-you could have me arrested for something that hasn’t happened.”
-
-Some desperate purpose was urging the girl on. What it was, and why it
-should be desperate, were beyond Matt’s comprehension.
-
-“You’re a young man with a mission,” said the girl, turning a pair of
-frosty blue eyes upon the young fellow beside her, “and the mission is
-to get to where we’re going, and find Mr. McGlory. You’ll be a whole
-lot wiser after that.”
-
-Matt, in his own mind, did not doubt this statement. But that
-reflection in no wise helped him just then.
-
-Presently the girl began peering through the window in the top of the
-door, watching the roadside as they scurried along.
-
-“What are you looking for, Miss Granger?” asked Matt, after the girl
-had been peering steadily through the glass for several minutes.
-
-“For the other car,” she answered, without looking around.
-
-“You said that was to be waiting for us at Rye.”
-
-“It may have come this way to meet us, and----Ah, stop!” she cried,
-lifting her voice. “We’ll get out here, driver.”
-
-The driver was a surprised man as he brought the taxicab to a halt.
-It was a lonely piece of road where they had come to a stop, shadowed
-deeply, as it was, by a thick growth of trees on either side.
-
-“It’s a mile, yet, before we get to the town,” demurred the driver.
-
-“We’ll stop here,” said the girl decisively.
-
-“I can’t see the other car,” spoke up Matt, looking in vain for the
-automobile that was to take them on.
-
-Although he did not see another car, yet his eye was caught and held
-by something white fluttering from a bush. While the girl was settling
-with the driver, Matt made his way to the roadside and examined the
-fluttering object. It was a white cloth, and had evidently been tied to
-the bush as a signal.
-
-“Wait a minute!” shouted Matt, as the driver was climbing back into his
-seat.
-
-Both the driver and the girl whirled around and stared in his direction.
-
-“I may want to go back to New York in the taxicab,” continued Matt.
-“I’d like to talk with you a minute, Mr. Granger,” he added, putting a
-little emphasis on the “mister.”
-
-The girl advanced slowly toward him.
-
-“Go back, if you’re afraid to go on and do what your friend wants you
-to do,” said she.
-
-“I’m not at all certain,” said Matt, “that I’m doing what my friend
-wants me to do. The only reason I’m keeping on with you is because I
-saw McGlory pass me in that red touring car. I’d like to ask you, Miss
-Granger, if you stopped because you saw this signal,” and Matt turned
-and pointed to the white cloth.
-
-“That’s the reason I stopped, Motor Matt,” the girl replied promptly.
-
-“The plans you are following seem to have been laid with a good deal of
-care, and to point to something that may prove pretty serious. I think,
-Miss Granger, that you and I will go on to Rye, and stop there.”
-
-“I’m not going to stop at Rye,” answered the girl, with spirit.
-
-“I think you will,” answered Matt coolly. “On second thought, I believe
-it’s my duty to turn you over to the authorities until I can find out
-something more about my chum. You can explain to the judge why you’re
-disguised as you are.”
-
-“You don’t mean that!” gasped the girl, starting back.
-
-“I do,” declared Matt. “As I said, I believe it’s my duty, and----”
-
-At that precise juncture, something descended over Matt’s head, thrown
-from behind. It might have been a shawl, or an automobile coat, or a
-piece of cloth--there was no time to take particular note of it. The
-attack came so suddenly, and so unexpectedly, that he was not able to
-defend himself.
-
-With his face smothered in the thick folds, he was drawn roughly
-backward. A foot tripped him, and he measured his length on the ground.
-The next moment he was seized by strong hands and dragged through the
-bushes and into the woods. He struggled blindly and fiercely against
-his unseen captors, but they were too many of them. He was powerless
-to free himself, and the smothering cloth that covered his head and
-shoulders made it impossible for him to call for help.
-
-
-
-
-CHAPTER V. HOW MCGLORY WAS FOOLED.
-
-
-McGlory found his way to the address in Liberty Street without any
-difficulty. But he was too early. The Stock Exchange had not yet
-opened, and only a few clerks were at work in the brokerage offices of
-Random & Griggs.
-
-The cowboy sat down in a room where there were a number of chairs
-facing a big blackboard. There were a stepladder and a chair in front
-of the blackboard, and off to one side was a machine in a glass case
-with a high basket standing under it. A ribbon of paper hung from
-the machine into the basket. This, of course, was the “ticker” which
-received and recorded the quotations of stocks at the Exchange, but it
-was not yet time for it to begin work.
-
-McGlory and Matt were at least an hour too early in setting about their
-morning’s business.
-
-While the cowboy sat in his chair in front of the blackboard, wondering
-how long he could wait for Random or Griggs and yet be at the Flatiron
-Building as per appointment with Matt, a man sauntered in, looked at an
-office boy who was just going out with an armful of ticker tape, and
-then approached McGlory.
-
-He was the gentleman in the noisy apparel--he of the cigar, and the
-newspaper, and the listening ear and scheming brain. He was playing
-boldly, for the stakes were worth the risk.
-
-“Young man,” said he to McGlory, “are you waiting for some one?”
-
-“I’m waiting for one of the big high boys that boss the layout,”
-answered McGlory.
-
-“Indeed!” The man flashed a quick look around and made sure that only
-he and McGlory were in the room. “Well,” he went on, “I am Mr. Random.”
-
-“Fine!” exclaimed the cowboy, getting up. “I’m Joe McGlory, from the
-land of sun, sand, solitude, and pay-streaks. I’ve run in here to----”
-
-McGlory got no further. Random grabbed his hand effusively.
-
-“We’ve been expecting you,” said he. “We have a meeting of the
-syndicate on Wednesday evening, and a letter from the colonel gives
-your name and informs us that you will be on deck with the bullion from
-the test run of the mill. If the gold shows up properly, there’s no
-doubt about our people coming across with the money. But we can’t talk
-here--some one is liable to drop in on us at any moment. This business
-is private, very private. Come with me, Mr. McGlory, and I’ll find a
-place where we can have a little star-chamber session.”
-
-“I don’t want to tear you away from business,” protested McGlory.
-
-Random waved his hand deprecatingly.
-
-“Griggs will look after the office,” said he. “This ‘Pauper’s Dream’
-matter is a big deal to swing, and I guess it’s worth a few hours of my
-time. This way.”
-
-Random walked out into Liberty Street, rounded a corner, entered a
-door, passed through a barroom, and finally piloted the cowboy into a
-small apartment, furnished with two chairs, a table, and an electric
-fan.
-
-After he and McGlory had seated themselves, Random pushed an electric
-button. A waiter appeared.
-
-“What are you drinking, Mr. McGlory?” inquired Random. “I can recommend
-their Scotch highballs, and as for cocktails, they put up a dry Martini
-here that goes down like oil, and stirs you up like a torchlight
-procession.”
-
-“Elegant!” cackled McGlory. “I reckon, neighbor,” and he cocked up his
-eye at the waiter, “that I’ll trouble you for a seltzer lemonade, mixed
-with a pickled cherry and the cross-section of a ripe orange.”
-
-“You don’t mean to say that you’re from Arizona, and don’t irrigate!”
-gasped Random.
-
-“We irrigate with water, and that’s always been good enough for your
-Uncle Joseph. Besides, I’m training with Motor Matt, and our work calls
-for a clear brain and a steady hand. Seltzer lemonade for mine.”
-
-“You’ll have a cigar?”
-
-“That’s another thing I miss in the high jump.”
-
-“Give me the same as usual, Jack,” said Random, to the waiter. “You’re
-a lad of high principles, I see,” remarked the broker, when the waiter
-had retired.
-
-“It’s a matter of business, rather than of principle. Whenever an
-_hombre_ gets his trouble appetite worked up, the first thing he
-does is to take on a cargo of red-eye. That points him straight for
-fireworks and fatalities.”
-
-“I don’t know but you’re right,” said Random reflectively.
-
-The waiter returned, and Random mixed himself something while McGlory
-fished around in his lemonade for the “pickled” cherry. Over their
-glasses they talked at some length, the broker seeking information
-about the section of Arizona where the colonel had begun operations on
-the “Pauper’s Dream.”
-
-“What time is it, Mr. Random?” asked McGlory, in the midst of their
-talk.
-
-“Just ten,” replied Random, with a look at his watch.
-
-“Sufferin’ schedules!” cried the cowboy, starting up. “I’m to meet Pard
-Matt at ten, at the Flatiron Building. On my way there, I’ve got to
-drop in at the bank.”
-
-“Why are you to call at the bank?” asked Random.
-
-“To find out whether the bullion has got here, and to show them my
-order for it from the colonel.”
-
-“You have the order with you?”
-
-“Sure thing. Just got it this morning.”
-
-“It won’t be necessary for you to go to the bank, Mr. McGlory,” said
-Random. “I’ve been there, myself, and I know the bullion has arrived.
-As for showing the order, you won’t have to do that until you take out
-the gold, on Wednesday.”
-
-“Wouldn’t it be a good scheme to get acquainted with the bank men?”
-
-“Not at all! If they doubt your authority to receive the bullion, in
-spite of the colonel’s order, a word from me will make everything all
-right. I believe I will go with you to the Flatiron Building. I’ve
-heard of this Motor Matt, and should like to meet him.”
-
-McGlory wondered a little at the cheerful way in which Random left
-Griggs to look after the brokerage business; at the same time, the
-cowboy felt not a little flattered to have Random neglect his personal
-affairs for the purpose of meeting Matt.
-
-A cab carried them to the Flatiron Building, and Random waited on the
-walk while McGlory went bushwhacking for Matt. But Matt wasn’t in
-evidence.
-
-“Perhaps he got tired waiting for you,” suggested Random, “and went
-away?”
-
-“Nary, he wouldn’t,” returned the puzzled McGlory, “I reckon he’s
-talking with an aviator, upstairs, and has lost track of the time. I’ll
-go find Lafitte, and, ten to one, my pard will be with him. Wait here
-for a brace of shakes, Mr. Random, and----”
-
-Just then a man pushed forward from the entrance to the cigar store.
-The man wore a cap and gloves, and looked like a chauffeur.
-
-“I beg your pardon,” said he, addressing McGlory, “but are you Motor
-Matt’s chum?”
-
-“That’s me,” answered the cowboy.
-
-“McGlory’s your name, isn’t it?”
-
-“Joe McGlory, that’s the label.”
-
-“Well, Motor Matt had a hurry-up call into the country. It’s a long
-ride, and he went by automobile. He wants you to follow him, and he
-hired me to wait for you and then take you after him. That’s my chug
-cart,” and the man pointed to a red touring car at the curb.
-
-“Speak to me about this!” cried McGlory. “What’s to pay? Do you know?”
-
-“Motor Matt didn’t say. All he wanted was for me to follow him with you
-in my car.”
-
-“I’ll bet a bushel of Mexican dollars it has something to do with
-Lafitte,” hazarded the cowboy. “Of course, I’ll go. Mr. Random,” and he
-turned to the broker, “I’m sorry you couldn’t meet up with my pard, but
-I’ll bring him around to your office Wednesday.”
-
-“Just a minute, Mr. McGlory,” and the broker took the cowboy’s hand and
-drew him to one side. “I don’t like the looks of this thing,” he went
-on, in a low tone.
-
-“How’s that?” asked McGlory, surprised.
-
-“I don’t know, but I’ve got a presentiment that something’s wrong.”
-
-“There’s something unexpected happened to Pard Matt,” said McGlory, “or
-he wouldn’t have piked off like this. But his orders are clear enough.
-I’m to follow him, so it’s me for the country.”
-
-“Perhaps,” and Random wrinkled his brows, “this has something to do
-with the ‘Pauper’s Dream.’”
-
-McGlory laughed incredulously.
-
-“I can’t see how,” he answered.
-
-“Neither can I, but it’s possible, all the same. We’re to get a good
-fat commission for placing that property, and I don’t intend to let the
-commission slip through my fingers.”
-
-“It’s a cinch, Mr. Random, that you’re barking up the wrong tree. This
-business of Matt’s has more to do with flying machines than with mines,
-and I’ll bet my moccasins on it.”
-
-“If you haven’t any objections, Mr. McGlory, I’d like to ride with you
-and make sure.”
-
-“The shuffer says it’s a long trip.”
-
-“I don’t care how long it is, just so I can assure myself that nothing
-is going crossways with the ‘Pauper’s Dream.’”
-
-“All right, neighbor. If that’s how you feel about it, you’re welcome
-to one corner of the bubble-wagon.”
-
-The three of them climbed into the touring car, Random in front with
-the driver, and McGlory in the tonneau. As soon as they were seated,
-the car began working its way through the crowded streets toward a
-section less congested with traffic. As the way cleared, the speed
-increased. Once on the Pelham Road, the chauffeur “hit ’er up,” and the
-red car devoured the miles in a way that brought joy to McGlory’s soul.
-
-When they passed a taxicab, with its nose rammed into a stone fence,
-the chauffeur remarked that the taxi was a good ways from home. Mr.
-Random looked thoughtful, but he made no request that the red car
-slacken its speed. McGlory saw a young fellow sitting on a bowlder,
-but the spectacle afforded by the taxicab and the supposed youth meant
-nothing to him. His mind was circling about Motor Matt.
-
-
-
-
-CHAPTER VI. ON THE BOSTON PIKE.
-
-
-Motor Matt, helpless and half stifled among the bushes, felt lashings
-being put on his arms and legs; then, while some one laid a hand on
-the cloth and pressed it tightly over his lips, a bit of conversation
-was wafted to him from the road. Because of the smothering cloth, the
-voices seemed to come from a great distance, although the spoken words
-were distinct enough.
-
-“What’re you tryin’ to do with that chap?”
-
-This was the driver of the taxicab. His curiosity, as was quite
-natural, had been aroused by the treacherous attack on Matt.
-
-“That’s all right, my friend,” replied a voice--a voice Matt had not
-heard before.
-
-“Maybe it’s all right, but it looks mighty crooked to me. Two of you
-threw a cloth over that chap’s head, downed him, an’ dragged him
-into the brush. I got a warm notion of goin’ on to Rye and gettin’ a
-constable.”
-
-The other man laughed.
-
-“You’d be making a fool of yourself, if you did. I’m from Matteawan,
-and the young fellow is an escaped lunatic. He’s a desperate chap to
-deal with, and we had to take him by surprise in order to capture him.”
-
-A long whistle followed those words.
-
-“Great Scott! Say, he didn’t look like he was dippy.”
-
-“Some of ’em never look the part--until they find you’re after ’em.”
-
-“Why didn’t you nab him in New York, instead o’ bringin’ him ’way out
-here?”
-
-“He’s armed, and he’d have put up a fight. In a crowded street, some
-one would have been hurt. It was better to lure him off here, into the
-country.”
-
-“I guess you know your business. Who’s the other young chap?”
-
-“He’s the lunatic’s brother.”
-
-“I see.”
-
-“You needn’t say anything about this, driver. The family wouldn’t like
-to have it known. You’ve been put to a little extra trouble, and here’s
-a ten to make up for it.”
-
-“That’s han’some, an’ I’m obliged to you.”
-
-It can be imagined, perhaps, what Matt’s feelings were as he listened
-to this. He tried frantically to burst the cords that secured his arms,
-but the tying had been too securely done. He made an attempt, too, to
-call out and inform the driver of the taxicab that the tale he was
-listening to was false, but the hand over his face pressed the cloth
-more firmly down upon his lips.
-
-Resigning himself to the situation, Matt listened while the purr of a
-motor came to his ears and died away in the direction of New York. A
-friend who might have saved him was gone, and Matt was completely at
-the mercy of his captors.
-
-Some one came through the bushes; there were two of them, it seemed,
-and they talked as they approached.
-
-“I was up in the air when I heard Motor Matt say he was to stop at
-Rye,” said the voice that had talked with the taxi driver. “What was
-the matter, Pearl?”
-
-It was the girl who answered, and she told briefly how the driver
-had fallen from the seat of the taxicab, how Matt had discovered her
-disguise, and how his suspicions had been aroused.
-
-“I was up in the air myself, dad,” finished the girl, drawing a deep
-breath of relief. “But we’re all right, now. The way you pulled the
-wool over the eyes of that taxicab man was splendid.”
-
-“Doing the right thing at the right time, Pearl, is your father’s long
-suit. Where were you when Tibbits went past in the red car?”
-
-“Sitting on a stone at the roadside.”
-
-“Where was Motor Matt?”
-
-“Back along the road in the brush, looking for the driver.”
-
-“And those in the red car never saw him!”
-
-“No, but he saw them and recognized McGlory.”
-
-“Oh, well, this is our day for luck, and no mistake. Watch the road,
-Pearl, while we’re getting out our own car. We don’t want to be seen
-lifting a bound man into it.”
-
-“I’ll watch,” the girl answered.
-
-Matt was still further impressed with the comprehensive nature of the
-plans launched against him and McGlory. Three motor cars had been used
-in the game, and there must be at least four men in the plot besides
-the girl. But what was the purpose of the plotters? What end were they
-seeking to gain by all this high-handed, criminal work?
-
-From off to the left Matt could hear the pounding of a motor as it
-took up its cycle. After the engine had settled into a steady hum, the
-crunching of the bushes indicated that a heavy car was being forced
-through them into the road.
-
-“All right, Dimmock!” called a voice.
-
-“Is the road clear, Sanders?” answered Dimmock.
-
-“There’s not a soul in sight.”
-
-“Then come here and help me. We’ll take this coat from Motor Matt’s
-head and replace it with a gag--a twisted handkerchief will do. The
-quicker we can get him into the car, now, the better.”
-
-The next moment the smothering cloth was jerked from Matt’s head and
-shoulders. He had just time to gulp down a deep breath of air when the
-twisted handkerchief was forced between his teeth and knotted in place.
-
-He saw a slender, wiry man, soberly but richly dressed, and another,
-short, thick-set, and wearing a long dust coat and cap.
-
-“Take him by the feet, Sanders,” said the slender man, who, from this,
-Matt knew to be Dimmock.
-
-Between them Matt was lifted, carried out to the road, and shoved into
-the tonneau of a touring car, while the girl held the door open. There
-was a top to the car, and Matt was made to sit on the floor and lean
-back against the seat.
-
-By every means in his power Matt tried to let his captors know that he
-wanted to talk with them, but they either could not understand him, or
-else had no intention of letting him relieve his mind. The girl and
-Dimmock seated themselves on either side of Matt, and the same coat
-that had been used in effecting Matt’s capture was dropped over him.
-
-In this manner the strange party started away along the road, the
-prisoner unable to see anything of the route they were taking.
-
-Matt was sensible of the swiftness of their flight, and of the driver’s
-perfect mastery of the machine. The explosion in the cylinders was
-unfailing, the mixture of air and gasoline was perfect, and the coils
-hummed their beautiful rhythm to the well-timed spark.
-
-Gradually there was forming, in Matt’s mind, an idea that these
-desperate plotters had made some huge mistake. He could not account, in
-any other way, for the execution of such a plan as they were carrying
-out.
-
-He and McGlory were not being kidnapped to be held for ransom. Such an
-idea was preposterous. Matt had no relatives, so far as he knew, rich
-or poor; and neither had McGlory.
-
-Yes, Matt was sure that Dimmock, and his daughter, and Tibbits, the
-man who had dashed past with McGlory in the red car, were blundering
-in some way. At the end of the journey, wherever that might be, the
-mistake must be discovered, and the motor boys would be released.
-
-The point that troubled Matt a little was the fact that his cowboy pard
-was not a prisoner. He appeared to be traveling in the red car of his
-own free will. Was that because he had been lured away, and had not yet
-had his suspicions aroused?
-
-There was little talk between Dimmock and his daughter, and Sanders
-was attending strictly to his driving. Now and then, however, a word
-was dropped as the car slowed down which gave Matt an inkling as to the
-course they were taking.
-
-“Stamford,” and “Bridgeport” were on the line of their flight, and
-this proved conclusively that they were proceeding in the direction of
-Boston.
-
-The day was warm, and Matt, crouched uncomfortably under the coat, was
-having anything but an enjoyable ride. By twisting about, however, he
-managed to give some relief to his cramped limbs.
-
-Hour after hour the car swept on. Once they halted at a filling station
-to replenish their supply of gasoline, but the man in charge of the
-supply tank was kept adroitly in ignorance of the fact that there was a
-prisoner in the tonneau.
-
-By degrees a numbness crept along Matt’s limbs, and a drowsiness
-enwrapped his brain. He slept, in spite of his many discomforts, and
-was awakened, finally, by a rattle from somewhere forward of the
-tonneau.
-
-The car was at a stop.
-
-“What was the trouble, Sanders?” called the voice of Dimmock.
-
-“Nothing much,” answered Sanders. “It’s fixed now.”
-
-“Why not let Motor Matt sit up here on the seat between us?” suggested
-the girl. “It’s so dark no one could see him--even if we happened to be
-passed by another car.”
-
-“We might as well give him a little comfort, I suppose,” answered
-Dimmock.
-
-Thereupon the coat was pulled away, and Matt found that it was night.
-Dimmock reached down and helped him up on the seat.
-
-“We’re doing this for your comfort, Motor Matt,” said Dimmock. “I hope
-you’ll appreciate it, and not try to make any trouble for us.”
-
-Matt moved his cramped joints and stretched his legs the full width of
-the tonneau. There were shadowy bluffs on each side of the road, and a
-tracery of boughs lay against the lighter background of sky. From the
-fragrant odor, Matt gathered that they were in the depths of a pine
-forest. He gurgled ineffectively behind the gag.
-
-“He wants to talk, dad,” said the girl. “Why not let him? If any one
-comes you can prevent him from calling out.”
-
-“You’ve got too much heart, girl, for this kind of work,” returned
-Dimmock. Nevertheless, he fumbled with the knots at the back of Matt’s
-head, and removed the handkerchief.
-
-
-
-
-CHAPTER VII. THE JOURNEY’S END.
-
-
-Matt inhaled deep breaths of the pine-scented air. The ozone held tonic
-properties and freshened him wonderfully.
-
-“It’s been a long time since I had breakfast, Mr. Dimmock,” were his
-first words.
-
-“You’ve skipped dinner,” returned Dimmock, evidently pleased to note
-that the prisoner was taking recent events in such a matter-of-fact
-way, “but you’ll have a fine supper to make up for it. In less than an
-hour from now we’ll be where we’re going.”
-
-Sanders cranked up, climbed into his seat, and the car moved on through
-the forest aisle, the searchlights boring bright holes in the dark.
-
-“Where is the journey’s end to be?” inquired Matt.
-
-“Somewhere between Loon Lake and Stoughton. That’s all you’re to know.”
-
-“This is the Boston Pike?”
-
-“We’ve been traveling the Boston Pike for a long time--but I guess that
-knowledge won’t help you much if you ever wanted to find the house
-again.”
-
-“We’re about due at Matteawan, aren’t we?”
-
-Dimmock laughed at that, and the laugh was echoed by the girl.
-
-“I had to tell the taxicab driver something,” said Dimmock.
-
-“This is quite a plot you’re working out,” pursued Matt.
-
-“It was rather hastily evolved by Tibbits, but it seems to be doing the
-work.”
-
-“Tibbits, if I’ve got it right, is the man with McGlory?”
-
-“You’ve got it right.”
-
-“Did you bring my chum from Liberty Street?”
-
-“Of course, Motor Matt, I hadn’t anything to do with that part of it.
-Pearl and Sanders and I were to look after you.”
-
-“How did you happen to be hidden away on the Boston Post Road?”
-
-“We thought that was safer than to meet you at Rye.”
-
-Dimmock had a complaisant air--entirely the air of a man whose plans
-are succeeding, and with ultimate victory assured.
-
-“What was the use of all this juggling with taxicabs and touring cars?”
-continued Matt.
-
-He was groping for information, in order to lead up to the announcement
-that Tibbits, Dimmock, and the rest were having their trouble for their
-pains.
-
-“You see,” explained Dimmock, “it was easier for Pearl to work alone,
-and pretend to be a messenger for the brokers. If Sanders and I had
-been along, you’d have suspected something.”
-
-“I suspected something, anyhow, and if you hadn’t resorted to violence,
-back there on the road, your daughter would have been held in the Rye
-police station until I could have learned more about what was going on.”
-
-“Which shows our wisdom in waiting for you on the other side of Rye,”
-commented Dimmock.
-
-“What’s back of all this, Dimmock?” demanded Matt.
-
-“You’ll find that out later,” was the reply. “Tibbits is at the head of
-this little conspiracy, and most of the talking must be left for him.”
-
-“How did you know I was to meet my chum at the Flatiron Building at ten
-o’clock?”
-
-“That’s something else you’ll have to learn from Tibbits.”
-
-“Do you know how Tibbits got McGlory to take his ride into the country?”
-
-“Just as we got you, if the business worked out according to plan. You
-were told that your chum wanted you, and McGlory was told that you
-wanted him. That seemed to be enough,” and Dimmock laughed under his
-breath.
-
-“There’s been a mistake, Dimmock,” said Matt earnestly.
-
-“Not on our side,” answered Dimmock.
-
-“Ever since ten o’clock this morning you and your pals have played fast
-and loose with the law, and you’re under a delusion of some sort.”
-
-“You’re the one who is under a delusion.”
-
-“I believe you’ll find out differently. I feel so sure of that, that
-I’m perfectly willing to go with you to the end of the journey. The
-facts will come out, at that time.”
-
-“They will,” said Dimmock, with emphasis.
-
-“My mission is to find my chum----”
-
-“You’ll have fulfilled your mission when we get to where we’re going.”
-
-“McGlory will be there?”
-
-“Yes.”
-
-“That’s all I can ask. Take these ropes off me, can’t you? I’m too
-anxious to find McGlory to try to get away.”
-
-“The ropes won’t be removed until we reach the house.”
-
-“What’s to be done at the house?”
-
-“Nothing to your physical harm. You and McGlory will be entertained
-there for a few days. You’ll be able to eat, drink, and enjoy
-yourselves--within certain prescribed limits.”
-
-“But we can’t do that!” cried Matt, suddenly remembering that his chum
-had to be back in New York by Wednesday afternoon.
-
-“You’ll have to stay at the house,” was the decided answer.
-
-“Why? What’s the reason?”
-
-“I have talked all I’m going to about the whys and wherefores.
-Whatever else you learn you’ll have to get from Tibbits.”
-
-Matt relapsed into silence, while the car continued to speed along the
-gloomy, tree-bordered road, following the long shafts of light like a
-phantom locomotive on gleaming rails.
-
-Suddenly there was a lessening of the speed, a swerve to the right,
-a quick stop, and the touring car was nosing a big iron gate, hung
-between square brick pillars.
-
-“Here we are,” said Sanders.
-
-“See if the gates are locked, Sanders,” ordered Dimmock. “They
-shouldn’t be. Tibbits said he would leave them unfastened.”
-
-Matt leaned forward to watch the glow from the searchlights as it
-played over the massive iron work, penetrated the heavy bars, and lost
-itself in a dense mass of trees and shrubbery beyond.
-
-The gates were not fastened, and Sanders pushed them wide. After
-running the car into the yard, the driver left it standing on a
-graveled drive while he returned to close the gates, and lock them.
-
-“What sort of a place is this, Dimmock?” asked Matt, peering around,
-but seeing little, except the heavy shadows cast by trees and bushes.
-
-“It’s a fine old place,” replied Dimmock, “and you and your chum should
-feel highly flattered at being entertained here. The family, as it
-fortunately happens for Tibbits and the rest of us, are in Europe this
-summer.”
-
-“Then you haven’t any right here?”
-
-“We have borrowed the use of the house. Tibbits has the run of the
-place, and we’re here by his invitation.”
-
-Sanders got back and started the car slowly. The gravel road wound
-through the trees, and finally the searchlights flashed out upon the
-front of a large mansion. The great house was silhouetted against the
-sky, and the car lights swept the front door as the machine turned and
-halted at the broad front steps.
-
-A glow appeared suddenly in the fanlight over the door. Sanders gave
-three quick, sharp blasts of the horn. This seemed to be a signal, for
-the door opened as if by magic, and a man showed darkly in the entrance.
-
-“That you, Dimmock?” called the man.
-
-“Who else could it be, Tibbits?” answered Dimmock. “Did you get here
-safely with McGlory?”
-
-“Yes. And you? Have you got Motor Matt?”
-
-“We have.”
-
-An exclamation of satisfaction fell from Tibbits’ lips.
-
-“I was afraid Pearl had had trouble,” said he. “We passed her on the
-road, sitting beside a taxicab that had run head-on into a stone wall.
-Motor Matt was nowhere in sight, and I thought he had suspected that
-something was wrong, and had escaped. I didn’t dare stop and ask any
-questions, you see, because McGlory was with us.”
-
-“We came near having a streak of hard luck there, Tibbits, but we
-pulled through all right. What shall we do with Motor Matt?”
-
-“Bring him in, of course. His chum’s anxious to see him, and I suppose
-he’s equally anxious to see McGlory.”
-
-“He’s tied,” said Dimmock.
-
-“Then untie him. He won’t get away.”
-
-Tibbits pulled something from his pocket that flashed in the lamplight.
-
-“I’ll keep him under the point of this,” Tibbits went on, “until he
-gets where I want him to go.”
-
-Sanders, standing on the footboard of the car, leaned into the tonneau
-and helped Dimmock remove the cords that bound Matt’s arms and legs.
-When the cords were removed, Matt tried to stand, but tottered back
-upon the seat.
-
-“Pretty rough treatment you’ve had, eh?” laughed Dimmock. “Well, you’ll
-be entertained so royally here, Motor Matt, that you’ll forget all the
-unpleasant things that have happened to you.”
-
-In a few moments, Matt was able to climb out of the tonneau. Tibbits’
-revolver was leveled at him the instant he dropped down from the
-footboards.
-
-“Walk straight up the steps, Motor Matt,” ordered Tibbits, “and on into
-the house. I’ll follow and tell you which way to go. Be nice about it,
-and nothing will happen.”
-
-Matt mounted the steps. Tibbits backed to one side, to let him pass,
-and the hall light shone over his face. Matt looked at him sharply. The
-man was a stranger, and he was positive he had never seen him before.
-This was another fact to clinch Matt’s theory that Tibbits and his pals
-were making a mistake.
-
-Up the steps, through the great doors, and into a richly furnished hall
-Matt passed, Tibbits, still with the revolver aimed, following him
-closely.
-
-“Keep straight on along the hall,” ordered Tibbits.
-
-Matt kept on. The musty, close odor of a house, long shut up, assailed
-his nostrils, and offered proof that Dimmock had told the truth when he
-asserted that the family were in Europe.
-
-“That door on the right,” said Tibbits. “Go in there.”
-
-Matt opened the door. As he closed it behind him he heard the rasp of a
-key in the lock, and the “click” of a thrown bolt.
-
-“Pard!” came an overjoyed yell.
-
-The next moment Matt was caught and given a bear’s hug.
-
-“Joe!” exclaimed the delighted Matt.
-
-“Sure, it’s Joe,” whooped the cowboy. “What’s going on here, anyhow?
-What do you want me for?”
-
-
-
-
-CHAPTER VIII. CHUMS IN COUNCIL.
-
-
-McGlory was under the impression that Matt had sent for him. In spite
-of the strange proceedings through which the cowboy had passed, he
-still believed that Tibbits had brought him on that long ride according
-to the wishes of his friend. Even the locking of the door, after Matt
-had entered the room, did not appear to have aroused any suspicions in
-McGlory’s mind.
-
-Matt looked around. He was in a large room, lined with bookcases. At
-one end of the apartment was a magnificent fireplace. A thick carpet,
-that gave one the impression of walking on down, covered the floor.
-White busts looked out from niches in the wall, and comfortable chairs
-were scattered around. A light, suspended from the ceiling, cast a warm
-glow over the room, and over a table, heaped with food, and set with
-places for two.
-
-“I’ve been waiting here for an hour,” grumbled McGlory. “Where have you
-been, pard, and what sort of a layout is this that you’ve brought me
-into?”
-
-Matt removed his hat and threw it upon a couch; then, seating himself
-in a chair, he began rubbing his hands and arms and staring at his chum.
-
-“What’s the trouble with you, pard?” asked McGlory. “You act as though
-you were in a trance.”
-
-“I am,” returned Matt. “I’m hardly able to credit my senses. In the
-first place, Joe, I never sent for you and asked you to come here.”
-
-The cowboy gave a jump.
-
-“Why, the driver of that red car told me----”
-
-“I guess he told you what some one else told me. I was informed that
-you had come into the country with Mr. Random, of Random & Griggs, and
-that you wanted me to follow you. That’s why I’m here.”
-
-McGlory slumped into a chair, and brushed a hand across his forehead.
-
-“Sufferin’ brain twisters!” he muttered. “I came out here to find you,
-and you came out here to find me!”
-
-“And here we are,” laughed Matt.
-
-“And what are we here for?” gasped McGlory.
-
-“Give it up. But I think somebody has made a big mistake, and that
-they’re going to find it out before they’re many hours older. If that’s
-our supper on the table, suppose we get busy with it. I haven’t had
-anything to eat since morning.”
-
-“I had dinner in Bridgeport,” said McGlory. “I was mighty well treated,
-I’ll say that--and that only makes it harder for me to understand
-what’s in the wind. I don’t think any one would run away with us just
-for the fun of the thing.”
-
-“It would be more of a joke on the other fellows than it would on us,”
-averred Matt, moving to the table and taking a seat. “How long has this
-supper been here, Joe?”
-
-“About half an hour,” returned the cowboy, taking a chair opposite his
-chum. “Random is here,” he said suddenly.
-
-“Random, of Random & Griggs?” inquired Matt, showing some surprise.
-
-“What other Random could it be?”
-
-Matt helped himself to a cold roast beef sandwich and a glass of
-lemonade.
-
-“Tell me what happened to you, Joe,” said he. “I can eat and listen
-at the same time. Besides, I guess I’m hungrier than you are. You had
-dinner, and I didn’t.”
-
-McGlory told of his call at the Liberty Street office, of meeting
-Random, of his talk with Random in the restaurant, of Random’s going
-with him to the Flatiron Building, of the failure to find Matt, and of
-the yarn told by the driver of the red car.
-
-“We came through the country lickety-whoop,” the cowboy finished, “but
-it was the longest kind of a ride, and I wondered what in Sam Hill you
-were doing ’way over in Massachusetts. It was after sundown when we got
-to this place. Some one met the driver of the red car at the door, and
-said that Motor Matt hadn’t come yet, and that we were to wait for him.
-Random and I came into this room. By and by, a servant began to spread
-the table for chuck-pile, but layin’ covers for only two. I guessed a
-little about that, and asked the servant who he was intending to leave
-out, Random or Motor Matt. It was orders, he said, and that was all he
-knew about it.
-
-“After a while, Random got up, told me to wait, and said he would try
-and find some one who could tell him something. Next thing I know,
-_you_ walk in on me, and the door is locked behind you. Speak to me
-about this! Where’s Random?”
-
-“The man’s name isn’t Random, Joe,” said Matt, “but Tibbits.”
-
-“Tibbits?” echoed McGlory blankly. “But he met me at Random’s office.”
-
-“That may be, but he’s Tibbits, just the same.”
-
-“If he’s Tibbits, why did he tell me his label was Random?”
-
-“Because that was part of the plot. By posing as Random, Tibbits knew
-he would have a lot more influence over you. He kept you from going to
-the bank, he accompanied you to the Flatiron Building, and he came out
-here with you. He might not have been able to do all that if you had
-known he wasn’t Random, and that he wasn’t interested in the ‘Pauper’s
-Dream.’”
-
-The cowboy scowled, and drummed his fingers on the table. Matt helped
-himself to a piece of pie, and another glass of lemonade.
-
-“Can’t you choke off, pard,” begged the cowboy, “and tell me how they
-played tag with you? Sufferin’ tenterhooks, but this business has got
-me all at sea.”
-
-“I’m at sea, too,” said Matt, “but we’re pretty comfortable, so far,
-and I guess we can wait a little for the thing to work itself out.
-That’s the way with most mysteries. If you leave them alone they’ll
-solve themselves.”
-
-“What happened to you? Bat it up to me!”
-
-Matt recounted the manner in which he had been beguiled into the open
-country by the supposed messenger; and he told about the accident to
-the taxicab, the revelation that the supposed youth was a girl, the
-finding of the driver, the passing of the red touring car with McGlory
-in the tonneau, the work of Dimmock and Sanders, a mile west of Rye,
-and the journey through Connecticut and into Massachusetts, finishing
-with his meeting with McGlory.
-
-The cowboy listened, spellbound.
-
-“You’ve had the hot end of this, so far, pard,” said he, “and no
-mistake. But wouldn’t the whole game just naturally rattle your spurs?
-What’s the good of it? How are Tibbits, Dimmock, and the rest going to
-make anything by their work?”
-
-“That’s where I’m muddled, too,” acknowledged Matt, drawing away from
-the table and resuming his easy-chair. “I think, Joe, that Tibbits, who
-seems to have been the one that planned this thing, has made an error.”
-
-“That he’s bobbled, and thinks we’re some other fellows?”
-
-“Not that, exactly, for they appear to know a whole lot about us, and
-our business. Where they’ve made their mistake, it strikes me, is in
-thinking that we’re mixed up in some affair we don’t know anything
-about. If that’s the case, then the fact will come out, before very
-long. All we’ve got to do is to wait until Tibbits comes for a talk
-with us.”
-
-“I’m hanged if I want to wait!” fumed McGlory. “They’ve fooled us,
-they’ve got us here, and I’m a Piute if I’m going to stay!”
-
-Jumping up, he ran to one of the two windows of the room. Pushing back
-the heavy hangings, he raised the lower sash. As he did so, a voice
-called up from the darkness outside:
-
-“Git back in there, an’ close the winder! If ye don’t, I’ll shoot.”
-
-The cowboy appeared dashed.
-
-“You might have expected that, Joe,” laughed Matt. “You didn’t think,
-did you, that Tibbits would go to all this trouble and then leave us
-free to leave the house if we wanted to?”
-
-McGlory closed the window and returned dazedly to his chair.
-
-“Sufferin’ poorhouses!” he mumbled. “I reckon they think we’re
-millionaires in disguise, and that our folks will hand over a lot of
-money to ransom us. The laugh’s on them, and no mistake.”
-
-“Let’s take things easy,” advised Matt, “until we can learn more about
-the game the gang are playing.”
-
-As Matt finished, the key rattled in the lock, the door was pushed
-open, and Tibbits entered. He had some wearing apparel thrown over his
-arm, and dropped it the moment he was inside the room. The door was
-closed behind him, by unseen hands, and again locked.
-
-With an angry exclamation, McGlory sprang to his feet and started
-toward Tibbits. The latter, with a quick movement, brought out the
-weapon which Matt had already become acquainted with.
-
-“Steady,” warned Tibbits, smiling, but none the less determined. “Let’s
-all be nice and comfortable,” he begged, “and no harm will be done.
-You lads are my guests. Consider yourselves so, and we’ll get along
-swimmingly. It was a cold supper I provided, but it was the best I
-could do, under the circumstances. If you----”
-
-“See here, you!” shouted McGlory. “Tell me whether your name is Tibbits
-or Random.”
-
-“Tibbits,” was the reply.
-
-“And you haven’t anything to do with that brokerage firm in Liberty
-Street?”
-
-“Not a thing. The first time I was ever there was this morning.”
-
-“What did you----”
-
-“If you’ll give me a chance, McGlory,” interposed Tibbits, “I’ll
-explain everything to the complete satisfaction of Motor Matt and
-yourself.”
-
-“‘Complete satisfaction!’” muttered McGlory. “That means you’re to fill
-a pretty big order. But go ahead, Tibbits, and let’s find out where we
-stand.”
-
-
-
-
-CHAPTER IX. A DARING PLOT.
-
-
-“Let me assure you, in the first place,” said Tibbits, still keeping
-his revolver prominently displayed, “that no harm is intended either of
-you lads. You are to remain here in these comfortable surroundings for
-a week. At the end of that time you will be released, and can make your
-way back to New York.”
-
-“Guess again about that,” spoke up the cowboy. “There are important
-doings for me in New York Wednesday, and we’ll have to tear ourselves
-away from you by to-morrow afternoon, at the latest.”
-
-“You’ve got to stay here a week,” insisted Tibbits.
-
-“You don’t understand,” went on McGlory. “There’s a meeting at the
-office of Random & Griggs Wednesday evening, and I’ve just got to be
-there. That’s all there is to it.”
-
-Tibbits fixed his glittering eyes on McGlory for a moment.
-
-“That excuse won’t do,” said he. “You can’t make up a yarn like that
-out of whole cloth, and expect me to swallow it.”
-
-“Sufferin’ blockheads!” grunted McGlory. “There, read that.”
-
-Jerking the colonel’s letter from his pocket, McGlory tossed it to
-Tibbits.
-
-The latter removed the two folded sheets from the envelope. After
-glancing at one, he stooped down and pushed it under the door. The
-paper was caught and drawn from sight by some one in the hall.
-
-“The order for the bullion!” called Tibbits. “Got it, Dimmock?”
-
-“Yes,” answered Dimmock, from the other side of the door.
-
-Tibbits placed the other sheet in the envelope and flipped it back to
-McGlory.
-
-“Much obliged,” said Tibbits. “It’s hardly necessary to read the letter
-from the colonel. I heard Motor Matt read it aloud to you in the hotel,
-this morning.”
-
-Both boys were dazed by the light that suddenly dawned upon them.
-
-“You blamed tinhorn,” cried McGlory, “are you making a play to get hold
-of those two bars of bullion?”
-
-“And you never thought of it!” laughed Tibbits. “What else did you
-suppose we were going to all this trouble for? You wanted to call at
-the bank, and I didn’t want you to. If you had gone there, the bank
-officials would have seen you. That would have made it difficult for
-me to palm off another Joe McGlory in your place. I am obliged to you
-for giving up the order for the bullion with so little persuasion on my
-part.”
-
-The cowboy’s wrath was so great that he fairly hopped up and down.
-
-“You think you’re going to get away with this,” he shouted, “but you’ll
-be fooled. You’re nothing more than just a common thief, eh? And you
-live in a place like this!” The cowboy looked around the room.
-
-“I don’t live here--not regularly,” said Tibbits. “My uncle lives
-here, and I’m taking care of the place while he and his family are in
-Germany.” A sly leer accompanied the words. “It was only by chance that
-I happened to be in the hotel, this morning, and also by chance that I
-overheard Motor Matt reading that letter from Arizona. It looked like a
-fine opportunity to get hold of some easy money. I’m a black sheep. My
-uncle, who owns this place, thinks I’ve reformed, but he’s mistaken.
-When opportunity knocks at my door, she finds me hospitable. How long
-did it take me to find Dimmock after I learned the contents of that
-letter, discovered what Joe McGlory was going to do, and where he was
-to meet Motor Matt after he had done it? Just fifteen minutes, by the
-watch. Dimmock--his real name is not that--is a gentleman of fallen
-fortunes. Wall Street ruined him. He was as anxious as I to pick up a
-little ready money, and he and Pearl entered heartily into the spirit
-of the adventure. Dimmock knew Sanders. In happier days, Sanders used
-to be Dimmock’s chauffeur. I left Dimmock, Pearl, and Sanders to take
-care of Motor Matt, while I gave my attention to McGlory. I had to have
-a car and a chauffeur, but I knew where to find them. Pearl is to play
-the rôle of Joe McGlory, and I’ve a lad for the part of Motor Matt.
-They will dress themselves in your clothes, call at the Merchants’
-& Miners’ with the order, and get the bullion. They’ll not have any
-trouble. The colonel has written the bank telling the cashier to hand
-over the gold when McGlory comes for it with his written order. It will
-be easy. Dimmock and I will clean up nine thousand dollars, net, divide
-it equally, then leave for parts unknown. You boys will be kept here
-for a week, and then released. Dimmock, Pearl, and I will be out of the
-way, long before that time. Rather clever, I call all that. Don’t you?”
-
-Certainly there was a fiendish cunning in it all, but it was not the
-sort of “cleverness” that appealed to the motor boys. They were awed
-by the very audacity of the scheme, and by the facility with which
-the rest of the plot could be carried out. Simply by keeping Matt and
-McGlory cooped up in that house, Tibbits could have Dimmock’s daughter
-and some one else play the parts of the motor boys and secure the gold.
-
-“You’re one of these tinhorns, Tibbits,” observed the cowboy, “who’d
-stand up a stage or snake a game of faro.”
-
-“I’m not taking any money out of _your_ pocket,” said Tibbits.
-
-“You’re robbing me of a fortune! If that gold isn’t produced at the
-meeting in Random & Griggs’ office, the deal for the ‘Pauper’s Dream’
-mine may fall through. I’ve got a hundred shares of stock in the
-‘Pauper’s Dream.’”
-
-“The deal won’t fall through just because the two bars of bullion have
-been taken,” asserted Tibbits, “that is, not if Random & Griggs’ men
-really mean business.”
-
-“You don’t know anything about that, Tibbits,” put in Matt. “But, no
-matter whether the deal falls through or not, you needn’t think that
-McGlory is going to agree to let you do what you have planned with that
-bullion.”
-
-“What will McGlory do?” chuckled Tibbits; “what _can_ he do? You boys
-are safely bottled up here. Dimmock and I and Pearl and the other young
-fellow go back to New York to-night. Some time to-morrow, before the
-bank closes, we will have secured the bullion. You boys will be here,
-and the rest of us will be--where you can never find us.”
-
-“It’s a pretty small stake to run such a risk for,” said Matt.
-
-“Beggars can’t be choosers,” said Tibbits coolly. “But time presses.
-There”--and Tibbits pointed to the clothes he had brought into the
-library--“is something for you lads to put on. I’ll take the garments
-you’re wearing now, if you please.”
-
-“You’ll _take_ ’em, all right,” answered McGlory defiantly, “if you get
-’em at all.”
-
-“Come, come,” continued Tibbits impatiently. “I have men enough to take
-the clothes by force, but I don’t want to get them that way. Strip!”
-
-Neither Matt nor McGlory made any move to obey the command.
-
-“Oh, well,” observed Tibbits, “if you’re going to force a rough and
-tumble, that’s your lookout. Dimmock!” he called.
-
-“What is it, Tibbits?” came Dimmock’s voice from the hall.
-
-“Come in, and bring Sanders and Riley.”
-
-“Wait a minute,” called Matt. With four armed men against him and
-McGlory, Matt saw the futility of resistance. “We’ll give you our
-clothes, Tibbits, but under protest.”
-
-“I’ll put the protest on file,” grinned Tibbits. “Never mind bringing
-Sanders and Riley, Dimmock,” he shouted.
-
-“I’m going to fight this out,” flared McGlory. “If they get my clothes,
-they’ll get ’em in rags. What’s the good of taking ’em, anyhow? The
-bank folks have never seen either of us, Matt--Tibbits took precious
-good care they shouldn’t see me.”
-
-“As for that,” said Tibbits, “we want all the corroborative detail we
-can give the rôles Pearl and the young fellow are to play.”
-
-Matt stepped over to McGlory.
-
-“It won’t do any good to hang out, Joe,” he counseled, in a low voice.
-“They’re too many for us. Let them go ahead with their plan--we can’t
-stop that part of it--but there may be something else we can do.”
-
-“They’ve treated us like a couple of wooden Indians,” sputtered the
-cowboy, “and----”
-
-“And we’ve acted like a couple,” finished Matt. “Why, we never guessed
-what their scheme was until Tibbits told us. Take everything out of
-your pockets, and let them have your clothes. I’m going to do the same.”
-
-With that, he began stripping his pockets of personal property and
-laying it on the table. McGlory followed suit. Then coats, trousers,
-and hats were thrown in a heap, and the boys got into the garments
-Tibbits had brought.
-
-In point of quality, the clothes the boys now put on were far and away
-better than the ones they had taken off. And the fit of them, too, was
-passably good; but it chanced that McGlory’s outfit was a full dress
-suit, and Matt’s was a Norfolk jacket outfit--a get-up he cordially
-detested.
-
-Tibbits remained until the boys were decked out in their borrowed gear.
-
-“I didn’t use much discrimination, in McGlory’s case, and that’s a
-fact,” said Tibbits, with a laugh, “but I brought what I could find
-in uncle’s wardrobe that looked as though it would fit. I trust,” he
-added, with a regret that was undoubtedly feigned, “that you lads won’t
-cherish any hard feelings?”
-
-“We’ll do all we can to block you,” answered McGlory, “and will be
-tickled to death to see you behind the bars. That’s the way we stack
-up.”
-
-“You can’t get out of here, remember that,” proceeded Tibbits, the
-clothes over one arm. “Try the windows, and you’ll stop a bullet; break
-down the door, and you’ll run into the same sort of trouble.”
-
-He knocked on the door.
-
-“I’m through in here, Dimmock,” he called. “Let me out.”
-
-The door opened.
-
-“Good-by,” said Tibbits mockingly, and faded into the hall.
-
-McGlory roared wrathfully, and shook his fist at the locked door. Motor
-Matt lowered himself into a chair and grew thoughtful.
-
-
-
-
-CHAPTER X. PRISONERS.
-
-
-“And this,” grunted McGlory, “is what he calls explaining matters to
-our ‘complete satisfaction.’ Satisfaction! Sufferin’ Hottentots! Do I
-look satisfied?”
-
-The cowboy, in his dress suit and boiling with rage, looked far from
-satisfied. In fact, he presented such a humorous spectacle that Matt
-laughed.
-
-“Oh,” he grunted disgustedly, “you’d laugh, Matt, if you were going to
-be hung. But think what this means to me! I want to dig up the hatchet
-and go on the war-path.”
-
-“There’s nothing we can do just now, Joe,” said Matt, straightening his
-face.
-
-“What sort of a girl is that daughter of Dimmock’s, to go helping her
-father in lawless work like this?”
-
-“I can’t understand her,” returned Matt. “But I can tell you one thing.”
-
-“Then tell it.”
-
-“If Pearl Dimmock gets into your clothes and tries to palm herself off
-as Joe McGlory, the bank people are going to get suspicious.”
-
-“She played the game on you, pard, and you didn’t get suspicious until
-you got dumped out of the taxicab.”
-
-“I was thinking more about you, then, than I was about the supposed
-messenger. In the matter of the bank, the case is different. Miss
-Dimmock goes in there, asks for the bullion, and turns over the
-colonel’s order for it. The order is all straight enough, but the bank
-won’t let go of that gold until they’re sure the one who brings the
-order is Joe McGlory. I’m thinking the hardest part of Tibbits’ work is
-yet to come, and that the chances are about even whether he’ll win or
-lose.”
-
-“We can’t leave it like that, pard. We’ve got to get out of here and
-make a rush for New York. That’s all there is to it. Tibbits, Dimmock,
-the girl, and the fellow who’s to understudy you, will get away from
-here to-night. That will leave fewer people to watch us, and I don’t
-see why we can’t make a break, somehow, and carry it through with
-ground to spare.”
-
-“We’ll have to consider it.”
-
-“There’s not much time to think it over. New York’s a long ways off,
-and we’ve got to get there by the time the bank opens, to-morrow.”
-
-“Not necessarily.”
-
-McGlory’s face went blank.
-
-“What do you mean by that, pard?” he queried.
-
-Matt hitched his chair closer.
-
-“Suppose we don’t get away from here until to-morrow morning, Joe,”
-said he, “why couldn’t we send a telegram to the bank? Wouldn’t that do
-just as well as though we dropped in there personally?”
-
-“I’m the prize blockhead, all right,” muttered McGlory. “Of course, a
-telegram will do, in case we can’t get out of here in time to reach New
-York before the bank opens. But let’s try to break out.”
-
-The cowboy got up and looked around reflectively.
-
-“Where’ll we try first?” asked Matt.
-
-“Watch me!” answered his chum, his face lighting up. He made a dash for
-the fireplace.
-
-“Here’s where this clawhammer suit catches it,” said he, crawling into
-the opening.
-
-The fireplace was large, and Matt waited eagerly, expecting results. In
-a few moments, McGlory reappeared with soot on his hands.
-
-“Not any,” he muttered disappointedly. “There’s a sharp turn in the
-flue, and the opening isn’t any more’n six inches wide. No getting out
-by the chimney, pard. I’ll try the window again, and see how careful I
-can be when I lift it.”
-
-McGlory pushed up the windows with very little noise, but the vigilant
-guard outside heard him, nevertheless.
-
-“Back in there,” was the gruff order, boomed from the darkness, “or
-I’ll shake a bullet at ye.”
-
-The cowboy closed the window.
-
-“The galoot out there is right on the job,” said he, and moved to the
-door.
-
-Bending out a key ring, which he happened to have in his pocket, he
-contrived a picklock; but no sooner did he begin operations than a
-voice from the hall ordered him to stop.
-
-“You see how it is, Joe,” whispered Matt. “The best thing for us to do
-is to lie low for a while. Wait until after Tibbits, Dimmock, and the
-others are away.”
-
-“They must be away now.”
-
-“I don’t think so. I haven’t heard any motor cars leaving the place;
-and, besides that, it will take some time for Miss Dimmock and the
-fellow who’s to play Motor Matt to get ready. Let’s try and get a
-little sleep, Joe. If we have some rest, we’ll be better able to cope
-with the situation later.”
-
-“Sleep! Why, pard, I couldn’t sleep any more’n I could fly--or aviate,
-without anything to aviate with.”
-
-“Well, I’m off for a nap by myself, then. Wake me, Joe, if anything
-happens.”
-
-Matt threw himself down on the couch, and was asleep almost as soon
-as he had straightened out. It seemed to him that he had no more than
-closed his eyes before he felt a tug at his arm. He sat up quickly.
-
-“What is it?” he whispered.
-
-“Listen,” returned McGlory.
-
-What Matt heard was the distinct throbbing of an automobile, dying
-swiftly into silence.
-
-“They’re off,” said the cowboy.
-
-“Did that machine leave the house?” Matt asked.
-
-“Yes. Now, what are we going to do?”
-
-“Try the window and the door again, Joe.”
-
-The cowboy repeated his earlier attempts, only to be gruffly warned by
-the vigilant guards, outside the house and in the hall.
-
-“How many men do you reckon Tibbits left here?” growled McGlory.
-
-“I wish I knew. He seems to have had quite a gang.”
-
-“And they’re all after a little of that ten thousand dollars!” muttered
-McGlory. “Pretty small pickings for fellows like Dimmock and Tibbits. I
-can size them up for that sort of grafters.”
-
-“I think we’d better wait till morning before we make any more attempts
-to get away,” said Matt.
-
-“I reckon we’ll have to,” answered McGlory, in a discouraged tone.
-
-“What sort of fellow was that who came in here, last night, and put our
-supper on the table?”
-
-“A runt of a chap in an apron and a square white cap. Why?”
-
-“Nothing--now.”
-
-Without any further remarks, Matt shifted his position on the couch,
-and again went to sleep.
-
-He awoke without being roused, and sat up on the edge of the couch.
-Daylight was just glimmering through the trees. McGlory, sprawled out
-on the carpet, with the clawhammer coat rolled into a pillow, was
-slumbering soundly.
-
-Quietly Matt got up and went to the window, where the cowboy had made
-his several attempts the night before.
-
-The window looked off toward the stables. To the right of the house was
-a vine-covered pergola, and between the stables and the pergola ran
-the graveled drive, leading around the house from the front gate. What
-interested Matt particularly, however, was a red touring car in the
-drive, close to the pergola.
-
-Undoubtedly it was the same car that had brought McGlory and Tibbits
-from New York. Tibbits and Dimmock, on their return to the city, had
-used the other car--the one driven by Sanders.
-
-The presence of that car spelled possibilities for the motor boys,
-if----
-
-Matt’s gaze dropped to the side of the house. A man was sitting under
-the two library windows, smoking a pipe. Across his knees rested a
-revolver.
-
-Before the motor boys could avail themselves of the red touring car
-they would have to eliminate the guard. How could that be accomplished?
-
-Matt turned from the window, revolving the problem in his mind. He
-could think of no method of escape short of boldly leaping from the
-window and trusting to luck--and the revolver made such an attempt
-too risky. A plan, which he had thought of vaguely during the night,
-recurred to him. This idea had the servant for its nucleus, and
-promised little better than a sortie by the window.
-
-McGlory, hearing his chum moving around the room, stirred and sat up on
-the floor.
-
-“What are you prowling around for, Matt?” he asked, yawning sleepily.
-
-“Averaging up the chances,” Matt answered. “Come here, Joe.”
-
-McGlory got up and went to his chum’s side. Matt pointed to the red
-touring car.
-
-“If we could get out of here and get hold of _that_,” he murmured, “we
-might do something.”
-
-“The boy with the gun looks sort of fierce,” reflected the cowboy;
-“still, you never can tell just what a fellow’s going to do with a
-revolver. If----”
-
-The key rattled in the lock. Matt dropped quickly down on the couch and
-pretended to be asleep. McGlory, taking his cue from Matt, resumed his
-place on the floor.
-
-A man, in white cap and apron, entered the room with a tray of steaming
-food. The door was closed and fastened behind him. Without trying
-to waken the boys--whom he must have supposed to be asleep--the man
-picked his way around McGlory, placed the tray on the table, and began
-collecting the scattered remnants of the supper. His back was toward
-Matt.
-
-Noiselessly as a gliding serpent, Matt arose and slipped across the
-space separating him from the man; then, leaning forward, he caught
-him about the middle with his left arm, at the same time covering his
-lips with his right hand.
-
-The man began to squirm, kicking out with his feet and fighting
-fiercely to get away.
-
-McGlory, who had been watching the progress of events, and wondering
-what Matt was trying to do, went to his chum’s aid. The man was forced
-to his knees, and then to the floor. Lying on his back, Matt’s hand
-still over his mouth, he stared upward with frightened eyes.
-
-
-
-
-CHAPTER XI. BOLD WORK.
-
-
-“Softly, Joe, softly!” whispered Matt, stifling his own heavy
-breathing. “Twist a couple of napkins into ropes. Be quick!”
-
-McGlory had not the least notion what Matt was trying to accomplish,
-but he knew it was something which might help their escape.
-
-“Be quiet,” hissed Matt, in the man’s ear, “and you’ll not be hurt, but
-if you move, or try to call out”--his voice grew menacing--“you’ll wish
-you hadn’t!”
-
-McGlory dropped to his knees with the two napkins and began tying one
-of them about the prisoner’s ankles. He followed this by knotting the
-other around the servant’s wrists.
-
-“What next?” he asked breathlessly.
-
-“Put on the white cap and apron,” instructed Matt, “then pick up the
-tray and rap on the door. When the door’s opened, throw the tray in the
-face of the fellow in the hall. There’ll be a commotion, and perhaps
-the guard outside will leave the windows. If he does, I’ll get out and
-make for the red car. Meet me somewhere along the drive, this side the
-gate. It’s a desperate chance, Joe, but it’s all we have.”
-
-The cowboy chuckled delightedly as he removed the apron from the
-prostrate prisoner and tied it about his waist; then, picking up the
-cap, he set it on his head, and grabbed the tray.
-
-“I’m ready,” he whispered, stepping toward the door. “Bravo, pard! It’s
-the reckless things that win!”
-
-“Sometimes,” qualified Matt; “if you can’t----”
-
-The guard in the hall shook the doorknob.
-
-“Why are you so long, Paul?” he called.
-
-It was not Dimmock’s voice--proof that Dimmock had really gone, and
-that another guard had taken his place. The question put McGlory in
-a quandary. He and Matt both recognized the dilemma, in a flash. The
-cowboy was about to speak, presumably in an attempt to imitate the
-servant’s voice, but Matt restrained him with a gesture.
-
-“Tell the man outside you’re coming--tell him to open the door!”
-
-Matt King hissed the words in the prisoner’s ear, and lifted the hand
-he was using for a gag.
-
-One word from the servant would ruin every chance. Was the fellow
-frightened enough to do Matt’s bidding? McGlory looked over his
-shoulder and glared savagely at the man on the floor.
-
-“Paul!” cried the guard, once more rattling the door.
-
-“I’m coming,” said the man, but with a shiver of dread in his voice.
-“Open the door, Miles!”
-
-“What’s the matter with you, anyhow?” grumbled Miles. “You’ve been in
-there more’n five minutes.”
-
-As the door opened, McGlory temporarily deceiving Miles with the tray
-and the white cap and apron, stepped out.
-
-“Are they asleep,” began Miles, “or----Thunder!” the guard broke off;
-“you’re not----”
-
-The cry was interrupted by a smash of dishes. There came a yell from
-Miles, a snarling shout from McGlory, and then the impact of a heavy
-blow. After that, running feet could be heard, and the opening of a
-door.
-
-“Help!” roared Miles; “this way, Barney! The prisoners are on the hike!”
-
-Matt, paying no more attention to the servant, jumped for the door.
-He saw a mess of food and broken crockery in the hall, and daylight
-entering through the open door. Miles was just vanishing in pursuit of
-McGlory.
-
-It was now Matt’s turn to see what he could do. Was “Barney” the man on
-guard below the windows? If he was, and if he had answered Miles’ call,
-then the way was clear in that direction. But there was not a second to
-be lost. If McGlory got away, he would need the red car. And so would
-Matt, for that matter. If the automobile was left behind, the baffled
-guards would use it in giving pursuit.
-
-In two leaps Matt was at the window and looking out. Barney’s chair was
-empty!
-
-To throw up the window and leap to the ground took only a moment, and
-Matt immediately laid a straight line for the automobile.
-
-He was not long in covering the distance that separated him from the
-car, but many doubts flashed through his mind while he was on the way.
-
-If the switch plug had been removed, if the gasoline or oil was low,
-if----
-
-But he was hoping for the best, and the best came his way, then, when
-the smiles of fortune were so grievously needed.
-
-Whether there was any one in his vicinity, or not, he did not take time
-to discover. Reaching the front of the car--which, by good luck, was
-pointing in the direction of the pike--he grabbed frantically at the
-crank, and gave it a heave.
-
-_Chuff, chuff, chuff-chuff!_ The sputter died impotently. Manipulating
-the switch, and the lever controlling the fuel supply, he tried again.
-This time the engine was successfully “turned over,” and took up its
-cycle.
-
-“Hi, there!” called a voice from the direction of the stables. “Stop, I
-tell ye!”
-
-Matt had no time for the approaching man, but leaped into the car, and
-was off. A detonation sounded above the noise of the laboring motor,
-and something whistled viciously past Matt’s ear.
-
-But, by then, the lad’s blood was hot for success, and he would have
-dared anything.
-
-Like a thing of life the red car leaped around the corner of the house,
-taking a sharp curve with two wheels in the air. Only a short distance
-separated the fleeing car from the gate, but between the gate and the
-car was one of the guards. Matt knew at a glance it was not Barney. The
-chances were that it was Miles.
-
-“Halt!” yelled the man.
-
-“Get out of the way,” shouted Matt, “or I’ll run over you!”
-
-The man got out of the way, hurling himself from the road barely in
-the nick of time. He did not appear to be armed; at any rate, no lead
-followed Matt.
-
-But where was McGlory? Matt had no sooner begun to worry about his chum
-than the cowboy, breathless from running, staggered from behind a clump
-of lilac bushes and flung up his hands.
-
-With a hasty look behind, Matt slowed the machine.
-
-“It’s all up with us,” puffed McGlory, hanging over the edge of the
-car. “We’ll have to leave the machine and take to our heels.”
-
-“Why?” flashed Matt.
-
-“The gates are locked.”
-
-For an instant Matt was stunned. The gates--locked! Of course, they
-would be locked! Why had he not thought of that when he was planning to
-use the red car for their escape?
-
-“We’ll never get away if we trust to our heels, Joe,” said Matt grimly.
-“Get in--be quick!”
-
-By that time, Miles had been joined by Barney, and by the man who had
-called to Matt from the stables. The three, feeling sure that they had
-the car in a trap, were advancing cautiously, watching to see what the
-boys would do next.
-
-McGlory did not know what plan Matt had formed; but, nevertheless, he
-scrambled into the tonneau.
-
-“How’ll you get past the gates?” cried the cowboy, standing erect in
-the tonneau, and clinging to the coat rail.
-
-“Get down in the bottom of the tonneau!” ordered Matt, without looking
-around.
-
-Little by little he let the car out, and the iron barriers came
-threateningly into view. When a hundred feet away from them the car was
-going so fast that the gates seemed to be jumping toward it.
-
-But the purpose of his daring comrade was clear to McGlory, and the
-idea left him gasping.
-
-Matt was going to storm the gates! He was hurling the red car toward
-them like a cannon ball.
-
-The cowboy fell limply down behind the front seats, wondering vaguely
-where he and Matt would be after the smash.
-
-Even as the thought formed in his mind, there came a crash, a jar that
-shook the automobile in every part, and made it reel drunkenly, and a
-clash of broken glass. After a wild stagger, the car seemed to gather
-itself for a spring; then it flung itself onward into the road, turned,
-and glided off on the straightaway.
-
-Dazed and bewildered, McGlory lifted himself in the rocking tonneau and
-looked at Matt, who was still in the driver’s seat, still bending over
-the wheel, and still coaxing the demoralized red flyer to its best gait.
-
-Certainly the car was demoralized--not internally, for the motor was
-doing its work nobly--but the bonnet was bent and broken, the lamps
-were smashed, and the woodwork splintered and scarred.
-
-“Sufferin’ earthquakes!” gasped McGlory, looking back at the gates.
-
-The gates had been torn ajar, and one of them had been plucked bodily
-off the brick pier from which it had swung.
-
-“Are you hurt, pard?” cried McGlory.
-
-“No,” answered Matt, “but it was rather a close call for the tires.”
-
-“Tires? Hang the tires! It was a close call for _you_.”
-
-“Not so close as you’d think. I knew if we could force the gates we’d
-get through safely. Each gate would give way in a solid piece, and
-there’d be no splinters. We made it, Joe, we made it!”
-
-“But the car has been damaged----”
-
-“We couldn’t help that, Joe! If we keep Tibbits and Dimmock from
-carrying out that robbery, we have to get to a telegraph office in
-short order.”
-
-At that moment the motor showed signs of distress. First it missed
-fire, and then went dead altogether.
-
-“Watch behind, Joe,” called Matt, as he sprang into the road and began
-an investigation to discover what was wrong.
-
-
-
-
-CHAPTER XII. PURSUIT.
-
-
-“Sufferin’ cyclones!” exclaimed McGlory, keeping close watch of the
-road behind; “after that jolt it would be a wonder, pard, if something
-didn’t go wrong with the motor. By rights, considering what this car
-has gone through, it ought to be a scrap heap.”
-
-Matt adjusted one of the battery wires, then crawled under the car
-with a wrench. The cowboy could hear him at work; but he could hear
-something else, too, and that was a patter of hoofs and a grind of
-wheels.
-
-“Horse and buggy coming, Matt!” he called. “Miles and Barney are hot
-after us. I took Miles’ gun away from him, and I can use it, if you say
-so.”
-
-“Not on your life, Joe!” Matt answered, crawling from under the car and
-looking back over the road. “That would complicate the affair. We’re
-not to do any fighting, but just show our heels. We’re on the defensive
-entirely--remember that.”
-
-The horse, driven by Miles, was coming at a gallop.
-
-“I don’t see what they want horses and buggies at that big house for,”
-growled McGlory. “Automobiles go with a place like that--and when the
-family’s in Europe, the bubble-wagons ought to all be in a Boston
-garage. Will the motor work now, Matt, or have we got to use our heels?”
-
-The car started. The motor was still somewhat out of order, but gave
-the car a speed that easily carried it away from the horse and buggy.
-
-“I reckon we’ll get clear, pard,” observed McGlory, albeit with an
-anxious, questioning note in his voice.
-
-“We’ll kill the engine again,” answered Matt, “if we keep running it
-while it’s out of order.”
-
-“Then, kill it, but get as far away from Miles and Barney, and as near
-a telegraph office, as you can, before we have to take to the woods.”
-
-“I don’t know anything about this country,” said Matt. “What is the
-nearest town in this direction, Joe?”
-
-“I’ve been trying to think of that ever since we got through the gates,
-and headed this way, but I can’t seem to remember, pard.”
-
-“It’s poor policy, Joe, to run the engine to a standstill. Everything
-may depend on the car before we get out of these woods.”
-
-The motor was rapidly going from bad to worse. Matt stopped suddenly,
-threw on the reverse, and backed the car into the bushes.
-
-“What’s that for?” asked the cowboy.
-
-“I’m hoping Miles and Barney will pass us, and give us a little time to
-do some more tinkering,” replied Matt.
-
-“Even if that rig does pass us, we can’t follow it.”
-
-“We can go the other way, Joe. I think the nearest town is in that
-direction, anyhow.”
-
-“Do you mean to pass that house again?”
-
-“Why not? I don’t think there are enough men left at the place to
-interfere with us.”
-
-Matt got down and began pulling up the bent bushes in front of the car.
-While he was at work, the galloping horse could be heard, and he drew
-back hastily, and knelt down to see what happened.
-
-There was no occasion for alarm. Miles and Barney dashed past without
-giving so much as a glance in the direction of the motor boys.
-
-“Good enough!” exclaimed McGlory. “There’s the chance you wanted, Matt.
-Can I do anything to help you fix the car?”
-
-“Two of us can shorten the work a whole lot,” said Matt.
-
-He showed McGlory what to do, and for ten minutes both boys were
-busy. At the end of that time, Matt announced that he was fairly well
-satisfied with the repairs.
-
-“There’s enough gasoline and oil to take us fifty miles,” he added.
-
-“In other words,” said the cowboy, “we can go clear to Boston, if we
-have to. What time is it, pard?”
-
-“Nine o’clock.”
-
-McGlory was startled.
-
-“Nine o’clock!” he repeated. “We’ve got to have a telegram on the wires
-by ten. Let’s pull out and hit the high places.”
-
-There was no indication, so far as the boys could see, that Miles and
-Barney had discovered the trick which the boys had played on them. If
-the two men were coming back, they were still a good way off.
-
-The steady hum of the motor, when Matt started it, filled the boys
-with delight. There did not seem any doubt but that the machine would
-perform every duty demanded of it. Matt put on the high speed, and they
-darted back over the course which they had recently covered.
-
-As they drew near they watched anxiously for some sign of those who
-still remained at the house. No man showed himself, however, and the
-car flung past the wrecked gates and bore away northward.
-
-“Miles and Barney are welcome to catch us--if they can,” exulted
-McGlory, who was riding in front with Matt.
-
-The wind of the motor boys’ flight whistled and sang in their ears, and
-the engine continued to hum merrily and steadily. There was a good deal
-of rattling, for the mudguards and footboards were loose, but the motor
-itself was working as well as the day it had come from the factory.
-
-“Sanders must have gone with Tibbits and Dimmock,” remarked Matt.
-
-“There was quite a party of pirates in that other car,” said McGlory.
-
-“Did you ever see Miles or Barney before we broke out of the house,
-Joe?”
-
-“I never saw Barney, Matt, but Miles was the fellow who brought Tibbits
-and me from New York.”
-
-“You must have had quite a set-to with Miles in the hall.”
-
-“Speak to me about that!” laughed McGlory. “Miles was one surprised
-man, and don’t you forget it, pard. The skirmish was short, and I
-reckon it was the tray of chuck that did the work for the shuffer. He
-got the hot coffee full in his face, and when he fell back he dropped
-his revolver. I hit him once, just to give me time to pick up the gun,
-and then I made for the front door. If that had been locked----”
-
-McGlory winced.
-
-“But it wasn’t,” said Matt. “I heard you rush out of the house, and I
-got to the hall door just in time to see Miles going after you. He gave
-you quite a run, didn’t he?”
-
-“I ran till I was black in the face, Matt, doubling back, dodging
-around flower beds, and getting mixed up with all kinds of
-horticultural arrangements. Gee, man, but that’s a fine old place to be
-used by such a gang!”
-
-“It will cost a hundred or two to repair those gates.”
-
-“And two or three hundred, I reckon, to get this car back in its usual
-shape.”
-
-“More than that, Joe. I don’t think five hundred will repair the car as
-it was before we used it for a battering-ram.”
-
-“That ten thousand in bullion is costing the tinhorns pretty dear,”
-commented the cowboy.
-
-“They’ll not be paying anything for damages. If Miles owns this car,
-he’s the one that foots this part of the bill.”
-
-The cowboy laughed.
-
-“I’ll bet Miles pretty near had an attack of heart failure when he saw
-you aiming the car at those iron gates, and giving it full speed ahead!”
-
-“We can understand why Miles is so eager to catch us, I think,”
-answered Matt.
-
-McGlory’s thoughts went off on another tack.
-
-“About what time was it, do you think,” he asked, “when Tibbits and his
-gang left the house, last night?”
-
-“I didn’t look at my watch,” said Matt. “How long had I been asleep
-when you awoke me?”
-
-“About two hours.”
-
-“Then it was nearly midnight when the car pulled out.”
-
-“How long would it take that outfit to reach New York?”
-
-This was rather an important point. Up to that moment, Matt had not
-given it much thought.
-
-“I should think,” said he, after a little reflection, “that the trip
-would take eight or ten hours. The car would have to hit a smart clip,
-at that, and keep it up.”
-
-“Then Tibbits and his gang couldn’t reach the city before nine or ten
-o’clock?” queried McGlory.
-
-“I don’t think they could.”
-
-“I reckon there’s plenty of hope, yet,” and the cowboy heaved a long
-breath. “There’s a house, Matt,” he added abruptly. “We’re getting out
-of the woods.”
-
-“We’ll probably see a town pretty soon. Wonder what the speed limit is
-through the villages in this part of the country?”
-
-“Never mind the speed limit, pard. Keep her wide open.”
-
-Five minutes more of rapid traveling saw the houses thicken along the
-road. People began to be seen, and two or three machines were passed.
-
-“Better slow down,” a passenger in one of the cars called to the boys
-as they scurried past. “They’ll nab you in Leeville if you don’t.”
-
-Matt thought the advice good, and heeded it.
-
-The disreputable appearance of the red car excited a good deal of
-curiosity. McGlory, too, came in for a fair share of guying. He had on
-the dress suit, of course, and, although he had lost the white cap, he
-still wore the apron.
-
-“I’ve been too excited to think about the apron,” he laughed, removing
-the object, and casting it into the road. “I’m wearing this dress suit,
-I reckon, at the wrong end of the day, but I can’t get rid of that for
-a while yet.”
-
-Neither of the boys had a hat, but that fact was of minor importance.
-
-A turn in the road brought them into the outskirts of a village. The
-road itself formed the main street of the place, and while the boys
-were jogging at a very leisurely gait toward the huddle of store
-buildings, a man in a flannel shirt and with his trousers tucked in his
-boot tops, jumped across the road, dragging a rattling chain behind him.
-
-One end of the chain was fastened to a tree, and before the battered
-car reached the man, the other end had been similarly secured.
-
-“Sufferin’ blockades!” cried McGlory, as Matt shut off the power and
-put on the brake. “What’s the matter with that Rube?”
-
-The man who had manipulated the chain advanced upon the boys from his
-side of the road, a badge of authority in the form of a tin star. At
-the same moment, another man descended upon the car from the opposite
-side of the pike.
-
-“This looks as though it might prove interesting,” muttered Matt. “What
-do you want?” he called to the man with the star.
-
-“My name’s Hawkins,” snapped the officer, “and I’m town constable. You
-two fellers are pinched.”
-
-“Pinched?” echoed McGlory. “Why, neighbor, we weren’t going eight miles
-an hour.”
-
-“I don’t keer a blame how fast ye was goin’,” proceeded the constable
-aggressively. “That ain’t why ye’re arrested. Got a telephone message
-from the old Higbee place, sayin’ as how two fellers, answerin’ your
-description, had stole a motor car. Hiram an’ me’ll jest git in an’
-ride with ye to the lockup.”
-
-Telephone! The motor boys had entirely forgotten that modern, everyday
-convenience.
-
-They had been trapped in Leeville--and a telephone message had turned
-the trick!
-
-
-
-
-CHAPTER XIII. IN AND OUT OF LEEVILLE.
-
-
-“Mr. Hawkins,” said Matt, attempting to argue the matter, and show
-the constable the error of his way, “you’re a little mistaken in this
-matter.”
-
-“’Way wide of the trail,” chipped in McGlory.
-
-“You can’t teach me no law,” scowled the constable. “I know my
-business.”
-
-“Of course you do,” went on Matt, signing to McGlory to let him do the
-talking. “I’m not saying that you don’t know all about the law, or are
-not trying to do your duty. It’s the fellow at the other end of the
-line who has started you wrong.”
-
-“D’you own this car?” demanded Hawkins, slapping the broken hood.
-
-“No, but----”
-
-“Didn’t you run away with it?”
-
-“Yes, but if you’ll let----”
-
-“I calculate that’s a-plenty,” cut in Hawkins, with a triumphant look
-at Hiram. “We’ll hop in an’ show ye the way to the jail.”
-
-“I want to explain this,” cried Matt.
-
-“Oh, ye do!” gibed the constable. “I can tell, just by the look of you,
-you’re a pair of scalawags. You can’t do any explainin’ that’ll help
-your case any.”
-
-“Take us before a justice,” pleaded Matt.
-
-“The jedge is away, fishin’, an’ he won’t hold court till this
-arternoon. I’ll haul ye up in front o’ him, soon enough, an’ if he
-don’t hold ye to a higher court to answer for the larceny of one
-benzine buggy, I’ll miss _my_ guess. Hiram,” and the constable turned
-to his comrade, “I’ll git in with ’em, so’st to make sure they don’t
-run, then you take down the chain, an’ git in, too.”
-
-“You bet I will,” assented Hiram, with great alacrity.
-
-“Is there a telegraph office in town?” asked Matt, while Hiram was
-removing the chain.
-
-“’Course there is,” replied Hawkins. “We got a railroad, too, and an
-op’ry house, and everythin’ else that makes a town worth livin’ in.”
-
-“We want to stop at the telegraph office and send a message,” said Matt.
-
-“No, ye don’t! You fellers can’t play any shenanigin tricks on Bill
-Hawkins. I’m too old a hand to be come over by two younkers like you.”
-
-“Sufferin’ jaybirds!” growled McGlory. “Say, constable, this message
-we want to send is mighty important. If we can get it through, it will
-prevent a ten-thousand-dollar robbery in New York.”
-
-Bill Hawkins laughed.
-
-“You’re funnier’n a Joe Miller joke book,” said he. “Jest as though ye
-could make me swaller a yarn like that. Git in, Hiram,” he added. “You
-drive this automobile right down Main Street till I tell ye to stop,”
-he finished, addressing Matt.
-
-“Will you let me send that telegram?” pleaded McGlory. “It will only
-take a minute.”
-
-“Well, I guess not,” said the constable, snapping his lean jaws
-decisively. “Start the car,” he ordered sternly.
-
-Matt took two five-dollar bills from his pocket, offering one to each
-of the men.
-
-“You can read the telegram, Mr. Hawkins,” said Matt. “It’s important.”
-
-Hawkins went up on his toes and fairly bristled.
-
-“Say,” he snorted, “you ain’t got money enough to bribe me from doin’
-my duty. Now I _know_ ye’re crooked. Tryin’ to bribe Bill Hawkins!
-Well, by jing! What d’ye think o’ that, Hiram?”
-
-“Scand’lous!” gurgled Hiram, horror-stricken.
-
-McGlory leaned toward Matt.
-
-“Put on full speed, pard,” he whispered excitedly, “and let’s snake ’em
-out into the country.”
-
-But Matt shook his head and started the car slowly into the village.
-
-All the inhabitants of the place, Matt judged, had been drawn to the
-scene of the “arrest.” Men, women, children, and dogs clustered around
-the car, and proceeded with it as it took its melancholy way along the
-street.
-
-“There’s the place,” said Hawkins, pointing, “that two-story red
-buildin’ on the right. Hardware store on the first floor and the jail’s
-upstairs.”
-
-Matt steered for the curb, and halted the car at the edge of the walk,
-then Hawkins took him in charge, Hiram looked after McGlory, and the
-motor boys were led toward an outside stairway by which they were to
-climb to the “jail.”
-
-The cowboy, halting at the foot of the stairs, renewed his desperate
-attempt to get permission to send his telegram. Hiram spoke harshly,
-Hawkins put in a few warm words, and the crowd jeered. Then McGlory
-gave up, and followed Hawkins and Matt as they climbed the stairs.
-
-The second floor of the building was partitioned into two rooms. A
-sign proclaimed that the front room was occupied by a “Justice of the
-Peace,” while another sign, bearing the one word, “Jail,” set forth the
-uses to which the rear room was put.
-
-Matt and McGlory, it appeared, were the only occupants of the jail. The
-room was meagrely furnished, with a table, a cot, and two chairs, and
-there were two grated windows overlooking the rear of the premises.
-
-Here the motor boys were left, McGlory sinking disconsolately into one
-of the chairs, while Matt roamed around, making himself as familiar as
-possible with the situation.
-
-From the grated windows he could look off for half a block to the
-railroad station. The station building was about as large as a
-good-sized packing case, and there was one spur track, running between
-the main track and the rear of the hardware store, with a lonely flat
-car on the rails.
-
-“Here’s a go!” wailed McGlory. “Jugged! Jugged by a country constable,
-just when a telegram might save the day for us in New York! Sufferin’
-cats! Can’t we do something, pard? We’re not going to let a couple of
-hayseeds knock us out like this, are we?”
-
-Matt was trying the bars at the windows. The ends of the bars were set
-into the wood of the casing, and the casing was old, and partly decayed.
-
-“We can break out,” said Matt, “but what good will that do us, Joe?
-We’d be apprehended by the villagers before you could get to the
-telegraph office. It won’t be possible to send a message from here.”
-
-“How can we send it from anywhere,” cried the cowboy, “if we don’t get
-away from this place?”
-
-“Jail-breakers are apt to have quite a hard time of it.”
-
-“I’ll take my chances on the hard time if we can make a getaway.”
-
-“The only thing for us to do, so far as I can see, is to wait till the
-judge gets back from his fishing trip. We can talk to _him_, and he’ll
-have to listen to us.”
-
-Matt sat down, and McGlory, grumbling his disgust, started up and
-went to one of the windows. Laying hold of a bar he gave it a wrench,
-breaking the end completely out of the wood. A gap was left, through
-which the boys might squeeze their way to liberty--if it seemed
-advisable.
-
-“There’s a shed under the window,” reported McGlory. “We could get out
-on the shed and reach the ground too easy for any use.”
-
-“That part of it is all right,” returned Matt, “but how could we get
-out of town without being seen? There’s the rub, Joe. Be guided by me,
-and let’s wait for the justice.”
-
-“There’s no telling when he’ll get here. Why, right now, this minute,
-Tibbits may have his pals at the bank!”
-
-Urged on by his frantic thoughts, the cowboy began hoisting the window.
-In a few moments, a path to freedom, through the bars and over the shed
-roof, lay open to the motor boys.
-
-“Let’s make a try of it, pard,” pleaded McGlory. “We can reach the
-spur track, crawl along it through the bushes, and maybe get out of
-the town. Then we can hoof it to the next town, drop in at a telegraph
-office----”
-
-“And find a telegram from Leeville asking the authorities to capture
-and hold us as jail-breakers,” said Matt.
-
-“We haven’t done anything we ought to be jugged for, have we?” demanded
-McGlory.
-
-“Of course not.”
-
-“Then it’s right for us to get away if we can, isn’t it?”
-
-“Certainly, Joe, but I don’t see how we can manage it.”
-
-Just at that moment a distant whistle was heard.
-
-“A train!” exclaimed McGlory. “If it stops here, Matt, why can’t
-we----”
-
-Matt caught the inspiration of his chum’s words. Again fortune was
-favoring him and McGlory. There was a chance to escape, but they would
-have to be quick if they took advantage of it.
-
-“Crawl through the window, Joe!” whispered Matt. “Be wary! The jig’s up
-if we’re seen.”
-
-The cowboy began at once crowding himself through the bars. He
-succeeded, and alighted on the roof of the shed on hands and knees.
-Matt followed, made his way carefully over the top of the shed, dropped
-from the edge of the roof, and found himself beside his chum at the
-rear of the hardware store.
-
-The train was just pulling into the station. Without losing a moment,
-the boys scrambled over a fence, skirmished onward under the screen
-of the flat car, dodged beneath it, raced across the narrow stretch
-separating the spur from the main track, and climbed aboard the forward
-coach of the train.
-
-The station was on the other side of the cars, and, so far as the boys
-could discover, not an inhabitant of the village had seen them.
-
-Where the train was going they did not know; but they did know that it
-would halt at a more friendly town than Leeville, that there would be a
-telegraph office in the town, and that they could forward their message
-to New York.
-
-“In and out of Leeville,” murmured the cowboy, as he and Matt sank
-breathlessly into a seat. “I reckon old Bill Hawkins will have another
-guess coming, eh?”
-
-
-
-
-CHAPTER XIV. SENDING THE TELEGRAM.
-
-
-The conductor, when he came through the train collecting tickets, was
-somewhat taken aback at the sight of Matt and McGlory.
-
-“Where’d you get on?” he inquired, looking the boys over and grinning a
-little at McGlory’s bare head and dress suit.
-
-“At Leeville,” said Matt.
-
-“There was only one man got on at Leeville. I didn’t see you.”
-
-“We climbed aboard the train on the side that was away from the
-station,” explained McGlory. “We were in a rush, and got aboard the
-handiest way we could.”
-
-“You were in so big a rush that you forgot your hats,” commented the
-conductor suspiciously. “Where are you going?”
-
-“Where does this train go, conductor?” put in Matt.
-
-“Fall River.”
-
-“Then we’ll pay our fares to Fall River,” and Matt handed the conductor
-a bill.
-
-“You’re a queer pair, and no mistake,” said the railroad man, while
-making change.
-
-“What’s the next stop?” continued Matt.
-
-“Stoughton.”
-
-“Do you stop long enough at Stoughton so we could get off and send a
-telegram?”
-
-“You have the message all written out and I guess you’ll have time.”
-
-With a puzzled look at the boys, the conductor left the car.
-
-Matt, on the back of the colonel’s letter to McGlory, began writing out
-the message.
-
-“Mark it ‘rush’” said McGlory, “and address it to the cashier of the
-Merchants’ & Miners’ National.”
-
-“I’ve got that,” answered Matt.
-
-Then, as plainly as he could, he wrote the following:
-
- “Order for two bars bullion, given to Joe McGlory by Colonel M. A.
- Billings, of Tucson, Arizona, stolen. If presented, hold bullion
- until you hear from me.
-
- “JOE MCGLORY.”
-
-Matt handed the message to his chum to read.
-
-“That’ll do the trick,” said McGlory, “providing the gold hasn’t
-already been delivered. I hope that car of Tibbits’ broke down
-somewhere, and that he was hung up for a few hours on the road to New
-York. That’s our only hope, Matt.”
-
-Before Matt could answer, the conductor came along the aisle, ushering
-a gray-whiskered man who was carrying a carpetbag.
-
-“Here they are,” said the conductor to his companion, halting opposite
-the boys. “Do you know them?”
-
-“Well, by hokey!” ejaculated the other, staring at the motor boys as
-though they were a couple of ghosts.
-
-“Know them?” repeated the conductor.
-
-“I’ve seen ’em, conductor,” was the reply. “Bill Hawkins, our town
-constable, arrested them two fellers for stealin’ an automobile, an’
-they was put in the lockup not more’n an hour ago. How the nation did
-you fellers git out?”
-
-That was not a time to dodge responsibility. The truth, and the whole
-truth, must be told.
-
-“I had an idea something was wrong with you two chaps,” frowned the
-conductor. “This man”--he nodded to the gray-bearded stranger--“got on
-at Leeville, so I thought I’d bring him forward to have a look at you.
-Surprising information he’s giving me. What have you got to say for
-yourselves?”
-
-Sternness had crept into the conductor’s voice.
-
-“The gentleman from Leeville is telling the truth,” replied Matt. “I
-and my chum _were_ arrested by the constable and put in the Leeville
-town jail, but we twisted a bar from the window, crawled over the roof
-of a shed, and caught this train.”
-
-“Well, well!” gasped the man from Leeville.
-
-“You’ll get off at Stoughton, all right,” said the conductor, “but
-it’ll be for something beside sending a telegram.”
-
-“Wait a minute, conductor,” begged Matt. “If you and the other
-gentleman have time to listen, I want to tell you just what happened.
-We’ll be as quick as we can.”
-
-The conductor hesitated.
-
-“There are two sides to a story, you know,” went on Matt earnestly.
-“You’ve got one side, and now, in justice to us, you ought to have
-ours.”
-
-There was something in Matt’s steady gray eyes that lent a powerful
-appeal to his words. The conductor, turning back the forward seat,
-motioned to the man from Leeville to sit by the window.
-
-“Now,” said the conductor, sitting down, “I haven’t got much time.
-We’ll be at Stoughton in fifteen minutes. Fire away.”
-
-A good deal of detail was necessary, if Matt wanted to make out a
-strong case for himself and McGlory, so he began with the receipt of
-the colonel’s letter by his chum, and offered the letter in evidence.
-It was read by both the conductor and the Leeville man.
-
-Then, taking events in sequence, Matt went over his and McGlory’s
-experiences during the preceding day, while they were prisoners in the
-old Higbee house and while they were fighting for their freedom.
-
-It was an exciting story, and was listened to with deepest interest,
-not only by the conductor and the Leeville man, but also by two or
-three other passengers, as well.
-
-“By hokey,” murmured the Leeville man, when the recital was finished,
-“if that’s the truth, young feller, you an’ your friend ought to have a
-medal. I never heard anythin’ like it before.”
-
-“You said you wanted to send a telegram from Stoughton,” observed the
-conductor. “Who was the telegram going to?”
-
-“To the New York bank,” replied Matt, “in order to keep the bullion
-from being delivered to Tibbits and his gang.”
-
-“Have you written out the message?”
-
-“Here it is,” and Matt turned over the colonel’s letter and showed the
-message to the trainman.
-
-The conductor read it through carefully, and then read it aloud to the
-man from Leeville.
-
-“To my mind,” said the conductor, “this is evidence that these lads are
-telling the truth. They wrote that message before I brought you here to
-identify them, so they couldn’t have framed it up to get out of a tight
-place.”
-
-“I’m pretty sure they’re tellin’ the truth,” returned the man from
-Leeville, “because their story holds together. Mr. Higbee, I happen to
-know, has a nephew who’s a good deal of a black sheep. His name ain’t
-Tibbits, but it ain’t likely he’d have given his real name while doin’
-underhand work like what he was up to. Mr. Higbee, too, left this
-nephew at the country place to look after it while he an’ his family
-are abroad.”
-
-“I’ll bank on Motor Matt and Joe McGlory!” declared the conductor,
-reaching over to slap each of the boys on the shoulder. “If that
-Leeville constable had known as much as the law allows, he’d have given
-the lads a chance to tell their side of the story; and for him to
-refuse to let them send such an important telegram was an outrage. I
-hope,” the conductor added to Matt, “that the message will be received
-in time to save the bullion. In order to make sure that it is rushed
-through, you’d better let me attend to the sending of it myself.”
-
-“That’s mighty kind of you,” said Matt gratefully.
-
-“Don’t mention it, my lad,” the trainman answered. “I’m glad to be able
-to do something for you.”
-
-“I’m goin’ to Fall River to visit my married daughter,” put in the
-Leeville man, “an’ when I git back home, I’ll let Hawkins know what I
-think of his fool way of doing bizness. It’ll cost him his job, next
-’lection, you can lay to that.”
-
-“I wouldn’t bear down too hard on him,” counseled Matt. “Hawkins
-thought he was doing his duty.”
-
-“He’s a false alarm,” growled McGlory, “and he ought to have the pin
-pulled on him. Maybe I’ve lost a fortune through his foolishness--I
-don’t know.”
-
-At that juncture the train began to slow down.
-
-“Stoughton!” called the conductor, getting up and making for the rear
-door of the car.
-
-Matt and McGlory watched the conductor as he crossed the station
-platform and disappeared inside the telegraph office. He was gone for a
-couple of minutes, and when he reappeared he signaled for the train to
-pull out.
-
-“That’s done, my lads,” he announced, when he again came into the car.
-“In less than half an hour the telegram should be in the hands of the
-cashier.”
-
-“I hope to gracious it’ll git there in time,” said the Leeville man.
-“I’d hate to have it said that ten thousand dollars was lost jest
-because a constable in our town hadn’t sense enough to do the right
-thing.”
-
-“Something ought to be done to the rest of that rascally gang at the
-old Higbee house,” suggested the conductor.
-
-“It’s too late for that,” said Matt. “As soon as Joe and I got clear
-away from them, the scoundrels probably proceeded to make themselves
-scarce.”
-
-“I’ll bet they’re absent a whole lot,” chimed in the cowboy. “It was a
-good deal of scheming they did just for a measly ten thousand dollars.”
-
-“That sum is plenty large enough to make a whole lot of men go wrong,”
-asserted the conductor. “But, say, I’d like to have a picture of you
-two boys breaking through those iron gates in that automobile! It’s a
-wonder you didn’t get killed.”
-
-“I should say so!” breathed the man from Leeville. “You ought to’ve
-seen them gates, conductor. I’ve seen ’em, dozens o’ times. They’re
-big, an’ high, an’ hinged to heavy brick columns. It’s a miracle that
-car wasn’t smashed to kindlin’ wood, an’ the youngsters along with it.”
-
-“I was pretty sure we’d get through,” said Matt, “or we wouldn’t have
-tried it.”
-
-“He’s the lad to figure things out,” expanded McGlory proudly. “His
-mind works like a rapid-fire gun, an’ it ain’t often he misses the
-bull’s-eye, either.”
-
-“I guess you hit it off about right,” laughed the conductor. “I’m glad
-you had the nerve to tell me the whole story, Motor Matt, and that you
-didn’t try to dodge when I confronted you with this gentleman from
-Leeville. What you’ve said has made me your friend, and I’ll bet the
-Leeville man feels the same way.”
-
-“You bet he does,” avowed that gentleman, with emphasis.
-
-
-
-
-CHAPTER XV. AT THE BANK.
-
-
-It was about two o’clock in the afternoon when a touring car drew up in
-front of the Merchants’ & Miners’ Bank. There were five passengers in
-the automobile--four besides the driver.
-
-The driver was Sanders, and beside Sanders sat Tibbits. In the tonneau
-were Dimmock, his daughter, and a young fellow who wore clothes that
-were a very poor fit and who seemed exceedingly nervous.
-
-“Buck up!” admonished Dimmock to the young man. “Show what you’re made
-of now, Charley.”
-
-“I’ll--I’ll do the best I can,” answered Charley.
-
-“Let _me_ do the talking,” said Miss Dimmock.
-
-The girl’s attire was scarcely better, in the matter of fit, than was
-Charley’s, but she wore her costume with an easy grace that made up for
-any of the other shortcomings.
-
-“We’ll wait for you around the corner,” said Tibbits, as the girl and
-the young fellow got out.
-
-There was a worried look on Dimmock’s face as the touring car left the
-front of the bank and moved slowly along the street.
-
-“It’s a lot of trouble and risk we’re taking for ten thousand dollars,”
-he muttered.
-
-“You’ve taken more trouble and risk for less, Dimmock,” said Tibbits.
-
-“I have, yes,” admitted the other, his face gray with anxiety, “but
-never before have I asked Pearl to help me in such a matter. It will be
-the last time.”
-
-“Bah!” sneered Tibbits.
-
-Meantime, the girl and Charley had entered the bank. Charley’s
-nervousness had increased to a painful degree. The frosty blue eyes
-of the girl, observing his abstracted manner, led her to infer that
-Charley, so far from being a help, would prove a source of danger.
-
-“You stay back here, Motor Matt,” she whispered, “and I’ll talk with
-the cashier alone.”
-
-Charley was only too glad to receive a command of that kind. Leaning
-against a writing desk at the wall, he watched his companion as she
-boldly made her way to the railing behind which the cashier transacted
-his business. Something like admiration awoke in Charley’s soul--that
-is, if there can be anything admirable in such an attempt as the girl
-was about to make.
-
-The long, yellow tresses had been cut from the girl’s head--a sacrifice
-demanded by the exigencies of the case.
-
-The cashier, as it chanced, was busy with some one else. Calmly and
-patiently the girl waited. Finally the other customer went away, and
-the girl pushed respectfully up to the railing and stood under the
-sharp eyes of the bank official.
-
-“What can I do for you?” asked the cashier briskly.
-
-“This will explain, I think,” said the girl, presenting the colonel’s
-order for the bullion.
-
-The cashier glanced at the order, then gave the girl a keen scrutiny.
-
-“You are Joe McGlory, are you?” he queried.
-
-“Yes.”
-
-“Are you personally acquainted with the gentleman who sent you this
-order?”
-
-“I am.”
-
-It was a pity, indeed, that Dimmock should have forced his daughter
-into such a tangle of deception; and doubly a pity that one so young
-and fair could have played the despicable part so boldly, and given her
-false answers without a tremor, or a pang of conscience.
-
-“Have you any other means of identifying yourself?” went on the cashier.
-
-Here was the place where the supposed Motor Matt was to be used, but
-Charley had not proved equal to the part.
-
-“I’m a stranger in town,” said the girl, “and I had supposed that order
-of the colonel’s was enough.”
-
-“Our orders are to deliver the bullion upon the presentation of this
-demand. You understand, Mr. McGlory, that we are simply acting as
-trustees for Colonel Billings.”
-
-The cashier looked at the paper reflectively. He had many important
-matters on his mind, matters in which hundreds of thousands were
-concerned, and two gold bars were a mere bagatelle.
-
-Again he studied the girl. She met his eyes frankly.
-
-“After all,” said the cashier, “this order lets us out. I will give you
-a receipt to sign, and while you are putting your name to it, I will
-have the bullion brought from the safe.”
-
-He scribbled a few words on a pad of printed receipt blanks, tore off
-the top slip and handed it to the girl, nodding his head toward a
-writing desk. Pearl stepped to the desk, and the cashier pressed an
-electric call for one of the bank attachés.
-
-The employee who answered the call brought with him a telegram.
-
-“That message just came, sir,” said he, “and is marked ‘rush.’”
-
-The cashier took the message.
-
-“Get me that bag of bullion from the vault, Jenkins,” said he, tearing
-the end off the yellow envelope, “the two bars of gold from Colonel
-Billings, of Tucson, Arizona.”
-
-“Very well, sir.”
-
-Jenkins started. The cashier read the telegram at a glance. Not a line
-in his face quivered.
-
-“Oh, Jenkins!” he called.
-
-The clerk came back.
-
-“Instead of getting the bullion,” said the cashier, in a low voice,
-“bring the bank policeman.”
-
-Jenkins nodded and started of again, this time in a different direction.
-
-“Here is the receipt, sir,” said the girl.
-
-“Ah,” smiled the cashier, getting up and opening a wicket. “It will
-take some little time to get the bullion, Mr. McGlory, and you had
-better step into my private room and wait. Keep the receipt until you
-receive the gold. That is only business, you know.”
-
-He led the girl across the open space in front of his desk, pushed ajar
-a door, and waved the girl into the private room; then, returning to
-his chair, he waited.
-
-Meantime, Jenkins had found the bank policeman.
-
-“Mr. Hamilton wants you at once, George,” said Jenkins.
-
-Charley overheard the words, and he had already seen the cashier
-talking with Jenkins and ushering the girl into the private room. That
-was quite enough for Charley, and he left the bank in a hurry.
-
-“What is it, Mr. Hamilton?” asked the policeman, leaning over the
-cashier’s railing.
-
-The cashier handed up the message for the policeman to read.
-
-“That sounds business-like, Mr. Hamilton,” said the policeman, dropping
-the message on the cashier’s desk.
-
-“Very much so, George.”
-
-“It’s from Stoughton, Massachusetts.”
-
-“Yes.”
-
-“If the order comes in here, we can arrest the man that brings it.”
-
-“It has already been handed in, George. Here it is.”
-
-A startled look crossed the policeman’s face.
-
-“Was the bullion delivered?” he asked.
-
-“Not yet. A young man who says he is Joe McGlory is in my private room.
-You know what to do. Take him out the side entrance so there won’t be a
-scene out front.”
-
-The policeman passed through the wicket and entered the private room.
-The cashier turned, serene as ever, to give a greeting to one of the
-bank’s customers.
-
-A call from the door of his private room caused the cashier to turn.
-
-“Just a moment, Mr. Hamilton,” said the policeman.
-
-The cashier stepped to the door, and the policeman took his arm and
-drew him inside.
-
-The room was empty!
-
-Then, for the first time, the cashier showed annoyance and concern.
-
-“How do you suppose that happened, George?” he demanded.
-
-The policeman pointed to an open window.
-
-“I have always said, Mr. Hamilton,” he remarked, clinching a point that
-he had been hammering at for a long time, “that you ought to have bars
-across that window. All the other windows are protected, and that one
-should be. The fellow got out, dropped ten feet to the alley, and has
-escaped.”
-
-“But why did he leave?” queried the cashier. “I am sure he didn’t learn
-anything from me.”
-
-“Chaps of that sort are naturally suspicious. The mere fact that you
-asked him into the private room was enough.”
-
-“See if there is any trace of him outside. He’s a youngish chap,
-seventeen or eighteen, I should say, rather effeminate in appearance,
-and wears----”
-
-“I saw him when he came in, sir,” broke in the policeman. “It will be
-useless to hunt for him, but I’ll see what I can do.”
-
-“Anyhow,” and the cashier laughed as the policeman hurried away, “we’ve
-got the bullion.”
-
-What was it that had aroused Pearl Dimmock’s suspicions? Only the
-secret workings of her own mind could reveal that point. Perhaps, at
-the last moment, her courage failed her, and she could not carry out
-the plan. This would be the charitable supposition.
-
-Yet, be that as it may, the girl vanished, and even her sex remained
-a mystery to the cashier and the policeman. The telegram, sent from
-Stoughton by the motor boys, had fulfilled its mission. That the girl
-had escaped was, to them, an unimportant detail. The main thing was to
-foil Tibbits and keep the bullion.
-
-
-
-
-CHAPTER XVI. A CLOSE SHAVE.
-
-
-Motor Matt and Joe McGlory reached Fall River in the afternoon. They
-had planned to catch one of the night boats for New York, and there
-was an hour or two at their disposal. They put in the time to good
-advantage buying clothes. Mr. Jacobs, the man from Leeville, was
-familiar with the town and, before going to his daughter’s, was glad to
-show the boys around and give them all the aid he could.
-
-When he left Matt and McGlory, the lads were completely equipped in new
-“hand-me-downs,” and feeling more like themselves.
-
-There was a little fear, on their part, that Bill Hawkins might have
-used the telegraph lines and that they would have trouble in Fall
-River. But the trouble did not materialize.
-
-“We’re jail-breakers, all right,” laughed McGlory, when they were
-safely in their stateroom aboard the sound steamer, “but Constable
-Bill, I reckon, has found out something about Miles and Barney that
-keeps him from running out our trail.”
-
-“Hawkins and his friend Hiram,” said Matt, “have discovered that
-they’ve made a mistake. I don’t see how they could have learned this
-from Miles or Barney, though, and I’m rather inclined to think that
-the justice of the peace got back from his fishing trip and said a few
-words in our behalf.”
-
-“What’s the difference, pard, so long as we’re at large? We’ve lost two
-suits of clothes and collided with a lot of hard knocks, but we got
-that telegram off.”
-
-“Also,” laughed Matt, “we’ve spoiled a pair of nice iron gates,
-destroyed some Higbee china, and played hob with one of the finest
-motor cars I ever handled. I guess the damage isn’t all on one side.”
-
-“I’ll be ‘completely satisfied,’ as Tibbits remarked, when I learn that
-the bullion has been saved.”
-
-“We’ll discover that to-morrow.”
-
-The motor boys slept their way down the sound, and reached New York
-early enough to go to their hotel and have breakfast before the bank
-opened. Immediately after breakfast they took an elevated train for
-downtown.
-
-“I’ve connected with a good lesson, pard, during this taxicab tangle,”
-remarked McGlory.
-
-The cowboy was constantly thinking of various matters connected with
-recent experiences, and entering them on the profit side of his
-personal account.
-
-“What’s this one, Joe?” asked Matt.
-
-“Never to read an important letter aloud in a public place. That’s the
-thing that got us into this mix with Tibbits. He happened to be in this
-hotel, and he happened to hear the letter. After that--well, I reckon
-the memory of what happened is still pretty green.”
-
-It was with some trepidation that the boys entered the Merchants’ &
-Miners’ Bank and made their way to the cashier’s desk.
-
-“What can I do for you?”
-
-It was the same brusque query which the cashier put so many times a day
-that its use had become a habit.
-
-“You can do a whole lot for me, _amigo_,” said McGlory. “Principally,
-though, I’m pining to learn whether two gold bars from Tucson, Arizona,
-are still in your strong box.”
-
-The cashier was interested at once.
-
-“Why do you ask?” he inquired, leaning back in his chair and studying
-the faces of the boys.
-
-He was a proficient reader of character; as a matter of fact, he had to
-be. The ability to take a man’s sizing at a glance had saved him from
-many a pitfall.
-
-“Now you’re hitting me right at home,” said the cowboy. “If that
-gold is here, I’m the happiest maverick that ever strayed from the
-Southwest; if it’s not here, I’m due to get unpleasant tidings from the
-colonel. You see, _amigo_, I’m the easy mark they call Joe McGlory.”
-
-A slow smile was working its way over the cashier’s face. There was
-something open and free about Joe McGlory--too free, at times, those
-who did not know him might have been tempted to think.
-
-“You don’t look much like the Joe McGlory who came here yesterday,”
-remarked the cashier casually.
-
-The cowboy lopped down on the railing.
-
-“I’m going to ask for a hot flat and a cup of ginger tea in a minute,”
-he murmured dejectedly. “Friend, was there a yellow-haired stranger
-here yesterday, in my clothes?”
-
-“Such a person called. Whether he wore your clothes, or not, of course
-I can’t say.”
-
-“Woosh! Johnny Hardluck is getting ready to hand me one. Stand close,
-Matt. I’m going to need you, I reckon. Yes, _amigo_, they were my
-clothes. Did she give you an order from the colonel for the bullion?”
-
-“She?” echoed the cashier, lifting his brows.
-
-“Of course you couldn’t know that,” said McGlory, “but the fellow who
-claimed to be me was a _moharrie_. She gave you the colonel’s order and
-you handed her the gold?”
-
-“No. I had her sign a receipt and was just about to send for the gold
-when a telegram arrived. I had----”
-
-“Then--then----”
-
-“Just a minute, please. I had the young woman step into my private
-room, and instead of sending for the gold I sent for the bank
-policeman. When he went into the room to arrest the girl, she had
-vanished. Something, I suppose, had aroused her suspicions. At any
-rate, she slipped from a window and made good her escape. I’m very
-sorry it happened. It is a blow at law and order for such a would-be
-criminal to get away.”
-
-The cowboy stared; then a glow overspread his face, and he grabbed for
-the cashier’s hand.
-
-“Sorry!” he exclaimed. “Why, pard, this isn’t a time to be sorry about
-anything! You’ve still got the colonel’s gold in your safe, and I’m the
-happiest stray in all New York! You hear that, Matt?” and he whirled
-and caught his chum by both hands. “It was a close shave, but that
-message of ours did the trick! The gold’s here, and Tibbits has been
-done--done to a turn! If there weren’t so many people around, I’d yell.”
-
-“You say you’re Joe McGlory?” said the cashier casually, “but I’m from
-Missouri--after what happened yesterday. You haven’t the colonel’s
-order, and even that isn’t a safe means of identification. How are you
-going to prove you’re Joe McGlory?”
-
-“My pard, Motor Matt, will go on record. Matt, am I McGlory, Joseph
-Easy-mark McGlory?”
-
-“You’re Joe McGlory, all right,” laughed Matt.
-
-“That’s good, as far as it goes,” said the cashier, “but who’s to vouch
-for Motor Matt?”
-
-“That’s me, pard,” bubbled McGlory. “We vouch for each other.”
-
-The cashier joined in the merriment of the motor boys.
-
-“You’re a team,” said the cashier.
-
-“A whole team and something to spare,” chuckled the cowboy. “Honest,
-I’m feeling so good over that bullion that I’m nearly locoed.”
-
-“This will help to identify us,” said Matt.
-
-He took from his pocket the letter McGlory had received from the
-colonel. The conductor, when sending the telegram from Stoughton, had
-had the message copied on a telegraph blank and had returned the letter
-to Matt.
-
-The cashier read the letter carefully.
-
-“This also is good--as far as it goes,” he remarked. “The order for the
-bullion came with this?”
-
-“Yes.”
-
-“And you lads sent me a telegram yesterday?”
-
-“You can bet your roll-top desk against a copper cent we did. If you
-knew how we had to work to get that telegram off to you, you’d rather
-think we sent it.”
-
-This, of course, was from the cowboy.
-
-“Where was the message sent from?”
-
-“From Stoughton, Massachusetts. Turn that letter over, neighbor, and
-you’ll find a copy of the message on the back of it.”
-
-The cashier read the copy.
-
-“That’s good circumstantial evidence, Mr. McGlory,” said he, handing
-the letter to the cowboy, “and you can have the colonel’s gold whenever
-you come after it. Will you take it now?”
-
-“The meeting of the syndicate is called for to-night, at the office of
-Random & Griggs,” said McGlory, “and I don’t want those two bars until
-the last thing before the bank closes at three o’clock. That bullion
-has caused trouble enough, and I’m putting up my fences against any
-more.”
-
-“Very well; come at three and you’ll get the gold.”
-
-The boys turned and slowly left the bank.
-
-“Somehow,” said the cowboy, “I’m glad that girl got away.”
-
-“So am I,” answered Motor Matt.
-
-THE END.
-
-The next number (363) will contain “A Hoodoo Machine; or The Motor
-Boys’ Runabout No. 1313,” by Stanley R. Matthews.
-
- * * * * *
-
-BRAVE AND BOLD WEEKLY
-
-NEW YORK, November 27, 1909.
-
-TERMS TO BRAVE AND BOLD WEEKLY MAIL SUBSCRIBERS.
-
-(_Postage Free._)
-
-Single Copies or Back Numbers, 5c. Each.
-
- 3 months 65c.
- 4 months 85c.
- 6 months $1.25
- One year 2.50
- 2 copies one year 4.00
- 1 copy two years 4.00
-
-=How to Send Money=--By post-office or express money order, registered
-letter, bank check or draft, at our risk. At your own risk if sent by
-currency, coin, or postage stamps in ordinary letter.
-
-=Receipts=--Receipt of your remittance is acknowledged by proper change
-of number on your label. If not correct you have not been properly
-credited, and should let us know at once.
-
- ORMOND G. SMITH, }
- GEORGE C. SMITH, } _Proprietors._
-
- =STREET & SMITH, Publishers,
- 79-89 Seventh Avenue, New York City.=
-
-
-
-
-FACE TO FACE WITH A MAD DOG.
-
-
-“I can’t say that I object very much to the muzzling order,” remarked
-Captain Peyton. “I have had too many experiences with mad dogs, and my
-voyage with one of them I am never likely to forget.”
-
-“How was that?” we inquired eagerly; and after a little pressing the
-captain spun us the following yarn:
-
-The thing happened, he began, on board the ship _Globe_, when I was a
-young man before the mast, coming home in her from Denmark.
-
-Our captain had procured the animal for a friend of his, who lived
-somewhere in the country, and wanted such a dog to keep off tramps and
-other trespassers.
-
-I have seldom seen a larger or more vicious-looking dog. He was of the
-breed called the Great Dane, a kind noted for size and fierceness; and
-though only a year old, he did honor to both these characteristics.
-
-He would make friends with no one forward, and sometimes would even
-show his large white teeth upon a too familiar caress from the captain,
-his master pro tem.
-
-You may be sure that not a single one of us ever kicked that dog out of
-the way or took any other liberty with him.
-
-“That animal will be a treasure to Captain Gale’s friend,” the second
-mate remarked one day. “Why, if I had him I should expect to come home
-some afternoon to find my wife in half a dozen pieces, and my children
-lying about in little strips. What can a man be thinking of to want
-such a creature as that about the place?”
-
-We used to think that he had more teeth than other dogs--at least, his
-mouth appeared absolutely full of them--two great, white shining rows
-that it made one shudder to see.
-
-Once he snapped at little Roy Drew, the ship’s “boy,” and took a piece
-out of his duck trousers, but without tearing his flesh.
-
-Fortunately Captain Gale was at hand, and a loud, quick shout from him
-prevented any further demonstration. He accused Roy of carelessness,
-and said the dog would not have attempted to hurt him if he had been
-minding his business.
-
-Roy was dreadfully frightened, though, for it was a narrow escape.
-
-“That dog ought to be chained up,” said the first mate.
-
-“Nonsense!” retorted Captain Gale obstinately, “the animal will not
-hurt any one if left alone, and the men must not meddle with him if
-they do not wish to be bitten.”
-
-After a time the brute began to lose his appetite. He slept more than
-usual, and at last refused his food altogether. There was evidently
-something the matter with him.
-
-“It would be an awkward matter for us if he had hydrophobia,” said the
-first mate.
-
-“He might easily do so,” replied the second mate. “They say dogs
-generally behave like that before going mad.”
-
-We sailors also felt rather uneasy; but the captain, as usual, treated
-the matter very lightly.
-
-“He may die, of course,” he said, as the mate suggested some
-precaution, “but I won’t have him killed; and as to tying him up just
-because he won’t eat, I shan’t do that either. He may be all right
-again in a day or two.”
-
-Although the animal slept much, he would often get up and turn around
-as if he were not easy in any position. His eyes, too, had a very
-strange, glassy stare.
-
-He remained in this state for a week, sometimes moving a few feet, but
-generally asleep.
-
-He growled at every one who came near him, and I believe that even the
-captain, although too obstinate to acknowledge it, would at last have
-been glad to see him knocked on the head.
-
-When the crisis finally came, it came suddenly. Most of the foremast
-hands were aloft in the rigging, I myself being in the maintop. The
-mate was busy somewhere about the deck, and the captain was leaning
-over the quarter rail, watching his opportunity to strike a porpoise
-which had come under the ship’s counter.
-
-Presently we heard him shout to the mate:
-
-“I’ve got him, Mr. Gibson! Come and lend a hand.”
-
-The officer hurried to assist him; but at that moment another cry came
-from the man at the wheel:
-
-“Look out, Captain Gale! Look out, Mr. Gibson! The dog is raving mad!”
-
-As he spoke he let go of the wheel and sprang for the mizzen rigging.
-The captain and mate, looking hastily round, saw the mad brute close
-behind them, leaping up aimlessly and snapping at the air. I need not
-tell you that they went into the shrouds probably more quickly than
-they had ever done before.
-
-Every one not already aloft got there without loss of time, so that the
-deck was soon entirely deserted.
-
-Meanwhile the dog was traversing the deck at a brisk trot, snapping at
-everything in his way.
-
-Sometimes he would come to a full stop and spring straight up; at
-others he would tear away at some large rope, as if trying to devour
-it. Occasionally he uttered a wild, dismal howl.
-
-What was to be done? Had he been a small dog we might have attacked and
-killed him with handspikes; but with so large and powerful a creature
-the case was different.
-
-The captain had a revolver in the cabin, but while we were becalmed off
-the Orkney Islands he had shot away all his cartridges at sea birds
-that came near the ship, so that now the firearm was useless.
-
-All this while the ship was left to herself, the topsails backing and
-filling, and the spanker moving from side to side.
-
-“Why not try to lasso the brute?” called out the mate at last.
-
-The captain thought the suggestion worth acting upon, and a number of
-us going down to the foot of the shrouds, attempted to take off some
-coils of the running rigging from the pins.
-
-But the dog was there before us, and, leaping up, he fixed his teeth in
-the shrouds in a way that showed what would be our fate if we did not
-keep out of his reach.
-
-However, as some of us were on one side of the ship and some on the
-other, we finally succeeded in getting at the slack of some of the
-ropes, and then, standing well up in the shrouds, we did our best at
-lasso-throwing. But we were no cowboys, and all our efforts resulted in
-failure.
-
-Our attempts served only to irritate the rabid animal, so that he
-was now perfectly frantic, leaping, howling, and rushing about in a
-terrible manner.
-
-Just as we had begun to despair of effecting anything in this way we
-heard a shout from forward. It was little Roy Drew.
-
-“Hello, there!” he said; “I’m on the bowsprit. I’ve just come down the
-forestay. I see how he can be got overboard.”
-
-As we stood in the shrouds, the ship’s fore and main courses, which
-were set, prevented us from seeing the boy, but we could easily judge
-of his position and intention also.
-
-“Look out for yourself, Roy!” was the cry from more than one voice, as
-all realized the fearful risk that he ran.
-
-But the little fellow had his plan. He made a great stamping and
-shouting, and the dog, which happened just then to be forward, leaped
-upon the forecastle.
-
-We, who were in the rigging, hurried down to the deck, no longer
-thinking of any danger to ourselves, and then the whole scene was
-before us.
-
-Roy had run out along the bowsprit and jib-boom, and the dog was trying
-to follow him.
-
-The upper side of the bowsprit being flat, the mad animal could easily
-traverse it, but we did not believe that he would be able to walk on
-the jib-boom. To our great alarm, however, we saw him dash out upon it
-without falling.
-
-“Roy! Roy!” we called, “take care of yourself--quick! quick! Don’t let
-him get hold of you!”
-
-But the lad was prepared even for this. Away out on the end of the boom
-he stood, with his hand on the flying jibstay, and when the dog was
-within a few feet of him, he grasped the hoops of the sail which were
-around it and went up the log rope like a squirrel.
-
-The mad dog made a sort of half leap, as if to reach him, staggered,
-lost his balance, and fell with a splash under the ship’s bows.
-
-Probably the sudden immersion threw him into one of those convulsive
-fits so common in the rabies, for, after a few minutes of violent
-tumbling, he sank outright, and we saw no more of him.
-
-“Now,” said Captain Gale, after all was over and the ship had been put
-upon her course, “I’ll finish catching my porpoise.”
-
-And, sure enough, upon going to his line, he found the iron still fast
-to it.
-
-During the remainder of the voyage, concluded Captain Peyton, little
-Roy Drew was the hero of the ship. He had performed what all the rest
-of us combined had been unable to accomplish, and even the captain gave
-him full credit for his gallant act.
-
-
-
-
-THE BOOMERANG.
-
-
-Since the memorable time when Captain Cook sailed into Botany Bay in
-1769 and saw the naked native Australian poising erect to hurl his
-peculiar weapon, the boomerang has continued to excite the curiosity
-and amazement of the civilized world; and truly the finding of such
-a scientific weapon in the hands of this so-called lowest order of
-mankind is an astonishing fact, to be simply accepted as another oddity
-of this odd, topsy-turvy corner of the world.
-
-This novel weapon became an intensely interesting object to me very
-soon after arriving in Australia; and for the purpose of studying
-it, I went persistently among the black fellows, whose friendship I
-cultivated in different ways, and so succeeded eventually in learning
-how to make and throw the boomerang. So far, well and good; but of
-its history I could learn nothing. Of the origin of the crooked stick
-there is no knowledge; one can only conjecture. It is possible it may
-have been born with the race itself from the accidental throwing of a
-flat stick; for from childhood the black fellow shows a natural bent
-for throwing things, as you can see by watching him use his only other
-weapons, the spear and club. The bow and arrow, so common in other
-lands, is not used, except in the extreme northern portion of the great
-island continent, where there is a mixture of the race with the Papuan
-of New Guinea.
-
-There are the war boomerang, hunting boomerang, and amusement
-boomerang. This last is used for light hunting, such as killing ducks,
-cockatoos, and parrots, and is the one that is referred to when
-speaking of the boomerang. These sticks measure from a foot and a half
-to three feet and a half in length, the fighting and hunting ones being
-the largest and heaviest. The hardest and toughest wood is selected,
-and the form of the weapon follows the grain of the wood; thus, if the
-crook of the root or limb is little or much, so is the form of the
-boomerang. You will find that nearly every one is of a different shape.
-In my collection I have them varying from almost straight to a shape
-like that of the letter V, nearly straight, curved, plain, ornamented,
-some with strange carvings, and all varying according to different
-sections of the country and individual tribes, each having its own make
-or style, showing respectively rough crudeness or considerable finish,
-and being especially characteristic in the ends or points--all of which
-a boomerang connoisseur will distinguish at once, and locate as to
-tribe and section.
-
-In the black fellow’s humpy, where he keeps his collection thrown down
-in a corner with a pile of spears, clubs, rags, bark, and skins of
-kangaroo and wallaby, I have seen very rare and curious specimens.
-
-The nomad black fellow makes his primitive humpy, or hut, in a location
-chosen temporarily, according to his necessities for hunting, fishing,
-and the like, by cutting a young sapling half through about four feet
-from the ground, and bending it over to a horizontal position, thus
-forming a ridge pole, against which boughs and strips of bark are laid.
-The covered side is always against the wind, and before the open front
-a fire is always burning or smouldering. He does not like the wind, and
-if it changes, presto! the humpy, too, is changed in a twinkling.
-
-Down in this humpy corner, underneath the pile of bark and skins, he
-will burrow like a rabbit when he goes to sleep, and from the same
-place he will provide himself with a weapon when starting off for a
-hunt.
-
-I have been with him at various times and in sundry places, but
-remember particularly one tramp with a tall, bushy-headed fellow, whom
-somebody had appropriately named Long Green.
-
-Starting from the humpy, we crossed a little stretch of scrubby
-country, and struck into the sun-fretted gum-tree forest, locally known
-as “the bush.” The black fellow is always on the alert for crooked
-boughs or roots, and as we trudged on Long Green in his quiet way kept
-his keen eyes on duty. Nothing escaped the observation of this child
-of the bush--bird or animal, crooked stick, stripping bark, or foot
-track, all were so many letters on the familiar page of his only book,
-the book of Nature. However, finding nothing near, he led the way in
-and out to a spot where he was sure of getting crooked roots. When a
-suitable one was found and cut away by Long Green’s hatchet, we turned
-our faces humpyward.
-
-Arrived at the camp, fresh fuel was put on the smouldering fire, the
-embers were blown into a lively flame, and then the black fellow began
-operations by splitting the crook into slabs, cutting them thinner and
-thinner until of the required thickness. This was the first step in the
-making of a boomerang. The next was to put the slabs on the fire, where
-we watched them roasting and sizzling, for they were green and full
-of sap. In this state the wood is very pliable, and from time to time
-he took a crook off, held it between his toes, knees, and teeth, and
-twisted out all its inequalities. I have noticed that these people use
-their teeth with great dexterity.
-
-More chipping, then more roasting, and the growing boomerang was now
-and again tossed carelessly on the ground just to see how it would
-act, while he glanced at it sideways, gave it a poke with his foot,
-and reminded me of a sedate old tom cat playing with a mouse. At last
-he gave it a gentle shy along the ground; then a stronger motion. It
-was buoyant, satisfactory. For the finishing off, it was scraped with
-a piece of broken bottle, the edges sharpened all around, and it was
-done--the boomerang was made! “White fellow, boss, chuck!” he said,
-handing it to me. It weighed about half a pound; the under side was
-rather flat, yet not entirely so, and the upper side slightly rounded,
-with the ends a little thinner than the centre. It was about half an
-inch thick and two and a half inches broad. After having amused myself
-while he was making another, I handed it back to him and told him to
-“chuck.” It proved to be a very good one, and he entertained me with
-it for a long time. It is held with the flat side down and the concave
-edge forward, and is thrown from over the shoulder. At the moment when
-it leaves the hand it must be in an upright or perpendicular position.
-
-The black fellow, with a short run and a grunt, sent the thing with a
-sudden jerk at an angle of some twenty-five degrees. After whirling
-through the air for nearly two hundred feet it began to rise, and its
-flight curved toward the left, taking in a circle of a hundred yards
-or more in diameter, and fell close to our feet, while throughout its
-whole course of nearly a thousand feet it kept up a harsh, whirring
-sound, like the wings of a partridge in full flight, the rotary motion
-giving it the appearance of a ring or wheel moving through space. He
-caused it to form in its course the figure eight a hundred yards in
-length, then again he sent it off in a horizontal direction for a
-hundred feet or more, when it quite suddenly turned and flew upward to
-a great height. It would wheel along the ground in a straight course
-and also in a circle, apparently possessed of some power in itself, and
-the black fellow would jump up and down, talking and ejaculating to it
-as though it understood him. He was an excellent thrower, and made it
-perform two and even three circles before falling to the ground. At
-his will it went from right to left, and from left to right. Most all
-boomerangs go but one way, being made for that purpose only.
-
-Now, all this seems contrary to the laws of nature and mathematics; but
-it is all right, and all the eccentric movements of the boomerang can
-be accounted for on scientific principles. Projectile force, rotary
-motion, and gravitation do it all, and though these are big words they
-mean something. You must not expect to throw it successfully without
-long practice. It is dangerous, too, in the hands of a beginner, for it
-is then that it “shows off,” and is liable to run wild and chase some
-bystander in a most vigorous manner. It is all very amusing to see a
-man running to escape, but he invariably runs the wrong way; and, if
-hit, it might be a serious matter for him.
-
-There were several other humpies near by in the bush, and whenever
-my black fellow threw the boomerang the other fellows would shout
-“kout kout!” meaning “look out!” and the women would seize the little
-naked blacks, and cuff them, and tumble them into the humpies in a
-most unceremonious manner; notwithstanding, their little black heads
-were soon peeping out again. The larger boys, of some six or eight
-years, were not interfered with, and they would run about and bring
-the boomerangs which fell at a distance, for before we got through
-there were several black fellows with their boomerangs in the game.
-It was great fun. They stood in a row, I among them, and we sent the
-boomerangs chasing through the air. Some were thrown in one direction,
-some the opposite, passing each other in their flight; and as they
-began to return I had to hop about in a lively way. The black fellows
-ditto.
-
-The boomerang has a favorite trick of hiding itself in the grass
-or bushes, and I have looked for one in vain in an open field, and
-given it up as lost, when, on returning the next day, it was found
-at once. But they cannot hide from these little black fellows. They
-have most wonderful eyes, deep set in their heads, and their sight is
-perhaps keener than that of any other member of the human race. When a
-boomerang fell at a distance they would run as fast as they could until
-near the place, then stand perfectly still for a moment, like a hunting
-dog, make a dive into the bushes, and reappear with the boomerang
-in the hand. One little fellow was hit in the calf of his leg while
-standing thus. It was a bad cut and bled freely. He disappeared among
-the humpies without a whimper, soon coming out again with a bandage of
-rags around the wounded leg.
-
-It was now late afternoon. I knew the blacks liked to get in under
-cover before dark, so, with a half-crown to Long Green, some cakes for
-the little bushy heads, and good-bys, I walked off like a veritable
-savage, grasping firmly my newly made aboriginal boomerang.
-
- * * * * *
-
-☛LATEST ISSUES☚
-
-BUFFALO BILL STORIES
-
-The most original stories of Western adventure. The only weekly
-containing the adventures of the famous Buffalo Bill. =High art colored
-covers. Thirty-two big pages. Price, 5 cents.=
-
-437--Buffalo Bill’s Panhandle Man-hunt; or, The Comanche Tigers.
-
-438--Buffalo Bill at Blossom Range; or, Juniper Joe’s Jubilee.
-
-439--Buffalo Bill and Juniper Joe; or, The Fool of Folly Mountain.
-
-440--Buffalo Bill’s Final Scoop; or, Tim Benson, the Tiger of the Hills.
-
-441--Buffalo Bill at Clearwater; or, Scouting with Old Nick Wharton.
-
-442--Buffalo Bill’s Winning Hand; or, The Mystery of Lost Lake.
-
-443--Buffalo Bill’s Cinch Claim; or, Bursting the Bubble.
-
-444--Buffalo Bill’s Comrades; or, Breaking the “Ring” that Robbed the
-Indians.
-
-445--Buffalo Bill in the Bad Lands; or, A Brave Attempt to Prevent a
-War.
-
-446--Buffalo Bill and the Boy Bugler; or, The Mysterious Girl of Sacred
-Mountain.
-
-447--Buffalo Bill and the Heathen Chinee; or, The Missing Witness.
-
- * * * * *
-
-BRAVE AND BOLD WEEKLY
-
-All kinds of stories that boys like. The biggest and best nickel’s
-worth ever offered. =High art colored covers. Thirty-two big pages.
-Price, 5 cents.=
-
-352--Right on Top; or, Yankee to the Backbone. By Cornelius Shea.
-
-353--A Clue from Nowhere; or, On a Phantom Trail. By Harrie Irving
-Hancock.
-
-354--Never Give Up; or, Harry Holton’s Resolve. By John L. Douglas.
-
-355--Comrades Under Castro; or, Young Engineers in Venezuela. By Victor
-St. Clair.
-
-356--The Silent City; or, Strange Adventures in an Unknown Country. By
-Fred Thorpe.
-
-357--Gypsy Joe; or, The Young Nomad’s Triumph. By John De Morgan.
-
-358--From Rocks to Riches; or, The Copper Coterie. By John L. Douglas.
-
-359--Diplomat Dave; or, A Young Reporter on the Firing Line. By Harrie
-Irving Hancock.
-
-360--Yankee Grit; or, With Stanley in “Darkest Africa.” By Harrie
-Irving Hancock.
-
-361--The Tiger’s Claws; or, Out with the Mad Mullah. By Weldon J. Cobb.
-
-362--A Taxicab Tangle; or, The Mission of the Motor Boys. By Stanley R.
-Matthews.
-
-363--A Hoodoo Machine; or, The Motor Boys’ Runabout No. 1313. By the
-author of “A Taxicab Tangle.”
-
- * * * * *
-
-TIP TOP WEEKLY
-
-The most popular publication for boys. The adventures of Frank and Dick
-Merriwell can be had only in this weekly. =High art colored covers.
-Thirty-two pages. Price, 5 cents.=
-
-697--Dick Merriwell’s Ranch Friends; or, Sport on the Range.
-
-698--Frank Merriwell at Phantom Lake; or, The Mystery of the Mad Doctor.
-
-699--Frank Merriwell’s Hold-back; or, The Boys of Bristol.
-
-700--Frank Merriwell’s Lively Lads; or, The Rival Campers.
-
-701--Frank Merriwell as Instructor; or, The Skill of the Wizard.
-
-702--Dick Merriwell’s Cayuse; or, The Star of the Big Range.
-
-703--Dick Merriwell’s Quirt; or, The Sting of the Lash.
-
-704--Dick Merriwell’s Freshman Friend; or, A Question of Manhood.
-
-705--Dick Merriwell’s Best Form; or, Master of Himself.
-
-706--Dick Merriwell’s Prank; or, The Exposure of Artie Ettinger.
-
-707--Dick Merriwell’s Gambol; or, Sport at the County Fair.
-
-708--Dick Merriwell’s Gun; or, The Mystery of the Covers.
-
-709--Dick Merriwell at His Best; or, Rounding the Team Into Form.
-
-710--Dick Merriwell’s Master Mind; or, The Mysterious Mr. Snare.
-
-711--Dick Merriwell’s Dander; or, The Day of Reckoning.
-
-712--Dick Merriwell’s Hope; or, The Reliance of the Blue.
-
-_For sale by all newsdealers, or will be sent to any address on receipt
-of price, 5 cents per copy, in money or postage stamps, by_
-
-STREET & SMITH, Publishers, 79-89 Seventh Avenue, New York
-
- * * * * *
-
-=IF YOU WANT ANY BACK NUMBERS= of our Weeklies and cannot procure them
-from your newsdealer, they can be obtained from this office direct.
-Fill out the following Order Blank and send it to us with the price
-of the Weeklies you want and we will send them to you by return mail.
-=POSTAGE STAMPS TAKEN THE SAME AS MONEY.=
-
- ...................._190_
-
- _STREET & SMITH, 79-89 Seventh Avenue, New York City._
-
- _Dear Sirs: Enclosed please find_.........................._cents
- for which send me_:
-
- TIP TOP WEEKLY, Nos ..............................
-
- NICK CARTER WEEKLY, “ ..............................
-
- DIAMOND DICK WEEKLY, “ ..............................
-
- BUFFALO BILL STORIES, “ ..............................
-
- BRAVE AND BOLD WEEKLY, “ ..............................
-
- _Name_............................
-
- _Street_..........................
-
- _City_......................._State_..............
-
- * * * * *
-
-BRAVE AND BOLD WEEKLY
-
-ISSUED EVERY WEDNESDAY BEAUTIFUL COLORED COVERS
-
-If the boys of ten or fifteen years ago could have secured such
-thoroughly good adventure stories, of such great length, at five cents
-per copy, the =Brave and Bold Weekly=, had it been published then,
-would have had ten times its present large circulation. You see, in
-those days, stories of the quality of those now published in the =Brave
-and Bold Weekly= were bound in cloth covers or else published little by
-little in boys’ serial papers, under which circumstances each story was
-paid for at the rate of one dollar or more.
-
-Now we give the boys of America the opportunity of getting the same
-stories and better ones for five cents. Do you not think it is a rare
-bargain? Just buy any one of the titles listed below and read it; you
-will not be without =Brave and Bold= afterward. Each story is complete
-in itself and has no connection whatever with any story that was
-published either before or after it.
-
-We give herewith a list of all of the back numbers in print. You can
-have your newsdealer order them or they will be sent direct by the
-publishers to any address upon receipt of the price in money or postage
-stamps.
-
-50--Labor’s Young Champion.
-
-53--The Crimson Cross.
-
-56--The Boat Club.
-
-62--All Aboard.
-
-65--Slow and Sure.
-
-66--Little by Little.
-
-67--Beyond the Frozen Seas.
-
-69--Saved from the Gallows.
-
-70--Checkmated by a Cadet.
-
-73--Seared With Iron.
-
-74--The Deuce and the King of Diamonds.
-
-75--Now or Never.
-
-76--Blue-Blooded Ben.
-
-77--Checkered Trails.
-
-78--Figures and Faith.
-
-79--The Trevalyn Bank Puzzle.
-
-80--The Athlete of Rossville.
-
-81--Try Again.
-
-82--The Mysteries of Asia.
-
-83--The Frozen Head.
-
-84--Dick Danforth’s Death Charm.
-
-85--Burt Allen’s Trial.
-
-89--The Key to the Cipher.
-
-90--Through Thick and Thin.
-
-91--In Russia’s Power.
-
-92--Jonah Mudd, the Mascot of Hoodooville.
-
-96--The Fortunes of a Foundling.
-
-97--The Hunt for the Talisman.
-
-98--Mystic Island.
-
-99--Capt. Startle.
-
-100--Julius, the Street Boy.
-
-101--Shanghaied.
-
-102--Luke Jepson’s Treachery.
-
-103--Tangled Trails.
-
-106--Fred Desmond’s Mission.
-
-107--Tom Pinkney’s Fortune.
-
-108--Detective Clinket’s Investigations.
-
-109--In the Depths of the Dark Continent.
-
-110--Barr, the Detective.
-
-111--A Bandit of Costa Rica.
-
-112--Dacy Dearborn’s Difficulties.
-
-113--Ben Folsom’s Courage.
-
-114--Daring Dick Goodloe’s Apprenticeship.
-
-115--Bowery Bill, the Wharf Rat.
-
-117--Col. Mysteria.
-
-118--Electric Bob’s Sea Cat.
-
-119--The Great Water Mystery.
-
-120--The Electric Train in the Enchanted Valley.
-
-122--Lester Orton’s Legacy.
-
-123--The Luck of a Four-Leaf Clover.
-
-124--Dandy Rex.
-
-125--The Mad Hermit of the Swamps.
-
-126--Fred Morden’s Rich Reward.
-
-127--In the Wonderful Land of Hez.
-
-128--Stonia Stedman’s Triumph.
-
-129--The Gypsy’s Legacy.
-
-130--The Rival Nines of Bayport.
-
-131--The Sword Hunters.
-
-132--Nimble Dick, the Circus Prince.
-
-134--Dick Darrel’s Vow.
-
-135--The Rival Reporters.
-
-136--Nick o’ the Night.
-
-137--The Tiger Tamer.
-
-138--Jack Kenneth at Oxford.
-
-139--The Young Fire Laddie.
-
-140--Dick Oakley’s Adventures.
-
-141--The Boy Athlete.
-
-142--Lance and Lasso.
-
-143--New England Nick.
-
-144--Air-Line Luke.
-
-145--Marmaduke, the Mustanger.
-
-146--The Young Desert Rovers.
-
-147--At Trigger Bar.
-
-148--Teddy, from Taos.
-
-149--Jigger and Ralph.
-
-150--Milo, the Animal King.
-
-151--Over Many Seas.
-
-152--Messenger Max, Detective.
-
-153--Limerick Larry.
-
-154--Happy Hans.
-
-155--Colorado, the Half-Breed.
-
-156--The Black Rider.
-
-157--Two Chums.
-
-158--Bantam Bob.
-
-159--“That Boy, Checkers.”
-
-160--Bound Boy Frank.
-
-161--The Brazos Boy.
-
-162--Battery Bob.
-
-163--Business Bob.
-
-164--An Army Post Mystery.
-
-165--The Lost Captain.
-
-166--Never Say Die.
-
-167--Nature’s Gentleman.
-
-168--The African Trail.
-
-169--The Border Scouts.
-
-170--Secret Service Sam.
-
-171--Double-bar Ranch.
-
-172--Under Many Suns.
-
-173--Moonlight Morgan.
-
-174--The Girl Rancher.
-
-175--The Panther Tamer.
-
-176--On Terror Island.
-
-177--At the Double X Ranch.
-
-179--Warbling William.
-
-180--Engine No. 13.
-
-181--The Lost Chief.
-
-182--South-paw Steve.
-
-183--The Man of Fire.
-
-184--On Sampan and Junk.
-
-185--Dick Hardy’s School Scrapes.
-
-186--Cowboy Steve.
-
-187--Chip Conway’s White Clue.
-
-188--Tracked Across Europe.
-
-189--Cool Colorado.
-
-190--Captain Mystery.
-
-191--Silver Sallie.
-
-192--The Ranch Raiders.
-
-193--A Baptism of Fire.
-
-194--The Border Nomad.
-
-195--Mark Mallory’s Struggle.
-
-196--A Strange Clue.
-
-197--Ranch Rob.
-
-198--The Electric Wizard.
-
-199--Bob, the Shadow.
-
-200--Young Giants of the Gridiron.
-
-201--Dick Ellis, the Nighthawk Reporter.
-
-202--Pete, the Breaker Boy.
-
-203--Young Maverick, the Boy from Nowhere.
-
-204--Tom, the Mystery Boy.
-
-205--Footlight Phil.
-
-206--The Sky Smugglers.
-
-207--Bart Benner’s Mine.
-
-208--The Young Ranchman.
-
-209--Bart Benner’s Cowboy Days.
-
-210--Gordon Keith in Java.
-
-211--Ned Hawley’s Fortune.
-
-212--Under False Colors.
-
-213--Bags, the Boy Detective.
-
-214--On the Pampas.
-
-215--The Crimson Clue.
-
-216--At the Red Horse.
-
-217--Rifle and Rod.
-
-218--Pards.
-
-219--Afloat with a Circus.
-
-220--Wide Awake.
-
-221--The Boy Caribou Hunters.
-
-222--Westward Ho.
-
-223--Mark Graham.
-
-225--“O. K.”
-
-226--Marooned in the Ice.
-
-227--The Young Filibuster.
-
-228--Jack Leonard, Catcher.
-
-229--Cadet Clyde Connor.
-
-230--The Mark of a Thumb.
-
-231--Set Adrift.
-
-232--In the Land of the Slave Hunters.
-
-233--The Boy in Black.
-
-234--A Wonder Worker.
-
-235--The Boys of the Mountain Inn.
-
-236--To Unknown Lands.
-
-237--Jocko, the Talking Monkey.
-
-238--The Rival Nines.
-
-239--Engineer Bob.
-
-240--Among the Witch-doctors.
-
-241--Dashing Tom Bexar.
-
-242--Lion-hearted Jack.
-
-243--In Montana’s Wilds.
-
-244--Rivals of the Pines.
-
-245--Roving Dick, the Chauffeur.
-
-246--Cast Away in the Jungle.
-
-247--The Sky Pilots.
-
-248--A Toss-up for Luck.
-
-249--A Madman’s Secret.
-
-250--Lionel’s Pluck.
-
-251--The Red Wafer.
-
-252--The Rivals of Riverwood.
-
-253--Jolly Jack Jolly.
-
-254--A Jay from Maine.
-
-255--Hank, the Hustler.
-
-256--At War with Mars.
-
-257--Railroad Ralph.
-
-258--Gordon Keith, Magician.
-
-259--Lucky-stone Dick.
-
-260--“Git Up and Git.”
-
-261--Up-to-date.
-
-262--Gordon Keith’s Double.
-
-263--The Golden Harpoon.
-
-264--Barred Out.
-
-265--Bob Porter’s Schooldays.
-
-266--Gordon Keith, Whaler.
-
-267--Chums at Grandcourt.
-
-268--Partners Three.
-
-269--Dick Derby’s Double.
-
-270--Gordon Keith, Lumber-jack.
-
-271--Money to Spend.
-
-272--Always on Duty.
-
-273--Walt, the Wonder-Worker.
-
-274--Far Below the Equator.
-
-275--Pranks and Perils.
-
-276--Lost in the Ice.
-
-277--Simple Simon.
-
-278--Among the Arab Slave Raiders.
-
-279--The Phantom Boy.
-
-280--Round-the-World Boys.
-
-281--Nimble Jerry, the Young Athlete.
-
-282--Gordon Keith, Diver Detective.
-
-283--In the Woods.
-
-284--Track and Trestle.
-
-285--The Prince of Grit.
-
-286--The Road to Fez.
-
-287--Engineer Tom.
-
-288--Winning His Way.
-
-289--Life-line Larry.
-
-290--Dick Warren’s Rise.
-
-292--Two Tattered Heroes.
-
-293--A Slave for a Year.
-
-294--The Gilded Boy.
-
-295--Bicycle and Gun.
-
-296--Ahead of the Show.
-
-297--On the Wing.
-
-298--The Thumb-print Clue.
-
-299--Bootblack Bob.
-
-300--A Mascot of Hoodooville.
-
-301--Slam, Bang & Co.
-
-302--Frank Bolton’s Chase.
-
-303--In Unknown Worlds.
-
-304--Held for Ransom.
-
-305--Wilde & Woolley.
-
-306--The Young Horseman.
-
-307--Through the Air to Fame.
-
-308--The Double-faced Mystery.
-
-309--A Young West Pointer.
-
-310--Merle Merton’s Schooldays.
-
-311--Double-quick Dan.
-
-312--Louis Stanhope’s Success.
-
-313--Down-East Dave.
-
-314--The Young Marooners.
-
-315--Runaway and Rover.
-
-316--The House of Fear.
-
-317--Bert Chipley On Deck.
-
-318--Compound Interest.
-
-319--On His Mettle.
-
-320--The Tattooed Boy.
-
-321--Madcap Max, the Boy Adventurer.
-
-322--Always to the Front.
-
-323--Caught in a Trap.
-
-324--For Big Money.
-
-325--Muscles of Steel.
-
-326--Gordon Keith in Zululand.
-
-327--The Boys’ Revolt.
-
-328--The Mystic Isle.
-
-329--A Million a Minute.
-
-330--Gordon Keith Under African Skies.
-
-331--Two Chums Afloat.
-
-332--In the Path of Duty.
-
-333--A Bid for Fortune.
-
-334--A Battle with Fate.
-
-335--Three Brave Boys.
-
-336--Archie Atwood, Champion.
-
-337--Dick Stanhope Afloat.
-
-338--Working His Way Upward.
-
-339--The Fourteenth Boy.
-
-340--Among the Nomads.
-
-341--Bob, the Acrobat.
-
-342--Through the Earth.
-
-343--The Boy Chief.
-
-344--Smart Alec.
-
-345--Climbing Up.
-
-346--Comrades Three.
-
-347--A Young Snake-Charmer.
-
-348--Checked Through to Mars.
-
-349--Fighting the Cowards.
-
-350--The Mud-River Boys.
-
-351--Grit and Wit.
-
-352--Right on Top.
-
-353--A Clue from Nowhere.
-
-354--Never Give Up.
-
-355--Comrades Under Castro.
-
-356--The Silent City.
-
-357--Gypsy Joe.
-
-358--From Rocks to Riches.
-
-359--Diplomat Dave.
-
-360--Yankee Grit.
-
-361--The Tiger’s Claws.
-
-362--A Taxicab Tangle.
-
-363--A Hoodoo Machine.
-
-364--Pluck Beats Luck.
-
-365--Two Young Adventurers.
-
-366--The Roustabout Boys.
-
-=Price, Five Cents per Copy.= If you want any back numbers of our
-weeklies and cannot procure them from your newsdealer, they can be
-obtained direct from this office. Postage stamps taken the same as
-money.
-
-STREET & SMITH, PUBLISHERS, 79-89 SEVENTH AVE., NEW YORK CITY
-
- * * * * *
-
-Transcriber’s Notes:
-
-Punctuation has been made consistent.
-
-Variations in spelling and hyphenation were retained as they appear in
-the original publication, except that obvious typographical errors have
-been corrected.
-
-The following change was made:
-
-p. 5: want to added (if you want to find)
-
-
-
-
-
-End of the Project Gutenberg EBook of Brave and Bold Weekly No 362, A
-Taxicab Tangle, by Stanley R. Matthews
-
-*** END OF THIS PROJECT GUTENBERG EBOOK BRAVE AND BOLD WEEKLY NO 362 ***
-
-***** This file should be named 53602-0.txt or 53602-0.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/5/3/6/0/53602/
-
-Produced by David Edwards, Craig Kirkwood, and the Online
-Distributed Proofreading Team at http://www.pgdp.net (Images
-courtesy of the Digital Library@Villanova University
-(http://digital.library.villanova.edu/).)
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for the eBooks, unless you receive
-specific permission. If you do not charge anything for copies of this
-eBook, complying with the rules is very easy. You may use this eBook
-for nearly any purpose such as creation of derivative works, reports,
-performances and research. They may be modified and printed and given
-away--you may do practically ANYTHING in the United States with eBooks
-not protected by U.S. copyright law. Redistribution is subject to the
-trademark license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country outside the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you'll have to check the laws of the country where you
- are located before using this ebook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm web site
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from both the Project Gutenberg Literary Archive Foundation and The
-Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
-trademark. Contact the Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org
-
-
-
-Section 3. Information about the Project Gutenberg Literary Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's principal office is in Fairbanks, Alaska, with the
-mailing address: PO Box 750175, Fairbanks, AK 99775, but its
-volunteers and employees are scattered throughout numerous
-locations. Its business office is located at 809 North 1500 West, Salt
-Lake City, UT 84116, (801) 596-1887. Email contact links and up to
-date contact information can be found at the Foundation's web site and
-official page at www.gutenberg.org/contact
-
-For additional contact information:
-
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works.
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our Web site which has the main PG search
-facility: www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-
diff --git a/old/53602-0.zip b/old/53602-0.zip
deleted file mode 100644
index f749ea4..0000000
--- a/old/53602-0.zip
+++ /dev/null
Binary files differ
diff --git a/old/53602-h.zip b/old/53602-h.zip
deleted file mode 100644
index 538268d..0000000
--- a/old/53602-h.zip
+++ /dev/null
Binary files differ
diff --git a/old/53602-h/53602-h.htm b/old/53602-h/53602-h.htm
deleted file mode 100644
index e7c2812..0000000
--- a/old/53602-h/53602-h.htm
+++ /dev/null
@@ -1,6382 +0,0 @@
-<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
- "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
-<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
- <head>
- <meta http-equiv="Content-Type" content="text/html;charset=utf-8" />
- <meta http-equiv="Content-Style-Type" content="text/css" />
- <title>
- The Project Gutenberg eBook of Brave and Bold Weekly No. 362, A Taxicab Tangle or, The Mission of the Motor Boys, by Stanley R. Matthews.
- </title>
- <style type="text/css">
-
-body {
- margin-left: 10%;
- margin-right: 10%;
-}
-
- h1,h2 {
- text-align: center; /* all headings centered */
- clear: both;
-}
-
-p {
- margin-top: .51em;
- text-align: justify;
- margin-bottom: .49em;
-}
-
-/*Modified horizontal rules to fix ePub display issue*/
-hr {
- width: 33%;
- margin-top: 2em;
- margin-bottom: 2em;
- margin-left: 33.5%;
- margin-right: 33.5%;
- clear: both;
-}
-
-hr.tb {width: 45%; margin-left: 27.5%; margin-right: 27.5%;}
-hr.chap {width: 65%; margin-left: 17.5%; margin-right: 17.5%;}
-hr.short{margin-top:0.5em; margin-bottom:0.5em;width: 10%; margin-left: 45%; margin-right: 45%;}
-/*End modified horizontal rule CSS*/
-
-table {
- margin-left: auto;
- margin-right: auto;
-}
-
-.pagenum { /* uncomment the next line for invisible page numbers */
- /* visibility: hidden; */
- position: absolute;
- left: 92%;
- font-size: smaller;
- text-align: right;
-} /* page numbers */
-
-.boxit{
- max-width: 22em;
- padding: 1em;
- border: 0em solid black;
- margin: 0 auto; }
-
-.boxit1{
- max-width: 45em;
- padding: 0.05em;
- border-style:solid;
- border-color:black;
- border-width: 0.1em 0em 0.1em 0em;
- margin: 0 auto; }
-
-.boxit2{
- max-width: 45em;
- padding: 0em;
- border: 0.2em solid black;
- margin: 0 auto; }
-
-.boxit3{
- max-width: 45em;
- padding: 0em;
- border: 0em solid black;
- margin: 0 auto; }
-
-.boxad{
- max-width: 35em;
- padding: 0em 1em 0em 1em;
- border: 0em solid black;
- margin: 0 auto;}
-
-.displayinline{display:inline-block; line-height:1.2}
-
-.doublerule{
- max-width: 45em;
- padding: 0.05em;
- border-style:solid;
- border-color:black;
- border-width: 0.1em 0em 0.1em 0em;
- margin: 0 auto; }
-
-.spacedquote{padding-left:0.6em; padding-right:0.6em}
-
-.hangindent{
- text-indent: -1.5em;
- padding-left: 1.5em;
- text-align:left;}
-
-/* Numbered list with hanging indent, for 1, 2, and 3 digit numbers */
-.numberitem2{
- text-align: left;
- vertical-align: top;
- margin-left:0.5em;
- text-indent: -1.3em;
- padding-left: 1.3em; }
-
-.numberitem3{
- text-align: left;
- vertical-align: top;
- text-indent: -2.5em;
- padding-left: 2.5em; }
-/* End of numbered indent CSS*/
-
-.center {text-align: center;}
-
-.smcap {font-variant: small-caps;}
-
-.caption {font-weight: bold;}
-
-/*Right alignment*/
-.marginrightindent1{text-align:right;margin-right:5em;}
-.marginrightindent{text-align:right;margin-right:0.75em;}
-
-/* Images */
-.figcenter {
- margin: auto;
- text-align: center;
-}
-
-/* Transcriber's notes */
-.transnote {background-color: #E6E6FA;
- color: black;
- font-size:smaller;
- padding:0.5em;
- margin-bottom:5em;
- font-family:sans-serif, serif; }
-
-/*CSS to set font sizes*/
-/*font sizes for non-header font changes*/
-.xxlargefont{font-size: xx-large}
-.xlargefont{font-size: x-large}
-.largefont{font-size: large}
-.smallfont{font-size: small}
-.boldfont{font-weight:bold}
-.sansseriffont{font-family:sans-serif}
-.titlefont{font-size:medium}
-
-/*CSS to force a page break in ePub*/
-div.chapter {page-break-before: always;}
-
-/*CSS markup for handhelds -- put at end of CSS*/
-@media handheld
-{
- img {max-width: 100%; height: auto;} /*Limit width to display*/
-}
-/*End CSS for handhelds*/
-
- </style>
- </head>
-<body>
-
-
-<pre>
-
-The Project Gutenberg EBook of Brave and Bold Weekly No 362, A Taxicab
-Tangle, by Stanley R. Matthews
-
-This eBook is for the use of anyone anywhere in the United States and most
-other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms of
-the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you'll have
-to check the laws of the country where you are located before using this ebook.
-
-Title: Brave and Bold Weekly No 362, A Taxicab Tangle
- or, The Mission of the Motor Boys
-
-Author: Stanley R. Matthews
-
-Release Date: November 26, 2016 [EBook #53602]
-
-Language: English
-
-Character set encoding: UTF-8
-
-*** START OF THIS PROJECT GUTENBERG EBOOK BRAVE AND BOLD WEEKLY NO 362 ***
-
-
-
-
-Produced by David Edwards, Craig Kirkwood, and the Online
-Distributed Proofreading Team at http://www.pgdp.net (Images
-courtesy of the Digital Library@Villanova University
-(http://digital.library.villanova.edu/).)
-
-
-
-
-
-
-</pre>
-
-
-<div class="figcenter" style="width: 601px;">
-<img id="coverpage" src="images/cover.jpg" width="601" height="850" alt="Cover" />
-</div>
-
-<div style="padding-top:4em">
-
-<div class="transnote">
-<h2 style="margin-top: 0em">Transcriber’s Notes:</h2>
-
-<p>The Table of Contents was created by the transcriber and placed in
-the public domain.</p>
-
-<p><a href="#TN_end">Additional Transcriber’s Notes</a> are at the
-end.</p>
-</div></div>
-
-
-<hr class="tb" />
-
-<div class="chapter"></div><!--Page break for ePub-->
-
-<div class="boxit">
-<p class="center xlargefont boldfont">TABLE OF CONTENTS</p>
-<p class="hangindent"><a href="#CHAPTER_I_A_LETTER_AND_A_SURPRISE">CHAPTER I. A LETTER&mdash;AND A SURPRISE.</a></p>
-<p class="hangindent"><a href="#CHAPTER_II_STARTLING_NEWS">CHAPTER II. STARTLING NEWS.</a></p>
-<p class="hangindent"><a href="#CHAPTER_III_A_TWISTED_SKEIN">CHAPTER III. A TWISTED SKEIN.</a></p>
-<p class="hangindent"><a href="#CHAPTER_IV_MOTOR_MATTS_DUTY">CHAPTER IV. MOTOR MATT’S DUTY.</a></p>
-<p class="hangindent"><a href="#CHAPTER_V_HOW_MCGLORY_WAS_FOOLED">CHAPTER V. HOW MCGLORY WAS FOOLED.</a></p>
-<p class="hangindent"><a href="#CHAPTER_VI_ON_THE_BOSTON_PIKE">CHAPTER VI. ON THE BOSTON PIKE.</a></p>
-<p class="hangindent"><a href="#CHAPTER_VII_THE_JOURNEYS_END">CHAPTER VII. THE JOURNEY’S END.</a></p>
-<p class="hangindent"><a href="#CHAPTER_VIII_CHUMS_IN_COUNCIL">CHAPTER VIII. CHUMS IN COUNCIL.</a></p>
-<p class="hangindent"><a href="#CHAPTER_IX_A_DARING_PLOT">CHAPTER IX. A DARING PLOT.</a></p>
-<p class="hangindent"><a href="#CHAPTER_X_PRISONERS">CHAPTER X. PRISONERS.</a></p>
-<p class="hangindent"><a href="#CHAPTER_XI_BOLD_WORK">CHAPTER XI. BOLD WORK.</a></p>
-<p class="hangindent"><a href="#CHAPTER_XII_PURSUIT">CHAPTER XII. PURSUIT.</a></p>
-<p class="hangindent"><a href="#CHAPTER_XIII_IN_AND_OUT_OF_LEEVILLE">CHAPTER XIII. IN AND OUT OF LEEVILLE.</a></p>
-<p class="hangindent"><a href="#CHAPTER_XIV_SENDING_THE_TELEGRAM">CHAPTER XIV. SENDING THE TELEGRAM.</a></p>
-<p class="hangindent"><a href="#CHAPTER_XV_AT_THE_BANK">CHAPTER XV. AT THE BANK.</a></p>
-<p class="hangindent"><a href="#CHAPTER_XVI_A_CLOSE_SHAVE">CHAPTER XVI. A CLOSE SHAVE.</a></p>
-<p class="hangindent"><a href="#FACE_TO_FACE_WITH_A_MAD_DOG">FACE TO FACE WITH A MAD DOG.</a></p>
-<p class="hangindent"><a href="#THE_BOOMERANG">THE BOOMERANG.</a></p>
-</div>
-
-<hr class="tb" />
-
-<div class="chapter"></div><!--Page break for ePub-->
-
-<div class="figcenter" style="width: 600px;">
-<img src="images/frontispiece.jpg" width="600" height="614" alt="" />
-<div class="caption"><p>Turning to give his attention to the young fellow who was lying beside the taxicab, Matt received
-another start. Strands of long, yellow hair had been released and were waving about Granger’s head.</p></div>
-</div>
-
-<hr class="tb" />
-
-<div class="chapter"></div><!--Page break for ePub-->
-
-<p><span class="pagenum"><a name="Page_1" id="Page_1">[1]</a></span></p>
-
-<div class="boxit2">
-<p class="center" style="font-size:200%">BRAVE <span style="font-size:60%">AND</span> BOLD<br />
-<span style="font-size:70%">WEEKLY</span></p>
-</div>
-
-<div class="boxit3">
-<p class="center smallfont"><em>Issued Weekly. By subscription $2.50 per year. Copyright, 1909, by</em> <span class="smcap">Street &amp; Smith</span>, <em>79-89 Seventh Avenue, New York, N. Y.</em></p>
-</div>
-
-<div class="boxit1">
-<p class="center"><b>No. 362.</b> <span style="padding-left:4em; padding-right:4em">NEW YORK, November 27, 1909.</span> <b>Price Five Cents.</b></p>
-</div>
-
-<h1><span style="font-size:125%">A TAXICAB TANGLE;</span><br />
-<span class="largefont">OR,</span><br />
-<span class="xxlargefont">The Mission of the Motor Boys.</span></h1>
-
-<hr class="short" />
-
-<p class="xlargefont center">By STANLEY R. MATTHEWS.</p>
-
-<hr class="short" />
-
-<div class="chapter"></div><!--Page break for ePub-->
-
-<h2><a name="CHAPTER_I_A_LETTER_AND_A_SURPRISE" id="CHAPTER_I_A_LETTER_AND_A_SURPRISE">CHAPTER I.<br />
-<span class="titlefont">A LETTER&mdash;AND A SURPRISE.</span></a></h2>
-
-
-<p>“For its size, pard, I reckon this is about the biggest
-town on the map. We’ve been here five days, and the
-traffic squad has been some busy with our bubble-wagon,
-but if there’s any part of this burg we haven’t seen,
-now’s the time to get out a search warrant, and go after
-it. What’s on for to-day?”</p>
-
-<p>Joe McGlory was the speaker. He and his chum, Matt
-King, known far and wide as Motor Matt, were in the
-lobby of the big hotel in which they had established themselves
-when they first arrived in New York. In a couple
-of “sleepy-hollow” chairs they were watching the endless
-tide of humanity, as it ebbed and flowed through
-the great rotunda.</p>
-
-<p>For five days the gasoline motor had whirled the boys
-in every direction, an automobile rushing them around
-the city, with side trips to Coney Island, north as far as
-Tarrytown, and across the river as far as Fort Lee, while
-a power boat had given them a view of the bay and the
-sound. Out of these five days, too, they had spent one
-afternoon fishing near City Island, and had given up
-several hours to watching the oystermen off Sound
-Beach.</p>
-
-<p>Matt, having lived in the Berkshires, and having put in
-some time working for a motor manufactory in Albany,
-had visited the metropolis many times. He was able,
-therefore, to act as pilot for his cowboy pard.</p>
-
-<p>“I thought,” he remarked, “that it’s about time we
-coupled a little business with this random knocking
-around. There’s a man in the Flatiron Building who is
-interested in aviation&mdash;I heard of him through Cameron,
-up at Fort Totten&mdash;and I believe we’ll call and have a little
-talk. It might lead to something, you know.”</p>
-
-<p>“Aviation!” muttered the cowboy. “That’s a brand-new
-one. Tell me what it’s about, pard.”</p>
-
-<p>“Aviation,” and Matt coughed impressively, “is the
-science of flight on a heavier-than-air machine. When
-we used that Traquair aëroplane, Joe, we were aviators.”</p>
-
-<p>“Much obliged, professor,” grinned the cowboy.
-“When we scooted through the air we were aviating, eh?
-Well, between you and me and the brindle maverick, I’d
-rather aviate than do anything else. All we lack, now, is
-a bird’s-eye view of the met-ro-po-lus. Let’s get a flying
-machine from this man in the Flatiron Building, and
-‘do’ the town from overhead. We can roost on top of the
-Statue of Liberty, see how Grant’s Tomb looks from the
-clouds, scrape the top of the Singer Building, give the
-Metropolitan&mdash;&mdash;”</p>
-
-<p>“That’s a dream,” laughed Matt. “It will be a long
-time before there’s much flying done over the city of New
-York. I’m going to see if we have any mail. After that,
-we’ll get a car and start for downtown.”</p>
-
-<p>McGlory sat back in his chair and waited while his
-chum disappeared in the crowd. When Matt got back,
-he showed his comrade a letter.</p>
-
-<p>“Who’s it from?” inquired McGlory.</p>
-
-<p>“Not being a mind reader, Joe,” Matt replied, “I’ll
-have to pass,” and he handed the letter to the cowboy.</p>
-
-<p>“For me?” cried McGlory.</p>
-
-<p><span class="pagenum"><a name="Page_2" id="Page_2">[2]</a></span></p>
-
-<p>“Your name’s on the envelope. The letter, as you
-see, has been forwarded from Catskill.”</p>
-
-<p>“Speak to me about this! I haven’t had a letter since
-you and I left ’Frisco. Who in the wide world is writing
-to me, and what for?”</p>
-
-<p>McGlory opened the letter and pulled out two folded
-sheets. His amazement grew as he read. Presently his
-surprise gave way to a look of delight, and he chuckled
-jubilantly.</p>
-
-<p>“This is from the colonel,” said he.</p>
-
-<p>“Who’s the colonel?” asked Matt.</p>
-
-<p>“Why, Colonel Mark Antony Billings, of Tucson,
-Arizona. Everybody in the Southwest knows the colonel.
-He’s in the mining business, the colonel is, and
-he tells me that I’m on the ragged edge of dropping into
-a fortune.”</p>
-
-<p>A man of forty, rather “loudly” dressed, was seated
-behind the boys, smoking and reading a newspaper. He
-was not so deeply interested in the paper as he pretended
-to be, for he got up suddenly, stepped to a marble column
-near Matt’s chair, and leaned there, still with the
-cigar between his lips, and the paper in front of his eyes.
-But he was not smoking, and neither was he reading.
-He was listening.</p>
-
-<p>“Bully!” exclaimed the overjoyed Matt, all agog with
-interest. “I’d like to see you come into a whole lot of
-money, Joe.”</p>
-
-<p>“Well, I haven’t got this yet, pard. There’s a string
-to it. The colonel’s got one end of the string, ’way off
-there in Tucson, and the other end is here in New York
-with a baited hook tied to it. This long-distance fishing
-is mighty uncertain.”</p>
-
-<p>“What is it? A mining deal?”</p>
-
-<p>“Listen, pard. About a year ago I had a notion I’d
-like to get rich out of this mining game. Riding range
-was my long suit, but gold mines seemed to offer better
-prospects. I had five hundred saved up and to my credit
-in the Tucson bank. The colonel got next to it, and he
-told me about the ‘Pauper’s Dream’ claim, which needed
-only a fifty-foot shaft to make it show up a bonanza. I
-gave the colonel my five hundred, and he got a lot more
-fellows to chip in. Then the colonel went ahead, built
-a ten-stamp mill, and started digging the shaft. When
-that shaft got down fifty feet, ore indications had petered
-out complete; and when it got down a hundred feet, there
-wasn’t even a limestone stringer&mdash;nothing but country
-rock, with no more yellow metal than you’d find in the
-sand at Far Rockaway. I bade an affectionate farewell
-to my five hundred, and asked my friends to rope-down
-and tie me, and snake me over to the nearest asylum for
-the feeble-minded if I ever dropped so much as a two-bit
-piece into another hole in the ground. After that, I forgot
-about the colonel and the ‘Pauper’s Dream.’ But
-things have been happening since I’ve been away from
-Tucson. Read the letter for yourself, pard. It will explain
-the whole situation to you. After you read it, tell
-me what you think. You might go over it out loud, while
-I sit back here, drink in your words, and try to imagine
-myself the big high boy with a brownstone front on
-Easy Street.”</p>
-
-<p>Matt took the sheet which McGlory handed to him,
-and read aloud, as follows:</p>
-
-<blockquote>
-
-<p>“<span class="smcap">My Dear Young Friend</span>: I knew the ‘Pauper’s
-Dream’ was all right, and I said all along it was the
-goods, although there were some who doubted me.
-Within the last three months we have picked up
-a vein of free milling ore which assays one thousand
-dollars to the ton&mdash;and there’s a mountain of it. Your
-stock, just on this three months’ showing, is worth, at a
-conservative estimate, five hundred dollars a share&mdash;and
-you paid only five dollars a share for it! You’re worth
-fifty thousand now, but you’ll be worth ten times that if
-the deal I have on with certain New York parties goes
-through.</p>
-
-<p>“Now, from an item I read in the papers, I find you
-are at Catskill, New York, with that young motor wonder,
-Matt King, so I am hustling this letter right off to
-you. By express, to-day, I am sending, consigned to the
-Merchants’ &amp; Miners’ National Bank, for you, two gold
-bars which weigh-up five thousand dollars each. Inclosed
-herewith you will find an order on the bank to
-deliver the bars to you. On Wednesday evening, the
-twenty-fourth, there will be a meeting of the proposed
-Eastern Syndicate in the offices of Random &amp; Griggs,
-No. &mdash; Liberty Street. You can help the deal along by
-taking the bullion to these capitalists, along with my affidavit&mdash;which
-is with the bars&mdash;stating that the gold
-came out of a week’s run at the ‘Pauper’s Dream’ with
-our little ten-stamp mill. That will do the business.
-Random &amp; Griggs have had an expert here looking
-over the mine. After you show the bullion at the syndicate’s
-meeting, return it to the bank.</p>
-
-<p>“I am not sure that this letter will reach you. If it
-doesn’t, I shall have to get some one else to take the
-gold to the meeting. Would come myself, but am head
-over heels in work here, and can’t leave the ‘Dream’ for
-a minute. Wire me as soon as you get this letter. I
-hope that you are in a position to attend to this matter,
-my lad, because there is no one else I could trust as I
-could you, with ten thousand dollars’ worth of gold
-bullion.</p>
-
-<p>“Catskill is only a little way from New York City, and
-you can run down there and attend to this. Let me know
-at once if you will.</p>
-
-<p class="marginrightindent1">“Sincerely yours,</p>
-
-<p class="marginrightindent">“<span class="smcap">M. A. Billings.</span>”</p></blockquote>
-
-<p>“Fine!” cried Matt heartily, grabbing his chum’s hand
-as he returned the letter.</p>
-
-<p>“It sounds like a yarn from the ‘Thousand and One
-Nights,’” returned the cowboy, “and I’m not going to
-call myself Gotrox until the ‘Pauper’s Dream’ is sold, and
-the fortune is in the bank, subject to Joe McGlory’s
-check.”</p>
-
-<p>“This is Monday,” went on Matt, “and the meeting of
-the syndicate is called for Wednesday evening.”</p>
-
-<p>“Plenty of time,” said McGlory. “I’m not going to
-let the prospect of wealth keep me from enjoying the
-sights for the next three days.”</p>
-
-<p>“Well,” returned Matt, “there’s one thing you’ve got
-to do, and at least two more it would be wise for you
-to do, without delay.”</p>
-
-<p>“The thing I’ve got to do, Matt, is to wire the colonel
-that I’m on deck and ready to look after the bullion.
-What are the two things it would be wise for me to do?”</p>
-
-<p>“Why, call at the bank and see whether the bullion is
-there.”</p>
-
-<p>“I don’t want to load up with it before Wednesday afternoon.”</p>
-
-<p>“Of course not, but find out whether it has arrived in
-New York. Then I’d call on Random &amp; Griggs, introduce<span class="pagenum"><a name="Page_3" id="Page_3">[3]</a></span>
-yourself, and tell them you’ll be around Wednesday
-evening.”</p>
-
-<p>“Keno! You’ll go with me, won’t you?”</p>
-
-<p>“I don’t think it will be necessary, Joe. While you’re
-attending to this, I’ll make my call at the Flatiron
-Building.”</p>
-
-<p>“I’ll have to hunt up Random &amp; Griggs, and I haven’t
-the least notion where to find the Merchants’ &amp; Miners’
-National Bank.”</p>
-
-<p>“We’ll get all that out of the directory.”</p>
-
-<p>“Then where am I to cross trails with you again?”</p>
-
-<p>“Come to the Flatiron Building in two hours; that,”
-and Matt flashed a look at a clock, “will bring us together
-at ten. You’ll find me on the walk, at the point of the
-Flatiron Building, at ten o’clock.”</p>
-
-<p>“Correct.” McGlory put the folded papers back into
-the envelope, and stowed the envelope in his pocket. “I
-reckon I won’t get lost, strayed, or stolen while I’m attending
-to this business of the colonel’s, but from the
-time I take that bullion out of the bank, Wednesday afternoon,
-until I get it into some safe place again, you’ve
-got to hang onto me.”</p>
-
-<p>“I’ll be with you, then, of course,” Matt laughed.
-“Now, let’s get the street addresses of the bank and the
-firm of Random &amp; Griggs, and then our trails will
-divide for a couple of hours.”</p>
-
-<p>The boys got up and moved away. The man by the
-marble column stared after them for a moment, a gleam
-of growing resolution showing in his black eyes. Turning
-suddenly, he dropped his newspaper into one of the
-vacant chairs and bolted for the street.</p>
-
-<p>His mind had evolved a plan, and it was aimed at the
-motor boys.</p>
-
-
-
-<hr class="chap" />
-
-<div class="chapter"></div><!--Page break for ePub-->
-
-<h2><a name="CHAPTER_II_STARTLING_NEWS" id="CHAPTER_II_STARTLING_NEWS">CHAPTER II.<br />
-<span class="titlefont">STARTLING NEWS.</span></a></h2>
-
-
-<p>Matt and McGlory decided that they would not use an
-automobile for their morning’s work. The cowboy would
-go downtown by the subway and Matt would use a surface
-car. They separated, McGlory rather dazed and
-skeptical about his prospective fortune, and Matt more
-confident and highly delighted over his chum’s unexpected
-good luck.</p>
-
-<p>It chanced that Matt had spent some time in Arizona,
-and he knew, from near-at-hand observation, how suddenly
-the wheel of fortune changes for better or for
-worse in mining affairs.</p>
-
-<p>One of Matt’s best friends, “Chub” McReady, had
-leaped from poverty to wealth by such a turn of the
-wheel, and Matt was prepared to believe that the same
-dazzling luck could come McGlory’s way.</p>
-
-<p>Within half an hour after leaving his chum, the young
-motorist was in the Flatiron Building, asking the man on
-duty at the elevators where he could find Mr. James
-Arthur Lafitte, the gentleman whom Cameron had mentioned
-as being interested in the problem of aëronautics.
-Lafitte, Cameron had told Matt, was a member of the
-Aëro Club, had owned a balloon of his own, and had
-made many ascensions from the town of Pittsfield, Massachusetts&mdash;which
-was near Matt’s old home in the Berkshire
-Hills; but, Cameron had also said, Lafitte had given
-up plain ballooning for dirigibles, and, finally, had turned
-his back on dirigibles for heavier-than-air machines. He
-was a civil engineer of an inventive turn, and with an
-adventurous nature&mdash;just the sort of person Matt would
-like to meet.</p>
-
-<p>Having learned the number of Lafitte’s suite of rooms,
-Matt stepped aboard the elevator and was whisked skyward.
-Getting out under the roof, he made his way to
-the door bearing Lafitte’s name, and passed inside.</p>
-
-<p>A young man, in his shirt sleeves, was working at a
-drawing table. Matt asked for Mr. Lafitte, and was informed,
-much to his disappointment, that he was at his
-workshop on Long Island, and would probably not be in
-the city for two or three days.</p>
-
-<p>Matt introduced himself to the young man, who was a
-draughtsman for Lafitte, and who immediately laid aside
-his compasses and pencil, and climbed down from his
-high stool to grasp the caller’s hand.</p>
-
-<p>“Mr. Lafitte has heard a good deal about you,” said he,
-“and has followed your work pretty closely. He’ll be
-sorry not to have seen you, Motor Matt. Can’t you come
-in again? Better still, can’t you run out to his workshop
-and see him?”</p>
-
-<p>“I don’t know,” Matt answered. “I’m in the city with
-a friend, and he has a little business to attend to which
-will probably take up some of our time.”</p>
-
-<p>“I think,” went on the other, “that you won’t regret
-taking the time to talk with Mr. Lafitte. He’s working
-on something, out there at his Long Island place, which
-is going to make a big stir, one of these days.”</p>
-
-<p>“Something on the aëroplane order?”</p>
-
-<p>The draughtsman looked thoughtful for a moment.</p>
-
-<p>“Suppose,” said he, “that something was discovered
-which had fifty times the buoyancy of hydrogen gas, that
-the buoyancy could be regulated at will by electrically
-heated platinum wires&mdash;would that revolutionize this flying
-proposition?”</p>
-
-<p>Matt was struck at once with the far-reaching influence
-of the novel proposition.</p>
-
-<p>“It would, certainly,” he declared. “Is that what&mdash;&mdash;”</p>
-
-<p>“I’m not saying any more than that, Motor Matt,”
-broke in the young man; “in fact, I <em>can’t</em> say anything
-more, but you take the trouble to talk with Mr. Lafitte.
-It may be worth something to you.”</p>
-
-<p>Matt lingered in the office for a few minutes longer,
-then went away. The spell cast over him by the clerk’s
-words went with him. He had often thought and
-dreamed along the lines of the subject the draughtsman
-had mentioned.</p>
-
-<p>The drawback, in the matter of dirigible balloons, lay in
-the fact that the huge bag, necessary to keep them aloft,
-made them the sport of every wind that blew. If the volume
-of gas could be reduced, then, naturally, the smaller
-the gas bag, the more practicable the dirigible would
-become. With the volume of gas reduced <em>fifty times</em>, a
-field opened for power-driven balloons which fairly took
-Matt’s breath away. And this lifting power of Lafitte’s
-was under control! This seemed to offer realization of
-another of Matt’s dreams&mdash;of an automobile flying machine,
-a surface and air craft which could fly along the
-roads as well as leap aloft and sail through the atmosphere
-above him.</p>
-
-<p>Carried away by his thoughts, Matt suddenly came
-back to his sober senses and found himself staring blankly
-into a window filled with pipes and tobacco at the
-V-shaped point of the Flatiron Building. He laughed
-under his breath as he dismissed his wild visions.</p>
-
-<p>“I won’t take any stock in this new gas,” he muttered,<span class="pagenum"><a name="Page_4" id="Page_4">[4]</a></span>
-“until I can see it demonstrated. Just now I’m more interested
-in Joe and his good luck than in anything else.”</p>
-
-<p>He looked at his watch. It was only half-past nine,
-and it would be half an hour, at least, before he could expect
-his chum. Matt had suddenly remembered, too, that
-it would probably be ten o’clock before Joe could finish
-his business at the bank, and that would delay his arrival
-at the Flatiron Building until after the appointed
-time.</p>
-
-<p>Crossing over into Madison Square, Matt idled away
-his time, roaming around and building air castles for
-McGlory. The cowboy was a fine fellow, a lad of sterling
-worth, and fortune could not have visited her favors upon
-one more deserving.</p>
-
-<p>By ten o’clock Matt was back at the Flatiron Building.
-As he came around on the Fifth Avenue side, a taxicab
-drew up at the curb, the door opened, and a lad sprang
-out. The youth was well dressed and carried a small tin
-box.</p>
-
-<p>Matt supposed the lad was some one who had business
-inside the building, and merely gave him a casual glance
-as he strolled on. Matt had not gone far, however, before
-he felt a hand on his shoulder. He whirled around,
-thinking it was McGlory, and was a little surprised to
-observe the youth who had got out of the taxicab.</p>
-
-<p>“Are you Motor Matt?” came a low voice.</p>
-
-<p>“That’s my name,” answered Matt.</p>
-
-<p>“And you’re waiting here for your friend, Joe McGlory?”</p>
-
-<p>“He was to meet me here at ten,” said Matt, his surprise
-growing.</p>
-
-<p>“Well,” went on the lad, a tinge of color coming into
-his face, “he&mdash;he won’t be able to meet you.”</p>
-
-<p>“Won’t be able to meet me?” echoed Matt. “Is business
-keeping him?”</p>
-
-<p>“That’s it. I’m from the office of Random &amp; Griggs,
-and Mr. McGlory wants you in a hurry.”</p>
-
-<p>“What does he want me for?”</p>
-
-<p>“That’s more than I know. You see, I’m only a messenger
-in the brokers’ office.”</p>
-
-<p>He was a well-dressed young fellow, for a messenger,
-but Matt knew that some of the messengers, from the
-Wall Street section, spend a good share of their salary on
-clothes, and, in fact, are required to dress well.</p>
-
-<p>“I can’t imagine what Joe wants me for,” said the
-wondering Matt, “but I’ll go with you to Liberty Street
-and find out.”</p>
-
-<p>“He’s not at the office, now,” went on the messenger,
-“but started into the country with Mr. Random just as I
-left the office to come after you.”</p>
-
-<p>“What in the world is Joe going into the country for?”</p>
-
-<p>“That’s too many for me. All he told me to tell you
-was that it had something to do with the ‘Pauper’s
-Dream.’ He said you’d understand.”</p>
-
-<p>This was startling news for Matt, inasmuch as it
-seemed to indicate that McGlory had encountered a snag
-of some kind in the matter of the mine.</p>
-
-<p>“We’d better hurry,” urged the messenger, as Matt
-stood reflecting upon the odd twist the “Pauper’s Dream”
-matter was taking.</p>
-
-<p>“All right,” said Motor Matt.</p>
-
-<p>Accompanying the young fellow to the taxicab, Matt
-climbed inside and the messenger followed and closed the
-door. The driver, it appeared, already had his instructions,
-and the machine was off the moment the door had
-closed.</p>
-
-<p>“My name is Granger, Motor Matt,” observed the
-messenger, “Harold Granger.”</p>
-
-<p>“You don’t look much like a granger,” laughed Matt,
-taking in the messenger’s trim, up-to-date garments.</p>
-
-<p>Harold Granger joined in the laugh.</p>
-
-<p>“What’s in a name, anyhow?” he asked.</p>
-
-<p>“That’s so,” answered Matt good-naturedly. “I’d give
-a good deal to know what’s gone crossways with McGlory.
-I suppose you haven’t any idea?”</p>
-
-<p>“There are not many leaks to Mr. Random’s private
-room,” answered Harold, “and I can’t even guess what’s
-going on. Mr. Random seemed excited, though, and it
-takes a lot to make <em>him</em> show his nerves.”</p>
-
-<p>“Where are we going?”</p>
-
-<p>“To Rye, a small place beyond Mamaroneck.”</p>
-
-<p>“Great spark-plugs!” exclaimed Matt, watching the
-figures jump up in the dial, recording the distance they
-were covering in dollars and cents. “What’s the use of
-using a taxicab for a trip like that? You ought to have
-hired a touring car by the hour.”</p>
-
-<p>“Oh, this was the only car handy, and Mr. Random
-never stops at expense.”</p>
-
-<p>“Why couldn’t he and McGlory have come by way of
-the Flatiron Building and picked me up?”</p>
-
-<p>“I think Mr. McGlory said you were not expecting
-him until ten o’clock.”</p>
-
-<p>“That needn’t have made any difference. Joe knew
-where I was to be in the Flatiron Building and he could
-have come for me.”</p>
-
-<p>“He and Mr. Random seemed to be in a hurry,” was
-the indefinite response, “and that’s all I know.”</p>
-
-<p>When the taxicab got beyond the place where the
-eight-miles-an-hour speed limit did not interfere, the
-driver let the machine out, and the figures in the dial
-danced a jig. But Random &amp; Griggs were furnishing
-the music for the dance, and Matt composed himself.</p>
-
-<p>“You’re a stranger in New York, aren’t you?” Harold
-inquired.</p>
-
-<p>“I haven’t been in the city for a long time,” Matt answered.</p>
-
-<p>“This is the Pelham Road,” the messenger went on,
-“and that’s the sound, over there.”</p>
-
-<p>“I was never out this way before,” said Matt,
-“but&mdash;&mdash;”</p>
-
-<p>Just at that moment something went wrong with the
-taxicab. There was a wobble, a wild lurch sidewise, a
-brief jump across the road, and a terrific jolt as the machine
-came to a halt. The body of the car was thrown
-over to a dangerous angle, Matt was flung violently
-against Harold Granger, and both of them struck the
-door. Under the impact of their bodies, the door yielded,
-and they fell out of the vehicle and into the road.</p>
-
-<p>Malt had given vent to a sharp exclamation, and his
-companion had uttered a shrill cry. The next moment
-they were on the ground, Matt picking himself up quickly,
-a little shaken but in no wise injured.</p>
-
-<p>The taxicab, he saw at a glance, had dived from the
-road into a stone wall. The driver had vanished, and
-Matt took a hurried glance over the wall to see if he had
-landed on the other side of it. He was not there, and
-the mystery as to his whereabouts deepened.</p>
-
-<p>Turning to give his attention to Granger, Matt received
-another start. The young fellow was lying beside
-the taxicab, lifting himself weakly on one arm. His tin
-box had dropped near him, and his derby hat had fallen
-off. Strands of long, yellow hair, which must have been<span class="pagenum"><a name="Page_5" id="Page_5">[5]</a></span>
-done into a coil and hidden under a wig of some sort, had
-been released and were waving about Granger’s shoulders.</p>
-
-<p>A woman! Here was a pretty tangle, and Motor Matt
-was astounded.</p>
-
-
-
-<hr class="chap" />
-
-<div class="chapter"></div><!--Page break for ePub-->
-
-<h2><a name="CHAPTER_III_A_TWISTED_SKEIN" id="CHAPTER_III_A_TWISTED_SKEIN">CHAPTER III.<br />
-<span class="titlefont">A TWISTED SKEIN.</span></a></h2>
-
-
-<p>As though a taxicab, minus its driver and running
-amuck into a stone wall, was not enough hard luck to
-throw across the path of Motor Matt, he had also to deal
-with a young woman masquerading in man’s attire. But
-for the mishap to the taxicab, Matt would probably never
-have discovered that the supposed youth was other than
-“he” seemed.</p>
-
-<p>There were a number of details that perplexed our
-young friend just then, and among them&mdash;and not the
-least&mdash;was the strange disappearance of the driver
-of the machine. This problem, however, would have to
-wait. Matt felt that the young woman should claim his
-first attention.</p>
-
-<p>“Are you hurt?” he asked, feeling more concern on
-that point than he would have done had his companion
-been of the other sex.</p>
-
-<p>“No,” answered the girl, her face reddening with
-mortification.</p>
-
-<p>Matt started to help her up, but she regained her feet
-without his aid and picked up the tin box and the hat.</p>
-
-<p>“I suppose, Miss Granger,” said he, “that I should
-have known, from the way those yellow tresses were
-smoothed upward at the back of your head, that&mdash;that
-you were not what you were trying to appear; but, of
-course, I wasn’t looking for any such deception as this.”</p>
-
-<p>Tears sprang to the girl’s eyes.</p>
-
-<p>“I&mdash;I don’t know what you will think of me,” she
-murmured. “You see, a man has so much better chance
-for getting on in the world that I&mdash;I have been obliged
-to play this&mdash;this rôle in&mdash;in self-defense.”</p>
-
-<p>“You have played the rôle for some time?”</p>
-
-<p>“For&mdash;for a year, now.”</p>
-
-<p>“You can’t expect me to believe that, Miss Granger,”
-said Matt calmly.</p>
-
-<p>“Why not?” she flashed.</p>
-
-<p>“Well,” he answered, “you would have cut off those
-long locks if you had made a business of playing such a
-part for a year. That would have been the reasonable
-thing to do, and I am sure you would have done it.”</p>
-
-<p>“Do you doubt my word?” she asked defiantly.</p>
-
-<p>“I don’t want to doubt your word, Miss Granger, but
-I have to take matters as I find them. You’re not a
-messenger for Random &amp; Griggs, either, are you?”</p>
-
-<p>She did not reply.</p>
-
-<p>“And all this about my chum, Joe McGlory, going into
-the country and wanting me to join him, isn’t true, is it?”</p>
-
-<p>“Yes, it’s true,” she declared desperately. “You’ll
-have to go with me if you <a id="Ref_5"></a>want to find Mr. McGlory.”</p>
-
-<p>“Did McGlory go into the country in a touring car with
-Mr. Random?”</p>
-
-<p>This was another question which the girl did not see
-fit to answer.</p>
-
-<p>“You’re not frank with me,” continued Matt, “and how
-can you expect me to have any confidence in you? Have
-you any idea what became of the driver of the taxicab?”</p>
-
-<p>“No,” she replied.</p>
-
-<p>“I’m going back down the road to look for him. While
-I’m gone, Miss Granger, you do a little good, hard thinking.
-I guess you’ll make up your mind that it’s best to
-be perfectly frank with me.”</p>
-
-<p>Without saying anything further, Matt turned away
-and started back along the road. He was caught in a
-twisted skein of events, and was the more perturbed
-because he could not think of any possible object the girl
-might have in trying to deceive him.</p>
-
-<p>But, whatever plot was afoot, Matt was positive that
-the accident to the taxicab had nothing whatever to do
-with it. That had been something outside the girl’s calculations,
-and an investigation might lead to results.</p>
-
-<p>The driver had not been long off the seat of the taxicab
-when the machine collided with the wall. This was self-evident,
-for the machine could not have proceeded any
-great distance without a controlling hand on the steering
-wheel.</p>
-
-<p>Less than a hundred feet from the spot where the accident
-had happened, Matt found the driver sitting up at
-the edge of some bushes by the roadside. He was covered
-with dust, and was holding his hat in his hands.
-There was a vacant stare in his eyes as he watched Matt
-approach.</p>
-
-<p>“What’s the matter with you?” queried Matt.</p>
-
-<p>The driver acted as though he did not understand. He
-began turning the hat around and around in his hands
-and peering into the crown in the abstracted fashion of
-one who is struggling with a hard mental problem.</p>
-
-<p>A little way back, Matt remembered that they had
-passed a road house. If he could get the driver to the
-road house, perhaps the people there could do something
-for him.</p>
-
-<p>“Come,” said he, catching the man by the arm and
-trying to lift him. “You are sick, and I’ll help you to
-a place where they can look after you.”</p>
-
-<p>Mechanically the driver put his hat on his head and
-got to his feet. For a moment he stood still, staring at
-Matt speculatively, as though trying to guess who he was
-and where he had come from; then, suddenly, he whirled
-and broke from Matt’s grasp, running farther back into
-the bushes.</p>
-
-<p>In half a dozen leaps Matt was upon him again, and
-had caught him firmly by the collar.</p>
-
-<p>“I’m a friend of yours,” he said soothingly, “and I
-want to take you to a place where you can be cared for.
-You’re not right in your head.”</p>
-
-<p>“Who are you?” mumbled the driver.</p>
-
-<p>“Can’t you remember me? I was in your taxicab; you
-picked me up at the Flatiron Building.”</p>
-
-<p>“What taxicab?” the man asked, drawing one hand
-across his forehead.</p>
-
-<p>“Yours.”</p>
-
-<p>The man’s blank look slowly yielded to a glimmering
-of reason.</p>
-
-<p>“Oh, yes,” he muttered, “I&mdash;I remember. The young
-chap hired me at Herald Square. I was to take him to
-the Flatiron Building, pick up another fare, and then go
-along the Pelham Road as far as Rye. I guess I’ve got
-that straight.”</p>
-
-<p>“Sure it was at Herald Square that the young fellow
-hired you?”</p>
-
-<p>“Yes, I’m positive of it.”</p>
-
-<p>The driver was getting back his wits by swift degrees.</p>
-
-<p>“What was the matter with you?” asked Matt.</p>
-
-<p><span class="pagenum"><a name="Page_6" id="Page_6">[6]</a></span></p>
-
-<p>“Sort of a fit. I used to have ’em a whole lot, but
-this is the first that’s come on me for purty nigh six
-months. No matter what I’m doin’, I jest drop an’ don’t
-know a thing for a minute or two; then, after I come
-out of it, I’m gen’rally a little while piecin’ things together.”</p>
-
-<p>“You shouldn’t be driving a taxicab, if you’re subject
-to such spells.”</p>
-
-<p>“Thought I’d got over ’em. I won’t have another,
-now, for two or three weeks, anyway. Didn’t you see
-me when I tumbled from the seat?”</p>
-
-<p>“No.”</p>
-
-<p>“That’s blamed queer! Didn’t you hear me, either?”</p>
-
-<p>“No.”</p>
-
-<p>“How did you find out I was gone from up front?”</p>
-
-<p>“The taxi jumped into a stone wall,” answered Matt
-dryly, “and threw us out. If you’ll step out of this patch
-of brush you can see the machine.”</p>
-
-<p>“Was it damaged much?” asked the man anxiously.</p>
-
-<p>“It doesn’t seem to be.”</p>
-
-<p>“Think I can tinker it up so as to take you and that
-other young chap on to Rye?”</p>
-
-<p>“That’s where you’re to take us, is it?”</p>
-
-<p>“Yes.”</p>
-
-<p>“And the young fellow hired you at Herald Square?”</p>
-
-<p>“Say, my brain’s as clear as yours, now. I know jest
-what I’m sayin’. I was hired at Herald Square to take
-him to the Flatiron Buildin’, and then to pick you&mdash;&mdash;”</p>
-
-<p>“All right,” cut in Matt. “Do you know who the
-young fellow is?”</p>
-
-<p>“Don’t know him from Adam. Never saw him before.”</p>
-
-<p>“After you get to Rye, what&mdash;&mdash;”</p>
-
-<p>The drumming of a motor car, traveling swiftly, was
-heard at that moment. The car was close and, through
-the bushes, Matt caught a glimpse of its fleeting red body
-as it plunged past.</p>
-
-<p>Thinking that the car, which seemed to be big and
-powerful, might be used for towing the taxicab&mdash;in case
-it was very seriously damaged&mdash;to the nearest garage,
-Matt jumped for the road.</p>
-
-<p>By the time he had gained the road, however, the
-touring car was abreast of the taxicab and forging
-straight onward at a tremendous clip. Matt’s intention
-of hailing the machine was lost in a spasm of astonishment
-the moment he had caught sight of the single passenger
-in the tonneau. There was one man in front with
-the driver, but the passenger in the tonneau&mdash;there could
-be no doubt about it&mdash;was Joe McGlory!</p>
-
-<p>By the time Matt had recovered full possession of his
-senses, the touring car was out of sight.</p>
-
-
-
-<hr class="chap" />
-
-<div class="chapter"></div><!--Page break for ePub-->
-
-<h2><a name="CHAPTER_IV_MOTOR_MATTS_DUTY" id="CHAPTER_IV_MOTOR_MATTS_DUTY">CHAPTER IV.<br />
-<span class="titlefont">MOTOR MATT’S DUTY.</span></a></h2>
-
-
-<p>For Matt, in this queer taxicab tangle, one mystery
-was piling upon another. Joe McGlory, in a faster car
-than the “taxi,” had left New York after Matt and the
-girl had taken their departure. Joe might be with Mr.
-Random, but the girl had certainly made a misstatement
-when she said that the cowboy and the broker had hurried
-off in advance of the taxicab. But then, the girl
-had made many misstatements.</p>
-
-<p>By the narrow margin of no more than thirty seconds,
-Matt had failed to reach the road in time to hail the
-touring car. Fate works with trifles, drawing her thread
-fine from the insignificant affairs of life.</p>
-
-<p>The driver came unsteadily through the bushes and
-stood at Matt’s side, gazing toward the taxicab.</p>
-
-<p>“What was you intendin’ to do?” he asked of Matt.</p>
-
-<p>“I was thinking we could hail that automobile and, if
-the taxicab was too badly injured to proceed under its
-own power, we could have the machine towed to the
-nearest garage.”</p>
-
-<p>“We won’t have any trouble findin’ a car to tow us&mdash;if
-we have to. If the machine ain’t too badly smashed, I’m
-goin’ to take you on to Rye.”</p>
-
-<p>“Perhaps I’d better do the driving,” suggested Matt.</p>
-
-<p>“Bosh! I’m all right for two or three weeks. The
-spells ain’t bad, but they’re mighty inconvenient.”</p>
-
-<p>“I should say so!” exclaimed Matt. “That other passenger
-and myself might have been killed.”</p>
-
-<p>“You wasn’t either of you hurt, was you?”</p>
-
-<p>That was the first remark the driver had made that
-showed any solicitude for his passengers.</p>
-
-<p>“No,” Matt answered. “Let’s get back and see if we
-can repair the taxi.”</p>
-
-<p>When they reached the taxicab, the girl was sitting on
-a stone near the machine. Her long tresses had been
-replaced under the derby hat, and she looked sufficiently
-boyish to keep up the deception&mdash;so far as the driver was
-concerned. Matt passed her with hardly a glance, and
-helped the driver make his investigation.</p>
-
-<p>No serious damage had been done to the taxicab. A
-lamp was smashed, and some of the electric terminals
-had been jarred from their posts, but not a tire had been
-punctured, and the machine seemed as capable as ever of
-taking the road.</p>
-
-<p>If the girl was curious as to the sudden disappearance
-and reappearance of the driver, she kept her curiosity to
-herself. When the driver had backed the machine into
-the road and headed it eastward, Matt turned to the girl.</p>
-
-<p>“Rye is the place we are bound for?” he said tentatively.</p>
-
-<p>She gave him a quick, troubled glance.</p>
-
-<p>“Yes,” she answered.</p>
-
-<p>Probably she was wondering whether he was intending
-to keep on with the journey.</p>
-
-<p>“Then,” proceeded Matt, “let’s get inside. We’ve lost
-a good deal of time.”</p>
-
-<p>He held the door open and the girl got into the vehicle.
-He followed her, after telling the driver to make his best
-speed.</p>
-
-<p>“The driver had some sort of a fit,” Matt explained,
-when they were once more under way, “and fell off the
-seat. You didn’t see him when he dropped, did you?”</p>
-
-<p>“If I had,” she answered, somewhat tartly, “I should
-have spoken about it.”</p>
-
-<p>“Of course,” returned Matt calmly. “So many peculiar
-things are happening, though, that I wasn’t sure but the
-disappearance of the driver might have had something to
-do with your plans.”</p>
-
-<p>“<em>My</em> plans?” she echoed.</p>
-
-<p>“I don’t know whose plans they are, but I suppose, if
-some one else laid them, you are pretty well informed or
-you couldn’t carry them out. What are we to do when
-we get to Rye?”</p>
-
-<p>“There will be another automobile there&mdash;a fast car&mdash;waiting
-to take us on along the Boston Post Road.”</p>
-
-<p><span class="pagenum"><a name="Page_7" id="Page_7">[7]</a></span></p>
-
-<p>“How far?”</p>
-
-<p>“Somewhere between Loon Lake and Stoughton, on
-the Boston Pike.”</p>
-
-<p>Again Matt was astounded.</p>
-
-<p>“That’s pretty close to Boston, isn’t it?” he inquired.</p>
-
-<p>“It’s a good deal closer to Boston than it is to New
-York.”</p>
-
-<p>“When do you think we’ll get to&mdash;to where we’re
-going?”</p>
-
-<p>“Some time to-night,” was the careless response.</p>
-
-<p>“You don’t seem to realize,” said Matt, just the barest
-riffle of temper showing itself, “that I hadn’t any intention
-of taking such a long ride as this when I left the
-Flatiron Building.”</p>
-
-<p>“Your friend wants you,” said the girl. “If that’s not
-enough to keep you on the long ride, then you can get out
-at Mamaroneck&mdash;we’ve already passed New Rochelle&mdash;and
-take the train back to New York.”</p>
-
-<p>The girl’s indifferent manner puzzled him. She must
-have seen the touring car pass the taxicab, and she must
-have known that Joe McGlory was in the car. What this
-had to do with her present attitude, if anything, Matt
-could not guess. For all that, he felt positive she did not
-think he had seen the touring car dash along the road
-with McGlory.</p>
-
-<p>“You told me McGlory had left New York ahead of
-us,” said he.</p>
-
-<p>“That’s what I was told.”</p>
-
-<p>“As a matter of fact, he didn’t leave until after we did,
-for he passed us while I was looking for the missing
-driver.”</p>
-
-<p>She shot a quick look at him.</p>
-
-<p>“You saw that, did you?” she inquired.</p>
-
-<p>“Yes.”</p>
-
-<p>“Then why didn’t you stop the car and find out what
-Mr. McGlory wanted?”</p>
-
-<p>“The car was going too fast. Besides, I didn’t know
-my friend was in the car until it was too far away.”</p>
-
-<p>She laughed softly.</p>
-
-<p>“Then you <em>do</em> have a little confidence in me, after all?”</p>
-
-<p>“Not a bit,” answered Matt, with a little laugh. “For
-reasons of your own, I believe you’re going to take
-me to the place where some one else is taking McGlory.
-I don’t know why, but I suppose I’ll find out if I wait
-long enough. Anyway, if Joe McGlory is in any sort of
-trouble, my place is at his side. And if you try to get
-away from me before I find McGlory,” he threatened,
-“I shall turn you over to the police in one of these small
-towns we’re passing through.”</p>
-
-<p>“You couldn’t do that without a legal excuse.”</p>
-
-<p>“Haven’t I a legal excuse? You got me away from
-New York by telling me something that wasn’t true.”</p>
-
-<p>“You don’t know, yet, that what I told you isn’t true.
-I don’t think you could have me arrested for something
-that hasn’t happened.”</p>
-
-<p>Some desperate purpose was urging the girl on. What
-it was, and why it should be desperate, were beyond
-Matt’s comprehension.</p>
-
-<p>“You’re a young man with a mission,” said the girl,
-turning a pair of frosty blue eyes upon the young fellow
-beside her, “and the mission is to get to where we’re
-going, and find Mr. McGlory. You’ll be a whole lot
-wiser after that.”</p>
-
-<p>Matt, in his own mind, did not doubt this statement.
-But that reflection in no wise helped him just then.</p>
-
-<p>Presently the girl began peering through the window
-in the top of the door, watching the roadside as they
-scurried along.</p>
-
-<p>“What are you looking for, Miss Granger?” asked
-Matt, after the girl had been peering steadily through
-the glass for several minutes.</p>
-
-<p>“For the other car,” she answered, without looking
-around.</p>
-
-<p>“You said that was to be waiting for us at Rye.”</p>
-
-<p>“It may have come this way to meet us, and&mdash;&mdash;Ah,
-stop!” she cried, lifting her voice. “We’ll get out here,
-driver.”</p>
-
-<p>The driver was a surprised man as he brought the
-taxicab to a halt. It was a lonely piece of road where
-they had come to a stop, shadowed deeply, as it was, by a
-thick growth of trees on either side.</p>
-
-<p>“It’s a mile, yet, before we get to the town,” demurred
-the driver.</p>
-
-<p>“We’ll stop here,” said the girl decisively.</p>
-
-<p>“I can’t see the other car,” spoke up Matt, looking in
-vain for the automobile that was to take them on.</p>
-
-<p>Although he did not see another car, yet his eye was
-caught and held by something white fluttering from a
-bush. While the girl was settling with the driver, Matt
-made his way to the roadside and examined the fluttering
-object. It was a white cloth, and had evidently been tied
-to the bush as a signal.</p>
-
-<p>“Wait a minute!” shouted Matt, as the driver was
-climbing back into his seat.</p>
-
-<p>Both the driver and the girl whirled around and stared
-in his direction.</p>
-
-<p>“I may want to go back to New York in the taxicab,”
-continued Matt. “I’d like to talk with you a minute, Mr.
-Granger,” he added, putting a little emphasis on the
-“mister.”</p>
-
-<p>The girl advanced slowly toward him.</p>
-
-<p>“Go back, if you’re afraid to go on and do what your
-friend wants you to do,” said she.</p>
-
-<p>“I’m not at all certain,” said Matt, “that I’m doing
-what my friend wants me to do. The only reason I’m
-keeping on with you is because I saw McGlory pass me
-in that red touring car. I’d like to ask you, Miss Granger,
-if you stopped because you saw this signal,” and
-Matt turned and pointed to the white cloth.</p>
-
-<p>“That’s the reason I stopped, Motor Matt,” the girl
-replied promptly.</p>
-
-<p>“The plans you are following seem to have been laid
-with a good deal of care, and to point to something that
-may prove pretty serious. I think, Miss Granger, that
-you and I will go on to Rye, and stop there.”</p>
-
-<p>“I’m not going to stop at Rye,” answered the girl, with
-spirit.</p>
-
-<p>“I think you will,” answered Matt coolly. “On second
-thought, I believe it’s my duty to turn you over to the
-authorities until I can find out something more about my
-chum. You can explain to the judge why you’re disguised
-as you are.”</p>
-
-<p>“You don’t mean that!” gasped the girl, starting back.</p>
-
-<p>“I do,” declared Matt. “As I said, I believe it’s my
-duty, and&mdash;&mdash;”</p>
-
-<p>At that precise juncture, something descended over
-Matt’s head, thrown from behind. It might have been a
-shawl, or an automobile coat, or a piece of cloth&mdash;there
-was no time to take particular note of it. The attack came
-so suddenly, and so unexpectedly, that he was not able
-to defend himself.</p>
-
-<p>With his face smothered in the thick folds, he was<span class="pagenum"><a name="Page_8" id="Page_8">[8]</a></span>
-drawn roughly backward. A foot tripped him, and he
-measured his length on the ground. The next moment
-he was seized by strong hands and dragged through the
-bushes and into the woods. He struggled blindly and
-fiercely against his unseen captors, but they were too
-many of them. He was powerless to free himself, and
-the smothering cloth that covered his head and shoulders
-made it impossible for him to call for help.</p>
-
-
-
-<hr class="chap" />
-
-<div class="chapter"></div><!--Page break for ePub-->
-
-<h2><a name="CHAPTER_V_HOW_MCGLORY_WAS_FOOLED" id="CHAPTER_V_HOW_MCGLORY_WAS_FOOLED">CHAPTER V.<br />
-<span class="titlefont">HOW MCGLORY WAS FOOLED.</span></a></h2>
-
-
-<p>McGlory found his way to the address in Liberty Street
-without any difficulty. But he was too early. The Stock
-Exchange had not yet opened, and only a few clerks were
-at work in the brokerage offices of Random &amp; Griggs.</p>
-
-<p>The cowboy sat down in a room where there were a
-number of chairs facing a big blackboard. There were
-a stepladder and a chair in front of the blackboard, and
-off to one side was a machine in a glass case with a high
-basket standing under it. A ribbon of paper hung from
-the machine into the basket. This, of course, was the
-“ticker” which received and recorded the quotations of
-stocks at the Exchange, but it was not yet time for it to
-begin work.</p>
-
-<p>McGlory and Matt were at least an hour too early in
-setting about their morning’s business.</p>
-
-<p>While the cowboy sat in his chair in front of the blackboard,
-wondering how long he could wait for Random
-or Griggs and yet be at the Flatiron Building as per appointment
-with Matt, a man sauntered in, looked at an
-office boy who was just going out with an armful of
-ticker tape, and then approached McGlory.</p>
-
-<p>He was the gentleman in the noisy apparel&mdash;he of the
-cigar, and the newspaper, and the listening ear and
-scheming brain. He was playing boldly, for the stakes
-were worth the risk.</p>
-
-<p>“Young man,” said he to McGlory, “are you waiting
-for some one?”</p>
-
-<p>“I’m waiting for one of the big high boys that boss the
-layout,” answered McGlory.</p>
-
-<p>“Indeed!” The man flashed a quick look around and
-made sure that only he and McGlory were in the room.
-“Well,” he went on, “I am Mr. Random.”</p>
-
-<p>“Fine!” exclaimed the cowboy, getting up. “I’m Joe
-McGlory, from the land of sun, sand, solitude, and pay-streaks.
-I’ve run in here to&mdash;&mdash;”</p>
-
-<p>McGlory got no further. Random grabbed his hand
-effusively.</p>
-
-<p>“We’ve been expecting you,” said he. “We have a
-meeting of the syndicate on Wednesday evening, and a
-letter from the colonel gives your name and informs us
-that you will be on deck with the bullion from the test
-run of the mill. If the gold shows up properly, there’s
-no doubt about our people coming across with the money.
-But we can’t talk here&mdash;some one is liable to drop in on
-us at any moment. This business is private, very private.
-Come with me, Mr. McGlory, and I’ll find a place where
-we can have a little star-chamber session.”</p>
-
-<p>“I don’t want to tear you away from business,” protested
-McGlory.</p>
-
-<p>Random waved his hand deprecatingly.</p>
-
-<p>“Griggs will look after the office,” said he. “This ‘Pauper’s
-Dream’ matter is a big deal to swing, and I guess
-it’s worth a few hours of my time. This way.”</p>
-
-<p>Random walked out into Liberty Street, rounded a
-corner, entered a door, passed through a barroom, and
-finally piloted the cowboy into a small apartment, furnished
-with two chairs, a table, and an electric fan.</p>
-
-<p>After he and McGlory had seated themselves, Random
-pushed an electric button. A waiter appeared.</p>
-
-<p>“What are you drinking, Mr. McGlory?” inquired Random.
-“I can recommend their Scotch highballs, and as
-for cocktails, they put up a dry Martini here that goes
-down like oil, and stirs you up like a torchlight procession.”</p>
-
-<p>“Elegant!” cackled McGlory. “I reckon, neighbor,”
-and he cocked up his eye at the waiter, “that I’ll trouble
-you for a seltzer lemonade, mixed with a pickled cherry
-and the cross-section of a ripe orange.”</p>
-
-<p>“You don’t mean to say that you’re from Arizona, and
-don’t irrigate!” gasped Random.</p>
-
-<p>“We irrigate with water, and that’s always been good
-enough for your Uncle Joseph. Besides, I’m training
-with Motor Matt, and our work calls for a clear brain
-and a steady hand. Seltzer lemonade for mine.”</p>
-
-<p>“You’ll have a cigar?”</p>
-
-<p>“That’s another thing I miss in the high jump.”</p>
-
-<p>“Give me the same as usual, Jack,” said Random, to the
-waiter. “You’re a lad of high principles, I see,” remarked
-the broker, when the waiter had retired.</p>
-
-<p>“It’s a matter of business, rather than of principle.
-Whenever an <i lang="es" xml:lang="es">hombre</i> gets his trouble appetite worked up,
-the first thing he does is to take on a cargo of red-eye.
-That points him straight for fireworks and fatalities.”</p>
-
-<p>“I don’t know but you’re right,” said Random reflectively.</p>
-
-<p>The waiter returned, and Random mixed himself something
-while McGlory fished around in his lemonade for
-the “pickled” cherry. Over their glasses they talked at
-some length, the broker seeking information about the
-section of Arizona where the colonel had begun operations
-on the “Pauper’s Dream.”</p>
-
-<p>“What time is it, Mr. Random?” asked McGlory, in
-the midst of their talk.</p>
-
-<p>“Just ten,” replied Random, with a look at his watch.</p>
-
-<p>“Sufferin’ schedules!” cried the cowboy, starting up.
-“I’m to meet Pard Matt at ten, at the Flatiron Building.
-On my way there, I’ve got to drop in at the bank.”</p>
-
-<p>“Why are you to call at the bank?” asked Random.</p>
-
-<p>“To find out whether the bullion has got here, and to
-show them my order for it from the colonel.”</p>
-
-<p>“You have the order with you?”</p>
-
-<p>“Sure thing. Just got it this morning.”</p>
-
-<p>“It won’t be necessary for you to go to the bank, Mr.
-McGlory,” said Random. “I’ve been there, myself, and
-I know the bullion has arrived. As for showing the
-order, you won’t have to do that until you take out the
-gold, on Wednesday.”</p>
-
-<p>“Wouldn’t it be a good scheme to get acquainted with
-the bank men?”</p>
-
-<p>“Not at all! If they doubt your authority to receive
-the bullion, in spite of the colonel’s order, a word from
-me will make everything all right. I believe I will go
-with you to the Flatiron Building. I’ve heard of this
-Motor Matt, and should like to meet him.”</p>
-
-<p>McGlory wondered a little at the cheerful way in which
-Random left Griggs to look after the brokerage business;
-at the same time, the cowboy felt not a little flattered to<span class="pagenum"><a name="Page_9" id="Page_9">[9]</a></span>
-have Random neglect his personal affairs for the purpose
-of meeting Matt.</p>
-
-<p>A cab carried them to the Flatiron Building, and Random
-waited on the walk while McGlory went bushwhacking
-for Matt. But Matt wasn’t in evidence.</p>
-
-<p>“Perhaps he got tired waiting for you,” suggested Random,
-“and went away?”</p>
-
-<p>“Nary, he wouldn’t,” returned the puzzled McGlory, “I
-reckon he’s talking with an aviator, upstairs, and has lost
-track of the time. I’ll go find Lafitte, and, ten to one, my
-pard will be with him. Wait here for a brace of shakes,
-Mr. Random, and&mdash;&mdash;”</p>
-
-<p>Just then a man pushed forward from the entrance to
-the cigar store. The man wore a cap and gloves, and
-looked like a chauffeur.</p>
-
-<p>“I beg your pardon,” said he, addressing McGlory, “but
-are you Motor Matt’s chum?”</p>
-
-<p>“That’s me,” answered the cowboy.</p>
-
-<p>“McGlory’s your name, isn’t it?”</p>
-
-<p>“Joe McGlory, that’s the label.”</p>
-
-<p>“Well, Motor Matt had a hurry-up call into the country.
-It’s a long ride, and he went by automobile. He
-wants you to follow him, and he hired me to wait for you
-and then take you after him. That’s my chug cart,” and
-the man pointed to a red touring car at the curb.</p>
-
-<p>“Speak to me about this!” cried McGlory. “What’s to
-pay? Do you know?”</p>
-
-<p>“Motor Matt didn’t say. All he wanted was for me to
-follow him with you in my car.”</p>
-
-<p>“I’ll bet a bushel of Mexican dollars it has something
-to do with Lafitte,” hazarded the cowboy. “Of course,
-I’ll go. Mr. Random,” and he turned to the broker, “I’m
-sorry you couldn’t meet up with my pard, but I’ll bring
-him around to your office Wednesday.”</p>
-
-<p>“Just a minute, Mr. McGlory,” and the broker took the
-cowboy’s hand and drew him to one side. “I don’t like
-the looks of this thing,” he went on, in a low tone.</p>
-
-<p>“How’s that?” asked McGlory, surprised.</p>
-
-<p>“I don’t know, but I’ve got a presentiment that something’s
-wrong.”</p>
-
-<p>“There’s something unexpected happened to Pard
-Matt,” said McGlory, “or he wouldn’t have piked off like
-this. But his orders are clear enough. I’m to follow
-him, so it’s me for the country.”</p>
-
-<p>“Perhaps,” and Random wrinkled his brows, “this has
-something to do with the ‘Pauper’s Dream.’”</p>
-
-<p>McGlory laughed incredulously.</p>
-
-<p>“I can’t see how,” he answered.</p>
-
-<p>“Neither can I, but it’s possible, all the same. We’re
-to get a good fat commission for placing that property,
-and I don’t intend to let the commission slip through my
-fingers.”</p>
-
-<p>“It’s a cinch, Mr. Random, that you’re barking up the
-wrong tree. This business of Matt’s has more to do with
-flying machines than with mines, and I’ll bet my moccasins
-on it.”</p>
-
-<p>“If you haven’t any objections, Mr. McGlory, I’d like
-to ride with you and make sure.”</p>
-
-<p>“The shuffer says it’s a long trip.”</p>
-
-<p>“I don’t care how long it is, just so I can assure myself
-that nothing is going crossways with the ‘Pauper’s
-Dream.’”</p>
-
-<p>“All right, neighbor. If that’s how you feel about it,
-you’re welcome to one corner of the bubble-wagon.”</p>
-
-<p>The three of them climbed into the touring car, Random
-in front with the driver, and McGlory in the tonneau.
-As soon as they were seated, the car began working
-its way through the crowded streets toward a section
-less congested with traffic. As the way cleared, the speed
-increased. Once on the Pelham Road, the chauffeur
-“hit ’er up,” and the red car devoured the miles in a way
-that brought joy to McGlory’s soul.</p>
-
-<p>When they passed a taxicab, with its nose rammed into
-a stone fence, the chauffeur remarked that the taxi was
-a good ways from home. Mr. Random looked thoughtful,
-but he made no request that the red car slacken its
-speed. McGlory saw a young fellow sitting on a bowlder,
-but the spectacle afforded by the taxicab and the supposed
-youth meant nothing to him. His mind was circling
-about Motor Matt.</p>
-
-
-
-<hr class="chap" />
-
-<div class="chapter"></div><!--Page break for ePub-->
-
-<h2><a name="CHAPTER_VI_ON_THE_BOSTON_PIKE" id="CHAPTER_VI_ON_THE_BOSTON_PIKE">CHAPTER VI.<br />
-<span class="titlefont">ON THE BOSTON PIKE.</span></a></h2>
-
-
-<p>Motor Matt, helpless and half stifled among the bushes,
-felt lashings being put on his arms and legs; then, while
-some one laid a hand on the cloth and pressed it tightly
-over his lips, a bit of conversation was wafted to him
-from the road. Because of the smothering cloth, the
-voices seemed to come from a great distance, although
-the spoken words were distinct enough.</p>
-
-<p>“What’re you tryin’ to do with that chap?”</p>
-
-<p>This was the driver of the taxicab. His curiosity, as
-was quite natural, had been aroused by the treacherous
-attack on Matt.</p>
-
-<p>“That’s all right, my friend,” replied a voice&mdash;a voice
-Matt had not heard before.</p>
-
-<p>“Maybe it’s all right, but it looks mighty crooked to
-me. Two of you threw a cloth over that chap’s head,
-downed him, an’ dragged him into the brush. I got a
-warm notion of goin’ on to Rye and gettin’ a constable.”</p>
-
-<p>The other man laughed.</p>
-
-<p>“You’d be making a fool of yourself, if you did. I’m
-from Matteawan, and the young fellow is an escaped
-lunatic. He’s a desperate chap to deal with, and we had
-to take him by surprise in order to capture him.”</p>
-
-<p>A long whistle followed those words.</p>
-
-<p>“Great Scott! Say, he didn’t look like he was dippy.”</p>
-
-<p>“Some of ’em never look the part&mdash;until they find
-you’re after ’em.”</p>
-
-<p>“Why didn’t you nab him in New York, instead o’
-bringin’ him ’way out here?”</p>
-
-<p>“He’s armed, and he’d have put up a fight. In a
-crowded street, some one would have been hurt. It was
-better to lure him off here, into the country.”</p>
-
-<p>“I guess you know your business. Who’s the other
-young chap?”</p>
-
-<p>“He’s the lunatic’s brother.”</p>
-
-<p>“I see.”</p>
-
-<p>“You needn’t say anything about this, driver. The
-family wouldn’t like to have it known. You’ve been put
-to a little extra trouble, and here’s a ten to make up for
-it.”</p>
-
-<p>“That’s han’some, an’ I’m obliged to you.”</p>
-
-<p>It can be imagined, perhaps, what Matt’s feelings were
-as he listened to this. He tried frantically to burst the
-cords that secured his arms, but the tying had been too
-securely done. He made an attempt, too, to call out and
-inform the driver of the taxicab that the tale he was listening<span class="pagenum"><a name="Page_10" id="Page_10">[10]</a></span>
-to was false, but the hand over his face pressed the
-cloth more firmly down upon his lips.</p>
-
-<p>Resigning himself to the situation, Matt listened while
-the purr of a motor came to his ears and died away in
-the direction of New York. A friend who might have
-saved him was gone, and Matt was completely at the
-mercy of his captors.</p>
-
-<p>Some one came through the bushes; there were two of
-them, it seemed, and they talked as they approached.</p>
-
-<p>“I was up in the air when I heard Motor Matt say he
-was to stop at Rye,” said the voice that had talked with
-the taxi driver. “What was the matter, Pearl?”</p>
-
-<p>It was the girl who answered, and she told briefly how
-the driver had fallen from the seat of the taxicab, how
-Matt had discovered her disguise, and how his suspicions
-had been aroused.</p>
-
-<p>“I was up in the air myself, dad,” finished the girl,
-drawing a deep breath of relief. “But we’re all right,
-now. The way you pulled the wool over the eyes of that
-taxicab man was splendid.”</p>
-
-<p>“Doing the right thing at the right time, Pearl, is your
-father’s long suit. Where were you when Tibbits went
-past in the red car?”</p>
-
-<p>“Sitting on a stone at the roadside.”</p>
-
-<p>“Where was Motor Matt?”</p>
-
-<p>“Back along the road in the brush, looking for the
-driver.”</p>
-
-<p>“And those in the red car never saw him!”</p>
-
-<p>“No, but he saw them and recognized McGlory.”</p>
-
-<p>“Oh, well, this is our day for luck, and no mistake.
-Watch the road, Pearl, while we’re getting out our own
-car. We don’t want to be seen lifting a bound man
-into it.”</p>
-
-<p>“I’ll watch,” the girl answered.</p>
-
-<p>Matt was still further impressed with the comprehensive
-nature of the plans launched against him and
-McGlory. Three motor cars had been used in the game,
-and there must be at least four men in the plot besides
-the girl. But what was the purpose of the plotters?
-What end were they seeking to gain by all this high-handed,
-criminal work?</p>
-
-<p>From off to the left Matt could hear the pounding of
-a motor as it took up its cycle. After the engine had
-settled into a steady hum, the crunching of the bushes
-indicated that a heavy car was being forced through them
-into the road.</p>
-
-<p>“All right, Dimmock!” called a voice.</p>
-
-<p>“Is the road clear, Sanders?” answered Dimmock.</p>
-
-<p>“There’s not a soul in sight.”</p>
-
-<p>“Then come here and help me. We’ll take this coat
-from Motor Matt’s head and replace it with a gag&mdash;a
-twisted handkerchief will do. The quicker we can get
-him into the car, now, the better.”</p>
-
-<p>The next moment the smothering cloth was jerked
-from Matt’s head and shoulders. He had just time to
-gulp down a deep breath of air when the twisted handkerchief
-was forced between his teeth and knotted in
-place.</p>
-
-<p>He saw a slender, wiry man, soberly but richly dressed,
-and another, short, thick-set, and wearing a long dust
-coat and cap.</p>
-
-<p>“Take him by the feet, Sanders,” said the slender man,
-who, from this, Matt knew to be Dimmock.</p>
-
-<p>Between them Matt was lifted, carried out to the road,
-and shoved into the tonneau of a touring car, while the
-girl held the door open. There was a top to the car, and
-Matt was made to sit on the floor and lean back against
-the seat.</p>
-
-<p>By every means in his power Matt tried to let his captors
-know that he wanted to talk with them, but they
-either could not understand him, or else had no intention
-of letting him relieve his mind. The girl and Dimmock
-seated themselves on either side of Matt, and the same
-coat that had been used in effecting Matt’s capture was
-dropped over him.</p>
-
-<p>In this manner the strange party started away along the
-road, the prisoner unable to see anything of the route
-they were taking.</p>
-
-<p>Matt was sensible of the swiftness of their flight, and
-of the driver’s perfect mastery of the machine. The explosion
-in the cylinders was unfailing, the mixture of air
-and gasoline was perfect, and the coils hummed their
-beautiful rhythm to the well-timed spark.</p>
-
-<p>Gradually there was forming, in Matt’s mind, an idea
-that these desperate plotters had made some huge mistake.
-He could not account, in any other way, for the
-execution of such a plan as they were carrying out.</p>
-
-<p>He and McGlory were not being kidnapped to be held
-for ransom. Such an idea was preposterous. Matt had
-no relatives, so far as he knew, rich or poor; and neither
-had McGlory.</p>
-
-<p>Yes, Matt was sure that Dimmock, and his daughter,
-and Tibbits, the man who had dashed past with McGlory
-in the red car, were blundering in some way. At the end
-of the journey, wherever that might be, the mistake must
-be discovered, and the motor boys would be released.</p>
-
-<p>The point that troubled Matt a little was the fact that
-his cowboy pard was not a prisoner. He appeared to be
-traveling in the red car of his own free will. Was that
-because he had been lured away, and had not yet had his
-suspicions aroused?</p>
-
-<p>There was little talk between Dimmock and his daughter,
-and Sanders was attending strictly to his driving.
-Now and then, however, a word was dropped as the car
-slowed down which gave Matt an inkling as to the course
-they were taking.</p>
-
-<p>“Stamford,” and “Bridgeport” were on the line of their
-flight, and this proved conclusively that they were proceeding
-in the direction of Boston.</p>
-
-<p>The day was warm, and Matt, crouched uncomfortably
-under the coat, was having anything but an enjoyable
-ride. By twisting about, however, he managed to give
-some relief to his cramped limbs.</p>
-
-<p>Hour after hour the car swept on. Once they halted
-at a filling station to replenish their supply of gasoline,
-but the man in charge of the supply tank was kept
-adroitly in ignorance of the fact that there was a prisoner
-in the tonneau.</p>
-
-<p>By degrees a numbness crept along Matt’s limbs, and
-a drowsiness enwrapped his brain. He slept, in spite of
-his many discomforts, and was awakened, finally, by a
-rattle from somewhere forward of the tonneau.</p>
-
-<p>The car was at a stop.</p>
-
-<p>“What was the trouble, Sanders?” called the voice of
-Dimmock.</p>
-
-<p>“Nothing much,” answered Sanders. “It’s fixed now.”</p>
-
-<p>“Why not let Motor Matt sit up here on the seat between
-us?” suggested the girl. “It’s so dark no one
-could see him&mdash;even if we happened to be passed by another
-car.”</p>
-
-<p>“We might as well give him a little comfort, I suppose,”
-answered Dimmock.</p>
-
-<p><span class="pagenum"><a name="Page_11" id="Page_11">[11]</a></span></p>
-
-<p>Thereupon the coat was pulled away, and Matt found
-that it was night. Dimmock reached down and helped
-him up on the seat.</p>
-
-<p>“We’re doing this for your comfort, Motor Matt,” said
-Dimmock. “I hope you’ll appreciate it, and not try to
-make any trouble for us.”</p>
-
-<p>Matt moved his cramped joints and stretched his legs
-the full width of the tonneau. There were shadowy
-bluffs on each side of the road, and a tracery of boughs
-lay against the lighter background of sky. From the
-fragrant odor, Matt gathered that they were in the depths
-of a pine forest. He gurgled ineffectively behind the
-gag.</p>
-
-<p>“He wants to talk, dad,” said the girl. “Why not let
-him? If any one comes you can prevent him from calling
-out.”</p>
-
-<p>“You’ve got too much heart, girl, for this kind of
-work,” returned Dimmock. Nevertheless, he fumbled
-with the knots at the back of Matt’s head, and removed
-the handkerchief.</p>
-
-
-
-<hr class="chap" />
-
-<div class="chapter"></div><!--Page break for ePub-->
-
-<h2><a name="CHAPTER_VII_THE_JOURNEYS_END" id="CHAPTER_VII_THE_JOURNEYS_END">CHAPTER VII.<br />
-<span class="titlefont">THE JOURNEY’S END.</span></a></h2>
-
-
-<p>Matt inhaled deep breaths of the pine-scented air. The
-ozone held tonic properties and freshened him wonderfully.</p>
-
-<p>“It’s been a long time since I had breakfast, Mr. Dimmock,”
-were his first words.</p>
-
-<p>“You’ve skipped dinner,” returned Dimmock, evidently
-pleased to note that the prisoner was taking recent
-events in such a matter-of-fact way, “but you’ll have
-a fine supper to make up for it. In less than an hour
-from now we’ll be where we’re going.”</p>
-
-<p>Sanders cranked up, climbed into his seat, and the car
-moved on through the forest aisle, the searchlights boring
-bright holes in the dark.</p>
-
-<p>“Where is the journey’s end to be?” inquired Matt.</p>
-
-<p>“Somewhere between Loon Lake and Stoughton.
-That’s all you’re to know.”</p>
-
-<p>“This is the Boston Pike?”</p>
-
-<p>“We’ve been traveling the Boston Pike for a long time&mdash;but
-I guess that knowledge won’t help you much if
-you ever wanted to find the house again.”</p>
-
-<p>“We’re about due at Matteawan, aren’t we?”</p>
-
-<p>Dimmock laughed at that, and the laugh was echoed
-by the girl.</p>
-
-<p>“I had to tell the taxicab driver something,” said Dimmock.</p>
-
-<p>“This is quite a plot you’re working out,” pursued
-Matt.</p>
-
-<p>“It was rather hastily evolved by Tibbits, but it seems
-to be doing the work.”</p>
-
-<p>“Tibbits, if I’ve got it right, is the man with McGlory?”</p>
-
-<p>“You’ve got it right.”</p>
-
-<p>“Did you bring my chum from Liberty Street?”</p>
-
-<p>“Of course, Motor Matt, I hadn’t anything to do with
-that part of it. Pearl and Sanders and I were to look
-after you.”</p>
-
-<p>“How did you happen to be hidden away on the Boston
-Post Road?”</p>
-
-<p>“We thought that was safer than to meet you at Rye.”</p>
-
-<p>Dimmock had a complaisant air&mdash;entirely the air of a
-man whose plans are succeeding, and with ultimate victory
-assured.</p>
-
-<p>“What was the use of all this juggling with taxicabs
-and touring cars?” continued Matt.</p>
-
-<p>He was groping for information, in order to lead up
-to the announcement that Tibbits, Dimmock, and the rest
-were having their trouble for their pains.</p>
-
-<p>“You see,” explained Dimmock, “it was easier for
-Pearl to work alone, and pretend to be a messenger for
-the brokers. If Sanders and I had been along, you’d
-have suspected something.”</p>
-
-<p>“I suspected something, anyhow, and if you hadn’t resorted
-to violence, back there on the road, your daughter
-would have been held in the Rye police station until I
-could have learned more about what was going on.”</p>
-
-<p>“Which shows our wisdom in waiting for you on the
-other side of Rye,” commented Dimmock.</p>
-
-<p>“What’s back of all this, Dimmock?” demanded Matt.</p>
-
-<p>“You’ll find that out later,” was the reply. “Tibbits
-is at the head of this little conspiracy, and most of the
-talking must be left for him.”</p>
-
-<p>“How did you know I was to meet my chum at the
-Flatiron Building at ten o’clock?”</p>
-
-<p>“That’s something else you’ll have to learn from Tibbits.”</p>
-
-<p>“Do you know how Tibbits got McGlory to take his
-ride into the country?”</p>
-
-<p>“Just as we got you, if the business worked out according
-to plan. You were told that your chum wanted
-you, and McGlory was told that you wanted him. That
-seemed to be enough,” and Dimmock laughed under his
-breath.</p>
-
-<p>“There’s been a mistake, Dimmock,” said Matt earnestly.</p>
-
-<p>“Not on our side,” answered Dimmock.</p>
-
-<p>“Ever since ten o’clock this morning you and your pals
-have played fast and loose with the law, and you’re under
-a delusion of some sort.”</p>
-
-<p>“You’re the one who is under a delusion.”</p>
-
-<p>“I believe you’ll find out differently. I feel so sure of
-that, that I’m perfectly willing to go with you to the end
-of the journey. The facts will come out, at that time.”</p>
-
-<p>“They will,” said Dimmock, with emphasis.</p>
-
-<p>“My mission is to find my chum&mdash;&mdash;”</p>
-
-<p>“You’ll have fulfilled your mission when we get to
-where we’re going.”</p>
-
-<p>“McGlory will be there?”</p>
-
-<p>“Yes.”</p>
-
-<p>“That’s all I can ask. Take these ropes off me, can’t
-you? I’m too anxious to find McGlory to try to get
-away.”</p>
-
-<p>“The ropes won’t be removed until we reach the
-house.”</p>
-
-<p>“What’s to be done at the house?”</p>
-
-<p>“Nothing to your physical harm. You and McGlory
-will be entertained there for a few days. You’ll be able
-to eat, drink, and enjoy yourselves&mdash;within certain prescribed
-limits.”</p>
-
-<p>“But we can’t do that!” cried Matt, suddenly remembering
-that his chum had to be back in New York by
-Wednesday afternoon.</p>
-
-<p>“You’ll have to stay at the house,” was the decided
-answer.</p>
-
-<p>“Why? What’s the reason?”</p>
-
-<p>“I have talked all I’m going to about the whys and<span class="pagenum"><a name="Page_12" id="Page_12">[12]</a></span>
-wherefores. Whatever else you learn you’ll have to get
-from Tibbits.”</p>
-
-<p>Matt relapsed into silence, while the car continued to
-speed along the gloomy, tree-bordered road, following
-the long shafts of light like a phantom locomotive on
-gleaming rails.</p>
-
-<p>Suddenly there was a lessening of the speed, a swerve
-to the right, a quick stop, and the touring car was nosing
-a big iron gate, hung between square brick pillars.</p>
-
-<p>“Here we are,” said Sanders.</p>
-
-<p>“See if the gates are locked, Sanders,” ordered Dimmock.
-“They shouldn’t be. Tibbits said he would leave
-them unfastened.”</p>
-
-<p>Matt leaned forward to watch the glow from the
-searchlights as it played over the massive iron work,
-penetrated the heavy bars, and lost itself in a dense mass
-of trees and shrubbery beyond.</p>
-
-<p>The gates were not fastened, and Sanders pushed them
-wide. After running the car into the yard, the driver
-left it standing on a graveled drive while he returned to
-close the gates, and lock them.</p>
-
-<p>“What sort of a place is this, Dimmock?” asked Matt,
-peering around, but seeing little, except the heavy shadows
-cast by trees and bushes.</p>
-
-<p>“It’s a fine old place,” replied Dimmock, “and you and
-your chum should feel highly flattered at being entertained
-here. The family, as it fortunately happens for
-Tibbits and the rest of us, are in Europe this summer.”</p>
-
-<p>“Then you haven’t any right here?”</p>
-
-<p>“We have borrowed the use of the house. Tibbits has
-the run of the place, and we’re here by his invitation.”</p>
-
-<p>Sanders got back and started the car slowly. The gravel
-road wound through the trees, and finally the searchlights
-flashed out upon the front of a large mansion.
-The great house was silhouetted against the sky, and the
-car lights swept the front door as the machine turned and
-halted at the broad front steps.</p>
-
-<p>A glow appeared suddenly in the fanlight over the
-door. Sanders gave three quick, sharp blasts of the horn.
-This seemed to be a signal, for the door opened as if by
-magic, and a man showed darkly in the entrance.</p>
-
-<p>“That you, Dimmock?” called the man.</p>
-
-<p>“Who else could it be, Tibbits?” answered Dimmock.
-“Did you get here safely with McGlory?”</p>
-
-<p>“Yes. And you? Have you got Motor Matt?”</p>
-
-<p>“We have.”</p>
-
-<p>An exclamation of satisfaction fell from Tibbits’ lips.</p>
-
-<p>“I was afraid Pearl had had trouble,” said he. “We
-passed her on the road, sitting beside a taxicab that had
-run head-on into a stone wall. Motor Matt was nowhere
-in sight, and I thought he had suspected that something
-was wrong, and had escaped. I didn’t dare stop and ask
-any questions, you see, because McGlory was with us.”</p>
-
-<p>“We came near having a streak of hard luck there,
-Tibbits, but we pulled through all right. What shall we
-do with Motor Matt?”</p>
-
-<p>“Bring him in, of course. His chum’s anxious to see
-him, and I suppose he’s equally anxious to see McGlory.”</p>
-
-<p>“He’s tied,” said Dimmock.</p>
-
-<p>“Then untie him. He won’t get away.”</p>
-
-<p>Tibbits pulled something from his pocket that flashed
-in the lamplight.</p>
-
-<p>“I’ll keep him under the point of this,” Tibbits went
-on, “until he gets where I want him to go.”</p>
-
-<p>Sanders, standing on the footboard of the car, leaned
-into the tonneau and helped Dimmock remove the cords
-that bound Matt’s arms and legs. When the cords were
-removed, Matt tried to stand, but tottered back upon the
-seat.</p>
-
-<p>“Pretty rough treatment you’ve had, eh?” laughed
-Dimmock. “Well, you’ll be entertained so royally here,
-Motor Matt, that you’ll forget all the unpleasant things
-that have happened to you.”</p>
-
-<p>In a few moments, Matt was able to climb out of the
-tonneau. Tibbits’ revolver was leveled at him the instant
-he dropped down from the footboards.</p>
-
-<p>“Walk straight up the steps, Motor Matt,” ordered
-Tibbits, “and on into the house. I’ll follow and tell you
-which way to go. Be nice about it, and nothing will
-happen.”</p>
-
-<p>Matt mounted the steps. Tibbits backed to one side,
-to let him pass, and the hall light shone over his face.
-Matt looked at him sharply. The man was a stranger,
-and he was positive he had never seen him before. This
-was another fact to clinch Matt’s theory that Tibbits and
-his pals were making a mistake.</p>
-
-<p>Up the steps, through the great doors, and into a
-richly furnished hall Matt passed, Tibbits, still with the
-revolver aimed, following him closely.</p>
-
-<p>“Keep straight on along the hall,” ordered Tibbits.</p>
-
-<p>Matt kept on. The musty, close odor of a house, long
-shut up, assailed his nostrils, and offered proof that Dimmock
-had told the truth when he asserted that the family
-were in Europe.</p>
-
-<p>“That door on the right,” said Tibbits. “Go in there.”</p>
-
-<p>Matt opened the door. As he closed it behind him he
-heard the rasp of a key in the lock, and the “click” of a
-thrown bolt.</p>
-
-<p>“Pard!” came an overjoyed yell.</p>
-
-<p>The next moment Matt was caught and given a bear’s
-hug.</p>
-
-<p>“Joe!” exclaimed the delighted Matt.</p>
-
-<p>“Sure, it’s Joe,” whooped the cowboy. “What’s going
-on here, anyhow? What do you want me for?”</p>
-
-
-
-<hr class="chap" />
-
-<div class="chapter"></div><!--Page break for ePub-->
-
-<h2><a name="CHAPTER_VIII_CHUMS_IN_COUNCIL" id="CHAPTER_VIII_CHUMS_IN_COUNCIL">CHAPTER VIII.<br />
-<span class="titlefont">CHUMS IN COUNCIL.</span></a></h2>
-
-
-<p>McGlory was under the impression that Matt had sent
-for him. In spite of the strange proceedings through
-which the cowboy had passed, he still believed that Tibbits
-had brought him on that long ride according to the
-wishes of his friend. Even the locking of the door, after
-Matt had entered the room, did not appear to have
-aroused any suspicions in McGlory’s mind.</p>
-
-<p>Matt looked around. He was in a large room, lined
-with bookcases. At one end of the apartment was a
-magnificent fireplace. A thick carpet, that gave one the
-impression of walking on down, covered the floor. White
-busts looked out from niches in the wall, and comfortable
-chairs were scattered around. A light, suspended
-from the ceiling, cast a warm glow over the room, and
-over a table, heaped with food, and set with places for
-two.</p>
-
-<p>“I’ve been waiting here for an hour,” grumbled McGlory.
-“Where have you been, pard, and what sort of a
-layout is this that you’ve brought me into?”</p>
-
-<p>Matt removed his hat and threw it upon a couch; then,<span class="pagenum"><a name="Page_13" id="Page_13">[13]</a></span>
-seating himself in a chair, he began rubbing his hands
-and arms and staring at his chum.</p>
-
-<p>“What’s the trouble with you, pard?” asked McGlory.
-“You act as though you were in a trance.”</p>
-
-<p>“I am,” returned Matt. “I’m hardly able to credit my
-senses. In the first place, Joe, I never sent for you and
-asked you to come here.”</p>
-
-<p>The cowboy gave a jump.</p>
-
-<p>“Why, the driver of that red car told me&mdash;&mdash;”</p>
-
-<p>“I guess he told you what some one else told me. I
-was informed that you had come into the country with
-Mr. Random, of Random &amp; Griggs, and that you
-wanted me to follow you. That’s why I’m here.”</p>
-
-<p>McGlory slumped into a chair, and brushed a hand
-across his forehead.</p>
-
-<p>“Sufferin’ brain twisters!” he muttered. “I came out
-here to find you, and you came out here to find me!”</p>
-
-<p>“And here we are,” laughed Matt.</p>
-
-<p>“And what are we here for?” gasped McGlory.</p>
-
-<p>“Give it up. But I think somebody has made a big
-mistake, and that they’re going to find it out before
-they’re many hours older. If that’s our supper on the
-table, suppose we get busy with it. I haven’t had anything
-to eat since morning.”</p>
-
-<p>“I had dinner in Bridgeport,” said McGlory. “I was
-mighty well treated, I’ll say that&mdash;and that only makes it
-harder for me to understand what’s in the wind. I don’t
-think any one would run away with us just for the fun
-of the thing.”</p>
-
-<p>“It would be more of a joke on the other fellows than
-it would on us,” averred Matt, moving to the table and
-taking a seat. “How long has this supper been here,
-Joe?”</p>
-
-<p>“About half an hour,” returned the cowboy, taking a
-chair opposite his chum. “Random is here,” he said
-suddenly.</p>
-
-<p>“Random, of Random &amp; Griggs?” inquired Matt,
-showing some surprise.</p>
-
-<p>“What other Random could it be?”</p>
-
-<p>Matt helped himself to a cold roast beef sandwich and
-a glass of lemonade.</p>
-
-<p>“Tell me what happened to you, Joe,” said he. “I can
-eat and listen at the same time. Besides, I guess I’m
-hungrier than you are. You had dinner, and I didn’t.”</p>
-
-<p>McGlory told of his call at the Liberty Street office, of
-meeting Random, of his talk with Random in the restaurant,
-of Random’s going with him to the Flatiron Building,
-of the failure to find Matt, and of the yarn told by
-the driver of the red car.</p>
-
-<p>“We came through the country lickety-whoop,” the
-cowboy finished, “but it was the longest kind of a ride,
-and I wondered what in Sam Hill you were doing ’way
-over in Massachusetts. It was after sundown when we
-got to this place. Some one met the driver of the red car
-at the door, and said that Motor Matt hadn’t come yet,
-and that we were to wait for him. Random and I came
-into this room. By and by, a servant began to spread the
-table for chuck-pile, but layin’ covers for only two. I
-guessed a little about that, and asked the servant who
-he was intending to leave out, Random or Motor Matt.
-It was orders, he said, and that was all he knew about it.</p>
-
-<p>“After a while, Random got up, told me to wait, and
-said he would try and find some one who could tell him
-something. Next thing I know, <em>you</em> walk in on me, and
-the door is locked behind you. Speak to me about this!
-Where’s Random?”</p>
-
-<p>“The man’s name isn’t Random, Joe,” said Matt, “but
-Tibbits.”</p>
-
-<p>“Tibbits?” echoed McGlory blankly. “But he met me
-at Random’s office.”</p>
-
-<p>“That may be, but he’s Tibbits, just the same.”</p>
-
-<p>“If he’s Tibbits, why did he tell me his label was Random?”</p>
-
-<p>“Because that was part of the plot. By posing as Random,
-Tibbits knew he would have a lot more influence
-over you. He kept you from going to the bank, he accompanied
-you to the Flatiron Building, and he came out
-here with you. He might not have been able to do all
-that if you had known he wasn’t Random, and that he
-wasn’t interested in the ‘Pauper’s Dream.’”</p>
-
-<p>The cowboy scowled, and drummed his fingers on the
-table. Matt helped himself to a piece of pie, and another
-glass of lemonade.</p>
-
-<p>“Can’t you choke off, pard,” begged the cowboy, “and
-tell me how they played tag with you? Sufferin’ tenterhooks,
-but this business has got me all at sea.”</p>
-
-<p>“I’m at sea, too,” said Matt, “but we’re pretty comfortable,
-so far, and I guess we can wait a little for the
-thing to work itself out. That’s the way with most mysteries.
-If you leave them alone they’ll solve themselves.”</p>
-
-<p>“What happened to you? Bat it up to me!”</p>
-
-<p>Matt recounted the manner in which he had been beguiled
-into the open country by the supposed messenger;
-and he told about the accident to the taxicab, the revelation
-that the supposed youth was a girl, the finding of
-the driver, the passing of the red touring car with McGlory
-in the tonneau, the work of Dimmock and Sanders,
-a mile west of Rye, and the journey through Connecticut
-and into Massachusetts, finishing with his meeting with
-McGlory.</p>
-
-<p>The cowboy listened, spellbound.</p>
-
-<p>“You’ve had the hot end of this, so far, pard,” said he,
-“and no mistake. But wouldn’t the whole game just naturally
-rattle your spurs? What’s the good of it? How
-are Tibbits, Dimmock, and the rest going to make anything
-by their work?”</p>
-
-<p>“That’s where I’m muddled, too,” acknowledged Matt,
-drawing away from the table and resuming his easy-chair.
-“I think, Joe, that Tibbits, who seems to have
-been the one that planned this thing, has made an error.”</p>
-
-<p>“That he’s bobbled, and thinks we’re some other
-fellows?”</p>
-
-<p>“Not that, exactly, for they appear to know a whole
-lot about us, and our business. Where they’ve made
-their mistake, it strikes me, is in thinking that we’re
-mixed up in some affair we don’t know anything about.
-If that’s the case, then the fact will come out, before
-very long. All we’ve got to do is to wait until Tibbits
-comes for a talk with us.”</p>
-
-<p>“I’m hanged if I want to wait!” fumed McGlory.
-“They’ve fooled us, they’ve got us here, and I’m a Piute
-if I’m going to stay!”</p>
-
-<p>Jumping up, he ran to one of the two windows of the
-room. Pushing back the heavy hangings, he raised the
-lower sash. As he did so, a voice called up from the
-darkness outside:</p>
-
-<p>“Git back in there, an’ close the winder! If ye don’t,
-I’ll shoot.”</p>
-
-<p>The cowboy appeared dashed.</p>
-
-<p>“You might have expected that, Joe,” laughed Matt.
-“You didn’t think, did you, that Tibbits would go to all<span class="pagenum"><a name="Page_14" id="Page_14">[14]</a></span>
-this trouble and then leave us free to leave the house if
-we wanted to?”</p>
-
-<p>McGlory closed the window and returned dazedly to
-his chair.</p>
-
-<p>“Sufferin’ poorhouses!” he mumbled. “I reckon they
-think we’re millionaires in disguise, and that our folks
-will hand over a lot of money to ransom us. The laugh’s
-on them, and no mistake.”</p>
-
-<p>“Let’s take things easy,” advised Matt, “until we can
-learn more about the game the gang are playing.”</p>
-
-<p>As Matt finished, the key rattled in the lock, the door
-was pushed open, and Tibbits entered. He had some
-wearing apparel thrown over his arm, and dropped it the
-moment he was inside the room. The door was closed
-behind him, by unseen hands, and again locked.</p>
-
-<p>With an angry exclamation, McGlory sprang to his
-feet and started toward Tibbits. The latter, with a quick
-movement, brought out the weapon which Matt had already
-become acquainted with.</p>
-
-<p>“Steady,” warned Tibbits, smiling, but none the less
-determined. “Let’s all be nice and comfortable,” he
-begged, “and no harm will be done. You lads are my
-guests. Consider yourselves so, and we’ll get along
-swimmingly. It was a cold supper I provided, but it was
-the best I could do, under the circumstances. If you&mdash;&mdash;”</p>
-
-<p>“See here, you!” shouted McGlory. “Tell me whether
-your name is Tibbits or Random.”</p>
-
-<p>“Tibbits,” was the reply.</p>
-
-<p>“And you haven’t anything to do with that brokerage
-firm in Liberty Street?”</p>
-
-<p>“Not a thing. The first time I was ever there was this
-morning.”</p>
-
-<p>“What did you&mdash;&mdash;”</p>
-
-<p>“If you’ll give me a chance, McGlory,” interposed Tibbits,
-“I’ll explain everything to the complete satisfaction
-of Motor Matt and yourself.”</p>
-
-<p>“‘Complete satisfaction!’” muttered McGlory. “That
-means you’re to fill a pretty big order. But go ahead,
-Tibbits, and let’s find out where we stand.”</p>
-
-
-
-<hr class="chap" />
-
-<div class="chapter"></div><!--Page break for ePub-->
-
-<h2><a name="CHAPTER_IX_A_DARING_PLOT" id="CHAPTER_IX_A_DARING_PLOT">CHAPTER IX.<br />
-<span class="titlefont">A DARING PLOT.</span></a></h2>
-
-
-<p>“Let me assure you, in the first place,” said Tibbits,
-still keeping his revolver prominently displayed, “that no
-harm is intended either of you lads. You are to remain
-here in these comfortable surroundings for a week. At
-the end of that time you will be released, and can make
-your way back to New York.”</p>
-
-<p>“Guess again about that,” spoke up the cowboy. “There
-are important doings for me in New York Wednesday,
-and we’ll have to tear ourselves away from you by to-morrow
-afternoon, at the latest.”</p>
-
-<p>“You’ve got to stay here a week,” insisted Tibbits.</p>
-
-<p>“You don’t understand,” went on McGlory. “There’s
-a meeting at the office of Random &amp; Griggs Wednesday
-evening, and I’ve just got to be there. That’s all
-there is to it.”</p>
-
-<p>Tibbits fixed his glittering eyes on McGlory for a
-moment.</p>
-
-<p>“That excuse won’t do,” said he. “You can’t make up
-a yarn like that out of whole cloth, and expect me to
-swallow it.”</p>
-
-<p>“Sufferin’ blockheads!” grunted McGlory. “There,
-read that.”</p>
-
-<p>Jerking the colonel’s letter from his pocket, McGlory
-tossed it to Tibbits.</p>
-
-<p>The latter removed the two folded sheets from the envelope.
-After glancing at one, he stooped down and
-pushed it under the door. The paper was caught and
-drawn from sight by some one in the hall.</p>
-
-<p>“The order for the bullion!” called Tibbits. “Got it,
-Dimmock?”</p>
-
-<p>“Yes,” answered Dimmock, from the other side of the
-door.</p>
-
-<p>Tibbits placed the other sheet in the envelope and
-flipped it back to McGlory.</p>
-
-<p>“Much obliged,” said Tibbits. “It’s hardly necessary
-to read the letter from the colonel. I heard Motor Matt
-read it aloud to you in the hotel, this morning.”</p>
-
-<p>Both boys were dazed by the light that suddenly
-dawned upon them.</p>
-
-<p>“You blamed tinhorn,” cried McGlory, “are you making
-a play to get hold of those two bars of bullion?”</p>
-
-<p>“And you never thought of it!” laughed Tibbits.
-“What else did you suppose we were going to all this
-trouble for? You wanted to call at the bank, and I didn’t
-want you to. If you had gone there, the bank officials
-would have seen you. That would have made it difficult
-for me to palm off another Joe McGlory in your place. I
-am obliged to you for giving up the order for the bullion
-with so little persuasion on my part.”</p>
-
-<p>The cowboy’s wrath was so great that he fairly hopped
-up and down.</p>
-
-<p>“You think you’re going to get away with this,” he
-shouted, “but you’ll be fooled. You’re nothing more than
-just a common thief, eh? And you live in a place like
-this!” The cowboy looked around the room.</p>
-
-<p>“I don’t live here&mdash;not regularly,” said Tibbits. “My
-uncle lives here, and I’m taking care of the place while
-he and his family are in Germany.” A sly leer accompanied
-the words. “It was only by chance that I happened
-to be in the hotel, this morning, and also by chance
-that I overheard Motor Matt reading that letter from
-Arizona. It looked like a fine opportunity to get hold
-of some easy money. I’m a black sheep. My uncle, who
-owns this place, thinks I’ve reformed, but he’s mistaken.<span class="pagenum"><a name="Page_15" id="Page_15">[15]</a></span>
-When opportunity knocks at my door, she finds me hospitable.
-How long did it take me to find Dimmock after
-I learned the contents of that letter, discovered what Joe
-McGlory was going to do, and where he was to meet
-Motor Matt after he had done it? Just fifteen minutes,
-by the watch. Dimmock&mdash;his real name is not that&mdash;is
-a gentleman of fallen fortunes. Wall Street ruined him.
-He was as anxious as I to pick up a little ready money,
-and he and Pearl entered heartily into the spirit of the
-adventure. Dimmock knew Sanders. In happier days,
-Sanders used to be Dimmock’s chauffeur. I left Dimmock,
-Pearl, and Sanders to take care of Motor Matt,
-while I gave my attention to McGlory. I had to have a
-car and a chauffeur, but I knew where to find them. Pearl
-is to play the rôle of Joe McGlory, and I’ve a lad for the
-part of Motor Matt. They will dress themselves in your
-clothes, call at the Merchants’ &amp; Miners’ with the order,
-and get the bullion. They’ll not have any trouble.
-The colonel has written the bank telling the cashier to
-hand over the gold when McGlory comes for it with his
-written order. It will be easy. Dimmock and I will
-clean up nine thousand dollars, net, divide it equally, then
-leave for parts unknown. You boys will be kept here for
-a week, and then released. Dimmock, Pearl, and I will
-be out of the way, long before that time. Rather clever, I
-call all that. Don’t you?”</p>
-
-<p>Certainly there was a fiendish cunning in it all, but it
-was not the sort of “cleverness” that appealed to the
-motor boys. They were awed by the very audacity of
-the scheme, and by the facility with which the rest of the
-plot could be carried out. Simply by keeping Matt and
-McGlory cooped up in that house, Tibbits could have
-Dimmock’s daughter and some one else play the parts of
-the motor boys and secure the gold.</p>
-
-<p>“You’re one of these tinhorns, Tibbits,” observed the
-cowboy, “who’d stand up a stage or snake a game of
-faro.”</p>
-
-<p>“I’m not taking any money out of <em>your</em> pocket,” said
-Tibbits.</p>
-
-<p>“You’re robbing me of a fortune! If that gold isn’t
-produced at the meeting in Random &amp; Griggs’ office,
-the deal for the ‘Pauper’s Dream’ mine may fall through.
-I’ve got a hundred shares of stock in the ‘Pauper’s
-Dream.’”</p>
-
-<p>“The deal won’t fall through just because the two bars
-of bullion have been taken,” asserted Tibbits, “that is, not
-if Random &amp; Griggs’ men really mean business.”</p>
-
-<p>“You don’t know anything about that, Tibbits,” put in
-Matt. “But, no matter whether the deal falls through or
-not, you needn’t think that McGlory is going to agree to
-let you do what you have planned with that bullion.”</p>
-
-<p>“What will McGlory do?” chuckled Tibbits; “what
-<em>can</em> he do? You boys are safely bottled up here. Dimmock
-and I and Pearl and the other young fellow go
-back to New York to-night. Some time to-morrow, before
-the bank closes, we will have secured the bullion.
-You boys will be here, and the rest of us will be&mdash;where
-you can never find us.”</p>
-
-<p>“It’s a pretty small stake to run such a risk for,” said
-Matt.</p>
-
-<p>“Beggars can’t be choosers,” said Tibbits coolly. “But
-time presses. There”&mdash;and Tibbits pointed to the clothes
-he had brought into the library&mdash;“is something for you
-lads to put on. I’ll take the garments you’re wearing
-now, if you please.”</p>
-
-<p>“You’ll <em>take</em> ’em, all right,” answered McGlory defiantly,
-“if you get ’em at all.”</p>
-
-<p>“Come, come,” continued Tibbits impatiently. “I have
-men enough to take the clothes by force, but I don’t want
-to get them that way. Strip!”</p>
-
-<p>Neither Matt nor McGlory made any move to obey the
-command.</p>
-
-<p>“Oh, well,” observed Tibbits, “if you’re going to force
-a rough and tumble, that’s your lookout. Dimmock!” he
-called.</p>
-
-<p>“What is it, Tibbits?” came Dimmock’s voice from the
-hall.</p>
-
-<p>“Come in, and bring Sanders and Riley.”</p>
-
-<p>“Wait a minute,” called Matt. With four armed men
-against him and McGlory, Matt saw the futility of resistance.
-“We’ll give you our clothes, Tibbits, but under
-protest.”</p>
-
-<p>“I’ll put the protest on file,” grinned Tibbits. “Never
-mind bringing Sanders and Riley, Dimmock,” he shouted.</p>
-
-<p>“I’m going to fight this out,” flared McGlory. “If they
-get my clothes, they’ll get ’em in rags. What’s the good
-of taking ’em, anyhow? The bank folks have never
-seen either of us, Matt&mdash;Tibbits took precious good care
-they shouldn’t see me.”</p>
-
-<p>“As for that,” said Tibbits, “we want all the corroborative
-detail we can give the rôles Pearl and the young fellow
-are to play.”</p>
-
-<p>Matt stepped over to McGlory.</p>
-
-<p>“It won’t do any good to hang out, Joe,” he counseled,
-in a low voice. “They’re too many for us. Let them go
-ahead with their plan&mdash;we can’t stop that part of it&mdash;but
-there may be something else we can do.”</p>
-
-<p>“They’ve treated us like a couple of wooden Indians,”
-sputtered the cowboy, “and&mdash;&mdash;”</p>
-
-<p>“And we’ve acted like a couple,” finished Matt. “Why,
-we never guessed what their scheme was until Tibbits
-told us. Take everything out of your pockets, and let
-them have your clothes. I’m going to do the same.”</p>
-
-<p>With that, he began stripping his pockets of personal
-property and laying it on the table. McGlory followed
-suit. Then coats, trousers, and hats were thrown in a
-heap, and the boys got into the garments Tibbits had
-brought.</p>
-
-<p>In point of quality, the clothes the boys now put on
-were far and away better than the ones they had taken<span class="pagenum"><a name="Page_16" id="Page_16">[16]</a></span>
-off. And the fit of them, too, was passably good; but it
-chanced that McGlory’s outfit was a full dress suit, and
-Matt’s was a Norfolk jacket outfit&mdash;a get-up he cordially
-detested.</p>
-
-<p>Tibbits remained until the boys were decked out in
-their borrowed gear.</p>
-
-<p>“I didn’t use much discrimination, in McGlory’s case,
-and that’s a fact,” said Tibbits, with a laugh, “but I
-brought what I could find in uncle’s wardrobe that
-looked as though it would fit. I trust,” he added, with a
-regret that was undoubtedly feigned, “that you lads won’t
-cherish any hard feelings?”</p>
-
-<p>“We’ll do all we can to block you,” answered McGlory,
-“and will be tickled to death to see you behind the bars.
-That’s the way we stack up.”</p>
-
-<p>“You can’t get out of here, remember that,” proceeded
-Tibbits, the clothes over one arm. “Try the windows,
-and you’ll stop a bullet; break down the door, and you’ll
-run into the same sort of trouble.”</p>
-
-<p>He knocked on the door.</p>
-
-<p>“I’m through in here, Dimmock,” he called. “Let me
-out.”</p>
-
-<p>The door opened.</p>
-
-<p>“Good-by,” said Tibbits mockingly, and faded into the
-hall.</p>
-
-<p>McGlory roared wrathfully, and shook his fist at the
-locked door. Motor Matt lowered himself into a chair
-and grew thoughtful.</p>
-
-
-
-<hr class="chap" />
-
-<div class="chapter"></div><!--Page break for ePub-->
-
-<h2><a name="CHAPTER_X_PRISONERS" id="CHAPTER_X_PRISONERS">CHAPTER X.<br />
-<span class="titlefont">PRISONERS.</span></a></h2>
-
-
-<p>“And this,” grunted McGlory, “is what he calls explaining
-matters to our ‘complete satisfaction.’ Satisfaction!
-Sufferin’ Hottentots! Do I look satisfied?”</p>
-
-<p>The cowboy, in his dress suit and boiling with rage,
-looked far from satisfied. In fact, he presented such a
-humorous spectacle that Matt laughed.</p>
-
-<p>“Oh,” he grunted disgustedly, “you’d laugh, Matt, if
-you were going to be hung. But think what this means
-to me! I want to dig up the hatchet and go on the war-path.”</p>
-
-<p>“There’s nothing we can do just now, Joe,” said Matt,
-straightening his face.</p>
-
-<p>“What sort of a girl is that daughter of Dimmock’s, to
-go helping her father in lawless work like this?”</p>
-
-<p>“I can’t understand her,” returned Matt. “But I can
-tell you one thing.”</p>
-
-<p>“Then tell it.”</p>
-
-<p>“If Pearl Dimmock gets into your clothes and tries to
-palm herself off as Joe McGlory, the bank people are
-going to get suspicious.”</p>
-
-<p>“She played the game on you, pard, and you didn’t get
-suspicious until you got dumped out of the taxicab.”</p>
-
-<p>“I was thinking more about you, then, than I was about
-the supposed messenger. In the matter of the bank, the
-case is different. Miss Dimmock goes in there, asks for
-the bullion, and turns over the colonel’s order for it. The
-order is all straight enough, but the bank won’t let go of
-that gold until they’re sure the one who brings the order
-is Joe McGlory. I’m thinking the hardest part of Tibbits’
-work is yet to come, and that the chances are about
-even whether he’ll win or lose.”</p>
-
-<p>“We can’t leave it like that, pard. We’ve got to get
-out of here and make a rush for New York. That’s all
-there is to it. Tibbits, Dimmock, the girl, and the fellow
-who’s to understudy you, will get away from here to-night.
-That will leave fewer people to watch us, and I
-don’t see why we can’t make a break, somehow, and carry
-it through with ground to spare.”</p>
-
-<p>“We’ll have to consider it.”</p>
-
-<p>“There’s not much time to think it over. New York’s
-a long ways off, and we’ve got to get there by the time the
-bank opens, to-morrow.”</p>
-
-<p>“Not necessarily.”</p>
-
-<p>McGlory’s face went blank.</p>
-
-<p>“What do you mean by that, pard?” he queried.</p>
-
-<p>Matt hitched his chair closer.</p>
-
-<p>“Suppose we don’t get away from here until to-morrow
-morning, Joe,” said he, “why couldn’t we send a
-telegram to the bank? Wouldn’t that do just as well as
-though we dropped in there personally?”</p>
-
-<p>“I’m the prize blockhead, all right,” muttered McGlory.
-“Of course, a telegram will do, in case we can’t get out
-of here in time to reach New York before the bank opens.
-But let’s try to break out.”</p>
-
-<p>The cowboy got up and looked around reflectively.</p>
-
-<p>“Where’ll we try first?” asked Matt.</p>
-
-<p>“Watch me!” answered his chum, his face lighting up.
-He made a dash for the fireplace.</p>
-
-<p>“Here’s where this clawhammer suit catches it,” said
-he, crawling into the opening.</p>
-
-<p>The fireplace was large, and Matt waited eagerly, expecting
-results. In a few moments, McGlory reappeared
-with soot on his hands.</p>
-
-<p>“Not any,” he muttered disappointedly. “There’s a
-sharp turn in the flue, and the opening isn’t any more’n
-six inches wide. No getting out by the chimney, pard.
-I’ll try the window again, and see how careful I can be
-when I lift it.”</p>
-
-<p>McGlory pushed up the windows with very little noise,
-but the vigilant guard outside heard him, nevertheless.</p>
-
-<p>“Back in there,” was the gruff order, boomed from
-the darkness, “or I’ll shake a bullet at ye.”</p>
-
-<p>The cowboy closed the window.</p>
-
-<p>“The galoot out there is right on the job,” said he,
-and moved to the door.</p>
-
-<p>Bending out a key ring, which he happened to have in<span class="pagenum"><a name="Page_17" id="Page_17">[17]</a></span>
-his pocket, he contrived a picklock; but no sooner did he
-begin operations than a voice from the hall ordered him
-to stop.</p>
-
-<p>“You see how it is, Joe,” whispered Matt. “The best
-thing for us to do is to lie low for a while. Wait until
-after Tibbits, Dimmock, and the others are away.”</p>
-
-<p>“They must be away now.”</p>
-
-<p>“I don’t think so. I haven’t heard any motor cars
-leaving the place; and, besides that, it will take some time
-for Miss Dimmock and the fellow who’s to play Motor
-Matt to get ready. Let’s try and get a little sleep, Joe.
-If we have some rest, we’ll be better able to cope with
-the situation later.”</p>
-
-<p>“Sleep! Why, pard, I couldn’t sleep any more’n I
-could fly&mdash;or aviate, without anything to aviate with.”</p>
-
-<p>“Well, I’m off for a nap by myself, then. Wake me,
-Joe, if anything happens.”</p>
-
-<p>Matt threw himself down on the couch, and was asleep
-almost as soon as he had straightened out. It seemed to
-him that he had no more than closed his eyes before he
-felt a tug at his arm. He sat up quickly.</p>
-
-<p>“What is it?” he whispered.</p>
-
-<p>“Listen,” returned McGlory.</p>
-
-<p>What Matt heard was the distinct throbbing of an automobile,
-dying swiftly into silence.</p>
-
-<p>“They’re off,” said the cowboy.</p>
-
-<p>“Did that machine leave the house?” Matt asked.</p>
-
-<p>“Yes. Now, what are we going to do?”</p>
-
-<p>“Try the window and the door again, Joe.”</p>
-
-<p>The cowboy repeated his earlier attempts, only to be
-gruffly warned by the vigilant guards, outside the house
-and in the hall.</p>
-
-<p>“How many men do you reckon Tibbits left here?”
-growled McGlory.</p>
-
-<p>“I wish I knew. He seems to have had quite a gang.”</p>
-
-<p>“And they’re all after a little of that ten thousand dollars!”
-muttered McGlory. “Pretty small pickings for
-fellows like Dimmock and Tibbits. I can size them up
-for that sort of grafters.”</p>
-
-<p>“I think we’d better wait till morning before we make
-any more attempts to get away,” said Matt.</p>
-
-<p>“I reckon we’ll have to,” answered McGlory, in a discouraged
-tone.</p>
-
-<p>“What sort of fellow was that who came in here, last
-night, and put our supper on the table?”</p>
-
-<p>“A runt of a chap in an apron and a square white cap.
-Why?”</p>
-
-<p>“Nothing&mdash;now.”</p>
-
-<p>Without any further remarks, Matt shifted his position
-on the couch, and again went to sleep.</p>
-
-<p>He awoke without being roused, and sat up on the edge
-of the couch. Daylight was just glimmering through the
-trees. McGlory, sprawled out on the carpet, with the
-clawhammer coat rolled into a pillow, was slumbering
-soundly.</p>
-
-<p>Quietly Matt got up and went to the window, where
-the cowboy had made his several attempts the night before.</p>
-
-<p>The window looked off toward the stables. To the
-right of the house was a vine-covered pergola, and between
-the stables and the pergola ran the graveled drive,
-leading around the house from the front gate. What interested
-Matt particularly, however, was a red touring
-car in the drive, close to the pergola.</p>
-
-<p>Undoubtedly it was the same car that had brought
-McGlory and Tibbits from New York. Tibbits and Dimmock,
-on their return to the city, had used the other car&mdash;the
-one driven by Sanders.</p>
-
-<p>The presence of that car spelled possibilities for the
-motor boys, if&mdash;&mdash;</p>
-
-<p>Matt’s gaze dropped to the side of the house. A man
-was sitting under the two library windows, smoking a
-pipe. Across his knees rested a revolver.</p>
-
-<p>Before the motor boys could avail themselves of the
-red touring car they would have to eliminate the guard.
-How could that be accomplished?</p>
-
-<p>Matt turned from the window, revolving the problem
-in his mind. He could think of no method of escape
-short of boldly leaping from the window and trusting to
-luck&mdash;and the revolver made such an attempt too risky.
-A plan, which he had thought of vaguely during the
-night, recurred to him. This idea had the servant for its
-nucleus, and promised little better than a sortie by the
-window.</p>
-
-<p>McGlory, hearing his chum moving around the room,
-stirred and sat up on the floor.</p>
-
-<p>“What are you prowling around for, Matt?” he asked,
-yawning sleepily.</p>
-
-<p>“Averaging up the chances,” Matt answered. “Come
-here, Joe.”</p>
-
-<p>McGlory got up and went to his chum’s side. Matt
-pointed to the red touring car.</p>
-
-<p>“If we could get out of here and get hold of <em>that</em>,” he
-murmured, “we might do something.”</p>
-
-<p>“The boy with the gun looks sort of fierce,” reflected
-the cowboy; “still, you never can tell just what a fellow’s
-going to do with a revolver. If&mdash;&mdash;”</p>
-
-<p>The key rattled in the lock. Matt dropped quickly
-down on the couch and pretended to be asleep. McGlory,
-taking his cue from Matt, resumed his place on the floor.</p>
-
-<p>A man, in white cap and apron, entered the room with
-a tray of steaming food. The door was closed and fastened
-behind him. Without trying to waken the boys&mdash;whom
-he must have supposed to be asleep&mdash;the man
-picked his way around McGlory, placed the tray on the
-table, and began collecting the scattered remnants of the
-supper. His back was toward Matt.</p>
-
-<p>Noiselessly as a gliding serpent, Matt arose and slipped
-across the space separating him from the man; then,<span class="pagenum"><a name="Page_18" id="Page_18">[18]</a></span>
-leaning forward, he caught him about the middle with
-his left arm, at the same time covering his lips with his
-right hand.</p>
-
-<p>The man began to squirm, kicking out with his feet
-and fighting fiercely to get away.</p>
-
-<p>McGlory, who had been watching the progress of
-events, and wondering what Matt was trying to do, went
-to his chum’s aid. The man was forced to his knees, and
-then to the floor. Lying on his back, Matt’s hand still
-over his mouth, he stared upward with frightened eyes.</p>
-
-
-
-<hr class="chap" />
-
-<div class="chapter"></div><!--Page break for ePub-->
-
-<h2><a name="CHAPTER_XI_BOLD_WORK" id="CHAPTER_XI_BOLD_WORK">CHAPTER XI.<br />
-<span class="titlefont">BOLD WORK.</span></a></h2>
-
-
-<p>“Softly, Joe, softly!” whispered Matt, stifling his own
-heavy breathing. “Twist a couple of napkins into ropes.
-Be quick!”</p>
-
-<p>McGlory had not the least notion what Matt was trying
-to accomplish, but he knew it was something which
-might help their escape.</p>
-
-<p>“Be quiet,” hissed Matt, in the man’s ear, “and you’ll
-not be hurt, but if you move, or try to call out”&mdash;his
-voice grew menacing&mdash;“you’ll wish you hadn’t!”</p>
-
-<p>McGlory dropped to his knees with the two napkins
-and began tying one of them about the prisoner’s ankles.
-He followed this by knotting the other around the servant’s
-wrists.</p>
-
-<p>“What next?” he asked breathlessly.</p>
-
-<p>“Put on the white cap and apron,” instructed Matt,
-“then pick up the tray and rap on the door. When the
-door’s opened, throw the tray in the face of the fellow in
-the hall. There’ll be a commotion, and perhaps the guard
-outside will leave the windows. If he does, I’ll get out
-and make for the red car. Meet me somewhere along the
-drive, this side the gate. It’s a desperate chance, Joe,
-but it’s all we have.”</p>
-
-<p>The cowboy chuckled delightedly as he removed the
-apron from the prostrate prisoner and tied it about his
-waist; then, picking up the cap, he set it on his head, and
-grabbed the tray.</p>
-
-<p>“I’m ready,” he whispered, stepping toward the door.
-“Bravo, pard! It’s the reckless things that win!”</p>
-
-<p>“Sometimes,” qualified Matt; “if you can’t&mdash;&mdash;”</p>
-
-<p>The guard in the hall shook the doorknob.</p>
-
-<p>“Why are you so long, Paul?” he called.</p>
-
-<p>It was not Dimmock’s voice&mdash;proof that Dimmock had
-really gone, and that another guard had taken his place.
-The question put McGlory in a quandary. He and Matt
-both recognized the dilemma, in a flash. The cowboy was
-about to speak, presumably in an attempt to imitate the
-servant’s voice, but Matt restrained him with a gesture.</p>
-
-<p>“Tell the man outside you’re coming&mdash;tell him to open
-the door!”</p>
-
-<p>Matt King hissed the words in the prisoner’s ear, and
-lifted the hand he was using for a gag.</p>
-
-<p>One word from the servant would ruin every chance.
-Was the fellow frightened enough to do Matt’s bidding?
-McGlory looked over his shoulder and glared savagely at
-the man on the floor.</p>
-
-<p>“Paul!” cried the guard, once more rattling the door.</p>
-
-<p>“I’m coming,” said the man, but with a shiver of dread
-in his voice. “Open the door, Miles!”</p>
-
-<p>“What’s the matter with you, anyhow?” grumbled
-Miles. “You’ve been in there more’n five minutes.”</p>
-
-<p>As the door opened, McGlory temporarily deceiving
-Miles with the tray and the white cap and apron, stepped
-out.</p>
-
-<p>“Are they asleep,” began Miles, “or&mdash;&mdash;Thunder!”
-the guard broke off; “you’re not&mdash;&mdash;”</p>
-
-<p>The cry was interrupted by a smash of dishes. There
-came a yell from Miles, a snarling shout from McGlory,
-and then the impact of a heavy blow. After that, running
-feet could be heard, and the opening of a door.</p>
-
-<p>“Help!” roared Miles; “this way, Barney! The
-prisoners are on the hike!”</p>
-
-<p>Matt, paying no more attention to the servant, jumped
-for the door. He saw a mess of food and broken crockery
-in the hall, and daylight entering through the open
-door. Miles was just vanishing in pursuit of McGlory.</p>
-
-<p>It was now Matt’s turn to see what he could do. Was
-“Barney” the man on guard below the windows? If he
-was, and if he had answered Miles’ call, then the way
-was clear in that direction. But there was not a second
-to be lost. If McGlory got away, he would need the red
-car. And so would Matt, for that matter. If the automobile
-was left behind, the baffled guards would use it in
-giving pursuit.</p>
-
-<p>In two leaps Matt was at the window and looking out.
-Barney’s chair was empty!</p>
-
-<p>To throw up the window and leap to the ground took
-only a moment, and Matt immediately laid a straight line
-for the automobile.</p>
-
-<p>He was not long in covering the distance that separated
-him from the car, but many doubts flashed through his
-mind while he was on the way.</p>
-
-<p>If the switch plug had been removed, if the gasoline or
-oil was low, if&mdash;&mdash;</p>
-
-<p>But he was hoping for the best, and the best came his
-way, then, when the smiles of fortune were so grievously
-needed.</p>
-
-<p>Whether there was any one in his vicinity, or not, he
-did not take time to discover. Reaching the front of the
-car&mdash;which, by good luck, was pointing in the direction
-of the pike&mdash;he grabbed frantically at the crank, and
-gave it a heave.</p>
-
-<p><em>Chuff, chuff, chuff-chuff!</em> The sputter died impotently.<span class="pagenum"><a name="Page_19" id="Page_19">[19]</a></span>
-Manipulating the switch, and the lever controlling
-the fuel supply, he tried again. This time the engine
-was successfully “turned over,” and took up its cycle.</p>
-
-<p>“Hi, there!” called a voice from the direction of the
-stables. “Stop, I tell ye!”</p>
-
-<p>Matt had no time for the approaching man, but leaped
-into the car, and was off. A detonation sounded above
-the noise of the laboring motor, and something whistled
-viciously past Matt’s ear.</p>
-
-<p>But, by then, the lad’s blood was hot for success, and
-he would have dared anything.</p>
-
-<p>Like a thing of life the red car leaped around the
-corner of the house, taking a sharp curve with two
-wheels in the air. Only a short distance separated the
-fleeing car from the gate, but between the gate and the
-car was one of the guards. Matt knew at a glance it was
-not Barney. The chances were that it was Miles.</p>
-
-<p>“Halt!” yelled the man.</p>
-
-<p>“Get out of the way,” shouted Matt, “or I’ll run over
-you!”</p>
-
-<p>The man got out of the way, hurling himself from the
-road barely in the nick of time. He did not appear to be
-armed; at any rate, no lead followed Matt.</p>
-
-<p>But where was McGlory? Matt had no sooner begun
-to worry about his chum than the cowboy, breathless
-from running, staggered from behind a clump of lilac
-bushes and flung up his hands.</p>
-
-<p>With a hasty look behind, Matt slowed the machine.</p>
-
-<p>“It’s all up with us,” puffed McGlory, hanging over
-the edge of the car. “We’ll have to leave the machine
-and take to our heels.”</p>
-
-<p>“Why?” flashed Matt.</p>
-
-<p>“The gates are locked.”</p>
-
-<p>For an instant Matt was stunned. The gates&mdash;locked!
-Of course, they would be locked! Why had he not
-thought of that when he was planning to use the red car
-for their escape?</p>
-
-<p>“We’ll never get away if we trust to our heels, Joe,”
-said Matt grimly. “Get in&mdash;be quick!”</p>
-
-<p>By that time, Miles had been joined by Barney, and
-by the man who had called to Matt from the stables.
-The three, feeling sure that they had the car in a trap,
-were advancing cautiously, watching to see what the boys
-would do next.</p>
-
-<p>McGlory did not know what plan Matt had formed;
-but, nevertheless, he scrambled into the tonneau.</p>
-
-<p>“How’ll you get past the gates?” cried the cowboy,
-standing erect in the tonneau, and clinging to the coat
-rail.</p>
-
-<p>“Get down in the bottom of the tonneau!” ordered
-Matt, without looking around.</p>
-
-<p>Little by little he let the car out, and the iron barriers
-came threateningly into view. When a hundred feet
-away from them the car was going so fast that the gates
-seemed to be jumping toward it.</p>
-
-<p>But the purpose of his daring comrade was clear to
-McGlory, and the idea left him gasping.</p>
-
-<p>Matt was going to storm the gates! He was hurling
-the red car toward them like a cannon ball.</p>
-
-<p>The cowboy fell limply down behind the front seats,
-wondering vaguely where he and Matt would be after the
-smash.</p>
-
-<p>Even as the thought formed in his mind, there came a
-crash, a jar that shook the automobile in every part, and
-made it reel drunkenly, and a clash of broken glass. After
-a wild stagger, the car seemed to gather itself for a
-spring; then it flung itself onward into the road, turned,
-and glided off on the straightaway.</p>
-
-<p>Dazed and bewildered, McGlory lifted himself in the
-rocking tonneau and looked at Matt, who was still in the
-driver’s seat, still bending over the wheel, and still coaxing
-the demoralized red flyer to its best gait.</p>
-
-<p>Certainly the car was demoralized&mdash;not internally, for
-the motor was doing its work nobly&mdash;but the bonnet was
-bent and broken, the lamps were smashed, and the woodwork
-splintered and scarred.</p>
-
-<p>“Sufferin’ earthquakes!” gasped McGlory, looking back
-at the gates.</p>
-
-<p>The gates had been torn ajar, and one of them had been
-plucked bodily off the brick pier from which it had
-swung.</p>
-
-<p>“Are you hurt, pard?” cried McGlory.</p>
-
-<p>“No,” answered Matt, “but it was rather a close call
-for the tires.”</p>
-
-<p>“Tires? Hang the tires! It was a close call for <em>you</em>.”</p>
-
-<p>“Not so close as you’d think. I knew if we could force
-the gates we’d get through safely. Each gate would give
-way in a solid piece, and there’d be no splinters. We
-made it, Joe, we made it!”</p>
-
-<p>“But the car has been damaged&mdash;&mdash;”</p>
-
-<p>“We couldn’t help that, Joe! If we keep Tibbits and
-Dimmock from carrying out that robbery, we have to get
-to a telegraph office in short order.”</p>
-
-<p>At that moment the motor showed signs of distress.
-First it missed fire, and then went dead altogether.</p>
-
-<p>“Watch behind, Joe,” called Matt, as he sprang into
-the road and began an investigation to discover what was
-wrong.</p>
-
-
-
-<hr class="chap" />
-
-<div class="chapter"></div><!--Page break for ePub-->
-
-<h2><a name="CHAPTER_XII_PURSUIT" id="CHAPTER_XII_PURSUIT">CHAPTER XII.<br />
-<span class="titlefont">PURSUIT.</span></a></h2>
-
-
-<p>“Sufferin’ cyclones!” exclaimed McGlory, keeping close
-watch of the road behind; “after that jolt it would be a
-wonder, pard, if something didn’t go wrong with the
-motor. By rights, considering what this car has gone
-through, it ought to be a scrap heap.”</p>
-
-<p>Matt adjusted one of the battery wires, then crawled<span class="pagenum"><a name="Page_20" id="Page_20">[20]</a></span>
-under the car with a wrench. The cowboy could hear
-him at work; but he could hear something else, too, and
-that was a patter of hoofs and a grind of wheels.</p>
-
-<p>“Horse and buggy coming, Matt!” he called. “Miles
-and Barney are hot after us. I took Miles’ gun away
-from him, and I can use it, if you say so.”</p>
-
-<p>“Not on your life, Joe!” Matt answered, crawling from
-under the car and looking back over the road. “That
-would complicate the affair. We’re not to do any fighting,
-but just show our heels. We’re on the defensive
-entirely&mdash;remember that.”</p>
-
-<p>The horse, driven by Miles, was coming at a gallop.</p>
-
-<p>“I don’t see what they want horses and buggies at that
-big house for,” growled McGlory. “Automobiles go with
-a place like that&mdash;and when the family’s in Europe, the
-bubble-wagons ought to all be in a Boston garage. Will
-the motor work now, Matt, or have we got to use our
-heels?”</p>
-
-<p>The car started. The motor was still somewhat out of
-order, but gave the car a speed that easily carried it away
-from the horse and buggy.</p>
-
-<p>“I reckon we’ll get clear, pard,” observed McGlory,
-albeit with an anxious, questioning note in his voice.</p>
-
-<p>“We’ll kill the engine again,” answered Matt, “if we
-keep running it while it’s out of order.”</p>
-
-<p>“Then, kill it, but get as far away from Miles and
-Barney, and as near a telegraph office, as you can, before
-we have to take to the woods.”</p>
-
-<p>“I don’t know anything about this country,” said Matt.
-“What is the nearest town in this direction, Joe?”</p>
-
-<p>“I’ve been trying to think of that ever since we got
-through the gates, and headed this way, but I can’t seem
-to remember, pard.”</p>
-
-<p>“It’s poor policy, Joe, to run the engine to a standstill.
-Everything may depend on the car before we get out of
-these woods.”</p>
-
-<p>The motor was rapidly going from bad to worse. Matt
-stopped suddenly, threw on the reverse, and backed the
-car into the bushes.</p>
-
-<p>“What’s that for?” asked the cowboy.</p>
-
-<p>“I’m hoping Miles and Barney will pass us, and give
-us a little time to do some more tinkering,” replied Matt.</p>
-
-<p>“Even if that rig does pass us, we can’t follow it.”</p>
-
-<p>“We can go the other way, Joe. I think the nearest
-town is in that direction, anyhow.”</p>
-
-<p>“Do you mean to pass that house again?”</p>
-
-<p>“Why not? I don’t think there are enough men left
-at the place to interfere with us.”</p>
-
-<p>Matt got down and began pulling up the bent bushes
-in front of the car. While he was at work, the galloping
-horse could be heard, and he drew back hastily, and knelt
-down to see what happened.</p>
-
-<p>There was no occasion for alarm. Miles and Barney
-dashed past without giving so much as a glance in the
-direction of the motor boys.</p>
-
-<p>“Good enough!” exclaimed McGlory. “There’s the
-chance you wanted, Matt. Can I do anything to help you
-fix the car?”</p>
-
-<p>“Two of us can shorten the work a whole lot,” said
-Matt.</p>
-
-<p>He showed McGlory what to do, and for ten minutes
-both boys were busy. At the end of that time, Matt announced
-that he was fairly well satisfied with the repairs.</p>
-
-<p>“There’s enough gasoline and oil to take us fifty
-miles,” he added.</p>
-
-<p>“In other words,” said the cowboy, “we can go clear
-to Boston, if we have to. What time is it, pard?”</p>
-
-<p>“Nine o’clock.”</p>
-
-<p>McGlory was startled.</p>
-
-<p>“Nine o’clock!” he repeated. “We’ve got to have a telegram
-on the wires by ten. Let’s pull out and hit the
-high places.”</p>
-
-<p>There was no indication, so far as the boys could see,
-that Miles and Barney had discovered the trick which
-the boys had played on them. If the two men were coming
-back, they were still a good way off.</p>
-
-<p>The steady hum of the motor, when Matt started it,
-filled the boys with delight. There did not seem any
-doubt but that the machine would perform every duty demanded
-of it. Matt put on the high speed, and they
-darted back over the course which they had recently covered.</p>
-
-<p>As they drew near they watched anxiously for some
-sign of those who still remained at the house. No man
-showed himself, however, and the car flung past the
-wrecked gates and bore away northward.</p>
-
-<p>“Miles and Barney are welcome to catch us&mdash;if they
-can,” exulted McGlory, who was riding in front with
-Matt.</p>
-
-<p>The wind of the motor boys’ flight whistled and sang
-in their ears, and the engine continued to hum merrily
-and steadily. There was a good deal of rattling, for the
-mudguards and footboards were loose, but the motor
-itself was working as well as the day it had come from
-the factory.</p>
-
-<p>“Sanders must have gone with Tibbits and Dimmock,”
-remarked Matt.</p>
-
-<p>“There was quite a party of pirates in that other car,”
-said McGlory.</p>
-
-<p>“Did you ever see Miles or Barney before we broke
-out of the house, Joe?”</p>
-
-<p>“I never saw Barney, Matt, but Miles was the fellow
-who brought Tibbits and me from New York.”</p>
-
-<p>“You must have had quite a set-to with Miles in the
-hall.”</p>
-
-<p>“Speak to me about that!” laughed McGlory. “Miles
-was one surprised man, and don’t you forget it, pard.
-The skirmish was short, and I reckon it was the tray of
-chuck that did the work for the shuffer. He got the hot
-coffee full in his face, and when he fell back he dropped<span class="pagenum"><a name="Page_21" id="Page_21">[21]</a></span>
-his revolver. I hit him once, just to give me time to
-pick up the gun, and then I made for the front door.
-If that had been locked&mdash;&mdash;”</p>
-
-<p>McGlory winced.</p>
-
-<p>“But it wasn’t,” said Matt. “I heard you rush out of
-the house, and I got to the hall door just in time to see
-Miles going after you. He gave you quite a run, didn’t
-he?”</p>
-
-<p>“I ran till I was black in the face, Matt, doubling back,
-dodging around flower beds, and getting mixed up with
-all kinds of horticultural arrangements. Gee, man, but
-that’s a fine old place to be used by such a gang!”</p>
-
-<p>“It will cost a hundred or two to repair those gates.”</p>
-
-<p>“And two or three hundred, I reckon, to get this car
-back in its usual shape.”</p>
-
-<p>“More than that, Joe. I don’t think five hundred will
-repair the car as it was before we used it for a battering-ram.”</p>
-
-<p>“That ten thousand in bullion is costing the tinhorns
-pretty dear,” commented the cowboy.</p>
-
-<p>“They’ll not be paying anything for damages. If Miles
-owns this car, he’s the one that foots this part of the
-bill.”</p>
-
-<p>The cowboy laughed.</p>
-
-<p>“I’ll bet Miles pretty near had an attack of heart
-failure when he saw you aiming the car at those iron
-gates, and giving it full speed ahead!”</p>
-
-<p>“We can understand why Miles is so eager to catch us,
-I think,” answered Matt.</p>
-
-<p>McGlory’s thoughts went off on another tack.</p>
-
-<p>“About what time was it, do you think,” he asked,
-“when Tibbits and his gang left the house, last night?”</p>
-
-<p>“I didn’t look at my watch,” said Matt. “How long
-had I been asleep when you awoke me?”</p>
-
-<p>“About two hours.”</p>
-
-<p>“Then it was nearly midnight when the car pulled
-out.”</p>
-
-<p>“How long would it take that outfit to reach New
-York?”</p>
-
-<p>This was rather an important point. Up to that moment,
-Matt had not given it much thought.</p>
-
-<p>“I should think,” said he, after a little reflection, “that
-the trip would take eight or ten hours. The car would
-have to hit a smart clip, at that, and keep it up.”</p>
-
-<p>“Then Tibbits and his gang couldn’t reach the city
-before nine or ten o’clock?” queried McGlory.</p>
-
-<p>“I don’t think they could.”</p>
-
-<p>“I reckon there’s plenty of hope, yet,” and the cowboy
-heaved a long breath. “There’s a house, Matt,” he
-added abruptly. “We’re getting out of the woods.”</p>
-
-<p>“We’ll probably see a town pretty soon. Wonder what
-the speed limit is through the villages in this part of the
-country?”</p>
-
-<p>“Never mind the speed limit, pard. Keep her wide
-open.”</p>
-
-<p>Five minutes more of rapid traveling saw the houses
-thicken along the road. People began to be seen, and
-two or three machines were passed.</p>
-
-<p>“Better slow down,” a passenger in one of the cars
-called to the boys as they scurried past. “They’ll nab
-you in Leeville if you don’t.”</p>
-
-<p>Matt thought the advice good, and heeded it.</p>
-
-<p>The disreputable appearance of the red car excited a
-good deal of curiosity. McGlory, too, came in for a fair
-share of guying. He had on the dress suit, of course,
-and, although he had lost the white cap, he still wore the
-apron.</p>
-
-<p>“I’ve been too excited to think about the apron,” he
-laughed, removing the object, and casting it into the
-road. “I’m wearing this dress suit, I reckon, at the
-wrong end of the day, but I can’t get rid of that for a
-while yet.”</p>
-
-<p>Neither of the boys had a hat, but that fact was of
-minor importance.</p>
-
-<p>A turn in the road brought them into the outskirts of
-a village. The road itself formed the main street of the
-place, and while the boys were jogging at a very leisurely
-gait toward the huddle of store buildings, a man in a
-flannel shirt and with his trousers tucked in his boot tops,
-jumped across the road, dragging a rattling chain behind
-him.</p>
-
-<p>One end of the chain was fastened to a tree, and before
-the battered car reached the man, the other end had been
-similarly secured.</p>
-
-<p>“Sufferin’ blockades!” cried McGlory, as Matt shut
-off the power and put on the brake. “What’s the matter
-with that Rube?”</p>
-
-<p>The man who had manipulated the chain advanced
-upon the boys from his side of the road, a badge of authority
-in the form of a tin star. At the same moment,
-another man descended upon the car from the opposite
-side of the pike.</p>
-
-<p>“This looks as though it might prove interesting,” muttered
-Matt. “What do you want?” he called to the man
-with the star.</p>
-
-<p>“My name’s Hawkins,” snapped the officer, “and I’m
-town constable. You two fellers are pinched.”</p>
-
-<p>“Pinched?” echoed McGlory. “Why, neighbor, we
-weren’t going eight miles an hour.”</p>
-
-<p>“I don’t keer a blame how fast ye was goin’,” proceeded
-the constable aggressively. “That ain’t why ye’re
-arrested. Got a telephone message from the old Higbee
-place, sayin’ as how two fellers, answerin’ your description,
-had stole a motor car. Hiram an’ me’ll jest
-git in an’ ride with ye to the lockup.”</p>
-
-<p>Telephone! The motor boys had entirely forgotten
-that modern, everyday convenience.</p>
-
-<p>They had been trapped in Leeville&mdash;and a telephone
-message had turned the trick!</p>
-
-<hr class="chap" />
-
-<div class="chapter"></div><!--Page break for ePub-->
-
-
-<p><span class="pagenum"><a name="Page_22" id="Page_22">[22]</a></span></p>
-
-
-
-
-<h2><a name="CHAPTER_XIII_IN_AND_OUT_OF_LEEVILLE" id="CHAPTER_XIII_IN_AND_OUT_OF_LEEVILLE">CHAPTER XIII.<br />
-<span class="titlefont">IN AND OUT OF LEEVILLE.</span></a></h2>
-
-
-<p>“Mr. Hawkins,” said Matt, attempting to argue the
-matter, and show the constable the error of his way,
-“you’re a little mistaken in this matter.”</p>
-
-<p>“’Way wide of the trail,” chipped in McGlory.</p>
-
-<p>“You can’t teach me no law,” scowled the constable.
-“I know my business.”</p>
-
-<p>“Of course you do,” went on Matt, signing to McGlory
-to let him do the talking. “I’m not saying that
-you don’t know all about the law, or are not trying to do
-your duty. It’s the fellow at the other end of the line
-who has started you wrong.”</p>
-
-<p>“D’you own this car?” demanded Hawkins, slapping
-the broken hood.</p>
-
-<p>“No, but&mdash;&mdash;”</p>
-
-<p>“Didn’t you run away with it?”</p>
-
-<p>“Yes, but if you’ll let&mdash;&mdash;”</p>
-
-<p>“I calculate that’s a-plenty,” cut in Hawkins, with a
-triumphant look at Hiram. “We’ll hop in an’ show ye
-the way to the jail.”</p>
-
-<p>“I want to explain this,” cried Matt.</p>
-
-<p>“Oh, ye do!” gibed the constable. “I can tell, just by
-the look of you, you’re a pair of scalawags. You can’t do
-any explainin’ that’ll help your case any.”</p>
-
-<p>“Take us before a justice,” pleaded Matt.</p>
-
-<p>“The jedge is away, fishin’, an’ he won’t hold court
-till this arternoon. I’ll haul ye up in front o’ him, soon
-enough, an’ if he don’t hold ye to a higher court to answer
-for the larceny of one benzine buggy, I’ll miss <em>my</em>
-guess. Hiram,” and the constable turned to his comrade,
-“I’ll git in with ’em, so’st to make sure they don’t
-run, then you take down the chain, an’ git in, too.”</p>
-
-<p>“You bet I will,” assented Hiram, with great alacrity.</p>
-
-<p>“Is there a telegraph office in town?” asked Matt,
-while Hiram was removing the chain.</p>
-
-<p>“’Course there is,” replied Hawkins. “We got a railroad,
-too, and an op’ry house, and everythin’ else that
-makes a town worth livin’ in.”</p>
-
-<p>“We want to stop at the telegraph office and send a
-message,” said Matt.</p>
-
-<p>“No, ye don’t! You fellers can’t play any shenanigin
-tricks on Bill Hawkins. I’m too old a hand to be come
-over by two younkers like you.”</p>
-
-<p>“Sufferin’ jaybirds!” growled McGlory. “Say, constable,
-this message we want to send is mighty important.
-If we can get it through, it will prevent a ten-thousand-dollar
-robbery in New York.”</p>
-
-<p>Bill Hawkins laughed.</p>
-
-<p>“You’re funnier’n a Joe Miller joke book,” said he.
-“Jest as though ye could make me swaller a yarn like
-that. Git in, Hiram,” he added. “You drive this automobile
-right down Main Street till I tell ye to stop,” he
-finished, addressing Matt.</p>
-
-<p>“Will you let me send that telegram?” pleaded McGlory.
-“It will only take a minute.”</p>
-
-<p>“Well, I guess not,” said the constable, snapping his
-lean jaws decisively. “Start the car,” he ordered sternly.</p>
-
-<p>Matt took two five-dollar bills from his pocket, offering
-one to each of the men.</p>
-
-<p>“You can read the telegram, Mr. Hawkins,” said Matt.
-“It’s important.”</p>
-
-<p>Hawkins went up on his toes and fairly bristled.</p>
-
-<p>“Say,” he snorted, “you ain’t got money enough to
-bribe me from doin’ my duty. Now I <em>know</em> ye’re
-crooked. Tryin’ to bribe Bill Hawkins! Well, by jing!
-What d’ye think o’ that, Hiram?”</p>
-
-<p>“Scand’lous!” gurgled Hiram, horror-stricken.</p>
-
-<p>McGlory leaned toward Matt.</p>
-
-<p>“Put on full speed, pard,” he whispered excitedly,
-“and let’s snake ’em out into the country.”</p>
-
-<p>But Matt shook his head and started the car slowly
-into the village.</p>
-
-<p>All the inhabitants of the place, Matt judged, had been
-drawn to the scene of the “arrest.” Men, women, children,
-and dogs clustered around the car, and proceeded
-with it as it took its melancholy way along the street.</p>
-
-<p>“There’s the place,” said Hawkins, pointing, “that two-story
-red buildin’ on the right. Hardware store on the
-first floor and the jail’s upstairs.”</p>
-
-<p>Matt steered for the curb, and halted the car at the
-edge of the walk, then Hawkins took him in charge,
-Hiram looked after McGlory, and the motor boys were
-led toward an outside stairway by which they were to
-climb to the “jail.”</p>
-
-<p>The cowboy, halting at the foot of the stairs, renewed
-his desperate attempt to get permission to send his telegram.
-Hiram spoke harshly, Hawkins put in a few warm
-words, and the crowd jeered. Then McGlory gave up,
-and followed Hawkins and Matt as they climbed the
-stairs.</p>
-
-<p>The second floor of the building was partitioned into
-two rooms. A sign proclaimed that the front room was
-occupied by a “Justice of the Peace,” while another sign,
-bearing the one word, “Jail,” set forth the uses to which
-the rear room was put.</p>
-
-<p>Matt and McGlory, it appeared, were the only occupants
-of the jail. The room was meagrely furnished,
-with a table, a cot, and two chairs, and there were two
-grated windows overlooking the rear of the premises.</p>
-
-<p>Here the motor boys were left, McGlory sinking disconsolately
-into one of the chairs, while Matt roamed
-around, making himself as familiar as possible with the
-situation.</p>
-
-<p>From the grated windows he could look off for half a
-block to the railroad station. The station building was
-about as large as a good-sized packing case, and there
-was one spur track, running between the main track and<span class="pagenum"><a name="Page_23" id="Page_23">[23]</a></span>
-the rear of the hardware store, with a lonely flat car on
-the rails.</p>
-
-<p>“Here’s a go!” wailed McGlory. “Jugged! Jugged by
-a country constable, just when a telegram might save the
-day for us in New York! Sufferin’ cats! Can’t we do
-something, pard? We’re not going to let a couple of
-hayseeds knock us out like this, are we?”</p>
-
-<p>Matt was trying the bars at the windows. The ends
-of the bars were set into the wood of the casing, and the
-casing was old, and partly decayed.</p>
-
-<p>“We can break out,” said Matt, “but what good will
-that do us, Joe? We’d be apprehended by the villagers
-before you could get to the telegraph office. It won’t be
-possible to send a message from here.”</p>
-
-<p>“How can we send it from anywhere,” cried the cowboy,
-“if we don’t get away from this place?”</p>
-
-<p>“Jail-breakers are apt to have quite a hard time of it.”</p>
-
-<p>“I’ll take my chances on the hard time if we can make
-a getaway.”</p>
-
-<p>“The only thing for us to do, so far as I can see, is to
-wait till the judge gets back from his fishing trip. We
-can talk to <em>him</em>, and he’ll have to listen to us.”</p>
-
-<p>Matt sat down, and McGlory, grumbling his disgust,
-started up and went to one of the windows. Laying hold
-of a bar he gave it a wrench, breaking the end completely
-out of the wood. A gap was left, through which the
-boys might squeeze their way to liberty&mdash;if it seemed
-advisable.</p>
-
-<p>“There’s a shed under the window,” reported McGlory.
-“We could get out on the shed and reach the ground too
-easy for any use.”</p>
-
-<p>“That part of it is all right,” returned Matt, “but how
-could we get out of town without being seen? There’s
-the rub, Joe. Be guided by me, and let’s wait for the
-justice.”</p>
-
-<p>“There’s no telling when he’ll get here. Why, right
-now, this minute, Tibbits may have his pals at the bank!”</p>
-
-<p>Urged on by his frantic thoughts, the cowboy began
-hoisting the window. In a few moments, a path to freedom,
-through the bars and over the shed roof, lay open
-to the motor boys.</p>
-
-<p>“Let’s make a try of it, pard,” pleaded McGlory. “We
-can reach the spur track, crawl along it through the
-bushes, and maybe get out of the town. Then we can
-hoof it to the next town, drop in at a telegraph office&mdash;&mdash;”</p>
-
-<p>“And find a telegram from Leeville asking the authorities
-to capture and hold us as jail-breakers,” said Matt.</p>
-
-<p>“We haven’t done anything we ought to be jugged for,
-have we?” demanded McGlory.</p>
-
-<p>“Of course not.”</p>
-
-<p>“Then it’s right for us to get away if we can, isn’t it?”</p>
-
-<p>“Certainly, Joe, but I don’t see how we can manage it.”</p>
-
-<p>Just at that moment a distant whistle was heard.</p>
-
-<p>“A train!” exclaimed McGlory. “If it stops here,
-Matt, why can’t we&mdash;&mdash;”</p>
-
-<p>Matt caught the inspiration of his chum’s words.
-Again fortune was favoring him and McGlory. There
-was a chance to escape, but they would have to be quick
-if they took advantage of it.</p>
-
-<p>“Crawl through the window, Joe!” whispered Matt.
-“Be wary! The jig’s up if we’re seen.”</p>
-
-<p>The cowboy began at once crowding himself through
-the bars. He succeeded, and alighted on the roof of the
-shed on hands and knees. Matt followed, made his way
-carefully over the top of the shed, dropped from the edge
-of the roof, and found himself beside his chum at the
-rear of the hardware store.</p>
-
-<p>The train was just pulling into the station. Without
-losing a moment, the boys scrambled over a fence, skirmished
-onward under the screen of the flat car, dodged
-beneath it, raced across the narrow stretch separating the
-spur from the main track, and climbed aboard the forward
-coach of the train.</p>
-
-<p>The station was on the other side of the cars, and, so
-far as the boys could discover, not an inhabitant of the
-village had seen them.</p>
-
-<p>Where the train was going they did not know; but they
-did know that it would halt at a more friendly town than
-Leeville, that there would be a telegraph office in the
-town, and that they could forward their message to New
-York.</p>
-
-<p>“In and out of Leeville,” murmured the cowboy, as he
-and Matt sank breathlessly into a seat. “I reckon old
-Bill Hawkins will have another guess coming, eh?”</p>
-
-
-
-<hr class="chap" />
-
-<div class="chapter"></div><!--Page break for ePub-->
-
-<h2><a name="CHAPTER_XIV_SENDING_THE_TELEGRAM" id="CHAPTER_XIV_SENDING_THE_TELEGRAM">CHAPTER XIV.<br />
-<span class="titlefont">SENDING THE TELEGRAM.</span></a></h2>
-
-
-<p>The conductor, when he came through the train collecting
-tickets, was somewhat taken aback at the sight of
-Matt and McGlory.</p>
-
-<p>“Where’d you get on?” he inquired, looking the boys
-over and grinning a little at McGlory’s bare head and
-dress suit.</p>
-
-<p>“At Leeville,” said Matt.</p>
-
-<p>“There was only one man got on at Leeville. I didn’t
-see you.”</p>
-
-<p>“We climbed aboard the train on the side that was
-away from the station,” explained McGlory. “We were
-in a rush, and got aboard the handiest way we could.”</p>
-
-<p>“You were in so big a rush that you forgot your hats,”
-commented the conductor suspiciously. “Where are you
-going?”</p>
-
-<p>“Where does this train go, conductor?” put in Matt.</p>
-
-<p>“Fall River.”</p>
-
-<p>“Then we’ll pay our fares to Fall River,” and Matt
-handed the conductor a bill.</p>
-
-<p><span class="pagenum"><a name="Page_24" id="Page_24">[24]</a></span></p>
-
-<p>“You’re a queer pair, and no mistake,” said the railroad
-man, while making change.</p>
-
-<p>“What’s the next stop?” continued Matt.</p>
-
-<p>“Stoughton.”</p>
-
-<p>“Do you stop long enough at Stoughton so we could
-get off and send a telegram?”</p>
-
-<p>“You have the message all written out and I guess
-you’ll have time.”</p>
-
-<p>With a puzzled look at the boys, the conductor left the
-car.</p>
-
-<p>Matt, on the back of the colonel’s letter to McGlory,
-began writing out the message.</p>
-
-<p>“Mark it ‘rush’” said McGlory, “and address it to
-the cashier of the Merchants’ &amp; Miners’ National.”</p>
-
-<p>“I’ve got that,” answered Matt.</p>
-
-<p>Then, as plainly as he could, he wrote the following:</p>
-
-<blockquote>
-
-<p>“Order for two bars bullion, given to Joe McGlory by
-Colonel M. A. Billings, of Tucson, Arizona, stolen. If
-presented, hold bullion until you hear from me.</p>
-
-<p class="marginrightindent">“<span class="smcap">Joe McGlory.</span>”</p></blockquote>
-
-<p>Matt handed the message to his chum to read.</p>
-
-<p>“That’ll do the trick,” said McGlory, “providing the
-gold hasn’t already been delivered. I hope that car of
-Tibbits’ broke down somewhere, and that he was hung
-up for a few hours on the road to New York. That’s our
-only hope, Matt.”</p>
-
-<p>Before Matt could answer, the conductor came along
-the aisle, ushering a gray-whiskered man who was carrying
-a carpetbag.</p>
-
-<p>“Here they are,” said the conductor to his companion,
-halting opposite the boys. “Do you know them?”</p>
-
-<p>“Well, by hokey!” ejaculated the other, staring at the
-motor boys as though they were a couple of ghosts.</p>
-
-<p>“Know them?” repeated the conductor.</p>
-
-<p>“I’ve seen ’em, conductor,” was the reply. “Bill Hawkins,
-our town constable, arrested them two fellers for
-stealin’ an automobile, an’ they was put in the lockup
-not more’n an hour ago. How the nation did you fellers
-git out?”</p>
-
-<p>That was not a time to dodge responsibility. The
-truth, and the whole truth, must be told.</p>
-
-<p>“I had an idea something was wrong with you two
-chaps,” frowned the conductor. “This man”&mdash;he nodded
-to the gray-bearded stranger&mdash;“got on at Leeville, so I
-thought I’d bring him forward to have a look at you.
-Surprising information he’s giving me. What have you
-got to say for yourselves?”</p>
-
-<p>Sternness had crept into the conductor’s voice.</p>
-
-<p>“The gentleman from Leeville is telling the truth,” replied
-Matt. “I and my chum <em>were</em> arrested by the constable
-and put in the Leeville town jail, but we twisted a
-bar from the window, crawled over the roof of a shed,
-and caught this train.”</p>
-
-<p>“Well, well!” gasped the man from Leeville.</p>
-
-<p>“You’ll get off at Stoughton, all right,” said the conductor,
-“but it’ll be for something beside sending a telegram.”</p>
-
-<p>“Wait a minute, conductor,” begged Matt. “If you
-and the other gentleman have time to listen, I want to
-tell you just what happened. We’ll be as quick as we
-can.”</p>
-
-<p>The conductor hesitated.</p>
-
-<p>“There are two sides to a story, you know,” went on
-Matt earnestly. “You’ve got one side, and now, in justice
-to us, you ought to have ours.”</p>
-
-<p>There was something in Matt’s steady gray eyes that
-lent a powerful appeal to his words. The conductor,
-turning back the forward seat, motioned to the man from
-Leeville to sit by the window.</p>
-
-<p>“Now,” said the conductor, sitting down, “I haven’t got
-much time. We’ll be at Stoughton in fifteen minutes.
-Fire away.”</p>
-
-<p>A good deal of detail was necessary, if Matt wanted to
-make out a strong case for himself and McGlory, so he
-began with the receipt of the colonel’s letter by his chum,
-and offered the letter in evidence. It was read by both
-the conductor and the Leeville man.</p>
-
-<p>Then, taking events in sequence, Matt went over his
-and McGlory’s experiences during the preceding day,
-while they were prisoners in the old Higbee house and
-while they were fighting for their freedom.</p>
-
-<p>It was an exciting story, and was listened to with deepest
-interest, not only by the conductor and the Leeville
-man, but also by two or three other passengers, as well.</p>
-
-<p>“By hokey,” murmured the Leeville man, when the
-recital was finished, “if that’s the truth, young feller, you
-an’ your friend ought to have a medal. I never heard
-anythin’ like it before.”</p>
-
-<p>“You said you wanted to send a telegram from Stoughton,”
-observed the conductor. “Who was the telegram
-going to?”</p>
-
-<p>“To the New York bank,” replied Matt, “in order to
-keep the bullion from being delivered to Tibbits and his
-gang.”</p>
-
-<p>“Have you written out the message?”</p>
-
-<p>“Here it is,” and Matt turned over the colonel’s letter
-and showed the message to the trainman.</p>
-
-<p>The conductor read it through carefully, and then read
-it aloud to the man from Leeville.</p>
-
-<p>“To my mind,” said the conductor, “this is evidence
-that these lads are telling the truth. They wrote that
-message before I brought you here to identify them, so
-they couldn’t have framed it up to get out of a tight
-place.”</p>
-
-<p>“I’m pretty sure they’re tellin’ the truth,” returned the
-man from Leeville, “because their story holds together.
-Mr. Higbee, I happen to know, has a nephew who’s a
-good deal of a black sheep. His name ain’t Tibbits, but
-it ain’t likely he’d have given his real name while doin’
-underhand work like what he was up to. Mr. Higbee,<span class="pagenum"><a name="Page_25" id="Page_25">[25]</a></span>
-too, left this nephew at the country place to look after
-it while he an’ his family are abroad.”</p>
-
-<p>“I’ll bank on Motor Matt and Joe McGlory!” declared
-the conductor, reaching over to slap each of the boys
-on the shoulder. “If that Leeville constable had known
-as much as the law allows, he’d have given the lads
-a chance to tell their side of the story; and for him to
-refuse to let them send such an important telegram was
-an outrage. I hope,” the conductor added to Matt, “that
-the message will be received in time to save the bullion.
-In order to make sure that it is rushed through, you’d
-better let me attend to the sending of it myself.”</p>
-
-<p>“That’s mighty kind of you,” said Matt gratefully.</p>
-
-<p>“Don’t mention it, my lad,” the trainman answered.
-“I’m glad to be able to do something for you.”</p>
-
-<p>“I’m goin’ to Fall River to visit my married daughter,”
-put in the Leeville man, “an’ when I git back home, I’ll
-let Hawkins know what I think of his fool way of doing
-bizness. It’ll cost him his job, next ’lection, you can lay
-to that.”</p>
-
-<p>“I wouldn’t bear down too hard on him,” counseled
-Matt. “Hawkins thought he was doing his duty.”</p>
-
-<p>“He’s a false alarm,” growled McGlory, “and he ought
-to have the pin pulled on him. Maybe I’ve lost a fortune
-through his foolishness&mdash;I don’t know.”</p>
-
-<p>At that juncture the train began to slow down.</p>
-
-<p>“Stoughton!” called the conductor, getting up and
-making for the rear door of the car.</p>
-
-<p>Matt and McGlory watched the conductor as he crossed
-the station platform and disappeared inside the telegraph
-office. He was gone for a couple of minutes, and when
-he reappeared he signaled for the train to pull out.</p>
-
-<p>“That’s done, my lads,” he announced, when he again
-came into the car. “In less than half an hour the telegram
-should be in the hands of the cashier.”</p>
-
-<p>“I hope to gracious it’ll git there in time,” said the
-Leeville man. “I’d hate to have it said that ten thousand
-dollars was lost jest because a constable in our town
-hadn’t sense enough to do the right thing.”</p>
-
-<p>“Something ought to be done to the rest of that rascally
-gang at the old Higbee house,” suggested the conductor.</p>
-
-<p>“It’s too late for that,” said Matt. “As soon as Joe and
-I got clear away from them, the scoundrels probably proceeded
-to make themselves scarce.”</p>
-
-<p>“I’ll bet they’re absent a whole lot,” chimed in the
-cowboy. “It was a good deal of scheming they did just
-for a measly ten thousand dollars.”</p>
-
-<p>“That sum is plenty large enough to make a whole lot
-of men go wrong,” asserted the conductor. “But, say,
-I’d like to have a picture of you two boys breaking
-through those iron gates in that automobile! It’s a wonder
-you didn’t get killed.”</p>
-
-<p>“I should say so!” breathed the man from Leeville.
-“You ought to’ve seen them gates, conductor. I’ve seen
-’em, dozens o’ times. They’re big, an’ high, an’ hinged to
-heavy brick columns. It’s a miracle that car wasn’t
-smashed to kindlin’ wood, an’ the youngsters along with
-it.”</p>
-
-<p>“I was pretty sure we’d get through,” said Matt, “or
-we wouldn’t have tried it.”</p>
-
-<p>“He’s the lad to figure things out,” expanded McGlory
-proudly. “His mind works like a rapid-fire gun, an’ it
-ain’t often he misses the bull’s-eye, either.”</p>
-
-<p>“I guess you hit it off about right,” laughed the conductor.
-“I’m glad you had the nerve to tell me the whole
-story, Motor Matt, and that you didn’t try to dodge
-when I confronted you with this gentleman from Leeville.
-What you’ve said has made me your friend, and
-I’ll bet the Leeville man feels the same way.”</p>
-
-<p>“You bet he does,” avowed that gentleman, with emphasis.</p>
-
-
-
-<hr class="chap" />
-
-<div class="chapter"></div><!--Page break for ePub-->
-
-<h2><a name="CHAPTER_XV_AT_THE_BANK" id="CHAPTER_XV_AT_THE_BANK">CHAPTER XV.<br />
-<span class="titlefont">AT THE BANK.</span></a></h2>
-
-
-<p>It was about two o’clock in the afternoon when a touring
-car drew up in front of the Merchants’ &amp; Miners’
-Bank. There were five passengers in the automobile&mdash;four
-besides the driver.</p>
-
-<p>The driver was Sanders, and beside Sanders sat Tibbits.
-In the tonneau were Dimmock, his daughter, and a
-young fellow who wore clothes that were a very poor fit
-and who seemed exceedingly nervous.</p>
-
-<p>“Buck up!” admonished Dimmock to the young man.
-“Show what you’re made of now, Charley.”</p>
-
-<p>“I’ll&mdash;I’ll do the best I can,” answered Charley.</p>
-
-<p>“Let <em>me</em> do the talking,” said Miss Dimmock.</p>
-
-<p>The girl’s attire was scarcely better, in the matter of fit,
-than was Charley’s, but she wore her costume with an
-easy grace that made up for any of the other shortcomings.</p>
-
-<p>“We’ll wait for you around the corner,” said Tibbits,
-as the girl and the young fellow got out.</p>
-
-<p>There was a worried look on Dimmock’s face as the
-touring car left the front of the bank and moved slowly
-along the street.</p>
-
-<p>“It’s a lot of trouble and risk we’re taking for ten
-thousand dollars,” he muttered.</p>
-
-<p>“You’ve taken more trouble and risk for less, Dimmock,”
-said Tibbits.</p>
-
-<p>“I have, yes,” admitted the other, his face gray with
-anxiety, “but never before have I asked Pearl to help
-me in such a matter. It will be the last time.”</p>
-
-<p>“Bah!” sneered Tibbits.</p>
-
-<p>Meantime, the girl and Charley had entered the bank.
-Charley’s nervousness had increased to a painful degree.
-The frosty blue eyes of the girl, observing his abstracted
-manner, led her to infer that Charley, so far from being a
-help, would prove a source of danger.</p>
-
-<p><span class="pagenum"><a name="Page_26" id="Page_26">[26]</a></span></p>
-
-<p>“You stay back here, Motor Matt,” she whispered,
-“and I’ll talk with the cashier alone.”</p>
-
-<p>Charley was only too glad to receive a command of
-that kind. Leaning against a writing desk at the wall,
-he watched his companion as she boldly made her way
-to the railing behind which the cashier transacted his
-business. Something like admiration awoke in Charley’s
-soul&mdash;that is, if there can be anything admirable in such
-an attempt as the girl was about to make.</p>
-
-<p>The long, yellow tresses had been cut from the girl’s
-head&mdash;a sacrifice demanded by the exigencies of the case.</p>
-
-<p>The cashier, as it chanced, was busy with some one
-else. Calmly and patiently the girl waited. Finally the
-other customer went away, and the girl pushed respectfully
-up to the railing and stood under the sharp eyes of
-the bank official.</p>
-
-<p>“What can I do for you?” asked the cashier briskly.</p>
-
-<p>“This will explain, I think,” said the girl, presenting
-the colonel’s order for the bullion.</p>
-
-<p>The cashier glanced at the order, then gave the girl a
-keen scrutiny.</p>
-
-<p>“You are Joe McGlory, are you?” he queried.</p>
-
-<p>“Yes.”</p>
-
-<p>“Are you personally acquainted with the gentleman
-who sent you this order?”</p>
-
-<p>“I am.”</p>
-
-<p>It was a pity, indeed, that Dimmock should have forced
-his daughter into such a tangle of deception; and doubly
-a pity that one so young and fair could have played the
-despicable part so boldly, and given her false answers
-without a tremor, or a pang of conscience.</p>
-
-<p>“Have you any other means of identifying yourself?”
-went on the cashier.</p>
-
-<p>Here was the place where the supposed Motor Matt
-was to be used, but Charley had not proved equal to the
-part.</p>
-
-<p>“I’m a stranger in town,” said the girl, “and I had supposed
-that order of the colonel’s was enough.”</p>
-
-<p>“Our orders are to deliver the bullion upon the presentation
-of this demand. You understand, Mr. McGlory,
-that we are simply acting as trustees for Colonel
-Billings.”</p>
-
-<p>The cashier looked at the paper reflectively. He had
-many important matters on his mind, matters in which
-hundreds of thousands were concerned, and two gold bars
-were a mere bagatelle.</p>
-
-<p>Again he studied the girl. She met his eyes frankly.</p>
-
-<p>“After all,” said the cashier, “this order lets us out.
-I will give you a receipt to sign, and while you are putting
-your name to it, I will have the bullion brought from
-the safe.”</p>
-
-<p>He scribbled a few words on a pad of printed receipt
-blanks, tore off the top slip and handed it to the girl, nodding
-his head toward a writing desk. Pearl stepped to
-the desk, and the cashier pressed an electric call for one
-of the bank attachés.</p>
-
-<p>The employee who answered the call brought with him
-a telegram.</p>
-
-<p>“That message just came, sir,” said he, “and is marked
-‘rush.’”</p>
-
-<p>The cashier took the message.</p>
-
-<p>“Get me that bag of bullion from the vault, Jenkins,”
-said he, tearing the end off the yellow envelope, “the two
-bars of gold from Colonel Billings, of Tucson, Arizona.”</p>
-
-<p>“Very well, sir.”</p>
-
-<p>Jenkins started. The cashier read the telegram at a
-glance. Not a line in his face quivered.</p>
-
-<p>“Oh, Jenkins!” he called.</p>
-
-<p>The clerk came back.</p>
-
-<p>“Instead of getting the bullion,” said the cashier, in a
-low voice, “bring the bank policeman.”</p>
-
-<p>Jenkins nodded and started of again, this time in a different
-direction.</p>
-
-<p>“Here is the receipt, sir,” said the girl.</p>
-
-<p>“Ah,” smiled the cashier, getting up and opening a
-wicket. “It will take some little time to get the bullion,
-Mr. McGlory, and you had better step into my private
-room and wait. Keep the receipt until you receive the
-gold. That is only business, you know.”</p>
-
-<p>He led the girl across the open space in front of his
-desk, pushed ajar a door, and waved the girl into the
-private room; then, returning to his chair, he waited.</p>
-
-<p>Meantime, Jenkins had found the bank policeman.</p>
-
-<p>“Mr. Hamilton wants you at once, George,” said
-Jenkins.</p>
-
-<p>Charley overheard the words, and he had already seen
-the cashier talking with Jenkins and ushering the girl
-into the private room. That was quite enough for
-Charley, and he left the bank in a hurry.</p>
-
-<p>“What is it, Mr. Hamilton?” asked the policeman,
-leaning over the cashier’s railing.</p>
-
-<p>The cashier handed up the message for the policeman
-to read.</p>
-
-<p>“That sounds business-like, Mr. Hamilton,” said the
-policeman, dropping the message on the cashier’s desk.</p>
-
-<p>“Very much so, George.”</p>
-
-<p>“It’s from Stoughton, Massachusetts.”</p>
-
-<p>“Yes.”</p>
-
-<p>“If the order comes in here, we can arrest the man
-that brings it.”</p>
-
-<p>“It has already been handed in, George. Here it is.”</p>
-
-<p>A startled look crossed the policeman’s face.</p>
-
-<p>“Was the bullion delivered?” he asked.</p>
-
-<p>“Not yet. A young man who says he is Joe McGlory
-is in my private room. You know what to do. Take him
-out the side entrance so there won’t be a scene out front.”</p>
-
-<p>The policeman passed through the wicket and entered
-the private room. The cashier turned, serene as ever, to
-give a greeting to one of the bank’s customers.</p>
-
-<p><span class="pagenum"><a name="Page_27" id="Page_27">[27]</a></span></p>
-
-<p>A call from the door of his private room caused the
-cashier to turn.</p>
-
-<p>“Just a moment, Mr. Hamilton,” said the policeman.</p>
-
-<p>The cashier stepped to the door, and the policeman
-took his arm and drew him inside.</p>
-
-<p>The room was empty!</p>
-
-<p>Then, for the first time, the cashier showed annoyance
-and concern.</p>
-
-<p>“How do you suppose that happened, George?” he
-demanded.</p>
-
-<p>The policeman pointed to an open window.</p>
-
-<p>“I have always said, Mr. Hamilton,” he remarked,
-clinching a point that he had been hammering at for a
-long time, “that you ought to have bars across that window.
-All the other windows are protected, and that one
-should be. The fellow got out, dropped ten feet to the
-alley, and has escaped.”</p>
-
-<p>“But why did he leave?” queried the cashier. “I am
-sure he didn’t learn anything from me.”</p>
-
-<p>“Chaps of that sort are naturally suspicious. The mere
-fact that you asked him into the private room was
-enough.”</p>
-
-<p>“See if there is any trace of him outside. He’s a
-youngish chap, seventeen or eighteen, I should say, rather
-effeminate in appearance, and wears&mdash;&mdash;”</p>
-
-<p>“I saw him when he came in, sir,” broke in the policeman.
-“It will be useless to hunt for him, but I’ll see what
-I can do.”</p>
-
-<p>“Anyhow,” and the cashier laughed as the policeman
-hurried away, “we’ve got the bullion.”</p>
-
-<p>What was it that had aroused Pearl Dimmock’s suspicions?
-Only the secret workings of her own mind could
-reveal that point. Perhaps, at the last moment, her courage
-failed her, and she could not carry out the plan.
-This would be the charitable supposition.</p>
-
-<p>Yet, be that as it may, the girl vanished, and even her
-sex remained a mystery to the cashier and the policeman.
-The telegram, sent from Stoughton by the motor boys,
-had fulfilled its mission. That the girl had escaped was,
-to them, an unimportant detail. The main thing was to
-foil Tibbits and keep the bullion.</p>
-
-
-
-<hr class="chap" />
-
-<div class="chapter"></div><!--Page break for ePub-->
-
-<h2><a name="CHAPTER_XVI_A_CLOSE_SHAVE" id="CHAPTER_XVI_A_CLOSE_SHAVE">CHAPTER XVI.<br />
-<span class="titlefont">A CLOSE SHAVE.</span></a></h2>
-
-
-<p>Motor Matt and Joe McGlory reached Fall River in
-the afternoon. They had planned to catch one of the
-night boats for New York, and there was an hour or two
-at their disposal. They put in the time to good advantage
-buying clothes. Mr. Jacobs, the man from Leeville, was
-familiar with the town and, before going to his daughter’s,
-was glad to show the boys around and give them all
-the aid he could.</p>
-
-<p>When he left Matt and McGlory, the lads were completely
-equipped in new “hand-me-downs,” and feeling
-more like themselves.</p>
-
-<p>There was a little fear, on their part, that Bill Hawkins
-might have used the telegraph lines and that they would
-have trouble in Fall River. But the trouble did not materialize.</p>
-
-<p>“We’re jail-breakers, all right,” laughed McGlory,
-when they were safely in their stateroom aboard the
-sound steamer, “but Constable Bill, I reckon, has found
-out something about Miles and Barney that keeps him
-from running out our trail.”</p>
-
-<p>“Hawkins and his friend Hiram,” said Matt, “have
-discovered that they’ve made a mistake. I don’t see how
-they could have learned this from Miles or Barney,
-though, and I’m rather inclined to think that the justice
-of the peace got back from his fishing trip and said a few
-words in our behalf.”</p>
-
-<p>“What’s the difference, pard, so long as we’re at large?
-We’ve lost two suits of clothes and collided with a lot of
-hard knocks, but we got that telegram off.”</p>
-
-<p>“Also,” laughed Matt, “we’ve spoiled a pair of nice
-iron gates, destroyed some Higbee china, and played hob
-with one of the finest motor cars I ever handled. I guess
-the damage isn’t all on one side.”</p>
-
-<p>“I’ll be ‘completely satisfied,’ as Tibbits remarked,
-when I learn that the bullion has been saved.”</p>
-
-<p>“We’ll discover that to-morrow.”</p>
-
-<p>The motor boys slept their way down the sound, and
-reached New York early enough to go to their hotel and
-have breakfast before the bank opened. Immediately
-after breakfast they took an elevated train for downtown.</p>
-
-<p>“I’ve connected with a good lesson, pard, during this
-taxicab tangle,” remarked McGlory.</p>
-
-<p>The cowboy was constantly thinking of various matters
-connected with recent experiences, and entering them on
-the profit side of his personal account.</p>
-
-<p>“What’s this one, Joe?” asked Matt.</p>
-
-<p>“Never to read an important letter aloud in a public
-place. That’s the thing that got us into this mix with
-Tibbits. He happened to be in this hotel, and he happened
-to hear the letter. After that&mdash;well, I reckon the
-memory of what happened is still pretty green.”</p>
-
-<p>It was with some trepidation that the boys entered the
-Merchants’ &amp; Miners’ Bank and made their way to the
-cashier’s desk.</p>
-
-<p>“What can I do for you?”</p>
-
-<p>It was the same brusque query which the cashier put so
-many times a day that its use had become a habit.</p>
-
-<p>“You can do a whole lot for me, <i lang="es" xml:lang="es">amigo</i>,” said McGlory.
-“Principally, though, I’m pining to learn whether two
-gold bars from Tucson, Arizona, are still in your strong
-box.”</p>
-
-<p>The cashier was interested at once.</p>
-
-<p><span class="pagenum"><a name="Page_28" id="Page_28">[28]</a></span></p>
-
-<p>“Why do you ask?” he inquired, leaning back in his
-chair and studying the faces of the boys.</p>
-
-<p>He was a proficient reader of character; as a matter of
-fact, he had to be. The ability to take a man’s sizing at a
-glance had saved him from many a pitfall.</p>
-
-<p>“Now you’re hitting me right at home,” said the cowboy.
-“If that gold is here, I’m the happiest maverick
-that ever strayed from the Southwest; if it’s not here, I’m
-due to get unpleasant tidings from the colonel. You see,
-<i lang="es" xml:lang="es">amigo</i>, I’m the easy mark they call Joe McGlory.”</p>
-
-<p>A slow smile was working its way over the cashier’s
-face. There was something open and free about Joe
-McGlory&mdash;too free, at times, those who did not know
-him might have been tempted to think.</p>
-
-<p>“You don’t look much like the Joe McGlory who came
-here yesterday,” remarked the cashier casually.</p>
-
-<p>The cowboy lopped down on the railing.</p>
-
-<p>“I’m going to ask for a hot flat and a cup of ginger
-tea in a minute,” he murmured dejectedly. “Friend, was
-there a yellow-haired stranger here yesterday, in my
-clothes?”</p>
-
-<p>“Such a person called. Whether he wore your clothes,
-or not, of course I can’t say.”</p>
-
-<p>“Woosh! Johnny Hardluck is getting ready to hand
-me one. Stand close, Matt. I’m going to need you, I
-reckon. Yes, <i lang="es" xml:lang="es">amigo</i>, they were my clothes. Did she
-give you an order from the colonel for the bullion?”</p>
-
-<p>“She?” echoed the cashier, lifting his brows.</p>
-
-<p>“Of course you couldn’t know that,” said McGlory,
-“but the fellow who claimed to be me was a <i lang="es" xml:lang="es">moharrie</i>.
-She gave you the colonel’s order and you handed her the
-gold?”</p>
-
-<p>“No. I had her sign a receipt and was just about to
-send for the gold when a telegram arrived. I had&mdash;&mdash;”</p>
-
-<p>“Then&mdash;then&mdash;&mdash;”</p>
-
-<p>“Just a minute, please. I had the young woman step
-into my private room, and instead of sending for the
-gold I sent for the bank policeman. When he went into
-the room to arrest the girl, she had vanished. Something,
-I suppose, had aroused her suspicions. At any rate, she
-slipped from a window and made good her escape. I’m
-very sorry it happened. It is a blow at law and order
-for such a would-be criminal to get away.”</p>
-
-<p>The cowboy stared; then a glow overspread his face,
-and he grabbed for the cashier’s hand.</p>
-
-<p>“Sorry!” he exclaimed. “Why, pard, this isn’t a time
-to be sorry about anything! You’ve still got the colonel’s
-gold in your safe, and I’m the happiest stray in all New
-York! You hear that, Matt?” and he whirled and caught
-his chum by both hands. “It was a close shave, but that
-message of ours did the trick! The gold’s here, and Tibbits
-has been done&mdash;done to a turn! If there weren’t so
-many people around, I’d yell.”</p>
-
-<p>“You say you’re Joe McGlory?” said the cashier casually,
-“but I’m from Missouri&mdash;after what happened yesterday.
-You haven’t the colonel’s order, and even that
-isn’t a safe means of identification. How are you going
-to prove you’re Joe McGlory?”</p>
-
-<p>“My pard, Motor Matt, will go on record. Matt, am
-I McGlory, Joseph Easy-mark McGlory?”</p>
-
-<p>“You’re Joe McGlory, all right,” laughed Matt.</p>
-
-<p>“That’s good, as far as it goes,” said the cashier, “but
-who’s to vouch for Motor Matt?”</p>
-
-<p>“That’s me, pard,” bubbled McGlory. “We vouch for
-each other.”</p>
-
-<p>The cashier joined in the merriment of the motor boys.</p>
-
-<p>“You’re a team,” said the cashier.</p>
-
-<p>“A whole team and something to spare,” chuckled the
-cowboy. “Honest, I’m feeling so good over that bullion
-that I’m nearly locoed.”</p>
-
-<p>“This will help to identify us,” said Matt.</p>
-
-<p>He took from his pocket the letter McGlory had received
-from the colonel. The conductor, when sending
-the telegram from Stoughton, had had the message copied
-on a telegraph blank and had returned the letter to
-Matt.</p>
-
-<p>The cashier read the letter carefully.</p>
-
-<p>“This also is good&mdash;as far as it goes,” he remarked.
-“The order for the bullion came with this?”</p>
-
-<p>“Yes.”</p>
-
-<p>“And you lads sent me a telegram yesterday?”</p>
-
-<p>“You can bet your roll-top desk against a copper cent
-we did. If you knew how we had to work to get that
-telegram off to you, you’d rather think we sent it.”</p>
-
-<p>This, of course, was from the cowboy.</p>
-
-<p>“Where was the message sent from?”</p>
-
-<p>“From Stoughton, Massachusetts. Turn that letter
-over, neighbor, and you’ll find a copy of the message on
-the back of it.”</p>
-
-<p>The cashier read the copy.</p>
-
-<p>“That’s good circumstantial evidence, Mr. McGlory,”
-said he, handing the letter to the cowboy, “and you can
-have the colonel’s gold whenever you come after it. Will
-you take it now?”</p>
-
-<p>“The meeting of the syndicate is called for to-night, at
-the office of Random &amp; Griggs,” said McGlory, “and I
-don’t want those two bars until the last thing before the
-bank closes at three o’clock. That bullion has caused
-trouble enough, and I’m putting up my fences against
-any more.”</p>
-
-<p>“Very well; come at three and you’ll get the gold.”</p>
-
-<p>The boys turned and slowly left the bank.</p>
-
-<p>“Somehow,” said the cowboy, “I’m glad that girl got
-away.”</p>
-
-<p>“So am I,” answered Motor Matt.</p>
-
-<p class="center" style="margin-top:1em; margin-bottom:1em">THE END.</p>
-
-<p>The next number (363) will contain “A Hoodoo Machine;
-or The Motor Boys’ Runabout No. 1313,” by
-Stanley R. Matthews.</p>
-
-<p><span class="pagenum"><a name="Page_29" id="Page_29">[29]</a></span></p>
-
-<hr class="tb" />
-
-<div class="chapter"></div><!--Page break for ePub-->
-
-
-
-<div class="boxit2">
-<p class="center" style="font-size:200%">BRAVE <span style="font-size:60%">AND</span> BOLD<br />
-<span style="font-size:70%">WEEKLY</span></p>
-</div>
-
-<div class="doublerule" style="margin-top:0.5em"></div>
-
-<p class="center">NEW YORK, November 27, 1909.</p>
-
-<div class="doublerule"></div>
-
-<div class="boxit3">
-<p class="center boldfont">TERMS TO BRAVE AND BOLD WEEKLY MAIL SUBSCRIBERS.</p>
-
-<p class="center">(<em>Postage Free.</em>)</p>
-
-<p class="center boldfont">Single Copies or Back Numbers, 5c. Each.</p>
-
-
-<div class="center">
-<table border="0" cellpadding="1" cellspacing="0" summary="subscription terms">
-<tr><td>3 months</td><td style="text-align:right">65c.</td></tr>
-<tr><td>4 months</td><td style="text-align:right">85c.</td></tr>
-<tr><td>6 months</td><td style="text-align:right">$1.25</td></tr>
-<tr><td>One year</td><td style="text-align:right">2.50</td></tr>
-<tr><td>2 copies one year</td><td style="text-align:right">4.00</td></tr>
-<tr><td>1 copy two years</td><td style="text-align:right">4.00</td></tr>
-</table></div>
-
-<p><b>How to Send Money</b>&mdash;By post-office or express money order,
-registered letter, bank check or draft, at our risk. At your own risk if sent
-by currency, coin, or postage stamps in ordinary letter.</p>
-
-<p><b>Receipts</b>&mdash;Receipt of your remittance is acknowledged by proper
-change of number on your label. If not correct you have not been properly
-credited, and should let us know at once.</p>
-</div>
-
-<div class="center" style="margin-top:-1.5em">
-<p class="displayinline"><span class="smcap">Ormond G. Smith</span>,<br />
-<span class="smcap">George C. Smith</span>,</p>
-<p class="displayinline" style="font-size:250%; vertical-align:10%">}</p>
-<p class="displayinline" style="vertical-align:50%"><em>Proprietors.</em></p>
-<p class="displayinline" style="padding-left:1em"><b>STREET &amp; SMITH, Publishers,<br />
-79-89 Seventh Avenue, New York City.</b></p>
-</div>
-
-
-
-<hr class="chap" />
-
-<div class="chapter"></div><!--Page break for ePub-->
-
-<h2><a name="FACE_TO_FACE_WITH_A_MAD_DOG" id="FACE_TO_FACE_WITH_A_MAD_DOG">FACE TO FACE WITH A MAD DOG.</a></h2>
-
-
-<p>“I can’t say that I object very much to the muzzling order,”
-remarked Captain Peyton. “I have had too many
-experiences with mad dogs, and my voyage with one of them
-I am never likely to forget.”</p>
-
-<p>“How was that?” we inquired eagerly; and after a little
-pressing the captain spun us the following yarn:</p>
-
-<p>The thing happened, he began, on board the ship <em>Globe</em>,
-when I was a young man before the mast, coming home in
-her from Denmark.</p>
-
-<p>Our captain had procured the animal for a friend of his,
-who lived somewhere in the country, and wanted such a dog
-to keep off tramps and other trespassers.</p>
-
-<p>I have seldom seen a larger or more vicious-looking dog.
-He was of the breed called the Great Dane, a kind noted for
-size and fierceness; and though only a year old, he did honor
-to both these characteristics.</p>
-
-<p>He would make friends with no one forward, and sometimes
-would even show his large white teeth upon a too
-familiar caress from the captain, his master pro tem.</p>
-
-<p>You may be sure that not a single one of us ever kicked
-that dog out of the way or took any other liberty with him.</p>
-
-<p>“That animal will be a treasure to Captain Gale’s friend,”
-the second mate remarked one day. “Why, if I had him I
-should expect to come home some afternoon to find my wife
-in half a dozen pieces, and my children lying about in little
-strips. What can a man be thinking of to want such a
-creature as that about the place?”</p>
-
-<p>We used to think that he had more teeth than other dogs&mdash;at
-least, his mouth appeared absolutely full of them&mdash;two
-great, white shining rows that it made one shudder to see.</p>
-
-<p>Once he snapped at little Roy Drew, the ship’s “boy,” and
-took a piece out of his duck trousers, but without tearing his
-flesh.</p>
-
-<p>Fortunately Captain Gale was at hand, and a loud, quick
-shout from him prevented any further demonstration. He
-accused Roy of carelessness, and said the dog would not have
-attempted to hurt him if he had been minding his business.</p>
-
-<p>Roy was dreadfully frightened, though, for it was a narrow
-escape.</p>
-
-<p>“That dog ought to be chained up,” said the first mate.</p>
-
-<p>“Nonsense!” retorted Captain Gale obstinately, “the animal
-will not hurt any one if left alone, and the men must
-not meddle with him if they do not wish to be bitten.”</p>
-
-<p>After a time the brute began to lose his appetite. He
-slept more than usual, and at last refused his food altogether.
-There was evidently something the matter with him.</p>
-
-<p>“It would be an awkward matter for us if he had hydrophobia,”
-said the first mate.</p>
-
-<p>“He might easily do so,” replied the second mate. “They
-say dogs generally behave like that before going mad.”</p>
-
-<p>We sailors also felt rather uneasy; but the captain, as
-usual, treated the matter very lightly.</p>
-
-<p>“He may die, of course,” he said, as the mate suggested
-some precaution, “but I won’t have him killed; and as to
-tying him up just because he won’t eat, I shan’t do that
-either. He may be all right again in a day or two.”</p>
-
-<p>Although the animal slept much, he would often get up
-and turn around as if he were not easy in any position. His
-eyes, too, had a very strange, glassy stare.</p>
-
-<p>He remained in this state for a week, sometimes moving a
-few feet, but generally asleep.</p>
-
-<p>He growled at every one who came near him, and I believe
-that even the captain, although too obstinate to acknowledge
-it, would at last have been glad to see him
-knocked on the head.</p>
-
-<p>When the crisis finally came, it came suddenly. Most of
-the foremast hands were aloft in the rigging, I myself being
-in the maintop. The mate was busy somewhere about the
-deck, and the captain was leaning over the quarter rail,
-watching his opportunity to strike a porpoise which had
-come under the ship’s counter.</p>
-
-<p>Presently we heard him shout to the mate:</p>
-
-<p>“I’ve got him, Mr. Gibson! Come and lend a hand.”</p>
-
-<p>The officer hurried to assist him; but at that moment another
-cry came from the man at the wheel:</p>
-
-<p>“Look out, Captain Gale! Look out, Mr. Gibson! The
-dog is raving mad!”</p>
-
-<p>As he spoke he let go of the wheel and sprang for the
-mizzen rigging. The captain and mate, looking hastily
-round, saw the mad brute close behind them, leaping up
-aimlessly and snapping at the air. I need not tell you that
-they went into the shrouds probably more quickly than they
-had ever done before.</p>
-
-<p>Every one not already aloft got there without loss of time,
-so that the deck was soon entirely deserted.</p>
-
-<p>Meanwhile the dog was traversing the deck at a brisk
-trot, snapping at everything in his way.</p>
-
-<p>Sometimes he would come to a full stop and spring
-straight up; at others he would tear away at some large rope,
-as if trying to devour it. Occasionally he uttered a wild,
-dismal howl.</p>
-
-<p>What was to be done? Had he been a small dog we might
-have attacked and killed him with handspikes; but with so
-large and powerful a creature the case was different.</p>
-
-<p>The captain had a revolver in the cabin, but while we were
-becalmed off the Orkney Islands he had shot away all his<span class="pagenum"><a name="Page_30" id="Page_30">[30]</a></span>
-cartridges at sea birds that came near the ship, so that now
-the firearm was useless.</p>
-
-<p>All this while the ship was left to herself, the topsails
-backing and filling, and the spanker moving from side to
-side.</p>
-
-<p>“Why not try to lasso the brute?” called out the mate at
-last.</p>
-
-<p>The captain thought the suggestion worth acting upon,
-and a number of us going down to the foot of the shrouds,
-attempted to take off some coils of the running rigging from
-the pins.</p>
-
-<p>But the dog was there before us, and, leaping up, he fixed
-his teeth in the shrouds in a way that showed what would
-be our fate if we did not keep out of his reach.</p>
-
-<p>However, as some of us were on one side of the ship and
-some on the other, we finally succeeded in getting at the
-slack of some of the ropes, and then, standing well up in the
-shrouds, we did our best at lasso-throwing. But we were
-no cowboys, and all our efforts resulted in failure.</p>
-
-<p>Our attempts served only to irritate the rabid animal, so
-that he was now perfectly frantic, leaping, howling, and
-rushing about in a terrible manner.</p>
-
-<p>Just as we had begun to despair of effecting anything in
-this way we heard a shout from forward. It was little Roy
-Drew.</p>
-
-<p>“Hello, there!” he said; “I’m on the bowsprit. I’ve just
-come down the forestay. I see how he can be got overboard.”</p>
-
-<p>As we stood in the shrouds, the ship’s fore and main
-courses, which were set, prevented us from seeing the boy,
-but we could easily judge of his position and intention also.</p>
-
-<p>“Look out for yourself, Roy!” was the cry from more
-than one voice, as all realized the fearful risk that he ran.</p>
-
-<p>But the little fellow had his plan. He made a great stamping
-and shouting, and the dog, which happened just then to
-be forward, leaped upon the forecastle.</p>
-
-<p>We, who were in the rigging, hurried down to the deck,
-no longer thinking of any danger to ourselves, and then the
-whole scene was before us.</p>
-
-<p>Roy had run out along the bowsprit and jib-boom, and the
-dog was trying to follow him.</p>
-
-<p>The upper side of the bowsprit being flat, the mad animal
-could easily traverse it, but we did not believe that he would
-be able to walk on the jib-boom. To our great alarm, however,
-we saw him dash out upon it without falling.</p>
-
-<p>“Roy! Roy!” we called, “take care of yourself&mdash;quick!
-quick! Don’t let him get hold of you!”</p>
-
-<p>But the lad was prepared even for this. Away out on the
-end of the boom he stood, with his hand on the flying jibstay,
-and when the dog was within a few feet of him, he grasped
-the hoops of the sail which were around it and went up the
-log rope like a squirrel.</p>
-
-<p>The mad dog made a sort of half leap, as if to reach him,
-staggered, lost his balance, and fell with a splash under the
-ship’s bows.</p>
-
-<p>Probably the sudden immersion threw him into one of
-those convulsive fits so common in the rabies, for, after a
-few minutes of violent tumbling, he sank outright, and we
-saw no more of him.</p>
-
-<p>“Now,” said Captain Gale, after all was over and the ship
-had been put upon her course, “I’ll finish catching my porpoise.”</p>
-
-<p>And, sure enough, upon going to his line, he found the
-iron still fast to it.</p>
-
-<p>During the remainder of the voyage, concluded Captain
-Peyton, little Roy Drew was the hero of the ship. He had
-performed what all the rest of us combined had been unable
-to accomplish, and even the captain gave him full credit for
-his gallant act.</p>
-
-
-
-<hr class="chap" />
-
-<div class="chapter"></div><!--Page break for ePub-->
-
-<h2><a name="THE_BOOMERANG" id="THE_BOOMERANG">THE BOOMERANG.</a></h2>
-
-
-<p>Since the memorable time when Captain Cook sailed into
-Botany Bay in 1769 and saw the naked native Australian
-poising erect to hurl his peculiar weapon, the boomerang has
-continued to excite the curiosity and amazement of the
-civilized world; and truly the finding of such a scientific
-weapon in the hands of this so-called lowest order of mankind
-is an astonishing fact, to be simply accepted as another
-oddity of this odd, topsy-turvy corner of the world.</p>
-
-<p>This novel weapon became an intensely interesting object
-to me very soon after arriving in Australia; and for the
-purpose of studying it, I went persistently among the black
-fellows, whose friendship I cultivated in different ways, and
-so succeeded eventually in learning how to make and throw
-the boomerang. So far, well and good; but of its history I
-could learn nothing. Of the origin of the crooked stick
-there is no knowledge; one can only conjecture. It is possible
-it may have been born with the race itself from the accidental
-throwing of a flat stick; for from childhood the black
-fellow shows a natural bent for throwing things, as you can
-see by watching him use his only other weapons, the spear
-and club. The bow and arrow, so common in other lands,
-is not used, except in the extreme northern portion of the
-great island continent, where there is a mixture of the race
-with the Papuan of New Guinea.</p>
-
-<p>There are the war boomerang, hunting boomerang, and
-amusement boomerang. This last is used for light hunting,
-such as killing ducks, cockatoos, and parrots, and is the one
-that is referred to when speaking of the boomerang. These
-sticks measure from a foot and a half to three feet and a half
-in length, the fighting and hunting ones being the largest and
-heaviest. The hardest and toughest wood is selected, and
-the form of the weapon follows the grain of the wood; thus,
-if the crook of the root or limb is little or much, so is the
-form of the boomerang. You will find that nearly every one
-is of a different shape. In my collection I have them varying
-from almost straight to a shape like that of the letter V,
-nearly straight, curved, plain, ornamented, some with
-strange carvings, and all varying according to different sections
-of the country and individual tribes, each having its
-own make or style, showing respectively rough crudeness or
-considerable finish, and being especially characteristic in the
-ends or points&mdash;all of which a boomerang connoisseur will
-distinguish at once, and locate as to tribe and section.</p>
-
-<p>In the black fellow’s humpy, where he keeps his collection
-thrown down in a corner with a pile of spears, clubs, rags,
-bark, and skins of kangaroo and wallaby, I have seen very
-rare and curious specimens.</p>
-
-<p><span class="pagenum"><a name="Page_31" id="Page_31">[31]</a></span></p>
-
-<p>The nomad black fellow makes his primitive humpy, or hut,
-in a location chosen temporarily, according to his necessities
-for hunting, fishing, and the like, by cutting a young sapling
-half through about four feet from the ground, and bending it
-over to a horizontal position, thus forming a ridge pole,
-against which boughs and strips of bark are laid. The covered
-side is always against the wind, and before the open
-front a fire is always burning or smouldering. He does not
-like the wind, and if it changes, presto! the humpy, too, is
-changed in a twinkling.</p>
-
-<p>Down in this humpy corner, underneath the pile of bark
-and skins, he will burrow like a rabbit when he goes to sleep,
-and from the same place he will provide himself with a
-weapon when starting off for a hunt.</p>
-
-<p>I have been with him at various times and in sundry
-places, but remember particularly one tramp with a tall,
-bushy-headed fellow, whom somebody had appropriately
-named Long Green.</p>
-
-<p>Starting from the humpy, we crossed a little stretch of
-scrubby country, and struck into the sun-fretted gum-tree
-forest, locally known as “the bush.” The black fellow is
-always on the alert for crooked boughs or roots, and as we
-trudged on Long Green in his quiet way kept his keen eyes
-on duty. Nothing escaped the observation of this child of
-the bush&mdash;bird or animal, crooked stick, stripping bark, or
-foot track, all were so many letters on the familiar page of
-his only book, the book of Nature. However, finding nothing
-near, he led the way in and out to a spot where he was
-sure of getting crooked roots. When a suitable one was
-found and cut away by Long Green’s hatchet, we turned our
-faces humpyward.</p>
-
-<p>Arrived at the camp, fresh fuel was put on the smouldering
-fire, the embers were blown into a lively flame, and then
-the black fellow began operations by splitting the crook into
-slabs, cutting them thinner and thinner until of the required
-thickness. This was the first step in the making of a boomerang.
-The next was to put the slabs on the fire, where we
-watched them roasting and sizzling, for they were green and
-full of sap. In this state the wood is very pliable, and from
-time to time he took a crook off, held it between his toes,
-knees, and teeth, and twisted out all its inequalities. I have
-noticed that these people use their teeth with great dexterity.</p>
-
-<p>More chipping, then more roasting, and the growing boomerang
-was now and again tossed carelessly on the ground just
-to see how it would act, while he glanced at it sideways, gave
-it a poke with his foot, and reminded me of a sedate old tom
-cat playing with a mouse. At last he gave it a gentle shy
-along the ground; then a stronger motion. It was buoyant,
-satisfactory. For the finishing off, it was scraped with a
-piece of broken bottle, the edges sharpened all around, and it
-was done&mdash;the boomerang was made! “White fellow, boss,
-chuck!” he said, handing it to me. It weighed about half a
-pound; the under side was rather flat, yet not entirely so, and
-the upper side slightly rounded, with the ends a little thinner
-than the centre. It was about half an inch thick and two and
-a half inches broad. After having amused myself while he
-was making another, I handed it back to him and told him
-to “chuck.” It proved to be a very good one, and he entertained
-me with it for a long time. It is held with the flat
-side down and the concave edge forward, and is thrown from
-over the shoulder. At the moment when it leaves the hand
-it must be in an upright or perpendicular position.</p>
-
-<p>The black fellow, with a short run and a grunt, sent the
-thing with a sudden jerk at an angle of some twenty-five degrees.
-After whirling through the air for nearly two hundred
-feet it began to rise, and its flight curved toward the
-left, taking in a circle of a hundred yards or more in diameter,
-and fell close to our feet, while throughout its whole
-course of nearly a thousand feet it kept up a harsh, whirring
-sound, like the wings of a partridge in full flight, the rotary
-motion giving it the appearance of a ring or wheel moving
-through space. He caused it to form in its course the figure
-eight a hundred yards in length, then again he sent it off in a
-horizontal direction for a hundred feet or more, when it
-quite suddenly turned and flew upward to a great height. It
-would wheel along the ground in a straight course and also
-in a circle, apparently possessed of some power in itself,
-and the black fellow would jump up and down, talking and
-ejaculating to it as though it understood him. He was an
-excellent thrower, and made it perform two and even three
-circles before falling to the ground. At his will it went from
-right to left, and from left to right. Most all boomerangs
-go but one way, being made for that purpose only.</p>
-
-<p>Now, all this seems contrary to the laws of nature and
-mathematics; but it is all right, and all the eccentric movements
-of the boomerang can be accounted for on scientific
-principles. Projectile force, rotary motion, and gravitation
-do it all, and though these are big words they mean something.
-You must not expect to throw it successfully without
-long practice. It is dangerous, too, in the hands of a beginner,
-for it is then that it “shows off,” and is liable to run
-wild and chase some bystander in a most vigorous manner.
-It is all very amusing to see a man running to escape, but
-he invariably runs the wrong way; and, if hit, it might be
-a serious matter for him.</p>
-
-<p>There were several other humpies near by in the bush, and
-whenever my black fellow threw the boomerang the other
-fellows would shout “kout kout!” meaning “look out!” and
-the women would seize the little naked blacks, and cuff them,
-and tumble them into the humpies in a most unceremonious
-manner; notwithstanding, their little black heads were soon
-peeping out again. The larger boys, of some six or eight
-years, were not interfered with, and they would run about
-and bring the boomerangs which fell at a distance, for before
-we got through there were several black fellows with
-their boomerangs in the game. It was great fun. They
-stood in a row, I among them, and we sent the boomerangs
-chasing through the air. Some were thrown in one direction,
-some the opposite, passing each other in their flight;
-and as they began to return I had to hop about in a lively
-way. The black fellows ditto.</p>
-
-<p>The boomerang has a favorite trick of hiding itself in
-the grass or bushes, and I have looked for one in vain in
-an open field, and given it up as lost, when, on returning the
-next day, it was found at once. But they cannot hide from
-these little black fellows. They have most wonderful eyes,
-deep set in their heads, and their sight is perhaps keener
-than that of any other member of the human race. When a
-boomerang fell at a distance they would run as fast as they
-could until near the place, then stand perfectly still for a
-moment, like a hunting dog, make a dive into the bushes,
-and reappear with the boomerang in the hand. One little
-fellow was hit in the calf of his leg while standing thus.
-It was a bad cut and bled freely. He disappeared among
-the humpies without a whimper, soon coming out again with
-a bandage of rags around the wounded leg.</p>
-
-<p>It was now late afternoon. I knew the blacks liked to
-get in under cover before dark, so, with a half-crown to
-Long Green, some cakes for the little bushy heads, and
-good-bys, I walked off like a veritable savage, grasping
-firmly my newly made aboriginal boomerang.</p>
-
-<hr class="tb" />
-
-<div class="chapter"></div><!--Page break for ePub-->
-
-<div class="boxad">
-<p class="center sansseriffont boldfont xxlargefont">☛LATEST ISSUES☚</p>
-
-<p class="center boldfont xlargefont">BUFFALO BILL STORIES</p>
-
-<p>The most original stories of Western adventure. The only weekly containing the adventures of the famous
-Buffalo Bill. <b>High art colored covers. Thirty-two big pages. Price, 5 cents.</b></p>
-
-<p class="numberitem3">437&mdash;Buffalo Bill’s Panhandle Man-hunt; or, The Comanche
-Tigers.</p>
-
-<p class="numberitem3">438&mdash;Buffalo Bill at Blossom Range; or, Juniper Joe’s Jubilee.</p>
-
-<p class="numberitem3">439&mdash;Buffalo Bill and Juniper Joe; or, The Fool of Folly Mountain.</p>
-
-<p class="numberitem3">440&mdash;Buffalo Bill’s Final Scoop; or, Tim Benson, the Tiger of
-the Hills.</p>
-
-<p class="numberitem3">441&mdash;Buffalo Bill at Clearwater; or, Scouting with Old Nick
-Wharton.</p>
-
-<p class="numberitem3">442&mdash;Buffalo Bill’s Winning Hand; or, The Mystery of Lost Lake.</p>
-
-<p class="numberitem3">443&mdash;Buffalo Bill’s Cinch Claim; or, Bursting the Bubble.</p>
-
-<p class="numberitem3">444&mdash;Buffalo Bill’s Comrades; or, Breaking the “Ring” that
-Robbed the Indians.</p>
-
-<p class="numberitem3">445&mdash;Buffalo Bill in the Bad Lands; or, A Brave Attempt to Prevent
-a War.</p>
-
-<p class="numberitem3">446&mdash;Buffalo Bill and the Boy Bugler; or, The Mysterious Girl
-of Sacred Mountain.</p>
-
-<p class="numberitem3">447&mdash;Buffalo Bill and the Heathen Chinee; or, The Missing Witness.</p>
-
-</div>
-
-<hr class="tb" />
-
-<div class="boxad">
-<p class="center boldfont xlargefont">BRAVE AND BOLD WEEKLY</p>
-
-<p>All kinds of stories that boys like. The biggest and best nickel’s worth ever offered. <b>High art colored
-covers. Thirty-two big pages. Price, 5 cents.</b></p>
-
-<p class="numberitem3">352&mdash;Right on Top; or, Yankee to the Backbone. By Cornelius
-Shea.</p>
-
-<p class="numberitem3">353&mdash;A Clue from Nowhere; or, On a Phantom Trail. By Harrie
-Irving Hancock.</p>
-
-<p class="numberitem3">354&mdash;Never Give Up; or, Harry Holton’s Resolve. By John L.
-Douglas.</p>
-
-<p class="numberitem3">355&mdash;Comrades Under Castro; or, Young Engineers in Venezuela.
-By Victor St. Clair.</p>
-
-<p class="numberitem3">356&mdash;The Silent City; or, Strange Adventures in an Unknown
-Country. By Fred Thorpe.</p>
-
-<p class="numberitem3">357&mdash;Gypsy Joe; or, The Young Nomad’s Triumph. By John De
-Morgan.</p>
-
-<p class="numberitem3">358&mdash;From Rocks to Riches; or, The Copper Coterie. By John
-L. Douglas.</p>
-
-<p class="numberitem3">359&mdash;Diplomat Dave; or, A Young Reporter on the Firing Line.
-By Harrie Irving Hancock.</p>
-
-<p class="numberitem3">360&mdash;Yankee Grit; or, With Stanley in “Darkest Africa.” By
-Harrie Irving Hancock.</p>
-
-<p class="numberitem3">361&mdash;The Tiger’s Claws; or, Out with the Mad Mullah. By
-Weldon J. Cobb.</p>
-
-<p class="numberitem3">362&mdash;A Taxicab Tangle; or, The Mission of the Motor Boys.
-By Stanley R. Matthews.</p>
-
-<p class="numberitem3">363&mdash;A Hoodoo Machine; or, The Motor Boys’ Runabout No.
-1313. By the author of “A Taxicab Tangle.”</p>
-</div>
-
-<hr class="tb" />
-
-<div class="boxad">
-<p class="center boldfont xlargefont">TIP TOP WEEKLY</p>
-
-<p>The most popular publication for boys. The adventures of Frank and Dick Merriwell can be had only in
-this weekly. <b>High art colored covers. Thirty-two pages. Price, 5 cents.</b></p>
-
-<p class="numberitem3">697&mdash;Dick Merriwell’s Ranch Friends; or, Sport on the Range.</p>
-
-<p class="numberitem3">698&mdash;Frank Merriwell at Phantom Lake; or, The Mystery of the
-Mad Doctor.</p>
-
-<p class="numberitem3">699&mdash;Frank Merriwell’s Hold-back; or, The Boys of Bristol.</p>
-
-<p class="numberitem3">700&mdash;Frank Merriwell’s Lively Lads; or, The Rival Campers.</p>
-
-<p class="numberitem3">701&mdash;Frank Merriwell as Instructor; or, The Skill of the Wizard.</p>
-
-<p class="numberitem3">702&mdash;Dick Merriwell’s Cayuse; or, The Star of the Big Range.</p>
-
-<p class="numberitem3">703&mdash;Dick Merriwell’s Quirt; or, The Sting of the Lash.</p>
-
-<p class="numberitem3">704&mdash;Dick Merriwell’s Freshman Friend; or, A Question of
-Manhood.</p>
-
-<p class="numberitem3">705&mdash;Dick Merriwell’s Best Form; or, Master of Himself.</p>
-
-<p class="numberitem3">706&mdash;Dick Merriwell’s Prank; or, The Exposure of Artie Ettinger.</p>
-
-<p class="numberitem3">707&mdash;Dick Merriwell’s Gambol; or, Sport at the County Fair.</p>
-
-<p class="numberitem3">708&mdash;Dick Merriwell’s Gun; or, The Mystery of the Covers.</p>
-
-<p class="numberitem3">709&mdash;Dick Merriwell at His Best; or, Rounding the Team Into
-Form.</p>
-
-<p class="numberitem3">710&mdash;Dick Merriwell’s Master Mind; or, The Mysterious Mr.
-Snare.</p>
-
-<p class="numberitem3">711&mdash;Dick Merriwell’s Dander; or, The Day of Reckoning.</p>
-
-<p class="numberitem3">712&mdash;Dick Merriwell’s Hope; or, The Reliance of the Blue.</p>
-
-<p class="center"><em>For sale by all newsdealers, or will be sent to any address on receipt of price,
-5 cents per copy, in money or postage stamps, by</em></p>
-
-<p class="center boldfont largefont">STREET &amp; SMITH, Publishers, 79-89 Seventh Avenue, New York</p>
-</div>
-
-<hr class="tb" />
-
-<div class="boxad">
-
-<p><span class="largefont"><b>IF YOU WANT ANY BACK NUMBERS</b></span> of our Weeklies and cannot procure them from your newsdealer, they can be
-obtained from this office direct. Fill out the following Order Blank and send it to
-us with the price of the Weeklies you want and we will send them to you by return mail. <b>POSTAGE STAMPS TAKEN THE SAME AS MONEY.</b></p>
-
-<p style="padding-left:17em">....................<em>190</em></p>
-
-<p><em>STREET &amp; SMITH, 79-89 Seventh Avenue, New York City.</em></p>
-
-<p style="padding-left:3em"><em>Dear Sirs: Enclosed please find</em>..........................<em>cents for which send me</em>:</p>
-
-
-<p><span style="padding-right:5em">TIP TOP WEEKLY,</span> Nos ..............................</p>
-
-<p><span style="padding-right:2em">NICK CARTER WEEKLY,</span> <span class="spacedquote">“</span> ..............................</p>
-
-<p><span style="padding-right:1.1em">DIAMOND DICK WEEKLY,</span> <span class="spacedquote">“</span> ..............................</p>
-
-<p><span style="padding-right:1.65em">BUFFALO BILL STORIES,</span> <span class="spacedquote">“</span> ..............................</p>
-
-<p>BRAVE AND BOLD WEEKLY, <span class="spacedquote">“</span> ..............................</p>
-
-<p><em>Name</em>............................<em>Street</em>..........................<em>City</em>.......................<em>State</em>..............</p>
-</div>
-
-<hr class="tb" />
-
-<div class="chapter"></div><!--Page break for ePub-->
-
-<div class="boxad">
-<p class="center boldfont xxlargefont">BRAVE AND BOLD WEEKLY</p>
-
-<p class="center sansseriffont boldfont"><span style="padding-right:2em">ISSUED EVERY WEDNESDAY</span> <span style="padding-left:2em">BEAUTIFUL COLORED COVERS</span></p>
-
-<p>If the boys of ten or fifteen years ago could have secured such thoroughly good adventure stories, of such
-great length, at five cents per copy, the <b>Brave and Bold Weekly</b>, had it been published then, would have
-had ten times its present large circulation. You see, in those days, stories of the quality of those now published
-in the <b>Brave and Bold Weekly</b> were bound in cloth covers or else published little by little in boys’
-serial papers, under which circumstances each story was paid for at the rate of one dollar or more.</p>
-
-<p>Now we give the boys of America the opportunity of getting the same stories and better ones for five cents.
-Do you not think it is a rare bargain? Just buy any one of the titles listed below and read it; you will not be
-without <b>Brave and Bold</b> afterward. Each story is complete in itself and has no connection whatever with
-any story that was published either before or after it.</p>
-
-<p>We give herewith a list of all of the back numbers in print. You can have your newsdealer order them or
-they will be sent direct by the publishers to any address upon receipt of the price in money or postage stamps.</p>
-
-<p class="numberitem2">50&mdash;Labor’s Young Champion.</p>
-
-<p class="numberitem2">53&mdash;The Crimson Cross.</p>
-
-<p class="numberitem2">56&mdash;The Boat Club.</p>
-
-<p class="numberitem2">62&mdash;All Aboard.</p>
-
-<p class="numberitem2">65&mdash;Slow and Sure.</p>
-
-<p class="numberitem2">66&mdash;Little by Little.</p>
-
-<p class="numberitem2">67&mdash;Beyond the Frozen Seas.</p>
-
-<p class="numberitem2">69&mdash;Saved from the Gallows.</p>
-
-<p class="numberitem2">70&mdash;Checkmated by a Cadet.</p>
-
-<p class="numberitem2">73&mdash;Seared With Iron.</p>
-
-<p class="numberitem2">74&mdash;The Deuce and the King of
-Diamonds.</p>
-
-<p class="numberitem2">75&mdash;Now or Never.</p>
-
-<p class="numberitem2">76&mdash;Blue-Blooded Ben.</p>
-
-<p class="numberitem2">77&mdash;Checkered Trails.</p>
-
-<p class="numberitem2">78&mdash;Figures and Faith.</p>
-
-<p class="numberitem2">79&mdash;The Trevalyn Bank Puzzle.</p>
-
-<p class="numberitem2">80&mdash;The Athlete of Rossville.</p>
-
-<p class="numberitem2">81&mdash;Try Again.</p>
-
-<p class="numberitem2">82&mdash;The Mysteries of Asia.</p>
-
-<p class="numberitem2">83&mdash;The Frozen Head.</p>
-
-<p class="numberitem2">84&mdash;Dick Danforth’s Death Charm.</p>
-
-<p class="numberitem2">85&mdash;Burt Allen’s Trial.</p>
-
-<p class="numberitem2">89&mdash;The Key to the Cipher.</p>
-
-<p class="numberitem2">90&mdash;Through Thick and Thin.</p>
-
-<p class="numberitem2">91&mdash;In Russia’s Power.</p>
-
-<p class="numberitem2">92&mdash;Jonah Mudd, the Mascot of
-Hoodooville.</p>
-
-<p class="numberitem2">96&mdash;The Fortunes of a Foundling.</p>
-
-<p class="numberitem2">97&mdash;The Hunt for the Talisman.</p>
-
-<p class="numberitem2">98&mdash;Mystic Island.</p>
-
-<p class="numberitem2">99&mdash;Capt. Startle.</p>
-
-<p class="numberitem3">100&mdash;Julius, the Street Boy.</p>
-
-<p class="numberitem3">101&mdash;Shanghaied.</p>
-
-<p class="numberitem3">102&mdash;Luke Jepson’s Treachery.</p>
-
-<p class="numberitem3">103&mdash;Tangled Trails.</p>
-
-<p class="numberitem3">106&mdash;Fred Desmond’s Mission.</p>
-
-<p class="numberitem3">107&mdash;Tom Pinkney’s Fortune.</p>
-
-<p class="numberitem3">108&mdash;Detective Clinket’s Investigations.</p>
-
-<p class="numberitem3">109&mdash;In the Depths of the Dark
-Continent.</p>
-
-<p class="numberitem3">110&mdash;Barr, the Detective.</p>
-
-<p class="numberitem3">111&mdash;A Bandit of Costa Rica.</p>
-
-<p class="numberitem3">112&mdash;Dacy Dearborn’s Difficulties.</p>
-
-<p class="numberitem3">113&mdash;Ben Folsom’s Courage.</p>
-
-<p class="numberitem3">114&mdash;Daring Dick Goodloe’s Apprenticeship.</p>
-
-<p class="numberitem3">115&mdash;Bowery Bill, the Wharf Rat.</p>
-
-<p class="numberitem3">117&mdash;Col. Mysteria.</p>
-
-<p class="numberitem3">118&mdash;Electric Bob’s Sea Cat.</p>
-
-<p class="numberitem3">119&mdash;The Great Water Mystery.</p>
-
-<p class="numberitem3">120&mdash;The Electric Train in the
-Enchanted Valley.</p>
-
-<p class="numberitem3">122&mdash;Lester Orton’s Legacy.</p>
-
-<p class="numberitem3">123&mdash;The Luck of a Four-Leaf
-Clover.</p>
-
-<p class="numberitem3">124&mdash;Dandy Rex.</p>
-
-<p class="numberitem3">125&mdash;The Mad Hermit of the Swamps.</p>
-
-<p class="numberitem3">126&mdash;Fred Morden’s Rich Reward.</p>
-
-<p class="numberitem3">127&mdash;In the Wonderful Land of Hez.</p>
-
-<p class="numberitem3">128&mdash;Stonia Stedman’s Triumph.</p>
-
-<p class="numberitem3">129&mdash;The Gypsy’s Legacy.</p>
-
-<p class="numberitem3">130&mdash;The Rival Nines of Bayport.</p>
-
-<p class="numberitem3">131&mdash;The Sword Hunters.</p>
-
-<p class="numberitem3">132&mdash;Nimble Dick, the Circus Prince.</p>
-
-<p class="numberitem3">134&mdash;Dick Darrel’s Vow.</p>
-
-<p class="numberitem3">135&mdash;The Rival Reporters.</p>
-
-<p class="numberitem3">136&mdash;Nick o’ the Night.</p>
-
-<p class="numberitem3">137&mdash;The Tiger Tamer.</p>
-
-<p class="numberitem3">138&mdash;Jack Kenneth at Oxford.</p>
-
-<p class="numberitem3">139&mdash;The Young Fire Laddie.</p>
-
-<p class="numberitem3">140&mdash;Dick Oakley’s Adventures.</p>
-
-<p class="numberitem3">141&mdash;The Boy Athlete.</p>
-
-<p class="numberitem3">142&mdash;Lance and Lasso.</p>
-
-<p class="numberitem3">143&mdash;New England Nick.</p>
-
-<p class="numberitem3">144&mdash;Air-Line Luke.</p>
-
-<p class="numberitem3">145&mdash;Marmaduke, the Mustanger.</p>
-
-<p class="numberitem3">146&mdash;The Young Desert Rovers.</p>
-
-<p class="numberitem3">147&mdash;At Trigger Bar.</p>
-
-<p class="numberitem3">148&mdash;Teddy, from Taos.</p>
-
-<p class="numberitem3">149&mdash;Jigger and Ralph.</p>
-
-<p class="numberitem3">150&mdash;Milo, the Animal King.</p>
-
-<p class="numberitem3">151&mdash;Over Many Seas.</p>
-
-<p class="numberitem3">152&mdash;Messenger Max, Detective.</p>
-
-<p class="numberitem3">153&mdash;Limerick Larry.</p>
-
-<p class="numberitem3">154&mdash;Happy Hans.</p>
-
-<p class="numberitem3">155&mdash;Colorado, the Half-Breed.</p>
-
-<p class="numberitem3">156&mdash;The Black Rider.</p>
-
-<p class="numberitem3">157&mdash;Two Chums.</p>
-
-<p class="numberitem3">158&mdash;Bantam Bob.</p>
-
-<p class="numberitem3">159&mdash;“That Boy, Checkers.”</p>
-
-<p class="numberitem3">160&mdash;Bound Boy Frank.</p>
-
-<p class="numberitem3">161&mdash;The Brazos Boy.</p>
-
-<p class="numberitem3">162&mdash;Battery Bob.</p>
-
-<p class="numberitem3">163&mdash;Business Bob.</p>
-
-<p class="numberitem3">164&mdash;An Army Post Mystery.</p>
-
-<p class="numberitem3">165&mdash;The Lost Captain.</p>
-
-<p class="numberitem3">166&mdash;Never Say Die.</p>
-
-<p class="numberitem3">167&mdash;Nature’s Gentleman.</p>
-
-<p class="numberitem3">168&mdash;The African Trail.</p>
-
-<p class="numberitem3">169&mdash;The Border Scouts.</p>
-
-<p class="numberitem3">170&mdash;Secret Service Sam.</p>
-
-<p class="numberitem3">171&mdash;Double-bar Ranch.</p>
-
-<p class="numberitem3">172&mdash;Under Many Suns.</p>
-
-<p class="numberitem3">173&mdash;Moonlight Morgan.</p>
-
-<p class="numberitem3">174&mdash;The Girl Rancher.</p>
-
-<p class="numberitem3">175&mdash;The Panther Tamer.</p>
-
-<p class="numberitem3">176&mdash;On Terror Island.</p>
-
-<p class="numberitem3">177&mdash;At the Double X Ranch.</p>
-
-<p class="numberitem3">179&mdash;Warbling William.</p>
-
-<p class="numberitem3">180&mdash;Engine No. 13.</p>
-
-<p class="numberitem3">181&mdash;The Lost Chief.</p>
-
-<p class="numberitem3">182&mdash;South-paw Steve.</p>
-
-<p class="numberitem3">183&mdash;The Man of Fire.</p>
-
-<p class="numberitem3">184&mdash;On Sampan and Junk.</p>
-
-<p class="numberitem3">185&mdash;Dick Hardy’s School Scrapes.</p>
-
-<p class="numberitem3">186&mdash;Cowboy Steve.</p>
-
-<p class="numberitem3">187&mdash;Chip Conway’s White Clue.</p>
-
-<p class="numberitem3">188&mdash;Tracked Across Europe.</p>
-
-<p class="numberitem3">189&mdash;Cool Colorado.</p>
-
-<p class="numberitem3">190&mdash;Captain Mystery.</p>
-
-<p class="numberitem3">191&mdash;Silver Sallie.</p>
-
-<p class="numberitem3">192&mdash;The Ranch Raiders.</p>
-
-<p class="numberitem3">193&mdash;A Baptism of Fire.</p>
-
-<p class="numberitem3">194&mdash;The Border Nomad.</p>
-
-<p class="numberitem3">195&mdash;Mark Mallory’s Struggle.</p>
-
-<p class="numberitem3">196&mdash;A Strange Clue.</p>
-
-<p class="numberitem3">197&mdash;Ranch Rob.</p>
-
-<p class="numberitem3">198&mdash;The Electric Wizard.</p>
-
-<p class="numberitem3">199&mdash;Bob, the Shadow.</p>
-
-<p class="numberitem3">200&mdash;Young Giants of the Gridiron.</p>
-
-<p class="numberitem3">201&mdash;Dick Ellis, the Nighthawk Reporter.</p>
-
-<p class="numberitem3">202&mdash;Pete, the Breaker Boy.</p>
-
-<p class="numberitem3">203&mdash;Young Maverick, the Boy from
-Nowhere.</p>
-
-<p class="numberitem3">204&mdash;Tom, the Mystery Boy.</p>
-
-<p class="numberitem3">205&mdash;Footlight Phil.</p>
-
-<p class="numberitem3">206&mdash;The Sky Smugglers.</p>
-
-<p class="numberitem3">207&mdash;Bart Benner’s Mine.</p>
-
-<p class="numberitem3">208&mdash;The Young Ranchman.</p>
-
-<p class="numberitem3">209&mdash;Bart Benner’s Cowboy Days.</p>
-
-<p class="numberitem3">210&mdash;Gordon Keith in Java.</p>
-
-<p class="numberitem3">211&mdash;Ned Hawley’s Fortune.</p>
-
-<p class="numberitem3">212&mdash;Under False Colors.</p>
-
-<p class="numberitem3">213&mdash;Bags, the Boy Detective.</p>
-
-<p class="numberitem3">214&mdash;On the Pampas.</p>
-
-<p class="numberitem3">215&mdash;The Crimson Clue.</p>
-
-<p class="numberitem3">216&mdash;At the Red Horse.</p>
-
-<p class="numberitem3">217&mdash;Rifle and Rod.</p>
-
-<p class="numberitem3">218&mdash;Pards.</p>
-
-<p class="numberitem3">219&mdash;Afloat with a Circus.</p>
-
-<p class="numberitem3">220&mdash;Wide Awake.</p>
-
-<p class="numberitem3">221&mdash;The Boy Caribou Hunters.</p>
-
-<p class="numberitem3">222&mdash;Westward Ho.</p>
-
-<p class="numberitem3">223&mdash;Mark Graham.</p>
-
-<p class="numberitem3">225&mdash;“O. K.”</p>
-
-<p class="numberitem3">226&mdash;Marooned in the Ice.</p>
-
-<p class="numberitem3">227&mdash;The Young Filibuster.</p>
-
-<p class="numberitem3">228&mdash;Jack Leonard, Catcher.</p>
-
-<p class="numberitem3">229&mdash;Cadet Clyde Connor.</p>
-
-<p class="numberitem3">230&mdash;The Mark of a Thumb.</p>
-
-<p class="numberitem3">231&mdash;Set Adrift.</p>
-
-<p class="numberitem3">232&mdash;In the Land of the Slave
-Hunters.</p>
-
-<p class="numberitem3">233&mdash;The Boy in Black.</p>
-
-<p class="numberitem3">234&mdash;A Wonder Worker.</p>
-
-<p class="numberitem3">235&mdash;The Boys of the Mountain Inn.</p>
-
-<p class="numberitem3">236&mdash;To Unknown Lands.</p>
-
-<p class="numberitem3">237&mdash;Jocko, the Talking Monkey.</p>
-
-<p class="numberitem3">238&mdash;The Rival Nines.</p>
-
-<p class="numberitem3">239&mdash;Engineer Bob.</p>
-
-<p class="numberitem3">240&mdash;Among the Witch-doctors.</p>
-
-<p class="numberitem3">241&mdash;Dashing Tom Bexar.</p>
-
-<p class="numberitem3">242&mdash;Lion-hearted Jack.</p>
-
-<p class="numberitem3">243&mdash;In Montana’s Wilds.</p>
-
-<p class="numberitem3">244&mdash;Rivals of the Pines.</p>
-
-<p class="numberitem3">245&mdash;Roving Dick, the Chauffeur.</p>
-
-<p class="numberitem3">246&mdash;Cast Away in the Jungle.</p>
-
-<p class="numberitem3">247&mdash;The Sky Pilots.</p>
-
-<p class="numberitem3">248&mdash;A Toss-up for Luck.</p>
-
-<p class="numberitem3">249&mdash;A Madman’s Secret.</p>
-
-<p class="numberitem3">250&mdash;Lionel’s Pluck.</p>
-
-<p class="numberitem3">251&mdash;The Red Wafer.</p>
-
-<p class="numberitem3">252&mdash;The Rivals of Riverwood.</p>
-
-<p class="numberitem3">253&mdash;Jolly Jack Jolly.</p>
-
-<p class="numberitem3">254&mdash;A Jay from Maine.</p>
-
-<p class="numberitem3">255&mdash;Hank, the Hustler.</p>
-
-<p class="numberitem3">256&mdash;At War with Mars.</p>
-
-<p class="numberitem3">257&mdash;Railroad Ralph.</p>
-
-<p class="numberitem3">258&mdash;Gordon Keith, Magician.</p>
-
-<p class="numberitem3">259&mdash;Lucky-stone Dick.</p>
-
-<p class="numberitem3">260&mdash;“Git Up and Git.”</p>
-
-<p class="numberitem3">261&mdash;Up-to-date.</p>
-
-<p class="numberitem3">262&mdash;Gordon Keith’s Double.</p>
-
-<p class="numberitem3">263&mdash;The Golden Harpoon.</p>
-
-<p class="numberitem3">264&mdash;Barred Out.</p>
-
-<p class="numberitem3">265&mdash;Bob Porter’s Schooldays.</p>
-
-<p class="numberitem3">266&mdash;Gordon Keith, Whaler.</p>
-
-<p class="numberitem3">267&mdash;Chums at Grandcourt.</p>
-
-<p class="numberitem3">268&mdash;Partners Three.</p>
-
-<p class="numberitem3">269&mdash;Dick Derby’s Double.</p>
-
-<p class="numberitem3">270&mdash;Gordon Keith, Lumber-jack.</p>
-
-<p class="numberitem3">271&mdash;Money to Spend.</p>
-
-<p class="numberitem3">272&mdash;Always on Duty.</p>
-
-<p class="numberitem3">273&mdash;Walt, the Wonder-Worker.</p>
-
-<p class="numberitem3">274&mdash;Far Below the Equator.</p>
-
-<p class="numberitem3">275&mdash;Pranks and Perils.</p>
-
-<p class="numberitem3">276&mdash;Lost in the Ice.</p>
-
-<p class="numberitem3">277&mdash;Simple Simon.</p>
-
-<p class="numberitem3">278&mdash;Among the Arab Slave Raiders.</p>
-
-<p class="numberitem3">279&mdash;The Phantom Boy.</p>
-
-<p class="numberitem3">280&mdash;Round-the-World Boys.</p>
-
-<p class="numberitem3">281&mdash;Nimble Jerry, the Young Athlete.</p>
-
-<p class="numberitem3">282&mdash;Gordon Keith, Diver Detective.</p>
-
-<p class="numberitem3">283&mdash;In the Woods.</p>
-
-<p class="numberitem3">284&mdash;Track and Trestle.</p>
-
-<p class="numberitem3">285&mdash;The Prince of Grit.</p>
-
-<p class="numberitem3">286&mdash;The Road to Fez.</p>
-
-<p class="numberitem3">287&mdash;Engineer Tom.</p>
-
-<p class="numberitem3">288&mdash;Winning His Way.</p>
-
-<p class="numberitem3">289&mdash;Life-line Larry.</p>
-
-<p class="numberitem3">290&mdash;Dick Warren’s Rise.</p>
-
-<p class="numberitem3">292&mdash;Two Tattered Heroes.</p>
-
-<p class="numberitem3">293&mdash;A Slave for a Year.</p>
-
-<p class="numberitem3">294&mdash;The Gilded Boy.</p>
-
-<p class="numberitem3">295&mdash;Bicycle and Gun.</p>
-
-<p class="numberitem3">296&mdash;Ahead of the Show.</p>
-
-<p class="numberitem3">297&mdash;On the Wing.</p>
-
-<p class="numberitem3">298&mdash;The Thumb-print Clue.</p>
-
-<p class="numberitem3">299&mdash;Bootblack Bob.</p>
-
-<p class="numberitem3">300&mdash;A Mascot of Hoodooville.</p>
-
-<p class="numberitem3">301&mdash;Slam, Bang &amp; Co.</p>
-
-<p class="numberitem3">302&mdash;Frank Bolton’s Chase.</p>
-
-<p class="numberitem3">303&mdash;In Unknown Worlds.</p>
-
-<p class="numberitem3">304&mdash;Held for Ransom.</p>
-
-<p class="numberitem3">305&mdash;Wilde &amp; Woolley.</p>
-
-<p class="numberitem3">306&mdash;The Young Horseman.</p>
-
-<p class="numberitem3">307&mdash;Through the Air to Fame.</p>
-
-<p class="numberitem3">308&mdash;The Double-faced Mystery.</p>
-
-<p class="numberitem3">309&mdash;A Young West Pointer.</p>
-
-<p class="numberitem3">310&mdash;Merle Merton’s Schooldays.</p>
-
-<p class="numberitem3">311&mdash;Double-quick Dan.</p>
-
-<p class="numberitem3">312&mdash;Louis Stanhope’s Success.</p>
-
-<p class="numberitem3">313&mdash;Down-East Dave.</p>
-
-<p class="numberitem3">314&mdash;The Young Marooners.</p>
-
-<p class="numberitem3">315&mdash;Runaway and Rover.</p>
-
-<p class="numberitem3">316&mdash;The House of Fear.</p>
-
-<p class="numberitem3">317&mdash;Bert Chipley On Deck.</p>
-
-<p class="numberitem3">318&mdash;Compound Interest.</p>
-
-<p class="numberitem3">319&mdash;On His Mettle.</p>
-
-<p class="numberitem3">320&mdash;The Tattooed Boy.</p>
-
-<p class="numberitem3">321&mdash;Madcap Max, the Boy Adventurer.</p>
-
-<p class="numberitem3">322&mdash;Always to the Front.</p>
-
-<p class="numberitem3">323&mdash;Caught in a Trap.</p>
-
-<p class="numberitem3">324&mdash;For Big Money.</p>
-
-<p class="numberitem3">325&mdash;Muscles of Steel.</p>
-
-<p class="numberitem3">326&mdash;Gordon Keith in Zululand.</p>
-
-<p class="numberitem3">327&mdash;The Boys’ Revolt.</p>
-
-<p class="numberitem3">328&mdash;The Mystic Isle.</p>
-
-<p class="numberitem3">329&mdash;A Million a Minute.</p>
-
-<p class="numberitem3">330&mdash;Gordon Keith Under African
-Skies.</p>
-
-<p class="numberitem3">331&mdash;Two Chums Afloat.</p>
-
-<p class="numberitem3">332&mdash;In the Path of Duty.</p>
-
-<p class="numberitem3">333&mdash;A Bid for Fortune.</p>
-
-<p class="numberitem3">334&mdash;A Battle with Fate.</p>
-
-<p class="numberitem3">335&mdash;Three Brave Boys.</p>
-
-<p class="numberitem3">336&mdash;Archie Atwood, Champion.</p>
-
-<p class="numberitem3">337&mdash;Dick Stanhope Afloat.</p>
-
-<p class="numberitem3">338&mdash;Working His Way Upward.</p>
-
-<p class="numberitem3">339&mdash;The Fourteenth Boy.</p>
-
-<p class="numberitem3">340&mdash;Among the Nomads.</p>
-
-<p class="numberitem3">341&mdash;Bob, the Acrobat.</p>
-
-<p class="numberitem3">342&mdash;Through the Earth.</p>
-
-<p class="numberitem3">343&mdash;The Boy Chief.</p>
-
-<p class="numberitem3">344&mdash;Smart Alec.</p>
-
-<p class="numberitem3">345&mdash;Climbing Up.</p>
-
-<p class="numberitem3">346&mdash;Comrades Three.</p>
-
-<p class="numberitem3">347&mdash;A Young Snake-Charmer.</p>
-
-<p class="numberitem3">348&mdash;Checked Through to Mars.</p>
-
-<p class="numberitem3">349&mdash;Fighting the Cowards.</p>
-
-<p class="numberitem3">350&mdash;The Mud-River Boys.</p>
-
-<p class="numberitem3">351&mdash;Grit and Wit.</p>
-
-<p class="numberitem3">352&mdash;Right on Top.</p>
-
-<p class="numberitem3">353&mdash;A Clue from Nowhere.</p>
-
-<p class="numberitem3">354&mdash;Never Give Up.</p>
-
-<p class="numberitem3">355&mdash;Comrades Under Castro.</p>
-
-<p class="numberitem3">356&mdash;The Silent City.</p>
-
-<p class="numberitem3">357&mdash;Gypsy Joe.</p>
-
-<p class="numberitem3">358&mdash;From Rocks to Riches.</p>
-
-<p class="numberitem3">359&mdash;Diplomat Dave.</p>
-
-<p class="numberitem3">360&mdash;Yankee Grit.</p>
-
-<p class="numberitem3">361&mdash;The Tiger’s Claws.</p>
-
-<p class="numberitem3">362&mdash;A Taxicab Tangle.</p>
-
-<p class="numberitem3">363&mdash;A Hoodoo Machine.</p>
-
-<p class="numberitem3">364&mdash;Pluck Beats Luck.</p>
-
-<p class="numberitem3">365&mdash;Two Young Adventurers.</p>
-
-<p class="numberitem3">366&mdash;The Roustabout Boys.</p>
-
-<p><b>Price, Five Cents per Copy.</b> If you want any back numbers of our weeklies and cannot procure
-them from your newsdealer, they can be obtained direct from this office. Postage stamps taken the same as money.</p>
-
-<p class="boldfont center">STREET &amp; SMITH, PUBLISHERS, 79-89 SEVENTH AVE., NEW YORK CITY</p>
-</div>
-
-<hr class="tb" />
-
-<div class="chapter"></div><!--Page break for ePub-->
-
-<div class="transnote">
-<h2 id="TN_end" style="margin-top: 0em">Transcriber’s Notes:</h2>
-
-<p>Punctuation has been made consistent.</p>
-
-<p>Variations in spelling and hyphenation were retained as they appear in
-the original publication, except that obvious typographical errors
-have been corrected.</p>
-
-<p>The following change was made:</p>
-
-<p><a href="#Ref_5">p. 5</a>: want to added (if you want to find)</p>
-
-</div>
-
-
-
-
-
-
-
-
-<pre>
-
-
-
-
-
-End of the Project Gutenberg EBook of Brave and Bold Weekly No 362, A
-Taxicab Tangle, by Stanley R. Matthews
-
-*** END OF THIS PROJECT GUTENBERG EBOOK BRAVE AND BOLD WEEKLY NO 362 ***
-
-***** This file should be named 53602-h.htm or 53602-h.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/5/3/6/0/53602/
-
-Produced by David Edwards, Craig Kirkwood, and the Online
-Distributed Proofreading Team at http://www.pgdp.net (Images
-courtesy of the Digital Library@Villanova University
-(http://digital.library.villanova.edu/).)
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for the eBooks, unless you receive
-specific permission. If you do not charge anything for copies of this
-eBook, complying with the rules is very easy. You may use this eBook
-for nearly any purpose such as creation of derivative works, reports,
-performances and research. They may be modified and printed and given
-away--you may do practically ANYTHING in the United States with eBooks
-not protected by U.S. copyright law. Redistribution is subject to the
-trademark license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country outside the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you'll have to check the laws of the country where you
- are located before using this ebook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm web site
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from both the Project Gutenberg Literary Archive Foundation and The
-Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
-trademark. Contact the Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org
-
-
-
-Section 3. Information about the Project Gutenberg Literary Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's principal office is in Fairbanks, Alaska, with the
-mailing address: PO Box 750175, Fairbanks, AK 99775, but its
-volunteers and employees are scattered throughout numerous
-locations. Its business office is located at 809 North 1500 West, Salt
-Lake City, UT 84116, (801) 596-1887. Email contact links and up to
-date contact information can be found at the Foundation's web site and
-official page at www.gutenberg.org/contact
-
-For additional contact information:
-
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works.
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our Web site which has the main PG search
-facility: www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-
-
-
-</pre>
-
-</body>
-</html>
diff --git a/old/53602-h/images/cover.jpg b/old/53602-h/images/cover.jpg
deleted file mode 100644
index a2e911d..0000000
--- a/old/53602-h/images/cover.jpg
+++ /dev/null
Binary files differ
diff --git a/old/53602-h/images/frontispiece.jpg b/old/53602-h/images/frontispiece.jpg
deleted file mode 100644
index 8e7d85c..0000000
--- a/old/53602-h/images/frontispiece.jpg
+++ /dev/null
Binary files differ