diff options
| -rw-r--r-- | .gitattributes | 4 | ||||
| -rw-r--r-- | LICENSE.txt | 11 | ||||
| -rw-r--r-- | README.md | 2 | ||||
| -rw-r--r-- | old/54580-0.txt | 1551 | ||||
| -rw-r--r-- | old/54580-0.zip | bin | 23180 -> 0 bytes | |||
| -rw-r--r-- | old/54580-h.zip | bin | 1234706 -> 0 bytes | |||
| -rw-r--r-- | old/54580-h/54580-h.htm | 1609 | ||||
| -rw-r--r-- | old/54580-h/images/colophon.png | bin | 4979 -> 0 bytes | |||
| -rw-r--r-- | old/54580-h/images/cover.jpg | bin | 86191 -> 0 bytes | |||
| -rw-r--r-- | old/54580-h/images/i_004_lg.jpg | bin | 150383 -> 0 bytes | |||
| -rw-r--r-- | old/54580-h/images/i_004_sml.jpg | bin | 71801 -> 0 bytes | |||
| -rw-r--r-- | old/54580-h/images/i_025_lg.jpg | bin | 150249 -> 0 bytes | |||
| -rw-r--r-- | old/54580-h/images/i_025_sml.jpg | bin | 69968 -> 0 bytes | |||
| -rw-r--r-- | old/54580-h/images/i_037_lg.jpg | bin | 150843 -> 0 bytes | |||
| -rw-r--r-- | old/54580-h/images/i_037_sml.jpg | bin | 72672 -> 0 bytes | |||
| -rw-r--r-- | old/54580-h/images/i_048_lg.jpg | bin | 152656 -> 0 bytes | |||
| -rw-r--r-- | old/54580-h/images/i_048_sml.jpg | bin | 73402 -> 0 bytes | |||
| -rw-r--r-- | old/54580-h/images/i_062_lg.jpg | bin | 151698 -> 0 bytes | |||
| -rw-r--r-- | old/54580-h/images/i_062_sml.jpg | bin | 75428 -> 0 bytes |
19 files changed, 17 insertions, 3160 deletions
diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..d7b82bc --- /dev/null +++ b/.gitattributes @@ -0,0 +1,4 @@ +*.txt text eol=lf +*.htm text eol=lf +*.html text eol=lf +*.md text eol=lf diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..c2d7120 --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #54580 (https://www.gutenberg.org/ebooks/54580) diff --git a/old/54580-0.txt b/old/54580-0.txt deleted file mode 100644 index f47c223..0000000 --- a/old/54580-0.txt +++ /dev/null @@ -1,1551 +0,0 @@ -The Project Gutenberg EBook of The Forerunner, by Kahlil Gibran - -This eBook is for the use of anyone anywhere at no cost and with -almost no restrictions whatsoever. You may copy it, give it away or -re-use it under the terms of the Project Gutenberg License included -with this eBook or online at www.gutenberg.org/license - - -Title: The Forerunner - His Parables and Poems - -Author: Kahlil Gibran - -Release Date: April 20, 2017 [EBook #54580] - -Language: English - -Character set encoding: UTF-8 - -*** START OF THIS PROJECT GUTENBERG EBOOK THE FORERUNNER *** - - - - -Produced by Mary Glenn Krause, Chuck Greif, MFR and the -Online Distributed Proofreading Team at http://www.pgdp.net -(This file was produced from images generously made -available by The Internet Archive) - - - - - - - - - - - - THE FORERUNNER - HIS PARABLES AND POEMS - - - - - BOOKS BY KAHLIL GIBRAN - - “_He is the William Blake of the twentieth century._” - --_AUGUSTE RODIN._ - - -_THE MADMAN (1918)_ - -[_With three original drawings by the author._] - -“His is an irresistible vigor and clarity of thought and feeling, -together with a power of simple picturing, which makes it unforgettable. -It is the voice and genius of the Arabic people.”--_The New York Evening -Post._ - -“Never have I read anything like it, never has a little book brought me -so deep and passionate a pleasure. He has breathed the spirit of the -East on our cold and indifferent souls; and I, for one, feel almost as -if I had been suffocated by the breath of an intense beauty.”--_The -Liberator._ - - -_TWENTY DRAWINGS (1919)_ - -[_With an Introductory Essay by Alice Raphael._] - -“It is Rodin that comes instantly to mind as a comparison. He has sensed -a relation between man and the universe, and, with his astounding -technique, is able to make us sense it too. Mr. Knopf is entitled to our -gratitude.”--_Detroit Journal._ - - -_These may be had at all bookshops or from the publisher_ - - ALFRED A. KNOPF - 220 WEST FORTY-SECOND STREET - NEW YORK - - [Illustration: drawing signed K. Gibran, 1920] - - - - - · THE FORERUNNER · - HIS PARABLES AND POEMS - - BY - KAHLIL GIBRAN - - [Illustration: colophon] - - NEW YORK ALFRED · A · KNOPF MCMXX - - COPYRIGHT, 1920, BY - KAHLIL GIBRAN - - PRINTED IN THE UNITED STATES OF AMERICA - - - - -CONTENTS - - -GOD’S FOOL 9 - -LOVE 15 - -THE KING-HERMIT 17 - -THE LION’S DAUGHTER 22 - -TYRANNY 26 - -THE SAINT 27 - -THE PLUTOCRAT 29 - -THE GREATER SELF 30 - -WAR AND THE SMALL NATIONS 32 - -CRITICS 33 - -POETS 35 - -THE WEATHER-COCK 37 - -THE KING OF ARADUS 38 - -OUT OF MY DEEPER HEART 39 - -DYNASTIES 41 - -KNOWLEDGE AND HALF-KNOWLEDGE 44 - -“SAID A SHEET OF SNOW-WHITE PAPER....” 46 - -THE SCHOLAR AND THE POET 47 - -VALUES 50 - -OTHER SEAS 51 - -REPENTANCE 52 - -THE DYING MAN AND THE VULTURE 53 - -BEYOND MY SOLITUDE 55 - -THE LAST WATCH 57 - - - THE FIVE ILLUSTRATIONS - IN THIS VOLUME ARE RE- - PRODUCED FROM ORIGINAL - DRAWINGS BY THE AUTHOR - - -You are your own forerunner, and the towers you have builded are but the -foundation of your giant-self. And that self too shall be a foundation. - -And I too am my own forerunner, for the long shadow stretching before me -at sunrise shall gather under my feet at the noon hour. Yet another -sunrise shall lay another shadow before me, and that also shall be -gathered at another noon. - -Always have we been our own forerunners, and always shall we be. And all -that we have gathered and shall gather shall be but seeds for fields yet -unploughed. We are the fields and the ploughmen, the gatherers and the -gathered. - -When you were a wandering desire in the mist, I too was there, a -wandering desire. Then we sought one another, and out of our eagerness -dreams were born. And dreams were time limitless, and dreams were space -without measure. - -And when you were a silent word upon Life’s quivering lips, I too was -there, another silent word. Then Life uttered us and we came down the -years throbbing with memories of yesterday and with longing for -tomorrow, for yesterday was death conquered and tomorrow was birth -pursued. - -And now we are in God’s hands. You are a sun in His right hand and I an -earth in His left hand. Yet you are not more, shining, than I, shone -upon. - -And we, sun and earth, are but the beginning of a greater sun and a -greater earth. And always shall we be the beginning. - - * * * * * - -You are your own forerunner, you the stranger passing by the gate of my -garden. - -And I too am my own forerunner, though I sit in the shadows of my trees -and seem motionless. - - - - -GOD’S FOOL - - -Once there came from the desert to the great city of Sharia a man who -was a dreamer, and he had naught but his garment and a staff. - -And as he walked through the streets he gazed with awe and wonder at the -temples and towers and palaces, for the city of Sharia was of surpassing -beauty. And he spoke often to the passersby, questioning them about -their city--but they understood not his language, nor he their language. - -At the noon hour he stopped before a vast inn. It was built of yellow -marble, and people were going in and coming out unhindered. - -“This must be a shrine,” he said to himself, and he too went in. But -what was his surprise to find himself in a hall of great splendour and -a large company of men and women seated about many tables. They were -eating and drinking and listening to the musicians. - -“Nay,” said the dreamer. “This is no worshipping. It must be a feast -given by the prince to the people, in celebration of a great event.” - -At that moment a man, whom he took to be the slave of the prince, -approached him, and bade him be seated. And he was served with meat and -wine and most excellent sweets. - -When he was satisfied, the dreamer rose to depart. At the door he was -stopped by a large man magnificently arrayed. - -“Surely this is the prince himself,” said the dreamer in his heart, and -he bowed to him and thanked him. - -Then the large man said in the language of the city: - -“Sir, you have not paid for your dinner.” And the dreamer did not -understand, and again thanked him heartily. Then the large man bethought -him, and he looked more closely upon the dreamer. And he saw that he was -a stranger, clad in but a poor garment, and that indeed he had not -wherewith to pay for his meal. Then the large man clapped his hands and -called--and there came four watchmen of the city. And they listened to -the large man. Then they took the dreamer between them, and they were -two on each side of him. And the dreamer noted the ceremoniousness of -their dress and of their manner and he looked upon them with delight. - -“These,” said he, “are men of distinction.” - -And they walked all together until they came to the House of Judgment -and they entered. - -The dreamer saw before him, seated upon a throne, a venerable man with -flowing beard, robed majestically. And he thought he was the king. And -he rejoiced to be brought before him. - -Now the watchmen related to the judge, who was the venerable man, the -charge against the dreamer; and the judge appointed two advocates, one -to present the charge and the other to defend the stranger. And the -advocates rose, the one after the other, and delivered each his -argument. And the dreamer thought himself to be listening to addresses -of welcome, and his heart filled with gratitude to the king and the -prince for all that was done for him. - -Then sentence was passed upon the dreamer, that upon a tablet hung about -his neck his crime should be written, and that he should ride through -the city on a naked horse, with a trumpeter and a drummer before him. -And the sentence was carried out forthwith. - -Now as the dreamer rode through the city upon the naked horse, with the -trumpeter and the drummer before him, the inhabitants of the city came -running forth at the sound of the noise, and when they saw him they -laughed one and all, and the children ran after him in companies from -street to street. And the dreamer’s heart was filled with ecstasy, and -his eyes shone upon them. For to him the tablet was a sign of the king’s -blessing and the procession was in his honour. - -Now as he rode, he saw among the crowd a man who was from the desert -like himself and his heart swelled with joy, and he cried out to him -with a shout: - -“Friend! Friend! Where are we? What city of the heart’s desire is this? -What race of lavish hosts?--who feast the chance guest in their palaces, -whose princes companion him, whose king hangs a token upon his breast -and opens to him the hospitality of a city descended from heaven.” - -And he who was also of the desert replied not. He only smiled and -slightly shook his head. And the procession passed on. - -And the dreamer’s face was uplifted and his eyes were overflowing with -light. - - - - -LOVE - - - They say the jackal and the mole - Drink from the self-same stream - Where the lion comes to drink. - - And they say the eagle and the vulture - Dig their beaks into the same carcass, - And are at peace, one with the other, - In the presence of the dead thing. - - O love, whose lordly hand - Has bridled my desires, - And raised my hunger and my thirst - To dignity and pride, - Let not the strong in me and the constant - Eat the bread or drink the wine - That tempt my weaker self. - Let me rather starve, - And let my heart parch with thirst, - And let me die and perish, - Ere I stretch my hand - To a cup you did not fill, - Or a bowl you did not bless. - - - - -THE KING-HERMIT - - -They told me that in a forest among the mountains lives a young man in -solitude who once was a king of a vast country beyond the Two Rivers. -And they also said that he, of his own will, had left his throne and the -land of his glory and come to dwell in the wilderness. - -And I said, “I would seek that man, and learn the secret of his heart; -for he who renounces a kingdom must needs be greater than a kingdom.” - -On that very day I went to the forest where he dwells. And I found him -sitting under a white cypress, and in his hand a reed as if it were a -sceptre. And I greeted him even as I would greet a king. - -And he turned to me and said gently, “What would you in this forest of -serenity? Seek you a lost self in the green shadows, or is it a -home-coming in your twilight?” - -And I answered, “I sought but you--for I fain would know that which made -you leave a kingdom for a forest.” - -And he said, “Brief is my story, for sudden was the bursting of the -bubble. It happened thus: One day as I sat at a window in my palace, my -chamberlain and an envoy from a foreign land were walking in my garden. -And as they approached my window, the lord chamberlain was speaking of -himself and saying, ‘I am like the king; I have a thirst for strong wine -and a hunger for all games of chance. And like my lord the king I have -storms of temper.’ And the lord chamberlain and the envoy disappeared -among the trees. But in a few minutes they returned, and this time the -lord chamberlain was speaking of me, and he was saying, ‘My lord the -king is like myself--a good marksman; and like me he loves music and -bathes thrice a day.’” - -After a moment he added, “On the eve of that day I left my palace with -but my garment, for I would no longer be ruler over those who assume my -vices and attribute to me their virtues.” - -And I said, “This is indeed a wonder, and passing strange.” - -And he said, “Nay, my friend, you knocked at the gate of my silences and -received but a trifle. For who would not leave a kingdom for a forest -where the seasons sing and dance ceaselessly? Many are those who have -given their kingdom for less than solitude and the sweet fellowship of -aloneness. Countless are the eagles who descend from the upper air to -live with moles that they may know the secrets of the earth. There are -those who renounce the kingdom of dreams that they may not seem distant -from the dreamless. And those who renounce the kingdom of nakedness and -cover their souls that others may not be ashamed in beholding truth -uncovered and beauty unveiled. And greater yet than all of these is he -who renounces the kingdom of sorrow that he may not seem proud and -vainglorious.” - -Then rising he leaned upon his reed and said, “Go now to the great city -and sit at its gate and watch all those who enter into it and those who -go out. And see that you find him who, though born a king, is without -kingdom; and him who though ruled in flesh rules in spirit--though -neither he nor his subjects know this; and him also who but seems to -rule yet is in truth slave of his own slaves.” - -After he had said these things he smiled on me, and there were a -thousand dawns upon his lips. Then he turned and walked away into the -heart of the forest. - -And I returned to the city, and I sat at its gate to watch the passersby -even as he had told me. And from that day to this numberless are the -kings whose shadows have passed over me and few are the subjects over -whom my shadow has passed. - - - - -THE LION’S DAUGHTER - - -Four slaves stood fanning an old queen who was asleep upon her throne. -And she was snoring. And upon the queen’s lap a cat lay purring and -gazing lazily at the slaves. - -The first slave spoke, and said, “How ugly this old woman is in her -sleep. See her mouth droop; and she breathes as if the devil were -choking her.” - -_Then the cat said, purring, “Not half so ugly in her sleep as you in -your waking slavery.”_ - -And the second slave said, “You would think sleep would smooth her -wrinkles instead of deepening them. She must be dreaming of something -evil.” - -_And the cat purred, “Would that you_ - - [Illustration: drawing signed K. Gibran, 1920] - -_might sleep also and dream of your freedom.”_ - -And the third slave said, “Perhaps she is seeing the procession of all -those that she has slain.” - -_And the cat purred, “Aye, she sees the procession of your forefathers -and your descendants.”_ - -And the fourth slave said, “It is all very well to talk about her, but -it does not make me less weary of standing and fanning.” - -_And the cat purred, “You shall be fanning to all eternity; for as it is -on earth so it is in heaven.”_ - -At this moment the old queen nodded in her sleep, and her crown fell to -the floor. - -And one of the slaves said, “That is a bad omen.” - -_And the cat purred, “The bad omen of one is the good omen of another.”_ - -And the second slave said, “What if she should wake, and find her crown -fallen! She would surely slay us.” - -_And the cat purred, “Daily from your birth she has slain you and you -know it not.”_ - -And the third slave said, “Yes, she would slay us and she would call it -making sacrifice to the gods.” - -_And the cat purred, “Only the weak are sacrificed to the gods.”_ - -And the fourth slave silenced the others, and softly he picked up the -crown and replaced it, without waking her, on the old queen’s head. - -_And the cat purred, “Only a slave restores a crown that has fallen.”_ - -And after a while the old queen woke, and she looked about her and -yawned. Then she said, “Methought I dreamed, and I saw four caterpillars -chased by a scorpion around the trunk of an ancient oaktree. I like not -my dream.” - -Then she closed her eyes and went to sleep again. And she snored. And -the four slaves went on fanning her. - -_And the cat purred, “Fan on, fan on, stupids. You fan but the fire that -consumes you.”_ - - - - -TYRANNY - - -Thus sings the She-Dragon that guards the seven caves by the sea: - -“My mate shall come riding on the waves. His thundering roar shall fill -the earth with fear, and the flames of his nostrils shall set the sky -afire. At the eclipse of the moon we shall be wedded, and at the eclipse -of the sun I shall give birth to a Saint George, who shall slay me.” - -Thus sings the She-Dragon that guards the seven caves by the sea. - - - - -THE SAINT - - -In my youth I once visited a saint in his silent grove beyond the hills; -and as we were conversing upon the nature of virtue a brigand came -limping wearily up the ridge. When he reached the grove he knelt down -before the saint and said, “O saint, I would be comforted! My sins are -heavy upon me.” - -And the saint replied, “My sins, too, are heavy upon me.” - -And the brigand said, “But I am a thief and a plunderer.” - -And the saint replied, “I too am a thief and a plunderer.” - -And the brigand said, “But I am a murderer, and the blood of many men -cries in my ears.” - -And the saint replied, “I too am a murderer, and in my ears cries the -blood of many men.” - -And the brigand said, “I have committed countless crimes.” - -And the saint replied, “I too have committed crimes without number.” - -Then the brigand stood up and gazed at the saint, and there was a -strange look in his eyes. And when he left us he went skipping down the -hill. - -And I turned to the saint and said, “Wherefore did you accuse yourself -of uncommitted crimes? See you not that this man went away no longer -believing in you?” - -And the saint answered, “It is true he no longer believes in me. But he -went away much comforted.” - -At that moment we heard the brigand singing in the distance, and the -echo of his song filled the valley with gladness. - - - - -THE PLUTOCRAT - - -In my wanderings I once saw upon an island a man-headed, iron-hoofed -monster who ate of the earth and drank of the sea incessantly. And for a -long while I watched him. Then I approached him and said, “Have you -never enough; is your hunger never satisfied and your thirst never -quenched?” - -And he answered saying, “Yes, I am satisfied, nay, I am weary of eating -and drinking; but I am afraid that tomorrow there will be no more earth -to eat and no more sea to drink.” - - - - -THE GREATER SELF - - -This came to pass. After the coronation of Nufsibaäl, King of Byblus, he -retired to his bed chamber--the very room which the three -hermit-magicians of the mountain had built for him. He took off his -crown and his royal raiment, and stood in the centre of the room -thinking of himself, now the all-powerful ruler of Byblus. - -Suddenly he turned; and he saw stepping out of the silver mirror which -his mother had given him, a naked man. - -The king was startled, and he cried out to the man, “What would you?” - -And the naked man answered, “Naught but this: Why have they crowned you -king?” - -And the king answered, “Because I am the noblest man in the land.” - -Then the naked man said, “If you were still more noble, you would not be -king.” - -And the king said, “Because I am the mightiest man in the land they -crowned me.” - -And the naked man said, “If you were mightier yet, you would not be -king.” - -Then the king said, “Because I am the wisest man they crowned me king.” - -And the naked man said, “If you were still wiser you would not choose to -be king.” - -Then the king fell to the floor and wept bitterly. - -The naked man looked down upon him. Then he took up the crown and with -tenderness replaced it upon the king’s bent head. - -And the naked man, gazing lovingly upon the king, entered into the -mirror. - -And the king roused, and straightway he looked into the mirror. And he -saw there but himself crowned. - - - - -WAR AND THE SMALL NATIONS - - -Once, high above a pasture, where a sheep and a lamb were grazing, an -eagle was circling and gazing hungrily down upon the lamb. And as he was -about to descend and seize his prey, another eagle appeared and hovered -above the sheep and her young with the same hungry intent. Then the two -rivals began to fight filling the sky with their fierce cries. - -The sheep looked up and was much astonished. She turned to the lamb and -said, - -“How strange, my child, that these two noble birds should attack one -another. Is not the vast sky large enough for both of them? Pray, my -little one, pray in your heart that God may make peace between your -winged brothers.” - -And the lamb prayed in his heart. - - [Illustration: drawing signed K. Gibran, 1920] - - - - -CRITICS - - -One nightfall a man travelling on horseback toward the sea reached an -inn by the roadside. He dismounted, and confident in man and night like -all riders toward the sea, he tied his horse to a tree beside the door -and entered into the inn. - -At midnight, when all were asleep, a thief came and stole the -traveller’s horse. - -In the morning the man awoke, and discovered that his horse was stolen. -And he grieved for his horse, and that a man had found it in his heart -to steal. - -Then his fellow-lodgers came and stood around him and began to talk. - -And the first man said, “How foolish of you to tie your horse outside -the stable.” - -And the second said, “Still more foolish, without even hobbling the -horse!” - -And the third man said, “It is stupid at best to travel to the sea on -horseback.” - -And the fourth said, “Only the indolent and the slow of foot own -horses.” - -Then the traveller was much astonished. At last he cried, “My friends, -because my horse is stolen, you have hastened one and all to tell me my -faults and my shortcomings. But strange, not one word of reproach have -you uttered about the man who stole my horse.” - - - - -POETS - - -Four poets were sitting around a bowl of punch that stood on a table. - -Said the first poet, “Methinks I see with my third eye the fragrance of -this wine hovering in space like a cloud of birds in an enchanted -forest.” - -The second poet raised his head and said, “With my inner ear I can hear -those mist-birds singing. And the melody holds my heart as the white -rose imprisons the bee within her petals.” - -The third poet closed his eyes and stretched his arm upward, and said, -“I touch them with my hand. I feel their wings, like the breath of a -sleeping fairy, brushing against my fingers.” - -Then the fourth poet rose and lifted up the bowl, and he said, “Alas, -friends! I am too dull of sight and of hearing and of touch. I cannot -see the fragrance of this wine, nor hear its song, nor feel the beating -of its wings. I perceive but the wine itself. Now therefore must I drink -it, that it may sharpen my senses and raise me to your blissful -heights.” - -And putting the bowl to his lips, he drank the punch to the very last -drop. - -The three poets, with their mouths open, looked at him aghast, and there -was a thirsty yet unlyrical hatred in their eyes. - - - - -THE WEATHER-COCK - - -Said the weather-cock to the wind, “How tedious and monotonous you are! -Can you not blow any other way but in my face? You disturb my God-given -stability.” - -And the wind did not answer. It only laughed in space. - - - - -THE KING OF ARADUS - - -Once the elders of the city of Aradus presented themselves before the -king, and besought of him a decree to forbid to men all wine and all -intoxicants within their city. - -And the king turned his back upon them and went out from them laughing. - -Then the elders departed in dismay. - -At the door of the palace they met the lord chamberlain. And the lord -chamberlain observed that they were troubled, and he understood their -case. - -Then he said, “Pity, my friends! Had you found the king drunk, surely he -would have granted you your petition.” - - - - -OUT OF MY DEEPER HEART - - -Out of my deeper heart a bird rose and flew skyward. - -Higher and higher did it rise, yet larger and larger did it grow. - -At first it was but like a swallow, then a lark, then an eagle, then as -vast as a spring cloud, and then it filled the starry heavens. - -Out of my heart a bird flew skyward. And it waxed larger as it flew. Yet -it left not my heart. - - * * * * * - -O my faith, my untamed knowledge, how shall I fly to your height and see -with you man’s larger self pencilled upon the sky? - -How shall I turn this sea within me into mist, and move with you in -space immeasurable? - -How can a prisoner within the temple behold its golden domes? - -How shall the heart of a fruit be stretched to envelop the fruit also? - -O my faith, I am in chains behind these bars of silver and ebony, and I -cannot fly with you. - -Yet out of my heart you rise skyward, and it is my heart that holds you, -and I shall be content. - - [Illustration: drawing signed K. Gibran, 1920] - - - - -DYNASTIES - - -The Queen of Ishana was in travail of childbirth; and the King and the -mighty men of his court were waiting in breathless anxiety in the great -hall of the Winged Bulls. - -At eventide there came suddenly a messenger in haste and prostrated -himself before the King, and said, “I bring glad tidings unto my lord -the King, and unto the kingdom and the slaves of the King. Mihrab the -Cruel, thy life-long enemy, the King of Bethroun, is dead.” - -When the King and the mighty men heard this, they all rose and shouted -for joy; for the powerful Mihrab, had he lived longer, had assuredly -overcome Ishana and carried the inhabitants captive. - -At this moment the court physician also entered the hall of Winged -Bulls, and behind him came the royal midwives. And the physician -prostrated himself before the king, and said, “My lord the King shall -live for ever, and through countless generations shall he rule over the -people of Ishana. For unto thee, O King, is born this very hour a son, -who shall be thy heir.” - -Then indeed was the soul of the King intoxicated with joy, that in the -same moment his foe was dead and the royal line was established. - -Now in the City of Ishana lived a true prophet. And the prophet was -young, and bold of spirit. And the King that very night ordered that the -prophet should be brought before him. And when he was brought, the King -said unto him, “Prophesy now, and foretell what shall be the future of -my son who is this day born unto the kingdom.” - -And the prophet hesitated not, but said, “Hearken, O King, and I will -indeed prophesy of the future of thy son, that is this day born. The -soul of thy enemy, even of thy enemy King Mihrab, who died yestereve, -lingered but a day upon the wind. Then it sought for itself a body to -enter into. And that which it entered into was the body of thy son that, -is born unto thee this hour.” - -Then the King was enraged, and with his sword he slew the prophet. - -And from that day to this, the wise men of Ishana say one to another -secretly, “Is it not known, and has it not been said from of old, that -Ishana is ruled by an enemy.” - - - - -KNOWLEDGE AND HALF-KNOWLEDGE - - -Four frogs sat upon a log that lay floating on the edge of a river. -Suddenly the log was caught by the current and swept slowly down the -stream. The frogs were delighted and absorbed, for never before had they -sailed. - -At length the first frog spoke, and said, “This is indeed a most -marvellous log. It moves as if alive. No such log was ever known -before.” - -Then the second frog spoke, and said, “Nay, my friend, the log is like -other logs, and does not move. It is the river, that is walking to the -sea, and carries us and the log with it.” - -And the third frog spoke, and said, “It is neither the log nor the -river that moves. The moving is in our thinking. For without thought -nothing moves.” - -And the three frogs began to wrangle about what was really moving. The -quarrel grew hotter and louder, but they could not agree. - -Then they turned to the fourth frog, who up to this time had been -listening attentively but holding his peace, and they asked his opinion. - -And the fourth frog said, “Each of you is right, and none of you is -wrong. The moving is in the log and the water and our thinking also.” - -And the three frogs became very angry, for none of them was willing to -admit that his was not the whole truth, and that the other two were not -wholly wrong. - -Then the strange thing happened. The three frogs got together and pushed -the fourth frog off the log into the river. - - - - -“SAID A SHEET OF SNOW-WHITE PAPER....” - - -Said a sheet of snow-white paper, “Pure was I created, and pure will I -remain for ever. I would rather be burnt and turn to white ashes than -suffer darkness to touch me or the unclean to come near me.” - -The ink-bottle heard what the paper was saying, and it laughed in its -dark heart; but it never dared to approach her. And the multicoloured -pencils heard her also, and they too never came near her. - -And the snow-white sheet of paper did remain pure and chaste for -ever--pure and chaste--and empty. - - - - -THE SCHOLAR AND THE POET - - -Said the serpent to the lark, “Thou flyest, yet thou canst not visit the -recesses of the earth where the sap of life moveth in perfect silence.” - -And the lark answered, “Aye, thou knowest over much, nay thou art wiser -than all things wise--pity thou canst not fly.” - -And as if he did not hear, the serpent said, “Thou canst not see the -secrets of the deep, nor move among the treasures of the hidden empire. -It was but yesterday I lay in a cave of rubies. It is like the heart of -a ripe pomegranate, and the faintest ray of light turns it into a -flame-rose. Who but me can behold such marvels?” - -And the lark said, “None, none but thee can lie among the crystal -memories of the cycles: pity thou canst not sing.” - -And the serpent said, “I know a plant whose root descends to the bowels -of the earth, and he who eats of that root becomes fairer than -Ashtarte.” - -And the lark said, “No one, no one but thee could unveil the magic -thought of the earth--pity thou canst not fly.” - -And the serpent said, “There is a purple stream that runneth under a -mountain, and he who drinketh of it shall become immortal even as the -gods. Surely no bird or beast can discover that purple stream.” - -And the lark answered, “If thou willest thou canst become deathless even -as the gods--pity thou canst not sing.” - -And the serpent said, “I know a buried temple, which I visit once a -moon: It was built by a forgotten race of giants, and upon its walls are -graven the secrets of time and space, and he who reads them shall -understand that which passeth all understanding.” - -And the lark said, “Verily, if thou so desirest thou canst encircle with -thy pliant body all knowledge of time and space--pity thou canst not -fly.” - -Then the serpent was disgusted, and as he turned and entered into his -hole he muttered, “Empty headed songster!” - -And the lark flew away singing, “Pity thou canst not sing. Pity, pity, -my wise one, thou canst not fly.” - - - - -VALUES - - -Once a man unearthed in his field a marble statue of great beauty. And -he took it to a collector who loved all beautiful things and offered it -to him for sale, and the collector bought it for a large price. And they -parted. - -And as the man walked home with his money he thought, and he said to -himself, “How much life this money means! How can any one give all this -for a dead carved stone buried and undreamed of in the earth for a -thousand years?” - -And now the collector was looking at his statue, and he was thinking, -and he said to himself, “What beauty! What life! The dream of what a -soul!--and fresh with the sweet sleep of a thousand years. How can any -one give all this for money, dead and dreamless?” - - - - -OTHER SEAS - - -A fish said to another fish, “Above this sea of ours there is another -sea, with creatures swimming in it--and they live there even as we live -here.” - -The fish replied, “Pure fancy! Pure fancy! When you know that everything -that leaves our sea by even an inch, and stays out of it, dies. What -proof have you of other lives in other seas?” - - - - -REPENTANCE - - -On a moonless night a man entered into his neighbour’s garden and stole -the largest melon he could find and brought it home. - -He opened it and found it still unripe. - -Then behold a marvel! - -The man’s conscience woke and smote him with remorse; and he repented -having stolen the melon. - - [Illustration: drawing signed K. Gibran, 1920] - - - - - THE DYING MAN AND THE VULTURE - - - Wait, wait yet awhile, my eager friend. - I shall yield but too soon this wasted thing, - Whose agony overwrought and useless - Exhausts your patience. - I would not have your honest hunger - Wait upon these moments: - But this chain, though made of a breath, - Is hard to break. - And the will to die, - Stronger than all things strong, - Is stayed by a will to live - Feebler than all things feeble. - Forgive me comrade; I tarry too long. - It is memory that holds my spirit; - A procession of distant days, - A vision of youth spent in a dream, - A face that bids my eyelids not to sleep, - A voice that lingers in my ears, - A hand that touches my hand. - Forgive me that you have waited too long. - It is over now, and all is faded:-- - The face, the voice, the hand and the mist - that brought them hither. - The knot is untied. - The cord is cleaved. - And that which is neither food nor drink is withdrawn. - Approach, my hungry comrade; - The board is made ready, - And the fare, frugal and spare, - Is given with love. - Come, and dig your beak here, into the left side, - And tear out of its cage this smaller bird, - Whose wings can beat no more: - I would have it soar with you into the sky. - Come now, my friend, I am your host tonight, - And you my welcome guest. - - - - -BEYOND MY SOLITUDE - - -Beyond my solitude is another solitude, and to him who dwells therein my -aloneness is a crowded market-place and my silence a confusion of -sounds. - -Too young am I and too restless to seek that above-solitude. The voices -of yonder valley still hold my ears, and its shadows bar my way and I -cannot go. - -Beyond these hills is a grove of enchantment and to him who dwells -therein my peace is but a whirlwind and my enchantment an illusion. - -Too young am I and too riotous to seek that sacred grove. The taste of -blood is clinging in my mouth, and the bow and the arrows of my fathers -yet linger in my hand and I cannot go. - -Beyond this burdened self lives my freer self; and to him my dreams are -a battle fought in twilight and my desires the rattling of bones. - -Too young am I and too outraged to be my freer self. - -And how shall I become my freer self unless I slay my burdened selves, -or unless all men become free? - -How shall my leaves fly singing upon the wind unless my roots shall -wither in the dark? - -How shall the eagle in me soar against the sun until my fledglings leave -the nest which I with my own beak have built for them? - - - - -THE LAST WATCH - - -At the high-tide of night, when the first breath of dawn came upon the -wind, the Forerunner, he who calls himself echo to a voice yet unheard, -left his bed-chamber and ascended to the roof of his house. Long he -stood and looked down upon the slumbering city. Then he raised his head, -and even as if the sleepless spirits of all those asleep had gathered -around him, he opened his lips and spoke, and he said: - -“My friends and my neighbours and you who daily pass my gate, I would -speak to you in your sleep, and in the valley of your dreams I would -walk naked and unrestrained; far heedless are your waking hours and deaf -are your sound-burdened ears. - -“Long did I love you and overmuch. - -“I love the one among you as though he were all, and all as if you were -one. And in the spring of my heart I sang in your gardens, and in the -summer of my heart I watched at your threshing-floors. - -“Yea, I loved you all, the giant and the pigmy, the leper and the -anointed, and him who gropes in the dark even as him who dances his days -upon the mountains. - -“You, the strong, have I loved, though the marks of your iron hoofs are -yet upon my flesh; and you the weak, though you have drained my faith -and wasted my patience. - -“You the rich have I loved, while bitter was your honey to my mouth; and -you the poor, though you knew my empty-handed shame. - -“You the poet with the barrowed lute and blind fingers, you have I loved -in self indulgence; and you the scholar, ever gathering rotted shrouds -in potters’ fields. - -“You the priest I have loved, who sit in the silences of yesterday -questioning the fate of my tomorrow; and you the worshippers of gods the -images of your own desires. - -“You the thirsting woman whose cup is ever full, I have loved you in -understanding; and you the woman of restless nights, you too I have -loved in pity. - -“You the talkative have I loved, saying, ‘Life hath much to say’; and -you the dumb have I loved, whispering to myself, ‘Says he not in silence -that which I fain would hear in words?’ - -“And you the judge and the critic, I have loved also; yet when you have -seen me crucified, you said, ‘He bleeds rhythmically, and the pattern -his blood makes upon his white skin is beautiful to behold.’ - -“Yea, I have loved you all, the young and the old, the trembling reed -and the oak. - -“But alas! it was the over-abundance of my heart that turned you from -me. You would drink love from a cup, but not from a surging river. You -would hear love’s faint murmur, but when love shouts you would muffle -your ears. - -“And because I have loved you all you have said, ‘Too soft and yielding -is his heart, and too undiscerning is his path. It is the love of a -needy one, who picks crumbs even as he sits at kingly feasts. And it is -the love of a weakling, for the strong loves only the strong.’ - -“And because I have loved you overmuch you have said, ‘It is but the -love of a blind man who knows not the beauty of one nor the ugliness of -another. And it is the love of the tasteless who drinks vinegar even as -wine. And it is the love of the impertinent and the overweening, for -what stranger could be our mother and father and sister and brother?’ - -“This you have said, and more. For often in the marketplace you pointed -your fingers at me and said mockingly, ‘There goes the ageless one, the -man without seasons, who at the noon hour plays games with our children -and at eventide sits with our elders and assumes wisdom and -understanding.’ - -“And I said ‘I will love them more. Aye, even more. I will hide my love -with seeming to hate, and disguise my tenderness as bitterness. I will -wear an iron mask, and only when armed and mailed shall I seek them.’ - -“Then I laid a heavy hand upon your bruises, and like a tempest in the -night I thundered in your ears. - -“From the housetop I proclaimed you hypocrites, pharisees, tricksters, -false and empty earth-bubbles. - -“The short-sighted among you I cursed for blind bats, and those too near -the earth I likened to soulless moles. - -“The eloquent I pronounced fork-tongued, the silent, stone-lipped, and -the simple and artless I called the dead never weary of death. - -“The seekers after world knowledge I condemned as offenders of the holy -spirit and those who would naught but the spirit I branded as hunters of -shadows who cast their nets in flat waters and catch but their own -images. - -“Thus with my lips have I denounced you, while my heart, bleeding within -me, called you tender names. - -“It was love lashed by its own self that spoke. It was pride half slain -that fluttered in the dust. It was my hunger for your love that raged -from the housetop, while my own love, kneeling in silence, prayed your -forgiveness. - -“But behold a miracle! - -“It was my disguise that opened your eyes, and my seeming to hate that -woke your hearts. - -“And now you love me. - -“You love the swords that strike you and the arrows that crave your -breast. For it comforts you to be wounded and only when you drink of -your own blood can you be intoxicated. - -“Like moths that seek destruction in the flame you gather daily in my -garden: and with faces uplifted and eyes enchanted you watch me tear the -fabric of your days. And in whispers you say the one to the other, ‘He -sees with the light of God. He speaks like the prophets of old. He -unveils our souls and unlocks our hearts, and like the eagle that knows -the way of foxes he knows our ways.’ - -“Aye, in truth, I know your ways, but only as an eagle knows the ways of -his fledglings. And I fain would disclose my secret. Yet in my need for -your nearness I feign remoteness, and in fear of the ebbtide of your -love I guard the floodgates of my love.” - -After saying these things the Forerunner covered his face with his hands -and wept bitterly. For he knew in his heart that love humiliated in its -nakedness is greater than love that seeks triumph in disguise; and he -was ashamed. - -But suddenly he raised his head, and like one waking from sleep he -outstretched his arms and said, “Night is over, and we children of night -must die when dawn comes leaping upon the hills; and out of our ashes a -mightier love shall rise. And it shall laugh in the sun, and it shall be -deathless.” - - - - - - - -End of the Project Gutenberg EBook of The Forerunner, by Kahlil Gibran - -*** END OF THIS PROJECT GUTENBERG EBOOK THE FORERUNNER *** - -***** This file should be named 54580-0.txt or 54580-0.zip ***** -This and all associated files of various formats will be found in: - http://www.gutenberg.org/5/4/5/8/54580/ - -Produced by Mary Glenn Krause, Chuck Greif, MFR and the -Online Distributed Proofreading Team at http://www.pgdp.net -(This file was produced from images generously made -available by The Internet Archive) - - -Updated editions will replace the previous one--the old editions -will be renamed. - -Creating the works from public domain print editions means that no -one owns a United States copyright in these works, so the Foundation -(and you!) can copy and distribute it in the United States without -permission and without paying copyright royalties. Special rules, -set forth in the General Terms of Use part of this license, apply to -copying and distributing Project Gutenberg-tm electronic works to -protect the PROJECT GUTENBERG-tm concept and trademark. Project -Gutenberg is a registered trademark, and may not be used if you -charge for the eBooks, unless you receive specific permission. If you -do not charge anything for copies of this eBook, complying with the -rules is very easy. You may use this eBook for nearly any purpose -such as creation of derivative works, reports, performances and -research. They may be modified and printed and given away--you may do -practically ANYTHING with public domain eBooks. Redistribution is -subject to the trademark license, especially commercial -redistribution. - - - -*** START: FULL LICENSE *** - -THE FULL PROJECT GUTENBERG LICENSE -PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK - -To protect the Project Gutenberg-tm mission of promoting the free -distribution of electronic works, by using or distributing this work -(or any other work associated in any way with the phrase "Project -Gutenberg"), you agree to comply with all the terms of the Full Project -Gutenberg-tm License (available with this file or online at -http://gutenberg.org/license). - - -Section 1. General Terms of Use and Redistributing Project Gutenberg-tm -electronic works - -1.A. By reading or using any part of this Project Gutenberg-tm -electronic work, you indicate that you have read, understand, agree to -and accept all the terms of this license and intellectual property -(trademark/copyright) agreement. If you do not agree to abide by all -the terms of this agreement, you must cease using and return or destroy -all copies of Project Gutenberg-tm electronic works in your possession. -If you paid a fee for obtaining a copy of or access to a Project -Gutenberg-tm electronic work and you do not agree to be bound by the -terms of this agreement, you may obtain a refund from the person or -entity to whom you paid the fee as set forth in paragraph 1.E.8. - -1.B. "Project Gutenberg" is a registered trademark. It may only be -used on or associated in any way with an electronic work by people who -agree to be bound by the terms of this agreement. There are a few -things that you can do with most Project Gutenberg-tm electronic works -even without complying with the full terms of this agreement. See -paragraph 1.C below. There are a lot of things you can do with Project -Gutenberg-tm electronic works if you follow the terms of this agreement -and help preserve free future access to Project Gutenberg-tm electronic -works. See paragraph 1.E below. - -1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" -or PGLAF), owns a compilation copyright in the collection of Project -Gutenberg-tm electronic works. Nearly all the individual works in the -collection are in the public domain in the United States. If an -individual work is in the public domain in the United States and you are -located in the United States, we do not claim a right to prevent you from -copying, distributing, performing, displaying or creating derivative -works based on the work as long as all references to Project Gutenberg -are removed. Of course, we hope that you will support the Project -Gutenberg-tm mission of promoting free access to electronic works by -freely sharing Project Gutenberg-tm works in compliance with the terms of -this agreement for keeping the Project Gutenberg-tm name associated with -the work. You can easily comply with the terms of this agreement by -keeping this work in the same format with its attached full Project -Gutenberg-tm License when you share it without charge with others. - -1.D. The copyright laws of the place where you are located also govern -what you can do with this work. Copyright laws in most countries are in -a constant state of change. If you are outside the United States, check -the laws of your country in addition to the terms of this agreement -before downloading, copying, displaying, performing, distributing or -creating derivative works based on this work or any other Project -Gutenberg-tm work. The Foundation makes no representations concerning -the copyright status of any work in any country outside the United -States. - -1.E. Unless you have removed all references to Project Gutenberg: - -1.E.1. The following sentence, with active links to, or other immediate -access to, the full Project Gutenberg-tm License must appear prominently -whenever any copy of a Project Gutenberg-tm work (any work on which the -phrase "Project Gutenberg" appears, or with which the phrase "Project -Gutenberg" is associated) is accessed, displayed, performed, viewed, -copied or distributed: - -This eBook is for the use of anyone anywhere at no cost and with -almost no restrictions whatsoever. You may copy it, give it away or -re-use it under the terms of the Project Gutenberg License included -with this eBook or online at www.gutenberg.org/license - -1.E.2. If an individual Project Gutenberg-tm electronic work is derived -from the public domain (does not contain a notice indicating that it is -posted with permission of the copyright holder), the work can be copied -and distributed to anyone in the United States without paying any fees -or charges. If you are redistributing or providing access to a work -with the phrase "Project Gutenberg" associated with or appearing on the -work, you must comply either with the requirements of paragraphs 1.E.1 -through 1.E.7 or obtain permission for the use of the work and the -Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or -1.E.9. - -1.E.3. If an individual Project Gutenberg-tm electronic work is posted -with the permission of the copyright holder, your use and distribution -must comply with both paragraphs 1.E.1 through 1.E.7 and any additional -terms imposed by the copyright holder. Additional terms will be linked -to the Project Gutenberg-tm License for all works posted with the -permission of the copyright holder found at the beginning of this work. - -1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm -License terms from this work, or any files containing a part of this -work or any other work associated with Project Gutenberg-tm. - -1.E.5. Do not copy, display, perform, distribute or redistribute this -electronic work, or any part of this electronic work, without -prominently displaying the sentence set forth in paragraph 1.E.1 with -active links or immediate access to the full terms of the Project -Gutenberg-tm License. - -1.E.6. You may convert to and distribute this work in any binary, -compressed, marked up, nonproprietary or proprietary form, including any -word processing or hypertext form. However, if you provide access to or -distribute copies of a Project Gutenberg-tm work in a format other than -"Plain Vanilla ASCII" or other format used in the official version -posted on the official Project Gutenberg-tm web site (www.gutenberg.org), -you must, at no additional cost, fee or expense to the user, provide a -copy, a means of exporting a copy, or a means of obtaining a copy upon -request, of the work in its original "Plain Vanilla ASCII" or other -form. Any alternate format must include the full Project Gutenberg-tm -License as specified in paragraph 1.E.1. - -1.E.7. Do not charge a fee for access to, viewing, displaying, -performing, copying or distributing any Project Gutenberg-tm works -unless you comply with paragraph 1.E.8 or 1.E.9. - -1.E.8. You may charge a reasonable fee for copies of or providing -access to or distributing Project Gutenberg-tm electronic works provided -that - -- You pay a royalty fee of 20% of the gross profits you derive from - the use of Project Gutenberg-tm works calculated using the method - you already use to calculate your applicable taxes. The fee is - owed to the owner of the Project Gutenberg-tm trademark, but he - has agreed to donate royalties under this paragraph to the - Project Gutenberg Literary Archive Foundation. Royalty payments - must be paid within 60 days following each date on which you - prepare (or are legally required to prepare) your periodic tax - returns. Royalty payments should be clearly marked as such and - sent to the Project Gutenberg Literary Archive Foundation at the - address specified in Section 4, "Information about donations to - the Project Gutenberg Literary Archive Foundation." - -- You provide a full refund of any money paid by a user who notifies - you in writing (or by e-mail) within 30 days of receipt that s/he - does not agree to the terms of the full Project Gutenberg-tm - License. You must require such a user to return or - destroy all copies of the works possessed in a physical medium - and discontinue all use of and all access to other copies of - Project Gutenberg-tm works. - -- You provide, in accordance with paragraph 1.F.3, a full refund of any - money paid for a work or a replacement copy, if a defect in the - electronic work is discovered and reported to you within 90 days - of receipt of the work. - -- You comply with all other terms of this agreement for free - distribution of Project Gutenberg-tm works. - -1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm -electronic work or group of works on different terms than are set -forth in this agreement, you must obtain permission in writing from -both the Project Gutenberg Literary Archive Foundation and Michael -Hart, the owner of the Project Gutenberg-tm trademark. Contact the -Foundation as set forth in Section 3 below. - -1.F. - -1.F.1. Project Gutenberg volunteers and employees expend considerable -effort to identify, do copyright research on, transcribe and proofread -public domain works in creating the Project Gutenberg-tm -collection. Despite these efforts, Project Gutenberg-tm electronic -works, and the medium on which they may be stored, may contain -"Defects," such as, but not limited to, incomplete, inaccurate or -corrupt data, transcription errors, a copyright or other intellectual -property infringement, a defective or damaged disk or other medium, a -computer virus, or computer codes that damage or cannot be read by -your equipment. - -1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right -of Replacement or Refund" described in paragraph 1.F.3, the Project -Gutenberg Literary Archive Foundation, the owner of the Project -Gutenberg-tm trademark, and any other party distributing a Project -Gutenberg-tm electronic work under this agreement, disclaim all -liability to you for damages, costs and expenses, including legal -fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT -LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE -PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE -TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE -LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR -INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH -DAMAGE. - -1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a -defect in this electronic work within 90 days of receiving it, you can -receive a refund of the money (if any) you paid for it by sending a -written explanation to the person you received the work from. If you -received the work on a physical medium, you must return the medium with -your written explanation. The person or entity that provided you with -the defective work may elect to provide a replacement copy in lieu of a -refund. If you received the work electronically, the person or entity -providing it to you may choose to give you a second opportunity to -receive the work electronically in lieu of a refund. If the second copy -is also defective, you may demand a refund in writing without further -opportunities to fix the problem. - -1.F.4. Except for the limited right of replacement or refund set forth -in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER -WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO -WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. - -1.F.5. Some states do not allow disclaimers of certain implied -warranties or the exclusion or limitation of certain types of damages. -If any disclaimer or limitation set forth in this agreement violates the -law of the state applicable to this agreement, the agreement shall be -interpreted to make the maximum disclaimer or limitation permitted by -the applicable state law. The invalidity or unenforceability of any -provision of this agreement shall not void the remaining provisions. - -1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the -trademark owner, any agent or employee of the Foundation, anyone -providing copies of Project Gutenberg-tm electronic works in accordance -with this agreement, and any volunteers associated with the production, -promotion and distribution of Project Gutenberg-tm electronic works, -harmless from all liability, costs and expenses, including legal fees, -that arise directly or indirectly from any of the following which you do -or cause to occur: (a) distribution of this or any Project Gutenberg-tm -work, (b) alteration, modification, or additions or deletions to any -Project Gutenberg-tm work, and (c) any Defect you cause. - - -Section 2. Information about the Mission of Project Gutenberg-tm - -Project Gutenberg-tm is synonymous with the free distribution of -electronic works in formats readable by the widest variety of computers -including obsolete, old, middle-aged and new computers. It exists -because of the efforts of hundreds of volunteers and donations from -people in all walks of life. - -Volunteers and financial support to provide volunteers with the -assistance they need, are critical to reaching Project Gutenberg-tm's -goals and ensuring that the Project Gutenberg-tm collection will -remain freely available for generations to come. In 2001, the Project -Gutenberg Literary Archive Foundation was created to provide a secure -and permanent future for Project Gutenberg-tm and future generations. -To learn more about the Project Gutenberg Literary Archive Foundation -and how your efforts and donations can help, see Sections 3 and 4 -and the Foundation web page at http://www.pglaf.org. - - -Section 3. Information about the Project Gutenberg Literary Archive -Foundation - -The Project Gutenberg Literary Archive Foundation is a non profit -501(c)(3) educational corporation organized under the laws of the -state of Mississippi and granted tax exempt status by the Internal -Revenue Service. The Foundation's EIN or federal tax identification -number is 64-6221541. Its 501(c)(3) letter is posted at -http://pglaf.org/fundraising. Contributions to the Project Gutenberg -Literary Archive Foundation are tax deductible to the full extent -permitted by U.S. federal laws and your state's laws. - -The Foundation's principal office is located at 4557 Melan Dr. S. -Fairbanks, AK, 99712., but its volunteers and employees are scattered -throughout numerous locations. Its business office is located at -809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email -business@pglaf.org. Email contact links and up to date contact -information can be found at the Foundation's web site and official -page at http://pglaf.org - -For additional contact information: - Dr. Gregory B. Newby - Chief Executive and Director - gbnewby@pglaf.org - - -Section 4. Information about Donations to the Project Gutenberg -Literary Archive Foundation - -Project Gutenberg-tm depends upon and cannot survive without wide -spread public support and donations to carry out its mission of -increasing the number of public domain and licensed works that can be -freely distributed in machine readable form accessible by the widest -array of equipment including outdated equipment. Many small donations -($1 to $5,000) are particularly important to maintaining tax exempt -status with the IRS. - -The Foundation is committed to complying with the laws regulating -charities and charitable donations in all 50 states of the United -States. Compliance requirements are not uniform and it takes a -considerable effort, much paperwork and many fees to meet and keep up -with these requirements. We do not solicit donations in locations -where we have not received written confirmation of compliance. To -SEND DONATIONS or determine the status of compliance for any -particular state visit http://pglaf.org - -While we cannot and do not solicit contributions from states where we -have not met the solicitation requirements, we know of no prohibition -against accepting unsolicited donations from donors in such states who -approach us with offers to donate. - -International donations are gratefully accepted, but we cannot make -any statements concerning tax treatment of donations received from -outside the United States. U.S. laws alone swamp our small staff. - -Please check the Project Gutenberg Web pages for current donation -methods and addresses. Donations are accepted in a number of other -ways including checks, online payments and credit card donations. -To donate, please visit: http://pglaf.org/donate - - -Section 5. General Information About Project Gutenberg-tm electronic -works. - -Professor Michael S. Hart is the originator of the Project Gutenberg-tm -concept of a library of electronic works that could be freely shared -with anyone. For thirty years, he produced and distributed Project -Gutenberg-tm eBooks with only a loose network of volunteer support. - - -Project Gutenberg-tm eBooks are often created from several printed -editions, all of which are confirmed as Public Domain in the U.S. -unless a copyright notice is included. Thus, we do not necessarily -keep eBooks in compliance with any particular paper edition. - - -Most people start at our Web site which has the main PG search facility: - - http://www.gutenberg.org - -This Web site includes information about Project Gutenberg-tm, -including how to make donations to the Project Gutenberg Literary -Archive Foundation, how to help produce our new eBooks, and how to -subscribe to our email newsletter to hear about new eBooks. diff --git a/old/54580-0.zip b/old/54580-0.zip Binary files differdeleted file mode 100644 index f9c4c67..0000000 --- a/old/54580-0.zip +++ /dev/null diff --git a/old/54580-h.zip b/old/54580-h.zip Binary files differdeleted file mode 100644 index 4032511..0000000 --- a/old/54580-h.zip +++ /dev/null diff --git a/old/54580-h/54580-h.htm b/old/54580-h/54580-h.htm deleted file mode 100644 index a7444f0..0000000 --- a/old/54580-h/54580-h.htm +++ /dev/null @@ -1,1609 +0,0 @@ -<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" -"http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> - -<html xmlns="http://www.w3.org/1999/xhtml" lang="en" xml:lang="en"> - <head> <link rel="coverpage" href="images/cover.jpg" /> -<meta http-equiv="Content-Type" content="text/html;charset=utf-8" /> -<title> - The Project Gutenberg eBook of The Forerunner, by Kahlil Gibran. -</title> -<style type="text/css"> - p {margin-top:.2em;text-align:justify;margin-bottom:.2em;text-indent:4%;} - -.c {text-align:center;text-indent:0%;} - -.cb {text-align:center;text-indent:0%;font-weight:bold;} - -.dotts {text-align:center;text-indent:0%;font-weight:bold; -letter-spacing:1em;} - -.lftspc {margin-left:.25em;} - -.nind {text-indent:0%;} - -small {font-size: 70%;} - -big {font-size: 130%;} - - h1 {margin-top:5%;text-align:center;clear:both;} - - h2 {margin-top:4%;margin-bottom:2%;text-align:center;clear:both; - font-size:120%;} - - hr {width:90%;margin:2em auto 2em auto;clear:both;color:black;} - - hr.full {width: 100%;margin:2% auto 2% auto;border-top:1px solid black; -padding:.1em;border-bottom:1px solid black;border-left:none;border-right:none;} - - table {margin-top:2%;margin-bottom:2%;margin-left:auto;margin-right:auto;border:none;} - - body{margin-left:4%;margin-right:6%;background:#ffffff;color:black;font-family:"Times New Roman", serif;font-size:medium;} - -a:link {background-color:#ffffff;color:blue;text-decoration:none;} - - link {background-color:#ffffff;color:blue;text-decoration:none;} - -a:visited {background-color:#ffffff;color:purple;text-decoration:none;} - -a:hover {background-color:#ffffff;color:#FF0000;text-decoration:underline;} - -.un {text-decoration:underline;letter-spacing:.15em;} - -.ltspc {letter-spacing:.15em;} - -.smcap {font-variant:small-caps;font-size:100%;} - - img {border:4px solid gray;padding:1.5em;} - @media print, handheld - {img - {border:2px solid gray;padding:.5em;} - } - -.figcenter {margin-top:3%;margin-bottom:3%;clear:both; -margin-left:auto;margin-right:auto;text-align:center;text-indent:0%;} - @media print, handheld - {.figcenter - {page-break-before: avoid;page-break-after: avoid;} - } - -div.poetry {text-align:center;} -div.poem {font-size:90%;margin:auto auto;text-indent:0%; -display: inline-block; text-align: left;} -.poem .stanza {margin-top: 1em;margin-bottom:1em;} -.poem span.i0 {display: block; margin-left: 0em; padding-left: 3em; text-indent: -3em;} -.poem span.i12 {display: block; margin-left: 12em; padding-left: 3em; text-indent: -3em;} - -.pagenum {font-style:normal;position:absolute; -left:95%;font-size:55%;text-align:right;color:gray; -background-color:#ffffff;font-variant:normal;font-style:normal;font-weight:normal;text-decoration:none;text-indent:0em;} -@media print, handheld -{.pagenum - {display: none;} - } -</style> - </head> -<body> - - -<pre> - -The Project Gutenberg EBook of The Forerunner, by Kahlil Gibran - -This eBook is for the use of anyone anywhere at no cost and with -almost no restrictions whatsoever. You may copy it, give it away or -re-use it under the terms of the Project Gutenberg License included -with this eBook or online at www.gutenberg.org/license - - -Title: The Forerunner - His Parables and Poems - -Author: Kahlil Gibran - -Release Date: April 20, 2017 [EBook #54580] - -Language: English - -Character set encoding: UTF-8 - -*** START OF THIS PROJECT GUTENBERG EBOOK THE FORERUNNER *** - - - - -Produced by Mary Glenn Krause, Chuck Greif, MFR and the -Online Distributed Proofreading Team at http://www.pgdp.net -(This file was produced from images generously made -available by The Internet Archive) - - - - - - -</pre> - -<hr class="full" /> - -<div class="figcenter"> -<img src="images/cover.jpg" width="322" height="500" alt="[Image of -the book-cover unavailable.]" -style="border:none;padding:0%;" /> -</div> - -<p class="c">THE FORERUNNER<br /> -<small>HIS PARABLES AND POEMS</small> -</p> - -<p class="c">BOOKS BY KAHLIL GIBRAN</p> - -<div class="poetry"> -<div class="poem"><div class="stanza"> -<span class="i0">“<i>He is the William Blake of the twentieth century.</i>”<br /></span> -<span class="i12">—<i>AUGUSTE RODIN.</i><br /></span> -</div></div> -</div> - -<hr class="full" /> - -<p class="nind"><span class="un">THE MADMAN (1918)</span></p> - -<p class="c">[<i>With three original drawings by the author.</i>]</p> - -<p class="nind">“His is an irresistible vigor and clarity of thought and feeling, -together with a power of simple picturing, which makes it unforgettable. -It is the voice and genius of the Arabic people.”—<i>The New York Evening -Post.</i></p> - -<p class="nind">“Never have I read anything like it, never has a little book brought me -so deep and passionate a pleasure. He has breathed the spirit of the -East on our cold and indifferent souls; and I, for one, feel almost as -if I had been suffocated by the breath of an intense beauty.”—<i>The -Liberator.</i></p> - -<p class="nind"><span class="un">TWENTY DRAWINGS (1919)</span></p> - -<p class="c">[<i>With an Introductory Essay by Alice Raphael.</i>]</p> - -<p class="nind">“It is Rodin that comes instantly to mind as a comparison. He has sensed -a relation between man and the universe, and, with his astounding -technique, is able to make us sense it too. Mr. Knopf is entitled to our -gratitude.”—<i>Detroit Journal.</i></p> - -<p class="c"><i>These may be had at all bookshops or from the publisher</i></p> - -<p class="c"><span class="ltspc"> -ALFRED A. KNOPF<br /> -<span class="smcap"><small>220</small> West Forty-Second Street<br /> -New York</span></span><br /> -</p> - -<p><span class="pagenum"><a name="page_001" id="page_001"></a>{1}</span> </p> - -<p><span class="pagenum"><a name="page_002" id="page_002"></a>{2}</span> </p> - -<div class="figcenter"> -<a href="images/i_004_lg.jpg"> -<img src="images/i_004_sml.jpg" width="325" height="450" alt="image unavailable: drawing signed K. Gibran, 1920" /></a> -</div> - -<p><span class="pagenum"><a name="page_003" id="page_003"></a>{3}</span></p> - -<h1> -<span style="margin-left: 0.5em;">· THE FORERUNNER ·</span><br /> -<small>HIS PARABLES AND POEMS</small></h1> - -<p class="cb"> -BY<br /> -KAHLIL GIBRAN<br /> -<br /><br /><br /> -<img src="images/colophon.png" width="100" -style="border:none;padding:0%;" -alt="image unavailable: colophon" /> -<br /> -<br /> -<small>NEW YORK</small> -<span style="margin-left: 2em;">ALFRED · A · KNOPF</span> -<span style="margin-left: 2em;"><small>MCMXX</small></span><br /> -<span class="pagenum"><a name="page_004" id="page_004"></a>{4}</span><br /> -COPYRIGHT, 1920, BY<br /> -KAHLIL GIBRAN<br /> -<br /> -<small>PRINTED IN THE UNITED STATES OF AMERICA</small><br /> -</p> - -<p><span class="pagenum"><a name="page_005" id="page_005"></a>{5}</span></p> - -<h2><a name="CONTENTS" id="CONTENTS"></a>CONTENTS</h2> - -<table border="0" cellpadding="0" cellspacing="0" summary=""> - -<tr><td><a href="#page_009"><span class="smcap">God’s Fool</span> 9</a></td></tr> - -<tr><td><a href="#page_015"><span class="smcap">Love</span> 15</a></td></tr> - -<tr><td><a href="#page_017"><span class="smcap">The King-Hermit</span> 17</a></td></tr> - -<tr><td><a href="#page_022"><span class="smcap">The Lion’s Daughter</span> 22</a></td></tr> - -<tr><td><a href="#page_026"><span class="smcap">Tyranny</span> 26</a></td></tr> - -<tr><td><a href="#page_027"><span class="smcap">The Saint</span> 27</a></td></tr> - -<tr><td><a href="#page_029"><span class="smcap">The Plutocrat</span> 29</a></td></tr> - -<tr><td><a href="#page_030"><span class="smcap">The Greater Self</span> 30</a></td></tr> - -<tr><td><a href="#page_032"><span class="smcap">War and the Small Nations</span> 32</a></td></tr> - -<tr><td><a href="#page_033"><span class="smcap">Critics</span> 33</a></td></tr> - -<tr><td><a href="#page_035"><span class="smcap">Poets</span> 35</a></td></tr> - -<tr><td><a href="#page_037"><span class="smcap">The Weather-cock</span> 37</a></td></tr> - -<tr><td><a href="#page_038"><span class="smcap">The King of Aradus</span> 38</a></td></tr> - -<tr><td><a href="#page_039"><span class="smcap">Out of My Deeper Heart</span> 39</a></td></tr> - -<tr><td><a href="#page_041"><span class="smcap">Dynasties</span> 41</a></td></tr> - -<tr><td><a href="#page_044"><span class="smcap">Knowledge and Half-Knowledge</span> 44</a></td></tr> - -<tr><td><a href="#page_046"><span class="smcap">“Said a Sheet of Snow-White Paper....”</span> 46</a></td></tr> - -<tr><td><a href="#page_047"><span class="smcap">The Scholar and the Poet</span> 47</a></td></tr> - -<tr><td><a href="#page_050"><span class="smcap">Values</span> 50</a></td></tr> - -<tr><td><a href="#page_051"><span class="smcap">Other Seas</span> 51</a></td></tr> - -<tr><td><a href="#page_052"><span class="smcap">Repentance</span> 52</a></td></tr> - -<tr><td><a href="#page_053"><span class="smcap">The Dying Man and the Vulture</span> 53</a></td></tr> - -<tr><td><a href="#page_055"><span class="smcap">Beyond My Solitude</span> 55</a></td></tr> - -<tr><td><a href="#page_057"><span class="smcap">The Last Watch</span> 57</a></td></tr> - -</table> - -<p><span class="pagenum"><a name="page_006" id="page_006"></a>{6}</span> </p> - -<div class="poetry"><div class="poem"> - -THE FIVE ILLUSTRATIONS<br /> IN THIS VOLUME ARE RE-<br />PRODUCED FROM ORIGINAL<br /> -DRAWINGS BY THE AUTHOR -</div></div> - -<p><span class="pagenum"><a name="page_007" id="page_007"></a>{7}</span> </p> - -<p>You are your own forerunner, and the towers you have builded are but the -foundation of your giant-self. And that self too shall be a foundation.</p> - -<p>And I too am my own forerunner, for the long shadow stretching before me -at sunrise shall gather under my feet at the noon hour. Yet another -sunrise shall lay another shadow before me, and that also shall be -gathered at another noon.</p> - -<p>Always have we been our own forerunners, and always shall we be. And all -that we have gathered and shall gather shall be but seeds for fields yet -unploughed. We are the fields and the ploughmen, the gatherers and the -gathered.</p> - -<p>When you were a wandering desire in the mist, I too was there, a -wandering desire. Then we sought one another, and out of our eagerness -dreams were born. And dreams were time limitless, and dreams were space -without measure.</p> - -<p>And when you were a silent word upon Life’s quivering lips, I too was -there, another<span class="pagenum"><a name="page_008" id="page_008"></a>{8}</span> silent word. Then Life uttered us and we came down the -years throbbing with memories of yesterday and with longing for -tomorrow, for yesterday was death conquered and tomorrow was birth -pursued.</p> - -<p>And now we are in God’s hands. You are a sun in His right hand and I an -earth in His left hand. Yet you are not more, shining, than I, shone -upon.</p> - -<p>And we, sun and earth, are but the beginning of a greater sun and a -greater earth. And always shall we be the beginning.</p> - -<p class="dotts">. . . . . .</p> - -<p>You are your own forerunner, you the stranger passing by the gate of my -garden.</p> - -<p>And I too am my own forerunner, though I sit in the shadows of my trees -and seem motionless.<span class="pagenum"><a name="page_009" id="page_009"></a>{9}</span></p> - -<h2><a name="GODS_FOOL" id="GODS_FOOL"></a>GOD’S FOOL</h2> - -<p>O<small>NCE</small> there came from the desert to the great city of Sharia a man who -was a dreamer, and he had naught but his garment and a staff.</p> - -<p>And as he walked through the streets he gazed with awe and wonder at the -temples and towers and palaces, for the city of Sharia was of surpassing -beauty. And he spoke often to the passersby, questioning them about -their city—but they understood not his language, nor he their language.</p> - -<p>At the noon hour he stopped before a vast inn. It was built of yellow -marble, and people were going in and coming out unhindered.</p> - -<p>“This must be a shrine,” he said to himself, and he too went in. But -what was<span class="pagenum"><a name="page_010" id="page_010"></a>{10}</span> his surprise to find himself in a hall of great splendour and -a large company of men and women seated about many tables. They were -eating and drinking and listening to the musicians.</p> - -<p>“Nay,” said the dreamer. “This is no worshipping. It must be a feast -given by the prince to the people, in celebration of a great event.”</p> - -<p>At that moment a man, whom he took to be the slave of the prince, -approached him, and bade him be seated. And he was served with meat and -wine and most excellent sweets.</p> - -<p>When he was satisfied, the dreamer rose to depart. At the door he was -stopped by a large man magnificently arrayed.</p> - -<p>“Surely this is the prince himself,” said the dreamer in his heart, and -he bowed to him and thanked him.</p> - -<p>Then the large man said in the language of the city:</p> - -<p>“Sir, you have not paid for your dinner.”<span class="pagenum"><a name="page_011" id="page_011"></a>{11}</span> And the dreamer did not -understand, and again thanked him heartily. Then the large man bethought -him, and he looked more closely upon the dreamer. And he saw that he was -a stranger, clad in but a poor garment, and that indeed he had not -wherewith to pay for his meal. Then the large man clapped his hands and -called—and there came four watchmen of the city. And they listened to -the large man. Then they took the dreamer between them, and they were -two on each side of him. And the dreamer noted the ceremoniousness of -their dress and of their manner and he looked upon them with delight.</p> - -<p>“These,” said he, “are men of distinction.”</p> - -<p>And they walked all together until they came to the House of Judgment -and they entered.</p> - -<p>The dreamer saw before him, seated upon a throne, a venerable man with -flowing<span class="pagenum"><a name="page_012" id="page_012"></a>{12}</span> beard, robed majestically. And he thought he was the king. And -he rejoiced to be brought before him.</p> - -<p>Now the watchmen related to the judge, who was the venerable man, the -charge against the dreamer; and the judge appointed two advocates, one -to present the charge and the other to defend the stranger. And the -advocates rose, the one after the other, and delivered each his -argument. And the dreamer thought himself to be listening to addresses -of welcome, and his heart filled with gratitude to the king and the -prince for all that was done for him.</p> - -<p>Then sentence was passed upon the dreamer, that upon a tablet hung about -his neck his crime should be written, and that he should ride through -the city on a naked horse, with a trumpeter and a drummer before him. -And the sentence was carried out forthwith.</p> - -<p>Now as the dreamer rode through the<span class="pagenum"><a name="page_013" id="page_013"></a>{13}</span> city upon the naked horse, with the -trumpeter and the drummer before him, the inhabitants of the city came -running forth at the sound of the noise, and when they saw him they -laughed one and all, and the children ran after him in companies from -street to street. And the dreamer’s heart was filled with ecstasy, and -his eyes shone upon them. For to him the tablet was a sign of the king’s -blessing and the procession was in his honour.</p> - -<p>Now as he rode, he saw among the crowd a man who was from the desert -like himself and his heart swelled with joy, and he cried out to him -with a shout:</p> - -<p>“Friend! Friend! Where are we? What city of the heart’s desire is this? -What race of lavish hosts?—who feast the chance guest in their palaces, -whose princes companion him, whose king hangs a token upon his breast -and opens to him the hospitality of a city descended from heaven.”<span class="pagenum"><a name="page_014" id="page_014"></a>{14}</span></p> - -<p>And he who was also of the desert replied not. He only smiled and -slightly shook his head. And the procession passed on.</p> - -<p>And the dreamer’s face was uplifted and his eyes were overflowing with -light.<span class="pagenum"><a name="page_015" id="page_015"></a>{15}</span></p> - -<h2><a name="LOVE" id="LOVE"></a>LOVE</h2> - -<div class="poetry"> -<div class="poem"><div class="stanza"> -<span class="i0">They say the jackal and the mole<br /></span> -<span class="i0">Drink from the self-same stream<br /></span> -<span class="i0">Where the lion comes to drink.<br /></span> -</div><div class="stanza"> -<span class="i0">And they say the eagle and the vulture<br /></span> -<span class="i0">Dig their beaks into the same carcass,<br /></span> -<span class="i0">And are at peace, one with the other,<br /></span> -<span class="i0">In the presence of the dead thing.<br /></span> -</div><div class="stanza"> -<span class="i0">O love, whose lordly hand<br /></span> -<span class="i0">Has bridled my desires,<br /></span> -<span class="i0">And raised my hunger and my thirst<br /></span> -<span class="i0">To dignity and pride,<br /></span> -<span class="i0">Let not the strong in me and the constant<br /></span> -<span class="i0">Eat the bread or drink the wine<br /></span> -<span class="i0">That tempt my weaker self.<br /></span> -<span class="i0">Let me rather starve,<span class="pagenum"><a name="page_016" id="page_016"></a>{16}</span><br /></span> -<span class="i0">And let my heart parch with thirst,<br /></span> -<span class="i0">And let me die and perish,<br /></span> -<span class="i0">Ere I stretch my hand<br /></span> -<span class="i0">To a cup you did not fill,<br /></span> -<span class="i0">Or a bowl you did not bless.<br /></span> -</div></div> -</div> - -<p><span class="pagenum"><a name="page_017" id="page_017"></a>{17}</span></p> - -<h2><a name="THE_KING-HERMIT" id="THE_KING-HERMIT"></a>THE KING-HERMIT</h2> - -<p>T<small>HEY</small> told me that in a forest among the mountains lives a young man in -solitude who once was a king of a vast country beyond the Two Rivers. -And they also said that he, of his own will, had left his throne and the -land of his glory and come to dwell in the wilderness.</p> - -<p>And I said, “I would seek that man, and learn the secret of his heart; -for he who renounces a kingdom must needs be greater than a kingdom.”</p> - -<p>On that very day I went to the forest where he dwells. And I found him -sitting under a white cypress, and in his hand a reed as if it were a -sceptre. And I greeted him even as I would greet a king.</p> - -<p>And he turned to me and said gently,<span class="pagenum"><a name="page_018" id="page_018"></a>{18}</span> “What would you in this forest of -serenity? Seek you a lost self in the green shadows, or is it a -home-coming in your twilight?”</p> - -<p>And I answered, “I sought but you—for I fain would know that which made -you leave a kingdom for a forest.”</p> - -<p>And he said, “Brief is my story, for sudden was the bursting of the -bubble. It happened thus: One day as I sat at a window in my palace, my -chamberlain and an envoy from a foreign land were walking in my garden. -And as they approached my window, the lord chamberlain was speaking of -himself and saying, ‘I am like the king; I have a thirst for strong wine -and a hunger for all games of chance. And like my lord the king I have -storms of temper.’ And the lord chamberlain and the envoy disappeared -among the trees. But in a few minutes they returned, and this time the -lord chamberlain was speaking of me, and he was saying, ‘My lord the<span class="pagenum"><a name="page_019" id="page_019"></a>{19}</span> -king is like myself—a good marksman; and like me he loves music and -bathes thrice a day.’<span class="lftspc">”</span></p> - -<p>After a moment he added, “On the eve of that day I left my palace with -but my garment, for I would no longer be ruler over those who assume my -vices and attribute to me their virtues.”</p> - -<p>And I said, “This is indeed a wonder, and passing strange.”</p> - -<p>And he said, “Nay, my friend, you knocked at the gate of my silences and -received but a trifle. For who would not leave a kingdom for a forest -where the seasons sing and dance ceaselessly? Many are those who have -given their kingdom for less than solitude and the sweet fellowship of -aloneness. Countless are the eagles who descend from the upper air to -live with moles that they may know the secrets of the earth. There are -those who renounce the kingdom of dreams that they may not seem distant -from the dreamless.<span class="pagenum"><a name="page_020" id="page_020"></a>{20}</span> And those who renounce the kingdom of nakedness and -cover their souls that others may not be ashamed in beholding truth -uncovered and beauty unveiled. And greater yet than all of these is he -who renounces the kingdom of sorrow that he may not seem proud and -vainglorious.”</p> - -<p>Then rising he leaned upon his reed and said, “Go now to the great city -and sit at its gate and watch all those who enter into it and those who -go out. And see that you find him who, though born a king, is without -kingdom; and him who though ruled in flesh rules in spirit—though -neither he nor his subjects know this; and him also who but seems to -rule yet is in truth slave of his own slaves.”</p> - -<p>After he had said these things he smiled on me, and there were a -thousand dawns upon his lips. Then he turned and walked away into the -heart of the forest.</p> - -<p>And I returned to the city, and I sat at its gate to watch the passersby -even as he<span class="pagenum"><a name="page_021" id="page_021"></a>{21}</span> had told me. And from that day to this numberless are the -kings whose shadows have passed over me and few are the subjects over -whom my shadow has passed.<span class="pagenum"><a name="page_022" id="page_022"></a>{22}</span></p> - -<h2><a name="THE_LIONS_DAUGHTER" id="THE_LIONS_DAUGHTER"></a>THE LION’S DAUGHTER</h2> - -<p>F<small>OUR</small> slaves stood fanning an old queen who was asleep upon her throne. -And she was snoring. And upon the queen’s lap a cat lay purring and -gazing lazily at the slaves.</p> - -<p>The first slave spoke, and said, “How ugly this old woman is in her -sleep. See her mouth droop; and she breathes as if the devil were -choking her.”</p> - -<p><i>Then the cat said, purring, “Not half so ugly in her sleep as you in -your waking slavery.”</i></p> - -<p>And the second slave said, “You would think sleep would smooth her -wrinkles instead of deepening them. She must be dreaming of something -evil.”</p> - -<p><i>And the cat purred, “Would that you</i><span class="pagenum"><a name="page_023" id="page_023"></a>{23}</span></p> - -<div class="figcenter"> -<a href="images/i_025_lg.jpg"> -<img src="images/i_025_sml.jpg" width="348" height="450" alt="image unavailable: drawing signed K. Gibran, 1920" /></a> -</div> - -<p class="nind"><i>might sleep also and dream of your freedom.”</i></p> - -<p>And the third slave said, “Perhaps she is seeing the procession of all -those that she has slain.”</p> - -<p><i>And the cat purred, “Aye, she sees the procession of your forefathers -and your descendants.”</i></p> - -<p>And the fourth slave said, “It is all very well to talk about her, but -it does not make me less weary of standing and fanning.”</p> - -<p><i>And the cat purred, “You shall be fanning to all eternity; for as it is -on earth so it is in heaven.”</i></p> - -<p>At this moment the old queen nodded in her sleep, and her crown fell to -the floor.</p> - -<p>And one of the slaves said, “That is a bad omen.”</p> - -<p><i>And the cat purred, “The bad omen of one is the good omen of another.”</i></p> - -<p>And the second slave said, “What if she should wake, and find her crown -fallen! She would surely slay us.”<span class="pagenum"><a name="page_024" id="page_024"></a>{24}</span></p> - -<p><i>And the cat purred, “Daily from your birth she has slain you and you -know it not.”</i></p> - -<p>And the third slave said, “Yes, she would slay us and she would call it -making sacrifice to the gods.”</p> - -<p><i>And the cat purred, “Only the weak are sacrificed to the gods.”</i></p> - -<p>And the fourth slave silenced the others, and softly he picked up the -crown and replaced it, without waking her, on the old queen’s head.</p> - -<p><i>And the cat purred, “Only a slave restores a crown that has fallen.”</i></p> - -<p>And after a while the old queen woke, and she looked about her and -yawned. Then she said, “Methought I dreamed, and I saw four caterpillars -chased by a scorpion around the trunk of an ancient oaktree. I like not -my dream.”</p> - -<p>Then she closed her eyes and went to sleep again. And she snored. And -the four slaves went on fanning her.<span class="pagenum"><a name="page_025" id="page_025"></a>{25}</span></p> - -<p><i>And the cat purred, “Fan on, fan on, stupids. You fan but the fire that -consumes you.”</i><span class="pagenum"><a name="page_026" id="page_026"></a>{26}</span></p> - -<h2><a name="TYRANNY" id="TYRANNY"></a>TYRANNY</h2> - -<p>T<small>HUS</small> sings the She-Dragon that guards the seven caves by the sea:</p> - -<p>“My mate shall come riding on the waves. His thundering roar shall fill -the earth with fear, and the flames of his nostrils shall set the sky -afire. At the eclipse of the moon we shall be wedded, and at the eclipse -of the sun I shall give birth to a Saint George, who shall slay me.”</p> - -<p>Thus sings the She-Dragon that guards the seven caves by the sea.<span class="pagenum"><a name="page_027" id="page_027"></a>{27}</span></p> - -<h2><a name="THE_SAINT" id="THE_SAINT"></a>THE SAINT</h2> - -<p>I<small>N</small> my youth I once visited a saint in his silent grove beyond the hills; -and as we were conversing upon the nature of virtue a brigand came -limping wearily up the ridge. When he reached the grove he knelt down -before the saint and said, “O saint, I would be comforted! My sins are -heavy upon me.”</p> - -<p>And the saint replied, “My sins, too, are heavy upon me.”</p> - -<p>And the brigand said, “But I am a thief and a plunderer.”</p> - -<p>And the saint replied, “I too am a thief and a plunderer.”</p> - -<p>And the brigand said, “But I am a murderer, and the blood of many men -cries in my ears.”<span class="pagenum"><a name="page_028" id="page_028"></a>{28}</span></p> - -<p>And the saint replied, “I too am a murderer, and in my ears cries the -blood of many men.”</p> - -<p>And the brigand said, “I have committed countless crimes.”</p> - -<p>And the saint replied, “I too have committed crimes without number.”</p> - -<p>Then the brigand stood up and gazed at the saint, and there was a -strange look in his eyes. And when he left us he went skipping down the -hill.</p> - -<p>And I turned to the saint and said, “Wherefore did you accuse yourself -of uncommitted crimes? See you not that this man went away no longer -believing in you?”</p> - -<p>And the saint answered, “It is true he no longer believes in me. But he -went away much comforted.”</p> - -<p>At that moment we heard the brigand singing in the distance, and the -echo of his song filled the valley with gladness.<span class="pagenum"><a name="page_029" id="page_029"></a>{29}</span></p> - -<h2><a name="THE_PLUTOCRAT" id="THE_PLUTOCRAT"></a>THE PLUTOCRAT</h2> - -<p>I<small>N</small> my wanderings I once saw upon an island a man-headed, iron-hoofed -monster who ate of the earth and drank of the sea incessantly. And for a -long while I watched him. Then I approached him and said, “Have you -never enough; is your hunger never satisfied and your thirst never -quenched?”</p> - -<p>And he answered saying, “Yes, I am satisfied, nay, I am weary of eating -and drinking; but I am afraid that tomorrow there will be no more earth -to eat and no more sea to drink.”<span class="pagenum"><a name="page_030" id="page_030"></a>{30}</span></p> - -<h2><a name="THE_GREATER_SELF" id="THE_GREATER_SELF"></a>THE GREATER SELF</h2> - -<p>T<small>HIS</small> came to pass. After the coronation of Nufsibaäl, King of Byblus, he -retired to his bed chamber—the very room which the three -hermit-magicians of the mountain had built for him. He took off his -crown and his royal raiment, and stood in the centre of the room -thinking of himself, now the all-powerful ruler of Byblus.</p> - -<p>Suddenly he turned; and he saw stepping out of the silver mirror which -his mother had given him, a naked man.</p> - -<p>The king was startled, and he cried out to the man, “What would you?”</p> - -<p>And the naked man answered, “Naught but this: Why have they crowned you -king?”</p> - -<p>And the king answered, “Because I am the noblest man in the land.”<span class="pagenum"><a name="page_031" id="page_031"></a>{31}</span></p> - -<p>Then the naked man said, “If you were still more noble, you would not be -king.”</p> - -<p>And the king said, “Because I am the mightiest man in the land they -crowned me.”</p> - -<p>And the naked man said, “If you were mightier yet, you would not be -king.”</p> - -<p>Then the king said, “Because I am the wisest man they crowned me king.”</p> - -<p>And the naked man said, “If you were still wiser you would not choose to -be king.”</p> - -<p>Then the king fell to the floor and wept bitterly.</p> - -<p>The naked man looked down upon him. Then he took up the crown and with -tenderness replaced it upon the king’s bent head.</p> - -<p>And the naked man, gazing lovingly upon the king, entered into the -mirror.</p> - -<p>And the king roused, and straightway he looked into the mirror. And he -saw there but himself crowned.<span class="pagenum"><a name="page_032" id="page_032"></a>{32}</span></p> - -<h2><a name="WAR_AND_THE_SMALL_NATIONS" id="WAR_AND_THE_SMALL_NATIONS"></a>WAR AND THE SMALL NATIONS</h2> - -<p>O<small>NCE</small>, high above a pasture, where a sheep and a lamb were grazing, an -eagle was circling and gazing hungrily down upon the lamb. And as he was -about to descend and seize his prey, another eagle appeared and hovered -above the sheep and her young with the same hungry intent. Then the two -rivals began to fight filling the sky with their fierce cries.</p> - -<p>The sheep looked up and was much astonished. She turned to the lamb and -said,</p> - -<p>“How strange, my child, that these two noble birds should attack one -another. Is not the vast sky large enough for both of them? Pray, my -little one, pray in your heart that God may make peace between your -winged brothers.”</p> - -<p>And the lamb prayed in his heart.<span class="pagenum"><a name="page_033" id="page_033"></a>{33}</span></p> - -<div class="figcenter"> -<a href="images/i_037_lg.jpg"> -<img src="images/i_037_sml.jpg" width="349" height="450" alt="image unavailable: drawing signed K. Gibran, 1920" /></a> -</div> - -<h2><a name="CRITICS" id="CRITICS"></a>CRITICS</h2> - -<p>O<small>NE</small> nightfall a man travelling on horseback toward the sea reached an -inn by the roadside. He dismounted, and confident in man and night like -all riders toward the sea, he tied his horse to a tree beside the door -and entered into the inn.</p> - -<p>At midnight, when all were asleep, a thief came and stole the -traveller’s horse.</p> - -<p>In the morning the man awoke, and discovered that his horse was stolen. -And he grieved for his horse, and that a man had found it in his heart -to steal.</p> - -<p>Then his fellow-lodgers came and stood around him and began to talk.</p> - -<p>And the first man said, “How foolish of you to tie your horse outside -the stable.”</p> - -<p>And the second said, “Still more foolish, without even hobbling the -horse!”<span class="pagenum"><a name="page_034" id="page_034"></a>{34}</span></p> - -<p>And the third man said, “It is stupid at best to travel to the sea on -horseback.”</p> - -<p>And the fourth said, “Only the indolent and the slow of foot own -horses.”</p> - -<p>Then the traveller was much astonished. At last he cried, “My friends, -because my horse is stolen, you have hastened one and all to tell me my -faults and my shortcomings. But strange, not one word of reproach have -you uttered about the man who stole my horse.”<span class="pagenum"><a name="page_035" id="page_035"></a>{35}</span></p> - -<h2><a name="POETS" id="POETS"></a>POETS</h2> - -<p>F<small>OUR</small> poets were sitting around a bowl of punch that stood on a table.</p> - -<p>Said the first poet, “Methinks I see with my third eye the fragrance of -this wine hovering in space like a cloud of birds in an enchanted -forest.”</p> - -<p>The second poet raised his head and said, “With my inner ear I can hear -those mist-birds singing. And the melody holds my heart as the white -rose imprisons the bee within her petals.”</p> - -<p>The third poet closed his eyes and stretched his arm upward, and said, -“I touch them with my hand. I feel their wings, like the breath of a -sleeping fairy, brushing against my fingers.”</p> - -<p>Then the fourth poet rose and lifted up<span class="pagenum"><a name="page_036" id="page_036"></a>{36}</span> the bowl, and he said, “Alas, -friends! I am too dull of sight and of hearing and of touch. I cannot -see the fragrance of this wine, nor hear its song, nor feel the beating -of its wings. I perceive but the wine itself. Now therefore must I drink -it, that it may sharpen my senses and raise me to your blissful -heights.”</p> - -<p>And putting the bowl to his lips, he drank the punch to the very last -drop.</p> - -<p>The three poets, with their mouths open, looked at him aghast, and there -was a thirsty yet unlyrical hatred in their eyes.<span class="pagenum"><a name="page_037" id="page_037"></a>{37}</span></p> - -<h2><a name="THE_WEATHER-COCK" id="THE_WEATHER-COCK"></a>THE WEATHER-COCK</h2> - -<p>S<small>AID</small> the weather-cock to the wind, “How tedious and monotonous you are! -Can you not blow any other way but in my face? You disturb my God-given -stability.”</p> - -<p>And the wind did not answer. It only laughed in space.<span class="pagenum"><a name="page_038" id="page_038"></a>{38}</span></p> - -<h2><a name="THE_KING_OF_ARADUS" id="THE_KING_OF_ARADUS"></a>THE KING OF ARADUS</h2> - -<p>O<small>NCE</small> the elders of the city of Aradus presented themselves before the -king, and besought of him a decree to forbid to men all wine and all -intoxicants within their city.</p> - -<p>And the king turned his back upon them and went out from them laughing.</p> - -<p>Then the elders departed in dismay.</p> - -<p>At the door of the palace they met the lord chamberlain. And the lord -chamberlain observed that they were troubled, and he understood their -case.</p> - -<p>Then he said, “Pity, my friends! Had you found the king drunk, surely he -would have granted you your petition.”<span class="pagenum"><a name="page_039" id="page_039"></a>{39}</span></p> - -<h2><a name="OUT_OF_MY_DEEPER_HEART" id="OUT_OF_MY_DEEPER_HEART"></a>OUT OF MY DEEPER HEART</h2> - -<p>O<small>UT</small> of my deeper heart a bird rose and flew skyward.</p> - -<p>Higher and higher did it rise, yet larger and larger did it grow.</p> - -<p>At first it was but like a swallow, then a lark, then an eagle, then as -vast as a spring cloud, and then it filled the starry heavens.</p> - -<p>Out of my heart a bird flew skyward. And it waxed larger as it flew. Yet -it left not my heart.</p> - -<p class="dotts">. . . . . .</p> - -<p>O my faith, my untamed knowledge, how shall I fly to your height and see -with you man’s larger self pencilled upon the sky?</p> - -<p>How shall I turn this sea within me into<span class="pagenum"><a name="page_040" id="page_040"></a>{40}</span> mist, and move with you in -space immeasurable?</p> - -<p>How can a prisoner within the temple behold its golden domes?</p> - -<p>How shall the heart of a fruit be stretched to envelop the fruit also?</p> - -<p>O my faith, I am in chains behind these bars of silver and ebony, and I -cannot fly with you.</p> - -<p>Yet out of my heart you rise skyward, and it is my heart that holds you, -and I shall be content.<span class="pagenum"><a name="page_041" id="page_041"></a>{41}</span></p> - -<div class="figcenter"> -<a href="images/i_048_lg.jpg"> -<img src="images/i_048_sml.jpg" width="296" height="450" alt="image unavailable: drawing signed K. Gibran, 1920" /></a> -</div> - -<h2><a name="DYNASTIES" id="DYNASTIES"></a>DYNASTIES</h2> - -<p>T<small>HE</small> Queen of Ishana was in travail of childbirth; and the King and the -mighty men of his court were waiting in breathless anxiety in the great -hall of the Winged Bulls.</p> - -<p>At eventide there came suddenly a messenger in haste and prostrated -himself before the King, and said, “I bring glad tidings unto my lord -the King, and unto the kingdom and the slaves of the King. Mihrab the -Cruel, thy life-long enemy, the King of Bethroun, is dead.”</p> - -<p>When the King and the mighty men heard this, they all rose and shouted -for joy; for the powerful Mihrab, had he lived longer, had assuredly -overcome Ishana and carried the inhabitants captive.<span class="pagenum"><a name="page_042" id="page_042"></a>{42}</span></p> - -<p>At this moment the court physician also entered the hall of Winged -Bulls, and behind him came the royal midwives. And the physician -prostrated himself before the king, and said, “My lord the King shall -live for ever, and through countless generations shall he rule over the -people of Ishana. For unto thee, O King, is born this very hour a son, -who shall be thy heir.”</p> - -<p>Then indeed was the soul of the King intoxicated with joy, that in the -same moment his foe was dead and the royal line was established.</p> - -<p>Now in the City of Ishana lived a true prophet. And the prophet was -young, and bold of spirit. And the King that very night ordered that the -prophet should be brought before him. And when he was brought, the King -said unto him, “Prophesy now, and foretell what shall be the future of -my son who is this day born unto the kingdom.”<span class="pagenum"><a name="page_043" id="page_043"></a>{43}</span></p> - -<p>And the prophet hesitated not, but said, “Hearken, O King, and I will -indeed prophesy of the future of thy son, that is this day born. The -soul of thy enemy, even of thy enemy King Mihrab, who died yestereve, -lingered but a day upon the wind. Then it sought for itself a body to -enter into. And that which it entered into was the body of thy son that, -is born unto thee this hour.”</p> - -<p>Then the King was enraged, and with his sword he slew the prophet.</p> - -<p>And from that day to this, the wise men of Ishana say one to another -secretly, “Is it not known, and has it not been said from of old, that -Ishana is ruled by an enemy.”<span class="pagenum"><a name="page_044" id="page_044"></a>{44}</span></p> - -<h2><a name="KNOWLEDGE_AND_HALF-KNOWLEDGE" id="KNOWLEDGE_AND_HALF-KNOWLEDGE"></a>KNOWLEDGE AND HALF-KNOWLEDGE</h2> - -<p>F<small>OUR</small> frogs sat upon a log that lay floating on the edge of a river. -Suddenly the log was caught by the current and swept slowly down the -stream. The frogs were delighted and absorbed, for never before had they -sailed.</p> - -<p>At length the first frog spoke, and said, “This is indeed a most -marvellous log. It moves as if alive. No such log was ever known -before.”</p> - -<p>Then the second frog spoke, and said, “Nay, my friend, the log is like -other logs, and does not move. It is the river, that is walking to the -sea, and carries us and the log with it.”</p> - -<p>And the third frog spoke, and said, “It<span class="pagenum"><a name="page_045" id="page_045"></a>{45}</span> is neither the log nor the -river that moves. The moving is in our thinking. For without thought -nothing moves.”</p> - -<p>And the three frogs began to wrangle about what was really moving. The -quarrel grew hotter and louder, but they could not agree.</p> - -<p>Then they turned to the fourth frog, who up to this time had been -listening attentively but holding his peace, and they asked his opinion.</p> - -<p>And the fourth frog said, “Each of you is right, and none of you is -wrong. The moving is in the log and the water and our thinking also.”</p> - -<p>And the three frogs became very angry, for none of them was willing to -admit that his was not the whole truth, and that the other two were not -wholly wrong.</p> - -<p>Then the strange thing happened. The three frogs got together and pushed -the fourth frog off the log into the river.<span class="pagenum"><a name="page_046" id="page_046"></a>{46}</span></p> - -<h2><a name="SAID_A_SHEET_OF_SNOW-WHITE_PAPER" id="SAID_A_SHEET_OF_SNOW-WHITE_PAPER"></a>“SAID A SHEET OF SNOW-WHITE PAPER....”</h2> - -<p>S<small>AID</small> a sheet of snow-white paper, “Pure was I created, and pure will I -remain for ever. I would rather be burnt and turn to white ashes than -suffer darkness to touch me or the unclean to come near me.”</p> - -<p>The ink-bottle heard what the paper was saying, and it laughed in its -dark heart; but it never dared to approach her. And the multicoloured -pencils heard her also, and they too never came near her.</p> - -<p>And the snow-white sheet of paper did remain pure and chaste for -ever—pure and chaste—and empty.<span class="pagenum"><a name="page_047" id="page_047"></a>{47}</span></p> - -<h2><a name="THE_SCHOLAR_AND_THE_POET" id="THE_SCHOLAR_AND_THE_POET"></a>THE SCHOLAR AND THE POET</h2> - -<p>S<small>AID</small> the serpent to the lark, “Thou flyest, yet thou canst not visit the -recesses of the earth where the sap of life moveth in perfect silence.”</p> - -<p>And the lark answered, “Aye, thou knowest over much, nay thou art wiser -than all things wise—pity thou canst not fly.”</p> - -<p>And as if he did not hear, the serpent said, “Thou canst not see the -secrets of the deep, nor move among the treasures of the hidden empire. -It was but yesterday I lay in a cave of rubies. It is like the heart of -a ripe pomegranate, and the faintest ray of light turns it into a -flame-rose. Who but me can behold such marvels?”</p> - -<p>And the lark said, “None, none but thee<span class="pagenum"><a name="page_048" id="page_048"></a>{48}</span> can lie among the crystal -memories of the cycles: pity thou canst not sing.”</p> - -<p>And the serpent said, “I know a plant whose root descends to the bowels -of the earth, and he who eats of that root becomes fairer than -Ashtarte.”</p> - -<p>And the lark said, “No one, no one but thee could unveil the magic -thought of the earth—pity thou canst not fly.”</p> - -<p>And the serpent said, “There is a purple stream that runneth under a -mountain, and he who drinketh of it shall become immortal even as the -gods. Surely no bird or beast can discover that purple stream.”</p> - -<p>And the lark answered, “If thou willest thou canst become deathless even -as the gods—pity thou canst not sing.”</p> - -<p>And the serpent said, “I know a buried temple, which I visit once a -moon: It was built by a forgotten race of giants, and upon its walls are -graven the secrets of time and space, and he who reads them<span class="pagenum"><a name="page_049" id="page_049"></a>{49}</span> shall -understand that which passeth all understanding.”</p> - -<p>And the lark said, “Verily, if thou so desirest thou canst encircle with -thy pliant body all knowledge of time and space—pity thou canst not -fly.”</p> - -<p>Then the serpent was disgusted, and as he turned and entered into his -hole he muttered, “Empty headed songster!”</p> - -<p>And the lark flew away singing, “Pity thou canst not sing. Pity, pity, -my wise one, thou canst not fly.”<span class="pagenum"><a name="page_050" id="page_050"></a>{50}</span></p> - -<h2><a name="VALUES" id="VALUES"></a>VALUES</h2> - -<p>O<small>NCE</small> a man unearthed in his field a marble statue of great beauty. And -he took it to a collector who loved all beautiful things and offered it -to him for sale, and the collector bought it for a large price. And they -parted.</p> - -<p>And as the man walked home with his money he thought, and he said to -himself, “How much life this money means! How can any one give all this -for a dead carved stone buried and undreamed of in the earth for a -thousand years?”</p> - -<p>And now the collector was looking at his statue, and he was thinking, -and he said to himself, “What beauty! What life! The dream of what a -soul!—and fresh with the sweet sleep of a thousand years. How can any -one give all this for money, dead and dreamless?”<span class="pagenum"><a name="page_051" id="page_051"></a>{51}</span></p> - -<h2><a name="OTHER_SEAS" id="OTHER_SEAS"></a>OTHER SEAS</h2> - -<p>A <small>FISH</small> said to another fish, “Above this sea of ours there is another -sea, with creatures swimming in it—and they live there even as we live -here.”</p> - -<p>The fish replied, “Pure fancy! Pure fancy! When you know that everything -that leaves our sea by even an inch, and stays out of it, dies. What -proof have you of other lives in other seas?”<span class="pagenum"><a name="page_052" id="page_052"></a>{52}</span></p> - -<h2><a name="REPENTANCE" id="REPENTANCE"></a>REPENTANCE</h2> - -<p>O<small>N</small> a moonless night a man entered into his neighbour’s garden and stole -the largest melon he could find and brought it home.</p> - -<p>He opened it and found it still unripe.</p> - -<p>Then behold a marvel!</p> - -<p>The man’s conscience woke and smote him with remorse; and he repented -having stolen the melon.<span class="pagenum"><a name="page_053" id="page_053"></a>{53}</span></p> - -<div class="figcenter"> -<a href="images/i_062_lg.jpg"> -<img src="images/i_062_sml.jpg" width="341" height="450" alt="image unavailable: drawing signed K. Gibran, 1920" /></a> -</div> - -<h2><a name="THE_DYING_MAN_AND_THE_VULTURE" id="THE_DYING_MAN_AND_THE_VULTURE"></a>THE DYING MAN AND THE VULTURE</h2> - -<div class="poetry"> -<div class="poem"><div class="stanza"> -<span class="i0">Wait, wait yet awhile, my eager friend.<br /></span> -<span class="i0">I shall yield but too soon this wasted thing,<br /></span> -<span class="i0">Whose agony overwrought and useless<br /></span> -<span class="i0">Exhausts your patience.<br /></span> -<span class="i0">I would not have your honest hunger<br /></span> -<span class="i0">Wait upon these moments:<br /></span> -<span class="i0">But this chain, though made of a breath,<br /></span> -<span class="i0">Is hard to break.<br /></span> -<span class="i0">And the will to die,<br /></span> -<span class="i0">Stronger than all things strong,<br /></span> -<span class="i0">Is stayed by a will to live<br /></span> -<span class="i0">Feebler than all things feeble.<br /></span> -<span class="i0">Forgive me comrade; I tarry too long.<br /></span> -<span class="i0">It is memory that holds my spirit;<br /></span> -<span class="i0">A procession of distant days,<br /></span> -<span class="i0">A vision of youth spent in a dream,<span class="pagenum"><a name="page_054" id="page_054"></a>{54}</span><br /></span> -<span class="i0">A face that bids my eyelids not to sleep,<br /></span> -<span class="i0">A voice that lingers in my ears,<br /></span> -<span class="i0">A hand that touches my hand.<br /></span> -<span class="i0">Forgive me that you have waited too long.<br /></span> -<span class="i0">It is over now, and all is faded:—<br /></span> -<span class="i0">The face, the voice, the hand and the mist<br /></span> -<span class="i0">that brought them hither.<br /></span> -<span class="i0">The knot is untied.<br /></span> -<span class="i0">The cord is cleaved.<br /></span> -<span class="i0">And that which is neither food nor drink is withdrawn.<br /></span> -<span class="i0">Approach, my hungry comrade;<br /></span> -<span class="i0">The board is made ready,<br /></span> -<span class="i0">And the fare, frugal and spare,<br /></span> -<span class="i0">Is given with love.<br /></span> -<span class="i0">Come, and dig your beak here, into the left side,<br /></span> -<span class="i0">And tear out of its cage this smaller bird,<br /></span> -<span class="i0">Whose wings can beat no more:<br /></span> -<span class="i0">I would have it soar with you into the sky.<br /></span> -<span class="i0">Come now, my friend, I am your host tonight,<br /></span> -<span class="i0">And you my welcome guest.<br /></span> -</div></div> -</div> - -<p><span class="pagenum"><a name="page_055" id="page_055"></a>{55}</span></p> - -<h2><a name="BEYOND_MY_SOLITUDE" id="BEYOND_MY_SOLITUDE"></a>BEYOND MY SOLITUDE</h2> - -<p>B<small>EYOND</small> my solitude is another solitude, and to him who dwells therein my -aloneness is a crowded market-place and my silence a confusion of -sounds.</p> - -<p>Too young am I and too restless to seek that above-solitude. The voices -of yonder valley still hold my ears, and its shadows bar my way and I -cannot go.</p> - -<p>Beyond these hills is a grove of enchantment and to him who dwells -therein my peace is but a whirlwind and my enchantment an illusion.</p> - -<p>Too young am I and too riotous to seek that sacred grove. The taste of -blood is clinging in my mouth, and the bow and the arrows of my fathers -yet linger in my hand and I cannot go.<span class="pagenum"><a name="page_056" id="page_056"></a>{56}</span></p> - -<p>Beyond this burdened self lives my freer self; and to him my dreams are -a battle fought in twilight and my desires the rattling of bones.</p> - -<p>Too young am I and too outraged to be my freer self.</p> - -<p>And how shall I become my freer self unless I slay my burdened selves, -or unless all men become free?</p> - -<p>How shall my leaves fly singing upon the wind unless my roots shall -wither in the dark?</p> - -<p>How shall the eagle in me soar against the sun until my fledglings leave -the nest which I with my own beak have built for them?<span class="pagenum"><a name="page_057" id="page_057"></a>{57}</span></p> - -<h2><a name="THE_LAST_WATCH" id="THE_LAST_WATCH"></a>THE LAST WATCH</h2> - -<p>A<small>T</small> the high-tide of night, when the first breath of dawn came upon the -wind, the Forerunner, he who calls himself echo to a voice yet unheard, -left his bed-chamber and ascended to the roof of his house. Long he -stood and looked down upon the slumbering city. Then he raised his head, -and even as if the sleepless spirits of all those asleep had gathered -around him, he opened his lips and spoke, and he said:</p> - -<p>“My friends and my neighbours and you who daily pass my gate, I would -speak to you in your sleep, and in the valley of your dreams I would -walk naked and unrestrained; far heedless are your waking hours and deaf -are your sound-burdened ears.<span class="pagenum"><a name="page_058" id="page_058"></a>{58}</span></p> - -<p>“Long did I love you and overmuch.</p> - -<p>“I love the one among you as though he were all, and all as if you were -one. And in the spring of my heart I sang in your gardens, and in the -summer of my heart I watched at your threshing-floors.</p> - -<p>“Yea, I loved you all, the giant and the pigmy, the leper and the -anointed, and him who gropes in the dark even as him who dances his days -upon the mountains.</p> - -<p>“You, the strong, have I loved, though the marks of your iron hoofs are -yet upon my flesh; and you the weak, though you have drained my faith -and wasted my patience.</p> - -<p>“You the rich have I loved, while bitter was your honey to my mouth; and -you the poor, though you knew my empty-handed shame.</p> - -<p>“You the poet with the barrowed lute and blind fingers, you have I loved -in self indulgence; and you the scholar, ever gathering rotted shrouds -in potters’ fields.<span class="pagenum"><a name="page_059" id="page_059"></a>{59}</span></p> - -<p>“You the priest I have loved, who sit in the silences of yesterday -questioning the fate of my tomorrow; and you the worshippers of gods the -images of your own desires.</p> - -<p>“You the thirsting woman whose cup is ever full, I have loved you in -understanding; and you the woman of restless nights, you too I have -loved in pity.</p> - -<p>“You the talkative have I loved, saying, ‘Life hath much to say’; and -you the dumb have I loved, whispering to myself, ‘Says he not in silence -that which I fain would hear in words?’</p> - -<p>“And you the judge and the critic, I have loved also; yet when you have -seen me crucified, you said, ‘He bleeds rhythmically, and the pattern -his blood makes upon his white skin is beautiful to behold.’</p> - -<p>“Yea, I have loved you all, the young and the old, the trembling reed -and the oak.</p> - -<p>“But alas! it was the over-abundance of<span class="pagenum"><a name="page_060" id="page_060"></a>{60}</span> my heart that turned you from -me. You would drink love from a cup, but not from a surging river. You -would hear love’s faint murmur, but when love shouts you would muffle -your ears.</p> - -<p>“And because I have loved you all you have said, ‘Too soft and yielding -is his heart, and too undiscerning is his path. It is the love of a -needy one, who picks crumbs even as he sits at kingly feasts. And it is -the love of a weakling, for the strong loves only the strong.’</p> - -<p>“And because I have loved you overmuch you have said, ‘It is but the -love of a blind man who knows not the beauty of one nor the ugliness of -another. And it is the love of the tasteless who drinks vinegar even as -wine. And it is the love of the impertinent and the overweening, for -what stranger could be our mother and father and sister and brother?’</p> - -<p>“This you have said, and more. For often in the marketplace you pointed -your<span class="pagenum"><a name="page_061" id="page_061"></a>{61}</span> fingers at me and said mockingly, ‘There goes the ageless one, the -man without seasons, who at the noon hour plays games with our children -and at eventide sits with our elders and assumes wisdom and -understanding.’</p> - -<p>“And I said ‘I will love them more. Aye, even more. I will hide my love -with seeming to hate, and disguise my tenderness as bitterness. I will -wear an iron mask, and only when armed and mailed shall I seek them.’</p> - -<p>“Then I laid a heavy hand upon your bruises, and like a tempest in the -night I thundered in your ears.</p> - -<p>“From the housetop I proclaimed you hypocrites, pharisees, tricksters, -false and empty earth-bubbles.</p> - -<p>“The short-sighted among you I cursed for blind bats, and those too near -the earth I likened to soulless moles.</p> - -<p>“The eloquent I pronounced fork-tongued, the silent, stone-lipped, and -the<span class="pagenum"><a name="page_062" id="page_062"></a>{62}</span> simple and artless I called the dead never weary of death.</p> - -<p>“The seekers after world knowledge I condemned as offenders of the holy -spirit and those who would naught but the spirit I branded as hunters of -shadows who cast their nets in flat waters and catch but their own -images.</p> - -<p>“Thus with my lips have I denounced you, while my heart, bleeding within -me, called you tender names.</p> - -<p>“It was love lashed by its own self that spoke. It was pride half slain -that fluttered in the dust. It was my hunger for your love that raged -from the housetop, while my own love, kneeling in silence, prayed your -forgiveness.</p> - -<p>“But behold a miracle!</p> - -<p>“It was my disguise that opened your eyes, and my seeming to hate that -woke your hearts.</p> - -<p>“And now you love me.</p> - -<p>“You love the swords that strike you<span class="pagenum"><a name="page_063" id="page_063"></a>{63}</span> and the arrows that crave your -breast. For it comforts you to be wounded and only when you drink of -your own blood can you be intoxicated.</p> - -<p>“Like moths that seek destruction in the flame you gather daily in my -garden: and with faces uplifted and eyes enchanted you watch me tear the -fabric of your days. And in whispers you say the one to the other, ‘He -sees with the light of God. He speaks like the prophets of old. He -unveils our souls and unlocks our hearts, and like the eagle that knows -the way of foxes he knows our ways.’</p> - -<p>“Aye, in truth, I know your ways, but only as an eagle knows the ways of -his fledglings. And I fain would disclose my secret. Yet in my need for -your nearness I feign remoteness, and in fear of the ebbtide of your -love I guard the floodgates of my love.”</p> - -<p>After saying these things the Forerunner covered his face with his hands -and<span class="pagenum"><a name="page_064" id="page_064"></a>{64}</span> wept bitterly. For he knew in his heart that love humiliated in its -nakedness is greater than love that seeks triumph in disguise; and he -was ashamed.</p> - -<p>But suddenly he raised his head, and like one waking from sleep he -outstretched his arms and said, “Night is over, and we children of night -must die when dawn comes leaping upon the hills; and out of our ashes a -mightier love shall rise. And it shall laugh in the sun, and it shall be -deathless.”</p> - -<hr class="full" /> - - - - - - - -<pre> - - - - - -End of the Project Gutenberg EBook of The Forerunner, by Kahlil Gibran - -*** END OF THIS PROJECT GUTENBERG EBOOK THE FORERUNNER *** - -***** This file should be named 54580-h.htm or 54580-h.zip ***** -This and all associated files of various formats will be found in: - http://www.gutenberg.org/5/4/5/8/54580/ - -Produced by Mary Glenn Krause, Chuck Greif, MFR and the -Online Distributed Proofreading Team at http://www.pgdp.net -(This file was produced from images generously made -available by The Internet Archive) - - -Updated editions will replace the previous one--the old editions -will be renamed. - -Creating the works from public domain print editions means that no -one owns a United States copyright in these works, so the Foundation -(and you!) can copy and distribute it in the United States without -permission and without paying copyright royalties. Special rules, -set forth in the General Terms of Use part of this license, apply to -copying and distributing Project Gutenberg-tm electronic works to -protect the PROJECT GUTENBERG-tm concept and trademark. Project -Gutenberg is a registered trademark, and may not be used if you -charge for the eBooks, unless you receive specific permission. If you -do not charge anything for copies of this eBook, complying with the -rules is very easy. You may use this eBook for nearly any purpose -such as creation of derivative works, reports, performances and -research. They may be modified and printed and given away--you may do -practically ANYTHING with public domain eBooks. Redistribution is -subject to the trademark license, especially commercial -redistribution. - - - -*** START: FULL LICENSE *** - -THE FULL PROJECT GUTENBERG LICENSE -PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK - -To protect the Project Gutenberg-tm mission of promoting the free -distribution of electronic works, by using or distributing this work -(or any other work associated in any way with the phrase "Project -Gutenberg"), you agree to comply with all the terms of the Full Project -Gutenberg-tm License (available with this file or online at -http://gutenberg.org/license). - - -Section 1. General Terms of Use and Redistributing Project Gutenberg-tm -electronic works - -1.A. By reading or using any part of this Project Gutenberg-tm -electronic work, you indicate that you have read, understand, agree to -and accept all the terms of this license and intellectual property -(trademark/copyright) agreement. If you do not agree to abide by all -the terms of this agreement, you must cease using and return or destroy -all copies of Project Gutenberg-tm electronic works in your possession. -If you paid a fee for obtaining a copy of or access to a Project -Gutenberg-tm electronic work and you do not agree to be bound by the -terms of this agreement, you may obtain a refund from the person or -entity to whom you paid the fee as set forth in paragraph 1.E.8. - -1.B. "Project Gutenberg" is a registered trademark. It may only be -used on or associated in any way with an electronic work by people who -agree to be bound by the terms of this agreement. There are a few -things that you can do with most Project Gutenberg-tm electronic works -even without complying with the full terms of this agreement. See -paragraph 1.C below. There are a lot of things you can do with Project -Gutenberg-tm electronic works if you follow the terms of this agreement -and help preserve free future access to Project Gutenberg-tm electronic -works. See paragraph 1.E below. - -1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" -or PGLAF), owns a compilation copyright in the collection of Project -Gutenberg-tm electronic works. Nearly all the individual works in the -collection are in the public domain in the United States. If an -individual work is in the public domain in the United States and you are -located in the United States, we do not claim a right to prevent you from -copying, distributing, performing, displaying or creating derivative -works based on the work as long as all references to Project Gutenberg -are removed. Of course, we hope that you will support the Project -Gutenberg-tm mission of promoting free access to electronic works by -freely sharing Project Gutenberg-tm works in compliance with the terms of -this agreement for keeping the Project Gutenberg-tm name associated with -the work. You can easily comply with the terms of this agreement by -keeping this work in the same format with its attached full Project -Gutenberg-tm License when you share it without charge with others. - -1.D. The copyright laws of the place where you are located also govern -what you can do with this work. Copyright laws in most countries are in -a constant state of change. If you are outside the United States, check -the laws of your country in addition to the terms of this agreement -before downloading, copying, displaying, performing, distributing or -creating derivative works based on this work or any other Project -Gutenberg-tm work. The Foundation makes no representations concerning -the copyright status of any work in any country outside the United -States. - -1.E. Unless you have removed all references to Project Gutenberg: - -1.E.1. The following sentence, with active links to, or other immediate -access to, the full Project Gutenberg-tm License must appear prominently -whenever any copy of a Project Gutenberg-tm work (any work on which the -phrase "Project Gutenberg" appears, or with which the phrase "Project -Gutenberg" is associated) is accessed, displayed, performed, viewed, -copied or distributed: - -This eBook is for the use of anyone anywhere at no cost and with -almost no restrictions whatsoever. You may copy it, give it away or -re-use it under the terms of the Project Gutenberg License included -with this eBook or online at www.gutenberg.org/license - -1.E.2. If an individual Project Gutenberg-tm electronic work is derived -from the public domain (does not contain a notice indicating that it is -posted with permission of the copyright holder), the work can be copied -and distributed to anyone in the United States without paying any fees -or charges. If you are redistributing or providing access to a work -with the phrase "Project Gutenberg" associated with or appearing on the -work, you must comply either with the requirements of paragraphs 1.E.1 -through 1.E.7 or obtain permission for the use of the work and the -Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or -1.E.9. - -1.E.3. If an individual Project Gutenberg-tm electronic work is posted -with the permission of the copyright holder, your use and distribution -must comply with both paragraphs 1.E.1 through 1.E.7 and any additional -terms imposed by the copyright holder. Additional terms will be linked -to the Project Gutenberg-tm License for all works posted with the -permission of the copyright holder found at the beginning of this work. - -1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm -License terms from this work, or any files containing a part of this -work or any other work associated with Project Gutenberg-tm. - -1.E.5. Do not copy, display, perform, distribute or redistribute this -electronic work, or any part of this electronic work, without -prominently displaying the sentence set forth in paragraph 1.E.1 with -active links or immediate access to the full terms of the Project -Gutenberg-tm License. - -1.E.6. You may convert to and distribute this work in any binary, -compressed, marked up, nonproprietary or proprietary form, including any -word processing or hypertext form. However, if you provide access to or -distribute copies of a Project Gutenberg-tm work in a format other than -"Plain Vanilla ASCII" or other format used in the official version -posted on the official Project Gutenberg-tm web site (www.gutenberg.org), -you must, at no additional cost, fee or expense to the user, provide a -copy, a means of exporting a copy, or a means of obtaining a copy upon -request, of the work in its original "Plain Vanilla ASCII" or other -form. Any alternate format must include the full Project Gutenberg-tm -License as specified in paragraph 1.E.1. - -1.E.7. Do not charge a fee for access to, viewing, displaying, -performing, copying or distributing any Project Gutenberg-tm works -unless you comply with paragraph 1.E.8 or 1.E.9. - -1.E.8. You may charge a reasonable fee for copies of or providing -access to or distributing Project Gutenberg-tm electronic works provided -that - -- You pay a royalty fee of 20% of the gross profits you derive from - the use of Project Gutenberg-tm works calculated using the method - you already use to calculate your applicable taxes. The fee is - owed to the owner of the Project Gutenberg-tm trademark, but he - has agreed to donate royalties under this paragraph to the - Project Gutenberg Literary Archive Foundation. Royalty payments - must be paid within 60 days following each date on which you - prepare (or are legally required to prepare) your periodic tax - returns. Royalty payments should be clearly marked as such and - sent to the Project Gutenberg Literary Archive Foundation at the - address specified in Section 4, "Information about donations to - the Project Gutenberg Literary Archive Foundation." - -- You provide a full refund of any money paid by a user who notifies - you in writing (or by e-mail) within 30 days of receipt that s/he - does not agree to the terms of the full Project Gutenberg-tm - License. You must require such a user to return or - destroy all copies of the works possessed in a physical medium - and discontinue all use of and all access to other copies of - Project Gutenberg-tm works. - -- You provide, in accordance with paragraph 1.F.3, a full refund of any - money paid for a work or a replacement copy, if a defect in the - electronic work is discovered and reported to you within 90 days - of receipt of the work. - -- You comply with all other terms of this agreement for free - distribution of Project Gutenberg-tm works. - -1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm -electronic work or group of works on different terms than are set -forth in this agreement, you must obtain permission in writing from -both the Project Gutenberg Literary Archive Foundation and Michael -Hart, the owner of the Project Gutenberg-tm trademark. Contact the -Foundation as set forth in Section 3 below. - -1.F. - -1.F.1. Project Gutenberg volunteers and employees expend considerable -effort to identify, do copyright research on, transcribe and proofread -public domain works in creating the Project Gutenberg-tm -collection. Despite these efforts, Project Gutenberg-tm electronic -works, and the medium on which they may be stored, may contain -"Defects," such as, but not limited to, incomplete, inaccurate or -corrupt data, transcription errors, a copyright or other intellectual -property infringement, a defective or damaged disk or other medium, a -computer virus, or computer codes that damage or cannot be read by -your equipment. - -1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right -of Replacement or Refund" described in paragraph 1.F.3, the Project -Gutenberg Literary Archive Foundation, the owner of the Project -Gutenberg-tm trademark, and any other party distributing a Project -Gutenberg-tm electronic work under this agreement, disclaim all -liability to you for damages, costs and expenses, including legal -fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT -LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE -PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE -TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE -LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR -INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH -DAMAGE. - -1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a -defect in this electronic work within 90 days of receiving it, you can -receive a refund of the money (if any) you paid for it by sending a -written explanation to the person you received the work from. If you -received the work on a physical medium, you must return the medium with -your written explanation. The person or entity that provided you with -the defective work may elect to provide a replacement copy in lieu of a -refund. If you received the work electronically, the person or entity -providing it to you may choose to give you a second opportunity to -receive the work electronically in lieu of a refund. If the second copy -is also defective, you may demand a refund in writing without further -opportunities to fix the problem. - -1.F.4. Except for the limited right of replacement or refund set forth -in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER -WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO -WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. - -1.F.5. Some states do not allow disclaimers of certain implied -warranties or the exclusion or limitation of certain types of damages. -If any disclaimer or limitation set forth in this agreement violates the -law of the state applicable to this agreement, the agreement shall be -interpreted to make the maximum disclaimer or limitation permitted by -the applicable state law. The invalidity or unenforceability of any -provision of this agreement shall not void the remaining provisions. - -1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the -trademark owner, any agent or employee of the Foundation, anyone -providing copies of Project Gutenberg-tm electronic works in accordance -with this agreement, and any volunteers associated with the production, -promotion and distribution of Project Gutenberg-tm electronic works, -harmless from all liability, costs and expenses, including legal fees, -that arise directly or indirectly from any of the following which you do -or cause to occur: (a) distribution of this or any Project Gutenberg-tm -work, (b) alteration, modification, or additions or deletions to any -Project Gutenberg-tm work, and (c) any Defect you cause. - - -Section 2. Information about the Mission of Project Gutenberg-tm - -Project Gutenberg-tm is synonymous with the free distribution of -electronic works in formats readable by the widest variety of computers -including obsolete, old, middle-aged and new computers. It exists -because of the efforts of hundreds of volunteers and donations from -people in all walks of life. - -Volunteers and financial support to provide volunteers with the -assistance they need, are critical to reaching Project Gutenberg-tm's -goals and ensuring that the Project Gutenberg-tm collection will -remain freely available for generations to come. In 2001, the Project -Gutenberg Literary Archive Foundation was created to provide a secure -and permanent future for Project Gutenberg-tm and future generations. -To learn more about the Project Gutenberg Literary Archive Foundation -and how your efforts and donations can help, see Sections 3 and 4 -and the Foundation web page at http://www.pglaf.org. - - -Section 3. Information about the Project Gutenberg Literary Archive -Foundation - -The Project Gutenberg Literary Archive Foundation is a non profit -501(c)(3) educational corporation organized under the laws of the -state of Mississippi and granted tax exempt status by the Internal -Revenue Service. The Foundation's EIN or federal tax identification -number is 64-6221541. Its 501(c)(3) letter is posted at -http://pglaf.org/fundraising. Contributions to the Project Gutenberg -Literary Archive Foundation are tax deductible to the full extent -permitted by U.S. federal laws and your state's laws. - -The Foundation's principal office is located at 4557 Melan Dr. S. -Fairbanks, AK, 99712., but its volunteers and employees are scattered -throughout numerous locations. Its business office is located at -809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email -business@pglaf.org. Email contact links and up to date contact -information can be found at the Foundation's web site and official -page at http://pglaf.org - -For additional contact information: - Dr. Gregory B. Newby - Chief Executive and Director - gbnewby@pglaf.org - - -Section 4. Information about Donations to the Project Gutenberg -Literary Archive Foundation - -Project Gutenberg-tm depends upon and cannot survive without wide -spread public support and donations to carry out its mission of -increasing the number of public domain and licensed works that can be -freely distributed in machine readable form accessible by the widest -array of equipment including outdated equipment. Many small donations -($1 to $5,000) are particularly important to maintaining tax exempt -status with the IRS. - -The Foundation is committed to complying with the laws regulating -charities and charitable donations in all 50 states of the United -States. Compliance requirements are not uniform and it takes a -considerable effort, much paperwork and many fees to meet and keep up -with these requirements. We do not solicit donations in locations -where we have not received written confirmation of compliance. To -SEND DONATIONS or determine the status of compliance for any -particular state visit http://pglaf.org - -While we cannot and do not solicit contributions from states where we -have not met the solicitation requirements, we know of no prohibition -against accepting unsolicited donations from donors in such states who -approach us with offers to donate. - -International donations are gratefully accepted, but we cannot make -any statements concerning tax treatment of donations received from -outside the United States. U.S. laws alone swamp our small staff. - -Please check the Project Gutenberg Web pages for current donation -methods and addresses. Donations are accepted in a number of other -ways including checks, online payments and credit card donations. -To donate, please visit: http://pglaf.org/donate - - -Section 5. General Information About Project Gutenberg-tm electronic -works. - -Professor Michael S. Hart is the originator of the Project Gutenberg-tm -concept of a library of electronic works that could be freely shared -with anyone. For thirty years, he produced and distributed Project -Gutenberg-tm eBooks with only a loose network of volunteer support. - - -Project Gutenberg-tm eBooks are often created from several printed -editions, all of which are confirmed as Public Domain in the U.S. -unless a copyright notice is included. Thus, we do not necessarily -keep eBooks in compliance with any particular paper edition. - - -Most people start at our Web site which has the main PG search facility: - - http://www.gutenberg.org - -This Web site includes information about Project Gutenberg-tm, -including how to make donations to the Project Gutenberg Literary -Archive Foundation, how to help produce our new eBooks, and how to -subscribe to our email newsletter to hear about new eBooks. - - -</pre> - -</body> -</html> diff --git a/old/54580-h/images/colophon.png b/old/54580-h/images/colophon.png Binary files differdeleted file mode 100644 index 6da3f1a..0000000 --- a/old/54580-h/images/colophon.png +++ /dev/null diff --git a/old/54580-h/images/cover.jpg b/old/54580-h/images/cover.jpg Binary files differdeleted file mode 100644 index e446cf4..0000000 --- a/old/54580-h/images/cover.jpg +++ /dev/null diff --git a/old/54580-h/images/i_004_lg.jpg b/old/54580-h/images/i_004_lg.jpg Binary files differdeleted file mode 100644 index 48c03ea..0000000 --- a/old/54580-h/images/i_004_lg.jpg +++ /dev/null diff --git a/old/54580-h/images/i_004_sml.jpg b/old/54580-h/images/i_004_sml.jpg Binary files differdeleted file mode 100644 index 753b27a..0000000 --- a/old/54580-h/images/i_004_sml.jpg +++ /dev/null diff --git a/old/54580-h/images/i_025_lg.jpg b/old/54580-h/images/i_025_lg.jpg Binary files differdeleted file mode 100644 index 0447ac3..0000000 --- a/old/54580-h/images/i_025_lg.jpg +++ /dev/null diff --git a/old/54580-h/images/i_025_sml.jpg b/old/54580-h/images/i_025_sml.jpg Binary files differdeleted file mode 100644 index c48419d..0000000 --- a/old/54580-h/images/i_025_sml.jpg +++ /dev/null diff --git a/old/54580-h/images/i_037_lg.jpg b/old/54580-h/images/i_037_lg.jpg Binary files differdeleted file mode 100644 index 17e52ee..0000000 --- a/old/54580-h/images/i_037_lg.jpg +++ /dev/null diff --git a/old/54580-h/images/i_037_sml.jpg b/old/54580-h/images/i_037_sml.jpg Binary files differdeleted file mode 100644 index 39f01c3..0000000 --- a/old/54580-h/images/i_037_sml.jpg +++ /dev/null diff --git a/old/54580-h/images/i_048_lg.jpg b/old/54580-h/images/i_048_lg.jpg Binary files differdeleted file mode 100644 index 851a133..0000000 --- a/old/54580-h/images/i_048_lg.jpg +++ /dev/null diff --git a/old/54580-h/images/i_048_sml.jpg b/old/54580-h/images/i_048_sml.jpg Binary files differdeleted file mode 100644 index ffedb59..0000000 --- a/old/54580-h/images/i_048_sml.jpg +++ /dev/null diff --git a/old/54580-h/images/i_062_lg.jpg b/old/54580-h/images/i_062_lg.jpg Binary files differdeleted file mode 100644 index 85adc78..0000000 --- a/old/54580-h/images/i_062_lg.jpg +++ /dev/null diff --git a/old/54580-h/images/i_062_sml.jpg b/old/54580-h/images/i_062_sml.jpg Binary files differdeleted file mode 100644 index fcdcba0..0000000 --- a/old/54580-h/images/i_062_sml.jpg +++ /dev/null |
