summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
-rw-r--r--.gitattributes3
-rw-r--r--5697-0.txt10982
-rw-r--r--5697-0.zipbin0 -> 186489 bytes
-rw-r--r--5697-h.zipbin0 -> 197692 bytes
-rw-r--r--5697-h/5697-h.htm13823
-rw-r--r--5697.txt10981
-rw-r--r--5697.zipbin0 -> 185513 bytes
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
-rw-r--r--old/tlsct10.txt11714
-rw-r--r--old/tlsct10.zipbin0 -> 186011 bytes
11 files changed, 47516 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/5697-0.txt b/5697-0.txt
new file mode 100644
index 0000000..585768b
--- /dev/null
+++ b/5697-0.txt
@@ -0,0 +1,10982 @@
+The Project Gutenberg EBook of Tales of Chinatown, by Sax Rohmer
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Tales of Chinatown
+
+Author: Sax Rohmer
+
+Release Date: May, 2004 [EBook #5697]
+Posting Date: June 11, 2009
+Last Updated: March 9, 2018
+
+Language: English
+
+Character set encoding: UTF-8
+
+*** START OF THIS PROJECT GUTENBERG EBOOK TALES OF CHINATOWN ***
+
+
+
+
+Produced by Alan Johns
+
+
+
+
+
+TALES OF CHINATOWN
+
+By Sax Rohmer
+
+1916
+
+
+
+
+
+CONTENTS
+
+ THE DAUGHTER OF HUANG CHOW
+ KERRY'S KID
+ THE PIGTAIL OF HI WING HO
+ THE HOUSE OF GOLDEN JOSS
+ THE MAN WITH THE SHAVEN SKULL
+ THE WHITE HAT
+ TCHERIAPIN
+ THE DANCE OF THE VEILS
+ THE HAND OF THE MANDARIN QUONG
+ THE KEY OF THE TEMPLE OF HEAVEN
+
+
+
+
+
+THE DAUGHTER OF HUANG CHOW
+
+
+
+
+
+
+I
+
+“DIAMOND FRED”
+
+
+
+In the saloon bar of a public-house, situated only a few hundred yards
+from the official frontier of Chinatown, two men sat at a small table
+in a corner, engaged in earnest conversation. They afforded a sharp
+contrast. One was a thick-set and rather ruffianly looking fellow, not
+too cleanly in either person or clothing, and, amongst other evidences
+that at one time he had known the prize ring, possessing a badly broken
+nose. His companion was dressed with that spruceness which belongs to
+the successful East End Jew; he was cleanly shaven, of slight build, and
+alert in manner and address.
+
+Having ordered and paid for two whiskies and sodas, the Jew, raising
+his glass, nodded to his companion and took a drink. The glitter of
+a magnificent diamond which he wore seemed to attract the other's
+attention almost hypnotically.
+
+“Cheerio, Freddy!” said the thick-set man. “Any news?”
+
+“Nothing much,” returned the one addressed as Freddy, setting his glass
+upon the table and selecting a cigarette from a packet which he carried
+in his pocket.
+
+“I'm not so sure,” growled the other, watching him suspiciously. “You've
+been lying low for a long time, and it's not like you to slack off
+except when there's something big in sight.”
+
+“Hm!” said his companion, lighting his cigarette. “What do you mean
+exactly?”
+
+Jim Poland--for such was the big man's name--growled and spat
+reflectively into a spittoon.
+
+“I've had my eye on you, Freddy,” he replied; “I've had my eye on you!”
+
+“Oh, have you?” murmured the other. “But tell me what you mean!”
+
+Beneath his suave manner lay a threat, and, indeed, Freddy Cohen, known
+to his associates as “Diamond Fred,” was in many ways a formidable
+personality. He had brought to his chosen profession of crook a
+first-rate American training, together with all that mental agility and
+cleverness which belong to his race, and was at once an object of envy
+and admiration amongst the fraternity which keeps Scotland Yard busy.
+
+Jim Poland, physically a more dangerous character, was not in the same
+class with him; but he was not without brains of a sort, and Cohen,
+although smiling agreeably, waited with some anxiety for his reply.
+
+“I mean,” growled Poland, “that you're not wasting your time with Lala
+Huang for nothing.”
+
+“Perhaps not,” returned Cohen lightly. “She's a pretty girl; but what
+business is it of yours?”
+
+“None at all. I ain't interested in 'er good looks; neither are you.”
+
+Cohen shrugged and raised his glass again.
+
+“Come on,” growled Poland, leaning across the table. “I know, and I'm in
+on it. D'ye hear me? I'm in on it. These are hard times, and we've got
+to stick together.”
+
+“Oh,” said Cohen, “that's the game, is it?”
+
+“That's the game right enough. You won't go wrong if you bring me in,
+even at fifty-fifty, because maybe I know things about old Huang that
+you don't know.”
+
+The Jew's expression changed subtly, and beneath his drooping lids he
+glanced aside at the speaker. Then:
+
+“It's no promise,” he said, “but what do you know?”
+
+Poland bent farther over the table.
+
+“Chinatown's being watched again. I heard this morning that Red Kerry
+was down here.”
+
+Cohen laughed.
+
+“Red Kerry!” he echoed. “Red Kerry means nothing in my young life, Jim.”
+
+“Don't 'e?” returned Jim, snarling viciously. “The way he cleaned up
+that dope crowd awhile back seemed to show he was no jug, didn't it?”
+
+The Jew made a facial gesture as if to dismiss the subject.
+
+“All right,” continued Poland. “Think that way if you like. But the
+patrols have been doubled. I suppose you know that? And it's a cert
+there are special men on duty, ever since the death of that Chink.”
+
+Cohen shifted uneasily, glancing about him in a furtive fashion.
+
+“See what I mean?” continued the other. “Chinatown ain't healthy just
+now.”
+
+He finished his whisky at a draught, and, standing up, lurched heavily
+across to the counter. He returned with two more glasses. Then,
+reseating himself and bending forward again:
+
+“There's one thing I reckon you don't know,” he whispered in Cohen's
+ear. “I saw that Chink talking to Lala Huang only a week before the time
+he was hauled out of Limehouse Reach. I'm wondering, Diamond, if, with
+all your cleverness, you may not go the same way.”
+
+“Don't try to pull the creep stuff on me, Jim,” said Cohen uneasily.
+“What are you driving at, anyway?”
+
+“Well,” replied Poland, sipping his whisky reflectively, “how did that
+Chink get into the river?”
+
+“How the devil do I know?”
+
+“And what killed him? It wasn't drowning, although he was all swelled
+up.”
+
+“See here, old pal,” said Cohen. “I know 'Frisco better than you know
+Limehouse. Let me tell you that this little old Chinatown of yours is
+pie to me. You're trying to get me figuring on Chinese death traps,
+secret poisons, and all that junk. Boy, you're wasting your poetry.
+Even if you did see the Chink with Lala, and I doubt it--Oh, don't
+get excited, I'm speaking plain--there's no connection that I can see
+between the death of said Chink and old Huang Chow.”
+
+“Ain't there?” growled Poland huskily. He grasped the other's wrist as
+in a vise and bent forward so that his battered face was close to the
+pale countenance of the Jew. “I've been covering old Huang for months
+and months. Now I'm going to tell you something. Since the death of that
+Chink Red Kerry's been covering him, too.”
+
+“See here!” Cohen withdrew his arm from the other's grasp angrily. “You
+can't freeze me out of this claim with bogey stuff. You're listed, my
+lad, and you know it. Chief Inspector Kerry is your pet nightmare.
+But if he walked in here right now I could ask him to have a drink. I
+wouldn't but I could. You've got the wrong angle, Jim. Lala likes me
+fine, and although she doesn't say much, what she does say is straight.
+I'll ask her to-night about the Chink.”
+
+“Then you'll be a damned fool.”
+
+“What's that?”
+
+“I say you'll be a damned fool. I'm warning you, Freddy. There are
+Chinks and Chinks. All the boys know old Huang Chow has got a regular
+gold mine buried somewhere under the floor. But all the boys don't know
+what I know, and it seems that you don't either.”
+
+“What is that?”
+
+Jim Poland bent forward more urgently, again seizing Cohen's wrist, and:
+
+“Huang Chow is a mighty big bug amongst the Chinese,” he whispered,
+glancing cautiously about him. “He's hellish clever and rotten with
+money. A man like that wants handling. I'm not telling you what I know.
+But call it fifty-fifty and maybe you'll come out alive.”
+
+The brow of Diamond Fred displayed beads of perspiration, and with
+a blue silk handkerchief which he carried in his breast pocket he
+delicately dried his forehead.
+
+“You're an old hand at this stuff, Jim,” he muttered. “It amounts to
+this, I suppose; that if I don't agree you'll queer my game?”
+
+Jim Poland's brow lowered and he clenched his fists formidably. Then:
+
+“Listen,” he said in his hoarse voice. “It ain't your claim any more
+than mine. You've covered it different, that's all. Yours was always the
+petticoat lay. Mine's slower but safer. Is anyone else in with you?”
+
+“No.”
+
+“Then we'll double up. Now I'll tell you something. I was backing out.”
+
+“What? You were going to quit?”
+
+“I was.”
+
+“Why?”
+
+“Because the thing's too dead easy, and a thing like that always looks
+like hell to me.”
+
+Freddy Cohen finished his glass of whisky.
+
+“Wait while I get some more drinks,” he said.
+
+In this way, then, at about the hour of ten on a stuffy autumn night, in
+the crowded bar of that Wapping public-house, these two made a
+compact; and of its outcome and of the next appearance of Cohen, the
+Jewish-American cracksman, within the ken of man, I shall now proceed to
+tell.
+
+
+
+
+II
+
+THE END OF COHEN
+
+
+
+“I've been expecting this,” said Chief Inspector Kerry. He tilted his
+bowler hat farther forward over his brow and contemplated the ghastly
+exhibit which lay upon the slab of the mortuary. Two other police
+officers--one in uniform--were present, and they treated the celebrated
+Chief Inspector with the deference which he had not only earned but had
+always demanded from his subordinates.
+
+Earmarked for important promotion, he was an interesting figure as
+he stood there in the gloomy, ill-lighted place, his pose that of an
+athlete about to perform a long jump, or perhaps, as it might have
+appeared to some, that of a dancing-master about to demonstrate a new
+step.
+
+His close-cropped hair was brilliantly red, and so was his short, wiry,
+aggressive moustache. He was ruddy of complexion, and he looked out
+unblinkingly upon the world with a pair of steel-blue eyes. Neat he
+was to spruceness, and while of no more than medium height he had the
+shoulders of an acrobat.
+
+The detective who stood beside him, by name John Durham, had one trait
+in common with his celebrated superior. This was a quick keenness, a
+sort of alert vitality, which showed in his eyes, and indeed in every
+line of his thin, clean-shaven face. Kerry had picked him out as the
+most promising junior in his department.
+
+“Give me the particulars,” said the Chief Inspector. “It isn't robbery.
+He's wearing a diamond ring worth two hundred pounds.”
+
+His diction was rapid and terse--so rapid as to create the impression
+that he bit off the ends of the longer words. He turned his fierce blue
+eyes upon the uniformed officer who stood at the end of the slab.
+
+“They are very few, Chief Inspector,” was the reply. “He was hauled
+out by the river police shortly after midnight, at the lower end of
+Limehouse Reach. He was alive then--they heard his cry--but he died
+while they were hauling him into the boat.”
+
+“Any statement?” rapped Kerry.
+
+“He was past it, Chief Inspector. According to the report of the officer
+in charge, he mumbled something which sounded like: 'It has bitten me,'
+just before he became unconscious.”
+
+“'It has bitten me,'” murmured Kerry. “The divisional surgeon has seen
+him?”
+
+“Yes, Chief Inspector. And in his opinion the man did not die from
+drowning, but from some form of virulent poisoning.”
+
+“Poisoning?”
+
+“That's the idea. There will be a further examination, of course. Either
+a hypodermic injection or a bite.”
+
+“A bite?” said Kerry. “The bite of what?”
+
+“That I cannot say, Chief Inspector. A venomous reptile, I suppose.”
+
+Kerry stared down critically at the swollen face of the victim, and then
+glanced sharply aside at Durham.
+
+“Accounts for his appearance, I suppose,” he murmured.
+
+“Yes,” said Durham quietly. “He hadn't been in the water long enough to
+look like that.” He turned to the local officer. “Is there any theory as
+to the point at which he went in?”
+
+“Well, an arrest has been made.”
+
+“By whom? of whom?” rapped Kerry.
+
+“Two constables patrolling the Chinatown area arrested a man for
+suspicious loitering. He turned out to be a well-known criminal--Jim
+Poland, with a whole list of convictions against him. They're holding
+him at Limehouse Station, and the theory is that he was operating
+with------” He nodded in the direction of the body.
+
+“Then who's the smart with the swollen face?” inquired Kerry. “He's a
+new one on me.”
+
+“Yes, but he's been identified by one of the K Division men. He is an
+American crook with a clean slate, so far as this side is concerned.
+Cohen is his name. And the idea seems to be that he went in at some
+point between where he was found by the river police and the point at
+which Jim Poland was arrested.”
+
+Kerry snapped his teeth together audibly, and:
+
+“I'm open to learn,” he said, “that the house of Huang Chow is within
+that area.”
+
+“It is.”
+
+“I thought so. He died the same way the Chinaman died awhile ago,”
+ snapped Kerry savagely.
+
+“It looks very queer.” He glanced aside at the local officer. “Cover him
+up,” he ordered, and, turning, he walked briskly out of the mortuary,
+followed by Detective Durham.
+
+Although dawn was not far off, this was the darkest hour of the night,
+so that even the sounds of dockland were muted and the riverside slept
+as deeply as the great port of London ever sleeps. Vague murmurings
+there were and distant clankings, with the hum of machinery which is
+never still.
+
+Few of London's millions were awake at that hour, yet Scotland Yard
+was awake in the person of the fierce-eyed Chief Inspector and his
+subordinate. Perhaps those who lightly criticize the Metropolitan Force
+might have learned a new respect for the tireless vigilance which keeps
+London clean and wholesome, had they witnessed this scene on the borders
+of Limehouse, as Kerry, stepping into a waiting taxi-cab accompanied by
+Durham, proceeded to Limehouse Police Station in that still hour when
+the City slept.
+
+The arrival of Kerry created something of a stir amongst the officials
+on duty. His reputation in these days was at least as great as that of
+the most garrulous Labour member.
+
+The prisoner was in cells, but the Chief Inspector elected to interview
+him in the office; and accordingly, while the officer in charge sat at
+an extremely tidy writing-table, tapping the blotting-pad with a pencil,
+and Detective John Durham stood beside him, Kerry paced up and down the
+little room, deep in reflection, until the door opened and the prisoner
+was brought in.
+
+One swift glance the Chief Inspector gave at the battle-scarred face,
+and recognized instantly that this was a badly frightened man. Crossing
+to the table he took up a typewritten slip which lay there, and:
+
+“Your name is James Poland?” he said. “Four convictions; one, robbery
+with violence.”
+
+Jim Poland nodded sullenly.
+
+“You were arrested at the corner of Pekin Street about midnight. What
+were you doing there?”
+
+“Taking a walk.”
+
+“I'll say it again,” rapped Kerry, fixing his fierce eyes upon the man's
+face. “What were you doing there?”
+
+“I've told you.”
+
+“And I tell you you're a liar. Where did you leave the man Cohen?”
+
+Poland blinked his small eyes, cleared his throat, and looked down at
+the floor uneasily. Then:
+
+“Who's Cohen?” he grunted.
+
+“You mean, who was Cohen?” cried Kerry.
+
+The shot went home. The man clenched his fists and looked about the room
+from face to face.
+
+“You don't tell me------” he began huskily.
+
+“I've told you,” said Kerry. “He's on the slab. Spit out the truth;
+it'll be good for your health.”
+
+The man hesitated, then looked up, his eyes half closed and a cunning
+expression upon his face.
+
+“Make out your own case,” he said. “You've got nothing against me.”
+
+Kerry snapped his teeth together viciously.
+
+“I've told you what happened to your pal,” he warned. “If you're a wise
+man you'll come in on our side, before the same thing happens to you.”
+
+“I don't know what you're talking about,” growled Poland.
+
+Kerry nodded to the constable at the doorway.
+
+“Take him back,” he ordered.
+
+Jim Poland being returned to his cell, Kerry, as the door closed behind
+the prisoner and his guard, stared across at Durham where he stood
+beside the table.
+
+“An old hand,” he said. “But there's another way.” He glanced at the
+officer in charge. “Hold him till the morning. He'll prove useful.”
+
+From his waistcoat pocket he took out a slip of chewing gum, unwrapped
+it, and placed the mint-flavoured wafer between his large white teeth.
+He bit upon it savagely, settled his hat upon his head, and, turning,
+walked toward the door. In the doorway he paused.
+
+“Come with me, Durham,” he said. “I am leaving the conduct of the case
+entirely in your hands from now onward.”
+
+Detective Durham looked surprised and not a little anxious.
+
+“I am doing so for two reasons,” continued the Chief Inspector. “These
+two reasons I shall now explain.”
+
+
+
+
+III
+
+THE SECRET TREASURE-HOUSE
+
+
+
+Unlike its sister colony in New York, there are no show places in
+Limehouse. The visitor sees nothing but mean streets and dark doorways.
+The superficial inquirer comes away convinced that the romance of the
+Asiatic district has no existence outside the imaginations of writers
+of fiction. Yet here lies a secret quarter, as secret and as strange,
+in its smaller way, as its parent in China which is called the Purple
+Forbidden City.
+
+On a morning when mist lay over the Thames reaches, softening the
+harshness of the dock buildings and lending an air of mystery to the
+vessels stealing out upon the tide, a man walked briskly along Limehouse
+Causeway, looking about him inquiringly, as one unfamiliar with the
+neighbourhood. Presently he seemed to recognize a turning to the right,
+and he pursued this for a time, now walking more slowly.
+
+A European woman, holding a half-caste baby in her arms, stood in an
+open doorway, watching him uninterestedly. Otherwise, except for one
+neatly dressed young Chinaman, who passed him about halfway along the
+street, there was nothing which could have told the visitor that he
+had crossed the borderline dividing West from East and was now in an
+Oriental town.
+
+A very narrow alleyway between two dingy houses proved to be the spot
+for which he was looking; and, having stared about him for a while, he
+entered this alleyway. At the farther end it was crossed T-fashion, by
+another alley, the only object of interest being an iron post at the
+crossing, and the scenery being made up entirely of hideous brick walls.
+
+About halfway along on the left, set in one of these walls, were strong
+wooden gates, apparently those of a warehouse. Beside them was a door
+approached by two very dirty steps. There was a bell-push near the door,
+but upon neither of these entrances was there any plate to indicate the
+name of the proprietor of the establishment.
+
+From his pocket-book the visitor extracted a card, consulted something
+written upon it, and then pressed the bell.
+
+It was very quiet in this dingy little court. No sound of the busy
+thoroughfares penetrated here; and although the passage forming the
+top of the “T” practically marked the river bank, only dimly could one
+discern the sounds which belong to a seaport.
+
+Presently the door was opened by a Chinese boy who wore the ordinary
+native working dress, and who regarded the man upon the step with
+oblique, tired-looking eyes.
+
+“Mr. Huang Chow?” asked the caller.
+
+The boy nodded.
+
+“You wantchee him see?”
+
+“If he is at home.”
+
+The boy glanced at the card, which the visitor still held between finger
+and thumb, and extended his hand silently. The card was surrendered. It
+was that of an antique dealer of Dover Street, Piccadilly, and written
+upon the back was the following: “Mr. Hampden would like to do business
+with you.” The signature of the dealer followed.
+
+The boy turned and passed along a dim and perfectly unfurnished passage
+which the opening of the door had revealed, while Mr. Hampden stood upon
+the step and lighted a cigarette.
+
+In less than a minute the boy returned and beckoned to him to come in.
+As he did so, and the door was closed, he almost stumbled, so dark was
+the passage.
+
+Presently, guided by the boy, he found himself in a very business-like
+little office, where a girl sat at an American desk, looking up at him
+inquiringly.
+
+She was of a dark and arresting type. Without being pretty in the
+European sense, there was something appealing in her fine, dark eyes,
+and she possessed the inviting smile which is the heritage of Eastern
+women. Her dress was not unlike that of any other business girl, except
+that the neck of her blouse was cut very low, a fashion affected by many
+Eurasians, and she wore a gaily coloured sash, and large and very costly
+pearl ear-rings. As Mr. Hampden paused in the doorway:
+
+“Good morning,” said the girl, glancing down at the card which lay upon
+the desk before her. “You come from Mr. Isaacs, eh?”
+
+She looked at him with a caressing glance from beneath half-lowered
+lashes, but missed no detail of his appearance. She did not quite like
+his moustache, and thought that he would have looked better cleanshaven.
+Nevertheless, he was a well-set-up fellow, and her manner evidenced
+approval.
+
+“Yes,” he replied, smiling genially. “I have a small commission to
+execute, and I am told that you can help me.”
+
+The girl paused for a moment, and then:
+
+“Yes, very likely,” she said, speaking good English but with an odd
+intonation. “It is not jade? We have very little jade.”
+
+“No, no. I wanted an enamelled casket.”
+
+“What kind?”
+
+“Cloisonne.”
+
+“Cloisonne? Yes, we have several.”
+
+She pressed a bell, and, glancing up at the boy who had stood throughout
+the interview at the visitor's elbow, addressed him rapidly in Chinese.
+He nodded his head and led the way through a second doorway. Closing
+this, he opened a third and ushered Mr. Hampden into a room which nearly
+caused the latter to gasp with astonishment.
+
+One who had blundered from Whitechapel into the Khan Khalil, who had
+been transported upon a magic carpet from a tube station to the Taj
+Mahal, or dropped suddenly upon Lebanon hills to find himself looking
+down upon the pearly domes and jewelled gardens of Damascus, could not
+well have been more surprised. This great treasure-house of old Huang
+Chow was one of Chinatown's secrets--a secret shared only by those whose
+commercial interests were identical with the interests of Huang Chow.
+
+The place was artificially lighted by lamps which themselves were
+beautiful objects of art, and which swung from the massive beams of
+the ceiling. The floor of the warehouse, which was partly of stone, was
+covered with thick matting, and spread upon it were rugs and carpets
+of Karadagh, Kermanshah, Sultan-abad, and Khorassan, with lesser-known
+loomings of almost equal beauty. Skins of rare beasts overlay the
+divans. Furniture of ivory, of ebony and lemonwood, preciously inlaid,
+gave to the place an air of cunning confusion. There were tall cabinets,
+there were caskets and chests of exquisite lacquer and enamel, loot
+of an emperor's palace; robes heavy with gold; slippers studded with
+jewels; strange carven ivories; glittering weapons; pots, jars, and
+bowls, as delicate and as fragile as the petals of a lily.
+
+Last, but not least, sitting cross-legged upon a low couch, was old
+Huang Chow, smoking a great curved pipe, and peering half blindly across
+the place through large horn-rimmed spectacles. This couch was set
+immediately beside a wide ascending staircase, richly carpeted, and
+on the other side of the staircase, in a corresponding recess, upon a
+gilded trestle carved to represent the four claws of a dragon, rested
+perhaps the strangest exhibit of that strange collection--a Chinese
+coffin of exquisite workmanship.
+
+The boy retired, and Mr. Hampden found himself alone with Huang Chow. No
+word had been exchanged between master and servant, but:
+
+“Good morning, Mr. Hampden,” said the Chinaman in a high, thin voice.
+“Please be seated. It is from Mr. Isaacs you come?”
+
+
+
+
+IV
+
+PERSONAL REPORT OF DETECTIVE JOHN DURHAM TO CHIEF INSPECTOR KERRY,
+OFFICER IN CHARGE OF LIMEHOUSE INQUIRY
+
+
+
+Dear Chief Inspector,--Following your instructions I returned and
+interviewed the prisoner Poland in his cell. I took the line which
+you had suggested, pointing out to him that he had nothing to gain and
+everything to lose by keeping silent.
+
+“Answer my questions,” I said, “and you can walk straight out.
+Otherwise, you'll be up before the magistrate, and on your record alone
+it will mean a holiday which you probably don't want.”
+
+He was very truculent, but I got him in a good humour at last, and he
+admitted that he had been cooperating with the dead man, Cohen, in an
+attempt to burgle the house of Huang Chow. His reluctance to go into
+details seemed to be due rather to fear of Huang Chow than to fear of
+the law, and I presently gathered that he regarded Huang as responsible
+for the death not only of Cohen, but also of the Chinaman who was
+hauled out of the river about three weeks ago, as you well remember. The
+post-mortem showed that he had died of some kind of poisoning, and when
+we saw Cohen in the mortuary, his swollen appearance struck me as being
+very similar to that of the Chinaman. (See my report dated 31st ultimo.)
+
+He finally agreed to talk if I would promise that he should not be
+charged and that his name should never be mentioned to anyone in
+connection with what he might tell me. I promised him that outside the
+ordinary official routine I would respect his request, and he told me
+some very curious things, which no doubt have a bearing on the case.
+
+For instance, he had discovered--I don't know in what way--that the dead
+Chinaman, whose name was Pi Lung, had been in negotiation with Huang
+Chow for some sort of job in his warehouse. Poland had seen the man
+talking to Huang's daughter, at the end of the alley which leads to the
+place. He seemed to attach extraordinary importance to this fact. At
+last:
+
+“I'll tell you what it is,” he said. “That Chink was a stranger to
+Limehouse; I can swear to it. He was a gent of his hands; I reckon
+they've got 'em in China as well as here. He went out for the old boy's
+money-box, and finished like Cohen finished.”
+
+“Make your meaning clearer,” I said.
+
+“My meaning's this: Old Huang Chow is the biggest dealer in stolen and
+smuggled valuables from overseas we've got in London. He's something
+else as well; he's a big swell in China. But here's the point. He's
+got business with buyers all over London, and they have to pay cash--no
+checks. He doesn't bank it: I've proved that. He's got it in gold, or
+diamonds, or something, being wise to present conditions, hidden there
+in the house. Pi Lung was after his hoard. He didn't get it. Cohen and
+me was after it. Where's Cohen?”
+
+I agreed that it looked very suspicious, and presently:
+
+“When I went in with Cohen,” continued Poland, “I knew one thing
+he didn't know--a short cut into the warehouse. He's been playing
+pretty-like with Lala, old Huang's daughter, and it's my belief that
+he knew where the store was hidden; but he never told me. We knew there
+were special men on duty, and we'd arranged that I was to give a signal
+when the patrol had passed. Cohen all the time had planned to double on
+me. While I was watching down on the Causeway end he climbed up and got
+in through the skylight I'd shown him. When I got there he was missing,
+but the skylight was open. I started off after him.”
+
+Then Poland clutched me, and his fright was very real.
+
+“I heard a shriek like nothing I ever heard in my life. I saw a light
+shine through the trap, and then I heard a sort of moaning. Last, I
+heard a bang, and the light went out. I staggered down the passage half
+silly, started to run, and ran straight into the arms of two coppers.”
+
+This evidence I thought was conclusive, and in accordance with your
+instructions I proceeded to Mr. Isaacs in Dover Street. He didn't seem
+too pleased at my suggestion, but when I pointed out to him that one
+good turn deserved another, he agreed to give me an introduction to
+Huang Chow.
+
+I adopted a very simple disguise, just altering my complexion and
+sticking on a moustache with spirit gum, hair by hair, and trimming it
+down military fashion. Everything ran smoothly, and I seemed to make a
+fairly favourable impression upon Lala Huang, the Chinaman's daughter,
+who evidently interviews prospective customers before they are admitted
+to the warehouse.
+
+She is a Eurasian and extremely good looking. But when I found myself
+in the room where old Huang keeps his treasures, I really thought I was
+dreaming. It's a collection that must be worth thousands. He showed me
+snuff-bottles, cut out of gems, and with a little opening no bigger than
+the hole in a pipe-stem, but with wonderful paintings done inside the
+bottles. He'd got a model of a pagoda made out of human teeth, and a big
+golden rug woven from the hair of Circassian slave girls. Excuse this,
+Chief Inspector; I know it is what you call the romantic stuff; but I
+think it would have impressed you if you had seen it.
+
+Anyway, I bought a little enamelled box, in accordance with Mr. Isaacs's
+instructions, although whether I succeeded in convincing Huang Chow that
+I knew anything about the matter is more than doubtful. He got up from
+a sort of throne he sits on, and led the way up a broad staircase to a
+private room above.
+
+“Of course, you have brought the cash, Mr. Hampden?” he said.
+
+He speaks quite faultless English. He walked up three steps to a sort of
+raised writing-table in this upstairs room, and I counted out the
+money to him. When he sat at the table he faced toward the room, and I
+couldn't help thinking that, in his horn-rimmed spectacles, he looked
+like some old magistrate. He explained that he would pack the purchase
+for me, but that I must personally take it away. And:
+
+“You understand,” said he, “that you bought it from a gentleman who had
+purchased it abroad.”
+
+I said I quite understood. He bowed me out very politely, and presently
+I found myself back in the office with Lala Huang.
+
+She seemed quite disposed to talk, and I chatted with her while the box
+was being packed for me to take away. I knew I must make good use of my
+time, but you have never given me a job I liked less. I mean, there
+is something very appealing about her, and I hated to think that I was
+playing a double game. However, without actually agreeing to see me
+again, she told me enough to enable me to meet her “accidentally,” if I
+wanted to. Therefore, I am going to look out for her this evening, and
+probably take her to a picture palace, or somewhere where we can have a
+quiet talk. She seems to be fancy free, and for some reason I feel sorry
+for the girl. I don't altogether like the job, but I hope to justify
+your faith in me, Chief.
+
+I will prepare my official report this evening when I return.
+
+Yours obediently,--JOHN DURHAM.
+
+
+
+
+V
+
+LALA HUANG
+
+
+
+“No,” said Lala Huang, “I don't like London--not this part of London.”
+
+“Where would you rather be?” asked Durham. “In China?”
+
+Dusk had dropped its merciful curtain over Limehouse, and as the two
+paced slowly along West India Dock Road it seemed to the detective that
+a sort of glamour had crept into the scene.
+
+He was a clever man within his limitations, and cultured up to a point;
+but he was not philosopher enough to know that he viewed the purlieus
+of Limehouse through a haze of Oriental mystery conjured up by the
+conversation of his companion. Temple bells there were in the clangour
+of the road cars. The smoke-stacks had a semblance of pagodas. Burma she
+had conjured up before him, and China, and the soft islands where she
+had first seen the light. For as well as a streak of European, there
+was Kanaka blood in Lala, which lent her an appeal quite new to Durham,
+insidious and therefore dangerous.
+
+“Not China,” she replied. “Somehow I don't think I shall ever see China
+again. But my father is rich, and it is dreadful to think that we live
+here when there are so many more beautiful places to live in.”
+
+“Then why does he stay?” asked Durham with curiosity.
+
+“For money, always for money,” answered Lala, shrugging her shoulders.
+“Yet if it is not to bring happiness, what good is it?”
+
+“What good indeed?” murmured Durham.
+
+“There is no fun for me,” said the girl pathetically. “Sometimes someone
+nice comes to do business, but mostly they are Jews, Jews, always Jews,
+and------” Again she shrugged eloquently.
+
+Durham perceived the very opening for which he had been seeking..
+
+“You evidently don't like Jews,” he said endeavouring to speak lightly.
+
+“No,” murmured the girl, “I don't think I do. Some are nice, though. I
+think it is the same with every kind of people--there are good and bad.”
+
+“Were you ever in America?” asked Durham.
+
+“No.”
+
+“I was just thinking,” he explained, “that I have known several American
+Jews who were quite good fellows.”
+
+“Yes?” said Lala, looking up at him naively, “I met one not long ago. He
+was not nice at all.”
+
+“Oh!” exclaimed Durham, startled by this admission, which he had not
+anticipated. “One of your father's customers?”
+
+“Yes, a man named Cohen.”
+
+“Cohen?”
+
+“A funny little chap,” continued the girl. “He tried to make love
+to me.” She lowered her lashes roguishly. “I knew all along he was
+pretending. He was a thief, I think. I was afraid of him.”
+
+Durham did some rapid thinking, then:
+
+“Did you say his name was Cohen?” he asked.
+
+“That was the name he gave.”
+
+“A man named Cohen, an American, was found dead in the river quite
+recently.”
+
+Lala stopped dead and clutched his arm.
+
+“How do you know?” she demanded.
+
+“There was a paragraph in this morning's paper.”
+
+She hesitated, then:
+
+“Did it describe him?” she asked.
+
+“No,” replied Durham, “I don't think it did in detail. At least, the
+only part of the description which I remember is that he wore a large
+and valuable diamond on his left hand.”
+
+“Oh!” whispered Lala.
+
+She released her grip of Durham's arm and went on.
+
+“What?” he asked. “Did you think it was someone you knew?”
+
+“I did know him,” she replied simply. “The man who was found drowned. It
+is the same. I am sure now, because of the diamond ring. What paper did
+you read it in? I want to read it myself.”
+
+“I'm afraid I can't remember. It was probably the Daily Mail.”
+
+“Had he been drowned?”
+
+“I presume so--yes,” replied Durham guardedly.
+
+Lala Huang was silent for some time while they paced on through the
+dusk. Then:
+
+“How strange!” she said in a low voice.
+
+“I am sorry I mentioned it,” declared Durham. “But how was I to know it
+was your friend?”
+
+“He was no friend of mine,” returned the girl sharply. “I hated him. But
+it is strange nevertheless. I am sure he intended to rob my father.”
+
+“And is that why you think it strange?”
+
+“Yes,” she said, but her voice was almost inaudible.
+
+They were come now to the narrow street communicating with the courtway
+in which the great treasure-house of Huang Chow was situated, and Lala
+stopped at the corner.
+
+“It was nice of you to walk along with me,” she said. “Do you live in
+Limehouse?”
+
+“No,” replied Durham, “I don't. As a matter of fact, I came down here
+to-night in the hope of seeing you again.”
+
+“Did you?”
+
+The girl glanced up at him doubtfully, and his distaste for the task set
+him by his superior increased with the passing of every moment. He was
+a man of some imagination, a great reader, and ambitious professionally.
+He appreciated the fact that Chief Inspector Kerry looked for great
+things from him, but for this type of work he had little inclination.
+
+There was too much chivalry in his make-up to enable him to play upon a
+woman's sentiments, even in the interests of justice. By whatever means
+the man Cohen had met his death, and whether or no the Chinaman Pi Lung
+had died by the same hand, Lala Huang was innocent of any complicity in
+these matters, he was perfectly well assured.
+
+Doubts were to come later when he was away from her, when he had had
+leisure to consider that she might regard him in the light of a third
+potential rifler of her father's treasure-house. But at the moment,
+looking down into her dark eyes, he reproached himself and wondered
+where his true duty lay.
+
+“It is so gray and dull and sordid here,” said the girl, looking down
+the darkened street. “There is no one much to talk to.”
+
+“But you have your business interests to keep you employed during the
+day, after all.”
+
+“I hate it all. I hate it all.”
+
+“But you seem to have perfect freedom?”
+
+“Yes. My mother, you see, was not Chinese.”
+
+“But you wish to leave Limehouse?”
+
+“I do. I do. Just now it is not so bad, but in the winter how I tire of
+the gray skies, the endless drizzling rain. Oh!” She shrank back into
+the shadow of a doorway, clutching at Durham's arm. “Don't let Ah Fu see
+me.”
+
+“Ah Fu? Who is Ah Fu?” asked Durham, also drawing back as a furtive
+figure went slinking down the opposite side of the street.
+
+“My father's servant. He let you in this morning.”
+
+“And why must he not see you?”
+
+“I don't trust him. I think he tells my father things.”
+
+“What is it that he carries in his hand?”
+
+“A birdcage, I expect.”
+
+“A birdcage?”
+
+“Yes!”
+
+He caught the gleam of her eyes as she looked up at him out of the
+shadow.
+
+“Is he, then, a bird-fancier?”
+
+“No, no, I can't explain because I don't understand myself. But Ah Fu
+goes to a place in Shadwell regularly and buys young birds, always very
+young ones and very little ones.”
+
+“For what or for whom?”
+
+“I don't know.”
+
+“Have you an aviary in your house?”
+
+“No.”
+
+“Do you mean that they disappear, these purchases of Ah Fu's?”
+
+“I often see him carrying a cage of young birds, but we have no birds in
+the house.”
+
+“How perfectly extraordinary!” muttered Durham.
+
+“I distrust Ah Fu,” whispered the girl. “I am glad he did not see me
+with you.”
+
+“Young birds,” murmured Durham absently. “What kind of young birds? Any
+particular breed?”
+
+“No; canaries, linnets--all sorts. Isn't it funny?” The girl laughed in
+a childish way. “And now I think Ah Fu will have gone in, so I must say
+good night.”
+
+But when presently Detective Durham found himself walking back along
+West India Dock Road, his mind's eye was set upon the slinking figure of
+a Chinaman carrying a birdcage.
+
+
+
+
+VI
+
+A HINT OF INCENSE
+
+
+
+One Chinaman more or less does not make any very great difference to
+the authorities responsible for maintaining law and order in Limehouse.
+Asiatic settlers are at liberty to follow their national propensities,
+and to knife one another within reason. This is wisdom. Such recreations
+are allowed, if not encouraged, by all wise rulers of Eastern peoples.
+
+“Found drowned,” too, is a verdict which has covered many a dark mystery
+of old Thames, but “Found in the river, death having been due to the
+action of some poison unknown,” is a finding which even in the case of a
+Chinaman is calculated to stimulate the jaded official mind.
+
+New Scotland Yard had given Durham a roving commission, and had been
+justified in the fact that the second victim, and this time not a
+Chinaman, had been found under almost identical conditions. The link
+with the establishment of Huang Chow was incomplete, and Durham fully
+recognized that it was up to him to make it sound and incontestable.
+
+Jim Poland was not the only man in the East End who knew that the dead
+Chinaman had been in negotiation with Huang Chow. Kerry knew it, and had
+passed the information on to Durham.
+
+Some mystery surrounded the life of the old dealer, who was said to be
+a mandarin of high rank, but his exact association with the deaths first
+of the Chinaman Pi Lung, and second of Cohen, remained to be proved.
+Certain critics have declared the Metropolitan detective service to be
+obsolete and inefficient. Kerry, as a potential superintendent, resented
+these criticisms, and in his protege Durham, perceived a member of the
+new generation who was likely in time to produce results calculated to
+remove this stigma.
+
+Durham recognized that a greater responsibility rested upon his
+shoulders than the actual importance of the case might have indicated;
+and now, proceeding warily along the deserted streets, he found his
+brain to be extraordinarily active and his imagination very much alive.
+
+There is a night life in Limehouse, as he had learned, but it is a mole
+life, a subterranean life, of which no sign appears above ground after a
+certain hour. Nevertheless, as he entered the area which harbours those
+strange, hidden resorts the rumour of which has served to create the
+glamour of Chinatown, he found himself to be thinking of the great
+influence said to be wielded by Huang Chow, and wondering if unseen
+spies watched his movements.
+
+Lala was Oriental, and now, alone in the night, distrust leapt into
+being within him. He had been attracted by her and had pitied her.
+He told himself now that this was because of her dark beauty and the
+essentially feminine appeal which she made. She was perhaps a vampire
+of the most dangerous sort, one who lured men to strange deaths for some
+sinister object beyond reach of a Western imagination.
+
+He found himself doubting the success of those tactics upon which,
+earlier in the day, he had congratulated himself. Perhaps beneath the
+guise of Hampden, who bought antique furniture on commission, those
+cunning old eyes beneath the horn-rimmed spectacles had perceived the
+detective hidden, or at least had marked subterfuge.
+
+While he could not count Lala a conquest--for he had not even
+attempted to make love to her--the ease with which he had developed the
+acquaintance now, afforded matter for suspicion.
+
+At the entrance to the court communicating with the establishment of
+Huang Chow he paused, looking cautiously about him. The men on the
+Limehouse beats had been warned of the investigation afoot tonight, and
+there was a plain-clothes man on point duty at no great distance away,
+although carefully hidden, so that Durham had quite failed to detect his
+presence.
+
+Durham wore rough clothes and rubber-soled shoes; and now, as he entered
+the court, he was thinking of the official report of the police sergeant
+who, not so many hours before, had paid a visit to the house of Huang
+Chow in order to question him respecting his knowledge of the dead man
+Cohen, and to learn when last he had seen him.
+
+Old Huang, who had received his caller in the large room upstairs, the
+room which boasted the presence of the writing-dais, had exhibited no
+trace of confusion, assuring the sergeant that he had not seen the
+man Cohen for several days. Cohen had come to him with an American
+introduction, which he, Huang, believed to be forged, and had wanted him
+to undertake a shady agency, respecting the details of which he remained
+peculiarly reticent. In short, nothing had been gained by this official
+interrogation, and Huang blandly denied any knowledge of an attempted
+burglary of his establishment.
+
+“What have I to lose?” he had asked the inquirer. “A lot of old lumber
+which I have accumulated during many years, and a reputation for being
+wealthy, due to my lonely habits and to the ignorance of those who live
+around me.”
+
+Durham, mentally reviewing the words of the report, reconstructed the
+scene in his mind; and now, having come to the end of the lane where
+the iron post rested, he stood staring up at a place in the ancient wall
+where several bricks had decayed, and where it was possible, according
+to the statement of the man Poland, to climb up on to a piece of sloping
+roof, and thence gain the skylight through which Cohen had obtained
+admittance on the night of his death.
+
+He made sure that his automatic pistol was in his pocket, questioned the
+dull sounds of the riverside for a moment, looking about him anxiously,
+and then, using the leaning post as a stepping-stone, he succeeded in
+wedging his foot into a crevice in the wall. By the exercise of some
+agility he scrambled up to the top, and presently found himself lying
+upon a sloping roof.
+
+The skylight remained well out of reach, but his rubber-soled shoes
+enabled him to creep up the slates until he could grasp the framework
+with his hands. Presently he found himself perched upon the trap which,
+if his information could be relied upon, possessed no fastener, or
+one so faulty that the trap could be raised by means of a brad-awl.
+He carried one in his pocket, and, screwing it into the framework, he
+lifted it cautiously, making very little noise.
+
+The trap opened, and up to his nostrils there stole a queer, indefinable
+odour, partly that which belongs to old Oriental furniture and stuffs,
+but having mingled with it a hint of incense and of something else not
+so easily named. He recognized the smell of that strange store-room,
+which, as Mr. Hampden, he had recently visited.
+
+For one moment he thought he could detect the distant note of a bell.
+But, listening, he heard nothing, and was reassured.
+
+He rested the trap back against the frame, and shone the ray of an
+electric torch down into the darkness beneath him. The light fell upon
+the top of a low carven table, dragon-legged and gilded. Upon it rested
+the model pagoda constructed of human teeth, and there was something in
+this discovery which made Durham feel inclined to shudder. However, the
+impulse was only a passing one.
+
+He measured the distance with his eye. The little table stood beside a
+deep divan, and he saw that with care it would be possible to drop upon
+this divan without making much noise. He calculated its exact position
+before replacing the torch in his pocket, and then, resting back against
+one side of the frame, he clutched the other with his hands. He wriggled
+gradually down until further purchase became impossible. He then let
+himself drop, and swung for a moment by his hands before releasing his
+hold.
+
+He fell, as he had calculated, upon the divan. It creaked ominously.
+Catching his foot in the cushions, he stumbled and lay forward for a
+moment upon his face, listening intently.
+
+The room was very hot but nothing stirred.
+
+
+
+
+VII
+
+THE SCUFFLING SOUND
+
+
+
+Detective Durham, as he lay there inhaling the peculiar perfume of the
+place, recognized that he had put himself outside the pale of official
+protection, and was become technically a burglar.
+
+He wondered if Chief Inspector Kerry would have approved; but he had
+outlined this plan of investigation for himself, and knew well that,
+if it were crowned by success, the end would be regarded as having
+justified the means. On the other hand, in the event of detention he
+must personally bear the consequences of such irregular behaviour. He
+knew well, however, that his celebrated superior had achieved promotion
+by methods at least as irregular; and he knew that if he could but
+obtain evidence to account for the death of the man Cohen, and of the
+Chinaman Pi Lung, who had preceded him by the same mysterious path, the
+way of his obtaining it would not be too closely questioned.
+
+He was an ambitious man, and consequently one who took big chances.
+Nothing disturbed the silence; he sat upon the divan and again pressed
+the button of his torch, shining it all about the low-beamed apartment
+and peering curiously into the weird shadows of the place. He calculated
+he was now in the position which Cohen had occupied during the last
+moments of his life, and a sense of the uncanny touched him coldly.
+
+As he thought of the unnatural screams spoken of by Poland, some strange
+instinct prompted him to curl up his feet upon the divan again, as
+though a secret menace crawled upon the floor amid its many rugs and
+carpets.
+
+He must now endeavour to reconstruct the plan upon which the American
+cracksman had operated. Poland had a persistent belief that Cohen had
+known where the fabled hoard of Huang Chow was concealed.
+
+Durham began a deliberate inspection of the place. He thought it
+unlikely that a wily old Chinaman, assuming that he possessed hidden
+wealth, would keep it in so accessible a spot as this. It was far more
+probable that he had a fireproof safe in the room upstairs, perhaps
+built into the wall. Yet, according to Poland's account, it was in this
+room and not in any other that death came to Diamond Fred.
+
+The wall-hangings first engaged Durham's attention. He moved them aside
+systematically, one after another, seeking for any hiding-place, but
+failing to find one. The door communicating with the outer office he
+found to be locked, but he did not believe for a moment that the office
+would be worthy of inspection.
+
+There were cases containing jewelled weapons and cups and goblets inlaid
+with precious stones, but none of these seemed to have been tampered
+with, and all were locked, as was the big cabinet filled with snuff
+bottles.
+
+Many of the larger pieces about the place contained drawers and
+cupboards, and these he systematically opened one after another, without
+making any discovery of note. Some of the cupboards contained broken
+pieces of crockery, and more or less damaged curios of one kind and
+another, but none of them gave him the clue for which he was seeking.
+
+He examined the couch upon which Huang Chow had been seated when first
+he had met him, but although he searched it scientifically he was
+rewarded by no discovery.
+
+A very fusty and unpleasant smell was more noticeable at this point than
+elsewhere in the room, and he found himself staring speculatively up
+the wide, carpeted stairs. Next he turned his attention to the lacquered
+coffin which occupied the corresponding recess to that filled by the
+couch. It was an extraordinarily ornate piece of lacquer work and
+probably of great value.
+
+The lid appeared to be screwed on, and Durham stood staring at the
+thing, half revolted and half fascinated. He failed to discover any
+means of opening it, however, and when he tried to move it bodily found
+it very heavy. He came to the conclusion that all the portable valuables
+were contained in locked cases or cabinets, and out of this discovery
+grew an idea.
+
+The case containing the snuff bottles stood too close to the wall to
+enable him to test his new theory, but a square case near the office
+door, in which were five of six small but almost priceless pieces of
+porcelain, afforded the very evidence for which he was looking.
+
+Thin electric flex descended from somewhere inside the case down one
+of the legs of the pedestal, and through a neatly drilled hole in the
+floor, evidently placed there to accommodate it.
+
+“Burglar alarm!” he muttered.
+
+The opening of this case, and doubtless of any of the others, would
+set alarm bells ringing. This was not an unimportant discovery, but it
+brought him very little nearer to a solution of the chief problem which
+engaged his mind. Assuming that Cohen had opened one of the cases and
+had alarmed old Huang Chow, what steps had the latter taken to deal with
+the intruder which had resulted in so ghastly a death? And how had he
+disposed of the body?
+
+As Durham stood there musing and looking down through the plate-glass at
+the delicate porcelain beneath, a faint sound intruded itself upon the
+stillness. It gave him another idea. Part of the floor was stone-paved,
+but part was wood.
+
+Upon a portion of the latter, where no carpet rested, Durham dropped
+flat, pressing his ear to the floor.
+
+A faint swishing and trickling sound was perceptible from some place
+beneath.
+
+“Ah!” he murmured.
+
+Remembering that the premises almost overhung the Thames, he divined
+that the cellars were flooded at high tide, or that there was some kind
+of drain or cutting running underneath the house.
+
+He stood up again, listening intently for any sound within the building.
+He thought he had detected something, and now, as he stood there alert,
+he heard it again--a faint scuffling, which might have been occasioned
+by rats or even mice, but which, in some subtle and very unpleasant way,
+did not suggest the movements of these familiar rodents.
+
+Even as he perceived it, it ceased, leaving him wondering, and
+uncomfortably conscious of a sudden dread of his surroundings. He
+wondered in what part of this mysterious house Lala resided, and
+recognizing that his departure must leave traces, he determined to
+prosecute his inquiries as far as possible, since another opportunity
+might not arise.
+
+He was baffled but still hopeful. Something there was in the smell of
+the place which threatened to unnerve him; or perhaps in its silence,
+which remained quite unbroken save when, by acute listening, one
+detected the dripping of water.
+
+That unexplained scuffling sound, too, which he had failed to trace
+or identify, lingered in his memory insistently, and for some reason
+contained the elements of fear.
+
+He crossed the room and began softly to mount the stair. It creaked only
+slightly, and the door at the top proved to be ajar. He peeped in, to
+find the place empty. It was a typical Chinese apartment, containing
+very little furniture, the raised desk being the most noticeable item,
+except for a small shrine which faced it on the other side of the room.
+
+He mounted the steps to the desk and inspected a number of loose papers
+which lay upon it. Without exception they were written in Chinese.
+A sort of large, dull white blotting-pad lay upon the table, but its
+surface was smooth and glossy.
+
+Over it was suspended what looked like a lampshade, but on inspection it
+proved to contain no lamp, but to communicate, by a sort of funnel, with
+the ceiling above.
+
+At this contrivance Durham stared long and curiously, but without coming
+to any conclusion respecting its purpose. He might have investigated
+further, but he became aware of a dull and regular sound in the room
+behind him.
+
+He turned in a flash, staring in the direction of two curtains draped
+before what he supposed to be a door.
+
+On tiptoe he crossed and gently drew the curtains aside.
+
+He looked into a small, cell-like room, lighted by one window, where
+upon a low bed Huang Chow lay sleeping peacefully!
+
+Durham almost held his breath; then, withdrawing as quietly as he had
+approached, he descended the stair. At the foot his attention was again
+arrested by the faint scuffling sound. It ceased as suddenly as it
+had begun, leaving him wondering and conscious anew of a chill of
+apprehension.
+
+He had already made his plans for departure, but knew that they must
+leave evidence, when discovered, of his visit.
+
+A large and solid table stood near the divan, and he moved this
+immediately under the trap. Upon it he laid a leopard-skin to deaden
+any noise he might make, and then upon the leopard-skin he set a massive
+chair: he replaced his torch in his pocket and drew himself up on to the
+roof again. Reclosing the trap by means of the awl which he had screwed
+into it, he removed the awl and placed it in his pocket.
+
+Then, sliding gently down the sloping roof, he dropped back into the
+deserted court.
+
+
+
+
+VIII
+
+A CAGE OF BIRDS
+
+
+
+“No,” said Lala, “we have never had robbers in the house.” She looked up
+at Durham naively. “You are not a thief, are you?” she asked.
+
+“No, I assure you I am not,” he answered, and felt himself flushing to
+the roots of his hair.
+
+They were seated in a teashop patronized by the workers of the district;
+and as Durham, his elbows resting on the marble-topped table, looked
+into the dark eyes of his companion, he told himself again that whatever
+might be the secrets of old Huang Chow, his daughter did not share them.
+
+The Chinaman had made no report to the authorities, although the piled
+up furniture beneath the skylight must have afforded conclusive evidence
+that a burglarious entry had been made into the premises.
+
+“I should feel very nervous,” Durham declared, “with all those valuables
+in the house.”
+
+“I feel nervous about my father,” the girl answered in a low voice. “His
+room opens out of the warehouse, but mine is shut away in another part
+of the building. And Ah Fu sleeps behind the office.”
+
+“Were you not afraid when you suspected that Cohen was a burglar? You
+told me yourself that you did suspect him.”
+
+“Yes, I spoke to my father about it.”
+
+“And what did he say?”
+
+“Oh”--she shrugged her shoulders--“he just smiled and told me not to
+worry.”
+
+“And that was the last you heard about the matter?”
+
+“Yes, until you told me he was dead.”
+
+Again he questioned the dark eyes and again was baffled. He felt
+tempted, and not for the first time, to throw up the case. After all, it
+rested upon very slender data--the mysterious death of a Chinaman
+whose history was unknown and the story of a crook whose word was worth
+nothing.
+
+Finally he asked himself, as he had asked himself before, what did it
+matter? If old Huang Chow had disposed of these people in some strange
+manner, they had sought to rob him. The morality of the case was
+complicated and obscure, and more and more he was falling under the
+spell of Lala's dark eyes.
+
+But always it was his professional pride which came to the rescue.
+Murder had been done, whether justifiably or otherwise, and to him had
+been entrusted the discovery of the murderer. It seemed that failure
+was to be his lot, for if Lala knew anything she was a most consummate
+actress, and if she did not, his last hope of information was gone.
+
+He would have liked nothing better than to be rid of the affair,
+provided he could throw up the case with a clear conscience. But when
+presently he parted from the attractive Eurasian, and watched her slim
+figure as, turning, she waved her hand and disappeared round a corner,
+he knew that rest was not for him.
+
+He had discovered the emporium of a Shadwell live-stock dealer with whom
+Ah Fu had a standing order for newly fledged birds of all descriptions.
+Purchases apparently were always made after dusk, and Ah Fu with his
+birdcage was due that evening.
+
+A scheme having suggested itself to Durham, he now proceeded to put it
+into execution, so that when dusk came, and Ah Fu, carrying an empty
+birdcage, set out from the house of Huang Chow, a very dirty-looking
+loafer passed the corner of the street at about the time that the
+Chinaman came slinking out.
+
+Durham had mentally calculated that Ah Fu would be gone about half an
+hour upon his mysterious errand, but the Chinaman travelled faster than
+he had calculated.
+
+Just as he was about to climb up once more on to the sloping roof,
+he heard the pattering footsteps returning to the courtyard, although
+rather less than twenty minutes had elapsed since the man had set out.
+
+Durham darted round the corner and waited until he heard the door
+closed; then, returning, he scrambled up on to the roof, creeping
+forward until he was lying looking down through the skylight into the
+darkened room below.
+
+For ten minutes or more he waited, until he began to feel cramped and
+uncomfortable. Then that happened which he had hoped and anticipated
+would happen. The place beneath became illuminated, not fully, by means
+of the hanging lamps, but dimly so that distorted shadows were cast
+about the floor. Someone had entered carrying a lantern.
+
+Durham's view-point limited his area of vision, but presently, as the
+light came nearer and nearer, he discerned Ah Fu, carrying a lantern
+in one hand and a birdcage in the other. He could hear nothing, for the
+trap fitted well and the glass was thick. Moreover, it was very dirty.
+He was afraid, however, to attempt to clean a space.
+
+Ah Fu apparently had set the lantern upon a table, and into the radius
+of its light there presently moved a stooping figure. Durham recognized
+Huang Chow, and felt his heart beats increasing in rapidity.
+
+Clutching the framework of the trap with his hands, he moved his head
+cautiously, so that presently he was enabled to see the two Chinamen.
+They were standing beside the lacquered coffin upon its dragon-legged
+pedestal. Durham stifled an exclamation.
+
+One end of the ornate sarcophagus had been opened in some way!
+
+Now, to the watcher's unbounded astonishment, Ah Fu placed the birdcage
+in the opening, and apparently reclosed the trap in the end of the
+coffin. He made other manipulations with his bony yellow fingers, which
+Durham failed to comprehend. Finally the birdcage was withdrawn again,
+and as it was passed before the light of the lantern he saw that it was
+empty, whereas previously it had contained a number of tiny birds all
+huddled up together!
+
+The light gleamed upon the spectacles of Huang Chow. Watching him,
+Durham saw him take out from a hidden drawer in the pedestal a long,
+slender key, insert it in a lock concealed by the ornate carving,
+and then slightly raise the lid which had so recently defied his own
+efforts.
+
+He raised it only a few inches, and then, taking up the lantern, peered
+into the interior of the coffin, at the same time waving his hand
+in dismissal to Ah Fu. For a while he stood there, peering into the
+interior, and then, lowering the lid again, he relocked this gruesome
+receptacle and, lantern in hand, began to mount the stair.
+
+Durham inhaled deeply. He realized that during the last few seconds he
+had been holding his breath. Now, as he began to creep back down the
+slope, he discovered that his hands were shaking.
+
+He dropped down into the court again, and for several minutes leaned
+against the wall, endeavouring to reason out an explanation of what he
+had seen, and in a measure to regain his composure.
+
+There was a horror underlying it all which he was half afraid to face.
+But the real clue to the mystery still eluded him.
+
+Whether what he had witnessed were some kind of obscene ceremony,
+or whether an explanation more vile must be sought, he remained
+undetermined. He must repeat his exploit, if possible, and once more
+gain access to the room which contained the lacquer coffin.
+
+But the adventure was very distasteful. He recollected the smell of the
+place, and the memory brought with it a sense of nausea. He thought of
+Lala Huang, and his ideas became grotesque and chaotic. Yet the solution
+of the mystery lay at last within his grasp, and to the zest of the
+investigator everything else became subjugated.
+
+He walked slowly away, silent in his rubber-soled shoes.
+
+
+
+
+IX
+
+THE PICTURE ON THE PAD
+
+
+
+Lala Huang lay listening to the vague sounds which disturbed the silence
+of the night. Presently her thoughts made her sigh wearily. During the
+lifetime of her mother, who had died while Lala was yet a little girl,
+life had been different and so much brighter.
+
+She imagined that in the mingled sounds of dock and river which came to
+her she could hear the roar of surf upon a golden beach. The stuffy
+air of Limehouse took on the hot fragrance of a tropic island, and she
+sighed again, but this time rapturously, for in spirit she was a child
+once more, lulled by the voice of the great Pacific.
+
+Young as she was, the death of her mother had been a blow from which it
+had taken her several years to recover. Then had commenced those
+long travels with her father, from port to port, from ocean to ocean,
+sometimes settling awhile, but ever moving onward, onward.
+
+He had had her educated after a fashion, and his love for her she did
+not doubt. But her mother's blood spoke more strongly than that part of
+her which was Chinese, and there was softness and a delicious languor in
+her nature which her father did not seem to understand, and of which he
+did not appear to approve.
+
+She knew that he was wealthy. She knew that his ways were not straight
+ways, although that part of his business to which he had admitted her as
+an assistant, and an able one, was legitimate enough, or so it seemed.
+
+Consignments of goods arrived at strange hours of the night at
+the establishment in Limehouse, and from this side of her father's
+transactions she was barred. The big double doors opening on the little
+courtyard would be opened by Ah Fu, and packing cases of varying sizes
+be taken in. Sometimes the sounds of these activities would reach her in
+her room in a distant part of the house; but only in the morning would
+she recognize their significance, when in the warehouse she would
+discover that some new and choice pieces had arrived.
+
+She wondered with what object her father accumulated wealth, and hoped,
+against the promptings of her common sense, that he designed to return
+East, there to seek a retirement amidst the familiar and the beautiful
+things of the Orient which belonged to Lala's dream of heaven.
+
+Stories about her father often reached her ears. She knew that he
+had held high rank in China before she had been born; but that he had
+sacrificed his rights in some way had always been her theory. She had
+been too young to understand the stories which her mother had told her
+sometimes; but that there were traits in the character of Huang Chow
+which it was not good for his daughter to know she appreciated and
+accepted as a secret sorrow.
+
+He allowed her all the freedom to which her education entitled her. Her
+life was that of a European and not of an Oriental woman. She loved him
+in a way, but also feared him. She feared the dark and cruel side of his
+character, of which, at various periods during their life together, she
+had had terrifying glimpses.
+
+She had decided that cruelty was his vice. In what way he gratified
+it she had never learned, nor did she desire to do so. There were
+periodical visits from the police, but she had learned long ago that her
+father was too clever to place himself within reach of the law.
+
+However crooked one part of his business methods might be, his dealings
+with his clients were straight enough, so that no one had any object in
+betraying him; and the legality or otherwise of his foreign relations
+evidently afforded no case against him upon which the authorities could
+act, or upon which they cared to act.
+
+In America it had been graft which had protected him. She had learned
+this accidentally, but never knew whether he bought his immunity in the
+same way in London.
+
+Some of the rumours which reached her were terrifying. Latterly she had
+met many strange glances in her comings and goings about Limehouse. This
+peculiar atmosphere had always preceded the break-up of every home which
+they had shared. She divined the fact that in some way Huang Chow
+had outstayed his welcome in Chinatown, London. Where their next
+resting-place would be she could not imagine, but she prayed that it
+might be in some more sunny clime.
+
+She found herself to be thinking over much of John Hampden. His bona
+fides were not above suspicion, but she could scarcely expect to meet a
+really white man in such an environment.
+
+Lala would have liked to think that he was white, but could not force
+herself to do so. She would have liked to think that he sought her
+company because she appealed to him personally; but she had detected
+the fact that another motive underlay his attentions. She wondered if he
+could be another of those moths drawn by the light of that fabled wealth
+of her father.
+
+It was curious, she reflected, that Huang Chow never checked--indeed,
+openly countenanced--her friendship with the many chance acquaintances
+she had made, even when her own instincts told her that the men were
+crooked; so that, knowing the acumen of her father, she was well aware
+that he must know it too.
+
+Several of these pseudo lovers of hers had died. It was a point which
+often occurred to her mind, but upon which she did not care to dwell
+even now. But John Hampden--John Hampden was different. He was not
+wholly sincere. She sighed wearily. But nevertheless he was not like
+some of the others.
+
+She started up in bed, seized with a sudden dreadful idea. He was a
+detective!
+
+She understood now why she had found so much that was white in him,
+but so much that was false. His presence seemed to be very near her.
+Something caressing in his voice echoed in her mind. She found herself
+to be listening to the muted sounds of Limehouse and of the waterway
+which flowed so close beside her.
+
+That old longing for the home of her childhood returned tenfold, and
+tears began to trickle down her cheeks. She was falling in love with
+this man whose object was her father's ruin. A cold terror clutched
+at her heart. Even now, while their friendship was so new, so strange,
+there was a query, a stark, terrifying query, to stand up before her.
+
+If put to the test, which would she choose?
+
+She was unable to face that issue, and dropped back upon her pillow,
+stifling a sob.
+
+Yes, he was a detective. In some way her father had at last attracted
+the serious attention of the law. Rumours of this were flying round
+Chinatown, to which she had not been entirely deaf. She thought of a
+hundred questions, a hundred silences, and grew more and more convinced
+of the truth.
+
+What did he mean to do? Before her a ghostly company uprose--the shadows
+of some she had known with designs upon her father. John Hampden's
+design was different. But might he not join that mysterious company?
+
+Now again she suddenly sprang upright, this time because of a definite
+sound which had reached her ears from within the house: a very faint,
+bell-like tinkling which ceased almost immediately. She had heard it one
+night before, and quite recently; indeed, on the night before she had
+met John Hampden. Cohen--Cohen, the Jew, had died that night!
+
+She sprang lightly on to the floor, found her slippers, and threw a silk
+kimono over her nightrobe. She tiptoed cautiously to the door and opened
+it.
+
+It was at this very moment that old Huang Chow, asleep in his cell-like
+apartment, was aroused by the tinkling of a bell set immediately above
+his head. He awoke instantly, raised his hand and stopped the bell.
+His expression, could anyone have been present to see it, was a thing
+unpleasant to behold. Triumph was in it, and cunning cruelty.
+
+His long yellow fingers reached out for his hornrimmed spectacles
+which lay upon a little table beside him. Adjusting them, he pulled the
+curtains aside and shuffled silently across the large room.
+
+Mounting the steps to the raised writing-table, he rested his elbows
+upon it, and peered down at that curious blotting-pad which had so
+provoked the curiosity of Durham. Could Durham have seen it now the
+mystery must have been solved. It was an ingenious camera obscura
+apparatus, and dimly depicted upon its surface appeared a reproduction
+of part of the storehouse beneath! The part of it which was visible
+was that touched by the light of an electric torch, carried by a man
+crossing the floor in the direction of the lacquered coffin upon the
+gilded pedestal!
+
+Old Huang Chow chuckled silently, and his yellow fingers clutched the
+table edge as he moved to peer more closely into the picture.
+
+“Poor fool!” he whispered in Chinese. “Poor fool!”
+
+It was the man who had come with the introduction from Mr. Isaacs--a new
+impostor who sought to rob him, who sought to obtain information from
+his daughter, who had examined his premises last night, and had even
+penetrated upstairs, so that he, old Huang Chow, had been compelled to
+disconnect the apparatus and to feign sleep under the scrutiny of the
+intruder.
+
+To-night it would be otherwise. To-night it would be otherwise.
+
+
+
+
+X
+
+THE LACQUERED COFFIN
+
+
+
+Durham gently raised the trap in the roof of Huang Chow's
+treasure-house. He was prepared for snares and pitfalls. No sane man, on
+the evidence which he, Durham, had been compelled to leave behind, would
+have neglected to fasten the skylight which so obviously afforded a
+means of entrance into his premises.
+
+Therefore, he was expected to return. The devilish mechanism was set
+ready to receive him. But the artist within him demanded that he should
+unmask the mystery with his own hands.
+
+Moreover, he doubted that an official visit, even now, would yield any
+results. Old Huang Chow was too cunning for that. If he was to learn how
+the man Cohen had died, he must follow the same path to the bitter end.
+But there were men on duty round the house, and he believed that he had
+placed them so secretly as to deceive even this master of cunning with
+whom he was dealing.
+
+He repeated his exploit, dropping with a dull thud upon the cushioned
+divan. Then, having lain there listening awhile, he pressed the button
+of his torch, and, standing up, crept across the room in the direction
+of the stairway.
+
+Here he paused awhile, listening intently. The image of Lala Huang arose
+before his mind's eye reproachfully, but he crushed the reproach, and
+advanced until he stood beside the lacquered coffin.
+
+He remembered where the key was hidden, and, stooping, he fumbled for a
+while and then found it. He was acutely conscious of an unnameable fear.
+He felt that he was watched, and yet was unwilling to believe it. The
+musty and unpleasant smell which he had noticed before became extremely
+perceptible.
+
+He quietly sought for the hidden lock, and, presently finding it,
+inserted the key, then paused awhile. He rested his torch upon the
+cushions of the divan where the light shone directly upon the coffin.
+Then, having his automatic in his left hand, he turned the key.
+
+He had expected now to be able to raise the lid as he had seen Huang
+Chow do; but the result was far more surprising.
+
+The lid, together with a second framework of fine netting, flew open
+with a resounding bang; and from the interior of the coffin uprose a
+most abominable stench.
+
+Durham started back a step, and as he did so witnessed a sight which
+turned him sick with horror.
+
+Out on to the edge of the coffin leapt the most gigantic spider which
+he had ever seen in his life! It had a body as big as a man's fist, jet
+black, with hairy legs like the legs of a crab and a span of a foot or
+more!
+
+A moment it poised there, while he swayed, sick with horror. Then,
+unhesitatingly, it leapt for his face!
+
+He groaned and fired, missed the horror, but diverted its leap, so that
+it fell with a sickening thud a yard behind him. He turned, staggering
+back towards the stair, and aware that a light had shone out from
+somewhere.
+
+A door had been opened only a few yards from where he stood, and there,
+framed in the opening, was Lala Huang, her eyes wide with terror and her
+gaze set upon him across the room.
+
+“You!” she whispered. “You!”
+
+“Go back!” he cried hoarsely. “Go back! Close the door. You don't
+understand--close the door!”
+
+Her gaze set wildly upon him, Lala staggered forward; stopped dead;
+looked down at her bare ankle, and then, seeing the thing which had
+fastened upon her, uttered a piercing shriek which rang throughout the
+place.
+
+At which moment the floor slid away beneath Durham, and he found himself
+falling--falling--and then battling for life in evil-smelling water,
+amidst absolute darkness.
+
+Police whistles were skirling around the house of Huang Chow. As the
+hidden men came running into the court:
+
+“You heard the shot?” cried the sergeant in charge. “I warned him not to
+go alone. Don't waste time on the door. One man stay on duty there; the
+rest of you follow me.”
+
+In a few moments, led by the sergeant, the party came dropping heavily
+through the skylight into the treasure-house of Huang Chow, in which
+every lamp was now alight. A trap was open near the foot of the stairs,
+and from beneath it muffled cries proceeded. In this direction the
+sergeant headed. Craning over the trap:
+
+“Hallo, Mr. Durham!” he called. “Mr. Durham!”
+
+“Get a rope and a ladder,” came a faint cry from below. “I can just
+touch bottom with my feet and keep my head above water, but the tide's
+coming in. Look to the girl, though, first. Look to the girl!”
+
+The sergeant turned to where, stretched upon a tiger skin before a
+half-open door, Lala Huang lay, scantily clothed and white as death.
+
+Upon one of her bare ankles was a discoloured mark.
+
+As the sergeant and another of the men stooped over her a moaning sound
+drew their attention to the stair, and there, bent and tottering slowly
+down, was old Huang Chow, his eyes peering through the owl-like glasses
+vacantly across the room to where his daughter lay.
+
+“My God!” whispered the sergeant, upon one knee beside her. He looked
+blankly into the face of the other man. “She's dead!”
+
+Two plain-clothes men were busy knotting together tapestries and pieces
+of rare stuff with which to draw Durham out of the pit; but at these old
+Huang Chow looked not at all, but gropingly crossed the room, as if he
+saw imperfectly, or could not believe what he saw. At last he reached
+the side of the dead girl, stooped, touched her, laid a trembling yellow
+hand over her heart, and then stood up again, looking from face to face.
+
+Ignoring the mingled activities about him, he crossed to the open coffin
+and began to fumble amongst the putrefying mass of bones and webbing
+which lay therein. Out from this he presently drew an iron coffer.
+
+Carrying it across the room he opened the lid. It was full almost to
+the top with uncut gems of every variety--diamonds, rubies, sapphires,
+emeralds, topaz, amethysts, flashing greenly, redly, whitely. In
+handfuls he grasped them and sprinkled them upon the body of the dead
+girl.
+
+“For you,” he crooned brokenly in Chinese. “They were all for you!”
+
+The extemporized rope had just been lowered to Durham, when:
+
+“My God!” cried the sergeant, looking over Huang Chow's shoulder.
+“What's that?”
+
+He had seen the giant spider, the horror from Surinam, which the
+Chinaman had reared and fed to guard his treasure and to gratify his
+lust for the strange and cruel. The insect, like everything else in
+that house, was unusual, almost unique. It was one of the Black Soldier
+spiders, by some regarded as a native myth, but actually existing in
+Surinam and parts of Brazil. A member of the family, Mygale, its sting
+was more quickly and certainly fatal than that of a rattle-snake. Its
+instinct was fearlessly to attack any creature, great or small, which
+disturbed it in its dark hiding-place.
+
+Now, with feverish, horrible rapidity it was racing up the tapestries on
+the other side of the room.
+
+“Merciful God!” groaned the sergeant.
+
+Snatching a revolver from his pocket he fired shot after shot. The third
+hit the thing but did not kill it. It dropped back upon the floor and
+began to crawl toward the coffin. The sergeant ran across and at close
+quarters shot it again.
+
+Red blood oozed out from the hideous black body and began to form a deep
+stain upon the carpet.
+
+When Durham, drenched but unhurt, was hauled back into the
+treasure-house, he did not speak, but, scrambling into the room
+stood--pallid--staring dully at old Huang Chow.
+
+Huang Chow, upon his knees beside his daughter, was engaged in
+sprinkling priceless jewels over her still body, and murmuring in
+Chinese:
+
+“For you, for you, Lala. They were all for you.”
+
+
+
+
+
+
+KERRY'S KID
+
+
+
+
+
+
+I
+
+RED KERRY ON DUTY
+
+
+
+Chief Inspector Kerry came down from the top of a motor-bus and stood on
+the sidewalk for a while gazing to right and left along Piccadilly.
+The night was humid and misty, now threatening fog and now rain. Many
+travellers were abroad at this Christmas season, the pleasure seekers
+easily to be distinguished from those whom business had detained in
+town, and who hurried toward their various firesides. The theatres
+were disgorging their audiences. Streams of lighted cars bore parties
+supperward; less pretentious taxicabs formed links in the chain.
+
+From the little huddled crowd of more economical theatre-goers who
+waited at the stopping place of the motor-buses, Kerry detached himself,
+walking slowly along westward and staring reflectively about him.
+Opposite the corner of Bond Street he stood still, swinging his malacca
+cane and gazing fixedly along this narrow bazaar street of the
+Baghdad of the West. His trim, athletic figure was muffled in a big,
+double-breasted, woolly overcoat, the collar turned up about his ears.
+His neat bowler hat was tilted forward so as to shade the fierce blue
+eyes. Indeed, in that imperfect light, little of the Chief Inspector's
+countenance was visible except his large, gleaming white teeth, which he
+constantly revealed in the act of industriously chewing mint gum.
+
+He smiled as he chewed. Duty had called him out into the mist, and for
+once he had obeyed reluctantly. That very afternoon had seen the return
+of Dan Kerry, junior, home from school for the Christmas vacation, and
+Dan was the apple of his father's eye.
+
+Mrs. Kerry had reserved her dour Scottish comments upon the boy's school
+report for a more seemly occasion than the first day of his holidays;
+but Kerry had made no attempt to conceal his jubilation--almost immoral,
+his wife had declared it to be--respecting the lad's athletic record.
+His work on the junior left wing had gained the commendation of a
+celebrated international; and Kerry, who had interviewed the gymnasium
+instructor, had learned that Dan Junior bade fair to become an amateur
+boxer of distinction.
+
+“He is faster on his feet than any boy I ever handled,” the expert had
+declared. “He hasn't got the weight behind it yet, of course, but he's
+developing a left that's going to make history. I'm of opinion that
+there isn't a boy in the seniors can take him on, and I'll say that he's
+a credit to you.”
+
+Those words had fallen more sweetly upon the ears of Chief Inspector
+Kerry than any encomium of the boy's learning could have done. On the
+purely scholastic side his report was not a good one, admittedly. “But,”
+ murmured Kerry aloud, “he's going to be a man.”
+
+He remembered that he had promised, despite the lateness of the hour, to
+telephone the lad directly he had received a certain report, and to tell
+him whether he might wait up for his return or whether he must turn in.
+Kerry, stamping his small, neatly shod feet upon the pavement, smiled
+agreeably. He was thinking of the telephone which recently he had had
+installed in his house in Brixton. His wife had demanded this as a
+Christmas box, pointing out how many uneasy hours she would be spared by
+the installation. Kerry had consented cheerfully enough, for was he not
+shortly to be promoted to the exalted post of a superintendent of the
+Criminal Investigation Department?
+
+These reflections were cheering and warming; and, waiting until a gap
+occurred in the stream of cabs and cars, he crossed Piccadilly and
+proceeded along Bond Street, swinging his shoulders in a manner which
+would have enabled any constable in the force to recognize “Red Kerry”
+ at a hundred yards.
+
+The fierce eyes scrutinized the occupants of all the lighted cars. At
+pedestrians also he stared curiously, and at another smaller group of
+travellers waiting for the buses on the left-hand side of the street he
+looked hard and long. He pursued his way, acknowledged the salutation
+of a porter who stood outside the entrance to the Embassy Club, and
+proceeded, glancing about him right and left and with some evident and
+definite purpose.
+
+A constable standing at the corner of Conduit Street touched his helmet
+as Kerry passed and the light of an arc-lamp revealed the fierce red
+face. The Chief Inspector stopped, turned, and:
+
+“What the devil's the idea?” he demanded.
+
+He snapped out the words in such fashion that the unfortunate constable
+almost believed he could see sparks in the misty air.
+
+“I'm sorry, sir, but recognizing you suddenly like, I----”
+
+“You did?” the fierce voice interrupted. “How long in the force?”
+
+“Six months, sir.”
+
+“Never salute an officer in plain clothes.”
+
+“I know, sir.”
+
+“Then why did you do it?”
+
+“I told you, sir.”
+
+“Then tell me again.”
+
+“I forgot.”
+
+“You're paid to remember; bear it in mind.”
+
+Kerry tucked his malacca under his arm and walked on, leaving the
+unfortunate policeman literally stupefied by his first encounter with
+the celebrated Chief Inspector.
+
+Presently another line of cars proclaimed the entrance to a club, and
+just before reaching the first of these Kerry paused. A man stood in a
+shadowy doorway, and:
+
+“Good evening, Chief Inspector,” he said quietly.
+
+“Good evening, Durham. Anything to report?”
+
+“Yes. Lou Chada is here again.”
+
+“With whom?”
+
+“Lady Rourke.”
+
+Kerry stepped to the edge of the pavement and spat out a piece of
+chewing-gum. From his overcoat pocket he drew a fresh piece, tore off
+the pink wrapping and placed the gum between his teeth. Then:
+
+“How long?” he demanded.
+
+“Came to dinner. They are dancing.”
+
+“H'm!” The Chief Inspector ranged himself beside the other detective in
+the shadow of the doorway. “Something's brewing, Durham,” he said. “I
+think I shall wait.”
+
+His subordinate stared curiously but made no reply. He was not wholly
+in his chief's confidence. He merely knew that the name of Lou Chada
+to Kerry was like a red rag to a bull. The handsome, cultured young
+Eurasian, fresh from a distinguished university career and pampered by a
+certain section of smart society, did not conform to Detective Sergeant
+Durham's idea of a suspect. He knew that Lou was the son of Zani Chada,
+and he knew that Zani Chada was one of the wealthiest men in Limehouse.
+But Lou had an expensive flat in George Street; Lou was courted by
+society butterflies, and in what way he could be connected with the case
+known as “the Limehouse inquiry,” Durham could not imagine.
+
+That the open indiscretion of Lady “Pat” Rourke might lead to trouble
+with her husband, was conceivable enough; but this was rather a matter
+for underhand private inquiry than for the attention of the Criminal
+Investigation Department of New Scotland Yard.
+
+So mused Durham, standing cold and uncomfortable in the shadowy doorway,
+and dreaming of a certain cosy fireside, a pair of carpet slippers and a
+glass of hot toddy which awaited him. Suddenly:
+
+“Great flames! Look!” he cried.
+
+Kerry's fingers closed, steely, upon Durham's wrist. A porter was
+urgently moving the parked cars farther along the street to enable one,
+a French coupe, to draw up before the club entrance.
+
+Two men came out, supporting between them a woman who seemed to be ill;
+a slender, blonde woman whose pretty face was pale and whose wide-open
+blue eyes stared strangely straight before her. The taller of her
+escorts, while continuing to support her, solicitously wrapped her fur
+cloak about her bare shoulders; the other, the manager of the club,
+stepped forward and opened the door of the car.
+
+“Lady Rourke!” whispered Durham.
+
+“With Lou Chada!” rapped Kerry. “Run for a cab. Brisk. Don't waste a
+second.”
+
+Some little conversation ensued between manager and patron, then the
+tall, handsome Eurasian, waving his hand protestingly, removed his hat
+and stepped into the coupe beside Lady Rourke. It immediately moved away
+in the direction of Piccadilly.
+
+One glimpse Kerry had of the pretty, fair head lying limply back against
+the cushions. The manager of the club was staring after the car.
+
+Kerry stepped out from his hiding place. Durham had disappeared, and
+there was no cab in sight, but immediately beyond the illuminated
+entrance stood a Rolls-Royce which had been fifth in the rank of parked
+cars before the adjustment had been made to enable the coupe to reach
+the door. Kerry ran across, and:
+
+“Whose car, my lad?” he demanded of the chauffeur.
+
+The latter, resenting the curt tone of the inquiry, looked the speaker
+up and down, and:
+
+“Captain. Egerton's,” he replied slowly. “But what business may it be of
+yours?”
+
+“I'm Chief Inspector Kerry, of New Scotland Yard,” came the rapid reply.
+“I want to follow the car that has just left.”
+
+“What about running?” demanded the man insolently.
+
+Kerry shot out a small, muscular hand and grasped the speaker's wrist.
+
+“I'll say one thing to you,” he rapped. “I'm a police officer, and I
+demand your help. Refuse it, and you'll wake up in Vine Street.”
+
+The Chief Inspector was on the step now, bending forward so that his
+fierce red face was but an inch removed from that of the startled
+chauffeur. The quelling force of his ferocious personality achieved its
+purpose, as it rarely failed to do.
+
+“I'm getting in,” added the Chief Inspector, jumping back on to the
+pavement. “Lose that French bus, and I'll charge you with resisting and
+obstructing an officer of the law in the execution of his duty. Start.”
+
+Kerry leaped in and banged the door--and the Rolls-Royce started.
+
+
+
+
+II
+
+AT MALAY JACK'S
+
+
+
+When Kerry left Bond Street the mistiness of the night was developing
+into definite fog. It varied in different districts. Thus, St. Paul's
+Churchyard had been clear of it at a time when it had lain impenetrably
+in Trafalgar Square. When, an hour and a half after setting out in the
+commandeered Rolls-Royce, Kerry groped blindly along Limehouse Causeway,
+it was through a yellow murk that he made his way--a vapour which could
+not only be seen, smelled and felt, but tasted.
+
+He was in one of his most violent humours. He found some slight solace
+in the reflection that the impudent chauffeur, from whom he had parted
+in West India Dock Road, must experience great difficulty in finding his
+way back to the West End.
+
+“Damn the fog!” he muttered, coughing irritably.
+
+It had tricked him, this floating murk of London; for, while he had been
+enabled to keep the coupe in view right to the fringe of dockland, here,
+as if bred by old London's river, the fog had lain impenetrably.
+
+Chief Inspector Kerry was a man who took many risks, but because of this
+cursed fog he had no definite evidence that Chada's car had gone to a
+certain house. Right of search he had not, and so temporarily he was
+baffled.
+
+Now the nearest telephone was his objective, and presently, where a blue
+light dimly pierced the mist, he paused, pushed open a swing door, and
+stepped into a long, narrow passage. He descended three stairs, and
+entered a room laden with a sickly perfume compounded of stale beer and
+spirits; of greasy humanity--European, Asiastic, and African; of cheap
+tobacco and cheaper scents; and, vaguely, of opium.
+
+It was fairly well lighted, but the fog had penetrated here, veiling
+some of the harshness of its rough appointments. An unsavoury den was
+Malay Jack's, where flotsam of the river might be found. Yellow men
+there were, and black men and brown men. But all the women present were
+white.
+
+Fan-tan was in progress at one of the tables, the four players being
+apparently the only strictly sober people in the room. A woman
+was laughing raucously as Kerry entered, and many coarse-voiced
+conversations were in progress; but as he pulled the rough curtain walls
+aside and walked into the room, a hush, highly complimentary to the
+Chief Inspector's reputation, fell upon the assembly. Only the woman's
+raucous laughter continued, rising, a hideous solo, above a sort of
+murmur, composed of the words “Red Kerry!” spoken in many tones.
+
+Kerry ignored the sensation which his entrance had created, and crossed
+the room to a small counter, behind which a dusky man was standing,
+coatless and shirt sleeves rolled up. He had the skin of a Malay but
+the features of a stage Irishman of the old school. And, indeed, had he
+known his own pedigree, which is a knowledge beyond the ken of any man,
+partly Irish he might have found himself indeed to be.
+
+This was Malay Jack, the proprietor of one of the roughest houses in
+Limehouse. His expression, while propitiatory, was not friendly, but:
+
+“Don't get hot and bothered,” snapped Kerry viciously. “I want to use
+your telephone, that's all.”
+
+“Oh,” said the other, unable to conceal his relief, “that's easy. Come
+in.”
+
+He raised a flap in the counter, and Kerry, passing through, entered
+a little room behind the bar. Here a telephone stood upon a dirty,
+littered table, and, taking it up:
+
+“City four hundred,” called the Chief Inspector curtly. A moment later:
+“Hallo! Yes,” he said. “Chief Inspector Kerry speaking. Put me through
+to my department, please.”
+
+He stood for a while waiting, receiver in hand, and smiled grimly to
+note that the uproar in the room beyond had been resumed. Evidently
+Malay Jack had given the “all clear” signal. Then:
+
+“Chief Inspector Kerry speaking,” he said again. “Has Detective Sergeant
+Durham reported?”
+
+“Yes,” was the reply, “half an hour ago. He's standing-by at Limehouse
+Station. He followed you in a taxi, but lost you on the way owing to the
+fog.”
+
+“I don't wonder,” said Kerry. “His loss is not so great as mine.
+Anything else?”
+
+“Nothing else.”
+
+“Good. I'll speak to Limehouse. Good-bye.”
+
+He replaced the receiver and paused for a moment, reflecting. Extracting
+a piece of tasteless gum from between his teeth, he deposited it in
+the grate, where a sickly fire burned; then, tearing the wrapper from
+a fresh slip, he resumed his chewing and stood looking about him
+with unseeing eyes. Fierce they were as ever, but introspective in
+expression.
+
+Famous for his swift decisions, for once in a way he found himself in
+doubt. Malay Jack had keen ears, and there were those in the place who
+had every reason to be interested in the movements of a member of the
+Criminal Investigation Department, especially of one who had earned the
+right to be dreaded by the rats of Limehouse. London's peculiar climate
+fought against him, but he determined to make no more telephone calls
+but to proceed to Limehouse police station.
+
+He stepped swiftly into the bar, and, as he had anticipated, nearly
+upset the proprietor, who was standing listening by the half-open door.
+Kerry smiled fiercely into the ugly face, lifted the flap, and walked
+down the room, through the aisle between the scattered tables, where the
+air was heavy with strange perfumes, touched now with the bite of London
+fog, and where slanting eyes and straight eyes, sober eyes and drunken
+eyes, regarded him furtively. Something of a second hush there was, but
+one not so complete as the first.
+
+Kerry pulled the curtain aside, mounted the stair, walked along the
+passage and out through the swing door into the yellow gloom of the
+Causeway. Ten slow steps he had taken when he detected a sound of
+pursuit. Like a flash he turned, clenching his fists. Then:
+
+“Inspector!” whispered a husky voice.
+
+“Yes! Who are you? What do you want?”
+
+A dim form loomed up through the fog.
+
+“My name is Peters, sir. Inspector Preston knows me.”
+
+Kerry had paused immediately under a street lamp, and now he looked into
+the pinched, lean face of the speaker, and:
+
+“I've heard of you,” he snapped. “Got some information for me?”
+
+“I think so; but walk on.”
+
+Chief Inspector Kerry hesitated. Peters belonged to a class which
+Kerry despised with all the force of his straightforward character. A
+professional informer has his uses from the police point of view; and
+while evidence of this kind often figured in reports made to the Chief
+Inspector, he personally avoided contact with such persons, as he
+instinctively and daintily avoided contact with personal dirt. But now,
+something so big was at stake that his hesitation was only momentary.
+
+A vision of the pale face of Lady Rourke, of the golden head leaning
+weakly back upon the cushions of the coupe, as he had glimpsed it in
+Bond Street, rose before his mind's eye as if conjured up out of the
+fog. Peters shuffled along beside him, and:
+
+“Young Chada's done himself in to-night,” continued the husky voice. “He
+brought a swell girl to the old man's house an hour ago. I was hanging
+about there, thinking I might get some information. I think she was
+doped.”
+
+“Why?” snapped Kerry.
+
+“Well, I was standing over on the other side of the street. Lou Chada
+opened the door with a key; and when the light shone out I saw him carry
+her in.”
+
+“Carry her in?”
+
+“Yes. She was in evening dress, with a swell cloak.”
+
+“The car?”
+
+“He came out again and drove it around to the garage at the back.”
+
+“Why didn't you report this at once?”
+
+“I was on my way to do it when I saw you coming out of Malay Jack's.”
+
+The man's voice shook nervously, and:
+
+“What are you scared about?” asked Kerry savagely. “Got anything else to
+tell me?”
+
+“No, no,” muttered Peters. “Only I've got an idea he saw me.”
+
+“Who saw you?”
+
+“Lou Chada.”
+
+“What then?”
+
+“Well, only--don't leave me till we get to the station.”
+
+Kerry blew down his nose contemptuously, then stopped suddenly.
+
+“Stand still,” he ordered. “I want to listen.”
+
+Silent, they stood in a place of darkness, untouched by any lamplight.
+Not a sound reached them through the curtain of fog. Asiatic mystery
+wrapped them about, but Kerry experienced only contempt for the
+cowardice of his companion, and:
+
+“You need come no farther,” he said coldly. “Good night.”
+
+“But------” began the man.
+
+“Good night,” repeated Kerry.
+
+He walked on briskly, tapping the pavement with his malacca. The
+sneaking figure of the informer was swallowed up in the fog. But not
+a dozen paces had the Chief Inspector gone when he was arrested by a
+frenzied scream, rising, hollowly, in a dreadful, muffled crescendo.
+Words reached him.
+
+“My God, he's stabbed me!”
+
+Then came a sort of babbling, which died into a moan.
+
+“Hell!” muttered Kerry, “the poor devil was right!”
+
+He turned and began to run back, fumbling in his pocket for his electric
+torch. Almost in the same moment that he found it he stumbled upon
+Peters, who lay half in the road and half upon the sidewalk.
+
+Kerry pressed the button, and met the glance of upturned, glazing eyes.
+Even as he dropped upon his knee beside the dying man, Peters swept his
+arm around in a convulsive movement, having the fingers crooked, coughed
+horribly, and rolled upon his face.
+
+Switching off the light of the torch, Kerry clenched his jaws in a tense
+effort of listening, literally holding his breath. But no sound reached
+him through the muffling fog. A moment he hesitated, well knowing his
+danger, then viciously snapping on the light again, he quested in the
+blood-stained mud all about the body of the murdered man.
+
+“Ah!”
+
+It was an exclamation of triumph.
+
+One corner hideously stained, for it had lain half under Peters's
+shoulder, Kerry gingerly lifted between finger and thumb a handkerchief
+of fine white silk, such as is carried in the breast pocket of an
+evening coat.
+
+It bore an ornate monogram worked in gold, and representing the letters
+“L. C.” Oddly enough, it was the corner that bore the monogram which was
+also bloodstained.
+
+
+
+
+III
+
+THE ROOM OF THE GOLDEN BUDDHA
+
+
+
+It was a moot point whether Lady Pat Rourke merited condemnation or
+pity. She possessed that type of blonde beauty which seems to be a
+lodestone for mankind in general. Her husband was wealthy, twelve
+years her senior, and, far from watching over her with jealous care--an
+attitude which often characterizes such unions--he, on the contrary,
+permitted her a dangerous freedom, believing that she would appreciate
+without abusing it.
+
+Her friendship with Lou Chada had first opened his eyes to the perils
+which beset the road of least resistance. Sir Noel Rourke was an
+Anglo-Indian, and his prejudice against the Eurasian was one not lightly
+to be surmounted. Not all the polish which English culture had given to
+this child of a mixed union could blind Sir Noel to the yellow streak.
+Courted though Chada was by some of the best people, Sir Noel remained
+cold.
+
+The long, magnetic eyes, the handsome, clear-cut features, above all,
+that slow and alluring smile, appealed to the husband of the wilful
+Pat rather as evidences of Oriental, half-effeminate devilry than as
+passports to decent society. Oxford had veneered him, but scratch the
+veneer and one found the sandal-wood of the East, perfumed, seductive,
+appealing, but something to be shunned as brittle and untrustworthy.
+
+Yet he hesitated, seeking to be true to his convictions. Knowing what he
+knew already, and what he suspected, it is certain that, could he have
+viewed Lou Chada through the eyes of Chief Inspector Kerry, the affair
+must have terminated otherwise. But Sir Noel did not know what Kerry
+knew. And the pleasure-seeking Lady Rourke, with her hair of spun gold
+and her provoking smile, found Lou Chada dangerously fascinating; almost
+she was infatuated--she who had known so much admiration.
+
+Of those joys for which thousands of her plainer sisters yearn and
+starve to the end of their days she had experienced a surfeit. Always
+she sought for novelty, for new adventures. She was confident of
+herself, but yet--and here lay the delicious thrill--not wholly
+confident. Many times she had promised to visit the house of Lou Chada's
+father--a mystery palace cunningly painted, a perfumed page from the
+Arabian poets dropped amid the interesting squalor of Limehouse.
+
+Perhaps she had never intended to go. Who knows? But on the night when
+she came within the ken of Chief Inspector Kerry, Lou Chada had urged
+her to do so in his poetically passionate fashion, and, wanting to go,
+she had asked herself: “Am I strong enough? Dare I?”
+
+They had dined, danced, and she had smoked one of the scented cigarettes
+which he alone seemed to be able to procure, and which, on their arrival
+from the East, were contained in queer little polished wooden boxes.
+
+Then had come an unfamiliar nausea and dizziness, an uncomfortable
+recognition of the fact that she was making a fool of herself, and
+finally a semi-darkness through which familiar faces loomed up and
+were quickly lost again. There was the soft, musical voice of Lou Chada
+reassuring her, a sense of chill, of helplessness, and then for a while
+an interval which afterward she found herself unable to bridge.
+
+Knowledge of verity came at last, and Lady Pat raised herself from the
+divan upon which she had been lying, and, her slender hands clutching
+the cushions, stared about her with eyes which ever grew wider.
+
+She was in a long, rather lofty room, which was lighted by three silver
+lanterns swung from the ceiling. The place, without containing much
+furniture, was a riot of garish, barbaric colour. There were deep divans
+cushioned in amber and blood-red. Upon the floor lay Persian carpets
+and skins of beasts. Cunning niches there were, half concealing and half
+revealing long-necked Chinese jars; and odd little carven tables bore
+strangely fashioned vessels of silver. There was a cabinet of ebony
+inlaid with jade, there were black tapestries figured with dragons of
+green and gold. Curtains she saw of peacock-blue; and in a tall, narrow
+recess, dominating the room, squatted a great golden Buddha.
+
+The atmosphere was laden with a strange perfume.
+
+But, above all, this room was silent, most oppressively silent.
+
+Lady Pat started to her feet. The whole perfumed place seemed to be
+swimming around her. Reclosing her eyes, she fought down her weakness.
+The truth, the truth respecting Lou Chada and herself, had uprisen
+starkly before her. By her own folly--and she could find no
+tiny excuse--she had placed herself in the power of a man whom,
+instinctively, deep within her soul, she had always known to be utterly
+unscrupulous.
+
+How cleverly he had concealed the wild animal which dwelt beneath
+that suave, polished exterior! Yet how ill he had concealed it! For
+intuitively she had always recognized its presence, but had deliberately
+closed her eyes, finding a joy in the secret knowledge of danger. Now at
+last he had discarded pretense.
+
+The cigarette which he had offered her at the club had been drugged. She
+was in Limehouse, at the mercy of a man in whose veins ran the blood of
+ancestors to whom women had been chattels. Too well she recognized that
+his passion must have driven him insane, as he must know at what cost
+he took such liberties with one who could not lightly be so treated. But
+these reflections afforded poor consolation. It was not of the penalties
+that Lou Chada must suffer for this infringement of Western codes, but
+of the price that she must pay for her folly, of which Pat was thinking.
+
+There was a nauseating taste upon her palate. She remembered having
+noticed it faintly while she was smoking the cigarette; indeed, she had
+commented upon it at the time.
+
+“The dirty yellow blackguard!” she said aloud, and clenched her hands.
+
+She merely echoed what many a man had said before her. She wondered at
+herself, and in doing so but wondered at the mystery of womanhood.
+
+Clarity was returning. The room no longer swam around her. She crossed
+in the direction of a garish curtain, which instinctively she divined to
+mask a door. Dragging it aside, she tried the handle, but the door was
+locked. A second door she found, and this also proved to be locked.
+
+There was one tall window, also covered by ornate draperies, but it
+was shuttered, and the shutters had locks. Another small window she
+discovered, glazed with amber glass, but set so high in the wall as to
+be inaccessible.
+
+Dread assailed her, and dropping on to one of the divans, she hid her
+face in her hands.
+
+“My God!” she whispered. “My God! Give me strength--give me courage.”
+
+For a long time she remained there, listening for any sound which should
+disperse the silence. She thought of her husband, of the sweet security
+of her home, of the things which she had forfeited because of this mad
+quest of adventure. And presently a key grated in a lock.
+
+Lady Pat started to her feet with a wild, swift action which must have
+reminded a beholder of a startled gazelle. The drapery masking the door
+which she had first investigated was drawn aside. A man entered and
+dropped the curtain behind him.
+
+Exactly what she had expected she could not have defined, but the
+presence of this perfect stranger was a complete surprise. The man,
+who wore embroidered slippers and a sort of long blue robe, stood there
+regarding her with an expression which, even in her frantic condition,
+she found to be puzzling. He had long, untidy gray hair brushed back
+from his low brow; eyes strangely like the eyes of Lou Chada, except
+that they were more heavy-lidded; but his skin was as yellow as a
+guinea, and his gaunt, cleanshaven face was the face of an Oriental.
+
+The slender hands, too, which he held clasped before him, were yellow,
+and possessed a curiously arresting quality. Pat imagined them clasped
+about her white throat, and her very soul seemed to shrink from the man
+who stood there looking at her with those long, magnetic, inscrutable
+eyes.
+
+She wondered why she was surprised, and suddenly realized that it was
+because of the expression in his eyes, for it was an expression of cold
+anger. Then the intruder spoke.
+
+“Who are you?” he demanded, speaking with an accent which was unfamiliar
+to her, but in a voice which was not unlike the voice of Lou Chada. “Who
+brought you here?”
+
+This was so wholly unexpected that for a moment she found herself unable
+to reply, but finally:
+
+“How dare you!” she cried, her native courage reasserting itself. “I
+have been drugged and brought to this place. You shall pay for it. How
+dare you!”
+
+“Ah!” The long, dark eyes regarded her unmovingly. “But who are you?”
+
+“I am Lady Rourke. Open the door. You shall bitterly regret this
+outrage.”
+
+“You are Lady Rourke?” the man repeated. “Before you speak of regrets,
+answer the question which I have asked: Who brought you here?”
+
+“Lou Chada.”
+
+“Ah!” There was no alteration of pose, no change of expression, but
+slightly the intonation had varied.
+
+“I don't know who you are, but I demand to be released from this place
+instantly.”
+
+The man standing before the curtained door slightly inclined his head.
+
+“You shall be released,” he replied, “but not instantly. I will see the
+one who brought you here. He may not be entirely to blame. Before you
+leave we shall understand one another.”
+
+Tone and glance were coldly angry. Then, before the frightened woman
+could say another word, the man in the blue robe robe withdrew, the
+curtain was dropped again, and she heard the grating of a key in the
+lock. She ran to the door, beating upon it with her clenched hands.
+
+“Let me go!” she cried, half hysterically. “Let me go! You shall pay for
+this! Oh, you shall pay for this!”
+
+No one answered, and, turning, she leaned back against the curtain,
+breathing heavily and fighting for composure, for strength.
+
+
+
+
+IV
+
+ZANI CHADA, THE EURASIAN
+
+
+
+“I can't help thinking, Chief Inspector,” said the officer in charge at
+Limehouse Station, “that you take unnecessary risks.”
+
+“Can't you?” said Kerry, tilting his bowler farther forward and staring
+truculently at the speaker.
+
+“No, I can't. Since you cleaned up the dope gang down here you've been
+a marked man. These murders in the Chinatown area, of which this one
+to-night makes the third, have got some kind of big influence behind
+them. Yet you wander about in the fog without even a gun in your
+pocket.”
+
+“I don't believe in guns,” rapped Kerry. “My bare hands are good enough
+for any yellow smart in this area. And if they give out I can kick like
+a mule.”
+
+The other laughed, shaking his head.
+
+“It's silly, all the same,” he persisted. “The man who did the job out
+there in the fog to-night might have knifed you or shot you long before
+you could have got here.”
+
+“He might,” snapped Kerry, “but he didn't.”
+
+Yet, remembering his wife, who would be waiting for him in the cosy
+sitting-room he knew a sudden pang. Perhaps he did take unnecessary
+chances. Others had said so. Hard upon the thought came the memory of
+his boy, and of the telephone message which the episodes of the night
+had prevented him from sending.
+
+He remembered, too, something which his fearless nature had prompted him
+to forget: he remembered how, just as he had arisen from beside the body
+of the murdered man, oblique eyes had regarded him swiftly out of the
+fog. He had lashed out with a boxer's instinct, but his knuckles had
+encountered nothing but empty air. No sound had come to tell him that
+the thing had not been an illusion. Only, once again, as he groped his
+way through the shuttered streets of Chinatown and the silence of
+the yellow mist, something had prompted him to turn; and again he had
+detected the glint of oblique eyes, and faintly had discerned the form
+of one who followed him.
+
+Kerry chewed viciously, then:
+
+“I think I'll 'phone the wife,” he said abruptly. “She'll be expecting
+me.”
+
+Almost before he had finished speaking the 'phone bell rang, and a few
+moments later:
+
+“Someone to speak to you, Chief Inspector,” cried the officer in charge.
+
+“Ah!” exclaimed Kerry, his fierce eyes lighting up. “That will be from
+home.”
+
+“I don't think so,” was the reply. “But see who it is.”
+
+“Hello!” he called.
+
+He was answered by an unfamiliar voice, a voice which had a queer,
+guttural intonation. It was the sort of voice he had learned to loathe.
+
+“Is that Chief Inspector Kerry?”
+
+“Yes,” he snapped.
+
+“May I take it that what I have to say will be treated in confidence?”
+
+“Certainly not.”
+
+“Think again, Chief Inspector,” the voice continued. “You are a man
+within sight of the ambition of years, and although you may be unaware
+of the fact, you stand upon the edge of a disaster. I appreciate your
+sense of duty and respect it. But there are times when diplomacy is a
+more potent weapon than force.”
+
+Kerry, listening, became aware that the speaker was a man of cultured
+intellect. He wondered greatly, but:
+
+“My time is valuable,” he said rapidly. “Come to the point. What do you
+want and who are you?”
+
+“One moment, Chief Inspector. An opportunity to make your fortune
+without interfering with your career has come in your way. You have
+obtained possession of what you believe to be a clue to a murder.”
+
+The voice ceased, and Kerry remaining silent, immediately continued:
+
+“Knowing your personal character, I doubt if you have communicated the
+fact of your possessing this evidence to anyone else. I suggest, in your
+own interests, that before doing so you interview me.”
+
+Kerry thought rapidly, and then:
+
+“I don't say you're right,” he rapped back. “But if I come to see you,
+I shall leave a sealed statement in possession of the officer in charge
+here.”
+
+“To this I have no objection,” the guttural voice replied, “but I beg of
+you to bring the evidence with you.”
+
+“I'm not to be bought,” warned Kerry. “Don't think it and don't suggest
+it, or when I get to you I'll break you in half.”
+
+His red moustache positively bristled, and he clutched the receiver so
+tightly that it quivered against his ear.
+
+“You mistake me,” replied the speaker. “My name is Zani Chada. You know
+where I live. I shall not detain you more than five minutes if you will
+do me the honour of calling upon me.”
+
+Kerry chewed furiously for ten momentous seconds, then:
+
+“I'll come!” he said.
+
+He replaced the receiver on the hook, and, walking across to the charge
+desk, took an official form and a pen. On the back of the form he
+scribbled rapidly, watched with curiosity by the officer in charge.
+
+“Give me an envelope,” he directed.
+
+An envelope was found and handed to him. He placed the paper in the
+envelope, gummed down the lapel, and addressed it in large, bold writing
+to the Assistant Commissioner of the Criminal Investigation Department,
+who was his chief. Finally:
+
+“I'm going out,” he explained.
+
+“After what I've said?”
+
+“After what you've said. I'm going out. If I don't come back or don't
+telephone within the next hour, you will know what to do with this.”
+
+The Limehouse official stared perplexedly.
+
+“But meanwhile,” he protested, “what steps am I to take about the
+murder? Durham will be back with the body at any moment now, and you say
+you've got a clue to the murderer.”
+
+“I have,” said Kerry, “but I'm going to get definite evidence. Do
+nothing until you hear from me.”
+
+“Very good,” answered the other, and Kerry, tucking his malacca cane
+under his arm, strode out into the fog.
+
+His knowledge of the Limehouse area was extensive and peculiar, so that
+twenty minutes later, having made only one mistake in the darkness, he
+was pressing an electric bell set beside a door which alone broke the
+expanse of a long and dreary brick wall, lining a street which neither
+by day nor night would have seemed inviting to the casual visitor.
+
+The door was opened by a Chinaman wearing national dress, revealing
+a small, square lobby, warmly lighted and furnished Orientally. Kerry
+stepped in briskly.
+
+“I want to see Mr. Zani Chada. Tell him I am here. Chief Inspector Kerry
+is my name.”
+
+The Chinaman bowed, crossed the lobby, and, drawing some curtains aside,
+walked up four carpeted stairs and disappeared into a short passage
+revealed by the raising of the tapestry. As he did so Kerry stared about
+him curiously.
+
+He had never before entered the mystery house of Zani Chada, nor had he
+personally encountered the Eurasian, reputed to be a millionaire,
+but who chose, for some obscure reason, to make his abode in this old
+rambling building, once a country mansion, which to-day was closely
+invested by dockland and the narrow alleys of Chinatown. It was
+curiously still in the lobby, and, as he determined, curiously Eastern.
+He was conscious of a sense of exhilaration. That Zani Chada controlled
+powerful influences, he knew well. But, reviewing the precautions
+which he had taken, Kerry determined that the trump card was in his
+possession.
+
+The Chinese servant descended the stairs again and intimated that the
+visitor should follow him. Kerry, carrying his hat and cane, mounted the
+stairs, walked along the carpeted passage, and was ushered into a queer,
+low room furnished as a library.
+
+It was lined with shelves containing strange-looking books, none of
+which appeared to be English. Upon the top of the shelves were grotesque
+figures of gods, pieces of Chinese pottery and other Oriental ornaments.
+Arms there were in the room, and rich carpets, carven furniture, and an
+air of luxury peculiarly exotic. Furthermore, he detected a faint smell
+of opium from which fact he divined that Zani Chada was addicted to the
+national vice of China.
+
+Seated before a long narrow table was the notorious Eurasian. The table
+contained a number of strange and unfamiliar objects, as well as a small
+rack of books. An opium pipe rested in a porcelain bowl.
+
+Zani Chada, wearing a blue robe, sat in a cushioned chair, staring
+toward the Chief Inspector. With one slender yellow hand he brushed his
+untidy gray hair. His long magnetic eyes were half closed.
+
+“Good evening, Chief Inspector Kerry,” he said. “Won't you be seated?”
+
+“Thanks, I'm not staying. I can hear what you've got to say standing.”
+
+The long eyes grew a little more narrow--the only change of expression
+that Zani Chada allowed himself.
+
+“As you wish. I have no occasion to detain you long.”
+
+In that queer, perfumed room, with the suggestion of something sinister
+underlying its exotic luxury, arose a kind of astral clash as the
+powerful personality of the Eurasian came in contact with that of Kerry.
+In a sense it was a contest of rapier and battle-axe; an insidious but
+powerful will enlisted against the bulldog force of the Chief Inspector.
+
+Still through half-closed eyes Zani Chada watched his visitor, who
+stood, feet apart and chin thrust forward aggressively, staring with
+wide open, fierce blue eyes at the other.
+
+“I'm going to say one thing,” declared Kerry, snapping out the words
+in a manner little short of ferocious. He laid his hat and cane upon a
+chair and took a step in the direction of the narrow, laden table. “Make
+me any kind of offer to buy back the evidence you think I've got, and
+I'll bash your face as flat as a frying-pan.”
+
+The yellow hands of Zani Chada clutched the metal knobs which ornamented
+the arms of the chair in which he was seated. The long eyes now
+presented the appearance of being entirely closed; otherwise he remained
+immovable.
+
+Following a short, portentous silence:
+
+“How grossly you misunderstood me, Chief Inspector,” Chada replied,
+speaking very softly. “You are shortly to be promoted to a post which no
+one is better fitted to occupy. You enjoy great domestic happiness, and
+you possess a son in whom you repose great hopes. In this respect Chief
+Inspector, I resemble you.”
+
+Kerry's nostrils were widely dilated, but he did not speak.
+
+“You see,” continued the Eurasian, “I know many things about you.
+Indeed, I have watched your career with interest. Now, to be brief, a
+great scandal may be averted and a woman's reputation preserved if you
+and I, as men of the world, can succeed in understanding one another.”
+
+“I don't want to understand you,” said Kerry bluntly. “But you've said
+enough already to justify me in blowing this whistle.” He drew a police
+whistle from his overcoat pocket. “This house is being watched.”
+
+“I am aware of the fact,” murmured Zani Chada.
+
+“There are two people in it I want for two different reasons. If you say
+much more there may be three.”
+
+Chada raised his hand slowly.
+
+“Put back your whistle, Chief Inspector.”
+
+There was a curious restraint in the Eurasian's manner which Kerry
+distrusted, but for which at the time he was at a loss to account. Then
+suddenly he determined that the man was waiting for something, listening
+for some sound. As if to confirm this reasoning, just at that moment a
+sound indeed broke the silence of the room.
+
+Somewhere far away in the distance of the big house a gong was beaten
+three times softly. Kerry's fierce glance searched the face of Zani
+Chada, but it remained mask-like, immovable. Yet that this had been a
+signal of some kind the Chief Inspector did not doubt, and:
+
+“You can't trick me,” he said fiercely. “No one can leave this house
+without my knowledge, and because of what happened out there in the fog
+my hands are untied.”
+
+He took up his hat and cane from the chair.
+
+“I'm going to search the premises,” he declared.
+
+Zani Chada stood up slowly.
+
+“Chief Inspector,” he said, “I advise you to do nothing until you have
+consulted your wife.”
+
+“Consulted my wife?” snapped Kerry. “What the devil do you mean?”
+
+“I mean that any steps you may take now can only lead to disaster for
+many, and in your own case to great sorrow.”
+
+Kerry took a step forward, two steps, then paused. He was considering
+certain words which the Eurasian had spoken. Without fearing the man
+in the physical sense, he was not fool enough to underestimate his
+potentialities for evil and his power to strike darkly.
+
+“Act as you please,” added Zani Chada, speaking even more softly. “But
+I have not advised lightly. I will receive you, Chief Inspector, at any
+hour of the night you care to return. By to-morrow, if you wish, you may
+be independent of everybody.”
+
+Kerry clenched his fists.
+
+“And great sorrow may be spared to others,” concluded the Eurasian.
+
+Kerry's teeth snapped together audibly; then, putting on his hat, he
+turned and walked straight to the door.
+
+
+
+
+V
+
+DAN KERRY, JUNIOR
+
+
+
+Dan Kerry, junior, was humorously like his father, except that he was
+larger-boned and promised to grow into a much bigger man. His hair was
+uncompromisingly red, and grew in such irregular fashion that the comb
+was not made which could subdue it. He had the wide-open, fighting blue
+eyes of the Chief Inspector, and when he smiled the presence of two
+broken teeth lent him a very pugilistic appearance.
+
+On his advent at the school of which he was now one of the most popular
+members, he had promptly been christened “Carrots.” To this nickname
+young Kerry had always taken exception, and he proceeded to display
+his prejudice on the first day of his arrival with such force and
+determination that the sobriquet had been withdrawn by tacit consent of
+every member of the form who hitherto had favoured it.
+
+“I'll take you all on,” the new arrival had declared amidst a silence of
+stupefaction, “starting with you”--pointing to the biggest boy. “If we
+don't finish to-day, I'll begin again to-morrow.”
+
+The sheer impudence of the thing had astounded everybody. Young Kerry's
+treatment of his leading persecutor had produced a salutary change of
+opinion. Of such kidney was Daniel Kerry, junior; and when, some hours
+after his father's departure on the night of the murder in the fog, the
+'phone bell rang, it was Dan junior, and not his mother, who answered
+the call.
+
+“Hallo!” said a voice. “Is that Chief Inspector Kerry's house?”
+
+“Yes,” replied Dan.
+
+“It has begun to rain in town,” the voice continued, “Is that the Chief
+Inspector's son speaking?”
+
+“Yes, I'm Daniel Kerry.”
+
+“Well, my boy, you know the way to New Scotland Yard?”
+
+“Rather.”
+
+“He says will you bring his overall? Do you know where to find it?”
+
+“Yes, yes!” cried Dan excitedly, delighted to be thus made a party to
+his father's activities.
+
+“Well, get it. Jump on a tram at the Town Hall and bring the overall
+along here. Your mother will not object, will she?”
+
+“Of course not,” cried Dan. “I'll tell her. Am I to start now?”
+
+“Yes, right away.”
+
+Mrs. Kerry was sewing by the fire in the dining room when her son came
+in with the news, his blue eyes sparkling excitedly. She nodded her head
+slowly.
+
+“Ye'll want ye'r Burberry and ye'r thick boots,” she declared, “a
+muffler, too, and ye'r oldest cap. I think it's madness for ye to go out
+on such a night, but----”
+
+“Father said I could,” protested the boy.
+
+“He says so, and ye shall go, but I think it madness a' the same.”
+
+However, some ten minutes later young Kerry set out, keenly resenting
+the woollen muffler which he had been compelled to wear, and secretly
+determined to remove it before mounting the tram. Across one arm he
+carried the glistening overall which was the Chief Inspector's constant
+companion on wet nights abroad. The fog had turned denser, and ten paces
+from the door of the house took him out of sight of the light streaming
+from the hallway.
+
+Mary Kerry well knew her husband's theories about coddling boys, but
+even so could not entirely reconcile herself to the present expedition.
+However, closing the door, she returned philosophically to her sewing,
+reflecting that little harm could come to Dan after all, for he was
+strong, healthy, and intelligent.
+
+On went the boy through the mist, whistling merrily. Not twenty yards
+from the house a coupe was drawn up, and by the light of one of its
+lamps a man was consulting a piece of paper on which, presumably, an
+address was written; for, as the boy approached, the man turned, his
+collar pulled up about his face, his hat pulled down.
+
+“Hallo!” he called. “Can you please tell me something?”
+
+He spoke with a curious accent, unfamiliar to the boy. “A foreigner of
+some kind,” young Kerry determined.
+
+“What is it?” he asked, pausing.
+
+“Will you please read and tell me if I am near this place?” the man
+continued, holding up the paper which he had been scrutinizing.
+
+Dan stepped forward and bent over it. He could not make out the writing,
+and bent yet more, holding it nearer to the lamp. At which moment some
+second person neatly pinioned him from behind, a scarf was whipped about
+his head, and, kicking furiously but otherwise helpless, he felt himself
+lifted and placed inside the car.
+
+The muffler had been thrown in such fashion about his face as to leave
+one eye partly free, and as he was lifted he had a momentary glimpse of
+his captors. With a thrill of real, sickly terror he realized that he
+was in the hands of Chinamen!
+
+Perhaps telepathically this spasm of fear was conveyed to his father,
+for it was at about this time that the latter was interviewing Zani
+Chada, and at about this time that Kerry recognized, underlying the
+other's words, at once an ill-concealed suspense and a threat. Then,
+a few minutes later, had come the three strokes of the gong; and again
+that unreasonable dread had assailed him, perhaps because it signalized
+the capture of his son, news of which had been immediately telephoned to
+Limehouse by Zani Chada's orders.
+
+Certain it is that Kerry left the Eurasian's house in a frame of mind
+which was not familiar to him. He was undecided respecting his next
+move. A deadly menace underlay Chada's words.
+
+“Consult your wife,” he kept muttering to himself. When the door was
+opened for him by the Chinese servant, he paused a moment before going
+out into the fog. There were men on duty at the back and at the front of
+the house. Should he risk all and raid the place? That Lady Rourke was
+captive here he no longer doubted. But it was equally certain that no
+further harm would come to her at the hands of her captors, since she
+had been traced there and since Zani Chada was well aware of the fact.
+Of the whereabouts of Lou Chada he could not be certain. If he was in
+the house, they had him.
+
+The door was closed by the Chinaman, and Kerry stood out in the darkness
+of the dismal, brick-walled street, feeling something as nearly akin
+to dejection as was possible in one of his mercurial spirit. Something
+trickled upon the brim of his hat, and, raising his head, Kerry detected
+rain upon his upturned face. He breathed a prayer of thankfulness. This
+would put an end to the fog.
+
+He began to walk along by the high brick wall, but had not proceeded far
+before a muffled figure arose before him and the light of an electric
+torch was shone into his face.
+
+“Oh, it's you, Chief Inspector!” came the voice of the watcher.
+
+“It is,” rapped Kerry. “Unless there are tunnels under this old
+rat-hole, I take it the men on duty can cover all the exits?”
+
+“All the main exits,” was the reply. “But, as you say, it's a strange
+house, and Zani Chada has a stranger reputation.”
+
+“Do nothing until you hear from me.”
+
+“Very good, Chief Inspector.”
+
+The rain now was definitely conquering the fog, and in half the time
+which had been occupied by the outward journey Kerry was back again in
+Limehouse police station. Unconsciously he had been hastening his pace
+with every stride, urged onward by an unaccountable anxiety, so that
+finally he almost ran into the office and up to the desk where the
+telephone stood.
+
+Lifting it, he called his own number and stood tapping his foot,
+impatiently awaiting the reply. Presently came the voice of the
+operator: “Have they answered yet?”
+
+“No.”
+
+“I will ring them again.”
+
+Kerry's anxiety became acute, almost unendurable; and when at last,
+after repeated attempts, no reply could be obtained from his home, he
+replaced the receiver and leaned for a moment on the desk, shaken with
+such a storm of apprehension as he had rarely known. He turned to the
+inspector in charge, and:
+
+“Let me have that envelope I left with you,” he directed. “And have
+someone 'phone for a taxi; they are to keep on till they get one. Where
+is Sergeant Durham?”
+
+“At the mortuary.”
+
+“Ah!”
+
+“Any developments, Chief Inspector?”
+
+“Yes. But apart from keeping a close watch upon the house of Zani Chada
+you are to do nothing until you hear from me again.”
+
+“Very good,” said the inspector. “Are you going to wait for Durham's
+report?”
+
+“No. Directly the cab arrives I am going to wait for nothing.”
+
+Indeed, he paced up and down the room like a wild beast caged, while
+call after call was sent to neighbouring cab ranks, for a long time
+without result. What did it mean, his wife's failure to answer the
+telephone? It might mean that neither she nor their one servant nor Dan
+was in the house. And if they were not in the house at this hour of the
+night, where could they possibly be? This it might mean, or--something
+worse.
+
+A thousand and one possibilities, hideous, fantastic, appalling, flashed
+through his mind. He was beginning to learn what Zani Chada had meant
+when he had said: “I have followed your career with interest.”
+
+At last a taxi was found, and the man instructed over the 'phone to
+proceed immediately to Limehouse station. He seemed so long in coming
+that when at last the cab was heard to pause outside, Kerry could not
+trust himself to speak to the driver, but directed a sergeant to give
+him the address. He entered silently and closed the door.
+
+A steady drizzle of rain was falling. It had already dispersed the fog,
+so that he might hope with luck to be home within the hour. As a matter
+of fact, the man performed the journey in excellent time, but it seemed
+to his passenger that he could have walked quicker, such was the gnawing
+anxiety within him and the fear which prompted him to long for wings.
+
+Instructing the cabman to wait, Kerry unlocked the front door and
+entered. He had noted a light in the dining room window, and entering,
+he found his wife awaiting him there. She rose as he entered, with
+horror in her comely face.
+
+“Dan!” she whispered. “Dan! where is ye'r mackintosh?”
+
+“I didn't take it,” he replied, endeavouring to tell himself that his
+apprehensions had been groundless. “But how was it that you did not
+answer the telephone?”
+
+“What do ye mean, Dan?” Mary Kerry stared, her eyes growing wider and
+wider. “The boy answered, Dan. He set out wi' ye'r mackintosh full an
+hour and a half since.”
+
+“What!”
+
+The truth leaped out at Kerry like an enemy out of ambush.
+
+“Who sent that message?”
+
+“Someone frae the Yard, to tell the boy to bring ye'r mackintosh alone
+at once. Dan! Dan------”
+
+She advanced, hands outstretched, quivering, but Kerry had leaped out
+into the narrow hallway. He raised the telephone receiver, listened for
+a moment, and then jerked it back upon the hook.
+
+“Dead line!” he muttered. “Someone has been at work with a wire-cutter
+outside the house!”
+
+His wife came out to where he stood, and, clenching his teeth very
+grimly, he took her in his arms. She was shaking as if palsied.
+
+“Mary dear,” he said, “pray with all your might that I am given strength
+to do my duty.”
+
+She looked at him with haggard, tearless eyes.
+
+“Tell me the truth: ha' they got my boy?”
+
+His fingers tightened on her shoulders.
+
+“Don't worry,” he said, “and don't ask me to stay to explain. When I
+come back I'll have Dan with me!”
+
+He trusted himself no further, but, clapping his hat on his head, walked
+out to the waiting cab.
+
+“Back to Limehouse police station,” he directed rapidly.
+
+“Lor lumme!” muttered the taximan. “Where are you goin' to after that,
+guv'nor? It's a bit off the map.”
+
+“I'm going to hell!” rapped Kerry, suddenly thrusting his red face very
+near to that of the speaker. “And you're going to drive me!”
+
+
+
+
+VI
+
+THE KNIGHT ERRANT
+
+
+
+Recognizing the superior strength of his captors, young Kerry soon gave
+up struggling. The thrill of his first real adventure entered into his
+blood. He remembered that he was the son of his father, and he realized,
+being a quick-witted lad, that he was in the grip of enemies of his
+father. The panic which had threatened him when first he had recognized
+that he was in the hands of Chinese, gave place to a cold rage--a
+heritage which in later years was to make him a dangerous man.
+
+He lay quite passively in the grasp of someone who held him fast, and
+learned, by breathing quietly, that the presence of the muffler about
+his nose and mouth did not greatly inconvenience him. There was some
+desultory conversation between the two men in the car, but it
+was carried on in an odd, sibilant language which the boy did not
+understand, but which he divined to be Chinese. He thought how every
+other boy in the school would envy him, and the thought was stimulating,
+nerving. On the very first day of his holidays he was become the central
+figure of a Chinatown drama.
+
+The last traces of fear fled. His position was uncomfortable and his
+limbs were cramped, but he resigned himself, with something almost like
+gladness, and began to look forward to that which lay ahead with a zest
+and a will to be no passive instrument which might have surprised his
+captors could they have read the mind of their captive.
+
+The journey seemed almost interminable, but young Kerry suffered it in
+stoical silence until the car stopped and he was lifted and carried down
+stone steps into some damp, earthy-smelling place. Some distance was
+traversed, and then many flights of stairs were mounted, some bare but
+others carpeted.
+
+Finally he was deposited in a chair, and as he raised his hand to the
+scarf, which toward the end of the journey had been bound more tightly
+about his head so as to prevent him from seeing at all, he heard a door
+closed and locked.
+
+The scarf was quickly removed. And Dan found himself in a low-ceilinged
+attic having a sloping roof and one shuttered window. A shadeless
+electric lamp hung from the ceiling. Excepting the cane-seated chair in
+which he had been deposited and a certain amount of nondescript lumber,
+the attic was unfurnished. Dan rapidly considered what his father would
+have done in the circumstances.
+
+“Make sure that the door is locked,” he muttered.
+
+He tried it, and it was locked beyond any shadow of doubt.
+
+“The window.”
+
+Shutters covered it, and these were fastened with a padlock.
+
+He considered this padlock attentively; then, drawing from his pocket
+one of those wonderful knives which are really miniature tool-chests, he
+raised from a grove the screw-driver which formed part of its equipment,
+and with neatness and dispatch unscrewed the staple to which the padlock
+was attached!
+
+A moment later he had opened the shutters and was looking out into the
+drizzle of the night.
+
+The room in which he was confined was on the third floor of a dingy,
+brick-built house; a portion of some other building faced him; down
+below was a stone-paved courtyard. To the left stood a high wall, and
+beyond it he obtained a glimpse of other dingy buildings. One lighted
+window was visible--a square window in the opposite building, from which
+amber light shone out.
+
+Somewhere in the street beyond was a standard lamp. He could detect the
+halo which it cast into the misty rain. The glass was very dirty, and
+young Kerry raised the sash, admitting a draught of damp, cold air into
+the room. He craned out, looking about him eagerly.
+
+A rainwater-pipe was within reach of his hand on the right of the window
+and, leaning out still farther, young Kerry saw that it passed beside
+two other, larger, windows on the floor beneath him. Neither of these
+showed any light.
+
+Dizzy heights have no terror for healthy youth. The brackets supporting
+the rain-pipe were a sufficient staircase for the agile Dan, a more
+slippery prisoner than the famous Baron Trenck; and, discarding his
+muffler and his Burberry, he climbed out upon the sill and felt with his
+thick-soled boots for the first of these footholds. Clutching the ledge,
+he lowered himself and felt for the next.
+
+Then came the moment when he must trust all his weight to the pipe.
+Clenching his teeth, he risked it, felt for and found the third angle,
+and then, still clutching the pipe, stood for a moment upon the ledge
+of the window immediately beneath him. He was curious respecting the
+lighted window of the neighbouring house; and, twisting about, he bent,
+peering across--and saw a sight which arrested his progress.
+
+The room within was furnished in a way which made him gasp with
+astonishment. It was like an Eastern picture, he thought. Her golden
+hair dishevelled and her hands alternately clenching and unclenching,
+a woman whom he considered to be most wonderfully dressed was pacing
+wildly up and down, a look of such horror upon her pale face that Dan's
+heart seemed to stop beating for a moment!
+
+Here was real trouble of a sort which appealed to all the chivalry
+in the boy's nature. He considered the window, which was glazed with
+amber-coloured glass, observed that it was sufficiently open to enable
+him to slip the fastening and open it entirely could he but reach it.
+And--yes!--there was a rain-pipe!
+
+Climbing down to the yard, he looked quickly about him, ran across, and
+climbed up to the lighted window. A moment later he had pushed it widely
+open.
+
+He was greeted by a stifled cry, but, cautiously transferring his weight
+from the friendly pipe to the ledge, he got astride of it, one foot in
+the room. Then, by exercise of a monkey-like agility, he wriggled his
+head and shoulders within.
+
+“It's all right,” he said softly and reassuringly; “I'm Dan Kerry, son
+of Chief Inspector Kerry. Can I be of any assistance?”
+
+Her hands clasped convulsively together, the woman stood looking up at
+him.
+
+“Oh, thank God!” said the captive. “But what are you going to do? Can
+you get me out?”
+
+“Don't worry,” replied Dan confidently. “Father and I can manage it all
+right!”
+
+He performed a singular contortion, as a result of which his other leg
+and foot appeared inside the window. Then, twisting around, he lowered
+himself and dropped triumphantly upon a cushioned divan. At that moment
+he would have faced a cage full of man-eating tigers. The spirit of
+adventure had him in its grip. He stood up, breathing rapidly, his crop
+of red hair more dishevelled than usual.
+
+Then, before he could stir or utter any protest, the golden-haired
+princess whom he had come to rescue stooped, threw her arms around his
+neck, and kissed him.
+
+“You darling, brave boy!” she said. “I think you have saved me from
+madness.”
+
+Young Kerry, more flushed than ever, extricated himself, and:
+
+“You're not out of the mess yet,” he protested. “The only difference is
+that I'm in it with you!”
+
+“But where is your father?”
+
+“I'm looking for him.”
+
+“What!”
+
+“Oh! he's about somewhere,” Dan assured her confidently.
+
+“But, but----” She was gazing at him wide-eyed, “Didn't he send you
+here?”
+
+“You bet he didn't,” returned young Kerry. “I came here on my own
+accord, and when I go you're coming with me. I can't make out how you
+got here, anyway. Do you know whose house this is?”
+
+“Oh, I do, I do!”
+
+“Whose?”
+
+“It belongs to a man called Chada.”
+
+“Chada? Never heard of him. But I mean, what part of London is it in?”
+
+“Whatever do you mean? It is in Limehouse, I believe. I don't
+understand. You came here.”
+
+“I didn't,” said young Kerry cheerfully; “I was fetched!”
+
+“By your father?”
+
+“Not on your life. By a couple of Chinks! I'll tell you something.”
+ He raised his twinkling blue eyes. “We are properly up against it. I
+suppose you couldn't climb down a rain-pipe?”
+
+
+
+
+VII
+
+RETRIBUTION
+
+
+
+It was that dark, still, depressing hour of the night, when all life
+is at its lowest ebb. In the low, strangely perfumed room of books Zani
+Chada sat before his table, his yellow hands clutching the knobs on his
+chair arms, his long, inscrutable eyes staring unseeingly before him.
+
+Came a disturbance and the sound of voices, and Lou Chada, his son,
+stood at the doorway. He still wore his evening clothes, but he no
+longer looked smart. His glossy black hair was dishevelled, and his
+handsome, olive face bore a hunted look. Panic was betoken by twitching
+mouth and fear-bright eyes. He stopped, glaring at his father, and:
+
+“Why are you not gone?” asked the latter sternly. “Do you wish to wreck
+me as well as yourself?”
+
+“The police have posted a man opposite Kwee's house. I cannot get out
+that way.”
+
+“There was no one there when the boy was brought in.”
+
+“No, but there is now. Father!” He took a step forward. “I'm trapped.
+They sha'n't take me. You won't let them take me?”
+
+Zani Chada stirred not a muscle, but:
+
+“To-night,” he said, “your mad passion has brought ruin to both of us.
+For the sake of a golden doll who is not worth the price of the jewels
+she wears, you have placed yourself within reach of the hangman.”
+
+“I was mad, I was mad,” groaned the other.
+
+“But I, who was sane, am involved in the consequences,” retorted his
+father.
+
+“He will be silent at the price of the boy's life.”
+
+“He may be,” returned Zani Chada. “I hate him, but he is a man. Had you
+escaped, he might have consented to be silent. Once you are arrested,
+nothing would silence him.”
+
+“If the case is tried it will ruin Pat's reputation.”
+
+“What a pity!” said Zani Chada.
+
+In some distant part of the house a gong was struck three times.
+
+“Go,” commanded his father. “Remain at Kwee's house until I send for
+you. Let Ah Fang go to the room above and see that the woman is silent.
+An outcry would ruin our last chance.”
+
+Lou Chada raised his hands, brushing the hair back from his wet
+forehead, then, staring haggardly at his father, turned and ran from the
+room.
+
+A minute later Kerry was ushered in by the Chinese servant. The savage
+face was set like a mask. Without removing his hat, he strode across
+to the table and bent down so that fierce, wide-open blue eyes stared
+closely into long, half-closed black ones.
+
+“I've got one thing to say,” explained Kerry huskily. “Whatever the
+hangman may do to your slimy son, and whatever happens to the little
+blonde fool he kidnapped, if you've laid a hand on my kid I'll kick you
+to death, if I follow you round the world to do it.”
+
+Zani Chada made no reply, but his knuckles gleamed, so tightly did he
+clutch the knobs on the chair arms. Kerry's savagery would have awed
+any man, even though he had supposed it to be the idle threat of a
+passionate man. But Zani Chada knew all men, and he knew this one. When
+Daniel Kerry declared that in given circumstances he would kick Zani
+Chada to death, he did not mean that he would shoot him, strangle him,
+or even beat him with his fists; he meant precisely what he said--that
+he would kick him to death--and Zani Chada knew it.
+
+Thus there were some moments of tense silence during which the savage
+face of the Chief Inspector drew even closer to the gaunt, yellow face
+of the Eurasian. Finally:
+
+“Listen only for one moment,” said Zani Chada. His voice had lost
+its guttural intonation. He spoke softly, sibilantly. “I, too, am a
+father------”
+
+“Don't mince words!” shouted Kerry. “You've kidnapped my boy. If I have
+to tear your house down brick by brick I'll find him. And if you've hurt
+one hair of his head--you know what to expect!”
+
+He quivered. The effort of suppression which he had imposed upon himself
+was frightful to witness. Zani Chada, student of men, knew that in
+despite of his own physical strength and of the hidden resources at his
+beck, he stood nearer to primitive retribution than he had ever done.
+Yet:
+
+“I understand,” he continued. “But you do not understand. Your boy is
+not in this house. Oh! violence cannot avail! It can only make his loss
+irreparable.”
+
+Kerry, nostrils distended, eyes glaring madly, bent over him.
+
+“Your scallywag of a son,” he said hoarsely, “has gone one step too far.
+His adventures have twice before ended in murder--and you have covered
+him. This time you can't do it. I'm not to be bought. We've stood for
+the Far East in London long enough. Your cub hangs this time. Get me?
+There'll be no bargaining. The woman's reputation won't stop me. My
+kid's danger won't stop me. But if you try to use him as a lever I'll
+boot you to your stinking yellow paradise and they'll check you in as
+pulp.”
+
+“You speak of three deaths,” murmured Zani Chada.
+
+Kerry clenched his teeth so tightly that his maxillary muscles protruded
+to an abnormal degree. He thrust his clenched fists into his coat
+pockets.
+
+“We all follow our vocations in life,” resumed the Eurasian, “to the
+best of our abilities. But is professional kudos not too dearly bought
+at the price of a loved one lost for ever? A far better bargain
+would be, shall we say, ten thousand pounds, as the price of a silk
+handkerchief------”
+
+Kerry's fierce blue eyes closed for a fraction of a second. Yet, in that
+fraction of a second, he had visualized some of the things which ten
+thousand pounds--a sum he could never hope to possess--would buy. He had
+seen his home, as he would have it--and he had seen Dan there, safe and
+happy at his mother's side. Was he entitled to disregard the happiness
+of his wife, the life of his boy, the honourable name of Sir
+Noel Rourke, because an outcast like Peters had come to a fitting
+end--because a treacherous Malay and a renegade Chinaman had, earlier,
+gone the same way, sped, as he suspected, by the same hand?
+
+“My resources are unusual,” added Chada, speaking almost in a whisper.
+“I have cash to this amount in my safe------”
+
+So far he had proceeded when he was interrupted; and the cause of the
+interruption was this:
+
+A few moments earlier another dramatic encounter had taken place in a
+distant part of the house. Kerry Junior, having scientifically tested
+all the possible modes of egress from the room in which Lady Pat was
+confined, had long ago desisted, and had exhausted his ingenuity in
+plans which discussion had proved to be useless. In spite of the novelty
+and the danger of his situation, nature was urging her laws. He was
+growing sleepy. The crowning tragedy had been the discovery that he
+could not regain the small, square window set high in the wall from
+which he had dropped into this luxurious prison. Now, as the two sat
+side by side upon a cushioned divan, the woman's arm about the boy's
+shoulders, they were startled to hear, in the depths of the house, three
+notes of a gong.
+
+Young Kerry's sleepiness departed. He leapt to his feet as though
+electrified.
+
+“What was that?”
+
+There was something horrifying in those gong notes in the stillness of
+the night. Lady Pat's beautiful eyes grew glassy with fear.
+
+“I don't know,” replied Dan. “It seemed to come from below.”
+
+He ran to the door, drew the curtain aside, and pressed his ear against
+one of the panels, listening intently. As he did so, his attitude grew
+tense, his expression changed, then:
+
+“We're saved!” he cried, turning a radiant face to the woman. “I heard
+my father's voice!”
+
+“Oh, are you sure, are you sure?”
+
+“Absolutely sure!”
+
+He bent to press his ear to the panel again, when a stifled cry from his
+companion brought him swiftly to his feet. The second door in the room
+had opened silently, and a small Chinaman, who carried himself with a
+stoop, had entered, and now, a menacing expression upon his face, was
+quickly approaching the boy.
+
+What he had meant to do for ever remained in doubt, for young Kerry,
+knowing his father to be in the house and seeing an open door before
+him, took matters into his own hands. At the moment that the silent
+Chinaman was about to throw his arms about him, the pride of the junior
+school registered a most surprising left accurately on the point of Ah
+Fang's jaw, following it up by a wilful transgression of Queensberry
+rules in the form of a stomach punch which temporarily decided the
+issue. Then:
+
+“Quick! quick!” he cried breathlessly, grasping Lady Pat's hand. “This
+is where we run!”
+
+In such fashion was Zani Chada interrupted, the interruption taking the
+form of a sudden, shrill outcry:
+
+“Dad! dad! Where are you, dad?”
+
+Kerry spun about as a man galvanized. His face became transfigured.
+
+“This way, Dan!” he cried. “This way, boy!”
+
+Came a clatter of hurrying feet, and into the low, perfumed room
+burst Dan Kerry, junior, tightly clasping the hand of a pale-faced,
+dishevelled woman in evening dress. It was Lady Rourke; and although
+she seemed to be in a nearly fainting condition, Dan dragged her, half
+running, into the room.
+
+Kerry gave one glance at the pair, then, instantly, he turned to face
+Zani Chada. The latter, like a man of stone, sat in his carved chair,
+eyes nearly closed. The Chief Inspector whipped out a whistle and raised
+it to his lips. He blew three blasts upon it.
+
+From one--two--three--four points around the house the signal was
+answered.
+
+Zani Chada fully opened his long, basilisk eyes.
+
+“You win, Chief Inspector,” he said. “But much may be done by clever
+counsel. If all fails------”
+
+“Well?” rapped Kerry fiercely, at the same time throwing his arm around
+the boy.
+
+“I may continue to take an interest in your affairs.”
+
+A tremendous uproar arose, within and without the house. The police
+were raiding the place. Lady Rourke sank down, slowly, almost at the
+Eurasian's feet.
+
+But Chief Inspector Kerry experienced an unfamiliar chill as his
+uncompromising stare met the cold hatred which blazed out of the black
+eyes, narrowed, now, and serpentine, of Zani Chada.
+
+
+
+
+
+
+THE PIGTAIL OF HI WING HO
+
+
+
+
+
+
+I
+
+HOW I OBTAINED IT
+
+
+
+Leaving the dock gates behind me I tramped through the steady drizzle,
+going parallel with the river and making for the Chinese quarter. The
+hour was about half-past eleven on one of those September nights when,
+in such a locality as this, a stifling quality seems to enter the
+atmosphere, rendering it all but unbreathable. A mist floated over
+the river, and it was difficult to say if the rain was still falling,
+indeed, or if the ample moisture upon my garments was traceable only to
+the fog. Sounds were muffled, lights dimmed, and the frequent hooting of
+sirens from the river added another touch of weirdness to the scene.
+
+Even when the peculiar duties of my friend, Paul Harley, called him
+away from England, the lure of this miniature Orient which I had first
+explored under his guidance, often called me from my chambers. In the
+house with the two doors in Wade Street, Limehouse, I would discard the
+armour of respectability, and, dressed in a manner unlikely to provoke
+comment in dockland, would haunt those dreary ways sometimes from
+midnight until close upon dawn. Yet, well as I knew the district and
+the strange and often dangerous creatures lurking in its many burrows, I
+experienced a chill partly physical and partly of apprehension to-night;
+indeed, strange though it may sound, I hastened my footsteps in order
+the sooner to reach the low den for which I was bound--Malay Jack's--a
+spot marked plainly on the crimes-map and which few respectable
+travellers would have regarded as a haven of refuge.
+
+But the chill of the adjacent river, and some quality of utter
+desolation which seemed to emanate from the deserted wharves and
+ramshackle buildings about me, were driving me thither now; for I knew
+that human companionship, of a sort, and a glass of good liquor--from
+a store which the Customs would have been happy to locate--awaited me
+there. I might chance, too, upon Durham or Wessex, of New Scotland Yard,
+both good friends of mine, or even upon the Terror of Chinatown, Chief
+Inspector Kerry, a man for whom I had an esteem which none of his
+ungracious manners could diminish.
+
+I was just about to turn to the right into a narrow and nameless alley,
+lying at right angles to the Thames, when I pulled up sharply, clenching
+my fists and listening.
+
+A confused and continuous sound, not unlike that which might be
+occasioned by several large and savage hounds at close grips, was
+proceeding out of the darkness ahead of me; a worrying, growling, and
+scuffling which presently I identified as human, although in fact it
+was animal enough. A moment I hesitated, then, distinguishing among
+the sounds of conflict an unmistakable, though subdued, cry for help,
+I leaped forward and found myself in the midst of the melee. This was
+taking place in the lee of a high, dilapidated brick wall. A lamp in a
+sort of iron bracket spluttered dimly above on the right, but the
+scene of the conflict lay in densest shadow, so that the figures were
+indistinguishable.
+
+“Help! By Gawd! they're strangling me------”
+
+From almost at my feet the cry arose and was drowned in Chinese
+chattering. But guided by it I now managed to make out that the struggle
+in progress waged between a burly English sailorman and two lithe
+Chinese. The yellow men seemed to have gained the advantage and my
+course was clear.
+
+A straight right on the jaw of the Chinaman who was engaged in
+endeavouring to throttle the victim laid him prone in the dirty roadway.
+His companion, who was holding the wrist of the recumbent man, sprang
+upright as though propelled by a spring. I struck out at him savagely.
+He uttered a shrill scream not unlike that of a stricken hare, and fled
+so rapidly that he seemed to melt in the mist.
+
+“Gawd bless you, mate!” came chokingly from the ground--and the rescued
+man, extricating himself from beneath the body of his stunned assailant,
+rose unsteadily to his feet and lurched toward me.
+
+As I had surmised, he was a sailor, wearing a rough, blue-serge jacket
+and having his greasy trousers thrust into heavy seaboots--by which I
+judged that he was but newly come ashore. He stooped and picked up his
+cap. It was covered in mud, as were the rest of his garments, but he
+brushed it with his sleeve as though it had been but slightly soiled and
+clapped it on his head.
+
+He grasped my hand in a grip of iron, peering into my face, and his
+breath was eloquent.
+
+“I'd had one or two, mate,” he confided huskily (the confession was
+unnecessary). “It was them two in the Blue Anchor as did it; if I 'adn't
+'ad them last two, I could 'ave broke up them Chinks with one 'and tied
+behind me.”
+
+“That's all right,” I said hastily, “but what are we going to do about
+this Chink here?” I added, endeavouring at the same time to extricate my
+hand from the vise-like grip in which he persistently held it. “He hit
+the tiles pretty heavy when he went down.”
+
+As if to settle my doubts, the recumbent figure suddenly arose and
+without a word fled into the darkness and was gone like a phantom. My
+new friend made no attempt to follow, but:
+
+“You can't kill a bloody Chink,” he confided, still clutching my hand;
+“it ain't 'umanly possible. It's easier to kill a cat. Come along o' me
+and 'ave one; then I'll tell you somethink. I'll put you on somethink, I
+will.”
+
+With surprising steadiness of gait, considering the liquid cargo he had
+aboard, the man, releasing my hand and now seizing me firmly by the
+arm, confidently led me by divers narrow ways, which I knew, to a little
+beerhouse frequented by persons of his class.
+
+My own attire was such as to excite no suspicion in these surroundings,
+and although I considered that my acquaintance had imbibed more than
+enough for one night, I let him have his own way in order that I might
+learn the story which he seemed disposed to confide in me. Settled in
+the corner of the beerhouse--which chanced to be nearly empty--with
+portentous pewters before us, the conversation was opened by my new
+friend:
+
+“I've been paid off from the Jupiter--Samuelson's Planet Line,” he
+explained. “What I am is a fireman.”
+
+“She was from Singapore to London?” I asked.
+
+“She was,” he replied, “and it was at Suez it 'appened--at Suez.”
+
+I did not interrupt him.
+
+“I was ashore at Suez--we all was, owin' to a 'itch with the canal
+company--a matter of money, I may say. They make yer pay before they'll
+take yer through. Do you know that?”
+
+I nodded.
+
+“Suez is a place,” he continued, “where they don't sell whisky, only
+poison. Was you ever at Suez?”
+
+Again I nodded, being most anxious to avoid diverting the current of my
+friend's thoughts.
+
+“Well, then,” he continued, “you know Greek Jimmy's--and that's where
+I'd been.”
+
+I did not know Greek Jimmy's, but I thought it unnecessary to mention
+the fact.
+
+“It was just about this time on a steamin' 'ot night as I come out of
+Jimmy's and started for the ship. I was walkin' along the Waghorn Quay,
+same as I might be walkin' along to-night, all by myself--bit of a
+list to port but nothing much--full o' joy an' happiness, 'appy an'
+free--'appy an' free. Just like you might have noticed to-night, I
+noticed a knot of Chinks scrappin' on the ground all amongst the dust
+right in front of me. I rammed in, windmillin' all round and knocking
+'em down like skittles. Seemed to me there was about ten of 'em, but
+allowin' for Jimmy's whisky, maybe there wasn't more than three. Anyway,
+they all shifted and left me standin' there in the empty street with
+this 'ere in my 'and.”
+
+At that, without more ado, he thrust his hand deep into some concealed
+pocket and jerked out a Chinese pigtail, which had been severed,
+apparently some three inches from the scalp, by a clean cut. My
+acquaintance, with somewhat bleared eyes glistening in appreciation of
+his own dramatic skill--for I could not conceal my surprise--dangled it
+before me triumphantly.
+
+“Which of 'em it belong to,” he continued, thrusting it into another
+pocket and drumming loudly on the counter for more beer, “I can't say,
+'cos I don't know. But that ain't all.”
+
+The tankards being refilled and my friend having sampled the contents of
+his own:
+
+“That ain't all,” he continued. “I thought I'd keep it as a sort of
+relic, like. What 'appened? I'll tell you. Amongst the crew there's
+three Chinks--see? We ain't through the canal before one of 'em, a new
+one to me--Li Ping is his name--offers me five bob for the pigtail,
+which he sees me looking at one mornin'. I give him a punch on the nose
+an' 'e don't renew the offer: but that night (we're layin' at Port Said)
+'e tries to pinch it! I dam' near broke his neck, and 'e don't try any
+more. To-night”--he extended his right arm forensically--“a deppitation
+of Chinks waits on me at the dock gates; they explains as from a
+patriotic point of view they feels it to be their dooty to buy that
+pigtail off of me, and they bids a quid, a bar of gold--a Jimmy o'
+Goblin!”
+
+He snapped his fingers contemptuously and emptied his pewter. A sense
+of what was coming began to dawn on me. That the “hold-up” near the
+riverside formed part of the scheme was possible, and, reflecting on
+my rough treatment of the two Chinamen, I chuckled inwardly. Possibly,
+however, the scheme had germinated in my acquaintance's mind merely as
+a result of an otherwise common assault, of a kind not unusual in these
+parts, but, whether elaborate or comparatively simple, that the story
+of the pigtail was a “plant” designed to reach my pocket, seemed a
+reasonable hypothesis.
+
+“I told him to go to China,” concluded the object of my suspicion, again
+rapping upon the counter, “and you see what come of it. All I got to say
+is this: If they're so bloody patriotic, I says one thing: I ain't the
+man to stand in their way. You done me a good turn to-night, mate; I'm
+doing you one. 'Ere's the bloody pigtail, 'ere's my empty mug. Fill the
+mug and the pigtail's yours. It's good for a quid at the dock gates any
+day!”
+
+My suspicions vanished; my interest arose to boiling point. I refilled
+my acquaintance's mug, pressed a sovereign upon him (in honesty I must
+confess that he was loath to take it), and departed with the pigtail
+coiled neatly in an inner pocket of my jacket. I entered the house in
+Wade Street by the side door, and half an hour later let myself out by
+the front door, having cast off my dockland disguise.
+
+
+
+
+II
+
+HOW I LOST IT
+
+
+
+It was not until the following evening that I found leisure to examine
+my strange acquisition, for affairs of more immediate importance
+engrossed my attention. But at about ten o'clock I seated myself at
+my table, lighted the lamp, and taking out the pigtail from the table
+drawer, placed it on the blotting-pad and began to examine it with the
+greatest curiosity, for few Chinese affect the pigtail nowadays.
+
+I had scarcely commenced my examination, however, when it was
+dramatically interrupted. The door bell commenced to ring jerkily. I
+stood up, and as I did so the ringing ceased and in its place came a
+muffled beating on the door. I hurried into the passage as the bell
+commenced ringing again, and I had almost reached the door when once
+more the ringing ceased; but now I could hear a woman's voice, low but
+agitated:
+
+“Open the door! Oh, for God's sake be quick!”
+
+Completely mystified, and not a little alarmed, I threw open the door,
+and in there staggered a woman heavily veiled, so that I could see
+little of her features, but by the lines of her figure I judged her to
+be young.
+
+Uttering a sort of moan of terror she herself closed the door, and
+stood with her back to it, watching me through the thick veil, while her
+breast rose and fell tumultuously.
+
+“Thank God there was someone at home!” she gasped.
+
+I think I may say with justice that I had never been so surprised in my
+life; every particular of the incident marked it as unique--set it apart
+from the episodes of everyday life.
+
+“Madam,” I began doubtfully, “you seem to be much alarmed at something,
+and if I can be of any assistance to you------”
+
+“You have saved my life!” she whispered, and pressed one hand to her
+bosom. “In a moment I will explain.”
+
+“Won't you rest a little after your evidently alarming experience?” I
+suggested.
+
+My strange visitor nodded, without speaking, and I conducted her to the
+study which I had just left, and placed the most comfortable arm-chair
+close beside the table so that as I sat I might study this woman who
+so strangely had burst in upon me. I even tilted the shaded lamp,
+artlessly, a trick I had learned from Harley, in order that the light
+might fall upon her face.
+
+She may have detected this device; I know not; but as if in answer to
+its challenge, she raised her gloved hands and unfastened the heavy veil
+which had concealed her features.
+
+Thereupon I found myself looking into a pair of lustrous black eyes
+whose almond shape was that of the Orient; I found myself looking at a
+woman who, since she was evidently a Jewess, was probably no older than
+eighteen or nineteen, but whose beauty was ripely voluptuous, who might
+fittingly have posed for Salome, who, despite her modern fashionable
+garments, at once suggested to my mind the wanton beauty of the daughter
+of Herodias.
+
+I stared at her silently for a time, and presently her full lips parted
+in a slow smile. My ideas were diverted into another channel.
+
+“You have yet to tell me what alarmed you,” I said in a low voice, but
+as courteously as possible, “and if I can be of any assistance in the
+matter.”
+
+My visitor seemed to recollect her fright--or the necessity for
+simulation. The pupils of her fine eyes seemed to grow larger and
+darker; she pressed her white teeth into her lower lips, and resting her
+hands upon the table leaned toward me.
+
+“I am a stranger to London,” she began, now exhibiting a certain
+diffidence, “and to-night I was looking for the chambers of Mr. Raphael
+Philips of Figtree Court.”
+
+“This is Figtree Court,” I said, “but I know of no Mr. Raphael Philips
+who has chambers here.”
+
+The black eyes met mine despairingly.
+
+“But I am positive of the address!” protested my beautiful but strange
+caller--from her left glove she drew out a scrap of paper, “here it is.”
+
+I glanced at the fragment, upon which, in a woman's hand the words were
+pencilled: “Mr. Raphael Philips, 36-b Figtree Court, London.”
+
+I stared at my visitor, deeply mystified.
+
+“These chambers are 36-b!” I said. “But I am not Raphael Philips, nor
+have I ever heard of him. My name is Malcolm Knox. There is evidently
+some mistake, but”--returning the slip of paper--“pardon me if I remind
+you, I have yet to learn the cause of your alarm.”
+
+“I was followed across the court and up the stairs.”
+
+“Followed! By whom?”
+
+“By a dreadful-looking man, chattering in some tongue I did not
+understand!”
+
+My amazement was momentarily growing greater.
+
+“What kind of a man?” I demanded rather abruptly.
+
+“A yellow-faced man--remember I could only just distinguish him in the
+darkness on the stairway, and see little more of him than his eyes at
+that, and his ugly gleaming teeth--oh! it was horrible!”
+
+“You astound me,” I said; “the thing is utterly incomprehensible.” I
+switched off the light of the lamp. “I'll see if there's any sign of him
+in the court below.”
+
+“Oh, don't leave me! For heaven's sake don't leave me alone!”
+
+She clutched my arm in the darkness.
+
+“Have no fear; I merely propose to look out from this window.”
+
+Suiting the action to the word, I peered down into the court below. It
+was quite deserted. The night was a very dark one, and there were many
+patches of shadow in which a man might have lain concealed.
+
+“I can see no one,” I said, speaking as confidently as possible, and
+relighting the lamp, “if I call a cab for you and see you safely into
+it, you will have nothing to fear, I think.”
+
+“I have a cab waiting,” she replied, and lowering the veil she stood up
+to go.
+
+“Kindly allow me to see you to it. I am sorry you have been subjected to
+this annoyance, especially as you have not attained the object of your
+visit.”
+
+“Thank you so much for your kindness; there must be some mistake about
+the address, of course.”
+
+She clung to my arm very tightly as we descended the stairs, and often
+glanced back over her shoulder affrightedly, as we crossed the court.
+There was not a sign of anyone about, however, and I could not make
+up my mind whether the story of the yellow man was a delusion or a
+fabrication. I inclined to the latter theory, but the object of such a
+deception was more difficult to determine.
+
+Sure enough, a taxicab was waiting at the entrance to the court; and my
+visitor, having seated herself within, extended her hand to me, and even
+through the thick veil I could detect her brilliant smile.
+
+“Thank you so much, Mr. Knox,” she said, “and a thousand apologies. I am
+sincerely sorry to have given you all this trouble.”
+
+The cab drove off. For a moment I stood looking after it, in a state of
+dreamy incertitude, then turned and slowly retraced my steps. Reopening
+the door of my chambers with my key, I returned to my study and sat down
+at the table to endeavour to arrange the facts of what I recognized to
+be a really amazing episode. The adventure, trifling though it seemed,
+undoubtedly held some hidden significance that at present was not
+apparent to me. In accordance with the excellent custom of my friend,
+Paul Harley, I prepared to make notes of the occurrence while the facts
+were still fresh in my memory. At the moment that I was about to begin,
+I made an astounding discovery.
+
+Although I had been absent only a few minutes, and had locked my door
+behind me, the pigtail was gone!
+
+I sat quite still, listening intently. The woman's story of the yellow
+man on the stairs suddenly assumed a totally different aspect--a new and
+sinister aspect. Could it be that the pigtail was at the bottom of the
+mystery?--could it be that some murderous Chinaman who had been lurking
+in hiding, waiting his opportunity, had in some way gained access to my
+chambers during that brief absence? If so, was he gone?
+
+From the table drawer I took out a revolver, ascertained that it was
+fully loaded, and turning up light after light as I proceeded, conducted
+a room-to-room search. It was without result; there was absolutely
+nothing to indicate that anyone had surreptitiously entered or departed
+from my chambers.
+
+I returned to the study and sat gazing at the revolver lying on the
+blotting-pad before me. Perhaps my mind worked slowly, but I think that
+fully fifteen minutes must have passed before it dawned on me that the
+explanation not only of the missing pigtail but of the other incidents
+of the night, was simple enough. The yellow man had been a fabrication,
+and my dark-eyed visitor had not been in quest of “Raphael Philips,” but
+in quest of the pigtail: and her quest had been successful!
+
+“What a hopeless fool I am!” I cried, and banged my fist down upon the
+table, “there was no yellow man at all--there was-----”
+
+My door bell rang. I sprang nervously to my feet, glanced at the
+revolver on the table--and finally dropped it into my coat pocket ere
+going out and opening the door.
+
+On the landing stood a police constable and an officer in plain clothes.
+
+“Your name is Malcolm Knox?” asked the constable, glancing at a
+note-book which he held in his hand.
+
+“It is,” I replied.
+
+“You are required to come at once to Bow Street to identify a woman
+who was found murdered in a taxi-cab in the Strand about eleven o'clock
+to-night.”
+
+I suppressed an exclamation of horror; I felt myself turning pale.
+
+“But what has it to do------”
+
+“The driver stated she came from your chambers, for you saw her off, and
+her last words to you were 'Good night, Mr. Knox, I am sincerely sorry
+to have given you all this trouble.' Is that correct, sir?”
+
+The constable, who had read out the information in an official voice,
+now looked at me, as I stood there stupefied.
+
+“It is,” I said blankly. “I'll come at once.” It would seem that I had
+misjudged my unfortunate visitor: her story of the yellow man on the
+stair had apparently been not a fabrication, but a gruesome fact!
+
+
+
+
+III
+
+HOW I REGAINED IT
+
+
+
+My ghastly duty was performed; I had identified the dreadful thing,
+which less than an hour before had been a strikingly beautiful woman,
+as my mysterious visitor. The police were palpably disappointed at the
+sparsity of my knowledge respecting her. In fact, had it not chanced
+that Detective Sergeant Durham was in the station, I think they would
+have doubted the accuracy of my story.
+
+As a man of some experience in such matters, I fully recognized its
+improbability, but beyond relating the circumstances leading up to my
+possession of the pigtail and the events which had ensued, I could do
+no more in the matter. The weird relic had not been found on the dead
+woman, nor in the cab.
+
+Now the unsavoury business was finished, and I walked along Bow Street,
+racking my mind for the master-key to this mystery in which I was become
+enmeshed. How I longed to rush off to Harley's rooms in Chancery Lane
+and to tell him the whole story! But my friend was a thousand miles
+away--and I had to see the thing out alone.
+
+That the pigtail was some sacred relic stolen from a Chinese temple and
+sought for by its fanatical custodians was a theory which persistently
+intruded itself. But I could find no place in that hypothesis for the
+beautiful Jewess; and that she was intimately concerned I did not doubt.
+A cool survey of the facts rendered it fairly evident that it was she
+and none other who had stolen the pigtail from my rooms. Some third
+party--possibly the “yellow man” of whom she had spoken--had in turn
+stolen it from her, strangling her in the process.
+
+The police theory of the murder (and I was prepared to accept it) was
+that the assassin had been crouching in hiding behind or beside the
+cab--or even within the dark interior. He had leaped in and attacked the
+woman at the moment that the taxi-man had started his engine; if already
+inside, the deed had proven even easier. Then, during some block in the
+traffic, he had slipped out unseen, leaving the body of the victim to be
+discovered when the cab pulled up at the hotel.
+
+I knew of only one place in London where I might hope to obtain useful
+information, and for that place I was making now. It was Malay Jack's,
+whence I had been bound on the previous night when my strange meeting
+with the seaman who then possessed the pigtail had led to a change of
+plan. The scum of the Asiatic population always come at one time or
+another to Jack's, and I hoped by dint of a little patience to achieve
+what the police had now apparently despaired of achieving--the discovery
+of the assassin.
+
+Having called at my chambers to obtain my revolver, I mounted an
+eastward-bound motor-bus. The night, as I have already stated, was
+exceptionally dark. There was no moon, and heavy clouds were spread over
+the sky; so that the deserted East End streets presented a sufficiently
+uninviting aspect, but one with which I was by no means unfamiliar and
+which certainly in no way daunted me.
+
+Changing at Paul Harley's Chinatown base in Wade Street, I turned my
+steps in the same direction as upon the preceding night; but if my
+own will played no part in the matter, then decidedly Providence
+truly guided me. Poetic justice is rare enough in real life, yet I was
+destined to-night to witness swift retribution overtaking a malefactor.
+
+The by-ways which I had trodden were utterly deserted; I was far from
+the lighted high road, and the only signs of human activity that reached
+me came from the adjacent river; therefore, when presently an outcry
+arose from somewhere on my left, for a moment I really believed that my
+imagination was vividly reproducing the episode of the night before!
+
+A furious scuffle--between a European and an Asiatic--was in progress
+not twenty yards away!
+
+Realizing that such was indeed the case, and that I was not the victim
+of hallucination, I advanced slowly in the direction of the sounds,
+but my footsteps reechoed hollowly from wall to wall of the narrow
+passage-way, and my coming brought the conflict to a sudden and dramatic
+termination.
+
+“Thought I wouldn't know yer ugly face, did yer?” yelled a familiar
+voice. “No good squealin'--I got yer! I'd bust you up if I could!”
+ (a sound of furious blows and inarticulate chattering) “but it ain't
+'umanly possible to kill a Chink------”
+
+I hurried forward toward the spot where two dim figures were locked in
+deadly conflict.
+
+“Take that to remember me by!” gasped the husky voice as I ran up.
+
+One of the figures collapsed in a heap upon the ground. The other
+made off at a lumbering gait along a second and even narrower passage
+branching at right angles from that in which the scuffle had taken
+place.
+
+The clatter of the heavy sea-boots died away in the distance. I stood
+beside the fallen man, looking keenly about to right and left; for an
+impression was strong upon me that another than I had been witness of
+the scene--that a shadowy form had slunk back furtively at my approach.
+But the night gave up no sound in confirmation of this, and I could
+detect no sign of any lurker.
+
+I stooped over the Chinaman (for a Chinaman it was) who lay at my feet,
+and directed the ray of my pocket-lamp upon his yellow and contorted
+countenance. I suppressed a cry of surprise and horror.
+
+Despite the human impossibility referred to by the missing fireman, this
+particular Chinaman had joined the shades of his ancestors. I think that
+final blow, which had felled him, had brought his shaven skull in
+such violent contact with the wall that he had died of the thundering
+concussion set up.
+
+Kneeling there and looking into his upturned eyes, I became aware that
+my position was not an enviable one, particularly since I felt little
+disposed to set the law on the track of the real culprit. For this
+man who now lay dead at my feet was doubtless one of the pair who had
+attempted the life of the fireman of the Jupiter.
+
+That my seafaring acquaintance had designed to kill the Chinaman I did
+not believe, despite his stormy words: the death had been an accident,
+and (perhaps my morality was over-broad) I considered the assault to
+have been justified.
+
+Now my ideas led me further yet. The dead Chinaman wore a rough blue
+coat, and gingerly, for I found the contact repulsive, I inserted
+my hand into the inside pocket. Immediately my fingers closed upon a
+familiar object--and I stood up, whistling slightly, and dangling in my
+left hand the missing pigtail!
+
+Beyond doubt Justice had guided the seaman's blows. This was the man who
+had murdered my dark-eyed visitor!
+
+I stood perfectly still, directing the little white ray of my flashlight
+upon the pigtail in my hand. I realized that my position, difficult
+before, now was become impossible; the possession of the pigtail
+compromised me hopelessly. What should I do?
+
+“My God!” I said aloud, “what does it all mean?”
+
+“It means,” said a gruff voice, “that it was lucky I was following you
+and saw what happened!”
+
+I whirled about, my heart leaping wildly. Detective-Sergeant Durham was
+standing watching me, a grim smile upon his face!
+
+I laughed rather shakily.
+
+“Lucky indeed!” I said. “Thank God you're here. This pigtail is a
+nightmare which threatens to drive me mad!”
+
+The detective advanced and knelt beside the crumpled-up figure on the
+ground. He examined it briefly, and then stood up.
+
+“The fact that he had the missing pigtail in his pocket,” he said, “is
+proof enough to my mind that he did the murder.”
+
+“And to mine.”
+
+“There's another point,” he added, “which throws a lot of light on the
+matter. You and Mr. Harley were out of town at the time of the Huang
+Chow case; but the Chief and I outlined it, you remember, one night in
+Mr. Harley's rooms?”
+
+“I remember it perfectly; the giant spider in the coffin------”
+
+“Yes; and a certain Ah Fu, confidential servant of the old man, who used
+to buy the birds the thing fed on. Well, Mr. Knox, Huang Chow was the
+biggest dealer in illicit stuff in all the East End--and this battered
+thing at our feet is--Ah Fu!”
+
+“Huang Chow's servant?”
+
+“Exactly!”
+
+I stared, uncomprehendingly, and:
+
+“In what way does this throw light on the matter?” I asked.
+
+Durham--a very intelligent young officer--smiled significantly.
+
+“I begin to see light!” he declared. “The gentleman who made off just as
+I arrived on the scene probably had a private quarrel with the Chinaman
+and was otherwise not concerned in any way.”
+
+“I am disposed to agree with you,” I said guardedly.
+
+“Of course, you've no idea of his identity?”
+
+“I'm afraid not.”
+
+“We may find him,” mused the officer, glancing at me shrewdly, “by
+applying at the offices of the Planet Line, but I rather doubt it. Also
+I rather doubt if we'll look very far. He's saved us a lot of trouble,
+but”--peering about in the shadowy corners which abounded--“didn't I see
+somebody else lurking around here?”
+
+“I'm almost certain there was someone else!” I cried. “In fact, I could
+all but swear to it.”
+
+“H'm!” said the detective. “He's not here now. Might I trouble you to
+walk along to Limehouse Police Station for the ambulance? I'd better
+stay here.”
+
+I agreed at once, and started off.
+
+Thus a second time my plans were interrupted, for my expedition that
+night ultimately led me to Bow Street, whence, after certain formalities
+had been observed, I departed for my chambers, the mysterious pigtail
+in my pocket. Failing the presence of Durham, the pigtail must have been
+retained as evidence, but:
+
+“We shall know where to find it if it's wanted, Mr. Knox,” said the Yard
+man, “and I can trust you to look after your own property.”
+
+The clock of St. Paul's was chiming the hour of two when I locked the
+door of my chambers and prepared to turn in. The clangour of the final
+strokes yet vibrated through the night's silence when someone set my own
+door bell loudly ringing.
+
+With an exclamation of annoyance I shot back the bolts and threw open
+the door.
+
+A Chinaman stood outside upon the mat!
+
+
+
+
+IV
+
+HOW IT ALL ENDED
+
+
+
+“Me wishee see you,” said the apparition, smiling blandly; “me comee
+in?”
+
+“Come in, by all means,” I said without enthusiasm, and, switching on
+the light in my study, I admitted the Chinaman and stood facing him
+with an expression upon my face which I doubt not was the reverse of
+agreeable.
+
+My visitor, who wore a slop-shop suit, also wore a wide-brimmed bowler
+hat; now, the set bland smile still upon his yellow face, he removed the
+bowler and pointed significantly to his skull.
+
+His pigtail had been severed some three inches from the root!
+
+“You gotchee my pigtail,” he explained; “me callee get it--thank you.”
+
+“Thank you,” I said grimly. “But I must ask you to establish your claim
+rather more firmly.”
+
+“Yessir,” agreed the Chinaman.
+
+And thereupon in tolerable pidgin English he unfolded his tale. He
+proclaimed his name to be Hi Wing Ho, and his profession that of a
+sailor, or so I understood him. While ashore at Suez he had become
+embroiled with some drunken seamen: knives had been drawn, and in the
+scuffle by some strange accident his pigtail had been severed. He
+had escaped from the conflict, badly frightened, and had run a great
+distance before he realized his loss. Since Southern Chinamen of his
+particular Tong hold their pigtails in the highest regard, he had
+instituted inquiries as soon as possible, and had presently learned from
+a Chinese member of the crew of the S.S. Jupiter that the precious queue
+had fallen into the hands of a fireman on that vessel. He (Hi Wing Ho)
+had shipped on the first available steamer bound for England, having in
+the meanwhile communicated with his friend on the Jupiter respecting the
+recovery of the pigtail.
+
+“What was the name of your friend on the Jupiter?”
+
+“Him Li Ping--yessir!”--without the least hesitation or hurry.
+
+I nodded. “Go on,” I said.
+
+He arrived at the London docks very shortly after the Jupiter. Indeed,
+the crew of the latter vessel had not yet been paid off when Hi Wing
+Ho presented himself at the dock gates. He admitted that, finding the
+fireman so obdurate, he and his friend Li Ping had resorted to violence,
+but he did not seem to recognize me as the person who had frustrated
+their designs. Thus far I found his story credible enough, excepting
+the accidental severing of the pigtail at Suez, but now it became
+wildly improbable, for he would have me believe that Li Ping, or Ah Fu,
+obtaining possession of the pigtail (in what manner Hi Wing Ho protested
+that he knew not) he sought to hold it to ransom, knowing how highly Hi
+Wing Ho valued it.
+
+I glared sternly at the Chinaman, but his impassive countenance served
+him well. That he was lying to me I no longer doubted; for Ah Fu could
+not have hoped to secure such a price as would justify his committing
+murder; furthermore, the presence of the unfortunate Jewess in the case
+was not accounted for by the ingenious narrative of Hi Wing Ho. I was
+standing staring at him and wondering what course to adopt, when yet
+again my restless door-bell clamoured in the silence.
+
+Hi Wing Ho started nervously, exhibiting the first symptoms of alarm
+which I had perceived in him. My mind was made up in an instant. I took
+my revolver from the drawer and covered him.
+
+“Be good enough to open the door, Hi Wing Ho,” I said coldly.
+
+He shrank from me, pouring forth voluble protestations.
+
+“Open the door!”
+
+I clenched my left fist and advanced upon him. He scuttled away with his
+odd Chinese gait and threw open the door. Standing before me I saw my
+friend Detective Sergeant Durham, and with him a remarkably tall and
+very large-boned man whose square-jawed face was deeply tanned and whose
+aspect was dourly Scottish.
+
+When the piercing eyes of this stranger rested upon Hi Wing Ho an
+expression which I shall never forget entered into them; an expression
+coldly murderous. As for the Chinaman, he literally crumpled up.
+
+“You rat!” roared the stranger.
+
+Taking one long stride he stooped upon the Chinaman, seized him by the
+back of the neck as a terrier might seize a rat, and lifted him to his
+feet.
+
+“The mystery of the pigtail, Mr. Knox,” said the detective, “is solved
+at last.”
+
+“Have ye got it?” demanded the Scotsman, turning to me, but without
+releasing his hold upon the neck of Hi Wing Ho.
+
+I took the pigtail from my pocket and dangled it before his eyes.
+
+“Suppose you come into my study,” I said, “and explain matters.”
+
+We entered the room which had been the scene of so many singular
+happenings. The detective and I seated ourselves, but the Scotsman,
+holding the Chinaman by the neck as though he had been some inanimate
+bundle, stood just within the doorway, one of the most gigantic
+specimens of manhood I had ever set eyes upon.
+
+“You do the talking, sir,” he directed the detective; “ye have all the
+facts.”
+
+While Durham talked, then, we all listened--excepting the Chinaman, who
+was past taking an intelligent interest in anything, and who, to judge
+from his starting eyes, was being slowly strangled.
+
+“The gentleman,” said Durham--“Mr. Nicholson--arrived two days ago from
+the East. He is a buyer for a big firm of diamond merchants, and some
+weeks ago a valuable diamond was stolen from him------”
+
+“By this!” interrupted the Scotsman, shaking the wretched Hi Wing Ho
+terrier fashion.
+
+“By Hi Wing Ho,” explained the detective, “whom you see before you. The
+theft was a very ingenious one, and the man succeeded in getting away
+with his haul. He tried to dispose of the diamond to a certain Isaac
+Cohenberg, a Singapore moneylender; but Isaac Cohenberg was the bigger
+crook of the two. Hi Wing Ho only escaped from the establishment of
+Cohenberg by dint of sandbagging the moneylender, and quitted the town
+by a boat which left the same night. On the voyage he was indiscreet
+enough to take the diamond from its hiding-place and surreptitiously to
+examine it. Another member of the Chinese crew, one Li Ping--otherwise
+Ah Fu, the accredited agent of old Huang Chow!--was secretly watching
+our friend, and, knowing that he possessed this valuable jewel, he also
+learned where he kept it hidden. At Suez Ah Fu attacked Hi Wing Ho and
+secured possession of the diamond. It was to secure possession of the
+diamond that Ah Fu had gone out East. I don't doubt it. He employed Hi
+Wing Ho--and Hi Wing Ho tried to double on him!
+
+“We are indebted to you, Mr. Knox, for some of the data upon which
+we have reconstructed the foregoing and also for the next link in the
+narrative. A fireman ashore from the Jupiter intruded upon the scene at
+Suez and deprived Ah Fu of the fruits of his labours. Hi Wing Ho seems
+to have been badly damaged in the scuffle, but Ah Fu, the more wily of
+the two, evidently followed the fireman, and, deserting from his own
+ship, signed on with the Jupiter.”
+
+While this story was enlightening in some respects, it was mystifying in
+others. I did not interrupt, however, for Durham immediately resumed:
+
+“The drama was complicated by the presence of a fourth character--the
+daughter of Cohenberg. Realizing that a small fortune had slipped
+through his fingers, the old moneylender dispatched his daughter in
+pursuit of Hi Wing Ho, having learned upon which vessel the latter had
+sailed. He had no difficulty in obtaining this information, for he is in
+touch with all the crooks of the town. Had he known that the diamond had
+been stolen by an agent of Huang Chow, he would no doubt have hesitated.
+Huang Chow has an international reputation.
+
+“However, his daughter--a girl of great personal beauty--relied upon her
+diplomatic gifts to regain possession of the stone, but, poor creature,
+she had not counted with Ah Fu, who was evidently watching your chambers
+(while Hi Wing Ho, it seems, was assiduously shadowing Ah Fu!). How she
+traced the diamond from point to point of its travels we do not know,
+and probably never shall know, but she was undeniably clever and
+unscrupulous. Poor girl! She came to a dreadful end. Mr. Nicholson,
+here, identified her at Bow Street to-night.”
+
+Now the whole amazing truth burst upon me.
+
+“I understand!” I cried. “This”--and I snatched up the pigtail--
+
+“That my pigtail,” moaned Hi Wing Ho feebly.
+
+Mr. Nicholson pitched him unceremoniously into a corner of the room, and
+taking the pigtail in his huge hand, clumsily unfastened it. Out from
+the thick part, some two inches below the point at which it had been cut
+from the Chinaman's head, a great diamond dropped upon the floor!
+
+For perhaps twenty seconds there was perfect silence in my study. No one
+stooped to pick the diamond from the floor--the diamond which now had
+blood upon it. No one, so far as my sense informed me, stirred. But
+when, following those moments of stupefaction, we all looked up--Hi Wing
+Ho, like a phantom, had faded from the room!
+
+
+
+
+
+
+THE HOUSE OF GOLDEN JOSS
+
+
+
+
+
+I
+
+THE BLOOD-STAINED IDOL
+
+
+“Stop when we pass the next lamp and give me a light for my pipe.”
+
+“Why?”
+
+“No! don't look round,” warned my companion. “I think someone is
+following us. And it is always advisable to be on guard in this
+neighbourhood.”
+
+We had nearly reached the house in Wade Street, Limehouse, which my
+friend used as a base for East End operations. The night was dark but
+clear, and I thought that presently when dawn came it would bring a
+cold, bright morning. There was no moon, and as we passed the lamp and
+paused we stood in almost total darkness.
+
+Facing in the direction of the Council School I struck a match. It
+revealed my ruffianly looking companion--in whom his nearest friends
+must have failed to recognize Mr. Paul Harley of Chancery Lane.
+
+He was glancing furtively back along the street, and when a moment later
+we moved on, I too, had detected the presence of a figure stumbling
+toward us.
+
+“Don't stop at the door,” whispered Harley, for our follower was only a
+few yards away.
+
+Accordingly we passed the house in which Harley had rooms, and had
+proceeded some fifteen paces farther when the man who was following us
+stumbled in between Harley and myself, clutching an arm of either. I
+scarcely knew what to expect, but was prepared for anything, when:
+
+“Mates!” said a man huskily. “Mates, if you know where I can get a
+drink, take me there!”
+
+Harley laughed shortly. I cannot say if he remained suspicious of the
+newcomer, but for my own part I had determined after one glance at
+the man that he was merely a drunken fireman newly recovered from a
+prolonged debauch.
+
+“Where 'ave yer been, old son?” growled Harley, in that wonderful
+dialect of his which I had so often and so vainly sought to cultivate.
+“You look as though you'd 'ad one too many already.”
+
+“I ain't,” declared the fireman, who appeared to be in a semi-dazed
+condition. “I ain't 'ad one since ten o'clock last night. It's dope
+wot's got me, not rum.”
+
+“Dope!” said Harley sharply; “been 'avin' a pipe, eh?”
+
+“If you've got a corpse-reviver anywhere,” continued the man in that
+curious, husky voice, “'ave pity on me, mate. I seen a thing to-night
+wot give me the jim-jams.”
+
+“All right, old son,” said my friend good-humouredly; “about turn! I've
+got a drop in the bottle, but me an' my mate sails to-morrow, an' it's
+the last.”
+
+“Gawd bless yer!” growled the fireman; and the three of us--an odd trio,
+truly--turned about, retracing our steps.
+
+As we approached the street lamp and its light shone upon the haggard
+face of the man walking between us, Harley stopped, and:
+
+“Wot's up with yer eye?” he inquired.
+
+He suddenly tilted the man's head upward and peered closely into one of
+his eyes. I suppressed a gasp of surprise for I instantly recognized the
+fireman of the Jupiter!
+
+“Nothin' up with it, is there?” said the fireman.
+
+“Only a lump o' mud,” growled Harley, and with a very dirty handkerchief
+he pretended to remove the imaginary stain, and then, turning to me:
+
+“Open the door, Jim,” he directed.
+
+His examination of the man's eyes had evidently satisfied him that our
+acquaintance had really been smoking opium.
+
+We paused immediately outside the house for which we had been bound, and
+as I had the key I opened the door and the three of us stepped into a
+little dark room. Harley closed the door and we stumbled upstairs to a
+low first-floor apartment facing the street. There was nothing in its
+appointments, as revealed in the light of an oil lamp burning on the
+solitary table, to distinguish it from a thousand other such apartments
+which may be leased for a few shillings a week in the neighbourhood.
+That adjoining might have told a different story, for it more closely
+resembled an actor's dressing-room than a seaman's lodging; but the door
+of this sanctum was kept scrupulously locked.
+
+“Sit down, old son,” said my friend heartily, pushing forward an old
+arm-chair. “Fetch out the grog, Jim; there's about enough for three.”
+
+I walked to a cupboard, as the fireman sank limply down in the chair,
+and took out a bottle and three glasses. When the man, who, as I could
+now see quite plainly, was suffering from the after effects of opium,
+had eagerly gulped the stiff drink which I handed to him, he looked
+around with dim, glazed eyes, and:
+
+“You've saved my life, mates,” he declared. “I've 'ad a 'orrible
+nightmare, I 'ave--a nightmare. See?”
+
+He fixed his eyes on me for a moment, then raised himself from his seat,
+peering narrowly at me across the table.
+
+“I seed you before, mate. Gaw, blimey! if you ain't the bloke wot
+I giv'd the pigtail to! And wot laid out that blasted Chink as was
+scraggin' me! Shake, mate!”
+
+I shook hands with him, Harley eyeing me closely the while, in a
+manner which told me that his quick brain had already supplied the link
+connecting our doped acquaintance with my strange experience during his
+absence. At the same time it occurred to me that my fireman friend
+did not know that Ah Fu was dead, or he would never have broached the
+subject so openly.
+
+“That's so,” I said, and wondered if he required further information.
+
+“It's all right, mate. I don't want to 'ear no more about blinking
+pigtails--not all my life I don't,” and he sat back heavily in his chair
+and stared at Harley.
+
+“Where have you been?” inquired Harley, as if no interruption had
+occurred, and then began to reload his pipe: “at Malay Jack's or at
+Number Fourteen?”
+
+“Neither of 'em!” cried the fireman, some evidence of animation
+appearing in his face; “I been at Kwen Lung's.”
+
+“In Pennyfields?”
+
+“That's 'im, the old bloke with the big joss. I allers goes to see Ma
+Lorenzo when I'm in Port o' London. I've seen 'er for the last time,
+mates.”
+
+He banged a big and dirty hand upon the table.
+
+“Last night I see murder done, an' only that I know they wouldn't
+believe me, I'd walk across to Limehouse P'lice Station presently and
+put the splits on 'em, I would.”
+
+Harley, who was seated behind the speaker, glanced at me significantly.
+
+“Sure you wasn't dreamin'?” he inquired facetiously.
+
+“Dreamin'!” cried the man. “Dreams don't leave no blood be'ind, do
+they?”
+
+“Blood!” I exclaimed.
+
+“That's wot I said--blood! When I woke up this mornin' there was blood
+all on that grinnin' joss--the blood wot 'ad dripped from 'er shoulders
+when she fell.”
+
+“Eh!” said Harley. “Blood on whose shoulders? Wot the 'ell are you
+talkin' about, old son?”
+
+“Ere”--the fireman turned in his chair and grasped Harley by the
+arm--“listen to me, and I'll tell you somethink, I will. I'm goin' in
+the Seahawk in the mornin' see? But if you want to know somethink, I'll
+tell yer. Drunk or sober I bars the blasted p'lice, but if you like
+to tell 'em I'll put you on somethink worth tellin'. Sure the bottle's
+empty, mates?”
+
+I caught Harley's glance and divided the remainder of the whisky evenly
+between the three glasses.
+
+“Good 'ealth,” said the fireman, and disposed of his share at a draught.
+“That's bucked me up wonderful.”
+
+He lay back in his chair and from a little tobacco-box began to fill a
+short clay pipe.
+
+“Look 'ere, mates, I'm soberin' up, like, after the smoke, an' I can
+see, I can see plain, as nobody'll ever believe me. Nobody ever does,
+worse luck, but 'ere goes. Pass the matches.”
+
+He lighted his pipe, and looking about him in a sort of vaguely
+aggressive way:
+
+“Last night,” he resumed, “after I was chucked out of the Dock Gates, I
+made up my mind to go and smoke a pipe with old Ma Lorenzo. Round I goes
+to Pennyfields, and she don't seem glad to see me. There's nobody
+there only me. Not like the old days when you 'ad to book your seat in
+advance.”
+
+He laughed gruffly.
+
+“She didn't want to let me in at first, said they was watched, that if
+a Chink 'ad an old pipe wot 'ad b'longed to 'is grandfather it was good
+enough to get 'im fined fifty quid. Anyway, me bein' an old friend she
+spread a mat for me and filled me a pipe. I asked after old Kwen Lung,
+but, of course, 'e was out gamblin', as usual; so after old Ma Lorenzo
+'ad made me comfortable an' gone out I 'ad the place to myself, and
+presently I dozed off and forgot all about bloody ship's bunkers an'
+nigger-drivin' Scotchmen.”
+
+He paused and looked about him defiantly.
+
+“I dunno 'ow long I slept,” he continued, “but some time in the night I
+kind of 'alf woke up.”
+
+At that he twisted violently in his chair and glared across at Harley:
+
+“You been a pal to me,” he said; “but tell me I was dreamin' again and
+I'll smash yer bloody face!”
+
+He glared for a while, then addressing his narrative more particularly
+to me, he resumed:
+
+“It was a scream wot woke me--a woman's scream. I didn't sit up; I
+couldn't. I never felt like it before. It was the same as bein' buried
+alive, I should think. I could see an' I could 'ear, but I couldn't move
+one muscle in my body. Foller me? An' wot did I see, mates, an' wot did
+I 'ear? I'm goin' to tell yer. I see old Kwen Lung's daughter------”
+
+“I didn't know 'e 'ad one,” murmured Harley.
+
+“Then you don't know much!” shouted the fireman. “I knew years ago, but
+'e kept 'er stowed away somewhere up above, an' last night was the first
+time I ever see 'er. It was 'er shriek wot 'ad reached me, reached me
+through the smoke. I don't take much stock in Chink gals in general, but
+this one's mother was no Chink, I'll swear. She was just as pretty as a
+bloomin' ivory doll, an' as little an' as white, and that old swine Kwen
+Lung 'ad tore the dress off of 'er shoulders with a bloody great whip!”
+
+Harley was leaning forward in his seat now, intent upon the man's
+story, and although I could not get rid of the idea that our friend
+was relating the events of a particularly unpleasant opium dream,
+nevertheless I was fascinated by the strange story and by the strange
+manner of its telling.
+
+“I saw the blood drip from 'er bare shoulders, mates,” the man continued
+huskily, and with his big dirty hands he strove to illustrate his words.
+“An' that old yellow devil lashed an' lashed until the poor gal was past
+screamin'. She just sunk down on the floor all of a 'cap, moanin' and
+moanin'--Gawd! I can 'ear 'er moanin' now!”
+
+“Meanwhile, 'ere's me with murder in me 'eart lyin' there watchin',
+an' I can't speak, no! I can't even curse the yellow rat, an' I can't
+move--not a 'and, not a foot! Just as she fell there right up against
+the joss an' 'er blood trickled down on 'is gilded feet, old Ma Lorenzo
+comes staggerin' in. I remember all this as clear as print, mates,
+remember it plain, but wot 'appened next ain't so good an' clear.
+Somethink seemed to bust in me 'ead. Only just before I went off, the
+winder--there's only one in the room--was smashed to smithereens an'
+somebody come in through it.”
+
+“Are you sure?” said Harley eagerly. “Are you sure?”
+
+That he was intensely absorbed in the story he revealed by a piece of
+bad artistry, very rare in him. He temporarily forgot his dialect. Our
+marine friend, however, was too much taken up with his own story to
+notice the slip, and:
+
+“Dead sure!” he shouted.
+
+He suddenly twisted around in his chair.
+
+“Tell me I was dreamin', mate,” he invited, “and if you ain't dreamin'
+in 'arf a tick it won't be because I 'aven't put yer to sleep!”
+
+“I ain't arguin', old son,” said Harley soothingly. “Get on with your
+yarn.”
+
+“Ho!” said the fireman, mollified, “so long as you ain't. Well, then,
+it's all blotted out after that. Somebody come in at the winder, but 'oo
+it was or wot it was I can't tell yer, not for fifty quid. When I woke
+up, which is about 'arf an hour before you see me, I'm all alone--see?
+There's no sign of Kwen Lung nor the gal nor old Ma Lorenzo nor anybody.
+I sez to meself, wot you keep on sayin'. I sez, 'You're dreamin',
+Bill.'”
+
+“But I don't think you was,” declared Harley. “Straight I don't.”
+
+“I know I wasn't!” roared the fireman, and banged the table lustily. “I
+see 'er blood on the joss an' on the floor where she lay!”
+
+“This morning?” I interjected.
+
+“This mornin', in the light of the little oil lamp where old Ma Lorenzo
+'ad roasted the pills! It's all still an' quiet an' I feel more dead
+than alive. I'm goin' to give 'er a hail, see? When I sez to myself,
+'Bill,' I sez, 'put out to sea; you're amongst Kaffirs, Bill.' It
+occurred to me as old Kwen Lung might wonder 'ow much I knew. So I beat
+it. But when I got in the open air I felt I'd never make my lodgin's
+without a tonic. That's 'ow I come to meet you, mates.
+
+“Listen--I'm away in the old Seahawk in the mornin', but I'll tell you
+somethink. That yellow bastard killed his daughter last night! Beat 'er
+to death. I see it plain. The sweetest, prettiest bit of ivory as Gawd
+ever put breath into. If 'er body ain't in the river, it's in the 'ouse.
+Drunk or sober, I never could stand the splits, but mates”--he stood
+up, and grasping me by the arm, he drew me across the room where he also
+seized Harley in his muscular grip--“mates,” he went on earnestly, “she
+was the sweetest, prettiest little gal as a man ever clapped eyes on.
+One of yer walk into Limehouse Station an' put the koppers wise. I'd
+sleep easier at sea if I knew old Kwen Lung 'ad gone west on a bloody
+rope's end.”
+
+
+
+
+II
+
+AT KWEN LUNG'S
+
+
+
+For fully ten minutes after the fireman had departed Paul Harley sat
+staring abstractedly in front of him, his cold pipe between his teeth,
+and knowing his moods I intruded no words upon this reverie, until:
+
+“Come on, Knox,” he said, standing up suddenly, “I think this matter
+calls for speedy action.”
+
+“What! Do you think the man's story was true?”
+
+“I think nothing. I am going to look at Kwen Lung's joss.”
+
+Without another word he led the way downstairs and out into the deserted
+street. The first gray halftones of dawn were creeping into the sky,
+so that the outlines of Limehouse loomed like dim silhouettes about
+us. There was abundant evidence in the form of noises, strange and
+discordant, that many workers were busy on dock and riverside, but the
+streets through which our course lay were almost empty. Sometimes a
+furtive shadow would move out of some black gully and fade into a dimly
+seen doorway in a manner peculiarly unpleasant and Asiatic. But we met
+no palpable pedestrian throughout the journey.
+
+Before the door of a house in Pennyfields which closely resembled that
+which we had left in Wade Street, in that it was flatly uninteresting,
+dirty and commonplace, we paused. There was no sign of life about the
+place and no lights showed at any of the windows, which appeared as
+dim cavities--eyeless sockets in the gray face of the building, as dawn
+proclaimed the birth of a new day.
+
+Harley seized the knocker and knocked sharply. There was no response,
+and he repeated the summons, but again without effect. Thereupon, with a
+muttered exclamation, he grasped the knocker a third time and executed a
+veritable tattoo upon the door. When this had proceeded for about half a
+minute or more:
+
+“All right, all right!” came a shaky voice from within. “I'm coming.”
+
+Harley released the knocker, and, turning to me:
+
+“Ma Lorenzo,” he whispered. “Don't make any mistakes.”
+
+Indeed, even as he warned me, heralded by a creaking of bolts and the
+rattling of a chain, the door was opened by a fat, shapeless, half-caste
+woman of indefinite age; in whose dark eyes, now sunken in bloated
+cheeks, in whose full though drooping lips, and even in the whole
+overlaid contour of whose face and figure it was possible to recognize
+the traces of former beauty. This was Ma Lorenzo, who for many years had
+lived at that address with old Kwen Lung, of whom strange stories were
+told in Chinatown.
+
+As Bill Jones, A.B., my friend, Paul Harley, was well known to Ma
+Lorenzo as he was well known to many others in that strange colony which
+clusters round the London docks. I sometimes enjoyed the privilege of
+accompanying my friend on a tour of investigation through the weird
+resorts which abound in that neighbourhood, and, indeed, we had been
+returning from one of these Baghdad nights when our present adventure
+had been thrust upon us. Assuming a wild and boisterous manner which he
+had at command:
+
+“'Urry up, Ma!” said Harley, entering without ceremony; “I want to
+introduce my pal Jim 'ere to old Kwen Lung, and make it all right for
+him before I sail.”
+
+Ma Lorenzo, who was half Portuguese, replied in her peculiar accent:
+
+“This no time to come waking me up out of bed!”
+
+But Harley, brushing past her, was already inside the stuffy little
+room, and I hastened to follow.
+
+“Kwen Lung!” shouted my friend loudly. “Where are you? Brought a friend
+to see you.”
+
+“Kwen Lung no hab,” came the complaining tones of Ma Lorenzo from behind
+us.
+
+It was curious to note how long association with the Chinese had
+resulted in her catching the infection of that pidgin-English which is a
+sort of esperanto in all Asiatic quarters.
+
+“Eh!” cried my friend, pushing open a door on the right of the passage
+and stumbling down three worn steps into a very evil-smelling room.
+“Where is he?”
+
+“Go play fan-tan. Not come back.”
+
+Ma Lorenzo, having relocked the street door, had rejoined us, and as I
+followed my friend down into the dim and uninviting apartment she stood
+at the top of the steps, hands on hips, regarding us.
+
+The place, which was quite palpably an opium den, must have disappointed
+anyone familiar with the more ornate houses of Chinese vice in San
+Francisco and elsewhere. The bare floor was not particularly clean, and
+the few decorations which the room boasted were garishly European for
+the most part. A deep divan, evidently used sometimes as a bed, occupied
+one side of the room, and just to the left of the steps reposed the only
+typically Oriental object in the place.
+
+It was a strange thing to see in so sordid a setting; a great gilded
+joss, more than life-size, squatting, hideous, upon a massive pedestal;
+a figure fit for some native temple but strangely out of place in that
+dirty little Limehouse abode.
+
+I had never before visited Kwen Lung's, but the fame of his golden joss
+had reached me, and I know that he had received many offers for it, all
+of which he had rejected. It was whispered that Kwen Lung was rich,
+that he was a great man among the Chinese, and even that some kind of
+religious ceremony periodically took place in his house. Now, as I stood
+staring at the famous idol, I saw something which made me stare harder
+than ever.
+
+The place was lighted by a hanging lamp from which depended bits of
+coloured paper and several gilded silk tassels; but dim as the light was
+it could not conceal those tell-tale stains.
+
+There was blood on the feet of the golden idol!
+
+All this I detected at a glance, but ere I had time to speak:
+
+“You can't tell me that tale, Ma!” cried Harley. “I believe 'e was
+smokin' in 'ere when we knocked.”
+
+The woman shrugged her fat shoulders.
+
+“No, hab,” she repeated. “You two johnnies clear out. Let me sleep.”
+
+But as I turned to her, beneath the nonchalant manner I could detect a
+great uneasiness; and in her dark eyes there was fear. That Harley also
+had seen the bloodstains I was well aware, and I did not doubt that
+furthermore he had noted the fact that the only mat which the room
+boasted had been placed before the joss--doubtless to hide other stains
+upon the boards.
+
+As we stood so I presently became aware of a current of air passing
+across the room in the direction of the open door. It came from a window
+before which a tawdry red curtain had been draped. Either the window
+behind the curtain was wide open, which is alien to Chinese habits,
+or it was shattered. While I was wondering if Harley intended to
+investigate further:
+
+“Come on, Jim!” he cried boisterously, and clapped me on the shoulder;
+“the old fox don't want to be disturbed.”
+
+He turned to the woman:
+
+“Tell him when he wakes up, Ma,” he said, “that if ever my pal Jim wants
+a pipe he's to 'ave one. Savvy? Jim's square.”
+
+“Savvy,” replied the woman, and she was wholly unable to conceal her
+relief. “You clear out now, and I tell Kwen Lung when he come in.”
+
+“Righto, Ma!” said Harley. “Kiss 'im on both cheeks for me, an' tell 'im
+I'll be 'ome again in a month.”
+
+Grasping me by the arm he lurched up the steps, and the two of us
+presently found ourselves out in the street again. In the growing
+light the squalor of the district was more evident than ever, but the
+comparative freshness of the air was welcome after the reek of that room
+in which the golden idol sat leering, with blood at his feet.
+
+“You saw, Harley?” I exclaimed excitedly. “You saw the stains? And I'm
+certain the window was broken!”
+
+Harley nodded shortly.
+
+“Back to Wade Street!” he said. “I allow myself fifteen minutes to shed
+Bill Jones, able seaman, and to become Paul Harley, of Chancery Lane.”
+
+As we hurried along:
+
+“What steps shall you take?” I asked.
+
+“First step: search Kwen Lung's house from cellar to roof. Second step:
+entirely dependent upon result of first. The Chinese are subtle, Knox.
+If Kwen Lung has killed his daughter, it may require all the resources
+of Scotland Yard to prove it.”
+
+“But------”
+
+“There is no 'but' about it. Chinatown is the one district of London
+which possesses the property of swallowing people up.”
+
+
+
+
+III
+
+“CAPTAIN DAN”
+
+
+
+Half an hour later, as I sat in the inner room before the great
+dressing-table laboriously removing my disguise--for I was utterly
+incapable of metamorphosing myself like Harley in seven minutes--I
+heard a rapping at the outer door. I glanced nervously at my face in the
+mirror.
+
+Comparatively little of “Jim” had yet been removed, for since time was
+precious to my friend I had acted as his dresser before setting to work
+to remove my own make-up. There were two entrances to the establishment,
+by one of which Paul Harley invariably entered and invariably went out,
+and from the other of which “Bill Jones” was sometimes seen to emerge,
+but never Paul Harley. That my friend had made good his retirement I
+knew, but, nevertheless, if I had to open the door of the outer room it
+must be as “Jim.”
+
+Thinking it impolite not to do so, since the one who knocked might be
+aware that we had come in but not gone out again, I hastily readjusted
+that side of my moustache which I had begun to remove, replaced my
+cap and muffler, and carefully locking the door of the dressing-room,
+crossed the outer apartment and opened the door.
+
+It was Harley's custom never to enter or leave these rooms except under
+the mantle of friendly night, but at so early an hour I confess I had
+not expected a visitor. Wondering whom I should find there I opened the
+door.
+
+Standing on the landing was a fellow-lodger who permanently occupied
+the two top rooms of the house. Paul Harley had taken the trouble to
+investigate the man's past, for “Captain Dan,” the name by which he was
+known in the saloons and worse resorts which he frequented, was palpably
+a broken-down gentleman; a piece of flotsam caught in the yellow stream.
+Opium had been his downfall. How he lived I never knew, but Harley
+believed he had some small but settled income, sufficient to enable him
+to kill himself in comfort with the black pills.
+
+As he stood there before me in the early morning light, I was aware of
+some subtle change in his appearance. It was fully six months since I
+had seen him last, but in some vague way he looked younger. Haggard
+he was, with an ugly cut showing on his temple, but not so lined as
+I remembered him. Some former man seemed to be struggling through the
+opium-scarred surface. His eyes were brighter, and I noted with surprise
+that he wore decent clothes and was clean shaved.
+
+“Good morning, Jim,” he said; “you remember me, don't you?”
+
+As he spoke I observed, too, that his manner had altered. He who had
+consorted with the sweepings af the doss-houses now addressed me as
+a courteous gentleman addresses an inferior--not haughtily or
+patronizingly, but with a note of conscious superiority and self-respect
+wholly unfamiliar. Almost it threw me off my guard, but remembering in
+the nick of time that I was still “Jim”:
+
+“Of course I remember you, Cap'n,” I said. “Step inside.”
+
+“Thanks,” he replied, and followed me into the little room.
+
+I placed for him the arm-chair which our friend the fireman had so
+recently occupied, but:
+
+“I won't sit down,” he said.
+
+And now I observed that he was evidently in a condition of repressed
+excitement. Perhaps he saw the curiosity in my glance, for he suddenly
+rested both his hands on my shoulders, and:
+
+“Yes, I have given up the dope, Jim,” he said---“done with it for ever.
+There's not a soul in this neighbourhood I can trust, yet if ever a man
+wanted a pal, I want one to-day. Now, you're square, my lad. I always
+knew that, in spite of the dope; and if I ask you to do a little thing
+that means a lot to me, I think you will do it. Am I right?”
+
+“If it can be done, I'll do it,” said I.
+
+“Then, listen. I'm leaving England in the Patna for Singapore. She sails
+at noon to-morrow, and passengers go on board at ten o'clock. I've got
+my ticket, papers in order, but”--he paused impressively, grasping my
+shoulders hard--“I must get on board to-night.”
+
+I stared him in the face.
+
+“Why?” I asked.
+
+He returned my look with one searching and eager; then:
+
+“If I show you the reason,” said he, “and trust you with all my papers,
+will you go down to the dock--it's no great distance--and ask to see
+Marryat, the chief officer? Perhaps you've sailed with him?”
+
+“No,” I replied guardedly. “I was never in the Patna.”
+
+“Never mind. When you give him a letter which I shall write he will make
+the necessary arrangements for me to occupy my state-room to-night. I
+knew him well,” he explained, “in--the old days. Will you do it, Jim?”
+
+“I'll do it with pleasure,” I answered.
+
+“Shake!” said Captain Dan.
+
+We shook hands heartily, and:
+
+“Now I'll show you the reason,” he added. “Come upstairs.”
+
+Turning, he led the way upstairs to his own room, and wondering greatly,
+I followed him in. Never having been in Captain Dan's apartments I
+cannot say whether they, like their occupant, had changed for the
+better. But I found myself in a room surprisingly clean and with a note
+of culture in its appointments which was even more surprising.
+
+On a couch by the window, wrapped in a fur rug, lay the prettiest
+half-caste girl I had ever seen, East or West. Her skin was like cream
+rose petals and her abundant hair was of wonderful lustrous black.
+Perhaps it was her smooth warm colour which suggested the idea, but
+as her cheeks flushed at sight of Captain Dan and the long dark eyes
+lighted up in welcome, I thought of a delicate painting on ivory and I
+wondered more and more what it all could mean.
+
+“I have brought Jim to see you,” said Captain Dan. “No, don't trouble to
+move dear.”
+
+But even before he had spoken I had seen the girl wince with pain as she
+had endeavoured to sit up to greet us. She lay on her side in a rather
+constrained attitude, but although her sudden movement had brought tears
+to her eyes she smiled bravely and extended a tiny ivory hand to me.
+
+“This is my wife, Jim!” said Captain Dan.
+
+I could find no words at all, but merely stood there looking very
+awkward and feeling almost awed by the indescribable expression of trust
+in the eyes of the little Eurasian, as with her tiny fingers hidden in
+her husband's clasp she lay looking up at him.
+
+“Now you know, Jim,” said he, “why we must get aboard the Patna
+to-night. My wife is really too ill to travel; in fact, I shall have
+to carry her down to the cab, and such a proceeding in daylight would
+attract an enormous crowd in this neighbourhood!”
+
+“Give me the letters and the papers,” I answered. “I will start now.”
+
+His wife disengaged her hand and extended it to me.
+
+“Thank you,” she said, in a queer little silver-bell voice; “you are
+good. I shall always love you.”
+
+
+
+
+IV
+
+THE SECRET OF MA LORENZO
+
+
+
+It must have been about eleven o'clock that night when Paul Harley rang
+me up. Since we had parted in the early morning I had had no word from
+him, and I was all anxiety to tell him of the quaint little romance
+which unknown to us had had its setting in the room above.
+
+In accordance with my promise I had seen the chief officer of the Patna;
+and from the start of surprise which he gave on opening “Captain Dan's”
+ letter, I judged that Mr. Marryat and the man who for so long had sunk
+to the lowest rung of the ladder had been close friends in those “old
+days.” At any rate, he had proceeded to make the necessary arrangements
+without a moment's delay, and the couple were to go on board the Patna
+at nine o'clock.
+
+It was with a sense of having done at least one good deed that I finally
+quitted our Limehouse base and returned to my rooms. Now, at eleven
+o'clock at night:
+
+“Can you come round to Chancery Lane at once?” said Harley. “I want you
+to run down to Pennyfields with me.”
+
+“Some development in the Kwen Lung business?”
+
+“Hardly a development, but I'm not satisfied, Knox. I hate to be
+beaten.”
+
+Twenty minutes later I was sitting in Harley's study, watching him
+restlessly promenading up and down before the fire.
+
+“The police searched Kwen Lung's place from foundation to tiles,” he
+said. “I was there myself. Old Kwen Lung conveniently kept out of the
+way--still playing fan-tan, no doubt! But Ma Lorenzo was in evidence.
+She blandly declared that Kwen Lung never had a daughter! And in the
+absence of our friend the fireman, who sailed in the Seahawk, and whose
+evidence, by the way, is legally valueless--what could we do? They could
+find nobody in the neighbourhood prepared to state that Kwen Lung had
+a daughter or that Kwen Lung had no daughter. There are all sorts of
+fables about the old fox, but the facts about him are harder to get at.”
+
+“But,” I explained, “the bloodstains on the joss!”
+
+“Ma Lorenzo stumbled and fell there on the previous night, striking her
+skull against the foot of the figure.”
+
+“What nonsense!” I cried. “We should have seen the wound last night.”
+
+“We might have done,” said Harley musingly; “I don't know when she
+inflicted it on herself; but I did see it this morning.”
+
+“What!”
+
+“Oh, the gash is there all right, partly covered by her hair.”
+
+He stood still, staring at me oddly.
+
+“One meets with cases of singular devotion in unexpected quarters
+sometimes,” he said.
+
+“You mean that the woman inflicted the wound upon herself in
+order------”
+
+“To save old Kwen Lung--exactly! It's marvellous.”
+
+“Good heavens!” I exclaimed. “And the window?”
+
+“Oh! it was broken right enough--by two drunken sailormen fighting in
+the court outside! Sash and everything smashed to splinters.”
+
+He began irritably to pace the carpet again.
+
+“It must have been a devil of a fight!” he added savagely.
+
+“Meanwhile,” said I, “where is old Kwen Lung hiding?”
+
+“But more particularly,” cried Harley, “where has he hidden the poor
+victim? Come along, Knox! I'm going down there for a final look round.”
+
+“Of course the premises are being watched?”
+
+“Of course--and also, of course, I shall be the laughing stock of
+Scotland Yard if nothing results.”
+
+It was close on midnight when once more I found myself in Pennyfields.
+Carried away by Harley's irritable excitement I had quite forgotten the
+romance of Captain Dan; and when, having exchanged greetings with the
+detective on duty hard by the house of Kwen Lung, we presently found
+ourselves in the presence of Ma Lorenzo, I scarcely knew for a moment if
+I were “Jim” or my proper self.
+
+“Is Kwen Lung in?” asked Harley sternly.
+
+The woman shook her head.
+
+“No,” she replied; “he sometimes stop away a whole week.”
+
+“Does he?” jerked Harley. “Come in, Knox; we'll take another look
+round.”
+
+A moment later I found myself again in the room of the golden joss.
+The red curtain had been removed from before the shattered window,
+but otherwise the place looked exactly as it had looked before. The
+atmosphere was much less stale, however, but there was something
+repellent about the great gilded idol smiling eternally from his
+pedestal beside the door.
+
+I stared into the leering face, and it was the face of one who knew and
+who might have said: “Yes! this and other things equally strange have I
+beheld in many lands as well as England. Much I could tell. Many things
+grim and terrible, and some few joyous; for behold! I smile but am
+silent.”
+
+For a while Harley stared abstractedly at the bloodstains on the
+pedestal of the joss and upon the floor beneath from which the matting
+had been pulled back. Suddenly he turned to Ma Lorenzo:
+
+“Where have you hidden the body?” he demanded.
+
+Watching her, I thought I saw the woman flinch, but there was enough
+of the Oriental in her composition to save her from self-betrayal. She
+shook her head slowly, watching Harley through half-closed eyes.
+
+“Nobody hab,” she replied.
+
+And I thought for once that her lapse into pidgin had been deliberate
+and not accidental.
+
+When finally we quitted the house of the missing Kwen Lung, and when,
+Harley having curtly acknowledged “good night” from the detective on
+duty, we came out into Limehouse Causeway.
+
+“You have not overlooked the possibility, Harley,” I said, “that this
+woman's explanation may be true, and that the fireman of the Seahawk may
+have been entertaining us with an account of a weird dream?”
+
+“No!” snapped Harley--“neither will Scotland Yard overlook it.”
+
+He was in a particularly impossible mood, for he so rarely made mistakes
+that to be detected in one invariably brought out those petulant traits
+of character which may have been due in some measure to long residence
+in the East. Recognizing that he would rather be alone I parted from
+him at the corner of Chancery Lane and returned to my own chambers.
+Furthermore, I was very tired, for it was close upon two o'clock, and on
+turning in I very promptly went to sleep, nor did I awaken until late in
+the morning.
+
+For some odd reason, but possibly because the fact had occurred to me
+just as I was retiring, I remembered at the moment of waking that I had
+not told Harley about the romantic wedding of Captain Dan. As I had left
+my friend in very ill humour I thought that this would be a good excuse
+for an early call, and just before eleven o'clock I walked into his
+office. Innes, his invaluable secretary, showed me into the study at the
+back.
+
+“Hallo, Knox,” said Harley, looking up from a little silver Buddha which
+he was examining, “have you come to ask for news of the Kwen Lung case?”
+
+“No,” I replied. “Is there any?”
+
+Harley shook his head.
+
+“It seems like fate,” he declared, “that this thing should have been
+sent to me this morning.” He indicated the silver Buddha. “A present
+from a friend who knows my weakness for Chinese ornaments,” he explained
+grimly. “It reminds me of that damned joss of Kwen Lung's!”
+
+I took up the little image and examined it with interest. It was most
+beautifully fashioned in the patient Oriental way, and there was a
+little hinged door in the back which fitted so perfectly that when
+closed it was quite impossible to detect its presence. I glanced at
+Harley.
+
+“I suppose you didn't find a jewel inside?” I said lightly.
+
+“No,” he replied; “there was nothing inside.”
+
+But even as he uttered the words his whole expression changed, and so
+suddenly as to startle me. He sprang up from the table, and:
+
+“Have you an hour to spare, Knox?” he cried excitedly.
+
+“I can spare an hour, but what for?”
+
+“For Kwen Lung!”
+
+Four minutes later we were speeding in the direction of Limehouse, and
+not a word of explanation to account for this sudden journey could I
+extract from my friend. Therefore I beguiled the time by telling him of
+my adventure with Captain Dan.
+
+Harley listened to the story in unbroken silence, but at its termination
+he brought his hand down sharply on my knee.
+
+“I have been almost perfectly blind, Knox,” he said; “but not quite so
+perfectly blind as you!”
+
+I stared at him in amazement, but he merely laughed and offered no
+explanation of his words.
+
+Presently, then, I found myself yet again in the familiar room of the
+golden joss. Ma Lorenzo, in whom some hidden anxiety seemed to have
+increased since I had last seen her, stood at the top of the stairs
+watching us. Upon what idea my friend was operating and what he intended
+to do I could not imagine; but without a word to the woman he crossed
+the room and grasping the great golden idol with both arms he dragged it
+forward across the floor!
+
+As he did so there was a stifled shriek, and Ma Lorenzo, stumbling down
+the steps, threw herself on her knees before Harley! Raising imploring
+hands:
+
+“No, no!” she moaned. “Not until I tell you--I tell you everything
+first!”
+
+“To begin with, tell me how to open this thing,” he said sternly.
+
+Momentarily she hesitated, and did not rise from her knees, but:
+
+“Do you hear me?” he cried.
+
+The woman rose unsteadily and walking slowly round the joss manipulated
+some hidden fastening, whereupon the entire back of the thing opened
+like a door! From what was within she shudderingly averted her face,
+but Harley, stepping back against the wall, stopped and peered into the
+cavity.
+
+“Good God!” he muttered. “Come and look, Knox.”
+
+Prepared by his manner for some gruesome spectacle, I obeyed--and from
+that which I saw I recoiled in horror.
+
+“Harley,” I whispered, “Harley! who is it?”
+
+The spectacle had truly sickened me. Crouched within the narrow space
+enclosed by the figure of the idol was the body of an old and wrinkled
+Chinaman! His knees were drawn up to his chin, and his head so
+compressed upon them that little of his features could be seen.
+
+“It is Kwen Lung!” murmured Ma Lorenzo, standing with clasped hands and
+wild eyes over by the window. “Kwen Lung--and I am glad he is dead!”
+
+Such a note of hatred came into her voice as I had never heard in the
+voice of any woman.
+
+“He is vile, a demon, a mocking cruel demon! Long, long years ago I
+would have killed him, but always I was afraid. I tell you everything,
+everything. This is how he comes to be dead. The little one”--again
+her voice changed and a note of almost grotesque tenderness came into
+it--“the lotus-flower, that is his own daughter's child, flesh of
+his flesh, he keeps a prisoner as the women of China are kept, up
+there”--she raised one fat finger aloft--“up above. He does not know
+that someone comes to see her--someone who used to come to smoke but who
+gave it up because he had looked into the dear one's eye. He does not
+know that she goes with me to see her man. Ah! we think he does not
+know! I--I arrange it all. A week ago they were married. Tuesday night,
+when Kwen Lung die, I plan for her to steal away for ever, for ever.”
+
+Tears now were running down the woman's fat cheeks, and her voice
+quivered emotionally.
+
+“For me it is the end, but for her it is the beginning of life. All
+right! I don't matter a damn! She is young and beautiful. Ah, God! so
+beautiful! A drunken pig comes here and finds his way in, so I give him
+the smoke and presently he sleeps, but it makes delay, and I don't know
+how soon Kwen Lung, that yellow demon, will wake. For he is like the
+bats who sleep all day and wake at night.
+
+“At last the sailor pig sleeps and I call softly to my dear little one
+that the time has come. I have gone out into the street, locking
+the door behind me, to see if her man is waiting, and I hear her
+shrieks--her shrieks! I hurry back. My hands tremble so much that I can
+scarcely unlock the door. At last I enter, and I see and I know--that
+yellow devil has learned all and has been playing with us like cat and
+mouse! He is lashing her, with a great whip! Lashing her--that tiny,
+sweet flower. Ah!”
+
+She choked in her utterance, and turning to the gilded joss which
+contained the dead Chinaman she shook her clenched hands at it, and the
+expression on her face I can never forget. Then:
+
+“As I shriek curses at him, crash goes the window--and I see her husband
+spring into the room! The tender one had fallen, there at the foot
+of the joss, and Kwen Lung, his teeth gleaming--like a rat--like a
+devil--turns to meet him. So he is when her man strike him, once. Just
+once, here.” She rested her hand upon her heart. “And he falls--and
+he coughs. He lie still. For him it is finished. That devil heart has
+ceased to beat. Ah!”
+
+She threw up her hands, and:
+
+“That is all. I tell you no more.”
+
+“One thing more,” said Harley sternly; “the name of the man who killed
+Kwen Lung?”
+
+At that Ma Lorenzo slowly raised her head and folded her arms across her
+bosom. There was something one could never forget in the expression of
+her fat face.
+
+“Not if you burn me alive!” she answered in a low voice. “No one ever
+knows that--from me.”
+
+She sank on to the divan and buried her face in her hands. Her fat
+shoulders shook grotesquely; and Harley stood perfectly still staring
+across at her for fully a minute. I could hear voices in the street
+outside and the hum of traffic in Limehouse Causeway.
+
+Then my friend did a singular thing. Walking over to the gilded joss
+he reclosed the opening and not without a great effort pushed the great
+idol back against the wall.
+
+“There are times, Knox,” he said, staring at me oddly, “when I'm glad
+that I am not an official agent of the law.”
+
+While I watched him dumfounded he walked across to the woman and touched
+her on the shoulder. She raised her tear-stained face.
+
+“All right,” she whispered. “I am ready.”
+
+“Get ready as soon as you like,” said he tersely.
+
+“I'll have the man removed who is watching the house, and you can reckon
+on forty-eight hours to make yourself scarce.”
+
+With never another word he seized me by the arm and hurried me out
+of the place! Ten paces along the street a shabby-looking fellow was
+standing, leaning against a pillar. Harley stopped, and:
+
+“Even the greatest men make mistakes sometimes, Hewitt,” he remarked.
+“I'm throwing up the case; probably Inspector Wessex will do the same.
+Good morning.”
+
+On towards the Causeway he led me--for not a word was I capable of
+uttering; and just before we reached that artery of Chinatown, from
+down-river came the deep, sustained note of a steamer's siren, the
+warning of some big liner leaving dock.
+
+“That will be the Patna,” said Harley. “She sails at twelve o'clock, I
+think you said?”
+
+
+
+
+
+
+MAN WITH THE SHAVEN SKULL
+
+
+
+
+
+I
+
+A STRANGE DISAPPEARANCE
+
+
+
+“Pull that light lower,” ordered Inspector Wessex. “There you are, Mr.
+Harley; what do you make of it?”
+
+Paul Harley and I bent gingerly over the ghastly exhibit to which
+the C.I.D. official had drawn our attention, and to view which we had
+journeyed from Chancery Lane to Wapping.
+
+This was the body of a man dressed solely in ragged shirt and trousers.
+But the remarkable feature of his appearance lay in the fact that every
+scrap of hair from chin, lip, eyebrows and skull had been shaved off!
+
+There was another facial disfigurement, peculiarly and horribly Eastern,
+which my pen may not describe.
+
+“Impossible to identify!” murmured Harley. “Yes, you were right,
+Inspector; this is a victim of Oriental deviltry. Look here, too!”
+
+He indicated three small wounds, one situated on the left shoulder and
+the others on the forearm of the dead man.
+
+“The divisional surgeon cannot account for them,” replied Wessex. “They
+are quite superficial, and he thinks they may be due to the fact that
+the body got entangled with something in the river.”
+
+“They are due to the fact that the man had a birthmark on his shoulder
+and something--probably a name or some device--tattooed on his arm,”
+ said Harley quietly. “Some few years ago, I met with a similar case in
+the neighbourhood of Stambul. A woman,” he added, significantly.
+
+Detective-Inspector Wessex listened to my companion with respect, for
+apart from his established reputation as a private inquiry-agent which
+had made his name familiar in nearly every capital of the civilized
+world, Paul Harley's work in Constantinople during the six months
+preceding war with Turkey had merited higher reward than it had ever
+received. Had his recommendations been adopted the course of history
+must have been materially changed.
+
+“You think it's a Chinatown case, then, Mr. Harley?”
+
+“Possibly,” was the guarded answer.
+
+Paul Harley nodded to the constable in charge, and the ghastly figure
+was promptly covered up again. My friend stood staring vacantly at
+Wessex, and presently:
+
+“The chief actor, I think, will prove to be not Chinese,” he said,
+turned, and walked out.
+
+“If there's any development,” remarked Wessex as the three of us entered
+Harley's car, which stood at the door, “I will, of course, report
+to you, Mr. Harley. But in the absence of any clue or mark of
+identification, I fear the verdict will be, 'Body of a man unknown,'
+etc., which has marked the finish of a good many in this cheerful
+quarter of London.”
+
+“Quite so,” said Harley, absently. “It presents extraordinary features,
+though, and may not end as you suppose. However--where do you want me to
+drop you, Wessex, at the Yard?”
+
+“Oh no,” answered Wessex. “I made a special visit to Wapping just to
+get your opinion on the shaven man. I'm really going down to Deepbrow to
+look into that new disappearance case; the daughter of the gamekeeper.
+You'll have read of it?”
+
+“I have,” said Harley shortly.
+
+Indeed, readers of the daily press were growing tired of seeing on the
+contents bills: “Another girl missing.” The circumstance (which might
+have been no more than coincidence) that three girls had disappeared
+within the last eight weeks leaving no trace behind, had stimulated the
+professional scribes to link the cases, although no visible link had
+been found, and to enliven a somewhat dull journalistic season with
+theories about “a new Mormon menace.”
+
+The vanishing of this fourth girl had inspired them to some startling
+headlines, and the case had interested me personally for the reason that
+I was acquainted with Sir Howard Hepwell, one of whose gamekeepers was
+the stepfather of the missing Molly Clayton. Moreover, it was hinted
+that she had gone away in the company of Captain Ronald Vane, at that
+time a guest of Sir Howard's at the Manor.
+
+In fact, Sir Howard had 'phoned to ask me if I could induce Harley to
+run down, but my friend had expressed himself as disinterested in a
+common case of elopement. Now, as Wessex spoke, I glanced aside at
+Harley, wondering if the fact that so celebrated a member of the C.I.D.
+as Detective-Inspector Wessex had been put in charge would induce him to
+change his mind.
+
+We were traversing a particularly noisy and unsavoury section of the
+Commercial Road, and although I could see that Wessex was anxious to
+impart particulars of the case to Harley, so loud was the din that I
+recognized the impossibility of conversing, and therefore:
+
+“Have you time to call at my rooms, Wessex?” I asked.
+
+“Well,” he replied, “I have three-quarters of an hour.”
+
+“You can do it in the car,” said Harley suddenly. “I have been asked
+to look into this case myself, and before I definitely decline I should
+like to hear your version of the matter.”
+
+Accordingly, we three presently gathered in my chambers, and Wessex,
+with one eye on the clock, outlined the few facts at that time in his
+possession respecting the missing girl.
+
+Two days before the news of the disappearance had been published
+broadcast under such headings as I have already indicated, a significant
+scene had been enacted in the gamekeeper's cottage.
+
+Molly Clayton, a girl whose remarkable beauty had made her a central
+figure in numerous scandalous stories, for such is the charity of rural
+neighbours, was detected by her stepfather, about eight in the evening,
+slipping out of the cottage.
+
+“Where be ye goin', hussy?” he demanded, grasping her promptly by the
+arm.
+
+“For a walk!” she replied defiantly.
+
+“A walk wi' that fine soger from t' Manor!” roared Bramber furiously.
+“You'll be sorry yet, you barefaced gadabout! Must I tell you again that
+t' man's a villain?”
+
+The girl wrenched her arm from Bramber's grasp, and blazed defiance from
+her beautiful eyes.
+
+“He knows how to respect a woman--what you don't!” she retorted hotly.
+
+“So I don't respect you, my angel?” shouted her stepfather. “Then you
+know what you can do! The door's open and there's few'll miss you!”
+
+Snatching her hat, the girl, very white, made to go out. Whereat the
+gamekeeper, a brutal man with small love for Molly, and maddened by her
+taking him at his word, seized her suddenly by her abundant fair hair
+and hauled her back into the room.
+
+A violent scene followed, at the end of which Molly fainted and Bramber
+came out and locked the door.
+
+When he came back about half-past nine the girl was missing. She did not
+reappear that night, and the police were advised in the morning. Their
+most significant discovery was this:
+
+Captain Ronald Vane, on the night of Molly's disappearance, had left
+the Manor House, after dining alone with his host, Sir Howard Hepwell,
+saying that he proposed to take a stroll as far as the Deep Wood.
+
+He never returned!
+
+From the moment that Gamekeeper Bramber left his cottage, and the moment
+when Sir Howard Hepwell parted from his guest after dinner, the world to
+which these two people, Molly Clayton and Captain Vane, were known, knew
+them no more!
+
+I was about to say that they were never seen again. But to me has fallen
+the task of relating how and where Paul Harley and I met with Captain
+Vane and Molly Clayton.
+
+At the end of the Inspector's account:
+
+“H'm,” said Harley, glancing under his thick brows in my direction,
+“could you spare the time, Knox?”
+
+“To go to Deepbrow?” I asked with interest.
+
+“Yes; we have ten minutes to catch the train.”
+
+“I'll come,” said I. “Sir Howard will be delighted to see you, Harley.”
+
+
+
+
+II
+
+THE CLUE OF THE PHOTOGRAPHS
+
+
+
+“What do you make of it, Inspector?” asked my friend.
+Detective-Inspector Wessex smiled, and scratched his chin.
+
+“There was no need for me to come down!” he replied. “And certainly no
+need for you, Mr. Harley!”
+
+Harley bowed, smiling, at the implied compliment.
+
+“It's a common or garden elopement!” continued the detective. “Vane's
+reputation is absolutely rotten, and the girl was clearly infatuated. He
+must have cared a good bit, too. He'll be cashiered, as sure as a gun!”
+
+Leaving Sir Howard at the Manor, we had joined Inspector Wessex at a
+spot where the baronet's preserves bordered a narrow lane. Here the
+ground was soft, and the detective drew Harley's attention to a number
+of footprints by a stile.
+
+“I've got evidence that he was seen here with the girl on other
+occasions. Now, Mr. Harley, I'll ask you to look over these footprints.”
+
+Harley dropped to his knees and made a brief but close examination of
+the ground round about. One particularly clear imprint of a pointed toe
+he noticed especially; and Wessex, diving into the pocket of his light
+overcoat, produced a patent-leather shoe, such as is used for evening
+wear.
+
+“He had a spare pair in his bag,” he explained nonchalantly, “and his
+man did not prove incorruptible!”
+
+Harley took the shoe and placed it in the impression. It fitted
+perfectly!
+
+“This is Molly Clayton, I take it?” he said, indicating the prints of a
+woman's foot.
+
+“Yes,” assented Wessex. “You'll notice that they stood for some little
+time and then walked off, very close together.”
+
+Harley nodded absently.
+
+“We lose them along here,” continued Wessex, leading up the lane; “but
+at the corner by the big haystack they join up with the tracks of a
+motor-car! I ask for nothing clearer! There was rain that afternoon, but
+there's been none since.”
+
+“What does the Captain's man think?”
+
+“The same as I do! He's not surprised at any madness on Vane's part,
+with a pretty woman in the case!”
+
+“The girl left nothing behind--no note?”
+
+“Nothing.”
+
+“Traced the car?”
+
+“No. It must have been hired or borrowed from a long distance off.”
+
+Where the tracks of the tires were visible we stopped, and Harley made a
+careful examination of the marks.
+
+“Seems to have had a struggle with her,” he said, dryly.
+
+“Very likely!” agreed Wessex, without interest.
+
+Harley crawled about on the ground for some time, to the great detriment
+of his Harris tweeds, but finally arose, a curious expression on his
+face--which, however, the detective evidently failed to observe.
+
+We returned to the Manor House where Sir Howard was awaiting us, his
+good-humoured red face more red than usual; and in the library, with
+its sporting prints and its works for the most part dealing with riding,
+hunting, racing, and golf (except for a sprinkling of Nat Gould's novels
+and some examples of the older workmanship of Whyte-Melville), we were
+presently comfortably ensconced. On a side table were placed a generous
+supply of liquid refreshments, cigars and cigarettes; so that we made
+ourselves quite comfortable, and Sir Howard restrained his indignation,
+until each had a glass before him and all were smoking.
+
+“Now,” he began, “what have you got to report, gentlemen? You,
+Inspector,” he pointed with his cigar toward Wessex, “have seen Vane's
+man and all of you have been down to look at these damned tracks. I only
+want to hear one thing; that you expect to trace the disgraceful couple.
+I'll see to it”--his voice rose almost to a shout--“that Vane is kicked
+out of the service, and as to that shameless brat of Bramber's, I wish
+her no worse than the blackguard's company!”
+
+“One moment, Sir Howard, one moment,” said Harley quietly; “there are
+always two sides to a case.”
+
+“What do you mean, Mr. Harley? There's only one side that interests
+me--the outrage inflicted upon my hospitality by this dirty guest of
+mine. For the girl I don't give twopence; she was bound to come to a bad
+end.”
+
+“Well,” said Harley, “before we pronounce the final verdict upon either
+of them I should like to interview Bramber. Perhaps,” he added, turning
+to Wessex, “it would be as well if Mr. Knox and I went alone. The
+presence of an official detective sometimes awes this class of witness.”
+
+“Quite right, quite right!” agreed Sir Howard, waving his cigar
+vigorously. “Go and see Bramber, Mr. Harley; tell him that no blame
+attaches to himself whatever; also, tell him with my compliments that
+his stepdaughter is------”
+
+“Quite so, quite so,” interrupted Harley, endeavouring to hide a smile.
+“I understand your feelings, Sir Howard, but again I ask you to reserve
+your verdict until all the facts are before us.”
+
+As a result, Harley and I presently set out for the gamekeeper's
+cottage, and as the man had been warned that we should visit him, he was
+on the porch smoking his pipe. A big, dark, ugly fellow he proved to be,
+of a very forbidding cast of countenance. Having introduced ourselves:
+
+“I always knowed she'd come to a bad end!” declared Gamekeeper Bramber,
+almost echoing Sir Howard's words. “One o' these gentlemen o' hers was
+sure to be the finish of her!”
+
+“She had other admirers--before Captain Vane?”
+
+“Aye! the hussy! There was a black-faced villain not six months since!
+He got t' vain cat to go to London an' have her photograph done in a
+dress any decent woman would 'a' blushed to look at! Like one o' these
+Venuses up at t' Manor! Good riddance! She took after her mother!”
+
+The violent old ruffian was awkward to examine, but Harley persevered.
+
+“This previous admirer caused her to be photographed in that way, did
+he? Have you a copy?”
+
+“No!” blazed Bramber. “What I found I burnt! He ran off, like I told her
+he would--an' her cryin' her eyes out! But the pretty soger dried her
+tears quick enough!”
+
+“Do you know this man's name?”
+
+“No. A foreigner, he was.”
+
+“Where were the photographs done--in London, you say?”
+
+“Aye.”
+
+“Do you know by what photographer?”
+
+“I don't! An' I don't care! Piccadilly they had on 'em, which was good
+enough for me.”
+
+“Have you her picture?”
+
+“No!”
+
+“Did she receive a letter on the day of her disappearance?”
+
+“Maybe.”
+
+“Good day!” said Harley. “And let me add that the atmosphere of her home
+was hardly conducive to ideal conduct!”
+
+Leaving Bramber to digest this rebuke, we came out of the cottage. Dusk
+was falling now, and by the time that we regained the Manor the place
+was lighted up. Inspector Wessex was waiting for us in the library, and:
+
+“Well?” he said, smiling slightly as we entered.
+
+“Nothing much,” replied Harley dryly, “except that I don't wonder at the
+girl's leaving such a home.”
+
+“What's that! What!” roared a big voice, and Sir Howard came into the
+room. “I tell you, Bramber only had one fault as a stepfather; he wasn't
+heavy-handed enough. A bad lot, sir, a bad lot!”
+
+“Well, sir,” said Inspector Wessex, looking from one to another,
+“personally, beyond the usual inquiries at railway stations, etc.,
+I cannot see that we can do much here. Don't you agree with me, Mr.
+Harley?”
+
+Harley nodded.
+
+“Quite,” he replied. “There is a late train to town which I think we
+could catch if we started at once.”
+
+“Eh?” roared Sir Howard; “you're not going back to-night? Your rooms are
+ready for you, damn it!”
+
+“I quite appreciate the kindness, Sir Howard,” replied Harley; “but I
+have urgent business to attend to in London. Believe me, my departure is
+unavoidable.”
+
+The blue eyes of the baronet gleamed with the simple cunning of his
+kind.
+
+“You've got something up your sleeve,” he roared. “I know you have, I
+know you have!”
+
+Inspector Wessex looked at me significantly, but I could only shrug my
+shoulders in reply; for in these moods Harley was as inscrutable as the
+Sphinx.
+
+However, he had his way, and Sir Howard hurriedly putting a car in
+commission, we raced for the local station and just succeeded in picking
+up the express at Claybury.
+
+Wessex was rather silent throughout the journey, often glancing in my
+friend's direction, but Harley made no further reference to the case
+beyond outlining the interview with Bramber, until, as we were parting
+at the London terminus, Wessex to report to Scotland Yard and I to go to
+Harley's rooms:
+
+“How long do you think it will take you to find that photographer,
+Wessex?” he asked. “Piccadilly is a sufficient clue.”
+
+“Well,” replied the Inspector, “nothing can be done to-night, of course,
+but I should think by mid-day tomorrow the matter should be settled.”
+
+“Right,” said Harley shortly. “May I ask you to report the result to me,
+Wessex?”
+
+“I will report without fail.”
+
+
+
+
+III
+
+ALI OF CAIRO
+
+
+
+It was not until the evening of the following day that Harley rang me
+up, and:
+
+“I want you to come round at once,” he said urgently. “The Deepbrow case
+is developing along lines which I confess I had anticipated, but which
+are dramatic nevertheless.”
+
+Knowing that Harley did not lightly make such an assertion, I put aside
+the work upon which I was engaged and hurried around to Chancery Lane.
+I found my friend, pipe in mouth, walking up and down his smoke-laden
+study in a state which I knew to betoken suppressed excitement, and:
+
+“Did Wessex find your photographer?” I asked on entering.
+
+“Yes,” he replied. “A first-class man, as I had anticipated. As I had
+further anticipated he did a number of copies of the picture for the
+foreign gentleman--about fifty, in fact!”
+
+“Fifty!”
+
+“Yes! Does the significance of that fact strike you?” asked Harley, a
+queer smile stealing across his tanned, clean-shaven face.
+
+“It is an extraordinary thing for even an ardent admirer to have so many
+reproductions done of the same picture!”
+
+“It is! I will show you now what I found trodden into one of the
+footprints where the struggle took place beside the car.”
+
+Harley produced a piece of thick silk twine.
+
+“What is it?”
+
+“It is a link, Knox--a link to seek which I really went down to
+Deepbrow.” He stared at me quizzically, but my answering look must have
+been a blank one. “It is part of the tassel of one of those red cloth
+caps commonly called in England, a fez!”
+
+He continued to stare at me and I to stare at the piece of silk; then:
+
+“What is the next move?” I demanded. “Your new clue rather bewilders
+me.”
+
+“The next move,” he said, “is to retire to the adjoining room and make
+ourselves look as much like a couple of Oriental commercial travellers
+as our correctly British appearance will allow!”
+
+“What!” I cried.
+
+“That's it!” laughed Harley. “I have a perpetual tan, and I think I can
+give you a temporary one which I keep in a bottle for the purpose.”
+
+Twenty minutes later, then, having quitted Harley's chambers by a back
+way opening into one of those old-world courts which abound in this part
+of the metropolis, two quietly attired Eastern gentlemen got into a
+cab at the corner of Chancery Lane and proceeded in the direction of
+Limehouse.
+
+There are haunts in many parts of London whose very existence is
+unsuspected by all but the few; haunts unvisited by the tourist and
+even unknown to the copy-hunting pressman. Into a quiet thoroughfare not
+three minutes' walk from the busy life of West India Dock Road, Harley
+led the way. Before a door sandwiched in between the entrance to a Greek
+tobacconist's establishment and a boarded shop-front, he paused and
+turned to me.
+
+“Whatever you see or hear,” he cautioned, “express no surprise. Above
+all, show no curiosity.”
+
+He rang the bell beside the door, and almost immediately it was opened
+by a Negress, grossly and repellently ugly.
+
+Harley pattered something in what sounded like Arabic, whereat the
+Negress displayed the utmost servility, ushering us into an ill-lighted
+passage with every evidence of respect. Following this passage to its
+termination, an inner door was opened, and a burst of discordant music
+greeted us, together with a wave of tobacco smoke. We entered.
+
+Despite my friend's particular injunctions to the contrary I gave a
+start of amazement.
+
+We stood in the doorway of a fairly large apartment having a divan round
+three of its sides. This divan was occupied by ten or a dozen men of
+mixed nationalities--Arabs, Greeks, lascars, and others. They smoked
+cigarettes for the most part and sipped Mokha from little cups. A girl
+was performing a wriggling dance upon the square carpet occupying the
+centre of the floor, accompanied by a Nubian boy who twanged upon a
+guitar, and by most of the assembled company, who clapped their hands to
+the music or droned a low, tuneless dirge.
+
+Shortly after our entrance the performance terminated, and the girl
+retired through a curtained doorway at the farther end of the room.
+Our presence being now observed, suspicious glances were cast in our
+direction, and a very aged man, who sat smoking a narghli near the door
+by which the girl had made her exit, gravely waved towards us the amber
+mouthpiece which he held in his hand.
+
+Harley walked straight across to him, I close at his heels. The light of
+a lamp which hung close by fell fully upon my friend's face; and, rising
+from his seat, the old man greeted him with the dignified and graceful
+salutation of the East. At his request we seated ourselves beside him,
+and, while we all three smoked excellent Turkish cigarettes, Harley and
+he conversed in a low tone. Suddenly, at some remark of my friend's,
+our strange host rose to his feet, an angry frown contracting his heavy
+eyebrows.
+
+Silence fell upon the company.
+
+In a loud and peremptory voice he called out something in Arabic.
+
+Instantly I detected a fellow near the entrance door, and whom I had not
+hitherto observed, slipping furtively into the shadow, with a view, as
+I thought, to secret departure. He seemed to be deformed in some way
+and had the most evil, pock-marked face I had ever beheld in my life.
+Angrily, the majestic old man recalled him. Whereupon, with a sort of
+animal snarl quite indescribable, the fellow plucked out a knife! Two
+men who had been on the point of seizing him fell back, and:
+
+“Hold him!” shouted Harley, springing forward--“hold him! It's Ali of
+Cairo!”
+
+But Harley was too late. Turning, the strange and formidable-looking
+Oriental ran like the wind! Ere hand could be raised to stay him he was
+through the doorway!
+
+“That settles it,” said Harley grimly, as once more I found myself in a
+cab beside him. “I was right; but he'll forestall us!”
+
+“Who will forestall us?” I asked in bewilderment.
+
+“The biggest villain in Europe, Asia, or Africa!” cried my companion.
+“I have wasted precious time to-day. I might have known.” He drummed
+irritably upon his knees. “The place we have just left is a sort of
+club, you understand, Knox, and Hakim is the proprietor or host as well
+as being an old gentleman of importance and authority in the Moslem
+world. I told him of my suspicions--which step I should have taken
+earlier--and they were instantly confirmed. My man was there--recognized
+me--and bolted! He'll forestall us.”
+
+“But my dear fellow,” I said patiently--“who is this man, and what has
+he to do with the Deepbrow case?”
+
+“He is the blackest scoundrel breathing!” answered Harley bitterly. “As
+to what he has to do with the case--why did he bolt? At any rate, I know
+where to find him now--and we may not be too late after all.”
+
+“But who and what is this man?”
+
+“He is Ali of Cairo! As to what he is--you will soon learn.”
+
+
+
+
+IV
+
+THE HOUSE BY THE RIVER
+
+
+
+On quitting the singular Oriental club, Harley had first raced off to
+a public telephone, where he had spoken for some time--as I now
+divined--to Scotland Yard. For when we presently arrived at the
+headquarters of the Metropolitan Police, I was surprised to find
+Inspector Wessex awaiting us. Leaning out of the cab window:
+
+“Yes?” called Harley excitedly. “Was I right?”
+
+“You were, Mr. Harley,” answered Wessex, who seemed to be no less
+excited than my companion. “I got the man's reply an hour ago.”
+
+“I knew it!” said Harley shortly. “Get in, Wessex; we haven't a minute
+to waste.”
+
+The Inspector joined us in the cab, having first given instructions to
+the chauffeur. As we set out once more:
+
+“You have had very little time to make the necessary arrangements,”
+ continued my friend.
+
+“Time enough,” replied Wessex. “They will not be expecting us.”
+
+“I'm not so sure of it. One of the biggest villains in the civilized
+world recognized me three minutes before I called you up and then made
+good his escape. However, there is at least a fighting chance.”
+
+Little more was said from that moment until the end of the drive, both
+my companions seeming to be consumed by an intense eagerness to reach
+our destination. At last the cab drew up in a deserted street. I had
+rather lost my bearings; but I knew that we were once more somewhere in
+the Chinatown area, and:
+
+“Follow us until we get into the house,” Harley said to Inspector
+Wessex, “and wait out of sight. If you hear me blow this whistle, bring
+up the men you have posted--as quick as you like! But make it your
+particular business to see that no one gets out!”
+
+Into a pitch-dark yard we turned, and I felt a shudder of apprehension
+upon observing that it was the entrance to a wharf. Dully gleaming in
+the moonlight, the Thames, that grave of many a ghastly secret, flowed
+beneath us. Emerging from the shadow of the archway, we paused before a
+door in the wall on our left.
+
+At that moment something gleamed through the air, whizzed past my ear,
+and fell with a metallic jingle on the stones!
+
+Instinctively we both looked up.
+
+At an unlighted window on the first floor I caught a fleeting glimpse of
+a dark face.
+
+“You were right!” I said. “Ali of Cairo has forestalled us!”
+
+Harley stooped and picked up a knife with a broad and very curious
+blade. He slipped it into his pocket, nonchalantly.
+
+“All evidence!” he said. “Keep in the shadow and bend down. I am going
+to stand on your shoulders and get into that window!”
+
+Wondering at his daring, I nevertheless obeyed; and Harley succeeded,
+although not without difficulty, in achieving his purpose. A moment
+after he had disappeared in the blackness of the room above.
+
+“Stand clear, Knox!” I heard.
+
+Two of the cushion seats sometimes called “poof-ottomans” were thrown
+down, and:
+
+“Up you come!” called Harley. “I'll grasp your hands if you can reach.”
+
+It proved no easy task, but I finally managed to scramble up beside my
+friend--to find myself in a dark and stuffy little room.
+
+“This way!” said Harley rapidly--“upstairs.”
+
+He led the way without more ado, but it was with serious misgivings that
+I stumbled up a darkened stair in the rear of my greatly daring friend.
+
+A pistol cracked in the darkness--and my fez was no longer on my head!
+
+Harley's repeater answered, and we stumbled through a heavily curtained
+door into a heated room, the air of which was laden with some Eastern
+perfume. In the dim light from a silken-shaded lantern a figure showed,
+momentarily, darting across the place before us.
+
+Again Harley's pistol spoke, but, as it seemed, ineffectively.
+
+I had little enough opportunity to survey my surroundings; yet even in
+those brief, breathless moments I saw enough of the place wherein we
+stood to make me doubt the evidence of my senses! Outside, I knew, lay
+a dingy wharf, amid a maze of mean streets; here was an opulently
+furnished apartment with a strong Oriental note in the decorations!
+
+Snatching an electric torch from his pocket, Harley leaped through
+a doorway draped with rich Persian tapestry, and I came close on his
+heels. Outside was darkness. A strong draught met us; and, passing along
+a carpeted corridor, we never halted until we came to a room filled with
+the weirdest odds and ends, apparently collected from every quarter of
+the globe.
+
+Crack!
+
+A bullet flattened itself on the wall behind us!
+
+“Good job he can't shoot straight!” rapped Harley.
+
+The ray of the torch suddenly picked out the head and shoulders of a man
+who was descending through a trap in the floor! Ere we had time to shoot
+he was gone! I saw his brown fingers relax their hold--and a bundle
+which he had evidently hoped to take with him was left lying upon the
+floor.
+
+Together we ran to the trap and looked down.
+
+Slowly moving tidal water flowed darkly beneath us! For twenty
+breathless seconds we watched--but nothing showed upon the surface.
+
+“I hope his swimming is no better than his shooting,” I said.
+
+“It can avail him little,” replied Harley grimly; “a river-police boat
+is waiting for anyone who tries to escape from that side of the house.
+We are by no means alone in this affair, Knox. But, firstly, what
+have we here!” He took up the bundle which the fugitive had deserted.
+“Something incriminating when Ali of Cairo dared not stay to face it
+out! He would never have deserted this place in the ordinary way. That
+fellow who was such a bad shot was left behind, when the news of our
+approach reached here, to make a desperate attempt to remove some piece
+of evidence! I'll swear to it. But we were too soon for him!”
+
+All the time he was busily removing the pieces of sacking and scraps of
+Oriental stuff with which the bundle was fastened; and finally he
+drew out a dress-suit, together with the linen, collar, shoes, and
+underwear--a complete outfit, in fact--and on top of the whole was a
+soft gray felt hat!
+
+Eagerly Harley searched the garments for some name of a maker by which
+their owner might be identified. Presently, inside the lining of the
+breast pocket, where such a mark is usually found, he discovered the
+label of a well-known West End firm.
+
+“The police can confirm it, Knox!” he said, looking up, his face
+slightly flushed with triumph; “but I, personally, have no doubt!”
+
+“You may have no doubt, Harley,” I retorted, “but I am full of doubt!
+What is the significance of this discovery to which you seem to attach
+so much importance?”
+
+“At the moment,” replied my friend, “never mind; I still have
+hopes--although they have grown somewhat slender--of making a much more
+important discovery.”
+
+“Why not permit the police to aid in the search?”
+
+“The police are more useful in their present occupation,” he replied.
+“We are dealing with the most cunning knave produced by East or West,
+and I don't mean to let him slip through my fingers if he is in this
+house! Nevertheless, Knox, I am submitting you to rather an appalling
+risk, I know; for our man is desperate, and if he is still in the place
+will prove as dangerous as a cornered rat.”
+
+“But the man who dropped through the trap?”
+
+“The man who dropped through the trap,” said Harley, “was not Ali of
+Cairo--and it is Ali of Cairo for whom I am looking!”
+
+“The hunchback we saw to-night?”
+
+Harley nodded, and having listened intently for a few moments, proceeded
+again to search the singular apartments of the abode. In each was
+evidence of Oriental occupancy; indeed, some of the rooms possessed a
+sort of Arabian Nights atmosphere. But no living creature was to be seen
+or heard anywhere. It was while the two of us, having examined every
+inch of wall, I should think, in the building, were standing staring
+rather blankly at each other in the room with the lighted lantern, that
+I saw Harley's expression change.
+
+“Why,” he muttered, “is this one room illuminated--and all the others in
+darkness?”
+
+Even then the significance of this circumstance was not apparent to me.
+But Harley stared critically at an electric switch which was placed on
+the immediate right of the door and then up at the silk-shaded lantern
+which lighted the room. Crossing, he raised and lowered the switch
+rapidly, but the lamp continued to burn uninterruptedly!
+
+“Ah!” he said--“a good trick!”
+
+Grasping the wooden block to which the switch was attached, he turned it
+bodily--and I saw that it was a masked knob; for in the next moment he
+had pulled open the narrow section of wall--which proved to be nothing
+less than a cunningly fitted door!
+
+A small, dimly lighted apartment was revealed, the Oriental note still
+predominant in its appointments, which, however, were few, and which I
+scarcely paused to note. For lying upon a mattress in this place was a
+pretty, fair-haired girl!
+
+She lay on her side, having one white arm thrown out and resting limply
+on the floor, and she seemed to be in a semi-conscious condition, for
+although her fine eyes were widely opened, they had a glassy, witless
+look, and she was evidently unaware of our presence.
+
+“Look at her pupils,” rapped Harley. “They have drugged her with bhang!
+Poor, pretty fool!”
+
+“Good God!” I cried. “Who is this, Harley?”
+
+“Molly Clayton!” he answered. “Thank heaven we have saved one victim
+from Ali of Cairo.”
+
+
+
+
+V
+
+THE HAREM AGENCY
+
+
+
+Owing to the instrumentality of Paul Harley, the public never learned
+that the awful riverside murder called by the Press in reference to
+the victim's shaven skull “the barber atrocity” had any relation to the
+Deepbrow case. It was physically impossible to identify the victim, and
+Harley had his own reasons for concealing the truth. The house on the
+wharf with its choice Oriental furniture was seized by the police;
+but, strange to relate, no arrest was made in connection with this most
+gruesome outrage. The man who dropped through the trap had been wounded
+by one of Harley's shots, and he sank for the last time under the very
+eyes of the crew of the police cutter.
+
+It was at a late hour on the night of this concluding tragedy that I
+learned the amazing truth underlying the case. Wessex was still at work
+in the East End upon the hundred and one formalities which attached to
+his office, and Harley and I sat in the study of my friend's chambers in
+Chancery Lane.
+
+“You see,” Harley was explaining. “I got my first clue down at Deepbrow.
+The tracks leading to the motor-car. They showed--to anyone not hampered
+by a preconceived opinion--that the girl and Vane had not gone on
+together (since the man's footprints proved him to have been running),
+but that she had gone first and that he had run after her! Arguments:
+(a) He heard the approach of the car; or (b) he heard her call for help.
+In fact, it almost immediately became evident to me that someone else
+had met her at the end of the lane; probably someone who expected her,
+and whom she was going to meet when she, accidentally, encountered Vane!
+The captain was not attired for an elopement, and, more significant
+still, he said he should stroll to the Deep Wood, and that was where he
+did stroll to; for it borders the road at this point!
+
+“I had privately ascertained, from the postman, that Molly Clayton
+actually received a letter on that morning! This resolved my last doubt.
+She was not going to meet Vane on the night of her disappearance.
+
+“Then whom?”
+
+“The old love! He who some months earlier had had over fifty seductive
+pictures of this undoubtedly pretty girl prepared for a purpose of his
+own!”
+
+“Vane interfered?”
+
+“When the girl saw that they meant to take her away, she no doubt made
+a fuss! He ran to the rescue! They had not reckoned on his being there,
+but these are clever villains, who leave no clues--except for one who
+has met them on their own ground!”
+
+“On their own ground! What do you mean, Harley? Who are these people?”
+
+“Well--where do you suppose those fifty photographs went?”
+
+“I cannot conjecture!”
+
+“Then I will tell you. The turmoil in the East has put wealth and power
+into unscrupulous hands. But even before the war there were marts,
+Knox--open marts--at which a Negro girl might be purchased for some 30
+pounds, and a Circassian for anything from 250 pounds to 500 pounds! Ah!
+You stare! But I assure you it was so. Here is the point, though: there
+were, and still are, private dealers! Those photographs were circulated
+among the nouveaux riches of the East! They were employed in the same
+way that any other merchant employs a catalogue. They reached the hands
+of many an opulent and abandoned 'profiteer' of Damascus, Stambul--where
+you will. Molly's picture would be one of many. Remember that hundreds
+of pretty girls disappear from their homes--taking the whole of the
+world--every year. Clearly, English beauty is popular at the moment!
+And,” he added bitterly, “the arch-villain has escaped!”
+
+“Ali of Cairo!” I cried. “Then Ali of Cairo------”
+
+“Is the biggest slave-dealer in the East!”
+
+“Good God! Harley--at last I understand!”
+
+“I was slow enough to understand it myself, Knox. But once the theory
+presented itself I asked Wessex to get into immediate touch with the
+valet he had already interviewed at Deepbrow. It was the result of his
+inquiry to which he referred when we met him at Scotland Yard to-night.
+Captain Vane had a large mole on his shoulder and a girl's name,
+together with a small device, tattooed on his forearm--a freak of his
+Sandhurst days------”
+
+“Then 'the man with the shaven skull'------”
+
+“Is Captain Ronald Vane! May he rest in peace. But I never shall until
+the crook-back dealer in humanity has met his just deserts.”
+
+
+
+
+
+
+THE WHITE HAT
+
+
+
+
+
+
+I
+
+MAJOR JACK RAGSTAFF
+
+
+
+“Hallo! Innes,” said Paul Harley as his secretary entered. “Someone is
+making a devil of a row outside.”
+
+“This is the offender, Mr. Harley,” said Innes, and handed my friend a
+visiting card.
+
+Glancing at the card, Harley read aloud:
+
+“Major J. E. P. Ragstaff, Cavalry Club.”
+
+Meanwhile a loud harsh voice, which would have been audible in a full
+gale, was roaring in the lobby.
+
+“Nonsense!” I could hear the Major shouting. “Balderdash! There's more
+fuss than if I had asked for an interview with the Prime Minister.
+Piffle! Balderdash!”
+
+Innes's smile developed into a laugh, in which Harley joined, then:
+
+“Admit the Major,” he said.
+
+Into the study where Harley and I had been seated quietly smoking, there
+presently strode a very choleric Anglo-Indian. He wore a horsy check
+suit and white spats, and his tie closely resembled a stock. In his
+hand he carried a heavy malacca cane, gloves, and one of those tall,
+light-gray hats commonly termed white. He was below medium height, slim
+and wiry; his gait and the shape of his legs, his build, all proclaimed
+the dragoon. His complexion was purple, and the large white teeth
+visible beneath a bristling gray moustache added to the natural ferocity
+of his appearance. Standing just within the doorway:
+
+“Mr. Paul Harley?” he shouted.
+
+It was apparently an inquiry, but it sounded like a reprimand.
+
+My friend, standing before the fireplace, his hands in his pockets and
+his pipe in his mouth, nodded brusquely.
+
+“I am Paul Harley,” he said. “Won't you sit down?”
+
+Major Ragstaff, glancing angrily at Innes as the latter left the study,
+tossed his stick and gloves on to a settee, and drawing up a chair
+seated himself stiffly upon it as though he were in a saddle. He stared
+straight at Harley, and:
+
+“You are not the sort of person I expected, sir,” he declared. “May
+I ask if it is your custom to keep clients dancin' on the mat and all
+that--on the blasted mat, sir?”
+
+Harley suppressed a smile, and I hastily reached for my cigarette-case
+which I had placed upon the mantelshelf.
+
+“I am always naturally pleased to see clients, Major Ragstaff,” said
+Harley, “but a certain amount of routine is necessary even in civilian
+life. You had not advised me of your visit, and it is contrary to my
+custom to discuss business after five o'clock.”
+
+As Harley spoke the Major glared at him continuously, and then:
+
+“I've seen you in India!” he roared; “damme! I've seen you in
+India!--and, yes! in Turkey! Ha! I've got you now sir!” He sprang to his
+feet. “You're the Harley who was in Constantinople in 1912.”
+
+“Quite true.”
+
+“Then I've come to the wrong shop.”
+
+“That remains to be seen, Major.”
+
+“But I was told you were a private detective, and all that.”
+
+“So I am,” said Harley quietly. “In 1912 the Foreign Office was my
+client. I am now at the service of anyone who cares to employ me.”
+
+“Hell!” said the Major.
+
+He seemed to be temporarily stricken speechless by the discovery that
+a man who had acted for the British Government should be capable of
+stooping to the work of a private inquiry agent. Staring all about
+the room with a sort of naive wonderment, he drew out a big silk
+handkerchief and loudly blew his nose, all the time eyeing Harley
+questioningly. Replacing his handkerchief he directed his regard upon
+me, and:
+
+“This is my friend, Mr. Knox,” said Harley; “you may state your case
+before him without hesitation, unless------”
+
+I rose to depart, but:
+
+“Sit down, Mr. Knox! Sit down, sir!” shouted the Major. “I have no dirty
+linen to wash, no skeletons in the cupboard or piffle of that kind. I
+simply want something explained which I am too thick-headed--too damned
+thick-headed, sir--to explain myself.”
+
+He resumed his seat, and taking out his wallet extracted from it a small
+newspaper cutting which he offered to Harley.
+
+“Read that, Mr. Harley,” he directed. “Read it aloud.”
+
+Harley read as follows:
+
+“Before Mr. Smith, at Marlborough Street Police Court, John Edward
+Bampton was charged with assaulting a well-known clubman in Bond Street
+on Wednesday evening. It was proved by the constable who made the
+arrest that robbery had not been the motive of the assault, and Bampton
+confessed that he bore no grudge against the assailed man, indeed, that
+he had never seen him before. He pleaded intoxication, and the police
+surgeon testified that although not actually intoxicated, his breath
+had smelled strongly of liquor at the time of his arrest. Bampton's
+employers testified to a hitherto blameless character, and as the charge
+was not pressed the man was dismissed with a caution.”
+
+Having read the paragraph, Harley glanced at the Major with a puzzled
+expression.
+
+“The point of this quite escapes me,” he confessed.
+
+“Is that so?” said Major Ragstaff. “Is that so, sir? Perhaps you will be
+good enough to read this.”
+
+From his wallet he took a second newspaper cutting, smaller than the
+first, and gummed to a sheet of club notepaper. Harley took it and read
+as follows:
+
+“Mr. De Lana, a well-known member of the Stock Exchange, who met with a
+serious accident recently, is still in a precarious condition.”
+
+The puzzled look on Harley's face grew more acute, and the Major watched
+him with an expression which I can only describe as one of fierce
+enjoyment.
+
+“You're thinkin' I'm a damned old fool, ain't you?” he shouted suddenly.
+
+“Scarcely that,” said Harley, smiling slightly, “but the significance of
+these paragraphs is not apparent, I must confess. The man Bampton would
+not appear to be an interesting character, and since no great damage has
+been done, his drunken frolic hardly comes within my sphere. Of Mr. De
+Lana, of the Stock Exchange, I never heard, unless he happens to be a
+member of the firm of De Lana and Day?”
+
+“He's not a member of that firm, sir,” shouted the Major. “He was, up to
+six o'clock this evenin'.”
+
+“What do you mean exactly?” inquired Harley, and the tone of his voice
+suggested that he was beginning to entertain doubts of the Major's
+sanity or sobriety; then:
+
+“He's dead!” declared the latter. “Dead as the Begum of Bangalore! He
+died at six o'clock. I've just spoken to his widow on the telephone.”
+
+I suppose I must have been staring very hard at the speaker, and
+certainly Harley was doing so, for suddenly directing his fierce gaze
+toward me:
+
+“You're completely treed, sir, and so's your friend!” shouted Major
+Ragstaff.
+
+“I confess it,” replied Harley quietly; “and since my time is of some
+little value I would suggest, without disrespect, that you explain the
+connection, if any, between yourself, the drunken Bampton, and Mr. De
+Lana, of the Stock Exchange, who died, you inform us, at six o'clock
+this evening as the result, presumably, of injuries received in an
+accident.”
+
+“That's what I'm here for!” cried Major Ragstaff. “In the first place,
+then, I am the party, although I saw to it that my name was kept out of
+print, whom the drunken lunatic assaulted.”
+
+Harley, pipe in hand, stared at the speaker perplexedly.
+
+“Understand me,” continued the Major, “I am the person--I, Jack
+Ragstaff--he assaulted. I was walkin' down from my quarters in Maddox
+Street on my way to dine at the club, same as I do every night o' my
+life, when this flamin' idiot sprang upon me, grabbed my hat”--he took
+up his white hat to illustrate what had occurred--“not this one, but one
+like it--pitched it on the ground and jumped on it!”
+
+Harley was quite unable to conceal his smiles as the excited old
+soldier dropped his conspicuous head-gear on the floor and indulged in a
+vigorous pantomime designed to illustrate his statement.
+
+“Most extraordinary,” said Harley. “What did you do?”
+
+“What did I do?” roared the Major. “I gave him a crack on the head with
+my cane, and I said things to him which couldn't be repeated in court.
+I punched him, and likewise hoofed him, but the hat was completely done
+in. Damn crowd collected, hearin' me swearin' and bellowin'. Police and
+all that; names an' addresses and all that balderdash. Man lugged away
+to guard-room and me turnin' up at the club with no hat. Damn ridiculous
+spectacle at my time of life.”
+
+“Quite so,” said Harley soothingly; “I appreciate your annoyance, but I
+am utterly at a loss to understand why you have come here, and what all
+this has to do with Mr. De Lana, of the Stock Exchange.”
+
+“He fell out of the window!” shouted the Major.
+
+“Fell out of a window?”
+
+“Out of a window, sir, a second floor window ten yards up a side street!
+Pitched on his skull--marvel he wasn't killed outright!”
+
+A faint expression of interest began to creep into Harley's glance, and:
+
+“I understand you to mean, Major Ragstaff,” he said deliberately, “that
+while your struggle with the drunken man was in progress Mr. De Lana
+fell out of a neighbouring window into the street?”
+
+“Right!” shouted the Major. “Right, sir!”
+
+“Do you know this Mr. De Lana?”
+
+“Never heard of him in my life until the accident occurred. Seems to
+me the poor devil leaned out to see the fun and overbalanced. Felt
+responsible, only natural, and made inquiries. He died at six o'clock
+this evenin', sir.”
+
+“H'm,” said Harley reflectively. “I still fail to see where I come in.
+From what window did he fall?”
+
+“Window above a sort of teashop, called Cafe Dame--damn silly name.
+Place on a corner. Don't know name of side street.”
+
+“H'm. You don't think he was pushed out, for instance?”
+
+“Certainly not!” shouted the Major; “he just fell out, but the point is,
+he's dead!”
+
+“My dear sir,” said Harley patiently, “I don't dispute that point; but
+what on earth do you want of me?”
+
+“I don't know what I want!” roared the Major, beginning to walk up and
+down the room, “but I know I ain't satisfied, not easy in my mind, sir.
+I wake up of a night hearin' the poor devil's yell as he crashed on the
+pavement. That's all wrong. I've heard hundreds of death-yells, but”--he
+took up his malacca cane and beat it loudly on the table--“I haven't
+woke up of a night dreamin' I heard 'em again.”
+
+“In a word, you suspect foul play?”
+
+“I don't suspect anything!” cried the other excitedly, “but someone
+mentioned your name to me at the club--said you could see through
+concrete, and all that--and here I am. There's something wrong,
+radically wrong. Find out what it is and send the bill to me. Then
+perhaps I'll be able to sleep in peace.”
+
+He paused, and again taking out the large silk handkerchief blew his
+nose loudly. Harley glanced at me in rather an odd way, and then:
+
+“There will be no bill, Major Ragstaff,” he said; “but if I can see any
+possible line of inquiry I will pursue it and report the result to you.”
+
+
+
+
+II
+
+A CURIOUS OUTRAGE
+
+
+
+“What do you make of it, Harley?” I asked. Paul Harley returned a work
+of reference to its shelf and stood staring absently across the study.
+
+“Our late visitor's history does not help us much,” he replied. “A
+somewhat distinguished army career, and so forth, and his only daughter,
+Sybil Margaret, married the fifth Marquis of Ireton. She is, therefore,
+the noted society beauty, the Marchioness of Ireton. Does this suggest
+anything to your mind?”
+
+“Nothing whatever,” I said blankly.
+
+“Nor to mine,” murmured Harley.
+
+The telephone bell rang.
+
+“Hallo!” called Harley. “Yes. That you, Wessex? Have you got the
+address? Good. No, I shall remember it. Many thanks. Good-bye.”
+
+He turned to me.
+
+“I suggest, Knox,” he said, “that we make our call and then proceed to
+dinner as arranged.”
+
+Since I was always glad of an opportunity of studying my friend's
+methods I immediately agreed, and ere long, leaving the lights of the
+two big hotels behind, our cab was gliding down the long slope which
+leads to Waterloo Station. Thence through crowded, slummish high-roads
+we made our way via Lambeth to that dismal thoroughfare, Westminster
+Bridge Road, with its forbidding, often windowless, houses, and its
+peculiar air of desolation.
+
+The house for which we were bound was situated at no great distance from
+Kensington Park, and telling the cabman to wait, Harley and I walked
+up a narrow, paved path, mounted a flight of steps, and rang the bell
+beside a somewhat time-worn door, above which was an old-fashioned
+fanlight dimly illuminated from within.
+
+A considerable interval elapsed before the door was opened by a
+marvellously untidy servant girl who had apparently been interrupted in
+the act of black-leading her face. Partly opening the door, she stared
+at us agape, pushing back wisps of hair from her eyes and with every
+movement daubing more of some mysterious black substance upon her
+countenance.
+
+“Is Mr. Bampton in?” asked Harley.
+
+“Yus, just come in. I'm cookin' his supper.”
+
+“Tell him that two friends of his have called on rather important
+business.”
+
+“All right,” said the black-faced one. “What name is it?”
+
+“No name. Just say two friends of his.”
+
+Treating us to a long, vacant stare and leaving us standing on the step,
+the maid (in whose hand I perceived a greasy fork) shuffled along the
+passage and began to mount the stairs. An unmistakable odour of frying
+sausages now reached my nostrils. Harley glanced at me quizzically,
+but said nothing until the Cinderella came stumbling downstairs again.
+Without returning to where we stood:
+
+“Go up,” she directed. “Second floor, front. Shut the door, one of yer.”
+
+She disappeared into gloomy depths below as Harley and I, closing the
+door behind us, proceeded to avail ourselves of the invitation. There
+was very little light on the staircase, but we managed to find our way
+to a poorly furnished bed-sitting-room where a small table was spread
+for a meal. Beside the table, in a chintz-covered arm-chair, a thick-set
+young man was seated smoking a cigarette and having a copy of the Daily
+Telegraph upon his knees.
+
+He was a very typical lower middle-class, nothing-in-particular young
+man, but there was a certain truculence indicated by his square jaw,
+and that sort of self-possession which sometimes accompanies physical
+strength was evidenced in his manner as, tossing the paper aside, he
+stood up.
+
+“Good evening, Mr. Bampton,” said Harley genially. “I take it”--pointing
+to the newspaper--“that you are looking for a new job?”
+
+Bampton stared, a suspicion of anger in his eyes, then, meeting the
+amused glance of my friend, he broke into a smile very pleasing and
+humorous. He was a fresh-coloured young fellow with hair inclined to
+redness, and smiling he looked very boyish indeed.
+
+“I have no idea who you are,” he said, speaking with a faint
+north-country accent, “but you evidently know who I am and what has
+happened to me.”
+
+“Got the boot?” asked Harley confidentially.
+
+Bampton, tossing the end of his cigarette into the grate, nodded grimly.
+
+“You haven't told me your name,” he said, “but I think I can tell you
+your business.” He ceased smiling. “Now look here, I don't want any more
+publicity. If you think you are going to make a funny newspaper story
+out of me change your mind as quick as you like. I'll never get another
+job in London as it is. If you drag me any further into the limelight
+I'll never get another job in England.”
+
+“My dear fellow,” replied Harley soothingly, at the same time extending
+his cigarette-case, “you misapprehend the object of my call. I am not a
+reporter.”
+
+“What!” said Bampton, pausing in the act of taking a cigarette, “then
+what the devil are you?”
+
+“My name is Paul Harley, and I am a criminal investigator.”
+
+He spoke the words deliberately, having his eyes fixed upon the other's
+face; but although Bampton was palpably startled there was no trace of
+fear in his straightforward glance. He took a cigarette from the case,
+and:
+
+“Thanks, Mr. Harley,” he said. “I cannot imagine what business has
+brought you here.”
+
+“I have come to ask you two questions,” was the reply. “Number one: Who
+paid you to smash Major Ragstaff's white hat? Number two: How much did
+he pay you?”
+
+To these questions I listened in amazement, and my amazement was
+evidently shared by Bampton. He had been in the act of lighting his
+cigarette, but he allowed the match to burn down nearly to his fingers
+and then dropped it with a muttered exclamation in the fire. Finally:
+
+“I don't know how you found out,” he said, “but you evidently know
+the truth. Provided you assure me that you are not out to make a
+silly-season newspaper story, I'll tell you all I know.”
+
+Harley laid his card on the table, and:
+
+“Unless the ends of justice demand it,” he said, “I give you my word
+that anything you care to say will go no further. You may speak freely
+before my friend, Mr. Knox. Simply tell me in as few words as possible
+what led you to court arrest in that manner.”
+
+“Right,” replied Bampton, “I will.” He half closed his eyes,
+reflectively. “I was having tea in the Lyons' cafe, to which I always
+go, last Monday afternoon about four o'clock, when a man sat down facing
+me and got into conversation.”
+
+“Describe him!”
+
+“He was a man rather above medium height. I should say about my own
+build; dark, going gray. He had a neat moustache and a short beard, and
+the look of a man who had travelled a lot. His skin was very tanned,
+almost as deeply as yours, Mr. Harley. Not at all the sort of chap
+that goes in there as a rule. After a while he made an extraordinary
+proposal. At first I thought he was joking, then when I grasped the idea
+that he was serious I concluded he was mad. He asked me how much a year
+I earned, and I told him Peters and Peters paid me 150 pounds. He said:
+'I'll give you a year's salary to knock a man's hat off!'”
+
+As Bampton spoke the words he glanced at us with twinkling eyes, but
+although for my own part I was merely amused, Harley's expression had
+grown very stern.
+
+“Of course, I laughed,” continued Bampton, “but when the man drew out
+a fat wallet and counted ten five-pound notes on the table I began to
+think seriously about his proposal. Even supposing he was cracked, it
+was absolutely money for nothing.
+
+“'Of course,' he said, 'you'll lose your job and you may be arrested,
+but you'll say that you had been out with a few friends and were a
+little excited, also that you never could stand white hats. Stick to
+that story and the balance of a hundred pounds will reach you on the
+following morning.'
+
+“I asked him for further particulars, and I asked him why he had picked
+me for the job. He replied that he had been looking for some time for
+the right man; a man who was strong enough physically to accomplish the
+thing, and someone”--Bampton's eyes twinkled again--“with a dash of the
+devil in him, but at the same time a man who could be relied upon to
+stick to his guns and not to give the game away.
+
+“You asked me to be brief, and I'll try to be. The man in the white hat
+was described to me, and the exact time and place of the meeting. I just
+had to grab his white hat, smash it, and face the music. I agreed. I
+don't deny that I had a couple of stiff drinks before I set out, but the
+memory of that fifty pounds locked up here in my room and the further
+hundred promised, bucked me up wonderfully. It was impossible to mistake
+my man; I could see him coming toward me as I waited just outside a sort
+of little restaurant called the Cafe Dame. As arranged, I bumped into
+him, grabbed his hat and jumped on it.”
+
+He paused, raising his hand to his head reminiscently.
+
+“My man was a bit of a scrapper,” he continued, “and he played hell.
+I've never heard such language in my life, and the way he laid about me
+with his cane is something I am not likely to forget in a hurry. A crowd
+gathered, naturally, and (also naturally) I was 'pinched.' That didn't
+matter much. I got off lightly; and although I've been dismissed by
+Peters and Peters, twenty crisp fivers are locked in my trunk there,
+with the ten which I received in the City.”
+
+Harley checked him, and:
+
+“May I see the envelope in which they arrived?” he asked.
+
+“Sorry,” replied Bampton, “but I burned it. I thought it was playing the
+game to do so. It wouldn't have helped you much, though,” he added;
+“It was an ordinary common envelope, posted in the City, address
+typewritten, and not a line enclosed.”
+
+“Registered?”
+
+“No.”
+
+Bampton stood looking at us with a curious expression on his face, and
+suddenly:
+
+“There's one point,” he said, “on which my conscience isn't easy. You
+know about that poor devil who fell out of a window? Well, it would
+never have happened if I hadn't kicked up a row in the street. There's
+no doubt he was leaning out to see what the disturbance was about when
+the accident occurred.”
+
+“Did you actually see him fall?” asked Harley.
+
+“No. He fell from a window several yards behind me in the side street,
+but I heard him cry out, and as I was lugged off by the police I heard
+the bell of the ambulance which came to fetch him.”
+
+He paused again and stood rubbing his head ruefully.
+
+“H'm,” said Harley; “was there anything particularly remarkable about
+this man in the Lyons' cafe?”
+
+Bampton reflected silently for some moments, and then:
+
+“Nothing much,” he confessed. “He was evidently a gentleman, wore a blue
+top-coat, a dark tweed suit, and what looked like a regimental tie, but
+I didn't see much of the colours. He was very tanned, as I have said,
+even to the backs of his hands--and oh, yes! there was one point: He had
+a gold-covered tooth.”
+
+“Which tooth?”
+
+“I can't remember, except that it was on the left side, and I always
+noticed it when he smiled.”
+
+“Did he wear any ring or pin which you would recognize?”
+
+“No.”
+
+“Had he any oddity of speech or voice?”
+
+“No. Just a heavy, drawling manner. He spoke like thousands of other
+cultured Englishmen. But wait a minute--yes! There was one other point.
+Now I come to think of it, his eyes very slightly slanted upward.”
+
+Harley stared.
+
+“Like a Chinaman's?”
+
+“Oh, nothing so marked as that. But the same sort of formation.”
+
+Harley nodded briskly and buttoned up his overcoat.
+
+“Thanks, Mr. Bampton,” he said; “we will detain you no longer!”
+
+As we descended the stairs, where the smell of frying sausages had given
+place to that of something burning--probably the sausages:
+
+“I was half inclined to think that Major Ragstaff's ideas were traceable
+to a former touch of the sun,” said Harley. “I begin to believe that he
+has put us on the track of a highly unusual crime. I am sorry to delay
+dinner, Knox, but I propose to call at the Cafe Dame.”
+
+
+
+
+III
+
+A CRIMINAL GENIUS
+
+
+
+On entering the doorway of the Cafe Dame we found ourselves in a
+narrow passage. In front of us was a carpeted stair, and to the right
+a glass-panelled door communicating with a discreetly lighted little
+dining room which seemed to be well patronized. Opening the door Harley
+beckoned to a waiter, and:
+
+“I wish to see the proprietor,” he said.
+
+“Mr. Meyer is engaged at the moment, sir,” was the reply.
+
+“Where is he?”
+
+“In his office upstairs, sir. He will be down in a moment.”
+
+The waiter hurried away, and Harley stood glancing up the stairs as if
+in doubt what to do.
+
+“I cannot imagine how such a place can pay,” he muttered. “The rent must
+be enormous in this district.”
+
+But even before he ceased speaking I became aware of an excited
+conversation which was taking place in some apartment above.
+
+“It's scandalous!” I heard, in a woman's shrill voice. “You have no
+right to keep it! It's not your property, and I'm here to demand that
+you give it up.”
+
+A man's voice replied in voluble broken English, but I could only
+distinguish a word here and there. I saw that Harley was interested,
+for catching my questioning glance, he raised his finger to his lips
+enjoining me to be silent.
+
+“Oh, that's the game, is it?” continued the female voice. “Of course you
+know it's blackmail?”
+
+A flow of unintelligible words answered this speech, then:
+
+“I shall come back with someone,” cried the invisible woman, “who will
+make you give it up!”
+
+“Knox,” whispered Harley in my ear, “when that woman comes down, follow
+her! I'm afraid you will bungle the business, and I would not ask you to
+attempt it if big things were not at stake. Return here; I shall wait.”
+
+As a matter of fact, his sudden request had positively astounded me,
+but ere I had time for any reply a door suddenly banged open above and
+a respectable-looking woman, who might have been some kind of upper
+servant, came quickly down the stairs. An expression of intense
+indignation rested upon her face, and without seeming to notice our
+presence she brushed past us and went out into the street.
+
+“Off you go, Knox!” said Harley.
+
+Seeing myself committed to an unpleasant business, I slipped out of the
+doorway and detected the woman five or six yards away hurrying in the
+direction of Piccadilly. I had no difficulty in following her, for
+she was evidently unsuspicious of my presence, and when presently she
+mounted a westward-bound 'bus I did likewise, but while she got inside I
+went on top, and occupied a seat on the near side whence I could observe
+anyone leaving the vehicle.
+
+If I had not known Paul Harley so well I should have counted the whole
+business a ridiculous farce, but recognizing that something underlay
+these seemingly trivial and disconnected episodes, I lighted a cigarette
+and resigned myself to circumstance.
+
+At Hyde Park Corner I saw the woman descending, and when presently she
+walked up Hamilton Place I was not far behind her. At the door of an
+imposing mansion she stopped, and in response to a ring of the bell the
+door was opened by a footman, and the woman hurried in. Evidently she
+was an inmate of the establishment; and conceiving that my duty was done
+when I had noted the number of the house, I retraced my steps to the
+corner; and, hailing a taxicab, returned to the Cafe Dame.
+
+On inquiring of the same waiter whom Harley had accosted whether my
+friend was there:
+
+“I think a gentleman is upstairs with Mr. Meyer,” said the man.
+
+“In his office?”
+
+“Yes, sir.”
+
+Thereupon I mounted the stairs and before a half-open door paused.
+Harley's voice was audible within, and therefore I knocked and entered.
+
+I discovered Harley standing by an American desk. Beside him in
+a revolving chair which, with the desk, constituted the principal
+furniture of a tiny office, sat a man in a dress-suit which had palpably
+not been made for him. He had a sullen and suspiciously Teutonic cast
+of countenance, and he was engaged in a voluble but hardly intelligible
+speech as I entered.
+
+“Ha, Knox!” said Harley, glancing over his shoulder, “did you manage?”
+
+“Yes,” I replied.
+
+Harley nodded shortly and turned again to the man in the chair.
+
+“I am sorry to give you so much trouble, Mr. Meyer,” he said, “but I
+should like my friend here to see the room above.”
+
+At this moment my attention was attracted by a singular object which lay
+upon the desk amongst a litter of bills and accounts. This was a piece
+of rusty iron bar somewhat less than three feet in length, and which
+once had been painted green.
+
+“You are looking at this tragic fragment, Knox,” said Harley, taking up
+the bar. “Of course”--he shrugged his shoulders--“it explains the whole
+unfortunate occurrence. You see there was a flaw in the metal at this
+end, here”--he indicated the spot--“and the other end had evidently worn
+loose in its socket.”
+
+“But I don't understand.”
+
+“It will all be made clear at the inquest, no doubt. A most unfortunate
+thing for you, Mr. Meyer.”
+
+“Most unfortunate,” declared the proprietor of the restaurant, extending
+his thick hands pathetically. “Most ruinous to my business.”
+
+“We will go upstairs now,” said Harley. “You will kindly lead the way,
+Mr. Meyer, and the whole thing will be quite clear to you, Knox.”
+
+As the proprietor walked out of the office and upstairs to the second
+floor Harley whispered in my ear:
+
+“Where did she go?”
+
+“No. ---- Hamilton Place,” I replied in an undertone.
+
+“Good God!” muttered my friend, and clutched my arm so tightly that I
+winced. “Good God! The master touch, Knox! This crime was the work of a
+genius--of a genius with slightly, very slightly, oblique eyes.”
+
+Opening a door on the second landing, Mr. Meyer admitted us to a small
+supper-room. Its furniture consisted of a round dining table, several
+chairs, a couch, and very little else. I observed, however, that the
+furniture, carpet, and a few other appointments were of a character
+much more elegant than those of the public room below. A window which
+overlooked the street was open, so that the plush curtains which had
+been drawn aside moved slightly to and fro in the draught.
+
+“The window of the tragedy, Knox,” explained Harley.
+
+He crossed the room.
+
+“If you will stand here beside me you will see the gap in the railing
+caused by the breaking away of the fragment which now lies on Mr.
+Meyer's desk. Some few yards to the left in the street below is where
+the assault took place, of which we have heard, and the unfortunate
+Mr. De Lana, who was dining here alone--an eccentric custom of
+his--naturally ran to the window upon hearing the disturbance and leaned
+out, supporting his weight upon the railing. The rail collapsed, and--we
+know the rest.”
+
+“It will ruin me,” groaned Meyer; “it will give bad repute to my
+establishment.”
+
+“I fear it will,” agreed Harley sympathetically, “unless we can manage
+to clear up one or two little difficulties which I have observed.
+For instance”--he tapped the proprietor on the shoulder
+confidentially--“have you any idea, any hazy idea, of the identity of
+the woman who was dining here with Mr. De Lana on Wednesday night?”
+
+The effect of this simple inquiry upon the proprietor was phenomenal.
+His fat yellow face assumed a sort of leaden hue, and his already
+prominent eyes protruded abnormally. He licked his lips.
+
+“I tell you--already I tell you,” he muttered, “that Mr. De Lana he
+engage this room every Wednesday and sometimes also Friday, and dine
+here by himself.”
+
+“And I tell you,” said Harley sweetly, “that you are an inspired liar.
+You smuggled her out by the side entrance after the accident.”
+
+“The side entrance?” muttered Meyer. “The side entrance?”
+
+“Exactly; the side entrance. There is something else which I must ask
+you to tell me. Who had engaged this room on Tuesday night, the night
+before the accident?”
+
+The proprietor's expression remained uncomprehending, and:
+
+“A gentleman,” he said. “I never see him before.”
+
+“Another solitary diner?” suggested Harley.
+
+“Yes, he is alone all the evening waiting for a friend who does not
+arrive.”
+
+“Ah,” mused Harley--“alone all the evening, was he? And his friend
+disappointed him. May I suggest that he was a dark man? Gray at the
+temples, having a dark beard and moustache, and a very tanned face? His
+eyes slanted slightly upward?”
+
+“Yes! yes!” cried Meyer, and his astonishment was patently unfeigned.
+“It is a friend of yours?”
+
+“A friend of mine, yes,” said Harley absently, but his expression was
+very grim. “What time did he finally leave?”
+
+“He waited until after eleven o'clock. The dinner is spoilt. He pays,
+but does not complain.”
+
+“No,” said Harley musingly, “he had nothing to complain about. One more
+question, my friend. When the lady escaped hurriedly on Wednesday night,
+what was it that she left behind and what price are you trying to extort
+from her for returning it?”
+
+At that the man collapsed entirely.
+
+“Ah, Gott!” he cried, and raised his hand to his clammy forehead. “You
+will ruin me. I am a ruined man. I don't try to extort anything. I run
+an honest business------”
+
+“And one of the most profitable in the world,” added Harley, “since the
+days of Thais to our own. Even at Bond Street rentals I assume that a
+house of assignation is a golden enterprise.”
+
+“Ah!” groaned Meyer, “I am ruined, so what does it matter? I tell you
+everything. I know Mr. De Lana who engages my room regularly, but I
+don't know who the lady is who meets him here. No! I swear it! But
+always it is the same lady. When he falls I am downstairs in my office,
+and I hear him cry out. The lady comes running from the room and begs of
+me to get her away without being seen and to keep all mention of her out
+of the matter.”
+
+“What did she pay you?” asked Harley.
+
+“Pay me?” muttered Meyer, pulled up thus shortly in the midst of his
+statement.
+
+“Pay you. Exactly. Don't argue; answer.”
+
+The man delivered himself of a guttural, choking sound, and finally:
+
+“She promised one hundred pounds,” he confessed hoarsely.
+
+“But you surely did not accept a mere promise? Out with it. What did she
+give you?”
+
+“A ring,” came the confession at last.
+
+“A ring. I see. I will take it with me if you don't mind. And now,
+finally, what was it that she left behind?”
+
+“Ah, Gott!” moaned the man, dropping into a chair and resting his arms
+upon the table. “It is all a great panic, you see. I hurry her out by
+the back stair from this landing and she forgets her bag.”
+
+“Her bag? Good.”
+
+“Then I clear away the remains of dinner so I can say Mr. De Lana is
+dining alone. It is as much my interest as the lady's.”
+
+“Of course! I quite understand. I will trouble you no more, Mr. Meyer,
+except to step into your office and to relieve you of that incriminating
+evidence, the lady's bag and her ring.”
+
+
+
+
+IV
+
+THE SLANTING EYES
+
+
+
+“Do you understand, Knox?” said Harley as the cab bore us toward
+Hamilton Place. “Do you grasp the details of this cunning scheme?”
+
+“On the contrary,” I replied, “I am hopelessly at sea.”
+
+Nevertheless, I had forgotten that I was hungry in the excitement which
+now claimed me. For although the thread upon which these seemingly
+disconnected things hung was invisible to me, I recognized that
+Bampton, the city clerk, the bearded stranger who had made so singular
+a proposition to him, the white-hatted major, the dead stockbroker,
+and the mysterious woman whose presence in the case the clear sight of
+Harley had promptly detected, all were linked together by some subtle
+chain. I was convinced, too, that my friend held at least one end of
+that chain in his grip.
+
+“In order to prepare your mind for the interview which I hope to obtain
+this evening,” continued Harley, “let me enlighten you upon one or two
+points which may seem obscure. In the first place you recognize that
+anyone leaning out of the window on the second floor would almost
+automatically rest his weight upon the iron bar which was placed there
+for that very purpose, since the ledge is unusually low?”
+
+“Quite,” I replied, “and it also follows that if the bar gave way anyone
+thus leaning on it would be pitched into the street.”
+
+“Your reasoning is correct.”
+
+“But, my dear fellow,” said I, “how could such an accident have been
+foreseen?”
+
+“You speak of an accident. This was no accident! One end of the bar
+had been filed completely through, although the file marks had been
+carefully concealed with rust and dirt; and the other end had been
+wrenched out from its socket and then replaced in such a way that anyone
+leaning upon the bar could not fail to be precipitated into the street!”
+
+“Good heavens! Then you mean------”
+
+“I mean, Knox, that the man who occupied the supper room on the night
+before the tragedy--the dark man, tanned and bearded, with slightly
+oblique eyes---spent his time in filing through that bar--in short, in
+preparing a death trap!”
+
+I was almost dumbfounded.
+
+“But, Harley,” I said, “assuming that he knew his victim would be the
+next occupant of the room, how could he know------?”
+
+I stopped. Suddenly, as if a curtain had been raised, the details of
+what I now perceived to be a fiendishly cunning murder were revealed to
+me.
+
+“According to his own account, Knox,” resumed Harley, “Major Ragstaff
+regularly passed along that street with military punctuality at the same
+hour every night. You may take it for granted that the murderer was well
+aware of this. As a matter of fact, I happen to know that he was. We
+must also take it for granted that the murderer knew of these little
+dinners for two which took place in the private room above the Cafe
+Dame every Wednesday--and sometimes on Friday. Around the figure of the
+methodical major--with his conspicuous white hat as a sort of focus--was
+built up one of the most ingenious schemes of murder with which I have
+ever come in contact. The victim literally killed himself.”
+
+“But, Harley, the victim might have ignored the disturbance.”
+
+“That is where I first detected the touch of genius, Knox. He recognized
+the voice of one of the combatants--or his companion did. Here we are.”
+
+The cab drew up before the house in Hamilton Place. We alighted, and
+Harley pressed the bell. The same footman whom I had seen admit the
+woman opened the door.
+
+“Is Lady Ireton at home?” asked Harley.
+
+As he uttered the name I literally held my breath. We had come to the
+house of Major Ragstaff's daughter, the Marchioness of Ireton, one of
+society's most celebrated and beautiful hostesses!--the wife of a peer
+famed alike as sportsman, soldier, and scholar.
+
+“I believe she is dining at home, sir,” said the man. “Shall I inquire?”
+
+“Be good enough to do so,” replied Harley, and gave him a card. “Inform
+her that I wish to return to her a handbag which she lost a few days
+ago.”
+
+The man ushered us into an anteroom opening off the lofty and rather
+gloomy hall, and as the door closed:
+
+“Harley,” I said in a stage whisper, “am I to believe------”
+
+“Can you doubt it?” returned Harley with a grim smile.
+
+A few moments later we were shown into a charmingly intimate little
+boudoir in which Lady Ireton was waiting to receive us. She was a
+strikingly handsome brunette, but to-night her face, which normally,
+I think, possessed rich colouring, was almost pallid, and there was a
+hunted look in her dark eyes which made me wish to be anywhere rather
+than where I found myself. Without preamble she rose and addressed
+Harley:
+
+“I fail to understand your message, sir,” she said, and I admired the
+imperious courage with which she faced him. “You say you have recovered
+a handbag which I had lost?”
+
+Harley bowed, and from the pocket of his greatcoat took out a
+silken-tasselled bag.
+
+“The one which you left in the Cafe Dame, Lady Ireton,” he replied.
+“Here also I have”--from another pocket he drew out a diamond
+ring--“something which was extorted from you by the fellow Meyer.”
+
+Without touching her recovered property, Lady Ireton sank slowly
+down into the chair from which she had arisen, her gaze fixed as if
+hypnotically upon the speaker.
+
+“My friend, Mr. Knox, is aware of all the circumstances,” continued
+the latter, “but he is as anxious as I am to terminate this painful
+interview. I surmise that what occurred on Wednesday night was
+this--(correct me if I am wrong): While dining with Mr. De Lana you
+heard sounds of altercation in the street below. May I suggest that you
+recognized one of the voices?”
+
+Lady Ireton, still staring straight before her at Harley, inclined her
+head in assent.
+
+“I heard my father's voice,” she said hoarsely.
+
+“Quite so,” he continued. “I am aware that Major Ragstaff is your
+father.” He turned to me: “Do you recognize the touch of genius at
+last?” Then, again addressing Lady Ireton: “You naturally suggested to
+your companion that he should look out of the window in order to learn
+what was taking place. The next thing you knew was that he had fallen
+into the street below?”
+
+Lady Ireton shuddered and raised her hands to her face.
+
+“It is retribution,” she whispered. “I have brought this ruin upon
+myself. But he does not deserve------”
+
+Her voice faded into silence, and:
+
+“You refer to your husband, Lord Ireton?” said Harley.
+
+Lady Ireton nodded, and again recovering power of speech:
+
+“It was to have been our last meeting,” she said, looking up at Harley.
+
+She shuddered, and her eyes blazed into sudden fierceness. Then,
+clenching her hands, she looked aside.
+
+“Oh, God, the shame of this hour!” she whispered.
+
+And I would have given much to have been spared the spectacle of this
+proud, erring woman's humiliation. But Paul Harley was scientifically
+remorseless. I could detect no pity in his glance.
+
+“I would give my life willingly to spare my husband the knowledge of
+what has been,” said Lady Ireton in a low, monotonous voice. “Three
+times I sent my maid to Meyer to recover my bag, but he demanded a price
+which even I could not pay. Now it is all discovered, and Harry will
+know.”
+
+“That, I fear, is unavoidable, Lady Ireton,” declared Harley. “May I ask
+where Lord Ireton is at present?”
+
+“He is in Africa after big game.”
+
+“H'm,” said Harley, “in Africa, and after big game? I can offer you one
+consolation, Lady Ireton. In his own interests Meyer will stick to his
+first assertion that Mr. De Lana was dining alone.”
+
+A strange, horribly pathetic look came into the woman's haunted eyes.
+
+“You--you--are not acting for------?” she began.
+
+“I am acting for no one,” replied Harley tersely. “Upon my friend's
+discretion you may rely as upon my own.”
+
+“Then why should he ever know?” she whispered.
+
+“Why, indeed,” murmured Harley, “since he is in Africa?”
+
+As we descended the stair to the hall my friend paused and pointed to a
+life-sized oil painting by London's most fashionable portrait painter.
+It was that of a man in the uniform of a Guards officer, a dark man,
+slightly gray at the temples, his face very tanned as if by exposure to
+the sun.
+
+“Having had no occasion for disguise when the portrait was painted,”
+ said Harley, “Lord Ireton appears here without the beard; and as he is
+not represented smiling one cannot see the gold tooth. But the painter,
+if anything, has accentuated the slanting eyes. You see, the fourth
+marquis--the present Lord Ireton's father--married one of the
+world-famous Yen Sun girls, daughters of the mandarin of that name by an
+Irish wife. Hence, the eyes. And hence------”
+
+“But, Harley--it was murder!”
+
+“Not within the meaning of the law, Knox. It was a recrudescence
+of Chinese humour! Lord Ireton is officially in Africa (and he went
+actually after 'big game'). The counsel is not born who could secure
+a conviction. We are somewhat late, but shall therefore have less
+difficulty in finding a table at Prince's.”
+
+
+
+
+
+
+TCHERIAPIN
+
+
+
+
+
+
+I
+
+THE ROSE
+
+
+
+“Examine it closely,” said the man in the unusual caped overcoat. “It
+will repay examination.”
+
+I held the little object in the palm of my hand, bending forward over
+the marble-topped table and looking down at it with deep curiosity. The
+babel of tongues so characteristic of Malay Jack's, and that mingled
+odour of stale spirits, greasy humanity, tobacco, cheap perfume, and
+opium, which distinguish the establishment faded from my ken. A sense of
+loneliness came to me.
+
+Perhaps I should say that it became complete. I had grown conscious of
+its approach at the very moment that the cadaverous white-haired man had
+addressed me. There was a quality in his steadfast gaze and in his oddly
+pitched deep voice which from the first had wrapped me about--as though
+he were cloaking me in his queer personality and withdrawing me from the
+common plane.
+
+Having stared for some moments at the object in my palm, I touched it
+gingerly; whereupon my acquaintance laughed--a short bass laugh.
+
+“It looks fragile,” he said. “But have no fear. It is nearly as hard as
+a diamond.”
+
+Thus encouraged, I took the thing up between finger and thumb, and
+held it before my eyes. For long enough I looked at it, and looking, my
+wonder grew. I thought that here was the most wonderful example of the
+lapidary's art which I had ever met with, east or west.
+
+It was a tiny pink rose, no larger than the nail of my little finger.
+Stalk and leaves were there, and golden pollen lay in its delicate
+heart. Each fairy-petal blushed with June fire; the frail leaves were
+exquisitely green. Withal it was as hard and unbendable as a thing of
+steel.
+
+“Allow me,” said the masterful voice.
+
+A powerful lens was passed by my acquaintance. I regarded the rose
+through the glass, and thereupon I knew, beyond doubt, that there was
+something phenomenal about the gem--if gem it were. I could plainly
+trace the veins and texture of every petal.
+
+I suppose I looked somewhat startled. Although, baldly stated, the fact
+may not seem calculated to affright, in reality there was something so
+weird about this unnatural bloom that I dropped it on the table. As
+I did so I uttered an exclamation; for in spite of the stranger's
+assurances on the point, I had by no means overcome my idea of the
+thing's fragility.
+
+“Don't be alarmed,” he said, meeting my startled gaze. “It would need a
+steam-hammer to do any serious damage.”
+
+He replaced the jewel in his pocket, and when I returned the lens to
+him he acknowledged it with a grave inclination of the head. As I
+looked into his sunken eyes, in which I thought lay a sort of sardonic
+merriment, the fantastic idea flashed through my mind that I had fallen
+into the clutches of an expert hypnotist who was amusing himself at my
+expense, that the miniature rose was a mere hallucination produced by
+the same means as the notorious Indian rope trick.
+
+Then, looking around me at the cosmopolitan groups surrounding the many
+tables, and catching snatches of conversations dealing with subjects
+so diverse as the quality of whisky in Singapore, the frail beauty
+of Chinese maidens, and the ways of “bloody greasers,” common sense
+reasserted itself.
+
+I looked into the gray face of my acquaintance.
+
+“I cannot believe,” I said slowly, “that human ingenuity could
+so closely duplicate the handiwork of nature. Surely the gem is
+unique?--possibly one of those magical talismans of which we read in
+Eastern stories?”
+
+My companion smiled.
+
+“It is not a gem,” he replied, “and while in a sense it is a product of
+human ingenuity, it is also the handiwork of nature.”
+
+I was badly puzzled, and doubtless revealed the fact, for the stranger
+laughed in his short fashion, and:
+
+“I am not trying to mystify you,” he assured me. “But the truth is so
+hard to believe sometimes that in the present case I hesitate to divulge
+it. Did you ever meet Tcheriapin?”
+
+This abrupt change of topic somewhat startled me, but nevertheless:
+
+“I once heard him play,” I replied. “Why do you ask the question?”
+
+“For this reason: Tcheriapin possessed the only other example of this
+art which so far as I am aware ever left the laboratory of the inventor.
+He occasionally wore it in his buttonhole.”
+
+“It is then a manufactured product of some sort?”
+
+“As I have said, in a sense it is; but”--he drew the tiny exquisite
+ornament from his pocket again and held it up before me--“it is a
+natural bloom.”
+
+“What!”
+
+“It is a natural bloom,” replied my acquaintance, fixing his penetrating
+gaze upon me. “By a perfectly simple process invented by the cleverest
+chemist of his age it had been reduced to this gem-like state while
+retaining unimpaired every one of its natural beauties, every shade of
+its natural colour. You are incredulous?”
+
+“On the contrary,” I replied, “having examined it through a magnifying
+glass I had already assured myself that no human hand had fashioned
+it. You arouse my curiosity intensely. Such a process, with its endless
+possibilities, should be worth a fortune to the inventor.”
+
+The stranger nodded grimly and again concealed the rose in his pocket.
+
+“You are right,” he said; “and the secret died with the man who
+discovered it--in the great explosion at the Vortex Works in 1917. You
+recall it? The T.N.T. factory? It shook all London, and fragments were
+cast into three counties.”
+
+“I recall it perfectly well.”
+
+“You remember also the death of Dr. Kreener, the chief chemist? He died
+in an endeavour to save some of the workpeople.”
+
+“I remember.”
+
+“He was the inventor of the process, but it was never put upon the
+market. He was a singular man, sir; as was once said of him--'A Don Juan
+of science.' Dame Nature gave him her heart unwooed. He trifled with
+science as some men trifle with love, tossing aside with a smile
+discoveries which would have made another famous. This”--tapping his
+breast pocket--“was one of them.”
+
+“You astound me. Do I understand you to mean that Dr. Kreener had
+invented a process for reducing any form of plant life to this
+condition?”
+
+“Almost any form,” was the guarded reply. “And some forms of animal
+life.”
+
+“What!”
+
+“If you like”--the stranger leaned forward and grasped my arm--“I will
+tell you the story of Dr. Kreener's last experiment.”
+
+I was now intensely interested. I had not forgotten the heroic death of
+the man concerning whose work this chance acquaintance of mine seemed to
+know so much. And in the cadaverous face of the stranger as he sat there
+regarding me fixedly there was a promise and an allurement. I stood on
+the verge of strange things; so that, looking into the deep-set eyes,
+once again I felt the cloak being drawn about me, and I resigned myself
+willingly to the illusion.
+
+From the moment when he began to speak again until that when I rose and
+followed him from Malay Jack's, as I shall presently relate, I became
+oblivious of my surroundings. I lived and moved through those last
+fevered hours in the lives of Dr. Kreener, Tcheriapin, the violinist,
+and that other tragic figure around whom the story centred. I append:
+
+THE STRANGER'S STORY
+
+I asked you (said the man in the caped coat) if you had ever seen
+Tcheriapin, and you replied that you had once heard him play. Having
+once heard him play you will not have forgotten him. At that time,
+although war still raged, all musical London was asking where he had
+come from and to what nation he belonged. Then when he disappeared it
+was variously reported, you will recall, that he had been shot as a spy
+and that he had escaped from England and was serving with the Austrian
+army. As to his parentage I can enlighten you in a measure. He was a
+Eurasian. His father was an aristocratic Chinaman, and his mother a
+Polish ballet-dancer--that was his parentage; but I would scarcely
+hesitate to affirm that he came from Hell; and I shall presently show
+you that he has certainly returned there.
+
+You remember the strange stories current about him. The cunning ones
+said that he had a clever press agent. This was true enough. One of
+the most prominent agents in London discovered him playing in a Paris
+cabaret. Two months later he was playing at the Queen's Hall, and
+musical London lay at his feet.
+
+He had something of the personality of Paganini, as you remember, except
+that he was a smaller man; long, gaunt, yellowish hands and the face of
+a haggard Mephistopheles. The critics quarrelled about him, as critics
+only quarrel about real genius, and while one school proclaimed that
+Tcheriapin had discovered an entirely new technique, a revolutionary
+system of violin playing, another school was equally positive in
+declaring that he could not play at all, that he was a mountebank, a
+trickster, whose proper place was in a variety theatre.
+
+There were stories, too, that were never published--not only about
+Tcheriapin, but concerning the Strad, upon which he played. If all this
+atmosphere of mystery which surrounded the man had truly been the work
+of a press agent, then the agent must have been as great a genius as
+his client. But I can assure you that the stories concerning Tcheriapin,
+true and absurd alike, were not inspired for business purposes; they
+grew up around him like fungi.
+
+I can see him now, a lean, almost emaciated figure with slow,
+sinuous movements and a trick of glancing sideways with those dark,
+unfathomable, slightly oblique eyes. He could take up his bow in such a
+way as to create an atmosphere of electrical suspense.
+
+He was loathsome, yet fascinating. One's mental attitude toward him was
+one of defence, of being tensely on guard. Then he would play.
+
+You have heard him play, and it is therefore unnecessary for me to
+attempt to describe the effect of that music. The only composition which
+ever bore his name--I refer to “The Black Mass”--affected me on every
+occasion when I heard it, as no other composition has ever done.
+
+Perhaps it was Tcheriapin's playing rather than the music itself which
+reached down into hitherto un-plumbed depths within me and awakened dark
+things which, unsuspected, lay there sleeping. I never heard “The Black
+Mass” played by anyone else; indeed, I am not aware that it was ever
+published. But had it been we should rarely hear it. Like Locke's music
+to “Macbeth” it bears an unpleasant reputation; to include it in any
+concert programme would be to court disaster. An idle superstition,
+perhaps, but there is much naivete in the artistic temperament.
+
+Men detested Tcheriapin, yet when he chose he could win over his
+bitterest enemies. Women followed him as children followed the Pied
+Piper; he courted none, but was courted by all. He would glance aside
+with those black, slanting eyes, shrug in his insolent fashion, and
+turn away. And they would follow. God knows how many of them
+followed--whether through the dens of Limehouse or the more fashionable
+salons of vice in the West End--they followed--perhaps down to Hell. So
+much for Tcheriapin.
+
+At the time when the episode occurred to which I have referred, Dr.
+Kreener occupied a house in Regent's Park, to which, when his duties at
+the munition works allowed, he would sometimes retire at week-ends.
+He was a man of complex personality. I think no one ever knew him
+thoroughly; indeed, I doubt if he knew himself.
+
+He was hail-fellow-well-met with the painters, sculptors, poets, and
+social reformers who have made of Soho a new Mecca. No movement in
+art was so modern that Dr. Kreener was not conversant with it; no
+development in Bolshevism so violent or so secret that Dr. Kreener could
+not speak of it complacently and with inside knowledge.
+
+These were his Bohemian friends, these dreamers and schemers. Of this
+side of his life his scientific colleagues knew little or nothing, but
+in his hours of leisure at Regent's Park it was with these dreamers
+that he loved to surround himself rather than with his brethren of the
+laboratory. I think if Dr. Kreener had not been a great chemist he would
+have been a great painter, or perhaps a politician, or even a poet.
+Triumph was his birthright, and the fruits for which lesser men reached
+out in vain fell ripe into his hands.
+
+The favourite meeting-place for these oddly assorted boon companions
+was the doctor's laboratory, which was divided from the house by a
+moderately large garden. Here on a Sunday evening one might meet the
+very “latest” composer, the sculptor bringing a new “message,” or
+the man destined to supplant with the ballet the time-worn operatic
+tradition.
+
+But while some of these would come and go, so that one could never count
+with certainty upon meeting them, there was one who never failed to be
+present when such an informal reception was held. Of him I must speak at
+greater length, for a reason which will shortly appear.
+
+Andrews was the name by which he was known to the circles in which he
+moved. No one, from Sir John Tennier, the fashionable portrait painter,
+to Kruski, of the Russian ballet, disputed Andrews's right to be counted
+one of the elect. Yet it was known, nor did he trouble to hide the fact,
+that Andrews was employed at a large printing works in South London,
+designing advertisements. He was a great, red-bearded, unkempt Scotsman,
+and only once can I remember to have seen him strictly sober; but to
+hear him talk about painters and painting in his thick Caledonian accent
+was to look into the soul of an artist.
+
+He was as sour as an unripe grape-fruit, cynical, embittered, a man
+savagely disappointed with life and the world; and tragedy was written
+all over him. If anyone knew the secret of his wasted life it was Dr.
+Kreener, and Dr. Kreener was a reliquary of so many secrets that this
+one was safe as if the grave had swallowed it.
+
+One Sunday Tcheriapin joined the party. That he would gravitate there
+sooner or later was inevitable, for the laboratory in the garden was
+a Kaaba to which all such spirits made at least one pilgrimage. He had
+just set musical London on fire with his barbaric playing, and already
+those stories to which I have referred were creeping into circulation.
+
+Although Dr. Kreener never expected anything of his guests beyond an
+interchange of ideas, it was a fact that the laboratory contained
+an almost unique collection of pencil and charcoal studies by famous
+artists, done upon the spot; of statuettes in wax, putty, soap and other
+extemporized materials, by the newest sculptors. While often enough
+from the drawing room which opened upon the other end of the garden had
+issued the strains of masterly piano-playing, and it was no uncommon
+thing for little groups to gather in the neighbouring road to listen,
+gratis, to the voice of some great vocalist.
+
+From the first moment of their meeting an intense antagonism sprang up
+between Tcheriapin and Andrews. Neither troubled very much to veil it.
+In Tcheriapin it found expression in covert sneers and sidelong glances,
+while the big, lion-maned Scotsman snorted open contempt of the Eurasian
+violinist. However, what I was about to say was that Tcheriapin on the
+occasion of his first visit brought his violin.
+
+It was there, amid these incongruous surroundings, that I first had my
+spirit tortured by the strains of “The Black Mass.”
+
+There were five of us present, including Tcheriapin, and not one of the
+four listeners was unaffected by the music. But the influence which
+it exercised upon Andrews was so extraordinary as almost to reach the
+phenomenal. He literally writhed in his chair, and finally interrupted
+the performance by staggering rather than walking out of the laboratory.
+
+I remember that he upset a jar of acid in his stumbling exit. It flowed
+across the floor almost to the feet of Tcheriapin, and the way in which
+the little black-haired man skipped, squealing, out of the path of the
+corroding fluid was curiously like that of a startled rabbit. Order
+was restored in due course, but we could not induce Tcheriapin to
+play again, nor did Andrews return until the violinist had taken his
+departure. We found him in the dining room, a nearly empty whisky-bottle
+beside him.
+
+“I had to gang awa',” he explained thickly; “he was temptin' me
+to murder him. I should ha' had to do it if I had stayed. Damn his
+hell-music.”
+
+Tcheriapin revisited Dr. Kreener on many occasions afterward, although
+for a long time he did not bring his violin again. The doctor had
+prevailed upon Andrews to tolerate the Eurasian's company, and I could
+not help noticing how Tcheriapin skilfully and deliberately goaded the
+Scotsman, seeming to take a fiendish delight in disagreeing with his
+pet theories and in discussing any topic which he had found to be
+distasteful to Andrews.
+
+Chief among these was that sort of irreverent criticism of women in
+which male parties so often indulge. Bitter cynic though he was, women
+were sacred to Andrews. To speak disrespectfully of a woman in his
+presence was like uttering blasphemy in the study of a cardinal.
+Tcheriapin very quickly detected the Scotsman's weakness, and one night
+he launched out into a series of amorous adventures which set Andrews
+writhing as he had writhed under the torture of “The Black Mass.”
+
+On this occasion the party was only a small one, comprising myself, Dr.
+Kreener, Andrews and Tcheriapin. I could feel the storm brewing, but was
+powerless to check it. How presently it was to break in tragic violence
+I could not foresee. Fate had not meant that I should foresee it.
+
+Allowing for the free play of an extravagant artistic mind, Tcheriapin's
+career on his own showing had been that of a callous blackguard. I
+began by being disgusted and ended by being fascinated, not by the
+man's scandalous adventures, but by the scarcely human psychology of the
+narrator.
+
+From Warsaw to Budapesth, Shanghai to Paris, and Cairo to London he
+passed, leaving ruin behind him with a smile--airily flicking cigarette
+ash upon the floor to indicate the termination of each “episode.”
+
+Andrews watched him in a lowering way which I did not like at all. He
+had ceased to snort his scorn; indeed, for ten minutes or so he had
+uttered no word or sound; but there was something in the pose of his
+ungainly body which strangely suggested that of a great dog preparing
+to spring. Presently the violinist recalled what he termed a “charming
+idyll of Normandy.”
+
+“There is one poor fool in the world,” he said, shrugging his slight
+shoulders, “who never knew how badly he should hate me. Ha! ha! of him
+I shall tell you. Do you remember, my friends, some few years ago, a
+picture that was published in Paris and London? Everybody bought it;
+everybody said: 'He is a made man, this fellow who can paint so fine.'”
+
+“To what picture do you refer?” asked Dr. Kreener.
+
+“It was called 'A Dream at Dawn.'”
+
+As he spoke the words I saw Andrews start forward, and Dr. Kreener
+exchanged a swift glance with him. But the Scotsman, unseen by the
+vainglorious half-caste, shook his head fiercely.
+
+The picture to which Tcheriapin referred will, of course, be perfectly
+familiar to you. It had phenomenal popularity some eight years ago.
+Nothing was known of the painter--whose name was Colquhoun--and nothing
+has been seen of his work since. The original painting was never sold,
+and after a time this promising new artist was, of course, forgotten.
+
+Presently Tcheriapin continued:
+
+“It is the figure of a slender girl--ah! angels of grace!--what a
+girl!” He kissed his hand rapturously. “She is posed bending gracefully
+forward, and looking down at her own lovely reflection in the water.
+It is a seashore, you remember, and the little ripples play about
+her ankles. The first blush of the dawn robes her white body in a
+transparent mantle of light. Ah! God's mercy! it was as she stood so, in
+a little cove of Normandy, that I saw her!”
+
+He paused, rolling his dark eyes; and I could hear Andrews's heavy
+breathing; then:
+
+“It was the 'new art'--the posing of the model not in a lighted studio,
+but in the scene to be depicted.
+
+“And the fellow who painted her!--the man with the barbarous name! Bah!
+he was big--as big as our Mr. Andrews--and ugly--pooh! uglier than he!
+A moon-face, with cropped skull like a prize-fighter and no soul. But,
+yes, he could paint. 'A Dream at Dawn' was genius--yes, some soul he
+must have had.
+
+“He could paint, dear friends, but he could not love. Him I counted
+as--puff!”
+
+He blew imaginary down into space.
+
+“Her I sought out, and presently found. She told me, in those sweet
+stolen rambles along the shore, when the moonlight made her look like a
+Madonna, that she was his inspiration--his art--his life. And she wept;
+she wept, and I kissed her tears away.
+
+“To please her I waited until 'A Dream at Dawn' was finished. With the
+finish of the picture, finished also his dream of dawn--the moon-faced
+one's.”
+
+Tcheriapin laughed, and lighted a fresh cigarette.
+
+“Can you believe that a man could be so stupid? He never knew of
+my existence, this big, red booby. He never knew that I existed
+until--until his 'dream' had fled--with me! In a week we were in Paris,
+that dream-girl and I--in a month we had quarrelled. I always end these
+matters with a quarrel; it makes the complete finish. She struck me in
+the face--and I laughed. She turned and went away. We were tired of one
+another.
+
+“Ah!” Again he airily kissed his hand. “There were others after I had
+gone. I heard for a time. But her memory is like a rose, fresh and fair
+and sweet. I am glad I can remember her so, and not as she afterward
+became. That is the art of love. She killed herself with absinthe, my
+friends. She died in Marseilles in the first year of the great war.”
+
+Thus far Tcheriapin had proceeded, and was in the act of airily flicking
+ash upon the floor, when, uttering a sound which I can only describe as
+a roar, Andrews hurled himself upon the smiling violinist.
+
+His great red hands clutching Tcheriapin's throat, the insane Scotsman,
+for insane he was at that moment, forced the other back upon the settee
+from which he had half arisen. In vain I sought to drag him away from
+the writhing body, but I doubt that any man could have relaxed that
+deadly grip. Tcheriapin's eyes protruded hideously and his tongue lolled
+forth from his mouth. One could hear the breath whistling through his
+nostrils as Andrews silently, deliberately, squeezed the life out of
+him.
+
+It all occupied only a few minutes, and then Andrews, slowly opening his
+rigidly crooked fingers, stood panting and looking down at the distorted
+face of the dead man.
+
+For once in his life the Scotsman was sober, and turning to Dr. Kreener:
+
+“I have waited seven long years for this,” he said, “and I'll hang wi'
+contentment.”
+
+I can never forget the ensuing moments, in which, amid a horrible
+silence broken only by the ticking of a clock and the heavy breathing
+of Colquhoun (so long known to us as Andrews) we stood watching the
+contorted body on the settee.
+
+And as we watched, slowly the rigid limbs began to relax, and Tcheriapin
+slid gently on to the floor, collapsing there with a soft thud, where
+he squatted like some hideous Buddha, resting back against the cushions,
+one spectral yellow hand upraised, the fingers still clutching a big
+gold tassel.
+
+Andrews (for so I always think of him) was seized with a violent fit
+of trembling, and he dropped into the chair, muttering to himself and
+looking down wild-eyed at his twitching fingers. Then he began to laugh,
+high-pitched laughter, in little short peals.
+
+“Here!” cried the doctor sharply. “Drop that!”
+
+Crossing to Andrews, he grasped him by the shoulders and shook him
+roughly.
+
+The laughter ceased, and:
+
+“Send for the police,” said Andrews in a queer, shaky voice. “Dinna fear
+but I'm ready. I'm only sorry it happened here.”
+
+“You ought to be glad,” said Dr. Kreener.
+
+There was a covert meaning in the words--a fact which penetrated even to
+the dulled intelligence of the Scotsman, for he glanced up haggardly at
+his friend.
+
+“You ought to be glad,” repeated Dr. Kreener.
+
+Turning, he walked to the laboratory door and locked it. He next lowered
+all the blinds.
+
+“I pray that we have not been observed,” he said, “but we must chance
+it.”
+
+He mixed a drink for Andrews and himself. His quiet, decisive manner had
+had its effect, and Andrews was now more composed. Indeed, he seemed to
+be in a half-dazed condition; but he persistently kept his back turned
+to the crouching figure propped up against the settee.
+
+“If you think you can follow me,” said Dr. Kreener abruptly, “I will
+show you the result of a recent experiment.”
+
+Unlocking a cupboard, he took out a tiny figure some two inches long by
+one inch high, mounted upon a polished wooden pedestal. It was that of
+a guinea-pig. The flaky fur gleamed like the finest silk, and one felt
+that the coat of the minute creature would be as floss to the touch;
+whereas in reality it possessed the rigidity of steel. Literally
+one could have done it little damage with a hammer. Its weight was
+extraordinary.
+
+“I am learning new things about this process every day,” continued Dr.
+Kreener, placing the little figure upon a table. “For instance, while
+it seems to operate uniformly upon vegetable matter, there are curious
+modifications when one applies it to animal and mineral substances. I
+have now definitely decided that the result of this particular inquiry
+must never be published. You, Colquhoun, I believe, possess an example
+of the process, a tiger lily, I think? I must ask you to return it to
+me. Our late friend, Tcheriapin, wears a pink rose in his coat which I
+have treated in the same way. I am going to take the liberty of removing
+it.”
+
+He spoke in the hard, incisive manner which I had heard him use in
+the lecture theatre, and it was evident enough that his design was to
+prepare Andrews for something which he contemplated. Facing the Scotsman
+where he sat hunched up in the big armchair, dully watching the speaker:
+
+“There is one experiment,” said Dr. Kreener, speaking very deliberately,
+“which I have never before had a suitable opportunity of attempting. Of
+its result I am personally confident, but science always demands proof.”
+
+His voice rang now with a note of repressed excitement. He paused for a
+moment, and then:
+
+“If you were to examine this little specimen very closely,” he said,
+and rested his finger upon the tiny figure of the guinea-pig, “you would
+find that in one particular it is imperfect. Although a diamond drill
+would have to be employed to demonstrate the fact, the animal's organs,
+despite their having undergone a chemical change quite new to science,
+are intact, perfect down to the smallest detail. One part of the
+creature's structure alone defied my process. In short, dental enamel is
+impervious to it. This little animal, otherwise as complete as when it
+lived and breathed, has no teeth. I found it necessary to extract them
+before submitting the body to the reductionary process.”
+
+He paused.
+
+“Shall I go on?” he asked.
+
+Andrews, to whose mind, I think, no conception of the doctor's project
+had yet penetrated, shuddered, but slowly nodded his head.
+
+Dr. Kreener glanced across the laboratory at the crouching figure of
+Tcheriapin, then, resting his hands upon Andrews's shoulders, he pushed
+him back in the chair and stared into his dull eyes.
+
+“Brace yourself, Colquhoun,” he said tersely.
+
+Turning, he crossed to a small mahogany cabinet at the farther end of
+the room. Pulling out a glass tray he judicially selected a pair of
+dental forceps.
+
+
+
+
+II
+
+“THE BLACK MASS”
+
+
+
+Thus far the stranger's appalling story had progressed when that
+singular cloak in which hypnotically he had enwrapped me seemed to drop,
+and I found myself clutching the edge of the table and staring into the
+gray face of the speaker.
+
+I became suddenly aware of the babel of voices about me, of the noisome
+smell of Malay Jack's, and of the presence of Jack in person, who was
+inquiring if there were any further orders. I was conscious of nausea.
+
+“Excuse me,” I said, rising unsteadily, “but I fear the oppressive
+atmosphere is affecting me.”
+
+“If you prefer to go out,” said my acquaintance, in that deep voice
+which throughout the dreadful story had rendered me oblivious of my
+surroundings, “I should be much favoured if you would accompany me to a
+spot not five hundred yards from here.”
+
+Seeing me hesitate:
+
+“I have a particular reason for asking,” he added.
+
+“Very well,” I replied, inclining my head, “if you wish it. But
+certainly I must seek the fresh air.”
+
+Going up the steps and out through the door above which the blue lantern
+burned, we came to the street, turned to the left, to the left again,
+and soon were threading that maze of narrow ways which complicates the
+map of Pennyfields.
+
+I felt somewhat recovered. Here, in the narrow but familiar highways the
+spell of my singular acquaintance lost much of its potency, and already
+I found myself doubting the story of Dr. Kreener and Tcheriapin. Indeed,
+I began to laugh at myself, conceiving that I had fallen into the hands
+of some comedian who was making sport of me; although why such a person
+should visit Malay Jack's was not apparent.
+
+I was about to give expression to these new and saner ideas when my
+companion paused before a door half hidden in a little alley which
+divided the back of a Chinese restaurant from the tawdry-looking
+establishment of a cigar merchant. He apparently held the key, for
+although I did not actually hear the turning of the lock I saw that he
+had opened the door.
+
+“May I request you to follow me?” came his deep voice out of the
+darkness. “I will show you something which will repay your trouble.”
+
+Again the cloak touched me, but it was without entirely resigning myself
+to the compelling influence that I followed my mysterious acquaintance
+up an uncarpeted and nearly dark stair. On the landing above a gas
+lamp was burning, and opening a door immediately facing the stair the
+stranger conducted me into a barely furnished and untidy room.
+
+The atmosphere smelled like that of a pot-house, the odours of stale
+spirits and of tobacco mingling unpleasantly. As my guide removed
+his hat and stood there, a square, gaunt figure in his queer, caped
+overcoat, I secured for the first time a view of his face in profile;
+and found it to be startlingly unfamiliar. Seen thus, my acquaintance
+was another man. I realized that there was something unnatural about the
+long, white hair, the gray face; that the sharp outline of brow, nose,
+and chin was that of a much younger man than I had supposed him to be.
+
+All this came to me in a momentary flash of perception, for immediately
+my attention was riveted upon a figure hunched up on a dilapidated sofa
+on the opposite side of the room. It was that of a big man, bearded and
+very heavily built, but whose face was scarred as by years of suffering,
+and whose eyes confirmed the story indicated by the smell of stale
+spirits with which the air of the room was laden. A nearly empty bottle
+stood on a table at his elbow, a glass beside it, and a pipe lay in a
+saucer full of ashes near the glass.
+
+As we entered, the glazed eyes of the man opened widely and he clutched
+at the table with big red hands, leaning forward and staring horribly.
+
+Save for this derelict figure and some few dirty utensils and scattered
+garments which indicated that the apartment was used both as sleeping
+and living room, there was so little of interest in the place that
+automatically my wandering gaze strayed from the figure on the sofa to
+a large oil painting, unframed, which rested upon the mantelpiece above
+the dirty grate, in which the fire had become extinguished.
+
+I uttered a stifled exclamation. It was “A Dream at Dawn”--evidently the
+original painting!
+
+On the left of it, from a nail in the wall, hung a violin and bow, and
+on the right stood a sort of cylindrical glass case or closed jar, upon
+a wooden base.
+
+From the moment that I perceived the contents of this glass case a sense
+of fantasy claimed me, and I ceased to know where reality ended and
+mirage began.
+
+It contained a tiny and perfect figure of a man. He was arrayed in a
+beautifully fitting dress-suit such as a doll might have worn, and he
+was posed as if in the act of playing a violin, although no violin
+was present. At the elfin black hair and Mephistophelian face of this
+horrible, wonderful image, I stared fascinatedly.
+
+I looked and looked at the dwarfed figure of... Tcheriapin!
+
+All these impressions came to me in the space of a few hectic moments,
+when in upon my mental tumult intruded a husky whisper from the man on
+the sofa.
+
+“Kreener!” he said. “Kreener!”
+
+At the sound of that name, and because of the way in which it was
+pronounced, I felt my blood running cold. The speaker was staring
+straight at my companion.
+
+I clutched at the open door. I felt that there was still some crowning
+horror to come. I wanted to escape from that reeking room, but my
+muscles refused to obey me, and there I stood while:
+
+“Kreener!” repeated the husky voice, and I saw that the speaker was
+rising unsteadily to his feet.
+
+“You have brought him again. Why have you brought him again? He will
+play. He will play me a step nearer to Hell.”
+
+“Brace yourself, Colquhoun,” said the voice of my companion. “Brace
+yourself.”
+
+“Take him awa'!” came in a sudden frenzied shriek. “Take him awa'! He's
+there at your elbow, Kreener, mockin' me, and pointing to that damned
+violin.”
+
+“Here!” said the stranger, a high note of command in his voice. “Drop
+that! Sit down at once.”
+
+Even as the other obeyed him, the cloaked stranger, stepping to the
+mantelpiece, opened a small box which lay there beside the glass case.
+He turned to me; and I tried to shrink away from him. For I knew--I
+knew--yet I loathed to look upon--what was in the box. Muffled as though
+reaching me through fog, I heard the words:
+
+“A perfect human body...in miniature... every organ intact by means
+of... process... rendered indestructible. Tcheriapin as he was in life
+may be seen by the curious ten thousand years hence. Incomplete... one
+respect... here in this box...”
+
+The spell was broken by a horrifying shriek from the man whom my
+companion had addressed as Colquhoun, and whom I could only suppose
+to be the painter of the celebrated picture which rested upon the
+mantelshelf.
+
+“Take him awa', Kreener! He is reaching for the violin!”
+
+Animation returned to me, and I fell rather than ran down the darkened
+stair. How I opened the street door I know not, but even as I stepped
+out into the squalid alleys of Pennyfields the cloaked figure was beside
+me. A hand was laid upon my shoulder.
+
+“Listen!” commanded a deep voice.
+
+Clearly, with an eerie sweetness, an evil, hellish beauty indescribable,
+the wailing of a Stradivarius violin crept to my ears from the room
+above. Slowly--slowly the music began, and my soul rose up in revolt.
+
+“Listen!” repeated the voice. “Listen! It is 'The Black Mass'!”
+
+
+
+
+
+
+THE DANCE OF THE VEILS
+
+
+
+
+
+I
+
+THE HOUSE OF THE AGAPOULOS
+
+
+
+Hassan came in and began very deliberately to light the four lamps.
+He muttered to himself and often smiled in the childish manner which
+characterizes some Egyptians. Hassan wore a red cap, and a white robe
+confined at the waist by a red sash. On his brown feet he wore loose
+slippers, also of red. He had good features and made a very picturesque
+figure moving slowly about his work.
+
+As he lighted lamp after lamp and soft illumination crept about the big
+room, because of the heavy shadows created the place seemed to become
+mysteriously enlarged. That it was an Eastern apartment cunningly
+devised to appeal to the Western eye, one familiar with Arab households
+must have seen at once. It was a traditional Oriental interior, a
+stage setting rather than the nondescript and generally uninteresting
+environment of the modern Egyptian at home.
+
+Brightly coloured divans there were and many silken cushions of strange
+pattern and design. The hanging lamps were of perforated brass with
+little coloured glass panels. In carved wooden cabinets stood beautiful
+porcelain jars, trays, and vessels of silver and copper ware. Rich
+carpets were spread about the floor, and the draperies were elegant and
+costly, while two deep windows projecting over the court represented the
+best period of Arab architecture. Their intricate carven woodwork had
+once adorned the palace of a Grand Wazir. Agapoulos had bought them in
+Cairo and had had them fitted to his house in Chinatown. A smaller brass
+lamp of very delicate workmanship was suspended in each of the recesses.
+
+As Hassan, having lighted the four larger lanterns, was proceeding
+leisurely to light the first of the smaller ones, draperies before a
+door at the east end of the room were parted and Agapoulos came in.
+Agapoulos was a short but portly Greek whom the careless observer might
+easily have mistaken for a Jew. He had much of the appearance of a bank
+manager, having the manners of one used to making himself agreeable,
+but also possessing the money-eye and that comprehensive glance which
+belongs to the successful man of commerce.
+
+Standing in the centre of the place he brushed his neat black moustache
+with a plump forefinger. A diamond ring which he wore glittered
+brilliantly in the coloured rays of the lanterns. With his right hand,
+which rested in his trouser pocket, he rattled keys. His glance roved
+about the room appraisingly. Walking to a beautifully carved Arab
+cabinet he rearranged three pieces of Persian copperware which stood
+upon it. He moved several cushions, and taking up a leopard skin which
+lay upon the floor he draped it over an ebony chair which was inlaid
+intricately with ivory.
+
+The drooping eyelids of M. Agapoulos drooped lower, as returning to the
+centre of the room he critically surveyed the effect of these master
+touches. At the moment he resembled a window-dresser, or, rather, one
+of those high-salaried artists who beautify the great establishments of
+Regent Street, the Rue de la Paix, and Ruination Avenue, New York.
+
+Hassan lighted the sixth lamp, muttering smilingly all the time. He was
+about to depart when Agapoulos addressed him in Arabic.
+
+“There will be a party down from the Savoy tonight, Hassan. No one else
+is to come unless I am told. That accursed red policeman, Kerry, has
+been about here of late. Be very careful.”
+
+Hassan saluted him gravely and retired through one of the draped
+openings. In his hand he held the taper with which he had lighted the
+lamps. In order that the draperies should not be singed he had to hold
+them widely apart. For it had not occurred to Hassan to extinguish the
+taper. The Egyptian mind is complex in its simplicity.
+
+M. Agapoulos from a gold case extracted a cigarette, and lighting it,
+inhaled the smoke contentedly, looking about him. The window-dresser was
+lost again in the bank manager who has arranged a profitable overdraft.
+Somewhere a bell rang. Hassan, treading silently, reappeared, crossed
+the room, and opening a finely carved door walked along a corridor which
+it had concealed. He still carried the lighted taper.
+
+Presently there entered a man whose well-cut serge suit revealed the
+figure of a soldier. He wore a soft gray felt hat and carried light
+gloves and a cane. His dark face, bronzed by recent exposure to the
+Egyptian sun, was handsome in a saturnine fashion, and a touch of gray
+at the temples tended to enhance his good looks. He carried himself
+in that kind of nonchalant manner which is not only insular but almost
+insolent.
+
+M. Agapoulos bowed extravagantly. As he laid his plump hand upon his
+breast the diamond ring sparkled in a way most opulent and impressive.
+
+“I greet you, Major Grantham,” he said. “Behold”--he waved his hand
+glitteringly--“all is prepared.”
+
+“Oh, yes,” murmured the other, glancing around without interest; “good.
+You are beginning to get straight in your new quarters.”
+
+Agapoulos extended the prosperous cigarette-case, and Major Grantham
+took and lighted a superior cigarette.
+
+“How many in the party?” inquired the Greek smilingly.
+
+“Three and myself.”
+
+A shadow of a frown appeared upon the face of Agapoulos.
+
+“Only three,” he muttered.
+
+Major Grantham laughed.
+
+“You should know me by this time, Agapoulos,” he said. “The party is
+small but exclusive, you understand?”
+
+He spoke wearily, as a tired man speaks of distasteful work which he
+must do. There was contempt in his voice; contempt of Agapoulos, and
+contempt of himself.
+
+“Ah!” cried the Greek, brightening; “do I know any of them?”
+
+“Probably. General Sir Francis Payne, Mr. Eddie, and Sir Horace Tipton.”
+
+“An Anglo-American party, eh?”
+
+“Quite. Mr. Eddie is the proprietor of the well-known group of American
+hotels justly celebrated for their great height and poisonous cuisine;
+while Sir Horace Tipton alike as sportsman, globe-trotter, and soap
+manufacturer, is characteristically British. Of General Sir Francis
+Payne I need only say that his home services during the war did
+incalculable harm to our prestige throughout the Empire.”
+
+He spoke with all the bitterness of a man who has made a failure of
+life. Agapoulos was quite restored to good humour.
+
+“Ah!” he exclaimed, brushing his moustache and rattling his keys;
+“sportsmen, eh?”
+
+Major Grantham dropped into the carven chair upon which the Greek had
+draped the leopard skin. Momentarily the window-dresser leapt into life
+as Agapoulos beheld one of his cunning effects destroyed, but he forced
+a smile when Grantham, shrugging his shoulders, replied:
+
+“If they are fools enough to play--the usual 5 per cent, on the bank's
+takings.”
+
+He paused, glancing at some ash upon the tip of his cigarette. Agapoulos
+swiftly produced an ashtray and received the ash on it in the manner of
+a churchwarden collecting half a crown from a pew-holder.
+
+“I think,” continued Grantham indifferently, “that it will be the
+dances. Two of them are over fifty.”
+
+“Ah!” said Agapoulos thoughtfully; “not, of course, the ordinary
+programme?”
+
+Major Grantham looked up at him with lazy insolence.
+
+“Why ask?” he inquired. “Does Lucullus crave for sausages? Do
+philosophers play marbles?”
+
+He laughed again, noting the rather blank look of Agapoulos.
+
+“You don't know what I'm talking about, do you?” he added. “I mean to
+say that these men have been everywhere and done everything. They have
+drunk wine sweet and sour and have swallowed the dregs. I am bringing
+them. It is enough.”
+
+“More than enough,” declared the Greek with enthusiasm. He bowed,
+although Grantham was not looking at him. “In the little matter of fees
+I can rely upon your discretion, as always. Is it not said that a good
+dragoman is a desirable husband?”
+
+Major Grantham resettled himself in his chair.
+
+“M. Agapoulos,” he said icily, “we have done shady business together for
+years, both in Port Said and in London, and have remained the best of
+friends; two blackguards linked by our common villainy. But if this
+pleasant commercial acquaintance is to continue let there be no
+misunderstanding between us, M. Agapoulos. I may know I'm a dragoman;
+but in future, old friend”--he turned lazy eyes upon the Greek--“for
+your guidance, don't remind me of the fact or I'll wring your neck.”
+
+The drooping eyelids of M. Agapoulos flickered significantly, but it was
+with a flourish more grand than usual that he bowed.
+
+“Pardon, pardon,” he murmured. “You speak harshly of yourself, but ah,
+you do not mean it. We understand each other, eh?”
+
+“I understand you perfectly,” drawled Grantham; “I was merely advising
+you to endeavour to understand me. My party will arrive at nine o'clock,
+Agapoulos, and I am going back to the Savoy shortly to dress. Meanwhile,
+if Hassan would bring me a whisky and soda I should be obliged.”
+
+“Of course, of course. He shall do so at once,” cried Agapoulos. “I will
+tell him.”
+
+Palpably glad to escape, the fat Greek retired, leaving Major Grantham
+lolling there upon the leopard skin, his hat, cane and gloves upon the
+carpet beside him; and a few moments later Hassan the silent glided into
+the extravagant apartment bearing refreshments. Placing his tray upon a
+little coffee-table beside Major Grantham, he departed.
+
+There was a faint smell of perfume in the room, a heavy voluptuous smell
+in which the odour of sandal-wood mingled with the pungency of myrrh. It
+was very silent, so that when Grantham mixed a drink the pleasant chink
+of glass upon glass rang out sharply.
+
+
+
+
+II
+
+ZAHARA
+
+
+
+Zahara had overheard the latter part of the conversation from her own
+apartment. Once she had even crept across to the carven screen in order
+that she might peep through into the big, softly lighted room. She
+had interrupted her toilet to do so, and having satisfied herself that
+Grantham was one of the speakers (although she had really known this
+already), she had returned and stared at herself critically in the
+mirror.
+
+Zahara, whose father had been a Frenchman, possessed skin of a subtle
+cream colour very far removed from the warm brown of her Egyptian
+mother, but yet not white. At night it appeared dazzling, for she
+enhanced its smooth, creamy pallor with a wonderful liquid solution
+which came from Paris. It was hard, Zahara had learned, to avoid a
+certain streaky appearance, but much practice had made her an adept.
+
+This portion of her toilet she had already completed and studying her
+own reflection she wondered, as she had always wondered, what Agapoulos
+could see in Safiyeh. Safiyeh was as brown as a berry; quite pretty for
+an Egyptian girl, as Zahara admitted scornfully, but brown--brown. It
+was a great puzzle to Zahara. The mystery of life indeed had puzzled
+little Zahara very much from the moment when she had first begun to
+notice things with those big, surprising blue eyes of hers, right up to
+the present twenty-fourth year of her life. She had an uneasy feeling
+that Safiyeh, who was only sixteen, knew more of this mystery than she
+did. Once, shortly after the Egyptian girl had come to the house of
+Agapoulos, Zahara had playfully placed her round white arm against that
+of the more dusky beauty, and:
+
+“Look!” she had exclaimed. “I am cream and you are coffee.”
+
+“It is true,” the other had admitted in her practical, serious way, “but
+some men do not like cream. All men like coffee.”
+
+Zahara rested her elbows upon the table and surveyed the reflection
+of her perfect shoulders with disapproval. She had been taught at her
+mother's knee that men did not understand women, and she, who had been
+born and reared in that quarter of Cairo where there is no day but one
+long night, had lived to learn the truth of the lesson. Yet she was not
+surprised that this was so; for Zahara did not understand herself. Her
+desires were so simple and so seemingly natural, yet it would appear
+that they were contrary to the established order of things.
+
+She was proud to think that she was French, although someone had told
+her that the French, though brave, were mercenary. Zahara admired the
+French for being brave, and thought it very sensible that they should
+be mercenary. For there was nothing that Zahara wanted of the world
+that money could not obtain (or so she believed), and she knew no higher
+philosophy than the quest of happiness. Because others did not seem to
+share this philosophy she often wondered if she could be unusual. She
+had come to the conclusion that she was ignorant. If only Harry Grantham
+would talk to her she felt sure he could teach her so much.
+
+There were so many things that puzzled her. She knew that at twenty-four
+she was young for a French girl, although as an Egyptian she would
+have been considered old. She had been taught that gold was the key to
+happiness and that man was the ogre from whom this key must be wheedled.
+A ready pupil, Zahara had early acquired the art of attracting, and now
+at twenty-four she was a past mistress of the Great Craft, and as her
+mirror told her, more beautiful than she had ever been.
+
+Therefore, what did Agapoulos see in Safiyeh?
+
+It was a problem which made Zahara's head ache. She could not understand
+why as her power of winning men increased her power to hold them
+diminished. Safiyeh was a mere inexperienced child--yet Agapoulos
+had brought her to the house, and Zahara, wise in woman's lore, had
+recognized the familiar change of manner.
+
+It was a great problem, the age-old problem which doubtless set the
+first silver thread among Phryne's red-gold locks and which now brought
+a little perplexed wrinkle between Zahara's delicately pencilled brows.
+
+It had not always been so. In those early days in Cairo there had been
+an American boy. Zahara had never forgotten. Her beauty had bewildered
+him. He had wanted to take her to New York; and oh! how she had wanted
+to go. But her mother, who was then alive, had held other views, and he
+had gone alone. Heavens! How old she felt. How many had come and gone
+since that Egyptian winter, but now, although admiration was fatally
+easy to win how few were so sincere as that fresh-faced boy from beyond
+the Atlantic.
+
+Zahara, staring into the mirror, observed that there was not a wrinkle
+upon her face, not a flaw upon her perfect skin. Nor in this was she
+blinded by vanity. Nature, indeed, had cast her in a rare mould, and
+from her unusual hair, which was like dull gold, to her slender ankles
+and tiny feet, she was one of the most perfectly fashioned human beings
+who ever added to the beauty of the world.
+
+Yet Agapoulos preferred Safiyeh. Zahara could hear him coming to her
+room even as she sat there, chin in hands, staring at her own bewitching
+reflection. Presently she would slip out and speak to Harry Grantham.
+Twice she had read in his eyes that sort of interest which she knew so
+well how to detect. She liked him very much, but because of a sense of
+loyalty to Agapoulos (a sentiment purely Egyptian which she longed to
+crush) Zahara had never so much as glanced at Grantham in the Right Way.
+She was glad, though, that he had not gone, and she hoped that Agapoulos
+would not detain her long.
+
+As a matter of fact, the Greek's manner was even more cold than usual.
+He rested his hand upon her shoulder for a moment, and meeting her
+glance reflected in the mirror:
+
+“There will be a lot of money here to-night,” he said. “Make the best
+of your opportunities. Chinatown is foggy, yes--but it pays better than
+Port Said.”
+
+He ran fat fingers carelessly through her hair, the big diamond
+glittering effectively in the wavy gold, then turned and went out.
+Sitting listening intently, Zahara could hear him talking in a subdued
+voice to Safiyeh, and could detect the Egyptian's low-spoken replies.
+
+*****
+
+Grantham looked up with a start. A new and subtle perfume had added
+itself to that with which the air of the room was already laden. He
+found Zahara standing beside him.
+
+His glance travelled upward from a pair of absurdly tiny brocaded
+shoes past slender white ankles to the embroidered edge of a wonderful
+mandarin robe decorated with the figures of peacocks; upward again to
+a little bejewelled hand which held the robe confined about the slender
+figure of Zahara, and upward to where, sideways upon a bare shoulder
+peeping impudently out from Chinese embroidery, rested the half-mocking
+and half-serious face of the girl.
+
+“Hallo!” he said, smiling, “I didn't hear you come in.”
+
+“I walk very soft,” explained Zahara, “because I am not supposed to be
+here.”
+
+She looked at him quizzically. “I don't see you for a long time,” she
+added, and in the tone of her voice there was a caress. “I saw you more
+often in Port Said than here.”
+
+“No,” replied Grantham, “I have been giving Agapoulos a rest. Besides,
+there has been nobody worth while at any of the hotels or clubs during
+the last fortnight.”
+
+“Somebody worth while coming to-night?” asked Zahara with professional
+interest.
+
+At the very moment that she uttered the words she recognized her error,
+for she saw Grantham's expression change. Yet to her strange soul there
+was a challenge in his coldness and the joy of contest in the task of
+melting the ice of this English reserve.
+
+“Lots of money,” he said bitterly; “we shall all do well to-night.”
+
+Zahara did not reply for a moment. She wished to close this line of
+conversation which inadvertently she had opened up. So that, presently:
+
+“You look very lonely and bored,” she said softly.
+
+As a matter of fact, it was she who was bored of the life she led in
+Limehouse--in chilly, misty Limehouse--and who had grown so very lonely
+since Safiyeh had come. In the dark gray eyes looking up at her she read
+recognition of her secret. Here was a man possessing that rare masculine
+attribute, intuition. Zahara knew a fear that was half delightful. Fear
+because she might fail in either of two ways and delight because the
+contest was equal.
+
+“Yes,” he replied slowly, “my looks tell the truth. How did you know?”
+
+Zahara observed that his curiosity had not yet become actual interest.
+She toyed with the silken tassel on her robe, tying and untying it with
+quick nervous fingers and resting the while against the side of the
+carved chair.
+
+“Perhaps because I am so lonely myself,” she said. “I matter to no one.
+What I do, where I go, if I live or die. It is all----”
+
+She spread her small hands eloquently and shrugged so that another white
+shoulder escaped from the Chinese wrapping. Thereupon Zahara demurely
+drew her robe about her with a naive air of modesty which nine out of
+ten beholding must have supposed to be affected.
+
+In reality it was a perfectly natural, instinctive movement. To Zahara
+her own beauty was a commonplace to be displayed or concealed as
+circumstances might dictate. In a certain sense, which few could
+appreciate, this half-caste dancing girl and daughter of El Wasr was
+as innocent as a baby. It was one of the things which men did not
+understand. She thought that if Harry Grantham asked her to go away
+with him it would be nice to go. Suddenly she realized how deep was her
+loathing of this Limehouse and of the people she met there, who were all
+alike.
+
+He sat looking at her for some time, and then: “Perhaps you are wrong,”
+ he said. “There may be some who could understand.”
+
+And because he had answered her thoughts rather than her words, the fear
+within Zahara grew greater than the joy of the contest.
+
+Awhile longer she stayed, seeking for a chink in the armour. But she
+failed to kindle the light in his eyes which--unless she had deluded
+herself--she had seen there in the past; and because she failed and
+could detect no note of tenderness in his impersonal curiosity:
+
+“You are lonely because you are so English, so cold,” she exclaimed,
+drawing her robe about her and glancing sideways toward the door by
+which Agapoulos might be expected to enter. “You are bored, yes. Of
+course. You look on at life. It is not exciting, that game--except for
+the players.”
+
+Never once had she looked at him in the Right Way; for to have done so
+and to have evoked only that amused yet compassionate smile would have
+meant hatred, and Zahara had been taught that such hatred was fatal
+because it was a confession of defeat.
+
+“I shall see you again to-night, shall I not?” he said as she turned
+away.
+
+“Oh, yes, I shall be--on show. I hope you will approve.”
+
+She tossed her head like a petulant child, turned, and with never
+another glance in his direction, walked from the room. She was very
+graceful, he thought.
+
+Yet it was not entirely of this strange half-caste, whose beauty was
+provoking, although he resolutely repelled her tentative advances, that
+Grantham was thinking. In that last gesture when she had scornfully
+tossed her head in turning aside, had lain a bitter memory. Grantham
+stood for a moment watching the swaying draperies. Then, dropping the
+end of his cigarette into a little brass ash-tray, he took up his hat,
+gloves, and cane from the floor, and walked toward the doorway through
+which he had entered.
+
+A bell rang somewhere, and Grantham paused. A close observer might have
+been puzzled by his expression. Evidently changing his mind, he crossed
+the room, opened the door and went out, leaving the house of Agapoulos
+by a side entrance. Crossing the little courtyard below he hurried in
+the direction of the main street, seeming to doubt the shadows which
+dusk was painting in the narrow ways.
+
+Many men who know Chinatown distrust its shadows, but the furtive fear
+of which Grantham had become aware was due not to anticipation but to
+memory--to a memory conjured up by that gesture of Zahara's.
+
+There were few people in London or elsewhere who knew the history of
+this scallywag Englishman. That he had held the King's commission at
+some time was generally assumed to be the fact, but that his real
+name was not Grantham equally was taken for granted. His continuing,
+nevertheless, to style himself “Major” was sufficient evidence to those
+interested that Grantham lived by his wits; and from the fact that he
+lived well and dressed well one might have deduced that his wits were
+bright if his morals were turbid.
+
+Now, the gesture of a woman piqued had called up the deathless past.
+Hurrying through nearly empty squalid streets, he found himself longing
+to pronounce a name, to hear it spoken that he might linger over its
+bitter sweetness. To this longing he presently succumbed, and:
+
+“Inez,” he whispered, and again more loudly, “Inez.”
+
+Such a wave of lonely wretchedness and remorse swept up about his heart
+that he was almost overwhelmed by it, yet he resigned himself to
+its ruthless cruelty with a sort of savage joy. The shadowed ways of
+Limehouse ceased to exist for him, and in spirit he stood once more in
+a queer, climbing, sunbathed street of Gibraltar looking out across that
+blue ribbon of the Straits to where the African coast lay hidden in the
+haze.
+
+“I never knew,” he said aloud. And one meeting this man who hurried
+along and muttered to himself must have supposed him to be mad. “I never
+knew. Oh, God! if I had only known.”
+
+But he was one of those to whom knowledge comes as a bitter aftermath.
+When his regiment had received orders to move from the Rock, and he had
+informed Inez of his departure, she had turned aside, just as Zahara had
+done; scornfully and in silence. Because of his disbelief in her he
+had guarded his heart against this beautiful Spanish girl who (as he
+realized too late) had brought him the only real happiness he had ever
+known. Often she had told him of her brother, Miguel, who would kill
+her--would kill them both--if he so much as suspected their meetings; of
+her affianced husband, absent in Tunis, whose jealousy knew no bounds.
+
+He had pretended to believe, had even wanted to believe; but the
+witchery of the girl's presence removed, he had laughed--at himself and
+at Inez. She was playing the Great Game, skilfully, exquisitely. When
+he was gone--there would soon be someone else. Yet he had never told her
+that he doubted. He had promised many things--and had left her.
+
+She died by her own hand on the night of his departure.
+
+Now, as a wandering taxi came into view: “Inez!” he moaned--“I never
+knew.”
+
+That brother whom he had counted a myth had succeeded in getting on
+board the transport. Before Grantham's inner vision the whole dreadful
+scene now was reenacted: the struggle in the stateroom; he even seemed
+to hear the sound of the shot, to see the Spaniard, drenched with blood
+from a wound in his forehead, to hear his cry:
+
+“I cannot see! I cannot see! Mother of Mercy! I have lost my sight!”
+
+It had broken Grantham. The scandal was hushed up, but retirement was
+inevitable. He knew, too, that the light had gone out of the world for
+him as it had gone for Miguel da Mura.
+
+It is sometimes thus that a scallywag is made.
+
+
+
+
+IV
+
+THE STAR OF EGYPT
+
+
+
+As Grantham went out by the side door, Hassan, soft of foot, appeared.
+Crossing to the main door he opened it and walked down the narrow
+corridor beyond. Presently came the tap, tap, tap of a stick and a sound
+of muttered conversation in some place below.
+
+Hassan reentered and went in through the curtained doorway to summon
+Agapoulos. Agapoulos was dressing and would not be disturbed. Hassan
+went back to those who waited, but ere long returned again chattering
+volubly to himself. Going behind the carven screen he rapped upon the
+door of Zahara's room, and she directed him to come in. To Zahara,
+Hassan was no more than a piece of furniture, and she thought as little
+of his intruding while she was in the midst of her toilet as another
+woman would have thought of the entrance of a maid.
+
+“Two men,” reported Hassan, “who won't go away until they see somebody.”
+
+“Whom do they want to see?” she inquired indifferently, adjusting the
+line of her eyebrow with an artistically pointed pencil.
+
+“They say whoever belongs here.”
+
+Zahara invariably spoke either French or English to natives, and if
+Hassan had addressed her in Arabic she would not have replied, although
+she spoke that language better than she spoke any other.
+
+“What are they like? Not--police?”
+
+“Foreign,” replied Hassan vaguely.
+
+“English--American?”
+
+“No, not American or English. Very black hair, dark skin.”
+
+Zahara, a student of men, became aware of a mild interest. These swarthy
+visitors should prove an agreeable antidote to the poisonous calm of
+Harry Grantham. She was trying with all the strength of her strange,
+stifled soul not to think of Grantham, and she was incapable of
+recognizing the fact that she could think of nothing else and had
+thought of little else for a long time past. Even now it was because of
+him that she determined to interview the foreign visitors. The mystery
+of her emotions puzzled her more than ever.
+
+She descended to a small, barely furnished room on the ground floor,
+close beside the door opening upon the street. It was lighted by one
+hanging lamp. On the divan which constituted the principal item
+of furniture a small man, slenderly built, was sitting. He wore a
+broad-brimmed hat, so broad of brim that it threw the whole of the upper
+part of his face into shadow. It was impossible to see his eyes. Beside
+him rested a heavy walking-stick.
+
+As Zahara entered, a wonderful, gaily coloured figure, this man did not
+move in the slightest, but sat, chin on breast, his small, muscular,
+brown hands resting on his knees. His companion, however, a person of
+more massive build, elegantly dressed and handsome in a swarthy fashion,
+bowed gravely and removed his hat. Zahara liked his eyes, which were
+dark and very bold looking.
+
+“M. Agapoulos is engaged,” she said, speaking in French. “What is it you
+wish to know?”
+
+The man regarded her fixedly, and:
+
+“Senorita,” he replied, “I will be frank with you.”
+
+Save for his use of the word “senorita” he also spoke in French. Zahara
+drew her robe more closely about her and adopted her most stately
+manner.
+
+“My name,” continued the other, “does not matter, but my business is to
+look into the affairs of other people, you understand?”
+
+Zahara, who understood from this that the man was some kind of inquiry
+agent, opened her blue eyes very widely and at the same time shook her
+head.
+
+“No,” she protested; “what do you mean?”
+
+“A certain gentleman came here a short time ago, came into this
+house and must be here now. Don't be afraid. He has done nothing very
+dreadful,” he added reassuringly.
+
+Zahara retreated a step, and a little wrinkle of disapproval appeared
+between her pencilled brows. She no longer liked the man's eyes, she
+decided. They were deceitful eyes. His companion had taken up the heavy
+stick and was restlessly tapping the floor.
+
+“There is no one here,” said Zahara calmly, “except the people who live
+in the house.”
+
+“He is here, he is here,” muttered the man seated on the divan.
+
+The tapping of his stick had grown more rapid, but as he had spoken in
+Spanish, Zahara, who was ignorant of that language, had no idea what he
+had said.
+
+“My friend,” continued the Spaniard, bowing slightly in the direction
+of the slender man who so persistently kept his broad-brimmed hat on his
+head, “chanced to hear the voice of this gentleman as he spoke to your
+porter on entering the door. And although the door was closed too soon
+for us actually to see him, we are convinced that he is the person we
+seek.”
+
+“I think you are mistaken,” said Zahara coolly. “But what do you want
+him for?”
+
+As she uttered the words she realized that even the memory of Grantham
+was sufficient to cause her to betray herself. She had betrayed her
+interest to the man himself, and now she had betrayed it to this
+dark-faced stranger whose manner was so mysterious. The Spaniard
+recognized the fact, and, unlike Grantham, acted upon it promptly.
+
+“He has taken away the wife of another, Senorita,” he said simply, and
+watched her as he spoke the lie.
+
+She listened in silence, wide-eyed. Her lower lip twitched, and she bit
+it fiercely.
+
+“He went first to Port Said and then came to London with this woman,”
+ continued the Spaniard remorselessly. “We come from her husband to ask
+her to return. Yes, he will forgive her--or he offers her freedom.”
+
+Rapidly but comprehensively the speaker's bold glance travelled over
+Zahara, from her golden head to her tiny embroidered shoes.
+
+“If you can help us in this matter it will be worth fifty English pounds
+to you,” he concluded.
+
+Zahara was breathing rapidly. The fatal hatred which she had sought to
+stifle gained a new vitality. Another woman--another woman actually
+here in London! So there was someone upon whom he did not look in that
+half-amused and half-compassionate manner. How she hated him! How she
+hated the woman to whom he had but a moment ago returned!
+
+“Then he will marry this other one?” she said suddenly.
+
+“Oh, no. Already he neglects her. We think she will go back.”
+
+Zahara experienced a swift change of sentiment. She seemed to be
+compounded of two separate persons, one of whom laughed cruelly at the
+folly of the other.
+
+“What is the name of this man you think your friend has recognized?” she
+asked.
+
+The big stick was rapping furiously during this colloquy.
+
+“We are both sure, Senorita. His name is Major Spalding.”
+
+That Spalding and Grantham were neighbouring towns in Lincolnshire
+Zahara did not know, but:
+
+“No one of that name comes here,” she replied.
+
+“The one you heard and--who has gone--is not called by that name.” She
+spoke with forced calm. It was Grantham they sought! “But what happens
+if I show you this one who is not called Spalding?”
+
+“No matter! Point him out to me,” answered the Spaniard eagerly--and his
+dark eyes seemed to be on fire--“point him out to me and fifty pounds of
+English money is yours!”
+
+“Let me see.”
+
+He drew out a wallet and held up a number of notes.
+
+“Fifty,” he said, in a subdued voice, “when you point him out.”
+
+For a long moment Zahara hesitated, then:
+
+“Sixty,” she corrected him--“now! Then I will do it to-night--if you
+tell what happens.”
+
+Exhibiting a sort of eager impatience the man displayed a bunch of
+official-looking documents.
+
+“I give him these,” he explained, “and my work is done.”
+
+“H'm,” said Zahara. “He must not know that it is I who have shown him
+to you. To-night he will be here at nine o'clock, and I shall dance. You
+understand?”
+
+“Then,” said the Spaniard eagerly, “this is what you will do.”
+
+And speaking close to her ear he rapidly outlined a plan; but presently
+she interrupted him.
+
+“Pooh! It is Spanish, the rose. I dance the dances of Egypt.”
+
+“But to-night,” he persisted, “it will not matter.”
+
+Awhile longer they talked, the rapping of the stick upon the tiled floor
+growing ever faster and faster. But finally:
+
+“I will tell Hassan that you are to be admitted,” said Zahara, and she
+held out her hand for the notes.
+
+When, presently, the visitors departed, she learned that the smaller
+man was blind; for his companion led him out of the room and out of
+the house. She stood awhile listening to the tap, tap, tap of the heavy
+stick receding along the street. What she did not hear, and could not
+have understood had she heard, since it was uttered in Spanish, was the
+cry of exultant hatred which came from the lips of the taller man:
+
+“At last, Miguel! at last! Though blind, you have found him! You have
+not failed. I shall not fail!”
+
+*****
+
+Zahara peeped through the carved screen at the assembled company. They
+were smoking and drinking and seemed to be in high good humour. Safiyeh
+had danced and they had applauded the performance, but had complained
+to M. Agapoulos that they had seen scores of such dances and dancers.
+Safiyeh, who had very little English, had not understood this, and
+because presently she was to play upon the a'ood while Zahara danced the
+Dance of the Veils, Zahara had avoided informing her of the verdict of
+the company.
+
+Now as she peeped through the lattice in the screen she could see
+the Greek haggling with Grantham and a tall gray-haired man whom she
+supposed to be Sir Horace Tipton. They were debating the additional fees
+to be paid if Zahara, the Star of Egypt, was to present the secret
+and wonderful dance of which all men had heard but which only a true
+daughter of the ancient tribe of the Ghawazi could perform.
+
+Sometimes Zahara was proud of her descent from a dancing-girl of Kenneh.
+This was always at night, when a sort of barbaric excitement possessed
+her which came from the blood of her mother. Then, a new light entered
+her eyes and they seemed to grow long and languid and dark, so that no
+one would have suspected that in daylight they were blue.
+
+A wild pagan abandon claimed her, and she seemed to hear the wailing of
+reed instruments and the throb of the ancient drums which were played of
+old before the kings of Egypt. Safiyeh was not a true dancing girl,
+and because she knew none of those fine frenzies, she danced without
+inspiration, like a brown puppet moved by strings. But she could play
+upon an a'ood much better than Zahara, and therefore must not be upset
+until she had played for the Dance of the Veils.
+
+Seeing that the bargain was all but concluded, Zahara stole back to
+her room. Her lightly clad body gleamed like that of some statue become
+animate.
+
+Her cheeks flushed as she took up the veils, of which she alone knew the
+symbolic meaning; the white veil, the purple veil: each had its story to
+tell her; and the veil of burning scarlet. In a corner of the big room
+on a divan near the door she had seen the Spaniard, a handsome, swarthy
+figure in his well-fitting dress clothes, and now, opening a drawer, she
+glanced at the little pile of notes which represented her share of the
+bargain. There were fifty. She had told Agapoulos that a distinguished
+foreigner with an introduction from someone she knew had paid ten pounds
+to be present. And because she had given Agapoulos the ten pounds,
+Agapoulos had agreed to admit the visitor.
+
+She could hear the Greek approaching now, but she was thinking of
+Grantham whom she had last seen in laughing conversation with the tall,
+gray-haired man. His laughter had appeared forced. Doubtless he grew
+weary of the woman he had brought to London.
+
+“Dance to-night with all the devil that is in you, my beautiful,” said
+Agapoulos, hurrying into the room.
+
+Zahara turned aside, toying with the veils.
+
+“They are rich, eh?” she said indifferently.
+
+She was thinking of the fifty pounds which she had earned so easily; and
+after all (how strangely her mind wandered) perhaps he was really tired
+of the woman. The Spaniard had said so.
+
+“Very rich,” murmured Agapoulos complacently.
+
+He brushed his moustache and rattled keys in his pocket. In his dress
+clothes he looked like the manager of a prosperous picture palace.
+“Safryeh!” he called.
+
+When presently the music commenced, the players concealed behind the
+tall screen, an expectant hush fell upon the wine-flushed company.
+Hassan, who played the darabukkeh, could modulate its throbbing so
+wonderfully.
+
+Zahara entered the room, enveloped from shoulders to ankles in a
+flame-coloured cloak. Between her lips she held a red rose.
+
+“By God, what a beauty!” said a husky voice.
+
+Zahara did not know which of the party had spoken, but she was conscious
+of the fact that by virtue of the strange witchcraft which became hers
+on such nights she held them all spell-bound. They were her slaves.
+
+Slowly she walked across the apartment while the throbbing of the Arab
+drum grew softer and softer, producing a weird effect of space and
+distance. All eyes were fixed upon her, and meeting Grantham's gaze she
+saw at last the Light there which she knew. This sudden knowledge of
+triumph almost unnerved her, and the rose which she had taken from
+between her lips trembled in her white fingers. Two of the petals fell
+upon the carpet, which was cream-coloured from the looms of Ispahan.
+Like blood spots the petals lay upon the cream surface.
+
+Zahara swung sharply about. Agapoulos, seated alone in the chair over
+which he had draped the leopard skin, was busily brushing his moustache
+and glancing sideways toward the screen which concealed Safryeh. Zahara
+tilted her head on to her shoulder and cast a languorous glance into the
+shadows masking the watchful Spaniard.
+
+She could see his eyes gleaming like those of a wild beast. An icy
+finger seemed to touch her heart. He had lied to her! She knew it,
+suddenly, intuitively. Well, she would see. She also had guile.
+
+With a little scornful laugh Zahara tossed the rose on to the knees--of
+Agapoulos.
+
+The sound of three revolver shots fired in quick succession rang out
+above the throbbing music. Agapoulos clutched at his shirt front with
+both hands, uttered a stifled scream and tried to stand up. He coughed,
+and glaring straight in front of him fell forward across a little coffee
+table laden with champagne bottles and glasses.
+
+Coincident with the crash made by his falling body came the loud bang of
+a door. The Spaniard had gone.
+
+“By God, sir! It's murder, it's murder!” cried the same husky voice
+which had commented upon the beauty of Zahara.
+
+There was a mingling, purposeless movement. Someone ran to the door--to
+find that it was locked from the outside. Mr. Eddie, now recognizable by
+his accent, came toward the prone man, dazed, horrified, and grown very
+white. Zahara, a beautiful, tragic figure, in her flaming cloak, stood
+looking down at the dead man. Safiyeh was peeping round from behind
+the screen, her face a brown mask of terror. Hassan, holding his drum,
+appeared behind her, staring stupidly. To the smell of cigar smoke and
+perfume a new and acrid odour was added.
+
+Vaguely the truth was stealing in upon the mind of the dancing-girl that
+she had been made party to a plot to murder Grantham. She had saved his
+life. He belonged to her now. She could hear him speaking, although
+for some reason she could not see him. A haze had come, blotting out
+everything but the still, ungainly figure which lay so near her upon
+the carpet, one clutching, fat hand, upon which a diamond glittered,
+outstretched so that it nearly touched her bare white feet.
+
+“We must get out this way! The side door to the courtyard! None of us
+can afford to be mixed up in an affair of this sort.”
+
+There was more confused movement and a buzz of excited
+voices--meaningless, chaotic. Zahara could feel the draught from the
+newly opened door. A thin stream of blood was stealing across the
+carpet. It had almost reached the fallen rose petals, which it strangely
+resembled in colour under the light of the lanterns.
+
+As though dispersed by the draught, the haze lifted, and Zahara saw
+Grantham standing by the open doorway through which he had ushered out
+the other visitors.
+
+Wide-eyed and piteous she met his glance. She had seen that night the
+Look in his eyes. She had saved his life, and there was much, so
+much, that she wanted to tell him. A thousand yearnings, inexplicable,
+hitherto unknown, deep mysteries of her soul, looked out of those great
+eyes.
+
+“Don't think,” he said tensely, “that I was deceived. I saw the trick
+with the rose! You are as guilty as your villainous lover! Murderess!”
+
+He went out and closed the door. The flame-coloured cloak slowly slipped
+from Zahara's shoulders, and the veils, like falling petals, began to
+drop gently one by one upon the blood-stained carpet.
+
+
+
+
+
+
+THE HAND OF THE MANDARIN QUONG
+
+
+
+
+
+I
+
+THE SHADOW ON THE CURTAIN
+
+
+
+“Singapore is by no means herself again,” declared Jennings, looking
+about the lounge of the Hotel de l'Europe. “Don't you agree, Knox?”
+
+Burton fixed his lazy stare upon the speaker.
+
+“Don't blame poor old Singapore,” he said. “There is no spot in this
+battered world that I have succeeded in discovering which is not changed
+for the worse.”
+
+Dr. Matheson flicked ash from his cigar and smiled in that peculiarly
+happy manner which characterizes a certain American type and which lent
+a boyish charm to his personality.
+
+“You are a pair of pessimists,” he pronounced. “For some reason best
+known to themselves Jennings and Knox have decided upon a Busman's
+Holiday. Very well. Why grumble?”
+
+“You are quite right, Doctor,” Jennings admitted. “When I was on service
+here in the Straits Settlements I declared heaven knows how often that
+the country would never see me again once I was demobbed. Yet here you
+see I am; Burton belongs here; but here's Knox, and we are all as fed up
+as we can be!”
+
+“Yes,” said Burton slowly. “I may be a bit tired of Singapore. It's a
+queer thing, though, that you fellows have drifted back here again. The
+call of the East is no fable. It's a call that one hears for ever.”
+
+The conversation drifted into another channel, and all sorts of topics
+were discussed, from racing to the latest feminine fashions, from
+ballroom dances to the merits and demerits of coalition government. Then
+suddenly:
+
+“What became of Adderley?” asked Jennings.
+
+There were several men in the party who had been cronies of ours during
+the time that we were stationed in Singapore, and at Jennings's words
+a sort of hush seemed to fall on those who had known Adderley. I cannot
+say if Jennings noticed this, but it was perfectly evident to me that
+Dr. Matheson had perceived it, for he glanced swiftly across in my
+direction in an oddly significant way.
+
+“I don't know,” replied Burton, who was an engineer. “He was rather an
+unsavoury sort of character in some ways, but I heard that he came to a
+sticky end.”
+
+“What do you mean?” I asked with curiosity, for I myself had often
+wondered what had become of Adderley.
+
+“Well, he was reported to his C. O., or something, wasn't he, just
+before the time for his demobilization? I don't know the particulars; I
+thought perhaps you did, as he was in your regiment.”
+
+“I have heard nothing whatever about it,” I replied.
+
+“You mean Sidney Adderley, the man who was so indecently rich?” someone
+interjected. “Had a place at Katong, and was always talking about his
+father's millions?”
+
+“That's the fellow.”
+
+“Yes,” said Jennings, “there was some scandal, I know, but it was after
+my time here.”
+
+“Something about an old mandarin out Johore Bahru way, was it not?”
+ asked Burton. “The last thing I heard about Adderley was that he had
+disappeared.”
+
+“Nobody would have cared much if he had,” declared Jennings. “I know
+of several who would have been jolly glad. There was a lot of the brute
+about Adderley, apart from the fact that he had more money than was good
+for him. His culture was a veneer. It was his check-book that spoke all
+the time.”
+
+“Everybody would have forgiven Adderley his vulgarity,” said Dr.
+Matheson, quietly, “if the man's heart had been in the right place.”
+
+“Surely an instance of trying to make a silk purse out of a sow's ear,”
+ someone murmured.
+
+Burton gazed rather hard at the last speaker.
+
+“So far as I am aware,” he said, “the poor devil is dead, so go easy.”
+
+“Are you sure he is dead?” asked Dr. Matheson, glancing at Burton in
+that quizzical, amused way of his.
+
+“No, I am not sure; I am merely speaking from hearsay. And now I come
+to think of it, the information was rather vague. But I gathered that he
+had vanished, at any rate, and remembering certain earlier episodes in
+his career, I was led to suppose that this vanishing meant------”
+
+He shrugged his shoulders significantly.
+
+“You mean the old mandarin?” suggested Dr. Matheson.
+
+“Yes.”
+
+“Was there really anything in that story, or was it suggested by the
+unpleasant reputation of Adderley?” Jennings asked.
+
+“I can settle any doubts upon that point,” said I; whereupon I
+immediately became a focus of general attention.
+
+“What! were you ever at that place of Adderley's at Katong?” asked
+Jennings with intense curiosity.
+
+I nodded, lighting a fresh cigarette in a manner that may have been
+unduly leisurely.
+
+“Did you see her?”
+
+Again I nodded.
+
+“Really!”
+
+“I must have been peculiarly favoured, but certainly I had that
+pleasure.”
+
+“You speak of seeing her,” said one of the party, now entering the
+conversation for the first time. “To whom do you refer?”
+
+“Well,” replied Burton, “it's really a sort of fairy tale--unless
+Knox”--glacing across in my direction--“can confirm it. But there was a
+story current during the latter part of Adderley's stay in Singapore to
+the effect that he had made the acquaintance of the wife, or some member
+of the household, of an old gentleman out Johore Bahru way--sort of
+mandarin or big pot among the Chinks.”
+
+“It was rumoured that he had bolted with her,” added another speaker.
+
+“I think it was more than a rumour.”
+
+“Why do you say so?”
+
+“Well, representations were made to the authorities, I know for an
+absolute certainty, and I have an idea that Adderley was kicked out of
+the Service as a consequence of the scandal which resulted.”
+
+“How is it one never heard of this?”
+
+“Money speaks, my dear fellow,” cried Burton, “even when it is possessed
+by such a peculiar outsider as Adderley. The thing was hushed up. It was
+a very nasty business. But Knox was telling us that he had actually seen
+the lady. Please carry on, Knox, for I must admit that I am intensely
+curious.”
+
+“I can only say that I saw her on one occasion.”
+
+“With Adderley?”
+
+“Undoubtedly.”
+
+“Where?”
+
+“At his place at Katong.”
+
+“I even thought his place at that resort was something of a myth,”
+ declared Jennings. “He never asked me to go there, but, then, I took
+that as a compliment. Pardon the apparent innuendo, Knox,” he added,
+laughing. “But you say you actually visited the establishment?”
+
+“Yes,” I replied slowly, “I met him here in this very hotel one evening
+in the winter of '15, after the natives' attempt to mutiny. He had been
+drinking rather heavily, a fact which he was quite unable to disguise.
+He was never by any means a real friend of mine; in fact, I doubt that
+he had a true friend in the world. Anyhow, I could see that he was
+lonely, and as I chanced to be at a loose end I accepted an invitation
+to go over to what he termed his 'little place at Katong.'
+
+“His little place proved to be a veritable palace. The man privately, or
+rather, secretly, to be exact, kept up a sort of pagan state. He had any
+number of servants. Of course he became practically a millionaire after
+the death of his father, as you will remember; and given more congenial
+company, I must confess that I might have spent a most enjoyable evening
+there.
+
+“Adderley insisted upon priming me with champagne, and after a while I
+may as well admit that I lost something of my former reserve, and began
+in a fashion to feel that I was having a fairly good time. By the way,
+my host was not quite frankly drunk. He got into that objectionable and
+dangerous mood which some of you will recall, and I could see by the
+light in his eyes that there was mischief brewing, although at the time
+I did not know its nature.
+
+“I should explain that we were amusing ourselves in a room which was
+nearly as large as the lounge of this hotel, and furnished in a somewhat
+similar manner. There were carved pillars and stained glass domes,
+a little fountain, and all those other peculiarities of an Eastern
+household.
+
+“Presently, Adderley gave an order to one of his servants, and glanced
+at me with that sort of mocking, dare-devil look in his eyes which I
+loathed, which everybody loathed who ever met the man. Of course I had
+no idea what all this portended, but I was very shortly to learn.
+
+“While he was still looking at me, but stealing side-glances at a
+doorway before which was draped a most wonderful curtain of a sort of
+flamingo colour, this curtain was suddenly pulled aside, and a girl came
+in.
+
+“Of course, you must remember that at the time of which I am speaking
+the scandal respecting the mandarin had not yet come to light.
+Consequently I had no idea who the girl could be. I saw she was a
+Eurasian. But of her striking beauty there could be no doubt whatever.
+She was dressed in magnificent robes, and she literally glittered with
+jewels. She even wore jewels upon the toes of her little bare feet. But
+the first thing that struck me at the moment of her appearance was that
+her presence there was contrary to her wishes and inclinations. I have
+never seen a similar expression in any woman's eyes. She looked at
+Adderley as though she would gladly have slain him!
+
+“Seeing this look, his mocking smile in which there was something
+of triumph--of the joy of possession--turned to a scowl of positive
+brutality. He clenched his fists in a way that set me bristling. He
+advanced toward the girl--and although the width of the room divided
+them, she recoiled--and the significance of expression and gesture was
+unmistakable. Adderley paused.
+
+“'So you have made up your mind to dance after all?' he shouted.
+
+“The look in the girl's dark eyes was pitiful, and she turned to me with
+a glance of dumb entreaty.
+
+“'No, no!' she cried. 'No, no! Why do you bring me here?'
+
+“'Dance!' roared Adderley. 'Dance! That's what I want you to do.'
+
+“Rebellion leapt again to the wonderful eyes, and she started back with
+a perfectly splendid gesture of defiance. At that my brutal and drunken
+host leapt in her direction. I was on my feet now, but before I could
+act the girl said a thing which checked him, sobered him, which pulled
+him up short, as though he had encountered a stone wall.
+
+“'Ah, God!' she said. (She was speaking, of course, in her native
+tongue.) 'His hand! His hand! Look! His hand!'
+
+“To me her words were meaningless, naturally, but following the
+direction of her positively agonized glance I saw that she was watching
+what seemed to me to be the shadow of someone moving behind the
+flame-like curtain which produced an effect not unlike that of a huge,
+outstretched hand, the fingers crooked, claw-fashion.
+
+“'Knox, Knox!' whispered Adderley, grasping me by the shoulder.
+
+“He pointed with a quivering finger toward this indistinct shadow upon
+the curtain, and:
+
+“'Do you see it--do you see it?' he said huskily. 'It is his hand--it is
+his hand!'
+
+“Of the pair, I think, the man was the more frightened. But the girl,
+uttering a frightful shriek, ran out of the room as though pursued by
+a demon. As she did so whoever had been moving behind the curtain
+evidently went away. The shadow disappeared, and Adderley, still staring
+as if hypnotized at the spot where it had been, continued to hold my
+shoulder as in a vise. Then, sinking down upon a heap of cushions beside
+me, he loudly and shakily ordered more champagne.
+
+“Utterly mystified by the incident, I finally left him in a state of
+stupor, and returned to my quarters, wondering whether I had dreamed
+half of the episode or the whole of it, whether he did really possess
+that wonderful palace, or whether he had borrowed it to impress me.”
+
+I ceased speaking, and my story was received in absolute silence, until:
+
+“And that is all you know?” said Burton.
+
+“Absolutely all. I had to leave about that time, you remember, and
+afterward went to France.”
+
+“Yes, I remember. It was while you were away that the scandal arose
+respecting the mandarin. Extraordinary story, Knox. I should like to
+know what it all meant, and what the end of it was.”
+
+Dr. Matheson broke his long silence.
+
+“Although I am afraid I cannot enlighten you respecting the end of the
+story,” he said quietly, “perhaps I can carry it a step further.”
+
+“Really, Doctor? What do you know about the matter?”
+
+“I accidentally became implicated as follows,” replied the American: “I
+was, as you know, doing voluntary surgical work near Singapore at the
+time, and one evening, presumably about the same period of which Knox is
+speaking, I was returning from the hospital at Katong, at which I acted
+sometimes as anaesthetist, to my quarters in Singapore; just drifting
+along, leisurely by the edge of the gardens admiring the beauty of the
+mangroves and the deceitful peace of the Eastern night.
+
+“The hour was fairly late and not a soul was about. Nothing
+disturbed the silence except those vague sibilant sounds which are
+so characteristic of the country. Presently, as I rambled on with my
+thoughts wandering back to the dim ages, I literally fell over a man who
+lay in the road.
+
+“I was naturally startled, but I carried an electric pocket torch, and
+by its light I discovered that the person over whom I had fallen was a
+dignified-looking Chinaman, somewhat past middle age. His clothes, which
+were of good quality, were covered with dirt and blood, and he bore all
+the appearance of having recently been engaged in a very tough struggle.
+His face was notable only for its possession of an unusually long
+jet-black moustache. He had swooned from loss of blood.”
+
+“Why, was he wounded?” exclaimed Jennings.
+
+“His hand had been nearly severed from his wrist!”
+
+“Merciful heavens!”
+
+“I realized the impossibility of carrying him so far as the hospital,
+and accordingly I extemporized a rough tourniquet and left him under
+a palm tree by the road until I obtained assistance. Later, at the
+hospital, following a consultation, we found it necessary to amputate.”
+
+“I should say he objected fiercely?”
+
+“He was past objecting to anything, otherwise I have no doubt he would
+have objected furiously. The index finger of the injured hand had one of
+those preternaturally long nails, protected by an engraved golden case.
+However, at least I gave him a chance of life. He was under my care for
+some time, but I doubt if ever he was properly grateful. He had an iron
+constitution, though, and I finally allowed him to depart. One queer
+stipulation he had made--that the severed hand, with its golden
+nail-case, should be given to him when he left hospital. And this
+bargain I faithfully carried out.”
+
+“Most extraordinary,” I said. “Did you ever learn the identity of the
+old gentleman?”
+
+“He was very reticent, but I made a number of inquiries, and finally
+learned with absolute certainty, I think, that he was the Mandarin Quong
+Mi Su from Johore Bahru, a person of great repute among the Chinese
+there, and rather a big man in China. He was known locally as the
+Mandarin Quong.”
+
+“Did you learn anything respecting how he had come by his injury,
+Doctor?”
+
+Matheson smiled in his quiet fashion, and selected a fresh cigar with
+great deliberation. Then:
+
+“I suppose it is scarcely a case of betraying a professional secret,”
+ he said, “but during the time that my patient was recovering from the
+effects of the anaesthetic he unconsciously gave me several clues to
+the nature of the episode. Putting two and two together I gathered that
+someone, although the name of this person never once passed the lips of
+the mandarin, had abducted his favourite wife.”
+
+“Good heavens! truly amazing,” I exclaimed.
+
+“Is it not? How small a place the world is. My old mandarin had traced
+the abductor and presumably the girl to some house which I gathered
+to be in the neighbourhood of Katong. In an attempt to force an
+entrance--doubtless with the amiable purpose of slaying them both--he
+had been detected by the prime object of his hatred. In hurriedly
+descending from a window he had been attacked by some weapon, possibly
+a sword, and had only made good his escape in the condition in which I
+found him. How far he had proceeded I cannot say, but I should imagine
+that the house to which he had been was no great distance from the spot
+where I found him.”
+
+“Comment is really superfluous,” remarked Burton. “He was looking for
+Adderley.”
+
+“I agree,” said Jennings.
+
+“And,” I added, “it was evidently after this episode that I had the
+privilege of visiting that interesting establishment.”
+
+There was a short interval of silence; then:
+
+“You probably retain no very clear impression of the shadow which you
+saw,” said Dr. Matheson, with great deliberation. “At the time perhaps
+you had less occasion particularly to study it. But are you satisfied
+that it was really caused by someone moving behind the curtain?”
+
+I considered his question for a few moments.
+
+“I am not,” I confessed. “Your story, Doctor, makes me wonder whether it
+may not have been due to something else.”
+
+“What else can it have been due to?” exclaimed Jennings
+contemptuously--“unless to the champagne?”
+
+“I won't quote Shakespeare,” said Dr. Matheson, smiling in his odd way.
+“The famous lines, though appropriate, are somewhat overworked. But I
+will quote Kipling: 'East is East, and West is West.'”
+
+
+
+
+II
+
+THE LADY OF KATONG
+
+
+
+Fully six months had elapsed, and on returning from Singapore I had
+forgotten all about Adderley and the unsavoury stories connected with
+his reputation. Then, one evening as I was strolling aimlessly along
+St. James's Street, wondering how I was going to kill time--for almost
+everyone I knew was out of town, including Paul Harley, and London can
+be infinitely more lonely under such conditions than any desert--I saw a
+thick-set figure approaching along the other side of the street.
+
+The swing of the shoulders, the aggressive turn of the head, were
+vaguely familiar, and while I was searching my memory and endeavouring
+to obtain a view of the man's face, he stared across in my direction.
+
+It was Adderley.
+
+He looked even more debauched than I remembered him, for whereas in
+Singapore he had had a tanned skin, now he looked unhealthily pallid and
+blotchy. He raised his hand, and:
+
+“Knox!” he cried, and ran across to greet me.
+
+His boisterous manner and a sort of coarse geniality which he possessed
+had made him popular with a certain set in former days, but I, who
+knew that this geniality was forced, and assumed to conceal a sort of
+appalling animalism, had never been deceived by it. Most people found
+Adderley out sooner or later, but I had detected the man's true nature
+from the very beginning. His eyes alone were danger signals for any
+amateur psychologist. However, I greeted him civilly enough:
+
+“Bless my soul, you are looking as fit as a fiddle!” he cried. “Where
+have you been, and what have you been doing since I saw you last?”
+
+“Nothing much,” I replied, “beyond trying to settle down in a reformed
+world.”
+
+“Reformed world!” echoed Adderley. “More like a ruined world it has
+seemed to me.”
+
+He laughed loudly. That he had already explored several bottles was
+palpable.
+
+We were silent for a while, mentally weighing one another up, as it
+were. Then:
+
+“Are you living in town?” asked Adderley.
+
+“I am staying at the Carlton at the moment,” I replied. “My chambers are
+in the hands of the decorators. It's awkward. Interferes with my work.”
+
+“Work!” cried Adderley. “Work! It's a nasty word, Knox. Are you doing
+anything now?”
+
+“Nothing, until eight o'clock, when I have an appointment.”
+
+“Come along to my place,” he suggested, “and have a cup of tea, or a
+whisky and soda if you prefer it.”
+
+Probably I should have refused, but even as he spoke I was mentally
+translated to the lounge of the Hotel de l'Europe, and prompted by a
+very human curiosity I determined to accept his invitation. I wondered
+if Fate had thrown an opportunity in my way of learning the end of the
+peculiar story which had been related on that occasion.
+
+I accompanied Adderley to his chambers, which were within a stone's
+throw of the spot where I had met him. That this gift for making himself
+unpopular with all and sundry, high and low, had not deserted him, was
+illustrated by the attitude of the liftman as we entered the hall of the
+chambers. He was barely civil to Adderley and even regarded myself with
+marked disfavour.
+
+We were admitted by Adderley's man, whom I had not seen before, but who
+was some kind of foreigner, I think a Portuguese. It was characteristic
+of Adderley. No Englishman would ever serve him for long, and there
+had been more than one man in his old Company who had openly avowed his
+intention of dealing with Adderley on the first available occasion.
+
+His chambers were ornately furnished; indeed, the room in which we sat
+more closely resembled a scene from an Oscar Asche production than a
+normal man's study. There was something unreal about it all. I have
+since thought that this unreality extended to the person of the man
+himself. Grossly material, he yet possessed an aura of mystery, mystery
+of an unsavoury sort. There was something furtive, secretive, about
+Adderley's entire mode of life.
+
+I had never felt at ease in his company, and now as I sat staring
+wonderingly at the strange and costly ornaments with which the room was
+overladen I bethought me of the object of my visit. How I should have
+brought the conversation back to our Singapore days I know not, but a
+suitable opening was presently offered by Adderley himself.
+
+“Do you ever see any of the old gang?” he inquired.
+
+“I was in Singapore about six months ago,” I replied, “and I met some of
+them again.”
+
+“What! Had they drifted back to the East after all?”
+
+“Two or three of them were taking what Dr. Matheson described as a
+Busman's Holiday.”
+
+At mention of Dr. Matheson's name Adderley visibly started.
+
+“So you know Matheson,” he murmured. “I didn't know you had ever met
+him.”
+
+Plainly to hide his confusion he stood up, and crossing the room drew
+my attention to a rather fine silver bowl of early Persian ware. He was
+displaying its peculiar virtues and showing a certain acquaintance with
+his subject when he was interrupted. A door opened suddenly and a girl
+came in. Adderley put down the bowl and turned rapidly as I rose from my
+seat.
+
+It was the lady of Katong!
+
+I recognized her at once, although she wore a very up-to-date gown.
+While it did not suit her dark good looks so well as the native dress
+which she had worn at Singapore, yet it could not conceal the fact that
+in a barbaric way she was a very beautiful woman. On finding a visitor
+in the room she became covered with confusion.
+
+“Oh,” she said, speaking in Hindustani. “Why did you not tell me there
+was someone here?”
+
+Adderley's reply was characteristically brutal.
+
+“Get out,” he said. “You fool.”
+
+I turned to go, for I was conscious of an intense desire to attack my
+host. But:
+
+“Don't go, Knox, don't go!” he cried. “I am sorry, I am damned sorry,
+I------”
+
+He paused, and looked at me in a queer sort of appealing way. The girl,
+her big eyes widely open, retreated again to the door, with curious
+lithe steps, characteristically Oriental. The door regained, she paused
+for a moment and extended one small hand in Adderley's direction.
+
+“I hate you,” she said slowly, “hate you! Hate you!”
+
+She went out, quietly closing the door behind her. Adderley turned to me
+with an embarrassed laugh.
+
+“I know you think I am a brute and an outsider,” he said, “and perhaps I
+am. Everybody says I am, so I suppose there must be something in it.
+But if ever a man paid for his mistakes I have paid for mine, Knox. Good
+God, I haven't a friend in the world.”
+
+“You probably don't deserve one,” I retorted.
+
+“I know I don't, and that's the tragedy of it,” he replied. “You may
+not believe it, Knox; I don't expect anybody to believe me; but for more
+than a year I have been walking on the edge of Hell. Do you know where I
+have been since I saw you last?”
+
+I shook my head in answer.
+
+“I have been half round the world, Knox, trying to find peace.”
+
+“You don't know where to look for it,” I said.
+
+“If only you knew,” he whispered. “If only you knew,” and sank down upon
+the settee, ruffling his hair with his hands and looking the picture of
+haggard misery. Seeing that I was still set upon departure:
+
+“Hold on a bit, Knox,” he implored. “Don't go yet. There is something I
+want to ask you, something very important.”
+
+He crossed to a sideboard and mixed himself a stiff whisky-and-soda. He
+asked me to join him, but I refused.
+
+“Won't you sit down again?”
+
+I shook my head.
+
+“You came to my place at Katong once,” he began abruptly. “I was damned
+drunk, I admit it. But something happened, do you remember?”
+
+I nodded.
+
+“This is what I want to ask you: Did you, or did you not, see that
+shadow?”
+
+I stared him hard in the face.
+
+“I remember the episode to which you refer,” I replied. “I certainly saw
+a shadow.”
+
+“But what sort of shadow?”
+
+“To me it seemed an indefinite, shapeless thing, as though caused by
+someone moving behind the curtain.”
+
+“It didn't look to you like--the shadow of a hand?”
+
+“It might have been, but I could not be positive.”
+
+Adderley groaned.
+
+“Knox,” he said, “money is a curse. It has been a curse to me. If I have
+had my fun, God knows I have paid for it.”
+
+“Your idea of fun is probably a peculiar one,” I said dryly.
+
+Let me confess that I was only suffering the man's society because of
+an intense curiosity which now possessed me on learning that the lady of
+Katong was still in Adderley's company.
+
+Whether my repugnance for his society would have enabled me to remain
+any longer I cannot say. But as if Fate had deliberately planned that I
+should become a witness of the concluding phases of this secret drama,
+we were now interrupted a second time, and again in a dramatic fashion.
+
+Adderley's nondescript valet came in with letters and a rather large
+brown paper parcel sealed and fastened with great care.
+
+As the man went out:
+
+“Surely that is from Singapore,” muttered Adderley, taking up the
+parcel.
+
+He seemed to become temporarily oblivious of my presence, and his face
+grew even more haggard as he studied the writing upon the wrapper.
+With unsteady fingers he untied it, and I lingered, watching curiously.
+Presently out from the wrappings he took a very beautiful casket of
+ebony and ivory, cunningly carved and standing upon four claw-like ivory
+legs.
+
+“What the devil's this?” he muttered.
+
+He opened the box, which was lined with sandal-wood, and thereupon
+started back with a great cry, recoiling from the casket as though
+it had contained an adder. My former sentiments forgotten, I stepped
+forward and peered into the interior. Then I, in turn, recoiled.
+
+In the box lay a shrivelled yellow hand--with long tapering and
+well-manicured nails--neatly severed at the wrist!
+
+The nail of the index finger was enclosed in a tiny, delicately
+fashioned case of gold, upon which were engraved a number of Chinese
+characters.
+
+Adderley sank down again upon the settee.
+
+“My God!” he whispered, “his hand! His hand! He has sent me his hand!”
+
+He began laughing. Whereupon, since I could see that the man was
+practically hysterical because of his mysterious fears:
+
+“Stop that,” I said sharply. “Pull yourself together, Adderley. What the
+deuce is the matter with you?”
+
+“Take it away!” he moaned, “take it away. Take the accursed thing away!”
+
+“I admit it is an unpleasant gift to send to anybody,” I said, “but
+probably you know more about it than I do.”
+
+“Take it away,” he repeated. “Take it away, for God's sake, take it
+away, Knox!”
+
+He was quite beyond reason, and therefore:
+
+“Very well,” I said, and wrapped the casket in the brown paper in which
+it had come. “What do you want me to do with it?”
+
+“Throw it in the river,” he answered. “Burn it. Do anything you like
+with it, but take it out of my sight!”
+
+
+
+
+III
+
+THE GOLD-CASED NAIL
+
+
+
+As I descended to the street the liftman regarded me in a curious and
+rather significant way. Finally, just as I was about to step out into
+the hall:
+
+“Excuse me, sir,” he said, having evidently decided that I was a fit
+person to converse with, “but are you a friend of Mr. Adderley's?”
+
+“Why do you ask?”
+
+“Well, sir, I hope you will excuse me, but at times I have thought the
+gentleman was just a little bit queer, like.”
+
+“You mean insane?” I asked sharply.
+
+“Well, sir, I don't know, but he is always asking me if I can see
+shadows and things in the lift, and sometimes when he comes in late of a
+night he absolutely gives me the cold shivers, he does.”
+
+I lingered, the box under my arm, reluctant to obtain confidences from a
+servant, but at the same time keenly interested. Thus encouraged:
+
+“Then there's that lady friend of his who is always coming here,” the
+man continued. “She's haunted by shadows, too.” He paused, watching me
+narrowly.
+
+“There's nothing better in this world than a clean conscience, sir,” he
+concluded.
+
+*****
+
+Having returned to my room at the hotel, I set down the mysterious
+parcel, surveying it with much disfavour. That it contained the hand of
+the Mandarin Quong I could not doubt, the hand which had been amputated
+by Dr. Matheson. Its appearance in that dramatic fashion confirmed
+Matheson's idea that the mandarin's injury had been received at the
+hands of Adderley. What did all this portend, unless that the Mandarin
+Quong was dead? And if he were dead why was Adderley more afraid of him
+dead than he had been of him living?
+
+I thought of the haunting shadow, I thought of the night at Katong, and
+I thought of Dr. Matheson's words when he had told us of his discovery
+of the Chinaman lying in the road that night outside Singapore.
+
+I felt strangely disinclined to touch the relic, and it was only after
+some moments' hesitation that I undid the wrappings and raised the lid
+of the casket. Dusk was very near and I had not yet lighted the lamps;
+therefore at first I doubted the evidence of my senses. But having
+lighted up and peered long and anxiously into the sandal-wood lining of
+the casket I could doubt no longer.
+
+The casket was empty!
+
+It was like a conjuring trick. That the hand had been in the box when
+I had taken it up from Adderley's table I could have sworn before any
+jury. When and by whom it had been removed was a puzzle beyond my powers
+of unravelling. I stepped toward the telephone--and then remembered that
+Paul Harley was out of London. Vaguely wondering if Adderley had played
+me a particularly gruesome practical joke, I put the box on a sideboard
+and again contemplated the telephone doubtfully far a moment. It was in
+my mind to ring him up. Finally, taking all things into consideration,
+I determined that I would have nothing further to do with the man's
+unsavoury and mysterious affairs.
+
+It was in vain, however, that I endeavoured to dismiss the matter from
+my mind; and throughout the evening, which I spent at a theatre with
+some American friends, I found myself constantly thinking of Adderley
+and the ivory casket, of the mandarin of Johore Bahru, and of the
+mystery of the shrivelled yellow hand.
+
+I had been back in my room about half an hour, I suppose, and it was
+long past midnight, when I was startled by a ringing of my telephone
+bell. I took up the receiver, and:
+
+“Knox! Knox!” came a choking cry.
+
+“Yes, who is speaking?”
+
+“It is I, Adderley. For God's sake come round to my place at once!”
+
+His words were scarcely intelligible. Undoubtedly he was in the grip of
+intense emotion.
+
+“What do you mean? What is the matter?”
+
+“It is here, Knox, it is here! It is knocking on the door! Knocking!
+Knocking!”
+
+“You have been drinking,” I said sternly. “Where is your man?”
+
+“The cur has bolted. He bolted the moment he heard that damned knocking.
+I am all alone; I have no one else to appeal to.” There came a choking
+sound, then: “My God, Knox, it is getting in! I can see... the shadow on
+the blind...”
+
+Convinced that Adderley's secret fears had driven him mad, I
+nevertheless felt called upon to attend to his urgent call, and without
+a moment's delay I hurried around to St. James's Street. The liftman was
+not on duty, the lower hall was in darkness, but I raced up the stairs
+and found to my astonishment that Adderley's door was wide open.
+
+“Adderley!” I cried. “Adderley!”
+
+There was no reply, and without further ceremony I entered and searched
+the chambers. They were empty. Deeply mystified, I was about to go out
+again when there came a ring at the door-bell. I walked to the door and
+a policeman was standing upon the landing.
+
+“Good evening, sir,” he said, and then paused, staring at me curiously.
+
+“Good evening, constable,” I replied.
+
+“You are not the gentleman who ran out awhile ago,” he said, a note of
+suspicion coming into his voice.
+
+I handed him my card and explained what had occurred, then:
+
+“It must have been Mr. Adderley I saw,” muttered the constable.
+
+“You saw--when?”
+
+“Just before you arrived, sir. He came racing out into St. James's
+Street and dashed off like a madman.”
+
+“In which direction was he going?”
+
+“Toward Pall Mall.”
+
+*****
+
+The neighbourhood was practically deserted at that hour. But from
+the guard on duty before the palace we obtained our first evidence
+of Adderley's movements. He had raced by some five minutes before,
+frantically looking back over his shoulder and behaving like a man
+flying for his life. No one else had seen him. No one else ever did see
+him alive. At two o'clock there was no news, but I had informed Scotland
+Yard and official inquiries had been set afoot.
+
+Nothing further came to light that night, but as all readers of the
+daily press will remember, Adderley's body was taken out of the pond in
+St. James's Park on the following day. Death was due to drowning, but
+his throat was greatly discoloured as though it had been clutched in a
+fierce grip.
+
+It was I who identified the body, and as many people will know, in spite
+of the closest inquiries, the mystery of Adderley's death has not been
+properly cleared up to this day. The identity of the lady who visited
+him at his chambers was never discovered. She completely disappeared.
+
+The ebony and ivory casket lies on my table at this present moment,
+visible evidence of an invisible menace from which Adderley had fled
+around the world.
+
+Doubtless the truth will never be known now. A significant discovery,
+however, was made some days after the recovery of Adderley's body.
+
+From the bottom of the pond in St. James's Park a patient Scotland
+Yard official brought up the gold nail-case with its mysterious
+engravings--and it contained, torn at the root, the incredibly long
+finger-nail of the Mandarin Quong!
+
+
+
+
+
+
+THE KEY OF THE TEMPLE OF HEAVEN
+
+
+
+
+
+I
+
+THE KEEPER OF THE KEY
+
+
+
+The note of a silver bell quivered musically through the scented air of
+the ante-room. Madame de Medici stirred slightly upon the divan with its
+many silken cushions, turning her head toward the closed door with the
+languorous, almost insolent, indifference which one perceives in the
+movements of a tigress. Below, in the lobby, where the pillars of
+Mokattam alabaster upheld the painted roof, the little yellow man from
+Pekin shivered slightly, although the air was warm for Limehouse, and
+always turned his mysterious eyes toward a corner of the great staircase
+which was visible from where he sat, coiled up, a lonely figure in the
+mushrabiyeh chair. Madame blew a wreath of smoke from her lips, and,
+through half-closed eyes, watched it ascend, unbroken, toward the canopy
+of cloth-of-gold which masked the ceiling. A Madonna by Leonardo da
+Vinci faced her across the apartment, the painted figure seeming to
+watch the living one upon the divan. Madame smiled into the eyes of the
+Madonna. Surely even the great Leonardo must have failed to reproduce
+that smile--the great Leonardo whose supreme art has captured the smile
+of Mona Lisa. Madame had the smile of Cleopatra, which, it is said, made
+Caesar mad, though in repose the beauty of Egypt's queen left him
+cold. A robe of Kashmiri silk, fine with a phantom fineness, draped her
+exquisite shape as the art of Cellini draped the classic figures which
+he wrought in gold and silver; it seemed incorporate with her beauty.
+
+A second wreath of smoke curled upward to the canopy, and Madame watched
+this one also through the veil of her curved black lashes, as the
+Eastern woman watches the world through her veil. Those eyes were
+notable even in so lovely a setting, for they were of a hue rarely seen
+in human eyes, being like the eyes of a tigress; yet they could seem
+voluptuously soft, twin pools of liquid amber, in whose depths a man
+might lose his soul.
+
+Again the silver bell sounded in the ante-room, and, below, the little
+yellow man shivered sympathetically. Again Madame stirred with that high
+disdain that so became her, who had the eyes of a tigress. Her carmine
+lips possessed the antique curve which we are told distinguished the
+lips of the Comtesse de Cagliostro; her cheeks had the freshness of
+flowers, and her hair the blackness of ebony, enhancing the miracle of
+her skin, which had the whiteness of ivory--not of African ivory, but
+of that fossil ivory which has lain for untold ages beneath the snows of
+Siberia.
+
+She dropped the cigarette from her tapered fingers into a little silver
+bowl upon a table at her side, then lightly touched the bell which
+stood there also. Its soft note answered to the bell in the ante-room; a
+white-robed Chinese servant silently descended the great staircase,
+his soft red slippers sinking into the rich pile of the carpet; and the
+little yellow man from the great temple in Pekin followed him back up
+the stairway and was ushered into the presence of Madame de Medici.
+
+The servant closed the door silently and the little yellow man, fixing
+his eyes upon the beautiful woman before him, fell upon his knees and
+bowed his forehead to the carpet.
+
+Madame's lovely lips curved again in the disdainful smile, and she
+extended one bare ivory arm toward the visitor who knelt as a suppliant
+at her feet.
+
+“Rise, my friend!” she said, in purest Chinese, which fell from her lips
+with the music of a crystal spring. “How may I serve you?”
+
+The yellow man rose and advanced a step nearer to the divan, but the
+strange beauty of Madame had spoken straight to his Eastern heart, had
+awakened his soul to a new life. His glance travelled over the vision
+before him, from the little Persian slipper that peeped below the
+drapery of Kashmir silk to the small classic head with its crown of ebon
+locks; yet he dared not meet the glance of the amber eyes.
+
+“Sit here beside me,” directed Madame, and she slightly changed her
+position with that languorous and lithe grace suggestive of a creature
+of the jungle.
+
+Breathing rapidly betwixt the importance of his mission and a new,
+intoxicating emotion which had come upon him at the moment of entering
+the perfumed room, the yellow man obeyed, but always with glance averted
+from the taunting face of Madame. A golden incense-burner stood upon the
+floor, over between the high, draped windows, and a faint pencil from
+its dying fires stole grayly upward. Upon the scented smoke the Buddhist
+priest fixed his eyes, and began, with a rapidity that grew as he
+proceeded, to pour out his tale. Seated beside him, one round arm
+resting upon the cushions so as almost to touch him, Madame listened,
+watching the averted yellow face, and always smiling--smiling.
+
+The tale was done at last; the incense-burner was cold, and breathlessly
+the Buddhist clutched his knees with lean, clawish fingers and swayed to
+and fro, striving to conquer the emotions that whirled and fought within
+him. Selecting another cigarette from the box beside her, and lighting
+it deliberately, Madame de Medici spoke.
+
+“My friend of old,” she said, and of the language of China she made
+strange music, “you come to me from your home in the secret city,
+because you know that I can serve you. It is enough.”
+
+She touched the bell upon the table, and the white-robed servant
+reentered, and, bowing low, held open the door. The little yellow man,
+first kneeling upon the carpet before the divan as before an altar,
+hurried from the apartment. As the door was reclosed, and Madame found
+herself alone again, she laughed lightly, as Calypso laughed when
+Ulysses' ship appeared off the shores of her isle.
+
+God fashions few such women. It is well.
+
+
+
+
+II
+
+THE TIGER LADY
+
+
+
+“By heavens, Annesley!” whispered Rene Deacon, “what eyes that woman
+has!” His companion, following the direction of Deacon's glance, nodded
+rather grimly.
+
+“The eyes of a Circe, or at times the eyes of a tigress.”
+
+“She is magnificent!” murmured Deacon rapturously. “I have never seen so
+beautiful a woman.”
+
+His glance followed the tall figure as it passed into a smaller salon on
+the left; nor was he alone in his regard. Fashionable society was
+well represented in the gallery--where a collection of pictures by a
+celebrated artist was being shown; and prior to the entrance of the lady
+in the strangely fashioned tiger-skin cloak, the somewhat extraordinary
+works of art had engaged the interest even of the most fickle, but,
+from the moment the tiger-lady made her appearance, even the most daring
+canvases were forgotten.
+
+“She wears tiger-skin shoes!” whispered one.
+
+“She is like a design for a poster!” laughed another.
+
+“I have never seen anything so flashy in my life,” was the acrid comment
+of a third.
+
+“What a dazzlingly beautiful woman!” remarked another--this one a man.
+While:
+
+“Who is she?” arose upon all sides.
+
+Judging from the isolation of the barbaric figure, it would seem that
+society did not know the tiger-lady, but Deacon, seizing his companion
+by the arm and almost dragging him into the small salon which the lady
+had entered, turned in the doorway and looked into Annesley's eyes.
+Annesley palpably sought to evade the glance.
+
+“You know everybody,” whispered Deacon. “You must be acquainted with
+her.”
+
+A great number of people were now thronging into the room, not so
+much because of the pictures it contained, but rather out of curiosity
+respecting the beautiful unknown. Annesley tried to withdraw; his
+uneasiness grew momentarily greater.
+
+“I scarcely know her well enough,” he protested, “to present you.
+Moreover------”
+
+“But she's smiling at you!” interrupted Deacon eagerly.
+
+His handsome but rather weak face was flushed; he was, as an old clubman
+had recently said of him, “so very young.” He lacked the restraint usual
+in cultured Englishmen, and had the frankly passionate manner which one
+associates with the South. His uncle, Colonel Deacon, a mordant wit,
+would say apologetically:
+
+“Reggie” (Deacon's father) “married a Gascon woman. She was delightfully
+pretty. Poor Reggie!”
+
+Certainly Rene was impetuous to an embarrassing degree, nor lightly to
+be thwarted. Boldly meeting the glance of the woman of the amber eyes,
+he pushed Annesley forward, not troubling to disguise his anxiety to be
+presented to the tiger-lady. She turned her head languidly, with that
+wild-animal grace of hers, and unsmiling now, regarded Annesley.
+
+“So you forget me so soon, Mr. Annesley,” she murmured, “or is it that
+you play the good shepherd?”
+
+“My dear Madame,” said Annesley, recovering with an effort his wonted
+sang-froid, “I was merely endeavouring to calm the rhapsodies of
+my friend, who seemed disposed to throw himself at your feet in
+knight-errant fashion.”
+
+“He is a very handsome boy,” murmured Madame; and as the great eyes
+were turned upon Deacon the carmine lips curved again in the Cleopatrian
+smile.
+
+She was indeed wonderful, for while she spoke as the woman of the world
+to the boy, there was nothing maternal in her patronage, and her eyes
+were twin flambeaux, luring--luring, and her sweet voice was a siren's
+song.
+
+“May I beg leave to present my friend, Mr. Rene Deacon, Madame de
+Medici?” said Annesley; and as the two exchanged glances--the boy's
+a glance of undisguised passionate admiration, the woman's a glance
+unfathomable--he slightly shrugged his shoulders and stood aside.
+
+There were others in the salon, who, perceiving that the unknown beauty
+was acquainted with Annesley, began to move from canvas to canvas toward
+that end of the room where the trio stood. But Madame did not appear
+anxious to make new acquaintances.
+
+“I have seen quite enough of this very entertaining exhibition,” she
+said languidly, toying with a great unset emerald which swung by a thin
+gold chain about her neck. “Might I entreat you to take pity upon a very
+lonely woman and return with me to tea?”
+
+Annesley seemed on the point of refusing, when:
+
+“I have acquired a reputed Leonardo,” continued Madame, “and I wish you
+to see it.”
+
+There was something so like a command in the words that Deacon stared at
+his companion in frank surprise. The latter avoided his glance, and:
+
+“Come!” said Madame de Medici.
+
+As of old the great Catherine of her name might have withdrawn with her
+suite, so now the lady of the tiger skins withdrew from the gallery, the
+two men following obediently, and one of them at least a happy courtier.
+
+
+
+
+III
+
+TWIN POOLS OF AMBER
+
+
+
+The white-robed Chinese servant entered and placed fresh perfume upon
+the burning charcoal of the silver incense-burner. As the scented smoke
+began to rise he withdrew, and a second servant entered, who facially,
+in dress, in figure and bearing, was a duplicate of the first. This
+one carried a large tray upon which was set an exquisite porcelain
+tea-service. He placed the tray upon a low table beside the divan, and
+in turn withdrew.
+
+Deacon, seated in a great ebony chair, smoked rapidly and
+nervously--looking about the strangely appointed room with its huge
+picture of the Madonna, its jade Buddha surmounting a gilded Burmese
+cabinet, its Persian canopy and Egyptian divan, at the thousand and
+one costly curiosities which it displayed, at this mingling of East and
+West, of Christianity and paganism, with a growing wonder.
+
+To one of his blood there was delight, intoxication, in that room; but
+something of apprehension, too, now grew up within him.
+
+Madame de Medici entered. The garish motor-coat was discarded now, and
+her supple figure was seen to best advantage in one of those dark
+silken gowns which she affected, and which had a seeming of the
+ultra-fashionable because they defied fashion. She held in her hand an
+orchid, its structure that of an odontoglossum, but of a delicate green
+colour heavily splashed with scarlet--a weird and unnatural-looking
+bloom.
+
+Just within the doorway she paused, as Deacon leaped up, and looked at
+him through the veil of the curved lashes.
+
+“For you,” she said, twirling the blossom between her fingers and
+gliding toward him with her tigerish step.
+
+He spoke no word, but, face flushed, sought to look into her eyes as
+she pinned the orchid in the button-hole of his coat. Her hands were
+flawless in shape and colouring, being beautiful as the sculptured hands
+preserved in the works of Phidias.
+
+The slight draught occasioned by the opening of the door caused the
+smoke from the incense-burner to be wafted toward the centre of the
+room. Like a blue-gray phantom it coiled about the two standing there
+upon a red and gold Bedouin rug, and the heavy perfume, or the close
+proximity of this singularly lovely woman, wrought upon the high-strung
+sensibilities of Deacon to such an extent that he was conscious of a
+growing faintness.
+
+“Ah! You are not well!” exclaimed Madame with deep concern. “It is the
+perfume which that foolish Ah Li has lighted. He forgets that we are in
+England.”
+
+“Not at all,” protested Deacon faintly, and conscious that he was making
+a fool of himself. “I think I have perhaps been overdoing it rather of
+late. Forgive me if I sit down.”
+
+He sank on the cushioned divan, his heart beating furiously, while
+Madame touched the little bell, whereupon one of the servants entered.
+
+She spoke in Chinese, pointing to the incense-burner.
+
+Ah Li bowed and removed the censer. As the door softly reclosed:
+
+“You are better?” she whispered, sweetly solicitous, and, seating
+herself beside Deacon, she laid her hand lightly upon his arm.
+
+“Quite,” he replied hoarsely; “please do not worry about me. I am
+wondering what has become of Annesley.”
+
+“Ah, the poor man!” exclaimed Madame, with a silver laugh, and began to
+busy herself with the teacups. “He remembered, as he was looking at my
+new Leonardo, an appointment which he had quite forgotten.”
+
+“I can understand his forgetting anything under the circumstances.”
+
+Madame de Medici raised a tiny cup and bent slightly toward him. He
+felt that he was losing control of himself, and, averting his eyes, he
+stooped and smelled the orchid in his buttonhole. Then, accepting the
+cup, he was about to utter some light commonplace when the faintness
+returned overwhelmingly, and, hurriedly replacing the cup upon the
+tray, he fell back among the cushions. The stifling perfume of the place
+seemed to be choking him.
+
+“Ah, poor boy! You are really not at all well. How sorry I am!”
+
+The sweet tones reached him as from a great distance; but as one dying
+in the desert turns his face toward the distant oasis, Deacon turned
+weakly to the speaker. She placed one fair arm behind his head,
+pillowing him, and with a peacock fan which had lain amid the cushions
+fanned his face. The strange scene became wholly unreal to him; he
+thought himself some dying barbaric chief.
+
+“Rest there,” murmured the sweet voice.
+
+The great eyes, unveiled now by the black lashes, were two twin lakes of
+fairest amber. They seemed to merge together, so that he stood upon
+the brink of an unfathomable amber pool--which swallowed him up--which
+swallowed him up.
+
+He awoke to an instantaneous consciousness of the fact that he had been
+guilty of inexcusably bad form. He could not account for his faintness,
+and reclining there amid the silken cushions, with Madame de Medici
+watching him anxiously, he felt a hot flush stealing over his face.
+
+“What is the matter with me!” he exclaimed, and sprang to his feet. “I
+feel quite well now.”
+
+She watched him, smiling, but did not speak. He was a “very young man”
+ again, and badly embarrassed. He glanced at his wrist-watch.
+
+“Gracious heavens!” he cried, and noted that the tea-tray had been
+removed, “there must be something radically wrong with my health. It is
+nearly seven o'clock!”
+
+The note of the silver bell sounded in the ante-room.
+
+“Can you forgive me?” he said.
+
+But Madame, rising to her feet, leaned lightly upon his shoulder, toying
+with the petals of the orchid in his buttonhole.
+
+“I think it was the perfume which that foolish Ah Li lighted,” she
+whispered, looking intently into his eyes, “and it is you who have to
+forgive me. But you will, I know!” The silver bell rang again. “When
+you have come to see me again--many, many times, you will grow to love
+it--because I love it.”
+
+She touched the bell upon the table, and Ah Li entered silently. When
+Madame de Medici held out her hand to him Deacon raised the white
+fingers to his lips and kissed them rapturously; then he turned, the
+Gascon within him uppermost again, and ran from the room.
+
+A purple curtain was drawn across the lobby, screening the caller newly
+arrived from the one so hurriedly departing.
+
+
+
+
+IV
+
+THE LIVING BUDDHA
+
+
+
+It was past midnight when Colonel Deacon returned to the house. Rene was
+waiting for him, pacing up and down the big library. Their relationship
+was curious, as subsisting between ward and guardian, for these two,
+despite the disparity of their ages, had few secrets from one another.
+Rene burned to pour out his story of the wonderful Madame de Medici, of
+the secret house in Chinatown with its deceptively mean exterior and
+its gorgeous interior, to the shrewd and worldly elder man. That was his
+way. But Fate had an oddly bitter moment in store for him.
+
+“Hallo, boy!” cried the Colonel, looking into the library; “glad
+you're home. I might not see you in the morning, and I want to tell you
+about--er--a lady who will be coming here in the afternoon.”
+
+The words died upon Rene's lips unspoken, and he stared blankly at the
+Colonel.
+
+“I thought I knew all there was to know about pictures, antiques, and
+all that sort of lumber,” continued Colonel Deacon in his rapid and
+off-hand manner. “Thought there weren't many men in London could teach
+me anything; certainly never suspected a woman could. But I've met one,
+boy! Gad! What a splendid creature! You know there isn't much in the
+world I haven't seen--north, south, east and west. I know all the
+advertised beauties of Europe and Asia--stage, opera, and ballet, and
+all the rest of them. But this one--Gad!”
+
+He dropped into an arm-chair, clapping both his hands upon his knees.
+Rene stood at the farther end of the library, in the shadow, watching
+him.
+
+“She's coming here to-morrow, boy--coming here. Gad! you dog! You'll
+fall in love with her the moment you see her--sure to, sure to! I did,
+and I'm three times your age!”
+
+“Who is this lady, sir?” asked Rene, very quietly.
+
+“God knows, boy! Everybody's mad to meet her, but nobody knows who she
+is. But wait till you see her. Lady Dascot seems to be acquainted with
+her, but you will see when they come to-morrow--see for yourself. Gad,
+boy!... what did you say?”
+
+“I did not speak.”
+
+“Thought you did. Have a whisky-and-soda?”
+
+“No, thank you, sir--good night.”
+
+“Good night, boy!” cried the Colonel. “Good night. Don't forget to be
+in to-morrow afternoon or you'll miss meeting the loveliest woman in
+London, and the most brilliant.”
+
+“What is her name?”
+
+“Eh? She calls herself Madame de Medici. She's a mystery, but what a
+splendid creature!”
+
+Rene Deacon walked slowly upstairs, entered his bedroom, and for fully
+an hour sat in the darkness, thinking--thinking.
+
+“Am I going mad?” he murmured. “Or is this witch driving all London
+mad?”
+
+He strove to recover something of the glamour which had mastered him
+when in the presence of Madame de Medici, but failed. Yet he knew that,
+once near her again, it would all return. His reflections were bitter,
+and when at last wearily he undressed and went to bed it was to toss
+restlessly far into the small hours ere sleep came to soothe his
+troubled mind.
+
+But his sleep was disturbed: a series of dreadfully realistic dreams
+danced through his brain. First he seemed to be standing upon a high
+mountain peak with eternal snows stretched all about him. He looked
+down, past the snow line, past the fir woods, into the depths of a
+lovely lake, far down in the valley below. It was a lake of liquid
+amber, and as he looked it seemed to become two lakes, and they were
+like two great eyes looking up at him and summoning him to leap. He
+thought that he leaped, a prodigious leap, far out into space; then
+fell--fell--fell. When he splashed into the amber deeps they became
+churned up in a milky foam, and this closed about him with a strangle
+grip. But it was no longer foam, but the clinging arms of Madame de
+Medici!...
+
+Then he stood upon a fragile bridge of bamboo spanning a raging torrent.
+Right and left of the torrent below were jungles in which moved tigerish
+shapes. Upon the farther side of the bridge Madame de Medici, clad in
+a single garment of flame-coloured silk, beckoned to him. He sought to
+cross the bridge, but it collapsed, and he fell near the edge of the
+torrent. Below were the raging waters, and ever nearing him the tigerish
+shapes, which now Madame was calling to as to a pack of hounds. They
+were about to devour him, when------
+
+He was crouching upon a ledge, high above a street which seemed to be
+vaguely familiar. He could not see very well, because of a silk mask
+tied upon his face, and the eyeholes of which were badly cut. From the
+ledge he stepped to another, perilously. He gained it, and crouching
+there, where there was scarce foothold for a cat, he managed fully to
+raise a window which already was raised some six inches. Then softly and
+silently--for he was bare-footed--he entered the room.
+
+Someone slept in a bed facing the window by which he had entered, and
+upon a table at the side of the sleeper lay a purse, a bunch of keys, an
+electric torch, and a Service revolver. Gliding to the table Rene took
+the keys and the electric torch, unlocked the door of the room, and
+crept down a thickly carpeted stair to a room below. The door of this
+also he opened with one of the keys in the bunch, and by the light of
+the torch found his way through a quantity of antique furniture and
+piled up curiosities to a safe set in the farther wall.
+
+He seemed, in his dream, to be familiar with the lock combination, and,
+selecting the correct key from the bunch, he soon had the safe open.
+The shelves within were laden principally with antique jewellery,
+statuettes, medals, scarabs; and a number of little leather-covered
+boxes were there also. One of these he abstracted, relocked the safe,
+and stepped out of the room, locking the door behind him. Up the stairs
+he mounted to the bedroom wherein he had left the sleeper. Having
+entered, he locked the door from within, placed the keys and the torch
+upon the table, and crept out again upon the dizzy ledge.
+
+Poised there, high above the thoroughfare below, a great nausea attacked
+him. Glancing to the right, in the direction of the window through which
+he had come, he perceived Madame de Medici leaning out and beckoning to
+him. Her arm gleamed whitely in the faint light. A new courage came to
+him. He succeeded, crouched there upon the narrow ledge, in relowering
+the window, and leaving it in the state in which he had found it, he
+stood up and essayed that sickly stride to the adjoining ledge. He
+accomplished it, knelt, and crept back into the room from which he had
+started....
+
+The head of an ivory image of Buddha loomed up out of the utter
+darkness, growing and growing until it seemed like a great mountain. He
+could not believe that there was so much ivory in the world, and he felt
+it with his fingers, wonderingly. As he did so it began to shrink, and
+shrink, and shrink, and shrink, until it was no larger than a seated
+human figure. Then beneath his trembling hands it became animate; it
+moved, extended ivory arms, and wrapped them about his neck. Its lips
+became carmine--perfumed; they bent to him... and he was looking into
+the bewitching face of Madame de Medici!
+
+He awoke, gasping for air and bathed in cold perspiration. The dawn was
+just breaking over London and stealing grayly from object to object in
+his bedroom.
+
+
+
+
+V
+
+THE IVORY GOD
+
+
+
+The great car, with its fittings of gold and ivory, drew up at the door
+of Colonel Deacon's house. The interior was ablaze with tiger lilies,
+and out from their midst stepped the fairest of them all--Madame de
+Medici, and swept queenly up the steps upon the arm of the cavalierly
+soldier.
+
+All connoisseurs esteemed it a privilege to view the Deacon collection,
+and this afternoon there was a goodly gathering. Chairs and little white
+tables were dotted about the lawn in shady spots, and the majority of
+the company were already assembled; but when, in a wonderful golden
+robe, Madame de Medici glided across the lawn, the babel ceased abruptly
+as if by magic. She pulled off one glove and began twirling a great
+emerald between her slim fingers. It was suspended from a thin gold
+chain. Presently, descrying Annesley seated at a table with Lady Dascot,
+she raised the jewel languidly and peered through it at the two.
+
+“Why!” exclaimed Rene Deacon, who stood close beside her, “that was a
+trick of Nero's!”
+
+Madame laughed musically.
+
+“One might take a worse model,” she said softly; “at least he enjoyed
+life.”
+
+Colonel Deacon, who listened to her every word as to the utterance of a
+Cumaean oracle, laughed with extraordinary approbation.
+
+There was scarce a woman present who regarded Madame with a friendly
+eye, nor a man who did not aspire to become her devoted slave. She
+brought an atmosphere of unreality with her, dominating old and young
+alike by virtue of her splendid pagan beauty. The lawn, with its very
+modern appointments, became as some garden of the Golden House, a
+pleasure ground of an emperor.
+
+But later, when the company entered the house, and Colonel Deacon sought
+to monopolize the society of Madame, an unhealthy spirit of jealousy
+arose between Rene and his guardian. It was strange, grotesque, horrible
+almost. Annesley watched from afar, and there was something very like
+anger in his glance.
+
+“And this,” said the Colonel presently, taking up an exquisitely carved
+ivory Buddha, “has a strange history. In some way a legend has grown up
+around it--it is of very great age--to the effect that it must always
+cause its owner to lose his most cherished possession.”
+
+“I wonder,” said the silvern voice, “that you, who possess so many
+beautiful things, should consent to have so ill-omened a curiosity in
+your house.”
+
+“I do not fear the evil charm of this little ivory image,” said Colonel
+Deacon, “although its history goes far to bear out the truth of the
+legend. Its last possessor lost his most cherished possession a month
+after the Buddha came into his hands. He fell down his own stairs--and
+lost his life!”
+
+Madame de Medici languidly surveyed the figure through the upraised
+emerald.
+
+“Really!” she murmured. “And the one from whom he procured it?”
+
+“A Hindu usurer of Simla,” replied the Colonel. “His daughter stole it
+from her father together with many other things, and took them to her
+lover, with whom she fled!”
+
+Madame de Medici seemed to be slightly interested.
+
+“I should love to possess so weird a thing,” she said softly.
+
+“It is yours!” exclaimed the Colonel, and placed it in her hands.
+
+“Oh, but really,” she protested.
+
+“But really I insist--in order that you may not forget your first visit
+to my house!”
+
+She shrugged her shoulders.
+
+“How very kind you are, Colonel Deacon,” she said, “to a rival
+collector!”
+
+“Now that the menace is removed,” said Colonel Deacon with laboured
+humour, “I will show you my most treasured possession.”
+
+“So! I am greatly interested.”
+
+“Not even this rascal Rene,” said the Colonel, stopping before a safe
+set in the wall, “has seen what I am about to show you!”
+
+Rene started slightly and watched with intense interest the unlocking of
+the safe.
+
+“If I am not superstitious about the ivory Buddha,” continued the
+Colonel, “I must plead guilty in the case of the Key of the Temple of
+Heaven!”
+
+“The Key of the Temple of Heaven!” murmured a lady standing immediately
+behind Madame de Medici. “And what is the Key of the Temple of Heaven?”
+
+The Colonel, having unlocked the safe, straightened himself, and while
+everyone was waiting to see what he had to show, began to speak again
+pompously:
+
+“The Temple of Heaven stands in the outer or Chinese City of Pekin, and
+is fabulously wealthy. No European, I can swear, had ever entered its
+secret chambers until last year. One of its most famous treasures was
+this Key. It was used only to open the special entrance reserved for the
+Emperor when he came to worship after his succession to the throne--that
+was, of course, before China became a Republic. The Key is studded
+almost all over with precious stones. Last year a certain naval
+man--I'll not mention his name--discovered the secret of its
+hiding-place. How he came by that knowledge does not matter at present.
+One very dark night he crept up to the temple. He found the Keeper of
+the Key--a Buddhist priest--to be sleeping, and he succeeded, therefore,
+in gaining access and becoming possessed of the Key.”
+
+A chorus of excited exclamations greeted this dramatic point of the
+story.
+
+“The object of this outrage,” continued the Colonel, “for an outrage
+I cannot deny it to have been, was not a romantic one. The poor chap
+wanted money, and he thought he could sell the Key to one of the native
+jewellers. But he was mistaken. He got back safely, and secretly offered
+it in various directions. No one would touch the thing; moreover,
+although of great value, the stones were very far from flawless, and
+not really worth the risks which he had run to secure them. Don't
+misunderstand me; the Key would fetch a big sum, but not a fortune.”
+
+“Yes?” said Madame de Medici, smiling, for the Colonel paused.
+
+“He packed it up and addressed it to me, together with a letter. The
+price that he asked was quite a moderate one, and when the Key arrived
+in England I dispatched a check immediately. It never reached him.”
+
+“Why?” cried many whom this strange story had profoundly interested.
+
+“He was found dead at the back of the native cantonments, with a knife
+in his heart!”
+
+“Oh!” exclaimed Lady Dascot. “How positively ghastly! I don't think I
+want to see the dreadful thing!”
+
+“Really!” murmured Madame de Medici, turning languidly to the speaker.
+“I do.”
+
+The Colonel stooped and reached into the safe. Then he began to take
+out object after object, box after box. Finally, he straightened himself
+again, and all saw that his face was oddly blanched.
+
+“It's gone!” he whispered hoarsely. “The Key of the Temple of Heaven has
+been stolen!”
+
+
+
+
+VI
+
+MADAME SMILES
+
+
+
+Rene entered his bedroom, locked the door, and seated himself on the
+bed; then he lowered his head into his hands and clutched at his hair
+distractedly. Since, on his uncle's own showing, no one knew that the
+Key of the Temple of Heaven had been in the safe, since, excepting
+himself (Rene) and the Colonel, no one else knew the lock combination,
+how the Key had been stolen was a mystery which defied conjecture. No
+one but the Colonel had approached within several yards of the safe at
+the time it was opened; so that clearly the theft had been committed
+prior to that time.
+
+Now Rene sought to recall the details of a strange dream which he had
+dreamed immediately before awakening on the previous night; but he
+sought in vain. His memory could supply only blurred images. There had
+been a safe in his dream, and he--was it he or another?--had unlocked
+it. Also there had been an enormous ivory Buddha.... Yet, stay! it had
+not been enormous; it had been...
+
+He groaned at his own impotency to recall the circumstances of that
+mysterious, perhaps prophetic dream; then in despair he gave it up, and
+stooping to a little secretaire, unlocked it with the idea of sending a
+note round to Annesley's chambers. As he did so he uttered a loud cry.
+
+Lying in one of the pigeon-holes was a long piece of black silk,
+apparently torn from the lining of an opera hat. In it two holes were
+cut as if it were intended to be used as a mask. Beside it lay a little
+leather-covered box. He snatched it out and opened it. It was empty!
+
+“Am I going mad?” he groaned. “Or------”
+
+“You are wanted on the 'phone, sir.”
+
+It was the butler who had interrupted him. Rene descended to the
+telephone, dazedly, but, recognizing the voice of Annesley, roused
+himself.
+
+“I'm leaving town to-night, Deacon,” said Annesley, “for--well, many
+reasons. But before I go I must give you a warning, though I rely on
+you never to mention my name in the matter. Avoid the woman who calls
+herself Madame de Medici; she'll break you. She's an adventuress, and
+has a dangerous acquaintance with Eastern cults, and... I can't explain
+properly....”
+
+“Annesley! the Key!”
+
+“It's the theft of the Key that has prompted me to speak, Deacon. Madame
+has some sort of power--hypnotic power. She employed it on me once, to
+my cost! Paul Harley, of Chancery Lane, can tell you more about her.
+The house she's living in temporarily used to belong to a notorious
+Eurasian, Zani Chada. To make a clean breast of it I daren't thwart her
+openly; but I felt it up to me to tell you that she possesses the secret
+of post-hypnotic suggestion. I may be wrong, but I think you stole that
+Key!”
+
+“I!”
+
+“She hypnotized you at some time, and, by means of this uncanny power of
+hers, ordered you to steal the Key of the Temple of Heaven in such and
+such a fashion at a certain hour in the night...”
+
+“I had a strange seizure while I was at her house....”
+
+“Exactly! During that time you were receiving your hypnotic orders. You
+would remember nothing of them until the time to execute them--which
+would probably be during sleep. In a state of artificial somnambulism,
+and under the direction of Madame's will, you became a burglar!”
+
+As Madame de Medici's car drove off from the house of Colonel Deacon,
+and Madame seated herself in the cushioned corner, up from amid the furs
+upon the floor, where, dog-like, he had lain concealed, rose the little
+yellow man from the Temple of Heaven. He extended eager hands toward
+her, kneeling there, and spoke:
+
+“Quick! quick!” he breathed. “You have it? The Key of the Temple.”
+
+Madame held in her hand an ivory Buddha. Inverting it she unscrewed the
+pedestal, and out from the hollow inside the image dropped a gleaming
+Key.
+
+“Ah!” breathed the yellow man, and would have clutched it; but Madame
+disdainfully raised her right hand which held the treasure, and with her
+left hand thrust down the clutching yellow fingers.
+
+She dropped the Key between her white skin and the bodice of her gown,
+tossing the ivory figure contemptuously amid the fur.
+
+“Ah!” repeated the yellow man in a different tone, and his eyes gleamed
+with the flame of fanaticism. He slowly uprose, a sinister figure, and
+with distended fingers prepared to seize Madame by the throat. His eyes
+were bloodshot, his nostrils were dilated, and his teeth were exposed
+like the fangs of a wolf.
+
+But she pulled off her glove and stretched out her bare white hand to
+him as a queen to a subject; she raised the long curved lashes, and the
+great amber eyes looked into the angry bloodshot eyes.
+
+The little yellow man began to breathe more and more rapidly; soon he
+was panting like one in a fight to the death who is all but conquered.
+At last he dropped on his knees amid the fur... and the curling lashes
+were lowered again over the blazing amber eyes that had conquered.
+
+Madame de Medici lowered her beautiful white hand, and the little yellow
+man seized it in both his own and showered rapturous kisses upon it.
+
+Madame smiled slightly.
+
+“Poor little yellow man!” she murmured in sibilant Chinese, “you shall
+never return to the Temple of Heaven!”
+
+
+
+
+
+End of the Project Gutenberg EBook of Tales of Chinatown, by Sax Rohmer
+
+*** END OF THIS PROJECT GUTENBERG EBOOK TALES OF CHINATOWN ***
+
+***** This file should be named 5697-0.txt or 5697-0.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/5/6/9/5697/
+
+Produced by Alan Johns
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase “Project
+Gutenberg”), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. “Project Gutenberg” is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation”
+ or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase “Project Gutenberg” appears, or with which the phrase “Project
+Gutenberg” is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase “Project Gutenberg” associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+“Plain Vanilla ASCII” or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original “Plain Vanilla ASCII” or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, “Information about donations to
+ the Project Gutenberg Literary Archive Foundation.”
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+“Defects,” such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
+of Replacement or Refund” described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/5697-0.zip b/5697-0.zip
new file mode 100644
index 0000000..abb7942
--- /dev/null
+++ b/5697-0.zip
Binary files differ
diff --git a/5697-h.zip b/5697-h.zip
new file mode 100644
index 0000000..acca174
--- /dev/null
+++ b/5697-h.zip
Binary files differ
diff --git a/5697-h/5697-h.htm b/5697-h/5697-h.htm
new file mode 100644
index 0000000..7f7b4ec
--- /dev/null
+++ b/5697-h/5697-h.htm
@@ -0,0 +1,13823 @@
+<?xml version="1.0" encoding="utf-8"?>
+
+<!DOCTYPE html
+ PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" >
+
+<html xmlns="http://www.w3.org/1999/xhtml" lang="en">
+ <head>
+ <title>
+ Tales of Chinatown, by Sax Rohmer
+ </title>
+ <style type="text/css" xml:space="preserve">
+
+ body { margin:5%; background:#faebd0; text-align:justify}
+ P { text-indent: 1em; margin-top: .25em; margin-bottom: .25em; }
+ H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; }
+ hr { width: 50%; text-align: center;}
+ .foot { margin-left: 20%; margin-right: 20%; text-align: justify; text-indent: -3em; font-size: 90%; }
+ blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;}
+ .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;}
+ .toc { margin-left: 10%; margin-bottom: .75em;}
+ .toc2 { margin-left: 20%;}
+ div.fig { display:block; margin:0 auto; text-align:center; }
+ div.middle { margin-left: 20%; margin-right: 20%; text-align: justify; }
+ .figleft {float: left; margin-left: 0%; margin-right: 1%;}
+ .figright {float: right; margin-right: 0%; margin-left: 1%;}
+ .pagenum {display:inline; font-size: 70%; font-style:normal;
+ margin: 0; padding: 0; position: absolute; right: 1%;
+ text-align: right;}
+ pre { font-style: italic; font-size: 90%; margin-left: 10%;}
+
+</style>
+ </head>
+ <body>
+<pre xml:space="preserve">
+
+The Project Gutenberg EBook of Tales of Chinatown, by Sax Rohmer
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Tales of Chinatown
+
+Author: Sax Rohmer
+
+Release Date: June 11, 2009 [EBook #5697]
+Last Updated: March 9, 2018
+
+Language: English
+
+Character set encoding: UTF-8
+
+*** START OF THIS PROJECT GUTENBERG EBOOK TALES OF CHINATOWN ***
+
+
+
+
+Produced by Alan Johns, and David Widger
+
+
+
+
+
+
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <h1>
+ TALES OF CHINATOWN
+ </h1>
+ <p>
+ <br /><br />
+ </p>
+ <h2>
+ By Sax Rohmer
+ </h2>
+ <p>
+ <br /><br />
+ </p>
+ <h2>
+ 1916
+ </h2>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br />
+ </p>
+ <blockquote>
+ <p class="toc">
+ <big><b>CONTENTS</b></big>
+ </p>
+ <p>
+ <br />
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0001"> THE DAUGHTER OF HUANG CHOW </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0002"> I </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0003"> II </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0004"> III </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0005"> IV </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0006"> V </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0007"> VI </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0008"> VII </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0009"> VIII </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0010"> IX </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0011"> X </a>
+ </p>
+ <p>
+ <br />
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0012"> KERRY'S KID </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0013"> I </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0014"> II </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0015"> III </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0016"> IV </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0017"> V </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0018"> VI </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0019"> VII </a>
+ </p>
+ <p>
+ <br />
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0020"> THE PIGTAIL OF HI WING HO </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0021"> I </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0022"> II </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0023"> III </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0024"> IV </a>
+ </p>
+ <p>
+ <br />
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0025"> THE HOUSE OF GOLDEN JOSS </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0026"> I </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0027"> II </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0028"> III </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0029"> IV </a>
+ </p>
+ <p>
+ <br />
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0030"> MAN WITH THE SHAVEN SKULL </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0031"> I </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0032"> II </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0033"> III </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0034"> IV </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0035"> V </a>
+ </p>
+ <p>
+ <br />
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0036"> THE WHITE HAT </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0037"> I </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0038"> II </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0039"> III </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0040"> IV </a>
+ </p>
+ <p>
+ <br />
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0041"> TCHERIAPIN </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0042"> I </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0043"> II </a>
+ </p>
+ <p>
+ <br />
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0044"> THE DANCE OF THE VEILS </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0045"> I </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0046"> II </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0047"> IV </a>
+ </p>
+ <p>
+ <br />
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0048"> THE HAND OF THE MANDARIN QUONG </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0049"> I </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0050"> II </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0051"> III </a>
+ </p>
+ <p>
+ <br />
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0052"> THE KEY OF THE TEMPLE OF HEAVEN </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0053"> I </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0054"> II </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0055"> III </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0056"> IV </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0057"> V </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0058"> VI </a>
+ </p>
+ </blockquote>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br /> <a name="link2H_4_0001" id="link2H_4_0001">
+ <!-- H2 anchor --> </a>
+ </p>
+ <h2>
+ THE DAUGHTER OF HUANG CHOW
+ </h2>
+ <p>
+ <a name="link2H_4_0002" id="link2H_4_0002">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ I
+ </h2>
+ <h3>
+ &ldquo;DIAMOND FRED&rdquo;
+ </h3>
+ <p>
+ In the saloon bar of a public-house, situated only a few hundred yards
+ from the official frontier of Chinatown, two men sat at a small table in a
+ corner, engaged in earnest conversation. They afforded a sharp contrast.
+ One was a thick-set and rather ruffianly looking fellow, not too cleanly
+ in either person or clothing, and, amongst other evidences that at one
+ time he had known the prize ring, possessing a badly broken nose. His
+ companion was dressed with that spruceness which belongs to the successful
+ East End Jew; he was cleanly shaven, of slight build, and alert in manner
+ and address.
+ </p>
+ <p>
+ Having ordered and paid for two whiskies and sodas, the Jew, raising his
+ glass, nodded to his companion and took a drink. The glitter of a
+ magnificent diamond which he wore seemed to attract the other's attention
+ almost hypnotically.
+ </p>
+ <p>
+ &ldquo;Cheerio, Freddy!&rdquo; said the thick-set man. &ldquo;Any news?&rdquo;
+ </p>
+ <p>
+ &ldquo;Nothing much,&rdquo; returned the one addressed as Freddy, setting his glass
+ upon the table and selecting a cigarette from a packet which he carried in
+ his pocket.
+ </p>
+ <p>
+ &ldquo;I'm not so sure,&rdquo; growled the other, watching him suspiciously. &ldquo;You've
+ been lying low for a long time, and it's not like you to slack off except
+ when there's something big in sight.&rdquo;
+ </p>
+ <p>
+ &ldquo;Hm!&rdquo; said his companion, lighting his cigarette. &ldquo;What do you mean
+ exactly?&rdquo;
+ </p>
+ <p>
+ Jim Poland&mdash;for such was the big man's name&mdash;growled and spat
+ reflectively into a spittoon.
+ </p>
+ <p>
+ &ldquo;I've had my eye on you, Freddy,&rdquo; he replied; &ldquo;I've had my eye on you!&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, have you?&rdquo; murmured the other. &ldquo;But tell me what you mean!&rdquo;
+ </p>
+ <p>
+ Beneath his suave manner lay a threat, and, indeed, Freddy Cohen, known to
+ his associates as &ldquo;Diamond Fred,&rdquo; was in many ways a formidable
+ personality. He had brought to his chosen profession of crook a first-rate
+ American training, together with all that mental agility and cleverness
+ which belong to his race, and was at once an object of envy and admiration
+ amongst the fraternity which keeps Scotland Yard busy.
+ </p>
+ <p>
+ Jim Poland, physically a more dangerous character, was not in the same
+ class with him; but he was not without brains of a sort, and Cohen,
+ although smiling agreeably, waited with some anxiety for his reply.
+ </p>
+ <p>
+ &ldquo;I mean,&rdquo; growled Poland, &ldquo;that you're not wasting your time with Lala
+ Huang for nothing.&rdquo;
+ </p>
+ <p>
+ &ldquo;Perhaps not,&rdquo; returned Cohen lightly. &ldquo;She's a pretty girl; but what
+ business is it of yours?&rdquo;
+ </p>
+ <p>
+ &ldquo;None at all. I ain't interested in 'er good looks; neither are you.&rdquo;
+ </p>
+ <p>
+ Cohen shrugged and raised his glass again.
+ </p>
+ <p>
+ &ldquo;Come on,&rdquo; growled Poland, leaning across the table. &ldquo;I know, and I'm in
+ on it. D'ye hear me? I'm in on it. These are hard times, and we've got to
+ stick together.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh,&rdquo; said Cohen, &ldquo;that's the game, is it?&rdquo;
+ </p>
+ <p>
+ &ldquo;That's the game right enough. You won't go wrong if you bring me in, even
+ at fifty-fifty, because maybe I know things about old Huang that you don't
+ know.&rdquo;
+ </p>
+ <p>
+ The Jew's expression changed subtly, and beneath his drooping lids he
+ glanced aside at the speaker. Then:
+ </p>
+ <p>
+ &ldquo;It's no promise,&rdquo; he said, &ldquo;but what do you know?&rdquo;
+ </p>
+ <p>
+ Poland bent farther over the table.
+ </p>
+ <p>
+ &ldquo;Chinatown's being watched again. I heard this morning that Red Kerry was
+ down here.&rdquo;
+ </p>
+ <p>
+ Cohen laughed.
+ </p>
+ <p>
+ &ldquo;Red Kerry!&rdquo; he echoed. &ldquo;Red Kerry means nothing in my young life, Jim.&rdquo;
+ </p>
+ <p>
+ &ldquo;Don't 'e?&rdquo; returned Jim, snarling viciously. &ldquo;The way he cleaned up that
+ dope crowd awhile back seemed to show he was no jug, didn't it?&rdquo;
+ </p>
+ <p>
+ The Jew made a facial gesture as if to dismiss the subject.
+ </p>
+ <p>
+ &ldquo;All right,&rdquo; continued Poland. &ldquo;Think that way if you like. But the
+ patrols have been doubled. I suppose you know that? And it's a cert there
+ are special men on duty, ever since the death of that Chink.&rdquo;
+ </p>
+ <p>
+ Cohen shifted uneasily, glancing about him in a furtive fashion.
+ </p>
+ <p>
+ &ldquo;See what I mean?&rdquo; continued the other. &ldquo;Chinatown ain't healthy just
+ now.&rdquo;
+ </p>
+ <p>
+ He finished his whisky at a draught, and, standing up, lurched heavily
+ across to the counter. He returned with two more glasses. Then, reseating
+ himself and bending forward again:
+ </p>
+ <p>
+ &ldquo;There's one thing I reckon you don't know,&rdquo; he whispered in Cohen's ear.
+ &ldquo;I saw that Chink talking to Lala Huang only a week before the time he was
+ hauled out of Limehouse Reach. I'm wondering, Diamond, if, with all your
+ cleverness, you may not go the same way.&rdquo;
+ </p>
+ <p>
+ &ldquo;Don't try to pull the creep stuff on me, Jim,&rdquo; said Cohen uneasily. &ldquo;What
+ are you driving at, anyway?&rdquo;
+ </p>
+ <p>
+ &ldquo;Well,&rdquo; replied Poland, sipping his whisky reflectively, &ldquo;how did that
+ Chink get into the river?&rdquo;
+ </p>
+ <p>
+ &ldquo;How the devil do I know?&rdquo;
+ </p>
+ <p>
+ &ldquo;And what killed him? It wasn't drowning, although he was all swelled up.&rdquo;
+ </p>
+ <p>
+ &ldquo;See here, old pal,&rdquo; said Cohen. &ldquo;I know 'Frisco better than you know
+ Limehouse. Let me tell you that this little old Chinatown of yours is pie
+ to me. You're trying to get me figuring on Chinese death traps, secret
+ poisons, and all that junk. Boy, you're wasting your poetry. Even if you
+ did see the Chink with Lala, and I doubt it&mdash;Oh, don't get excited,
+ I'm speaking plain&mdash;there's no connection that I can see between the
+ death of said Chink and old Huang Chow.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ain't there?&rdquo; growled Poland huskily. He grasped the other's wrist as in
+ a vise and bent forward so that his battered face was close to the pale
+ countenance of the Jew. &ldquo;I've been covering old Huang for months and
+ months. Now I'm going to tell you something. Since the death of that Chink
+ Red Kerry's been covering him, too.&rdquo;
+ </p>
+ <p>
+ &ldquo;See here!&rdquo; Cohen withdrew his arm from the other's grasp angrily. &ldquo;You
+ can't freeze me out of this claim with bogey stuff. You're listed, my lad,
+ and you know it. Chief Inspector Kerry is your pet nightmare. But if he
+ walked in here right now I could ask him to have a drink. I wouldn't but I
+ could. You've got the wrong angle, Jim. Lala likes me fine, and although
+ she doesn't say much, what she does say is straight. I'll ask her to-night
+ about the Chink.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then you'll be a damned fool.&rdquo;
+ </p>
+ <p>
+ &ldquo;What's that?&rdquo;
+ </p>
+ <p>
+ &ldquo;I say you'll be a damned fool. I'm warning you, Freddy. There are Chinks
+ and Chinks. All the boys know old Huang Chow has got a regular gold mine
+ buried somewhere under the floor. But all the boys don't know what I know,
+ and it seems that you don't either.&rdquo;
+ </p>
+ <p>
+ &ldquo;What is that?&rdquo;
+ </p>
+ <p>
+ Jim Poland bent forward more urgently, again seizing Cohen's wrist, and:
+ </p>
+ <p>
+ &ldquo;Huang Chow is a mighty big bug amongst the Chinese,&rdquo; he whispered,
+ glancing cautiously about him. &ldquo;He's hellish clever and rotten with money.
+ A man like that wants handling. I'm not telling you what I know. But call
+ it fifty-fifty and maybe you'll come out alive.&rdquo;
+ </p>
+ <p>
+ The brow of Diamond Fred displayed beads of perspiration, and with a blue
+ silk handkerchief which he carried in his breast pocket he delicately
+ dried his forehead.
+ </p>
+ <p>
+ &ldquo;You're an old hand at this stuff, Jim,&rdquo; he muttered. &ldquo;It amounts to this,
+ I suppose; that if I don't agree you'll queer my game?&rdquo;
+ </p>
+ <p>
+ Jim Poland's brow lowered and he clenched his fists formidably. Then:
+ </p>
+ <p>
+ &ldquo;Listen,&rdquo; he said in his hoarse voice. &ldquo;It ain't your claim any more than
+ mine. You've covered it different, that's all. Yours was always the
+ petticoat lay. Mine's slower but safer. Is anyone else in with you?&rdquo;
+ </p>
+ <p>
+ &ldquo;No.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then we'll double up. Now I'll tell you something. I was backing out.&rdquo;
+ </p>
+ <p>
+ &ldquo;What? You were going to quit?&rdquo;
+ </p>
+ <p>
+ &ldquo;I was.&rdquo;
+ </p>
+ <p>
+ &ldquo;Why?&rdquo;
+ </p>
+ <p>
+ &ldquo;Because the thing's too dead easy, and a thing like that always looks
+ like hell to me.&rdquo;
+ </p>
+ <p>
+ Freddy Cohen finished his glass of whisky.
+ </p>
+ <p>
+ &ldquo;Wait while I get some more drinks,&rdquo; he said.
+ </p>
+ <p>
+ In this way, then, at about the hour of ten on a stuffy autumn night, in
+ the crowded bar of that Wapping public-house, these two made a compact;
+ and of its outcome and of the next appearance of Cohen, the
+ Jewish-American cracksman, within the ken of man, I shall now proceed to
+ tell.
+ </p>
+ <p>
+ <a name="link2H_4_0003" id="link2H_4_0003">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ II
+ </h2>
+ <h3>
+ THE END OF COHEN
+ </h3>
+ <p>
+ &ldquo;I've been expecting this,&rdquo; said Chief Inspector Kerry. He tilted his
+ bowler hat farther forward over his brow and contemplated the ghastly
+ exhibit which lay upon the slab of the mortuary. Two other police officers&mdash;one
+ in uniform&mdash;were present, and they treated the celebrated Chief
+ Inspector with the deference which he had not only earned but had always
+ demanded from his subordinates.
+ </p>
+ <p>
+ Earmarked for important promotion, he was an interesting figure as he
+ stood there in the gloomy, ill-lighted place, his pose that of an athlete
+ about to perform a long jump, or perhaps, as it might have appeared to
+ some, that of a dancing-master about to demonstrate a new step.
+ </p>
+ <p>
+ His close-cropped hair was brilliantly red, and so was his short, wiry,
+ aggressive moustache. He was ruddy of complexion, and he looked out
+ unblinkingly upon the world with a pair of steel-blue eyes. Neat he was to
+ spruceness, and while of no more than medium height he had the shoulders
+ of an acrobat.
+ </p>
+ <p>
+ The detective who stood beside him, by name John Durham, had one trait in
+ common with his celebrated superior. This was a quick keenness, a sort of
+ alert vitality, which showed in his eyes, and indeed in every line of his
+ thin, clean-shaven face. Kerry had picked him out as the most promising
+ junior in his department.
+ </p>
+ <p>
+ &ldquo;Give me the particulars,&rdquo; said the Chief Inspector. &ldquo;It isn't robbery.
+ He's wearing a diamond ring worth two hundred pounds.&rdquo;
+ </p>
+ <p>
+ His diction was rapid and terse&mdash;so rapid as to create the impression
+ that he bit off the ends of the longer words. He turned his fierce blue
+ eyes upon the uniformed officer who stood at the end of the slab.
+ </p>
+ <p>
+ &ldquo;They are very few, Chief Inspector,&rdquo; was the reply. &ldquo;He was hauled out by
+ the river police shortly after midnight, at the lower end of Limehouse
+ Reach. He was alive then&mdash;they heard his cry&mdash;but he died while
+ they were hauling him into the boat.&rdquo;
+ </p>
+ <p>
+ &ldquo;Any statement?&rdquo; rapped Kerry.
+ </p>
+ <p>
+ &ldquo;He was past it, Chief Inspector. According to the report of the officer
+ in charge, he mumbled something which sounded like: 'It has bitten me,'
+ just before he became unconscious.&rdquo;
+ </p>
+ <p>
+ &ldquo;'It has bitten me,'&rdquo; murmured Kerry. &ldquo;The divisional surgeon has seen
+ him?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, Chief Inspector. And in his opinion the man did not die from
+ drowning, but from some form of virulent poisoning.&rdquo;
+ </p>
+ <p>
+ &ldquo;Poisoning?&rdquo;
+ </p>
+ <p>
+ &ldquo;That's the idea. There will be a further examination, of course. Either a
+ hypodermic injection or a bite.&rdquo;
+ </p>
+ <p>
+ &ldquo;A bite?&rdquo; said Kerry. &ldquo;The bite of what?&rdquo;
+ </p>
+ <p>
+ &ldquo;That I cannot say, Chief Inspector. A venomous reptile, I suppose.&rdquo;
+ </p>
+ <p>
+ Kerry stared down critically at the swollen face of the victim, and then
+ glanced sharply aside at Durham.
+ </p>
+ <p>
+ &ldquo;Accounts for his appearance, I suppose,&rdquo; he murmured.
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; said Durham quietly. &ldquo;He hadn't been in the water long enough to
+ look like that.&rdquo; He turned to the local officer. &ldquo;Is there any theory as
+ to the point at which he went in?&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, an arrest has been made.&rdquo;
+ </p>
+ <p>
+ &ldquo;By whom? of whom?&rdquo; rapped Kerry.
+ </p>
+ <p>
+ &ldquo;Two constables patrolling the Chinatown area arrested a man for
+ suspicious loitering. He turned out to be a well-known criminal&mdash;Jim
+ Poland, with a whole list of convictions against him. They're holding him
+ at Limehouse Station, and the theory is that he was operating with&mdash;&mdash;&mdash;&rdquo;
+ He nodded in the direction of the body.
+ </p>
+ <p>
+ &ldquo;Then who's the smart with the swollen face?&rdquo; inquired Kerry. &ldquo;He's a new
+ one on me.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, but he's been identified by one of the K Division men. He is an
+ American crook with a clean slate, so far as this side is concerned. Cohen
+ is his name. And the idea seems to be that he went in at some point
+ between where he was found by the river police and the point at which Jim
+ Poland was arrested.&rdquo;
+ </p>
+ <p>
+ Kerry snapped his teeth together audibly, and:
+ </p>
+ <p>
+ &ldquo;I'm open to learn,&rdquo; he said, &ldquo;that the house of Huang Chow is within that
+ area.&rdquo;
+ </p>
+ <p>
+ &ldquo;It is.&rdquo;
+ </p>
+ <p>
+ &ldquo;I thought so. He died the same way the Chinaman died awhile ago,&rdquo; snapped
+ Kerry savagely.
+ </p>
+ <p>
+ &ldquo;It looks very queer.&rdquo; He glanced aside at the local officer. &ldquo;Cover him
+ up,&rdquo; he ordered, and, turning, he walked briskly out of the mortuary,
+ followed by Detective Durham.
+ </p>
+ <p>
+ Although dawn was not far off, this was the darkest hour of the night, so
+ that even the sounds of dockland were muted and the riverside slept as
+ deeply as the great port of London ever sleeps. Vague murmurings there
+ were and distant clankings, with the hum of machinery which is never
+ still.
+ </p>
+ <p>
+ Few of London's millions were awake at that hour, yet Scotland Yard was
+ awake in the person of the fierce-eyed Chief Inspector and his
+ subordinate. Perhaps those who lightly criticize the Metropolitan Force
+ might have learned a new respect for the tireless vigilance which keeps
+ London clean and wholesome, had they witnessed this scene on the borders
+ of Limehouse, as Kerry, stepping into a waiting taxi-cab accompanied by
+ Durham, proceeded to Limehouse Police Station in that still hour when the
+ City slept.
+ </p>
+ <p>
+ The arrival of Kerry created something of a stir amongst the officials on
+ duty. His reputation in these days was at least as great as that of the
+ most garrulous Labour member.
+ </p>
+ <p>
+ The prisoner was in cells, but the Chief Inspector elected to interview
+ him in the office; and accordingly, while the officer in charge sat at an
+ extremely tidy writing-table, tapping the blotting-pad with a pencil, and
+ Detective John Durham stood beside him, Kerry paced up and down the little
+ room, deep in reflection, until the door opened and the prisoner was
+ brought in.
+ </p>
+ <p>
+ One swift glance the Chief Inspector gave at the battle-scarred face, and
+ recognized instantly that this was a badly frightened man. Crossing to the
+ table he took up a typewritten slip which lay there, and:
+ </p>
+ <p>
+ &ldquo;Your name is James Poland?&rdquo; he said. &ldquo;Four convictions; one, robbery with
+ violence.&rdquo;
+ </p>
+ <p>
+ Jim Poland nodded sullenly.
+ </p>
+ <p>
+ &ldquo;You were arrested at the corner of Pekin Street about midnight. What were
+ you doing there?&rdquo;
+ </p>
+ <p>
+ &ldquo;Taking a walk.&rdquo;
+ </p>
+ <p>
+ &ldquo;I'll say it again,&rdquo; rapped Kerry, fixing his fierce eyes upon the man's
+ face. &ldquo;What were you doing there?&rdquo;
+ </p>
+ <p>
+ &ldquo;I've told you.&rdquo;
+ </p>
+ <p>
+ &ldquo;And I tell you you're a liar. Where did you leave the man Cohen?&rdquo;
+ </p>
+ <p>
+ Poland blinked his small eyes, cleared his throat, and looked down at the
+ floor uneasily. Then:
+ </p>
+ <p>
+ &ldquo;Who's Cohen?&rdquo; he grunted.
+ </p>
+ <p>
+ &ldquo;You mean, who was Cohen?&rdquo; cried Kerry.
+ </p>
+ <p>
+ The shot went home. The man clenched his fists and looked about the room
+ from face to face.
+ </p>
+ <p>
+ &ldquo;You don't tell me&mdash;&mdash;&mdash;&rdquo; he began huskily.
+ </p>
+ <p>
+ &ldquo;I've told you,&rdquo; said Kerry. &ldquo;He's on the slab. Spit out the truth; it'll
+ be good for your health.&rdquo;
+ </p>
+ <p>
+ The man hesitated, then looked up, his eyes half closed and a cunning
+ expression upon his face.
+ </p>
+ <p>
+ &ldquo;Make out your own case,&rdquo; he said. &ldquo;You've got nothing against me.&rdquo;
+ </p>
+ <p>
+ Kerry snapped his teeth together viciously.
+ </p>
+ <p>
+ &ldquo;I've told you what happened to your pal,&rdquo; he warned. &ldquo;If you're a wise
+ man you'll come in on our side, before the same thing happens to you.&rdquo;
+ </p>
+ <p>
+ &ldquo;I don't know what you're talking about,&rdquo; growled Poland.
+ </p>
+ <p>
+ Kerry nodded to the constable at the doorway.
+ </p>
+ <p>
+ &ldquo;Take him back,&rdquo; he ordered.
+ </p>
+ <p>
+ Jim Poland being returned to his cell, Kerry, as the door closed behind
+ the prisoner and his guard, stared across at Durham where he stood beside
+ the table.
+ </p>
+ <p>
+ &ldquo;An old hand,&rdquo; he said. &ldquo;But there's another way.&rdquo; He glanced at the
+ officer in charge. &ldquo;Hold him till the morning. He'll prove useful.&rdquo;
+ </p>
+ <p>
+ From his waistcoat pocket he took out a slip of chewing gum, unwrapped it,
+ and placed the mint-flavoured wafer between his large white teeth. He bit
+ upon it savagely, settled his hat upon his head, and, turning, walked
+ toward the door. In the doorway he paused.
+ </p>
+ <p>
+ &ldquo;Come with me, Durham,&rdquo; he said. &ldquo;I am leaving the conduct of the case
+ entirely in your hands from now onward.&rdquo;
+ </p>
+ <p>
+ Detective Durham looked surprised and not a little anxious.
+ </p>
+ <p>
+ &ldquo;I am doing so for two reasons,&rdquo; continued the Chief Inspector. &ldquo;These two
+ reasons I shall now explain.&rdquo;
+ </p>
+ <p>
+ <a name="link2H_4_0004" id="link2H_4_0004">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ III
+ </h2>
+ <h3>
+ THE SECRET TREASURE-HOUSE
+ </h3>
+ <p>
+ Unlike its sister colony in New York, there are no show places in
+ Limehouse. The visitor sees nothing but mean streets and dark doorways.
+ The superficial inquirer comes away convinced that the romance of the
+ Asiatic district has no existence outside the imaginations of writers of
+ fiction. Yet here lies a secret quarter, as secret and as strange, in its
+ smaller way, as its parent in China which is called the Purple Forbidden
+ City.
+ </p>
+ <p>
+ On a morning when mist lay over the Thames reaches, softening the
+ harshness of the dock buildings and lending an air of mystery to the
+ vessels stealing out upon the tide, a man walked briskly along Limehouse
+ Causeway, looking about him inquiringly, as one unfamiliar with the
+ neighbourhood. Presently he seemed to recognize a turning to the right,
+ and he pursued this for a time, now walking more slowly.
+ </p>
+ <p>
+ A European woman, holding a half-caste baby in her arms, stood in an open
+ doorway, watching him uninterestedly. Otherwise, except for one neatly
+ dressed young Chinaman, who passed him about halfway along the street,
+ there was nothing which could have told the visitor that he had crossed
+ the borderline dividing West from East and was now in an Oriental town.
+ </p>
+ <p>
+ A very narrow alleyway between two dingy houses proved to be the spot for
+ which he was looking; and, having stared about him for a while, he entered
+ this alleyway. At the farther end it was crossed T-fashion, by another
+ alley, the only object of interest being an iron post at the crossing, and
+ the scenery being made up entirely of hideous brick walls.
+ </p>
+ <p>
+ About halfway along on the left, set in one of these walls, were strong
+ wooden gates, apparently those of a warehouse. Beside them was a door
+ approached by two very dirty steps. There was a bell-push near the door,
+ but upon neither of these entrances was there any plate to indicate the
+ name of the proprietor of the establishment.
+ </p>
+ <p>
+ From his pocket-book the visitor extracted a card, consulted something
+ written upon it, and then pressed the bell.
+ </p>
+ <p>
+ It was very quiet in this dingy little court. No sound of the busy
+ thoroughfares penetrated here; and although the passage forming the top of
+ the &ldquo;T&rdquo; practically marked the river bank, only dimly could one discern
+ the sounds which belong to a seaport.
+ </p>
+ <p>
+ Presently the door was opened by a Chinese boy who wore the ordinary
+ native working dress, and who regarded the man upon the step with oblique,
+ tired-looking eyes.
+ </p>
+ <p>
+ &ldquo;Mr. Huang Chow?&rdquo; asked the caller.
+ </p>
+ <p>
+ The boy nodded.
+ </p>
+ <p>
+ &ldquo;You wantchee him see?&rdquo;
+ </p>
+ <p>
+ &ldquo;If he is at home.&rdquo;
+ </p>
+ <p>
+ The boy glanced at the card, which the visitor still held between finger
+ and thumb, and extended his hand silently. The card was surrendered. It
+ was that of an antique dealer of Dover Street, Piccadilly, and written
+ upon the back was the following: &ldquo;Mr. Hampden would like to do business
+ with you.&rdquo; The signature of the dealer followed.
+ </p>
+ <p>
+ The boy turned and passed along a dim and perfectly unfurnished passage
+ which the opening of the door had revealed, while Mr. Hampden stood upon
+ the step and lighted a cigarette.
+ </p>
+ <p>
+ In less than a minute the boy returned and beckoned to him to come in. As
+ he did so, and the door was closed, he almost stumbled, so dark was the
+ passage.
+ </p>
+ <p>
+ Presently, guided by the boy, he found himself in a very business-like
+ little office, where a girl sat at an American desk, looking up at him
+ inquiringly.
+ </p>
+ <p>
+ She was of a dark and arresting type. Without being pretty in the European
+ sense, there was something appealing in her fine, dark eyes, and she
+ possessed the inviting smile which is the heritage of Eastern women. Her
+ dress was not unlike that of any other business girl, except that the neck
+ of her blouse was cut very low, a fashion affected by many Eurasians, and
+ she wore a gaily coloured sash, and large and very costly pearl ear-rings.
+ As Mr. Hampden paused in the doorway:
+ </p>
+ <p>
+ &ldquo;Good morning,&rdquo; said the girl, glancing down at the card which lay upon
+ the desk before her. &ldquo;You come from Mr. Isaacs, eh?&rdquo;
+ </p>
+ <p>
+ She looked at him with a caressing glance from beneath half-lowered
+ lashes, but missed no detail of his appearance. She did not quite like his
+ moustache, and thought that he would have looked better cleanshaven.
+ Nevertheless, he was a well-set-up fellow, and her manner evidenced
+ approval.
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; he replied, smiling genially. &ldquo;I have a small commission to
+ execute, and I am told that you can help me.&rdquo;
+ </p>
+ <p>
+ The girl paused for a moment, and then:
+ </p>
+ <p>
+ &ldquo;Yes, very likely,&rdquo; she said, speaking good English but with an odd
+ intonation. &ldquo;It is not jade? We have very little jade.&rdquo;
+ </p>
+ <p>
+ &ldquo;No, no. I wanted an enamelled casket.&rdquo;
+ </p>
+ <p>
+ &ldquo;What kind?&rdquo;
+ </p>
+ <p>
+ &ldquo;Cloisonne.&rdquo;
+ </p>
+ <p>
+ &ldquo;Cloisonne? Yes, we have several.&rdquo;
+ </p>
+ <p>
+ She pressed a bell, and, glancing up at the boy who had stood throughout
+ the interview at the visitor's elbow, addressed him rapidly in Chinese. He
+ nodded his head and led the way through a second doorway. Closing this, he
+ opened a third and ushered Mr. Hampden into a room which nearly caused the
+ latter to gasp with astonishment.
+ </p>
+ <p>
+ One who had blundered from Whitechapel into the Khan Khalil, who had been
+ transported upon a magic carpet from a tube station to the Taj Mahal, or
+ dropped suddenly upon Lebanon hills to find himself looking down upon the
+ pearly domes and jewelled gardens of Damascus, could not well have been
+ more surprised. This great treasure-house of old Huang Chow was one of
+ Chinatown's secrets&mdash;a secret shared only by those whose commercial
+ interests were identical with the interests of Huang Chow.
+ </p>
+ <p>
+ The place was artificially lighted by lamps which themselves were
+ beautiful objects of art, and which swung from the massive beams of the
+ ceiling. The floor of the warehouse, which was partly of stone, was
+ covered with thick matting, and spread upon it were rugs and carpets of
+ Karadagh, Kermanshah, Sultan-abad, and Khorassan, with lesser-known
+ loomings of almost equal beauty. Skins of rare beasts overlay the divans.
+ Furniture of ivory, of ebony and lemonwood, preciously inlaid, gave to the
+ place an air of cunning confusion. There were tall cabinets, there were
+ caskets and chests of exquisite lacquer and enamel, loot of an emperor's
+ palace; robes heavy with gold; slippers studded with jewels; strange
+ carven ivories; glittering weapons; pots, jars, and bowls, as delicate and
+ as fragile as the petals of a lily.
+ </p>
+ <p>
+ Last, but not least, sitting cross-legged upon a low couch, was old Huang
+ Chow, smoking a great curved pipe, and peering half blindly across the
+ place through large horn-rimmed spectacles. This couch was set immediately
+ beside a wide ascending staircase, richly carpeted, and on the other side
+ of the staircase, in a corresponding recess, upon a gilded trestle carved
+ to represent the four claws of a dragon, rested perhaps the strangest
+ exhibit of that strange collection&mdash;a Chinese coffin of exquisite
+ workmanship.
+ </p>
+ <p>
+ The boy retired, and Mr. Hampden found himself alone with Huang Chow. No
+ word had been exchanged between master and servant, but:
+ </p>
+ <p>
+ &ldquo;Good morning, Mr. Hampden,&rdquo; said the Chinaman in a high, thin voice.
+ &ldquo;Please be seated. It is from Mr. Isaacs you come?&rdquo;
+ </p>
+ <p>
+ <a name="link2H_4_0005" id="link2H_4_0005">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ IV
+ </h2>
+ <p>
+ PERSONAL REPORT OF DETECTIVE JOHN DURHAM TO CHIEF INSPECTOR KERRY, OFFICER
+ IN CHARGE OF LIMEHOUSE INQUIRY
+ </p>
+ <p>
+ Dear Chief Inspector,&mdash;Following your instructions I returned and
+ interviewed the prisoner Poland in his cell. I took the line which you had
+ suggested, pointing out to him that he had nothing to gain and everything
+ to lose by keeping silent.
+ </p>
+ <p>
+ &ldquo;Answer my questions,&rdquo; I said, &ldquo;and you can walk straight out. Otherwise,
+ you'll be up before the magistrate, and on your record alone it will mean
+ a holiday which you probably don't want.&rdquo;
+ </p>
+ <p>
+ He was very truculent, but I got him in a good humour at last, and he
+ admitted that he had been cooperating with the dead man, Cohen, in an
+ attempt to burgle the house of Huang Chow. His reluctance to go into
+ details seemed to be due rather to fear of Huang Chow than to fear of the
+ law, and I presently gathered that he regarded Huang as responsible for
+ the death not only of Cohen, but also of the Chinaman who was hauled out
+ of the river about three weeks ago, as you well remember. The post-mortem
+ showed that he had died of some kind of poisoning, and when we saw Cohen
+ in the mortuary, his swollen appearance struck me as being very similar to
+ that of the Chinaman. (See my report dated 31st ultimo.)
+ </p>
+ <p>
+ He finally agreed to talk if I would promise that he should not be charged
+ and that his name should never be mentioned to anyone in connection with
+ what he might tell me. I promised him that outside the ordinary official
+ routine I would respect his request, and he told me some very curious
+ things, which no doubt have a bearing on the case.
+ </p>
+ <p>
+ For instance, he had discovered&mdash;I don't know in what way&mdash;that
+ the dead Chinaman, whose name was Pi Lung, had been in negotiation with
+ Huang Chow for some sort of job in his warehouse. Poland had seen the man
+ talking to Huang's daughter, at the end of the alley which leads to the
+ place. He seemed to attach extraordinary importance to this fact. At last:
+ </p>
+ <p>
+ &ldquo;I'll tell you what it is,&rdquo; he said. &ldquo;That Chink was a stranger to
+ Limehouse; I can swear to it. He was a gent of his hands; I reckon they've
+ got 'em in China as well as here. He went out for the old boy's money-box,
+ and finished like Cohen finished.&rdquo;
+ </p>
+ <p>
+ &ldquo;Make your meaning clearer,&rdquo; I said.
+ </p>
+ <p>
+ &ldquo;My meaning's this: Old Huang Chow is the biggest dealer in stolen and
+ smuggled valuables from overseas we've got in London. He's something else
+ as well; he's a big swell in China. But here's the point. He's got
+ business with buyers all over London, and they have to pay cash&mdash;no
+ checks. He doesn't bank it: I've proved that. He's got it in gold, or
+ diamonds, or something, being wise to present conditions, hidden there in
+ the house. Pi Lung was after his hoard. He didn't get it. Cohen and me was
+ after it. Where's Cohen?&rdquo;
+ </p>
+ <p>
+ I agreed that it looked very suspicious, and presently:
+ </p>
+ <p>
+ &ldquo;When I went in with Cohen,&rdquo; continued Poland, &ldquo;I knew one thing he didn't
+ know&mdash;a short cut into the warehouse. He's been playing pretty-like
+ with Lala, old Huang's daughter, and it's my belief that he knew where the
+ store was hidden; but he never told me. We knew there were special men on
+ duty, and we'd arranged that I was to give a signal when the patrol had
+ passed. Cohen all the time had planned to double on me. While I was
+ watching down on the Causeway end he climbed up and got in through the
+ skylight I'd shown him. When I got there he was missing, but the skylight
+ was open. I started off after him.&rdquo;
+ </p>
+ <p>
+ Then Poland clutched me, and his fright was very real.
+ </p>
+ <p>
+ &ldquo;I heard a shriek like nothing I ever heard in my life. I saw a light
+ shine through the trap, and then I heard a sort of moaning. Last, I heard
+ a bang, and the light went out. I staggered down the passage half silly,
+ started to run, and ran straight into the arms of two coppers.&rdquo;
+ </p>
+ <p>
+ This evidence I thought was conclusive, and in accordance with your
+ instructions I proceeded to Mr. Isaacs in Dover Street. He didn't seem too
+ pleased at my suggestion, but when I pointed out to him that one good turn
+ deserved another, he agreed to give me an introduction to Huang Chow.
+ </p>
+ <p>
+ I adopted a very simple disguise, just altering my complexion and sticking
+ on a moustache with spirit gum, hair by hair, and trimming it down
+ military fashion. Everything ran smoothly, and I seemed to make a fairly
+ favourable impression upon Lala Huang, the Chinaman's daughter, who
+ evidently interviews prospective customers before they are admitted to the
+ warehouse.
+ </p>
+ <p>
+ She is a Eurasian and extremely good looking. But when I found myself in
+ the room where old Huang keeps his treasures, I really thought I was
+ dreaming. It's a collection that must be worth thousands. He showed me
+ snuff-bottles, cut out of gems, and with a little opening no bigger than
+ the hole in a pipe-stem, but with wonderful paintings done inside the
+ bottles. He'd got a model of a pagoda made out of human teeth, and a big
+ golden rug woven from the hair of Circassian slave girls. Excuse this,
+ Chief Inspector; I know it is what you call the romantic stuff; but I
+ think it would have impressed you if you had seen it.
+ </p>
+ <p>
+ Anyway, I bought a little enamelled box, in accordance with Mr. Isaacs's
+ instructions, although whether I succeeded in convincing Huang Chow that I
+ knew anything about the matter is more than doubtful. He got up from a
+ sort of throne he sits on, and led the way up a broad staircase to a
+ private room above.
+ </p>
+ <p>
+ &ldquo;Of course, you have brought the cash, Mr. Hampden?&rdquo; he said.
+ </p>
+ <p>
+ He speaks quite faultless English. He walked up three steps to a sort of
+ raised writing-table in this upstairs room, and I counted out the money to
+ him. When he sat at the table he faced toward the room, and I couldn't
+ help thinking that, in his horn-rimmed spectacles, he looked like some old
+ magistrate. He explained that he would pack the purchase for me, but that
+ I must personally take it away. And:
+ </p>
+ <p>
+ &ldquo;You understand,&rdquo; said he, &ldquo;that you bought it from a gentleman who had
+ purchased it abroad.&rdquo;
+ </p>
+ <p>
+ I said I quite understood. He bowed me out very politely, and presently I
+ found myself back in the office with Lala Huang.
+ </p>
+ <p>
+ She seemed quite disposed to talk, and I chatted with her while the box
+ was being packed for me to take away. I knew I must make good use of my
+ time, but you have never given me a job I liked less. I mean, there is
+ something very appealing about her, and I hated to think that I was
+ playing a double game. However, without actually agreeing to see me again,
+ she told me enough to enable me to meet her &ldquo;accidentally,&rdquo; if I wanted
+ to. Therefore, I am going to look out for her this evening, and probably
+ take her to a picture palace, or somewhere where we can have a quiet talk.
+ She seems to be fancy free, and for some reason I feel sorry for the girl.
+ I don't altogether like the job, but I hope to justify your faith in me,
+ Chief.
+ </p>
+ <p>
+ I will prepare my official report this evening when I return.
+ </p>
+ <p>
+ Yours obediently,&mdash;JOHN DURHAM.
+ </p>
+ <p>
+ <a name="link2H_4_0006" id="link2H_4_0006">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ V
+ </h2>
+ <h3>
+ LALA HUANG
+ </h3>
+ <p>
+ &ldquo;No,&rdquo; said Lala Huang, &ldquo;I don't like London&mdash;not this part of
+ London.&rdquo;
+ </p>
+ <p>
+ &ldquo;Where would you rather be?&rdquo; asked Durham. &ldquo;In China?&rdquo;
+ </p>
+ <p>
+ Dusk had dropped its merciful curtain over Limehouse, and as the two paced
+ slowly along West India Dock Road it seemed to the detective that a sort
+ of glamour had crept into the scene.
+ </p>
+ <p>
+ He was a clever man within his limitations, and cultured up to a point;
+ but he was not philosopher enough to know that he viewed the purlieus of
+ Limehouse through a haze of Oriental mystery conjured up by the
+ conversation of his companion. Temple bells there were in the clangour of
+ the road cars. The smoke-stacks had a semblance of pagodas. Burma she had
+ conjured up before him, and China, and the soft islands where she had
+ first seen the light. For as well as a streak of European, there was
+ Kanaka blood in Lala, which lent her an appeal quite new to Durham,
+ insidious and therefore dangerous.
+ </p>
+ <p>
+ &ldquo;Not China,&rdquo; she replied. &ldquo;Somehow I don't think I shall ever see China
+ again. But my father is rich, and it is dreadful to think that we live
+ here when there are so many more beautiful places to live in.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then why does he stay?&rdquo; asked Durham with curiosity.
+ </p>
+ <p>
+ &ldquo;For money, always for money,&rdquo; answered Lala, shrugging her shoulders.
+ &ldquo;Yet if it is not to bring happiness, what good is it?&rdquo;
+ </p>
+ <p>
+ &ldquo;What good indeed?&rdquo; murmured Durham.
+ </p>
+ <p>
+ &ldquo;There is no fun for me,&rdquo; said the girl pathetically. &ldquo;Sometimes someone
+ nice comes to do business, but mostly they are Jews, Jews, always Jews,
+ and&mdash;&mdash;&mdash;&rdquo; Again she shrugged eloquently.
+ </p>
+ <p>
+ Durham perceived the very opening for which he had been seeking..
+ </p>
+ <p>
+ &ldquo;You evidently don't like Jews,&rdquo; he said endeavouring to speak lightly.
+ </p>
+ <p>
+ &ldquo;No,&rdquo; murmured the girl, &ldquo;I don't think I do. Some are nice, though. I
+ think it is the same with every kind of people&mdash;there are good and
+ bad.&rdquo;
+ </p>
+ <p>
+ &ldquo;Were you ever in America?&rdquo; asked Durham.
+ </p>
+ <p>
+ &ldquo;No.&rdquo;
+ </p>
+ <p>
+ &ldquo;I was just thinking,&rdquo; he explained, &ldquo;that I have known several American
+ Jews who were quite good fellows.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes?&rdquo; said Lala, looking up at him naively, &ldquo;I met one not long ago. He
+ was not nice at all.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh!&rdquo; exclaimed Durham, startled by this admission, which he had not
+ anticipated. &ldquo;One of your father's customers?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, a man named Cohen.&rdquo;
+ </p>
+ <p>
+ &ldquo;Cohen?&rdquo;
+ </p>
+ <p>
+ &ldquo;A funny little chap,&rdquo; continued the girl. &ldquo;He tried to make love to me.&rdquo;
+ She lowered her lashes roguishly. &ldquo;I knew all along he was pretending. He
+ was a thief, I think. I was afraid of him.&rdquo;
+ </p>
+ <p>
+ Durham did some rapid thinking, then:
+ </p>
+ <p>
+ &ldquo;Did you say his name was Cohen?&rdquo; he asked.
+ </p>
+ <p>
+ &ldquo;That was the name he gave.&rdquo;
+ </p>
+ <p>
+ &ldquo;A man named Cohen, an American, was found dead in the river quite
+ recently.&rdquo;
+ </p>
+ <p>
+ Lala stopped dead and clutched his arm.
+ </p>
+ <p>
+ &ldquo;How do you know?&rdquo; she demanded.
+ </p>
+ <p>
+ &ldquo;There was a paragraph in this morning's paper.&rdquo;
+ </p>
+ <p>
+ She hesitated, then:
+ </p>
+ <p>
+ &ldquo;Did it describe him?&rdquo; she asked.
+ </p>
+ <p>
+ &ldquo;No,&rdquo; replied Durham, &ldquo;I don't think it did in detail. At least, the only
+ part of the description which I remember is that he wore a large and
+ valuable diamond on his left hand.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh!&rdquo; whispered Lala.
+ </p>
+ <p>
+ She released her grip of Durham's arm and went on.
+ </p>
+ <p>
+ &ldquo;What?&rdquo; he asked. &ldquo;Did you think it was someone you knew?&rdquo;
+ </p>
+ <p>
+ &ldquo;I did know him,&rdquo; she replied simply. &ldquo;The man who was found drowned. It
+ is the same. I am sure now, because of the diamond ring. What paper did
+ you read it in? I want to read it myself.&rdquo;
+ </p>
+ <p>
+ &ldquo;I'm afraid I can't remember. It was probably the Daily Mail.&rdquo;
+ </p>
+ <p>
+ &ldquo;Had he been drowned?&rdquo;
+ </p>
+ <p>
+ &ldquo;I presume so&mdash;yes,&rdquo; replied Durham guardedly.
+ </p>
+ <p>
+ Lala Huang was silent for some time while they paced on through the dusk.
+ Then:
+ </p>
+ <p>
+ &ldquo;How strange!&rdquo; she said in a low voice.
+ </p>
+ <p>
+ &ldquo;I am sorry I mentioned it,&rdquo; declared Durham. &ldquo;But how was I to know it
+ was your friend?&rdquo;
+ </p>
+ <p>
+ &ldquo;He was no friend of mine,&rdquo; returned the girl sharply. &ldquo;I hated him. But
+ it is strange nevertheless. I am sure he intended to rob my father.&rdquo;
+ </p>
+ <p>
+ &ldquo;And is that why you think it strange?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; she said, but her voice was almost inaudible.
+ </p>
+ <p>
+ They were come now to the narrow street communicating with the courtway in
+ which the great treasure-house of Huang Chow was situated, and Lala
+ stopped at the corner.
+ </p>
+ <p>
+ &ldquo;It was nice of you to walk along with me,&rdquo; she said. &ldquo;Do you live in
+ Limehouse?&rdquo;
+ </p>
+ <p>
+ &ldquo;No,&rdquo; replied Durham, &ldquo;I don't. As a matter of fact, I came down here
+ to-night in the hope of seeing you again.&rdquo;
+ </p>
+ <p>
+ &ldquo;Did you?&rdquo;
+ </p>
+ <p>
+ The girl glanced up at him doubtfully, and his distaste for the task set
+ him by his superior increased with the passing of every moment. He was a
+ man of some imagination, a great reader, and ambitious professionally. He
+ appreciated the fact that Chief Inspector Kerry looked for great things
+ from him, but for this type of work he had little inclination.
+ </p>
+ <p>
+ There was too much chivalry in his make-up to enable him to play upon a
+ woman's sentiments, even in the interests of justice. By whatever means
+ the man Cohen had met his death, and whether or no the Chinaman Pi Lung
+ had died by the same hand, Lala Huang was innocent of any complicity in
+ these matters, he was perfectly well assured.
+ </p>
+ <p>
+ Doubts were to come later when he was away from her, when he had had
+ leisure to consider that she might regard him in the light of a third
+ potential rifler of her father's treasure-house. But at the moment,
+ looking down into her dark eyes, he reproached himself and wondered where
+ his true duty lay.
+ </p>
+ <p>
+ &ldquo;It is so gray and dull and sordid here,&rdquo; said the girl, looking down the
+ darkened street. &ldquo;There is no one much to talk to.&rdquo;
+ </p>
+ <p>
+ &ldquo;But you have your business interests to keep you employed during the day,
+ after all.&rdquo;
+ </p>
+ <p>
+ &ldquo;I hate it all. I hate it all.&rdquo;
+ </p>
+ <p>
+ &ldquo;But you seem to have perfect freedom?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes. My mother, you see, was not Chinese.&rdquo;
+ </p>
+ <p>
+ &ldquo;But you wish to leave Limehouse?&rdquo;
+ </p>
+ <p>
+ &ldquo;I do. I do. Just now it is not so bad, but in the winter how I tire of
+ the gray skies, the endless drizzling rain. Oh!&rdquo; She shrank back into the
+ shadow of a doorway, clutching at Durham's arm. &ldquo;Don't let Ah Fu see me.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah Fu? Who is Ah Fu?&rdquo; asked Durham, also drawing back as a furtive figure
+ went slinking down the opposite side of the street.
+ </p>
+ <p>
+ &ldquo;My father's servant. He let you in this morning.&rdquo;
+ </p>
+ <p>
+ &ldquo;And why must he not see you?&rdquo;
+ </p>
+ <p>
+ &ldquo;I don't trust him. I think he tells my father things.&rdquo;
+ </p>
+ <p>
+ &ldquo;What is it that he carries in his hand?&rdquo;
+ </p>
+ <p>
+ &ldquo;A birdcage, I expect.&rdquo;
+ </p>
+ <p>
+ &ldquo;A birdcage?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes!&rdquo;
+ </p>
+ <p>
+ He caught the gleam of her eyes as she looked up at him out of the shadow.
+ </p>
+ <p>
+ &ldquo;Is he, then, a bird-fancier?&rdquo;
+ </p>
+ <p>
+ &ldquo;No, no, I can't explain because I don't understand myself. But Ah Fu goes
+ to a place in Shadwell regularly and buys young birds, always very young
+ ones and very little ones.&rdquo;
+ </p>
+ <p>
+ &ldquo;For what or for whom?&rdquo;
+ </p>
+ <p>
+ &ldquo;I don't know.&rdquo;
+ </p>
+ <p>
+ &ldquo;Have you an aviary in your house?&rdquo;
+ </p>
+ <p>
+ &ldquo;No.&rdquo;
+ </p>
+ <p>
+ &ldquo;Do you mean that they disappear, these purchases of Ah Fu's?&rdquo;
+ </p>
+ <p>
+ &ldquo;I often see him carrying a cage of young birds, but we have no birds in
+ the house.&rdquo;
+ </p>
+ <p>
+ &ldquo;How perfectly extraordinary!&rdquo; muttered Durham.
+ </p>
+ <p>
+ &ldquo;I distrust Ah Fu,&rdquo; whispered the girl. &ldquo;I am glad he did not see me with
+ you.&rdquo;
+ </p>
+ <p>
+ &ldquo;Young birds,&rdquo; murmured Durham absently. &ldquo;What kind of young birds? Any
+ particular breed?&rdquo;
+ </p>
+ <p>
+ &ldquo;No; canaries, linnets&mdash;all sorts. Isn't it funny?&rdquo; The girl laughed
+ in a childish way. &ldquo;And now I think Ah Fu will have gone in, so I must say
+ good night.&rdquo;
+ </p>
+ <p>
+ But when presently Detective Durham found himself walking back along West
+ India Dock Road, his mind's eye was set upon the slinking figure of a
+ Chinaman carrying a birdcage.
+ </p>
+ <p>
+ <a name="link2H_4_0007" id="link2H_4_0007">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ VI
+ </h2>
+ <h3>
+ A HINT OF INCENSE
+ </h3>
+ <p>
+ One Chinaman more or less does not make any very great difference to the
+ authorities responsible for maintaining law and order in Limehouse.
+ Asiatic settlers are at liberty to follow their national propensities, and
+ to knife one another within reason. This is wisdom. Such recreations are
+ allowed, if not encouraged, by all wise rulers of Eastern peoples.
+ </p>
+ <p>
+ &ldquo;Found drowned,&rdquo; too, is a verdict which has covered many a dark mystery
+ of old Thames, but &ldquo;Found in the river, death having been due to the
+ action of some poison unknown,&rdquo; is a finding which even in the case of a
+ Chinaman is calculated to stimulate the jaded official mind.
+ </p>
+ <p>
+ New Scotland Yard had given Durham a roving commission, and had been
+ justified in the fact that the second victim, and this time not a
+ Chinaman, had been found under almost identical conditions. The link with
+ the establishment of Huang Chow was incomplete, and Durham fully
+ recognized that it was up to him to make it sound and incontestable.
+ </p>
+ <p>
+ Jim Poland was not the only man in the East End who knew that the dead
+ Chinaman had been in negotiation with Huang Chow. Kerry knew it, and had
+ passed the information on to Durham.
+ </p>
+ <p>
+ Some mystery surrounded the life of the old dealer, who was said to be a
+ mandarin of high rank, but his exact association with the deaths first of
+ the Chinaman Pi Lung, and second of Cohen, remained to be proved. Certain
+ critics have declared the Metropolitan detective service to be obsolete
+ and inefficient. Kerry, as a potential superintendent, resented these
+ criticisms, and in his protege Durham, perceived a member of the new
+ generation who was likely in time to produce results calculated to remove
+ this stigma.
+ </p>
+ <p>
+ Durham recognized that a greater responsibility rested upon his shoulders
+ than the actual importance of the case might have indicated; and now,
+ proceeding warily along the deserted streets, he found his brain to be
+ extraordinarily active and his imagination very much alive.
+ </p>
+ <p>
+ There is a night life in Limehouse, as he had learned, but it is a mole
+ life, a subterranean life, of which no sign appears above ground after a
+ certain hour. Nevertheless, as he entered the area which harbours those
+ strange, hidden resorts the rumour of which has served to create the
+ glamour of Chinatown, he found himself to be thinking of the great
+ influence said to be wielded by Huang Chow, and wondering if unseen spies
+ watched his movements.
+ </p>
+ <p>
+ Lala was Oriental, and now, alone in the night, distrust leapt into being
+ within him. He had been attracted by her and had pitied her. He told
+ himself now that this was because of her dark beauty and the essentially
+ feminine appeal which she made. She was perhaps a vampire of the most
+ dangerous sort, one who lured men to strange deaths for some sinister
+ object beyond reach of a Western imagination.
+ </p>
+ <p>
+ He found himself doubting the success of those tactics upon which, earlier
+ in the day, he had congratulated himself. Perhaps beneath the guise of
+ Hampden, who bought antique furniture on commission, those cunning old
+ eyes beneath the horn-rimmed spectacles had perceived the detective
+ hidden, or at least had marked subterfuge.
+ </p>
+ <p>
+ While he could not count Lala a conquest&mdash;for he had not even
+ attempted to make love to her&mdash;the ease with which he had developed
+ the acquaintance now, afforded matter for suspicion.
+ </p>
+ <p>
+ At the entrance to the court communicating with the establishment of Huang
+ Chow he paused, looking cautiously about him. The men on the Limehouse
+ beats had been warned of the investigation afoot tonight, and there was a
+ plain-clothes man on point duty at no great distance away, although
+ carefully hidden, so that Durham had quite failed to detect his presence.
+ </p>
+ <p>
+ Durham wore rough clothes and rubber-soled shoes; and now, as he entered
+ the court, he was thinking of the official report of the police sergeant
+ who, not so many hours before, had paid a visit to the house of Huang Chow
+ in order to question him respecting his knowledge of the dead man Cohen,
+ and to learn when last he had seen him.
+ </p>
+ <p>
+ Old Huang, who had received his caller in the large room upstairs, the
+ room which boasted the presence of the writing-dais, had exhibited no
+ trace of confusion, assuring the sergeant that he had not seen the man
+ Cohen for several days. Cohen had come to him with an American
+ introduction, which he, Huang, believed to be forged, and had wanted him
+ to undertake a shady agency, respecting the details of which he remained
+ peculiarly reticent. In short, nothing had been gained by this official
+ interrogation, and Huang blandly denied any knowledge of an attempted
+ burglary of his establishment.
+ </p>
+ <p>
+ &ldquo;What have I to lose?&rdquo; he had asked the inquirer. &ldquo;A lot of old lumber
+ which I have accumulated during many years, and a reputation for being
+ wealthy, due to my lonely habits and to the ignorance of those who live
+ around me.&rdquo;
+ </p>
+ <p>
+ Durham, mentally reviewing the words of the report, reconstructed the
+ scene in his mind; and now, having come to the end of the lane where the
+ iron post rested, he stood staring up at a place in the ancient wall where
+ several bricks had decayed, and where it was possible, according to the
+ statement of the man Poland, to climb up on to a piece of sloping roof,
+ and thence gain the skylight through which Cohen had obtained admittance
+ on the night of his death.
+ </p>
+ <p>
+ He made sure that his automatic pistol was in his pocket, questioned the
+ dull sounds of the riverside for a moment, looking about him anxiously,
+ and then, using the leaning post as a stepping-stone, he succeeded in
+ wedging his foot into a crevice in the wall. By the exercise of some
+ agility he scrambled up to the top, and presently found himself lying upon
+ a sloping roof.
+ </p>
+ <p>
+ The skylight remained well out of reach, but his rubber-soled shoes
+ enabled him to creep up the slates until he could grasp the framework with
+ his hands. Presently he found himself perched upon the trap which, if his
+ information could be relied upon, possessed no fastener, or one so faulty
+ that the trap could be raised by means of a brad-awl. He carried one in
+ his pocket, and, screwing it into the framework, he lifted it cautiously,
+ making very little noise.
+ </p>
+ <p>
+ The trap opened, and up to his nostrils there stole a queer, indefinable
+ odour, partly that which belongs to old Oriental furniture and stuffs, but
+ having mingled with it a hint of incense and of something else not so
+ easily named. He recognized the smell of that strange store-room, which,
+ as Mr. Hampden, he had recently visited.
+ </p>
+ <p>
+ For one moment he thought he could detect the distant note of a bell. But,
+ listening, he heard nothing, and was reassured.
+ </p>
+ <p>
+ He rested the trap back against the frame, and shone the ray of an
+ electric torch down into the darkness beneath him. The light fell upon the
+ top of a low carven table, dragon-legged and gilded. Upon it rested the
+ model pagoda constructed of human teeth, and there was something in this
+ discovery which made Durham feel inclined to shudder. However, the impulse
+ was only a passing one.
+ </p>
+ <p>
+ He measured the distance with his eye. The little table stood beside a
+ deep divan, and he saw that with care it would be possible to drop upon
+ this divan without making much noise. He calculated its exact position
+ before replacing the torch in his pocket, and then, resting back against
+ one side of the frame, he clutched the other with his hands. He wriggled
+ gradually down until further purchase became impossible. He then let
+ himself drop, and swung for a moment by his hands before releasing his
+ hold.
+ </p>
+ <p>
+ He fell, as he had calculated, upon the divan. It creaked ominously.
+ Catching his foot in the cushions, he stumbled and lay forward for a
+ moment upon his face, listening intently.
+ </p>
+ <p>
+ The room was very hot but nothing stirred.
+ </p>
+ <p>
+ <a name="link2H_4_0008" id="link2H_4_0008">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ VII
+ </h2>
+ <h3>
+ THE SCUFFLING SOUND
+ </h3>
+ <p>
+ Detective Durham, as he lay there inhaling the peculiar perfume of the
+ place, recognized that he had put himself outside the pale of official
+ protection, and was become technically a burglar.
+ </p>
+ <p>
+ He wondered if Chief Inspector Kerry would have approved; but he had
+ outlined this plan of investigation for himself, and knew well that, if it
+ were crowned by success, the end would be regarded as having justified the
+ means. On the other hand, in the event of detention he must personally
+ bear the consequences of such irregular behaviour. He knew well, however,
+ that his celebrated superior had achieved promotion by methods at least as
+ irregular; and he knew that if he could but obtain evidence to account for
+ the death of the man Cohen, and of the Chinaman Pi Lung, who had preceded
+ him by the same mysterious path, the way of his obtaining it would not be
+ too closely questioned.
+ </p>
+ <p>
+ He was an ambitious man, and consequently one who took big chances.
+ Nothing disturbed the silence; he sat upon the divan and again pressed the
+ button of his torch, shining it all about the low-beamed apartment and
+ peering curiously into the weird shadows of the place. He calculated he
+ was now in the position which Cohen had occupied during the last moments
+ of his life, and a sense of the uncanny touched him coldly.
+ </p>
+ <p>
+ As he thought of the unnatural screams spoken of by Poland, some strange
+ instinct prompted him to curl up his feet upon the divan again, as though
+ a secret menace crawled upon the floor amid its many rugs and carpets.
+ </p>
+ <p>
+ He must now endeavour to reconstruct the plan upon which the American
+ cracksman had operated. Poland had a persistent belief that Cohen had
+ known where the fabled hoard of Huang Chow was concealed.
+ </p>
+ <p>
+ Durham began a deliberate inspection of the place. He thought it unlikely
+ that a wily old Chinaman, assuming that he possessed hidden wealth, would
+ keep it in so accessible a spot as this. It was far more probable that he
+ had a fireproof safe in the room upstairs, perhaps built into the wall.
+ Yet, according to Poland's account, it was in this room and not in any
+ other that death came to Diamond Fred.
+ </p>
+ <p>
+ The wall-hangings first engaged Durham's attention. He moved them aside
+ systematically, one after another, seeking for any hiding-place, but
+ failing to find one. The door communicating with the outer office he found
+ to be locked, but he did not believe for a moment that the office would be
+ worthy of inspection.
+ </p>
+ <p>
+ There were cases containing jewelled weapons and cups and goblets inlaid
+ with precious stones, but none of these seemed to have been tampered with,
+ and all were locked, as was the big cabinet filled with snuff bottles.
+ </p>
+ <p>
+ Many of the larger pieces about the place contained drawers and cupboards,
+ and these he systematically opened one after another, without making any
+ discovery of note. Some of the cupboards contained broken pieces of
+ crockery, and more or less damaged curios of one kind and another, but
+ none of them gave him the clue for which he was seeking.
+ </p>
+ <p>
+ He examined the couch upon which Huang Chow had been seated when first he
+ had met him, but although he searched it scientifically he was rewarded by
+ no discovery.
+ </p>
+ <p>
+ A very fusty and unpleasant smell was more noticeable at this point than
+ elsewhere in the room, and he found himself staring speculatively up the
+ wide, carpeted stairs. Next he turned his attention to the lacquered
+ coffin which occupied the corresponding recess to that filled by the
+ couch. It was an extraordinarily ornate piece of lacquer work and probably
+ of great value.
+ </p>
+ <p>
+ The lid appeared to be screwed on, and Durham stood staring at the thing,
+ half revolted and half fascinated. He failed to discover any means of
+ opening it, however, and when he tried to move it bodily found it very
+ heavy. He came to the conclusion that all the portable valuables were
+ contained in locked cases or cabinets, and out of this discovery grew an
+ idea.
+ </p>
+ <p>
+ The case containing the snuff bottles stood too close to the wall to
+ enable him to test his new theory, but a square case near the office door,
+ in which were five of six small but almost priceless pieces of porcelain,
+ afforded the very evidence for which he was looking.
+ </p>
+ <p>
+ Thin electric flex descended from somewhere inside the case down one of
+ the legs of the pedestal, and through a neatly drilled hole in the floor,
+ evidently placed there to accommodate it.
+ </p>
+ <p>
+ &ldquo;Burglar alarm!&rdquo; he muttered.
+ </p>
+ <p>
+ The opening of this case, and doubtless of any of the others, would set
+ alarm bells ringing. This was not an unimportant discovery, but it brought
+ him very little nearer to a solution of the chief problem which engaged
+ his mind. Assuming that Cohen had opened one of the cases and had alarmed
+ old Huang Chow, what steps had the latter taken to deal with the intruder
+ which had resulted in so ghastly a death? And how had he disposed of the
+ body?
+ </p>
+ <p>
+ As Durham stood there musing and looking down through the plate-glass at
+ the delicate porcelain beneath, a faint sound intruded itself upon the
+ stillness. It gave him another idea. Part of the floor was stone-paved,
+ but part was wood.
+ </p>
+ <p>
+ Upon a portion of the latter, where no carpet rested, Durham dropped flat,
+ pressing his ear to the floor.
+ </p>
+ <p>
+ A faint swishing and trickling sound was perceptible from some place
+ beneath.
+ </p>
+ <p>
+ &ldquo;Ah!&rdquo; he murmured.
+ </p>
+ <p>
+ Remembering that the premises almost overhung the Thames, he divined that
+ the cellars were flooded at high tide, or that there was some kind of
+ drain or cutting running underneath the house.
+ </p>
+ <p>
+ He stood up again, listening intently for any sound within the building.
+ He thought he had detected something, and now, as he stood there alert, he
+ heard it again&mdash;a faint scuffling, which might have been occasioned
+ by rats or even mice, but which, in some subtle and very unpleasant way,
+ did not suggest the movements of these familiar rodents.
+ </p>
+ <p>
+ Even as he perceived it, it ceased, leaving him wondering, and
+ uncomfortably conscious of a sudden dread of his surroundings. He wondered
+ in what part of this mysterious house Lala resided, and recognizing that
+ his departure must leave traces, he determined to prosecute his inquiries
+ as far as possible, since another opportunity might not arise.
+ </p>
+ <p>
+ He was baffled but still hopeful. Something there was in the smell of the
+ place which threatened to unnerve him; or perhaps in its silence, which
+ remained quite unbroken save when, by acute listening, one detected the
+ dripping of water.
+ </p>
+ <p>
+ That unexplained scuffling sound, too, which he had failed to trace or
+ identify, lingered in his memory insistently, and for some reason
+ contained the elements of fear.
+ </p>
+ <p>
+ He crossed the room and began softly to mount the stair. It creaked only
+ slightly, and the door at the top proved to be ajar. He peeped in, to find
+ the place empty. It was a typical Chinese apartment, containing very
+ little furniture, the raised desk being the most noticeable item, except
+ for a small shrine which faced it on the other side of the room.
+ </p>
+ <p>
+ He mounted the steps to the desk and inspected a number of loose papers
+ which lay upon it. Without exception they were written in Chinese. A sort
+ of large, dull white blotting-pad lay upon the table, but its surface was
+ smooth and glossy.
+ </p>
+ <p>
+ Over it was suspended what looked like a lampshade, but on inspection it
+ proved to contain no lamp, but to communicate, by a sort of funnel, with
+ the ceiling above.
+ </p>
+ <p>
+ At this contrivance Durham stared long and curiously, but without coming
+ to any conclusion respecting its purpose. He might have investigated
+ further, but he became aware of a dull and regular sound in the room
+ behind him.
+ </p>
+ <p>
+ He turned in a flash, staring in the direction of two curtains draped
+ before what he supposed to be a door.
+ </p>
+ <p>
+ On tiptoe he crossed and gently drew the curtains aside.
+ </p>
+ <p>
+ He looked into a small, cell-like room, lighted by one window, where upon
+ a low bed Huang Chow lay sleeping peacefully!
+ </p>
+ <p>
+ Durham almost held his breath; then, withdrawing as quietly as he had
+ approached, he descended the stair. At the foot his attention was again
+ arrested by the faint scuffling sound. It ceased as suddenly as it had
+ begun, leaving him wondering and conscious anew of a chill of
+ apprehension.
+ </p>
+ <p>
+ He had already made his plans for departure, but knew that they must leave
+ evidence, when discovered, of his visit.
+ </p>
+ <p>
+ A large and solid table stood near the divan, and he moved this
+ immediately under the trap. Upon it he laid a leopard-skin to deaden any
+ noise he might make, and then upon the leopard-skin he set a massive
+ chair: he replaced his torch in his pocket and drew himself up on to the
+ roof again. Reclosing the trap by means of the awl which he had screwed
+ into it, he removed the awl and placed it in his pocket.
+ </p>
+ <p>
+ Then, sliding gently down the sloping roof, he dropped back into the
+ deserted court.
+ </p>
+ <p>
+ <a name="link2H_4_0009" id="link2H_4_0009">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ VIII
+ </h2>
+ <h3>
+ A CAGE OF BIRDS
+ </h3>
+ <p>
+ &ldquo;No,&rdquo; said Lala, &ldquo;we have never had robbers in the house.&rdquo; She looked up
+ at Durham naively. &ldquo;You are not a thief, are you?&rdquo; she asked.
+ </p>
+ <p>
+ &ldquo;No, I assure you I am not,&rdquo; he answered, and felt himself flushing to the
+ roots of his hair.
+ </p>
+ <p>
+ They were seated in a teashop patronized by the workers of the district;
+ and as Durham, his elbows resting on the marble-topped table, looked into
+ the dark eyes of his companion, he told himself again that whatever might
+ be the secrets of old Huang Chow, his daughter did not share them.
+ </p>
+ <p>
+ The Chinaman had made no report to the authorities, although the piled up
+ furniture beneath the skylight must have afforded conclusive evidence that
+ a burglarious entry had been made into the premises.
+ </p>
+ <p>
+ &ldquo;I should feel very nervous,&rdquo; Durham declared, &ldquo;with all those valuables
+ in the house.&rdquo;
+ </p>
+ <p>
+ &ldquo;I feel nervous about my father,&rdquo; the girl answered in a low voice. &ldquo;His
+ room opens out of the warehouse, but mine is shut away in another part of
+ the building. And Ah Fu sleeps behind the office.&rdquo;
+ </p>
+ <p>
+ &ldquo;Were you not afraid when you suspected that Cohen was a burglar? You told
+ me yourself that you did suspect him.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, I spoke to my father about it.&rdquo;
+ </p>
+ <p>
+ &ldquo;And what did he say?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh&rdquo;&mdash;she shrugged her shoulders&mdash;&ldquo;he just smiled and told me
+ not to worry.&rdquo;
+ </p>
+ <p>
+ &ldquo;And that was the last you heard about the matter?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, until you told me he was dead.&rdquo;
+ </p>
+ <p>
+ Again he questioned the dark eyes and again was baffled. He felt tempted,
+ and not for the first time, to throw up the case. After all, it rested
+ upon very slender data&mdash;the mysterious death of a Chinaman whose
+ history was unknown and the story of a crook whose word was worth nothing.
+ </p>
+ <p>
+ Finally he asked himself, as he had asked himself before, what did it
+ matter? If old Huang Chow had disposed of these people in some strange
+ manner, they had sought to rob him. The morality of the case was
+ complicated and obscure, and more and more he was falling under the spell
+ of Lala's dark eyes.
+ </p>
+ <p>
+ But always it was his professional pride which came to the rescue. Murder
+ had been done, whether justifiably or otherwise, and to him had been
+ entrusted the discovery of the murderer. It seemed that failure was to be
+ his lot, for if Lala knew anything she was a most consummate actress, and
+ if she did not, his last hope of information was gone.
+ </p>
+ <p>
+ He would have liked nothing better than to be rid of the affair, provided
+ he could throw up the case with a clear conscience. But when presently he
+ parted from the attractive Eurasian, and watched her slim figure as,
+ turning, she waved her hand and disappeared round a corner, he knew that
+ rest was not for him.
+ </p>
+ <p>
+ He had discovered the emporium of a Shadwell live-stock dealer with whom
+ Ah Fu had a standing order for newly fledged birds of all descriptions.
+ Purchases apparently were always made after dusk, and Ah Fu with his
+ birdcage was due that evening.
+ </p>
+ <p>
+ A scheme having suggested itself to Durham, he now proceeded to put it
+ into execution, so that when dusk came, and Ah Fu, carrying an empty
+ birdcage, set out from the house of Huang Chow, a very dirty-looking
+ loafer passed the corner of the street at about the time that the Chinaman
+ came slinking out.
+ </p>
+ <p>
+ Durham had mentally calculated that Ah Fu would be gone about half an hour
+ upon his mysterious errand, but the Chinaman travelled faster than he had
+ calculated.
+ </p>
+ <p>
+ Just as he was about to climb up once more on to the sloping roof, he
+ heard the pattering footsteps returning to the courtyard, although rather
+ less than twenty minutes had elapsed since the man had set out.
+ </p>
+ <p>
+ Durham darted round the corner and waited until he heard the door closed;
+ then, returning, he scrambled up on to the roof, creeping forward until he
+ was lying looking down through the skylight into the darkened room below.
+ </p>
+ <p>
+ For ten minutes or more he waited, until he began to feel cramped and
+ uncomfortable. Then that happened which he had hoped and anticipated would
+ happen. The place beneath became illuminated, not fully, by means of the
+ hanging lamps, but dimly so that distorted shadows were cast about the
+ floor. Someone had entered carrying a lantern.
+ </p>
+ <p>
+ Durham's view-point limited his area of vision, but presently, as the
+ light came nearer and nearer, he discerned Ah Fu, carrying a lantern in
+ one hand and a birdcage in the other. He could hear nothing, for the trap
+ fitted well and the glass was thick. Moreover, it was very dirty. He was
+ afraid, however, to attempt to clean a space.
+ </p>
+ <p>
+ Ah Fu apparently had set the lantern upon a table, and into the radius of
+ its light there presently moved a stooping figure. Durham recognized Huang
+ Chow, and felt his heart beats increasing in rapidity.
+ </p>
+ <p>
+ Clutching the framework of the trap with his hands, he moved his head
+ cautiously, so that presently he was enabled to see the two Chinamen. They
+ were standing beside the lacquered coffin upon its dragon-legged pedestal.
+ Durham stifled an exclamation.
+ </p>
+ <p>
+ One end of the ornate sarcophagus had been opened in some way!
+ </p>
+ <p>
+ Now, to the watcher's unbounded astonishment, Ah Fu placed the birdcage in
+ the opening, and apparently reclosed the trap in the end of the coffin. He
+ made other manipulations with his bony yellow fingers, which Durham failed
+ to comprehend. Finally the birdcage was withdrawn again, and as it was
+ passed before the light of the lantern he saw that it was empty, whereas
+ previously it had contained a number of tiny birds all huddled up
+ together!
+ </p>
+ <p>
+ The light gleamed upon the spectacles of Huang Chow. Watching him, Durham
+ saw him take out from a hidden drawer in the pedestal a long, slender key,
+ insert it in a lock concealed by the ornate carving, and then slightly
+ raise the lid which had so recently defied his own efforts.
+ </p>
+ <p>
+ He raised it only a few inches, and then, taking up the lantern, peered
+ into the interior of the coffin, at the same time waving his hand in
+ dismissal to Ah Fu. For a while he stood there, peering into the interior,
+ and then, lowering the lid again, he relocked this gruesome receptacle
+ and, lantern in hand, began to mount the stair.
+ </p>
+ <p>
+ Durham inhaled deeply. He realized that during the last few seconds he had
+ been holding his breath. Now, as he began to creep back down the slope, he
+ discovered that his hands were shaking.
+ </p>
+ <p>
+ He dropped down into the court again, and for several minutes leaned
+ against the wall, endeavouring to reason out an explanation of what he had
+ seen, and in a measure to regain his composure.
+ </p>
+ <p>
+ There was a horror underlying it all which he was half afraid to face. But
+ the real clue to the mystery still eluded him.
+ </p>
+ <p>
+ Whether what he had witnessed were some kind of obscene ceremony, or
+ whether an explanation more vile must be sought, he remained undetermined.
+ He must repeat his exploit, if possible, and once more gain access to the
+ room which contained the lacquer coffin.
+ </p>
+ <p>
+ But the adventure was very distasteful. He recollected the smell of the
+ place, and the memory brought with it a sense of nausea. He thought of
+ Lala Huang, and his ideas became grotesque and chaotic. Yet the solution
+ of the mystery lay at last within his grasp, and to the zest of the
+ investigator everything else became subjugated.
+ </p>
+ <p>
+ He walked slowly away, silent in his rubber-soled shoes.
+ </p>
+ <p>
+ <a name="link2H_4_0010" id="link2H_4_0010">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ IX
+ </h2>
+ <h3>
+ THE PICTURE ON THE PAD
+ </h3>
+ <p>
+ Lala Huang lay listening to the vague sounds which disturbed the silence
+ of the night. Presently her thoughts made her sigh wearily. During the
+ lifetime of her mother, who had died while Lala was yet a little girl,
+ life had been different and so much brighter.
+ </p>
+ <p>
+ She imagined that in the mingled sounds of dock and river which came to
+ her she could hear the roar of surf upon a golden beach. The stuffy air of
+ Limehouse took on the hot fragrance of a tropic island, and she sighed
+ again, but this time rapturously, for in spirit she was a child once more,
+ lulled by the voice of the great Pacific.
+ </p>
+ <p>
+ Young as she was, the death of her mother had been a blow from which it
+ had taken her several years to recover. Then had commenced those long
+ travels with her father, from port to port, from ocean to ocean, sometimes
+ settling awhile, but ever moving onward, onward.
+ </p>
+ <p>
+ He had had her educated after a fashion, and his love for her she did not
+ doubt. But her mother's blood spoke more strongly than that part of her
+ which was Chinese, and there was softness and a delicious languor in her
+ nature which her father did not seem to understand, and of which he did
+ not appear to approve.
+ </p>
+ <p>
+ She knew that he was wealthy. She knew that his ways were not straight
+ ways, although that part of his business to which he had admitted her as
+ an assistant, and an able one, was legitimate enough, or so it seemed.
+ </p>
+ <p>
+ Consignments of goods arrived at strange hours of the night at the
+ establishment in Limehouse, and from this side of her father's
+ transactions she was barred. The big double doors opening on the little
+ courtyard would be opened by Ah Fu, and packing cases of varying sizes be
+ taken in. Sometimes the sounds of these activities would reach her in her
+ room in a distant part of the house; but only in the morning would she
+ recognize their significance, when in the warehouse she would discover
+ that some new and choice pieces had arrived.
+ </p>
+ <p>
+ She wondered with what object her father accumulated wealth, and hoped,
+ against the promptings of her common sense, that he designed to return
+ East, there to seek a retirement amidst the familiar and the beautiful
+ things of the Orient which belonged to Lala's dream of heaven.
+ </p>
+ <p>
+ Stories about her father often reached her ears. She knew that he had held
+ high rank in China before she had been born; but that he had sacrificed
+ his rights in some way had always been her theory. She had been too young
+ to understand the stories which her mother had told her sometimes; but
+ that there were traits in the character of Huang Chow which it was not
+ good for his daughter to know she appreciated and accepted as a secret
+ sorrow.
+ </p>
+ <p>
+ He allowed her all the freedom to which her education entitled her. Her
+ life was that of a European and not of an Oriental woman. She loved him in
+ a way, but also feared him. She feared the dark and cruel side of his
+ character, of which, at various periods during their life together, she
+ had had terrifying glimpses.
+ </p>
+ <p>
+ She had decided that cruelty was his vice. In what way he gratified it she
+ had never learned, nor did she desire to do so. There were periodical
+ visits from the police, but she had learned long ago that her father was
+ too clever to place himself within reach of the law.
+ </p>
+ <p>
+ However crooked one part of his business methods might be, his dealings
+ with his clients were straight enough, so that no one had any object in
+ betraying him; and the legality or otherwise of his foreign relations
+ evidently afforded no case against him upon which the authorities could
+ act, or upon which they cared to act.
+ </p>
+ <p>
+ In America it had been graft which had protected him. She had learned this
+ accidentally, but never knew whether he bought his immunity in the same
+ way in London.
+ </p>
+ <p>
+ Some of the rumours which reached her were terrifying. Latterly she had
+ met many strange glances in her comings and goings about Limehouse. This
+ peculiar atmosphere had always preceded the break-up of every home which
+ they had shared. She divined the fact that in some way Huang Chow had
+ outstayed his welcome in Chinatown, London. Where their next resting-place
+ would be she could not imagine, but she prayed that it might be in some
+ more sunny clime.
+ </p>
+ <p>
+ She found herself to be thinking over much of John Hampden. His bona fides
+ were not above suspicion, but she could scarcely expect to meet a really
+ white man in such an environment.
+ </p>
+ <p>
+ Lala would have liked to think that he was white, but could not force
+ herself to do so. She would have liked to think that he sought her company
+ because she appealed to him personally; but she had detected the fact that
+ another motive underlay his attentions. She wondered if he could be
+ another of those moths drawn by the light of that fabled wealth of her
+ father.
+ </p>
+ <p>
+ It was curious, she reflected, that Huang Chow never checked&mdash;indeed,
+ openly countenanced&mdash;her friendship with the many chance
+ acquaintances she had made, even when her own instincts told her that the
+ men were crooked; so that, knowing the acumen of her father, she was well
+ aware that he must know it too.
+ </p>
+ <p>
+ Several of these pseudo lovers of hers had died. It was a point which
+ often occurred to her mind, but upon which she did not care to dwell even
+ now. But John Hampden&mdash;John Hampden was different. He was not wholly
+ sincere. She sighed wearily. But nevertheless he was not like some of the
+ others.
+ </p>
+ <p>
+ She started up in bed, seized with a sudden dreadful idea. He was a
+ detective!
+ </p>
+ <p>
+ She understood now why she had found so much that was white in him, but so
+ much that was false. His presence seemed to be very near her. Something
+ caressing in his voice echoed in her mind. She found herself to be
+ listening to the muted sounds of Limehouse and of the waterway which
+ flowed so close beside her.
+ </p>
+ <p>
+ That old longing for the home of her childhood returned tenfold, and tears
+ began to trickle down her cheeks. She was falling in love with this man
+ whose object was her father's ruin. A cold terror clutched at her heart.
+ Even now, while their friendship was so new, so strange, there was a
+ query, a stark, terrifying query, to stand up before her.
+ </p>
+ <p>
+ If put to the test, which would she choose?
+ </p>
+ <p>
+ She was unable to face that issue, and dropped back upon her pillow,
+ stifling a sob.
+ </p>
+ <p>
+ Yes, he was a detective. In some way her father had at last attracted the
+ serious attention of the law. Rumours of this were flying round Chinatown,
+ to which she had not been entirely deaf. She thought of a hundred
+ questions, a hundred silences, and grew more and more convinced of the
+ truth.
+ </p>
+ <p>
+ What did he mean to do? Before her a ghostly company uprose&mdash;the
+ shadows of some she had known with designs upon her father. John Hampden's
+ design was different. But might he not join that mysterious company?
+ </p>
+ <p>
+ Now again she suddenly sprang upright, this time because of a definite
+ sound which had reached her ears from within the house: a very faint,
+ bell-like tinkling which ceased almost immediately. She had heard it one
+ night before, and quite recently; indeed, on the night before she had met
+ John Hampden. Cohen&mdash;Cohen, the Jew, had died that night!
+ </p>
+ <p>
+ She sprang lightly on to the floor, found her slippers, and threw a silk
+ kimono over her nightrobe. She tiptoed cautiously to the door and opened
+ it.
+ </p>
+ <p>
+ It was at this very moment that old Huang Chow, asleep in his cell-like
+ apartment, was aroused by the tinkling of a bell set immediately above his
+ head. He awoke instantly, raised his hand and stopped the bell. His
+ expression, could anyone have been present to see it, was a thing
+ unpleasant to behold. Triumph was in it, and cunning cruelty.
+ </p>
+ <p>
+ His long yellow fingers reached out for his hornrimmed spectacles which
+ lay upon a little table beside him. Adjusting them, he pulled the curtains
+ aside and shuffled silently across the large room.
+ </p>
+ <p>
+ Mounting the steps to the raised writing-table, he rested his elbows upon
+ it, and peered down at that curious blotting-pad which had so provoked the
+ curiosity of Durham. Could Durham have seen it now the mystery must have
+ been solved. It was an ingenious camera obscura apparatus, and dimly
+ depicted upon its surface appeared a reproduction of part of the
+ storehouse beneath! The part of it which was visible was that touched by
+ the light of an electric torch, carried by a man crossing the floor in the
+ direction of the lacquered coffin upon the gilded pedestal!
+ </p>
+ <p>
+ Old Huang Chow chuckled silently, and his yellow fingers clutched the
+ table edge as he moved to peer more closely into the picture.
+ </p>
+ <p>
+ &ldquo;Poor fool!&rdquo; he whispered in Chinese. &ldquo;Poor fool!&rdquo;
+ </p>
+ <p>
+ It was the man who had come with the introduction from Mr. Isaacs&mdash;a
+ new impostor who sought to rob him, who sought to obtain information from
+ his daughter, who had examined his premises last night, and had even
+ penetrated upstairs, so that he, old Huang Chow, had been compelled to
+ disconnect the apparatus and to feign sleep under the scrutiny of the
+ intruder.
+ </p>
+ <p>
+ To-night it would be otherwise. To-night it would be otherwise.
+ </p>
+ <p>
+ <a name="link2H_4_0011" id="link2H_4_0011">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ X
+ </h2>
+ <h3>
+ THE LACQUERED COFFIN
+ </h3>
+ <p>
+ Durham gently raised the trap in the roof of Huang Chow's treasure-house.
+ He was prepared for snares and pitfalls. No sane man, on the evidence
+ which he, Durham, had been compelled to leave behind, would have neglected
+ to fasten the skylight which so obviously afforded a means of entrance
+ into his premises.
+ </p>
+ <p>
+ Therefore, he was expected to return. The devilish mechanism was set ready
+ to receive him. But the artist within him demanded that he should unmask
+ the mystery with his own hands.
+ </p>
+ <p>
+ Moreover, he doubted that an official visit, even now, would yield any
+ results. Old Huang Chow was too cunning for that. If he was to learn how
+ the man Cohen had died, he must follow the same path to the bitter end.
+ But there were men on duty round the house, and he believed that he had
+ placed them so secretly as to deceive even this master of cunning with
+ whom he was dealing.
+ </p>
+ <p>
+ He repeated his exploit, dropping with a dull thud upon the cushioned
+ divan. Then, having lain there listening awhile, he pressed the button of
+ his torch, and, standing up, crept across the room in the direction of the
+ stairway.
+ </p>
+ <p>
+ Here he paused awhile, listening intently. The image of Lala Huang arose
+ before his mind's eye reproachfully, but he crushed the reproach, and
+ advanced until he stood beside the lacquered coffin.
+ </p>
+ <p>
+ He remembered where the key was hidden, and, stooping, he fumbled for a
+ while and then found it. He was acutely conscious of an unnameable fear.
+ He felt that he was watched, and yet was unwilling to believe it. The
+ musty and unpleasant smell which he had noticed before became extremely
+ perceptible.
+ </p>
+ <p>
+ He quietly sought for the hidden lock, and, presently finding it, inserted
+ the key, then paused awhile. He rested his torch upon the cushions of the
+ divan where the light shone directly upon the coffin. Then, having his
+ automatic in his left hand, he turned the key.
+ </p>
+ <p>
+ He had expected now to be able to raise the lid as he had seen Huang Chow
+ do; but the result was far more surprising.
+ </p>
+ <p>
+ The lid, together with a second framework of fine netting, flew open with
+ a resounding bang; and from the interior of the coffin uprose a most
+ abominable stench.
+ </p>
+ <p>
+ Durham started back a step, and as he did so witnessed a sight which
+ turned him sick with horror.
+ </p>
+ <p>
+ Out on to the edge of the coffin leapt the most gigantic spider which he
+ had ever seen in his life! It had a body as big as a man's fist, jet
+ black, with hairy legs like the legs of a crab and a span of a foot or
+ more!
+ </p>
+ <p>
+ A moment it poised there, while he swayed, sick with horror. Then,
+ unhesitatingly, it leapt for his face!
+ </p>
+ <p>
+ He groaned and fired, missed the horror, but diverted its leap, so that it
+ fell with a sickening thud a yard behind him. He turned, staggering back
+ towards the stair, and aware that a light had shone out from somewhere.
+ </p>
+ <p>
+ A door had been opened only a few yards from where he stood, and there,
+ framed in the opening, was Lala Huang, her eyes wide with terror and her
+ gaze set upon him across the room.
+ </p>
+ <p>
+ &ldquo;You!&rdquo; she whispered. &ldquo;You!&rdquo;
+ </p>
+ <p>
+ &ldquo;Go back!&rdquo; he cried hoarsely. &ldquo;Go back! Close the door. You don't
+ understand&mdash;close the door!&rdquo;
+ </p>
+ <p>
+ Her gaze set wildly upon him, Lala staggered forward; stopped dead; looked
+ down at her bare ankle, and then, seeing the thing which had fastened upon
+ her, uttered a piercing shriek which rang throughout the place.
+ </p>
+ <p>
+ At which moment the floor slid away beneath Durham, and he found himself
+ falling&mdash;falling&mdash;and then battling for life in evil-smelling
+ water, amidst absolute darkness.
+ </p>
+ <p>
+ Police whistles were skirling around the house of Huang Chow. As the
+ hidden men came running into the court:
+ </p>
+ <p>
+ &ldquo;You heard the shot?&rdquo; cried the sergeant in charge. &ldquo;I warned him not to
+ go alone. Don't waste time on the door. One man stay on duty there; the
+ rest of you follow me.&rdquo;
+ </p>
+ <p>
+ In a few moments, led by the sergeant, the party came dropping heavily
+ through the skylight into the treasure-house of Huang Chow, in which every
+ lamp was now alight. A trap was open near the foot of the stairs, and from
+ beneath it muffled cries proceeded. In this direction the sergeant headed.
+ Craning over the trap:
+ </p>
+ <p>
+ &ldquo;Hallo, Mr. Durham!&rdquo; he called. &ldquo;Mr. Durham!&rdquo;
+ </p>
+ <p>
+ &ldquo;Get a rope and a ladder,&rdquo; came a faint cry from below. &ldquo;I can just touch
+ bottom with my feet and keep my head above water, but the tide's coming
+ in. Look to the girl, though, first. Look to the girl!&rdquo;
+ </p>
+ <p>
+ The sergeant turned to where, stretched upon a tiger skin before a
+ half-open door, Lala Huang lay, scantily clothed and white as death.
+ </p>
+ <p>
+ Upon one of her bare ankles was a discoloured mark.
+ </p>
+ <p>
+ As the sergeant and another of the men stooped over her a moaning sound
+ drew their attention to the stair, and there, bent and tottering slowly
+ down, was old Huang Chow, his eyes peering through the owl-like glasses
+ vacantly across the room to where his daughter lay.
+ </p>
+ <p>
+ &ldquo;My God!&rdquo; whispered the sergeant, upon one knee beside her. He looked
+ blankly into the face of the other man. &ldquo;She's dead!&rdquo;
+ </p>
+ <p>
+ Two plain-clothes men were busy knotting together tapestries and pieces of
+ rare stuff with which to draw Durham out of the pit; but at these old
+ Huang Chow looked not at all, but gropingly crossed the room, as if he saw
+ imperfectly, or could not believe what he saw. At last he reached the side
+ of the dead girl, stooped, touched her, laid a trembling yellow hand over
+ her heart, and then stood up again, looking from face to face.
+ </p>
+ <p>
+ Ignoring the mingled activities about him, he crossed to the open coffin
+ and began to fumble amongst the putrefying mass of bones and webbing which
+ lay therein. Out from this he presently drew an iron coffer.
+ </p>
+ <p>
+ Carrying it across the room he opened the lid. It was full almost to the
+ top with uncut gems of every variety&mdash;diamonds, rubies, sapphires,
+ emeralds, topaz, amethysts, flashing greenly, redly, whitely. In handfuls
+ he grasped them and sprinkled them upon the body of the dead girl.
+ </p>
+ <p>
+ &ldquo;For you,&rdquo; he crooned brokenly in Chinese. &ldquo;They were all for you!&rdquo;
+ </p>
+ <p>
+ The extemporized rope had just been lowered to Durham, when:
+ </p>
+ <p>
+ &ldquo;My God!&rdquo; cried the sergeant, looking over Huang Chow's shoulder. &ldquo;What's
+ that?&rdquo;
+ </p>
+ <p>
+ He had seen the giant spider, the horror from Surinam, which the Chinaman
+ had reared and fed to guard his treasure and to gratify his lust for the
+ strange and cruel. The insect, like everything else in that house, was
+ unusual, almost unique. It was one of the Black Soldier spiders, by some
+ regarded as a native myth, but actually existing in Surinam and parts of
+ Brazil. A member of the family, Mygale, its sting was more quickly and
+ certainly fatal than that of a rattle-snake. Its instinct was fearlessly
+ to attack any creature, great or small, which disturbed it in its dark
+ hiding-place.
+ </p>
+ <p>
+ Now, with feverish, horrible rapidity it was racing up the tapestries on
+ the other side of the room.
+ </p>
+ <p>
+ &ldquo;Merciful God!&rdquo; groaned the sergeant.
+ </p>
+ <p>
+ Snatching a revolver from his pocket he fired shot after shot. The third
+ hit the thing but did not kill it. It dropped back upon the floor and
+ began to crawl toward the coffin. The sergeant ran across and at close
+ quarters shot it again.
+ </p>
+ <p>
+ Red blood oozed out from the hideous black body and began to form a deep
+ stain upon the carpet.
+ </p>
+ <p>
+ When Durham, drenched but unhurt, was hauled back into the treasure-house,
+ he did not speak, but, scrambling into the room stood&mdash;pallid&mdash;staring
+ dully at old Huang Chow.
+ </p>
+ <p>
+ Huang Chow, upon his knees beside his daughter, was engaged in sprinkling
+ priceless jewels over her still body, and murmuring in Chinese:
+ </p>
+ <p>
+ &ldquo;For you, for you, Lala. They were all for you.&rdquo;
+ </p>
+ <p>
+ <a name="link2H_4_0012" id="link2H_4_0012">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ KERRY'S KID
+ </h2>
+ <p>
+ <a name="link2H_4_0013" id="link2H_4_0013">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ I
+ </h2>
+ <h3>
+ RED KERRY ON DUTY
+ </h3>
+ <p>
+ Chief Inspector Kerry came down from the top of a motor-bus and stood on
+ the sidewalk for a while gazing to right and left along Piccadilly. The
+ night was humid and misty, now threatening fog and now rain. Many
+ travellers were abroad at this Christmas season, the pleasure seekers
+ easily to be distinguished from those whom business had detained in town,
+ and who hurried toward their various firesides. The theatres were
+ disgorging their audiences. Streams of lighted cars bore parties
+ supperward; less pretentious taxicabs formed links in the chain.
+ </p>
+ <p>
+ From the little huddled crowd of more economical theatre-goers who waited
+ at the stopping place of the motor-buses, Kerry detached himself, walking
+ slowly along westward and staring reflectively about him. Opposite the
+ corner of Bond Street he stood still, swinging his malacca cane and gazing
+ fixedly along this narrow bazaar street of the Baghdad of the West. His
+ trim, athletic figure was muffled in a big, double-breasted, woolly
+ overcoat, the collar turned up about his ears. His neat bowler hat was
+ tilted forward so as to shade the fierce blue eyes. Indeed, in that
+ imperfect light, little of the Chief Inspector's countenance was visible
+ except his large, gleaming white teeth, which he constantly revealed in
+ the act of industriously chewing mint gum.
+ </p>
+ <p>
+ He smiled as he chewed. Duty had called him out into the mist, and for
+ once he had obeyed reluctantly. That very afternoon had seen the return of
+ Dan Kerry, junior, home from school for the Christmas vacation, and Dan
+ was the apple of his father's eye.
+ </p>
+ <p>
+ Mrs. Kerry had reserved her dour Scottish comments upon the boy's school
+ report for a more seemly occasion than the first day of his holidays; but
+ Kerry had made no attempt to conceal his jubilation&mdash;almost immoral,
+ his wife had declared it to be&mdash;respecting the lad's athletic record.
+ His work on the junior left wing had gained the commendation of a
+ celebrated international; and Kerry, who had interviewed the gymnasium
+ instructor, had learned that Dan Junior bade fair to become an amateur
+ boxer of distinction.
+ </p>
+ <p>
+ &ldquo;He is faster on his feet than any boy I ever handled,&rdquo; the expert had
+ declared. &ldquo;He hasn't got the weight behind it yet, of course, but he's
+ developing a left that's going to make history. I'm of opinion that there
+ isn't a boy in the seniors can take him on, and I'll say that he's a
+ credit to you.&rdquo;
+ </p>
+ <p>
+ Those words had fallen more sweetly upon the ears of Chief Inspector Kerry
+ than any encomium of the boy's learning could have done. On the purely
+ scholastic side his report was not a good one, admittedly. &ldquo;But,&rdquo; murmured
+ Kerry aloud, &ldquo;he's going to be a man.&rdquo;
+ </p>
+ <p>
+ He remembered that he had promised, despite the lateness of the hour, to
+ telephone the lad directly he had received a certain report, and to tell
+ him whether he might wait up for his return or whether he must turn in.
+ Kerry, stamping his small, neatly shod feet upon the pavement, smiled
+ agreeably. He was thinking of the telephone which recently he had had
+ installed in his house in Brixton. His wife had demanded this as a
+ Christmas box, pointing out how many uneasy hours she would be spared by
+ the installation. Kerry had consented cheerfully enough, for was he not
+ shortly to be promoted to the exalted post of a superintendent of the
+ Criminal Investigation Department?
+ </p>
+ <p>
+ These reflections were cheering and warming; and, waiting until a gap
+ occurred in the stream of cabs and cars, he crossed Piccadilly and
+ proceeded along Bond Street, swinging his shoulders in a manner which
+ would have enabled any constable in the force to recognize &ldquo;Red Kerry&rdquo; at
+ a hundred yards.
+ </p>
+ <p>
+ The fierce eyes scrutinized the occupants of all the lighted cars. At
+ pedestrians also he stared curiously, and at another smaller group of
+ travellers waiting for the buses on the left-hand side of the street he
+ looked hard and long. He pursued his way, acknowledged the salutation of a
+ porter who stood outside the entrance to the Embassy Club, and proceeded,
+ glancing about him right and left and with some evident and definite
+ purpose.
+ </p>
+ <p>
+ A constable standing at the corner of Conduit Street touched his helmet as
+ Kerry passed and the light of an arc-lamp revealed the fierce red face.
+ The Chief Inspector stopped, turned, and:
+ </p>
+ <p>
+ &ldquo;What the devil's the idea?&rdquo; he demanded.
+ </p>
+ <p>
+ He snapped out the words in such fashion that the unfortunate constable
+ almost believed he could see sparks in the misty air.
+ </p>
+ <p>
+ &ldquo;I'm sorry, sir, but recognizing you suddenly like, I&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;You did?&rdquo; the fierce voice interrupted. &ldquo;How long in the force?&rdquo;
+ </p>
+ <p>
+ &ldquo;Six months, sir.&rdquo;
+ </p>
+ <p>
+ &ldquo;Never salute an officer in plain clothes.&rdquo;
+ </p>
+ <p>
+ &ldquo;I know, sir.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then why did you do it?&rdquo;
+ </p>
+ <p>
+ &ldquo;I told you, sir.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then tell me again.&rdquo;
+ </p>
+ <p>
+ &ldquo;I forgot.&rdquo;
+ </p>
+ <p>
+ &ldquo;You're paid to remember; bear it in mind.&rdquo;
+ </p>
+ <p>
+ Kerry tucked his malacca under his arm and walked on, leaving the
+ unfortunate policeman literally stupefied by his first encounter with the
+ celebrated Chief Inspector.
+ </p>
+ <p>
+ Presently another line of cars proclaimed the entrance to a club, and just
+ before reaching the first of these Kerry paused. A man stood in a shadowy
+ doorway, and:
+ </p>
+ <p>
+ &ldquo;Good evening, Chief Inspector,&rdquo; he said quietly.
+ </p>
+ <p>
+ &ldquo;Good evening, Durham. Anything to report?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes. Lou Chada is here again.&rdquo;
+ </p>
+ <p>
+ &ldquo;With whom?&rdquo;
+ </p>
+ <p>
+ &ldquo;Lady Rourke.&rdquo;
+ </p>
+ <p>
+ Kerry stepped to the edge of the pavement and spat out a piece of
+ chewing-gum. From his overcoat pocket he drew a fresh piece, tore off the
+ pink wrapping and placed the gum between his teeth. Then:
+ </p>
+ <p>
+ &ldquo;How long?&rdquo; he demanded.
+ </p>
+ <p>
+ &ldquo;Came to dinner. They are dancing.&rdquo;
+ </p>
+ <p>
+ &ldquo;H'm!&rdquo; The Chief Inspector ranged himself beside the other detective in
+ the shadow of the doorway. &ldquo;Something's brewing, Durham,&rdquo; he said. &ldquo;I
+ think I shall wait.&rdquo;
+ </p>
+ <p>
+ His subordinate stared curiously but made no reply. He was not wholly in
+ his chief's confidence. He merely knew that the name of Lou Chada to Kerry
+ was like a red rag to a bull. The handsome, cultured young Eurasian, fresh
+ from a distinguished university career and pampered by a certain section
+ of smart society, did not conform to Detective Sergeant Durham's idea of a
+ suspect. He knew that Lou was the son of Zani Chada, and he knew that Zani
+ Chada was one of the wealthiest men in Limehouse. But Lou had an expensive
+ flat in George Street; Lou was courted by society butterflies, and in what
+ way he could be connected with the case known as &ldquo;the Limehouse inquiry,&rdquo;
+ Durham could not imagine.
+ </p>
+ <p>
+ That the open indiscretion of Lady &ldquo;Pat&rdquo; Rourke might lead to trouble with
+ her husband, was conceivable enough; but this was rather a matter for
+ underhand private inquiry than for the attention of the Criminal
+ Investigation Department of New Scotland Yard.
+ </p>
+ <p>
+ So mused Durham, standing cold and uncomfortable in the shadowy doorway,
+ and dreaming of a certain cosy fireside, a pair of carpet slippers and a
+ glass of hot toddy which awaited him. Suddenly:
+ </p>
+ <p>
+ &ldquo;Great flames! Look!&rdquo; he cried.
+ </p>
+ <p>
+ Kerry's fingers closed, steely, upon Durham's wrist. A porter was urgently
+ moving the parked cars farther along the street to enable one, a French
+ coupe, to draw up before the club entrance.
+ </p>
+ <p>
+ Two men came out, supporting between them a woman who seemed to be ill; a
+ slender, blonde woman whose pretty face was pale and whose wide-open blue
+ eyes stared strangely straight before her. The taller of her escorts,
+ while continuing to support her, solicitously wrapped her fur cloak about
+ her bare shoulders; the other, the manager of the club, stepped forward
+ and opened the door of the car.
+ </p>
+ <p>
+ &ldquo;Lady Rourke!&rdquo; whispered Durham.
+ </p>
+ <p>
+ &ldquo;With Lou Chada!&rdquo; rapped Kerry. &ldquo;Run for a cab. Brisk. Don't waste a
+ second.&rdquo;
+ </p>
+ <p>
+ Some little conversation ensued between manager and patron, then the tall,
+ handsome Eurasian, waving his hand protestingly, removed his hat and
+ stepped into the coupe beside Lady Rourke. It immediately moved away in
+ the direction of Piccadilly.
+ </p>
+ <p>
+ One glimpse Kerry had of the pretty, fair head lying limply back against
+ the cushions. The manager of the club was staring after the car.
+ </p>
+ <p>
+ Kerry stepped out from his hiding place. Durham had disappeared, and there
+ was no cab in sight, but immediately beyond the illuminated entrance stood
+ a Rolls-Royce which had been fifth in the rank of parked cars before the
+ adjustment had been made to enable the coupe to reach the door. Kerry ran
+ across, and:
+ </p>
+ <p>
+ &ldquo;Whose car, my lad?&rdquo; he demanded of the chauffeur.
+ </p>
+ <p>
+ The latter, resenting the curt tone of the inquiry, looked the speaker up
+ and down, and:
+ </p>
+ <p>
+ &ldquo;Captain. Egerton's,&rdquo; he replied slowly. &ldquo;But what business may it be of
+ yours?&rdquo;
+ </p>
+ <p>
+ &ldquo;I'm Chief Inspector Kerry, of New Scotland Yard,&rdquo; came the rapid reply.
+ &ldquo;I want to follow the car that has just left.&rdquo;
+ </p>
+ <p>
+ &ldquo;What about running?&rdquo; demanded the man insolently.
+ </p>
+ <p>
+ Kerry shot out a small, muscular hand and grasped the speaker's wrist.
+ </p>
+ <p>
+ &ldquo;I'll say one thing to you,&rdquo; he rapped. &ldquo;I'm a police officer, and I
+ demand your help. Refuse it, and you'll wake up in Vine Street.&rdquo;
+ </p>
+ <p>
+ The Chief Inspector was on the step now, bending forward so that his
+ fierce red face was but an inch removed from that of the startled
+ chauffeur. The quelling force of his ferocious personality achieved its
+ purpose, as it rarely failed to do.
+ </p>
+ <p>
+ &ldquo;I'm getting in,&rdquo; added the Chief Inspector, jumping back on to the
+ pavement. &ldquo;Lose that French bus, and I'll charge you with resisting and
+ obstructing an officer of the law in the execution of his duty. Start.&rdquo;
+ </p>
+ <p>
+ Kerry leaped in and banged the door&mdash;and the Rolls-Royce started.
+ </p>
+ <p>
+ <a name="link2H_4_0014" id="link2H_4_0014">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ II
+ </h2>
+ <h3>
+ AT MALAY JACK'S
+ </h3>
+ <p>
+ When Kerry left Bond Street the mistiness of the night was developing into
+ definite fog. It varied in different districts. Thus, St. Paul's
+ Churchyard had been clear of it at a time when it had lain impenetrably in
+ Trafalgar Square. When, an hour and a half after setting out in the
+ commandeered Rolls-Royce, Kerry groped blindly along Limehouse Causeway,
+ it was through a yellow murk that he made his way&mdash;a vapour which
+ could not only be seen, smelled and felt, but tasted.
+ </p>
+ <p>
+ He was in one of his most violent humours. He found some slight solace in
+ the reflection that the impudent chauffeur, from whom he had parted in
+ West India Dock Road, must experience great difficulty in finding his way
+ back to the West End.
+ </p>
+ <p>
+ &ldquo;Damn the fog!&rdquo; he muttered, coughing irritably.
+ </p>
+ <p>
+ It had tricked him, this floating murk of London; for, while he had been
+ enabled to keep the coupe in view right to the fringe of dockland, here,
+ as if bred by old London's river, the fog had lain impenetrably.
+ </p>
+ <p>
+ Chief Inspector Kerry was a man who took many risks, but because of this
+ cursed fog he had no definite evidence that Chada's car had gone to a
+ certain house. Right of search he had not, and so temporarily he was
+ baffled.
+ </p>
+ <p>
+ Now the nearest telephone was his objective, and presently, where a blue
+ light dimly pierced the mist, he paused, pushed open a swing door, and
+ stepped into a long, narrow passage. He descended three stairs, and
+ entered a room laden with a sickly perfume compounded of stale beer and
+ spirits; of greasy humanity&mdash;European, Asiastic, and African; of
+ cheap tobacco and cheaper scents; and, vaguely, of opium.
+ </p>
+ <p>
+ It was fairly well lighted, but the fog had penetrated here, veiling some
+ of the harshness of its rough appointments. An unsavoury den was Malay
+ Jack's, where flotsam of the river might be found. Yellow men there were,
+ and black men and brown men. But all the women present were white.
+ </p>
+ <p>
+ Fan-tan was in progress at one of the tables, the four players being
+ apparently the only strictly sober people in the room. A woman was
+ laughing raucously as Kerry entered, and many coarse-voiced conversations
+ were in progress; but as he pulled the rough curtain walls aside and
+ walked into the room, a hush, highly complimentary to the Chief
+ Inspector's reputation, fell upon the assembly. Only the woman's raucous
+ laughter continued, rising, a hideous solo, above a sort of murmur,
+ composed of the words &ldquo;Red Kerry!&rdquo; spoken in many tones.
+ </p>
+ <p>
+ Kerry ignored the sensation which his entrance had created, and crossed
+ the room to a small counter, behind which a dusky man was standing,
+ coatless and shirt sleeves rolled up. He had the skin of a Malay but the
+ features of a stage Irishman of the old school. And, indeed, had he known
+ his own pedigree, which is a knowledge beyond the ken of any man, partly
+ Irish he might have found himself indeed to be.
+ </p>
+ <p>
+ This was Malay Jack, the proprietor of one of the roughest houses in
+ Limehouse. His expression, while propitiatory, was not friendly, but:
+ </p>
+ <p>
+ &ldquo;Don't get hot and bothered,&rdquo; snapped Kerry viciously. &ldquo;I want to use your
+ telephone, that's all.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh,&rdquo; said the other, unable to conceal his relief, &ldquo;that's easy. Come
+ in.&rdquo;
+ </p>
+ <p>
+ He raised a flap in the counter, and Kerry, passing through, entered a
+ little room behind the bar. Here a telephone stood upon a dirty, littered
+ table, and, taking it up:
+ </p>
+ <p>
+ &ldquo;City four hundred,&rdquo; called the Chief Inspector curtly. A moment later:
+ &ldquo;Hallo! Yes,&rdquo; he said. &ldquo;Chief Inspector Kerry speaking. Put me through to
+ my department, please.&rdquo;
+ </p>
+ <p>
+ He stood for a while waiting, receiver in hand, and smiled grimly to note
+ that the uproar in the room beyond had been resumed. Evidently Malay Jack
+ had given the &ldquo;all clear&rdquo; signal. Then:
+ </p>
+ <p>
+ &ldquo;Chief Inspector Kerry speaking,&rdquo; he said again. &ldquo;Has Detective Sergeant
+ Durham reported?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; was the reply, &ldquo;half an hour ago. He's standing-by at Limehouse
+ Station. He followed you in a taxi, but lost you on the way owing to the
+ fog.&rdquo;
+ </p>
+ <p>
+ &ldquo;I don't wonder,&rdquo; said Kerry. &ldquo;His loss is not so great as mine. Anything
+ else?&rdquo;
+ </p>
+ <p>
+ &ldquo;Nothing else.&rdquo;
+ </p>
+ <p>
+ &ldquo;Good. I'll speak to Limehouse. Good-bye.&rdquo;
+ </p>
+ <p>
+ He replaced the receiver and paused for a moment, reflecting. Extracting a
+ piece of tasteless gum from between his teeth, he deposited it in the
+ grate, where a sickly fire burned; then, tearing the wrapper from a fresh
+ slip, he resumed his chewing and stood looking about him with unseeing
+ eyes. Fierce they were as ever, but introspective in expression.
+ </p>
+ <p>
+ Famous for his swift decisions, for once in a way he found himself in
+ doubt. Malay Jack had keen ears, and there were those in the place who had
+ every reason to be interested in the movements of a member of the Criminal
+ Investigation Department, especially of one who had earned the right to be
+ dreaded by the rats of Limehouse. London's peculiar climate fought against
+ him, but he determined to make no more telephone calls but to proceed to
+ Limehouse police station.
+ </p>
+ <p>
+ He stepped swiftly into the bar, and, as he had anticipated, nearly upset
+ the proprietor, who was standing listening by the half-open door. Kerry
+ smiled fiercely into the ugly face, lifted the flap, and walked down the
+ room, through the aisle between the scattered tables, where the air was
+ heavy with strange perfumes, touched now with the bite of London fog, and
+ where slanting eyes and straight eyes, sober eyes and drunken eyes,
+ regarded him furtively. Something of a second hush there was, but one not
+ so complete as the first.
+ </p>
+ <p>
+ Kerry pulled the curtain aside, mounted the stair, walked along the
+ passage and out through the swing door into the yellow gloom of the
+ Causeway. Ten slow steps he had taken when he detected a sound of pursuit.
+ Like a flash he turned, clenching his fists. Then:
+ </p>
+ <p>
+ &ldquo;Inspector!&rdquo; whispered a husky voice.
+ </p>
+ <p>
+ &ldquo;Yes! Who are you? What do you want?&rdquo;
+ </p>
+ <p>
+ A dim form loomed up through the fog.
+ </p>
+ <p>
+ &ldquo;My name is Peters, sir. Inspector Preston knows me.&rdquo;
+ </p>
+ <p>
+ Kerry had paused immediately under a street lamp, and now he looked into
+ the pinched, lean face of the speaker, and:
+ </p>
+ <p>
+ &ldquo;I've heard of you,&rdquo; he snapped. &ldquo;Got some information for me?&rdquo;
+ </p>
+ <p>
+ &ldquo;I think so; but walk on.&rdquo;
+ </p>
+ <p>
+ Chief Inspector Kerry hesitated. Peters belonged to a class which Kerry
+ despised with all the force of his straightforward character. A
+ professional informer has his uses from the police point of view; and
+ while evidence of this kind often figured in reports made to the Chief
+ Inspector, he personally avoided contact with such persons, as he
+ instinctively and daintily avoided contact with personal dirt. But now,
+ something so big was at stake that his hesitation was only momentary.
+ </p>
+ <p>
+ A vision of the pale face of Lady Rourke, of the golden head leaning
+ weakly back upon the cushions of the coupe, as he had glimpsed it in Bond
+ Street, rose before his mind's eye as if conjured up out of the fog.
+ Peters shuffled along beside him, and:
+ </p>
+ <p>
+ &ldquo;Young Chada's done himself in to-night,&rdquo; continued the husky voice. &ldquo;He
+ brought a swell girl to the old man's house an hour ago. I was hanging
+ about there, thinking I might get some information. I think she was
+ doped.&rdquo;
+ </p>
+ <p>
+ &ldquo;Why?&rdquo; snapped Kerry.
+ </p>
+ <p>
+ &ldquo;Well, I was standing over on the other side of the street. Lou Chada
+ opened the door with a key; and when the light shone out I saw him carry
+ her in.&rdquo;
+ </p>
+ <p>
+ &ldquo;Carry her in?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes. She was in evening dress, with a swell cloak.&rdquo;
+ </p>
+ <p>
+ &ldquo;The car?&rdquo;
+ </p>
+ <p>
+ &ldquo;He came out again and drove it around to the garage at the back.&rdquo;
+ </p>
+ <p>
+ &ldquo;Why didn't you report this at once?&rdquo;
+ </p>
+ <p>
+ &ldquo;I was on my way to do it when I saw you coming out of Malay Jack's.&rdquo;
+ </p>
+ <p>
+ The man's voice shook nervously, and:
+ </p>
+ <p>
+ &ldquo;What are you scared about?&rdquo; asked Kerry savagely. &ldquo;Got anything else to
+ tell me?&rdquo;
+ </p>
+ <p>
+ &ldquo;No, no,&rdquo; muttered Peters. &ldquo;Only I've got an idea he saw me.&rdquo;
+ </p>
+ <p>
+ &ldquo;Who saw you?&rdquo;
+ </p>
+ <p>
+ &ldquo;Lou Chada.&rdquo;
+ </p>
+ <p>
+ &ldquo;What then?&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, only&mdash;don't leave me till we get to the station.&rdquo;
+ </p>
+ <p>
+ Kerry blew down his nose contemptuously, then stopped suddenly.
+ </p>
+ <p>
+ &ldquo;Stand still,&rdquo; he ordered. &ldquo;I want to listen.&rdquo;
+ </p>
+ <p>
+ Silent, they stood in a place of darkness, untouched by any lamplight. Not
+ a sound reached them through the curtain of fog. Asiatic mystery wrapped
+ them about, but Kerry experienced only contempt for the cowardice of his
+ companion, and:
+ </p>
+ <p>
+ &ldquo;You need come no farther,&rdquo; he said coldly. &ldquo;Good night.&rdquo;
+ </p>
+ <p>
+ &ldquo;But&mdash;&mdash;&mdash;&rdquo; began the man.
+ </p>
+ <p>
+ &ldquo;Good night,&rdquo; repeated Kerry.
+ </p>
+ <p>
+ He walked on briskly, tapping the pavement with his malacca. The sneaking
+ figure of the informer was swallowed up in the fog. But not a dozen paces
+ had the Chief Inspector gone when he was arrested by a frenzied scream,
+ rising, hollowly, in a dreadful, muffled crescendo. Words reached him.
+ </p>
+ <p>
+ &ldquo;My God, he's stabbed me!&rdquo;
+ </p>
+ <p>
+ Then came a sort of babbling, which died into a moan.
+ </p>
+ <p>
+ &ldquo;Hell!&rdquo; muttered Kerry, &ldquo;the poor devil was right!&rdquo;
+ </p>
+ <p>
+ He turned and began to run back, fumbling in his pocket for his electric
+ torch. Almost in the same moment that he found it he stumbled upon Peters,
+ who lay half in the road and half upon the sidewalk.
+ </p>
+ <p>
+ Kerry pressed the button, and met the glance of upturned, glazing eyes.
+ Even as he dropped upon his knee beside the dying man, Peters swept his
+ arm around in a convulsive movement, having the fingers crooked, coughed
+ horribly, and rolled upon his face.
+ </p>
+ <p>
+ Switching off the light of the torch, Kerry clenched his jaws in a tense
+ effort of listening, literally holding his breath. But no sound reached
+ him through the muffling fog. A moment he hesitated, well knowing his
+ danger, then viciously snapping on the light again, he quested in the
+ blood-stained mud all about the body of the murdered man.
+ </p>
+ <p>
+ &ldquo;Ah!&rdquo;
+ </p>
+ <p>
+ It was an exclamation of triumph.
+ </p>
+ <p>
+ One corner hideously stained, for it had lain half under Peters's
+ shoulder, Kerry gingerly lifted between finger and thumb a handkerchief of
+ fine white silk, such as is carried in the breast pocket of an evening
+ coat.
+ </p>
+ <p>
+ It bore an ornate monogram worked in gold, and representing the letters
+ &ldquo;L. C.&rdquo; Oddly enough, it was the corner that bore the monogram which was
+ also bloodstained.
+ </p>
+ <p>
+ <a name="link2H_4_0015" id="link2H_4_0015">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ III
+ </h2>
+ <h3>
+ THE ROOM OF THE GOLDEN BUDDHA
+ </h3>
+ <p>
+ It was a moot point whether Lady Pat Rourke merited condemnation or pity.
+ She possessed that type of blonde beauty which seems to be a lodestone for
+ mankind in general. Her husband was wealthy, twelve years her senior, and,
+ far from watching over her with jealous care&mdash;an attitude which often
+ characterizes such unions&mdash;he, on the contrary, permitted her a
+ dangerous freedom, believing that she would appreciate without abusing it.
+ </p>
+ <p>
+ Her friendship with Lou Chada had first opened his eyes to the perils
+ which beset the road of least resistance. Sir Noel Rourke was an
+ Anglo-Indian, and his prejudice against the Eurasian was one not lightly
+ to be surmounted. Not all the polish which English culture had given to
+ this child of a mixed union could blind Sir Noel to the yellow streak.
+ Courted though Chada was by some of the best people, Sir Noel remained
+ cold.
+ </p>
+ <p>
+ The long, magnetic eyes, the handsome, clear-cut features, above all, that
+ slow and alluring smile, appealed to the husband of the wilful Pat rather
+ as evidences of Oriental, half-effeminate devilry than as passports to
+ decent society. Oxford had veneered him, but scratch the veneer and one
+ found the sandal-wood of the East, perfumed, seductive, appealing, but
+ something to be shunned as brittle and untrustworthy.
+ </p>
+ <p>
+ Yet he hesitated, seeking to be true to his convictions. Knowing what he
+ knew already, and what he suspected, it is certain that, could he have
+ viewed Lou Chada through the eyes of Chief Inspector Kerry, the affair
+ must have terminated otherwise. But Sir Noel did not know what Kerry knew.
+ And the pleasure-seeking Lady Rourke, with her hair of spun gold and her
+ provoking smile, found Lou Chada dangerously fascinating; almost she was
+ infatuated&mdash;she who had known so much admiration.
+ </p>
+ <p>
+ Of those joys for which thousands of her plainer sisters yearn and starve
+ to the end of their days she had experienced a surfeit. Always she sought
+ for novelty, for new adventures. She was confident of herself, but yet&mdash;and
+ here lay the delicious thrill&mdash;not wholly confident. Many times she
+ had promised to visit the house of Lou Chada's father&mdash;a mystery
+ palace cunningly painted, a perfumed page from the Arabian poets dropped
+ amid the interesting squalor of Limehouse.
+ </p>
+ <p>
+ Perhaps she had never intended to go. Who knows? But on the night when she
+ came within the ken of Chief Inspector Kerry, Lou Chada had urged her to
+ do so in his poetically passionate fashion, and, wanting to go, she had
+ asked herself: &ldquo;Am I strong enough? Dare I?&rdquo;
+ </p>
+ <p>
+ They had dined, danced, and she had smoked one of the scented cigarettes
+ which he alone seemed to be able to procure, and which, on their arrival
+ from the East, were contained in queer little polished wooden boxes.
+ </p>
+ <p>
+ Then had come an unfamiliar nausea and dizziness, an uncomfortable
+ recognition of the fact that she was making a fool of herself, and finally
+ a semi-darkness through which familiar faces loomed up and were quickly
+ lost again. There was the soft, musical voice of Lou Chada reassuring her,
+ a sense of chill, of helplessness, and then for a while an interval which
+ afterward she found herself unable to bridge.
+ </p>
+ <p>
+ Knowledge of verity came at last, and Lady Pat raised herself from the
+ divan upon which she had been lying, and, her slender hands clutching the
+ cushions, stared about her with eyes which ever grew wider.
+ </p>
+ <p>
+ She was in a long, rather lofty room, which was lighted by three silver
+ lanterns swung from the ceiling. The place, without containing much
+ furniture, was a riot of garish, barbaric colour. There were deep divans
+ cushioned in amber and blood-red. Upon the floor lay Persian carpets and
+ skins of beasts. Cunning niches there were, half concealing and half
+ revealing long-necked Chinese jars; and odd little carven tables bore
+ strangely fashioned vessels of silver. There was a cabinet of ebony inlaid
+ with jade, there were black tapestries figured with dragons of green and
+ gold. Curtains she saw of peacock-blue; and in a tall, narrow recess,
+ dominating the room, squatted a great golden Buddha.
+ </p>
+ <p>
+ The atmosphere was laden with a strange perfume.
+ </p>
+ <p>
+ But, above all, this room was silent, most oppressively silent.
+ </p>
+ <p>
+ Lady Pat started to her feet. The whole perfumed place seemed to be
+ swimming around her. Reclosing her eyes, she fought down her weakness. The
+ truth, the truth respecting Lou Chada and herself, had uprisen starkly
+ before her. By her own folly&mdash;and she could find no tiny excuse&mdash;she
+ had placed herself in the power of a man whom, instinctively, deep within
+ her soul, she had always known to be utterly unscrupulous.
+ </p>
+ <p>
+ How cleverly he had concealed the wild animal which dwelt beneath that
+ suave, polished exterior! Yet how ill he had concealed it! For intuitively
+ she had always recognized its presence, but had deliberately closed her
+ eyes, finding a joy in the secret knowledge of danger. Now at last he had
+ discarded pretense.
+ </p>
+ <p>
+ The cigarette which he had offered her at the club had been drugged. She
+ was in Limehouse, at the mercy of a man in whose veins ran the blood of
+ ancestors to whom women had been chattels. Too well she recognized that
+ his passion must have driven him insane, as he must know at what cost he
+ took such liberties with one who could not lightly be so treated. But
+ these reflections afforded poor consolation. It was not of the penalties
+ that Lou Chada must suffer for this infringement of Western codes, but of
+ the price that she must pay for her folly, of which Pat was thinking.
+ </p>
+ <p>
+ There was a nauseating taste upon her palate. She remembered having
+ noticed it faintly while she was smoking the cigarette; indeed, she had
+ commented upon it at the time.
+ </p>
+ <p>
+ &ldquo;The dirty yellow blackguard!&rdquo; she said aloud, and clenched her hands.
+ </p>
+ <p>
+ She merely echoed what many a man had said before her. She wondered at
+ herself, and in doing so but wondered at the mystery of womanhood.
+ </p>
+ <p>
+ Clarity was returning. The room no longer swam around her. She crossed in
+ the direction of a garish curtain, which instinctively she divined to mask
+ a door. Dragging it aside, she tried the handle, but the door was locked.
+ A second door she found, and this also proved to be locked.
+ </p>
+ <p>
+ There was one tall window, also covered by ornate draperies, but it was
+ shuttered, and the shutters had locks. Another small window she
+ discovered, glazed with amber glass, but set so high in the wall as to be
+ inaccessible.
+ </p>
+ <p>
+ Dread assailed her, and dropping on to one of the divans, she hid her face
+ in her hands.
+ </p>
+ <p>
+ &ldquo;My God!&rdquo; she whispered. &ldquo;My God! Give me strength&mdash;give me courage.&rdquo;
+ </p>
+ <p>
+ For a long time she remained there, listening for any sound which should
+ disperse the silence. She thought of her husband, of the sweet security of
+ her home, of the things which she had forfeited because of this mad quest
+ of adventure. And presently a key grated in a lock.
+ </p>
+ <p>
+ Lady Pat started to her feet with a wild, swift action which must have
+ reminded a beholder of a startled gazelle. The drapery masking the door
+ which she had first investigated was drawn aside. A man entered and
+ dropped the curtain behind him.
+ </p>
+ <p>
+ Exactly what she had expected she could not have defined, but the presence
+ of this perfect stranger was a complete surprise. The man, who wore
+ embroidered slippers and a sort of long blue robe, stood there regarding
+ her with an expression which, even in her frantic condition, she found to
+ be puzzling. He had long, untidy gray hair brushed back from his low brow;
+ eyes strangely like the eyes of Lou Chada, except that they were more
+ heavy-lidded; but his skin was as yellow as a guinea, and his gaunt,
+ cleanshaven face was the face of an Oriental.
+ </p>
+ <p>
+ The slender hands, too, which he held clasped before him, were yellow, and
+ possessed a curiously arresting quality. Pat imagined them clasped about
+ her white throat, and her very soul seemed to shrink from the man who
+ stood there looking at her with those long, magnetic, inscrutable eyes.
+ </p>
+ <p>
+ She wondered why she was surprised, and suddenly realized that it was
+ because of the expression in his eyes, for it was an expression of cold
+ anger. Then the intruder spoke.
+ </p>
+ <p>
+ &ldquo;Who are you?&rdquo; he demanded, speaking with an accent which was unfamiliar
+ to her, but in a voice which was not unlike the voice of Lou Chada. &ldquo;Who
+ brought you here?&rdquo;
+ </p>
+ <p>
+ This was so wholly unexpected that for a moment she found herself unable
+ to reply, but finally:
+ </p>
+ <p>
+ &ldquo;How dare you!&rdquo; she cried, her native courage reasserting itself. &ldquo;I have
+ been drugged and brought to this place. You shall pay for it. How dare
+ you!&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah!&rdquo; The long, dark eyes regarded her unmovingly. &ldquo;But who are you?&rdquo;
+ </p>
+ <p>
+ &ldquo;I am Lady Rourke. Open the door. You shall bitterly regret this outrage.&rdquo;
+ </p>
+ <p>
+ &ldquo;You are Lady Rourke?&rdquo; the man repeated. &ldquo;Before you speak of regrets,
+ answer the question which I have asked: Who brought you here?&rdquo;
+ </p>
+ <p>
+ &ldquo;Lou Chada.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah!&rdquo; There was no alteration of pose, no change of expression, but
+ slightly the intonation had varied.
+ </p>
+ <p>
+ &ldquo;I don't know who you are, but I demand to be released from this place
+ instantly.&rdquo;
+ </p>
+ <p>
+ The man standing before the curtained door slightly inclined his head.
+ </p>
+ <p>
+ &ldquo;You shall be released,&rdquo; he replied, &ldquo;but not instantly. I will see the
+ one who brought you here. He may not be entirely to blame. Before you
+ leave we shall understand one another.&rdquo;
+ </p>
+ <p>
+ Tone and glance were coldly angry. Then, before the frightened woman could
+ say another word, the man in the blue robe robe withdrew, the curtain was
+ dropped again, and she heard the grating of a key in the lock. She ran to
+ the door, beating upon it with her clenched hands.
+ </p>
+ <p>
+ &ldquo;Let me go!&rdquo; she cried, half hysterically. &ldquo;Let me go! You shall pay for
+ this! Oh, you shall pay for this!&rdquo;
+ </p>
+ <p>
+ No one answered, and, turning, she leaned back against the curtain,
+ breathing heavily and fighting for composure, for strength.
+ </p>
+ <p>
+ <a name="link2H_4_0016" id="link2H_4_0016">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ IV
+ </h2>
+ <h3>
+ ZANI CHADA, THE EURASIAN
+ </h3>
+ <p>
+ &ldquo;I can't help thinking, Chief Inspector,&rdquo; said the officer in charge at
+ Limehouse Station, &ldquo;that you take unnecessary risks.&rdquo;
+ </p>
+ <p>
+ &ldquo;Can't you?&rdquo; said Kerry, tilting his bowler farther forward and staring
+ truculently at the speaker.
+ </p>
+ <p>
+ &ldquo;No, I can't. Since you cleaned up the dope gang down here you've been a
+ marked man. These murders in the Chinatown area, of which this one
+ to-night makes the third, have got some kind of big influence behind them.
+ Yet you wander about in the fog without even a gun in your pocket.&rdquo;
+ </p>
+ <p>
+ &ldquo;I don't believe in guns,&rdquo; rapped Kerry. &ldquo;My bare hands are good enough
+ for any yellow smart in this area. And if they give out I can kick like a
+ mule.&rdquo;
+ </p>
+ <p>
+ The other laughed, shaking his head.
+ </p>
+ <p>
+ &ldquo;It's silly, all the same,&rdquo; he persisted. &ldquo;The man who did the job out
+ there in the fog to-night might have knifed you or shot you long before
+ you could have got here.&rdquo;
+ </p>
+ <p>
+ &ldquo;He might,&rdquo; snapped Kerry, &ldquo;but he didn't.&rdquo;
+ </p>
+ <p>
+ Yet, remembering his wife, who would be waiting for him in the cosy
+ sitting-room he knew a sudden pang. Perhaps he did take unnecessary
+ chances. Others had said so. Hard upon the thought came the memory of his
+ boy, and of the telephone message which the episodes of the night had
+ prevented him from sending.
+ </p>
+ <p>
+ He remembered, too, something which his fearless nature had prompted him
+ to forget: he remembered how, just as he had arisen from beside the body
+ of the murdered man, oblique eyes had regarded him swiftly out of the fog.
+ He had lashed out with a boxer's instinct, but his knuckles had
+ encountered nothing but empty air. No sound had come to tell him that the
+ thing had not been an illusion. Only, once again, as he groped his way
+ through the shuttered streets of Chinatown and the silence of the yellow
+ mist, something had prompted him to turn; and again he had detected the
+ glint of oblique eyes, and faintly had discerned the form of one who
+ followed him.
+ </p>
+ <p>
+ Kerry chewed viciously, then:
+ </p>
+ <p>
+ &ldquo;I think I'll 'phone the wife,&rdquo; he said abruptly. &ldquo;She'll be expecting
+ me.&rdquo;
+ </p>
+ <p>
+ Almost before he had finished speaking the 'phone bell rang, and a few
+ moments later:
+ </p>
+ <p>
+ &ldquo;Someone to speak to you, Chief Inspector,&rdquo; cried the officer in charge.
+ </p>
+ <p>
+ &ldquo;Ah!&rdquo; exclaimed Kerry, his fierce eyes lighting up. &ldquo;That will be from
+ home.&rdquo;
+ </p>
+ <p>
+ &ldquo;I don't think so,&rdquo; was the reply. &ldquo;But see who it is.&rdquo;
+ </p>
+ <p>
+ &ldquo;Hello!&rdquo; he called.
+ </p>
+ <p>
+ He was answered by an unfamiliar voice, a voice which had a queer,
+ guttural intonation. It was the sort of voice he had learned to loathe.
+ </p>
+ <p>
+ &ldquo;Is that Chief Inspector Kerry?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; he snapped.
+ </p>
+ <p>
+ &ldquo;May I take it that what I have to say will be treated in confidence?&rdquo;
+ </p>
+ <p>
+ &ldquo;Certainly not.&rdquo;
+ </p>
+ <p>
+ &ldquo;Think again, Chief Inspector,&rdquo; the voice continued. &ldquo;You are a man within
+ sight of the ambition of years, and although you may be unaware of the
+ fact, you stand upon the edge of a disaster. I appreciate your sense of
+ duty and respect it. But there are times when diplomacy is a more potent
+ weapon than force.&rdquo;
+ </p>
+ <p>
+ Kerry, listening, became aware that the speaker was a man of cultured
+ intellect. He wondered greatly, but:
+ </p>
+ <p>
+ &ldquo;My time is valuable,&rdquo; he said rapidly. &ldquo;Come to the point. What do you
+ want and who are you?&rdquo;
+ </p>
+ <p>
+ &ldquo;One moment, Chief Inspector. An opportunity to make your fortune without
+ interfering with your career has come in your way. You have obtained
+ possession of what you believe to be a clue to a murder.&rdquo;
+ </p>
+ <p>
+ The voice ceased, and Kerry remaining silent, immediately continued:
+ </p>
+ <p>
+ &ldquo;Knowing your personal character, I doubt if you have communicated the
+ fact of your possessing this evidence to anyone else. I suggest, in your
+ own interests, that before doing so you interview me.&rdquo;
+ </p>
+ <p>
+ Kerry thought rapidly, and then:
+ </p>
+ <p>
+ &ldquo;I don't say you're right,&rdquo; he rapped back. &ldquo;But if I come to see you, I
+ shall leave a sealed statement in possession of the officer in charge
+ here.&rdquo;
+ </p>
+ <p>
+ &ldquo;To this I have no objection,&rdquo; the guttural voice replied, &ldquo;but I beg of
+ you to bring the evidence with you.&rdquo;
+ </p>
+ <p>
+ &ldquo;I'm not to be bought,&rdquo; warned Kerry. &ldquo;Don't think it and don't suggest
+ it, or when I get to you I'll break you in half.&rdquo;
+ </p>
+ <p>
+ His red moustache positively bristled, and he clutched the receiver so
+ tightly that it quivered against his ear.
+ </p>
+ <p>
+ &ldquo;You mistake me,&rdquo; replied the speaker. &ldquo;My name is Zani Chada. You know
+ where I live. I shall not detain you more than five minutes if you will do
+ me the honour of calling upon me.&rdquo;
+ </p>
+ <p>
+ Kerry chewed furiously for ten momentous seconds, then:
+ </p>
+ <p>
+ &ldquo;I'll come!&rdquo; he said.
+ </p>
+ <p>
+ He replaced the receiver on the hook, and, walking across to the charge
+ desk, took an official form and a pen. On the back of the form he
+ scribbled rapidly, watched with curiosity by the officer in charge.
+ </p>
+ <p>
+ &ldquo;Give me an envelope,&rdquo; he directed.
+ </p>
+ <p>
+ An envelope was found and handed to him. He placed the paper in the
+ envelope, gummed down the lapel, and addressed it in large, bold writing
+ to the Assistant Commissioner of the Criminal Investigation Department,
+ who was his chief. Finally:
+ </p>
+ <p>
+ &ldquo;I'm going out,&rdquo; he explained.
+ </p>
+ <p>
+ &ldquo;After what I've said?&rdquo;
+ </p>
+ <p>
+ &ldquo;After what you've said. I'm going out. If I don't come back or don't
+ telephone within the next hour, you will know what to do with this.&rdquo;
+ </p>
+ <p>
+ The Limehouse official stared perplexedly.
+ </p>
+ <p>
+ &ldquo;But meanwhile,&rdquo; he protested, &ldquo;what steps am I to take about the murder?
+ Durham will be back with the body at any moment now, and you say you've
+ got a clue to the murderer.&rdquo;
+ </p>
+ <p>
+ &ldquo;I have,&rdquo; said Kerry, &ldquo;but I'm going to get definite evidence. Do nothing
+ until you hear from me.&rdquo;
+ </p>
+ <p>
+ &ldquo;Very good,&rdquo; answered the other, and Kerry, tucking his malacca cane under
+ his arm, strode out into the fog.
+ </p>
+ <p>
+ His knowledge of the Limehouse area was extensive and peculiar, so that
+ twenty minutes later, having made only one mistake in the darkness, he was
+ pressing an electric bell set beside a door which alone broke the expanse
+ of a long and dreary brick wall, lining a street which neither by day nor
+ night would have seemed inviting to the casual visitor.
+ </p>
+ <p>
+ The door was opened by a Chinaman wearing national dress, revealing a
+ small, square lobby, warmly lighted and furnished Orientally. Kerry
+ stepped in briskly.
+ </p>
+ <p>
+ &ldquo;I want to see Mr. Zani Chada. Tell him I am here. Chief Inspector Kerry
+ is my name.&rdquo;
+ </p>
+ <p>
+ The Chinaman bowed, crossed the lobby, and, drawing some curtains aside,
+ walked up four carpeted stairs and disappeared into a short passage
+ revealed by the raising of the tapestry. As he did so Kerry stared about
+ him curiously.
+ </p>
+ <p>
+ He had never before entered the mystery house of Zani Chada, nor had he
+ personally encountered the Eurasian, reputed to be a millionaire, but who
+ chose, for some obscure reason, to make his abode in this old rambling
+ building, once a country mansion, which to-day was closely invested by
+ dockland and the narrow alleys of Chinatown. It was curiously still in the
+ lobby, and, as he determined, curiously Eastern. He was conscious of a
+ sense of exhilaration. That Zani Chada controlled powerful influences, he
+ knew well. But, reviewing the precautions which he had taken, Kerry
+ determined that the trump card was in his possession.
+ </p>
+ <p>
+ The Chinese servant descended the stairs again and intimated that the
+ visitor should follow him. Kerry, carrying his hat and cane, mounted the
+ stairs, walked along the carpeted passage, and was ushered into a queer,
+ low room furnished as a library.
+ </p>
+ <p>
+ It was lined with shelves containing strange-looking books, none of which
+ appeared to be English. Upon the top of the shelves were grotesque figures
+ of gods, pieces of Chinese pottery and other Oriental ornaments. Arms
+ there were in the room, and rich carpets, carven furniture, and an air of
+ luxury peculiarly exotic. Furthermore, he detected a faint smell of opium
+ from which fact he divined that Zani Chada was addicted to the national
+ vice of China.
+ </p>
+ <p>
+ Seated before a long narrow table was the notorious Eurasian. The table
+ contained a number of strange and unfamiliar objects, as well as a small
+ rack of books. An opium pipe rested in a porcelain bowl.
+ </p>
+ <p>
+ Zani Chada, wearing a blue robe, sat in a cushioned chair, staring toward
+ the Chief Inspector. With one slender yellow hand he brushed his untidy
+ gray hair. His long magnetic eyes were half closed.
+ </p>
+ <p>
+ &ldquo;Good evening, Chief Inspector Kerry,&rdquo; he said. &ldquo;Won't you be seated?&rdquo;
+ </p>
+ <p>
+ &ldquo;Thanks, I'm not staying. I can hear what you've got to say standing.&rdquo;
+ </p>
+ <p>
+ The long eyes grew a little more narrow&mdash;the only change of
+ expression that Zani Chada allowed himself.
+ </p>
+ <p>
+ &ldquo;As you wish. I have no occasion to detain you long.&rdquo;
+ </p>
+ <p>
+ In that queer, perfumed room, with the suggestion of something sinister
+ underlying its exotic luxury, arose a kind of astral clash as the powerful
+ personality of the Eurasian came in contact with that of Kerry. In a sense
+ it was a contest of rapier and battle-axe; an insidious but powerful will
+ enlisted against the bulldog force of the Chief Inspector.
+ </p>
+ <p>
+ Still through half-closed eyes Zani Chada watched his visitor, who stood,
+ feet apart and chin thrust forward aggressively, staring with wide open,
+ fierce blue eyes at the other.
+ </p>
+ <p>
+ &ldquo;I'm going to say one thing,&rdquo; declared Kerry, snapping out the words in a
+ manner little short of ferocious. He laid his hat and cane upon a chair
+ and took a step in the direction of the narrow, laden table. &ldquo;Make me any
+ kind of offer to buy back the evidence you think I've got, and I'll bash
+ your face as flat as a frying-pan.&rdquo;
+ </p>
+ <p>
+ The yellow hands of Zani Chada clutched the metal knobs which ornamented
+ the arms of the chair in which he was seated. The long eyes now presented
+ the appearance of being entirely closed; otherwise he remained immovable.
+ </p>
+ <p>
+ Following a short, portentous silence:
+ </p>
+ <p>
+ &ldquo;How grossly you misunderstood me, Chief Inspector,&rdquo; Chada replied,
+ speaking very softly. &ldquo;You are shortly to be promoted to a post which no
+ one is better fitted to occupy. You enjoy great domestic happiness, and
+ you possess a son in whom you repose great hopes. In this respect Chief
+ Inspector, I resemble you.&rdquo;
+ </p>
+ <p>
+ Kerry's nostrils were widely dilated, but he did not speak.
+ </p>
+ <p>
+ &ldquo;You see,&rdquo; continued the Eurasian, &ldquo;I know many things about you. Indeed,
+ I have watched your career with interest. Now, to be brief, a great
+ scandal may be averted and a woman's reputation preserved if you and I, as
+ men of the world, can succeed in understanding one another.&rdquo;
+ </p>
+ <p>
+ &ldquo;I don't want to understand you,&rdquo; said Kerry bluntly. &ldquo;But you've said
+ enough already to justify me in blowing this whistle.&rdquo; He drew a police
+ whistle from his overcoat pocket. &ldquo;This house is being watched.&rdquo;
+ </p>
+ <p>
+ &ldquo;I am aware of the fact,&rdquo; murmured Zani Chada.
+ </p>
+ <p>
+ &ldquo;There are two people in it I want for two different reasons. If you say
+ much more there may be three.&rdquo;
+ </p>
+ <p>
+ Chada raised his hand slowly.
+ </p>
+ <p>
+ &ldquo;Put back your whistle, Chief Inspector.&rdquo;
+ </p>
+ <p>
+ There was a curious restraint in the Eurasian's manner which Kerry
+ distrusted, but for which at the time he was at a loss to account. Then
+ suddenly he determined that the man was waiting for something, listening
+ for some sound. As if to confirm this reasoning, just at that moment a
+ sound indeed broke the silence of the room.
+ </p>
+ <p>
+ Somewhere far away in the distance of the big house a gong was beaten
+ three times softly. Kerry's fierce glance searched the face of Zani Chada,
+ but it remained mask-like, immovable. Yet that this had been a signal of
+ some kind the Chief Inspector did not doubt, and:
+ </p>
+ <p>
+ &ldquo;You can't trick me,&rdquo; he said fiercely. &ldquo;No one can leave this house
+ without my knowledge, and because of what happened out there in the fog my
+ hands are untied.&rdquo;
+ </p>
+ <p>
+ He took up his hat and cane from the chair.
+ </p>
+ <p>
+ &ldquo;I'm going to search the premises,&rdquo; he declared.
+ </p>
+ <p>
+ Zani Chada stood up slowly.
+ </p>
+ <p>
+ &ldquo;Chief Inspector,&rdquo; he said, &ldquo;I advise you to do nothing until you have
+ consulted your wife.&rdquo;
+ </p>
+ <p>
+ &ldquo;Consulted my wife?&rdquo; snapped Kerry. &ldquo;What the devil do you mean?&rdquo;
+ </p>
+ <p>
+ &ldquo;I mean that any steps you may take now can only lead to disaster for
+ many, and in your own case to great sorrow.&rdquo;
+ </p>
+ <p>
+ Kerry took a step forward, two steps, then paused. He was considering
+ certain words which the Eurasian had spoken. Without fearing the man in
+ the physical sense, he was not fool enough to underestimate his
+ potentialities for evil and his power to strike darkly.
+ </p>
+ <p>
+ &ldquo;Act as you please,&rdquo; added Zani Chada, speaking even more softly. &ldquo;But I
+ have not advised lightly. I will receive you, Chief Inspector, at any hour
+ of the night you care to return. By to-morrow, if you wish, you may be
+ independent of everybody.&rdquo;
+ </p>
+ <p>
+ Kerry clenched his fists.
+ </p>
+ <p>
+ &ldquo;And great sorrow may be spared to others,&rdquo; concluded the Eurasian.
+ </p>
+ <p>
+ Kerry's teeth snapped together audibly; then, putting on his hat, he
+ turned and walked straight to the door.
+ </p>
+ <p>
+ <a name="link2H_4_0017" id="link2H_4_0017">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ V
+ </h2>
+ <h3>
+ DAN KERRY, JUNIOR
+ </h3>
+ <p>
+ Dan Kerry, junior, was humorously like his father, except that he was
+ larger-boned and promised to grow into a much bigger man. His hair was
+ uncompromisingly red, and grew in such irregular fashion that the comb was
+ not made which could subdue it. He had the wide-open, fighting blue eyes
+ of the Chief Inspector, and when he smiled the presence of two broken
+ teeth lent him a very pugilistic appearance.
+ </p>
+ <p>
+ On his advent at the school of which he was now one of the most popular
+ members, he had promptly been christened &ldquo;Carrots.&rdquo; To this nickname young
+ Kerry had always taken exception, and he proceeded to display his
+ prejudice on the first day of his arrival with such force and
+ determination that the sobriquet had been withdrawn by tacit consent of
+ every member of the form who hitherto had favoured it.
+ </p>
+ <p>
+ &ldquo;I'll take you all on,&rdquo; the new arrival had declared amidst a silence of
+ stupefaction, &ldquo;starting with you&rdquo;&mdash;pointing to the biggest boy. &ldquo;If
+ we don't finish to-day, I'll begin again to-morrow.&rdquo;
+ </p>
+ <p>
+ The sheer impudence of the thing had astounded everybody. Young Kerry's
+ treatment of his leading persecutor had produced a salutary change of
+ opinion. Of such kidney was Daniel Kerry, junior; and when, some hours
+ after his father's departure on the night of the murder in the fog, the
+ 'phone bell rang, it was Dan junior, and not his mother, who answered the
+ call.
+ </p>
+ <p>
+ &ldquo;Hallo!&rdquo; said a voice. &ldquo;Is that Chief Inspector Kerry's house?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; replied Dan.
+ </p>
+ <p>
+ &ldquo;It has begun to rain in town,&rdquo; the voice continued, &ldquo;Is that the Chief
+ Inspector's son speaking?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, I'm Daniel Kerry.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, my boy, you know the way to New Scotland Yard?&rdquo;
+ </p>
+ <p>
+ &ldquo;Rather.&rdquo;
+ </p>
+ <p>
+ &ldquo;He says will you bring his overall? Do you know where to find it?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, yes!&rdquo; cried Dan excitedly, delighted to be thus made a party to his
+ father's activities.
+ </p>
+ <p>
+ &ldquo;Well, get it. Jump on a tram at the Town Hall and bring the overall along
+ here. Your mother will not object, will she?&rdquo;
+ </p>
+ <p>
+ &ldquo;Of course not,&rdquo; cried Dan. &ldquo;I'll tell her. Am I to start now?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, right away.&rdquo;
+ </p>
+ <p>
+ Mrs. Kerry was sewing by the fire in the dining room when her son came in
+ with the news, his blue eyes sparkling excitedly. She nodded her head
+ slowly.
+ </p>
+ <p>
+ &ldquo;Ye'll want ye'r Burberry and ye'r thick boots,&rdquo; she declared, &ldquo;a muffler,
+ too, and ye'r oldest cap. I think it's madness for ye to go out on such a
+ night, but&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Father said I could,&rdquo; protested the boy.
+ </p>
+ <p>
+ &ldquo;He says so, and ye shall go, but I think it madness a' the same.&rdquo;
+ </p>
+ <p>
+ However, some ten minutes later young Kerry set out, keenly resenting the
+ woollen muffler which he had been compelled to wear, and secretly
+ determined to remove it before mounting the tram. Across one arm he
+ carried the glistening overall which was the Chief Inspector's constant
+ companion on wet nights abroad. The fog had turned denser, and ten paces
+ from the door of the house took him out of sight of the light streaming
+ from the hallway.
+ </p>
+ <p>
+ Mary Kerry well knew her husband's theories about coddling boys, but even
+ so could not entirely reconcile herself to the present expedition.
+ However, closing the door, she returned philosophically to her sewing,
+ reflecting that little harm could come to Dan after all, for he was
+ strong, healthy, and intelligent.
+ </p>
+ <p>
+ On went the boy through the mist, whistling merrily. Not twenty yards from
+ the house a coupe was drawn up, and by the light of one of its lamps a man
+ was consulting a piece of paper on which, presumably, an address was
+ written; for, as the boy approached, the man turned, his collar pulled up
+ about his face, his hat pulled down.
+ </p>
+ <p>
+ &ldquo;Hallo!&rdquo; he called. &ldquo;Can you please tell me something?&rdquo;
+ </p>
+ <p>
+ He spoke with a curious accent, unfamiliar to the boy. &ldquo;A foreigner of
+ some kind,&rdquo; young Kerry determined.
+ </p>
+ <p>
+ &ldquo;What is it?&rdquo; he asked, pausing.
+ </p>
+ <p>
+ &ldquo;Will you please read and tell me if I am near this place?&rdquo; the man
+ continued, holding up the paper which he had been scrutinizing.
+ </p>
+ <p>
+ Dan stepped forward and bent over it. He could not make out the writing,
+ and bent yet more, holding it nearer to the lamp. At which moment some
+ second person neatly pinioned him from behind, a scarf was whipped about
+ his head, and, kicking furiously but otherwise helpless, he felt himself
+ lifted and placed inside the car.
+ </p>
+ <p>
+ The muffler had been thrown in such fashion about his face as to leave one
+ eye partly free, and as he was lifted he had a momentary glimpse of his
+ captors. With a thrill of real, sickly terror he realized that he was in
+ the hands of Chinamen!
+ </p>
+ <p>
+ Perhaps telepathically this spasm of fear was conveyed to his father, for
+ it was at about this time that the latter was interviewing Zani Chada, and
+ at about this time that Kerry recognized, underlying the other's words, at
+ once an ill-concealed suspense and a threat. Then, a few minutes later,
+ had come the three strokes of the gong; and again that unreasonable dread
+ had assailed him, perhaps because it signalized the capture of his son,
+ news of which had been immediately telephoned to Limehouse by Zani Chada's
+ orders.
+ </p>
+ <p>
+ Certain it is that Kerry left the Eurasian's house in a frame of mind
+ which was not familiar to him. He was undecided respecting his next move.
+ A deadly menace underlay Chada's words.
+ </p>
+ <p>
+ &ldquo;Consult your wife,&rdquo; he kept muttering to himself. When the door was
+ opened for him by the Chinese servant, he paused a moment before going out
+ into the fog. There were men on duty at the back and at the front of the
+ house. Should he risk all and raid the place? That Lady Rourke was captive
+ here he no longer doubted. But it was equally certain that no further harm
+ would come to her at the hands of her captors, since she had been traced
+ there and since Zani Chada was well aware of the fact. Of the whereabouts
+ of Lou Chada he could not be certain. If he was in the house, they had
+ him.
+ </p>
+ <p>
+ The door was closed by the Chinaman, and Kerry stood out in the darkness
+ of the dismal, brick-walled street, feeling something as nearly akin to
+ dejection as was possible in one of his mercurial spirit. Something
+ trickled upon the brim of his hat, and, raising his head, Kerry detected
+ rain upon his upturned face. He breathed a prayer of thankfulness. This
+ would put an end to the fog.
+ </p>
+ <p>
+ He began to walk along by the high brick wall, but had not proceeded far
+ before a muffled figure arose before him and the light of an electric
+ torch was shone into his face.
+ </p>
+ <p>
+ &ldquo;Oh, it's you, Chief Inspector!&rdquo; came the voice of the watcher.
+ </p>
+ <p>
+ &ldquo;It is,&rdquo; rapped Kerry. &ldquo;Unless there are tunnels under this old rat-hole,
+ I take it the men on duty can cover all the exits?&rdquo;
+ </p>
+ <p>
+ &ldquo;All the main exits,&rdquo; was the reply. &ldquo;But, as you say, it's a strange
+ house, and Zani Chada has a stranger reputation.&rdquo;
+ </p>
+ <p>
+ &ldquo;Do nothing until you hear from me.&rdquo;
+ </p>
+ <p>
+ &ldquo;Very good, Chief Inspector.&rdquo;
+ </p>
+ <p>
+ The rain now was definitely conquering the fog, and in half the time which
+ had been occupied by the outward journey Kerry was back again in Limehouse
+ police station. Unconsciously he had been hastening his pace with every
+ stride, urged onward by an unaccountable anxiety, so that finally he
+ almost ran into the office and up to the desk where the telephone stood.
+ </p>
+ <p>
+ Lifting it, he called his own number and stood tapping his foot,
+ impatiently awaiting the reply. Presently came the voice of the operator:
+ &ldquo;Have they answered yet?&rdquo;
+ </p>
+ <p>
+ &ldquo;No.&rdquo;
+ </p>
+ <p>
+ &ldquo;I will ring them again.&rdquo;
+ </p>
+ <p>
+ Kerry's anxiety became acute, almost unendurable; and when at last, after
+ repeated attempts, no reply could be obtained from his home, he replaced
+ the receiver and leaned for a moment on the desk, shaken with such a storm
+ of apprehension as he had rarely known. He turned to the inspector in
+ charge, and:
+ </p>
+ <p>
+ &ldquo;Let me have that envelope I left with you,&rdquo; he directed. &ldquo;And have
+ someone 'phone for a taxi; they are to keep on till they get one. Where is
+ Sergeant Durham?&rdquo;
+ </p>
+ <p>
+ &ldquo;At the mortuary.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah!&rdquo;
+ </p>
+ <p>
+ &ldquo;Any developments, Chief Inspector?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes. But apart from keeping a close watch upon the house of Zani Chada
+ you are to do nothing until you hear from me again.&rdquo;
+ </p>
+ <p>
+ &ldquo;Very good,&rdquo; said the inspector. &ldquo;Are you going to wait for Durham's
+ report?&rdquo;
+ </p>
+ <p>
+ &ldquo;No. Directly the cab arrives I am going to wait for nothing.&rdquo;
+ </p>
+ <p>
+ Indeed, he paced up and down the room like a wild beast caged, while call
+ after call was sent to neighbouring cab ranks, for a long time without
+ result. What did it mean, his wife's failure to answer the telephone? It
+ might mean that neither she nor their one servant nor Dan was in the
+ house. And if they were not in the house at this hour of the night, where
+ could they possibly be? This it might mean, or&mdash;something worse.
+ </p>
+ <p>
+ A thousand and one possibilities, hideous, fantastic, appalling, flashed
+ through his mind. He was beginning to learn what Zani Chada had meant when
+ he had said: &ldquo;I have followed your career with interest.&rdquo;
+ </p>
+ <p>
+ At last a taxi was found, and the man instructed over the 'phone to
+ proceed immediately to Limehouse station. He seemed so long in coming that
+ when at last the cab was heard to pause outside, Kerry could not trust
+ himself to speak to the driver, but directed a sergeant to give him the
+ address. He entered silently and closed the door.
+ </p>
+ <p>
+ A steady drizzle of rain was falling. It had already dispersed the fog, so
+ that he might hope with luck to be home within the hour. As a matter of
+ fact, the man performed the journey in excellent time, but it seemed to
+ his passenger that he could have walked quicker, such was the gnawing
+ anxiety within him and the fear which prompted him to long for wings.
+ </p>
+ <p>
+ Instructing the cabman to wait, Kerry unlocked the front door and entered.
+ He had noted a light in the dining room window, and entering, he found his
+ wife awaiting him there. She rose as he entered, with horror in her comely
+ face.
+ </p>
+ <p>
+ &ldquo;Dan!&rdquo; she whispered. &ldquo;Dan! where is ye'r mackintosh?&rdquo;
+ </p>
+ <p>
+ &ldquo;I didn't take it,&rdquo; he replied, endeavouring to tell himself that his
+ apprehensions had been groundless. &ldquo;But how was it that you did not answer
+ the telephone?&rdquo;
+ </p>
+ <p>
+ &ldquo;What do ye mean, Dan?&rdquo; Mary Kerry stared, her eyes growing wider and
+ wider. &ldquo;The boy answered, Dan. He set out wi' ye'r mackintosh full an hour
+ and a half since.&rdquo;
+ </p>
+ <p>
+ &ldquo;What!&rdquo;
+ </p>
+ <p>
+ The truth leaped out at Kerry like an enemy out of ambush.
+ </p>
+ <p>
+ &ldquo;Who sent that message?&rdquo;
+ </p>
+ <p>
+ &ldquo;Someone frae the Yard, to tell the boy to bring ye'r mackintosh alone at
+ once. Dan! Dan&mdash;&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ She advanced, hands outstretched, quivering, but Kerry had leaped out into
+ the narrow hallway. He raised the telephone receiver, listened for a
+ moment, and then jerked it back upon the hook.
+ </p>
+ <p>
+ &ldquo;Dead line!&rdquo; he muttered. &ldquo;Someone has been at work with a wire-cutter
+ outside the house!&rdquo;
+ </p>
+ <p>
+ His wife came out to where he stood, and, clenching his teeth very grimly,
+ he took her in his arms. She was shaking as if palsied.
+ </p>
+ <p>
+ &ldquo;Mary dear,&rdquo; he said, &ldquo;pray with all your might that I am given strength
+ to do my duty.&rdquo;
+ </p>
+ <p>
+ She looked at him with haggard, tearless eyes.
+ </p>
+ <p>
+ &ldquo;Tell me the truth: ha' they got my boy?&rdquo;
+ </p>
+ <p>
+ His fingers tightened on her shoulders.
+ </p>
+ <p>
+ &ldquo;Don't worry,&rdquo; he said, &ldquo;and don't ask me to stay to explain. When I come
+ back I'll have Dan with me!&rdquo;
+ </p>
+ <p>
+ He trusted himself no further, but, clapping his hat on his head, walked
+ out to the waiting cab.
+ </p>
+ <p>
+ &ldquo;Back to Limehouse police station,&rdquo; he directed rapidly.
+ </p>
+ <p>
+ &ldquo;Lor lumme!&rdquo; muttered the taximan. &ldquo;Where are you goin' to after that,
+ guv'nor? It's a bit off the map.&rdquo;
+ </p>
+ <p>
+ &ldquo;I'm going to hell!&rdquo; rapped Kerry, suddenly thrusting his red face very
+ near to that of the speaker. &ldquo;And you're going to drive me!&rdquo;
+ </p>
+ <p>
+ <a name="link2H_4_0018" id="link2H_4_0018">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ VI
+ </h2>
+ <h3>
+ THE KNIGHT ERRANT
+ </h3>
+ <p>
+ Recognizing the superior strength of his captors, young Kerry soon gave up
+ struggling. The thrill of his first real adventure entered into his blood.
+ He remembered that he was the son of his father, and he realized, being a
+ quick-witted lad, that he was in the grip of enemies of his father. The
+ panic which had threatened him when first he had recognized that he was in
+ the hands of Chinese, gave place to a cold rage&mdash;a heritage which in
+ later years was to make him a dangerous man.
+ </p>
+ <p>
+ He lay quite passively in the grasp of someone who held him fast, and
+ learned, by breathing quietly, that the presence of the muffler about his
+ nose and mouth did not greatly inconvenience him. There was some desultory
+ conversation between the two men in the car, but it was carried on in an
+ odd, sibilant language which the boy did not understand, but which he
+ divined to be Chinese. He thought how every other boy in the school would
+ envy him, and the thought was stimulating, nerving. On the very first day
+ of his holidays he was become the central figure of a Chinatown drama.
+ </p>
+ <p>
+ The last traces of fear fled. His position was uncomfortable and his limbs
+ were cramped, but he resigned himself, with something almost like
+ gladness, and began to look forward to that which lay ahead with a zest
+ and a will to be no passive instrument which might have surprised his
+ captors could they have read the mind of their captive.
+ </p>
+ <p>
+ The journey seemed almost interminable, but young Kerry suffered it in
+ stoical silence until the car stopped and he was lifted and carried down
+ stone steps into some damp, earthy-smelling place. Some distance was
+ traversed, and then many flights of stairs were mounted, some bare but
+ others carpeted.
+ </p>
+ <p>
+ Finally he was deposited in a chair, and as he raised his hand to the
+ scarf, which toward the end of the journey had been bound more tightly
+ about his head so as to prevent him from seeing at all, he heard a door
+ closed and locked.
+ </p>
+ <p>
+ The scarf was quickly removed. And Dan found himself in a low-ceilinged
+ attic having a sloping roof and one shuttered window. A shadeless electric
+ lamp hung from the ceiling. Excepting the cane-seated chair in which he
+ had been deposited and a certain amount of nondescript lumber, the attic
+ was unfurnished. Dan rapidly considered what his father would have done in
+ the circumstances.
+ </p>
+ <p>
+ &ldquo;Make sure that the door is locked,&rdquo; he muttered.
+ </p>
+ <p>
+ He tried it, and it was locked beyond any shadow of doubt.
+ </p>
+ <p>
+ &ldquo;The window.&rdquo;
+ </p>
+ <p>
+ Shutters covered it, and these were fastened with a padlock.
+ </p>
+ <p>
+ He considered this padlock attentively; then, drawing from his pocket one
+ of those wonderful knives which are really miniature tool-chests, he
+ raised from a grove the screw-driver which formed part of its equipment,
+ and with neatness and dispatch unscrewed the staple to which the padlock
+ was attached!
+ </p>
+ <p>
+ A moment later he had opened the shutters and was looking out into the
+ drizzle of the night.
+ </p>
+ <p>
+ The room in which he was confined was on the third floor of a dingy,
+ brick-built house; a portion of some other building faced him; down below
+ was a stone-paved courtyard. To the left stood a high wall, and beyond it
+ he obtained a glimpse of other dingy buildings. One lighted window was
+ visible&mdash;a square window in the opposite building, from which amber
+ light shone out.
+ </p>
+ <p>
+ Somewhere in the street beyond was a standard lamp. He could detect the
+ halo which it cast into the misty rain. The glass was very dirty, and
+ young Kerry raised the sash, admitting a draught of damp, cold air into
+ the room. He craned out, looking about him eagerly.
+ </p>
+ <p>
+ A rainwater-pipe was within reach of his hand on the right of the window
+ and, leaning out still farther, young Kerry saw that it passed beside two
+ other, larger, windows on the floor beneath him. Neither of these showed
+ any light.
+ </p>
+ <p>
+ Dizzy heights have no terror for healthy youth. The brackets supporting
+ the rain-pipe were a sufficient staircase for the agile Dan, a more
+ slippery prisoner than the famous Baron Trenck; and, discarding his
+ muffler and his Burberry, he climbed out upon the sill and felt with his
+ thick-soled boots for the first of these footholds. Clutching the ledge,
+ he lowered himself and felt for the next.
+ </p>
+ <p>
+ Then came the moment when he must trust all his weight to the pipe.
+ Clenching his teeth, he risked it, felt for and found the third angle, and
+ then, still clutching the pipe, stood for a moment upon the ledge of the
+ window immediately beneath him. He was curious respecting the lighted
+ window of the neighbouring house; and, twisting about, he bent, peering
+ across&mdash;and saw a sight which arrested his progress.
+ </p>
+ <p>
+ The room within was furnished in a way which made him gasp with
+ astonishment. It was like an Eastern picture, he thought. Her golden hair
+ dishevelled and her hands alternately clenching and unclenching, a woman
+ whom he considered to be most wonderfully dressed was pacing wildly up and
+ down, a look of such horror upon her pale face that Dan's heart seemed to
+ stop beating for a moment!
+ </p>
+ <p>
+ Here was real trouble of a sort which appealed to all the chivalry in the
+ boy's nature. He considered the window, which was glazed with
+ amber-coloured glass, observed that it was sufficiently open to enable him
+ to slip the fastening and open it entirely could he but reach it. And&mdash;yes!&mdash;there
+ was a rain-pipe!
+ </p>
+ <p>
+ Climbing down to the yard, he looked quickly about him, ran across, and
+ climbed up to the lighted window. A moment later he had pushed it widely
+ open.
+ </p>
+ <p>
+ He was greeted by a stifled cry, but, cautiously transferring his weight
+ from the friendly pipe to the ledge, he got astride of it, one foot in the
+ room. Then, by exercise of a monkey-like agility, he wriggled his head and
+ shoulders within.
+ </p>
+ <p>
+ &ldquo;It's all right,&rdquo; he said softly and reassuringly; &ldquo;I'm Dan Kerry, son of
+ Chief Inspector Kerry. Can I be of any assistance?&rdquo;
+ </p>
+ <p>
+ Her hands clasped convulsively together, the woman stood looking up at
+ him.
+ </p>
+ <p>
+ &ldquo;Oh, thank God!&rdquo; said the captive. &ldquo;But what are you going to do? Can you
+ get me out?&rdquo;
+ </p>
+ <p>
+ &ldquo;Don't worry,&rdquo; replied Dan confidently. &ldquo;Father and I can manage it all
+ right!&rdquo;
+ </p>
+ <p>
+ He performed a singular contortion, as a result of which his other leg and
+ foot appeared inside the window. Then, twisting around, he lowered himself
+ and dropped triumphantly upon a cushioned divan. At that moment he would
+ have faced a cage full of man-eating tigers. The spirit of adventure had
+ him in its grip. He stood up, breathing rapidly, his crop of red hair more
+ dishevelled than usual.
+ </p>
+ <p>
+ Then, before he could stir or utter any protest, the golden-haired
+ princess whom he had come to rescue stooped, threw her arms around his
+ neck, and kissed him.
+ </p>
+ <p>
+ &ldquo;You darling, brave boy!&rdquo; she said. &ldquo;I think you have saved me from
+ madness.&rdquo;
+ </p>
+ <p>
+ Young Kerry, more flushed than ever, extricated himself, and:
+ </p>
+ <p>
+ &ldquo;You're not out of the mess yet,&rdquo; he protested. &ldquo;The only difference is
+ that I'm in it with you!&rdquo;
+ </p>
+ <p>
+ &ldquo;But where is your father?&rdquo;
+ </p>
+ <p>
+ &ldquo;I'm looking for him.&rdquo;
+ </p>
+ <p>
+ &ldquo;What!&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh! he's about somewhere,&rdquo; Dan assured her confidently.
+ </p>
+ <p>
+ &ldquo;But, but&mdash;&mdash;&rdquo; She was gazing at him wide-eyed, &ldquo;Didn't he send
+ you here?&rdquo;
+ </p>
+ <p>
+ &ldquo;You bet he didn't,&rdquo; returned young Kerry. &ldquo;I came here on my own accord,
+ and when I go you're coming with me. I can't make out how you got here,
+ anyway. Do you know whose house this is?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, I do, I do!&rdquo;
+ </p>
+ <p>
+ &ldquo;Whose?&rdquo;
+ </p>
+ <p>
+ &ldquo;It belongs to a man called Chada.&rdquo;
+ </p>
+ <p>
+ &ldquo;Chada? Never heard of him. But I mean, what part of London is it in?&rdquo;
+ </p>
+ <p>
+ &ldquo;Whatever do you mean? It is in Limehouse, I believe. I don't understand.
+ You came here.&rdquo;
+ </p>
+ <p>
+ &ldquo;I didn't,&rdquo; said young Kerry cheerfully; &ldquo;I was fetched!&rdquo;
+ </p>
+ <p>
+ &ldquo;By your father?&rdquo;
+ </p>
+ <p>
+ &ldquo;Not on your life. By a couple of Chinks! I'll tell you something.&rdquo; He
+ raised his twinkling blue eyes. &ldquo;We are properly up against it. I suppose
+ you couldn't climb down a rain-pipe?&rdquo;
+ </p>
+ <p>
+ <a name="link2H_4_0019" id="link2H_4_0019">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ VII
+ </h2>
+ <h3>
+ RETRIBUTION
+ </h3>
+ <p>
+ It was that dark, still, depressing hour of the night, when all life is at
+ its lowest ebb. In the low, strangely perfumed room of books Zani Chada
+ sat before his table, his yellow hands clutching the knobs on his chair
+ arms, his long, inscrutable eyes staring unseeingly before him.
+ </p>
+ <p>
+ Came a disturbance and the sound of voices, and Lou Chada, his son, stood
+ at the doorway. He still wore his evening clothes, but he no longer looked
+ smart. His glossy black hair was dishevelled, and his handsome, olive face
+ bore a hunted look. Panic was betoken by twitching mouth and fear-bright
+ eyes. He stopped, glaring at his father, and:
+ </p>
+ <p>
+ &ldquo;Why are you not gone?&rdquo; asked the latter sternly. &ldquo;Do you wish to wreck me
+ as well as yourself?&rdquo;
+ </p>
+ <p>
+ &ldquo;The police have posted a man opposite Kwee's house. I cannot get out that
+ way.&rdquo;
+ </p>
+ <p>
+ &ldquo;There was no one there when the boy was brought in.&rdquo;
+ </p>
+ <p>
+ &ldquo;No, but there is now. Father!&rdquo; He took a step forward. &ldquo;I'm trapped. They
+ sha'n't take me. You won't let them take me?&rdquo;
+ </p>
+ <p>
+ Zani Chada stirred not a muscle, but:
+ </p>
+ <p>
+ &ldquo;To-night,&rdquo; he said, &ldquo;your mad passion has brought ruin to both of us. For
+ the sake of a golden doll who is not worth the price of the jewels she
+ wears, you have placed yourself within reach of the hangman.&rdquo;
+ </p>
+ <p>
+ &ldquo;I was mad, I was mad,&rdquo; groaned the other.
+ </p>
+ <p>
+ &ldquo;But I, who was sane, am involved in the consequences,&rdquo; retorted his
+ father.
+ </p>
+ <p>
+ &ldquo;He will be silent at the price of the boy's life.&rdquo;
+ </p>
+ <p>
+ &ldquo;He may be,&rdquo; returned Zani Chada. &ldquo;I hate him, but he is a man. Had you
+ escaped, he might have consented to be silent. Once you are arrested,
+ nothing would silence him.&rdquo;
+ </p>
+ <p>
+ &ldquo;If the case is tried it will ruin Pat's reputation.&rdquo;
+ </p>
+ <p>
+ &ldquo;What a pity!&rdquo; said Zani Chada.
+ </p>
+ <p>
+ In some distant part of the house a gong was struck three times.
+ </p>
+ <p>
+ &ldquo;Go,&rdquo; commanded his father. &ldquo;Remain at Kwee's house until I send for you.
+ Let Ah Fang go to the room above and see that the woman is silent. An
+ outcry would ruin our last chance.&rdquo;
+ </p>
+ <p>
+ Lou Chada raised his hands, brushing the hair back from his wet forehead,
+ then, staring haggardly at his father, turned and ran from the room.
+ </p>
+ <p>
+ A minute later Kerry was ushered in by the Chinese servant. The savage
+ face was set like a mask. Without removing his hat, he strode across to
+ the table and bent down so that fierce, wide-open blue eyes stared closely
+ into long, half-closed black ones.
+ </p>
+ <p>
+ &ldquo;I've got one thing to say,&rdquo; explained Kerry huskily. &ldquo;Whatever the
+ hangman may do to your slimy son, and whatever happens to the little
+ blonde fool he kidnapped, if you've laid a hand on my kid I'll kick you to
+ death, if I follow you round the world to do it.&rdquo;
+ </p>
+ <p>
+ Zani Chada made no reply, but his knuckles gleamed, so tightly did he
+ clutch the knobs on the chair arms. Kerry's savagery would have awed any
+ man, even though he had supposed it to be the idle threat of a passionate
+ man. But Zani Chada knew all men, and he knew this one. When Daniel Kerry
+ declared that in given circumstances he would kick Zani Chada to death, he
+ did not mean that he would shoot him, strangle him, or even beat him with
+ his fists; he meant precisely what he said&mdash;that he would kick him to
+ death&mdash;and Zani Chada knew it.
+ </p>
+ <p>
+ Thus there were some moments of tense silence during which the savage face
+ of the Chief Inspector drew even closer to the gaunt, yellow face of the
+ Eurasian. Finally:
+ </p>
+ <p>
+ &ldquo;Listen only for one moment,&rdquo; said Zani Chada. His voice had lost its
+ guttural intonation. He spoke softly, sibilantly. &ldquo;I, too, am a father&mdash;&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Don't mince words!&rdquo; shouted Kerry. &ldquo;You've kidnapped my boy. If I have to
+ tear your house down brick by brick I'll find him. And if you've hurt one
+ hair of his head&mdash;you know what to expect!&rdquo;
+ </p>
+ <p>
+ He quivered. The effort of suppression which he had imposed upon himself
+ was frightful to witness. Zani Chada, student of men, knew that in despite
+ of his own physical strength and of the hidden resources at his beck, he
+ stood nearer to primitive retribution than he had ever done. Yet:
+ </p>
+ <p>
+ &ldquo;I understand,&rdquo; he continued. &ldquo;But you do not understand. Your boy is not
+ in this house. Oh! violence cannot avail! It can only make his loss
+ irreparable.&rdquo;
+ </p>
+ <p>
+ Kerry, nostrils distended, eyes glaring madly, bent over him.
+ </p>
+ <p>
+ &ldquo;Your scallywag of a son,&rdquo; he said hoarsely, &ldquo;has gone one step too far.
+ His adventures have twice before ended in murder&mdash;and you have
+ covered him. This time you can't do it. I'm not to be bought. We've stood
+ for the Far East in London long enough. Your cub hangs this time. Get me?
+ There'll be no bargaining. The woman's reputation won't stop me. My kid's
+ danger won't stop me. But if you try to use him as a lever I'll boot you
+ to your stinking yellow paradise and they'll check you in as pulp.&rdquo;
+ </p>
+ <p>
+ &ldquo;You speak of three deaths,&rdquo; murmured Zani Chada.
+ </p>
+ <p>
+ Kerry clenched his teeth so tightly that his maxillary muscles protruded
+ to an abnormal degree. He thrust his clenched fists into his coat pockets.
+ </p>
+ <p>
+ &ldquo;We all follow our vocations in life,&rdquo; resumed the Eurasian, &ldquo;to the best
+ of our abilities. But is professional kudos not too dearly bought at the
+ price of a loved one lost for ever? A far better bargain would be, shall
+ we say, ten thousand pounds, as the price of a silk handkerchief&mdash;&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ Kerry's fierce blue eyes closed for a fraction of a second. Yet, in that
+ fraction of a second, he had visualized some of the things which ten
+ thousand pounds&mdash;a sum he could never hope to possess&mdash;would
+ buy. He had seen his home, as he would have it&mdash;and he had seen Dan
+ there, safe and happy at his mother's side. Was he entitled to disregard
+ the happiness of his wife, the life of his boy, the honourable name of Sir
+ Noel Rourke, because an outcast like Peters had come to a fitting end&mdash;because
+ a treacherous Malay and a renegade Chinaman had, earlier, gone the same
+ way, sped, as he suspected, by the same hand?
+ </p>
+ <p>
+ &ldquo;My resources are unusual,&rdquo; added Chada, speaking almost in a whisper. &ldquo;I
+ have cash to this amount in my safe&mdash;&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ So far he had proceeded when he was interrupted; and the cause of the
+ interruption was this:
+ </p>
+ <p>
+ A few moments earlier another dramatic encounter had taken place in a
+ distant part of the house. Kerry Junior, having scientifically tested all
+ the possible modes of egress from the room in which Lady Pat was confined,
+ had long ago desisted, and had exhausted his ingenuity in plans which
+ discussion had proved to be useless. In spite of the novelty and the
+ danger of his situation, nature was urging her laws. He was growing
+ sleepy. The crowning tragedy had been the discovery that he could not
+ regain the small, square window set high in the wall from which he had
+ dropped into this luxurious prison. Now, as the two sat side by side upon
+ a cushioned divan, the woman's arm about the boy's shoulders, they were
+ startled to hear, in the depths of the house, three notes of a gong.
+ </p>
+ <p>
+ Young Kerry's sleepiness departed. He leapt to his feet as though
+ electrified.
+ </p>
+ <p>
+ &ldquo;What was that?&rdquo;
+ </p>
+ <p>
+ There was something horrifying in those gong notes in the stillness of the
+ night. Lady Pat's beautiful eyes grew glassy with fear.
+ </p>
+ <p>
+ &ldquo;I don't know,&rdquo; replied Dan. &ldquo;It seemed to come from below.&rdquo;
+ </p>
+ <p>
+ He ran to the door, drew the curtain aside, and pressed his ear against
+ one of the panels, listening intently. As he did so, his attitude grew
+ tense, his expression changed, then:
+ </p>
+ <p>
+ &ldquo;We're saved!&rdquo; he cried, turning a radiant face to the woman. &ldquo;I heard my
+ father's voice!&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, are you sure, are you sure?&rdquo;
+ </p>
+ <p>
+ &ldquo;Absolutely sure!&rdquo;
+ </p>
+ <p>
+ He bent to press his ear to the panel again, when a stifled cry from his
+ companion brought him swiftly to his feet. The second door in the room had
+ opened silently, and a small Chinaman, who carried himself with a stoop,
+ had entered, and now, a menacing expression upon his face, was quickly
+ approaching the boy.
+ </p>
+ <p>
+ What he had meant to do for ever remained in doubt, for young Kerry,
+ knowing his father to be in the house and seeing an open door before him,
+ took matters into his own hands. At the moment that the silent Chinaman
+ was about to throw his arms about him, the pride of the junior school
+ registered a most surprising left accurately on the point of Ah Fang's
+ jaw, following it up by a wilful transgression of Queensberry rules in the
+ form of a stomach punch which temporarily decided the issue. Then:
+ </p>
+ <p>
+ &ldquo;Quick! quick!&rdquo; he cried breathlessly, grasping Lady Pat's hand. &ldquo;This is
+ where we run!&rdquo;
+ </p>
+ <p>
+ In such fashion was Zani Chada interrupted, the interruption taking the
+ form of a sudden, shrill outcry:
+ </p>
+ <p>
+ &ldquo;Dad! dad! Where are you, dad?&rdquo;
+ </p>
+ <p>
+ Kerry spun about as a man galvanized. His face became transfigured.
+ </p>
+ <p>
+ &ldquo;This way, Dan!&rdquo; he cried. &ldquo;This way, boy!&rdquo;
+ </p>
+ <p>
+ Came a clatter of hurrying feet, and into the low, perfumed room burst Dan
+ Kerry, junior, tightly clasping the hand of a pale-faced, dishevelled
+ woman in evening dress. It was Lady Rourke; and although she seemed to be
+ in a nearly fainting condition, Dan dragged her, half running, into the
+ room.
+ </p>
+ <p>
+ Kerry gave one glance at the pair, then, instantly, he turned to face Zani
+ Chada. The latter, like a man of stone, sat in his carved chair, eyes
+ nearly closed. The Chief Inspector whipped out a whistle and raised it to
+ his lips. He blew three blasts upon it.
+ </p>
+ <p>
+ From one&mdash;two&mdash;three&mdash;four points around the house the
+ signal was answered.
+ </p>
+ <p>
+ Zani Chada fully opened his long, basilisk eyes.
+ </p>
+ <p>
+ &ldquo;You win, Chief Inspector,&rdquo; he said. &ldquo;But much may be done by clever
+ counsel. If all fails&mdash;&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Well?&rdquo; rapped Kerry fiercely, at the same time throwing his arm around
+ the boy.
+ </p>
+ <p>
+ &ldquo;I may continue to take an interest in your affairs.&rdquo;
+ </p>
+ <p>
+ A tremendous uproar arose, within and without the house. The police were
+ raiding the place. Lady Rourke sank down, slowly, almost at the Eurasian's
+ feet.
+ </p>
+ <p>
+ But Chief Inspector Kerry experienced an unfamiliar chill as his
+ uncompromising stare met the cold hatred which blazed out of the black
+ eyes, narrowed, now, and serpentine, of Zani Chada.
+ </p>
+ <p>
+ <a name="link2H_4_0020" id="link2H_4_0020">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ THE PIGTAIL OF HI WING HO
+ </h2>
+ <p>
+ <a name="link2H_4_0021" id="link2H_4_0021">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ I
+ </h2>
+ <h3>
+ HOW I OBTAINED IT
+ </h3>
+ <p>
+ Leaving the dock gates behind me I tramped through the steady drizzle,
+ going parallel with the river and making for the Chinese quarter. The hour
+ was about half-past eleven on one of those September nights when, in such
+ a locality as this, a stifling quality seems to enter the atmosphere,
+ rendering it all but unbreathable. A mist floated over the river, and it
+ was difficult to say if the rain was still falling, indeed, or if the
+ ample moisture upon my garments was traceable only to the fog. Sounds were
+ muffled, lights dimmed, and the frequent hooting of sirens from the river
+ added another touch of weirdness to the scene.
+ </p>
+ <p>
+ Even when the peculiar duties of my friend, Paul Harley, called him away
+ from England, the lure of this miniature Orient which I had first explored
+ under his guidance, often called me from my chambers. In the house with
+ the two doors in Wade Street, Limehouse, I would discard the armour of
+ respectability, and, dressed in a manner unlikely to provoke comment in
+ dockland, would haunt those dreary ways sometimes from midnight until
+ close upon dawn. Yet, well as I knew the district and the strange and
+ often dangerous creatures lurking in its many burrows, I experienced a
+ chill partly physical and partly of apprehension to-night; indeed, strange
+ though it may sound, I hastened my footsteps in order the sooner to reach
+ the low den for which I was bound&mdash;Malay Jack's&mdash;a spot marked
+ plainly on the crimes-map and which few respectable travellers would have
+ regarded as a haven of refuge.
+ </p>
+ <p>
+ But the chill of the adjacent river, and some quality of utter desolation
+ which seemed to emanate from the deserted wharves and ramshackle buildings
+ about me, were driving me thither now; for I knew that human
+ companionship, of a sort, and a glass of good liquor&mdash;from a store
+ which the Customs would have been happy to locate&mdash;awaited me there.
+ I might chance, too, upon Durham or Wessex, of New Scotland Yard, both
+ good friends of mine, or even upon the Terror of Chinatown, Chief
+ Inspector Kerry, a man for whom I had an esteem which none of his
+ ungracious manners could diminish.
+ </p>
+ <p>
+ I was just about to turn to the right into a narrow and nameless alley,
+ lying at right angles to the Thames, when I pulled up sharply, clenching
+ my fists and listening.
+ </p>
+ <p>
+ A confused and continuous sound, not unlike that which might be occasioned
+ by several large and savage hounds at close grips, was proceeding out of
+ the darkness ahead of me; a worrying, growling, and scuffling which
+ presently I identified as human, although in fact it was animal enough. A
+ moment I hesitated, then, distinguishing among the sounds of conflict an
+ unmistakable, though subdued, cry for help, I leaped forward and found
+ myself in the midst of the melee. This was taking place in the lee of a
+ high, dilapidated brick wall. A lamp in a sort of iron bracket spluttered
+ dimly above on the right, but the scene of the conflict lay in densest
+ shadow, so that the figures were indistinguishable.
+ </p>
+ <p>
+ &ldquo;Help! By Gawd! they're strangling me&mdash;&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ From almost at my feet the cry arose and was drowned in Chinese
+ chattering. But guided by it I now managed to make out that the struggle
+ in progress waged between a burly English sailorman and two lithe Chinese.
+ The yellow men seemed to have gained the advantage and my course was
+ clear.
+ </p>
+ <p>
+ A straight right on the jaw of the Chinaman who was engaged in
+ endeavouring to throttle the victim laid him prone in the dirty roadway.
+ His companion, who was holding the wrist of the recumbent man, sprang
+ upright as though propelled by a spring. I struck out at him savagely. He
+ uttered a shrill scream not unlike that of a stricken hare, and fled so
+ rapidly that he seemed to melt in the mist.
+ </p>
+ <p>
+ &ldquo;Gawd bless you, mate!&rdquo; came chokingly from the ground&mdash;and the
+ rescued man, extricating himself from beneath the body of his stunned
+ assailant, rose unsteadily to his feet and lurched toward me.
+ </p>
+ <p>
+ As I had surmised, he was a sailor, wearing a rough, blue-serge jacket and
+ having his greasy trousers thrust into heavy seaboots&mdash;by which I
+ judged that he was but newly come ashore. He stooped and picked up his
+ cap. It was covered in mud, as were the rest of his garments, but he
+ brushed it with his sleeve as though it had been but slightly soiled and
+ clapped it on his head.
+ </p>
+ <p>
+ He grasped my hand in a grip of iron, peering into my face, and his breath
+ was eloquent.
+ </p>
+ <p>
+ &ldquo;I'd had one or two, mate,&rdquo; he confided huskily (the confession was
+ unnecessary). &ldquo;It was them two in the Blue Anchor as did it; if I 'adn't
+ 'ad them last two, I could 'ave broke up them Chinks with one 'and tied
+ behind me.&rdquo;
+ </p>
+ <p>
+ &ldquo;That's all right,&rdquo; I said hastily, &ldquo;but what are we going to do about
+ this Chink here?&rdquo; I added, endeavouring at the same time to extricate my
+ hand from the vise-like grip in which he persistently held it. &ldquo;He hit the
+ tiles pretty heavy when he went down.&rdquo;
+ </p>
+ <p>
+ As if to settle my doubts, the recumbent figure suddenly arose and without
+ a word fled into the darkness and was gone like a phantom. My new friend
+ made no attempt to follow, but:
+ </p>
+ <p>
+ &ldquo;You can't kill a bloody Chink,&rdquo; he confided, still clutching my hand; &ldquo;it
+ ain't 'umanly possible. It's easier to kill a cat. Come along o' me and
+ 'ave one; then I'll tell you somethink. I'll put you on somethink, I
+ will.&rdquo;
+ </p>
+ <p>
+ With surprising steadiness of gait, considering the liquid cargo he had
+ aboard, the man, releasing my hand and now seizing me firmly by the arm,
+ confidently led me by divers narrow ways, which I knew, to a little
+ beerhouse frequented by persons of his class.
+ </p>
+ <p>
+ My own attire was such as to excite no suspicion in these surroundings,
+ and although I considered that my acquaintance had imbibed more than
+ enough for one night, I let him have his own way in order that I might
+ learn the story which he seemed disposed to confide in me. Settled in the
+ corner of the beerhouse&mdash;which chanced to be nearly empty&mdash;with
+ portentous pewters before us, the conversation was opened by my new
+ friend:
+ </p>
+ <p>
+ &ldquo;I've been paid off from the Jupiter&mdash;Samuelson's Planet Line,&rdquo; he
+ explained. &ldquo;What I am is a fireman.&rdquo;
+ </p>
+ <p>
+ &ldquo;She was from Singapore to London?&rdquo; I asked.
+ </p>
+ <p>
+ &ldquo;She was,&rdquo; he replied, &ldquo;and it was at Suez it 'appened&mdash;at Suez.&rdquo;
+ </p>
+ <p>
+ I did not interrupt him.
+ </p>
+ <p>
+ &ldquo;I was ashore at Suez&mdash;we all was, owin' to a 'itch with the canal
+ company&mdash;a matter of money, I may say. They make yer pay before
+ they'll take yer through. Do you know that?&rdquo;
+ </p>
+ <p>
+ I nodded.
+ </p>
+ <p>
+ &ldquo;Suez is a place,&rdquo; he continued, &ldquo;where they don't sell whisky, only
+ poison. Was you ever at Suez?&rdquo;
+ </p>
+ <p>
+ Again I nodded, being most anxious to avoid diverting the current of my
+ friend's thoughts.
+ </p>
+ <p>
+ &ldquo;Well, then,&rdquo; he continued, &ldquo;you know Greek Jimmy's&mdash;and that's where
+ I'd been.&rdquo;
+ </p>
+ <p>
+ I did not know Greek Jimmy's, but I thought it unnecessary to mention the
+ fact.
+ </p>
+ <p>
+ &ldquo;It was just about this time on a steamin' 'ot night as I come out of
+ Jimmy's and started for the ship. I was walkin' along the Waghorn Quay,
+ same as I might be walkin' along to-night, all by myself&mdash;bit of a
+ list to port but nothing much&mdash;full o' joy an' happiness, 'appy an'
+ free&mdash;'appy an' free. Just like you might have noticed to-night, I
+ noticed a knot of Chinks scrappin' on the ground all amongst the dust
+ right in front of me. I rammed in, windmillin' all round and knocking 'em
+ down like skittles. Seemed to me there was about ten of 'em, but allowin'
+ for Jimmy's whisky, maybe there wasn't more than three. Anyway, they all
+ shifted and left me standin' there in the empty street with this 'ere in
+ my 'and.&rdquo;
+ </p>
+ <p>
+ At that, without more ado, he thrust his hand deep into some concealed
+ pocket and jerked out a Chinese pigtail, which had been severed,
+ apparently some three inches from the scalp, by a clean cut. My
+ acquaintance, with somewhat bleared eyes glistening in appreciation of his
+ own dramatic skill&mdash;for I could not conceal my surprise&mdash;dangled
+ it before me triumphantly.
+ </p>
+ <p>
+ &ldquo;Which of 'em it belong to,&rdquo; he continued, thrusting it into another
+ pocket and drumming loudly on the counter for more beer, &ldquo;I can't say,
+ 'cos I don't know. But that ain't all.&rdquo;
+ </p>
+ <p>
+ The tankards being refilled and my friend having sampled the contents of
+ his own:
+ </p>
+ <p>
+ &ldquo;That ain't all,&rdquo; he continued. &ldquo;I thought I'd keep it as a sort of relic,
+ like. What 'appened? I'll tell you. Amongst the crew there's three Chinks&mdash;see?
+ We ain't through the canal before one of 'em, a new one to me&mdash;Li
+ Ping is his name&mdash;offers me five bob for the pigtail, which he sees
+ me looking at one mornin'. I give him a punch on the nose an' 'e don't
+ renew the offer: but that night (we're layin' at Port Said) 'e tries to
+ pinch it! I dam' near broke his neck, and 'e don't try any more. To-night&rdquo;&mdash;he
+ extended his right arm forensically&mdash;&ldquo;a deppitation of Chinks waits
+ on me at the dock gates; they explains as from a patriotic point of view
+ they feels it to be their dooty to buy that pigtail off of me, and they
+ bids a quid, a bar of gold&mdash;a Jimmy o' Goblin!&rdquo;
+ </p>
+ <p>
+ He snapped his fingers contemptuously and emptied his pewter. A sense of
+ what was coming began to dawn on me. That the &ldquo;hold-up&rdquo; near the riverside
+ formed part of the scheme was possible, and, reflecting on my rough
+ treatment of the two Chinamen, I chuckled inwardly. Possibly, however, the
+ scheme had germinated in my acquaintance's mind merely as a result of an
+ otherwise common assault, of a kind not unusual in these parts, but,
+ whether elaborate or comparatively simple, that the story of the pigtail
+ was a &ldquo;plant&rdquo; designed to reach my pocket, seemed a reasonable hypothesis.
+ </p>
+ <p>
+ &ldquo;I told him to go to China,&rdquo; concluded the object of my suspicion, again
+ rapping upon the counter, &ldquo;and you see what come of it. All I got to say
+ is this: If they're so bloody patriotic, I says one thing: I ain't the man
+ to stand in their way. You done me a good turn to-night, mate; I'm doing
+ you one. 'Ere's the bloody pigtail, 'ere's my empty mug. Fill the mug and
+ the pigtail's yours. It's good for a quid at the dock gates any day!&rdquo;
+ </p>
+ <p>
+ My suspicions vanished; my interest arose to boiling point. I refilled my
+ acquaintance's mug, pressed a sovereign upon him (in honesty I must
+ confess that he was loath to take it), and departed with the pigtail
+ coiled neatly in an inner pocket of my jacket. I entered the house in Wade
+ Street by the side door, and half an hour later let myself out by the
+ front door, having cast off my dockland disguise.
+ </p>
+ <p>
+ <a name="link2H_4_0022" id="link2H_4_0022">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ II
+ </h2>
+ <h3>
+ HOW I LOST IT
+ </h3>
+ <p>
+ It was not until the following evening that I found leisure to examine my
+ strange acquisition, for affairs of more immediate importance engrossed my
+ attention. But at about ten o'clock I seated myself at my table, lighted
+ the lamp, and taking out the pigtail from the table drawer, placed it on
+ the blotting-pad and began to examine it with the greatest curiosity, for
+ few Chinese affect the pigtail nowadays.
+ </p>
+ <p>
+ I had scarcely commenced my examination, however, when it was dramatically
+ interrupted. The door bell commenced to ring jerkily. I stood up, and as I
+ did so the ringing ceased and in its place came a muffled beating on the
+ door. I hurried into the passage as the bell commenced ringing again, and
+ I had almost reached the door when once more the ringing ceased; but now I
+ could hear a woman's voice, low but agitated:
+ </p>
+ <p>
+ &ldquo;Open the door! Oh, for God's sake be quick!&rdquo;
+ </p>
+ <p>
+ Completely mystified, and not a little alarmed, I threw open the door, and
+ in there staggered a woman heavily veiled, so that I could see little of
+ her features, but by the lines of her figure I judged her to be young.
+ </p>
+ <p>
+ Uttering a sort of moan of terror she herself closed the door, and stood
+ with her back to it, watching me through the thick veil, while her breast
+ rose and fell tumultuously.
+ </p>
+ <p>
+ &ldquo;Thank God there was someone at home!&rdquo; she gasped.
+ </p>
+ <p>
+ I think I may say with justice that I had never been so surprised in my
+ life; every particular of the incident marked it as unique&mdash;set it
+ apart from the episodes of everyday life.
+ </p>
+ <p>
+ &ldquo;Madam,&rdquo; I began doubtfully, &ldquo;you seem to be much alarmed at something,
+ and if I can be of any assistance to you&mdash;&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;You have saved my life!&rdquo; she whispered, and pressed one hand to her
+ bosom. &ldquo;In a moment I will explain.&rdquo;
+ </p>
+ <p>
+ &ldquo;Won't you rest a little after your evidently alarming experience?&rdquo; I
+ suggested.
+ </p>
+ <p>
+ My strange visitor nodded, without speaking, and I conducted her to the
+ study which I had just left, and placed the most comfortable arm-chair
+ close beside the table so that as I sat I might study this woman who so
+ strangely had burst in upon me. I even tilted the shaded lamp, artlessly,
+ a trick I had learned from Harley, in order that the light might fall upon
+ her face.
+ </p>
+ <p>
+ She may have detected this device; I know not; but as if in answer to its
+ challenge, she raised her gloved hands and unfastened the heavy veil which
+ had concealed her features.
+ </p>
+ <p>
+ Thereupon I found myself looking into a pair of lustrous black eyes whose
+ almond shape was that of the Orient; I found myself looking at a woman
+ who, since she was evidently a Jewess, was probably no older than eighteen
+ or nineteen, but whose beauty was ripely voluptuous, who might fittingly
+ have posed for Salome, who, despite her modern fashionable garments, at
+ once suggested to my mind the wanton beauty of the daughter of Herodias.
+ </p>
+ <p>
+ I stared at her silently for a time, and presently her full lips parted in
+ a slow smile. My ideas were diverted into another channel.
+ </p>
+ <p>
+ &ldquo;You have yet to tell me what alarmed you,&rdquo; I said in a low voice, but as
+ courteously as possible, &ldquo;and if I can be of any assistance in the
+ matter.&rdquo;
+ </p>
+ <p>
+ My visitor seemed to recollect her fright&mdash;or the necessity for
+ simulation. The pupils of her fine eyes seemed to grow larger and darker;
+ she pressed her white teeth into her lower lips, and resting her hands
+ upon the table leaned toward me.
+ </p>
+ <p>
+ &ldquo;I am a stranger to London,&rdquo; she began, now exhibiting a certain
+ diffidence, &ldquo;and to-night I was looking for the chambers of Mr. Raphael
+ Philips of Figtree Court.&rdquo;
+ </p>
+ <p>
+ &ldquo;This is Figtree Court,&rdquo; I said, &ldquo;but I know of no Mr. Raphael Philips who
+ has chambers here.&rdquo;
+ </p>
+ <p>
+ The black eyes met mine despairingly.
+ </p>
+ <p>
+ &ldquo;But I am positive of the address!&rdquo; protested my beautiful but strange
+ caller&mdash;from her left glove she drew out a scrap of paper, &ldquo;here it
+ is.&rdquo;
+ </p>
+ <p>
+ I glanced at the fragment, upon which, in a woman's hand the words were
+ pencilled: &ldquo;Mr. Raphael Philips, 36-b Figtree Court, London.&rdquo;
+ </p>
+ <p>
+ I stared at my visitor, deeply mystified.
+ </p>
+ <p>
+ &ldquo;These chambers are 36-b!&rdquo; I said. &ldquo;But I am not Raphael Philips, nor have
+ I ever heard of him. My name is Malcolm Knox. There is evidently some
+ mistake, but&rdquo;&mdash;returning the slip of paper&mdash;&ldquo;pardon me if I
+ remind you, I have yet to learn the cause of your alarm.&rdquo;
+ </p>
+ <p>
+ &ldquo;I was followed across the court and up the stairs.&rdquo;
+ </p>
+ <p>
+ &ldquo;Followed! By whom?&rdquo;
+ </p>
+ <p>
+ &ldquo;By a dreadful-looking man, chattering in some tongue I did not
+ understand!&rdquo;
+ </p>
+ <p>
+ My amazement was momentarily growing greater.
+ </p>
+ <p>
+ &ldquo;What kind of a man?&rdquo; I demanded rather abruptly.
+ </p>
+ <p>
+ &ldquo;A yellow-faced man&mdash;remember I could only just distinguish him in
+ the darkness on the stairway, and see little more of him than his eyes at
+ that, and his ugly gleaming teeth&mdash;oh! it was horrible!&rdquo;
+ </p>
+ <p>
+ &ldquo;You astound me,&rdquo; I said; &ldquo;the thing is utterly incomprehensible.&rdquo; I
+ switched off the light of the lamp. &ldquo;I'll see if there's any sign of him
+ in the court below.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, don't leave me! For heaven's sake don't leave me alone!&rdquo;
+ </p>
+ <p>
+ She clutched my arm in the darkness.
+ </p>
+ <p>
+ &ldquo;Have no fear; I merely propose to look out from this window.&rdquo;
+ </p>
+ <p>
+ Suiting the action to the word, I peered down into the court below. It was
+ quite deserted. The night was a very dark one, and there were many patches
+ of shadow in which a man might have lain concealed.
+ </p>
+ <p>
+ &ldquo;I can see no one,&rdquo; I said, speaking as confidently as possible, and
+ relighting the lamp, &ldquo;if I call a cab for you and see you safely into it,
+ you will have nothing to fear, I think.&rdquo;
+ </p>
+ <p>
+ &ldquo;I have a cab waiting,&rdquo; she replied, and lowering the veil she stood up to
+ go.
+ </p>
+ <p>
+ &ldquo;Kindly allow me to see you to it. I am sorry you have been subjected to
+ this annoyance, especially as you have not attained the object of your
+ visit.&rdquo;
+ </p>
+ <p>
+ &ldquo;Thank you so much for your kindness; there must be some mistake about the
+ address, of course.&rdquo;
+ </p>
+ <p>
+ She clung to my arm very tightly as we descended the stairs, and often
+ glanced back over her shoulder affrightedly, as we crossed the court.
+ There was not a sign of anyone about, however, and I could not make up my
+ mind whether the story of the yellow man was a delusion or a fabrication.
+ I inclined to the latter theory, but the object of such a deception was
+ more difficult to determine.
+ </p>
+ <p>
+ Sure enough, a taxicab was waiting at the entrance to the court; and my
+ visitor, having seated herself within, extended her hand to me, and even
+ through the thick veil I could detect her brilliant smile.
+ </p>
+ <p>
+ &ldquo;Thank you so much, Mr. Knox,&rdquo; she said, &ldquo;and a thousand apologies. I am
+ sincerely sorry to have given you all this trouble.&rdquo;
+ </p>
+ <p>
+ The cab drove off. For a moment I stood looking after it, in a state of
+ dreamy incertitude, then turned and slowly retraced my steps. Reopening
+ the door of my chambers with my key, I returned to my study and sat down
+ at the table to endeavour to arrange the facts of what I recognized to be
+ a really amazing episode. The adventure, trifling though it seemed,
+ undoubtedly held some hidden significance that at present was not apparent
+ to me. In accordance with the excellent custom of my friend, Paul Harley,
+ I prepared to make notes of the occurrence while the facts were still
+ fresh in my memory. At the moment that I was about to begin, I made an
+ astounding discovery.
+ </p>
+ <p>
+ Although I had been absent only a few minutes, and had locked my door
+ behind me, the pigtail was gone!
+ </p>
+ <p>
+ I sat quite still, listening intently. The woman's story of the yellow man
+ on the stairs suddenly assumed a totally different aspect&mdash;a new and
+ sinister aspect. Could it be that the pigtail was at the bottom of the
+ mystery?&mdash;could it be that some murderous Chinaman who had been
+ lurking in hiding, waiting his opportunity, had in some way gained access
+ to my chambers during that brief absence? If so, was he gone?
+ </p>
+ <p>
+ From the table drawer I took out a revolver, ascertained that it was fully
+ loaded, and turning up light after light as I proceeded, conducted a
+ room-to-room search. It was without result; there was absolutely nothing
+ to indicate that anyone had surreptitiously entered or departed from my
+ chambers.
+ </p>
+ <p>
+ I returned to the study and sat gazing at the revolver lying on the
+ blotting-pad before me. Perhaps my mind worked slowly, but I think that
+ fully fifteen minutes must have passed before it dawned on me that the
+ explanation not only of the missing pigtail but of the other incidents of
+ the night, was simple enough. The yellow man had been a fabrication, and
+ my dark-eyed visitor had not been in quest of &ldquo;Raphael Philips,&rdquo; but in
+ quest of the pigtail: and her quest had been successful!
+ </p>
+ <p>
+ &ldquo;What a hopeless fool I am!&rdquo; I cried, and banged my fist down upon the
+ table, &ldquo;there was no yellow man at all&mdash;there was&mdash;&mdash;-&rdquo;
+ </p>
+ <p>
+ My door bell rang. I sprang nervously to my feet, glanced at the revolver
+ on the table&mdash;and finally dropped it into my coat pocket ere going
+ out and opening the door.
+ </p>
+ <p>
+ On the landing stood a police constable and an officer in plain clothes.
+ </p>
+ <p>
+ &ldquo;Your name is Malcolm Knox?&rdquo; asked the constable, glancing at a note-book
+ which he held in his hand.
+ </p>
+ <p>
+ &ldquo;It is,&rdquo; I replied.
+ </p>
+ <p>
+ &ldquo;You are required to come at once to Bow Street to identify a woman who
+ was found murdered in a taxi-cab in the Strand about eleven o'clock
+ to-night.&rdquo;
+ </p>
+ <p>
+ I suppressed an exclamation of horror; I felt myself turning pale.
+ </p>
+ <p>
+ &ldquo;But what has it to do&mdash;&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;The driver stated she came from your chambers, for you saw her off, and
+ her last words to you were 'Good night, Mr. Knox, I am sincerely sorry to
+ have given you all this trouble.' Is that correct, sir?&rdquo;
+ </p>
+ <p>
+ The constable, who had read out the information in an official voice, now
+ looked at me, as I stood there stupefied.
+ </p>
+ <p>
+ &ldquo;It is,&rdquo; I said blankly. &ldquo;I'll come at once.&rdquo; It would seem that I had
+ misjudged my unfortunate visitor: her story of the yellow man on the stair
+ had apparently been not a fabrication, but a gruesome fact!
+ </p>
+ <p>
+ <a name="link2H_4_0023" id="link2H_4_0023">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ III
+ </h2>
+ <h3>
+ HOW I REGAINED IT
+ </h3>
+ <p>
+ My ghastly duty was performed; I had identified the dreadful thing, which
+ less than an hour before had been a strikingly beautiful woman, as my
+ mysterious visitor. The police were palpably disappointed at the sparsity
+ of my knowledge respecting her. In fact, had it not chanced that Detective
+ Sergeant Durham was in the station, I think they would have doubted the
+ accuracy of my story.
+ </p>
+ <p>
+ As a man of some experience in such matters, I fully recognized its
+ improbability, but beyond relating the circumstances leading up to my
+ possession of the pigtail and the events which had ensued, I could do no
+ more in the matter. The weird relic had not been found on the dead woman,
+ nor in the cab.
+ </p>
+ <p>
+ Now the unsavoury business was finished, and I walked along Bow Street,
+ racking my mind for the master-key to this mystery in which I was become
+ enmeshed. How I longed to rush off to Harley's rooms in Chancery Lane and
+ to tell him the whole story! But my friend was a thousand miles away&mdash;and
+ I had to see the thing out alone.
+ </p>
+ <p>
+ That the pigtail was some sacred relic stolen from a Chinese temple and
+ sought for by its fanatical custodians was a theory which persistently
+ intruded itself. But I could find no place in that hypothesis for the
+ beautiful Jewess; and that she was intimately concerned I did not doubt. A
+ cool survey of the facts rendered it fairly evident that it was she and
+ none other who had stolen the pigtail from my rooms. Some third party&mdash;possibly
+ the &ldquo;yellow man&rdquo; of whom she had spoken&mdash;had in turn stolen it from
+ her, strangling her in the process.
+ </p>
+ <p>
+ The police theory of the murder (and I was prepared to accept it) was that
+ the assassin had been crouching in hiding behind or beside the cab&mdash;or
+ even within the dark interior. He had leaped in and attacked the woman at
+ the moment that the taxi-man had started his engine; if already inside,
+ the deed had proven even easier. Then, during some block in the traffic,
+ he had slipped out unseen, leaving the body of the victim to be discovered
+ when the cab pulled up at the hotel.
+ </p>
+ <p>
+ I knew of only one place in London where I might hope to obtain useful
+ information, and for that place I was making now. It was Malay Jack's,
+ whence I had been bound on the previous night when my strange meeting with
+ the seaman who then possessed the pigtail had led to a change of plan. The
+ scum of the Asiatic population always come at one time or another to
+ Jack's, and I hoped by dint of a little patience to achieve what the
+ police had now apparently despaired of achieving&mdash;the discovery of
+ the assassin.
+ </p>
+ <p>
+ Having called at my chambers to obtain my revolver, I mounted an
+ eastward-bound motor-bus. The night, as I have already stated, was
+ exceptionally dark. There was no moon, and heavy clouds were spread over
+ the sky; so that the deserted East End streets presented a sufficiently
+ uninviting aspect, but one with which I was by no means unfamiliar and
+ which certainly in no way daunted me.
+ </p>
+ <p>
+ Changing at Paul Harley's Chinatown base in Wade Street, I turned my steps
+ in the same direction as upon the preceding night; but if my own will
+ played no part in the matter, then decidedly Providence truly guided me.
+ Poetic justice is rare enough in real life, yet I was destined to-night to
+ witness swift retribution overtaking a malefactor.
+ </p>
+ <p>
+ The by-ways which I had trodden were utterly deserted; I was far from the
+ lighted high road, and the only signs of human activity that reached me
+ came from the adjacent river; therefore, when presently an outcry arose
+ from somewhere on my left, for a moment I really believed that my
+ imagination was vividly reproducing the episode of the night before!
+ </p>
+ <p>
+ A furious scuffle&mdash;between a European and an Asiatic&mdash;was in
+ progress not twenty yards away!
+ </p>
+ <p>
+ Realizing that such was indeed the case, and that I was not the victim of
+ hallucination, I advanced slowly in the direction of the sounds, but my
+ footsteps reechoed hollowly from wall to wall of the narrow passage-way,
+ and my coming brought the conflict to a sudden and dramatic termination.
+ </p>
+ <p>
+ &ldquo;Thought I wouldn't know yer ugly face, did yer?&rdquo; yelled a familiar voice.
+ &ldquo;No good squealin'&mdash;I got yer! I'd bust you up if I could!&rdquo; (a sound
+ of furious blows and inarticulate chattering) &ldquo;but it ain't 'umanly
+ possible to kill a Chink&mdash;&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ I hurried forward toward the spot where two dim figures were locked in
+ deadly conflict.
+ </p>
+ <p>
+ &ldquo;Take that to remember me by!&rdquo; gasped the husky voice as I ran up.
+ </p>
+ <p>
+ One of the figures collapsed in a heap upon the ground. The other made off
+ at a lumbering gait along a second and even narrower passage branching at
+ right angles from that in which the scuffle had taken place.
+ </p>
+ <p>
+ The clatter of the heavy sea-boots died away in the distance. I stood
+ beside the fallen man, looking keenly about to right and left; for an
+ impression was strong upon me that another than I had been witness of the
+ scene&mdash;that a shadowy form had slunk back furtively at my approach.
+ But the night gave up no sound in confirmation of this, and I could detect
+ no sign of any lurker.
+ </p>
+ <p>
+ I stooped over the Chinaman (for a Chinaman it was) who lay at my feet,
+ and directed the ray of my pocket-lamp upon his yellow and contorted
+ countenance. I suppressed a cry of surprise and horror.
+ </p>
+ <p>
+ Despite the human impossibility referred to by the missing fireman, this
+ particular Chinaman had joined the shades of his ancestors. I think that
+ final blow, which had felled him, had brought his shaven skull in such
+ violent contact with the wall that he had died of the thundering
+ concussion set up.
+ </p>
+ <p>
+ Kneeling there and looking into his upturned eyes, I became aware that my
+ position was not an enviable one, particularly since I felt little
+ disposed to set the law on the track of the real culprit. For this man who
+ now lay dead at my feet was doubtless one of the pair who had attempted
+ the life of the fireman of the Jupiter.
+ </p>
+ <p>
+ That my seafaring acquaintance had designed to kill the Chinaman I did not
+ believe, despite his stormy words: the death had been an accident, and
+ (perhaps my morality was over-broad) I considered the assault to have been
+ justified.
+ </p>
+ <p>
+ Now my ideas led me further yet. The dead Chinaman wore a rough blue coat,
+ and gingerly, for I found the contact repulsive, I inserted my hand into
+ the inside pocket. Immediately my fingers closed upon a familiar object&mdash;and
+ I stood up, whistling slightly, and dangling in my left hand the missing
+ pigtail!
+ </p>
+ <p>
+ Beyond doubt Justice had guided the seaman's blows. This was the man who
+ had murdered my dark-eyed visitor!
+ </p>
+ <p>
+ I stood perfectly still, directing the little white ray of my flashlight
+ upon the pigtail in my hand. I realized that my position, difficult
+ before, now was become impossible; the possession of the pigtail
+ compromised me hopelessly. What should I do?
+ </p>
+ <p>
+ &ldquo;My God!&rdquo; I said aloud, &ldquo;what does it all mean?&rdquo;
+ </p>
+ <p>
+ &ldquo;It means,&rdquo; said a gruff voice, &ldquo;that it was lucky I was following you and
+ saw what happened!&rdquo;
+ </p>
+ <p>
+ I whirled about, my heart leaping wildly. Detective-Sergeant Durham was
+ standing watching me, a grim smile upon his face!
+ </p>
+ <p>
+ I laughed rather shakily.
+ </p>
+ <p>
+ &ldquo;Lucky indeed!&rdquo; I said. &ldquo;Thank God you're here. This pigtail is a
+ nightmare which threatens to drive me mad!&rdquo;
+ </p>
+ <p>
+ The detective advanced and knelt beside the crumpled-up figure on the
+ ground. He examined it briefly, and then stood up.
+ </p>
+ <p>
+ &ldquo;The fact that he had the missing pigtail in his pocket,&rdquo; he said, &ldquo;is
+ proof enough to my mind that he did the murder.&rdquo;
+ </p>
+ <p>
+ &ldquo;And to mine.&rdquo;
+ </p>
+ <p>
+ &ldquo;There's another point,&rdquo; he added, &ldquo;which throws a lot of light on the
+ matter. You and Mr. Harley were out of town at the time of the Huang Chow
+ case; but the Chief and I outlined it, you remember, one night in Mr.
+ Harley's rooms?&rdquo;
+ </p>
+ <p>
+ &ldquo;I remember it perfectly; the giant spider in the coffin&mdash;&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes; and a certain Ah Fu, confidential servant of the old man, who used
+ to buy the birds the thing fed on. Well, Mr. Knox, Huang Chow was the
+ biggest dealer in illicit stuff in all the East End&mdash;and this
+ battered thing at our feet is&mdash;Ah Fu!&rdquo;
+ </p>
+ <p>
+ &ldquo;Huang Chow's servant?&rdquo;
+ </p>
+ <p>
+ &ldquo;Exactly!&rdquo;
+ </p>
+ <p>
+ I stared, uncomprehendingly, and:
+ </p>
+ <p>
+ &ldquo;In what way does this throw light on the matter?&rdquo; I asked.
+ </p>
+ <p>
+ Durham&mdash;a very intelligent young officer&mdash;smiled significantly.
+ </p>
+ <p>
+ &ldquo;I begin to see light!&rdquo; he declared. &ldquo;The gentleman who made off just as I
+ arrived on the scene probably had a private quarrel with the Chinaman and
+ was otherwise not concerned in any way.&rdquo;
+ </p>
+ <p>
+ &ldquo;I am disposed to agree with you,&rdquo; I said guardedly.
+ </p>
+ <p>
+ &ldquo;Of course, you've no idea of his identity?&rdquo;
+ </p>
+ <p>
+ &ldquo;I'm afraid not.&rdquo;
+ </p>
+ <p>
+ &ldquo;We may find him,&rdquo; mused the officer, glancing at me shrewdly, &ldquo;by
+ applying at the offices of the Planet Line, but I rather doubt it. Also I
+ rather doubt if we'll look very far. He's saved us a lot of trouble, but&rdquo;&mdash;peering
+ about in the shadowy corners which abounded&mdash;&ldquo;didn't I see somebody
+ else lurking around here?&rdquo;
+ </p>
+ <p>
+ &ldquo;I'm almost certain there was someone else!&rdquo; I cried. &ldquo;In fact, I could
+ all but swear to it.&rdquo;
+ </p>
+ <p>
+ &ldquo;H'm!&rdquo; said the detective. &ldquo;He's not here now. Might I trouble you to walk
+ along to Limehouse Police Station for the ambulance? I'd better stay
+ here.&rdquo;
+ </p>
+ <p>
+ I agreed at once, and started off.
+ </p>
+ <p>
+ Thus a second time my plans were interrupted, for my expedition that night
+ ultimately led me to Bow Street, whence, after certain formalities had
+ been observed, I departed for my chambers, the mysterious pigtail in my
+ pocket. Failing the presence of Durham, the pigtail must have been
+ retained as evidence, but:
+ </p>
+ <p>
+ &ldquo;We shall know where to find it if it's wanted, Mr. Knox,&rdquo; said the Yard
+ man, &ldquo;and I can trust you to look after your own property.&rdquo;
+ </p>
+ <p>
+ The clock of St. Paul's was chiming the hour of two when I locked the door
+ of my chambers and prepared to turn in. The clangour of the final strokes
+ yet vibrated through the night's silence when someone set my own door bell
+ loudly ringing.
+ </p>
+ <p>
+ With an exclamation of annoyance I shot back the bolts and threw open the
+ door.
+ </p>
+ <p>
+ A Chinaman stood outside upon the mat!
+ </p>
+ <p>
+ <a name="link2H_4_0024" id="link2H_4_0024">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ IV
+ </h2>
+ <h3>
+ HOW IT ALL ENDED
+ </h3>
+ <p>
+ &ldquo;Me wishee see you,&rdquo; said the apparition, smiling blandly; &ldquo;me comee in?&rdquo;
+ </p>
+ <p>
+ &ldquo;Come in, by all means,&rdquo; I said without enthusiasm, and, switching on the
+ light in my study, I admitted the Chinaman and stood facing him with an
+ expression upon my face which I doubt not was the reverse of agreeable.
+ </p>
+ <p>
+ My visitor, who wore a slop-shop suit, also wore a wide-brimmed bowler
+ hat; now, the set bland smile still upon his yellow face, he removed the
+ bowler and pointed significantly to his skull.
+ </p>
+ <p>
+ His pigtail had been severed some three inches from the root!
+ </p>
+ <p>
+ &ldquo;You gotchee my pigtail,&rdquo; he explained; &ldquo;me callee get it&mdash;thank
+ you.&rdquo;
+ </p>
+ <p>
+ &ldquo;Thank you,&rdquo; I said grimly. &ldquo;But I must ask you to establish your claim
+ rather more firmly.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yessir,&rdquo; agreed the Chinaman.
+ </p>
+ <p>
+ And thereupon in tolerable pidgin English he unfolded his tale. He
+ proclaimed his name to be Hi Wing Ho, and his profession that of a sailor,
+ or so I understood him. While ashore at Suez he had become embroiled with
+ some drunken seamen: knives had been drawn, and in the scuffle by some
+ strange accident his pigtail had been severed. He had escaped from the
+ conflict, badly frightened, and had run a great distance before he
+ realized his loss. Since Southern Chinamen of his particular Tong hold
+ their pigtails in the highest regard, he had instituted inquiries as soon
+ as possible, and had presently learned from a Chinese member of the crew
+ of the S.S. Jupiter that the precious queue had fallen into the hands of a
+ fireman on that vessel. He (Hi Wing Ho) had shipped on the first available
+ steamer bound for England, having in the meanwhile communicated with his
+ friend on the Jupiter respecting the recovery of the pigtail.
+ </p>
+ <p>
+ &ldquo;What was the name of your friend on the Jupiter?&rdquo;
+ </p>
+ <p>
+ &ldquo;Him Li Ping&mdash;yessir!&rdquo;&mdash;without the least hesitation or hurry.
+ </p>
+ <p>
+ I nodded. &ldquo;Go on,&rdquo; I said.
+ </p>
+ <p>
+ He arrived at the London docks very shortly after the Jupiter. Indeed, the
+ crew of the latter vessel had not yet been paid off when Hi Wing Ho
+ presented himself at the dock gates. He admitted that, finding the fireman
+ so obdurate, he and his friend Li Ping had resorted to violence, but he
+ did not seem to recognize me as the person who had frustrated their
+ designs. Thus far I found his story credible enough, excepting the
+ accidental severing of the pigtail at Suez, but now it became wildly
+ improbable, for he would have me believe that Li Ping, or Ah Fu, obtaining
+ possession of the pigtail (in what manner Hi Wing Ho protested that he
+ knew not) he sought to hold it to ransom, knowing how highly Hi Wing Ho
+ valued it.
+ </p>
+ <p>
+ I glared sternly at the Chinaman, but his impassive countenance served him
+ well. That he was lying to me I no longer doubted; for Ah Fu could not
+ have hoped to secure such a price as would justify his committing murder;
+ furthermore, the presence of the unfortunate Jewess in the case was not
+ accounted for by the ingenious narrative of Hi Wing Ho. I was standing
+ staring at him and wondering what course to adopt, when yet again my
+ restless door-bell clamoured in the silence.
+ </p>
+ <p>
+ Hi Wing Ho started nervously, exhibiting the first symptoms of alarm which
+ I had perceived in him. My mind was made up in an instant. I took my
+ revolver from the drawer and covered him.
+ </p>
+ <p>
+ &ldquo;Be good enough to open the door, Hi Wing Ho,&rdquo; I said coldly.
+ </p>
+ <p>
+ He shrank from me, pouring forth voluble protestations.
+ </p>
+ <p>
+ &ldquo;Open the door!&rdquo;
+ </p>
+ <p>
+ I clenched my left fist and advanced upon him. He scuttled away with his
+ odd Chinese gait and threw open the door. Standing before me I saw my
+ friend Detective Sergeant Durham, and with him a remarkably tall and very
+ large-boned man whose square-jawed face was deeply tanned and whose aspect
+ was dourly Scottish.
+ </p>
+ <p>
+ When the piercing eyes of this stranger rested upon Hi Wing Ho an
+ expression which I shall never forget entered into them; an expression
+ coldly murderous. As for the Chinaman, he literally crumpled up.
+ </p>
+ <p>
+ &ldquo;You rat!&rdquo; roared the stranger.
+ </p>
+ <p>
+ Taking one long stride he stooped upon the Chinaman, seized him by the
+ back of the neck as a terrier might seize a rat, and lifted him to his
+ feet.
+ </p>
+ <p>
+ &ldquo;The mystery of the pigtail, Mr. Knox,&rdquo; said the detective, &ldquo;is solved at
+ last.&rdquo;
+ </p>
+ <p>
+ &ldquo;Have ye got it?&rdquo; demanded the Scotsman, turning to me, but without
+ releasing his hold upon the neck of Hi Wing Ho.
+ </p>
+ <p>
+ I took the pigtail from my pocket and dangled it before his eyes.
+ </p>
+ <p>
+ &ldquo;Suppose you come into my study,&rdquo; I said, &ldquo;and explain matters.&rdquo;
+ </p>
+ <p>
+ We entered the room which had been the scene of so many singular
+ happenings. The detective and I seated ourselves, but the Scotsman,
+ holding the Chinaman by the neck as though he had been some inanimate
+ bundle, stood just within the doorway, one of the most gigantic specimens
+ of manhood I had ever set eyes upon.
+ </p>
+ <p>
+ &ldquo;You do the talking, sir,&rdquo; he directed the detective; &ldquo;ye have all the
+ facts.&rdquo;
+ </p>
+ <p>
+ While Durham talked, then, we all listened&mdash;excepting the Chinaman,
+ who was past taking an intelligent interest in anything, and who, to judge
+ from his starting eyes, was being slowly strangled.
+ </p>
+ <p>
+ &ldquo;The gentleman,&rdquo; said Durham&mdash;&ldquo;Mr. Nicholson&mdash;arrived two days
+ ago from the East. He is a buyer for a big firm of diamond merchants, and
+ some weeks ago a valuable diamond was stolen from him&mdash;&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;By this!&rdquo; interrupted the Scotsman, shaking the wretched Hi Wing Ho
+ terrier fashion.
+ </p>
+ <p>
+ &ldquo;By Hi Wing Ho,&rdquo; explained the detective, &ldquo;whom you see before you. The
+ theft was a very ingenious one, and the man succeeded in getting away with
+ his haul. He tried to dispose of the diamond to a certain Isaac Cohenberg,
+ a Singapore moneylender; but Isaac Cohenberg was the bigger crook of the
+ two. Hi Wing Ho only escaped from the establishment of Cohenberg by dint
+ of sandbagging the moneylender, and quitted the town by a boat which left
+ the same night. On the voyage he was indiscreet enough to take the diamond
+ from its hiding-place and surreptitiously to examine it. Another member of
+ the Chinese crew, one Li Ping&mdash;otherwise Ah Fu, the accredited agent
+ of old Huang Chow!&mdash;was secretly watching our friend, and, knowing
+ that he possessed this valuable jewel, he also learned where he kept it
+ hidden. At Suez Ah Fu attacked Hi Wing Ho and secured possession of the
+ diamond. It was to secure possession of the diamond that Ah Fu had gone
+ out East. I don't doubt it. He employed Hi Wing Ho&mdash;and Hi Wing Ho
+ tried to double on him!
+ </p>
+ <p>
+ &ldquo;We are indebted to you, Mr. Knox, for some of the data upon which we have
+ reconstructed the foregoing and also for the next link in the narrative. A
+ fireman ashore from the Jupiter intruded upon the scene at Suez and
+ deprived Ah Fu of the fruits of his labours. Hi Wing Ho seems to have been
+ badly damaged in the scuffle, but Ah Fu, the more wily of the two,
+ evidently followed the fireman, and, deserting from his own ship, signed
+ on with the Jupiter.&rdquo;
+ </p>
+ <p>
+ While this story was enlightening in some respects, it was mystifying in
+ others. I did not interrupt, however, for Durham immediately resumed:
+ </p>
+ <p>
+ &ldquo;The drama was complicated by the presence of a fourth character&mdash;the
+ daughter of Cohenberg. Realizing that a small fortune had slipped through
+ his fingers, the old moneylender dispatched his daughter in pursuit of Hi
+ Wing Ho, having learned upon which vessel the latter had sailed. He had no
+ difficulty in obtaining this information, for he is in touch with all the
+ crooks of the town. Had he known that the diamond had been stolen by an
+ agent of Huang Chow, he would no doubt have hesitated. Huang Chow has an
+ international reputation.
+ </p>
+ <p>
+ &ldquo;However, his daughter&mdash;a girl of great personal beauty&mdash;relied
+ upon her diplomatic gifts to regain possession of the stone, but, poor
+ creature, she had not counted with Ah Fu, who was evidently watching your
+ chambers (while Hi Wing Ho, it seems, was assiduously shadowing Ah Fu!).
+ How she traced the diamond from point to point of its travels we do not
+ know, and probably never shall know, but she was undeniably clever and
+ unscrupulous. Poor girl! She came to a dreadful end. Mr. Nicholson, here,
+ identified her at Bow Street to-night.&rdquo;
+ </p>
+ <p>
+ Now the whole amazing truth burst upon me.
+ </p>
+ <p>
+ &ldquo;I understand!&rdquo; I cried. &ldquo;This&rdquo;&mdash;and I snatched up the pigtail&mdash;
+ </p>
+ <p>
+ &ldquo;That my pigtail,&rdquo; moaned Hi Wing Ho feebly.
+ </p>
+ <p>
+ Mr. Nicholson pitched him unceremoniously into a corner of the room, and
+ taking the pigtail in his huge hand, clumsily unfastened it. Out from the
+ thick part, some two inches below the point at which it had been cut from
+ the Chinaman's head, a great diamond dropped upon the floor!
+ </p>
+ <p>
+ For perhaps twenty seconds there was perfect silence in my study. No one
+ stooped to pick the diamond from the floor&mdash;the diamond which now had
+ blood upon it. No one, so far as my sense informed me, stirred. But when,
+ following those moments of stupefaction, we all looked up&mdash;Hi Wing
+ Ho, like a phantom, had faded from the room!
+ </p>
+ <p>
+ <a name="link2H_4_0025" id="link2H_4_0025">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ THE HOUSE OF GOLDEN JOSS
+ </h2>
+ <p>
+ <a name="link2H_4_0026" id="link2H_4_0026">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ I
+ </h2>
+ <h3>
+ THE BLOOD-STAINED IDOL
+ </h3>
+ <p>
+ &ldquo;Stop when we pass the next lamp and give me a light for my pipe.&rdquo;
+ </p>
+ <p>
+ &ldquo;Why?&rdquo;
+ </p>
+ <p>
+ &ldquo;No! don't look round,&rdquo; warned my companion. &ldquo;I think someone is following
+ us. And it is always advisable to be on guard in this neighbourhood.&rdquo;
+ </p>
+ <p>
+ We had nearly reached the house in Wade Street, Limehouse, which my friend
+ used as a base for East End operations. The night was dark but clear, and
+ I thought that presently when dawn came it would bring a cold, bright
+ morning. There was no moon, and as we passed the lamp and paused we stood
+ in almost total darkness.
+ </p>
+ <p>
+ Facing in the direction of the Council School I struck a match. It
+ revealed my ruffianly looking companion&mdash;in whom his nearest friends
+ must have failed to recognize Mr. Paul Harley of Chancery Lane.
+ </p>
+ <p>
+ He was glancing furtively back along the street, and when a moment later
+ we moved on, I too, had detected the presence of a figure stumbling toward
+ us.
+ </p>
+ <p>
+ &ldquo;Don't stop at the door,&rdquo; whispered Harley, for our follower was only a
+ few yards away.
+ </p>
+ <p>
+ Accordingly we passed the house in which Harley had rooms, and had
+ proceeded some fifteen paces farther when the man who was following us
+ stumbled in between Harley and myself, clutching an arm of either. I
+ scarcely knew what to expect, but was prepared for anything, when:
+ </p>
+ <p>
+ &ldquo;Mates!&rdquo; said a man huskily. &ldquo;Mates, if you know where I can get a drink,
+ take me there!&rdquo;
+ </p>
+ <p>
+ Harley laughed shortly. I cannot say if he remained suspicious of the
+ newcomer, but for my own part I had determined after one glance at the man
+ that he was merely a drunken fireman newly recovered from a prolonged
+ debauch.
+ </p>
+ <p>
+ &ldquo;Where 'ave yer been, old son?&rdquo; growled Harley, in that wonderful dialect
+ of his which I had so often and so vainly sought to cultivate. &ldquo;You look
+ as though you'd 'ad one too many already.&rdquo;
+ </p>
+ <p>
+ &ldquo;I ain't,&rdquo; declared the fireman, who appeared to be in a semi-dazed
+ condition. &ldquo;I ain't 'ad one since ten o'clock last night. It's dope wot's
+ got me, not rum.&rdquo;
+ </p>
+ <p>
+ &ldquo;Dope!&rdquo; said Harley sharply; &ldquo;been 'avin' a pipe, eh?&rdquo;
+ </p>
+ <p>
+ &ldquo;If you've got a corpse-reviver anywhere,&rdquo; continued the man in that
+ curious, husky voice, &ldquo;'ave pity on me, mate. I seen a thing to-night wot
+ give me the jim-jams.&rdquo;
+ </p>
+ <p>
+ &ldquo;All right, old son,&rdquo; said my friend good-humouredly; &ldquo;about turn! I've
+ got a drop in the bottle, but me an' my mate sails to-morrow, an' it's the
+ last.&rdquo;
+ </p>
+ <p>
+ &ldquo;Gawd bless yer!&rdquo; growled the fireman; and the three of us&mdash;an odd
+ trio, truly&mdash;turned about, retracing our steps.
+ </p>
+ <p>
+ As we approached the street lamp and its light shone upon the haggard face
+ of the man walking between us, Harley stopped, and:
+ </p>
+ <p>
+ &ldquo;Wot's up with yer eye?&rdquo; he inquired.
+ </p>
+ <p>
+ He suddenly tilted the man's head upward and peered closely into one of
+ his eyes. I suppressed a gasp of surprise for I instantly recognized the
+ fireman of the Jupiter!
+ </p>
+ <p>
+ &ldquo;Nothin' up with it, is there?&rdquo; said the fireman.
+ </p>
+ <p>
+ &ldquo;Only a lump o' mud,&rdquo; growled Harley, and with a very dirty handkerchief
+ he pretended to remove the imaginary stain, and then, turning to me:
+ </p>
+ <p>
+ &ldquo;Open the door, Jim,&rdquo; he directed.
+ </p>
+ <p>
+ His examination of the man's eyes had evidently satisfied him that our
+ acquaintance had really been smoking opium.
+ </p>
+ <p>
+ We paused immediately outside the house for which we had been bound, and
+ as I had the key I opened the door and the three of us stepped into a
+ little dark room. Harley closed the door and we stumbled upstairs to a low
+ first-floor apartment facing the street. There was nothing in its
+ appointments, as revealed in the light of an oil lamp burning on the
+ solitary table, to distinguish it from a thousand other such apartments
+ which may be leased for a few shillings a week in the neighbourhood. That
+ adjoining might have told a different story, for it more closely resembled
+ an actor's dressing-room than a seaman's lodging; but the door of this
+ sanctum was kept scrupulously locked.
+ </p>
+ <p>
+ &ldquo;Sit down, old son,&rdquo; said my friend heartily, pushing forward an old
+ arm-chair. &ldquo;Fetch out the grog, Jim; there's about enough for three.&rdquo;
+ </p>
+ <p>
+ I walked to a cupboard, as the fireman sank limply down in the chair, and
+ took out a bottle and three glasses. When the man, who, as I could now see
+ quite plainly, was suffering from the after effects of opium, had eagerly
+ gulped the stiff drink which I handed to him, he looked around with dim,
+ glazed eyes, and:
+ </p>
+ <p>
+ &ldquo;You've saved my life, mates,&rdquo; he declared. &ldquo;I've 'ad a 'orrible
+ nightmare, I 'ave&mdash;a nightmare. See?&rdquo;
+ </p>
+ <p>
+ He fixed his eyes on me for a moment, then raised himself from his seat,
+ peering narrowly at me across the table.
+ </p>
+ <p>
+ &ldquo;I seed you before, mate. Gaw, blimey! if you ain't the bloke wot I giv'd
+ the pigtail to! And wot laid out that blasted Chink as was scraggin' me!
+ Shake, mate!&rdquo;
+ </p>
+ <p>
+ I shook hands with him, Harley eyeing me closely the while, in a manner
+ which told me that his quick brain had already supplied the link
+ connecting our doped acquaintance with my strange experience during his
+ absence. At the same time it occurred to me that my fireman friend did not
+ know that Ah Fu was dead, or he would never have broached the subject so
+ openly.
+ </p>
+ <p>
+ &ldquo;That's so,&rdquo; I said, and wondered if he required further information.
+ </p>
+ <p>
+ &ldquo;It's all right, mate. I don't want to 'ear no more about blinking
+ pigtails&mdash;not all my life I don't,&rdquo; and he sat back heavily in his
+ chair and stared at Harley.
+ </p>
+ <p>
+ &ldquo;Where have you been?&rdquo; inquired Harley, as if no interruption had
+ occurred, and then began to reload his pipe: &ldquo;at Malay Jack's or at Number
+ Fourteen?&rdquo;
+ </p>
+ <p>
+ &ldquo;Neither of 'em!&rdquo; cried the fireman, some evidence of animation appearing
+ in his face; &ldquo;I been at Kwen Lung's.&rdquo;
+ </p>
+ <p>
+ &ldquo;In Pennyfields?&rdquo;
+ </p>
+ <p>
+ &ldquo;That's 'im, the old bloke with the big joss. I allers goes to see Ma
+ Lorenzo when I'm in Port o' London. I've seen 'er for the last time,
+ mates.&rdquo;
+ </p>
+ <p>
+ He banged a big and dirty hand upon the table.
+ </p>
+ <p>
+ &ldquo;Last night I see murder done, an' only that I know they wouldn't believe
+ me, I'd walk across to Limehouse P'lice Station presently and put the
+ splits on 'em, I would.&rdquo;
+ </p>
+ <p>
+ Harley, who was seated behind the speaker, glanced at me significantly.
+ </p>
+ <p>
+ &ldquo;Sure you wasn't dreamin'?&rdquo; he inquired facetiously.
+ </p>
+ <p>
+ &ldquo;Dreamin'!&rdquo; cried the man. &ldquo;Dreams don't leave no blood be'ind, do they?&rdquo;
+ </p>
+ <p>
+ &ldquo;Blood!&rdquo; I exclaimed.
+ </p>
+ <p>
+ &ldquo;That's wot I said&mdash;blood! When I woke up this mornin' there was
+ blood all on that grinnin' joss&mdash;the blood wot 'ad dripped from 'er
+ shoulders when she fell.&rdquo;
+ </p>
+ <p>
+ &ldquo;Eh!&rdquo; said Harley. &ldquo;Blood on whose shoulders? Wot the 'ell are you talkin'
+ about, old son?&rdquo;
+ </p>
+ <p>
+ &ldquo;Ere&rdquo;&mdash;the fireman turned in his chair and grasped Harley by the arm&mdash;&ldquo;listen
+ to me, and I'll tell you somethink, I will. I'm goin' in the Seahawk in
+ the mornin' see? But if you want to know somethink, I'll tell yer. Drunk
+ or sober I bars the blasted p'lice, but if you like to tell 'em I'll put
+ you on somethink worth tellin'. Sure the bottle's empty, mates?&rdquo;
+ </p>
+ <p>
+ I caught Harley's glance and divided the remainder of the whisky evenly
+ between the three glasses.
+ </p>
+ <p>
+ &ldquo;Good 'ealth,&rdquo; said the fireman, and disposed of his share at a draught.
+ &ldquo;That's bucked me up wonderful.&rdquo;
+ </p>
+ <p>
+ He lay back in his chair and from a little tobacco-box began to fill a
+ short clay pipe.
+ </p>
+ <p>
+ &ldquo;Look 'ere, mates, I'm soberin' up, like, after the smoke, an' I can see,
+ I can see plain, as nobody'll ever believe me. Nobody ever does, worse
+ luck, but 'ere goes. Pass the matches.&rdquo;
+ </p>
+ <p>
+ He lighted his pipe, and looking about him in a sort of vaguely aggressive
+ way:
+ </p>
+ <p>
+ &ldquo;Last night,&rdquo; he resumed, &ldquo;after I was chucked out of the Dock Gates, I
+ made up my mind to go and smoke a pipe with old Ma Lorenzo. Round I goes
+ to Pennyfields, and she don't seem glad to see me. There's nobody there
+ only me. Not like the old days when you 'ad to book your seat in advance.&rdquo;
+ </p>
+ <p>
+ He laughed gruffly.
+ </p>
+ <p>
+ &ldquo;She didn't want to let me in at first, said they was watched, that if a
+ Chink 'ad an old pipe wot 'ad b'longed to 'is grandfather it was good
+ enough to get 'im fined fifty quid. Anyway, me bein' an old friend she
+ spread a mat for me and filled me a pipe. I asked after old Kwen Lung,
+ but, of course, 'e was out gamblin', as usual; so after old Ma Lorenzo 'ad
+ made me comfortable an' gone out I 'ad the place to myself, and presently
+ I dozed off and forgot all about bloody ship's bunkers an' nigger-drivin'
+ Scotchmen.&rdquo;
+ </p>
+ <p>
+ He paused and looked about him defiantly.
+ </p>
+ <p>
+ &ldquo;I dunno 'ow long I slept,&rdquo; he continued, &ldquo;but some time in the night I
+ kind of 'alf woke up.&rdquo;
+ </p>
+ <p>
+ At that he twisted violently in his chair and glared across at Harley:
+ </p>
+ <p>
+ &ldquo;You been a pal to me,&rdquo; he said; &ldquo;but tell me I was dreamin' again and
+ I'll smash yer bloody face!&rdquo;
+ </p>
+ <p>
+ He glared for a while, then addressing his narrative more particularly to
+ me, he resumed:
+ </p>
+ <p>
+ &ldquo;It was a scream wot woke me&mdash;a woman's scream. I didn't sit up; I
+ couldn't. I never felt like it before. It was the same as bein' buried
+ alive, I should think. I could see an' I could 'ear, but I couldn't move
+ one muscle in my body. Foller me? An' wot did I see, mates, an' wot did I
+ 'ear? I'm goin' to tell yer. I see old Kwen Lung's daughter&mdash;&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;I didn't know 'e 'ad one,&rdquo; murmured Harley.
+ </p>
+ <p>
+ &ldquo;Then you don't know much!&rdquo; shouted the fireman. &ldquo;I knew years ago, but 'e
+ kept 'er stowed away somewhere up above, an' last night was the first time
+ I ever see 'er. It was 'er shriek wot 'ad reached me, reached me through
+ the smoke. I don't take much stock in Chink gals in general, but this
+ one's mother was no Chink, I'll swear. She was just as pretty as a
+ bloomin' ivory doll, an' as little an' as white, and that old swine Kwen
+ Lung 'ad tore the dress off of 'er shoulders with a bloody great whip!&rdquo;
+ </p>
+ <p>
+ Harley was leaning forward in his seat now, intent upon the man's story,
+ and although I could not get rid of the idea that our friend was relating
+ the events of a particularly unpleasant opium dream, nevertheless I was
+ fascinated by the strange story and by the strange manner of its telling.
+ </p>
+ <p>
+ &ldquo;I saw the blood drip from 'er bare shoulders, mates,&rdquo; the man continued
+ huskily, and with his big dirty hands he strove to illustrate his words.
+ &ldquo;An' that old yellow devil lashed an' lashed until the poor gal was past
+ screamin'. She just sunk down on the floor all of a 'cap, moanin' and
+ moanin'&mdash;Gawd! I can 'ear 'er moanin' now!&rdquo;
+ </p>
+ <p>
+ &ldquo;Meanwhile, 'ere's me with murder in me 'eart lyin' there watchin', an' I
+ can't speak, no! I can't even curse the yellow rat, an' I can't move&mdash;not
+ a 'and, not a foot! Just as she fell there right up against the joss an'
+ 'er blood trickled down on 'is gilded feet, old Ma Lorenzo comes
+ staggerin' in. I remember all this as clear as print, mates, remember it
+ plain, but wot 'appened next ain't so good an' clear. Somethink seemed to
+ bust in me 'ead. Only just before I went off, the winder&mdash;there's
+ only one in the room&mdash;was smashed to smithereens an' somebody come in
+ through it.&rdquo;
+ </p>
+ <p>
+ &ldquo;Are you sure?&rdquo; said Harley eagerly. &ldquo;Are you sure?&rdquo;
+ </p>
+ <p>
+ That he was intensely absorbed in the story he revealed by a piece of bad
+ artistry, very rare in him. He temporarily forgot his dialect. Our marine
+ friend, however, was too much taken up with his own story to notice the
+ slip, and:
+ </p>
+ <p>
+ &ldquo;Dead sure!&rdquo; he shouted.
+ </p>
+ <p>
+ He suddenly twisted around in his chair.
+ </p>
+ <p>
+ &ldquo;Tell me I was dreamin', mate,&rdquo; he invited, &ldquo;and if you ain't dreamin' in
+ 'arf a tick it won't be because I 'aven't put yer to sleep!&rdquo;
+ </p>
+ <p>
+ &ldquo;I ain't arguin', old son,&rdquo; said Harley soothingly. &ldquo;Get on with your
+ yarn.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ho!&rdquo; said the fireman, mollified, &ldquo;so long as you ain't. Well, then, it's
+ all blotted out after that. Somebody come in at the winder, but 'oo it was
+ or wot it was I can't tell yer, not for fifty quid. When I woke up, which
+ is about 'arf an hour before you see me, I'm all alone&mdash;see? There's
+ no sign of Kwen Lung nor the gal nor old Ma Lorenzo nor anybody. I sez to
+ meself, wot you keep on sayin'. I sez, 'You're dreamin', Bill.'&rdquo;
+ </p>
+ <p>
+ &ldquo;But I don't think you was,&rdquo; declared Harley. &ldquo;Straight I don't.&rdquo;
+ </p>
+ <p>
+ &ldquo;I know I wasn't!&rdquo; roared the fireman, and banged the table lustily. &ldquo;I
+ see 'er blood on the joss an' on the floor where she lay!&rdquo;
+ </p>
+ <p>
+ &ldquo;This morning?&rdquo; I interjected.
+ </p>
+ <p>
+ &ldquo;This mornin', in the light of the little oil lamp where old Ma Lorenzo
+ 'ad roasted the pills! It's all still an' quiet an' I feel more dead than
+ alive. I'm goin' to give 'er a hail, see? When I sez to myself, 'Bill,' I
+ sez, 'put out to sea; you're amongst Kaffirs, Bill.' It occurred to me as
+ old Kwen Lung might wonder 'ow much I knew. So I beat it. But when I got
+ in the open air I felt I'd never make my lodgin's without a tonic. That's
+ 'ow I come to meet you, mates.
+ </p>
+ <p>
+ &ldquo;Listen&mdash;I'm away in the old Seahawk in the mornin', but I'll tell
+ you somethink. That yellow bastard killed his daughter last night! Beat
+ 'er to death. I see it plain. The sweetest, prettiest bit of ivory as Gawd
+ ever put breath into. If 'er body ain't in the river, it's in the 'ouse.
+ Drunk or sober, I never could stand the splits, but mates&rdquo;&mdash;he stood
+ up, and grasping me by the arm, he drew me across the room where he also
+ seized Harley in his muscular grip&mdash;&ldquo;mates,&rdquo; he went on earnestly,
+ &ldquo;she was the sweetest, prettiest little gal as a man ever clapped eyes on.
+ One of yer walk into Limehouse Station an' put the koppers wise. I'd sleep
+ easier at sea if I knew old Kwen Lung 'ad gone west on a bloody rope's
+ end.&rdquo;
+ </p>
+ <p>
+ <a name="link2H_4_0027" id="link2H_4_0027">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ II
+ </h2>
+ <h3>
+ AT KWEN LUNG'S
+ </h3>
+ <p>
+ For fully ten minutes after the fireman had departed Paul Harley sat
+ staring abstractedly in front of him, his cold pipe between his teeth, and
+ knowing his moods I intruded no words upon this reverie, until:
+ </p>
+ <p>
+ &ldquo;Come on, Knox,&rdquo; he said, standing up suddenly, &ldquo;I think this matter calls
+ for speedy action.&rdquo;
+ </p>
+ <p>
+ &ldquo;What! Do you think the man's story was true?&rdquo;
+ </p>
+ <p>
+ &ldquo;I think nothing. I am going to look at Kwen Lung's joss.&rdquo;
+ </p>
+ <p>
+ Without another word he led the way downstairs and out into the deserted
+ street. The first gray halftones of dawn were creeping into the sky, so
+ that the outlines of Limehouse loomed like dim silhouettes about us. There
+ was abundant evidence in the form of noises, strange and discordant, that
+ many workers were busy on dock and riverside, but the streets through
+ which our course lay were almost empty. Sometimes a furtive shadow would
+ move out of some black gully and fade into a dimly seen doorway in a
+ manner peculiarly unpleasant and Asiatic. But we met no palpable
+ pedestrian throughout the journey.
+ </p>
+ <p>
+ Before the door of a house in Pennyfields which closely resembled that
+ which we had left in Wade Street, in that it was flatly uninteresting,
+ dirty and commonplace, we paused. There was no sign of life about the
+ place and no lights showed at any of the windows, which appeared as dim
+ cavities&mdash;eyeless sockets in the gray face of the building, as dawn
+ proclaimed the birth of a new day.
+ </p>
+ <p>
+ Harley seized the knocker and knocked sharply. There was no response, and
+ he repeated the summons, but again without effect. Thereupon, with a
+ muttered exclamation, he grasped the knocker a third time and executed a
+ veritable tattoo upon the door. When this had proceeded for about half a
+ minute or more:
+ </p>
+ <p>
+ &ldquo;All right, all right!&rdquo; came a shaky voice from within. &ldquo;I'm coming.&rdquo;
+ </p>
+ <p>
+ Harley released the knocker, and, turning to me:
+ </p>
+ <p>
+ &ldquo;Ma Lorenzo,&rdquo; he whispered. &ldquo;Don't make any mistakes.&rdquo;
+ </p>
+ <p>
+ Indeed, even as he warned me, heralded by a creaking of bolts and the
+ rattling of a chain, the door was opened by a fat, shapeless, half-caste
+ woman of indefinite age; in whose dark eyes, now sunken in bloated cheeks,
+ in whose full though drooping lips, and even in the whole overlaid contour
+ of whose face and figure it was possible to recognize the traces of former
+ beauty. This was Ma Lorenzo, who for many years had lived at that address
+ with old Kwen Lung, of whom strange stories were told in Chinatown.
+ </p>
+ <p>
+ As Bill Jones, A.B., my friend, Paul Harley, was well known to Ma Lorenzo
+ as he was well known to many others in that strange colony which clusters
+ round the London docks. I sometimes enjoyed the privilege of accompanying
+ my friend on a tour of investigation through the weird resorts which
+ abound in that neighbourhood, and, indeed, we had been returning from one
+ of these Baghdad nights when our present adventure had been thrust upon
+ us. Assuming a wild and boisterous manner which he had at command:
+ </p>
+ <p>
+ &ldquo;'Urry up, Ma!&rdquo; said Harley, entering without ceremony; &ldquo;I want to
+ introduce my pal Jim 'ere to old Kwen Lung, and make it all right for him
+ before I sail.&rdquo;
+ </p>
+ <p>
+ Ma Lorenzo, who was half Portuguese, replied in her peculiar accent:
+ </p>
+ <p>
+ &ldquo;This no time to come waking me up out of bed!&rdquo;
+ </p>
+ <p>
+ But Harley, brushing past her, was already inside the stuffy little room,
+ and I hastened to follow.
+ </p>
+ <p>
+ &ldquo;Kwen Lung!&rdquo; shouted my friend loudly. &ldquo;Where are you? Brought a friend to
+ see you.&rdquo;
+ </p>
+ <p>
+ &ldquo;Kwen Lung no hab,&rdquo; came the complaining tones of Ma Lorenzo from behind
+ us.
+ </p>
+ <p>
+ It was curious to note how long association with the Chinese had resulted
+ in her catching the infection of that pidgin-English which is a sort of
+ esperanto in all Asiatic quarters.
+ </p>
+ <p>
+ &ldquo;Eh!&rdquo; cried my friend, pushing open a door on the right of the passage and
+ stumbling down three worn steps into a very evil-smelling room. &ldquo;Where is
+ he?&rdquo;
+ </p>
+ <p>
+ &ldquo;Go play fan-tan. Not come back.&rdquo;
+ </p>
+ <p>
+ Ma Lorenzo, having relocked the street door, had rejoined us, and as I
+ followed my friend down into the dim and uninviting apartment she stood at
+ the top of the steps, hands on hips, regarding us.
+ </p>
+ <p>
+ The place, which was quite palpably an opium den, must have disappointed
+ anyone familiar with the more ornate houses of Chinese vice in San
+ Francisco and elsewhere. The bare floor was not particularly clean, and
+ the few decorations which the room boasted were garishly European for the
+ most part. A deep divan, evidently used sometimes as a bed, occupied one
+ side of the room, and just to the left of the steps reposed the only
+ typically Oriental object in the place.
+ </p>
+ <p>
+ It was a strange thing to see in so sordid a setting; a great gilded joss,
+ more than life-size, squatting, hideous, upon a massive pedestal; a figure
+ fit for some native temple but strangely out of place in that dirty little
+ Limehouse abode.
+ </p>
+ <p>
+ I had never before visited Kwen Lung's, but the fame of his golden joss
+ had reached me, and I know that he had received many offers for it, all of
+ which he had rejected. It was whispered that Kwen Lung was rich, that he
+ was a great man among the Chinese, and even that some kind of religious
+ ceremony periodically took place in his house. Now, as I stood staring at
+ the famous idol, I saw something which made me stare harder than ever.
+ </p>
+ <p>
+ The place was lighted by a hanging lamp from which depended bits of
+ coloured paper and several gilded silk tassels; but dim as the light was
+ it could not conceal those tell-tale stains.
+ </p>
+ <p>
+ There was blood on the feet of the golden idol!
+ </p>
+ <p>
+ All this I detected at a glance, but ere I had time to speak:
+ </p>
+ <p>
+ &ldquo;You can't tell me that tale, Ma!&rdquo; cried Harley. &ldquo;I believe 'e was smokin'
+ in 'ere when we knocked.&rdquo;
+ </p>
+ <p>
+ The woman shrugged her fat shoulders.
+ </p>
+ <p>
+ &ldquo;No, hab,&rdquo; she repeated. &ldquo;You two johnnies clear out. Let me sleep.&rdquo;
+ </p>
+ <p>
+ But as I turned to her, beneath the nonchalant manner I could detect a
+ great uneasiness; and in her dark eyes there was fear. That Harley also
+ had seen the bloodstains I was well aware, and I did not doubt that
+ furthermore he had noted the fact that the only mat which the room boasted
+ had been placed before the joss&mdash;doubtless to hide other stains upon
+ the boards.
+ </p>
+ <p>
+ As we stood so I presently became aware of a current of air passing across
+ the room in the direction of the open door. It came from a window before
+ which a tawdry red curtain had been draped. Either the window behind the
+ curtain was wide open, which is alien to Chinese habits, or it was
+ shattered. While I was wondering if Harley intended to investigate
+ further:
+ </p>
+ <p>
+ &ldquo;Come on, Jim!&rdquo; he cried boisterously, and clapped me on the shoulder;
+ &ldquo;the old fox don't want to be disturbed.&rdquo;
+ </p>
+ <p>
+ He turned to the woman:
+ </p>
+ <p>
+ &ldquo;Tell him when he wakes up, Ma,&rdquo; he said, &ldquo;that if ever my pal Jim wants a
+ pipe he's to 'ave one. Savvy? Jim's square.&rdquo;
+ </p>
+ <p>
+ &ldquo;Savvy,&rdquo; replied the woman, and she was wholly unable to conceal her
+ relief. &ldquo;You clear out now, and I tell Kwen Lung when he come in.&rdquo;
+ </p>
+ <p>
+ &ldquo;Righto, Ma!&rdquo; said Harley. &ldquo;Kiss 'im on both cheeks for me, an' tell 'im
+ I'll be 'ome again in a month.&rdquo;
+ </p>
+ <p>
+ Grasping me by the arm he lurched up the steps, and the two of us
+ presently found ourselves out in the street again. In the growing light
+ the squalor of the district was more evident than ever, but the
+ comparative freshness of the air was welcome after the reek of that room
+ in which the golden idol sat leering, with blood at his feet.
+ </p>
+ <p>
+ &ldquo;You saw, Harley?&rdquo; I exclaimed excitedly. &ldquo;You saw the stains? And I'm
+ certain the window was broken!&rdquo;
+ </p>
+ <p>
+ Harley nodded shortly.
+ </p>
+ <p>
+ &ldquo;Back to Wade Street!&rdquo; he said. &ldquo;I allow myself fifteen minutes to shed
+ Bill Jones, able seaman, and to become Paul Harley, of Chancery Lane.&rdquo;
+ </p>
+ <p>
+ As we hurried along:
+ </p>
+ <p>
+ &ldquo;What steps shall you take?&rdquo; I asked.
+ </p>
+ <p>
+ &ldquo;First step: search Kwen Lung's house from cellar to roof. Second step:
+ entirely dependent upon result of first. The Chinese are subtle, Knox. If
+ Kwen Lung has killed his daughter, it may require all the resources of
+ Scotland Yard to prove it.&rdquo;
+ </p>
+ <p>
+ &ldquo;But&mdash;&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;There is no 'but' about it. Chinatown is the one district of London which
+ possesses the property of swallowing people up.&rdquo;
+ </p>
+ <p>
+ <a name="link2H_4_0028" id="link2H_4_0028">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ III
+ </h2>
+ <h3>
+ &ldquo;CAPTAIN DAN&rdquo;
+ </h3>
+ <p>
+ Half an hour later, as I sat in the inner room before the great
+ dressing-table laboriously removing my disguise&mdash;for I was utterly
+ incapable of metamorphosing myself like Harley in seven minutes&mdash;I
+ heard a rapping at the outer door. I glanced nervously at my face in the
+ mirror.
+ </p>
+ <p>
+ Comparatively little of &ldquo;Jim&rdquo; had yet been removed, for since time was
+ precious to my friend I had acted as his dresser before setting to work to
+ remove my own make-up. There were two entrances to the establishment, by
+ one of which Paul Harley invariably entered and invariably went out, and
+ from the other of which &ldquo;Bill Jones&rdquo; was sometimes seen to emerge, but
+ never Paul Harley. That my friend had made good his retirement I knew,
+ but, nevertheless, if I had to open the door of the outer room it must be
+ as &ldquo;Jim.&rdquo;
+ </p>
+ <p>
+ Thinking it impolite not to do so, since the one who knocked might be
+ aware that we had come in but not gone out again, I hastily readjusted
+ that side of my moustache which I had begun to remove, replaced my cap and
+ muffler, and carefully locking the door of the dressing-room, crossed the
+ outer apartment and opened the door.
+ </p>
+ <p>
+ It was Harley's custom never to enter or leave these rooms except under
+ the mantle of friendly night, but at so early an hour I confess I had not
+ expected a visitor. Wondering whom I should find there I opened the door.
+ </p>
+ <p>
+ Standing on the landing was a fellow-lodger who permanently occupied the
+ two top rooms of the house. Paul Harley had taken the trouble to
+ investigate the man's past, for &ldquo;Captain Dan,&rdquo; the name by which he was
+ known in the saloons and worse resorts which he frequented, was palpably a
+ broken-down gentleman; a piece of flotsam caught in the yellow stream.
+ Opium had been his downfall. How he lived I never knew, but Harley
+ believed he had some small but settled income, sufficient to enable him to
+ kill himself in comfort with the black pills.
+ </p>
+ <p>
+ As he stood there before me in the early morning light, I was aware of
+ some subtle change in his appearance. It was fully six months since I had
+ seen him last, but in some vague way he looked younger. Haggard he was,
+ with an ugly cut showing on his temple, but not so lined as I remembered
+ him. Some former man seemed to be struggling through the opium-scarred
+ surface. His eyes were brighter, and I noted with surprise that he wore
+ decent clothes and was clean shaved.
+ </p>
+ <p>
+ &ldquo;Good morning, Jim,&rdquo; he said; &ldquo;you remember me, don't you?&rdquo;
+ </p>
+ <p>
+ As he spoke I observed, too, that his manner had altered. He who had
+ consorted with the sweepings af the doss-houses now addressed me as a
+ courteous gentleman addresses an inferior&mdash;not haughtily or
+ patronizingly, but with a note of conscious superiority and self-respect
+ wholly unfamiliar. Almost it threw me off my guard, but remembering in the
+ nick of time that I was still &ldquo;Jim&rdquo;:
+ </p>
+ <p>
+ &ldquo;Of course I remember you, Cap'n,&rdquo; I said. &ldquo;Step inside.&rdquo;
+ </p>
+ <p>
+ &ldquo;Thanks,&rdquo; he replied, and followed me into the little room.
+ </p>
+ <p>
+ I placed for him the arm-chair which our friend the fireman had so
+ recently occupied, but:
+ </p>
+ <p>
+ &ldquo;I won't sit down,&rdquo; he said.
+ </p>
+ <p>
+ And now I observed that he was evidently in a condition of repressed
+ excitement. Perhaps he saw the curiosity in my glance, for he suddenly
+ rested both his hands on my shoulders, and:
+ </p>
+ <p>
+ &ldquo;Yes, I have given up the dope, Jim,&rdquo; he said&mdash;-&ldquo;done with it for
+ ever. There's not a soul in this neighbourhood I can trust, yet if ever a
+ man wanted a pal, I want one to-day. Now, you're square, my lad. I always
+ knew that, in spite of the dope; and if I ask you to do a little thing
+ that means a lot to me, I think you will do it. Am I right?&rdquo;
+ </p>
+ <p>
+ &ldquo;If it can be done, I'll do it,&rdquo; said I.
+ </p>
+ <p>
+ &ldquo;Then, listen. I'm leaving England in the Patna for Singapore. She sails
+ at noon to-morrow, and passengers go on board at ten o'clock. I've got my
+ ticket, papers in order, but&rdquo;&mdash;he paused impressively, grasping my
+ shoulders hard&mdash;&ldquo;I must get on board to-night.&rdquo;
+ </p>
+ <p>
+ I stared him in the face.
+ </p>
+ <p>
+ &ldquo;Why?&rdquo; I asked.
+ </p>
+ <p>
+ He returned my look with one searching and eager; then:
+ </p>
+ <p>
+ &ldquo;If I show you the reason,&rdquo; said he, &ldquo;and trust you with all my papers,
+ will you go down to the dock&mdash;it's no great distance&mdash;and ask to
+ see Marryat, the chief officer? Perhaps you've sailed with him?&rdquo;
+ </p>
+ <p>
+ &ldquo;No,&rdquo; I replied guardedly. &ldquo;I was never in the Patna.&rdquo;
+ </p>
+ <p>
+ &ldquo;Never mind. When you give him a letter which I shall write he will make
+ the necessary arrangements for me to occupy my state-room to-night. I knew
+ him well,&rdquo; he explained, &ldquo;in&mdash;the old days. Will you do it, Jim?&rdquo;
+ </p>
+ <p>
+ &ldquo;I'll do it with pleasure,&rdquo; I answered.
+ </p>
+ <p>
+ &ldquo;Shake!&rdquo; said Captain Dan.
+ </p>
+ <p>
+ We shook hands heartily, and:
+ </p>
+ <p>
+ &ldquo;Now I'll show you the reason,&rdquo; he added. &ldquo;Come upstairs.&rdquo;
+ </p>
+ <p>
+ Turning, he led the way upstairs to his own room, and wondering greatly, I
+ followed him in. Never having been in Captain Dan's apartments I cannot
+ say whether they, like their occupant, had changed for the better. But I
+ found myself in a room surprisingly clean and with a note of culture in
+ its appointments which was even more surprising.
+ </p>
+ <p>
+ On a couch by the window, wrapped in a fur rug, lay the prettiest
+ half-caste girl I had ever seen, East or West. Her skin was like cream
+ rose petals and her abundant hair was of wonderful lustrous black. Perhaps
+ it was her smooth warm colour which suggested the idea, but as her cheeks
+ flushed at sight of Captain Dan and the long dark eyes lighted up in
+ welcome, I thought of a delicate painting on ivory and I wondered more and
+ more what it all could mean.
+ </p>
+ <p>
+ &ldquo;I have brought Jim to see you,&rdquo; said Captain Dan. &ldquo;No, don't trouble to
+ move dear.&rdquo;
+ </p>
+ <p>
+ But even before he had spoken I had seen the girl wince with pain as she
+ had endeavoured to sit up to greet us. She lay on her side in a rather
+ constrained attitude, but although her sudden movement had brought tears
+ to her eyes she smiled bravely and extended a tiny ivory hand to me.
+ </p>
+ <p>
+ &ldquo;This is my wife, Jim!&rdquo; said Captain Dan.
+ </p>
+ <p>
+ I could find no words at all, but merely stood there looking very awkward
+ and feeling almost awed by the indescribable expression of trust in the
+ eyes of the little Eurasian, as with her tiny fingers hidden in her
+ husband's clasp she lay looking up at him.
+ </p>
+ <p>
+ &ldquo;Now you know, Jim,&rdquo; said he, &ldquo;why we must get aboard the Patna to-night.
+ My wife is really too ill to travel; in fact, I shall have to carry her
+ down to the cab, and such a proceeding in daylight would attract an
+ enormous crowd in this neighbourhood!&rdquo;
+ </p>
+ <p>
+ &ldquo;Give me the letters and the papers,&rdquo; I answered. &ldquo;I will start now.&rdquo;
+ </p>
+ <p>
+ His wife disengaged her hand and extended it to me.
+ </p>
+ <p>
+ &ldquo;Thank you,&rdquo; she said, in a queer little silver-bell voice; &ldquo;you are good.
+ I shall always love you.&rdquo;
+ </p>
+ <p>
+ <a name="link2H_4_0029" id="link2H_4_0029">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ IV
+ </h2>
+ <h3>
+ THE SECRET OF MA LORENZO
+ </h3>
+ <p>
+ It must have been about eleven o'clock that night when Paul Harley rang me
+ up. Since we had parted in the early morning I had had no word from him,
+ and I was all anxiety to tell him of the quaint little romance which
+ unknown to us had had its setting in the room above.
+ </p>
+ <p>
+ In accordance with my promise I had seen the chief officer of the Patna;
+ and from the start of surprise which he gave on opening &ldquo;Captain Dan's&rdquo;
+ letter, I judged that Mr. Marryat and the man who for so long had sunk to
+ the lowest rung of the ladder had been close friends in those &ldquo;old days.&rdquo;
+ At any rate, he had proceeded to make the necessary arrangements without a
+ moment's delay, and the couple were to go on board the Patna at nine
+ o'clock.
+ </p>
+ <p>
+ It was with a sense of having done at least one good deed that I finally
+ quitted our Limehouse base and returned to my rooms. Now, at eleven
+ o'clock at night:
+ </p>
+ <p>
+ &ldquo;Can you come round to Chancery Lane at once?&rdquo; said Harley. &ldquo;I want you to
+ run down to Pennyfields with me.&rdquo;
+ </p>
+ <p>
+ &ldquo;Some development in the Kwen Lung business?&rdquo;
+ </p>
+ <p>
+ &ldquo;Hardly a development, but I'm not satisfied, Knox. I hate to be beaten.&rdquo;
+ </p>
+ <p>
+ Twenty minutes later I was sitting in Harley's study, watching him
+ restlessly promenading up and down before the fire.
+ </p>
+ <p>
+ &ldquo;The police searched Kwen Lung's place from foundation to tiles,&rdquo; he said.
+ &ldquo;I was there myself. Old Kwen Lung conveniently kept out of the way&mdash;still
+ playing fan-tan, no doubt! But Ma Lorenzo was in evidence. She blandly
+ declared that Kwen Lung never had a daughter! And in the absence of our
+ friend the fireman, who sailed in the Seahawk, and whose evidence, by the
+ way, is legally valueless&mdash;what could we do? They could find nobody
+ in the neighbourhood prepared to state that Kwen Lung had a daughter or
+ that Kwen Lung had no daughter. There are all sorts of fables about the
+ old fox, but the facts about him are harder to get at.&rdquo;
+ </p>
+ <p>
+ &ldquo;But,&rdquo; I explained, &ldquo;the bloodstains on the joss!&rdquo;
+ </p>
+ <p>
+ &ldquo;Ma Lorenzo stumbled and fell there on the previous night, striking her
+ skull against the foot of the figure.&rdquo;
+ </p>
+ <p>
+ &ldquo;What nonsense!&rdquo; I cried. &ldquo;We should have seen the wound last night.&rdquo;
+ </p>
+ <p>
+ &ldquo;We might have done,&rdquo; said Harley musingly; &ldquo;I don't know when she
+ inflicted it on herself; but I did see it this morning.&rdquo;
+ </p>
+ <p>
+ &ldquo;What!&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, the gash is there all right, partly covered by her hair.&rdquo;
+ </p>
+ <p>
+ He stood still, staring at me oddly.
+ </p>
+ <p>
+ &ldquo;One meets with cases of singular devotion in unexpected quarters
+ sometimes,&rdquo; he said.
+ </p>
+ <p>
+ &ldquo;You mean that the woman inflicted the wound upon herself in order&mdash;&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;To save old Kwen Lung&mdash;exactly! It's marvellous.&rdquo;
+ </p>
+ <p>
+ &ldquo;Good heavens!&rdquo; I exclaimed. &ldquo;And the window?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh! it was broken right enough&mdash;by two drunken sailormen fighting in
+ the court outside! Sash and everything smashed to splinters.&rdquo;
+ </p>
+ <p>
+ He began irritably to pace the carpet again.
+ </p>
+ <p>
+ &ldquo;It must have been a devil of a fight!&rdquo; he added savagely.
+ </p>
+ <p>
+ &ldquo;Meanwhile,&rdquo; said I, &ldquo;where is old Kwen Lung hiding?&rdquo;
+ </p>
+ <p>
+ &ldquo;But more particularly,&rdquo; cried Harley, &ldquo;where has he hidden the poor
+ victim? Come along, Knox! I'm going down there for a final look round.&rdquo;
+ </p>
+ <p>
+ &ldquo;Of course the premises are being watched?&rdquo;
+ </p>
+ <p>
+ &ldquo;Of course&mdash;and also, of course, I shall be the laughing stock of
+ Scotland Yard if nothing results.&rdquo;
+ </p>
+ <p>
+ It was close on midnight when once more I found myself in Pennyfields.
+ Carried away by Harley's irritable excitement I had quite forgotten the
+ romance of Captain Dan; and when, having exchanged greetings with the
+ detective on duty hard by the house of Kwen Lung, we presently found
+ ourselves in the presence of Ma Lorenzo, I scarcely knew for a moment if I
+ were &ldquo;Jim&rdquo; or my proper self.
+ </p>
+ <p>
+ &ldquo;Is Kwen Lung in?&rdquo; asked Harley sternly.
+ </p>
+ <p>
+ The woman shook her head.
+ </p>
+ <p>
+ &ldquo;No,&rdquo; she replied; &ldquo;he sometimes stop away a whole week.&rdquo;
+ </p>
+ <p>
+ &ldquo;Does he?&rdquo; jerked Harley. &ldquo;Come in, Knox; we'll take another look round.&rdquo;
+ </p>
+ <p>
+ A moment later I found myself again in the room of the golden joss. The
+ red curtain had been removed from before the shattered window, but
+ otherwise the place looked exactly as it had looked before. The atmosphere
+ was much less stale, however, but there was something repellent about the
+ great gilded idol smiling eternally from his pedestal beside the door.
+ </p>
+ <p>
+ I stared into the leering face, and it was the face of one who knew and
+ who might have said: &ldquo;Yes! this and other things equally strange have I
+ beheld in many lands as well as England. Much I could tell. Many things
+ grim and terrible, and some few joyous; for behold! I smile but am
+ silent.&rdquo;
+ </p>
+ <p>
+ For a while Harley stared abstractedly at the bloodstains on the pedestal
+ of the joss and upon the floor beneath from which the matting had been
+ pulled back. Suddenly he turned to Ma Lorenzo:
+ </p>
+ <p>
+ &ldquo;Where have you hidden the body?&rdquo; he demanded.
+ </p>
+ <p>
+ Watching her, I thought I saw the woman flinch, but there was enough of
+ the Oriental in her composition to save her from self-betrayal. She shook
+ her head slowly, watching Harley through half-closed eyes.
+ </p>
+ <p>
+ &ldquo;Nobody hab,&rdquo; she replied.
+ </p>
+ <p>
+ And I thought for once that her lapse into pidgin had been deliberate and
+ not accidental.
+ </p>
+ <p>
+ When finally we quitted the house of the missing Kwen Lung, and when,
+ Harley having curtly acknowledged &ldquo;good night&rdquo; from the detective on duty,
+ we came out into Limehouse Causeway.
+ </p>
+ <p>
+ &ldquo;You have not overlooked the possibility, Harley,&rdquo; I said, &ldquo;that this
+ woman's explanation may be true, and that the fireman of the Seahawk may
+ have been entertaining us with an account of a weird dream?&rdquo;
+ </p>
+ <p>
+ &ldquo;No!&rdquo; snapped Harley&mdash;&ldquo;neither will Scotland Yard overlook it.&rdquo;
+ </p>
+ <p>
+ He was in a particularly impossible mood, for he so rarely made mistakes
+ that to be detected in one invariably brought out those petulant traits of
+ character which may have been due in some measure to long residence in the
+ East. Recognizing that he would rather be alone I parted from him at the
+ corner of Chancery Lane and returned to my own chambers. Furthermore, I
+ was very tired, for it was close upon two o'clock, and on turning in I
+ very promptly went to sleep, nor did I awaken until late in the morning.
+ </p>
+ <p>
+ For some odd reason, but possibly because the fact had occurred to me just
+ as I was retiring, I remembered at the moment of waking that I had not
+ told Harley about the romantic wedding of Captain Dan. As I had left my
+ friend in very ill humour I thought that this would be a good excuse for
+ an early call, and just before eleven o'clock I walked into his office.
+ Innes, his invaluable secretary, showed me into the study at the back.
+ </p>
+ <p>
+ &ldquo;Hallo, Knox,&rdquo; said Harley, looking up from a little silver Buddha which
+ he was examining, &ldquo;have you come to ask for news of the Kwen Lung case?&rdquo;
+ </p>
+ <p>
+ &ldquo;No,&rdquo; I replied. &ldquo;Is there any?&rdquo;
+ </p>
+ <p>
+ Harley shook his head.
+ </p>
+ <p>
+ &ldquo;It seems like fate,&rdquo; he declared, &ldquo;that this thing should have been sent
+ to me this morning.&rdquo; He indicated the silver Buddha. &ldquo;A present from a
+ friend who knows my weakness for Chinese ornaments,&rdquo; he explained grimly.
+ &ldquo;It reminds me of that damned joss of Kwen Lung's!&rdquo;
+ </p>
+ <p>
+ I took up the little image and examined it with interest. It was most
+ beautifully fashioned in the patient Oriental way, and there was a little
+ hinged door in the back which fitted so perfectly that when closed it was
+ quite impossible to detect its presence. I glanced at Harley.
+ </p>
+ <p>
+ &ldquo;I suppose you didn't find a jewel inside?&rdquo; I said lightly.
+ </p>
+ <p>
+ &ldquo;No,&rdquo; he replied; &ldquo;there was nothing inside.&rdquo;
+ </p>
+ <p>
+ But even as he uttered the words his whole expression changed, and so
+ suddenly as to startle me. He sprang up from the table, and:
+ </p>
+ <p>
+ &ldquo;Have you an hour to spare, Knox?&rdquo; he cried excitedly.
+ </p>
+ <p>
+ &ldquo;I can spare an hour, but what for?&rdquo;
+ </p>
+ <p>
+ &ldquo;For Kwen Lung!&rdquo;
+ </p>
+ <p>
+ Four minutes later we were speeding in the direction of Limehouse, and not
+ a word of explanation to account for this sudden journey could I extract
+ from my friend. Therefore I beguiled the time by telling him of my
+ adventure with Captain Dan.
+ </p>
+ <p>
+ Harley listened to the story in unbroken silence, but at its termination
+ he brought his hand down sharply on my knee.
+ </p>
+ <p>
+ &ldquo;I have been almost perfectly blind, Knox,&rdquo; he said; &ldquo;but not quite so
+ perfectly blind as you!&rdquo;
+ </p>
+ <p>
+ I stared at him in amazement, but he merely laughed and offered no
+ explanation of his words.
+ </p>
+ <p>
+ Presently, then, I found myself yet again in the familiar room of the
+ golden joss. Ma Lorenzo, in whom some hidden anxiety seemed to have
+ increased since I had last seen her, stood at the top of the stairs
+ watching us. Upon what idea my friend was operating and what he intended
+ to do I could not imagine; but without a word to the woman he crossed the
+ room and grasping the great golden idol with both arms he dragged it
+ forward across the floor!
+ </p>
+ <p>
+ As he did so there was a stifled shriek, and Ma Lorenzo, stumbling down
+ the steps, threw herself on her knees before Harley! Raising imploring
+ hands:
+ </p>
+ <p>
+ &ldquo;No, no!&rdquo; she moaned. &ldquo;Not until I tell you&mdash;I tell you everything
+ first!&rdquo;
+ </p>
+ <p>
+ &ldquo;To begin with, tell me how to open this thing,&rdquo; he said sternly.
+ </p>
+ <p>
+ Momentarily she hesitated, and did not rise from her knees, but:
+ </p>
+ <p>
+ &ldquo;Do you hear me?&rdquo; he cried.
+ </p>
+ <p>
+ The woman rose unsteadily and walking slowly round the joss manipulated
+ some hidden fastening, whereupon the entire back of the thing opened like
+ a door! From what was within she shudderingly averted her face, but
+ Harley, stepping back against the wall, stopped and peered into the
+ cavity.
+ </p>
+ <p>
+ &ldquo;Good God!&rdquo; he muttered. &ldquo;Come and look, Knox.&rdquo;
+ </p>
+ <p>
+ Prepared by his manner for some gruesome spectacle, I obeyed&mdash;and
+ from that which I saw I recoiled in horror.
+ </p>
+ <p>
+ &ldquo;Harley,&rdquo; I whispered, &ldquo;Harley! who is it?&rdquo;
+ </p>
+ <p>
+ The spectacle had truly sickened me. Crouched within the narrow space
+ enclosed by the figure of the idol was the body of an old and wrinkled
+ Chinaman! His knees were drawn up to his chin, and his head so compressed
+ upon them that little of his features could be seen.
+ </p>
+ <p>
+ &ldquo;It is Kwen Lung!&rdquo; murmured Ma Lorenzo, standing with clasped hands and
+ wild eyes over by the window. &ldquo;Kwen Lung&mdash;and I am glad he is dead!&rdquo;
+ </p>
+ <p>
+ Such a note of hatred came into her voice as I had never heard in the
+ voice of any woman.
+ </p>
+ <p>
+ &ldquo;He is vile, a demon, a mocking cruel demon! Long, long years ago I would
+ have killed him, but always I was afraid. I tell you everything,
+ everything. This is how he comes to be dead. The little one&rdquo;&mdash;again
+ her voice changed and a note of almost grotesque tenderness came into it&mdash;&ldquo;the
+ lotus-flower, that is his own daughter's child, flesh of his flesh, he
+ keeps a prisoner as the women of China are kept, up there&rdquo;&mdash;she
+ raised one fat finger aloft&mdash;&ldquo;up above. He does not know that someone
+ comes to see her&mdash;someone who used to come to smoke but who gave it
+ up because he had looked into the dear one's eye. He does not know that
+ she goes with me to see her man. Ah! we think he does not know! I&mdash;I
+ arrange it all. A week ago they were married. Tuesday night, when Kwen
+ Lung die, I plan for her to steal away for ever, for ever.&rdquo;
+ </p>
+ <p>
+ Tears now were running down the woman's fat cheeks, and her voice quivered
+ emotionally.
+ </p>
+ <p>
+ &ldquo;For me it is the end, but for her it is the beginning of life. All right!
+ I don't matter a damn! She is young and beautiful. Ah, God! so beautiful!
+ A drunken pig comes here and finds his way in, so I give him the smoke and
+ presently he sleeps, but it makes delay, and I don't know how soon Kwen
+ Lung, that yellow demon, will wake. For he is like the bats who sleep all
+ day and wake at night.
+ </p>
+ <p>
+ &ldquo;At last the sailor pig sleeps and I call softly to my dear little one
+ that the time has come. I have gone out into the street, locking the door
+ behind me, to see if her man is waiting, and I hear her shrieks&mdash;her
+ shrieks! I hurry back. My hands tremble so much that I can scarcely unlock
+ the door. At last I enter, and I see and I know&mdash;that yellow devil
+ has learned all and has been playing with us like cat and mouse! He is
+ lashing her, with a great whip! Lashing her&mdash;that tiny, sweet flower.
+ Ah!&rdquo;
+ </p>
+ <p>
+ She choked in her utterance, and turning to the gilded joss which
+ contained the dead Chinaman she shook her clenched hands at it, and the
+ expression on her face I can never forget. Then:
+ </p>
+ <p>
+ &ldquo;As I shriek curses at him, crash goes the window&mdash;and I see her
+ husband spring into the room! The tender one had fallen, there at the foot
+ of the joss, and Kwen Lung, his teeth gleaming&mdash;like a rat&mdash;like
+ a devil&mdash;turns to meet him. So he is when her man strike him, once.
+ Just once, here.&rdquo; She rested her hand upon her heart. &ldquo;And he falls&mdash;and
+ he coughs. He lie still. For him it is finished. That devil heart has
+ ceased to beat. Ah!&rdquo;
+ </p>
+ <p>
+ She threw up her hands, and:
+ </p>
+ <p>
+ &ldquo;That is all. I tell you no more.&rdquo;
+ </p>
+ <p>
+ &ldquo;One thing more,&rdquo; said Harley sternly; &ldquo;the name of the man who killed
+ Kwen Lung?&rdquo;
+ </p>
+ <p>
+ At that Ma Lorenzo slowly raised her head and folded her arms across her
+ bosom. There was something one could never forget in the expression of her
+ fat face.
+ </p>
+ <p>
+ &ldquo;Not if you burn me alive!&rdquo; she answered in a low voice. &ldquo;No one ever
+ knows that&mdash;from me.&rdquo;
+ </p>
+ <p>
+ She sank on to the divan and buried her face in her hands. Her fat
+ shoulders shook grotesquely; and Harley stood perfectly still staring
+ across at her for fully a minute. I could hear voices in the street
+ outside and the hum of traffic in Limehouse Causeway.
+ </p>
+ <p>
+ Then my friend did a singular thing. Walking over to the gilded joss he
+ reclosed the opening and not without a great effort pushed the great idol
+ back against the wall.
+ </p>
+ <p>
+ &ldquo;There are times, Knox,&rdquo; he said, staring at me oddly, &ldquo;when I'm glad that
+ I am not an official agent of the law.&rdquo;
+ </p>
+ <p>
+ While I watched him dumfounded he walked across to the woman and touched
+ her on the shoulder. She raised her tear-stained face.
+ </p>
+ <p>
+ &ldquo;All right,&rdquo; she whispered. &ldquo;I am ready.&rdquo;
+ </p>
+ <p>
+ &ldquo;Get ready as soon as you like,&rdquo; said he tersely.
+ </p>
+ <p>
+ &ldquo;I'll have the man removed who is watching the house, and you can reckon
+ on forty-eight hours to make yourself scarce.&rdquo;
+ </p>
+ <p>
+ With never another word he seized me by the arm and hurried me out of the
+ place! Ten paces along the street a shabby-looking fellow was standing,
+ leaning against a pillar. Harley stopped, and:
+ </p>
+ <p>
+ &ldquo;Even the greatest men make mistakes sometimes, Hewitt,&rdquo; he remarked. &ldquo;I'm
+ throwing up the case; probably Inspector Wessex will do the same. Good
+ morning.&rdquo;
+ </p>
+ <p>
+ On towards the Causeway he led me&mdash;for not a word was I capable of
+ uttering; and just before we reached that artery of Chinatown, from
+ down-river came the deep, sustained note of a steamer's siren, the warning
+ of some big liner leaving dock.
+ </p>
+ <p>
+ &ldquo;That will be the Patna,&rdquo; said Harley. &ldquo;She sails at twelve o'clock, I
+ think you said?&rdquo;
+ </p>
+ <p>
+ <a name="link2H_4_0030" id="link2H_4_0030">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ MAN WITH THE SHAVEN SKULL
+ </h2>
+ <p>
+ <a name="link2H_4_0031" id="link2H_4_0031">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ I
+ </h2>
+ <h3>
+ A STRANGE DISAPPEARANCE
+ </h3>
+ <p>
+ &ldquo;Pull that light lower,&rdquo; ordered Inspector Wessex. &ldquo;There you are, Mr.
+ Harley; what do you make of it?&rdquo;
+ </p>
+ <p>
+ Paul Harley and I bent gingerly over the ghastly exhibit to which the
+ C.I.D. official had drawn our attention, and to view which we had
+ journeyed from Chancery Lane to Wapping.
+ </p>
+ <p>
+ This was the body of a man dressed solely in ragged shirt and trousers.
+ But the remarkable feature of his appearance lay in the fact that every
+ scrap of hair from chin, lip, eyebrows and skull had been shaved off!
+ </p>
+ <p>
+ There was another facial disfigurement, peculiarly and horribly Eastern,
+ which my pen may not describe.
+ </p>
+ <p>
+ &ldquo;Impossible to identify!&rdquo; murmured Harley. &ldquo;Yes, you were right,
+ Inspector; this is a victim of Oriental deviltry. Look here, too!&rdquo;
+ </p>
+ <p>
+ He indicated three small wounds, one situated on the left shoulder and the
+ others on the forearm of the dead man.
+ </p>
+ <p>
+ &ldquo;The divisional surgeon cannot account for them,&rdquo; replied Wessex. &ldquo;They
+ are quite superficial, and he thinks they may be due to the fact that the
+ body got entangled with something in the river.&rdquo;
+ </p>
+ <p>
+ &ldquo;They are due to the fact that the man had a birthmark on his shoulder and
+ something&mdash;probably a name or some device&mdash;tattooed on his arm,&rdquo;
+ said Harley quietly. &ldquo;Some few years ago, I met with a similar case in the
+ neighbourhood of Stambul. A woman,&rdquo; he added, significantly.
+ </p>
+ <p>
+ Detective-Inspector Wessex listened to my companion with respect, for
+ apart from his established reputation as a private inquiry-agent which had
+ made his name familiar in nearly every capital of the civilized world,
+ Paul Harley's work in Constantinople during the six months preceding war
+ with Turkey had merited higher reward than it had ever received. Had his
+ recommendations been adopted the course of history must have been
+ materially changed.
+ </p>
+ <p>
+ &ldquo;You think it's a Chinatown case, then, Mr. Harley?&rdquo;
+ </p>
+ <p>
+ &ldquo;Possibly,&rdquo; was the guarded answer.
+ </p>
+ <p>
+ Paul Harley nodded to the constable in charge, and the ghastly figure was
+ promptly covered up again. My friend stood staring vacantly at Wessex, and
+ presently:
+ </p>
+ <p>
+ &ldquo;The chief actor, I think, will prove to be not Chinese,&rdquo; he said, turned,
+ and walked out.
+ </p>
+ <p>
+ &ldquo;If there's any development,&rdquo; remarked Wessex as the three of us entered
+ Harley's car, which stood at the door, &ldquo;I will, of course, report to you,
+ Mr. Harley. But in the absence of any clue or mark of identification, I
+ fear the verdict will be, 'Body of a man unknown,' etc., which has marked
+ the finish of a good many in this cheerful quarter of London.&rdquo;
+ </p>
+ <p>
+ &ldquo;Quite so,&rdquo; said Harley, absently. &ldquo;It presents extraordinary features,
+ though, and may not end as you suppose. However&mdash;where do you want me
+ to drop you, Wessex, at the Yard?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh no,&rdquo; answered Wessex. &ldquo;I made a special visit to Wapping just to get
+ your opinion on the shaven man. I'm really going down to Deepbrow to look
+ into that new disappearance case; the daughter of the gamekeeper. You'll
+ have read of it?&rdquo;
+ </p>
+ <p>
+ &ldquo;I have,&rdquo; said Harley shortly.
+ </p>
+ <p>
+ Indeed, readers of the daily press were growing tired of seeing on the
+ contents bills: &ldquo;Another girl missing.&rdquo; The circumstance (which might have
+ been no more than coincidence) that three girls had disappeared within the
+ last eight weeks leaving no trace behind, had stimulated the professional
+ scribes to link the cases, although no visible link had been found, and to
+ enliven a somewhat dull journalistic season with theories about &ldquo;a new
+ Mormon menace.&rdquo;
+ </p>
+ <p>
+ The vanishing of this fourth girl had inspired them to some startling
+ headlines, and the case had interested me personally for the reason that I
+ was acquainted with Sir Howard Hepwell, one of whose gamekeepers was the
+ stepfather of the missing Molly Clayton. Moreover, it was hinted that she
+ had gone away in the company of Captain Ronald Vane, at that time a guest
+ of Sir Howard's at the Manor.
+ </p>
+ <p>
+ In fact, Sir Howard had 'phoned to ask me if I could induce Harley to run
+ down, but my friend had expressed himself as disinterested in a common
+ case of elopement. Now, as Wessex spoke, I glanced aside at Harley,
+ wondering if the fact that so celebrated a member of the C.I.D. as
+ Detective-Inspector Wessex had been put in charge would induce him to
+ change his mind.
+ </p>
+ <p>
+ We were traversing a particularly noisy and unsavoury section of the
+ Commercial Road, and although I could see that Wessex was anxious to
+ impart particulars of the case to Harley, so loud was the din that I
+ recognized the impossibility of conversing, and therefore:
+ </p>
+ <p>
+ &ldquo;Have you time to call at my rooms, Wessex?&rdquo; I asked.
+ </p>
+ <p>
+ &ldquo;Well,&rdquo; he replied, &ldquo;I have three-quarters of an hour.&rdquo;
+ </p>
+ <p>
+ &ldquo;You can do it in the car,&rdquo; said Harley suddenly. &ldquo;I have been asked to
+ look into this case myself, and before I definitely decline I should like
+ to hear your version of the matter.&rdquo;
+ </p>
+ <p>
+ Accordingly, we three presently gathered in my chambers, and Wessex, with
+ one eye on the clock, outlined the few facts at that time in his
+ possession respecting the missing girl.
+ </p>
+ <p>
+ Two days before the news of the disappearance had been published broadcast
+ under such headings as I have already indicated, a significant scene had
+ been enacted in the gamekeeper's cottage.
+ </p>
+ <p>
+ Molly Clayton, a girl whose remarkable beauty had made her a central
+ figure in numerous scandalous stories, for such is the charity of rural
+ neighbours, was detected by her stepfather, about eight in the evening,
+ slipping out of the cottage.
+ </p>
+ <p>
+ &ldquo;Where be ye goin', hussy?&rdquo; he demanded, grasping her promptly by the arm.
+ </p>
+ <p>
+ &ldquo;For a walk!&rdquo; she replied defiantly.
+ </p>
+ <p>
+ &ldquo;A walk wi' that fine soger from t' Manor!&rdquo; roared Bramber furiously.
+ &ldquo;You'll be sorry yet, you barefaced gadabout! Must I tell you again that
+ t' man's a villain?&rdquo;
+ </p>
+ <p>
+ The girl wrenched her arm from Bramber's grasp, and blazed defiance from
+ her beautiful eyes.
+ </p>
+ <p>
+ &ldquo;He knows how to respect a woman&mdash;what you don't!&rdquo; she retorted
+ hotly.
+ </p>
+ <p>
+ &ldquo;So I don't respect you, my angel?&rdquo; shouted her stepfather. &ldquo;Then you know
+ what you can do! The door's open and there's few'll miss you!&rdquo;
+ </p>
+ <p>
+ Snatching her hat, the girl, very white, made to go out. Whereat the
+ gamekeeper, a brutal man with small love for Molly, and maddened by her
+ taking him at his word, seized her suddenly by her abundant fair hair and
+ hauled her back into the room.
+ </p>
+ <p>
+ A violent scene followed, at the end of which Molly fainted and Bramber
+ came out and locked the door.
+ </p>
+ <p>
+ When he came back about half-past nine the girl was missing. She did not
+ reappear that night, and the police were advised in the morning. Their
+ most significant discovery was this:
+ </p>
+ <p>
+ Captain Ronald Vane, on the night of Molly's disappearance, had left the
+ Manor House, after dining alone with his host, Sir Howard Hepwell, saying
+ that he proposed to take a stroll as far as the Deep Wood.
+ </p>
+ <p>
+ He never returned!
+ </p>
+ <p>
+ From the moment that Gamekeeper Bramber left his cottage, and the moment
+ when Sir Howard Hepwell parted from his guest after dinner, the world to
+ which these two people, Molly Clayton and Captain Vane, were known, knew
+ them no more!
+ </p>
+ <p>
+ I was about to say that they were never seen again. But to me has fallen
+ the task of relating how and where Paul Harley and I met with Captain Vane
+ and Molly Clayton.
+ </p>
+ <p>
+ At the end of the Inspector's account:
+ </p>
+ <p>
+ &ldquo;H'm,&rdquo; said Harley, glancing under his thick brows in my direction, &ldquo;could
+ you spare the time, Knox?&rdquo;
+ </p>
+ <p>
+ &ldquo;To go to Deepbrow?&rdquo; I asked with interest.
+ </p>
+ <p>
+ &ldquo;Yes; we have ten minutes to catch the train.&rdquo;
+ </p>
+ <p>
+ &ldquo;I'll come,&rdquo; said I. &ldquo;Sir Howard will be delighted to see you, Harley.&rdquo;
+ </p>
+ <p>
+ <a name="link2H_4_0032" id="link2H_4_0032">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ II
+ </h2>
+ <h3>
+ THE CLUE OF THE PHOTOGRAPHS
+ </h3>
+ <p>
+ &ldquo;What do you make of it, Inspector?&rdquo; asked my friend. Detective-Inspector
+ Wessex smiled, and scratched his chin.
+ </p>
+ <p>
+ &ldquo;There was no need for me to come down!&rdquo; he replied. &ldquo;And certainly no
+ need for you, Mr. Harley!&rdquo;
+ </p>
+ <p>
+ Harley bowed, smiling, at the implied compliment.
+ </p>
+ <p>
+ &ldquo;It's a common or garden elopement!&rdquo; continued the detective. &ldquo;Vane's
+ reputation is absolutely rotten, and the girl was clearly infatuated. He
+ must have cared a good bit, too. He'll be cashiered, as sure as a gun!&rdquo;
+ </p>
+ <p>
+ Leaving Sir Howard at the Manor, we had joined Inspector Wessex at a spot
+ where the baronet's preserves bordered a narrow lane. Here the ground was
+ soft, and the detective drew Harley's attention to a number of footprints
+ by a stile.
+ </p>
+ <p>
+ &ldquo;I've got evidence that he was seen here with the girl on other occasions.
+ Now, Mr. Harley, I'll ask you to look over these footprints.&rdquo;
+ </p>
+ <p>
+ Harley dropped to his knees and made a brief but close examination of the
+ ground round about. One particularly clear imprint of a pointed toe he
+ noticed especially; and Wessex, diving into the pocket of his light
+ overcoat, produced a patent-leather shoe, such as is used for evening
+ wear.
+ </p>
+ <p>
+ &ldquo;He had a spare pair in his bag,&rdquo; he explained nonchalantly, &ldquo;and his man
+ did not prove incorruptible!&rdquo;
+ </p>
+ <p>
+ Harley took the shoe and placed it in the impression. It fitted perfectly!
+ </p>
+ <p>
+ &ldquo;This is Molly Clayton, I take it?&rdquo; he said, indicating the prints of a
+ woman's foot.
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; assented Wessex. &ldquo;You'll notice that they stood for some little
+ time and then walked off, very close together.&rdquo;
+ </p>
+ <p>
+ Harley nodded absently.
+ </p>
+ <p>
+ &ldquo;We lose them along here,&rdquo; continued Wessex, leading up the lane; &ldquo;but at
+ the corner by the big haystack they join up with the tracks of a
+ motor-car! I ask for nothing clearer! There was rain that afternoon, but
+ there's been none since.&rdquo;
+ </p>
+ <p>
+ &ldquo;What does the Captain's man think?&rdquo;
+ </p>
+ <p>
+ &ldquo;The same as I do! He's not surprised at any madness on Vane's part, with
+ a pretty woman in the case!&rdquo;
+ </p>
+ <p>
+ &ldquo;The girl left nothing behind&mdash;no note?&rdquo;
+ </p>
+ <p>
+ &ldquo;Nothing.&rdquo;
+ </p>
+ <p>
+ &ldquo;Traced the car?&rdquo;
+ </p>
+ <p>
+ &ldquo;No. It must have been hired or borrowed from a long distance off.&rdquo;
+ </p>
+ <p>
+ Where the tracks of the tires were visible we stopped, and Harley made a
+ careful examination of the marks.
+ </p>
+ <p>
+ &ldquo;Seems to have had a struggle with her,&rdquo; he said, dryly.
+ </p>
+ <p>
+ &ldquo;Very likely!&rdquo; agreed Wessex, without interest.
+ </p>
+ <p>
+ Harley crawled about on the ground for some time, to the great detriment
+ of his Harris tweeds, but finally arose, a curious expression on his face&mdash;which,
+ however, the detective evidently failed to observe.
+ </p>
+ <p>
+ We returned to the Manor House where Sir Howard was awaiting us, his
+ good-humoured red face more red than usual; and in the library, with its
+ sporting prints and its works for the most part dealing with riding,
+ hunting, racing, and golf (except for a sprinkling of Nat Gould's novels
+ and some examples of the older workmanship of Whyte-Melville), we were
+ presently comfortably ensconced. On a side table were placed a generous
+ supply of liquid refreshments, cigars and cigarettes; so that we made
+ ourselves quite comfortable, and Sir Howard restrained his indignation,
+ until each had a glass before him and all were smoking.
+ </p>
+ <p>
+ &ldquo;Now,&rdquo; he began, &ldquo;what have you got to report, gentlemen? You, Inspector,&rdquo;
+ he pointed with his cigar toward Wessex, &ldquo;have seen Vane's man and all of
+ you have been down to look at these damned tracks. I only want to hear one
+ thing; that you expect to trace the disgraceful couple. I'll see to it&rdquo;&mdash;his
+ voice rose almost to a shout&mdash;&ldquo;that Vane is kicked out of the
+ service, and as to that shameless brat of Bramber's, I wish her no worse
+ than the blackguard's company!&rdquo;
+ </p>
+ <p>
+ &ldquo;One moment, Sir Howard, one moment,&rdquo; said Harley quietly; &ldquo;there are
+ always two sides to a case.&rdquo;
+ </p>
+ <p>
+ &ldquo;What do you mean, Mr. Harley? There's only one side that interests me&mdash;the
+ outrage inflicted upon my hospitality by this dirty guest of mine. For the
+ girl I don't give twopence; she was bound to come to a bad end.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well,&rdquo; said Harley, &ldquo;before we pronounce the final verdict upon either of
+ them I should like to interview Bramber. Perhaps,&rdquo; he added, turning to
+ Wessex, &ldquo;it would be as well if Mr. Knox and I went alone. The presence of
+ an official detective sometimes awes this class of witness.&rdquo;
+ </p>
+ <p>
+ &ldquo;Quite right, quite right!&rdquo; agreed Sir Howard, waving his cigar
+ vigorously. &ldquo;Go and see Bramber, Mr. Harley; tell him that no blame
+ attaches to himself whatever; also, tell him with my compliments that his
+ stepdaughter is&mdash;&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Quite so, quite so,&rdquo; interrupted Harley, endeavouring to hide a smile. &ldquo;I
+ understand your feelings, Sir Howard, but again I ask you to reserve your
+ verdict until all the facts are before us.&rdquo;
+ </p>
+ <p>
+ As a result, Harley and I presently set out for the gamekeeper's cottage,
+ and as the man had been warned that we should visit him, he was on the
+ porch smoking his pipe. A big, dark, ugly fellow he proved to be, of a
+ very forbidding cast of countenance. Having introduced ourselves:
+ </p>
+ <p>
+ &ldquo;I always knowed she'd come to a bad end!&rdquo; declared Gamekeeper Bramber,
+ almost echoing Sir Howard's words. &ldquo;One o' these gentlemen o' hers was
+ sure to be the finish of her!&rdquo;
+ </p>
+ <p>
+ &ldquo;She had other admirers&mdash;before Captain Vane?&rdquo;
+ </p>
+ <p>
+ &ldquo;Aye! the hussy! There was a black-faced villain not six months since! He
+ got t' vain cat to go to London an' have her photograph done in a dress
+ any decent woman would 'a' blushed to look at! Like one o' these Venuses
+ up at t' Manor! Good riddance! She took after her mother!&rdquo;
+ </p>
+ <p>
+ The violent old ruffian was awkward to examine, but Harley persevered.
+ </p>
+ <p>
+ &ldquo;This previous admirer caused her to be photographed in that way, did he?
+ Have you a copy?&rdquo;
+ </p>
+ <p>
+ &ldquo;No!&rdquo; blazed Bramber. &ldquo;What I found I burnt! He ran off, like I told her
+ he would&mdash;an' her cryin' her eyes out! But the pretty soger dried her
+ tears quick enough!&rdquo;
+ </p>
+ <p>
+ &ldquo;Do you know this man's name?&rdquo;
+ </p>
+ <p>
+ &ldquo;No. A foreigner, he was.&rdquo;
+ </p>
+ <p>
+ &ldquo;Where were the photographs done&mdash;in London, you say?&rdquo;
+ </p>
+ <p>
+ &ldquo;Aye.&rdquo;
+ </p>
+ <p>
+ &ldquo;Do you know by what photographer?&rdquo;
+ </p>
+ <p>
+ &ldquo;I don't! An' I don't care! Piccadilly they had on 'em, which was good
+ enough for me.&rdquo;
+ </p>
+ <p>
+ &ldquo;Have you her picture?&rdquo;
+ </p>
+ <p>
+ &ldquo;No!&rdquo;
+ </p>
+ <p>
+ &ldquo;Did she receive a letter on the day of her disappearance?&rdquo;
+ </p>
+ <p>
+ &ldquo;Maybe.&rdquo;
+ </p>
+ <p>
+ &ldquo;Good day!&rdquo; said Harley. &ldquo;And let me add that the atmosphere of her home
+ was hardly conducive to ideal conduct!&rdquo;
+ </p>
+ <p>
+ Leaving Bramber to digest this rebuke, we came out of the cottage. Dusk
+ was falling now, and by the time that we regained the Manor the place was
+ lighted up. Inspector Wessex was waiting for us in the library, and:
+ </p>
+ <p>
+ &ldquo;Well?&rdquo; he said, smiling slightly as we entered.
+ </p>
+ <p>
+ &ldquo;Nothing much,&rdquo; replied Harley dryly, &ldquo;except that I don't wonder at the
+ girl's leaving such a home.&rdquo;
+ </p>
+ <p>
+ &ldquo;What's that! What!&rdquo; roared a big voice, and Sir Howard came into the
+ room. &ldquo;I tell you, Bramber only had one fault as a stepfather; he wasn't
+ heavy-handed enough. A bad lot, sir, a bad lot!&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, sir,&rdquo; said Inspector Wessex, looking from one to another,
+ &ldquo;personally, beyond the usual inquiries at railway stations, etc., I
+ cannot see that we can do much here. Don't you agree with me, Mr. Harley?&rdquo;
+ </p>
+ <p>
+ Harley nodded.
+ </p>
+ <p>
+ &ldquo;Quite,&rdquo; he replied. &ldquo;There is a late train to town which I think we could
+ catch if we started at once.&rdquo;
+ </p>
+ <p>
+ &ldquo;Eh?&rdquo; roared Sir Howard; &ldquo;you're not going back to-night? Your rooms are
+ ready for you, damn it!&rdquo;
+ </p>
+ <p>
+ &ldquo;I quite appreciate the kindness, Sir Howard,&rdquo; replied Harley; &ldquo;but I have
+ urgent business to attend to in London. Believe me, my departure is
+ unavoidable.&rdquo;
+ </p>
+ <p>
+ The blue eyes of the baronet gleamed with the simple cunning of his kind.
+ </p>
+ <p>
+ &ldquo;You've got something up your sleeve,&rdquo; he roared. &ldquo;I know you have, I know
+ you have!&rdquo;
+ </p>
+ <p>
+ Inspector Wessex looked at me significantly, but I could only shrug my
+ shoulders in reply; for in these moods Harley was as inscrutable as the
+ Sphinx.
+ </p>
+ <p>
+ However, he had his way, and Sir Howard hurriedly putting a car in
+ commission, we raced for the local station and just succeeded in picking
+ up the express at Claybury.
+ </p>
+ <p>
+ Wessex was rather silent throughout the journey, often glancing in my
+ friend's direction, but Harley made no further reference to the case
+ beyond outlining the interview with Bramber, until, as we were parting at
+ the London terminus, Wessex to report to Scotland Yard and I to go to
+ Harley's rooms:
+ </p>
+ <p>
+ &ldquo;How long do you think it will take you to find that photographer,
+ Wessex?&rdquo; he asked. &ldquo;Piccadilly is a sufficient clue.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well,&rdquo; replied the Inspector, &ldquo;nothing can be done to-night, of course,
+ but I should think by mid-day tomorrow the matter should be settled.&rdquo;
+ </p>
+ <p>
+ &ldquo;Right,&rdquo; said Harley shortly. &ldquo;May I ask you to report the result to me,
+ Wessex?&rdquo;
+ </p>
+ <p>
+ &ldquo;I will report without fail.&rdquo;
+ </p>
+ <p>
+ <a name="link2H_4_0033" id="link2H_4_0033">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ III
+ </h2>
+ <h3>
+ ALI OF CAIRO
+ </h3>
+ <p>
+ It was not until the evening of the following day that Harley rang me up,
+ and:
+ </p>
+ <p>
+ &ldquo;I want you to come round at once,&rdquo; he said urgently. &ldquo;The Deepbrow case
+ is developing along lines which I confess I had anticipated, but which are
+ dramatic nevertheless.&rdquo;
+ </p>
+ <p>
+ Knowing that Harley did not lightly make such an assertion, I put aside
+ the work upon which I was engaged and hurried around to Chancery Lane. I
+ found my friend, pipe in mouth, walking up and down his smoke-laden study
+ in a state which I knew to betoken suppressed excitement, and:
+ </p>
+ <p>
+ &ldquo;Did Wessex find your photographer?&rdquo; I asked on entering.
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; he replied. &ldquo;A first-class man, as I had anticipated. As I had
+ further anticipated he did a number of copies of the picture for the
+ foreign gentleman&mdash;about fifty, in fact!&rdquo;
+ </p>
+ <p>
+ &ldquo;Fifty!&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes! Does the significance of that fact strike you?&rdquo; asked Harley, a
+ queer smile stealing across his tanned, clean-shaven face.
+ </p>
+ <p>
+ &ldquo;It is an extraordinary thing for even an ardent admirer to have so many
+ reproductions done of the same picture!&rdquo;
+ </p>
+ <p>
+ &ldquo;It is! I will show you now what I found trodden into one of the
+ footprints where the struggle took place beside the car.&rdquo;
+ </p>
+ <p>
+ Harley produced a piece of thick silk twine.
+ </p>
+ <p>
+ &ldquo;What is it?&rdquo;
+ </p>
+ <p>
+ &ldquo;It is a link, Knox&mdash;a link to seek which I really went down to
+ Deepbrow.&rdquo; He stared at me quizzically, but my answering look must have
+ been a blank one. &ldquo;It is part of the tassel of one of those red cloth caps
+ commonly called in England, a fez!&rdquo;
+ </p>
+ <p>
+ He continued to stare at me and I to stare at the piece of silk; then:
+ </p>
+ <p>
+ &ldquo;What is the next move?&rdquo; I demanded. &ldquo;Your new clue rather bewilders me.&rdquo;
+ </p>
+ <p>
+ &ldquo;The next move,&rdquo; he said, &ldquo;is to retire to the adjoining room and make
+ ourselves look as much like a couple of Oriental commercial travellers as
+ our correctly British appearance will allow!&rdquo;
+ </p>
+ <p>
+ &ldquo;What!&rdquo; I cried.
+ </p>
+ <p>
+ &ldquo;That's it!&rdquo; laughed Harley. &ldquo;I have a perpetual tan, and I think I can
+ give you a temporary one which I keep in a bottle for the purpose.&rdquo;
+ </p>
+ <p>
+ Twenty minutes later, then, having quitted Harley's chambers by a back way
+ opening into one of those old-world courts which abound in this part of
+ the metropolis, two quietly attired Eastern gentlemen got into a cab at
+ the corner of Chancery Lane and proceeded in the direction of Limehouse.
+ </p>
+ <p>
+ There are haunts in many parts of London whose very existence is
+ unsuspected by all but the few; haunts unvisited by the tourist and even
+ unknown to the copy-hunting pressman. Into a quiet thoroughfare not three
+ minutes' walk from the busy life of West India Dock Road, Harley led the
+ way. Before a door sandwiched in between the entrance to a Greek
+ tobacconist's establishment and a boarded shop-front, he paused and turned
+ to me.
+ </p>
+ <p>
+ &ldquo;Whatever you see or hear,&rdquo; he cautioned, &ldquo;express no surprise. Above all,
+ show no curiosity.&rdquo;
+ </p>
+ <p>
+ He rang the bell beside the door, and almost immediately it was opened by
+ a Negress, grossly and repellently ugly.
+ </p>
+ <p>
+ Harley pattered something in what sounded like Arabic, whereat the Negress
+ displayed the utmost servility, ushering us into an ill-lighted passage
+ with every evidence of respect. Following this passage to its termination,
+ an inner door was opened, and a burst of discordant music greeted us,
+ together with a wave of tobacco smoke. We entered.
+ </p>
+ <p>
+ Despite my friend's particular injunctions to the contrary I gave a start
+ of amazement.
+ </p>
+ <p>
+ We stood in the doorway of a fairly large apartment having a divan round
+ three of its sides. This divan was occupied by ten or a dozen men of mixed
+ nationalities&mdash;Arabs, Greeks, lascars, and others. They smoked
+ cigarettes for the most part and sipped Mokha from little cups. A girl was
+ performing a wriggling dance upon the square carpet occupying the centre
+ of the floor, accompanied by a Nubian boy who twanged upon a guitar, and
+ by most of the assembled company, who clapped their hands to the music or
+ droned a low, tuneless dirge.
+ </p>
+ <p>
+ Shortly after our entrance the performance terminated, and the girl
+ retired through a curtained doorway at the farther end of the room. Our
+ presence being now observed, suspicious glances were cast in our
+ direction, and a very aged man, who sat smoking a narghli near the door by
+ which the girl had made her exit, gravely waved towards us the amber
+ mouthpiece which he held in his hand.
+ </p>
+ <p>
+ Harley walked straight across to him, I close at his heels. The light of a
+ lamp which hung close by fell fully upon my friend's face; and, rising
+ from his seat, the old man greeted him with the dignified and graceful
+ salutation of the East. At his request we seated ourselves beside him,
+ and, while we all three smoked excellent Turkish cigarettes, Harley and he
+ conversed in a low tone. Suddenly, at some remark of my friend's, our
+ strange host rose to his feet, an angry frown contracting his heavy
+ eyebrows.
+ </p>
+ <p>
+ Silence fell upon the company.
+ </p>
+ <p>
+ In a loud and peremptory voice he called out something in Arabic.
+ </p>
+ <p>
+ Instantly I detected a fellow near the entrance door, and whom I had not
+ hitherto observed, slipping furtively into the shadow, with a view, as I
+ thought, to secret departure. He seemed to be deformed in some way and had
+ the most evil, pock-marked face I had ever beheld in my life. Angrily, the
+ majestic old man recalled him. Whereupon, with a sort of animal snarl
+ quite indescribable, the fellow plucked out a knife! Two men who had been
+ on the point of seizing him fell back, and:
+ </p>
+ <p>
+ &ldquo;Hold him!&rdquo; shouted Harley, springing forward&mdash;&ldquo;hold him! It's Ali of
+ Cairo!&rdquo;
+ </p>
+ <p>
+ But Harley was too late. Turning, the strange and formidable-looking
+ Oriental ran like the wind! Ere hand could be raised to stay him he was
+ through the doorway!
+ </p>
+ <p>
+ &ldquo;That settles it,&rdquo; said Harley grimly, as once more I found myself in a
+ cab beside him. &ldquo;I was right; but he'll forestall us!&rdquo;
+ </p>
+ <p>
+ &ldquo;Who will forestall us?&rdquo; I asked in bewilderment.
+ </p>
+ <p>
+ &ldquo;The biggest villain in Europe, Asia, or Africa!&rdquo; cried my companion. &ldquo;I
+ have wasted precious time to-day. I might have known.&rdquo; He drummed
+ irritably upon his knees. &ldquo;The place we have just left is a sort of club,
+ you understand, Knox, and Hakim is the proprietor or host as well as being
+ an old gentleman of importance and authority in the Moslem world. I told
+ him of my suspicions&mdash;which step I should have taken earlier&mdash;and
+ they were instantly confirmed. My man was there&mdash;recognized me&mdash;and
+ bolted! He'll forestall us.&rdquo;
+ </p>
+ <p>
+ &ldquo;But my dear fellow,&rdquo; I said patiently&mdash;&ldquo;who is this man, and what
+ has he to do with the Deepbrow case?&rdquo;
+ </p>
+ <p>
+ &ldquo;He is the blackest scoundrel breathing!&rdquo; answered Harley bitterly. &ldquo;As to
+ what he has to do with the case&mdash;why did he bolt? At any rate, I know
+ where to find him now&mdash;and we may not be too late after all.&rdquo;
+ </p>
+ <p>
+ &ldquo;But who and what is this man?&rdquo;
+ </p>
+ <p>
+ &ldquo;He is Ali of Cairo! As to what he is&mdash;you will soon learn.&rdquo;
+ </p>
+ <p>
+ <a name="link2H_4_0034" id="link2H_4_0034">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ IV
+ </h2>
+ <h3>
+ THE HOUSE BY THE RIVER
+ </h3>
+ <p>
+ On quitting the singular Oriental club, Harley had first raced off to a
+ public telephone, where he had spoken for some time&mdash;as I now divined&mdash;to
+ Scotland Yard. For when we presently arrived at the headquarters of the
+ Metropolitan Police, I was surprised to find Inspector Wessex awaiting us.
+ Leaning out of the cab window:
+ </p>
+ <p>
+ &ldquo;Yes?&rdquo; called Harley excitedly. &ldquo;Was I right?&rdquo;
+ </p>
+ <p>
+ &ldquo;You were, Mr. Harley,&rdquo; answered Wessex, who seemed to be no less excited
+ than my companion. &ldquo;I got the man's reply an hour ago.&rdquo;
+ </p>
+ <p>
+ &ldquo;I knew it!&rdquo; said Harley shortly. &ldquo;Get in, Wessex; we haven't a minute to
+ waste.&rdquo;
+ </p>
+ <p>
+ The Inspector joined us in the cab, having first given instructions to the
+ chauffeur. As we set out once more:
+ </p>
+ <p>
+ &ldquo;You have had very little time to make the necessary arrangements,&rdquo;
+ continued my friend.
+ </p>
+ <p>
+ &ldquo;Time enough,&rdquo; replied Wessex. &ldquo;They will not be expecting us.&rdquo;
+ </p>
+ <p>
+ &ldquo;I'm not so sure of it. One of the biggest villains in the civilized world
+ recognized me three minutes before I called you up and then made good his
+ escape. However, there is at least a fighting chance.&rdquo;
+ </p>
+ <p>
+ Little more was said from that moment until the end of the drive, both my
+ companions seeming to be consumed by an intense eagerness to reach our
+ destination. At last the cab drew up in a deserted street. I had rather
+ lost my bearings; but I knew that we were once more somewhere in the
+ Chinatown area, and:
+ </p>
+ <p>
+ &ldquo;Follow us until we get into the house,&rdquo; Harley said to Inspector Wessex,
+ &ldquo;and wait out of sight. If you hear me blow this whistle, bring up the men
+ you have posted&mdash;as quick as you like! But make it your particular
+ business to see that no one gets out!&rdquo;
+ </p>
+ <p>
+ Into a pitch-dark yard we turned, and I felt a shudder of apprehension
+ upon observing that it was the entrance to a wharf. Dully gleaming in the
+ moonlight, the Thames, that grave of many a ghastly secret, flowed beneath
+ us. Emerging from the shadow of the archway, we paused before a door in
+ the wall on our left.
+ </p>
+ <p>
+ At that moment something gleamed through the air, whizzed past my ear, and
+ fell with a metallic jingle on the stones!
+ </p>
+ <p>
+ Instinctively we both looked up.
+ </p>
+ <p>
+ At an unlighted window on the first floor I caught a fleeting glimpse of a
+ dark face.
+ </p>
+ <p>
+ &ldquo;You were right!&rdquo; I said. &ldquo;Ali of Cairo has forestalled us!&rdquo;
+ </p>
+ <p>
+ Harley stooped and picked up a knife with a broad and very curious blade.
+ He slipped it into his pocket, nonchalantly.
+ </p>
+ <p>
+ &ldquo;All evidence!&rdquo; he said. &ldquo;Keep in the shadow and bend down. I am going to
+ stand on your shoulders and get into that window!&rdquo;
+ </p>
+ <p>
+ Wondering at his daring, I nevertheless obeyed; and Harley succeeded,
+ although not without difficulty, in achieving his purpose. A moment after
+ he had disappeared in the blackness of the room above.
+ </p>
+ <p>
+ &ldquo;Stand clear, Knox!&rdquo; I heard.
+ </p>
+ <p>
+ Two of the cushion seats sometimes called &ldquo;poof-ottomans&rdquo; were thrown
+ down, and:
+ </p>
+ <p>
+ &ldquo;Up you come!&rdquo; called Harley. &ldquo;I'll grasp your hands if you can reach.&rdquo;
+ </p>
+ <p>
+ It proved no easy task, but I finally managed to scramble up beside my
+ friend&mdash;to find myself in a dark and stuffy little room.
+ </p>
+ <p>
+ &ldquo;This way!&rdquo; said Harley rapidly&mdash;&ldquo;upstairs.&rdquo;
+ </p>
+ <p>
+ He led the way without more ado, but it was with serious misgivings that I
+ stumbled up a darkened stair in the rear of my greatly daring friend.
+ </p>
+ <p>
+ A pistol cracked in the darkness&mdash;and my fez was no longer on my
+ head!
+ </p>
+ <p>
+ Harley's repeater answered, and we stumbled through a heavily curtained
+ door into a heated room, the air of which was laden with some Eastern
+ perfume. In the dim light from a silken-shaded lantern a figure showed,
+ momentarily, darting across the place before us.
+ </p>
+ <p>
+ Again Harley's pistol spoke, but, as it seemed, ineffectively.
+ </p>
+ <p>
+ I had little enough opportunity to survey my surroundings; yet even in
+ those brief, breathless moments I saw enough of the place wherein we stood
+ to make me doubt the evidence of my senses! Outside, I knew, lay a dingy
+ wharf, amid a maze of mean streets; here was an opulently furnished
+ apartment with a strong Oriental note in the decorations!
+ </p>
+ <p>
+ Snatching an electric torch from his pocket, Harley leaped through a
+ doorway draped with rich Persian tapestry, and I came close on his heels.
+ Outside was darkness. A strong draught met us; and, passing along a
+ carpeted corridor, we never halted until we came to a room filled with the
+ weirdest odds and ends, apparently collected from every quarter of the
+ globe.
+ </p>
+ <p>
+ Crack!
+ </p>
+ <p>
+ A bullet flattened itself on the wall behind us!
+ </p>
+ <p>
+ &ldquo;Good job he can't shoot straight!&rdquo; rapped Harley.
+ </p>
+ <p>
+ The ray of the torch suddenly picked out the head and shoulders of a man
+ who was descending through a trap in the floor! Ere we had time to shoot
+ he was gone! I saw his brown fingers relax their hold&mdash;and a bundle
+ which he had evidently hoped to take with him was left lying upon the
+ floor.
+ </p>
+ <p>
+ Together we ran to the trap and looked down.
+ </p>
+ <p>
+ Slowly moving tidal water flowed darkly beneath us! For twenty breathless
+ seconds we watched&mdash;but nothing showed upon the surface.
+ </p>
+ <p>
+ &ldquo;I hope his swimming is no better than his shooting,&rdquo; I said.
+ </p>
+ <p>
+ &ldquo;It can avail him little,&rdquo; replied Harley grimly; &ldquo;a river-police boat is
+ waiting for anyone who tries to escape from that side of the house. We are
+ by no means alone in this affair, Knox. But, firstly, what have we here!&rdquo;
+ He took up the bundle which the fugitive had deserted. &ldquo;Something
+ incriminating when Ali of Cairo dared not stay to face it out! He would
+ never have deserted this place in the ordinary way. That fellow who was
+ such a bad shot was left behind, when the news of our approach reached
+ here, to make a desperate attempt to remove some piece of evidence! I'll
+ swear to it. But we were too soon for him!&rdquo;
+ </p>
+ <p>
+ All the time he was busily removing the pieces of sacking and scraps of
+ Oriental stuff with which the bundle was fastened; and finally he drew out
+ a dress-suit, together with the linen, collar, shoes, and underwear&mdash;a
+ complete outfit, in fact&mdash;and on top of the whole was a soft gray
+ felt hat!
+ </p>
+ <p>
+ Eagerly Harley searched the garments for some name of a maker by which
+ their owner might be identified. Presently, inside the lining of the
+ breast pocket, where such a mark is usually found, he discovered the label
+ of a well-known West End firm.
+ </p>
+ <p>
+ &ldquo;The police can confirm it, Knox!&rdquo; he said, looking up, his face slightly
+ flushed with triumph; &ldquo;but I, personally, have no doubt!&rdquo;
+ </p>
+ <p>
+ &ldquo;You may have no doubt, Harley,&rdquo; I retorted, &ldquo;but I am full of doubt! What
+ is the significance of this discovery to which you seem to attach so much
+ importance?&rdquo;
+ </p>
+ <p>
+ &ldquo;At the moment,&rdquo; replied my friend, &ldquo;never mind; I still have hopes&mdash;although
+ they have grown somewhat slender&mdash;of making a much more important
+ discovery.&rdquo;
+ </p>
+ <p>
+ &ldquo;Why not permit the police to aid in the search?&rdquo;
+ </p>
+ <p>
+ &ldquo;The police are more useful in their present occupation,&rdquo; he replied. &ldquo;We
+ are dealing with the most cunning knave produced by East or West, and I
+ don't mean to let him slip through my fingers if he is in this house!
+ Nevertheless, Knox, I am submitting you to rather an appalling risk, I
+ know; for our man is desperate, and if he is still in the place will prove
+ as dangerous as a cornered rat.&rdquo;
+ </p>
+ <p>
+ &ldquo;But the man who dropped through the trap?&rdquo;
+ </p>
+ <p>
+ &ldquo;The man who dropped through the trap,&rdquo; said Harley, &ldquo;was not Ali of Cairo&mdash;and
+ it is Ali of Cairo for whom I am looking!&rdquo;
+ </p>
+ <p>
+ &ldquo;The hunchback we saw to-night?&rdquo;
+ </p>
+ <p>
+ Harley nodded, and having listened intently for a few moments, proceeded
+ again to search the singular apartments of the abode. In each was evidence
+ of Oriental occupancy; indeed, some of the rooms possessed a sort of
+ Arabian Nights atmosphere. But no living creature was to be seen or heard
+ anywhere. It was while the two of us, having examined every inch of wall,
+ I should think, in the building, were standing staring rather blankly at
+ each other in the room with the lighted lantern, that I saw Harley's
+ expression change.
+ </p>
+ <p>
+ &ldquo;Why,&rdquo; he muttered, &ldquo;is this one room illuminated&mdash;and all the others
+ in darkness?&rdquo;
+ </p>
+ <p>
+ Even then the significance of this circumstance was not apparent to me.
+ But Harley stared critically at an electric switch which was placed on the
+ immediate right of the door and then up at the silk-shaded lantern which
+ lighted the room. Crossing, he raised and lowered the switch rapidly, but
+ the lamp continued to burn uninterruptedly!
+ </p>
+ <p>
+ &ldquo;Ah!&rdquo; he said&mdash;&ldquo;a good trick!&rdquo;
+ </p>
+ <p>
+ Grasping the wooden block to which the switch was attached, he turned it
+ bodily&mdash;and I saw that it was a masked knob; for in the next moment
+ he had pulled open the narrow section of wall&mdash;which proved to be
+ nothing less than a cunningly fitted door!
+ </p>
+ <p>
+ A small, dimly lighted apartment was revealed, the Oriental note still
+ predominant in its appointments, which, however, were few, and which I
+ scarcely paused to note. For lying upon a mattress in this place was a
+ pretty, fair-haired girl!
+ </p>
+ <p>
+ She lay on her side, having one white arm thrown out and resting limply on
+ the floor, and she seemed to be in a semi-conscious condition, for
+ although her fine eyes were widely opened, they had a glassy, witless
+ look, and she was evidently unaware of our presence.
+ </p>
+ <p>
+ &ldquo;Look at her pupils,&rdquo; rapped Harley. &ldquo;They have drugged her with bhang!
+ Poor, pretty fool!&rdquo;
+ </p>
+ <p>
+ &ldquo;Good God!&rdquo; I cried. &ldquo;Who is this, Harley?&rdquo;
+ </p>
+ <p>
+ &ldquo;Molly Clayton!&rdquo; he answered. &ldquo;Thank heaven we have saved one victim from
+ Ali of Cairo.&rdquo;
+ </p>
+ <p>
+ <a name="link2H_4_0035" id="link2H_4_0035">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ V
+ </h2>
+ <h3>
+ THE HAREM AGENCY
+ </h3>
+ <p>
+ Owing to the instrumentality of Paul Harley, the public never learned that
+ the awful riverside murder called by the Press in reference to the
+ victim's shaven skull &ldquo;the barber atrocity&rdquo; had any relation to the
+ Deepbrow case. It was physically impossible to identify the victim, and
+ Harley had his own reasons for concealing the truth. The house on the
+ wharf with its choice Oriental furniture was seized by the police; but,
+ strange to relate, no arrest was made in connection with this most
+ gruesome outrage. The man who dropped through the trap had been wounded by
+ one of Harley's shots, and he sank for the last time under the very eyes
+ of the crew of the police cutter.
+ </p>
+ <p>
+ It was at a late hour on the night of this concluding tragedy that I
+ learned the amazing truth underlying the case. Wessex was still at work in
+ the East End upon the hundred and one formalities which attached to his
+ office, and Harley and I sat in the study of my friend's chambers in
+ Chancery Lane.
+ </p>
+ <p>
+ &ldquo;You see,&rdquo; Harley was explaining. &ldquo;I got my first clue down at Deepbrow.
+ The tracks leading to the motor-car. They showed&mdash;to anyone not
+ hampered by a preconceived opinion&mdash;that the girl and Vane had not
+ gone on together (since the man's footprints proved him to have been
+ running), but that she had gone first and that he had run after her!
+ Arguments: (a) He heard the approach of the car; or (b) he heard her call
+ for help. In fact, it almost immediately became evident to me that someone
+ else had met her at the end of the lane; probably someone who expected
+ her, and whom she was going to meet when she, accidentally, encountered
+ Vane! The captain was not attired for an elopement, and, more significant
+ still, he said he should stroll to the Deep Wood, and that was where he
+ did stroll to; for it borders the road at this point!
+ </p>
+ <p>
+ &ldquo;I had privately ascertained, from the postman, that Molly Clayton
+ actually received a letter on that morning! This resolved my last doubt.
+ She was not going to meet Vane on the night of her disappearance.
+ </p>
+ <p>
+ &ldquo;Then whom?&rdquo;
+ </p>
+ <p>
+ &ldquo;The old love! He who some months earlier had had over fifty seductive
+ pictures of this undoubtedly pretty girl prepared for a purpose of his
+ own!&rdquo;
+ </p>
+ <p>
+ &ldquo;Vane interfered?&rdquo;
+ </p>
+ <p>
+ &ldquo;When the girl saw that they meant to take her away, she no doubt made a
+ fuss! He ran to the rescue! They had not reckoned on his being there, but
+ these are clever villains, who leave no clues&mdash;except for one who has
+ met them on their own ground!&rdquo;
+ </p>
+ <p>
+ &ldquo;On their own ground! What do you mean, Harley? Who are these people?&rdquo;
+ </p>
+ <p>
+ &ldquo;Well&mdash;where do you suppose those fifty photographs went?&rdquo;
+ </p>
+ <p>
+ &ldquo;I cannot conjecture!&rdquo;
+ </p>
+ <p>
+ &ldquo;Then I will tell you. The turmoil in the East has put wealth and power
+ into unscrupulous hands. But even before the war there were marts, Knox&mdash;open
+ marts&mdash;at which a Negro girl might be purchased for some 30 pounds,
+ and a Circassian for anything from 250 pounds to 500 pounds! Ah! You
+ stare! But I assure you it was so. Here is the point, though: there were,
+ and still are, private dealers! Those photographs were circulated among
+ the nouveaux riches of the East! They were employed in the same way that
+ any other merchant employs a catalogue. They reached the hands of many an
+ opulent and abandoned 'profiteer' of Damascus, Stambul&mdash;where you
+ will. Molly's picture would be one of many. Remember that hundreds of
+ pretty girls disappear from their homes&mdash;taking the whole of the
+ world&mdash;every year. Clearly, English beauty is popular at the moment!
+ And,&rdquo; he added bitterly, &ldquo;the arch-villain has escaped!&rdquo;
+ </p>
+ <p>
+ &ldquo;Ali of Cairo!&rdquo; I cried. &ldquo;Then Ali of Cairo&mdash;&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Is the biggest slave-dealer in the East!&rdquo;
+ </p>
+ <p>
+ &ldquo;Good God! Harley&mdash;at last I understand!&rdquo;
+ </p>
+ <p>
+ &ldquo;I was slow enough to understand it myself, Knox. But once the theory
+ presented itself I asked Wessex to get into immediate touch with the valet
+ he had already interviewed at Deepbrow. It was the result of his inquiry
+ to which he referred when we met him at Scotland Yard to-night. Captain
+ Vane had a large mole on his shoulder and a girl's name, together with a
+ small device, tattooed on his forearm&mdash;a freak of his Sandhurst days&mdash;&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Then 'the man with the shaven skull'&mdash;&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Is Captain Ronald Vane! May he rest in peace. But I never shall until the
+ crook-back dealer in humanity has met his just deserts.&rdquo;
+ </p>
+ <p>
+ <a name="link2H_4_0036" id="link2H_4_0036">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ THE WHITE HAT
+ </h2>
+ <p>
+ <a name="link2H_4_0037" id="link2H_4_0037">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ I
+ </h2>
+ <h3>
+ MAJOR JACK RAGSTAFF
+ </h3>
+ <p>
+ &ldquo;Hallo! Innes,&rdquo; said Paul Harley as his secretary entered. &ldquo;Someone is
+ making a devil of a row outside.&rdquo;
+ </p>
+ <p>
+ &ldquo;This is the offender, Mr. Harley,&rdquo; said Innes, and handed my friend a
+ visiting card.
+ </p>
+ <p>
+ Glancing at the card, Harley read aloud:
+ </p>
+ <p>
+ &ldquo;Major J. E. P. Ragstaff, Cavalry Club.&rdquo;
+ </p>
+ <p>
+ Meanwhile a loud harsh voice, which would have been audible in a full
+ gale, was roaring in the lobby.
+ </p>
+ <p>
+ &ldquo;Nonsense!&rdquo; I could hear the Major shouting. &ldquo;Balderdash! There's more
+ fuss than if I had asked for an interview with the Prime Minister. Piffle!
+ Balderdash!&rdquo;
+ </p>
+ <p>
+ Innes's smile developed into a laugh, in which Harley joined, then:
+ </p>
+ <p>
+ &ldquo;Admit the Major,&rdquo; he said.
+ </p>
+ <p>
+ Into the study where Harley and I had been seated quietly smoking, there
+ presently strode a very choleric Anglo-Indian. He wore a horsy check suit
+ and white spats, and his tie closely resembled a stock. In his hand he
+ carried a heavy malacca cane, gloves, and one of those tall, light-gray
+ hats commonly termed white. He was below medium height, slim and wiry; his
+ gait and the shape of his legs, his build, all proclaimed the dragoon. His
+ complexion was purple, and the large white teeth visible beneath a
+ bristling gray moustache added to the natural ferocity of his appearance.
+ Standing just within the doorway:
+ </p>
+ <p>
+ &ldquo;Mr. Paul Harley?&rdquo; he shouted.
+ </p>
+ <p>
+ It was apparently an inquiry, but it sounded like a reprimand.
+ </p>
+ <p>
+ My friend, standing before the fireplace, his hands in his pockets and his
+ pipe in his mouth, nodded brusquely.
+ </p>
+ <p>
+ &ldquo;I am Paul Harley,&rdquo; he said. &ldquo;Won't you sit down?&rdquo;
+ </p>
+ <p>
+ Major Ragstaff, glancing angrily at Innes as the latter left the study,
+ tossed his stick and gloves on to a settee, and drawing up a chair seated
+ himself stiffly upon it as though he were in a saddle. He stared straight
+ at Harley, and:
+ </p>
+ <p>
+ &ldquo;You are not the sort of person I expected, sir,&rdquo; he declared. &ldquo;May I ask
+ if it is your custom to keep clients dancin' on the mat and all that&mdash;on
+ the blasted mat, sir?&rdquo;
+ </p>
+ <p>
+ Harley suppressed a smile, and I hastily reached for my cigarette-case
+ which I had placed upon the mantelshelf.
+ </p>
+ <p>
+ &ldquo;I am always naturally pleased to see clients, Major Ragstaff,&rdquo; said
+ Harley, &ldquo;but a certain amount of routine is necessary even in civilian
+ life. You had not advised me of your visit, and it is contrary to my
+ custom to discuss business after five o'clock.&rdquo;
+ </p>
+ <p>
+ As Harley spoke the Major glared at him continuously, and then:
+ </p>
+ <p>
+ &ldquo;I've seen you in India!&rdquo; he roared; &ldquo;damme! I've seen you in India!&mdash;and,
+ yes! in Turkey! Ha! I've got you now sir!&rdquo; He sprang to his feet. &ldquo;You're
+ the Harley who was in Constantinople in 1912.&rdquo;
+ </p>
+ <p>
+ &ldquo;Quite true.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then I've come to the wrong shop.&rdquo;
+ </p>
+ <p>
+ &ldquo;That remains to be seen, Major.&rdquo;
+ </p>
+ <p>
+ &ldquo;But I was told you were a private detective, and all that.&rdquo;
+ </p>
+ <p>
+ &ldquo;So I am,&rdquo; said Harley quietly. &ldquo;In 1912 the Foreign Office was my client.
+ I am now at the service of anyone who cares to employ me.&rdquo;
+ </p>
+ <p>
+ &ldquo;Hell!&rdquo; said the Major.
+ </p>
+ <p>
+ He seemed to be temporarily stricken speechless by the discovery that a
+ man who had acted for the British Government should be capable of stooping
+ to the work of a private inquiry agent. Staring all about the room with a
+ sort of naive wonderment, he drew out a big silk handkerchief and loudly
+ blew his nose, all the time eyeing Harley questioningly. Replacing his
+ handkerchief he directed his regard upon me, and:
+ </p>
+ <p>
+ &ldquo;This is my friend, Mr. Knox,&rdquo; said Harley; &ldquo;you may state your case
+ before him without hesitation, unless&mdash;&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ I rose to depart, but:
+ </p>
+ <p>
+ &ldquo;Sit down, Mr. Knox! Sit down, sir!&rdquo; shouted the Major. &ldquo;I have no dirty
+ linen to wash, no skeletons in the cupboard or piffle of that kind. I
+ simply want something explained which I am too thick-headed&mdash;too
+ damned thick-headed, sir&mdash;to explain myself.&rdquo;
+ </p>
+ <p>
+ He resumed his seat, and taking out his wallet extracted from it a small
+ newspaper cutting which he offered to Harley.
+ </p>
+ <p>
+ &ldquo;Read that, Mr. Harley,&rdquo; he directed. &ldquo;Read it aloud.&rdquo;
+ </p>
+ <p>
+ Harley read as follows:
+ </p>
+ <p>
+ &ldquo;Before Mr. Smith, at Marlborough Street Police Court, John Edward Bampton
+ was charged with assaulting a well-known clubman in Bond Street on
+ Wednesday evening. It was proved by the constable who made the arrest that
+ robbery had not been the motive of the assault, and Bampton confessed that
+ he bore no grudge against the assailed man, indeed, that he had never seen
+ him before. He pleaded intoxication, and the police surgeon testified that
+ although not actually intoxicated, his breath had smelled strongly of
+ liquor at the time of his arrest. Bampton's employers testified to a
+ hitherto blameless character, and as the charge was not pressed the man
+ was dismissed with a caution.&rdquo;
+ </p>
+ <p>
+ Having read the paragraph, Harley glanced at the Major with a puzzled
+ expression.
+ </p>
+ <p>
+ &ldquo;The point of this quite escapes me,&rdquo; he confessed.
+ </p>
+ <p>
+ &ldquo;Is that so?&rdquo; said Major Ragstaff. &ldquo;Is that so, sir? Perhaps you will be
+ good enough to read this.&rdquo;
+ </p>
+ <p>
+ From his wallet he took a second newspaper cutting, smaller than the
+ first, and gummed to a sheet of club notepaper. Harley took it and read as
+ follows:
+ </p>
+ <p>
+ &ldquo;Mr. De Lana, a well-known member of the Stock Exchange, who met with a
+ serious accident recently, is still in a precarious condition.&rdquo;
+ </p>
+ <p>
+ The puzzled look on Harley's face grew more acute, and the Major watched
+ him with an expression which I can only describe as one of fierce
+ enjoyment.
+ </p>
+ <p>
+ &ldquo;You're thinkin' I'm a damned old fool, ain't you?&rdquo; he shouted suddenly.
+ </p>
+ <p>
+ &ldquo;Scarcely that,&rdquo; said Harley, smiling slightly, &ldquo;but the significance of
+ these paragraphs is not apparent, I must confess. The man Bampton would
+ not appear to be an interesting character, and since no great damage has
+ been done, his drunken frolic hardly comes within my sphere. Of Mr. De
+ Lana, of the Stock Exchange, I never heard, unless he happens to be a
+ member of the firm of De Lana and Day?&rdquo;
+ </p>
+ <p>
+ &ldquo;He's not a member of that firm, sir,&rdquo; shouted the Major. &ldquo;He was, up to
+ six o'clock this evenin'.&rdquo;
+ </p>
+ <p>
+ &ldquo;What do you mean exactly?&rdquo; inquired Harley, and the tone of his voice
+ suggested that he was beginning to entertain doubts of the Major's sanity
+ or sobriety; then:
+ </p>
+ <p>
+ &ldquo;He's dead!&rdquo; declared the latter. &ldquo;Dead as the Begum of Bangalore! He died
+ at six o'clock. I've just spoken to his widow on the telephone.&rdquo;
+ </p>
+ <p>
+ I suppose I must have been staring very hard at the speaker, and certainly
+ Harley was doing so, for suddenly directing his fierce gaze toward me:
+ </p>
+ <p>
+ &ldquo;You're completely treed, sir, and so's your friend!&rdquo; shouted Major
+ Ragstaff.
+ </p>
+ <p>
+ &ldquo;I confess it,&rdquo; replied Harley quietly; &ldquo;and since my time is of some
+ little value I would suggest, without disrespect, that you explain the
+ connection, if any, between yourself, the drunken Bampton, and Mr. De
+ Lana, of the Stock Exchange, who died, you inform us, at six o'clock this
+ evening as the result, presumably, of injuries received in an accident.&rdquo;
+ </p>
+ <p>
+ &ldquo;That's what I'm here for!&rdquo; cried Major Ragstaff. &ldquo;In the first place,
+ then, I am the party, although I saw to it that my name was kept out of
+ print, whom the drunken lunatic assaulted.&rdquo;
+ </p>
+ <p>
+ Harley, pipe in hand, stared at the speaker perplexedly.
+ </p>
+ <p>
+ &ldquo;Understand me,&rdquo; continued the Major, &ldquo;I am the person&mdash;I, Jack
+ Ragstaff&mdash;he assaulted. I was walkin' down from my quarters in Maddox
+ Street on my way to dine at the club, same as I do every night o' my life,
+ when this flamin' idiot sprang upon me, grabbed my hat&rdquo;&mdash;he took up
+ his white hat to illustrate what had occurred&mdash;&ldquo;not this one, but one
+ like it&mdash;pitched it on the ground and jumped on it!&rdquo;
+ </p>
+ <p>
+ Harley was quite unable to conceal his smiles as the excited old soldier
+ dropped his conspicuous head-gear on the floor and indulged in a vigorous
+ pantomime designed to illustrate his statement.
+ </p>
+ <p>
+ &ldquo;Most extraordinary,&rdquo; said Harley. &ldquo;What did you do?&rdquo;
+ </p>
+ <p>
+ &ldquo;What did I do?&rdquo; roared the Major. &ldquo;I gave him a crack on the head with my
+ cane, and I said things to him which couldn't be repeated in court. I
+ punched him, and likewise hoofed him, but the hat was completely done in.
+ Damn crowd collected, hearin' me swearin' and bellowin'. Police and all
+ that; names an' addresses and all that balderdash. Man lugged away to
+ guard-room and me turnin' up at the club with no hat. Damn ridiculous
+ spectacle at my time of life.&rdquo;
+ </p>
+ <p>
+ &ldquo;Quite so,&rdquo; said Harley soothingly; &ldquo;I appreciate your annoyance, but I am
+ utterly at a loss to understand why you have come here, and what all this
+ has to do with Mr. De Lana, of the Stock Exchange.&rdquo;
+ </p>
+ <p>
+ &ldquo;He fell out of the window!&rdquo; shouted the Major.
+ </p>
+ <p>
+ &ldquo;Fell out of a window?&rdquo;
+ </p>
+ <p>
+ &ldquo;Out of a window, sir, a second floor window ten yards up a side street!
+ Pitched on his skull&mdash;marvel he wasn't killed outright!&rdquo;
+ </p>
+ <p>
+ A faint expression of interest began to creep into Harley's glance, and:
+ </p>
+ <p>
+ &ldquo;I understand you to mean, Major Ragstaff,&rdquo; he said deliberately, &ldquo;that
+ while your struggle with the drunken man was in progress Mr. De Lana fell
+ out of a neighbouring window into the street?&rdquo;
+ </p>
+ <p>
+ &ldquo;Right!&rdquo; shouted the Major. &ldquo;Right, sir!&rdquo;
+ </p>
+ <p>
+ &ldquo;Do you know this Mr. De Lana?&rdquo;
+ </p>
+ <p>
+ &ldquo;Never heard of him in my life until the accident occurred. Seems to me
+ the poor devil leaned out to see the fun and overbalanced. Felt
+ responsible, only natural, and made inquiries. He died at six o'clock this
+ evenin', sir.&rdquo;
+ </p>
+ <p>
+ &ldquo;H'm,&rdquo; said Harley reflectively. &ldquo;I still fail to see where I come in.
+ From what window did he fall?&rdquo;
+ </p>
+ <p>
+ &ldquo;Window above a sort of teashop, called Cafe Dame&mdash;damn silly name.
+ Place on a corner. Don't know name of side street.&rdquo;
+ </p>
+ <p>
+ &ldquo;H'm. You don't think he was pushed out, for instance?&rdquo;
+ </p>
+ <p>
+ &ldquo;Certainly not!&rdquo; shouted the Major; &ldquo;he just fell out, but the point is,
+ he's dead!&rdquo;
+ </p>
+ <p>
+ &ldquo;My dear sir,&rdquo; said Harley patiently, &ldquo;I don't dispute that point; but
+ what on earth do you want of me?&rdquo;
+ </p>
+ <p>
+ &ldquo;I don't know what I want!&rdquo; roared the Major, beginning to walk up and
+ down the room, &ldquo;but I know I ain't satisfied, not easy in my mind, sir. I
+ wake up of a night hearin' the poor devil's yell as he crashed on the
+ pavement. That's all wrong. I've heard hundreds of death-yells, but&rdquo;&mdash;he
+ took up his malacca cane and beat it loudly on the table&mdash;&ldquo;I haven't
+ woke up of a night dreamin' I heard 'em again.&rdquo;
+ </p>
+ <p>
+ &ldquo;In a word, you suspect foul play?&rdquo;
+ </p>
+ <p>
+ &ldquo;I don't suspect anything!&rdquo; cried the other excitedly, &ldquo;but someone
+ mentioned your name to me at the club&mdash;said you could see through
+ concrete, and all that&mdash;and here I am. There's something wrong,
+ radically wrong. Find out what it is and send the bill to me. Then perhaps
+ I'll be able to sleep in peace.&rdquo;
+ </p>
+ <p>
+ He paused, and again taking out the large silk handkerchief blew his nose
+ loudly. Harley glanced at me in rather an odd way, and then:
+ </p>
+ <p>
+ &ldquo;There will be no bill, Major Ragstaff,&rdquo; he said; &ldquo;but if I can see any
+ possible line of inquiry I will pursue it and report the result to you.&rdquo;
+ </p>
+ <p>
+ <a name="link2H_4_0038" id="link2H_4_0038">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ II
+ </h2>
+ <h3>
+ A CURIOUS OUTRAGE
+ </h3>
+ <p>
+ &ldquo;What do you make of it, Harley?&rdquo; I asked. Paul Harley returned a work of
+ reference to its shelf and stood staring absently across the study.
+ </p>
+ <p>
+ &ldquo;Our late visitor's history does not help us much,&rdquo; he replied. &ldquo;A
+ somewhat distinguished army career, and so forth, and his only daughter,
+ Sybil Margaret, married the fifth Marquis of Ireton. She is, therefore,
+ the noted society beauty, the Marchioness of Ireton. Does this suggest
+ anything to your mind?&rdquo;
+ </p>
+ <p>
+ &ldquo;Nothing whatever,&rdquo; I said blankly.
+ </p>
+ <p>
+ &ldquo;Nor to mine,&rdquo; murmured Harley.
+ </p>
+ <p>
+ The telephone bell rang.
+ </p>
+ <p>
+ &ldquo;Hallo!&rdquo; called Harley. &ldquo;Yes. That you, Wessex? Have you got the address?
+ Good. No, I shall remember it. Many thanks. Good-bye.&rdquo;
+ </p>
+ <p>
+ He turned to me.
+ </p>
+ <p>
+ &ldquo;I suggest, Knox,&rdquo; he said, &ldquo;that we make our call and then proceed to
+ dinner as arranged.&rdquo;
+ </p>
+ <p>
+ Since I was always glad of an opportunity of studying my friend's methods
+ I immediately agreed, and ere long, leaving the lights of the two big
+ hotels behind, our cab was gliding down the long slope which leads to
+ Waterloo Station. Thence through crowded, slummish high-roads we made our
+ way via Lambeth to that dismal thoroughfare, Westminster Bridge Road, with
+ its forbidding, often windowless, houses, and its peculiar air of
+ desolation.
+ </p>
+ <p>
+ The house for which we were bound was situated at no great distance from
+ Kensington Park, and telling the cabman to wait, Harley and I walked up a
+ narrow, paved path, mounted a flight of steps, and rang the bell beside a
+ somewhat time-worn door, above which was an old-fashioned fanlight dimly
+ illuminated from within.
+ </p>
+ <p>
+ A considerable interval elapsed before the door was opened by a
+ marvellously untidy servant girl who had apparently been interrupted in
+ the act of black-leading her face. Partly opening the door, she stared at
+ us agape, pushing back wisps of hair from her eyes and with every movement
+ daubing more of some mysterious black substance upon her countenance.
+ </p>
+ <p>
+ &ldquo;Is Mr. Bampton in?&rdquo; asked Harley.
+ </p>
+ <p>
+ &ldquo;Yus, just come in. I'm cookin' his supper.&rdquo;
+ </p>
+ <p>
+ &ldquo;Tell him that two friends of his have called on rather important
+ business.&rdquo;
+ </p>
+ <p>
+ &ldquo;All right,&rdquo; said the black-faced one. &ldquo;What name is it?&rdquo;
+ </p>
+ <p>
+ &ldquo;No name. Just say two friends of his.&rdquo;
+ </p>
+ <p>
+ Treating us to a long, vacant stare and leaving us standing on the step,
+ the maid (in whose hand I perceived a greasy fork) shuffled along the
+ passage and began to mount the stairs. An unmistakable odour of frying
+ sausages now reached my nostrils. Harley glanced at me quizzically, but
+ said nothing until the Cinderella came stumbling downstairs again. Without
+ returning to where we stood:
+ </p>
+ <p>
+ &ldquo;Go up,&rdquo; she directed. &ldquo;Second floor, front. Shut the door, one of yer.&rdquo;
+ </p>
+ <p>
+ She disappeared into gloomy depths below as Harley and I, closing the door
+ behind us, proceeded to avail ourselves of the invitation. There was very
+ little light on the staircase, but we managed to find our way to a poorly
+ furnished bed-sitting-room where a small table was spread for a meal.
+ Beside the table, in a chintz-covered arm-chair, a thick-set young man was
+ seated smoking a cigarette and having a copy of the Daily Telegraph upon
+ his knees.
+ </p>
+ <p>
+ He was a very typical lower middle-class, nothing-in-particular young man,
+ but there was a certain truculence indicated by his square jaw, and that
+ sort of self-possession which sometimes accompanies physical strength was
+ evidenced in his manner as, tossing the paper aside, he stood up.
+ </p>
+ <p>
+ &ldquo;Good evening, Mr. Bampton,&rdquo; said Harley genially. &ldquo;I take it&rdquo;&mdash;pointing
+ to the newspaper&mdash;&ldquo;that you are looking for a new job?&rdquo;
+ </p>
+ <p>
+ Bampton stared, a suspicion of anger in his eyes, then, meeting the amused
+ glance of my friend, he broke into a smile very pleasing and humorous. He
+ was a fresh-coloured young fellow with hair inclined to redness, and
+ smiling he looked very boyish indeed.
+ </p>
+ <p>
+ &ldquo;I have no idea who you are,&rdquo; he said, speaking with a faint north-country
+ accent, &ldquo;but you evidently know who I am and what has happened to me.&rdquo;
+ </p>
+ <p>
+ &ldquo;Got the boot?&rdquo; asked Harley confidentially.
+ </p>
+ <p>
+ Bampton, tossing the end of his cigarette into the grate, nodded grimly.
+ </p>
+ <p>
+ &ldquo;You haven't told me your name,&rdquo; he said, &ldquo;but I think I can tell you your
+ business.&rdquo; He ceased smiling. &ldquo;Now look here, I don't want any more
+ publicity. If you think you are going to make a funny newspaper story out
+ of me change your mind as quick as you like. I'll never get another job in
+ London as it is. If you drag me any further into the limelight I'll never
+ get another job in England.&rdquo;
+ </p>
+ <p>
+ &ldquo;My dear fellow,&rdquo; replied Harley soothingly, at the same time extending
+ his cigarette-case, &ldquo;you misapprehend the object of my call. I am not a
+ reporter.&rdquo;
+ </p>
+ <p>
+ &ldquo;What!&rdquo; said Bampton, pausing in the act of taking a cigarette, &ldquo;then what
+ the devil are you?&rdquo;
+ </p>
+ <p>
+ &ldquo;My name is Paul Harley, and I am a criminal investigator.&rdquo;
+ </p>
+ <p>
+ He spoke the words deliberately, having his eyes fixed upon the other's
+ face; but although Bampton was palpably startled there was no trace of
+ fear in his straightforward glance. He took a cigarette from the case,
+ and:
+ </p>
+ <p>
+ &ldquo;Thanks, Mr. Harley,&rdquo; he said. &ldquo;I cannot imagine what business has brought
+ you here.&rdquo;
+ </p>
+ <p>
+ &ldquo;I have come to ask you two questions,&rdquo; was the reply. &ldquo;Number one: Who
+ paid you to smash Major Ragstaff's white hat? Number two: How much did he
+ pay you?&rdquo;
+ </p>
+ <p>
+ To these questions I listened in amazement, and my amazement was evidently
+ shared by Bampton. He had been in the act of lighting his cigarette, but
+ he allowed the match to burn down nearly to his fingers and then dropped
+ it with a muttered exclamation in the fire. Finally:
+ </p>
+ <p>
+ &ldquo;I don't know how you found out,&rdquo; he said, &ldquo;but you evidently know the
+ truth. Provided you assure me that you are not out to make a silly-season
+ newspaper story, I'll tell you all I know.&rdquo;
+ </p>
+ <p>
+ Harley laid his card on the table, and:
+ </p>
+ <p>
+ &ldquo;Unless the ends of justice demand it,&rdquo; he said, &ldquo;I give you my word that
+ anything you care to say will go no further. You may speak freely before
+ my friend, Mr. Knox. Simply tell me in as few words as possible what led
+ you to court arrest in that manner.&rdquo;
+ </p>
+ <p>
+ &ldquo;Right,&rdquo; replied Bampton, &ldquo;I will.&rdquo; He half closed his eyes, reflectively.
+ &ldquo;I was having tea in the Lyons' cafe, to which I always go, last Monday
+ afternoon about four o'clock, when a man sat down facing me and got into
+ conversation.&rdquo;
+ </p>
+ <p>
+ &ldquo;Describe him!&rdquo;
+ </p>
+ <p>
+ &ldquo;He was a man rather above medium height. I should say about my own build;
+ dark, going gray. He had a neat moustache and a short beard, and the look
+ of a man who had travelled a lot. His skin was very tanned, almost as
+ deeply as yours, Mr. Harley. Not at all the sort of chap that goes in
+ there as a rule. After a while he made an extraordinary proposal. At first
+ I thought he was joking, then when I grasped the idea that he was serious
+ I concluded he was mad. He asked me how much a year I earned, and I told
+ him Peters and Peters paid me 150 pounds. He said: 'I'll give you a year's
+ salary to knock a man's hat off!'&rdquo;
+ </p>
+ <p>
+ As Bampton spoke the words he glanced at us with twinkling eyes, but
+ although for my own part I was merely amused, Harley's expression had
+ grown very stern.
+ </p>
+ <p>
+ &ldquo;Of course, I laughed,&rdquo; continued Bampton, &ldquo;but when the man drew out a
+ fat wallet and counted ten five-pound notes on the table I began to think
+ seriously about his proposal. Even supposing he was cracked, it was
+ absolutely money for nothing.
+ </p>
+ <p>
+ &ldquo;'Of course,' he said, 'you'll lose your job and you may be arrested, but
+ you'll say that you had been out with a few friends and were a little
+ excited, also that you never could stand white hats. Stick to that story
+ and the balance of a hundred pounds will reach you on the following
+ morning.'
+ </p>
+ <p>
+ &ldquo;I asked him for further particulars, and I asked him why he had picked me
+ for the job. He replied that he had been looking for some time for the
+ right man; a man who was strong enough physically to accomplish the thing,
+ and someone&rdquo;&mdash;Bampton's eyes twinkled again&mdash;&ldquo;with a dash of the
+ devil in him, but at the same time a man who could be relied upon to stick
+ to his guns and not to give the game away.
+ </p>
+ <p>
+ &ldquo;You asked me to be brief, and I'll try to be. The man in the white hat
+ was described to me, and the exact time and place of the meeting. I just
+ had to grab his white hat, smash it, and face the music. I agreed. I don't
+ deny that I had a couple of stiff drinks before I set out, but the memory
+ of that fifty pounds locked up here in my room and the further hundred
+ promised, bucked me up wonderfully. It was impossible to mistake my man; I
+ could see him coming toward me as I waited just outside a sort of little
+ restaurant called the Cafe Dame. As arranged, I bumped into him, grabbed
+ his hat and jumped on it.&rdquo;
+ </p>
+ <p>
+ He paused, raising his hand to his head reminiscently.
+ </p>
+ <p>
+ &ldquo;My man was a bit of a scrapper,&rdquo; he continued, &ldquo;and he played hell. I've
+ never heard such language in my life, and the way he laid about me with
+ his cane is something I am not likely to forget in a hurry. A crowd
+ gathered, naturally, and (also naturally) I was 'pinched.' That didn't
+ matter much. I got off lightly; and although I've been dismissed by Peters
+ and Peters, twenty crisp fivers are locked in my trunk there, with the ten
+ which I received in the City.&rdquo;
+ </p>
+ <p>
+ Harley checked him, and:
+ </p>
+ <p>
+ &ldquo;May I see the envelope in which they arrived?&rdquo; he asked.
+ </p>
+ <p>
+ &ldquo;Sorry,&rdquo; replied Bampton, &ldquo;but I burned it. I thought it was playing the
+ game to do so. It wouldn't have helped you much, though,&rdquo; he added; &ldquo;It
+ was an ordinary common envelope, posted in the City, address typewritten,
+ and not a line enclosed.&rdquo;
+ </p>
+ <p>
+ &ldquo;Registered?&rdquo;
+ </p>
+ <p>
+ &ldquo;No.&rdquo;
+ </p>
+ <p>
+ Bampton stood looking at us with a curious expression on his face, and
+ suddenly:
+ </p>
+ <p>
+ &ldquo;There's one point,&rdquo; he said, &ldquo;on which my conscience isn't easy. You know
+ about that poor devil who fell out of a window? Well, it would never have
+ happened if I hadn't kicked up a row in the street. There's no doubt he
+ was leaning out to see what the disturbance was about when the accident
+ occurred.&rdquo;
+ </p>
+ <p>
+ &ldquo;Did you actually see him fall?&rdquo; asked Harley.
+ </p>
+ <p>
+ &ldquo;No. He fell from a window several yards behind me in the side street, but
+ I heard him cry out, and as I was lugged off by the police I heard the
+ bell of the ambulance which came to fetch him.&rdquo;
+ </p>
+ <p>
+ He paused again and stood rubbing his head ruefully.
+ </p>
+ <p>
+ &ldquo;H'm,&rdquo; said Harley; &ldquo;was there anything particularly remarkable about this
+ man in the Lyons' cafe?&rdquo;
+ </p>
+ <p>
+ Bampton reflected silently for some moments, and then:
+ </p>
+ <p>
+ &ldquo;Nothing much,&rdquo; he confessed. &ldquo;He was evidently a gentleman, wore a blue
+ top-coat, a dark tweed suit, and what looked like a regimental tie, but I
+ didn't see much of the colours. He was very tanned, as I have said, even
+ to the backs of his hands&mdash;and oh, yes! there was one point: He had a
+ gold-covered tooth.&rdquo;
+ </p>
+ <p>
+ &ldquo;Which tooth?&rdquo;
+ </p>
+ <p>
+ &ldquo;I can't remember, except that it was on the left side, and I always
+ noticed it when he smiled.&rdquo;
+ </p>
+ <p>
+ &ldquo;Did he wear any ring or pin which you would recognize?&rdquo;
+ </p>
+ <p>
+ &ldquo;No.&rdquo;
+ </p>
+ <p>
+ &ldquo;Had he any oddity of speech or voice?&rdquo;
+ </p>
+ <p>
+ &ldquo;No. Just a heavy, drawling manner. He spoke like thousands of other
+ cultured Englishmen. But wait a minute&mdash;yes! There was one other
+ point. Now I come to think of it, his eyes very slightly slanted upward.&rdquo;
+ </p>
+ <p>
+ Harley stared.
+ </p>
+ <p>
+ &ldquo;Like a Chinaman's?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, nothing so marked as that. But the same sort of formation.&rdquo;
+ </p>
+ <p>
+ Harley nodded briskly and buttoned up his overcoat.
+ </p>
+ <p>
+ &ldquo;Thanks, Mr. Bampton,&rdquo; he said; &ldquo;we will detain you no longer!&rdquo;
+ </p>
+ <p>
+ As we descended the stairs, where the smell of frying sausages had given
+ place to that of something burning&mdash;probably the sausages:
+ </p>
+ <p>
+ &ldquo;I was half inclined to think that Major Ragstaff's ideas were traceable
+ to a former touch of the sun,&rdquo; said Harley. &ldquo;I begin to believe that he
+ has put us on the track of a highly unusual crime. I am sorry to delay
+ dinner, Knox, but I propose to call at the Cafe Dame.&rdquo;
+ </p>
+ <p>
+ <a name="link2H_4_0039" id="link2H_4_0039">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ III
+ </h2>
+ <h3>
+ A CRIMINAL GENIUS
+ </h3>
+ <p>
+ On entering the doorway of the Cafe Dame we found ourselves in a narrow
+ passage. In front of us was a carpeted stair, and to the right a
+ glass-panelled door communicating with a discreetly lighted little dining
+ room which seemed to be well patronized. Opening the door Harley beckoned
+ to a waiter, and:
+ </p>
+ <p>
+ &ldquo;I wish to see the proprietor,&rdquo; he said.
+ </p>
+ <p>
+ &ldquo;Mr. Meyer is engaged at the moment, sir,&rdquo; was the reply.
+ </p>
+ <p>
+ &ldquo;Where is he?&rdquo;
+ </p>
+ <p>
+ &ldquo;In his office upstairs, sir. He will be down in a moment.&rdquo;
+ </p>
+ <p>
+ The waiter hurried away, and Harley stood glancing up the stairs as if in
+ doubt what to do.
+ </p>
+ <p>
+ &ldquo;I cannot imagine how such a place can pay,&rdquo; he muttered. &ldquo;The rent must
+ be enormous in this district.&rdquo;
+ </p>
+ <p>
+ But even before he ceased speaking I became aware of an excited
+ conversation which was taking place in some apartment above.
+ </p>
+ <p>
+ &ldquo;It's scandalous!&rdquo; I heard, in a woman's shrill voice. &ldquo;You have no right
+ to keep it! It's not your property, and I'm here to demand that you give
+ it up.&rdquo;
+ </p>
+ <p>
+ A man's voice replied in voluble broken English, but I could only
+ distinguish a word here and there. I saw that Harley was interested, for
+ catching my questioning glance, he raised his finger to his lips enjoining
+ me to be silent.
+ </p>
+ <p>
+ &ldquo;Oh, that's the game, is it?&rdquo; continued the female voice. &ldquo;Of course you
+ know it's blackmail?&rdquo;
+ </p>
+ <p>
+ A flow of unintelligible words answered this speech, then:
+ </p>
+ <p>
+ &ldquo;I shall come back with someone,&rdquo; cried the invisible woman, &ldquo;who will
+ make you give it up!&rdquo;
+ </p>
+ <p>
+ &ldquo;Knox,&rdquo; whispered Harley in my ear, &ldquo;when that woman comes down, follow
+ her! I'm afraid you will bungle the business, and I would not ask you to
+ attempt it if big things were not at stake. Return here; I shall wait.&rdquo;
+ </p>
+ <p>
+ As a matter of fact, his sudden request had positively astounded me, but
+ ere I had time for any reply a door suddenly banged open above and a
+ respectable-looking woman, who might have been some kind of upper servant,
+ came quickly down the stairs. An expression of intense indignation rested
+ upon her face, and without seeming to notice our presence she brushed past
+ us and went out into the street.
+ </p>
+ <p>
+ &ldquo;Off you go, Knox!&rdquo; said Harley.
+ </p>
+ <p>
+ Seeing myself committed to an unpleasant business, I slipped out of the
+ doorway and detected the woman five or six yards away hurrying in the
+ direction of Piccadilly. I had no difficulty in following her, for she was
+ evidently unsuspicious of my presence, and when presently she mounted a
+ westward-bound 'bus I did likewise, but while she got inside I went on
+ top, and occupied a seat on the near side whence I could observe anyone
+ leaving the vehicle.
+ </p>
+ <p>
+ If I had not known Paul Harley so well I should have counted the whole
+ business a ridiculous farce, but recognizing that something underlay these
+ seemingly trivial and disconnected episodes, I lighted a cigarette and
+ resigned myself to circumstance.
+ </p>
+ <p>
+ At Hyde Park Corner I saw the woman descending, and when presently she
+ walked up Hamilton Place I was not far behind her. At the door of an
+ imposing mansion she stopped, and in response to a ring of the bell the
+ door was opened by a footman, and the woman hurried in. Evidently she was
+ an inmate of the establishment; and conceiving that my duty was done when
+ I had noted the number of the house, I retraced my steps to the corner;
+ and, hailing a taxicab, returned to the Cafe Dame.
+ </p>
+ <p>
+ On inquiring of the same waiter whom Harley had accosted whether my friend
+ was there:
+ </p>
+ <p>
+ &ldquo;I think a gentleman is upstairs with Mr. Meyer,&rdquo; said the man.
+ </p>
+ <p>
+ &ldquo;In his office?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, sir.&rdquo;
+ </p>
+ <p>
+ Thereupon I mounted the stairs and before a half-open door paused.
+ Harley's voice was audible within, and therefore I knocked and entered.
+ </p>
+ <p>
+ I discovered Harley standing by an American desk. Beside him in a
+ revolving chair which, with the desk, constituted the principal furniture
+ of a tiny office, sat a man in a dress-suit which had palpably not been
+ made for him. He had a sullen and suspiciously Teutonic cast of
+ countenance, and he was engaged in a voluble but hardly intelligible
+ speech as I entered.
+ </p>
+ <p>
+ &ldquo;Ha, Knox!&rdquo; said Harley, glancing over his shoulder, &ldquo;did you manage?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; I replied.
+ </p>
+ <p>
+ Harley nodded shortly and turned again to the man in the chair.
+ </p>
+ <p>
+ &ldquo;I am sorry to give you so much trouble, Mr. Meyer,&rdquo; he said, &ldquo;but I
+ should like my friend here to see the room above.&rdquo;
+ </p>
+ <p>
+ At this moment my attention was attracted by a singular object which lay
+ upon the desk amongst a litter of bills and accounts. This was a piece of
+ rusty iron bar somewhat less than three feet in length, and which once had
+ been painted green.
+ </p>
+ <p>
+ &ldquo;You are looking at this tragic fragment, Knox,&rdquo; said Harley, taking up
+ the bar. &ldquo;Of course&rdquo;&mdash;he shrugged his shoulders&mdash;&ldquo;it explains
+ the whole unfortunate occurrence. You see there was a flaw in the metal at
+ this end, here&rdquo;&mdash;he indicated the spot&mdash;&ldquo;and the other end had
+ evidently worn loose in its socket.&rdquo;
+ </p>
+ <p>
+ &ldquo;But I don't understand.&rdquo;
+ </p>
+ <p>
+ &ldquo;It will all be made clear at the inquest, no doubt. A most unfortunate
+ thing for you, Mr. Meyer.&rdquo;
+ </p>
+ <p>
+ &ldquo;Most unfortunate,&rdquo; declared the proprietor of the restaurant, extending
+ his thick hands pathetically. &ldquo;Most ruinous to my business.&rdquo;
+ </p>
+ <p>
+ &ldquo;We will go upstairs now,&rdquo; said Harley. &ldquo;You will kindly lead the way, Mr.
+ Meyer, and the whole thing will be quite clear to you, Knox.&rdquo;
+ </p>
+ <p>
+ As the proprietor walked out of the office and upstairs to the second
+ floor Harley whispered in my ear:
+ </p>
+ <p>
+ &ldquo;Where did she go?&rdquo;
+ </p>
+ <p>
+ &ldquo;No. &mdash;&mdash; Hamilton Place,&rdquo; I replied in an undertone.
+ </p>
+ <p>
+ &ldquo;Good God!&rdquo; muttered my friend, and clutched my arm so tightly that I
+ winced. &ldquo;Good God! The master touch, Knox! This crime was the work of a
+ genius&mdash;of a genius with slightly, very slightly, oblique eyes.&rdquo;
+ </p>
+ <p>
+ Opening a door on the second landing, Mr. Meyer admitted us to a small
+ supper-room. Its furniture consisted of a round dining table, several
+ chairs, a couch, and very little else. I observed, however, that the
+ furniture, carpet, and a few other appointments were of a character much
+ more elegant than those of the public room below. A window which
+ overlooked the street was open, so that the plush curtains which had been
+ drawn aside moved slightly to and fro in the draught.
+ </p>
+ <p>
+ &ldquo;The window of the tragedy, Knox,&rdquo; explained Harley.
+ </p>
+ <p>
+ He crossed the room.
+ </p>
+ <p>
+ &ldquo;If you will stand here beside me you will see the gap in the railing
+ caused by the breaking away of the fragment which now lies on Mr. Meyer's
+ desk. Some few yards to the left in the street below is where the assault
+ took place, of which we have heard, and the unfortunate Mr. De Lana, who
+ was dining here alone&mdash;an eccentric custom of his&mdash;naturally ran
+ to the window upon hearing the disturbance and leaned out, supporting his
+ weight upon the railing. The rail collapsed, and&mdash;we know the rest.&rdquo;
+ </p>
+ <p>
+ &ldquo;It will ruin me,&rdquo; groaned Meyer; &ldquo;it will give bad repute to my
+ establishment.&rdquo;
+ </p>
+ <p>
+ &ldquo;I fear it will,&rdquo; agreed Harley sympathetically, &ldquo;unless we can manage to
+ clear up one or two little difficulties which I have observed. For
+ instance&rdquo;&mdash;he tapped the proprietor on the shoulder confidentially&mdash;&ldquo;have
+ you any idea, any hazy idea, of the identity of the woman who was dining
+ here with Mr. De Lana on Wednesday night?&rdquo;
+ </p>
+ <p>
+ The effect of this simple inquiry upon the proprietor was phenomenal. His
+ fat yellow face assumed a sort of leaden hue, and his already prominent
+ eyes protruded abnormally. He licked his lips.
+ </p>
+ <p>
+ &ldquo;I tell you&mdash;already I tell you,&rdquo; he muttered, &ldquo;that Mr. De Lana he
+ engage this room every Wednesday and sometimes also Friday, and dine here
+ by himself.&rdquo;
+ </p>
+ <p>
+ &ldquo;And I tell you,&rdquo; said Harley sweetly, &ldquo;that you are an inspired liar. You
+ smuggled her out by the side entrance after the accident.&rdquo;
+ </p>
+ <p>
+ &ldquo;The side entrance?&rdquo; muttered Meyer. &ldquo;The side entrance?&rdquo;
+ </p>
+ <p>
+ &ldquo;Exactly; the side entrance. There is something else which I must ask you
+ to tell me. Who had engaged this room on Tuesday night, the night before
+ the accident?&rdquo;
+ </p>
+ <p>
+ The proprietor's expression remained uncomprehending, and:
+ </p>
+ <p>
+ &ldquo;A gentleman,&rdquo; he said. &ldquo;I never see him before.&rdquo;
+ </p>
+ <p>
+ &ldquo;Another solitary diner?&rdquo; suggested Harley.
+ </p>
+ <p>
+ &ldquo;Yes, he is alone all the evening waiting for a friend who does not
+ arrive.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah,&rdquo; mused Harley&mdash;&ldquo;alone all the evening, was he? And his friend
+ disappointed him. May I suggest that he was a dark man? Gray at the
+ temples, having a dark beard and moustache, and a very tanned face? His
+ eyes slanted slightly upward?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes! yes!&rdquo; cried Meyer, and his astonishment was patently unfeigned. &ldquo;It
+ is a friend of yours?&rdquo;
+ </p>
+ <p>
+ &ldquo;A friend of mine, yes,&rdquo; said Harley absently, but his expression was very
+ grim. &ldquo;What time did he finally leave?&rdquo;
+ </p>
+ <p>
+ &ldquo;He waited until after eleven o'clock. The dinner is spoilt. He pays, but
+ does not complain.&rdquo;
+ </p>
+ <p>
+ &ldquo;No,&rdquo; said Harley musingly, &ldquo;he had nothing to complain about. One more
+ question, my friend. When the lady escaped hurriedly on Wednesday night,
+ what was it that she left behind and what price are you trying to extort
+ from her for returning it?&rdquo;
+ </p>
+ <p>
+ At that the man collapsed entirely.
+ </p>
+ <p>
+ &ldquo;Ah, Gott!&rdquo; he cried, and raised his hand to his clammy forehead. &ldquo;You
+ will ruin me. I am a ruined man. I don't try to extort anything. I run an
+ honest business&mdash;&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;And one of the most profitable in the world,&rdquo; added Harley, &ldquo;since the
+ days of Thais to our own. Even at Bond Street rentals I assume that a
+ house of assignation is a golden enterprise.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah!&rdquo; groaned Meyer, &ldquo;I am ruined, so what does it matter? I tell you
+ everything. I know Mr. De Lana who engages my room regularly, but I don't
+ know who the lady is who meets him here. No! I swear it! But always it is
+ the same lady. When he falls I am downstairs in my office, and I hear him
+ cry out. The lady comes running from the room and begs of me to get her
+ away without being seen and to keep all mention of her out of the matter.&rdquo;
+ </p>
+ <p>
+ &ldquo;What did she pay you?&rdquo; asked Harley.
+ </p>
+ <p>
+ &ldquo;Pay me?&rdquo; muttered Meyer, pulled up thus shortly in the midst of his
+ statement.
+ </p>
+ <p>
+ &ldquo;Pay you. Exactly. Don't argue; answer.&rdquo;
+ </p>
+ <p>
+ The man delivered himself of a guttural, choking sound, and finally:
+ </p>
+ <p>
+ &ldquo;She promised one hundred pounds,&rdquo; he confessed hoarsely.
+ </p>
+ <p>
+ &ldquo;But you surely did not accept a mere promise? Out with it. What did she
+ give you?&rdquo;
+ </p>
+ <p>
+ &ldquo;A ring,&rdquo; came the confession at last.
+ </p>
+ <p>
+ &ldquo;A ring. I see. I will take it with me if you don't mind. And now,
+ finally, what was it that she left behind?&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah, Gott!&rdquo; moaned the man, dropping into a chair and resting his arms
+ upon the table. &ldquo;It is all a great panic, you see. I hurry her out by the
+ back stair from this landing and she forgets her bag.&rdquo;
+ </p>
+ <p>
+ &ldquo;Her bag? Good.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then I clear away the remains of dinner so I can say Mr. De Lana is
+ dining alone. It is as much my interest as the lady's.&rdquo;
+ </p>
+ <p>
+ &ldquo;Of course! I quite understand. I will trouble you no more, Mr. Meyer,
+ except to step into your office and to relieve you of that incriminating
+ evidence, the lady's bag and her ring.&rdquo;
+ </p>
+ <p>
+ <a name="link2H_4_0040" id="link2H_4_0040">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ IV
+ </h2>
+ <h3>
+ THE SLANTING EYES
+ </h3>
+ <p>
+ &ldquo;Do you understand, Knox?&rdquo; said Harley as the cab bore us toward Hamilton
+ Place. &ldquo;Do you grasp the details of this cunning scheme?&rdquo;
+ </p>
+ <p>
+ &ldquo;On the contrary,&rdquo; I replied, &ldquo;I am hopelessly at sea.&rdquo;
+ </p>
+ <p>
+ Nevertheless, I had forgotten that I was hungry in the excitement which
+ now claimed me. For although the thread upon which these seemingly
+ disconnected things hung was invisible to me, I recognized that Bampton,
+ the city clerk, the bearded stranger who had made so singular a
+ proposition to him, the white-hatted major, the dead stockbroker, and the
+ mysterious woman whose presence in the case the clear sight of Harley had
+ promptly detected, all were linked together by some subtle chain. I was
+ convinced, too, that my friend held at least one end of that chain in his
+ grip.
+ </p>
+ <p>
+ &ldquo;In order to prepare your mind for the interview which I hope to obtain
+ this evening,&rdquo; continued Harley, &ldquo;let me enlighten you upon one or two
+ points which may seem obscure. In the first place you recognize that
+ anyone leaning out of the window on the second floor would almost
+ automatically rest his weight upon the iron bar which was placed there for
+ that very purpose, since the ledge is unusually low?&rdquo;
+ </p>
+ <p>
+ &ldquo;Quite,&rdquo; I replied, &ldquo;and it also follows that if the bar gave way anyone
+ thus leaning on it would be pitched into the street.&rdquo;
+ </p>
+ <p>
+ &ldquo;Your reasoning is correct.&rdquo;
+ </p>
+ <p>
+ &ldquo;But, my dear fellow,&rdquo; said I, &ldquo;how could such an accident have been
+ foreseen?&rdquo;
+ </p>
+ <p>
+ &ldquo;You speak of an accident. This was no accident! One end of the bar had
+ been filed completely through, although the file marks had been carefully
+ concealed with rust and dirt; and the other end had been wrenched out from
+ its socket and then replaced in such a way that anyone leaning upon the
+ bar could not fail to be precipitated into the street!&rdquo;
+ </p>
+ <p>
+ &ldquo;Good heavens! Then you mean&mdash;&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;I mean, Knox, that the man who occupied the supper room on the night
+ before the tragedy&mdash;the dark man, tanned and bearded, with slightly
+ oblique eyes&mdash;-spent his time in filing through that bar&mdash;in
+ short, in preparing a death trap!&rdquo;
+ </p>
+ <p>
+ I was almost dumbfounded.
+ </p>
+ <p>
+ &ldquo;But, Harley,&rdquo; I said, &ldquo;assuming that he knew his victim would be the next
+ occupant of the room, how could he know&mdash;&mdash;&mdash;?&rdquo;
+ </p>
+ <p>
+ I stopped. Suddenly, as if a curtain had been raised, the details of what
+ I now perceived to be a fiendishly cunning murder were revealed to me.
+ </p>
+ <p>
+ &ldquo;According to his own account, Knox,&rdquo; resumed Harley, &ldquo;Major Ragstaff
+ regularly passed along that street with military punctuality at the same
+ hour every night. You may take it for granted that the murderer was well
+ aware of this. As a matter of fact, I happen to know that he was. We must
+ also take it for granted that the murderer knew of these little dinners
+ for two which took place in the private room above the Cafe Dame every
+ Wednesday&mdash;and sometimes on Friday. Around the figure of the
+ methodical major&mdash;with his conspicuous white hat as a sort of focus&mdash;was
+ built up one of the most ingenious schemes of murder with which I have
+ ever come in contact. The victim literally killed himself.&rdquo;
+ </p>
+ <p>
+ &ldquo;But, Harley, the victim might have ignored the disturbance.&rdquo;
+ </p>
+ <p>
+ &ldquo;That is where I first detected the touch of genius, Knox. He recognized
+ the voice of one of the combatants&mdash;or his companion did. Here we
+ are.&rdquo;
+ </p>
+ <p>
+ The cab drew up before the house in Hamilton Place. We alighted, and
+ Harley pressed the bell. The same footman whom I had seen admit the woman
+ opened the door.
+ </p>
+ <p>
+ &ldquo;Is Lady Ireton at home?&rdquo; asked Harley.
+ </p>
+ <p>
+ As he uttered the name I literally held my breath. We had come to the
+ house of Major Ragstaff's daughter, the Marchioness of Ireton, one of
+ society's most celebrated and beautiful hostesses!&mdash;the wife of a
+ peer famed alike as sportsman, soldier, and scholar.
+ </p>
+ <p>
+ &ldquo;I believe she is dining at home, sir,&rdquo; said the man. &ldquo;Shall I inquire?&rdquo;
+ </p>
+ <p>
+ &ldquo;Be good enough to do so,&rdquo; replied Harley, and gave him a card. &ldquo;Inform
+ her that I wish to return to her a handbag which she lost a few days ago.&rdquo;
+ </p>
+ <p>
+ The man ushered us into an anteroom opening off the lofty and rather
+ gloomy hall, and as the door closed:
+ </p>
+ <p>
+ &ldquo;Harley,&rdquo; I said in a stage whisper, &ldquo;am I to believe&mdash;&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Can you doubt it?&rdquo; returned Harley with a grim smile.
+ </p>
+ <p>
+ A few moments later we were shown into a charmingly intimate little
+ boudoir in which Lady Ireton was waiting to receive us. She was a
+ strikingly handsome brunette, but to-night her face, which normally, I
+ think, possessed rich colouring, was almost pallid, and there was a hunted
+ look in her dark eyes which made me wish to be anywhere rather than where
+ I found myself. Without preamble she rose and addressed Harley:
+ </p>
+ <p>
+ &ldquo;I fail to understand your message, sir,&rdquo; she said, and I admired the
+ imperious courage with which she faced him. &ldquo;You say you have recovered a
+ handbag which I had lost?&rdquo;
+ </p>
+ <p>
+ Harley bowed, and from the pocket of his greatcoat took out a
+ silken-tasselled bag.
+ </p>
+ <p>
+ &ldquo;The one which you left in the Cafe Dame, Lady Ireton,&rdquo; he replied. &ldquo;Here
+ also I have&rdquo;&mdash;from another pocket he drew out a diamond ring&mdash;&ldquo;something
+ which was extorted from you by the fellow Meyer.&rdquo;
+ </p>
+ <p>
+ Without touching her recovered property, Lady Ireton sank slowly down into
+ the chair from which she had arisen, her gaze fixed as if hypnotically
+ upon the speaker.
+ </p>
+ <p>
+ &ldquo;My friend, Mr. Knox, is aware of all the circumstances,&rdquo; continued the
+ latter, &ldquo;but he is as anxious as I am to terminate this painful interview.
+ I surmise that what occurred on Wednesday night was this&mdash;(correct me
+ if I am wrong): While dining with Mr. De Lana you heard sounds of
+ altercation in the street below. May I suggest that you recognized one of
+ the voices?&rdquo;
+ </p>
+ <p>
+ Lady Ireton, still staring straight before her at Harley, inclined her
+ head in assent.
+ </p>
+ <p>
+ &ldquo;I heard my father's voice,&rdquo; she said hoarsely.
+ </p>
+ <p>
+ &ldquo;Quite so,&rdquo; he continued. &ldquo;I am aware that Major Ragstaff is your father.&rdquo;
+ He turned to me: &ldquo;Do you recognize the touch of genius at last?&rdquo; Then,
+ again addressing Lady Ireton: &ldquo;You naturally suggested to your companion
+ that he should look out of the window in order to learn what was taking
+ place. The next thing you knew was that he had fallen into the street
+ below?&rdquo;
+ </p>
+ <p>
+ Lady Ireton shuddered and raised her hands to her face.
+ </p>
+ <p>
+ &ldquo;It is retribution,&rdquo; she whispered. &ldquo;I have brought this ruin upon myself.
+ But he does not deserve&mdash;&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ Her voice faded into silence, and:
+ </p>
+ <p>
+ &ldquo;You refer to your husband, Lord Ireton?&rdquo; said Harley.
+ </p>
+ <p>
+ Lady Ireton nodded, and again recovering power of speech:
+ </p>
+ <p>
+ &ldquo;It was to have been our last meeting,&rdquo; she said, looking up at Harley.
+ </p>
+ <p>
+ She shuddered, and her eyes blazed into sudden fierceness. Then, clenching
+ her hands, she looked aside.
+ </p>
+ <p>
+ &ldquo;Oh, God, the shame of this hour!&rdquo; she whispered.
+ </p>
+ <p>
+ And I would have given much to have been spared the spectacle of this
+ proud, erring woman's humiliation. But Paul Harley was scientifically
+ remorseless. I could detect no pity in his glance.
+ </p>
+ <p>
+ &ldquo;I would give my life willingly to spare my husband the knowledge of what
+ has been,&rdquo; said Lady Ireton in a low, monotonous voice. &ldquo;Three times I
+ sent my maid to Meyer to recover my bag, but he demanded a price which
+ even I could not pay. Now it is all discovered, and Harry will know.&rdquo;
+ </p>
+ <p>
+ &ldquo;That, I fear, is unavoidable, Lady Ireton,&rdquo; declared Harley. &ldquo;May I ask
+ where Lord Ireton is at present?&rdquo;
+ </p>
+ <p>
+ &ldquo;He is in Africa after big game.&rdquo;
+ </p>
+ <p>
+ &ldquo;H'm,&rdquo; said Harley, &ldquo;in Africa, and after big game? I can offer you one
+ consolation, Lady Ireton. In his own interests Meyer will stick to his
+ first assertion that Mr. De Lana was dining alone.&rdquo;
+ </p>
+ <p>
+ A strange, horribly pathetic look came into the woman's haunted eyes.
+ </p>
+ <p>
+ &ldquo;You&mdash;you&mdash;are not acting for&mdash;&mdash;&mdash;?&rdquo; she began.
+ </p>
+ <p>
+ &ldquo;I am acting for no one,&rdquo; replied Harley tersely. &ldquo;Upon my friend's
+ discretion you may rely as upon my own.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then why should he ever know?&rdquo; she whispered.
+ </p>
+ <p>
+ &ldquo;Why, indeed,&rdquo; murmured Harley, &ldquo;since he is in Africa?&rdquo;
+ </p>
+ <p>
+ As we descended the stair to the hall my friend paused and pointed to a
+ life-sized oil painting by London's most fashionable portrait painter. It
+ was that of a man in the uniform of a Guards officer, a dark man, slightly
+ gray at the temples, his face very tanned as if by exposure to the sun.
+ </p>
+ <p>
+ &ldquo;Having had no occasion for disguise when the portrait was painted,&rdquo; said
+ Harley, &ldquo;Lord Ireton appears here without the beard; and as he is not
+ represented smiling one cannot see the gold tooth. But the painter, if
+ anything, has accentuated the slanting eyes. You see, the fourth marquis&mdash;the
+ present Lord Ireton's father&mdash;married one of the world-famous Yen Sun
+ girls, daughters of the mandarin of that name by an Irish wife. Hence, the
+ eyes. And hence&mdash;&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;But, Harley&mdash;it was murder!&rdquo;
+ </p>
+ <p>
+ &ldquo;Not within the meaning of the law, Knox. It was a recrudescence of
+ Chinese humour! Lord Ireton is officially in Africa (and he went actually
+ after 'big game'). The counsel is not born who could secure a conviction.
+ We are somewhat late, but shall therefore have less difficulty in finding
+ a table at Prince's.&rdquo;
+ </p>
+ <p>
+ <a name="link2H_4_0041" id="link2H_4_0041">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ TCHERIAPIN
+ </h2>
+ <p>
+ <a name="link2H_4_0042" id="link2H_4_0042">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ I
+ </h2>
+ <h3>
+ THE ROSE
+ </h3>
+ <p>
+ &ldquo;Examine it closely,&rdquo; said the man in the unusual caped overcoat. &ldquo;It will
+ repay examination.&rdquo;
+ </p>
+ <p>
+ I held the little object in the palm of my hand, bending forward over the
+ marble-topped table and looking down at it with deep curiosity. The babel
+ of tongues so characteristic of Malay Jack's, and that mingled odour of
+ stale spirits, greasy humanity, tobacco, cheap perfume, and opium, which
+ distinguish the establishment faded from my ken. A sense of loneliness
+ came to me.
+ </p>
+ <p>
+ Perhaps I should say that it became complete. I had grown conscious of its
+ approach at the very moment that the cadaverous white-haired man had
+ addressed me. There was a quality in his steadfast gaze and in his oddly
+ pitched deep voice which from the first had wrapped me about&mdash;as
+ though he were cloaking me in his queer personality and withdrawing me
+ from the common plane.
+ </p>
+ <p>
+ Having stared for some moments at the object in my palm, I touched it
+ gingerly; whereupon my acquaintance laughed&mdash;a short bass laugh.
+ </p>
+ <p>
+ &ldquo;It looks fragile,&rdquo; he said. &ldquo;But have no fear. It is nearly as hard as a
+ diamond.&rdquo;
+ </p>
+ <p>
+ Thus encouraged, I took the thing up between finger and thumb, and held it
+ before my eyes. For long enough I looked at it, and looking, my wonder
+ grew. I thought that here was the most wonderful example of the lapidary's
+ art which I had ever met with, east or west.
+ </p>
+ <p>
+ It was a tiny pink rose, no larger than the nail of my little finger.
+ Stalk and leaves were there, and golden pollen lay in its delicate heart.
+ Each fairy-petal blushed with June fire; the frail leaves were exquisitely
+ green. Withal it was as hard and unbendable as a thing of steel.
+ </p>
+ <p>
+ &ldquo;Allow me,&rdquo; said the masterful voice.
+ </p>
+ <p>
+ A powerful lens was passed by my acquaintance. I regarded the rose through
+ the glass, and thereupon I knew, beyond doubt, that there was something
+ phenomenal about the gem&mdash;if gem it were. I could plainly trace the
+ veins and texture of every petal.
+ </p>
+ <p>
+ I suppose I looked somewhat startled. Although, baldly stated, the fact
+ may not seem calculated to affright, in reality there was something so
+ weird about this unnatural bloom that I dropped it on the table. As I did
+ so I uttered an exclamation; for in spite of the stranger's assurances on
+ the point, I had by no means overcome my idea of the thing's fragility.
+ </p>
+ <p>
+ &ldquo;Don't be alarmed,&rdquo; he said, meeting my startled gaze. &ldquo;It would need a
+ steam-hammer to do any serious damage.&rdquo;
+ </p>
+ <p>
+ He replaced the jewel in his pocket, and when I returned the lens to him
+ he acknowledged it with a grave inclination of the head. As I looked into
+ his sunken eyes, in which I thought lay a sort of sardonic merriment, the
+ fantastic idea flashed through my mind that I had fallen into the clutches
+ of an expert hypnotist who was amusing himself at my expense, that the
+ miniature rose was a mere hallucination produced by the same means as the
+ notorious Indian rope trick.
+ </p>
+ <p>
+ Then, looking around me at the cosmopolitan groups surrounding the many
+ tables, and catching snatches of conversations dealing with subjects so
+ diverse as the quality of whisky in Singapore, the frail beauty of Chinese
+ maidens, and the ways of &ldquo;bloody greasers,&rdquo; common sense reasserted
+ itself.
+ </p>
+ <p>
+ I looked into the gray face of my acquaintance.
+ </p>
+ <p>
+ &ldquo;I cannot believe,&rdquo; I said slowly, &ldquo;that human ingenuity could so closely
+ duplicate the handiwork of nature. Surely the gem is unique?&mdash;possibly
+ one of those magical talismans of which we read in Eastern stories?&rdquo;
+ </p>
+ <p>
+ My companion smiled.
+ </p>
+ <p>
+ &ldquo;It is not a gem,&rdquo; he replied, &ldquo;and while in a sense it is a product of
+ human ingenuity, it is also the handiwork of nature.&rdquo;
+ </p>
+ <p>
+ I was badly puzzled, and doubtless revealed the fact, for the stranger
+ laughed in his short fashion, and:
+ </p>
+ <p>
+ &ldquo;I am not trying to mystify you,&rdquo; he assured me. &ldquo;But the truth is so hard
+ to believe sometimes that in the present case I hesitate to divulge it.
+ Did you ever meet Tcheriapin?&rdquo;
+ </p>
+ <p>
+ This abrupt change of topic somewhat startled me, but nevertheless:
+ </p>
+ <p>
+ &ldquo;I once heard him play,&rdquo; I replied. &ldquo;Why do you ask the question?&rdquo;
+ </p>
+ <p>
+ &ldquo;For this reason: Tcheriapin possessed the only other example of this art
+ which so far as I am aware ever left the laboratory of the inventor. He
+ occasionally wore it in his buttonhole.&rdquo;
+ </p>
+ <p>
+ &ldquo;It is then a manufactured product of some sort?&rdquo;
+ </p>
+ <p>
+ &ldquo;As I have said, in a sense it is; but&rdquo;&mdash;he drew the tiny exquisite
+ ornament from his pocket again and held it up before me&mdash;&ldquo;it is a
+ natural bloom.&rdquo;
+ </p>
+ <p>
+ &ldquo;What!&rdquo;
+ </p>
+ <p>
+ &ldquo;It is a natural bloom,&rdquo; replied my acquaintance, fixing his penetrating
+ gaze upon me. &ldquo;By a perfectly simple process invented by the cleverest
+ chemist of his age it had been reduced to this gem-like state while
+ retaining unimpaired every one of its natural beauties, every shade of its
+ natural colour. You are incredulous?&rdquo;
+ </p>
+ <p>
+ &ldquo;On the contrary,&rdquo; I replied, &ldquo;having examined it through a magnifying
+ glass I had already assured myself that no human hand had fashioned it.
+ You arouse my curiosity intensely. Such a process, with its endless
+ possibilities, should be worth a fortune to the inventor.&rdquo;
+ </p>
+ <p>
+ The stranger nodded grimly and again concealed the rose in his pocket.
+ </p>
+ <p>
+ &ldquo;You are right,&rdquo; he said; &ldquo;and the secret died with the man who discovered
+ it&mdash;in the great explosion at the Vortex Works in 1917. You recall
+ it? The T.N.T. factory? It shook all London, and fragments were cast into
+ three counties.&rdquo;
+ </p>
+ <p>
+ &ldquo;I recall it perfectly well.&rdquo;
+ </p>
+ <p>
+ &ldquo;You remember also the death of Dr. Kreener, the chief chemist? He died in
+ an endeavour to save some of the workpeople.&rdquo;
+ </p>
+ <p>
+ &ldquo;I remember.&rdquo;
+ </p>
+ <p>
+ &ldquo;He was the inventor of the process, but it was never put upon the market.
+ He was a singular man, sir; as was once said of him&mdash;'A Don Juan of
+ science.' Dame Nature gave him her heart unwooed. He trifled with science
+ as some men trifle with love, tossing aside with a smile discoveries which
+ would have made another famous. This&rdquo;&mdash;tapping his breast pocket&mdash;&ldquo;was
+ one of them.&rdquo;
+ </p>
+ <p>
+ &ldquo;You astound me. Do I understand you to mean that Dr. Kreener had invented
+ a process for reducing any form of plant life to this condition?&rdquo;
+ </p>
+ <p>
+ &ldquo;Almost any form,&rdquo; was the guarded reply. &ldquo;And some forms of animal life.&rdquo;
+ </p>
+ <p>
+ &ldquo;What!&rdquo;
+ </p>
+ <p>
+ &ldquo;If you like&rdquo;&mdash;the stranger leaned forward and grasped my arm&mdash;&ldquo;I
+ will tell you the story of Dr. Kreener's last experiment.&rdquo;
+ </p>
+ <p>
+ I was now intensely interested. I had not forgotten the heroic death of
+ the man concerning whose work this chance acquaintance of mine seemed to
+ know so much. And in the cadaverous face of the stranger as he sat there
+ regarding me fixedly there was a promise and an allurement. I stood on the
+ verge of strange things; so that, looking into the deep-set eyes, once
+ again I felt the cloak being drawn about me, and I resigned myself
+ willingly to the illusion.
+ </p>
+ <p>
+ From the moment when he began to speak again until that when I rose and
+ followed him from Malay Jack's, as I shall presently relate, I became
+ oblivious of my surroundings. I lived and moved through those last fevered
+ hours in the lives of Dr. Kreener, Tcheriapin, the violinist, and that
+ other tragic figure around whom the story centred. I append:
+ </p>
+ <p>
+ THE STRANGER'S STORY
+ </p>
+ <p>
+ I asked you (said the man in the caped coat) if you had ever seen
+ Tcheriapin, and you replied that you had once heard him play. Having once
+ heard him play you will not have forgotten him. At that time, although war
+ still raged, all musical London was asking where he had come from and to
+ what nation he belonged. Then when he disappeared it was variously
+ reported, you will recall, that he had been shot as a spy and that he had
+ escaped from England and was serving with the Austrian army. As to his
+ parentage I can enlighten you in a measure. He was a Eurasian. His father
+ was an aristocratic Chinaman, and his mother a Polish ballet-dancer&mdash;that
+ was his parentage; but I would scarcely hesitate to affirm that he came
+ from Hell; and I shall presently show you that he has certainly returned
+ there.
+ </p>
+ <p>
+ You remember the strange stories current about him. The cunning ones said
+ that he had a clever press agent. This was true enough. One of the most
+ prominent agents in London discovered him playing in a Paris cabaret. Two
+ months later he was playing at the Queen's Hall, and musical London lay at
+ his feet.
+ </p>
+ <p>
+ He had something of the personality of Paganini, as you remember, except
+ that he was a smaller man; long, gaunt, yellowish hands and the face of a
+ haggard Mephistopheles. The critics quarrelled about him, as critics only
+ quarrel about real genius, and while one school proclaimed that Tcheriapin
+ had discovered an entirely new technique, a revolutionary system of violin
+ playing, another school was equally positive in declaring that he could
+ not play at all, that he was a mountebank, a trickster, whose proper place
+ was in a variety theatre.
+ </p>
+ <p>
+ There were stories, too, that were never published&mdash;not only about
+ Tcheriapin, but concerning the Strad, upon which he played. If all this
+ atmosphere of mystery which surrounded the man had truly been the work of
+ a press agent, then the agent must have been as great a genius as his
+ client. But I can assure you that the stories concerning Tcheriapin, true
+ and absurd alike, were not inspired for business purposes; they grew up
+ around him like fungi.
+ </p>
+ <p>
+ I can see him now, a lean, almost emaciated figure with slow, sinuous
+ movements and a trick of glancing sideways with those dark, unfathomable,
+ slightly oblique eyes. He could take up his bow in such a way as to create
+ an atmosphere of electrical suspense.
+ </p>
+ <p>
+ He was loathsome, yet fascinating. One's mental attitude toward him was
+ one of defence, of being tensely on guard. Then he would play.
+ </p>
+ <p>
+ You have heard him play, and it is therefore unnecessary for me to attempt
+ to describe the effect of that music. The only composition which ever bore
+ his name&mdash;I refer to &ldquo;The Black Mass&rdquo;&mdash;affected me on every
+ occasion when I heard it, as no other composition has ever done.
+ </p>
+ <p>
+ Perhaps it was Tcheriapin's playing rather than the music itself which
+ reached down into hitherto un-plumbed depths within me and awakened dark
+ things which, unsuspected, lay there sleeping. I never heard &ldquo;The Black
+ Mass&rdquo; played by anyone else; indeed, I am not aware that it was ever
+ published. But had it been we should rarely hear it. Like Locke's music to
+ &ldquo;Macbeth&rdquo; it bears an unpleasant reputation; to include it in any concert
+ programme would be to court disaster. An idle superstition, perhaps, but
+ there is much naivete in the artistic temperament.
+ </p>
+ <p>
+ Men detested Tcheriapin, yet when he chose he could win over his bitterest
+ enemies. Women followed him as children followed the Pied Piper; he
+ courted none, but was courted by all. He would glance aside with those
+ black, slanting eyes, shrug in his insolent fashion, and turn away. And
+ they would follow. God knows how many of them followed&mdash;whether
+ through the dens of Limehouse or the more fashionable salons of vice in
+ the West End&mdash;they followed&mdash;perhaps down to Hell. So much for
+ Tcheriapin.
+ </p>
+ <p>
+ At the time when the episode occurred to which I have referred, Dr.
+ Kreener occupied a house in Regent's Park, to which, when his duties at
+ the munition works allowed, he would sometimes retire at week-ends. He was
+ a man of complex personality. I think no one ever knew him thoroughly;
+ indeed, I doubt if he knew himself.
+ </p>
+ <p>
+ He was hail-fellow-well-met with the painters, sculptors, poets, and
+ social reformers who have made of Soho a new Mecca. No movement in art was
+ so modern that Dr. Kreener was not conversant with it; no development in
+ Bolshevism so violent or so secret that Dr. Kreener could not speak of it
+ complacently and with inside knowledge.
+ </p>
+ <p>
+ These were his Bohemian friends, these dreamers and schemers. Of this side
+ of his life his scientific colleagues knew little or nothing, but in his
+ hours of leisure at Regent's Park it was with these dreamers that he loved
+ to surround himself rather than with his brethren of the laboratory. I
+ think if Dr. Kreener had not been a great chemist he would have been a
+ great painter, or perhaps a politician, or even a poet. Triumph was his
+ birthright, and the fruits for which lesser men reached out in vain fell
+ ripe into his hands.
+ </p>
+ <p>
+ The favourite meeting-place for these oddly assorted boon companions was
+ the doctor's laboratory, which was divided from the house by a moderately
+ large garden. Here on a Sunday evening one might meet the very &ldquo;latest&rdquo;
+ composer, the sculptor bringing a new &ldquo;message,&rdquo; or the man destined to
+ supplant with the ballet the time-worn operatic tradition.
+ </p>
+ <p>
+ But while some of these would come and go, so that one could never count
+ with certainty upon meeting them, there was one who never failed to be
+ present when such an informal reception was held. Of him I must speak at
+ greater length, for a reason which will shortly appear.
+ </p>
+ <p>
+ Andrews was the name by which he was known to the circles in which he
+ moved. No one, from Sir John Tennier, the fashionable portrait painter, to
+ Kruski, of the Russian ballet, disputed Andrews's right to be counted one
+ of the elect. Yet it was known, nor did he trouble to hide the fact, that
+ Andrews was employed at a large printing works in South London, designing
+ advertisements. He was a great, red-bearded, unkempt Scotsman, and only
+ once can I remember to have seen him strictly sober; but to hear him talk
+ about painters and painting in his thick Caledonian accent was to look
+ into the soul of an artist.
+ </p>
+ <p>
+ He was as sour as an unripe grape-fruit, cynical, embittered, a man
+ savagely disappointed with life and the world; and tragedy was written all
+ over him. If anyone knew the secret of his wasted life it was Dr. Kreener,
+ and Dr. Kreener was a reliquary of so many secrets that this one was safe
+ as if the grave had swallowed it.
+ </p>
+ <p>
+ One Sunday Tcheriapin joined the party. That he would gravitate there
+ sooner or later was inevitable, for the laboratory in the garden was a
+ Kaaba to which all such spirits made at least one pilgrimage. He had just
+ set musical London on fire with his barbaric playing, and already those
+ stories to which I have referred were creeping into circulation.
+ </p>
+ <p>
+ Although Dr. Kreener never expected anything of his guests beyond an
+ interchange of ideas, it was a fact that the laboratory contained an
+ almost unique collection of pencil and charcoal studies by famous artists,
+ done upon the spot; of statuettes in wax, putty, soap and other
+ extemporized materials, by the newest sculptors. While often enough from
+ the drawing room which opened upon the other end of the garden had issued
+ the strains of masterly piano-playing, and it was no uncommon thing for
+ little groups to gather in the neighbouring road to listen, gratis, to the
+ voice of some great vocalist.
+ </p>
+ <p>
+ From the first moment of their meeting an intense antagonism sprang up
+ between Tcheriapin and Andrews. Neither troubled very much to veil it. In
+ Tcheriapin it found expression in covert sneers and sidelong glances,
+ while the big, lion-maned Scotsman snorted open contempt of the Eurasian
+ violinist. However, what I was about to say was that Tcheriapin on the
+ occasion of his first visit brought his violin.
+ </p>
+ <p>
+ It was there, amid these incongruous surroundings, that I first had my
+ spirit tortured by the strains of &ldquo;The Black Mass.&rdquo;
+ </p>
+ <p>
+ There were five of us present, including Tcheriapin, and not one of the
+ four listeners was unaffected by the music. But the influence which it
+ exercised upon Andrews was so extraordinary as almost to reach the
+ phenomenal. He literally writhed in his chair, and finally interrupted the
+ performance by staggering rather than walking out of the laboratory.
+ </p>
+ <p>
+ I remember that he upset a jar of acid in his stumbling exit. It flowed
+ across the floor almost to the feet of Tcheriapin, and the way in which
+ the little black-haired man skipped, squealing, out of the path of the
+ corroding fluid was curiously like that of a startled rabbit. Order was
+ restored in due course, but we could not induce Tcheriapin to play again,
+ nor did Andrews return until the violinist had taken his departure. We
+ found him in the dining room, a nearly empty whisky-bottle beside him.
+ </p>
+ <p>
+ &ldquo;I had to gang awa',&rdquo; he explained thickly; &ldquo;he was temptin' me to murder
+ him. I should ha' had to do it if I had stayed. Damn his hell-music.&rdquo;
+ </p>
+ <p>
+ Tcheriapin revisited Dr. Kreener on many occasions afterward, although for
+ a long time he did not bring his violin again. The doctor had prevailed
+ upon Andrews to tolerate the Eurasian's company, and I could not help
+ noticing how Tcheriapin skilfully and deliberately goaded the Scotsman,
+ seeming to take a fiendish delight in disagreeing with his pet theories
+ and in discussing any topic which he had found to be distasteful to
+ Andrews.
+ </p>
+ <p>
+ Chief among these was that sort of irreverent criticism of women in which
+ male parties so often indulge. Bitter cynic though he was, women were
+ sacred to Andrews. To speak disrespectfully of a woman in his presence was
+ like uttering blasphemy in the study of a cardinal. Tcheriapin very
+ quickly detected the Scotsman's weakness, and one night he launched out
+ into a series of amorous adventures which set Andrews writhing as he had
+ writhed under the torture of &ldquo;The Black Mass.&rdquo;
+ </p>
+ <p>
+ On this occasion the party was only a small one, comprising myself, Dr.
+ Kreener, Andrews and Tcheriapin. I could feel the storm brewing, but was
+ powerless to check it. How presently it was to break in tragic violence I
+ could not foresee. Fate had not meant that I should foresee it.
+ </p>
+ <p>
+ Allowing for the free play of an extravagant artistic mind, Tcheriapin's
+ career on his own showing had been that of a callous blackguard. I began
+ by being disgusted and ended by being fascinated, not by the man's
+ scandalous adventures, but by the scarcely human psychology of the
+ narrator.
+ </p>
+ <p>
+ From Warsaw to Budapesth, Shanghai to Paris, and Cairo to London he
+ passed, leaving ruin behind him with a smile&mdash;airily flicking
+ cigarette ash upon the floor to indicate the termination of each
+ &ldquo;episode.&rdquo;
+ </p>
+ <p>
+ Andrews watched him in a lowering way which I did not like at all. He had
+ ceased to snort his scorn; indeed, for ten minutes or so he had uttered no
+ word or sound; but there was something in the pose of his ungainly body
+ which strangely suggested that of a great dog preparing to spring.
+ Presently the violinist recalled what he termed a &ldquo;charming idyll of
+ Normandy.&rdquo;
+ </p>
+ <p>
+ &ldquo;There is one poor fool in the world,&rdquo; he said, shrugging his slight
+ shoulders, &ldquo;who never knew how badly he should hate me. Ha! ha! of him I
+ shall tell you. Do you remember, my friends, some few years ago, a picture
+ that was published in Paris and London? Everybody bought it; everybody
+ said: 'He is a made man, this fellow who can paint so fine.'&rdquo;
+ </p>
+ <p>
+ &ldquo;To what picture do you refer?&rdquo; asked Dr. Kreener.
+ </p>
+ <p>
+ &ldquo;It was called 'A Dream at Dawn.'&rdquo;
+ </p>
+ <p>
+ As he spoke the words I saw Andrews start forward, and Dr. Kreener
+ exchanged a swift glance with him. But the Scotsman, unseen by the
+ vainglorious half-caste, shook his head fiercely.
+ </p>
+ <p>
+ The picture to which Tcheriapin referred will, of course, be perfectly
+ familiar to you. It had phenomenal popularity some eight years ago.
+ Nothing was known of the painter&mdash;whose name was Colquhoun&mdash;and
+ nothing has been seen of his work since. The original painting was never
+ sold, and after a time this promising new artist was, of course,
+ forgotten.
+ </p>
+ <p>
+ Presently Tcheriapin continued:
+ </p>
+ <p>
+ &ldquo;It is the figure of a slender girl&mdash;ah! angels of grace!&mdash;what
+ a girl!&rdquo; He kissed his hand rapturously. &ldquo;She is posed bending gracefully
+ forward, and looking down at her own lovely reflection in the water. It is
+ a seashore, you remember, and the little ripples play about her ankles.
+ The first blush of the dawn robes her white body in a transparent mantle
+ of light. Ah! God's mercy! it was as she stood so, in a little cove of
+ Normandy, that I saw her!&rdquo;
+ </p>
+ <p>
+ He paused, rolling his dark eyes; and I could hear Andrews's heavy
+ breathing; then:
+ </p>
+ <p>
+ &ldquo;It was the 'new art'&mdash;the posing of the model not in a lighted
+ studio, but in the scene to be depicted.
+ </p>
+ <p>
+ &ldquo;And the fellow who painted her!&mdash;the man with the barbarous name!
+ Bah! he was big&mdash;as big as our Mr. Andrews&mdash;and ugly&mdash;pooh!
+ uglier than he! A moon-face, with cropped skull like a prize-fighter and
+ no soul. But, yes, he could paint. 'A Dream at Dawn' was genius&mdash;yes,
+ some soul he must have had.
+ </p>
+ <p>
+ &ldquo;He could paint, dear friends, but he could not love. Him I counted as&mdash;puff!&rdquo;
+ </p>
+ <p>
+ He blew imaginary down into space.
+ </p>
+ <p>
+ &ldquo;Her I sought out, and presently found. She told me, in those sweet stolen
+ rambles along the shore, when the moonlight made her look like a Madonna,
+ that she was his inspiration&mdash;his art&mdash;his life. And she wept;
+ she wept, and I kissed her tears away.
+ </p>
+ <p>
+ &ldquo;To please her I waited until 'A Dream at Dawn' was finished. With the
+ finish of the picture, finished also his dream of dawn&mdash;the
+ moon-faced one's.&rdquo;
+ </p>
+ <p>
+ Tcheriapin laughed, and lighted a fresh cigarette.
+ </p>
+ <p>
+ &ldquo;Can you believe that a man could be so stupid? He never knew of my
+ existence, this big, red booby. He never knew that I existed until&mdash;until
+ his 'dream' had fled&mdash;with me! In a week we were in Paris, that
+ dream-girl and I&mdash;in a month we had quarrelled. I always end these
+ matters with a quarrel; it makes the complete finish. She struck me in the
+ face&mdash;and I laughed. She turned and went away. We were tired of one
+ another.
+ </p>
+ <p>
+ &ldquo;Ah!&rdquo; Again he airily kissed his hand. &ldquo;There were others after I had
+ gone. I heard for a time. But her memory is like a rose, fresh and fair
+ and sweet. I am glad I can remember her so, and not as she afterward
+ became. That is the art of love. She killed herself with absinthe, my
+ friends. She died in Marseilles in the first year of the great war.&rdquo;
+ </p>
+ <p>
+ Thus far Tcheriapin had proceeded, and was in the act of airily flicking
+ ash upon the floor, when, uttering a sound which I can only describe as a
+ roar, Andrews hurled himself upon the smiling violinist.
+ </p>
+ <p>
+ His great red hands clutching Tcheriapin's throat, the insane Scotsman,
+ for insane he was at that moment, forced the other back upon the settee
+ from which he had half arisen. In vain I sought to drag him away from the
+ writhing body, but I doubt that any man could have relaxed that deadly
+ grip. Tcheriapin's eyes protruded hideously and his tongue lolled forth
+ from his mouth. One could hear the breath whistling through his nostrils
+ as Andrews silently, deliberately, squeezed the life out of him.
+ </p>
+ <p>
+ It all occupied only a few minutes, and then Andrews, slowly opening his
+ rigidly crooked fingers, stood panting and looking down at the distorted
+ face of the dead man.
+ </p>
+ <p>
+ For once in his life the Scotsman was sober, and turning to Dr. Kreener:
+ </p>
+ <p>
+ &ldquo;I have waited seven long years for this,&rdquo; he said, &ldquo;and I'll hang wi'
+ contentment.&rdquo;
+ </p>
+ <p>
+ I can never forget the ensuing moments, in which, amid a horrible silence
+ broken only by the ticking of a clock and the heavy breathing of Colquhoun
+ (so long known to us as Andrews) we stood watching the contorted body on
+ the settee.
+ </p>
+ <p>
+ And as we watched, slowly the rigid limbs began to relax, and Tcheriapin
+ slid gently on to the floor, collapsing there with a soft thud, where he
+ squatted like some hideous Buddha, resting back against the cushions, one
+ spectral yellow hand upraised, the fingers still clutching a big gold
+ tassel.
+ </p>
+ <p>
+ Andrews (for so I always think of him) was seized with a violent fit of
+ trembling, and he dropped into the chair, muttering to himself and looking
+ down wild-eyed at his twitching fingers. Then he began to laugh,
+ high-pitched laughter, in little short peals.
+ </p>
+ <p>
+ &ldquo;Here!&rdquo; cried the doctor sharply. &ldquo;Drop that!&rdquo;
+ </p>
+ <p>
+ Crossing to Andrews, he grasped him by the shoulders and shook him
+ roughly.
+ </p>
+ <p>
+ The laughter ceased, and:
+ </p>
+ <p>
+ &ldquo;Send for the police,&rdquo; said Andrews in a queer, shaky voice. &ldquo;Dinna fear
+ but I'm ready. I'm only sorry it happened here.&rdquo;
+ </p>
+ <p>
+ &ldquo;You ought to be glad,&rdquo; said Dr. Kreener.
+ </p>
+ <p>
+ There was a covert meaning in the words&mdash;a fact which penetrated even
+ to the dulled intelligence of the Scotsman, for he glanced up haggardly at
+ his friend.
+ </p>
+ <p>
+ &ldquo;You ought to be glad,&rdquo; repeated Dr. Kreener.
+ </p>
+ <p>
+ Turning, he walked to the laboratory door and locked it. He next lowered
+ all the blinds.
+ </p>
+ <p>
+ &ldquo;I pray that we have not been observed,&rdquo; he said, &ldquo;but we must chance it.&rdquo;
+ </p>
+ <p>
+ He mixed a drink for Andrews and himself. His quiet, decisive manner had
+ had its effect, and Andrews was now more composed. Indeed, he seemed to be
+ in a half-dazed condition; but he persistently kept his back turned to the
+ crouching figure propped up against the settee.
+ </p>
+ <p>
+ &ldquo;If you think you can follow me,&rdquo; said Dr. Kreener abruptly, &ldquo;I will show
+ you the result of a recent experiment.&rdquo;
+ </p>
+ <p>
+ Unlocking a cupboard, he took out a tiny figure some two inches long by
+ one inch high, mounted upon a polished wooden pedestal. It was that of a
+ guinea-pig. The flaky fur gleamed like the finest silk, and one felt that
+ the coat of the minute creature would be as floss to the touch; whereas in
+ reality it possessed the rigidity of steel. Literally one could have done
+ it little damage with a hammer. Its weight was extraordinary.
+ </p>
+ <p>
+ &ldquo;I am learning new things about this process every day,&rdquo; continued Dr.
+ Kreener, placing the little figure upon a table. &ldquo;For instance, while it
+ seems to operate uniformly upon vegetable matter, there are curious
+ modifications when one applies it to animal and mineral substances. I have
+ now definitely decided that the result of this particular inquiry must
+ never be published. You, Colquhoun, I believe, possess an example of the
+ process, a tiger lily, I think? I must ask you to return it to me. Our
+ late friend, Tcheriapin, wears a pink rose in his coat which I have
+ treated in the same way. I am going to take the liberty of removing it.&rdquo;
+ </p>
+ <p>
+ He spoke in the hard, incisive manner which I had heard him use in the
+ lecture theatre, and it was evident enough that his design was to prepare
+ Andrews for something which he contemplated. Facing the Scotsman where he
+ sat hunched up in the big armchair, dully watching the speaker:
+ </p>
+ <p>
+ &ldquo;There is one experiment,&rdquo; said Dr. Kreener, speaking very deliberately,
+ &ldquo;which I have never before had a suitable opportunity of attempting. Of
+ its result I am personally confident, but science always demands proof.&rdquo;
+ </p>
+ <p>
+ His voice rang now with a note of repressed excitement. He paused for a
+ moment, and then:
+ </p>
+ <p>
+ &ldquo;If you were to examine this little specimen very closely,&rdquo; he said, and
+ rested his finger upon the tiny figure of the guinea-pig, &ldquo;you would find
+ that in one particular it is imperfect. Although a diamond drill would
+ have to be employed to demonstrate the fact, the animal's organs, despite
+ their having undergone a chemical change quite new to science, are intact,
+ perfect down to the smallest detail. One part of the creature's structure
+ alone defied my process. In short, dental enamel is impervious to it. This
+ little animal, otherwise as complete as when it lived and breathed, has no
+ teeth. I found it necessary to extract them before submitting the body to
+ the reductionary process.&rdquo;
+ </p>
+ <p>
+ He paused.
+ </p>
+ <p>
+ &ldquo;Shall I go on?&rdquo; he asked.
+ </p>
+ <p>
+ Andrews, to whose mind, I think, no conception of the doctor's project had
+ yet penetrated, shuddered, but slowly nodded his head.
+ </p>
+ <p>
+ Dr. Kreener glanced across the laboratory at the crouching figure of
+ Tcheriapin, then, resting his hands upon Andrews's shoulders, he pushed
+ him back in the chair and stared into his dull eyes.
+ </p>
+ <p>
+ &ldquo;Brace yourself, Colquhoun,&rdquo; he said tersely.
+ </p>
+ <p>
+ Turning, he crossed to a small mahogany cabinet at the farther end of the
+ room. Pulling out a glass tray he judicially selected a pair of dental
+ forceps.
+ </p>
+ <p>
+ <a name="link2H_4_0043" id="link2H_4_0043">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ II
+ </h2>
+ <h3>
+ &ldquo;THE BLACK MASS&rdquo;
+ </h3>
+ <p>
+ Thus far the stranger's appalling story had progressed when that singular
+ cloak in which hypnotically he had enwrapped me seemed to drop, and I
+ found myself clutching the edge of the table and staring into the gray
+ face of the speaker.
+ </p>
+ <p>
+ I became suddenly aware of the babel of voices about me, of the noisome
+ smell of Malay Jack's, and of the presence of Jack in person, who was
+ inquiring if there were any further orders. I was conscious of nausea.
+ </p>
+ <p>
+ &ldquo;Excuse me,&rdquo; I said, rising unsteadily, &ldquo;but I fear the oppressive
+ atmosphere is affecting me.&rdquo;
+ </p>
+ <p>
+ &ldquo;If you prefer to go out,&rdquo; said my acquaintance, in that deep voice which
+ throughout the dreadful story had rendered me oblivious of my
+ surroundings, &ldquo;I should be much favoured if you would accompany me to a
+ spot not five hundred yards from here.&rdquo;
+ </p>
+ <p>
+ Seeing me hesitate:
+ </p>
+ <p>
+ &ldquo;I have a particular reason for asking,&rdquo; he added.
+ </p>
+ <p>
+ &ldquo;Very well,&rdquo; I replied, inclining my head, &ldquo;if you wish it. But certainly
+ I must seek the fresh air.&rdquo;
+ </p>
+ <p>
+ Going up the steps and out through the door above which the blue lantern
+ burned, we came to the street, turned to the left, to the left again, and
+ soon were threading that maze of narrow ways which complicates the map of
+ Pennyfields.
+ </p>
+ <p>
+ I felt somewhat recovered. Here, in the narrow but familiar highways the
+ spell of my singular acquaintance lost much of its potency, and already I
+ found myself doubting the story of Dr. Kreener and Tcheriapin. Indeed, I
+ began to laugh at myself, conceiving that I had fallen into the hands of
+ some comedian who was making sport of me; although why such a person
+ should visit Malay Jack's was not apparent.
+ </p>
+ <p>
+ I was about to give expression to these new and saner ideas when my
+ companion paused before a door half hidden in a little alley which divided
+ the back of a Chinese restaurant from the tawdry-looking establishment of
+ a cigar merchant. He apparently held the key, for although I did not
+ actually hear the turning of the lock I saw that he had opened the door.
+ </p>
+ <p>
+ &ldquo;May I request you to follow me?&rdquo; came his deep voice out of the darkness.
+ &ldquo;I will show you something which will repay your trouble.&rdquo;
+ </p>
+ <p>
+ Again the cloak touched me, but it was without entirely resigning myself
+ to the compelling influence that I followed my mysterious acquaintance up
+ an uncarpeted and nearly dark stair. On the landing above a gas lamp was
+ burning, and opening a door immediately facing the stair the stranger
+ conducted me into a barely furnished and untidy room.
+ </p>
+ <p>
+ The atmosphere smelled like that of a pot-house, the odours of stale
+ spirits and of tobacco mingling unpleasantly. As my guide removed his hat
+ and stood there, a square, gaunt figure in his queer, caped overcoat, I
+ secured for the first time a view of his face in profile; and found it to
+ be startlingly unfamiliar. Seen thus, my acquaintance was another man. I
+ realized that there was something unnatural about the long, white hair,
+ the gray face; that the sharp outline of brow, nose, and chin was that of
+ a much younger man than I had supposed him to be.
+ </p>
+ <p>
+ All this came to me in a momentary flash of perception, for immediately my
+ attention was riveted upon a figure hunched up on a dilapidated sofa on
+ the opposite side of the room. It was that of a big man, bearded and very
+ heavily built, but whose face was scarred as by years of suffering, and
+ whose eyes confirmed the story indicated by the smell of stale spirits
+ with which the air of the room was laden. A nearly empty bottle stood on a
+ table at his elbow, a glass beside it, and a pipe lay in a saucer full of
+ ashes near the glass.
+ </p>
+ <p>
+ As we entered, the glazed eyes of the man opened widely and he clutched at
+ the table with big red hands, leaning forward and staring horribly.
+ </p>
+ <p>
+ Save for this derelict figure and some few dirty utensils and scattered
+ garments which indicated that the apartment was used both as sleeping and
+ living room, there was so little of interest in the place that
+ automatically my wandering gaze strayed from the figure on the sofa to a
+ large oil painting, unframed, which rested upon the mantelpiece above the
+ dirty grate, in which the fire had become extinguished.
+ </p>
+ <p>
+ I uttered a stifled exclamation. It was &ldquo;A Dream at Dawn&rdquo;&mdash;evidently
+ the original painting!
+ </p>
+ <p>
+ On the left of it, from a nail in the wall, hung a violin and bow, and on
+ the right stood a sort of cylindrical glass case or closed jar, upon a
+ wooden base.
+ </p>
+ <p>
+ From the moment that I perceived the contents of this glass case a sense
+ of fantasy claimed me, and I ceased to know where reality ended and mirage
+ began.
+ </p>
+ <p>
+ It contained a tiny and perfect figure of a man. He was arrayed in a
+ beautifully fitting dress-suit such as a doll might have worn, and he was
+ posed as if in the act of playing a violin, although no violin was
+ present. At the elfin black hair and Mephistophelian face of this
+ horrible, wonderful image, I stared fascinatedly.
+ </p>
+ <p>
+ I looked and looked at the dwarfed figure of... Tcheriapin!
+ </p>
+ <p>
+ All these impressions came to me in the space of a few hectic moments,
+ when in upon my mental tumult intruded a husky whisper from the man on the
+ sofa.
+ </p>
+ <p>
+ &ldquo;Kreener!&rdquo; he said. &ldquo;Kreener!&rdquo;
+ </p>
+ <p>
+ At the sound of that name, and because of the way in which it was
+ pronounced, I felt my blood running cold. The speaker was staring straight
+ at my companion.
+ </p>
+ <p>
+ I clutched at the open door. I felt that there was still some crowning
+ horror to come. I wanted to escape from that reeking room, but my muscles
+ refused to obey me, and there I stood while:
+ </p>
+ <p>
+ &ldquo;Kreener!&rdquo; repeated the husky voice, and I saw that the speaker was rising
+ unsteadily to his feet.
+ </p>
+ <p>
+ &ldquo;You have brought him again. Why have you brought him again? He will play.
+ He will play me a step nearer to Hell.&rdquo;
+ </p>
+ <p>
+ &ldquo;Brace yourself, Colquhoun,&rdquo; said the voice of my companion. &ldquo;Brace
+ yourself.&rdquo;
+ </p>
+ <p>
+ &ldquo;Take him awa'!&rdquo; came in a sudden frenzied shriek. &ldquo;Take him awa'! He's
+ there at your elbow, Kreener, mockin' me, and pointing to that damned
+ violin.&rdquo;
+ </p>
+ <p>
+ &ldquo;Here!&rdquo; said the stranger, a high note of command in his voice. &ldquo;Drop
+ that! Sit down at once.&rdquo;
+ </p>
+ <p>
+ Even as the other obeyed him, the cloaked stranger, stepping to the
+ mantelpiece, opened a small box which lay there beside the glass case. He
+ turned to me; and I tried to shrink away from him. For I knew&mdash;I knew&mdash;yet
+ I loathed to look upon&mdash;what was in the box. Muffled as though
+ reaching me through fog, I heard the words:
+ </p>
+ <p>
+ &ldquo;A perfect human body...in miniature... every organ intact by means of...
+ process... rendered indestructible. Tcheriapin as he was in life may be
+ seen by the curious ten thousand years hence. Incomplete... one respect...
+ here in this box...&rdquo;
+ </p>
+ <p>
+ The spell was broken by a horrifying shriek from the man whom my companion
+ had addressed as Colquhoun, and whom I could only suppose to be the
+ painter of the celebrated picture which rested upon the mantelshelf.
+ </p>
+ <p>
+ &ldquo;Take him awa', Kreener! He is reaching for the violin!&rdquo;
+ </p>
+ <p>
+ Animation returned to me, and I fell rather than ran down the darkened
+ stair. How I opened the street door I know not, but even as I stepped out
+ into the squalid alleys of Pennyfields the cloaked figure was beside me. A
+ hand was laid upon my shoulder.
+ </p>
+ <p>
+ &ldquo;Listen!&rdquo; commanded a deep voice.
+ </p>
+ <p>
+ Clearly, with an eerie sweetness, an evil, hellish beauty indescribable,
+ the wailing of a Stradivarius violin crept to my ears from the room above.
+ Slowly&mdash;slowly the music began, and my soul rose up in revolt.
+ </p>
+ <p>
+ &ldquo;Listen!&rdquo; repeated the voice. &ldquo;Listen! It is 'The Black Mass'!&rdquo;
+ </p>
+ <p>
+ <a name="link2H_4_0044" id="link2H_4_0044">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ THE DANCE OF THE VEILS
+ </h2>
+ <p>
+ <a name="link2H_4_0045" id="link2H_4_0045">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ I
+ </h2>
+ <h3>
+ THE HOUSE OF THE AGAPOULOS
+ </h3>
+ <p>
+ Hassan came in and began very deliberately to light the four lamps. He
+ muttered to himself and often smiled in the childish manner which
+ characterizes some Egyptians. Hassan wore a red cap, and a white robe
+ confined at the waist by a red sash. On his brown feet he wore loose
+ slippers, also of red. He had good features and made a very picturesque
+ figure moving slowly about his work.
+ </p>
+ <p>
+ As he lighted lamp after lamp and soft illumination crept about the big
+ room, because of the heavy shadows created the place seemed to become
+ mysteriously enlarged. That it was an Eastern apartment cunningly devised
+ to appeal to the Western eye, one familiar with Arab households must have
+ seen at once. It was a traditional Oriental interior, a stage setting
+ rather than the nondescript and generally uninteresting environment of the
+ modern Egyptian at home.
+ </p>
+ <p>
+ Brightly coloured divans there were and many silken cushions of strange
+ pattern and design. The hanging lamps were of perforated brass with little
+ coloured glass panels. In carved wooden cabinets stood beautiful porcelain
+ jars, trays, and vessels of silver and copper ware. Rich carpets were
+ spread about the floor, and the draperies were elegant and costly, while
+ two deep windows projecting over the court represented the best period of
+ Arab architecture. Their intricate carven woodwork had once adorned the
+ palace of a Grand Wazir. Agapoulos had bought them in Cairo and had had
+ them fitted to his house in Chinatown. A smaller brass lamp of very
+ delicate workmanship was suspended in each of the recesses.
+ </p>
+ <p>
+ As Hassan, having lighted the four larger lanterns, was proceeding
+ leisurely to light the first of the smaller ones, draperies before a door
+ at the east end of the room were parted and Agapoulos came in. Agapoulos
+ was a short but portly Greek whom the careless observer might easily have
+ mistaken for a Jew. He had much of the appearance of a bank manager,
+ having the manners of one used to making himself agreeable, but also
+ possessing the money-eye and that comprehensive glance which belongs to
+ the successful man of commerce.
+ </p>
+ <p>
+ Standing in the centre of the place he brushed his neat black moustache
+ with a plump forefinger. A diamond ring which he wore glittered
+ brilliantly in the coloured rays of the lanterns. With his right hand,
+ which rested in his trouser pocket, he rattled keys. His glance roved
+ about the room appraisingly. Walking to a beautifully carved Arab cabinet
+ he rearranged three pieces of Persian copperware which stood upon it. He
+ moved several cushions, and taking up a leopard skin which lay upon the
+ floor he draped it over an ebony chair which was inlaid intricately with
+ ivory.
+ </p>
+ <p>
+ The drooping eyelids of M. Agapoulos drooped lower, as returning to the
+ centre of the room he critically surveyed the effect of these master
+ touches. At the moment he resembled a window-dresser, or, rather, one of
+ those high-salaried artists who beautify the great establishments of
+ Regent Street, the Rue de la Paix, and Ruination Avenue, New York.
+ </p>
+ <p>
+ Hassan lighted the sixth lamp, muttering smilingly all the time. He was
+ about to depart when Agapoulos addressed him in Arabic.
+ </p>
+ <p>
+ &ldquo;There will be a party down from the Savoy tonight, Hassan. No one else is
+ to come unless I am told. That accursed red policeman, Kerry, has been
+ about here of late. Be very careful.&rdquo;
+ </p>
+ <p>
+ Hassan saluted him gravely and retired through one of the draped openings.
+ In his hand he held the taper with which he had lighted the lamps. In
+ order that the draperies should not be singed he had to hold them widely
+ apart. For it had not occurred to Hassan to extinguish the taper. The
+ Egyptian mind is complex in its simplicity.
+ </p>
+ <p>
+ M. Agapoulos from a gold case extracted a cigarette, and lighting it,
+ inhaled the smoke contentedly, looking about him. The window-dresser was
+ lost again in the bank manager who has arranged a profitable overdraft.
+ Somewhere a bell rang. Hassan, treading silently, reappeared, crossed the
+ room, and opening a finely carved door walked along a corridor which it
+ had concealed. He still carried the lighted taper.
+ </p>
+ <p>
+ Presently there entered a man whose well-cut serge suit revealed the
+ figure of a soldier. He wore a soft gray felt hat and carried light gloves
+ and a cane. His dark face, bronzed by recent exposure to the Egyptian sun,
+ was handsome in a saturnine fashion, and a touch of gray at the temples
+ tended to enhance his good looks. He carried himself in that kind of
+ nonchalant manner which is not only insular but almost insolent.
+ </p>
+ <p>
+ M. Agapoulos bowed extravagantly. As he laid his plump hand upon his
+ breast the diamond ring sparkled in a way most opulent and impressive.
+ </p>
+ <p>
+ &ldquo;I greet you, Major Grantham,&rdquo; he said. &ldquo;Behold&rdquo;&mdash;he waved his hand
+ glitteringly&mdash;&ldquo;all is prepared.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, yes,&rdquo; murmured the other, glancing around without interest; &ldquo;good.
+ You are beginning to get straight in your new quarters.&rdquo;
+ </p>
+ <p>
+ Agapoulos extended the prosperous cigarette-case, and Major Grantham took
+ and lighted a superior cigarette.
+ </p>
+ <p>
+ &ldquo;How many in the party?&rdquo; inquired the Greek smilingly.
+ </p>
+ <p>
+ &ldquo;Three and myself.&rdquo;
+ </p>
+ <p>
+ A shadow of a frown appeared upon the face of Agapoulos.
+ </p>
+ <p>
+ &ldquo;Only three,&rdquo; he muttered.
+ </p>
+ <p>
+ Major Grantham laughed.
+ </p>
+ <p>
+ &ldquo;You should know me by this time, Agapoulos,&rdquo; he said. &ldquo;The party is small
+ but exclusive, you understand?&rdquo;
+ </p>
+ <p>
+ He spoke wearily, as a tired man speaks of distasteful work which he must
+ do. There was contempt in his voice; contempt of Agapoulos, and contempt
+ of himself.
+ </p>
+ <p>
+ &ldquo;Ah!&rdquo; cried the Greek, brightening; &ldquo;do I know any of them?&rdquo;
+ </p>
+ <p>
+ &ldquo;Probably. General Sir Francis Payne, Mr. Eddie, and Sir Horace Tipton.&rdquo;
+ </p>
+ <p>
+ &ldquo;An Anglo-American party, eh?&rdquo;
+ </p>
+ <p>
+ &ldquo;Quite. Mr. Eddie is the proprietor of the well-known group of American
+ hotels justly celebrated for their great height and poisonous cuisine;
+ while Sir Horace Tipton alike as sportsman, globe-trotter, and soap
+ manufacturer, is characteristically British. Of General Sir Francis Payne
+ I need only say that his home services during the war did incalculable
+ harm to our prestige throughout the Empire.&rdquo;
+ </p>
+ <p>
+ He spoke with all the bitterness of a man who has made a failure of life.
+ Agapoulos was quite restored to good humour.
+ </p>
+ <p>
+ &ldquo;Ah!&rdquo; he exclaimed, brushing his moustache and rattling his keys;
+ &ldquo;sportsmen, eh?&rdquo;
+ </p>
+ <p>
+ Major Grantham dropped into the carven chair upon which the Greek had
+ draped the leopard skin. Momentarily the window-dresser leapt into life as
+ Agapoulos beheld one of his cunning effects destroyed, but he forced a
+ smile when Grantham, shrugging his shoulders, replied:
+ </p>
+ <p>
+ &ldquo;If they are fools enough to play&mdash;the usual 5 per cent, on the
+ bank's takings.&rdquo;
+ </p>
+ <p>
+ He paused, glancing at some ash upon the tip of his cigarette. Agapoulos
+ swiftly produced an ashtray and received the ash on it in the manner of a
+ churchwarden collecting half a crown from a pew-holder.
+ </p>
+ <p>
+ &ldquo;I think,&rdquo; continued Grantham indifferently, &ldquo;that it will be the dances.
+ Two of them are over fifty.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah!&rdquo; said Agapoulos thoughtfully; &ldquo;not, of course, the ordinary
+ programme?&rdquo;
+ </p>
+ <p>
+ Major Grantham looked up at him with lazy insolence.
+ </p>
+ <p>
+ &ldquo;Why ask?&rdquo; he inquired. &ldquo;Does Lucullus crave for sausages? Do philosophers
+ play marbles?&rdquo;
+ </p>
+ <p>
+ He laughed again, noting the rather blank look of Agapoulos.
+ </p>
+ <p>
+ &ldquo;You don't know what I'm talking about, do you?&rdquo; he added. &ldquo;I mean to say
+ that these men have been everywhere and done everything. They have drunk
+ wine sweet and sour and have swallowed the dregs. I am bringing them. It
+ is enough.&rdquo;
+ </p>
+ <p>
+ &ldquo;More than enough,&rdquo; declared the Greek with enthusiasm. He bowed, although
+ Grantham was not looking at him. &ldquo;In the little matter of fees I can rely
+ upon your discretion, as always. Is it not said that a good dragoman is a
+ desirable husband?&rdquo;
+ </p>
+ <p>
+ Major Grantham resettled himself in his chair.
+ </p>
+ <p>
+ &ldquo;M. Agapoulos,&rdquo; he said icily, &ldquo;we have done shady business together for
+ years, both in Port Said and in London, and have remained the best of
+ friends; two blackguards linked by our common villainy. But if this
+ pleasant commercial acquaintance is to continue let there be no
+ misunderstanding between us, M. Agapoulos. I may know I'm a dragoman; but
+ in future, old friend&rdquo;&mdash;he turned lazy eyes upon the Greek&mdash;&ldquo;for
+ your guidance, don't remind me of the fact or I'll wring your neck.&rdquo;
+ </p>
+ <p>
+ The drooping eyelids of M. Agapoulos flickered significantly, but it was
+ with a flourish more grand than usual that he bowed.
+ </p>
+ <p>
+ &ldquo;Pardon, pardon,&rdquo; he murmured. &ldquo;You speak harshly of yourself, but ah, you
+ do not mean it. We understand each other, eh?&rdquo;
+ </p>
+ <p>
+ &ldquo;I understand you perfectly,&rdquo; drawled Grantham; &ldquo;I was merely advising you
+ to endeavour to understand me. My party will arrive at nine o'clock,
+ Agapoulos, and I am going back to the Savoy shortly to dress. Meanwhile,
+ if Hassan would bring me a whisky and soda I should be obliged.&rdquo;
+ </p>
+ <p>
+ &ldquo;Of course, of course. He shall do so at once,&rdquo; cried Agapoulos. &ldquo;I will
+ tell him.&rdquo;
+ </p>
+ <p>
+ Palpably glad to escape, the fat Greek retired, leaving Major Grantham
+ lolling there upon the leopard skin, his hat, cane and gloves upon the
+ carpet beside him; and a few moments later Hassan the silent glided into
+ the extravagant apartment bearing refreshments. Placing his tray upon a
+ little coffee-table beside Major Grantham, he departed.
+ </p>
+ <p>
+ There was a faint smell of perfume in the room, a heavy voluptuous smell
+ in which the odour of sandal-wood mingled with the pungency of myrrh. It
+ was very silent, so that when Grantham mixed a drink the pleasant chink of
+ glass upon glass rang out sharply.
+ </p>
+ <p>
+ <a name="link2H_4_0046" id="link2H_4_0046">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ II
+ </h2>
+ <h3>
+ ZAHARA
+ </h3>
+ <p>
+ Zahara had overheard the latter part of the conversation from her own
+ apartment. Once she had even crept across to the carven screen in order
+ that she might peep through into the big, softly lighted room. She had
+ interrupted her toilet to do so, and having satisfied herself that
+ Grantham was one of the speakers (although she had really known this
+ already), she had returned and stared at herself critically in the mirror.
+ </p>
+ <p>
+ Zahara, whose father had been a Frenchman, possessed skin of a subtle
+ cream colour very far removed from the warm brown of her Egyptian mother,
+ but yet not white. At night it appeared dazzling, for she enhanced its
+ smooth, creamy pallor with a wonderful liquid solution which came from
+ Paris. It was hard, Zahara had learned, to avoid a certain streaky
+ appearance, but much practice had made her an adept.
+ </p>
+ <p>
+ This portion of her toilet she had already completed and studying her own
+ reflection she wondered, as she had always wondered, what Agapoulos could
+ see in Safiyeh. Safiyeh was as brown as a berry; quite pretty for an
+ Egyptian girl, as Zahara admitted scornfully, but brown&mdash;brown. It
+ was a great puzzle to Zahara. The mystery of life indeed had puzzled
+ little Zahara very much from the moment when she had first begun to notice
+ things with those big, surprising blue eyes of hers, right up to the
+ present twenty-fourth year of her life. She had an uneasy feeling that
+ Safiyeh, who was only sixteen, knew more of this mystery than she did.
+ Once, shortly after the Egyptian girl had come to the house of Agapoulos,
+ Zahara had playfully placed her round white arm against that of the more
+ dusky beauty, and:
+ </p>
+ <p>
+ &ldquo;Look!&rdquo; she had exclaimed. &ldquo;I am cream and you are coffee.&rdquo;
+ </p>
+ <p>
+ &ldquo;It is true,&rdquo; the other had admitted in her practical, serious way, &ldquo;but
+ some men do not like cream. All men like coffee.&rdquo;
+ </p>
+ <p>
+ Zahara rested her elbows upon the table and surveyed the reflection of her
+ perfect shoulders with disapproval. She had been taught at her mother's
+ knee that men did not understand women, and she, who had been born and reared
+ in that quarter of Cairo where there is no day but one long night, had
+ lived to learn the truth of the lesson. Yet she was not surprised that
+ this was so; for Zahara did not understand herself. Her desires were so
+ simple and so seemingly natural, yet it would appear that they were
+ contrary to the established order of things.
+ </p>
+ <p>
+ She was proud to think that she was French, although someone had told her
+ that the French, though brave, were mercenary. Zahara admired the French
+ for being brave, and thought it very sensible that they should be
+ mercenary. For there was nothing that Zahara wanted of the world that
+ money could not obtain (or so she believed), and she knew no higher
+ philosophy than the quest of happiness. Because others did not seem to
+ share this philosophy she often wondered if she could be unusual. She had
+ come to the conclusion that she was ignorant. If only Harry Grantham would
+ talk to her she felt sure he could teach her so much.
+ </p>
+ <p>
+ There were so many things that puzzled her. She knew that at twenty-four
+ she was young for a French girl, although as an Egyptian she would have
+ been considered old. She had been taught that gold was the key to
+ happiness and that man was the ogre from whom this key must be wheedled. A
+ ready pupil, Zahara had early acquired the art of attracting, and now at
+ twenty-four she was a past mistress of the Great Craft, and as her mirror
+ told her, more beautiful than she had ever been.
+ </p>
+ <p>
+ Therefore, what did Agapoulos see in Safiyeh?
+ </p>
+ <p>
+ It was a problem which made Zahara's head ache. She could not understand
+ why as her power of winning men increased her power to hold them
+ diminished. Safiyeh was a mere inexperienced child&mdash;yet Agapoulos had
+ brought her to the house, and Zahara, wise in woman's lore, had recognized
+ the familiar change of manner.
+ </p>
+ <p>
+ It was a great problem, the age-old problem which doubtless set the first
+ silver thread among Phryne's red-gold locks and which now brought a little
+ perplexed wrinkle between Zahara's delicately pencilled brows.
+ </p>
+ <p>
+ It had not always been so. In those early days in Cairo there had been an
+ American boy. Zahara had never forgotten. Her beauty had bewildered him.
+ He had wanted to take her to New York; and oh! how she had wanted to go.
+ But her mother, who was then alive, had held other views, and he had gone
+ alone. Heavens! How old she felt. How many had come and gone since that
+ Egyptian winter, but now, although admiration was fatally easy to win how
+ few were so sincere as that fresh-faced boy from beyond the Atlantic.
+ </p>
+ <p>
+ Zahara, staring into the mirror, observed that there was not a wrinkle
+ upon her face, not a flaw upon her perfect skin. Nor in this was she
+ blinded by vanity. Nature, indeed, had cast her in a rare mould, and from
+ her unusual hair, which was like dull gold, to her slender ankles and tiny
+ feet, she was one of the most perfectly fashioned human beings who ever
+ added to the beauty of the world.
+ </p>
+ <p>
+ Yet Agapoulos preferred Safiyeh. Zahara could hear him coming to her room
+ even as she sat there, chin in hands, staring at her own bewitching
+ reflection. Presently she would slip out and speak to Harry Grantham.
+ Twice she had read in his eyes that sort of interest which she knew so
+ well how to detect. She liked him very much, but because of a sense of
+ loyalty to Agapoulos (a sentiment purely Egyptian which she longed to
+ crush) Zahara had never so much as glanced at Grantham in the Right Way.
+ She was glad, though, that he had not gone, and she hoped that Agapoulos
+ would not detain her long.
+ </p>
+ <p>
+ As a matter of fact, the Greek's manner was even more cold than usual. He
+ rested his hand upon her shoulder for a moment, and meeting her glance
+ reflected in the mirror:
+ </p>
+ <p>
+ &ldquo;There will be a lot of money here to-night,&rdquo; he said. &ldquo;Make the best of
+ your opportunities. Chinatown is foggy, yes&mdash;but it pays better than
+ Port Said.&rdquo;
+ </p>
+ <p>
+ He ran fat fingers carelessly through her hair, the big diamond glittering
+ effectively in the wavy gold, then turned and went out. Sitting listening
+ intently, Zahara could hear him talking in a subdued voice to Safiyeh, and
+ could detect the Egyptian's low-spoken replies.
+ </p>
+ <hr />
+ <p>
+ Grantham looked up with a start. A new and subtle perfume had added itself
+ to that with which the air of the room was already laden. He found Zahara
+ standing beside him.
+ </p>
+ <p>
+ His glance travelled upward from a pair of absurdly tiny brocaded shoes
+ past slender white ankles to the embroidered edge of a wonderful mandarin
+ robe decorated with the figures of peacocks; upward again to a little
+ bejewelled hand which held the robe confined about the slender figure of
+ Zahara, and upward to where, sideways upon a bare shoulder peeping
+ impudently out from Chinese embroidery, rested the half-mocking and
+ half-serious face of the girl.
+ </p>
+ <p>
+ &ldquo;Hallo!&rdquo; he said, smiling, &ldquo;I didn't hear you come in.&rdquo;
+ </p>
+ <p>
+ &ldquo;I walk very soft,&rdquo; explained Zahara, &ldquo;because I am not supposed to be
+ here.&rdquo;
+ </p>
+ <p>
+ She looked at him quizzically. &ldquo;I don't see you for a long time,&rdquo; she
+ added, and in the tone of her voice there was a caress. &ldquo;I saw you more
+ often in Port Said than here.&rdquo;
+ </p>
+ <p>
+ &ldquo;No,&rdquo; replied Grantham, &ldquo;I have been giving Agapoulos a rest. Besides,
+ there has been nobody worth while at any of the hotels or clubs during the
+ last fortnight.&rdquo;
+ </p>
+ <p>
+ &ldquo;Somebody worth while coming to-night?&rdquo; asked Zahara with professional
+ interest.
+ </p>
+ <p>
+ At the very moment that she uttered the words she recognized her error,
+ for she saw Grantham's expression change. Yet to her strange soul there
+ was a challenge in his coldness and the joy of contest in the task of
+ melting the ice of this English reserve.
+ </p>
+ <p>
+ &ldquo;Lots of money,&rdquo; he said bitterly; &ldquo;we shall all do well to-night.&rdquo;
+ </p>
+ <p>
+ Zahara did not reply for a moment. She wished to close this line of
+ conversation which inadvertently she had opened up. So that, presently:
+ </p>
+ <p>
+ &ldquo;You look very lonely and bored,&rdquo; she said softly.
+ </p>
+ <p>
+ As a matter of fact, it was she who was bored of the life she led in
+ Limehouse&mdash;in chilly, misty Limehouse&mdash;and who had grown so very
+ lonely since Safiyeh had come. In the dark gray eyes looking up at her she
+ read recognition of her secret. Here was a man possessing that rare
+ masculine attribute, intuition. Zahara knew a fear that was half
+ delightful. Fear because she might fail in either of two ways and delight
+ because the contest was equal.
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; he replied slowly, &ldquo;my looks tell the truth. How did you know?&rdquo;
+ </p>
+ <p>
+ Zahara observed that his curiosity had not yet become actual interest. She
+ toyed with the silken tassel on her robe, tying and untying it with quick
+ nervous fingers and resting the while against the side of the carved
+ chair.
+ </p>
+ <p>
+ &ldquo;Perhaps because I am so lonely myself,&rdquo; she said. &ldquo;I matter to no one.
+ What I do, where I go, if I live or die. It is all&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ She spread her small hands eloquently and shrugged so that another white
+ shoulder escaped from the Chinese wrapping. Thereupon Zahara demurely drew
+ her robe about her with a naive air of modesty which nine out of ten
+ beholding must have supposed to be affected.
+ </p>
+ <p>
+ In reality it was a perfectly natural, instinctive movement. To Zahara her
+ own beauty was a commonplace to be displayed or concealed as circumstances
+ might dictate. In a certain sense, which few could appreciate, this
+ half-caste dancing girl and daughter of El Wasr was as innocent as a baby.
+ It was one of the things which men did not understand. She thought that if
+ Harry Grantham asked her to go away with him it would be nice to go.
+ Suddenly she realized how deep was her loathing of this Limehouse and of
+ the people she met there, who were all alike.
+ </p>
+ <p>
+ He sat looking at her for some time, and then: &ldquo;Perhaps you are wrong,&rdquo; he
+ said. &ldquo;There may be some who could understand.&rdquo;
+ </p>
+ <p>
+ And because he had answered her thoughts rather than her words, the fear
+ within Zahara grew greater than the joy of the contest.
+ </p>
+ <p>
+ Awhile longer she stayed, seeking for a chink in the armour. But she
+ failed to kindle the light in his eyes which&mdash;unless she had deluded
+ herself&mdash;she had seen there in the past; and because she failed and
+ could detect no note of tenderness in his impersonal curiosity:
+ </p>
+ <p>
+ &ldquo;You are lonely because you are so English, so cold,&rdquo; she exclaimed,
+ drawing her robe about her and glancing sideways toward the door by which
+ Agapoulos might be expected to enter. &ldquo;You are bored, yes. Of course. You
+ look on at life. It is not exciting, that game&mdash;except for the
+ players.&rdquo;
+ </p>
+ <p>
+ Never once had she looked at him in the Right Way; for to have done so and
+ to have evoked only that amused yet compassionate smile would have meant
+ hatred, and Zahara had been taught that such hatred was fatal because it
+ was a confession of defeat.
+ </p>
+ <p>
+ &ldquo;I shall see you again to-night, shall I not?&rdquo; he said as she turned away.
+ </p>
+ <p>
+ &ldquo;Oh, yes, I shall be&mdash;on show. I hope you will approve.&rdquo;
+ </p>
+ <p>
+ She tossed her head like a petulant child, turned, and with never another
+ glance in his direction, walked from the room. She was very graceful, he
+ thought.
+ </p>
+ <p>
+ Yet it was not entirely of this strange half-caste, whose beauty was
+ provoking, although he resolutely repelled her tentative advances, that
+ Grantham was thinking. In that last gesture when she had scornfully tossed
+ her head in turning aside, had lain a bitter memory. Grantham stood for a
+ moment watching the swaying draperies. Then, dropping the end of his
+ cigarette into a little brass ash-tray, he took up his hat, gloves, and
+ cane from the floor, and walked toward the doorway through which he had
+ entered.
+ </p>
+ <p>
+ A bell rang somewhere, and Grantham paused. A close observer might have
+ been puzzled by his expression. Evidently changing his mind, he crossed
+ the room, opened the door and went out, leaving the house of Agapoulos by
+ a side entrance. Crossing the little courtyard below he hurried in the
+ direction of the main street, seeming to doubt the shadows which dusk was
+ painting in the narrow ways.
+ </p>
+ <p>
+ Many men who know Chinatown distrust its shadows, but the furtive fear of
+ which Grantham had become aware was due not to anticipation but to memory&mdash;to
+ a memory conjured up by that gesture of Zahara's.
+ </p>
+ <p>
+ There were few people in London or elsewhere who knew the history of this
+ scallywag Englishman. That he had held the King's commission at some time
+ was generally assumed to be the fact, but that his real name was not
+ Grantham equally was taken for granted. His continuing, nevertheless, to
+ style himself &ldquo;Major&rdquo; was sufficient evidence to those interested that
+ Grantham lived by his wits; and from the fact that he lived well and
+ dressed well one might have deduced that his wits were bright if his
+ morals were turbid.
+ </p>
+ <p>
+ Now, the gesture of a woman piqued had called up the deathless past.
+ Hurrying through nearly empty squalid streets, he found himself longing to
+ pronounce a name, to hear it spoken that he might linger over its bitter
+ sweetness. To this longing he presently succumbed, and:
+ </p>
+ <p>
+ &ldquo;Inez,&rdquo; he whispered, and again more loudly, &ldquo;Inez.&rdquo;
+ </p>
+ <p>
+ Such a wave of lonely wretchedness and remorse swept up about his heart
+ that he was almost overwhelmed by it, yet he resigned himself to its
+ ruthless cruelty with a sort of savage joy. The shadowed ways of Limehouse
+ ceased to exist for him, and in spirit he stood once more in a queer,
+ climbing, sunbathed street of Gibraltar looking out across that blue
+ ribbon of the Straits to where the African coast lay hidden in the haze.
+ </p>
+ <p>
+ &ldquo;I never knew,&rdquo; he said aloud. And one meeting this man who hurried along
+ and muttered to himself must have supposed him to be mad. &ldquo;I never knew.
+ Oh, God! if I had only known.&rdquo;
+ </p>
+ <p>
+ But he was one of those to whom knowledge comes as a bitter aftermath.
+ When his regiment had received orders to move from the Rock, and he had
+ informed Inez of his departure, she had turned aside, just as Zahara had
+ done; scornfully and in silence. Because of his disbelief in her he had
+ guarded his heart against this beautiful Spanish girl who (as he realized
+ too late) had brought him the only real happiness he had ever known. Often
+ she had told him of her brother, Miguel, who would kill her&mdash;would
+ kill them both&mdash;if he so much as suspected their meetings; of her
+ affianced husband, absent in Tunis, whose jealousy knew no bounds.
+ </p>
+ <p>
+ He had pretended to believe, had even wanted to believe; but the witchery
+ of the girl's presence removed, he had laughed&mdash;at himself and at
+ Inez. She was playing the Great Game, skilfully, exquisitely. When he was
+ gone&mdash;there would soon be someone else. Yet he had never told her
+ that he doubted. He had promised many things&mdash;and had left her.
+ </p>
+ <p>
+ She died by her own hand on the night of his departure.
+ </p>
+ <p>
+ Now, as a wandering taxi came into view: &ldquo;Inez!&rdquo; he moaned&mdash;&ldquo;I never
+ knew.&rdquo;
+ </p>
+ <p>
+ That brother whom he had counted a myth had succeeded in getting on board
+ the transport. Before Grantham's inner vision the whole dreadful scene now
+ was reenacted: the struggle in the stateroom; he even seemed to hear the
+ sound of the shot, to see the Spaniard, drenched with blood from a wound
+ in his forehead, to hear his cry:
+ </p>
+ <p>
+ &ldquo;I cannot see! I cannot see! Mother of Mercy! I have lost my sight!&rdquo;
+ </p>
+ <p>
+ It had broken Grantham. The scandal was hushed up, but retirement was
+ inevitable. He knew, too, that the light had gone out of the world for him
+ as it had gone for Miguel da Mura.
+ </p>
+ <p>
+ It is sometimes thus that a scallywag is made.
+ </p>
+ <p>
+ <a name="link2H_4_0047" id="link2H_4_0047">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ IV
+ </h2>
+ <h3>
+ THE STAR OF EGYPT
+ </h3>
+ <p>
+ As Grantham went out by the side door, Hassan, soft of foot, appeared.
+ Crossing to the main door he opened it and walked down the narrow corridor
+ beyond. Presently came the tap, tap, tap of a stick and a sound of
+ muttered conversation in some place below.
+ </p>
+ <p>
+ Hassan reentered and went in through the curtained doorway to summon
+ Agapoulos. Agapoulos was dressing and would not be disturbed. Hassan went
+ back to those who waited, but ere long returned again chattering volubly
+ to himself. Going behind the carven screen he rapped upon the door of
+ Zahara's room, and she directed him to come in. To Zahara, Hassan was no
+ more than a piece of furniture, and she thought as little of his intruding
+ while she was in the midst of her toilet as another woman would have
+ thought of the entrance of a maid.
+ </p>
+ <p>
+ &ldquo;Two men,&rdquo; reported Hassan, &ldquo;who won't go away until they see somebody.&rdquo;
+ </p>
+ <p>
+ &ldquo;Whom do they want to see?&rdquo; she inquired indifferently, adjusting the line
+ of her eyebrow with an artistically pointed pencil.
+ </p>
+ <p>
+ &ldquo;They say whoever belongs here.&rdquo;
+ </p>
+ <p>
+ Zahara invariably spoke either French or English to natives, and if Hassan
+ had addressed her in Arabic she would not have replied, although she spoke
+ that language better than she spoke any other.
+ </p>
+ <p>
+ &ldquo;What are they like? Not&mdash;police?&rdquo;
+ </p>
+ <p>
+ &ldquo;Foreign,&rdquo; replied Hassan vaguely.
+ </p>
+ <p>
+ &ldquo;English&mdash;American?&rdquo;
+ </p>
+ <p>
+ &ldquo;No, not American or English. Very black hair, dark skin.&rdquo;
+ </p>
+ <p>
+ Zahara, a student of men, became aware of a mild interest. These swarthy
+ visitors should prove an agreeable antidote to the poisonous calm of Harry
+ Grantham. She was trying with all the strength of her strange, stifled
+ soul not to think of Grantham, and she was incapable of recognizing the
+ fact that she could think of nothing else and had thought of little else
+ for a long time past. Even now it was because of him that she determined
+ to interview the foreign visitors. The mystery of her emotions puzzled her
+ more than ever.
+ </p>
+ <p>
+ She descended to a small, barely furnished room on the ground floor, close
+ beside the door opening upon the street. It was lighted by one hanging
+ lamp. On the divan which constituted the principal item of furniture a
+ small man, slenderly built, was sitting. He wore a broad-brimmed hat, so
+ broad of brim that it threw the whole of the upper part of his face into
+ shadow. It was impossible to see his eyes. Beside him rested a heavy
+ walking-stick.
+ </p>
+ <p>
+ As Zahara entered, a wonderful, gaily coloured figure, this man did not
+ move in the slightest, but sat, chin on breast, his small, muscular, brown
+ hands resting on his knees. His companion, however, a person of more
+ massive build, elegantly dressed and handsome in a swarthy fashion, bowed
+ gravely and removed his hat. Zahara liked his eyes, which were dark and
+ very bold looking.
+ </p>
+ <p>
+ &ldquo;M. Agapoulos is engaged,&rdquo; she said, speaking in French. &ldquo;What is it you
+ wish to know?&rdquo;
+ </p>
+ <p>
+ The man regarded her fixedly, and:
+ </p>
+ <p>
+ &ldquo;Senorita,&rdquo; he replied, &ldquo;I will be frank with you.&rdquo;
+ </p>
+ <p>
+ Save for his use of the word &ldquo;senorita&rdquo; he also spoke in French. Zahara
+ drew her robe more closely about her and adopted her most stately manner.
+ </p>
+ <p>
+ &ldquo;My name,&rdquo; continued the other, &ldquo;does not matter, but my business is to
+ look into the affairs of other people, you understand?&rdquo;
+ </p>
+ <p>
+ Zahara, who understood from this that the man was some kind of inquiry
+ agent, opened her blue eyes very widely and at the same time shook her
+ head.
+ </p>
+ <p>
+ &ldquo;No,&rdquo; she protested; &ldquo;what do you mean?&rdquo;
+ </p>
+ <p>
+ &ldquo;A certain gentleman came here a short time ago, came into this house and
+ must be here now. Don't be afraid. He has done nothing very dreadful,&rdquo; he
+ added reassuringly.
+ </p>
+ <p>
+ Zahara retreated a step, and a little wrinkle of disapproval appeared
+ between her pencilled brows. She no longer liked the man's eyes, she
+ decided. They were deceitful eyes. His companion had taken up the heavy
+ stick and was restlessly tapping the floor.
+ </p>
+ <p>
+ &ldquo;There is no one here,&rdquo; said Zahara calmly, &ldquo;except the people who live in
+ the house.&rdquo;
+ </p>
+ <p>
+ &ldquo;He is here, he is here,&rdquo; muttered the man seated on the divan.
+ </p>
+ <p>
+ The tapping of his stick had grown more rapid, but as he had spoken in
+ Spanish, Zahara, who was ignorant of that language, had no idea what he
+ had said.
+ </p>
+ <p>
+ &ldquo;My friend,&rdquo; continued the Spaniard, bowing slightly in the direction of
+ the slender man who so persistently kept his broad-brimmed hat on his
+ head, &ldquo;chanced to hear the voice of this gentleman as he spoke to your
+ porter on entering the door. And although the door was closed too soon for
+ us actually to see him, we are convinced that he is the person we seek.&rdquo;
+ </p>
+ <p>
+ &ldquo;I think you are mistaken,&rdquo; said Zahara coolly. &ldquo;But what do you want him
+ for?&rdquo;
+ </p>
+ <p>
+ As she uttered the words she realized that even the memory of Grantham was
+ sufficient to cause her to betray herself. She had betrayed her interest
+ to the man himself, and now she had betrayed it to this dark-faced
+ stranger whose manner was so mysterious. The Spaniard recognized the fact,
+ and, unlike Grantham, acted upon it promptly.
+ </p>
+ <p>
+ &ldquo;He has taken away the wife of another, Senorita,&rdquo; he said simply, and
+ watched her as he spoke the lie.
+ </p>
+ <p>
+ She listened in silence, wide-eyed. Her lower lip twitched, and she bit it
+ fiercely.
+ </p>
+ <p>
+ &ldquo;He went first to Port Said and then came to London with this woman,&rdquo;
+ continued the Spaniard remorselessly. &ldquo;We come from her husband to ask her
+ to return. Yes, he will forgive her&mdash;or he offers her freedom.&rdquo;
+ </p>
+ <p>
+ Rapidly but comprehensively the speaker's bold glance travelled over
+ Zahara, from her golden head to her tiny embroidered shoes.
+ </p>
+ <p>
+ &ldquo;If you can help us in this matter it will be worth fifty English pounds
+ to you,&rdquo; he concluded.
+ </p>
+ <p>
+ Zahara was breathing rapidly. The fatal hatred which she had sought to
+ stifle gained a new vitality. Another woman&mdash;another woman actually
+ here in London! So there was someone upon whom he did not look in that
+ half-amused and half-compassionate manner. How she hated him! How she
+ hated the woman to whom he had but a moment ago returned!
+ </p>
+ <p>
+ &ldquo;Then he will marry this other one?&rdquo; she said suddenly.
+ </p>
+ <p>
+ &ldquo;Oh, no. Already he neglects her. We think she will go back.&rdquo;
+ </p>
+ <p>
+ Zahara experienced a swift change of sentiment. She seemed to be
+ compounded of two separate persons, one of whom laughed cruelly at the
+ folly of the other.
+ </p>
+ <p>
+ &ldquo;What is the name of this man you think your friend has recognized?&rdquo; she
+ asked.
+ </p>
+ <p>
+ The big stick was rapping furiously during this colloquy.
+ </p>
+ <p>
+ &ldquo;We are both sure, Senorita. His name is Major Spalding.&rdquo;
+ </p>
+ <p>
+ That Spalding and Grantham were neighbouring towns in Lincolnshire Zahara
+ did not know, but:
+ </p>
+ <p>
+ &ldquo;No one of that name comes here,&rdquo; she replied.
+ </p>
+ <p>
+ &ldquo;The one you heard and&mdash;who has gone&mdash;is not called by that
+ name.&rdquo; She spoke with forced calm. It was Grantham they sought! &ldquo;But what
+ happens if I show you this one who is not called Spalding?&rdquo;
+ </p>
+ <p>
+ &ldquo;No matter! Point him out to me,&rdquo; answered the Spaniard eagerly&mdash;and
+ his dark eyes seemed to be on fire&mdash;&ldquo;point him out to me and fifty
+ pounds of English money is yours!&rdquo;
+ </p>
+ <p>
+ &ldquo;Let me see.&rdquo;
+ </p>
+ <p>
+ He drew out a wallet and held up a number of notes.
+ </p>
+ <p>
+ &ldquo;Fifty,&rdquo; he said, in a subdued voice, &ldquo;when you point him out.&rdquo;
+ </p>
+ <p>
+ For a long moment Zahara hesitated, then:
+ </p>
+ <p>
+ &ldquo;Sixty,&rdquo; she corrected him&mdash;&ldquo;now! Then I will do it to-night&mdash;if
+ you tell what happens.&rdquo;
+ </p>
+ <p>
+ Exhibiting a sort of eager impatience the man displayed a bunch of
+ official-looking documents.
+ </p>
+ <p>
+ &ldquo;I give him these,&rdquo; he explained, &ldquo;and my work is done.&rdquo;
+ </p>
+ <p>
+ &ldquo;H'm,&rdquo; said Zahara. &ldquo;He must not know that it is I who have shown him to
+ you. To-night he will be here at nine o'clock, and I shall dance. You
+ understand?&rdquo;
+ </p>
+ <p>
+ &ldquo;Then,&rdquo; said the Spaniard eagerly, &ldquo;this is what you will do.&rdquo;
+ </p>
+ <p>
+ And speaking close to her ear he rapidly outlined a plan; but presently
+ she interrupted him.
+ </p>
+ <p>
+ &ldquo;Pooh! It is Spanish, the rose. I dance the dances of Egypt.&rdquo;
+ </p>
+ <p>
+ &ldquo;But to-night,&rdquo; he persisted, &ldquo;it will not matter.&rdquo;
+ </p>
+ <p>
+ Awhile longer they talked, the rapping of the stick upon the tiled floor
+ growing ever faster and faster. But finally:
+ </p>
+ <p>
+ &ldquo;I will tell Hassan that you are to be admitted,&rdquo; said Zahara, and she
+ held out her hand for the notes.
+ </p>
+ <p>
+ When, presently, the visitors departed, she learned that the smaller man
+ was blind; for his companion led him out of the room and out of the house.
+ She stood awhile listening to the tap, tap, tap of the heavy stick
+ receding along the street. What she did not hear, and could not have
+ understood had she heard, since it was uttered in Spanish, was the cry of
+ exultant hatred which came from the lips of the taller man:
+ </p>
+ <p>
+ &ldquo;At last, Miguel! at last! Though blind, you have found him! You have not
+ failed. I shall not fail!&rdquo;
+ </p>
+ <hr />
+ <p>
+ Zahara peeped through the carved screen at the assembled company. They
+ were smoking and drinking and seemed to be in high good humour. Safiyeh
+ had danced and they had applauded the performance, but had complained to
+ M. Agapoulos that they had seen scores of such dances and dancers.
+ Safiyeh, who had very little English, had not understood this, and because
+ presently she was to play upon the a'ood while Zahara danced the Dance of
+ the Veils, Zahara had avoided informing her of the verdict of the company.
+ </p>
+ <p>
+ Now as she peeped through the lattice in the screen she could see the
+ Greek haggling with Grantham and a tall gray-haired man whom she supposed
+ to be Sir Horace Tipton. They were debating the additional fees to be paid
+ if Zahara, the Star of Egypt, was to present the secret and wonderful
+ dance of which all men had heard but which only a true daughter of the
+ ancient tribe of the Ghawazi could perform.
+ </p>
+ <p>
+ Sometimes Zahara was proud of her descent from a dancing-girl of Kenneh.
+ This was always at night, when a sort of barbaric excitement possessed her
+ which came from the blood of her mother. Then, a new light entered her
+ eyes and they seemed to grow long and languid and dark, so that no one
+ would have suspected that in daylight they were blue.
+ </p>
+ <p>
+ A wild pagan abandon claimed her, and she seemed to hear the wailing of
+ reed instruments and the throb of the ancient drums which were played of
+ old before the kings of Egypt. Safiyeh was not a true dancing girl, and
+ because she knew none of those fine frenzies, she danced without
+ inspiration, like a brown puppet moved by strings. But she could play upon
+ an a'ood much better than Zahara, and therefore must not be upset until
+ she had played for the Dance of the Veils.
+ </p>
+ <p>
+ Seeing that the bargain was all but concluded, Zahara stole back to her
+ room. Her lightly clad body gleamed like that of some statue become
+ animate.
+ </p>
+ <p>
+ Her cheeks flushed as she took up the veils, of which she alone knew the
+ symbolic meaning; the white veil, the purple veil: each had its story to
+ tell her; and the veil of burning scarlet. In a corner of the big room on
+ a divan near the door she had seen the Spaniard, a handsome, swarthy
+ figure in his well-fitting dress clothes, and now, opening a drawer, she
+ glanced at the little pile of notes which represented her share of the
+ bargain. There were fifty. She had told Agapoulos that a distinguished
+ foreigner with an introduction from someone she knew had paid ten pounds
+ to be present. And because she had given Agapoulos the ten pounds,
+ Agapoulos had agreed to admit the visitor.
+ </p>
+ <p>
+ She could hear the Greek approaching now, but she was thinking of Grantham
+ whom she had last seen in laughing conversation with the tall, gray-haired
+ man. His laughter had appeared forced. Doubtless he grew weary of the
+ woman he had brought to London.
+ </p>
+ <p>
+ &ldquo;Dance to-night with all the devil that is in you, my beautiful,&rdquo; said
+ Agapoulos, hurrying into the room.
+ </p>
+ <p>
+ Zahara turned aside, toying with the veils.
+ </p>
+ <p>
+ &ldquo;They are rich, eh?&rdquo; she said indifferently.
+ </p>
+ <p>
+ She was thinking of the fifty pounds which she had earned so easily; and
+ after all (how strangely her mind wandered) perhaps he was really tired of
+ the woman. The Spaniard had said so.
+ </p>
+ <p>
+ &ldquo;Very rich,&rdquo; murmured Agapoulos complacently.
+ </p>
+ <p>
+ He brushed his moustache and rattled keys in his pocket. In his dress
+ clothes he looked like the manager of a prosperous picture palace.
+ &ldquo;Safryeh!&rdquo; he called.
+ </p>
+ <p>
+ When presently the music commenced, the players concealed behind the tall
+ screen, an expectant hush fell upon the wine-flushed company. Hassan, who
+ played the darabukkeh, could modulate its throbbing so wonderfully.
+ </p>
+ <p>
+ Zahara entered the room, enveloped from shoulders to ankles in a
+ flame-coloured cloak. Between her lips she held a red rose.
+ </p>
+ <p>
+ &ldquo;By God, what a beauty!&rdquo; said a husky voice.
+ </p>
+ <p>
+ Zahara did not know which of the party had spoken, but she was conscious
+ of the fact that by virtue of the strange witchcraft which became hers on
+ such nights she held them all spell-bound. They were her slaves.
+ </p>
+ <p>
+ Slowly she walked across the apartment while the throbbing of the Arab
+ drum grew softer and softer, producing a weird effect of space and
+ distance. All eyes were fixed upon her, and meeting Grantham's gaze she
+ saw at last the Light there which she knew. This sudden knowledge of
+ triumph almost unnerved her, and the rose which she had taken from between
+ her lips trembled in her white fingers. Two of the petals fell upon the
+ carpet, which was cream-coloured from the looms of Ispahan. Like blood
+ spots the petals lay upon the cream surface.
+ </p>
+ <p>
+ Zahara swung sharply about. Agapoulos, seated alone in the chair over
+ which he had draped the leopard skin, was busily brushing his moustache
+ and glancing sideways toward the screen which concealed Safryeh. Zahara
+ tilted her head on to her shoulder and cast a languorous glance into the
+ shadows masking the watchful Spaniard.
+ </p>
+ <p>
+ She could see his eyes gleaming like those of a wild beast. An icy finger
+ seemed to touch her heart. He had lied to her! She knew it, suddenly,
+ intuitively. Well, she would see. She also had guile.
+ </p>
+ <p>
+ With a little scornful laugh Zahara tossed the rose on to the knees&mdash;of
+ Agapoulos.
+ </p>
+ <p>
+ The sound of three revolver shots fired in quick succession rang out above
+ the throbbing music. Agapoulos clutched at his shirt front with both
+ hands, uttered a stifled scream and tried to stand up. He coughed, and
+ glaring straight in front of him fell forward across a little coffee table
+ laden with champagne bottles and glasses.
+ </p>
+ <p>
+ Coincident with the crash made by his falling body came the loud bang of a
+ door. The Spaniard had gone.
+ </p>
+ <p>
+ &ldquo;By God, sir! It's murder, it's murder!&rdquo; cried the same husky voice which
+ had commented upon the beauty of Zahara.
+ </p>
+ <p>
+ There was a mingling, purposeless movement. Someone ran to the door&mdash;to
+ find that it was locked from the outside. Mr. Eddie, now recognizable by
+ his accent, came toward the prone man, dazed, horrified, and grown very
+ white. Zahara, a beautiful, tragic figure, in her flaming cloak, stood
+ looking down at the dead man. Safiyeh was peeping round from behind the
+ screen, her face a brown mask of terror. Hassan, holding his drum,
+ appeared behind her, staring stupidly. To the smell of cigar smoke and
+ perfume a new and acrid odour was added.
+ </p>
+ <p>
+ Vaguely the truth was stealing in upon the mind of the dancing-girl that
+ she had been made party to a plot to murder Grantham. She had saved his
+ life. He belonged to her now. She could hear him speaking, although for
+ some reason she could not see him. A haze had come, blotting out
+ everything but the still, ungainly figure which lay so near her upon the
+ carpet, one clutching, fat hand, upon which a diamond glittered,
+ outstretched so that it nearly touched her bare white feet.
+ </p>
+ <p>
+ &ldquo;We must get out this way! The side door to the courtyard! None of us can
+ afford to be mixed up in an affair of this sort.&rdquo;
+ </p>
+ <p>
+ There was more confused movement and a buzz of excited voices&mdash;meaningless,
+ chaotic. Zahara could feel the draught from the newly opened door. A thin
+ stream of blood was stealing across the carpet. It had almost reached the
+ fallen rose petals, which it strangely resembled in colour under the light
+ of the lanterns.
+ </p>
+ <p>
+ As though dispersed by the draught, the haze lifted, and Zahara saw
+ Grantham standing by the open doorway through which he had ushered out the
+ other visitors.
+ </p>
+ <p>
+ Wide-eyed and piteous she met his glance. She had seen that night the Look
+ in his eyes. She had saved his life, and there was much, so much, that she
+ wanted to tell him. A thousand yearnings, inexplicable, hitherto unknown,
+ deep mysteries of her soul, looked out of those great eyes.
+ </p>
+ <p>
+ &ldquo;Don't think,&rdquo; he said tensely, &ldquo;that I was deceived. I saw the trick with
+ the rose! You are as guilty as your villainous lover! Murderess!&rdquo;
+ </p>
+ <p>
+ He went out and closed the door. The flame-coloured cloak slowly slipped
+ from Zahara's shoulders, and the veils, like falling petals, began to drop
+ gently one by one upon the blood-stained carpet.
+ </p>
+ <p>
+ <a name="link2H_4_0048" id="link2H_4_0048">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ THE HAND OF THE MANDARIN QUONG
+ </h2>
+ <p>
+ <a name="link2H_4_0049" id="link2H_4_0049">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ I
+ </h2>
+ <h3>
+ THE SHADOW ON THE CURTAIN
+ </h3>
+ <p>
+ &ldquo;Singapore is by no means herself again,&rdquo; declared Jennings, looking about
+ the lounge of the Hotel de l'Europe. &ldquo;Don't you agree, Knox?&rdquo;
+ </p>
+ <p>
+ Burton fixed his lazy stare upon the speaker.
+ </p>
+ <p>
+ &ldquo;Don't blame poor old Singapore,&rdquo; he said. &ldquo;There is no spot in this
+ battered world that I have succeeded in discovering which is not changed
+ for the worse.&rdquo;
+ </p>
+ <p>
+ Dr. Matheson flicked ash from his cigar and smiled in that peculiarly
+ happy manner which characterizes a certain American type and which lent a
+ boyish charm to his personality.
+ </p>
+ <p>
+ &ldquo;You are a pair of pessimists,&rdquo; he pronounced. &ldquo;For some reason best known
+ to themselves Jennings and Knox have decided upon a Busman's Holiday. Very
+ well. Why grumble?&rdquo;
+ </p>
+ <p>
+ &ldquo;You are quite right, Doctor,&rdquo; Jennings admitted. &ldquo;When I was on service
+ here in the Straits Settlements I declared heaven knows how often that the
+ country would never see me again once I was demobbed. Yet here you see I
+ am; Burton belongs here; but here's Knox, and we are all as fed up as we
+ can be!&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; said Burton slowly. &ldquo;I may be a bit tired of Singapore. It's a
+ queer thing, though, that you fellows have drifted back here again. The
+ call of the East is no fable. It's a call that one hears for ever.&rdquo;
+ </p>
+ <p>
+ The conversation drifted into another channel, and all sorts of topics
+ were discussed, from racing to the latest feminine fashions, from ballroom
+ dances to the merits and demerits of coalition government. Then suddenly:
+ </p>
+ <p>
+ &ldquo;What became of Adderley?&rdquo; asked Jennings.
+ </p>
+ <p>
+ There were several men in the party who had been cronies of ours during
+ the time that we were stationed in Singapore, and at Jennings's words a
+ sort of hush seemed to fall on those who had known Adderley. I cannot say
+ if Jennings noticed this, but it was perfectly evident to me that Dr.
+ Matheson had perceived it, for he glanced swiftly across in my direction
+ in an oddly significant way.
+ </p>
+ <p>
+ &ldquo;I don't know,&rdquo; replied Burton, who was an engineer. &ldquo;He was rather an
+ unsavoury sort of character in some ways, but I heard that he came to a
+ sticky end.&rdquo;
+ </p>
+ <p>
+ &ldquo;What do you mean?&rdquo; I asked with curiosity, for I myself had often
+ wondered what had become of Adderley.
+ </p>
+ <p>
+ &ldquo;Well, he was reported to his C. O., or something, wasn't he, just before
+ the time for his demobilization? I don't know the particulars; I thought
+ perhaps you did, as he was in your regiment.&rdquo;
+ </p>
+ <p>
+ &ldquo;I have heard nothing whatever about it,&rdquo; I replied.
+ </p>
+ <p>
+ &ldquo;You mean Sidney Adderley, the man who was so indecently rich?&rdquo; someone
+ interjected. &ldquo;Had a place at Katong, and was always talking about his
+ father's millions?&rdquo;
+ </p>
+ <p>
+ &ldquo;That's the fellow.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; said Jennings, &ldquo;there was some scandal, I know, but it was after my
+ time here.&rdquo;
+ </p>
+ <p>
+ &ldquo;Something about an old mandarin out Johore Bahru way, was it not?&rdquo; asked
+ Burton. &ldquo;The last thing I heard about Adderley was that he had
+ disappeared.&rdquo;
+ </p>
+ <p>
+ &ldquo;Nobody would have cared much if he had,&rdquo; declared Jennings. &ldquo;I know of
+ several who would have been jolly glad. There was a lot of the brute about
+ Adderley, apart from the fact that he had more money than was good for
+ him. His culture was a veneer. It was his check-book that spoke all the
+ time.&rdquo;
+ </p>
+ <p>
+ &ldquo;Everybody would have forgiven Adderley his vulgarity,&rdquo; said Dr. Matheson,
+ quietly, &ldquo;if the man's heart had been in the right place.&rdquo;
+ </p>
+ <p>
+ &ldquo;Surely an instance of trying to make a silk purse out of a sow's ear,&rdquo;
+ someone murmured.
+ </p>
+ <p>
+ Burton gazed rather hard at the last speaker.
+ </p>
+ <p>
+ &ldquo;So far as I am aware,&rdquo; he said, &ldquo;the poor devil is dead, so go easy.&rdquo;
+ </p>
+ <p>
+ &ldquo;Are you sure he is dead?&rdquo; asked Dr. Matheson, glancing at Burton in that
+ quizzical, amused way of his.
+ </p>
+ <p>
+ &ldquo;No, I am not sure; I am merely speaking from hearsay. And now I come to
+ think of it, the information was rather vague. But I gathered that he had
+ vanished, at any rate, and remembering certain earlier episodes in his
+ career, I was led to suppose that this vanishing meant&mdash;&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ He shrugged his shoulders significantly.
+ </p>
+ <p>
+ &ldquo;You mean the old mandarin?&rdquo; suggested Dr. Matheson.
+ </p>
+ <p>
+ &ldquo;Yes.&rdquo;
+ </p>
+ <p>
+ &ldquo;Was there really anything in that story, or was it suggested by the
+ unpleasant reputation of Adderley?&rdquo; Jennings asked.
+ </p>
+ <p>
+ &ldquo;I can settle any doubts upon that point,&rdquo; said I; whereupon I immediately
+ became a focus of general attention.
+ </p>
+ <p>
+ &ldquo;What! were you ever at that place of Adderley's at Katong?&rdquo; asked
+ Jennings with intense curiosity.
+ </p>
+ <p>
+ I nodded, lighting a fresh cigarette in a manner that may have been unduly
+ leisurely.
+ </p>
+ <p>
+ &ldquo;Did you see her?&rdquo;
+ </p>
+ <p>
+ Again I nodded.
+ </p>
+ <p>
+ &ldquo;Really!&rdquo;
+ </p>
+ <p>
+ &ldquo;I must have been peculiarly favoured, but certainly I had that pleasure.&rdquo;
+ </p>
+ <p>
+ &ldquo;You speak of seeing her,&rdquo; said one of the party, now entering the
+ conversation for the first time. &ldquo;To whom do you refer?&rdquo;
+ </p>
+ <p>
+ &ldquo;Well,&rdquo; replied Burton, &ldquo;it's really a sort of fairy tale&mdash;unless
+ Knox&rdquo;&mdash;glacing across in my direction&mdash;&ldquo;can confirm it. But
+ there was a story current during the latter part of Adderley's stay in
+ Singapore to the effect that he had made the acquaintance of the wife, or
+ some member of the household, of an old gentleman out Johore Bahru way&mdash;sort
+ of mandarin or big pot among the Chinks.&rdquo;
+ </p>
+ <p>
+ &ldquo;It was rumoured that he had bolted with her,&rdquo; added another speaker.
+ </p>
+ <p>
+ &ldquo;I think it was more than a rumour.&rdquo;
+ </p>
+ <p>
+ &ldquo;Why do you say so?&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, representations were made to the authorities, I know for an
+ absolute certainty, and I have an idea that Adderley was kicked out of the
+ Service as a consequence of the scandal which resulted.&rdquo;
+ </p>
+ <p>
+ &ldquo;How is it one never heard of this?&rdquo;
+ </p>
+ <p>
+ &ldquo;Money speaks, my dear fellow,&rdquo; cried Burton, &ldquo;even when it is possessed
+ by such a peculiar outsider as Adderley. The thing was hushed up. It was a
+ very nasty business. But Knox was telling us that he had actually seen the
+ lady. Please carry on, Knox, for I must admit that I am intensely
+ curious.&rdquo;
+ </p>
+ <p>
+ &ldquo;I can only say that I saw her on one occasion.&rdquo;
+ </p>
+ <p>
+ &ldquo;With Adderley?&rdquo;
+ </p>
+ <p>
+ &ldquo;Undoubtedly.&rdquo;
+ </p>
+ <p>
+ &ldquo;Where?&rdquo;
+ </p>
+ <p>
+ &ldquo;At his place at Katong.&rdquo;
+ </p>
+ <p>
+ &ldquo;I even thought his place at that resort was something of a myth,&rdquo;
+ declared Jennings. &ldquo;He never asked me to go there, but, then, I took that
+ as a compliment. Pardon the apparent innuendo, Knox,&rdquo; he added, laughing.
+ &ldquo;But you say you actually visited the establishment?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; I replied slowly, &ldquo;I met him here in this very hotel one evening in
+ the winter of '15, after the natives' attempt to mutiny. He had been
+ drinking rather heavily, a fact which he was quite unable to disguise. He
+ was never by any means a real friend of mine; in fact, I doubt that he had
+ a true friend in the world. Anyhow, I could see that he was lonely, and as
+ I chanced to be at a loose end I accepted an invitation to go over to what
+ he termed his 'little place at Katong.'
+ </p>
+ <p>
+ &ldquo;His little place proved to be a veritable palace. The man privately, or
+ rather, secretly, to be exact, kept up a sort of pagan state. He had any
+ number of servants. Of course he became practically a millionaire after
+ the death of his father, as you will remember; and given more congenial
+ company, I must confess that I might have spent a most enjoyable evening
+ there.
+ </p>
+ <p>
+ &ldquo;Adderley insisted upon priming me with champagne, and after a while I may
+ as well admit that I lost something of my former reserve, and began in a
+ fashion to feel that I was having a fairly good time. By the way, my host
+ was not quite frankly drunk. He got into that objectionable and dangerous
+ mood which some of you will recall, and I could see by the light in his
+ eyes that there was mischief brewing, although at the time I did not know
+ its nature.
+ </p>
+ <p>
+ &ldquo;I should explain that we were amusing ourselves in a room which was
+ nearly as large as the lounge of this hotel, and furnished in a somewhat
+ similar manner. There were carved pillars and stained glass domes, a
+ little fountain, and all those other peculiarities of an Eastern
+ household.
+ </p>
+ <p>
+ &ldquo;Presently, Adderley gave an order to one of his servants, and glanced at
+ me with that sort of mocking, dare-devil look in his eyes which I loathed,
+ which everybody loathed who ever met the man. Of course I had no idea what
+ all this portended, but I was very shortly to learn.
+ </p>
+ <p>
+ &ldquo;While he was still looking at me, but stealing side-glances at a doorway
+ before which was draped a most wonderful curtain of a sort of flamingo
+ colour, this curtain was suddenly pulled aside, and a girl came in.
+ </p>
+ <p>
+ &ldquo;Of course, you must remember that at the time of which I am speaking the
+ scandal respecting the mandarin had not yet come to light. Consequently I
+ had no idea who the girl could be. I saw she was a Eurasian. But of her
+ striking beauty there could be no doubt whatever. She was dressed in
+ magnificent robes, and she literally glittered with jewels. She even wore
+ jewels upon the toes of her little bare feet. But the first thing that
+ struck me at the moment of her appearance was that her presence there was
+ contrary to her wishes and inclinations. I have never seen a similar
+ expression in any woman's eyes. She looked at Adderley as though she would
+ gladly have slain him!
+ </p>
+ <p>
+ &ldquo;Seeing this look, his mocking smile in which there was something of
+ triumph&mdash;of the joy of possession&mdash;turned to a scowl of positive
+ brutality. He clenched his fists in a way that set me bristling. He
+ advanced toward the girl&mdash;and although the width of the room divided
+ them, she recoiled&mdash;and the significance of expression and gesture
+ was unmistakable. Adderley paused.
+ </p>
+ <p>
+ &ldquo;'So you have made up your mind to dance after all?' he shouted.
+ </p>
+ <p>
+ &ldquo;The look in the girl's dark eyes was pitiful, and she turned to me with a
+ glance of dumb entreaty.
+ </p>
+ <p>
+ &ldquo;'No, no!' she cried. 'No, no! Why do you bring me here?'
+ </p>
+ <p>
+ &ldquo;'Dance!' roared Adderley. 'Dance! That's what I want you to do.'
+ </p>
+ <p>
+ &ldquo;Rebellion leapt again to the wonderful eyes, and she started back with a
+ perfectly splendid gesture of defiance. At that my brutal and drunken host
+ leapt in her direction. I was on my feet now, but before I could act the
+ girl said a thing which checked him, sobered him, which pulled him up
+ short, as though he had encountered a stone wall.
+ </p>
+ <p>
+ &ldquo;'Ah, God!' she said. (She was speaking, of course, in her native tongue.)
+ 'His hand! His hand! Look! His hand!'
+ </p>
+ <p>
+ &ldquo;To me her words were meaningless, naturally, but following the direction
+ of her positively agonized glance I saw that she was watching what seemed
+ to me to be the shadow of someone moving behind the flame-like curtain
+ which produced an effect not unlike that of a huge, outstretched hand, the
+ fingers crooked, claw-fashion.
+ </p>
+ <p>
+ &ldquo;'Knox, Knox!' whispered Adderley, grasping me by the shoulder.
+ </p>
+ <p>
+ &ldquo;He pointed with a quivering finger toward this indistinct shadow upon the
+ curtain, and:
+ </p>
+ <p>
+ &ldquo;'Do you see it&mdash;do you see it?' he said huskily. 'It is his hand&mdash;it
+ is his hand!'
+ </p>
+ <p>
+ &ldquo;Of the pair, I think, the man was the more frightened. But the girl,
+ uttering a frightful shriek, ran out of the room as though pursued by a
+ demon. As she did so whoever had been moving behind the curtain evidently
+ went away. The shadow disappeared, and Adderley, still staring as if
+ hypnotized at the spot where it had been, continued to hold my shoulder as
+ in a vise. Then, sinking down upon a heap of cushions beside me, he loudly
+ and shakily ordered more champagne.
+ </p>
+ <p>
+ &ldquo;Utterly mystified by the incident, I finally left him in a state of
+ stupor, and returned to my quarters, wondering whether I had dreamed half
+ of the episode or the whole of it, whether he did really possess that
+ wonderful palace, or whether he had borrowed it to impress me.&rdquo;
+ </p>
+ <p>
+ I ceased speaking, and my story was received in absolute silence, until:
+ </p>
+ <p>
+ &ldquo;And that is all you know?&rdquo; said Burton.
+ </p>
+ <p>
+ &ldquo;Absolutely all. I had to leave about that time, you remember, and
+ afterward went to France.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, I remember. It was while you were away that the scandal arose
+ respecting the mandarin. Extraordinary story, Knox. I should like to know
+ what it all meant, and what the end of it was.&rdquo;
+ </p>
+ <p>
+ Dr. Matheson broke his long silence.
+ </p>
+ <p>
+ &ldquo;Although I am afraid I cannot enlighten you respecting the end of the
+ story,&rdquo; he said quietly, &ldquo;perhaps I can carry it a step further.&rdquo;
+ </p>
+ <p>
+ &ldquo;Really, Doctor? What do you know about the matter?&rdquo;
+ </p>
+ <p>
+ &ldquo;I accidentally became implicated as follows,&rdquo; replied the American: &ldquo;I
+ was, as you know, doing voluntary surgical work near Singapore at the
+ time, and one evening, presumably about the same period of which Knox is
+ speaking, I was returning from the hospital at Katong, at which I acted
+ sometimes as anaesthetist, to my quarters in Singapore; just drifting
+ along, leisurely by the edge of the gardens admiring the beauty of the
+ mangroves and the deceitful peace of the Eastern night.
+ </p>
+ <p>
+ &ldquo;The hour was fairly late and not a soul was about. Nothing disturbed the
+ silence except those vague sibilant sounds which are so characteristic of
+ the country. Presently, as I rambled on with my thoughts wandering back to
+ the dim ages, I literally fell over a man who lay in the road.
+ </p>
+ <p>
+ &ldquo;I was naturally startled, but I carried an electric pocket torch, and by
+ its light I discovered that the person over whom I had fallen was a
+ dignified-looking Chinaman, somewhat past middle age. His clothes, which
+ were of good quality, were covered with dirt and blood, and he bore all
+ the appearance of having recently been engaged in a very tough struggle.
+ His face was notable only for its possession of an unusually long
+ jet-black moustache. He had swooned from loss of blood.&rdquo;
+ </p>
+ <p>
+ &ldquo;Why, was he wounded?&rdquo; exclaimed Jennings.
+ </p>
+ <p>
+ &ldquo;His hand had been nearly severed from his wrist!&rdquo;
+ </p>
+ <p>
+ &ldquo;Merciful heavens!&rdquo;
+ </p>
+ <p>
+ &ldquo;I realized the impossibility of carrying him so far as the hospital, and
+ accordingly I extemporized a rough tourniquet and left him under a palm
+ tree by the road until I obtained assistance. Later, at the hospital,
+ following a consultation, we found it necessary to amputate.&rdquo;
+ </p>
+ <p>
+ &ldquo;I should say he objected fiercely?&rdquo;
+ </p>
+ <p>
+ &ldquo;He was past objecting to anything, otherwise I have no doubt he would
+ have objected furiously. The index finger of the injured hand had one of
+ those preternaturally long nails, protected by an engraved golden case.
+ However, at least I gave him a chance of life. He was under my care for
+ some time, but I doubt if ever he was properly grateful. He had an iron
+ constitution, though, and I finally allowed him to depart. One queer
+ stipulation he had made&mdash;that the severed hand, with its golden
+ nail-case, should be given to him when he left hospital. And this bargain
+ I faithfully carried out.&rdquo;
+ </p>
+ <p>
+ &ldquo;Most extraordinary,&rdquo; I said. &ldquo;Did you ever learn the identity of the old
+ gentleman?&rdquo;
+ </p>
+ <p>
+ &ldquo;He was very reticent, but I made a number of inquiries, and finally
+ learned with absolute certainty, I think, that he was the Mandarin Quong
+ Mi Su from Johore Bahru, a person of great repute among the Chinese there,
+ and rather a big man in China. He was known locally as the Mandarin
+ Quong.&rdquo;
+ </p>
+ <p>
+ &ldquo;Did you learn anything respecting how he had come by his injury, Doctor?&rdquo;
+ </p>
+ <p>
+ Matheson smiled in his quiet fashion, and selected a fresh cigar with
+ great deliberation. Then:
+ </p>
+ <p>
+ &ldquo;I suppose it is scarcely a case of betraying a professional secret,&rdquo; he
+ said, &ldquo;but during the time that my patient was recovering from the effects
+ of the anaesthetic he unconsciously gave me several clues to the nature of
+ the episode. Putting two and two together I gathered that someone,
+ although the name of this person never once passed the lips of the
+ mandarin, had abducted his favourite wife.&rdquo;
+ </p>
+ <p>
+ &ldquo;Good heavens! truly amazing,&rdquo; I exclaimed.
+ </p>
+ <p>
+ &ldquo;Is it not? How small a place the world is. My old mandarin had traced the
+ abductor and presumably the girl to some house which I gathered to be in
+ the neighbourhood of Katong. In an attempt to force an entrance&mdash;doubtless
+ with the amiable purpose of slaying them both&mdash;he had been detected
+ by the prime object of his hatred. In hurriedly descending from a window
+ he had been attacked by some weapon, possibly a sword, and had only made
+ good his escape in the condition in which I found him. How far he had
+ proceeded I cannot say, but I should imagine that the house to which he
+ had been was no great distance from the spot where I found him.&rdquo;
+ </p>
+ <p>
+ &ldquo;Comment is really superfluous,&rdquo; remarked Burton. &ldquo;He was looking for
+ Adderley.&rdquo;
+ </p>
+ <p>
+ &ldquo;I agree,&rdquo; said Jennings.
+ </p>
+ <p>
+ &ldquo;And,&rdquo; I added, &ldquo;it was evidently after this episode that I had the
+ privilege of visiting that interesting establishment.&rdquo;
+ </p>
+ <p>
+ There was a short interval of silence; then:
+ </p>
+ <p>
+ &ldquo;You probably retain no very clear impression of the shadow which you
+ saw,&rdquo; said Dr. Matheson, with great deliberation. &ldquo;At the time perhaps you
+ had less occasion particularly to study it. But are you satisfied that it
+ was really caused by someone moving behind the curtain?&rdquo;
+ </p>
+ <p>
+ I considered his question for a few moments.
+ </p>
+ <p>
+ &ldquo;I am not,&rdquo; I confessed. &ldquo;Your story, Doctor, makes me wonder whether it
+ may not have been due to something else.&rdquo;
+ </p>
+ <p>
+ &ldquo;What else can it have been due to?&rdquo; exclaimed Jennings contemptuously&mdash;&ldquo;unless
+ to the champagne?&rdquo;
+ </p>
+ <p>
+ &ldquo;I won't quote Shakespeare,&rdquo; said Dr. Matheson, smiling in his odd way.
+ &ldquo;The famous lines, though appropriate, are somewhat overworked. But I will
+ quote Kipling: 'East is East, and West is West.'&rdquo;
+ </p>
+ <p>
+ <a name="link2H_4_0050" id="link2H_4_0050">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ II
+ </h2>
+ <h3>
+ THE LADY OF KATONG
+ </h3>
+ <p>
+ Fully six months had elapsed, and on returning from Singapore I had
+ forgotten all about Adderley and the unsavoury stories connected with his
+ reputation. Then, one evening as I was strolling aimlessly along St.
+ James's Street, wondering how I was going to kill time&mdash;for almost
+ everyone I knew was out of town, including Paul Harley, and London can be
+ infinitely more lonely under such conditions than any desert&mdash;I saw a
+ thick-set figure approaching along the other side of the street.
+ </p>
+ <p>
+ The swing of the shoulders, the aggressive turn of the head, were vaguely
+ familiar, and while I was searching my memory and endeavouring to obtain a
+ view of the man's face, he stared across in my direction.
+ </p>
+ <p>
+ It was Adderley.
+ </p>
+ <p>
+ He looked even more debauched than I remembered him, for whereas in
+ Singapore he had had a tanned skin, now he looked unhealthily pallid and
+ blotchy. He raised his hand, and:
+ </p>
+ <p>
+ &ldquo;Knox!&rdquo; he cried, and ran across to greet me.
+ </p>
+ <p>
+ His boisterous manner and a sort of coarse geniality which he possessed
+ had made him popular with a certain set in former days, but I, who knew
+ that this geniality was forced, and assumed to conceal a sort of appalling
+ animalism, had never been deceived by it. Most people found Adderley out
+ sooner or later, but I had detected the man's true nature from the very
+ beginning. His eyes alone were danger signals for any amateur
+ psychologist. However, I greeted him civilly enough:
+ </p>
+ <p>
+ &ldquo;Bless my soul, you are looking as fit as a fiddle!&rdquo; he cried. &ldquo;Where have
+ you been, and what have you been doing since I saw you last?&rdquo;
+ </p>
+ <p>
+ &ldquo;Nothing much,&rdquo; I replied, &ldquo;beyond trying to settle down in a reformed
+ world.&rdquo;
+ </p>
+ <p>
+ &ldquo;Reformed world!&rdquo; echoed Adderley. &ldquo;More like a ruined world it has seemed
+ to me.&rdquo;
+ </p>
+ <p>
+ He laughed loudly. That he had already explored several bottles was
+ palpable.
+ </p>
+ <p>
+ We were silent for a while, mentally weighing one another up, as it were.
+ Then:
+ </p>
+ <p>
+ &ldquo;Are you living in town?&rdquo; asked Adderley.
+ </p>
+ <p>
+ &ldquo;I am staying at the Carlton at the moment,&rdquo; I replied. &ldquo;My chambers are
+ in the hands of the decorators. It's awkward. Interferes with my work.&rdquo;
+ </p>
+ <p>
+ &ldquo;Work!&rdquo; cried Adderley. &ldquo;Work! It's a nasty word, Knox. Are you doing
+ anything now?&rdquo;
+ </p>
+ <p>
+ &ldquo;Nothing, until eight o'clock, when I have an appointment.&rdquo;
+ </p>
+ <p>
+ &ldquo;Come along to my place,&rdquo; he suggested, &ldquo;and have a cup of tea, or a
+ whisky and soda if you prefer it.&rdquo;
+ </p>
+ <p>
+ Probably I should have refused, but even as he spoke I was mentally
+ translated to the lounge of the Hotel de l'Europe, and prompted by a very
+ human curiosity I determined to accept his invitation. I wondered if Fate
+ had thrown an opportunity in my way of learning the end of the peculiar
+ story which had been related on that occasion.
+ </p>
+ <p>
+ I accompanied Adderley to his chambers, which were within a stone's throw
+ of the spot where I had met him. That this gift for making himself
+ unpopular with all and sundry, high and low, had not deserted him, was
+ illustrated by the attitude of the liftman as we entered the hall of the
+ chambers. He was barely civil to Adderley and even regarded myself with
+ marked disfavour.
+ </p>
+ <p>
+ We were admitted by Adderley's man, whom I had not seen before, but who
+ was some kind of foreigner, I think a Portuguese. It was characteristic of
+ Adderley. No Englishman would ever serve him for long, and there had been
+ more than one man in his old Company who had openly avowed his intention
+ of dealing with Adderley on the first available occasion.
+ </p>
+ <p>
+ His chambers were ornately furnished; indeed, the room in which we sat
+ more closely resembled a scene from an Oscar Asche production than a
+ normal man's study. There was something unreal about it all. I have since
+ thought that this unreality extended to the person of the man himself.
+ Grossly material, he yet possessed an aura of mystery, mystery of an
+ unsavoury sort. There was something furtive, secretive, about Adderley's
+ entire mode of life.
+ </p>
+ <p>
+ I had never felt at ease in his company, and now as I sat staring
+ wonderingly at the strange and costly ornaments with which the room was
+ overladen I bethought me of the object of my visit. How I should have
+ brought the conversation back to our Singapore days I know not, but a
+ suitable opening was presently offered by Adderley himself.
+ </p>
+ <p>
+ &ldquo;Do you ever see any of the old gang?&rdquo; he inquired.
+ </p>
+ <p>
+ &ldquo;I was in Singapore about six months ago,&rdquo; I replied, &ldquo;and I met some of
+ them again.&rdquo;
+ </p>
+ <p>
+ &ldquo;What! Had they drifted back to the East after all?&rdquo;
+ </p>
+ <p>
+ &ldquo;Two or three of them were taking what Dr. Matheson described as a
+ Busman's Holiday.&rdquo;
+ </p>
+ <p>
+ At mention of Dr. Matheson's name Adderley visibly started.
+ </p>
+ <p>
+ &ldquo;So you know Matheson,&rdquo; he murmured. &ldquo;I didn't know you had ever met him.&rdquo;
+ </p>
+ <p>
+ Plainly to hide his confusion he stood up, and crossing the room drew my
+ attention to a rather fine silver bowl of early Persian ware. He was
+ displaying its peculiar virtues and showing a certain acquaintance with
+ his subject when he was interrupted. A door opened suddenly and a girl
+ came in. Adderley put down the bowl and turned rapidly as I rose from my
+ seat.
+ </p>
+ <p>
+ It was the lady of Katong!
+ </p>
+ <p>
+ I recognized her at once, although she wore a very up-to-date gown. While
+ it did not suit her dark good looks so well as the native dress which she
+ had worn at Singapore, yet it could not conceal the fact that in a
+ barbaric way she was a very beautiful woman. On finding a visitor in the
+ room she became covered with confusion.
+ </p>
+ <p>
+ &ldquo;Oh,&rdquo; she said, speaking in Hindustani. &ldquo;Why did you not tell me there was
+ someone here?&rdquo;
+ </p>
+ <p>
+ Adderley's reply was characteristically brutal.
+ </p>
+ <p>
+ &ldquo;Get out,&rdquo; he said. &ldquo;You fool.&rdquo;
+ </p>
+ <p>
+ I turned to go, for I was conscious of an intense desire to attack my
+ host. But:
+ </p>
+ <p>
+ &ldquo;Don't go, Knox, don't go!&rdquo; he cried. &ldquo;I am sorry, I am damned sorry, I&mdash;&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ He paused, and looked at me in a queer sort of appealing way. The girl,
+ her big eyes widely open, retreated again to the door, with curious lithe
+ steps, characteristically Oriental. The door regained, she paused for a
+ moment and extended one small hand in Adderley's direction.
+ </p>
+ <p>
+ &ldquo;I hate you,&rdquo; she said slowly, &ldquo;hate you! Hate you!&rdquo;
+ </p>
+ <p>
+ She went out, quietly closing the door behind her. Adderley turned to me
+ with an embarrassed laugh.
+ </p>
+ <p>
+ &ldquo;I know you think I am a brute and an outsider,&rdquo; he said, &ldquo;and perhaps I
+ am. Everybody says I am, so I suppose there must be something in it. But
+ if ever a man paid for his mistakes I have paid for mine, Knox. Good God,
+ I haven't a friend in the world.&rdquo;
+ </p>
+ <p>
+ &ldquo;You probably don't deserve one,&rdquo; I retorted.
+ </p>
+ <p>
+ &ldquo;I know I don't, and that's the tragedy of it,&rdquo; he replied. &ldquo;You may not
+ believe it, Knox; I don't expect anybody to believe me; but for more than
+ a year I have been walking on the edge of Hell. Do you know where I have
+ been since I saw you last?&rdquo;
+ </p>
+ <p>
+ I shook my head in answer.
+ </p>
+ <p>
+ &ldquo;I have been half round the world, Knox, trying to find peace.&rdquo;
+ </p>
+ <p>
+ &ldquo;You don't know where to look for it,&rdquo; I said.
+ </p>
+ <p>
+ &ldquo;If only you knew,&rdquo; he whispered. &ldquo;If only you knew,&rdquo; and sank down upon
+ the settee, ruffling his hair with his hands and looking the picture of
+ haggard misery. Seeing that I was still set upon departure:
+ </p>
+ <p>
+ &ldquo;Hold on a bit, Knox,&rdquo; he implored. &ldquo;Don't go yet. There is something I
+ want to ask you, something very important.&rdquo;
+ </p>
+ <p>
+ He crossed to a sideboard and mixed himself a stiff whisky-and-soda. He
+ asked me to join him, but I refused.
+ </p>
+ <p>
+ &ldquo;Won't you sit down again?&rdquo;
+ </p>
+ <p>
+ I shook my head.
+ </p>
+ <p>
+ &ldquo;You came to my place at Katong once,&rdquo; he began abruptly. &ldquo;I was damned
+ drunk, I admit it. But something happened, do you remember?&rdquo;
+ </p>
+ <p>
+ I nodded.
+ </p>
+ <p>
+ &ldquo;This is what I want to ask you: Did you, or did you not, see that
+ shadow?&rdquo;
+ </p>
+ <p>
+ I stared him hard in the face.
+ </p>
+ <p>
+ &ldquo;I remember the episode to which you refer,&rdquo; I replied. &ldquo;I certainly saw a
+ shadow.&rdquo;
+ </p>
+ <p>
+ &ldquo;But what sort of shadow?&rdquo;
+ </p>
+ <p>
+ &ldquo;To me it seemed an indefinite, shapeless thing, as though caused by
+ someone moving behind the curtain.&rdquo;
+ </p>
+ <p>
+ &ldquo;It didn't look to you like&mdash;the shadow of a hand?&rdquo;
+ </p>
+ <p>
+ &ldquo;It might have been, but I could not be positive.&rdquo;
+ </p>
+ <p>
+ Adderley groaned.
+ </p>
+ <p>
+ &ldquo;Knox,&rdquo; he said, &ldquo;money is a curse. It has been a curse to me. If I have
+ had my fun, God knows I have paid for it.&rdquo;
+ </p>
+ <p>
+ &ldquo;Your idea of fun is probably a peculiar one,&rdquo; I said dryly.
+ </p>
+ <p>
+ Let me confess that I was only suffering the man's society because of an
+ intense curiosity which now possessed me on learning that the lady of
+ Katong was still in Adderley's company.
+ </p>
+ <p>
+ Whether my repugnance for his society would have enabled me to remain any
+ longer I cannot say. But as if Fate had deliberately planned that I should
+ become a witness of the concluding phases of this secret drama, we were
+ now interrupted a second time, and again in a dramatic fashion.
+ </p>
+ <p>
+ Adderley's nondescript valet came in with letters and a rather large brown
+ paper parcel sealed and fastened with great care.
+ </p>
+ <p>
+ As the man went out:
+ </p>
+ <p>
+ &ldquo;Surely that is from Singapore,&rdquo; muttered Adderley, taking up the parcel.
+ </p>
+ <p>
+ He seemed to become temporarily oblivious of my presence, and his face
+ grew even more haggard as he studied the writing upon the wrapper. With
+ unsteady fingers he untied it, and I lingered, watching curiously.
+ Presently out from the wrappings he took a very beautiful casket of ebony
+ and ivory, cunningly carved and standing upon four claw-like ivory legs.
+ </p>
+ <p>
+ &ldquo;What the devil's this?&rdquo; he muttered.
+ </p>
+ <p>
+ He opened the box, which was lined with sandal-wood, and thereupon started
+ back with a great cry, recoiling from the casket as though it had
+ contained an adder. My former sentiments forgotten, I stepped forward and
+ peered into the interior. Then I, in turn, recoiled.
+ </p>
+ <p>
+ In the box lay a shrivelled yellow hand&mdash;with long tapering and
+ well-manicured nails&mdash;neatly severed at the wrist!
+ </p>
+ <p>
+ The nail of the index finger was enclosed in a tiny, delicately fashioned
+ case of gold, upon which were engraved a number of Chinese characters.
+ </p>
+ <p>
+ Adderley sank down again upon the settee.
+ </p>
+ <p>
+ &ldquo;My God!&rdquo; he whispered, &ldquo;his hand! His hand! He has sent me his hand!&rdquo;
+ </p>
+ <p>
+ He began laughing. Whereupon, since I could see that the man was
+ practically hysterical because of his mysterious fears:
+ </p>
+ <p>
+ &ldquo;Stop that,&rdquo; I said sharply. &ldquo;Pull yourself together, Adderley. What the
+ deuce is the matter with you?&rdquo;
+ </p>
+ <p>
+ &ldquo;Take it away!&rdquo; he moaned, &ldquo;take it away. Take the accursed thing away!&rdquo;
+ </p>
+ <p>
+ &ldquo;I admit it is an unpleasant gift to send to anybody,&rdquo; I said, &ldquo;but
+ probably you know more about it than I do.&rdquo;
+ </p>
+ <p>
+ &ldquo;Take it away,&rdquo; he repeated. &ldquo;Take it away, for God's sake, take it away,
+ Knox!&rdquo;
+ </p>
+ <p>
+ He was quite beyond reason, and therefore:
+ </p>
+ <p>
+ &ldquo;Very well,&rdquo; I said, and wrapped the casket in the brown paper in which it
+ had come. &ldquo;What do you want me to do with it?&rdquo;
+ </p>
+ <p>
+ &ldquo;Throw it in the river,&rdquo; he answered. &ldquo;Burn it. Do anything you like with
+ it, but take it out of my sight!&rdquo;
+ </p>
+ <p>
+ <a name="link2H_4_0051" id="link2H_4_0051">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ III
+ </h2>
+ <h3>
+ THE GOLD-CASED NAIL
+ </h3>
+ <p>
+ As I descended to the street the liftman regarded me in a curious and
+ rather significant way. Finally, just as I was about to step out into the
+ hall:
+ </p>
+ <p>
+ &ldquo;Excuse me, sir,&rdquo; he said, having evidently decided that I was a fit
+ person to converse with, &ldquo;but are you a friend of Mr. Adderley's?&rdquo;
+ </p>
+ <p>
+ &ldquo;Why do you ask?&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, sir, I hope you will excuse me, but at times I have thought the
+ gentleman was just a little bit queer, like.&rdquo;
+ </p>
+ <p>
+ &ldquo;You mean insane?&rdquo; I asked sharply.
+ </p>
+ <p>
+ &ldquo;Well, sir, I don't know, but he is always asking me if I can see shadows
+ and things in the lift, and sometimes when he comes in late of a night he
+ absolutely gives me the cold shivers, he does.&rdquo;
+ </p>
+ <p>
+ I lingered, the box under my arm, reluctant to obtain confidences from a
+ servant, but at the same time keenly interested. Thus encouraged:
+ </p>
+ <p>
+ &ldquo;Then there's that lady friend of his who is always coming here,&rdquo; the man
+ continued. &ldquo;She's haunted by shadows, too.&rdquo; He paused, watching me
+ narrowly.
+ </p>
+ <p>
+ &ldquo;There's nothing better in this world than a clean conscience, sir,&rdquo; he
+ concluded.
+ </p>
+ <hr />
+ <p>
+ Having returned to my room at the hotel, I set down the mysterious parcel,
+ surveying it with much disfavour. That it contained the hand of the
+ Mandarin Quong I could not doubt, the hand which had been amputated by Dr.
+ Matheson. Its appearance in that dramatic fashion confirmed Matheson's
+ idea that the mandarin's injury had been received at the hands of
+ Adderley. What did all this portend, unless that the Mandarin Quong was
+ dead? And if he were dead why was Adderley more afraid of him dead than he
+ had been of him living?
+ </p>
+ <p>
+ I thought of the haunting shadow, I thought of the night at Katong, and I
+ thought of Dr. Matheson's words when he had told us of his discovery of
+ the Chinaman lying in the road that night outside Singapore.
+ </p>
+ <p>
+ I felt strangely disinclined to touch the relic, and it was only after
+ some moments' hesitation that I undid the wrappings and raised the lid of
+ the casket. Dusk was very near and I had not yet lighted the lamps;
+ therefore at first I doubted the evidence of my senses. But having lighted
+ up and peered long and anxiously into the sandal-wood lining of the casket
+ I could doubt no longer.
+ </p>
+ <p>
+ The casket was empty!
+ </p>
+ <p>
+ It was like a conjuring trick. That the hand had been in the box when I
+ had taken it up from Adderley's table I could have sworn before any jury.
+ When and by whom it had been removed was a puzzle beyond my powers of
+ unravelling. I stepped toward the telephone&mdash;and then remembered that
+ Paul Harley was out of London. Vaguely wondering if Adderley had played me
+ a particularly gruesome practical joke, I put the box on a sideboard and
+ again contemplated the telephone doubtfully far a moment. It was in my
+ mind to ring him up. Finally, taking all things into consideration, I
+ determined that I would have nothing further to do with the man's
+ unsavoury and mysterious affairs.
+ </p>
+ <p>
+ It was in vain, however, that I endeavoured to dismiss the matter from my
+ mind; and throughout the evening, which I spent at a theatre with some
+ American friends, I found myself constantly thinking of Adderley and the
+ ivory casket, of the mandarin of Johore Bahru, and of the mystery of the
+ shrivelled yellow hand.
+ </p>
+ <p>
+ I had been back in my room about half an hour, I suppose, and it was long
+ past midnight, when I was startled by a ringing of my telephone bell. I
+ took up the receiver, and:
+ </p>
+ <p>
+ &ldquo;Knox! Knox!&rdquo; came a choking cry.
+ </p>
+ <p>
+ &ldquo;Yes, who is speaking?&rdquo;
+ </p>
+ <p>
+ &ldquo;It is I, Adderley. For God's sake come round to my place at once!&rdquo;
+ </p>
+ <p>
+ His words were scarcely intelligible. Undoubtedly he was in the grip of
+ intense emotion.
+ </p>
+ <p>
+ &ldquo;What do you mean? What is the matter?&rdquo;
+ </p>
+ <p>
+ &ldquo;It is here, Knox, it is here! It is knocking on the door! Knocking!
+ Knocking!&rdquo;
+ </p>
+ <p>
+ &ldquo;You have been drinking,&rdquo; I said sternly. &ldquo;Where is your man?&rdquo;
+ </p>
+ <p>
+ &ldquo;The cur has bolted. He bolted the moment he heard that damned knocking. I
+ am all alone; I have no one else to appeal to.&rdquo; There came a choking
+ sound, then: &ldquo;My God, Knox, it is getting in! I can see... the shadow on
+ the blind...&rdquo;
+ </p>
+ <p>
+ Convinced that Adderley's secret fears had driven him mad, I nevertheless
+ felt called upon to attend to his urgent call, and without a moment's
+ delay I hurried around to St. James's Street. The liftman was not on duty,
+ the lower hall was in darkness, but I raced up the stairs and found to my
+ astonishment that Adderley's door was wide open.
+ </p>
+ <p>
+ &ldquo;Adderley!&rdquo; I cried. &ldquo;Adderley!&rdquo;
+ </p>
+ <p>
+ There was no reply, and without further ceremony I entered and searched
+ the chambers. They were empty. Deeply mystified, I was about to go out
+ again when there came a ring at the door-bell. I walked to the door and a
+ policeman was standing upon the landing.
+ </p>
+ <p>
+ &ldquo;Good evening, sir,&rdquo; he said, and then paused, staring at me curiously.
+ </p>
+ <p>
+ &ldquo;Good evening, constable,&rdquo; I replied.
+ </p>
+ <p>
+ &ldquo;You are not the gentleman who ran out awhile ago,&rdquo; he said, a note of
+ suspicion coming into his voice.
+ </p>
+ <p>
+ I handed him my card and explained what had occurred, then:
+ </p>
+ <p>
+ &ldquo;It must have been Mr. Adderley I saw,&rdquo; muttered the constable.
+ </p>
+ <p>
+ &ldquo;You saw&mdash;when?&rdquo;
+ </p>
+ <p>
+ &ldquo;Just before you arrived, sir. He came racing out into St. James's Street
+ and dashed off like a madman.&rdquo;
+ </p>
+ <p>
+ &ldquo;In which direction was he going?&rdquo;
+ </p>
+ <p>
+ &ldquo;Toward Pall Mall.&rdquo;
+ </p>
+ <hr />
+ <p>
+ The neighbourhood was practically deserted at that hour. But from the
+ guard on duty before the palace we obtained our first evidence of
+ Adderley's movements. He had raced by some five minutes before,
+ frantically looking back over his shoulder and behaving like a man flying
+ for his life. No one else had seen him. No one else ever did see him
+ alive. At two o'clock there was no news, but I had informed Scotland Yard
+ and official inquiries had been set afoot.
+ </p>
+ <p>
+ Nothing further came to light that night, but as all readers of the daily
+ press will remember, Adderley's body was taken out of the pond in St.
+ James's Park on the following day. Death was due to drowning, but his
+ throat was greatly discoloured as though it had been clutched in a fierce
+ grip.
+ </p>
+ <p>
+ It was I who identified the body, and as many people will know, in spite
+ of the closest inquiries, the mystery of Adderley's death has not been
+ properly cleared up to this day. The identity of the lady who visited him
+ at his chambers was never discovered. She completely disappeared.
+ </p>
+ <p>
+ The ebony and ivory casket lies on my table at this present moment,
+ visible evidence of an invisible menace from which Adderley had fled
+ around the world.
+ </p>
+ <p>
+ Doubtless the truth will never be known now. A significant discovery,
+ however, was made some days after the recovery of Adderley's body.
+ </p>
+ <p>
+ From the bottom of the pond in St. James's Park a patient Scotland Yard
+ official brought up the gold nail-case with its mysterious engravings&mdash;and
+ it contained, torn at the root, the incredibly long finger-nail of the
+ Mandarin Quong!
+ </p>
+ <p>
+ <a name="link2H_4_0052" id="link2H_4_0052">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ THE KEY OF THE TEMPLE OF HEAVEN
+ </h2>
+ <p>
+ <a name="link2H_4_0053" id="link2H_4_0053">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ I
+ </h2>
+ <h3>
+ THE KEEPER OF THE KEY
+ </h3>
+ <p>
+ The note of a silver bell quivered musically through the scented air of
+ the ante-room. Madame de Medici stirred slightly upon the divan with its
+ many silken cushions, turning her head toward the closed door with the
+ languorous, almost insolent, indifference which one perceives in the
+ movements of a tigress. Below, in the lobby, where the pillars of Mokattam
+ alabaster upheld the painted roof, the little yellow man from Pekin
+ shivered slightly, although the air was warm for Limehouse, and always
+ turned his mysterious eyes toward a corner of the great staircase which
+ was visible from where he sat, coiled up, a lonely figure in the
+ mushrabiyeh chair. Madame blew a wreath of smoke from her lips, and,
+ through half-closed eyes, watched it ascend, unbroken, toward the canopy
+ of cloth-of-gold which masked the ceiling. A Madonna by Leonardo da Vinci
+ faced her across the apartment, the painted figure seeming to watch the
+ living one upon the divan. Madame smiled into the eyes of the Madonna.
+ Surely even the great Leonardo must have failed to reproduce that smile&mdash;the
+ great Leonardo whose supreme art has captured the smile of Mona Lisa.
+ Madame had the smile of Cleopatra, which, it is said, made Caesar mad,
+ though in repose the beauty of Egypt's queen left him cold. A robe of
+ Kashmiri silk, fine with a phantom fineness, draped her exquisite shape as
+ the art of Cellini draped the classic figures which he wrought in gold and
+ silver; it seemed incorporate with her beauty.
+ </p>
+ <p>
+ A second wreath of smoke curled upward to the canopy, and Madame watched
+ this one also through the veil of her curved black lashes, as the Eastern
+ woman watches the world through her veil. Those eyes were notable even in
+ so lovely a setting, for they were of a hue rarely seen in human eyes,
+ being like the eyes of a tigress; yet they could seem voluptuously soft,
+ twin pools of liquid amber, in whose depths a man might lose his soul.
+ </p>
+ <p>
+ Again the silver bell sounded in the ante-room, and, below, the little
+ yellow man shivered sympathetically. Again Madame stirred with that high
+ disdain that so became her, who had the eyes of a tigress. Her carmine
+ lips possessed the antique curve which we are told distinguished the lips
+ of the Comtesse de Cagliostro; her cheeks had the freshness of flowers,
+ and her hair the blackness of ebony, enhancing the miracle of her skin,
+ which had the whiteness of ivory&mdash;not of African ivory, but of that
+ fossil ivory which has lain for untold ages beneath the snows of Siberia.
+ </p>
+ <p>
+ She dropped the cigarette from her tapered fingers into a little silver
+ bowl upon a table at her side, then lightly touched the bell which stood
+ there also. Its soft note answered to the bell in the ante-room; a
+ white-robed Chinese servant silently descended the great staircase, his
+ soft red slippers sinking into the rich pile of the carpet; and the little
+ yellow man from the great temple in Pekin followed him back up the
+ stairway and was ushered into the presence of Madame de Medici.
+ </p>
+ <p>
+ The servant closed the door silently and the little yellow man, fixing his
+ eyes upon the beautiful woman before him, fell upon his knees and bowed
+ his forehead to the carpet.
+ </p>
+ <p>
+ Madame's lovely lips curved again in the disdainful smile, and she
+ extended one bare ivory arm toward the visitor who knelt as a suppliant at
+ her feet.
+ </p>
+ <p>
+ &ldquo;Rise, my friend!&rdquo; she said, in purest Chinese, which fell from her lips
+ with the music of a crystal spring. &ldquo;How may I serve you?&rdquo;
+ </p>
+ <p>
+ The yellow man rose and advanced a step nearer to the divan, but the
+ strange beauty of Madame had spoken straight to his Eastern heart, had
+ awakened his soul to a new life. His glance travelled over the vision
+ before him, from the little Persian slipper that peeped below the drapery
+ of Kashmir silk to the small classic head with its crown of ebon locks;
+ yet he dared not meet the glance of the amber eyes.
+ </p>
+ <p>
+ &ldquo;Sit here beside me,&rdquo; directed Madame, and she slightly changed her
+ position with that languorous and lithe grace suggestive of a creature of
+ the jungle.
+ </p>
+ <p>
+ Breathing rapidly betwixt the importance of his mission and a new,
+ intoxicating emotion which had come upon him at the moment of entering the
+ perfumed room, the yellow man obeyed, but always with glance averted from
+ the taunting face of Madame. A golden incense-burner stood upon the floor,
+ over between the high, draped windows, and a faint pencil from its dying
+ fires stole grayly upward. Upon the scented smoke the Buddhist priest
+ fixed his eyes, and began, with a rapidity that grew as he proceeded, to
+ pour out his tale. Seated beside him, one round arm resting upon the
+ cushions so as almost to touch him, Madame listened, watching the averted
+ yellow face, and always smiling&mdash;smiling.
+ </p>
+ <p>
+ The tale was done at last; the incense-burner was cold, and breathlessly
+ the Buddhist clutched his knees with lean, clawish fingers and swayed to
+ and fro, striving to conquer the emotions that whirled and fought within
+ him. Selecting another cigarette from the box beside her, and lighting it
+ deliberately, Madame de Medici spoke.
+ </p>
+ <p>
+ &ldquo;My friend of old,&rdquo; she said, and of the language of China she made
+ strange music, &ldquo;you come to me from your home in the secret city, because
+ you know that I can serve you. It is enough.&rdquo;
+ </p>
+ <p>
+ She touched the bell upon the table, and the white-robed servant
+ reentered, and, bowing low, held open the door. The little yellow man,
+ first kneeling upon the carpet before the divan as before an altar,
+ hurried from the apartment. As the door was reclosed, and Madame found
+ herself alone again, she laughed lightly, as Calypso laughed when Ulysses'
+ ship appeared off the shores of her isle.
+ </p>
+ <p>
+ God fashions few such women. It is well.
+ </p>
+ <p>
+ <a name="link2H_4_0054" id="link2H_4_0054">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ II
+ </h2>
+ <h3>
+ THE TIGER LADY
+ </h3>
+ <p>
+ &ldquo;By heavens, Annesley!&rdquo; whispered Rene Deacon, &ldquo;what eyes that woman has!&rdquo;
+ His companion, following the direction of Deacon's glance, nodded rather
+ grimly.
+ </p>
+ <p>
+ &ldquo;The eyes of a Circe, or at times the eyes of a tigress.&rdquo;
+ </p>
+ <p>
+ &ldquo;She is magnificent!&rdquo; murmured Deacon rapturously. &ldquo;I have never seen so
+ beautiful a woman.&rdquo;
+ </p>
+ <p>
+ His glance followed the tall figure as it passed into a smaller salon on
+ the left; nor was he alone in his regard. Fashionable society was well
+ represented in the gallery&mdash;where a collection of pictures by a
+ celebrated artist was being shown; and prior to the entrance of the lady
+ in the strangely fashioned tiger-skin cloak, the somewhat extraordinary
+ works of art had engaged the interest even of the most fickle, but, from
+ the moment the tiger-lady made her appearance, even the most daring
+ canvases were forgotten.
+ </p>
+ <p>
+ &ldquo;She wears tiger-skin shoes!&rdquo; whispered one.
+ </p>
+ <p>
+ &ldquo;She is like a design for a poster!&rdquo; laughed another.
+ </p>
+ <p>
+ &ldquo;I have never seen anything so flashy in my life,&rdquo; was the acrid comment
+ of a third.
+ </p>
+ <p>
+ &ldquo;What a dazzlingly beautiful woman!&rdquo; remarked another&mdash;this one a
+ man. While:
+ </p>
+ <p>
+ &ldquo;Who is she?&rdquo; arose upon all sides.
+ </p>
+ <p>
+ Judging from the isolation of the barbaric figure, it would seem that
+ society did not know the tiger-lady, but Deacon, seizing his companion by
+ the arm and almost dragging him into the small salon which the lady had
+ entered, turned in the doorway and looked into Annesley's eyes. Annesley
+ palpably sought to evade the glance.
+ </p>
+ <p>
+ &ldquo;You know everybody,&rdquo; whispered Deacon. &ldquo;You must be acquainted with her.&rdquo;
+ </p>
+ <p>
+ A great number of people were now thronging into the room, not so much
+ because of the pictures it contained, but rather out of curiosity
+ respecting the beautiful unknown. Annesley tried to withdraw; his
+ uneasiness grew momentarily greater.
+ </p>
+ <p>
+ &ldquo;I scarcely know her well enough,&rdquo; he protested, &ldquo;to present you. Moreover&mdash;&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;But she's smiling at you!&rdquo; interrupted Deacon eagerly.
+ </p>
+ <p>
+ His handsome but rather weak face was flushed; he was, as an old clubman
+ had recently said of him, &ldquo;so very young.&rdquo; He lacked the restraint usual
+ in cultured Englishmen, and had the frankly passionate manner which one
+ associates with the South. His uncle, Colonel Deacon, a mordant wit, would
+ say apologetically:
+ </p>
+ <p>
+ &ldquo;Reggie&rdquo; (Deacon's father) &ldquo;married a Gascon woman. She was delightfully
+ pretty. Poor Reggie!&rdquo;
+ </p>
+ <p>
+ Certainly Rene was impetuous to an embarrassing degree, nor lightly to be
+ thwarted. Boldly meeting the glance of the woman of the amber eyes, he
+ pushed Annesley forward, not troubling to disguise his anxiety to be
+ presented to the tiger-lady. She turned her head languidly, with that
+ wild-animal grace of hers, and unsmiling now, regarded Annesley.
+ </p>
+ <p>
+ &ldquo;So you forget me so soon, Mr. Annesley,&rdquo; she murmured, &ldquo;or is it that you
+ play the good shepherd?&rdquo;
+ </p>
+ <p>
+ &ldquo;My dear Madame,&rdquo; said Annesley, recovering with an effort his wonted
+ sang-froid, &ldquo;I was merely endeavouring to calm the rhapsodies of my
+ friend, who seemed disposed to throw himself at your feet in knight-errant
+ fashion.&rdquo;
+ </p>
+ <p>
+ &ldquo;He is a very handsome boy,&rdquo; murmured Madame; and as the great eyes were
+ turned upon Deacon the carmine lips curved again in the Cleopatrian smile.
+ </p>
+ <p>
+ She was indeed wonderful, for while she spoke as the woman of the world to
+ the boy, there was nothing maternal in her patronage, and her eyes were
+ twin flambeaux, luring&mdash;luring, and her sweet voice was a siren's
+ song.
+ </p>
+ <p>
+ &ldquo;May I beg leave to present my friend, Mr. Rene Deacon, Madame de Medici?&rdquo;
+ said Annesley; and as the two exchanged glances&mdash;the boy's a glance
+ of undisguised passionate admiration, the woman's a glance unfathomable&mdash;he
+ slightly shrugged his shoulders and stood aside.
+ </p>
+ <p>
+ There were others in the salon, who, perceiving that the unknown beauty
+ was acquainted with Annesley, began to move from canvas to canvas toward
+ that end of the room where the trio stood. But Madame did not appear
+ anxious to make new acquaintances.
+ </p>
+ <p>
+ &ldquo;I have seen quite enough of this very entertaining exhibition,&rdquo; she said
+ languidly, toying with a great unset emerald which swung by a thin gold
+ chain about her neck. &ldquo;Might I entreat you to take pity upon a very lonely
+ woman and return with me to tea?&rdquo;
+ </p>
+ <p>
+ Annesley seemed on the point of refusing, when:
+ </p>
+ <p>
+ &ldquo;I have acquired a reputed Leonardo,&rdquo; continued Madame, &ldquo;and I wish you to
+ see it.&rdquo;
+ </p>
+ <p>
+ There was something so like a command in the words that Deacon stared at
+ his companion in frank surprise. The latter avoided his glance, and:
+ </p>
+ <p>
+ &ldquo;Come!&rdquo; said Madame de Medici.
+ </p>
+ <p>
+ As of old the great Catherine of her name might have withdrawn with her
+ suite, so now the lady of the tiger skins withdrew from the gallery, the
+ two men following obediently, and one of them at least a happy courtier.
+ </p>
+ <p>
+ <a name="link2H_4_0055" id="link2H_4_0055">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ III
+ </h2>
+ <h3>
+ TWIN POOLS OF AMBER
+ </h3>
+ <p>
+ The white-robed Chinese servant entered and placed fresh perfume upon the
+ burning charcoal of the silver incense-burner. As the scented smoke began
+ to rise he withdrew, and a second servant entered, who facially, in dress,
+ in figure and bearing, was a duplicate of the first. This one carried a
+ large tray upon which was set an exquisite porcelain tea-service. He
+ placed the tray upon a low table beside the divan, and in turn withdrew.
+ </p>
+ <p>
+ Deacon, seated in a great ebony chair, smoked rapidly and nervously&mdash;looking
+ about the strangely appointed room with its huge picture of the Madonna,
+ its jade Buddha surmounting a gilded Burmese cabinet, its Persian canopy
+ and Egyptian divan, at the thousand and one costly curiosities which it
+ displayed, at this mingling of East and West, of Christianity and
+ paganism, with a growing wonder.
+ </p>
+ <p>
+ To one of his blood there was delight, intoxication, in that room; but
+ something of apprehension, too, now grew up within him.
+ </p>
+ <p>
+ Madame de Medici entered. The garish motor-coat was discarded now, and her
+ supple figure was seen to best advantage in one of those dark silken gowns
+ which she affected, and which had a seeming of the ultra-fashionable
+ because they defied fashion. She held in her hand an orchid, its structure
+ that of an odontoglossum, but of a delicate green colour heavily splashed
+ with scarlet&mdash;a weird and unnatural-looking bloom.
+ </p>
+ <p>
+ Just within the doorway she paused, as Deacon leaped up, and looked at him
+ through the veil of the curved lashes.
+ </p>
+ <p>
+ &ldquo;For you,&rdquo; she said, twirling the blossom between her fingers and gliding
+ toward him with her tigerish step.
+ </p>
+ <p>
+ He spoke no word, but, face flushed, sought to look into her eyes as she
+ pinned the orchid in the button-hole of his coat. Her hands were flawless
+ in shape and colouring, being beautiful as the sculptured hands preserved
+ in the works of Phidias.
+ </p>
+ <p>
+ The slight draught occasioned by the opening of the door caused the smoke
+ from the incense-burner to be wafted toward the centre of the room. Like a
+ blue-gray phantom it coiled about the two standing there upon a red and
+ gold Bedouin rug, and the heavy perfume, or the close proximity of this
+ singularly lovely woman, wrought upon the high-strung sensibilities of
+ Deacon to such an extent that he was conscious of a growing faintness.
+ </p>
+ <p>
+ &ldquo;Ah! You are not well!&rdquo; exclaimed Madame with deep concern. &ldquo;It is the
+ perfume which that foolish Ah Li has lighted. He forgets that we are in
+ England.&rdquo;
+ </p>
+ <p>
+ &ldquo;Not at all,&rdquo; protested Deacon faintly, and conscious that he was making a
+ fool of himself. &ldquo;I think I have perhaps been overdoing it rather of late.
+ Forgive me if I sit down.&rdquo;
+ </p>
+ <p>
+ He sank on the cushioned divan, his heart beating furiously, while Madame
+ touched the little bell, whereupon one of the servants entered.
+ </p>
+ <p>
+ She spoke in Chinese, pointing to the incense-burner.
+ </p>
+ <p>
+ Ah Li bowed and removed the censer. As the door softly reclosed:
+ </p>
+ <p>
+ &ldquo;You are better?&rdquo; she whispered, sweetly solicitous, and, seating herself
+ beside Deacon, she laid her hand lightly upon his arm.
+ </p>
+ <p>
+ &ldquo;Quite,&rdquo; he replied hoarsely; &ldquo;please do not worry about me. I am
+ wondering what has become of Annesley.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah, the poor man!&rdquo; exclaimed Madame, with a silver laugh, and began to
+ busy herself with the teacups. &ldquo;He remembered, as he was looking at my new
+ Leonardo, an appointment which he had quite forgotten.&rdquo;
+ </p>
+ <p>
+ &ldquo;I can understand his forgetting anything under the circumstances.&rdquo;
+ </p>
+ <p>
+ Madame de Medici raised a tiny cup and bent slightly toward him. He felt
+ that he was losing control of himself, and, averting his eyes, he stooped
+ and smelled the orchid in his buttonhole. Then, accepting the cup, he was
+ about to utter some light commonplace when the faintness returned
+ overwhelmingly, and, hurriedly replacing the cup upon the tray, he fell
+ back among the cushions. The stifling perfume of the place seemed to be
+ choking him.
+ </p>
+ <p>
+ &ldquo;Ah, poor boy! You are really not at all well. How sorry I am!&rdquo;
+ </p>
+ <p>
+ The sweet tones reached him as from a great distance; but as one dying in
+ the desert turns his face toward the distant oasis, Deacon turned weakly
+ to the speaker. She placed one fair arm behind his head, pillowing him,
+ and with a peacock fan which had lain amid the cushions fanned his face.
+ The strange scene became wholly unreal to him; he thought himself some
+ dying barbaric chief.
+ </p>
+ <p>
+ &ldquo;Rest there,&rdquo; murmured the sweet voice.
+ </p>
+ <p>
+ The great eyes, unveiled now by the black lashes, were two twin lakes of
+ fairest amber. They seemed to merge together, so that he stood upon the
+ brink of an unfathomable amber pool&mdash;which swallowed him up&mdash;which
+ swallowed him up.
+ </p>
+ <p>
+ He awoke to an instantaneous consciousness of the fact that he had been
+ guilty of inexcusably bad form. He could not account for his faintness,
+ and reclining there amid the silken cushions, with Madame de Medici
+ watching him anxiously, he felt a hot flush stealing over his face.
+ </p>
+ <p>
+ &ldquo;What is the matter with me!&rdquo; he exclaimed, and sprang to his feet. &ldquo;I
+ feel quite well now.&rdquo;
+ </p>
+ <p>
+ She watched him, smiling, but did not speak. He was a &ldquo;very young man&rdquo;
+ again, and badly embarrassed. He glanced at his wrist-watch.
+ </p>
+ <p>
+ &ldquo;Gracious heavens!&rdquo; he cried, and noted that the tea-tray had been
+ removed, &ldquo;there must be something radically wrong with my health. It is
+ nearly seven o'clock!&rdquo;
+ </p>
+ <p>
+ The note of the silver bell sounded in the ante-room.
+ </p>
+ <p>
+ &ldquo;Can you forgive me?&rdquo; he said.
+ </p>
+ <p>
+ But Madame, rising to her feet, leaned lightly upon his shoulder, toying
+ with the petals of the orchid in his buttonhole.
+ </p>
+ <p>
+ &ldquo;I think it was the perfume which that foolish Ah Li lighted,&rdquo; she
+ whispered, looking intently into his eyes, &ldquo;and it is you who have to
+ forgive me. But you will, I know!&rdquo; The silver bell rang again. &ldquo;When you
+ have come to see me again&mdash;many, many times, you will grow to love it&mdash;because
+ I love it.&rdquo;
+ </p>
+ <p>
+ She touched the bell upon the table, and Ah Li entered silently. When
+ Madame de Medici held out her hand to him Deacon raised the white fingers
+ to his lips and kissed them rapturously; then he turned, the Gascon within
+ him uppermost again, and ran from the room.
+ </p>
+ <p>
+ A purple curtain was drawn across the lobby, screening the caller newly
+ arrived from the one so hurriedly departing.
+ </p>
+ <p>
+ <a name="link2H_4_0056" id="link2H_4_0056">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ IV
+ </h2>
+ <h3>
+ THE LIVING BUDDHA
+ </h3>
+ <p>
+ It was past midnight when Colonel Deacon returned to the house. Rene was
+ waiting for him, pacing up and down the big library. Their relationship
+ was curious, as subsisting between ward and guardian, for these two,
+ despite the disparity of their ages, had few secrets from one another.
+ Rene burned to pour out his story of the wonderful Madame de Medici, of
+ the secret house in Chinatown with its deceptively mean exterior and its
+ gorgeous interior, to the shrewd and worldly elder man. That was his way.
+ But Fate had an oddly bitter moment in store for him.
+ </p>
+ <p>
+ &ldquo;Hallo, boy!&rdquo; cried the Colonel, looking into the library; &ldquo;glad you're
+ home. I might not see you in the morning, and I want to tell you about&mdash;er&mdash;a
+ lady who will be coming here in the afternoon.&rdquo;
+ </p>
+ <p>
+ The words died upon Rene's lips unspoken, and he stared blankly at the
+ Colonel.
+ </p>
+ <p>
+ &ldquo;I thought I knew all there was to know about pictures, antiques, and all
+ that sort of lumber,&rdquo; continued Colonel Deacon in his rapid and off-hand
+ manner. &ldquo;Thought there weren't many men in London could teach me anything;
+ certainly never suspected a woman could. But I've met one, boy! Gad! What
+ a splendid creature! You know there isn't much in the world I haven't seen&mdash;north,
+ south, east and west. I know all the advertised beauties of Europe and
+ Asia&mdash;stage, opera, and ballet, and all the rest of them. But this
+ one&mdash;Gad!&rdquo;
+ </p>
+ <p>
+ He dropped into an arm-chair, clapping both his hands upon his knees. Rene
+ stood at the farther end of the library, in the shadow, watching him.
+ </p>
+ <p>
+ &ldquo;She's coming here to-morrow, boy&mdash;coming here. Gad! you dog! You'll
+ fall in love with her the moment you see her&mdash;sure to, sure to! I
+ did, and I'm three times your age!&rdquo;
+ </p>
+ <p>
+ &ldquo;Who is this lady, sir?&rdquo; asked Rene, very quietly.
+ </p>
+ <p>
+ &ldquo;God knows, boy! Everybody's mad to meet her, but nobody knows who she is.
+ But wait till you see her. Lady Dascot seems to be acquainted with her,
+ but you will see when they come to-morrow&mdash;see for yourself. Gad,
+ boy!... what did you say?&rdquo;
+ </p>
+ <p>
+ &ldquo;I did not speak.&rdquo;
+ </p>
+ <p>
+ &ldquo;Thought you did. Have a whisky-and-soda?&rdquo;
+ </p>
+ <p>
+ &ldquo;No, thank you, sir&mdash;good night.&rdquo;
+ </p>
+ <p>
+ &ldquo;Good night, boy!&rdquo; cried the Colonel. &ldquo;Good night. Don't forget to be in
+ to-morrow afternoon or you'll miss meeting the loveliest woman in London,
+ and the most brilliant.&rdquo;
+ </p>
+ <p>
+ &ldquo;What is her name?&rdquo;
+ </p>
+ <p>
+ &ldquo;Eh? She calls herself Madame de Medici. She's a mystery, but what a
+ splendid creature!&rdquo;
+ </p>
+ <p>
+ Rene Deacon walked slowly upstairs, entered his bedroom, and for fully an
+ hour sat in the darkness, thinking&mdash;thinking.
+ </p>
+ <p>
+ &ldquo;Am I going mad?&rdquo; he murmured. &ldquo;Or is this witch driving all London mad?&rdquo;
+ </p>
+ <p>
+ He strove to recover something of the glamour which had mastered him when
+ in the presence of Madame de Medici, but failed. Yet he knew that, once
+ near her again, it would all return. His reflections were bitter, and when
+ at last wearily he undressed and went to bed it was to toss restlessly far
+ into the small hours ere sleep came to soothe his troubled mind.
+ </p>
+ <p>
+ But his sleep was disturbed: a series of dreadfully realistic dreams
+ danced through his brain. First he seemed to be standing upon a high
+ mountain peak with eternal snows stretched all about him. He looked down,
+ past the snow line, past the fir woods, into the depths of a lovely lake,
+ far down in the valley below. It was a lake of liquid amber, and as he
+ looked it seemed to become two lakes, and they were like two great eyes
+ looking up at him and summoning him to leap. He thought that he leaped, a
+ prodigious leap, far out into space; then fell&mdash;fell&mdash;fell. When
+ he splashed into the amber deeps they became churned up in a milky foam,
+ and this closed about him with a strangle grip. But it was no longer foam,
+ but the clinging arms of Madame de Medici!...
+ </p>
+ <p>
+ Then he stood upon a fragile bridge of bamboo spanning a raging torrent.
+ Right and left of the torrent below were jungles in which moved tigerish
+ shapes. Upon the farther side of the bridge Madame de Medici, clad in a
+ single garment of flame-coloured silk, beckoned to him. He sought to cross
+ the bridge, but it collapsed, and he fell near the edge of the torrent.
+ Below were the raging waters, and ever nearing him the tigerish shapes,
+ which now Madame was calling to as to a pack of hounds. They were about to
+ devour him, when&mdash;&mdash;&mdash;
+ </p>
+ <p>
+ He was crouching upon a ledge, high above a street which seemed to be
+ vaguely familiar. He could not see very well, because of a silk mask tied
+ upon his face, and the eyeholes of which were badly cut. From the ledge he
+ stepped to another, perilously. He gained it, and crouching there, where
+ there was scarce foothold for a cat, he managed fully to raise a window
+ which already was raised some six inches. Then softly and silently&mdash;for
+ he was bare-footed&mdash;he entered the room.
+ </p>
+ <p>
+ Someone slept in a bed facing the window by which he had entered, and upon
+ a table at the side of the sleeper lay a purse, a bunch of keys, an
+ electric torch, and a Service revolver. Gliding to the table Rene took the
+ keys and the electric torch, unlocked the door of the room, and crept down
+ a thickly carpeted stair to a room below. The door of this also he opened
+ with one of the keys in the bunch, and by the light of the torch found his
+ way through a quantity of antique furniture and piled up curiosities to a
+ safe set in the farther wall.
+ </p>
+ <p>
+ He seemed, in his dream, to be familiar with the lock combination, and,
+ selecting the correct key from the bunch, he soon had the safe open. The
+ shelves within were laden principally with antique jewellery, statuettes,
+ medals, scarabs; and a number of little leather-covered boxes were there
+ also. One of these he abstracted, relocked the safe, and stepped out of
+ the room, locking the door behind him. Up the stairs he mounted to the
+ bedroom wherein he had left the sleeper. Having entered, he locked the
+ door from within, placed the keys and the torch upon the table, and crept
+ out again upon the dizzy ledge.
+ </p>
+ <p>
+ Poised there, high above the thoroughfare below, a great nausea attacked
+ him. Glancing to the right, in the direction of the window through which
+ he had come, he perceived Madame de Medici leaning out and beckoning to
+ him. Her arm gleamed whitely in the faint light. A new courage came to
+ him. He succeeded, crouched there upon the narrow ledge, in relowering the
+ window, and leaving it in the state in which he had found it, he stood up
+ and essayed that sickly stride to the adjoining ledge. He accomplished it,
+ knelt, and crept back into the room from which he had started....
+ </p>
+ <p>
+ The head of an ivory image of Buddha loomed up out of the utter darkness,
+ growing and growing until it seemed like a great mountain. He could not
+ believe that there was so much ivory in the world, and he felt it with his
+ fingers, wonderingly. As he did so it began to shrink, and shrink, and
+ shrink, and shrink, until it was no larger than a seated human figure.
+ Then beneath his trembling hands it became animate; it moved, extended
+ ivory arms, and wrapped them about his neck. Its lips became carmine&mdash;perfumed;
+ they bent to him... and he was looking into the bewitching face of Madame
+ de Medici!
+ </p>
+ <p>
+ He awoke, gasping for air and bathed in cold perspiration. The dawn was
+ just breaking over London and stealing grayly from object to object in his
+ bedroom.
+ </p>
+ <p>
+ <a name="link2H_4_0057" id="link2H_4_0057">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ V
+ </h2>
+ <h3>
+ THE IVORY GOD
+ </h3>
+ <p>
+ The great car, with its fittings of gold and ivory, drew up at the door of
+ Colonel Deacon's house. The interior was ablaze with tiger lilies, and out
+ from their midst stepped the fairest of them all&mdash;Madame de Medici,
+ and swept queenly up the steps upon the arm of the cavalierly soldier.
+ </p>
+ <p>
+ All connoisseurs esteemed it a privilege to view the Deacon collection,
+ and this afternoon there was a goodly gathering. Chairs and little white
+ tables were dotted about the lawn in shady spots, and the majority of the
+ company were already assembled; but when, in a wonderful golden robe,
+ Madame de Medici glided across the lawn, the babel ceased abruptly as if
+ by magic. She pulled off one glove and began twirling a great emerald
+ between her slim fingers. It was suspended from a thin gold chain.
+ Presently, descrying Annesley seated at a table with Lady Dascot, she
+ raised the jewel languidly and peered through it at the two.
+ </p>
+ <p>
+ &ldquo;Why!&rdquo; exclaimed Rene Deacon, who stood close beside her, &ldquo;that was a
+ trick of Nero's!&rdquo;
+ </p>
+ <p>
+ Madame laughed musically.
+ </p>
+ <p>
+ &ldquo;One might take a worse model,&rdquo; she said softly; &ldquo;at least he enjoyed
+ life.&rdquo;
+ </p>
+ <p>
+ Colonel Deacon, who listened to her every word as to the utterance of a
+ Cumaean oracle, laughed with extraordinary approbation.
+ </p>
+ <p>
+ There was scarce a woman present who regarded Madame with a friendly eye,
+ nor a man who did not aspire to become her devoted slave. She brought an
+ atmosphere of unreality with her, dominating old and young alike by virtue
+ of her splendid pagan beauty. The lawn, with its very modern appointments,
+ became as some garden of the Golden House, a pleasure ground of an
+ emperor.
+ </p>
+ <p>
+ But later, when the company entered the house, and Colonel Deacon sought
+ to monopolize the society of Madame, an unhealthy spirit of jealousy arose
+ between Rene and his guardian. It was strange, grotesque, horrible almost.
+ Annesley watched from afar, and there was something very like anger in his
+ glance.
+ </p>
+ <p>
+ &ldquo;And this,&rdquo; said the Colonel presently, taking up an exquisitely carved
+ ivory Buddha, &ldquo;has a strange history. In some way a legend has grown up
+ around it&mdash;it is of very great age&mdash;to the effect that it must
+ always cause its owner to lose his most cherished possession.&rdquo;
+ </p>
+ <p>
+ &ldquo;I wonder,&rdquo; said the silvern voice, &ldquo;that you, who possess so many
+ beautiful things, should consent to have so ill-omened a curiosity in your
+ house.&rdquo;
+ </p>
+ <p>
+ &ldquo;I do not fear the evil charm of this little ivory image,&rdquo; said Colonel
+ Deacon, &ldquo;although its history goes far to bear out the truth of the
+ legend. Its last possessor lost his most cherished possession a month
+ after the Buddha came into his hands. He fell down his own stairs&mdash;and
+ lost his life!&rdquo;
+ </p>
+ <p>
+ Madame de Medici languidly surveyed the figure through the upraised
+ emerald.
+ </p>
+ <p>
+ &ldquo;Really!&rdquo; she murmured. &ldquo;And the one from whom he procured it?&rdquo;
+ </p>
+ <p>
+ &ldquo;A Hindu usurer of Simla,&rdquo; replied the Colonel. &ldquo;His daughter stole it
+ from her father together with many other things, and took them to her
+ lover, with whom she fled!&rdquo;
+ </p>
+ <p>
+ Madame de Medici seemed to be slightly interested.
+ </p>
+ <p>
+ &ldquo;I should love to possess so weird a thing,&rdquo; she said softly.
+ </p>
+ <p>
+ &ldquo;It is yours!&rdquo; exclaimed the Colonel, and placed it in her hands.
+ </p>
+ <p>
+ &ldquo;Oh, but really,&rdquo; she protested.
+ </p>
+ <p>
+ &ldquo;But really I insist&mdash;in order that you may not forget your first
+ visit to my house!&rdquo;
+ </p>
+ <p>
+ She shrugged her shoulders.
+ </p>
+ <p>
+ &ldquo;How very kind you are, Colonel Deacon,&rdquo; she said, &ldquo;to a rival collector!&rdquo;
+ </p>
+ <p>
+ &ldquo;Now that the menace is removed,&rdquo; said Colonel Deacon with laboured
+ humour, &ldquo;I will show you my most treasured possession.&rdquo;
+ </p>
+ <p>
+ &ldquo;So! I am greatly interested.&rdquo;
+ </p>
+ <p>
+ &ldquo;Not even this rascal Rene,&rdquo; said the Colonel, stopping before a safe set
+ in the wall, &ldquo;has seen what I am about to show you!&rdquo;
+ </p>
+ <p>
+ Rene started slightly and watched with intense interest the unlocking of
+ the safe.
+ </p>
+ <p>
+ &ldquo;If I am not superstitious about the ivory Buddha,&rdquo; continued the Colonel,
+ &ldquo;I must plead guilty in the case of the Key of the Temple of Heaven!&rdquo;
+ </p>
+ <p>
+ &ldquo;The Key of the Temple of Heaven!&rdquo; murmured a lady standing immediately
+ behind Madame de Medici. &ldquo;And what is the Key of the Temple of Heaven?&rdquo;
+ </p>
+ <p>
+ The Colonel, having unlocked the safe, straightened himself, and while
+ everyone was waiting to see what he had to show, began to speak again
+ pompously:
+ </p>
+ <p>
+ &ldquo;The Temple of Heaven stands in the outer or Chinese City of Pekin, and is
+ fabulously wealthy. No European, I can swear, had ever entered its secret
+ chambers until last year. One of its most famous treasures was this Key.
+ It was used only to open the special entrance reserved for the Emperor
+ when he came to worship after his succession to the throne&mdash;that was,
+ of course, before China became a Republic. The Key is studded almost all
+ over with precious stones. Last year a certain naval man&mdash;I'll not
+ mention his name&mdash;discovered the secret of its hiding-place. How he
+ came by that knowledge does not matter at present. One very dark night he
+ crept up to the temple. He found the Keeper of the Key&mdash;a Buddhist
+ priest&mdash;to be sleeping, and he succeeded, therefore, in gaining
+ access and becoming possessed of the Key.&rdquo;
+ </p>
+ <p>
+ A chorus of excited exclamations greeted this dramatic point of the story.
+ </p>
+ <p>
+ &ldquo;The object of this outrage,&rdquo; continued the Colonel, &ldquo;for an outrage I
+ cannot deny it to have been, was not a romantic one. The poor chap wanted
+ money, and he thought he could sell the Key to one of the native
+ jewellers. But he was mistaken. He got back safely, and secretly offered
+ it in various directions. No one would touch the thing; moreover, although
+ of great value, the stones were very far from flawless, and not really
+ worth the risks which he had run to secure them. Don't misunderstand me;
+ the Key would fetch a big sum, but not a fortune.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes?&rdquo; said Madame de Medici, smiling, for the Colonel paused.
+ </p>
+ <p>
+ &ldquo;He packed it up and addressed it to me, together with a letter. The price
+ that he asked was quite a moderate one, and when the Key arrived in
+ England I dispatched a check immediately. It never reached him.&rdquo;
+ </p>
+ <p>
+ &ldquo;Why?&rdquo; cried many whom this strange story had profoundly interested.
+ </p>
+ <p>
+ &ldquo;He was found dead at the back of the native cantonments, with a knife in
+ his heart!&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh!&rdquo; exclaimed Lady Dascot. &ldquo;How positively ghastly! I don't think I want
+ to see the dreadful thing!&rdquo;
+ </p>
+ <p>
+ &ldquo;Really!&rdquo; murmured Madame de Medici, turning languidly to the speaker. &ldquo;I
+ do.&rdquo;
+ </p>
+ <p>
+ The Colonel stooped and reached into the safe. Then he began to take out
+ object after object, box after box. Finally, he straightened himself
+ again, and all saw that his face was oddly blanched.
+ </p>
+ <p>
+ &ldquo;It's gone!&rdquo; he whispered hoarsely. &ldquo;The Key of the Temple of Heaven has
+ been stolen!&rdquo;
+ </p>
+ <p>
+ <a name="link2H_4_0058" id="link2H_4_0058">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ VI
+ </h2>
+ <h3>
+ MADAME SMILES
+ </h3>
+ <p>
+ Rene entered his bedroom, locked the door, and seated himself on the bed;
+ then he lowered his head into his hands and clutched at his hair
+ distractedly. Since, on his uncle's own showing, no one knew that the Key
+ of the Temple of Heaven had been in the safe, since, excepting himself
+ (Rene) and the Colonel, no one else knew the lock combination, how the Key
+ had been stolen was a mystery which defied conjecture. No one but the
+ Colonel had approached within several yards of the safe at the time it was
+ opened; so that clearly the theft had been committed prior to that time.
+ </p>
+ <p>
+ Now Rene sought to recall the details of a strange dream which he had
+ dreamed immediately before awakening on the previous night; but he sought
+ in vain. His memory could supply only blurred images. There had been a
+ safe in his dream, and he&mdash;was it he or another?&mdash;had unlocked
+ it. Also there had been an enormous ivory Buddha.... Yet, stay! it had not
+ been enormous; it had been...
+ </p>
+ <p>
+ He groaned at his own impotency to recall the circumstances of that
+ mysterious, perhaps prophetic dream; then in despair he gave it up, and
+ stooping to a little secretaire, unlocked it with the idea of sending a
+ note round to Annesley's chambers. As he did so he uttered a loud cry.
+ </p>
+ <p>
+ Lying in one of the pigeon-holes was a long piece of black silk,
+ apparently torn from the lining of an opera hat. In it two holes were cut
+ as if it were intended to be used as a mask. Beside it lay a little
+ leather-covered box. He snatched it out and opened it. It was empty!
+ </p>
+ <p>
+ &ldquo;Am I going mad?&rdquo; he groaned. &ldquo;Or&mdash;&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;You are wanted on the 'phone, sir.&rdquo;
+ </p>
+ <p>
+ It was the butler who had interrupted him. Rene descended to the
+ telephone, dazedly, but, recognizing the voice of Annesley, roused
+ himself.
+ </p>
+ <p>
+ &ldquo;I'm leaving town to-night, Deacon,&rdquo; said Annesley, &ldquo;for&mdash;well, many
+ reasons. But before I go I must give you a warning, though I rely on you
+ never to mention my name in the matter. Avoid the woman who calls herself
+ Madame de Medici; she'll break you. She's an adventuress, and has a
+ dangerous acquaintance with Eastern cults, and... I can't explain
+ properly....&rdquo;
+ </p>
+ <p>
+ &ldquo;Annesley! the Key!&rdquo;
+ </p>
+ <p>
+ &ldquo;It's the theft of the Key that has prompted me to speak, Deacon. Madame
+ has some sort of power&mdash;hypnotic power. She employed it on me once,
+ to my cost! Paul Harley, of Chancery Lane, can tell you more about her.
+ The house she's living in temporarily used to belong to a notorious
+ Eurasian, Zani Chada. To make a clean breast of it I daren't thwart her
+ openly; but I felt it up to me to tell you that she possesses the secret
+ of post-hypnotic suggestion. I may be wrong, but I think you stole that
+ Key!&rdquo;
+ </p>
+ <p>
+ &ldquo;I!&rdquo;
+ </p>
+ <p>
+ &ldquo;She hypnotized you at some time, and, by means of this uncanny power of
+ hers, ordered you to steal the Key of the Temple of Heaven in such and
+ such a fashion at a certain hour in the night...&rdquo;
+ </p>
+ <p>
+ &ldquo;I had a strange seizure while I was at her house....&rdquo;
+ </p>
+ <p>
+ &ldquo;Exactly! During that time you were receiving your hypnotic orders. You
+ would remember nothing of them until the time to execute them&mdash;which
+ would probably be during sleep. In a state of artificial somnambulism, and
+ under the direction of Madame's will, you became a burglar!&rdquo;
+ </p>
+ <p>
+ As Madame de Medici's car drove off from the house of Colonel Deacon, and
+ Madame seated herself in the cushioned corner, up from amid the furs upon
+ the floor, where, dog-like, he had lain concealed, rose the little yellow
+ man from the Temple of Heaven. He extended eager hands toward her,
+ kneeling there, and spoke:
+ </p>
+ <p>
+ &ldquo;Quick! quick!&rdquo; he breathed. &ldquo;You have it? The Key of the Temple.&rdquo;
+ </p>
+ <p>
+ Madame held in her hand an ivory Buddha. Inverting it she unscrewed the
+ pedestal, and out from the hollow inside the image dropped a gleaming Key.
+ </p>
+ <p>
+ &ldquo;Ah!&rdquo; breathed the yellow man, and would have clutched it; but Madame
+ disdainfully raised her right hand which held the treasure, and with her
+ left hand thrust down the clutching yellow fingers.
+ </p>
+ <p>
+ She dropped the Key between her white skin and the bodice of her gown,
+ tossing the ivory figure contemptuously amid the fur.
+ </p>
+ <p>
+ &ldquo;Ah!&rdquo; repeated the yellow man in a different tone, and his eyes gleamed
+ with the flame of fanaticism. He slowly uprose, a sinister figure, and
+ with distended fingers prepared to seize Madame by the throat. His eyes
+ were bloodshot, his nostrils were dilated, and his teeth were exposed like
+ the fangs of a wolf.
+ </p>
+ <p>
+ But she pulled off her glove and stretched out her bare white hand to him
+ as a queen to a subject; she raised the long curved lashes, and the great
+ amber eyes looked into the angry bloodshot eyes.
+ </p>
+ <p>
+ The little yellow man began to breathe more and more rapidly; soon he was
+ panting like one in a fight to the death who is all but conquered. At last
+ he dropped on his knees amid the fur... and the curling lashes were
+ lowered again over the blazing amber eyes that had conquered.
+ </p>
+ <p>
+ Madame de Medici lowered her beautiful white hand, and the little yellow
+ man seized it in both his own and showered rapturous kisses upon it.
+ </p>
+ <p>
+ Madame smiled slightly.
+ </p>
+ <p>
+ &ldquo;Poor little yellow man!&rdquo; she murmured in sibilant Chinese, &ldquo;you shall
+ never return to the Temple of Heaven!&rdquo;
+ </p>
+ <p>
+ <br /><br /><br /><br />
+ </p>
+<pre xml:space="preserve">
+
+
+
+
+
+End of the Project Gutenberg EBook of Tales of Chinatown, by Sax Rohmer
+
+*** END OF THIS PROJECT GUTENBERG EBOOK TALES OF CHINATOWN ***
+
+***** This file should be named 5697-h.htm or 5697-h.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/5/6/9/5697/
+
+Produced by Alan Johns, and David Widger
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase &ldquo;Project
+Gutenberg&rdquo;), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. &ldquo;Project Gutenberg&rdquo; is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation (&ldquo;the Foundation&rdquo;
+ or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase &ldquo;Project Gutenberg&rdquo; appears, or with which the phrase &ldquo;Project
+Gutenberg&rdquo; is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase &ldquo;Project Gutenberg&rdquo; associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+&ldquo;Plain Vanilla ASCII&rdquo; or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original &ldquo;Plain Vanilla ASCII&rdquo; or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, &ldquo;Information about donations to
+ the Project Gutenberg Literary Archive Foundation.&rdquo;
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+&ldquo;Defects,&rdquo; such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the &ldquo;Right
+of Replacement or Refund&rdquo; described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+ </body>
+</html>
diff --git a/5697.txt b/5697.txt
new file mode 100644
index 0000000..504d240
--- /dev/null
+++ b/5697.txt
@@ -0,0 +1,10981 @@
+The Project Gutenberg EBook of Tales of Chinatown, by Sax Rohmer
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Tales of Chinatown
+
+Author: Sax Rohmer
+
+Release Date: May, 2004 [EBook #5697]
+Posting Date: June 11, 2009
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK TALES OF CHINATOWN ***
+
+
+
+
+Produced by Alan Johns
+
+
+
+
+
+TALES OF CHINATOWN
+
+By Sax Rohmer
+
+1916
+
+
+
+
+
+CONTENTS
+
+ THE DAUGHTER OF HUANG CHOW
+ KERRY'S KID
+ THE PIGTAIL OF HI WING HO
+ THE HOUSE OF GOLDEN JOSS
+ THE MAN WITH THE SHAVEN SKULL
+ THE WHITE HAT
+ TCHERIAPIN
+ THE DANCE OF THE VEILS
+ THE HAND OF THE MANDARIN QUONG
+ THE KEY OF THE TEMPLE OF HEAVEN
+
+
+
+
+
+THE DAUGHTER OF HUANG CHOW
+
+
+
+
+
+
+I
+
+"DIAMOND FRED"
+
+
+
+In the saloon bar of a public-house, situated only a few hundred yards
+from the official frontier of Chinatown, two men sat at a small table
+in a corner, engaged in earnest conversation. They afforded a sharp
+contrast. One was a thick-set and rather ruffianly looking fellow, not
+too cleanly in either person or clothing, and, amongst other evidences
+that at one time he had known the prize ring, possessing a badly broken
+nose. His companion was dressed with that spruceness which belongs to
+the successful East End Jew; he was cleanly shaven, of slight build, and
+alert in manner and address.
+
+Having ordered and paid for two whiskies and sodas, the Jew, raising
+his glass, nodded to his companion and took a drink. The glitter of
+a magnificent diamond which he wore seemed to attract the other's
+attention almost hypnotically.
+
+"Cheerio, Freddy!" said the thick-set man. "Any news?"
+
+"Nothing much," returned the one addressed as Freddy, setting his glass
+upon the table and selecting a cigarette from a packet which he carried
+in his pocket.
+
+"I'm not so sure," growled the other, watching him suspiciously. "You've
+been lying low for a long time, and it's not like you to slack off
+except when there's something big in sight."
+
+"Hm!" said his companion, lighting his cigarette. "What do you mean
+exactly?"
+
+Jim Poland--for such was the big man's name--growled and spat
+reflectively into a spittoon.
+
+"I've had my eye on you, Freddy," he replied; "I've had my eye on you!"
+
+"Oh, have you?" murmured the other. "But tell me what you mean!"
+
+Beneath his suave manner lay a threat, and, indeed, Freddy Cohen, known
+to his associates as "Diamond Fred," was in many ways a formidable
+personality. He had brought to his chosen profession of crook a
+first-rate American training, together with all that mental agility and
+cleverness which belong to his race, and was at once an object of envy
+and admiration amongst the fraternity which keeps Scotland Yard busy.
+
+Jim Poland, physically a more dangerous character, was not in the same
+class with him; but he was not without brains of a sort, and Cohen,
+although smiling agreeably, waited with some anxiety for his reply.
+
+"I mean," growled Poland, "that you're not wasting your time with Lala
+Huang for nothing."
+
+"Perhaps not," returned Cohen lightly. "She's a pretty girl; but what
+business is it of yours?"
+
+"None at all. I ain't interested in 'er good looks; neither are you."
+
+Cohen shrugged and raised his glass again.
+
+"Come on," growled Poland, leaning across the table. "I know, and I'm in
+on it. D'ye hear me? I'm in on it. These are hard times, and we've got
+to stick together."
+
+"Oh," said Cohen, "that's the game, is it?"
+
+"That's the game right enough. You won't go wrong if you bring me in,
+even at fifty-fifty, because maybe I know things about old Huang that
+you don't know."
+
+The Jew's expression changed subtly, and beneath his drooping lids he
+glanced aside at the speaker. Then:
+
+"It's no promise," he said, "but what do you know?"
+
+Poland bent farther over the table.
+
+"Chinatown's being watched again. I heard this morning that Red Kerry
+was down here."
+
+Cohen laughed.
+
+"Red Kerry!" he echoed. "Red Kerry means nothing in my young life, Jim."
+
+"Don't 'e?" returned Jim, snarling viciously. "The way he cleaned up
+that dope crowd awhile back seemed to show he was no jug, didn't it?"
+
+The Jew made a facial gesture as if to dismiss the subject.
+
+"All right," continued Poland. "Think that way if you like. But the
+patrols have been doubled. I suppose you know that? And it's a cert
+there are special men on duty, ever since the death of that Chink."
+
+Cohen shifted uneasily, glancing about him in a furtive fashion.
+
+"See what I mean?" continued the other. "Chinatown ain't healthy just
+now."
+
+He finished his whisky at a draught, and, standing up, lurched heavily
+across to the counter. He returned with two more glasses. Then,
+reseating himself and bending forward again:
+
+"There's one thing I reckon you don't know," he whispered in Cohen's
+ear. "I saw that Chink talking to Lala Huang only a week before the time
+he was hauled out of Limehouse Reach. I'm wondering, Diamond, if, with
+all your cleverness, you may not go the same way."
+
+"Don't try to pull the creep stuff on me, Jim," said Cohen uneasily.
+"What are you driving at, anyway?"
+
+"Well," replied Poland, sipping his whisky reflectively, "how did that
+Chink get into the river?"
+
+"How the devil do I know?"
+
+"And what killed him? It wasn't drowning, although he was all swelled
+up."
+
+"See here, old pal," said Cohen. "I know 'Frisco better than you know
+Limehouse. Let me tell you that this little old Chinatown of yours is
+pie to me. You're trying to get me figuring on Chinese death traps,
+secret poisons, and all that junk. Boy, you're wasting your poetry.
+Even if you did see the Chink with Lala, and I doubt it--Oh, don't
+get excited, I'm speaking plain--there's no connection that I can see
+between the death of said Chink and old Huang Chow."
+
+"Ain't there?" growled Poland huskily. He grasped the other's wrist as
+in a vise and bent forward so that his battered face was close to the
+pale countenance of the Jew. "I've been covering old Huang for months
+and months. Now I'm going to tell you something. Since the death of that
+Chink Red Kerry's been covering him, too."
+
+"See here!" Cohen withdrew his arm from the other's grasp angrily. "You
+can't freeze me out of this claim with bogey stuff. You're listed, my
+lad, and you know it. Chief Inspector Kerry is your pet nightmare.
+But if he walked in here right now I could ask him to have a drink. I
+wouldn't but I could. You've got the wrong angle, Jim. Lala likes me
+fine, and although she doesn't say much, what she does say is straight.
+I'll ask her to-night about the Chink."
+
+"Then you'll be a damned fool."
+
+"What's that?"
+
+"I say you'll be a damned fool. I'm warning you, Freddy. There are
+Chinks and Chinks. All the boys know old Huang Chow has got a regular
+gold mine buried somewhere under the floor. But all the boys don't know
+what I know, and it seems that you don't either."
+
+"What is that?"
+
+Jim Poland bent forward more urgently, again seizing Cohen's wrist, and:
+
+"Huang Chow is a mighty big bug amongst the Chinese," he whispered,
+glancing cautiously about him. "He's hellish clever and rotten with
+money. A man like that wants handling. I'm not telling you what I know.
+But call it fifty-fifty and maybe you'll come out alive."
+
+The brow of Diamond Fred displayed beads of perspiration, and with
+a blue silk handkerchief which he carried in his breast pocket he
+delicately dried his forehead.
+
+"You're an old hand at this stuff, Jim," he muttered. "It amounts to
+this, I suppose; that if I don't agree you'll queer my game?"
+
+Jim Poland's brow lowered and he clenched his fists formidably. Then:
+
+"Listen," he said in his hoarse voice. "It ain't your claim any more
+than mine. You've covered it different, that's all. Yours was always the
+petticoat lay. Mine's slower but safer. Is anyone else in with you?"
+
+"No."
+
+"Then we'll double up. Now I'll tell you something. I was backing out."
+
+"What? You were going to quit?"
+
+"I was."
+
+"Why?"
+
+"Because the thing's too dead easy, and a thing like that always looks
+like hell to me."
+
+Freddy Cohen finished his glass of whisky.
+
+"Wait while I get some more drinks," he said.
+
+In this way, then, at about the hour of ten on a stuffy autumn night, in
+the crowded bar of that Wapping public-house, these two made a
+compact; and of its outcome and of the next appearance of Cohen, the
+Jewish-American cracksman, within the ken of man, I shall now proceed to
+tell.
+
+
+
+
+II
+
+THE END OF COHEN
+
+
+
+"I've been expecting this," said Chief Inspector Kerry. He tilted his
+bowler hat farther forward over his brow and contemplated the ghastly
+exhibit which lay upon the slab of the mortuary. Two other police
+officers--one in uniform--were present, and they treated the celebrated
+Chief Inspector with the deference which he had not only earned but had
+always demanded from his subordinates.
+
+Earmarked for important promotion, he was an interesting figure as
+he stood there in the gloomy, ill-lighted place, his pose that of an
+athlete about to perform a long jump, or perhaps, as it might have
+appeared to some, that of a dancing-master about to demonstrate a new
+step.
+
+His close-cropped hair was brilliantly red, and so was his short, wiry,
+aggressive moustache. He was ruddy of complexion, and he looked out
+unblinkingly upon the world with a pair of steel-blue eyes. Neat he
+was to spruceness, and while of no more than medium height he had the
+shoulders of an acrobat.
+
+The detective who stood beside him, by name John Durham, had one trait
+in common with his celebrated superior. This was a quick keenness, a
+sort of alert vitality, which showed in his eyes, and indeed in every
+line of his thin, clean-shaven face. Kerry had picked him out as the
+most promising junior in his department.
+
+"Give me the particulars," said the Chief Inspector. "It isn't robbery.
+He's wearing a diamond ring worth two hundred pounds."
+
+His diction was rapid and terse--so rapid as to create the impression
+that he bit off the ends of the longer words. He turned his fierce blue
+eyes upon the uniformed officer who stood at the end of the slab.
+
+"They are very few, Chief Inspector," was the reply. "He was hauled
+out by the river police shortly after midnight, at the lower end of
+Limehouse Reach. He was alive then--they heard his cry--but he died
+while they were hauling him into the boat."
+
+"Any statement?" rapped Kerry.
+
+"He was past it, Chief Inspector. According to the report of the officer
+in charge, he mumbled something which sounded like: 'It has bitten me,'
+just before he became unconscious."
+
+"'It has bitten me,'" murmured Kerry. "The divisional surgeon has seen
+him?"
+
+"Yes, Chief Inspector. And in his opinion the man did not die from
+drowning, but from some form of virulent poisoning."
+
+"Poisoning?"
+
+"That's the idea. There will be a further examination, of course. Either
+a hypodermic injection or a bite."
+
+"A bite?" said Kerry. "The bite of what?"
+
+"That I cannot say, Chief Inspector. A venomous reptile, I suppose."
+
+Kerry stared down critically at the swollen face of the victim, and then
+glanced sharply aside at Durham.
+
+"Accounts for his appearance, I suppose," he murmured.
+
+"Yes," said Durham quietly. "He hadn't been in the water long enough to
+look like that." He turned to the local officer. "Is there any theory as
+to the point at which he went in?"
+
+"Well, an arrest has been made."
+
+"By whom? of whom?" rapped Kerry.
+
+"Two constables patrolling the Chinatown area arrested a man for
+suspicious loitering. He turned out to be a well-known criminal--Jim
+Poland, with a whole list of convictions against him. They're holding
+him at Limehouse Station, and the theory is that he was operating
+with------" He nodded in the direction of the body.
+
+"Then who's the smart with the swollen face?" inquired Kerry. "He's a
+new one on me."
+
+"Yes, but he's been identified by one of the K Division men. He is an
+American crook with a clean slate, so far as this side is concerned.
+Cohen is his name. And the idea seems to be that he went in at some
+point between where he was found by the river police and the point at
+which Jim Poland was arrested."
+
+Kerry snapped his teeth together audibly, and:
+
+"I'm open to learn," he said, "that the house of Huang Chow is within
+that area."
+
+"It is."
+
+"I thought so. He died the same way the Chinaman died awhile ago,"
+snapped Kerry savagely.
+
+"It looks very queer." He glanced aside at the local officer. "Cover him
+up," he ordered, and, turning, he walked briskly out of the mortuary,
+followed by Detective Durham.
+
+Although dawn was not far off, this was the darkest hour of the night,
+so that even the sounds of dockland were muted and the riverside slept
+as deeply as the great port of London ever sleeps. Vague murmurings
+there were and distant clankings, with the hum of machinery which is
+never still.
+
+Few of London's millions were awake at that hour, yet Scotland Yard
+was awake in the person of the fierce-eyed Chief Inspector and his
+subordinate. Perhaps those who lightly criticize the Metropolitan Force
+might have learned a new respect for the tireless vigilance which keeps
+London clean and wholesome, had they witnessed this scene on the borders
+of Limehouse, as Kerry, stepping into a waiting taxi-cab accompanied by
+Durham, proceeded to Limehouse Police Station in that still hour when
+the City slept.
+
+The arrival of Kerry created something of a stir amongst the officials
+on duty. His reputation in these days was at least as great as that of
+the most garrulous Labour member.
+
+The prisoner was in cells, but the Chief Inspector elected to interview
+him in the office; and accordingly, while the officer in charge sat at
+an extremely tidy writing-table, tapping the blotting-pad with a pencil,
+and Detective John Durham stood beside him, Kerry paced up and down the
+little room, deep in reflection, until the door opened and the prisoner
+was brought in.
+
+One swift glance the Chief Inspector gave at the battle-scarred face,
+and recognized instantly that this was a badly frightened man. Crossing
+to the table he took up a typewritten slip which lay there, and:
+
+"Your name is James Poland?" he said. "Four convictions; one, robbery
+with violence."
+
+Jim Poland nodded sullenly.
+
+"You were arrested at the corner of Pekin Street about midnight. What
+were you doing there?"
+
+"Taking a walk."
+
+"I'll say it again," rapped Kerry, fixing his fierce eyes upon the man's
+face. "What were you doing there?"
+
+"I've told you."
+
+"And I tell you you're a liar. Where did you leave the man Cohen?"
+
+Poland blinked his small eyes, cleared his throat, and looked down at
+the floor uneasily. Then:
+
+"Who's Cohen?" he grunted.
+
+"You mean, who was Cohen?" cried Kerry.
+
+The shot went home. The man clenched his fists and looked about the room
+from face to face.
+
+"You don't tell me------" he began huskily.
+
+"I've told you," said Kerry. "He's on the slab. Spit out the truth;
+it'll be good for your health."
+
+The man hesitated, then looked up, his eyes half closed and a cunning
+expression upon his face.
+
+"Make out your own case," he said. "You've got nothing against me."
+
+Kerry snapped his teeth together viciously.
+
+"I've told you what happened to your pal," he warned. "If you're a wise
+man you'll come in on our side, before the same thing happens to you."
+
+"I don't know what you're talking about," growled Poland.
+
+Kerry nodded to the constable at the doorway.
+
+"Take him back," he ordered.
+
+Jim Poland being returned to his cell, Kerry, as the door closed behind
+the prisoner and his guard, stared across at Durham where he stood
+beside the table.
+
+"An old hand," he said. "But there's another way." He glanced at the
+officer in charge. "Hold him till the morning. He'll prove useful."
+
+From his waistcoat pocket he took out a slip of chewing gum, unwrapped
+it, and placed the mint-flavoured wafer between his large white teeth.
+He bit upon it savagely, settled his hat upon his head, and, turning,
+walked toward the door. In the doorway he paused.
+
+"Come with me, Durham," he said. "I am leaving the conduct of the case
+entirely in your hands from now onward."
+
+Detective Durham looked surprised and not a little anxious.
+
+"I am doing so for two reasons," continued the Chief Inspector. "These
+two reasons I shall now explain."
+
+
+
+
+III
+
+THE SECRET TREASURE-HOUSE
+
+
+
+Unlike its sister colony in New York, there are no show places in
+Limehouse. The visitor sees nothing but mean streets and dark doorways.
+The superficial inquirer comes away convinced that the romance of the
+Asiatic district has no existence outside the imaginations of writers
+of fiction. Yet here lies a secret quarter, as secret and as strange,
+in its smaller way, as its parent in China which is called the Purple
+Forbidden City.
+
+On a morning when mist lay over the Thames reaches, softening the
+harshness of the dock buildings and lending an air of mystery to the
+vessels stealing out upon the tide, a man walked briskly along Limehouse
+Causeway, looking about him inquiringly, as one unfamiliar with the
+neighbourhood. Presently he seemed to recognize a turning to the right,
+and he pursued this for a time, now walking more slowly.
+
+A European woman, holding a half-caste baby in her arms, stood in an
+open doorway, watching him uninterestedly. Otherwise, except for one
+neatly dressed young Chinaman, who passed him about halfway along the
+street, there was nothing which could have told the visitor that he
+had crossed the borderline dividing West from East and was now in an
+Oriental town.
+
+A very narrow alleyway between two dingy houses proved to be the spot
+for which he was looking; and, having stared about him for a while, he
+entered this alleyway. At the farther end it was crossed T-fashion, by
+another alley, the only object of interest being an iron post at the
+crossing, and the scenery being made up entirely of hideous brick walls.
+
+About halfway along on the left, set in one of these walls, were strong
+wooden gates, apparently those of a warehouse. Beside them was a door
+approached by two very dirty steps. There was a bell-push near the door,
+but upon neither of these entrances was there any plate to indicate the
+name of the proprietor of the establishment.
+
+From his pocket-book the visitor extracted a card, consulted something
+written upon it, and then pressed the bell.
+
+It was very quiet in this dingy little court. No sound of the busy
+thoroughfares penetrated here; and although the passage forming the
+top of the "T" practically marked the river bank, only dimly could one
+discern the sounds which belong to a seaport.
+
+Presently the door was opened by a Chinese boy who wore the ordinary
+native working dress, and who regarded the man upon the step with
+oblique, tired-looking eyes.
+
+"Mr. Huang Chow?" asked the caller.
+
+The boy nodded.
+
+"You wantchee him see?"
+
+"If he is at home."
+
+The boy glanced at the card, which the visitor still held between finger
+and thumb, and extended his hand silently. The card was surrendered. It
+was that of an antique dealer of Dover Street, Piccadilly, and written
+upon the back was the following: "Mr. Hampden would like to do business
+with you." The signature of the dealer followed.
+
+The boy turned and passed along a dim and perfectly unfurnished passage
+which the opening of the door had revealed, while Mr. Hampden stood upon
+the step and lighted a cigarette.
+
+In less than a minute the boy returned and beckoned to him to come in.
+As he did so, and the door was closed, he almost stumbled, so dark was
+the passage.
+
+Presently, guided by the boy, he found himself in a very business-like
+little office, where a girl sat at an American desk, looking up at him
+inquiringly.
+
+She was of a dark and arresting type. Without being pretty in the
+European sense, there was something appealing in her fine, dark eyes,
+and she possessed the inviting smile which is the heritage of Eastern
+women. Her dress was not unlike that of any other business girl, except
+that the neck of her blouse was cut very low, a fashion affected by many
+Eurasians, and she wore a gaily coloured sash, and large and very costly
+pearl ear-rings. As Mr. Hampden paused in the doorway:
+
+"Good morning," said the girl, glancing down at the card which lay upon
+the desk before her. "You come from Mr. Isaacs, eh?"
+
+She looked at him with a caressing glance from beneath half-lowered
+lashes, but missed no detail of his appearance. She did not quite like
+his moustache, and thought that he would have looked better cleanshaven.
+Nevertheless, he was a well-set-up fellow, and her manner evidenced
+approval.
+
+"Yes," he replied, smiling genially. "I have a small commission to
+execute, and I am told that you can help me."
+
+The girl paused for a moment, and then:
+
+"Yes, very likely," she said, speaking good English but with an odd
+intonation. "It is not jade? We have very little jade."
+
+"No, no. I wanted an enamelled casket."
+
+"What kind?"
+
+"Cloisonne."
+
+"Cloisonne? Yes, we have several."
+
+She pressed a bell, and, glancing up at the boy who had stood throughout
+the interview at the visitor's elbow, addressed him rapidly in Chinese.
+He nodded his head and led the way through a second doorway. Closing
+this, he opened a third and ushered Mr. Hampden into a room which nearly
+caused the latter to gasp with astonishment.
+
+One who had blundered from Whitechapel into the Khan Khalil, who had
+been transported upon a magic carpet from a tube station to the Taj
+Mahal, or dropped suddenly upon Lebanon hills to find himself looking
+down upon the pearly domes and jewelled gardens of Damascus, could not
+well have been more surprised. This great treasure-house of old Huang
+Chow was one of Chinatown's secrets--a secret shared only by those whose
+commercial interests were identical with the interests of Huang Chow.
+
+The place was artificially lighted by lamps which themselves were
+beautiful objects of art, and which swung from the massive beams of
+the ceiling. The floor of the warehouse, which was partly of stone, was
+covered with thick matting, and spread upon it were rugs and carpets
+of Karadagh, Kermanshah, Sultan-abad, and Khorassan, with lesser-known
+loomings of almost equal beauty. Skins of rare beasts overlay the
+divans. Furniture of ivory, of ebony and lemonwood, preciously inlaid,
+gave to the place an air of cunning confusion. There were tall cabinets,
+there were caskets and chests of exquisite lacquer and enamel, loot
+of an emperor's palace; robes heavy with gold; slippers studded with
+jewels; strange carven ivories; glittering weapons; pots, jars, and
+bowls, as delicate and as fragile as the petals of a lily.
+
+Last, but not least, sitting cross-legged upon a low couch, was old
+Huang Chow, smoking a great curved pipe, and peering half blindly across
+the place through large horn-rimmed spectacles. This couch was set
+immediately beside a wide ascending staircase, richly carpeted, and
+on the other side of the staircase, in a corresponding recess, upon a
+gilded trestle carved to represent the four claws of a dragon, rested
+perhaps the strangest exhibit of that strange collection--a Chinese
+coffin of exquisite workmanship.
+
+The boy retired, and Mr. Hampden found himself alone with Huang Chow. No
+word had been exchanged between master and servant, but:
+
+"Good morning, Mr. Hampden," said the Chinaman in a high, thin voice.
+"Please be seated. It is from Mr. Isaacs you come?"
+
+
+
+
+IV
+
+PERSONAL REPORT OF DETECTIVE JOHN DURHAM TO CHIEF INSPECTOR KERRY,
+OFFICER IN CHARGE OF LIMEHOUSE INQUIRY
+
+
+
+Dear Chief Inspector,--Following your instructions I returned and
+interviewed the prisoner Poland in his cell. I took the line which
+you had suggested, pointing out to him that he had nothing to gain and
+everything to lose by keeping silent.
+
+"Answer my questions," I said, "and you can walk straight out.
+Otherwise, you'll be up before the magistrate, and on your record alone
+it will mean a holiday which you probably don't want."
+
+He was very truculent, but I got him in a good humour at last, and he
+admitted that he had been cooperating with the dead man, Cohen, in an
+attempt to burgle the house of Huang Chow. His reluctance to go into
+details seemed to be due rather to fear of Huang Chow than to fear of
+the law, and I presently gathered that he regarded Huang as responsible
+for the death not only of Cohen, but also of the Chinaman who was
+hauled out of the river about three weeks ago, as you well remember. The
+post-mortem showed that he had died of some kind of poisoning, and when
+we saw Cohen in the mortuary, his swollen appearance struck me as being
+very similar to that of the Chinaman. (See my report dated 31st ultimo.)
+
+He finally agreed to talk if I would promise that he should not be
+charged and that his name should never be mentioned to anyone in
+connection with what he might tell me. I promised him that outside the
+ordinary official routine I would respect his request, and he told me
+some very curious things, which no doubt have a bearing on the case.
+
+For instance, he had discovered--I don't know in what way--that the dead
+Chinaman, whose name was Pi Lung, had been in negotiation with Huang
+Chow for some sort of job in his warehouse. Poland had seen the man
+talking to Huang's daughter, at the end of the alley which leads to the
+place. He seemed to attach extraordinary importance to this fact. At
+last:
+
+"I'll tell you what it is," he said. "That Chink was a stranger to
+Limehouse; I can swear to it. He was a gent of his hands; I reckon
+they've got 'em in China as well as here. He went out for the old boy's
+money-box, and finished like Cohen finished."
+
+"Make your meaning clearer," I said.
+
+"My meaning's this: Old Huang Chow is the biggest dealer in stolen and
+smuggled valuables from overseas we've got in London. He's something
+else as well; he's a big swell in China. But here's the point. He's
+got business with buyers all over London, and they have to pay cash--no
+checks. He doesn't bank it: I've proved that. He's got it in gold, or
+diamonds, or something, being wise to present conditions, hidden there
+in the house. Pi Lung was after his hoard. He didn't get it. Cohen and
+me was after it. Where's Cohen?"
+
+I agreed that it looked very suspicious, and presently:
+
+"When I went in with Cohen," continued Poland, "I knew one thing
+he didn't know--a short cut into the warehouse. He's been playing
+pretty-like with Lala, old Huang's daughter, and it's my belief that
+he knew where the store was hidden; but he never told me. We knew there
+were special men on duty, and we'd arranged that I was to give a signal
+when the patrol had passed. Cohen all the time had planned to double on
+me. While I was watching down on the Causeway end he climbed up and got
+in through the skylight I'd shown him. When I got there he was missing,
+but the skylight was open. I started off after him."
+
+Then Poland clutched me, and his fright was very real.
+
+"I heard a shriek like nothing I ever heard in my life. I saw a light
+shine through the trap, and then I heard a sort of moaning. Last, I
+heard a bang, and the light went out. I staggered down the passage half
+silly, started to run, and ran straight into the arms of two coppers."
+
+This evidence I thought was conclusive, and in accordance with your
+instructions I proceeded to Mr. Isaacs in Dover Street. He didn't seem
+too pleased at my suggestion, but when I pointed out to him that one
+good turn deserved another, he agreed to give me an introduction to
+Huang Chow.
+
+I adopted a very simple disguise, just altering my complexion and
+sticking on a moustache with spirit gum, hair by hair, and trimming it
+down military fashion. Everything ran smoothly, and I seemed to make a
+fairly favourable impression upon Lala Huang, the Chinaman's daughter,
+who evidently interviews prospective customers before they are admitted
+to the warehouse.
+
+She is a Eurasian and extremely good looking. But when I found myself
+in the room where old Huang keeps his treasures, I really thought I was
+dreaming. It's a collection that must be worth thousands. He showed me
+snuff-bottles, cut out of gems, and with a little opening no bigger than
+the hole in a pipe-stem, but with wonderful paintings done inside the
+bottles. He'd got a model of a pagoda made out of human teeth, and a big
+golden rug woven from the hair of Circassian slave girls. Excuse this,
+Chief Inspector; I know it is what you call the romantic stuff; but I
+think it would have impressed you if you had seen it.
+
+Anyway, I bought a little enamelled box, in accordance with Mr. Isaacs's
+instructions, although whether I succeeded in convincing Huang Chow that
+I knew anything about the matter is more than doubtful. He got up from
+a sort of throne he sits on, and led the way up a broad staircase to a
+private room above.
+
+"Of course, you have brought the cash, Mr. Hampden?" he said.
+
+He speaks quite faultless English. He walked up three steps to a sort of
+raised writing-table in this upstairs room, and I counted out the
+money to him. When he sat at the table he faced toward the room, and I
+couldn't help thinking that, in his horn-rimmed spectacles, he looked
+like some old magistrate. He explained that he would pack the purchase
+for me, but that I must personally take it away. And:
+
+"You understand," said he, "that you bought it from a gentleman who had
+purchased it abroad."
+
+I said I quite understood. He bowed me out very politely, and presently
+I found myself back in the office with Lala Huang.
+
+She seemed quite disposed to talk, and I chatted with her while the box
+was being packed for me to take away. I knew I must make good use of my
+time, but you have never given me a job I liked less. I mean, there
+is something very appealing about her, and I hated to think that I was
+playing a double game. However, without actually agreeing to see me
+again, she told me enough to enable me to meet her "accidentally," if I
+wanted to. Therefore, I am going to look out for her this evening, and
+probably take her to a picture palace, or somewhere where we can have a
+quiet talk. She seems to be fancy free, and for some reason I feel sorry
+for the girl. I don't altogether like the job, but I hope to justify
+your faith in me, Chief.
+
+I will prepare my official report this evening when I return.
+
+Yours obediently,--JOHN DURHAM.
+
+
+
+
+V
+
+LALA HUANG
+
+
+
+"No," said Lala Huang, "I don't like London--not this part of London."
+
+"Where would you rather be?" asked Durham. "In China?"
+
+Dusk had dropped its merciful curtain over Limehouse, and as the two
+paced slowly along West India Dock Road it seemed to the detective that
+a sort of glamour had crept into the scene.
+
+He was a clever man within his limitations, and cultured up to a point;
+but he was not philosopher enough to know that he viewed the purlieus
+of Limehouse through a haze of Oriental mystery conjured up by the
+conversation of his companion. Temple bells there were in the clangour
+of the road cars. The smoke-stacks had a semblance of pagodas. Burma she
+had conjured up before him, and China, and the soft islands where she
+had first seen the light. For as well as a streak of European, there
+was Kanaka blood in Lala, which lent her an appeal quite new to Durham,
+insidious and therefore dangerous.
+
+"Not China," she replied. "Somehow I don't think I shall ever see China
+again. But my father is rich, and it is dreadful to think that we live
+here when there are so many more beautiful places to live in."
+
+"Then why does he stay?" asked Durham with curiosity.
+
+"For money, always for money," answered Lala, shrugging her shoulders.
+"Yet if it is not to bring happiness, what good is it?"
+
+"What good indeed?" murmured Durham.
+
+"There is no fun for me," said the girl pathetically. "Sometimes someone
+nice comes to do business, but mostly they are Jews, Jews, always Jews,
+and------" Again she shrugged eloquently.
+
+Durham perceived the very opening for which he had been seeking..
+
+"You evidently don't like Jews," he said endeavouring to speak lightly.
+
+"No," murmured the girl, "I don't think I do. Some are nice, though. I
+think it is the same with every kind of people--there are good and bad."
+
+"Were you ever in America?" asked Durham.
+
+"No."
+
+"I was just thinking," he explained, "that I have known several American
+Jews who were quite good fellows."
+
+"Yes?" said Lala, looking up at him naively, "I met one not long ago. He
+was not nice at all."
+
+"Oh!" exclaimed Durham, startled by this admission, which he had not
+anticipated. "One of your father's customers?"
+
+"Yes, a man named Cohen."
+
+"Cohen?"
+
+"A funny little chap," continued the girl. "He tried to make love
+to me." She lowered her lashes roguishly. "I knew all along he was
+pretending. He was a thief, I think. I was afraid of him."
+
+Durham did some rapid thinking, then:
+
+"Did you say his name was Cohen?" he asked.
+
+"That was the name he gave."
+
+"A man named Cohen, an American, was found dead in the river quite
+recently."
+
+Lala stopped dead and clutched his arm.
+
+"How do you know?" she demanded.
+
+"There was a paragraph in this morning's paper."
+
+She hesitated, then:
+
+"Did it describe him?" she asked.
+
+"No," replied Durham, "I don't think it did in detail. At least, the
+only part of the description which I remember is that he wore a large
+and valuable diamond on his left hand."
+
+"Oh!" whispered Lala.
+
+She released her grip of Durham's arm and went on.
+
+"What?" he asked. "Did you think it was someone you knew?"
+
+"I did know him," she replied simply. "The man who was found drowned. It
+is the same. I am sure now, because of the diamond ring. What paper did
+you read it in? I want to read it myself."
+
+"I'm afraid I can't remember. It was probably the Daily Mail."
+
+"Had he been drowned?"
+
+"I presume so--yes," replied Durham guardedly.
+
+Lala Huang was silent for some time while they paced on through the
+dusk. Then:
+
+"How strange!" she said in a low voice.
+
+"I am sorry I mentioned it," declared Durham. "But how was I to know it
+was your friend?"
+
+"He was no friend of mine," returned the girl sharply. "I hated him. But
+it is strange nevertheless. I am sure he intended to rob my father."
+
+"And is that why you think it strange?"
+
+"Yes," she said, but her voice was almost inaudible.
+
+They were come now to the narrow street communicating with the courtway
+in which the great treasure-house of Huang Chow was situated, and Lala
+stopped at the corner.
+
+"It was nice of you to walk along with me," she said. "Do you live in
+Limehouse?"
+
+"No," replied Durham, "I don't. As a matter of fact, I came down here
+to-night in the hope of seeing you again."
+
+"Did you?"
+
+The girl glanced up at him doubtfully, and his distaste for the task set
+him by his superior increased with the passing of every moment. He was
+a man of some imagination, a great reader, and ambitious professionally.
+He appreciated the fact that Chief Inspector Kerry looked for great
+things from him, but for this type of work he had little inclination.
+
+There was too much chivalry in his make-up to enable him to play upon a
+woman's sentiments, even in the interests of justice. By whatever means
+the man Cohen had met his death, and whether or no the Chinaman Pi Lung
+had died by the same hand, Lala Huang was innocent of any complicity in
+these matters, he was perfectly well assured.
+
+Doubts were to come later when he was away from her, when he had had
+leisure to consider that she might regard him in the light of a third
+potential rifler of her father's treasure-house. But at the moment,
+looking down into her dark eyes, he reproached himself and wondered
+where his true duty lay.
+
+"It is so gray and dull and sordid here," said the girl, looking down
+the darkened street. "There is no one much to talk to."
+
+"But you have your business interests to keep you employed during the
+day, after all."
+
+"I hate it all. I hate it all."
+
+"But you seem to have perfect freedom?"
+
+"Yes. My mother, you see, was not Chinese."
+
+"But you wish to leave Limehouse?"
+
+"I do. I do. Just now it is not so bad, but in the winter how I tire of
+the gray skies, the endless drizzling rain. Oh!" She shrank back into
+the shadow of a doorway, clutching at Durham's arm. "Don't let Ah Fu see
+me."
+
+"Ah Fu? Who is Ah Fu?" asked Durham, also drawing back as a furtive
+figure went slinking down the opposite side of the street.
+
+"My father's servant. He let you in this morning."
+
+"And why must he not see you?"
+
+"I don't trust him. I think he tells my father things."
+
+"What is it that he carries in his hand?"
+
+"A birdcage, I expect."
+
+"A birdcage?"
+
+"Yes!"
+
+He caught the gleam of her eyes as she looked up at him out of the
+shadow.
+
+"Is he, then, a bird-fancier?"
+
+"No, no, I can't explain because I don't understand myself. But Ah Fu
+goes to a place in Shadwell regularly and buys young birds, always very
+young ones and very little ones."
+
+"For what or for whom?"
+
+"I don't know."
+
+"Have you an aviary in your house?"
+
+"No."
+
+"Do you mean that they disappear, these purchases of Ah Fu's?"
+
+"I often see him carrying a cage of young birds, but we have no birds in
+the house."
+
+"How perfectly extraordinary!" muttered Durham.
+
+"I distrust Ah Fu," whispered the girl. "I am glad he did not see me
+with you."
+
+"Young birds," murmured Durham absently. "What kind of young birds? Any
+particular breed?"
+
+"No; canaries, linnets--all sorts. Isn't it funny?" The girl laughed in
+a childish way. "And now I think Ah Fu will have gone in, so I must say
+good night."
+
+But when presently Detective Durham found himself walking back along
+West India Dock Road, his mind's eye was set upon the slinking figure of
+a Chinaman carrying a birdcage.
+
+
+
+
+VI
+
+A HINT OF INCENSE
+
+
+
+One Chinaman more or less does not make any very great difference to
+the authorities responsible for maintaining law and order in Limehouse.
+Asiatic settlers are at liberty to follow their national propensities,
+and to knife one another within reason. This is wisdom. Such recreations
+are allowed, if not encouraged, by all wise rulers of Eastern peoples.
+
+"Found drowned," too, is a verdict which has covered many a dark mystery
+of old Thames, but "Found in the river, death having been due to the
+action of some poison unknown," is a finding which even in the case of a
+Chinaman is calculated to stimulate the jaded official mind.
+
+New Scotland Yard had given Durham a roving commission, and had been
+justified in the fact that the second victim, and this time not a
+Chinaman, had been found under almost identical conditions. The link
+with the establishment of Huang Chow was incomplete, and Durham fully
+recognized that it was up to him to make it sound and incontestable.
+
+Jim Poland was not the only man in the East End who knew that the dead
+Chinaman had been in negotiation with Huang Chow. Kerry knew it, and had
+passed the information on to Durham.
+
+Some mystery surrounded the life of the old dealer, who was said to be
+a mandarin of high rank, but his exact association with the deaths first
+of the Chinaman Pi Lung, and second of Cohen, remained to be proved.
+Certain critics have declared the Metropolitan detective service to be
+obsolete and inefficient. Kerry, as a potential superintendent, resented
+these criticisms, and in his protege Durham, perceived a member of the
+new generation who was likely in time to produce results calculated to
+remove this stigma.
+
+Durham recognized that a greater responsibility rested upon his
+shoulders than the actual importance of the case might have indicated;
+and now, proceeding warily along the deserted streets, he found his
+brain to be extraordinarily active and his imagination very much alive.
+
+There is a night life in Limehouse, as he had learned, but it is a mole
+life, a subterranean life, of which no sign appears above ground after a
+certain hour. Nevertheless, as he entered the area which harbours those
+strange, hidden resorts the rumour of which has served to create the
+glamour of Chinatown, he found himself to be thinking of the great
+influence said to be wielded by Huang Chow, and wondering if unseen
+spies watched his movements.
+
+Lala was Oriental, and now, alone in the night, distrust leapt into
+being within him. He had been attracted by her and had pitied her.
+He told himself now that this was because of her dark beauty and the
+essentially feminine appeal which she made. She was perhaps a vampire
+of the most dangerous sort, one who lured men to strange deaths for some
+sinister object beyond reach of a Western imagination.
+
+He found himself doubting the success of those tactics upon which,
+earlier in the day, he had congratulated himself. Perhaps beneath the
+guise of Hampden, who bought antique furniture on commission, those
+cunning old eyes beneath the horn-rimmed spectacles had perceived the
+detective hidden, or at least had marked subterfuge.
+
+While he could not count Lala a conquest--for he had not even
+attempted to make love to her--the ease with which he had developed the
+acquaintance now, afforded matter for suspicion.
+
+At the entrance to the court communicating with the establishment of
+Huang Chow he paused, looking cautiously about him. The men on the
+Limehouse beats had been warned of the investigation afoot tonight, and
+there was a plain-clothes man on point duty at no great distance away,
+although carefully hidden, so that Durham had quite failed to detect his
+presence.
+
+Durham wore rough clothes and rubber-soled shoes; and now, as he entered
+the court, he was thinking of the official report of the police sergeant
+who, not so many hours before, had paid a visit to the house of Huang
+Chow in order to question him respecting his knowledge of the dead man
+Cohen, and to learn when last he had seen him.
+
+Old Huang, who had received his caller in the large room upstairs, the
+room which boasted the presence of the writing-dais, had exhibited no
+trace of confusion, assuring the sergeant that he had not seen the
+man Cohen for several days. Cohen had come to him with an American
+introduction, which he, Huang, believed to be forged, and had wanted him
+to undertake a shady agency, respecting the details of which he remained
+peculiarly reticent. In short, nothing had been gained by this official
+interrogation, and Huang blandly denied any knowledge of an attempted
+burglary of his establishment.
+
+"What have I to lose?" he had asked the inquirer. "A lot of old lumber
+which I have accumulated during many years, and a reputation for being
+wealthy, due to my lonely habits and to the ignorance of those who live
+around me."
+
+Durham, mentally reviewing the words of the report, reconstructed the
+scene in his mind; and now, having come to the end of the lane where
+the iron post rested, he stood staring up at a place in the ancient wall
+where several bricks had decayed, and where it was possible, according
+to the statement of the man Poland, to climb up on to a piece of sloping
+roof, and thence gain the skylight through which Cohen had obtained
+admittance on the night of his death.
+
+He made sure that his automatic pistol was in his pocket, questioned the
+dull sounds of the riverside for a moment, looking about him anxiously,
+and then, using the leaning post as a stepping-stone, he succeeded in
+wedging his foot into a crevice in the wall. By the exercise of some
+agility he scrambled up to the top, and presently found himself lying
+upon a sloping roof.
+
+The skylight remained well out of reach, but his rubber-soled shoes
+enabled him to creep up the slates until he could grasp the framework
+with his hands. Presently he found himself perched upon the trap which,
+if his information could be relied upon, possessed no fastener, or
+one so faulty that the trap could be raised by means of a brad-awl.
+He carried one in his pocket, and, screwing it into the framework, he
+lifted it cautiously, making very little noise.
+
+The trap opened, and up to his nostrils there stole a queer, indefinable
+odour, partly that which belongs to old Oriental furniture and stuffs,
+but having mingled with it a hint of incense and of something else not
+so easily named. He recognized the smell of that strange store-room,
+which, as Mr. Hampden, he had recently visited.
+
+For one moment he thought he could detect the distant note of a bell.
+But, listening, he heard nothing, and was reassured.
+
+He rested the trap back against the frame, and shone the ray of an
+electric torch down into the darkness beneath him. The light fell upon
+the top of a low carven table, dragon-legged and gilded. Upon it rested
+the model pagoda constructed of human teeth, and there was something in
+this discovery which made Durham feel inclined to shudder. However, the
+impulse was only a passing one.
+
+He measured the distance with his eye. The little table stood beside a
+deep divan, and he saw that with care it would be possible to drop upon
+this divan without making much noise. He calculated its exact position
+before replacing the torch in his pocket, and then, resting back against
+one side of the frame, he clutched the other with his hands. He wriggled
+gradually down until further purchase became impossible. He then let
+himself drop, and swung for a moment by his hands before releasing his
+hold.
+
+He fell, as he had calculated, upon the divan. It creaked ominously.
+Catching his foot in the cushions, he stumbled and lay forward for a
+moment upon his face, listening intently.
+
+The room was very hot but nothing stirred.
+
+
+
+
+VII
+
+THE SCUFFLING SOUND
+
+
+
+Detective Durham, as he lay there inhaling the peculiar perfume of the
+place, recognized that he had put himself outside the pale of official
+protection, and was become technically a burglar.
+
+He wondered if Chief Inspector Kerry would have approved; but he had
+outlined this plan of investigation for himself, and knew well that,
+if it were crowned by success, the end would be regarded as having
+justified the means. On the other hand, in the event of detention he
+must personally bear the consequences of such irregular behaviour. He
+knew well, however, that his celebrated superior had achieved promotion
+by methods at least as irregular; and he knew that if he could but
+obtain evidence to account for the death of the man Cohen, and of the
+Chinaman Pi Lung, who had preceded him by the same mysterious path, the
+way of his obtaining it would not be too closely questioned.
+
+He was an ambitious man, and consequently one who took big chances.
+Nothing disturbed the silence; he sat upon the divan and again pressed
+the button of his torch, shining it all about the low-beamed apartment
+and peering curiously into the weird shadows of the place. He calculated
+he was now in the position which Cohen had occupied during the last
+moments of his life, and a sense of the uncanny touched him coldly.
+
+As he thought of the unnatural screams spoken of by Poland, some strange
+instinct prompted him to curl up his feet upon the divan again, as
+though a secret menace crawled upon the floor amid its many rugs and
+carpets.
+
+He must now endeavour to reconstruct the plan upon which the American
+cracksman had operated. Poland had a persistent belief that Cohen had
+known where the fabled hoard of Huang Chow was concealed.
+
+Durham began a deliberate inspection of the place. He thought it
+unlikely that a wily old Chinaman, assuming that he possessed hidden
+wealth, would keep it in so accessible a spot as this. It was far more
+probable that he had a fireproof safe in the room upstairs, perhaps
+built into the wall. Yet, according to Poland's account, it was in this
+room and not in any other that death came to Diamond Fred.
+
+The wall-hangings first engaged Durham's attention. He moved them aside
+systematically, one after another, seeking for any hiding-place, but
+failing to find one. The door communicating with the outer office he
+found to be locked, but he did not believe for a moment that the office
+would be worthy of inspection.
+
+There were cases containing jewelled weapons and cups and goblets inlaid
+with precious stones, but none of these seemed to have been tampered
+with, and all were locked, as was the big cabinet filled with snuff
+bottles.
+
+Many of the larger pieces about the place contained drawers and
+cupboards, and these he systematically opened one after another, without
+making any discovery of note. Some of the cupboards contained broken
+pieces of crockery, and more or less damaged curios of one kind and
+another, but none of them gave him the clue for which he was seeking.
+
+He examined the couch upon which Huang Chow had been seated when first
+he had met him, but although he searched it scientifically he was
+rewarded by no discovery.
+
+A very fusty and unpleasant smell was more noticeable at this point than
+elsewhere in the room, and he found himself staring speculatively up
+the wide, carpeted stairs. Next he turned his attention to the lacquered
+coffin which occupied the corresponding recess to that filled by the
+couch. It was an extraordinarily ornate piece of lacquer work and
+probably of great value.
+
+The lid appeared to be screwed on, and Durham stood staring at the
+thing, half revolted and half fascinated. He failed to discover any
+means of opening it, however, and when he tried to move it bodily found
+it very heavy. He came to the conclusion that all the portable valuables
+were contained in locked cases or cabinets, and out of this discovery
+grew an idea.
+
+The case containing the snuff bottles stood too close to the wall to
+enable him to test his new theory, but a square case near the office
+door, in which were five of six small but almost priceless pieces of
+porcelain, afforded the very evidence for which he was looking.
+
+Thin electric flex descended from somewhere inside the case down one
+of the legs of the pedestal, and through a neatly drilled hole in the
+floor, evidently placed there to accommodate it.
+
+"Burglar alarm!" he muttered.
+
+The opening of this case, and doubtless of any of the others, would
+set alarm bells ringing. This was not an unimportant discovery, but it
+brought him very little nearer to a solution of the chief problem which
+engaged his mind. Assuming that Cohen had opened one of the cases and
+had alarmed old Huang Chow, what steps had the latter taken to deal with
+the intruder which had resulted in so ghastly a death? And how had he
+disposed of the body?
+
+As Durham stood there musing and looking down through the plate-glass at
+the delicate porcelain beneath, a faint sound intruded itself upon the
+stillness. It gave him another idea. Part of the floor was stone-paved,
+but part was wood.
+
+Upon a portion of the latter, where no carpet rested, Durham dropped
+flat, pressing his ear to the floor.
+
+A faint swishing and trickling sound was perceptible from some place
+beneath.
+
+"Ah!" he murmured.
+
+Remembering that the premises almost overhung the Thames, he divined
+that the cellars were flooded at high tide, or that there was some kind
+of drain or cutting running underneath the house.
+
+He stood up again, listening intently for any sound within the building.
+He thought he had detected something, and now, as he stood there alert,
+he heard it again--a faint scuffling, which might have been occasioned
+by rats or even mice, but which, in some subtle and very unpleasant way,
+did not suggest the movements of these familiar rodents.
+
+Even as he perceived it, it ceased, leaving him wondering, and
+uncomfortably conscious of a sudden dread of his surroundings. He
+wondered in what part of this mysterious house Lala resided, and
+recognizing that his departure must leave traces, he determined to
+prosecute his inquiries as far as possible, since another opportunity
+might not arise.
+
+He was baffled but still hopeful. Something there was in the smell of
+the place which threatened to unnerve him; or perhaps in its silence,
+which remained quite unbroken save when, by acute listening, one
+detected the dripping of water.
+
+That unexplained scuffling sound, too, which he had failed to trace
+or identify, lingered in his memory insistently, and for some reason
+contained the elements of fear.
+
+He crossed the room and began softly to mount the stair. It creaked only
+slightly, and the door at the top proved to be ajar. He peeped in, to
+find the place empty. It was a typical Chinese apartment, containing
+very little furniture, the raised desk being the most noticeable item,
+except for a small shrine which faced it on the other side of the room.
+
+He mounted the steps to the desk and inspected a number of loose papers
+which lay upon it. Without exception they were written in Chinese.
+A sort of large, dull white blotting-pad lay upon the table, but its
+surface was smooth and glossy.
+
+Over it was suspended what looked like a lampshade, but on inspection it
+proved to contain no lamp, but to communicate, by a sort of funnel, with
+the ceiling above.
+
+At this contrivance Durham stared long and curiously, but without coming
+to any conclusion respecting its purpose. He might have investigated
+further, but he became aware of a dull and regular sound in the room
+behind him.
+
+He turned in a flash, staring in the direction of two curtains draped
+before what he supposed to be a door.
+
+On tiptoe he crossed and gently drew the curtains aside.
+
+He looked into a small, cell-like room, lighted by one window, where
+upon a low bed Huang Chow lay sleeping peacefully!
+
+Durham almost held his breath; then, withdrawing as quietly as he had
+approached, he descended the stair. At the foot his attention was again
+arrested by the faint scuffling sound. It ceased as suddenly as it
+had begun, leaving him wondering and conscious anew of a chill of
+apprehension.
+
+He had already made his plans for departure, but knew that they must
+leave evidence, when discovered, of his visit.
+
+A large and solid table stood near the divan, and he moved this
+immediately under the trap. Upon it he laid a leopard-skin to deaden
+any noise he might make, and then upon the leopard-skin he set a massive
+chair: he replaced his torch in his pocket and drew himself up on to the
+roof again. Reclosing the trap by means of the awl which he had screwed
+into it, he removed the awl and placed it in his pocket.
+
+Then, sliding gently down the sloping roof, he dropped back into the
+deserted court.
+
+
+
+
+VIII
+
+A CAGE OF BIRDS
+
+
+
+"No," said Lala, "we have never had robbers in the house." She looked up
+at Durham naively. "You are not a thief, are you?" she asked.
+
+"No, I assure you I am not," he answered, and felt himself flushing to
+the roots of his hair.
+
+They were seated in a teashop patronized by the workers of the district;
+and as Durham, his elbows resting on the marble-topped table, looked
+into the dark eyes of his companion, he told himself again that whatever
+might be the secrets of old Huang Chow, his daughter did not share them.
+
+The Chinaman had made no report to the authorities, although the piled
+up furniture beneath the skylight must have afforded conclusive evidence
+that a burglarious entry had been made into the premises.
+
+"I should feel very nervous," Durham declared, "with all those valuables
+in the house."
+
+"I feel nervous about my father," the girl answered in a low voice. "His
+room opens out of the warehouse, but mine is shut away in another part
+of the building. And Ah Fu sleeps behind the office."
+
+"Were you not afraid when you suspected that Cohen was a burglar? You
+told me yourself that you did suspect him."
+
+"Yes, I spoke to my father about it."
+
+"And what did he say?"
+
+"Oh"--she shrugged her shoulders--"he just smiled and told me not to
+worry."
+
+"And that was the last you heard about the matter?"
+
+"Yes, until you told me he was dead."
+
+Again he questioned the dark eyes and again was baffled. He felt
+tempted, and not for the first time, to throw up the case. After all, it
+rested upon very slender data--the mysterious death of a Chinaman
+whose history was unknown and the story of a crook whose word was worth
+nothing.
+
+Finally he asked himself, as he had asked himself before, what did it
+matter? If old Huang Chow had disposed of these people in some strange
+manner, they had sought to rob him. The morality of the case was
+complicated and obscure, and more and more he was falling under the
+spell of Lala's dark eyes.
+
+But always it was his professional pride which came to the rescue.
+Murder had been done, whether justifiably or otherwise, and to him had
+been entrusted the discovery of the murderer. It seemed that failure
+was to be his lot, for if Lala knew anything she was a most consummate
+actress, and if she did not, his last hope of information was gone.
+
+He would have liked nothing better than to be rid of the affair,
+provided he could throw up the case with a clear conscience. But when
+presently he parted from the attractive Eurasian, and watched her slim
+figure as, turning, she waved her hand and disappeared round a corner,
+he knew that rest was not for him.
+
+He had discovered the emporium of a Shadwell live-stock dealer with whom
+Ah Fu had a standing order for newly fledged birds of all descriptions.
+Purchases apparently were always made after dusk, and Ah Fu with his
+birdcage was due that evening.
+
+A scheme having suggested itself to Durham, he now proceeded to put it
+into execution, so that when dusk came, and Ah Fu, carrying an empty
+birdcage, set out from the house of Huang Chow, a very dirty-looking
+loafer passed the corner of the street at about the time that the
+Chinaman came slinking out.
+
+Durham had mentally calculated that Ah Fu would be gone about half an
+hour upon his mysterious errand, but the Chinaman travelled faster than
+he had calculated.
+
+Just as he was about to climb up once more on to the sloping roof,
+he heard the pattering footsteps returning to the courtyard, although
+rather less than twenty minutes had elapsed since the man had set out.
+
+Durham darted round the corner and waited until he heard the door
+closed; then, returning, he scrambled up on to the roof, creeping
+forward until he was lying looking down through the skylight into the
+darkened room below.
+
+For ten minutes or more he waited, until he began to feel cramped and
+uncomfortable. Then that happened which he had hoped and anticipated
+would happen. The place beneath became illuminated, not fully, by means
+of the hanging lamps, but dimly so that distorted shadows were cast
+about the floor. Someone had entered carrying a lantern.
+
+Durham's view-point limited his area of vision, but presently, as the
+light came nearer and nearer, he discerned Ah Fu, carrying a lantern
+in one hand and a birdcage in the other. He could hear nothing, for the
+trap fitted well and the glass was thick. Moreover, it was very dirty.
+He was afraid, however, to attempt to clean a space.
+
+Ah Fu apparently had set the lantern upon a table, and into the radius
+of its light there presently moved a stooping figure. Durham recognized
+Huang Chow, and felt his heart beats increasing in rapidity.
+
+Clutching the framework of the trap with his hands, he moved his head
+cautiously, so that presently he was enabled to see the two Chinamen.
+They were standing beside the lacquered coffin upon its dragon-legged
+pedestal. Durham stifled an exclamation.
+
+One end of the ornate sarcophagus had been opened in some way!
+
+Now, to the watcher's unbounded astonishment, Ah Fu placed the birdcage
+in the opening, and apparently reclosed the trap in the end of the
+coffin. He made other manipulations with his bony yellow fingers, which
+Durham failed to comprehend. Finally the birdcage was withdrawn again,
+and as it was passed before the light of the lantern he saw that it was
+empty, whereas previously it had contained a number of tiny birds all
+huddled up together!
+
+The light gleamed upon the spectacles of Huang Chow. Watching him,
+Durham saw him take out from a hidden drawer in the pedestal a long,
+slender key, insert it in a lock concealed by the ornate carving,
+and then slightly raise the lid which had so recently defied his own
+efforts.
+
+He raised it only a few inches, and then, taking up the lantern, peered
+into the interior of the coffin, at the same time waving his hand
+in dismissal to Ah Fu. For a while he stood there, peering into the
+interior, and then, lowering the lid again, he relocked this gruesome
+receptacle and, lantern in hand, began to mount the stair.
+
+Durham inhaled deeply. He realized that during the last few seconds he
+had been holding his breath. Now, as he began to creep back down the
+slope, he discovered that his hands were shaking.
+
+He dropped down into the court again, and for several minutes leaned
+against the wall, endeavouring to reason out an explanation of what he
+had seen, and in a measure to regain his composure.
+
+There was a horror underlying it all which he was half afraid to face.
+But the real clue to the mystery still eluded him.
+
+Whether what he had witnessed were some kind of obscene ceremony,
+or whether an explanation more vile must be sought, he remained
+undetermined. He must repeat his exploit, if possible, and once more
+gain access to the room which contained the lacquer coffin.
+
+But the adventure was very distasteful. He recollected the smell of the
+place, and the memory brought with it a sense of nausea. He thought of
+Lala Huang, and his ideas became grotesque and chaotic. Yet the solution
+of the mystery lay at last within his grasp, and to the zest of the
+investigator everything else became subjugated.
+
+He walked slowly away, silent in his rubber-soled shoes.
+
+
+
+
+IX
+
+THE PICTURE ON THE PAD
+
+
+
+Lala Huang lay listening to the vague sounds which disturbed the silence
+of the night. Presently her thoughts made her sigh wearily. During the
+lifetime of her mother, who had died while Lala was yet a little girl,
+life had been different and so much brighter.
+
+She imagined that in the mingled sounds of dock and river which came to
+her she could hear the roar of surf upon a golden beach. The stuffy
+air of Limehouse took on the hot fragrance of a tropic island, and she
+sighed again, but this time rapturously, for in spirit she was a child
+once more, lulled by the voice of the great Pacific.
+
+Young as she was, the death of her mother had been a blow from which it
+had taken her several years to recover. Then had commenced those
+long travels with her father, from port to port, from ocean to ocean,
+sometimes settling awhile, but ever moving onward, onward.
+
+He had had her educated after a fashion, and his love for her she did
+not doubt. But her mother's blood spoke more strongly than that part of
+her which was Chinese, and there was softness and a delicious languor in
+her nature which her father did not seem to understand, and of which he
+did not appear to approve.
+
+She knew that he was wealthy. She knew that his ways were not straight
+ways, although that part of his business to which he had admitted her as
+an assistant, and an able one, was legitimate enough, or so it seemed.
+
+Consignments of goods arrived at strange hours of the night at
+the establishment in Limehouse, and from this side of her father's
+transactions she was barred. The big double doors opening on the little
+courtyard would be opened by Ah Fu, and packing cases of varying sizes
+be taken in. Sometimes the sounds of these activities would reach her in
+her room in a distant part of the house; but only in the morning would
+she recognize their significance, when in the warehouse she would
+discover that some new and choice pieces had arrived.
+
+She wondered with what object her father accumulated wealth, and hoped,
+against the promptings of her common sense, that he designed to return
+East, there to seek a retirement amidst the familiar and the beautiful
+things of the Orient which belonged to Lala's dream of heaven.
+
+Stories about her father often reached her ears. She knew that he
+had held high rank in China before she had been born; but that he had
+sacrificed his rights in some way had always been her theory. She had
+been too young to understand the stories which her mother had told her
+sometimes; but that there were traits in the character of Huang Chow
+which it was not good for his daughter to know she appreciated and
+accepted as a secret sorrow.
+
+He allowed her all the freedom to which her education entitled her. Her
+life was that of a European and not of an Oriental woman. She loved him
+in a way, but also feared him. She feared the dark and cruel side of his
+character, of which, at various periods during their life together, she
+had had terrifying glimpses.
+
+She had decided that cruelty was his vice. In what way he gratified
+it she had never learned, nor did she desire to do so. There were
+periodical visits from the police, but she had learned long ago that her
+father was too clever to place himself within reach of the law.
+
+However crooked one part of his business methods might be, his dealings
+with his clients were straight enough, so that no one had any object in
+betraying him; and the legality or otherwise of his foreign relations
+evidently afforded no case against him upon which the authorities could
+act, or upon which they cared to act.
+
+In America it had been graft which had protected him. She had learned
+this accidentally, but never knew whether he bought his immunity in the
+same way in London.
+
+Some of the rumours which reached her were terrifying. Latterly she had
+met many strange glances in her comings and goings about Limehouse. This
+peculiar atmosphere had always preceded the break-up of every home which
+they had shared. She divined the fact that in some way Huang Chow
+had outstayed his welcome in Chinatown, London. Where their next
+resting-place would be she could not imagine, but she prayed that it
+might be in some more sunny clime.
+
+She found herself to be thinking over much of John Hampden. His bona
+fides were not above suspicion, but she could scarcely expect to meet a
+really white man in such an environment.
+
+Lala would have liked to think that he was white, but could not force
+herself to do so. She would have liked to think that he sought her
+company because she appealed to him personally; but she had detected
+the fact that another motive underlay his attentions. She wondered if he
+could be another of those moths drawn by the light of that fabled wealth
+of her father.
+
+It was curious, she reflected, that Huang Chow never checked--indeed,
+openly countenanced--her friendship with the many chance acquaintances
+she had made, even when her own instincts told her that the men were
+crooked; so that, knowing the acumen of her father, she was well aware
+that he must know it too.
+
+Several of these pseudo lovers of hers had died. It was a point which
+often occurred to her mind, but upon which she did not care to dwell
+even now. But John Hampden--John Hampden was different. He was not
+wholly sincere. She sighed wearily. But nevertheless he was not like
+some of the others.
+
+She started up in bed, seized with a sudden dreadful idea. He was a
+detective!
+
+She understood now why she had found so much that was white in him,
+but so much that was false. His presence seemed to be very near her.
+Something caressing in his voice echoed in her mind. She found herself
+to be listening to the muted sounds of Limehouse and of the waterway
+which flowed so close beside her.
+
+That old longing for the home of her childhood returned tenfold, and
+tears began to trickle down her cheeks. She was falling in love with
+this man whose object was her father's ruin. A cold terror clutched
+at her heart. Even now, while their friendship was so new, so strange,
+there was a query, a stark, terrifying query, to stand up before her.
+
+If put to the test, which would she choose?
+
+She was unable to face that issue, and dropped back upon her pillow,
+stifling a sob.
+
+Yes, he was a detective. In some way her father had at last attracted
+the serious attention of the law. Rumours of this were flying round
+Chinatown, to which she had not been entirely deaf. She thought of a
+hundred questions, a hundred silences, and grew more and more convinced
+of the truth.
+
+What did he mean to do? Before her a ghostly company uprose--the shadows
+of some she had known with designs upon her father. John Hampden's
+design was different. But might he not join that mysterious company?
+
+Now again she suddenly sprang upright, this time because of a definite
+sound which had reached her ears from within the house: a very faint,
+bell-like tinkling which ceased almost immediately. She had heard it one
+night before, and quite recently; indeed, on the night before she had
+met John Hampden. Cohen--Cohen, the Jew, had died that night!
+
+She sprang lightly on to the floor, found her slippers, and threw a silk
+kimono over her nightrobe. She tiptoed cautiously to the door and opened
+it.
+
+It was at this very moment that old Huang Chow, asleep in his cell-like
+apartment, was aroused by the tinkling of a bell set immediately above
+his head. He awoke instantly, raised his hand and stopped the bell.
+His expression, could anyone have been present to see it, was a thing
+unpleasant to behold. Triumph was in it, and cunning cruelty.
+
+His long yellow fingers reached out for his hornrimmed spectacles
+which lay upon a little table beside him. Adjusting them, he pulled the
+curtains aside and shuffled silently across the large room.
+
+Mounting the steps to the raised writing-table, he rested his elbows
+upon it, and peered down at that curious blotting-pad which had so
+provoked the curiosity of Durham. Could Durham have seen it now the
+mystery must have been solved. It was an ingenious camera obscura
+apparatus, and dimly depicted upon its surface appeared a reproduction
+of part of the storehouse beneath! The part of it which was visible
+was that touched by the light of an electric torch, carried by a man
+crossing the floor in the direction of the lacquered coffin upon the
+gilded pedestal!
+
+Old Huang Chow chuckled silently, and his yellow fingers clutched the
+table edge as he moved to peer more closely into the picture.
+
+"Poor fool!" he whispered in Chinese. "Poor fool!"
+
+It was the man who had come with the introduction from Mr. Isaacs--a new
+impostor who sought to rob him, who sought to obtain information from
+his daughter, who had examined his premises last night, and had even
+penetrated upstairs, so that he, old Huang Chow, had been compelled to
+disconnect the apparatus and to feign sleep under the scrutiny of the
+intruder.
+
+To-night it would be otherwise. To-night it would be otherwise.
+
+
+
+
+X
+
+THE LACQUERED COFFIN
+
+
+
+Durham gently raised the trap in the roof of Huang Chow's
+treasure-house. He was prepared for snares and pitfalls. No sane man, on
+the evidence which he, Durham, had been compelled to leave behind, would
+have neglected to fasten the skylight which so obviously afforded a
+means of entrance into his premises.
+
+Therefore, he was expected to return. The devilish mechanism was set
+ready to receive him. But the artist within him demanded that he should
+unmask the mystery with his own hands.
+
+Moreover, he doubted that an official visit, even now, would yield any
+results. Old Huang Chow was too cunning for that. If he was to learn how
+the man Cohen had died, he must follow the same path to the bitter end.
+But there were men on duty round the house, and he believed that he had
+placed them so secretly as to deceive even this master of cunning with
+whom he was dealing.
+
+He repeated his exploit, dropping with a dull thud upon the cushioned
+divan. Then, having lain there listening awhile, he pressed the button
+of his torch, and, standing up, crept across the room in the direction
+of the stairway.
+
+Here he paused awhile, listening intently. The image of Lala Huang arose
+before his mind's eye reproachfully, but he crushed the reproach, and
+advanced until he stood beside the lacquered coffin.
+
+He remembered where the key was hidden, and, stooping, he fumbled for a
+while and then found it. He was acutely conscious of an unnameable fear.
+He felt that he was watched, and yet was unwilling to believe it. The
+musty and unpleasant smell which he had noticed before became extremely
+perceptible.
+
+He quietly sought for the hidden lock, and, presently finding it,
+inserted the key, then paused awhile. He rested his torch upon the
+cushions of the divan where the light shone directly upon the coffin.
+Then, having his automatic in his left hand, he turned the key.
+
+He had expected now to be able to raise the lid as he had seen Huang
+Chow do; but the result was far more surprising.
+
+The lid, together with a second framework of fine netting, flew open
+with a resounding bang; and from the interior of the coffin uprose a
+most abominable stench.
+
+Durham started back a step, and as he did so witnessed a sight which
+turned him sick with horror.
+
+Out on to the edge of the coffin leapt the most gigantic spider which
+he had ever seen in his life! It had a body as big as a man's fist, jet
+black, with hairy legs like the legs of a crab and a span of a foot or
+more!
+
+A moment it poised there, while he swayed, sick with horror. Then,
+unhesitatingly, it leapt for his face!
+
+He groaned and fired, missed the horror, but diverted its leap, so that
+it fell with a sickening thud a yard behind him. He turned, staggering
+back towards the stair, and aware that a light had shone out from
+somewhere.
+
+A door had been opened only a few yards from where he stood, and there,
+framed in the opening, was Lala Huang, her eyes wide with terror and her
+gaze set upon him across the room.
+
+"You!" she whispered. "You!"
+
+"Go back!" he cried hoarsely. "Go back! Close the door. You don't
+understand--close the door!"
+
+Her gaze set wildly upon him, Lala staggered forward; stopped dead;
+looked down at her bare ankle, and then, seeing the thing which had
+fastened upon her, uttered a piercing shriek which rang throughout the
+place.
+
+At which moment the floor slid away beneath Durham, and he found himself
+falling--falling--and then battling for life in evil-smelling water,
+amidst absolute darkness.
+
+Police whistles were skirling around the house of Huang Chow. As the
+hidden men came running into the court:
+
+"You heard the shot?" cried the sergeant in charge. "I warned him not to
+go alone. Don't waste time on the door. One man stay on duty there; the
+rest of you follow me."
+
+In a few moments, led by the sergeant, the party came dropping heavily
+through the skylight into the treasure-house of Huang Chow, in which
+every lamp was now alight. A trap was open near the foot of the stairs,
+and from beneath it muffled cries proceeded. In this direction the
+sergeant headed. Craning over the trap:
+
+"Hallo, Mr. Durham!" he called. "Mr. Durham!"
+
+"Get a rope and a ladder," came a faint cry from below. "I can just
+touch bottom with my feet and keep my head above water, but the tide's
+coming in. Look to the girl, though, first. Look to the girl!"
+
+The sergeant turned to where, stretched upon a tiger skin before a
+half-open door, Lala Huang lay, scantily clothed and white as death.
+
+Upon one of her bare ankles was a discoloured mark.
+
+As the sergeant and another of the men stooped over her a moaning sound
+drew their attention to the stair, and there, bent and tottering slowly
+down, was old Huang Chow, his eyes peering through the owl-like glasses
+vacantly across the room to where his daughter lay.
+
+"My God!" whispered the sergeant, upon one knee beside her. He looked
+blankly into the face of the other man. "She's dead!"
+
+Two plain-clothes men were busy knotting together tapestries and pieces
+of rare stuff with which to draw Durham out of the pit; but at these old
+Huang Chow looked not at all, but gropingly crossed the room, as if he
+saw imperfectly, or could not believe what he saw. At last he reached
+the side of the dead girl, stooped, touched her, laid a trembling yellow
+hand over her heart, and then stood up again, looking from face to face.
+
+Ignoring the mingled activities about him, he crossed to the open coffin
+and began to fumble amongst the putrefying mass of bones and webbing
+which lay therein. Out from this he presently drew an iron coffer.
+
+Carrying it across the room he opened the lid. It was full almost to
+the top with uncut gems of every variety--diamonds, rubies, sapphires,
+emeralds, topaz, amethysts, flashing greenly, redly, whitely. In
+handfuls he grasped them and sprinkled them upon the body of the dead
+girl.
+
+"For you," he crooned brokenly in Chinese. "They were all for you!"
+
+The extemporized rope had just been lowered to Durham, when:
+
+"My God!" cried the sergeant, looking over Huang Chow's shoulder.
+"What's that?"
+
+He had seen the giant spider, the horror from Surinam, which the
+Chinaman had reared and fed to guard his treasure and to gratify his
+lust for the strange and cruel. The insect, like everything else in
+that house, was unusual, almost unique. It was one of the Black Soldier
+spiders, by some regarded as a native myth, but actually existing in
+Surinam and parts of Brazil. A member of the family, Mygale, its sting
+was more quickly and certainly fatal than that of a rattle-snake. Its
+instinct was fearlessly to attack any creature, great or small, which
+disturbed it in its dark hiding-place.
+
+Now, with feverish, horrible rapidity it was racing up the tapestries on
+the other side of the room.
+
+"Merciful God!" groaned the sergeant.
+
+Snatching a revolver from his pocket he fired shot after shot. The third
+hit the thing but did not kill it. It dropped back upon the floor and
+began to crawl toward the coffin. The sergeant ran across and at close
+quarters shot it again.
+
+Red blood oozed out from the hideous black body and began to form a deep
+stain upon the carpet.
+
+When Durham, drenched but unhurt, was hauled back into the
+treasure-house, he did not speak, but, scrambling into the room
+stood--pallid--staring dully at old Huang Chow.
+
+Huang Chow, upon his knees beside his daughter, was engaged in
+sprinkling priceless jewels over her still body, and murmuring in
+Chinese:
+
+"For you, for you, Lala. They were all for you."
+
+
+
+
+
+
+KERRY'S KID
+
+
+
+
+
+
+I
+
+RED KERRY ON DUTY
+
+
+
+Chief Inspector Kerry came down from the top of a motor-bus and stood on
+the sidewalk for a while gazing to right and left along Piccadilly.
+The night was humid and misty, now threatening fog and now rain. Many
+travellers were abroad at this Christmas season, the pleasure seekers
+easily to be distinguished from those whom business had detained in
+town, and who hurried toward their various firesides. The theatres
+were disgorging their audiences. Streams of lighted cars bore parties
+supperward; less pretentious taxicabs formed links in the chain.
+
+From the little huddled crowd of more economical theatre-goers who
+waited at the stopping place of the motor-buses, Kerry detached himself,
+walking slowly along westward and staring reflectively about him.
+Opposite the corner of Bond Street he stood still, swinging his malacca
+cane and gazing fixedly along this narrow bazaar street of the
+Baghdad of the West. His trim, athletic figure was muffled in a big,
+double-breasted, woolly overcoat, the collar turned up about his ears.
+His neat bowler hat was tilted forward so as to shade the fierce blue
+eyes. Indeed, in that imperfect light, little of the Chief Inspector's
+countenance was visible except his large, gleaming white teeth, which he
+constantly revealed in the act of industriously chewing mint gum.
+
+He smiled as he chewed. Duty had called him out into the mist, and for
+once he had obeyed reluctantly. That very afternoon had seen the return
+of Dan Kerry, junior, home from school for the Christmas vacation, and
+Dan was the apple of his father's eye.
+
+Mrs. Kerry had reserved her dour Scottish comments upon the boy's school
+report for a more seemly occasion than the first day of his holidays;
+but Kerry had made no attempt to conceal his jubilation--almost immoral,
+his wife had declared it to be--respecting the lad's athletic record.
+His work on the junior left wing had gained the commendation of a
+celebrated international; and Kerry, who had interviewed the gymnasium
+instructor, had learned that Dan Junior bade fair to become an amateur
+boxer of distinction.
+
+"He is faster on his feet than any boy I ever handled," the expert had
+declared. "He hasn't got the weight behind it yet, of course, but he's
+developing a left that's going to make history. I'm of opinion that
+there isn't a boy in the seniors can take him on, and I'll say that he's
+a credit to you."
+
+Those words had fallen more sweetly upon the ears of Chief Inspector
+Kerry than any encomium of the boy's learning could have done. On the
+purely scholastic side his report was not a good one, admittedly. "But,"
+murmured Kerry aloud, "he's going to be a man."
+
+He remembered that he had promised, despite the lateness of the hour, to
+telephone the lad directly he had received a certain report, and to tell
+him whether he might wait up for his return or whether he must turn in.
+Kerry, stamping his small, neatly shod feet upon the pavement, smiled
+agreeably. He was thinking of the telephone which recently he had had
+installed in his house in Brixton. His wife had demanded this as a
+Christmas box, pointing out how many uneasy hours she would be spared by
+the installation. Kerry had consented cheerfully enough, for was he not
+shortly to be promoted to the exalted post of a superintendent of the
+Criminal Investigation Department?
+
+These reflections were cheering and warming; and, waiting until a gap
+occurred in the stream of cabs and cars, he crossed Piccadilly and
+proceeded along Bond Street, swinging his shoulders in a manner which
+would have enabled any constable in the force to recognize "Red Kerry"
+at a hundred yards.
+
+The fierce eyes scrutinized the occupants of all the lighted cars. At
+pedestrians also he stared curiously, and at another smaller group of
+travellers waiting for the buses on the left-hand side of the street he
+looked hard and long. He pursued his way, acknowledged the salutation
+of a porter who stood outside the entrance to the Embassy Club, and
+proceeded, glancing about him right and left and with some evident and
+definite purpose.
+
+A constable standing at the corner of Conduit Street touched his helmet
+as Kerry passed and the light of an arc-lamp revealed the fierce red
+face. The Chief Inspector stopped, turned, and:
+
+"What the devil's the idea?" he demanded.
+
+He snapped out the words in such fashion that the unfortunate constable
+almost believed he could see sparks in the misty air.
+
+"I'm sorry, sir, but recognizing you suddenly like, I----"
+
+"You did?" the fierce voice interrupted. "How long in the force?"
+
+"Six months, sir."
+
+"Never salute an officer in plain clothes."
+
+"I know, sir."
+
+"Then why did you do it?"
+
+"I told you, sir."
+
+"Then tell me again."
+
+"I forgot."
+
+"You're paid to remember; bear it in mind."
+
+Kerry tucked his malacca under his arm and walked on, leaving the
+unfortunate policeman literally stupefied by his first encounter with
+the celebrated Chief Inspector.
+
+Presently another line of cars proclaimed the entrance to a club, and
+just before reaching the first of these Kerry paused. A man stood in a
+shadowy doorway, and:
+
+"Good evening, Chief Inspector," he said quietly.
+
+"Good evening, Durham. Anything to report?"
+
+"Yes. Lou Chada is here again."
+
+"With whom?"
+
+"Lady Rourke."
+
+Kerry stepped to the edge of the pavement and spat out a piece of
+chewing-gum. From his overcoat pocket he drew a fresh piece, tore off
+the pink wrapping and placed the gum between his teeth. Then:
+
+"How long?" he demanded.
+
+"Came to dinner. They are dancing."
+
+"H'm!" The Chief Inspector ranged himself beside the other detective in
+the shadow of the doorway. "Something's brewing, Durham," he said. "I
+think I shall wait."
+
+His subordinate stared curiously but made no reply. He was not wholly
+in his chief's confidence. He merely knew that the name of Lou Chada
+to Kerry was like a red rag to a bull. The handsome, cultured young
+Eurasian, fresh from a distinguished university career and pampered by a
+certain section of smart society, did not conform to Detective Sergeant
+Durham's idea of a suspect. He knew that Lou was the son of Zani Chada,
+and he knew that Zani Chada was one of the wealthiest men in Limehouse.
+But Lou had an expensive flat in George Street; Lou was courted by
+society butterflies, and in what way he could be connected with the case
+known as "the Limehouse inquiry," Durham could not imagine.
+
+That the open indiscretion of Lady "Pat" Rourke might lead to trouble
+with her husband, was conceivable enough; but this was rather a matter
+for underhand private inquiry than for the attention of the Criminal
+Investigation Department of New Scotland Yard.
+
+So mused Durham, standing cold and uncomfortable in the shadowy doorway,
+and dreaming of a certain cosy fireside, a pair of carpet slippers and a
+glass of hot toddy which awaited him. Suddenly:
+
+"Great flames! Look!" he cried.
+
+Kerry's fingers closed, steely, upon Durham's wrist. A porter was
+urgently moving the parked cars farther along the street to enable one,
+a French coupe, to draw up before the club entrance.
+
+Two men came out, supporting between them a woman who seemed to be ill;
+a slender, blonde woman whose pretty face was pale and whose wide-open
+blue eyes stared strangely straight before her. The taller of her
+escorts, while continuing to support her, solicitously wrapped her fur
+cloak about her bare shoulders; the other, the manager of the club,
+stepped forward and opened the door of the car.
+
+"Lady Rourke!" whispered Durham.
+
+"With Lou Chada!" rapped Kerry. "Run for a cab. Brisk. Don't waste a
+second."
+
+Some little conversation ensued between manager and patron, then the
+tall, handsome Eurasian, waving his hand protestingly, removed his hat
+and stepped into the coupe beside Lady Rourke. It immediately moved away
+in the direction of Piccadilly.
+
+One glimpse Kerry had of the pretty, fair head lying limply back against
+the cushions. The manager of the club was staring after the car.
+
+Kerry stepped out from his hiding place. Durham had disappeared, and
+there was no cab in sight, but immediately beyond the illuminated
+entrance stood a Rolls-Royce which had been fifth in the rank of parked
+cars before the adjustment had been made to enable the coupe to reach
+the door. Kerry ran across, and:
+
+"Whose car, my lad?" he demanded of the chauffeur.
+
+The latter, resenting the curt tone of the inquiry, looked the speaker
+up and down, and:
+
+"Captain. Egerton's," he replied slowly. "But what business may it be of
+yours?"
+
+"I'm Chief Inspector Kerry, of New Scotland Yard," came the rapid reply.
+"I want to follow the car that has just left."
+
+"What about running?" demanded the man insolently.
+
+Kerry shot out a small, muscular hand and grasped the speaker's wrist.
+
+"I'll say one thing to you," he rapped. "I'm a police officer, and I
+demand your help. Refuse it, and you'll wake up in Vine Street."
+
+The Chief Inspector was on the step now, bending forward so that his
+fierce red face was but an inch removed from that of the startled
+chauffeur. The quelling force of his ferocious personality achieved its
+purpose, as it rarely failed to do.
+
+"I'm getting in," added the Chief Inspector, jumping back on to the
+pavement. "Lose that French bus, and I'll charge you with resisting and
+obstructing an officer of the law in the execution of his duty. Start."
+
+Kerry leaped in and banged the door--and the Rolls-Royce started.
+
+
+
+
+II
+
+AT MALAY JACK'S
+
+
+
+When Kerry left Bond Street the mistiness of the night was developing
+into definite fog. It varied in different districts. Thus, St. Paul's
+Churchyard had been clear of it at a time when it had lain impenetrably
+in Trafalgar Square. When, an hour and a half after setting out in the
+commandeered Rolls-Royce, Kerry groped blindly along Limehouse Causeway,
+it was through a yellow murk that he made his way--a vapour which could
+not only be seen, smelled and felt, but tasted.
+
+He was in one of his most violent humours. He found some slight solace
+in the reflection that the impudent chauffeur, from whom he had parted
+in West India Dock Road, must experience great difficulty in finding his
+way back to the West End.
+
+"Damn the fog!" he muttered, coughing irritably.
+
+It had tricked him, this floating murk of London; for, while he had been
+enabled to keep the coupe in view right to the fringe of dockland, here,
+as if bred by old London's river, the fog had lain impenetrably.
+
+Chief Inspector Kerry was a man who took many risks, but because of this
+cursed fog he had no definite evidence that Chada's car had gone to a
+certain house. Right of search he had not, and so temporarily he was
+baffled.
+
+Now the nearest telephone was his objective, and presently, where a blue
+light dimly pierced the mist, he paused, pushed open a swing door, and
+stepped into a long, narrow passage. He descended three stairs, and
+entered a room laden with a sickly perfume compounded of stale beer and
+spirits; of greasy humanity--European, Asiastic, and African; of cheap
+tobacco and cheaper scents; and, vaguely, of opium.
+
+It was fairly well lighted, but the fog had penetrated here, veiling
+some of the harshness of its rough appointments. An unsavoury den was
+Malay Jack's, where flotsam of the river might be found. Yellow men
+there were, and black men and brown men. But all the women present were
+white.
+
+Fan-tan was in progress at one of the tables, the four players being
+apparently the only strictly sober people in the room. A woman
+was laughing raucously as Kerry entered, and many coarse-voiced
+conversations were in progress; but as he pulled the rough curtain walls
+aside and walked into the room, a hush, highly complimentary to the
+Chief Inspector's reputation, fell upon the assembly. Only the woman's
+raucous laughter continued, rising, a hideous solo, above a sort of
+murmur, composed of the words "Red Kerry!" spoken in many tones.
+
+Kerry ignored the sensation which his entrance had created, and crossed
+the room to a small counter, behind which a dusky man was standing,
+coatless and shirt sleeves rolled up. He had the skin of a Malay but
+the features of a stage Irishman of the old school. And, indeed, had he
+known his own pedigree, which is a knowledge beyond the ken of any man,
+partly Irish he might have found himself indeed to be.
+
+This was Malay Jack, the proprietor of one of the roughest houses in
+Limehouse. His expression, while propitiatory, was not friendly, but:
+
+"Don't get hot and bothered," snapped Kerry viciously. "I want to use
+your telephone, that's all."
+
+"Oh," said the other, unable to conceal his relief, "that's easy. Come
+in."
+
+He raised a flap in the counter, and Kerry, passing through, entered
+a little room behind the bar. Here a telephone stood upon a dirty,
+littered table, and, taking it up:
+
+"City four hundred," called the Chief Inspector curtly. A moment later:
+"Hallo! Yes," he said. "Chief Inspector Kerry speaking. Put me through
+to my department, please."
+
+He stood for a while waiting, receiver in hand, and smiled grimly to
+note that the uproar in the room beyond had been resumed. Evidently
+Malay Jack had given the "all clear" signal. Then:
+
+"Chief Inspector Kerry speaking," he said again. "Has Detective Sergeant
+Durham reported?"
+
+"Yes," was the reply, "half an hour ago. He's standing-by at Limehouse
+Station. He followed you in a taxi, but lost you on the way owing to the
+fog."
+
+"I don't wonder," said Kerry. "His loss is not so great as mine.
+Anything else?"
+
+"Nothing else."
+
+"Good. I'll speak to Limehouse. Good-bye."
+
+He replaced the receiver and paused for a moment, reflecting. Extracting
+a piece of tasteless gum from between his teeth, he deposited it in
+the grate, where a sickly fire burned; then, tearing the wrapper from
+a fresh slip, he resumed his chewing and stood looking about him
+with unseeing eyes. Fierce they were as ever, but introspective in
+expression.
+
+Famous for his swift decisions, for once in a way he found himself in
+doubt. Malay Jack had keen ears, and there were those in the place who
+had every reason to be interested in the movements of a member of the
+Criminal Investigation Department, especially of one who had earned the
+right to be dreaded by the rats of Limehouse. London's peculiar climate
+fought against him, but he determined to make no more telephone calls
+but to proceed to Limehouse police station.
+
+He stepped swiftly into the bar, and, as he had anticipated, nearly
+upset the proprietor, who was standing listening by the half-open door.
+Kerry smiled fiercely into the ugly face, lifted the flap, and walked
+down the room, through the aisle between the scattered tables, where the
+air was heavy with strange perfumes, touched now with the bite of London
+fog, and where slanting eyes and straight eyes, sober eyes and drunken
+eyes, regarded him furtively. Something of a second hush there was, but
+one not so complete as the first.
+
+Kerry pulled the curtain aside, mounted the stair, walked along the
+passage and out through the swing door into the yellow gloom of the
+Causeway. Ten slow steps he had taken when he detected a sound of
+pursuit. Like a flash he turned, clenching his fists. Then:
+
+"Inspector!" whispered a husky voice.
+
+"Yes! Who are you? What do you want?"
+
+A dim form loomed up through the fog.
+
+"My name is Peters, sir. Inspector Preston knows me."
+
+Kerry had paused immediately under a street lamp, and now he looked into
+the pinched, lean face of the speaker, and:
+
+"I've heard of you," he snapped. "Got some information for me?"
+
+"I think so; but walk on."
+
+Chief Inspector Kerry hesitated. Peters belonged to a class which
+Kerry despised with all the force of his straightforward character. A
+professional informer has his uses from the police point of view; and
+while evidence of this kind often figured in reports made to the Chief
+Inspector, he personally avoided contact with such persons, as he
+instinctively and daintily avoided contact with personal dirt. But now,
+something so big was at stake that his hesitation was only momentary.
+
+A vision of the pale face of Lady Rourke, of the golden head leaning
+weakly back upon the cushions of the coupe, as he had glimpsed it in
+Bond Street, rose before his mind's eye as if conjured up out of the
+fog. Peters shuffled along beside him, and:
+
+"Young Chada's done himself in to-night," continued the husky voice. "He
+brought a swell girl to the old man's house an hour ago. I was hanging
+about there, thinking I might get some information. I think she was
+doped."
+
+"Why?" snapped Kerry.
+
+"Well, I was standing over on the other side of the street. Lou Chada
+opened the door with a key; and when the light shone out I saw him carry
+her in."
+
+"Carry her in?"
+
+"Yes. She was in evening dress, with a swell cloak."
+
+"The car?"
+
+"He came out again and drove it around to the garage at the back."
+
+"Why didn't you report this at once?"
+
+"I was on my way to do it when I saw you coming out of Malay Jack's."
+
+The man's voice shook nervously, and:
+
+"What are you scared about?" asked Kerry savagely. "Got anything else to
+tell me?"
+
+"No, no," muttered Peters. "Only I've got an idea he saw me."
+
+"Who saw you?"
+
+"Lou Chada."
+
+"What then?"
+
+"Well, only--don't leave me till we get to the station."
+
+Kerry blew down his nose contemptuously, then stopped suddenly.
+
+"Stand still," he ordered. "I want to listen."
+
+Silent, they stood in a place of darkness, untouched by any lamplight.
+Not a sound reached them through the curtain of fog. Asiatic mystery
+wrapped them about, but Kerry experienced only contempt for the
+cowardice of his companion, and:
+
+"You need come no farther," he said coldly. "Good night."
+
+"But------" began the man.
+
+"Good night," repeated Kerry.
+
+He walked on briskly, tapping the pavement with his malacca. The
+sneaking figure of the informer was swallowed up in the fog. But not
+a dozen paces had the Chief Inspector gone when he was arrested by a
+frenzied scream, rising, hollowly, in a dreadful, muffled crescendo.
+Words reached him.
+
+"My God, he's stabbed me!"
+
+Then came a sort of babbling, which died into a moan.
+
+"Hell!" muttered Kerry, "the poor devil was right!"
+
+He turned and began to run back, fumbling in his pocket for his electric
+torch. Almost in the same moment that he found it he stumbled upon
+Peters, who lay half in the road and half upon the sidewalk.
+
+Kerry pressed the button, and met the glance of upturned, glazing eyes.
+Even as he dropped upon his knee beside the dying man, Peters swept his
+arm around in a convulsive movement, having the fingers crooked, coughed
+horribly, and rolled upon his face.
+
+Switching off the light of the torch, Kerry clenched his jaws in a tense
+effort of listening, literally holding his breath. But no sound reached
+him through the muffling fog. A moment he hesitated, well knowing his
+danger, then viciously snapping on the light again, he quested in the
+blood-stained mud all about the body of the murdered man.
+
+"Ah!"
+
+It was an exclamation of triumph.
+
+One corner hideously stained, for it had lain half under Peters's
+shoulder, Kerry gingerly lifted between finger and thumb a handkerchief
+of fine white silk, such as is carried in the breast pocket of an
+evening coat.
+
+It bore an ornate monogram worked in gold, and representing the letters
+"L. C." Oddly enough, it was the corner that bore the monogram which was
+also bloodstained.
+
+
+
+
+III
+
+THE ROOM OF THE GOLDEN BUDDHA
+
+
+
+It was a moot point whether Lady Pat Rourke merited condemnation or
+pity. She possessed that type of blonde beauty which seems to be a
+lodestone for mankind in general. Her husband was wealthy, twelve
+years her senior, and, far from watching over her with jealous care--an
+attitude which often characterizes such unions--he, on the contrary,
+permitted her a dangerous freedom, believing that she would appreciate
+without abusing it.
+
+Her friendship with Lou Chada had first opened his eyes to the perils
+which beset the road of least resistance. Sir Noel Rourke was an
+Anglo-Indian, and his prejudice against the Eurasian was one not lightly
+to be surmounted. Not all the polish which English culture had given to
+this child of a mixed union could blind Sir Noel to the yellow streak.
+Courted though Chada was by some of the best people, Sir Noel remained
+cold.
+
+The long, magnetic eyes, the handsome, clear-cut features, above all,
+that slow and alluring smile, appealed to the husband of the wilful
+Pat rather as evidences of Oriental, half-effeminate devilry than as
+passports to decent society. Oxford had veneered him, but scratch the
+veneer and one found the sandal-wood of the East, perfumed, seductive,
+appealing, but something to be shunned as brittle and untrustworthy.
+
+Yet he hesitated, seeking to be true to his convictions. Knowing what he
+knew already, and what he suspected, it is certain that, could he have
+viewed Lou Chada through the eyes of Chief Inspector Kerry, the affair
+must have terminated otherwise. But Sir Noel did not know what Kerry
+knew. And the pleasure-seeking Lady Rourke, with her hair of spun gold
+and her provoking smile, found Lou Chada dangerously fascinating; almost
+she was infatuated--she who had known so much admiration.
+
+Of those joys for which thousands of her plainer sisters yearn and
+starve to the end of their days she had experienced a surfeit. Always
+she sought for novelty, for new adventures. She was confident of
+herself, but yet--and here lay the delicious thrill--not wholly
+confident. Many times she had promised to visit the house of Lou Chada's
+father--a mystery palace cunningly painted, a perfumed page from the
+Arabian poets dropped amid the interesting squalor of Limehouse.
+
+Perhaps she had never intended to go. Who knows? But on the night when
+she came within the ken of Chief Inspector Kerry, Lou Chada had urged
+her to do so in his poetically passionate fashion, and, wanting to go,
+she had asked herself: "Am I strong enough? Dare I?"
+
+They had dined, danced, and she had smoked one of the scented cigarettes
+which he alone seemed to be able to procure, and which, on their arrival
+from the East, were contained in queer little polished wooden boxes.
+
+Then had come an unfamiliar nausea and dizziness, an uncomfortable
+recognition of the fact that she was making a fool of herself, and
+finally a semi-darkness through which familiar faces loomed up and
+were quickly lost again. There was the soft, musical voice of Lou Chada
+reassuring her, a sense of chill, of helplessness, and then for a while
+an interval which afterward she found herself unable to bridge.
+
+Knowledge of verity came at last, and Lady Pat raised herself from the
+divan upon which she had been lying, and, her slender hands clutching
+the cushions, stared about her with eyes which ever grew wider.
+
+She was in a long, rather lofty room, which was lighted by three silver
+lanterns swung from the ceiling. The place, without containing much
+furniture, was a riot of garish, barbaric colour. There were deep divans
+cushioned in amber and blood-red. Upon the floor lay Persian carpets
+and skins of beasts. Cunning niches there were, half concealing and half
+revealing long-necked Chinese jars; and odd little carven tables bore
+strangely fashioned vessels of silver. There was a cabinet of ebony
+inlaid with jade, there were black tapestries figured with dragons of
+green and gold. Curtains she saw of peacock-blue; and in a tall, narrow
+recess, dominating the room, squatted a great golden Buddha.
+
+The atmosphere was laden with a strange perfume.
+
+But, above all, this room was silent, most oppressively silent.
+
+Lady Pat started to her feet. The whole perfumed place seemed to be
+swimming around her. Reclosing her eyes, she fought down her weakness.
+The truth, the truth respecting Lou Chada and herself, had uprisen
+starkly before her. By her own folly--and she could find no
+tiny excuse--she had placed herself in the power of a man whom,
+instinctively, deep within her soul, she had always known to be utterly
+unscrupulous.
+
+How cleverly he had concealed the wild animal which dwelt beneath
+that suave, polished exterior! Yet how ill he had concealed it! For
+intuitively she had always recognized its presence, but had deliberately
+closed her eyes, finding a joy in the secret knowledge of danger. Now at
+last he had discarded pretense.
+
+The cigarette which he had offered her at the club had been drugged. She
+was in Limehouse, at the mercy of a man in whose veins ran the blood of
+ancestors to whom women had been chattels. Too well she recognized that
+his passion must have driven him insane, as he must know at what cost
+he took such liberties with one who could not lightly be so treated. But
+these reflections afforded poor consolation. It was not of the penalties
+that Lou Chada must suffer for this infringement of Western codes, but
+of the price that she must pay for her folly, of which Pat was thinking.
+
+There was a nauseating taste upon her palate. She remembered having
+noticed it faintly while she was smoking the cigarette; indeed, she had
+commented upon it at the time.
+
+"The dirty yellow blackguard!" she said aloud, and clenched her hands.
+
+She merely echoed what many a man had said before her. She wondered at
+herself, and in doing so but wondered at the mystery of womanhood.
+
+Clarity was returning. The room no longer swam around her. She crossed
+in the direction of a garish curtain, which instinctively she divined to
+mask a door. Dragging it aside, she tried the handle, but the door was
+locked. A second door she found, and this also proved to be locked.
+
+There was one tall window, also covered by ornate draperies, but it
+was shuttered, and the shutters had locks. Another small window she
+discovered, glazed with amber glass, but set so high in the wall as to
+be inaccessible.
+
+Dread assailed her, and dropping on to one of the divans, she hid her
+face in her hands.
+
+"My God!" she whispered. "My God! Give me strength--give me courage."
+
+For a long time she remained there, listening for any sound which should
+disperse the silence. She thought of her husband, of the sweet security
+of her home, of the things which she had forfeited because of this mad
+quest of adventure. And presently a key grated in a lock.
+
+Lady Pat started to her feet with a wild, swift action which must have
+reminded a beholder of a startled gazelle. The drapery masking the door
+which she had first investigated was drawn aside. A man entered and
+dropped the curtain behind him.
+
+Exactly what she had expected she could not have defined, but the
+presence of this perfect stranger was a complete surprise. The man,
+who wore embroidered slippers and a sort of long blue robe, stood there
+regarding her with an expression which, even in her frantic condition,
+she found to be puzzling. He had long, untidy gray hair brushed back
+from his low brow; eyes strangely like the eyes of Lou Chada, except
+that they were more heavy-lidded; but his skin was as yellow as a
+guinea, and his gaunt, cleanshaven face was the face of an Oriental.
+
+The slender hands, too, which he held clasped before him, were yellow,
+and possessed a curiously arresting quality. Pat imagined them clasped
+about her white throat, and her very soul seemed to shrink from the man
+who stood there looking at her with those long, magnetic, inscrutable
+eyes.
+
+She wondered why she was surprised, and suddenly realized that it was
+because of the expression in his eyes, for it was an expression of cold
+anger. Then the intruder spoke.
+
+"Who are you?" he demanded, speaking with an accent which was unfamiliar
+to her, but in a voice which was not unlike the voice of Lou Chada. "Who
+brought you here?"
+
+This was so wholly unexpected that for a moment she found herself unable
+to reply, but finally:
+
+"How dare you!" she cried, her native courage reasserting itself. "I
+have been drugged and brought to this place. You shall pay for it. How
+dare you!"
+
+"Ah!" The long, dark eyes regarded her unmovingly. "But who are you?"
+
+"I am Lady Rourke. Open the door. You shall bitterly regret this
+outrage."
+
+"You are Lady Rourke?" the man repeated. "Before you speak of regrets,
+answer the question which I have asked: Who brought you here?"
+
+"Lou Chada."
+
+"Ah!" There was no alteration of pose, no change of expression, but
+slightly the intonation had varied.
+
+"I don't know who you are, but I demand to be released from this place
+instantly."
+
+The man standing before the curtained door slightly inclined his head.
+
+"You shall be released," he replied, "but not instantly. I will see the
+one who brought you here. He may not be entirely to blame. Before you
+leave we shall understand one another."
+
+Tone and glance were coldly angry. Then, before the frightened woman
+could say another word, the man in the blue robe robe withdrew, the
+curtain was dropped again, and she heard the grating of a key in the
+lock. She ran to the door, beating upon it with her clenched hands.
+
+"Let me go!" she cried, half hysterically. "Let me go! You shall pay for
+this! Oh, you shall pay for this!"
+
+No one answered, and, turning, she leaned back against the curtain,
+breathing heavily and fighting for composure, for strength.
+
+
+
+
+IV
+
+ZANI CHADA, THE EURASIAN
+
+
+
+"I can't help thinking, Chief Inspector," said the officer in charge at
+Limehouse Station, "that you take unnecessary risks."
+
+"Can't you?" said Kerry, tilting his bowler farther forward and staring
+truculently at the speaker.
+
+"No, I can't. Since you cleaned up the dope gang down here you've been
+a marked man. These murders in the Chinatown area, of which this one
+to-night makes the third, have got some kind of big influence behind
+them. Yet you wander about in the fog without even a gun in your
+pocket."
+
+"I don't believe in guns," rapped Kerry. "My bare hands are good enough
+for any yellow smart in this area. And if they give out I can kick like
+a mule."
+
+The other laughed, shaking his head.
+
+"It's silly, all the same," he persisted. "The man who did the job out
+there in the fog to-night might have knifed you or shot you long before
+you could have got here."
+
+"He might," snapped Kerry, "but he didn't."
+
+Yet, remembering his wife, who would be waiting for him in the cosy
+sitting-room he knew a sudden pang. Perhaps he did take unnecessary
+chances. Others had said so. Hard upon the thought came the memory of
+his boy, and of the telephone message which the episodes of the night
+had prevented him from sending.
+
+He remembered, too, something which his fearless nature had prompted him
+to forget: he remembered how, just as he had arisen from beside the body
+of the murdered man, oblique eyes had regarded him swiftly out of the
+fog. He had lashed out with a boxer's instinct, but his knuckles had
+encountered nothing but empty air. No sound had come to tell him that
+the thing had not been an illusion. Only, once again, as he groped his
+way through the shuttered streets of Chinatown and the silence of
+the yellow mist, something had prompted him to turn; and again he had
+detected the glint of oblique eyes, and faintly had discerned the form
+of one who followed him.
+
+Kerry chewed viciously, then:
+
+"I think I'll 'phone the wife," he said abruptly. "She'll be expecting
+me."
+
+Almost before he had finished speaking the 'phone bell rang, and a few
+moments later:
+
+"Someone to speak to you, Chief Inspector," cried the officer in charge.
+
+"Ah!" exclaimed Kerry, his fierce eyes lighting up. "That will be from
+home."
+
+"I don't think so," was the reply. "But see who it is."
+
+"Hello!" he called.
+
+He was answered by an unfamiliar voice, a voice which had a queer,
+guttural intonation. It was the sort of voice he had learned to loathe.
+
+"Is that Chief Inspector Kerry?"
+
+"Yes," he snapped.
+
+"May I take it that what I have to say will be treated in confidence?"
+
+"Certainly not."
+
+"Think again, Chief Inspector," the voice continued. "You are a man
+within sight of the ambition of years, and although you may be unaware
+of the fact, you stand upon the edge of a disaster. I appreciate your
+sense of duty and respect it. But there are times when diplomacy is a
+more potent weapon than force."
+
+Kerry, listening, became aware that the speaker was a man of cultured
+intellect. He wondered greatly, but:
+
+"My time is valuable," he said rapidly. "Come to the point. What do you
+want and who are you?"
+
+"One moment, Chief Inspector. An opportunity to make your fortune
+without interfering with your career has come in your way. You have
+obtained possession of what you believe to be a clue to a murder."
+
+The voice ceased, and Kerry remaining silent, immediately continued:
+
+"Knowing your personal character, I doubt if you have communicated the
+fact of your possessing this evidence to anyone else. I suggest, in your
+own interests, that before doing so you interview me."
+
+Kerry thought rapidly, and then:
+
+"I don't say you're right," he rapped back. "But if I come to see you,
+I shall leave a sealed statement in possession of the officer in charge
+here."
+
+"To this I have no objection," the guttural voice replied, "but I beg of
+you to bring the evidence with you."
+
+"I'm not to be bought," warned Kerry. "Don't think it and don't suggest
+it, or when I get to you I'll break you in half."
+
+His red moustache positively bristled, and he clutched the receiver so
+tightly that it quivered against his ear.
+
+"You mistake me," replied the speaker. "My name is Zani Chada. You know
+where I live. I shall not detain you more than five minutes if you will
+do me the honour of calling upon me."
+
+Kerry chewed furiously for ten momentous seconds, then:
+
+"I'll come!" he said.
+
+He replaced the receiver on the hook, and, walking across to the charge
+desk, took an official form and a pen. On the back of the form he
+scribbled rapidly, watched with curiosity by the officer in charge.
+
+"Give me an envelope," he directed.
+
+An envelope was found and handed to him. He placed the paper in the
+envelope, gummed down the lapel, and addressed it in large, bold writing
+to the Assistant Commissioner of the Criminal Investigation Department,
+who was his chief. Finally:
+
+"I'm going out," he explained.
+
+"After what I've said?"
+
+"After what you've said. I'm going out. If I don't come back or don't
+telephone within the next hour, you will know what to do with this."
+
+The Limehouse official stared perplexedly.
+
+"But meanwhile," he protested, "what steps am I to take about the
+murder? Durham will be back with the body at any moment now, and you say
+you've got a clue to the murderer."
+
+"I have," said Kerry, "but I'm going to get definite evidence. Do
+nothing until you hear from me."
+
+"Very good," answered the other, and Kerry, tucking his malacca cane
+under his arm, strode out into the fog.
+
+His knowledge of the Limehouse area was extensive and peculiar, so that
+twenty minutes later, having made only one mistake in the darkness, he
+was pressing an electric bell set beside a door which alone broke the
+expanse of a long and dreary brick wall, lining a street which neither
+by day nor night would have seemed inviting to the casual visitor.
+
+The door was opened by a Chinaman wearing national dress, revealing
+a small, square lobby, warmly lighted and furnished Orientally. Kerry
+stepped in briskly.
+
+"I want to see Mr. Zani Chada. Tell him I am here. Chief Inspector Kerry
+is my name."
+
+The Chinaman bowed, crossed the lobby, and, drawing some curtains aside,
+walked up four carpeted stairs and disappeared into a short passage
+revealed by the raising of the tapestry. As he did so Kerry stared about
+him curiously.
+
+He had never before entered the mystery house of Zani Chada, nor had he
+personally encountered the Eurasian, reputed to be a millionaire,
+but who chose, for some obscure reason, to make his abode in this old
+rambling building, once a country mansion, which to-day was closely
+invested by dockland and the narrow alleys of Chinatown. It was
+curiously still in the lobby, and, as he determined, curiously Eastern.
+He was conscious of a sense of exhilaration. That Zani Chada controlled
+powerful influences, he knew well. But, reviewing the precautions
+which he had taken, Kerry determined that the trump card was in his
+possession.
+
+The Chinese servant descended the stairs again and intimated that the
+visitor should follow him. Kerry, carrying his hat and cane, mounted the
+stairs, walked along the carpeted passage, and was ushered into a queer,
+low room furnished as a library.
+
+It was lined with shelves containing strange-looking books, none of
+which appeared to be English. Upon the top of the shelves were grotesque
+figures of gods, pieces of Chinese pottery and other Oriental ornaments.
+Arms there were in the room, and rich carpets, carven furniture, and an
+air of luxury peculiarly exotic. Furthermore, he detected a faint smell
+of opium from which fact he divined that Zani Chada was addicted to the
+national vice of China.
+
+Seated before a long narrow table was the notorious Eurasian. The table
+contained a number of strange and unfamiliar objects, as well as a small
+rack of books. An opium pipe rested in a porcelain bowl.
+
+Zani Chada, wearing a blue robe, sat in a cushioned chair, staring
+toward the Chief Inspector. With one slender yellow hand he brushed his
+untidy gray hair. His long magnetic eyes were half closed.
+
+"Good evening, Chief Inspector Kerry," he said. "Won't you be seated?"
+
+"Thanks, I'm not staying. I can hear what you've got to say standing."
+
+The long eyes grew a little more narrow--the only change of expression
+that Zani Chada allowed himself.
+
+"As you wish. I have no occasion to detain you long."
+
+In that queer, perfumed room, with the suggestion of something sinister
+underlying its exotic luxury, arose a kind of astral clash as the
+powerful personality of the Eurasian came in contact with that of Kerry.
+In a sense it was a contest of rapier and battle-axe; an insidious but
+powerful will enlisted against the bulldog force of the Chief Inspector.
+
+Still through half-closed eyes Zani Chada watched his visitor, who
+stood, feet apart and chin thrust forward aggressively, staring with
+wide open, fierce blue eyes at the other.
+
+"I'm going to say one thing," declared Kerry, snapping out the words
+in a manner little short of ferocious. He laid his hat and cane upon a
+chair and took a step in the direction of the narrow, laden table. "Make
+me any kind of offer to buy back the evidence you think I've got, and
+I'll bash your face as flat as a frying-pan."
+
+The yellow hands of Zani Chada clutched the metal knobs which ornamented
+the arms of the chair in which he was seated. The long eyes now
+presented the appearance of being entirely closed; otherwise he remained
+immovable.
+
+Following a short, portentous silence:
+
+"How grossly you misunderstood me, Chief Inspector," Chada replied,
+speaking very softly. "You are shortly to be promoted to a post which no
+one is better fitted to occupy. You enjoy great domestic happiness, and
+you possess a son in whom you repose great hopes. In this respect Chief
+Inspector, I resemble you."
+
+Kerry's nostrils were widely dilated, but he did not speak.
+
+"You see," continued the Eurasian, "I know many things about you.
+Indeed, I have watched your career with interest. Now, to be brief, a
+great scandal may be averted and a woman's reputation preserved if you
+and I, as men of the world, can succeed in understanding one another."
+
+"I don't want to understand you," said Kerry bluntly. "But you've said
+enough already to justify me in blowing this whistle." He drew a police
+whistle from his overcoat pocket. "This house is being watched."
+
+"I am aware of the fact," murmured Zani Chada.
+
+"There are two people in it I want for two different reasons. If you say
+much more there may be three."
+
+Chada raised his hand slowly.
+
+"Put back your whistle, Chief Inspector."
+
+There was a curious restraint in the Eurasian's manner which Kerry
+distrusted, but for which at the time he was at a loss to account. Then
+suddenly he determined that the man was waiting for something, listening
+for some sound. As if to confirm this reasoning, just at that moment a
+sound indeed broke the silence of the room.
+
+Somewhere far away in the distance of the big house a gong was beaten
+three times softly. Kerry's fierce glance searched the face of Zani
+Chada, but it remained mask-like, immovable. Yet that this had been a
+signal of some kind the Chief Inspector did not doubt, and:
+
+"You can't trick me," he said fiercely. "No one can leave this house
+without my knowledge, and because of what happened out there in the fog
+my hands are untied."
+
+He took up his hat and cane from the chair.
+
+"I'm going to search the premises," he declared.
+
+Zani Chada stood up slowly.
+
+"Chief Inspector," he said, "I advise you to do nothing until you have
+consulted your wife."
+
+"Consulted my wife?" snapped Kerry. "What the devil do you mean?"
+
+"I mean that any steps you may take now can only lead to disaster for
+many, and in your own case to great sorrow."
+
+Kerry took a step forward, two steps, then paused. He was considering
+certain words which the Eurasian had spoken. Without fearing the man
+in the physical sense, he was not fool enough to underestimate his
+potentialities for evil and his power to strike darkly.
+
+"Act as you please," added Zani Chada, speaking even more softly. "But
+I have not advised lightly. I will receive you, Chief Inspector, at any
+hour of the night you care to return. By to-morrow, if you wish, you may
+be independent of everybody."
+
+Kerry clenched his fists.
+
+"And great sorrow may be spared to others," concluded the Eurasian.
+
+Kerry's teeth snapped together audibly; then, putting on his hat, he
+turned and walked straight to the door.
+
+
+
+
+V
+
+DAN KERRY, JUNIOR
+
+
+
+Dan Kerry, junior, was humorously like his father, except that he was
+larger-boned and promised to grow into a much bigger man. His hair was
+uncompromisingly red, and grew in such irregular fashion that the comb
+was not made which could subdue it. He had the wide-open, fighting blue
+eyes of the Chief Inspector, and when he smiled the presence of two
+broken teeth lent him a very pugilistic appearance.
+
+On his advent at the school of which he was now one of the most popular
+members, he had promptly been christened "Carrots." To this nickname
+young Kerry had always taken exception, and he proceeded to display
+his prejudice on the first day of his arrival with such force and
+determination that the sobriquet had been withdrawn by tacit consent of
+every member of the form who hitherto had favoured it.
+
+"I'll take you all on," the new arrival had declared amidst a silence of
+stupefaction, "starting with you"--pointing to the biggest boy. "If we
+don't finish to-day, I'll begin again to-morrow."
+
+The sheer impudence of the thing had astounded everybody. Young Kerry's
+treatment of his leading persecutor had produced a salutary change of
+opinion. Of such kidney was Daniel Kerry, junior; and when, some hours
+after his father's departure on the night of the murder in the fog, the
+'phone bell rang, it was Dan junior, and not his mother, who answered
+the call.
+
+"Hallo!" said a voice. "Is that Chief Inspector Kerry's house?"
+
+"Yes," replied Dan.
+
+"It has begun to rain in town," the voice continued, "Is that the Chief
+Inspector's son speaking?"
+
+"Yes, I'm Daniel Kerry."
+
+"Well, my boy, you know the way to New Scotland Yard?"
+
+"Rather."
+
+"He says will you bring his overall? Do you know where to find it?"
+
+"Yes, yes!" cried Dan excitedly, delighted to be thus made a party to
+his father's activities.
+
+"Well, get it. Jump on a tram at the Town Hall and bring the overall
+along here. Your mother will not object, will she?"
+
+"Of course not," cried Dan. "I'll tell her. Am I to start now?"
+
+"Yes, right away."
+
+Mrs. Kerry was sewing by the fire in the dining room when her son came
+in with the news, his blue eyes sparkling excitedly. She nodded her head
+slowly.
+
+"Ye'll want ye'r Burberry and ye'r thick boots," she declared, "a
+muffler, too, and ye'r oldest cap. I think it's madness for ye to go out
+on such a night, but----"
+
+"Father said I could," protested the boy.
+
+"He says so, and ye shall go, but I think it madness a' the same."
+
+However, some ten minutes later young Kerry set out, keenly resenting
+the woollen muffler which he had been compelled to wear, and secretly
+determined to remove it before mounting the tram. Across one arm he
+carried the glistening overall which was the Chief Inspector's constant
+companion on wet nights abroad. The fog had turned denser, and ten paces
+from the door of the house took him out of sight of the light streaming
+from the hallway.
+
+Mary Kerry well knew her husband's theories about coddling boys, but
+even so could not entirely reconcile herself to the present expedition.
+However, closing the door, she returned philosophically to her sewing,
+reflecting that little harm could come to Dan after all, for he was
+strong, healthy, and intelligent.
+
+On went the boy through the mist, whistling merrily. Not twenty yards
+from the house a coupe was drawn up, and by the light of one of its
+lamps a man was consulting a piece of paper on which, presumably, an
+address was written; for, as the boy approached, the man turned, his
+collar pulled up about his face, his hat pulled down.
+
+"Hallo!" he called. "Can you please tell me something?"
+
+He spoke with a curious accent, unfamiliar to the boy. "A foreigner of
+some kind," young Kerry determined.
+
+"What is it?" he asked, pausing.
+
+"Will you please read and tell me if I am near this place?" the man
+continued, holding up the paper which he had been scrutinizing.
+
+Dan stepped forward and bent over it. He could not make out the writing,
+and bent yet more, holding it nearer to the lamp. At which moment some
+second person neatly pinioned him from behind, a scarf was whipped about
+his head, and, kicking furiously but otherwise helpless, he felt himself
+lifted and placed inside the car.
+
+The muffler had been thrown in such fashion about his face as to leave
+one eye partly free, and as he was lifted he had a momentary glimpse of
+his captors. With a thrill of real, sickly terror he realized that he
+was in the hands of Chinamen!
+
+Perhaps telepathically this spasm of fear was conveyed to his father,
+for it was at about this time that the latter was interviewing Zani
+Chada, and at about this time that Kerry recognized, underlying the
+other's words, at once an ill-concealed suspense and a threat. Then,
+a few minutes later, had come the three strokes of the gong; and again
+that unreasonable dread had assailed him, perhaps because it signalized
+the capture of his son, news of which had been immediately telephoned to
+Limehouse by Zani Chada's orders.
+
+Certain it is that Kerry left the Eurasian's house in a frame of mind
+which was not familiar to him. He was undecided respecting his next
+move. A deadly menace underlay Chada's words.
+
+"Consult your wife," he kept muttering to himself. When the door was
+opened for him by the Chinese servant, he paused a moment before going
+out into the fog. There were men on duty at the back and at the front of
+the house. Should he risk all and raid the place? That Lady Rourke was
+captive here he no longer doubted. But it was equally certain that no
+further harm would come to her at the hands of her captors, since she
+had been traced there and since Zani Chada was well aware of the fact.
+Of the whereabouts of Lou Chada he could not be certain. If he was in
+the house, they had him.
+
+The door was closed by the Chinaman, and Kerry stood out in the darkness
+of the dismal, brick-walled street, feeling something as nearly akin
+to dejection as was possible in one of his mercurial spirit. Something
+trickled upon the brim of his hat, and, raising his head, Kerry detected
+rain upon his upturned face. He breathed a prayer of thankfulness. This
+would put an end to the fog.
+
+He began to walk along by the high brick wall, but had not proceeded far
+before a muffled figure arose before him and the light of an electric
+torch was shone into his face.
+
+"Oh, it's you, Chief Inspector!" came the voice of the watcher.
+
+"It is," rapped Kerry. "Unless there are tunnels under this old
+rat-hole, I take it the men on duty can cover all the exits?"
+
+"All the main exits," was the reply. "But, as you say, it's a strange
+house, and Zani Chada has a stranger reputation."
+
+"Do nothing until you hear from me."
+
+"Very good, Chief Inspector."
+
+The rain now was definitely conquering the fog, and in half the time
+which had been occupied by the outward journey Kerry was back again in
+Limehouse police station. Unconsciously he had been hastening his pace
+with every stride, urged onward by an unaccountable anxiety, so that
+finally he almost ran into the office and up to the desk where the
+telephone stood.
+
+Lifting it, he called his own number and stood tapping his foot,
+impatiently awaiting the reply. Presently came the voice of the
+operator: "Have they answered yet?"
+
+"No."
+
+"I will ring them again."
+
+Kerry's anxiety became acute, almost unendurable; and when at last,
+after repeated attempts, no reply could be obtained from his home, he
+replaced the receiver and leaned for a moment on the desk, shaken with
+such a storm of apprehension as he had rarely known. He turned to the
+inspector in charge, and:
+
+"Let me have that envelope I left with you," he directed. "And have
+someone 'phone for a taxi; they are to keep on till they get one. Where
+is Sergeant Durham?"
+
+"At the mortuary."
+
+"Ah!"
+
+"Any developments, Chief Inspector?"
+
+"Yes. But apart from keeping a close watch upon the house of Zani Chada
+you are to do nothing until you hear from me again."
+
+"Very good," said the inspector. "Are you going to wait for Durham's
+report?"
+
+"No. Directly the cab arrives I am going to wait for nothing."
+
+Indeed, he paced up and down the room like a wild beast caged, while
+call after call was sent to neighbouring cab ranks, for a long time
+without result. What did it mean, his wife's failure to answer the
+telephone? It might mean that neither she nor their one servant nor Dan
+was in the house. And if they were not in the house at this hour of the
+night, where could they possibly be? This it might mean, or--something
+worse.
+
+A thousand and one possibilities, hideous, fantastic, appalling, flashed
+through his mind. He was beginning to learn what Zani Chada had meant
+when he had said: "I have followed your career with interest."
+
+At last a taxi was found, and the man instructed over the 'phone to
+proceed immediately to Limehouse station. He seemed so long in coming
+that when at last the cab was heard to pause outside, Kerry could not
+trust himself to speak to the driver, but directed a sergeant to give
+him the address. He entered silently and closed the door.
+
+A steady drizzle of rain was falling. It had already dispersed the fog,
+so that he might hope with luck to be home within the hour. As a matter
+of fact, the man performed the journey in excellent time, but it seemed
+to his passenger that he could have walked quicker, such was the gnawing
+anxiety within him and the fear which prompted him to long for wings.
+
+Instructing the cabman to wait, Kerry unlocked the front door and
+entered. He had noted a light in the dining room window, and entering,
+he found his wife awaiting him there. She rose as he entered, with
+horror in her comely face.
+
+"Dan!" she whispered. "Dan! where is ye'r mackintosh?"
+
+"I didn't take it," he replied, endeavouring to tell himself that his
+apprehensions had been groundless. "But how was it that you did not
+answer the telephone?"
+
+"What do ye mean, Dan?" Mary Kerry stared, her eyes growing wider and
+wider. "The boy answered, Dan. He set out wi' ye'r mackintosh full an
+hour and a half since."
+
+"What!"
+
+The truth leaped out at Kerry like an enemy out of ambush.
+
+"Who sent that message?"
+
+"Someone frae the Yard, to tell the boy to bring ye'r mackintosh alone
+at once. Dan! Dan------"
+
+She advanced, hands outstretched, quivering, but Kerry had leaped out
+into the narrow hallway. He raised the telephone receiver, listened for
+a moment, and then jerked it back upon the hook.
+
+"Dead line!" he muttered. "Someone has been at work with a wire-cutter
+outside the house!"
+
+His wife came out to where he stood, and, clenching his teeth very
+grimly, he took her in his arms. She was shaking as if palsied.
+
+"Mary dear," he said, "pray with all your might that I am given strength
+to do my duty."
+
+She looked at him with haggard, tearless eyes.
+
+"Tell me the truth: ha' they got my boy?"
+
+His fingers tightened on her shoulders.
+
+"Don't worry," he said, "and don't ask me to stay to explain. When I
+come back I'll have Dan with me!"
+
+He trusted himself no further, but, clapping his hat on his head, walked
+out to the waiting cab.
+
+"Back to Limehouse police station," he directed rapidly.
+
+"Lor lumme!" muttered the taximan. "Where are you goin' to after that,
+guv'nor? It's a bit off the map."
+
+"I'm going to hell!" rapped Kerry, suddenly thrusting his red face very
+near to that of the speaker. "And you're going to drive me!"
+
+
+
+
+VI
+
+THE KNIGHT ERRANT
+
+
+
+Recognizing the superior strength of his captors, young Kerry soon gave
+up struggling. The thrill of his first real adventure entered into his
+blood. He remembered that he was the son of his father, and he realized,
+being a quick-witted lad, that he was in the grip of enemies of his
+father. The panic which had threatened him when first he had recognized
+that he was in the hands of Chinese, gave place to a cold rage--a
+heritage which in later years was to make him a dangerous man.
+
+He lay quite passively in the grasp of someone who held him fast, and
+learned, by breathing quietly, that the presence of the muffler about
+his nose and mouth did not greatly inconvenience him. There was some
+desultory conversation between the two men in the car, but it
+was carried on in an odd, sibilant language which the boy did not
+understand, but which he divined to be Chinese. He thought how every
+other boy in the school would envy him, and the thought was stimulating,
+nerving. On the very first day of his holidays he was become the central
+figure of a Chinatown drama.
+
+The last traces of fear fled. His position was uncomfortable and his
+limbs were cramped, but he resigned himself, with something almost like
+gladness, and began to look forward to that which lay ahead with a zest
+and a will to be no passive instrument which might have surprised his
+captors could they have read the mind of their captive.
+
+The journey seemed almost interminable, but young Kerry suffered it in
+stoical silence until the car stopped and he was lifted and carried down
+stone steps into some damp, earthy-smelling place. Some distance was
+traversed, and then many flights of stairs were mounted, some bare but
+others carpeted.
+
+Finally he was deposited in a chair, and as he raised his hand to the
+scarf, which toward the end of the journey had been bound more tightly
+about his head so as to prevent him from seeing at all, he heard a door
+closed and locked.
+
+The scarf was quickly removed. And Dan found himself in a low-ceilinged
+attic having a sloping roof and one shuttered window. A shadeless
+electric lamp hung from the ceiling. Excepting the cane-seated chair in
+which he had been deposited and a certain amount of nondescript lumber,
+the attic was unfurnished. Dan rapidly considered what his father would
+have done in the circumstances.
+
+"Make sure that the door is locked," he muttered.
+
+He tried it, and it was locked beyond any shadow of doubt.
+
+"The window."
+
+Shutters covered it, and these were fastened with a padlock.
+
+He considered this padlock attentively; then, drawing from his pocket
+one of those wonderful knives which are really miniature tool-chests, he
+raised from a grove the screw-driver which formed part of its equipment,
+and with neatness and dispatch unscrewed the staple to which the padlock
+was attached!
+
+A moment later he had opened the shutters and was looking out into the
+drizzle of the night.
+
+The room in which he was confined was on the third floor of a dingy,
+brick-built house; a portion of some other building faced him; down
+below was a stone-paved courtyard. To the left stood a high wall, and
+beyond it he obtained a glimpse of other dingy buildings. One lighted
+window was visible--a square window in the opposite building, from which
+amber light shone out.
+
+Somewhere in the street beyond was a standard lamp. He could detect the
+halo which it cast into the misty rain. The glass was very dirty, and
+young Kerry raised the sash, admitting a draught of damp, cold air into
+the room. He craned out, looking about him eagerly.
+
+A rainwater-pipe was within reach of his hand on the right of the window
+and, leaning out still farther, young Kerry saw that it passed beside
+two other, larger, windows on the floor beneath him. Neither of these
+showed any light.
+
+Dizzy heights have no terror for healthy youth. The brackets supporting
+the rain-pipe were a sufficient staircase for the agile Dan, a more
+slippery prisoner than the famous Baron Trenck; and, discarding his
+muffler and his Burberry, he climbed out upon the sill and felt with his
+thick-soled boots for the first of these footholds. Clutching the ledge,
+he lowered himself and felt for the next.
+
+Then came the moment when he must trust all his weight to the pipe.
+Clenching his teeth, he risked it, felt for and found the third angle,
+and then, still clutching the pipe, stood for a moment upon the ledge
+of the window immediately beneath him. He was curious respecting the
+lighted window of the neighbouring house; and, twisting about, he bent,
+peering across--and saw a sight which arrested his progress.
+
+The room within was furnished in a way which made him gasp with
+astonishment. It was like an Eastern picture, he thought. Her golden
+hair dishevelled and her hands alternately clenching and unclenching,
+a woman whom he considered to be most wonderfully dressed was pacing
+wildly up and down, a look of such horror upon her pale face that Dan's
+heart seemed to stop beating for a moment!
+
+Here was real trouble of a sort which appealed to all the chivalry
+in the boy's nature. He considered the window, which was glazed with
+amber-coloured glass, observed that it was sufficiently open to enable
+him to slip the fastening and open it entirely could he but reach it.
+And--yes!--there was a rain-pipe!
+
+Climbing down to the yard, he looked quickly about him, ran across, and
+climbed up to the lighted window. A moment later he had pushed it widely
+open.
+
+He was greeted by a stifled cry, but, cautiously transferring his weight
+from the friendly pipe to the ledge, he got astride of it, one foot in
+the room. Then, by exercise of a monkey-like agility, he wriggled his
+head and shoulders within.
+
+"It's all right," he said softly and reassuringly; "I'm Dan Kerry, son
+of Chief Inspector Kerry. Can I be of any assistance?"
+
+Her hands clasped convulsively together, the woman stood looking up at
+him.
+
+"Oh, thank God!" said the captive. "But what are you going to do? Can
+you get me out?"
+
+"Don't worry," replied Dan confidently. "Father and I can manage it all
+right!"
+
+He performed a singular contortion, as a result of which his other leg
+and foot appeared inside the window. Then, twisting around, he lowered
+himself and dropped triumphantly upon a cushioned divan. At that moment
+he would have faced a cage full of man-eating tigers. The spirit of
+adventure had him in its grip. He stood up, breathing rapidly, his crop
+of red hair more dishevelled than usual.
+
+Then, before he could stir or utter any protest, the golden-haired
+princess whom he had come to rescue stooped, threw her arms around his
+neck, and kissed him.
+
+"You darling, brave boy!" she said. "I think you have saved me from
+madness."
+
+Young Kerry, more flushed than ever, extricated himself, and:
+
+"You're not out of the mess yet," he protested. "The only difference is
+that I'm in it with you!"
+
+"But where is your father?"
+
+"I'm looking for him."
+
+"What!"
+
+"Oh! he's about somewhere," Dan assured her confidently.
+
+"But, but----" She was gazing at him wide-eyed, "Didn't he send you
+here?"
+
+"You bet he didn't," returned young Kerry. "I came here on my own
+accord, and when I go you're coming with me. I can't make out how you
+got here, anyway. Do you know whose house this is?"
+
+"Oh, I do, I do!"
+
+"Whose?"
+
+"It belongs to a man called Chada."
+
+"Chada? Never heard of him. But I mean, what part of London is it in?"
+
+"Whatever do you mean? It is in Limehouse, I believe. I don't
+understand. You came here."
+
+"I didn't," said young Kerry cheerfully; "I was fetched!"
+
+"By your father?"
+
+"Not on your life. By a couple of Chinks! I'll tell you something."
+He raised his twinkling blue eyes. "We are properly up against it. I
+suppose you couldn't climb down a rain-pipe?"
+
+
+
+
+VII
+
+RETRIBUTION
+
+
+
+It was that dark, still, depressing hour of the night, when all life
+is at its lowest ebb. In the low, strangely perfumed room of books Zani
+Chada sat before his table, his yellow hands clutching the knobs on his
+chair arms, his long, inscrutable eyes staring unseeingly before him.
+
+Came a disturbance and the sound of voices, and Lou Chada, his son,
+stood at the doorway. He still wore his evening clothes, but he no
+longer looked smart. His glossy black hair was dishevelled, and his
+handsome, olive face bore a hunted look. Panic was betoken by twitching
+mouth and fear-bright eyes. He stopped, glaring at his father, and:
+
+"Why are you not gone?" asked the latter sternly. "Do you wish to wreck
+me as well as yourself?"
+
+"The police have posted a man opposite Kwee's house. I cannot get out
+that way."
+
+"There was no one there when the boy was brought in."
+
+"No, but there is now. Father!" He took a step forward. "I'm trapped.
+They sha'n't take me. You won't let them take me?"
+
+Zani Chada stirred not a muscle, but:
+
+"To-night," he said, "your mad passion has brought ruin to both of us.
+For the sake of a golden doll who is not worth the price of the jewels
+she wears, you have placed yourself within reach of the hangman."
+
+"I was mad, I was mad," groaned the other.
+
+"But I, who was sane, am involved in the consequences," retorted his
+father.
+
+"He will be silent at the price of the boy's life."
+
+"He may be," returned Zani Chada. "I hate him, but he is a man. Had you
+escaped, he might have consented to be silent. Once you are arrested,
+nothing would silence him."
+
+"If the case is tried it will ruin Pat's reputation."
+
+"What a pity!" said Zani Chada.
+
+In some distant part of the house a gong was struck three times.
+
+"Go," commanded his father. "Remain at Kwee's house until I send for
+you. Let Ah Fang go to the room above and see that the woman is silent.
+An outcry would ruin our last chance."
+
+Lou Chada raised his hands, brushing the hair back from his wet
+forehead, then, staring haggardly at his father, turned and ran from the
+room.
+
+A minute later Kerry was ushered in by the Chinese servant. The savage
+face was set like a mask. Without removing his hat, he strode across
+to the table and bent down so that fierce, wide-open blue eyes stared
+closely into long, half-closed black ones.
+
+"I've got one thing to say," explained Kerry huskily. "Whatever the
+hangman may do to your slimy son, and whatever happens to the little
+blonde fool he kidnapped, if you've laid a hand on my kid I'll kick you
+to death, if I follow you round the world to do it."
+
+Zani Chada made no reply, but his knuckles gleamed, so tightly did he
+clutch the knobs on the chair arms. Kerry's savagery would have awed
+any man, even though he had supposed it to be the idle threat of a
+passionate man. But Zani Chada knew all men, and he knew this one. When
+Daniel Kerry declared that in given circumstances he would kick Zani
+Chada to death, he did not mean that he would shoot him, strangle him,
+or even beat him with his fists; he meant precisely what he said--that
+he would kick him to death--and Zani Chada knew it.
+
+Thus there were some moments of tense silence during which the savage
+face of the Chief Inspector drew even closer to the gaunt, yellow face
+of the Eurasian. Finally:
+
+"Listen only for one moment," said Zani Chada. His voice had lost
+its guttural intonation. He spoke softly, sibilantly. "I, too, am a
+father------"
+
+"Don't mince words!" shouted Kerry. "You've kidnapped my boy. If I have
+to tear your house down brick by brick I'll find him. And if you've hurt
+one hair of his head--you know what to expect!"
+
+He quivered. The effort of suppression which he had imposed upon himself
+was frightful to witness. Zani Chada, student of men, knew that in
+despite of his own physical strength and of the hidden resources at his
+beck, he stood nearer to primitive retribution than he had ever done.
+Yet:
+
+"I understand," he continued. "But you do not understand. Your boy is
+not in this house. Oh! violence cannot avail! It can only make his loss
+irreparable."
+
+Kerry, nostrils distended, eyes glaring madly, bent over him.
+
+"Your scallywag of a son," he said hoarsely, "has gone one step too far.
+His adventures have twice before ended in murder--and you have covered
+him. This time you can't do it. I'm not to be bought. We've stood for
+the Far East in London long enough. Your cub hangs this time. Get me?
+There'll be no bargaining. The woman's reputation won't stop me. My
+kid's danger won't stop me. But if you try to use him as a lever I'll
+boot you to your stinking yellow paradise and they'll check you in as
+pulp."
+
+"You speak of three deaths," murmured Zani Chada.
+
+Kerry clenched his teeth so tightly that his maxillary muscles protruded
+to an abnormal degree. He thrust his clenched fists into his coat
+pockets.
+
+"We all follow our vocations in life," resumed the Eurasian, "to the
+best of our abilities. But is professional kudos not too dearly bought
+at the price of a loved one lost for ever? A far better bargain
+would be, shall we say, ten thousand pounds, as the price of a silk
+handkerchief------"
+
+Kerry's fierce blue eyes closed for a fraction of a second. Yet, in that
+fraction of a second, he had visualized some of the things which ten
+thousand pounds--a sum he could never hope to possess--would buy. He had
+seen his home, as he would have it--and he had seen Dan there, safe and
+happy at his mother's side. Was he entitled to disregard the happiness
+of his wife, the life of his boy, the honourable name of Sir
+Noel Rourke, because an outcast like Peters had come to a fitting
+end--because a treacherous Malay and a renegade Chinaman had, earlier,
+gone the same way, sped, as he suspected, by the same hand?
+
+"My resources are unusual," added Chada, speaking almost in a whisper.
+"I have cash to this amount in my safe------"
+
+So far he had proceeded when he was interrupted; and the cause of the
+interruption was this:
+
+A few moments earlier another dramatic encounter had taken place in a
+distant part of the house. Kerry Junior, having scientifically tested
+all the possible modes of egress from the room in which Lady Pat was
+confined, had long ago desisted, and had exhausted his ingenuity in
+plans which discussion had proved to be useless. In spite of the novelty
+and the danger of his situation, nature was urging her laws. He was
+growing sleepy. The crowning tragedy had been the discovery that he
+could not regain the small, square window set high in the wall from
+which he had dropped into this luxurious prison. Now, as the two sat
+side by side upon a cushioned divan, the woman's arm about the boy's
+shoulders, they were startled to hear, in the depths of the house, three
+notes of a gong.
+
+Young Kerry's sleepiness departed. He leapt to his feet as though
+electrified.
+
+"What was that?"
+
+There was something horrifying in those gong notes in the stillness of
+the night. Lady Pat's beautiful eyes grew glassy with fear.
+
+"I don't know," replied Dan. "It seemed to come from below."
+
+He ran to the door, drew the curtain aside, and pressed his ear against
+one of the panels, listening intently. As he did so, his attitude grew
+tense, his expression changed, then:
+
+"We're saved!" he cried, turning a radiant face to the woman. "I heard
+my father's voice!"
+
+"Oh, are you sure, are you sure?"
+
+"Absolutely sure!"
+
+He bent to press his ear to the panel again, when a stifled cry from his
+companion brought him swiftly to his feet. The second door in the room
+had opened silently, and a small Chinaman, who carried himself with a
+stoop, had entered, and now, a menacing expression upon his face, was
+quickly approaching the boy.
+
+What he had meant to do for ever remained in doubt, for young Kerry,
+knowing his father to be in the house and seeing an open door before
+him, took matters into his own hands. At the moment that the silent
+Chinaman was about to throw his arms about him, the pride of the junior
+school registered a most surprising left accurately on the point of Ah
+Fang's jaw, following it up by a wilful transgression of Queensberry
+rules in the form of a stomach punch which temporarily decided the
+issue. Then:
+
+"Quick! quick!" he cried breathlessly, grasping Lady Pat's hand. "This
+is where we run!"
+
+In such fashion was Zani Chada interrupted, the interruption taking the
+form of a sudden, shrill outcry:
+
+"Dad! dad! Where are you, dad?"
+
+Kerry spun about as a man galvanized. His face became transfigured.
+
+"This way, Dan!" he cried. "This way, boy!"
+
+Came a clatter of hurrying feet, and into the low, perfumed room
+burst Dan Kerry, junior, tightly clasping the hand of a pale-faced,
+dishevelled woman in evening dress. It was Lady Rourke; and although
+she seemed to be in a nearly fainting condition, Dan dragged her, half
+running, into the room.
+
+Kerry gave one glance at the pair, then, instantly, he turned to face
+Zani Chada. The latter, like a man of stone, sat in his carved chair,
+eyes nearly closed. The Chief Inspector whipped out a whistle and raised
+it to his lips. He blew three blasts upon it.
+
+From one--two--three--four points around the house the signal was
+answered.
+
+Zani Chada fully opened his long, basilisk eyes.
+
+"You win, Chief Inspector," he said. "But much may be done by clever
+counsel. If all fails------"
+
+"Well?" rapped Kerry fiercely, at the same time throwing his arm around
+the boy.
+
+"I may continue to take an interest in your affairs."
+
+A tremendous uproar arose, within and without the house. The police
+were raiding the place. Lady Rourke sank down, slowly, almost at the
+Eurasian's feet.
+
+But Chief Inspector Kerry experienced an unfamiliar chill as his
+uncompromising stare met the cold hatred which blazed out of the black
+eyes, narrowed, now, and serpentine, of Zani Chada.
+
+
+
+
+
+
+THE PIGTAIL OF HI WING HO
+
+
+
+
+
+
+I
+
+HOW I OBTAINED IT
+
+
+
+Leaving the dock gates behind me I tramped through the steady drizzle,
+going parallel with the river and making for the Chinese quarter. The
+hour was about half-past eleven on one of those September nights when,
+in such a locality as this, a stifling quality seems to enter the
+atmosphere, rendering it all but unbreathable. A mist floated over
+the river, and it was difficult to say if the rain was still falling,
+indeed, or if the ample moisture upon my garments was traceable only to
+the fog. Sounds were muffled, lights dimmed, and the frequent hooting of
+sirens from the river added another touch of weirdness to the scene.
+
+Even when the peculiar duties of my friend, Paul Harley, called him
+away from England, the lure of this miniature Orient which I had first
+explored under his guidance, often called me from my chambers. In the
+house with the two doors in Wade Street, Limehouse, I would discard the
+armour of respectability, and, dressed in a manner unlikely to provoke
+comment in dockland, would haunt those dreary ways sometimes from
+midnight until close upon dawn. Yet, well as I knew the district and
+the strange and often dangerous creatures lurking in its many burrows, I
+experienced a chill partly physical and partly of apprehension to-night;
+indeed, strange though it may sound, I hastened my footsteps in order
+the sooner to reach the low den for which I was bound--Malay Jack's--a
+spot marked plainly on the crimes-map and which few respectable
+travellers would have regarded as a haven of refuge.
+
+But the chill of the adjacent river, and some quality of utter
+desolation which seemed to emanate from the deserted wharves and
+ramshackle buildings about me, were driving me thither now; for I knew
+that human companionship, of a sort, and a glass of good liquor--from
+a store which the Customs would have been happy to locate--awaited me
+there. I might chance, too, upon Durham or Wessex, of New Scotland Yard,
+both good friends of mine, or even upon the Terror of Chinatown, Chief
+Inspector Kerry, a man for whom I had an esteem which none of his
+ungracious manners could diminish.
+
+I was just about to turn to the right into a narrow and nameless alley,
+lying at right angles to the Thames, when I pulled up sharply, clenching
+my fists and listening.
+
+A confused and continuous sound, not unlike that which might be
+occasioned by several large and savage hounds at close grips, was
+proceeding out of the darkness ahead of me; a worrying, growling, and
+scuffling which presently I identified as human, although in fact it
+was animal enough. A moment I hesitated, then, distinguishing among
+the sounds of conflict an unmistakable, though subdued, cry for help,
+I leaped forward and found myself in the midst of the melee. This was
+taking place in the lee of a high, dilapidated brick wall. A lamp in a
+sort of iron bracket spluttered dimly above on the right, but the
+scene of the conflict lay in densest shadow, so that the figures were
+indistinguishable.
+
+"Help! By Gawd! they're strangling me------"
+
+From almost at my feet the cry arose and was drowned in Chinese
+chattering. But guided by it I now managed to make out that the struggle
+in progress waged between a burly English sailorman and two lithe
+Chinese. The yellow men seemed to have gained the advantage and my
+course was clear.
+
+A straight right on the jaw of the Chinaman who was engaged in
+endeavouring to throttle the victim laid him prone in the dirty roadway.
+His companion, who was holding the wrist of the recumbent man, sprang
+upright as though propelled by a spring. I struck out at him savagely.
+He uttered a shrill scream not unlike that of a stricken hare, and fled
+so rapidly that he seemed to melt in the mist.
+
+"Gawd bless you, mate!" came chokingly from the ground--and the rescued
+man, extricating himself from beneath the body of his stunned assailant,
+rose unsteadily to his feet and lurched toward me.
+
+As I had surmised, he was a sailor, wearing a rough, blue-serge jacket
+and having his greasy trousers thrust into heavy seaboots--by which I
+judged that he was but newly come ashore. He stooped and picked up his
+cap. It was covered in mud, as were the rest of his garments, but he
+brushed it with his sleeve as though it had been but slightly soiled and
+clapped it on his head.
+
+He grasped my hand in a grip of iron, peering into my face, and his
+breath was eloquent.
+
+"I'd had one or two, mate," he confided huskily (the confession was
+unnecessary). "It was them two in the Blue Anchor as did it; if I 'adn't
+'ad them last two, I could 'ave broke up them Chinks with one 'and tied
+behind me."
+
+"That's all right," I said hastily, "but what are we going to do about
+this Chink here?" I added, endeavouring at the same time to extricate my
+hand from the vise-like grip in which he persistently held it. "He hit
+the tiles pretty heavy when he went down."
+
+As if to settle my doubts, the recumbent figure suddenly arose and
+without a word fled into the darkness and was gone like a phantom. My
+new friend made no attempt to follow, but:
+
+"You can't kill a bloody Chink," he confided, still clutching my hand;
+"it ain't 'umanly possible. It's easier to kill a cat. Come along o' me
+and 'ave one; then I'll tell you somethink. I'll put you on somethink, I
+will."
+
+With surprising steadiness of gait, considering the liquid cargo he had
+aboard, the man, releasing my hand and now seizing me firmly by the
+arm, confidently led me by divers narrow ways, which I knew, to a little
+beerhouse frequented by persons of his class.
+
+My own attire was such as to excite no suspicion in these surroundings,
+and although I considered that my acquaintance had imbibed more than
+enough for one night, I let him have his own way in order that I might
+learn the story which he seemed disposed to confide in me. Settled in
+the corner of the beerhouse--which chanced to be nearly empty--with
+portentous pewters before us, the conversation was opened by my new
+friend:
+
+"I've been paid off from the Jupiter--Samuelson's Planet Line," he
+explained. "What I am is a fireman."
+
+"She was from Singapore to London?" I asked.
+
+"She was," he replied, "and it was at Suez it 'appened--at Suez."
+
+I did not interrupt him.
+
+"I was ashore at Suez--we all was, owin' to a 'itch with the canal
+company--a matter of money, I may say. They make yer pay before they'll
+take yer through. Do you know that?"
+
+I nodded.
+
+"Suez is a place," he continued, "where they don't sell whisky, only
+poison. Was you ever at Suez?"
+
+Again I nodded, being most anxious to avoid diverting the current of my
+friend's thoughts.
+
+"Well, then," he continued, "you know Greek Jimmy's--and that's where
+I'd been."
+
+I did not know Greek Jimmy's, but I thought it unnecessary to mention
+the fact.
+
+"It was just about this time on a steamin' 'ot night as I come out of
+Jimmy's and started for the ship. I was walkin' along the Waghorn Quay,
+same as I might be walkin' along to-night, all by myself--bit of a
+list to port but nothing much--full o' joy an' happiness, 'appy an'
+free--'appy an' free. Just like you might have noticed to-night, I
+noticed a knot of Chinks scrappin' on the ground all amongst the dust
+right in front of me. I rammed in, windmillin' all round and knocking
+'em down like skittles. Seemed to me there was about ten of 'em, but
+allowin' for Jimmy's whisky, maybe there wasn't more than three. Anyway,
+they all shifted and left me standin' there in the empty street with
+this 'ere in my 'and."
+
+At that, without more ado, he thrust his hand deep into some concealed
+pocket and jerked out a Chinese pigtail, which had been severed,
+apparently some three inches from the scalp, by a clean cut. My
+acquaintance, with somewhat bleared eyes glistening in appreciation of
+his own dramatic skill--for I could not conceal my surprise--dangled it
+before me triumphantly.
+
+"Which of 'em it belong to," he continued, thrusting it into another
+pocket and drumming loudly on the counter for more beer, "I can't say,
+'cos I don't know. But that ain't all."
+
+The tankards being refilled and my friend having sampled the contents of
+his own:
+
+"That ain't all," he continued. "I thought I'd keep it as a sort of
+relic, like. What 'appened? I'll tell you. Amongst the crew there's
+three Chinks--see? We ain't through the canal before one of 'em, a new
+one to me--Li Ping is his name--offers me five bob for the pigtail,
+which he sees me looking at one mornin'. I give him a punch on the nose
+an' 'e don't renew the offer: but that night (we're layin' at Port Said)
+'e tries to pinch it! I dam' near broke his neck, and 'e don't try any
+more. To-night"--he extended his right arm forensically--"a deppitation
+of Chinks waits on me at the dock gates; they explains as from a
+patriotic point of view they feels it to be their dooty to buy that
+pigtail off of me, and they bids a quid, a bar of gold--a Jimmy o'
+Goblin!"
+
+He snapped his fingers contemptuously and emptied his pewter. A sense
+of what was coming began to dawn on me. That the "hold-up" near the
+riverside formed part of the scheme was possible, and, reflecting on
+my rough treatment of the two Chinamen, I chuckled inwardly. Possibly,
+however, the scheme had germinated in my acquaintance's mind merely as
+a result of an otherwise common assault, of a kind not unusual in these
+parts, but, whether elaborate or comparatively simple, that the story
+of the pigtail was a "plant" designed to reach my pocket, seemed a
+reasonable hypothesis.
+
+"I told him to go to China," concluded the object of my suspicion, again
+rapping upon the counter, "and you see what come of it. All I got to say
+is this: If they're so bloody patriotic, I says one thing: I ain't the
+man to stand in their way. You done me a good turn to-night, mate; I'm
+doing you one. 'Ere's the bloody pigtail, 'ere's my empty mug. Fill the
+mug and the pigtail's yours. It's good for a quid at the dock gates any
+day!"
+
+My suspicions vanished; my interest arose to boiling point. I refilled
+my acquaintance's mug, pressed a sovereign upon him (in honesty I must
+confess that he was loath to take it), and departed with the pigtail
+coiled neatly in an inner pocket of my jacket. I entered the house in
+Wade Street by the side door, and half an hour later let myself out by
+the front door, having cast off my dockland disguise.
+
+
+
+
+II
+
+HOW I LOST IT
+
+
+
+It was not until the following evening that I found leisure to examine
+my strange acquisition, for affairs of more immediate importance
+engrossed my attention. But at about ten o'clock I seated myself at
+my table, lighted the lamp, and taking out the pigtail from the table
+drawer, placed it on the blotting-pad and began to examine it with the
+greatest curiosity, for few Chinese affect the pigtail nowadays.
+
+I had scarcely commenced my examination, however, when it was
+dramatically interrupted. The door bell commenced to ring jerkily. I
+stood up, and as I did so the ringing ceased and in its place came a
+muffled beating on the door. I hurried into the passage as the bell
+commenced ringing again, and I had almost reached the door when once
+more the ringing ceased; but now I could hear a woman's voice, low but
+agitated:
+
+"Open the door! Oh, for God's sake be quick!"
+
+Completely mystified, and not a little alarmed, I threw open the door,
+and in there staggered a woman heavily veiled, so that I could see
+little of her features, but by the lines of her figure I judged her to
+be young.
+
+Uttering a sort of moan of terror she herself closed the door, and
+stood with her back to it, watching me through the thick veil, while her
+breast rose and fell tumultuously.
+
+"Thank God there was someone at home!" she gasped.
+
+I think I may say with justice that I had never been so surprised in my
+life; every particular of the incident marked it as unique--set it apart
+from the episodes of everyday life.
+
+"Madam," I began doubtfully, "you seem to be much alarmed at something,
+and if I can be of any assistance to you------"
+
+"You have saved my life!" she whispered, and pressed one hand to her
+bosom. "In a moment I will explain."
+
+"Won't you rest a little after your evidently alarming experience?" I
+suggested.
+
+My strange visitor nodded, without speaking, and I conducted her to the
+study which I had just left, and placed the most comfortable arm-chair
+close beside the table so that as I sat I might study this woman who
+so strangely had burst in upon me. I even tilted the shaded lamp,
+artlessly, a trick I had learned from Harley, in order that the light
+might fall upon her face.
+
+She may have detected this device; I know not; but as if in answer to
+its challenge, she raised her gloved hands and unfastened the heavy veil
+which had concealed her features.
+
+Thereupon I found myself looking into a pair of lustrous black eyes
+whose almond shape was that of the Orient; I found myself looking at a
+woman who, since she was evidently a Jewess, was probably no older than
+eighteen or nineteen, but whose beauty was ripely voluptuous, who might
+fittingly have posed for Salome, who, despite her modern fashionable
+garments, at once suggested to my mind the wanton beauty of the daughter
+of Herodias.
+
+I stared at her silently for a time, and presently her full lips parted
+in a slow smile. My ideas were diverted into another channel.
+
+"You have yet to tell me what alarmed you," I said in a low voice, but
+as courteously as possible, "and if I can be of any assistance in the
+matter."
+
+My visitor seemed to recollect her fright--or the necessity for
+simulation. The pupils of her fine eyes seemed to grow larger and
+darker; she pressed her white teeth into her lower lips, and resting her
+hands upon the table leaned toward me.
+
+"I am a stranger to London," she began, now exhibiting a certain
+diffidence, "and to-night I was looking for the chambers of Mr. Raphael
+Philips of Figtree Court."
+
+"This is Figtree Court," I said, "but I know of no Mr. Raphael Philips
+who has chambers here."
+
+The black eyes met mine despairingly.
+
+"But I am positive of the address!" protested my beautiful but strange
+caller--from her left glove she drew out a scrap of paper, "here it is."
+
+I glanced at the fragment, upon which, in a woman's hand the words were
+pencilled: "Mr. Raphael Philips, 36-b Figtree Court, London."
+
+I stared at my visitor, deeply mystified.
+
+"These chambers are 36-b!" I said. "But I am not Raphael Philips, nor
+have I ever heard of him. My name is Malcolm Knox. There is evidently
+some mistake, but"--returning the slip of paper--"pardon me if I remind
+you, I have yet to learn the cause of your alarm."
+
+"I was followed across the court and up the stairs."
+
+"Followed! By whom?"
+
+"By a dreadful-looking man, chattering in some tongue I did not
+understand!"
+
+My amazement was momentarily growing greater.
+
+"What kind of a man?" I demanded rather abruptly.
+
+"A yellow-faced man--remember I could only just distinguish him in the
+darkness on the stairway, and see little more of him than his eyes at
+that, and his ugly gleaming teeth--oh! it was horrible!"
+
+"You astound me," I said; "the thing is utterly incomprehensible." I
+switched off the light of the lamp. "I'll see if there's any sign of him
+in the court below."
+
+"Oh, don't leave me! For heaven's sake don't leave me alone!"
+
+She clutched my arm in the darkness.
+
+"Have no fear; I merely propose to look out from this window."
+
+Suiting the action to the word, I peered down into the court below. It
+was quite deserted. The night was a very dark one, and there were many
+patches of shadow in which a man might have lain concealed.
+
+"I can see no one," I said, speaking as confidently as possible, and
+relighting the lamp, "if I call a cab for you and see you safely into
+it, you will have nothing to fear, I think."
+
+"I have a cab waiting," she replied, and lowering the veil she stood up
+to go.
+
+"Kindly allow me to see you to it. I am sorry you have been subjected to
+this annoyance, especially as you have not attained the object of your
+visit."
+
+"Thank you so much for your kindness; there must be some mistake about
+the address, of course."
+
+She clung to my arm very tightly as we descended the stairs, and often
+glanced back over her shoulder affrightedly, as we crossed the court.
+There was not a sign of anyone about, however, and I could not make
+up my mind whether the story of the yellow man was a delusion or a
+fabrication. I inclined to the latter theory, but the object of such a
+deception was more difficult to determine.
+
+Sure enough, a taxicab was waiting at the entrance to the court; and my
+visitor, having seated herself within, extended her hand to me, and even
+through the thick veil I could detect her brilliant smile.
+
+"Thank you so much, Mr. Knox," she said, "and a thousand apologies. I am
+sincerely sorry to have given you all this trouble."
+
+The cab drove off. For a moment I stood looking after it, in a state of
+dreamy incertitude, then turned and slowly retraced my steps. Reopening
+the door of my chambers with my key, I returned to my study and sat down
+at the table to endeavour to arrange the facts of what I recognized to
+be a really amazing episode. The adventure, trifling though it seemed,
+undoubtedly held some hidden significance that at present was not
+apparent to me. In accordance with the excellent custom of my friend,
+Paul Harley, I prepared to make notes of the occurrence while the facts
+were still fresh in my memory. At the moment that I was about to begin,
+I made an astounding discovery.
+
+Although I had been absent only a few minutes, and had locked my door
+behind me, the pigtail was gone!
+
+I sat quite still, listening intently. The woman's story of the yellow
+man on the stairs suddenly assumed a totally different aspect--a new and
+sinister aspect. Could it be that the pigtail was at the bottom of the
+mystery?--could it be that some murderous Chinaman who had been lurking
+in hiding, waiting his opportunity, had in some way gained access to my
+chambers during that brief absence? If so, was he gone?
+
+From the table drawer I took out a revolver, ascertained that it was
+fully loaded, and turning up light after light as I proceeded, conducted
+a room-to-room search. It was without result; there was absolutely
+nothing to indicate that anyone had surreptitiously entered or departed
+from my chambers.
+
+I returned to the study and sat gazing at the revolver lying on the
+blotting-pad before me. Perhaps my mind worked slowly, but I think that
+fully fifteen minutes must have passed before it dawned on me that the
+explanation not only of the missing pigtail but of the other incidents
+of the night, was simple enough. The yellow man had been a fabrication,
+and my dark-eyed visitor had not been in quest of "Raphael Philips," but
+in quest of the pigtail: and her quest had been successful!
+
+"What a hopeless fool I am!" I cried, and banged my fist down upon the
+table, "there was no yellow man at all--there was-----"
+
+My door bell rang. I sprang nervously to my feet, glanced at the
+revolver on the table--and finally dropped it into my coat pocket ere
+going out and opening the door.
+
+On the landing stood a police constable and an officer in plain clothes.
+
+"Your name is Malcolm Knox?" asked the constable, glancing at a
+note-book which he held in his hand.
+
+"It is," I replied.
+
+"You are required to come at once to Bow Street to identify a woman
+who was found murdered in a taxi-cab in the Strand about eleven o'clock
+to-night."
+
+I suppressed an exclamation of horror; I felt myself turning pale.
+
+"But what has it to do------"
+
+"The driver stated she came from your chambers, for you saw her off, and
+her last words to you were 'Good night, Mr. Knox, I am sincerely sorry
+to have given you all this trouble.' Is that correct, sir?"
+
+The constable, who had read out the information in an official voice,
+now looked at me, as I stood there stupefied.
+
+"It is," I said blankly. "I'll come at once." It would seem that I had
+misjudged my unfortunate visitor: her story of the yellow man on the
+stair had apparently been not a fabrication, but a gruesome fact!
+
+
+
+
+III
+
+HOW I REGAINED IT
+
+
+
+My ghastly duty was performed; I had identified the dreadful thing,
+which less than an hour before had been a strikingly beautiful woman,
+as my mysterious visitor. The police were palpably disappointed at the
+sparsity of my knowledge respecting her. In fact, had it not chanced
+that Detective Sergeant Durham was in the station, I think they would
+have doubted the accuracy of my story.
+
+As a man of some experience in such matters, I fully recognized its
+improbability, but beyond relating the circumstances leading up to my
+possession of the pigtail and the events which had ensued, I could do
+no more in the matter. The weird relic had not been found on the dead
+woman, nor in the cab.
+
+Now the unsavoury business was finished, and I walked along Bow Street,
+racking my mind for the master-key to this mystery in which I was become
+enmeshed. How I longed to rush off to Harley's rooms in Chancery Lane
+and to tell him the whole story! But my friend was a thousand miles
+away--and I had to see the thing out alone.
+
+That the pigtail was some sacred relic stolen from a Chinese temple and
+sought for by its fanatical custodians was a theory which persistently
+intruded itself. But I could find no place in that hypothesis for the
+beautiful Jewess; and that she was intimately concerned I did not doubt.
+A cool survey of the facts rendered it fairly evident that it was she
+and none other who had stolen the pigtail from my rooms. Some third
+party--possibly the "yellow man" of whom she had spoken--had in turn
+stolen it from her, strangling her in the process.
+
+The police theory of the murder (and I was prepared to accept it) was
+that the assassin had been crouching in hiding behind or beside the
+cab--or even within the dark interior. He had leaped in and attacked the
+woman at the moment that the taxi-man had started his engine; if already
+inside, the deed had proven even easier. Then, during some block in the
+traffic, he had slipped out unseen, leaving the body of the victim to be
+discovered when the cab pulled up at the hotel.
+
+I knew of only one place in London where I might hope to obtain useful
+information, and for that place I was making now. It was Malay Jack's,
+whence I had been bound on the previous night when my strange meeting
+with the seaman who then possessed the pigtail had led to a change of
+plan. The scum of the Asiatic population always come at one time or
+another to Jack's, and I hoped by dint of a little patience to achieve
+what the police had now apparently despaired of achieving--the discovery
+of the assassin.
+
+Having called at my chambers to obtain my revolver, I mounted an
+eastward-bound motor-bus. The night, as I have already stated, was
+exceptionally dark. There was no moon, and heavy clouds were spread over
+the sky; so that the deserted East End streets presented a sufficiently
+uninviting aspect, but one with which I was by no means unfamiliar and
+which certainly in no way daunted me.
+
+Changing at Paul Harley's Chinatown base in Wade Street, I turned my
+steps in the same direction as upon the preceding night; but if my
+own will played no part in the matter, then decidedly Providence
+truly guided me. Poetic justice is rare enough in real life, yet I was
+destined to-night to witness swift retribution overtaking a malefactor.
+
+The by-ways which I had trodden were utterly deserted; I was far from
+the lighted high road, and the only signs of human activity that reached
+me came from the adjacent river; therefore, when presently an outcry
+arose from somewhere on my left, for a moment I really believed that my
+imagination was vividly reproducing the episode of the night before!
+
+A furious scuffle--between a European and an Asiatic--was in progress
+not twenty yards away!
+
+Realizing that such was indeed the case, and that I was not the victim
+of hallucination, I advanced slowly in the direction of the sounds,
+but my footsteps reechoed hollowly from wall to wall of the narrow
+passage-way, and my coming brought the conflict to a sudden and dramatic
+termination.
+
+"Thought I wouldn't know yer ugly face, did yer?" yelled a familiar
+voice. "No good squealin'--I got yer! I'd bust you up if I could!"
+(a sound of furious blows and inarticulate chattering) "but it ain't
+'umanly possible to kill a Chink------"
+
+I hurried forward toward the spot where two dim figures were locked in
+deadly conflict.
+
+"Take that to remember me by!" gasped the husky voice as I ran up.
+
+One of the figures collapsed in a heap upon the ground. The other
+made off at a lumbering gait along a second and even narrower passage
+branching at right angles from that in which the scuffle had taken
+place.
+
+The clatter of the heavy sea-boots died away in the distance. I stood
+beside the fallen man, looking keenly about to right and left; for an
+impression was strong upon me that another than I had been witness of
+the scene--that a shadowy form had slunk back furtively at my approach.
+But the night gave up no sound in confirmation of this, and I could
+detect no sign of any lurker.
+
+I stooped over the Chinaman (for a Chinaman it was) who lay at my feet,
+and directed the ray of my pocket-lamp upon his yellow and contorted
+countenance. I suppressed a cry of surprise and horror.
+
+Despite the human impossibility referred to by the missing fireman, this
+particular Chinaman had joined the shades of his ancestors. I think that
+final blow, which had felled him, had brought his shaven skull in
+such violent contact with the wall that he had died of the thundering
+concussion set up.
+
+Kneeling there and looking into his upturned eyes, I became aware that
+my position was not an enviable one, particularly since I felt little
+disposed to set the law on the track of the real culprit. For this
+man who now lay dead at my feet was doubtless one of the pair who had
+attempted the life of the fireman of the Jupiter.
+
+That my seafaring acquaintance had designed to kill the Chinaman I did
+not believe, despite his stormy words: the death had been an accident,
+and (perhaps my morality was over-broad) I considered the assault to
+have been justified.
+
+Now my ideas led me further yet. The dead Chinaman wore a rough blue
+coat, and gingerly, for I found the contact repulsive, I inserted
+my hand into the inside pocket. Immediately my fingers closed upon a
+familiar object--and I stood up, whistling slightly, and dangling in my
+left hand the missing pigtail!
+
+Beyond doubt Justice had guided the seaman's blows. This was the man who
+had murdered my dark-eyed visitor!
+
+I stood perfectly still, directing the little white ray of my flashlight
+upon the pigtail in my hand. I realized that my position, difficult
+before, now was become impossible; the possession of the pigtail
+compromised me hopelessly. What should I do?
+
+"My God!" I said aloud, "what does it all mean?"
+
+"It means," said a gruff voice, "that it was lucky I was following you
+and saw what happened!"
+
+I whirled about, my heart leaping wildly. Detective-Sergeant Durham was
+standing watching me, a grim smile upon his face!
+
+I laughed rather shakily.
+
+"Lucky indeed!" I said. "Thank God you're here. This pigtail is a
+nightmare which threatens to drive me mad!"
+
+The detective advanced and knelt beside the crumpled-up figure on the
+ground. He examined it briefly, and then stood up.
+
+"The fact that he had the missing pigtail in his pocket," he said, "is
+proof enough to my mind that he did the murder."
+
+"And to mine."
+
+"There's another point," he added, "which throws a lot of light on the
+matter. You and Mr. Harley were out of town at the time of the Huang
+Chow case; but the Chief and I outlined it, you remember, one night in
+Mr. Harley's rooms?"
+
+"I remember it perfectly; the giant spider in the coffin------"
+
+"Yes; and a certain Ah Fu, confidential servant of the old man, who used
+to buy the birds the thing fed on. Well, Mr. Knox, Huang Chow was the
+biggest dealer in illicit stuff in all the East End--and this battered
+thing at our feet is--Ah Fu!"
+
+"Huang Chow's servant?"
+
+"Exactly!"
+
+I stared, uncomprehendingly, and:
+
+"In what way does this throw light on the matter?" I asked.
+
+Durham--a very intelligent young officer--smiled significantly.
+
+"I begin to see light!" he declared. "The gentleman who made off just as
+I arrived on the scene probably had a private quarrel with the Chinaman
+and was otherwise not concerned in any way."
+
+"I am disposed to agree with you," I said guardedly.
+
+"Of course, you've no idea of his identity?"
+
+"I'm afraid not."
+
+"We may find him," mused the officer, glancing at me shrewdly, "by
+applying at the offices of the Planet Line, but I rather doubt it. Also
+I rather doubt if we'll look very far. He's saved us a lot of trouble,
+but"--peering about in the shadowy corners which abounded--"didn't I see
+somebody else lurking around here?"
+
+"I'm almost certain there was someone else!" I cried. "In fact, I could
+all but swear to it."
+
+"H'm!" said the detective. "He's not here now. Might I trouble you to
+walk along to Limehouse Police Station for the ambulance? I'd better
+stay here."
+
+I agreed at once, and started off.
+
+Thus a second time my plans were interrupted, for my expedition that
+night ultimately led me to Bow Street, whence, after certain formalities
+had been observed, I departed for my chambers, the mysterious pigtail
+in my pocket. Failing the presence of Durham, the pigtail must have been
+retained as evidence, but:
+
+"We shall know where to find it if it's wanted, Mr. Knox," said the Yard
+man, "and I can trust you to look after your own property."
+
+The clock of St. Paul's was chiming the hour of two when I locked the
+door of my chambers and prepared to turn in. The clangour of the final
+strokes yet vibrated through the night's silence when someone set my own
+door bell loudly ringing.
+
+With an exclamation of annoyance I shot back the bolts and threw open
+the door.
+
+A Chinaman stood outside upon the mat!
+
+
+
+
+IV
+
+HOW IT ALL ENDED
+
+
+
+"Me wishee see you," said the apparition, smiling blandly; "me comee
+in?"
+
+"Come in, by all means," I said without enthusiasm, and, switching on
+the light in my study, I admitted the Chinaman and stood facing him
+with an expression upon my face which I doubt not was the reverse of
+agreeable.
+
+My visitor, who wore a slop-shop suit, also wore a wide-brimmed bowler
+hat; now, the set bland smile still upon his yellow face, he removed the
+bowler and pointed significantly to his skull.
+
+His pigtail had been severed some three inches from the root!
+
+"You gotchee my pigtail," he explained; "me callee get it--thank you."
+
+"Thank you," I said grimly. "But I must ask you to establish your claim
+rather more firmly."
+
+"Yessir," agreed the Chinaman.
+
+And thereupon in tolerable pidgin English he unfolded his tale. He
+proclaimed his name to be Hi Wing Ho, and his profession that of a
+sailor, or so I understood him. While ashore at Suez he had become
+embroiled with some drunken seamen: knives had been drawn, and in the
+scuffle by some strange accident his pigtail had been severed. He
+had escaped from the conflict, badly frightened, and had run a great
+distance before he realized his loss. Since Southern Chinamen of his
+particular Tong hold their pigtails in the highest regard, he had
+instituted inquiries as soon as possible, and had presently learned from
+a Chinese member of the crew of the S.S. Jupiter that the precious queue
+had fallen into the hands of a fireman on that vessel. He (Hi Wing Ho)
+had shipped on the first available steamer bound for England, having in
+the meanwhile communicated with his friend on the Jupiter respecting the
+recovery of the pigtail.
+
+"What was the name of your friend on the Jupiter?"
+
+"Him Li Ping--yessir!"--without the least hesitation or hurry.
+
+I nodded. "Go on," I said.
+
+He arrived at the London docks very shortly after the Jupiter. Indeed,
+the crew of the latter vessel had not yet been paid off when Hi Wing
+Ho presented himself at the dock gates. He admitted that, finding the
+fireman so obdurate, he and his friend Li Ping had resorted to violence,
+but he did not seem to recognize me as the person who had frustrated
+their designs. Thus far I found his story credible enough, excepting
+the accidental severing of the pigtail at Suez, but now it became
+wildly improbable, for he would have me believe that Li Ping, or Ah Fu,
+obtaining possession of the pigtail (in what manner Hi Wing Ho protested
+that he knew not) he sought to hold it to ransom, knowing how highly Hi
+Wing Ho valued it.
+
+I glared sternly at the Chinaman, but his impassive countenance served
+him well. That he was lying to me I no longer doubted; for Ah Fu could
+not have hoped to secure such a price as would justify his committing
+murder; furthermore, the presence of the unfortunate Jewess in the case
+was not accounted for by the ingenious narrative of Hi Wing Ho. I was
+standing staring at him and wondering what course to adopt, when yet
+again my restless door-bell clamoured in the silence.
+
+Hi Wing Ho started nervously, exhibiting the first symptoms of alarm
+which I had perceived in him. My mind was made up in an instant. I took
+my revolver from the drawer and covered him.
+
+"Be good enough to open the door, Hi Wing Ho," I said coldly.
+
+He shrank from me, pouring forth voluble protestations.
+
+"Open the door!"
+
+I clenched my left fist and advanced upon him. He scuttled away with his
+odd Chinese gait and threw open the door. Standing before me I saw my
+friend Detective Sergeant Durham, and with him a remarkably tall and
+very large-boned man whose square-jawed face was deeply tanned and whose
+aspect was dourly Scottish.
+
+When the piercing eyes of this stranger rested upon Hi Wing Ho an
+expression which I shall never forget entered into them; an expression
+coldly murderous. As for the Chinaman, he literally crumpled up.
+
+"You rat!" roared the stranger.
+
+Taking one long stride he stooped upon the Chinaman, seized him by the
+back of the neck as a terrier might seize a rat, and lifted him to his
+feet.
+
+"The mystery of the pigtail, Mr. Knox," said the detective, "is solved
+at last."
+
+"Have ye got it?" demanded the Scotsman, turning to me, but without
+releasing his hold upon the neck of Hi Wing Ho.
+
+I took the pigtail from my pocket and dangled it before his eyes.
+
+"Suppose you come into my study," I said, "and explain matters."
+
+We entered the room which had been the scene of so many singular
+happenings. The detective and I seated ourselves, but the Scotsman,
+holding the Chinaman by the neck as though he had been some inanimate
+bundle, stood just within the doorway, one of the most gigantic
+specimens of manhood I had ever set eyes upon.
+
+"You do the talking, sir," he directed the detective; "ye have all the
+facts."
+
+While Durham talked, then, we all listened--excepting the Chinaman, who
+was past taking an intelligent interest in anything, and who, to judge
+from his starting eyes, was being slowly strangled.
+
+"The gentleman," said Durham--"Mr. Nicholson--arrived two days ago from
+the East. He is a buyer for a big firm of diamond merchants, and some
+weeks ago a valuable diamond was stolen from him------"
+
+"By this!" interrupted the Scotsman, shaking the wretched Hi Wing Ho
+terrier fashion.
+
+"By Hi Wing Ho," explained the detective, "whom you see before you. The
+theft was a very ingenious one, and the man succeeded in getting away
+with his haul. He tried to dispose of the diamond to a certain Isaac
+Cohenberg, a Singapore moneylender; but Isaac Cohenberg was the bigger
+crook of the two. Hi Wing Ho only escaped from the establishment of
+Cohenberg by dint of sandbagging the moneylender, and quitted the town
+by a boat which left the same night. On the voyage he was indiscreet
+enough to take the diamond from its hiding-place and surreptitiously to
+examine it. Another member of the Chinese crew, one Li Ping--otherwise
+Ah Fu, the accredited agent of old Huang Chow!--was secretly watching
+our friend, and, knowing that he possessed this valuable jewel, he also
+learned where he kept it hidden. At Suez Ah Fu attacked Hi Wing Ho and
+secured possession of the diamond. It was to secure possession of the
+diamond that Ah Fu had gone out East. I don't doubt it. He employed Hi
+Wing Ho--and Hi Wing Ho tried to double on him!
+
+"We are indebted to you, Mr. Knox, for some of the data upon which
+we have reconstructed the foregoing and also for the next link in the
+narrative. A fireman ashore from the Jupiter intruded upon the scene at
+Suez and deprived Ah Fu of the fruits of his labours. Hi Wing Ho seems
+to have been badly damaged in the scuffle, but Ah Fu, the more wily of
+the two, evidently followed the fireman, and, deserting from his own
+ship, signed on with the Jupiter."
+
+While this story was enlightening in some respects, it was mystifying in
+others. I did not interrupt, however, for Durham immediately resumed:
+
+"The drama was complicated by the presence of a fourth character--the
+daughter of Cohenberg. Realizing that a small fortune had slipped
+through his fingers, the old moneylender dispatched his daughter in
+pursuit of Hi Wing Ho, having learned upon which vessel the latter had
+sailed. He had no difficulty in obtaining this information, for he is in
+touch with all the crooks of the town. Had he known that the diamond had
+been stolen by an agent of Huang Chow, he would no doubt have hesitated.
+Huang Chow has an international reputation.
+
+"However, his daughter--a girl of great personal beauty--relied upon her
+diplomatic gifts to regain possession of the stone, but, poor creature,
+she had not counted with Ah Fu, who was evidently watching your chambers
+(while Hi Wing Ho, it seems, was assiduously shadowing Ah Fu!). How she
+traced the diamond from point to point of its travels we do not know,
+and probably never shall know, but she was undeniably clever and
+unscrupulous. Poor girl! She came to a dreadful end. Mr. Nicholson,
+here, identified her at Bow Street to-night."
+
+Now the whole amazing truth burst upon me.
+
+"I understand!" I cried. "This"--and I snatched up the pigtail--
+
+"That my pigtail," moaned Hi Wing Ho feebly.
+
+Mr. Nicholson pitched him unceremoniously into a corner of the room, and
+taking the pigtail in his huge hand, clumsily unfastened it. Out from
+the thick part, some two inches below the point at which it had been cut
+from the Chinaman's head, a great diamond dropped upon the floor!
+
+For perhaps twenty seconds there was perfect silence in my study. No one
+stooped to pick the diamond from the floor--the diamond which now had
+blood upon it. No one, so far as my sense informed me, stirred. But
+when, following those moments of stupefaction, we all looked up--Hi Wing
+Ho, like a phantom, had faded from the room!
+
+
+
+
+
+
+THE HOUSE OF GOLDEN JOSS
+
+
+
+
+
+I
+
+THE BLOOD-STAINED IDOL
+
+
+"Stop when we pass the next lamp and give me a light for my pipe."
+
+"Why?"
+
+"No! don't look round," warned my companion. "I think someone is
+following us. And it is always advisable to be on guard in this
+neighbourhood."
+
+We had nearly reached the house in Wade Street, Limehouse, which my
+friend used as a base for East End operations. The night was dark but
+clear, and I thought that presently when dawn came it would bring a
+cold, bright morning. There was no moon, and as we passed the lamp and
+paused we stood in almost total darkness.
+
+Facing in the direction of the Council School I struck a match. It
+revealed my ruffianly looking companion--in whom his nearest friends
+must have failed to recognize Mr. Paul Harley of Chancery Lane.
+
+He was glancing furtively back along the street, and when a moment later
+we moved on, I too, had detected the presence of a figure stumbling
+toward us.
+
+"Don't stop at the door," whispered Harley, for our follower was only a
+few yards away.
+
+Accordingly we passed the house in which Harley had rooms, and had
+proceeded some fifteen paces farther when the man who was following us
+stumbled in between Harley and myself, clutching an arm of either. I
+scarcely knew what to expect, but was prepared for anything, when:
+
+"Mates!" said a man huskily. "Mates, if you know where I can get a
+drink, take me there!"
+
+Harley laughed shortly. I cannot say if he remained suspicious of the
+newcomer, but for my own part I had determined after one glance at
+the man that he was merely a drunken fireman newly recovered from a
+prolonged debauch.
+
+"Where 'ave yer been, old son?" growled Harley, in that wonderful
+dialect of his which I had so often and so vainly sought to cultivate.
+"You look as though you'd 'ad one too many already."
+
+"I ain't," declared the fireman, who appeared to be in a semi-dazed
+condition. "I ain't 'ad one since ten o'clock last night. It's dope
+wot's got me, not rum."
+
+"Dope!" said Harley sharply; "been 'avin' a pipe, eh?"
+
+"If you've got a corpse-reviver anywhere," continued the man in that
+curious, husky voice, "'ave pity on me, mate. I seen a thing to-night
+wot give me the jim-jams."
+
+"All right, old son," said my friend good-humouredly; "about turn! I've
+got a drop in the bottle, but me an' my mate sails to-morrow, an' it's
+the last."
+
+"Gawd bless yer!" growled the fireman; and the three of us--an odd trio,
+truly--turned about, retracing our steps.
+
+As we approached the street lamp and its light shone upon the haggard
+face of the man walking between us, Harley stopped, and:
+
+"Wot's up with yer eye?" he inquired.
+
+He suddenly tilted the man's head upward and peered closely into one of
+his eyes. I suppressed a gasp of surprise for I instantly recognized the
+fireman of the Jupiter!
+
+"Nothin' up with it, is there?" said the fireman.
+
+"Only a lump o' mud," growled Harley, and with a very dirty handkerchief
+he pretended to remove the imaginary stain, and then, turning to me:
+
+"Open the door, Jim," he directed.
+
+His examination of the man's eyes had evidently satisfied him that our
+acquaintance had really been smoking opium.
+
+We paused immediately outside the house for which we had been bound, and
+as I had the key I opened the door and the three of us stepped into a
+little dark room. Harley closed the door and we stumbled upstairs to a
+low first-floor apartment facing the street. There was nothing in its
+appointments, as revealed in the light of an oil lamp burning on the
+solitary table, to distinguish it from a thousand other such apartments
+which may be leased for a few shillings a week in the neighbourhood.
+That adjoining might have told a different story, for it more closely
+resembled an actor's dressing-room than a seaman's lodging; but the door
+of this sanctum was kept scrupulously locked.
+
+"Sit down, old son," said my friend heartily, pushing forward an old
+arm-chair. "Fetch out the grog, Jim; there's about enough for three."
+
+I walked to a cupboard, as the fireman sank limply down in the chair,
+and took out a bottle and three glasses. When the man, who, as I could
+now see quite plainly, was suffering from the after effects of opium,
+had eagerly gulped the stiff drink which I handed to him, he looked
+around with dim, glazed eyes, and:
+
+"You've saved my life, mates," he declared. "I've 'ad a 'orrible
+nightmare, I 'ave--a nightmare. See?"
+
+He fixed his eyes on me for a moment, then raised himself from his seat,
+peering narrowly at me across the table.
+
+"I seed you before, mate. Gaw, blimey! if you ain't the bloke wot
+I giv'd the pigtail to! And wot laid out that blasted Chink as was
+scraggin' me! Shake, mate!"
+
+I shook hands with him, Harley eyeing me closely the while, in a
+manner which told me that his quick brain had already supplied the link
+connecting our doped acquaintance with my strange experience during his
+absence. At the same time it occurred to me that my fireman friend
+did not know that Ah Fu was dead, or he would never have broached the
+subject so openly.
+
+"That's so," I said, and wondered if he required further information.
+
+"It's all right, mate. I don't want to 'ear no more about blinking
+pigtails--not all my life I don't," and he sat back heavily in his chair
+and stared at Harley.
+
+"Where have you been?" inquired Harley, as if no interruption had
+occurred, and then began to reload his pipe: "at Malay Jack's or at
+Number Fourteen?"
+
+"Neither of 'em!" cried the fireman, some evidence of animation
+appearing in his face; "I been at Kwen Lung's."
+
+"In Pennyfields?"
+
+"That's 'im, the old bloke with the big joss. I allers goes to see Ma
+Lorenzo when I'm in Port o' London. I've seen 'er for the last time,
+mates."
+
+He banged a big and dirty hand upon the table.
+
+"Last night I see murder done, an' only that I know they wouldn't
+believe me, I'd walk across to Limehouse P'lice Station presently and
+put the splits on 'em, I would."
+
+Harley, who was seated behind the speaker, glanced at me significantly.
+
+"Sure you wasn't dreamin'?" he inquired facetiously.
+
+"Dreamin'!" cried the man. "Dreams don't leave no blood be'ind, do
+they?"
+
+"Blood!" I exclaimed.
+
+"That's wot I said--blood! When I woke up this mornin' there was blood
+all on that grinnin' joss--the blood wot 'ad dripped from 'er shoulders
+when she fell."
+
+"Eh!" said Harley. "Blood on whose shoulders? Wot the 'ell are you
+talkin' about, old son?"
+
+"Ere"--the fireman turned in his chair and grasped Harley by the
+arm--"listen to me, and I'll tell you somethink, I will. I'm goin' in
+the Seahawk in the mornin' see? But if you want to know somethink, I'll
+tell yer. Drunk or sober I bars the blasted p'lice, but if you like
+to tell 'em I'll put you on somethink worth tellin'. Sure the bottle's
+empty, mates?"
+
+I caught Harley's glance and divided the remainder of the whisky evenly
+between the three glasses.
+
+"Good 'ealth," said the fireman, and disposed of his share at a draught.
+"That's bucked me up wonderful."
+
+He lay back in his chair and from a little tobacco-box began to fill a
+short clay pipe.
+
+"Look 'ere, mates, I'm soberin' up, like, after the smoke, an' I can
+see, I can see plain, as nobody'll ever believe me. Nobody ever does,
+worse luck, but 'ere goes. Pass the matches."
+
+He lighted his pipe, and looking about him in a sort of vaguely
+aggressive way:
+
+"Last night," he resumed, "after I was chucked out of the Dock Gates, I
+made up my mind to go and smoke a pipe with old Ma Lorenzo. Round I goes
+to Pennyfields, and she don't seem glad to see me. There's nobody
+there only me. Not like the old days when you 'ad to book your seat in
+advance."
+
+He laughed gruffly.
+
+"She didn't want to let me in at first, said they was watched, that if
+a Chink 'ad an old pipe wot 'ad b'longed to 'is grandfather it was good
+enough to get 'im fined fifty quid. Anyway, me bein' an old friend she
+spread a mat for me and filled me a pipe. I asked after old Kwen Lung,
+but, of course, 'e was out gamblin', as usual; so after old Ma Lorenzo
+'ad made me comfortable an' gone out I 'ad the place to myself, and
+presently I dozed off and forgot all about bloody ship's bunkers an'
+nigger-drivin' Scotchmen."
+
+He paused and looked about him defiantly.
+
+"I dunno 'ow long I slept," he continued, "but some time in the night I
+kind of 'alf woke up."
+
+At that he twisted violently in his chair and glared across at Harley:
+
+"You been a pal to me," he said; "but tell me I was dreamin' again and
+I'll smash yer bloody face!"
+
+He glared for a while, then addressing his narrative more particularly
+to me, he resumed:
+
+"It was a scream wot woke me--a woman's scream. I didn't sit up; I
+couldn't. I never felt like it before. It was the same as bein' buried
+alive, I should think. I could see an' I could 'ear, but I couldn't move
+one muscle in my body. Foller me? An' wot did I see, mates, an' wot did
+I 'ear? I'm goin' to tell yer. I see old Kwen Lung's daughter------"
+
+"I didn't know 'e 'ad one," murmured Harley.
+
+"Then you don't know much!" shouted the fireman. "I knew years ago, but
+'e kept 'er stowed away somewhere up above, an' last night was the first
+time I ever see 'er. It was 'er shriek wot 'ad reached me, reached me
+through the smoke. I don't take much stock in Chink gals in general, but
+this one's mother was no Chink, I'll swear. She was just as pretty as a
+bloomin' ivory doll, an' as little an' as white, and that old swine Kwen
+Lung 'ad tore the dress off of 'er shoulders with a bloody great whip!"
+
+Harley was leaning forward in his seat now, intent upon the man's
+story, and although I could not get rid of the idea that our friend
+was relating the events of a particularly unpleasant opium dream,
+nevertheless I was fascinated by the strange story and by the strange
+manner of its telling.
+
+"I saw the blood drip from 'er bare shoulders, mates," the man continued
+huskily, and with his big dirty hands he strove to illustrate his words.
+"An' that old yellow devil lashed an' lashed until the poor gal was past
+screamin'. She just sunk down on the floor all of a 'cap, moanin' and
+moanin'--Gawd! I can 'ear 'er moanin' now!"
+
+"Meanwhile, 'ere's me with murder in me 'eart lyin' there watchin',
+an' I can't speak, no! I can't even curse the yellow rat, an' I can't
+move--not a 'and, not a foot! Just as she fell there right up against
+the joss an' 'er blood trickled down on 'is gilded feet, old Ma Lorenzo
+comes staggerin' in. I remember all this as clear as print, mates,
+remember it plain, but wot 'appened next ain't so good an' clear.
+Somethink seemed to bust in me 'ead. Only just before I went off, the
+winder--there's only one in the room--was smashed to smithereens an'
+somebody come in through it."
+
+"Are you sure?" said Harley eagerly. "Are you sure?"
+
+That he was intensely absorbed in the story he revealed by a piece of
+bad artistry, very rare in him. He temporarily forgot his dialect. Our
+marine friend, however, was too much taken up with his own story to
+notice the slip, and:
+
+"Dead sure!" he shouted.
+
+He suddenly twisted around in his chair.
+
+"Tell me I was dreamin', mate," he invited, "and if you ain't dreamin'
+in 'arf a tick it won't be because I 'aven't put yer to sleep!"
+
+"I ain't arguin', old son," said Harley soothingly. "Get on with your
+yarn."
+
+"Ho!" said the fireman, mollified, "so long as you ain't. Well, then,
+it's all blotted out after that. Somebody come in at the winder, but 'oo
+it was or wot it was I can't tell yer, not for fifty quid. When I woke
+up, which is about 'arf an hour before you see me, I'm all alone--see?
+There's no sign of Kwen Lung nor the gal nor old Ma Lorenzo nor anybody.
+I sez to meself, wot you keep on sayin'. I sez, 'You're dreamin',
+Bill.'"
+
+"But I don't think you was," declared Harley. "Straight I don't."
+
+"I know I wasn't!" roared the fireman, and banged the table lustily. "I
+see 'er blood on the joss an' on the floor where she lay!"
+
+"This morning?" I interjected.
+
+"This mornin', in the light of the little oil lamp where old Ma Lorenzo
+'ad roasted the pills! It's all still an' quiet an' I feel more dead
+than alive. I'm goin' to give 'er a hail, see? When I sez to myself,
+'Bill,' I sez, 'put out to sea; you're amongst Kaffirs, Bill.' It
+occurred to me as old Kwen Lung might wonder 'ow much I knew. So I beat
+it. But when I got in the open air I felt I'd never make my lodgin's
+without a tonic. That's 'ow I come to meet you, mates.
+
+"Listen--I'm away in the old Seahawk in the mornin', but I'll tell you
+somethink. That yellow bastard killed his daughter last night! Beat 'er
+to death. I see it plain. The sweetest, prettiest bit of ivory as Gawd
+ever put breath into. If 'er body ain't in the river, it's in the 'ouse.
+Drunk or sober, I never could stand the splits, but mates"--he stood
+up, and grasping me by the arm, he drew me across the room where he also
+seized Harley in his muscular grip--"mates," he went on earnestly, "she
+was the sweetest, prettiest little gal as a man ever clapped eyes on.
+One of yer walk into Limehouse Station an' put the koppers wise. I'd
+sleep easier at sea if I knew old Kwen Lung 'ad gone west on a bloody
+rope's end."
+
+
+
+
+II
+
+AT KWEN LUNG'S
+
+
+
+For fully ten minutes after the fireman had departed Paul Harley sat
+staring abstractedly in front of him, his cold pipe between his teeth,
+and knowing his moods I intruded no words upon this reverie, until:
+
+"Come on, Knox," he said, standing up suddenly, "I think this matter
+calls for speedy action."
+
+"What! Do you think the man's story was true?"
+
+"I think nothing. I am going to look at Kwen Lung's joss."
+
+Without another word he led the way downstairs and out into the deserted
+street. The first gray halftones of dawn were creeping into the sky,
+so that the outlines of Limehouse loomed like dim silhouettes about
+us. There was abundant evidence in the form of noises, strange and
+discordant, that many workers were busy on dock and riverside, but the
+streets through which our course lay were almost empty. Sometimes a
+furtive shadow would move out of some black gully and fade into a dimly
+seen doorway in a manner peculiarly unpleasant and Asiatic. But we met
+no palpable pedestrian throughout the journey.
+
+Before the door of a house in Pennyfields which closely resembled that
+which we had left in Wade Street, in that it was flatly uninteresting,
+dirty and commonplace, we paused. There was no sign of life about the
+place and no lights showed at any of the windows, which appeared as
+dim cavities--eyeless sockets in the gray face of the building, as dawn
+proclaimed the birth of a new day.
+
+Harley seized the knocker and knocked sharply. There was no response,
+and he repeated the summons, but again without effect. Thereupon, with a
+muttered exclamation, he grasped the knocker a third time and executed a
+veritable tattoo upon the door. When this had proceeded for about half a
+minute or more:
+
+"All right, all right!" came a shaky voice from within. "I'm coming."
+
+Harley released the knocker, and, turning to me:
+
+"Ma Lorenzo," he whispered. "Don't make any mistakes."
+
+Indeed, even as he warned me, heralded by a creaking of bolts and the
+rattling of a chain, the door was opened by a fat, shapeless, half-caste
+woman of indefinite age; in whose dark eyes, now sunken in bloated
+cheeks, in whose full though drooping lips, and even in the whole
+overlaid contour of whose face and figure it was possible to recognize
+the traces of former beauty. This was Ma Lorenzo, who for many years had
+lived at that address with old Kwen Lung, of whom strange stories were
+told in Chinatown.
+
+As Bill Jones, A.B., my friend, Paul Harley, was well known to Ma
+Lorenzo as he was well known to many others in that strange colony which
+clusters round the London docks. I sometimes enjoyed the privilege of
+accompanying my friend on a tour of investigation through the weird
+resorts which abound in that neighbourhood, and, indeed, we had been
+returning from one of these Baghdad nights when our present adventure
+had been thrust upon us. Assuming a wild and boisterous manner which he
+had at command:
+
+"'Urry up, Ma!" said Harley, entering without ceremony; "I want to
+introduce my pal Jim 'ere to old Kwen Lung, and make it all right for
+him before I sail."
+
+Ma Lorenzo, who was half Portuguese, replied in her peculiar accent:
+
+"This no time to come waking me up out of bed!"
+
+But Harley, brushing past her, was already inside the stuffy little
+room, and I hastened to follow.
+
+"Kwen Lung!" shouted my friend loudly. "Where are you? Brought a friend
+to see you."
+
+"Kwen Lung no hab," came the complaining tones of Ma Lorenzo from behind
+us.
+
+It was curious to note how long association with the Chinese had
+resulted in her catching the infection of that pidgin-English which is a
+sort of esperanto in all Asiatic quarters.
+
+"Eh!" cried my friend, pushing open a door on the right of the passage
+and stumbling down three worn steps into a very evil-smelling room.
+"Where is he?"
+
+"Go play fan-tan. Not come back."
+
+Ma Lorenzo, having relocked the street door, had rejoined us, and as I
+followed my friend down into the dim and uninviting apartment she stood
+at the top of the steps, hands on hips, regarding us.
+
+The place, which was quite palpably an opium den, must have disappointed
+anyone familiar with the more ornate houses of Chinese vice in San
+Francisco and elsewhere. The bare floor was not particularly clean, and
+the few decorations which the room boasted were garishly European for
+the most part. A deep divan, evidently used sometimes as a bed, occupied
+one side of the room, and just to the left of the steps reposed the only
+typically Oriental object in the place.
+
+It was a strange thing to see in so sordid a setting; a great gilded
+joss, more than life-size, squatting, hideous, upon a massive pedestal;
+a figure fit for some native temple but strangely out of place in that
+dirty little Limehouse abode.
+
+I had never before visited Kwen Lung's, but the fame of his golden joss
+had reached me, and I know that he had received many offers for it, all
+of which he had rejected. It was whispered that Kwen Lung was rich,
+that he was a great man among the Chinese, and even that some kind of
+religious ceremony periodically took place in his house. Now, as I stood
+staring at the famous idol, I saw something which made me stare harder
+than ever.
+
+The place was lighted by a hanging lamp from which depended bits of
+coloured paper and several gilded silk tassels; but dim as the light was
+it could not conceal those tell-tale stains.
+
+There was blood on the feet of the golden idol!
+
+All this I detected at a glance, but ere I had time to speak:
+
+"You can't tell me that tale, Ma!" cried Harley. "I believe 'e was
+smokin' in 'ere when we knocked."
+
+The woman shrugged her fat shoulders.
+
+"No, hab," she repeated. "You two johnnies clear out. Let me sleep."
+
+But as I turned to her, beneath the nonchalant manner I could detect a
+great uneasiness; and in her dark eyes there was fear. That Harley also
+had seen the bloodstains I was well aware, and I did not doubt that
+furthermore he had noted the fact that the only mat which the room
+boasted had been placed before the joss--doubtless to hide other stains
+upon the boards.
+
+As we stood so I presently became aware of a current of air passing
+across the room in the direction of the open door. It came from a window
+before which a tawdry red curtain had been draped. Either the window
+behind the curtain was wide open, which is alien to Chinese habits,
+or it was shattered. While I was wondering if Harley intended to
+investigate further:
+
+"Come on, Jim!" he cried boisterously, and clapped me on the shoulder;
+"the old fox don't want to be disturbed."
+
+He turned to the woman:
+
+"Tell him when he wakes up, Ma," he said, "that if ever my pal Jim wants
+a pipe he's to 'ave one. Savvy? Jim's square."
+
+"Savvy," replied the woman, and she was wholly unable to conceal her
+relief. "You clear out now, and I tell Kwen Lung when he come in."
+
+"Righto, Ma!" said Harley. "Kiss 'im on both cheeks for me, an' tell 'im
+I'll be 'ome again in a month."
+
+Grasping me by the arm he lurched up the steps, and the two of us
+presently found ourselves out in the street again. In the growing
+light the squalor of the district was more evident than ever, but the
+comparative freshness of the air was welcome after the reek of that room
+in which the golden idol sat leering, with blood at his feet.
+
+"You saw, Harley?" I exclaimed excitedly. "You saw the stains? And I'm
+certain the window was broken!"
+
+Harley nodded shortly.
+
+"Back to Wade Street!" he said. "I allow myself fifteen minutes to shed
+Bill Jones, able seaman, and to become Paul Harley, of Chancery Lane."
+
+As we hurried along:
+
+"What steps shall you take?" I asked.
+
+"First step: search Kwen Lung's house from cellar to roof. Second step:
+entirely dependent upon result of first. The Chinese are subtle, Knox.
+If Kwen Lung has killed his daughter, it may require all the resources
+of Scotland Yard to prove it."
+
+"But------"
+
+"There is no 'but' about it. Chinatown is the one district of London
+which possesses the property of swallowing people up."
+
+
+
+
+III
+
+"CAPTAIN DAN"
+
+
+
+Half an hour later, as I sat in the inner room before the great
+dressing-table laboriously removing my disguise--for I was utterly
+incapable of metamorphosing myself like Harley in seven minutes--I
+heard a rapping at the outer door. I glanced nervously at my face in the
+mirror.
+
+Comparatively little of "Jim" had yet been removed, for since time was
+precious to my friend I had acted as his dresser before setting to work
+to remove my own make-up. There were two entrances to the establishment,
+by one of which Paul Harley invariably entered and invariably went out,
+and from the other of which "Bill Jones" was sometimes seen to emerge,
+but never Paul Harley. That my friend had made good his retirement I
+knew, but, nevertheless, if I had to open the door of the outer room it
+must be as "Jim."
+
+Thinking it impolite not to do so, since the one who knocked might be
+aware that we had come in but not gone out again, I hastily readjusted
+that side of my moustache which I had begun to remove, replaced my
+cap and muffler, and carefully locking the door of the dressing-room,
+crossed the outer apartment and opened the door.
+
+It was Harley's custom never to enter or leave these rooms except under
+the mantle of friendly night, but at so early an hour I confess I had
+not expected a visitor. Wondering whom I should find there I opened the
+door.
+
+Standing on the landing was a fellow-lodger who permanently occupied
+the two top rooms of the house. Paul Harley had taken the trouble to
+investigate the man's past, for "Captain Dan," the name by which he was
+known in the saloons and worse resorts which he frequented, was palpably
+a broken-down gentleman; a piece of flotsam caught in the yellow stream.
+Opium had been his downfall. How he lived I never knew, but Harley
+believed he had some small but settled income, sufficient to enable him
+to kill himself in comfort with the black pills.
+
+As he stood there before me in the early morning light, I was aware of
+some subtle change in his appearance. It was fully six months since I
+had seen him last, but in some vague way he looked younger. Haggard
+he was, with an ugly cut showing on his temple, but not so lined as
+I remembered him. Some former man seemed to be struggling through the
+opium-scarred surface. His eyes were brighter, and I noted with surprise
+that he wore decent clothes and was clean shaved.
+
+"Good morning, Jim," he said; "you remember me, don't you?"
+
+As he spoke I observed, too, that his manner had altered. He who had
+consorted with the sweepings af the doss-houses now addressed me as
+a courteous gentleman addresses an inferior--not haughtily or
+patronizingly, but with a note of conscious superiority and self-respect
+wholly unfamiliar. Almost it threw me off my guard, but remembering in
+the nick of time that I was still "Jim":
+
+"Of course I remember you, Cap'n," I said. "Step inside."
+
+"Thanks," he replied, and followed me into the little room.
+
+I placed for him the arm-chair which our friend the fireman had so
+recently occupied, but:
+
+"I won't sit down," he said.
+
+And now I observed that he was evidently in a condition of repressed
+excitement. Perhaps he saw the curiosity in my glance, for he suddenly
+rested both his hands on my shoulders, and:
+
+"Yes, I have given up the dope, Jim," he said---"done with it for ever.
+There's not a soul in this neighbourhood I can trust, yet if ever a man
+wanted a pal, I want one to-day. Now, you're square, my lad. I always
+knew that, in spite of the dope; and if I ask you to do a little thing
+that means a lot to me, I think you will do it. Am I right?"
+
+"If it can be done, I'll do it," said I.
+
+"Then, listen. I'm leaving England in the Patna for Singapore. She sails
+at noon to-morrow, and passengers go on board at ten o'clock. I've got
+my ticket, papers in order, but"--he paused impressively, grasping my
+shoulders hard--"I must get on board to-night."
+
+I stared him in the face.
+
+"Why?" I asked.
+
+He returned my look with one searching and eager; then:
+
+"If I show you the reason," said he, "and trust you with all my papers,
+will you go down to the dock--it's no great distance--and ask to see
+Marryat, the chief officer? Perhaps you've sailed with him?"
+
+"No," I replied guardedly. "I was never in the Patna."
+
+"Never mind. When you give him a letter which I shall write he will make
+the necessary arrangements for me to occupy my state-room to-night. I
+knew him well," he explained, "in--the old days. Will you do it, Jim?"
+
+"I'll do it with pleasure," I answered.
+
+"Shake!" said Captain Dan.
+
+We shook hands heartily, and:
+
+"Now I'll show you the reason," he added. "Come upstairs."
+
+Turning, he led the way upstairs to his own room, and wondering greatly,
+I followed him in. Never having been in Captain Dan's apartments I
+cannot say whether they, like their occupant, had changed for the
+better. But I found myself in a room surprisingly clean and with a note
+of culture in its appointments which was even more surprising.
+
+On a couch by the window, wrapped in a fur rug, lay the prettiest
+half-caste girl I had ever seen, East or West. Her skin was like cream
+rose petals and her abundant hair was of wonderful lustrous black.
+Perhaps it was her smooth warm colour which suggested the idea, but
+as her cheeks flushed at sight of Captain Dan and the long dark eyes
+lighted up in welcome, I thought of a delicate painting on ivory and I
+wondered more and more what it all could mean.
+
+"I have brought Jim to see you," said Captain Dan. "No, don't trouble to
+move dear."
+
+But even before he had spoken I had seen the girl wince with pain as she
+had endeavoured to sit up to greet us. She lay on her side in a rather
+constrained attitude, but although her sudden movement had brought tears
+to her eyes she smiled bravely and extended a tiny ivory hand to me.
+
+"This is my wife, Jim!" said Captain Dan.
+
+I could find no words at all, but merely stood there looking very
+awkward and feeling almost awed by the indescribable expression of trust
+in the eyes of the little Eurasian, as with her tiny fingers hidden in
+her husband's clasp she lay looking up at him.
+
+"Now you know, Jim," said he, "why we must get aboard the Patna
+to-night. My wife is really too ill to travel; in fact, I shall have
+to carry her down to the cab, and such a proceeding in daylight would
+attract an enormous crowd in this neighbourhood!"
+
+"Give me the letters and the papers," I answered. "I will start now."
+
+His wife disengaged her hand and extended it to me.
+
+"Thank you," she said, in a queer little silver-bell voice; "you are
+good. I shall always love you."
+
+
+
+
+IV
+
+THE SECRET OF MA LORENZO
+
+
+
+It must have been about eleven o'clock that night when Paul Harley rang
+me up. Since we had parted in the early morning I had had no word from
+him, and I was all anxiety to tell him of the quaint little romance
+which unknown to us had had its setting in the room above.
+
+In accordance with my promise I had seen the chief officer of the Patna;
+and from the start of surprise which he gave on opening "Captain Dan's"
+letter, I judged that Mr. Marryat and the man who for so long had sunk
+to the lowest rung of the ladder had been close friends in those "old
+days." At any rate, he had proceeded to make the necessary arrangements
+without a moment's delay, and the couple were to go on board the Patna
+at nine o'clock.
+
+It was with a sense of having done at least one good deed that I finally
+quitted our Limehouse base and returned to my rooms. Now, at eleven
+o'clock at night:
+
+"Can you come round to Chancery Lane at once?" said Harley. "I want you
+to run down to Pennyfields with me."
+
+"Some development in the Kwen Lung business?"
+
+"Hardly a development, but I'm not satisfied, Knox. I hate to be
+beaten."
+
+Twenty minutes later I was sitting in Harley's study, watching him
+restlessly promenading up and down before the fire.
+
+"The police searched Kwen Lung's place from foundation to tiles," he
+said. "I was there myself. Old Kwen Lung conveniently kept out of the
+way--still playing fan-tan, no doubt! But Ma Lorenzo was in evidence.
+She blandly declared that Kwen Lung never had a daughter! And in the
+absence of our friend the fireman, who sailed in the Seahawk, and whose
+evidence, by the way, is legally valueless--what could we do? They could
+find nobody in the neighbourhood prepared to state that Kwen Lung had
+a daughter or that Kwen Lung had no daughter. There are all sorts of
+fables about the old fox, but the facts about him are harder to get at."
+
+"But," I explained, "the bloodstains on the joss!"
+
+"Ma Lorenzo stumbled and fell there on the previous night, striking her
+skull against the foot of the figure."
+
+"What nonsense!" I cried. "We should have seen the wound last night."
+
+"We might have done," said Harley musingly; "I don't know when she
+inflicted it on herself; but I did see it this morning."
+
+"What!"
+
+"Oh, the gash is there all right, partly covered by her hair."
+
+He stood still, staring at me oddly.
+
+"One meets with cases of singular devotion in unexpected quarters
+sometimes," he said.
+
+"You mean that the woman inflicted the wound upon herself in
+order------"
+
+"To save old Kwen Lung--exactly! It's marvellous."
+
+"Good heavens!" I exclaimed. "And the window?"
+
+"Oh! it was broken right enough--by two drunken sailormen fighting in
+the court outside! Sash and everything smashed to splinters."
+
+He began irritably to pace the carpet again.
+
+"It must have been a devil of a fight!" he added savagely.
+
+"Meanwhile," said I, "where is old Kwen Lung hiding?"
+
+"But more particularly," cried Harley, "where has he hidden the poor
+victim? Come along, Knox! I'm going down there for a final look round."
+
+"Of course the premises are being watched?"
+
+"Of course--and also, of course, I shall be the laughing stock of
+Scotland Yard if nothing results."
+
+It was close on midnight when once more I found myself in Pennyfields.
+Carried away by Harley's irritable excitement I had quite forgotten the
+romance of Captain Dan; and when, having exchanged greetings with the
+detective on duty hard by the house of Kwen Lung, we presently found
+ourselves in the presence of Ma Lorenzo, I scarcely knew for a moment if
+I were "Jim" or my proper self.
+
+"Is Kwen Lung in?" asked Harley sternly.
+
+The woman shook her head.
+
+"No," she replied; "he sometimes stop away a whole week."
+
+"Does he?" jerked Harley. "Come in, Knox; we'll take another look
+round."
+
+A moment later I found myself again in the room of the golden joss.
+The red curtain had been removed from before the shattered window,
+but otherwise the place looked exactly as it had looked before. The
+atmosphere was much less stale, however, but there was something
+repellent about the great gilded idol smiling eternally from his
+pedestal beside the door.
+
+I stared into the leering face, and it was the face of one who knew and
+who might have said: "Yes! this and other things equally strange have I
+beheld in many lands as well as England. Much I could tell. Many things
+grim and terrible, and some few joyous; for behold! I smile but am
+silent."
+
+For a while Harley stared abstractedly at the bloodstains on the
+pedestal of the joss and upon the floor beneath from which the matting
+had been pulled back. Suddenly he turned to Ma Lorenzo:
+
+"Where have you hidden the body?" he demanded.
+
+Watching her, I thought I saw the woman flinch, but there was enough
+of the Oriental in her composition to save her from self-betrayal. She
+shook her head slowly, watching Harley through half-closed eyes.
+
+"Nobody hab," she replied.
+
+And I thought for once that her lapse into pidgin had been deliberate
+and not accidental.
+
+When finally we quitted the house of the missing Kwen Lung, and when,
+Harley having curtly acknowledged "good night" from the detective on
+duty, we came out into Limehouse Causeway.
+
+"You have not overlooked the possibility, Harley," I said, "that this
+woman's explanation may be true, and that the fireman of the Seahawk may
+have been entertaining us with an account of a weird dream?"
+
+"No!" snapped Harley--"neither will Scotland Yard overlook it."
+
+He was in a particularly impossible mood, for he so rarely made mistakes
+that to be detected in one invariably brought out those petulant traits
+of character which may have been due in some measure to long residence
+in the East. Recognizing that he would rather be alone I parted from
+him at the corner of Chancery Lane and returned to my own chambers.
+Furthermore, I was very tired, for it was close upon two o'clock, and on
+turning in I very promptly went to sleep, nor did I awaken until late in
+the morning.
+
+For some odd reason, but possibly because the fact had occurred to me
+just as I was retiring, I remembered at the moment of waking that I had
+not told Harley about the romantic wedding of Captain Dan. As I had left
+my friend in very ill humour I thought that this would be a good excuse
+for an early call, and just before eleven o'clock I walked into his
+office. Innes, his invaluable secretary, showed me into the study at the
+back.
+
+"Hallo, Knox," said Harley, looking up from a little silver Buddha which
+he was examining, "have you come to ask for news of the Kwen Lung case?"
+
+"No," I replied. "Is there any?"
+
+Harley shook his head.
+
+"It seems like fate," he declared, "that this thing should have been
+sent to me this morning." He indicated the silver Buddha. "A present
+from a friend who knows my weakness for Chinese ornaments," he explained
+grimly. "It reminds me of that damned joss of Kwen Lung's!"
+
+I took up the little image and examined it with interest. It was most
+beautifully fashioned in the patient Oriental way, and there was a
+little hinged door in the back which fitted so perfectly that when
+closed it was quite impossible to detect its presence. I glanced at
+Harley.
+
+"I suppose you didn't find a jewel inside?" I said lightly.
+
+"No," he replied; "there was nothing inside."
+
+But even as he uttered the words his whole expression changed, and so
+suddenly as to startle me. He sprang up from the table, and:
+
+"Have you an hour to spare, Knox?" he cried excitedly.
+
+"I can spare an hour, but what for?"
+
+"For Kwen Lung!"
+
+Four minutes later we were speeding in the direction of Limehouse, and
+not a word of explanation to account for this sudden journey could I
+extract from my friend. Therefore I beguiled the time by telling him of
+my adventure with Captain Dan.
+
+Harley listened to the story in unbroken silence, but at its termination
+he brought his hand down sharply on my knee.
+
+"I have been almost perfectly blind, Knox," he said; "but not quite so
+perfectly blind as you!"
+
+I stared at him in amazement, but he merely laughed and offered no
+explanation of his words.
+
+Presently, then, I found myself yet again in the familiar room of the
+golden joss. Ma Lorenzo, in whom some hidden anxiety seemed to have
+increased since I had last seen her, stood at the top of the stairs
+watching us. Upon what idea my friend was operating and what he intended
+to do I could not imagine; but without a word to the woman he crossed
+the room and grasping the great golden idol with both arms he dragged it
+forward across the floor!
+
+As he did so there was a stifled shriek, and Ma Lorenzo, stumbling down
+the steps, threw herself on her knees before Harley! Raising imploring
+hands:
+
+"No, no!" she moaned. "Not until I tell you--I tell you everything
+first!"
+
+"To begin with, tell me how to open this thing," he said sternly.
+
+Momentarily she hesitated, and did not rise from her knees, but:
+
+"Do you hear me?" he cried.
+
+The woman rose unsteadily and walking slowly round the joss manipulated
+some hidden fastening, whereupon the entire back of the thing opened
+like a door! From what was within she shudderingly averted her face,
+but Harley, stepping back against the wall, stopped and peered into the
+cavity.
+
+"Good God!" he muttered. "Come and look, Knox."
+
+Prepared by his manner for some gruesome spectacle, I obeyed--and from
+that which I saw I recoiled in horror.
+
+"Harley," I whispered, "Harley! who is it?"
+
+The spectacle had truly sickened me. Crouched within the narrow space
+enclosed by the figure of the idol was the body of an old and wrinkled
+Chinaman! His knees were drawn up to his chin, and his head so
+compressed upon them that little of his features could be seen.
+
+"It is Kwen Lung!" murmured Ma Lorenzo, standing with clasped hands and
+wild eyes over by the window. "Kwen Lung--and I am glad he is dead!"
+
+Such a note of hatred came into her voice as I had never heard in the
+voice of any woman.
+
+"He is vile, a demon, a mocking cruel demon! Long, long years ago I
+would have killed him, but always I was afraid. I tell you everything,
+everything. This is how he comes to be dead. The little one"--again
+her voice changed and a note of almost grotesque tenderness came into
+it--"the lotus-flower, that is his own daughter's child, flesh of
+his flesh, he keeps a prisoner as the women of China are kept, up
+there"--she raised one fat finger aloft--"up above. He does not know
+that someone comes to see her--someone who used to come to smoke but who
+gave it up because he had looked into the dear one's eye. He does not
+know that she goes with me to see her man. Ah! we think he does not
+know! I--I arrange it all. A week ago they were married. Tuesday night,
+when Kwen Lung die, I plan for her to steal away for ever, for ever."
+
+Tears now were running down the woman's fat cheeks, and her voice
+quivered emotionally.
+
+"For me it is the end, but for her it is the beginning of life. All
+right! I don't matter a damn! She is young and beautiful. Ah, God! so
+beautiful! A drunken pig comes here and finds his way in, so I give him
+the smoke and presently he sleeps, but it makes delay, and I don't know
+how soon Kwen Lung, that yellow demon, will wake. For he is like the
+bats who sleep all day and wake at night.
+
+"At last the sailor pig sleeps and I call softly to my dear little one
+that the time has come. I have gone out into the street, locking
+the door behind me, to see if her man is waiting, and I hear her
+shrieks--her shrieks! I hurry back. My hands tremble so much that I can
+scarcely unlock the door. At last I enter, and I see and I know--that
+yellow devil has learned all and has been playing with us like cat and
+mouse! He is lashing her, with a great whip! Lashing her--that tiny,
+sweet flower. Ah!"
+
+She choked in her utterance, and turning to the gilded joss which
+contained the dead Chinaman she shook her clenched hands at it, and the
+expression on her face I can never forget. Then:
+
+"As I shriek curses at him, crash goes the window--and I see her husband
+spring into the room! The tender one had fallen, there at the foot
+of the joss, and Kwen Lung, his teeth gleaming--like a rat--like a
+devil--turns to meet him. So he is when her man strike him, once. Just
+once, here." She rested her hand upon her heart. "And he falls--and
+he coughs. He lie still. For him it is finished. That devil heart has
+ceased to beat. Ah!"
+
+She threw up her hands, and:
+
+"That is all. I tell you no more."
+
+"One thing more," said Harley sternly; "the name of the man who killed
+Kwen Lung?"
+
+At that Ma Lorenzo slowly raised her head and folded her arms across her
+bosom. There was something one could never forget in the expression of
+her fat face.
+
+"Not if you burn me alive!" she answered in a low voice. "No one ever
+knows that--from me."
+
+She sank on to the divan and buried her face in her hands. Her fat
+shoulders shook grotesquely; and Harley stood perfectly still staring
+across at her for fully a minute. I could hear voices in the street
+outside and the hum of traffic in Limehouse Causeway.
+
+Then my friend did a singular thing. Walking over to the gilded joss
+he reclosed the opening and not without a great effort pushed the great
+idol back against the wall.
+
+"There are times, Knox," he said, staring at me oddly, "when I'm glad
+that I am not an official agent of the law."
+
+While I watched him dumfounded he walked across to the woman and touched
+her on the shoulder. She raised her tear-stained face.
+
+"All right," she whispered. "I am ready."
+
+"Get ready as soon as you like," said he tersely.
+
+"I'll have the man removed who is watching the house, and you can reckon
+on forty-eight hours to make yourself scarce."
+
+With never another word he seized me by the arm and hurried me out
+of the place! Ten paces along the street a shabby-looking fellow was
+standing, leaning against a pillar. Harley stopped, and:
+
+"Even the greatest men make mistakes sometimes, Hewitt," he remarked.
+"I'm throwing up the case; probably Inspector Wessex will do the same.
+Good morning."
+
+On towards the Causeway he led me--for not a word was I capable of
+uttering; and just before we reached that artery of Chinatown, from
+down-river came the deep, sustained note of a steamer's siren, the
+warning of some big liner leaving dock.
+
+"That will be the Patna," said Harley. "She sails at twelve o'clock, I
+think you said?"
+
+
+
+
+
+
+MAN WITH THE SHAVEN SKULL
+
+
+
+
+
+I
+
+A STRANGE DISAPPEARANCE
+
+
+
+"Pull that light lower," ordered Inspector Wessex. "There you are, Mr.
+Harley; what do you make of it?"
+
+Paul Harley and I bent gingerly over the ghastly exhibit to which
+the C.I.D. official had drawn our attention, and to view which we had
+journeyed from Chancery Lane to Wapping.
+
+This was the body of a man dressed solely in ragged shirt and trousers.
+But the remarkable feature of his appearance lay in the fact that every
+scrap of hair from chin, lip, eyebrows and skull had been shaved off!
+
+There was another facial disfigurement, peculiarly and horribly Eastern,
+which my pen may not describe.
+
+"Impossible to identify!" murmured Harley. "Yes, you were right,
+Inspector; this is a victim of Oriental deviltry. Look here, too!"
+
+He indicated three small wounds, one situated on the left shoulder and
+the others on the forearm of the dead man.
+
+"The divisional surgeon cannot account for them," replied Wessex. "They
+are quite superficial, and he thinks they may be due to the fact that
+the body got entangled with something in the river."
+
+"They are due to the fact that the man had a birthmark on his shoulder
+and something--probably a name or some device--tattooed on his arm,"
+said Harley quietly. "Some few years ago, I met with a similar case in
+the neighbourhood of Stambul. A woman," he added, significantly.
+
+Detective-Inspector Wessex listened to my companion with respect, for
+apart from his established reputation as a private inquiry-agent which
+had made his name familiar in nearly every capital of the civilized
+world, Paul Harley's work in Constantinople during the six months
+preceding war with Turkey had merited higher reward than it had ever
+received. Had his recommendations been adopted the course of history
+must have been materially changed.
+
+"You think it's a Chinatown case, then, Mr. Harley?"
+
+"Possibly," was the guarded answer.
+
+Paul Harley nodded to the constable in charge, and the ghastly figure
+was promptly covered up again. My friend stood staring vacantly at
+Wessex, and presently:
+
+"The chief actor, I think, will prove to be not Chinese," he said,
+turned, and walked out.
+
+"If there's any development," remarked Wessex as the three of us entered
+Harley's car, which stood at the door, "I will, of course, report
+to you, Mr. Harley. But in the absence of any clue or mark of
+identification, I fear the verdict will be, 'Body of a man unknown,'
+etc., which has marked the finish of a good many in this cheerful
+quarter of London."
+
+"Quite so," said Harley, absently. "It presents extraordinary features,
+though, and may not end as you suppose. However--where do you want me to
+drop you, Wessex, at the Yard?"
+
+"Oh no," answered Wessex. "I made a special visit to Wapping just to
+get your opinion on the shaven man. I'm really going down to Deepbrow to
+look into that new disappearance case; the daughter of the gamekeeper.
+You'll have read of it?"
+
+"I have," said Harley shortly.
+
+Indeed, readers of the daily press were growing tired of seeing on the
+contents bills: "Another girl missing." The circumstance (which might
+have been no more than coincidence) that three girls had disappeared
+within the last eight weeks leaving no trace behind, had stimulated the
+professional scribes to link the cases, although no visible link had
+been found, and to enliven a somewhat dull journalistic season with
+theories about "a new Mormon menace."
+
+The vanishing of this fourth girl had inspired them to some startling
+headlines, and the case had interested me personally for the reason that
+I was acquainted with Sir Howard Hepwell, one of whose gamekeepers was
+the stepfather of the missing Molly Clayton. Moreover, it was hinted
+that she had gone away in the company of Captain Ronald Vane, at that
+time a guest of Sir Howard's at the Manor.
+
+In fact, Sir Howard had 'phoned to ask me if I could induce Harley to
+run down, but my friend had expressed himself as disinterested in a
+common case of elopement. Now, as Wessex spoke, I glanced aside at
+Harley, wondering if the fact that so celebrated a member of the C.I.D.
+as Detective-Inspector Wessex had been put in charge would induce him to
+change his mind.
+
+We were traversing a particularly noisy and unsavoury section of the
+Commercial Road, and although I could see that Wessex was anxious to
+impart particulars of the case to Harley, so loud was the din that I
+recognized the impossibility of conversing, and therefore:
+
+"Have you time to call at my rooms, Wessex?" I asked.
+
+"Well," he replied, "I have three-quarters of an hour."
+
+"You can do it in the car," said Harley suddenly. "I have been asked
+to look into this case myself, and before I definitely decline I should
+like to hear your version of the matter."
+
+Accordingly, we three presently gathered in my chambers, and Wessex,
+with one eye on the clock, outlined the few facts at that time in his
+possession respecting the missing girl.
+
+Two days before the news of the disappearance had been published
+broadcast under such headings as I have already indicated, a significant
+scene had been enacted in the gamekeeper's cottage.
+
+Molly Clayton, a girl whose remarkable beauty had made her a central
+figure in numerous scandalous stories, for such is the charity of rural
+neighbours, was detected by her stepfather, about eight in the evening,
+slipping out of the cottage.
+
+"Where be ye goin', hussy?" he demanded, grasping her promptly by the
+arm.
+
+"For a walk!" she replied defiantly.
+
+"A walk wi' that fine soger from t' Manor!" roared Bramber furiously.
+"You'll be sorry yet, you barefaced gadabout! Must I tell you again that
+t' man's a villain?"
+
+The girl wrenched her arm from Bramber's grasp, and blazed defiance from
+her beautiful eyes.
+
+"He knows how to respect a woman--what you don't!" she retorted hotly.
+
+"So I don't respect you, my angel?" shouted her stepfather. "Then you
+know what you can do! The door's open and there's few'll miss you!"
+
+Snatching her hat, the girl, very white, made to go out. Whereat the
+gamekeeper, a brutal man with small love for Molly, and maddened by her
+taking him at his word, seized her suddenly by her abundant fair hair
+and hauled her back into the room.
+
+A violent scene followed, at the end of which Molly fainted and Bramber
+came out and locked the door.
+
+When he came back about half-past nine the girl was missing. She did not
+reappear that night, and the police were advised in the morning. Their
+most significant discovery was this:
+
+Captain Ronald Vane, on the night of Molly's disappearance, had left
+the Manor House, after dining alone with his host, Sir Howard Hepwell,
+saying that he proposed to take a stroll as far as the Deep Wood.
+
+He never returned!
+
+From the moment that Gamekeeper Bramber left his cottage, and the moment
+when Sir Howard Hepwell parted from his guest after dinner, the world to
+which these two people, Molly Clayton and Captain Vane, were known, knew
+them no more!
+
+I was about to say that they were never seen again. But to me has fallen
+the task of relating how and where Paul Harley and I met with Captain
+Vane and Molly Clayton.
+
+At the end of the Inspector's account:
+
+"H'm," said Harley, glancing under his thick brows in my direction,
+"could you spare the time, Knox?"
+
+"To go to Deepbrow?" I asked with interest.
+
+"Yes; we have ten minutes to catch the train."
+
+"I'll come," said I. "Sir Howard will be delighted to see you, Harley."
+
+
+
+
+II
+
+THE CLUE OF THE PHOTOGRAPHS
+
+
+
+"What do you make of it, Inspector?" asked my friend.
+Detective-Inspector Wessex smiled, and scratched his chin.
+
+"There was no need for me to come down!" he replied. "And certainly no
+need for you, Mr. Harley!"
+
+Harley bowed, smiling, at the implied compliment.
+
+"It's a common or garden elopement!" continued the detective. "Vane's
+reputation is absolutely rotten, and the girl was clearly infatuated. He
+must have cared a good bit, too. He'll be cashiered, as sure as a gun!"
+
+Leaving Sir Howard at the Manor, we had joined Inspector Wessex at a
+spot where the baronet's preserves bordered a narrow lane. Here the
+ground was soft, and the detective drew Harley's attention to a number
+of footprints by a stile.
+
+"I've got evidence that he was seen here with the girl on other
+occasions. Now, Mr. Harley, I'll ask you to look over these footprints."
+
+Harley dropped to his knees and made a brief but close examination of
+the ground round about. One particularly clear imprint of a pointed toe
+he noticed especially; and Wessex, diving into the pocket of his light
+overcoat, produced a patent-leather shoe, such as is used for evening
+wear.
+
+"He had a spare pair in his bag," he explained nonchalantly, "and his
+man did not prove incorruptible!"
+
+Harley took the shoe and placed it in the impression. It fitted
+perfectly!
+
+"This is Molly Clayton, I take it?" he said, indicating the prints of a
+woman's foot.
+
+"Yes," assented Wessex. "You'll notice that they stood for some little
+time and then walked off, very close together."
+
+Harley nodded absently.
+
+"We lose them along here," continued Wessex, leading up the lane; "but
+at the corner by the big haystack they join up with the tracks of a
+motor-car! I ask for nothing clearer! There was rain that afternoon, but
+there's been none since."
+
+"What does the Captain's man think?"
+
+"The same as I do! He's not surprised at any madness on Vane's part,
+with a pretty woman in the case!"
+
+"The girl left nothing behind--no note?"
+
+"Nothing."
+
+"Traced the car?"
+
+"No. It must have been hired or borrowed from a long distance off."
+
+Where the tracks of the tires were visible we stopped, and Harley made a
+careful examination of the marks.
+
+"Seems to have had a struggle with her," he said, dryly.
+
+"Very likely!" agreed Wessex, without interest.
+
+Harley crawled about on the ground for some time, to the great detriment
+of his Harris tweeds, but finally arose, a curious expression on his
+face--which, however, the detective evidently failed to observe.
+
+We returned to the Manor House where Sir Howard was awaiting us, his
+good-humoured red face more red than usual; and in the library, with
+its sporting prints and its works for the most part dealing with riding,
+hunting, racing, and golf (except for a sprinkling of Nat Gould's novels
+and some examples of the older workmanship of Whyte-Melville), we were
+presently comfortably ensconced. On a side table were placed a generous
+supply of liquid refreshments, cigars and cigarettes; so that we made
+ourselves quite comfortable, and Sir Howard restrained his indignation,
+until each had a glass before him and all were smoking.
+
+"Now," he began, "what have you got to report, gentlemen? You,
+Inspector," he pointed with his cigar toward Wessex, "have seen Vane's
+man and all of you have been down to look at these damned tracks. I only
+want to hear one thing; that you expect to trace the disgraceful couple.
+I'll see to it"--his voice rose almost to a shout--"that Vane is kicked
+out of the service, and as to that shameless brat of Bramber's, I wish
+her no worse than the blackguard's company!"
+
+"One moment, Sir Howard, one moment," said Harley quietly; "there are
+always two sides to a case."
+
+"What do you mean, Mr. Harley? There's only one side that interests
+me--the outrage inflicted upon my hospitality by this dirty guest of
+mine. For the girl I don't give twopence; she was bound to come to a bad
+end."
+
+"Well," said Harley, "before we pronounce the final verdict upon either
+of them I should like to interview Bramber. Perhaps," he added, turning
+to Wessex, "it would be as well if Mr. Knox and I went alone. The
+presence of an official detective sometimes awes this class of witness."
+
+"Quite right, quite right!" agreed Sir Howard, waving his cigar
+vigorously. "Go and see Bramber, Mr. Harley; tell him that no blame
+attaches to himself whatever; also, tell him with my compliments that
+his stepdaughter is------"
+
+"Quite so, quite so," interrupted Harley, endeavouring to hide a smile.
+"I understand your feelings, Sir Howard, but again I ask you to reserve
+your verdict until all the facts are before us."
+
+As a result, Harley and I presently set out for the gamekeeper's
+cottage, and as the man had been warned that we should visit him, he was
+on the porch smoking his pipe. A big, dark, ugly fellow he proved to be,
+of a very forbidding cast of countenance. Having introduced ourselves:
+
+"I always knowed she'd come to a bad end!" declared Gamekeeper Bramber,
+almost echoing Sir Howard's words. "One o' these gentlemen o' hers was
+sure to be the finish of her!"
+
+"She had other admirers--before Captain Vane?"
+
+"Aye! the hussy! There was a black-faced villain not six months since!
+He got t' vain cat to go to London an' have her photograph done in a
+dress any decent woman would 'a' blushed to look at! Like one o' these
+Venuses up at t' Manor! Good riddance! She took after her mother!"
+
+The violent old ruffian was awkward to examine, but Harley persevered.
+
+"This previous admirer caused her to be photographed in that way, did
+he? Have you a copy?"
+
+"No!" blazed Bramber. "What I found I burnt! He ran off, like I told her
+he would--an' her cryin' her eyes out! But the pretty soger dried her
+tears quick enough!"
+
+"Do you know this man's name?"
+
+"No. A foreigner, he was."
+
+"Where were the photographs done--in London, you say?"
+
+"Aye."
+
+"Do you know by what photographer?"
+
+"I don't! An' I don't care! Piccadilly they had on 'em, which was good
+enough for me."
+
+"Have you her picture?"
+
+"No!"
+
+"Did she receive a letter on the day of her disappearance?"
+
+"Maybe."
+
+"Good day!" said Harley. "And let me add that the atmosphere of her home
+was hardly conducive to ideal conduct!"
+
+Leaving Bramber to digest this rebuke, we came out of the cottage. Dusk
+was falling now, and by the time that we regained the Manor the place
+was lighted up. Inspector Wessex was waiting for us in the library, and:
+
+"Well?" he said, smiling slightly as we entered.
+
+"Nothing much," replied Harley dryly, "except that I don't wonder at the
+girl's leaving such a home."
+
+"What's that! What!" roared a big voice, and Sir Howard came into the
+room. "I tell you, Bramber only had one fault as a stepfather; he wasn't
+heavy-handed enough. A bad lot, sir, a bad lot!"
+
+"Well, sir," said Inspector Wessex, looking from one to another,
+"personally, beyond the usual inquiries at railway stations, etc.,
+I cannot see that we can do much here. Don't you agree with me, Mr.
+Harley?"
+
+Harley nodded.
+
+"Quite," he replied. "There is a late train to town which I think we
+could catch if we started at once."
+
+"Eh?" roared Sir Howard; "you're not going back to-night? Your rooms are
+ready for you, damn it!"
+
+"I quite appreciate the kindness, Sir Howard," replied Harley; "but I
+have urgent business to attend to in London. Believe me, my departure is
+unavoidable."
+
+The blue eyes of the baronet gleamed with the simple cunning of his
+kind.
+
+"You've got something up your sleeve," he roared. "I know you have, I
+know you have!"
+
+Inspector Wessex looked at me significantly, but I could only shrug my
+shoulders in reply; for in these moods Harley was as inscrutable as the
+Sphinx.
+
+However, he had his way, and Sir Howard hurriedly putting a car in
+commission, we raced for the local station and just succeeded in picking
+up the express at Claybury.
+
+Wessex was rather silent throughout the journey, often glancing in my
+friend's direction, but Harley made no further reference to the case
+beyond outlining the interview with Bramber, until, as we were parting
+at the London terminus, Wessex to report to Scotland Yard and I to go to
+Harley's rooms:
+
+"How long do you think it will take you to find that photographer,
+Wessex?" he asked. "Piccadilly is a sufficient clue."
+
+"Well," replied the Inspector, "nothing can be done to-night, of course,
+but I should think by mid-day tomorrow the matter should be settled."
+
+"Right," said Harley shortly. "May I ask you to report the result to me,
+Wessex?"
+
+"I will report without fail."
+
+
+
+
+III
+
+ALI OF CAIRO
+
+
+
+It was not until the evening of the following day that Harley rang me
+up, and:
+
+"I want you to come round at once," he said urgently. "The Deepbrow case
+is developing along lines which I confess I had anticipated, but which
+are dramatic nevertheless."
+
+Knowing that Harley did not lightly make such an assertion, I put aside
+the work upon which I was engaged and hurried around to Chancery Lane.
+I found my friend, pipe in mouth, walking up and down his smoke-laden
+study in a state which I knew to betoken suppressed excitement, and:
+
+"Did Wessex find your photographer?" I asked on entering.
+
+"Yes," he replied. "A first-class man, as I had anticipated. As I had
+further anticipated he did a number of copies of the picture for the
+foreign gentleman--about fifty, in fact!"
+
+"Fifty!"
+
+"Yes! Does the significance of that fact strike you?" asked Harley, a
+queer smile stealing across his tanned, clean-shaven face.
+
+"It is an extraordinary thing for even an ardent admirer to have so many
+reproductions done of the same picture!"
+
+"It is! I will show you now what I found trodden into one of the
+footprints where the struggle took place beside the car."
+
+Harley produced a piece of thick silk twine.
+
+"What is it?"
+
+"It is a link, Knox--a link to seek which I really went down to
+Deepbrow." He stared at me quizzically, but my answering look must have
+been a blank one. "It is part of the tassel of one of those red cloth
+caps commonly called in England, a fez!"
+
+He continued to stare at me and I to stare at the piece of silk; then:
+
+"What is the next move?" I demanded. "Your new clue rather bewilders
+me."
+
+"The next move," he said, "is to retire to the adjoining room and make
+ourselves look as much like a couple of Oriental commercial travellers
+as our correctly British appearance will allow!"
+
+"What!" I cried.
+
+"That's it!" laughed Harley. "I have a perpetual tan, and I think I can
+give you a temporary one which I keep in a bottle for the purpose."
+
+Twenty minutes later, then, having quitted Harley's chambers by a back
+way opening into one of those old-world courts which abound in this part
+of the metropolis, two quietly attired Eastern gentlemen got into a
+cab at the corner of Chancery Lane and proceeded in the direction of
+Limehouse.
+
+There are haunts in many parts of London whose very existence is
+unsuspected by all but the few; haunts unvisited by the tourist and
+even unknown to the copy-hunting pressman. Into a quiet thoroughfare not
+three minutes' walk from the busy life of West India Dock Road, Harley
+led the way. Before a door sandwiched in between the entrance to a Greek
+tobacconist's establishment and a boarded shop-front, he paused and
+turned to me.
+
+"Whatever you see or hear," he cautioned, "express no surprise. Above
+all, show no curiosity."
+
+He rang the bell beside the door, and almost immediately it was opened
+by a Negress, grossly and repellently ugly.
+
+Harley pattered something in what sounded like Arabic, whereat the
+Negress displayed the utmost servility, ushering us into an ill-lighted
+passage with every evidence of respect. Following this passage to its
+termination, an inner door was opened, and a burst of discordant music
+greeted us, together with a wave of tobacco smoke. We entered.
+
+Despite my friend's particular injunctions to the contrary I gave a
+start of amazement.
+
+We stood in the doorway of a fairly large apartment having a divan round
+three of its sides. This divan was occupied by ten or a dozen men of
+mixed nationalities--Arabs, Greeks, lascars, and others. They smoked
+cigarettes for the most part and sipped Mokha from little cups. A girl
+was performing a wriggling dance upon the square carpet occupying the
+centre of the floor, accompanied by a Nubian boy who twanged upon a
+guitar, and by most of the assembled company, who clapped their hands to
+the music or droned a low, tuneless dirge.
+
+Shortly after our entrance the performance terminated, and the girl
+retired through a curtained doorway at the farther end of the room.
+Our presence being now observed, suspicious glances were cast in our
+direction, and a very aged man, who sat smoking a narghli near the door
+by which the girl had made her exit, gravely waved towards us the amber
+mouthpiece which he held in his hand.
+
+Harley walked straight across to him, I close at his heels. The light of
+a lamp which hung close by fell fully upon my friend's face; and, rising
+from his seat, the old man greeted him with the dignified and graceful
+salutation of the East. At his request we seated ourselves beside him,
+and, while we all three smoked excellent Turkish cigarettes, Harley and
+he conversed in a low tone. Suddenly, at some remark of my friend's,
+our strange host rose to his feet, an angry frown contracting his heavy
+eyebrows.
+
+Silence fell upon the company.
+
+In a loud and peremptory voice he called out something in Arabic.
+
+Instantly I detected a fellow near the entrance door, and whom I had not
+hitherto observed, slipping furtively into the shadow, with a view, as
+I thought, to secret departure. He seemed to be deformed in some way
+and had the most evil, pock-marked face I had ever beheld in my life.
+Angrily, the majestic old man recalled him. Whereupon, with a sort of
+animal snarl quite indescribable, the fellow plucked out a knife! Two
+men who had been on the point of seizing him fell back, and:
+
+"Hold him!" shouted Harley, springing forward--"hold him! It's Ali of
+Cairo!"
+
+But Harley was too late. Turning, the strange and formidable-looking
+Oriental ran like the wind! Ere hand could be raised to stay him he was
+through the doorway!
+
+"That settles it," said Harley grimly, as once more I found myself in a
+cab beside him. "I was right; but he'll forestall us!"
+
+"Who will forestall us?" I asked in bewilderment.
+
+"The biggest villain in Europe, Asia, or Africa!" cried my companion.
+"I have wasted precious time to-day. I might have known." He drummed
+irritably upon his knees. "The place we have just left is a sort of
+club, you understand, Knox, and Hakim is the proprietor or host as well
+as being an old gentleman of importance and authority in the Moslem
+world. I told him of my suspicions--which step I should have taken
+earlier--and they were instantly confirmed. My man was there--recognized
+me--and bolted! He'll forestall us."
+
+"But my dear fellow," I said patiently--"who is this man, and what has
+he to do with the Deepbrow case?"
+
+"He is the blackest scoundrel breathing!" answered Harley bitterly. "As
+to what he has to do with the case--why did he bolt? At any rate, I know
+where to find him now--and we may not be too late after all."
+
+"But who and what is this man?"
+
+"He is Ali of Cairo! As to what he is--you will soon learn."
+
+
+
+
+IV
+
+THE HOUSE BY THE RIVER
+
+
+
+On quitting the singular Oriental club, Harley had first raced off to
+a public telephone, where he had spoken for some time--as I now
+divined--to Scotland Yard. For when we presently arrived at the
+headquarters of the Metropolitan Police, I was surprised to find
+Inspector Wessex awaiting us. Leaning out of the cab window:
+
+"Yes?" called Harley excitedly. "Was I right?"
+
+"You were, Mr. Harley," answered Wessex, who seemed to be no less
+excited than my companion. "I got the man's reply an hour ago."
+
+"I knew it!" said Harley shortly. "Get in, Wessex; we haven't a minute
+to waste."
+
+The Inspector joined us in the cab, having first given instructions to
+the chauffeur. As we set out once more:
+
+"You have had very little time to make the necessary arrangements,"
+continued my friend.
+
+"Time enough," replied Wessex. "They will not be expecting us."
+
+"I'm not so sure of it. One of the biggest villains in the civilized
+world recognized me three minutes before I called you up and then made
+good his escape. However, there is at least a fighting chance."
+
+Little more was said from that moment until the end of the drive, both
+my companions seeming to be consumed by an intense eagerness to reach
+our destination. At last the cab drew up in a deserted street. I had
+rather lost my bearings; but I knew that we were once more somewhere in
+the Chinatown area, and:
+
+"Follow us until we get into the house," Harley said to Inspector
+Wessex, "and wait out of sight. If you hear me blow this whistle, bring
+up the men you have posted--as quick as you like! But make it your
+particular business to see that no one gets out!"
+
+Into a pitch-dark yard we turned, and I felt a shudder of apprehension
+upon observing that it was the entrance to a wharf. Dully gleaming in
+the moonlight, the Thames, that grave of many a ghastly secret, flowed
+beneath us. Emerging from the shadow of the archway, we paused before a
+door in the wall on our left.
+
+At that moment something gleamed through the air, whizzed past my ear,
+and fell with a metallic jingle on the stones!
+
+Instinctively we both looked up.
+
+At an unlighted window on the first floor I caught a fleeting glimpse of
+a dark face.
+
+"You were right!" I said. "Ali of Cairo has forestalled us!"
+
+Harley stooped and picked up a knife with a broad and very curious
+blade. He slipped it into his pocket, nonchalantly.
+
+"All evidence!" he said. "Keep in the shadow and bend down. I am going
+to stand on your shoulders and get into that window!"
+
+Wondering at his daring, I nevertheless obeyed; and Harley succeeded,
+although not without difficulty, in achieving his purpose. A moment
+after he had disappeared in the blackness of the room above.
+
+"Stand clear, Knox!" I heard.
+
+Two of the cushion seats sometimes called "poof-ottomans" were thrown
+down, and:
+
+"Up you come!" called Harley. "I'll grasp your hands if you can reach."
+
+It proved no easy task, but I finally managed to scramble up beside my
+friend--to find myself in a dark and stuffy little room.
+
+"This way!" said Harley rapidly--"upstairs."
+
+He led the way without more ado, but it was with serious misgivings that
+I stumbled up a darkened stair in the rear of my greatly daring friend.
+
+A pistol cracked in the darkness--and my fez was no longer on my head!
+
+Harley's repeater answered, and we stumbled through a heavily curtained
+door into a heated room, the air of which was laden with some Eastern
+perfume. In the dim light from a silken-shaded lantern a figure showed,
+momentarily, darting across the place before us.
+
+Again Harley's pistol spoke, but, as it seemed, ineffectively.
+
+I had little enough opportunity to survey my surroundings; yet even in
+those brief, breathless moments I saw enough of the place wherein we
+stood to make me doubt the evidence of my senses! Outside, I knew, lay
+a dingy wharf, amid a maze of mean streets; here was an opulently
+furnished apartment with a strong Oriental note in the decorations!
+
+Snatching an electric torch from his pocket, Harley leaped through
+a doorway draped with rich Persian tapestry, and I came close on his
+heels. Outside was darkness. A strong draught met us; and, passing along
+a carpeted corridor, we never halted until we came to a room filled with
+the weirdest odds and ends, apparently collected from every quarter of
+the globe.
+
+Crack!
+
+A bullet flattened itself on the wall behind us!
+
+"Good job he can't shoot straight!" rapped Harley.
+
+The ray of the torch suddenly picked out the head and shoulders of a man
+who was descending through a trap in the floor! Ere we had time to shoot
+he was gone! I saw his brown fingers relax their hold--and a bundle
+which he had evidently hoped to take with him was left lying upon the
+floor.
+
+Together we ran to the trap and looked down.
+
+Slowly moving tidal water flowed darkly beneath us! For twenty
+breathless seconds we watched--but nothing showed upon the surface.
+
+"I hope his swimming is no better than his shooting," I said.
+
+"It can avail him little," replied Harley grimly; "a river-police boat
+is waiting for anyone who tries to escape from that side of the house.
+We are by no means alone in this affair, Knox. But, firstly, what
+have we here!" He took up the bundle which the fugitive had deserted.
+"Something incriminating when Ali of Cairo dared not stay to face it
+out! He would never have deserted this place in the ordinary way. That
+fellow who was such a bad shot was left behind, when the news of our
+approach reached here, to make a desperate attempt to remove some piece
+of evidence! I'll swear to it. But we were too soon for him!"
+
+All the time he was busily removing the pieces of sacking and scraps of
+Oriental stuff with which the bundle was fastened; and finally he
+drew out a dress-suit, together with the linen, collar, shoes, and
+underwear--a complete outfit, in fact--and on top of the whole was a
+soft gray felt hat!
+
+Eagerly Harley searched the garments for some name of a maker by which
+their owner might be identified. Presently, inside the lining of the
+breast pocket, where such a mark is usually found, he discovered the
+label of a well-known West End firm.
+
+"The police can confirm it, Knox!" he said, looking up, his face
+slightly flushed with triumph; "but I, personally, have no doubt!"
+
+"You may have no doubt, Harley," I retorted, "but I am full of doubt!
+What is the significance of this discovery to which you seem to attach
+so much importance?"
+
+"At the moment," replied my friend, "never mind; I still have
+hopes--although they have grown somewhat slender--of making a much more
+important discovery."
+
+"Why not permit the police to aid in the search?"
+
+"The police are more useful in their present occupation," he replied.
+"We are dealing with the most cunning knave produced by East or West,
+and I don't mean to let him slip through my fingers if he is in this
+house! Nevertheless, Knox, I am submitting you to rather an appalling
+risk, I know; for our man is desperate, and if he is still in the place
+will prove as dangerous as a cornered rat."
+
+"But the man who dropped through the trap?"
+
+"The man who dropped through the trap," said Harley, "was not Ali of
+Cairo--and it is Ali of Cairo for whom I am looking!"
+
+"The hunchback we saw to-night?"
+
+Harley nodded, and having listened intently for a few moments, proceeded
+again to search the singular apartments of the abode. In each was
+evidence of Oriental occupancy; indeed, some of the rooms possessed a
+sort of Arabian Nights atmosphere. But no living creature was to be seen
+or heard anywhere. It was while the two of us, having examined every
+inch of wall, I should think, in the building, were standing staring
+rather blankly at each other in the room with the lighted lantern, that
+I saw Harley's expression change.
+
+"Why," he muttered, "is this one room illuminated--and all the others in
+darkness?"
+
+Even then the significance of this circumstance was not apparent to me.
+But Harley stared critically at an electric switch which was placed on
+the immediate right of the door and then up at the silk-shaded lantern
+which lighted the room. Crossing, he raised and lowered the switch
+rapidly, but the lamp continued to burn uninterruptedly!
+
+"Ah!" he said--"a good trick!"
+
+Grasping the wooden block to which the switch was attached, he turned it
+bodily--and I saw that it was a masked knob; for in the next moment he
+had pulled open the narrow section of wall--which proved to be nothing
+less than a cunningly fitted door!
+
+A small, dimly lighted apartment was revealed, the Oriental note still
+predominant in its appointments, which, however, were few, and which I
+scarcely paused to note. For lying upon a mattress in this place was a
+pretty, fair-haired girl!
+
+She lay on her side, having one white arm thrown out and resting limply
+on the floor, and she seemed to be in a semi-conscious condition, for
+although her fine eyes were widely opened, they had a glassy, witless
+look, and she was evidently unaware of our presence.
+
+"Look at her pupils," rapped Harley. "They have drugged her with bhang!
+Poor, pretty fool!"
+
+"Good God!" I cried. "Who is this, Harley?"
+
+"Molly Clayton!" he answered. "Thank heaven we have saved one victim
+from Ali of Cairo."
+
+
+
+
+V
+
+THE HAREM AGENCY
+
+
+
+Owing to the instrumentality of Paul Harley, the public never learned
+that the awful riverside murder called by the Press in reference to
+the victim's shaven skull "the barber atrocity" had any relation to the
+Deepbrow case. It was physically impossible to identify the victim, and
+Harley had his own reasons for concealing the truth. The house on the
+wharf with its choice Oriental furniture was seized by the police;
+but, strange to relate, no arrest was made in connection with this most
+gruesome outrage. The man who dropped through the trap had been wounded
+by one of Harley's shots, and he sank for the last time under the very
+eyes of the crew of the police cutter.
+
+It was at a late hour on the night of this concluding tragedy that I
+learned the amazing truth underlying the case. Wessex was still at work
+in the East End upon the hundred and one formalities which attached to
+his office, and Harley and I sat in the study of my friend's chambers in
+Chancery Lane.
+
+"You see," Harley was explaining. "I got my first clue down at Deepbrow.
+The tracks leading to the motor-car. They showed--to anyone not hampered
+by a preconceived opinion--that the girl and Vane had not gone on
+together (since the man's footprints proved him to have been running),
+but that she had gone first and that he had run after her! Arguments:
+(a) He heard the approach of the car; or (b) he heard her call for help.
+In fact, it almost immediately became evident to me that someone else
+had met her at the end of the lane; probably someone who expected her,
+and whom she was going to meet when she, accidentally, encountered Vane!
+The captain was not attired for an elopement, and, more significant
+still, he said he should stroll to the Deep Wood, and that was where he
+did stroll to; for it borders the road at this point!
+
+"I had privately ascertained, from the postman, that Molly Clayton
+actually received a letter on that morning! This resolved my last doubt.
+She was not going to meet Vane on the night of her disappearance.
+
+"Then whom?"
+
+"The old love! He who some months earlier had had over fifty seductive
+pictures of this undoubtedly pretty girl prepared for a purpose of his
+own!"
+
+"Vane interfered?"
+
+"When the girl saw that they meant to take her away, she no doubt made
+a fuss! He ran to the rescue! They had not reckoned on his being there,
+but these are clever villains, who leave no clues--except for one who
+has met them on their own ground!"
+
+"On their own ground! What do you mean, Harley? Who are these people?"
+
+"Well--where do you suppose those fifty photographs went?"
+
+"I cannot conjecture!"
+
+"Then I will tell you. The turmoil in the East has put wealth and power
+into unscrupulous hands. But even before the war there were marts,
+Knox--open marts--at which a Negro girl might be purchased for some 30
+pounds, and a Circassian for anything from 250 pounds to 500 pounds! Ah!
+You stare! But I assure you it was so. Here is the point, though: there
+were, and still are, private dealers! Those photographs were circulated
+among the nouveaux riches of the East! They were employed in the same
+way that any other merchant employs a catalogue. They reached the hands
+of many an opulent and abandoned 'profiteer' of Damascus, Stambul--where
+you will. Molly's picture would be one of many. Remember that hundreds
+of pretty girls disappear from their homes--taking the whole of the
+world--every year. Clearly, English beauty is popular at the moment!
+And," he added bitterly, "the arch-villain has escaped!"
+
+"Ali of Cairo!" I cried. "Then Ali of Cairo------"
+
+"Is the biggest slave-dealer in the East!"
+
+"Good God! Harley--at last I understand!"
+
+"I was slow enough to understand it myself, Knox. But once the theory
+presented itself I asked Wessex to get into immediate touch with the
+valet he had already interviewed at Deepbrow. It was the result of his
+inquiry to which he referred when we met him at Scotland Yard to-night.
+Captain Vane had a large mole on his shoulder and a girl's name,
+together with a small device, tattooed on his forearm--a freak of his
+Sandhurst days------"
+
+"Then 'the man with the shaven skull'------"
+
+"Is Captain Ronald Vane! May he rest in peace. But I never shall until
+the crook-back dealer in humanity has met his just deserts."
+
+
+
+
+
+
+THE WHITE HAT
+
+
+
+
+
+
+I
+
+MAJOR JACK RAGSTAFF
+
+
+
+"Hallo! Innes," said Paul Harley as his secretary entered. "Someone is
+making a devil of a row outside."
+
+"This is the offender, Mr. Harley," said Innes, and handed my friend a
+visiting card.
+
+Glancing at the card, Harley read aloud:
+
+"Major J. E. P. Ragstaff, Cavalry Club."
+
+Meanwhile a loud harsh voice, which would have been audible in a full
+gale, was roaring in the lobby.
+
+"Nonsense!" I could hear the Major shouting. "Balderdash! There's more
+fuss than if I had asked for an interview with the Prime Minister.
+Piffle! Balderdash!"
+
+Innes's smile developed into a laugh, in which Harley joined, then:
+
+"Admit the Major," he said.
+
+Into the study where Harley and I had been seated quietly smoking, there
+presently strode a very choleric Anglo-Indian. He wore a horsy check
+suit and white spats, and his tie closely resembled a stock. In his
+hand he carried a heavy malacca cane, gloves, and one of those tall,
+light-gray hats commonly termed white. He was below medium height, slim
+and wiry; his gait and the shape of his legs, his build, all proclaimed
+the dragoon. His complexion was purple, and the large white teeth
+visible beneath a bristling gray moustache added to the natural ferocity
+of his appearance. Standing just within the doorway:
+
+"Mr. Paul Harley?" he shouted.
+
+It was apparently an inquiry, but it sounded like a reprimand.
+
+My friend, standing before the fireplace, his hands in his pockets and
+his pipe in his mouth, nodded brusquely.
+
+"I am Paul Harley," he said. "Won't you sit down?"
+
+Major Ragstaff, glancing angrily at Innes as the latter left the study,
+tossed his stick and gloves on to a settee, and drawing up a chair
+seated himself stiffly upon it as though he were in a saddle. He stared
+straight at Harley, and:
+
+"You are not the sort of person I expected, sir," he declared. "May
+I ask if it is your custom to keep clients dancin' on the mat and all
+that--on the blasted mat, sir?"
+
+Harley suppressed a smile, and I hastily reached for my cigarette-case
+which I had placed upon the mantelshelf.
+
+"I am always naturally pleased to see clients, Major Ragstaff," said
+Harley, "but a certain amount of routine is necessary even in civilian
+life. You had not advised me of your visit, and it is contrary to my
+custom to discuss business after five o'clock."
+
+As Harley spoke the Major glared at him continuously, and then:
+
+"I've seen you in India!" he roared; "damme! I've seen you in
+India!--and, yes! in Turkey! Ha! I've got you now sir!" He sprang to his
+feet. "You're the Harley who was in Constantinople in 1912."
+
+"Quite true."
+
+"Then I've come to the wrong shop."
+
+"That remains to be seen, Major."
+
+"But I was told you were a private detective, and all that."
+
+"So I am," said Harley quietly. "In 1912 the Foreign Office was my
+client. I am now at the service of anyone who cares to employ me."
+
+"Hell!" said the Major.
+
+He seemed to be temporarily stricken speechless by the discovery that
+a man who had acted for the British Government should be capable of
+stooping to the work of a private inquiry agent. Staring all about
+the room with a sort of naive wonderment, he drew out a big silk
+handkerchief and loudly blew his nose, all the time eyeing Harley
+questioningly. Replacing his handkerchief he directed his regard upon
+me, and:
+
+"This is my friend, Mr. Knox," said Harley; "you may state your case
+before him without hesitation, unless------"
+
+I rose to depart, but:
+
+"Sit down, Mr. Knox! Sit down, sir!" shouted the Major. "I have no dirty
+linen to wash, no skeletons in the cupboard or piffle of that kind. I
+simply want something explained which I am too thick-headed--too damned
+thick-headed, sir--to explain myself."
+
+He resumed his seat, and taking out his wallet extracted from it a small
+newspaper cutting which he offered to Harley.
+
+"Read that, Mr. Harley," he directed. "Read it aloud."
+
+Harley read as follows:
+
+"Before Mr. Smith, at Marlborough Street Police Court, John Edward
+Bampton was charged with assaulting a well-known clubman in Bond Street
+on Wednesday evening. It was proved by the constable who made the
+arrest that robbery had not been the motive of the assault, and Bampton
+confessed that he bore no grudge against the assailed man, indeed, that
+he had never seen him before. He pleaded intoxication, and the police
+surgeon testified that although not actually intoxicated, his breath
+had smelled strongly of liquor at the time of his arrest. Bampton's
+employers testified to a hitherto blameless character, and as the charge
+was not pressed the man was dismissed with a caution."
+
+Having read the paragraph, Harley glanced at the Major with a puzzled
+expression.
+
+"The point of this quite escapes me," he confessed.
+
+"Is that so?" said Major Ragstaff. "Is that so, sir? Perhaps you will be
+good enough to read this."
+
+From his wallet he took a second newspaper cutting, smaller than the
+first, and gummed to a sheet of club notepaper. Harley took it and read
+as follows:
+
+"Mr. De Lana, a well-known member of the Stock Exchange, who met with a
+serious accident recently, is still in a precarious condition."
+
+The puzzled look on Harley's face grew more acute, and the Major watched
+him with an expression which I can only describe as one of fierce
+enjoyment.
+
+"You're thinkin' I'm a damned old fool, ain't you?" he shouted suddenly.
+
+"Scarcely that," said Harley, smiling slightly, "but the significance of
+these paragraphs is not apparent, I must confess. The man Bampton would
+not appear to be an interesting character, and since no great damage has
+been done, his drunken frolic hardly comes within my sphere. Of Mr. De
+Lana, of the Stock Exchange, I never heard, unless he happens to be a
+member of the firm of De Lana and Day?"
+
+"He's not a member of that firm, sir," shouted the Major. "He was, up to
+six o'clock this evenin'."
+
+"What do you mean exactly?" inquired Harley, and the tone of his voice
+suggested that he was beginning to entertain doubts of the Major's
+sanity or sobriety; then:
+
+"He's dead!" declared the latter. "Dead as the Begum of Bangalore! He
+died at six o'clock. I've just spoken to his widow on the telephone."
+
+I suppose I must have been staring very hard at the speaker, and
+certainly Harley was doing so, for suddenly directing his fierce gaze
+toward me:
+
+"You're completely treed, sir, and so's your friend!" shouted Major
+Ragstaff.
+
+"I confess it," replied Harley quietly; "and since my time is of some
+little value I would suggest, without disrespect, that you explain the
+connection, if any, between yourself, the drunken Bampton, and Mr. De
+Lana, of the Stock Exchange, who died, you inform us, at six o'clock
+this evening as the result, presumably, of injuries received in an
+accident."
+
+"That's what I'm here for!" cried Major Ragstaff. "In the first place,
+then, I am the party, although I saw to it that my name was kept out of
+print, whom the drunken lunatic assaulted."
+
+Harley, pipe in hand, stared at the speaker perplexedly.
+
+"Understand me," continued the Major, "I am the person--I, Jack
+Ragstaff--he assaulted. I was walkin' down from my quarters in Maddox
+Street on my way to dine at the club, same as I do every night o' my
+life, when this flamin' idiot sprang upon me, grabbed my hat"--he took
+up his white hat to illustrate what had occurred--"not this one, but one
+like it--pitched it on the ground and jumped on it!"
+
+Harley was quite unable to conceal his smiles as the excited old
+soldier dropped his conspicuous head-gear on the floor and indulged in a
+vigorous pantomime designed to illustrate his statement.
+
+"Most extraordinary," said Harley. "What did you do?"
+
+"What did I do?" roared the Major. "I gave him a crack on the head with
+my cane, and I said things to him which couldn't be repeated in court.
+I punched him, and likewise hoofed him, but the hat was completely done
+in. Damn crowd collected, hearin' me swearin' and bellowin'. Police and
+all that; names an' addresses and all that balderdash. Man lugged away
+to guard-room and me turnin' up at the club with no hat. Damn ridiculous
+spectacle at my time of life."
+
+"Quite so," said Harley soothingly; "I appreciate your annoyance, but I
+am utterly at a loss to understand why you have come here, and what all
+this has to do with Mr. De Lana, of the Stock Exchange."
+
+"He fell out of the window!" shouted the Major.
+
+"Fell out of a window?"
+
+"Out of a window, sir, a second floor window ten yards up a side street!
+Pitched on his skull--marvel he wasn't killed outright!"
+
+A faint expression of interest began to creep into Harley's glance, and:
+
+"I understand you to mean, Major Ragstaff," he said deliberately, "that
+while your struggle with the drunken man was in progress Mr. De Lana
+fell out of a neighbouring window into the street?"
+
+"Right!" shouted the Major. "Right, sir!"
+
+"Do you know this Mr. De Lana?"
+
+"Never heard of him in my life until the accident occurred. Seems to
+me the poor devil leaned out to see the fun and overbalanced. Felt
+responsible, only natural, and made inquiries. He died at six o'clock
+this evenin', sir."
+
+"H'm," said Harley reflectively. "I still fail to see where I come in.
+From what window did he fall?"
+
+"Window above a sort of teashop, called Cafe Dame--damn silly name.
+Place on a corner. Don't know name of side street."
+
+"H'm. You don't think he was pushed out, for instance?"
+
+"Certainly not!" shouted the Major; "he just fell out, but the point is,
+he's dead!"
+
+"My dear sir," said Harley patiently, "I don't dispute that point; but
+what on earth do you want of me?"
+
+"I don't know what I want!" roared the Major, beginning to walk up and
+down the room, "but I know I ain't satisfied, not easy in my mind, sir.
+I wake up of a night hearin' the poor devil's yell as he crashed on the
+pavement. That's all wrong. I've heard hundreds of death-yells, but"--he
+took up his malacca cane and beat it loudly on the table--"I haven't
+woke up of a night dreamin' I heard 'em again."
+
+"In a word, you suspect foul play?"
+
+"I don't suspect anything!" cried the other excitedly, "but someone
+mentioned your name to me at the club--said you could see through
+concrete, and all that--and here I am. There's something wrong,
+radically wrong. Find out what it is and send the bill to me. Then
+perhaps I'll be able to sleep in peace."
+
+He paused, and again taking out the large silk handkerchief blew his
+nose loudly. Harley glanced at me in rather an odd way, and then:
+
+"There will be no bill, Major Ragstaff," he said; "but if I can see any
+possible line of inquiry I will pursue it and report the result to you."
+
+
+
+
+II
+
+A CURIOUS OUTRAGE
+
+
+
+"What do you make of it, Harley?" I asked. Paul Harley returned a work
+of reference to its shelf and stood staring absently across the study.
+
+"Our late visitor's history does not help us much," he replied. "A
+somewhat distinguished army career, and so forth, and his only daughter,
+Sybil Margaret, married the fifth Marquis of Ireton. She is, therefore,
+the noted society beauty, the Marchioness of Ireton. Does this suggest
+anything to your mind?"
+
+"Nothing whatever," I said blankly.
+
+"Nor to mine," murmured Harley.
+
+The telephone bell rang.
+
+"Hallo!" called Harley. "Yes. That you, Wessex? Have you got the
+address? Good. No, I shall remember it. Many thanks. Good-bye."
+
+He turned to me.
+
+"I suggest, Knox," he said, "that we make our call and then proceed to
+dinner as arranged."
+
+Since I was always glad of an opportunity of studying my friend's
+methods I immediately agreed, and ere long, leaving the lights of the
+two big hotels behind, our cab was gliding down the long slope which
+leads to Waterloo Station. Thence through crowded, slummish high-roads
+we made our way via Lambeth to that dismal thoroughfare, Westminster
+Bridge Road, with its forbidding, often windowless, houses, and its
+peculiar air of desolation.
+
+The house for which we were bound was situated at no great distance from
+Kensington Park, and telling the cabman to wait, Harley and I walked
+up a narrow, paved path, mounted a flight of steps, and rang the bell
+beside a somewhat time-worn door, above which was an old-fashioned
+fanlight dimly illuminated from within.
+
+A considerable interval elapsed before the door was opened by a
+marvellously untidy servant girl who had apparently been interrupted in
+the act of black-leading her face. Partly opening the door, she stared
+at us agape, pushing back wisps of hair from her eyes and with every
+movement daubing more of some mysterious black substance upon her
+countenance.
+
+"Is Mr. Bampton in?" asked Harley.
+
+"Yus, just come in. I'm cookin' his supper."
+
+"Tell him that two friends of his have called on rather important
+business."
+
+"All right," said the black-faced one. "What name is it?"
+
+"No name. Just say two friends of his."
+
+Treating us to a long, vacant stare and leaving us standing on the step,
+the maid (in whose hand I perceived a greasy fork) shuffled along the
+passage and began to mount the stairs. An unmistakable odour of frying
+sausages now reached my nostrils. Harley glanced at me quizzically,
+but said nothing until the Cinderella came stumbling downstairs again.
+Without returning to where we stood:
+
+"Go up," she directed. "Second floor, front. Shut the door, one of yer."
+
+She disappeared into gloomy depths below as Harley and I, closing the
+door behind us, proceeded to avail ourselves of the invitation. There
+was very little light on the staircase, but we managed to find our way
+to a poorly furnished bed-sitting-room where a small table was spread
+for a meal. Beside the table, in a chintz-covered arm-chair, a thick-set
+young man was seated smoking a cigarette and having a copy of the Daily
+Telegraph upon his knees.
+
+He was a very typical lower middle-class, nothing-in-particular young
+man, but there was a certain truculence indicated by his square jaw,
+and that sort of self-possession which sometimes accompanies physical
+strength was evidenced in his manner as, tossing the paper aside, he
+stood up.
+
+"Good evening, Mr. Bampton," said Harley genially. "I take it"--pointing
+to the newspaper--"that you are looking for a new job?"
+
+Bampton stared, a suspicion of anger in his eyes, then, meeting the
+amused glance of my friend, he broke into a smile very pleasing and
+humorous. He was a fresh-coloured young fellow with hair inclined to
+redness, and smiling he looked very boyish indeed.
+
+"I have no idea who you are," he said, speaking with a faint
+north-country accent, "but you evidently know who I am and what has
+happened to me."
+
+"Got the boot?" asked Harley confidentially.
+
+Bampton, tossing the end of his cigarette into the grate, nodded grimly.
+
+"You haven't told me your name," he said, "but I think I can tell you
+your business." He ceased smiling. "Now look here, I don't want any more
+publicity. If you think you are going to make a funny newspaper story
+out of me change your mind as quick as you like. I'll never get another
+job in London as it is. If you drag me any further into the limelight
+I'll never get another job in England."
+
+"My dear fellow," replied Harley soothingly, at the same time extending
+his cigarette-case, "you misapprehend the object of my call. I am not a
+reporter."
+
+"What!" said Bampton, pausing in the act of taking a cigarette, "then
+what the devil are you?"
+
+"My name is Paul Harley, and I am a criminal investigator."
+
+He spoke the words deliberately, having his eyes fixed upon the other's
+face; but although Bampton was palpably startled there was no trace of
+fear in his straightforward glance. He took a cigarette from the case,
+and:
+
+"Thanks, Mr. Harley," he said. "I cannot imagine what business has
+brought you here."
+
+"I have come to ask you two questions," was the reply. "Number one: Who
+paid you to smash Major Ragstaff's white hat? Number two: How much did
+he pay you?"
+
+To these questions I listened in amazement, and my amazement was
+evidently shared by Bampton. He had been in the act of lighting his
+cigarette, but he allowed the match to burn down nearly to his fingers
+and then dropped it with a muttered exclamation in the fire. Finally:
+
+"I don't know how you found out," he said, "but you evidently know
+the truth. Provided you assure me that you are not out to make a
+silly-season newspaper story, I'll tell you all I know."
+
+Harley laid his card on the table, and:
+
+"Unless the ends of justice demand it," he said, "I give you my word
+that anything you care to say will go no further. You may speak freely
+before my friend, Mr. Knox. Simply tell me in as few words as possible
+what led you to court arrest in that manner."
+
+"Right," replied Bampton, "I will." He half closed his eyes,
+reflectively. "I was having tea in the Lyons' cafe, to which I always
+go, last Monday afternoon about four o'clock, when a man sat down facing
+me and got into conversation."
+
+"Describe him!"
+
+"He was a man rather above medium height. I should say about my own
+build; dark, going gray. He had a neat moustache and a short beard, and
+the look of a man who had travelled a lot. His skin was very tanned,
+almost as deeply as yours, Mr. Harley. Not at all the sort of chap
+that goes in there as a rule. After a while he made an extraordinary
+proposal. At first I thought he was joking, then when I grasped the idea
+that he was serious I concluded he was mad. He asked me how much a year
+I earned, and I told him Peters and Peters paid me 150 pounds. He said:
+'I'll give you a year's salary to knock a man's hat off!'"
+
+As Bampton spoke the words he glanced at us with twinkling eyes, but
+although for my own part I was merely amused, Harley's expression had
+grown very stern.
+
+"Of course, I laughed," continued Bampton, "but when the man drew out
+a fat wallet and counted ten five-pound notes on the table I began to
+think seriously about his proposal. Even supposing he was cracked, it
+was absolutely money for nothing.
+
+"'Of course,' he said, 'you'll lose your job and you may be arrested,
+but you'll say that you had been out with a few friends and were a
+little excited, also that you never could stand white hats. Stick to
+that story and the balance of a hundred pounds will reach you on the
+following morning.'
+
+"I asked him for further particulars, and I asked him why he had picked
+me for the job. He replied that he had been looking for some time for
+the right man; a man who was strong enough physically to accomplish the
+thing, and someone"--Bampton's eyes twinkled again--"with a dash of the
+devil in him, but at the same time a man who could be relied upon to
+stick to his guns and not to give the game away.
+
+"You asked me to be brief, and I'll try to be. The man in the white hat
+was described to me, and the exact time and place of the meeting. I just
+had to grab his white hat, smash it, and face the music. I agreed. I
+don't deny that I had a couple of stiff drinks before I set out, but the
+memory of that fifty pounds locked up here in my room and the further
+hundred promised, bucked me up wonderfully. It was impossible to mistake
+my man; I could see him coming toward me as I waited just outside a sort
+of little restaurant called the Cafe Dame. As arranged, I bumped into
+him, grabbed his hat and jumped on it."
+
+He paused, raising his hand to his head reminiscently.
+
+"My man was a bit of a scrapper," he continued, "and he played hell.
+I've never heard such language in my life, and the way he laid about me
+with his cane is something I am not likely to forget in a hurry. A crowd
+gathered, naturally, and (also naturally) I was 'pinched.' That didn't
+matter much. I got off lightly; and although I've been dismissed by
+Peters and Peters, twenty crisp fivers are locked in my trunk there,
+with the ten which I received in the City."
+
+Harley checked him, and:
+
+"May I see the envelope in which they arrived?" he asked.
+
+"Sorry," replied Bampton, "but I burned it. I thought it was playing the
+game to do so. It wouldn't have helped you much, though," he added;
+"It was an ordinary common envelope, posted in the City, address
+typewritten, and not a line enclosed."
+
+"Registered?"
+
+"No."
+
+Bampton stood looking at us with a curious expression on his face, and
+suddenly:
+
+"There's one point," he said, "on which my conscience isn't easy. You
+know about that poor devil who fell out of a window? Well, it would
+never have happened if I hadn't kicked up a row in the street. There's
+no doubt he was leaning out to see what the disturbance was about when
+the accident occurred."
+
+"Did you actually see him fall?" asked Harley.
+
+"No. He fell from a window several yards behind me in the side street,
+but I heard him cry out, and as I was lugged off by the police I heard
+the bell of the ambulance which came to fetch him."
+
+He paused again and stood rubbing his head ruefully.
+
+"H'm," said Harley; "was there anything particularly remarkable about
+this man in the Lyons' cafe?"
+
+Bampton reflected silently for some moments, and then:
+
+"Nothing much," he confessed. "He was evidently a gentleman, wore a blue
+top-coat, a dark tweed suit, and what looked like a regimental tie, but
+I didn't see much of the colours. He was very tanned, as I have said,
+even to the backs of his hands--and oh, yes! there was one point: He had
+a gold-covered tooth."
+
+"Which tooth?"
+
+"I can't remember, except that it was on the left side, and I always
+noticed it when he smiled."
+
+"Did he wear any ring or pin which you would recognize?"
+
+"No."
+
+"Had he any oddity of speech or voice?"
+
+"No. Just a heavy, drawling manner. He spoke like thousands of other
+cultured Englishmen. But wait a minute--yes! There was one other point.
+Now I come to think of it, his eyes very slightly slanted upward."
+
+Harley stared.
+
+"Like a Chinaman's?"
+
+"Oh, nothing so marked as that. But the same sort of formation."
+
+Harley nodded briskly and buttoned up his overcoat.
+
+"Thanks, Mr. Bampton," he said; "we will detain you no longer!"
+
+As we descended the stairs, where the smell of frying sausages had given
+place to that of something burning--probably the sausages:
+
+"I was half inclined to think that Major Ragstaff's ideas were traceable
+to a former touch of the sun," said Harley. "I begin to believe that he
+has put us on the track of a highly unusual crime. I am sorry to delay
+dinner, Knox, but I propose to call at the Cafe Dame."
+
+
+
+
+III
+
+A CRIMINAL GENIUS
+
+
+
+On entering the doorway of the Cafe Dame we found ourselves in a
+narrow passage. In front of us was a carpeted stair, and to the right
+a glass-panelled door communicating with a discreetly lighted little
+dining room which seemed to be well patronized. Opening the door Harley
+beckoned to a waiter, and:
+
+"I wish to see the proprietor," he said.
+
+"Mr. Meyer is engaged at the moment, sir," was the reply.
+
+"Where is he?"
+
+"In his office upstairs, sir. He will be down in a moment."
+
+The waiter hurried away, and Harley stood glancing up the stairs as if
+in doubt what to do.
+
+"I cannot imagine how such a place can pay," he muttered. "The rent must
+be enormous in this district."
+
+But even before he ceased speaking I became aware of an excited
+conversation which was taking place in some apartment above.
+
+"It's scandalous!" I heard, in a woman's shrill voice. "You have no
+right to keep it! It's not your property, and I'm here to demand that
+you give it up."
+
+A man's voice replied in voluble broken English, but I could only
+distinguish a word here and there. I saw that Harley was interested,
+for catching my questioning glance, he raised his finger to his lips
+enjoining me to be silent.
+
+"Oh, that's the game, is it?" continued the female voice. "Of course you
+know it's blackmail?"
+
+A flow of unintelligible words answered this speech, then:
+
+"I shall come back with someone," cried the invisible woman, "who will
+make you give it up!"
+
+"Knox," whispered Harley in my ear, "when that woman comes down, follow
+her! I'm afraid you will bungle the business, and I would not ask you to
+attempt it if big things were not at stake. Return here; I shall wait."
+
+As a matter of fact, his sudden request had positively astounded me,
+but ere I had time for any reply a door suddenly banged open above and
+a respectable-looking woman, who might have been some kind of upper
+servant, came quickly down the stairs. An expression of intense
+indignation rested upon her face, and without seeming to notice our
+presence she brushed past us and went out into the street.
+
+"Off you go, Knox!" said Harley.
+
+Seeing myself committed to an unpleasant business, I slipped out of the
+doorway and detected the woman five or six yards away hurrying in the
+direction of Piccadilly. I had no difficulty in following her, for
+she was evidently unsuspicious of my presence, and when presently she
+mounted a westward-bound 'bus I did likewise, but while she got inside I
+went on top, and occupied a seat on the near side whence I could observe
+anyone leaving the vehicle.
+
+If I had not known Paul Harley so well I should have counted the whole
+business a ridiculous farce, but recognizing that something underlay
+these seemingly trivial and disconnected episodes, I lighted a cigarette
+and resigned myself to circumstance.
+
+At Hyde Park Corner I saw the woman descending, and when presently she
+walked up Hamilton Place I was not far behind her. At the door of an
+imposing mansion she stopped, and in response to a ring of the bell the
+door was opened by a footman, and the woman hurried in. Evidently she
+was an inmate of the establishment; and conceiving that my duty was done
+when I had noted the number of the house, I retraced my steps to the
+corner; and, hailing a taxicab, returned to the Cafe Dame.
+
+On inquiring of the same waiter whom Harley had accosted whether my
+friend was there:
+
+"I think a gentleman is upstairs with Mr. Meyer," said the man.
+
+"In his office?"
+
+"Yes, sir."
+
+Thereupon I mounted the stairs and before a half-open door paused.
+Harley's voice was audible within, and therefore I knocked and entered.
+
+I discovered Harley standing by an American desk. Beside him in
+a revolving chair which, with the desk, constituted the principal
+furniture of a tiny office, sat a man in a dress-suit which had palpably
+not been made for him. He had a sullen and suspiciously Teutonic cast
+of countenance, and he was engaged in a voluble but hardly intelligible
+speech as I entered.
+
+"Ha, Knox!" said Harley, glancing over his shoulder, "did you manage?"
+
+"Yes," I replied.
+
+Harley nodded shortly and turned again to the man in the chair.
+
+"I am sorry to give you so much trouble, Mr. Meyer," he said, "but I
+should like my friend here to see the room above."
+
+At this moment my attention was attracted by a singular object which lay
+upon the desk amongst a litter of bills and accounts. This was a piece
+of rusty iron bar somewhat less than three feet in length, and which
+once had been painted green.
+
+"You are looking at this tragic fragment, Knox," said Harley, taking up
+the bar. "Of course"--he shrugged his shoulders--"it explains the whole
+unfortunate occurrence. You see there was a flaw in the metal at this
+end, here"--he indicated the spot--"and the other end had evidently worn
+loose in its socket."
+
+"But I don't understand."
+
+"It will all be made clear at the inquest, no doubt. A most unfortunate
+thing for you, Mr. Meyer."
+
+"Most unfortunate," declared the proprietor of the restaurant, extending
+his thick hands pathetically. "Most ruinous to my business."
+
+"We will go upstairs now," said Harley. "You will kindly lead the way,
+Mr. Meyer, and the whole thing will be quite clear to you, Knox."
+
+As the proprietor walked out of the office and upstairs to the second
+floor Harley whispered in my ear:
+
+"Where did she go?"
+
+"No. ---- Hamilton Place," I replied in an undertone.
+
+"Good God!" muttered my friend, and clutched my arm so tightly that I
+winced. "Good God! The master touch, Knox! This crime was the work of a
+genius--of a genius with slightly, very slightly, oblique eyes."
+
+Opening a door on the second landing, Mr. Meyer admitted us to a small
+supper-room. Its furniture consisted of a round dining table, several
+chairs, a couch, and very little else. I observed, however, that the
+furniture, carpet, and a few other appointments were of a character
+much more elegant than those of the public room below. A window which
+overlooked the street was open, so that the plush curtains which had
+been drawn aside moved slightly to and fro in the draught.
+
+"The window of the tragedy, Knox," explained Harley.
+
+He crossed the room.
+
+"If you will stand here beside me you will see the gap in the railing
+caused by the breaking away of the fragment which now lies on Mr.
+Meyer's desk. Some few yards to the left in the street below is where
+the assault took place, of which we have heard, and the unfortunate
+Mr. De Lana, who was dining here alone--an eccentric custom of
+his--naturally ran to the window upon hearing the disturbance and leaned
+out, supporting his weight upon the railing. The rail collapsed, and--we
+know the rest."
+
+"It will ruin me," groaned Meyer; "it will give bad repute to my
+establishment."
+
+"I fear it will," agreed Harley sympathetically, "unless we can manage
+to clear up one or two little difficulties which I have observed.
+For instance"--he tapped the proprietor on the shoulder
+confidentially--"have you any idea, any hazy idea, of the identity of
+the woman who was dining here with Mr. De Lana on Wednesday night?"
+
+The effect of this simple inquiry upon the proprietor was phenomenal.
+His fat yellow face assumed a sort of leaden hue, and his already
+prominent eyes protruded abnormally. He licked his lips.
+
+"I tell you--already I tell you," he muttered, "that Mr. De Lana he
+engage this room every Wednesday and sometimes also Friday, and dine
+here by himself."
+
+"And I tell you," said Harley sweetly, "that you are an inspired liar.
+You smuggled her out by the side entrance after the accident."
+
+"The side entrance?" muttered Meyer. "The side entrance?"
+
+"Exactly; the side entrance. There is something else which I must ask
+you to tell me. Who had engaged this room on Tuesday night, the night
+before the accident?"
+
+The proprietor's expression remained uncomprehending, and:
+
+"A gentleman," he said. "I never see him before."
+
+"Another solitary diner?" suggested Harley.
+
+"Yes, he is alone all the evening waiting for a friend who does not
+arrive."
+
+"Ah," mused Harley--"alone all the evening, was he? And his friend
+disappointed him. May I suggest that he was a dark man? Gray at the
+temples, having a dark beard and moustache, and a very tanned face? His
+eyes slanted slightly upward?"
+
+"Yes! yes!" cried Meyer, and his astonishment was patently unfeigned.
+"It is a friend of yours?"
+
+"A friend of mine, yes," said Harley absently, but his expression was
+very grim. "What time did he finally leave?"
+
+"He waited until after eleven o'clock. The dinner is spoilt. He pays,
+but does not complain."
+
+"No," said Harley musingly, "he had nothing to complain about. One more
+question, my friend. When the lady escaped hurriedly on Wednesday night,
+what was it that she left behind and what price are you trying to extort
+from her for returning it?"
+
+At that the man collapsed entirely.
+
+"Ah, Gott!" he cried, and raised his hand to his clammy forehead. "You
+will ruin me. I am a ruined man. I don't try to extort anything. I run
+an honest business------"
+
+"And one of the most profitable in the world," added Harley, "since the
+days of Thais to our own. Even at Bond Street rentals I assume that a
+house of assignation is a golden enterprise."
+
+"Ah!" groaned Meyer, "I am ruined, so what does it matter? I tell you
+everything. I know Mr. De Lana who engages my room regularly, but I
+don't know who the lady is who meets him here. No! I swear it! But
+always it is the same lady. When he falls I am downstairs in my office,
+and I hear him cry out. The lady comes running from the room and begs of
+me to get her away without being seen and to keep all mention of her out
+of the matter."
+
+"What did she pay you?" asked Harley.
+
+"Pay me?" muttered Meyer, pulled up thus shortly in the midst of his
+statement.
+
+"Pay you. Exactly. Don't argue; answer."
+
+The man delivered himself of a guttural, choking sound, and finally:
+
+"She promised one hundred pounds," he confessed hoarsely.
+
+"But you surely did not accept a mere promise? Out with it. What did she
+give you?"
+
+"A ring," came the confession at last.
+
+"A ring. I see. I will take it with me if you don't mind. And now,
+finally, what was it that she left behind?"
+
+"Ah, Gott!" moaned the man, dropping into a chair and resting his arms
+upon the table. "It is all a great panic, you see. I hurry her out by
+the back stair from this landing and she forgets her bag."
+
+"Her bag? Good."
+
+"Then I clear away the remains of dinner so I can say Mr. De Lana is
+dining alone. It is as much my interest as the lady's."
+
+"Of course! I quite understand. I will trouble you no more, Mr. Meyer,
+except to step into your office and to relieve you of that incriminating
+evidence, the lady's bag and her ring."
+
+
+
+
+IV
+
+THE SLANTING EYES
+
+
+
+"Do you understand, Knox?" said Harley as the cab bore us toward
+Hamilton Place. "Do you grasp the details of this cunning scheme?"
+
+"On the contrary," I replied, "I am hopelessly at sea."
+
+Nevertheless, I had forgotten that I was hungry in the excitement which
+now claimed me. For although the thread upon which these seemingly
+disconnected things hung was invisible to me, I recognized that
+Bampton, the city clerk, the bearded stranger who had made so singular
+a proposition to him, the white-hatted major, the dead stockbroker,
+and the mysterious woman whose presence in the case the clear sight of
+Harley had promptly detected, all were linked together by some subtle
+chain. I was convinced, too, that my friend held at least one end of
+that chain in his grip.
+
+"In order to prepare your mind for the interview which I hope to obtain
+this evening," continued Harley, "let me enlighten you upon one or two
+points which may seem obscure. In the first place you recognize that
+anyone leaning out of the window on the second floor would almost
+automatically rest his weight upon the iron bar which was placed there
+for that very purpose, since the ledge is unusually low?"
+
+"Quite," I replied, "and it also follows that if the bar gave way anyone
+thus leaning on it would be pitched into the street."
+
+"Your reasoning is correct."
+
+"But, my dear fellow," said I, "how could such an accident have been
+foreseen?"
+
+"You speak of an accident. This was no accident! One end of the bar
+had been filed completely through, although the file marks had been
+carefully concealed with rust and dirt; and the other end had been
+wrenched out from its socket and then replaced in such a way that anyone
+leaning upon the bar could not fail to be precipitated into the street!"
+
+"Good heavens! Then you mean------"
+
+"I mean, Knox, that the man who occupied the supper room on the night
+before the tragedy--the dark man, tanned and bearded, with slightly
+oblique eyes---spent his time in filing through that bar--in short, in
+preparing a death trap!"
+
+I was almost dumbfounded.
+
+"But, Harley," I said, "assuming that he knew his victim would be the
+next occupant of the room, how could he know------?"
+
+I stopped. Suddenly, as if a curtain had been raised, the details of
+what I now perceived to be a fiendishly cunning murder were revealed to
+me.
+
+"According to his own account, Knox," resumed Harley, "Major Ragstaff
+regularly passed along that street with military punctuality at the same
+hour every night. You may take it for granted that the murderer was well
+aware of this. As a matter of fact, I happen to know that he was. We
+must also take it for granted that the murderer knew of these little
+dinners for two which took place in the private room above the Cafe
+Dame every Wednesday--and sometimes on Friday. Around the figure of the
+methodical major--with his conspicuous white hat as a sort of focus--was
+built up one of the most ingenious schemes of murder with which I have
+ever come in contact. The victim literally killed himself."
+
+"But, Harley, the victim might have ignored the disturbance."
+
+"That is where I first detected the touch of genius, Knox. He recognized
+the voice of one of the combatants--or his companion did. Here we are."
+
+The cab drew up before the house in Hamilton Place. We alighted, and
+Harley pressed the bell. The same footman whom I had seen admit the
+woman opened the door.
+
+"Is Lady Ireton at home?" asked Harley.
+
+As he uttered the name I literally held my breath. We had come to the
+house of Major Ragstaff's daughter, the Marchioness of Ireton, one of
+society's most celebrated and beautiful hostesses!--the wife of a peer
+famed alike as sportsman, soldier, and scholar.
+
+"I believe she is dining at home, sir," said the man. "Shall I inquire?"
+
+"Be good enough to do so," replied Harley, and gave him a card. "Inform
+her that I wish to return to her a handbag which she lost a few days
+ago."
+
+The man ushered us into an anteroom opening off the lofty and rather
+gloomy hall, and as the door closed:
+
+"Harley," I said in a stage whisper, "am I to believe------"
+
+"Can you doubt it?" returned Harley with a grim smile.
+
+A few moments later we were shown into a charmingly intimate little
+boudoir in which Lady Ireton was waiting to receive us. She was a
+strikingly handsome brunette, but to-night her face, which normally,
+I think, possessed rich colouring, was almost pallid, and there was a
+hunted look in her dark eyes which made me wish to be anywhere rather
+than where I found myself. Without preamble she rose and addressed
+Harley:
+
+"I fail to understand your message, sir," she said, and I admired the
+imperious courage with which she faced him. "You say you have recovered
+a handbag which I had lost?"
+
+Harley bowed, and from the pocket of his greatcoat took out a
+silken-tasselled bag.
+
+"The one which you left in the Cafe Dame, Lady Ireton," he replied.
+"Here also I have"--from another pocket he drew out a diamond
+ring--"something which was extorted from you by the fellow Meyer."
+
+Without touching her recovered property, Lady Ireton sank slowly
+down into the chair from which she had arisen, her gaze fixed as if
+hypnotically upon the speaker.
+
+"My friend, Mr. Knox, is aware of all the circumstances," continued
+the latter, "but he is as anxious as I am to terminate this painful
+interview. I surmise that what occurred on Wednesday night was
+this--(correct me if I am wrong): While dining with Mr. De Lana you
+heard sounds of altercation in the street below. May I suggest that you
+recognized one of the voices?"
+
+Lady Ireton, still staring straight before her at Harley, inclined her
+head in assent.
+
+"I heard my father's voice," she said hoarsely.
+
+"Quite so," he continued. "I am aware that Major Ragstaff is your
+father." He turned to me: "Do you recognize the touch of genius at
+last?" Then, again addressing Lady Ireton: "You naturally suggested to
+your companion that he should look out of the window in order to learn
+what was taking place. The next thing you knew was that he had fallen
+into the street below?"
+
+Lady Ireton shuddered and raised her hands to her face.
+
+"It is retribution," she whispered. "I have brought this ruin upon
+myself. But he does not deserve------"
+
+Her voice faded into silence, and:
+
+"You refer to your husband, Lord Ireton?" said Harley.
+
+Lady Ireton nodded, and again recovering power of speech:
+
+"It was to have been our last meeting," she said, looking up at Harley.
+
+She shuddered, and her eyes blazed into sudden fierceness. Then,
+clenching her hands, she looked aside.
+
+"Oh, God, the shame of this hour!" she whispered.
+
+And I would have given much to have been spared the spectacle of this
+proud, erring woman's humiliation. But Paul Harley was scientifically
+remorseless. I could detect no pity in his glance.
+
+"I would give my life willingly to spare my husband the knowledge of
+what has been," said Lady Ireton in a low, monotonous voice. "Three
+times I sent my maid to Meyer to recover my bag, but he demanded a price
+which even I could not pay. Now it is all discovered, and Harry will
+know."
+
+"That, I fear, is unavoidable, Lady Ireton," declared Harley. "May I ask
+where Lord Ireton is at present?"
+
+"He is in Africa after big game."
+
+"H'm," said Harley, "in Africa, and after big game? I can offer you one
+consolation, Lady Ireton. In his own interests Meyer will stick to his
+first assertion that Mr. De Lana was dining alone."
+
+A strange, horribly pathetic look came into the woman's haunted eyes.
+
+"You--you--are not acting for------?" she began.
+
+"I am acting for no one," replied Harley tersely. "Upon my friend's
+discretion you may rely as upon my own."
+
+"Then why should he ever know?" she whispered.
+
+"Why, indeed," murmured Harley, "since he is in Africa?"
+
+As we descended the stair to the hall my friend paused and pointed to a
+life-sized oil painting by London's most fashionable portrait painter.
+It was that of a man in the uniform of a Guards officer, a dark man,
+slightly gray at the temples, his face very tanned as if by exposure to
+the sun.
+
+"Having had no occasion for disguise when the portrait was painted,"
+said Harley, "Lord Ireton appears here without the beard; and as he is
+not represented smiling one cannot see the gold tooth. But the painter,
+if anything, has accentuated the slanting eyes. You see, the fourth
+marquis--the present Lord Ireton's father--married one of the
+world-famous Yen Sun girls, daughters of the mandarin of that name by an
+Irish wife. Hence, the eyes. And hence------"
+
+"But, Harley--it was murder!"
+
+"Not within the meaning of the law, Knox. It was a recrudescence
+of Chinese humour! Lord Ireton is officially in Africa (and he went
+actually after 'big game'). The counsel is not born who could secure
+a conviction. We are somewhat late, but shall therefore have less
+difficulty in finding a table at Prince's."
+
+
+
+
+
+
+TCHERIAPIN
+
+
+
+
+
+
+I
+
+THE ROSE
+
+
+
+"Examine it closely," said the man in the unusual caped overcoat. "It
+will repay examination."
+
+I held the little object in the palm of my hand, bending forward over
+the marble-topped table and looking down at it with deep curiosity. The
+babel of tongues so characteristic of Malay Jack's, and that mingled
+odour of stale spirits, greasy humanity, tobacco, cheap perfume, and
+opium, which distinguish the establishment faded from my ken. A sense of
+loneliness came to me.
+
+Perhaps I should say that it became complete. I had grown conscious of
+its approach at the very moment that the cadaverous white-haired man had
+addressed me. There was a quality in his steadfast gaze and in his oddly
+pitched deep voice which from the first had wrapped me about--as though
+he were cloaking me in his queer personality and withdrawing me from the
+common plane.
+
+Having stared for some moments at the object in my palm, I touched it
+gingerly; whereupon my acquaintance laughed--a short bass laugh.
+
+"It looks fragile," he said. "But have no fear. It is nearly as hard as
+a diamond."
+
+Thus encouraged, I took the thing up between finger and thumb, and
+held it before my eyes. For long enough I looked at it, and looking, my
+wonder grew. I thought that here was the most wonderful example of the
+lapidary's art which I had ever met with, east or west.
+
+It was a tiny pink rose, no larger than the nail of my little finger.
+Stalk and leaves were there, and golden pollen lay in its delicate
+heart. Each fairy-petal blushed with June fire; the frail leaves were
+exquisitely green. Withal it was as hard and unbendable as a thing of
+steel.
+
+"Allow me," said the masterful voice.
+
+A powerful lens was passed by my acquaintance. I regarded the rose
+through the glass, and thereupon I knew, beyond doubt, that there was
+something phenomenal about the gem--if gem it were. I could plainly
+trace the veins and texture of every petal.
+
+I suppose I looked somewhat startled. Although, baldly stated, the fact
+may not seem calculated to affright, in reality there was something so
+weird about this unnatural bloom that I dropped it on the table. As
+I did so I uttered an exclamation; for in spite of the stranger's
+assurances on the point, I had by no means overcome my idea of the
+thing's fragility.
+
+"Don't be alarmed," he said, meeting my startled gaze. "It would need a
+steam-hammer to do any serious damage."
+
+He replaced the jewel in his pocket, and when I returned the lens to
+him he acknowledged it with a grave inclination of the head. As I
+looked into his sunken eyes, in which I thought lay a sort of sardonic
+merriment, the fantastic idea flashed through my mind that I had fallen
+into the clutches of an expert hypnotist who was amusing himself at my
+expense, that the miniature rose was a mere hallucination produced by
+the same means as the notorious Indian rope trick.
+
+Then, looking around me at the cosmopolitan groups surrounding the many
+tables, and catching snatches of conversations dealing with subjects
+so diverse as the quality of whisky in Singapore, the frail beauty
+of Chinese maidens, and the ways of "bloody greasers," common sense
+reasserted itself.
+
+I looked into the gray face of my acquaintance.
+
+"I cannot believe," I said slowly, "that human ingenuity could
+so closely duplicate the handiwork of nature. Surely the gem is
+unique?--possibly one of those magical talismans of which we read in
+Eastern stories?"
+
+My companion smiled.
+
+"It is not a gem," he replied, "and while in a sense it is a product of
+human ingenuity, it is also the handiwork of nature."
+
+I was badly puzzled, and doubtless revealed the fact, for the stranger
+laughed in his short fashion, and:
+
+"I am not trying to mystify you," he assured me. "But the truth is so
+hard to believe sometimes that in the present case I hesitate to divulge
+it. Did you ever meet Tcheriapin?"
+
+This abrupt change of topic somewhat startled me, but nevertheless:
+
+"I once heard him play," I replied. "Why do you ask the question?"
+
+"For this reason: Tcheriapin possessed the only other example of this
+art which so far as I am aware ever left the laboratory of the inventor.
+He occasionally wore it in his buttonhole."
+
+"It is then a manufactured product of some sort?"
+
+"As I have said, in a sense it is; but"--he drew the tiny exquisite
+ornament from his pocket again and held it up before me--"it is a
+natural bloom."
+
+"What!"
+
+"It is a natural bloom," replied my acquaintance, fixing his penetrating
+gaze upon me. "By a perfectly simple process invented by the cleverest
+chemist of his age it had been reduced to this gem-like state while
+retaining unimpaired every one of its natural beauties, every shade of
+its natural colour. You are incredulous?"
+
+"On the contrary," I replied, "having examined it through a magnifying
+glass I had already assured myself that no human hand had fashioned
+it. You arouse my curiosity intensely. Such a process, with its endless
+possibilities, should be worth a fortune to the inventor."
+
+The stranger nodded grimly and again concealed the rose in his pocket.
+
+"You are right," he said; "and the secret died with the man who
+discovered it--in the great explosion at the Vortex Works in 1917. You
+recall it? The T.N.T. factory? It shook all London, and fragments were
+cast into three counties."
+
+"I recall it perfectly well."
+
+"You remember also the death of Dr. Kreener, the chief chemist? He died
+in an endeavour to save some of the workpeople."
+
+"I remember."
+
+"He was the inventor of the process, but it was never put upon the
+market. He was a singular man, sir; as was once said of him--'A Don Juan
+of science.' Dame Nature gave him her heart unwooed. He trifled with
+science as some men trifle with love, tossing aside with a smile
+discoveries which would have made another famous. This"--tapping his
+breast pocket--"was one of them."
+
+"You astound me. Do I understand you to mean that Dr. Kreener had
+invented a process for reducing any form of plant life to this
+condition?"
+
+"Almost any form," was the guarded reply. "And some forms of animal
+life."
+
+"What!"
+
+"If you like"--the stranger leaned forward and grasped my arm--"I will
+tell you the story of Dr. Kreener's last experiment."
+
+I was now intensely interested. I had not forgotten the heroic death of
+the man concerning whose work this chance acquaintance of mine seemed to
+know so much. And in the cadaverous face of the stranger as he sat there
+regarding me fixedly there was a promise and an allurement. I stood on
+the verge of strange things; so that, looking into the deep-set eyes,
+once again I felt the cloak being drawn about me, and I resigned myself
+willingly to the illusion.
+
+From the moment when he began to speak again until that when I rose and
+followed him from Malay Jack's, as I shall presently relate, I became
+oblivious of my surroundings. I lived and moved through those last
+fevered hours in the lives of Dr. Kreener, Tcheriapin, the violinist,
+and that other tragic figure around whom the story centred. I append:
+
+THE STRANGER'S STORY
+
+I asked you (said the man in the caped coat) if you had ever seen
+Tcheriapin, and you replied that you had once heard him play. Having
+once heard him play you will not have forgotten him. At that time,
+although war still raged, all musical London was asking where he had
+come from and to what nation he belonged. Then when he disappeared it
+was variously reported, you will recall, that he had been shot as a spy
+and that he had escaped from England and was serving with the Austrian
+army. As to his parentage I can enlighten you in a measure. He was a
+Eurasian. His father was an aristocratic Chinaman, and his mother a
+Polish ballet-dancer--that was his parentage; but I would scarcely
+hesitate to affirm that he came from Hell; and I shall presently show
+you that he has certainly returned there.
+
+You remember the strange stories current about him. The cunning ones
+said that he had a clever press agent. This was true enough. One of
+the most prominent agents in London discovered him playing in a Paris
+cabaret. Two months later he was playing at the Queen's Hall, and
+musical London lay at his feet.
+
+He had something of the personality of Paganini, as you remember, except
+that he was a smaller man; long, gaunt, yellowish hands and the face of
+a haggard Mephistopheles. The critics quarrelled about him, as critics
+only quarrel about real genius, and while one school proclaimed that
+Tcheriapin had discovered an entirely new technique, a revolutionary
+system of violin playing, another school was equally positive in
+declaring that he could not play at all, that he was a mountebank, a
+trickster, whose proper place was in a variety theatre.
+
+There were stories, too, that were never published--not only about
+Tcheriapin, but concerning the Strad, upon which he played. If all this
+atmosphere of mystery which surrounded the man had truly been the work
+of a press agent, then the agent must have been as great a genius as
+his client. But I can assure you that the stories concerning Tcheriapin,
+true and absurd alike, were not inspired for business purposes; they
+grew up around him like fungi.
+
+I can see him now, a lean, almost emaciated figure with slow,
+sinuous movements and a trick of glancing sideways with those dark,
+unfathomable, slightly oblique eyes. He could take up his bow in such a
+way as to create an atmosphere of electrical suspense.
+
+He was loathsome, yet fascinating. One's mental attitude toward him was
+one of defence, of being tensely on guard. Then he would play.
+
+You have heard him play, and it is therefore unnecessary for me to
+attempt to describe the effect of that music. The only composition which
+ever bore his name--I refer to "The Black Mass"--affected me on every
+occasion when I heard it, as no other composition has ever done.
+
+Perhaps it was Tcheriapin's playing rather than the music itself which
+reached down into hitherto un-plumbed depths within me and awakened dark
+things which, unsuspected, lay there sleeping. I never heard "The Black
+Mass" played by anyone else; indeed, I am not aware that it was ever
+published. But had it been we should rarely hear it. Like Locke's music
+to "Macbeth" it bears an unpleasant reputation; to include it in any
+concert programme would be to court disaster. An idle superstition,
+perhaps, but there is much naivete in the artistic temperament.
+
+Men detested Tcheriapin, yet when he chose he could win over his
+bitterest enemies. Women followed him as children followed the Pied
+Piper; he courted none, but was courted by all. He would glance aside
+with those black, slanting eyes, shrug in his insolent fashion, and
+turn away. And they would follow. God knows how many of them
+followed--whether through the dens of Limehouse or the more fashionable
+salons of vice in the West End--they followed--perhaps down to Hell. So
+much for Tcheriapin.
+
+At the time when the episode occurred to which I have referred, Dr.
+Kreener occupied a house in Regent's Park, to which, when his duties at
+the munition works allowed, he would sometimes retire at week-ends.
+He was a man of complex personality. I think no one ever knew him
+thoroughly; indeed, I doubt if he knew himself.
+
+He was hail-fellow-well-met with the painters, sculptors, poets, and
+social reformers who have made of Soho a new Mecca. No movement in
+art was so modern that Dr. Kreener was not conversant with it; no
+development in Bolshevism so violent or so secret that Dr. Kreener could
+not speak of it complacently and with inside knowledge.
+
+These were his Bohemian friends, these dreamers and schemers. Of this
+side of his life his scientific colleagues knew little or nothing, but
+in his hours of leisure at Regent's Park it was with these dreamers
+that he loved to surround himself rather than with his brethren of the
+laboratory. I think if Dr. Kreener had not been a great chemist he would
+have been a great painter, or perhaps a politician, or even a poet.
+Triumph was his birthright, and the fruits for which lesser men reached
+out in vain fell ripe into his hands.
+
+The favourite meeting-place for these oddly assorted boon companions
+was the doctor's laboratory, which was divided from the house by a
+moderately large garden. Here on a Sunday evening one might meet the
+very "latest" composer, the sculptor bringing a new "message," or
+the man destined to supplant with the ballet the time-worn operatic
+tradition.
+
+But while some of these would come and go, so that one could never count
+with certainty upon meeting them, there was one who never failed to be
+present when such an informal reception was held. Of him I must speak at
+greater length, for a reason which will shortly appear.
+
+Andrews was the name by which he was known to the circles in which he
+moved. No one, from Sir John Tennier, the fashionable portrait painter,
+to Kruski, of the Russian ballet, disputed Andrews's right to be counted
+one of the elect. Yet it was known, nor did he trouble to hide the fact,
+that Andrews was employed at a large printing works in South London,
+designing advertisements. He was a great, red-bearded, unkempt Scotsman,
+and only once can I remember to have seen him strictly sober; but to
+hear him talk about painters and painting in his thick Caledonian accent
+was to look into the soul of an artist.
+
+He was as sour as an unripe grape-fruit, cynical, embittered, a man
+savagely disappointed with life and the world; and tragedy was written
+all over him. If anyone knew the secret of his wasted life it was Dr.
+Kreener, and Dr. Kreener was a reliquary of so many secrets that this
+one was safe as if the grave had swallowed it.
+
+One Sunday Tcheriapin joined the party. That he would gravitate there
+sooner or later was inevitable, for the laboratory in the garden was
+a Kaaba to which all such spirits made at least one pilgrimage. He had
+just set musical London on fire with his barbaric playing, and already
+those stories to which I have referred were creeping into circulation.
+
+Although Dr. Kreener never expected anything of his guests beyond an
+interchange of ideas, it was a fact that the laboratory contained
+an almost unique collection of pencil and charcoal studies by famous
+artists, done upon the spot; of statuettes in wax, putty, soap and other
+extemporized materials, by the newest sculptors. While often enough
+from the drawing room which opened upon the other end of the garden had
+issued the strains of masterly piano-playing, and it was no uncommon
+thing for little groups to gather in the neighbouring road to listen,
+gratis, to the voice of some great vocalist.
+
+From the first moment of their meeting an intense antagonism sprang up
+between Tcheriapin and Andrews. Neither troubled very much to veil it.
+In Tcheriapin it found expression in covert sneers and sidelong glances,
+while the big, lion-maned Scotsman snorted open contempt of the Eurasian
+violinist. However, what I was about to say was that Tcheriapin on the
+occasion of his first visit brought his violin.
+
+It was there, amid these incongruous surroundings, that I first had my
+spirit tortured by the strains of "The Black Mass."
+
+There were five of us present, including Tcheriapin, and not one of the
+four listeners was unaffected by the music. But the influence which
+it exercised upon Andrews was so extraordinary as almost to reach the
+phenomenal. He literally writhed in his chair, and finally interrupted
+the performance by staggering rather than walking out of the laboratory.
+
+I remember that he upset a jar of acid in his stumbling exit. It flowed
+across the floor almost to the feet of Tcheriapin, and the way in which
+the little black-haired man skipped, squealing, out of the path of the
+corroding fluid was curiously like that of a startled rabbit. Order
+was restored in due course, but we could not induce Tcheriapin to
+play again, nor did Andrews return until the violinist had taken his
+departure. We found him in the dining room, a nearly empty whisky-bottle
+beside him.
+
+"I had to gang awa'," he explained thickly; "he was temptin' me
+to murder him. I should ha' had to do it if I had stayed. Damn his
+hell-music."
+
+Tcheriapin revisited Dr. Kreener on many occasions afterward, although
+for a long time he did not bring his violin again. The doctor had
+prevailed upon Andrews to tolerate the Eurasian's company, and I could
+not help noticing how Tcheriapin skilfully and deliberately goaded the
+Scotsman, seeming to take a fiendish delight in disagreeing with his
+pet theories and in discussing any topic which he had found to be
+distasteful to Andrews.
+
+Chief among these was that sort of irreverent criticism of women in
+which male parties so often indulge. Bitter cynic though he was, women
+were sacred to Andrews. To speak disrespectfully of a woman in his
+presence was like uttering blasphemy in the study of a cardinal.
+Tcheriapin very quickly detected the Scotsman's weakness, and one night
+he launched out into a series of amorous adventures which set Andrews
+writhing as he had writhed under the torture of "The Black Mass."
+
+On this occasion the party was only a small one, comprising myself, Dr.
+Kreener, Andrews and Tcheriapin. I could feel the storm brewing, but was
+powerless to check it. How presently it was to break in tragic violence
+I could not foresee. Fate had not meant that I should foresee it.
+
+Allowing for the free play of an extravagant artistic mind, Tcheriapin's
+career on his own showing had been that of a callous blackguard. I
+began by being disgusted and ended by being fascinated, not by the
+man's scandalous adventures, but by the scarcely human psychology of the
+narrator.
+
+From Warsaw to Budapesth, Shanghai to Paris, and Cairo to London he
+passed, leaving ruin behind him with a smile--airily flicking cigarette
+ash upon the floor to indicate the termination of each "episode."
+
+Andrews watched him in a lowering way which I did not like at all. He
+had ceased to snort his scorn; indeed, for ten minutes or so he had
+uttered no word or sound; but there was something in the pose of his
+ungainly body which strangely suggested that of a great dog preparing
+to spring. Presently the violinist recalled what he termed a "charming
+idyll of Normandy."
+
+"There is one poor fool in the world," he said, shrugging his slight
+shoulders, "who never knew how badly he should hate me. Ha! ha! of him
+I shall tell you. Do you remember, my friends, some few years ago, a
+picture that was published in Paris and London? Everybody bought it;
+everybody said: 'He is a made man, this fellow who can paint so fine.'"
+
+"To what picture do you refer?" asked Dr. Kreener.
+
+"It was called 'A Dream at Dawn.'"
+
+As he spoke the words I saw Andrews start forward, and Dr. Kreener
+exchanged a swift glance with him. But the Scotsman, unseen by the
+vainglorious half-caste, shook his head fiercely.
+
+The picture to which Tcheriapin referred will, of course, be perfectly
+familiar to you. It had phenomenal popularity some eight years ago.
+Nothing was known of the painter--whose name was Colquhoun--and nothing
+has been seen of his work since. The original painting was never sold,
+and after a time this promising new artist was, of course, forgotten.
+
+Presently Tcheriapin continued:
+
+"It is the figure of a slender girl--ah! angels of grace!--what a
+girl!" He kissed his hand rapturously. "She is posed bending gracefully
+forward, and looking down at her own lovely reflection in the water.
+It is a seashore, you remember, and the little ripples play about
+her ankles. The first blush of the dawn robes her white body in a
+transparent mantle of light. Ah! God's mercy! it was as she stood so, in
+a little cove of Normandy, that I saw her!"
+
+He paused, rolling his dark eyes; and I could hear Andrews's heavy
+breathing; then:
+
+"It was the 'new art'--the posing of the model not in a lighted studio,
+but in the scene to be depicted.
+
+"And the fellow who painted her!--the man with the barbarous name! Bah!
+he was big--as big as our Mr. Andrews--and ugly--pooh! uglier than he!
+A moon-face, with cropped skull like a prize-fighter and no soul. But,
+yes, he could paint. 'A Dream at Dawn' was genius--yes, some soul he
+must have had.
+
+"He could paint, dear friends, but he could not love. Him I counted
+as--puff!"
+
+He blew imaginary down into space.
+
+"Her I sought out, and presently found. She told me, in those sweet
+stolen rambles along the shore, when the moonlight made her look like a
+Madonna, that she was his inspiration--his art--his life. And she wept;
+she wept, and I kissed her tears away.
+
+"To please her I waited until 'A Dream at Dawn' was finished. With the
+finish of the picture, finished also his dream of dawn--the moon-faced
+one's."
+
+Tcheriapin laughed, and lighted a fresh cigarette.
+
+"Can you believe that a man could be so stupid? He never knew of
+my existence, this big, red booby. He never knew that I existed
+until--until his 'dream' had fled--with me! In a week we were in Paris,
+that dream-girl and I--in a month we had quarrelled. I always end these
+matters with a quarrel; it makes the complete finish. She struck me in
+the face--and I laughed. She turned and went away. We were tired of one
+another.
+
+"Ah!" Again he airily kissed his hand. "There were others after I had
+gone. I heard for a time. But her memory is like a rose, fresh and fair
+and sweet. I am glad I can remember her so, and not as she afterward
+became. That is the art of love. She killed herself with absinthe, my
+friends. She died in Marseilles in the first year of the great war."
+
+Thus far Tcheriapin had proceeded, and was in the act of airily flicking
+ash upon the floor, when, uttering a sound which I can only describe as
+a roar, Andrews hurled himself upon the smiling violinist.
+
+His great red hands clutching Tcheriapin's throat, the insane Scotsman,
+for insane he was at that moment, forced the other back upon the settee
+from which he had half arisen. In vain I sought to drag him away from
+the writhing body, but I doubt that any man could have relaxed that
+deadly grip. Tcheriapin's eyes protruded hideously and his tongue lolled
+forth from his mouth. One could hear the breath whistling through his
+nostrils as Andrews silently, deliberately, squeezed the life out of
+him.
+
+It all occupied only a few minutes, and then Andrews, slowly opening his
+rigidly crooked fingers, stood panting and looking down at the distorted
+face of the dead man.
+
+For once in his life the Scotsman was sober, and turning to Dr. Kreener:
+
+"I have waited seven long years for this," he said, "and I'll hang wi'
+contentment."
+
+I can never forget the ensuing moments, in which, amid a horrible
+silence broken only by the ticking of a clock and the heavy breathing
+of Colquhoun (so long known to us as Andrews) we stood watching the
+contorted body on the settee.
+
+And as we watched, slowly the rigid limbs began to relax, and Tcheriapin
+slid gently on to the floor, collapsing there with a soft thud, where
+he squatted like some hideous Buddha, resting back against the cushions,
+one spectral yellow hand upraised, the fingers still clutching a big
+gold tassel.
+
+Andrews (for so I always think of him) was seized with a violent fit
+of trembling, and he dropped into the chair, muttering to himself and
+looking down wild-eyed at his twitching fingers. Then he began to laugh,
+high-pitched laughter, in little short peals.
+
+"Here!" cried the doctor sharply. "Drop that!"
+
+Crossing to Andrews, he grasped him by the shoulders and shook him
+roughly.
+
+The laughter ceased, and:
+
+"Send for the police," said Andrews in a queer, shaky voice. "Dinna fear
+but I'm ready. I'm only sorry it happened here."
+
+"You ought to be glad," said Dr. Kreener.
+
+There was a covert meaning in the words--a fact which penetrated even to
+the dulled intelligence of the Scotsman, for he glanced up haggardly at
+his friend.
+
+"You ought to be glad," repeated Dr. Kreener.
+
+Turning, he walked to the laboratory door and locked it. He next lowered
+all the blinds.
+
+"I pray that we have not been observed," he said, "but we must chance
+it."
+
+He mixed a drink for Andrews and himself. His quiet, decisive manner had
+had its effect, and Andrews was now more composed. Indeed, he seemed to
+be in a half-dazed condition; but he persistently kept his back turned
+to the crouching figure propped up against the settee.
+
+"If you think you can follow me," said Dr. Kreener abruptly, "I will
+show you the result of a recent experiment."
+
+Unlocking a cupboard, he took out a tiny figure some two inches long by
+one inch high, mounted upon a polished wooden pedestal. It was that of
+a guinea-pig. The flaky fur gleamed like the finest silk, and one felt
+that the coat of the minute creature would be as floss to the touch;
+whereas in reality it possessed the rigidity of steel. Literally
+one could have done it little damage with a hammer. Its weight was
+extraordinary.
+
+"I am learning new things about this process every day," continued Dr.
+Kreener, placing the little figure upon a table. "For instance, while
+it seems to operate uniformly upon vegetable matter, there are curious
+modifications when one applies it to animal and mineral substances. I
+have now definitely decided that the result of this particular inquiry
+must never be published. You, Colquhoun, I believe, possess an example
+of the process, a tiger lily, I think? I must ask you to return it to
+me. Our late friend, Tcheriapin, wears a pink rose in his coat which I
+have treated in the same way. I am going to take the liberty of removing
+it."
+
+He spoke in the hard, incisive manner which I had heard him use in
+the lecture theatre, and it was evident enough that his design was to
+prepare Andrews for something which he contemplated. Facing the Scotsman
+where he sat hunched up in the big armchair, dully watching the speaker:
+
+"There is one experiment," said Dr. Kreener, speaking very deliberately,
+"which I have never before had a suitable opportunity of attempting. Of
+its result I am personally confident, but science always demands proof."
+
+His voice rang now with a note of repressed excitement. He paused for a
+moment, and then:
+
+"If you were to examine this little specimen very closely," he said,
+and rested his finger upon the tiny figure of the guinea-pig, "you would
+find that in one particular it is imperfect. Although a diamond drill
+would have to be employed to demonstrate the fact, the animal's organs,
+despite their having undergone a chemical change quite new to science,
+are intact, perfect down to the smallest detail. One part of the
+creature's structure alone defied my process. In short, dental enamel is
+impervious to it. This little animal, otherwise as complete as when it
+lived and breathed, has no teeth. I found it necessary to extract them
+before submitting the body to the reductionary process."
+
+He paused.
+
+"Shall I go on?" he asked.
+
+Andrews, to whose mind, I think, no conception of the doctor's project
+had yet penetrated, shuddered, but slowly nodded his head.
+
+Dr. Kreener glanced across the laboratory at the crouching figure of
+Tcheriapin, then, resting his hands upon Andrews's shoulders, he pushed
+him back in the chair and stared into his dull eyes.
+
+"Brace yourself, Colquhoun," he said tersely.
+
+Turning, he crossed to a small mahogany cabinet at the farther end of
+the room. Pulling out a glass tray he judicially selected a pair of
+dental forceps.
+
+
+
+
+II
+
+"THE BLACK MASS"
+
+
+
+Thus far the stranger's appalling story had progressed when that
+singular cloak in which hypnotically he had enwrapped me seemed to drop,
+and I found myself clutching the edge of the table and staring into the
+gray face of the speaker.
+
+I became suddenly aware of the babel of voices about me, of the noisome
+smell of Malay Jack's, and of the presence of Jack in person, who was
+inquiring if there were any further orders. I was conscious of nausea.
+
+"Excuse me," I said, rising unsteadily, "but I fear the oppressive
+atmosphere is affecting me."
+
+"If you prefer to go out," said my acquaintance, in that deep voice
+which throughout the dreadful story had rendered me oblivious of my
+surroundings, "I should be much favoured if you would accompany me to a
+spot not five hundred yards from here."
+
+Seeing me hesitate:
+
+"I have a particular reason for asking," he added.
+
+"Very well," I replied, inclining my head, "if you wish it. But
+certainly I must seek the fresh air."
+
+Going up the steps and out through the door above which the blue lantern
+burned, we came to the street, turned to the left, to the left again,
+and soon were threading that maze of narrow ways which complicates the
+map of Pennyfields.
+
+I felt somewhat recovered. Here, in the narrow but familiar highways the
+spell of my singular acquaintance lost much of its potency, and already
+I found myself doubting the story of Dr. Kreener and Tcheriapin. Indeed,
+I began to laugh at myself, conceiving that I had fallen into the hands
+of some comedian who was making sport of me; although why such a person
+should visit Malay Jack's was not apparent.
+
+I was about to give expression to these new and saner ideas when my
+companion paused before a door half hidden in a little alley which
+divided the back of a Chinese restaurant from the tawdry-looking
+establishment of a cigar merchant. He apparently held the key, for
+although I did not actually hear the turning of the lock I saw that he
+had opened the door.
+
+"May I request you to follow me?" came his deep voice out of the
+darkness. "I will show you something which will repay your trouble."
+
+Again the cloak touched me, but it was without entirely resigning myself
+to the compelling influence that I followed my mysterious acquaintance
+up an uncarpeted and nearly dark stair. On the landing above a gas
+lamp was burning, and opening a door immediately facing the stair the
+stranger conducted me into a barely furnished and untidy room.
+
+The atmosphere smelled like that of a pot-house, the odours of stale
+spirits and of tobacco mingling unpleasantly. As my guide removed
+his hat and stood there, a square, gaunt figure in his queer, caped
+overcoat, I secured for the first time a view of his face in profile;
+and found it to be startlingly unfamiliar. Seen thus, my acquaintance
+was another man. I realized that there was something unnatural about the
+long, white hair, the gray face; that the sharp outline of brow, nose,
+and chin was that of a much younger man than I had supposed him to be.
+
+All this came to me in a momentary flash of perception, for immediately
+my attention was riveted upon a figure hunched up on a dilapidated sofa
+on the opposite side of the room. It was that of a big man, bearded and
+very heavily built, but whose face was scarred as by years of suffering,
+and whose eyes confirmed the story indicated by the smell of stale
+spirits with which the air of the room was laden. A nearly empty bottle
+stood on a table at his elbow, a glass beside it, and a pipe lay in a
+saucer full of ashes near the glass.
+
+As we entered, the glazed eyes of the man opened widely and he clutched
+at the table with big red hands, leaning forward and staring horribly.
+
+Save for this derelict figure and some few dirty utensils and scattered
+garments which indicated that the apartment was used both as sleeping
+and living room, there was so little of interest in the place that
+automatically my wandering gaze strayed from the figure on the sofa to
+a large oil painting, unframed, which rested upon the mantelpiece above
+the dirty grate, in which the fire had become extinguished.
+
+I uttered a stifled exclamation. It was "A Dream at Dawn"--evidently the
+original painting!
+
+On the left of it, from a nail in the wall, hung a violin and bow, and
+on the right stood a sort of cylindrical glass case or closed jar, upon
+a wooden base.
+
+From the moment that I perceived the contents of this glass case a sense
+of fantasy claimed me, and I ceased to know where reality ended and
+mirage began.
+
+It contained a tiny and perfect figure of a man. He was arrayed in a
+beautifully fitting dress-suit such as a doll might have worn, and he
+was posed as if in the act of playing a violin, although no violin
+was present. At the elfin black hair and Mephistophelian face of this
+horrible, wonderful image, I stared fascinatedly.
+
+I looked and looked at the dwarfed figure of... Tcheriapin!
+
+All these impressions came to me in the space of a few hectic moments,
+when in upon my mental tumult intruded a husky whisper from the man on
+the sofa.
+
+"Kreener!" he said. "Kreener!"
+
+At the sound of that name, and because of the way in which it was
+pronounced, I felt my blood running cold. The speaker was staring
+straight at my companion.
+
+I clutched at the open door. I felt that there was still some crowning
+horror to come. I wanted to escape from that reeking room, but my
+muscles refused to obey me, and there I stood while:
+
+"Kreener!" repeated the husky voice, and I saw that the speaker was
+rising unsteadily to his feet.
+
+"You have brought him again. Why have you brought him again? He will
+play. He will play me a step nearer to Hell."
+
+"Brace yourself, Colquhoun," said the voice of my companion. "Brace
+yourself."
+
+"Take him awa'!" came in a sudden frenzied shriek. "Take him awa'! He's
+there at your elbow, Kreener, mockin' me, and pointing to that damned
+violin."
+
+"Here!" said the stranger, a high note of command in his voice. "Drop
+that! Sit down at once."
+
+Even as the other obeyed him, the cloaked stranger, stepping to the
+mantelpiece, opened a small box which lay there beside the glass case.
+He turned to me; and I tried to shrink away from him. For I knew--I
+knew--yet I loathed to look upon--what was in the box. Muffled as though
+reaching me through fog, I heard the words:
+
+"A perfect human body...in miniature... every organ intact by means
+of... process... rendered indestructible. Tcheriapin as he was in life
+may be seen by the curious ten thousand years hence. Incomplete... one
+respect... here in this box..."
+
+The spell was broken by a horrifying shriek from the man whom my
+companion had addressed as Colquhoun, and whom I could only suppose
+to be the painter of the celebrated picture which rested upon the
+mantelshelf.
+
+"Take him awa', Kreener! He is reaching for the violin!"
+
+Animation returned to me, and I fell rather than ran down the darkened
+stair. How I opened the street door I know not, but even as I stepped
+out into the squalid alleys of Pennyfields the cloaked figure was beside
+me. A hand was laid upon my shoulder.
+
+"Listen!" commanded a deep voice.
+
+Clearly, with an eerie sweetness, an evil, hellish beauty indescribable,
+the wailing of a Stradivarius violin crept to my ears from the room
+above. Slowly--slowly the music began, and my soul rose up in revolt.
+
+"Listen!" repeated the voice. "Listen! It is 'The Black Mass'!"
+
+
+
+
+
+
+THE DANCE OF THE VEILS
+
+
+
+
+
+I
+
+THE HOUSE OF THE AGAPOULOS
+
+
+
+Hassan came in and began very deliberately to light the four lamps.
+He muttered to himself and often smiled in the childish manner which
+characterizes some Egyptians. Hassan wore a red cap, and a white robe
+confined at the waist by a red sash. On his brown feet he wore loose
+slippers, also of red. He had good features and made a very picturesque
+figure moving slowly about his work.
+
+As he lighted lamp after lamp and soft illumination crept about the big
+room, because of the heavy shadows created the place seemed to become
+mysteriously enlarged. That it was an Eastern apartment cunningly
+devised to appeal to the Western eye, one familiar with Arab households
+must have seen at once. It was a traditional Oriental interior, a
+stage setting rather than the nondescript and generally uninteresting
+environment of the modern Egyptian at home.
+
+Brightly coloured divans there were and many silken cushions of strange
+pattern and design. The hanging lamps were of perforated brass with
+little coloured glass panels. In carved wooden cabinets stood beautiful
+porcelain jars, trays, and vessels of silver and copper ware. Rich
+carpets were spread about the floor, and the draperies were elegant and
+costly, while two deep windows projecting over the court represented the
+best period of Arab architecture. Their intricate carven woodwork had
+once adorned the palace of a Grand Wazir. Agapoulos had bought them in
+Cairo and had had them fitted to his house in Chinatown. A smaller brass
+lamp of very delicate workmanship was suspended in each of the recesses.
+
+As Hassan, having lighted the four larger lanterns, was proceeding
+leisurely to light the first of the smaller ones, draperies before a
+door at the east end of the room were parted and Agapoulos came in.
+Agapoulos was a short but portly Greek whom the careless observer might
+easily have mistaken for a Jew. He had much of the appearance of a bank
+manager, having the manners of one used to making himself agreeable,
+but also possessing the money-eye and that comprehensive glance which
+belongs to the successful man of commerce.
+
+Standing in the centre of the place he brushed his neat black moustache
+with a plump forefinger. A diamond ring which he wore glittered
+brilliantly in the coloured rays of the lanterns. With his right hand,
+which rested in his trouser pocket, he rattled keys. His glance roved
+about the room appraisingly. Walking to a beautifully carved Arab
+cabinet he rearranged three pieces of Persian copperware which stood
+upon it. He moved several cushions, and taking up a leopard skin which
+lay upon the floor he draped it over an ebony chair which was inlaid
+intricately with ivory.
+
+The drooping eyelids of M. Agapoulos drooped lower, as returning to the
+centre of the room he critically surveyed the effect of these master
+touches. At the moment he resembled a window-dresser, or, rather, one
+of those high-salaried artists who beautify the great establishments of
+Regent Street, the Rue de la Paix, and Ruination Avenue, New York.
+
+Hassan lighted the sixth lamp, muttering smilingly all the time. He was
+about to depart when Agapoulos addressed him in Arabic.
+
+"There will be a party down from the Savoy tonight, Hassan. No one else
+is to come unless I am told. That accursed red policeman, Kerry, has
+been about here of late. Be very careful."
+
+Hassan saluted him gravely and retired through one of the draped
+openings. In his hand he held the taper with which he had lighted the
+lamps. In order that the draperies should not be singed he had to hold
+them widely apart. For it had not occurred to Hassan to extinguish the
+taper. The Egyptian mind is complex in its simplicity.
+
+M. Agapoulos from a gold case extracted a cigarette, and lighting it,
+inhaled the smoke contentedly, looking about him. The window-dresser was
+lost again in the bank manager who has arranged a profitable overdraft.
+Somewhere a bell rang. Hassan, treading silently, reappeared, crossed
+the room, and opening a finely carved door walked along a corridor which
+it had concealed. He still carried the lighted taper.
+
+Presently there entered a man whose well-cut serge suit revealed the
+figure of a soldier. He wore a soft gray felt hat and carried light
+gloves and a cane. His dark face, bronzed by recent exposure to the
+Egyptian sun, was handsome in a saturnine fashion, and a touch of gray
+at the temples tended to enhance his good looks. He carried himself
+in that kind of nonchalant manner which is not only insular but almost
+insolent.
+
+M. Agapoulos bowed extravagantly. As he laid his plump hand upon his
+breast the diamond ring sparkled in a way most opulent and impressive.
+
+"I greet you, Major Grantham," he said. "Behold"--he waved his hand
+glitteringly--"all is prepared."
+
+"Oh, yes," murmured the other, glancing around without interest; "good.
+You are beginning to get straight in your new quarters."
+
+Agapoulos extended the prosperous cigarette-case, and Major Grantham
+took and lighted a superior cigarette.
+
+"How many in the party?" inquired the Greek smilingly.
+
+"Three and myself."
+
+A shadow of a frown appeared upon the face of Agapoulos.
+
+"Only three," he muttered.
+
+Major Grantham laughed.
+
+"You should know me by this time, Agapoulos," he said. "The party is
+small but exclusive, you understand?"
+
+He spoke wearily, as a tired man speaks of distasteful work which he
+must do. There was contempt in his voice; contempt of Agapoulos, and
+contempt of himself.
+
+"Ah!" cried the Greek, brightening; "do I know any of them?"
+
+"Probably. General Sir Francis Payne, Mr. Eddie, and Sir Horace Tipton."
+
+"An Anglo-American party, eh?"
+
+"Quite. Mr. Eddie is the proprietor of the well-known group of American
+hotels justly celebrated for their great height and poisonous cuisine;
+while Sir Horace Tipton alike as sportsman, globe-trotter, and soap
+manufacturer, is characteristically British. Of General Sir Francis
+Payne I need only say that his home services during the war did
+incalculable harm to our prestige throughout the Empire."
+
+He spoke with all the bitterness of a man who has made a failure of
+life. Agapoulos was quite restored to good humour.
+
+"Ah!" he exclaimed, brushing his moustache and rattling his keys;
+"sportsmen, eh?"
+
+Major Grantham dropped into the carven chair upon which the Greek had
+draped the leopard skin. Momentarily the window-dresser leapt into life
+as Agapoulos beheld one of his cunning effects destroyed, but he forced
+a smile when Grantham, shrugging his shoulders, replied:
+
+"If they are fools enough to play--the usual 5 per cent, on the bank's
+takings."
+
+He paused, glancing at some ash upon the tip of his cigarette. Agapoulos
+swiftly produced an ashtray and received the ash on it in the manner of
+a churchwarden collecting half a crown from a pew-holder.
+
+"I think," continued Grantham indifferently, "that it will be the
+dances. Two of them are over fifty."
+
+"Ah!" said Agapoulos thoughtfully; "not, of course, the ordinary
+programme?"
+
+Major Grantham looked up at him with lazy insolence.
+
+"Why ask?" he inquired. "Does Lucullus crave for sausages? Do
+philosophers play marbles?"
+
+He laughed again, noting the rather blank look of Agapoulos.
+
+"You don't know what I'm talking about, do you?" he added. "I mean to
+say that these men have been everywhere and done everything. They have
+drunk wine sweet and sour and have swallowed the dregs. I am bringing
+them. It is enough."
+
+"More than enough," declared the Greek with enthusiasm. He bowed,
+although Grantham was not looking at him. "In the little matter of fees
+I can rely upon your discretion, as always. Is it not said that a good
+dragoman is a desirable husband?"
+
+Major Grantham resettled himself in his chair.
+
+"M. Agapoulos," he said icily, "we have done shady business together for
+years, both in Port Said and in London, and have remained the best of
+friends; two blackguards linked by our common villainy. But if this
+pleasant commercial acquaintance is to continue let there be no
+misunderstanding between us, M. Agapoulos. I may know I'm a dragoman;
+but in future, old friend"--he turned lazy eyes upon the Greek--"for
+your guidance, don't remind me of the fact or I'll wring your neck."
+
+The drooping eyelids of M. Agapoulos flickered significantly, but it was
+with a flourish more grand than usual that he bowed.
+
+"Pardon, pardon," he murmured. "You speak harshly of yourself, but ah,
+you do not mean it. We understand each other, eh?"
+
+"I understand you perfectly," drawled Grantham; "I was merely advising
+you to endeavour to understand me. My party will arrive at nine o'clock,
+Agapoulos, and I am going back to the Savoy shortly to dress. Meanwhile,
+if Hassan would bring me a whisky and soda I should be obliged."
+
+"Of course, of course. He shall do so at once," cried Agapoulos. "I will
+tell him."
+
+Palpably glad to escape, the fat Greek retired, leaving Major Grantham
+lolling there upon the leopard skin, his hat, cane and gloves upon the
+carpet beside him; and a few moments later Hassan the silent glided into
+the extravagant apartment bearing refreshments. Placing his tray upon a
+little coffee-table beside Major Grantham, he departed.
+
+There was a faint smell of perfume in the room, a heavy voluptuous smell
+in which the odour of sandal-wood mingled with the pungency of myrrh. It
+was very silent, so that when Grantham mixed a drink the pleasant chink
+of glass upon glass rang out sharply.
+
+
+
+
+II
+
+ZAHARA
+
+
+
+Zahara had overheard the latter part of the conversation from her own
+apartment. Once she had even crept across to the carven screen in order
+that she might peep through into the big, softly lighted room. She
+had interrupted her toilet to do so, and having satisfied herself that
+Grantham was one of the speakers (although she had really known this
+already), she had returned and stared at herself critically in the
+mirror.
+
+Zahara, whose father had been a Frenchman, possessed skin of a subtle
+cream colour very far removed from the warm brown of her Egyptian
+mother, but yet not white. At night it appeared dazzling, for she
+enhanced its smooth, creamy pallor with a wonderful liquid solution
+which came from Paris. It was hard, Zahara had learned, to avoid a
+certain streaky appearance, but much practice had made her an adept.
+
+This portion of her toilet she had already completed and studying her
+own reflection she wondered, as she had always wondered, what Agapoulos
+could see in Safiyeh. Safiyeh was as brown as a berry; quite pretty for
+an Egyptian girl, as Zahara admitted scornfully, but brown--brown. It
+was a great puzzle to Zahara. The mystery of life indeed had puzzled
+little Zahara very much from the moment when she had first begun to
+notice things with those big, surprising blue eyes of hers, right up to
+the present twenty-fourth year of her life. She had an uneasy feeling
+that Safiyeh, who was only sixteen, knew more of this mystery than she
+did. Once, shortly after the Egyptian girl had come to the house of
+Agapoulos, Zahara had playfully placed her round white arm against that
+of the more dusky beauty, and:
+
+"Look!" she had exclaimed. "I am cream and you are coffee."
+
+"It is true," the other had admitted in her practical, serious way, "but
+some men do not like cream. All men like coffee."
+
+Zahara rested her elbows upon the table and surveyed the reflection
+of her perfect shoulders with disapproval. She had been taught at her
+mother's knee that men did not understand women, and she, who had been
+born and reared in that quarter of Cairo where there is no day but one
+long night, had lived to learn the truth of the lesson. Yet she was not
+surprised that this was so; for Zahara did not understand herself. Her
+desires were so simple and so seemingly natural, yet it would appear
+that they were contrary to the established order of things.
+
+She was proud to think that she was French, although someone had told
+her that the French, though brave, were mercenary. Zahara admired the
+French for being brave, and thought it very sensible that they should
+be mercenary. For there was nothing that Zahara wanted of the world
+that money could not obtain (or so she believed), and she knew no higher
+philosophy than the quest of happiness. Because others did not seem to
+share this philosophy she often wondered if she could be unusual. She
+had come to the conclusion that she was ignorant. If only Harry Grantham
+would talk to her she felt sure he could teach her so much.
+
+There were so many things that puzzled her. She knew that at twenty-four
+she was young for a French girl, although as an Egyptian she would
+have been considered old. She had been taught that gold was the key to
+happiness and that man was the ogre from whom this key must be wheedled.
+A ready pupil, Zahara had early acquired the art of attracting, and now
+at twenty-four she was a past mistress of the Great Craft, and as her
+mirror told her, more beautiful than she had ever been.
+
+Therefore, what did Agapoulos see in Safiyeh?
+
+It was a problem which made Zahara's head ache. She could not understand
+why as her power of winning men increased her power to hold them
+diminished. Safiyeh was a mere inexperienced child--yet Agapoulos
+had brought her to the house, and Zahara, wise in woman's lore, had
+recognized the familiar change of manner.
+
+It was a great problem, the age-old problem which doubtless set the
+first silver thread among Phryne's red-gold locks and which now brought
+a little perplexed wrinkle between Zahara's delicately pencilled brows.
+
+It had not always been so. In those early days in Cairo there had been
+an American boy. Zahara had never forgotten. Her beauty had bewildered
+him. He had wanted to take her to New York; and oh! how she had wanted
+to go. But her mother, who was then alive, had held other views, and he
+had gone alone. Heavens! How old she felt. How many had come and gone
+since that Egyptian winter, but now, although admiration was fatally
+easy to win how few were so sincere as that fresh-faced boy from beyond
+the Atlantic.
+
+Zahara, staring into the mirror, observed that there was not a wrinkle
+upon her face, not a flaw upon her perfect skin. Nor in this was she
+blinded by vanity. Nature, indeed, had cast her in a rare mould, and
+from her unusual hair, which was like dull gold, to her slender ankles
+and tiny feet, she was one of the most perfectly fashioned human beings
+who ever added to the beauty of the world.
+
+Yet Agapoulos preferred Safiyeh. Zahara could hear him coming to her
+room even as she sat there, chin in hands, staring at her own bewitching
+reflection. Presently she would slip out and speak to Harry Grantham.
+Twice she had read in his eyes that sort of interest which she knew so
+well how to detect. She liked him very much, but because of a sense of
+loyalty to Agapoulos (a sentiment purely Egyptian which she longed to
+crush) Zahara had never so much as glanced at Grantham in the Right Way.
+She was glad, though, that he had not gone, and she hoped that Agapoulos
+would not detain her long.
+
+As a matter of fact, the Greek's manner was even more cold than usual.
+He rested his hand upon her shoulder for a moment, and meeting her
+glance reflected in the mirror:
+
+"There will be a lot of money here to-night," he said. "Make the best
+of your opportunities. Chinatown is foggy, yes--but it pays better than
+Port Said."
+
+He ran fat fingers carelessly through her hair, the big diamond
+glittering effectively in the wavy gold, then turned and went out.
+Sitting listening intently, Zahara could hear him talking in a subdued
+voice to Safiyeh, and could detect the Egyptian's low-spoken replies.
+
+*****
+
+Grantham looked up with a start. A new and subtle perfume had added
+itself to that with which the air of the room was already laden. He
+found Zahara standing beside him.
+
+His glance travelled upward from a pair of absurdly tiny brocaded
+shoes past slender white ankles to the embroidered edge of a wonderful
+mandarin robe decorated with the figures of peacocks; upward again to
+a little bejewelled hand which held the robe confined about the slender
+figure of Zahara, and upward to where, sideways upon a bare shoulder
+peeping impudently out from Chinese embroidery, rested the half-mocking
+and half-serious face of the girl.
+
+"Hallo!" he said, smiling, "I didn't hear you come in."
+
+"I walk very soft," explained Zahara, "because I am not supposed to be
+here."
+
+She looked at him quizzically. "I don't see you for a long time," she
+added, and in the tone of her voice there was a caress. "I saw you more
+often in Port Said than here."
+
+"No," replied Grantham, "I have been giving Agapoulos a rest. Besides,
+there has been nobody worth while at any of the hotels or clubs during
+the last fortnight."
+
+"Somebody worth while coming to-night?" asked Zahara with professional
+interest.
+
+At the very moment that she uttered the words she recognized her error,
+for she saw Grantham's expression change. Yet to her strange soul there
+was a challenge in his coldness and the joy of contest in the task of
+melting the ice of this English reserve.
+
+"Lots of money," he said bitterly; "we shall all do well to-night."
+
+Zahara did not reply for a moment. She wished to close this line of
+conversation which inadvertently she had opened up. So that, presently:
+
+"You look very lonely and bored," she said softly.
+
+As a matter of fact, it was she who was bored of the life she led in
+Limehouse--in chilly, misty Limehouse--and who had grown so very lonely
+since Safiyeh had come. In the dark gray eyes looking up at her she read
+recognition of her secret. Here was a man possessing that rare masculine
+attribute, intuition. Zahara knew a fear that was half delightful. Fear
+because she might fail in either of two ways and delight because the
+contest was equal.
+
+"Yes," he replied slowly, "my looks tell the truth. How did you know?"
+
+Zahara observed that his curiosity had not yet become actual interest.
+She toyed with the silken tassel on her robe, tying and untying it with
+quick nervous fingers and resting the while against the side of the
+carved chair.
+
+"Perhaps because I am so lonely myself," she said. "I matter to no one.
+What I do, where I go, if I live or die. It is all----"
+
+She spread her small hands eloquently and shrugged so that another white
+shoulder escaped from the Chinese wrapping. Thereupon Zahara demurely
+drew her robe about her with a naive air of modesty which nine out of
+ten beholding must have supposed to be affected.
+
+In reality it was a perfectly natural, instinctive movement. To Zahara
+her own beauty was a commonplace to be displayed or concealed as
+circumstances might dictate. In a certain sense, which few could
+appreciate, this half-caste dancing girl and daughter of El Wasr was
+as innocent as a baby. It was one of the things which men did not
+understand. She thought that if Harry Grantham asked her to go away
+with him it would be nice to go. Suddenly she realized how deep was her
+loathing of this Limehouse and of the people she met there, who were all
+alike.
+
+He sat looking at her for some time, and then: "Perhaps you are wrong,"
+he said. "There may be some who could understand."
+
+And because he had answered her thoughts rather than her words, the fear
+within Zahara grew greater than the joy of the contest.
+
+Awhile longer she stayed, seeking for a chink in the armour. But she
+failed to kindle the light in his eyes which--unless she had deluded
+herself--she had seen there in the past; and because she failed and
+could detect no note of tenderness in his impersonal curiosity:
+
+"You are lonely because you are so English, so cold," she exclaimed,
+drawing her robe about her and glancing sideways toward the door by
+which Agapoulos might be expected to enter. "You are bored, yes. Of
+course. You look on at life. It is not exciting, that game--except for
+the players."
+
+Never once had she looked at him in the Right Way; for to have done so
+and to have evoked only that amused yet compassionate smile would have
+meant hatred, and Zahara had been taught that such hatred was fatal
+because it was a confession of defeat.
+
+"I shall see you again to-night, shall I not?" he said as she turned
+away.
+
+"Oh, yes, I shall be--on show. I hope you will approve."
+
+She tossed her head like a petulant child, turned, and with never
+another glance in his direction, walked from the room. She was very
+graceful, he thought.
+
+Yet it was not entirely of this strange half-caste, whose beauty was
+provoking, although he resolutely repelled her tentative advances, that
+Grantham was thinking. In that last gesture when she had scornfully
+tossed her head in turning aside, had lain a bitter memory. Grantham
+stood for a moment watching the swaying draperies. Then, dropping the
+end of his cigarette into a little brass ash-tray, he took up his hat,
+gloves, and cane from the floor, and walked toward the doorway through
+which he had entered.
+
+A bell rang somewhere, and Grantham paused. A close observer might have
+been puzzled by his expression. Evidently changing his mind, he crossed
+the room, opened the door and went out, leaving the house of Agapoulos
+by a side entrance. Crossing the little courtyard below he hurried in
+the direction of the main street, seeming to doubt the shadows which
+dusk was painting in the narrow ways.
+
+Many men who know Chinatown distrust its shadows, but the furtive fear
+of which Grantham had become aware was due not to anticipation but to
+memory--to a memory conjured up by that gesture of Zahara's.
+
+There were few people in London or elsewhere who knew the history of
+this scallywag Englishman. That he had held the King's commission at
+some time was generally assumed to be the fact, but that his real
+name was not Grantham equally was taken for granted. His continuing,
+nevertheless, to style himself "Major" was sufficient evidence to those
+interested that Grantham lived by his wits; and from the fact that he
+lived well and dressed well one might have deduced that his wits were
+bright if his morals were turbid.
+
+Now, the gesture of a woman piqued had called up the deathless past.
+Hurrying through nearly empty squalid streets, he found himself longing
+to pronounce a name, to hear it spoken that he might linger over its
+bitter sweetness. To this longing he presently succumbed, and:
+
+"Inez," he whispered, and again more loudly, "Inez."
+
+Such a wave of lonely wretchedness and remorse swept up about his heart
+that he was almost overwhelmed by it, yet he resigned himself to
+its ruthless cruelty with a sort of savage joy. The shadowed ways of
+Limehouse ceased to exist for him, and in spirit he stood once more in
+a queer, climbing, sunbathed street of Gibraltar looking out across that
+blue ribbon of the Straits to where the African coast lay hidden in the
+haze.
+
+"I never knew," he said aloud. And one meeting this man who hurried
+along and muttered to himself must have supposed him to be mad. "I never
+knew. Oh, God! if I had only known."
+
+But he was one of those to whom knowledge comes as a bitter aftermath.
+When his regiment had received orders to move from the Rock, and he had
+informed Inez of his departure, she had turned aside, just as Zahara had
+done; scornfully and in silence. Because of his disbelief in her he
+had guarded his heart against this beautiful Spanish girl who (as he
+realized too late) had brought him the only real happiness he had ever
+known. Often she had told him of her brother, Miguel, who would kill
+her--would kill them both--if he so much as suspected their meetings; of
+her affianced husband, absent in Tunis, whose jealousy knew no bounds.
+
+He had pretended to believe, had even wanted to believe; but the
+witchery of the girl's presence removed, he had laughed--at himself and
+at Inez. She was playing the Great Game, skilfully, exquisitely. When
+he was gone--there would soon be someone else. Yet he had never told her
+that he doubted. He had promised many things--and had left her.
+
+She died by her own hand on the night of his departure.
+
+Now, as a wandering taxi came into view: "Inez!" he moaned--"I never
+knew."
+
+That brother whom he had counted a myth had succeeded in getting on
+board the transport. Before Grantham's inner vision the whole dreadful
+scene now was reenacted: the struggle in the stateroom; he even seemed
+to hear the sound of the shot, to see the Spaniard, drenched with blood
+from a wound in his forehead, to hear his cry:
+
+"I cannot see! I cannot see! Mother of Mercy! I have lost my sight!"
+
+It had broken Grantham. The scandal was hushed up, but retirement was
+inevitable. He knew, too, that the light had gone out of the world for
+him as it had gone for Miguel da Mura.
+
+It is sometimes thus that a scallywag is made.
+
+
+
+
+IV
+
+THE STAR OF EGYPT
+
+
+
+As Grantham went out by the side door, Hassan, soft of foot, appeared.
+Crossing to the main door he opened it and walked down the narrow
+corridor beyond. Presently came the tap, tap, tap of a stick and a sound
+of muttered conversation in some place below.
+
+Hassan reentered and went in through the curtained doorway to summon
+Agapoulos. Agapoulos was dressing and would not be disturbed. Hassan
+went back to those who waited, but ere long returned again chattering
+volubly to himself. Going behind the carven screen he rapped upon the
+door of Zahara's room, and she directed him to come in. To Zahara,
+Hassan was no more than a piece of furniture, and she thought as little
+of his intruding while she was in the midst of her toilet as another
+woman would have thought of the entrance of a maid.
+
+"Two men," reported Hassan, "who won't go away until they see somebody."
+
+"Whom do they want to see?" she inquired indifferently, adjusting the
+line of her eyebrow with an artistically pointed pencil.
+
+"They say whoever belongs here."
+
+Zahara invariably spoke either French or English to natives, and if
+Hassan had addressed her in Arabic she would not have replied, although
+she spoke that language better than she spoke any other.
+
+"What are they like? Not--police?"
+
+"Foreign," replied Hassan vaguely.
+
+"English--American?"
+
+"No, not American or English. Very black hair, dark skin."
+
+Zahara, a student of men, became aware of a mild interest. These swarthy
+visitors should prove an agreeable antidote to the poisonous calm of
+Harry Grantham. She was trying with all the strength of her strange,
+stifled soul not to think of Grantham, and she was incapable of
+recognizing the fact that she could think of nothing else and had
+thought of little else for a long time past. Even now it was because of
+him that she determined to interview the foreign visitors. The mystery
+of her emotions puzzled her more than ever.
+
+She descended to a small, barely furnished room on the ground floor,
+close beside the door opening upon the street. It was lighted by one
+hanging lamp. On the divan which constituted the principal item
+of furniture a small man, slenderly built, was sitting. He wore a
+broad-brimmed hat, so broad of brim that it threw the whole of the upper
+part of his face into shadow. It was impossible to see his eyes. Beside
+him rested a heavy walking-stick.
+
+As Zahara entered, a wonderful, gaily coloured figure, this man did not
+move in the slightest, but sat, chin on breast, his small, muscular,
+brown hands resting on his knees. His companion, however, a person of
+more massive build, elegantly dressed and handsome in a swarthy fashion,
+bowed gravely and removed his hat. Zahara liked his eyes, which were
+dark and very bold looking.
+
+"M. Agapoulos is engaged," she said, speaking in French. "What is it you
+wish to know?"
+
+The man regarded her fixedly, and:
+
+"Senorita," he replied, "I will be frank with you."
+
+Save for his use of the word "senorita" he also spoke in French. Zahara
+drew her robe more closely about her and adopted her most stately
+manner.
+
+"My name," continued the other, "does not matter, but my business is to
+look into the affairs of other people, you understand?"
+
+Zahara, who understood from this that the man was some kind of inquiry
+agent, opened her blue eyes very widely and at the same time shook her
+head.
+
+"No," she protested; "what do you mean?"
+
+"A certain gentleman came here a short time ago, came into this
+house and must be here now. Don't be afraid. He has done nothing very
+dreadful," he added reassuringly.
+
+Zahara retreated a step, and a little wrinkle of disapproval appeared
+between her pencilled brows. She no longer liked the man's eyes, she
+decided. They were deceitful eyes. His companion had taken up the heavy
+stick and was restlessly tapping the floor.
+
+"There is no one here," said Zahara calmly, "except the people who live
+in the house."
+
+"He is here, he is here," muttered the man seated on the divan.
+
+The tapping of his stick had grown more rapid, but as he had spoken in
+Spanish, Zahara, who was ignorant of that language, had no idea what he
+had said.
+
+"My friend," continued the Spaniard, bowing slightly in the direction
+of the slender man who so persistently kept his broad-brimmed hat on his
+head, "chanced to hear the voice of this gentleman as he spoke to your
+porter on entering the door. And although the door was closed too soon
+for us actually to see him, we are convinced that he is the person we
+seek."
+
+"I think you are mistaken," said Zahara coolly. "But what do you want
+him for?"
+
+As she uttered the words she realized that even the memory of Grantham
+was sufficient to cause her to betray herself. She had betrayed her
+interest to the man himself, and now she had betrayed it to this
+dark-faced stranger whose manner was so mysterious. The Spaniard
+recognized the fact, and, unlike Grantham, acted upon it promptly.
+
+"He has taken away the wife of another, Senorita," he said simply, and
+watched her as he spoke the lie.
+
+She listened in silence, wide-eyed. Her lower lip twitched, and she bit
+it fiercely.
+
+"He went first to Port Said and then came to London with this woman,"
+continued the Spaniard remorselessly. "We come from her husband to ask
+her to return. Yes, he will forgive her--or he offers her freedom."
+
+Rapidly but comprehensively the speaker's bold glance travelled over
+Zahara, from her golden head to her tiny embroidered shoes.
+
+"If you can help us in this matter it will be worth fifty English pounds
+to you," he concluded.
+
+Zahara was breathing rapidly. The fatal hatred which she had sought to
+stifle gained a new vitality. Another woman--another woman actually
+here in London! So there was someone upon whom he did not look in that
+half-amused and half-compassionate manner. How she hated him! How she
+hated the woman to whom he had but a moment ago returned!
+
+"Then he will marry this other one?" she said suddenly.
+
+"Oh, no. Already he neglects her. We think she will go back."
+
+Zahara experienced a swift change of sentiment. She seemed to be
+compounded of two separate persons, one of whom laughed cruelly at the
+folly of the other.
+
+"What is the name of this man you think your friend has recognized?" she
+asked.
+
+The big stick was rapping furiously during this colloquy.
+
+"We are both sure, Senorita. His name is Major Spalding."
+
+That Spalding and Grantham were neighbouring towns in Lincolnshire
+Zahara did not know, but:
+
+"No one of that name comes here," she replied.
+
+"The one you heard and--who has gone--is not called by that name." She
+spoke with forced calm. It was Grantham they sought! "But what happens
+if I show you this one who is not called Spalding?"
+
+"No matter! Point him out to me," answered the Spaniard eagerly--and his
+dark eyes seemed to be on fire--"point him out to me and fifty pounds of
+English money is yours!"
+
+"Let me see."
+
+He drew out a wallet and held up a number of notes.
+
+"Fifty," he said, in a subdued voice, "when you point him out."
+
+For a long moment Zahara hesitated, then:
+
+"Sixty," she corrected him--"now! Then I will do it to-night--if you
+tell what happens."
+
+Exhibiting a sort of eager impatience the man displayed a bunch of
+official-looking documents.
+
+"I give him these," he explained, "and my work is done."
+
+"H'm," said Zahara. "He must not know that it is I who have shown him
+to you. To-night he will be here at nine o'clock, and I shall dance. You
+understand?"
+
+"Then," said the Spaniard eagerly, "this is what you will do."
+
+And speaking close to her ear he rapidly outlined a plan; but presently
+she interrupted him.
+
+"Pooh! It is Spanish, the rose. I dance the dances of Egypt."
+
+"But to-night," he persisted, "it will not matter."
+
+Awhile longer they talked, the rapping of the stick upon the tiled floor
+growing ever faster and faster. But finally:
+
+"I will tell Hassan that you are to be admitted," said Zahara, and she
+held out her hand for the notes.
+
+When, presently, the visitors departed, she learned that the smaller
+man was blind; for his companion led him out of the room and out of
+the house. She stood awhile listening to the tap, tap, tap of the heavy
+stick receding along the street. What she did not hear, and could not
+have understood had she heard, since it was uttered in Spanish, was the
+cry of exultant hatred which came from the lips of the taller man:
+
+"At last, Miguel! at last! Though blind, you have found him! You have
+not failed. I shall not fail!"
+
+*****
+
+Zahara peeped through the carved screen at the assembled company. They
+were smoking and drinking and seemed to be in high good humour. Safiyeh
+had danced and they had applauded the performance, but had complained
+to M. Agapoulos that they had seen scores of such dances and dancers.
+Safiyeh, who had very little English, had not understood this, and
+because presently she was to play upon the a'ood while Zahara danced the
+Dance of the Veils, Zahara had avoided informing her of the verdict of
+the company.
+
+Now as she peeped through the lattice in the screen she could see
+the Greek haggling with Grantham and a tall gray-haired man whom she
+supposed to be Sir Horace Tipton. They were debating the additional fees
+to be paid if Zahara, the Star of Egypt, was to present the secret
+and wonderful dance of which all men had heard but which only a true
+daughter of the ancient tribe of the Ghawazi could perform.
+
+Sometimes Zahara was proud of her descent from a dancing-girl of Kenneh.
+This was always at night, when a sort of barbaric excitement possessed
+her which came from the blood of her mother. Then, a new light entered
+her eyes and they seemed to grow long and languid and dark, so that no
+one would have suspected that in daylight they were blue.
+
+A wild pagan abandon claimed her, and she seemed to hear the wailing of
+reed instruments and the throb of the ancient drums which were played of
+old before the kings of Egypt. Safiyeh was not a true dancing girl,
+and because she knew none of those fine frenzies, she danced without
+inspiration, like a brown puppet moved by strings. But she could play
+upon an a'ood much better than Zahara, and therefore must not be upset
+until she had played for the Dance of the Veils.
+
+Seeing that the bargain was all but concluded, Zahara stole back to
+her room. Her lightly clad body gleamed like that of some statue become
+animate.
+
+Her cheeks flushed as she took up the veils, of which she alone knew the
+symbolic meaning; the white veil, the purple veil: each had its story to
+tell her; and the veil of burning scarlet. In a corner of the big room
+on a divan near the door she had seen the Spaniard, a handsome, swarthy
+figure in his well-fitting dress clothes, and now, opening a drawer, she
+glanced at the little pile of notes which represented her share of the
+bargain. There were fifty. She had told Agapoulos that a distinguished
+foreigner with an introduction from someone she knew had paid ten pounds
+to be present. And because she had given Agapoulos the ten pounds,
+Agapoulos had agreed to admit the visitor.
+
+She could hear the Greek approaching now, but she was thinking of
+Grantham whom she had last seen in laughing conversation with the tall,
+gray-haired man. His laughter had appeared forced. Doubtless he grew
+weary of the woman he had brought to London.
+
+"Dance to-night with all the devil that is in you, my beautiful," said
+Agapoulos, hurrying into the room.
+
+Zahara turned aside, toying with the veils.
+
+"They are rich, eh?" she said indifferently.
+
+She was thinking of the fifty pounds which she had earned so easily; and
+after all (how strangely her mind wandered) perhaps he was really tired
+of the woman. The Spaniard had said so.
+
+"Very rich," murmured Agapoulos complacently.
+
+He brushed his moustache and rattled keys in his pocket. In his dress
+clothes he looked like the manager of a prosperous picture palace.
+"Safryeh!" he called.
+
+When presently the music commenced, the players concealed behind the
+tall screen, an expectant hush fell upon the wine-flushed company.
+Hassan, who played the darabukkeh, could modulate its throbbing so
+wonderfully.
+
+Zahara entered the room, enveloped from shoulders to ankles in a
+flame-coloured cloak. Between her lips she held a red rose.
+
+"By God, what a beauty!" said a husky voice.
+
+Zahara did not know which of the party had spoken, but she was conscious
+of the fact that by virtue of the strange witchcraft which became hers
+on such nights she held them all spell-bound. They were her slaves.
+
+Slowly she walked across the apartment while the throbbing of the Arab
+drum grew softer and softer, producing a weird effect of space and
+distance. All eyes were fixed upon her, and meeting Grantham's gaze she
+saw at last the Light there which she knew. This sudden knowledge of
+triumph almost unnerved her, and the rose which she had taken from
+between her lips trembled in her white fingers. Two of the petals fell
+upon the carpet, which was cream-coloured from the looms of Ispahan.
+Like blood spots the petals lay upon the cream surface.
+
+Zahara swung sharply about. Agapoulos, seated alone in the chair over
+which he had draped the leopard skin, was busily brushing his moustache
+and glancing sideways toward the screen which concealed Safryeh. Zahara
+tilted her head on to her shoulder and cast a languorous glance into the
+shadows masking the watchful Spaniard.
+
+She could see his eyes gleaming like those of a wild beast. An icy
+finger seemed to touch her heart. He had lied to her! She knew it,
+suddenly, intuitively. Well, she would see. She also had guile.
+
+With a little scornful laugh Zahara tossed the rose on to the knees--of
+Agapoulos.
+
+The sound of three revolver shots fired in quick succession rang out
+above the throbbing music. Agapoulos clutched at his shirt front with
+both hands, uttered a stifled scream and tried to stand up. He coughed,
+and glaring straight in front of him fell forward across a little coffee
+table laden with champagne bottles and glasses.
+
+Coincident with the crash made by his falling body came the loud bang of
+a door. The Spaniard had gone.
+
+"By God, sir! It's murder, it's murder!" cried the same husky voice
+which had commented upon the beauty of Zahara.
+
+There was a mingling, purposeless movement. Someone ran to the door--to
+find that it was locked from the outside. Mr. Eddie, now recognizable by
+his accent, came toward the prone man, dazed, horrified, and grown very
+white. Zahara, a beautiful, tragic figure, in her flaming cloak, stood
+looking down at the dead man. Safiyeh was peeping round from behind
+the screen, her face a brown mask of terror. Hassan, holding his drum,
+appeared behind her, staring stupidly. To the smell of cigar smoke and
+perfume a new and acrid odour was added.
+
+Vaguely the truth was stealing in upon the mind of the dancing-girl that
+she had been made party to a plot to murder Grantham. She had saved his
+life. He belonged to her now. She could hear him speaking, although
+for some reason she could not see him. A haze had come, blotting out
+everything but the still, ungainly figure which lay so near her upon
+the carpet, one clutching, fat hand, upon which a diamond glittered,
+outstretched so that it nearly touched her bare white feet.
+
+"We must get out this way! The side door to the courtyard! None of us
+can afford to be mixed up in an affair of this sort."
+
+There was more confused movement and a buzz of excited
+voices--meaningless, chaotic. Zahara could feel the draught from the
+newly opened door. A thin stream of blood was stealing across the
+carpet. It had almost reached the fallen rose petals, which it strangely
+resembled in colour under the light of the lanterns.
+
+As though dispersed by the draught, the haze lifted, and Zahara saw
+Grantham standing by the open doorway through which he had ushered out
+the other visitors.
+
+Wide-eyed and piteous she met his glance. She had seen that night the
+Look in his eyes. She had saved his life, and there was much, so
+much, that she wanted to tell him. A thousand yearnings, inexplicable,
+hitherto unknown, deep mysteries of her soul, looked out of those great
+eyes.
+
+"Don't think," he said tensely, "that I was deceived. I saw the trick
+with the rose! You are as guilty as your villainous lover! Murderess!"
+
+He went out and closed the door. The flame-coloured cloak slowly slipped
+from Zahara's shoulders, and the veils, like falling petals, began to
+drop gently one by one upon the blood-stained carpet.
+
+
+
+
+
+
+THE HAND OF THE MANDARIN QUONG
+
+
+
+
+
+I
+
+THE SHADOW ON THE CURTAIN
+
+
+
+"Singapore is by no means herself again," declared Jennings, looking
+about the lounge of the Hotel de l'Europe. "Don't you agree, Knox?"
+
+Burton fixed his lazy stare upon the speaker.
+
+"Don't blame poor old Singapore," he said. "There is no spot in this
+battered world that I have succeeded in discovering which is not changed
+for the worse."
+
+Dr. Matheson flicked ash from his cigar and smiled in that peculiarly
+happy manner which characterizes a certain American type and which lent
+a boyish charm to his personality.
+
+"You are a pair of pessimists," he pronounced. "For some reason best
+known to themselves Jennings and Knox have decided upon a Busman's
+Holiday. Very well. Why grumble?"
+
+"You are quite right, Doctor," Jennings admitted. "When I was on service
+here in the Straits Settlements I declared heaven knows how often that
+the country would never see me again once I was demobbed. Yet here you
+see I am; Burton belongs here; but here's Knox, and we are all as fed up
+as we can be!"
+
+"Yes," said Burton slowly. "I may be a bit tired of Singapore. It's a
+queer thing, though, that you fellows have drifted back here again. The
+call of the East is no fable. It's a call that one hears for ever."
+
+The conversation drifted into another channel, and all sorts of topics
+were discussed, from racing to the latest feminine fashions, from
+ballroom dances to the merits and demerits of coalition government. Then
+suddenly:
+
+"What became of Adderley?" asked Jennings.
+
+There were several men in the party who had been cronies of ours during
+the time that we were stationed in Singapore, and at Jennings's words
+a sort of hush seemed to fall on those who had known Adderley. I cannot
+say if Jennings noticed this, but it was perfectly evident to me that
+Dr. Matheson had perceived it, for he glanced swiftly across in my
+direction in an oddly significant way.
+
+"I don't know," replied Burton, who was an engineer. "He was rather an
+unsavoury sort of character in some ways, but I heard that he came to a
+sticky end."
+
+"What do you mean?" I asked with curiosity, for I myself had often
+wondered what had become of Adderley.
+
+"Well, he was reported to his C. O., or something, wasn't he, just
+before the time for his demobilization? I don't know the particulars; I
+thought perhaps you did, as he was in your regiment."
+
+"I have heard nothing whatever about it," I replied.
+
+"You mean Sidney Adderley, the man who was so indecently rich?" someone
+interjected. "Had a place at Katong, and was always talking about his
+father's millions?"
+
+"That's the fellow."
+
+"Yes," said Jennings, "there was some scandal, I know, but it was after
+my time here."
+
+"Something about an old mandarin out Johore Bahru way, was it not?"
+asked Burton. "The last thing I heard about Adderley was that he had
+disappeared."
+
+"Nobody would have cared much if he had," declared Jennings. "I know
+of several who would have been jolly glad. There was a lot of the brute
+about Adderley, apart from the fact that he had more money than was good
+for him. His culture was a veneer. It was his check-book that spoke all
+the time."
+
+"Everybody would have forgiven Adderley his vulgarity," said Dr.
+Matheson, quietly, "if the man's heart had been in the right place."
+
+"Surely an instance of trying to make a silk purse out of a sow's ear,"
+someone murmured.
+
+Burton gazed rather hard at the last speaker.
+
+"So far as I am aware," he said, "the poor devil is dead, so go easy."
+
+"Are you sure he is dead?" asked Dr. Matheson, glancing at Burton in
+that quizzical, amused way of his.
+
+"No, I am not sure; I am merely speaking from hearsay. And now I come
+to think of it, the information was rather vague. But I gathered that he
+had vanished, at any rate, and remembering certain earlier episodes in
+his career, I was led to suppose that this vanishing meant------"
+
+He shrugged his shoulders significantly.
+
+"You mean the old mandarin?" suggested Dr. Matheson.
+
+"Yes."
+
+"Was there really anything in that story, or was it suggested by the
+unpleasant reputation of Adderley?" Jennings asked.
+
+"I can settle any doubts upon that point," said I; whereupon I
+immediately became a focus of general attention.
+
+"What! were you ever at that place of Adderley's at Katong?" asked
+Jennings with intense curiosity.
+
+I nodded, lighting a fresh cigarette in a manner that may have been
+unduly leisurely.
+
+"Did you see her?"
+
+Again I nodded.
+
+"Really!"
+
+"I must have been peculiarly favoured, but certainly I had that
+pleasure."
+
+"You speak of seeing her," said one of the party, now entering the
+conversation for the first time. "To whom do you refer?"
+
+"Well," replied Burton, "it's really a sort of fairy tale--unless
+Knox"--glacing across in my direction--"can confirm it. But there was a
+story current during the latter part of Adderley's stay in Singapore to
+the effect that he had made the acquaintance of the wife, or some member
+of the household, of an old gentleman out Johore Bahru way--sort of
+mandarin or big pot among the Chinks."
+
+"It was rumoured that he had bolted with her," added another speaker.
+
+"I think it was more than a rumour."
+
+"Why do you say so?"
+
+"Well, representations were made to the authorities, I know for an
+absolute certainty, and I have an idea that Adderley was kicked out of
+the Service as a consequence of the scandal which resulted."
+
+"How is it one never heard of this?"
+
+"Money speaks, my dear fellow," cried Burton, "even when it is possessed
+by such a peculiar outsider as Adderley. The thing was hushed up. It was
+a very nasty business. But Knox was telling us that he had actually seen
+the lady. Please carry on, Knox, for I must admit that I am intensely
+curious."
+
+"I can only say that I saw her on one occasion."
+
+"With Adderley?"
+
+"Undoubtedly."
+
+"Where?"
+
+"At his place at Katong."
+
+"I even thought his place at that resort was something of a myth,"
+declared Jennings. "He never asked me to go there, but, then, I took
+that as a compliment. Pardon the apparent innuendo, Knox," he added,
+laughing. "But you say you actually visited the establishment?"
+
+"Yes," I replied slowly, "I met him here in this very hotel one evening
+in the winter of '15, after the natives' attempt to mutiny. He had been
+drinking rather heavily, a fact which he was quite unable to disguise.
+He was never by any means a real friend of mine; in fact, I doubt that
+he had a true friend in the world. Anyhow, I could see that he was
+lonely, and as I chanced to be at a loose end I accepted an invitation
+to go over to what he termed his 'little place at Katong.'
+
+"His little place proved to be a veritable palace. The man privately, or
+rather, secretly, to be exact, kept up a sort of pagan state. He had any
+number of servants. Of course he became practically a millionaire after
+the death of his father, as you will remember; and given more congenial
+company, I must confess that I might have spent a most enjoyable evening
+there.
+
+"Adderley insisted upon priming me with champagne, and after a while I
+may as well admit that I lost something of my former reserve, and began
+in a fashion to feel that I was having a fairly good time. By the way,
+my host was not quite frankly drunk. He got into that objectionable and
+dangerous mood which some of you will recall, and I could see by the
+light in his eyes that there was mischief brewing, although at the time
+I did not know its nature.
+
+"I should explain that we were amusing ourselves in a room which was
+nearly as large as the lounge of this hotel, and furnished in a somewhat
+similar manner. There were carved pillars and stained glass domes,
+a little fountain, and all those other peculiarities of an Eastern
+household.
+
+"Presently, Adderley gave an order to one of his servants, and glanced
+at me with that sort of mocking, dare-devil look in his eyes which I
+loathed, which everybody loathed who ever met the man. Of course I had
+no idea what all this portended, but I was very shortly to learn.
+
+"While he was still looking at me, but stealing side-glances at a
+doorway before which was draped a most wonderful curtain of a sort of
+flamingo colour, this curtain was suddenly pulled aside, and a girl came
+in.
+
+"Of course, you must remember that at the time of which I am speaking
+the scandal respecting the mandarin had not yet come to light.
+Consequently I had no idea who the girl could be. I saw she was a
+Eurasian. But of her striking beauty there could be no doubt whatever.
+She was dressed in magnificent robes, and she literally glittered with
+jewels. She even wore jewels upon the toes of her little bare feet. But
+the first thing that struck me at the moment of her appearance was that
+her presence there was contrary to her wishes and inclinations. I have
+never seen a similar expression in any woman's eyes. She looked at
+Adderley as though she would gladly have slain him!
+
+"Seeing this look, his mocking smile in which there was something
+of triumph--of the joy of possession--turned to a scowl of positive
+brutality. He clenched his fists in a way that set me bristling. He
+advanced toward the girl--and although the width of the room divided
+them, she recoiled--and the significance of expression and gesture was
+unmistakable. Adderley paused.
+
+"'So you have made up your mind to dance after all?' he shouted.
+
+"The look in the girl's dark eyes was pitiful, and she turned to me with
+a glance of dumb entreaty.
+
+"'No, no!' she cried. 'No, no! Why do you bring me here?'
+
+"'Dance!' roared Adderley. 'Dance! That's what I want you to do.'
+
+"Rebellion leapt again to the wonderful eyes, and she started back with
+a perfectly splendid gesture of defiance. At that my brutal and drunken
+host leapt in her direction. I was on my feet now, but before I could
+act the girl said a thing which checked him, sobered him, which pulled
+him up short, as though he had encountered a stone wall.
+
+"'Ah, God!' she said. (She was speaking, of course, in her native
+tongue.) 'His hand! His hand! Look! His hand!'
+
+"To me her words were meaningless, naturally, but following the
+direction of her positively agonized glance I saw that she was watching
+what seemed to me to be the shadow of someone moving behind the
+flame-like curtain which produced an effect not unlike that of a huge,
+outstretched hand, the fingers crooked, claw-fashion.
+
+"'Knox, Knox!' whispered Adderley, grasping me by the shoulder.
+
+"He pointed with a quivering finger toward this indistinct shadow upon
+the curtain, and:
+
+"'Do you see it--do you see it?' he said huskily. 'It is his hand--it is
+his hand!'
+
+"Of the pair, I think, the man was the more frightened. But the girl,
+uttering a frightful shriek, ran out of the room as though pursued by
+a demon. As she did so whoever had been moving behind the curtain
+evidently went away. The shadow disappeared, and Adderley, still staring
+as if hypnotized at the spot where it had been, continued to hold my
+shoulder as in a vise. Then, sinking down upon a heap of cushions beside
+me, he loudly and shakily ordered more champagne.
+
+"Utterly mystified by the incident, I finally left him in a state of
+stupor, and returned to my quarters, wondering whether I had dreamed
+half of the episode or the whole of it, whether he did really possess
+that wonderful palace, or whether he had borrowed it to impress me."
+
+I ceased speaking, and my story was received in absolute silence, until:
+
+"And that is all you know?" said Burton.
+
+"Absolutely all. I had to leave about that time, you remember, and
+afterward went to France."
+
+"Yes, I remember. It was while you were away that the scandal arose
+respecting the mandarin. Extraordinary story, Knox. I should like to
+know what it all meant, and what the end of it was."
+
+Dr. Matheson broke his long silence.
+
+"Although I am afraid I cannot enlighten you respecting the end of the
+story," he said quietly, "perhaps I can carry it a step further."
+
+"Really, Doctor? What do you know about the matter?"
+
+"I accidentally became implicated as follows," replied the American: "I
+was, as you know, doing voluntary surgical work near Singapore at the
+time, and one evening, presumably about the same period of which Knox is
+speaking, I was returning from the hospital at Katong, at which I acted
+sometimes as anaesthetist, to my quarters in Singapore; just drifting
+along, leisurely by the edge of the gardens admiring the beauty of the
+mangroves and the deceitful peace of the Eastern night.
+
+"The hour was fairly late and not a soul was about. Nothing
+disturbed the silence except those vague sibilant sounds which are
+so characteristic of the country. Presently, as I rambled on with my
+thoughts wandering back to the dim ages, I literally fell over a man who
+lay in the road.
+
+"I was naturally startled, but I carried an electric pocket torch, and
+by its light I discovered that the person over whom I had fallen was a
+dignified-looking Chinaman, somewhat past middle age. His clothes, which
+were of good quality, were covered with dirt and blood, and he bore all
+the appearance of having recently been engaged in a very tough struggle.
+His face was notable only for its possession of an unusually long
+jet-black moustache. He had swooned from loss of blood."
+
+"Why, was he wounded?" exclaimed Jennings.
+
+"His hand had been nearly severed from his wrist!"
+
+"Merciful heavens!"
+
+"I realized the impossibility of carrying him so far as the hospital,
+and accordingly I extemporized a rough tourniquet and left him under
+a palm tree by the road until I obtained assistance. Later, at the
+hospital, following a consultation, we found it necessary to amputate."
+
+"I should say he objected fiercely?"
+
+"He was past objecting to anything, otherwise I have no doubt he would
+have objected furiously. The index finger of the injured hand had one of
+those preternaturally long nails, protected by an engraved golden case.
+However, at least I gave him a chance of life. He was under my care for
+some time, but I doubt if ever he was properly grateful. He had an iron
+constitution, though, and I finally allowed him to depart. One queer
+stipulation he had made--that the severed hand, with its golden
+nail-case, should be given to him when he left hospital. And this
+bargain I faithfully carried out."
+
+"Most extraordinary," I said. "Did you ever learn the identity of the
+old gentleman?"
+
+"He was very reticent, but I made a number of inquiries, and finally
+learned with absolute certainty, I think, that he was the Mandarin Quong
+Mi Su from Johore Bahru, a person of great repute among the Chinese
+there, and rather a big man in China. He was known locally as the
+Mandarin Quong."
+
+"Did you learn anything respecting how he had come by his injury,
+Doctor?"
+
+Matheson smiled in his quiet fashion, and selected a fresh cigar with
+great deliberation. Then:
+
+"I suppose it is scarcely a case of betraying a professional secret,"
+he said, "but during the time that my patient was recovering from the
+effects of the anaesthetic he unconsciously gave me several clues to
+the nature of the episode. Putting two and two together I gathered that
+someone, although the name of this person never once passed the lips of
+the mandarin, had abducted his favourite wife."
+
+"Good heavens! truly amazing," I exclaimed.
+
+"Is it not? How small a place the world is. My old mandarin had traced
+the abductor and presumably the girl to some house which I gathered
+to be in the neighbourhood of Katong. In an attempt to force an
+entrance--doubtless with the amiable purpose of slaying them both--he
+had been detected by the prime object of his hatred. In hurriedly
+descending from a window he had been attacked by some weapon, possibly
+a sword, and had only made good his escape in the condition in which I
+found him. How far he had proceeded I cannot say, but I should imagine
+that the house to which he had been was no great distance from the spot
+where I found him."
+
+"Comment is really superfluous," remarked Burton. "He was looking for
+Adderley."
+
+"I agree," said Jennings.
+
+"And," I added, "it was evidently after this episode that I had the
+privilege of visiting that interesting establishment."
+
+There was a short interval of silence; then:
+
+"You probably retain no very clear impression of the shadow which you
+saw," said Dr. Matheson, with great deliberation. "At the time perhaps
+you had less occasion particularly to study it. But are you satisfied
+that it was really caused by someone moving behind the curtain?"
+
+I considered his question for a few moments.
+
+"I am not," I confessed. "Your story, Doctor, makes me wonder whether it
+may not have been due to something else."
+
+"What else can it have been due to?" exclaimed Jennings
+contemptuously--"unless to the champagne?"
+
+"I won't quote Shakespeare," said Dr. Matheson, smiling in his odd way.
+"The famous lines, though appropriate, are somewhat overworked. But I
+will quote Kipling: 'East is East, and West is West.'"
+
+
+
+
+II
+
+THE LADY OF KATONG
+
+
+
+Fully six months had elapsed, and on returning from Singapore I had
+forgotten all about Adderley and the unsavoury stories connected with
+his reputation. Then, one evening as I was strolling aimlessly along
+St. James's Street, wondering how I was going to kill time--for almost
+everyone I knew was out of town, including Paul Harley, and London can
+be infinitely more lonely under such conditions than any desert--I saw a
+thick-set figure approaching along the other side of the street.
+
+The swing of the shoulders, the aggressive turn of the head, were
+vaguely familiar, and while I was searching my memory and endeavouring
+to obtain a view of the man's face, he stared across in my direction.
+
+It was Adderley.
+
+He looked even more debauched than I remembered him, for whereas in
+Singapore he had had a tanned skin, now he looked unhealthily pallid and
+blotchy. He raised his hand, and:
+
+"Knox!" he cried, and ran across to greet me.
+
+His boisterous manner and a sort of coarse geniality which he possessed
+had made him popular with a certain set in former days, but I, who
+knew that this geniality was forced, and assumed to conceal a sort of
+appalling animalism, had never been deceived by it. Most people found
+Adderley out sooner or later, but I had detected the man's true nature
+from the very beginning. His eyes alone were danger signals for any
+amateur psychologist. However, I greeted him civilly enough:
+
+"Bless my soul, you are looking as fit as a fiddle!" he cried. "Where
+have you been, and what have you been doing since I saw you last?"
+
+"Nothing much," I replied, "beyond trying to settle down in a reformed
+world."
+
+"Reformed world!" echoed Adderley. "More like a ruined world it has
+seemed to me."
+
+He laughed loudly. That he had already explored several bottles was
+palpable.
+
+We were silent for a while, mentally weighing one another up, as it
+were. Then:
+
+"Are you living in town?" asked Adderley.
+
+"I am staying at the Carlton at the moment," I replied. "My chambers are
+in the hands of the decorators. It's awkward. Interferes with my work."
+
+"Work!" cried Adderley. "Work! It's a nasty word, Knox. Are you doing
+anything now?"
+
+"Nothing, until eight o'clock, when I have an appointment."
+
+"Come along to my place," he suggested, "and have a cup of tea, or a
+whisky and soda if you prefer it."
+
+Probably I should have refused, but even as he spoke I was mentally
+translated to the lounge of the Hotel de l'Europe, and prompted by a
+very human curiosity I determined to accept his invitation. I wondered
+if Fate had thrown an opportunity in my way of learning the end of the
+peculiar story which had been related on that occasion.
+
+I accompanied Adderley to his chambers, which were within a stone's
+throw of the spot where I had met him. That this gift for making himself
+unpopular with all and sundry, high and low, had not deserted him, was
+illustrated by the attitude of the liftman as we entered the hall of the
+chambers. He was barely civil to Adderley and even regarded myself with
+marked disfavour.
+
+We were admitted by Adderley's man, whom I had not seen before, but who
+was some kind of foreigner, I think a Portuguese. It was characteristic
+of Adderley. No Englishman would ever serve him for long, and there
+had been more than one man in his old Company who had openly avowed his
+intention of dealing with Adderley on the first available occasion.
+
+His chambers were ornately furnished; indeed, the room in which we sat
+more closely resembled a scene from an Oscar Asche production than a
+normal man's study. There was something unreal about it all. I have
+since thought that this unreality extended to the person of the man
+himself. Grossly material, he yet possessed an aura of mystery, mystery
+of an unsavoury sort. There was something furtive, secretive, about
+Adderley's entire mode of life.
+
+I had never felt at ease in his company, and now as I sat staring
+wonderingly at the strange and costly ornaments with which the room was
+overladen I bethought me of the object of my visit. How I should have
+brought the conversation back to our Singapore days I know not, but a
+suitable opening was presently offered by Adderley himself.
+
+"Do you ever see any of the old gang?" he inquired.
+
+"I was in Singapore about six months ago," I replied, "and I met some of
+them again."
+
+"What! Had they drifted back to the East after all?"
+
+"Two or three of them were taking what Dr. Matheson described as a
+Busman's Holiday."
+
+At mention of Dr. Matheson's name Adderley visibly started.
+
+"So you know Matheson," he murmured. "I didn't know you had ever met
+him."
+
+Plainly to hide his confusion he stood up, and crossing the room drew
+my attention to a rather fine silver bowl of early Persian ware. He was
+displaying its peculiar virtues and showing a certain acquaintance with
+his subject when he was interrupted. A door opened suddenly and a girl
+came in. Adderley put down the bowl and turned rapidly as I rose from my
+seat.
+
+It was the lady of Katong!
+
+I recognized her at once, although she wore a very up-to-date gown.
+While it did not suit her dark good looks so well as the native dress
+which she had worn at Singapore, yet it could not conceal the fact that
+in a barbaric way she was a very beautiful woman. On finding a visitor
+in the room she became covered with confusion.
+
+"Oh," she said, speaking in Hindustani. "Why did you not tell me there
+was someone here?"
+
+Adderley's reply was characteristically brutal.
+
+"Get out," he said. "You fool."
+
+I turned to go, for I was conscious of an intense desire to attack my
+host. But:
+
+"Don't go, Knox, don't go!" he cried. "I am sorry, I am damned sorry,
+I------"
+
+He paused, and looked at me in a queer sort of appealing way. The girl,
+her big eyes widely open, retreated again to the door, with curious
+lithe steps, characteristically Oriental. The door regained, she paused
+for a moment and extended one small hand in Adderley's direction.
+
+"I hate you," she said slowly, "hate you! Hate you!"
+
+She went out, quietly closing the door behind her. Adderley turned to me
+with an embarrassed laugh.
+
+"I know you think I am a brute and an outsider," he said, "and perhaps I
+am. Everybody says I am, so I suppose there must be something in it.
+But if ever a man paid for his mistakes I have paid for mine, Knox. Good
+God, I haven't a friend in the world."
+
+"You probably don't deserve one," I retorted.
+
+"I know I don't, and that's the tragedy of it," he replied. "You may
+not believe it, Knox; I don't expect anybody to believe me; but for more
+than a year I have been walking on the edge of Hell. Do you know where I
+have been since I saw you last?"
+
+I shook my head in answer.
+
+"I have been half round the world, Knox, trying to find peace."
+
+"You don't know where to look for it," I said.
+
+"If only you knew," he whispered. "If only you knew," and sank down upon
+the settee, ruffling his hair with his hands and looking the picture of
+haggard misery. Seeing that I was still set upon departure:
+
+"Hold on a bit, Knox," he implored. "Don't go yet. There is something I
+want to ask you, something very important."
+
+He crossed to a sideboard and mixed himself a stiff whisky-and-soda. He
+asked me to join him, but I refused.
+
+"Won't you sit down again?"
+
+I shook my head.
+
+"You came to my place at Katong once," he began abruptly. "I was damned
+drunk, I admit it. But something happened, do you remember?"
+
+I nodded.
+
+"This is what I want to ask you: Did you, or did you not, see that
+shadow?"
+
+I stared him hard in the face.
+
+"I remember the episode to which you refer," I replied. "I certainly saw
+a shadow."
+
+"But what sort of shadow?"
+
+"To me it seemed an indefinite, shapeless thing, as though caused by
+someone moving behind the curtain."
+
+"It didn't look to you like--the shadow of a hand?"
+
+"It might have been, but I could not be positive."
+
+Adderley groaned.
+
+"Knox," he said, "money is a curse. It has been a curse to me. If I have
+had my fun, God knows I have paid for it."
+
+"Your idea of fun is probably a peculiar one," I said dryly.
+
+Let me confess that I was only suffering the man's society because of
+an intense curiosity which now possessed me on learning that the lady of
+Katong was still in Adderley's company.
+
+Whether my repugnance for his society would have enabled me to remain
+any longer I cannot say. But as if Fate had deliberately planned that I
+should become a witness of the concluding phases of this secret drama,
+we were now interrupted a second time, and again in a dramatic fashion.
+
+Adderley's nondescript valet came in with letters and a rather large
+brown paper parcel sealed and fastened with great care.
+
+As the man went out:
+
+"Surely that is from Singapore," muttered Adderley, taking up the
+parcel.
+
+He seemed to become temporarily oblivious of my presence, and his face
+grew even more haggard as he studied the writing upon the wrapper.
+With unsteady fingers he untied it, and I lingered, watching curiously.
+Presently out from the wrappings he took a very beautiful casket of
+ebony and ivory, cunningly carved and standing upon four claw-like ivory
+legs.
+
+"What the devil's this?" he muttered.
+
+He opened the box, which was lined with sandal-wood, and thereupon
+started back with a great cry, recoiling from the casket as though
+it had contained an adder. My former sentiments forgotten, I stepped
+forward and peered into the interior. Then I, in turn, recoiled.
+
+In the box lay a shrivelled yellow hand--with long tapering and
+well-manicured nails--neatly severed at the wrist!
+
+The nail of the index finger was enclosed in a tiny, delicately
+fashioned case of gold, upon which were engraved a number of Chinese
+characters.
+
+Adderley sank down again upon the settee.
+
+"My God!" he whispered, "his hand! His hand! He has sent me his hand!"
+
+He began laughing. Whereupon, since I could see that the man was
+practically hysterical because of his mysterious fears:
+
+"Stop that," I said sharply. "Pull yourself together, Adderley. What the
+deuce is the matter with you?"
+
+"Take it away!" he moaned, "take it away. Take the accursed thing away!"
+
+"I admit it is an unpleasant gift to send to anybody," I said, "but
+probably you know more about it than I do."
+
+"Take it away," he repeated. "Take it away, for God's sake, take it
+away, Knox!"
+
+He was quite beyond reason, and therefore:
+
+"Very well," I said, and wrapped the casket in the brown paper in which
+it had come. "What do you want me to do with it?"
+
+"Throw it in the river," he answered. "Burn it. Do anything you like
+with it, but take it out of my sight!"
+
+
+
+
+III
+
+THE GOLD-CASED NAIL
+
+
+
+As I descended to the street the liftman regarded me in a curious and
+rather significant way. Finally, just as I was about to step out into
+the hall:
+
+"Excuse me, sir," he said, having evidently decided that I was a fit
+person to converse with, "but are you a friend of Mr. Adderley's?"
+
+"Why do you ask?"
+
+"Well, sir, I hope you will excuse me, but at times I have thought the
+gentleman was just a little bit queer, like."
+
+"You mean insane?" I asked sharply.
+
+"Well, sir, I don't know, but he is always asking me if I can see
+shadows and things in the lift, and sometimes when he comes in late of a
+night he absolutely gives me the cold shivers, he does."
+
+I lingered, the box under my arm, reluctant to obtain confidences from a
+servant, but at the same time keenly interested. Thus encouraged:
+
+"Then there's that lady friend of his who is always coming here," the
+man continued. "She's haunted by shadows, too." He paused, watching me
+narrowly.
+
+"There's nothing better in this world than a clean conscience, sir," he
+concluded.
+
+*****
+
+Having returned to my room at the hotel, I set down the mysterious
+parcel, surveying it with much disfavour. That it contained the hand of
+the Mandarin Quong I could not doubt, the hand which had been amputated
+by Dr. Matheson. Its appearance in that dramatic fashion confirmed
+Matheson's idea that the mandarin's injury had been received at the
+hands of Adderley. What did all this portend, unless that the Mandarin
+Quong was dead? And if he were dead why was Adderley more afraid of him
+dead than he had been of him living?
+
+I thought of the haunting shadow, I thought of the night at Katong, and
+I thought of Dr. Matheson's words when he had told us of his discovery
+of the Chinaman lying in the road that night outside Singapore.
+
+I felt strangely disinclined to touch the relic, and it was only after
+some moments' hesitation that I undid the wrappings and raised the lid
+of the casket. Dusk was very near and I had not yet lighted the lamps;
+therefore at first I doubted the evidence of my senses. But having
+lighted up and peered long and anxiously into the sandal-wood lining of
+the casket I could doubt no longer.
+
+The casket was empty!
+
+It was like a conjuring trick. That the hand had been in the box when
+I had taken it up from Adderley's table I could have sworn before any
+jury. When and by whom it had been removed was a puzzle beyond my powers
+of unravelling. I stepped toward the telephone--and then remembered that
+Paul Harley was out of London. Vaguely wondering if Adderley had played
+me a particularly gruesome practical joke, I put the box on a sideboard
+and again contemplated the telephone doubtfully far a moment. It was in
+my mind to ring him up. Finally, taking all things into consideration,
+I determined that I would have nothing further to do with the man's
+unsavoury and mysterious affairs.
+
+It was in vain, however, that I endeavoured to dismiss the matter from
+my mind; and throughout the evening, which I spent at a theatre with
+some American friends, I found myself constantly thinking of Adderley
+and the ivory casket, of the mandarin of Johore Bahru, and of the
+mystery of the shrivelled yellow hand.
+
+I had been back in my room about half an hour, I suppose, and it was
+long past midnight, when I was startled by a ringing of my telephone
+bell. I took up the receiver, and:
+
+"Knox! Knox!" came a choking cry.
+
+"Yes, who is speaking?"
+
+"It is I, Adderley. For God's sake come round to my place at once!"
+
+His words were scarcely intelligible. Undoubtedly he was in the grip of
+intense emotion.
+
+"What do you mean? What is the matter?"
+
+"It is here, Knox, it is here! It is knocking on the door! Knocking!
+Knocking!"
+
+"You have been drinking," I said sternly. "Where is your man?"
+
+"The cur has bolted. He bolted the moment he heard that damned knocking.
+I am all alone; I have no one else to appeal to." There came a choking
+sound, then: "My God, Knox, it is getting in! I can see... the shadow on
+the blind..."
+
+Convinced that Adderley's secret fears had driven him mad, I
+nevertheless felt called upon to attend to his urgent call, and without
+a moment's delay I hurried around to St. James's Street. The liftman was
+not on duty, the lower hall was in darkness, but I raced up the stairs
+and found to my astonishment that Adderley's door was wide open.
+
+"Adderley!" I cried. "Adderley!"
+
+There was no reply, and without further ceremony I entered and searched
+the chambers. They were empty. Deeply mystified, I was about to go out
+again when there came a ring at the door-bell. I walked to the door and
+a policeman was standing upon the landing.
+
+"Good evening, sir," he said, and then paused, staring at me curiously.
+
+"Good evening, constable," I replied.
+
+"You are not the gentleman who ran out awhile ago," he said, a note of
+suspicion coming into his voice.
+
+I handed him my card and explained what had occurred, then:
+
+"It must have been Mr. Adderley I saw," muttered the constable.
+
+"You saw--when?"
+
+"Just before you arrived, sir. He came racing out into St. James's
+Street and dashed off like a madman."
+
+"In which direction was he going?"
+
+"Toward Pall Mall."
+
+*****
+
+The neighbourhood was practically deserted at that hour. But from
+the guard on duty before the palace we obtained our first evidence
+of Adderley's movements. He had raced by some five minutes before,
+frantically looking back over his shoulder and behaving like a man
+flying for his life. No one else had seen him. No one else ever did see
+him alive. At two o'clock there was no news, but I had informed Scotland
+Yard and official inquiries had been set afoot.
+
+Nothing further came to light that night, but as all readers of the
+daily press will remember, Adderley's body was taken out of the pond in
+St. James's Park on the following day. Death was due to drowning, but
+his throat was greatly discoloured as though it had been clutched in a
+fierce grip.
+
+It was I who identified the body, and as many people will know, in spite
+of the closest inquiries, the mystery of Adderley's death has not been
+properly cleared up to this day. The identity of the lady who visited
+him at his chambers was never discovered. She completely disappeared.
+
+The ebony and ivory casket lies on my table at this present moment,
+visible evidence of an invisible menace from which Adderley had fled
+around the world.
+
+Doubtless the truth will never be known now. A significant discovery,
+however, was made some days after the recovery of Adderley's body.
+
+From the bottom of the pond in St. James's Park a patient Scotland
+Yard official brought up the gold nail-case with its mysterious
+engravings--and it contained, torn at the root, the incredibly long
+finger-nail of the Mandarin Quong!
+
+
+
+
+
+
+THE KEY OF THE TEMPLE OF HEAVEN
+
+
+
+
+
+I
+
+THE KEEPER OF THE KEY
+
+
+
+The note of a silver bell quivered musically through the scented air of
+the ante-room. Madame de Medici stirred slightly upon the divan with its
+many silken cushions, turning her head toward the closed door with the
+languorous, almost insolent, indifference which one perceives in the
+movements of a tigress. Below, in the lobby, where the pillars of
+Mokattam alabaster upheld the painted roof, the little yellow man from
+Pekin shivered slightly, although the air was warm for Limehouse, and
+always turned his mysterious eyes toward a corner of the great staircase
+which was visible from where he sat, coiled up, a lonely figure in the
+mushrabiyeh chair. Madame blew a wreath of smoke from her lips, and,
+through half-closed eyes, watched it ascend, unbroken, toward the canopy
+of cloth-of-gold which masked the ceiling. A Madonna by Leonardo da
+Vinci faced her across the apartment, the painted figure seeming to
+watch the living one upon the divan. Madame smiled into the eyes of the
+Madonna. Surely even the great Leonardo must have failed to reproduce
+that smile--the great Leonardo whose supreme art has captured the smile
+of Mona Lisa. Madame had the smile of Cleopatra, which, it is said, made
+Caesar mad, though in repose the beauty of Egypt's queen left him
+cold. A robe of Kashmiri silk, fine with a phantom fineness, draped her
+exquisite shape as the art of Cellini draped the classic figures which
+he wrought in gold and silver; it seemed incorporate with her beauty.
+
+A second wreath of smoke curled upward to the canopy, and Madame watched
+this one also through the veil of her curved black lashes, as the
+Eastern woman watches the world through her veil. Those eyes were
+notable even in so lovely a setting, for they were of a hue rarely seen
+in human eyes, being like the eyes of a tigress; yet they could seem
+voluptuously soft, twin pools of liquid amber, in whose depths a man
+might lose his soul.
+
+Again the silver bell sounded in the ante-room, and, below, the little
+yellow man shivered sympathetically. Again Madame stirred with that high
+disdain that so became her, who had the eyes of a tigress. Her carmine
+lips possessed the antique curve which we are told distinguished the
+lips of the Comtesse de Cagliostro; her cheeks had the freshness of
+flowers, and her hair the blackness of ebony, enhancing the miracle of
+her skin, which had the whiteness of ivory--not of African ivory, but
+of that fossil ivory which has lain for untold ages beneath the snows of
+Siberia.
+
+She dropped the cigarette from her tapered fingers into a little silver
+bowl upon a table at her side, then lightly touched the bell which
+stood there also. Its soft note answered to the bell in the ante-room; a
+white-robed Chinese servant silently descended the great staircase,
+his soft red slippers sinking into the rich pile of the carpet; and the
+little yellow man from the great temple in Pekin followed him back up
+the stairway and was ushered into the presence of Madame de Medici.
+
+The servant closed the door silently and the little yellow man, fixing
+his eyes upon the beautiful woman before him, fell upon his knees and
+bowed his forehead to the carpet.
+
+Madame's lovely lips curved again in the disdainful smile, and she
+extended one bare ivory arm toward the visitor who knelt as a suppliant
+at her feet.
+
+"Rise, my friend!" she said, in purest Chinese, which fell from her lips
+with the music of a crystal spring. "How may I serve you?"
+
+The yellow man rose and advanced a step nearer to the divan, but the
+strange beauty of Madame had spoken straight to his Eastern heart, had
+awakened his soul to a new life. His glance travelled over the vision
+before him, from the little Persian slipper that peeped below the
+drapery of Kashmir silk to the small classic head with its crown of ebon
+locks; yet he dared not meet the glance of the amber eyes.
+
+"Sit here beside me," directed Madame, and she slightly changed her
+position with that languorous and lithe grace suggestive of a creature
+of the jungle.
+
+Breathing rapidly betwixt the importance of his mission and a new,
+intoxicating emotion which had come upon him at the moment of entering
+the perfumed room, the yellow man obeyed, but always with glance averted
+from the taunting face of Madame. A golden incense-burner stood upon the
+floor, over between the high, draped windows, and a faint pencil from
+its dying fires stole grayly upward. Upon the scented smoke the Buddhist
+priest fixed his eyes, and began, with a rapidity that grew as he
+proceeded, to pour out his tale. Seated beside him, one round arm
+resting upon the cushions so as almost to touch him, Madame listened,
+watching the averted yellow face, and always smiling--smiling.
+
+The tale was done at last; the incense-burner was cold, and breathlessly
+the Buddhist clutched his knees with lean, clawish fingers and swayed to
+and fro, striving to conquer the emotions that whirled and fought within
+him. Selecting another cigarette from the box beside her, and lighting
+it deliberately, Madame de Medici spoke.
+
+"My friend of old," she said, and of the language of China she made
+strange music, "you come to me from your home in the secret city,
+because you know that I can serve you. It is enough."
+
+She touched the bell upon the table, and the white-robed servant
+reentered, and, bowing low, held open the door. The little yellow man,
+first kneeling upon the carpet before the divan as before an altar,
+hurried from the apartment. As the door was reclosed, and Madame found
+herself alone again, she laughed lightly, as Calypso laughed when
+Ulysses' ship appeared off the shores of her isle.
+
+God fashions few such women. It is well.
+
+
+
+
+II
+
+THE TIGER LADY
+
+
+
+"By heavens, Annesley!" whispered Rene Deacon, "what eyes that woman
+has!" His companion, following the direction of Deacon's glance, nodded
+rather grimly.
+
+"The eyes of a Circe, or at times the eyes of a tigress."
+
+"She is magnificent!" murmured Deacon rapturously. "I have never seen so
+beautiful a woman."
+
+His glance followed the tall figure as it passed into a smaller salon on
+the left; nor was he alone in his regard. Fashionable society was
+well represented in the gallery--where a collection of pictures by a
+celebrated artist was being shown; and prior to the entrance of the lady
+in the strangely fashioned tiger-skin cloak, the somewhat extraordinary
+works of art had engaged the interest even of the most fickle, but,
+from the moment the tiger-lady made her appearance, even the most daring
+canvases were forgotten.
+
+"She wears tiger-skin shoes!" whispered one.
+
+"She is like a design for a poster!" laughed another.
+
+"I have never seen anything so flashy in my life," was the acrid comment
+of a third.
+
+"What a dazzlingly beautiful woman!" remarked another--this one a man.
+While:
+
+"Who is she?" arose upon all sides.
+
+Judging from the isolation of the barbaric figure, it would seem that
+society did not know the tiger-lady, but Deacon, seizing his companion
+by the arm and almost dragging him into the small salon which the lady
+had entered, turned in the doorway and looked into Annesley's eyes.
+Annesley palpably sought to evade the glance.
+
+"You know everybody," whispered Deacon. "You must be acquainted with
+her."
+
+A great number of people were now thronging into the room, not so
+much because of the pictures it contained, but rather out of curiosity
+respecting the beautiful unknown. Annesley tried to withdraw; his
+uneasiness grew momentarily greater.
+
+"I scarcely know her well enough," he protested, "to present you.
+Moreover------"
+
+"But she's smiling at you!" interrupted Deacon eagerly.
+
+His handsome but rather weak face was flushed; he was, as an old clubman
+had recently said of him, "so very young." He lacked the restraint usual
+in cultured Englishmen, and had the frankly passionate manner which one
+associates with the South. His uncle, Colonel Deacon, a mordant wit,
+would say apologetically:
+
+"Reggie" (Deacon's father) "married a Gascon woman. She was delightfully
+pretty. Poor Reggie!"
+
+Certainly Rene was impetuous to an embarrassing degree, nor lightly to
+be thwarted. Boldly meeting the glance of the woman of the amber eyes,
+he pushed Annesley forward, not troubling to disguise his anxiety to be
+presented to the tiger-lady. She turned her head languidly, with that
+wild-animal grace of hers, and unsmiling now, regarded Annesley.
+
+"So you forget me so soon, Mr. Annesley," she murmured, "or is it that
+you play the good shepherd?"
+
+"My dear Madame," said Annesley, recovering with an effort his wonted
+sang-froid, "I was merely endeavouring to calm the rhapsodies of
+my friend, who seemed disposed to throw himself at your feet in
+knight-errant fashion."
+
+"He is a very handsome boy," murmured Madame; and as the great eyes
+were turned upon Deacon the carmine lips curved again in the Cleopatrian
+smile.
+
+She was indeed wonderful, for while she spoke as the woman of the world
+to the boy, there was nothing maternal in her patronage, and her eyes
+were twin flambeaux, luring--luring, and her sweet voice was a siren's
+song.
+
+"May I beg leave to present my friend, Mr. Rene Deacon, Madame de
+Medici?" said Annesley; and as the two exchanged glances--the boy's
+a glance of undisguised passionate admiration, the woman's a glance
+unfathomable--he slightly shrugged his shoulders and stood aside.
+
+There were others in the salon, who, perceiving that the unknown beauty
+was acquainted with Annesley, began to move from canvas to canvas toward
+that end of the room where the trio stood. But Madame did not appear
+anxious to make new acquaintances.
+
+"I have seen quite enough of this very entertaining exhibition," she
+said languidly, toying with a great unset emerald which swung by a thin
+gold chain about her neck. "Might I entreat you to take pity upon a very
+lonely woman and return with me to tea?"
+
+Annesley seemed on the point of refusing, when:
+
+"I have acquired a reputed Leonardo," continued Madame, "and I wish you
+to see it."
+
+There was something so like a command in the words that Deacon stared at
+his companion in frank surprise. The latter avoided his glance, and:
+
+"Come!" said Madame de Medici.
+
+As of old the great Catherine of her name might have withdrawn with her
+suite, so now the lady of the tiger skins withdrew from the gallery, the
+two men following obediently, and one of them at least a happy courtier.
+
+
+
+
+III
+
+TWIN POOLS OF AMBER
+
+
+
+The white-robed Chinese servant entered and placed fresh perfume upon
+the burning charcoal of the silver incense-burner. As the scented smoke
+began to rise he withdrew, and a second servant entered, who facially,
+in dress, in figure and bearing, was a duplicate of the first. This
+one carried a large tray upon which was set an exquisite porcelain
+tea-service. He placed the tray upon a low table beside the divan, and
+in turn withdrew.
+
+Deacon, seated in a great ebony chair, smoked rapidly and
+nervously--looking about the strangely appointed room with its huge
+picture of the Madonna, its jade Buddha surmounting a gilded Burmese
+cabinet, its Persian canopy and Egyptian divan, at the thousand and
+one costly curiosities which it displayed, at this mingling of East and
+West, of Christianity and paganism, with a growing wonder.
+
+To one of his blood there was delight, intoxication, in that room; but
+something of apprehension, too, now grew up within him.
+
+Madame de Medici entered. The garish motor-coat was discarded now, and
+her supple figure was seen to best advantage in one of those dark
+silken gowns which she affected, and which had a seeming of the
+ultra-fashionable because they defied fashion. She held in her hand an
+orchid, its structure that of an odontoglossum, but of a delicate green
+colour heavily splashed with scarlet--a weird and unnatural-looking
+bloom.
+
+Just within the doorway she paused, as Deacon leaped up, and looked at
+him through the veil of the curved lashes.
+
+"For you," she said, twirling the blossom between her fingers and
+gliding toward him with her tigerish step.
+
+He spoke no word, but, face flushed, sought to look into her eyes as
+she pinned the orchid in the button-hole of his coat. Her hands were
+flawless in shape and colouring, being beautiful as the sculptured hands
+preserved in the works of Phidias.
+
+The slight draught occasioned by the opening of the door caused the
+smoke from the incense-burner to be wafted toward the centre of the
+room. Like a blue-gray phantom it coiled about the two standing there
+upon a red and gold Bedouin rug, and the heavy perfume, or the close
+proximity of this singularly lovely woman, wrought upon the high-strung
+sensibilities of Deacon to such an extent that he was conscious of a
+growing faintness.
+
+"Ah! You are not well!" exclaimed Madame with deep concern. "It is the
+perfume which that foolish Ah Li has lighted. He forgets that we are in
+England."
+
+"Not at all," protested Deacon faintly, and conscious that he was making
+a fool of himself. "I think I have perhaps been overdoing it rather of
+late. Forgive me if I sit down."
+
+He sank on the cushioned divan, his heart beating furiously, while
+Madame touched the little bell, whereupon one of the servants entered.
+
+She spoke in Chinese, pointing to the incense-burner.
+
+Ah Li bowed and removed the censer. As the door softly reclosed:
+
+"You are better?" she whispered, sweetly solicitous, and, seating
+herself beside Deacon, she laid her hand lightly upon his arm.
+
+"Quite," he replied hoarsely; "please do not worry about me. I am
+wondering what has become of Annesley."
+
+"Ah, the poor man!" exclaimed Madame, with a silver laugh, and began to
+busy herself with the teacups. "He remembered, as he was looking at my
+new Leonardo, an appointment which he had quite forgotten."
+
+"I can understand his forgetting anything under the circumstances."
+
+Madame de Medici raised a tiny cup and bent slightly toward him. He
+felt that he was losing control of himself, and, averting his eyes, he
+stooped and smelled the orchid in his buttonhole. Then, accepting the
+cup, he was about to utter some light commonplace when the faintness
+returned overwhelmingly, and, hurriedly replacing the cup upon the
+tray, he fell back among the cushions. The stifling perfume of the place
+seemed to be choking him.
+
+"Ah, poor boy! You are really not at all well. How sorry I am!"
+
+The sweet tones reached him as from a great distance; but as one dying
+in the desert turns his face toward the distant oasis, Deacon turned
+weakly to the speaker. She placed one fair arm behind his head,
+pillowing him, and with a peacock fan which had lain amid the cushions
+fanned his face. The strange scene became wholly unreal to him; he
+thought himself some dying barbaric chief.
+
+"Rest there," murmured the sweet voice.
+
+The great eyes, unveiled now by the black lashes, were two twin lakes of
+fairest amber. They seemed to merge together, so that he stood upon
+the brink of an unfathomable amber pool--which swallowed him up--which
+swallowed him up.
+
+He awoke to an instantaneous consciousness of the fact that he had been
+guilty of inexcusably bad form. He could not account for his faintness,
+and reclining there amid the silken cushions, with Madame de Medici
+watching him anxiously, he felt a hot flush stealing over his face.
+
+"What is the matter with me!" he exclaimed, and sprang to his feet. "I
+feel quite well now."
+
+She watched him, smiling, but did not speak. He was a "very young man"
+again, and badly embarrassed. He glanced at his wrist-watch.
+
+"Gracious heavens!" he cried, and noted that the tea-tray had been
+removed, "there must be something radically wrong with my health. It is
+nearly seven o'clock!"
+
+The note of the silver bell sounded in the ante-room.
+
+"Can you forgive me?" he said.
+
+But Madame, rising to her feet, leaned lightly upon his shoulder, toying
+with the petals of the orchid in his buttonhole.
+
+"I think it was the perfume which that foolish Ah Li lighted," she
+whispered, looking intently into his eyes, "and it is you who have to
+forgive me. But you will, I know!" The silver bell rang again. "When
+you have come to see me again--many, many times, you will grow to love
+it--because I love it."
+
+She touched the bell upon the table, and Ah Li entered silently. When
+Madame de Medici held out her hand to him Deacon raised the white
+fingers to his lips and kissed them rapturously; then he turned, the
+Gascon within him uppermost again, and ran from the room.
+
+A purple curtain was drawn across the lobby, screening the caller newly
+arrived from the one so hurriedly departing.
+
+
+
+
+IV
+
+THE LIVING BUDDHA
+
+
+
+It was past midnight when Colonel Deacon returned to the house. Rene was
+waiting for him, pacing up and down the big library. Their relationship
+was curious, as subsisting between ward and guardian, for these two,
+despite the disparity of their ages, had few secrets from one another.
+Rene burned to pour out his story of the wonderful Madame de Medici, of
+the secret house in Chinatown with its deceptively mean exterior and
+its gorgeous interior, to the shrewd and worldly elder man. That was his
+way. But Fate had an oddly bitter moment in store for him.
+
+"Hallo, boy!" cried the Colonel, looking into the library; "glad
+you're home. I might not see you in the morning, and I want to tell you
+about--er--a lady who will be coming here in the afternoon."
+
+The words died upon Rene's lips unspoken, and he stared blankly at the
+Colonel.
+
+"I thought I knew all there was to know about pictures, antiques, and
+all that sort of lumber," continued Colonel Deacon in his rapid and
+off-hand manner. "Thought there weren't many men in London could teach
+me anything; certainly never suspected a woman could. But I've met one,
+boy! Gad! What a splendid creature! You know there isn't much in the
+world I haven't seen--north, south, east and west. I know all the
+advertised beauties of Europe and Asia--stage, opera, and ballet, and
+all the rest of them. But this one--Gad!"
+
+He dropped into an arm-chair, clapping both his hands upon his knees.
+Rene stood at the farther end of the library, in the shadow, watching
+him.
+
+"She's coming here to-morrow, boy--coming here. Gad! you dog! You'll
+fall in love with her the moment you see her--sure to, sure to! I did,
+and I'm three times your age!"
+
+"Who is this lady, sir?" asked Rene, very quietly.
+
+"God knows, boy! Everybody's mad to meet her, but nobody knows who she
+is. But wait till you see her. Lady Dascot seems to be acquainted with
+her, but you will see when they come to-morrow--see for yourself. Gad,
+boy!... what did you say?"
+
+"I did not speak."
+
+"Thought you did. Have a whisky-and-soda?"
+
+"No, thank you, sir--good night."
+
+"Good night, boy!" cried the Colonel. "Good night. Don't forget to be
+in to-morrow afternoon or you'll miss meeting the loveliest woman in
+London, and the most brilliant."
+
+"What is her name?"
+
+"Eh? She calls herself Madame de Medici. She's a mystery, but what a
+splendid creature!"
+
+Rene Deacon walked slowly upstairs, entered his bedroom, and for fully
+an hour sat in the darkness, thinking--thinking.
+
+"Am I going mad?" he murmured. "Or is this witch driving all London
+mad?"
+
+He strove to recover something of the glamour which had mastered him
+when in the presence of Madame de Medici, but failed. Yet he knew that,
+once near her again, it would all return. His reflections were bitter,
+and when at last wearily he undressed and went to bed it was to toss
+restlessly far into the small hours ere sleep came to soothe his
+troubled mind.
+
+But his sleep was disturbed: a series of dreadfully realistic dreams
+danced through his brain. First he seemed to be standing upon a high
+mountain peak with eternal snows stretched all about him. He looked
+down, past the snow line, past the fir woods, into the depths of a
+lovely lake, far down in the valley below. It was a lake of liquid
+amber, and as he looked it seemed to become two lakes, and they were
+like two great eyes looking up at him and summoning him to leap. He
+thought that he leaped, a prodigious leap, far out into space; then
+fell--fell--fell. When he splashed into the amber deeps they became
+churned up in a milky foam, and this closed about him with a strangle
+grip. But it was no longer foam, but the clinging arms of Madame de
+Medici!...
+
+Then he stood upon a fragile bridge of bamboo spanning a raging torrent.
+Right and left of the torrent below were jungles in which moved tigerish
+shapes. Upon the farther side of the bridge Madame de Medici, clad in
+a single garment of flame-coloured silk, beckoned to him. He sought to
+cross the bridge, but it collapsed, and he fell near the edge of the
+torrent. Below were the raging waters, and ever nearing him the tigerish
+shapes, which now Madame was calling to as to a pack of hounds. They
+were about to devour him, when------
+
+He was crouching upon a ledge, high above a street which seemed to be
+vaguely familiar. He could not see very well, because of a silk mask
+tied upon his face, and the eyeholes of which were badly cut. From the
+ledge he stepped to another, perilously. He gained it, and crouching
+there, where there was scarce foothold for a cat, he managed fully to
+raise a window which already was raised some six inches. Then softly and
+silently--for he was bare-footed--he entered the room.
+
+Someone slept in a bed facing the window by which he had entered, and
+upon a table at the side of the sleeper lay a purse, a bunch of keys, an
+electric torch, and a Service revolver. Gliding to the table Rene took
+the keys and the electric torch, unlocked the door of the room, and
+crept down a thickly carpeted stair to a room below. The door of this
+also he opened with one of the keys in the bunch, and by the light of
+the torch found his way through a quantity of antique furniture and
+piled up curiosities to a safe set in the farther wall.
+
+He seemed, in his dream, to be familiar with the lock combination, and,
+selecting the correct key from the bunch, he soon had the safe open.
+The shelves within were laden principally with antique jewellery,
+statuettes, medals, scarabs; and a number of little leather-covered
+boxes were there also. One of these he abstracted, relocked the safe,
+and stepped out of the room, locking the door behind him. Up the stairs
+he mounted to the bedroom wherein he had left the sleeper. Having
+entered, he locked the door from within, placed the keys and the torch
+upon the table, and crept out again upon the dizzy ledge.
+
+Poised there, high above the thoroughfare below, a great nausea attacked
+him. Glancing to the right, in the direction of the window through which
+he had come, he perceived Madame de Medici leaning out and beckoning to
+him. Her arm gleamed whitely in the faint light. A new courage came to
+him. He succeeded, crouched there upon the narrow ledge, in relowering
+the window, and leaving it in the state in which he had found it, he
+stood up and essayed that sickly stride to the adjoining ledge. He
+accomplished it, knelt, and crept back into the room from which he had
+started....
+
+The head of an ivory image of Buddha loomed up out of the utter
+darkness, growing and growing until it seemed like a great mountain. He
+could not believe that there was so much ivory in the world, and he felt
+it with his fingers, wonderingly. As he did so it began to shrink, and
+shrink, and shrink, and shrink, until it was no larger than a seated
+human figure. Then beneath his trembling hands it became animate; it
+moved, extended ivory arms, and wrapped them about his neck. Its lips
+became carmine--perfumed; they bent to him... and he was looking into
+the bewitching face of Madame de Medici!
+
+He awoke, gasping for air and bathed in cold perspiration. The dawn was
+just breaking over London and stealing grayly from object to object in
+his bedroom.
+
+
+
+
+V
+
+THE IVORY GOD
+
+
+
+The great car, with its fittings of gold and ivory, drew up at the door
+of Colonel Deacon's house. The interior was ablaze with tiger lilies,
+and out from their midst stepped the fairest of them all--Madame de
+Medici, and swept queenly up the steps upon the arm of the cavalierly
+soldier.
+
+All connoisseurs esteemed it a privilege to view the Deacon collection,
+and this afternoon there was a goodly gathering. Chairs and little white
+tables were dotted about the lawn in shady spots, and the majority of
+the company were already assembled; but when, in a wonderful golden
+robe, Madame de Medici glided across the lawn, the babel ceased abruptly
+as if by magic. She pulled off one glove and began twirling a great
+emerald between her slim fingers. It was suspended from a thin gold
+chain. Presently, descrying Annesley seated at a table with Lady Dascot,
+she raised the jewel languidly and peered through it at the two.
+
+"Why!" exclaimed Rene Deacon, who stood close beside her, "that was a
+trick of Nero's!"
+
+Madame laughed musically.
+
+"One might take a worse model," she said softly; "at least he enjoyed
+life."
+
+Colonel Deacon, who listened to her every word as to the utterance of a
+Cumaean oracle, laughed with extraordinary approbation.
+
+There was scarce a woman present who regarded Madame with a friendly
+eye, nor a man who did not aspire to become her devoted slave. She
+brought an atmosphere of unreality with her, dominating old and young
+alike by virtue of her splendid pagan beauty. The lawn, with its very
+modern appointments, became as some garden of the Golden House, a
+pleasure ground of an emperor.
+
+But later, when the company entered the house, and Colonel Deacon sought
+to monopolize the society of Madame, an unhealthy spirit of jealousy
+arose between Rene and his guardian. It was strange, grotesque, horrible
+almost. Annesley watched from afar, and there was something very like
+anger in his glance.
+
+"And this," said the Colonel presently, taking up an exquisitely carved
+ivory Buddha, "has a strange history. In some way a legend has grown up
+around it--it is of very great age--to the effect that it must always
+cause its owner to lose his most cherished possession."
+
+"I wonder," said the silvern voice, "that you, who possess so many
+beautiful things, should consent to have so ill-omened a curiosity in
+your house."
+
+"I do not fear the evil charm of this little ivory image," said Colonel
+Deacon, "although its history goes far to bear out the truth of the
+legend. Its last possessor lost his most cherished possession a month
+after the Buddha came into his hands. He fell down his own stairs--and
+lost his life!"
+
+Madame de Medici languidly surveyed the figure through the upraised
+emerald.
+
+"Really!" she murmured. "And the one from whom he procured it?"
+
+"A Hindu usurer of Simla," replied the Colonel. "His daughter stole it
+from her father together with many other things, and took them to her
+lover, with whom she fled!"
+
+Madame de Medici seemed to be slightly interested.
+
+"I should love to possess so weird a thing," she said softly.
+
+"It is yours!" exclaimed the Colonel, and placed it in her hands.
+
+"Oh, but really," she protested.
+
+"But really I insist--in order that you may not forget your first visit
+to my house!"
+
+She shrugged her shoulders.
+
+"How very kind you are, Colonel Deacon," she said, "to a rival
+collector!"
+
+"Now that the menace is removed," said Colonel Deacon with laboured
+humour, "I will show you my most treasured possession."
+
+"So! I am greatly interested."
+
+"Not even this rascal Rene," said the Colonel, stopping before a safe
+set in the wall, "has seen what I am about to show you!"
+
+Rene started slightly and watched with intense interest the unlocking of
+the safe.
+
+"If I am not superstitious about the ivory Buddha," continued the
+Colonel, "I must plead guilty in the case of the Key of the Temple of
+Heaven!"
+
+"The Key of the Temple of Heaven!" murmured a lady standing immediately
+behind Madame de Medici. "And what is the Key of the Temple of Heaven?"
+
+The Colonel, having unlocked the safe, straightened himself, and while
+everyone was waiting to see what he had to show, began to speak again
+pompously:
+
+"The Temple of Heaven stands in the outer or Chinese City of Pekin, and
+is fabulously wealthy. No European, I can swear, had ever entered its
+secret chambers until last year. One of its most famous treasures was
+this Key. It was used only to open the special entrance reserved for the
+Emperor when he came to worship after his succession to the throne--that
+was, of course, before China became a Republic. The Key is studded
+almost all over with precious stones. Last year a certain naval
+man--I'll not mention his name--discovered the secret of its
+hiding-place. How he came by that knowledge does not matter at present.
+One very dark night he crept up to the temple. He found the Keeper of
+the Key--a Buddhist priest--to be sleeping, and he succeeded, therefore,
+in gaining access and becoming possessed of the Key."
+
+A chorus of excited exclamations greeted this dramatic point of the
+story.
+
+"The object of this outrage," continued the Colonel, "for an outrage
+I cannot deny it to have been, was not a romantic one. The poor chap
+wanted money, and he thought he could sell the Key to one of the native
+jewellers. But he was mistaken. He got back safely, and secretly offered
+it in various directions. No one would touch the thing; moreover,
+although of great value, the stones were very far from flawless, and
+not really worth the risks which he had run to secure them. Don't
+misunderstand me; the Key would fetch a big sum, but not a fortune."
+
+"Yes?" said Madame de Medici, smiling, for the Colonel paused.
+
+"He packed it up and addressed it to me, together with a letter. The
+price that he asked was quite a moderate one, and when the Key arrived
+in England I dispatched a check immediately. It never reached him."
+
+"Why?" cried many whom this strange story had profoundly interested.
+
+"He was found dead at the back of the native cantonments, with a knife
+in his heart!"
+
+"Oh!" exclaimed Lady Dascot. "How positively ghastly! I don't think I
+want to see the dreadful thing!"
+
+"Really!" murmured Madame de Medici, turning languidly to the speaker.
+"I do."
+
+The Colonel stooped and reached into the safe. Then he began to take
+out object after object, box after box. Finally, he straightened himself
+again, and all saw that his face was oddly blanched.
+
+"It's gone!" he whispered hoarsely. "The Key of the Temple of Heaven has
+been stolen!"
+
+
+
+
+VI
+
+MADAME SMILES
+
+
+
+Rene entered his bedroom, locked the door, and seated himself on the
+bed; then he lowered his head into his hands and clutched at his hair
+distractedly. Since, on his uncle's own showing, no one knew that the
+Key of the Temple of Heaven had been in the safe, since, excepting
+himself (Rene) and the Colonel, no one else knew the lock combination,
+how the Key had been stolen was a mystery which defied conjecture. No
+one but the Colonel had approached within several yards of the safe at
+the time it was opened; so that clearly the theft had been committed
+prior to that time.
+
+Now Rene sought to recall the details of a strange dream which he had
+dreamed immediately before awakening on the previous night; but he
+sought in vain. His memory could supply only blurred images. There had
+been a safe in his dream, and he--was it he or another?--had unlocked
+it. Also there had been an enormous ivory Buddha.... Yet, stay! it had
+not been enormous; it had been...
+
+He groaned at his own impotency to recall the circumstances of that
+mysterious, perhaps prophetic dream; then in despair he gave it up, and
+stooping to a little secretaire, unlocked it with the idea of sending a
+note round to Annesley's chambers. As he did so he uttered a loud cry.
+
+Lying in one of the pigeon-holes was a long piece of black silk,
+apparently torn from the lining of an opera hat. In it two holes were
+cut as if it were intended to be used as a mask. Beside it lay a little
+leather-covered box. He snatched it out and opened it. It was empty!
+
+"Am I going mad?" he groaned. "Or------"
+
+"You are wanted on the 'phone, sir."
+
+It was the butler who had interrupted him. Rene descended to the
+telephone, dazedly, but, recognizing the voice of Annesley, roused
+himself.
+
+"I'm leaving town to-night, Deacon," said Annesley, "for--well, many
+reasons. But before I go I must give you a warning, though I rely on
+you never to mention my name in the matter. Avoid the woman who calls
+herself Madame de Medici; she'll break you. She's an adventuress, and
+has a dangerous acquaintance with Eastern cults, and... I can't explain
+properly...."
+
+"Annesley! the Key!"
+
+"It's the theft of the Key that has prompted me to speak, Deacon. Madame
+has some sort of power--hypnotic power. She employed it on me once, to
+my cost! Paul Harley, of Chancery Lane, can tell you more about her.
+The house she's living in temporarily used to belong to a notorious
+Eurasian, Zani Chada. To make a clean breast of it I daren't thwart her
+openly; but I felt it up to me to tell you that she possesses the secret
+of post-hypnotic suggestion. I may be wrong, but I think you stole that
+Key!"
+
+"I!"
+
+"She hypnotized you at some time, and, by means of this uncanny power of
+hers, ordered you to steal the Key of the Temple of Heaven in such and
+such a fashion at a certain hour in the night..."
+
+"I had a strange seizure while I was at her house...."
+
+"Exactly! During that time you were receiving your hypnotic orders. You
+would remember nothing of them until the time to execute them--which
+would probably be during sleep. In a state of artificial somnambulism,
+and under the direction of Madame's will, you became a burglar!"
+
+As Madame de Medici's car drove off from the house of Colonel Deacon,
+and Madame seated herself in the cushioned corner, up from amid the furs
+upon the floor, where, dog-like, he had lain concealed, rose the little
+yellow man from the Temple of Heaven. He extended eager hands toward
+her, kneeling there, and spoke:
+
+"Quick! quick!" he breathed. "You have it? The Key of the Temple."
+
+Madame held in her hand an ivory Buddha. Inverting it she unscrewed the
+pedestal, and out from the hollow inside the image dropped a gleaming
+Key.
+
+"Ah!" breathed the yellow man, and would have clutched it; but Madame
+disdainfully raised her right hand which held the treasure, and with her
+left hand thrust down the clutching yellow fingers.
+
+She dropped the Key between her white skin and the bodice of her gown,
+tossing the ivory figure contemptuously amid the fur.
+
+"Ah!" repeated the yellow man in a different tone, and his eyes gleamed
+with the flame of fanaticism. He slowly uprose, a sinister figure, and
+with distended fingers prepared to seize Madame by the throat. His eyes
+were bloodshot, his nostrils were dilated, and his teeth were exposed
+like the fangs of a wolf.
+
+But she pulled off her glove and stretched out her bare white hand to
+him as a queen to a subject; she raised the long curved lashes, and the
+great amber eyes looked into the angry bloodshot eyes.
+
+The little yellow man began to breathe more and more rapidly; soon he
+was panting like one in a fight to the death who is all but conquered.
+At last he dropped on his knees amid the fur... and the curling lashes
+were lowered again over the blazing amber eyes that had conquered.
+
+Madame de Medici lowered her beautiful white hand, and the little yellow
+man seized it in both his own and showered rapturous kisses upon it.
+
+Madame smiled slightly.
+
+"Poor little yellow man!" she murmured in sibilant Chinese, "you shall
+never return to the Temple of Heaven!"
+
+
+
+
+
+End of the Project Gutenberg EBook of Tales of Chinatown, by Sax Rohmer
+
+*** END OF THIS PROJECT GUTENBERG EBOOK TALES OF CHINATOWN ***
+
+***** This file should be named 5697.txt or 5697.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/5/6/9/5697/
+
+Produced by Alan Johns
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/5697.zip b/5697.zip
new file mode 100644
index 0000000..afde7c3
--- /dev/null
+++ b/5697.zip
Binary files differ
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..2c7818c
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #5697 (https://www.gutenberg.org/ebooks/5697)
diff --git a/old/tlsct10.txt b/old/tlsct10.txt
new file mode 100644
index 0000000..a72aec5
--- /dev/null
+++ b/old/tlsct10.txt
@@ -0,0 +1,11714 @@
+The Project Gutenberg EBook of Tales of Chinatown, by Sax Rohmer
+#7 in our series by Sax Rohmer
+
+Copyright laws are changing all over the world. Be sure to check the
+copyright laws for your country before downloading or redistributing
+this or any other Project Gutenberg eBook.
+
+This header should be the first thing seen when viewing this Project
+Gutenberg file. Please do not remove it. Do not change or edit the
+header without written permission.
+
+Please read the "legal small print," and other information about the
+eBook and Project Gutenberg at the bottom of this file. Included is
+important information about your specific rights and restrictions in
+how the file may be used. You can also find out about how to make a
+donation to Project Gutenberg, and how to get involved.
+
+
+**Welcome To The World of Free Plain Vanilla Electronic Texts**
+
+**eBooks Readable By Both Humans and By Computers, Since 1971**
+
+*****These eBooks Were Prepared By Thousands of Volunteers!*****
+
+
+Title: Tales of Chinatown
+
+Author: Sax Rohmer
+
+Release Date: May, 2004 [EBook #5697]
+[Yes, we are more than one year ahead of schedule]
+[This file was first posted on August 9, 2002]
+[Date last updated: August 5, 2005]
+
+Edition: 10
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THE PROJECT GUTENBERG EBOOK TALES OF CHINATOWN ***
+
+
+
+
+Produced by Alan Johns
+
+
+
+
+
+TALES OF CHINATOWN
+
+BY SAX ROHMER
+
+1916
+
+
+
+
+
+CONTENTS
+
+THE DAUGHTER OF HUANG CHOW
+KERRY'S KID
+THE PIGTAIL OF HI WING HO
+THE HOUSE OF GOLDEN JOSS
+THE MAN WITH THE SHAVEN SKULL
+THE WHITE HAT
+TCHERIAPIN
+THE DANCE OF THE VEILS
+THE HAND OF THE MANDARIN QUONG
+THE KEY OF THE TEMPLE OF HEAVEN
+
+
+
+
+
+
+THE DAUGHTER OF HUANG CHOW
+
+
+
+
+
+
+I
+
+"DIAMOND FRED"
+
+
+
+In the saloon bar of a public-house, situated only a few hundred
+yards from the official frontier of Chinatown, two men sat at a
+small table in a corner, engaged in earnest conversation. They
+afforded a sharp contrast. One was a thick-set and rather
+ruffianly looking fellow, not too cleanly in either person or
+clothing, and, amongst other evidences that at one time he had
+known the prize ring, possessing a badly broken nose. His
+companion was dressed with that spruceness which belongs to the
+successful East End Jew; he was cleanly shaven, of slight build,
+and alert in manner and address.
+
+Having ordered and paid for two whiskies and sodas, the Jew,
+raising his glass, nodded to his companion and took a drink. The
+glitter of a magnificent diamond which he wore seemed to attract
+the other's attention almost hypnotically.
+
+"Cheerio, Freddy!" said the thick-set man. "Any news?"
+
+"Nothing much," returned the one addressed as Freddy, setting his
+glass upon the table and selecting a cigarette from a packet
+which he carried in his pocket.
+
+"I'm not so sure," growled the other, watching him suspiciously.
+"You've been lying low for a long time, and it's not like you to
+slack off except when there's something big in sight."
+
+"Hm!" said his companion, lighting his cigarette. "What do you
+mean exactly?"
+
+Jim Poland--for such was the big man's name--growled and spat
+reflectively into a spittoon.
+
+"I've had my eye on you, Freddy," he replied; "I've had my eye on
+you!"
+
+"Oh, have you?" murmured the other. "But tell me what you mean!"
+
+Beneath his suave manner lay a threat, and, indeed, Freddy Cohen,
+known to his associates as "Diamond Fred," was in many ways a
+formidable personality. He had brought to his chosen profession
+of crook a first-rate American training, together with all that
+mental agility and cleverness which belong to his race, and was
+at once an object of envy and admiration amongst the fraternity
+which keeps Scotland Yard busy.
+
+Jim Poland, physically a more dangerous character, was not in the
+same class with him; but he was not without brains of a sort, and
+Cohen, although smiling agreeably, waited with some anxiety for
+his reply.
+
+"I mean," growled Poland, "that you're not wasting your time with
+Lala Huang for nothing."
+
+"Perhaps not," returned Cohen lightly. "She's a pretty girl; but
+what business is it of yours?"
+
+"None at all. I ain't interested in 'er good looks; neither are
+you."
+
+Cohen shrugged and raised his glass again.
+
+"Come on," growled Poland, leaning across the table. "I know,
+and I'm in on it. D'ye hear me? I'm in on it. These are hard
+times, and we've got to stick together."
+
+"Oh," said Cohen, "that's the game, is it?"
+
+"That's the game right enough. You won't go wrong if you bring
+me in, even at fifty-fifty, because maybe I know things about old
+Huang that you don't know."
+
+The Jew's expression changed subtly, and beneath his drooping
+lids he glanced aside at the speaker. Then:
+
+"It's no promise," he said, "but what do you know?"
+
+Poland bent farther over the table.
+
+"Chinatown's being watched again. I heard this morning that Red
+Kerry was down here."
+
+Cohen laughed.
+
+"Red Kerry!" he echoed. "Red Kerry means nothing in my young
+life, Jim."
+
+"Don't 'e?" returned Jim, snarling viciously. "The way he
+cleaned up that dope crowd awhile back seemed to show he was no
+jug, didn't it?"
+
+The Jew made a facial gesture as if to dismiss the subject.
+
+"All right," continued Poland. "Think that way if you like. But
+the patrols have been doubled. I suppose you know that? And
+it's a cert there are special men on duty, ever since the death
+of that Chink."
+
+Cohen shifted uneasily, glancing about him in a furtive fashion.
+
+"See what I mean?" continued the other. "Chinatown ain't healthy
+just now."
+
+He finished his whisky at a draught, and, standing up, lurched
+heavily across to the counter. He returned with two more
+glasses. Then, reseating himself and bending forward again:
+
+"There's one thing I reckon you don't know," he whispered in
+Cohen's ear. "I saw that Chink talking to Lala Huang only a week
+before the time he was hauled out of Limehouse Reach. I'm
+wondering, Diamond, if, with all your cleverness, you may not go
+the same way."
+
+"Don't try to pull the creep stuff on me, Jim," said Cohen
+uneasily. "What are you driving at, anyway?"
+
+"Well," replied Poland, sipping his whisky reflectively, "how did
+that Chink get into the river?"
+
+"How the devil do I know?"
+
+"And what killed him? It wasn't drowning, although he was all
+swelled up."
+
+"See here, old pal," said Cohen. "I know 'Frisco better than you
+know Limehouse. Let me tell you that this little old Chinatown
+of yours is pie to me. You're trying to get me figuring on
+Chinese death traps, secret poisons, and all that junk. Boy,
+you're wasting your poetry. Even if you did see the Chink with
+Lala, and I doubt it-- Oh, don't get excited, I'm speaking
+plain--there's no connection that I can see between the death of
+said Chink and old Huang Chow."
+
+"Ain't there?" growled Poland huskily. He grasped the other's
+wrist as in a vise and bent forward so that his battered face was
+close to the pale countenance of the Jew. "I've been covering
+old Huang for months and months. Now I'm going to tell you
+something. Since the death of that Chink Red Kerry's been
+covering him, too."
+
+"See here!" Cohen withdrew his arm from the other's grasp
+angrily. "You can't freeze me out of this claim with bogey
+stuff. You're listed, my lad, and you know it. Chief Inspector
+Kerry is your pet nightmare. But if he walked in here right now
+I could ask him to have a drink. I wouldn't but I could. You've
+got the wrong angle, Jim. Lala likes me fine, and although she
+doesn't say much, what she does say is straight. I'll ask her
+to-night about the Chink."
+
+"Then you'll be a damned fool."
+
+"What's that?"
+
+"I say you'll be a damned fool. I'm warning you, Freddy. There
+are Chinks and Chinks. All the boys know old Huang Chow has got
+a regular gold mine buried somewhere under the floor. But all
+the boys don't know what I know, and it seems that you don't
+either."
+
+"What is that?"
+
+Jim Poland bent forward more urgently, again seizing Cohen's
+wrist, and:
+
+"Huang Chow is a mighty big bug amongst the Chinese," he
+whispered, glancing cautiously about him. "He's hellish clever
+and rotten with money. A man like that wants handling. I'm not
+telling you what I know. But call it fifty-fifty and maybe
+you'll come out alive."
+
+The brow of Diamond Fred displayed beads of perspiration, and
+with a blue silk handkerchief which he carried in his breast
+pocket he delicately dried his forehead.
+
+"You're an old hand at this stuff, Jim," he muttered. "It
+amounts to this, I suppose; that if I don't agree you'll queer my
+game?"
+
+Jim Poland's brow lowered and he clenched his fists formidably.
+Then:
+
+"Listen," he said in his hoarse voice. "It ain't your claim any
+more than mine. You've covered it different, that's all. Yours
+was always the petticoat lay. Mine's slower but safer. Is
+anyone else in with you?"
+
+"No."
+
+"Then we'll double up. Now I'll tell you something. I was
+backing out."
+
+"What? You were going to quit?"
+
+"I was."
+
+"Why?"
+
+"Because the thing's too dead easy, and a thing like that always
+looks like hell to me."
+
+Freddy Cohen finished his glass of whisky.
+
+"Wait while I get some more drinks," he said.
+
+In this way, then, at about the hour of ten on a stuffy autumn
+night, in the crowded bar of that Wapping public-house, these two
+made a compact; and of its outcome and of the next appearance of
+Cohen, the Jewish-American cracksman, within the ken of man, I
+shall now proceed to tell.
+
+
+
+
+II
+
+THE END OF COHEN
+
+
+
+"I've been expecting this," said Chief Inspector Kerry. He tilted
+his bowler hat farther forward over his brow and contemplated the
+ghastly exhibit which lay upon the slab of the mortuary. Two
+other police officers--one in uniform--were present, and they
+treated the celebrated Chief Inspector with the deference which
+he had not only earned but had always demanded from his
+subordinates.
+
+Earmarked for important promotion, he was an interesting figure
+as he stood there in the gloomy, ill-lighted place, his pose that
+of an athlete about to perform a long jump, or perhaps, as it
+might have appeared to some, that of a dancing-master about to
+demonstrate a new step.
+
+His close-cropped hair was brilliantly red, and so was his short,
+wiry, aggressive moustache. He was ruddy of complexion, and he
+looked out unblinkingly upon the world with a pair of steel-blue
+eyes. Neat he was to spruceness, and while of no more than
+medium height he had the shoulders of an acrobat.
+
+The detective who stood beside him, by name John Durham, had one
+trait in common with his celebrated superior. This was a quick
+keenness, a sort of alert vitality, which showed in his eyes, and
+indeed in every line of his thin, clean-shaven face. Kerry had
+picked him out as the most promising junior in his department.
+
+"Give me the particulars," said the Chief Inspector. "It isn't
+robbery. He's wearing a diamond ring worth two hundred pounds."
+
+His diction was rapid and terse--so rapid as to create the
+impression that he bit off the ends of the longer words. He
+turned his fierce blue eyes upon the uniformed officer who stood
+at the end of the slab.
+
+"They are very few, Chief Inspector," was the reply. "He was
+hauled out by the river police shortly after midnight, at the
+lower end of Limehouse Reach. He was alive then--they heard his
+cry--but he died while they were hauling him into the boat."
+
+"Any statement?" rapped Kerry.
+
+"He was past it, Chief Inspector. According to the report of the
+officer in charge, he mumbled something which sounded like: 'It
+has bitten me,' just before he became unconscious."
+
+"'It has bitten me,'" murmured Kerry. "The divisional surgeon
+has seen him?"
+
+"Yes, Chief Inspector. And in his opinion the man did not die
+from drowning, but from some form of virulent poisoning."
+
+"Poisoning?"
+
+"That's the idea. There will be a further examination, of
+course. Either a hypodermic injection or a bite."
+
+"A bite?" said Kerry. "The bite of what?"
+
+"That I cannot say, Chief Inspector. A venomous reptile, I
+suppose."
+
+Kerry stared down critically at the swollen face of the victim,
+and then glanced sharply aside at Durham.
+
+"Accounts for his appearance, I suppose," he murmured.
+
+"Yes," said Durham quietly. "He hadn't been in the water long
+enough to look like that." He turned to the local officer. "Is
+there any theory as to the point at which he went in?"
+
+"Well, an arrest has been made."
+
+"By whom? of whom?" rapped Kerry.
+
+"Two constables patrolling the Chinatown area arrested a man for
+suspicious loitering. He turned out to be a well-known
+criminal--Jim Poland, with a whole list of convictions against
+him. They're holding him at Limehouse Station, and the theory is
+that he was operating with------" He nodded in the direction of
+the body.
+
+"Then who's the smart with the swollen face?" inquired Kerry.
+"He's a new one on me."
+
+"Yes, but he's been identified by one of the K Division men. He
+is an American crook with a clean slate, so far as this side is
+concerned. Cohen is his name. And the idea seems to be that he
+went in at some point between where he was found by the river
+police and the point at which Jim Poland was arrested."
+
+Kerry snapped his teeth together audibly, and:
+
+"I'm open to learn," he said, "that the house of Huang Chow is
+within that area."
+
+"It is."
+
+"I thought so. He died the same way the Chinaman died awhile
+ago," snapped Kerry savagely.
+
+"It looks very queer." He glanced aside at the local officer.
+"Cover him up," he ordered, and, turning, he walked briskly out
+of the mortuary, followed by Detective Durham.
+
+Although dawn was not far off, this was the darkest hour of the
+night, so that even the sounds of dockland were muted and the
+riverside slept as deeply as the great port of London ever
+sleeps. Vague murmurings there were and distant clankings, with
+the hum of machinery which is never still.
+
+Few of London's millions were awake at that hour, yet Scotland
+Yard was awake in the person of the fierce-eyed Chief Inspector
+and his subordinate. Perhaps those who lightly criticize the
+Metropolitan Force might have learned a new respect for the
+tireless vigilance which keeps London clean and wholesome, had
+they witnessed this scene on the borders of Limehouse, as Kerry,
+stepping into a waiting taxi-cab accompanied by Durham, proceeded
+to Limehouse Police Station in that still hour when the City
+slept.
+
+The arrival of Kerry created something of a stir amongst the
+officials on duty. His reputation in these days was at least as
+great as that of the most garrulous Labour member.
+
+The prisoner was in cells, but the Chief Inspector elected to
+interview him in the office; and accordingly, while the officer
+in charge sat at an extremely tidy writing-table, tapping the
+blotting-pad with a pencil, and Detective John Durham stood
+beside him, Kerry paced up and down the little room, deep in
+reflection, until the door opened and the prisoner was brought
+in.
+
+One swift glance the Chief Inspector gave at the battle-scarred
+face, and recognized instantly that this was a badly frightened
+man. Crossing to the table he took up a typewritten slip which
+lay there, and:
+
+"Your name is James Poland?" he said. "Four convictions; one,
+robbery with violence."
+
+Jim Poland nodded sullenly.
+
+"You were arrested at the corner of Pekin Street about midnight.
+What were you doing there?"
+
+"Taking a walk."
+
+"I'll say it again," rapped Kerry, fixing his fierce eyes upon
+the man's face. "What were you doing there?"
+
+"I've told you."
+
+"And I tell you you're a liar. Where did you leave the man
+Cohen?"
+
+Poland blinked his small eyes, cleared his throat, and looked
+down at the floor uneasily. Then:
+
+"Who's Cohen?" he grunted.
+
+"You mean, who was Cohen?" cried Kerry.
+
+The shot went home. The man clenched his fists and looked about
+the room from face to face.
+
+"You don't tell me------" he began huskily.
+
+"I've told you," said Kerry. "He's on the slab. Spit out the
+truth; it'll be good for your health."
+
+The man hesitated, then looked up, his eyes half closed and a
+cunning expression upon his face.
+
+"Make out your own case," he said. "You've got nothing against
+me."
+
+Kerry snapped his teeth together viciously.
+
+"I've told you what happened to your pal," he warned. "If you're
+a wise man you'll come in on our side, before the same thing
+happens to you."
+
+"I don't know what you're talking about," growled Poland.
+
+Kerry nodded to the constable at the doorway.
+
+"Take him back," he ordered.
+
+Jim Poland being returned to his cell, Kerry, as the door closed
+behind the prisoner and his guard, stared across at Durham where
+he stood beside the table.
+
+"An old hand," he said. "But there's another way." He glanced at
+the officer in charge. "Hold him till the morning. He'll prove
+useful."
+
+From his waistcoat pocket he took out a slip of chewing gum,
+unwrapped it, and placed the mint-flavoured wafer between his
+large white teeth. He bit upon it savagely, settled his hat upon
+his head, and, turning, walked toward the door. In the doorway
+he paused.
+
+"Come with me, Durham," he said. "I am leaving the conduct of
+the case entirely in your hands from now onward."
+
+Detective Durham looked surprised and not a little anxious.
+
+"I am doing so for two reasons," continued the Chief Inspector.
+"These two reasons I shall now explain."
+
+
+
+
+III
+
+THE SECRET TREASURE-HOUSE
+
+
+
+Unlike its sister colony in New York, there are no show places in
+Limehouse. The visitor sees nothing but mean streets and dark
+doorways. The superficial inquirer comes away convinced that the
+romance of the Asiatic district has no existence outside the
+imaginations of writers of fiction. Yet here lies a secret
+quarter, as secret and as strange, in its smaller way, as its
+parent in China which is called the Purple Forbidden City.
+
+On a morning when mist lay over the Thames reaches, softening the
+harshness of the dock buildings and lending an air of mystery to
+the vessels stealing out upon the tide, a man walked briskly
+along Limehouse Causeway, looking about him inquiringly, as one
+unfamiliar with the neighbourhood. Presently he seemed to
+recognize a turning to the right, and he pursued this for a time,
+now walking more slowly.
+
+A European woman, holding a half-caste baby in her arms, stood in
+an open doorway, watching him uninterestedly. Otherwise, except
+for one neatly dressed young Chinaman, who passed him about
+halfway along the street, there was nothing which could have told
+the visitor that he had crossed the borderline dividing West from
+East and was now in an Oriental town.
+
+A very narrow alleyway between two dingy houses proved to be the
+spot for which he was looking; and, having stared about him for a
+while, he entered this alleyway. At the farther end it was
+crossed T-fashion, by another alley, the only object of interest
+being an iron post at the crossing, and the scenery being made up
+entirely of hideous brick walls.
+
+About halfway along on the left, set in one of these walls, were
+strong wooden gates, apparently those of a warehouse. Beside
+them was a door approached by two very dirty steps. There was a
+bell-push near the door, but upon neither of these entrances was
+there any plate to indicate the name of the proprietor of the
+establishment.
+
+From his pocket-book the visitor extracted a card, consulted
+something written upon it, and then pressed the bell.
+
+It was very quiet in this dingy little court. No sound of the
+busy thoroughfares penetrated here; and although the passage
+forming the top of the "T" practically marked the river bank,
+only dimly could one discern the sounds which belong to a
+seaport.
+
+Presently the door was opened by a Chinese boy who wore the
+ordinary native working dress, and who regarded the man upon the
+step with oblique, tired-looking eyes.
+
+"Mr. Huang Chow?" asked the caller.
+
+The boy nodded.
+
+"You wantchee him see?"
+
+"If he is at home."
+
+The boy glanced at the card, which the visitor still held between
+finger and thumb, and extended his hand silently. The card was
+surrendered. It was that of an antique dealer of Dover Street,
+Piccadilly, and written upon the back was the following: "Mr.
+Hampden would like to do business with you." The signature of the
+dealer followed.
+
+The boy turned and passed along a dim and perfectly unfurnished
+passage which the opening of the door had revealed, while Mr.
+Hampden stood upon the step and lighted a cigarette.
+
+In less than a minute the boy returned and beckoned to him to
+come in. As he did so, and the door was closed, he almost
+stumbled, so dark was the passage.
+
+Presently, guided by the boy, he found himself in a very
+business-like little office, where a girl sat at an American
+desk, looking up at him inquiringly.
+
+She was of a dark and arresting type. Without being pretty in
+the European sense, there was something appealing in her fine,
+dark eyes, and she possessed the inviting smile which is the
+heritage of Eastern women. Her dress was not unlike that of any
+other business girl, except that the neck of her blouse was cut
+very low, a fashion affected by many Eurasians, and she wore a
+gaily coloured sash, and large and very costly pearl ear-rings.
+As Mr. Hampden paused in the doorway:
+
+"Good morning," said the girl, glancing down at the card which
+lay upon the desk before her. "You come from Mr. Isaacs, eh?"
+
+She looked at him with a caressing glance from beneath half-
+lowered lashes, but missed no detail of his appearance. She did
+not quite like his moustache, and thought that he would have
+looked better cleanshaven. Nevertheless, he was a well-set-up
+fellow, and her manner evidenced approval.
+
+"Yes," he replied, smiling genially. "I have a small commission
+to execute, and I am told that you can help me."
+
+The girl paused for a moment, and then:
+
+"Yes, very likely," she said, speaking good English but with an
+odd intonation. "It is not jade? We have very little jade."
+
+"No, no. I wanted an enamelled casket."
+
+"What kind?"
+
+"Cloisonne."
+
+"Cloisonne? Yes, we have several."
+
+She pressed a bell, and, glancing up at the boy who had stood
+throughout the interview at the visitor's elbow, addressed him
+rapidly in Chinese. He nodded his head and led the way through a
+second doorway. Closing this, he opened a third and ushered Mr.
+Hampden into a room which nearly caused the latter to gasp with
+astonishment.
+
+One who had blundered from Whitechapel into the Khan Khalil, who
+had been transported upon a magic carpet from a tube station to
+the Taj Mahal, or dropped suddenly upon Lebanon hills to find
+himself looking down upon the pearly domes and jewelled gardens
+of Damascus, could not well have been more surprised. This great
+treasure-house of old Huang Chow was one of Chinatown's secrets--
+a secret shared only by those whose commercial interests were
+identical with the interests of Huang Chow.
+
+The place was artificially lighted by lamps which themselves were
+beautiful objects of art, and which swung from the massive beams
+of the ceiling. The floor of the warehouse, which was partly of
+stone, was covered with thick matting, and spread upon it were
+rugs and carpets of Karadagh, Kermanshah, Sultan-abad, and
+Khorassan, with lesser-known loomings of almost equal beauty.
+Skins of rare beasts overlay the divans. Furniture of ivory, of
+ebony and lemonwood, preciously inlaid, gave to the place an air
+of cunning confusion. There were tall cabinets, there were
+caskets and chests of exquisite lacquer and enamel, loot of an
+emperor's palace; robes heavy with gold; slippers studded with
+jewels; strange carven ivories; glittering weapons; pots, jars,
+and bowls, as delicate and as fragile as the petals of a lily.
+
+Last, but not least, sitting cross-legged upon a low couch, was
+old Huang Chow, smoking a great curved pipe, and peering half
+blindly across the place through large horn-rimmed spectacles.
+This couch was set immediately beside a wide ascending staircase,
+richly carpeted, and on the other side of the staircase, in a
+corresponding recess, upon a gilded trestle carved to represent
+the four claws of a dragon, rested perhaps the strangest exhibit
+of that strange collection--a Chinese coffin of exquisite
+workmanship.
+
+The boy retired, and Mr. Hampden found himself alone with Huang
+Chow. No word had been exchanged between master and servant,
+but:
+
+"Good morning, Mr. Hampden," said the Chinaman in a high, thin
+voice. "Please be seated. It is from Mr. Isaacs you come?"
+
+
+
+
+IV
+
+PERSONAL REPORT OF DETECTIVE JOHN DURHAM TO
+CHIEF INSPECTOR KERRY, OFFICER IN CHARGE OF
+LIMEHOUSE INQUIRY
+
+
+
+Dear Chief Inspector,--Following your instructions I returned and
+interviewed the prisoner Poland in his cell. I took the line
+which you had suggested, pointing out to him that he had nothing
+to gain and everything to lose by keeping silent.
+
+"Answer my questions," I said, "and you can walk straight out.
+Otherwise, you'll be up before the magistrate, and on your record
+alone it will mean a holiday which you probably don't want."
+
+He was very truculent, but I got him in a good humour at last,
+and he admitted that he had been cooperating with the dead man,
+Cohen, in an attempt to burgle the house of Huang Chow. His
+reluctance to go into details seemed to be due rather to fear of
+Huang Chow than to fear of the law, and I presently gathered that
+he regarded Huang as responsible for the death not only of Cohen,
+but also of the Chinaman who was hauled out of the river about
+three weeks ago, as you well remember. The post-mortem showed
+that he had died of some kind of poisoning, and when we saw Cohen
+in the mortuary, his swollen appearance struck me as being very
+similar to that of the Chinaman. (See my report dated 31st
+ultimo.)
+
+He finally agreed to talk if I would promise that he should not
+be charged and that his name should never be mentioned to anyone
+in connection with what he might tell me. I promised him that
+outside the ordinary official routine I would respect his
+request, and he told me some very curious things, which no doubt
+have a bearing on the case.
+
+For instance, he had discovered--I don't know in what way--that
+the dead Chinaman, whose name was Pi Lung, had been in
+negotiation with Huang Chow for some sort of job in his
+warehouse. Poland had seen the man talking to Huang's daughter,
+at the end of the alley which leads to the place. He seemed to
+attach extraordinary importance to this fact. At last:
+
+"I'll tell you what it is," he said. "That Chink was a stranger
+to Limehouse; I can swear to it. He was a gent of his hands; I
+reckon they've got 'em in China as well as here. He went out for
+the old boy's money-box, and finished like Cohen finished."
+
+"Make your meaning clearer," I said.
+
+"My meaning's this: Old Huang Chow is the biggest dealer in
+stolen and smuggled valuables from overseas we've got in London.
+He's something else as well; he's a big swell in China. But
+here's the point. He's got business with buyers all over London,
+and they have to pay cash--no checks. He doesn't bank it: I've
+proved that. He's got it in gold, or diamonds, or something,
+being wise to present conditions, hidden there in the house. Pi
+Lung was after his hoard. He didn't get it. Cohen and me was
+after it. Where's Cohen?"
+
+I agreed that it looked very suspicious, and presently:
+
+"When I went in with Cohen," continued Poland, "I knew one thing
+he didn't know--a short cut into the warehouse. He's been
+playing pretty-like with Lala, old Huang's daughter, and it's my
+belief that he knew where the store was hidden; but he never told
+me. We knew there were special men on duty, and we'd arranged
+that I was to give a signal when the patrol had passed. Cohen
+all the time had planned to double on me. While I was watching
+down on the Causeway end he climbed up and got in through the
+skylight I'd shown him. When I got there he was missing, but the
+skylight was open. I started off after him."
+
+Then Poland clutched me, and his fright was very real.
+
+"I heard a shriek like nothing I ever heard in my life. I saw a
+light shine through the trap, and then I heard a sort of moaning.
+Last, I heard a bang, and the light went out. I staggered down
+the passage half silly, started to run, and ran straight into the
+arms of two coppers."
+
+This evidence I thought was conclusive, and in accordance with
+your instructions I proceeded to Mr. Isaacs in Dover Street. He
+didn't seem too pleased at my suggestion, but when I pointed out
+to him that one good turn deserved another, he agreed to give me
+an introduction to Huang Chow.
+
+I adopted a very simple disguise, just altering my complexion and
+sticking on a moustache with spirit gum, hair by hair, and
+trimming it down military fashion. Everything ran smoothly, and
+I seemed to make a fairly favourable impression upon Lala Huang,
+the Chinaman's daughter, who evidently interviews prospective
+customers before they are admitted to the warehouse.
+
+She is a Eurasian and extremely good looking. But when I found
+myself in the room where old Huang keeps his treasures, I really
+thought I was dreaming. It's a collection that must be worth
+thousands. He showed me snuff-bottles, cut out of gems, and with
+a little opening no bigger than the hole in a pipe-stem, but with
+wonderful paintings done inside the bottles. He'd got a model of
+a pagoda made out of human teeth, and a big golden rug woven from
+the hair of Circassian slave girls. Excuse this, Chief
+Inspector; I know it is what you call the romantic stuff; but I
+think it would have impressed you if you had seen it.
+
+Anyway, I bought a little enamelled box, in accordance with Mr.
+Isaacs's instructions, although whether I succeeded in convincing
+Huang Chow that I knew anything about the matter is more than
+doubtful. He got up from a sort of throne he sits on, and led
+the way up a broad staircase to a private room above.
+
+"Of course, you have brought the cash, Mr. Hampden?" he said.
+
+He speaks quite faultless English. He walked up three steps to a
+sort of raised writing-table in this upstairs room, and I counted
+out the money to him. When he sat at the table he faced toward
+the room, and I couldn't help thinking that, in his horn-rimmed
+spectacles, he looked like some old magistrate. He explained
+that he would pack the purchase for me, but that I must
+personally take it away. And:
+
+"You understand," said he, "that you bought it from a gentleman
+who had purchased it abroad."
+
+I said I quite understood. He bowed me out very politely, and
+presently I found myself back in the office with Lala Huang.
+
+She seemed quite disposed to talk, and I chatted with her while
+the box was being packed for me to take away. I knew I must make
+good use of my time, but you have never given me a job I liked
+less. I mean, there is something very appealing about her, and I
+hated to think that I was playing a double game. However,
+without actually agreeing to see me again, she told me enough to
+enable me to meet her "accidentally," if I wanted to. Therefore,
+I am going to look out for her this evening, and probably take
+her to a picture palace, or somewhere where we can have a quiet
+talk. She seems to be fancy free, and for some reason I feel
+sorry for the girl. I don't altogether like the job, but I hope
+to justify your faith in me, Chief.
+
+I will prepare my official report this evening when I return.
+
+Yours obediently,--JOHN DURHAM.
+
+
+
+
+V
+
+LALA HUANG
+
+
+
+"No," said Lala Huang, "I don't like London--not this part of
+London."
+
+"Where would you rather be?" asked Durham. "In China?"
+
+Dusk had dropped its merciful curtain over Limehouse, and as the
+two paced slowly along West India Dock Road it seemed to the
+detective that a sort of glamour had crept into the scene.
+
+He was a clever man within his limitations, and cultured up to a
+point; but he was not philosopher enough to know that he viewed
+the purlieus of Limehouse through a haze of Oriental mystery
+conjured up by the conversation of his companion. Temple bells
+there were in the clangour of the road cars. The smoke-stacks
+had a semblance of pagodas. Burma she had conjured up before
+him, and China, and the soft islands where she had first seen the
+light. For as well as a streak of European, there was Kanaka
+blood in Lala, which lent her an appeal quite new to Durham,
+insidious and therefore dangerous.
+
+"Not China," she replied. "Somehow I don't think I shall ever
+see China again. But my father is rich, and it is dreadful to
+think that we live here when there are so many more beautiful
+places to live in."
+
+"Then why does he stay?" asked Durham with curiosity.
+
+"For money, always for money," answered Lala, shrugging her
+shoulders. "Yet if it is not to bring happiness, what good is
+it?"
+
+"What good indeed?" murmured Durham.
+
+"There is no fun for me," said the girl pathetically. "Sometimes
+someone nice comes to do business, but mostly they are Jews,
+Jews, always Jews, and------" Again she shrugged eloquently.
+
+Durham perceived the very opening for which he had been seeking..
+
+"You evidently don't like Jews," he said endeavouring to speak
+lightly.
+
+"No," murmured the girl, "I don't think I do. Some are nice,
+though. I think it is the same with every kind of people--there
+are good and bad."
+
+"Were you ever in America?" asked Durham.
+
+"No."
+
+"I was just thinking," he explained, "that I have known several
+American Jews who were quite good fellows."
+
+"Yes?" said Lala, looking up at him naively, "I met one not long
+ago. He was not nice at all."
+
+"Oh!" exclaimed Durham, startled by this admission, which he had
+not anticipated. "One of your father's customers?"
+
+"Yes, a man named Cohen."
+
+"Cohen?"
+
+"A funny little chap," continued the girl. "He tried to make
+love to me." She lowered her lashes roguishly. "I knew all along
+he was pretending. He was a thief, I think. I was afraid of
+him."
+
+Durham did some rapid thinking, then:
+
+"Did you say his name was Cohen?" he asked.
+
+"That was the name he gave."
+
+"A man named Cohen, an American, was found dead in the river
+quite recently."
+
+Lala stopped dead and clutched his arm.
+
+"How do you know?" she demanded.
+
+"There was a paragraph in this morning's paper."
+
+She hesitated, then:
+
+"Did it describe him?" she asked.
+
+"No," replied Durham, "I don't think it did in detail. At least,
+the only part of the description which I remember is that he wore
+a large and valuable diamond on his left hand."
+
+"Oh!" whispered Lala.
+
+She released her grip of Durham's arm and went on.
+
+"What?" he asked. "Did you think it was someone you knew?"
+
+"I did know him," she replied simply. "The man who was found
+drowned. It is the same. I am sure now, because of the diamond
+ring. What paper did you read it in? I want to read it myself."
+
+"I'm afraid I can't remember. It was probably the Daily Mail."
+
+"Had he been drowned?"
+
+"I presume so--yes," replied Durham guardedly.
+
+Lala Huang was silent for some time while they paced on through
+the dusk. Then:
+
+"How strange!" she said in a low voice.
+
+"I am sorry I mentioned it," declared Durham. "But how was I to
+know it was your friend?"
+
+"He was no friend of mine," returned the girl sharply. "I hated
+him. But it is strange nevertheless. I am sure he intended to
+rob my father."
+
+"And is that why you think it strange?"
+
+"Yes," she said, but her voice was almost inaudible.
+
+They were come now to the narrow street communicating with the
+courtway in which the great treasure-house of Huang Chow was
+situated, and Lala stopped at the corner.
+
+"It was nice of you to walk along with me," she said. "Do you
+live in Limehouse?"
+
+"No," replied Durham, "I don't. As a matter of fact, I came down
+here to-night in the hope of seeing you again."
+
+"Did you?"
+
+The girl glanced up at him doubtfully, and his distaste for the
+task set him by his superior increased with the passing of every
+moment. He was a man of some imagination, a great reader, and
+ambitious professionally. He appreciated the fact that Chief
+Inspector Kerry looked for great things from him, but for this
+type of work he had little inclination.
+
+There was too much chivalry in his make-up to enable him to play
+upon a woman's sentiments, even in the interests of justice. By
+whatever means the man Cohen had met his death, and whether or no
+the Chinaman Pi Lung had died by the same hand, Lala Huang was
+innocent of any complicity in these matters, he was perfectly
+well assured.
+
+Doubts were to come later when he was away from her, when he had
+had leisure to consider that she might regard him in the light of
+a third potential rifler of her father's treasure-house. But at
+the moment, looking down into her dark eyes, he reproached
+himself and wondered where his true duty lay.
+
+"It is so gray and dull and sordid here," said the girl, looking
+down the darkened street. "There is no one much to talk to."
+
+"But you have your business interests to keep you employed during
+the day, after all."
+
+"I hate it all. I hate it all."
+
+"But you seem to have perfect freedom?"
+
+"Yes. My mother, you see, was not Chinese."
+
+"But you wish to leave Limehouse?"
+
+"I do. I do. Just now it is not so bad, but in the winter how I
+tire of the gray skies, the endless drizzling rain. Oh!" She
+shrank back into the shadow of a doorway, clutching at Durham's
+arm. "Don't let Ah Fu see me."
+
+"Ah Fu? Who is Ah Fu?" asked Durham, also drawing back as a
+furtive figure went slinking down the opposite side of the
+street.
+
+"My father's servant. He let you in this morning."
+
+"And why must he not see you?"
+
+"I don't trust him. I think he tells my father things."
+
+"What is it that he carries in his hand?"
+
+"A birdcage, I expect."
+
+"A birdcage?"
+
+"Yes!"
+
+He caught the gleam of her eyes as she looked up at him out of
+the shadow.
+
+"Is he, then, a bird-fancier?"
+
+"No, no, I can't explain because I don't understand myself. But
+Ah Fu goes to a place in Shadwell regularly and buys young birds,
+always very young ones and very little ones."
+
+"For what or for whom?"
+
+"I don't know."
+
+"Have you an aviary in your house?"
+
+"No."
+
+"Do you mean that they disappear, these purchases of Ah Fu's?"
+
+"I often see him carrying a cage of young birds, but we have no
+birds in the house."
+
+"How perfectly extraordinary!" muttered Durham.
+
+"I distrust Ah Fu," whispered the girl. "I am glad he did not
+see me with you."
+
+"Young birds," murmured Durham absently. "What kind of young
+birds? Any particular breed?"
+
+"No; canaries, linnets--all sorts. Isn't it funny?" The girl
+laughed in a childish way. "And now I think Ah Fu will have gone
+in, so I must say good night."
+
+But when presently Detective Durham found himself walking back
+along West India Dock Road, his mind's eye was set upon the
+slinking figure of a Chinaman carrying a birdcage.
+
+
+
+
+VI
+
+A HINT OF INCENSE
+
+
+
+One Chinaman more or less does not make any very great difference
+to the authorities responsible for maintaining law and order in
+Limehouse. Asiatic settlers are at liberty to follow their
+national propensities, and to knife one another within reason.
+This is wisdom. Such recreations are allowed, if not encouraged,
+by all wise rulers of Eastern peoples.
+
+"Found drowned," too, is a verdict which has covered many a dark
+mystery of old Thames, but "Found in the river, death having been
+due to the action of some poison unknown," is a finding which
+even in the case of a Chinaman is calculated to stimulate the
+jaded official mind.
+
+New Scotland Yard had given Durham a roving commission, and had
+been justified in the fact that the second victim, and this time
+not a Chinaman, had been found under almost identical conditions.
+The link with the establishment of Huang Chow was incomplete, and
+Durham fully recognized that it was up to him to make it sound
+and incontestable.
+
+Jim Poland was not the only man in the East End who knew that the
+dead Chinaman had been in negotiation with Huang Chow. Kerry
+knew it, and had passed the information on to Durham.
+
+Some mystery surrounded the life of the old dealer, who was said
+to be a mandarin of high rank, but his exact association with the
+deaths first of the Chinaman Pi Lung, and second of Cohen,
+remained to be proved. Certain critics have declared the
+Metropolitan detective service to be obsolete and inefficient.
+Kerry, as a potential superintendent, resented these criticisms,
+and in his protege Durham, perceived a member of the new
+generation who was likely in time to produce results calculated
+to remove this stigma.
+
+Durham recognized that a greater responsibility rested upon his
+shoulders than the actual importance of the case might have
+indicated; and now, proceeding warily along the deserted streets,
+he found his brain to be extraordinarily active and his
+imagination very much alive.
+
+There is a night life in Limehouse, as he had learned, but it is
+a mole life, a subterranean life, of which no sign appears above
+ground after a certain hour. Nevertheless, as he entered the
+area which harbours those strange, hidden resorts the rumour of
+which has served to create the glamour of Chinatown, he found
+himself to be thinking of the great influence said to be wielded
+by Huang Chow, and wondering if unseen spies watched his
+movements.
+
+Lala was Oriental, and now, alone in the night, distrust leapt
+into being within him. He had been attracted by her and had
+pitied her. He told himself now that this was because of her
+dark beauty and the essentially feminine appeal which she made.
+She was perhaps a vampire of the most dangerous sort, one who
+lured men to strange deaths for some sinister object beyond reach
+of a Western imagination.
+
+He found himself doubting the success of those tactics upon
+which, earlier in the day, he had congratulated himself. Perhaps
+beneath the guise of Hampden, who bought antique furniture on
+commission, those cunning old eyes beneath the horn-rimmed
+spectacles had perceived the detective hidden, or at least had
+marked subterfuge.
+
+While he could not count Lala a conquest--for he had not even
+attempted to make love to her--the ease with which he had
+developed the acquaintance now, afforded matter for suspicion.
+
+At the entrance to the court communicating with the establishment
+of Huang Chow he paused, looking cautiously about him. The men
+on the Limehouse beats had been warned of the investigation afoot
+tonight, and there was a plain-clothes man on point duty at no
+great distance away, although carefully hidden, so that Durham
+had quite failed to detect his presence.
+
+Durham wore rough clothes and rubber-soled shoes; and now, as he
+entered the court, he was thinking of the official report of the
+police sergeant who, not so many hours before, had paid a visit
+to the house of Huang Chow in order to question him respecting
+his knowledge of the dead man Cohen, and to learn when last he
+had seen him.
+
+Old Huang, who had received his caller in the large room
+upstairs, the room which boasted the presence of the writing-
+dais, had exhibited no trace of confusion, assuring the sergeant
+that he had not seen the man Cohen for several days. Cohen had
+come to him with an American introduction, which he, Huang,
+believed to be forged, and had wanted him to undertake a shady
+agency, respecting the details of which he remained peculiarly
+reticent. In short, nothing had been gained by this official
+interrogation, and Huang blandly denied any knowledge of an
+attempted burglary of his establishment.
+
+"What have I to lose?" he had asked the inquirer. "A lot of old
+lumber which I have accumulated during many years, and a
+reputation for being wealthy, due to my lonely habits and to the
+ignorance of those who live around me."
+
+Durham, mentally reviewing the words of the report, reconstructed
+the scene in his mind; and now, having come to the end of the
+lane where the iron post rested, he stood staring up at a place
+in the ancient wall where several bricks had decayed, and where
+it was possible, according to the statement of the man Poland, to
+climb up on to a piece of sloping roof, and thence gain the
+skylight through which Cohen had obtained admittance on the night
+of his death.
+
+He made sure that his automatic pistol was in his pocket,
+questioned the dull sounds of the riverside for a moment, looking
+about him anxiously, and then, using the leaning post as a
+stepping-stone, he succeeded in wedging his foot into a crevice
+in the wall. By the exercise of some agility he scrambled up to
+the top, and presently found himself lying upon a sloping roof.
+
+The skylight remained well out of reach, but his rubber-soled
+shoes enabled him to creep up the slates until he could grasp the
+framework with his hands. Presently he found himself perched
+upon the trap which, if his information could be relied upon,
+possessed no fastener, or one so faulty that the trap could be
+raised by means of a brad-awl. He carried one in his pocket,
+and, screwing it into the framework, he lifted it cautiously,
+making very little noise.
+
+The trap opened, and up to his nostrils there stole a queer,
+indefinable odour, partly that which belongs to old Oriental
+furniture and stuffs, but having mingled with it a hint of
+incense and of something else not so easily named. He recognized
+the smell of that strange store-room, which, as Mr. Hampden, he
+had recently visited.
+
+For one moment he thought he could detect the distant note of a
+bell. But, listening, he heard nothing, and was reassured.
+
+He rested the trap back against the frame, and shone the ray of
+an electric torch down into the darkness beneath him. The light
+fell upon the top of a low carven table, dragon-legged and
+gilded. Upon it rested the model pagoda constructed of human
+teeth, and there was something in this discovery which made
+Durham feel inclined to shudder. However, the impulse was only a
+passing one.
+
+He measured the distance with his eye. The little table stood
+beside a deep divan, and he saw that with care it would be
+possible to drop upon this divan without making much noise. He
+calculated its exact position before replacing the torch in his
+pocket, and then, resting back against one side of the frame, he
+clutched the other with his hands. He wriggled gradually down
+until further purchase became impossible. He then let himself
+drop, and swung for a moment by his hands before releasing his
+hold.
+
+He fell, as he had calculated, upon the divan. It creaked
+ominously. Catching his foot in the cushions, he stumbled and
+lay forward for a moment upon his face, listening intently.
+
+The room was very hot but nothing stirred.
+
+
+
+
+VII
+
+THE SCUFFLING SOUND
+
+
+
+Detective Durham, as he lay there inhaling the peculiar perfume
+of the place, recognized that he had put himself outside the pale
+of official protection, and was become technically a burglar.
+
+He wondered if Chief Inspector Kerry would have approved; but he
+had outlined this plan of investigation for himself, and knew
+well that, if it were crowned by success, the end would be
+regarded as having justified the means. On the other hand, in
+the event of detention he must personally bear the consequences
+of such irregular behaviour. He knew well, however, that his
+celebrated superior had achieved promotion by methods at least as
+irregular; and he knew that if he could but obtain evidence to
+account for the death of the man Cohen, and of the Chinaman Pi
+Lung, who had preceded him by the same mysterious path, the way
+of his obtaining it would not be too closely questioned.
+
+He was an ambitious man, and consequently one who took big
+chances. Nothing disturbed the silence; he sat upon the divan
+and again pressed the button of his torch, shining it all about
+the low-beamed apartment and peering curiously into the weird
+shadows of the place. He calculated he was now in the position
+which Cohen had occupied during the last moments of his life, and
+a sense of the uncanny touched him coldly.
+
+As he thought of the unnatural screams spoken of by Poland, some
+strange instinct prompted him to curl up his feet upon the divan
+again, as though a secret menace crawled upon the floor amid its
+many rugs and carpets.
+
+He must now endeavour to reconstruct the plan upon which the
+American cracksman had operated. Poland had a persistent belief
+that Cohen had known where the fabled hoard of Huang Chow was
+concealed.
+
+Durham began a deliberate inspection of the place. He thought it
+unlikely that a wily old Chinaman, assuming that he possessed
+hidden wealth, would keep it in so accessible a spot as this. It
+was far more probable that he had a fireproof safe in the room
+upstairs, perhaps built into the wall. Yet, according to
+Poland's account, it was in this room and not in any other that
+death came to Diamond Fred.
+
+The wall-hangings first engaged Durham's attention. He moved
+them aside systematically, one after another, seeking for any
+hiding-place, but failing to find one. The door communicating
+with the outer office he found to be locked, but he did not
+believe for a moment that the office would be worthy of
+inspection.
+
+There were cases containing jewelled weapons and cups and goblets
+inlaid with precious stones, but none of these seemed to have
+been tampered with, and all were locked, as was the big cabinet
+filled with snuff bottles.
+
+Many of the larger pieces about the place contained drawers and
+cupboards, and these he systematically opened one after another,
+without making any discovery of note. Some of the cupboards
+contained broken pieces of crockery, and more or less damaged
+curios of one kind and another, but none of them gave him the
+clue for which he was seeking.
+
+He examined the couch upon which Huang Chow had been seated when
+first he had met him, but although he searched it scientifically
+he was rewarded by no discovery.
+
+A very fusty and unpleasant smell was more noticeable at this
+point than elsewhere in the room, and he found himself staring
+speculatively up the wide, carpeted stairs. Next he turned his
+attention to the lacquered coffin which occupied the
+corresponding recess to that filled by the couch. It was an
+extraordinarily ornate piece of lacquer work and probably of
+great value.
+
+The lid appeared to be screwed on, and Durham stood staring at
+the thing, half revolted and half fascinated. He failed to
+discover any means of opening it, however, and when he tried to
+move it bodily found it very heavy. He came to the conclusion
+that all the portable valuables were contained in locked cases or
+cabinets, and out of this discovery grew an idea.
+
+The case containing the snuff bottles stood too close to the wall
+to enable him to test his new theory, but a square case near the
+office door, in which were five of six small but almost priceless
+pieces of porcelain, afforded the very evidence for which he was
+looking.
+
+Thin electric flex descended from somewhere inside the case down
+one of the legs of the pedestal, and through a neatly drilled
+hole in the floor, evidently placed there to accommodate it.
+
+"Burglar alarm!" he muttered.
+
+The opening of this case, and doubtless of any of the others,
+would set alarm bells ringing. This was not an unimportant
+discovery, but it brought him very little nearer to a solution of
+the chief problem which engaged his mind. Assuming that Cohen
+had opened one of the cases and had alarmed old Huang Chow, what
+steps had the latter taken to deal with the intruder which had
+resulted in so ghastly a death? And how had he disposed of the
+body?
+
+As Durham stood there musing and looking down through the plate-
+glass at the delicate porcelain beneath, a faint sound intruded
+itself upon the stillness. It gave him another idea. Part of
+the floor was stone-paved, but part was wood.
+
+Upon a portion of the latter, where no carpet rested, Durham
+dropped flat, pressing his ear to the floor.
+
+A faint swishing and trickling sound was perceptible from some
+place beneath.
+
+"Ah!" he murmured.
+
+Remembering that the premises almost overhung the Thames, he
+divined that the cellars were flooded at high tide, or that there
+was some kind of drain or cutting running underneath the house.
+
+He stood up again, listening intently for any sound within the
+building. He thought he had detected something, and now, as he
+stood there alert, he heard it again--a faint scuffling, which
+might have been occasioned by rats or even mice, but which, in
+some subtle and very unpleasant way, did not suggest the
+movements of these familiar rodents.
+
+Even as he perceived it, it ceased, leaving him wondering, and
+uncomfortably conscious of a sudden dread of his surroundings.
+He wondered in what part of this mysterious house Lala resided,
+and recognizing that his departure must leave traces, he
+determined to prosecute his inquiries as far as possible, since
+another opportunity might not arise.
+
+He was baffled but still hopeful. Something there was in the
+smell of the place which threatened to unnerve him; or perhaps in
+its silence, which remained quite unbroken save when, by acute
+listening, one detected the dripping of water.
+
+That unexplained scuffling sound, too, which he had failed to
+trace or identify, lingered in his memory insistently, and for
+some reason contained the elements of fear.
+
+He crossed the room and began softly to mount the stair. It
+creaked only slightly, and the door at the top proved to be ajar.
+He peeped in, to find the place empty. It was a typical Chinese
+apartment, containing very little furniture, the raised desk
+being the most noticeable item, except for a small shrine which
+faced it on the other side of the room.
+
+He mounted the steps to the desk and inspected a number of loose
+papers which lay upon it. Without exception they were written in
+Chinese. A sort of large, dull white blotting-pad lay upon the
+table, but its surface was smooth and glossy.
+
+Over it was suspended what looked like a lampshade, but on
+inspection it proved to contain no lamp, but to communicate, by a
+sort of funnel, with the ceiling above.
+
+At this contrivance Durham stared long and curiously, but without
+coming to any conclusion respecting its purpose. He might have
+investigated further, but he became aware of a dull and regular
+sound in the room behind him.
+
+He turned in a flash, staring in the direction of two curtains
+draped before what he supposed to be a door.
+
+On tiptoe he crossed and gently drew the curtains aside.
+
+He looked into a small, cell-like room, lighted by one window,
+where upon a low bed Huang Chow lay sleeping peacefully!
+
+Durham almost held his breath; then, withdrawing as quietly as he
+had approached, he descended the stair. At the foot his
+attention was again arrested by the faint scuffling sound. It
+ceased as suddenly as it had begun, leaving him wondering and
+conscious anew of a chill of apprehension.
+
+He had already made his plans for departure, but knew that they
+must leave evidence, when discovered, of his visit.
+
+A large and solid table stood near the divan, and he moved this
+immediately under the trap. Upon it he laid a leopard-skin to
+deaden any noise he might make, and then upon the leopard-skin he
+set a massive chair: he replaced his torch in his pocket and drew
+himself up on to the roof again. Reclosing the trap by means of
+the awl which he had screwed into it, he removed the awl and
+placed it in his pocket.
+
+Then, sliding gently down the sloping roof, he dropped back into
+the deserted court.
+
+
+
+
+VIII
+
+A CAGE OF BIRDS
+
+
+
+"No," said Lala, "we have never had robbers in the house." She
+looked up at Durham naively. "You are not a thief, are you?" she
+asked.
+
+"No, I assure you I am not," he answered, and felt himself
+flushing to the roots of his hair.
+
+They were seated in a teashop patronized by the workers of the
+district; and as Durham, his elbows resting on the marble-topped
+table, looked into the dark eyes of his companion, he told
+himself again that whatever might be the secrets of old Huang
+Chow, his daughter did not share them.
+
+The Chinaman had made no report to the authorities, although the
+piled up furniture beneath the skylight must have afforded
+conclusive evidence that a burglarious entry had been made into
+the premises.
+
+"I should feel very nervous," Durham declared, "with all those
+valuables in the house."
+
+"I feel nervous about my father," the girl answered in a low
+voice. "His room opens out of the warehouse, but mine is shut
+away in another part of the building. And Ah Fu sleeps behind
+the office."
+
+"Were you not afraid when you suspected that Cohen was a burglar?
+You told me yourself that you did suspect him."
+
+"Yes, I spoke to my father about it."
+
+"And what did he say?"
+
+"Oh"--she shrugged her shoulders--"he just smiled and told me not
+to worry."
+
+"And that was the last you heard about the matter?"
+
+"Yes, until you told me he was dead."
+
+Again he questioned the dark eyes and again was baffled. He felt
+tempted, and not for the first time, to throw up the case. After
+all, it rested upon very slender data--the mysterious death of a
+Chinaman whose history was unknown and the story of a crook whose
+word was worth nothing.
+
+Finally he asked himself, as he had asked himself before, what
+did it matter? If old Huang Chow had disposed of these people in
+some strange manner, they had sought to rob him. The morality of
+the case was complicated and obscure, and more and more he was
+falling under the spell of Lala's dark eyes.
+
+But always it was his professional pride which came to the
+rescue. Murder had been done, whether justifiably or otherwise,
+and to him had been entrusted the discovery of the murderer. It
+seemed that failure was to be his lot, for if Lala knew anything
+she was a most consummate actress, and if she did not, his last
+hope of information was gone.
+
+He would have liked nothing better than to be rid of the affair,
+provided he could throw up the case with a clear conscience. But
+when presently he parted from the attractive Eurasian, and
+watched her slim figure as, turning, she waved her hand and
+disappeared round a corner, he knew that rest was not for him.
+
+He had discovered the emporium of a Shadwell live-stock dealer
+with whom Ah Fu had a standing order for newly fledged birds of
+all descriptions. Purchases apparently were always made after
+dusk, and Ah Fu with his birdcage was due that evening.
+
+A scheme having suggested itself to Durham, he now proceeded to
+put it into execution, so that when dusk came, and Ah Fu,
+carrying an empty birdcage, set out from the house of Huang Chow,
+a very dirty-looking loafer passed the corner of the street at
+about the time that the Chinaman came slinking out.
+
+Durham had mentally calculated that Ah Fu would be gone about
+half an hour upon his mysterious errand, but the Chinaman
+travelled faster than he had calculated.
+
+Just as he was about to climb up once more on to the sloping
+roof, he heard the pattering footsteps returning to the
+courtyard, although rather less than twenty minutes had elapsed
+since the man had set out.
+
+Durham darted round the corner and waited until he heard the door
+closed; then, returning, he scrambled up on to the roof, creeping
+forward until he was lying looking down through the skylight into
+the darkened room below.
+
+For ten minutes or more he waited, until he began to feel cramped
+and uncomfortable. Then that happened which he had hoped and
+anticipated would happen. The place beneath became illuminated,
+not fully, by means of the hanging lamps, but dimly so that
+distorted shadows were cast about the floor. Someone had entered
+carrying a lantern.
+
+Durham's view-point limited his area of vision, but presently, as
+the light came nearer and nearer, he discerned Ah Fu, carrying a
+lantern in one hand and a birdcage in the other. He could hear
+nothing, for the trap fitted well and the glass was thick.
+Moreover, it was very dirty. He was afraid, however, to attempt
+to clean a space.
+
+Ah Fu apparently had set the lantern upon a table, and into the
+radius of its light there presently moved a stooping figure.
+Durham recognized Huang Chow, and felt his heart beats increasing
+in rapidity.
+
+Clutching the framework of the trap with his hands, he moved his
+head cautiously, so that presently he was enabled to see the two
+Chinamen. They were standing beside the lacquered coffin upon
+its dragon-legged pedestal. Durham stifled an exclamation.
+
+One end of the ornate sarcophagus had been opened in some way!
+
+Now, to the watcher's unbounded astonishment, Ah Fu placed the
+birdcage in the opening, and apparently reclosed the trap in the
+end of the coffin. He made other manipulations with his bony
+yellow fingers, which Durham failed to comprehend. Finally the
+birdcage was withdrawn again, and as it was passed before the
+light of the lantern he saw that it was empty, whereas previously
+it had contained a number of tiny birds all huddled up together!
+
+The light gleamed upon the spectacles of Huang Chow. Watching
+him, Durham saw him take out from a hidden drawer in the pedestal
+a long, slender key, insert it in a lock concealed by the ornate
+carving, and then slightly raise the lid which had so recently
+defied his own efforts.
+
+He raised it only a few inches, and then, taking up the lantern,
+peered into the interior of the coffin, at the same time waving
+his hand in dismissal to Ah Fu. For a while he stood there,
+peering into the interior, and then, lowering the lid again, he
+relocked this gruesome receptacle and, lantern in hand, began to
+mount the stair.
+
+Durham inhaled deeply. He realized that during the last few
+seconds he had been holding his breath. Now, as he began to
+creep back down the slope, he discovered that his hands were
+shaking.
+
+He dropped down into the court again, and for several minutes
+leaned against the wall, endeavouring to reason out an
+explanation of what he had seen, and in a measure to regain his
+composure.
+
+There was a horror underlying it all which he was half afraid to
+face. But the real clue to the mystery still eluded him.
+
+Whether what he had witnessed were some kind of obscene ceremony,
+or whether an explanation more vile must be sought, he remained
+undetermined. He must repeat his exploit, if possible, and once
+more gain access to the room which contained the lacquer coffin.
+
+But the adventure was very distasteful. He recollected the smell
+of the place, and the memory brought with it a sense of nausea.
+He thought of Lala Huang, and his ideas became grotesque and
+chaotic. Yet the solution of the mystery lay at last within his
+grasp, and to the zest of the investigator everything else became
+subjugated.
+
+He walked slowly away, silent in his rubber-soled shoes.
+
+
+
+
+IX
+
+THE PICTURE ON THE PAD
+
+
+
+Lala Huang lay listening to the vague sounds which disturbed the
+silence of the night. Presently her thoughts made her sigh
+wearily. During the lifetime of her mother, who had died while
+Lala was yet a little girl, life had been different and so much
+brighter.
+
+She imagined that in the mingled sounds of dock and river which
+came to her she could hear the roar of surf upon a golden beach.
+The stuffy air of Limehouse took on the hot fragrance of a tropic
+island, and she sighed again, but this time rapturously, for in
+spirit she was a child once more, lulled by the voice of the
+great Pacific.
+
+Young as she was, the death of her mother had been a blow from
+which it had taken her several years to recover. Then had
+commenced those long travels with her father, from port to port,
+from ocean to ocean, sometimes settling awhile, but ever moving
+onward, onward.
+
+He had had her educated after a fashion, and his love for her she
+did not doubt. But her mother's blood spoke more strongly than
+that part of her which was Chinese, and there was softness and a
+delicious languor in her nature which her father did not seem to
+understand, and of which he did not appear to approve.
+
+She knew that he was wealthy. She knew that his ways were not
+straight ways, although that part of his business to which he had
+admitted her as an assistant, and an able one, was legitimate
+enough, or so it seemed.
+
+Consignments of goods arrived at strange hours of the night at
+the establishment in Limehouse, and from this side of her
+father's transactions she was barred. The big double doors
+opening on the little courtyard would be opened by Ah Fu, and
+packing cases of varying sizes be taken in. Sometimes the sounds
+of these activities would reach her in her room in a distant part
+of the house; but only in the morning would she recognize their
+significance, when in the warehouse she would discover that some
+new and choice pieces had arrived.
+
+She wondered with what object her father accumulated wealth, and
+hoped, against the promptings of her common sense, that he
+designed to return East, there to seek a retirement amidst the
+familiar and the beautiful things of the Orient which belonged to
+Lala's dream of heaven.
+
+Stories about her father often reached her ears. She knew that
+he had held high rank in China before she had been born; but that
+he had sacrificed his rights in some way had always been her
+theory. She had been too young to understand the stories which
+her mother had told her sometimes; but that there were traits in
+the character of Huang Chow which it was not good for his
+daughter to know she appreciated and accepted as a secret sorrow.
+
+He allowed her all the freedom to which her education entitled
+her. Her life was that of a European and not of an Oriental
+woman. She loved him in a way, but also feared him. She feared
+the dark and cruel side of his character, of which, at various
+periods during their life together, she had had terrifying
+glimpses.
+
+She had decided that cruelty was his vice. In what way he
+gratified it she had never learned, nor did she desire to do so.
+There were periodical visits from the police, but she had learned
+long ago that her father was too clever to place himself within
+reach of the law.
+
+However crooked one part of his business methods might be, his
+dealings with his clients were straight enough, so that no one
+had any object in betraying him; and the legality or otherwise of
+his foreign relations evidently afforded no case against him upon
+which the authorities could act, or upon which they cared to act.
+
+In America it had been graft which had protected him. She had
+learned this accidentally, but never knew whether he bought his
+immunity in the same way in London.
+
+Some of the rumours which reached her were terrifying. Latterly
+she had met many strange glances in her comings and goings about
+Limehouse. This peculiar atmosphere had always preceded the
+break-up of every home which they had shared. She divined the
+fact that in some way Huang Chow had outstayed his welcome in
+Chinatown, London. Where their next resting-place would be she
+could not imagine, but she prayed that it might be in some more
+sunny clime.
+
+She found herself to be thinking over much of John Hampden. His
+bona fides were not above suspicion, but she could scarcely
+expect to meet a really white man in such an environment.
+
+Lala would have liked to think that he was white, but could not
+force herself to do so. She would have liked to think that he
+sought her company because she appealed to him personally; but
+she had detected the fact that another motive underlay his
+attentions. She wondered if he could be another of those moths
+drawn by the light of that fabled wealth of her father.
+
+It was curious, she reflected, that Huang Chow never checked--
+indeed, openly countenanced--her friendship with the many chance
+acquaintances she had made, even when her own instincts told her
+that the men were crooked; so that, knowing the acumen of her
+father, she was well aware that he must know it too.
+
+Several of these pseudo lovers of hers had died. It was a point
+which often occurred to her mind, but upon which she did not care
+to dwell even now. But John Hampden--John Hampden was different.
+He was not wholly sincere. She sighed wearily. But nevertheless
+he was not like some of the others.
+
+She started up in bed, seized with a sudden dreadful idea. He
+was a detective!
+
+She understood now why she had found so much that was white in
+him, but so much that was false. His presence seemed to be very
+near her. Something caressing in his voice echoed in her mind.
+She found herself to be listening to the muted sounds of
+Limehouse and of the waterway which flowed so close beside her.
+
+That old longing for the home of her childhood returned tenfold,
+and tears began to trickle down her cheeks. She was falling in
+love with this man whose object was her father's ruin. A cold
+terror clutched at her heart. Even now, while their friendship
+was so new, so strange, there was a query, a stark, terrifying
+query, to stand up before her.
+
+If put to the test, which would she choose?
+
+She was unable to face that issue, and dropped back upon her
+pillow, stifling a sob.
+
+Yes, he was a detective. In some way her father had at last
+attracted the serious attention of the law. Rumours of this were
+flying round Chinatown, to which she had not been entirely deaf.
+She thought of a hundred questions, a hundred silences, and grew
+more and more convinced of the truth.
+
+What did he mean to do? Before her a ghostly company uprose--the
+shadows of some she had known with designs upon her father. John
+Hampden's design was different. But might he not join that
+mysterious company?
+
+Now again she suddenly sprang upright, this time because of a
+definite sound which had reached her ears from within the house:
+a very faint, bell-like tinkling which ceased almost immediately.
+She had heard it one night before, and quite recently; indeed, on
+the night before she had met John Hampden. Cohen--Cohen, the
+Jew, had died that night!
+
+She sprang lightly on to the floor, found her slippers, and threw
+a silk kimono over her nightrobe. She tiptoed cautiously to the
+door and opened it.
+
+It was at this very moment that old Huang Chow, asleep in his
+cell-like apartment, was aroused by the tinkling of a bell set
+immediately above his head. He awoke instantly, raised his hand
+and stopped the bell. His expression, could anyone have been
+present to see it, was a thing unpleasant to behold. Triumph was
+in it, and cunning cruelty.
+
+His long yellow fingers reached out for his hornrimmed spectacles
+which lay upon a little table beside him. Adjusting them, he
+pulled the curtains aside and shuffled silently across the large
+room.
+
+Mounting the steps to the raised writing-table, he rested his
+elbows upon it, and peered down at that curious blotting-pad
+which had so provoked the curiosity of Durham. Could Durham have
+seen it now the mystery must have been solved. It was an
+ingenious camera obscura apparatus, and dimly depicted upon its
+surface appeared a reproduction of part of the storehouse
+beneath! The part of it which was visible was that touched by
+the light of an electric torch, carried by a man crossing the
+floor in the direction of the lacquered coffin upon the gilded
+pedestal!
+
+Old Huang Chow chuckled silently, and his yellow fingers clutched
+the table edge as he moved to peer more closely into the picture.
+
+"Poor fool!" he whispered in Chinese. "Poor fool!"
+
+It was the man who had come with the introduction from Mr.
+Isaacs--a new impostor who sought to rob him, who sought to
+obtain information from his daughter, who had examined his
+premises last night, and had even penetrated upstairs, so that
+he, old Huang Chow, had been compelled to disconnect the
+apparatus and to feign sleep under the scrutiny of the intruder.
+
+To-night it would be otherwise. To-night it would be otherwise.
+
+
+
+
+X
+
+THE LACQUERED COFFIN
+
+
+
+Durham gently raised the trap in the roof of Huang Chow's
+treasure-house. He was prepared for snares and pitfalls. No
+sane man, on the evidence which he, Durham, had been compelled to
+leave behind, would have neglected to fasten the skylight which
+so obviously afforded a means of entrance into his premises.
+
+Therefore, he was expected to return. The devilish mechanism was
+set ready to receive him. But the artist within him demanded
+that he should unmask the mystery with his own hands.
+
+Moreover, he doubted that an official visit, even now, would
+yield any results. Old Huang Chow was too cunning for that. If
+he was to learn how the man Cohen had died, he must follow the
+same path to the bitter end. But there were men on duty round
+the house, and he believed that he had placed them so secretly as
+to deceive even this master of cunning with whom he was dealing.
+
+He repeated his exploit, dropping with a dull thud upon the
+cushioned divan. Then, having lain there listening awhile, he
+pressed the button of his torch, and, standing up, crept across
+the room in the direction of the stairway.
+
+Here he paused awhile, listening intently. The image of Lala
+Huang arose before his mind's eye reproachfully, but he crushed
+the reproach, and advanced until he stood beside the lacquered
+coffin.
+
+He remembered where the key was hidden, and, stooping, he fumbled
+for a while and then found it. He was acutely conscious of an
+unnameable fear. He felt that he was watched, and yet was
+unwilling to believe it. The musty and unpleasant smell which he
+had noticed before became extremely perceptible.
+
+He quietly sought for the hidden lock, and, presently finding it,
+inserted the key, then paused awhile. He rested his torch upon
+the cushions of the divan where the light shone directly upon the
+coffin. Then, having his automatic in his left hand, he turned
+the key.
+
+He had expected now to be able to raise the lid as he had seen
+Huang Chow do; but the result was far more surprising.
+
+The lid, together with a second framework of fine netting, flew
+open with a resounding bang; and from the interior of the coffin
+uprose a most abominable stench.
+
+Durham started back a step, and as he did so witnessed a sight
+which turned him sick with horror.
+
+Out on to the edge of the coffin leapt the most gigantic spider
+which he had ever seen in his life! It had a body as big as a
+man's fist, jet black, with hairy legs like the legs of a crab
+and a span of a foot or more!
+
+A moment it poised there, while he swayed, sick with horror.
+Then, unhesitatingly, it leapt for his face!
+
+He groaned and fired, missed the horror, but diverted its leap,
+so that it fell with a sickening thud a yard behind him. He
+turned, staggering back towards the stair, and aware that a light
+had shone out from somewhere.
+
+A door had been opened only a few yards from where he stood, and
+there, framed in the opening, was Lala Huang, her eyes wide with
+terror and her gaze set upon him across the room.
+
+"You!" she whispered. "You!"
+
+"Go back!" he cried hoarsely. "Go back! Close the door. You
+don't understand--close the door!"
+
+Her gaze set wildly upon him, Lala staggered forward; stopped
+dead; looked down at her bare ankle, and then, seeing the thing
+which had fastened upon her, uttered a piercing shriek which rang
+throughout the place.
+
+At which moment the floor slid away beneath Durham, and he found
+himself falling--falling--and then battling for life in evil-
+smelling water, amidst absolute darkness.
+
+Police whistles were skirling around the house of Huang Chow. As
+the hidden men came running into the court:
+
+"You heard the shot?" cried the sergeant in charge. "I warned
+him not to go alone. Don't waste time on the door. One man stay
+on duty there; the rest of you follow me."
+
+In a few moments, led by the sergeant, the party came dropping
+heavily through the skylight into the treasure-house of Huang
+Chow, in which every lamp was now alight. A trap was open near
+the foot of the stairs, and from beneath it muffled cries
+proceeded. In this direction the sergeant headed. Craning over
+the trap:
+
+"Hallo, Mr. Durham!" he called. "Mr. Durham!"
+
+"Get a rope and a ladder," came a faint cry from below. "I can
+just touch bottom with my feet and keep my head above water, but
+the tide's coming in. Look to the girl, though, first. Look to
+the girl!"
+
+The sergeant turned to where, stretched upon a tiger skin before
+a half-open door, Lala Huang lay, scantily clothed and white as
+death.
+
+Upon one of her bare ankles was a discoloured mark.
+
+As the sergeant and another of the men stooped over her a moaning
+sound drew their attention to the stair, and there, bent and
+tottering slowly down, was old Huang Chow, his eyes peering
+through the owl-like glasses vacantly across the room to where
+his daughter lay.
+
+"My God!" whispered the sergeant, upon one knee beside her. He
+looked blankly into the face of the other man. "She's dead!"
+
+Two plain-clothes men were busy knotting together tapestries and
+pieces of rare stuff with which to draw Durham out of the pit;
+but at these old Huang Chow looked not at all, but gropingly
+crossed the room, as if he saw imperfectly, or could not believe
+what he saw. At last he reached the side of the dead girl,
+stooped, touched her, laid a trembling yellow hand over her
+heart, and then stood up again, looking from face to face.
+
+Ignoring the mingled activities about him, he crossed to the open
+coffin and began to fumble amongst the putrefying mass of bones
+and webbing which lay therein. Out from this he presently drew
+an iron coffer.
+
+Carrying it across the room he opened the lid. It was full
+almost to the top with uncut gems of every variety--diamonds,
+rubies, sapphires, emeralds, topaz, amethysts, flashing greenly,
+redly, whitely. In handfuls he grasped them and sprinkled them
+upon the body of the dead girl.
+
+"For you," he crooned brokenly in Chinese. "They were all for
+you!"
+
+The extemporized rope had just been lowered to Durham, when:
+
+"My God!" cried the sergeant, looking over Huang Chow's shoulder.
+"What's that?"
+
+He had seen the giant spider, the horror from Surinam, which the
+Chinaman had reared and fed to guard his treasure and to gratify
+his lust for the strange and cruel. The insect, like everything
+else in that house, was unusual, almost unique. It was one of
+the Black Soldier spiders, by some regarded as a native myth, but
+actually existing in Surinam and parts of Brazil. A member of
+the family, Mygale, its sting was more quickly and certainly
+fatal than that of a rattle-snake. Its instinct was fearlessly
+to attack any creature, great or small, which disturbed it in its
+dark hiding-place.
+
+Now, with feverish, horrible rapidity it was racing up the
+tapestries on the other side of the room.
+
+"Merciful God!" groaned the sergeant.
+
+Snatching a revolver from his pocket he fired shot after shot.
+The third hit the thing but did not kill it. It dropped back
+upon the floor and began to crawl toward the coffin. The
+sergeant ran across and at close quarters shot it again.
+
+Red blood oozed out from the hideous black body and began to form
+a deep stain upon the carpet.
+
+When Durham, drenched but unhurt, was hauled back into the
+treasure-house, he did not speak, but, scrambling into the room
+stood--pallid--staring dully at old Huang Chow.
+
+Huang Chow, upon his knees beside his daughter, was engaged in
+sprinkling priceless jewels over her still body, and murmuring in
+Chinese:
+
+"For you, for you, Lala. They were all for you."
+
+
+
+
+
+
+KERRY'S KID
+
+
+
+
+
+
+I
+
+RED KERRY ON DUTY
+
+
+
+Chief Inspector Kerry came down from the top of a motor-bus and
+stood on the sidewalk for a while gazing to right and left along
+Piccadilly. The night was humid and misty, now threatening fog
+and now rain. Many travellers were abroad at this Christmas
+season, the pleasure seekers easily to be distinguished from
+those whom business had detained in town, and who hurried toward
+their various firesides. The theatres were disgorging their
+audiences. Streams of lighted cars bore parties supperward; less
+pretentious taxicabs formed links in the chain.
+
+From the little huddled crowd of more economical theatre-goers
+who waited at the stopping place of the motor-buses, Kerry
+detached himself, walking slowly along westward and staring
+reflectively about him. Opposite the corner of Bond Street he
+stood still, swinging his malacca cane and gazing fixedly along
+this narrow bazaar street of the Baghdad of the West. His trim,
+athletic figure was muffled in a big, double-breasted, woolly
+overcoat, the collar turned up about his ears. His neat bowler
+hat was tilted forward so as to shade the fierce blue eyes.
+Indeed, in that imperfect light, little of the Chief Inspector's
+countenance was visible except his large, gleaming white teeth,
+which he constantly revealed in the act of industriously chewing
+mint gum.
+
+He smiled as he chewed. Duty had called him out into the mist,
+and for once he had obeyed reluctantly. That very afternoon had
+seen the return of Dan Kerry, junior, home from school for the
+Christmas vacation, and Dan was the apple of his father's eye.
+
+Mrs. Kerry had reserved her dour Scottish comments upon the
+boy's school report for a more seemly occasion than the first day
+of his holidays; but Kerry had made no attempt to conceal his
+jubilation--almost immoral, his wife had declared it to be--
+respecting the lad's athletic record. His work on the junior
+left wing had gained the commendation of a celebrated
+international; and Kerry, who had interviewed the gymnasium
+instructor, had learned that Dan Junior bade fair to become an
+amateur boxer of distinction.
+
+"He is faster on his feet than any boy I ever handled," the
+expert had declared. "He hasn't got the weight behind it yet, of
+course, but he's developing a left that's going to make history.
+I'm of opinion that there isn't a boy in the seniors can take him
+on, and I'll say that he's a credit to you."
+
+Those words had fallen more sweetly upon the ears of Chief
+Inspector Kerry than any encomium of the boy's learning could
+have done. On the purely scholastic side his report was not a
+good one, admittedly. "But," murmured Kerry aloud, "he's going
+to be a man."
+
+He remembered that he had promised, despite the lateness of the
+hour, to telephone the lad directly he had received a certain
+report, and to tell him whether he might wait up for his return
+or whether he must turn in. Kerry, stamping his small, neatly
+shod feet upon the pavement, smiled agreeably. He was thinking
+of the telephone which recently he had had installed in his house
+in Brixton. His wife had demanded this as a Christmas box,
+pointing out how many uneasy hours she would be spared by the
+installation. Kerry had consented cheerfully enough, for was he
+not shortly to be promoted to the exalted post of a
+superintendent of the Criminal Investigation Department?
+
+These reflections were cheering and warming; and, waiting until a
+gap occurred in the stream of cabs and cars, he crossed
+Piccadilly and proceeded along Bond Street, swinging his
+shoulders in a manner which would have enabled any constable in
+the force to recognize "Red Kerry" at a hundred yards.
+
+The fierce eyes scrutinized the occupants of all the lighted
+cars. At pedestrians also he stared curiously, and at another
+smaller group of travellers waiting for the buses on the left-
+hand side of the street he looked hard and long. He pursued his
+way, acknowledged the salutation of a porter who stood outside
+the entrance to the Embassy Club, and proceeded, glancing about
+him right and left and with some evident and definite purpose.
+
+A constable standing at the corner of Conduit Street touched his
+helmet as Kerry passed and the light of an arc-lamp revealed the
+fierce red face. The Chief Inspector stopped, turned, and:
+
+"What the devil's the idea?" he demanded.
+
+He snapped out the words in such fashion that the unfortunate
+constable almost believed he could see sparks in the misty air.
+
+"I'm sorry, sir, but recognizing you suddenly like, I----"
+
+"You did?" the fierce voice interrupted. "How long in the
+force?"
+
+"Six months, sir."
+
+"Never salute an officer in plain clothes."
+
+"I know, sir."
+
+"Then why did you do it?"
+
+"I told you, sir."
+
+"Then tell me again."
+
+"I forgot."
+
+"You're paid to remember; bear it in mind."
+
+Kerry tucked his malacca under his arm and walked on, leaving the
+unfortunate policeman literally stupefied by his first encounter
+with the celebrated Chief Inspector.
+
+Presently another line of cars proclaimed the entrance to a club,
+and just before reaching the first of these Kerry paused. A man
+stood in a shadowy doorway, and:
+
+"Good evening, Chief Inspector," he said quietly.
+
+"Good evening, Durham. Anything to report?"
+
+"Yes. Lou Chada is here again."
+
+"With whom?"
+
+"Lady Rourke."
+
+Kerry stepped to the edge of the pavement and spat out a piece of
+chewing-gum. From his overcoat pocket he drew a fresh piece,
+tore off the pink wrapping and placed the gum between his teeth.
+Then:
+
+"How long?" he demanded.
+
+"Came to dinner. They are dancing."
+
+"H'm!" The Chief Inspector ranged himself beside the other
+detective in the shadow of the doorway. "Something's brewing,
+Durham," he said. "I think I shall wait."
+
+His subordinate stared curiously but made no reply. He was not
+wholly in his chief's confidence. He merely knew that the name
+of Lou Chada to Kerry was like a red rag to a bull. The
+handsome, cultured young Eurasian, fresh from a distinguished
+university career and pampered by a certain section of smart
+society, did not conform to Detective Sergeant Durham's idea of a
+suspect. He knew that Lou was the son of Zani Chada, and he knew
+that Zani Chada was one of the wealthiest men in Limehouse. But
+Lou had an expensive flat in George Street; Lou was courted by
+society butterflies, and in what way he could be connected with
+the case known as "the Limehouse inquiry," Durham could not
+imagine.
+
+That the open indiscretion of Lady "Pat" Rourke might lead to
+trouble with her husband, was conceivable enough; but this was
+rather a matter for underhand private inquiry than for the
+attention of the Criminal Investigation Department of New
+Scotland Yard.
+
+So mused Durham, standing cold and uncomfortable in the shadowy
+doorway, and dreaming of a certain cosy fireside, a pair of
+carpet slippers and a glass of hot toddy which awaited him.
+Suddenly:
+
+"Great flames! Look!" he cried.
+
+Kerry's fingers closed, steely, upon Durham's wrist. A porter was
+urgently moving the parked cars farther along the street to
+enable one, a French coupe, to draw up before the club entrance.
+
+Two men came out, supporting between them a woman who seemed to
+be ill; a slender, blonde woman whose pretty face was pale and
+whose wide-open blue eyes stared strangely straight before her.
+The taller of her escorts, while continuing to support her,
+solicitously wrapped her fur cloak about her bare shoulders; the
+other, the manager of the club, stepped forward and opened the
+door of the car.
+
+"Lady Rourke!" whispered Durham.
+
+"With Lou Chada!" rapped Kerry. "Run for a cab. Brisk. Don't
+waste a second."
+
+Some little conversation ensued between manager and patron, then
+the tall, handsome Eurasian, waving his hand protestingly,
+removed his hat and stepped into the coupe beside Lady Rourke.
+It immediately moved away in the direction of Piccadilly.
+
+One glimpse Kerry had of the pretty, fair head lying limply back
+against the cushions. The manager of the club was staring after
+the car.
+
+Kerry stepped out from his hiding place. Durham had disappeared,
+and there was no cab in sight, but immediately beyond the
+illuminated entrance stood a Rolls-Royce which had been fifth in
+the rank of parked cars before the adjustment had been made to
+enable the coupe to reach the door. Kerry ran across, and:
+
+"Whose car, my lad?" he demanded of the chauffeur.
+
+The latter, resenting the curt tone of the inquiry, looked the
+speaker up and down, and:
+
+"Captain. Egerton's," he replied slowly. "But what business may
+it be of yours?"
+
+"I'm Chief Inspector Kerry, of New Scotland Yard," came the rapid
+reply. "I want to follow the car that has just left."
+
+"What about running?" demanded the man insolently.
+
+Kerry shot out a small, muscular hand and grasped the speaker's
+wrist.
+
+"I'll say one thing to you," he rapped. "I'm a police officer,
+and I demand your help. Refuse it, and you'll wake up in Vine
+Street."
+
+The Chief Inspector was on the step now, bending forward so that
+his fierce red face was but an inch removed from that of the
+startled chauffeur. The quelling force of his ferocious
+personality achieved its purpose, as it rarely failed to do.
+
+"I'm getting in," added the Chief Inspector, jumping back on to
+the pavement. "Lose that French bus, and I'll charge you with
+resisting and obstructing an officer of the law in the execution
+of his duty. Start."
+
+Kerry leaped in and banged the door--and the Rolls-Royce started.
+
+
+
+
+II
+
+AT MALAY JACK'S
+
+
+
+When Kerry left Bond Street the mistiness of the night was
+developing into definite fog. It varied in different districts.
+Thus, St. Paul's Churchyard had been clear of it at a time when
+it had lain impenetrably in Trafalgar Square. When, an hour and
+a half after setting out in the commandeered Rolls-Royce, Kerry
+groped blindly along Limehouse Causeway, it was through a yellow
+murk that he made his way--a vapour which could not only be seen,
+smelled and felt, but tasted.
+
+He was in one of his most violent humours. He found some slight
+solace in the reflection that the impudent chauffeur, from whom
+he had parted in West India Dock Road, must experience great
+difficulty in finding his way back to the West End.
+
+"Damn the fog!" he muttered, coughing irritably.
+
+It had tricked him, this floating murk of London; for, while he
+had been enabled to keep the coupe in view right to the fringe of
+dockland, here, as if bred by old London's river, the fog had
+lain impenetrably.
+
+Chief Inspector Kerry was a man who took many risks, but because
+of this cursed fog he had no definite evidence that Chada's car
+had gone to a certain house. Right of search he had not, and so
+temporarily he was baffled.
+
+Now the nearest telephone was his objective, and presently, where
+a blue light dimly pierced the mist, he paused, pushed open a
+swing door, and stepped into a long, narrow passage. He
+descended three stairs, and entered a room laden with a sickly
+perfume compounded of stale beer and spirits; of greasy
+humanity--European, Asiastic, and African; of cheap tobacco and
+cheaper scents; and, vaguely, of opium.
+
+It was fairly well lighted, but the fog had penetrated here,
+veiling some of the harshness of its rough appointments. An
+unsavoury den was Malay Jack's, where flotsam of the river might
+be found. Yellow men there were, and black men and brown men.
+But all the women present were white.
+
+Fan-tan was in progress at one of the tables, the four players
+being apparently the only strictly sober people in the room. A
+woman was laughing raucously as Kerry entered, and many coarse-
+voiced conversations were in progress; but as he pulled the rough
+curtain walls aside and walked into the room, a hush, highly
+complimentary to the Chief Inspector's reputation, fell upon the
+assembly. Only the woman's raucous laughter continued, rising, a
+hideous solo, above a sort of murmur, composed of the words "Red
+Kerry!" spoken in many tones.
+
+Kerry ignored the sensation which his entrance had created, and
+crossed the room to a small counter, behind which a dusky man was
+standing, coatless and shirt sleeves rolled up. He had the skin
+of a Malay but the features of a stage Irishman of the old
+school. And, indeed, had he known his own pedigree, which is a
+knowledge beyond the ken of any man, partly Irish he might have
+found himself indeed to be.
+
+This was Malay Jack, the proprietor of one of the roughest houses
+in Limehouse. His expression, while propitiatory, was not
+friendly, but:
+
+"Don't get hot and bothered," snapped Kerry viciously. "I want
+to use your telephone, that's all."
+
+"Oh," said the other, unable to conceal his relief, "that's easy.
+Come in."
+
+He raised a flap in the counter, and Kerry, passing through,
+entered a little room behind the bar. Here a telephone stood
+upon a dirty, littered table, and, taking it up:
+
+"City four hundred," called the Chief Inspector curtly. A moment
+later: "Hallo! Yes," he said. "Chief Inspector Kerry speaking.
+Put me through to my department, please."
+
+He stood for a while waiting, receiver in hand, and smiled grimly
+to note that the uproar in the room beyond had been resumed.
+Evidently Malay Jack had given the "all clear" signal. Then:
+
+"Chief Inspector Kerry speaking," he said again. "Has Detective
+Sergeant Durham reported?"
+
+"Yes," was the reply, "half an hour ago. He's standing-by at
+Limehouse Station. He followed you in a taxi, but lost you on
+the way owing to the fog."
+
+"I don't wonder," said Kerry. "His loss is not so great as mine.
+Anything else?"
+
+"Nothing else."
+
+"Good. I'll speak to Limehouse. Good-bye."
+
+He replaced the receiver and paused for a moment, reflecting.
+Extracting a piece of tasteless gum from between his teeth, he
+deposited it in the grate, where a sickly fire burned; then,
+tearing the wrapper from a fresh slip, he resumed his chewing and
+stood looking about him with unseeing eyes. Fierce they were as
+ever, but introspective in expression.
+
+Famous for his swift decisions, for once in a way he found
+himself in doubt. Malay Jack had keen ears, and there were those
+in the place who had every reason to be interested in the
+movements of a member of the Criminal Investigation Department,
+especially of one who had earned the right to be dreaded by the
+rats of Limehouse. London's peculiar climate fought against him,
+but he determined to make no more telephone calls but to proceed
+to Limehouse police station.
+
+He stepped swiftly into the bar, and, as he had anticipated,
+nearly upset the proprietor, who was standing listening by the
+half-open door. Kerry smiled fiercely into the ugly face, lifted
+the flap, and walked down the room, through the aisle between the
+scattered tables, where the air was heavy with strange perfumes,
+touched now with the bite of London fog, and where slanting eyes
+and straight eyes, sober eyes and drunken eyes, regarded him
+furtively. Something of a second hush there was, but one not so
+complete as the first.
+
+Kerry pulled the curtain aside, mounted the stair, walked along
+the passage and out through the swing door into the yellow gloom
+of the Causeway. Ten slow steps he had taken when he detected a
+sound of pursuit. Like a flash he turned, clenching his fists.
+Then:
+
+"Inspector!" whispered a husky voice.
+
+"Yes! Who are you? What do you want?"
+
+A dim form loomed up through the fog.
+
+"My name is Peters, sir. Inspector Preston knows me."
+
+Kerry had paused immediately under a street lamp, and now he
+looked into the pinched, lean face of the speaker, and:
+
+"I've heard of you," he snapped. "Got some information for me?"
+
+"I think so; but walk on."
+
+Chief Inspector Kerry hesitated. Peters belonged to a class
+which Kerry despised with all the force of his straightforward
+character. A professional informer has his uses from the police
+point of view; and while evidence of this kind often figured in
+reports made to the Chief Inspector, he personally avoided
+contact with such persons, as he instinctively and daintily
+avoided contact with personal dirt. But now, something so big
+was at stake that his hesitation was only momentary.
+
+A vision of the pale face of Lady Rourke, of the golden head
+leaning weakly back upon the cushions of the coupe, as he had
+glimpsed it in Bond Street, rose before his mind's eye as if
+conjured up out of the fog. Peters shuffled along beside him,
+and:
+
+"Young Chada's done himself in to-night," continued the husky
+voice. "He brought a swell girl to the old man's house an hour
+ago. I was hanging about there, thinking I might get some
+information. I think she was doped."
+
+"Why?" snapped Kerry.
+
+"Well, I was standing over on the other side of the street. Lou
+Chada opened the door with a key; and when the light shone out I
+saw him carry her in."
+
+"Carry her in?"
+
+"Yes. She was in evening dress, with a swell cloak."
+
+"The car?"
+
+"He came out again and drove it around to the garage at the
+back."
+
+"Why didn't you report this at once?"
+
+"I was on my way to do it when I saw you coming out of Malay
+Jack's."
+
+The man's voice shook nervously, and:
+
+"What are you scared about?" asked Kerry savagely. "Got anything
+else to tell me?"
+
+"No, no," muttered Peters. "Only I've got an idea he saw me."
+
+"Who saw you?"
+
+"Lou Chada."
+
+"What then?"
+
+"Well, only--don't leave me till we get to the station."
+
+Kerry blew down his nose contemptuously, then stopped suddenly.
+
+"Stand still," he ordered. "I want to listen."
+
+Silent, they stood in a place of darkness, untouched by any
+lamplight. Not a sound reached them through the curtain of fog.
+Asiatic mystery wrapped them about, but Kerry experienced only
+contempt for the cowardice of his companion, and:
+
+"You need come no farther," he said coldly. "Good night."
+
+"But------" began the man.
+
+"Good night," repeated Kerry.
+
+He walked on briskly, tapping the pavement with his malacca. The
+sneaking figure of the informer was swallowed up in the fog. But
+not a dozen paces had the Chief Inspector gone when he was
+arrested by a frenzied scream, rising, hollowly, in a dreadful,
+muffled crescendo. Words reached him.
+
+"My God, he's stabbed me!"
+
+Then came a sort of babbling, which died into a moan.
+
+"Hell!" muttered Kerry, "the poor devil was right!"
+
+He turned and began to run back, fumbling in his pocket for his
+electric torch. Almost in the same moment that he found it he
+stumbled upon Peters, who lay half in the road and half upon the
+sidewalk.
+
+Kerry pressed the button, and met the glance of upturned, glazing
+eyes. Even as he dropped upon his knee beside the dying man,
+Peters swept his arm around in a convulsive movement, having the
+fingers crooked, coughed horribly, and rolled upon his face.
+
+Switching off the light of the torch, Kerry clenched his jaws in
+a tense effort of listening, literally holding his breath. But
+no sound reached him through the muffling fog. A moment he
+hesitated, well knowing his danger, then viciously snapping on
+the light again, he quested in the blood-stained mud all about
+the body of the murdered man.
+
+"Ah!"
+
+It was an exclamation of triumph.
+
+One corner hideously stained, for it had lain half under Peters's
+shoulder, Kerry gingerly lifted between finger and thumb a
+handkerchief of fine white silk, such as is carried in the breast
+pocket of an evening coat.
+
+It bore an ornate monogram worked in gold, and representing the
+letters "L. C." Oddly enough, it was the corner that bore the
+monogram which was also bloodstained.
+
+
+
+
+III
+
+THE ROOM OF THE GOLDEN BUDDHA
+
+
+
+It was a moot point whether Lady Pat Rourke merited condemnation
+or pity. She possessed that type of blonde beauty which seems to
+be a lodestone for mankind in general. Her husband was wealthy,
+twelve years her senior, and, far from watching over her with
+jealous care--an attitude which often characterizes such unions--
+he, on the contrary, permitted her a dangerous freedom, believing
+that she would appreciate without abusing it.
+
+Her friendship with Lou Chada had first opened his eyes to the
+perils which beset the road of least resistance. Sir Noel Rourke
+was an Anglo-Indian, and his prejudice against the Eurasian was
+one not lightly to be surmounted. Not all the polish which
+English culture had given to this child of a mixed union could
+blind Sir Noel to the yellow streak. Courted though Chada was by
+some of the best people, Sir Noel remained cold.
+
+The long, magnetic eyes, the handsome, clear-cut features, above
+all, that slow and alluring smile, appealed to the husband of the
+wilful Pat rather as evidences of Oriental, half-effeminate
+devilry than as passports to decent society. Oxford had veneered
+him, but scratch the veneer and one found the sandal-wood of the
+East, perfumed, seductive, appealing, but something to be shunned
+as brittle and untrustworthy.
+
+Yet he hesitated, seeking to be true to his convictions. Knowing
+what he knew already, and what he suspected, it is certain that,
+could he have viewed Lou Chada through the eyes of Chief
+Inspector Kerry, the affair must have terminated otherwise. But
+Sir Noel did not know what Kerry knew. And the pleasure-seeking
+Lady Rourke, with her hair of spun gold and her provoking smile,
+found Lou Chada dangerously fascinating; almost she was
+infatuated--she who had known so much admiration.
+
+Of those joys for which thousands of her plainer sisters yearn
+and starve to the end of their days she had experienced a
+surfeit. Always she sought for novelty, for new adventures. She
+was confident of herself, but yet--and here lay the delicious
+thrill--not wholly confident. Many times she had promised to
+visit the house of Lou Chada's father--a mystery palace
+cunningly painted, a perfumed page from the Arabian poets dropped
+amid the interesting squalor of Limehouse.
+
+Perhaps she had never intended to go. Who knows? But on the
+night when she came within the ken of Chief Inspector Kerry, Lou
+Chada had urged her to do so in his poetically passionate
+fashion, and, wanting to go, she had asked herself: "Am I strong
+enough? Dare I?"
+
+They had dined, danced, and she had smoked one of the scented
+cigarettes which he alone seemed to be able to procure, and
+which, on their arrival from the East, were contained in queer
+little polished wooden boxes.
+
+Then had come an unfamiliar nausea and dizziness, an
+uncomfortable recognition of the fact that she was making a fool
+of herself, and finally a semi-darkness through which familiar
+faces loomed up and were quickly lost again. There was the soft,
+musical voice of Lou Chada reassuring her, a sense of chill, of
+helplessness, and then for a while an interval which afterward
+she found herself unable to bridge.
+
+Knowledge of verity came at last, and Lady Pat raised herself
+from the divan upon which she had been lying, and, her slender
+hands clutching the cushions, stared about her with eyes which
+ever grew wider.
+
+She was in a long, rather lofty room, which was lighted by three
+silver lanterns swung from the ceiling. The place, without
+containing much furniture, was a riot of garish, barbaric colour.
+There were deep divans cushioned in amber and blood-red. Upon
+the floor lay Persian carpets and skins of beasts. Cunning
+niches there were, half concealing and half revealing long-necked
+Chinese jars; and odd little carven tables bore strangely
+fashioned vessels of silver. There was a cabinet of ebony inlaid
+with jade, there were black tapestries figured with dragons of
+green and gold. Curtains she saw of peacock-blue; and in a tall,
+narrow recess, dominating the room, squatted a great golden
+Buddha.
+
+The atmosphere was laden with a strange perfume.
+
+But, above all, this room was silent, most oppressively silent.
+
+Lady Pat started to her feet. The whole perfumed place seemed to
+be swimming around her. Reclosing her eyes, she fought down her
+weakness. The truth, the truth respecting Lou Chada and herself,
+had uprisen starkly before her. By her own folly--and she could
+find no tiny excuse--she had placed herself in the power of a man
+whom, instinctively, deep within her soul, she had always known
+to be utterly unscrupulous.
+
+How cleverly he had concealed the wild animal which dwelt beneath
+that suave, polished exterior! Yet how ill he had concealed it!
+For intuitively she had always recognized its presence, but had
+deliberately closed her eyes, finding a joy in the secret
+knowledge of danger. Now at last he had discarded pretense.
+
+The cigarette which he had offered her at the club had been
+drugged. She was in Limehouse, at the mercy of a man in whose
+veins ran the blood of ancestors to whom women had been chattels.
+Too well she recognized that his passion must have driven him
+insane, as he must know at what cost he took such liberties with
+one who could not lightly be so treated. But these reflections
+afforded poor consolation. It was not of the penalties that Lou
+Chada must suffer for this infringement of Western codes, but of
+the price that she must pay for her folly, of which Pat was
+thinking.
+
+There was a nauseating taste upon her palate. She remembered
+having noticed it faintly while she was smoking the cigarette;
+indeed, she had commented upon it at the time.
+
+"The dirty yellow blackguard!" she said aloud, and clenched her
+hands.
+
+She merely echoed what many a man had said before her. She
+wondered at herself, and in doing so but wondered at the mystery
+of womanhood.
+
+Clarity was returning. The room no longer swam around her. She
+crossed in the direction of a garish curtain, which instinctively
+she divined to mask a door. Dragging it aside, she tried the
+handle, but the door was locked. A second door she found, and
+this also proved to be locked.
+
+There was one tall window, also covered by ornate draperies, but
+it was shuttered, and the shutters had locks. Another small
+window she discovered, glazed with amber glass, but set so high
+in the wall as to be inaccessible.
+
+Dread assailed her, and dropping on to one of the divans, she hid
+her face in her hands.
+
+"My God!" she whispered. "My God! Give me strength--give me
+courage."
+
+For a long time she remained there, listening for any sound which
+should disperse the silence. She thought of her husband, of the
+sweet security of her home, of the things which she had forfeited
+because of this mad quest of adventure. And presently a key
+grated in a lock.
+
+Lady Pat started to her feet with a wild, swift action which must
+have reminded a beholder of a startled gazelle. The drapery
+masking the door which she had first investigated was drawn
+aside. A man entered and dropped the curtain behind him.
+
+Exactly what she had expected she could not have defined, but the
+presence of this perfect stranger was a complete surprise. The
+man, who wore embroidered slippers and a sort of long blue robe,
+stood there regarding her with an expression which, even in her
+frantic condition, she found to be puzzling. He had long, untidy
+gray hair brushed back from his low brow; eyes strangely like the
+eyes of Lou Chada, except that they were more heavy-lidded; but
+his skin was as yellow as a guinea, and his gaunt, cleanshaven
+face was the face of an Oriental.
+
+The slender hands, too, which he held clasped before him, were
+yellow, and possessed a curiously arresting quality. Pat
+imagined them clasped about her white throat, and her very soul
+seemed to shrink from the man who stood there looking at her with
+those long, magnetic, inscrutable eyes.
+
+She wondered why she was surprised, and suddenly realized that it
+was because of the expression in his eyes, for it was an
+expression of cold anger. Then the intruder spoke.
+
+"Who are you?" he demanded, speaking with an accent which was
+unfamiliar to her, but in a voice which was not unlike the voice
+of Lou Chada. "Who brought you here?"
+
+This was so wholly unexpected that for a moment she found herself
+unable to reply, but finally:
+
+"How dare you!" she cried, her native courage reasserting itself.
+"I have been drugged and brought to this place. You shall pay
+for it. How dare you!"
+
+"Ah!" The long, dark eyes regarded her unmovingly. "But who are
+you?"
+
+"I am Lady Rourke. Open the door. You shall bitterly regret
+this outrage."
+
+"You are Lady Rourke?" the man repeated. "Before you speak of
+regrets, answer the question which I have asked: Who brought you
+here?"
+
+"Lou Chada."
+
+"Ah!" There was no alteration of pose, no change of expression,
+but slightly the intonation had varied.
+
+"I don't know who you are, but I demand to be released from this
+place instantly."
+
+The man standing before the curtained door slightly inclined his
+head.
+
+"You shall be released," he replied, "but not instantly. I will
+see the one who brought you here. He may not be entirely to
+blame. Before you leave we shall understand one another."
+
+Tone and glance were coldly angry. Then, before the frightened
+woman could say another word, the man in the blue robe robe
+withdrew, the curtain was dropped again, and she heard the
+grating of a key in the lock. She ran to the door, beating upon
+it with her clenched hands.
+
+"Let me go!" she cried, half hysterically. "Let me go! You
+shall pay for this! Oh, you shall pay for this!"
+
+No one answered, and, turning, she leaned back against the
+curtain, breathing heavily and fighting for composure, for
+strength.
+
+
+
+
+IV
+
+ZANI CHADA, THE EURASIAN
+
+
+
+"I can't help thinking, Chief Inspector," said the officer in
+charge at Limehouse Station, "that you take unnecessary risks."
+
+"Can't you?" said Kerry, tilting his bowler farther forward and
+staring truculently at the speaker.
+
+"No, I can't. Since you cleaned up the dope gang down here
+you've been a marked man. These murders in the Chinatown area,
+of which this one to-night makes the third, have got some kind of
+big influence behind them. Yet you wander about in the fog
+without even a gun in your pocket."
+
+"I don't believe in guns," rapped Kerry. "My bare hands are good
+enough for any yellow smart in this area. And if they give out I
+can kick like a mule."
+
+The other laughed, shaking his head.
+
+"It's silly, all the same," he persisted. "The man who did the
+job out there in the fog to-night might have knifed you or shot
+you long before you could have got here."
+
+"He might," snapped Kerry, "but he didn't."
+
+Yet, remembering his wife, who would be waiting for him in the
+cosy sitting-room he knew a sudden pang. Perhaps he did take
+unnecessary chances. Others had said so. Hard upon the thought
+came the memory of his boy, and of the telephone message which
+the episodes of the night had prevented him from sending.
+
+He remembered, too, something which his fearless nature had
+prompted him to forget: he remembered how, just as he had arisen
+from beside the body of the murdered man, oblique eyes had
+regarded him swiftly out of the fog. He had lashed out with a
+boxer's instinct, but his knuckles had encountered nothing but
+empty air. No sound had come to tell him that the thing had not
+been an illusion. Only, once again, as he groped his way through
+the shuttered streets of Chinatown and the silence of the yellow
+mist, something had prompted him to turn; and again he had
+detected the glint of oblique eyes, and faintly had discerned the
+form of one who followed him.
+
+Kerry chewed viciously, then:
+
+"I think I'll 'phone the wife," he said abruptly. "She'll be
+expecting me."
+
+Almost before he had finished speaking the 'phone bell rang, and
+a few moments later:
+
+"Someone to speak to you, Chief Inspector," cried the officer in
+charge.
+
+"Ah!" exclaimed Kerry, his fierce eyes lighting up. "That will
+be from home."
+
+"I don't think so," was the reply. "But see who it is."
+
+"Hello!" he called.
+
+He was answered by an unfamiliar voice, a voice which had a
+queer, guttural intonation. It was the sort of voice he had
+learned to loathe.
+
+"Is that Chief Inspector Kerry?"
+
+"Yes," he snapped.
+
+"May I take it that what I have to say will be treated in
+confidence?"
+
+"Certainly not."
+
+"Think again, Chief Inspector," the voice continued. "You are a
+man within sight of the ambition of years, and although you may
+be unaware of the fact, you stand upon the edge of a disaster. I
+appreciate your sense of duty and respect it. But there are
+times when diplomacy is a more potent weapon than force."
+
+Kerry, listening, became aware that the speaker was a man of
+cultured intellect. He wondered greatly, but:
+
+"My time is valuable," he said rapidly. "Come to the point.
+What do you want and who are you?"
+
+"One moment, Chief Inspector. An opportunity to make your
+fortune without interfering with your career has come in your
+way. You have obtained possession of what you believe to be a
+clue to a murder."
+
+The voice ceased, and Kerry remaining silent, immediately
+continued:
+
+"Knowing your personal character, I doubt if you have
+communicated the fact of your possessing this evidence to anyone
+else. I suggest, in your own interests, that before doing so you
+interview me."
+
+Kerry thought rapidly, and then:
+
+"I don't say you're right," he rapped back. "But if I come to
+see you, I shall leave a sealed statement in possession of the
+officer in charge here."
+
+"To this I have no objection," the guttural voice replied, "but I
+beg of you to bring the evidence with you."
+
+"I'm not to be bought," warned Kerry. "Don't think it and don't
+suggest it, or when I get to you I'll break you in half."
+
+His red moustache positively bristled, and he clutched the
+receiver so tightly that it quivered against his ear.
+
+"You mistake me," replied the speaker. "My name is Zani Chada.
+You know where I live. I shall not detain you more than five
+minutes if you will do me the honour of calling upon me."
+
+Kerry chewed furiously for ten momentous seconds, then:
+
+"I'll come!" he said.
+
+He replaced the receiver on the hook, and, walking across to the
+charge desk, took an official form and a pen. On the back of the
+form he scribbled rapidly, watched with curiosity by the officer
+in charge.
+
+"Give me an envelope," he directed.
+
+An envelope was found and handed to him. He placed the paper in
+the envelope, gummed down the lapel, and addressed it in large,
+bold writing to the Assistant Commissioner of the Criminal
+Investigation Department, who was his chief. Finally:
+
+"I'm going out," he explained.
+
+"After what I've said?"
+
+"After what you've said. I'm going out. If I don't come back or
+don't telephone within the next hour, you will know what to do
+with this."
+
+The Limehouse official stared perplexedly.
+
+"But meanwhile," he protested, "what steps am I to take about the
+murder? Durham will be back with the body at any moment now, and
+you say you've got a clue to the murderer."
+
+"I have," said Kerry, "but I'm going to get definite evidence.
+Do nothing until you hear from me."
+
+"Very good," answered the other, and Kerry, tucking his malacca
+cane under his arm, strode out into the fog.
+
+His knowledge of the Limehouse area was extensive and peculiar,
+so that twenty minutes later, having made only one mistake in the
+darkness, he was pressing an electric bell set beside a door
+which alone broke the expanse of a long and dreary brick wall,
+lining a street which neither by day nor night would have seemed
+inviting to the casual visitor.
+
+The door was opened by a Chinaman wearing national dress,
+revealing a small, square lobby, warmly lighted and furnished
+Orientally. Kerry stepped in briskly.
+
+"I want to see Mr. Zani Chada. Tell him I am here. Chief
+Inspector Kerry is my name."
+
+The Chinaman bowed, crossed the lobby, and, drawing some curtains
+aside, walked up four carpeted stairs and disappeared into a
+short passage revealed by the raising of the tapestry. As he did
+so Kerry stared about him curiously.
+
+He had never before entered the mystery house of Zani Chada, nor
+had he personally encountered the Eurasian, reputed to be a
+millionaire, but who chose, for some obscure reason, to make his
+abode in this old rambling building, once a country mansion,
+which to-day was closely invested by dockland and the narrow
+alleys of Chinatown. It was curiously still in the lobby, and,
+as he determined, curiously Eastern. He was conscious of a sense
+of exhilaration. That Zani Chada controlled powerful influences,
+he knew well. But, reviewing the precautions which he had taken,
+Kerry determined that the trump card was in his possession.
+
+The Chinese servant descended the stairs again and intimated that
+the visitor should follow him. Kerry, carrying his hat and cane,
+mounted the stairs, walked along the carpeted passage, and was
+ushered into a queer, low room furnished as a library.
+
+It was lined with shelves containing strange-looking books, none
+of which appeared to be English. Upon the top of the shelves
+were grotesque figures of gods, pieces of Chinese pottery and
+other Oriental ornaments. Arms there were in the room, and rich
+carpets, carven furniture, and an air of luxury peculiarly
+exotic. Furthermore, he detected a faint smell of opium from
+which fact he divined that Zani Chada was addicted to the
+national vice of China.
+
+Seated before a long narrow table was the notorious Eurasian.
+The table contained a number of strange and unfamiliar objects,
+as well as a small rack of books. An opium pipe rested in a
+porcelain bowl.
+
+Zani Chada, wearing a blue robe, sat in a cushioned chair,
+staring toward the Chief Inspector. With one slender yellow hand
+he brushed his untidy gray hair. His long magnetic eyes were
+half closed.
+
+"Good evening, Chief Inspector Kerry," he said. "Won't you be
+seated?"
+
+"Thanks, I'm not staying. I can hear what you've got to say
+standing."
+
+The long eyes grew a little more narrow--the only change of
+expression that Zani Chada allowed himself.
+
+"As you wish. I have no occasion to detain you long."
+
+In that queer, perfumed room, with the suggestion of something
+sinister underlying its exotic luxury, arose a kind of astral
+clash as the powerful personality of the Eurasian came in contact
+with that of Kerry. In a sense it was a contest of rapier and
+battle-axe; an insidious but powerful will enlisted against the
+bulldog force of the Chief Inspector.
+
+Still through half-closed eyes Zani Chada watched his visitor,
+who stood, feet apart and chin thrust forward aggressively,
+staring with wide open, fierce blue eyes at the other.
+
+"I'm going to say one thing," declared Kerry, snapping out the
+words in a manner little short of ferocious. He laid his hat and
+cane upon a chair and took a step in the direction of the narrow,
+laden table. "Make me any kind of offer to buy back the evidence
+you think I've got, and I'll bash your face as flat as a frying-
+pan."
+
+The yellow hands of Zani Chada clutched the metal knobs which
+ornamented the arms of the chair in which he was seated. The
+long eyes now presented the appearance of being entirely closed;
+otherwise he remained immovable.
+
+Following a short, portentous silence:
+
+"How grossly you misunderstood me, Chief Inspector," Chada
+replied, speaking very softly. "You are shortly to be promoted
+to a post which no one is better fitted to occupy. You enjoy
+great domestic happiness, and you possess a son in whom you
+repose great hopes. In this respect Chief Inspector, I resemble
+you."
+
+Kerry's nostrils were widely dilated, but he did not speak.
+
+"You see," continued the Eurasian, "I know many things about you.
+Indeed, I have watched your career with interest. Now, to be
+brief, a great scandal may be averted and a woman's reputation
+preserved if you and I, as men of the world, can succeed in
+understanding one another."
+
+"I don't want to understand you," said Kerry bluntly. "But
+you've said enough already to justify me in blowing this
+whistle." He drew a police whistle from his overcoat pocket.
+"This house is being watched."
+
+"I am aware of the fact," murmured Zani Chada.
+
+"There are two people in it I want for two different reasons. If
+you say much more there may be three."
+
+Chada raised his hand slowly.
+
+"Put back your whistle, Chief Inspector."
+
+There was a curious restraint in the Eurasian's manner which
+Kerry distrusted, but for which at the time he was at a loss to
+account. Then suddenly he determined that the man was waiting
+for something, listening for some sound. As if to confirm this
+reasoning, just at that moment a sound indeed broke the silence
+of the room.
+
+Somewhere far away in the distance of the big house a gong was
+beaten three times softly. Kerry's fierce glance searched the
+face of Zani Chada, but it remained mask-like, immovable. Yet
+that this had been a signal of some kind the Chief Inspector did
+not doubt, and:
+
+"You can't trick me," he said fiercely. "No one can leave this
+house without my knowledge, and because of what happened out
+there in the fog my hands are untied."
+
+He took up his hat and cane from the chair.
+
+"I'm going to search the premises," he declared.
+
+Zani Chada stood up slowly.
+
+"Chief Inspector," he said, "I advise you to do nothing until you
+have consulted your wife."
+
+"Consulted my wife?" snapped Kerry. "What the devil do you
+mean?"
+
+"I mean that any steps you may take now can only lead to disaster
+for many, and in your own case to great sorrow."
+
+Kerry took a step forward, two steps, then paused. He was
+considering certain words which the Eurasian had spoken. Without
+fearing the man in the physical sense, he was not fool enough to
+underestimate his potentialities for evil and his power to strike
+darkly.
+
+"Act as you please," added Zani Chada, speaking even more softly.
+"But I have not advised lightly. I will receive you, Chief
+Inspector, at any hour of the night you care to return. By to-
+morrow, if you wish, you may be independent of everybody."
+
+Kerry clenched his fists.
+
+"And great sorrow may be spared to others," concluded the
+Eurasian.
+
+Kerry's teeth snapped together audibly; then, putting on his hat,
+he turned and walked straight to the door.
+
+
+
+
+V
+
+DAN KERRY, JUNIOR
+
+
+
+Dan Kerry, junior, was humorously like his father, except that he
+was larger-boned and promised to grow into a much bigger man.
+His hair was uncompromisingly red, and grew in such irregular
+fashion that the comb was not made which could subdue it. He had
+the wide-open, fighting blue eyes of the Chief Inspector, and
+when he smiled the presence of two broken teeth lent him a very
+pugilistic appearance.
+
+On his advent at the school of which he was now one of the most
+popular members, he had promptly been christened "Carrots." To
+this nickname young Kerry had always taken exception, and he
+proceeded to display his prejudice on the first day of his
+arrival with such force and determination that the sobriquet had
+been withdrawn by tacit consent of every member of the form who
+hitherto had favoured it.
+
+"I'll take you all on," the new arrival had declared amidst a
+silence of stupefaction, "starting with you"--pointing to the
+biggest boy. "If we don't finish to-day, I'll begin again to-
+morrow."
+
+The sheer impudence of the thing had astounded everybody. Young
+Kerry's treatment of his leading persecutor had produced a
+salutary change of opinion. Of such kidney was Daniel Kerry,
+junior; and when, some hours after his father's departure on the
+night of the murder in the fog, the 'phone bell rang, it was Dan
+junior, and not his mother, who answered the call.
+
+"Hallo!" said a voice. "Is that Chief Inspector Kerry's house?"
+
+"Yes," replied Dan.
+
+"It has begun to rain in town," the voice continued, "Is that the
+Chief Inspector's son speaking?"
+
+"Yes, I'm Daniel Kerry."
+
+"Well, my boy, you know the way to New Scotland Yard?"
+
+"Rather."
+
+"He says will you bring his overall? Do you know where to find
+it?"
+
+"Yes, yes!" cried Dan excitedly, delighted to be thus made a
+party to his father's activities.
+
+"Well, get it. Jump on a tram at the Town Hall and bring the
+overall along here. Your mother will not object, will she?"
+
+"Of course not," cried Dan. "I'll tell her. Am I to start now?"
+
+"Yes, right away."
+
+Mrs. Kerry was sewing by the fire in the dining room when her
+son came in with the news, his blue eyes sparkling excitedly.
+She nodded her head slowly.
+
+"Ye'll want ye'r Burberry and ye'r thick boots," she declared, "a
+muffler, too, and ye'r oldest cap. I think it's madness for ye
+to go out on such a night, but----"
+
+"Father said I could," protested the boy.
+
+"He says so, and ye shall go, but I think it madness a' the
+same."
+
+However, some ten minutes later young Kerry set out, keenly
+resenting the woollen muffler which he had been compelled to
+wear, and secretly determined to remove it before mounting the
+tram. Across one arm he carried the glistening overall which was
+the Chief Inspector's constant companion on wet nights abroad.
+The fog had turned denser, and ten paces from the door of the
+house took him out of sight of the light streaming from the
+hallway.
+
+Mary Kerry well knew her husband's theories about coddling boys,
+but even so could not entirely reconcile herself to the present
+expedition. However, closing the door, she returned
+philosophically to her sewing, reflecting that little harm could
+come to Dan after all, for he was strong, healthy, and
+intelligent.
+
+On went the boy through the mist, whistling merrily. Not twenty
+yards from the house a coupe was drawn up, and by the light of
+one of its lamps a man was consulting a piece of paper on which,
+presumably, an address was written; for, as the boy approached,
+the man turned, his collar pulled up about his face, his hat
+pulled down.
+
+"Hallo!" he called. "Can you please tell me something?"
+
+He spoke with a curious accent, unfamiliar to the boy. "A
+foreigner of some kind," young Kerry determined.
+
+"What is it?" he asked, pausing.
+
+"Will you please read and tell me if I am near this place?" the
+man continued, holding up the paper which he had been
+scrutinizing.
+
+Dan stepped forward and bent over it. He could not make out the
+writing, and bent yet more, holding it nearer to the lamp. At
+which moment some second person neatly pinioned him from behind,
+a scarf was whipped about his head, and, kicking furiously but
+otherwise helpless, he felt himself lifted and placed inside the
+car.
+
+The muffler had been thrown in such fashion about his face as to
+leave one eye partly free, and as he was lifted he had a
+momentary glimpse of his captors. With a thrill of real, sickly
+terror he realized that he was in the hands of Chinamen!
+
+Perhaps telepathically this spasm of fear was conveyed to his
+father, for it was at about this time that the latter was
+interviewing Zani Chada, and at about this time that Kerry
+recognized, underlying the other's words, at once an ill-
+concealed suspense and a threat. Then, a few minutes later, had
+come the three strokes of the gong; and again that unreasonable
+dread had assailed him, perhaps because it signalized the capture
+of his son, news of which had been immediately telephoned to
+Limehouse by Zani Chada's orders.
+
+Certain it is that Kerry left the Eurasian's house in a frame of
+mind which was not familiar to him. He was undecided respecting
+his next move. A deadly menace underlay Chada's words.
+
+"Consult your wife," he kept muttering to himself. When the door
+was opened for him by the Chinese servant, he paused a moment
+before going out into the fog. There were men on duty at the
+back and at the front of the house. Should he risk all and raid
+the place? That Lady Rourke was captive here he no longer
+doubted. But it was equally certain that no further harm would
+come to her at the hands of her captors, since she had been
+traced there and since Zani Chada was well aware of the fact. Of
+the whereabouts of Lou Chada he could not be certain. If he was
+in the house, they had him.
+
+The door was closed by the Chinaman, and Kerry stood out in the
+darkness of the dismal, brick-walled street, feeling something as
+nearly akin to dejection as was possible in one of his mercurial
+spirit. Something trickled upon the brim of his hat, and,
+raising his head, Kerry detected rain upon his upturned face. He
+breathed a prayer of thankfulness. This would put an end to the
+fog.
+
+He began to walk along by the high brick wall, but had not
+proceeded far before a muffled figure arose before him and the
+light of an electric torch was shone into his face.
+
+"Oh, it's you, Chief Inspector!" came the voice of the watcher.
+
+"It is," rapped Kerry. "Unless there are tunnels under this old
+rat-hole, I take it the men on duty can cover all the exits?"
+
+"All the main exits," was the reply. "But, as you say, it's a
+strange house, and Zani Chada has a stranger reputation."
+
+"Do nothing until you hear from me."
+
+"Very good, Chief Inspector."
+
+The rain now was definitely conquering the fog, and in half the
+time which had been occupied by the outward journey Kerry was
+back again in Limehouse police station. Unconsciously he had
+been hastening his pace with every stride, urged onward by an
+unaccountable anxiety, so that finally he almost ran into the
+office and up to the desk where the telephone stood.
+
+Lifting it, he called his own number and stood tapping his foot,
+impatiently awaiting the reply. Presently came the voice of the
+operator: "Have they answered yet?"
+
+"No."
+
+"I will ring them again."
+
+Kerry's anxiety became acute, almost unendurable; and when at
+last, after repeated attempts, no reply could be obtained from
+his home, he replaced the receiver and leaned for a moment on the
+desk, shaken with such a storm of apprehension as he had rarely
+known. He turned to the inspector in charge, and:
+
+"Let me have that envelope I left with you," he directed. "And
+have someone 'phone for a taxi; they are to keep on till they get
+one. Where is Sergeant Durham?"
+
+"At the mortuary."
+
+"Ah!"
+
+"Any developments, Chief Inspector?"
+
+"Yes. But apart from keeping a close watch upon the house of
+Zani Chada you are to do nothing until you hear from me again."
+
+"Very good," said the inspector. "Are you going to wait for
+Durham's report?"
+
+"No. Directly the cab arrives I am going to wait for nothing."
+
+Indeed, he paced up and down the room like a wild beast caged,
+while call after call was sent to neighbouring cab ranks, for a
+long time without result. What did it mean, his wife's failure
+to answer the telephone? It might mean that neither she nor
+their one servant nor Dan was in the house. And if they were not
+in the house at this hour of the night, where could they possibly
+be? This it might mean, or--something worse.
+
+A thousand and one possibilities, hideous, fantastic, appalling,
+flashed through his mind. He was beginning to learn what Zani
+Chada had meant when he had said: "I have followed your career
+with interest."
+
+At last a taxi was found, and the man instructed over the 'phone
+to proceed immediately to Limehouse station. He seemed so long
+in coming that when at last the cab was heard to pause outside,
+Kerry could not trust himself to speak to the driver, but
+directed a sergeant to give him the address. He entered silently
+and closed the door.
+
+A steady drizzle of rain was falling. It had already dispersed
+the fog, so that he might hope with luck to be home within the
+hour. As a matter of fact, the man performed the journey in
+excellent time, but it seemed to his passenger that he could have
+walked quicker, such was the gnawing anxiety within him and the
+fear which prompted him to long for wings.
+
+Instructing the cabman to wait, Kerry unlocked the front door and
+entered. He had noted a light in the dining room window, and
+entering, he found his wife awaiting him there. She rose as he
+entered, with horror in her comely face.
+
+"Dan!" she whispered. "Dan! where is ye'r mackintosh?"
+
+"I didn't take it," he replied, endeavouring to tell himself that
+his apprehensions had been groundless. "But how was it that you
+did not answer the telephone?"
+
+"What do ye mean, Dan?" Mary Kerry stared, her eyes growing wider
+and wider. "The boy answered, Dan. He set out wi' ye'r
+mackintosh full an hour and a half since."
+
+"What!"
+
+The truth leaped out at Kerry like an enemy out of ambush.
+
+"Who sent that message?"
+
+"Someone frae the Yard, to tell the boy to bring ye'r mackintosh
+alone at once. Dan! Dan------"
+
+She advanced, hands outstretched, quivering, but Kerry had leaped
+out into the narrow hallway. He raised the telephone receiver,
+listened for a moment, and then jerked it back upon the hook.
+
+"Dead line!" he muttered. "Someone has been at work with a wire-
+cutter outside the house!"
+
+His wife came out to where he stood, and, clenching his teeth
+very grimly, he took her in his arms. She was shaking as if
+palsied.
+
+"Mary dear," he said, "pray with all your might that I am given
+strength to do my duty."
+
+She looked at him with haggard, tearless eyes.
+
+"Tell me the truth: ha' they got my boy?"
+
+His fingers tightened on her shoulders.
+
+"Don't worry," he said, "and don't ask me to stay to explain.
+When I come back I'll have Dan with me!"
+
+He trusted himself no further, but, clapping his hat on his head,
+walked out to the waiting cab.
+
+"Back to Limehouse police station," he directed rapidly.
+
+"Lor lumme!" muttered the taximan. "Where are you goin' to after
+that, guv'nor? It's a bit off the map."
+
+"I'm going to hell!" rapped Kerry, suddenly thrusting his red
+face very near to that of the speaker. "And you're going to
+drive me!"
+
+
+
+
+VI
+
+THE KNIGHT ERRANT
+
+
+
+Recognizing the superior strength of his captors, young Kerry
+soon gave up struggling. The thrill of his first real adventure
+entered into his blood. He remembered that he was the son of his
+father, and he realized, being a quick-witted lad, that he was in
+the grip of enemies of his father. The panic which had
+threatened him when first he had recognized that he was in the
+hands of Chinese, gave place to a cold rage--a heritage which in
+later years was to make him a dangerous man.
+
+He lay quite passively in the grasp of someone who held him fast,
+and learned, by breathing quietly, that the presence of the
+muffler about his nose and mouth did not greatly inconvenience
+him. There was some desultory conversation between the two men
+in the car, but it was carried on in an odd, sibilant language
+which the boy did not understand, but which he divined to be
+Chinese. He thought how every other boy in the school would envy
+him, and the thought was stimulating, nerving. On the very first
+day of his holidays he was become the central figure of a
+Chinatown drama.
+
+The last traces of fear fled. His position was uncomfortable and
+his limbs were cramped, but he resigned himself, with something
+almost like gladness, and began to look forward to that which lay
+ahead with a zest and a will to be no passive instrument which
+might have surprised his captors could they have read the mind of
+their captive.
+
+The journey seemed almost interminable, but young Kerry suffered
+it in stoical silence until the car stopped and he was lifted and
+carried down stone steps into some damp, earthy-smelling place.
+Some distance was traversed, and then many flights of stairs were
+mounted, some bare but others carpeted.
+
+Finally he was deposited in a chair, and as he raised his hand to
+the scarf, which toward the end of the journey had been bound
+more tightly about his head so as to prevent him from seeing at
+all, he heard a door closed and locked.
+
+The scarf was quickly removed. And Dan found himself in a low-
+ceilinged attic having a sloping roof and one shuttered window.
+A shadeless electric lamp hung from the ceiling. Excepting the
+cane-seated chair in which he had been deposited and a certain
+amount of nondescript lumber, the attic was unfurnished. Dan
+rapidly considered what his father would have done in the
+circumstances.
+
+"Make sure that the door is locked," he muttered.
+
+He tried it, and it was locked beyond any shadow of doubt.
+
+"The window."
+
+Shutters covered it, and these were fastened with a padlock.
+
+He considered this padlock attentively; then, drawing from his
+pocket one of those wonderful knives which are really miniature
+tool-chests, he raised from a grove the screw-driver which formed
+part of its equipment, and with neatness and dispatch unscrewed
+the staple to which the padlock was attached!
+
+A moment later he had opened the shutters and was looking out
+into the drizzle of the night.
+
+The room in which he was confined was on the third floor of a
+dingy, brick-built house; a portion of some other building faced
+him; down below was a stone-paved courtyard. To the left stood a
+high wall, and beyond it he obtained a glimpse of other dingy
+buildings. One lighted window was visible--a square window in
+the opposite building, from which amber light shone out.
+
+Somewhere in the street beyond was a standard lamp. He could
+detect the halo which it cast into the misty rain. The glass was
+very dirty, and young Kerry raised the sash, admitting a draught
+of damp, cold air into the room. He craned out, looking about
+him eagerly.
+
+A rainwater-pipe was within reach of his hand on the right of the
+window and, leaning out still farther, young Kerry saw that it
+passed beside two other, larger, windows on the floor beneath
+him. Neither of these showed any light.
+
+Dizzy heights have no terror for healthy youth. The brackets
+supporting the rain-pipe were a sufficient staircase for the
+agile Dan, a more slippery prisoner than the famous Baron Trenck;
+and, discarding his muffler and his Burberry, he climbed out upon
+the sill and felt with his thick-soled boots for the first of
+these footholds. Clutching the ledge, he lowered himself and
+felt for the next.
+
+Then came the moment when he must trust all his weight to the
+pipe. Clenching his teeth, he risked it, felt for and found the
+third angle, and then, still clutching the pipe, stood for a
+moment upon the ledge of the window immediately beneath him. He
+was curious respecting the lighted window of the neighbouring
+house; and, twisting about, he bent, peering across--and saw a
+sight which arrested his progress.
+
+The room within was furnished in a way which made him gasp with
+astonishment. It was like an Eastern picture, he thought. Her
+golden hair dishevelled and her hands alternately clenching and
+unclenching, a woman whom he considered to be most wonderfully
+dressed was pacing wildly up and down, a look of such horror upon
+her pale face that Dan's heart seemed to stop beating for a
+moment!
+
+Here was real trouble of a sort which appealed to all the
+chivalry in the boy's nature. He considered the window, which
+was glazed with amber-coloured glass, observed that it was
+sufficiently open to enable him to slip the fastening and open it
+entirely could he but reach it. And--yes!--there was a rain-
+pipe!
+
+Climbing down to the yard, he looked quickly about him, ran
+across, and climbed up to the lighted window. A moment later he
+had pushed it widely open.
+
+He was greeted by a stifled cry, but, cautiously transferring his
+weight from the friendly pipe to the ledge, he got astride of it,
+one foot in the room. Then, by exercise of a monkey-like
+agility, he wriggled his head and shoulders within.
+
+"It's all right," he said softly and reassuringly; "I'm Dan
+Kerry, son of Chief Inspector Kerry. Can I be of any
+assistance?"
+
+Her hands clasped convulsively together, the woman stood looking
+up at him.
+
+"Oh, thank God!" said the captive. "But what are you going to
+do? Can you get me out?"
+
+"Don't worry," replied Dan confidently. "Father and I can manage
+it all right!"
+
+He performed a singular contortion, as a result of which his
+other leg and foot appeared inside the window. Then, twisting
+around, he lowered himself and dropped triumphantly upon a
+cushioned divan. At that moment he would have faced a cage full
+of man-eating tigers. The spirit of adventure had him in its
+grip. He stood up, breathing rapidly, his crop of red hair more
+dishevelled than usual.
+
+Then, before he could stir or utter any protest, the golden-
+haired princess whom he had come to rescue stooped, threw her
+arms around his neck, and kissed him.
+
+"You darling, brave boy!" she said. "I think you have saved me
+from madness."
+
+Young Kerry, more flushed than ever, extricated himself, and:
+
+"You're not out of the mess yet," he protested. "The only
+difference is that I'm in it with you!"
+
+"But where is your father?"
+
+"I'm looking for him."
+
+"What!"
+
+"Oh! he's about somewhere," Dan assured her confidently.
+
+"But, but----" She was gazing at him wide-eyed, "Didn't he send
+you here?"
+
+"You bet he didn't," returned young Kerry. "I came here on my
+own accord, and when I go you're coming with me. I can't make
+out how you got here, anyway. Do you know whose house this is?"
+
+"Oh, I do, I do!"
+
+"Whose?"
+
+"It belongs to a man called Chada."
+
+"Chada? Never heard of him. But I mean, what part of London is
+it in?"
+
+"Whatever do you mean? It is in Limehouse, I believe. I don't
+understand. You came here."
+
+"I didn't," said young Kerry cheerfully; "I was fetched!"
+
+"By your father?"
+
+"Not on your life. By a couple of Chinks! I'll tell you
+something." He raised his twinkling blue eyes. "We are properly
+up against it. I suppose you couldn't climb down a rain-pipe?"
+
+
+
+
+VII
+
+RETRIBUTION
+
+
+
+It was that dark, still, depressing hour of the night, when all
+life is at its lowest ebb. In the low, strangely perfumed room
+of books Zani Chada sat before his table, his yellow hands
+clutching the knobs on his chair arms, his long, inscrutable eyes
+staring unseeingly before him.
+
+Came a disturbance and the sound of voices, and Lou Chada, his
+son, stood at the doorway. He still wore his evening clothes,
+but he no longer looked smart. His glossy black hair was
+dishevelled, and his handsome, olive face bore a hunted look.
+Panic was betoken by twitching mouth and fear-bright eyes. He
+stopped, glaring at his father, and:
+
+"Why are you not gone?" asked the latter sternly. "Do you wish
+to wreck me as well as yourself ?"
+
+"The police have posted a man opposite Kwee's house. I cannot
+get out that way."
+
+"There was no one there when the boy was brought in."
+
+"No, but there is now. Father!" He took a step forward. "I'm
+trapped. They sha'n't take me. You won't let them take me?"
+
+Zani Chada stirred not a muscle, but:
+
+"To-night," he said, "your mad passion has brought ruin to both
+of us. For the sake of a golden doll who is not worth the price
+of the jewels she wears, you have placed yourself within reach of
+the hangman."
+
+"I was mad, I was mad," groaned the other.
+
+"But I, who was sane, am involved in the consequences," retorted
+his father.
+
+"He will be silent at the price of the boy's life."
+
+"He may be," returned Zani Chada. "I hate him, but he is a man.
+Had you escaped, he might have consented to be silent. Once you
+are arrested, nothing would silence him."
+
+"If the case is tried it will ruin Pat's reputation."
+
+"What a pity!" said Zani Chada.
+
+In some distant part of the house a gong was struck three times.
+
+"Go," commanded his father. "Remain at Kwee's house until I send
+for you. Let Ah Fang go to the room above and see that the woman
+is silent. An outcry would ruin our last chance."
+
+Lou Chada raised his hands, brushing the hair back from his wet
+forehead, then, staring haggardly at his father, turned and ran
+from the room.
+
+A minute later Kerry was ushered in by the Chinese servant. The
+savage face was set like a mask. Without removing his hat, he
+strode across to the table and bent down so that fierce, wide-
+open blue eyes stared closely into long, half-closed black ones.
+
+"I've got one thing to say," explained Kerry huskily. "Whatever
+the hangman may do to your slimy son, and whatever happens to the
+little blonde fool he kidnapped, if you've laid a hand on my kid
+I'll kick you to death, if I follow you round the world to do
+it."
+
+Zani Chada made no reply, but his knuckles gleamed, so tightly
+did he clutch the knobs on the chair arms. Kerry's savagery
+would have awed any man, even though he had supposed it to be the
+idle threat of a passionate man. But Zani Chada knew all men,
+and he knew this one. When Daniel Kerry declared that in given
+circumstances he would kick Zani Chada to death, he did not mean
+that he would shoot him, strangle him, or even beat him with his
+fists; he meant precisely what he said--that he would kick him to
+death--and Zani Chada knew it.
+
+Thus there were some moments of tense silence during which the
+savage face of the Chief Inspector drew even closer to the gaunt,
+yellow face of the Eurasian. Finally:
+
+"Listen only for one moment," said Zani Chada. His voice had
+lost its guttural intonation. He spoke softly, sibilantly. "I,
+too, am a father------"
+
+"Don't mince words!" shouted Kerry. "You've kidnapped my boy.
+If I have to tear your house down brick by brick I'll find him.
+And if you've hurt one hair of his head--you know what to
+expect!"
+
+He quivered. The effort of suppression which he had imposed upon
+himself was frightful to witness. Zani Chada, student of men,
+knew that in despite of his own physical strength and of the
+hidden resources at his beck, he stood nearer to primitive
+retribution than he had ever done. Yet:
+
+"I understand," he continued. "But you do not understand. Your
+boy is not in this house. Oh! violence cannot avail! It can
+only make his loss irreparable."
+
+Kerry, nostrils distended, eyes glaring madly, bent over him.
+
+"Your scallywag of a son," he said hoarsely, "has gone one step
+too far. His adventures have twice before ended in murder--and
+you have covered him. This time you can't do it. I'm not to be
+bought. We've stood for the Far East in London long enough.
+Your cub hangs this time. Get me? There'll be no bargaining.
+The woman's reputation won't stop me. My kid's danger won't stop
+me. But if you try to use him as a lever I'll boot you to your
+stinking yellow paradise and they'll check you in as pulp."
+
+"You speak of three deaths," murmured Zani Chada.
+
+Kerry clenched his teeth so tightly that his maxillary muscles
+protruded to an abnormal degree. He thrust his clenched fists
+into his coat pockets.
+
+"We all follow our vocations in life," resumed the Eurasian, "to
+the best of our abilities. But is professional kudos not too
+dearly bought at the price of a loved one lost for ever? A far
+better bargain would be, shall we say, ten thousand pounds, as
+the price of a silk handkerchief------"
+
+Kerry's fierce blue eyes closed for a fraction of a second. Yet,
+in that fraction of a second, he had visualized some of the
+things which ten thousand pounds--a sum he could never hope to
+possess--would buy. He had seen his home, as he would have it--
+and he had seen Dan there, safe and happy at his mother's side.
+Was he entitled to disregard the happiness of his wife, the life
+of his boy, the honourable name of Sir Noel Rourke, because an
+outcast like Peters had come to a fitting end--because a
+treacherous Malay and a renegade Chinaman had, earlier, gone the
+same way, sped, as he suspected, by the same hand?
+
+"My resources are unusual," added Chada, speaking almost in a
+whisper. "I have cash to this amount in my safe------"
+
+So far he had proceeded when he was interrupted; and the cause of
+the interruption was this:
+
+A few moments earlier another dramatic encounter had taken place
+in a distant part of the house. Kerry Junior, having
+scientifically tested all the possible modes of egress from the
+room in which Lady Pat was confined, had long ago desisted, and
+had exhausted his ingenuity in plans which discussion had proved
+to be useless. In spite of the novelty and the danger of his
+situation, nature was urging her laws. He was growing sleepy.
+The crowning tragedy had been the discovery that he could not
+regain the small, square window set high in the wall from which
+he had dropped into this luxurious prison. Now, as the two sat
+side by side upon a cushioned divan, the woman's arm about the
+boy's shoulders, they were startled to hear, in the depths of the
+house, three notes of a gong.
+
+Young Kerry's sleepiness departed. He leapt to his feet as
+though electrified.
+
+"What was that?"
+
+There was something horrifying in those gong notes in the
+stillness of the night. Lady Pat's beautiful eyes grew glassy
+with fear.
+
+"I don't know," replied Dan. "It seemed to come from below."
+
+He ran to the door, drew the curtain aside, and pressed his ear
+against one of the panels, listening intently. As he did so, his
+attitude grew tense, his expression changed, then:
+
+"We're saved!" he cried, turning a radiant face to the woman. "I
+heard my father's voice!"
+
+"Oh, are you sure, are you sure?"
+
+"Absolutely sure!"
+
+He bent to press his ear to the panel again, when a stifled cry
+from his companion brought him swiftly to his feet. The second
+door in the room had opened silently, and a small Chinaman, who
+carried himself with a stoop, had entered, and now, a menacing
+expression upon his face, was quickly approaching the boy.
+
+What he had meant to do for ever remained in doubt, for young
+Kerry, knowing his father to be in the house and seeing an open
+door before him, took matters into his own hands.
+At the moment that the silent Chinaman was about to throw his
+arms about him, the pride of the junior school registered a most
+surprising left accurately on the point of Ah Fang's jaw,
+following it up by a wilful transgression of Queensberry rules in
+the form of a stomach punch which temporarily decided the issue.
+Then:
+
+"Quick! quick!" he cried breathlessly, grasping Lady Pat's hand.
+"This is where we run!"
+
+In such fashion was Zani Chada interrupted, the interruption
+taking the form of a sudden, shrill outcry:
+
+"Dad! dad! Where are you, dad?"
+
+Kerry spun about as a man galvanized. His face became
+transfigured.
+
+"This way, Dan!" he cried. "This way, boy!"
+
+Came a clatter of hurrying feet, and into the low, perfumed room
+burst Dan Kerry, junior, tightly clasping the hand of a pale-
+faced, dishevelled woman in evening dress. It was Lady Rourke;
+and although she seemed to be in a nearly fainting condition, Dan
+dragged her, half running, into the room.
+
+Kerry gave one glance at the pair, then, instantly, he turned to
+face Zani Chada. The latter, like a man of stone, sat in his
+carved chair, eyes nearly closed. The Chief Inspector whipped
+out a whistle and raised it to his lips. He blew three blasts
+upon it.
+
+From one--two--three--four points around the house the signal was
+answered.
+
+Zani Chada fully opened his long, basilisk eyes.
+
+"You win, Chief Inspector," he said. "But much may be done by
+clever counsel. If all fails------"
+
+"Well?" rapped Kerry fiercely, at the same time throwing his arm
+around the boy.
+
+"I may continue to take an interest in your affairs."
+
+A tremendous uproar arose, within and without the house. The
+police were raiding the place. Lady Rourke sank down, slowly,
+almost at the Eurasian's feet.
+
+But Chief Inspector Kerry experienced an unfamiliar chill as his
+uncompromising stare met the cold hatred which blazed out of the
+black eyes, narrowed, now, and serpentine, of Zani Chada.
+
+
+
+
+
+
+THE PIGTAIL OF HI WING HO
+
+
+
+
+
+
+I
+
+HOW I OBTAINED IT
+
+
+
+Leaving the dock gates behind me I tramped through the steady
+drizzle, going parallel with the river and making for the Chinese
+quarter. The hour was about half-past eleven on one of those
+September nights when, in such a locality as this, a stifling
+quality seems to enter the atmosphere, rendering it all but
+unbreathable. A mist floated over the river, and it was
+difficult to say if the rain was still falling, indeed, or if the
+ample moisture upon my garments was traceable only to the fog.
+Sounds were muffled, lights dimmed, and the frequent hooting of
+sirens from the river added another touch of weirdness to the
+scene.
+
+Even when the peculiar duties of my friend, Paul Harley, called
+him away from England, the lure of this miniature Orient which I
+had first explored under his guidance, often called me from my
+chambers. In the house with the two doors in Wade Street,
+Limehouse, I would discard the armour of respectability, and,
+dressed in a manner unlikely to provoke comment in dockland,
+would haunt those dreary ways sometimes from midnight until close
+upon dawn. Yet, well as I knew the district and the strange and
+often dangerous creatures lurking in its many burrows, I
+experienced a chill partly physical and partly of apprehension
+to-night; indeed, strange though it may sound, I hastened my
+footsteps in order the sooner to reach the low den for which I
+was bound--Malay Jack's--a spot marked plainly on the crimes-map
+and which few respectable travellers would have regarded as a
+haven of refuge.
+
+But the chill of the adjacent river, and some quality of utter
+desolation which seemed to emanate from the deserted wharves and
+ramshackle buildings about me, were driving me thither now; for I
+knew that human companionship, of a sort, and a glass of good
+liquor--from a store which the Customs would have been happy to
+locate--awaited me there. I might chance, too, upon Durham or
+Wessex, of New Scotland Yard, both good friends of mine, or even
+upon the Terror of Chinatown, Chief Inspector Kerry, a man for
+whom I had an esteem which none of his ungracious manners could
+diminish.
+
+I was just about to turn to the right into a narrow and nameless
+alley, lying at right angles to the Thames, when I pulled up
+sharply, clenching my fists and listening.
+
+A confused and continuous sound, not unlike that which might be
+occasioned by several large and savage hounds at close grips, was
+proceeding out of the darkness ahead of me; a worrying, growling,
+and scuffling which presently I identified as human, although in
+fact it was animal enough. A moment I hesitated, then,
+distinguishing among the sounds of conflict an unmistakable,
+though subdued, cry for help, I leaped forward and found myself
+in the midst of the melee. This was taking place in the lee of a
+high, dilapidated brick wall. A lamp in a sort of iron bracket
+spluttered dimly above on the right, but the scene of the
+conflict lay in densest shadow, so that the figures were
+indistinguishable.
+
+"Help! By Gawd! they're strangling me------"
+
+From almost at my feet the cry arose and was drowned in Chinese
+chattering. But guided by it I now managed to make out that the
+struggle in progress waged between a burly English sailorman and
+two lithe Chinese. The yellow men seemed to have gained the
+advantage and my course was clear.
+
+A straight right on the jaw of the Chinaman who was engaged in
+endeavouring to throttle the victim laid him prone in the dirty
+roadway. His companion, who was holding the wrist of the
+recumbent man, sprang upright as though propelled by a spring. I
+struck out at him savagely. He uttered a shrill scream not
+unlike that of a stricken hare, and fled so rapidly that he
+seemed to melt in the mist.
+
+"Gawd bless you, mate!" came chokingly from the ground--and the
+rescued man, extricating himself from beneath the body of his
+stunned assailant, rose unsteadily to his feet and lurched toward
+me.
+
+As I had surmised, he was a sailor, wearing a rough, blue-serge
+jacket and having his greasy trousers thrust into heavy
+seaboots--by which I judged that he was but newly come ashore.
+He stooped and picked up his cap. It was covered in mud, as were
+the rest of his garments, but he brushed it with his sleeve as
+though it had been but slightly soiled and clapped it on his
+head.
+
+He grasped my hand in a grip of iron, peering into my face, and
+his breath was eloquent.
+
+"I'd had one or two, mate," he confided huskily (the confession
+was unnecessary). "It was them two in the Blue Anchor as did it;
+if I 'adn't 'ad them last two, I could 'ave broke up them Chinks
+with one 'and tied behind me."
+
+"That's all right," I said hastily, "but what are we going to do
+about this Chink here?" I added, endeavouring at the same time to
+extricate my hand from the vise-like grip in which he
+persistently held it. "He hit the tiles pretty heavy when he
+went down."
+
+As if to settle my doubts, the recumbent figure suddenly arose
+and without a word fled into the darkness and was gone like a
+phantom. My new friend made no attempt to follow, but:
+
+"You can't kill a bloody Chink," he confided, still clutching my
+hand; "it ain't 'umanly possible. It's easier to kill a cat.
+Come along o' me and 'ave one; then I'll tell you somethink.
+I'll put you on somethink, I will."
+
+With surprising steadiness of gait, considering the liquid cargo
+he had aboard, the man, releasing my hand and now seizing me
+firmly by the arm, confidently led me by divers narrow ways,
+which I knew, to a little beerhouse frequented by persons of his
+class.
+
+My own attire was such as to excite no suspicion in these
+surroundings, and although I considered that my acquaintance had
+imbibed more than enough for one night, I let him have his own
+way in order that I might learn the story which he seemed
+disposed to confide in me. Settled in the corner of the
+beerhouse--which chanced to be nearly empty--with portentous
+pewters before us, the conversation was opened by my new friend:
+
+"I've been paid off from the Jupiter--Samuelson's Planet Line,"
+he explained. "What I am is a fireman."
+
+"She was from Singapore to London?" I asked.
+
+"She was," he replied, "and it was at Suez it 'appened--at Suez."
+
+I did not interrupt him.
+
+"I was ashore at Suez--we all was, owin' to a 'itch with the
+canal company--a matter of money, I may say. They make yer pay
+before they'll take yer through. Do you know that?"
+
+I nodded.
+
+"Suez is a place," he continued, "where they don't sell whisky,
+only poison. Was you ever at Suez?"
+
+Again I nodded, being most anxious to avoid diverting the current
+of my friend's thoughts.
+
+"Well, then," he continued, "you know Greek Jimmy's--and that's
+where I'd been."
+
+I did not know Greek Jimmy's, but I thought it unnecessary to
+mention the fact.
+
+"It was just about this time on a steamin' 'ot night as I come
+out of Jimmy's and started for the ship. I was walkin' along the
+Waghorn Quay, same as I might be walkin' along to-night, all by
+myself--bit of a list to port but nothing much--full o' joy an'
+happiness, 'appy an' free--'appy an' free. Just like you might
+have noticed to-night, I noticed a knot of Chinks scrappin' on
+the ground all amongst the dust right in front of me. I rammed
+in, windmillin' all round and knocking 'em down like skittles.
+Seemed to me there was about ten of 'em, but allowin' for Jimmy's
+whisky, maybe there wasn't more than three. Anyway, they all
+shifted and left me standin' there in the empty street with this
+'ere in my 'and."
+
+At that, without more ado, he thrust his hand deep into some
+concealed pocket and jerked out a Chinese pigtail, which had been
+severed, apparently some three inches from the scalp, by a clean
+cut. My acquaintance, with somewhat bleared eyes glistening in
+appreciation of his own dramatic skill--for I could not conceal
+my surprise--dangled it before me triumphantly.
+
+"Which of 'em it belong to," he continued, thrusting it into
+another pocket and drumming loudly on the counter for more beer,
+"I can't say, 'cos I don't know. But that ain't all."
+
+The tankards being refilled and my friend having sampled the
+contents of his own:
+
+"That ain't all," he continued. "I thought I'd keep it as a sort
+of relic, like. What 'appened? I'll tell you. Amongst the crew
+there's three Chinks--see? We ain't through the canal before one
+of 'em, a new one to me--Li Ping is his name--offers me five bob
+for the pigtail, which he sees me looking at one mornin'. I give
+him a punch on the nose an' 'e don't renew the offer: but that
+night (we're layin' at Port Said) 'e tries to pinch it! I dam'
+near broke his neck, and 'e don't try any more. To-night"--he
+extended his right arm forensically--"a deppitation of Chinks
+waits on me at the dock gates; they explains as from a patriotic
+point of view they feels it to be their dooty to buy that pigtail
+off of me, and they bids a quid, a bar of gold--a Jimmy o'
+Goblin!"
+
+He snapped his fingers contemptuously and emptied his pewter. A
+sense of what was coming began to dawn on me. That the "hold-up"
+near the riverside formed part of the scheme was possible, and,
+reflecting on my rough treatment of the two Chinamen, I chuckled
+inwardly. Possibly, however, the scheme had germinated in my
+acquaintance's mind merely as a result of an otherwise common
+assault, of a kind not unusual in these parts, but, whether
+elaborate or comparatively simple, that the story of the pigtail
+was a "plant" designed to reach my pocket, seemed a reasonable
+hypothesis.
+
+"I told him to go to China," concluded the object of my
+suspicion, again rapping upon the counter, "and you see what come
+of it. All I got to say is this: If they're so bloody patriotic,
+I says one thing: I ain't the man to stand in their way. You
+done me a good turn to-night, mate; I'm doing you one. 'Ere's
+the bloody pigtail, 'ere's my empty mug. Fill the mug and the
+pigtail's yours. It's good for a quid at the dock gates any
+day!"
+
+My suspicions vanished; my interest arose to boiling point. I
+refilled my acquaintance's mug, pressed a sovereign upon him (in
+honesty I must confess that he was loath to take it), and
+departed with the pigtail coiled neatly in an inner pocket of my
+jacket. I entered the house in Wade Street by the side door, and
+half an hour later let myself out by the front door, having cast
+off my dockland disguise.
+
+
+
+
+II
+
+HOW I LOST IT
+
+
+
+It was not until the following evening that I found leisure to
+examine my strange acquisition, for affairs of more immediate
+importance engrossed my attention. But at about ten o'clock I
+seated myself at my table, lighted the lamp, and taking out the
+pigtail from the table drawer, placed it on the blotting-pad and
+began to examine it with the greatest curiosity, for few Chinese
+affect the pigtail nowadays.
+
+I had scarcely commenced my examination, however, when it was
+dramatically interrupted. The door bell commenced to ring
+jerkily. I stood up, and as I did so the ringing ceased and in
+its place came a muffled beating on the door. I hurried into the
+passage as the bell commenced ringing again, and I had almost
+reached the door when once more the ringing ceased; but now I
+could hear a woman's voice, low but agitated:
+
+"Open the door! Oh, for God's sake be quick!"
+
+Completely mystified, and not a little alarmed, I threw open the
+door, and in there staggered a woman heavily veiled, so that I
+could see little of her features, but by the lines of her figure
+I judged her to be young.
+
+Uttering a sort of moan of terror she herself closed the door,
+and stood with her back to it, watching me through the thick
+veil, while her breast rose and fell tumultuously.
+
+"Thank God there was someone at home!" she gasped.
+
+I think I may say with justice that I had never been so surprised
+in my life; every particular of the incident marked it as
+unique--set it apart from the episodes of everyday life.
+
+"Madam," I began doubtfully, "you seem to be much alarmed at
+something, and if I can be of any assistance to you------"
+
+"You have saved my life!" she whispered, and pressed one hand to
+her bosom. "In a moment I will explain."
+
+"Won't you rest a little after your evidently alarming
+experience?" I suggested.
+
+My strange visitor nodded, without speaking, and I conducted her
+to the study which I had just left, and placed the most
+comfortable arm-chair close beside the table so that as I sat I
+might study this woman who so strangely had burst in upon me. I
+even tilted the shaded lamp, artlessly, a trick I had learned
+from Harley, in order that the light might fall upon her face.
+
+She may have detected this device; I know not; but as if in
+answer to its challenge, she raised her gloved hands and
+unfastened the heavy veil which had concealed her features.
+
+Thereupon I found myself looking into a pair of lustrous black
+eyes whose almond shape was that of the Orient; I found myself
+looking at a woman who, since she was evidently a Jewess, was
+probably no older than eighteen or nineteen, but whose beauty was
+ripely voluptuous, who might fittingly have posed for Salome,
+who, despite her modern fashionable garments, at once suggested
+to my mind the wanton beauty of the daughter of Herodias.
+
+I stared at her silently for a time, and presently her full lips
+parted in a slow smile. My ideas were diverted into another
+channel.
+
+"You have yet to tell me what alarmed you," I said in a low
+voice, but as courteously as possible, "and if I can be of any
+assistance in the matter."
+
+My visitor seemed to recollect her fright--or the necessity for
+simulation. The pupils of her fine eyes seemed to grow larger
+and darker; she pressed her white teeth into her lower lips, and
+resting her hands upon the table leaned toward me.
+
+"I am a stranger to London," she began, now exhibiting a certain
+diffidence, "and to-night I was looking for the chambers of Mr.
+Raphael Philips of Figtree Court."
+
+"This is Figtree Court," I said, "but I know of no Mr. Raphael
+Philips who has chambers here."
+
+The black eyes met mine despairingly.
+
+"But I am positive of the address!" protested my beautiful but
+strange caller--from her left glove she drew out a scrap of
+paper, "here it is."
+
+I glanced at the fragment, upon which, in a woman's hand the
+words were pencilled: "Mr. Raphael Philips, 36-b Figtree Court,
+London."
+
+I stared at my visitor, deeply mystified.
+
+"These chambers are 36-b!" I said. "But I am not Raphael
+Philips, nor have I ever heard of him. My name is Malcolm Knox.
+There is evidently some mistake, but"--returning the slip of
+paper--"pardon me if I remind you, I have yet to learn the cause
+of your alarm."
+
+"I was followed across the court and up the stairs."
+
+"Followed! By whom?"
+
+"By a dreadful-looking man, chattering in some tongue I did not
+understand!"
+
+My amazement was momentarily growing greater.
+
+"What kind of a man?" I demanded rather abruptly.
+
+"A yellow-faced man--remember I could only just distinguish him
+in the darkness on the stairway, and see little more of him than
+his eyes at that, and his ugly gleaming teeth--oh! it was
+horrible!"
+
+"You astound me," I said; "the thing is utterly
+incomprehensible." I switched off the light of the lamp. "I'll
+see if there's any sign of him in the court below."
+
+"Oh, don't leave me! For heaven's sake don't leave me alone!"
+
+She clutched my arm in the darkness.
+
+"Have no fear; I merely propose to look out from this window."
+
+Suiting the action to the word, I peered down into the court
+below. It was quite deserted. The night was a very dark one,
+and there were many patches of shadow in which a man might have
+lain concealed.
+
+"I can see no one," I said, speaking as confidently as possible,
+and relighting the lamp, "if I call a cab for you and see you
+safely into it, you will have nothing to fear, I think."
+
+"I have a cab waiting," she replied, and lowering the veil she
+stood up to go.
+
+"Kindly allow me to see you to it. I am sorry you have been
+subjected to this annoyance, especially as you have not attained
+the object of your visit."
+
+"Thank you so much for your kindness; there must be some mistake
+about the address, of course."
+
+She clung to my arm very tightly as we descended the stairs, and
+often glanced back over her shoulder affrightedly, as we crossed
+the court. There was not a sign of anyone about, however, and I
+could not make up my mind whether the story of the yellow man was
+a delusion or a fabrication. I inclined to the latter theory,
+but the object of such a deception was more difficult to
+determine.
+
+Sure enough, a taxicab was waiting at the entrance to the court;
+and my visitor, having seated herself within, extended her hand
+to me, and even through the thick veil I could detect her
+brilliant smile.
+
+"Thank you so much, Mr. Knox," she said, "and a thousand
+apologies. I am sincerely sorry to have given you all this
+trouble."
+
+The cab drove off. For a moment I stood looking after it, in a
+state of dreamy incertitude, then turned and slowly retraced my
+steps. Reopening the door of my chambers with my key, I returned
+to my study and sat down at the table to endeavour to arrange the
+facts of what I recognized to be a really amazing episode. The
+adventure, trifling though it seemed, undoubtedly held some
+hidden significance that at present was not apparent to me. In
+accordance with the excellent custom of my friend, Paul Harley, I
+prepared to make notes of the occurrence while the facts were
+still fresh in my memory. At the moment that I was about to
+begin, I made an astounding discovery.
+
+Although I had been absent only a few minutes, and had locked my
+door behind me, the pigtail was gone!
+
+I sat quite still, listening intently. The woman's story of the
+yellow man on the stairs suddenly assumed a totally different
+aspect--a new and sinister aspect. Could it be that the pigtail
+was at the bottom of the mystery?--could it be that some
+murderous Chinaman who had been lurking in hiding, waiting his
+opportunity, had in some way gained access to my chambers during
+that brief absence? If so, was he gone?
+
+From the table drawer I took out a revolver, ascertained that it
+was fully loaded, and turning up light after light as I
+proceeded, conducted a room-to-room search. It was without
+result; there was absolutely nothing to indicate that anyone had
+surreptitiously entered or departed from my chambers.
+
+I returned to the study and sat gazing at the revolver lying on
+the blotting-pad before me. Perhaps my mind worked slowly, but I
+think that fully fifteen minutes must have passed before it
+dawned on me that the explanation not only of the missing pigtail
+but of the other incidents of the night, was simple enough. The
+yellow man had been a fabrication, and my dark-eyed visitor had
+not been in quest of "Raphael Philips," but in quest of the
+pigtail: and her quest had been successful!
+
+"What a hopeless fool I am!" I cried, and banged my fist down
+upon the table, "there was no yellow man at all--there was-----"
+
+My door bell rang. I sprang nervously to my feet, glanced at the
+revolver on the table--and finally dropped it into my coat pocket
+ere going out and opening the door.
+
+On the landing stood a police constable and an officer in plain
+clothes.
+
+"Your name is Malcolm Knox?" asked the constable, glancing at a
+note-book which he held in his hand.
+
+"It is," I replied.
+
+"You are required to come at once to Bow Street to identify a
+woman who was found murdered in a taxi-cab in the Strand about
+eleven o'clock to-night."
+
+I suppressed an exclamation of horror; I felt myself turning
+pale.
+
+"But what has it to do------"
+
+"The driver stated she came from your chambers, for you saw her
+off, and her last words to you were 'Good night, Mr. Knox, I am
+sincerely sorry to have given you all this trouble.' Is that
+correct, sir?"
+
+The constable, who had read out the information in an official
+voice, now looked at me, as I stood there stupefied.
+
+"It is," I said blankly. "I'll come at once." It would seem that
+I had misjudged my unfortunate visitor: her story of the yellow
+man on the stair had apparently been not a fabrication, but a
+gruesome fact!
+
+
+
+
+III
+
+HOW I REGAINED IT
+
+
+
+My ghastly duty was performed; I had identified the dreadful
+thing, which less than an hour before had been a strikingly
+beautiful woman, as my mysterious visitor. The police were
+palpably disappointed at the sparsity of my knowledge respecting
+her. In fact, had it not chanced that Detective Sergeant Durham
+was in the station, I think they would have doubted the accuracy
+of my story.
+
+As a man of some experience in such matters, I fully recognized
+its improbability, but beyond relating the circumstances leading
+up to my possession of the pigtail and the events which had
+ensued, I could do no more in the matter. The weird relic had
+not been found on the dead woman, nor in the cab.
+
+Now the unsavoury business was finished, and I walked along Bow
+Street, racking my mind for the master-key to this mystery in
+which I was become enmeshed. How I longed to rush off to
+Harley's rooms in Chancery Lane and to tell him the whole story!
+But my friend was a thousand miles away--and I had to see the
+thing out alone.
+
+That the pigtail was some sacred relic stolen from a Chinese
+temple and sought for by its fanatical custodians was a theory
+which persistently intruded itself. But I could find no place in
+that hypothesis for the beautiful Jewess; and that she was
+intimately concerned I did not doubt. A cool survey of the facts
+rendered it fairly evident that it was she and none other who had
+stolen the pigtail from my rooms. Some third party--possibly the
+"yellow man" of whom she had spoken--had in turn stolen it from
+her, strangling her in the process.
+
+The police theory of the murder (and I was prepared to accept it)
+was that the assassin had been crouching in hiding behind or
+beside the cab--or even within the dark interior. He had leaped
+in and attacked the woman at the moment that the taxi-man had
+started his engine; if already inside, the deed had proven even
+easier. Then, during some block in the traffic, he had slipped
+out unseen, leaving the body of the victim to be discovered when
+the cab pulled up at the hotel.
+
+I knew of only one place in London where I might hope to obtain
+useful information, and for that place I was making now. It was
+Malay Jack's, whence I had been bound on the previous night when
+my strange meeting with the seaman who then possessed the pigtail
+had led to a change of plan. The scum of the Asiatic population
+always come at one time or another to Jack's, and I hoped by dint
+of a little patience to achieve what the police had now
+apparently despaired of achieving--the discovery of the assassin.
+
+Having called at my chambers to obtain my revolver, I mounted an
+eastward-bound motor-bus. The night, as I have already stated,
+was exceptionally dark. There was no moon, and heavy clouds were
+spread over the sky; so that the deserted East End streets
+presented a sufficiently uninviting aspect, but one with which I
+was by no means unfamiliar and which certainly in no way daunted
+me.
+
+Changing at Paul Harley's Chinatown base in Wade Street, I turned
+my steps in the same direction as upon the preceding night; but
+if my own will played no part in the matter, then decidedly
+Providence truly guided me. Poetic justice is rare enough in
+real life, yet I was destined to-night to witness swift
+retribution overtaking a malefactor.
+
+The by-ways which I had trodden were utterly deserted; I was far
+from the lighted high road, and the only signs of human activity
+that reached me came from the adjacent river; therefore, when
+presently an outcry arose from somewhere on my left, for a moment
+I really believed that my imagination was vividly reproducing the
+episode of the night before!
+
+A furious scuffle--between a European and an Asiatic--was in
+progress not twenty yards away!
+
+Realizing that such was indeed the case, and that I was not the
+victim of hallucination, I advanced slowly in the direction of
+the sounds, but my footsteps reechoed hollowly from wall to wall
+of the narrow passage-way, and my coming brought the conflict to
+a sudden and dramatic termination.
+
+"Thought I wouldn't know yer ugly face, did yer?" yelled a
+familiar voice. "No good squealin'--I got yer! I'd bust you up
+if I could!" (a sound of furious blows and inarticulate
+chattering) "but it ain't 'umanly possible to kill a Chink------"
+
+I hurried forward toward the spot where two dim figures were
+locked in deadly conflict.
+
+"Take that to remember me by!" gasped the husky voice as I ran
+up.
+
+One of the figures collapsed in a heap upon the ground. The
+other made off at a lumbering gait along a second and even
+narrower passage branching at right angles from that in which the
+scuffle had taken place.
+
+The clatter of the heavy sea-boots died away in the distance. I
+stood beside the fallen man, looking keenly about to right and
+left; for an impression was strong upon me that another than I
+had been witness of the scene--that a shadowy form had slunk back
+furtively at my approach. But the night gave up no sound in
+confirmation of this, and I could detect no sign of any lurker.
+
+I stooped over the Chinaman (for a Chinaman it was) who lay at my
+feet, and directed the ray of my pocket-lamp upon his yellow and
+contorted countenance. I suppressed a cry of surprise and
+horror.
+
+Despite the human impossibility referred to by the missing
+fireman, this particular Chinaman had joined the shades of his
+ancestors. I think that final blow, which had felled him, had
+brought his shaven skull in such violent contact with the wall
+that he had died of the thundering concussion set up.
+
+Kneeling there and looking into his upturned eyes, I became aware
+that my position was not an enviable one, particularly since I
+felt little disposed to set the law on the track of the real
+culprit. For this man who now lay dead at my feet was doubtless
+one of the pair who had attempted the life of the fireman of the
+Jupiter.
+
+That my seafaring acquaintance had designed to kill the Chinaman
+I did not believe, despite his stormy words: the death had been
+an accident, and (perhaps my morality was over-broad) I
+considered the assault to have been justified.
+
+Now my ideas led me further yet. The dead Chinaman wore a rough
+blue coat, and gingerly, for I found the contact repulsive, I
+inserted my hand into the inside pocket. Immediately my fingers
+closed upon a familiar object--and I stood up, whistling
+slightly, and dangling in my left hand the missing pigtail!
+
+Beyond doubt Justice had guided the seaman's blows. This was the
+man who had murdered my dark-eyed visitor!
+
+I stood perfectly still, directing the little white ray of my
+flashlight upon the pigtail in my hand. I realized that my
+position, difficult before, now was become impossible; the
+possession of the pigtail compromised me hopelessly. What should
+I do?
+
+"My God!" I said aloud, "what does it all mean?"
+
+"It means," said a gruff voice, "that it was lucky I was
+following you and saw what happened!"
+
+I whirled about, my heart leaping wildly. Detective-Sergeant
+Durham was standing watching me, a grim smile upon his face!
+
+I laughed rather shakily.
+
+"Lucky indeed!" I said. "Thank God you're here. This pigtail is
+a nightmare which threatens to drive me mad!"
+
+The detective advanced and knelt beside the crumpled-up figure on
+the ground. He examined it briefly, and then stood up.
+
+"The fact that he had the missing pigtail in his pocket," he
+said, "is proof enough to my mind that he did the murder."
+
+"And to mine."
+
+"There's another point," he added, "which throws a lot of light
+on the matter. You and Mr. Harley were out of town at the time
+of the Huang Chow case; but the Chief and I outlined it, you
+remember, one night in Mr. Harley's rooms?"
+
+"I remember it perfectly; the giant spider in the coffin------"
+
+"Yes; and a certain Ah Fu, confidential servant of the old man,
+who used to buy the birds the thing fed on. Well, Mr. Knox,
+Huang Chow was the biggest dealer in illicit stuff in all the
+East End--and this battered thing at our feet is--Ah Fu!"
+
+"Huang Chow's servant?"
+
+"Exactly!"
+
+I stared, uncomprehendingly, and:
+
+"In what way does this throw light on the matter?" I asked.
+
+Durham--a very intelligent young officer--smiled significantly.
+
+"I begin to see light!" he declared. "The gentleman who made off
+just as I arrived on the scene probably had a private quarrel
+with the Chinaman and was otherwise not concerned in any way."
+
+"I am disposed to agree with you," I said guardedly.
+
+"Of course, you've no idea of his identity?"
+
+"I'm afraid not."
+
+"We may find him," mused the officer, glancing at me shrewdly,
+"by applying at the offices of the Planet Line, but I rather
+doubt it. Also I rather doubt if we'll look very far. He's
+saved us a lot of trouble, but"--peering about in the shadowy
+corners which abounded--"didn't I see somebody else lurking
+around here?"
+
+"I'm almost certain there was someone else!" I cried. "In fact,
+I could all but swear to it."
+
+"H'm!" said the detective. "He's not here now. Might I trouble
+you to walk along to Limehouse Police Station for the ambulance?
+I'd better stay here."
+
+I agreed at once, and started off.
+
+Thus a second time my plans were interrupted, for my expedition
+that night ultimately led me to Bow Street, whence, after certain
+formalities had been observed, I departed for my chambers, the
+mysterious pigtail in my pocket. Failing the presence of Durham,
+the pigtail must have been retained as evidence, but:
+
+"We shall know where to find it if it's wanted, Mr. Knox," said
+the Yard man, "and I can trust you to look after your own
+property."
+
+The clock of St. Paul's was chiming the hour of two when I locked
+the door of my chambers and prepared to turn in. The clangour of
+the final strokes yet vibrated through the night's silence when
+someone set my own door bell loudly ringing.
+
+With an exclamation of annoyance I shot back the bolts and threw
+open the door.
+
+A Chinaman stood outside upon the mat!
+
+
+
+
+IV
+
+HOW IT ALL ENDED
+
+
+
+"Me wishee see you," said the apparition, smiling blandly; "me
+comee in?"
+
+"Come in, by all means," I said without enthusiasm, and,
+switching on the light in my study, I admitted the Chinaman and
+stood facing him with an expression upon my face which I doubt
+not was the reverse of agreeable.
+
+My visitor, who wore a slop-shop suit, also wore a wide-brimmed
+bowler hat; now, the set bland smile still upon his yellow face,
+he removed the bowler and pointed significantly to his skull.
+
+His pigtail had been severed some three inches from the root!
+
+"You gotchee my pigtail," he explained; "me callee get it--thank
+you."
+
+"Thank you," I said grimly. "But I must ask you to establish
+your claim rather more firmly."
+
+"Yessir," agreed the Chinaman.
+
+And thereupon in tolerable pidgin English he unfolded his tale.
+He proclaimed his name to be Hi Wing Ho, and his profession that
+of a sailor, or so I understood him. While ashore at Suez he had
+become embroiled with some drunken seamen: knives had been drawn,
+and in the scuffle by some strange accident his pigtail had been
+severed. He had escaped from the conflict, badly frightened, and
+had run a great distance before he realized his loss. Since
+Southern Chinamen of his particular Tong hold their pigtails in
+the highest regard, he had instituted inquiries as soon as
+possible, and had presently learned from a Chinese member of the
+crew of the S.S. Jupiter that the precious queue had fallen
+into the hands of a fireman on that vessel. He (Hi Wing Ho) had
+shipped on the first available steamer bound for England, having
+in the meanwhile communicated with his friend on the Jupiter
+respecting the recovery of the pigtail.
+
+"What was the name of your friend on the Jupiter?"
+
+"Him Li Ping--yessir!"--without the least hesitation or hurry.
+
+I nodded. "Go on," I said.
+
+He arrived at the London docks very shortly after the Jupiter.
+Indeed, the crew of the latter vessel had not yet been paid off
+when Hi Wing Ho presented himself at the dock gates. He admitted
+that, finding the fireman so obdurate, he and his friend Li Ping
+had resorted to violence, but he did not seem to recognize me as
+the person who had frustrated their designs. Thus far I found
+his story credible enough, excepting the accidental severing of
+the pigtail at Suez, but now it became wildly improbable, for he
+would have me believe that Li Ping, or Ah Fu, obtaining
+possession of the pigtail (in what manner Hi Wing Ho protested
+that he knew not) he sought to hold it to ransom, knowing how
+highly Hi Wing Ho valued it.
+
+I glared sternly at the Chinaman, but his impassive countenance
+served him well. That he was lying to me I no longer doubted;
+for Ah Fu could not have hoped to secure such a price as would
+justify his committing murder; furthermore, the presence of the
+unfortunate Jewess in the case was not accounted for by the
+ingenious narrative of Hi Wing Ho. I was standing staring at him
+and wondering what course to adopt, when yet again my restless
+door-bell clamoured in the silence.
+
+Hi Wing Ho started nervously, exhibiting the first symptoms of
+alarm which I had perceived in him. My mind was made up in an
+instant. I took my revolver from the drawer and covered him.
+
+"Be good enough to open the door, Hi Wing Ho," I said coldly.
+
+He shrank from me, pouring forth voluble protestations.
+
+"Open the door!"
+
+I clenched my left fist and advanced upon him. He scuttled away
+with his odd Chinese gait and threw open the door. Standing
+before me I saw my friend Detective Sergeant Durham, and with him
+a remarkably tall and very large-boned man whose square-jawed
+face was deeply tanned and whose aspect was dourly Scottish.
+
+When the piercing eyes of this stranger rested upon Hi Wing Ho an
+expression which I shall never forget entered into them; an
+expression coldly murderous. As for the Chinaman, he literally
+crumpled up.
+
+"You rat!" roared the stranger.
+
+Taking one long stride he stooped upon the Chinaman, seized him
+by the back of the neck as a terrier might seize a rat, and
+lifted him to his feet.
+
+"The mystery of the pigtail, Mr. Knox," said the detective, "is
+solved at last."
+
+"Have ye got it?" demanded the Scotsman, turning to me, but
+without releasing his hold upon the neck of Hi Wing Ho.
+
+I took the pigtail from my pocket and dangled it before his eyes.
+
+"Suppose you come into my study," I said, "and explain matters."
+
+We entered the room which had been the scene of so many singular
+happenings. The detective and I seated ourselves, but the
+Scotsman, holding the Chinaman by the neck as though he had been
+some inanimate bundle, stood just within the doorway, one of the
+most gigantic specimens of manhood I had ever set eyes upon.
+
+"You do the talking, sir," he directed the detective; "ye have
+all the facts."
+
+While Durham talked, then, we all listened--excepting the
+Chinaman, who was past taking an intelligent interest in
+anything, and who, to judge from his starting eyes, was being
+slowly strangled.
+
+"The gentleman," said Durham--"Mr. Nicholson--arrived two days
+ago from the East. He is a buyer for a big firm of diamond
+merchants, and some weeks ago a valuable diamond was stolen from
+him------"
+
+"By this!" interrupted the Scotsman, shaking the wretched Hi Wing
+Ho terrier fashion.
+
+"By Hi Wing Ho," explained the detective, "whom you see before
+you. The theft was a very ingenious one, and the man succeeded
+in getting away with his haul. He tried to dispose of the
+diamond to a certain Isaac Cohenberg, a Singapore moneylender;
+but Isaac Cohenberg was the bigger crook of the two. Hi Wing Ho
+only escaped from the establishment of Cohenberg by dint of
+sandbagging the moneylender, and quitted the town by a boat which
+left the same night. On the voyage he was indiscreet enough to
+take the diamond from its hiding-place and surreptitiously to
+examine it. Another member of the Chinese crew, one Li Ping--
+otherwise Ah Fu, the accredited agent of old Huang Chow!--was
+secretly watching our friend, and, knowing that he possessed this
+valuable jewel, he also learned where he kept it hidden. At Suez
+Ah Fu attacked Hi Wing Ho and secured possession of the diamond.
+It was to secure possession of the diamond that Ah Fu had gone
+out East. I don't doubt it. He employed Hi Wing Ho--and Hi Wing
+Ho tried to double on him!
+
+"We are indebted to you, Mr. Knox, for some of the data upon
+which we have reconstructed the foregoing and also for the next
+link in the narrative. A fireman ashore from the Jupiter
+intruded upon the scene at Suez and deprived Ah Fu of the fruits
+of his labours. Hi Wing Ho seems to have been badly damaged in
+the scuffle, but Ah Fu, the more wily of the two, evidently
+followed the fireman, and, deserting from his own ship, signed on
+with the Jupiter."
+
+While this story was enlightening in some respects, it was
+mystifying in others. I did not interrupt, however, for Durham
+immediately resumed:
+
+"The drama was complicated by the presence of a fourth
+character--the daughter of Cohenberg. Realizing that a small
+fortune had slipped through his fingers, the old moneylender
+dispatched his daughter in pursuit of Hi Wing Ho, having learned
+upon which vessel the latter had sailed. He had no difficulty in
+obtaining this information, for he is in touch with all the
+crooks of the town. Had he known that the diamond had been
+stolen by an agent of Huang Chow, he would no doubt have
+hesitated. Huang Chow has an international reputation.
+
+"However, his daughter--a girl of great personal beauty--relied
+upon her diplomatic gifts to regain possession of the stone, but,
+poor creature, she had not counted with Ah Fu, who was evidently
+watching your chambers (while Hi Wing Ho, it seems, was
+assiduously shadowing Ah Fu!). How she traced the diamond from
+point to point of its travels we do not know, and probably never
+shall know, but she was undeniably clever and unscrupulous. Poor
+girl! She came to a dreadful end. Mr. Nicholson, here,
+identified her at Bow Street to-night."
+
+Now the whole amazing truth burst upon me.
+
+"I understand!" I cried. "This"--and I snatched up the pigtail--
+
+"That my pigtail," moaned Hi Wing Ho feebly.
+
+Mr. Nicholson pitched him unceremoniously into a corner of the
+room, and taking the pigtail in his huge hand, clumsily
+unfastened it. Out from the thick part, some two inches below
+the point at which it had been cut from the Chinaman's head, a
+great diamond dropped upon the floor!
+
+For perhaps twenty seconds there was perfect silence in my study.
+No one stooped to pick the diamond from the floor--the diamond
+which now had blood upon it. No one, so far as my sense informed
+me, stirred. But when, following those moments of stupefaction,
+we all looked up--Hi Wing Ho, like a phantom, had faded from the
+room!
+
+
+
+
+
+
+THE HOUSE OF GOLDEN JOSS
+
+
+
+
+
+I
+
+THE BLOOD-STAINED IDOL
+
+
+
+
+"Stop when we pass the next lamp and give me a light for my
+pipe."
+
+"Why?"
+
+"No! don't look round," warned my companion. "I think someone
+is following us. And it is always advisable to be on guard in
+this neighbourhood."
+
+We had nearly reached the house in Wade Street, Limehouse, which
+my friend used as a base for East End operations. The night was
+dark but clear, and I thought that presently when dawn came it
+would bring a cold, bright morning. There was no moon, and as we
+passed the lamp and paused we stood in almost total darkness.
+
+Facing in the direction of the Council School I struck a match.
+It revealed my ruffianly looking companion--in whom his nearest
+friends must have failed to recognize Mr. Paul Harley of Chancery
+Lane.
+
+He was glancing furtively back along the street, and when a
+moment later we moved on, I too, had detected the presence of a
+figure stumbling toward us.
+
+"Don't stop at the door," whispered Harley, for our follower was
+only a few yards away.
+
+Accordingly we passed the house in which Harley had rooms, and
+had proceeded some fifteen paces farther when the man who was
+following us stumbled in between Harley and myself, clutching an
+arm of either. I scarcely knew what to expect, but was prepared
+for anything, when:
+
+"Mates!" said a man huskily. "Mates, if you know where I can get
+a drink, take me there!"
+
+Harley laughed shortly. I cannot say if he remained suspicious
+of the newcomer, but for my own part I had determined after one
+glance at the man that he was merely a drunken fireman newly
+recovered from a prolonged debauch.
+
+"Where 'ave yer been, old son?" growled Harley, in that wonderful
+dialect of his which I had so often and so vainly sought to
+cultivate. "You look as though you'd 'ad one too many already."
+
+"I ain't," declared the fireman, who appeared to be in a semi-
+dazed condition. "I ain't 'ad one since ten o'clock last night.
+It's dope wot's got me, not rum."
+
+"Dope!" said Harley sharply; "been 'avin' a pipe, eh?"
+
+"If you've got a corpse-reviver anywhere," continued the man in
+that curious, husky voice, "'ave pity on me, mate. I seen a
+thing to-night wot give me the jim-jams."
+
+"All right, old son," said my friend good-humouredly; "about
+turn! I've got a drop in the bottle, but me an' my mate sails
+to-morrow, an' it's the last."
+
+"Gawd bless yer!" growled the fireman; and the three of us--an
+odd trio, truly--turned about, retracing our steps.
+
+As we approached the street lamp and its light shone upon the
+haggard face of the man walking between us, Harley stopped, and:
+
+"Wot's up with yer eye?" he inquired.
+
+He suddenly tilted the man's head upward and peered closely into
+one of his eyes. I suppressed a gasp of surprise for I instantly
+recognized the fireman of the Jupiter!
+
+"Nothin' up with it, is there?" said the fireman.
+
+"Only a lump o' mud," growled Harley, and with a very dirty
+handkerchief he pretended to remove the imaginary stain, and
+then, turning to me:
+
+"Open the door, Jim," he directed.
+
+His examination of the man's eyes had evidently satisfied him
+that our acquaintance had really been smoking opium.
+
+We paused immediately outside the house for which we had been
+bound, and as I had the key I opened the door and the three of us
+stepped into a little dark room. Harley closed the door and we
+stumbled upstairs to a low first-floor apartment facing the
+street. There was nothing in its appointments, as revealed in
+the light of an oil lamp burning on the solitary table, to
+distinguish it from a thousand other such apartments which may be
+leased for a few shillings a week in the neighbourhood. That
+adjoining might have told a different story, for it more closely
+resembled an actor's dressing-room than a seaman's lodging; but
+the door of this sanctum was kept scrupulously locked.
+
+"Sit down, old son," said my friend heartily, pushing forward an
+old arm-chair. "Fetch out the grog, Jim; there's about enough
+for three."
+
+I walked to a cupboard, as the fireman sank limply down in the
+chair, and took out a bottle and three glasses. When the man,
+who, as I could now see quite plainly, was suffering from the
+after effects of opium, had eagerly gulped the stiff drink which
+I handed to him, he looked around with dim, glazed eyes, and:
+
+"You've saved my life, mates," he declared. "I've 'ad a 'orrible
+nightmare, I 'ave--a nightmare. See?"
+
+He fixed his eyes on me for a moment, then raised himself from
+his seat, peering narrowly at me across the table.
+
+"I seed you before, mate. Gaw, blimey! if you ain't the bloke
+wot I giv'd the pigtail to! And wot laid out that blasted Chink
+as was scraggin' me! Shake, mate!"
+
+I shook hands with him, Harley eyeing me closely the while, in a
+manner which told me that his quick brain had already supplied
+the link connecting our doped acquaintance with my strange
+experience during his absence. At the same time it occurred to
+me that my fireman friend did not know that Ah Fu was dead, or he
+would never have broached the subject so openly.
+
+"That's so," I said, and wondered if he required further
+information.
+
+"It's all right, mate. I don't want to 'ear no more about
+blinking pigtails--not all my life I don't," and he sat back
+heavily in his chair and stared at Harley.
+
+"Where have you been?" inquired Harley, as if no interruption had
+occurred, and then began to reload his pipe: "at Malay Jack's or
+at Number Fourteen?"
+
+"Neither of 'em!" cried the fireman, some evidence of animation
+appearing in his face; "I been at Kwen Lung's."
+
+"In Pennyfields?"
+
+"That's 'im, the old bloke with the big joss. I allers goes to
+see Ma Lorenzo when I'm in Port o' London. I've seen 'er for the
+last time, mates."
+
+He banged a big and dirty hand upon the table.
+
+"Last night I see murder done, an' only that I know they wouldn't
+believe me, I'd walk across to Limehouse P'lice Station presently
+and put the splits on 'em, I would."
+
+Harley, who was seated behind the speaker, glanced at me
+significantly.
+
+"Sure you wasn't dreamin'?" he inquired facetiously.
+
+"Dreamin'!" cried the man. "Dreams don't leave no blood be'ind,
+do they?"
+
+"Blood!" I exclaimed.
+
+"That's wot I said--blood! When I woke up this mornin' there was
+blood all on that grinnin' joss--the blood wot 'ad dripped from
+'er shoulders when she fell."
+
+"Eh!" said Harley. "Blood on whose shoulders? Wot the 'ell are
+you talkin' about, old son?"
+
+"Ere"--the fireman turned in his chair and grasped Harley by the
+arm--"listen to me, and I'll tell you somethink, I will. I'm
+goin' in the Seahawk in the mornin' see? But if you want to know
+somethink, I'll tell yer. Drunk or sober I bars the blasted
+p'lice, but if you like to tell 'em I'll put you on somethink
+worth tellin'. Sure the bottle's empty, mates?"
+
+I caught Harley's glance and divided the remainder of the whisky
+evenly between the three glasses.
+
+"Good 'ealth," said the fireman, and disposed of his share at a
+draught. "That's bucked me up wonderful."
+
+He lay back in his chair and from a little tobacco-box began to
+fill a short clay pipe.
+
+"Look 'ere, mates, I'm soberin' up, like, after the smoke, an' I
+can see, I can see plain, as nobody'll ever believe me. Nobody
+ever does, worse luck, but 'ere goes. Pass the matches."
+
+He lighted his pipe, and looking about him in a sort of vaguely
+aggressive way:
+
+"Last night," he resumed, "after I was chucked out of the Dock
+Gates, I made up my mind to go and smoke a pipe with old Ma
+Lorenzo. Round I goes to Pennyfields, and she don't seem glad to
+see me. There's nobody there only me. Not like the old days
+when you 'ad to book your seat in advance."
+
+He laughed gruffly.
+
+"She didn't want to let me in at first, said they was watched,
+that if a Chink 'ad an old pipe wot 'ad b'longed to 'is
+grandfather it was good enough to get 'im fined fifty quid.
+Anyway, me bein' an old friend she spread a mat for me and filled
+me a pipe. I asked after old Kwen Lung, but, of course, 'e was
+out gamblin', as usual; so after old Ma Lorenzo 'ad made me
+comfortable an' gone out I 'ad the place to myself, and presently
+I dozed off and forgot all about bloody ship's bunkers an'
+nigger-drivin' Scotchmen."
+
+He paused and looked about him defiantly.
+
+"I dunno 'ow long I slept," he continued, "but some time in the
+night I kind of 'alf woke up."
+
+At that he twisted violently in his chair and glared across at
+Harley:
+
+"You been a pal to me," he said; "but tell me I was dreamin'
+again and I'll smash yer bloody face!"
+
+He glared for a while, then addressing his narrative more
+particularly to me, he resumed:
+
+"It was a scream wot woke me--a woman's scream. I didn't sit up;
+I couldn't. I never felt like it before. It was the same as
+bein' buried alive, I should think. I could see an' I could
+'ear, but I couldn't move one muscle in my body. Foller me? An'
+wot did I see, mates, an' wot did I 'ear? I'm goin' to tell yer.
+I see old Kwen Lung's daughter------"
+
+"I didn't know 'e 'ad one," murmured Harley.
+
+"Then you don't know much!" shouted the fireman. "I knew years
+ago, but 'e kept 'er stowed away somewhere up above, an' last
+night was the first time I ever see 'er. It was 'er shriek wot
+'ad reached me, reached me through the smoke. I don't take much
+stock in Chink gals in general, but this one's mother was no
+Chink, I'll swear. She was just as pretty as a bloomin' ivory
+doll, an' as little an' as white, and that old swine Kwen Lung
+'ad tore the dress off of 'er shoulders with a bloody great
+whip!"
+
+Harley was leaning forward in his seat now, intent upon the man's
+story, and although I could not get rid of the idea that our
+friend was relating the events of a particularly unpleasant opium
+dream, nevertheless I was fascinated by the strange story and by
+the strange manner of its telling.
+
+"I saw the blood drip from 'er bare shoulders, mates," the man
+continued huskily, and with his big dirty hands he strove to
+illustrate his words. "An' that old yellow devil lashed an'
+lashed until the poor gal was past screamin'. She just sunk down
+on the floor all of a 'cap, moanin' and moanin'--Gawd! I can
+'ear 'er moanin' now!"
+
+"Meanwhile, 'ere's me with murder in me 'eart lyin' there
+watchin', an' I can't speak, no! I can't even curse the yellow
+rat, an' I can't move--not a 'and, not a foot! Just as she fell
+there right up against the joss an' 'er blood trickled down on
+'is gilded feet, old Ma Lorenzo comes staggerin' in. I remember
+all this as clear as print, mates, remember it plain, but wot
+'appened next ain't so good an' clear. Somethink seemed to bust
+in me 'ead. Only just before I went off, the winder--there's
+only one in the room--was smashed to smithereens an' somebody
+come in through it."
+
+"Are you sure?" said Harley eagerly. "Are you sure?"
+
+That he was intensely absorbed in the story he revealed by a
+piece of bad artistry, very rare in him. He temporarily forgot
+his dialect. Our marine friend, however, was too much taken up
+with his own story to notice the slip, and:
+
+"Dead sure!" he shouted.
+
+He suddenly twisted around in his chair.
+
+"Tell me I was dreamin', mate," he invited, "and if you ain't
+dreamin' in 'arf a tick it won't be because I 'aven't put yer to
+sleep!"
+
+"I ain't arguin', old son," said Harley soothingly. "Get on with
+your yarn."
+
+"Ho!" said the fireman, mollified, "so long as you ain't. Well,
+then, it's all blotted out after that. Somebody come in at the
+winder, but 'oo it was or wot it was I can't tell yer, not for
+fifty quid. When I woke up, which is about 'arf an hour before
+you see me, I'm all alone--see? There's no sign of Kwen Lung nor
+the gal nor old Ma Lorenzo nor anybody. I sez to meself, wot you
+keep on sayin'. I sez, 'You're dreamin', Bill.'"
+
+"But I don't think you was," declared Harley. "Straight I
+don't."
+
+"I know I wasn't!" roared the fireman, and banged the table
+lustily. "I see 'er blood on the joss an' on the floor where she
+lay!"
+
+"This morning?" I interjected.
+
+"This mornin', in the light of the little oil lamp where old Ma
+Lorenzo 'ad roasted the pills! It's all still an' quiet an' I
+feel more dead than alive. I'm goin' to give 'er a hail, see?
+When I sez to myself, 'Bill,' I sez, 'put out to sea; you're
+amongst Kaffirs, Bill.' It occurred to me as old Kwen Lung might
+wonder 'ow much I knew. So I beat it. But when I got in the
+open air I felt I'd never make my lodgin's without a tonic.
+That's 'ow I come to meet you, mates.
+
+"Listen--I'm away in the old Seahawk in the mornin', but I'll
+tell you somethink. That yellow bastard killed his daughter last
+night! Beat 'er to death. I see it plain. The sweetest,
+prettiest bit of ivory as Gawd ever put breath into. If 'er body
+ain't in the river, it's in the 'ouse. Drunk or sober, I never
+could stand the splits, but mates"--he stood up, and grasping me
+by the arm, he drew me across the room where he also seized
+Harley in his muscular grip--"mates," he went on earnestly, "she
+was the sweetest, prettiest little gal as a man ever clapped eyes
+on. One of yer walk into Limehouse Station an' put the koppers
+wise. I'd sleep easier at sea if I knew old Kwen Lung 'ad gone
+west on a bloody rope's end."
+
+
+
+
+II
+
+AT KWEN LUNG'S
+
+
+
+For fully ten minutes after the fireman had departed Paul Harley
+sat staring abstractedly in front of him, his cold pipe between
+his teeth, and knowing his moods I intruded no words upon this
+reverie, until:
+
+"Come on, Knox," he said, standing up suddenly, "I think this
+matter calls for speedy action."
+
+"What! Do you think the man's story was true?"
+
+"I think nothing. I am going to look at Kwen Lung's joss."
+
+Without another word he led the way downstairs and out into the
+deserted street. The first gray halftones of dawn were creeping
+into the sky, so that the outlines of Limehouse loomed like dim
+silhouettes about us. There was abundant evidence in the form of
+noises, strange and discordant, that many workers were busy on
+dock and riverside, but the streets through which our course lay
+were almost empty. Sometimes a furtive shadow would move out of
+some black gully and fade into a dimly seen doorway in a manner
+peculiarly unpleasant and Asiatic. But we met no palpable
+pedestrian throughout the journey.
+
+Before the door of a house in Pennyfields which closely resembled
+that which we had left in Wade Street, in that it was flatly
+uninteresting, dirty and commonplace, we paused. There was no
+sign of life about the place and no lights showed at any of the
+windows, which appeared as dim cavities--eyeless sockets in the
+gray face of the building, as dawn proclaimed the birth of a new
+day.
+
+Harley seized the knocker and knocked sharply. There was no
+response, and he repeated the summons, but again without effect.
+Thereupon, with a muttered exclamation, he grasped the knocker a
+third time and executed a veritable tattoo upon the door. When
+this had proceeded for about half a minute or more:
+
+"All right, all right!" came a shaky voice from within. "I'm
+coming."
+
+Harley released the knocker, and, turning to me:
+
+"Ma Lorenzo," he whispered. "Don't make any mistakes."
+
+Indeed, even as he warned me, heralded by a creaking of bolts and
+the rattling of a chain, the door was opened by a fat, shapeless,
+half-caste woman of indefinite age; in whose dark eyes, now
+sunken in bloated cheeks, in whose full though drooping lips, and
+even in the whole overlaid contour of whose face and figure it
+was possible to recognize the traces of former beauty. This was
+Ma Lorenzo, who for many years had lived at that address with old
+Kwen Lung, of whom strange stories were told in Chinatown.
+
+As Bill Jones, A.B., my friend, Paul Harley, was well known to Ma
+Lorenzo as he was well known to many others in that strange
+colony which clusters round the London docks. I sometimes
+enjoyed the privilege of accompanying my friend on a tour of
+investigation through the weird resorts which abound in that
+neighbourhood, and, indeed, we had been returning from one of
+these Baghdad nights when our present adventure had been thrust
+upon us. Assuming a wild and boisterous manner which he had at
+command:
+
+"'Urry up, Ma!" said Harley, entering without ceremony; "I want
+to introduce my pal Jim 'ere to old Kwen Lung, and make it all
+right for him before I sail."
+
+Ma Lorenzo, who was half Portuguese, replied in her peculiar
+accent:
+
+"This no time to come waking me up out of bed!"
+
+But Harley, brushing past her, was already inside the stuffy
+little room, and I hastened to follow.
+
+"Kwen Lung!" shouted my friend loudly. "Where are you? Brought
+a friend to see you."
+
+"Kwen Lung no hab," came the complaining tones of Ma Lorenzo from
+behind us.
+
+It was curious to note how long association with the Chinese had
+resulted in her catching the infection of that pidgin-English
+which is a sort of esperanto in all Asiatic quarters.
+
+"Eh!" cried my friend, pushing open a door on the right of the
+passage and stumbling down three worn steps into a very evil-
+smelling room. "Where is he?"
+
+"Go play fan-tan. Not come back."
+
+Ma Lorenzo, having relocked the street door, had rejoined us, and
+as I followed my friend down into the dim and uninviting
+apartment she stood at the top of the steps, hands on hips,
+regarding us.
+
+The place, which was quite palpably an opium den, must have
+disappointed anyone familiar with the more ornate houses of
+Chinese vice in San Francisco and elsewhere. The bare floor was
+not particularly clean, and the few decorations which the room
+boasted were garishly European for the most part. A deep divan,
+evidently used sometimes as a bed, occupied one side of the room,
+and just to the left of the steps reposed the only typically
+Oriental object in the place.
+
+It was a strange thing to see in so sordid a setting; a great
+gilded joss, more than life-size, squatting, hideous, upon a
+massive pedestal; a figure fit for some native temple but
+strangely out of place in that dirty little Limehouse abode.
+
+I had never before visited Kwen Lung's, but the fame of his
+golden joss had reached me, and I know that he had received many
+offers for it, all of which he had rejected. It was whispered
+that Kwen Lung was rich, that he was a great man among the
+Chinese, and even that some kind of religious ceremony
+periodically took place in his house. Now, as I stood staring at
+the famous idol, I saw something which made me stare harder than
+ever.
+
+The place was lighted by a hanging lamp from which depended bits
+of coloured paper and several gilded silk tassels; but dim as the
+light was it could not conceal those tell-tale stains.
+
+There was blood on the feet of the golden idol!
+
+All this I detected at a glance, but ere I had time to speak:
+
+"You can't tell me that tale, Ma!" cried Harley. "I believe 'e
+was smokin' in 'ere when we knocked."
+
+The woman shrugged her fat shoulders.
+
+"No, hab," she repeated. "You two johnnies clear out. Let me
+sleep."
+
+But as I turned to her, beneath the nonchalant manner I could
+detect a great uneasiness; and in her dark eyes there was fear.
+That Harley also had seen the bloodstains I was well aware, and I
+did not doubt that furthermore he had noted the fact that the
+only mat which the room boasted had been placed before the joss--
+doubtless to hide other stains upon the boards.
+
+As we stood so I presently became aware of a current of air
+passing across the room in the direction of the open door. It
+came from a window before which a tawdry red curtain had been
+draped. Either the window behind the curtain was wide open,
+which is alien to Chinese habits, or it was shattered. While I
+was wondering if Harley intended to investigate further:
+
+"Come on, Jim!" he cried boisterously, and clapped me on the
+shoulder; "the old fox don't want to be disturbed."
+
+He turned to the woman:
+
+"Tell him when he wakes up, Ma," he said, "that if ever my pal
+Jim wants a pipe he's to 'ave one. Savvy? Jim's square."
+
+"Savvy," replied the woman, and she was wholly unable to conceal
+her relief. "You clear out now, and I tell Kwen Lung when he
+come in."
+
+"Righto, Ma!" said Harley. "Kiss 'im on both cheeks for me, an'
+tell 'im I'll be 'ome again in a month."
+
+Grasping me by the arm he lurched up the steps, and the two of us
+presently found ourselves out in the street again. In the
+growing light the squalor of the district was more evident than
+ever, but the comparative freshness of the air was welcome after
+the reek of that room in which the golden idol sat leering, with
+blood at his feet.
+
+"You saw, Harley?" I exclaimed excitedly. "You saw the stains?
+And I'm certain the window was broken!"
+
+Harley nodded shortly.
+
+"Back to Wade Street!" he said. "I allow myself fifteen minutes
+to shed Bill Jones, able seaman, and to become Paul Harley, of
+Chancery Lane."
+
+As we hurried along:
+
+"What steps shall you take?" I asked.
+
+"First step: search Kwen Lung's house from cellar to roof.
+Second step: entirely dependent upon result of first. The Chinese
+are subtle, Knox. If Kwen Lung has killed his daughter, it may
+require all the resources of Scotland Yard to prove it."
+
+"But------"
+
+"There is no 'but' about it. Chinatown is the one district of
+London which possesses the property of swallowing people up."
+
+
+
+
+III
+
+"CAPTAIN DAN"
+
+
+
+Half an hour later, as I sat in the inner room before the great
+dressing-table laboriously removing my disguise--for I was
+utterly incapable of metamorphosing myself like Harley in seven
+minutes--I heard a rapping at the outer door. I glanced
+nervously at my face in the mirror.
+
+Comparatively little of "Jim" had yet been removed, for since
+time was precious to my friend I had acted as his dresser before
+setting to work to remove my own make-up. There were two
+entrances to the establishment, by one of which Paul Harley
+invariably entered and invariably went out, and from the other of
+which "Bill Jones" was sometimes seen to emerge, but never Paul
+Harley. That my friend had made good his retirement I knew, but,
+nevertheless, if I had to open the door of the outer room it must
+be as "Jim."
+
+Thinking it impolite not to do so, since the one who knocked
+might be aware that we had come in but not gone out again, I
+hastily readjusted that side of my moustache which I had begun to
+remove, replaced my cap and muffler, and carefully locking the
+door of the dressing-room, crossed the outer apartment and opened
+the door.
+
+It was Harley's custom never to enter or leave these rooms except
+under the mantle of friendly night, but at so early an hour I
+confess I had not expected a visitor. Wondering whom I should
+find there I opened the door.
+
+Standing on the landing was a fellow-lodger who permanently
+occupied the two top rooms of the house. Paul Harley had taken
+the trouble to investigate the man's past, for "Captain Dan," the
+name by which he was known in the saloons and worse resorts which
+he frequented, was palpably a broken-down gentleman; a piece of
+flotsam caught in the yellow stream. Opium had been his
+downfall. How he lived I never knew, but Harley believed he had
+some small but settled income, sufficient to enable him to kill
+himself in comfort with the black pills.
+
+As he stood there before me in the early morning light, I was
+aware of some subtle change in his appearance. It was fully six
+months since I had seen him last, but in some vague way he looked
+younger. Haggard he was, with an ugly cut showing on his temple,
+but not so lined as I remembered him. Some former man seemed to
+be struggling through the opium-scarred surface. His eyes were
+brighter, and I noted with surprise that he wore decent clothes
+and was clean shaved.
+
+"Good morning, Jim," he said; "you remember me, don't you?"
+
+As he spoke I observed, too, that his manner had altered. He who
+had consorted with the sweepings af the doss-houses now addressed
+me as a courteous gentleman addresses an inferior--not haughtily
+or patronizingly, but with a note of conscious superiority and
+self-respect wholly unfamiliar. Almost it threw me off my guard,
+but remembering in the nick of time that I was still "Jim":
+
+"Of course I remember you, Cap'n," I said. "Step inside."
+
+"Thanks," he replied, and followed me into the little room.
+
+I placed for him the arm-chair which our friend the fireman had
+so recently occupied, but:
+
+"I won't sit down," he said.
+
+And now I observed that he was evidently in a condition of
+repressed excitement. Perhaps he saw the curiosity in my glance,
+for he suddenly rested both his hands on my shoulders, and:
+
+"Yes, I have given up the dope, Jim," he said---"done with it for
+ever. There's not a soul in this neighbourhood I can trust, yet
+if ever a man wanted a pal, I want one to-day. Now, you're
+square, my lad. I always knew that, in spite of the dope; and if
+I ask you to do a little thing that means a lot to me, I think
+you will do it. Am I right?"
+
+"If it can be done, I'll do it," said I.
+
+"Then, listen. I'm leaving England in the Patna for Singapore.
+She sails at noon to-morrow, and passengers go on board at ten
+o'clock. I've got my ticket, papers in order, but"--he paused
+impressively, grasping my shoulders hard--"I must get on board
+to-night."
+
+I stared him in the face.
+
+"Why?" I asked.
+
+He returned my look with one searching and eager; then:
+
+"If I show you the reason," said he, "and trust you with all my
+papers, will you go down to the dock--it's no great distance--
+and ask to see Marryat, the chief officer? Perhaps you've sailed
+with him?"
+
+"No," I replied guardedly. "I was never in the Patna."
+
+"Never mind. When you give him a letter which I shall write he
+will make the necessary arrangements for me to occupy my state-
+room to-night. I knew him well," he explained, "in--the old
+days. Will you do it, Jim?"
+
+"I'll do it with pleasure," I answered.
+
+"Shake!" said Captain Dan.
+
+We shook hands heartily, and:
+
+"Now I'll show you the reason," he added. "Come upstairs."
+
+Turning, he led the way upstairs to his own room, and wondering
+greatly, I followed him in. Never having been in Captain Dan's
+apartments I cannot say whether they, like their occupant, had
+changed for the better. But I found myself in a room
+surprisingly clean and with a note of culture in its appointments
+which was even more surprising.
+
+On a couch by the window, wrapped in a fur rug, lay the prettiest
+half-caste girl I had ever seen, East or West. Her skin was like
+cream rose petals and her abundant hair was of wonderful lustrous
+black. Perhaps it was her smooth warm colour which suggested the
+idea, but as her cheeks flushed at sight of Captain Dan and the
+long dark eyes lighted up in welcome, I thought of a delicate
+painting on ivory and I wondered more and more what it all could
+mean.
+
+"I have brought Jim to see you," said Captain Dan. "No, don't
+trouble to move dear."
+
+But even before he had spoken I had seen the girl wince with pain
+as she had endeavoured to sit up to greet us. She lay on her
+side in a rather constrained attitude, but although her sudden
+movement had brought tears to her eyes she smiled bravely and
+extended a tiny ivory hand to me.
+
+"This is my wife, Jim!" said Captain Dan.
+
+I could find no words at all, but merely stood there looking very
+awkward and feeling almost awed by the indescribable expression
+of trust in the eyes of the little Eurasian, as with her tiny
+fingers hidden in her husband's clasp she lay looking up at him.
+
+"Now you know, Jim," said he, "why we must get aboard the Patna
+to-night. My wife is really too ill to travel; in fact, I shall
+have to carry her down to the cab, and such a proceeding in
+daylight would attract an enormous crowd in this neighbourhood!"
+
+"Give me the letters and the papers," I answered. "I will start
+now."
+
+His wife disengaged her hand and extended it to me.
+
+"Thank you," she said, in a queer little silver-bell voice; "you
+are good. I shall always love you."
+
+
+
+
+IV
+
+THE SECRET OF MA LORENZO
+
+
+
+It must have been about eleven o'clock that night when Paul
+Harley rang me up. Since we had parted in the early morning I
+had had no word from him, and I was all anxiety to tell him of
+the quaint little romance which unknown to us had had its setting
+in the room above.
+
+In accordance with my promise I had seen the chief officer of the
+Patna; and from the start of surprise which he gave on opening
+"Captain Dan's" letter, I judged that Mr. Marryat and the man who
+for so long had sunk to the lowest rung of the ladder had been
+close friends in those "old days." At any rate, he had proceeded
+to make the necessary arrangements without a moment's delay, and
+the couple were to go on board the Patna at nine o'clock.
+
+It was with a sense of having done at least one good deed that I
+finally quitted our Limehouse base and returned to my rooms.
+Now, at eleven o'clock at night:
+
+"Can you come round to Chancery Lane at once?" said Harley. "I
+want you to run down to Pennyfields with me."
+
+"Some development in the Kwen Lung business?"
+
+"Hardly a development, but I'm not satisfied, Knox. I hate to be
+beaten."
+
+Twenty minutes later I was sitting in Harley's study, watching
+him restlessly promenading up and down before the fire.
+
+"The police searched Kwen Lung's place from foundation to tiles,"
+he said. "I was there myself. Old Kwen Lung conveniently kept
+out of the way--still playing fan-tan, no doubt! But Ma Lorenzo
+was in evidence. She blandly declared that Kwen Lung never had a
+daughter! And in the absence of our friend the fireman, who
+sailed in the Seahawk, and whose evidence, by the way, is legally
+valueless--what could we do? They could find nobody in the
+neighbourhood prepared to state that Kwen Lung had a daughter or
+that Kwen Lung had no daughter. There are all sorts of fables
+about the old fox, but the facts about him are harder to get at."
+
+"But," I explained, "the bloodstains on the joss!"
+
+"Ma Lorenzo stumbled and fell there on the previous night,
+striking her skull against the foot of the figure."
+
+"What nonsense!" I cried. "We should have seen the wound last
+night."
+
+"We might have done," said Harley musingly; "I don't know when
+she inflicted it on herself; but I did see it this morning."
+
+"What!"
+
+"Oh, the gash is there all right, partly covered by her hair."
+
+He stood still, staring at me oddly.
+
+"One meets with cases of singular devotion in unexpected quarters
+sometimes," he said.
+
+"You mean that the woman inflicted the wound upon herself in
+order------"
+
+"To save old Kwen Lung--exactly! It's marvellous."
+
+"Good heavens!" I exclaimed. "And the window?"
+
+"Oh! it was broken right enough--by two drunken sailormen
+fighting in the court outside! Sash and everything smashed to
+splinters."
+
+He began irritably to pace the carpet again.
+
+"It must have been a devil of a fight!" he added savagely.
+
+"Meanwhile," said I, "where is old Kwen Lung hiding?"
+
+"But more particularly," cried Harley, "where has he hidden the
+poor victim? Come along, Knox! I'm going down there for a final
+look round."
+
+"Of course the premises are being watched?"
+
+"Of course--and also, of course, I shall be the laughing stock of
+Scotland Yard if nothing results."
+
+It was close on midnight when once more I found myself in
+Pennyfields. Carried away by Harley's irritable excitement I had
+quite forgotten the romance of Captain Dan; and when, having
+exchanged greetings with the detective on duty hard by the house
+of Kwen Lung, we presently found ourselves in the presence of Ma
+Lorenzo, I scarcely knew for a moment if I were "Jim" or my
+proper self.
+
+"Is Kwen Lung in?" asked Harley sternly.
+
+The woman shook her head.
+
+"No," she replied; "he sometimes stop away a whole week."
+
+"Does he?" jerked Harley. "Come in, Knox; we'll take another
+look round."
+
+A moment later I found myself again in the room of the golden
+joss. The red curtain had been removed from before the shattered
+window, but otherwise the place looked exactly as it had looked
+before. The atmosphere was much less stale, however, but there
+was something repellent about the great gilded idol smiling
+eternally from his pedestal beside the door.
+
+I stared into the leering face, and it was the face of one who
+knew and who might have said: "Yes! this and other things
+equally strange have I beheld in many lands as well as England.
+Much I could tell. Many things grim and terrible, and some few
+joyous; for behold! I smile but am silent."
+
+For a while Harley stared abstractedly at the bloodstains on the
+pedestal of the joss and upon the floor beneath from which the
+matting had been pulled back. Suddenly he turned to Ma Lorenzo:
+
+"Where have you hidden the body?" he demanded.
+
+Watching her, I thought I saw the woman flinch, but there was
+enough of the Oriental in her composition to save her from self-
+betrayal. She shook her head slowly, watching Harley through
+half-closed eyes.
+
+"Nobody hab," she replied.
+
+And I thought for once that her lapse into pidgin had been
+deliberate and not accidental.
+
+When finally we quitted the house of the missing Kwen Lung, and
+when, Harley having curtly acknowledged "good night" from the
+detective on duty, we came out into Limehouse Causeway.
+
+"You have not overlooked the possibility, Harley," I said, "that
+this woman's explanation may be true, and that the fireman of the
+Seahawk may have been entertaining us with an account of a weird
+dream?"
+
+"No!" snapped Harley--"neither will Scotland Yard overlook it."
+
+He was in a particularly impossible mood, for he so rarely made
+mistakes that to be detected in one invariably brought out those
+petulant traits of character which may have been due in some
+measure to long residence in the East. Recognizing that he would
+rather be alone I parted from him at the corner of Chancery Lane
+and returned to my own chambers. Furthermore, I was very tired,
+for it was close upon two o'clock, and on turning in I very
+promptly went to sleep, nor did I awaken until late in the
+morning.
+
+For some odd reason, but possibly because the fact had occurred
+to me just as I was retiring, I remembered at the moment of
+waking that I had not told Harley about the romantic wedding of
+Captain Dan. As I had left my friend in very ill humour I
+thought that this would be a good excuse for an early call, and
+just before eleven o'clock I walked into his office. Innes, his
+invaluable secretary, showed me into the study at the back.
+
+"Hallo, Knox," said Harley, looking up from a little silver
+Buddha which he was examining, "have you come to ask for news of
+the Kwen Lung case?"
+
+"No," I replied. "Is there any?"
+
+Harley shook his head.
+
+"It seems like fate," he declared, "that this thing should have
+been sent to me this morning." He indicated the silver Buddha.
+"A present from a friend who knows my weakness for Chinese
+ornaments," he explained grimly. "It reminds me of that damned
+joss of Kwen Lung's!"
+
+I took up the little image and examined it with interest. It was
+most beautifully fashioned in the patient Oriental way, and there
+was a little hinged door in the back which fitted so perfectly
+that when closed it was quite impossible to detect its presence.
+I glanced at Harley.
+
+"I suppose you didn't find a jewel inside?" I said lightly.
+
+"No," he replied; "there was nothing inside."
+
+But even as he uttered the words his whole expression changed,
+and so suddenly as to startle me. He sprang up from the table,
+and:
+
+"Have you an hour to spare, Knox?" he cried excitedly.
+
+"I can spare an hour, but what for?"
+
+"For Kwen Lung!"
+
+Four minutes later we were speeding in the direction of
+Limehouse, and not a word of explanation to account for this
+sudden journey could I extract from my friend. Therefore I
+beguiled the time by telling him of my adventure with Captain
+Dan.
+
+Harley listened to the story in unbroken silence, but at its
+termination he brought his hand down sharply on my knee.
+
+"I have been almost perfectly blind, Knox," he said; "but not
+quite so perfectly blind as you!"
+
+I stared at him in amazement, but he merely laughed and offered
+no explanation of his words.
+
+Presently, then, I found myself yet again in the familiar room of
+the golden joss. Ma Lorenzo, in whom some hidden anxiety seemed
+to have increased since I had last seen her, stood at the top of
+the stairs watching us. Upon what idea my friend was operating
+and what he intended to do I could not imagine; but without a
+word to the woman he crossed the room and grasping the great
+golden idol with both arms he dragged it forward across the
+floor!
+
+As he did so there was a stifled shriek, and Ma Lorenzo,
+stumbling down the steps, threw herself on her knees before
+Harley! Raising imploring hands:
+
+"No, no!" she moaned. "Not until I tell you--I tell you
+everything first!"
+
+"To begin with, tell me how to open this thing," he said sternly.
+
+Momentarily she hesitated, and did not rise from her knees, but:
+
+"Do you hear me?" he cried.
+
+The woman rose unsteadily and walking slowly round the joss
+manipulated some hidden fastening, whereupon the entire back of
+the thing opened like a door! From what was within she
+shudderingly averted her face, but Harley, stepping back against
+the wall, stopped and peered into the cavity.
+
+"Good God!" he muttered. "Come and look, Knox."
+
+Prepared by his manner for some gruesome spectacle, I obeyed--and
+from that which I saw I recoiled in horror.
+
+"Harley," I whispered, "Harley! who is it?"
+
+The spectacle had truly sickened me. Crouched within the narrow
+space enclosed by the figure of the idol was the body of an old
+and wrinkled Chinaman! His knees were drawn up to his chin, and
+his head so compressed upon them that little of his features
+could be seen.
+
+"It is Kwen Lung!" murmured Ma Lorenzo, standing with clasped
+hands and wild eyes over by the window. "Kwen Lung--and I am
+glad he is dead!"
+
+Such a note of hatred came into her voice as I had never heard in
+the voice of any woman.
+
+"He is vile, a demon, a mocking cruel demon! Long, long years
+ago I would have killed him, but always I was afraid. I tell you
+everything, everything. This is how he comes to be dead. The
+little one"--again her voice changed and a note of almost
+grotesque tenderness came into it--"the lotus-flower, that is his
+own daughter's child, flesh of his flesh, he keeps a prisoner as
+the women of China are kept, up there"--she raised one fat finger
+aloft--"up above. He does not know that someone comes to see
+her--someone who used to come to smoke but who gave it up because
+he had looked into the dear one's eye. He does not know that she
+goes with me to see her man. Ah! we think he does not know!
+I--I arrange it all. A week ago they were married. Tuesday
+night, when Kwen Lung die, I plan for her to steal away for ever,
+for ever."
+
+Tears now were running down the woman's fat cheeks, and her voice
+quivered emotionally.
+
+"For me it is the end, but for her it is the beginning of life.
+All right! I don't matter a damn! She is young and beautiful.
+Ah, God! so beautiful! A drunken pig comes here and finds his
+way in, so I give him the smoke and presently he sleeps, but it
+makes delay, and I don't know how soon Kwen Lung, that yellow
+demon, will wake. For he is like the bats who sleep all day and
+wake at night.
+
+"At last the sailor pig sleeps and I call softly to my dear
+little one that the time has come. I have gone out into the
+street, locking the door behind me, to see if her man is waiting,
+and I hear her shrieks--her shrieks! I hurry back. My hands
+tremble so much that I can scarcely unlock the door. At last I
+enter, and I see and I know--that yellow devil has learned all
+and has been playing with us like cat and mouse! He is lashing
+her, with a great whip! Lashing her--that tiny, sweet flower.
+Ah!"
+
+She choked in her utterance, and turning to the gilded joss which
+contained the dead Chinaman she shook her clenched hands at it,
+and the expression on her face I can never forget. Then:
+
+"As I shriek curses at him, crash goes the window--and I see her
+husband spring into the room! The tender one had fallen, there
+at the foot of the joss, and Kwen Lung, his teeth gleaming--like
+a rat--like a devil--turns to meet him. So he is when her man
+strike him, once. Just once, here." She rested her hand upon her
+heart. "And he falls--and he coughs. He lie still. For him it
+is finished. That devil heart has ceased to beat. Ah!"
+
+She threw up her hands, and:
+
+"That is all. I tell you no more."
+
+"One thing more," said Harley sternly; "the name of the man who
+killed Kwen Lung?"
+
+At that Ma Lorenzo slowly raised her head and folded her arms
+across her bosom. There was something one could never forget in
+the expression of her fat face.
+
+"Not if you burn me alive!" she answered in a low voice. "No one
+ever knows that--from me."
+
+She sank on to the divan and buried her face in her hands. Her
+fat shoulders shook grotesquely; and Harley stood perfectly still
+staring across at her for fully a minute. I could hear voices in
+the street outside and the hum of traffic in Limehouse Causeway.
+
+Then my friend did a singular thing. Walking over to the gilded
+joss he reclosed the opening and not without a great effort
+pushed the great idol back against the wall.
+
+"There are times, Knox," he said, staring at me oddly, "when I'm
+glad that I am not an official agent of the law."
+
+While I watched him dumfounded he walked across to the woman and
+touched her on the shoulder. She raised her tear-stained face.
+
+"All right," she whispered. "I am ready."
+
+"Get ready as soon as you like," said he tersely.
+
+"I'll have the man removed who is watching the house, and you can
+reckon on forty-eight hours to make yourself scarce."
+
+With never another word he seized me by the arm and hurried me
+out of the place! Ten paces along the street a shabby-looking
+fellow was standing, leaning against a pillar. Harley stopped,
+and:
+
+"Even the greatest men make mistakes sometimes, Hewitt," he
+remarked. "I'm throwing up the case; probably Inspector Wessex
+will do the same. Good morning."
+
+On towards the Causeway he led me--for not a word was I capable
+of uttering; and just before we reached that artery of Chinatown,
+from down-river came the deep, sustained note of a steamer's
+siren, the warning of some big liner leaving dock.
+
+"That will be the Patna," said Harley. "She sails at twelve
+o'clock, I think you said?"
+
+
+
+
+
+
+MAN WITH THE SHAVEN SKULL
+
+
+
+
+
+I
+
+A STRANGE DISAPPEARANCE
+
+
+
+"Pull that light lower," ordered Inspector Wessex. "There you
+are, Mr. Harley; what do you make of it?"
+
+Paul Harley and I bent gingerly over the ghastly exhibit to which
+the C.I.D. official had drawn our attention, and to view which we
+had journeyed from Chancery Lane to Wapping.
+
+This was the body of a man dressed solely in ragged shirt and
+trousers. But the remarkable feature of his appearance lay in
+the fact that every scrap of hair from chin, lip, eyebrows and
+skull had been shaved off!
+
+There was another facial disfigurement, peculiarly and horribly
+Eastern, which my pen may not describe.
+
+"Impossible to identify!" murmured Harley. "Yes, you were right,
+Inspector; this is a victim of Oriental deviltry. Look here,
+too!"
+
+He indicated three small wounds, one situated on the left
+shoulder and the others on the forearm of the dead man.
+
+"The divisional surgeon cannot account for them," replied Wessex.
+"They are quite superficial, and he thinks they may be due to the
+fact that the body got entangled with something in the river."
+
+"They are due to the fact that the man had a birthmark on his
+shoulder and something--probably a name or some device--tattooed
+on his arm," said Harley quietly. "Some few years ago, I met
+with a similar case in the neighbourhood of Stambul. A woman,"
+he added, significantly.
+
+Detective-Inspector Wessex listened to my companion with respect,
+for apart from his established reputation as a private inquiry-
+agent which had made his name familiar in nearly every capital of
+the civilized world, Paul Harley's work in Constantinople during
+the six months preceding war with Turkey had merited higher
+reward than it had ever received. Had his recommendations been
+adopted the course of history must have been materially changed.
+
+"You think it's a Chinatown case, then, Mr. Harley?"
+
+"Possibly," was the guarded answer.
+
+Paul Harley nodded to the constable in charge, and the ghastly
+figure was promptly covered up again. My friend stood staring
+vacantly at Wessex, and presently:
+
+"The chief actor, I think, will prove to be not Chinese," he
+said, turned, and walked out.
+
+"If there's any development," remarked Wessex as the three of us
+entered Harley's car, which stood at the door, "I will, of
+course, report to you, Mr. Harley. But in the absence of any
+clue or mark of identification, I fear the verdict will be, 'Body
+of a man unknown,' etc., which has marked the finish of a good
+many in this cheerful quarter of London."
+
+"Quite so," said Harley, absently. "It presents extraordinary
+features, though, and may not end as you suppose. However--where
+do you want me to drop you, Wessex, at the Yard?"
+
+"Oh no," answered Wessex. "I made a special visit to Wapping
+just to get your opinion on the shaven man. I'm really going
+down to Deepbrow to look into that new disappearance case; the
+daughter of the gamekeeper. You'll have read of it?"
+
+"I have," said Harley shortly.
+
+Indeed, readers of the daily press were growing tired of seeing
+on the contents bills: "Another girl missing." The circumstance
+(which might have been no more than coincidence) that three girls
+had disappeared within the last eight weeks leaving no trace
+behind, had stimulated the professional scribes to link the
+cases, although no visible link had been found, and to enliven a
+somewhat dull journalistic season with theories about "a new
+Mormon menace."
+
+The vanishing of this fourth girl had inspired them to some
+startling headlines, and the case had interested me personally
+for the reason that I was acquainted with Sir Howard Hepwell, one
+of whose gamekeepers was the stepfather of the missing Molly
+Clayton. Moreover, it was hinted that she had gone away in the
+company of Captain Ronald Vane, at that time a guest of Sir
+Howard's at the Manor.
+
+In fact, Sir Howard had 'phoned to ask me if I could induce
+Harley to run down, but my friend had expressed himself as
+disinterested in a common case of elopement. Now, as Wessex
+spoke, I glanced aside at Harley, wondering if the fact that so
+celebrated a member of the C.I.D. as Detective-Inspector Wessex
+had been put in charge would induce him to change his mind.
+
+We were traversing a particularly noisy and unsavoury section of
+the Commercial Road, and although I could see that Wessex was
+anxious to impart particulars of the case to Harley, so loud was
+the din that I recognized the impossibility of conversing, and
+therefore:
+
+"Have you time to call at my rooms, Wessex?" I asked.
+
+"Well," he replied, "I have three-quarters of an hour."
+
+"You can do it in the car," said Harley suddenly. "I have been
+asked to look into this case myself, and before I definitely
+decline I should like to hear your version of the matter."
+
+Accordingly, we three presently gathered in my chambers, and
+Wessex, with one eye on the clock, outlined the few facts at that
+time in his possession respecting the missing girl.
+
+Two days before the news of the disappearance had been published
+broadcast under such headings as I have already indicated, a
+significant scene had been enacted in the gamekeeper's cottage.
+
+Molly Clayton, a girl whose remarkable beauty had made her a
+central figure in numerous scandalous stories, for such is the
+charity of rural neighbours, was detected by her stepfather,
+about eight in the evening, slipping out of the cottage.
+
+"Where be ye goin', hussy?" he demanded, grasping her promptly by
+the arm.
+
+"For a walk!" she replied defiantly.
+
+"A walk wi' that fine soger from t' Manor!" roared Bramber
+furiously. "You'll be sorry yet, you barefaced gadabout! Must I
+tell you again that t' man's a villain?"
+
+The girl wrenched her arm from Bramber's grasp, and blazed
+defiance from her beautiful eyes.
+
+"He knows how to respect a woman--what you don't!" she retorted
+hotly.
+
+"So I don't respect you, my angel?" shouted her stepfather.
+"Then you know what you can do! The door's open and there's
+few'll miss you!"
+
+Snatching her hat, the girl, very white, made to go out. Whereat
+the gamekeeper, a brutal man with small love for Molly, and
+maddened by her taking him at his word, seized her suddenly by
+her abundant fair hair and hauled her back into the room.
+
+A violent scene followed, at the end of which Molly fainted and
+Bramber came out and locked the door.
+
+When he came back about half-past nine the girl was missing. She
+did not reappear that night, and the police were advised in the
+morning. Their most significant discovery was this:
+
+Captain Ronald Vane, on the night of Molly's disappearance, had
+left the Manor House, after dining alone with his host, Sir
+Howard Hepwell, saying that he proposed to take a stroll as far
+as the Deep Wood.
+
+He never returned!
+
+From the moment that Gamekeeper Bramber left his cottage, and the
+moment when Sir Howard Hepwell parted from his guest after
+dinner, the world to which these two people, Molly Clayton and
+Captain Vane, were known, knew them no more!
+
+I was about to say that they were never seen again. But to me
+has fallen the task of relating how and where Paul Harley and I
+met with Captain Vane and Molly Clayton.
+
+At the end of the Inspector's account:
+
+"H'm," said Harley, glancing under his thick brows in my
+direction, "could you spare the time, Knox?"
+
+"To go to Deepbrow?" I asked with interest.
+
+"Yes; we have ten minutes to catch the train."
+
+"I'll come," said I. "Sir Howard will be delighted to see you,
+Harley."
+
+
+
+
+II
+
+THE CLUE OF THE PHOTOGRAPHS
+
+
+
+"What do you make of it, Inspector?" asked my friend. Detective-
+Inspector Wessex smiled, and scratched his chin.
+
+"There was no need for me to come down!" he replied. "And
+certainly no need for you, Mr. Harley!"
+
+Harley bowed, smiling, at the implied compliment.
+
+"It's a common or garden elopement!" continued the detective.
+"Vane's reputation is absolutely rotten, and the girl was clearly
+infatuated. He must have cared a good bit, too. He'll be
+cashiered, as sure as a gun!"
+
+Leaving Sir Howard at the Manor, we had joined Inspector Wessex
+at a spot where the baronet's preserves bordered a narrow lane.
+Here the ground was soft, and the detective drew Harley's
+attention to a number of footprints by a stile.
+
+"I've got evidence that he was seen here with the girl on other
+occasions. Now, Mr. Harley, I'll ask you to look over these
+footprints."
+
+Harley dropped to his knees and made a brief but close
+examination of the ground round about. One particularly clear
+imprint of a pointed toe he noticed especially; and Wessex,
+diving into the pocket of his light overcoat, produced a patent-
+leather shoe, such as is used for evening wear.
+
+"He had a spare pair in his bag," he explained nonchalantly, "and
+his man did not prove incorruptible!"
+
+Harley took the shoe and placed it in the impression. It fitted
+perfectly!
+
+"This is Molly Clayton, I take it?" he said, indicating the
+prints of a woman's foot.
+
+"Yes," assented Wessex. "You'll notice that they stood for some
+little time and then walked off, very close together."
+
+Harley nodded absently.
+
+"We lose them along here," continued Wessex, leading up the lane;
+"but at the corner by the big haystack they join up with the
+tracks of a motor-car! I ask for nothing clearer! There was
+rain that afternoon, but there's been none since."
+
+"What does the Captain's man think?"
+
+"The same as I do! He's not surprised at any madness on Vane's
+part, with a pretty woman in the case!"
+
+"The girl left nothing behind--no note?"
+
+"Nothing."
+
+"Traced the car?"
+
+"No. It must have been hired or borrowed from a long distance
+off."
+
+Where the tracks of the tires were visible we stopped, and Harley
+made a careful examination of the marks.
+
+"Seems to have had a struggle with her," he said, dryly.
+
+"Very likely!" agreed Wessex, without interest.
+
+Harley crawled about on the ground for some time, to the great
+detriment of his Harris tweeds, but finally arose, a curious
+expression on his face--which, however, the detective evidently
+failed to observe.
+
+We returned to the Manor House where Sir Howard was awaiting us,
+his good-humoured red face more red than usual; and in the
+library, with its sporting prints and its works for the most part
+dealing with riding, hunting, racing, and golf (except for a
+sprinkling of Nat Gould's novels and some examples of the older
+workmanship of Whyte-Melville), we were presently comfortably
+ensconced. On a side table were placed a generous supply of
+liquid refreshments, cigars and cigarettes; so that we made
+ourselves quite comfortable, and Sir Howard restrained his
+indignation, until each had a glass before him and all were
+smoking.
+
+"Now," he began, "what have you got to report, gentlemen? You,
+Inspector," he pointed with his cigar toward Wessex, "have seen
+Vane's man and all of you have been down to look at these damned
+tracks. I only want to hear one thing; that you expect to trace
+the disgraceful couple. I'll see to it"--his voice rose almost
+to a shout--"that Vane is kicked out of the service, and as to
+that shameless brat of Bramber's, I wish her no worse than the
+blackguard's company!"
+
+"One moment, Sir Howard, one moment," said Harley quietly; "there
+are always two sides to a case."
+
+"What do you mean, Mr. Harley? There's only one side that
+interests me--the outrage inflicted upon my hospitality by this
+dirty guest of mine. For the girl I don't give twopence; she was
+bound to come to a bad end."
+
+"Well," said Harley, "before we pronounce the final verdict upon
+either of them I should like to interview Bramber. Perhaps," he
+added, turning to Wessex, "it would be as well if Mr. Knox and I
+went alone. The presence of an official detective sometimes awes
+this class of witness."
+
+"Quite right, quite right!" agreed Sir Howard, waving his cigar
+vigorously. "Go and see Bramber, Mr. Harley; tell him that no
+blame attaches to himself whatever; also, tell him with my
+compliments that his stepdaughter is------"
+
+"Quite so, quite so," interrupted Harley, endeavouring to hide a
+smile. "I understand your feelings, Sir Howard, but again I ask
+you to reserve your verdict until all the facts are before us."
+
+As a result, Harley and I presently set out for the gamekeeper's
+cottage, and as the man had been warned that we should visit him,
+he was on the porch smoking his pipe. A big, dark, ugly fellow
+he proved to be, of a very forbidding cast of countenance.
+Having introduced ourselves:
+
+"I always knowed she'd come to a bad end!" declared Gamekeeper
+Bramber, almost echoing Sir Howard's words. "One o' these
+gentlemen o' hers was sure to be the finish of her!"
+
+"She had other admirers--before Captain Vane?"
+
+"Aye! the hussy! There was a black-faced villain not six months
+since! He got t' vain cat to go to London an' have her
+photograph done in a dress any decent woman would 'a' blushed to
+look at! Like one o' these Venuses up at t' Manor! Good
+riddance! She took after her mother!"
+
+The violent old ruffian was awkward to examine, but Harley
+persevered.
+
+"This previous admirer caused her to be photographed in that way,
+did he? Have you a copy?"
+
+"No!" blazed Bramber. "What I found I burnt! He ran off, like I
+told her he would--an' her cryin' her eyes out! But the pretty
+soger dried her tears quick enough!"
+
+"Do you know this man's name?"
+
+"No. A foreigner, he was."
+
+"Where were the photographs done--in London, you say?"
+
+"Aye."
+
+"Do you know by what photographer?"
+
+"I don't! An' I don't care! Piccadilly they had on 'em, which
+was good enough for me."
+
+"Have you her picture?"
+
+"No!"
+
+"Did she receive a letter on the day of her disappearance?"
+
+"Maybe."
+
+"Good day!" said Harley. "And let me add that the atmosphere of
+her home was hardly conducive to ideal conduct!"
+
+Leaving Bramber to digest this rebuke, we came out of the
+cottage. Dusk was falling now, and by the time that we regained
+the Manor the place was lighted up. Inspector Wessex was waiting
+for us in the library, and:
+
+"Well?" he said, smiling slightly as we entered.
+
+"Nothing much," replied Harley dryly, "except that I don't wonder
+at the girl's leaving such a home."
+
+"What's that! What!" roared a big voice, and Sir Howard came
+into the room. "I tell you, Bramber only had one fault as a
+stepfather; he wasn't heavy-handed enough. A bad lot, sir, a bad
+lot!"
+
+"Well, sir," said Inspector Wessex, looking from one to another,
+"personally, beyond the usual inquiries at railway stations,
+etc., I cannot see that we can do much here. Don't you agree
+with me, Mr. Harley?"
+
+Harley nodded.
+
+"Quite," he replied. "There is a late train to town which I
+think we could catch if we started at once."
+
+"Eh?" roared Sir Howard; "you're not going back to-night? Your
+rooms are ready for you, damn it!"
+
+"I quite appreciate the kindness, Sir Howard," replied Harley;
+"but I have urgent business to attend to in London. Believe me,
+my departure is unavoidable."
+
+The blue eyes of the baronet gleamed with the simple cunning of
+his kind.
+
+"You've got something up your sleeve," he roared. "I know you
+have, I know you have!"
+
+Inspector Wessex looked at me significantly, but I could only
+shrug my shoulders in reply; for in these moods Harley was as
+inscrutable as the Sphinx.
+
+However, he had his way, and Sir Howard hurriedly putting a car
+in commission, we raced for the local station and just succeeded
+in picking up the express at Claybury.
+
+Wessex was rather silent throughout the journey, often glancing
+in my friend's direction, but Harley made no further reference to
+the case beyond outlining the interview with Bramber, until, as
+we were parting at the London terminus, Wessex to report to
+Scotland Yard and I to go to Harley's rooms:
+
+"How long do you think it will take you to find that photographer,
+Wessex?" he asked. "Piccadilly is a sufficient clue."
+
+"Well," replied the Inspector, "nothing can be done to-night, of
+course, but I should think by mid-day tomorrow the matter should
+be settled."
+
+"Right," said Harley shortly. "May I ask you to report the
+result to me, Wessex?"
+
+"I will report without fail."
+
+
+
+
+III
+
+ALI OF CAIRO
+
+
+
+It was not until the evening of the following day that Harley
+rang me up, and:
+
+"I want you to come round at once," he said urgently. "The
+Deepbrow case is developing along lines which I confess I had
+anticipated, but which are dramatic nevertheless."
+
+Knowing that Harley did not lightly make such an assertion, I put
+aside the work upon which I was engaged and hurried around to
+Chancery Lane. I found my friend, pipe in mouth, walking up and
+down his smoke-laden study in a state which I knew to betoken
+suppressed excitement, and:
+
+"Did Wessex find your photographer?" I asked on entering.
+
+"Yes," he replied. "A first-class man, as I had anticipated. As
+I had further anticipated he did a number of copies of the
+picture for the foreign gentleman--about fifty, in fact!"
+
+"Fifty!"
+
+"Yes! Does the significance of that fact strike you?" asked
+Harley, a queer smile stealing across his tanned, clean-shaven
+face.
+
+"It is an extraordinary thing for even an ardent admirer to have
+so many reproductions done of the same picture!"
+
+"It is! I will show you now what I found trodden into one of the
+footprints where the struggle took place beside the car."
+
+Harley produced a piece of thick silk twine.
+
+"What is it?"
+
+"It is a link, Knox--a link to seek which I really went down to
+Deepbrow." He stared at me quizzically, but my answering look
+must have been a blank one. "It is part of the tassel of one of
+those red cloth caps commonly called in England, a fez!"
+
+He continued to stare at me and I to stare at the piece of silk;
+then:
+
+"What is the next move?" I demanded. "Your new clue rather
+bewilders me."
+
+"The next move," he said, "is to retire to the adjoining room and
+make ourselves look as much like a couple of Oriental commercial
+travellers as our correctly British appearance will allow!"
+
+"What!" I cried.
+
+"That's it!" laughed Harley. "I have a perpetual tan, and I
+think I can give you a temporary one which I keep in a bottle for
+the purpose."
+
+Twenty minutes later, then, having quitted Harley's chambers by a
+back way opening into one of those old-world courts which abound
+in this part of the metropolis, two quietly attired Eastern
+gentlemen got into a cab at the corner of Chancery Lane and
+proceeded in the direction of Limehouse.
+
+There are haunts in many parts of London whose very existence is
+unsuspected by all but the few; haunts unvisited by the tourist
+and even unknown to the copy-hunting pressman. Into a quiet
+thoroughfare not three minutes' walk from the busy life of West
+India Dock Road, Harley led the way. Before a door sandwiched in
+between the entrance to a Greek tobacconist's establishment and a
+boarded shop-front, he paused and turned to me.
+
+"Whatever you see or hear," he cautioned, "express no surprise.
+Above all, show no curiosity."
+
+He rang the bell beside the door, and almost immediately it was
+opened by a Negress, grossly and repellently ugly.
+
+Harley pattered something in what sounded like Arabic, whereat
+the Negress displayed the utmost servility, ushering us into an
+ill-lighted passage with every evidence of respect. Following
+this passage to its termination, an inner door was opened, and a
+burst of discordant music greeted us, together with a wave of
+tobacco smoke. We entered.
+
+Despite my friend's particular injunctions to the contrary I gave
+a start of amazement.
+
+We stood in the doorway of a fairly large apartment having a
+divan round three of its sides. This divan was occupied by ten
+or a dozen men of mixed nationalities--Arabs, Greeks, lascars,
+and others. They smoked cigarettes for the most part and sipped
+Mokha from little cups. A girl was performing a wriggling dance
+upon the square carpet occupying the centre of the floor,
+accompanied by a Nubian boy who twanged upon a guitar, and by
+most of the assembled company, who clapped their hands to the
+music or droned a low, tuneless dirge.
+
+Shortly after our entrance the performance terminated, and the
+girl retired through a curtained doorway at the farther end of
+the room. Our presence being now observed, suspicious glances
+were cast in our direction, and a very aged man, who sat smoking
+a narghli near the door by which the girl had made her exit,
+gravely waved towards us the amber mouthpiece which he held in
+his hand.
+
+Harley walked straight across to him, I close at his heels. The
+light of a lamp which hung close by fell fully upon my friend's
+face; and, rising from his seat, the old man greeted him with the
+dignified and graceful salutation of the East. At his request we
+seated ourselves beside him, and, while we all three smoked
+excellent Turkish cigarettes, Harley and he conversed in a low
+tone. Suddenly, at some remark of my friend's, our strange host
+rose to his feet, an angry frown contracting his heavy eyebrows.
+
+Silence fell upon the company.
+
+In a loud and peremptory voice he called out something in Arabic.
+
+Instantly I detected a fellow near the entrance door, and whom I
+had not hitherto observed, slipping furtively into the shadow,
+with a view, as I thought, to secret departure. He seemed to be
+deformed in some way and had the most evil, pock-marked face I
+had ever beheld in my life. Angrily, the majestic old man
+recalled him. Whereupon, with a sort of animal snarl quite
+indescribable, the fellow plucked out a knife! Two men who had
+been on the point of seizing him fell back, and:
+
+"Hold him!" shouted Harley, springing forward--"hold him! It's
+Ali of Cairo!"
+
+But Harley was too late. Turning, the strange and formidable-
+looking Oriental ran like the wind! Ere hand could be raised to
+stay him he was through the doorway!
+
+"That settles it," said Harley grimly, as once more I found
+myself in a cab beside him. "I was right; but he'll forestall
+us!"
+
+"Who will forestall us?" I asked in bewilderment.
+
+"The biggest villain in Europe, Asia, or Africa!" cried my
+companion. "I have wasted precious time to-day. I might have
+known." He drummed irritably upon his knees. "The place we have
+just left is a sort of club, you understand, Knox, and Hakim is
+the proprietor or host as well as being an old gentleman of
+importance and authority in the Moslem world. I told him of my
+suspicions--which step I should have taken earlier--and they were
+instantly confirmed. My man was there--recognized me--and
+bolted! He'll forestall us."
+
+"But my dear fellow," I said patiently--"who is this man, and
+what has he to do with the Deepbrow case?"
+
+"He is the blackest scoundrel breathing!" answered Harley
+bitterly. "As to what he has to do with the case--why did he
+bolt? At any rate, I know where to find him now--and we may not
+be too late after all."
+
+"But who and what is this man?"
+
+"He is Ali of Cairo! As to what he is--you will soon learn."
+
+
+
+
+IV
+
+THE HOUSE BY THE RIVER
+
+
+
+On quitting the singular Oriental club, Harley had first raced
+off to a public telephone, where he had spoken for some time--as
+I now divined--to Scotland Yard. For when we presently arrived
+at the headquarters of the Metropolitan Police, I was surprised
+to find Inspector Wessex awaiting us. Leaning out of the cab
+window:
+
+"Yes?" called Harley excitedly. "Was I right?"
+
+"You were, Mr. Harley," answered Wessex, who seemed to be no less
+excited than my companion. "I got the man's reply an hour ago."
+
+"I knew it!" said Harley shortly. "Get in, Wessex; we haven't a
+minute to waste."
+
+The Inspector joined us in the cab, having first given
+instructions to the chauffeur. As we set out once more:
+
+"You have had very little time to make the necessary
+arrangements," continued my friend.
+
+"Time enough," replied Wessex. "They will not be expecting us."
+
+"I'm not so sure of it. One of the biggest villains in the
+civilized world recognized me three minutes before I called you
+up and then made good his escape. However, there is at least a
+fighting chance."
+
+Little more was said from that moment until the end of the drive,
+both my companions seeming to be consumed by an intense eagerness
+to reach our destination. At last the cab drew up in a deserted
+street. I had rather lost my bearings; but I knew that we were
+once more somewhere in the Chinatown area, and:
+
+"Follow us until we get into the house," Harley said to Inspector
+Wessex, "and wait out of sight. If you hear me blow this
+whistle, bring up the men you have posted--as quick as you like!
+But make it your particular business to see that no one gets
+out!"
+
+Into a pitch-dark yard we turned, and I felt a shudder of
+apprehension upon observing that it was the entrance to a wharf.
+Dully gleaming in the moonlight, the Thames, that grave of many a
+ghastly secret, flowed beneath us. Emerging from the shadow of
+the archway, we paused before a door in the wall on our left.
+
+At that moment something gleamed through the air, whizzed past my
+ear, and fell with a metallic jingle on the stones!
+
+Instinctively we both looked up.
+
+At an unlighted window on the first floor I caught a fleeting
+glimpse of a dark face.
+
+"You were right!" I said. "Ali of Cairo has forestalled us!"
+
+Harley stooped and picked up a knife with a broad and very
+curious blade. He slipped it into his pocket, nonchalantly.
+
+"All evidence!" he said. "Keep in the shadow and bend down. I
+am going to stand on your shoulders and get into that window!"
+
+Wondering at his daring, I nevertheless obeyed; and Harley
+succeeded, although not without difficulty, in achieving his
+purpose. A moment after he had disappeared in the blackness of
+the room above.
+
+"Stand clear, Knox!" I heard.
+
+Two of the cushion seats sometimes called "poof-ottomans" were
+thrown down, and:
+
+"Up you come!" called Harley. "I'll grasp your hands if you can
+reach."
+
+It proved no easy task, but I finally managed to scramble up
+beside my friend--to find myself in a dark and stuffy little
+room.
+
+"This way!" said Harley rapidly--"upstairs."
+
+He led the way without more ado, but it was with serious
+misgivings that I stumbled up a darkened stair in the rear of my
+greatly daring friend.
+
+A pistol cracked in the darkness--and my fez was no longer on my
+head!
+
+Harley's repeater answered, and we stumbled through a heavily
+curtained door into a heated room, the air of which was laden
+with some Eastern perfume. In the dim light from a silken-shaded
+lantern a figure showed, momentarily, darting across the place
+before us.
+
+Again Harley's pistol spoke, but, as it seemed, ineffectively.
+
+I had little enough opportunity to survey my surroundings; yet
+even in those brief, breathless moments I saw enough of the place
+wherein we stood to make me doubt the evidence of my senses!
+Outside, I knew, lay a dingy wharf, amid a maze of mean streets;
+here was an opulently furnished apartment with a strong Oriental
+note in the decorations!
+
+Snatching an electric torch from his pocket, Harley leaped
+through a doorway draped with rich Persian tapestry, and I came
+close on his heels. Outside was darkness. A strong draught met
+us; and, passing along a carpeted corridor, we never halted until
+we came to a room filled with the weirdest odds and ends,
+apparently collected from every quarter of the globe.
+
+Crack!
+
+A bullet flattened itself on the wall behind us!
+
+"Good job he can't shoot straight!" rapped Harley.
+
+The ray of the torch suddenly picked out the head and shoulders
+of a man who was descending through a trap in the floor! Ere we
+had time to shoot he was gone! I saw his brown fingers relax
+their hold--and a bundle which he had evidently hoped to take
+with him was left lying upon the floor.
+
+Together we ran to the trap and looked down.
+
+Slowly moving tidal water flowed darkly beneath us! For twenty
+breathless seconds we watched--but nothing showed upon the
+surface.
+
+"I hope his swimming is no better than his shooting," I said.
+
+"It can avail him little," replied Harley grimly; "a river-police
+boat is waiting for anyone who tries to escape from that side of
+the house. We are by no means alone in this affair, Knox. But,
+firstly, what have we here!" He took up the bundle which the
+fugitive had deserted. "Something incriminating when Ali of
+Cairo dared not stay to face it out! He would never have
+deserted this place in the ordinary way. That fellow who was
+such a bad shot was left behind, when the news of our approach
+reached here, to make a desperate attempt to remove some piece of
+evidence! I'll swear to it. But we were too soon for him!"
+
+All the time he was busily removing the pieces of sacking and
+scraps of Oriental stuff with which the bundle was fastened; and
+finally he drew out a dress-suit, together with the linen,
+collar, shoes, and underwear--a complete outfit, in fact--and on
+top of the whole was a soft gray felt hat!
+
+Eagerly Harley searched the garments for some name of a maker by
+which their owner might be identified. Presently, inside the
+lining of the breast pocket, where such a mark is usually found,
+he discovered the label of a well-known West End firm.
+
+"The police can confirm it, Knox!" he said, looking up, his face
+slightly flushed with triumph; "but I, personally, have no
+doubt!"
+
+"You may have no doubt, Harley," I retorted, "but I am full of
+doubt! What is the significance of this discovery to which you
+seem to attach so much importance?"
+
+"At the moment," replied my friend, "never mind; I still have
+hopes--although they have grown somewhat slender--of making a
+much more important discovery."
+
+"Why not permit the police to aid in the search?"
+
+"The police are more useful in their present occupation," he
+replied. "We are dealing with the most cunning knave produced by
+East or West, and I don't mean to let him slip through my fingers
+if he is in this house! Nevertheless, Knox, I am submitting you
+to rather an appalling risk, I know; for our man is desperate,
+and if he is still in the place will prove as dangerous as a
+cornered rat."
+
+"But the man who dropped through the trap?"
+
+"The man who dropped through the trap," said Harley, "was not Ali
+of Cairo--and it is Ali of Cairo for whom I am looking!"
+
+"The hunchback we saw to-night?"
+
+Harley nodded, and having listened intently for a few moments,
+proceeded again to search the singular apartments of the abode.
+In each was evidence of Oriental occupancy; indeed, some of the
+rooms possessed a sort of Arabian Nights atmosphere. But no
+living creature was to be seen or heard anywhere. It was while
+the two of us, having examined every inch of wall, I should
+think, in the building, were standing staring rather blankly at
+each other in the room with the lighted lantern, that I saw
+Harley's expression change.
+
+"Why," he muttered, "is this one room illuminated--and all the
+others in darkness?"
+
+Even then the significance of this circumstance was not apparent
+to me. But Harley stared critically at an electric switch which
+was placed on the immediate right of the door and then up at the
+silk-shaded lantern which lighted the room. Crossing, he raised
+and lowered the switch rapidly, but the lamp continued to burn
+uninterruptedly!
+
+"Ah!" he said--"a good trick!"
+
+Grasping the wooden block to which the switch was attached, he
+turned it bodily--and I saw that it was a masked knob; for in the
+next moment he had pulled open the narrow section of wall--which
+proved to be nothing less than a cunningly fitted door!
+
+A small, dimly lighted apartment was revealed, the Oriental note
+still predominant in its appointments, which, however, were few,
+and which I scarcely paused to note. For lying upon a mattress
+in this place was a pretty, fair-haired girl!
+
+She lay on her side, having one white arm thrown out and resting
+limply on the floor, and she seemed to be in a semi-conscious
+condition, for although her fine eyes were widely opened, they
+had a glassy, witless look, and she was evidently unaware of our
+presence.
+
+"Look at her pupils," rapped Harley. "They have drugged her with
+bhang! Poor, pretty fool!"
+
+"Good God!" I cried. "Who is this, Harley?"
+
+"Molly Clayton!" he answered. "Thank heaven we have saved one
+victim from Ali of Cairo."
+
+
+
+
+V
+
+THE HAREM AGENCY
+
+
+
+Owing to the instrumentality of Paul Harley, the public never
+learned that the awful riverside murder called by the Press in
+reference to the victim's shaven skull "the barber atrocity" had
+any relation to the Deepbrow case. It was physically impossible
+to identify the victim, and Harley had his own reasons for
+concealing the truth. The house on the wharf with its choice
+Oriental furniture was seized by the police; but, strange to
+relate, no arrest was made in connection with this most gruesome
+outrage. The man who dropped through the trap had been wounded
+by one of Harley's shots, and he sank for the last time under the
+very eyes of the crew of the police cutter.
+
+It was at a late hour on the night of this concluding tragedy
+that I learned the amazing truth underlying the case. Wessex was
+still at work in the East End upon the hundred and one
+formalities which attached to his office, and Harley and I sat in
+the study of my friend's chambers in Chancery Lane.
+
+"You see," Harley was explaining. "I got my first clue down at
+Deepbrow. The tracks leading to the motor-car. They showed--to
+anyone not hampered by a preconceived opinion--that the girl and
+Vane had not gone on together (since the man's footprints proved
+him to have been running), but that she had gone first and that
+he had run after her! Arguments: (a) He heard the approach of
+the car; or (b) he heard her call for help. In fact, it almost
+immediately became evident to me that someone else had met her at
+the end of the lane; probably someone who expected her, and whom
+she was going to meet when she, accidentally, encountered Vane!
+The captain was not attired for an elopement, and, more
+significant still, he said he should stroll to the Deep Wood, and
+that was where he did stroll to; for it borders the road at this
+point!
+
+"I had privately ascertained, from the postman, that Molly
+Clayton actually received a letter on that morning! This
+resolved my last doubt. She was not going to meet Vane on the
+night of her disappearance.
+
+"Then whom?"
+
+"The old love! He who some months earlier had had over fifty
+seductive pictures of this undoubtedly pretty girl prepared for a
+purpose of his own!"
+
+"Vane interfered?"
+
+"When the girl saw that they meant to take her away, she no doubt
+made a fuss! He ran to the rescue! They had not reckoned on his
+being there, but these are clever villains, who leave no clues--
+except for one who has met them on their own ground!"
+
+"On their own ground! What do you mean, Harley? Who are these
+people?"
+
+"Well--where do you suppose those fifty photographs went?"
+
+"I cannot conjecture!"
+
+"Then I will tell you. The turmoil in the East has put wealth
+and power into unscrupulous hands. But even before the war there
+were marts, Knox--open marts--at which a Negro girl might be
+purchased for some 30 pounds, and a Circassian for anything from
+250 pounds to 500 pounds! Ah! You stare! But I assure you it
+was so. Here is the point, though: there were, and still are,
+private dealers! Those photographs were circulated among the
+nouveaux riches of the East! They were employed in the same way
+that any other merchant employs a catalogue. They reached the
+hands of many an opulent and abandoned 'profiteer' of Damascus,
+Stambul--where you will. Molly's picture would be one of many.
+Remember that hundreds of pretty girls disappear from their
+homes--taking the whole of the world--every year. Clearly,
+English beauty is popular at the moment! And," he added
+bitterly, "the arch-villain has escaped!"
+
+"Ali of Cairo!" I cried. "Then Ali of Cairo------"
+
+"Is the biggest slave-dealer in the East!"
+
+"Good God! Harley--at last I understand!"
+
+"I was slow enough to understand it myself, Knox. But once the
+theory presented itself I asked Wessex to get into immediate
+touch with the valet he had already interviewed at Deepbrow. It
+was the result of his inquiry to which he referred when we met
+him at Scotland Yard to-night. Captain Vane had a large mole on
+his shoulder and a girl's name, together with a small device,
+tattooed on his forearm--a freak of his Sandhurst days------"
+
+"Then 'the man with the shaven skull'------"
+
+"Is Captain Ronald Vane! May he rest in peace. But I never
+shall until the crook-back dealer in humanity has met his just
+deserts."
+
+
+
+
+
+
+THE WHITE HAT
+
+
+
+
+
+
+I
+
+MAJOR JACK RAGSTAFF
+
+
+
+"Hallo! Innes," said Paul Harley as his secretary entered.
+"Someone is making a devil of a row outside."
+
+"This is the offender, Mr. Harley," said Innes, and handed my
+friend a visiting card.
+
+Glancing at the card, Harley read aloud:
+
+"Major J. E. P. Ragstaff, Cavalry Club."
+
+Meanwhile a loud harsh voice, which would have been audible in a
+full gale, was roaring in the lobby.
+
+"Nonsense!" I could hear the Major shouting. "Balderdash!
+There's more fuss than if I had asked for an interview with the
+Prime Minister. Piffle! Balderdash!"
+
+Innes's smile developed into a laugh, in which Harley joined,
+then:
+
+"Admit the Major," he said.
+
+Into the study where Harley and I had been seated quietly
+smoking, there presently strode a very choleric Anglo-Indian. He
+wore a horsy check suit and white spats, and his tie closely
+resembled a stock. In his hand he carried a heavy malacca cane,
+gloves, and one of those tall, light-gray hats commonly termed
+white. He was below medium height, slim and wiry; his gait and
+the shape of his legs, his build, all proclaimed the dragoon.
+His complexion was purple, and the large white teeth visible
+beneath a bristling gray moustache added to the natural ferocity
+of his appearance. Standing just within the doorway:
+
+"Mr. Paul Harley?" he shouted.
+
+It was apparently an inquiry, but it sounded like a reprimand.
+
+My friend, standing before the fireplace, his hands in his
+pockets and his pipe in his mouth, nodded brusquely.
+
+"I am Paul Harley," he said. "Won't you sit down?"
+
+Major Ragstaff, glancing angrily at Innes as the latter left the
+study, tossed his stick and gloves on to a settee, and drawing up
+a chair seated himself stiffly upon it as though he were in a
+saddle. He stared straight at Harley, and:
+
+"You are not the sort of person I expected, sir," he declared.
+"May I ask if it is your custom to keep clients dancin' on the
+mat and all that--on the blasted mat, sir?"
+
+Harley suppressed a smile, and I hastily reached for my
+cigarette-case which I had placed upon the mantelshelf.
+
+"I am always naturally pleased to see clients, Major Ragstaff,"
+said Harley, "but a certain amount of routine is necessary even
+in civilian life. You had not advised me of your visit, and it
+is contrary to my custom to discuss business after five o'clock."
+
+As Harley spoke the Major glared at him continuously, and then:
+
+"I've seen you in India!" he roared; "damme! I've seen you in
+India!--and, yes! in Turkey! Ha! I've got you now sir!" He
+sprang to his feet. "You're the Harley who was in Constantinople
+in 1912."
+
+"Quite true."
+
+"Then I've come to the wrong shop."
+
+"That remains to be seen, Major."
+
+"But I was told you were a private detective, and all that."
+
+"So I am," said Harley quietly. "In 1912 the Foreign Office was
+my client. I am now at the service of anyone who cares to employ
+me."
+
+"Hell!" said the Major.
+
+He seemed to be temporarily stricken speechless by the discovery
+that a man who had acted for the British Government should be
+capable of stooping to the work of a private inquiry agent.
+Staring all about the room with a sort of naive wonderment, he
+drew out a big silk handkerchief and loudly blew his nose, all
+the time eyeing Harley questioningly. Replacing his handkerchief
+he directed his regard upon me, and:
+
+"This is my friend, Mr. Knox," said Harley; "you may state your
+case before him without hesitation, unless------"
+
+I rose to depart, but:
+
+"Sit down, Mr. Knox! Sit down, sir!" shouted the Major. "I have
+no dirty linen to wash, no skeletons in the cupboard or piffle of
+that kind. I simply want something explained which I am too
+thick-headed--too damned thick-headed, sir--to explain myself."
+
+He resumed his seat, and taking out his wallet extracted from it
+a small newspaper cutting which he offered to Harley.
+
+"Read that, Mr. Harley," he directed. "Read it aloud."
+
+Harley read as follows:
+
+"Before Mr. Smith, at Marlborough Street Police Court, John
+Edward Bampton was charged with assaulting a well-known clubman
+in Bond Street on Wednesday evening. It was proved by the
+constable who made the arrest that robbery had not been the
+motive of the assault, and Bampton confessed that he bore no
+grudge against the assailed man, indeed, that he had never seen
+him before. He pleaded intoxication, and the police surgeon
+testified that although not actually intoxicated, his breath had
+smelled strongly of liquor at the time of his arrest. Bampton's
+employers testified to a hitherto blameless character, and as the
+charge was not pressed the man was dismissed with a caution."
+
+Having read the paragraph, Harley glanced at the Major with a
+puzzled expression.
+
+"The point of this quite escapes me," he confessed.
+
+"Is that so?" said Major Ragstaff. "Is that so, sir? Perhaps
+you will be good enough to read this."
+
+From his wallet he took a second newspaper cutting, smaller than
+the first, and gummed to a sheet of club notepaper. Harley took
+it and read as follows:
+
+"Mr. De Lana, a well-known member of the Stock Exchange, who met
+with a serious accident recently, is still in a precarious
+condition."
+
+The puzzled look on Harley's face grew more acute, and the Major
+watched him with an expression which I can only describe as one
+of fierce enjoyment.
+
+"You're thinkin' I'm a damned old fool, ain't you?" he shouted
+suddenly.
+
+"Scarcely that," said Harley, smiling slightly, "but the
+significance of these paragraphs is not apparent, I must confess.
+The man Bampton would not appear to be an interesting character,
+and since no great damage has been done, his drunken frolic
+hardly comes within my sphere. Of Mr. De Lana, of the Stock
+Exchange, I never heard, unless he happens to be a member of the
+firm of De Lana and Day?"
+
+"He's not a member of that firm, sir," shouted the Major. "He
+was, up to six o'clock this evenin'."
+
+"What do you mean exactly?" inquired Harley, and the tone of his
+voice suggested that he was beginning to entertain doubts of the
+Major's sanity or sobriety; then:
+
+"He's dead!" declared the latter. "Dead as the Begum of
+Bangalore! He died at six o'clock. I've just spoken to his
+widow on the telephone."
+
+I suppose I must have been staring very hard at the speaker, and
+certainly Harley was doing so, for suddenly directing his fierce
+gaze toward me:
+
+"You're completely treed, sir, and so's your friend!" shouted
+Major Ragstaff.
+
+"I confess it," replied Harley quietly; "and since my time is of
+some little value I would suggest, without disrespect, that you
+explain the connection, if any, between yourself, the drunken
+Bampton, and Mr. De Lana, of the Stock Exchange, who died, you
+inform us, at six o'clock this evening as the result, presumably,
+of injuries received in an accident."
+
+"That's what I'm here for!" cried Major Ragstaff. "In the first
+place, then, I am the party, although I saw to it that my name
+was kept out of print, whom the drunken lunatic assaulted."
+
+Harley, pipe in hand, stared at the speaker perplexedly.
+
+"Understand me," continued the Major, "I am the person--I, Jack
+Ragstaff--he assaulted. I was walkin' down from my quarters in
+Maddox Street on my way to dine at the club, same as I do every
+night o' my life, when this flamin' idiot sprang upon me, grabbed
+my hat"--he took up his white hat to illustrate what had
+occurred--"not this one, but one like it--pitched it on the
+ground and jumped on it!"
+
+Harley was quite unable to conceal his smiles as the excited old
+soldier dropped his conspicuous head-gear on the floor and
+indulged in a vigorous pantomime designed to illustrate his
+statement.
+
+"Most extraordinary," said Harley. "What did you do?"
+
+"What did I do?" roared the Major. "I gave him a crack on the
+head with my cane, and I said things to him which couldn't be
+repeated in court. I punched him, and likewise hoofed him, but
+the hat was completely done in. Damn crowd collected, hearin' me
+swearin' and bellowin'. Police and all that; names an' addresses
+and all that balderdash. Man lugged away to guard-room and me
+turnin' up at the club with no hat. Damn ridiculous spectacle at
+my time of life."
+
+"Quite so," said Harley soothingly; "I appreciate your annoyance,
+but I am utterly at a loss to understand why you have come here,
+and what all this has to do with Mr. De Lana, of the Stock
+Exchange."
+
+"He fell out of the window!" shouted the Major.
+
+"Fell out of a window?"
+
+"Out of a window, sir, a second floor window ten yards up a side
+street! Pitched on his skull--marvel he wasn't killed outright!"
+
+A faint expression of interest began to creep into Harley's
+glance, and:
+
+"I understand you to mean, Major Ragstaff," he said deliberately,
+"that while your struggle with the drunken man was in progress
+Mr. De Lana fell out of a neighbouring window into the street?"
+
+"Right!" shouted the Major. "Right, sir!"
+
+"Do you know this Mr. De Lana?"
+
+"Never heard of him in my life until the accident occurred.
+Seems to me the poor devil leaned out to see the fun and
+overbalanced. Felt responsible, only natural, and made
+inquiries. He died at six o'clock this evenin', sir."
+
+"H'm," said Harley reflectively. "I still fail to see where I
+come in. From what window did he fall?"
+
+"Window above a sort of teashop, called Cafe Dame--damn silly
+name. Place on a corner. Don't know name of side street."
+
+"H'm. You don't think he was pushed out, for instance?"
+
+"Certainly not!" shouted the Major; "he just fell out, but the
+point is, he's dead!"
+
+"My dear sir," said Harley patiently, "I don't dispute that
+point; but what on earth do you want of me?"
+
+"I don't know what I want!" roared the Major, beginning to walk
+up and down the room, "but I know I ain't satisfied, not easy in
+my mind, sir. I wake up of a night hearin' the poor devil's yell
+as he crashed on the pavement. That's all wrong. I've heard
+hundreds of death-yells, but"--he took up his malacca cane and
+beat it loudly on the table--"I haven't woke up of a night
+dreamin' I heard 'em again."
+
+"In a word, you suspect foul play?"
+
+"I don't suspect anything!" cried the other excitedly, "but
+someone mentioned your name to me at the club--said you could see
+through concrete, and all that--and here I am. There's something
+wrong, radically wrong. Find out what it is and send the bill to
+me. Then perhaps I'll be able to sleep in peace."
+
+He paused, and again taking out the large silk handkerchief blew
+his nose loudly. Harley glanced at me in rather an odd way, and
+then:
+
+"There will be no bill, Major Ragstaff," he said; "but if I can
+see any possible line of inquiry I will pursue it and report the
+result to you."
+
+
+
+
+II
+
+A CURIOUS OUTRAGE
+
+
+
+"What do you make of it, Harley?" I asked. Paul Harley returned
+a work of reference to its shelf and stood staring absently
+across the study.
+
+"Our late visitor's history does not help us much," he replied.
+"A somewhat distinguished army career, and so forth, and his only
+daughter, Sybil Margaret, married the fifth Marquis of Ireton.
+She is, therefore, the noted society beauty, the Marchioness of
+Ireton. Does this suggest anything to your mind?"
+
+"Nothing whatever," I said blankly.
+
+"Nor to mine," murmured Harley.
+
+The telephone bell rang.
+
+"Hallo!" called Harley. "Yes. That you, Wessex? Have you got
+the address? Good. No, I shall remember it. Many thanks.
+Good-bye."
+
+He turned to me.
+
+"I suggest, Knox," he said, "that we make our call and then
+proceed to dinner as arranged."
+
+Since I was always glad of an opportunity of studying my friend's
+methods I immediately agreed, and ere long, leaving the lights of
+the two big hotels behind, our cab was gliding down the long
+slope which leads to Waterloo Station. Thence through crowded,
+slummish high-roads we made our way via Lambeth to that dismal
+thoroughfare, Westminster Bridge Road, with its forbidding, often
+windowless, houses, and its peculiar air of desolation.
+
+The house for which we were bound was situated at no great
+distance from Kensington Park, and telling the cabman to wait,
+Harley and I walked up a narrow, paved path, mounted a flight of
+steps, and rang the bell beside a somewhat time-worn door, above
+which was an old-fashioned fanlight dimly illuminated from
+within.
+
+A considerable interval elapsed before the door was opened by a
+marvellously untidy servant girl who had apparently been
+interrupted in the act of black-leading her face. Partly opening
+the door, she stared at us agape, pushing back wisps of hair from
+her eyes and with every movement daubing more of some mysterious
+black substance upon her countenance.
+
+"Is Mr. Bampton in?" asked Harley.
+
+"Yus, just come in. I'm cookin' his supper."
+
+"Tell him that two friends of his have called on rather important
+business."
+
+"All right," said the black-faced one. "What name is it?"
+
+"No name. Just say two friends of his."
+
+Treating us to a long, vacant stare and leaving us standing on
+the step, the maid (in whose hand I perceived a greasy fork)
+shuffled along the passage and began to mount the stairs. An
+unmistakable odour of frying sausages now reached my nostrils.
+Harley glanced at me quizzically, but said nothing until the
+Cinderella came stumbling downstairs again. Without returning to
+where we stood:
+
+"Go up," she directed. "Second floor, front. Shut the door, one
+of yer."
+
+She disappeared into gloomy depths below as Harley and I, closing
+the door behind us, proceeded to avail ourselves of the
+invitation. There was very little light on the staircase, but we
+managed to find our way to a poorly furnished bed-sitting-room
+where a small table was spread for a meal. Beside the table, in
+a chintz-covered arm-chair, a thick-set young man was seated
+smoking a cigarette and having a copy of the Daily Telegraph upon
+his knees.
+
+He was a very typical lower middle-class, nothing-in-particular
+young man, but there was a certain truculence indicated by his
+square jaw, and that sort of self-possession which sometimes
+accompanies physical strength was evidenced in his manner as,
+tossing the paper aside, he stood up.
+
+"Good evening, Mr. Bampton," said Harley genially. "I take it"--
+pointing to the newspaper--"that you are looking for a new job?"
+
+Bampton stared, a suspicion of anger in his eyes, then, meeting
+the amused glance of my friend, he broke into a smile very
+pleasing and humorous. He was a fresh-coloured young fellow with
+hair inclined to redness, and smiling he looked very boyish
+indeed.
+
+"I have no idea who you are," he said, speaking with a faint
+north-country accent, "but you evidently know who I am and what
+has happened to me."
+
+"Got the boot?" asked Harley confidentially.
+
+Bampton, tossing the end of his cigarette into the grate, nodded
+grimly.
+
+"You haven't told me your name," he said, "but I think I can tell
+you your business." He ceased smiling. "Now look here, I don't
+want any more publicity. If you think you are going to make a
+funny newspaper story out of me change your mind as quick as you
+like. I'll never get another job in London as it is. If you
+drag me any further into the limelight I'll never get another job
+in England."
+
+"My dear fellow," replied Harley soothingly, at the same time
+extending his cigarette-case, "you misapprehend the object of my
+call. I am not a reporter."
+
+"What!" said Bampton, pausing in the act of taking a cigarette,
+"then what the devil are you?"
+
+"My name is Paul Harley, and I am a criminal investigator."
+
+He spoke the words deliberately, having his eyes fixed upon the
+other's face; but although Bampton was palpably startled there
+was no trace of fear in his straightforward glance. He took a
+cigarette from the case, and:
+
+"Thanks, Mr. Harley," he said. "I cannot imagine what business
+has brought you here."
+
+"I have come to ask you two questions," was the reply. "Number
+one: Who paid you to smash Major Ragstaff's white hat? Number
+two: How much did he pay you?"
+
+To these questions I listened in amazement, and my amazement was
+evidently shared by Bampton. He had been in the act of lighting
+his cigarette, but he allowed the match to burn down nearly to
+his fingers and then dropped it with a muttered exclamation in
+the fire. Finally:
+
+"I don't know how you found out," he said, "but you evidently
+know the truth. Provided you assure me that you are not out to
+make a silly-season newspaper story, I'll tell you all I know."
+
+Harley laid his card on the table, and:
+
+"Unless the ends of justice demand it," he said, "I give you my
+word that anything you care to say will go no further. You may
+speak freely before my friend, Mr. Knox. Simply tell me in as
+few words as possible what led you to court arrest in that
+manner."
+
+"Right," replied Bampton, "I will." He half closed his eyes,
+reflectively. "I was having tea in the Lyons' cafe, to which I
+always go, last Monday afternoon about four o'clock, when a man
+sat down facing me and got into conversation."
+
+"Describe him!"
+
+"He was a man rather above medium height. I should say about my
+own build; dark, going gray. He had a neat moustache and a short
+beard, and the look of a man who had travelled a lot. His skin
+was very tanned, almost as deeply as yours, Mr. Harley. Not at
+all the sort of chap that goes in there as a rule. After a while
+he made an extraordinary proposal. At first I thought he was
+joking, then when I grasped the idea that he was serious I
+concluded he was mad. He asked me how much a year I earned, and
+I told him Peters and Peters paid me 150 pounds. He said: 'I'll
+give you a year's salary to knock a man's hat off!'"
+
+As Bampton spoke the words he glanced at us with twinkling eyes,
+but although for my own part I was merely amused, Harley's
+expression had grown very stern.
+
+"Of course, I laughed," continued Bampton, "but when the man drew
+out a fat wallet and counted ten five-pound notes on the table I
+began to think seriously about his proposal. Even supposing he
+was cracked, it was absolutely money for nothing.
+
+"'Of course,' he said, 'you'll lose your job and you may be
+arrested, but you'll say that you had been out with a few friends
+and were a little excited, also that you never could stand white
+hats. Stick to that story and the balance of a hundred pounds
+will reach you on the following morning.'
+
+"I asked him for further particulars, and I asked him why he had
+picked me for the job. He replied that he had been looking for
+some time for the right man; a man who was strong enough
+physically to accomplish the thing, and someone"--Bampton's eyes
+twinkled again--"with a dash of the devil in him, but at the same
+time a man who could be relied upon to stick to his guns and not
+to give the game away.
+
+"You asked me to be brief, and I'll try to be. The man in the
+white hat was described to me, and the exact time and place of
+the meeting. I just had to grab his white hat, smash it, and
+face the music. I agreed. I don't deny that I had a couple of
+stiff drinks before I set out, but the memory of that fifty
+pounds locked up here in my room and the further hundred
+promised, bucked me up wonderfully. It was impossible to mistake
+my man; I could see him coming toward me as I waited just outside
+a sort of little restaurant called the Cafe Dame. As arranged, I
+bumped into him, grabbed his hat and jumped on it."
+
+He paused, raising his hand to his head reminiscently.
+
+"My man was a bit of a scrapper," he continued, "and he played
+hell. I've never heard such language in my life, and the way he
+laid about me with his cane is something I am not likely to
+forget in a hurry. A crowd gathered, naturally, and (also
+naturally) I was 'pinched.' That didn't matter much. I got off
+lightly; and although I've been dismissed by Peters and Peters,
+twenty crisp fivers are locked in my trunk there, with the ten
+which I received in the City."
+
+Harley checked him, and:
+
+"May I see the envelope in which they arrived?" he asked.
+
+"Sorry," replied Bampton, "but I burned it. I thought it was
+playing the game to do so. It wouldn't have helped you much,
+though," he added; "It was an ordinary common envelope, posted in
+the City, address typewritten, and not a line enclosed."
+
+"Registered?"
+
+"No."
+
+Bampton stood looking at us with a curious expression on his
+face, and suddenly:
+
+"There's one point," he said, "on which my conscience isn't easy.
+You know about that poor devil who fell out of a window? Well,
+it would never have happened if I hadn't kicked up a row in the
+street. There's no doubt he was leaning out to see what the
+disturbance was about when the accident occurred."
+
+"Did you actually see him fall?" asked Harley.
+
+"No. He fell from a window several yards behind me in the side
+street, but I heard him cry out, and as I was lugged off by the
+police I heard the bell of the ambulance which came to fetch
+him."
+
+He paused again and stood rubbing his head ruefully.
+
+"H'm," said Harley; "was there anything particularly remarkable
+about this man in the Lyons' cafe?"
+
+Bampton reflected silently for some moments, and then:
+
+"Nothing much," he confessed. "He was evidently a gentleman,
+wore a blue top-coat, a dark tweed suit, and what looked like a
+regimental tie, but I didn't see much of the colours. He was
+very tanned, as I have said, even to the backs of his hands--and
+oh, yes! there was one point: He had a gold-covered tooth."
+
+"Which tooth?"
+
+"I can't remember, except that it was on the left side, and I
+always noticed it when he smiled."
+
+"Did he wear any ring or pin which you would recognize?"
+
+"No."
+
+"Had he any oddity of speech or voice?"
+
+"No. Just a heavy, drawling manner. He spoke like thousands of
+other cultured Englishmen. But wait a minute--yes! There was
+one other point. Now I come to think of it, his eyes very
+slightly slanted upward."
+
+Harley stared.
+
+"Like a Chinaman's?"
+
+"Oh, nothing so marked as that. But the same sort of formation."
+
+Harley nodded briskly and buttoned up his overcoat.
+
+"Thanks, Mr. Bampton," he said; "we will detain you no longer!"
+
+As we descended the stairs, where the smell of frying sausages
+had given place to that of something burning--probably the
+sausages:
+
+"I was half inclined to think that Major Ragstaff's ideas were
+traceable to a former touch of the sun," said Harley. "I begin
+to believe that he has put us on the track of a highly unusual
+crime. I am sorry to delay dinner, Knox, but I propose to call
+at the Cafe Dame."
+
+
+
+
+III
+
+A CRIMINAL GENIUS
+
+
+
+On entering the doorway of the Cafe Dame we found ourselves in a
+narrow passage. In front of us was a carpeted stair, and to the
+right a glass-panelled door communicating with a discreetly
+lighted little dining room which seemed to be well patronized.
+Opening the door Harley beckoned to a waiter, and:
+
+"I wish to see the proprietor," he said.
+
+"Mr. Meyer is engaged at the moment, sir," was the reply.
+
+"Where is he?"
+
+"In his office upstairs, sir. He will be down in a moment."
+
+The waiter hurried away, and Harley stood glancing up the stairs
+as if in doubt what to do.
+
+"I cannot imagine how such a place can pay," he muttered. "The
+rent must be enormous in this district."
+
+But even before he ceased speaking I became aware of an excited
+conversation which was taking place in some apartment above.
+
+"It's scandalous!" I heard, in a woman's shrill voice. "You have
+no right to keep it! It's not your property, and I'm here to
+demand that you give it up."
+
+A man's voice replied in voluble broken English, but I could only
+distinguish a word here and there. I saw that Harley was
+interested, for catching my questioning glance, he raised his
+finger to his lips enjoining me to be silent.
+
+"Oh, that's the game, is it?" continued the female voice. "Of
+course you know it's blackmail?"
+
+A flow of unintelligible words answered this speech, then:
+
+"I shall come back with someone," cried the invisible woman, "who
+will make you give it up!"
+
+"Knox," whispered Harley in my ear, "when that woman comes down,
+follow her! I'm afraid you will bungle the business, and I would
+not ask you to attempt it if big things were not at stake.
+Return here; I shall wait."
+
+As a matter of fact, his sudden request had positively astounded
+me, but ere I had time for any reply a door suddenly banged open
+above and a respectable-looking woman, who might have been some
+kind of upper servant, came quickly down the stairs. An
+expression of intense indignation rested upon her face, and
+without seeming to notice our presence she brushed past us and
+went out into the street.
+
+"Off you go, Knox!" said Harley.
+
+Seeing myself committed to an unpleasant business, I slipped out
+of the doorway and detected the woman five or six yards away
+hurrying in the direction of Piccadilly. I had no difficulty in
+following her, for she was evidently unsuspicious of my presence,
+and when presently she mounted a westward-bound 'bus I did
+likewise, but while she got inside I went on top, and occupied a
+seat on the near side whence I could observe anyone leaving the
+vehicle.
+
+If I had not known Paul Harley so well I should have counted the
+whole business a ridiculous farce, but recognizing that something
+underlay these seemingly trivial and disconnected episodes, I
+lighted a cigarette and resigned myself to circumstance.
+
+At Hyde Park Corner I saw the woman descending, and when
+presently she walked up Hamilton Place I was not far behind her.
+At the door of an imposing mansion she stopped, and in response
+to a ring of the bell the door was opened by a footman, and the
+woman hurried in. Evidently she was an inmate of the
+establishment; and conceiving that my duty was done when I had
+noted the number of the house, I retraced my steps to the corner;
+and, hailing a taxicab, returned to the Cafe Dame.
+
+On inquiring of the same waiter whom Harley had accosted whether
+my friend was there:
+
+"I think a gentleman is upstairs with Mr. Meyer," said the man.
+
+"In his office?"
+
+"Yes, sir."
+
+Thereupon I mounted the stairs and before a half-open door
+paused. Harley's voice was audible within, and therefore I
+knocked and entered.
+
+I discovered Harley standing by an American desk. Beside him in
+a revolving chair which, with the desk, constituted the principal
+furniture of a tiny office, sat a man in a dress-suit which had
+palpably not been made for him. He had a sullen and suspiciously
+Teutonic cast of countenance, and he was engaged in a voluble but
+hardly intelligible speech as I entered.
+
+"Ha, Knox!" said Harley, glancing over his shoulder, "did you
+manage?"
+
+"Yes," I replied.
+
+Harley nodded shortly and turned again to the man in the chair.
+
+"I am sorry to give you so much trouble, Mr. Meyer," he said,
+"but I should like my friend here to see the room above."
+
+At this moment my attention was attracted by a singular object
+which lay upon the desk amongst a litter of bills and accounts.
+This was a piece of rusty iron bar somewhat less than three feet
+in length, and which once had been painted green.
+
+"You are looking at this tragic fragment, Knox," said Harley,
+taking up the bar. "Of course"--he shrugged his shoulders--"it
+explains the whole unfortunate occurrence. You see there was a
+flaw in the metal at this end, here"--he indicated the spot--"and
+the other end had evidently worn loose in its socket."
+
+"But I don't understand."
+
+"It will all be made clear at the inquest, no doubt. A most
+unfortunate thing for you, Mr. Meyer."
+
+"Most unfortunate," declared the proprietor of the restaurant,
+extending his thick hands pathetically. "Most ruinous to my
+business."
+
+"We will go upstairs now," said Harley. "You will kindly lead
+the way, Mr. Meyer, and the whole thing will be quite clear to
+you, Knox."
+
+As the proprietor walked out of the office and upstairs to the
+second floor Harley whispered in my ear:
+
+"Where did she go?"
+
+"No.------ Hamilton Place," I replied in an undertone.
+
+"Good God!" muttered my friend, and clutched my arm so tightly
+that I winced. "Good God! The master touch, Knox! This crime
+was the work of a genius--of a genius with slightly, very
+slightly, oblique eyes."
+
+Opening a door on the second landing, Mr. Meyer admitted us to a
+small supper-room. Its furniture consisted of a round dining
+table, several chairs, a couch, and very little else. I
+observed, however, that the furniture, carpet, and a few other
+appointments were of a character much more elegant than those of
+the public room below. A window which overlooked the street was
+open, so that the plush curtains which had been drawn aside moved
+slightly to and fro in the draught.
+
+"The window of the tragedy, Knox," explained Harley.
+
+He crossed the room.
+
+"If you will stand here beside me you will see the gap in the
+railing caused by the breaking away of the fragment which now
+lies on Mr. Meyer's desk. Some few yards to the left in the
+street below is where the assault took place, of which we have
+heard, and the unfortunate Mr. De Lana, who was dining here
+alone--an eccentric custom of his--naturally ran to the window
+upon hearing the disturbance and leaned out, supporting his
+weight upon the railing. The rail collapsed, and--we know the
+rest."
+
+"It will ruin me," groaned Meyer; "it will give bad repute to my
+establishment."
+
+"I fear it will," agreed Harley sympathetically, "unless we can
+manage to clear up one or two little difficulties which I have
+observed. For instance"--he tapped the proprietor on the
+shoulder confidentially --"have you any idea, any hazy idea, of
+the identity of the woman who was dining here with Mr. De Lana on
+Wednesday night?"
+
+The effect of this simple inquiry upon the proprietor was
+phenomenal. His fat yellow face assumed a sort of leaden hue,
+and his already prominent eyes protruded abnormally. He licked
+his lips.
+
+"I tell you--already I tell you," he muttered, "that Mr. De Lana
+he engage this room every Wednesday and sometimes also Friday,
+and dine here by himself."
+
+"And I tell you," said Harley sweetly, "that you are an inspired
+liar. You smuggled her out by the side entrance after the
+accident."
+
+"The side entrance?" muttered Meyer. "The side entrance?"
+
+"Exactly; the side entrance. There is something else which I
+must ask you to tell me. Who had engaged this room on Tuesday
+night, the night before the accident?"
+
+The proprietor's expression remained uncomprehending, and:
+
+"A gentleman," he said. "I never see him before."
+
+"Another solitary diner?" suggested Harley.
+
+"Yes, he is alone all the evening waiting for a friend who does
+not arrive."
+
+"Ah," mused Harley--"alone all the evening, was he? And his
+friend disappointed him. May I suggest that he was a dark man?
+Gray at the temples, having a dark beard and moustache, and a
+very tanned face? His eyes slanted slightly upward?"
+
+"Yes! yes!" cried Meyer, and his astonishment was patently
+unfeigned. "It is a friend of yours?"
+
+"A friend of mine, yes," said Harley absently, but his expression
+was very grim. "What time did he finally leave?"
+
+"He waited until after eleven o'clock. The dinner is spoilt. He
+pays, but does not complain."
+
+"No," said Harley musingly, "he had nothing to complain about.
+One more question, my friend. When the lady escaped hurriedly on
+Wednesday night, what was it that she left behind and what price
+are you trying to extort from her for returning it?"
+
+At that the man collapsed entirely.
+
+"Ah, Gott!" he cried, and raised his hand to his clammy forehead.
+"You will ruin me. I am a ruined man. I don't try to extort
+anything. I run an honest business------"
+
+"And one of the most profitable in the world," added Harley,
+"since the days of Thais to our own. Even at Bond Street rentals
+I assume that a house of assignation is a golden enterprise."
+
+"Ah!" groaned Meyer, "I am ruined, so what does it matter? I
+tell you everything. I know Mr. De Lana who engages my room
+regularly, but I don't know who the lady is who meets him here.
+No! I swear it! But always it is the same lady. When he falls
+I am downstairs in my office, and I hear him cry out. The lady
+comes running from the room and begs of me to get her away
+without being seen and to keep all mention of her out of the
+matter."
+
+"What did she pay you?" asked Harley.
+
+"Pay me?" muttered Meyer, pulled up thus shortly in the midst of
+his statement.
+
+"Pay you. Exactly. Don't argue; answer."
+
+The man delivered himself of a guttural, choking sound, and
+finally:
+
+"She promised one hundred pounds," he confessed hoarsely.
+
+"But you surely did not accept a mere promise? Out with it.
+What did she give you?"
+
+"A ring," came the confession at last.
+
+"A ring. I see. I will take it with me if you don't mind. And
+now, finally, what was it that she left behind?"
+
+"Ah, Gott!" moaned the man, dropping into a chair and resting his
+arms upon the table. "It is all a great panic, you see. I hurry
+her out by the back stair from this landing and she forgets her
+bag."
+
+"Her bag? Good."
+
+"Then I clear away the remains of dinner so I can say Mr. De Lana
+is dining alone. It is as much my interest as the lady's."
+
+"Of course! I quite understand. I will trouble you no more, Mr.
+Meyer, except to step into your office and to relieve you of that
+incriminating evidence, the lady's bag and her ring."
+
+
+
+
+IV
+
+THE SLANTING EYES
+
+
+
+"Do you understand, Knox?" said Harley as the cab bore us toward
+Hamilton Place. "Do you grasp the details of this cunning
+scheme?"
+
+"On the contrary," I replied, "I am hopelessly at sea."
+
+Nevertheless, I had forgotten that I was hungry in the excitement
+which now claimed me. For although the thread upon which these
+seemingly disconnected things hung was invisible to me, I
+recognized that Bampton, the city clerk, the bearded stranger who
+had made so singular a proposition to him, the white-hatted
+major, the dead stockbroker, and the mysterious woman whose
+presence in the case the clear sight of Harley had promptly
+detected, all were linked together by some subtle chain. I was
+convinced, too, that my friend held at least one end of that
+chain in his grip.
+
+"In order to prepare your mind for the interview which I hope to
+obtain this evening," continued Harley, "let me enlighten you
+upon one or two points which may seem obscure. In the first
+place you recognize that anyone leaning out of the window on the
+second floor would almost automatically rest his weight upon the
+iron bar which was placed there for that very purpose, since the
+ledge is unusually low?"
+
+"Quite," I replied, "and it also follows that if the bar gave way
+anyone thus leaning on it would be pitched into the street."
+
+"Your reasoning is correct."
+
+"But, my dear fellow," said I, "how could such an accident have
+been foreseen?"
+
+"You speak of an accident. This was no accident! One end of the
+bar had been filed completely through, although the file marks
+had been carefully concealed with rust and dirt; and the other
+end had been wrenched out from its socket and then replaced in
+such a way that anyone leaning upon the bar could not fail to be
+precipitated into the street!"
+
+"Good heavens! Then you mean------"
+
+"I mean, Knox, that the man who occupied the supper room on the
+night before the tragedy--the dark man, tanned and bearded, with
+slightly oblique eyes---spent his time in filing through that
+bar--in short, in preparing a death trap!"
+
+I was almost dumbfounded.
+
+"But, Harley," I said, "assuming that he knew his victim would be
+the next occupant of the room, how could he know------?"
+
+I stopped. Suddenly, as if a curtain had been raised, the
+details of what I now perceived to be a fiendishly cunning murder
+were revealed to me.
+
+"According to his own account, Knox," resumed Harley, "Major
+Ragstaff regularly passed along that street with military
+punctuality at the same hour every night. You may take it for
+granted that the murderer was well aware of this. As a matter of
+fact, I happen to know that he was. We must also take it for
+granted that the murderer knew of these little dinners for two
+which took place in the private room above the Cafe Dame every
+Wednesday--and sometimes on Friday. Around the figure of the
+methodical major--with his conspicuous white hat as a sort of
+focus--was built up one of the most ingenious schemes of murder
+with which I have ever come in contact. The victim literally
+killed himself."
+
+"But, Harley, the victim might have ignored the disturbance."
+
+"That is where I first detected the touch of genius, Knox. He
+recognized the voice of one of the combatants--or his companion
+did. Here we are."
+
+The cab drew up before the house in Hamilton Place. We alighted,
+and Harley pressed the bell. The same footman whom I had seen
+admit the woman opened the door.
+
+"Is Lady Ireton at home?" asked Harley.
+
+As he uttered the name I literally held my breath. We had come
+to the house of Major Ragstaff's daughter, the Marchioness of
+Ireton, one of society's most celebrated and beautiful
+hostesses!--the wife of a peer famed alike as sportsman, soldier,
+and scholar.
+
+"I believe she is dining at home, sir," said the man. "Shall I
+inquire?"
+
+"Be good enough to do so," replied Harley, and gave him a card.
+"Inform her that I wish to return to her a handbag which she lost
+a few days ago."
+
+The man ushered us into an anteroom opening off the lofty and
+rather gloomy hall, and as the door closed:
+
+"Harley," I said in a stage whisper, "am I to believe------"
+
+"Can you doubt it?" returned Harley with a grim smile.
+
+A few moments later we were shown into a charmingly intimate
+little boudoir in which Lady Ireton was waiting to receive us.
+She was a strikingly handsome brunette, but to-night her face,
+which normally, I think, possessed rich colouring, was almost
+pallid, and there was a hunted look in her dark eyes which made
+me wish to be anywhere rather than where I found myself. Without
+preamble she rose and addressed Harley:
+
+"I fail to understand your message, sir," she said, and I admired
+the imperious courage with which she faced him. "You say you
+have recovered a handbag which I had lost?"
+
+Harley bowed, and from the pocket of his greatcoat took out a
+silken-tasselled bag.
+
+"The one which you left in the Cafe Dame, Lady Ireton," he
+replied. "Here also I have"--from another pocket he drew out a
+diamond ring--"something which was extorted from you by the
+fellow Meyer."
+
+Without touching her recovered property, Lady Ireton sank slowly
+down into the chair from which she had arisen, her gaze fixed as
+if hypnotically upon the speaker.
+
+"My friend, Mr. Knox, is aware of all the circumstances,"
+continued the latter, "but he is as anxious as I am to terminate
+this painful interview. I surmise that what occurred on
+Wednesday night was this--(correct me if I am wrong): While
+dining with Mr. De Lana you heard sounds of altercation in the
+street below. May I suggest that you recognized one of the
+voices?"
+
+Lady Ireton, still staring straight before her at Harley,
+inclined her head in assent.
+
+"I heard my father's voice," she said hoarsely.
+
+"Quite so," he continued. "I am aware that Major Ragstaff is
+your father." He turned to me: "Do you recognize the touch of
+genius at last?" Then, again addressing Lady Ireton: "You
+naturally suggested to your companion that he should look out of
+the window in order to learn what was taking place. The next
+thing you knew was that he had fallen into the street below?"
+
+Lady Ireton shuddered and raised her hands to her face.
+
+"It is retribution," she whispered. "I have brought this ruin
+upon myself. But he does not deserve------"
+
+Her voice faded into silence, and:
+
+"You refer to your husband, Lord Ireton?" said Harley.
+
+Lady Ireton nodded, and again recovering power of speech:
+
+"It was to have been our last meeting," she said, looking up at
+Harley.
+
+She shuddered, and her eyes blazed into sudden fierceness. Then,
+clenching her hands, she looked aside.
+
+"Oh, God, the shame of this hour!" she whispered.
+
+And I would have given much to have been spared the spectacle of
+this proud, erring woman's humiliation. But Paul Harley was
+scientifically remorseless. I could detect no pity in his
+glance.
+
+"I would give my life willingly to spare my husband the knowledge
+of what has been," said Lady Ireton in a low, monotonous voice.
+"Three times I sent my maid to Meyer to recover my bag, but he
+demanded a price which even I could not pay. Now it is all
+discovered, and Harry will know."
+
+"That, I fear, is unavoidable, Lady Ireton," declared Harley.
+"May I ask where Lord Ireton is at present?"
+
+"He is in Africa after big game."
+
+"H'm," said Harley, "in Africa, and after big game? I can offer
+you one consolation, Lady Ireton. In his own interests Meyer
+will stick to his first assertion that Mr. De Lana was dining
+alone."
+
+A strange, horribly pathetic look came into the woman's haunted
+eyes.
+
+"You--you--are not acting for------?" she began.
+
+"I am acting for no one," replied Harley tersely. "Upon my
+friend's discretion you may rely as upon my own."
+
+"Then why should he ever know?" she whispered.
+
+"Why, indeed," murmured Harley, "since he is in Africa?"
+
+As we descended the stair to the hall my friend paused and
+pointed to a life-sized oil painting by London's most fashionable
+portrait painter. It was that of a man in the uniform of a
+Guards officer, a dark man, slightly gray at the temples, his
+face very tanned as if by exposure to the sun.
+
+"Having had no occasion for disguise when the portrait was
+painted," said Harley, "Lord Ireton appears here without the
+beard; and as he is not represented smiling one cannot see the
+gold tooth. But the painter, if anything, has accentuated the
+slanting eyes. You see, the fourth marquis--the present Lord
+Ireton's father--married one of the world-famous Yen Sun girls,
+daughters of the mandarin of that name by an Irish wife. Hence,
+the eyes. And hence------"
+
+"But, Harley--it was murder!"
+
+"Not within the meaning of the law, Knox. It was a recrudescence
+of Chinese humour! Lord Ireton is officially in Africa (and he
+went actually after 'big game'). The counsel is not born who
+could secure a conviction. We are somewhat late, but shall
+therefore have less difficulty in finding a table at Prince's."
+
+
+
+
+
+
+TCHERIAPIN
+
+
+
+
+
+
+I
+
+THE ROSE
+
+
+
+"Examine it closely," said the man in the unusual caped overcoat.
+"It will repay examination."
+
+I held the little object in the palm of my hand, bending forward
+over the marble-topped table and looking down at it with deep
+curiosity. The babel of tongues so characteristic of Malay
+Jack's, and that mingled odour of stale spirits, greasy humanity,
+tobacco, cheap perfume, and opium, which distinguish the
+establishment faded from my ken. A sense of loneliness came to
+me.
+
+Perhaps I should say that it became complete. I had grown
+conscious of its approach at the very moment that the cadaverous
+white-haired man had addressed me. There was a quality in his
+steadfast gaze and in his oddly pitched deep voice which from the
+first had wrapped me about--as though he were cloaking me in his
+queer personality and withdrawing me from the common plane.
+
+Having stared for some moments at the object in my palm, I
+touched it gingerly; whereupon my acquaintance laughed--a short
+bass laugh.
+
+"It looks fragile," he said. "But have no fear. It is nearly as
+hard as a diamond."
+
+Thus encouraged, I took the thing up between finger and thumb,
+and held it before my eyes. For long enough I looked at it, and
+looking, my wonder grew. I thought that here was the most
+wonderful example of the lapidary's art which I had ever met
+with, east or west.
+
+It was a tiny pink rose, no larger than the nail of my little
+finger. Stalk and leaves were there, and golden pollen lay in
+its delicate heart. Each fairy-petal blushed with June fire; the
+frail leaves were exquisitely green. Withal it was as hard and
+unbendable as a thing of steel.
+
+"Allow me," said the masterful voice.
+
+A powerful lens was passed by my acquaintance. I regarded the
+rose through the glass, and thereupon I knew, beyond doubt, that
+there was something phenomenal about the gem--if gem it were. I
+could plainly trace the veins and texture of every petal.
+
+I suppose I looked somewhat startled. Although, baldly stated,
+the fact may not seem calculated to affright, in reality there
+was something so weird about this unnatural bloom that I dropped
+it on the table. As I did so I uttered an exclamation; for in
+spite of the stranger's assurances on the point, I had by no
+means overcome my idea of the thing's fragility.
+
+"Don't be alarmed," he said, meeting my startled gaze. "It would
+need a steam-hammer to do any serious damage."
+
+He replaced the jewel in his pocket, and when I returned the lens
+to him he acknowledged it with a grave inclination of the head.
+As I looked into his sunken eyes, in which I thought lay a sort
+of sardonic merriment, the fantastic idea flashed through my mind
+that I had fallen into the clutches of an expert hypnotist who
+was amusing himself at my expense, that the miniature rose was a
+mere hallucination produced by the same means as the notorious
+Indian rope trick.
+
+Then, looking around me at the cosmopolitan groups surrounding
+the many tables, and catching snatches of conversations dealing
+with subjects so diverse as the quality of whisky in Singapore,
+the frail beauty of Chinese maidens, and the ways of "bloody
+greasers," common sense reasserted itself.
+
+I looked into the gray face of my acquaintance.
+
+"I cannot believe," I said slowly, "that human ingenuity could so
+closely duplicate the handiwork of nature. Surely the gem is
+unique?--possibly one of those magical talismans of which we read
+in Eastern stories?"
+
+My companion smiled.
+
+"It is not a gem," he replied, "and while in a sense it is a
+product of human ingenuity, it is also the handiwork of nature."
+
+I was badly puzzled, and doubtless revealed the fact, for the
+stranger laughed in his short fashion, and:
+
+"I am not trying to mystify you," he assured me. "But the truth
+is so hard to believe sometimes that in the present case I
+hesitate to divulge it. Did you ever meet Tcheriapin?"
+
+This abrupt change of topic somewhat startled me, but
+nevertheless:
+
+"I once heard him play," I replied. "Why do you ask the
+question?"
+
+"For this reason: Tcheriapin possessed the only other example of
+this art which so far as I am aware ever left the laboratory of
+the inventor. He occasionally wore it in his buttonhole."
+
+"It is then a manufactured product of some sort?"
+
+"As I have said, in a sense it is; but"--he drew the tiny
+exquisite ornament from his pocket again and held it up before
+me--"it is a natural bloom."
+
+"What!"
+
+"It is a natural bloom," replied my acquaintance, fixing his
+penetrating gaze upon me. "By a perfectly simple process
+invented by the cleverest chemist of his age it had been reduced
+to this gem-like state while retaining unimpaired every one of
+its natural beauties, every shade of its natural colour. You are
+incredulous?"
+
+"On the contrary," I replied, "having examined it through a
+magnifying glass I had already assured myself that no human hand
+had fashioned it. You arouse my curiosity intensely. Such a
+process, with its endless possibilities, should be worth a
+fortune to the inventor."
+
+The stranger nodded grimly and again concealed the rose in his
+pocket.
+
+"You are right," he said; "and the secret died with the man who
+discovered it--in the great explosion at the Vortex Works in
+1917. You recall it? The T.N.T. factory? It shook all London,
+and fragments were cast into three counties."
+
+"I recall it perfectly well."
+
+"You remember also the death of Dr. Kreener, the chief chemist?
+He died in an endeavour to save some of the workpeople."
+
+"I remember."
+
+"He was the inventor of the process, but it was never put upon
+the market. He was a singular man, sir; as was once said of
+him--'A Don Juan of science.' Dame Nature gave him her heart
+unwooed. He trifled with science as some men trifle with love,
+tossing aside with a smile discoveries which would have made
+another famous. This"--tapping his breast pocket--"was one of
+them."
+
+"You astound me. Do I understand you to mean that Dr. Kreener
+had invented a process for reducing any form of plant life to
+this condition?"
+
+"Almost any form," was the guarded reply. "And some forms of
+animal life."
+
+"What!"
+
+"If you like"--the stranger leaned forward and grasped my arm--"I
+will tell you the story of Dr. Kreener's last experiment."
+
+I was now intensely interested. I had not forgotten the heroic
+death of the man concerning whose work this chance acquaintance
+of mine seemed to know so much. And in the cadaverous face of
+the stranger as he sat there regarding me fixedly there was a
+promise and an allurement. I stood on the verge of strange
+things; so that, looking into the deep-set eyes, once again I
+felt the cloak being drawn about me, and I resigned myself
+willingly to the illusion.
+
+From the moment when he began to speak again until that when I
+rose and followed him from Malay Jack's, as I shall presently
+relate, I became oblivious of my surroundings. I lived and moved
+through those last fevered hours in the lives of Dr. Kreener,
+Tcheriapin, the violinist, and that other tragic figure around
+whom the story centred. I append:
+
+THE STRANGER'S STORY
+
+I asked you (said the man in the caped coat) if you had ever seen
+Tcheriapin, and you replied that you had once heard him play.
+Having once heard him play you will not have forgotten him. At
+that time, although war still raged, all musical London was
+asking where he had come from and to what nation he belonged.
+Then when he disappeared it was variously reported, you will
+recall, that he had been shot as a spy and that he had escaped
+from England and was serving with the Austrian army. As to his
+parentage I can enlighten you in a measure. He was a Eurasian.
+His father was an aristocratic Chinaman, and his mother a Polish
+ballet-dancer--that was his parentage; but I would scarcely
+hesitate to affirm that he came from Hell; and I shall presently
+show you that he has certainly returned there.
+
+You remember the strange stories current about him. The cunning
+ones said that he had a clever press agent. This was true
+enough. One of the most prominent agents in London discovered
+him playing in a Paris cabaret. Two months later he was playing
+at the Queen's Hall, and musical London lay at his feet.
+
+He had something of the personality of Paganini, as you remember,
+except that he was a smaller man; long, gaunt, yellowish hands
+and the face of a haggard Mephistopheles. The critics quarrelled
+about him, as critics only quarrel about real genius, and while
+one school proclaimed that Tcheriapin had discovered an entirely
+new technique, a revolutionary system of violin playing, another
+school was equally positive in declaring that he could not play
+at all, that he was a mountebank, a trickster, whose proper place
+was in a variety theatre.
+
+There were stories, too, that were never published--not only
+about Tcheriapin, but concerning the Strad, upon which he played.
+If all this atmosphere of mystery which surrounded the man had
+truly been the work of a press agent, then the agent must have
+been as great a genius as his client. But I can assure you that
+the stories concerning Tcheriapin, true and absurd alike, were
+not inspired for business purposes; they grew up around him like
+fungi.
+
+I can see him now, a lean, almost emaciated figure with slow,
+sinuous movements and a trick of glancing sideways with those
+dark, unfathomable, slightly oblique eyes. He could take up his
+bow in such a way as to create an atmosphere of electrical
+suspense.
+
+He was loathsome, yet fascinating. One's mental attitude toward
+him was one of defence, of being tensely on guard. Then he would
+play.
+
+You have heard him play, and it is therefore unnecessary for me
+to attempt to describe the effect of that music. The only
+composition which ever bore his name--I refer to "The Black
+Mass"--affected me on every occasion when I heard it, as no other
+composition has ever done.
+
+Perhaps it was Tcheriapin's playing rather than the music itself
+which reached down into hitherto un-plumbed depths within me and
+awakened dark things which, unsuspected, lay there sleeping. I
+never heard "The Black Mass" played by anyone else; indeed, I am
+not aware that it was ever published. But had it been we should
+rarely hear it. Like Locke's music to "Macbeth" it bears an
+unpleasant reputation; to include it in any concert programme
+would be to court disaster. An idle superstition, perhaps, but
+there is much naivete in the artistic temperament.
+
+Men detested Tcheriapin, yet when he chose he could win over his
+bitterest enemies. Women followed him as children followed the
+Pied Piper; he courted none, but was courted by all. He would
+glance aside with those black, slanting eyes, shrug in his
+insolent fashion, and turn away. And they would follow. God
+knows how many of them followed--whether through the dens of
+Limehouse or the more fashionable salons of vice in the West
+End--they followed--perhaps down to Hell. So much for
+Tcheriapin.
+
+At the time when the episode occurred to which I have referred,
+Dr. Kreener occupied a house in Regent's Park, to which, when
+his duties at the munition works allowed, he would sometimes
+retire at week-ends. He was a man of complex personality. I
+think no one ever knew him thoroughly; indeed, I doubt if he knew
+himself.
+
+He was hail-fellow-well-met with the painters, sculptors, poets,
+and social reformers who have made of Soho a new Mecca. No
+movement in art was so modern that Dr. Kreener was not
+conversant with it; no development in Bolshevism so violent or so
+secret that Dr. Kreener could not speak of it complacently and
+with inside knowledge.
+
+These were his Bohemian friends, these dreamers and schemers. Of
+this side of his life his scientific colleagues knew little or
+nothing, but in his hours of leisure at Regent's Park it was with
+these dreamers that he loved to surround himself rather than with
+his brethren of the laboratory. I think if Dr. Kreener had not
+been a great chemist he would have been a great painter, or
+perhaps a politician, or even a poet. Triumph was his
+birthright, and the fruits for which lesser men reached out in
+vain fell ripe into his hands.
+
+The favourite meeting-place for these oddly assorted boon
+companions was the doctor's laboratory, which was divided from
+the house by a moderately large garden. Here on a Sunday evening
+one might meet the very "latest" composer, the sculptor bringing
+a new "message," or the man destined to supplant with the ballet
+the time-worn operatic tradition.
+
+But while some of these would come and go, so that one could
+never count with certainty upon meeting them, there was one who
+never failed to be present when such an informal reception was
+held. Of him I must speak at greater length, for a reason which
+will shortly appear.
+
+Andrews was the name by which he was known to the circles in
+which he moved. No one, from Sir John Tennier, the fashionable
+portrait painter, to Kruski, of the Russian ballet, disputed
+Andrews's right to be counted one of the elect. Yet it was
+known, nor did he trouble to hide the fact, that Andrews was
+employed at a large printing works in South London, designing
+advertisements. He was a great, red-bearded, unkempt Scotsman,
+and only once can I remember to have seen him strictly sober; but
+to hear him talk about painters and painting in his thick
+Caledonian accent was to look into the soul of an artist.
+
+He was as sour as an unripe grape-fruit, cynical, embittered, a
+man savagely disappointed with life and the world; and tragedy
+was written all over him. If anyone knew the secret of his
+wasted life it was Dr. Kreener, and Dr. Kreener was a reliquary
+of so many secrets that this one was safe as if the grave had
+swallowed it.
+
+One Sunday Tcheriapin joined the party. That he would gravitate
+there sooner or later was inevitable, for the laboratory in the
+garden was a Kaaba to which all such spirits made at least one
+pilgrimage. He had just set musical London on fire with his
+barbaric playing, and already those stories to which I have
+referred were creeping into circulation.
+
+Although Dr. Kreener never expected anything of his guests
+beyond an interchange of ideas, it was a fact that the laboratory
+contained an almost unique collection of pencil and charcoal
+studies by famous artists, done upon the spot; of statuettes in
+wax, putty, soap and other extemporized materials, by the newest
+sculptors. While often enough from the drawing room which opened
+upon the other end of the garden had issued the strains of
+masterly piano-playing, and it was no uncommon thing for little
+groups to gather in the neighbouring road to listen, gratis, to
+the voice of some great vocalist.
+
+From the first moment of their meeting an intense antagonism
+sprang up between Tcheriapin and Andrews. Neither troubled very
+much to veil it. In Tcheriapin it found expression in covert
+sneers and sidelong glances, while the big, lion-maned Scotsman
+snorted open contempt of the Eurasian violinist. However, what I
+was about to say was that Tcheriapin on the occasion of his first
+visit brought his violin.
+
+It was there, amid these incongruous surroundings, that I first
+had my spirit tortured by the strains of "The Black Mass."
+
+There were five of us present, including Tcheriapin, and not one
+of the four listeners was unaffected by the music. But the
+influence which it exercised upon Andrews was so extraordinary as
+almost to reach the phenomenal. He literally writhed in his
+chair, and finally interrupted the performance by staggering
+rather than walking out of the laboratory.
+
+I remember that he upset a jar of acid in his stumbling exit. It
+flowed across the floor almost to the feet of Tcheriapin, and the
+way in which the little black-haired man skipped, squealing, out
+of the path of the corroding fluid was curiously like that of a
+startled rabbit. Order was restored in due course, but we could
+not induce Tcheriapin to play again, nor did Andrews return until
+the violinist had taken his departure. We found him in the
+dining room, a nearly empty whisky-bottle beside him.
+
+"I had to gang awa'," he explained thickly; "he was temptin' me
+to murder him. I should ha' had to do it if I had stayed. Damn
+his hell-music."
+
+Tcheriapin revisited Dr. Kreener on many occasions afterward,
+although for a long time he did not bring his violin again. The
+doctor had prevailed upon Andrews to tolerate the Eurasian's
+company, and I could not help noticing how Tcheriapin skilfully
+and deliberately goaded the Scotsman, seeming to take a fiendish
+delight in disagreeing with his pet theories and in discussing
+any topic which he had found to be distasteful to Andrews.
+
+Chief among these was that sort of irreverent criticism of women
+in which male parties so often indulge. Bitter cynic though he
+was, women were sacred to Andrews. To speak disrespectfully of a
+woman in his presence was like uttering blasphemy in the study of
+a cardinal. Tcheriapin very quickly detected the Scotsman's
+weakness, and one night he launched out into a series of amorous
+adventures which set Andrews writhing as he had writhed under the
+torture of "The Black Mass."
+
+On this occasion the party was only a small one, comprising
+myself, Dr. Kreener, Andrews and Tcheriapin. I could feel the
+storm brewing, but was powerless to check it. How presently it
+was to break in tragic violence I could not foresee. Fate had
+not meant that I should foresee it.
+
+Allowing for the free play of an extravagant artistic mind,
+Tcheriapin's career on his own showing had been that of a callous
+blackguard. I began by being disgusted and ended by being
+fascinated, not by the man's scandalous adventures, but by the
+scarcely human psychology of the narrator.
+
+From Warsaw to Budapesth, Shanghai to Paris, and Cairo to London
+he passed, leaving ruin behind him with a smile--airily flicking
+cigarette ash upon the floor to indicate the termination of each
+"episode."
+
+Andrews watched him in a lowering way which I did not like at
+all. He had ceased to snort his scorn; indeed, for ten minutes
+or so he had uttered no word or sound; but there was something in
+the pose of his ungainly body which strangely suggested that of a
+great dog preparing to spring. Presently the violinist recalled
+what he termed a "charming idyll of Normandy."
+
+"There is one poor fool in the world," he said, shrugging his
+slight shoulders, "who never knew how badly he should hate me.
+Ha! ha! of him I shall tell you. Do you remember, my friends,
+some few years ago, a picture that was published in Paris and
+London? Everybody bought it; everybody said: 'He is a made man,
+this fellow who can paint so fine.'"
+
+"To what picture do you refer?" asked Dr. Kreener.
+
+"It was called 'A Dream at Dawn.'"
+
+As he spoke the words I saw Andrews start forward, and Dr.
+Kreener exchanged a swift glance with him. But the Scotsman,
+unseen by the vainglorious half-caste, shook his head fiercely.
+
+The picture to which Tcheriapin referred will, of course, be
+perfectly familiar to you. It had phenomenal popularity some
+eight years ago. Nothing was known of the painter--whose name
+was Colquhoun--and nothing has been seen of his work since. The
+original painting was never sold, and after a time this promising
+new artist was, of course, forgotten.
+
+Presently Tcheriapin continued:
+
+"It is the figure of a slender girl--ah! angels of grace!--what
+a girl!" He kissed his hand rapturously. "She is posed bending
+gracefully forward, and looking down at her own lovely reflection
+in the water. It is a seashore, you remember, and the little
+ripples play about her ankles. The first blush of the dawn robes
+her white body in a transparent mantle of light. Ah! God's
+mercy! it was as she stood so, in a little cove of Normandy,
+that I saw her!"
+
+He paused, rolling his dark eyes; and I could hear Andrews's
+heavy breathing; then:
+
+"It was the 'new art'--the posing of the model not in a lighted
+studio, but in the scene to be depicted.
+
+"And the fellow who painted her!--the man with the barbarous name!
+Bah! he was big--as big as our Mr. Andrews--and ugly--pooh!
+uglier than he! A moon-face, with cropped skull like a prize-
+fighter and no soul. But, yes, he could paint. 'A Dream at
+Dawn' was genius--yes, some soul he must have had.
+
+"He could paint, dear friends, but he could not love. Him I
+counted as--puff!"
+
+He blew imaginary down into space.
+
+"Her I sought out, and presently found. She told me, in those
+sweet stolen rambles along the shore, when the moonlight made her
+look like a Madonna, that she was his inspiration--his art--his
+life. And she wept; she wept, and I kissed her tears away.
+
+"To please her I waited until 'A Dream at Dawn' was finished.
+With the finish of the picture, finished also his dream of dawn--
+the moon-faced one's."
+
+Tcheriapin laughed, and lighted a fresh cigarette.
+
+"Can you believe that a man could be so stupid? He never knew of
+my existence, this big, red booby. He never knew that I existed
+until--until his 'dream' had fled--with me! In a week we were in
+Paris, that dream-girl and I--in a month we had quarrelled. I
+always end these matters with a quarrel; it makes the complete
+finish. She struck me in the face--and I laughed. She turned
+and went away. We were tired of one another.
+
+"Ah!" Again he airily kissed his hand. "There were others after
+I had gone. I heard for a time. But her memory is like a rose,
+fresh and fair and sweet. I am glad I can remember her so, and
+not as she afterward became. That is the art of love. She
+killed herself with absinthe, my friends. She died in Marseilles
+in the first year of the great war."
+
+Thus far Tcheriapin had proceeded, and was in the act of airily
+flicking ash upon the floor, when, uttering a sound which I can
+only describe as a roar, Andrews hurled himself upon the smiling
+violinist.
+
+His great red hands clutching Tcheriapin's throat, the insane
+Scotsman, for insane he was at that moment, forced the other back
+upon the settee from which he had half arisen. In vain I sought
+to drag him away from the writhing body, but I doubt that any man
+could have relaxed that deadly grip. Tcheriapin's eyes protruded
+hideously and his tongue lolled forth from his mouth. One could
+hear the breath whistling through his nostrils as Andrews
+silently, deliberately, squeezed the life out of him.
+
+It all occupied only a few minutes, and then Andrews, slowly
+opening his rigidly crooked fingers, stood panting and looking
+down at the distorted face of the dead man.
+
+For once in his life the Scotsman was sober, and turning to Dr.
+Kreener:
+
+"I have waited seven long years for this," he said, "and I'll
+hang wi' contentment."
+
+I can never forget the ensuing moments, in which, amid a horrible
+silence broken only by the ticking of a clock and the heavy
+breathing of Colquhoun (so long known to us as Andrews) we stood
+watching the contorted body on the settee.
+
+And as we watched, slowly the rigid limbs began to relax, and
+Tcheriapin slid gently on to the floor, collapsing there with a
+soft thud, where he squatted like some hideous Buddha, resting
+back against the cushions, one spectral yellow hand upraised, the
+fingers still clutching a big gold tassel.
+
+Andrews (for so I always think of him) was seized with a violent
+fit of trembling, and he dropped into the chair, muttering to
+himself and looking down wild-eyed at his twitching fingers.
+Then he began to laugh, high-pitched laughter, in little short
+peals.
+
+"Here!" cried the doctor sharply. "Drop that!"
+
+Crossing to Andrews, he grasped him by the shoulders and shook
+him roughly.
+
+The laughter ceased, and:
+
+"Send for the police," said Andrews in a queer, shaky voice.
+"Dinna fear but I'm ready. I'm only sorry it happened here."
+
+"You ought to be glad," said Dr. Kreener.
+
+There was a covert meaning in the words--a fact which penetrated
+even to the dulled intelligence of the Scotsman, for he glanced
+up haggardly at his friend.
+
+"You ought to be glad," repeated Dr. Kreener.
+
+Turning, he walked to the laboratory door and locked it. He next
+lowered all the blinds.
+
+"I pray that we have not been observed," he said, "but we must
+chance it."
+
+He mixed a drink for Andrews and himself. His quiet, decisive
+manner had had its effect, and Andrews was now more composed.
+Indeed, he seemed to be in a half-dazed condition; but he
+persistently kept his back turned to the crouching figure propped
+up against the settee.
+
+"If you think you can follow me," said Dr. Kreener abruptly, "I
+will show you the result of a recent experiment."
+
+Unlocking a cupboard, he took out a tiny figure some two inches
+long by one inch high, mounted upon a polished wooden pedestal.
+It was that of a guinea-pig. The flaky fur gleamed like the
+finest silk, and one felt that the coat of the minute creature
+would be as floss to the touch; whereas in reality it possessed
+the rigidity of steel. Literally one could have done it little
+damage with a hammer. Its weight was extraordinary.
+
+"I am learning new things about this process every day,"
+continued Dr. Kreener, placing the little figure upon a table.
+"For instance, while it seems to operate uniformly upon vegetable
+matter, there are curious modifications when one applies it to
+animal and mineral substances. I have now definitely decided
+that the result of this particular inquiry must never be
+published. You, Colquhoun, I believe, possess an example of the
+process, a tiger lily, I think? I must ask you to return it to
+me. Our late friend, Tcheriapin, wears a pink rose in his coat
+which I have treated in the same way. I am going to take the
+liberty of removing it."
+
+He spoke in the hard, incisive manner which I had heard him use
+in the lecture theatre, and it was evident enough that his design
+was to prepare Andrews for something which he contemplated.
+Facing the Scotsman where he sat hunched up in the big armchair,
+dully watching the speaker:
+
+"There is one experiment," said Dr. Kreener, speaking very
+deliberately, "which I have never before had a suitable
+opportunity of attempting. Of its result I am personally
+confident, but science always demands proof."
+
+His voice rang now with a note of repressed excitement. He
+paused for a moment, and then:
+
+"If you were to examine this little specimen very closely," he
+said, and rested his finger upon the tiny figure of the guinea-
+pig, "you would find that in one particular it is imperfect.
+Although a diamond drill would have to be employed to demonstrate
+the fact, the animal's organs, despite their having undergone a
+chemical change quite new to science, are intact, perfect down to
+the smallest detail. One part of the creature's structure alone
+defied my process. In short, dental enamel is impervious to it.
+This little animal, otherwise as complete as when it lived and
+breathed, has no teeth. I found it necessary to extract them
+before submitting the body to the reductionary process."
+
+He paused.
+
+"Shall I go on?" he asked.
+
+Andrews, to whose mind, I think, no conception of the doctor's
+project had yet penetrated, shuddered, but slowly nodded his
+head.
+
+Dr. Kreener glanced across the laboratory at the crouching
+figure of Tcheriapin, then, resting his hands upon Andrews's
+shoulders, he pushed him back in the chair and stared into his
+dull eyes.
+
+"Brace yourself, Colquhoun," he said tersely.
+
+Turning, he crossed to a small mahogany cabinet at the farther
+end of the room. Pulling out a glass tray he judicially selected
+a pair of dental forceps.
+
+
+
+
+II
+
+"THE BLACK MASS"
+
+
+
+Thus far the stranger's appalling story had progressed when that
+singular cloak in which hypnotically he had enwrapped me seemed
+to drop, and I found myself clutching the edge of the table and
+staring into the gray face of the speaker.
+
+I became suddenly aware of the babel of voices about me, of the
+noisome smell of Malay Jack's, and of the presence of Jack in
+person, who was inquiring if there were any further orders. I
+was conscious of nausea.
+
+"Excuse me," I said, rising unsteadily, "but I fear the
+oppressive atmosphere is affecting me."
+
+"If you prefer to go out," said my acquaintance, in that deep
+voice which throughout the dreadful story had rendered me
+oblivious of my surroundings, "I should be much favoured if you
+would accompany me to a spot not five hundred yards from here."
+
+Seeing me hesitate:
+
+"I have a particular reason for asking," he added.
+
+"Very well," I replied, inclining my head, "if you wish it. But
+certainly I must seek the fresh air."
+
+Going up the steps and out through the door above which the blue
+lantern burned, we came to the street, turned to the left, to the
+left again, and soon were threading that maze of narrow ways
+which complicates the map of Pennyfields.
+
+I felt somewhat recovered. Here, in the narrow but familiar
+highways the spell of my singular acquaintance lost much of its
+potency, and already I found myself doubting the story of Dr.
+Kreener and Tcheriapin. Indeed, I began to laugh at myself,
+conceiving that I had fallen into the hands of some comedian who
+was making sport of me; although why such a person should visit
+Malay Jack's was not apparent.
+
+I was about to give expression to these new and saner ideas when
+my companion paused before a door half hidden in a little alley
+which divided the back of a Chinese restaurant from the tawdry-
+looking establishment of a cigar merchant. He apparently held
+the key, for although I did not actually hear the turning of the
+lock I saw that he had opened the door.
+
+"May I request you to follow me?" came his deep voice out of the
+darkness. "I will show you something which will repay your
+trouble."
+
+Again the cloak touched me, but it was without entirely resigning
+myself to the compelling influence that I followed my mysterious
+acquaintance up an uncarpeted and nearly dark stair. On the
+landing above a gas lamp was burning, and opening a door
+immediately facing the stair the stranger conducted me into a
+barely furnished and untidy room.
+
+The atmosphere smelled like that of a pot-house, the odours of
+stale spirits and of tobacco mingling unpleasantly. As my guide
+removed his hat and stood there, a square, gaunt figure in his
+queer, caped overcoat, I secured for the first time a view of his
+face in profile; and found it to be startlingly unfamiliar. Seen
+thus, my acquaintance was another man. I realized that there was
+something unnatural about the long, white hair, the gray face;
+that the sharp outline of brow, nose, and chin was that of a much
+younger man than I had supposed him to be.
+
+All this came to me in a momentary flash of perception, for
+immediately my attention was riveted upon a figure hunched up on
+a dilapidated sofa on the opposite side of the room. It was that
+of a big man, bearded and very heavily built, but whose face
+was scarred as by years of suffering, and whose eyes confirmed
+the story indicated by the smell of stale spirits with which the
+air of the room was laden. A nearly empty bottle stood on a
+table at his elbow, a glass beside it, and a pipe lay in a saucer
+full of ashes near the glass.
+
+As we entered, the glazed eyes of the man opened widely and he
+clutched at the table with big red hands, leaning forward and
+staring horribly.
+
+Save for this derelict figure and some few dirty utensils and
+scattered garments which indicated that the apartment was used
+both as sleeping and living room, there was so little of interest
+in the place that automatically my wandering gaze strayed from
+the figure on the sofa to a large oil painting, unframed, which
+rested upon the mantelpiece above the dirty grate, in which the
+fire had become extinguished.
+
+I uttered a stifled exclamation. It was "A Dream at Dawn"--
+evidently the original painting!
+
+On the left of it, from a nail in the wall, hung a violin and
+bow, and on the right stood a sort of cylindrical glass case or
+closed jar, upon a wooden base.
+
+From the moment that I perceived the contents of this glass case
+a sense of fantasy claimed me, and I ceased to know where reality
+ended and mirage began.
+
+It contained a tiny and perfect figure of a man. He was arrayed
+in a beautifully fitting dress-suit such as a doll might have
+worn, and he was posed as if in the act of playing a violin,
+although no violin was present. At the elfin black hair and
+Mephistophelian face of this horrible, wonderful image, I stared
+fascinatedly.
+
+I looked and looked at the dwarfed figure of. . . Tcheriapin!
+
+All these impressions came to me in the space of a few hectic
+moments, when in upon my mental tumult intruded a husky whisper
+from the man on the sofa.
+
+"Kreener!" he said. "Kreener!"
+
+At the sound of that name, and because of the way in which it was
+pronounced, I felt my blood running cold. The speaker was
+staring straight at my companion.
+
+I clutched at the open door. I felt that there was still some
+crowning horror to come. I wanted to escape from that reeking
+room, but my muscles refused to obey me, and there I stood while:
+
+"Kreener!" repeated the husky voice, and I saw that the speaker
+was rising unsteadily to his feet.
+
+"You have brought him again. Why have you brought him again? He
+will play. He will play me a step nearer to Hell."
+
+"Brace yourself, Colquhoun," said the voice of my companion.
+"Brace yourself."
+
+"Take him awa'!" came in a sudden frenzied shriek. "Take him
+awa'! He's there at your elbow, Kreener, mockin' me, and
+pointing to that damned violin."
+
+"Here!" said the stranger, a high note of command in his voice.
+"Drop that! Sit down at once."
+
+Even as the other obeyed him, the cloaked stranger, stepping to
+the mantelpiece, opened a small box which lay there beside the
+glass case. He turned to me; and I tried to shrink away from
+him. For I knew--I knew--yet I loathed to look upon--what was in
+the box. Muffled as though reaching me through fog, I heard the
+words:
+
+"A perfect human body . . .in miniature. . . every organ intact by
+means of. . . process. . . rendered indestructible. Tcheriapin
+as he was in life may be seen by the curious ten thousand years
+hence. Incomplete. . . one respect. . . here in this box. . ."
+
+The spell was broken by a horrifying shriek from the man whom my
+companion had addressed as Colquhoun, and whom I could only
+suppose to be the painter of the celebrated picture which rested
+upon the mantelshelf.
+
+"Take him awa', Kreener! He is reaching for the violin!"
+
+Animation returned to me, and I fell rather than ran down the
+darkened stair. How I opened the street door I know not, but
+even as I stepped out into the squalid alleys of Pennyfields the
+cloaked figure was beside me. A hand was laid upon my shoulder.
+
+"Listen!" commanded a deep voice.
+
+Clearly, with an eerie sweetness, an evil, hellish beauty
+indescribable, the wailing of a Stradivarius violin crept to my
+ears from the room above. Slowly--slowly the music began, and my
+soul rose up in revolt.
+
+"Listen!" repeated the voice. "Listen! It is 'The Black Mass'!"
+
+
+
+
+
+
+THE DANCE OF THE VEILS
+
+
+
+
+
+I
+
+THE HOUSE OF THE AGAPOULOS
+
+
+
+Hassan came in and began very deliberately to light the four
+lamps. He muttered to himself and often smiled in the childish
+manner which characterizes some Egyptians. Hassan wore a red
+cap, and a white robe confined at the waist by a red sash. On
+his brown feet he wore loose slippers, also of red. He had good
+features and made a very picturesque figure moving slowly about
+his work.
+
+As he lighted lamp after lamp and soft illumination crept about
+the big room, because of the heavy shadows created the place
+seemed to become mysteriously enlarged. That it was an Eastern
+apartment cunningly devised to appeal to the Western eye, one
+familiar with Arab households must have seen at once. It was a
+traditional Oriental interior, a stage setting rather than the
+nondescript and generally uninteresting environment of the modern
+Egyptian at home.
+
+Brightly coloured divans there were and many silken cushions of
+strange pattern and design. The hanging lamps were of perforated
+brass with little coloured glass panels. In carved wooden
+cabinets stood beautiful porcelain jars, trays, and vessels of
+silver and copper ware. Rich carpets were spread about the
+floor, and the draperies were elegant and costly, while two deep
+windows projecting over the court represented the best period of
+Arab architecture. Their intricate carven woodwork had once
+adorned the palace of a Grand Wazir. Agapoulos had bought them
+in Cairo and had had them fitted to his house in Chinatown. A
+smaller brass lamp of very delicate workmanship was suspended in
+each of the recesses.
+
+As Hassan, having lighted the four larger lanterns, was
+proceeding leisurely to light the first of the smaller ones,
+draperies before a door at the east end of the room were parted
+and Agapoulos came in. Agapoulos was a short but portly Greek
+whom the careless observer might easily have mistaken for a Jew.
+He had much of the appearance of a bank manager, having the
+manners of one used to making himself agreeable, but also
+possessing the money-eye and that comprehensive glance which
+belongs to the successful man of commerce.
+
+Standing in the centre of the place he brushed his neat black
+moustache with a plump forefinger. A diamond ring which he wore
+glittered brilliantly in the coloured rays of the lanterns. With
+his right hand, which rested in his trouser pocket, he rattled
+keys. His glance roved about the room appraisingly. Walking to
+a beautifully carved Arab cabinet he rearranged three pieces of
+Persian copperware which stood upon it. He moved several
+cushions, and taking up a leopard skin which lay upon the floor
+he draped it over an ebony chair which was inlaid intricately
+with ivory.
+
+The drooping eyelids of M. Agapoulos drooped lower, as returning
+to the centre of the room he critically surveyed the effect of
+these master touches. At the moment he resembled a window-
+dresser, or, rather, one of those high-salaried artists who
+beautify the great establishments of Regent Street, the Rue de la
+Paix, and Ruination Avenue, New York.
+
+Hassan lighted the sixth lamp, muttering smilingly all the time.
+He was about to depart when Agapoulos addressed him in Arabic.
+
+"There will be a party down from the Savoy tonight, Hassan. No
+one else is to come unless I am told. That accursed red
+policeman, Kerry, has been about here of late. Be very careful."
+
+Hassan saluted him gravely and retired through one of the draped
+openings. In his hand he held the taper with which he had
+lighted the lamps. In order that the draperies should not be
+singed he had to hold them widely apart. For it had not occurred
+to Hassan to extinguish the taper. The Egyptian mind is complex
+in its simplicity.
+
+M. Agapoulos from a gold case extracted a cigarette, and lighting
+it, inhaled the smoke contentedly, looking about him. The
+window-dresser was lost again in the bank manager who has
+arranged a profitable overdraft. Somewhere a bell rang. Hassan,
+treading silently, reappeared, crossed the room, and opening a
+finely carved door walked along a corridor which it had
+concealed. He still carried the lighted taper.
+
+Presently there entered a man whose well-cut serge suit revealed
+the figure of a soldier. He wore a soft gray felt hat and
+carried light gloves and a cane. His dark face, bronzed by
+recent exposure to the Egyptian sun, was handsome in a saturnine
+fashion, and a touch of gray at the temples tended to enhance his
+good looks. He carried himself in that kind of nonchalant manner
+which is not only insular but almost insolent.
+
+M. Agapoulos bowed extravagantly. As he laid his plump hand upon
+his breast the diamond ring sparkled in a way most opulent and
+impressive.
+
+"I greet you, Major Grantham," he said. "Behold"--he waved his
+hand glitteringly--"all is prepared."
+
+"Oh, yes," murmured the other, glancing around without interest;
+"good. You are beginning to get straight in your new quarters."
+
+Agapoulos extended the prosperous cigarette-case, and Major
+Grantham took and lighted a superior cigarette.
+
+"How many in the party?" inquired the Greek smilingly.
+
+"Three and myself."
+
+A shadow of a frown appeared upon the face of Agapoulos.
+
+"Only three," he muttered.
+
+Major Grantham laughed.
+
+"You should know me by this time, Agapoulos," he said. "The
+party is small but exclusive, you understand?"
+
+He spoke wearily, as a tired man speaks of distasteful work which
+he must do. There was contempt in his voice; contempt of
+Agapoulos, and contempt of himself.
+
+"Ah!" cried the Greek, brightening; "do I know any of them?"
+
+"Probably. General Sir Francis Payne, Mr. Eddie, and Sir Horace
+Tipton."
+
+"An Anglo-American party, eh?"
+
+"Quite. Mr. Eddie is the proprietor of the well-known group of
+American hotels justly celebrated for their great height and
+poisonous cuisine; while Sir Horace Tipton alike as sportsman,
+globe-trotter, and soap manufacturer, is characteristically
+British. Of General Sir Francis Payne I need only say that his
+home services during the war did incalculable harm to our
+prestige throughout the Empire."
+
+He spoke with all the bitterness of a man who has made a failure
+of life. Agapoulos was quite restored to good humour.
+
+"Ah!" he exclaimed, brushing his moustache and rattling his keys;
+"sportsmen, eh?"
+
+Major Grantham dropped into the carven chair upon which the Greek
+had draped the leopard skin. Momentarily the window-dresser
+leapt into life as Agapoulos beheld one of his cunning effects
+destroyed, but he forced a smile when Grantham, shrugging his
+shoulders, replied:
+
+"If they are fools enough to play--the usual 5 per cent, on the
+bank's takings."
+
+He paused, glancing at some ash upon the tip of his cigarette.
+Agapoulos swiftly produced an ashtray and received the ash on it
+in the manner of a churchwarden collecting half a crown from a
+pew-holder.
+
+"I think," continued Grantham indifferently, "that it will be the
+dances. Two of them are over fifty."
+
+"Ah!" said Agapoulos thoughtfully; "not, of course, the ordinary
+programme?"
+
+Major Grantham looked up at him with lazy insolence.
+
+"Why ask?" he inquired. "Does Lucullus crave for sausages? Do
+philosophers play marbles?"
+
+He laughed again, noting the rather blank look of Agapoulos.
+
+"You don't know what I'm talking about, do you?" he added. "I
+mean to say that these men have been everywhere and done
+everything. They have drunk wine sweet and sour and have
+swallowed the dregs. I am bringing them. It is enough."
+
+"More than enough," declared the Greek with enthusiasm. He
+bowed, although Grantham was not looking at him. "In the little
+matter of fees I can rely upon your discretion, as always. Is it
+not said that a good dragoman is a desirable husband?"
+
+Major Grantham resettled himself in his chair.
+
+"M. Agapoulos," he said icily, "we have done shady business
+together for years, both in Port Said and in London, and have
+remained the best of friends; two blackguards linked by our
+common villainy. But if this pleasant commercial acquaintance is
+to continue let there be no misunderstanding between us, M.
+Agapoulos. I may know I'm a dragoman; but in future, old
+friend"--he turned lazy eyes upon the Greek--"for your guidance,
+don't remind me of the fact or I'll wring your neck."
+
+The drooping eyelids of M. Agapoulos flickered significantly, but
+it was with a flourish more grand than usual that he bowed.
+
+"Pardon, pardon," he murmured. "You speak harshly of yourself,
+but ah, you do not mean it. We understand each other, eh?"
+
+"I understand you perfectly," drawled Grantham; "I was merely
+advising you to endeavour to understand me. My party will arrive
+at nine o'clock, Agapoulos, and I am going back to the Savoy
+shortly to dress. Meanwhile, if Hassan would bring me a whisky
+and soda I should be obliged."
+
+"Of course, of course. He shall do so at once," cried Agapoulos.
+"I will tell him."
+
+Palpably glad to escape, the fat Greek retired, leaving Major
+Grantham lolling there upon the leopard skin, his hat, cane and
+gloves upon the carpet beside him; and a few moments later Hassan
+the silent glided into the extravagant apartment bearing
+refreshments. Placing his tray upon a little coffee-table beside
+Major Grantham, he departed.
+
+There was a faint smell of perfume in the room, a heavy
+voluptuous smell in which the odour of sandal-wood mingled with
+the pungency of myrrh. It was very silent, so that when Grantham
+mixed a drink the pleasant chink of glass upon glass rang out
+sharply.
+
+
+
+
+II
+
+ZAHARA
+
+
+
+Zahara had overheard the latter part of the conversation from her
+own apartment. Once she had even crept across to the carven
+screen in order that she might peep through into the big, softly
+lighted room. She had interrupted her toilet to do so, and
+having satisfied herself that Grantham was one of the speakers
+(although she had really known this already), she had returned
+and stared at herself critically in the mirror.
+
+Zahara, whose father had been a Frenchman, possessed skin of a
+subtle cream colour very far removed from the warm brown of her
+Egyptian mother, but yet not white. At night it appeared
+dazzling, for she enhanced its smooth, creamy pallor with a
+wonderful liquid solution which came from Paris. It was hard,
+Zahara had learned, to avoid a certain streaky appearance, but
+much practice had made her an adept.
+
+This portion of her toilet she had already completed and studying
+her own reflection she wondered, as she had always wondered, what
+Agapoulos could see in Safiyeh. Safiyeh was as brown as a berry;
+quite pretty for an Egyptian girl, as Zahara admitted scornfully,
+but brown--brown. It was a great puzzle to Zahara. The mystery
+of life indeed had puzzled little Zahara very much from the
+moment when she had first begun to notice things with those big,
+surprising blue eyes of hers, right up to the present twenty-
+fourth year of her life. She had an uneasy feeling that Safiyeh,
+who was only sixteen, knew more of this mystery than she did.
+Once, shortly after the Egyptian girl had come to the house of
+Agapoulos, Zahara had playfully placed her round white arm
+against that of the more dusky beauty, and:
+
+"Look!" she had exclaimed. "I am cream and you are coffee."
+
+"It is true," the other had admitted in her practical, serious
+way, "but some men do not like cream. All men like coffee."
+
+Zahara rested her elbows upon the table and surveyed the
+reflection of her perfect shoulders with disapproval. She had
+been taught at her mother's knee that men did not understand
+women, and she, who had been born and reared in that quarter of
+Cairo where there is no day but one long night, had lived to
+learn the truth of the lesson. Yet she was not surprised that
+this was so; for Zahara did not understand herself. Her desires
+were so simple and so seemingly natural, yet it would appear that
+they were contrary to the established order of things.
+
+She was proud to think that she was French, although someone had
+told her that the French, though brave, were mercenary. Zahara
+admired the French for being brave, and thought it very sensible
+that they should be mercenary. For there was nothing that Zahara
+wanted of the world that money could not obtain (or so she
+believed), and she knew no higher philosophy than the quest of
+happiness. Because others did not seem to share this philosophy
+she often wondered if she could be unusual. She had come to the
+conclusion that she was ignorant. If only Harry Grantham would
+talk to her she felt sure he could teach her so much.
+
+There were so many things that puzzled her. She knew that at
+twenty-four she was young for a French girl, although as an
+Egyptian she would have been considered old. She had been taught
+that gold was the key to happiness and that man was the ogre from
+whom this key must be wheedled. A ready pupil, Zahara had early
+acquired the art of attracting, and now at twenty-four she was a
+past mistress of the Great Craft, and as her mirror told her,
+more beautiful than she had ever been.
+
+Therefore, what did Agapoulos see in Safiyeh?
+
+It was a problem which made Zahara's head ache. She could not
+understand why as her power of winning men increased her power to
+hold them diminished. Safiyeh was a mere inexperienced child--
+yet Agapoulos had brought her to the house, and Zahara, wise in
+woman's lore, had recognized the familiar change of manner.
+
+It was a great problem, the age-old problem which doubtless set
+the first silver thread among Phryne's red-gold locks and which
+now brought a little perplexed wrinkle between Zahara's
+delicately pencilled brows.
+
+It had not always been so. In those early days in Cairo there
+had been an American boy. Zahara had never forgotten. Her
+beauty had bewildered him. He had wanted to take her to New
+York; and oh! how she had wanted to go. But her mother, who was
+then alive, had held other views, and he had gone alone.
+Heavens! How old she felt. How many had come and gone since
+that Egyptian winter, but now, although admiration was fatally
+easy to win how few were so sincere as that fresh-faced boy from
+beyond the Atlantic.
+
+Zahara, staring into the mirror, observed that there was not a
+wrinkle upon her face, not a flaw upon her perfect skin. Nor in
+this was she blinded by vanity. Nature, indeed, had cast her in
+a rare mould, and from her unusual hair, which was like dull
+gold, to her slender ankles and tiny feet, she was one of the
+most perfectly fashioned human beings who ever added to the
+beauty of the world.
+
+Yet Agapoulos preferred Safiyeh. Zahara could hear him coming to
+her room even as she sat there, chin in hands, staring at her own
+bewitching reflection. Presently she would slip out and speak to
+Harry Grantham. Twice she had read in his eyes that sort of
+interest which she knew so well how to detect. She liked him
+very much, but because of a sense of loyalty to Agapoulos (a
+sentiment purely Egyptian which she longed to crush) Zahara had
+never so much as glanced at Grantham in the Right Way. She was
+glad, though, that he had not gone, and she hoped that Agapoulos
+would not detain her long.
+
+As a matter of fact, the Greek's manner was even more cold than
+usual. He rested his hand upon her shoulder for a moment, and
+meeting her glance reflected in the mirror:
+
+"There will be a lot of money here to-night," he said. "Make the
+best of your opportunities. Chinatown is foggy, yes--but it pays
+better than Port Said."
+
+He ran fat fingers carelessly through her hair, the big diamond
+glittering effectively in the wavy gold, then turned and went
+out. Sitting listening intently, Zahara could hear him talking
+in a subdued voice to Safiyeh, and could detect the Egyptian's
+low-spoken replies.
+
+*****
+
+Grantham looked up with a start. A new and subtle perfume had
+added itself to that with which the air of the room was already
+laden. He found Zahara standing beside him.
+
+His glance travelled upward from a pair of absurdly tiny brocaded
+shoes past slender white ankles to the embroidered edge of a
+wonderful mandarin robe decorated with the figures of peacocks;
+upward again to a little bejewelled hand which held the robe
+confined about the slender figure of Zahara, and upward to where,
+sideways upon a bare shoulder peeping impudently out from Chinese
+embroidery, rested the half-mocking and half-serious face of the
+girl.
+
+"Hallo!" he said, smiling, "I didn't hear you come in."
+
+"I walk very soft," explained Zahara, "because I am not supposed
+to be here."
+
+She looked at him quizzically. "I don't see you for a long
+time," she added, and in the tone of her voice there was a
+caress. "I saw you more often in Port Said than here."
+
+"No," replied Grantham, "I have been giving Agapoulos a rest.
+Besides, there has been nobody worth while at any of the hotels
+or clubs during the last fortnight."
+
+"Somebody worth while coming to-night?" asked Zahara with
+professional interest.
+
+At the very moment that she uttered the words she recognized her
+error, for she saw Grantham's expression change. Yet to her
+strange soul there was a challenge in his coldness and the joy of
+contest in the task of melting the ice of this English reserve.
+
+"Lots of money," he said bitterly; "we shall all do well to-
+night."
+
+Zahara did not reply for a moment. She wished to close this line
+of conversation which inadvertently she had opened up. So that,
+presently:
+
+"You look very lonely and bored," she said softly.
+
+As a matter of fact, it was she who was bored of the life she led
+in Limehouse--in chilly, misty Limehouse--and who had grown so
+very lonely since Safiyeh had come. In the dark gray eyes
+looking up at her she read recognition of her secret. Here was a
+man possessing that rare masculine attribute, intuition. Zahara
+knew a fear that was half delightful. Fear because she might
+fail in either of two ways and delight because the contest was
+equal.
+
+"Yes," he replied slowly, "my looks tell the truth. How did you
+know?"
+
+Zahara observed that his curiosity had not yet become actual
+interest. She toyed with the silken tassel on her robe, tying and
+untying it with quick nervous fingers and resting the while
+against the side of the carved chair.
+
+"Perhaps because I am so lonely myself," she said. "I matter to
+no one. What I do, where I go, if I live or die. It is all----"
+
+She spread her small hands eloquently and shrugged so that
+another white shoulder escaped from the Chinese wrapping.
+Thereupon Zahara demurely drew her robe about her with a naive
+air of modesty which nine out of ten beholding must have supposed
+to be affected.
+
+In reality it was a perfectly natural, instinctive movement. To
+Zahara her own beauty was a commonplace to be displayed or
+concealed as circumstances might dictate. In a certain sense,
+which few could appreciate, this half-caste dancing girl and
+daughter of El Wasr was as innocent as a baby. It was one of the
+things which men did not understand. She thought that if Harry
+Grantham asked her to go away with him it would be nice to go.
+Suddenly she realized how deep was her loathing of this Limehouse
+and of the people she met there, who were all alike.
+
+He sat looking at her for some time, and then: "Perhaps you are
+wrong," he said. "There may be some who could understand."
+
+And because he had answered her thoughts rather than her words,
+the fear within Zahara grew greater than the joy of the contest.
+
+Awhile longer she stayed, seeking for a chink in the armour. But
+she failed to kindle the light in his eyes which--unless she had
+deluded herself--she had seen there in the past; and because she
+failed and could detect no note of tenderness in his impersonal
+curiosity:
+
+"You are lonely because you are so English, so cold," she
+exclaimed, drawing her robe about her and glancing sideways
+toward the door by which Agapoulos might be expected to enter.
+"You are bored, yes. Of course. You look on at life. It is not
+exciting, that game--except for the players."
+
+Never once had she looked at him in the Right Way; for to have
+done so and to have evoked only that amused yet compassionate
+smile would have meant hatred, and Zahara had been taught that
+such hatred was fatal because it was a confession of defeat.
+
+"I shall see you again to-night, shall I not?" he said as she
+turned away.
+
+"Oh, yes, I shall be--on show. I hope you will approve."
+
+She tossed her head like a petulant child, turned, and with never
+another glance in his direction, walked from the room. She was
+very graceful, he thought.
+
+Yet it was not entirely of this strange half-caste, whose beauty
+was provoking, although he resolutely repelled her tentative
+advances, that Grantham was thinking. In that last gesture when
+she had scornfully tossed her head in turning aside, had lain a
+bitter memory. Grantham stood for a moment watching the swaying
+draperies. Then, dropping the end of his cigarette into a little
+brass ash-tray, he took up his hat, gloves, and cane from the
+floor, and walked toward the doorway through which he had
+entered.
+
+A bell rang somewhere, and Grantham paused. A close observer
+might have been puzzled by his expression. Evidently changing
+his mind, he crossed the room, opened the door and went out,
+leaving the house of Agapoulos by a side entrance. Crossing the
+little courtyard below he hurried in the direction of the main
+street, seeming to doubt the shadows which dusk was painting in
+the narrow ways.
+
+Many men who know Chinatown distrust its shadows, but the furtive
+fear of which Grantham had become aware was due not to
+anticipation but to memory--to a memory conjured up by that
+gesture of Zahara's.
+
+There were few people in London or elsewhere who knew the history
+of this scallywag Englishman. That he had held the King's
+commission at some time was generally assumed to be the fact, but
+that his real name was not Grantham equally was taken for
+granted. His continuing, nevertheless, to style himself "Major"
+was sufficient evidence to those interested that Grantham lived
+by his wits; and from the fact that he lived well and dressed
+well one might have deduced that his wits were bright if his
+morals were turbid.
+
+Now, the gesture of a woman piqued had called up the deathless
+past. Hurrying through nearly empty squalid streets, he found
+himself longing to pronounce a name, to hear it spoken that he
+might linger over its bitter sweetness. To this longing he
+presently succumbed, and:
+
+"Inez," he whispered, and again more loudly, "Inez."
+
+Such a wave of lonely wretchedness and remorse swept up about his
+heart that he was almost overwhelmed by it, yet he resigned
+himself to its ruthless cruelty with a sort of savage joy. The
+shadowed ways of Limehouse ceased to exist for him, and in spirit
+he stood once more in a queer, climbing, sunbathed street of
+Gibraltar looking out across that blue ribbon of the Straits to
+where the African coast lay hidden in the haze.
+
+"I never knew," he said aloud. And one meeting this man who
+hurried along and muttered to himself must have supposed him to
+be mad. "I never knew. Oh, God! if I had only known."
+
+But he was one of those to whom knowledge comes as a bitter
+aftermath. When his regiment had received orders to move from
+the Rock, and he had informed Inez of his departure, she had
+turned aside, just as Zahara had done; scornfully and in silence.
+Because of his disbelief in her he had guarded his heart against
+this beautiful Spanish girl who (as he realized too late) had
+brought him the only real happiness he had ever known. Often she
+had told him of her brother, Miguel, who would kill her--would
+kill them both--if he so much as suspected their meetings; of her
+affianced husband, absent in Tunis, whose jealousy knew no
+bounds.
+
+He had pretended to believe, had even wanted to believe; but the
+witchery of the girl's presence removed, he had laughed--at
+himself and at Inez. She was playing the Great Game, skilfully,
+exquisitely. When he was gone--there would soon be someone else.
+Yet he had never told her that he doubted. He had promised many
+things--and had left her.
+
+She died by her own hand on the night of his departure.
+
+Now, as a wandering taxi came into view: "Inez!" he moaned--"I
+never knew."
+
+That brother whom he had counted a myth had succeeded in getting
+on board the transport. Before Grantham's inner vision the whole
+dreadful scene now was reenacted: the struggle in the stateroom;
+he even seemed to hear the sound of the shot, to see the
+Spaniard, drenched with blood from a wound in his forehead, to
+hear his cry:
+
+"I cannot see! I cannot see! Mother of Mercy! I have lost my
+sight!"
+
+It had broken Grantham. The scandal was hushed up, but
+retirement was inevitable. He knew, too, that the light had gone
+out of the world for him as it had gone for Miguel da Mura.
+
+It is sometimes thus that a scallywag is made.
+
+
+
+
+IV
+
+THE STAR OF EGYPT
+
+
+
+As Grantham went out by the side door, Hassan, soft of foot,
+appeared. Crossing to the main door he opened it and walked down
+the narrow corridor beyond. Presently came the tap, tap, tap of
+a stick and a sound of muttered conversation in some place below.
+
+Hassan reentered and went in through the curtained doorway to
+summon Agapoulos. Agapoulos was dressing and would not be
+disturbed. Hassan went back to those who waited, but ere long
+returned again chattering volubly to himself. Going behind the
+carven screen he rapped upon the door of Zahara's room, and she
+directed him to come in. To Zahara, Hassan was no more than a
+piece of furniture, and she thought as little of his intruding
+while she was in the midst of her toilet as another woman would
+have thought of the entrance of a maid.
+
+"Two men," reported Hassan, "who won't go away until they see
+somebody."
+
+"Whom do they want to see?" she inquired indifferently, adjusting
+the line of her eyebrow with an artistically pointed pencil.
+
+"They say whoever belongs here."
+
+Zahara invariably spoke either French or English to natives, and
+if Hassan had addressed her in Arabic she would not have replied,
+although she spoke that language better than she spoke any other.
+
+"What are they like? Not--police?"
+
+"Foreign," replied Hassan vaguely.
+
+"English--American?"
+
+"No, not American or English. Very black hair, dark skin."
+
+Zahara, a student of men, became aware of a mild interest. These
+swarthy visitors should prove an agreeable antidote to the
+poisonous calm of Harry Grantham. She was trying with all the
+strength of her strange, stifled soul not to think of Grantham,
+and she was incapable of recognizing the fact that she could
+think of nothing else and had thought of little else for a long
+time past. Even now it was because of him that she determined to
+interview the foreign visitors. The mystery of her emotions
+puzzled her more than ever.
+
+She descended to a small, barely furnished room on the ground
+floor, close beside the door opening upon the street. It was
+lighted by one hanging lamp. On the divan which constituted the
+principal item of furniture a small man, slenderly built, was
+sitting. He wore a broad-brimmed hat, so broad of brim that it
+threw the whole of the upper part of his face into shadow. It
+was impossible to see his eyes. Beside him rested a heavy
+walking-stick.
+
+As Zahara entered, a wonderful, gaily coloured figure, this man
+did not move in the slightest, but sat, chin on breast, his
+small, muscular, brown hands resting on his knees. His
+companion, however, a person of more massive build, elegantly
+dressed and handsome in a swarthy fashion, bowed gravely and
+removed his hat. Zahara liked his eyes, which were dark and very
+bold looking.
+
+"M. Agapoulos is engaged," she said, speaking in French. "What
+is it you wish to know?"
+
+The man regarded her fixedly, and:
+
+"Senorita," he replied, "I will be frank with you."
+
+Save for his use of the word "senorita" he also spoke in French.
+Zahara drew her robe more closely about her and adopted her most
+stately manner.
+
+"My name," continued the other, "does not matter, but my business
+is to look into the affairs of other people, you understand?"
+
+Zahara, who understood from this that the man was some kind of
+inquiry agent, opened her blue eyes very widely and at the same
+time shook her head.
+
+"No," she protested; "what do you mean?"
+
+"A certain gentleman came here a short time ago, came into this
+house and must be here now. Don't be afraid. He has done
+nothing very dreadful," he added reassuringly.
+
+Zahara retreated a step, and a little wrinkle of disapproval
+appeared between her pencilled brows. She no longer liked the
+man's eyes, she decided. They were deceitful eyes. His
+companion had taken up the heavy stick and was restlessly tapping
+the floor.
+
+"There is no one here," said Zahara calmly, "except the people
+who live in the house."
+
+"He is here, he is here," muttered the man seated on the divan.
+
+The tapping of his stick had grown more rapid, but as he had
+spoken in Spanish, Zahara, who was ignorant of that language, had
+no idea what he had said.
+
+"My friend," continued the Spaniard, bowing slightly in the
+direction of the slender man who so persistently kept his broad-
+brimmed hat on his head, "chanced to hear the voice of this
+gentleman as he spoke to your porter on entering the door. And
+although the door was closed too soon for us actually to see him,
+we are convinced that he is the person we seek."
+
+"I think you are mistaken," said Zahara coolly. "But what do you
+want him for?"
+
+As she uttered the words she realized that even the memory of
+Grantham was sufficient to cause her to betray herself. She had
+betrayed her interest to the man himself, and now she had
+betrayed it to this dark-faced stranger whose manner was so
+mysterious. The Spaniard recognized the fact, and, unlike
+Grantham, acted upon it promptly.
+
+"He has taken away the wife of another, Senorita," he said
+simply, and watched her as he spoke the lie.
+
+She listened in silence, wide-eyed. Her lower lip twitched, and
+she bit it fiercely.
+
+"He went first to Port Said and then came to London with this
+woman," continued the Spaniard remorselessly. "We come from her
+husband to ask her to return. Yes, he will forgive her--or he
+offers her freedom."
+
+Rapidly but comprehensively the speaker's bold glance travelled
+over Zahara, from her golden head to her tiny embroidered shoes.
+
+"If you can help us in this matter it will be worth fifty English
+pounds to you," he concluded.
+
+Zahara was breathing rapidly. The fatal hatred which she had
+sought to stifle gained a new vitality. Another woman--another
+woman actually here in London! So there was someone upon whom he
+did not look in that half-amused and half-compassionate manner.
+How she hated him! How she hated the woman to whom he had but a
+moment ago returned!
+
+"Then he will marry this other one?" she said suddenly.
+
+"Oh, no. Already he neglects her. We think she will go back."
+
+Zahara experienced a swift change of sentiment. She seemed to be
+compounded of two separate persons, one of whom laughed cruelly
+at the folly of the other.
+
+"What is the name of this man you think your friend has
+recognized?" she asked.
+
+The big stick was rapping furiously during this colloquy.
+
+"We are both sure, Senorita. His name is Major Spalding."
+
+That Spalding and Grantham were neighbouring towns in
+Lincolnshire Zahara did not know, but:
+
+"No one of that name comes here," she replied.
+
+"The one you heard and--who has gone--is not called by that
+name." She spoke with forced calm. It was Grantham they sought!
+"But what happens if I show you this one who is not called
+Spalding?"
+
+"No matter! Point him out to me," answered the Spaniard eagerly
+--and his dark eyes seemed to be on fire--"point him out to me
+and fifty pounds of English money is yours!"
+
+"Let me see."
+
+He drew out a wallet and held up a number of notes.
+
+"Fifty," he said, in a subdued voice, "when you point him out."
+
+For a long moment Zahara hesitated, then:
+
+"Sixty," she corrected him--"now! Then I will do it to-night--if
+you tell what happens."
+
+Exhibiting a sort of eager impatience the man displayed a bunch
+of official-looking documents.
+
+"I give him these," he explained, "and my work is done."
+
+"H'm," said Zahara. "He must not know that it is I who have
+shown him to you. To-night he will be here at nine o'clock, and
+I shall dance. You understand?"
+
+"Then," said the Spaniard eagerly, "this is what you will do."
+
+And speaking close to her ear he rapidly outlined a plan; but
+presently she interrupted him.
+
+"Pooh! It is Spanish, the rose. I dance the dances of Egypt."
+
+"But to-night," he persisted, "it will not matter."
+
+Awhile longer they talked, the rapping of the stick upon the
+tiled floor growing ever faster and faster. But finally:
+
+"I will tell Hassan that you are to be admitted," said Zahara,
+and she held out her hand for the notes.
+
+When, presently, the visitors departed, she learned that the
+smaller man was blind; for his companion led him out of the room
+and out of the house. She stood awhile listening to the tap,
+tap, tap of the heavy stick receding along the street. What she
+did not hear, and could not have understood had she heard, since
+it was uttered in Spanish, was the cry of exultant hatred which
+came from the lips of the taller man:
+
+"At last, Miguel! at last! Though blind, you have found him!
+You have not failed. I shall not fail!"
+
+*****
+
+Zahara peeped through the carved screen at the assembled company.
+They were smoking and drinking and seemed to be in high good
+humour. Safiyeh had danced and they had applauded the
+performance, but had complained to M. Agapoulos that they had
+seen scores of such dances and dancers. Safiyeh, who had very
+little English, had not understood this, and because presently
+she was to play upon the a'ood while Zahara danced the Dance of
+the Veils, Zahara had avoided informing her of the verdict of the
+company.
+
+Now as she peeped through the lattice in the screen she could see
+the Greek haggling with Grantham and a tall gray-haired man whom
+she supposed to be Sir Horace Tipton. They were debating the
+additional fees to be paid if Zahara, the Star of Egypt, was to
+present the secret and wonderful dance of which all men had heard
+but which only a true daughter of the ancient tribe of the
+Ghawazi could perform.
+
+Sometimes Zahara was proud of her descent from a dancing-girl of
+Kenneh. This was always at night, when a sort of barbaric
+excitement possessed her which came from the blood of her mother.
+Then, a new light entered her eyes and they seemed to grow long
+and languid and dark, so that no one would have suspected that in
+daylight they were blue.
+
+A wild pagan abandon claimed her, and she seemed to hear the
+wailing of reed instruments and the throb of the ancient drums
+which were played of old before the kings of Egypt. Safiyeh was
+not a true dancing girl, and because she knew none of those fine
+frenzies, she danced without inspiration, like a brown puppet
+moved by strings. But she could play upon an a'ood much better
+than Zahara, and therefore must not be upset until she had played
+for the Dance of the Veils.
+
+Seeing that the bargain was all but concluded, Zahara stole back
+to her room. Her lightly clad body gleamed like that of some
+statue become animate.
+
+Her cheeks flushed as she took up the veils, of which she alone
+knew the symbolic meaning; the white veil, the purple veil: each
+had its story to tell her; and the veil of burning scarlet. In a
+corner of the big room on a divan near the door she had seen the
+Spaniard, a handsome, swarthy figure in his well-fitting dress
+clothes, and now, opening a drawer, she glanced at the little
+pile of notes which represented her share of the bargain. There
+were fifty. She had told Agapoulos that a distinguished
+foreigner with an introduction from someone she knew had paid ten
+pounds to be present. And because she had given Agapoulos the
+ten pounds, Agapoulos had agreed to admit the visitor.
+
+She could hear the Greek approaching now, but she was thinking of
+Grantham whom she had last seen in laughing conversation with the
+tall, gray-haired man. His laughter had appeared forced.
+Doubtless he grew weary of the woman he had brought to London.
+
+"Dance to-night with all the devil that is in you, my beautiful,"
+said Agapoulos, hurrying into the room.
+
+Zahara turned aside, toying with the veils.
+
+"They are rich, eh?" she said indifferently.
+
+She was thinking of the fifty pounds which she had earned so
+easily; and after all (how strangely her mind wandered) perhaps
+he was really tired of the woman. The Spaniard had said so.
+
+"Very rich," murmured Agapoulos complacently.
+
+He brushed his moustache and rattled keys in his pocket. In his
+dress clothes he looked like the manager of a prosperous picture
+palace. "Safryeh!" he called.
+
+When presently the music commenced, the players concealed behind
+the tall screen, an expectant hush fell upon the wine-flushed
+company. Hassan, who played the darabukkeh, could modulate its
+throbbing so wonderfully.
+
+Zahara entered the room, enveloped from shoulders to ankles in a
+flame-coloured cloak. Between her lips she held a red rose.
+
+"By God, what a beauty!" said a husky voice.
+
+Zahara did not know which of the party had spoken, but she was
+conscious of the fact that by virtue of the strange witchcraft
+which became hers on such nights she held them all spell-bound.
+They were her slaves.
+
+Slowly she walked across the apartment while the throbbing of the
+Arab drum grew softer and softer, producing a weird effect of
+space and distance. All eyes were fixed upon her, and meeting
+Grantham's gaze she saw at last the Light there which she knew.
+This sudden knowledge of triumph almost unnerved her, and the
+rose which she had taken from between her lips trembled in her
+white fingers. Two of the petals fell upon the carpet, which was
+cream-coloured from the looms of Ispahan. Like blood spots the
+petals lay upon the cream surface.
+
+Zahara swung sharply about. Agapoulos, seated alone in the chair
+over which he had draped the leopard skin, was busily brushing
+his moustache and glancing sideways toward the screen which
+concealed Safryeh. Zahara tilted her head on to her shoulder and
+cast a languorous glance into the shadows masking the watchful
+Spaniard.
+
+She could see his eyes gleaming like those of a wild beast. An
+icy finger seemed to touch her heart. He had lied to her! She
+knew it, suddenly, intuitively. Well, she would see. She also
+had guile.
+
+With a little scornful laugh Zahara tossed the rose on to the
+knees--of Agapoulos.
+
+The sound of three revolver shots fired in quick succession rang
+out above the throbbing music. Agapoulos clutched at his shirt
+front with both hands, uttered a stifled scream and tried to
+stand up. He coughed, and glaring straight in front of him fell
+forward across a little coffee table laden with champagne bottles
+and glasses.
+
+Coincident with the crash made by his falling body came the loud
+bang of a door. The Spaniard had gone.
+
+"By God, sir! It's murder, it's murder!" cried the same husky
+voice which had commented upon the beauty of Zahara.
+
+There was a mingling, purposeless movement. Someone ran to the
+door--to find that it was locked from the outside. Mr. Eddie,
+now recognizable by his accent, came toward the prone man, dazed,
+horrified, and grown very white. Zahara, a beautiful, tragic
+figure, in her flaming cloak, stood looking down at the dead man.
+Safiyeh was peeping round from behind the screen, her face a
+brown mask of terror. Hassan, holding his drum, appeared behind
+her, staring stupidly. To the smell of cigar smoke and perfume a
+new and acrid odour was added.
+
+Vaguely the truth was stealing in upon the mind of the dancing-
+girl that she had been made party to a plot to murder Grantham.
+She had saved his life. He belonged to her now. She could hear
+him speaking, although for some reason she could not see him. A
+haze had come, blotting out everything but the still, ungainly
+figure which lay so near her upon the carpet, one clutching, fat
+hand, upon which a diamond glittered, outstretched so that it
+nearly touched her bare white feet.
+
+"We must get out this way! The side door to the courtyard! None
+of us can afford to be mixed up in an affair of this sort."
+
+There was more confused movement and a buzz of excited voices--
+meaningless, chaotic. Zahara could feel the draught from the
+newly opened door. A thin stream of blood was stealing across
+the carpet. It had almost reached the fallen rose petals, which
+it strangely resembled in colour under the light of the lanterns.
+
+As though dispersed by the draught, the haze lifted, and Zahara
+saw Grantham standing by the open doorway through which he had
+ushered out the other visitors.
+
+Wide-eyed and piteous she met his glance. She had seen that
+night the Look in his eyes. She had saved his life, and there
+was much, so much, that she wanted to tell him. A thousand
+yearnings, inexplicable, hitherto unknown, deep mysteries of her
+soul, looked out of those great eyes.
+
+"Don't think," he said tensely, "that I was deceived. I saw the
+trick with the rose! You are as guilty as your villainous lover!
+Murderess!"
+
+He went out and closed the door. The flame-coloured cloak slowly
+slipped from Zahara's shoulders, and the veils, like falling
+petals, began to drop gently one by one upon the blood-stained
+carpet.
+
+
+
+
+
+
+THE HAND OF THE MANDARIN QUONG
+
+
+
+
+
+I
+
+THE SHADOW ON THE CURTAIN
+
+
+
+"Singapore is by no means herself again," declared Jennings,
+looking about the lounge of the Hotel de l'Europe. "Don't you
+agree, Knox?"
+
+Burton fixed his lazy stare upon the speaker.
+
+"Don't blame poor old Singapore," he said. "There is no spot in
+this battered world that I have succeeded in discovering which is
+not changed for the worse."
+
+Dr. Matheson flicked ash from his cigar and smiled in that
+peculiarly happy manner which characterizes a certain American
+type and which lent a boyish charm to his personality.
+
+"You are a pair of pessimists," he pronounced. "For some reason
+best known to themselves Jennings and Knox have decided upon a
+Busman's Holiday. Very well. Why grumble?"
+
+"You are quite right, Doctor," Jennings admitted. "When I was on
+service here in the Straits Settlements I declared heaven knows
+how often that the country would never see me again once I was
+demobbed. Yet here you see I am; Burton belongs here; but here's
+Knox, and we are all as fed up as we can be!"
+
+"Yes," said Burton slowly. "I may be a bit tired of Singapore.
+It's a queer thing, though, that you fellows have drifted back
+here again. The call of the East is no fable. It's a call that
+one hears for ever."
+
+The conversation drifted into another channel, and all sorts of
+topics were discussed, from racing to the latest feminine
+fashions, from ballroom dances to the merits and demerits of
+coalition government. Then suddenly:
+
+"What became of Adderley?" asked Jennings.
+
+There were several men in the party who had been cronies of ours
+during the time that we were stationed in Singapore, and at
+Jennings's words a sort of hush seemed to fall on those who had
+known Adderley. I cannot say if Jennings noticed this, but it
+was perfectly evident to me that Dr. Matheson had perceived it,
+for he glanced swiftly across in my direction in an oddly
+significant way.
+
+"I don't know," replied Burton, who was an engineer. "He was
+rather an unsavoury sort of character in some ways, but I heard
+that he came to a sticky end."
+
+"What do you mean?" I asked with curiosity, for I myself had
+often wondered what had become of Adderley.
+
+"Well, he was reported to his C. O., or something, wasn't he,
+just before the time for his demobilization? I don't know the
+particulars; I thought perhaps you did, as he was in your
+regiment."
+
+"I have heard nothing whatever about it," I replied.
+
+"You mean Sidney Adderley, the man who was so indecently rich?"
+someone interjected. "Had a place at Katong, and was always
+talking about his father's millions?"
+
+"That's the fellow."
+
+"Yes," said Jennings, "there was some scandal, I know, but it was
+after my time here."
+
+"Something about an old mandarin out Johore Bahru way, was it
+not?" asked Burton. "The last thing I heard about Adderley was
+that he had disappeared."
+
+"Nobody would have cared much if he had," declared Jennings. "I
+know of several who would have been jolly glad. There was a lot
+of the brute about Adderley, apart from the fact that he had more
+money than was good for him. His culture was a veneer. It was
+his check-book that spoke all the time."
+
+"Everybody would have forgiven Adderley his vulgarity," said Dr.
+Matheson, quietly, "if the man's heart had been in the right
+place."
+
+"Surely an instance of trying to make a silk purse out of a sow's
+ear," someone murmured.
+
+Burton gazed rather hard at the last speaker.
+
+"So far as I am aware," he said, "the poor devil is dead, so go
+easy."
+
+"Are you sure he is dead?" asked Dr. Matheson, glancing at
+Burton in that quizzical, amused way of his.
+
+"No, I am not sure; I am merely speaking from hearsay. And now I
+come to think of it, the information was rather vague. But I
+gathered that he had vanished, at any rate, and remembering
+certain earlier episodes in his career, I was led to suppose that
+this vanishing meant------"
+
+He shrugged his shoulders significantly.
+
+"You mean the old mandarin?" suggested Dr. Matheson.
+
+"Yes."
+
+"Was there really anything in that story, or was it suggested by
+the unpleasant reputation of Adderley?" Jennings asked.
+
+"I can settle any doubts upon that point," said I; whereupon I
+immediately became a focus of general attention.
+
+"What! were you ever at that place of Adderley's at Katong?"
+asked Jennings with intense curiosity.
+
+I nodded, lighting a fresh cigarette in a manner that may have
+been unduly leisurely.
+
+"Did you see her?"
+
+Again I nodded.
+
+"Really!"
+
+"I must have been peculiarly favoured, but certainly I had that
+pleasure."
+
+"You speak of seeing her," said one of the party, now entering the
+conversation for the first time. "To whom do you refer?"
+
+"Well," replied Burton, "it's really a sort of fairy tale--unless
+Knox"--glacing across in my direction--"can confirm it. But
+there was a story current during the latter part of Adderley's
+stay in Singapore to the effect that he had made the acquaintance
+of the wife, or some member of the household, of an old gentleman
+out Johore Bahru way--sort of mandarin or big pot among the
+Chinks."
+
+"It was rumoured that he had bolted with her," added another
+speaker.
+
+"I think it was more than a rumour."
+
+"Why do you say so?"
+
+"Well, representations were made to the authorities, I know for
+an absolute certainty, and I have an idea that Adderley was
+kicked out of the Service as a consequence of the scandal which
+resulted."
+
+"How is it one never heard of this?"
+
+"Money speaks, my dear fellow," cried Burton, "even when it is
+possessed by such a peculiar outsider as Adderley. The thing was
+hushed up. It was a very nasty business. But Knox was telling
+us that he had actually seen the lady. Please carry on, Knox,
+for I must admit that I am intensely curious."
+
+"I can only say that I saw her on one occasion."
+
+"With Adderley?"
+
+"Undoubtedly."
+
+"Where?"
+
+"At his place at Katong."
+
+"I even thought his place at that resort was something of a
+myth," declared Jennings. "He never asked me to go there, but,
+then, I took that as a compliment. Pardon the apparent innuendo,
+Knox," he added, laughing. "But you say you actually visited the
+establishment?"
+
+"Yes," I replied slowly, "I met him here in this very hotel one
+evening in the winter of '15, after the natives' attempt to
+mutiny. He had been drinking rather heavily, a fact which he was
+quite unable to disguise. He was never by any means a real
+friend of mine; in fact, I doubt that he had a true friend in the
+world. Anyhow, I could see that he was lonely, and as I chanced
+to be at a loose end I accepted an invitation to go over to what
+he termed his 'little place at Katong.'
+
+"His little place proved to be a veritable palace. The man
+privately, or rather, secretly, to be exact, kept up a sort of
+pagan state. He had any number of servants. Of course he became
+practically a millionaire after the death of his father, as you
+will remember; and given more congenial company, I must confess
+that I might have spent a most enjoyable evening there.
+
+"Adderley insisted upon priming me with champagne, and after a
+while I may as well admit that I lost something of my former
+reserve, and began in a fashion to feel that I was having a
+fairly good time. By the way, my host was not quite frankly
+drunk. He got into that objectionable and dangerous mood which
+some of you will recall, and I could see by the light in his eyes
+that there was mischief brewing, although at the time I did not
+know its nature.
+
+"I should explain that we were amusing ourselves in a room which
+was nearly as large as the lounge of this hotel, and furnished in
+a somewhat similar manner. There were carved pillars and stained
+glass domes, a little fountain, and all those other peculiarities
+of an Eastern household.
+
+"Presently, Adderley gave an order to one of his servants, and
+glanced at me with that sort of mocking, dare-devil look in his
+eyes which I loathed, which everybody loathed who ever met the
+man. Of course I had no idea what all this portended, but I was
+very shortly to learn.
+
+"While he was still looking at me, but stealing side-glances at a
+doorway before which was draped a most wonderful curtain of a
+sort of flamingo colour, this curtain was suddenly pulled aside,
+and a girl came in.
+
+"Of course, you must remember that at the time of which I am
+speaking the scandal respecting the mandarin had not yet come to
+light. Consequently I had no idea who the girl could be. I saw
+she was a Eurasian. But of her striking beauty there could be no
+doubt whatever. She was dressed in magnificent robes, and she
+literally glittered with jewels. She even wore jewels upon the
+toes of her little bare feet. But the first thing that struck me
+at the moment of her appearance was that her presence there was
+contrary to her wishes and inclinations. I have never seen a
+similar expression in any woman's eyes. She looked at Adderley
+as though she would gladly have slain him!
+
+"Seeing this look, his mocking smile in which there was something
+of triumph--of the joy of possession--turned to a scowl of
+positive brutality. He clenched his fists in a way that set me
+bristling. He advanced toward the girl--and although the width
+of the room divided them, she recoiled--and the significance of
+expression and gesture was unmistakable. Adderley paused.
+
+"'So you have made up your mind to dance after all?' he shouted.
+
+"The look in the girl's dark eyes was pitiful, and she turned to
+me with a glance of dumb entreaty.
+
+"'No, no!' she cried. 'No, no! Why do you bring me here?'
+
+"'Dance!' roared Adderley. 'Dance! That's what I want you to
+do.'
+
+"Rebellion leapt again to the wonderful eyes, and she started
+back with a perfectly splendid gesture of defiance. At that my
+brutal and drunken host leapt in her direction. I was on my feet
+now, but before I could act the girl said a thing which checked
+him, sobered him, which pulled him up short, as though he had
+encountered a stone wall.
+
+"'Ah, God!' she said. (She was speaking, of course, in her
+native tongue.) 'His hand! His hand! Look! His hand!'
+
+"To me her words were meaningless, naturally, but following the
+direction of her positively agonized glance I saw that she was
+watching what seemed to me to be the shadow of someone moving
+behind the flame-like curtain which produced an effect not unlike
+that of a huge, outstretched hand, the fingers crooked, claw-
+fashion.
+
+"'Knox, Knox!' whispered Adderley, grasping me by the shoulder.
+
+"He pointed with a quivering finger toward this indistinct shadow
+upon the curtain, and:
+
+"'Do you see it--do you see it?' he said huskily. 'It is his
+hand--it is his hand!'
+
+"Of the pair, I think, the man was the more frightened. But the
+girl, uttering a frightful shriek, ran out of the room as though
+pursued by a demon. As she did so whoever had been moving behind
+the curtain evidently went away. The shadow disappeared, and
+Adderley, still staring as if hypnotized at the spot where it had
+been, continued to hold my shoulder as in a vise. Then, sinking
+down upon a heap of cushions beside me, he loudly and shakily
+ordered more champagne.
+
+"Utterly mystified by the incident, I finally left him in a state
+of stupor, and returned to my quarters, wondering whether I had
+dreamed half of the episode or the whole of it, whether he did
+really possess that wonderful palace, or whether he had borrowed
+it to impress me."
+
+I ceased speaking, and my story was received in absolute silence,
+until:
+
+"And that is all you know?" said Burton.
+
+"Absolutely all. I had to leave about that time, you remember,
+and afterward went to France."
+
+"Yes, I remember. It was while you were away that the scandal
+arose respecting the mandarin. Extraordinary story, Knox. I
+should like to know what it all meant, and what the end of it
+was."
+
+Dr. Matheson broke his long silence.
+
+"Although I am afraid I cannot enlighten you respecting the end
+of the story," he said quietly, "perhaps I can carry it a step
+further."
+
+"Really, Doctor? What do you know about the matter?"
+
+"I accidentally became implicated as follows," replied the
+American: "I was, as you know, doing voluntary surgical work near
+Singapore at the time, and one evening, presumably about the same
+period of which Knox is speaking, I was returning from the
+hospital at Katong, at which I acted sometimes as anaesthetist,
+to my quarters in Singapore; just drifting along, leisurely by
+the edge of the gardens admiring the beauty of the mangroves and
+the deceitful peace of the Eastern night.
+
+"The hour was fairly late and not a soul was about. Nothing
+disturbed the silence except those vague sibilant sounds which
+are so characteristic of the country. Presently, as I rambled on
+with my thoughts wandering back to the dim ages, I literally fell
+over a man who lay in the road.
+
+"I was naturally startled, but I carried an electric pocket
+torch, and by its light I discovered that the person over whom I
+had fallen was a dignified-looking Chinaman, somewhat past middle
+age. His clothes, which were of good quality, were covered with
+dirt and blood, and he bore all the appearance of having recently
+been engaged in a very tough struggle. His face was notable only
+for its possession of an unusually long jet-black moustache. He
+had swooned from loss of blood."
+
+"Why, was he wounded?" exclaimed Jennings.
+
+"His hand had been nearly severed from his wrist!"
+
+"Merciful heavens!"
+
+"I realized the impossibility of carrying him so far as the
+hospital, and accordingly I extemporized a rough tourniquet and
+left him under a palm tree by the road until I obtained
+assistance. Later, at the hospital, following a consultation, we
+found it necessary to amputate."
+
+"I should say he objected fiercely?"
+
+"He was past objecting to anything, otherwise I have no doubt he
+would have objected furiously. The index finger of the injured
+hand had one of those preternaturally long nails, protected by an
+engraved golden case. However, at least I gave him a chance of
+life. He was under my care for some time, but I doubt if ever he
+was properly grateful. He had an iron constitution, though, and
+I finally allowed him to depart. One queer stipulation he had
+made--that the severed hand, with its golden nail-case, should be
+given to him when he left hospital. And this bargain I
+faithfully carried out."
+
+"Most extraordinary," I said. "Did you ever learn the identity
+of the old gentleman?"
+
+"He was very reticent, but I made a number of inquiries, and
+finally learned with absolute certainty, I think, that he was the
+Mandarin Quong Mi Su from Johore Bahru, a person of great repute
+among the Chinese there, and rather a big man in China. He was
+known locally as the Mandarin Quong."
+
+"Did you learn anything respecting how he had come by his injury,
+Doctor?"
+
+Matheson smiled in his quiet fashion, and selected a fresh cigar
+with great deliberation. Then:
+
+"I suppose it is scarcely a case of betraying a professional
+secret," he said, "but during the time that my patient was
+recovering from the effects of the anaesthetic he unconsciously
+gave me several clues to the nature of the episode. Putting two
+and two together I gathered that someone, although the name of
+this person never once passed the lips of the mandarin, had
+abducted his favourite wife."
+
+"Good heavens! truly amazing," I exclaimed.
+
+"Is it not? How small a place the world is. My old mandarin had
+traced the abductor and presumably the girl to some house which I
+gathered to be in the neighbourhood of Katong. In an attempt to
+force an entrance--doubtless with the amiable purpose of slaying
+them both--he had been detected by the prime object of his
+hatred. In hurriedly descending from a window he had been
+attacked by some weapon, possibly a sword, and had only made good
+his escape in the condition in which I found him. How far he had
+proceeded I cannot say, but I should imagine that the house to
+which he had been was no great distance from the spot where I
+found him."
+
+"Comment is really superfluous," remarked Burton. "He was
+looking for Adderley."
+
+"I agree," said Jennings.
+
+"And," I added, "it was evidently after this episode that I had
+the privilege of visiting that interesting establishment."
+
+There was a short interval of silence; then:
+
+"You probably retain no very clear impression of the shadow which
+you saw," said Dr. Matheson, with great deliberation. "At the
+time perhaps you had less occasion particularly to study it. But
+are you satisfied that it was really caused by someone moving
+behind the curtain?"
+
+I considered his question for a few moments.
+
+"I am not," I confessed. "Your story, Doctor, makes me wonder
+whether it may not have been due to something else."
+
+"What else can it have been due to?" exclaimed Jennings
+contemptuously--"unless to the champagne?"
+
+"I won't quote Shakespeare," said Dr. Matheson, smiling in his
+odd way. "The famous lines, though appropriate, are somewhat
+overworked. But I will quote Kipling: 'East is East, and West is
+West.'"
+
+
+
+
+II
+
+THE LADY OF KATONG
+
+
+
+Fully six months had elapsed, and on returning from Singapore I
+had forgotten all about Adderley and the unsavoury stories
+connected with his reputation. Then, one evening as I was
+strolling aimlessly along St. James's Street, wondering how I was
+going to kill time--for almost everyone I knew was out of town,
+including Paul Harley, and London can be infinitely more lonely
+under such conditions than any desert--I saw a thick-set figure
+approaching along the other side of the street.
+
+The swing of the shoulders, the aggressive turn of the head, were
+vaguely familiar, and while I was searching my memory and
+endeavouring to obtain a view of the man's face, he stared across
+in my direction.
+
+It was Adderley.
+
+He looked even more debauched than I remembered him, for whereas
+in Singapore he had had a tanned skin, now he looked unhealthily
+pallid and blotchy. He raised his hand, and:
+
+"Knox!" he cried, and ran across to greet me.
+
+His boisterous manner and a sort of coarse geniality which he
+possessed had made him popular with a certain set in former days,
+but I, who knew that this geniality was forced, and assumed to
+conceal a sort of appalling animalism, had never been deceived by
+it. Most people found Adderley out sooner or later, but I had
+detected the man's true nature from the very beginning. His eyes
+alone were danger signals for any amateur psychologist. However,
+I greeted him civilly enough:
+
+"Bless my soul, you are looking as fit as a fiddle!" he cried.
+"Where have you been, and what have you been doing since I saw
+you last?"
+
+"Nothing much," I replied, "beyond trying to settle down in a
+reformed world."
+
+"Reformed world!" echoed Adderley. "More like a ruined world it
+has seemed to me."
+
+He laughed loudly. That he had already explored several bottles
+was palpable.
+
+We were silent for a while, mentally weighing one another up, as
+it were. Then:
+
+"Are you living in town?" asked Adderley.
+
+"I am staying at the Carlton at the moment," I replied. "My
+chambers are in the hands of the decorators. It's awkward.
+Interferes with my work."
+
+"Work!" cried Adderley. "Work! It's a nasty word, Knox. Are
+you doing anything now?"
+
+"Nothing, until eight o'clock, when I have an appointment."
+
+"Come along to my place," he suggested, "and have a cup of tea,
+or a whisky and soda if you prefer it."
+
+Probably I should have refused, but even as he spoke I was
+mentally translated to the lounge of the Hotel de l'Europe, and
+prompted by a very human curiosity I determined to accept his
+invitation. I wondered if Fate had thrown an opportunity in my
+way of learning the end of the peculiar story which had been
+related on that occasion.
+
+I accompanied Adderley to his chambers, which were within a
+stone's throw of the spot where I had met him. That this gift
+for making himself unpopular with all and sundry, high and low,
+had not deserted him, was illustrated by the attitude of the
+liftman as we entered the hall of the chambers. He was barely
+civil to Adderley and even regarded myself with marked disfavour.
+
+We were admitted by Adderley's man, whom I had not seen before,
+but who was some kind of foreigner, I think a Portuguese. It was
+characteristic of Adderley. No Englishman would ever serve him
+for long, and there had been more than one man in his old Company
+who had openly avowed his intention of dealing with Adderley on
+the first available occasion.
+
+His chambers were ornately furnished; indeed, the room in which
+we sat more closely resembled a scene from an Oscar Asche
+production than a normal man's study. There was something unreal
+about it all. I have since thought that this unreality extended
+to the person of the man himself. Grossly material, he yet
+possessed an aura of mystery, mystery of an unsavoury sort.
+There was something furtive, secretive, about Adderley's entire
+mode of life.
+
+I had never felt at ease in his company, and now as I sat staring
+wonderingly at the strange and costly ornaments with which the
+room was overladen I bethought me of the object of my visit. How
+I should have brought the conversation back to our Singapore days
+I know not, but a suitable opening was presently offered by
+Adderley himself.
+
+"Do you ever see any of the old gang?" he inquired.
+
+"I was in Singapore about six months ago," I replied, "and I met
+some of them again."
+
+"What! Had they drifted back to the East after all?"
+
+"Two or three of them were taking what Dr. Matheson described as
+a Busman's Holiday."
+
+At mention of Dr. Matheson's name Adderley visibly started.
+
+"So you know Matheson," he murmured. "I didn't know you had ever
+met him."
+
+Plainly to hide his confusion he stood up, and crossing the room
+drew my attention to a rather fine silver bowl of early Persian
+ware. He was displaying its peculiar virtues and showing a
+certain acquaintance with his subject when he was interrupted. A
+door opened suddenly and a girl came in. Adderley put down the
+bowl and turned rapidly as I rose from my seat.
+
+It was the lady of Katong!
+
+I recognized her at once, although she wore a very up-to-date
+gown. While it did not suit her dark good looks so well as the
+native dress which she had worn at Singapore, yet it could not
+conceal the fact that in a barbaric way she was a very beautiful
+woman. On finding a visitor in the room she became covered with
+confusion.
+
+"Oh," she said, speaking in Hindustani. "Why did you not tell me
+there was someone here?"
+
+Adderley's reply was characteristically brutal.
+
+"Get out," he said. "You fool."
+
+I turned to go, for I was conscious of an intense desire to
+attack my host. But:
+
+"Don't go, Knox, don't go!" he cried. "I am sorry, I am damned
+sorry, I------"
+
+He paused, and looked at me in a queer sort of appealing way.
+The girl, her big eyes widely open, retreated again to the door,
+with curious lithe steps, characteristically Oriental. The door
+regained, she paused for a moment and extended one small hand in
+Adderley's direction.
+
+"I hate you," she said slowly, "hate you! Hate you!"
+
+She went out, quietly closing the door behind her. Adderley
+turned to me with an embarrassed laugh.
+
+"I know you think I am a brute and an outsider," he said, "and
+perhaps I am. Everybody says I am, so I suppose there must be
+something in it. But if ever a man paid for his mistakes I have
+paid for mine, Knox. Good God, I haven't a friend in the world."
+
+"You probably don't deserve one," I retorted.
+
+"I know I don't, and that's the tragedy of it," he replied. "You
+may not believe it, Knox; I don't expect anybody to believe me;
+but for more than a year I have been walking on the edge of Hell.
+Do you know where I have been since I saw you last?"
+
+I shook my head in answer.
+
+"I have been half round the world, Knox, trying to find peace."
+
+"You don't know where to look for it," I said.
+
+"If only you knew," he whispered. "If only you knew," and sank
+down upon the settee, ruffling his hair with his hands and
+looking the picture of haggard misery. Seeing that I was still
+set upon departure:
+
+"Hold on a bit, Knox," he implored. "Don't go yet. There is
+something I want to ask you, something very important."
+
+He crossed to a sideboard and mixed himself a stiff whisky-and-
+soda. He asked me to join him, but I refused.
+
+"Won't you sit down again?"
+
+I shook my head.
+
+"You came to my place at Katong once," he began abruptly. "I was
+damned drunk, I admit it. But something happened, do you
+remember?"
+
+I nodded.
+
+"This is what I want to ask you: Did you, or did you not, see
+that shadow?"
+
+I stared him hard in the face.
+
+"I remember the episode to which you refer," I replied. "I
+certainly saw a shadow."
+
+"But what sort of shadow?"
+
+"To me it seemed an indefinite, shapeless thing, as though caused
+by someone moving behind the curtain."
+
+"It didn't look to you like--the shadow of a hand?"
+
+"It might have been, but I could not be positive."
+
+Adderley groaned.
+
+"Knox," he said, "money is a curse. It has been a curse to me.
+If I have had my fun, God knows I have paid for it."
+
+"Your idea of fun is probably a peculiar one," I said dryly.
+
+Let me confess that I was only suffering the man's society
+because of an intense curiosity which now possessed me on
+learning that the lady of Katong was still in Adderley's company.
+
+Whether my repugnance for his society would have enabled me to
+remain any longer I cannot say. But as if Fate had deliberately
+planned that I should become a witness of the concluding phases
+of this secret drama, we were now interrupted a second time, and
+again in a dramatic fashion.
+
+Adderley's nondescript valet came in with letters and a rather
+large brown paper parcel sealed and fastened with great care.
+
+As the man went out:
+
+"Surely that is from Singapore," muttered Adderley, taking up the
+parcel.
+
+He seemed to become temporarily oblivious of my presence, and his
+face grew even more haggard as he studied the writing upon the
+wrapper. With unsteady fingers he untied it, and I lingered,
+watching curiously. Presently out from the wrappings he took a
+very beautiful casket of ebony and ivory, cunningly carved and
+standing upon four claw-like ivory legs.
+
+"What the devil's this?" he muttered.
+
+He opened the box, which was lined with sandal-wood, and
+thereupon started back with a great cry, recoiling from the
+casket as though it had contained an adder. My former sentiments
+forgotten, I stepped forward and peered into the interior. Then
+I, in turn, recoiled.
+
+In the box lay a shrivelled yellow hand--with long tapering and
+well-manicured nails--neatly severed at the wrist!
+
+The nail of the index finger was enclosed in a tiny, delicately
+fashioned case of gold, upon which were engraved a number of
+Chinese characters.
+
+Adderley sank down again upon the settee.
+
+"My God!" he whispered, "his hand! His hand! He has sent me his
+hand!"
+
+He began laughing. Whereupon, since I could see that the man was
+practically hysterical because of his mysterious fears:
+
+"Stop that," I said sharply. "Pull yourself together, Adderley.
+What the deuce is the matter with you?"
+
+"Take it away!" he moaned, "take it away. Take the accursed
+thing away!"
+
+"I admit it is an unpleasant gift to send to anybody," I said,
+"but probably you know more about it than I do."
+
+"Take it away," he repeated. "Take it away, for God's sake, take
+it away, Knox!"
+
+He was quite beyond reason, and therefore:
+
+"Very well," I said, and wrapped the casket in the brown paper in
+which it had come. "What do you want me to do with it?"
+
+"Throw it in the river," he answered. "Burn it. Do anything you
+like with it, but take it out of my sight!"
+
+
+
+
+III
+
+THE GOLD-CASED NAIL
+
+
+
+As I descended to the street the liftman regarded me in a curious
+and rather significant way. Finally, just as I was about to step
+out into the hall:
+
+"Excuse me, sir," he said, having evidently decided that I was a
+fit person to converse with, "but are you a friend of Mr.
+Adderley's?"
+
+"Why do you ask?"
+
+"Well, sir, I hope you will excuse me, but at times I have
+thought the gentleman was just a little bit queer, like."
+
+"You mean insane?" I asked sharply.
+
+"Well, sir, I don't know, but he is always asking me if I can see
+shadows and things in the lift, and sometimes when he comes in
+late of a night he absolutely gives me the cold shivers, he
+does."
+
+I lingered, the box under my arm, reluctant to obtain confidences
+from a servant, but at the same time keenly interested. Thus
+encouraged:
+
+"Then there's that lady friend of his who is always coming here,"
+the man continued. "She's haunted by shadows, too." He paused,
+watching me narrowly.
+
+"There's nothing better in this world than a clean conscience,
+sir," he concluded.
+
+*****
+
+Having returned to my room at the hotel, I set down the
+mysterious parcel, surveying it with much disfavour. That it
+contained the hand of the Mandarin Quong I could not doubt, the
+hand which had been amputated by Dr. Matheson. Its appearance
+in that dramatic fashion confirmed Matheson's idea that the
+mandarin's injury had been received at the hands of Adderley.
+What did all this portend, unless that the Mandarin Quong was
+dead? And if he were dead why was Adderley more afraid of him
+dead than he had been of him living?
+
+I thought of the haunting shadow, I thought of the night at
+Katong, and I thought of Dr. Matheson's words when he had told
+us of his discovery of the Chinaman lying in the road that night
+outside Singapore.
+
+I felt strangely disinclined to touch the relic, and it was only
+after some moments' hesitation that I undid the wrappings and
+raised the lid of the casket. Dusk was very near and I had not
+yet lighted the lamps; therefore at first I doubted the evidence
+of my senses. But having lighted up and peered long and
+anxiously into the sandal-wood lining of the casket I could doubt
+no longer.
+
+The casket was empty!
+
+It was like a conjuring trick. That the hand had been in the box
+when I had taken it up from Adderley's table I could have sworn
+before any jury. When and by whom it had been removed was a
+puzzle beyond my powers of unravelling. I stepped toward the
+telephone--and then remembered that Paul Harley was out of
+London. Vaguely wondering if Adderley had played me a
+particularly gruesome practical joke, I put the box on a
+sideboard and again contemplated the telephone doubtfully far a
+moment. It was in my mind to ring him up. Finally, taking all
+things into consideration, I determined that I would have nothing
+further to do with the man's unsavoury and mysterious affairs.
+
+It was in vain, however, that I endeavoured to dismiss the matter
+from my mind; and throughout the evening, which I spent at a
+theatre with some American friends, I found myself constantly
+thinking of Adderley and the ivory casket, of the mandarin of
+Johore Bahru, and of the mystery of the shrivelled yellow hand.
+
+I had been back in my room about half an hour, I suppose, and it
+was long past midnight, when I was startled by a ringing of my
+telephone bell. I took up the receiver, and:
+
+"Knox! Knox!" came a choking cry.
+
+"Yes, who is speaking?"
+
+"It is I, Adderley. For God's sake come round to my place at
+once!"
+
+His words were scarcely intelligible. Undoubtedly he was in the
+grip of intense emotion.
+
+"What do you mean? What is the matter?"
+
+"It is here, Knox, it is here! It is knocking on the door!
+Knocking! Knocking!"
+
+"You have been drinking," I said sternly. "Where is your man?"
+
+"The cur has bolted. He bolted the moment he heard that damned
+knocking. I am all alone; I have no one else to appeal to."
+There came a choking sound, then: "My God, Knox, it is getting
+in! I can see. . . the shadow on the blind. . ."
+
+Convinced that Adderley's secret fears had driven him mad, I
+nevertheless felt called upon to attend to his urgent call, and
+without a moment's delay I hurried around to St. James's Street.
+The liftman was not on duty, the lower hall was in darkness, but
+I raced up the stairs and found to my astonishment that
+Adderley's door was wide open.
+
+"Adderley!" I cried. "Adderley!"
+
+There was no reply, and without further ceremony I entered and
+searched the chambers. They were empty. Deeply mystified, I was
+about to go out again when there came a ring at the door-bell. I
+walked to the door and a policeman was standing upon the landing.
+
+"Good evening, sir," he said, and then paused, staring at me
+curiously.
+
+"Good evening, constable," I replied.
+
+"You are not the gentleman who ran out awhile ago," he said, a
+note of suspicion coming into his voice.
+
+I handed him my card and explained what had occurred, then:
+
+"It must have been Mr. Adderley I saw," muttered the constable.
+
+"You saw--when?"
+
+"Just before you arrived, sir. He came racing out into St.
+James's Street and dashed off like a madman."
+
+"In which direction was he going?"
+
+"Toward Pall Mall."
+
+*****
+
+The neighbourhood was practically deserted at that hour. But
+from the guard on duty before the palace we obtained our first
+evidence of Adderley's movements. He had raced by some five
+minutes before, frantically looking back over his shoulder and
+behaving like a man flying for his life. No one else had seen
+him. No one else ever did see him alive. At two o'clock there
+was no news, but I had informed Scotland Yard and official
+inquiries had been set afoot.
+
+Nothing further came to light that night, but as all readers of
+the daily press will remember, Adderley's body was taken out of
+the pond in St. James's Park on the following day. Death was due
+to drowning, but his throat was greatly discoloured as though it
+had been clutched in a fierce grip.
+
+It was I who identified the body, and as many people will know,
+in spite of the closest inquiries, the mystery of Adderley's
+death has not been properly cleared up to this day. The identity
+of the lady who visited him at his chambers was never discovered.
+She completely disappeared.
+
+The ebony and ivory casket lies on my table at this present
+moment, visible evidence of an invisible menace from which
+Adderley had fled around the world.
+
+Doubtless the truth will never be known now. A significant
+discovery, however, was made some days after the recovery of
+Adderley's body.
+
+From the bottom of the pond in St. James's Park a patient
+Scotland Yard official brought up the gold nail-case with its
+mysterious engravings--and it contained, torn at the root, the
+incredibly long finger-nail of the Mandarin Quong!
+
+
+
+
+
+
+THE KEY OF THE TEMPLE OF HEAVEN
+
+
+
+
+
+I
+
+THE KEEPER OF THE KEY
+
+
+
+The note of a silver bell quivered musically through the scented
+air of the ante-room. Madame de Medici stirred slightly upon the
+divan with its many silken cushions, turning her head toward the
+closed door with the languorous, almost insolent, indifference
+which one perceives in the movements of a tigress. Below, in the
+lobby, where the pillars of Mokattam alabaster upheld the painted
+roof, the little yellow man from Pekin shivered slightly,
+although the air was warm for Limehouse, and always turned his
+mysterious eyes toward a corner of the great staircase which was
+visible from where he sat, coiled up, a lonely figure in the
+mushrabiyeh chair. Madame blew a wreath of smoke from her lips,
+and, through half-closed eyes, watched it ascend, unbroken,
+toward the canopy of cloth-of-gold which masked the ceiling. A
+Madonna by Leonardo da Vinci faced her across the apartment, the
+painted figure seeming to watch the living one upon the divan.
+Madame smiled into the eyes of the Madonna. Surely even the
+great Leonardo must have failed to reproduce that smile--the
+great Leonardo whose supreme art has captured the smile of Mona
+Lisa. Madame had the smile of Cleopatra, which, it is said, made
+Caesar mad, though in repose the beauty of Egypt's queen left him
+cold. A robe of Kashmiri silk, fine with a phantom fineness,
+draped her exquisite shape as the art of Cellini draped the
+classic figures which he wrought in gold and silver; it seemed
+incorporate with her beauty.
+
+A second wreath of smoke curled upward to the canopy, and Madame
+watched this one also through the veil of her curved black
+lashes, as the Eastern woman watches the world through her veil.
+Those eyes were notable even in so lovely a setting, for they
+were of a hue rarely seen in human eyes, being like the eyes of a
+tigress; yet they could seem voluptuously soft, twin pools of
+liquid amber, in whose depths a man might lose his soul.
+
+Again the silver bell sounded in the ante-room, and, below, the
+little yellow man shivered sympathetically. Again Madame stirred
+with that high disdain that so became her, who had the eyes of a
+tigress. Her carmine lips possessed the antique curve which we
+are told distinguished the lips of the Comtesse de Cagliostro;
+her cheeks had the freshness of flowers, and her hair the
+blackness of ebony, enhancing the miracle of her skin, which had
+the whiteness of ivory--not of African ivory, but of that fossil
+ivory which has lain for untold ages beneath the snows of
+Siberia.
+
+She dropped the cigarette from her tapered fingers into a little
+silver bowl upon a table at her side, then lightly touched the
+bell which stood there also. Its soft note answered to the bell
+in the ante-room; a white-robed Chinese servant silently
+descended the great staircase, his soft red slippers sinking into
+the rich pile of the carpet; and the little yellow man from the
+great temple in Pekin followed him back up the stairway and was
+ushered into the presence of Madame de Medici.
+
+The servant closed the door silently and the little yellow man,
+fixing his eyes upon the beautiful woman before him, fell upon
+his knees and bowed his forehead to the carpet.
+
+Madame's lovely lips curved again in the disdainful smile, and
+she extended one bare ivory arm toward the visitor who knelt as a
+suppliant at her feet.
+
+"Rise, my friend!" she said, in purest Chinese, which fell from
+her lips with the music of a crystal spring. "How may I serve
+you?"
+
+The yellow man rose and advanced a step nearer to the divan, but
+the strange beauty of Madame had spoken straight to his Eastern
+heart, had awakened his soul to a new life. His glance
+travelled over the vision before him, from the little Persian
+slipper that peeped below the drapery of Kashmir silk to the
+small classic head with its crown of ebon locks; yet he dared not
+meet the glance of the amber eyes.
+
+"Sit here beside me," directed Madame, and she slightly changed
+her position with that languorous and lithe grace suggestive of a
+creature of the jungle.
+
+Breathing rapidly betwixt the importance of his mission and a
+new, intoxicating emotion which had come upon him at the moment
+of entering the perfumed room, the yellow man obeyed, but always
+with glance averted from the taunting face of Madame. A golden
+incense-burner stood upon the floor, over between the high,
+draped windows, and a faint pencil from its dying fires stole
+grayly upward. Upon the scented smoke the Buddhist priest fixed
+his eyes, and began, with a rapidity that grew as he proceeded,
+to pour out his tale. Seated beside him, one round arm resting
+upon the cushions so as almost to touch him, Madame listened,
+watching the averted yellow face, and always smiling--smiling.
+
+The tale was done at last; the incense-burner was cold, and
+breathlessly the Buddhist clutched his knees with lean, clawish
+fingers and swayed to and fro, striving to conquer the emotions
+that whirled and fought within him. Selecting another cigarette
+from the box beside her, and lighting it deliberately, Madame de
+Medici spoke.
+
+"My friend of old," she said, and of the language of China she
+made strange music, "you come to me from your home in the secret
+city, because you know that I can serve you. It is enough."
+
+She touched the bell upon the table, and the white-robed servant
+reentered, and, bowing low, held open the door. The little
+yellow man, first kneeling upon the carpet before the divan as
+before an altar, hurried from the apartment. As the door was
+reclosed, and Madame found herself alone again, she laughed
+lightly, as Calypso laughed when Ulysses' ship appeared off the
+shores of her isle.
+
+God fashions few such women. It is well.
+
+
+
+
+II
+
+THE TIGER LADY
+
+
+
+"By heavens, Annesley!" whispered Rene Deacon, "what eyes that
+woman has!" His companion, following the direction of Deacon's
+glance, nodded rather grimly.
+
+"The eyes of a Circe, or at times the eyes of a tigress."
+
+"She is magnificent!" murmured Deacon rapturously. "I have never
+seen so beautiful a woman."
+
+His glance followed the tall figure as it passed into a smaller
+salon on the left; nor was he alone in his regard. Fashionable
+society was well represented in the gallery--where a collection
+of pictures by a celebrated artist was being shown; and prior to
+the entrance of the lady in the strangely fashioned tiger-skin
+cloak, the somewhat extraordinary works of art had engaged the
+interest even of the most fickle, but, from the moment the tiger-
+lady made her appearance, even the most daring canvases were
+forgotten.
+
+"She wears tiger-skin shoes!" whispered one.
+
+"She is like a design for a poster!" laughed another.
+
+"I have never seen anything so flashy in my life," was the acrid
+comment of a third.
+
+"What a dazzlingly beautiful woman!" remarked another--this one a
+man. While:
+
+"Who is she?" arose upon all sides.
+
+Judging from the isolation of the barbaric figure, it would seem
+that society did not know the tiger-lady, but Deacon, seizing his
+companion by the arm and almost dragging him into the small salon
+which the lady had entered, turned in the doorway and looked into
+Annesley's eyes. Annesley palpably sought to evade the glance.
+
+"You know everybody," whispered Deacon. "You must be acquainted
+with her."
+
+A great number of people were now thronging into the room, not so
+much because of the pictures it contained, but rather out of
+curiosity respecting the beautiful unknown. Annesley tried to
+withdraw; his uneasiness grew momentarily greater.
+
+"I scarcely know her well enough," he protested, "to present you.
+Moreover------"
+
+"But she's smiling at you!" interrupted Deacon eagerly.
+
+His handsome but rather weak face was flushed; he was, as an old
+clubman had recently said of him, "so very young." He lacked the
+restraint usual in cultured Englishmen, and had the frankly
+passionate manner which one associates with the South. His
+uncle, Colonel Deacon, a mordant wit, would say apologetically:
+
+"Reggie" (Deacon's father) "married a Gascon woman. She was
+delightfully pretty. Poor Reggie!"
+
+Certainly Rene was impetuous to an embarrassing degree, nor
+lightly to be thwarted. Boldly meeting the glance of the woman
+of the amber eyes, he pushed Annesley forward, not troubling to
+disguise his anxiety to be presented to the tiger-lady. She
+turned her head languidly, with that wild-animal grace of hers,
+and unsmiling now, regarded Annesley.
+
+"So you forget me so soon, Mr. Annesley," she murmured, "or is it
+that you play the good shepherd?"
+
+"My dear Madame," said Annesley, recovering with an effort his
+wonted sang-froid, "I was merely endeavouring to calm the
+rhapsodies of my friend, who seemed disposed to throw himself at
+your feet in knight-errant fashion."
+
+"He is a very handsome boy," murmured Madame; and as the great
+eyes were turned upon Deacon the carmine lips curved again in the
+Cleopatrian smile.
+
+She was indeed wonderful, for while she spoke as the woman of the
+world to the boy, there was nothing maternal in her patronage,
+and her eyes were twin flambeaux, luring--luring, and her sweet
+voice was a siren's song.
+
+"May I beg leave to present my friend, Mr. Rene Deacon, Madame de
+Medici?" said Annesley; and as the two exchanged glances--the
+boy's a glance of undisguised passionate admiration, the woman's
+a glance unfathomable--he slightly shrugged his shoulders and
+stood aside.
+
+There were others in the salon, who, perceiving that the unknown
+beauty was acquainted with Annesley, began to move from canvas to
+canvas toward that end of the room where the trio stood. But
+Madame did not appear anxious to make new acquaintances.
+
+"I have seen quite enough of this very entertaining exhibition,"
+she said languidly, toying with a great unset emerald which swung
+by a thin gold chain about her neck. "Might I entreat you to
+take pity upon a very lonely woman and return with me to tea?"
+
+Annesley seemed on the point of refusing, when:
+
+"I have acquired a reputed Leonardo," continued Madame, "and I
+wish you to see it."
+
+There was something so like a command in the words that Deacon
+stared at his companion in frank surprise. The latter avoided
+his glance, and:
+
+"Come!" said Madame de Medici.
+
+As of old the great Catherine of her name might have withdrawn
+with her suite, so now the lady of the tiger skins withdrew from
+the gallery, the two men following obediently, and one of them at
+least a happy courtier.
+
+
+
+
+III
+
+TWIN POOLS OF AMBER
+
+
+
+The white-robed Chinese servant entered and placed fresh perfume
+upon the burning charcoal of the silver incense-burner. As the
+scented smoke began to rise he withdrew, and a second servant
+entered, who facially, in dress, in figure and bearing, was a
+duplicate of the first. This one carried a large tray upon which
+was set an exquisite porcelain tea-service. He placed the tray
+upon a low table beside the divan, and in turn withdrew.
+
+Deacon, seated in a great ebony chair, smoked rapidly and
+nervously--looking about the strangely appointed room with its
+huge picture of the Madonna, its jade Buddha surmounting a gilded
+Burmese cabinet, its Persian canopy and Egyptian divan, at the
+thousand and one costly curiosities which it displayed, at this
+mingling of East and West, of Christianity and paganism, with a
+growing wonder.
+
+To one of his blood there was delight, intoxication, in that
+room; but something of apprehension, too, now grew up within him.
+
+Madame de Medici entered. The garish motor-coat was discarded
+now, and her supple figure was seen to best advantage in one of
+those dark silken gowns which she affected, and which had a
+seeming of the ultra-fashionable because they defied fashion.
+She held in her hand an orchid, its structure that of an
+odontoglossum, but of a delicate green colour heavily splashed
+with scarlet--a weird and unnatural-looking bloom.
+
+Just within the doorway she paused, as Deacon leaped up, and
+looked at him through the veil of the curved lashes.
+
+"For you," she said, twirling the blossom between her fingers and
+gliding toward him with her tigerish step.
+
+He spoke no word, but, face flushed, sought to look into her eyes
+as she pinned the orchid in the button-hole of his coat. Her
+hands were flawless in shape and colouring, being beautiful as
+the sculptured hands preserved in the works of Phidias.
+
+The slight draught occasioned by the opening of the door caused
+the smoke from the incense-burner to be wafted toward the centre
+of the room. Like a blue-gray phantom it coiled about the two
+standing there upon a red and gold Bedouin rug, and the heavy
+perfume, or the close proximity of this singularly lovely woman,
+wrought upon the high-strung sensibilities of Deacon to such an
+extent that he was conscious of a growing faintness.
+
+"Ah! You are not well!" exclaimed Madame with deep concern. "It
+is the perfume which that foolish Ah Li has lighted. He forgets
+that we are in England."
+
+"Not at all," protested Deacon faintly, and conscious that he was
+making a fool of himself. "I think I have perhaps been overdoing
+it rather of late. Forgive me if I sit down."
+
+He sank on the cushioned divan, his heart beating furiously,
+while Madame touched the little bell, whereupon one of the
+servants entered.
+
+She spoke in Chinese, pointing to the incense-burner.
+
+Ah Li bowed and removed the censer. As the door softly reclosed:
+
+"You are better?" she whispered, sweetly solicitous, and, seating
+herself beside Deacon, she laid her hand lightly upon his arm.
+
+"Quite," he replied hoarsely; "please do not worry about me. I
+am wondering what has become of Annesley."
+
+"Ah, the poor man!" exclaimed Madame, with a silver laugh, and
+began to busy herself with the teacups. "He remembered, as he
+was looking at my new Leonardo, an appointment which he had quite
+forgotten."
+
+"I can understand his forgetting anything under the
+circumstances."
+
+Madame de Medici raised a tiny cup and bent slightly toward him.
+He felt that he was losing control of himself, and, averting his
+eyes, he stooped and smelled the orchid in his buttonhole. Then,
+accepting the cup, he was about to utter some light commonplace
+when the faintness returned overwhelmingly, and, hurriedly
+replacing the cup upon the tray, he fell back among the cushions.
+The stifling perfume of the place seemed to be choking him.
+
+"Ah, poor boy! You are really not at all well. How sorry I am!"
+
+The sweet tones reached him as from a great distance; but as one
+dying in the desert turns his face toward the distant oasis,
+Deacon turned weakly to the speaker. She placed one fair arm
+behind his head, pillowing him, and with a peacock fan which had
+lain amid the cushions fanned his face. The strange scene became
+wholly unreal to him; he thought himself some dying barbaric
+chief.
+
+"Rest there," murmured the sweet voice.
+
+The great eyes, unveiled now by the black lashes, were two twin
+lakes of fairest amber. They seemed to merge together, so that
+he stood upon the brink of an unfathomable amber pool--which
+swallowed him up--which swallowed him up.
+
+He awoke to an instantaneous consciousness of the fact that he
+had been guilty of inexcusably bad form. He could not account
+for his faintness, and reclining there amid the silken cushions,
+with Madame de Medici watching him anxiously, he felt a hot flush
+stealing over his face.
+
+"What is the matter with me!" he exclaimed, and sprang to his
+feet. "I feel quite well now."
+
+She watched him, smiling, but did not speak. He was a "very
+young man" again, and badly embarrassed. He glanced at his
+wrist-watch.
+
+"Gracious heavens!" he cried, and noted that the tea-tray had
+been removed, "there must be something radically wrong with my
+health. It is nearly seven o'clock!"
+
+The note of the silver bell sounded in the ante-room.
+
+"Can you forgive me?" he said.
+
+But Madame, rising to her feet, leaned lightly upon his shoulder,
+toying with the petals of the orchid in his buttonhole.
+
+"I think it was the perfume which that foolish Ah Li lighted,"
+she whispered, looking intently into his eyes, "and it is you who
+have to forgive me. But you will, I know!" The silver bell rang
+again. "When you have come to see me again--many, many times,
+you will grow to love it--because I love it."
+
+She touched the bell upon the table, and Ah Li entered silently.
+When Madame de Medici held out her hand to him Deacon raised the
+white fingers to his lips and kissed them rapturously; then he
+turned, the Gascon within him uppermost again, and ran from the
+room.
+
+A purple curtain was drawn across the lobby, screening the caller
+newly arrived from the one so hurriedly departing.
+
+
+
+
+IV
+
+THE LIVING BUDDHA
+
+
+
+It was past midnight when Colonel Deacon returned to the house.
+Rene was waiting for him, pacing up and down the big library.
+Their relationship was curious, as subsisting between ward and
+guardian, for these two, despite the disparity of their ages, had
+few secrets from one another. Rene burned to pour out his story
+of the wonderful Madame de Medici, of the secret house in
+Chinatown with its deceptively mean exterior and its gorgeous
+interior, to the shrewd and worldly elder man. That was his way.
+But Fate had an oddly bitter moment in store for him.
+
+"Hallo, boy!" cried the Colonel, looking into the library; "glad
+you're home. I might not see you in the morning, and I want to
+tell you about--er--a lady who will be coming here in the
+afternoon."
+
+The words died upon Rene's lips unspoken, and he stared blankly
+at the Colonel.
+
+"I thought I knew all there was to know about pictures, antiques,
+and all that sort of lumber," continued Colonel Deacon in his
+rapid and off-hand manner. "Thought there weren't many men in
+London could teach me anything; certainly never suspected a woman
+could. But I've met one, boy! Gad! What a splendid creature!
+You know there isn't much in the world I haven't seen--north,
+south, east and west. I know all the advertised beauties of
+Europe and Asia--stage, opera, and ballet, and all the rest of
+them. But this one--Gad!"
+
+He dropped into an arm-chair, clapping both his hands upon his
+knees. Rene stood at the farther end of the library, in the
+shadow, watching him.
+
+"She's coming here to-morrow, boy--coming here. Gad! you dog!
+You'll fall in love with her the moment you see her--sure to,
+sure to! I did, and I'm three times your age!"
+
+"Who is this lady, sir?" asked Rene, very quietly.
+
+"God knows, boy! Everybody's mad to meet her, but nobody knows
+who she is. But wait till you see her. Lady Dascot seems to be
+acquainted with her, but you will see when they come to-morrow--
+see for yourself. Gad, boy! . . . what did you say?"
+
+"I did not speak."
+
+"Thought you did. Have a whisky-and-soda?"
+
+"No, thank you, sir--good night."
+
+"Good night, boy!" cried the Colonel. "Good night. Don't forget
+to be in to-morrow afternoon or you'll miss meeting the loveliest
+woman in London, and the most brilliant."
+
+"What is her name?"
+
+"Eh? She calls herself Madame de Medici. She's a mystery, but
+what a splendid creature!"
+
+Rene Deacon walked slowly upstairs, entered his bedroom, and for
+fully an hour sat in the darkness, thinking--thinking.
+
+"Am I going mad?" he murmured. "Or is this witch driving all
+London mad?"
+
+He strove to recover something of the glamour which had mastered
+him when in the presence of Madame de Medici, but failed. Yet he
+knew that, once near her again, it would all return. His
+reflections were bitter, and when at last wearily he undressed
+and went to bed it was to toss restlessly far into the small
+hours ere sleep came to soothe his troubled mind.
+
+But his sleep was disturbed: a series of dreadfully realistic
+dreams danced through his brain. First he seemed to be standing
+upon a high mountain peak with eternal snows stretched all about
+him. He looked down, past the snow line, past the fir woods,
+into the depths of a lovely lake, far down in the valley below.
+It was a lake of liquid amber, and as he looked it seemed to
+become two lakes, and they were like two great eyes looking up at
+him and summoning him to leap. He thought that he leaped, a
+prodigious leap, far out into space; then fell--fell--fell. When
+he splashed into the amber deeps they became churned up in a
+milky foam, and this closed about him with a strangle grip. But
+it was no longer foam, but the clinging arms of Madame de
+Medici! . . .
+
+Then he stood upon a fragile bridge of bamboo spanning a raging
+torrent. Right and left of the torrent below were jungles in
+which moved tigerish shapes. Upon the farther side of the bridge
+Madame de Medici, clad in a single garment of flame-coloured
+silk, beckoned to him. He sought to cross the bridge, but it
+collapsed, and he fell near the edge of the torrent. Below were
+the raging waters, and ever nearing him the tigerish shapes,
+which now Madame was calling to as to a pack of hounds. They
+were about to devour him, when------
+
+He was crouching upon a ledge, high above a street which seemed
+to be vaguely familiar. He could not see very well, because of a
+silk mask tied upon his face, and the eyeholes of which were
+badly cut. From the ledge he stepped to another, perilously. He
+gained it, and crouching there, where there was scarce foothold
+for a cat, he managed fully to raise a window which already was
+raised some six inches. Then softly and silently--for he was
+bare-footed--he entered the room.
+
+Someone slept in a bed facing the window by which he had entered,
+and upon a table at the side of the sleeper lay a purse, a bunch
+of keys, an electric torch, and a Service revolver. Gliding to
+the table Rene took the keys and the electric torch, unlocked the
+door of the room, and crept down a thickly carpeted stair to a
+room below. The door of this also he opened with one of the keys
+in the bunch, and by the light of the torch found his way through
+a quantity of antique furniture and piled up curiosities to a
+safe set in the farther wall.
+
+He seemed, in his dream, to be familiar with the lock
+combination, and, selecting the correct key from the bunch, he
+soon had the safe open. The shelves within were laden
+principally with antique jewellery, statuettes, medals, scarabs;
+and a number of little leather-covered boxes were there also.
+One of these he abstracted, relocked the safe, and stepped out of
+the room, locking the door behind him. Up the stairs he mounted
+to the bedroom wherein he had left the sleeper. Having entered,
+he locked the door from within, placed the keys and the torch
+upon the table, and crept out again upon the dizzy ledge.
+
+Poised there, high above the thoroughfare below, a great nausea
+attacked him. Glancing to the right, in the direction of the
+window through which he had come, he perceived Madame de Medici
+leaning out and beckoning to him. Her arm gleamed whitely in the
+faint light. A new courage came to him. He succeeded, crouched
+there upon the narrow ledge, in relowering the window, and
+leaving it in the state in which he had found it, he stood up and
+essayed that sickly stride to the adjoining ledge. He
+accomplished it, knelt, and crept back into the room from which
+he had started. . . .
+
+The head of an ivory image of Buddha loomed up out of the utter
+darkness, growing and growing until it seemed like a great
+mountain. He could not believe that there was so much ivory in
+the world, and he felt it with his fingers, wonderingly. As he
+did so it began to shrink, and shrink, and shrink, and shrink,
+until it was no larger than a seated human figure. Then beneath
+his trembling hands it became animate; it moved, extended ivory
+arms, and wrapped them about his neck. Its lips became carmine--
+perfumed; they bent to him. . . and he was looking into the
+bewitching face of Madame de Medici!
+
+He awoke, gasping for air and bathed in cold perspiration. The
+dawn was just breaking over London and stealing grayly from
+object to object in his bedroom.
+
+
+
+
+V
+
+THE IVORY GOD
+
+
+
+The great car, with its fittings of gold and ivory, drew up at
+the door of Colonel Deacon's house. The interior was ablaze with
+tiger lilies, and out from their midst stepped the fairest of
+them all--Madame de Medici, and swept queenly up the steps upon
+the arm of the cavalierly soldier.
+
+All connoisseurs esteemed it a privilege to view the Deacon
+collection, and this afternoon there was a goodly gathering.
+Chairs and little white tables were dotted about the lawn in
+shady spots, and the majority of the company were already
+assembled; but when, in a wonderful golden robe, Madame de Medici
+glided across the lawn, the babel ceased abruptly as if by magic.
+She pulled off one glove and began twirling a great emerald
+between her slim fingers. It was suspended from a thin gold
+chain. Presently, descrying Annesley seated at a table with Lady
+Dascot, she raised the jewel languidly and peered through it at
+the two.
+
+"Why!" exclaimed Rene Deacon, who stood close beside her, "that
+was a trick of Nero's!"
+
+Madame laughed musically.
+
+"One might take a worse model," she said softly; "at least he
+enjoyed life."
+
+Colonel Deacon, who listened to her every word as to the
+utterance of a Cumaean oracle, laughed with extraordinary
+approbation.
+
+There was scarce a woman present who regarded Madame with a
+friendly eye, nor a man who did not aspire to become her devoted
+slave. She brought an atmosphere of unreality with her,
+dominating old and young alike by virtue of her splendid pagan
+beauty. The lawn, with its very modern appointments, became as
+some garden of the Golden House, a pleasure ground of an emperor.
+
+But later, when the company entered the house, and Colonel Deacon
+sought to monopolize the society of Madame, an unhealthy spirit
+of jealousy arose between Rene and his guardian. It was strange,
+grotesque, horrible almost. Annesley watched from afar, and there
+was something very like anger in his glance.
+
+"And this," said the Colonel presently, taking up an exquisitely
+carved ivory Buddha, "has a strange history. In some way a
+legend has grown up around it--it is of very great age--to the
+effect that it must always cause its owner to lose his most
+cherished possession."
+
+"I wonder," said the silvern voice, "that you, who possess so
+many beautiful things, should consent to have so ill-omened a
+curiosity in your house."
+
+"I do not fear the evil charm of this little ivory image," said
+Colonel Deacon, "although its history goes far to bear out the
+truth of the legend. Its last possessor lost his most cherished
+possession a month after the Buddha came into his hands. He fell
+down his own stairs--and lost his life!"
+
+Madame de Medici languidly surveyed the figure through the
+upraised emerald.
+
+"Really!" she murmured. "And the one from whom he procured it?"
+
+"A Hindu usurer of Simla," replied the Colonel. "His daughter
+stole it from her father together with many other things, and
+took them to her lover, with whom she fled!"
+
+Madame de Medici seemed to be slightly interested.
+
+"I should love to possess so weird a thing," she said softly.
+
+"It is yours!" exclaimed the Colonel, and placed it in her hands.
+
+"Oh, but really," she protested.
+
+"But really I insist--in order that you may not forget your first
+visit to my house!"
+
+She shrugged her shoulders.
+
+"How very kind you are, Colonel Deacon," she said, "to a rival
+collector!"
+
+"Now that the menace is removed," said Colonel Deacon with
+laboured humour, "I will show you my most treasured possession."
+
+"So! I am greatly interested."
+
+"Not even this rascal Rene," said the Colonel, stopping before a
+safe set in the wall, "has seen what I am about to show you!"
+
+Rene started slightly and watched with intense interest the
+unlocking of the safe.
+
+"If I am not superstitious about the ivory Buddha," continued the
+Colonel, "I must plead guilty in the case of the Key of the
+Temple of Heaven!"
+
+"The Key of the Temple of Heaven!" murmured a lady standing
+immediately behind Madame de Medici. "And what is the Key of the
+Temple of Heaven?"
+
+The Colonel, having unlocked the safe, straightened himself, and
+while everyone was waiting to see what he had to show, began to
+speak again pompously:
+
+"The Temple of Heaven stands in the outer or Chinese City of
+Pekin, and is fabulously wealthy. No European, I can swear, had
+ever entered its secret chambers until last year. One of its
+most famous treasures was this Key. It was used only to open the
+special entrance reserved for the Emperor when he came to worship
+after his succession to the throne--that was, of course, before
+China became a Republic. The Key is studded almost all over with
+precious stones. Last year a certain naval man--I'll not mention
+his name--discovered the secret of its hiding-place. How he came
+by that knowledge does not matter at present. One very dark
+night he crept up to the temple. He found the Keeper of the Key--
+a Buddhist priest--to be sleeping, and he succeeded, therefore,
+in gaining access and becoming possessed of the Key."
+
+A chorus of excited exclamations greeted this dramatic point of
+the story.
+
+"The object of this outrage," continued the Colonel, "for an
+outrage I cannot deny it to have been, was not a romantic one.
+The poor chap wanted money, and he thought he could sell the Key
+to one of the native jewellers. But he was mistaken. He got
+back safely, and secretly offered it in various directions. No
+one would touch the thing; moreover, although of great value, the
+stones were very far from flawless, and not really worth the
+risks which he had run to secure them. Don't misunderstand me;
+the Key would fetch a big sum, but not a fortune."
+
+"Yes?" said Madame de Medici, smiling, for the Colonel paused.
+
+"He packed it up and addressed it to me, together with a letter.
+The price that he asked was quite a moderate one, and when the
+Key arrived in England I dispatched a check immediately. It
+never reached him."
+
+"Why?" cried many whom this strange story had profoundly
+interested.
+
+"He was found dead at the back of the native cantonments, with a
+knife in his heart!"
+
+"Oh!" exclaimed Lady Dascot. "How positively ghastly! I don't
+think I want to see the dreadful thing!"
+
+"Really!" murmured Madame de Medici, turning languidly to the
+speaker. "I do."
+
+The Colonel stooped and reached into the safe. Then he began to
+take out object after object, box after box. Finally, he
+straightened himself again, and all saw that his face was oddly
+blanched.
+
+"It's gone!" he whispered hoarsely. "The Key of the Temple of
+Heaven has been stolen!"
+
+
+
+
+VI
+
+MADAME SMILES
+
+
+
+Rene entered his bedroom, locked the door, and seated himself on
+the bed; then he lowered his head into his hands and clutched at
+his hair distractedly. Since, on his uncle's own showing, no one
+knew that the Key of the Temple of Heaven had been in the safe,
+since, excepting himself (Rene) and the Colonel, no one else knew
+the lock combination, how the Key had been stolen was a mystery
+which defied conjecture. No one but the Colonel had approached
+within several yards of the safe at the time it was opened; so
+that clearly the theft had been committed prior to that time.
+
+Now Rene sought to recall the details of a strange dream which he
+had dreamed immediately before awakening on the previous night;
+but he sought in vain. His memory could supply only blurred
+images. There had been a safe in his dream, and he--was it he or
+another?--had unlocked it. Also there had been an enormous ivory
+Buddha. . . . Yet, stay! it had not been enormous; it had
+been. . .
+
+He groaned at his own impotency to recall the circumstances of
+that mysterious, perhaps prophetic dream; then in despair he gave
+it up, and stooping to a little secretaire, unlocked it with the
+idea of sending a note round to Annesley's chambers. As he did
+so he uttered a loud cry.
+
+Lying in one of the pigeon-holes was a long piece of black silk,
+apparently torn from the lining of an opera hat. In it two holes
+were cut as if it were intended to be used as a mask. Beside it
+lay a little leather-covered box. He snatched it out and opened
+it. It was empty!
+
+"Am I going mad?" he groaned. "Or------"
+
+"You are wanted on the 'phone, sir."
+
+It was the butler who had interrupted him. Rene descended to the
+telephone, dazedly, but, recognizing the voice of Annesley,
+roused himself.
+
+"I'm leaving town to-night, Deacon," said Annesley, "for--well,
+many reasons. But before I go I must give you a warning, though
+I rely on you never to mention my name in the matter. Avoid the
+woman who calls herself Madame de Medici; she'll break you.
+She's an adventuress, and has a dangerous acquaintance with
+Eastern cults, and. . . I can't explain properly. . . ."
+
+"Annesley! the Key!"
+
+"It's the theft of the Key that has prompted me to speak, Deacon.
+Madame has some sort of power--hypnotic power. She employed it
+on me once, to my cost! Paul Harley, of Chancery Lane, can tell
+you more about her. The house she's living in temporarily used
+to belong to a notorious Eurasian, Zani Chada. To make a clean
+breast of it I daren't thwart her openly; but I felt it up to me
+to tell you that she possesses the secret of post-hypnotic
+suggestion. I may be wrong, but I think you stole that Key!"
+
+"I!"
+
+"She hypnotized you at some time, and, by means of this uncanny
+power of hers, ordered you to steal the Key of the Temple of
+Heaven in such and such a fashion at a certain hour in the
+night. . ."
+
+"I had a strange seizure while I was at her house. . . ."
+
+"Exactly! During that time you were receiving your hypnotic
+orders. You would remember nothing of them until the time to
+execute them--which would probably be during sleep. In a state
+of artificial somnambulism, and under the direction of Madame's
+will, you became a burglar!"
+
+As Madame de Medici's car drove off from the house of Colonel
+Deacon, and Madame seated herself in the cushioned corner, up
+from amid the furs upon the floor, where, dog-like, he had lain
+concealed, rose the little yellow man from the Temple of Heaven.
+He extended eager hands toward her, kneeling there, and spoke:
+
+"Quick! quick!" he breathed. "You have it? The Key of the
+Temple."
+
+Madame held in her hand an ivory Buddha. Inverting it she
+unscrewed the pedestal, and out from the hollow inside the image
+dropped a gleaming Key.
+
+"Ah!" breathed the yellow man, and would have clutched it; but
+Madame disdainfully raised her right hand which held the
+treasure, and with her left hand thrust down the clutching yellow
+fingers.
+
+She dropped the Key between her white skin and the bodice of her
+gown, tossing the ivory figure contemptuously amid the fur.
+
+"Ah!" repeated the yellow man in a different tone, and his eyes
+gleamed with the flame of fanaticism. He slowly uprose, a
+sinister figure, and with distended fingers prepared to seize
+Madame by the throat. His eyes were bloodshot, his nostrils were
+dilated, and his teeth were exposed like the fangs of a wolf.
+
+But she pulled off her glove and stretched out her bare white
+hand to him as a queen to a subject; she raised the long curved
+lashes, and the great amber eyes looked into the angry bloodshot
+eyes.
+
+The little yellow man began to breathe more and more rapidly;
+soon he was panting like one in a fight to the death who is all
+but conquered. At last he dropped on his knees amid the fur. . .
+and the curling lashes were lowered again over the blazing amber
+eyes that had conquered.
+
+Madame de Medici lowered her beautiful white hand, and the little
+yellow man seized it in both his own and showered rapturous
+kisses upon it.
+
+Madame smiled slightly.
+
+"Poor little yellow man!" she murmured in sibilant Chinese, "you
+shall never return to the Temple of Heaven!"
+
+
+
+
+
+
+
+End of the Project Gutenberg EBook of Tales of Chinatown, by Sax Rohmer
+
+*** END OF THE PROJECT GUTENBERG EBOOK TALES OF CHINATOWN ***
+
+This file should be named tlsct10.txt or tlsct10.zip
+Corrected EDITIONS of our eBooks get a new NUMBER, tlsct11.txt
+VERSIONS based on separate sources get new LETTER, tlsct10a.txt
+
+Produced by Alan Johns
+
+Project Gutenberg eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the US
+unless a copyright notice is included. Thus, we usually do not
+keep eBooks in compliance with any particular paper edition.
+
+We are now trying to release all our eBooks one year in advance
+of the official release dates, leaving time for better editing.
+Please be encouraged to tell us about any error or corrections,
+even years after the official publication date.
+
+Please note neither this listing nor its contents are final til
+midnight of the last day of the month of any such announcement.
+The official release date of all Project Gutenberg eBooks is at
+Midnight, Central Time, of the last day of the stated month. A
+preliminary version may often be posted for suggestion, comment
+and editing by those who wish to do so.
+
+Most people start at our Web sites at:
+http://gutenberg.net or
+http://promo.net/pg
+
+These Web sites include award-winning information about Project
+Gutenberg, including how to donate, how to help produce our new
+eBooks, and how to subscribe to our email newsletter (free!).
+
+
+Those of you who want to download any eBook before announcement
+can get to them as follows, and just download by date. This is
+also a good way to get them instantly upon announcement, as the
+indexes our cataloguers produce obviously take a while after an
+announcement goes out in the Project Gutenberg Newsletter.
+
+http://www.ibiblio.org/gutenberg/etext03 or
+ftp://ftp.ibiblio.org/pub/docs/books/gutenberg/etext03
+
+Or /etext02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90
+
+Just search by the first five letters of the filename you want,
+as it appears in our Newsletters.
+
+
+Information about Project Gutenberg (one page)
+
+We produce about two million dollars for each hour we work. The
+time it takes us, a rather conservative estimate, is fifty hours
+to get any eBook selected, entered, proofread, edited, copyright
+searched and analyzed, the copyright letters written, etc. Our
+projected audience is one hundred million readers. If the value
+per text is nominally estimated at one dollar then we produce $2
+million dollars per hour in 2002 as we release over 100 new text
+files per month: 1240 more eBooks in 2001 for a total of 4000+
+We are already on our way to trying for 2000 more eBooks in 2002
+If they reach just 1-2% of the world's population then the total
+will reach over half a trillion eBooks given away by year's end.
+
+The Goal of Project Gutenberg is to Give Away 1 Trillion eBooks!
+This is ten thousand titles each to one hundred million readers,
+which is only about 4% of the present number of computer users.
+
+Here is the briefest record of our progress (* means estimated):
+
+eBooks Year Month
+
+ 1 1971 July
+ 10 1991 January
+ 100 1994 January
+ 1000 1997 August
+ 1500 1998 October
+ 2000 1999 December
+ 2500 2000 December
+ 3000 2001 November
+ 4000 2001 October/November
+ 6000 2002 December*
+ 9000 2003 November*
+10000 2004 January*
+
+
+The Project Gutenberg Literary Archive Foundation has been created
+to secure a future for Project Gutenberg into the next millennium.
+
+We need your donations more than ever!
+
+As of February, 2002, contributions are being solicited from people
+and organizations in: Alabama, Alaska, Arkansas, Connecticut,
+Delaware, District of Columbia, Florida, Georgia, Hawaii, Illinois,
+Indiana, Iowa, Kansas, Kentucky, Louisiana, Maine, Massachusetts,
+Michigan, Mississippi, Missouri, Montana, Nebraska, Nevada, New
+Hampshire, New Jersey, New Mexico, New York, North Carolina, Ohio,
+Oklahoma, Oregon, Pennsylvania, Rhode Island, South Carolina, South
+Dakota, Tennessee, Texas, Utah, Vermont, Virginia, Washington, West
+Virginia, Wisconsin, and Wyoming.
+
+We have filed in all 50 states now, but these are the only ones
+that have responded.
+
+As the requirements for other states are met, additions to this list
+will be made and fund raising will begin in the additional states.
+Please feel free to ask to check the status of your state.
+
+In answer to various questions we have received on this:
+
+We are constantly working on finishing the paperwork to legally
+request donations in all 50 states. If your state is not listed and
+you would like to know if we have added it since the list you have,
+just ask.
+
+While we cannot solicit donations from people in states where we are
+not yet registered, we know of no prohibition against accepting
+donations from donors in these states who approach us with an offer to
+donate.
+
+International donations are accepted, but we don't know ANYTHING about
+how to make them tax-deductible, or even if they CAN be made
+deductible, and don't have the staff to handle it even if there are
+ways.
+
+Donations by check or money order may be sent to:
+
+Project Gutenberg Literary Archive Foundation
+PMB 113
+1739 University Ave.
+Oxford, MS 38655-4109
+
+Contact us if you want to arrange for a wire transfer or payment
+method other than by check or money order.
+
+The Project Gutenberg Literary Archive Foundation has been approved by
+the US Internal Revenue Service as a 501(c)(3) organization with EIN
+[Employee Identification Number] 64-622154. Donations are
+tax-deductible to the maximum extent permitted by law. As fund-raising
+requirements for other states are met, additions to this list will be
+made and fund-raising will begin in the additional states.
+
+We need your donations more than ever!
+
+You can get up to date donation information online at:
+
+http://www.gutenberg.net/donation.html
+
+
+***
+
+If you can't reach Project Gutenberg,
+you can always email directly to:
+
+Michael S. Hart <hart@pobox.com>
+
+Prof. Hart will answer or forward your message.
+
+We would prefer to send you information by email.
+
+
+**The Legal Small Print**
+
+
+(Three Pages)
+
+***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN EBOOKS**START***
+Why is this "Small Print!" statement here? You know: lawyers.
+They tell us you might sue us if there is something wrong with
+your copy of this eBook, even if you got it for free from
+someone other than us, and even if what's wrong is not our
+fault. So, among other things, this "Small Print!" statement
+disclaims most of our liability to you. It also tells you how
+you may distribute copies of this eBook if you want to.
+
+*BEFORE!* YOU USE OR READ THIS EBOOK
+By using or reading any part of this PROJECT GUTENBERG-tm
+eBook, you indicate that you understand, agree to and accept
+this "Small Print!" statement. If you do not, you can receive
+a refund of the money (if any) you paid for this eBook by
+sending a request within 30 days of receiving it to the person
+you got it from. If you received this eBook on a physical
+medium (such as a disk), you must return it with your request.
+
+ABOUT PROJECT GUTENBERG-TM EBOOKS
+This PROJECT GUTENBERG-tm eBook, like most PROJECT GUTENBERG-tm eBooks,
+is a "public domain" work distributed by Professor Michael S. Hart
+through the Project Gutenberg Association (the "Project").
+Among other things, this means that no one owns a United States copyright
+on or for this work, so the Project (and you!) can copy and
+distribute it in the United States without permission and
+without paying copyright royalties. Special rules, set forth
+below, apply if you wish to copy and distribute this eBook
+under the "PROJECT GUTENBERG" trademark.
+
+Please do not use the "PROJECT GUTENBERG" trademark to market
+any commercial products without permission.
+
+To create these eBooks, the Project expends considerable
+efforts to identify, transcribe and proofread public domain
+works. Despite these efforts, the Project's eBooks and any
+medium they may be on may contain "Defects". Among other
+things, Defects may take the form of incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged
+disk or other eBook medium, a computer virus, or computer
+codes that damage or cannot be read by your equipment.
+
+LIMITED WARRANTY; DISCLAIMER OF DAMAGES
+But for the "Right of Replacement or Refund" described below,
+[1] Michael Hart and the Foundation (and any other party you may
+receive this eBook from as a PROJECT GUTENBERG-tm eBook) disclaims
+all liability to you for damages, costs and expenses, including
+legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR
+UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,
+INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE
+OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE
+POSSIBILITY OF SUCH DAMAGES.
+
+If you discover a Defect in this eBook within 90 days of
+receiving it, you can receive a refund of the money (if any)
+you paid for it by sending an explanatory note within that
+time to the person you received it from. If you received it
+on a physical medium, you must return it with your note, and
+such person may choose to alternatively give you a replacement
+copy. If you received it electronically, such person may
+choose to alternatively give you a second opportunity to
+receive it electronically.
+
+THIS EBOOK IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
+TO THE EBOOK OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
+PARTICULAR PURPOSE.
+
+Some states do not allow disclaimers of implied warranties or
+the exclusion or limitation of consequential damages, so the
+above disclaimers and exclusions may not apply to you, and you
+may have other legal rights.
+
+INDEMNITY
+You will indemnify and hold Michael Hart, the Foundation,
+and its trustees and agents, and any volunteers associated
+with the production and distribution of Project Gutenberg-tm
+texts harmless, from all liability, cost and expense, including
+legal fees, that arise directly or indirectly from any of the
+following that you do or cause: [1] distribution of this eBook,
+[2] alteration, modification, or addition to the eBook,
+or [3] any Defect.
+
+DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
+You may distribute copies of this eBook electronically, or by
+disk, book or any other medium if you either delete this
+"Small Print!" and all other references to Project Gutenberg,
+or:
+
+[1] Only give exact copies of it. Among other things, this
+ requires that you do not remove, alter or modify the
+ eBook or this "small print!" statement. You may however,
+ if you wish, distribute this eBook in machine readable
+ binary, compressed, mark-up, or proprietary form,
+ including any form resulting from conversion by word
+ processing or hypertext software, but only so long as
+ *EITHER*:
+
+ [*] The eBook, when displayed, is clearly readable, and
+ does *not* contain characters other than those
+ intended by the author of the work, although tilde
+ (~), asterisk (*) and underline (_) characters may
+ be used to convey punctuation intended by the
+ author, and additional characters may be used to
+ indicate hypertext links; OR
+
+ [*] The eBook may be readily converted by the reader at
+ no expense into plain ASCII, EBCDIC or equivalent
+ form by the program that displays the eBook (as is
+ the case, for instance, with most word processors);
+ OR
+
+ [*] You provide, or agree to also provide on request at
+ no additional cost, fee or expense, a copy of the
+ eBook in its original plain ASCII form (or in EBCDIC
+ or other equivalent proprietary form).
+
+[2] Honor the eBook refund and replacement provisions of this
+ "Small Print!" statement.
+
+[3] Pay a trademark license fee to the Foundation of 20% of the
+ gross profits you derive calculated using the method you
+ already use to calculate your applicable taxes. If you
+ don't derive profits, no royalty is due. Royalties are
+ payable to "Project Gutenberg Literary Archive Foundation"
+ the 60 days following each date you prepare (or were
+ legally required to prepare) your annual (or equivalent
+ periodic) tax return. Please contact us beforehand to
+ let us know your plans and to work out the details.
+
+WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
+Project Gutenberg is dedicated to increasing the number of
+public domain and licensed works that can be freely distributed
+in machine readable form.
+
+The Project gratefully accepts contributions of money, time,
+public domain materials, or royalty free copyright licenses.
+Money should be paid to the:
+"Project Gutenberg Literary Archive Foundation."
+
+If you are interested in contributing scanning equipment or
+software or other items, please contact Michael Hart at:
+hart@pobox.com
+
+[Portions of this eBook's header and trailer may be reprinted only
+when distributed free of all fees. Copyright (C) 2001, 2002 by
+Michael S. Hart. Project Gutenberg is a TradeMark and may not be
+used in any sales of Project Gutenberg eBooks or other materials be
+they hardware or software or any other related product without
+express permission.]
+
+*END THE SMALL PRINT! FOR PUBLIC DOMAIN EBOOKS*Ver.02/11/02*END*
+
diff --git a/old/tlsct10.zip b/old/tlsct10.zip
new file mode 100644
index 0000000..979226c
--- /dev/null
+++ b/old/tlsct10.zip
Binary files differ