summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
-rw-r--r--59072-0.txt (renamed from 59072-8.txt)832
-rw-r--r--59072-h/59072-h.htm411
2 files changed, 226 insertions, 1017 deletions
diff --git a/59072-8.txt b/59072-0.txt
index 1b8dafe..3ff5d42 100644
--- a/59072-8.txt
+++ b/59072-0.txt
@@ -1,33 +1,8 @@
-The Project Gutenberg EBook of The Secret Tomb, by Maurice Le Blanc
+*** START OF THE PROJECT GUTENBERG EBOOK 59072 ***
-This eBook is for the use of anyone anywhere in the United States and
-most other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms
-of the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you'll
-have to check the laws of the country where you are located before using
-this ebook.
-Title: The Secret Tomb
-
-Author: Maurice Le Blanc
-
-Release Date: March 16, 2019 [EBook #59072]
-
-Language: English
-
-Character set encoding: ISO-8859-1
-
-*** START OF THIS PROJECT GUTENBERG EBOOK THE SECRET TOMB ***
-
-
-
-
-Produced by Greg Weeks, Mary Meehan and the Online
-Distributed Proofreading Team at http://www.pgdp.net
-
@@ -62,7 +37,7 @@ Distributed Proofreading Team at http://www.pgdp.net
CONTENTS
- I THE CHÂTEAU DE ROBOREY
+ I THE CHÂTEAU DE ROBOREY
II DOROTHY'S CIRCUS
@@ -108,7 +83,7 @@ THE SECRET TOMB
CHAPTER I
-THE CHÂTEAU DE ROBOREY
+THE CHÂTEAU DE ROBOREY
Under a sky heavy with stars and faintly brighter for a low-hanging
@@ -208,7 +183,7 @@ walls of rock and turning off abruptly. Dorothy stopped short. She had
reached her goal.
Facing her, on a pedestal of granite, cleanly cut down, and not more
-than a hundred feet in diameter, rose the main building of a château,
+than a hundred feet in diameter, rose the main building of a château,
which though it lacked grandeur of style itself, yet drew from its
position and the impressive nature of its construction an air of being
a seigniorial residence. To the right and left the valley, narrowed to
@@ -221,7 +196,7 @@ ended at the foot of the almost vertical cliff of the granite pedestal.
won't be long."
She crouched down behind the enormous trunk of an uprooted tree and
-watched with unwinking eyes the line of demarcation between the château
+watched with unwinking eyes the line of demarcation between the château
itself and its rocky base.
A narrow shelf of rock lengthened this line, running below the windows
@@ -274,7 +249,7 @@ noise.
A few minutes more slipped away. Then the inevitable event which
Dorothy had at once desired and feared took place. The window of the
-château, through which Saint-Quentin had climbed the night before,
+château, through which Saint-Quentin had climbed the night before,
opened; and there appeared a long body clad in a long black coat,
its head covered with a high hat, which, even at that distance, were
plainly shiny, dirty, and patched.
@@ -400,7 +375,7 @@ I went through them all. Nothing--that is to say, pictures and other
things too big to carry away. Then I hid myself in a closet, from which
I could see into a little sitting-room next to the prettiest bedroom.
They danced till late; then came upstairs ... fashionable people.... I
-saw them through a peep-hole in the door ... the ladies décolletées,
+saw them through a peep-hole in the door ... the ladies décolletées,
the gentlemen in evening dress.... At last one of the ladies went into
the boudoir. She put her jewels into a jewel-box and the jewel-box into
a small safe, saying out loud as she opened it the three letters of the
@@ -468,7 +443,7 @@ Overwhelmed, Saint-Quentin said imploringly:
"Then we won't say anything more about it. I feel that you mean what
you say. Take back these jewels. You can hide them in the big basket
under the caravan. Next week you will send them back by post. It's the
-Château de Chagny, isn't it?"
+Château de Chagny, isn't it?"
"Yes, and I saw the lady's name on one of her band-boxes. She's the
Comtesse de Chagny."
@@ -582,16 +557,16 @@ directions on a sign-post.
"Look," she repeated. "Chagny. A mile and a half."
-"Quite so. It's the village of our château of yesterday. Only to get to
+"Quite so. It's the village of our château of yesterday. Only to get to
it we made a short cut through the woods."
-"Chagny. A mile and a half. Château de Roborey."
+"Chagny. A mile and a half. Château de Roborey."
She appeared to be troubled and in a low voice she murmured again:
"Roborey--Roborey."
-"Doubtless that's the proper name of the château," hazarded
+"Doubtless that's the proper name of the château," hazarded
Saint-Quentin. "What difference can it make to you?"
"None--none."
@@ -629,7 +604,7 @@ memory my poor father was obsessed at the time of his death. It was,
apparently, more than an obsession ... it was a terror ... a dread.
Why? I have never been able to find the explanation of it. So now you
understand, Saint-Quentin, on seeing this name ... written there,
-staring me in the face ... on learning that there was a château of that
+staring me in the face ... on learning that there was a château of that
name...."
Saint-Quentin was frightened:
@@ -656,7 +631,7 @@ of the men of the Rifle-Range called to them:
"Where to?" said Dorothy.
-"To the château. There's a village fête in the grounds. Shall I keep a
+"To the château. There's a village fête in the grounds. Shall I keep a
pitch for you?"
"Right. And thanks very much," replied the young girl.
@@ -679,9 +654,9 @@ rode on in front of the little party.
"You see," said Dorothy, smiling, "they're not taking any notice of us."
-"No; but they're going to the château."
+"No; but they're going to the château."
-"Of course they are. There's a fête there; and two policemen have to be
+"Of course they are. There's a fête there; and two policemen have to be
present."
"Always supposing that they haven't discovered the disappearance of the
@@ -705,13 +680,13 @@ in the tall hat!"
searched us they'd find the earrings."
"Drop them in some bushes in the park when we get there. I'll tell the
-people of the château their fortunes; and thanks to me, the lady will
+people of the château their fortunes; and thanks to me, the lady will
recover her earrings. Our fortunes are made."
"But if by any chance----"
"Rubbish! It would amuse me to go and see what is going on at the
-château which is named Roborey. So I'm going."
+château which is named Roborey. So I'm going."
"Yes; but I'm afraid ... afraid for you as well."
@@ -729,16 +704,16 @@ CHAPTER II
DOROTHY'S CIRCUS
-The château, situated at no great distance from Domfront, in the
+The château, situated at no great distance from Domfront, in the
most rugged district of the picturesque department of the Orne, only
received the name of Roborey in the course of the eighteenth century.
-Earlier it took its name of the Château de Chagny from the village
+Earlier it took its name of the Château de Chagny from the village
which was grouped round it. The village green is in fact only a
-prolongation of the court-yard of the château. When the iron gates are
+prolongation of the court-yard of the château. When the iron gates are
open the two form an esplanade, constructed over the ancient moat, from
which one descends on the right and left by steep slopes. The inner
court-yard, circular and enclosed by two battlemented walls which run
-to the buildings of the château, is adorned by a fine old fountain of
+to the buildings of the château, is adorned by a fine old fountain of
dolphins and sirens and a sun-dial set up on a rockery in the worst
taste.
@@ -757,7 +732,7 @@ coach.
Already a dozen vehicles stood on the esplanade; and round them the
showmen were busily setting up their canvas tents and swings and
wooden horses, etc. Dorothy's Circus made no such preparations. Its
-directress went to the mayor's office to have her license viséd, while
+directress went to the mayor's office to have her license viséd, while
Saint-Quentin unharnessed One-eyed Magpie, and the two musicians
changed their profession and set about cooking the dinner.
@@ -768,7 +743,7 @@ villages. After the meal Saint-Quentin, Castor, and Pollux took a
siesta beside the caravan. Dorothy again went off. She went down into
the ravine, examined the slab over the excavation, went up out of
it again, moved among the groups of peasants and strolled about the
-gardens, round the château, and everywhere else that one was allowed to
+gardens, round the château, and everywhere else that one was allowed to
go.
"Well, how's your search getting on?" said Saint-Quentin when she
@@ -776,11 +751,11 @@ returned to the caravan.
She appeared thoughtful, and slowly she explained:
-"The château, which has been empty for a long while, belongs to the
+"The château, which has been empty for a long while, belongs to the
family of Chagny-Roborey, of which the last representative, Count
Octave, a man about forty, married, twelve years ago, a very rich
woman. After the war the Count and Countess restored and modernized
-the château. Yesterday evening they had a house-warming to which
+the château. Yesterday evening they had a house-warming to which
they invited a large party of guests who went away at the end of the
evening. To-day they're having a kind of popular house-warming for the
villagers."
@@ -841,7 +816,7 @@ rhododendrons between the gates and the coach-house."
the little safe is in the boudoir of the Countess. I heard some of the
maids talking; and nothing was said about any robbery. They'd have been
full of it." She added: "Look! there are some of the people from the
-château in front of the shooting-gallery. Is it that pretty fair lady
+château in front of the shooting-gallery. Is it that pretty fair lady
with the grand air?"
"Yes. I recognize her."
@@ -857,7 +832,7 @@ husband, who, it appears, is not at all easy to get on with."
out with importance. Look; he has taken a rifle. The two on either
side of the Countess are distant relations. The tall one with the
grizzled beard which runs up to his tortoise-shell spectacles, has
-been at the château a month. The other more sallow one, in a velveteen
+been at the château a month. The other more sallow one, in a velveteen
shooting-coat and gaiters, arrived yesterday."
"But they look as if they knew you, both of them."
@@ -871,7 +846,7 @@ Saint-Quentin made an indignant movement. She checked him at once.
begins."
The crowd was thronging round the back of the tent to watch the
-exploits of the owner of the château, whose skill was well known.
+exploits of the owner of the château, whose skill was well known.
The dozen bullets which he fired made a ring round the center of the
target; and there was a burst of applause.
@@ -940,7 +915,7 @@ gentlemen."
From that moment Dorothy was all movement, liveliness, and gayety.
Saint-Quentin had marked off a sufficiently large circle, in front of
the door of the caravan, with a rope supported by stakes. Round this
-arena, in which chairs were reserved for the people of the château, the
+arena, in which chairs were reserved for the people of the château, the
spectators were closely packed together on benches and flights of steps
and on anything they could lay their hands on.
@@ -1091,7 +1066,7 @@ The bearded nobleman was beside himself. He loaded the young girl with
extravagant compliments, looking at her the while in an uncommonly
equivocal fashion. He introduced himself as "Maxime d'Estreicher,"
introduced his companion as "Raoul Davernoie," and finally, on behalf
-of the Countess Octave, invited her to come to tea in the château.
+of the Countess Octave, invited her to come to tea in the château.
"Alone?" she asked.
@@ -1100,7 +1075,7 @@ cousin is anxious to congratulate all your comrades. Will you come,
mademoiselle?"
Dorothy accepted. Just a moment to change her frock, and she would come
-to the château.
+to the château.
"No, no; no toilet!" cried d'Estreicher. "Come as you are.... You look
perfectly charming in that slightly scanty costume. How pretty you are
@@ -1174,14 +1149,14 @@ them."
the caravan, and when the policemen approach, shoot them down."
When she had made herself tidy, she took Saint-Quentin with her to the
-château and on the way made him repeat all the details of his nocturnal
+château and on the way made him repeat all the details of his nocturnal
expedition. Behind them came Castor and Pollux, then the Captain,
who dragged after him by a string a little toy cart loaded with tiny
packages.
* * * * *
-They entertained them in the large drawing-room of the château. The
+They entertained them in the large drawing-room of the château. The
Countess, who indeed was, as Dorothy had said, an agreeable and amiable
woman, and of a seductive prettiness, stuffed the children with
dainties, and was wholly charming to the young girl. For her part,
@@ -1307,7 +1282,7 @@ The Countess spoke in a tone the carelessness of which was not perhaps
absolutely sincere.
"Well, then, mademoiselle, you spoke of forgotten dungeons and ancient
-stones and hidden treasures. Now, the Château de Roborey is several
+stones and hidden treasures. Now, the Château de Roborey is several
centuries old. It has undoubtedly been the scene of adventures and
dramas; and it would amuse us to know whether any of its inhabitants
have by any chance left in some out-of-way corner one of these fabulous
@@ -1326,14 +1301,14 @@ The young girl broke in firmly:
"You asked me the question, madame, as if you were giving way to a
sudden curiosity, which did not rest, so to speak, on any real base.
Now you know as well as I do that excavations have been made in the
-château."
+château."
"That's very possible," said Count Octave. "But if they were, it must
have been dozens of years ago, in the time of my father or grandfather."
"There are recent excavations," Dorothy asserted.
-"But we have only been living in the château a month!"
+"But we have only been living in the château a month!"
"It isn't a matter of a month, but of some days ... of some hours...."
@@ -1445,7 +1420,7 @@ With an air of challenge he repeated the Countess's question:
Boldly Dorothy accepted the challenge.
"Because the digging has gone on. There is in the ravine, under the
-walls of the château, among the stones which have fallen from the
+walls of the château, among the stones which have fallen from the
cliff, an ancient slab, which certainly comes from some demolished
structure. The word FORTUNA is to be deciphered on the base of
it also. Let some one move that slab and they will discover a perfectly
@@ -1569,7 +1544,7 @@ mattock."
"And which way does he go?"
"He goes back up the ravine.... He comes to the iron gates of the
-château."
+château."
"But they're locked."
@@ -1596,7 +1571,7 @@ The young girl broke off as if her attention were fixed on some one
whose outline was blurred and lost in the shadow like a phantom.
"I do not see him any longer," she said. "I can see nothing any
-longer.... Do I?... Ah yes, the steps of the château.... The door is
+longer.... Do I?... Ah yes, the steps of the château.... The door is
shut quietly.... And then ... then the staircase.... A long corridor
dimly lighted by small windows.... However I can distinguish some
prints ... galloping horses ... sportsmen in red coats.... Ah! The
@@ -1620,7 +1595,7 @@ two doors. The man opens the two doors and reveals a safe."
They were listening to Dorothy in a troubled silence, their faces
twitching with emotion. How could any one have failed to believe the
whole of the vision the young girl was describing, seeing that she
-had never been over the château, never crossed the threshold of this
+had never been over the château, never crossed the threshold of this
boudoir, and that nevertheless she was describing things which must
have been unknown to her.
@@ -1691,7 +1666,7 @@ D'Estreicher came a few steps further into the room and replied:
"What is very amusing is to mix up into one and the same person the
individual who was making an excavation under the slab of stone and
-this other individual who broke into the château last night and stole
+this other individual who broke into the château last night and stole
the jewels."
"That is to say?" asked the young girl.
@@ -1842,8 +1817,8 @@ more open with me."
"I know what I'm doing, my lad."
She was silent. She gazed through the open window near which Castor and
-Pollux were fighting. The noise of hurrying footsteps reëchoed about
-the château. People were calling out to one another. A servant ran
+Pollux were fighting. The noise of hurrying footsteps reëchoed about
+the château. People were calling out to one another. A servant ran
across the court at full speed and shut the gates, leaving a small part
of the crowd and three or four caravans, of which one was Dorothy's
Circus, in the court-yard.
@@ -2233,7 +2208,7 @@ The inspector uttered a grunt of approval and continued his examination.
"And Castor and Pollux."
"I don't know where they come from. In 1918, during the German push
-towards Châlons, they were caught in the storm and picked up on a road
+towards Châlons, they were caught in the storm and picked up on a road
by some French soldiers who gave them their nicknames. The shock was
so great that they've lost all memory of the years before those days.
Are they brothers? Were they acquaintances? Where are their families?
@@ -2299,7 +2274,7 @@ certificate of identity."
"Made out by whom?"
-"By the Prefecture of Châlons, which is the chief city of the
+"By the Prefecture of Châlons, which is the chief city of the
department in which I was born."
"Show it to me."
@@ -2375,7 +2350,7 @@ over again, and read aloud in a tone of amazement:
She finished the sentence for him, laughing:
-"Countess Marescot, Baroness de la Hêtraie, de Beaugreval, and other
+"Countess Marescot, Baroness de la Hêtraie, de Beaugreval, and other
places."
The Count seized the birth certificate with no less eagerness, and more
@@ -2455,7 +2430,7 @@ to indulge in a pomposity of diction employing only the most select
vocabulary, striving to observe the rules of grammar, and fearless of
subjunctives. He went on:
-"Mademoiselle, my father, François de Chagny, my grandfather,
+"Mademoiselle, my father, François de Chagny, my grandfather,
Dominique de Chagny, and my great-grandfather, Gaspard de Chagny,
lived their lives in the sure conviction that great wealth would
be ... how shall I put it? ... would be offered to them, by reason of
@@ -2464,16 +2439,16 @@ advance that he would be the beneficiary. And each of them took the
greater joy in the fact and indulged in a hope all the more agreeable
because the Revolution had ruined the house of the Counts de Chagny
from the roof-tree to the basement. On what was this conviction based?
-Neither François, nor Dominique, nor Gaspard de Chagny ever knew. It
+Neither François, nor Dominique, nor Gaspard de Chagny ever knew. It
came from vague legends which described exactly neither the nature of
the riches nor the epoch at which they would appear, but all of which
had this in common that they evoked the name of Roborey. And these
-legends could not have gone very far back since this château, which
-was formerly called the Château de Chagny, only received the name of
+legends could not have gone very far back since this château, which
+was formerly called the Château de Chagny, only received the name of
Chagny-Roborey in the reign of Louis XVI. Is it this designation which
brought about the excavations that were made from time to time? It is
extremely probable. At all events it is a fact that at the very moment
-the war broke out I had formed the resolution of restoring this Château
+the war broke out I had formed the resolution of restoring this Château
de Roborey, which had become merely a shooting-box and definitely
settling down in it, for all that, and I am not ashamed to say it, my
recent marriage with Madame de Chagny had enabled me to wait for these
@@ -2565,7 +2540,7 @@ letter, she listened to it.
'_In Robore Fortuna_.' Three words which may be thus translated:
'Fortune is in the firm heart,' but which, in view of the presence
of this word 'Robore' and in spite of the difference in the
- spelling, doubtless point to the Château de Roborey as the place in
+ spelling, doubtless point to the Château de Roborey as the place in
which the fortune, of which our family legends tell will
consequently be hidden.
@@ -2817,7 +2792,7 @@ used to it. Their health demands it."
The Countess insisted: "But we can't allow it--really! You're going to
stay with us at least some days; and from this evening you will dine
-and sleep at the château."
+and sleep at the château."
"I beg you to excuse me, madame. I'm rather tired.... I want to be
alone."
@@ -2854,7 +2829,7 @@ It was Raoul Davernoie who answered:
"That's a point on which I can give you some information, mademoiselle.
A fortnight ago I saw in the hands of my grandfather, with whom I live
-at Hillocks Manor in Vendée, a large gold coin. He was studying it;
+at Hillocks Manor in Vendée, a large gold coin. He was studying it;
and he put it back in its case at once with the evident intention of
hiding it from me."
@@ -2933,7 +2908,7 @@ The night was falling. The gates had been re-opened; and the
showmen, having dismantled their shows, were departing. Dorothy found
Saint-Quentin waiting for her in great anxiety and the three children
lighting a fire. When the dinner-bell rang, she sent them to the
-château and remained alone to make her meal of the thick soup and some
+château and remained alone to make her meal of the thick soup and some
fruit. In the evening, while waiting for them, she strolled through the
night towards the parapet which looked down on to the ravine and rested
her elbows on it.
@@ -2964,7 +2939,7 @@ He did not answer, but she discerned his dark shape nearer and repeated:
"I only want to say a few words to you," he murmured.
-"To-morrow--at the château will be soon enough."
+"To-morrow--at the château will be soon enough."
"No; what I have to say can only be heard by you and me; and I can
assure you, mademoiselle, that you can listen to it without being
@@ -3030,7 +3005,7 @@ clear light of an electric torch.
D'Estreicher took himself off. The ray followed him, cleverly guided.
"Dirty little brat!" he growled. "I'll get you.... And you too, young
-woman! If to-morrow, at two o'clock, at the château, you do not come to
+woman! If to-morrow, at two o'clock, at the château, you do not come to
heel, the box will be opened in the presence of the police. It's for
you to choose."
@@ -3138,7 +3113,7 @@ called out. Dorothy gagged him with a napkin.
* * * * *
Next morning the Count and Countess de Chagny were taking their coffee
-with Raoul Davernoie in the big dining-room of the château when the
+with Raoul Davernoie in the big dining-room of the château when the
porter came to inform them that at daybreak the directress of Dorothy's
Circus had asked him to open the gates and that the caravan had
departed. The directress had left a letter addressed to the Count de
@@ -3149,7 +3124,7 @@ letter ran as follows:
he went on:
"My cousin: I took an oath, and I keep it. The man who was making
- excavations round the château and last night stole the earrings, is
+ excavations round the château and last night stole the earrings, is
the same person who five years ago stole the medal and poisoned my
father.
@@ -3175,7 +3150,7 @@ Count's confidential man.
"What is it, Dominique?"
-"The château was broken into last night."
+"The château was broken into last night."
"Impossible!" the Count declared in a positive tone. "The doors were
all locked. Where did they break in?"
@@ -3229,7 +3204,7 @@ Every day, at the easy walk or slack trot of One-eyed Magpie, Dorothy's
Circus moved on. In the afternoon they gave their performance; after it
they strolled about those old towns of France, the picturesque charm
of which appealed so strongly to the young girl. Domfront, Mortain,
-Avranches, Fougères, Vitré, feudal cities, girdled in places by their
+Avranches, Fougères, Vitré, feudal cities, girdled in places by their
fortifications, or bristling with their ancient keeps.... Dorothy
visited them with all the emotion of a creature who understands the
past and evokes it with a passionate enthusiasm.
@@ -3263,7 +3238,7 @@ off the distant tragedy in which her father lost his life. She became
the light-hearted, cheerful, and affectionate Dorothy of old. Castor,
Pollux, and the captain were smothered with kisses. Saint-Quentin
was thumped and shaken warmly by the hand. At the performance they
-gave under the ramparts of Vitré she displayed an astonishing energy
+gave under the ramparts of Vitré she displayed an astonishing energy
and gayety. And when the audience had departed, she hustled off her
four comrades on one of those mad rounds which were for them the most
exquisite of treats.
@@ -3278,7 +3253,7 @@ Saint-Quentin wept with joy:
"Wasn't I a princess before, idiot?"
-In taking them through the narrow streets of old Vitré, amid the huddle
+In taking them through the narrow streets of old Vitré, amid the huddle
of wooden houses, roofed with rough tiles, by fits and starts she told
them for the first time about her early years.
@@ -3408,7 +3383,7 @@ performance."
"And he's going to meet us?"
-"Yes. On leaving Roborey and returning home, he is to meet us at Vitré
+"Yes. On leaving Roborey and returning home, he is to meet us at Vitré
at about three o'clock. It's three now."
They had climbed up to a point in the city from which one had a view of
@@ -3461,7 +3436,7 @@ But repining was of no avail and Dorothy was not the girl to waste
much time on it. Without further delay she began to question the young
man.
-"Why did you stay on at the château?"
+"Why did you stay on at the château?"
"To be exact--because of d'Estreicher."
@@ -3513,7 +3488,7 @@ She started.
"Does d'Estreicher know?"
-"I think so. I fancy I spoke of this fête before him, during my stay at
+"I think so. I fancy I spoke of this fête before him, during my stay at
Roborey."
"And when did he escape?"
@@ -3639,7 +3614,7 @@ man's age (he was seventy-five), and his dog Goliath--a huge beast,
terrible to look at, with a terrific bark, but quite harmless and
incapable of defending his master.
-At the big market-town of Clisson, they entered La Vendée. When they
+At the big market-town of Clisson, they entered La Vendée. When they
had nearly reached the Manor Raoul would have liked to make a detour
through the village where they would find the servants. They could take
with them a couple of farm-laborers. Dorothy would not hear of it.
@@ -3921,7 +3896,7 @@ Raoul was dumfounded.
"From some place among the hillocks. I have been thinking that this
name of Hillocks Manor pointed to some inpenetrable hiding-place, and
I've discovered a proof of it in one of those old books, which actually
-speaks of a hiding-place where the Vendéans lay hid, and says that it
+speaks of a hiding-place where the Vendéans lay hid, and says that it
is believed to be in the neighborhood of Tiffauges and Clisson."
"But how should d'Estreicher have learnt of it?"
@@ -4308,7 +4283,7 @@ minds: twice they saw the outline of a man moving stealthily among the
thickets of the hillocks in the dusk.
On the 30th of June, Dorothy begged Raoul to give all his staff a
-holiday next day. It was the day of the great religious fête at
+holiday next day. It was the day of the great religious fête at
Clisson. Three of the stoutest of the servants, armed with guns, were
ordered to come back surreptitiously at four in the afternoon and wait
near a little inn, Masson Inn, a quarter of a mile from the Manor.
@@ -4356,10 +4331,10 @@ height."
"No use. The slope--the water would blur the image."
-"Then," said he, laughing, "we must mount above them in an aëroplane."
+"Then," said he, laughing, "we must mount above them in an aëroplane."
At lunch-time they parted. After the meal, Raoul superintended the
-departure of the _char-à-bancs_, which were taking all the staff of
+departure of the _char-à-bancs_, which were taking all the staff of
the Manor to Clisson, then he took his way to the pool where he saw
Dorothy's little troupe hard at work on the bank. The captain, always
the man of affairs, was running to and fro somewhat in the manner of a
@@ -4373,8 +4348,8 @@ the hillocks.
"Hang it all!" he said. "It looks to me as if you'd made preparations
for one of your circus turns."
-"You're right," she replied gayly. "Having no aëroplane I fall back on
-my aërial rope-walking."
+"You're right," she replied gayly. "Having no aëroplane I fall back on
+my aërial rope-walking."
"What? Is that what you intend to do?" he exclaimed in anxious accents.
"But you're bound to fall."
@@ -4488,7 +4463,7 @@ scraggy in his wet tights, and with the other three boys danced round
the platform, singing the lay of "The Recovered Medal."
At the end of his breath the captain made the observation that there
-was a fête at Clisson and that they might very well go there to
+was a fête at Clisson and that they might very well go there to
celebrate their success.
"Let's harness One-eye' Magpie."
@@ -4517,7 +4492,7 @@ logic and exactness foreign to actuality. One might have said that
they were scenes in a too-well-made play, of which it would have been
easy, with a little experience of the playwright's art, to analyze the
construction and the tricks. Certainly, without knowing Dorothy's game,
-he guessed the dénouement she proposed to bring about--the capture of
+he guessed the dénouement she proposed to bring about--the capture of
d'Estreicher. But by means of what stratagem?
"Don't question me," she said. "We are watched. So no heroics, no
@@ -5308,13 +5283,13 @@ Saint-Quentin how the attack had come to be so long delayed.
"An accident, wasn't it?"
"Yes," said he. "The detectives made a mistake about the inn; and the
-farm-servants were late getting back from the fête. It was necessary to
+farm-servants were late getting back from the fête. It was necessary to
collect the whole lot; and the car broke down."
Montfaucon came running up. Dorothy went on:
"Perhaps, Saint-Quentin, there'll be the name of a town, or rather of
-a château, on the medal. In that case, find out all you can about the
+a château, on the medal. In that case, find out all you can about the
route and take the caravan there. Did you find it, captain?"
"Yes, mummy."
@@ -5337,7 +5312,7 @@ On the reverse these lines:
_July 12, 1921._
- _At noon. Before the clock of the Château of Roche-Périac._
+ _At noon. Before the clock of the Château of Roche-Périac._
"The twelfth of July," muttered Dorothy. "I have time to faint."
@@ -5355,11 +5330,11 @@ It was not till nearly three days afterwards that Dorothy got the
better of the physical torpor, aggravated by fever, which had
overwhelmed her. The four boys gave a performance on the outskirts of
Nantes. Montfaucon took the place of the directress in the leading
-rôle. It was a less taking spectacle; but in it the captain displayed
+rôle. It was a less taking spectacle; but in it the captain displayed
such an animated comicality that the takings were good.
Saint-Quentin insisted that Dorothy should take another two days' rest.
-What need was there to hurry? The village of Roche-Périac was at the
+What need was there to hurry? The village of Roche-Périac was at the
most sixty-five miles from Nantes so that there was no need for them to
set out till six days before the time appointed.
@@ -5404,7 +5379,7 @@ overwhelmed One-eyed Magpie.
At last, next day, the 11th of July, they saw on a sign-post:
- _Roche-Périac 12-1/2 Miles_
+ _Roche-Périac 12-1/2 Miles_
"We shall sleep there to-night," declared Dorothy.
@@ -5430,7 +5405,7 @@ Dorothy concealed her amazement and said:
"Yes," said the tramp quite simply. "That and a piece of advice: to
go on the 12th of July every year, and wait in front of the church of
-Roche-Périac for somebody who will give me hundreds and thousands. I
+Roche-Périac for somebody who will give me hundreds and thousands. I
go there every year. I've never received anything but pennies. All the
same, it keeps one going, that idea does. I shall be there to-morrow,
as I was last year ... and as I shall be next."
@@ -5439,25 +5414,25 @@ The old man fell back upon his own thoughts. Dorothy said no more. But
an hour later she offered the shelter of the box to the woman and the
club-footed child, whom they had at last overtaken. And questioning
this woman, she learnt that she was a factory hand from Paris who was
-going to the church of Roche-Périac that her child's foot might be
+going to the church of Roche-Périac that her child's foot might be
healed.
"In my family," said the woman, "in my father's time and my
grandfather's too, one always did the same thing when a child was ill,
one took it on the 12th of July into the chapel of Saint Fortunat at
-Roche-Périac. It's a certain cure."
+Roche-Périac. It's a certain cure."
So, by these two other channels, the legend had passed to this woman
of the people and this tramp, but a deformed legend, of which there
only remained a few shreds of the truth: the church took the place of
-the château, Saint Fortunat of the fortune. Only the day of the month
+the château, Saint Fortunat of the fortune. Only the day of the month
mattered; there was no question of the year. There was no mention at
all of the medal. And each was making a pilgrimage towards the place
from which so many families had looked for miraculous aid.
That evening the caravan reached the village, and at once Dorothy
-obtained information about the Château de la Roche-Périac. The only
-château of that name that was known was some ruins six miles further on
+obtained information about the Château de la Roche-Périac. The only
+château of that name that was known was some ruins six miles further on
situated on the shore of the ocean on a small peninsula.
"We'll sleep here," said Dorothy, "and we'll start early in the
@@ -5484,7 +5459,7 @@ went to sleep in the caravan, leaning against one another. At half-past
nine they stopped. They had come to a cottage dignified with the name
of an inn, on the door of which they read "Widow Amoureux. Lodging for
man and beast." A few hundred yards away, at the bottom of a slope
-which ended in a low cliff, the little peninsula of Périac stretched
+which ended in a low cliff, the little peninsula of Périac stretched
out into the ocean five promontories which looked like the five fingers
of a hand. On their left was the mouth of the Vilaine.
@@ -5492,7 +5467,7 @@ For the children it was the end of the expedition. They made a meal in
a dimly lighted room, furnished with a zinc counter, in which coffee
was served. Then while Castor and Pollux fed One-eyed Magpie, Dorothy
questioned the widow Amoureux, a big, cheerful, talkative country-woman
-about the ruins of Roche-Périac.
+about the ruins of Roche-Périac.
"Ah, you're going there too, are you, my dear?" the widow exclaimed.
@@ -5510,7 +5485,7 @@ in the woods and turn over the stones."
"It's allowed then, is it?"
-"Why not? The island of Périac--I call it an island because at high
+"Why not? The island of Périac--I call it an island because at high
tide the road to it is covered--belongs to the monks of the monastery
of Sarzeau, a couple of leagues further on. It seems, indeed, that
they're ready to sell the ruins and all the land. But who'd buy them?
@@ -5593,13 +5568,13 @@ was as still as a statue.
"Good-bye," said Dorothy, almost happy at their inaction and at being
alone to prosecute the enterprise.
-The approach to the peninsula of Périac is made very narrow by two
+The approach to the peninsula of Périac is made very narrow by two
marshes, according to the widow Amoureux reputed to be very dangerous,
between which a narrow band of solid ground affords the only path. This
path mounted a wooded ravine, which some faded writing on an old board
described as "Bad Going" and came out to a plateau covered with gorse
-and heather. At the end of twenty minutes Dorothy crossed the débris of
-part of the old wall which ran round the château.
+and heather. At the end of twenty minutes Dorothy crossed the débris of
+part of the old wall which ran round the château.
She slackened her pace. At every step it seemed to her that she was
penetrating into a more and more mysterious region in which time had
@@ -5621,8 +5596,8 @@ And of her inmost self she asked this question:
"Suppose I have made a mistake? Suppose all this means nothing at all?
Yes: in the little leather bag I have in my pocket, there is a medal,
-and on it the name of a château, and a given day in a given year. And
-here I am at the château at the appointed time; but all the same what
+and on it the name of a château, and a given day in a given year. And
+here I am at the château at the appointed time; but all the same what
is there to prove that my reasoning is sound, or that anything is going
to happen? A hundred and fifty or two hundred years is a very long
time, and any number of things may have happened to sweep away the
@@ -5666,8 +5641,8 @@ it, on a marble tablet, some scarcely legible letters, and mounting a
pile of stones, she could decipher the words: _In robore fortuna!_
_In robore fortuna!_ The beautiful and noble motto that one
-found everywhere, at Roborey, at the Manor, at the Château de la
-Roche-Périac, and on the medal! Was Dorothy right then? Were the
+found everywhere, at Roborey, at the Manor, at the Château de la
+Roche-Périac, and on the medal! Was Dorothy right then? Were the
instructions given by the medal still valid? And was it truly a
meeting-place to which one was summoned, across time and space, in
front of this dead clock?
@@ -5845,7 +5820,7 @@ embarrassment of her companions the gayer she grew. Fandango, jig,
reel, she gave a snatch of each, with a simulated accompaniment of
castanets, and a genuine accompaniment of English songs and Auvergnat
ritornelles, and above all of bursts of laughter which awakened the
-echoes of Roche-Périac.
+echoes of Roche-Périac.
"But laugh too, all five of you!" she cried. "You look like five
mummies. It's I who order you to laugh, I, Dorothy, rope-dancer and
@@ -5859,7 +5834,7 @@ charged with the execution of the provisions of a will. That's much
clearer than you think.... We'll explain it to you.... You are the
notary?"
-"That is the fact," stammered the gentleman. "I am Maître Delarue,
+"That is the fact," stammered the gentleman. "I am Maître Delarue,
notary at Nantes."
"At Nantes? Excellent; we know where we are. And it's a question of
@@ -5879,22 +5854,22 @@ rendezvous."
He made as if to look at his watch. She stopped him:
-"You needn't take the trouble, Maître Delarue; we've heard the Angelus.
+"You needn't take the trouble, Maître Delarue; we've heard the Angelus.
You are punctual at the rendezvous.... We are too.... Everything is in
order.... Each has his gold medal.... They're going to show it to you."
-She drew Maître Delarue towards the clock, and said with even greater
+She drew Maître Delarue towards the clock, and said with even greater
animation:
-"This is Maître Delarue, the notary. You understand? If you don't, I
+"This is Maître Delarue, the notary. You understand? If you don't, I
can speak English--and Italian--and Javanese."
All four of them protested that they understood French.
-"Excellent. We shall understand one another better. Then this is Maître
+"Excellent. We shall understand one another better. Then this is Maître
Delarue; he is the notary, the man who has been instructed to preside
at our meeting. In France notaries represent the dead. So that since
-it is a dead man who brings us together, you see how important Maître
+it is a dead man who brings us together, you see how important Maître
Delarue's position is in the matter. You don't grasp it? How funny that
is! To me it is all so clear--and so amusing. So strange! It's the
prettiest adventure I ever heard of--and the most thrilling. Think now!
@@ -5966,7 +5941,7 @@ France rather out of curiosity."
The American took the gold medal from his waistcoat pocket. It was
exactly like the one Dorothy possessed--the inscription, the size, the
-dull color were the same. Dorothy showed it to Maître Delarue, then
+dull color were the same. Dorothy showed it to Maître Delarue, then
gave it back to the American, and went on with her questioning:
"Number two--English, aren't you?"
@@ -6014,7 +5989,7 @@ call on you for the explanation."
"I don't quite know...."
"How do you mean you don't know?... Why this leather satchel.... And
-why have you made the journey from Nantes to Roche-Périac? Come, open
+why have you made the journey from Nantes to Roche-Périac? Come, open
your satchel and read to us the documents it must contain."
"You truly believe----"
@@ -6024,7 +5999,7 @@ myself, performed our duty in coming here and informing you of our
identity. It is your turn to carry out your mission. We are all ears."
The gayety of the young girl spread around her such an atmosphere
-of cordiality that even Maître Delarue himself felt its beneficent
+of cordiality that even Maître Delarue himself felt its beneficent
effects. Besides, the business was already in train; and he entered
smoothly on ground over which the young girl had traced, in the midst
of apparently impenetrable brushwood, a path which he could follow with
@@ -6051,24 +6026,24 @@ I installed myself at Nantes in the office of a notary whose practice
I had bought, my predecessor, after having given me full information
about the more complicated cases in hand, exclaimed: 'Ah, but I was
forgetting ... not that it's of any importance.... But all the same....
-Look, my dear confrère, this is the oldest set of papers in the
+Look, my dear confrère, this is the oldest set of papers in the
office.... And a measly set too, since it only consists of a sealed
letter with a note of instructions, which I will read to you:
_Missive intrusted to the strict care of the Sire Barbier,
scrivener, and of his successors, to be opened on the 12th of
- July, 1921, at noon, in front of the clock of the Château of
- Roche-Périac, and to be read in the presence of all possessors
+ July, 1921, at noon, in front of the clock of the Château of
+ Roche-Périac, and to be read in the presence of all possessors
of a gold medal struck at my instance._
"There! No other explanations. My predecessor did not receive any from
the man from whom he had bought the practice. The most he could learn,
-after researches among the old registers of the parish of Périac,
+after researches among the old registers of the parish of Périac,
was that the Sire Barbier (Hippolyte Jean), scrivener, lived at the
beginning of the eighteenth century. At what epoch was his office
closed? For what reasons were his papers transported to Nantes? Perhaps
we may suppose that owing to certain circumstances, one of the lords
-of Roche-Périac left the country and settled down at Nantes with his
+of Roche-Périac left the country and settled down at Nantes with his
furniture, his horses, and his household down to the village scrivener.
Anyhow, for nearly two hundred years the letter intrusted to the strict
care of the scrivener Barbier and his successors, lay at the bottom of
@@ -6076,13 +6051,13 @@ drawers and pigeon-holes, without any one's having tried to violate the
secrecy enjoined by the writer of it. And so it came about that in all
probability it would fall to my lot to break the seal!"
-Maître Delarue made a pause and looked at his auditors. They were,
+Maître Delarue made a pause and looked at his auditors. They were,
as they say, hanging on his lips. Pleased with the impression he had
produced, he tapped the leather satchel, and continued:
"Need I tell you that my thoughts have very often dwelt on this
prospect and that I have been curious to learn the contents of such
-a letter? A journey even which I made to this château gave me no
+a letter? A journey even which I made to this château gave me no
information, in spite of my searches in the archives of the villages
and towns of the district. Then the appointed time drew near. Before
doing anything I went to consult the president of the civil court.
@@ -6114,7 +6089,7 @@ George Errington, of London, added:
So the moment had come. They gathered more closely round the notary.
A certain gravity mingled with the gayety on the young faces; and it
-grew deeper when Maître Delarue displayed before the eyes of all one
+grew deeper when Maître Delarue displayed before the eyes of all one
of those large square envelopes which formerly one made oneself out
of a thick sheet of paper. It was discolored with that peculiar shine
which only the lapse of time can give to paper. It was sealed with
@@ -6174,7 +6149,7 @@ Archibald Webster, of Philadelphia, observed:
"This gentleman was mad."
"The word resurrection is perhaps used in a symbolic sense," said
-Maître Delarue. "We shall learn from what follows: I will continue:
+Maître Delarue. "We shall learn from what follows: I will continue:
"'_My children_'...."
@@ -6182,12 +6157,12 @@ He stopped again and said:
"'_My children_'.... He is addressing you."
-"For goodness sake, Maître Delarue, do not stop again, I beg you!"
+"For goodness sake, Maître Delarue, do not stop again, I beg you!"
exclaimed Dorothy. "All this is thrilling."
"Nevertheless...."
-"No, Maître Delarue, comment is useless. We're eager to know, aren't
+"No, Maître Delarue, comment is useless. We're eager to know, aren't
we, comrades?"
The four young men supported her vehemently.
@@ -6208,7 +6183,7 @@ repetitions imposed by the difficulties of the text:
very root? The story goes that you left that finger at the bottom
of one of your retorts, for you have the reputation, Marquis, of
being something of an alchemist, and of seeking, inside the walls
- of your Château of Roche-Périac, the elixir of life._'
+ of your Château of Roche-Périac, the elixir of life._'
"'I do not seek it, Monsieur de Fontenelle,' I answered, 'I possess
it.'
@@ -6277,7 +6252,7 @@ repetitions imposed by the difficulties of the text:
as a proof of my lively imagination--and doubtless, as he said to
himself, of my insanity."
-Maître Delarue paused to take breath and looked round the circle with
+Maître Delarue paused to take breath and looked round the circle with
questioning eyes.
Marco Dario, of Genoa, threw back his head and laughed. The Russian
@@ -6289,7 +6264,7 @@ showed his white teeth. The two Anglo-Saxons seemed greatly amused.
Dorothy said nothing; her eyes were thoughtful.
-Silence fell and Maître Dalarue continued:
+Silence fell and Maître Dalarue continued:
"Monsieur de Fontenelle was wrong to laugh, my children. There was
no imagination or insanity about it. The great Indian priests know
@@ -6305,14 +6280,14 @@ Silence fell and Maître Dalarue continued:
of my project, have sworn to obey me. I say good-bye to my age.
"Learn, my children, the events which are about to take place at
- the Château of Roche-Périac. At two o'clock in the afternoon I
+ the Château of Roche-Périac. At two o'clock in the afternoon I
shall fall into a stupor. The doctor, summoned by Geoffrey, will
ascertain that my heart is no longer beating. I shall be quite dead
as far as human knowledge goes; and my servants will nail me up in
the coffin which is ready for me. When night comes, Geoffrey and
his wife will take me out of that coffin and carry me on a
stretcher, to the ruins of Cocquesin tower, the oldest donjon of
- the Lords of Périac. Then they will fill the coffin with stones and
+ the Lords of Périac. Then they will fill the coffin with stones and
nail it up again.
"For his part, Master Barbier, executor of my will and
@@ -6331,7 +6306,7 @@ Silence fell and Maître Dalarue continued:
"When you read this letter, my children, the hour of noon on the
12th of July, 1921, will have struck. You will be gathered together
- under the clock of my château, fifty yards from old Cocquesin
+ under the clock of my château, fifty yards from old Cocquesin
tower, where I shall have been sleeping for two centuries. I have
chosen it as my resting-place, calculating that, if the revolutions
which I foresee destroy the buildings in use, they will leave alone
@@ -6360,7 +6335,7 @@ Silence fell and Maître Dalarue continued:
be sleeping there.
"Do not be surprised, my children, at finding me younger perhaps
- than the portrait of me which Monsieur Nicolas de Largillière, the
+ than the portrait of me which Monsieur Nicolas de Largillière, the
King's painter, painted last year, and which hangs at the head of
my bed. Two centuries' sleep, the resting of my heart, which will
scarcely beat, will, I have no doubt, have filled up my wrinkles
@@ -6431,7 +6406,7 @@ Silence fell and Maître Dalarue continued:
"Jean-Pierre-Augustin de la Roche, Marquis de ----"
-Maître Delarue was silent, bent nearer to the paper, and murmured:
+Maître Delarue was silent, bent nearer to the paper, and murmured:
"The signature is scarcely legible: the name begins with a B or an
R ... the flourish muddles up all the letters."
@@ -6480,14 +6455,14 @@ Dorothy.
"We'll go and ask him."
-Maître Delarue protested:
+Maître Delarue protested:
"You'll go without me, mademoiselle. Understand once and for all that I
am not going to see whether Jean-Pierre-Augustin de la Roche, Marquis
de Beaugreval, is still alive at the age of two hundred and sixty-two
years!"
-"But he isn't as old as all that, Maître Delarue. We need not count the
+"But he isn't as old as all that, Maître Delarue. We need not count the
two hundred years' sleep. Then it's only a matter of sixty-two years;
that's quite normal. His friend, Monsieur de Fontenelle, as the Marquis
predicted and thanks to an elixir of life, lived to be a hundred."
@@ -6518,12 +6493,12 @@ Kourobelef, who had only a slice of bread, dragged a large flat stone
in front of her by way of table.
"This is really nice!" she said, clapping her hands. "A real family
-lunch! We invite you to join us, Maître Delarue, and you also, soldier
+lunch! We invite you to join us, Maître Delarue, and you also, soldier
of Wrangel."
The meal, washed down by the good wine of Anjou, was a merry one. They
drank the health of the worthy nobleman who had had the excellent idea
-of bringing them together at his château; and Webster made a speech in
+of bringing them together at his château; and Webster made a speech in
his honor.
The diamonds, the codicil, the survival of their ancestor and his
@@ -6570,7 +6545,7 @@ full of deference. Really they did not understand it.
It was not till three in the afternoon that they decided to carry
the adventure to its end. They all started to do so in the spirit of
-picnickers. Maître Delarue, to whose head the good wine of Anjou had
+picnickers. Maître Delarue, to whose head the good wine of Anjou had
mounted in some quantity, with his broad bow unknotted and his tall hat
on the back of his head, led the way on his donkey, chanting couplets
about the resurrection of Marquis Lazarus. Dario, of Genoa, imitated
@@ -6580,12 +6555,12 @@ flowers.
* * * * *
-They went round the hillock, which was composed of the débris of the
-old château, behind the clock and along a beautiful avenue of trees
+They went round the hillock, which was composed of the débris of the
+old château, behind the clock and along a beautiful avenue of trees
centuries old, which ended in a circular glade in the middle of which
rose a magnificent oak.
-Maître Delarue said in the tone of a guide:
+Maître Delarue said in the tone of a guide:
"These are the trees planted by the Marquis de Beaugreval's father.
You will observe their vigor. Venerable trees, if ever there were any!
@@ -6596,7 +6571,7 @@ Then they came to the woody slopes of a small hill, on the summit of
which in the middle of a circular embankment, formed by the ruins of
the wall that had encircled it, rose a tower oval in shape.
-"Cocquesin tower," said Maître Delarue, more and more cheerful.
+"Cocquesin tower," said Maître Delarue, more and more cheerful.
"Venerable ruins, if ever there were any! Remnants of the feudal keep!
That's where the sleeping Marquis of the enchanted wood is waiting
for us, whom we're going to resuscitate with a thimbleful of foaming
@@ -6630,7 +6605,7 @@ One might have described it as the oval of a Roman amphitheater, with
a series of small vaulted chambers above, of which one perceived the
gaping openings, separated by passages into distinct groups.
-"The visitors who risk coming to Roche-Périac can enter from this
+"The visitors who risk coming to Roche-Périac can enter from this
side," said Dorothy. "Wedding parties from the neighborhood must
come here now and then. Look: there are greasy pieces of paper and
sardine-tins scattered about on the ground."
@@ -6665,7 +6640,7 @@ Kourobelef.
"We're ready," replied Errington and Dario.
"Then push gently with a continuous pressure. And above all have faith!
-Maître Delarue has no faith. So I am not asking him to do anything."
+Maître Delarue has no faith. So I am not asking him to do anything."
The two young men set their hands against the two stones and pushed
hard.
@@ -6700,7 +6675,7 @@ the same exactness.
"If it turns out that there are a hundred and thirty-two steps, I shall
declare myself convinced," said Errington.
-"What?" said Maître Delarue, who also appeared deeply impressed. "Do
+"What?" said Maître Delarue, who also appeared deeply impressed. "Do
you mean to assert that the Marquis----"
"That the Marquis is awaiting us like a man who is expecting our visit."
@@ -6715,7 +6690,7 @@ narrow space.
"Fifteen--sixteen--seventeen," Dario counted.
-To hearten himself, Maître Delarue sang the couplets of "da Tour,
+To hearten himself, Maître Delarue sang the couplets of "da Tour,
prende garde." But at the thirtieth step he began to save his breath.
"It's a steep climb, isn't it?" said Dorothy.
@@ -6724,10 +6699,10 @@ prende garde." But at the thirtieth step he began to save his breath.
It makes my legs a bit shaky."
At the fiftieth step a hole in the wall let in some light. Dorothy
-looked out and saw the woods of La Roche-Périac; but a cornice, jutting
+looked out and saw the woods of La Roche-Périac; but a cornice, jutting
out, prevented her from seeing the ground at the foot of the keep.
-They continued the ascent. Maître Delarue kept singing in a more and
+They continued the ascent. Maître Delarue kept singing in a more and
more shaky voice, and towards the end it was rather a groaning than a
singing.
@@ -6757,7 +6732,7 @@ low door.
"Goodness!" muttered the lawyer, who was no longer trying to dissemble
his uneasiness. "The program is indeed being carried out item by item."
-"Ah, you're becoming a trifle less sceptical, Maître Delarue. You'll be
+"Ah, you're becoming a trifle less sceptical, Maître Delarue. You'll be
declaring next that the door will open."
"I do declare it. This old lunatic was a clever mechanician and a
@@ -6783,7 +6758,7 @@ There was nothing in the way of furniture in it. But one judged that
there was a small, low room, which formed an alcove, from the piece of
tapestry, roughly nailed to a beam, which ran along the left side of it.
-The five men and Dorothy did not stir, silent, motionless. Maître
+The five men and Dorothy did not stir, silent, motionless. Maître
Delarue, extremely pale, seemed very ill at ease indeed.
Was it the fumes of wine, or the distress inspired by mystery?
@@ -6851,7 +6826,7 @@ vanish like a phantom.
Besides, to make such an experiment, would it not be to commit
sacrilege? To suspect death and question a corpse: none of them dared.
-Dorothy shivered, her womanly nerves strained to excess. Maître Delarue
+Dorothy shivered, her womanly nerves strained to excess. Maître Delarue
besought her:
"Let's get away.... It's got nothing to do with us.... It's a devilish
@@ -6866,7 +6841,7 @@ seconds there was a film on it.
"He's alive! He's alive!" muttered the young people, keeping with
difficulty their excitement within bounds.
-Maître Delarue's legs were so shaky that he had to sit down on the foot
+Maître Delarue's legs were so shaky that he had to sit down on the foot
of the bed. He murmured again and again:
"A devilish business! We've no right----"
@@ -6992,7 +6967,7 @@ Dorothy gazed; her eyes missed no slightest movement. Like her, the
young men remained motionless, with drawn faces. The Italian, however,
just sketched the sign of the cross.
-"He's alive!" broke in Maître Delarue. "Look; he's looking at us."
+"He's alive!" broke in Maître Delarue. "Look; he's looking at us."
A strange gaze. It did not shift; it did not try to see. The gaze of
the newly born, animated by no thought. Vague, unconscious, it shunned
@@ -7100,12 +7075,12 @@ no expression, no desire.
Without turning away from him, Dorothy called out to the notary:
-"Don't you think we ought to offer him the second envelope, Maître
+"Don't you think we ought to offer him the second envelope, Maître
Delarue, the codicil? His understanding may perhaps awake at the sight
of this paper which formerly belonged to him, and which, according to
the instructions in the will, we're to hand over to him."
-Maître Delarue agreed with her and passed the envelope to her. She held
+Maître Delarue agreed with her and passed the envelope to her. She held
it out to the old man, saying:
"Here are the directions for finding the diamonds, written by yourself.
@@ -7141,7 +7116,7 @@ the violence of laughter long restrained.
Bent double, holding her ribs, she laughed till it hurt her. Her pretty
head shook her wavy hair in a series of jerks. And it was a laugh
so fresh and so young, of such irresistible gayety that the young
-men burst out laughing in their turn. Maître Delarue, on the other
+men burst out laughing in their turn. Maître Delarue, on the other
hand, irritated by a hilarity which seemed to him out of place in the
circumstances protested in a tone of annoyance:
@@ -7181,7 +7156,7 @@ Lazarus de Beaugreval! Then you didn't see?"
"A false tooth!"
-Maître Delarue repeated slowly:
+Maître Delarue repeated slowly:
"There's a false tooth?"
@@ -7189,7 +7164,7 @@ Maître Delarue repeated slowly:
"Well, what about it?"
-Dorothy did not immediately reply. She gave Maître Delarue plenty of
+Dorothy did not immediately reply. She gave Maître Delarue plenty of
time to collect his wits and to grasp the full value of this discovery.
He said again in a less assured tone:
@@ -7206,7 +7181,7 @@ have a false tooth put in the place of the one which used to ache in
the days of Louis XIV."
Dorothy had finally succeeded in repressing the ill-timed mirth which
-had so terribly shocked Maître Delarue. She was merely smiling--but
+had so terribly shocked Maître Delarue. She was merely smiling--but
smiling with an extremely mischievous and delighted air. Naturally the
four strangers, grouped closely round her, were also smiling with the
air of people amused beyond words.
@@ -7228,7 +7203,7 @@ when he swallowed a drug which put an end to his brilliant existence
for good and all. All that remains of the Marquis, in spite of his
hopes of a resurrection, is: firstly, a pinch of ashes mingled with the
dust of this room; secondly, the authentic and curious letter which
-Maître Delarue read to us; thirdly, a lot of enormous diamonds hidden
+Maître Delarue read to us; thirdly, a lot of enormous diamonds hidden
somewhere or other; fourthly, the clothes he was wearing at the supreme
hour when he voluntarily shut himself up in his tomb, that is to say in
this room."
@@ -7265,7 +7240,7 @@ did write, and along different lines it has come down to our time."
"It's a simple supposition."
-"It's a supposition more than probable, Maître Delarue, since besides
+"It's a supposition more than probable, Maître Delarue, since besides
us, besides these four young men and myself, there are other families
in which the history, or a part of the history of Beaugreval, has been
handed down; and as a consequence for some months I've been fighting
@@ -7275,7 +7250,7 @@ father."
Her words made a very deep impression. She entered into details:
"The family of Chagny-Roborey in the Orne, the family of Argonne in the
-Ardennes, the family of Davernoie in Vendée, are so many focuses of the
+Ardennes, the family of Davernoie in Vendée, are so many focuses of the
tradition. And around it dramas, robberies, assassinations, madness, a
regular boiling up of passion and violence."
@@ -7284,7 +7259,7 @@ are the others doing?"
"They're waiting. They're waiting for a date of which they are
ignorant. They are waiting for the medal. I saw in front of the church
-of Roche-Périac a tramp and a factory hand, a woman, from Paris. I saw
+of Roche-Périac a tramp and a factory hand, a woman, from Paris. I saw
two poor mad people who came to the rendezvous and are waiting at the
edge of the water. A week ago I handed over to the police a dangerous
criminal of the name of d'Estreicher, a distant connection of my
@@ -7343,7 +7318,7 @@ impatience. I knew where I was. But at the same time Fortune was kind
to me; I saw that little bit of gold in his mouth."
It was all linked together in a flawless chain of reasoning. Dorothy
-had set forth the coördination of events, causes and effects, as one
+had set forth the coördination of events, causes and effects, as one
displays a piece of tapestry in which the complicated play of design
and color produces the most harmonious unity.
@@ -7370,12 +7345,12 @@ would have said that events were happening in a manner far from
pleasing to her, which seemed to promise others which she distrusted in
advance. But what events? What was there to fear?
-In the silence Maître Delarue suddenly cried:
+In the silence Maître Delarue suddenly cried:
"Well, for my part, I assert that you're making a mistake. I'm not at
all of your opinion, mademoiselle."
-Maître Delarue was one of those people who cling the more firmly to an
+Maître Delarue was one of those people who cling the more firmly to an
opinion the longer they have been adopting it. The resurrection of the
Marquis suddenly appeared to him a dogma he was bound to defend.
@@ -7388,7 +7363,7 @@ you do not take into account."
"What evidence?" she asked.
"Well, his portrait! His indisputable resemblance to the portrait of
-the Marquis de Beaugreval, executed by Largillière!"
+the Marquis de Beaugreval, executed by Largillière!"
"Who tells you that this is the portrait of the Marquis, and not the
portrait of the man himself? It's a very easy way of resembling any
@@ -7400,7 +7375,7 @@ one."
canvas, instead of having been changed, has simply been painted over in
such a way as to represent the false Marquis here present."
-"And the cut-off finger?" exclaimed Maître Delarue triumphantly.
+"And the cut-off finger?" exclaimed Maître Delarue triumphantly.
"A finger can be cut off."
@@ -7453,13 +7428,13 @@ himself. "I don't see what threatens us. Besides, the affair draws to
its end. As regards the precious stones, open the codicil. And as far
as I am concerned, my task is performed."
-"It isn't a matter of knowing whether your task is performed, Maître
+"It isn't a matter of knowing whether your task is performed, Maître
Delarue," Dorothy answered in the same thoughtful tone. "It's a matter
of escaping a danger which is not quite clear to me but which permits
me to expect anything, which I foresee more and more clearly. Where
will it come from? I don't know. But it exists."
-"It's terrible," groaned Maître Delarue. "How are we to defend
+"It's terrible," groaned Maître Delarue. "How are we to defend
ourselves? What are we to do?"
"What are we to do?"
@@ -7577,22 +7552,22 @@ phrases, keeping herself simply to the actual facts of the situation,
in the hope perhaps that one of her words might strike the enlightening
spark out of its flint.
-"Maître Delarue, there's a death and a crime. We must therefore inform
+"Maître Delarue, there's a death and a crime. We must therefore inform
the police. However ... however I think we could put it off for a day
or two."
"Put it off?" he protested. "That's a step I won't take. That is a
formality which admits of no delay."
-"You will never get back to Périac."
+"You will never get back to Périac."
"Why not?"
"Because the band which had been able to get rid under our very eyes of
a confederate who was in its way, must have taken precautions, and the
-road which leads to Périac must be guarded."
+road which leads to Périac must be guarded."
-"You believe that?... You believe that?" stuttered Maître Delarue.
+"You believe that?... You believe that?" stuttered Maître Delarue.
"I believe it."
@@ -7604,11 +7579,11 @@ men beside her, it was not she who directed events. She was under the
constraint of the law of the enemy who was oppressing and in a way
directing her as his fancy took him.
-"But it's terrible," lamented Maître Delarue. "I cannot stay here
+"But it's terrible," lamented Maître Delarue. "I cannot stay here
forever.... My practice demands my attention.... I have a wife ...
children."
-"Go, Maître Delarue. But first of all hand over to us the envelope of
+"Go, Maître Delarue. But first of all hand over to us the envelope of
the codicil that I gave back to you. We will open it in your presence."
"Have you the right?"
@@ -7624,7 +7599,7 @@ five of us ... all five."
She stopped short. She had uttered words which, as the saying goes,
clashed curiously. The contradiction of the terms she had used--four
diamonds, five proprietors--was so flagrant that the young men were
-struck by them, and that Maître Delarue himself, absorbed as he was in
+struck by them, and that Maître Delarue himself, absorbed as he was in
other matters, received a considerable shock.
"As a matter of fact that's true: you are five. How was it we didn't
@@ -7636,7 +7611,7 @@ Dario explained.
we have only paid attention to this number four, four strangers in
contrast with you, mademoiselle, who are French."
-"But you can't get away from the fact that you are five," said Maître
+"But you can't get away from the fact that you are five," said Maître
Delarue.
"And what about it?" said Webster.
@@ -7667,7 +7642,7 @@ Webster was the first to present his medal:
It showed no peculiarity which gave them to believe that it was not
one of the four original pieces struck by the instructions of the
Marquis and controlled by him. An examination of the medals of Dario,
-Kourobelef, and Errington showed the same. Maître Delarue who had taken
+Kourobelef, and Errington showed the same. Maître Delarue who had taken
all four of them and was examining them minutely, held out his hand for
Dorothy's medal.
@@ -7718,12 +7693,12 @@ one should be on their guard against her, before she had considered
the matter and fully taken in the tragic aspect of the situation. She
accepted therefore the notary's hypothesis and murmured:
-"After all ... yes ... that's it. You must be right, Maître Delarue,
+"After all ... yes ... that's it. You must be right, Maître Delarue,
I've lost that medal.... But how? I can't think in what way I could
have lost it ... at what moment."
She spoke in a very low voice, an absent-minded voice. The parted
-curls showed her forehead furrowed by anxiety. Maître Delarue and the
+curls showed her forehead furrowed by anxiety. Maître Delarue and the
four strangers were exchanging futile phrases; not one of them seemed
worth her consideration. Then they were silent. The silence lengthened.
The lamps were switched off. The light from the little window was
@@ -7743,7 +7718,7 @@ her mind there presented themselves in quick succession during the
course of a few seconds all the questions and all the answers, all the
arguments and all the proofs.
-She recalled the fact that the night before at the village of Périac
+She recalled the fact that the night before at the village of Périac
the caravan had nearly been destroyed by fire. Who had started that
fire? And with what motive? Might she not suppose that one of those
unhoped-for helpers, who had appeared so suddenly in the very nick of
@@ -7752,7 +7727,7 @@ ransack her sleeping birth, and open the little leather purse hanging
from a nail.
Possessor of the medal, the chief of the gang returned in haste to
-the ruins of Roche-Périac and disposed his men in that peninsula, the
+the ruins of Roche-Périac and disposed his men in that peninsula, the
innermost recesses of which must be known to him, and in which he had
everything arranged in view of the fateful day, the 12th of July,
1921. Doubtless he had had a dress rehearsal with his confederate cast
@@ -7879,7 +7854,7 @@ him now. Then, why that signal?"
She was about to go down in her turn when she found herself caught
by her petticoat. From the beginning of the scene, in front of
-d'Estreicher and his leveled revolvers, Maître Delarue had sunk down in
+d'Estreicher and his leveled revolvers, Maître Delarue had sunk down in
the darkest corner, and now he was imploring her, almost on his knees:
"You aren't going to abandon me--with the corpse?... And then that
@@ -7892,7 +7867,7 @@ She pulled him to his feet.
"Go to their help? Stout young fellows like them?" he cried indignantly.
Dorothy drew him along by the hand as one leads a child. They went,
-anyhow, half-way down the staircase. Maître Delarue was sniveling,
+anyhow, half-way down the staircase. Maître Delarue was sniveling,
Dorothy muttering:
"Why that signal? To whom was it given? And what are they to do?"
@@ -7919,7 +7894,7 @@ the wall.
uses this exit. In the event of danger it's an easy way to safety,
since this side of the tower is opposite the entrance in the interior."
-The way to safety was less easy for Maître Delarue, who began by
+The way to safety was less easy for Maître Delarue, who began by
groaning.
"Never in my life! Get down that way?"
@@ -7931,14 +7906,14 @@ groaning.
"Do you prefer a knife stuck in you? Remember that d'Estreicher has
only one aim--the codicil. And you have it."
-Terrified, Maître Delarue made up his mind to it, on condition that
+Terrified, Maître Delarue made up his mind to it, on condition that
Dorothy descended first to make sure that the ladder was in a good
state and that no rungs were missing.
Dorothy did not bother about rungs. She gripped the ladder between
her legs and slid from the top to bottom. Then catching hold of the
two ropes she kept them as stiff as she could. The operation was
-nevertheless painful and lengthy; and Maître Delarue expended so much
+nevertheless painful and lengthy; and Maître Delarue expended so much
courage on it that he nearly fainted at the lower rungs. The sweat
trickled down his face and over his hands in great drops.
@@ -7946,7 +7921,7 @@ With a few words Dorothy restored his courage.
"You can hear them.... Don't you hear them?"
-Maître Delarue could hear nothing. But he set out at a run, breathless
+Maître Delarue could hear nothing. But he set out at a run, breathless
from the start, mumbling:
"They're after us!... In a minute they'll attack us!"
@@ -7955,7 +7930,7 @@ A side-path led them through thick brushwood to the main path, which
connected the keep with the clearing in which the solitary oak stood.
No one behind them.
-More confident, Maître Delarue threatened:
+More confident, Maître Delarue threatened:
"The blackguards! At the first house I send a messenger to the nearest
police station.... Then I mobilize the peasants--with guns, forks and
@@ -7975,7 +7950,7 @@ anything handy. And you, what's your plan?"
"For my children."
-Maître Delarue exclaimed:
+Maître Delarue exclaimed:
"Gracious! You've got children?"
@@ -7996,7 +7971,7 @@ wish to secure their safety. Fortunately Saint-Quentin is not an idiot."
"Yes, the eldest of the urchins ... an artful lad, cunning as a monkey."
-Maître Delarue gave up trying to understand. Besides, nothing was of
+Maître Delarue gave up trying to understand. Besides, nothing was of
any importance to him but the prospect of being overtaken before he had
passed that narrow, devilish causeway.
@@ -8007,7 +7982,7 @@ should carry such a dangerous paper on me; and after all it's no
business of mine."
She took the envelope and put it in her purse just as they came into
-the court of the clock. Maître Delarue who could move only with great
+the court of the clock. Maître Delarue who could move only with great
difficulty, uttered a cry of joy on perceiving his donkey in the act of
browsing in the most peaceful fashion in the world, at some distance
from the motor-cycle and the two horses.
@@ -8021,7 +7996,7 @@ went off like an arrow.
Dorothy called out to him:
-"Look out, Maître Delarue! The confederates have been warned!"
+"Look out, Maître Delarue! The confederates have been warned!"
The notary heard the words, on the instant leaned back in the saddle,
and tugged desperately at the reins. But nothing could stop the brute.
@@ -8033,7 +8008,7 @@ whistle had been meant for confederates posted on the mainland at the
entrance to the peninsula the access to which they were guarding. She
said to herself:
-"In any case if I don't get through, Maître Delarue will; and it is
+"In any case if I don't get through, Maître Delarue will; and it is
clear that Saint-Quentin will be warned and be on his guard."
The sea, very blue and very calm, had ebbed to right and left, forming
@@ -8047,12 +8022,12 @@ ahead, and a little smoke rose in the air above what must have been the
steepest point in the path.
There came cries and shouts for help; then silence. Dorothy doubled
-her speed in order to help Maître Delarue; undoubtedly he had been
+her speed in order to help Maître Delarue; undoubtedly he had been
attacked. But after running for some minutes at such a pace that no
sound could have reached her ears, she had barely time to spring out of
the path to get out of the way of the furiously galloping donkey whose
rider was crouching forward on its back with his arms knotted round its
-neck. Maître Delarue, since his head was glued to the further side of
+neck. Maître Delarue, since his head was glued to the further side of
its neck, did not even see her.
More anxious than ever, since it was clear that Saint-Quentin and his
@@ -8060,7 +8035,7 @@ comrades would not be warned if she did not succeed in getting through
the path down the gorge and over the causeway, she started to run
again. Then she caught sight of the figures of two men on one of the
high points of the path in front, coming towards her. They were the
-confederates. They had barred the road to Maître Delarue and were now
+confederates. They had barred the road to Maître Delarue and were now
acting after the manner of beaters.
She flung herself into the bushes, dropped into a hollow full of dead
@@ -8089,7 +8064,7 @@ the children's bags and the usual things.
She returned to the house and this time she entered.
-The little room which formed the café and in which stood the zinc
+The little room which formed the café and in which stood the zinc
counter, was empty. Over-turned benches and chairs lay about the floor.
On a table stood three glasses, half full, and a bottle.
@@ -8184,9 +8159,9 @@ with the two others."
This time the landlady did not refuse to have her bonds untied. As
soon as she was free she said to Dorothy who wished to dispatch her to
-Périac in search of help:
+Périac in search of help:
-"To Périac? Six miles! But, my poor lady, I haven't the strength. The
+"To Périac? Six miles! But, my poor lady, I haven't the strength. The
best thing you can do is to get there yourself as fast as your legs
will carry you."
@@ -8225,7 +8200,7 @@ kidnapers.
She took her way to the peninsula, mounted the gorge, where she met
no one, and reached the plateau. As she did so she heard the sound of
-a second report. Some one had fired in the ruins. At whom? At Maître
+a second report. Some one had fired in the ruins. At whom? At Maître
Delarue? At one of the three young men?
"Ah," she said to herself anxiously. "Perhaps I ought never to have
@@ -8253,7 +8228,7 @@ near the two tied-up horses, the donkey, eating the leaves of a shrub,
his bridle dragging on the ground, his saddle quite straight on his
back, his coat shining with sweat.
-What has become of Maître Delarue? Had he been able to rejoin the group
+What has become of Maître Delarue? Had he been able to rejoin the group
of the foreigners? Had his mount thrown him and delivered him into the
power of the enemy?
@@ -8293,7 +8268,7 @@ the steps which descended into the immense nave of the donjon, her
enemies must be posted. Let her make a few more steps and they would
capture her.
-She stood quite still. She no longer doubted that Maître Delarue
+She stood quite still. She no longer doubted that Maître Delarue
had been taken, and that, yielding to threats, he had disclosed the
fact that the second envelope was in her hands, that second envelope
without which the diamonds of the Marquis de Beaugreval would never be
@@ -8451,7 +8426,7 @@ attitude of provocation."
Dorothy." He smiled. "We won't talk about that yet. That comes last.
And the account diamonds. At the present moment I should have been
the possessor of them if you had not intercepted the indispensable
-document. Enough of obstacles! Maître Delarue has confessed, with a
+document. Enough of obstacles! Maître Delarue has confessed, with a
revolver at his temple, that he gave you back the second envelope. Give
it to me."
@@ -8501,7 +8476,7 @@ In three of these cells, Errington, Webster, and Dario were stretched
out, firmly gagged, bound with ropes, which reduced them to the
condition of mummies and fastened them to the rings. Three men, armed
with rifles, guarded them. In a fourth cell was the corpse of the false
-Marquis. The fifth contained Maître Delarue and Montfaucon. The child
+Marquis. The fifth contained Maître Delarue and Montfaucon. The child
was rolled up in a rug. Above a strip of stuff, which hid the lower
part of his face, his poor eyes, full of tears, smiled at Dorothy.
@@ -8855,7 +8830,7 @@ her arms and neck. "Do you understand that nothing can stop it? Help is
impossible. It's the penalty of defeat. To-day I avenge myself ... and
at the same time I free myself from you.... When we are separated, I
shall be able to say to myself: 'Yes, she hurt me, but I do not regret
-it. The dénouement of the adventure effaces everything.'"
+it. The dénouement of the adventure effaces everything.'"
He leant more and more heavily on the young girl's shoulders, and said
to her with sarcastic joy:
@@ -9121,7 +9096,7 @@ rifle.... What a find! You are a splendid fellow, old chap! Come and be
kissed again! And tell me how you managed to get to us? I didn't miss
the little heaps of pebbles that you sowed along the path from the inn.
But why did you go round the marsh? Did you hope to get to the ruins of
-the château by going along the beach at the foot of the cliffs?"
+the château by going along the beach at the foot of the cliffs?"
"Yes, mummy," replied Saint-Quentin, very proud at being so
complimented by her, and deeply moved by her kisses.
@@ -9147,18 +9122,18 @@ be no longer face to face with a brute who gripped your wrists and
sullied you with his abominable leer! But she suddenly broke off in the
middle of these transports.
-"And Maître Delarue? I was forgetting him!"
+"And Maître Delarue? I was forgetting him!"
He was lying at the back of his cell behind a rampart of tall grasses.
"Attend to him! Quick, Saint-Quentin, cut his ropes. Goodness! He has
-fainted. Look here, Maître Delarue, you come to your senses. If not, I
+fainted. Look here, Maître Delarue, you come to your senses. If not, I
leave you."
"Leave me!" cried the notary, suddenly waking up. "But you've no right!
The enemy----"
-"The enemy has run away, Maître Delarue."
+"The enemy has run away, Maître Delarue."
"He may come back. These are terrible people. Look at the hole their
chief made in my hat! The donkey finished by throwing me off, just at
@@ -9170,8 +9145,8 @@ bullet."
"No. But I'm suffering from internal pains and bruises."
-"That will soon pass off, Maître Delarue. To-morrow there won't be
-anything left, I assure you. Saint-Quentin, I put Maître Delarue in
+"That will soon pass off, Maître Delarue. To-morrow there won't be
+anything left, I assure you. Saint-Quentin, I put Maître Delarue in
your charge. And yours, too, Montfaucon. Rub him."
She hurried off with the intention of joining her three friends, whose
@@ -9274,7 +9249,7 @@ they drew it up a yard from the deck.
soldier's cap.
Dorothy recalled with a shudder the prediction she had made to her
-enemy directly after their meeting at the Château de Roborey. She said
+enemy directly after their meeting at the Château de Roborey. She said
in a low voice:
"Yes, d'Estreicher."
@@ -9354,14 +9329,14 @@ Far away, northwards, towards Brittany, the boat was moving away.
* * * * *
-That same evening, towards nine o'clock, after having intrusted Maître
+That same evening, towards nine o'clock, after having intrusted Maître
Delarue to the care of the widow Amoureux--all he thought of was
getting a good night's rest and returning to his office as quickly
as possible--and after having enjoined on the widow absolute silence
about the assault of which she had been the victim, Errington and Dario
harnessed their horses to the caravan. Saint-Quentin led One-eyed
Magpie behind it. They returned by the stony path up the gorge to the
-ruins of Roche-Périac. Dorothy and the children resumed possession of
+ruins of Roche-Périac. Dorothy and the children resumed possession of
their lodging. The three young men installed themselves in the cells of
the tower.
@@ -9369,7 +9344,7 @@ Next morning, early, Archibald Webster mounted his motor-cycle. He did
not return till noon.
"I've come from Sarzeau," he said. "I have seen the monks of the abbey.
-I have bought from them the ruins of Roche-Périac."
+I have bought from them the ruins of Roche-Périac."
"Heavens!" cried Dorothy. "Do you mean to end your days here?"
@@ -9409,7 +9384,7 @@ twenty-fourth of July, in the morning, I'm off."
"And to where do we travel?"
-"An old Manor in Vendée where, at the end of July, other descendants
+"An old Manor in Vendée where, at the end of July, other descendants
of the lord of Beaugreval will find themselves gathered together. I'm
eager to introduce you to our cousins Davernoie and Chagny-Roborey.
After that you will be at liberty to return here ... to bury yourselves
@@ -9446,7 +9421,7 @@ her courage, her gayety, were so many things that awoke in them an
astounded admiration. She seemed to them the most natural and the most
mysterious of creatures. For all that she lavished explanations on them
and told them all about her childhood, her life as nurse, her life as
-showman, the events at the Château de Roborey and Hillocks Manor,
+showman, the events at the Château de Roborey and Hillocks Manor,
they could not bring themselves to grasp the fact that she was at once
the Princess of Argonne and circus-manager, that she was just that,
manifestly as reserved as she was fanciful, manifestly the daughter
@@ -9492,7 +9467,7 @@ desired were she, Dorothy. Their ancestor Beaugreval could not have
foreseen for them a more magnificent treasure.
On the morning of the 24th Dorothy gave the signal for their departure.
-They quitted the ruins of Roche-Périac and said good-bye to the riches
+They quitted the ruins of Roche-Périac and said good-bye to the riches
of the Marquis de Beaugreval.
"All the same," said Dario. "You ought to have searched, cousin
@@ -9511,7 +9486,7 @@ gave performances. Fresh cause for amazement on the part of the three
foreigners. Dorothy conducting the parade, Dorothy on One-eyed Magpie,
Dorothy addressing the public, what sparkling and picturesque scenes!
-They slept two nights at Nantes, where Dorothy desired to see Maître
+They slept two nights at Nantes, where Dorothy desired to see Maître
Delarue. Quite recovered from his emotions, the notary welcomed her
warmly, introduced her to his family, and kept her to lunch.
@@ -9646,11 +9621,11 @@ again, Raoul; and as I predicted he has been hanged. Also I met your
grandfather and Juliet Assire a long way from here. But perhaps we are
getting along a bit too quickly. First of all there is a most urgent
duty to fulfill with regard to our three cousins who are bitter enemies
-of the dry régime."
+of the dry régime."
She opened the cupboard and found a bottle of port and some biscuits,
and as she poured out the wine, she set about relating her expedition
-to Roche-Périac. She told the story quickly and a trifle incoherently,
+to Roche-Périac. She told the story quickly and a trifle incoherently,
omitting details and getting them in the wrong order, but for the
most part giving them a comic turn which greatly amused the Count and
Countess de Chagny.
@@ -9705,7 +9680,7 @@ He said slowly:
"Where?"
-"In the ruins of Périac!"
+"In the ruins of Périac!"
She clapped her hands.
@@ -9759,7 +9734,7 @@ wrestled so many times and at such length, for ages--she had solved it!
"But when? At what moment?" cried George Errington. "You never left us!"
"Oh, it goes a long way further back than that. It goes back to my
-visit to the Château de Roborey."
+visit to the Château de Roborey."
"Eh, what? What's that you say?" cried the astounded Count de Chagny.
@@ -9777,7 +9752,7 @@ of those who have searched for the treasure, and that I went so far
as to declare the man who, when concealing a treasure, gave so much
information about it, ingenuous in the extreme. But he was right, was
the Marquis de Beaugreval. He could engrave it all over the place,
-on the clock of his château, on the wax of his seals, since to his
+on the clock of his château, on the wax of his seals, since to his
descendants his motto meant nothing at all."
"If you knew, why didn't you act at once?" said the Countess.
@@ -9867,7 +9842,7 @@ came across something too hard to bore. I had not been mistaken. The
opening was enlarged and one by one I drew out of it four balls of the
size of a hazel-nut. All I had to do was to clear off a regular matrix
of dirt to bring to light four diamonds. Here are three of them. The
-fourth is in pawn with Maître Delarue, who very kindly agreed, after
+fourth is in pawn with Maître Delarue, who very kindly agreed, after
a good deal of hesitation, and a minute expert examination by his
jeweler, to lend me the necessary money till to-morrow."
@@ -9924,7 +9899,7 @@ medal!"
"Impossible. There was nothing in the disc I fished up under your eyes.
It was simply a bait to catch d'Estreicher. Then?"
-"When my grandfather came back from his journey to Roche-Périac, where
+"When my grandfather came back from his journey to Roche-Périac, where
you met him with Juliet Assire, one day I found him weeping in the
orchard. He was looking at a gold medal, which he let me take from him
and look at. On it were all the indications you have described. But the
@@ -10023,8 +9998,8 @@ He tore open the letter and read aloud:
Dario, and you, Raoul, are the veritable heirs of the Marquis de
Beaugreval, specified in his will. Therefore the fourth diamond is
yours. Webster will be delighted to go to Nantes to-morrow to give
- Maître Delarue a check for three hundred thousand francs and bring
- you back the diamond. I am sending to Maître Delarue at the same
+ Maître Delarue a check for three hundred thousand francs and bring
+ you back the diamond. I am sending to Maître Delarue at the same
time as the receipt which he signed, the necessary instructions.
"I will confess, Raoul, that I felt a little disappointed yesterday
@@ -10084,363 +10059,4 @@ Behind, all alone, Dorothy--Princess of Argonne and rope-dancer.
End of the Project Gutenberg EBook of The Secret Tomb, by Maurice Le Blanc
-*** END OF THIS PROJECT GUTENBERG EBOOK THE SECRET TOMB ***
-
-***** This file should be named 59072-8.txt or 59072-8.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/5/9/0/7/59072/
-
-Produced by Greg Weeks, Mary Meehan and the Online
-Distributed Proofreading Team at http://www.pgdp.net
-
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for the eBooks, unless you receive
-specific permission. If you do not charge anything for copies of this
-eBook, complying with the rules is very easy. You may use this eBook
-for nearly any purpose such as creation of derivative works, reports,
-performances and research. They may be modified and printed and given
-away--you may do practically ANYTHING in the United States with eBooks
-not protected by U.S. copyright law. Redistribution is subject to the
-trademark license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country outside the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you'll have to check the laws of the country where you
- are located before using this ebook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm web site
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from both the Project Gutenberg Literary Archive Foundation and The
-Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
-trademark. Contact the Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org Section 3. Information about the Project Gutenberg
-Literary Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's principal office is in Fairbanks, Alaska, with the
-mailing address: PO Box 750175, Fairbanks, AK 99775, but its
-volunteers and employees are scattered throughout numerous
-locations. Its business office is located at 809 North 1500 West, Salt
-Lake City, UT 84116, (801) 596-1887. Email contact links and up to
-date contact information can be found at the Foundation's web site and
-official page at www.gutenberg.org/contact
-
-For additional contact information:
-
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works.
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our Web site which has the main PG search
-facility: www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-
+*** END OF THE PROJECT GUTENBERG EBOOK 59072 ***
diff --git a/59072-h/59072-h.htm b/59072-h/59072-h.htm
index ac45d54..08af98e 100644
--- a/59072-h/59072-h.htm
+++ b/59072-h/59072-h.htm
@@ -98,44 +98,7 @@ div.titlepage p {
<body>
-<pre>
-
-The Project Gutenberg EBook of The Secret Tomb, by Maurice Le Blanc
-
-This eBook is for the use of anyone anywhere in the United States and
-most other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms
-of the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you'll
-have to check the laws of the country where you are located before using
-this ebook.
-
-
-
-Title: The Secret Tomb
-
-Author: Maurice Le Blanc
-
-Release Date: March 16, 2019 [EBook #59072]
-
-Language: English
-
-Character set encoding: ISO-8859-1
-
-*** START OF THIS PROJECT GUTENBERG EBOOK THE SECRET TOMB ***
-
-
-
-
-Produced by Greg Weeks, Mary Meehan and the Online
-Distributed Proofreading Team at http://www.pgdp.net
-
-
-
-
-
-
-</pre>
+<div>*** START OF THE PROJECT GUTENBERG EBOOK 59072 ***</div>
<hr class="chap" />
@@ -10168,377 +10131,7 @@ Saint-Quentin was leading him.</p>
-<pre>
-
-
-
-
-
-End of the Project Gutenberg EBook of The Secret Tomb, by Maurice Le Blanc
-
-*** END OF THIS PROJECT GUTENBERG EBOOK THE SECRET TOMB ***
-
-***** This file should be named 59072-h.htm or 59072-h.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/5/9/0/7/59072/
-
-Produced by Greg Weeks, Mary Meehan and the Online
-Distributed Proofreading Team at http://www.pgdp.net
-
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for the eBooks, unless you receive
-specific permission. If you do not charge anything for copies of this
-eBook, complying with the rules is very easy. You may use this eBook
-for nearly any purpose such as creation of derivative works, reports,
-performances and research. They may be modified and printed and given
-away--you may do practically ANYTHING in the United States with eBooks
-not protected by U.S. copyright law. Redistribution is subject to the
-trademark license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country outside the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you'll have to check the laws of the country where you
- are located before using this ebook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm web site
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from both the Project Gutenberg Literary Archive Foundation and The
-Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
-trademark. Contact the Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org Section 3. Information about the Project Gutenberg
-Literary Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's principal office is in Fairbanks, Alaska, with the
-mailing address: PO Box 750175, Fairbanks, AK 99775, but its
-volunteers and employees are scattered throughout numerous
-locations. Its business office is located at 809 North 1500 West, Salt
-Lake City, UT 84116, (801) 596-1887. Email contact links and up to
-date contact information can be found at the Foundation's web site and
-official page at www.gutenberg.org/contact
-
-For additional contact information:
-
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works.
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our Web site which has the main PG search
-facility: www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-
-
-
-</pre>
+<div>*** END OF THE PROJECT GUTENBERG EBOOK 59072 ***</div>
</body>
</html>