diff options
| author | nfenwick <nfenwick@pglaf.org> | 2025-02-09 14:14:35 -0800 |
|---|---|---|
| committer | nfenwick <nfenwick@pglaf.org> | 2025-02-09 14:14:35 -0800 |
| commit | ec803611341a8f0004a17225d127694b3914d941 (patch) | |
| tree | 3994d21bbc5b72c9bc35c23ed3621fe7df7fc917 | |
| parent | c47cd880c0aeca80eda9866bebdc025f8dd6b69d (diff) | |
| -rw-r--r-- | 59243-0.txt | 445 | ||||
| -rw-r--r-- | 59243-h/59243-h.htm | 411 | ||||
| -rw-r--r-- | 59243.txt | 829 |
3 files changed, 447 insertions, 1238 deletions
diff --git a/59243-0.txt b/59243-0.txt new file mode 100644 index 0000000..593bd95 --- /dev/null +++ b/59243-0.txt @@ -0,0 +1,445 @@ +*** START OF THE PROJECT GUTENBERG EBOOK 59243 *** + + + + + + + + + + + + + THE PACIFISTS + + BY CHARLES E. FRITCH + + _Parker was a trouble maker wherever they + landed. But here was the planet ideal, a + chance he had awaited a long, long time--easy, + like taking candy from a baby...._ + + [Transcriber's Note: This etext was produced from + Worlds of If Science Fiction, May 1955. + Extensive research did not uncover any evidence that + the U.S. copyright on this publication was renewed.] + + +Like a lone sentinel, the house stood apart at the edge of the village, +a white cube with no windows. The door stood open, a dark hole against +the white brick. The house was silent. The village beyond was silent. + +"They must have seen us land," Compton said, a little wildly. "You +can't set down a rocket ship a hundred yards from somebody and not have +them notice. They must have seen us!" + +"Unless no one lives here," Parker amended. "This may be a ghost city." + +"He's right," Hinckley agreed. "There might not be anyone living here, +or anyplace on the planet for that matter. We've found very little life +in these alien star-systems, and it's varied from primitive to ancient. +Perhaps this society became old and died before any of us were born." + +The three Earthmen stood at the base of the spaceship, their spacesuit +headpieces thrown back so they could breathe in the cool thin air. They +stood there peering into the deathly stillness. + +"I hope there are people living here," Parker said. "It's been more +than a month now--" + +"Well," Hinckley said, "let's find out." He waved them forward. + +They were fifty feet from the house when a woman appeared in the +doorway with a silver vase. She was dressed in a grey flowing robe that +covered her from neck to ankles. + +"A young woman," Hinckley breathed, staring. "A woman just like any on +Earth!" + +His voice was loud in the silence, but the woman took no notice. She +stooped and began filling the vase with sand. The two men with Hinckley +shifted anxiously, settling the sand beneath their boots. Behind them +the great spaceship pointed its nose at the sky. + +Parker was staring intently at the girl. "I'm going to like this +place," he said slowly. + +They walked forward, crunching sand. But the girl took no notice of +their approach. She was kneeling beside the house, scooping tiny +handfuls of sand into the silver vase. When they were within five feet +of her, Hinckley cleared his throat. She did not look up. He coughed. + +"Maybe she's deaf," Parker suggested vaguely. His eyes wandered +appraisingly over her youthful body; he licked dry lips. + +Hinckley moved forward and stood before the girl. Her small white hands +dug into the sand, scooping around his boots as though not aware of +them. + +"And blind, too?" Compton wanted to know. "And without the sense of +touch?" There was a strange quality to his voice, as though some +primitive part of his unconsciousness was telling him to run. + +Hinckley bent to tap the girl lightly upon the shoulder. "Pardon me, +Miss. We're visitors from Earth," he told her. + +But she paid no attention to the sound of his voice, and he stepped +back, puzzled. + +"Now what?" Compton wanted to know. He looked around him nervously, at +the house, the speckled sand, the rocket squatting behind them. "I hope +all the natives aren't like this." + +"I do," Parker said, licking his lips thoughtfully and keeping his gaze +on the girl. "I'd just as soon have them all like this. It might be +interesting." + +Compton flushed. "What I meant--" + +"He knows what you meant," Hinckley said harshly. "And there won't +be any of that going on here. You caused enough trouble on the other +planets, and it's not going to happen again, not while I'm in charge of +this expedition. We didn't come all the way out here just so you could +satisfy your romantic inclinations." + +"And how about my off hours, _Captain_," Parker said, emphasizing the +word as though it were obscene; "then may I fraternize?" + +"You have no off hours," Hinckley said sternly. + +"Here comes another one," Compton warned in a whisper. + +A man, dressed in robes similar to the woman's, came from the door of +the house and walked into the yard. After helping the woman to rise, +he picked up the vase, and the two of them went back inside the house. +He hadn't even looked at the Earthmen. + +After awhile, Parker said, "Do you suppose they're both mirages?" + +"Maybe that's it," Compton said. "Maybe it's all a mirage, the woman, +the vase, the man, the house, maybe even the planet itself." His voice +had risen in his excitement. + +"Take it easy," Hinckley advised. + +"Let's get back to the ship before the whole planet evaporates," +Compton said. + +"Go back if you like," Hinckley said. "I'm going to investigate this. +How about you, Parker?" + +"Okay with me. Always wanted to see what makes a mirage tick." He +glanced contemptuously at Compton. + +"Okay," Compton said, gripping his rifle, "we'll all make fools of +ourselves." + +"C'mon, then." + +Hinckley led the way into the house, hesitating only briefly at the +doorway. Inside, a blue light flickered as the man bent over a flaming +trough and poured sand into it from the silver vase. The flames leaped +high, filling the room with a sweet fragrance. The man emptied the +vase, rose and took it to one corner of the room. He sat down on the +couch by the woman. He did not look at the Earthlings. + +"He doesn't see us either," Compton said hoarsely. He cried, "Hey, you! +You! Listen! We're Earthmen. Visitors from space." + +His voice was explosive in the silence. The man didn't look up. The +Earthmen became aware of music seeping from the walls, music strange +and hauntingly beautiful, played on incredible invisible instruments. + +"I don't like this," Compton said. "I don't like it at all. Why are +they ignoring us? Why?" + +"Maybe they can't help it," Hinckley suggested. "Perhaps they actually +can't see us or hear us. It's fantastic, but it's possible." + +"I wonder," Parker mused. And before anyone could stop him, he struck +the man across the face with a doubled fist. + +"Parker!" Hinckley cried. "You fool!" + +"That's a matter of opinion," Parker said steadily, rubbing his +knuckles. "I found out what I wanted to." + +The man had fallen beneath the blow, but recovered seconds later. There +was a large red welt on his forehead, but neither he nor the woman took +any notice of it. + +"It's incredible," Compton said. + +"Evidently we can affect them physically, even if not mentally," +Hinckley said. "You do something like that again, Parker, and I'll +shoot you. I've got the authority to do it, you know, and sometimes the +urge." + +"I know," Parker said, "but you haven't got the guts. Besides, I'll +behave myself." He looked intently at the young woman. "I just wanted +to make certain they're real, that's all." + +"Let's get out of here," Compton suggested. "There must be some way +we can get a message through to these people. Perhaps someone in the +village--" + +Hinckley nodded and motioned them from the house. Compton went eagerly, +but Parker lingered. The air outside seemed cooler now, and its +freshness seemed strange after the pleasant fragrance inside the house. + +"Go back to the ship," Hinckley told Parker. "Compton and I'll go into +the village." + +"I like it right here," Parker said. + +"We might need someone at the ship," Hinckley said. "That's an order." +His hand caressed his rifle, as though daring Parker to refuse. + +Parker grinned contemptuously. "Anything you say, _Captain_. If you +need any help, just yell." He turned away and walked toward the rocket. + +"Someday I'm going to kill him," Hinckley promised. He turned to +Compton. "C'mon, let's see what the village looks like." + + * * * * * + +The village was a replica of the first hut, multiplied. Some of the +huts seemed to have specialized purposes as stores or warehouses, but +otherwise it was the same. People sat in the houses, listening to +music or watching moving pictures swarm over their hut walls. Some +occasionally ventured into the street. All of them ignored the Earthmen. + +"I don't know what to make of it," Hinckley said finally. "We can touch +them and hear them; they appear normal in all respects, but they seem +to be operating on a different level of existence." + +"I don't pretend to understand it," Compton said, "but I have a feeling +I don't like, whenever I think about it. I'd rather meet bug-eyed +monsters than this." + +"I know what you mean," Hinckley said. "These people even though +they're humanoid, are out of contact with reality--at least with +reality as we know it. It's like some kind of mass hypnosis, with +everyone in a trance except us." + +"Think of how helpless these people would be," Compton said. "When we +turn in our report, those who come out here with unhealthy designs +won't have any opposition." + +"We have a prime example of that on board," Hinckley said disgustedly. +"We'd better get back to the ship; I don't like to leave Parker alone; +there's no telling what he'll do." + +When they got back Parker wasn't there. + +"I was afraid of this," Hinckley said between clenched teeth. + +"Maybe they've done something to him," Compton suggested nervously. + +"That's too much to hope for. Chances are, it's the other way around. +If I know Parker, there's only one place he'll be. C'mon." + +Clutching his rifle, Hinckley ran from the rocket. Compton followed, a +bit more cautiously. + +Hinckley reached the lone house and peered into the bluelit gloom. He +entered, gun ready, Compton at his heels. + +"He's not here," Hinckley said, surprised. + +The man and the young woman sat on the couch and casually watched +pictures move across the far wall. Hinckley, looking at the pictures, +was not at all certain they weren't the reality and the natives of this +place merely ghost images that might fade at any moment. + +On the wall an empire was being formed. Tall buildings were raised +by machinery that was unfamiliar to the Earthmen. Aircraft flitted +across the sky like strange black birds. The buildings towered, the +flying machines dove, spitting needles that exploded into blossoms +of fire, and the buildings toppled into dust. People ran, screaming +soundless screams. Columns of smoke rose to replace the buildings. The +scene shifted. Great weapons were assembled and heaped carelessly. To +the heap were added the skycraft and other weapons of war. The pile +exploded, and the people rejoiced, clasping hands, dancing. The walls +darkened. + +Actual or symbolic? Hinckley wondered. + +"What does it mean?" Compton asked him. + +"I think," Hinckley said, "we've just been given a short history of +their race. They built up a great society here, but a warring one. +Finally, they outlawed all weapons in order to save themselves from +total destruction. We could probably take a lesson from that." + +"They'll probably be worse off when the Earthmen come here," Compton +said. "Even if they could see and hear us, they wouldn't have any +weapons left to defend themselves. We could loot and rape and--" + +"I think we'd better forget this planet exists," Hinckley said slowly. +"If we don't report it, no one'll ever know. It's one planet in a +million planets. If we say it's empty, they'll believe it and never +bother to check." + +"But what about Parker?" + +"Yes," Hinckley said in a disturbed tone. "Parker. We've got to find +him before he does anything he shouldn't. He must be in one of the +huts. C'mon. You take one side of the village, I'll take the other. +When we find him, we'll blast off." + +But they didn't find him. They searched through all the buildings, +peered into all the faces. + +"I don't like it," Compton said when they met. "The people may be +helpless, but that doesn't mean everything on the planet is. We've got +to get out of here while we've got the chance." + +"Take it easy," Hinckley advised. "We can't leave without Parker. He's +probably hiding someplace." + +"Hiding?" + +"Hoping we'll take off and leave him alone here. He'd be perfectly +safe. He could take anything he wanted--food, drink, anything--and +these people couldn't raise a finger to stop him; they wouldn't even +know he was here, most likely. If I know Parker that's what he'd want. +He wouldn't care about the people as long as he satisfied himself." + +"We'll never find him," Compton said. "There's a forest beyond the +village. If he got into that, we could search for months and not find +him." + +Hinckley shrugged. "We've got to try." + +Night came before they returned to the rocket. + +Hinckley shook his head in the gathering darkness. "He could be +anyplace out there, damn him." + +"Let's get out of here," Compton suggested again. "Leave him here, if +that's what he wants. Let him do what he wants here; what difference +does it make if the natives don't know what's happening?" + +Hinckley's look was cold. "We'll wait until morning," he said. "If he +isn't back by then, we'll leave." + +But the next morning, the rays of the alien sun found the white +squatting houses silent; Parker had not returned. + +Hinckley turned on the outer loudspeaker. "Parker," he said. The words +crashed across the still village. "Parker, this is Hinckley. We're +blasting off in five minutes. If you're not aboard, we're leaving +without you." + +After a few minutes, Compton said, "He's not coming. He's probably +dead, and so will we be if we wait long enough." + +"More likely, he's ignoring us," Hinckley said, consulting his watch. +"He's got two minutes more." + +Two minutes later, Compton said, "Time's up." + +Hinckley nodded. He switched on the rocket motors. Deep within the +spaceship a turbine growled; the growl rose to a whine. + +"I still don't like to leave him there. Even though they don't know +what's happening to them, I feel sorry for those people out there." He +switched on the loudspeaker again. "Parker," he said over it. "Last +chance. We're blasting off." + +"He's not coming," Compton said shrilly, "he's not coming." + +Hinckley touched a button. Flaming rockets drove their fire in to the +ground. The great spaceship shuddered, rose on a column of flame. + +"At last," Compton sighed. "At last." + +"We'll have to come back, though," Hinckley said. "I knew we'd have to +turn in a report, and now I know we'll have to come back here to find +Parker, to jail him as a deserter, and perhaps worse. I hate to think +of what'll happen to those people down there when the Earthmen come." + +They looked into a viewscreen. Below them, the planet dwindled and +became nothing. + + * * * * * + +From the edge of the forest, Parker watched the spaceship rise into +the sky and disappear. He chuckled contentedly. He had won the game of +hide-and-seek, and the planet was his prize. Earthmen always took what +they could from newly discovered planets, only this time _he_ would +have first choice well ahead of any others. It would be months before +an Earth ship would arrive. But he could last that long easily. Longer +if necessary. During that time he could make up some story to account +for his absence. They'd have to prove him a liar, and that would be +difficult. Any story he made up would certainly be no less fantastic +than this planet certainly was. + +Meanwhile, there were things to do. + +He took off his cumbersome spacesuit and left it in a clearing in the +forest; he wouldn't need that for awhile, and it would only hamper +him. He was in no mood to be delayed. There were a great many things +to do, but first there was one special thing to do. There was a girl, +he remembered, a young woman in a small hut at the other end of the +village. He licked his lips in anticipation. There was a man with her, +but there was nothing he could do--nothing at all. Parker laughed +loudly into the silence and trotted down the street. + +When he reached the other end of the village, he walked eagerly into +the house. The girl sat on the couch. The man stood nearby. The walls +were unmoving and the blue fire cast a cold light about the room. +The Earthman sat down beside the girl, and his hands reached out, +unhesitating. + +But suddenly the man said something in an alien tongue, a sound that +was like a whiplash, angry and bitter. + +Parker felt his throat tighten. "What?" he said. "What?" + +He looked up into eyes alive with hate. No, that was impossible. It +was only imagination. Only imagination, yet for a moment--he laughed +guiltily--he'd thought the man was looking directly at him. + +Furiously, angry at himself, Parker forced the thought from his mind. +He reached once more for the girl, but she shrank from his touch and +leaped up. The Earthman followed her movement with startled, puzzled +eyes, and then his bewilderment changed to a fear that held him with +cold fingers. + +The man had taken a long silver knife from beneath his robe, and he +held it in his hands so that its blade reflected the cold blue fire. +His face was a mask, not pleasant to see. And he was looking at the +Earthman, seeing him, watching him, hating him. + +A sudden flash of understanding came. These people had known all the +time. They stayed indoors in dim light to enhance the illusion and +watch with greater secrecy, so that the movement of eyes would not +betray them--and they had waited. For what? + +Parker leaped up with a hoarse cry and ran, not waiting to find out. +He was in the doorway when the silver knife caught him and slid easily +between his ribs and released the breath of life that lay hidden there. +Before he struck the ground, he was a shell, with neither fear nor +desire to trouble him. + +For a long moment afterward, the man stood over the still body, looking +down at it with a mixture of hate and disgust. The girl joined him. He +looked at her and then at the sky. + +"We must learn to make weapons again," he told her. "These creatures +will be back, unsuspecting, thinking us helpless. Next time, we must be +ready!" + +Without ceremony, they buried the Earthman's body and then met others +of their kind coming into the village streets. There was work to do. + + + + + +End of the Project Gutenberg EBook of The Pacifists, by Charles E. Fritch + +*** END OF THE PROJECT GUTENBERG EBOOK 59243 *** diff --git a/59243-h/59243-h.htm b/59243-h/59243-h.htm index d5a371b..805786b 100644 --- a/59243-h/59243-h.htm +++ b/59243-h/59243-h.htm @@ -74,44 +74,7 @@ div.titlepage p { <body> -<pre> - -The Project Gutenberg EBook of The Pacifists, by Charles E. Fritch - -This eBook is for the use of anyone anywhere in the United States and -most other parts of the world at no cost and with almost no restrictions -whatsoever. You may copy it, give it away or re-use it under the terms -of the Project Gutenberg License included with this eBook or online at -www.gutenberg.org. If you are not located in the United States, you'll -have to check the laws of the country where you are located before using -this ebook. - - - -Title: The Pacifists - -Author: Charles E. Fritch - -Release Date: April 10, 2019 [EBook #59243] - -Language: English - -Character set encoding: ASCII - -*** START OF THIS PROJECT GUTENBERG EBOOK THE PACIFISTS *** - - - - -Produced by Greg Weeks, Mary Meehan and the Online -Distributed Proofreading Team at http://www.pgdp.net - - - - - - -</pre> +<div>*** START OF THE PROJECT GUTENBERG EBOOK 59243 ***</div> <div class="figcenter"> @@ -556,377 +519,7 @@ of their kind coming into the village streets. There was work to do.</p> -<pre> - - - - - -End of the Project Gutenberg EBook of The Pacifists, by Charles E. Fritch - -*** END OF THIS PROJECT GUTENBERG EBOOK THE PACIFISTS *** - -***** This file should be named 59243-h.htm or 59243-h.zip ***** -This and all associated files of various formats will be found in: - http://www.gutenberg.org/5/9/2/4/59243/ - -Produced by Greg Weeks, Mary Meehan and the Online -Distributed Proofreading Team at http://www.pgdp.net - - -Updated editions will replace the previous one--the old editions will -be renamed. - -Creating the works from print editions not protected by U.S. copyright -law means that no one owns a United States copyright in these works, -so the Foundation (and you!) can copy and distribute it in the United -States without permission and without paying copyright -royalties. Special rules, set forth in the General Terms of Use part -of this license, apply to copying and distributing Project -Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm -concept and trademark. Project Gutenberg is a registered trademark, -and may not be used if you charge for the eBooks, unless you receive -specific permission. If you do not charge anything for copies of this -eBook, complying with the rules is very easy. You may use this eBook -for nearly any purpose such as creation of derivative works, reports, -performances and research. They may be modified and printed and given -away--you may do practically ANYTHING in the United States with eBooks -not protected by U.S. copyright law. Redistribution is subject to the -trademark license, especially commercial redistribution. - -START: FULL LICENSE - -THE FULL PROJECT GUTENBERG LICENSE -PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK - -To protect the Project Gutenberg-tm mission of promoting the free -distribution of electronic works, by using or distributing this work -(or any other work associated in any way with the phrase "Project -Gutenberg"), you agree to comply with all the terms of the Full -Project Gutenberg-tm License available with this file or online at -www.gutenberg.org/license. - -Section 1. General Terms of Use and Redistributing Project -Gutenberg-tm electronic works - -1.A. By reading or using any part of this Project Gutenberg-tm -electronic work, you indicate that you have read, understand, agree to -and accept all the terms of this license and intellectual property -(trademark/copyright) agreement. If you do not agree to abide by all -the terms of this agreement, you must cease using and return or -destroy all copies of Project Gutenberg-tm electronic works in your -possession. If you paid a fee for obtaining a copy of or access to a -Project Gutenberg-tm electronic work and you do not agree to be bound -by the terms of this agreement, you may obtain a refund from the -person or entity to whom you paid the fee as set forth in paragraph -1.E.8. - -1.B. "Project Gutenberg" is a registered trademark. It may only be -used on or associated in any way with an electronic work by people who -agree to be bound by the terms of this agreement. There are a few -things that you can do with most Project Gutenberg-tm electronic works -even without complying with the full terms of this agreement. See -paragraph 1.C below. There are a lot of things you can do with Project -Gutenberg-tm electronic works if you follow the terms of this -agreement and help preserve free future access to Project Gutenberg-tm -electronic works. See paragraph 1.E below. - -1.C. The Project Gutenberg Literary Archive Foundation ("the -Foundation" or PGLAF), owns a compilation copyright in the collection -of Project Gutenberg-tm electronic works. Nearly all the individual -works in the collection are in the public domain in the United -States. If an individual work is unprotected by copyright law in the -United States and you are located in the United States, we do not -claim a right to prevent you from copying, distributing, performing, -displaying or creating derivative works based on the work as long as -all references to Project Gutenberg are removed. Of course, we hope -that you will support the Project Gutenberg-tm mission of promoting -free access to electronic works by freely sharing Project Gutenberg-tm -works in compliance with the terms of this agreement for keeping the -Project Gutenberg-tm name associated with the work. You can easily -comply with the terms of this agreement by keeping this work in the -same format with its attached full Project Gutenberg-tm License when -you share it without charge with others. - -1.D. The copyright laws of the place where you are located also govern -what you can do with this work. Copyright laws in most countries are -in a constant state of change. If you are outside the United States, -check the laws of your country in addition to the terms of this -agreement before downloading, copying, displaying, performing, -distributing or creating derivative works based on this work or any -other Project Gutenberg-tm work. The Foundation makes no -representations concerning the copyright status of any work in any -country outside the United States. - -1.E. Unless you have removed all references to Project Gutenberg: - -1.E.1. The following sentence, with active links to, or other -immediate access to, the full Project Gutenberg-tm License must appear -prominently whenever any copy of a Project Gutenberg-tm work (any work -on which the phrase "Project Gutenberg" appears, or with which the -phrase "Project Gutenberg" is associated) is accessed, displayed, -performed, viewed, copied or distributed: - - This eBook is for the use of anyone anywhere in the United States and - most other parts of the world at no cost and with almost no - restrictions whatsoever. You may copy it, give it away or re-use it - under the terms of the Project Gutenberg License included with this - eBook or online at www.gutenberg.org. If you are not located in the - United States, you'll have to check the laws of the country where you - are located before using this ebook. - -1.E.2. If an individual Project Gutenberg-tm electronic work is -derived from texts not protected by U.S. copyright law (does not -contain a notice indicating that it is posted with permission of the -copyright holder), the work can be copied and distributed to anyone in -the United States without paying any fees or charges. If you are -redistributing or providing access to a work with the phrase "Project -Gutenberg" associated with or appearing on the work, you must comply -either with the requirements of paragraphs 1.E.1 through 1.E.7 or -obtain permission for the use of the work and the Project Gutenberg-tm -trademark as set forth in paragraphs 1.E.8 or 1.E.9. - -1.E.3. If an individual Project Gutenberg-tm electronic work is posted -with the permission of the copyright holder, your use and distribution -must comply with both paragraphs 1.E.1 through 1.E.7 and any -additional terms imposed by the copyright holder. Additional terms -will be linked to the Project Gutenberg-tm License for all works -posted with the permission of the copyright holder found at the -beginning of this work. - -1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm -License terms from this work, or any files containing a part of this -work or any other work associated with Project Gutenberg-tm. - -1.E.5. Do not copy, display, perform, distribute or redistribute this -electronic work, or any part of this electronic work, without -prominently displaying the sentence set forth in paragraph 1.E.1 with -active links or immediate access to the full terms of the Project -Gutenberg-tm License. - -1.E.6. You may convert to and distribute this work in any binary, -compressed, marked up, nonproprietary or proprietary form, including -any word processing or hypertext form. However, if you provide access -to or distribute copies of a Project Gutenberg-tm work in a format -other than "Plain Vanilla ASCII" or other format used in the official -version posted on the official Project Gutenberg-tm web site -(www.gutenberg.org), you must, at no additional cost, fee or expense -to the user, provide a copy, a means of exporting a copy, or a means -of obtaining a copy upon request, of the work in its original "Plain -Vanilla ASCII" or other form. Any alternate format must include the -full Project Gutenberg-tm License as specified in paragraph 1.E.1. - -1.E.7. Do not charge a fee for access to, viewing, displaying, -performing, copying or distributing any Project Gutenberg-tm works -unless you comply with paragraph 1.E.8 or 1.E.9. - -1.E.8. You may charge a reasonable fee for copies of or providing -access to or distributing Project Gutenberg-tm electronic works -provided that - -* You pay a royalty fee of 20% of the gross profits you derive from - the use of Project Gutenberg-tm works calculated using the method - you already use to calculate your applicable taxes. The fee is owed - to the owner of the Project Gutenberg-tm trademark, but he has - agreed to donate royalties under this paragraph to the Project - Gutenberg Literary Archive Foundation. Royalty payments must be paid - within 60 days following each date on which you prepare (or are - legally required to prepare) your periodic tax returns. Royalty - payments should be clearly marked as such and sent to the Project - Gutenberg Literary Archive Foundation at the address specified in - Section 4, "Information about donations to the Project Gutenberg - Literary Archive Foundation." - -* You provide a full refund of any money paid by a user who notifies - you in writing (or by e-mail) within 30 days of receipt that s/he - does not agree to the terms of the full Project Gutenberg-tm - License. You must require such a user to return or destroy all - copies of the works possessed in a physical medium and discontinue - all use of and all access to other copies of Project Gutenberg-tm - works. - -* You provide, in accordance with paragraph 1.F.3, a full refund of - any money paid for a work or a replacement copy, if a defect in the - electronic work is discovered and reported to you within 90 days of - receipt of the work. - -* You comply with all other terms of this agreement for free - distribution of Project Gutenberg-tm works. - -1.E.9. If you wish to charge a fee or distribute a Project -Gutenberg-tm electronic work or group of works on different terms than -are set forth in this agreement, you must obtain permission in writing -from both the Project Gutenberg Literary Archive Foundation and The -Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm -trademark. Contact the Foundation as set forth in Section 3 below. - -1.F. - -1.F.1. Project Gutenberg volunteers and employees expend considerable -effort to identify, do copyright research on, transcribe and proofread -works not protected by U.S. copyright law in creating the Project -Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm -electronic works, and the medium on which they may be stored, may -contain "Defects," such as, but not limited to, incomplete, inaccurate -or corrupt data, transcription errors, a copyright or other -intellectual property infringement, a defective or damaged disk or -other medium, a computer virus, or computer codes that damage or -cannot be read by your equipment. - -1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right -of Replacement or Refund" described in paragraph 1.F.3, the Project -Gutenberg Literary Archive Foundation, the owner of the Project -Gutenberg-tm trademark, and any other party distributing a Project -Gutenberg-tm electronic work under this agreement, disclaim all -liability to you for damages, costs and expenses, including legal -fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT -LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE -PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE -TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE -LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR -INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH -DAMAGE. - -1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a -defect in this electronic work within 90 days of receiving it, you can -receive a refund of the money (if any) you paid for it by sending a -written explanation to the person you received the work from. If you -received the work on a physical medium, you must return the medium -with your written explanation. The person or entity that provided you -with the defective work may elect to provide a replacement copy in -lieu of a refund. If you received the work electronically, the person -or entity providing it to you may choose to give you a second -opportunity to receive the work electronically in lieu of a refund. If -the second copy is also defective, you may demand a refund in writing -without further opportunities to fix the problem. - -1.F.4. Except for the limited right of replacement or refund set forth -in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO -OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT -LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. - -1.F.5. Some states do not allow disclaimers of certain implied -warranties or the exclusion or limitation of certain types of -damages. If any disclaimer or limitation set forth in this agreement -violates the law of the state applicable to this agreement, the -agreement shall be interpreted to make the maximum disclaimer or -limitation permitted by the applicable state law. The invalidity or -unenforceability of any provision of this agreement shall not void the -remaining provisions. - -1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the -trademark owner, any agent or employee of the Foundation, anyone -providing copies of Project Gutenberg-tm electronic works in -accordance with this agreement, and any volunteers associated with the -production, promotion and distribution of Project Gutenberg-tm -electronic works, harmless from all liability, costs and expenses, -including legal fees, that arise directly or indirectly from any of -the following which you do or cause to occur: (a) distribution of this -or any Project Gutenberg-tm work, (b) alteration, modification, or -additions or deletions to any Project Gutenberg-tm work, and (c) any -Defect you cause. - -Section 2. Information about the Mission of Project Gutenberg-tm - -Project Gutenberg-tm is synonymous with the free distribution of -electronic works in formats readable by the widest variety of -computers including obsolete, old, middle-aged and new computers. It -exists because of the efforts of hundreds of volunteers and donations -from people in all walks of life. - -Volunteers and financial support to provide volunteers with the -assistance they need are critical to reaching Project Gutenberg-tm's -goals and ensuring that the Project Gutenberg-tm collection will -remain freely available for generations to come. In 2001, the Project -Gutenberg Literary Archive Foundation was created to provide a secure -and permanent future for Project Gutenberg-tm and future -generations. To learn more about the Project Gutenberg Literary -Archive Foundation and how your efforts and donations can help, see -Sections 3 and 4 and the Foundation information page at -www.gutenberg.org Section 3. Information about the Project Gutenberg -Literary Archive Foundation - -The Project Gutenberg Literary Archive Foundation is a non profit -501(c)(3) educational corporation organized under the laws of the -state of Mississippi and granted tax exempt status by the Internal -Revenue Service. The Foundation's EIN or federal tax identification -number is 64-6221541. Contributions to the Project Gutenberg Literary -Archive Foundation are tax deductible to the full extent permitted by -U.S. federal laws and your state's laws. - -The Foundation's principal office is in Fairbanks, Alaska, with the -mailing address: PO Box 750175, Fairbanks, AK 99775, but its -volunteers and employees are scattered throughout numerous -locations. Its business office is located at 809 North 1500 West, Salt -Lake City, UT 84116, (801) 596-1887. Email contact links and up to -date contact information can be found at the Foundation's web site and -official page at www.gutenberg.org/contact - -For additional contact information: - - Dr. Gregory B. Newby - Chief Executive and Director - gbnewby@pglaf.org - -Section 4. Information about Donations to the Project Gutenberg -Literary Archive Foundation - -Project Gutenberg-tm depends upon and cannot survive without wide -spread public support and donations to carry out its mission of -increasing the number of public domain and licensed works that can be -freely distributed in machine readable form accessible by the widest -array of equipment including outdated equipment. Many small donations -($1 to $5,000) are particularly important to maintaining tax exempt -status with the IRS. - -The Foundation is committed to complying with the laws regulating -charities and charitable donations in all 50 states of the United -States. Compliance requirements are not uniform and it takes a -considerable effort, much paperwork and many fees to meet and keep up -with these requirements. We do not solicit donations in locations -where we have not received written confirmation of compliance. To SEND -DONATIONS or determine the status of compliance for any particular -state visit www.gutenberg.org/donate - -While we cannot and do not solicit contributions from states where we -have not met the solicitation requirements, we know of no prohibition -against accepting unsolicited donations from donors in such states who -approach us with offers to donate. - -International donations are gratefully accepted, but we cannot make -any statements concerning tax treatment of donations received from -outside the United States. U.S. laws alone swamp our small staff. - -Please check the Project Gutenberg Web pages for current donation -methods and addresses. Donations are accepted in a number of other -ways including checks, online payments and credit card donations. To -donate, please visit: www.gutenberg.org/donate - -Section 5. General Information About Project Gutenberg-tm electronic works. - -Professor Michael S. Hart was the originator of the Project -Gutenberg-tm concept of a library of electronic works that could be -freely shared with anyone. For forty years, he produced and -distributed Project Gutenberg-tm eBooks with only a loose network of -volunteer support. - -Project Gutenberg-tm eBooks are often created from several printed -editions, all of which are confirmed as not protected by copyright in -the U.S. unless a copyright notice is included. Thus, we do not -necessarily keep eBooks in compliance with any particular paper -edition. - -Most people start at our Web site which has the main PG search -facility: www.gutenberg.org - -This Web site includes information about Project Gutenberg-tm, -including how to make donations to the Project Gutenberg Literary -Archive Foundation, how to help produce our new eBooks, and how to -subscribe to our email newsletter to hear about new eBooks. - - - -</pre> +<div>*** END OF THE PROJECT GUTENBERG EBOOK 59243 ***</div> </body> </html> diff --git a/59243.txt b/59243.txt deleted file mode 100644 index 57e2e55..0000000 --- a/59243.txt +++ /dev/null @@ -1,829 +0,0 @@ -The Project Gutenberg EBook of The Pacifists, by Charles E. Fritch - -This eBook is for the use of anyone anywhere in the United States and -most other parts of the world at no cost and with almost no restrictions -whatsoever. You may copy it, give it away or re-use it under the terms -of the Project Gutenberg License included with this eBook or online at -www.gutenberg.org. If you are not located in the United States, you'll -have to check the laws of the country where you are located before using -this ebook. - - - -Title: The Pacifists - -Author: Charles E. Fritch - -Release Date: April 10, 2019 [EBook #59243] - -Language: English - -Character set encoding: ASCII - -*** START OF THIS PROJECT GUTENBERG EBOOK THE PACIFISTS *** - - - - -Produced by Greg Weeks, Mary Meehan and the Online -Distributed Proofreading Team at http://www.pgdp.net - - - - - - - - - - THE PACIFISTS - - BY CHARLES E. FRITCH - - _Parker was a trouble maker wherever they - landed. But here was the planet ideal, a - chance he had awaited a long, long time--easy, - like taking candy from a baby...._ - - [Transcriber's Note: This etext was produced from - Worlds of If Science Fiction, May 1955. - Extensive research did not uncover any evidence that - the U.S. copyright on this publication was renewed.] - - -Like a lone sentinel, the house stood apart at the edge of the village, -a white cube with no windows. The door stood open, a dark hole against -the white brick. The house was silent. The village beyond was silent. - -"They must have seen us land," Compton said, a little wildly. "You -can't set down a rocket ship a hundred yards from somebody and not have -them notice. They must have seen us!" - -"Unless no one lives here," Parker amended. "This may be a ghost city." - -"He's right," Hinckley agreed. "There might not be anyone living here, -or anyplace on the planet for that matter. We've found very little life -in these alien star-systems, and it's varied from primitive to ancient. -Perhaps this society became old and died before any of us were born." - -The three Earthmen stood at the base of the spaceship, their spacesuit -headpieces thrown back so they could breathe in the cool thin air. They -stood there peering into the deathly stillness. - -"I hope there are people living here," Parker said. "It's been more -than a month now--" - -"Well," Hinckley said, "let's find out." He waved them forward. - -They were fifty feet from the house when a woman appeared in the -doorway with a silver vase. She was dressed in a grey flowing robe that -covered her from neck to ankles. - -"A young woman," Hinckley breathed, staring. "A woman just like any on -Earth!" - -His voice was loud in the silence, but the woman took no notice. She -stooped and began filling the vase with sand. The two men with Hinckley -shifted anxiously, settling the sand beneath their boots. Behind them -the great spaceship pointed its nose at the sky. - -Parker was staring intently at the girl. "I'm going to like this -place," he said slowly. - -They walked forward, crunching sand. But the girl took no notice of -their approach. She was kneeling beside the house, scooping tiny -handfuls of sand into the silver vase. When they were within five feet -of her, Hinckley cleared his throat. She did not look up. He coughed. - -"Maybe she's deaf," Parker suggested vaguely. His eyes wandered -appraisingly over her youthful body; he licked dry lips. - -Hinckley moved forward and stood before the girl. Her small white hands -dug into the sand, scooping around his boots as though not aware of -them. - -"And blind, too?" Compton wanted to know. "And without the sense of -touch?" There was a strange quality to his voice, as though some -primitive part of his unconsciousness was telling him to run. - -Hinckley bent to tap the girl lightly upon the shoulder. "Pardon me, -Miss. We're visitors from Earth," he told her. - -But she paid no attention to the sound of his voice, and he stepped -back, puzzled. - -"Now what?" Compton wanted to know. He looked around him nervously, at -the house, the speckled sand, the rocket squatting behind them. "I hope -all the natives aren't like this." - -"I do," Parker said, licking his lips thoughtfully and keeping his gaze -on the girl. "I'd just as soon have them all like this. It might be -interesting." - -Compton flushed. "What I meant--" - -"He knows what you meant," Hinckley said harshly. "And there won't -be any of that going on here. You caused enough trouble on the other -planets, and it's not going to happen again, not while I'm in charge of -this expedition. We didn't come all the way out here just so you could -satisfy your romantic inclinations." - -"And how about my off hours, _Captain_," Parker said, emphasizing the -word as though it were obscene; "then may I fraternize?" - -"You have no off hours," Hinckley said sternly. - -"Here comes another one," Compton warned in a whisper. - -A man, dressed in robes similar to the woman's, came from the door of -the house and walked into the yard. After helping the woman to rise, -he picked up the vase, and the two of them went back inside the house. -He hadn't even looked at the Earthmen. - -After awhile, Parker said, "Do you suppose they're both mirages?" - -"Maybe that's it," Compton said. "Maybe it's all a mirage, the woman, -the vase, the man, the house, maybe even the planet itself." His voice -had risen in his excitement. - -"Take it easy," Hinckley advised. - -"Let's get back to the ship before the whole planet evaporates," -Compton said. - -"Go back if you like," Hinckley said. "I'm going to investigate this. -How about you, Parker?" - -"Okay with me. Always wanted to see what makes a mirage tick." He -glanced contemptuously at Compton. - -"Okay," Compton said, gripping his rifle, "we'll all make fools of -ourselves." - -"C'mon, then." - -Hinckley led the way into the house, hesitating only briefly at the -doorway. Inside, a blue light flickered as the man bent over a flaming -trough and poured sand into it from the silver vase. The flames leaped -high, filling the room with a sweet fragrance. The man emptied the -vase, rose and took it to one corner of the room. He sat down on the -couch by the woman. He did not look at the Earthlings. - -"He doesn't see us either," Compton said hoarsely. He cried, "Hey, you! -You! Listen! We're Earthmen. Visitors from space." - -His voice was explosive in the silence. The man didn't look up. The -Earthmen became aware of music seeping from the walls, music strange -and hauntingly beautiful, played on incredible invisible instruments. - -"I don't like this," Compton said. "I don't like it at all. Why are -they ignoring us? Why?" - -"Maybe they can't help it," Hinckley suggested. "Perhaps they actually -can't see us or hear us. It's fantastic, but it's possible." - -"I wonder," Parker mused. And before anyone could stop him, he struck -the man across the face with a doubled fist. - -"Parker!" Hinckley cried. "You fool!" - -"That's a matter of opinion," Parker said steadily, rubbing his -knuckles. "I found out what I wanted to." - -The man had fallen beneath the blow, but recovered seconds later. There -was a large red welt on his forehead, but neither he nor the woman took -any notice of it. - -"It's incredible," Compton said. - -"Evidently we can affect them physically, even if not mentally," -Hinckley said. "You do something like that again, Parker, and I'll -shoot you. I've got the authority to do it, you know, and sometimes the -urge." - -"I know," Parker said, "but you haven't got the guts. Besides, I'll -behave myself." He looked intently at the young woman. "I just wanted -to make certain they're real, that's all." - -"Let's get out of here," Compton suggested. "There must be some way -we can get a message through to these people. Perhaps someone in the -village--" - -Hinckley nodded and motioned them from the house. Compton went eagerly, -but Parker lingered. The air outside seemed cooler now, and its -freshness seemed strange after the pleasant fragrance inside the house. - -"Go back to the ship," Hinckley told Parker. "Compton and I'll go into -the village." - -"I like it right here," Parker said. - -"We might need someone at the ship," Hinckley said. "That's an order." -His hand caressed his rifle, as though daring Parker to refuse. - -Parker grinned contemptuously. "Anything you say, _Captain_. If you -need any help, just yell." He turned away and walked toward the rocket. - -"Someday I'm going to kill him," Hinckley promised. He turned to -Compton. "C'mon, let's see what the village looks like." - - * * * * * - -The village was a replica of the first hut, multiplied. Some of the -huts seemed to have specialized purposes as stores or warehouses, but -otherwise it was the same. People sat in the houses, listening to -music or watching moving pictures swarm over their hut walls. Some -occasionally ventured into the street. All of them ignored the Earthmen. - -"I don't know what to make of it," Hinckley said finally. "We can touch -them and hear them; they appear normal in all respects, but they seem -to be operating on a different level of existence." - -"I don't pretend to understand it," Compton said, "but I have a feeling -I don't like, whenever I think about it. I'd rather meet bug-eyed -monsters than this." - -"I know what you mean," Hinckley said. "These people even though -they're humanoid, are out of contact with reality--at least with -reality as we know it. It's like some kind of mass hypnosis, with -everyone in a trance except us." - -"Think of how helpless these people would be," Compton said. "When we -turn in our report, those who come out here with unhealthy designs -won't have any opposition." - -"We have a prime example of that on board," Hinckley said disgustedly. -"We'd better get back to the ship; I don't like to leave Parker alone; -there's no telling what he'll do." - -When they got back Parker wasn't there. - -"I was afraid of this," Hinckley said between clenched teeth. - -"Maybe they've done something to him," Compton suggested nervously. - -"That's too much to hope for. Chances are, it's the other way around. -If I know Parker, there's only one place he'll be. C'mon." - -Clutching his rifle, Hinckley ran from the rocket. Compton followed, a -bit more cautiously. - -Hinckley reached the lone house and peered into the bluelit gloom. He -entered, gun ready, Compton at his heels. - -"He's not here," Hinckley said, surprised. - -The man and the young woman sat on the couch and casually watched -pictures move across the far wall. Hinckley, looking at the pictures, -was not at all certain they weren't the reality and the natives of this -place merely ghost images that might fade at any moment. - -On the wall an empire was being formed. Tall buildings were raised -by machinery that was unfamiliar to the Earthmen. Aircraft flitted -across the sky like strange black birds. The buildings towered, the -flying machines dove, spitting needles that exploded into blossoms -of fire, and the buildings toppled into dust. People ran, screaming -soundless screams. Columns of smoke rose to replace the buildings. The -scene shifted. Great weapons were assembled and heaped carelessly. To -the heap were added the skycraft and other weapons of war. The pile -exploded, and the people rejoiced, clasping hands, dancing. The walls -darkened. - -Actual or symbolic? Hinckley wondered. - -"What does it mean?" Compton asked him. - -"I think," Hinckley said, "we've just been given a short history of -their race. They built up a great society here, but a warring one. -Finally, they outlawed all weapons in order to save themselves from -total destruction. We could probably take a lesson from that." - -"They'll probably be worse off when the Earthmen come here," Compton -said. "Even if they could see and hear us, they wouldn't have any -weapons left to defend themselves. We could loot and rape and--" - -"I think we'd better forget this planet exists," Hinckley said slowly. -"If we don't report it, no one'll ever know. It's one planet in a -million planets. If we say it's empty, they'll believe it and never -bother to check." - -"But what about Parker?" - -"Yes," Hinckley said in a disturbed tone. "Parker. We've got to find -him before he does anything he shouldn't. He must be in one of the -huts. C'mon. You take one side of the village, I'll take the other. -When we find him, we'll blast off." - -But they didn't find him. They searched through all the buildings, -peered into all the faces. - -"I don't like it," Compton said when they met. "The people may be -helpless, but that doesn't mean everything on the planet is. We've got -to get out of here while we've got the chance." - -"Take it easy," Hinckley advised. "We can't leave without Parker. He's -probably hiding someplace." - -"Hiding?" - -"Hoping we'll take off and leave him alone here. He'd be perfectly -safe. He could take anything he wanted--food, drink, anything--and -these people couldn't raise a finger to stop him; they wouldn't even -know he was here, most likely. If I know Parker that's what he'd want. -He wouldn't care about the people as long as he satisfied himself." - -"We'll never find him," Compton said. "There's a forest beyond the -village. If he got into that, we could search for months and not find -him." - -Hinckley shrugged. "We've got to try." - -Night came before they returned to the rocket. - -Hinckley shook his head in the gathering darkness. "He could be -anyplace out there, damn him." - -"Let's get out of here," Compton suggested again. "Leave him here, if -that's what he wants. Let him do what he wants here; what difference -does it make if the natives don't know what's happening?" - -Hinckley's look was cold. "We'll wait until morning," he said. "If he -isn't back by then, we'll leave." - -But the next morning, the rays of the alien sun found the white -squatting houses silent; Parker had not returned. - -Hinckley turned on the outer loudspeaker. "Parker," he said. The words -crashed across the still village. "Parker, this is Hinckley. We're -blasting off in five minutes. If you're not aboard, we're leaving -without you." - -After a few minutes, Compton said, "He's not coming. He's probably -dead, and so will we be if we wait long enough." - -"More likely, he's ignoring us," Hinckley said, consulting his watch. -"He's got two minutes more." - -Two minutes later, Compton said, "Time's up." - -Hinckley nodded. He switched on the rocket motors. Deep within the -spaceship a turbine growled; the growl rose to a whine. - -"I still don't like to leave him there. Even though they don't know -what's happening to them, I feel sorry for those people out there." He -switched on the loudspeaker again. "Parker," he said over it. "Last -chance. We're blasting off." - -"He's not coming," Compton said shrilly, "he's not coming." - -Hinckley touched a button. Flaming rockets drove their fire in to the -ground. The great spaceship shuddered, rose on a column of flame. - -"At last," Compton sighed. "At last." - -"We'll have to come back, though," Hinckley said. "I knew we'd have to -turn in a report, and now I know we'll have to come back here to find -Parker, to jail him as a deserter, and perhaps worse. I hate to think -of what'll happen to those people down there when the Earthmen come." - -They looked into a viewscreen. Below them, the planet dwindled and -became nothing. - - * * * * * - -From the edge of the forest, Parker watched the spaceship rise into -the sky and disappear. He chuckled contentedly. He had won the game of -hide-and-seek, and the planet was his prize. Earthmen always took what -they could from newly discovered planets, only this time _he_ would -have first choice well ahead of any others. It would be months before -an Earth ship would arrive. But he could last that long easily. Longer -if necessary. During that time he could make up some story to account -for his absence. They'd have to prove him a liar, and that would be -difficult. Any story he made up would certainly be no less fantastic -than this planet certainly was. - -Meanwhile, there were things to do. - -He took off his cumbersome spacesuit and left it in a clearing in the -forest; he wouldn't need that for awhile, and it would only hamper -him. He was in no mood to be delayed. There were a great many things -to do, but first there was one special thing to do. There was a girl, -he remembered, a young woman in a small hut at the other end of the -village. He licked his lips in anticipation. There was a man with her, -but there was nothing he could do--nothing at all. Parker laughed -loudly into the silence and trotted down the street. - -When he reached the other end of the village, he walked eagerly into -the house. The girl sat on the couch. The man stood nearby. The walls -were unmoving and the blue fire cast a cold light about the room. -The Earthman sat down beside the girl, and his hands reached out, -unhesitating. - -But suddenly the man said something in an alien tongue, a sound that -was like a whiplash, angry and bitter. - -Parker felt his throat tighten. "What?" he said. "What?" - -He looked up into eyes alive with hate. No, that was impossible. It -was only imagination. Only imagination, yet for a moment--he laughed -guiltily--he'd thought the man was looking directly at him. - -Furiously, angry at himself, Parker forced the thought from his mind. -He reached once more for the girl, but she shrank from his touch and -leaped up. The Earthman followed her movement with startled, puzzled -eyes, and then his bewilderment changed to a fear that held him with -cold fingers. - -The man had taken a long silver knife from beneath his robe, and he -held it in his hands so that its blade reflected the cold blue fire. -His face was a mask, not pleasant to see. And he was looking at the -Earthman, seeing him, watching him, hating him. - -A sudden flash of understanding came. These people had known all the -time. They stayed indoors in dim light to enhance the illusion and -watch with greater secrecy, so that the movement of eyes would not -betray them--and they had waited. For what? - -Parker leaped up with a hoarse cry and ran, not waiting to find out. -He was in the doorway when the silver knife caught him and slid easily -between his ribs and released the breath of life that lay hidden there. -Before he struck the ground, he was a shell, with neither fear nor -desire to trouble him. - -For a long moment afterward, the man stood over the still body, looking -down at it with a mixture of hate and disgust. The girl joined him. He -looked at her and then at the sky. - -"We must learn to make weapons again," he told her. "These creatures -will be back, unsuspecting, thinking us helpless. Next time, we must be -ready!" - -Without ceremony, they buried the Earthman's body and then met others -of their kind coming into the village streets. There was work to do. - - - - - -End of the Project Gutenberg EBook of The Pacifists, by Charles E. Fritch - -*** END OF THIS PROJECT GUTENBERG EBOOK THE PACIFISTS *** - -***** This file should be named 59243.txt or 59243.zip ***** -This and all associated files of various formats will be found in: - http://www.gutenberg.org/5/9/2/4/59243/ - -Produced by Greg Weeks, Mary Meehan and the Online -Distributed Proofreading Team at http://www.pgdp.net - - -Updated editions will replace the previous one--the old editions will -be renamed. - -Creating the works from print editions not protected by U.S. copyright -law means that no one owns a United States copyright in these works, -so the Foundation (and you!) can copy and distribute it in the United -States without permission and without paying copyright -royalties. Special rules, set forth in the General Terms of Use part -of this license, apply to copying and distributing Project -Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm -concept and trademark. Project Gutenberg is a registered trademark, -and may not be used if you charge for the eBooks, unless you receive -specific permission. If you do not charge anything for copies of this -eBook, complying with the rules is very easy. You may use this eBook -for nearly any purpose such as creation of derivative works, reports, -performances and research. They may be modified and printed and given -away--you may do practically ANYTHING in the United States with eBooks -not protected by U.S. copyright law. Redistribution is subject to the -trademark license, especially commercial redistribution. - -START: FULL LICENSE - -THE FULL PROJECT GUTENBERG LICENSE -PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK - -To protect the Project Gutenberg-tm mission of promoting the free -distribution of electronic works, by using or distributing this work -(or any other work associated in any way with the phrase "Project -Gutenberg"), you agree to comply with all the terms of the Full -Project Gutenberg-tm License available with this file or online at -www.gutenberg.org/license. - -Section 1. General Terms of Use and Redistributing Project -Gutenberg-tm electronic works - -1.A. By reading or using any part of this Project Gutenberg-tm -electronic work, you indicate that you have read, understand, agree to -and accept all the terms of this license and intellectual property -(trademark/copyright) agreement. If you do not agree to abide by all -the terms of this agreement, you must cease using and return or -destroy all copies of Project Gutenberg-tm electronic works in your -possession. If you paid a fee for obtaining a copy of or access to a -Project Gutenberg-tm electronic work and you do not agree to be bound -by the terms of this agreement, you may obtain a refund from the -person or entity to whom you paid the fee as set forth in paragraph -1.E.8. - -1.B. "Project Gutenberg" is a registered trademark. It may only be -used on or associated in any way with an electronic work by people who -agree to be bound by the terms of this agreement. There are a few -things that you can do with most Project Gutenberg-tm electronic works -even without complying with the full terms of this agreement. See -paragraph 1.C below. There are a lot of things you can do with Project -Gutenberg-tm electronic works if you follow the terms of this -agreement and help preserve free future access to Project Gutenberg-tm -electronic works. See paragraph 1.E below. - -1.C. The Project Gutenberg Literary Archive Foundation ("the -Foundation" or PGLAF), owns a compilation copyright in the collection -of Project Gutenberg-tm electronic works. Nearly all the individual -works in the collection are in the public domain in the United -States. If an individual work is unprotected by copyright law in the -United States and you are located in the United States, we do not -claim a right to prevent you from copying, distributing, performing, -displaying or creating derivative works based on the work as long as -all references to Project Gutenberg are removed. Of course, we hope -that you will support the Project Gutenberg-tm mission of promoting -free access to electronic works by freely sharing Project Gutenberg-tm -works in compliance with the terms of this agreement for keeping the -Project Gutenberg-tm name associated with the work. You can easily -comply with the terms of this agreement by keeping this work in the -same format with its attached full Project Gutenberg-tm License when -you share it without charge with others. - -1.D. The copyright laws of the place where you are located also govern -what you can do with this work. Copyright laws in most countries are -in a constant state of change. If you are outside the United States, -check the laws of your country in addition to the terms of this -agreement before downloading, copying, displaying, performing, -distributing or creating derivative works based on this work or any -other Project Gutenberg-tm work. The Foundation makes no -representations concerning the copyright status of any work in any -country outside the United States. - -1.E. Unless you have removed all references to Project Gutenberg: - -1.E.1. The following sentence, with active links to, or other -immediate access to, the full Project Gutenberg-tm License must appear -prominently whenever any copy of a Project Gutenberg-tm work (any work -on which the phrase "Project Gutenberg" appears, or with which the -phrase "Project Gutenberg" is associated) is accessed, displayed, -performed, viewed, copied or distributed: - - This eBook is for the use of anyone anywhere in the United States and - most other parts of the world at no cost and with almost no - restrictions whatsoever. You may copy it, give it away or re-use it - under the terms of the Project Gutenberg License included with this - eBook or online at www.gutenberg.org. If you are not located in the - United States, you'll have to check the laws of the country where you - are located before using this ebook. - -1.E.2. If an individual Project Gutenberg-tm electronic work is -derived from texts not protected by U.S. copyright law (does not -contain a notice indicating that it is posted with permission of the -copyright holder), the work can be copied and distributed to anyone in -the United States without paying any fees or charges. If you are -redistributing or providing access to a work with the phrase "Project -Gutenberg" associated with or appearing on the work, you must comply -either with the requirements of paragraphs 1.E.1 through 1.E.7 or -obtain permission for the use of the work and the Project Gutenberg-tm -trademark as set forth in paragraphs 1.E.8 or 1.E.9. - -1.E.3. If an individual Project Gutenberg-tm electronic work is posted -with the permission of the copyright holder, your use and distribution -must comply with both paragraphs 1.E.1 through 1.E.7 and any -additional terms imposed by the copyright holder. Additional terms -will be linked to the Project Gutenberg-tm License for all works -posted with the permission of the copyright holder found at the -beginning of this work. - -1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm -License terms from this work, or any files containing a part of this -work or any other work associated with Project Gutenberg-tm. - -1.E.5. Do not copy, display, perform, distribute or redistribute this -electronic work, or any part of this electronic work, without -prominently displaying the sentence set forth in paragraph 1.E.1 with -active links or immediate access to the full terms of the Project -Gutenberg-tm License. - -1.E.6. You may convert to and distribute this work in any binary, -compressed, marked up, nonproprietary or proprietary form, including -any word processing or hypertext form. However, if you provide access -to or distribute copies of a Project Gutenberg-tm work in a format -other than "Plain Vanilla ASCII" or other format used in the official -version posted on the official Project Gutenberg-tm web site -(www.gutenberg.org), you must, at no additional cost, fee or expense -to the user, provide a copy, a means of exporting a copy, or a means -of obtaining a copy upon request, of the work in its original "Plain -Vanilla ASCII" or other form. Any alternate format must include the -full Project Gutenberg-tm License as specified in paragraph 1.E.1. - -1.E.7. Do not charge a fee for access to, viewing, displaying, -performing, copying or distributing any Project Gutenberg-tm works -unless you comply with paragraph 1.E.8 or 1.E.9. - -1.E.8. You may charge a reasonable fee for copies of or providing -access to or distributing Project Gutenberg-tm electronic works -provided that - -* You pay a royalty fee of 20% of the gross profits you derive from - the use of Project Gutenberg-tm works calculated using the method - you already use to calculate your applicable taxes. The fee is owed - to the owner of the Project Gutenberg-tm trademark, but he has - agreed to donate royalties under this paragraph to the Project - Gutenberg Literary Archive Foundation. Royalty payments must be paid - within 60 days following each date on which you prepare (or are - legally required to prepare) your periodic tax returns. Royalty - payments should be clearly marked as such and sent to the Project - Gutenberg Literary Archive Foundation at the address specified in - Section 4, "Information about donations to the Project Gutenberg - Literary Archive Foundation." - -* You provide a full refund of any money paid by a user who notifies - you in writing (or by e-mail) within 30 days of receipt that s/he - does not agree to the terms of the full Project Gutenberg-tm - License. You must require such a user to return or destroy all - copies of the works possessed in a physical medium and discontinue - all use of and all access to other copies of Project Gutenberg-tm - works. - -* You provide, in accordance with paragraph 1.F.3, a full refund of - any money paid for a work or a replacement copy, if a defect in the - electronic work is discovered and reported to you within 90 days of - receipt of the work. - -* You comply with all other terms of this agreement for free - distribution of Project Gutenberg-tm works. - -1.E.9. If you wish to charge a fee or distribute a Project -Gutenberg-tm electronic work or group of works on different terms than -are set forth in this agreement, you must obtain permission in writing -from both the Project Gutenberg Literary Archive Foundation and The -Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm -trademark. Contact the Foundation as set forth in Section 3 below. - -1.F. - -1.F.1. Project Gutenberg volunteers and employees expend considerable -effort to identify, do copyright research on, transcribe and proofread -works not protected by U.S. copyright law in creating the Project -Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm -electronic works, and the medium on which they may be stored, may -contain "Defects," such as, but not limited to, incomplete, inaccurate -or corrupt data, transcription errors, a copyright or other -intellectual property infringement, a defective or damaged disk or -other medium, a computer virus, or computer codes that damage or -cannot be read by your equipment. - -1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right -of Replacement or Refund" described in paragraph 1.F.3, the Project -Gutenberg Literary Archive Foundation, the owner of the Project -Gutenberg-tm trademark, and any other party distributing a Project -Gutenberg-tm electronic work under this agreement, disclaim all -liability to you for damages, costs and expenses, including legal -fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT -LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE -PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE -TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE -LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR -INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH -DAMAGE. - -1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a -defect in this electronic work within 90 days of receiving it, you can -receive a refund of the money (if any) you paid for it by sending a -written explanation to the person you received the work from. If you -received the work on a physical medium, you must return the medium -with your written explanation. The person or entity that provided you -with the defective work may elect to provide a replacement copy in -lieu of a refund. If you received the work electronically, the person -or entity providing it to you may choose to give you a second -opportunity to receive the work electronically in lieu of a refund. If -the second copy is also defective, you may demand a refund in writing -without further opportunities to fix the problem. - -1.F.4. Except for the limited right of replacement or refund set forth -in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO -OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT -LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. - -1.F.5. Some states do not allow disclaimers of certain implied -warranties or the exclusion or limitation of certain types of -damages. If any disclaimer or limitation set forth in this agreement -violates the law of the state applicable to this agreement, the -agreement shall be interpreted to make the maximum disclaimer or -limitation permitted by the applicable state law. The invalidity or -unenforceability of any provision of this agreement shall not void the -remaining provisions. - -1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the -trademark owner, any agent or employee of the Foundation, anyone -providing copies of Project Gutenberg-tm electronic works in -accordance with this agreement, and any volunteers associated with the -production, promotion and distribution of Project Gutenberg-tm -electronic works, harmless from all liability, costs and expenses, -including legal fees, that arise directly or indirectly from any of -the following which you do or cause to occur: (a) distribution of this -or any Project Gutenberg-tm work, (b) alteration, modification, or -additions or deletions to any Project Gutenberg-tm work, and (c) any -Defect you cause. - -Section 2. Information about the Mission of Project Gutenberg-tm - -Project Gutenberg-tm is synonymous with the free distribution of -electronic works in formats readable by the widest variety of -computers including obsolete, old, middle-aged and new computers. It -exists because of the efforts of hundreds of volunteers and donations -from people in all walks of life. - -Volunteers and financial support to provide volunteers with the -assistance they need are critical to reaching Project Gutenberg-tm's -goals and ensuring that the Project Gutenberg-tm collection will -remain freely available for generations to come. In 2001, the Project -Gutenberg Literary Archive Foundation was created to provide a secure -and permanent future for Project Gutenberg-tm and future -generations. To learn more about the Project Gutenberg Literary -Archive Foundation and how your efforts and donations can help, see -Sections 3 and 4 and the Foundation information page at -www.gutenberg.org Section 3. Information about the Project Gutenberg -Literary Archive Foundation - -The Project Gutenberg Literary Archive Foundation is a non profit -501(c)(3) educational corporation organized under the laws of the -state of Mississippi and granted tax exempt status by the Internal -Revenue Service. The Foundation's EIN or federal tax identification -number is 64-6221541. Contributions to the Project Gutenberg Literary -Archive Foundation are tax deductible to the full extent permitted by -U.S. federal laws and your state's laws. - -The Foundation's principal office is in Fairbanks, Alaska, with the -mailing address: PO Box 750175, Fairbanks, AK 99775, but its -volunteers and employees are scattered throughout numerous -locations. Its business office is located at 809 North 1500 West, Salt -Lake City, UT 84116, (801) 596-1887. Email contact links and up to -date contact information can be found at the Foundation's web site and -official page at www.gutenberg.org/contact - -For additional contact information: - - Dr. Gregory B. Newby - Chief Executive and Director - gbnewby@pglaf.org - -Section 4. Information about Donations to the Project Gutenberg -Literary Archive Foundation - -Project Gutenberg-tm depends upon and cannot survive without wide -spread public support and donations to carry out its mission of -increasing the number of public domain and licensed works that can be -freely distributed in machine readable form accessible by the widest -array of equipment including outdated equipment. Many small donations -($1 to $5,000) are particularly important to maintaining tax exempt -status with the IRS. - -The Foundation is committed to complying with the laws regulating -charities and charitable donations in all 50 states of the United -States. Compliance requirements are not uniform and it takes a -considerable effort, much paperwork and many fees to meet and keep up -with these requirements. We do not solicit donations in locations -where we have not received written confirmation of compliance. To SEND -DONATIONS or determine the status of compliance for any particular -state visit www.gutenberg.org/donate - -While we cannot and do not solicit contributions from states where we -have not met the solicitation requirements, we know of no prohibition -against accepting unsolicited donations from donors in such states who -approach us with offers to donate. - -International donations are gratefully accepted, but we cannot make -any statements concerning tax treatment of donations received from -outside the United States. U.S. laws alone swamp our small staff. - -Please check the Project Gutenberg Web pages for current donation -methods and addresses. Donations are accepted in a number of other -ways including checks, online payments and credit card donations. To -donate, please visit: www.gutenberg.org/donate - -Section 5. General Information About Project Gutenberg-tm electronic works. - -Professor Michael S. Hart was the originator of the Project -Gutenberg-tm concept of a library of electronic works that could be -freely shared with anyone. For forty years, he produced and -distributed Project Gutenberg-tm eBooks with only a loose network of -volunteer support. - -Project Gutenberg-tm eBooks are often created from several printed -editions, all of which are confirmed as not protected by copyright in -the U.S. unless a copyright notice is included. Thus, we do not -necessarily keep eBooks in compliance with any particular paper -edition. - -Most people start at our Web site which has the main PG search -facility: www.gutenberg.org - -This Web site includes information about Project Gutenberg-tm, -including how to make donations to the Project Gutenberg Literary -Archive Foundation, how to help produce our new eBooks, and how to -subscribe to our email newsletter to hear about new eBooks. - |
