summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
authornfenwick <nfenwick@pglaf.org>2025-02-09 14:37:22 -0800
committernfenwick <nfenwick@pglaf.org>2025-02-09 14:37:22 -0800
commit465def065fd5c5b6a41915b947a45eabcdd2c338 (patch)
tree5d01a3e98fd4e65bf3467f9cf5cd102bd7279464
parent1c489749f10cbe46ca18cd576a1d620566e66072 (diff)
Sentinels relocatedHEADmain
-rw-r--r--59285-0.txt469
-rw-r--r--59285-h/59285-h.htm411
-rw-r--r--59285.txt853
3 files changed, 471 insertions, 1262 deletions
diff --git a/59285-0.txt b/59285-0.txt
new file mode 100644
index 0000000..07c3a36
--- /dev/null
+++ b/59285-0.txt
@@ -0,0 +1,469 @@
+*** START OF THE PROJECT GUTENBERG EBOOK 59285 ***
+
+
+
+
+
+
+
+
+
+
+
+
+ until life do us part
+
+ BY WINSTON MARKS
+
+ _It's a long life, when you're
+ immortal. To retain sanity you've got
+ to be unemotional. To be unemotional,
+ you can't fall in love...._
+
+ [Transcriber's Note: This etext was produced from
+ Worlds of If Science Fiction, June 1955.
+ Extensive research did not uncover any evidence that
+ the U.S. copyright on this publication was renewed.]
+
+
+It was a deathless world, but a woman was dying.
+
+Anne Tabor lay limp and pale, her long, slender limbs making only
+shallow depressions on the mercury bath which supported her. Webb
+Fellow stood over her awaiting the effects of the sedative to relieve
+her pain.
+
+His title was _Doctor_, but almost everyone in this age had an M. D.
+certificate with several specialties to his credit. Webb Fellow was
+simply one who continued to find interest and diversion in the field
+of physiological maintenance.
+
+He stood tall and strong above her, lean-bellied, smooth-faced and calm
+appearing, yet he didn't feel especially calm. As the agony eased from
+Anne's face he spoke softly.
+
+"I'm glad you came to me, Anne."
+
+She moistened her lips and spoke without opening her eyes. "It was
+you or Clifford--and Cliff hasn't practiced for a century or more.
+It's--it's quite important to me, Webb. I really want to live. Not
+because I'm afraid of dying, but...."
+
+"I know, Anne. I know."
+
+Everyone in Chicago knew. Anne Tabor was the first female of that city
+to be chosen for motherhood in almost a decade. And in the three days
+since the news had flashed from Washington, Anne Tabor had generated
+within the blood-stream of her lovely, near-perfect body, a mutated
+cancerous cell that threatened to destroy her. Mutant leukemia!
+
+"Just relax, dear. We have the whole city of Chicago to draw on for
+blood while we work this thing out."
+
+He touched a cool hand to her fevered forehead, and the slight motion
+stirred the golden halo that her hair made on the silvery surface of
+the mercury.
+
+The word, "dear", echoed strangely in his ears once he had said it. Her
+eyes had opened at the expression of sentiment, and now they were wide
+and blue as they examined him. A tiny smile curved her pale lips. "Did
+I hear correctly?"
+
+"Yes, dear." He repeated the word deliberately, and for the first time
+since his student days he felt the web of his emotions tighten and
+twist into a knot of unreason.
+
+She mustn't die ... not now!
+
+Her smile widened with her look of mild amazement. "Why Webb, I do
+believe you mean it!"
+
+"You have always been high in my affections, Anne."
+
+"Yes, but--_it's a long life_. Such a long life!"
+
+_That damned phrase again!_ The essence of sanity, they called it. The
+cliche of cliches that under-scored this whole business of immortality.
+_Be not concerned for the frustrations of the moment. All obstacles are
+transient--all obstacles and all emotions. The price of immortality is
+caution, patience, temperance. Deep personal attachments lead to love,
+love leads to jealousy, jealousy to un-saneness, insanity to violence_,
+violence to--
+
+All he had said was that she was high in his affections, but no one
+spoke of such things any more. When one did, it was considered that
+more than conventional promiscuity was involved in his intentions.
+
+He turned away abruptly and studied the dials that registered her
+blood-pressure, pulse and metabolism. Incredible how even women three
+hundred years old remained sensitive to the slightest sign of infantile
+passion in their men. And more fantastic yet, that he, Webb Fellow,
+of the original generation of immortals some seven hundred years old,
+should find the destructive spark of possessiveness still alive in his
+semantically adjusted nervous system.
+
+Mechanically he noted the systole and diastole lines on the revolving
+chart and ordered an attendant to administer whole blood. Before he
+left her he turned back for a moment. "It shouldn't be more than 24
+hours, Anne, and I promise you there won't be any impairment of your
+maternal capacity."
+
+He was startled to note that tears welled into her eyes. "Thank you,
+Webb. Clifford was worried that I might be disqualified."
+
+"Nonsense! Clifford hasn't kept up on things." He strode away without
+further comment, but as he stepped from surgery into pathology he was
+troubled. Why was Clifford so worried about her? Did Clifford think
+that Anne would choose _him_ to father her child?
+
+The thought struck like a snake. Before he could block it the fangs
+were deep, and the venom of adolescent jealousy raced from brain to
+endocrines to blood-stream, poisoning his whole nervous system.
+
+_It's a long life!_
+
+He resorted to the old antidote himself, despising his weakness as he
+breathed the words. They came out as a sigh. He discovered that he was
+searching his memory to determine whether he or Clifford could lay
+claim to Anne by seniority.
+
+Seniority? What damned nonsense was that? Anne had traded back and
+forth between Clifford and him for at least 250 years--with uncounted,
+trivial alliances with how many other men?
+
+But the others didn't count. It was he and Clifford whom Anne
+preferred, just as he and Clifford had discussed on countless occasions
+Anne's perpetual attraction to them both. Anne _was_ Clifford's
+favorite, and he'd made no secret of it.
+
+"Over here, Webb. We have it!" It was Porter, the head staff
+pathologist holding out a small vial of crimson-clear liquid. "This
+ferric-protein salt should cure our famous lady quite quickly. It
+played sudden hell in the culture."
+
+"Oh, yes? Fine. Thank you, Porter. Thank you very much!"
+
+The narrow-shouldered pathologist gave him a second look. "Certainly.
+Don't mention it." He paused then asked bluntly, "Did she name you for
+paternity?"
+
+Webb managed to hold the vial steady to the light, but his voice was a
+shade too taut and high. "Not yet--that is, we haven't discussed it.
+It's a possibility, I suppose."
+
+"I suppose," Porter mocked gently. "You with the highest
+genetic-desirability rating in the State, give or take a couple of
+counties."
+
+Yes, there were a couple other males in Illinois with as high a genetic
+rating as Webb Fellow, and one of them was Clifford Ainsley.
+
+The obvious question thrust itself upon Webb for the first time. Was
+that why Anne Tabor had seemed to concentrate her favors upon him and
+Clifford? Had she actually anticipated the eventuality of being chosen
+for motherhood, and had her criterion for male companionship been
+simply a high genetic rating?
+
+_It's a long life._ Even with such unlikely odds against the
+contingency, he supposed any qualified female secretly nurtured the
+hope that someday--
+
+With the inexplicable tension mounting in him he passed the vial along
+to an assistant with instructions for administering it. Anne would be
+in no condition to discuss the matter for another day or two.
+
+But he must know. He must know whether she had already chosen Clifford.
+
+He slipped into a light street-jacket, caught an express to top-side
+and engaged a taxi. His finger was poised over the destination dial
+before he realized with a start that he had forgotten the five-digit
+number for Clifford's address. It had been that long since he had
+called on his old friend.
+
+Friend? The concept seemed suddenly strange. How long since their
+friendship had actually dissolved into an unacknowledged rivalry?
+
+Nonsense. He and Clifford had both been uncommonly busy with their
+respective professions. And since Clifford had branched from medicine
+into robotics, their paths and interests had simply diverged.
+Alternating almost weekly between the two men, Anne Tabor had kept each
+more or less informed of the other's activities, but somehow he and
+Clifford had ceased looking each other up.
+
+The directory gave him Clifford's number, and he dialed it. The small
+vehicle lifted quickly, slipped into the invisible traffic pattern and
+began applying the dialed code-address to the electronic grid that
+cross-hatched Chicago like a mammoth waffle. As traffic cluttered ahead
+on one particular striation, the taxi banked smoothly and right-angled
+to the next parallel course and proceeded.
+
+Neat, safe, fool-proof. Perfect transportation within proscribed
+geometrical limits, Webb thought. An infinite number of routes from
+one point to another--like the course of a human life--but all within
+certain proscribed limits.
+
+_It's a long life._
+
+The course of a man's life could be considered a passage with infinite
+possibilities only if he were allowed to backtrack occasionally. Was
+that what he was doing? Had life grown so dull that he was seeking the
+diversion of immaturity again?
+
+Immortality.
+
+Was it really so important? Once there had been a time when love,
+open, unashamed love had been accepted as one of life's strongest
+motivations. And it wasn't just a feeling of jealous possessiveness.
+There was a feeling of mutuality in it, a tenderness, an unselfishness
+and closeness of communion between man and woman.
+
+How had this exalted condition become debased into the casual
+association that now existed between the sexes? Debased? That was a
+loaded term. What was the matter with him? Anne Tabor was a lovely,
+desirable creature, but no more lovely, no more desirable than a
+hundred other females he knew.
+
+An odd, almost unique feeling of shame swept over him as his cab sank
+to the landing strip on Clifford's apartment building. He must conceal
+his state of mind from Clifford or be judged a complete imbecile.
+
+ * * * * *
+
+"Well, Webb! This is a surprise." Cliff's face was entirely without
+emotion. "Anne! It's about Anne, isn't it?"
+
+"Anne will be fine."
+
+"Good, good! You startled me, standing there in the door like a
+messenger of doom. I thought for a moment--well, things wouldn't be the
+same without little Annie, would they?"
+
+They had moved into Cliff's apartment, and Webb shrugged out of his
+jacket. The spacious quarters and expensive appointments reminded Webb
+of Clifford's wealth.
+
+"The robot business must be thriving," Webb remarked. "Anne didn't
+mention such luxury over here."
+
+"The girl is tactful, my friend. Tactful, sweet, intelligent."
+
+Webb looked up quickly. He had seated himself, and Clifford stood
+before him in a stiff, almost challenging pose. "Am I welcome here?"
+the physician asked bluntly.
+
+"Certainly, certainly. We'll always welcome you here. Nothing need be
+changed just because Anne is to have a child. Nothing, that is, except
+the customary observance of monogamous convention until the child is
+born and raised."
+
+A pound of lead sagged in Webb's stomach. "Then--Anne has named you for
+paternity?"
+
+Clifford's slender, well-made body lost itself in the precise center of
+an over-size chair, he looked at Webb thoughtfully. "Well, practically.
+We were discussing it the other night when she had the first symptoms
+of this attack." He rubbed his hairless chin. "Why? Did you especially
+aspire to the noble station of parenthood?"
+
+The lazy sarcasm was salt in the wound. With difficulty, Webb kept
+his face expressionless. "When I heard the news, naturally I gave the
+possibility some consideration. That's why I came over here."
+
+"I see. Anne didn't tell you."
+
+"She was in considerable distress when they brought her in. I--I didn't
+ask her."
+
+In spite of the raven-black hair and youthful face, there was something
+about Clifford that Webb didn't like, a hardness, a lack-luster
+indifference verging on boorishness. The thought of losing Anne
+completely for more than eighteen years to this man was more painful
+even than Webb had anticipated.
+
+Impulsively he said, "For old time's sake, Cliff, will you do me a big
+favor?"
+
+The engineer stared at him and waited.
+
+"Take a vacation. Disappear for a few months."
+
+The dark eyebrows remained in a straight line. "And run out on Anne?
+You aren't serious."
+
+"I am."
+
+Clifford laughed without smiling. "You'd better head for hormone harbor
+and take _yourself_ a vacation, old man. You're becoming senile."
+
+"Then you won't withdraw?"
+
+"Of course not. You're asking more than a favor. You're asking me to
+offend Anne. These things are important to females."
+
+"It's important to me, too, Cliff."
+
+"Well, I'll be--" The smaller man rolled to his feet and put his hands
+on his hips. "I never thought to see the day when honored Elder Webb
+Fellow would come muling around like a sub-century freshman. Of all the
+anachronistic drivel!"
+
+"You see?" Webb said eagerly, "It isn't important to you at all. Why
+can't you do this for me, Cliff? I--I just can't stand the thought of
+being without Anne all those years."
+
+"Relax, Webb. _It's a long life._ Anne will be back in circulation
+before you know it." He paced to a low desk and extracted a small
+address book from a drawer. "If you're short of female acquaintances at
+the moment you can have these. I won't be needing them for awhile."
+
+He flipped the book at Webb. By chance the cover opened, caught the
+air and slanted the book up in its course so it struck the physician's
+cheek with a slap. The faint sting was the detonator that exploded all
+the careful restraint of seven centuries.
+
+Webb arose to his feet slowly and moved toward Clifford. "So
+medicine was too elementary for you? Human physiology and behaviour
+has no unsolved problems in it, you said once. So you went into
+robotics--positronic brains--infinite variety of response, with built
+in neuroses and psychoses. Human behaviour was too stereo-typed for
+you, Clifford. Everyone was predictable to seven decimal places. You
+were bored."
+
+"You have it about right," the engineer said insolently. He let his
+arms drop to his sides, relaxed, unconcerned at the tension in the
+physician's voice.
+
+"You build fine chess-playing machines, I hear," Webb said softly,
+gradually closing the distance between them. "Your mechanical geniuses
+have outstripped our finest playwrights and novelists for creativity
+and originality. You've probed every conceivable aberrated twist of
+human nature with your psychological-probabilities computers. You've
+reduced sociology and human relations to a cipher--"
+
+Clifford shrugged. "Merely an extension of early work in general
+semantics--the same work that gave us mental stability to go with
+physical immortality. Certainly you don't disparage--"
+
+"I'm disparaging nothing," Webb broke in. "I'm merely pointing out your
+blind spot, your fatal blind spot."
+
+"Fatal?"
+
+"Yes, Clifford, fatal. I'm going to kill you."
+
+The words seemed to have no effect. Not until Webb's powerful surgeon's
+hands closed about his neck did Clifford go rigid and begin his futile
+struggle.
+
+Webb did not crush the larynx immediately. He squeezed down with slow,
+breath-robbing pressure, feeling for the windpipe under his thumbs.
+Clifford gasped, "_'Sa long life, Webb_ ... don't ... commit suicide."
+
+"It's a long life, but not for you, my stupid friend. Sure, they'll
+execute me. But you won't have her. Never again, do you hear?"
+
+Clifford's eyes were closed now, and Webb knew that the roaring in his
+victim's ears would be blotting out all external sound. The knowledge
+infuriated him, and he screamed, "You fool, I pleaded with you. I took
+your insults and gave you every clue you needed--didn't you recognize
+my condition? You fool! You brilliant, blind fool!"
+
+Clifford collapsed to his knees, and Webb let him go with one final,
+irrevocable wrench that certified his death.
+
+Clifford's death and his own. The penalty for murder was still capital
+punishment, and in his own case Webb acknowledged the logic and
+necessity of such harsh consequences.
+
+If there was one activity that immortal, 28th Century Man could no
+longer afford, it was the luxury of falling in love....
+
+ * * * * *
+
+Webb stood back and looked down at his crumpled victim. The heavy
+pressure was subsiding from his temples, and the gray film of
+irrational hate faded from his vision.
+
+"Cliff--I--" Then full horror closed in on him and he choked off. His
+hands felt slick and slippery, but it was his own sweat, not blood. The
+tactile memory of his fingers squeezing, crushing Clifford's throat,
+fed details of touch, texture and temperature to his tortured but
+clear brain. His surgeon's fingers were twitching, trying to tell him
+what they had discovered moments ago, but a more over-whelming thought
+blocked the message.
+
+_I've taken a man's life ... and my own. And ruined Anne's happiness.
+I've brought her tragedy instead of happiness._
+
+No, not tragedy. Inconvenience. It would still be a long life for Anne.
+She would find a suitable mate, then her child would quickly erase the
+memory of this day.
+
+Still, he had committed murder, the first deliberate murder the world
+had known in centuries. "Damn you!" he screamed down at the body. "Why
+didn't you protect yourself?"
+
+"Oh, I did, Webb, I did!"
+
+Webb spun to face the direction of the voice behind him. His eyes
+must be playing tricks--an after-image, perhaps. "Who are you?" Webb
+demanded.
+
+"Clifford Ainsley. The prototype, that is, in the flesh and not a
+roboid." He nodded at the body on the floor. "Ainsley the Second.
+Strictly a lab job."
+
+"Cliff? Oh, my God!" Webb fell into a chair and sobbed with relief.
+
+Clifford Ainsley came to him and put a hand to his shoulder. "I'm truly
+sorry, Webb, but it was better this way. We can be thankful that I
+anticipated your actions."
+
+Webb looked up. "You--expected me to murder you?"
+
+"The p c--probability computation--was remarkably high. You see, I ran
+your genetic pattern into the computer, added the double stress factor
+of Anne's serious illness _and_ her forthcoming motherhood, and the
+subtotal spelled out a four letter word."
+
+Webb nodded slowly. "Love."
+
+"Right. And you know the corollary to that. When I punched in the
+details of your relationship with Anne _and_ me, well, the next
+subtotal read--homicide."
+
+The expression of relief in Webb's face changed to show the hurt he
+felt. "But if you knew all this, why did you have to play out this
+scene, even with a remote control robot?"
+
+"To discharge the murder impulse, my friend. I had to play it straight,
+reacting just as I would to your demands, had I not known of your
+condition. Otherwise the computations would have been based on false
+inter-reaction premises. And until you made the attempt on my life, you
+were a real danger to me--and yourself. Now the shock of your murder
+attempt and the relief at your failure have dissipated that danger."
+
+It was true, Webb admitted to himself. No longer did he feel the least
+malice toward Cliff. But bitterness was still rank on his tongue. "So
+how does the story end? Does boy get girl or not?"
+
+"Of course. Boy always gets girl, if he wants her. _It's a long life._
+At this phase she wants me."
+
+"Is that your own opinion or just another subtotal of the computer?"
+
+"Both."
+
+"But--how does it really end. What happens when you punch the _total_
+key?"
+
+"You ask that, Webb? You, one of the very first to embrace the rigors
+of physical immortality? My dear friend, _there is no total key_."
+
+
+
+
+
+End of the Project Gutenberg EBook of Until Life Do Us Part, by Winston Marks
+
+*** END OF THE PROJECT GUTENBERG EBOOK 59285 ***
diff --git a/59285-h/59285-h.htm b/59285-h/59285-h.htm
index 3e66230..4bba3a5 100644
--- a/59285-h/59285-h.htm
+++ b/59285-h/59285-h.htm
@@ -74,44 +74,7 @@ div.titlepage p {
<body>
-<pre>
-
-The Project Gutenberg EBook of Until Life Do Us Part, by Winston Marks
-
-This eBook is for the use of anyone anywhere in the United States and
-most other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms
-of the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you'll
-have to check the laws of the country where you are located before using
-this ebook.
-
-
-
-Title: Until Life Do Us Part
-
-Author: Winston Marks
-
-Release Date: April 15, 2019 [EBook #59285]
-
-Language: English
-
-Character set encoding: ASCII
-
-*** START OF THIS PROJECT GUTENBERG EBOOK UNTIL LIFE DO US PART ***
-
-
-
-
-Produced by Greg Weeks, Mary Meehan and the Online
-Distributed Proofreading Team at http://www.pgdp.net
-
-
-
-
-
-
-</pre>
+<div>*** START OF THE PROJECT GUTENBERG EBOOK 59285 ***</div>
<div class="figcenter">
@@ -589,377 +552,7 @@ of physical immortality? My dear friend, <i>there is no total key</i>."</p>
-<pre>
-
-
-
-
-
-End of the Project Gutenberg EBook of Until Life Do Us Part, by Winston Marks
-
-*** END OF THIS PROJECT GUTENBERG EBOOK UNTIL LIFE DO US PART ***
-
-***** This file should be named 59285-h.htm or 59285-h.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/5/9/2/8/59285/
-
-Produced by Greg Weeks, Mary Meehan and the Online
-Distributed Proofreading Team at http://www.pgdp.net
-
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for the eBooks, unless you receive
-specific permission. If you do not charge anything for copies of this
-eBook, complying with the rules is very easy. You may use this eBook
-for nearly any purpose such as creation of derivative works, reports,
-performances and research. They may be modified and printed and given
-away--you may do practically ANYTHING in the United States with eBooks
-not protected by U.S. copyright law. Redistribution is subject to the
-trademark license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country outside the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you'll have to check the laws of the country where you
- are located before using this ebook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm web site
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from both the Project Gutenberg Literary Archive Foundation and The
-Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
-trademark. Contact the Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org Section 3. Information about the Project Gutenberg
-Literary Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's principal office is in Fairbanks, Alaska, with the
-mailing address: PO Box 750175, Fairbanks, AK 99775, but its
-volunteers and employees are scattered throughout numerous
-locations. Its business office is located at 809 North 1500 West, Salt
-Lake City, UT 84116, (801) 596-1887. Email contact links and up to
-date contact information can be found at the Foundation's web site and
-official page at www.gutenberg.org/contact
-
-For additional contact information:
-
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works.
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our Web site which has the main PG search
-facility: www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-
-
-
-</pre>
+<div>*** END OF THE PROJECT GUTENBERG EBOOK 59285 ***</div>
</body>
</html>
diff --git a/59285.txt b/59285.txt
deleted file mode 100644
index 63f6214..0000000
--- a/59285.txt
+++ /dev/null
@@ -1,853 +0,0 @@
-The Project Gutenberg EBook of Until Life Do Us Part, by Winston Marks
-
-This eBook is for the use of anyone anywhere in the United States and
-most other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms
-of the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you'll
-have to check the laws of the country where you are located before using
-this ebook.
-
-
-
-Title: Until Life Do Us Part
-
-Author: Winston Marks
-
-Release Date: April 15, 2019 [EBook #59285]
-
-Language: English
-
-Character set encoding: ASCII
-
-*** START OF THIS PROJECT GUTENBERG EBOOK UNTIL LIFE DO US PART ***
-
-
-
-
-Produced by Greg Weeks, Mary Meehan and the Online
-Distributed Proofreading Team at http://www.pgdp.net
-
-
-
-
-
-
-
-
-
- until life do us part
-
- BY WINSTON MARKS
-
- _It's a long life, when you're
- immortal. To retain sanity you've got
- to be unemotional. To be unemotional,
- you can't fall in love...._
-
- [Transcriber's Note: This etext was produced from
- Worlds of If Science Fiction, June 1955.
- Extensive research did not uncover any evidence that
- the U.S. copyright on this publication was renewed.]
-
-
-It was a deathless world, but a woman was dying.
-
-Anne Tabor lay limp and pale, her long, slender limbs making only
-shallow depressions on the mercury bath which supported her. Webb
-Fellow stood over her awaiting the effects of the sedative to relieve
-her pain.
-
-His title was _Doctor_, but almost everyone in this age had an M. D.
-certificate with several specialties to his credit. Webb Fellow was
-simply one who continued to find interest and diversion in the field
-of physiological maintenance.
-
-He stood tall and strong above her, lean-bellied, smooth-faced and calm
-appearing, yet he didn't feel especially calm. As the agony eased from
-Anne's face he spoke softly.
-
-"I'm glad you came to me, Anne."
-
-She moistened her lips and spoke without opening her eyes. "It was
-you or Clifford--and Cliff hasn't practiced for a century or more.
-It's--it's quite important to me, Webb. I really want to live. Not
-because I'm afraid of dying, but...."
-
-"I know, Anne. I know."
-
-Everyone in Chicago knew. Anne Tabor was the first female of that city
-to be chosen for motherhood in almost a decade. And in the three days
-since the news had flashed from Washington, Anne Tabor had generated
-within the blood-stream of her lovely, near-perfect body, a mutated
-cancerous cell that threatened to destroy her. Mutant leukemia!
-
-"Just relax, dear. We have the whole city of Chicago to draw on for
-blood while we work this thing out."
-
-He touched a cool hand to her fevered forehead, and the slight motion
-stirred the golden halo that her hair made on the silvery surface of
-the mercury.
-
-The word, "dear", echoed strangely in his ears once he had said it. Her
-eyes had opened at the expression of sentiment, and now they were wide
-and blue as they examined him. A tiny smile curved her pale lips. "Did
-I hear correctly?"
-
-"Yes, dear." He repeated the word deliberately, and for the first time
-since his student days he felt the web of his emotions tighten and
-twist into a knot of unreason.
-
-She mustn't die ... not now!
-
-Her smile widened with her look of mild amazement. "Why Webb, I do
-believe you mean it!"
-
-"You have always been high in my affections, Anne."
-
-"Yes, but--_it's a long life_. Such a long life!"
-
-_That damned phrase again!_ The essence of sanity, they called it. The
-cliche of cliches that under-scored this whole business of immortality.
-_Be not concerned for the frustrations of the moment. All obstacles are
-transient--all obstacles and all emotions. The price of immortality is
-caution, patience, temperance. Deep personal attachments lead to love,
-love leads to jealousy, jealousy to un-saneness, insanity to violence_,
-violence to--
-
-All he had said was that she was high in his affections, but no one
-spoke of such things any more. When one did, it was considered that
-more than conventional promiscuity was involved in his intentions.
-
-He turned away abruptly and studied the dials that registered her
-blood-pressure, pulse and metabolism. Incredible how even women three
-hundred years old remained sensitive to the slightest sign of infantile
-passion in their men. And more fantastic yet, that he, Webb Fellow,
-of the original generation of immortals some seven hundred years old,
-should find the destructive spark of possessiveness still alive in his
-semantically adjusted nervous system.
-
-Mechanically he noted the systole and diastole lines on the revolving
-chart and ordered an attendant to administer whole blood. Before he
-left her he turned back for a moment. "It shouldn't be more than 24
-hours, Anne, and I promise you there won't be any impairment of your
-maternal capacity."
-
-He was startled to note that tears welled into her eyes. "Thank you,
-Webb. Clifford was worried that I might be disqualified."
-
-"Nonsense! Clifford hasn't kept up on things." He strode away without
-further comment, but as he stepped from surgery into pathology he was
-troubled. Why was Clifford so worried about her? Did Clifford think
-that Anne would choose _him_ to father her child?
-
-The thought struck like a snake. Before he could block it the fangs
-were deep, and the venom of adolescent jealousy raced from brain to
-endocrines to blood-stream, poisoning his whole nervous system.
-
-_It's a long life!_
-
-He resorted to the old antidote himself, despising his weakness as he
-breathed the words. They came out as a sigh. He discovered that he was
-searching his memory to determine whether he or Clifford could lay
-claim to Anne by seniority.
-
-Seniority? What damned nonsense was that? Anne had traded back and
-forth between Clifford and him for at least 250 years--with uncounted,
-trivial alliances with how many other men?
-
-But the others didn't count. It was he and Clifford whom Anne
-preferred, just as he and Clifford had discussed on countless occasions
-Anne's perpetual attraction to them both. Anne _was_ Clifford's
-favorite, and he'd made no secret of it.
-
-"Over here, Webb. We have it!" It was Porter, the head staff
-pathologist holding out a small vial of crimson-clear liquid. "This
-ferric-protein salt should cure our famous lady quite quickly. It
-played sudden hell in the culture."
-
-"Oh, yes? Fine. Thank you, Porter. Thank you very much!"
-
-The narrow-shouldered pathologist gave him a second look. "Certainly.
-Don't mention it." He paused then asked bluntly, "Did she name you for
-paternity?"
-
-Webb managed to hold the vial steady to the light, but his voice was a
-shade too taut and high. "Not yet--that is, we haven't discussed it.
-It's a possibility, I suppose."
-
-"I suppose," Porter mocked gently. "You with the highest
-genetic-desirability rating in the State, give or take a couple of
-counties."
-
-Yes, there were a couple other males in Illinois with as high a genetic
-rating as Webb Fellow, and one of them was Clifford Ainsley.
-
-The obvious question thrust itself upon Webb for the first time. Was
-that why Anne Tabor had seemed to concentrate her favors upon him and
-Clifford? Had she actually anticipated the eventuality of being chosen
-for motherhood, and had her criterion for male companionship been
-simply a high genetic rating?
-
-_It's a long life._ Even with such unlikely odds against the
-contingency, he supposed any qualified female secretly nurtured the
-hope that someday--
-
-With the inexplicable tension mounting in him he passed the vial along
-to an assistant with instructions for administering it. Anne would be
-in no condition to discuss the matter for another day or two.
-
-But he must know. He must know whether she had already chosen Clifford.
-
-He slipped into a light street-jacket, caught an express to top-side
-and engaged a taxi. His finger was poised over the destination dial
-before he realized with a start that he had forgotten the five-digit
-number for Clifford's address. It had been that long since he had
-called on his old friend.
-
-Friend? The concept seemed suddenly strange. How long since their
-friendship had actually dissolved into an unacknowledged rivalry?
-
-Nonsense. He and Clifford had both been uncommonly busy with their
-respective professions. And since Clifford had branched from medicine
-into robotics, their paths and interests had simply diverged.
-Alternating almost weekly between the two men, Anne Tabor had kept each
-more or less informed of the other's activities, but somehow he and
-Clifford had ceased looking each other up.
-
-The directory gave him Clifford's number, and he dialed it. The small
-vehicle lifted quickly, slipped into the invisible traffic pattern and
-began applying the dialed code-address to the electronic grid that
-cross-hatched Chicago like a mammoth waffle. As traffic cluttered ahead
-on one particular striation, the taxi banked smoothly and right-angled
-to the next parallel course and proceeded.
-
-Neat, safe, fool-proof. Perfect transportation within proscribed
-geometrical limits, Webb thought. An infinite number of routes from
-one point to another--like the course of a human life--but all within
-certain proscribed limits.
-
-_It's a long life._
-
-The course of a man's life could be considered a passage with infinite
-possibilities only if he were allowed to backtrack occasionally. Was
-that what he was doing? Had life grown so dull that he was seeking the
-diversion of immaturity again?
-
-Immortality.
-
-Was it really so important? Once there had been a time when love,
-open, unashamed love had been accepted as one of life's strongest
-motivations. And it wasn't just a feeling of jealous possessiveness.
-There was a feeling of mutuality in it, a tenderness, an unselfishness
-and closeness of communion between man and woman.
-
-How had this exalted condition become debased into the casual
-association that now existed between the sexes? Debased? That was a
-loaded term. What was the matter with him? Anne Tabor was a lovely,
-desirable creature, but no more lovely, no more desirable than a
-hundred other females he knew.
-
-An odd, almost unique feeling of shame swept over him as his cab sank
-to the landing strip on Clifford's apartment building. He must conceal
-his state of mind from Clifford or be judged a complete imbecile.
-
- * * * * *
-
-"Well, Webb! This is a surprise." Cliff's face was entirely without
-emotion. "Anne! It's about Anne, isn't it?"
-
-"Anne will be fine."
-
-"Good, good! You startled me, standing there in the door like a
-messenger of doom. I thought for a moment--well, things wouldn't be the
-same without little Annie, would they?"
-
-They had moved into Cliff's apartment, and Webb shrugged out of his
-jacket. The spacious quarters and expensive appointments reminded Webb
-of Clifford's wealth.
-
-"The robot business must be thriving," Webb remarked. "Anne didn't
-mention such luxury over here."
-
-"The girl is tactful, my friend. Tactful, sweet, intelligent."
-
-Webb looked up quickly. He had seated himself, and Clifford stood
-before him in a stiff, almost challenging pose. "Am I welcome here?"
-the physician asked bluntly.
-
-"Certainly, certainly. We'll always welcome you here. Nothing need be
-changed just because Anne is to have a child. Nothing, that is, except
-the customary observance of monogamous convention until the child is
-born and raised."
-
-A pound of lead sagged in Webb's stomach. "Then--Anne has named you for
-paternity?"
-
-Clifford's slender, well-made body lost itself in the precise center of
-an over-size chair, he looked at Webb thoughtfully. "Well, practically.
-We were discussing it the other night when she had the first symptoms
-of this attack." He rubbed his hairless chin. "Why? Did you especially
-aspire to the noble station of parenthood?"
-
-The lazy sarcasm was salt in the wound. With difficulty, Webb kept
-his face expressionless. "When I heard the news, naturally I gave the
-possibility some consideration. That's why I came over here."
-
-"I see. Anne didn't tell you."
-
-"She was in considerable distress when they brought her in. I--I didn't
-ask her."
-
-In spite of the raven-black hair and youthful face, there was something
-about Clifford that Webb didn't like, a hardness, a lack-luster
-indifference verging on boorishness. The thought of losing Anne
-completely for more than eighteen years to this man was more painful
-even than Webb had anticipated.
-
-Impulsively he said, "For old time's sake, Cliff, will you do me a big
-favor?"
-
-The engineer stared at him and waited.
-
-"Take a vacation. Disappear for a few months."
-
-The dark eyebrows remained in a straight line. "And run out on Anne?
-You aren't serious."
-
-"I am."
-
-Clifford laughed without smiling. "You'd better head for hormone harbor
-and take _yourself_ a vacation, old man. You're becoming senile."
-
-"Then you won't withdraw?"
-
-"Of course not. You're asking more than a favor. You're asking me to
-offend Anne. These things are important to females."
-
-"It's important to me, too, Cliff."
-
-"Well, I'll be--" The smaller man rolled to his feet and put his hands
-on his hips. "I never thought to see the day when honored Elder Webb
-Fellow would come muling around like a sub-century freshman. Of all the
-anachronistic drivel!"
-
-"You see?" Webb said eagerly, "It isn't important to you at all. Why
-can't you do this for me, Cliff? I--I just can't stand the thought of
-being without Anne all those years."
-
-"Relax, Webb. _It's a long life._ Anne will be back in circulation
-before you know it." He paced to a low desk and extracted a small
-address book from a drawer. "If you're short of female acquaintances at
-the moment you can have these. I won't be needing them for awhile."
-
-He flipped the book at Webb. By chance the cover opened, caught the
-air and slanted the book up in its course so it struck the physician's
-cheek with a slap. The faint sting was the detonator that exploded all
-the careful restraint of seven centuries.
-
-Webb arose to his feet slowly and moved toward Clifford. "So
-medicine was too elementary for you? Human physiology and behaviour
-has no unsolved problems in it, you said once. So you went into
-robotics--positronic brains--infinite variety of response, with built
-in neuroses and psychoses. Human behaviour was too stereo-typed for
-you, Clifford. Everyone was predictable to seven decimal places. You
-were bored."
-
-"You have it about right," the engineer said insolently. He let his
-arms drop to his sides, relaxed, unconcerned at the tension in the
-physician's voice.
-
-"You build fine chess-playing machines, I hear," Webb said softly,
-gradually closing the distance between them. "Your mechanical geniuses
-have outstripped our finest playwrights and novelists for creativity
-and originality. You've probed every conceivable aberrated twist of
-human nature with your psychological-probabilities computers. You've
-reduced sociology and human relations to a cipher--"
-
-Clifford shrugged. "Merely an extension of early work in general
-semantics--the same work that gave us mental stability to go with
-physical immortality. Certainly you don't disparage--"
-
-"I'm disparaging nothing," Webb broke in. "I'm merely pointing out your
-blind spot, your fatal blind spot."
-
-"Fatal?"
-
-"Yes, Clifford, fatal. I'm going to kill you."
-
-The words seemed to have no effect. Not until Webb's powerful surgeon's
-hands closed about his neck did Clifford go rigid and begin his futile
-struggle.
-
-Webb did not crush the larynx immediately. He squeezed down with slow,
-breath-robbing pressure, feeling for the windpipe under his thumbs.
-Clifford gasped, "_'Sa long life, Webb_ ... don't ... commit suicide."
-
-"It's a long life, but not for you, my stupid friend. Sure, they'll
-execute me. But you won't have her. Never again, do you hear?"
-
-Clifford's eyes were closed now, and Webb knew that the roaring in his
-victim's ears would be blotting out all external sound. The knowledge
-infuriated him, and he screamed, "You fool, I pleaded with you. I took
-your insults and gave you every clue you needed--didn't you recognize
-my condition? You fool! You brilliant, blind fool!"
-
-Clifford collapsed to his knees, and Webb let him go with one final,
-irrevocable wrench that certified his death.
-
-Clifford's death and his own. The penalty for murder was still capital
-punishment, and in his own case Webb acknowledged the logic and
-necessity of such harsh consequences.
-
-If there was one activity that immortal, 28th Century Man could no
-longer afford, it was the luxury of falling in love....
-
- * * * * *
-
-Webb stood back and looked down at his crumpled victim. The heavy
-pressure was subsiding from his temples, and the gray film of
-irrational hate faded from his vision.
-
-"Cliff--I--" Then full horror closed in on him and he choked off. His
-hands felt slick and slippery, but it was his own sweat, not blood. The
-tactile memory of his fingers squeezing, crushing Clifford's throat,
-fed details of touch, texture and temperature to his tortured but
-clear brain. His surgeon's fingers were twitching, trying to tell him
-what they had discovered moments ago, but a more over-whelming thought
-blocked the message.
-
-_I've taken a man's life ... and my own. And ruined Anne's happiness.
-I've brought her tragedy instead of happiness._
-
-No, not tragedy. Inconvenience. It would still be a long life for Anne.
-She would find a suitable mate, then her child would quickly erase the
-memory of this day.
-
-Still, he had committed murder, the first deliberate murder the world
-had known in centuries. "Damn you!" he screamed down at the body. "Why
-didn't you protect yourself?"
-
-"Oh, I did, Webb, I did!"
-
-Webb spun to face the direction of the voice behind him. His eyes
-must be playing tricks--an after-image, perhaps. "Who are you?" Webb
-demanded.
-
-"Clifford Ainsley. The prototype, that is, in the flesh and not a
-roboid." He nodded at the body on the floor. "Ainsley the Second.
-Strictly a lab job."
-
-"Cliff? Oh, my God!" Webb fell into a chair and sobbed with relief.
-
-Clifford Ainsley came to him and put a hand to his shoulder. "I'm truly
-sorry, Webb, but it was better this way. We can be thankful that I
-anticipated your actions."
-
-Webb looked up. "You--expected me to murder you?"
-
-"The p c--probability computation--was remarkably high. You see, I ran
-your genetic pattern into the computer, added the double stress factor
-of Anne's serious illness _and_ her forthcoming motherhood, and the
-subtotal spelled out a four letter word."
-
-Webb nodded slowly. "Love."
-
-"Right. And you know the corollary to that. When I punched in the
-details of your relationship with Anne _and_ me, well, the next
-subtotal read--homicide."
-
-The expression of relief in Webb's face changed to show the hurt he
-felt. "But if you knew all this, why did you have to play out this
-scene, even with a remote control robot?"
-
-"To discharge the murder impulse, my friend. I had to play it straight,
-reacting just as I would to your demands, had I not known of your
-condition. Otherwise the computations would have been based on false
-inter-reaction premises. And until you made the attempt on my life, you
-were a real danger to me--and yourself. Now the shock of your murder
-attempt and the relief at your failure have dissipated that danger."
-
-It was true, Webb admitted to himself. No longer did he feel the least
-malice toward Cliff. But bitterness was still rank on his tongue. "So
-how does the story end? Does boy get girl or not?"
-
-"Of course. Boy always gets girl, if he wants her. _It's a long life._
-At this phase she wants me."
-
-"Is that your own opinion or just another subtotal of the computer?"
-
-"Both."
-
-"But--how does it really end. What happens when you punch the _total_
-key?"
-
-"You ask that, Webb? You, one of the very first to embrace the rigors
-of physical immortality? My dear friend, _there is no total key_."
-
-
-
-
-
-End of the Project Gutenberg EBook of Until Life Do Us Part, by Winston Marks
-
-*** END OF THIS PROJECT GUTENBERG EBOOK UNTIL LIFE DO US PART ***
-
-***** This file should be named 59285.txt or 59285.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/5/9/2/8/59285/
-
-Produced by Greg Weeks, Mary Meehan and the Online
-Distributed Proofreading Team at http://www.pgdp.net
-
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for the eBooks, unless you receive
-specific permission. If you do not charge anything for copies of this
-eBook, complying with the rules is very easy. You may use this eBook
-for nearly any purpose such as creation of derivative works, reports,
-performances and research. They may be modified and printed and given
-away--you may do practically ANYTHING in the United States with eBooks
-not protected by U.S. copyright law. Redistribution is subject to the
-trademark license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country outside the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you'll have to check the laws of the country where you
- are located before using this ebook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm web site
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from both the Project Gutenberg Literary Archive Foundation and The
-Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
-trademark. Contact the Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org Section 3. Information about the Project Gutenberg
-Literary Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's principal office is in Fairbanks, Alaska, with the
-mailing address: PO Box 750175, Fairbanks, AK 99775, but its
-volunteers and employees are scattered throughout numerous
-locations. Its business office is located at 809 North 1500 West, Salt
-Lake City, UT 84116, (801) 596-1887. Email contact links and up to
-date contact information can be found at the Foundation's web site and
-official page at www.gutenberg.org/contact
-
-For additional contact information:
-
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works.
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our Web site which has the main PG search
-facility: www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-