summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
authornfenwick <nfenwick@pglaf.org>2025-01-27 12:59:24 -0800
committernfenwick <nfenwick@pglaf.org>2025-01-27 12:59:24 -0800
commit4333bde72e21ed03195fd82347560584dc6bf439 (patch)
treef7fd271662d94b28219c9b650215ff8422aea0b9
parenta4a9142b1f86fb4317b7276f43eed332be9f66fe (diff)
NormalizeHEADmain
-rw-r--r--.gitattributes4
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
-rw-r--r--old/60513-h.zipbin282217 -> 0 bytes
-rw-r--r--old/60513-h/60513-h.htm868
-rw-r--r--old/60513-h/images/cover.jpgbin267551 -> 0 bytes
-rw-r--r--old/60513.txt765
-rw-r--r--old/60513.zipbin14635 -> 0 bytes
8 files changed, 17 insertions, 1633 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..d7b82bc
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,4 @@
+*.txt text eol=lf
+*.htm text eol=lf
+*.html text eol=lf
+*.md text eol=lf
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..0970ca5
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #60513 (https://www.gutenberg.org/ebooks/60513)
diff --git a/old/60513-h.zip b/old/60513-h.zip
deleted file mode 100644
index 34718d8..0000000
--- a/old/60513-h.zip
+++ /dev/null
Binary files differ
diff --git a/old/60513-h/60513-h.htm b/old/60513-h/60513-h.htm
deleted file mode 100644
index abc4ff0..0000000
--- a/old/60513-h/60513-h.htm
+++ /dev/null
@@ -1,868 +0,0 @@
-<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
- "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
-<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
- <head>
- <meta http-equiv="Content-Type" content="text/html;charset=us-ascii" />
- <meta http-equiv="Content-Style-Type" content="text/css" />
- <title>
- The Project Gutenberg eBook of Rabbits Have Long Ears, by Lawrence F. Willard.
- </title>
- <link rel="coverpage" href="images/cover.jpg" />
-
- <style type="text/css">
-
-body {
- margin-left: 10%;
- margin-right: 10%;
-}
-
- h1,h2 {
- text-align: center; /* all headings centered */
- clear: both;
-}
-
-p {
- margin-top: .51em;
- text-align: justify;
- margin-bottom: .49em;
-}
-
-hr {
- width: 33%;
- margin-top: 2em;
- margin-bottom: 2em;
- margin-left: 33.5%;
- margin-right: 33.5%;
- clear: both;
-}
-
-hr.chap {width: 65%; margin-left: 17.5%; margin-right: 17.5%;}
-hr.tb {width: 45%; margin-left: 27.5%; margin-right: 27.5%;}
-
-.center {text-align: center;}
-
-.right {text-align: right;}
-
-.caption {font-weight: bold;}
-
-/* Images */
-.figcenter {
- margin: auto;
- text-align: center;
-}
-
-div.titlepage {
- text-align: center;
- page-break-before: always;
- page-break-after: always;
-}
-
-div.titlepage p {
- text-align: center;
- text-indent: 0em;
- font-weight: bold;
- line-height: 1.5;
- margin-top: 3em;
-}
-
-.ph1 { text-align: center; text-indent: 0em; font-weight: bold; }
-.ph1 { font-size: large; margin: .83em auto; }
-
- </style>
- </head>
-<body>
-
-
-<pre>
-
-The Project Gutenberg EBook of Rabbits Have Long Ears, by Lawrence F. Willard
-
-This eBook is for the use of anyone anywhere in the United States and most
-other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms of
-the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you'll have
-to check the laws of the country where you are located before using this ebook.
-
-Title: Rabbits Have Long Ears
-
-Author: Lawrence F. Willard
-
-Release Date: October 17, 2019 [EBook #60513]
-
-Language: English
-
-Character set encoding: ASCII
-
-*** START OF THIS PROJECT GUTENBERG EBOOK RABBITS HAVE LONG EARS ***
-
-
-
-
-Produced by Greg Weeks, Mary Meehan and the Online
-Distributed Proofreading Team at http://www.pgdp.net
-
-
-
-
-
-
-</pre>
-
-
-<div class="figcenter">
- <img src="images/cover.jpg" width="350" height="500" alt=""/>
-</div>
-
-<hr class="chap" />
-
-<div class="titlepage">
-
-<h1>Rabbits Have LONG Ears</h1>
-
-<h2>BY LAWRENCE F. WILLARD</h2>
-
-<p class="ph1"><i>The computer classified it<br />
-"rabbit" and Montresig was not<br />
-one to argue, long ears or not!</i></p>
-
-<p>[Transcriber's Note: This etext was produced from<br />
-Worlds of If Science Fiction, August 1958.<br />
-Extensive research did not uncover any evidence that<br />
-the U.S. copyright on this publication was renewed.]</p>
-
-</div>
-
-<hr class="chap" />
-
-<p>Commander Losure gave orders to his navigator to bring the ship in on
-the satellite out of sight of the prying telescopes which no doubt
-existed on such an invitingly green planet. He was a cautious man and
-didn't intend to lose any more crew members if he could help it. He
-could tell by the unusually poor handling of the ship that the crew was
-still demoralized from the brush with the high I.Q. slugs on that last
-planet which they had approached so directly. They'd lost three men in
-that scrap, one of them a highly-valued anthropologist. There were only
-two more of those left in the freeze locker. Too bad it couldn't have
-been a radio operator, there were plenty of those on ice.</p>
-
-<p>The Commander's thoughts were interrupted by his second officer who
-entered without the customary military burp.</p>
-
-<p>"I'll forgive you this time, Montresig," said the Commander, "but we
-can't relax regulations now, can we. Anything new to report on this
-planet?"</p>
-
-<p>"No, Your Loftiness," said Montresig, after giving a belated burp,
-"there's nothing to add to what we already know, but then we've just
-come to rest on this clinker of a moon. I don't imagine, however, that
-we've located our long lost ancestors or our mythical home planet.
-There doesn't seem to be a race in this galaxy that walks upright on
-two good legs with two arms, two eyes, nose, mouth and other standard
-equipment."</p>
-
-<p>"Could be we'll find one this time," said the Commander. "We know it's
-an oxygen planet, and that there are intelligent beings there, judging
-from the cities we can see and their use of radio."</p>
-
-<p>"Maybe," grumbled Montresig, "but they won't be men. If they're not
-slugs they'll be talking fish or intellectual spiders, or something
-equally repulsive. And I can tell you one thing, whatever we find, if
-it has brains it will want to fight."</p>
-
-<p>"Now Montresig, don't be bitter. We've only examined a couple hundred
-planets. There are many more and you know we'll have to take a look at
-as many as we can. I tell you, however, we won't take any more chances.
-Unless we find out they're pretty much like us we won't go near the
-damn planet."</p>
-
-<p>"How do you propose to find that out, Your Loftiness? We can't see
-anything that small by telescope, we haven't learned much so far
-by listening to them, and it's pretty dangerous business using the
-dredge...."</p>
-
-<p>"Ah, my dear Montresig, the crux of the matter is that we <i>can</i> tell
-about them, I believe, from listening to them. Judging from the reports
-I got from Communications, this is the talkingest planet in the galaxy.
-They are utilizing the entire radio spectrum we know and, I suspect,
-some portions of it we don't know. All they do is talk. There must be
-millions of individuals on that planet jabbering in a dozen different
-languages. Our language technicians have decoded two of the major
-tongues already and have fed the information to the main computer. All
-radio signals in those languages are now being fed directly to the
-computer and the information is being classified and cross-referenced."</p>
-
-<p>Montresig's furry countenance brightened. "Then we won't have to send
-down the dredge?"</p>
-
-<p>"I hope not, Montresig, I do not like to bring strange life forms
-aboard the ship. Remember planet 187 in the Dghorzid system?"</p>
-
-<p>Montresig shuddered. "I'll never forget. When that monster materialized
-in the hold I snapped on the stasis field and it had no effect. I
-tried every last trick in the bag including seven kinds of poison gas.
-Luckily the dredge operator was able to catch him and throw him back
-where he came from but the hold was a shambles and two men had to have
-extensive repair work."</p>
-
-<p>"Well," said the Commander, "I don't like the dredge at all, but I
-suppose it's better than landing and having to do battle with slugs. I
-swear I was certain there was no intelligent life on that planet. By
-the way, I'm having an anthropologist thawed out now, that leaves only
-one more in the freeze locker and we can't operate without one. Take
-care nothing happens to him, Montresig."</p>
-
-<p>Commander Losure made the sign of dismissal and Montresig burped
-gracefully and withdrew. The Commander signaled communications. After
-a considerable delay a burp sounded from the speaker on the wall and a
-voice announced: "Troniff here. May I serve Your Loftiness?"</p>
-
-<p>"Troniff," said the Commander, "the delay is inexcusable. Does the
-computer have its belly full yet?"</p>
-
-<p>"Your Loftiness, the reference tapes are full, but the machine is
-unable to present a full picture of the dominant life form. It
-appears, however, that they are much like us in general body shape.
-Unfortunately, we can get no reference point from which to judge their
-size. They are exceedingly ferocious and blood thirsty, and apparently
-war among themselves continuously."</p>
-
-<p>"I'm tempted to leave now," said the Commander. "I'll have to use the
-dredge, I suppose.... Are you sure it won't do some good to listen to
-their communications awhile longer?"</p>
-
-<p>The speaker was silent for a moment, then Troniff spoke.</p>
-
-<p>"I don't like to mention this, Your Loftiness, but my engineers have
-found several unidentified types of emission besides those carrying
-speech frequencies. They think that one particular type characterized
-by an extremely broad frequency range just might be transmission of
-visual images...."</p>
-
-<p>"I don't believe it," said the Commander. "We've been trying to do that
-for hundreds of years without success and so far as we've been we've
-never found another race in the galaxy as far advanced technologically
-as ours. These people don't even have space flight."</p>
-
-<p>"They have artificial satellites up," said Troniff, "We're monitoring
-signals from one, and from what I gather they're apt to have something
-up on this moon before long."</p>
-
-<p>"Any chance of finding out how they transmit visual images&mdash;if they
-really do?"</p>
-
-<p>"Not a chance," said Troniff. "My engineers can't even conceive of a
-device that could convert these signals into a picture."</p>
-
-<p>"That's all, Troniff. Notify Montresig that he's to meet me immediately
-in the dredge room with the anthropologist and a dredge operator."</p>
-
-<p>The commander sighed. What irony that the only truly peaceful race in
-the galaxy should be the only one to discover interstellar flight. For
-four thousand years the Kaar had had their ships and had colonized
-hundreds of planets until they had lost track of which one they started
-from. In all that time they had avoided planets with intelligent life,
-had never found any other ships in space. Now, thought the Commander,
-we have to go looking for trouble just to satisfy our curiosity as to
-where we started from.</p>
-
-<p>Montresig introduced the newly-thawed anthropologist to him on the
-dredge room balcony and Commander Losure briefed him on the importance
-of his job.</p>
-
-<p>"We don't believe this race has any connection with ours," said the
-Commander. "It's too savage. And yet, we haven't found another race as
-far advanced in science, nor one that appears to be so similar to ours.
-Our problem is to find out a little more about them, their physical
-size, whether it's safe to contact them, which I personally doubt."</p>
-
-<p>"Is it your intention to bring back one of these intelligent beings
-with the dredge?" asked the anthropologist.</p>
-
-<p>"You know better than that, or maybe you don't," said the Commander.
-"Anyway, you should know that it is against our code of ethics to cause
-harm to any intelligent being. That dredge is set to reject any living
-creature capable of a high order of thought and that control is sealed
-against our use. The idea is to bring back artifacts that might tell us
-something about the people of the planet... maybe they have a written
-language and have something that approximates our scrolls, maybe they
-have drawings. I'd especially like to snag one of the visual image
-receptors our communications engineers think they have."</p>
-
-<p>"The dredge operator is ready," said Montresig. "The computer controls
-have been switched to this balcony and the stasis beam has been
-checked."</p>
-
-<hr class="tb" />
-
-<p>Commander Losure looked up at the dredge operator in his glassed-in
-booth high on the opposite wall of the hold. He gave a quick hand
-signal and transferred his attention to the floor of the vast hold
-below him. A shimmering mistiness began to form in the center of the
-floor. Commander Losure could feel the tension of his companions as
-they waited. It was a blind grab; the dredge operator had no way of
-knowing what would be scooped up at the end of his force beam. Slowly
-the mistiness grew more dense, darkening to an impenetrable cloud, and
-then vanished with an audible snap leaving a strange alien mechanism
-on the floor of the hold. It resembled a huge cylinder resting on
-tractor-like treads.</p>
-
-<p>From the balcony the men scurrying across the floor seemed dwarfed by
-the object. Unheeding of any danger they swarmed over it, measuring,
-testing, amassing information to be fed to the computer.</p>
-
-<p>"Holy Ghosts of My Departed Ancestors," gasped Montresig, "what is it?"</p>
-
-<p>"You know as much about it as I do, my dear fellow," the Commander
-said. "As soon as the engineers get through poking at it we'll find out
-what the computer thinks it is."</p>
-
-<p>"I'll bet it's a weapon of some sort," said Montresig. "They're almost
-always fighting down there according to the data we have and there's
-frequent mention of a device called a hydrogen bomb. If it's what I
-think it is I have no desire to visit them in person."</p>
-
-<p>A figure detached itself from the group of men surrounding the huge
-contrivance and came hurrying to the elevator entrance beneath the
-balcony. In a moment he appeared on the balcony, burped perfunctorily,
-and handed Commander Losure several sheets of script. The Commander
-read them into a microphone grill which was part of the remote panel
-feeding into the main computer. He waited until a red light glowed,
-indicating that the material had been integrated. He pressed a stud
-and spoke into the microphone again. "Classify," he said.</p>
-
-<p>"Information in storage banks reveals object to be a gun," said the
-loudspeaker. "Gun: an instrument variously known as revolver, heater,
-rod, betsy, automatic, typewriter, gat, which refer to. Carried by
-gunmen, cowboys, mobsters, killers, cons, doughboys, cops, G-men,
-marines, gangsters and kids, which refer to. Weapon fires projectile
-known as bullet, lead, shell, slug, which refer to. Solid projectile
-pierces body of individual causing serious injury and death. It is used
-with that intention. No information on size of instrument previous to
-captured speciman which is nearly fourteen zeng ... about five and a
-quarter man-lengths ... long. Sample excerpt demonstrating use: 'Blinky
-snapped the gun from his holster and fired from the hip. (sound of
-explosion) The big cowpoke grabbed at his chest and blood spurted
-between his fingers. With a look of surprise on his face he slumped to
-the barroom floor.'"</p>
-
-<p>"What do you make of that?" asked the Commander.</p>
-
-<p>"I'd have been surprised, too," said Montresig.</p>
-
-<p>"They're bloodthirsty giants," said the anthropologist. "If that's a
-pocket weapon they'd be so big you couldn't get one into this hold.</p>
-
-<p>"I don't believe it," said the Commander. "I think there's something
-wrong somewhere. Possibly guns come in various sizes. This could be a
-stationary weapon, perhaps, to blow buildings apart instead of people,
-though I can't figure out why anybody would want to. I'm going to send
-the dredge back once more to make sure we aren't being misled."</p>
-
-<p>"I think you're wrong," said Montresig. "All evidence does point to
-a race of giants, evil creatures at best, even if maybe they do have
-two eyes, a nose and a mouth like us. Not that I don't think it's a
-good idea to send the dredge back," he added hastily at the sight of
-Commander Losure's glowering countenance.</p>
-
-<p>The Commander signaled to the dredge operator again and they waited
-while he returned the gun to wherever he got it and fished for
-something else from the surface of the green planet.</p>
-
-<p>The anthropologist cleared his throat. "You can't deny that the
-telescope shows us the most gigantic cities to be found anywhere in the
-galaxy."</p>
-
-<p>"That doesn't necessarily mean that the inhabitants are physically
-large, only that there may be a lot of them," said the Commander.</p>
-
-<p>"Or both."</p>
-
-<p>Their attention turned to the floor of the hold as the opaque cloud
-rapidly grew darker and vanished again with a snap.</p>
-
-<p>Montresig's reaction was the same as before.</p>
-
-<p>"Great Shades of My Holy Ancestors," he said. "What is it?"</p>
-
-<p>"It is assuredly an animal," said the Commander, "not unlike some we
-have on our own planet. I'll have the biologists and medics examine
-it." He turned to the anthropologist. "You go, too, Alfvis."</p>
-
-<p>The animal, which had appeared stunned when it first appeared, now
-began to turn around, making clicking noises on the floor. As the men
-approached it from all directions it looked about nervously, opened
-its mouth to show some glistening teeth and proceeded to make a long,
-harsh noise. Alfvis made the mistake of approaching too closely to
-the beast which wheeled and kicked him head over heels some distance
-away. Montresig touched a red button on the railing and stasis beams
-converged on the animal freezing it instantly. It toppled over and lay
-stiffly on the floor of the hold. Alfvis dragged himself to his feet
-and shouted up to the balcony. "Ask the computer about animals with
-long ears."</p>
-
-<p>The Commander spoke into the microphone again. "Four-legged animal,
-long ears. Classify."</p>
-
-<p>"Rabbit," said the computer. "An animal variously known as bunny, hare,
-coney, peter, uncle wiggly. Strong rear legs. Progresses over ground
-erratically. Consumes vegetation. Multiplies with great rapidity. Lays
-egg at Easter Time. It is generally considered timid and is hunted for
-food. Sample excerpt demonstrating relationship: 'Lon climbed over the
-stone wall and continued across the woodlot towards his cabin, the
-carcasses of three rabbits slung over his shoulder ... there would be
-rabbit stew tonight.'"</p>
-
-<p>"Holy Gods in Their Celestial Quarters," said Montresig. "Did you
-hear that? Is there any question in your mind now about the size and
-ferocity of these people?"</p>
-
-<p>"Considerable," said the Commander. "That computer has made mistakes
-before, witness that last planet. Those were supposed to be garden
-snails, those slugs that gave us such a walloping. I don't think we get
-the right information through to it."</p>
-
-<p>"But Your Loftiness," wailed Montresig, "everything adds up, you can
-see for yourself ... their giant cities, their warring on each other,
-the information the computer gave us ... it isn't safe to land on that
-planet."</p>
-
-<p>"No, I suppose not," sighed the Commander. "But do you realize the
-implications? Here we have a highly advanced race just ready to take
-off into space ... and according to our information they are savage
-war-making giants. If I bring that news back our Supreme Goodness is
-apt to issue orders to evacuate several hundred planets and move to
-some other galaxy&mdash;Let's try the dredge once more."</p>
-
-<p>Commander signaled the dredge operator and waited a reasonable length
-of time before he was informed that something was wrong with it and
-that it would be some time before repairs could be made.</p>
-
-<p>"I give up," said Commander Losure. "I have orders not to land on a
-questionable planet and I've learned my lesson. Either that computer
-has a few loose connections or those people are broadcasting pure
-nonsense. I just don't believe in giants, much less in scientific
-ones. Get ready to leave, Montresig, and see that you make an accurate
-written report of this whole situation."</p>
-
-<p>"What do we do with the animal, Your Loftiness?"</p>
-
-<p>"The dredge is busted, so what do you think we can do with it? Heave it
-out the airlock. It can stay here on the moon until the first explorers
-come up from the planet, which won't be long, and they can have rabbit
-stew."</p>
-
-<p>The great ship lifted from the dark moonscape, leaving behind the
-frozen form of the first earth being to have crossed space, a surprise
-for the crew of the first manned moon rocket, if not the makings of
-rabbit stew.</p>
-
-<p>Somewhere, a million miles beyond the sun, the ship accelerated
-rapidly. The Commander looked up from his desk as Montresig entered
-smartly with a precision burp.</p>
-
-<p>"Alfvis is back in the freeze locker and repairs are going forward on
-the dredge, but it'll be a long job."</p>
-
-<p>"It doesn't matter," said the Commander. "We're going home. I'm
-committed to bringing back a report on this planet now, but I don't
-like it and will advise further study of it by other expeditions before
-any desperate measures are taken such as evacuating the galaxy."</p>
-
-<p>"It's funny about that rabbit," said Montresig. "I noticed as we shoved
-it out the lock that it had semi-circles of some hard metal, probably
-iron, nailed to its feet."</p>
-
-<p>"That is peculiar," said the Commander. "Almost like the shoes we
-attach to the feests' hooves before the children ride them. Just for
-the fun of it, Montresig, why don't you give that information to the
-computer and see what it says?"</p>
-
-<p>"Can't," said Montresig. "I wiped the memory tanks clean. I don't think
-it means much, anyway; a rabbit's a rabbit, shoes or no shoes."</p>
-
-<p>The Commander nodded and Montresig burped and withdrew.</p>
-
-
-
-
-
-
-
-
-<pre>
-
-
-
-
-
-End of Project Gutenberg's Rabbits Have Long Ears, by Lawrence F. Willard
-
-*** END OF THIS PROJECT GUTENBERG EBOOK RABBITS HAVE LONG EARS ***
-
-***** This file should be named 60513-h.htm or 60513-h.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/6/0/5/1/60513/
-
-Produced by Greg Weeks, Mary Meehan and the Online
-Distributed Proofreading Team at http://www.pgdp.net
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for the eBooks, unless you receive
-specific permission. If you do not charge anything for copies of this
-eBook, complying with the rules is very easy. You may use this eBook
-for nearly any purpose such as creation of derivative works, reports,
-performances and research. They may be modified and printed and given
-away--you may do practically ANYTHING in the United States with eBooks
-not protected by U.S. copyright law. Redistribution is subject to the
-trademark license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country outside the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you'll have to check the laws of the country where you
- are located before using this ebook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm web site
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from both the Project Gutenberg Literary Archive Foundation and The
-Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
-trademark. Contact the Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org
-
-
-
-Section 3. Information about the Project Gutenberg Literary Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's principal office is in Fairbanks, Alaska, with the
-mailing address: PO Box 750175, Fairbanks, AK 99775, but its
-volunteers and employees are scattered throughout numerous
-locations. Its business office is located at 809 North 1500 West, Salt
-Lake City, UT 84116, (801) 596-1887. Email contact links and up to
-date contact information can be found at the Foundation's web site and
-official page at www.gutenberg.org/contact
-
-For additional contact information:
-
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works.
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our Web site which has the main PG search
-facility: www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-
-
-
-</pre>
-
-</body>
-</html>
diff --git a/old/60513-h/images/cover.jpg b/old/60513-h/images/cover.jpg
deleted file mode 100644
index 0650db9..0000000
--- a/old/60513-h/images/cover.jpg
+++ /dev/null
Binary files differ
diff --git a/old/60513.txt b/old/60513.txt
deleted file mode 100644
index e208e02..0000000
--- a/old/60513.txt
+++ /dev/null
@@ -1,765 +0,0 @@
-The Project Gutenberg EBook of Rabbits Have Long Ears, by Lawrence F. Willard
-
-This eBook is for the use of anyone anywhere in the United States and most
-other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms of
-the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you'll have
-to check the laws of the country where you are located before using this ebook.
-
-Title: Rabbits Have Long Ears
-
-Author: Lawrence F. Willard
-
-Release Date: October 17, 2019 [EBook #60513]
-
-Language: English
-
-Character set encoding: ASCII
-
-*** START OF THIS PROJECT GUTENBERG EBOOK RABBITS HAVE LONG EARS ***
-
-
-
-
-Produced by Greg Weeks, Mary Meehan and the Online
-Distributed Proofreading Team at http://www.pgdp.net
-
-
-
-
-
-
-
-
-
- Rabbits Have LONG Ears
-
- BY LAWRENCE F. WILLARD
-
- _The computer classified it
- "rabbit" and Montresig was not
- one to argue, long ears or not!_
-
- [Transcriber's Note: This etext was produced from
- Worlds of If Science Fiction, August 1958.
- Extensive research did not uncover any evidence that
- the U.S. copyright on this publication was renewed.]
-
-
-Commander Losure gave orders to his navigator to bring the ship in on
-the satellite out of sight of the prying telescopes which no doubt
-existed on such an invitingly green planet. He was a cautious man and
-didn't intend to lose any more crew members if he could help it. He
-could tell by the unusually poor handling of the ship that the crew was
-still demoralized from the brush with the high I.Q. slugs on that last
-planet which they had approached so directly. They'd lost three men in
-that scrap, one of them a highly-valued anthropologist. There were only
-two more of those left in the freeze locker. Too bad it couldn't have
-been a radio operator, there were plenty of those on ice.
-
-The Commander's thoughts were interrupted by his second officer who
-entered without the customary military burp.
-
-"I'll forgive you this time, Montresig," said the Commander, "but we
-can't relax regulations now, can we. Anything new to report on this
-planet?"
-
-"No, Your Loftiness," said Montresig, after giving a belated burp,
-"there's nothing to add to what we already know, but then we've just
-come to rest on this clinker of a moon. I don't imagine, however, that
-we've located our long lost ancestors or our mythical home planet.
-There doesn't seem to be a race in this galaxy that walks upright on
-two good legs with two arms, two eyes, nose, mouth and other standard
-equipment."
-
-"Could be we'll find one this time," said the Commander. "We know it's
-an oxygen planet, and that there are intelligent beings there, judging
-from the cities we can see and their use of radio."
-
-"Maybe," grumbled Montresig, "but they won't be men. If they're not
-slugs they'll be talking fish or intellectual spiders, or something
-equally repulsive. And I can tell you one thing, whatever we find, if
-it has brains it will want to fight."
-
-"Now Montresig, don't be bitter. We've only examined a couple hundred
-planets. There are many more and you know we'll have to take a look at
-as many as we can. I tell you, however, we won't take any more chances.
-Unless we find out they're pretty much like us we won't go near the
-damn planet."
-
-"How do you propose to find that out, Your Loftiness? We can't see
-anything that small by telescope, we haven't learned much so far
-by listening to them, and it's pretty dangerous business using the
-dredge...."
-
-"Ah, my dear Montresig, the crux of the matter is that we _can_ tell
-about them, I believe, from listening to them. Judging from the reports
-I got from Communications, this is the talkingest planet in the galaxy.
-They are utilizing the entire radio spectrum we know and, I suspect,
-some portions of it we don't know. All they do is talk. There must be
-millions of individuals on that planet jabbering in a dozen different
-languages. Our language technicians have decoded two of the major
-tongues already and have fed the information to the main computer. All
-radio signals in those languages are now being fed directly to the
-computer and the information is being classified and cross-referenced."
-
-Montresig's furry countenance brightened. "Then we won't have to send
-down the dredge?"
-
-"I hope not, Montresig, I do not like to bring strange life forms
-aboard the ship. Remember planet 187 in the Dghorzid system?"
-
-Montresig shuddered. "I'll never forget. When that monster materialized
-in the hold I snapped on the stasis field and it had no effect. I
-tried every last trick in the bag including seven kinds of poison gas.
-Luckily the dredge operator was able to catch him and throw him back
-where he came from but the hold was a shambles and two men had to have
-extensive repair work."
-
-"Well," said the Commander, "I don't like the dredge at all, but I
-suppose it's better than landing and having to do battle with slugs. I
-swear I was certain there was no intelligent life on that planet. By
-the way, I'm having an anthropologist thawed out now, that leaves only
-one more in the freeze locker and we can't operate without one. Take
-care nothing happens to him, Montresig."
-
-Commander Losure made the sign of dismissal and Montresig burped
-gracefully and withdrew. The Commander signaled communications. After
-a considerable delay a burp sounded from the speaker on the wall and a
-voice announced: "Troniff here. May I serve Your Loftiness?"
-
-"Troniff," said the Commander, "the delay is inexcusable. Does the
-computer have its belly full yet?"
-
-"Your Loftiness, the reference tapes are full, but the machine is
-unable to present a full picture of the dominant life form. It
-appears, however, that they are much like us in general body shape.
-Unfortunately, we can get no reference point from which to judge their
-size. They are exceedingly ferocious and blood thirsty, and apparently
-war among themselves continuously."
-
-"I'm tempted to leave now," said the Commander. "I'll have to use the
-dredge, I suppose.... Are you sure it won't do some good to listen to
-their communications awhile longer?"
-
-The speaker was silent for a moment, then Troniff spoke.
-
-"I don't like to mention this, Your Loftiness, but my engineers have
-found several unidentified types of emission besides those carrying
-speech frequencies. They think that one particular type characterized
-by an extremely broad frequency range just might be transmission of
-visual images...."
-
-"I don't believe it," said the Commander. "We've been trying to do that
-for hundreds of years without success and so far as we've been we've
-never found another race in the galaxy as far advanced technologically
-as ours. These people don't even have space flight."
-
-"They have artificial satellites up," said Troniff, "We're monitoring
-signals from one, and from what I gather they're apt to have something
-up on this moon before long."
-
-"Any chance of finding out how they transmit visual images--if they
-really do?"
-
-"Not a chance," said Troniff. "My engineers can't even conceive of a
-device that could convert these signals into a picture."
-
-"That's all, Troniff. Notify Montresig that he's to meet me immediately
-in the dredge room with the anthropologist and a dredge operator."
-
-The commander sighed. What irony that the only truly peaceful race in
-the galaxy should be the only one to discover interstellar flight. For
-four thousand years the Kaar had had their ships and had colonized
-hundreds of planets until they had lost track of which one they started
-from. In all that time they had avoided planets with intelligent life,
-had never found any other ships in space. Now, thought the Commander,
-we have to go looking for trouble just to satisfy our curiosity as to
-where we started from.
-
-Montresig introduced the newly-thawed anthropologist to him on the
-dredge room balcony and Commander Losure briefed him on the importance
-of his job.
-
-"We don't believe this race has any connection with ours," said the
-Commander. "It's too savage. And yet, we haven't found another race as
-far advanced in science, nor one that appears to be so similar to ours.
-Our problem is to find out a little more about them, their physical
-size, whether it's safe to contact them, which I personally doubt."
-
-"Is it your intention to bring back one of these intelligent beings
-with the dredge?" asked the anthropologist.
-
-"You know better than that, or maybe you don't," said the Commander.
-"Anyway, you should know that it is against our code of ethics to cause
-harm to any intelligent being. That dredge is set to reject any living
-creature capable of a high order of thought and that control is sealed
-against our use. The idea is to bring back artifacts that might tell us
-something about the people of the planet... maybe they have a written
-language and have something that approximates our scrolls, maybe they
-have drawings. I'd especially like to snag one of the visual image
-receptors our communications engineers think they have."
-
-"The dredge operator is ready," said Montresig. "The computer controls
-have been switched to this balcony and the stasis beam has been
-checked."
-
- * * * * *
-
-Commander Losure looked up at the dredge operator in his glassed-in
-booth high on the opposite wall of the hold. He gave a quick hand
-signal and transferred his attention to the floor of the vast hold
-below him. A shimmering mistiness began to form in the center of the
-floor. Commander Losure could feel the tension of his companions as
-they waited. It was a blind grab; the dredge operator had no way of
-knowing what would be scooped up at the end of his force beam. Slowly
-the mistiness grew more dense, darkening to an impenetrable cloud, and
-then vanished with an audible snap leaving a strange alien mechanism
-on the floor of the hold. It resembled a huge cylinder resting on
-tractor-like treads.
-
-From the balcony the men scurrying across the floor seemed dwarfed by
-the object. Unheeding of any danger they swarmed over it, measuring,
-testing, amassing information to be fed to the computer.
-
-"Holy Ghosts of My Departed Ancestors," gasped Montresig, "what is it?"
-
-"You know as much about it as I do, my dear fellow," the Commander
-said. "As soon as the engineers get through poking at it we'll find out
-what the computer thinks it is."
-
-"I'll bet it's a weapon of some sort," said Montresig. "They're almost
-always fighting down there according to the data we have and there's
-frequent mention of a device called a hydrogen bomb. If it's what I
-think it is I have no desire to visit them in person."
-
-A figure detached itself from the group of men surrounding the huge
-contrivance and came hurrying to the elevator entrance beneath the
-balcony. In a moment he appeared on the balcony, burped perfunctorily,
-and handed Commander Losure several sheets of script. The Commander
-read them into a microphone grill which was part of the remote panel
-feeding into the main computer. He waited until a red light glowed,
-indicating that the material had been integrated. He pressed a stud
-and spoke into the microphone again. "Classify," he said.
-
-"Information in storage banks reveals object to be a gun," said the
-loudspeaker. "Gun: an instrument variously known as revolver, heater,
-rod, betsy, automatic, typewriter, gat, which refer to. Carried by
-gunmen, cowboys, mobsters, killers, cons, doughboys, cops, G-men,
-marines, gangsters and kids, which refer to. Weapon fires projectile
-known as bullet, lead, shell, slug, which refer to. Solid projectile
-pierces body of individual causing serious injury and death. It is used
-with that intention. No information on size of instrument previous to
-captured speciman which is nearly fourteen zeng ... about five and a
-quarter man-lengths ... long. Sample excerpt demonstrating use: 'Blinky
-snapped the gun from his holster and fired from the hip. (sound of
-explosion) The big cowpoke grabbed at his chest and blood spurted
-between his fingers. With a look of surprise on his face he slumped to
-the barroom floor.'"
-
-"What do you make of that?" asked the Commander.
-
-"I'd have been surprised, too," said Montresig.
-
-"They're bloodthirsty giants," said the anthropologist. "If that's a
-pocket weapon they'd be so big you couldn't get one into this hold.
-
-"I don't believe it," said the Commander. "I think there's something
-wrong somewhere. Possibly guns come in various sizes. This could be a
-stationary weapon, perhaps, to blow buildings apart instead of people,
-though I can't figure out why anybody would want to. I'm going to send
-the dredge back once more to make sure we aren't being misled."
-
-"I think you're wrong," said Montresig. "All evidence does point to
-a race of giants, evil creatures at best, even if maybe they do have
-two eyes, a nose and a mouth like us. Not that I don't think it's a
-good idea to send the dredge back," he added hastily at the sight of
-Commander Losure's glowering countenance.
-
-The Commander signaled to the dredge operator again and they waited
-while he returned the gun to wherever he got it and fished for
-something else from the surface of the green planet.
-
-The anthropologist cleared his throat. "You can't deny that the
-telescope shows us the most gigantic cities to be found anywhere in the
-galaxy."
-
-"That doesn't necessarily mean that the inhabitants are physically
-large, only that there may be a lot of them," said the Commander.
-
-"Or both."
-
-Their attention turned to the floor of the hold as the opaque cloud
-rapidly grew darker and vanished again with a snap.
-
-Montresig's reaction was the same as before.
-
-"Great Shades of My Holy Ancestors," he said. "What is it?"
-
-"It is assuredly an animal," said the Commander, "not unlike some we
-have on our own planet. I'll have the biologists and medics examine
-it." He turned to the anthropologist. "You go, too, Alfvis."
-
-The animal, which had appeared stunned when it first appeared, now
-began to turn around, making clicking noises on the floor. As the men
-approached it from all directions it looked about nervously, opened
-its mouth to show some glistening teeth and proceeded to make a long,
-harsh noise. Alfvis made the mistake of approaching too closely to
-the beast which wheeled and kicked him head over heels some distance
-away. Montresig touched a red button on the railing and stasis beams
-converged on the animal freezing it instantly. It toppled over and lay
-stiffly on the floor of the hold. Alfvis dragged himself to his feet
-and shouted up to the balcony. "Ask the computer about animals with
-long ears."
-
-The Commander spoke into the microphone again. "Four-legged animal,
-long ears. Classify."
-
-"Rabbit," said the computer. "An animal variously known as bunny, hare,
-coney, peter, uncle wiggly. Strong rear legs. Progresses over ground
-erratically. Consumes vegetation. Multiplies with great rapidity. Lays
-egg at Easter Time. It is generally considered timid and is hunted for
-food. Sample excerpt demonstrating relationship: 'Lon climbed over the
-stone wall and continued across the woodlot towards his cabin, the
-carcasses of three rabbits slung over his shoulder ... there would be
-rabbit stew tonight.'"
-
-"Holy Gods in Their Celestial Quarters," said Montresig. "Did you
-hear that? Is there any question in your mind now about the size and
-ferocity of these people?"
-
-"Considerable," said the Commander. "That computer has made mistakes
-before, witness that last planet. Those were supposed to be garden
-snails, those slugs that gave us such a walloping. I don't think we get
-the right information through to it."
-
-"But Your Loftiness," wailed Montresig, "everything adds up, you can
-see for yourself ... their giant cities, their warring on each other,
-the information the computer gave us ... it isn't safe to land on that
-planet."
-
-"No, I suppose not," sighed the Commander. "But do you realize the
-implications? Here we have a highly advanced race just ready to take
-off into space ... and according to our information they are savage
-war-making giants. If I bring that news back our Supreme Goodness is
-apt to issue orders to evacuate several hundred planets and move to
-some other galaxy--Let's try the dredge once more."
-
-Commander signaled the dredge operator and waited a reasonable length
-of time before he was informed that something was wrong with it and
-that it would be some time before repairs could be made.
-
-"I give up," said Commander Losure. "I have orders not to land on a
-questionable planet and I've learned my lesson. Either that computer
-has a few loose connections or those people are broadcasting pure
-nonsense. I just don't believe in giants, much less in scientific
-ones. Get ready to leave, Montresig, and see that you make an accurate
-written report of this whole situation."
-
-"What do we do with the animal, Your Loftiness?"
-
-"The dredge is busted, so what do you think we can do with it? Heave it
-out the airlock. It can stay here on the moon until the first explorers
-come up from the planet, which won't be long, and they can have rabbit
-stew."
-
-The great ship lifted from the dark moonscape, leaving behind the
-frozen form of the first earth being to have crossed space, a surprise
-for the crew of the first manned moon rocket, if not the makings of
-rabbit stew.
-
-Somewhere, a million miles beyond the sun, the ship accelerated
-rapidly. The Commander looked up from his desk as Montresig entered
-smartly with a precision burp.
-
-"Alfvis is back in the freeze locker and repairs are going forward on
-the dredge, but it'll be a long job."
-
-"It doesn't matter," said the Commander. "We're going home. I'm
-committed to bringing back a report on this planet now, but I don't
-like it and will advise further study of it by other expeditions before
-any desperate measures are taken such as evacuating the galaxy."
-
-"It's funny about that rabbit," said Montresig. "I noticed as we shoved
-it out the lock that it had semi-circles of some hard metal, probably
-iron, nailed to its feet."
-
-"That is peculiar," said the Commander. "Almost like the shoes we
-attach to the feests' hooves before the children ride them. Just for
-the fun of it, Montresig, why don't you give that information to the
-computer and see what it says?"
-
-"Can't," said Montresig. "I wiped the memory tanks clean. I don't think
-it means much, anyway; a rabbit's a rabbit, shoes or no shoes."
-
-The Commander nodded and Montresig burped and withdrew.
-
-
-
-
-
-End of Project Gutenberg's Rabbits Have Long Ears, by Lawrence F. Willard
-
-*** END OF THIS PROJECT GUTENBERG EBOOK RABBITS HAVE LONG EARS ***
-
-***** This file should be named 60513.txt or 60513.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/6/0/5/1/60513/
-
-Produced by Greg Weeks, Mary Meehan and the Online
-Distributed Proofreading Team at http://www.pgdp.net
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for the eBooks, unless you receive
-specific permission. If you do not charge anything for copies of this
-eBook, complying with the rules is very easy. You may use this eBook
-for nearly any purpose such as creation of derivative works, reports,
-performances and research. They may be modified and printed and given
-away--you may do practically ANYTHING in the United States with eBooks
-not protected by U.S. copyright law. Redistribution is subject to the
-trademark license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country outside the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you'll have to check the laws of the country where you
- are located before using this ebook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm web site
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from both the Project Gutenberg Literary Archive Foundation and The
-Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
-trademark. Contact the Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org
-
-
-
-Section 3. Information about the Project Gutenberg Literary Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's principal office is in Fairbanks, Alaska, with the
-mailing address: PO Box 750175, Fairbanks, AK 99775, but its
-volunteers and employees are scattered throughout numerous
-locations. Its business office is located at 809 North 1500 West, Salt
-Lake City, UT 84116, (801) 596-1887. Email contact links and up to
-date contact information can be found at the Foundation's web site and
-official page at www.gutenberg.org/contact
-
-For additional contact information:
-
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works.
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our Web site which has the main PG search
-facility: www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-
diff --git a/old/60513.zip b/old/60513.zip
deleted file mode 100644
index 3392a82..0000000
--- a/old/60513.zip
+++ /dev/null
Binary files differ