summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
authornfenwick <nfenwick@pglaf.org>2025-01-27 13:15:32 -0800
committernfenwick <nfenwick@pglaf.org>2025-01-27 13:15:32 -0800
commit666d596c6515978c431f0815e8133fb7be2e7ae2 (patch)
tree7e4309170a20e9e22d9a675d15c77b19477bb63d
parent83d2c9525e3ff11c83ee81c1d3a3af7f59c7ef9a (diff)
NormalizeHEADmain
-rw-r--r--.gitattributes4
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
-rw-r--r--old/60531-8.txt691
-rw-r--r--old/60531-8.zipbin12927 -> 0 bytes
-rw-r--r--old/60531-h.zipbin280565 -> 0 bytes
-rw-r--r--old/60531-h/60531-h.htm809
-rw-r--r--old/60531-h/images/cover.jpgbin267551 -> 0 bytes
-rw-r--r--old/60531.txt691
-rw-r--r--old/60531.zipbin12908 -> 0 bytes
10 files changed, 17 insertions, 2191 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..d7b82bc
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,4 @@
+*.txt text eol=lf
+*.htm text eol=lf
+*.html text eol=lf
+*.md text eol=lf
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..3fe0b76
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #60531 (https://www.gutenberg.org/ebooks/60531)
diff --git a/old/60531-8.txt b/old/60531-8.txt
deleted file mode 100644
index 27e92be..0000000
--- a/old/60531-8.txt
+++ /dev/null
@@ -1,691 +0,0 @@
-Project Gutenberg's The Downhill Side of Thirty, by Virgil F. Shockley
-
-This eBook is for the use of anyone anywhere in the United States and
-most other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms
-of the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you'll
-have to check the laws of the country where you are located before using
-this ebook.
-
-
-
-Title: The Downhill Side of Thirty
-
-Author: Virgil F. Shockley
-
-Release Date: October 20, 2019 [EBook #60531]
-
-Language: English
-
-Character set encoding: ISO-8859-1
-
-*** START OF THIS PROJECT GUTENBERG EBOOK THE DOWNHILL SIDE OF THIRTY ***
-
-
-
-
-Produced by Greg Weeks, Mary Meehan and the Online
-Distributed Proofreading Team at http://www.pgdp.net
-
-
-
-
-
-
-
-
-
- THE DOWNHILL SIDE OF THIRTY
-
- BY VIRGIL F. SHOCKLEY
-
- _Health was no longer a problem for the
- aged. All they had to do was ban sex and
- tobacco to those over thirty-five...._
-
- [Transcriber's Note: This etext was produced from
- Worlds of If Science Fiction, August 1958.
- Extensive research did not uncover any evidence that
- the U.S. copyright on this publication was renewed.]
-
-
-Chuck Dane patted shaving lotion on his face, enjoying the second of
-vicious sting. He closed the medicine cabinet and stood for a minute
-examining himself in the fluorescent lighted mirror. He was lean and
-hard and, of course, tanned. A few grey hairs flecked the sideburns,
-but he didn't think that he looked thirty-five. And, damn it all to
-hell! he didn't feel thirty-five!
-
-He opened the bathroom door, and hesitated. He dreaded to walk through
-the photoelectric beam and set off that odious disc! Sometimes he got
-down on hands and knees and crawled under. But he felt so damn silly!
-
-Well, he couldn't stand there all day. It was Monday and they would
-expect him at the office.
-
-He squared his shoulders and walked into the hall.
-
- "Lung Cancer, Heart Attacks!
- Heart Attacks, Lung Cancer!
- Beware, old man, Be ... ware!"
-
- * * * * *
-
-The tinkly message followed him up the hall. "I could jam the damn
-thing!" he thought, "but they'd only repair it at daily Gov-Apts
-Inspection and report me again!"
-
-He pushed his hands into his pants pockets and walked into the dining
-ell. He slouched in his chair, and watched Sally swish back and forth
-from the kitchen as she set the table. She was in blue nylon pajamas
-and fuzzy blue mules. Her red hair was tied up in a provocative pony
-tail.
-
-She felt him watching her, gave him a devilish grin. "Sleep well last
-night, dear? In your own little bed?"
-
-"You know damn well I didn't!" God, he wanted a cigarette. After two
-years he still wanted one! When would the hunger for them ever stop?
-
-"You knew where I was sleeping. The door was unlocked!"
-
-She came to him, suddenly compassionate, and sat on his lap. She pulled
-his head against her. He felt, on his face, the slickness of the nylon,
-and underneath her firm body. She whispered, "You know honey, no matter
-what the government says, I'm not made for sleeping alone!"
-
-"And I'm thirty-five and not 'spose to!"
-
-"Thirty-five and eighty-nine days! How well I know! The toast!"
-
-She scooted off his lap and ran into the kitchen. How she managed to
-burn toast in an electronic toaster beat him. By sending it down twice,
-he suspected.
-
-He picked up the paper by his plate and unfolded it. The first page, as
-usual, was devoted to the Propagandists. Headlines proclaimed: "375
-died this weekend doing _you know what_." The second line asked: "Will
-you be next?"
-
-It made a good story because only three hundred deaths had been
-predicted. The bottom half of the page was filled with pictures of
-the victims and the spouses who "lead them on, knowing at the time
-that over forty percent of the heart attacks in men and women over
-thirty-five are brought on by sexual relations."
-
-Sally was leaning over him, serving his plate with scrambled eggs and
-ham, but he tried to ignore her and turned to the next page. Here was
-an editorial by the Department of Health. He scanned it. Same old
-thing. Sex to be avoided like poison by all persons, male and female,
-over thirty-five years.
-
-Chuck forked a piece of soya bread, and swabbed the last of ham grease
-and egg from his plate. He sat drinking his soya hot chocolate, and
-wanting a cigarette.
-
-Sally finished eating, stretched, and the nylon threatened to rip. She
-went and got his suit coat and hat. At the door he tried to kiss her
-goodbye in his best "big brother" manner. But she clinched in close,
-and suddenly he didn't feel like a brother.
-
-She whispered in his ear, "Come on back. I'll call and tell them you
-caught a virus!"
-
-He almost took off his hat. Then he said, "You know it would show up
-in my weekly S-Count!" He shuddered just saying the words. God! how he
-hated that! He continued, "And if I slip once or twice on that, you
-know what they do."
-
-Feeling sorry for her, he added half-heartedly, "But you're only
-thirty. And I wouldn't blame you.... Lot of people do, you know."
-
-She leaned back, still in his arms, and laughed up at him. "No, I'll
-wait and break you down!"
-
-"Even knowing what they're likely to do?"
-
-"But surely! Then at least the temptation wouldn't be so handy!"
-
-He walked rapidly toward the office. Other groups walked along talking
-and laughing. Here and there someone called to him.
-
-He came to U.S. 75, a deserted graying eight lane strip. As he started
-across, a bike came over the rise and he dived into the ditch. But
-it was only a Catholic priest pedalling furiously along on a girl's
-bicycle. Then there had been another clash! He climbed out of the
-ditch, and walked a ways down the highway. There it was. The priest was
-just climbing off the bike, and there was a motorcycle cop.
-
-Chuck Dane walked up the highway to the scene and stood watching. The
-priest was kneeling, his black bag open, administering last rites to
-the two youths.
-
-The cop, fat and redfaced, came over and stood beside Chuck. "Two less
-Teenagers!" he grinned.
-
-"Dying, eh?" Chuck asked.
-
-"Dying or dead! These damn kids!" He said it with just a tinge of envy.
-
-The Father snapped his bag shut, and pedalled away. Chuck went over
-for a closer look. Both of the kids were on roller skates, the powered
-kind. Chuck Dane noted with satisfaction that they were Airex skates.
-
-Both of the kids had on the regular uniform, black leather jackets,
-and leather belts eight inches wide. Mounted on the center front of
-the belts were the regulation three foot razor sharp spears. Only now
-there was not much of the spears to be seen. Because neither kid had
-chickened. The shorter boy had caught a spear in the lower chest, and
-the taller one caught it in the guts.
-
-Funny, Chuck Dane thought, staring down at them. Even in this cotton
-batting, vacuum world of 1990 the Teenagers could find ways to kill
-each other off! He envied them their spirit!
-
-He waved at the cop, who was calling in a report, and walked back up
-the highway. When he got to his usual place, he started to cross.
-
-"Olá!"
-
-In that frantic second, he saw only the black leather jacket bearing
-down upon him. And the bike with the spear mounted on the handlebars,
-the tip sparkling like a diamond in the sun. It swerved, and came
-straight for him. Chuck dived into the ditch, even as he felt it prick
-his coat.
-
-The kid yelled, "Cock-a-doodle-do!" and pedalled on.
-
-Chuck climbed up out of the ditch and ran across the highway. Then
-he straightened his clothing, dusted himself off. This was damn
-undignified! He hated the kid, wanted to kill him with his bare hands.
-
-He walked along, thinking how it had all come about. First it had been
-the highway death toll. When it had reached over two thousand on week
-days, and ten thousand on weekends, the government had stepped in.
-Their solution had been simple and foolproof. They simply taxed gas out
-of sight. Now the oil companies exported their total output, and were
-making more money than ever.
-
-Then some fool in the A.M.A. had pointed out that almost as many people
-were dying of lung cancer as had previously fallen on the ribbons of
-death.
-
-At first Congress had passed a bill to ban the manufacture of all
-cigarettes. But the black market flourished and the psychiatrists
-yelped. They yelped that the approach to the problem was all wrong,
-due to the fact that they hadn't been consulted. This was warping
-personalities and making martyrs out of cigarette users. The way to do
-it, they said, was to have tobacco products available, but to shame
-people into giving them up of their own free wills.
-
-They theorized that a cigarette smoker is really a frustrated person
-unable to cope with the adult world. When he puts a cig between his
-lips he is really searching for his mother's nipple. Therefore, the
-thing to do is to force him to out-grow this, rather than take it
-forcibly away from him. Same way with a cigar smoker or pipe smoker.
-
-The psychiatric lobby prevailed and the government repealed the
-tobacco bill. And replaced it with another. Now it was the law for all
-cigarettes, cigars and pipe tobacco to have an hallucination inducing
-drug, Xlene 91, in them. Also, as was compulsory, all cigars, pipes and
-cigarettes sported rubber filters shaped like nipples.
-
-Then, Chuck Dane reminisced, with lung cancer dropping off steadily,
-they had started in to curb heart attacks. And taken away the only
-pleasure a guy had left!
-
-He was in sight of his place of work now. A huge half-circle of
-plexiglass that was Airex Roller Skating Factory. Chuck thought as he
-entered the building, that four hours was a hell of a long working day,
-especially doing material control posting all that time. He hoped the
-bill to change working hours to three hours would pass soon....
-
- * * * * *
-
-At two o'clock in the afternoon, Chuck lined up with the rest of the
-office force to walk single file past the hidden electronic camera. Out
-of habit, he held his right hand in salute position, palm toward the
-camera. These deals had been interesting when they first replaced the
-old style time clocks, now they were routine.
-
-As the queue neared the door where the company's three psychiatrists
-stood, Chuck got more and more nervous. Suppose they could read his
-mind, or something!
-
-Sure enough, Doctor Benton wiggled a finger for him to step out of
-line. He took him to one side, and peered into his face. Chuck tried to
-look into the green eyes, so calm and assured, but he had to look away.
-
-"You okay, Dane?"
-
-"Sure! Tired, that's all. Helluva long day!"
-
-"Yes. Well, you come in and see me tomorrow. We'll have us a little
-talk."
-
-Rapidly, Chuck left the building. He muttered, "Like hell we will,
-Headshrinker!"
-
-Furtively, he left the usual road home, and walked into a corner
-drugstore. He stood around with his hands in his pockets, until all the
-other customers cleared out.
-
-"Puffies," he said.
-
-The big man behind the counter tried to hitch his belt over his paunch.
-"Sure you know what you're doin', Bud? Have to take your number you
-know."
-
-Chuck didn't answer. He pulled his right hand out of his pocket and
-laid it palm up on the glass counter top. The man wrote down the id
-number and handed over the cigarettes.
-
-Chuck walked on home, with the Puffies a guilty lump in his jacket
-pocket. He felt sure everybody he met knew what he was up to.
-
-At home, Chuck stuck his head in the kitchen and said "Hi" to Sally.
-He resisted patting her. He went to the den and locked the door with
-trembling fingers, then sat at the desk and took out his knife. He cut
-off the realistic red nipples from all twenty cigarettes, and made a
-pyre of them in the middle of the glass top. Then he set fire to them,
-not minding the acrid smoke.
-
-He put a cigarette to his lips. Still he hesitated, fearing the
-hallucinations, about which he had heard but never experienced.
-
-Suddenly he grinned and leaned back, lit up and closed his eyes. The
-parade of pictures began in front of his eyeballs. First a picture of
-human lungs, and slowly the cancer virus invades them and eats them
-away. Then the parade of men and women clutching their chests, writhing
-in death throes. Chuck Dane smiled, enjoying each hallucination.
-Pretending that the unlucky victims were the Propagandists.
-
-He lit another cigarette from the butt of the first one, and leaned
-back, feeling his lungs pleasantly saturated with smoke.
-
-When ten cigarettes were snubbed in a row on the glass top of the desk,
-he stopped and mused. Now, he guessed he would die of cancer for sure.
-He wondered how long....
-
-Then another thought hit him. With two temptations, he wondered why he
-had given in to the cigarette first.
-
-He lit another Puffie and leaned back in the chair and closed his eyes.
-A perfect technicolor picture of Sally crossed his mind, swishing the
-pony tail provocatively. He got up. Left the den. Went to the kitchen
-and leaned in the door watching her.
-
-Tomorrow was Tuesday. His day for S-Count. But he wouldn't submit to
-that again. Or have that little talk with Doctor Benton. Tomorrow,
-going to work, when he crossed U.S. 75 he would give some Teenager a
-hell of a thrill! But tonight ... tonight....
-
-"Come here, baby!" he whispered harshly.
-
-
-
-
-
-End of Project Gutenberg's The Downhill Side of Thirty, by Virgil F. Shockley
-
-*** END OF THIS PROJECT GUTENBERG EBOOK THE DOWNHILL SIDE OF THIRTY ***
-
-***** This file should be named 60531-8.txt or 60531-8.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/6/0/5/3/60531/
-
-Produced by Greg Weeks, Mary Meehan and the Online
-Distributed Proofreading Team at http://www.pgdp.net
-
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for the eBooks, unless you receive
-specific permission. If you do not charge anything for copies of this
-eBook, complying with the rules is very easy. You may use this eBook
-for nearly any purpose such as creation of derivative works, reports,
-performances and research. They may be modified and printed and given
-away--you may do practically ANYTHING in the United States with eBooks
-not protected by U.S. copyright law. Redistribution is subject to the
-trademark license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country outside the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you'll have to check the laws of the country where you
- are located before using this ebook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm web site
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from both the Project Gutenberg Literary Archive Foundation and The
-Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
-trademark. Contact the Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org Section 3. Information about the Project Gutenberg
-Literary Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's principal office is in Fairbanks, Alaska, with the
-mailing address: PO Box 750175, Fairbanks, AK 99775, but its
-volunteers and employees are scattered throughout numerous
-locations. Its business office is located at 809 North 1500 West, Salt
-Lake City, UT 84116, (801) 596-1887. Email contact links and up to
-date contact information can be found at the Foundation's web site and
-official page at www.gutenberg.org/contact
-
-For additional contact information:
-
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works.
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our Web site which has the main PG search
-facility: www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-
diff --git a/old/60531-8.zip b/old/60531-8.zip
deleted file mode 100644
index b80cdc9..0000000
--- a/old/60531-8.zip
+++ /dev/null
Binary files differ
diff --git a/old/60531-h.zip b/old/60531-h.zip
deleted file mode 100644
index ed872e3..0000000
--- a/old/60531-h.zip
+++ /dev/null
Binary files differ
diff --git a/old/60531-h/60531-h.htm b/old/60531-h/60531-h.htm
deleted file mode 100644
index 0e98efd..0000000
--- a/old/60531-h/60531-h.htm
+++ /dev/null
@@ -1,809 +0,0 @@
-<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
- "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
-<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
- <head>
- <meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" />
- <meta http-equiv="Content-Style-Type" content="text/css" />
- <title>
- The Project Gutenberg eBook of The Downhill Side of Thirty, by AUTHOR.
- </title>
-
- <link rel="coverpage" href="images/cover.jpg" />
-
- <style type="text/css">
-
-body {
- margin-left: 10%;
- margin-right: 10%;
-}
-
- h1,h2 {
- text-align: center; /* all headings centered */
- clear: both;
-}
-
-p {
- margin-top: .51em;
- text-align: justify;
- margin-bottom: .49em;
-}
-
-hr {
- width: 33%;
- margin-top: 2em;
- margin-bottom: 2em;
- margin-left: 33.5%;
- margin-right: 33.5%;
- clear: both;
-}
-
-hr.chap {width: 65%; margin-left: 17.5%; margin-right: 17.5%;}
-hr.tb {width: 45%; margin-left: 27.5%; margin-right: 27.5%;}
-
-.center {text-align: center;}
-
-.right {text-align: right;}
-
-.caption {font-weight: bold;}
-
-/* Images */
-.figcenter {
- margin: auto;
- text-align: center;
-}
-
-div.titlepage {
- text-align: center;
- page-break-before: always;
- page-break-after: always;
-}
-
-div.titlepage p {
- text-align: center;
- text-indent: 0em;
- font-weight: bold;
- line-height: 1.5;
- margin-top: 3em;
-}
-
-.ph1 { text-align: center; text-indent: 0em; font-weight: bold; }
-.ph1 { font-size: large; margin: .83em auto; }
-
-.poetry .stanza
-{
- margin: 1em auto;
-}
-
-.poetry .verse
-{
- padding-left: 3em;
-}
-
-
- </style>
- </head>
-<body>
-
-
-<pre>
-
-Project Gutenberg's The Downhill Side of Thirty, by Virgil F. Shockley
-
-This eBook is for the use of anyone anywhere in the United States and
-most other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms
-of the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you'll
-have to check the laws of the country where you are located before using
-this ebook.
-
-
-
-Title: The Downhill Side of Thirty
-
-Author: Virgil F. Shockley
-
-Release Date: October 20, 2019 [EBook #60531]
-
-Language: English
-
-Character set encoding: ISO-8859-1
-
-*** START OF THIS PROJECT GUTENBERG EBOOK THE DOWNHILL SIDE OF THIRTY ***
-
-
-
-
-Produced by Greg Weeks, Mary Meehan and the Online
-Distributed Proofreading Team at http://www.pgdp.net
-
-
-
-
-
-
-</pre>
-
-
-<div class="figcenter">
- <img src="images/cover.jpg" width="350" height="500" alt=""/>
-</div>
-
-<hr class="chap" />
-
-<div class="titlepage">
-<h1>THE DOWNHILL SIDE OF THIRTY</h1>
-
-<h2>BY VIRGIL F. SHOCKLEY</h2>
-
-<p class="ph1"><i>Health was no longer a problem for the<br />
-aged. All they had to do was ban sex and<br />
-tobacco to those over thirty-five....</i></p>
-
-<p>[Transcriber's Note: This etext was produced from<br />
-Worlds of If Science Fiction, August 1958.<br />
-Extensive research did not uncover any evidence that<br />
-the U.S. copyright on this publication was renewed.]</p>
-
-</div>
-
-<hr class="chap" />
-
-<p>Chuck Dane patted shaving lotion on his face, enjoying the second of
-vicious sting. He closed the medicine cabinet and stood for a minute
-examining himself in the fluorescent lighted mirror. He was lean and
-hard and, of course, tanned. A few grey hairs flecked the sideburns,
-but he didn't think that he looked thirty-five. And, damn it all to
-hell! he didn't feel thirty-five!</p>
-
-<p>He opened the bathroom door, and hesitated. He dreaded to walk through
-the photoelectric beam and set off that odious disc! Sometimes he got
-down on hands and knees and crawled under. But he felt so damn silly!</p>
-
-<p>Well, he couldn't stand there all day. It was Monday and they would
-expect him at the office.</p>
-
-<p>He squared his shoulders and walked into the hall.</p>
-
-<div class="poetry">
- <div class="stanza">
- <div class="verse">"Lung Cancer, Heart Attacks!</div>
- <div class="verse">Heart Attacks, Lung Cancer!</div>
- <div class="verse">Beware, old man, Be ... ware!"</div>
- </div>
-</div>
-
-<hr class="tb" />
-
-<p>The tinkly message followed him up the hall. "I could jam the damn
-thing!" he thought, "but they'd only repair it at daily Gov-Apts
-Inspection and report me again!"</p>
-
-<p>He pushed his hands into his pants pockets and walked into the dining
-ell. He slouched in his chair, and watched Sally swish back and forth
-from the kitchen as she set the table. She was in blue nylon pajamas
-and fuzzy blue mules. Her red hair was tied up in a provocative pony
-tail.</p>
-
-<p>She felt him watching her, gave him a devilish grin. "Sleep well last
-night, dear? In your own little bed?"</p>
-
-<p>"You know damn well I didn't!" God, he wanted a cigarette. After two
-years he still wanted one! When would the hunger for them ever stop?</p>
-
-<p>"You knew where I was sleeping. The door was unlocked!"</p>
-
-<p>She came to him, suddenly compassionate, and sat on his lap. She pulled
-his head against her. He felt, on his face, the slickness of the nylon,
-and underneath her firm body. She whispered, "You know honey, no matter
-what the government says, I'm not made for sleeping alone!"</p>
-
-<p>"And I'm thirty-five and not 'spose to!"</p>
-
-<p>"Thirty-five and eighty-nine days! How well I know! The toast!"</p>
-
-<p>She scooted off his lap and ran into the kitchen. How she managed to
-burn toast in an electronic toaster beat him. By sending it down twice,
-he suspected.</p>
-
-<p>He picked up the paper by his plate and unfolded it. The first page, as
-usual, was devoted to the Propagandists. Headlines proclaimed: "375
-died this weekend doing <i>you know what</i>." The second line asked: "Will
-you be next?"</p>
-
-<p>It made a good story because only three hundred deaths had been
-predicted. The bottom half of the page was filled with pictures of
-the victims and the spouses who "lead them on, knowing at the time
-that over forty percent of the heart attacks in men and women over
-thirty-five are brought on by sexual relations."</p>
-
-<p>Sally was leaning over him, serving his plate with scrambled eggs and
-ham, but he tried to ignore her and turned to the next page. Here was
-an editorial by the Department of Health. He scanned it. Same old
-thing. Sex to be avoided like poison by all persons, male and female,
-over thirty-five years.</p>
-
-<p>Chuck forked a piece of soya bread, and swabbed the last of ham grease
-and egg from his plate. He sat drinking his soya hot chocolate, and
-wanting a cigarette.</p>
-
-<p>Sally finished eating, stretched, and the nylon threatened to rip. She
-went and got his suit coat and hat. At the door he tried to kiss her
-goodbye in his best "big brother" manner. But she clinched in close,
-and suddenly he didn't feel like a brother.</p>
-
-<p>She whispered in his ear, "Come on back. I'll call and tell them you
-caught a virus!"</p>
-
-<p>He almost took off his hat. Then he said, "You know it would show up
-in my weekly S-Count!" He shuddered just saying the words. God! how he
-hated that! He continued, "And if I slip once or twice on that, you
-know what they do."</p>
-
-<p>Feeling sorry for her, he added half-heartedly, "But you're only
-thirty. And I wouldn't blame you.... Lot of people do, you know."</p>
-
-<p>She leaned back, still in his arms, and laughed up at him. "No, I'll
-wait and break you down!"</p>
-
-<p>"Even knowing what they're likely to do?"</p>
-
-<p>"But surely! Then at least the temptation wouldn't be so handy!"</p>
-
-<p>He walked rapidly toward the office. Other groups walked along talking
-and laughing. Here and there someone called to him.</p>
-
-<p>He came to U.S. 75, a deserted graying eight lane strip. As he started
-across, a bike came over the rise and he dived into the ditch. But
-it was only a Catholic priest pedalling furiously along on a girl's
-bicycle. Then there had been another clash! He climbed out of the
-ditch, and walked a ways down the highway. There it was. The priest was
-just climbing off the bike, and there was a motorcycle cop.</p>
-
-<p>Chuck Dane walked up the highway to the scene and stood watching. The
-priest was kneeling, his black bag open, administering last rites to
-the two youths.</p>
-
-<p>The cop, fat and redfaced, came over and stood beside Chuck. "Two less
-Teenagers!" he grinned.</p>
-
-<p>"Dying, eh?" Chuck asked.</p>
-
-<p>"Dying or dead! These damn kids!" He said it with just a tinge of envy.</p>
-
-<p>The Father snapped his bag shut, and pedalled away. Chuck went over
-for a closer look. Both of the kids were on roller skates, the powered
-kind. Chuck Dane noted with satisfaction that they were Airex skates.</p>
-
-<p>Both of the kids had on the regular uniform, black leather jackets,
-and leather belts eight inches wide. Mounted on the center front of
-the belts were the regulation three foot razor sharp spears. Only now
-there was not much of the spears to be seen. Because neither kid had
-chickened. The shorter boy had caught a spear in the lower chest, and
-the taller one caught it in the guts.</p>
-
-<p>Funny, Chuck Dane thought, staring down at them. Even in this cotton
-batting, vacuum world of 1990 the Teenagers could find ways to kill
-each other off! He envied them their spirit!</p>
-
-<p>He waved at the cop, who was calling in a report, and walked back up
-the highway. When he got to his usual place, he started to cross.</p>
-
-<p>"Olá!"</p>
-
-<p>In that frantic second, he saw only the black leather jacket bearing
-down upon him. And the bike with the spear mounted on the handlebars,
-the tip sparkling like a diamond in the sun. It swerved, and came
-straight for him. Chuck dived into the ditch, even as he felt it prick
-his coat.</p>
-
-<p>The kid yelled, "Cock-a-doodle-do!" and pedalled on.</p>
-
-<p>Chuck climbed up out of the ditch and ran across the highway. Then
-he straightened his clothing, dusted himself off. This was damn
-undignified! He hated the kid, wanted to kill him with his bare hands.</p>
-
-<p>He walked along, thinking how it had all come about. First it had been
-the highway death toll. When it had reached over two thousand on week
-days, and ten thousand on weekends, the government had stepped in.
-Their solution had been simple and foolproof. They simply taxed gas out
-of sight. Now the oil companies exported their total output, and were
-making more money than ever.</p>
-
-<p>Then some fool in the A.M.A. had pointed out that almost as many people
-were dying of lung cancer as had previously fallen on the ribbons of
-death.</p>
-
-<p>At first Congress had passed a bill to ban the manufacture of all
-cigarettes. But the black market flourished and the psychiatrists
-yelped. They yelped that the approach to the problem was all wrong,
-due to the fact that they hadn't been consulted. This was warping
-personalities and making martyrs out of cigarette users. The way to do
-it, they said, was to have tobacco products available, but to shame
-people into giving them up of their own free wills.</p>
-
-<p>They theorized that a cigarette smoker is really a frustrated person
-unable to cope with the adult world. When he puts a cig between his
-lips he is really searching for his mother's nipple. Therefore, the
-thing to do is to force him to out-grow this, rather than take it
-forcibly away from him. Same way with a cigar smoker or pipe smoker.</p>
-
-<p>The psychiatric lobby prevailed and the government repealed the
-tobacco bill. And replaced it with another. Now it was the law for all
-cigarettes, cigars and pipe tobacco to have an hallucination inducing
-drug, Xlene 91, in them. Also, as was compulsory, all cigars, pipes and
-cigarettes sported rubber filters shaped like nipples.</p>
-
-<p>Then, Chuck Dane reminisced, with lung cancer dropping off steadily,
-they had started in to curb heart attacks. And taken away the only
-pleasure a guy had left!</p>
-
-<p>He was in sight of his place of work now. A huge half-circle of
-plexiglass that was Airex Roller Skating Factory. Chuck thought as he
-entered the building, that four hours was a hell of a long working day,
-especially doing material control posting all that time. He hoped the
-bill to change working hours to three hours would pass soon....</p>
-
-<hr class="tb" />
-
-<p>At two o'clock in the afternoon, Chuck lined up with the rest of the
-office force to walk single file past the hidden electronic camera. Out
-of habit, he held his right hand in salute position, palm toward the
-camera. These deals had been interesting when they first replaced the
-old style time clocks, now they were routine.</p>
-
-<p>As the queue neared the door where the company's three psychiatrists
-stood, Chuck got more and more nervous. Suppose they could read his
-mind, or something!</p>
-
-<p>Sure enough, Doctor Benton wiggled a finger for him to step out of
-line. He took him to one side, and peered into his face. Chuck tried to
-look into the green eyes, so calm and assured, but he had to look away.</p>
-
-<p>"You okay, Dane?"</p>
-
-<p>"Sure! Tired, that's all. Helluva long day!"</p>
-
-<p>"Yes. Well, you come in and see me tomorrow. We'll have us a little
-talk."</p>
-
-<p>Rapidly, Chuck left the building. He muttered, "Like hell we will,
-Headshrinker!"</p>
-
-<p>Furtively, he left the usual road home, and walked into a corner
-drugstore. He stood around with his hands in his pockets, until all the
-other customers cleared out.</p>
-
-<p>"Puffies," he said.</p>
-
-<p>The big man behind the counter tried to hitch his belt over his paunch.
-"Sure you know what you're doin', Bud? Have to take your number you
-know."</p>
-
-<p>Chuck didn't answer. He pulled his right hand out of his pocket and
-laid it palm up on the glass counter top. The man wrote down the id
-number and handed over the cigarettes.</p>
-
-<p>Chuck walked on home, with the Puffies a guilty lump in his jacket
-pocket. He felt sure everybody he met knew what he was up to.</p>
-
-<p>At home, Chuck stuck his head in the kitchen and said "Hi" to Sally.
-He resisted patting her. He went to the den and locked the door with
-trembling fingers, then sat at the desk and took out his knife. He cut
-off the realistic red nipples from all twenty cigarettes, and made a
-pyre of them in the middle of the glass top. Then he set fire to them,
-not minding the acrid smoke.</p>
-
-<p>He put a cigarette to his lips. Still he hesitated, fearing the
-hallucinations, about which he had heard but never experienced.</p>
-
-<p>Suddenly he grinned and leaned back, lit up and closed his eyes. The
-parade of pictures began in front of his eyeballs. First a picture of
-human lungs, and slowly the cancer virus invades them and eats them
-away. Then the parade of men and women clutching their chests, writhing
-in death throes. Chuck Dane smiled, enjoying each hallucination.
-Pretending that the unlucky victims were the Propagandists.</p>
-
-<p>He lit another cigarette from the butt of the first one, and leaned
-back, feeling his lungs pleasantly saturated with smoke.</p>
-
-<p>When ten cigarettes were snubbed in a row on the glass top of the desk,
-he stopped and mused. Now, he guessed he would die of cancer for sure.
-He wondered how long....</p>
-
-<p>Then another thought hit him. With two temptations, he wondered why he
-had given in to the cigarette first.</p>
-
-<p>He lit another Puffie and leaned back in the chair and closed his eyes.
-A perfect technicolor picture of Sally crossed his mind, swishing the
-pony tail provocatively. He got up. Left the den. Went to the kitchen
-and leaned in the door watching her.</p>
-
-<p>Tomorrow was Tuesday. His day for S-Count. But he wouldn't submit to
-that again. Or have that little talk with Doctor Benton. Tomorrow,
-going to work, when he crossed U.S. 75 he would give some Teenager a
-hell of a thrill! But tonight ... tonight....</p>
-
-<p>"Come here, baby!" he whispered harshly.</p>
-
-
-
-
-
-
-
-
-<pre>
-
-
-
-
-
-End of Project Gutenberg's The Downhill Side of Thirty, by Virgil F. Shockley
-
-*** END OF THIS PROJECT GUTENBERG EBOOK THE DOWNHILL SIDE OF THIRTY ***
-
-***** This file should be named 60531-h.htm or 60531-h.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/6/0/5/3/60531/
-
-Produced by Greg Weeks, Mary Meehan and the Online
-Distributed Proofreading Team at http://www.pgdp.net
-
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for the eBooks, unless you receive
-specific permission. If you do not charge anything for copies of this
-eBook, complying with the rules is very easy. You may use this eBook
-for nearly any purpose such as creation of derivative works, reports,
-performances and research. They may be modified and printed and given
-away--you may do practically ANYTHING in the United States with eBooks
-not protected by U.S. copyright law. Redistribution is subject to the
-trademark license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country outside the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you'll have to check the laws of the country where you
- are located before using this ebook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm web site
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from both the Project Gutenberg Literary Archive Foundation and The
-Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
-trademark. Contact the Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org Section 3. Information about the Project Gutenberg
-Literary Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's principal office is in Fairbanks, Alaska, with the
-mailing address: PO Box 750175, Fairbanks, AK 99775, but its
-volunteers and employees are scattered throughout numerous
-locations. Its business office is located at 809 North 1500 West, Salt
-Lake City, UT 84116, (801) 596-1887. Email contact links and up to
-date contact information can be found at the Foundation's web site and
-official page at www.gutenberg.org/contact
-
-For additional contact information:
-
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works.
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our Web site which has the main PG search
-facility: www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-
-
-
-</pre>
-
-</body>
-</html>
diff --git a/old/60531-h/images/cover.jpg b/old/60531-h/images/cover.jpg
deleted file mode 100644
index 0650db9..0000000
--- a/old/60531-h/images/cover.jpg
+++ /dev/null
Binary files differ
diff --git a/old/60531.txt b/old/60531.txt
deleted file mode 100644
index b4eb5aa..0000000
--- a/old/60531.txt
+++ /dev/null
@@ -1,691 +0,0 @@
-Project Gutenberg's The Downhill Side of Thirty, by Virgil F. Shockley
-
-This eBook is for the use of anyone anywhere in the United States and
-most other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms
-of the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you'll
-have to check the laws of the country where you are located before using
-this ebook.
-
-
-
-Title: The Downhill Side of Thirty
-
-Author: Virgil F. Shockley
-
-Release Date: October 20, 2019 [EBook #60531]
-
-Language: English
-
-Character set encoding: ASCII
-
-*** START OF THIS PROJECT GUTENBERG EBOOK THE DOWNHILL SIDE OF THIRTY ***
-
-
-
-
-Produced by Greg Weeks, Mary Meehan and the Online
-Distributed Proofreading Team at http://www.pgdp.net
-
-
-
-
-
-
-
-
-
- THE DOWNHILL SIDE OF THIRTY
-
- BY VIRGIL F. SHOCKLEY
-
- _Health was no longer a problem for the
- aged. All they had to do was ban sex and
- tobacco to those over thirty-five...._
-
- [Transcriber's Note: This etext was produced from
- Worlds of If Science Fiction, August 1958.
- Extensive research did not uncover any evidence that
- the U.S. copyright on this publication was renewed.]
-
-
-Chuck Dane patted shaving lotion on his face, enjoying the second of
-vicious sting. He closed the medicine cabinet and stood for a minute
-examining himself in the fluorescent lighted mirror. He was lean and
-hard and, of course, tanned. A few grey hairs flecked the sideburns,
-but he didn't think that he looked thirty-five. And, damn it all to
-hell! he didn't feel thirty-five!
-
-He opened the bathroom door, and hesitated. He dreaded to walk through
-the photoelectric beam and set off that odious disc! Sometimes he got
-down on hands and knees and crawled under. But he felt so damn silly!
-
-Well, he couldn't stand there all day. It was Monday and they would
-expect him at the office.
-
-He squared his shoulders and walked into the hall.
-
- "Lung Cancer, Heart Attacks!
- Heart Attacks, Lung Cancer!
- Beware, old man, Be ... ware!"
-
- * * * * *
-
-The tinkly message followed him up the hall. "I could jam the damn
-thing!" he thought, "but they'd only repair it at daily Gov-Apts
-Inspection and report me again!"
-
-He pushed his hands into his pants pockets and walked into the dining
-ell. He slouched in his chair, and watched Sally swish back and forth
-from the kitchen as she set the table. She was in blue nylon pajamas
-and fuzzy blue mules. Her red hair was tied up in a provocative pony
-tail.
-
-She felt him watching her, gave him a devilish grin. "Sleep well last
-night, dear? In your own little bed?"
-
-"You know damn well I didn't!" God, he wanted a cigarette. After two
-years he still wanted one! When would the hunger for them ever stop?
-
-"You knew where I was sleeping. The door was unlocked!"
-
-She came to him, suddenly compassionate, and sat on his lap. She pulled
-his head against her. He felt, on his face, the slickness of the nylon,
-and underneath her firm body. She whispered, "You know honey, no matter
-what the government says, I'm not made for sleeping alone!"
-
-"And I'm thirty-five and not 'spose to!"
-
-"Thirty-five and eighty-nine days! How well I know! The toast!"
-
-She scooted off his lap and ran into the kitchen. How she managed to
-burn toast in an electronic toaster beat him. By sending it down twice,
-he suspected.
-
-He picked up the paper by his plate and unfolded it. The first page, as
-usual, was devoted to the Propagandists. Headlines proclaimed: "375
-died this weekend doing _you know what_." The second line asked: "Will
-you be next?"
-
-It made a good story because only three hundred deaths had been
-predicted. The bottom half of the page was filled with pictures of
-the victims and the spouses who "lead them on, knowing at the time
-that over forty percent of the heart attacks in men and women over
-thirty-five are brought on by sexual relations."
-
-Sally was leaning over him, serving his plate with scrambled eggs and
-ham, but he tried to ignore her and turned to the next page. Here was
-an editorial by the Department of Health. He scanned it. Same old
-thing. Sex to be avoided like poison by all persons, male and female,
-over thirty-five years.
-
-Chuck forked a piece of soya bread, and swabbed the last of ham grease
-and egg from his plate. He sat drinking his soya hot chocolate, and
-wanting a cigarette.
-
-Sally finished eating, stretched, and the nylon threatened to rip. She
-went and got his suit coat and hat. At the door he tried to kiss her
-goodbye in his best "big brother" manner. But she clinched in close,
-and suddenly he didn't feel like a brother.
-
-She whispered in his ear, "Come on back. I'll call and tell them you
-caught a virus!"
-
-He almost took off his hat. Then he said, "You know it would show up
-in my weekly S-Count!" He shuddered just saying the words. God! how he
-hated that! He continued, "And if I slip once or twice on that, you
-know what they do."
-
-Feeling sorry for her, he added half-heartedly, "But you're only
-thirty. And I wouldn't blame you.... Lot of people do, you know."
-
-She leaned back, still in his arms, and laughed up at him. "No, I'll
-wait and break you down!"
-
-"Even knowing what they're likely to do?"
-
-"But surely! Then at least the temptation wouldn't be so handy!"
-
-He walked rapidly toward the office. Other groups walked along talking
-and laughing. Here and there someone called to him.
-
-He came to U.S. 75, a deserted graying eight lane strip. As he started
-across, a bike came over the rise and he dived into the ditch. But
-it was only a Catholic priest pedalling furiously along on a girl's
-bicycle. Then there had been another clash! He climbed out of the
-ditch, and walked a ways down the highway. There it was. The priest was
-just climbing off the bike, and there was a motorcycle cop.
-
-Chuck Dane walked up the highway to the scene and stood watching. The
-priest was kneeling, his black bag open, administering last rites to
-the two youths.
-
-The cop, fat and redfaced, came over and stood beside Chuck. "Two less
-Teenagers!" he grinned.
-
-"Dying, eh?" Chuck asked.
-
-"Dying or dead! These damn kids!" He said it with just a tinge of envy.
-
-The Father snapped his bag shut, and pedalled away. Chuck went over
-for a closer look. Both of the kids were on roller skates, the powered
-kind. Chuck Dane noted with satisfaction that they were Airex skates.
-
-Both of the kids had on the regular uniform, black leather jackets,
-and leather belts eight inches wide. Mounted on the center front of
-the belts were the regulation three foot razor sharp spears. Only now
-there was not much of the spears to be seen. Because neither kid had
-chickened. The shorter boy had caught a spear in the lower chest, and
-the taller one caught it in the guts.
-
-Funny, Chuck Dane thought, staring down at them. Even in this cotton
-batting, vacuum world of 1990 the Teenagers could find ways to kill
-each other off! He envied them their spirit!
-
-He waved at the cop, who was calling in a report, and walked back up
-the highway. When he got to his usual place, he started to cross.
-
-"Ola!"
-
-In that frantic second, he saw only the black leather jacket bearing
-down upon him. And the bike with the spear mounted on the handlebars,
-the tip sparkling like a diamond in the sun. It swerved, and came
-straight for him. Chuck dived into the ditch, even as he felt it prick
-his coat.
-
-The kid yelled, "Cock-a-doodle-do!" and pedalled on.
-
-Chuck climbed up out of the ditch and ran across the highway. Then
-he straightened his clothing, dusted himself off. This was damn
-undignified! He hated the kid, wanted to kill him with his bare hands.
-
-He walked along, thinking how it had all come about. First it had been
-the highway death toll. When it had reached over two thousand on week
-days, and ten thousand on weekends, the government had stepped in.
-Their solution had been simple and foolproof. They simply taxed gas out
-of sight. Now the oil companies exported their total output, and were
-making more money than ever.
-
-Then some fool in the A.M.A. had pointed out that almost as many people
-were dying of lung cancer as had previously fallen on the ribbons of
-death.
-
-At first Congress had passed a bill to ban the manufacture of all
-cigarettes. But the black market flourished and the psychiatrists
-yelped. They yelped that the approach to the problem was all wrong,
-due to the fact that they hadn't been consulted. This was warping
-personalities and making martyrs out of cigarette users. The way to do
-it, they said, was to have tobacco products available, but to shame
-people into giving them up of their own free wills.
-
-They theorized that a cigarette smoker is really a frustrated person
-unable to cope with the adult world. When he puts a cig between his
-lips he is really searching for his mother's nipple. Therefore, the
-thing to do is to force him to out-grow this, rather than take it
-forcibly away from him. Same way with a cigar smoker or pipe smoker.
-
-The psychiatric lobby prevailed and the government repealed the
-tobacco bill. And replaced it with another. Now it was the law for all
-cigarettes, cigars and pipe tobacco to have an hallucination inducing
-drug, Xlene 91, in them. Also, as was compulsory, all cigars, pipes and
-cigarettes sported rubber filters shaped like nipples.
-
-Then, Chuck Dane reminisced, with lung cancer dropping off steadily,
-they had started in to curb heart attacks. And taken away the only
-pleasure a guy had left!
-
-He was in sight of his place of work now. A huge half-circle of
-plexiglass that was Airex Roller Skating Factory. Chuck thought as he
-entered the building, that four hours was a hell of a long working day,
-especially doing material control posting all that time. He hoped the
-bill to change working hours to three hours would pass soon....
-
- * * * * *
-
-At two o'clock in the afternoon, Chuck lined up with the rest of the
-office force to walk single file past the hidden electronic camera. Out
-of habit, he held his right hand in salute position, palm toward the
-camera. These deals had been interesting when they first replaced the
-old style time clocks, now they were routine.
-
-As the queue neared the door where the company's three psychiatrists
-stood, Chuck got more and more nervous. Suppose they could read his
-mind, or something!
-
-Sure enough, Doctor Benton wiggled a finger for him to step out of
-line. He took him to one side, and peered into his face. Chuck tried to
-look into the green eyes, so calm and assured, but he had to look away.
-
-"You okay, Dane?"
-
-"Sure! Tired, that's all. Helluva long day!"
-
-"Yes. Well, you come in and see me tomorrow. We'll have us a little
-talk."
-
-Rapidly, Chuck left the building. He muttered, "Like hell we will,
-Headshrinker!"
-
-Furtively, he left the usual road home, and walked into a corner
-drugstore. He stood around with his hands in his pockets, until all the
-other customers cleared out.
-
-"Puffies," he said.
-
-The big man behind the counter tried to hitch his belt over his paunch.
-"Sure you know what you're doin', Bud? Have to take your number you
-know."
-
-Chuck didn't answer. He pulled his right hand out of his pocket and
-laid it palm up on the glass counter top. The man wrote down the id
-number and handed over the cigarettes.
-
-Chuck walked on home, with the Puffies a guilty lump in his jacket
-pocket. He felt sure everybody he met knew what he was up to.
-
-At home, Chuck stuck his head in the kitchen and said "Hi" to Sally.
-He resisted patting her. He went to the den and locked the door with
-trembling fingers, then sat at the desk and took out his knife. He cut
-off the realistic red nipples from all twenty cigarettes, and made a
-pyre of them in the middle of the glass top. Then he set fire to them,
-not minding the acrid smoke.
-
-He put a cigarette to his lips. Still he hesitated, fearing the
-hallucinations, about which he had heard but never experienced.
-
-Suddenly he grinned and leaned back, lit up and closed his eyes. The
-parade of pictures began in front of his eyeballs. First a picture of
-human lungs, and slowly the cancer virus invades them and eats them
-away. Then the parade of men and women clutching their chests, writhing
-in death throes. Chuck Dane smiled, enjoying each hallucination.
-Pretending that the unlucky victims were the Propagandists.
-
-He lit another cigarette from the butt of the first one, and leaned
-back, feeling his lungs pleasantly saturated with smoke.
-
-When ten cigarettes were snubbed in a row on the glass top of the desk,
-he stopped and mused. Now, he guessed he would die of cancer for sure.
-He wondered how long....
-
-Then another thought hit him. With two temptations, he wondered why he
-had given in to the cigarette first.
-
-He lit another Puffie and leaned back in the chair and closed his eyes.
-A perfect technicolor picture of Sally crossed his mind, swishing the
-pony tail provocatively. He got up. Left the den. Went to the kitchen
-and leaned in the door watching her.
-
-Tomorrow was Tuesday. His day for S-Count. But he wouldn't submit to
-that again. Or have that little talk with Doctor Benton. Tomorrow,
-going to work, when he crossed U.S. 75 he would give some Teenager a
-hell of a thrill! But tonight ... tonight....
-
-"Come here, baby!" he whispered harshly.
-
-
-
-
-
-End of Project Gutenberg's The Downhill Side of Thirty, by Virgil F. Shockley
-
-*** END OF THIS PROJECT GUTENBERG EBOOK THE DOWNHILL SIDE OF THIRTY ***
-
-***** This file should be named 60531.txt or 60531.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/6/0/5/3/60531/
-
-Produced by Greg Weeks, Mary Meehan and the Online
-Distributed Proofreading Team at http://www.pgdp.net
-
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for the eBooks, unless you receive
-specific permission. If you do not charge anything for copies of this
-eBook, complying with the rules is very easy. You may use this eBook
-for nearly any purpose such as creation of derivative works, reports,
-performances and research. They may be modified and printed and given
-away--you may do practically ANYTHING in the United States with eBooks
-not protected by U.S. copyright law. Redistribution is subject to the
-trademark license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country outside the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you'll have to check the laws of the country where you
- are located before using this ebook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm web site
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from both the Project Gutenberg Literary Archive Foundation and The
-Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
-trademark. Contact the Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org Section 3. Information about the Project Gutenberg
-Literary Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's principal office is in Fairbanks, Alaska, with the
-mailing address: PO Box 750175, Fairbanks, AK 99775, but its
-volunteers and employees are scattered throughout numerous
-locations. Its business office is located at 809 North 1500 West, Salt
-Lake City, UT 84116, (801) 596-1887. Email contact links and up to
-date contact information can be found at the Foundation's web site and
-official page at www.gutenberg.org/contact
-
-For additional contact information:
-
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works.
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our Web site which has the main PG search
-facility: www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-
diff --git a/old/60531.zip b/old/60531.zip
deleted file mode 100644
index 54f4354..0000000
--- a/old/60531.zip
+++ /dev/null
Binary files differ