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Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..39efafb --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #61085 (https://www.gutenberg.org/ebooks/61085) diff --git a/old/61085-0.txt b/old/61085-0.txt deleted file mode 100644 index de14ddf..0000000 --- a/old/61085-0.txt +++ /dev/null @@ -1,926 +0,0 @@ -The Project Gutenberg EBook of In Our Time, by Ernest Hemingway - -This eBook is for the use of anyone anywhere in the United States and most -other parts of the world at no cost and with almost no restrictions -whatsoever. You may copy it, give it away or re-use it under the terms of -the Project Gutenberg License included with this eBook or online at -www.gutenberg.org. If you are not located in the United States, you'll have -to check the laws of the country where you are located before using this ebook. - -Title: In Our Time - -Author: Ernest Hemingway - -Release Date: January 3, 2020 [EBook #61085] - -Language: English - -Character set encoding: UTF-8 - -*** START OF THIS PROJECT GUTENBERG EBOOK IN OUR TIME *** - - - - -Produced by an anonymous Project Gutenberg Volunteer. - - - - - - in our time - - - - - the author _wood-cut from portrait by_ henry strater - - - - - in our time - - _by_ - - ernest hemingway - - A Girl in Chicago: Tell us about - the French women, Hank. What are - they like? - - Bill Smith: How old are the French - women, Hank? - - paris: - - _printed at the_ three mountains press _and for sale - at_ shakespeare & company, _in the rue de l’odéon;_ - _london:_ william jackson, _took's court, cursitor street, chancery lane._ - - 1924 - - - - - to - robert mᶜalmon and william bird - _publishers of the city of paris_ - and to - captain eric edward dorman-smith, m.c., - _of his majesty’s fifth fusiliers_ - this book - is respectfully dedicated - - - - - _of_ 170 _copies_ - _printed on_ - rives _hand-made paper_ - _this is number_ - - - - - in our time - - - - - chapter 1 - - -Everybody was drunk. The whole battery was drunk going along the road -in the dark. We were going to the Champagne. The lieutenant kept -riding his horse out into the fields and saying to him, “I’m drunk, I -tell you, mon vieux. Oh, I am so soused.” We went along the road all -night in the dark and the adjutant kept riding up alongside my -kitchen and saying, “You must put it out. It is dangerous. It will be -observed.” We were fifty kilometers from the front but the adjutant -worried about the fire in my kitchen. It was funny going along that -road. That was when I was a kitchen corporal. - - - - - chapter 2 - - -The first matador got the horn through his sword hand and the crowd -hooted him out. The second matador slipped and the bull caught him -through the belly and he hung on to the horn with one hand and held -the other tight against the place, and the bull rammed him wham -against the wall and the horn came out, and he lay in the sand, and -then got up like crazy drunk and tried to slug the men carrying him -away and yelled for his sword but he fainted. The kid came out and -had to kill five bulls because you can’t have more than three -matadors, and the last bull he was so tired he couldn’t get the sword -in. He couldn’t hardly lift his arm. He tried five times and the -crowd was quiet because it was a good bull and it looked like him or -the bull and then he finally made it. He sat down in the sand and -puked and they held a cape over him while the crowd hollered and -threw things down into the bull ring. - - - - - chapter 3 - - -Minarets stuck up in the rain out of Adrianople across the mud flats. -The carts were jammed for thirty miles along the Karagatch road. -Water buffalo and cattle were hauling carts through the mud. No end -and no beginning. Just carts loaded with everything they owned. The -old men and women, soaked through, walked along keeping the cattle -moving. The Maritza was running yellow almost up to the bridge. Carts -were jammed solid on the bridge with camels bobbing along through -them. Greek cavalry herded along the procession. Women and kids were -in the carts crouched with mattresses, mirrors, sewing machines, -bundles. There was a woman having a kid with a young girl holding a -blanket over her and crying. Scared sick looking at it. It rained all -through the evacuation. - - - - - chapter 4 - - -We were in a garden at Mons. Young Buckley came in with his patrol -from across the river. The first German I saw climbed up over the -garden wall. We waited till he got one leg over and then potted him. -He had so much equipment on and looked awfully surprised and fell -down into the garden. Then three more came over further down the -wall. We shot them. They all came just like that. - - - - - chapter 5 - - -It was a frightfully hot day. We’d jammed an absolutely perfect -barricade across the bridge. It was simply priceless. A big old -wrought iron grating from the front of a house. Too heavy to lift and -you could shoot through it and they would have to climb over it. It -was absolutely topping. They tried to get over it, and we potted them -from forty yards. They rushed it, and officers came out alone and -worked on it. It was an absolutely perfect obstacle. Their officers -were very fine. We were frightfully put out when we heard the flank -had gone, and we had to fall back. - - - - - chapter 6 - - -They shot the six cabinet ministers at half-past six in the morning -against the wall of a hospital. There were pools of water in the -courtyard. There were wet dead leaves on the paving of the courtyard. -It rained hard. All the shutters of the hospital were nailed shut. -One of the ministers was sick with typhoid. Two soldiers carried him -downstairs and out into the rain. They tried to hold him up against -the wall but he sat down in a puddle of water. The other five stood -very quietly against the wall. Finally the officer told the soldiers -it was no good trying to make him stand up. When they fired the first -volley he was sitting down in the water with his head on his knees. - - - - - chapter 7 - - -Nick sat against the wall of the church where they had dragged him to -be clear of machine gun fire in the street. Both legs stuck out -awkwardly. He had been hit in the spine. His face was sweaty and -dirty. The sun shone on his face. The day was very hot. Rinaldi, big -backed, his equipment sprawling, lay face downward against the wall. -Nick looked straight ahead brilliantly. The pink wall of the house -opposite had fallen out from the roof, and an iron bedstead hung -twisted toward the street. Two Austrian dead lay in the rubble in the -shade of the house. Up the street were other dead. Things were -getting forward in the town. It was going well. Stretcher bearers -would be along any time now. Nick turned his head carefully and -looked down at Rinaldi. “Senta Rinaldi. Senta. You and me we’ve made -a separate peace.” Rinaldi lay still in the sun breathing with -difficulty. “Not patriots.” Nick turned his head carefully away -smiling sweatily. Rinaldi was a disappointing audience. - - - - - chapter 8 - - -While the bombardment was knocking the trench to pieces at Fossalta, -he lay very flat and sweated and prayed oh jesus christ get me out of -here. Dear jesus please get me out. Christ please please please -christ. If you’ll only keep me from getting killed I’ll do anything -you say. I believe in you and I’ll tell everyone in the world that -you are the only thing that matters. Please please dear jesus. The -shelling moved further up the line. We went to work on the trench and -in the morning the sun came up and the day was hot and muggy and -cheerful and quiet. The next night back at Mestre he did not tell the -girl he went upstairs with at the Villa Rossa about Jesus. And he -never told anybody. - - - - - chapter 9 - - -At two o’clock in the morning two Hungarians got into a cigar store -at Fifteenth Street and Grand Avenue. Drevitts and Boyle drove up -from the Fifteenth Street police station in a Ford. The Hungarians -were backing their wagon out of an alley. Boyle shot one off the seat -of the wagon and one out of the wagon box. Drevetts got frightened -when he found they were both dead. Hell Jimmy, he said, you oughtn’t -to have done it. There’s liable to be a hell of a lot of trouble. - -—They’re crooks ain’t they? said Boyle. They’re wops ain’t they? Who -the hell is going to make any trouble? - -—That’s all right maybe this time, said Drevitts, but how did you -know they were wops when you bumped them? - -Wops, said Boyle, I can tell wops a mile off. - - - - - chapter 10 - - -One hot evening in Milan they carried him up onto the roof and he -could look out over the top of the town. There were chimney swifts in -the sky. After a while it got dark and the searchlights came out. The -others went down and took the bottles with them. He and Ag could hear -them below on the balcony. Ag sat on the bed. She was cool and fresh -in the hot night. - -Ag stayed on night duty for three months. They were glad to let her. -When they operated on him she prepared him for the operating table, -and they had a joke about friend or enema. He went under the -anæsthetic holding tight on to himself so that he would not blab -about anything during the silly, talky time. After he got on crutches -he used to take the temperature so Ag would not have to get up from -the bed. There were only a few patients, and they all knew about it. -They all liked Ag. As he walked back along the halls he thought of Ag -in his bed. - -Before he went back to the front they went into the Duomo and prayed. -It was dim and quiet, and there were other people praying. They -wanted to get married, but there was not enough time for the banns, -and neither of them had birth certificates. They felt as though they -were married, but they wanted everyone to knew about it, and to make -it so they could not lose it. - -Ag wrote him many letters that he never got until after the -armistice. Fifteen came in a bunch and he sorted them by the dates -and read them all straight through. They were about the hospital, and -how much she loved him and how it was impossible to get along without -him and how terrible it was missing him at night. - -After the armistice they agreed he should go home to get a job so -they might be married. Ag would not come home until he had a good job -and could come to New York to meet her. It was understood he would -not drink, and he did not want to see his friends or anyone in the -States. Only to get a job and be married. On the train from Padova to -Milan they quarrelled about her not being willing to come home at -once. When they had to say good-bye in the station at Padova they -kissed good-bye, but were not finished with the quarrel. He felt sick -about saying good-bye like that. - -He went to America on a boat from Genoa. Ag went back to Torre di -Mosta to open a hospital. It was lonely and rainy there, and there -was a battalion of _arditi_ quartered in the town. Living in the -muddy, rainy town in the winter the major of the battalion made love -to Ag, and she had never known Italians before, and finally wrote a -letter to the States that theirs had been only a boy and girl affair. -She was sorry, and she knew he would probably not be able to -understand, but might some day forgive her, and be grateful to her, -and she expected, absolutely unexpectedly, to be married in the -spring. She loved him as always, but she realized now it was only a -boy and girl love. She hoped he would have a great career, and -believed in him absolutely. She knew it was for the best. - -The Major did not marry her in the spring, or any other time. Ag -never got an answer to her letter to Chicago about it. A short time -after he contracted gonorrhea from a sales girl from The Fair riding -in a taxicab through Lincoln Park. - - - - - chapter 11 - - -In 1919 he was travelling on the railroads in Italy carrying a square -of oilcloth from the headquarters of the party written in indelible -pencil and saying here was a comrade who had suffered very much under -the whites in Budapest and requesting comrades to aid him in any way. -He used this instead of a ticket. He was very shy and quite young and -the train men passed him on from one crew to another. He had no -money, and they fed him behind the counter in railway eating houses. - -He was delighted with Italy. It was a beautiful country he said. The -people were all kind. He had been in many towns, walked much and seen -many pictures. Giotto, Masaccio, and Piero della Francesca he bought -reproductions of and carried them wrapped in a copy of _Avanti_. -Mantegna he did not like. - -He reported at Bologna, and I took him with me up into the Romagna -where it was necessary I go to see a man. We had a good trip -together. It was early September and the country was pleasant. He was -a Magyar, a very nice boy and very shy. Horthy’s men had done some -bad things to him. He talked about it a little. In spite of Italy, he -believed altogether in the world revolution. - -—But how is the movement going in Italy? he asked. - -—Very badly, I said. - -—But it will go better, he said. You have everything here. It is the -one country that everyone is sure of. It will be the starting point -of everything. - -At Bologna he said good-bye to us to go on the train to Milano and -then to Aosta to walk over the pass into Switzerland. I spoke to him -about the Mantegnas in Milano. No, he said, very shyly, he did not -like Mantegna. I wrote out for him where to eat in Milano and the -addresses of comrades. He thanked me very much, but his mind was -already looking forward to walking over the pass. He was very eager -to walk over the pass while the weather held good. The last I heard -of him the Swiss had him in jail near Sion. - - - - - chapter 12 - - -They whack whacked the white horse on the legs and he knee-ed himself -up. The picador twisted the stirrups straight and pulled and hauled -up into the saddle. The horse’s entrails hung down in a blue bunch -and swung backward and forward as he began to canter, the _monos_ -whacking him on the back of his legs with the rods. He cantered -jerkily along the barrera. He stopped stiff and one of the _monos_ -held his bridle and walked him forward. The picador kicked in his -spurs, leaned forward and shook his lance at the bull. Blood pumped -regularly from between the horse’s front legs. He was nervously -wobbly. The bull could not make up his mind to charge. - - - - - chapter 13 - - -The crowd shouted all the time and threw pieces of bread down into -the ring, then cushions and leather wine bottles, keeping up -whistling and yelling. Finally the bull was too tired from so much -bad sticking and folded his knees and lay down and one of the -_cuadrilla_ leaned out over his neck and killed him with the -_puntillo_. The crowd came over the barrera and around the torero and -two men grabbed him and held him and some one cut off his pigtail and -was waving it and a kid grabbed it and ran away with it. Afterwards I -saw him at the café. He was very short with a brown face and quite -drunk and he said after all it has happened before like that. I am -not really a good bull fighter. - - - - - chapter 14 - - -If it happened right down close in front of you, you could see -Villalta snarl at the bull and curse him, and when the bull charged -he swung back firmly like an oak when the wind hits it, his legs -tight together, the muleta trailing and the sword following the curve -behind. Then he cursed the bull, flopped the muleta at him, and swung -back from the charge his feet firm, the muleta curving and each swing -the crowd roaring. - -When he started to kill it was all in the same rush. The bull looking -at him straight in front, hating. He drew out the sword from the -folds of the muleta and sighted with the same movement and called to -the bull, Toro! Toro! and the bull charged and Villalta charged and -just for a moment they became one. Villalta became one with the bull -and then it was over. Villalta standing straight and the red kilt of -the sword sticking out dully between the bull’s shoulders. Villalta, -his hand up at the crowd and the bull roaring blood, looking straight -at Villalta and his legs caving. - - - - - chapter 15 - - -I heard the drums coming down the street and then the fifes and the -pipes and then they came around the corner, all dancing. The street -full of them. Maera saw him and then I saw him. When they stopped the -music for the crouch he hunched down in the street with them all and -when they started it again he jumped up and went dancing down the -street with them. He was drunk all right. - -You go down after him, said Maera, he hates me. - -So I went down and caught up with them and grabbed him while he was -crouched down waiting for the music to break loose and said, Come on -Luis. For Christ sake you’ve got bulls this afternoon. He didn’t -listen to me, he was listening so hard for the music to start. - -I said, Don’t be a damn fool Luis. Come on back to the hotel. - -Then the music started up again and he jumped up and twisted away -from me and started dancing. I grabbed his arm and he pulled loose -and said, Oh leave me alone. You’re not my father. - -I went back to the hotel and Maera was on the balcony looking out to -see if I’d be bringing him back. He went inside when he saw me and -came downstairs disgusted. - -Well, I said, after all he’s just an ignorant Mexican savage. - -Yes, Maera said, and who will kill his bulls after he gets a -_cogida?_ - -We, I suppose, I said. - -Yes, we, said Maera. We kills the savages’ bulls, and the drunkards’ -bulls, and the _riau-riau_ dancers’ bulls. Yes. We kill them. We kill -them all right. Yes. Yes. Yes. - - - - - chapter 16 - - -Maera lay still, his head on his arms, his face in the sand. He felt -warm and sticky from the bleeding. Each time he felt the horn coming. -Sometimes the bull only bumped him with his head. Once the horn went -all the way through him and he felt it go into the sand. Someone had -the bull by the tail. They were swearing at him and flopping the cape -in his face. Then the bull was gone. Some men picked Maera up and -started to run with him toward the barriers through the gate out the -passage way around under the grand stand to the infirmary. They laid -Maera down on a cot and one of the men went out for the doctor. The -others stood around. The doctor came running from the corral where he -had been sewing up picador horses. He had to stop and wash his hands. -There was a great shouting going on in the grandstand overhead. Maera -wanted to say something and found he could not talk. Maera felt -everything getting larger and larger and then smaller and smaller. -Then it got larger and larger and larger and then smaller and -smaller. Then everything commenced to run faster and faster as when -they speed up a cinematograph film. Then he was dead. - - - - - chapter 17 - - -They hanged Sam Cardinella at six o’clock in the morning in the -corridor of the county jail. The corridor was high and narrow with -tiers of cells on either side. All the cells were occupied. The men -had been brought in for the hanging. Five men sentenced to be hanged -were in the five top cells. Three of the men to be hanged were -negroes. They were very frightened. One of the white men sat on his -cot with his head in his hands. The other lay flat on his cot with a -blanket wrapped around his head. - -They came out onto the gallows through a door in the wall. There were -six or seven of them including two priests. They were carrying Sam -Cardinella. He had been like that since about four o’clock in the -morning. - -While they were strapping his legs together two guards held him up -and the two priests were whispering to him. “Be a man, my son,” said -one priest. When they came toward him with the cap to go over his -head Sam Cardinella lost control of his sphincter muscle. The guards -who had been holding him up dropped him. They were both disgusted. -“How about a chair, Will?” asked one of the guards, “Better get one,” -said a man in a derby hat. - -When they all stepped back on the scaffolding back of the drop, which -was very heavy, built of oak and steel and swung on ball bearings, -Sam Cardinella was left sitting there strapped tight, the younger of -the two priests kneeling beside the chair. The priest skipped back -onto the scaffolding just before the drop fell. - - - - - chapter 18 - - -The king was working in the garden. He seemed very glad to see me. We -walked through the garden. This is the queen, he said. She was -clipping a rose bush. Oh how do you do, she said. We sat down at a -table under a big tree and the king ordered whiskey and soda. We have -good whiskey anyway, he said. The revolutionary committee, he told -me, would not allow him to go outside the palace grounds. Plastiras -is a very good man I believe, he said, but frightfully difficult. I -think he did right though shooting those chaps. If Kerensky had shot -a few men things might have been altogether different. Of course the -great thing in this sort of an affair is not to be shot oneself! - -It was very jolly. We talked for a long time. Like all Greeks he -wanted to go to America. - - - - - Here ends _The Inquest_ into the state - of contemporary English prose, as - edited by Ezra Pound and printed at - the Three Mountains Press. The six - works constituting the series are: - - Indiscretions _of_ Ezra Pound - - Women and Men _by_ Ford Madox Ford - - Elimus _by_ B. C. Windeler - with Designs _by_ D. Shakespear - - The Great American Novel - _by_ William Carlos Williams - - England _by_ B.M.G.-Adams - - In Our Time _by_ Ernest Hemingway - with Portrait _by_ Henry Strater - - - - - -End of the Project Gutenberg EBook of In Our Time, by Ernest Hemingway - -*** END OF THIS PROJECT GUTENBERG EBOOK IN OUR TIME *** - -***** This file should be named 61085-0.txt or 61085-0.zip ***** -This and all associated files of various formats will be found in: - http://www.gutenberg.org/6/1/0/8/61085/ - -Produced by an anonymous Project Gutenberg Volunteer. -Updated editions will replace the previous one--the old editions will -be renamed. - -Creating the works from print editions not protected by U.S. copyright -law means that no one owns a United States copyright in these works, -so the Foundation (and you!) can copy and distribute it in the United -States without permission and without paying copyright -royalties. 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You may copy it, give it away or re-use it under the terms of -the Project Gutenberg License included with this eBook or online at -www.gutenberg.org. If you are not located in the United States, you'll have -to check the laws of the country where you are located before using this ebook. - -Title: In Our Time - -Author: Ernest Hemingway - -Release Date: January 3, 2020 [EBook #61085] - -Language: English - -Character set encoding: UTF-8 - -*** START OF THIS PROJECT GUTENBERG EBOOK IN OUR TIME *** - - - - -Produced by an anonymous Project Gutenberg Volunteer. - - - - - -</pre> - - -<div id="coverpage"> - <div><img src="images/cover.jpg" alt="In Our Time Hemingway" /></div> -</div> - -<div class="titlepage"><h1 id="TP0">in our time</h1></div> - - -<div id="authorwoodcut"> - <div><img src="images/author.jpg" alt="the author wood-cut from portrait by henry strater" /></div> - <div>the author <i>wood-cut from portrait by</i> henry strater</div> -</div> - - - -<div class="titlepage"> - <h1 id="TP">in our time</h1> -</div> - -<div class="titlepagesmall"><i>by</i></div> - -<div class="titlepagemedium"> - <div class="separated2">ernest hemingway</div> -</div> - -<div class="titlepagesmall"> - <div><span class="smcap">A Girl in Chicago:</span> Tell us about - the French women, Hank. What are they like?</div> - - <div><span class="smcap">Bill Smith:</span> How old are the French - women, Hank?</div> -</div> - -<div id="printersmark"> - <img src="images/mark.jpg" alt="printer's mark" /> -</div> - -<div class="titlepagesmall"> - <div class="linemedium">paris:</div> - - <div><i>printed at the</i> three mountains press <i>and for sale</i></div> - <div><i>at</i> shakespeare & company, <i>in the rue de l’odéon;</i></div> - <div><i>london:</i> william jackson, <i>took's court, cursitor street, chancery lane.</i></div> - - <div class="linemedium">1924</div> -</div> - - -<div class="titlepagesmall"> - <div>to</div> - <div>robert mᶜalmon and william bird</div> - <div><i>publishers of the city of paris</i></div> - <div>and to</div> - <div>captain eric edward dorman-smith, m.c.,</div> - <div><i>of his majesty’s fifth fusiliers</i></div> - <div>this book</div> - <div>is respectfully dedicated</div> -</div> - - - <div class="titlepagesmall"> - <div><i>of</i> 170 <i>copies</i></div> - <div><i>printed on</i></div> - <div>rives <i>hand-made paper</i></div> - <div><i>this is number</i></div> -</div> - -<h2 class="contents1" id="TOC" >CONTENTS</h2> - -<div class="contents2"> -<div><a href="#CH1">chapter 1</a></div> -<div><a href="#CH2">chapter 2</a></div> -<div><a href="#CH3">chapter 3</a></div> -<div><a href="#CH4">chapter 4</a></div> -<div><a href="#CH5">chapter 5</a></div> -<div><a href="#CH6">chapter 6</a></div> -<div><a href="#CH7">chapter 7</a></div> -<div><a href="#CH8">chapter 8</a></div> -<div><a href="#CH9">chapter 9</a></div> -<div><a href="#CH10">chapter 10</a></div> -<div><a href="#CH11">chapter 11</a></div> -<div><a href="#CH12">chapter 12</a></div> -<div><a href="#CH13">chapter 13</a></div> -<div><a href="#CH14">chapter 14</a></div> -<div><a href="#CH15">chapter 15</a></div> -<div><a href="#CH16">chapter 16</a></div> -<div><a href="#CH17">chapter 17</a></div> -<div><a href="#CH18">chapter 18</a></div> -</div> - - <div class="title">in our time</div> - - - -<h2 id="CH1"> chapter 1</h2> - - -<p>Everybody was drunk. The whole battery was -drunk going along the road in the dark. We were -going to the Champagne. The lieutenant kept riding -his horse out into the fields and saying to him, -“I’m drunk, I tell you, mon vieux. Oh, I am so -soused.” We went along the road all night in the -dark and the adjutant kept riding up alongside my -kitchen and saying, “You must put it out. It is -dangerous. It will be observed.” We were fifty -kilometers from the front but the adjutant worried -about the fire in my kitchen. It was funny going -along that road. That was when I was a kitchen -corporal.</p> - - - -<h2 id="CH2"> chapter 2</h2> - - -<p>The first matador got the horn through his sword -hand and the crowd hooted him out. The second -matador slipped and the bull caught him through -the belly and he hung on to the horn with one -hand and held the other tight against the place, and -the bull rammed him wham against the wall and the -horn came out, and he lay in the sand, and then got -up like crazy drunk and tried to slug the men -carrying him away and yelled for his sword but -he fainted. The kid came out and had to kill -five bulls because you can’t have more than three -matadors, and the last bull he was so tired he -couldn’t get the sword in. He couldn’t hardly lift -his arm. He tried five times and the crowd was -quiet because it was a good bull and it looked like -him or the bull and then he finally made it. He sat -down in the sand and puked and they held a cape -over him while the crowd hollered and threw things -down into the bull ring.</p> - - - -<h2 id="CH3"> chapter 3</h2> - - -<p>Minarets stuck up in the rain out of Adrianople -across the mud flats. The carts were jammed for -thirty miles along the Karagatch road. Water -buffalo and cattle were hauling carts through the -mud. No end and no beginning. Just carts loaded -with everything they owned. The old men and -women, soaked through, walked along keeping the -cattle moving. The Maritza was running yellow -almost up to the bridge. Carts were jammed solid -on the bridge with camels bobbing along through -them. Greek cavalry herded along the procession. -Women and kids were in the carts crouched with -mattresses, mirrors, sewing machines, bundles. There -was a woman having a kid with a young girl holding -a blanket over her and crying. Scared sick looking -at it. It rained all through the evacuation.</p> - - - -<h2 id="CH4"> chapter 4</h2> - - -<p>We were in a garden at Mons. Young Buckley -came in with his patrol from across the river. The -first German I saw climbed up over the garden wall. -We waited till he got one leg over and then potted -him. He had so much equipment on and looked -awfully surprised and fell down into the garden. -Then three more came over further down the wall. -We shot them. They all came just like that.</p> - - - -<h2 id="CH5"> chapter 5</h2> - - -<p>It was a frightfully hot day. We’d jammed an -absolutely perfect barricade across the bridge. It was -simply priceless. A big old wrought iron grating -from the front of a house. Too heavy to lift and -you could shoot through it and they would have to -climb over it. It was absolutely topping. They -tried to get over it, and we potted them from forty -yards. They rushed it, and officers came out alone -and worked on it. It was an absolutely perfect -obstacle. Their officers were very fine. We were -frightfully put out when we heard the flank had -gone, and we had to fall back.</p> - - - -<h2 id="CH6"> chapter 6</h2> - - -<p>They shot the six cabinet ministers at half-past six -in the morning against the wall of a hospital. There -were pools of water in the courtyard. There were -wet dead leaves on the paving of the courtyard. It -rained hard. All the shutters of the hospital were -nailed shut. One of the ministers was sick with -typhoid. Two soldiers carried him downstairs and -out into the rain. They tried to hold him up -against the wall but he sat down in a puddle of -water. The other five stood very quietly against -the wall. Finally the officer told the soldiers it was -no good trying to make him stand up. When they -fired the first volley he was sitting down in the water -with his head on his knees.</p> - - - -<h2 id="CH7"> chapter 7</h2> - - -<p>Nick sat against the wall of the church where they -had dragged him to be clear of machine gun fire in -the street. Both legs stuck out awkwardly. He had -been hit in the spine. His face was sweaty and dirty. -The sun shone on his face. The day was very hot. -Rinaldi, big backed, his equipment sprawling, lay -face downward against the wall. Nick looked straight -ahead brilliantly. The pink wall of the house opposite -had fallen out from the roof, and an iron bedstead -hung twisted toward the street. Two Austrian -dead lay in the rubble in the shade of the house. Up -the street were other dead. Things were getting -forward in the town. It was going well. Stretcher -bearers would be along any time now. Nick turned -his head carefully and looked down at Rinaldi. -“Senta Rinaldi. Senta. You and me we’ve made -a separate peace.” Rinaldi lay still in the sun -breathing with difficulty. “Not patriots.” Nick -turned his head carefully away smiling sweatily. -Rinaldi was a disappointing audience.</p> - - - -<h2 id="CH8"> chapter 8</h2> - - -<p>While the bombardment was knocking the trench -to pieces at Fossalta, he lay very flat and sweated -and prayed oh jesus christ get me out of here. -Dear jesus please get me out. Christ please please -please christ. If you’ll only keep me from getting -killed I’ll do anything you say. I believe in you -and I’ll tell everyone in the world that you are the -only thing that matters. Please please dear jesus. -The shelling moved further up the line. We went -to work on the trench and in the morning the sun -came up and the day was hot and muggy and cheerful -and quiet. The next night back at Mestre he did -not tell the girl he went upstairs with at the Villa -Rossa about Jesus. And he never told anybody.</p> - - - -<h2 id="CH9"> chapter 9</h2> - - -<p>At two o’clock in the morning two Hungarians got -into a cigar store at Fifteenth Street and Grand -Avenue. Drevitts and Boyle drove up from the -Fifteenth Street police station in a Ford. The Hungarians -were backing their wagon out of an alley. -Boyle shot one off the seat of the wagon and one out -of the wagon box. Drevetts got frightened when he -found they were both dead. Hell Jimmy, he said, -you oughtn’t to have done it. There’s liable to be -a hell of a lot of trouble.</p> - -<p>—They’re crooks ain’t they? said Boyle. -They’re wops ain’t they? Who the hell is going to -make any trouble?</p> - -<p>—That’s all right maybe this time, said Drevitts, -but how did you know they were wops when -you bumped them?</p> - -<p>Wops, said Boyle, I can tell wops a mile off.</p> - - - -<h2 id="CH10"> chapter 10</h2> - - -<p>One hot evening in Milan they carried him up onto the -roof and he could look out over the top of the town. -There were chimney swifts in the sky. After a while it -got dark and the searchlights came out. The others -went down and took the bottles with them. He and -Ag could hear them below on the balcony. Ag sat -on the bed. She was cool and fresh in the hot night.</p> - -<p>Ag stayed on night duty for three months. They -were glad to let her. When they operated on him -she prepared him for the operating table, and they -had a joke about friend or enema. He went under -the anæsthetic holding tight on to himself so that he -would not blab about anything during the silly, talky -time. After he got on crutches he used to take the -temperature so Ag would not have to get up from -the bed. There were only a few patients, and they -all knew about it. They all liked Ag. As he walked -back along the halls he thought of Ag in his bed.</p> - -<p>Before he went back to the front they went into the -Duomo and prayed. It was dim and quiet, and there -were other people praying. They wanted to get married, -but there was not enough time for the banns, and neither -of them had birth certificates. They felt as though they -were married, but they wanted everyone to knew -about it, and to make it so they could not lose it.</p> - -<p>Ag wrote him many letters that he never got until after -the armistice. Fifteen came in a bunch and he sorted -them by the dates and read them all straight through. -They were about the hospital, and how much she loved -him and how it was impossible to get along without -him and how terrible it was missing him at night.</p> - -<p>After the armistice they agreed he should go home -to get a job so they might be married. Ag would -not come home until he had a good job and could -come to New York to meet her. It was understood -he would not drink, and he did not want to see his -friends or anyone in the States. Only to get a job -and be married. On the train from Padova to Milan -they quarrelled about her not being willing to come -home at once. When they had to say good-bye in -the station at Padova they kissed good-bye, but were -not finished with the quarrel. He felt sick about -saying good-bye like that.</p> - -<p>He went to America on a boat from Genoa. Ag -went back to Torre di Mosta to open a hospital. It -was lonely and rainy there, and there was a battalion -of <i>arditi</i> quartered in the town. Living in the -muddy, rainy town in the winter the major of the -battalion made love to Ag, and she had never known -Italians before, and finally wrote a letter to the States -that theirs had been only a boy and girl affair. She -was sorry, and she knew he would probably not be -able to understand, but might some day forgive her, -and be grateful to her, and she expected, absolutely unexpectedly, -to be married in the spring. She loved him -as always, but she realized now it was only a boy and girl -love. She hoped he would have a great career, and believed -in him absolutely. She knew it was for the best.</p> - -<p>The Major did not marry her in the spring, or -any other time. Ag never got an answer to her -letter to Chicago about it. A short time after he -contracted gonorrhea from a sales girl from The Fair -riding in a taxicab through Lincoln Park.</p> - - - -<h2 id="CH11"> chapter 11</h2> - - -<p>In 1919 he was travelling on the railroads in Italy -carrying a square of oilcloth from the headquarters -of the party written in indelible pencil and saying -here was a comrade who had suffered very much -under the whites in Budapest and requesting comrades -to aid him in any way. He used this instead -of a ticket. He was very shy and quite young and -the train men passed him on from one crew to -another. He had no money, and they fed him -behind the counter in railway eating houses.</p> - -<p>He was delighted with Italy. It was a beautiful -country he said. The people were all kind. He had -been in many towns, walked much and seen many -pictures. Giotto, Masaccio, and Piero della Francesca -he bought reproductions of and carried them -wrapped in a copy of <i>Avanti</i>. Mantegna he did not -like.</p> - -<p>He reported at Bologna, and I took him with me -up into the Romagna where it was necessary I go to -see a man. We had a good trip together. It was -early September and the country was pleasant. He -was a Magyar, a very nice boy and very shy. Horthy’s -men had done some bad things to him. He -talked about it a little. In spite of Italy, he believed -altogether in the world revolution.</p> - -<p>—But how is the movement going in Italy? he -asked.</p> - -<p>—Very badly, I said.</p> - -<p>—But it will go better, he said. You have -everything here. It is the one country that everyone -is sure of. It will be the starting point of -everything.</p> - -<p>At Bologna he said good-bye to us to go on the -train to Milano and then to Aosta to walk over the -pass into Switzerland. I spoke to him about the -Mantegnas in Milano. No, he said, very shyly, -he did not like Mantegna. I wrote out for him -where to eat in Milano and the addresses of comrades. -He thanked me very much, but his mind -was already looking forward to walking over the pass. -He was very eager to walk over the pass while the -weather held good. The last I heard of him the -Swiss had him in jail near Sion.</p> - - - -<h2 id="CH12"> chapter 12</h2> - - -<p>They whack whacked the white horse on the legs -and he knee-ed himself up. The picador twisted the -stirrups straight and pulled and hauled up into the -saddle. The horse’s entrails hung down in a blue -bunch and swung backward and forward as he began -to canter, the <i>monos</i> whacking him on the back of his -legs with the rods. He cantered jerkily along the -barrera. He stopped stiff and one of the <i>monos</i> held -his bridle and walked him forward. The picador -kicked in his spurs, leaned forward and shook his -lance at the bull. Blood pumped regularly from between -the horse’s front legs. He was nervously -wobbly. The bull could not make up his mind to -charge.</p> - - - -<h2 id="CH13"> chapter 13</h2> - - -<p>The crowd shouted all the time and threw pieces of -bread down into the ring, then cushions and leather -wine bottles, keeping up whistling and yelling. -Finally the bull was too tired from so much bad -sticking and folded his knees and lay down and one -of the <i>cuadrilla</i> leaned out over his neck and killed -him with the <i>puntillo</i>. The crowd came over the -barrera and around the torero and two men grabbed -him and held him and some one cut off his pigtail -and was waving it and a kid grabbed it and ran away -with it. Afterwards I saw him at the café. He was -very short with a brown face and quite drunk and he -said after all it has happened before like that. I am -not really a good bull fighter.</p> - - - -<h2 id="CH14"> chapter 14</h2> - - -<p>If it happened right down close in front of you, you -could see Villalta snarl at the bull and curse him, -and when the bull charged he swung back firmly -like an oak when the wind hits it, his legs tight -together, the muleta trailing and the sword following -the curve behind. Then he cursed the bull, flopped -the muleta at him, and swung back from the charge -his feet firm, the muleta curving and each swing the -crowd roaring.</p> - -<p>When he started to kill it was all in the same -rush. The bull looking at him straight in front, -hating. He drew out the sword from the folds of -the muleta and sighted with the same movement -and called to the bull, Toro! Toro! and the bull -charged and Villalta charged and just for a moment -they became one. Villalta became one with the bull -and then it was over. Villalta standing straight and -the red kilt of the sword sticking out dully between -the bull’s shoulders. Villalta, his hand up at the -crowd and the bull roaring blood, looking straight -at Villalta and his legs caving.</p> - - - -<h2 id="CH15"> chapter 15</h2> - - -<p>I heard the drums coming down the street and then -the fifes and the pipes and then they came around -the corner, all dancing. The street full of them. -Maera saw him and then I saw him. When they -stopped the music for the crouch he hunched down -in the street with them all and when they started it -again he jumped up and went dancing down the street -with them. He was drunk all right.</p> - -<p>You go down after him, said Maera, he hates me.</p> - -<p>So I went down and caught up with them and -grabbed him while he was crouched down waiting for -the music to break loose and said, Come on Luis. -For Christ sake you’ve got bulls this afternoon. He -didn’t listen to me, he was listening so hard for the -music to start.</p> - -<p>I said, Don’t be a damn fool Luis. Come on back -to the hotel.</p> - -<p>Then the music started up again and he jumped -up and twisted away from me and started dancing. I -grabbed his arm and he pulled loose and said, Oh -leave me alone. You’re not my father.</p> - -<p>I went back to the hotel and Maera was on the -balcony looking out to see if I’d be bringing him -back. He went inside when he saw me and came -downstairs disgusted.</p> - -<p>Well, I said, after all he’s just an ignorant Mexican -savage.</p> - -<p>Yes, Maera said, and who will kill his bulls after -he gets a <i>cogida?</i></p> - -<p>We, I suppose, I said.</p> - -<p>Yes, we, said Maera. We kills the savages’ bulls, -and the drunkards’ bulls, and the <i>riau-riau</i> dancers’ -bulls. Yes. We kill them. We kill them all right. -Yes. Yes. Yes.</p> - - - -<h2 id="CH16"> chapter 16</h2> - - -<p>Maera lay still, his head on his arms, his face in the -sand. He felt warm and sticky from the bleeding. -Each time he felt the horn coming. Sometimes the -bull only bumped him with his head. Once the horn -went all the way through him and he felt it go into -the sand. Someone had the bull by the tail. They -were swearing at him and flopping the cape in his -face. Then the bull was gone. Some men picked -Maera up and started to run with him toward the -barriers through the gate out the passage way -around under the grand stand to the infirmary. They -laid Maera down on a cot and one of the men went -out for the doctor. The others stood around. The -doctor came running from the corral where he had -been sewing up picador horses. He had to stop and -wash his hands. There was a great shouting going -on in the grandstand overhead. Maera wanted to say -something and found he could not talk. Maera felt -everything getting larger and larger and then smaller -and smaller. Then it got larger and larger and -larger and then smaller and smaller. Then everything -commenced to run faster and faster as when they -speed up a cinematograph film. Then he was dead.</p> - - - -<h2 id="CH17"> chapter 17</h2> - - -<p>They hanged Sam Cardinella at six o’clock in the -morning in the corridor of the county jail. The corridor -was high and narrow with tiers of cells on -either side. All the cells were occupied. The men -had been brought in for the hanging. Five men -sentenced to be hanged were in the five top cells. -Three of the men to be hanged were negroes. They -were very frightened. One of the white men sat on -his cot with his head in his hands. The other lay -flat on his cot with a blanket wrapped around his -head.</p> - -<p>They came out onto the gallows through a door in -the wall. There were six or seven of them including -two priests. They were carrying Sam Cardinella. He -had been like that since about four o’clock in the -morning.</p> - -<p>While they were strapping his legs together two -guards held him up and the two priests were whispering -to him. “Be a man, my son,” said one priest. -When they came toward him with the cap to go over -his head Sam Cardinella lost control of his sphincter -muscle. The guards who had been holding him up -dropped him. They were both disgusted. “How -about a chair, Will?” asked one of the guards, -“Better get one,” said a man in a derby hat.</p> - -<p>When they all stepped back on the scaffolding -back of the drop, which was very heavy, built of oak -and steel and swung on ball bearings, Sam Cardinella -was left sitting there strapped tight, the younger of -the two priests kneeling beside the chair. The priest -skipped back onto the scaffolding just before the drop -fell.</p> - - - -<h2 id="CH18"> chapter 18</h2> - - -<p>The king was working in the garden. He seemed -very glad to see me. We walked through the garden. -This is the queen, he said. She was clipping a rose -bush. Oh how do you do, she said. We sat down -at a table under a big tree and the king ordered -whiskey and soda. We have good whiskey anyway, -he said. The revolutionary committee, he told -me, would not allow him to go outside the palace -grounds. Plastiras is a very good man I believe, he -said, but frightfully difficult. I think he did right -though shooting those chaps. If Kerensky had shot -a few men things might have been altogether different. -Of course the great thing in this sort of an -affair is not to be shot oneself!</p> - -<p>It was very jolly. We talked for a long time. -Like all Greeks he wanted to go to America.</p> - - -<div class="endnotes"> - <div class="linelarge"> - <div>Here ends <i>The Inquest</i> into the state</div> - <div>of contemporary English prose, as</div> - <div>edited by <span class="emph">Ezra Pound</span> and printed at</div> - <div>the <span class="emph">Three Mountains Press</span>. The six</div> - <div>works constituting the series are:</div> - </div> - - <div class="linebook">Indiscretions <i>of</i> Ezra Pound</div> - - <div class="linebook">Women and Men <i>by</i> Ford Madox Ford</div> - - <div class="linebook0">Elimus <i>by</i> B. C. Windeler</div> - <div>with Designs <i>by</i> D. Shakespear</div> - - <div class="linebook">The Great American Novel <i>by</i> William Carlos Williams</div> - - <div class="linebook">England <i>by</i> B.M.G.-Adams</div> - - <div class="linebook0">In Our Time <i>by</i> Ernest Hemingway</div> - <div>with Portrait <i>by</i> Henry Strater</div> -</div> - - - - - - - - -<pre> - - - - - -End of the Project Gutenberg EBook of In Our Time, by Ernest Hemingway - -*** END OF THIS PROJECT GUTENBERG EBOOK IN OUR TIME *** - -***** This file should be named 61085-h.htm or 61085-h.zip ***** -This and all associated files of various formats will be found in: - http://www.gutenberg.org/6/1/0/8/61085/ - -Produced by an anonymous Project Gutenberg Volunteer. -Updated editions will replace the previous one--the old editions will -be renamed. - -Creating the works from print editions not protected by U.S. copyright -law means that no one owns a United States copyright in these works, -so the Foundation (and you!) can copy and distribute it in the United -States without permission and without paying copyright -royalties. 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