diff options
| author | Roger Frank <rfrank@pglaf.org> | 2025-10-15 05:27:12 -0700 |
|---|---|---|
| committer | Roger Frank <rfrank@pglaf.org> | 2025-10-15 05:27:12 -0700 |
| commit | 0f5fa97b93073c9a0af3059517a69f9ef5e01b8a (patch) | |
| tree | 61e74a1df66e89f8837ccf8615b910de81af2c60 | |
| -rw-r--r-- | .gitattributes | 3 | ||||
| -rw-r--r-- | 6277.txt | 1794 | ||||
| -rw-r--r-- | 6277.zip | bin | 0 -> 36896 bytes | |||
| -rw-r--r-- | LICENSE.txt | 11 | ||||
| -rw-r--r-- | README.md | 2 |
5 files changed, 1810 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/6277.txt b/6277.txt new file mode 100644 index 0000000..5e5892c --- /dev/null +++ b/6277.txt @@ -0,0 +1,1794 @@ +The Project Gutenberg EBook The Money Master, by Gilbert Parker, V3 +#104 in our series by Gilbert Parker + +Copyright laws are changing all over the world. Be sure to check the +copyright laws for your country before downloading or redistributing +this or any other Project Gutenberg eBook. + +This header should be the first thing seen when viewing this Project +Gutenberg file. Please do not remove it. Do not change or edit the +header without written permission. + +Please read the "legal small print," and other information about the +eBook and Project Gutenberg at the bottom of this file. Included is +important information about your specific rights and restrictions in +how the file may be used. You can also find out about how to make a +donation to Project Gutenberg, and how to get involved. + + +**Welcome To The World of Free Plain Vanilla Electronic Texts** + +**EBooks Readable By Both Humans and By Computers, Since 1971** + +*****These EBooks Were Prepared By Thousands of Volunteers***** + + +Title: The Money Master, Volume 3. + +Author: Gilbert Parker + +Release Date: August, 2004 [EBook #6277] +[Yes, we are more than one year ahead of schedule] +[This file was first posted on November 28, 2002] + +Edition: 10 + +Language: English + +Character set encoding: ASCII + + + + + +*** START OF THE PROJECT GUTENBERG EBOOK THE MONEY MASTER, PARKER, V3*** + + + +This eBook was produced by David Widger + + + + + +THE MONEY MASTER + +By Gilbert Parker + + + +EPOCH THE THIRD + +XIII. THE MAN FROM OUTSIDE +XIV. "I DO NOT WANT TO GO" +XV. BON MARCHE + + + + +CHAPTER XIII + +THE MAN FROM OUTSIDE + + "Oh, who will walk the wood with me, + I fear to walk alone; + So young am I, as you may see; + No dangers have I known. + So young, so small--ah, yes, m'sieu', + I'll walk the wood with you!" + + +In the last note of the song applause came instantaneously, almost +impatiently, as it might seem. With cries of "Encore! Encore!" it +lasted some time, while the happy singer looked around with frank +pleasure on the little group encircling her in the Manor Cartier. + +"Did you like it so much?" she asked in a general way, and not looking +at any particular person. A particular person, however, replied, and she +had addressed the question to him, although not looking at him. He was +the Man from Outside, and he sat near the bright wood-fire; for though it +was almost June the night was cool and he was delicate. + +"Ah, but splendid, but splendid--it got into every corner of every one of +us," the Man from Outside responded, speaking his fluent French with a +slight English accent, which had a pleasant piquancy--at least to the +ears of the pretty singer, Mdlle. Zoe Barbille. He was a man of about +thirty-three, clean-shaven, dark-haired, with an expression of +cleverness; yet with an irresponsible something about him which M. Fille +had reflected upon with concern. For this slim, eager, talkative, half- +invalid visitor to St. Saviour's had of late shown a marked liking for +the presence and person of Zoe Barbille; and Zoe was as dear to M. Fille +as though she were his own daughter. He it was who, in sarcasm, had +spoken of this young stranger as "The Man from Outside." + +Ever since Zoe's mother had vanished--alone--seven years before from the +Manor Cartier, or rather from his office at Vilray, M. Fille had been as +much like a maiden aunt or a very elder brother to the Spanische's +daughter as a man could be. Of M. Fille's influence over his daughter +and her love of his companionship, Jean Jacques had no jealousy whatever. +Very often indeed, when he felt incompetent to do for his child all that +he wished--philosophers are often stupid in human affairs--he thought it +was a blessing Zoe had a friend like M. Fille. Since the terrible day +when he found that his wife had gone from him--not with the master- +carpenter who only made his exit from Laplatte some years afterwards--he +had had no desire to have a woman at the Manor to fill her place, even as +housekeeper. He had never swerved from that. He had had a hard row to +hoe, but he had hoed it with a will not affected by domestic accidents or +inconveniences. The one woman from outside whom he permitted to go and +come at will--and she did not come often, because she and M. Fille agreed +it would be best not to do so--was the sister of the Cure. To be sure +there was Seraphe Corniche, the old cook, but she was buried in her +kitchen, and Jean Jacques treated her like a man. + +When Zoe was confirmed, and had come back from Montreal, having spent two +years in a convent there--the only time she had been away from her father +in seven years--having had her education chiefly from a Catholic +"brother," the situation developed in a new way. Zoe at once became +as conspicuous in the country-side as her father had been over so many +years. She was fresh, volatile, without affectation or pride, and had +a temperament responsive to every phase of life's simple interests. +She took the attention of the young men a little bit as her due, but yet +without conceit. The gallants had come about her like bees, for there +was Jean Jacques' many businesses and his reputation for wealth; and +there was her own charm, concerning which there could be far less doubt +than about Jean Jacques' magnificent solvency. + +Zoe had gone heart-whole and with no especial preference for any young +man, until the particular person came, the Man from Outside. + +His name was Gerard Fynes, and his business was mumming. He was a young +lawyer turned actor, and he had lived in Montreal before he went on the +stage. He was English--that was a misfortune; he was an actor--that was +a greater misfortune, for it suggested vagabondage of morals as well as +of profession; and he was a Protestant, which was the greatest misfortune +of all. But he was only at St. Saviour's for his convalescence after a +so-called attack of congestion of the lungs; and as he still had a slight +cough and looked none too robust, and as, more than all, he was simple +in his ways, enjoying the life of the parish with greater zest than the +residents, he found popularity. Undoubtedly he had a taking way with +him. He was lodging with Louis Charron, a small farmer and kinsman of +Jean Jacques, who sold whisky--"white whisky"--without a license. It was +a Charron family habit to sell liquor illegally, and Louis pursued the +career with all an amateur's enthusiasm. He had a sovereign balm for +"colds," composed of camomile flowers, boneset, liquorice, pennyroyal and +gentian root, which he sold to all comers; and it was not unnatural that +a visitor with weak lungs should lodge with him. + +Louis and his wife had only good things to say about Gerard Fynes; for +the young man lived their life as though he was born to it. He ate the +slap-jacks, the buttermilk-pop, the pork and beans, the Indian corn on +the cob, the pea-soup, and the bread baked in the roadside oven, with a +relish which was not all pretence; for indeed he was as primitive as he +was subtle. He himself could not have told how much of him was true and +how much was make-believe. But he was certainly lovable, and he was not +bad by nature. Since coming to St. Saviour's he had been constant to one +attraction, and he had not risked his chances with Zoe by response to the +shy invitations of dark eyes, young and not so young, which met his own +here and there in the parish. + +Only M. Fille and Jean Jacques himself had feelings of real antagonism to +him. Jean Jacques, though not naturally suspicious, had, however, seen +an understanding look pass between his Zoe and this stranger--this +Protestant English stranger from the outer world, to which Jean Jacques +went less frequently since his fruitless search for his vanished Carmen. +The Clerk of the Court saw that Jean Jacques had observed the intimate +glances of the two young people, and their eyes met in understanding. It +was just before Zoe had sung so charmingly, 'Oh, Who Will Walk the Wood +With Me'. + +At first after Carmen's going Jean Jacques had found it hard to endure +singing in his house. Zoe's trilling was torture to him, though he had +never forbidden her to sing, and she had sung on to her heart's content. +By a subtle instinct, however, and because of the unspoken sorrow in her +own heart, she never sang the songs like 'La Manola'. Never after the +day Carmen went did Zoe speak of her mother to anyone at all. It was +worse than death; it was annihilation, so far as speech was concerned. +The world at large only knew that Carmen Barbille had run away, and that +even Sebastian Dolores her father did not know where she was. The old +man had not heard from her, and he seldom visited at the Manor Cartier or +saw his grand-daughter. His own career of late years had been marked by +long sojourns in Quebec, Montreal and even New York; yet he always came +back to St. Saviour's when he was penniless, and was there started afresh +by Jean Jacques. Some said that Carmen had gone back to Spain, but +others discredited that, for, if she had done so, certainly old Sebastian +Dolores would have gone also. Others continued to insist that she had +gone off with a man; but there was George Masson at Laplatte living +alone, and never going twenty miles away from home, and he was the only +person under suspicion. Others again averred that since her flight +Carmen had become a loose woman in Montreal; but the New Cure came down +on that with a blow which no one was tempted to invite again. + +M. Savry's method of punishing was of a kind to make men shrink. If +Carmen Barbille had become a loose woman in Montreal, how did any member +of his flock know that it was the case? What company had he kept in +Montreal that he could say that? Did he see the woman--or did he hear +about her? And if he heard, what sort of company was he keeping when he +went to Montreal without his wife to hear such things? That was final, +and the slanderer was under a cloud for a time, by reason of the anger of +his own wife. It was about this time that the good priest preached from +the text, "Judge not that ye be not judged," and said that there were +only ten commandments on the tables of stone; but that the ten included +all the commandments which the Church made for every man, and which every +man, knowing his own weakness, must also make for himself. + +His flock understood, though they did refrain, every one, from looking +towards the place where Jean Jacques sat with Ma'm'selle--she was always +called that, as though she was a great lady; or else she was called "the +little Ma'm'selle Zoe," even when she had grown almost as tall as her +mother had been. + +Though no one looked towards the place where Jean Jacques and his +daughter sat when this sermon was preached, and although Zoe seemed not +to apprehend personal reference in the priest's words, when she reached +home, after talking to her father about casual things all the way, she +flew to her room, and, locking the door, flung herself on her bed and +cried till her body felt as though it had been beaten by rods. Then +she suddenly got up and, from a drawer, took out two things--an old +photograph of her mother at the time of her marriage, and Carmen's +guitar, which she had made her own on the day after the flight, and had +kept hidden ever since. She lay on the bed with her cheek pressed to the +guitar, and her eyes hungrily feeding on the face of a woman whose beauty +belonged to spheres other than where she had spent the thirteen years of +her married life. + +Zoe had understood more even at the time of the crisis than they thought +she did, child though she was; and as the years had gone on she had +grasped the meaning of it all more clearly perhaps than anyone at all +except her adored friends Judge Carcasson, at whose home she had visited +in Montreal, and M. Fille. + +The thing last rumoured about her mother in the parish was that she had +become an actress. To this Zoe made no protest in her mind. It was +better than many other possibilities, and she fixed her mind on it, so +saving herself from other agonizing speculations. In a fixed imagination +lay safety. In her soul she knew that, no matter what happened, her +mother would never return to the Manor Cartier. + +The years had not deepened confidence between father and daughter. A +shadow hung between them. They laughed and talked together, were even +boisterous in their fun sometimes, and yet in the eyes of both was the +forbidden thing--the deserted city into which they could not enter. He +could not speak to the child of the shame of her mother; she could not +speak of that in him which had contributed to that mother's shame--the +neglect which existed to some degree in her own life with him. This was +chiefly so because his enterprises had grown to such a number and height, +that he seemed ever to be counting them, ever struggling to the height, +while none of his ventures ever reached that state of success when it +"ran itself", although as years passed men called him rich, and he spent +and loaned money so freely that they called him the Money Master, or the +Money Man Wise, in deference to his philosophy. + +Zoe was not beautiful, but there was a wondrous charm in her deep brown +eyes and in the expression of her pretty, if irregular, features. +Sometimes her face seemed as small as that of a young child, and alive +with eerie fancies; and always behind her laughter was something which +got into her eyes, giving them a haunting melancholy. She had no signs +of hysteria, though now and then there came heart-breaking little +outbursts of emotion which had this proof that they were not hysteria-- +they were never seen by others. They were sacred to her own solitude. +While in Montreal she had tasted for the first time the joys of the +theatre, and had then secretly read numbers of plays, which she bought +from an old bookseller, who was wise enough to choose them for her. She +became possessed of a love for the stage even before Gerard Fynes came +upon the scene. The beginning of it all was the rumour that her mother +was now an actress; yet the root-cause was far down in a temperament +responsive to all artistic things. + +The coming of the Man from Outside acted on the confined elements of her +nature like the shutter of a camera. It let in a world of light upon +unexplored places, it set free elements of being which had not before +been active. She had been instantly drawn to Gerard Fynes. He had the +distance from her own life which provoked interest, and in that distance +was the mother whom perhaps it was her duty to forget, yet for whom she +had a longing which grew greater as the years went on. + +Gerard Fynes could talk well, and his vivid pictures of his short play- +acting career absorbed her; and all the time she was vigilant for some +name, for the description of some actress which would seem to be a clue +to the lost spirit of her life. This clue never came, but before she +gave up hope of it, the man had got nearer to her than any man had ever +done. + +After meeting him she awoke to the fact that there was a difference +between men, that it was not the same thing to be young as to be old; +that the reason why she could kiss the old Judge and the little Clerk of +the Court, and not kiss, say, the young manager of the great lumber firm +who came every year for a fortnight's fishing at St. Saviour's, was one +which had an understandable cause and was not a mere matter of individual +taste. She had been good friends with this young manager, who was only +thirty years of age, and was married, but when he had wanted to kiss her +on saying good-bye one recent summer, she had said, "Oh, no, oh, no, that +would spoil it all!" Yet when he had asked her why, and what she meant, +she could not tell him. She did not know; but by the end of the first +week after Gerard Fynes had been brought to the Manor Cartier by Louis +Charron, she knew. + +She had then been suddenly awakened from mere girlhood. Judge Carcasson +saw the difference in her on a half-hour's visit as he passed westward, +and he had said to M. Fille, "Who is the man, my keeper of the treasure?" +The reply had been of such a sort that the Judge was startled: + +"Tut, tut," he had exclaimed, "an actor--an actor once a lawyer! That's +serious. She's at an age--and with a temperament like hers she'll +believe anything, if once her affections are roused. She has a flair for +the romantic, for the thing that's out of reach--the bird on the highest +branch, the bird in the sky beyond ours, the song that was lost before +time was, the light that never was on sea or land. Why, damn it, damn it +all, my Solon, here's the beginning of a case in Court unless we can lay +the fellow by the heels! How long is he here for?" + +When M. Fille had told him that he would stay for another month for +certain, and no doubt much longer, if there seemed a prospect of winning +the heiress of the Manor Cartier, the Judge gave a groan. + +"We must get him away, somehow," he said. "Where does he stay?" + +"At the house of Louis Charron," was the reply. "Louis Charron--isn't +he the fellow that sells whisky without a license?" + +"It is so, monsieur." + +The Judge moved his head from side to side like a bear in a cage. "It is +that, is it, my Fille? By the thumb of the devil, isn't it time then +that Louis Charron was arrested for breaking the law? Also how do we +know but that the interloping fellow Fynes is an agent for a whisky firm +perhaps? Couldn't he, then, on suspicion, be arrested with--" + +The Clerk of the Court shook his head mournfully. His Judge was surely +becoming childish in his old age. He looked again closely at the great +man, and saw a glimmer of moisture in the grey eyes. It was clear that +Judge Carcasson felt deeply the dangers of the crisis, and that the +futile outburst had merely been the agitated protest of the helpless. + +"The man is what he says he is--an actor; and it would be folly to arrest +him. If our Zoe is really fond of him, it would only make a martyr of +him." + +As he made this reply M. Fille looked furtively at the other--out of the +corner of his eye, as it were. The reply of the Judge was impatient, +almost peevish and rough. "Did you think I was in earnest, my +punchinello? Surely I don't look so young as all that. I am over sixty- +five, and am therefore mentally developed!" + +M. Fille was exactly sixty-five years of age, and the blow was a shrewd +one. He drew himself up with rigid dignity. + +"You must feel sorry sometimes for those who suffered when your mind was +undeveloped, monsieur," he answered. "You were a judge at forty-nine, +and you defended poor prisoners for twenty years before that." + +The Judge was conquered, and he was never the man to pretend he was not +beaten when he was. He admired skill too much for that. He squeezed M. +Fille's arm and said: + +"I've been quick with my tongue myself, but I feel sure now, that it's +through long and close association with my Clerk of the Court." + +"Ah, monsieur, you are so difficult to understand!" was the reply. +"I have known you all these years, and yet--" + +"And yet you did not know how much of the woman there was in me! . . . +But yes, it is that. It is that which I fear with our Zoe. Women break +out--they break out, and then there is the devil to pay. Look at her +mother. She broke out. It was not inevitable. It was the curse of +opportunity, the wrong thing popping up to drive her mad at the wrong +moment. Had the wrong thing come at the right time for her, when she was +quite sane, she would be yonder now with our philosopher. Perhaps she +would not be contented if she were there, but she would be there; and as +time goes on, to be where we were in all things which concern the +affections, that is the great matter." + +"Ah, yes, ah, yes," was the bright-eyed reply of that Clerk, "there is no +doubt of that! My sister and I there, we are fifty years together, never +with the wrong thing at the wrong time, always the thing as it was, +always to be where we were." + +The Judge shook his head. "There is an eternity of difference, Fille, +between the sister and brother and the husband and wife. The sacredness +of isolation is the thing which holds the brother and sister together. +The familiarity of--but never mind what it is that so often forces +husband and wife apart. It is there, and it breaks out in rebellion as +it did with the wife of Jean Jacques Barbille. As she was a strong woman +in her way, it spoiled her life, and his too when it broke out." + +M. Fille's face lighted with memory and feeling. "Ah, a woman of +powerful emotions, monsieur, that is so! I think I never told you, but +at the last, in my office, when she went, she struck George Masson in the +face. It was a blow that--but there it was; I have never liked to think +of it. When I do, I shudder. She was a woman who might have been in +other circumstances--but there!" + +The Judge suddenly stopped in his walk and faced round on his friend. +"Did you ever know, my Solon," he said, "that it was not Jean Jacques who +saved Carmen at the wreck of the Antoine, but it was she who saved him; +and yet she never breathed of it in all the years. One who was saved +from the Antoine told me of it. Jean Jacques was going down. Carmen +gave him her piece of wreckage to hang on to, and swam ashore without +help. He never gave her the credit. There was something big in the +woman, but it did not come out right." + +M. Fille threw up his hands. "Grace de Dieu, is it so that she saved +Jean Jacques? Then he would not be here if it had not been for her?" + +"That is the obvious deduction, Maitre Fille," replied the Judge. + +The Clerk of the Court seemed moved. "He did not treat her ill. +I know that he would take her back to-morrow if he could. He has never +forgotten. I saw him weeping one day--it was where she used to sing to +the flax-beaters by the Beau Cheval. I put my hand on his shoulder, and +said, 'I know, I comprehend; but be a philosopher, Jean Jacques.'" + +"What did he say?" asked the Judge. + +"He drew himself up. 'In my mind, in my soul, I am philosopher always,' +he said, 'but my eyes are the windows of my heart, m'sieu'. They look +out and see the sorrow of one I loved. It is for her sorrow that I weep, +not for my own. I have my child, I have money; the world says to me, +"How goes it, my friend?" I have a home--a home; but where is she, and +what does the world say to her?'" + +The Judge shook his head sadly. "I used to think I knew life, but I come +to the belief in the end that I know nothing. Who could have guessed +that he would have spoken like that!" + +"He forgave her, monsieur." + +The Judge nodded mournfully. "Yes, yes, but I used to think it is such +men who forgive one day and kill the next. You never can tell where they +will explode, philosophy or no philosophy." + +The Judge was right. After all the years that had passed since his wife +had left him, Jean Jacques did explode. It was the night of his birthday +party at which was present the Man from Outside. It was in the hour when +he first saw what the Clerk of the Court had seen some time before--the +understanding between Zoe and Gerard Fynes. It had never occurred to him +that there was any danger. Zoe had been so indifferent to the young men +of St. Saviour's and beyond, had always been so much his friend and the +friend of those much older than himself, like Judge Carcasson and M. +Fille, that he had not yet thought of her electing to go and leave him +alone. + +To leave him alone! To be left alone--it had never become a possibility +to his mind. It did not break upon him with its full force all at once. +He first got the glimmer of it, then the glimmer grew to a glow, and the +glow to a great red light, in which his brain became drunk, and all his +philosophy was burned up like wood-shavings in a fiery furnace. + +"Did you like it so much?" Zoe had asked when her song was finished, and +the Man from Outside had replied, "Ah, but splendid, splendid! It got +into every corner of every one of us." + +"Into the senses--why not into the heart? Songs are meant for the +heart," said Zoe. + +"Yes, yes, certainly," was the young man's reply, "but it depends upon +the song whether it touches the heart more than the senses. Won't you +sing that perfect thing, 'La Claire Fontaine'?" he added, with eyes as +bright as passion and the hectic fires of his lung-trouble could make +them. + +She nodded and was about to sing, for she loved the song, and it had been +ringing in her head all day; but at that point M. Fille rose, and with +his glass raised high--for at that moment Seraphe Corniche and another +carried round native wine and cider to the company--he said: + +"To Monsieur Jean Jacques Barbille, and his fifty years, good health-- +bonne sante! This is his birthday. To a hundred years for Jean +Jacques!" + +Instantly everyone was up with glass raised, and Zoe ran and threw her +arms round her father's neck. "Kiss me before you drink," she said. + +With a touch almost solemn in its tenderness Jean Jacques drew her head +to his shoulder and kissed her hair, then her forehead. "My blessed one +--my angel," he whispered; but there was a look in his eyes which only M. +Fille had seen there before. It was the look which had been in his eyes +at the flax-beaters' place by the river. + +"Sing--father, you must sing," said Zoe, and motioned to the fiddler. +"Sing It's Fifty Years," she cried eagerly. They all repeated her +request, and he could but obey. + +Jean Jacques' voice was rather rough, but he had some fine resonant notes +in it, and presently, with eyes fastened on the distance, and with free +gesture and much expression, he sang the first verse of the haunting +ballad of the man who had reached his fifty years: + + "Wherefore these flowers? + This fete for me? + Ah, no, it is not fifty years, + Since in my eyes the light you see + First shone upon life's joys and tears! + How fast the heedless days have flown + Too late to wail the misspent hours, + To mourn the vanished friends I've known, + To kneel beside love's ruined bowers. + Ah, have I then seen fifty years, + With all their joys and hopes and fears!" + +Through all the verses he ranged, his voice improving with each phrase, +growing more resonant, till at last it rang out with a ragged richness +which went home to the hearts of all. He was possessed. All at once he +was conscious that the beginning of the end of things was come for him; +and that now, at fifty, in no sphere had he absolutely "arrived," neither +in home nor fortune, nor--but yes, there was one sphere of success; there +was his fatherhood. There was his daughter, his wonderful Zoe. He drew +his eyes from the distance, and saw that her ardent look was not towards +him, but towards one whom she had known but a few weeks. + +Suddenly he stopped in the middle of a verse, and broke forward with his +arms outstretched, laughing. He felt that he must laugh, or he would +cry; and that would be a humiliating thing to do. + +"Come, come, my friends, my children, enough of that!" he cried. "We'll +have no more maundering. Fifty years--what are fifty years! Think of +Methuselah! It's summer in the world still, and it's only spring at St. +Saviour's. It's the time of the first flowers. Let's dance--no, no, +never mind the Cure to-night! He will not mind. I'll settle it with +him. We'll dance the gay quadrille." + +He caught the hands of the two youngest girls present, and nodded at the +fiddler, who at once began to tune his violin afresh. One of the joyous +young girls, however, began to plead with him. + +"Ah, no, let us dance, but at the last--not yet, M'sieu' Jean Jacques! +There is Zoe's song, we must have that, and then we must have charades. +Here is M'sieu' Fynes--he can make splendid charades for us. Then the +dance at the last--ah, yes, yes, M'sieu' Jean Jacques! Let it be like +that. We all planned it, and though it is your birthday, it's us are +making the fete." + +"As you will then, as you will, little ones," Jean Jacques acquiesced +with a half-sigh; but he did not look at his daughter. Somehow, +suddenly, a strange constraint possessed him where Zoe was concerned. +"Then let us have Zoe's song; let us have 'La Claire Fontaine'," cried +the black-eyed young madcap who held Jean Jacques' arms. + +But Zoe interrupted. "No, no," she protested, "the singing spell is +broken. We will have the song after the charades--after the charades." + +"Good, good--after the charades!" they all cried, for there would be +charades like none which had ever been played before, with a real actor +to help them, to carry them through as they did on the stage. To them +the stage was compounded of mystery, gaiety and the forbidden. + +So, for the next half-hour they were all at the disposal of the Man from +Outside, who worked as though it was a real stage, and they were real +players, and there were great audiences to see them. It was all quite +wonderful, and it involved certain posings, attitudes, mimicry and +pantomime, for they were really ingenious charades. + +So it happened that Zoe's fingers often came in touch with those of the +stage-manager, that his hands touched her shoulders, that his cheek +brushed against her dark hair once, and that she had sensations never +experienced before. Why was it that she thrilled when she came near to +him, that her whole body throbbed and her heart fluttered when their +shoulders or arms touched? Her childlike nature, with all its warmth and +vibration of life, had never till now felt the stir of sex in its vital +sense. All men had in one way been the same to her; but now she realized +that there was a world-wide difference between her Judge Carcasson, her +little Clerk of the Court, and this young man whose eyes drank hers. She +had often been excited, even wildly agitated, had been like a sprite let +loose in quiet ways; but that was mere spirit. Here was body and senses +too; here was her whole being alive to a music, which had an aching +sweetness and a harmony coaxing every sense into delight. + +"To-morrow evening, by the flume, where the beechtrees are--come--at six. +I want to speak with you. Will you come?" + +Thus whispered the maker of this music of the senses, who directed the +charades, but who was also directing the course of another life than his +own. + +"Yes, if I can," was Zoe's whispered reply, and the words shook as she +said them; for she felt that their meeting in the beech-trees by the +flume would be of consequence beyond imagination. + +Judge Carcasson had always said that Zoe had judgment beyond her years; +M. Fille had remarked often that she had both prudence and shrewdness as +well as a sympathetic spirit; but M. Fille's little whispering sister, +who could never be tempted away from her home to any house, to whom the +market and the church were like pilgrimages to distant wilds, had said to +her brother: + +"Wait, Armand--wait till Zoe is waked, and then prudence and wisdom will +be but accident. If all goes well, you will see prudence and wisdom; but +if it does not, you will see--ah, but just Zoe!" + +The now alert Jean Jacques had seen the whispering of the two, though he +did not know what had been said. It was, however, something secret, and +if it was secret, then it was--yes, it was love; and love between his +daughter and that waif of the world--the world of the stage--in which men +and women were only grown-up children, and bad grown-up children at that +--it was not to be endured. One thing was sure, the man should come to +the Manor Cartier no more. He would see to that to-morrow. There would +be no faltering or paltering on his part. His home had been shaken to +its foundations once, and he was determined that it should not fall about +his ears a second time. An Englishman, an actor, a Protestant, and a +renegade lawyer! It was not to be endured. + +The charade now being played was the best of the evening. One of the +madcap friends of Zoe was to be a singing-girl. She was supposed to +carry a tambourine. When her turn to enter came, with a look of mischief +and a gay dancing step, she ran into the room. In her hands was a +guitar, not a tambourine. When Zoe saw the guitar she gave a cry. + +"Where did you get that?" she asked in a low, shocked, indignant voice. + +"In your room--your bedroom," was the half-frightened answer. "I saw it +on the dresser, and I took it." + +"Come, come, let's get on with the charade," urged the Man from Outside. + +On the instant's pause, in which Zoe looked at her lover almost +involuntarily, and without fully understanding what he said, someone else +started forward with a smothered exclamation--of anger, of horror, of +dismay. It was Jean Jacques. He was suddenly transformed. + +His eyes were darkened by hideous memory, his face alight with passion. +He caught from the girl's hands the guitar--Carmen's forgotten guitar +which he had not seen for seven years--how well he knew it! With both +hands he broke it across his knee. The strings, as they snapped, gave a +shrill, wailing cry, like a voice stopped suddenly by death. Stepping +jerkily to the fireplace he thrust it into the flame. + +"Ah, there!" he said savagely. "There--there!" When he turned round +slowly again, his face--which he had never sought to control before he +had his great Accident seven years ago--was under his command. +A strange, ironic-almost sardonic-smile was on his lips. + +"It's in the play," he said. + +"No, it's not in the charade, Monsieur Barbille," said the Man from +Outside fretfully. + +"That is the way I read it, m'sieu'," retorted Jean Jacques, and he made +a motion to the fiddler. + +"The dance! The dance!" he exclaimed. + +But yet he looked little like a man who wished to dance, save upon a +grave. + + + + +CHAPTER XIV + +"I DO NOT WANT TO GO" + +It is a bad thing to call down a crisis in the night-time. A "scene" at +midnight is a savage enemy of ultimate understanding, and that Devil, +called Estrangement, laughs as he observes the objects of his attention +in conflict when the midnight candle burns. + +He should have been seized with a fit of remorse, however, at the sight +he saw in the Manor Cartier at midnight of the day when Jean Jacques +Barbille had reached his fiftieth year. There is nothing which, for +pathos and for tragedy, can compare with a struggle between the young +and the old. + +The Devil of Estrangement when he sees it, may go away and indulge +himself in sleep; for there will be no sleep for those who, one young and +the other old, break their hearts on each other's anvils, when the lights +are low and it is long till morning. + +When Jean Jacques had broken the forgotten guitar which his daughter had +retrieved from her mother's life at the Manor Cartier (all else he had +had packed and stored away in the flour-mill out of sight) and thrown it +in the fire, there had begun a revolt in the girl's heart, founded on a +sense of injustice, but which itself became injustice also; and that is a +dark thing to come between those who love--even as parent and child. + +After her first exclamation of dismay and pain, Zoe had regained her +composure, and during the rest of the evening she was full of feverish +gaiety. Indeed her spirits and playful hospitality made the evening a +success in spite of the skeleton at the feast. Jean Jacques had also +roused himself, and, when the dance began, he joined in with spirit, +though his face was worn and haggard even when lighted by his smile. But +though the evening came to the conventional height of hilarity, there was +a note running through it which made even the youngest look at each +other, as though to say, "Now, what's going to happen next!" + +Three people at any rate knew that something was going to happen. They +were Zoe, the Man from Outside and M. Fille. Zoe had had more than one +revelation that night, and she felt again as she did one day, seven years +before, when, coming home from over the hills, she had stepped into a +house where Horror brooded as palpably as though it sat beside the fire, +or hung above the family table. She had felt something as soon as she +had entered the door that far-off day, though the house seemed empty. It +was an emptiness which was filled with a torturing presence or torturing +presenes. It had stilled her young heart. What was it? She had learned +the truth soon enough. Out of the sunset had come her father with a face +twisted with misery, and as she ran to him, he had caught her by both +shoulders, looked through her eyes to something far beyond, and hoarsely +said: "She is gone--gone from us! She has run away from home! Curse her +baptism--curse it, curse it!" + +Zoe could never forget these last words she had ever heard her father +speak of Carmen. They were words which would make any Catholic shudder +to hear. It was a pity he had used them, for they made her think at last +that her mother had been treated with injustice. This, in spite of the +fact that in the days, now so far away, when her mother was with them she +had ever been nearer to her father, and that, after first childhood, she +and her mother were not so close as they had been, when she went to sleep +to the humming of a chanson of Cadiz. Her own latent motherhood, +however, kept stealing up out of the dim distances of childhood's +ignorance and, with modesty and allusiveness, whispering knowledge in +her ear. So it was that now she looked back pensively to the years she +had spent within sight and sound of her handsome mother, and out of the +hunger of her own spirit she had come to idealize her memory. It was +good to have a loving father; but he was a man, and he was so busy just +when she wanted--when she wanted she knew not what, but at least to go +and lay her head on a heart that would understand what was her sorrow, +her joy, or her longing. + +And now here at last was come Crisis, which showed its thunderous head in +the gay dance, and shook his war-locks in the fire, where her mother's +guitar had shrieked in its last agony. + +When all the guests had gone, when the bolts had been shot home, and old +Seraphe Corniche had gone to bed, father and daughter came face to face. + +There was a moment's pause, as the two looked at each other, and then Zoe +came up to Jean Jacques to kiss him good-night. It was her way of facing +the issue. Instinctively she knew that he would draw back, and that the +struggle would begin. It might almost seem that she had invited it; for +she had let the Man from Outside hold her hand for far longer than +courtesy required, while her father looked on with fretful eyes--even +with a murmuring which was not a benediction. Indeed, he had evaded +shaking hands with his hated visitor by suddenly offering him a cigar, +and then in the doorway itself handing a lighted match. + +"His eminence, Cardinal Christophe, gave these cigars to me when he +passed through St. Saviour's five years ago," Jean Jacques had remarked +loftily, "and I always smoke one on my birthday. I am a good Catholic, +and his eminence rested here for a whole day." + +He had had a grim pleasure in avoiding the handshake, and in having the +Protestant outsider smoke the Catholic cigar! In his anger it seemed to +him that he had done something worthy almost of the Vatican, indeed of +the great Cardinal Christophe himself. Even in his moments of crisis, in +his hours of real tragedy, in the times when he was shaken to the centre, +Jean Jacques fancied himself more than a little. It was as the master- +carpenter had remarked seven years before, he was always involuntarily +saying, "Here I come--look at me. I am Jean Jacques Barbille!" + +When Zoe reached out a hand to touch his arm, and raised her face as +though to kiss him good-night, Jean Jacques drew back. + +"Not yet, Zoe," he said. "There are some things--What is all this +between you and that man? . . . I have seen. You must not forget +who you are--the daughter of Jean Jacques Barbille, of the Manor Cartier, +whose name is known in the whole province, who was asked to stand for the +legislature. You are Zoe Barbille--Mademoiselle Zoe Barbille. We do not +put on airs. We are kind to our neighbours, but I am descended from the +Baron of Beaugard. I have a place--yes, a place in society; and it is +for you to respect it. You comprehend?" + +Zoe flushed, but there was no hesitation whatever in her reply. "I am +what I have always been, and it is not my fault that I am the daughter of +M. Jean Jacques Barbille! I have never done anything which was not good +enough for the Manor Cartier." She held her head firmly as she said it. + +Now Jean Jacques flushed, and he did hesitate in his reply. He hated +irony in anyone else, though he loved it in himself, when heaven gave him +inspiration thereto. He was in a state of tension, and was ready to +break out, to be a force let loose--that is the way he would have +expressed it; and he was faced by a new spirit in his daughter which +would surely spring the mine, unless he secured peace by strategy. He +had sense enough to feel the danger. + +He did not see, however, any course for diplomacy here, for she had given +him his cue in her last words. As a pure logician he was bound to take +it, though it might lead to drama of a kind painful to them both. + +"It is not good enough for the Manor Cartier that you go falling in love +with a nobody from nowhere," he responded. + +"I am not falling in love," she rejoined. + +"What did you mean, then, by looking at him as you did; by whispering +together; by letting him hold your hand when he left, and him looking at +you as though he'd eat you up--without sugar!" + +"I said I was not falling in love," she persisted, quietly, but with +characteristic boldness. "I am in love." + +"You are in love with him--with that interloper! Heaven of heavens, do +you speak the truth? Answer me, Zoe Barbille." + +She bridled. "Certainly I will answer. Did you think I would let a man +look at me as he did, that I would look at a man as I looked at him, that +I would let him hold my hand as I did, if I did not love him? Have you +ever seen me do it before?" + +Her voice was even and quiet--as though she had made up her mind on a +course, and meant to carry it through to the end. + +"No, I never saw you look at a man like that, and everything is as you +say, but--" his voice suddenly became uneven and higher--pitched and a +little hoarse, "but he is English, he is an actor--only that; and he is a +Protestant." + +"Only that?" she asked, for the tone of his voice was such as one would +use in speaking of a toad or vermin, and she could not bear it. "Is it a +disgrace to be any one of those things?" + +"The Barbilles have been here for two hundred years; they have been +French Catholics since the time of"--he was not quite sure--"since the +time of Louis XI.," he added at a venture, and then paused, overcome by +his own rashness. + +"Yes, that is a long time," she said, "but what difference does it make? +We are just what we are now, and as if there never had been a Baron of +Beaugard. What is there against Gerard except that he is an actor, that +he is English, and that he is a Protestant? Is there anything?" + +"Sacre, is it not enough? An actor, what is that--to pretend to be +someone else and not to be yourself!" + +"It would be better for a great many people to be someone else rather +than themselves--for nothing; and he does it for money." + +"For money! What money has he got? You don't know. None of us know. +Besides, he's a Protestant, and he's English, and that ends it. There +never has been an Englishman or a Protestant in the Barbille family, and +it shan't begin at the Manor Cartier." Jean Jacques' voice was rising in +proportion as he perceived her quiet determination. Here was something +of the woman who had left him seven years ago--left this comfortable home +of his to go to disgrace and exile, and God only knew what else! Here in +this very room--yes, here where they now were, father and daughter, stood +husband and wife that morning when he had his hand on the lever prepared +to destroy the man who had invaded his home; who had cast a blight upon +it, which remained after all the years; after he had done all a man could +do to keep the home and the woman too. The woman had gone; the home +remained with his daughter in it, and now again there was a fight for +home and the woman. Memory reproduced the picture of the mother standing +just where the daughter now stood, Carmen quiet and well in hand, and +himself all shaken with weakness, and with all power gone out of him-- +even the power which rage and a murderous soul give. + +But yet this was different. There was no such shame here as had fallen +on him seven years ago. But there was a shame after its kind; and if it +were not averted, there was the end of the home, of the prestige, the +pride and the hope of "M'sieu' Jean Jacques, philosophe." + +"What shall not begin here at the Manor Cartier?" she asked with burning +cheek. + +"The shame--it shall not begin here." + +"What shame, father?" + +"Of marriage with a Protestant and an actor." + +"You will not let me marry him?" she persisted stubbornly. + +Her words seemed to shake him all to pieces. It was as though he was +going through the older tragedy all over again. It had possessed him +ever since the sight of Carmen's guitar had driven him mad three hours +ago. He swayed to and fro, even as he did when his hand left the lever +and he let the master-carpenter go free. It was indeed a philosopher +under torture, a spirit rocking on its anchor. Just now she had put into +words herself what, even in his fear, he had hoped had no place in her +mind--marriage with the man. He did not know this daughter of his very +well. There was that in her which was far beyond his ken. Thousands of +miles away in Spain it had origin, and the stream of tendency came down +through long generations, by courses unknown to him. + +"Marry him--you want to marry him!" he gasped. "You, my Zoe, want to +marry that tramp of a Protestant!" + +Her eyes blazed in anger. Tramp--the man with the air of a young +Alexander, with a voice like the low notes of the guitar thrown to the +flames! Tramp! + +"If I love him I ought to marry him," she answered with a kind of +calmness, however, though all her body was quivering. Suddenly she came +close to her father, a great sympathy welled up in her eyes, and her +voice shook. + +"I do not want to leave you, father, and I never meant to do so. I never +thought of it as possible; but now it is different. I want to stay with +you; but I want to go with him too." + +Presently as she seemed to weaken before him, he hardened. "You can't +have both," he declared with as much sternness as was possible to him, +and with a Norman wilfulness which was not strength. "You shall not +marry an actor and a Protestant. You shall not marry a man like that-- +never--never--never. If you do, you will never have a penny of mine, +and I will never--" + +"Oh, hush--Mother of Heaven, hush!" she cried. "You shall not put a +curse on me too." + +"What curse?" he burst forth, passion shaking him. "You cursed my +mother's baptism. It would be a curse to be told that you would see me +no more, that I should be no more part of this home. There has been +enough of that curse here. . . . Ah, why--why--" she added with a +sudden rush of indignation, "why did you destroy the only thing I had +of hers? It was all that was left--her guitar. I loved it so." + +All at once, with a cry of pain, she turned and ran to the door--entering +on the staircase which led to her room. In the doorway she turned. + +"I can't help it. I can't help it, father. I love him--but I love you +too," she cried. "I don't want to go--oh, I don't want to go! Why do +you--?" her voice choked; she did not finish the sentence; or if she did, +he could not hear. + +Then she opened the door wide, and disappeared into the darkness of the +unlighted stairway, murmuring, "Pity--have pity on me, holy Mother, +Vierge Marie!" Then the door closed behind her almost with a bang. + +After a moment of stupefied inaction Jean Jacques hurried over and threw +open the door she had closed. "Zoe--little Zoe, come back and say good- +night," he called. But she did not hear, for, with a burst of crying, +she had hurried into her own room and shut and locked the door. + +It was a pity, a measureless pity, as Mary the Mother must have seen, +if she could see mortal life at all, that Zoe did not hear him. It might +have altered the future. As it was, the Devil of Estrangement might well +be content with his night's work. + + + + +CHAPTER XV + +BON MARCHE + +Vilray was having its market day, and everyone was either going to or +coming from market, or buying and selling in the little square by the +Court House. It was the time when the fruits were coming in, when +vegetables were in full yield, when fish from the Beau Cheval were to be +had in plenty--from mud-cats and suckers, pike and perch, to rock-bass, +sturgeon and even maskinonge. Also it was the time of year when butter +and eggs, chickens and ducks were so cheap that it was a humiliation not +to buy. There were other things on sale also, not for eating and +drinking, but for wear and household use--from pots and pans to rag- +carpets and table-linen, from woollen yarn to pictures of the Virgin and +little calvaries. + +These were side by side with dried apples, bottled fruits, jars of maple +syrup, and cordials of so generous and penetrating a nature that the +currant and elderberry wine by which they were flanked were tipple for +babes beside them. Indeed, when a man wanted to forget himself quickly +he drank one of these cordials, in preference to the white whisky so +commonly imbibed in the parishes. But the cordials being expensive, they +were chiefly bought for festive occasions like a wedding, a funeral, a +confirmation, or the going away of some young man or young woman to the +monastery or the convent to forget the world. Meanwhile, if these +spiritual argonauts drank it, they were likely to forget the world on the +way to their voluntary prisons. It was very seldom that a man or woman +bought the cordials for ordinary consumption, and when that was done, it +would almost make a parish talk! Yet cordials of nice brown, of delicate +green, of an enticing yellow colour, were here for sale at Vilray market +on the morning after the painful scene at the Manor Cartier between Zoe +and her father. + +The market-place was full--fuller than it had been for many a day. A +great many people were come in as much to "make fete" as to buy and sell. +It was a saint's day, and the bell of St. Monica's had been ringing away +cheerfully twice that morning. To it the bell of the Court House had +made reply, for a big case was being tried in the court. It was a river- +driving and lumber case for which many witnesses had been called; and +there were all kinds of stray people in the place--red-shirted river- +drivers, a black-coated Methodist minister from Chalfonte, clerks from +lumber-firms, and foremen of lumber-yards; and among these was one who +greatly loved such a day as this when he could be free from work, and +celebrate himself! + +Other people might celebrate saints dead and gone, and drink to 'La +Patrie', and cry "Vive Napoleon!" or "Vive la Republique!" or "Vive la +Reine!" though this last toast of the Empire was none too common--but he +could only drink with real sincerity to the health of Sebastian Dolores, +which was himself. Sebastian Dolores was the pure anarchist, the most +complete of monomaniacs. + +"Here comes the father of the Spanische," remarked Mere Langlois, who +presided over a heap of household necessities, chiefly dried fruits, +preserves and pickles, as Sebastian Dolores appeared not far away. + +"Good-for-nothing villain! I pity the poor priest that confesses him." + +"Who is the Spanische?" asked a young woman from her own stall or stand +very near, as she involuntarily arranged her hair and adjusted her waist- +belt; for the rakish-looking reprobate, with the air of having been +somewhere, was making towards them; and she was young enough to care how +she looked when a man, who took notice, was near. Her own husband had +been a horse-doctor, farmer, and sportsman of a kind, and she herself was +now a farmer of a kind; and she had only resided in the parish during the +three years since she had been married to, and buried, Palass Poucette. + +Old Mere Langlois looked at her companion in merchanting irritably, then +she remembered that Virginie Poucette was a stranger, in a way, and was +therefore deserving of pity, and she said with compassionate patronage: +"Newcomer you--I'd forgotten. Look you then, the Spanische was the wife +of my third cousin, M'sieu' Jean Jacques, and--" + +Virginie Poucette nodded, and the slight frown cleared from her low yet +shapely forehead. "Yes, yes, of course I know. I've heard enough. What +a fool she was, and M'sieu' Jean Jacques so rich and kind and good- +looking! So this is her father--well, well, well!" + +Palass Poucette's widow leaned forward, and looked intently at Sebastian +Dolores, who had stopped near by, and facing a couple of barrels on which +were exposed some bottles of cordial and home-made wine. He was +addressing himself with cheerful words to the dame that owned the +merchandise. + +"I suppose you think it's a pity Jean Jacques can't get a divorce," +said Mere Langlois, rather spitefully to Virginie, for she had her +sex's aversion to widows who had had their share of mankind, and were +afterwards free to have someone else's share as well. But suddenly +repenting, for Virginie was a hard-working widow who had behaved very +well for an outsider--having come from Chalfonte beyond the Beau +Chevalshe added: "But if he was a Protestant and could get a divorce, +and you did marry him, you'd make him have more sense than he's got; for +you've a quiet sensible way, and you've worked hard since Palass Poucette +died." + +"Where doesn't he show sense, that M'sieu' Jean Jacques?" the younger +woman asked. + +"Where? Why, with his girl--with Ma'm'selle." "Everybody I ever heard +speaks well of Ma'm'selle Zoe," returned the other warmly, for she had a +very generous mind and a truthful, sentimental heart. Mere Langlois +sniffed, and put her hands on her hips, for she had a daughter of her +own; also she was a relation of Jean Jacques, and therefore resented in +one way the difference in their social position, while yet she plumed +herself on being kin. + +"Then you'll learn something now you never knew before," she said. +"She's been carrying on--there's no other word for it--with an actor +fellow--" + +"Yes, yes, I did hear about him--a Protestant and an Englishman." + +"Well, then, why do you pretend you don't know--only to hear me talk, is +it? Take my word, I'd teach cousin Zoe a lesson with all her education +and her two years at the convent. Wasn't it enough that her mother +should spoil everything for Jean Jacques, and make the Manor Cartier a +place to point the finger at, without her bringing disgrace on the parish +too! What happened last night--didn't I hear this morning before I had +my breakfast! Didn't I--" + +She then proceeded to describe the scene in which Jean Jacques had thrown +the wrecked guitar of his vanished spouse into the fire. Before she had +finished, however, something occurred which swept them into another act +of the famous history of Jean Jacques Barbille and his house. + +She had arrived at the point where Zoe had cried aloud in pain at her +father's incendiary act, when there was a great stir at the Court House +door which opened on the market-place, and vagrant cheers arose. These +were presently followed by a more disciplined fusillade; which presently, +in turn, was met by hisses and some raucous cries of resentment. These +increased as a man appeared on the steps of the Court House, looked round +for a moment in a dazed kind of way, then seeing some friends below who +were swarming towards him, gave a ribald cry, and scrambled down the +steps towards them. + +He was the prisoner whose release had suddenly been secured by a piece of +evidence which had come as a thunder-clap on judge and jury. Immediately +after giving this remarkable evidence the witness--Sebastian Dolores-- +had left the court-room. He was now engaged in buying cordials in the +market-place--in buying and drinking them; for he had pulled the cork out +of a bottle filled with a rich yellow liquid, and had drained half the +bottle at a gulp. Presently he offered the remainder to a passing +carter, who made a gesture of contempt and passed on, for, to him, white +whisky was the only drink worth while. Besides, he disliked Sebastian +Dolores. Then, with a flourish, the Spaniard tendered the bottle to +Madame Langlois and Palass Poucette's widow, at whose corner of +merchandise he had now arrived. + +Surely there never was a more benign villain and perjurer in the world +than Sebastian Dolores! His evidence, given a half-hour before, with +every sign of truthfulness, was false. The man--Rocque Valescure--for +whom he gave it was no friend of his; but he owned a tavern called "The +Red Eagle," a few miles from the works where the Spaniard was employed; +also Rocque Valescure's wife set a good table, and Sebastian Dolores was +a very liberal feeder; when he was not hungry he was always thirsty. The +appeasement of hunger and thirst was now become a problem to him, for his +employers at Beauharnais had given him a month's notice because of +certain irregularities which had come to their knowledge. Like a wise +man Sebastian Dolores had said nothing about this abroad, but had +enlarged his credit in every direction, and had then planned this piece +of friendly perjury for Rocque Valescure, who was now descending the +steps of the Court House to the arms of his friends and amid the +execrations of his foes. What the alleged crime was does not matter. +It has no vital significance in the history of Jean Jacques Barbille, +though it has its place as a swivel on which the future swung. + +Sebastian Dolores had saved Rocque Valescure from at least three years in +jail, and possibly a very heavy fine as well; and this service must have +its due reward. Something for nothing was not the motto of Sebastian +Dolores; and he confidently looked forward to having a home at "The Red +Eagle" and a banker in its landlord. He was no longer certain that he +could rely on help from Jean Jacques, to whom he already owed so much. +That was why he wanted to make Rocque Valescure his debtor. It was not +his way to perjure his soul for nothing. He had done so in Spain--yet +not for nothing either. He had saved his head, which was now doing +useful work for himself and for a needy fellow-creature. No one could +doubt that he had helped a neighbour in great need, and had done it at +some expense to his own nerve and brain. None but an expert could have +lied as he had done in the witness-box. Also he had upheld his lies with +a striking narrative of circumstantiality. He made things fit in "like +mortised blocks" as the Clerk of the Court said to Judge Carcasson, when +they discussed the infamy afterwards with clear conviction that it was +perjury of a shameless kind; for one who would perjure himself to save a +man from jail, would also swear a man into the gallows-rope. But Judge +Carcasson had not been able to charge the jury in that sense, for there +was no effective evidence to rebut the untruthful attestation of the +Spaniard. It had to be taken for what it was worth, since the +prosecuting attorney could not shake it; and yet to the Court itself it +was manifestly false witness. + +Sebastian Dolores was too wise to throw himself into the arms of his +released tavern-keeper here immediately after the trial, or to allow +Rocque Valescure a like indiscretion and luxury; for there was a strong +law against perjury, and right well Sebastian Dolores knew that old Judge +Carcasson would have little mercy on him, in spite of the fact that he +was the grandfather of Zoe Barbille. The Judge would probably think that +safe custody for his wayward character would be the kindest thing he +could do for Zoe. Therefore it was that Sebastian Dolores paid no +attention to the progress of the released landlord of "The Red Eagle," +though, by a glance out of the corner of his eyes, he made sure that the +footsteps of liberated guilt were marching at a tangent from where he +was--even to the nearest tavern. + +It was enough for Dolores that he should watch the result of his good +deed from the isolated area where he now was, in the company of two +virtuous representatives of domesticity. His time with liberated guilt +would come! He chuckled to think how he had provided himself with a +refuge against his hour of trouble. That very day he had left his +employment, meaning to return no more, securing his full wages through +having suddenly become resentful and troublesome, neglectful--and +imperative. To avoid further unpleasantness the firm had paid him all +his wages; and he had straightway come to Vilray to earn his bed and +board by other means than through a pen, a ledger and a gift for figures. +It would not be a permanent security against the future, but it would +suffice for the moment. It was a rest-place on the road. If the worst +came to the worst, there was his grand-daughter and his dear son-in-law +whom he so seldom saw--blood was thicker than water, and he would see to +it that it was not thinned by neglect. + +Meanwhile he ogled Palass Poucette's widow with one eye, and talked +softly with his tongue to Mere Langlois, as he importuned Madame to "Sip +the good cordial in the name of charity to all and malice towards none." + +"You're a bad man--you, and I want none of your cordials," was Mere +Langlois's response. "Malice towards none, indeed! If you and the devil +started business in the same street, you'd make him close up shop in a +year. I've got your measure, for sure; I have you certain as an arm and +a pair of stirrups." + +"I go about doing good--only good," returned the old sinner with a leer +at the young widow, whose fingers he managed to press unseen, as he swung +the little bottle of cordial before the eyes of Mere Langlois. He was +not wholly surprised when Palass Poucette's widow did not show abrupt +displeasure at his bold familiarity. + +A wild thought flashed into his mind. Might there not be another refuge +here--here in Palass Poucette's widow! He was sixty-three, it was true, +and she was only thirty-two; but for her to be an old man's darling who +had no doubt been a young man's slave, that would surely have its weight +with her. Also she owned the farm where she lived; and she was pleasant +pasturage--that was the phrase he used in his own mind, even as his eye +swept from Mere Langlois to hers in swift, hungry inquiry. + +He seemed in earnest when he spoke--but that was his way; it had done him +service often. "I do good whenever it comes my way to do it," he +continued. "I left my work this morning"--he lied of course--"and hired +a buggy to bring me over here, all at my own cost, to save a fellow-man. +There in the Court House he was sure of prison, with a wife and three +small children weeping in 'The Red Eagle'; and there I come at great +expense and trouble to tell the truth--before all to tell the truth--and +save him and set him free. Yonder he is in the tavern, the work of my +hands, a gift to the world from an honest man with a good heart and a +sense of justice. But for me there would be a wife and three children in +the bondage of shame, sorrow, poverty and misery"--his eyes again +ravished the brown eyes of Palass Poucette's widow--"and here again +I drink to my own health and to that of all good people--with charity +to all and malice towards none!" + +The little bottle of golden cordial was raised towards Mere Langlois. +The fingers of one hand, however, were again seeking those of the comely +young widow who was half behind him, when he felt them caught +spasmodically away. Before he had time to turn round he heard a voice, +saying: "I should have thought that 'With malice to all and charity +towards none,' was your motto, Dolores." + +He knew that voice well enough. He had always had a lurking fear that +he would hear it say something devastating to him, from the great chair +where its owner sat and dispensed what justice a jury would permit him to +do. That devastating something would be agony to one who loved liberty +and freedom--had not that ever been his watchword, liberty and freedom to +do what he pleased in the world and with the world? Yes, he well knew +Judge Carcasson's voice. He would have recognized it in the dark--or +under the black cap. "M'sieu' le juge !" he said, even before he turned +round and saw the faces of the tiny Judge and his Clerk of the Court. +There was a kind of quivering about his mouth, and a startled look in his +eyes as he faced the two. But there was the widow of Palass Poucette, +and, if he was to pursue and frequent her, something must be done to keep +him decently figured in her eye and mind. + +"It cost me three dollars to come here and save a man from jail to-day, +m'sieu' le juge," he added firmly. The Judge pressed the point of his +cane against the stomach of the hypocrite and perjurer. "If the Devil +and you meet, he will take off his hat to you, my escaped anarchist"-- +Dolores started almost violently now--"for you can teach him much, and +Ananias was the merest aboriginal to you. But we'll get you--we'll get +you, Dolores. You saved that guilty fellow by a careful and remarkable +perjury to-day. In a long experience I have never seen a better +performance--have you, monsieur?" he added to M. Fille. + +"But once," was the pointed and deliberate reply. "Ah, when was that?" +asked Judge Carcasson, interested. + +"The year monsieur le juge was ill, and Judge Blaquiere took your place. +It was in Vilray at the Court House here." + +"Ah--ah, and who was the phenomenon--the perfect liar?" asked the Judge +with the eagerness of the expert. + +"His name was Sebastian Dolores," meditatively replied M. Fille. "It was +even a finer performance than that of to-day." + +The Judge gave a little grunt of surprise. "Twice, eh?" he asked. +"Yet this was good enough to break any record," he added. He fastened +the young widow's eyes. "Madame, you are young, and you have an eye of +intelligence. Be sure of this: you can protect yourself against almost +anyone except a liar--eh, madame?" he added to Mere Langlois. "I am +sure your experience of life and your good sense--" + +"My good sense would make me think purgatory was hell if I saw him"-- +she nodded savagely at Dolores as she said it, for she had seen that last +effort of his to take the fingers of Palass Poucette's widow--"if I saw +him there, m'sieu' le juge." + +"We'll have you yet--we'll have you yet, Dolores," said the Judge, as the +Spaniard prepared to move on. But, as Dolores went, he again caught the +eyes of the young widow. + +This made him suddenly bold. "'Thou shalt not bear false witness against +thy neighbour,'--that is the commandment, is it not, m'sieu' le juge? +You are doing against me what I didn't do in Court to-day. I saved a man +from your malice." + +The crook of the Judge's cane caught the Spaniard's arm, and held him +gently. + +"You're possessed of a devil, Dolores," he said, "and I hope I'll never +have to administer justice in your case. I might be more man than judge. +But you will come to no good end. You will certainly--" + +He got no further, for the attention of all was suddenly arrested by a +wagon driving furiously round the corner of the Court House. It was a +red wagon. In it was Jean Jacques Barbille. + +His face was white and set; his head was thrust forward, as though +looking at something far ahead of him; the pony stallions he was driving +were white with sweat, and he had an air of tragic helplessness and +panic. + +Suddenly a child ran across the roadway in front of the ponies, and the +wild cry of the mother roused Jean Jacques out of his agonized trance. +He sprang to his feet, wrenching the horses backward and aside with +deftness and presence of mind. The margin of safety was not more than a +foot, but the child was saved. + +The philosopher of the Manor Cartier seemed to come out of a dream as men +and women applauded, and cries arose of "Bravo, M'sieu' Jean Jacques!" + +At any other time this would have made Jean Jacques nod and smile, or +wave a hand, or exclaim in good fellowship. Now, however, his eyes were +full of trouble, and the glassiness of the semi-trance leaving them, they +shifted restlessly here and there. Suddenly they fastened on the little +group of which Judge Carcasson was the centre. He had stopped his horses +almost beside them. + +"Ah!" he said, "ah!" as his eyes rested on the Judge. "Ah!" he again +exclaimed, as the glance ran from the Judge to Sebastian Dolores. "Ah, +mercy of God!" he added, in a voice which had both a low note and a high +note-deep misery and shrill protest in one. Then he seemed to choke, and +words would not come, but he kept looking, looking at Sebastian Dolores, +as though fascinated and tortured by the sight of him. + +"What is it, Jean Jacques?" asked the little Clerk of the Court gently, +coming forward and laying a hand on the steaming flank of a spent and +trembling pony. + +As though he could not withdraw his gaze from Sebastian Dolores, Jean +Jacques did not look at M. Fil1e; but he thrust out the long whip he +carried towards the father of his vanished Carmen and his Zoe's +grandfather, and with the deliberation of one to whom speaking was like +the laceration of a nerve he said: "Zoe's run away--gone--gone!" + +At that moment Louis Charron, his cousin, at whose house Gerard Fynes had +lodged, came down the street galloping his horse. Seeing the red wagon, +he made for it, and drew rein. + +"It's no good, Jean Jacques," he called. "They're married and gone to +Montreal--married right under our noses by the Protestant minister at +Terrebasse Junction. I've got the telegram here from the stationmaster +at Terrebasse. . . . Ah, the villain to steal away like that--only a +child--from her own father! Here it is--the telegram. But believe me, +an actor, a Protestant and a foreigner--what a devil's mess!" + +He waved the telegram towards Jean Jacques. + +"Did he owe you anything, Louis?" asked old Mere Langlois, whose +practical mind was alert to find the material status of things. + +"Not a sou. Well, but he was honest, I'll say that for the rogue and +seducer." + +"Seducer--ah, God choke you with your own tongue!" cried Jean Jacques, +turning on Louis Charron with a savage jerk of the whip he held. "She is +as pure--" + +"It is no marriage, of course!" squeaked a voice from the crowd. + +"It'll be all right among the English, won't it, monsieur le juge?" +asked the gentle widow of Palass Poucette, whom the scene seemed to rouse +out of her natural shyness. + +"Most sure, madame, most sure," answered the Judge. "It will be all +right among the English, and it is all right among the French so far as +the law is concerned. As for the Church, that is another matter. But-- +but see," he added addressing Louis Charron, "does the station-master say +what place they took tickets for?" + +"Montreal and Winnipeg," was the reply. "Here it is in the telegram. +Winnipeg--that's as English as London." + +"Winnipeg--a thousand miles!" moaned Jean Jacques. + +With the finality which the tickets for Winnipeg signified, the shrill +panic emotion seemed to pass from him. In its mumbling, deadening force +it was like a sentence on a prisoner. + +As many eyes were on Sebastian Dolores as on Jean Jacques. "It's the bad +blood that was in her," said a farmer with a significant gesture towards +Sebastian Dolores. + +"A little bad blood let out would be a good thing," remarked a truculent +river-driver, who had given evidence directly contrary to that given by +Sebastian Dolores in the trial just concluded. There was a savage look +in his eye. + +Sebastian Dolores heard, and he was not the man to invite trouble. He +could do no good where he was, and he turned to leave the market-place; +but in doing so he sought the eye of Virginie Poucette, who, however, +kept her face at an angle from him, as she saw Mere Langlois sharply +watching her. + +"Grandfather, mother and daughter, all of a piece!" said a spiteful +woman, as Sebastian Dolores passed her. The look he gave her was not the +same as that he had given to Palass Poucette's widow. If it had been +given by a Spanish inquisitor to a heretic, little hope would have +remained in the heretic's heart. Yet there was a sad patient look on his +face, as though he was a martyr. He had no wish to be a martyr; but he +had a feeling that for want of other means of expressing their sympathy +with Jean Jacques, these rough people might tar and feather him at least; +though it was only his misfortune that those sprung from his loins had +such adventurous spirits! + +Sebastian Dolores was not without a real instinct regarding things. What +was in his mind was also passing through that of the river-driver and a +few of his friends, and they carefully watched the route he was taking. + +Jean Jacques prepared to depart. He had ever loved to be the centre of a +picture, but here was a time when to be in the centre was torture. Eyes +of morbid curiosity were looking at the open wounds of his heart-ragged +wounds made by the shrapnel of tragedy and treachery, not the clean +wounds got in a fair fight, easily healed. For the moment at least the +little egoist was a mere suffering soul--an epitome of shame, misery and +disappointment. He must straightway flee the place where he was tied to +the stake of public curiosity and scorn. He drew the reins tighter, and +the horses straightened to depart. Then it was that old Judge Carcasson +laid a hand on his knee. + +"Come, come," he said to the dejected and broken little man, "where is +your philosophy?" + +Jean Jacques looked at the Judge, as though with a new-born suspicion +that henceforth the world would laugh at him, and that Judge Carcasson +was setting the fashion; but seeing a pitying moisture in the other's +eyes, he drew himself up, set his jaw, and calling on all the forces at +his command, he said: + +"Moi je suis philosophe!" + +His voice frayed a little on the last word, but his head was up now. +The Clerk of the Court would have asked to accompany him to the Manor +Cartier, but he was not sure that Jean Jacques would like it. He had a +feeling that Jean Jacques would wish to have his dark hour alone. So he +remained silent, and Jean Jacques touched his horses with the whip. +After starting, however, and having been followed for a hundred yards or +so by the pitying murmurs and a few I-told-you-so's and revilings for +having married as he did, Jean Jacques stopped the ponies. Standing up +in the red wagon he looked round for someone whom, for a moment, he did +not see in the slowly shifting crowd. + +Philosophy was all very well, and he had courageously given his +allegiance to it, or a formula of it, a moment before; but there was +something deeper and rarer still in the little man's soul. His heart +hungered for the two women who had been the joy and pride of his life, +even when he had been lost in the business of the material world. They +were more to him than he had ever known; they were parts of himself which +had slowly developed, as the features and characteristics of ancestors +gradually emerge and are emphasized in a descendant as his years +increase. Carmen and Zoe were more a part of himself now than they had +ever been. + +They were gone, the living spirits of his home. Anything that reminded +him of them, despite the pain of the reminder, was dear to him. Love was +greater than the vengeful desire of injured human nature. His eyes +wandered over the people, over the market. At last he saw what he was +looking for. He called. A man turned. Jean Jacques beckoned to him. +He came eagerly, he hurried to the red wagon. + +"Come home with me," said Jean Jacques. + +The words were addressed to Sebastian Dolores, who said to himself that +this was a refuge surer than "The Red Eagle," or the home of the widow +Poucette. He climbed in beside Jean Jacques with a sigh of content. + +"Ah, but that--but that is the end of our philosopher," said Judge +Carcasson sadly to the Clerk of the Court, as with amazement he saw this +catastrophe. + +"Alas! if I had only asked to go with him, as I wished to do!" +responded M. Fille. "There, but a minute ago, it was in my mind," he +added with a look of pain. + +"You missed your chance, falterer," said the Judge severely. "If you +have a good thought, act on it--that is the golden rule. You missed your +chance. It will never come again. He has taken the wrong turning, our +unhappy Jean Jacques." + +"Monsieur--oh, monsieur, do not shut the door in the face of God like +that!" said the shocked little master of the law. "Those two together +--it may be only for a moment." + +"Ah, no, my little owl, Jean Jacques will wind the boa-constrictor round +his neck like a collar, all for love of those he has lost," answered the +Judge with emotion; and he caught M. Fille's arm in the companionship of +sorrow. + +In silence these two watched the red wagon till it was out of sight. + + + + +ETEXT EDITOR'S BOOKMARKS: + +He hated irony in anyone else +I said I was not falling in love--I am in love +If you have a good thought, act on it +Philosophers are often stupid in human affairs +The beginning of the end of things was come for him + + + + + +*** END OF THE PROJECT GUTENBERG EBOOK THE MONEY MASTER, PARKER, V3 *** + +********* This file should be named 6277.txt or 6277.zip ******** + +This eBook was produced by David Widger + +Project Gutenberg eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the US +unless a copyright notice is included. Thus, we usually do not +keep eBooks in compliance with any particular paper edition. + +We are now trying to release all our eBooks one year in advance +of the official release dates, leaving time for better editing. +Please be encouraged to tell us about any error or corrections, +even years after the official publication date. + +Please note neither this listing nor its contents are final til +midnight of the last day of the month of any such announcement. +The official release date of all Project Gutenberg eBooks is at +Midnight, Central Time, of the last day of the stated month. A +preliminary version may often be posted for suggestion, comment +and editing by those who wish to do so. + +Most people start at our Web sites at: +https://gutenberg.org or +http://promo.net/pg + +These Web sites include award-winning information about Project +Gutenberg, including how to donate, how to help produce our new +eBooks, and how to subscribe to our email newsletter (free!). + + +Those of you who want to download any eBook before announcement +can get to them as follows, and just download by date. This is +also a good way to get them instantly upon announcement, as the +indexes our cataloguers produce obviously take a while after an +announcement goes out in the Project Gutenberg Newsletter. + +http://www.ibiblio.org/gutenberg/etext03 or +ftp://ftp.ibiblio.org/pub/docs/books/gutenberg/etext03 + +Or /etext02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90 + +Just search by the first five letters of the filename you want, +as it appears in our Newsletters. + + +Information about Project Gutenberg (one page) + +We produce about two million dollars for each hour we work. The +time it takes us, a rather conservative estimate, is fifty hours +to get any eBook selected, entered, proofread, edited, copyright +searched and analyzed, the copyright letters written, etc. Our +projected audience is one hundred million readers. If the value +per text is nominally estimated at one dollar then we produce $2 +million dollars per hour in 2002 as we release over 100 new text +files per month: 1240 more eBooks in 2001 for a total of 4000+ +We are already on our way to trying for 2000 more eBooks in 2002 +If they reach just 1-2% of the world's population then the total +will reach over half a trillion eBooks given away by year's end. + +The Goal of Project Gutenberg is to Give Away 1 Trillion eBooks! +This is ten thousand titles each to one hundred million readers, +which is only about 4% of the present number of computer users. + +Here is the briefest record of our progress (* means estimated): + +eBooks Year Month + + 1 1971 July + 10 1991 January + 100 1994 January + 1000 1997 August + 1500 1998 October + 2000 1999 December + 2500 2000 December + 3000 2001 November + 4000 2001 October/November + 6000 2002 December* + 9000 2003 November* +10000 2004 January* + + +The Project Gutenberg Literary Archive Foundation has been created +to secure a future for Project Gutenberg into the next millennium. + +We need your donations more than ever! + +As of February, 2002, contributions are being solicited from people +and organizations in: Alabama, Alaska, Arkansas, Connecticut, +Delaware, District of Columbia, Florida, Georgia, Hawaii, Illinois, +Indiana, Iowa, Kansas, Kentucky, Louisiana, Maine, Massachusetts, +Michigan, Mississippi, Missouri, Montana, Nebraska, Nevada, New +Hampshire, New Jersey, New Mexico, New York, North Carolina, Ohio, +Oklahoma, Oregon, Pennsylvania, Rhode Island, South Carolina, South +Dakota, Tennessee, Texas, Utah, Vermont, Virginia, Washington, West +Virginia, Wisconsin, and Wyoming. + +We have filed in all 50 states now, but these are the only ones +that have responded. + +As the requirements for other states are met, additions to this list +will be made and fund raising will begin in the additional states. +Please feel free to ask to check the status of your state. + +In answer to various questions we have received on this: + +We are constantly working on finishing the paperwork to legally +request donations in all 50 states. If your state is not listed and +you would like to know if we have added it since the list you have, +just ask. + +While we cannot solicit donations from people in states where we are +not yet registered, we know of no prohibition against accepting +donations from donors in these states who approach us with an offer to +donate. + +International donations are accepted, but we don't know ANYTHING about +how to make them tax-deductible, or even if they CAN be made +deductible, and don't have the staff to handle it even if there are +ways. + +Donations by check or money order may be sent to: + +Project Gutenberg Literary Archive Foundation +PMB 113 +1739 University Ave. +Oxford, MS 38655-4109 + +Contact us if you want to arrange for a wire transfer or payment +method other than by check or money order. + +The Project Gutenberg Literary Archive Foundation has been approved by +the US Internal Revenue Service as a 501(c)(3) organization with EIN +[Employee Identification Number] 64-622154. Donations are +tax-deductible to the maximum extent permitted by law. As fund-raising +requirements for other states are met, additions to this list will be +made and fund-raising will begin in the additional states. + +We need your donations more than ever! + +You can get up to date donation information online at: + +https://www.gutenberg.org/donation.html + + +*** + +If you can't reach Project Gutenberg, +you can always email directly to: + +Michael S. Hart <hart@pobox.com> + +Prof. Hart will answer or forward your message. + +We would prefer to send you information by email. + + +**The Legal Small Print** + + +(Three Pages) + +***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN EBOOKS**START*** +Why is this "Small Print!" statement here? You know: lawyers. +They tell us you might sue us if there is something wrong with +your copy of this eBook, even if you got it for free from +someone other than us, and even if what's wrong is not our +fault. So, among other things, this "Small Print!" statement +disclaims most of our liability to you. It also tells you how +you may distribute copies of this eBook if you want to. + +*BEFORE!* YOU USE OR READ THIS EBOOK +By using or reading any part of this PROJECT GUTENBERG-tm +eBook, you indicate that you understand, agree to and accept +this "Small Print!" statement. If you do not, you can receive +a refund of the money (if any) you paid for this eBook by +sending a request within 30 days of receiving it to the person +you got it from. If you received this eBook on a physical +medium (such as a disk), you must return it with your request. + +ABOUT PROJECT GUTENBERG-TM EBOOKS +This PROJECT GUTENBERG-tm eBook, like most PROJECT GUTENBERG-tm eBooks, +is a "public domain" work distributed by Professor Michael S. Hart +through the Project Gutenberg Association (the "Project"). +Among other things, this means that no one owns a United States copyright +on or for this work, so the Project (and you!) can copy and +distribute it in the United States without permission and +without paying copyright royalties. Special rules, set forth +below, apply if you wish to copy and distribute this eBook +under the "PROJECT GUTENBERG" trademark. + +Please do not use the "PROJECT GUTENBERG" trademark to market +any commercial products without permission. + +To create these eBooks, the Project expends considerable +efforts to identify, transcribe and proofread public domain +works. Despite these efforts, the Project's eBooks and any +medium they may be on may contain "Defects". Among other +things, Defects may take the form of incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other +intellectual property infringement, a defective or damaged +disk or other eBook medium, a computer virus, or computer +codes that damage or cannot be read by your equipment. + +LIMITED WARRANTY; DISCLAIMER OF DAMAGES +But for the "Right of Replacement or Refund" described below, +[1] Michael Hart and the Foundation (and any other party you may +receive this eBook from as a PROJECT GUTENBERG-tm eBook) disclaims +all liability to you for damages, costs and expenses, including +legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR +UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT, +INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE +OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE +POSSIBILITY OF SUCH DAMAGES. + +If you discover a Defect in this eBook within 90 days of +receiving it, you can receive a refund of the money (if any) +you paid for it by sending an explanatory note within that +time to the person you received it from. If you received it +on a physical medium, you must return it with your note, and +such person may choose to alternatively give you a replacement +copy. If you received it electronically, such person may +choose to alternatively give you a second opportunity to +receive it electronically. + +THIS EBOOK IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS +TO THE EBOOK OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT +LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A +PARTICULAR PURPOSE. + +Some states do not allow disclaimers of implied warranties or +the exclusion or limitation of consequential damages, so the +above disclaimers and exclusions may not apply to you, and you +may have other legal rights. + +INDEMNITY +You will indemnify and hold Michael Hart, the Foundation, +and its trustees and agents, and any volunteers associated +with the production and distribution of Project Gutenberg-tm +texts harmless, from all liability, cost and expense, including +legal fees, that arise directly or indirectly from any of the +following that you do or cause: [1] distribution of this eBook, +[2] alteration, modification, or addition to the eBook, +or [3] any Defect. + +DISTRIBUTION UNDER "PROJECT GUTENBERG-tm" +You may distribute copies of this eBook electronically, or by +disk, book or any other medium if you either delete this +"Small Print!" and all other references to Project Gutenberg, +or: + +[1] Only give exact copies of it. Among other things, this + requires that you do not remove, alter or modify the + eBook or this "small print!" statement. You may however, + if you wish, distribute this eBook in machine readable + binary, compressed, mark-up, or proprietary form, + including any form resulting from conversion by word + processing or hypertext software, but only so long as + *EITHER*: + + [*] The eBook, when displayed, is clearly readable, and + does *not* contain characters other than those + intended by the author of the work, although tilde + (~), asterisk (*) and underline (_) characters may + be used to convey punctuation intended by the + author, and additional characters may be used to + indicate hypertext links; OR + + [*] The eBook may be readily converted by the reader at + no expense into plain ASCII, EBCDIC or equivalent + form by the program that displays the eBook (as is + the case, for instance, with most word processors); + OR + + [*] You provide, or agree to also provide on request at + no additional cost, fee or expense, a copy of the + eBook in its original plain ASCII form (or in EBCDIC + or other equivalent proprietary form). + +[2] Honor the eBook refund and replacement provisions of this + "Small Print!" statement. + +[3] Pay a trademark license fee to the Foundation of 20% of the + gross profits you derive calculated using the method you + already use to calculate your applicable taxes. If you + don't derive profits, no royalty is due. Royalties are + payable to "Project Gutenberg Literary Archive Foundation" + the 60 days following each date you prepare (or were + legally required to prepare) your annual (or equivalent + periodic) tax return. Please contact us beforehand to + let us know your plans and to work out the details. + +WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO? +Project Gutenberg is dedicated to increasing the number of +public domain and licensed works that can be freely distributed +in machine readable form. + +The Project gratefully accepts contributions of money, time, +public domain materials, or royalty free copyright licenses. +Money should be paid to the: +"Project Gutenberg Literary Archive Foundation." + +If you are interested in contributing scanning equipment or +software or other items, please contact Michael Hart at: +hart@pobox.com + +[Portions of this eBook's header and trailer may be reprinted only +when distributed free of all fees. Copyright (C) 2001, 2002 by +Michael S. Hart. Project Gutenberg is a TradeMark and may not be +used in any sales of Project Gutenberg eBooks or other materials be +they hardware or software or any other related product without +express permission.] + +*END THE SMALL PRINT! FOR PUBLIC DOMAIN EBOOKS*Ver.02/11/02*END* diff --git a/6277.zip b/6277.zip Binary files differnew file mode 100644 index 0000000..827c74f --- /dev/null +++ b/6277.zip diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..64a0c16 --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #6277 (https://www.gutenberg.org/ebooks/6277) |
