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diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..d7b82bc --- /dev/null +++ b/.gitattributes @@ -0,0 +1,4 @@ +*.txt text eol=lf +*.htm text eol=lf +*.html text eol=lf +*.md text eol=lf diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..e6c019a --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #63192 (https://www.gutenberg.org/ebooks/63192) diff --git a/old/63192-0.txt b/old/63192-0.txt deleted file mode 100644 index 645f52b..0000000 --- a/old/63192-0.txt +++ /dev/null @@ -1,1096 +0,0 @@ -The Project Gutenberg eBook, The Fairy and the Witch, by A. D. Nelson - - -This eBook is for the use of anyone anywhere in the United States and most -other parts of the world at no cost and with almost no restrictions -whatsoever. You may copy it, give it away or re-use it under the terms of -the Project Gutenberg License included with this eBook or online at -www.gutenberg.org. If you are not located in the United States, you'll have -to check the laws of the country where you are located before using this ebook. - - - - -Title: The Fairy and the Witch - - -Author: A. D. Nelson - - - -Release Date: September 13, 2020 [eBook #63192] - -Language: English - -Character set encoding: UTF-8 - - -***START OF THE PROJECT GUTENBERG EBOOK THE FAIRY AND THE WITCH*** - - -E-text prepared by Mary Glenn Krause, David E. Brown, and the Online -Distributed Proofreading Team (http://www.pgdp.net) from page images -generously made available by Internet Archive (https://archive.org) - - - -Note: Images of the original pages are available through - Internet Archive. See - https://archive.org/details/fairywitch00nels - - -Transcriber’s note: - - Italicized or underlined text is surrounded by - underscores: _italics_. - - Emboldened text is surrounded by equals signs: =bold=. - - - - - -THE FAIRY AND THE WITCH - -by - -A. D. NELSON. - - -[Illustration] - - -Price 15 Cents - -Eldridge Entertainment House -Franklin, Ohio - - - * * * * * * - ---HERE ARE-- - -SOME OF OUR VERY NEW TITLES - - -It is always a satisfaction to be the first to get hold of new and -novel entertainments, and here is =YOUR= chance: - - -PLAYS FOR FEMALE CHARACTERS - - Aunt Deborah’s First Luncheon 25c - When Shakespeare Struck The Town 25c - Ye Tea Party of Ye Olden Time 25c - - -TWO CLEVER MUSICAL PLAYS FOR CHILDREN - - Under The Sugar Plum Tree 40c - In Little Folks Town 40c - - -TWO NEW MOCK TRIALS - - Father Time’s Christmas Trial 15c - Will Soakum’s Matrimonial Bureau 25c - - -THREE SPLENDID BOOKS - - Dramatic Stories, Myths and Legends { Paper 35c; Boards 50c - For Children--The Stage or School Room { - - Good Stunts for Commencement Week 50c - Novelties That Will Enliven This Festive Occasion - - What to Say for Closing Day 30c - Good Dialogs, Exercises, Etc. for Closing Day. - - - SEND ORDERS TO - ELDRIDGE ENTERTAINMENT HOUSE - Franklin, Ohio - - * * * * * * - - -THE FAIRY AND THE WITCH - -An allegorical sketch for Hallowe’en, in which is -related the fall of Black Witch and the -rise of White Fairy. - -by - - A. D. NELSON. - - - - - - -Copyright, 1915, Eldridge Entertainment House. - -ELDRIDGE ENTERTAINMENT HOUSE. -FRANKLIN, OHIO. - - - - -PROPERTIES. - - - One black kettle or cauldron, of iron. - - One tripod constructed of rough sticks about 2 inches in diameter and - fastened at top by wire, chain or rope from which kettle is hung. - - One wand for White Fairy. - - One Black Rod for the Witch, to be so constructed that it will break - into two pieces at will. - - One contrivance for making a light appear in witch’s kettle at will. - - An organ or piano for music, off stage, if desired where indicated in - lines of play. - - - - -CHARACTERS. - - -_White Fairy_--an older child, female. - -_Black Witch_--adult, female, or an additional effectiveness can be -made in the denouement if this be impersonated by a male, speaking in a -shrill high-pitched falsetto. - -_Mirth_--First Fairy Messenger, child, male or female. - -_Jollity_--Second Fairy Messenger, child, male or female. - -_Erebus_--Imp of Blackness, child, male or female. - -_Noctis_--Black Fury of Night, child, male or female. - -_The Children_--in any number. - - - - -COSTUMES. - - -Conventional costume for White Fairy; also conventional witch costume -for Black Witch with addition of black mask and hood for face and back -of head to conceal identity. The witch costume to be so constructed -that it can be easily removed. - -Fairy Messengers clad in white or some diaphanous drapery of light blue -or pink. - -Erebus and Noctis costumes, black, armless inverted sacks running from -a point above head to a fullness at shoes with eye-holes, etc., cut in -proper place. - -Children costumes, as they may be dressed. - - - - -The Fairy and The Witch. - - - (_Scene: A clearing in the forest, with Witch’s kettle suspended on - tripod near the Right Front of Stage. No scenery is necessary but an - added effectiveness can be secured if play is given out of doors._) - - (_Enter White Fairy from back of stage, to accompaniment of light, - lilting music if desired. White Fairy in pantomime casts spell over - region by tripping lightly to right of stage and waving wand, thence - over kettle, thence to front, thence to left. Exit White Fairy at - rear, music ceases._) - - (_Enter Black Witch from left, plods toward kettle chuckling - fiendishly. Bends over kettle, presumably examining it, then moves - towards left across front of stage during reading of lines._) - -_Black Witch_ (_boastfully_) Mistress of this black night am I. Witch -and wizard of all the powers of night and darkness I am. Supreme -above all good in the Spirit World, tonight on mundane earth. I come -to work my spell and my skill in arts malign display. Not all the -holy saints, who tomorrow rule the day, can wrest from me my power of -night--Hallowe’en! (_in derision_) A hallowed evening! Oh, ho, ho! Ah, -ha, ha!! From that proud eminence brought low by me and now decreed to -devilish deeds and dark! Thus shall it ever be. (_Calling toward left, -off stage._) Come now my hosts of somber reputation. Make merry! With -fell design make we night hideous. Come Owl and hoot for me! (_Listens, -no response, calls louder._) Come Owl! Hoot Owl! (_Owl hoots off stage, -left. Aside, chuckling._) Didst hear the old fool hoot? (_Calling owl_) -Come nearer Owl, perch thou upon my shoulder. (_Owl hoots again very -faintly. Pleading_) Come Owl, Owl come! (_No response. Grows slightly -alarmed. Muses_) What portends this? Am I now to lose my power as Jove -hath so long menaced? Owl has fled and will not come to me. (_Pauses, -resumes hopefully_) Ah, well, in my train come others who will heed and -answer me. This night Black Witch must have her way! - - (_During next lines while calling upon her hosts the Witch moves to - and fro calling toward different sections of the region as taste may - dictate except as indicated with the lines._) - -_Black Witch_ Black Cat, most common beast of evil augury, what sayest -thou? Come forth Black Cat. Let thy penetrating howl echo through the -wood. Roost thou upon my back. Come Black Cat, oh! Black Cat come! -(_Pauses, looks expectantly toward tree, no response. Then muses a -trifle sadly._) Ah! ’tis indeed a night of evil omen when my own Black -Cat forsaketh me. (_Turning hopefully_) Raven! Thou bird of sable -plumage, bleak and drear, hear thy mistress call. Sound thy raucous -note athwart the evening air. Come Raven! bear me company. (_Pauses, -no response. Despairingly_) Raven too is gone and will not heed my -voice. (_Brightening_) Oh! well, not yet do we despair, with ill intent -and fury unabated call we yet others! (_From front center of stage -directly facing audience._) Come snake! sleek-bellied serpent, curse -of women, cursed by men, come forth my own beloved. (_Drags point of -cane, wiggling, along ground from stage front towards self._) Start -from thy hole, oh! snake of mine. Let thy rattling hisses be heard -among the leaves. Coil clammily around me! (_Pauses, no response, -resumes furiously_) Seven curses be upon thee, pampered pet of Eve, -and thou wilt not come! (_Turns away in despair and next calls with -rather hopeless air._) Jackal, night prowler of the forest, hast thou -joined this motley crew of renegades? (_Pleadingly_) Heed my voice, oh! -Jackal! Prithee leave thy secret lair; come forth! Strike thy eerie -call weird and dominant! Soft-footed creep through the forest aisles -reposing at my feet. (_Pauses, no response, resumes furiously._) Keep -to thy den accursed beast forever! Rot and die! - -_Black Witch_ (_Musing sadly_) Even yet, methinks, I must rely upon my -frisky imps of darkness to aid in this foul festival! (_Again brightens -hopefully, exclaims_) But no! But no! - - (_At this line Black Witch should be near front of stage at point - directly in front of place where Mirth will enter. During next lines - Black Witch raises arms aloft in supplication and backs toward place - of Mirth’s entrance._) - -_Black Witch_ (_Moving backwards, hands aloft in earnest -supplication._) Come, Wind of night! oh, Night Wind come! Thy blasting -fury loose upon this world! (_Pauses, drops arms, no response, again -muses sadly._) Ah! Wind of Night, on which I’ve drifted through the sky -these thousand years, hast thou too deserted me? (_Again raises arms -aloft and cries in desperation_) Will none come forth to do my will? - - (_Enter Mirth, silently, directly behind Black Witch. Remains behind - B. W. and out of her sight, dogging her footsteps, poking fun at her, - making grimaces, etc._) - -_Black Witch_ (_Moving towards kettle soliloquizing brokenly_) Ah, -mighty Jove, hast thou delivered me unto mine enemies on this dark -night of all dark nights?--Some one has cast a spell upon the place and -for the moment I am powerless--Aye! for the moment! (_looks at her rod -as if conscious of it for the first time_) But I have still my trusty -rod of black, and it will yet dispel this impotence oppressive--Though -my voice fail this rod will fail me not! - - (_Makes passes over kettle with rod and turning slightly catches - sight of Mirth._) - -_Black Witch_ (_Rather amused as if White Fairy were a foe of small -consequence._) Ah, ha! White Fairy is now revealed as Jove’s agent -to work my ruin and she hath sent Mirth, her messenger, to haunt my -footsteps and bedevil me! (_chuckles, then calls_) Come Erebus, Imp of -Blackness, come! Make haste and drive this Mirth away. - - (_Erebus groans, off stage, left_) - - (_Enter Erebus from left, treading slowly and heavily_) - -_Black Witch_ What ails thee, Imp of Blackness? - -_Erebus_ (_Yawning_) I sleep and cannot wake. My feet drag like lead -behind me. (_groans_) My eyes will not open and my body wilts in sleep. - -_Black Witch_ (_Musing_) It is the dread fairy spell! (_severely to -Erebus_) Cease thy deep grumblings and drive Mirth away from here. - - (_Erebus takes after Mirth. Mirth tripping lightly, Erebus dragging - himself along heavily._) - - (_Exeunt Erebus and Mirth to back of stage._) - -_Black Witch_ (_Calling, toward left_) Come also Noctis, Black Fury of -the night, come too! Speed thee hence. Lend thy brother aid. - - (_Enter Noctis, moaning and yawning, also treading heavily as if in a - stupor._) - -_Noctis_ (_Lifelessly_) Did call me, mother Witch? - -_Black Witch_ (_Sharply_) I did, and art thou also sodden with a heavy -stupor? - -_Noctis_ (_Trembling_) I am, dread mother Witch. My eyes refuse to open -and my feet will not obey my will. - -_Black Witch_ (_Impatiently_) Cease thy grumblings and be thankful that -you live. - - (_Enter Erebus from back moving with crestfallen air towards witch._) - -_Black Witch_ Even now methinks almighty Jove hath delivered this -region to White Fairy and our course is run. (_turns to Erebus_) Did -Mirth escape thee? (_Erebus bows head_) Sodden Imp! (_to both_) But -come, let us brew our witch’s brew. Gather around and with mighty magic -incantation will we boil a brew to blight the world. - - (_Enter Mirth and Jollity from back as Black Witch, Erebus and Noctis - move toward kettle. Mirth and Jollity dog footsteps of the three, - remaining out of sight poking fun at Witch, etc. Black Witch, Erebus - and Noctis begin to spread out around kettle while Black Witch makes - few passes with wand. She catches sight of Mirth and Jollity and - screeches._) - -_Black Witch_ (_Screeching_) Erebus and Noctis! fly after these unholy -imps of light! - - (_Erebus and Noctis pursue Mirth and Jollity, the fairy messengers - tripping lightly, Erebus and Noctis following heavily. Exeunt, the - four, to back of stage._) - -_Black Witch_ (_following a few steps_) Fly, fly! Let not your -footsteps laggard be. Capture them and, returning hence, let their -bones and flesh serve but to fill the pot. (_Turns toward kettle, -chuckling with glee._) Oh, ho, ho! Ah, ha, ha! Two fairy messengers -to grace the witch’s brew. Fine will be the scent as their bones are -burned and flesh is boiled into the stew! (_Turning_) Erebus and -Noctis, fail me not! - - (_Enter Erebus and Noctis returning from chase empty handed, from - back of stage._) - -_Black Witch_ Didst let them escape thee, dull imps? - -_Erebus and Noctis_ (_heads hanging_) Aye, dread mother. - -_Black Witch_ (_Beating Erebus and Noctis about shoulders with rod_) -Stupid dullards! Worthless laggards! See that ye fail me not again! -(_Indignant_) Come with me and gather ’round the cauldron. - - (_They move over to kettle and take positions around it. Black Witch - makes passes with rod and at signal from Black Witch all three chant - chorus of incantation song. The solo stanzas of this song, also the - chorus are to be droned out in a slow, sing-song chant, no particular - tune or melody desired. Make it as weirdly unmusical and inharmonious - as possible, but let the words “get across” distinctly._) - -_Chorus_ (_Black Witch, Erebus and Noctis, while moving around the -kettle circling slowly._) - - We’re watching the pot and it’s going to boil; - The air will get hot and this region will spoil, - But that matters not for we brew witches’ oil. - - (_Stop circling. Black Witch waves rod. She reaches over and fingers - the head of Erebus, tosses hand toward cauldron. Repeats process with - Noctis. The three immediately resume circling around kettle while - Black Witch sings first stanza in solo._) - -_Black Witch_ (_solo chant_) - - 1 A louse and a lizard - And two babies fair; - The brains of a pole-cat, - Some coyote’s hair; - Animals, reptiles - And birds of the air, - We take of their entrails - And stir them with care. - -_Chorus_ (_the three, still circling_) - - We’re watching the pot and it’s going to boil, - The air will get hot and this region will spoil, - But that matters not for we brew witches’ oil. - - (_All cease circling at conclusion of this chorus. Black Witch to be - behind kettle facing audience. Erebus and Noctis on each side. While - Black Witch sings next stanza the three sway back and forth but do - not circle around._) - -_Black Witch_ (_solo chants_) - - 2 To those must be added - The element, strife; - Some envy and malice-- - The ills of our life-- - Vengeance and jealousy, - Backbiting, lies, - All put in the kettle - With things we despise! - - (_The three immediately begin circling again and chant chorus._) - -_All_ We’re watching the pot and it’s going to boil, - The air will get hot and this region---- - -_Black Witch_ (_Interrupting hysterically and shaking rod menacingly -towards Erebus and Noctis in turn._) Curses upon thee, torpid imps! -Canst not chant with thy wonted vim? Let thy voices swell to the far -gods, else will sovereign Jove hear us not. Raise thy voices. I command -thee! - - (_The three resume circling and re-commence the chorus, Erebus and - Noctis chanting louder._) - - _All_ We’re watching the pot and it’s going to boil, - The air will get hot and this region will spoil, - But that matters not for we---- - -_Black Witch_ (_Interrupting by beating the kettle with rod and -screaming furiously_) Curses upon thee, dead! black! pot!! - - (_Enter White Fairy at back of stage at word “pot”. Fairy raises - wand. Light appears inside of kettle as Black Witch beats it, to be - so timed that the glow appears at instant White Fairy raises wand._) - -_Black Witch_ (_screaming triumphantly_) Ha! ha! it comes! Light -comes--light make fire--come fire--fire come! - -_White Fairy_ (_coming forward and interrupting_) Stop! I command thee, -stop! - - (_Erebus and Noctis shiver, moan and fall prone on the ground, - remaining there until told to fly by Black Witch._) - -_Fairy_ (_From position a trifle to the left and back of kettle, gazing -steadily at Witch, ignoring imps._) This night thou art delivered unto -me. - -_Black Witch_ (_moving toward Fairy_) Not so, not so, loathed Fairy. -Though ages old I still am young and thou shalt not prevail. - -_Fairy_ (_calmly_) Thy power is gone---- - -_Black Witch_ (_Interrupting in derision_) Not yet, dear Fairy! -(_continues with air of triumph_) See yonder glow in my black pot? With -my rod I brought it and it will burn and brighten until thee and thine -consumed and parched be, and the whole world blighted. This rod, my -power, though it weakened be, is potent still and thou canst do naught -against me---- - -_Fairy_ (_Interrupting with cool hauteur_) That light is mine. I caused -it there. Forever it will glow--a fairy gleam to light and bless the -world. Thy power is gone, thy rod is dead. - - (_Black Witch begins to laugh scornfully, moves over and gazes into - pot, is startled and laugh is choked down._) - -_Black Witch_ (_murmuring hopelessly_) ’Tis true. ’Tis true. - - (_Black Witch grows afraid, moves away from kettle towards left - across front of stage, muttering. Fairy maintains her original - position but turns around slowly following movements of Black Witch - with her eye. Fairy makes passes with wand toward Black Witch. Black - Witch trembles and becomes furiously enraged._) - -_Black Witch_ (_hysterically_) Begone, foul fairy, ere I smite thee -dead! - -_Fairy_ (_Calmly_) Do thy worst. Thy worst is less than none. - - (_Black Witch grows desperate, approaches White Fairy and raises rod - to strike her. At this moment B. W. should be to left of Fairy._) - -_Black Witch_ With mine omnipotent rod I kill thee! - - (_Fairy smiles, holds forth her wand. Arms of Black Witch become - rigid in mid-air._) - -_Black Witch_ (_screaming_) Fly Erebus and Noctis, Imps of Blackness, -for your lives make haste! Away! Away! - - (_Exeunt Erebus and Noctis to back passing to the right and behind - Witch and Fairy._) - -_White Fairy_ (_still smiling_) Break rod, rod break! - - (_Touches rod with wand, rod breaks._) - -_White Fairy_ (_slightly toward audience_) And thus shall broken be her -power forevermore. - - (_White Fairy waves her wand toward Black Witch, Black Witch - trembles, groans, broken piece of rod falls from her hand._) - -_Black Witch_ (_muttering_) ’Tis true. ’Tis true. Jove hath forsaken -me and aids this young sprite to do me harm---- (_words trail off into -silence as White Fairy continues to wave wand_.) - -_White Fairy_ (_Low and rather sadly_) Thy lips are silent now forever. -Now thou must sleep--sleep witch, no longer witch. - - (_White Fairy continues to wave wand slowly. Black Witch nods head - drowsily, wilts into sleep and falls to ground._) - -_White Fairy_ Thou hast fallen. A deeper sleep is thine than fell upon -the Imps of Blackness. Sleep forever--wake no more! - - (_Black Witch exhales one last breath. Dies._) - -_White Fairy_ (_solemnly_) Thine is a sleep eternal. Thou art dead. - - (_White Fairy gives one last pitiful look at dead Witch, then turns - away smiling._) - -_White Fairy_ (_calling_) Come Mirth and Jollity! Come, children, come. - - (_Mirth and Jollity and children, come tripping in with exclamations - of childish delight, etc., until they spy the dead Witch; then their - cries are hushed, their tripping ceases and they move furtively on - tip-toe over to White Fairy glancing at her for explanations._) - -_White Fairy_ Black Witch is dead. Her power is gone, and Hallowe’en -shall always be a hallowed evening--holy night! redeemed from evil by -the power of light. Let men rejoice and women sing. Let children play -and dance. This night, henceforth, is sacred to the joys of children. - - (_Children clap hands in applause._) - -_White Fairy_ Come! let us dance. - - (_Music starts up. Any lively dance song for children such as can be - found in any school music book will be suitable here. All clasp hands - and begin to circle around kettle, singing and dancing. Music breaks - off and all stop singing abruptly in middle of first stanza. Children - all glance towards dead Witch then towards Fairy._) - -_White Fairy_ What is it, children? - -_Mirth_ Good Fairy, we want no one to die. - -_White Fairy_ (_touching Mirth with wand_) Bless you, dear messenger of -mine, but the witch is evil and cannot live. - -_Jollity_ Can’t you give the witch her life but keep her evil power -away from her? - -_Children_ (_in unison_) Please good Fairy, restore the Witch’s life! -Please oh! please. - -_White Fairy_ (_pondering_) Your pleas move me. I will restore the -witch’s life. In Spirit world she can no longer live. A mortal, she -must dwell upon the earth. - - (_Children cluster in “background” as Fairy goes toward Witch._) - -_White Fairy_ (_touching Witch with wand_) Insensate clay awake! Moved -by the tears of children, whom thou hast terrified and wronged, I give -thee life. Thou canst no longer dwell with spirits. Wake in mortal form! - - (_Witch begins to show signs of life as White Fairy continues to wave - wand._) - -_White Fairy_ (_Resuming_) Too long hast thou disgraced thy sex in -Spirit World, in mortal life thou shalt assume the guise of man. - - (_During preceding lines Witch must unfasten necessary strings, - hooks, etc., to allow entire costume to fall off as she rises. Fairy - reads next line upon receiving signal from Witch that all is ready._) - -_White Fairy_ (_stepping back and raising wand_) Rise mortal man. - - (_Mortal rises, children cheer._) - -_White Fairy_ (_Continuing_) Be grateful for thy life. - - Note--If part of Witch is played by female omit this line and change - words to feminine gender in following lines where necessary. In the - original production the Witch was effectively impersonated by a young - man thus bringing out a stronger anti-climax upon restoration to life. - -_Mortal_ (_bowing_) I am grateful. - - (_Fairy disposes of wand by hanging it on her dress._) - -_White Fairy_ Thy life is due these children. See thou be good to them -else will thy life be forfeited to me again. Love them, I command thee. - -_Mortal_ (_bowing low and gently kissing Fairy’s hand_) I will love -them and obey thee, most gracious majesty. - - (_White Fairy and Mortal clasp hands and turn toward audience._) - -_White Fairy_ Thus ever shall the powers of night and darkness be -dispelled. - -_Mortal_ And good will triumph over evil everywhere. - - (_They bow to audience and to each other._) - -_White Fairy_ Will dance with us, my Lord? - -_Mortal_ Your majesty doth honor me. - - (_All join hands circling around kettle and sing dance song. Organ - glides into march at end. All march off, Fairy and Mortal in lead, - then Mirth and Jollity, followed by children. Exunt all._) - - -CURTAIN. - - - - -TWO PLAYS FOR BOYS - -By SEYMOUR S. TIBBALS. - - -Mr. Tibbals has been unusually successful in furnishing boys’ plays -that introduce characters true to life. While the plays are strong and -forceful in the lessons they teach, clean comedy predominates and the -boys like them. - - -“The Millionaire Janitor” - -A comedy in two acts. Here is a rollicking play for eight or more boys -with plenty of action. Just the thing for a Boys’ Class or Junior -Y.M.C.A. Easily staged and costumed. Opportunity for introduction of -musical numbers and recitations. By introducing such features the play -may be used for an entire evening’s entertainment. - - Price 25 Cents - - -“Up Caesar’s Creek” - -A splendid play for any number of boys. The characters are real boys -and the play deals with their experiences while camping up Caesar’s -Creek the performance closing with a minstrel show in camp. Costumes -and scenery are not elaborate and the play may be produced on any stage. - - Price 25 Cents - -These comedies are protected by copyright, but permission for amateur -production is granted with the purchase of the book. - - - ELDRIDGE ENTERTAINMENT HOUSE - Franklin, Ohio - - - - -“_THE HOUSE THAT HELPS_” - - -WE ARE SPECIALISTS IN - -Amateur Entertainments - - It is not a side line with us, but we devote our entire time to that - business - -Realizing that many people have grown weary of searching through -catalogs and reading entertainments only to discard them as unavailable -we appreciate the fact that our customers have often spoken of us as -“the house that helps.” We have had practical experience in selecting -and producing amateur entertainments and we feel that we know what will -please the public, and what can be produced under certain conditions. -=Our experience is at your disposal.= Write us, giving full particulars -of your special need in the way of an entertainment, and we will select -a play, an operetta, a drill or even an entire program for you. =But -always enclose a stamp for the reply.= - -=Remember=, that in addition to our entertainments we carry a -large line of publications of other dealers. If in doubt as to the -entertainment you desire, send particulars and we will suggest -something to fit. - -We are at your service. - - - ELDRIDGE ENTERTAINMENT HOUSE - Franklin, Ohio - - - - - * * * * * * - - - - -Transcriber’s note: - - Obvious typographical errors have been corrected. - - Inconsistencies in hyphenation have been standardized. - - - -***END OF THE PROJECT GUTENBERG EBOOK THE FAIRY AND THE WITCH*** - - -******* This file should be named 63192-0.txt or 63192-0.zip ******* - - -This and all associated files of various formats will be found in: -http://www.gutenberg.org/dirs/6/3/1/9/63192 - - -Updated editions will replace the previous one--the old editions will -be renamed. - -Creating the works from print editions not protected by U.S. copyright -law means that no one owns a United States copyright in these works, -so the Foundation (and you!) can copy and distribute it in the United -States without permission and without paying copyright -royalties. 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D. Nelson</title> - <link rel="coverpage" href="images/cover.jpg" /> - <style type="text/css"> - -body { - margin-left: 10%; - margin-right: 10%; -} - - h1,h2 { - text-align: center; - clear: both; -} - -p { - margin-top: .51em; - text-align: justify; - margin-bottom: .49em; -} - -div.titlepage {text-align: center; page-break-before: always; page-break-after: always;} -div.titlepage p {text-align: center; font-weight: bold; line-height: 1.5; margin-top: 2em;} - -hr { - width: 33%; - margin-top: 2em; - margin-bottom: 2em; - margin-left: 33.5%; - margin-right: 33.5%; - clear: both; -} - -hr.tb {width: 45%; margin-left: 27.5%; margin-right: 27.5%;} -hr.chap {width: 65%; margin-left: 17.5%; margin-right: 17.5%;} -hr.tiny {width: 20%; margin-left: 40%; margin-right: 40%;} - - -div.chapter {page-break-before: always;} -h2.nobreak {page-break-before: avoid;} - -.indent {margin-left: 1em;} -.indent2 {margin-left: 1.5em;} - -table { - margin-left: auto; - margin-right: auto; -} - - - -.tdr {text-align: right;} -.tdc {text-align: center;} - -.pagenum { - position: absolute; - left: 92%; - font-size: smaller; - text-align: right; - font-style: normal; - font-weight: normal; - font-variant: normal; -} - - - -.blockquot { - margin-left: 10%; - margin-right: 10%; -} - -.blockquot2 { - margin-left: 20%; - margin-right: 20%; -} - -.center {text-align: center;} - -.smcap {font-variant: small-caps;} - - -.u {text-decoration: underline;} - -.xxlarge {font-size: 250%;} -.xlarge {font-size: 150%;} -.large {font-size: 125%;} - -.ph1 {text-align: center; font-size: x-large; font-weight: bold;} -.ph2 {text-align: center; font-size: large; font-weight: bold;} - - - - -.figcenter { - margin: auto; - text-align: center; - page-break-inside: avoid; - max-width: 100%; -} - - -.transnote {background-color: #E6E6FA; - color: black; - font-size:smaller; - padding:0.5em; - margin-bottom:5em; - font-family:sans-serif, serif; } - - - h1.pgx { text-align: center; - clear: both; - font-weight: bold; - font-size: 190%; - margin-top: 0em; - margin-bottom: 1em; - word-spacing: 0em; - letter-spacing: 0em; - line-height: 1; } - h2.pgx { text-align: center; - clear: both; - font-weight: bold; - font-size: 135%; - margin-top: 2em; - margin-bottom: 1em; - word-spacing: 0em; - letter-spacing: 0em; - page-break-before: avoid; - line-height: 1; } - h3.pgx { text-align: center; - clear: both; - font-weight: bold; - font-size: 110%; - margin-top: 2em; - margin-bottom: 1em; - word-spacing: 0em; - letter-spacing: 0em; - line-height: 1; } - h4.pgx { text-align: center; - clear: both; - font-weight: bold; - font-size: 100%; - margin-top: 2em; - margin-bottom: 1em; - word-spacing: 0em; - letter-spacing: 0em; - line-height: 1; } - hr.pgx { width: 100%; - margin-top: 3em; - margin-bottom: 0em; - margin-left: auto; - margin-right: auto; - height: 4px; - border-width: 4px 0 0 0; /* remove all borders except the top one */ - border-style: solid; - border-color: #000000; - clear: both; } - </style> -</head> -<body> -<h1 class="pgx" title="">The Project Gutenberg eBook, The Fairy and the Witch, by A. D. Nelson</h1> -<p>This eBook is for the use of anyone anywhere in the United States -and most other parts of the world at no cost and with almost no -restrictions whatsoever. You may copy it, give it away or re-use it -under the terms of the Project Gutenberg License included with this -eBook or online at <a -href="http://www.gutenberg.org">www.gutenberg.org</a>. If you are not -located in the United States, you'll have to check the laws of the -country where you are located before using this ebook.</p> -<p>Title: The Fairy and the Witch</p> -<p>Author: A. D. Nelson</p> -<p>Release Date: September 13, 2020 [eBook #63192]</p> -<p>Language: English</p> -<p>Character set encoding: ISO-8859-1</p> -<p>***START OF THE PROJECT GUTENBERG EBOOK THE FAIRY AND THE WITCH***</p> -<p> </p> -<h4 class="pgx" title="">E-text prepared by Mary Glenn Krause, David E. Brown,<br /> - and the Online Distributed Proofreading Team<br /> - (<a href="http://www.pgdp.net">http://www.pgdp.net</a>)<br /> - from page images generously made available by<br /> - Internet Archive<br /> - (<a href="https://archive.org">https://archive.org</a>)</h4> -<p> </p> -<table border="0" style="background-color: #ccccff;margin: 0 auto;" cellpadding="10"> - <tr> - <td valign="top"> - Note: - </td> - <td> - Images of the original pages are available through - Internet Archive. See - <a href="https://archive.org/details/fairywitch00nels"> - https://archive.org/details/fairywitch00nels</a> - </td> - </tr> -</table> -<p> </p> -<hr class="pgx" /> -<p> </p> -<p> </p> -<p> </p> -<p> </p> - -<div class="figcenter"><img src="images/cover.jpg" width="50%" alt="" /></div> - -<hr class="tb" /> - -<div class="titlepage"> -<h1>The Fairy<br /> - -and The Witch</h1> - -<p>BY<br /> - -<span class="large">A. D. NELSON.</span></p> - -<div class="figcenter"><img src="images/i_cover-detail.jpg" alt="" /></div> - -<p><span class="large"><span class="u">PRICE 15 CENTS</span></span></p> - -<p><span class="xlarge">Eldridge Entertainment House</span><br /> -<span class="large">Franklin, Ohio</span></p></div> - - -<hr class="chap" /> - -<div class="chapter"> -<p class="ph1">—HERE ARE—<br /> - - -<span class="large">SOME OF OUR VERY NEW TITLES</span></p></div> - -<div class="blockquot"> -<p class="center">It is always a satisfaction to be the first to -get hold of new and novel entertainments, -and here is <b>YOUR</b> chance:</p></div> - -<table border="0" cellpadding="2" cellspacing="2" summary="table"> - -<tr><td class="tdc" colspan="3">PLAYS FOR FEMALE CHARACTERS</td></tr> - -<tr><td>Aunt Deborah’s First Luncheon</td><td> </td><td class="tdr">25c</td></tr> -<tr><td>When Shakespeare Struck The Town</td><td> </td><td class="tdr">25c</td></tr> -<tr><td>Ye Tea Party of Ye Olden Time</td><td> </td><td class="tdr">25c</td></tr> - -<tr><td> </td></tr> -<tr><td class="tdc" colspan="3">TWO CLEVER MUSICAL PLAYS FOR CHILDREN</td></tr> - -<tr><td>Under The Sugar Plum Tree</td><td> </td><td class="tdr">40c</td></tr> -<tr><td>In Little Folks Town</td><td> </td><td class="tdr">40c</td></tr> - -<tr><td class="tdc" colspan="3">TWO NEW MOCK TRIALS</td></tr> - -<tr><td>Father Time’s Christmas Trial</td><td> </td><td class="tdr">15c</td></tr> -<tr><td>Will Soakum’s Matrimonial Bureau</td><td> </td><td class="tdr">25c</td></tr> - -<tr><td> </td></tr> - -<tr><td class="tdc" colspan="3">THREE SPLENDID BOOKS</td></tr> - -<tr><td>Dramatic Stories, Myths and Legends</td><td rowspan="2" align="center"><span class="xxlarge">{</span></td><td class="tdr" rowspan="2" align="center">Paper 35c; Boards 50c</td></tr> -<tr><td class="tdc">For Children—The Stage or School Room</td></tr> -<tr><td> </td></tr> -<tr><td>Good Stunts for Commencement Week</td><td> </td><td class="tdr">50c</td></tr> -<tr><td class="tdc"> Novelties That Will Enliven This Festive Occasion </td></tr> -<tr><td> </td></tr> -<tr><td>What to Say for Closing Day</td><td> </td><td class="tdr">30c</td></tr> -<tr><td class="tdc">Good Dialogs, Exercises, Etc. for Closing Day.</td></tr> -<tr><td> </td></tr> -</table> - - -<p class="center"> -SEND ORDERS TO<br /> -<span class="xlarge">ELDRIDGE ENTERTAINMENT HOUSE</span><br /> -Franklin, Ohio</p> - -<hr class="chap" /> -<div class="chapter"> -<div class="figcenter"><img src="images/i_titlepage.jpg" alt="" /></div></div> - -<hr class="tb" /> - -<div class="titlepage"> -<p><span class="xlarge">THE FAIRY AND THE WITCH</span></p> - -<p>An allegorical sketch for Hallowe’en, in which is<br /> -related the fall of Black Witch and the<br /> -rise of White Fairy.</p> - - -<p><span class="large">By A. D. NELSON.</span></p> - - -<p>Copyright, 1915, Eldridge Entertainment House.</p> - - -<p><span class="xlarge"><span class="smcap">Eldridge Entertainment House.</span></span><br /> -FRANKLIN, OHIO.</p> -</div> - - -<hr class="chap" /> - -<div class="chapter"> -<h2 class="nobreak">PROPERTIES.</h2> -</div> - - -<div class="blockquot"> - -<p>One black kettle or cauldron, of iron.</p> - -<p>One tripod constructed of rough sticks about 2 inches -in diameter and fastened at top by wire, chain or -rope from which kettle is hung.</p> - -<p>One wand for White Fairy.</p> - -<p>One Black Rod for the Witch, to be so constructed -that it will break into two pieces at will.</p> - -<p>One contrivance for making a light appear in witch’s -kettle at will.</p> - -<p>An organ or piano for music, off stage, if desired -where indicated in lines of play.</p></div> - - -<hr class="chap" /> - -<div class="chapter"> -<h2 class="nobreak">CHARACTERS.</h2> -</div> - -<div class="blockquot"> -<p><i>White Fairy</i>—an older child, female.</p> - -<p><i>Black Witch</i>—adult, female, or an additional effectiveness -can be made in the denouement if this be -impersonated by a male, speaking in a shrill high-pitched -falsetto.</p> - -<p><i>Mirth</i>—First Fairy Messenger, child, male or -female.</p> - -<p><i>Jollity</i>—Second Fairy Messenger, child, male or -female.</p> - -<p><i>Erebus</i>—Imp of Blackness, child, male or female.</p> - -<p><i>Noctis</i>—Black Fury of Night, child, male or -female.</p> - -<p><i>The Children</i>—in any number.</p> -</div> - -<hr class="chap" /> - -<div class="chapter"> -<h2 class="nobreak">COSTUMES.</h2> -</div> -<div class="blockquot"> - -<p>Conventional costume for White Fairy; also conventional -witch costume for Black Witch with addition -of black mask and hood for face and back of head -to conceal identity. The witch costume to be so constructed -that it can be easily removed.</p> - -<p>Fairy Messengers clad in white or some diaphanous -drapery of light blue or pink.</p> - -<p>Erebus and Noctis costumes, black, armless inverted -sacks running from a point above head to a -fullness at shoes with eye-holes, etc., cut in proper -place.</p> - -<p>Children costumes, as they may be dressed.</p></div> - - -<hr class="chap" /> - -<div class="chapter"> -<span class="pagenum"><a id="Page_5"></a>[5]</span> - -<h2 class="nobreak">The Fairy and The Witch.</h2> -</div> - - - -<div class="blockquot2"> -<p>(<i>Scene: A clearing in the forest, with Witch’s -kettle suspended on tripod near the Right -Front of Stage. No scenery is necessary but -an added effectiveness can be secured if play -is given out of doors.</i>)</p></div> - -<div class="blockquot"> - -<p>(<i>Enter White Fairy from back of stage, to accompaniment -of light, lilting music if desired. White -Fairy in pantomime casts spell over region by tripping -lightly to right of stage and waving wand, thence over -kettle, thence to front, thence to left. Exit White -Fairy at rear, music ceases.</i>)</p> - -<p>(<i>Enter Black Witch from left, plods toward kettle -chuckling fiendishly. Bends over kettle, presumably -examining it, then moves towards left across front of -stage during reading of lines.</i>)</p></div> - -<p><i>Black Witch</i> (<i>boastfully</i>) Mistress of this black -night am I. Witch and wizard of all the powers of -night and darkness I am. Supreme above all good in -the Spirit World, tonight on mundane earth. I come -to work my spell and my skill in arts malign display. -Not all the holy saints, who tomorrow rule the day, -can wrest from me my power of night—Hallowe’en! -(<i>in derision</i>) A hallowed evening! Oh, ho, ho! Ah, -ha, ha!! From that proud eminence brought low by -me and now decreed to devilish deeds and dark! -Thus shall it ever be. (<i>Calling toward left, off stage.</i>) -Come now my hosts of somber reputation. Make -merry! With fell design make we night hideous. -Come Owl and hoot for me! (<i>Listens, no response, -calls louder.</i>) Come Owl! Hoot Owl! (<i>Owl hoots off -stage, left. Aside, chuckling.</i>) Didst hear the old -fool hoot? (<i>Calling owl</i>) Come nearer Owl, perch -thou upon my shoulder. (<i>Owl hoots again very faintly. -Pleading</i>) Come Owl, Owl come! (<i>No response.<span class="pagenum"><a id="Page_6"></a>[6]</span> -Grows slightly alarmed. Muses</i>) What portends this? -Am I now to lose my power as Jove hath so long menaced? -Owl has fled and will not come to me. (<i>Pauses, -resumes hopefully</i>) Ah, well, in my train come others -who will heed and answer me. This night Black -Witch must have her way!</p> - -<div class="blockquot"> - -<p>(<i>During next lines while calling upon her hosts the -Witch moves to and fro calling toward different sections -of the region as taste may dictate except as indicated -with the lines.</i>)</p></div> - -<p><i>Black Witch</i> Black Cat, most common beast of evil -augury, what sayest thou? Come forth Black Cat. -Let thy penetrating howl echo through the wood. -Roost thou upon my back. Come Black Cat, oh! -Black Cat come! (<i>Pauses, looks expectantly toward -tree, no response. Then muses a trifle sadly.</i>) Ah! ’tis -indeed a night of evil omen when my own Black Cat -forsaketh me. (<i>Turning hopefully</i>) Raven! Thou -bird of sable plumage, bleak and drear, hear thy mistress -call. Sound thy raucous note athwart the -evening air. Come Raven! bear me company. -(<i>Pauses, no response. Despairingly</i>) Raven too is -gone and will not heed my voice. (<i>Brightening</i>) Oh! -well, not yet do we despair, with ill intent and fury -unabated call we yet others! (<i>From front center of -stage directly facing audience.</i>) Come snake! sleek-bellied -serpent, curse of women, cursed by men, come -forth my own beloved. (<i>Drags point of cane, wiggling, -along ground from stage front towards self.</i>) Start -from thy hole, oh! snake of mine. Let thy rattling -hisses be heard among the leaves. Coil clammily -around me! (<i>Pauses, no response, resumes furiously</i>) -Seven curses be upon thee, pampered pet of Eve, and -thou wilt not come! (<i>Turns away in despair and next -calls with rather hopeless air.</i>) Jackal, night prowler -of the forest, hast thou joined this motley crew of -renegades? (<i>Pleadingly</i>) Heed my voice, oh! Jackal! -Prithee leave thy secret lair; come forth! Strike thy -eerie call weird and dominant! Soft-footed creep -through the forest aisles reposing at my feet. (<i>Pauses,<span class="pagenum"><a id="Page_7"></a>[7]</span> -no response, resumes furiously.</i>) Keep to thy den -accursed beast forever! Rot and die!</p> - -<p><i>Black Witch</i> (<i>Musing sadly</i>) Even yet, methinks, -I must rely upon my frisky imps of darkness to aid -in this foul festival! (<i>Again brightens hopefully, exclaims</i>) -But no! But no!</p> - -<div class="blockquot"> - -<p>(<i>At this line Black Witch should be near front of -stage at point directly in front of place where Mirth -will enter. During next lines Black Witch raises -arms aloft in supplication and backs toward place of -Mirth’s entrance.</i>)</p></div> - -<p><i>Black Witch</i> (<i>Moving backwards, hands aloft in -earnest supplication.</i>) Come, Wind of night! oh, Night -Wind come! Thy blasting fury loose upon this world! -(<i>Pauses, drops arms, no response, again muses sadly.</i>) -Ah! Wind of Night, on which I’ve drifted through the -sky these thousand years, hast thou too deserted me? -(<i>Again raises arms aloft and cries in desperation</i>) -Will none come forth to do my will?</p> - -<div class="blockquot"> - -<p>(<i>Enter Mirth, silently, directly behind Black Witch. -Remains behind B. W. and out of her sight, dogging -her footsteps, poking fun at her, making grimaces, etc.</i>)</p></div> - -<p><i>Black Witch</i> (<i>Moving towards kettle soliloquizing -brokenly</i>) Ah, mighty Jove, hast thou delivered me -unto mine enemies on this dark night of all dark -nights?—Some one has cast a spell upon the place -and for the moment I am powerless—Aye! for the -moment! (<i>looks at her rod as if conscious of it for the -first time</i>) But I have still my trusty rod of black, -and it will yet dispel this impotence oppressive—Though -my voice fail this rod will fail me not!</p> - -<div class="blockquot"> - -<p>(<i>Makes passes over kettle with rod and turning -slightly catches sight of Mirth.</i>)</p></div> - -<p><i>Black Witch</i> (<i>Rather amused as if White Fairy -were a foe of small consequence.</i>) Ah, ha! White Fairy -is now revealed as Jove’s agent to work my ruin and -she hath sent Mirth, her messenger, to haunt my -footsteps and bedevil me! (<i>chuckles, then calls</i>) Come<span class="pagenum"><a id="Page_8"></a>[8]</span> -Erebus, Imp of Blackness, come! Make haste and -drive this Mirth away.</p> - -<div class="blockquot"> - -<p>(<i>Erebus groans, off stage, left</i>)</p> - -<p>(<i>Enter Erebus from left, treading slowly and heavily</i>)</p></div> - -<p><i>Black Witch</i> What ails thee, Imp of Blackness?</p> - -<p><i>Erebus</i> (<i>Yawning</i>) I sleep and cannot wake. My -feet drag like lead behind me. (<i>groans</i>) My eyes will -not open and my body wilts in sleep.</p> - -<p><i>Black Witch</i> (<i>Musing</i>) It is the dread fairy spell! -(<i>severely to Erebus</i>) Cease thy deep grumblings and -drive Mirth away from here.</p> - -<div class="blockquot"> - -<p>(<i>Erebus takes after Mirth. Mirth tripping lightly, -Erebus dragging himself along heavily.</i>)</p> - -<p>(<i>Exeunt Erebus and Mirth to back of stage.</i>)</p></div> - -<p><i>Black Witch</i> (<i>Calling, toward left</i>) Come also -Noctis, Black Fury of the night, come too! Speed -thee hence. Lend thy brother aid.</p> - -<div class="blockquot"> - -<p>(<i>Enter Noctis, moaning and yawning, also treading -heavily as if in a stupor.</i>)</p></div> - -<p><i>Noctis</i> (<i>Lifelessly</i>) Did call me, mother Witch?</p> - -<p><i>Black Witch</i> (<i>Sharply</i>) I did, and art thou also -sodden with a heavy stupor?</p> - -<p><i>Noctis</i> (<i>Trembling</i>) I am, dread mother Witch. -My eyes refuse to open and my feet will not obey my -will.</p> - -<p><i>Black Witch</i> (<i>Impatiently</i>) Cease thy grumblings -and be thankful that you live.</p> - -<div class="blockquot"> - -<p>(<i>Enter Erebus from back moving with crestfallen -air towards witch.</i>)</p></div> - -<p><i>Black Witch</i> Even now methinks almighty Jove -hath delivered this region to White Fairy and our -course is run. (<i>turns to Erebus</i>) Did Mirth escape -thee? (<i>Erebus bows head</i>) Sodden Imp! (<i>to both</i>) -But come, let us brew our witch’s brew. Gather -around and with mighty magic incantation will we -boil a brew to blight the world.</p> - -<p><span class="pagenum"><a id="Page_9"></a>[9]</span></p> - -<div class="blockquot"> - -<p>(<i>Enter Mirth and Jollity from back as Black Witch, -Erebus and Noctis move toward kettle. Mirth and -Jollity dog footsteps of the three, remaining out of sight -poking fun at Witch, etc. Black Witch, Erebus and -Noctis begin to spread out around kettle while Black -Witch makes few passes with wand. She catches sight -of Mirth and Jollity and screeches.</i>)</p></div> - -<p><i>Black Witch</i> (<i>Screeching</i>) Erebus and Noctis! -fly after these unholy imps of light!</p> - -<div class="blockquot"> - -<p>(<i>Erebus and Noctis pursue Mirth and Jollity, the -fairy messengers tripping lightly, Erebus and Noctis -following heavily. Exeunt, the four, to back of stage.</i>)</p></div> - -<p><i>Black Witch</i> (<i>following a few steps</i>) Fly, fly! -Let not your footsteps laggard be. Capture them -and, returning hence, let their bones and flesh serve -but to fill the pot. (<i>Turns toward kettle, chuckling -with glee.</i>) Oh, ho, ho! Ah, ha, ha! Two fairy -messengers to grace the witch’s brew. Fine will be -the scent as their bones are burned and flesh is boiled -into the stew! (<i>Turning</i>) Erebus and Noctis, fail -me not!</p> - -<div class="blockquot"> - -<p>(<i>Enter Erebus and Noctis returning from chase -empty handed, from back of stage.</i>)</p></div> - -<p><i>Black Witch</i> Didst let them escape thee, dull imps?</p> - -<p><i>Erebus and Noctis</i> (<i>heads hanging</i>) Aye, dread -mother.</p> - -<p><i>Black Witch</i> (<i>Beating Erebus and Noctis about -shoulders with rod</i>) Stupid dullards! Worthless -laggards! See that ye fail me not again! (<i>Indignant</i>) -Come with me and gather ’round the cauldron.</p> - -<div class="blockquot"> - -<p>(<i>They move over to kettle and take positions around -it. Black Witch makes passes with rod and at signal -from Black Witch all three chant chorus of incantation -song. The solo stanzas of this song, also the chorus -are to be droned out in a slow, sing-song chant, no -particular tune or melody desired. Make it as weirdly -unmusical and inharmonious as possible, but let -the words “get across” distinctly.</i>)</p> - -<p><span class="pagenum"><a id="Page_10"></a>[10]</span></p></div> - -<p><i>Chorus</i> (<i>Black Witch, Erebus and Noctis, while -moving around the kettle circling slowly.</i>)</p> - -<div class="blockquot2"> -<p>We’re watching the pot and it’s going to boil;<br /> -The air will get hot and this region will spoil,<br /> -But that matters not for we brew witches’ oil.</p></div> - -<div class="blockquot"> - -<p>(<i>Stop circling. Black Witch waves rod. She reaches -over and fingers the head of Erebus, tosses hand toward -cauldron. Repeats process with Noctis. The -three immediately resume circling around kettle while -Black Witch sings first stanza in solo.</i>)</p></div> - -<p><i>Black Witch</i> (<i>solo chant</i>)</p> - -<div class="blockquot2"> -<p> -1 A louse and a lizard<br /> -<span class="indent">And two babies fair;</span><br /> -<span class="indent">The brains of a pole-cat,</span><br /> -<span class="indent">Some coyote’s hair;</span><br /> -<span class="indent">Animals, reptiles</span><br /> -<span class="indent">And birds of the air,</span><br /> -<span class="indent">We take of their entrails</span><br /> -<span class="indent">And stir them with care.</span></p></div> - -<p><i>Chorus</i> (<i>the three, still circling</i>)</p> - - -<p> -<span class="indent2">We’re watching the pot and it’s going to boil,</span><br /> -<span class="indent2">The air will get hot and this region will spoil,</span><br /> -<span class="indent2">But that matters not for we brew witches’ oil.</span></p> - -<div class="blockquot"> - -<p>(<i>All cease circling at conclusion of this chorus. -Black Witch to be behind kettle facing audience. Erebus -and Noctis on each side. While Black Witch sings -next stanza the three sway back and forth but do not -circle around.</i>)</p></div> - -<p><i>Black Witch</i> (<i>solo chants</i>)</p> - -<div class="blockquot2"> -<p> -2 To those must be added<br /> -<span class="indent">The element, strife;</span><br /> -<span class="indent">Some envy and malice—</span><br /> -<span class="indent">The ills of our life—</span><br /> -<span class="indent">Vengeance and jealousy,</span><br /> -<span class="indent">Backbiting, lies,</span><br /> -<span class="indent">All put in the kettle</span><br /> -<span class="indent">With things we despise!</span></p></div> - -<p><span class="pagenum"><a id="Page_11"></a>[11]</span></p> - -<div class="blockquot"> - -<p>(<i>The three immediately begin circling again and -chant chorus.</i>)</p></div> - -<p> -<i>All</i> We’re watching the pot and it’s going to boil,<br /> -<span class="indent2">The air will get hot and this region——</span></p> - -<p><i>Black Witch</i> (<i>Interrupting hysterically and shaking -rod menacingly towards Erebus and Noctis in turn.</i>) -Curses upon thee, torpid imps! Canst not chant with -thy wonted vim? Let thy voices swell to the far -gods, else will sovereign Jove hear us not. Raise thy -voices. I command thee!</p> - -<div class="blockquot"> - -<p>(<i>The three resume circling and re-commence the -chorus, Erebus and Noctis chanting louder.</i>)</p></div> - -<p> -<i>All</i> We’re watching the pot and it’s going to boil,<br /> -<span class="indent2">The air will get hot and this region will spoil,</span><br /> -<span class="indent2">But that matters not for we——</span></p> - -<p><i>Black Witch</i> (<i>Interrupting by beating the kettle -with rod and screaming furiously</i>) Curses upon thee, -dead! black! pot!!</p> - -<div class="blockquot"> - -<p>(<i>Enter White Fairy at back of stage at word “pot”. -Fairy raises wand. Light appears inside of kettle as -Black Witch beats it, to be so timed that the glow appears -at instant White Fairy raises wand.</i>)</p></div> - -<p><i>Black Witch</i> (<i>screaming triumphantly</i>) Ha! ha! -it comes! Light comes—light make fire—come fire—fire -come!</p> - -<p><i>White Fairy</i> (<i>coming forward and interrupting</i>) -Stop! I command thee, stop!</p> - -<div class="blockquot"> - -<p>(<i>Erebus and Noctis shiver, moan and fall prone on -the ground, remaining there until told to fly by Black -Witch.</i>)</p></div> - -<p><i>Fairy</i> (<i>From position a trifle to the left and back -of kettle, gazing steadily at Witch, ignoring imps.</i>) -This night thou art delivered unto me.</p> - -<p><i>Black Witch</i> (<i>moving toward Fairy</i>) Not so, not -so, loathed Fairy. Though ages old I still am young -and thou shalt not prevail.</p> - -<p><i>Fairy</i> (<i>calmly</i>) Thy power is gone——</p> - -<p><span class="pagenum"><a id="Page_12"></a>[12]</span></p> - -<p><i>Black Witch</i> (<i>Interrupting in derision</i>) Not yet, -dear Fairy! (<i>continues with air of triumph</i>) See -yonder glow in my black pot? With my rod I brought -it and it will burn and brighten until thee and thine -consumed and parched be, and the whole world -blighted. This rod, my power, though it weakened -be, is potent still and thou canst do naught against -me——</p> - -<p><i>Fairy</i> (<i>Interrupting with cool hauteur</i>) That light -is mine. I caused it there. Forever it will glow—a -fairy gleam to light and bless the world. Thy power -is gone, thy rod is dead.</p> - -<div class="blockquot"> - -<p>(<i>Black Witch begins to laugh scornfully, moves over -and gazes into pot, is startled and laugh is choked -down.</i>)</p></div> - -<p><i>Black Witch</i> (<i>murmuring hopelessly</i>) ’Tis true. -’Tis true.</p> - -<div class="blockquot"> - -<p>(<i>Black Witch grows afraid, moves away from kettle -towards left across front of stage, muttering. Fairy -maintains her original position but turns around slowly -following movements of Black Witch with her eye. -Fairy makes passes with wand toward Black Witch. -Black Witch trembles and becomes furiously enraged.</i>)</p></div> - -<p><i>Black Witch</i> (<i>hysterically</i>) Begone, foul fairy, ere -I smite thee dead!</p> - -<p><i>Fairy</i> (<i>Calmly</i>) Do thy worst. Thy worst is -less than none.</p> - -<div class="blockquot"> - -<p>(<i>Black Witch grows desperate, approaches White -Fairy and raises rod to strike her. At this moment -B. W. should be to left of Fairy.</i>)</p></div> - -<p><i>Black Witch</i> With mine omnipotent rod I kill thee!</p> - -<div class="blockquot"> - -<p>(<i>Fairy smiles, holds forth her wand. Arms of -Black Witch become rigid in mid-air.</i>)</p></div> - -<p><i>Black Witch</i> (<i>screaming</i>) Fly Erebus and Noctis, -Imps of Blackness, for your lives make haste! Away! -Away!</p> - -<p><span class="pagenum"><a id="Page_13"></a>[13]</span></p> - -<div class="blockquot"> - -<p>(<i>Exeunt Erebus and Noctis to back passing to the -right and behind Witch and Fairy.</i>)</p></div> - -<p><i>White Fairy</i> (<i>still smiling</i>) Break rod, rod break!</p> - -<div class="blockquot"> - -<p>(<i>Touches rod with wand, rod breaks.</i>)</p></div> - -<p><i>White Fairy</i> (<i>slightly toward audience</i>) And -thus shall broken be her power forevermore.</p> - -<div class="blockquot"> - -<p>(<i>White Fairy waves her wand toward Black Witch, -Black Witch trembles, groans, broken piece of rod falls -from her hand.</i>)</p></div> - -<p><i>Black Witch</i> (<i>muttering</i>) ’Tis true. ’Tis true. -Jove hath forsaken me and aids this young sprite to -do me harm—— (<i>words trail off into silence as White -Fairy continues to wave wand</i>.)</p> - -<p><i>White Fairy</i> (<i>Low and rather sadly</i>) Thy lips -are silent now forever. Now thou must sleep—sleep -witch, no longer witch.</p> - -<div class="blockquot"> - -<p>(<i>White Fairy continues to wave wand slowly. Black -Witch nods head drowsily, wilts into sleep and falls to -ground.</i>)</p></div> - -<p><i>White Fairy</i> Thou hast fallen. A deeper sleep is -thine than fell upon the Imps of Blackness. Sleep -forever—wake no more!</p> - -<div class="blockquot"> - -<p>(<i>Black Witch exhales one last breath. Dies.</i>)</p></div> - -<p><i>White Fairy</i> (<i>solemnly</i>) Thine is a sleep eternal. -Thou art dead.</p> - -<div class="blockquot"> - -<p>(<i>White Fairy gives one last pitiful look at dead -Witch, then turns away smiling.</i>)</p></div> - -<p><i>White Fairy</i> (<i>calling</i>) Come Mirth and Jollity! -Come, children, come.</p> - -<div class="blockquot"> - -<p>(<i>Mirth and Jollity and children, come tripping in -with exclamations of childish delight, etc., until they -spy the dead Witch; then their cries are hushed, their -tripping ceases and they move furtively on tip-toe over -to White Fairy glancing at her for explanations.</i>)</p></div> - -<p><i>White Fairy</i> Black Witch is dead. Her power is<span class="pagenum"><a id="Page_14"></a>[14]</span> -gone, and Hallowe’en shall always be a hallowed -evening—holy night! redeemed from evil by the -power of light. Let men rejoice and women sing. -Let children play and dance. This night, henceforth, -is sacred to the joys of children.</p> - -<div class="blockquot"> - -<p>(<i>Children clap hands in applause.</i>)</p></div> - -<p><i>White Fairy</i> Come! let us dance.</p> - -<div class="blockquot"> - -<p>(<i>Music starts up. Any lively dance song for children -such as can be found in any school music book will be -suitable here. All clasp hands and begin to circle -around kettle, singing and dancing. Music breaks off -and all stop singing abruptly in middle of first stanza. -Children all glance towards dead Witch then towards -Fairy.</i>)</p></div> - -<p><i>White Fairy</i> What is it, children?</p> - -<p><i>Mirth</i> Good Fairy, we want no one to die.</p> - -<p><i>White Fairy</i> (<i>touching Mirth with wand</i>) Bless -you, dear messenger of mine, but the witch is evil -and cannot live.</p> - -<p><i>Jollity</i> Can’t you give the witch her life but keep -her evil power away from her?</p> - -<p><i>Children</i> (<i>in unison</i>) Please good Fairy, restore -the Witch’s life! Please oh! please.</p> - -<p><i>White Fairy</i> (<i>pondering</i>) Your pleas move me. -I will restore the witch’s life. In Spirit world she -can no longer live. A mortal, she must dwell upon -the earth.</p> - -<div class="blockquot"> - -<p>(<i>Children cluster in “background” as Fairy goes -toward Witch.</i>)</p></div> - -<p><i>White Fairy</i> (<i>touching Witch with wand</i>) Insensate -clay awake! Moved by the tears of children, -whom thou hast terrified and wronged, I give thee -life. Thou canst no longer dwell with spirits. Wake -in mortal form!</p> - -<div class="blockquot"> - -<p>(<i>Witch begins to show signs of life as White Fairy -continues to wave wand.</i>)</p> - -<p><span class="pagenum"><a id="Page_15"></a>[15]</span></p></div> - -<p><i>White Fairy</i> (<i>Resuming</i>) Too long hast thou disgraced -thy sex in Spirit World, in mortal life thou -shalt assume the guise of man.</p> - -<div class="blockquot"> - -<p>(<i>During preceding lines Witch must unfasten necessary -strings, hooks, etc., to allow entire costume to fall -off as she rises. Fairy reads next line upon receiving -signal from Witch that all is ready.</i>)</p></div> - -<p><i>White Fairy</i> (<i>stepping back and raising wand</i>) -Rise mortal man.</p> - -<div class="blockquot"> - -<p>(<i>Mortal rises, children cheer.</i>)</p></div> - -<p><i>White Fairy</i> (<i>Continuing</i>) Be grateful for thy -life.</p> - -<div class="blockquot"> - -<p>Note—If part of Witch is played by female -omit this line and change words to feminine -gender in following lines where necessary. -In the original production the Witch was effectively -impersonated by a young man thus -bringing out a stronger anti-climax upon restoration -to life.</p></div> - -<p><i>Mortal</i> (<i>bowing</i>) I am grateful.</p> - -<div class="blockquot"> - -<p>(<i>Fairy disposes of wand by hanging it on her dress.</i>)</p></div> - -<p><i>White Fairy</i> Thy life is due these children. See -thou be good to them else will thy life be forfeited to -me again. Love them, I command thee.</p> - -<p><i>Mortal</i> (<i>bowing low and gently kissing Fairy’s -hand</i>) I will love them and obey thee, most gracious -majesty.</p> - -<div class="blockquot"> - -<p>(<i>White Fairy and Mortal clasp hands and turn toward -audience.</i>)</p></div> - -<p><i>White Fairy</i> Thus ever shall the powers of night -and darkness be dispelled.</p> - -<p><i>Mortal</i> And good will triumph over evil everywhere.</p> - -<div class="blockquot"> - -<p>(<i>They bow to audience and to each other.</i>)</p></div> - -<p><i>White Fairy</i> Will dance with us, my Lord?</p> - -<p><i>Mortal</i> Your majesty doth honor me.</p> - -<p><span class="pagenum"><a id="Page_16"></a>[16]</span></p> - -<div class="blockquot"> - -<p>(<i>All join hands circling around kettle and sing dance -song. Organ glides into march at end. All march -off, Fairy and Mortal in lead, then Mirth and Jollity, -followed by children. Exunt all.</i>)</p></div> - - -<p class="center">CURTAIN.</p> - - -<hr class="chap" /> - -<div class="chapter"> -<p class="ph1">TWO PLAYS FOR BOYS</p> -</div> - -<div class="blockquot"> -<p class="center">By SEYMOUR S. TIBBALS.</p> - -<hr class="tiny" /> - -<p>Mr. Tibbals has been unusually successful in furnishing -boys’ plays that introduce characters true to -life. While the plays are strong and forceful in the -lessons they teach, clean comedy predominates and -the boys like them.</p> - - -<p class="ph1">“The Millionaire Janitor”</p> - -<p>A comedy in two acts. Here is a rollicking play -for eight or more boys with plenty of action. Just -the thing for a Boys’ Class or Junior Y.M.C.A. -Easily staged and costumed. Opportunity for introduction -of musical numbers and recitations. By introducing -such features the play may be used for -an entire evening’s entertainment.</p> - -<p class="ph2">Price 25 Cents</p> - -<hr class="tiny" /> - -<p class="ph1">“Up Caesar’s Creek”</p> - -<p>A splendid play for any number of boys. The -characters are real boys and the play deals with their -experiences while camping up Caesar’s Creek the performance -closing with a minstrel show in camp. Costumes -and scenery are not elaborate and the play may -be produced on any stage.</p> - -<p class="ph2">Price 25 Cents</p> - -<p>These comedies are protected by copyright, but -permission for amateur production is granted with -the purchase of the book.</p> - -<hr class="tiny" /> - -<p class="ph2"> -ELDRIDGE ENTERTAINMENT HOUSE<br /> -Franklin, Ohio</p> -</div> - - -<hr class="chap" /> - -<div class="chapter"> -<p class="ph1">“<span class="u">THE HOUSE THAT HELPS</span>”</p> -</div> - - -<p class="ph2">WE ARE SPECIALISTS IN</p> - -<p class="ph1">Amateur Entertainments</p> - -<p class="center">It is not a side line with us, but we<br /> -devote our entire time to that business</p> - -<hr class="tiny" /> - -<p>Realizing that many people have grown -weary of searching through catalogs and reading -entertainments only to discard them as -unavailable we appreciate the fact that our customers -have often spoken of us as “the house -that helps.” We have had practical experience -in selecting and producing amateur entertainments -and we feel that we know what -will please the public, and what can be produced -under certain conditions. <b>Our experience is -at your disposal.</b> Write us, giving full particulars -of your special need in the way of an entertainment, -and we will select a play, an operetta, -a drill or even an entire program for you. -<b>But always enclose a stamp for the reply.</b></p> - -<p><b>Remember</b>, that in addition to our entertainments -we carry a large line of publications of -other dealers. If in doubt as to the entertainment -you desire, send particulars and we -will suggest something to fit.</p> - -<p>We are at your service.</p> - - -<p class="ph2"> -ELDRIDGE ENTERTAINMENT HOUSE<br /> -Franklin, Ohio</p> - - -<hr class="chap" /> -<p> </p> - -<div class="chapter"> -<div class="transnote"> -<p class="ph2">TRANSCRIBER’S NOTE:</p> - -<p>Obvious typographical errors have been corrected.</p> - -<p>Inconsistencies in hyphenation have been standardized.</p> -</div></div> - -<p> </p> -<hr class="pgx" /> -<p>***END OF THE PROJECT GUTENBERG EBOOK THE FAIRY AND THE WITCH***</p> -<p>******* This file should be named 63192-h.htm or 63192-h.zip *******</p> -<p>This and all associated files of various formats will be found in:<br /> -<a href="http://www.gutenberg.org/dirs/6/3/1/9/63192">http://www.gutenberg.org/6/3/1/9/63192</a></p> -<p> -Updated editions will replace the previous one--the old editions will -be renamed.</p> - -<p>Creating the works from print editions not protected by U.S. copyright -law means that no one owns a United States copyright in these works, -so the Foundation (and you!) can copy and distribute it in the United -States without permission and without paying copyright -royalties. 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