summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
authornfenwick <nfenwick@pglaf.org>2025-02-04 06:18:20 -0800
committernfenwick <nfenwick@pglaf.org>2025-02-04 06:18:20 -0800
commitaade169019a627bb87920c0009bb6a3b8820aa99 (patch)
tree1c84e1e8ddec757285aa67fef1751160f095abc3
parent5c1f24d355ddd64d8727c84ba46d573b5f0fb02b (diff)
NormalizeHEADmain
-rw-r--r--.gitattributes4
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
-rw-r--r--old/63198-0.txt2275
-rw-r--r--old/63198-0.zipbin34177 -> 0 bytes
-rw-r--r--old/63198-h.zipbin192947 -> 0 bytes
-rw-r--r--old/63198-h/63198-h.htm2431
-rw-r--r--old/63198-h/images/cover.jpgbin166664 -> 0 bytes
8 files changed, 17 insertions, 4706 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..d7b82bc
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,4 @@
+*.txt text eol=lf
+*.htm text eol=lf
+*.html text eol=lf
+*.md text eol=lf
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..0d9441e
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #63198 (https://www.gutenberg.org/ebooks/63198)
diff --git a/old/63198-0.txt b/old/63198-0.txt
deleted file mode 100644
index 2029658..0000000
--- a/old/63198-0.txt
+++ /dev/null
@@ -1,2275 +0,0 @@
-The Project Gutenberg EBook of Lords of Creation, by Ella Cheever Thayer
-
-This eBook is for the use of anyone anywhere in the United States and most
-other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms of
-the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you'll have
-to check the laws of the country where you are located before using this ebook.
-
-Title: Lords of Creation
- Woman Suffrage Drama in Three Acts
-
-Author: Ella Cheever Thayer
-
-Release Date: September 14, 2020 [EBook #63198]
-
-Language: English
-
-Character set encoding: UTF-8
-
-*** START OF THIS PROJECT GUTENBERG EBOOK LORDS OF CREATION ***
-
-
-
-
-Produced by Jessica Hope
-
-
-
-
-LORDS OF CREATION.
-
-WOMAN SUFFRAGE DRAMA
-IN
-THREE ACTS.
-
-BY
-ELLA CHEEVER THAYER.
-
-
-
-BOSTON:
-GEO. M. BAKER & CO., PUBLISHERS.
-1883.
-
-
-Copyright,
-1883,
-BY GEORGE M. BAKER.
-
-All rights reserved.
-
-
-
-LORDS OF CREATION.
-
-CHARACTERS.
-
-Dr. Endicott, a true Man.
-Mr. Grovenor, the Head of his Family.
-Eugene, his Son, taking Life easy.
-Harold Doughlass, with more Money than Brains.
-Jim, a Coachman, much in Love.
-Kate Grovenor, who has a Mind of her own.
-Lizzie, a young Seamstress.
-Mrs. Grovenor, Mr. Grovenor's lesser half.
-Alice Grovenor, anxious for a rich Husband.
-Jennie, a Chambermaid who believes in Woman's Rights.
-
-COSTUMES.
-
-Kate. Act I., handsome evening dress. Act II., house dress. Act III.,
-black silk.
-Alice. Act I., elegant evening dress. Act II., house dress. Act III.,
-street costume, hat, etc.
-Mrs. Grovenor. Act I., evening dress. Act II., house dress.
-Act III., wrapper.
-Lizzie. Act I., plain street costume. Act II. and Act III., plain
-house dress.
-Jennie. Pretty light calico and apron.
-Dr. Endicott. Business suit.
-Mr. Grovenor. Same.
-Eugene. Elegant suit, rather flashy. Plain suit in Act III.
-Doughlass. Elegant suit, not quite so loud as Eugene.
-Jim. Handsome livery.
-
-
-
-LORDS OF CREATION.
-
-
-
-
-ACT I.
-
-
-Scene--Elegant Drawing-Room. Door C., Sofa, R., Chairs, etc.
-Table, L. C.
-
-(Enter Jennie, C., holding small bouquet in her hand.)
-
-Jennie. Here is Mr. Eugene's bouquet, and now where is Mr. Eugene? Not
-here, of course, and I must be running all over the house to find him.
-All a body has to do is to wait on him, that is what _he_ thinks! For
-he is a lord of creation, he is! And he must have his buttonhole
-bouquet, and his hair parted in the middle, and his mustache waxed, and
-everybody must bow down and worship him! But after all, he isn't as bad
-as his father. Oh! isn't _he_ just awful! Dear me, what a terrible
-thing it must be to think yourself so superior, all on account of your
-sex!
-
-Jim (looking in, C.). May I come in?
-
-Jen. (looking over shoulder). Oh! You are here, are you? I might have
-known you would be!
-
-Jim (coming down R. awkwardly). Yes, because I always come where you
-are, if I can.
-
-Jen. (L.) Too bad, ain't it, I don't appreciate it any better? You
-haven't seen Mr. Eugene anywhere, have you?
-
-Jim. Seen him? No! That is, not since two o'clock this morning, when
-I helped him up-stairs, and he called me his darling Jim.
-
-Jen. How awful!
-
-Jim. I guess you would have said so if he had hugged you the way he did
-me!
-
-Jen. (coquettishly) Well, I don't know; perhaps that might not have
-been quite so awful either!
-
-Jim (walking about angrily). Just let me catch him hugging you, or any
-other fellow, that's all.
-
-Jen. Dear me! And what business would that be of yours, I should like
-to know? This is a free country, sir, and I am a single woman, and
-hugging isn't a crime, and no man shall dictate to me. So! (Stamps
-foot.)
-
-Jim. Who _is_ dictating? How you do fly off! You know, Jennie, I
-think all the world of you!
-
-Jen. Yes, I dare say! Men always say so _before_ they get married. I
-suppose that is what our master said to our mistress once, and now see
-the way he orders her about! And you would like to do the same by me,
-wouldn't you? But I am altogether too smart for that, sir!
-
-Jim. But, good gracious, Jennie, how you do fly off! Never thought of
-such a thing in my life!
-
-Jen. Oh, pshaw! Men are all alike! Now I will bet a pound of candy
-that you think you know more than I do, just because you are a man!
-
-Jim. Well--I--of course about some things.
-
-Jen. Some things! just tell me one.
-
-Jim. Well--I--you see it would take me some time to think.
-
-Jen. Yes, I guess it would! Well, I have my eyes open, and I haven't
-lived in this house going on a year for nothing, and seen the airs
-master and Mr. Eugene give themselves! Over Miss Kate, too, who knows
-more than both of them put together.
-
-Jim (gesticulating). But, Jennie, a woman isn't _supposed_ to know as
-much as a man. It isn't natural, you see! But a man likes them all the
-better for it, and he likes to be looked up to, you know.
-
-Jen. (drawing herself up). You don't say so! How sorry I am I can't
-make you happy in that way. But the fact is, I'd rather have a man who
-likes me for what I know and not for what I _don't_ know! So
-(courtesying) I'll leave you to find a woman with less brains than you
-have--_if you can_. (Exit C.)
-
-Jim (following). Jennie! here, Jennie! She has gone and she is mad!
-How she does fly off! And oh, how I do love her! Good gracious, how
-I do love her! (Comes down C.) Now why on earth should she get mad
-about a little thing like that! Does she want me to say every man is
-a natural-born fool? Hang me if I don't believe they are, where a woman
-is concerned! Here for the last six months I've been a perfect slave to
-her. And all I get for it is to be told I belong to a tyrannical sex!
-But I won't stand it. No, I won't! (Going. Stops at door C.) I am
-afraid I can't help it, though. Oh, what an awful thing it is to be in
-love! And between me and the furniture, I do believe if a woman _is_
-the weaker sex, she always gets the best of a man somehow. (Exit,
-L. 2 E.)
-
-(Enter Mrs. Grovenor and Alice, C.)
-
-Mrs. G. (as she enters). Well, no, my dear, Dr. Endicott is not a
-particularly good match. But Mr. Doughlass has an immense fortune,
-you know.
-
-Alice (sits R. on sofa). Yes, but Mr. Doughlass is _such_ a bore, ma.
-
-Mrs. G. (sitting, L.). Ah, well, a bore is better than a tyrant, child.
-
-Alice. But there must be some men who are neither.
-
-Mrs. G. That kind are very hard to find, and, by some strange chance,
-are usually poor in purse when found. Witness Dr. Endicott, for
-instance.
-
-Alice. It would never do to marry a poor man.
-
-Mrs. G. Do! With your extravagant tastes it would be madness. I have
-no doubt Mr. Doughlass would make you a very good husband, and it is
-time you were thinking of settling in life now.
-
-Alice. But Kate is older than I am.
-
-Mrs. G. I fear poor Kate will surely be an old maid, in spite of all I
-can do. Alas! there has never been one in the family yet, and to think
-one of _my_ daughters should be first to bear that stigma is terrible to
-contemplate.
-
-Alice. Isn't it strange that she _never_ tries to be attractive to
-gentlemen?
-
-Mrs. G. And she actually wants to vote. I am sure I cannot conceive
-where she obtained such thoughts. Certainly not from _me_.
-
-(Enter Kate, C.)
-
-Kate (stopping at door). You are mistaken, mother.
-
-Mrs. G (rising quickly). _You_ here, Kate? How you do startle one!
-What do you mean by that remark?
-
-Kate (coming down C.). I mean, mother, that I first conceived my horror
-of occupying a dependent position from seeing how you were obliged to
-coax and manage, to bear cross looks and sarcastic remarks, whenever
-you asked father for money.
-
-Mrs. G. (looking around alarmed). Hush! Do not speak so loud; your
-father is in the library, and might hear.
-
-Kate. I am not afraid to say to any one that I had rather earn _my_
-money than have it doled out to me as a favor grudgingly bestowed.
-(Sits at table L. C.)
-
-Mrs. G. (sitting L.). I will admit, Kate, that it has always been very
-hard to obtain money from your father; and now listen to reason. You
-are aware that we spend every cent of our income in order to keep up our
-style of living. The future of you two girls cannot be provided for by
-us, so there is but one thing for you to do,--to marry.
-
-Kate. Are you sure that is the only thing?
-
-Mrs. G. Why, what else is there--for a woman?
-
-Kate. Many women are independent by the fruit of their own exertions.
-Why could not I be?
-
-Mrs. G. (with slight scream). You quite shock me. Do you not know you
-would lose your position in society by such a course?
-
-Kate. I am willing to lose it, if to keep it I must barter my own
-self-respect.
-
-Mrs. G. Barter your self-respect! What _do_ you mean?
-
-Kate. I mean sell myself for the sake of being supported in idleness.
-
-Alice (languidly fanning herself). The idea of a lady actually wanting
-to work!
-
-Kate. _I_ cannot live on husks, Alice.
-
-Mrs. G. I cannot understand why you should be so opposed to marriage.
-
-Kate. You mistake me very much if you think I am. Oh, no! I know well
-that the deepest and truest happiness in life is in love and marriage.
-It is against making marriage a trade, degrading it to a means of
-support, that I protest, with all my soul! (Rises.)
-
-Alice. A trade! How absurd! Would you marry a poor man for love?
-
-Kate. Without an instant's hesitation, and I would never be a dependent
-burden on him! Oh! mother, can you not see how much of the misery in
-the world is caused by the way girls are educated, in helpless
-dependence, often obliged to sell themselves to the first man who
-offers, because they cannot support themselves? Do not condemn me to
-such a fate. Give me a chance to be independent of all such
-considerations in my choice of a husband.
-
-Mrs. G. (with impatient gesture). Nonsense. You are crazy.
-
-Alice. The best thing you can do, Kate, is to set your cap for Dr.
-Endicott.
-
-Kate. I am very much mistaken in Dr. Endicott if he would deign to
-notice a woman who had stooped to set her cap. (Sits L. C.)
-
-Mrs. G. (sighing). I am sure I do not know what will become of you with
-such ideas.
-
-Mr. G. (outside). Where is Eugene? I want him.
-
-Mrs. G. Hush! here comes your father.
-
-Alice (starting up from reclining position). Oh, mother! _do_ try to
-get some money of him for a new ball dress. Mine are shameful!
-
-Mrs. G. I will do my best, but it is hard work. I hope you may never
-know how hard when you have a husband of your own.
-
-(Enter Mr. Grovenor, C., his hands full of papers, bills, etc.)
-
-Mr. G. (very crossly). Where is that boy? What do these bills mean?
-The expenses of this house _must_ be cut down. Do you think I am made
-of money, Mrs. Grovenor?
-
-Mrs. G. (timidly). I am very sorry. I am sure I do the best I can.
-
-Mr. G. (sitting R. of table and looking over bills). I think you would
-find a way to be more economical if you had to earn the money you spent.
-It's a pity you women did not have to do it once in a while, and then
-you would know how good it was.
-
-Kate (leaning on table, earnestly). That is just what I wish to do,
-father. Give me the chance and I will relieve you of the burden of my
-support.
-
-Mr. G. (staring at his own papers). You would do fine things, I dare
-say. I do not believe you know exactly what you are talking about, but
-then a woman never does. Now, for instance, how long do you suppose it
-would take you to earn that dress you have on, at women's average wages?
-
-Kate. I could wear a cheaper dress, if need be. I am aware that men,
-in whose hands now rests the power, show their boasted "chivalry" to the
-so-called "weaker sex" by paying her half they pay a man for the same
-work.
-
-Mr. G. (dropping papers angrily). What confounded folly you talk! If a
-woman did her work as well as a man she would get the same wages; but
-she does not. She isn't thinking of her work. When she is young she
-is thinking of getting married, when she is old she is mad because she
-can't.
-
-Kate (with dignity). Pardon me, father, but I think it is you who are
-talking folly.
-
-Mr. G. Humph! I suppose you would like to vote?
-
-Kate. I see no reason why I should not.
-
-Mr. G. (rises and looks her over, then looks at Mrs. G.) What kind of
-sentiments have you instilled into your eldest daughter, Mrs. Grovenor?
-
-Mrs. G. _I_, Mr. Grovenor! Do Kate's remarks sound like _my_
-teachings?
-
-Mr. G. (C.). Well, no, I will acquit you of ever having any tendencies
-towards doing anything to bring money into the family, Mrs. Grovenor.
-
-Kate. Father, I have some artistic talent, I think; why may I not study
-and become an artist? All I ask is that I may not be a burden on you
-or any one (going to him). You will not refuse me this, father.
-
-Mr. G. (putting arm around her). There, there, Kate, you are a good
-girl, and if you was only a boy I would make something of you; but as
-you are not, the best advice I can give you is to go and marry some good
-man and forget these foolish ideas of yours about voting and all that
-stuff. (Going, stops.) Mrs. Grovenor, send that boy to me at once, do
-you hear? Here is a bill of his for champagne that is something
-frightful! He certainly has inherited your extravagant taste. (Exit,
-C.)
-
-Mrs. G. (rising). There, Kate, you heard what your father said.
-Perhaps you will take his advice if you will not take mine. Do you
-think you can find Eugene?
-
-Kate. I will try. (Aside.) They all discourage me, but I will not
-be daunted! (Exit, L. 2 E.)
-
-Alice. You did not say a word about my dress, mother.
-
-Mrs. G. But he is in such a bad humor! However, I will go now and see
-what can be done. Talk about earning money! I am sure I doubly earn
-every cent I get from Mr. Grovenor, and always have. (Exit, C.)
-
-Alice. I believe father grows more stingy every day. Oh, dear! I
-suppose I shall have to marry that dreadful Mr. Doughlass. What a
-strange girl Kate is! And yet I do not know, I am not sure but what it
-would be nice to be independent.
-
-(Enter Jennie, C.)
-
-Jen. (coming down and handing card). Are you at home, Miss Alice?
-
-Alice (takes it and reads). "Harold Doughlass." Yes (sighs), I suppose
-so.
-
-Jen. Yes'm. (Aside.) _He_ is one of the superior sex, and he don't
-know so much as an idiot! (Exit, C.)
-
-Alice. Now, were I independent, I should certainly have said I was
-engaged and could not see him. How shall I be able to endure him for a
-life time, when he bores me so for an hour?
-
-(Enter Doughlass, eye-glass, cane, etc., C.)
-
-Alice (rising). I am delighted to see you, Mr. Doughlass!
-
-Doug. (C.) Aw! thank you. You are looking more chawming than ever this
-evening, Miss Alice.
-
-Alice (aside). He always says that. (Aloud.) You quite flatter me.
-Please be seated. (Offers chair.)
-
-Doug. (sitting, L.). Aw! this has been a fine day hasn't it, now?
-
-Alice (sitting, R.). Very fine indeed.
-
-Doug. I hope we shall have as fine to-morrow.
-
-Alice. I hope so, truly.
-
-Doug. But I weally feaw we shall have wain.
-
-Alice. You quite alarm me.
-
-Doug. Aw! I do not like wain.
-
-Alice. Nor I. (Aside, yawning.) Can't he talk about something besides
-the weather?
-
-Doug. (adjusting eye-glasses). I hope your pawents are both well!
-
-Alice. Quite well, thank you.
-
-Doug. I need not ask if you are, for you look more chawming than usual!
-
-Alice. Ah! you are very complimentary. (Aside.) How many times is he
-going to say that?
-
-Doug. Aw! yes, you are always chawming to me, you know! (Aside.) A
-fellow must flatter these girls. That's the secret!
-
-Alice. You quite confuse me. (Aside.) Is he going to propose?
-
-Doug. Aw! I--aw--I twust you do not dislike to be confused, because I
-think you chawming, you know? (Goes and sits beside her on sofa.)
-
-Alice. Of course I am only too pleased to be so favored.
-
-Doug. Yes--aw--and some day I shall tell you just how chawming I do
-think you. You are so different from your sister, you know.
-Why--aw--but weally a fellow is quite afwaid of her.
-
-Alice. Afraid? What, you afraid of a lady?
-
-Doug. Well, not--not exactly afwaid, of course, but you see--aw--I
-never know what to say to her. We fellows do not like
-these--aw--strong-minded ladies, you know. We like these--aw--gentle,
-clinging, soft girls, that do not know so much, you know, of whom you,
-Miss Alice, are such a chawming type!
-
-Alice (rising). Indeed. Thanks for the implied compliment to my
-intellect, sir! (Crosses to C.)
-
-Doug. Eh? (Aside.) What the deuce did I say to put her out like that?
-(Aloud.) I mean that you are vewy chawming, the style of girl we
-fellows pwefer, you know. (Rises and bows low.)
-
-Alice (aside). It will not do to get angry with him yet. But if I
-marry him I'll let him know whether I have any brains or not! (Aloud.)
-Indeed, Mr. Doughlass? But really, I do not think Kate so very
-formidable. Ah! here she comes now. (Goes to R. C.)
-
-Doug. I'm sorry--aw--to have our _tête-à-tête_ interrupted, and I am
-sure I do not know what to say to her, nevaw do, you know!
-
-(Enter Kate, L. 2 E., and bows to Doughlass coldly.)
-
-Doug. (aside). She looks at a fellow in a way that fweezes him all
-over. Aw--I'll flatter her. (Aloud.) Aw--you are looking as chawming
-as usual, Miss Grovenor.
-
-Kate. I am very glad if you have been so fortunate as to discover the
-fact.
-
-Doug. (aside). That always does please them, to be sure.
-
-(Enter Eugene, L. 2. E.)
-
-Eug. (going to C.) Well, Kittie, here I am; now where is the governor,
-and what's the row? Ah, Harold, my boy, how are you? Where were you
-last night? Jolly old time the boys had. But champagne does make a
-fellow feel like the deuce the next day.
-
-Kate (L.). Is it worth while to drink it, then?
-
-Eug. Oh! come now! don't preach. Confound it, a woman is always
-preaching. If they had their way a fellow would have no fun at all,
-eh, Harold?
-
-Doug. No--aw--that is, the ladies think so much of us, they want to
-make us saints, you know.
-
-Eug. Can't be done, though, eh? What is the use of living if a man
-can't have a good time? (Sings.) By Jove, I am glad I wasn't born a
-woman. They take things too seriously altogether. But they look up
-to us, for all their preaching, eh, Harold?
-
-Doug. (R.). To be sure--aw.
-
-Kate. That must require quite a stretch of the imagination sometimes.
-
-Eug. Hope that isn't personal, Kittie. Never mind, you will be proud
-of me some time, only a fellow must have his fling, you know. Now I
-must go and get my dose from the governor. By by, Harold, see you
-again. (Exit, C.)
-
-Kate. Poor Eugene.
-
-Doug. I beg pardon. (Aside.) What the deuce ails her now? (Aloud.)
-Poor Eugene? Why, he is the liveliest fellaw I know. The boys nevaw
-think of having a champagne supper without Eugene, you know.
-
-Kate. I am sorry if my brother is sought only for the purpose of
-gracing champagne suppers and disgracing himself.
-
-Doug. Aw--weally, now, weally, aren't you a little too severe.
-
-Alice (C.). Of course she is. A young man must sow his wild oats.
-
-Kate (L.). But I believe a young lady is not allowed that privilege.
-What is wrong for one must be for the other?
-
-Alice. You shock me, Kate.
-
-Doug. Aw--weally now, 'pon my honor, that is such a strange wemark,
-Miss Grovenor; a lady is of course above such things.
-
-Kate. Then in that respect, at least, she must be superior to a man.
-I am glad to hear you acknowledge even so little.
-
-Doug. Aw--now--aw--you quite confuse me. (Aside.) I must go wight
-away; never could stand these strong-minded ladies. (Aloud.) Aw--I--I
-never argue with a lady, you know. But I am afwaid I shall have to tear
-myself away, as I have a very particular engagement.
-
-Alice. I am so sorry! But we shall see you again soon?
-
-Doug. Aw--vewy soon--aw--I should only be too happy to wemain forever
-in your chawming pwesence. (Kisses her hand, bows to Kate, and exit,
-C.)
-
-Alice. Well, you have driven him away. It will be very convenient to
-have you around _after_ he and I are married, but previously the
-experiment is too dangerous, and I shall have to ask you to be kind
-enough to keep your strange ideas exclusively for our family circle.
-(Exit, L. 2 E.)
-
-Kate. Strange ideas! Is it so strange to long to be independent? Is
-it strange to shrink from being a burden on an already over-burdened
-father, or dependent upon the whims of some unloved husband? Is it
-strange to wish to exercise the talents and energy God has given you
-instead of allowing them to rust out in darkness? Does the fact of my
-being a woman make me content to drift along aimlessly, in a stream that
-leads nowhere? No! a thousand times, no!
-
-(Enter Jennie, C.)
-
-Jen. Dr. Endicott, miss.
-
-Kate. Please ask him in.
-
-Jen. Yes'm. (Aside.) _He_ is a man what _is_ a man. (Exit, C.)
-
-Kate. I wonder does he, too, think me strange?
-
-(Enter Dr. Endicott, C.)
-
-Dr. E. (coming down L.). At last I am with you once more, where I
-should have been long ago had not duty called me elsewhere.
-
-Kate. I am delighted to welcome you. Father was saying yesterday he
-wished to see you.
-
-Dr. E. Oh, yes, there is a little business matter between us. And
-what have you been doing since I was last here?
-
-Kate. Oh, nothing.
-
-Dr. E. Nothing? Really nothing?
-
-Kate. Oh, I have embroidered a little, painted a little, and practised
-music a little. But it all amounted to--as I said--nothing.
-
-Dr. E. It served to pass away the time pleasantly, at least.
-
-Kate. Yes. But is that what we are living for, to pass away time?
-
-Dr. E. You are right. Such a life is not suited to a woman of your
-temperament.
-
-Kate. But what can I do? Father and mother object to my doing anything
-that is real. Because I seek some aim in life, because I seek an
-independent position, they call me unwomanly and strange.
-
-Dr. E. Is it indeed so? Alas that these old prejudices of a by-gone
-age should trammel a woman now!
-
-Kate. I just frightened Mr. Doughlass away with my strange ideas.
-
-Dr. E. (laughing). Poor Harold! But you cannot frighten _me_ away,
-Miss Grovenor. It is just this free, untrammelled, independent woman we
-need in the world now.
-
-Kate (C.). I can feel now that I have one friend who knows and
-sympathizes with me.
-
-Dr. E. (going towards her). And who honors you above all women. Kate,
-may I add that this woman I have described is the woman I want at my
-fireside for my companion, friend, and my wife? There is one woman who
-is all I ask, one woman whom I love, but I dare not even hope for her
-favor. (Enter Eugene, C.) That woman, Kate, is-- (Takes her hand.)
-
-Eug. (coming down C. between them). That's right, doctor, shake hands
-with her, but after that keep at a discreet distance, for she hates men,
-you know. Wants to vote and smoke cigars, and wear bloomers and all
-that sort of thing, you know.
-
-Kate (R.). Eugene! I am ashamed of you.
-
-Eug. Ah, never mind me, sis. The doctor won't take too much stock in
-what I say, will you, doctor. And as for you, Kit, you will get over
-all those notions of yours some day and acknowledge that we men are
-capable of taking care of the nation, eh, doctor?
-
-Dr. E. (L.). Such very excellent care as we take of it!
-
-Kate. And such pains as you take to elect none but honest men to
-office!
-
-Eug. Ha! ha! that isn't a bad one for you, sis, it's a pity you are a
-woman, for you would have been a smart man and no mistake. But what the
-deuce of a temper the governor is in! Making such a fuss over a little
-bill for our champagne supper last night as I never heard.
-
-Kate. I wish you would let champagne alone, Eugene.
-
-Eug. Now don't preach. Say, can't you coax some money out of him some
-way? You women know how to do that sort of thing.
-
-Kate. I fear I am deficient in that feature of our sex.
-
-Eug. Oh, hang it! but I must have the money some way.
-
-(Enter Lizzie, C. Looks at Kate.)
-
-Lizzie. Excuse me, but I was told I should find Mrs. Grovenor here.
-Are you the lady?
-
-Eug. (aside). By Jove, Lizzie, and here! (Goes to L. of Dr. E.)
-
-Kate. Please come in and be seated. I will call mother.
-
-Liz. (entering and going down R.). I believe she advertised for a
-seamstress, and I-- (Looks at the gentlemen, screams, and sinks into
-chair, R. C. Dr. E. and Kate go to her.)
-
-Eug. (aside). This is devilish awkward. Hope she will know enough to
-hold her tongue. By Jove, I'm in a fix all around. (Exit hastily, C.)
-
-Kate (as Lizzie revives). Are you better?
-
-Liz. Yes--I--yes, thank you. (Looking around. Aside.) He has gone.
-
-Dr. E. The heat of the room overpowered her, doubtless. I will leave
-her to your care while I go and see your father.
-
-Kate. You will find him in the library.
-
-Dr. E. I will soon return. (Exit, C.)
-
-Kate (aside). She looked very strangely at the doctor before she
-fainted. What can it mean?
-
-Liz. I--I beg pardon for troubling you so much. I cannot imagine what
-made me so dizzy.
-
-Kate. I am very glad you have recovered.
-
-Liz. Thank you. I--I will go now. (Rises.)
-
-Kate. But I thought you wished to see my mother?
-
-Liz. Yes--but I--I think I cannot attend to it now. (Goes up C.)
-
-Kate (aside). There is something strange in her behavior. I will try
-and find out what is the matter. Perhaps I can help her. (Aloud.) Do
-not go until you are quite well. I thought you recognized the--the
-gentleman who was here just now. May I ask if it was so?
-
-Liz. (coming down R. confusedly). Yes--I--I have seen him before, in
-the country, where I lived. He boarded there one summer.
-
-Kate (L.). Then you are acquainted?
-
-Liz. (C.). Acquainted? Have I not sat by his side hour after hour
-underneath the trees and--oh! what have I said?
-
-Kate (aside). Why do I tremble? (Aloud, going to her.) Do not fear,
-child, have confidence in me and let me be your friend. I see you have
-some great trouble.
-
-Liz. Forgive me for having said what I did, but his appearance took me
-so by surprise, and I have not yet recovered myself.
-
-Kate (putting arm around her). Poor child, tell me all without fear,
-and I will do anything I can to help you.
-
-Liz. You are good and kind, I know, and I will confide in you. He--he
-told me he loved me, and I--I--believed it. And I loved him with all my
-heart. Life was nothing to me without him. But one day, with promises
-to return soon and make me his wife, he left me and I never saw him
-again until to-day. Ah! it broke my heart! it broke my heart!
-
-(Sinks sobbing on chair, R. C.)
-
-Kate (C., aside). And I, too, loved him. And he dared to speak of love
-to me, after having ruined the happiness of this confiding child. He
-whom I thought so good, so noble, who was my ideal of what a man should
-be. And how unmoved he was in her presence. (Aloud.) Poor girl (goes
-to Lizzie, kneels and puts her arm around her), you have my deepest
-sympathy. Be brave; he is not worth those tears. I will be your friend
-and comfort you all I can. Here (rising), go in this room; he will be
-back soon and I do not wish you to have the pain of meeting him. What
-you have told me shall be sacred. I will see you again soon. (Takes
-her to R.)
-
-Liz. Ah! thank you a thousand times for your goodness. (Exit, R.)
-
-Kate. Yes, he is coming back. Will he speak of his love again,
-trusting to her silence? His love? His noble words but now were decoys
-to catch the hand of a supposed heiress by pandering to her theories.
-Ah, heavens! is there no truth in the world? Unhappy, indeed, must the
-woman be whose whole life is dependent on the truth or falsehood of a
-man. Oh, woman's heart! who can escape the suffering its tenderness
-brings? Strong-minded let me be, and deal with him as he deserves!
-
-(Enter Dr. Endicott, C.)
-
-Dr. E. (coming down R.). I am happy to say your father and I have
-settled our little affair with mutual satisfaction; and now, Kate (going
-to her), may I finish the sentence so rudely interrupted? May I dare to
-ask the one woman in the world for me, to share my life?
-
-Kate (turning from him). I should hardly think you _would_ dare, sir.
-(Goes to L.)
-
-Dr. E. Kate, do I merit that strange tone of severity?
-
-Kate. Sir, do you think you are worthy of such a woman as you have
-described?
-
-Dr. E. No, Kate, no man is. But I would hope by her aid and the
-influence of her pure example to make myself more worthy day after day.
-
-Kate. Your hypocrisy deceives me no longer, Dr. Endicott. The man I
-marry I must honor as well as love. I cannot honor you. Farewell.
-(Points to door, C.)
-
-Tableau. Music. Dr. Endicott, R.; Kate, L.
-
-
-
-
-ACT II.
-
-
-Scene.--Library in Mr. Grovenor's House. Desk, R., Books, etc. Jennie
-discovered arranging Books at Desk. Chairs R. and L.
-
-Jen. Now I wonder what it all means? Let me see. (Counts on fingers.)
-Mr. Grovenor is cross all the time, Mrs. Grovenor is frightened all the
-time, Miss Alice is nervous all the time, Miss Kate is sober all the
-time, and Mr. Eugene is drunk--I mean jolly--all the time. Dr.
-Endicott don't come here any more, Eyeglass Doughlass is here all the
-time, there is a sighing seamstress up-stairs, and Jim--but I know what
-the matter is with Jim--_he_ is in love with _me_, _that's_ what ails
-_him_. But what ails everybody else is more than I can tell.
-
-(Enter Mr. Grovenor, L. U. E.)
-
-Mr. G. (going to desk). That will do, Jennie, that will do.
-
-Jen. Very well, sir. (Aside.) What a scowl he has on him! I do
-believe I should be tempted to marry Jim, if it wasn't for the awful
-example before me. (Exit, L. U. E.)
-
-Mr. G. (sitting at desk, R.). Nothing but debts, debts. What a fool a
-man is to get married and saddle himself with an expensive family!
-Well, there is one consolation, my girls will be off my hands some time.
-Not a bad bargain will the man make who gets Kate. It's a pity, a great
-pity she isn't a boy. A very different son she would have been to me
-from the one I have. If I had time to spare from money matters, Eugene
-would give me great anxiety. Here is that note of Brown's due next
-week; how am I to meet it? But it must be done or my credit is lost!
-
-Jen. (outside). This way, sir; you will find him in the library.
-
-Doug. (outside). Aw--pwecisely. (Enter Doughlass, L. U. E.) Aw--good
-morning, sir. I twust you are well to-day.
-
-Mr. G. (rising). Not quite well, I am sorry to say. Will you be
-seated?
-
-Doug. (sitting L.). Aw--thank you, but you seem vewy busy.
-
-Mr. G. We business men are always busy. (Sits, R.)
-
-Doug. Aw, pwecisely. I will not twespass long on your valuable time.
-To pwoceed to business at once, I came to ask--aw--for your daughter's
-hand.
-
-Mr. G. Indeed! Have you my daughter's consent?
-
-Doug. Aw--not exactly, but I weally do not think there will be any
-twouble about that. (Aside.) Does he think _any_ woman would wefuse
-_me_?
-
-Mr. G. I was not aware matters had gone so far. But I have two
-daughters. Do you mean my eldest or--
-
-Doug. Aw--no, no, your youngest. (Aside.) Does he take me for a
-woman's wights convention?
-
-Mr. G. If my daughter is agreeable, then, you have my full consent.
-(Aside.) How little he knows what an expensive luxury he is about to
-indulge in.
-
-Doug. (rising). Aw--thank you, I thought it was best to see you first,
-you know, and now I will not twespass on your valuable time any longer.
-Good morning.
-
-Mr. G. (rising and shaking hands with him). Good morning, and I wish
-you success. (Exit Doughlass, L. U. E.) Ay, that I do with all my
-heart. One burden less. Oh, if that note was only paid! (Exit into
-anteroom, R. 1 E.)
-
-(Enter Doughlass, L. U. E.)
-
-Doug. I beg pardon, but I believe I left my glove--aw--the old man has
-gone. Well, no matter, I'll just find my glove and depart. (Looks for
-glove.)
-
-(Enter Jennie, L. U. E.)
-
-Jen. If you please, sir--oh!
-
-Doug. (aside, looking at her through eye-glass). Always thought she was
-devilish pwetty. (Aloud) Aw--do not be afwaid, my dear.
-
-Jen. (coming down L.). Afraid of _you_? Oh, no, indeed, sir!
-
-Doug. Aw--that is wight. Let me see, what is your name, my dear?
-
-Jen. Jennie, sir. (Aside.) Oh, what a fool he is!
-
-Doug. Jennie--aw--vewy pwetty name, Jennie.
-
-Jen. Do you think so, sir? It _must_ be if you do.
-
-Doug. Aw--yes, and a vewy pwetty girl owns it, too.
-
-(Enter Jim, L. U. E. Stops up stage listening.)
-
-Jen. You don't say so!
-
-Doug. (getting closer to her). Aw--didn't you know you were a vewy
-pwetty girl, Jennie?
-
-Jen. (imitating). Aw--weally, sir!
-
-Doug. You little wogue, I have a good mind to snatch a--
-
-(Jim comes down C. and throws him over to R.)
-
-Jim (C.). You have, have you?
-
-Doug. (R.). You vulgaw fellow, how dare you lay your hands on a
-gentleman!
-
-Jim. Because you forgot to be a gentleman, sir, that's how, and I'll do
-it every time, too, so you needn't try to come any of them games here.
-
-Jen. (L.). Ain't you ashamed of yourself, Jim? Suppose the gentleman
-did say I was pretty, what then? There was no occasion for you to show
-your superiority, and it's entirely out of place. (Aside.) Just as if
-I should have allowed that jackanapes to kiss me! What stupid things
-these men are!
-
-Jim. He had no business to do it. He had no business to be so near
-you; I won't stand by and see it done.
-
-Doug. Weally, this is a most extraordinary thing! Look here, fellow--
-(Going towards him.)
-
-Jim. Don't call me fellow, sir. (Crossing to L.)
-
-(Enter Dr. Endicott, L. U. E.)
-
-Dr. E. (coming down R. C.). Oh, Mr. Doughlass, you here?
-
-Doug. Aw--yes, happy to see you. (Aside.) Good gwacious! It will
-never do to have him catch me in a wow with the coachman. (Aloud.)
-Aw--I was about leaving. Here, my good fellow. (Gives money to Jim
-and exit L. U. E.)
-
-Jim (looks at money, then throws it after him). There, sir! You will
-find money is not a plaster for everything.
-
-Jen. Ain't you ashamed of yourself, Jim! Is this the way you show
-your superiority, I'd like to know?
-
-Dr. E. (C.). What does all this mean?
-
-Jim. Excuse me, sir, it's nothing but a little quarrel that Jennie and
-I were having. Nothing uncommon, sir. She is like all women, the
-better a man likes her the worse he gets treated.
-
-Jen. Do not listen to him, please, doctor. It's all a bit of nonsense,
-anyway. If that last you said is true, Jim, all I have got to say is
-that it shows a great weakness in the sex. (Exit, L. U. E.)
-
-Jim. There you hear her, sir?
-
-Dr. E. Your sweetheart is a little wilful, I fear.
-
-Jim. Sh! don't let her hear you say that, for she ain't my sweetheart,
-you know. That is, she won't acknowledge it. It's me who am a dangling
-and a dangling after her, and she is laughing at me, or berating me for
-it all the time. Oh, sir! it is an awful thing to be in love. Why,
-sir, if this goes on much longer, I shan't have flesh enough left to
-keep my bones together with.
-
-Dr. E. Then why do you not insist on either yes or no from her and
-abide by it.
-
-Jim. _Insist_, did you say, sir? _Insist_? Why, sir, I have to get
-down on my marrow bones, sir, and then she ain't satisfied!
-
-Dr. E. But what does she wish you to do?
-
-Jim. I'll tell you what she wants, sir. She wants me to give up the
-dignity of my sex.
-
-Dr. E. (surprised). I fear I do not quite understand.
-
-Jim. She wants me to acknowledge that I am a fool, sir; nothing will
-content her but my admitting I am a perfect fool.
-
-Dr. E. That is very strange.
-
-Jim. You see, she thinks it her duty to sit down on me! just to show
-she ain't inferior, you know.
-
-Dr. E. I am afraid she and you also have gone to the two extremes of an
-idea. Now I do not believe you would wish to exercise any undue
-authority over her.
-
-Jim. Authority? over Jennie? No, indeed, sir, and to tell you the
-truth, I don't believe there is any fellow alive who _could_ do it and
-live.
-
-Dr. E. I have more faith in Jennie than to believe she would really
-like a man who was inferior to herself. I think she adopts that tone
-as a safeguard because she has a misgiving that the masculine instinct
-is to assert itself over the feminine. But if you give her to
-understand that as far as you are concerned she is wrong, I think there
-will be no trouble.
-
-Jim. Thank you, sir, I'll try. I suppose a man and a woman _are_ two
-halves, equal halves, but I have a feeling that Jennie won't be content
-with half; she will want two thirds at least. (Exit, L. U. E.)
-
-Dr. E. Poor fellow, I trust his Jennie will not be obdurate. As he
-says, it is an awful thing to be in love. Love! Is it a blessing or a
-curse? A week ago, and for me it meant happiness, and now--ah, Kate,
-what is it that stands between us? I can obtain no explanation from
-her; she refuses to see me alone. Is it what a man who has less faith
-in the sex than I would call a woman's caprice? No! Kate is a noble,
-a true woman, nothing can make me doubt that! "I must honor as well
-as love the man I marry." What can she have meant? What have I done?
-I am groping in the darkness, but I will find my way into the light yet!
-
-(Enter Mr. Grovenor, R. 1 E.)
-
-Mr. G. Ah, my dear doctor, you are a stranger indeed. I sent for you
-to-day, as I am feeling far from well. I have had a great mental strain
-of late and I fear it has been too much for me.
-
-Dr. E. I can truly believe it. I am grieved to see you looking so ill.
-
-Mr. G. My head troubles me sadly.
-
-Dr. E. You need rest.
-
-Mr. G. Rest! Rest is impossible for me.
-
-Dr. E. Cannot your son--
-
-Mr. G. Eugene! no! He is good for nothing except to sing comic songs
-at champagne suppers and talk soft nonsense to equally soft girls. No.
-I regret to say Eugene is not a son of whom I can be proud, or who is
-willing to be useful to me.
-
-Dr. E. But your daughter Kate. I am positive she could be of great
-assistance to you if you would allow her.
-
-Mr. G. What! a woman meddling in my business matters? Absurd!
-
-Dr. E. I am sorry I cannot agree with you. I know Miss Grovenor has
-business ability, energy, and brains; what more do you want?
-
-Mr. G. But she is a woman and that settles the matter. Let us not
-discuss this point. And now can you not give me something that will
-stop this burning in my head?
-
-Dr. E. I will try, but I fear, without rest, medicine will do you
-little good.
-
-(Enter Kate, L. U. E.)
-
-Kate (coming down C.). Father, I--Dr. Endicott!
-
-Dr. E. (L.). Kate!
-
-Kate. I thought my father was alone; excuse my intrusion. (Aside.) It
-is hard to remember how dishonorable he was when I see him as now. But
-I must.
-
-Dr. E. Do not go, I was about leaving. May I ask to be favored with an
-interview, at any time possible to you?
-
-Kate. I regret to be obliged to say no to your request.
-
-Mr. G. Why, what do you mean, Kate?
-
-Kate. What I say, father.
-
-Dr. E. I appeal to your sense of justice. Is it right to refuse me all
-explanation?
-
-Kate. Can you say you _need_ one?
-
-Dr. E. I can.
-
-Kate (aside). His eyes meet mine unfalteringly. Can there have been a
-mistake? But no, that is impossible. (Aloud.) As you will. I will
-see you to-morrow at this hour.
-
-Dr. E. I thank you. Pardon me, Mr. Grovenor, but as this is a matter
-that concerns me very nearly I could do no otherwise than speak in your
-presence--my only opportunity. I will send the medicine for you very
-soon. To-morrow at this hour, Kate, I hope to clear up all your doubts.
-(Exit, L. U. E. Kate looks after him.)
-
-Mr. G. What cursed nonsense is all this?
-
-Kate. Nothing, father, only Dr. Endicott asked me to be his wife.
-
-Mr. G. The devil he did.
-
-Kate. And I refused.
-
-Mr. G. What! refused? why, you are a bigger fool than most women!
-
-Kate. Thank you, father. But in a matter like that, you must allow
-even a woman has the right to choose.
-
-Mr. G. And are you expecting a prince, that the doctor, a fine,
-handsome man, is not good enough for you? It is not every one who would
-want you, with your unfeminine ideas!
-
-Kate. Well, father, I think I can manage to exist unmarried.
-
-Mr. G. Exist? on what? I have no property to leave you.
-
-Kate. Then at least I shall escape taxation without representation.
-
-Mr. G. There you go again with your crazy ideas! I declare I have no
-patience with you. What was that he meant about an explanation?
-
-Kate. That I am not at liberty to tell, as it is a secret that concerns
-others.
-
-Mr. G. A secret? Ah, well, it will come out soon enough, then. No
-woman yet ever kept a secret.
-
-Kate. We shall see.
-
-Mr. G. Well, Kate, I will not deny you have always been a good girl; I
-believe you never teased me for money in your life, but you were a fool
-to refuse the doctor. However, there is no accounting for a woman's
-whims, and you may think better of it.
-
-Kate. Let us dismiss that subject. I came here, father, to beg you to
-let me help you. I know you are ill and need rest. I know you are
-oppressed by many cares, while I--I have absolutely nothing to fill my
-time. I feel I could help you. Forget I am a woman, if need be, and
-let me try.
-
-Mr. G. I know you mean right, child, but if I should agree to your
-proposition, you would be more bother than you were worth; don't you
-see you would, you goose?
-
-Kate. At first I might until I learned your way. But that would not be
-long; at least let me try.
-
-Mr. G. Well, some time when I have plenty of time, perhaps, I will see!
-(Sits at desk, R.)
-
-Kate. You only say that to get rid of me. Is there no way I can induce
-you?
-
-Mr. G. No, no. Now do not annoy me any more. (Writes busily.)
-
-(Enter Mrs. Grovenor, L. U. E.)
-
-Mrs. G. (L.). Ah, Kate, you here? I would like to speak to your father
-alone a moment, my dear.
-
-Kate. Very well, mother. (Aside.) Poor father so worn and harassed.
-I know I could lighten his labors. Why is he so obstinate? (Exit
-L. U. E.)
-
-Mr. G. (without looking at her). Well, Mrs. Grovenor, what is
-it--money? You can't have it.
-
-Mrs. G. Not for myself. But Eugene is in great distress. He says he
-must have five hundred dollars at once, and goes on in a way that is
-frightful.
-
-Mr. G. (looking over shoulder). Five hundred dollars! Do you see that
-note, due next week and not a cent raised to pay it with? Do you see
-these bills? Go back and teach your son to earn his money.
-
-Mrs. G. (putting handkerchief to eyes). Oh, would I not if I could!
-But alas! I am helpless and Eugene is going to ruin!
-
-Mr. G. (writing). There, do not snivel. You have an easy time enough.
-So spare a man at least your everlasting whimpering!
-
-Mrs. G. An easy time? Bound, fettered, helpless, is that easy?
-
-Mr. G. (turning in his chair and staring at her). You are in an
-extraordinary mood to-day, Mrs. Grovenor! Bound, fettered--clothed,
-fed, given all the luxuries of life without lifting your own white
-hands, you mean. Helpless? To raise five hundred dollars to pay
-Eugene's--gambling--debts--doubtless. Who has been talking such stuff
-to you? Kate?
-
-Mrs. G. Sneer if you will, but it is true that of Kate I have learned
-to think upon things I never did before, and to believe that, had I been
-differently educated, had my life been broadened instead of narrowed,
-had I been taught to be independent, and to make my matrimonial choice
-from love alone, I might have been a better mother to my daughters, and
-guided the steps of my son away from ruin and dishonor. (Exit,
-L. U. E.)
-
-Mr. G. (staring after her). Have all the women gone crazy? I have been
-married twenty-five years and I never knew my wife to speak in that way
-before. It's all Kate's fault! I must forbid this radical talk or my
-household will be utterly demoralized. But she was right in saying that
-Eugene is going to ruin. This constant struggle with money matters has
-given me no time to attend to my son, and now, what shall be done?
-(Rises and walks back and forth.)
-
-(Enter Eugene, L. U. E.)
-
-Eug. Father!
-
-Mr. G. Ah! have you come to tell me what you mean by your disgraceful
-conduct, sir?
-
-Eug. Disgraceful conduct? You are talking in enigmas to me; I'm all
-right. I have been a little jolly sometimes, to be sure, but that is no
-more than all the boys are. You had your fun when you were young, I
-suppose, so why shouldn't I?
-
-Mr. G. How dare you, boy, insinuate that I--
-
-Eug. Ah! come, come, father, you know you wasn't a milk-sop any more
-than I am. It's all very well for the girls, but it won't do for us
-men, you know. So, now, let me have that five hundred, that's a good
-old dad.
-
-Mr. G. Five hundred dollars! Do you know that I am on the verge of
-ruin?
-
-Eug. The deuce you are!
-
-Mr. G. Nothing but a steady hand will save me. While I am struggling
-with all my might--sick enough to be in bed--to pull through, you all,
-not content with being dead weights on my shoulders, run into
-extravagance and profligacy. (Takes bill from desk.) The bill for my
-daughter Alice's last ball dress is here, $500. Here are two of your
-champagne bills, $100. I tell you this must be stopped. Your
-debauchery must be stopped. You have not the strength of mind to go
-through profligacy and come out solvent; if you had Kate's brains you
-might, but you have not; so I tell you this must be stopped, or you will
-have the pleasure of sowing the remainder of your wild oats in a
-pauper's back yard, if you do not fill a drunkard's grave! (Exit,
-R. 1 E.)
-
-Eug. By Jove! He means it every word! I never saw him so worked up
-before! And to say I, a man, had not so much strength of mind as Kate,
-he must be crazy! But what a fix I am in! I never dreamed but I could
-get the money without any trouble before the time to take up the note
-came, and if I cannot--great heavens! what I did was a crime, a State
-prison offence! State prison? Bah! the idea is absurd, I shall get the
-money some way. I will not think of it. It annoys me, too, to have
-Lizzie under the same roof. I have avoided her so far, but--oh! I will
-go and get a glass of whiskey and forget it all.
-
-(Enter Lizzie, L. U. E. She gives a startled exclamation.)
-
-Eug. Lizzie!
-
-Liz. You!
-
-Eug. What are you doing here?
-
-Liz. (up L.). I came to look for Miss Kate; they said she was in the
-library. Heaven knows I would not have come had I known you were here!
-
-Eug. Now, Lizzie, what is the use of making such a fuss about nothing?
-Because we had a jolly little flirtation once, it is no reason why we
-should go into heroics now, is it? Come, let us be friends, Lizzie.
-
-Liz. (coming down L.). Friends with you, who broke my heart?
-
-Eug. Nonsense! broken hearts went out of fashion years ago. There,
-forgive me, Lizzie, but what _is_ the use of taking things so seriously?
-Life was never made to be taken seriously.
-
-Liz. Perhaps not for you, but for those who have hearts life is indeed
-serious.
-
-Eug. I know it's a way women have to make themselves miserable, if they
-can. Now be sensible. Suppose we were awful spoons once; it was very
-pleasant while it lasted, but, of course, it could not last forever.
-
-Liz. And why?
-
-Eug. Why? Do summer flirtations ever last? Certainly not.
-
-Liz. But you said you never could be happy without me, that some day I
-should be your wife.
-
-Eug. By Jove! was I so far gone as all that? Well, I did like you
-amazingly, Lizzie, but, of course, that was mere talk.
-
-Liz. (looking at him earnestly and moving towards him). You did not
-mean it when you asked me to be your wife?
-
-Eug. Of course not, and I did not suppose you thought I did.
-
-Liz. (C.). And you call yourself a man, you who thus trifled with the
-heart of an innocent girl who loved you! Then if you are a type of a
-man, I thank heaven _I_ am a woman.
-
-Eug. Now, Lizzie, don't get mad. I did not mean any harm, 'pon my word
-I didn't. (Aside.) By Jove, I believe I did treat the little girl
-confounded mean.
-
-Liz. I loved not _you_, but the man I dreamed you were. _You_ I
-despise.
-
-Eug. Lizzie, I am sorry it ever happened. You see, I am a thoughtless
-kind of a fellow. I--I--have done a great many things I ought not.
-(Tries to take her hand.)
-
-Liz. (C., repulsing him). Then cultivate a different disposition in
-amends for the past and to save yourself from ruin, to which
-thoughtlessness is too often a guide. (Goes up R.)
-
-Eug. (L.). 'Pon my word, I--I believe I will try.
-
-(Enter Mr. Grovenor, R. 1 E., hastily, with paper clutched in his hand.)
-
-Mr. G. This--this is a forgery, and you, Eugene, do you--do you
-know--was it--can it have been you?
-
-Eug. (L., aside). Heaven! that note to-day! I thought it was
-to-morrow. What shall I do?
-
-Mr. G. (C.). Answer and contradict if you can the guilt I see in your
-face.
-
-Eug. Father, forgive me. It was a debt of honor and I hoped to be able
-to pay the note before it came due. I--
-
-Mr. G. Then it was you, my son. My curse upon you, ungrateful and
-miserable son. Go--to a prison. I will have no mercy on you.
-
-(Lizzie screams and comes down R.)
-
-Eug. Oh! a prison! (Staggers to R., and falls into chair. Lizzie
-leans over him.)
-
-Mr. G. Yes, a prison, and rot there. You have ruined me; do you hear,
-ruined me! What have I done that I should be the father of a son like
-this? A forger and a--(Staggers.) Ah, my head! how it burns! What
-was I saying? Mercy! I will have no mercy! Where is Kate? (Rings bell
-over desk furiously.) Yes, ruined! ruined!
-
-(Enter Mrs. Grovenor and Alice, L. U. E.)
-
-Alice (L. C.). Father, what is the matter?
-
-Mrs. G. (L.). What can I do? Are you ill? Speak to me.
-
-Mr. G. (raving). Yes, you have ruined me. (Enter Kate, L. U. E.) Who
-will pay these bills? I am ill, dying, dishonored; no one will
-straighten out my affairs. My son--no. I have no son. I--who will,
-who can help, save me? (Falls, C. Kate comes down L. C., kneels and
-puts her arms around him.)
-
-Kate. Your _daughter_, father! (Slow music.)
-
-TABLEAU.
-
-Eugene in chair. Lizzie bending over him, R. Mr. Grovenor on floor.
-Kate kneeling beside him, C. Alice weeping, with arms around her
-mother, L.
-
-
-
-
-ACT III.
-
-
-Scene--Same as First Act. Mrs. Grovenor, sitting on sofa, R. Alice,
-chair, L. Dr. Endicott, R., at table, discovered.
-
-Mrs. G. Thank heaven, my husband is in his right mind once more, and
-after heaven we must thank you, doctor.
-
-Dr. E. I have done all I could, and I am happy to have been so
-successful.
-
-Mrs. G. But since he has recovered his senses, his business affairs are
-worrying him. Would it not be better to explain everything?
-
-Dr. E. Yes, I think it will do to speak to-day, and, as a change of
-scene will be beneficial, get him up in his easy-chair and out here, if
-possible.
-
-Mrs. G. And Eugene, that unhappy boy.
-
-Dr. E. I doubt not this experience will be the needed one to arouse him
-to better things. You had best leave him to Kate.
-
-Mrs. G. Yes, I suppose so. Alas! I fear I have been much to blame for
-what has happened. I was too ignorant and helpless to be a wise mother.
-Dear Kate, what should we have done without her? (Rising.) But I must
-now go to my husband, who needs me every moment. I will follow your
-directions, doctor. (Exit, L. 2 E.)
-
-Dr. E. I am sorry to see you looking pale, Miss Alice, I hope you are
-not going to be ill also?
-
-Alice. Oh, no! I have been anxious about father.
-
-Dr. E. But now all occasion for anxiety has passed.
-
-Alice. Yes, and now I am to confess the truth somewhat out of sorts
-with myself.
-
-Dr. E. That is unfortunate, as we cannot easily get away from
-ourselves.
-
-Alice. Too true.
-
-(Enter Doughlass, C.)
-
-Doug. (coming L. of table). Aw--good afternoon, doctor. I thought I
-would come to take you out to wide, Alice.
-
-Alice (pettishly). Why, you have been here once to-day.
-
-Doug. Aw--yes--you cannot complain that I am not devoted, you know!
-
-Alice (aside). I wish I could. (Aloud.) Well, I suppose I may as well
-go out to ride as anything else. (Rising.)
-
-Doug. That is right; get your hat and we will go at once. (Alice,
-exit, L. 2 E.) You see I like to have her go out to wide, for it makes
-the fellows all envy me, you know. Alice is a devilish handsome girl,
-now, isn't she, doctor?
-
-Dr. E. Very handsome indeed.
-
-Doug. Yes--aw--and it's weally wough on a fellow, you know, to have to
-pay his attentions in a lunatic asylum.
-
-Dr. E. A lunatic asylum!
-
-Doug. Aw--yes--that is all I could think of whenever I have come here
-for the last two weeks, what with the old man waving wound, Eugene
-moping and tearing his hair, and Miss Kate having everything all her own
-way.
-
-Dr. E. Her father has cause to be thankful that his daughter does have
-everything her own way, at last. (Rises.)
-
-Doug. You surprise me. Aw--I have no doubt my--aw--future
-sister-in-law is a very smart woman, you know, but you see a fellow is
-afwaid of these smart women.
-
-(Enter Alice, L. 2 E., with hat, etc.)
-
-Alice. Yes, it makes things too unequal, no doubt.
-
-Doug. Aw--pwecisely. (Aside.) What the deuce does she mean? (Aloud.)
-Aw--if you are weady, my dear, we will bid the doctor good by.
-
-Alice. Ah, yes. We will go. (Aside, as they go up.) I will teach him
-something about a woman's smartness after we are married. (Exit with
-Doughlass, C.)
-
-Dr. E. (R., looking after them). Poor foolish couple! I pity you both.
-She is marrying him for his money, and he her for her good looks. And
-good looks fade, and money is powerless to satisfy the cravings of the
-heart, and then, what? (Enter Jim, C.) Well, Jim?
-
-Jim. If you please, sir, will you want the carriage?
-
-Dr. E. Not yet. By the by, Jim, have you fixed everything all right
-with Jennie?
-
-Jim. Not--not exactly, sir. To tell the truth (comes down L.), she has
-been going on worse than ever since the master has been sick, and Miss
-Kate has been, as it were, the head of the family. "There's a woman for
-you!" says Jennie, "and do you dare tell me you have any business to go
-and vote and Miss Kate stay at home?" says Jennie, and what can I say,
-sir? It's not for me to set myself up above Miss Kate!
-
-Dr. E. Poor Jim! Your love matters really do not glide along very
-smoothly. But they never do, Jim (sighing), they never do.
-
-Jim. You're very right, sir. To be in love is the most wearing thing I
-know of.
-
-Dr. E. I fear Jennie is a sad tease.
-
-Jim. Tease, sir! Why, she even teases me in my dreams!
-
-Dr. E. Then if she makes you so unhappy, why not give up all thoughts
-of her, and--
-
-Jim. Give up all thoughts of Jennie! Never, sir! Why, I had rather be
-made that miserable that I am reduced to walking about in my bones than
-give up Jennie. No, sir! It's a curious fact. (Enter Jennie, C.) A
-strange weakness in the composition of a man is that the more unhappy a
-woman makes him the better he likes her!
-
-Jen. (coming down, C.). You don't say so!
-
-Jim. Gracious Peter! I have done it now!
-
-Jen. Yes, you are caught in a confession of great weakness!
-
-Jim. I--I--take it all back.
-
-Jen. You can't; it's boarded.
-
-Dr. E. Right, Jennie. But what is this I hear about you?
-
-Jen. (confused). About me, sir?
-
-Dr. E. Yes, about your great aversion to our unfortunate sex?
-
-Jen. Lor, sir, I don't know. I suppose Jim has been telling you some
-nonsense or other! (Turns and makes face at Jim.)
-
-Jim. No, I haven't, Jennie, upon my soul I haven't. I only told him
-what you said about a man being inferior to a woman, that's all.
-
-Jen. Oh! that was _all_, was it? Well, Mr. Jim, you are a smart young
-man, you are! And besides, I never said anything of the kind. The fact
-is, doctor, I expressed my sentiments to him, that's all.
-
-Dr. E. And may I inquire what those sentiments are?
-
-Jen. Oh! it's only that I don't believe in getting married and being
-made a slave of and perhaps beat and told you don't know anything
-because you are a woman: those are the sentiments he objects to, sir.
-
-Jim. Good gracious, Jennie! Did I ever do any such thing?
-
-Jen. Of course not; you never had a chance.
-
-Dr. E. But really, my good girl, I do not believe you think in your
-heart quite so meanly of Jim as your words would signify. In your zeal
-for your own sex, do not be unjust to ours, for remember that is the
-very thing you condemn in us. (Exit, C.)
-
-Jen. (half crying). Well, Jim, I don't see what on earth you wanted to
-go and make me out so horrid to the doctor for. Just because I think a
-good deal of his opinion, I suppose.
-
-Jim. There, now! oh, dear! how you do fly off, to be sure. Make you
-out horrid? I, who would think you was perfect if you would only let
-up a little once in a while on me about your rights.
-
-Jen. Yes, and you went and made the doctor think that I not only wanted
-my rights, which I do, but yours, too, which I don't.
-
-Jim. You don't? I'm sure I thought you did.
-
-Jen. (stamping foot). Oh! is there anything in the world so stupid as a
-man?
-
-Jim. Stupid! I have a good mind to get mad.
-
-Jen. (turning her back to him). I would if I were you.
-
-Jim. Well, I-- (Goes up C., then returns.) No, I can't get mad with
-you, Jennie. But won't you please just remember how you went on about
-the tyranny of the sex, and all that sort of thing, and then don't blame
-me if I thought you wanted to tyrannize a little. I am sure that wasn't
-stupid.
-
-Jen. It was absurd, then. I only want my share, that's all.
-
-Jim. Is that all? Oh, Jennie (gets down on knees), if you will only
-marry me, you shall have your share, yes, and a little more.
-
-Jen. My share of being trampled on, do you mean?
-
-Jim. Who said anything about being trampled on? Well, your share of
-trampling, if you must have it.
-
-Jen. I think it is just awful of you to say that I am a tyrant.
-
-Jim (jumping up). Good gracious, there you go again! How you do fly
-off. When did I ever say any such thing?
-
-Jen. Well, Jim, supposing--just supposing, you know--that I should make
-up my mind to marry you--
-
-Jim. Oh, Jennie! If you only would. The very idea makes me so happy,
-I--I could jump way to the ceiling.
-
-(Holds out arms to embrace her, she runs under them.)
-
-Jen. Could you? Well, don't be in too much of a hurry, because it
-might hurt you when you came down, for you know I was only _supposing_.
-
-Jim. Jennie, do you want to see me pine to a shadow and blow away with
-love? I can't stand this sort of thing any longer. I will go away to
-California, that's what I will do!
-
-Jen. (coquettishly). But, Jim, don't you think you had better wait
-until I get through _supposing_?
-
-Jim. Wait! I will wait until I am bald if you will only promise to
-have me then.
-
-Jen. Dear me, I shouldn't want you _then_. In fact, I couldn't think
-of having you any way, if I thought you would _ever_ be bald!
-
-Jim (very fast). Oh, I never shall; no, indeed, we are not a bald
-family, there never was a bald man in it, the babies are all born with
-thick heads of hair. One of the family was scalped once, to be sure,
-but it was accidental, and his hair all grew out again in a few days.
-Look at mine. (Sticks it up.)
-
-Jen. (screams). Oh, don't! Nature has made you homely enough without
-your trying to help her.
-
-Jim. But I only wanted to settle this bald question forever. And now,
-Jennie, won't you go on _supposing_?
-
-Jen. Well, supposing I should marry you some time, would you find a
-minister who was willing to leave "obey" out of the marriage service?
-
-Jim. If there is one in America I'll find him. For I shouldn't want to
-make you swear to a lie, Jennie.
-
-Jen. And then would you respect my rights and acknowledge equal rights
-for both of us?
-
-Jim. Of course, your rights and equal rights,--principally your rights.
-
-Jen. Well, then, perhaps--but wait a moment; if there should ever be a
-balance over equal rights, it must come on my side, must it not?
-Because a man is apt to misuse his power, you know.
-
-Jim (going near her). You shall have all the balances.
-
-Jen. (edging away). I don't know but you are almost _too_ willing.
-
-Jim. Now she is off on another tack. What _can_ a man do?
-
-Jen. However, I can get a divorce if you don't keep your word, so, as
-you are a pretty good fellow, Jim, I think I will condescend to try you
-as a husband.
-
-Jim. Hurrah! (Embraces her.) But about this condescending--
-
-Jen. That is one of the balances, Jim.
-
-Jim. Oh, well! (Kisses her and is about to repeat when she stops him.)
-
-Jen. No, Jim. Equal rights. I must give you half, you know. (Kisses
-him and runs off, C.)
-
-Jim. Equal rights ain't so bad, after all. (Goes after Jennie and runs
-against Eugene, who enters moodily, C.) I beg pardon, sir, but I am so
-equal--happy. (Exit, C.)
-
-Eug. What is the matter with Jim? Happy! Well, I am glad some one is.
-I never shall be again. This is what my cursed easy disposition has
-brought me to. I have ruined myself and almost killed my father. If it
-was not for Kate I would blow my brains out--if I have any. (Sits
-dejectedly, R.)
-
-(Enter Lizzie, C.)
-
-Liz. Eugene!
-
-Eug. Lizzie, is it you? (Aside.) I am ashamed to look her in the
-face.
-
-Liz. I have been trying to see you ever since that--that trouble, but I
-never have been able to find you alone. I thought perhaps it might be
-some little comfort to you to know that I sympathized with and pitied
-you, and that I had faith enough in you to believe you would redeem the
-past.
-
-Eug. (starting up). These words to me from you? Oh, Lizzie, I am a
-miserable wretch.
-
-Liz. You have been gay, careless, reckless, but oh, I cannot believe
-you wholly bad. My share in your thoughtless past I freely forgive. I
-wanted to tell you this, and say I hope in the future to see you worthy
-the esteem of every one.
-
-Eug. I dare not hope that, Lizzie.
-
-Liz. But you will try?
-
-Eug. Oh, yes! I shall try. But my father,--he will surely never
-forgive me, will banish me from his house.
-
-Liz. Not if you tell him how penitent you are.
-
-Eug. He has not a heart like yours, Lizzie.
-
-Liz. But Kate will intercede for you.
-
-Eug. Kate, heaven bless her, I know she will. What has she not done
-for me already? And to think that I once set myself up as so far above
-her, and plumed myself on being a lord of creation,--I, a poor, weak
-fool, not worthy to touch the hem of her garment.
-
-Liz. Those words prove to me that you are no longer the Eugene you
-were.
-
-Eug. I hope, I trust not. As you say, I did not mean to be really bad.
-I was inexperienced, thoughtless, eager for the pleasures of life, and
-I never stopped to think of consequences. How could you have loved
-me--for you did love me once, Lizzie?
-
-Liz. It was your best side you showed me, Eugene.
-
-Eug. At first, yes; but I showed you my worst afterwards.
-
-Liz. The flaws in her idol cannot kill a woman's love.
-
-Eug. Lizzie, I did not mean to break your heart. Do you believe me?
-
-Liz. I do; and, as I said, forgive you freely.
-
-Eug. For the first time I begin to realize the happiness that might
-have been mine, the value of the heart I threw away.
-
-Liz. The heart that has always been yours, Eugene.
-
-Eug. (taking her hand). Mine! Mine now! What! Do you mean to say
-that you love me now, ruined and disgraced as I am, soon perhaps to be
-driven from my father's door, and go forth into the world penniless and
-alone?
-
-Liz. How little you know of woman's love! Think you it endures only
-through the bright summer days of sunshine? No, Eugene. In the time of
-darkness and sorrow a woman's love never fails.
-
-Eug. And would you share my fate _now_?
-
-Liz. Would I? Oh, how gladly! But you forget, I am a poor girl, a
-seamstress in your mother's house, and--
-
-Eug. I would indeed be unworthy of the blessing of your love should I
-think of _that_. Lizzie, your love shall raise me from the depths into
-which I have fallen. (Embraces her as Kate enters, C.)
-
-Kate. Eugene! Lizzie!
-
-Eug. (R. C.). Do not misapprehend, Kate. Let me explain before you
-judge.
-
-Kate (coming down L.). Go on.
-
-Liz. (aside, R.). Dare I hope she will approve?
-
-Eug. Lizzie and I met--a year ago!
-
-Kate. What! is it possible!
-
-Liz. Do you not remember, I told you all the first day I came to your
-house?
-
-Kate. What do you say? Do you mean (staggers back against table for
-support)--can it be that it was to him--to _Eugene_ that you then
-referred?
-
-Liz. To whom else? It was of course Eugene.
-
-Kate. Eugene! Oh, what a cruel mistake! Oh, what a wrong I have done
-a noble man! Heaven forgive me!
-
-Eug. (going to her). Dear Kate, what is the matter? what do you mean?
-
-Kate. Do not ask me; dear, forget what I have said. It is all right
-now--yes! all right now! Eugene--Lizzie--you do not need tell me
-anymore. I understand (joins their hands); I am very glad, and now will
-you please leave me? I--I would like to be alone.
-
-Liz. You are not offended?
-
-Kate. Offended? no indeed, child. I am sure you have both acted for
-the best.
-
-Eug. Dear Kate, with the help of my sister and my wife, I hope I may
-one day be what I once thought I was--a man! (Exit, C., with Lizzie,
-who comes back to kiss Kate, then exit.)
-
-Kate. Can it be true? Has the heavy load that has lain on my heart,
-at the bottom of all the other loads that have lain there of late,
-really gone? Yes--gone--all gone! Will he, can he forgive me? I must
-see him at once! (Rings bell.) How could I for a moment mistrust him?
-
-(Enter Jennie, C.)
-
-Kate. Please ask Dr. Endicott to come here.
-
-Jen. Yes'm. (Aside.) They two would make another nice equal-rights
-couple. (Exit, C.)
-
-Kate. What shall I say to him? Oh! if they could see me tremble, they
-would no longer call me "strong-minded."
-
-(Enter Dr. Endicott, C.)
-
-Dr. E. You sent for me, Kate? At last we meet alone!
-
-Kate. Yes, I sent for you to say, forgive me!
-
-Dr. E. Forgive you! For refusing me an explanation, do you mean?
-
-Kate. For ever having doubted you. Oh! how can I say how bitterly I
-have wronged you?
-
-Dr. E. Wronged me? and how? Do not fear: tell me all. Whatever it may
-be, it is forgiven.
-
-Kate. I doubted you. It seems impossible now that I could have done
-so, but I did; circumstances caused me to lay the wrong-doing of another
-at your door.
-
-Dr. E. If the cloud that has been between us so long has gone, I am too
-thankful to give anything else a second thought. So ask me not to
-forgive you, but rather let me ask you if you love me?
-
-Kate. I love and honor you with all my heart.
-
-Dr. E. As I do you. (Embraces her.)
-
-Kate. And please heaven our home shall be a happy one, if I _am_
-strong-minded!
-
-Dr. E. _Because_ you are strong-minded, dear. And now we must prepare
-to relieve your father's mind of the anxiety that is growing greater
-every moment. Hark! they are bringing him in.
-
-(Mr. Grovenor is pushed in on chair by Mrs. Grovenor and Jennie, C.
-Jennie immediately exits, C. Mrs. Grovenor goes to L.)
-
-Kate (going R. of him). Dear father, I am so happy to see you out of
-your room once more.
-
-Mr. G. Thank you, Kate. I--I hope to get back to business again soon.
-
-Dr. E. (L. of Mr. G.). Do not give yourself any uneasiness about your
-business. That has gone on well.
-
-Mr. G. No, no, that cannot be. I remember--
-
-Dr. E. That you were on the verge of ruin. But the crisis has passed,
-and now all is well.
-
-Mr. G. But--Brown's note.
-
-Dr. E. Brown has given you three months' time.
-
-Mr. G. Strange--oh! but Eugene--
-
-Dr. E. That note has been paid.
-
-Mr. G. Paid! can it be? But how, who has done all this--you, doctor?
-
-Dr. E. Not I, but one nearer and dearer, one more deserving of your
-thanks--your daughter. (Indicates Kate to him, who is leaning over his
-chair.)
-
-Mr. G. What, my daughter! _You_, Kate, have done this?
-
-Kate (coming around to his side, R.). Yes, dear father, my woman's wit
-has been equal to the occasion. I saw Brown myself. I had saved up a
-little money for the purpose of some day using in studying art, and with
-that I settled Eugene's debts. I have taken your place in the business
-as far as with my limited knowledge I could. So do not worry any more,
-dear father.
-
-Mr. G. Ah! my daughter, how foolish, how blind I have been! But the
-scales have fallen from my eyes at last, and I thank God for the great
-gift of my daughter. (Embraces Kate.)
-
-(Enter Eugene and Lizzie, C. Eugene goes and kneels before Mr.
-Grovenor. Lizzie stops up stage.)
-
-Eug. Father, can you overlook what has passed and let me try once more?
-
-Mr. G. My boy, I have erred too much myself to condemn you. We will
-both redeem the past. (Lays hand on his head.)
-
-Eug. Father, your confidence will not, shall not be misplaced.
-
-Kate (bringing down Lizzie, R.). And now, father, give your blessing,
-will you not, on his union with one who has long loved him, and who will
-help him to keep his word?
-
-Mr. G. What! He wishes to marry Lizzie!
-
-Kate. Yes, father, and she will make him a good wife.
-
-Mr. G. (taking Lizzie's hand). Let me look at you. You have a good,
-sweet face, child. Away with all false ideas of caste. Help my son to
-overcome his past errors and I will love you always. (Lizzie kneels at
-Eugene's side and he joins their hands.)
-
-Eug. (rising and taking Lizzie L. to Mrs. Grovenor). And you, mother,
-do you consent?
-
-Mrs. G. I will confess that once I might have said no, but
-now--now--now that I realize how false have been so many of my ideas, I
-dare trust myself only to say, may you be happy. (Goes back of Mr.
-Grovenor's chair, leaning over it.)
-
-(Enter Doughlass and Alice, followed by Jim and Jennie, C.)
-
-Doug. (R.). Aw--quite a family gathering, I declare.
-
-Alice. We are just in time to complete the circle.
-
-Dr. E. (R. of Mr. Grovenor's chair with Kate). And now, Mr. Grovenor,
-will you give your blessing? For Kate has promised to be my wife.
-
-Mrs. G. My dear Kate.
-
-Alice. Can it be?
-
-Doug. (aside). Going to mawwy the strong-minded one? Good gracious!
-
-Mr. G. Doctor, you have won a pearl of great price, but you are worthy
-of it. Heaven bless you both.
-
-Alice (aside). My ideas have been all wrong, but my fate is fixed now.
-
-Jim (coming down L. with Jennie). If you please, now, there is so much
-being said about getting married, I would like to mention that Jennie
-and I are going to get married, too.
-
-Jen. On equal rights.
-
-Dr. E. Equal rights to all.
-
-Kate. And I wish to every woman in the land might come equal rights,
-independence, and last, but not least, love.
-
-Music, curtain.
-
-Alice, Doughlass, R. Kate, Dr. Endicott, R. C.; Mr. Grovenor in chair
-C.; Mrs. Grovenor at back of chair; Eugene, Lizzie, L. C.; Jim,
-Jennie, L.
-
-
-
-
-
-
-End of Project Gutenberg's Lords of Creation, by Ella Cheever Thayer
-
-*** END OF THIS PROJECT GUTENBERG EBOOK LORDS OF CREATION ***
-
-***** This file should be named 63198-0.txt or 63198-0.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/6/3/1/9/63198/
-
-Produced by Jessica Hope
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for the eBooks, unless you receive
-specific permission. If you do not charge anything for copies of this
-eBook, complying with the rules is very easy. You may use this eBook
-for nearly any purpose such as creation of derivative works, reports,
-performances and research. They may be modified and printed and given
-away--you may do practically ANYTHING in the United States with eBooks
-not protected by U.S. copyright law. Redistribution is subject to the
-trademark license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country outside the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you'll have to check the laws of the country where you
- are located before using this ebook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm web site
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from both the Project Gutenberg Literary Archive Foundation and The
-Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
-trademark. Contact the Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org
-
-
-
-Section 3. Information about the Project Gutenberg Literary Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's principal office is in Fairbanks, Alaska, with the
-mailing address: PO Box 750175, Fairbanks, AK 99775, but its
-volunteers and employees are scattered throughout numerous
-locations. Its business office is located at 809 North 1500 West, Salt
-Lake City, UT 84116, (801) 596-1887. Email contact links and up to
-date contact information can be found at the Foundation's web site and
-official page at www.gutenberg.org/contact
-
-For additional contact information:
-
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works.
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our Web site which has the main PG search
-facility: www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-
diff --git a/old/63198-0.zip b/old/63198-0.zip
deleted file mode 100644
index 2f930d4..0000000
--- a/old/63198-0.zip
+++ /dev/null
Binary files differ
diff --git a/old/63198-h.zip b/old/63198-h.zip
deleted file mode 100644
index c5b7275..0000000
--- a/old/63198-h.zip
+++ /dev/null
Binary files differ
diff --git a/old/63198-h/63198-h.htm b/old/63198-h/63198-h.htm
deleted file mode 100644
index e8adb0a..0000000
--- a/old/63198-h/63198-h.htm
+++ /dev/null
@@ -1,2431 +0,0 @@
-<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
- "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
-<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
-<head>
-<meta http-equiv="Content-Type" content="text/html; charset=utf-8"/>
-<title>Lords of Creation: Woman Suffrage Drama in Three Acts, by Ella Cheever Thayer&mdash;A Project Gutenberg eBook</title>
-<link rel="coverpage" href="images/cover.jpg"/>
-<style type="text/css">
-body {
-margin-left: 8%;
-margin-right: 7%;
-}
-
-h1, div.section {
-page-break-before: always;
-}
-
-h1, .title
-{
- text-align: center;
- font-size: x-large;
- font-weight: normal;
- line-height: 1.6;
-}
-
-h2, #subtitle
-{
- text-align: center;
- line-height: 1.5;
- font-size: large;
- margin: 4em auto 1em auto;
-}
-
-#subtitle .small,
-#authorship .small {
-font-size: small;
-}
-
-#subtitle .last-line,
-#authorship .last-line
-{
-font-size: medium;
-}
-
-#publication {
-font-size: medium;
-margin-top: 4em;
-}
-
-#copyright {
-font-size: small;
-text-align: center;
-margin-top: 4em;
-}
-
-h2.nobreak, .second {
-page-break-before: avoid;
-}
-
-.title {
-page-break-after: avoid;
-margin-top: 4em;
-}
-
-p
-{
- margin-top: 0.75em;
- text-align: justify;
-}
-
-ul {
-list-style-type: none;
-}
-
-#authorship, #publication, .endofact p, p.setting {
-text-align: center;
-}
-
-.setting {
-margin-bottom: 2em;
-}
-
-.setting, .speaker, .character, .act-end, .copy {
-font-variant: small-caps;
-}
-
-#titlepage, #copyright {
- page-break-before: always;
- page-break-after: always;
-}
-
-.endofact {
-margin-top: 2em;
-}
-
-.center {
-text-align: center;
-}
-</style>
-</head>
-
-<body>
-
-
-<pre>
-
-The Project Gutenberg EBook of Lords of Creation, by Ella Cheever Thayer
-
-This eBook is for the use of anyone anywhere in the United States and most
-other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms of
-the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you'll have
-to check the laws of the country where you are located before using this ebook.
-
-Title: Lords of Creation
- Woman Suffrage Drama in Three Acts
-
-Author: Ella Cheever Thayer
-
-Release Date: September 14, 2020 [EBook #63198]
-
-Language: English
-
-Character set encoding: UTF-8
-
-*** START OF THIS PROJECT GUTENBERG EBOOK LORDS OF CREATION ***
-
-
-
-
-Produced by Jessica Hope
-
-
-
-
-
-</pre>
-
-
-<div class="section">
-<div id="titlepage">
-<h1>LORDS OF CREATION.</h1>
-
-<div id="subtitle">
-WOMAN SUFFRAGE DRAMA<br />
-<span class="small">IN</span><br />
-<span class="last-line">THREE ACTS.</span>
-</div>
-
-<div id="authorship">
-<span class="small">BY</span><br />
-<span class="last-line">ELLA CHEEVER THAYER.</span>
-</div>
-
-<div id="publication">
-BOSTON:<br />
-GEO. M. BAKER &amp; CO., PUBLISHERS.<br />
-1883.
-</div>
-</div>
-</div>
-
-<div id="copyright">
-<span class="copy">Copyright</span>,<br />
-1883,<br />
-BY GEORGE M. BAKER.<br />
-
-All rights reserved.
-</div>
-
-<div class="section">
-<p class="title">LORDS OF CREATION.</p>
-
-<div id="characters">
-<h2>CHARACTERS.</h2>
-
-<ul>
-<li><span class="character">Dr. Endicott</span>, a true Man.</li>
-<li><span class="character">Mr. Grovenor</span>, the Head of his Family.</li>
-<li><span class="character">Eugene</span>, his Son, taking Life easy.</li>
-<li><span class="character">Harold Doughlass</span>, with more Money than Brains.</li>
-<li><span class="character">Jim, a Coachman</span>, much in Love.</li>
-<li><span class="character">Kate Grovenor</span>, who has a Mind of her own.</li>
-<li><span class="character">Lizzie</span>, a young Seamstress.</li>
-<li><span class="character">Mrs. Grovenor</span>, Mr. Grovenor's lesser half.</li>
-<li><span class="character">Alice Grovenor</span>, anxious for a rich Husband.</li>
-<li><span class="character">Jennie</span>, a Chambermaid who believes in Woman's Rights.</li>
-</ul>
-</div>
-
-<div id="costumes">
-<h2>COSTUMES.</h2>
-
-<ul>
-<li><i>Kate</i>. Act I., handsome evening dress. Act II., house dress. Act III.,
-black silk.</li>
-<li><i>Alice</i>. Act I., elegant evening dress. Act II., house dress. Act III.,
-street costume, hat, etc.</li>
-<li><i>Mrs. Grovenor</i>. Act I., evening dress. Act II., house dress.
-Act III., wrapper.</li>
-<li><i>Lizzie</i>. Act I., plain street costume. Act II. and Act III., plain
-house dress.</li>
-<li><i>Jennie</i>. Pretty light calico and apron.</li>
-<li><i>Dr. Endicott</i>. Business suit.</li>
-<li><i>Mr. Grovenor</i>. Same.</li>
-<li><i>Eugene</i>. Elegant suit, rather flashy. Plain suit in Act III.</li>
-<li><i>Doughlass</i>. Elegant suit, not quite so loud as Eugene.</li>
-<li><i>Jim</i>. Handsome livery.</li>
-</ul>
-</div>
-</div>
-
-
-
-
-<div class="section">
-<p class="title">LORDS OF CREATION.</p>
-<h2 class="nobreak">ACT I.</h2>
-</div>
-
-<p class="setting">Scene&mdash;Elegant Drawing-Room. Door C., Sofa, R., Chairs, etc.
-Table, L. C.</p>
-
-<p class="center">(<i>Enter</i> <span class="character">Jennie</span>, C., <i>holding small bouquet in her hand</i>.)</p>
-
-<p><span class="speaker">Jennie</span>. Here is Mr. Eugene's bouquet, and now where is Mr. Eugene? Not
-here, of course, and I must be running all over the house to find him.
-All a body has to do is to wait on him, that is what <em>he</em> thinks! For
-he is a lord of creation, he is! And he must have his buttonhole
-bouquet, and his hair parted in the middle, and his mustache waxed, and
-everybody must bow down and worship him! But after all, he isn't as bad
-as his father. Oh! isn't <em>he</em> just awful! Dear me, what a terrible
-thing it must be to think yourself so superior, all on account of your
-sex!</p>
-
-<p><span class="speaker">Jim</span> (<i>looking in</i>, C.). May I come in?</p>
-
-<p><span class="speaker">Jen</span>. (<i>looking over shoulder</i>). Oh! You are here, are you? I might have
-known you would be!</p>
-
-<p><span class="speaker">Jim</span> (<i>coming down</i> R. <i>awkwardly</i>). Yes, because I always come where you
-are, if I can.</p>
-
-<p><span class="speaker">Jen</span>. (L.) Too bad, ain't it, I don't appreciate it any better? You
-haven't seen Mr. Eugene anywhere, have you?</p>
-
-<p><span class="speaker">Jim</span>. Seen him? No! That is, not since two o'clock this morning, when
-I helped him up-stairs, and he called me his darling Jim.</p>
-
-<p><span class="speaker">Jen</span>. How awful!</p>
-
-<p><span class="speaker">Jim</span>. I guess you would have said so if he had hugged you the way he did
-me!</p>
-
-<p><span class="speaker">Jen</span>. (<i>coquettishly</i>) Well, I don't know; perhaps that might not have
-been quite so awful either!</p>
-
-<p><span class="speaker">Jim</span> (<i>walking about angrily</i>). Just let me catch him hugging you, or any
-other fellow, that's all.</p>
-
-<p><span class="speaker">Jen</span>. Dear me! And what business would that be of yours, I should like
-to know? This is a free country, sir, and I am a single woman, and
-hugging isn't a crime, and no man shall dictate to me. So! (<i>Stamps
-foot</i>.)</p>
-
-<p><span class="speaker">Jim</span>. Who <em>is</em> dictating? How you do fly off! You know, Jennie, I
-think all the world of you!</p>
-
-<p><span class="speaker">Jen</span>. Yes, I dare say! Men always say so <em>before</em> they get married. I
-suppose that is what our master said to our mistress once, and now see
-the way he orders her about! And you would like to do the same by me,
-wouldn't you? But I am altogether too smart for that, sir!</p>
-
-<p><span class="speaker">Jim</span>. But, good gracious, Jennie, how you do fly off! Never thought of
-such a thing in my life!</p>
-
-<p><span class="speaker">Jen</span>. Oh, pshaw! Men are all alike! Now I will bet a pound of candy
-that you think you know more than I do, just because you are a man!</p>
-
-<p><span class="speaker">Jim</span>. Well&mdash;I&mdash;of course about some things.</p>
-
-<p><span class="speaker">Jen</span>. Some things! just tell me one.</p>
-
-<p><span class="speaker">Jim</span>. Well&mdash;I&mdash;you see it would take me some time to think.</p>
-
-<p><span class="speaker">Jen</span>. Yes, I guess it would! Well, I have my eyes open, and I haven't
-lived in this house going on a year for nothing, and seen the airs
-master and Mr. Eugene give themselves! Over Miss Kate, too, who knows
-more than both of them put together.</p>
-
-<p><span class="speaker">Jim</span> (<i>gesticulating</i>). But, Jennie, a woman isn't <em>supposed</em> to know as
-much as a man. It isn't natural, you see! But a man likes them all the
-better for it, and he likes to be looked up to, you know.</p>
-
-<p><span class="speaker">Jen</span>. (<i>drawing herself up</i>). You don't say so! How sorry I am I can't
-make you happy in that way. But the fact is, I'd rather have a man who
-likes me for what I know and not for what I <em>don't</em> know! So
-(<i>courtesying</i>) I'll leave you to find a woman with less brains than you
-have&mdash;<em>if you can</em>. (<i>Exit</i> C.)</p>
-
-<p><span class="speaker">Jim</span> (<i>following</i>). Jennie! here, Jennie! She has gone and she is mad!
-How she does fly off! And oh, how I do love her! Good gracious, how
-I do love her! (<i>Comes down</i> C.) Now why on earth should she get mad
-about a little thing like that! Does she want me to say every man is
-a natural-born fool? Hang me if I don't believe they are, where a woman
-is concerned! Here for the last six months I've been a perfect slave to
-her. And all I get for it is to be told I belong to a tyrannical sex!
-But I won't stand it. No, I won't! (<i>Going. Stops at door</i> C.) I am
-afraid I can't help it, though. Oh, what an awful thing it is to be in
-love! And between me and the furniture, I do believe if a woman <em>is</em>
-the weaker sex, she always gets the best of a man somehow. (<i>Exit</i>,
-L. 2 E.)</p>
-
-<p>(<i>Enter</i> <span class="character">Mrs. Grovenor</span> <i>and</i> <span class="character">Alice</span>, C.)</p>
-
-<p><span class="speaker">Mrs. G</span>. (<i>as she enters</i>). Well, no, my dear, Dr. Endicott is not a
-particularly good match. But Mr. Doughlass has an immense fortune,
-you know.</p>
-
-<p><span class="speaker">Alice</span> (<i>sits</i> R. <i>on sofa</i>). Yes, but Mr. Doughlass is <em>such</em> a bore, ma.</p>
-
-<p><span class="speaker">Mrs. G</span>. (<i>sitting</i>, L.). Ah, well, a bore is better than a tyrant, child.</p>
-
-<p><span class="speaker">Alice</span>. But there must be some men who are neither.</p>
-
-<p><span class="speaker">Mrs. G</span>. That kind are very hard to find, and, by some strange chance,
-are usually poor in purse when found. Witness Dr. Endicott, for
-instance.</p>
-
-<p><span class="speaker">Alice</span>. It would never do to marry a poor man.</p>
-
-<p><span class="speaker">Mrs. G</span>. Do! With your extravagant tastes it would be madness. I have
-no doubt Mr. Doughlass would make you a very good husband, and it is
-time you were thinking of settling in life now.</p>
-
-<p><span class="speaker">Alice</span>. But Kate is older than I am.</p>
-
-<p><span class="speaker">Mrs. G</span>. I fear poor Kate will surely be an old maid, in spite of all I
-can do. Alas! there has never been one in the family yet, and to think
-one of <em>my</em> daughters should be first to bear that stigma is terrible to
-contemplate.</p>
-
-<p><span class="speaker">Alice</span>. Isn't it strange that she <em>never</em> tries to be attractive to
-gentlemen?</p>
-
-<p><span class="speaker">Mrs. G</span>. And she actually wants to vote. I am sure I cannot conceive
-where she obtained such thoughts. Certainly not from <em>me</em>.</p>
-
-<p>(<i>Enter</i> <span class="character">Kate</span>, C.)</p>
-
-<p><span class="speaker">Kate</span> (<i>stopping at door</i>). You are mistaken, mother.</p>
-
-<p><span class="speaker">Mrs. G</span> (<i>rising quickly</i>). <em>You</em> here, Kate? How you do startle one!
-What do you mean by that remark?</p>
-
-<p><span class="speaker">Kate</span> (<i>coming down</i> C.). I mean, mother, that I first conceived my horror
-of occupying a dependent position from seeing how you were obliged to
-coax and manage, to bear cross looks and sarcastic remarks, whenever
-you asked father for money.</p>
-
-<p><span class="speaker">Mrs. G</span>. (<i>looking around alarmed</i>). Hush! Do not speak so loud; your
-father is in the library, and might hear.</p>
-
-<p><span class="speaker">Kate</span>. I am not afraid to say to any one that I had rather earn <em>my</em>
-money than have it doled out to me as a favor grudgingly bestowed.
-(<i>Sits at table</i> L. C.)</p>
-
-<p><span class="speaker">Mrs. G</span>. (<i>sitting</i> L.). I will admit, Kate, that it has always been very
-hard to obtain money from your father; and now listen to reason. You
-are aware that we spend every cent of our income in order to keep up our
-style of living. The future of you two girls cannot be provided for by
-us, so there is but one thing for you to do,&mdash;to marry.</p>
-
-<p><span class="speaker">Kate</span>. Are you sure that is the only thing?</p>
-
-<p><span class="speaker">Mrs. G</span>. Why, what else is there&mdash;for a woman?</p>
-
-<p><span class="speaker">Kate</span>. Many women are independent by the fruit of their own exertions.
-Why could not I be?</p>
-
-<p><span class="speaker">Mrs. G</span>. (<i>with slight scream</i>). You quite shock me. Do you not know you
-would lose your position in society by such a course?</p>
-
-<p><span class="speaker">Kate</span>. I am willing to lose it, if to keep it I must barter my own
-self-respect.</p>
-
-<p><span class="speaker">Mrs. G</span>. Barter your self-respect! What <em>do</em> you mean?</p>
-
-<p><span class="speaker">Kate</span>. I mean sell myself for the sake of being supported in idleness.</p>
-
-<p><span class="speaker">Alice</span> (<i>languidly fanning herself</i>). The idea of a lady actually wanting
-to work!</p>
-
-<p><span class="speaker">Kate</span>. <em>I</em> cannot live on husks, Alice.</p>
-
-<p><span class="speaker">Mrs. G</span>. I cannot understand why you should be so opposed to marriage.</p>
-
-<p><span class="speaker">Kate</span>. You mistake me very much if you think I am. Oh, no! I know well
-that the deepest and truest happiness in life is in love and marriage.
-It is against making marriage a trade, degrading it to a means of
-support, that I protest, with all my soul! (<i>Rises</i>.)</p>
-
-<p><span class="speaker">Alice</span>. A trade! How absurd! Would you marry a poor man for love?</p>
-
-<p><span class="speaker">Kate</span>. Without an instant's hesitation, and I would never be a dependent
-burden on him! Oh! mother, can you not see how much of the misery in
-the world is caused by the way girls are educated, in helpless
-dependence, often obliged to sell themselves to the first man who
-offers, because they cannot support themselves? Do not condemn me to
-such a fate. Give me a chance to be independent of all such
-considerations in my choice of a husband.</p>
-
-<p><span class="speaker">Mrs. G</span>. (<i>with impatient gesture</i>). Nonsense. You are crazy.</p>
-
-<p><span class="speaker">Alice</span>. The best thing you can do, Kate, is to set your cap for Dr.
-Endicott.</p>
-
-<p><span class="speaker">Kate</span>. I am very much mistaken in Dr. Endicott if he would deign to
-notice a woman who had stooped to set her cap. (<i>Sits</i> L. C.)</p>
-
-<p><span class="speaker">Mrs. G</span>. (<i>sighing</i>). I am sure I do not know what will become of you with
-such ideas.</p>
-
-<p><span class="speaker">Mr. G</span>. (<i>outside</i>). Where is Eugene? I want him.</p>
-
-<p><span class="speaker">Mrs. G</span>. Hush! here comes your father.</p>
-
-<p><span class="speaker">Alice</span> (<i>starting up from reclining position</i>). Oh, mother! <em>do</em> try to
-get some money of him for a new ball dress. Mine are shameful!</p>
-
-<p><span class="speaker">Mrs. G</span>. I will do my best, but it is hard work. I hope you may never
-know how hard when you have a husband of your own.</p>
-
-<p>(<i>Enter</i> <span class="character">Mr. Grovenor</span>, C., <i>his hands full of papers, bills, etc</i>.)</p>
-
-<p><span class="speaker">Mr. G</span>. (<i>very crossly</i>). Where is that boy? What do these bills mean?
-The expenses of this house <em>must</em> be cut down. Do you think I am made
-of money, Mrs. Grovenor?</p>
-
-<p><span class="speaker">Mrs. G</span>. (<i>timidly</i>). I am very sorry. I am sure I do the best I can.</p>
-
-<p><span class="speaker">Mr. G</span>. (<i>sitting</i> R. <i>of table and looking over bills</i>). I think you would
-find a way to be more economical if you had to earn the money you spent.
-It's a pity you women did not have to do it once in a while, and then
-you would know how good it was.</p>
-
-<p><span class="speaker">Kate</span> (<i>leaning on table, earnestly</i>). That is just what I wish to do,
-father. Give me the chance and I will relieve you of the burden of my
-support.</p>
-
-<p><span class="speaker">Mr. G</span>. (<i>staring at his own papers</i>). You would do fine things, I dare
-say. I do not believe you know exactly what you are talking about, but
-then a woman never does. Now, for instance, how long do you suppose it
-would take you to earn that dress you have on, at women's average wages?</p>
-
-<p><span class="speaker">Kate</span>. I could wear a cheaper dress, if need be. I am aware that men,
-in whose hands now rests the power, show their boasted "chivalry" to the
-so-called "weaker sex" by paying her half they pay a man for the same
-work.</p>
-
-<p><span class="speaker">Mr. G</span>. (<i>dropping papers angrily</i>). What confounded folly you talk! If a
-woman did her work as well as a man she would get the same wages; but
-she does not. She isn't thinking of her work. When she is young she
-is thinking of getting married, when she is old she is mad because she
-can't.</p>
-
-<p><span class="speaker">Kate</span> (<i>with dignity</i>). Pardon me, father, but I think it is you who are
-talking folly.</p>
-
-<p><span class="speaker">Mr. G</span>. Humph! I suppose you would like to vote?</p>
-
-<p><span class="speaker">Kate</span>. I see no reason why I should not.</p>
-
-<p><span class="speaker">Mr. G</span>. (<i>rises and looks her over, then looks at</i> <span class="character">Mrs. G</span>.) What kind of
-sentiments have you instilled into your eldest daughter, Mrs. Grovenor?</p>
-
-<p><span class="speaker">Mrs. G</span>. <em>I</em>, Mr. Grovenor! Do Kate's remarks sound like <em>my</em>
-teachings?</p>
-
-<p><span class="speaker">Mr. G</span>. (C.). Well, no, I will acquit you of ever having any tendencies
-towards doing anything to bring money into the family, Mrs. Grovenor.</p>
-
-<p><span class="speaker">Kate</span>. Father, I have some artistic talent, I think; why may I not study
-and become an artist? All I ask is that I may not be a burden on you
-or any one (<i>going to him</i>). You will not refuse me this, father.</p>
-
-<p><span class="speaker">Mr. G</span>. (<i>putting arm around her</i>). There, there, Kate, you are a good
-girl, and if you was only a boy I would make something of you; but as
-you are not, the best advice I can give you is to go and marry some good
-man and forget these foolish ideas of yours about voting and all that
-stuff. (<i>Going, stops</i>.) Mrs. Grovenor, send that boy to me at once, do
-you hear? Here is a bill of his for champagne that is something
-frightful! He certainly has inherited your extravagant taste. (<i>Exit</i>,
-C.)</p>
-
-<p><span class="speaker">Mrs. G</span>. (<i>rising</i>). There, Kate, you heard what your father said.
-Perhaps you will take his advice if you will not take mine. Do you
-think you can find Eugene?</p>
-
-<p><span class="speaker">Kate</span>. I will try. (<i>Aside</i>.) They all discourage me, but I will not
-be daunted! (<i>Exit</i>, L. 2 E.)</p>
-
-<p><span class="speaker">Alice</span>. You did not say a word about my dress, mother.</p>
-
-<p><span class="speaker">Mrs. G</span>. But he is in such a bad humor! However, I will go now and see
-what can be done. Talk about earning money! I am sure I doubly earn
-every cent I get from Mr. Grovenor, and always have. (<i>Exit</i>, C.)</p>
-
-<p><span class="speaker">Alice</span>. I believe father grows more stingy every day. Oh, dear! I
-suppose I shall have to marry that dreadful Mr. Doughlass. What a
-strange girl Kate is! And yet I do not know, I am not sure but what it
-would be nice to be independent.</p>
-
-<p>(<i>Enter</i> <span class="character">Jennie</span>, C.)</p>
-
-<p><span class="speaker">Jen</span>. (<i>coming down and handing card</i>). Are you at home, Miss Alice?</p>
-
-<p><span class="speaker">Alice</span> (<i>takes it and reads</i>). "Harold Doughlass." Yes (<i>sighs</i>), I suppose
-so.</p>
-
-<p><span class="speaker">Jen</span>. Yes'm. (<i>Aside</i>.) <em>He</em> is one of the superior sex, and he don't
-know so much as an idiot! (<i>Exit</i>, C.)</p>
-
-<p><span class="speaker">Alice</span>. Now, were I independent, I should certainly have said I was
-engaged and could not see him. How shall I be able to endure him for a
-life time, when he bores me so for an hour?</p>
-
-<p>(<i>Enter</i> <span class="character">Doughlass</span>, <i>eye-glass, cane, etc</i>., C.)</p>
-
-<p><span class="speaker">Alice</span> (<i>rising</i>). I am delighted to see you, Mr. Doughlass!</p>
-
-<p><span class="speaker">Doug</span>. (C.) Aw! thank you. You are looking more chawming than ever this
-evening, Miss Alice.</p>
-
-<p><span class="speaker">Alice</span> (<i>aside</i>). He always says that. (<i>Aloud</i>.) You quite flatter me.
-Please be seated. (<i>Offers chair</i>.)</p>
-
-<p><span class="speaker">Doug</span>. (<i>sitting</i>, L.). Aw! this has been a fine day hasn't it, now?</p>
-
-<p><span class="speaker">Alice</span> (<i>sitting</i>, R.). Very fine indeed.</p>
-
-<p><span class="speaker">Doug</span>. I hope we shall have as fine to-morrow.</p>
-
-<p><span class="speaker">Alice</span>. I hope so, truly.</p>
-
-<p><span class="speaker">Doug</span>. But I weally feaw we shall have wain.</p>
-
-<p><span class="speaker">Alice</span>. You quite alarm me.</p>
-
-<p><span class="speaker">Doug</span>. Aw! I do not like wain.</p>
-
-<p><span class="speaker">Alice</span>. Nor I. (<i>Aside, yawning</i>.) Can't he talk about something besides
-the weather?</p>
-
-<p><span class="speaker">Doug</span>. (<i>adjusting eye-glasses</i>). I hope your pawents are both well!</p>
-
-<p><span class="speaker">Alice</span>. Quite well, thank you.</p>
-
-<p><span class="speaker">Doug</span>. I need not ask if you are, for you look more chawming than usual!</p>
-
-<p><span class="speaker">Alice</span>. Ah! you are very complimentary. (<i>Aside</i>.) How many times is he
-going to say that?</p>
-
-<p><span class="speaker">Doug</span>. Aw! yes, you are always chawming to me, you know! (<i>Aside</i>.) A
-fellow must flatter these girls. That's the secret!</p>
-
-<p><span class="speaker">Alice</span>. You quite confuse me. (<i>Aside</i>.) Is he going to propose?</p>
-
-<p><span class="speaker">Doug</span>. Aw! I&mdash;aw&mdash;I twust you do not dislike to be confused, because I
-think you chawming, you know? (<i>Goes and sits beside her on sofa</i>.)</p>
-
-<p><span class="speaker">Alice</span>. Of course I am only too pleased to be so favored.</p>
-
-<p><span class="speaker">Doug</span>. Yes&mdash;aw&mdash;and some day I shall tell you just how chawming I do
-think you. You are so different from your sister, you know.
-Why&mdash;aw&mdash;but weally a fellow is quite afwaid of her.</p>
-
-<p><span class="speaker">Alice</span>. Afraid? What, you afraid of a lady?</p>
-
-<p><span class="speaker">Doug</span>. Well, not&mdash;not exactly afwaid, of course, but you see&mdash;aw&mdash;I
-never know what to say to her. We fellows do not like
-these&mdash;aw&mdash;strong-minded ladies, you know. We like these&mdash;aw&mdash;gentle,
-clinging, soft girls, that do not know so much, you know, of whom you,
-Miss Alice, are such a chawming type!</p>
-
-<p><span class="speaker">Alice</span> (<i>rising</i>). Indeed. Thanks for the implied compliment to my
-intellect, sir! (<i>Crosses to</i> C.)</p>
-
-<p><span class="speaker">Doug</span>. Eh? (<i>Aside</i>.) What the deuce did I say to put her out like that?
-(<i>Aloud</i>.) I mean that you are vewy chawming, the style of girl we
-fellows pwefer, you know. (<i>Rises and bows low</i>.)</p>
-
-<p><span class="speaker">Alice</span> (<i>aside</i>). It will not do to get angry with him yet. But if I
-marry him I'll let him know whether I have any brains or not! (<i>Aloud</i>.)
-Indeed, Mr. Doughlass? But really, I do not think Kate so very
-formidable. Ah! here she comes now. (<i>Goes to</i> R. C.)</p>
-
-<p><span class="speaker">Doug</span>. I'm sorry&mdash;aw&mdash;to have our <i lang="fr" xml:lang="fr">tête-à-tête</i> interrupted, and I am
-sure I do not know what to say to her, nevaw do, you know!</p>
-
-<p>(<i>Enter</i> <span class="character">Kate</span>, L. 2 E., <i>and bows to</i> <span class="character">Doughlass</span> <i>coldly</i>.)</p>
-
-<p><span class="speaker">Doug</span>. (<i>aside</i>). She looks at a fellow in a way that fweezes him all
-over. Aw&mdash;I'll flatter her. (<i>Aloud</i>.) Aw&mdash;you are looking as chawming
-as usual, Miss Grovenor.</p>
-
-<p><span class="speaker">Kate</span>. I am very glad if you have been so fortunate as to discover the
-fact.</p>
-
-<p><span class="speaker">Doug</span>. (<i>aside</i>). That always does please them, to be sure.</p>
-
-<p>(<i>Enter</i> <span class="character">Eugene</span>, L. 2. E.)</p>
-
-<p><span class="speaker">Eug</span>. (<i>going to</i> C.) Well, Kittie, here I am; now where is the governor,
-and what's the row? Ah, Harold, my boy, how are you? Where were you
-last night? Jolly old time the boys had. But champagne does make a
-fellow feel like the deuce the next day.</p>
-
-<p><span class="speaker">Kate</span> (L.). Is it worth while to drink it, then?</p>
-
-<p><span class="speaker">Eug</span>. Oh! come now! don't preach. Confound it, a woman is always
-preaching. If they had their way a fellow would have no fun at all,
-eh, Harold?</p>
-
-<p><span class="speaker">Doug</span>. No&mdash;aw&mdash;that is, the ladies think so much of us, they want to
-make us saints, you know.</p>
-
-<p><span class="speaker">Eug</span>. Can't be done, though, eh? What is the use of living if a man
-can't have a good time? (<i>Sings</i>.) By Jove, I am glad I wasn't born a
-woman. They take things too seriously altogether. But they look up
-to us, for all their preaching, eh, Harold?</p>
-
-<p><span class="speaker">Doug</span>. (R.). To be sure&mdash;aw.</p>
-
-<p><span class="speaker">Kate</span>. That must require quite a stretch of the imagination sometimes.</p>
-
-<p><span class="speaker">Eug</span>. Hope that isn't personal, Kittie. Never mind, you will be proud
-of me some time, only a fellow must have his fling, you know. Now I
-must go and get my dose from the governor. By by, Harold, see you
-again. (<i>Exit</i>, C.)</p>
-
-<p><span class="speaker">Kate</span>. Poor Eugene.</p>
-
-<p><span class="speaker">Doug</span>. I beg pardon. (<i>Aside</i>.) What the deuce ails her now? (<i>Aloud</i>.)
-Poor Eugene? Why, he is the liveliest fellaw I know. The boys nevaw
-think of having a champagne supper without Eugene, you know.</p>
-
-<p><span class="speaker">Kate</span>. I am sorry if my brother is sought only for the purpose of
-gracing champagne suppers and disgracing himself.</p>
-
-<p><span class="speaker">Doug</span>. Aw&mdash;weally, now, weally, aren't you a little too severe.</p>
-
-<p><span class="speaker">Alice</span> (C.). Of course she is. A young man must sow his wild oats.</p>
-
-<p><span class="speaker">Kate</span> (L.). But I believe a young lady is not allowed that privilege.
-What is wrong for one must be for the other?</p>
-
-<p><span class="speaker">Alice</span>. You shock me, Kate.</p>
-
-<p><span class="speaker">Doug</span>. Aw&mdash;weally now, 'pon my honor, that is such a strange wemark,
-Miss Grovenor; a lady is of course above such things.</p>
-
-<p><span class="speaker">Kate</span>. Then in that respect, at least, she must be superior to a man.
-I am glad to hear you acknowledge even so little.</p>
-
-<p><span class="speaker">Doug</span>. Aw&mdash;now&mdash;aw&mdash;you quite confuse me. (<i>Aside</i>.) I must go wight
-away; never could stand these strong-minded ladies. (<i>Aloud</i>.) Aw&mdash;I&mdash;I
-never argue with a lady, you know. But I am afwaid I shall have to tear
-myself away, as I have a very particular engagement.</p>
-
-<p><span class="speaker">Alice</span>. I am so sorry! But we shall see you again soon?</p>
-
-<p><span class="speaker">Doug</span>. Aw&mdash;vewy soon&mdash;aw&mdash;I should only be too happy to wemain forever
-in your chawming pwesence. (<i>Kisses her hand, bows to</i> <span class="character">Kate</span>, <i>and exit</i>,
-C.)</p>
-
-<p><span class="speaker">Alice</span>. Well, you have driven him away. It will be very convenient to
-have you around <em>after</em> he and I are married, but previously the
-experiment is too dangerous, and I shall have to ask you to be kind
-enough to keep your strange ideas exclusively for our family circle.
-(<i>Exit</i>, L. 2 E.)</p>
-
-<p><span class="speaker">Kate</span>. Strange ideas! Is it so strange to long to be independent? Is
-it strange to shrink from being a burden on an already over-burdened
-father, or dependent upon the whims of some unloved husband? Is it
-strange to wish to exercise the talents and energy God has given you
-instead of allowing them to rust out in darkness? Does the fact of my
-being a woman make me content to drift along aimlessly, in a stream that
-leads nowhere? No! a thousand times, no!</p>
-
-<p>(<i>Enter</i> <span class="character">Jennie</span>, C.)</p>
-
-<p><span class="speaker">Jen</span>. Dr. Endicott, miss.</p>
-
-<p><span class="speaker">Kate</span>. Please ask him in.</p>
-
-<p><span class="speaker">Jen</span>. Yes'm. (<i>Aside</i>.) <em>He</em> is a man what <em>is</em> a man. (<i>Exit</i>, C.)</p>
-
-<p><span class="speaker">Kate</span>. I wonder does he, too, think me strange?</p>
-
-<p>(<i>Enter</i> <span class="character">Dr. Endicott</span>, C.)</p>
-
-<p><span class="speaker">Dr. E</span>. (<i>coming down</i> L.). At last I am with you once more, where I
-should have been long ago had not duty called me elsewhere.</p>
-
-<p><span class="speaker">Kate</span>. I am delighted to welcome you. Father was saying yesterday he
-wished to see you.</p>
-
-<p><span class="speaker">Dr. E</span>. Oh, yes, there is a little business matter between us. And
-what have you been doing since I was last here?</p>
-
-<p><span class="speaker">Kate</span>. Oh, nothing.</p>
-
-<p><span class="speaker">Dr. E</span>. Nothing? Really nothing?</p>
-
-<p><span class="speaker">Kate</span>. Oh, I have embroidered a little, painted a little, and practised
-music a little. But it all amounted to&mdash;as I said&mdash;nothing.</p>
-
-<p><span class="speaker">Dr. E</span>. It served to pass away the time pleasantly, at least.</p>
-
-<p><span class="speaker">Kate</span>. Yes. But is that what we are living for, to pass away time?</p>
-
-<p><span class="speaker">Dr. E</span>. You are right. Such a life is not suited to a woman of your
-temperament.</p>
-
-<p><span class="speaker">Kate</span>. But what can I do? Father and mother object to my doing anything
-that is real. Because I seek some aim in life, because I seek an
-independent position, they call me unwomanly and strange.</p>
-
-<p><span class="speaker">Dr. E</span>. Is it indeed so? Alas that these old prejudices of a by-gone
-age should trammel a woman now!</p>
-
-<p><span class="speaker">Kate</span>. I just frightened Mr. Doughlass away with my strange ideas.</p>
-
-<p><span class="speaker">Dr. E</span>. (<i>laughing</i>). Poor Harold! But you cannot frighten <em>me</em> away,
-Miss Grovenor. It is just this free, untrammelled, independent woman we
-need in the world now.</p>
-
-<p><span class="speaker">Kate</span> (C.). I can feel now that I have one friend who knows and
-sympathizes with me.</p>
-
-<p><span class="speaker">Dr. E</span>. (<i>going towards her</i>). And who honors you above all women. Kate,
-may I add that this woman I have described is the woman I want at my
-fireside for my companion, friend, and my wife? There is one woman who
-is all I ask, one woman whom I love, but I dare not even hope for her
-favor. (<i>Enter</i> <span class="character">Eugene</span>, C.) That woman, Kate, is&mdash; (<i>Takes her hand</i>.)</p>
-
-<p><span class="speaker">Eug</span>. (<i>coming down</i> C. <i>between them</i>). That's right, doctor, shake hands
-with her, but after that keep at a discreet distance, for she hates men,
-you know. Wants to vote and smoke cigars, and wear bloomers and all
-that sort of thing, you know.</p>
-
-<p><span class="speaker">Kate</span> (R.). Eugene! I am ashamed of you.</p>
-
-<p><span class="speaker">Eug</span>. Ah, never mind me, sis. The doctor won't take too much stock in
-what I say, will you, doctor. And as for you, Kit, you will get over
-all those notions of yours some day and acknowledge that we men are
-capable of taking care of the nation, eh, doctor?</p>
-
-<p><span class="speaker">Dr. E</span>. (L.). Such very excellent care as we take of it!</p>
-
-<p><span class="speaker">Kate</span>. And such pains as you take to elect none but honest men to
-office!</p>
-
-<p><span class="speaker">Eug</span>. Ha! ha! that isn't a bad one for you, sis, it's a pity you are a
-woman, for you would have been a smart man and no mistake. But what the
-deuce of a temper the governor is in! Making such a fuss over a little
-bill for our champagne supper last night as I never heard.</p>
-
-<p><span class="speaker">Kate</span>. I wish you would let champagne alone, Eugene.</p>
-
-<p><span class="speaker">Eug</span>. Now don't preach. Say, can't you coax some money out of him some
-way? You women know how to do that sort of thing.</p>
-
-<p><span class="speaker">Kate</span>. I fear I am deficient in that feature of our sex.</p>
-
-<p><span class="speaker">Eug</span>. Oh, hang it! but I must have the money some way.</p>
-
-<p>(<i>Enter</i> <span class="character">Lizzie</span>, C. <i>Looks at</i> <span class="character">Kate</span>.)</p>
-
-<p><span class="speaker">Lizzie</span>. Excuse me, but I was told I should find Mrs. Grovenor here.
-Are you the lady?</p>
-
-<p><span class="speaker">Eug</span>. (<i>aside</i>). By Jove, Lizzie, and here! (<i>Goes to</i> L. <i>of</i> <span class="character">Dr. E</span>.)</p>
-
-<p><span class="speaker">Kate</span>. Please come in and be seated. I will call mother.</p>
-
-<p><span class="speaker">Liz</span>. (<i>entering and going down</i> R.). I believe she advertised for a
-seamstress, and I&mdash; (<i>Looks at the gentlemen, screams, and sinks into
-chair</i>, R. C. <span class="character">Dr. E</span>. <i>and</i> <span class="character">Kate</span> <i>go to her</i>.)</p>
-
-<p><span class="speaker">Eug</span>. (<i>aside</i>). This is devilish awkward. Hope she will know enough to
-hold her tongue. By Jove, I'm in a fix all around. (<i>Exit hastily</i>, C.)</p>
-
-<p><span class="speaker">Kate</span> (<i>as Lizzie revives</i>). Are you better?</p>
-
-<p><span class="speaker">Liz</span>. Yes&mdash;I&mdash;yes, thank you. (<i>Looking around. Aside</i>.) He has gone.</p>
-
-<p><span class="speaker">Dr. E</span>. The heat of the room overpowered her, doubtless. I will leave
-her to your care while I go and see your father.</p>
-
-<p><span class="speaker">Kate</span>. You will find him in the library.</p>
-
-<p><span class="speaker">Dr. E</span>. I will soon return. (<i>Exit</i>, C.)</p>
-
-<p><span class="speaker">Kate</span> (<i>aside</i>). She looked very strangely at the doctor before she
-fainted. What can it mean?</p>
-
-<p><span class="speaker">Liz</span>. I&mdash;I beg pardon for troubling you so much. I cannot imagine what
-made me so dizzy.</p>
-
-<p><span class="speaker">Kate</span>. I am very glad you have recovered.</p>
-
-<p><span class="speaker">Liz</span>. Thank you. I&mdash;I will go now. (<i>Rises</i>.)</p>
-
-<p><span class="speaker">Kate</span>. But I thought you wished to see my mother?</p>
-
-<p><span class="speaker">Liz</span>. Yes&mdash;but I&mdash;I think I cannot attend to it now. (<i>Goes up</i> C.)</p>
-
-<p><span class="speaker">Kate</span> (<i>aside</i>). There is something strange in her behavior. I will try
-and find out what is the matter. Perhaps I can help her. (<i>Aloud</i>.) Do
-not go until you are quite well. I thought you recognized the&mdash;the
-gentleman who was here just now. May I ask if it was so?</p>
-
-<p><span class="speaker">Liz</span>. (<i>coming down</i> R. <i>confusedly</i>). Yes&mdash;I&mdash;I have seen him before, in
-the country, where I lived. He boarded there one summer.</p>
-
-<p><span class="speaker">Kate</span> (L.). Then you are acquainted?</p>
-
-<p><span class="speaker">Liz</span>. (C.). Acquainted? Have I not sat by his side hour after hour
-underneath the trees and&mdash;oh! what have I said?</p>
-
-<p><span class="speaker">Kate</span> (<i>aside</i>). Why do I tremble? (<i>Aloud, going to her</i>.) Do not fear,
-child, have confidence in me and let me be your friend. I see you have
-some great trouble.</p>
-
-<p><span class="speaker">Liz</span>. Forgive me for having said what I did, but his appearance took me
-so by surprise, and I have not yet recovered myself.</p>
-
-<p><span class="speaker">Kate</span> (<i>putting arm around her</i>). Poor child, tell me all without fear,
-and I will do anything I can to help you.</p>
-
-<p><span class="speaker">Liz</span>. You are good and kind, I know, and I will confide in you. He&mdash;he
-told me he loved me, and I&mdash;I&mdash;believed it. And I loved him with all my
-heart. Life was nothing to me without him. But one day, with promises
-to return soon and make me his wife, he left me and I never saw him
-again until to-day. Ah! it broke my heart! it broke my heart!</p>
-
-<p>(<i>Sinks sobbing on chair</i>, R. C.)</p>
-
-<p><span class="speaker">Kate</span> (C., <i>aside</i>). And I, too, loved him. And he dared to speak of love
-to me, after having ruined the happiness of this confiding child. He
-whom I thought so good, so noble, who was my ideal of what a man should
-be. And how unmoved he was in her presence. (<i>Aloud</i>.) Poor girl (<i>goes
-to</i> <span class="character">Lizzie</span>, <i>kneels and puts her arm around her</i>), you have my deepest
-sympathy. Be brave; he is not worth those tears. I will be your friend
-and comfort you all I can. Here (<i>rising</i>), go in this room; he will be
-back soon and I do not wish you to have the pain of meeting him. What
-you have told me shall be sacred. I will see you again soon. (<i>Takes
-her to</i> R.)</p>
-
-<p><span class="speaker">Liz</span>. Ah! thank you a thousand times for your goodness. (<i>Exit</i>, R.)</p>
-
-<p><span class="speaker">Kate</span>. Yes, he is coming back. Will he speak of his love again,
-trusting to her silence? His love? His noble words but now were decoys
-to catch the hand of a supposed heiress by pandering to her theories.
-Ah, heavens! is there no truth in the world? Unhappy, indeed, must the
-woman be whose whole life is dependent on the truth or falsehood of a
-man. Oh, woman's heart! who can escape the suffering its tenderness
-brings? Strong-minded let me be, and deal with him as he deserves!</p>
-
-<p>(<i>Enter</i> <span class="character">Dr. Endicott</span>, C.)</p>
-
-<p><span class="speaker">Dr. E</span>. (<i>coming down</i> R.). I am happy to say your father and I have
-settled our little affair with mutual satisfaction; and now, Kate (<i>going
-to her</i>), may I finish the sentence so rudely interrupted? May I dare to
-ask the one woman in the world for me, to share my life?</p>
-
-<p><span class="speaker">Kate</span> (<i>turning from him</i>). I should hardly think you <em>would</em> dare, sir.
-(<i>Goes to</i> L.)</p>
-
-<p><span class="speaker">Dr. E</span>. Kate, do I merit that strange tone of severity?</p>
-
-<p><span class="speaker">Kate</span>. Sir, do you think you are worthy of such a woman as you have
-described?</p>
-
-<p><span class="speaker">Dr. E</span>. No, Kate, no man is. But I would hope by her aid and the
-influence of her pure example to make myself more worthy day after day.</p>
-
-<p><span class="speaker">Kate</span>. Your hypocrisy deceives me no longer, Dr. Endicott. The man I
-marry I must honor as well as love. I cannot honor you. Farewell.
-(<i>Points to door</i>, C.)</p>
-
-<div class="endofact">
-<p><i>Tableau. Music.</i> <span class="act-end">Dr. Endicott, R.; Kate, L.</span></p>
-</div>
-
-
-<div class="section">
-<h2 class="nobreak">ACT II.</h2>
-</div>
-
-<p class="setting">Scene.&mdash;Library in Mr. Grovenor's House. Desk, R., Books, etc. Jennie
-discovered arranging Books at Desk. Chairs R. and L.</p>
-
-<p><span class="speaker">Jen</span>. Now I wonder what it all means? Let me see. (<i>Counts on fingers</i>.)
-Mr. Grovenor is cross all the time, Mrs. Grovenor is frightened all the
-time, Miss Alice is nervous all the time, Miss Kate is sober all the
-time, and Mr. Eugene is drunk&mdash;I mean jolly&mdash;all the time. Dr.
-Endicott don't come here any more, Eyeglass Doughlass is here all the
-time, there is a sighing seamstress up-stairs, and Jim&mdash;but I know what
-the matter is with Jim&mdash;<em>he</em> is in love with <em>me</em>, <em>that's</em> what ails
-<em>him</em>. But what ails everybody else is more than I can tell.</p>
-
-<p>(<i>Enter</i> <span class="character">Mr. Grovenor</span>, L. U. E.)</p>
-
-<p><span class="speaker">Mr. G</span>. (<i>going to desk</i>). That will do, Jennie, that will do.</p>
-
-<p><span class="speaker">Jen</span>. Very well, sir. (<i>Aside</i>.) What a scowl he has on him! I do
-believe I should be tempted to marry Jim, if it wasn't for the awful
-example before me. (<i>Exit</i>, L. U. E.)</p>
-
-<p><span class="speaker">Mr. G</span>. (<i>sitting at desk</i>, R.). Nothing but debts, debts. What a fool a
-man is to get married and saddle himself with an expensive family!
-Well, there is one consolation, my girls will be off my hands some time.
-Not a bad bargain will the man make who gets Kate. It's a pity, a great
-pity she isn't a boy. A very different son she would have been to me
-from the one I have. If I had time to spare from money matters, Eugene
-would give me great anxiety. Here is that note of Brown's due next
-week; how am I to meet it? But it must be done or my credit is lost!</p>
-
-<p><span class="speaker">Jen</span>. (<i>outside</i>). This way, sir; you will find him in the library.</p>
-
-<p><span class="speaker">Doug</span>. (<i>outside</i>). Aw&mdash;pwecisely. (<i>Enter</i> <span class="character">Doughlass</span>, L. U. E.) Aw&mdash;good
-morning, sir. I twust you are well to-day.</p>
-
-<p><span class="speaker">Mr. G</span>. (<i>rising</i>). Not quite well, I am sorry to say. Will you be
-seated?</p>
-
-<p><span class="speaker">Doug</span>. (<i>sitting</i> L.). Aw&mdash;thank you, but you seem vewy busy.</p>
-
-<p><span class="speaker">Mr. G</span>. We business men are always busy. (<i>Sits</i>, R.)</p>
-
-<p><span class="speaker">Doug</span>. Aw, pwecisely. I will not twespass long on your valuable time.
-To pwoceed to business at once, I came to ask&mdash;aw&mdash;for your daughter's
-hand.</p>
-
-<p><span class="speaker">Mr. G</span>. Indeed! Have you my daughter's consent?</p>
-
-<p><span class="speaker">Doug</span>. Aw&mdash;not exactly, but I weally do not think there will be any
-twouble about that. (<i>Aside</i>.) Does he think <em>any</em> woman would wefuse
-<em>me</em>?</p>
-
-<p><span class="speaker">Mr. G</span>. I was not aware matters had gone so far. But I have two
-daughters. Do you mean my eldest or&mdash;</p>
-
-<p><span class="speaker">Doug</span>. Aw&mdash;no, no, your youngest. (<i>Aside</i>.) Does he take me for a
-woman's wights convention?</p>
-
-<p><span class="speaker">Mr. G</span>. If my daughter is agreeable, then, you have my full consent.
-(<i>Aside</i>.) How little he knows what an expensive luxury he is about to
-indulge in.</p>
-
-<p><span class="speaker">Doug</span>. (<i>rising</i>). Aw&mdash;thank you, I thought it was best to see you first,
-you know, and now I will not twespass on your valuable time any longer.
-Good morning.</p>
-
-<p><span class="speaker">Mr. G</span>. (<i>rising and shaking hands with him</i>). Good morning, and I wish
-you success. (<i>Exit</i> <span class="character">Doughlass</span>, L. U. E.) Ay, that I do with all my
-heart. One burden less. Oh, if that note was only paid! (<i>Exit into
-anteroom</i>, R. 1 E.)</p>
-
-<p>(<i>Enter</i> <span class="character">Doughlass</span>, L. U. E.)</p>
-
-<p><span class="speaker">Doug</span>. I beg pardon, but I believe I left my glove&mdash;aw&mdash;the old man has
-gone. Well, no matter, I'll just find my glove and depart. (<i>Looks for
-glove</i>.)</p>
-
-<p>(<i>Enter</i> <span class="character">Jennie</span>, L. U. E.)</p>
-
-<p><span class="speaker">Jen</span>. If you please, sir&mdash;oh!</p>
-
-<p><span class="speaker">Doug</span>. (<i>aside, looking at her through eye-glass</i>). Always thought she was
-devilish pwetty. (<i>Aloud</i>) Aw&mdash;do not be afwaid, my dear.</p>
-
-<p><span class="speaker">Jen</span>. (<i>coming down</i> L.). Afraid of <em>you</em>? Oh, no, indeed, sir!</p>
-
-<p><span class="speaker">Doug</span>. Aw&mdash;that is wight. Let me see, what is your name, my dear?</p>
-
-<p><span class="speaker">Jen</span>. Jennie, sir. (<i>Aside</i>.) Oh, what a fool he is!</p>
-
-<p><span class="speaker">Doug</span>. Jennie&mdash;aw&mdash;vewy pwetty name, Jennie.</p>
-
-<p><span class="speaker">Jen</span>. Do you think so, sir? It <em>must</em> be if you do.</p>
-
-<p><span class="speaker">Doug</span>. Aw&mdash;yes, and a vewy pwetty girl owns it, too.</p>
-
-<p>(<i>Enter</i> <span class="character">Jim</span>, L. U. E. <i>Stops up stage listening</i>.)</p>
-
-<p><span class="speaker">Jen</span>. You don't say so!</p>
-
-<p><span class="speaker">Doug</span>. (<i>getting closer to her</i>). Aw&mdash;didn't you know you were a vewy
-pwetty girl, Jennie?</p>
-
-<p><span class="speaker">Jen</span>. (<i>imitating</i>). Aw&mdash;weally, sir!</p>
-
-<p><span class="speaker">Doug</span>. You little wogue, I have a good mind to snatch a&mdash;</p>
-
-<p>(<span class="character">Jim</span> <i>comes down</i> C. <i>and throws him over to</i> R.)</p>
-
-<p><span class="speaker">Jim</span> (C.). You have, have you?</p>
-
-<p><span class="speaker">Doug</span>. (R.). You vulgaw fellow, how dare you lay your hands on a
-gentleman!</p>
-
-<p><span class="speaker">Jim</span>. Because you forgot to be a gentleman, sir, that's how, and I'll do
-it every time, too, so you needn't try to come any of them games here.</p>
-
-<p><span class="speaker">Jen</span>. (L.). Ain't you ashamed of yourself, Jim? Suppose the gentleman
-did say I was pretty, what then? There was no occasion for you to show
-your superiority, and it's entirely out of place. (<i>Aside</i>.) Just as if
-I should have allowed that jackanapes to kiss me! What stupid things
-these men are!</p>
-
-<p><span class="speaker">Jim</span>. He had no business to do it. He had no business to be so near
-you; I won't stand by and see it done.</p>
-
-<p><span class="speaker">Doug</span>. Weally, this is a most extraordinary thing! Look here, fellow&mdash;
-(<i>Going towards him</i>.)</p>
-
-<p><span class="speaker">Jim</span>. Don't call me fellow, sir. (<i>Crossing to</i> L.)</p>
-
-<p>(<i>Enter</i> <span class="character">Dr. Endicott</span>, L. U. E.)</p>
-
-<p><span class="speaker">Dr. E</span>. (<i>coming down</i> R. C.). Oh, Mr. Doughlass, you here?</p>
-
-<p><span class="speaker">Doug</span>. Aw&mdash;yes, happy to see you. (<i>Aside</i>.) Good gwacious! It will
-never do to have him catch me in a wow with the coachman. (<i>Aloud</i>.)
-Aw&mdash;I was about leaving. Here, my good fellow. (<i>Gives money to</i> <span class="character">Jim</span>
-<i>and exit</i> L. U. E.)</p>
-
-<p><span class="speaker">Jim</span> (<i>looks at money, then throws it after him</i>). There, sir! You will
-find money is not a plaster for everything.</p>
-
-<p><span class="speaker">Jen</span>. Ain't you ashamed of yourself, Jim! Is this the way you show
-your superiority, I'd like to know?</p>
-
-<p><span class="speaker">Dr. E</span>. (C.). What does all this mean?</p>
-
-<p><span class="speaker">Jim</span>. Excuse me, sir, it's nothing but a little quarrel that Jennie and
-I were having. Nothing uncommon, sir. She is like all women, the
-better a man likes her the worse he gets treated.</p>
-
-<p><span class="speaker">Jen</span>. Do not listen to him, please, doctor. It's all a bit of nonsense,
-anyway. If that last you said is true, Jim, all I have got to say is
-that it shows a great weakness in the sex. (<i>Exit</i>, L. U. E.)</p>
-
-<p><span class="speaker">Jim</span>. There you hear her, sir?</p>
-
-<p><span class="speaker">Dr. E</span>. Your sweetheart is a little wilful, I fear.</p>
-
-<p><span class="speaker">Jim</span>. Sh! don't let her hear you say that, for she ain't my sweetheart,
-you know. That is, she won't acknowledge it. It's me who am a dangling
-and a dangling after her, and she is laughing at me, or berating me for
-it all the time. Oh, sir! it is an awful thing to be in love. Why,
-sir, if this goes on much longer, I shan't have flesh enough left to
-keep my bones together with.</p>
-
-<p><span class="speaker">Dr. E</span>. Then why do you not insist on either yes or no from her and
-abide by it.</p>
-
-<p><span class="speaker">Jim</span>. <em>Insist</em>, did you say, sir? <em>Insist</em>? Why, sir, I have to get
-down on my marrow bones, sir, and then she ain't satisfied!</p>
-
-<p><span class="speaker">Dr. E</span>. But what does she wish you to do?</p>
-
-<p><span class="speaker">Jim</span>. I'll tell you what she wants, sir. She wants me to give up the
-dignity of my sex.</p>
-
-<p><span class="speaker">Dr. E</span>. (<i>surprised</i>). I fear I do not quite understand.</p>
-
-<p><span class="speaker">Jim</span>. She wants me to acknowledge that I am a fool, sir; nothing will
-content her but my admitting I am a perfect fool.</p>
-
-<p><span class="speaker">Dr. E</span>. That is very strange.</p>
-
-<p><span class="speaker">Jim</span>. You see, she thinks it her duty to sit down on me! just to show
-she ain't inferior, you know.</p>
-
-<p><span class="speaker">Dr. E</span>. I am afraid she and you also have gone to the two extremes of an
-idea. Now I do not believe you would wish to exercise any undue
-authority over her.</p>
-
-<p><span class="speaker">Jim</span>. Authority? over Jennie? No, indeed, sir, and to tell you the
-truth, I don't believe there is any fellow alive who <em>could</em> do it and
-live.</p>
-
-<p><span class="speaker">Dr. E</span>. I have more faith in Jennie than to believe she would really
-like a man who was inferior to herself. I think she adopts that tone
-as a safeguard because she has a misgiving that the masculine instinct
-is to assert itself over the feminine. But if you give her to
-understand that as far as you are concerned she is wrong, I think there
-will be no trouble.</p>
-
-<p><span class="speaker">Jim</span>. Thank you, sir, I'll try. I suppose a man and a woman <em>are</em> two
-halves, equal halves, but I have a feeling that Jennie won't be content
-with half; she will want two thirds at least. (<i>Exit</i>, L. U. E.)</p>
-
-<p><span class="speaker">Dr. E</span>. Poor fellow, I trust his Jennie will not be obdurate. As he
-says, it is an awful thing to be in love. Love! Is it a blessing or a
-curse? A week ago, and for me it meant happiness, and now&mdash;ah, Kate,
-what is it that stands between us? I can obtain no explanation from
-her; she refuses to see me alone. Is it what a man who has less faith
-in the sex than I would call a woman's caprice? No! Kate is a noble,
-a true woman, nothing can make me doubt that! "I must honor as well
-as love the man I marry." What can she have meant? What have I done?
-I am groping in the darkness, but I will find my way into the light yet!</p>
-
-<p>(<i>Enter</i> <span class="character">Mr. Grovenor</span>, R. 1 E.)</p>
-
-<p><span class="speaker">Mr. G</span>. Ah, my dear doctor, you are a stranger indeed. I sent for you
-to-day, as I am feeling far from well. I have had a great mental strain
-of late and I fear it has been too much for me.</p>
-
-<p><span class="speaker">Dr. E</span>. I can truly believe it. I am grieved to see you looking so ill.</p>
-
-<p><span class="speaker">Mr. G</span>. My head troubles me sadly.</p>
-
-<p><span class="speaker">Dr. E</span>. You need rest.</p>
-
-<p><span class="speaker">Mr. G</span>. Rest! Rest is impossible for me.</p>
-
-<p><span class="speaker">Dr. E</span>. Cannot your son&mdash;</p>
-
-<p><span class="speaker">Mr. G</span>. Eugene! no! He is good for nothing except to sing comic songs
-at champagne suppers and talk soft nonsense to equally soft girls. No.
-I regret to say Eugene is not a son of whom I can be proud, or who is
-willing to be useful to me.</p>
-
-<p><span class="speaker">Dr. E</span>. But your daughter Kate. I am positive she could be of great
-assistance to you if you would allow her.</p>
-
-<p><span class="speaker">Mr. G</span>. What! a woman meddling in my business matters? Absurd!</p>
-
-<p><span class="speaker">Dr. E</span>. I am sorry I cannot agree with you. I know Miss Grovenor has
-business ability, energy, and brains; what more do you want?</p>
-
-<p><span class="speaker">Mr. G</span>. But she is a woman and that settles the matter. Let us not
-discuss this point. And now can you not give me something that will
-stop this burning in my head?</p>
-
-<p><span class="speaker">Dr. E</span>. I will try, but I fear, without rest, medicine will do you
-little good.</p>
-
-<p>(<i>Enter</i> <span class="character">Kate</span>, L. U. E.)</p>
-
-<p><span class="speaker">Kate</span> (<i>coming down</i> C.). Father, I&mdash;Dr. Endicott!</p>
-
-<p><span class="speaker">Dr. E</span>. (L.). Kate!</p>
-
-<p><span class="speaker">Kate</span>. I thought my father was alone; excuse my intrusion. (<i>Aside</i>.) It
-is hard to remember how dishonorable he was when I see him as now. But
-I must.</p>
-
-<p><span class="speaker">Dr. E</span>. Do not go, I was about leaving. May I ask to be favored with an
-interview, at any time possible to you?</p>
-
-<p><span class="speaker">Kate</span>. I regret to be obliged to say no to your request.</p>
-
-<p><span class="speaker">Mr. G</span>. Why, what do you mean, Kate?</p>
-
-<p><span class="speaker">Kate</span>. What I say, father.</p>
-
-<p><span class="speaker">Dr. E</span>. I appeal to your sense of justice. Is it right to refuse me all
-explanation?</p>
-
-<p><span class="speaker">Kate</span>. Can you say you <em>need</em> one?</p>
-
-<p><span class="speaker">Dr. E</span>. I can.</p>
-
-<p><span class="speaker">Kate</span> (<i>aside</i>). His eyes meet mine unfalteringly. Can there have been a
-mistake? But no, that is impossible. (<i>Aloud</i>.) As you will. I will
-see you to-morrow at this hour.</p>
-
-<p><span class="speaker">Dr. E</span>. I thank you. Pardon me, Mr. Grovenor, but as this is a matter
-that concerns me very nearly I could do no otherwise than speak in your
-presence&mdash;my only opportunity. I will send the medicine for you very
-soon. To-morrow at this hour, Kate, I hope to clear up all your doubts.
-(<i>Exit</i>, L. U. E. <span class="character">Kate</span> <i>looks after him</i>.)</p>
-
-<p><span class="speaker">Mr. G</span>. What cursed nonsense is all this?</p>
-
-<p><span class="speaker">Kate</span>. Nothing, father, only Dr. Endicott asked me to be his wife.</p>
-
-<p><span class="speaker">Mr. G</span>. The devil he did.</p>
-
-<p><span class="speaker">Kate</span>. And I refused.</p>
-
-<p><span class="speaker">Mr. G</span>. What! refused? why, you are a bigger fool than most women!</p>
-
-<p><span class="speaker">Kate</span>. Thank you, father. But in a matter like that, you must allow
-even a woman has the right to choose.</p>
-
-<p><span class="speaker">Mr. G</span>. And are you expecting a prince, that the doctor, a fine,
-handsome man, is not good enough for you? It is not every one who would
-want you, with your unfeminine ideas!</p>
-
-<p><span class="speaker">Kate</span>. Well, father, I think I can manage to exist unmarried.</p>
-
-<p><span class="speaker">Mr. G</span>. Exist? on what? I have no property to leave you.</p>
-
-<p><span class="speaker">Kate</span>. Then at least I shall escape taxation without representation.</p>
-
-<p><span class="speaker">Mr. G</span>. There you go again with your crazy ideas! I declare I have no
-patience with you. What was that he meant about an explanation?</p>
-
-<p><span class="speaker">Kate</span>. That I am not at liberty to tell, as it is a secret that concerns
-others.</p>
-
-<p><span class="speaker">Mr. G</span>. A secret? Ah, well, it will come out soon enough, then. No
-woman yet ever kept a secret.</p>
-
-<p><span class="speaker">Kate</span>. We shall see.</p>
-
-<p><span class="speaker">Mr. G</span>. Well, Kate, I will not deny you have always been a good girl; I
-believe you never teased me for money in your life, but you were a fool
-to refuse the doctor. However, there is no accounting for a woman's
-whims, and you may think better of it.</p>
-
-<p><span class="speaker">Kate</span>. Let us dismiss that subject. I came here, father, to beg you to
-let me help you. I know you are ill and need rest. I know you are
-oppressed by many cares, while I&mdash;I have absolutely nothing to fill my
-time. I feel I could help you. Forget I am a woman, if need be, and
-let me try.</p>
-
-<p><span class="speaker">Mr. G</span>. I know you mean right, child, but if I should agree to your
-proposition, you would be more bother than you were worth; don't you
-see you would, you goose?</p>
-
-<p><span class="speaker">Kate</span>. At first I might until I learned your way. But that would not be
-long; at least let me try.</p>
-
-<p><span class="speaker">Mr. G</span>. Well, some time when I have plenty of time, perhaps, I will see!
-(<i>Sits at desk</i>, R.)</p>
-
-<p><span class="speaker">Kate</span>. You only say that to get rid of me. Is there no way I can induce
-you?</p>
-
-<p><span class="speaker">Mr. G</span>. No, no. Now do not annoy me any more. (<i>Writes busily</i>.)</p>
-
-<p>(<i>Enter</i> <span class="character">Mrs. Grovenor</span>, L. U. E.)</p>
-
-<p><span class="speaker">Mrs. G</span>. (L.). Ah, Kate, you here? I would like to speak to your father
-alone a moment, my dear.</p>
-
-<p><span class="speaker">Kate</span>. Very well, mother. (<i>Aside</i>.) Poor father so worn and harassed.
-I know I could lighten his labors. Why is he so obstinate? (<i>Exit</i>
-L. U. E.)</p>
-
-<p><span class="speaker">Mr. G</span>. (<i>without looking at her</i>). Well, Mrs. Grovenor, what is
-it&mdash;money? You can't have it.</p>
-
-<p><span class="speaker">Mrs. G</span>. Not for myself. But Eugene is in great distress. He says he
-must have five hundred dollars at once, and goes on in a way that is
-frightful.</p>
-
-<p><span class="speaker">Mr. G</span>. (<i>looking over shoulder</i>). Five hundred dollars! Do you see that
-note, due next week and not a cent raised to pay it with? Do you see
-these bills? Go back and teach your son to earn his money.</p>
-
-<p><span class="speaker">Mrs. G</span>. (<i>putting handkerchief to eyes</i>). Oh, would I not if I could!
-But alas! I am helpless and Eugene is going to ruin!</p>
-
-<p><span class="speaker">Mr. G</span>. (<i>writing</i>). There, do not snivel. You have an easy time enough.
-So spare a man at least your everlasting whimpering!</p>
-
-<p><span class="speaker">Mrs. G</span>. An easy time? Bound, fettered, helpless, is that easy?</p>
-
-<p><span class="speaker">Mr. G</span>. (<i>turning in his chair and staring at her</i>). You are in an
-extraordinary mood to-day, Mrs. Grovenor! Bound, fettered&mdash;clothed,
-fed, given all the luxuries of life without lifting your own white
-hands, you mean. Helpless? To raise five hundred dollars to pay
-Eugene's&mdash;gambling&mdash;debts&mdash;doubtless. Who has been talking such stuff
-to you? Kate?</p>
-
-<p><span class="speaker">Mrs. G</span>. Sneer if you will, but it is true that of Kate I have learned
-to think upon things I never did before, and to believe that, had I been
-differently educated, had my life been broadened instead of narrowed,
-had I been taught to be independent, and to make my matrimonial choice
-from love alone, I might have been a better mother to my daughters, and
-guided the steps of my son away from ruin and dishonor. (<i>Exit</i>,
-L. U. E.)</p>
-
-<p><span class="speaker">Mr. G</span>. (<i>staring after her</i>). Have all the women gone crazy? I have been
-married twenty-five years and I never knew my wife to speak in that way
-before. It's all Kate's fault! I must forbid this radical talk or my
-household will be utterly demoralized. But she was right in saying that
-Eugene is going to ruin. This constant struggle with money matters has
-given me no time to attend to my son, and now, what shall be done?
-(<i>Rises and walks back and forth</i>.)</p>
-
-<p>(<i>Enter</i> <span class="character">Eugene</span>, L. U. E.)</p>
-
-<p><span class="speaker">Eug</span>. Father!</p>
-
-<p><span class="speaker">Mr. G</span>. Ah! have you come to tell me what you mean by your disgraceful
-conduct, sir?</p>
-
-<p><span class="speaker">Eug</span>. Disgraceful conduct? You are talking in enigmas to me; I'm all
-right. I have been a little jolly sometimes, to be sure, but that is no
-more than all the boys are. You had your fun when you were young, I
-suppose, so why shouldn't I?</p>
-
-<p><span class="speaker">Mr. G</span>. How dare you, boy, insinuate that I&mdash;</p>
-
-<p><span class="speaker">Eug</span>. Ah! come, come, father, you know you wasn't a milk-sop any more
-than I am. It's all very well for the girls, but it won't do for us
-men, you know. So, now, let me have that five hundred, that's a good
-old dad.</p>
-
-<p><span class="speaker">Mr. G</span>. Five hundred dollars! Do you know that I am on the verge of
-ruin?</p>
-
-<p><span class="speaker">Eug</span>. The deuce you are!</p>
-
-<p><span class="speaker">Mr. G</span>. Nothing but a steady hand will save me. While I am struggling
-with all my might&mdash;sick enough to be in bed&mdash;to pull through, you all,
-not content with being dead weights on my shoulders, run into
-extravagance and profligacy. (<i>Takes bill from desk</i>.) The bill for my
-daughter Alice's last ball dress is here, $500. Here are two of your
-champagne bills, $100. I tell you this must be stopped. Your
-debauchery must be stopped. You have not the strength of mind to go
-through profligacy and come out solvent; if you had Kate's brains you
-might, but you have not; so I tell you this must be stopped, or you will
-have the pleasure of sowing the remainder of your wild oats in a
-pauper's back yard, if you do not fill a drunkard's grave! (<i>Exit</i>,
-R. 1 E.)</p>
-
-<p><span class="speaker">Eug</span>. By Jove! He means it every word! I never saw him so worked up
-before! And to say I, a man, had not so much strength of mind as Kate,
-he must be crazy! But what a fix I am in! I never dreamed but I could
-get the money without any trouble before the time to take up the note
-came, and if I cannot&mdash;great heavens! what I did was a crime, a State
-prison offence! State prison? Bah! the idea is absurd, I shall get the
-money some way. I will not think of it. It annoys me, too, to have
-Lizzie under the same roof. I have avoided her so far, but&mdash;oh! I will
-go and get a glass of whiskey and forget it all.</p>
-
-<p>(<i>Enter</i> <span class="character">Lizzie</span>, L. U. E. <i>She gives a startled exclamation</i>.)</p>
-
-<p><span class="speaker">Eug</span>. Lizzie!</p>
-
-<p><span class="speaker">Liz</span>. You!</p>
-
-<p><span class="speaker">Eug</span>. What are you doing here?</p>
-
-<p><span class="speaker">Liz</span>. (<i>up</i> L.). I came to look for Miss Kate; they said she was in the
-library. Heaven knows I would not have come had I known you were here!</p>
-
-<p><span class="speaker">Eug</span>. Now, Lizzie, what is the use of making such a fuss about nothing?
-Because we had a jolly little flirtation once, it is no reason why we
-should go into heroics now, is it? Come, let us be friends, Lizzie.</p>
-
-<p><span class="speaker">Liz</span>. (<i>coming down</i> L.). Friends with you, who broke my heart?</p>
-
-<p><span class="speaker">Eug</span>. Nonsense! broken hearts went out of fashion years ago. There,
-forgive me, Lizzie, but what <em>is</em> the use of taking things so seriously?
-Life was never made to be taken seriously.</p>
-
-<p><span class="speaker">Liz</span>. Perhaps not for you, but for those who have hearts life is indeed
-serious.</p>
-
-<p><span class="speaker">Eug</span>. I know it's a way women have to make themselves miserable, if they
-can. Now be sensible. Suppose we were awful spoons once; it was very
-pleasant while it lasted, but, of course, it could not last forever.</p>
-
-<p><span class="speaker">Liz</span>. And why?</p>
-
-<p><span class="speaker">Eug</span>. Why? Do summer flirtations ever last? Certainly not.</p>
-
-<p><span class="speaker">Liz</span>. But you said you never could be happy without me, that some day I
-should be your wife.</p>
-
-<p><span class="speaker">Eug</span>. By Jove! was I so far gone as all that? Well, I did like you
-amazingly, Lizzie, but, of course, that was mere talk.</p>
-
-<p><span class="speaker">Liz</span>. (<i>looking at him earnestly and moving towards him</i>). You did not
-mean it when you asked me to be your wife?</p>
-
-<p><span class="speaker">Eug</span>. Of course not, and I did not suppose you thought I did.</p>
-
-<p><span class="speaker">Liz</span>. (C.). And you call yourself a man, you who thus trifled with the
-heart of an innocent girl who loved you! Then if you are a type of a
-man, I thank heaven <em>I</em> am a woman.</p>
-
-<p><span class="speaker">Eug</span>. Now, Lizzie, don't get mad. I did not mean any harm, 'pon my word
-I didn't. (<i>Aside</i>.) By Jove, I believe I did treat the little girl
-confounded mean.</p>
-
-<p><span class="speaker">Liz</span>. I loved not <em>you</em>, but the man I dreamed you were. <em>You</em> I
-despise.</p>
-
-<p><span class="speaker">Eug</span>. Lizzie, I am sorry it ever happened. You see, I am a thoughtless
-kind of a fellow. I&mdash;I&mdash;have done a great many things I ought not.
-(<i>Tries to take her hand</i>.)</p>
-
-<p><span class="speaker">Liz</span>. (C., <i>repulsing him</i>). Then cultivate a different disposition in
-amends for the past and to save yourself from ruin, to which
-thoughtlessness is too often a guide. (<i>Goes up</i> R.)</p>
-
-<p><span class="speaker">Eug</span>. (L.). 'Pon my word, I&mdash;I believe I will try.</p>
-
-<p>(<i>Enter</i> <span class="character">Mr. Grovenor</span>, R. 1 E., <i>hastily, with paper clutched in his hand</i>.)</p>
-
-<p><span class="speaker">Mr. G</span>. This&mdash;this is a forgery, and you, Eugene, do you&mdash;do you
-know&mdash;was it&mdash;can it have been you?</p>
-
-<p><span class="speaker">Eug</span>. (L., <i>aside</i>). Heaven! that note to-day! I thought it was
-to-morrow. What shall I do?</p>
-
-<p><span class="speaker">Mr. G</span>. (C.). Answer and contradict if you can the guilt I see in your
-face.</p>
-
-<p><span class="speaker">Eug</span>. Father, forgive me. It was a debt of honor and I hoped to be able
-to pay the note before it came due. I&mdash;</p>
-
-<p><span class="speaker">Mr. G</span>. Then it was you, my son. My curse upon you, ungrateful and
-miserable son. Go&mdash;to a prison. I will have no mercy on you.</p>
-
-<p>(<span class="character">Lizzie</span> <i>screams and comes down</i> R.)</p>
-
-<p><span class="speaker">Eug</span>. Oh! a prison! (<i>Staggers to</i> R., <i>and falls into chair</i>.
-<span class="character">Lizzie</span> <i>leans over him</i>.)</p>
-
-<p><span class="speaker">Mr. G</span>. Yes, a prison, and rot there. You have ruined me; do you hear,
-ruined me! What have I done that I should be the father of a son like
-this? A forger and a&mdash;(<i>Staggers</i>.) Ah, my head! how it burns! What
-was I saying? Mercy! I will have no mercy! Where is Kate? (<i>Rings bell
-over desk furiously</i>.) Yes, ruined! ruined!</p>
-
-<p>(<i>Enter</i> <span class="character">Mrs. Grovenor</span> <i>and</i>
-<span class="character">Alice</span>, L. U. E.)</p>
-
-<p><span class="speaker">Alice</span> (L. C.). Father, what is the matter?</p>
-
-<p><span class="speaker">Mrs. G</span>. (L.). What can I do? Are you ill? Speak to me.</p>
-
-<p><span class="speaker">Mr. G</span>. (<i>raving</i>). Yes, you have ruined me. (<i>Enter</i>
-<span class="character">Kate</span>, L. U. E.) Who
-will pay these bills? I am ill, dying, dishonored; no one will
-straighten out my affairs. My son&mdash;no. I have no son. I&mdash;who will,
-who can help, save me? (<i>Falls</i>, C. <span class="character">Kate</span> <i>comes down</i> L. C.,
-<i>kneels and puts her arms around him</i>.)</p>
-
-<p><span class="speaker">Kate</span>. Your <em>daughter</em>, father! (<i>Slow music</i>.)</p>
-
-<div class="endofact">
-<p class="act-end">Tableau.</p>
-
-<p class="second"><span class="character">Eugene</span> <i>in chair</i>. <span class="character">Lizzie</span>
-<i>bending over him</i>, R. <span class="character">Mr. Grovenor</span> <i>on floor</i>.
-<span class="character">Kate</span> <i>kneeling beside him</i>, C. <span class="character">Alice</span>
-<i>weeping, with arms around her
-mother</i>, L.</p>
-</div>
-
-<div class="section">
-<h2 class="nobreak">ACT III.</h2>
-</div>
-
-<p class="setting">Scene&mdash;Same as First Act. Mrs. Grovenor, sitting on sofa, R. Alice,
-chair, L. Dr. Endicott, R., at table, discovered.</p>
-
-<p><span class="speaker">Mrs. G</span>. Thank heaven, my husband is in his right mind once more, and
-after heaven we must thank you, doctor.</p>
-
-<p><span class="speaker">Dr. E</span>. I have done all I could, and I am happy to have been so
-successful.</p>
-
-<p><span class="speaker">Mrs. G</span>. But since he has recovered his senses, his business affairs are
-worrying him. Would it not be better to explain everything?</p>
-
-<p><span class="speaker">Dr. E</span>. Yes, I think it will do to speak to-day, and, as a change of
-scene will be beneficial, get him up in his easy-chair and out here, if
-possible.</p>
-
-<p><span class="speaker">Mrs. G</span>. And Eugene, that unhappy boy.</p>
-
-<p><span class="speaker">Dr. E</span>. I doubt not this experience will be the needed one to arouse him
-to better things. You had best leave him to Kate.</p>
-
-<p><span class="speaker">Mrs. G</span>. Yes, I suppose so. Alas! I fear I have been much to blame for
-what has happened. I was too ignorant and helpless to be a wise mother.
-Dear Kate, what should we have done without her? (<i>Rising</i>.) But I must
-now go to my husband, who needs me every moment. I will follow your
-directions, doctor. (<i>Exit</i>, L. 2 E.)</p>
-
-<p><span class="speaker">Dr. E</span>. I am sorry to see you looking pale, Miss Alice, I hope you are
-not going to be ill also?</p>
-
-<p><span class="speaker">Alice</span>. Oh, no! I have been anxious about father.</p>
-
-<p><span class="speaker">Dr. E</span>. But now all occasion for anxiety has passed.</p>
-
-<p><span class="speaker">Alice</span>. Yes, and now I am to confess the truth somewhat out of sorts
-with myself.</p>
-
-<p><span class="speaker">Dr. E</span>. That is unfortunate, as we cannot easily get away from
-ourselves.</p>
-
-<p><span class="speaker">Alice</span>. Too true.</p>
-
-<p>(<i>Enter</i> <span class="character">Doughlass</span>, C.)</p>
-
-<p><span class="speaker">Doug</span>. (<i>coming</i> L. <i>of table</i>). Aw&mdash;good afternoon, doctor. I thought I
-would come to take you out to wide, Alice.</p>
-
-<p><span class="speaker">Alice</span> (<i>pettishly</i>). Why, you have been here once to-day.</p>
-
-<p><span class="speaker">Doug</span>. Aw&mdash;yes&mdash;you cannot complain that I am not devoted, you know!</p>
-
-<p><span class="speaker">Alice</span> (<i>aside</i>). I wish I could. (<i>Aloud</i>.) Well, I suppose I may as well
-go out to ride as anything else. (<i>Rising</i>.)</p>
-
-<p><span class="speaker">Doug</span>. That is right; get your hat and we will go at once.
-(<span class="character">Alice</span>, <i>exit</i>, L. 2 E.) You see I like to have her go out to wide,
-for it makes the fellows all envy me, you know. Alice is a devilish handsome girl,
-now, isn't she, doctor?</p>
-
-<p><span class="speaker">Dr. E</span>. Very handsome indeed.</p>
-
-<p><span class="speaker">Doug</span>. Yes&mdash;aw&mdash;and it's weally wough on a fellow, you know, to have to
-pay his attentions in a lunatic asylum.</p>
-
-<p><span class="speaker">Dr. E</span>. A lunatic asylum!</p>
-
-<p><span class="speaker">Doug</span>. Aw&mdash;yes&mdash;that is all I could think of whenever I have come here
-for the last two weeks, what with the old man waving wound, Eugene
-moping and tearing his hair, and Miss Kate having everything all her own
-way.</p>
-
-<p><span class="speaker">Dr. E</span>. Her father has cause to be thankful that his daughter does have
-everything her own way, at last. (<i>Rises</i>.)</p>
-
-<p><span class="speaker">Doug</span>. You surprise me. Aw&mdash;I have no doubt my&mdash;aw&mdash;future
-sister-in-law is a very smart woman, you know, but you see a fellow is
-afwaid of these smart women.</p>
-
-<p>(<i>Enter</i> <span class="character">Alice</span>, L. 2 E., <i>with hat, etc</i>.)</p>
-
-<p><span class="speaker">Alice</span>. Yes, it makes things too unequal, no doubt.</p>
-
-<p><span class="speaker">Doug</span>. Aw&mdash;pwecisely. (<i>Aside</i>.) What the deuce does she mean? (<i>Aloud</i>.)
-Aw&mdash;if you are weady, my dear, we will bid the doctor good by.</p>
-
-<p><span class="speaker">Alice</span>. Ah, yes. We will go. (<i>Aside, as they go up</i>.) I will teach him
-something about a woman's smartness after we are married. (<i>Exit with</i>
-<span class="character">Doughlass</span>, C.)</p>
-
-<p><span class="speaker">Dr. E</span>. (R., <i>looking after them</i>). Poor foolish couple! I pity you both.
-She is marrying him for his money, and he her for her good looks. And
-good looks fade, and money is powerless to satisfy the cravings of the
-heart, and then, what? (<i>Enter</i> <span class="character">Jim</span>, C.) Well, Jim?</p>
-
-<p><span class="speaker">Jim</span>. If you please, sir, will you want the carriage?</p>
-
-<p><span class="speaker">Dr. E</span>. Not yet. By the by, Jim, have you fixed everything all right
-with Jennie?</p>
-
-<p><span class="speaker">Jim</span>. Not&mdash;not exactly, sir. To tell the truth (<i>comes down</i> L.), she has
-been going on worse than ever since the master has been sick, and Miss
-Kate has been, as it were, the head of the family. "There's a woman for
-you!" says Jennie, "and do you dare tell me you have any business to go
-and vote and Miss Kate stay at home?" says Jennie, and what can I say,
-sir? It's not for me to set myself up above Miss Kate!</p>
-
-<p><span class="speaker">Dr. E</span>. Poor Jim! Your love matters really do not glide along very
-smoothly. But they never do, Jim (<i>sighing</i>), they never do.</p>
-
-<p><span class="speaker">Jim</span>. You're very right, sir. To be in love is the most wearing thing I
-know of.</p>
-
-<p><span class="speaker">Dr. E</span>. I fear Jennie is a sad tease.</p>
-
-<p><span class="speaker">Jim</span>. Tease, sir! Why, she even teases me in my dreams!</p>
-
-<p><span class="speaker">Dr. E</span>. Then if she makes you so unhappy, why not give up all thoughts
-of her, and&mdash;</p>
-
-<p><span class="speaker">Jim</span>. Give up all thoughts of Jennie! Never, sir! Why, I had rather be
-made that miserable that I am reduced to walking about in my bones than
-give up Jennie. No, sir! It's a curious fact. (<i>Enter</i> <span class="character">Jennie</span>, C.) A
-strange weakness in the composition of a man is that the more unhappy a
-woman makes him the better he likes her!</p>
-
-<p><span class="speaker">Jen</span>. (<i>coming down</i>, C.). You don't say so!</p>
-
-<p><span class="speaker">Jim</span>. Gracious Peter! I have done it now!</p>
-
-<p><span class="speaker">Jen</span>. Yes, you are caught in a confession of great weakness!</p>
-
-<p><span class="speaker">Jim</span>. I&mdash;I&mdash;take it all back.</p>
-
-<p><span class="speaker">Jen</span>. You can't; it's boarded.</p>
-
-<p><span class="speaker">Dr. E</span>. Right, Jennie. But what is this I hear about you?</p>
-
-<p><span class="speaker">Jen</span>. (<i>confused</i>). About me, sir?</p>
-
-<p><span class="speaker">Dr. E</span>. Yes, about your great aversion to our unfortunate sex?</p>
-
-<p><span class="speaker">Jen</span>. Lor, sir, I don't know. I suppose Jim has been telling you some
-nonsense or other! (<i>Turns and makes face at Jim</i>.)</p>
-
-<p><span class="speaker">Jim</span>. No, I haven't, Jennie, upon my soul I haven't. I only told him
-what you said about a man being inferior to a woman, that's all.</p>
-
-<p><span class="speaker">Jen</span>. Oh! that was <em>all</em>, was it? Well, Mr. Jim, you are a smart young
-man, you are! And besides, I never said anything of the kind. The fact
-is, doctor, I expressed my sentiments to him, that's all.</p>
-
-<p><span class="speaker">Dr. E</span>. And may I inquire what those sentiments are?</p>
-
-<p><span class="speaker">Jen</span>. Oh! it's only that I don't believe in getting married and being
-made a slave of and perhaps beat and told you don't know anything
-because you are a woman: those are the sentiments he objects to, sir.</p>
-
-<p><span class="speaker">Jim</span>. Good gracious, Jennie! Did I ever do any such thing?</p>
-
-<p><span class="speaker">Jen</span>. Of course not; you never had a chance.</p>
-
-<p><span class="speaker">Dr. E</span>. But really, my good girl, I do not believe you think in your
-heart quite so meanly of Jim as your words would signify. In your zeal
-for your own sex, do not be unjust to ours, for remember that is the
-very thing you condemn in us. (<i>Exit</i>, C.)</p>
-
-<p><span class="speaker">Jen</span>. (<i>half crying</i>). Well, Jim, I don't see what on earth you wanted to
-go and make me out so horrid to the doctor for. Just because I think a
-good deal of his opinion, I suppose.</p>
-
-<p><span class="speaker">Jim</span>. There, now! oh, dear! how you do fly off, to be sure. Make you
-out horrid? I, who would think you was perfect if you would only let
-up a little once in a while on me about your rights.</p>
-
-<p><span class="speaker">Jen</span>. Yes, and you went and made the doctor think that I not only wanted
-my rights, which I do, but yours, too, which I don't.</p>
-
-<p><span class="speaker">Jim</span>. You don't? I'm sure I thought you did.</p>
-
-<p><span class="speaker">Jen</span>. (<i>stamping foot</i>). Oh! is there anything in the world so stupid as a
-man?</p>
-
-<p><span class="speaker">Jim</span>. Stupid! I have a good mind to get mad.</p>
-
-<p><span class="speaker">Jen</span>. (<i>turning her back to him</i>). I would if I were you.</p>
-
-<p><span class="speaker">Jim</span>. Well, I&mdash; (<i>Goes up</i> C., <i>then returns</i>.) No, I can't get mad with
-you, Jennie. But won't you please just remember how you went on about
-the tyranny of the sex, and all that sort of thing, and then don't blame
-me if I thought you wanted to tyrannize a little. I am sure that wasn't
-stupid.</p>
-
-<p><span class="speaker">Jen</span>. It was absurd, then. I only want my share, that's all.</p>
-
-<p><span class="speaker">Jim</span>. Is that all? Oh, Jennie (<i>gets down on knees</i>), if you will only
-marry me, you shall have your share, yes, and a little more.</p>
-
-<p><span class="speaker">Jen</span>. My share of being trampled on, do you mean?</p>
-
-<p><span class="speaker">Jim</span>. Who said anything about being trampled on? Well, your share of
-trampling, if you must have it.</p>
-
-<p><span class="speaker">Jen</span>. I think it is just awful of you to say that I am a tyrant.</p>
-
-<p><span class="speaker">Jim</span> (<i>jumping up</i>). Good gracious, there you go again! How you do fly
-off. When did I ever say any such thing?</p>
-
-<p><span class="speaker">Jen</span>. Well, Jim, supposing&mdash;just supposing, you know&mdash;that I should make
-up my mind to marry you&mdash;</p>
-
-<p><span class="speaker">Jim</span>. Oh, Jennie! If you only would. The very idea makes me so happy,
-I&mdash;I could jump way to the ceiling.</p>
-
-<p>(<i>Holds out arms to embrace her, she runs under them</i>.)</p>
-
-<p><span class="speaker">Jen</span>. Could you? Well, don't be in too much of a hurry, because it
-might hurt you when you came down, for you know I was only <em>supposing</em>.</p>
-
-<p><span class="speaker">Jim</span>. Jennie, do you want to see me pine to a shadow and blow away with
-love? I can't stand this sort of thing any longer. I will go away to
-California, that's what I will do!</p>
-
-<p><span class="speaker">Jen</span>. (<i>coquettishly</i>). But, Jim, don't you think you had better wait
-until I get through <em>supposing</em>?</p>
-
-<p><span class="speaker">Jim</span>. Wait! I will wait until I am bald if you will only promise to
-have me then.</p>
-
-<p><span class="speaker">Jen</span>. Dear me, I shouldn't want you <em>then</em>. In fact, I couldn't think
-of having you any way, if I thought you would <em>ever</em> be bald!</p>
-
-<p><span class="speaker">Jim</span> (<i>very fast</i>). Oh, I never shall; no, indeed, we are not a bald
-family, there never was a bald man in it, the babies are all born with
-thick heads of hair. One of the family was scalped once, to be sure,
-but it was accidental, and his hair all grew out again in a few days.
-Look at mine. (<i>Sticks it up</i>.)</p>
-
-<p><span class="speaker">Jen</span>. (<i>screams</i>). Oh, don't! Nature has made you homely enough without
-your trying to help her.</p>
-
-<p><span class="speaker">Jim</span>. But I only wanted to settle this bald question forever. And now,
-Jennie, won't you go on <em>supposing</em>?</p>
-
-<p><span class="speaker">Jen</span>. Well, supposing I should marry you some time, would you find a
-minister who was willing to leave "obey" out of the marriage service?</p>
-
-<p><span class="speaker">Jim</span>. If there is one in America I'll find him. For I shouldn't want to
-make you swear to a lie, Jennie.</p>
-
-<p><span class="speaker">Jen</span>. And then would you respect my rights and acknowledge equal rights
-for both of us?</p>
-
-<p><span class="speaker">Jim</span>. Of course, your rights and equal rights,&mdash;principally your rights.</p>
-
-<p><span class="speaker">Jen</span>. Well, then, perhaps&mdash;but wait a moment; if there should ever be a
-balance over equal rights, it must come on my side, must it not?
-Because a man is apt to misuse his power, you know.</p>
-
-<p><span class="speaker">Jim</span> (<i>going near her</i>). You shall have all the balances.</p>
-
-<p><span class="speaker">Jen</span>. (<i>edging away</i>). I don't know but you are almost <em>too</em> willing.</p>
-
-<p><span class="speaker">Jim</span>. Now she is off on another tack. What <em>can</em> a man do?</p>
-
-<p><span class="speaker">Jen</span>. However, I can get a divorce if you don't keep your word, so, as
-you are a pretty good fellow, Jim, I think I will condescend to try you
-as a husband.</p>
-
-<p><span class="speaker">Jim</span>. Hurrah! (<i>Embraces her</i>.) But about this condescending&mdash;</p>
-
-<p><span class="speaker">Jen</span>. That is one of the balances, Jim.</p>
-
-<p><span class="speaker">Jim</span>. Oh, well! (<i>Kisses her and is about to repeat when she stops him</i>.)</p>
-
-<p><span class="speaker">Jen</span>. No, Jim. Equal rights. I must give you half, you know. (<i>Kisses
-him and runs off</i>, C.)</p>
-
-<p><span class="speaker">Jim</span>. Equal rights ain't so bad, after all. (<i>Goes after Jennie and runs
-against</i> <span class="character">Eugene</span>, <i>who enters moodily</i>, C.) I beg pardon, sir, but I am so
-equal&mdash;happy. (<i>Exit</i>, C.)</p>
-
-<p><span class="speaker">Eug</span>. What is the matter with Jim? Happy! Well, I am glad some one is.
-I never shall be again. This is what my cursed easy disposition has
-brought me to. I have ruined myself and almost killed my father. If it
-was not for Kate I would blow my brains out&mdash;if I have any. (<i>Sits
-dejectedly</i>, R.)</p>
-
-<p>(<i>Enter</i> <span class="character">Lizzie</span>, C.)</p>
-
-<p><span class="speaker">Liz</span>. Eugene!</p>
-
-<p><span class="speaker">Eug</span>. Lizzie, is it you? (<i>Aside</i>.) I am ashamed to look her in the
-face.</p>
-
-<p><span class="speaker">Liz</span>. I have been trying to see you ever since that&mdash;that trouble, but I
-never have been able to find you alone. I thought perhaps it might be
-some little comfort to you to know that I sympathized with and pitied
-you, and that I had faith enough in you to believe you would redeem the
-past.</p>
-
-<p><span class="speaker">Eug</span>. (<i>starting up</i>). These words to me from you? Oh, Lizzie, I am a
-miserable wretch.</p>
-
-<p><span class="speaker">Liz</span>. You have been gay, careless, reckless, but oh, I cannot believe
-you wholly bad. My share in your thoughtless past I freely forgive. I
-wanted to tell you this, and say I hope in the future to see you worthy
-the esteem of every one.</p>
-
-<p><span class="speaker">Eug</span>. I dare not hope that, Lizzie.</p>
-
-<p><span class="speaker">Liz</span>. But you will try?</p>
-
-<p><span class="speaker">Eug</span>. Oh, yes! I shall try. But my father,&mdash;he will surely never
-forgive me, will banish me from his house.</p>
-
-<p><span class="speaker">Liz</span>. Not if you tell him how penitent you are.</p>
-
-<p><span class="speaker">Eug</span>. He has not a heart like yours, Lizzie.</p>
-
-<p><span class="speaker">Liz</span>. But Kate will intercede for you.</p>
-
-<p><span class="speaker">Eug</span>. Kate, heaven bless her, I know she will. What has she not done
-for me already? And to think that I once set myself up as so far above
-her, and plumed myself on being a lord of creation,&mdash;I, a poor, weak
-fool, not worthy to touch the hem of her garment.</p>
-
-<p><span class="speaker">Liz</span>. Those words prove to me that you are no longer the Eugene you
-were.</p>
-
-<p><span class="speaker">Eug</span>. I hope, I trust not. As you say, I did not mean to be really bad.
-I was inexperienced, thoughtless, eager for the pleasures of life, and
-I never stopped to think of consequences. How could you have loved
-me&mdash;for you did love me once, Lizzie?</p>
-
-<p><span class="speaker">Liz</span>. It was your best side you showed me, Eugene.</p>
-
-<p><span class="speaker">Eug</span>. At first, yes; but I showed you my worst afterwards.</p>
-
-<p><span class="speaker">Liz</span>. The flaws in her idol cannot kill a woman's love.</p>
-
-<p><span class="speaker">Eug</span>. Lizzie, I did not mean to break your heart. Do you believe me?</p>
-
-<p><span class="speaker">Liz</span>. I do; and, as I said, forgive you freely.</p>
-
-<p><span class="speaker">Eug</span>. For the first time I begin to realize the happiness that might
-have been mine, the value of the heart I threw away.</p>
-
-<p><span class="speaker">Liz</span>. The heart that has always been yours, Eugene.</p>
-
-<p><span class="speaker">Eug</span>. (<i>taking her hand</i>). Mine! Mine now! What! Do you mean to say
-that you love me now, ruined and disgraced as I am, soon perhaps to be
-driven from my father's door, and go forth into the world penniless and
-alone?</p>
-
-<p><span class="speaker">Liz</span>. How little you know of woman's love! Think you it endures only
-through the bright summer days of sunshine? No, Eugene. In the time of
-darkness and sorrow a woman's love never fails.</p>
-
-<p><span class="speaker">Eug</span>. And would you share my fate <em>now</em>?</p>
-
-<p><span class="speaker">Liz</span>. Would I? Oh, how gladly! But you forget, I am a poor girl, a
-seamstress in your mother's house, and&mdash;</p>
-
-<p><span class="speaker">Eug</span>. I would indeed be unworthy of the blessing of your love should I
-think of <em>that</em>. Lizzie, your love shall raise me from the depths into
-which I have fallen. (<i>Embraces her as</i> <span class="character">Kate</span> <i>enters</i>, C.)</p>
-
-<p><span class="speaker">Kate</span>. Eugene! Lizzie!</p>
-
-<p><span class="speaker">Eug</span>. (R. C.). Do not misapprehend, Kate. Let me explain before you
-judge.</p>
-
-<p><span class="speaker">Kate</span> (<i>coming down</i> L.). Go on.</p>
-
-<p><span class="speaker">Liz</span>. (<i>aside</i>, R.). Dare I hope she will approve?</p>
-
-<p><span class="speaker">Eug</span>. Lizzie and I met&mdash;a year ago!</p>
-
-<p><span class="speaker">Kate</span>. What! is it possible!</p>
-
-<p><span class="speaker">Liz</span>. Do you not remember, I told you all the first day I came to your
-house?</p>
-
-<p><span class="speaker">Kate</span>. What do you say? Do you mean (<i>staggers back against table for
-support</i>)&mdash;can it be that it was to him&mdash;to <em>Eugene</em> that you then
-referred?</p>
-
-<p><span class="speaker">Liz</span>. To whom else? It was of course Eugene.</p>
-
-<p><span class="speaker">Kate</span>. Eugene! Oh, what a cruel mistake! Oh, what a wrong I have done
-a noble man! Heaven forgive me!</p>
-
-<p><span class="speaker">Eug</span>. (<i>going to her</i>). Dear Kate, what is the matter? what do you mean?</p>
-
-<p><span class="speaker">Kate</span>. Do not ask me; dear, forget what I have said. It is all right
-now&mdash;yes! all right now! Eugene&mdash;Lizzie&mdash;you do not need tell me
-anymore. I understand (<i>joins their hands</i>); I am very glad, and now will
-you please leave me? I&mdash;I would like to be alone.</p>
-
-<p><span class="speaker">Liz</span>. You are not offended?</p>
-
-<p><span class="speaker">Kate</span>. Offended? no indeed, child. I am sure you have both acted for
-the best.</p>
-
-<p><span class="speaker">Eug</span>. Dear Kate, with the help of my sister and my wife, I hope I may
-one day be what I once thought I was&mdash;a man! (<i>Exit</i>, C., <i>with</i>
-<span class="character">Lizzie</span>, <i>who comes back to kiss</i>
-<span class="character">Kate</span>, <i>then exit</i>.)</p>
-
-<p><span class="speaker">Kate</span>. Can it be true? Has the heavy load that has lain on my heart,
-at the bottom of all the other loads that have lain there of late,
-really gone? Yes&mdash;gone&mdash;all gone! Will he, can he forgive me? I must
-see him at once! (<i>Rings bell</i>.) How could I for a moment mistrust him?</p>
-
-<p>(<i>Enter</i> <span class="character">Jennie</span>, C.)</p>
-
-<p><span class="speaker">Kate</span>. Please ask Dr. Endicott to come here.</p>
-
-<p><span class="speaker">Jen</span>. Yes'm. (<i>Aside</i>.) They two would make another nice equal-rights
-couple. (<i>Exit</i>, C.)</p>
-
-<p><span class="speaker">Kate</span>. What shall I say to him? Oh! if they could see me tremble, they
-would no longer call me "strong-minded."</p>
-
-<p>(<i>Enter</i> <span class="character">Dr. Endicott</span>, C.)</p>
-
-<p><span class="speaker">Dr. E</span>. You sent for me, Kate? At last we meet alone!</p>
-
-<p><span class="speaker">Kate</span>. Yes, I sent for you to say, forgive me!</p>
-
-<p><span class="speaker">Dr. E</span>. Forgive you! For refusing me an explanation, do you mean?</p>
-
-<p><span class="speaker">Kate</span>. For ever having doubted you. Oh! how can I say how bitterly I
-have wronged you?</p>
-
-<p><span class="speaker">Dr. E</span>. Wronged me? and how? Do not fear: tell me all. Whatever it may
-be, it is forgiven.</p>
-
-<p><span class="speaker">Kate</span>. I doubted you. It seems impossible now that I could have done
-so, but I did; circumstances caused me to lay the wrong-doing of another
-at your door.</p>
-
-<p><span class="speaker">Dr. E</span>. If the cloud that has been between us so long has gone, I am too
-thankful to give anything else a second thought. So ask me not to
-forgive you, but rather let me ask you if you love me?</p>
-
-<p><span class="speaker">Kate</span>. I love and honor you with all my heart.</p>
-
-<p><span class="speaker">Dr. E</span>. As I do you. (<i>Embraces her</i>.)</p>
-
-<p><span class="speaker">Kate</span>. And please heaven our home shall be a happy one, if I <em>am</em>
-strong-minded!</p>
-
-<p><span class="speaker">Dr. E</span>. <em>Because</em> you are strong-minded, dear. And now we must prepare
-to relieve your father's mind of the anxiety that is growing greater
-every moment. Hark! they are bringing him in.</p>
-
-<p>(<span class="character">Mr. Grovenor</span> <i>is pushed in on chair by</i>
-<span class="character">Mrs. Grovenor</span> <i>and</i> <span class="character">Jennie</span>, C.
-<span class="character">Jennie</span> <i>immediately exits</i>, C.
-<span class="character">Mrs. Grovenor</span> <i>goes to</i> L.)</p>
-
-<p><span class="speaker">Kate</span> (<i>going</i> R. <i>of him</i>). Dear father, I am so happy to see you out of
-your room once more.</p>
-
-<p><span class="speaker">Mr. G</span>. Thank you, Kate. I&mdash;I hope to get back to business again soon.</p>
-
-<p><span class="speaker">Dr. E</span>. (L. <i>of</i> <span class="character">Mr. G</span>.).
-Do not give yourself any uneasiness about your business. That has gone on well.</p>
-
-<p><span class="speaker">Mr. G</span>. No, no, that cannot be. I remember&mdash;</p>
-
-<p><span class="speaker">Dr. E</span>. That you were on the verge of ruin. But the crisis has passed,
-and now all is well.</p>
-
-<p><span class="speaker">Mr. G</span>. But&mdash;Brown's note.</p>
-
-<p><span class="speaker">Dr. E</span>. Brown has given you three months' time.</p>
-
-<p><span class="speaker">Mr. G</span>. Strange&mdash;oh! but Eugene&mdash;</p>
-
-<p><span class="speaker">Dr. E</span>. That note has been paid.</p>
-
-<p><span class="speaker">Mr. G</span>. Paid! can it be? But how, who has done all this&mdash;you, doctor?</p>
-
-<p><span class="speaker">Dr. E</span>. Not I, but one nearer and dearer, one more deserving of your
-thanks&mdash;your daughter. (<i>Indicates</i> <span class="character">Kate</span> <i>to him, who is leaning over his
-chair</i>.)</p>
-
-<p><span class="speaker">Mr. G</span>. What, my daughter! <em>You</em>, Kate, have done this?</p>
-
-<p><span class="speaker">Kate</span> (<i>coming around to his side</i>, R.). Yes, dear father, my woman's wit
-has been equal to the occasion. I saw Brown myself. I had saved up a
-little money for the purpose of some day using in studying art, and with
-that I settled Eugene's debts. I have taken your place in the business
-as far as with my limited knowledge I could. So do not worry any more,
-dear father.</p>
-
-<p><span class="speaker">Mr. G</span>. Ah! my daughter, how foolish, how blind I have been! But the
-scales have fallen from my eyes at last, and I thank God for the great
-gift of my daughter. (<i>Embraces</i> <span class="character">Kate</span>.)</p>
-
-<p>(<i>Enter</i> <span class="character">Eugene</span> <i>and</i> <span class="character">Lizzie</span>, C.
-<span class="character">Eugene</span> <i>goes and kneels before</i> <span class="character">Mr.Grovenor</span>.
-<span class="character">Lizzie</span> <i>stops up stage</i>.)</p>
-
-<p><span class="speaker">Eug</span>. Father, can you overlook what has passed and let me try once more?</p>
-
-<p><span class="speaker">Mr. G</span>. My boy, I have erred too much myself to condemn you. We will
-both redeem the past. (<i>Lays hand on his head</i>.)</p>
-
-<p><span class="speaker">Eug</span>. Father, your confidence will not, shall not be misplaced.</p>
-
-<p><span class="speaker">Kate</span> (<i>bringing down</i> <span class="character">Lizzie</span>, R.).
-And now, father, give your blessing, will you not, on his union with one who has
-long loved him, and who will help him to keep his word?</p>
-
-<p><span class="speaker">Mr. G</span>. What! He wishes to marry Lizzie!</p>
-
-<p><span class="speaker">Kate</span>. Yes, father, and she will make him a good wife.</p>
-
-<p><span class="speaker">Mr. G</span>. (<i>taking</i> <span class="character">Lizzie's</span> <i>hand</i>).
-Let me look at you. You have a good, sweet face, child. Away with all false ideas of caste.
-Help my son to overcome his past errors and I will love you always.
-(<span class="character">Lizzie</span> <i>kneels at</i>
-<span class="character">Eugene's</span> <i>side and he joins their hands</i>.)</p>
-
-<p><span class="speaker">Eug</span>. (<i>rising and taking</i>
-<span class="character">Lizzie</span> L. <i>to</i> <span class="character">Mrs. Grovenor</span>).
-And you, mother, do you consent?</p>
-
-<p><span class="speaker">Mrs. G</span>. I will confess that once I might have said no, but
-now&mdash;now&mdash;now that I realize how false have been so many of my ideas, I
-dare trust myself only to say, may you be happy. (<i>Goes back of</i>
-<span class="character">Mr. Grovenor's</span> <i>chair, leaning over it</i>.)</p>
-
-<p>(<i>Enter</i> <span class="character">Doughlass</span> <i>and</i>
-<span class="character">Alice</span>, <i>followed by</i>
-<span class="character">Jim</span> <i>and</i> <span class="character">Jennie</span>, C.)</p>
-
-<p><span class="speaker">Doug</span>. (R.). Aw&mdash;quite a family gathering, I declare.</p>
-
-<p><span class="speaker">Alice</span>. We are just in time to complete the circle.</p>
-
-<p><span class="speaker">Dr. E</span>. (R. <i>of</i> <span class="character">Mr. Grovenor's</span>
-<i>chair with</i> <span class="character">Kate</span>). And now, Mr. Grovenor,
-will you give your blessing? For Kate has promised to be my wife.</p>
-
-<p><span class="speaker">Mrs. G</span>. My dear Kate.</p>
-
-<p><span class="speaker">Alice</span>. Can it be?</p>
-
-<p><span class="speaker">Doug</span>. (<i>aside</i>). Going to mawwy the strong-minded one? Good gracious!</p>
-
-<p><span class="speaker">Mr. G</span>. Doctor, you have won a pearl of great price, but you are worthy
-of it. Heaven bless you both.</p>
-
-<p><span class="speaker">Alice</span> (<i>aside</i>). My ideas have been all wrong, but my fate is fixed now.</p>
-
-<p><span class="speaker">Jim</span> (<i>coming down</i> L. <i>with</i> <span class="character">Jennie</span>).
-If you please, now, there is so much
-being said about getting married, I would like to mention that Jennie
-and I are going to get married, too.</p>
-
-<p><span class="speaker">Jen</span>. On equal rights.</p>
-
-<p><span class="speaker">Dr. E</span>. Equal rights to all.</p>
-
-<p><span class="speaker">Kate</span>. And I wish to every woman in the land might come equal rights,
-independence, and last, but not least, love.</p>
-
-<div class="endofact">
-<p class="setting">Music, curtain.</p>
-
-<p class="second"><span class="character">Alice, Doughlass, R. Kate, Dr. Endicott, R. C.; Mr. Grovenor</span> <i>in chair</i>
-C.; <span class="character">Mrs. Grovenor</span> <i>at back of chair</i>; <span class="character">Eugene, Lizzie, L. C.; Jim,
-Jennie, L.</span></p>
-</div>
-
-
-
-
-
-
-
-<pre>
-
-
-
-
-
-End of Project Gutenberg's Lords of Creation, by Ella Cheever Thayer
-
-*** END OF THIS PROJECT GUTENBERG EBOOK LORDS OF CREATION ***
-
-***** This file should be named 63198-h.htm or 63198-h.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/6/3/1/9/63198/
-
-Produced by Jessica Hope
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for the eBooks, unless you receive
-specific permission. If you do not charge anything for copies of this
-eBook, complying with the rules is very easy. You may use this eBook
-for nearly any purpose such as creation of derivative works, reports,
-performances and research. They may be modified and printed and given
-away--you may do practically ANYTHING in the United States with eBooks
-not protected by U.S. copyright law. Redistribution is subject to the
-trademark license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country outside the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you'll have to check the laws of the country where you
- are located before using this ebook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm web site
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from both the Project Gutenberg Literary Archive Foundation and The
-Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
-trademark. Contact the Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org
-
-
-
-Section 3. Information about the Project Gutenberg Literary Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's principal office is in Fairbanks, Alaska, with the
-mailing address: PO Box 750175, Fairbanks, AK 99775, but its
-volunteers and employees are scattered throughout numerous
-locations. Its business office is located at 809 North 1500 West, Salt
-Lake City, UT 84116, (801) 596-1887. Email contact links and up to
-date contact information can be found at the Foundation's web site and
-official page at www.gutenberg.org/contact
-
-For additional contact information:
-
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works.
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our Web site which has the main PG search
-facility: www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-
-
-
-</pre>
-
-</body>
-</html>
-
diff --git a/old/63198-h/images/cover.jpg b/old/63198-h/images/cover.jpg
deleted file mode 100644
index 93d27d1..0000000
--- a/old/63198-h/images/cover.jpg
+++ /dev/null
Binary files differ