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diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..d7b82bc --- /dev/null +++ b/.gitattributes @@ -0,0 +1,4 @@ +*.txt text eol=lf +*.htm text eol=lf +*.html text eol=lf +*.md text eol=lf diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..b109b9b --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #65354 (https://www.gutenberg.org/ebooks/65354) diff --git a/old/65354-0.txt b/old/65354-0.txt deleted file mode 100644 index 9525bbb..0000000 --- a/old/65354-0.txt +++ /dev/null @@ -1,575 +0,0 @@ -The Project Gutenberg eBook of Lily Speed-O-Weave Leaflet No.147-S: -Luncheon Set No. 86, by Anonymous - -This eBook is for the use of anyone anywhere in the United States and -most other parts of the world at no cost and with almost no restrictions -whatsoever. You may copy it, give it away or re-use it under the terms -of the Project Gutenberg License included with this eBook or online at -www.gutenberg.org. If you are not located in the United States, you -will have to check the laws of the country where you are located before -using this eBook. - -Title: Lily Speed-O-Weave Leaflet No.147-S: Luncheon Set No. 86 - -Author: Anonymous - -Release Date: May 16, 2021 [eBook #65354] - -Language: English - -Character set encoding: UTF-8 - -Produced by: Stephen Hutcheson and the Online Distributed Proofreading - Team at https://www.pgdp.net - -*** START OF THE PROJECT GUTENBERG EBOOK LILY SPEED-O-WEAVE LEAFLET -NO.147-S: LUNCHEON SET NO. 86 *** - - - - - _Lily SPEED-O-WEAVE_ - LUNCHEON SET DESIGN No. 86 - - - Made on a frame - EASY AND FAST - LEAFLET NO. 147-S - - - - - LUNCHEON SET DESIGN No. 86 - - - [Illustration: Figure 1] - - [Illustration: Figure 2 - (FRAME OPENED—for center piece pattern. Shows second operation)] - - [Illustration: Figure 3] - - [Illustration: Figure 4] - - - MATERIALS: - - 1 Lily Speed-O-Weave Frame - Lily Crochet Cottons or - Lily Handweaving Yarns - -This luncheon set, illustrated on back page, is made of one color which -is the simplest type of work that can be done on the frame, yet the -results are most pleasing. The set consists of a center piece, and four -or six smaller pieces. The center piece is made with the frame adjusted -to the shape shown in Fig. 2. The smaller pieces are made with the frame -in the form shown in Figures 1 and 3. Figure 1 shows a frame partially -wound with the thread lying in one direction. Figure 2 shows a frame -partially wound with the threads extending in two directions. Figure 3 -shows a frame completely wound with the threads extending in three -different directions, and ready to be tied. Figure 4 shows complete -piece. - -Throughout these instructions, the corner prongs are always designated -as No. 1 prongs. - -To commence the winding, the thread is first tied to No. 3 prong on side -C, Figure 1. It is then extended to prong 3 on side A, Figure 1. The -thread is wound back and forth on these prongs until there are twelve -threads between the prongs. The thread is then wound in a similar manner -around the next pair of prongs immediately above, and so on, until the -third last set of prongs is reached. These threads will all lie parallel -to each other, and to two sides of the frame. - -The thread is then carried around the outside of the adjacent corner to -the third prong from the corner. The thread is then wound around that -prong to the corresponding prong on the opposite side. A similar number -of threads are extended between each pair of prongs, so that the threads -lie parallel to the second pair of sides of the frame. - -The winding of the thread in the third position is similar, except that -it is wound parallel with the third pair of sides of the frame. This -results in the frame being wound in three directions with twelve threads -extending between each pair of prongs in each direction. - - 12 Petal Daisy Design - - [Illustration: STEP ONE—in winding frame for twelve-petal daisy - design.] - - [Illustration: SECOND STEP—in winding frame for twelve-petal daisy - design.] - - [Illustration: THIRD STEP—in winding frame for twelve-petal daisy - design.] - -The whole process is then repeated: that is, twelve more threads are -wound between each pair of prongs in each of three directions, as -aforesaid, making a total of 24 threads extending between each pair of -prongs. If a heavier mat is desired, another layer of twelve threads may -be added. - -When all this has been done, the thread may be tied to the final prong -and then cut off. The frame is now ready to be sewed. This is where the -shuttle is put into use. As much thread as can be conveniently held by -the shuttle is wound upon it, and a foot or so allowed to hang from it. -This loose end of the thread is then tied around a corner intersection -of three groups of threads on the frame, from the back, and fastened -securely. - -If you will now study Figure 3, you will find that it is possible to -make three distinct loops around these intersections and to tie them -from the back of the frame by means of half-hitches. As each one of -these intersections is sewed or tied, the craftsman should move -clockwise to the next intersection of three groups of threads and repeat -the operation around the frame. When the first round has been completed, -skip over to the second round and repeat at the end of each round: in -this way it will be found unnecessary to break the thread at any time. -In fact, the only time that it should be necessary to tie a knot in the -thread is when the shuttle is empty. The proper procedure then, is to -refill the shuttle and tie the new end to the end of the thread finished -and continue sewing. - -When the entire frame has been tied, the finished article is removed by -simply cutting through the thread as near to the prongs as is possible, -with a pair of sharp scissors. Comb out the fringe thus formed and trim -evenly. - - [Illustration: Frame wound to illustrate one step in winding frame - for design suitable for pillow case or vanity set.] - - [Illustration: Frame wound to illustrate another step in winding - frame for design suitable for pillow case or vanity set.] - - [Illustration: Frame completely wound—for twelve-petal daisy design. - (This illustration shows frame extended for buffet or vanity set - centerpieces—or centerpieces for luncheon set.)] - - - - - _SPEED-O-WEAVE_ FRAME - - - [Illustration: _SPEED-O-WEAVE_ FRAME] - - [Illustration: The Lily SPEED-O-WEAVE frame is packed in a - box—complete with adjusting bolts and shuttle. (Shuttle is pictured - at right). Frame consists of six angular sections, each section - being provided with a plurality of prongs or fingers adapted to hold - the threads. The sections are provided with holes through which - bolts, secured by wing nuts, are extended to hold the several - sections together.] - - [Illustration: The frame is assembled from six pieces of angle - steel, light, sturdy, easily adjusted to various sizes ... green - lacquer finish. Complete with adjusting bolts and shuttle. - - Adjustable To 20 Shapes] - - - Many Variations Are Possible - -The SPEED-O-WEAVE frame is adjustable to over twenty different sizes and -shapes, and the number and variety of pieces it is possible to make by -this method is almost unlimited. A few are: luncheon sets, chair sets, -doilies, bedspreads, dresser scarfs, pillow tops, handbags, pot holders -and dish cloths. It is also possible to do several different types of -weaving on the one frame. Endless variations of each type can be -achieved by interweaving colored threads to produce colored patterns. -The simplest form of work possible on the frame consists of single piece -sets with a fringe. In making blocks for joining, as in a bedspread or -any large article, the blocks are made without a fringe in order to -facilitate sewing them together. - - - No Skill Required! - -SPEED-O-WEAVE—or Hexagonal Weaving—is fast becoming one of the most -popular of hand-crafts. This is due, no doubt, to its extreme simplicity -and to the fact that it is both inexpensive and very quickly learned. -For making SPEED-O-WEAVE designs many yarns or crochet threads can be -used. For luncheon cloths, doilies, pillow tops, etc., the finer threads -may be used. For rugs, bedspreads, hot dish mats, etc., the heavier -yarns would be more appropriate. - -Reduced to its simplest formula, Hexagonal Weaving, as done on Lily’s -SPEED-O-WEAVE frame, is simply the winding of threads back and forth on -the prongs or fingers of the frame in such a manner, that the threads -lie parallel to three sides of the frame. If the threads are wound -parallel to three sides of the frame, they will automatically be -parallel with the remaining three sides of the frame, because of the -manner in which the frame is constructed. After the threads have been -wound in three directions on the frame, they are tied together at their -intersections, to effect a complete article. - - [Illustration: Multiple-color designs] - - [Illustration: LUNCHEON SET No. 86 - - An attractive Luncheon Set made on Lily’s SPEED-O-WEAVE frame. - Directions for making are inside folder.] - - - - - Transcriber’s Notes - - -—Silently corrected a few typos. - -—Retained publication information from the printed edition: this eBook - is public-domain in the country of publication. - -—In the text versions only, text in italics is delimited by - _underscores_. - - - -*** END OF THE PROJECT GUTENBERG EBOOK LILY SPEED-O-WEAVE LEAFLET NO.147-S: -LUNCHEON SET NO. 86 *** - -Updated editions will replace the previous one--the old editions will -be renamed. - -Creating the works from print editions not protected by U.S. copyright -law means that no one owns a United States copyright in these works, -so the Foundation (and you!) can copy and distribute it in the -United States without permission and without paying copyright -royalties. 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margin-top:0; margin-bottom:0; margin-top:1em; text-align:right; } -dl dt.lr a { text-align:left; clear:left; float:left; } - -.fnblock { margin-top:2em; margin-bottom:2em; } -.fndef, p.fn { text-align:justify; margin-top:1.5em; margin-left:1.5em; text-indent:-1.5em; } -.fndef p.fncont, .fndef dl { margin-left:0em; text-indent:0em; } -.fnblock div.fncont { margin-left:1.5em; text-indent:0em; margin-top:1em; text-align:justify; } -.fnblock dl { margin-top:0; margin-left:4em; text-indent:-2em; } -.fnblock dt { text-align:justify; } -dl.catalog dd { font-style:italic; } -dl.catalog dt { margin-top:1em; } -.author { text-align:right; margin-top:0em; margin-bottom:0em; display:block; } - -dl.biblio dt { margin-top:.6em; margin-left:2em; text-indent:-2em; text-align:justify; clear:both; } -dl.biblio dt div { display:block; float:left; margin-left:-6em; width:6em; clear:both; } -dl.biblio dt.center { margin-left:0em; text-align:center; text-indent:0; } -dl.biblio dd { margin-top:.3em; margin-left:3em; text-align:justify; font-size:90%; } -p.biblio { margin-left:2em; text-indent:-2em; } -.clear { clear:both; } -p.book { margin-left:2em; text-indent:-2em; } -p.review { margin-left:2em; text-indent:-2em; font-size:80%; } -p.pcap { margin-left:0em; text-indent:0; text-align:center; margin-top:0; font-size:90%; } -p.pcapc { margin-left:0; text-indent:0em; text-align:center; font-size:90%; } -span.attr { font-size:80%; font-family:sans-serif; } -span.pn { display:inline-block; width:4.7em; text-align:left; margin-left:0; text-indent:0; } -</style> -</head> -<body> - -<div style='text-align:center; font-size:1.2em; font-weight:bold'>The Project Gutenberg eBook of Lily Speed-O-Weave Leaflet No.147-S: Luncheon Set No. 86, by Anonymous</div> - -<div style='display:block; margin:1em 0'> -This eBook is for the use of anyone anywhere in the United States and -most other parts of the world at no cost and with almost no restrictions -whatsoever. You may copy it, give it away or re-use it under the terms -of the Project Gutenberg License included with this eBook or online -at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you -are not located in the United States, you will have to check the laws of the -country where you are located before using this eBook. -</div> - -<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Title: Lily Speed-O-Weave Leaflet No.147-S: Luncheon Set No. 86</div> - -<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Author: Anonymous</div> - -<div style='display:block; margin:1em 0'>Release Date: May 16, 2021 [eBook #65354]</div> - -<div style='display:block; margin:1em 0'>Language: English</div> - -<div style='display:block; margin:1em 0'>Character set encoding: UTF-8</div> - -<div style='display:block; margin-left:2em; text-indent:-2em'>Produced by: Stephen Hutcheson and the Online Distributed Proofreading Team at https://www.pgdp.net</div> - -<div style='margin-top:2em; margin-bottom:4em'>*** START OF THE PROJECT GUTENBERG EBOOK LILY SPEED-O-WEAVE LEAFLET NO.147-S: LUNCHEON SET NO. 86 ***</div> -<div id="cover" class="img"> -<img id="coverpage" src="images/cover.jpg" alt="Luncheon Set Design No. 86" width="1000" height="1258" /> -</div> -<div class="box"> -<h1><i class="small">Lily SPEED-O-WEAVE</i> -<br /><span class="smallest">LUNCHEON SET DESIGN No. 86</span></h1> -<p class="tbcenter">Made on a frame -<br />EASY AND FAST -<br />LEAFLET NO. 147-S</p> -</div> -<div class="pb" id="Page_1">1</div> -<h1 title=""><span class="smallest">LUNCHEON SET DESIGN No. 86</span></h1> -<div class="img" id="fig1"> -<img src="images/p00.jpg" alt="" width="376" height="295" /> -<p class="pcap">Figure 1</p> -</div> -<div class="img" id="fig2"> -<img src="images/p00a.jpg" alt="" width="451" height="291" /> -<p class="pcap">Figure 2 -<br />(FRAME OPENED—for center piece pattern. Shows second operation)</p> -</div> -<div class="img" id="fig3"> -<img src="images/p00b.jpg" alt="" width="372" height="292" /> -<p class="pcap">Figure 3</p> -</div> -<div class="img" id="fig4"> -<img src="images/p00c.jpg" alt="" width="738" height="693" /> -<p class="pcap">Figure 4</p> -</div> -<h3 id="c1">MATERIALS:</h3> -<div class="verse"> -<p class="t0">1 Lily Speed-O-Weave Frame</p> -<p class="t0">Lily Crochet Cottons or</p> -<p class="t0">Lily Handweaving Yarns</p> -</div> -<p>This luncheon set, illustrated on <a href="#Page_4">back page</a>, is made of one -color which is the simplest type of work that can be done on -the frame, yet the results are most pleasing. The set consists -of a center piece, and four or six smaller pieces. The center -piece is made with the frame adjusted to the shape shown in -<a href="#fig2">Fig. 2</a>. The smaller pieces are made with the frame in the form -shown in Figures <a href="#fig1">1</a> and <a href="#fig3">3</a>. <a href="#fig1">Figure 1</a> shows a frame partially -wound with the thread lying in one direction. <a href="#fig2">Figure 2</a> shows -a frame partially wound with the threads extending in two -directions. <a href="#fig3">Figure 3</a> shows a frame completely wound with -the threads extending in three different directions, and ready -to be tied. <a href="#fig4">Figure 4</a> shows complete piece.</p> -<p>Throughout these instructions, the corner prongs are always -designated as No. 1 prongs.</p> -<p>To commence the winding, the thread is first tied to No. 3 -prong on side C, <a href="#fig1">Figure 1</a>. It is then extended to prong 3 on -side A, <a href="#fig1">Figure 1</a>. The thread is wound back and forth on these -prongs until there are twelve threads between -the prongs. The thread is then wound in a -similar manner around the next pair of prongs -immediately above, and so on, until the -third last set of prongs is reached. These -threads will all lie parallel to each other, -and to two sides of the frame.</p> -<p>The thread is then carried around the outside of the -adjacent corner to the third prong from the corner. The -thread is then wound around that prong to the corresponding -prong on the opposite side. A similar number of threads are -extended between each pair of prongs, so that the threads -lie parallel to the second pair of sides of the frame.</p> -<p>The winding of the thread in the third position is similar, -except that it is wound parallel with the third pair of sides -of the frame. This results in the frame being wound in three -directions with twelve threads extending between each pair -of prongs in each direction.</p> -<p class="center">12 Petal Daisy Design</p> -<div class="img" id="fig5"> -<img src="images/p00d.jpg" alt="" width="1000" height="829" /> -<p class="pcap"><b>STEP ONE</b>—in winding frame -for twelve-petal daisy design.</p> -</div> -<div class="img" id="fig6"> -<img src="images/p00f.jpg" alt="" width="1000" height="763" /> -<p class="pcap"><b>SECOND STEP</b>—in winding frame for twelve-petal -daisy design.</p> -</div> -<div class="img" id="fig7"> -<img src="images/p00g.jpg" alt="" width="1000" height="768" /> -<p class="pcap"><b>THIRD STEP</b>—in winding frame for twelve-petal -daisy design.</p> -</div> -<div class="pb" id="Page_2">2</div> -<p>The whole process is then repeated: that is, twelve more -threads are wound between each pair of prongs in each of -three directions, as aforesaid, making a total of 24 threads -extending between each pair of prongs. If a heavier mat is -desired, another layer of twelve threads may be added.</p> -<p>When all this has been done, the thread may be tied to the -final prong and then cut off. The frame is now ready to be -sewed. This is where the shuttle is put into use. As much -thread as can be conveniently held by the shuttle is wound -upon it, and a foot or so allowed to hang from it. This loose -end of the thread is then tied around a corner intersection -of three groups of threads on the frame, from the back, and -fastened securely.</p> -<p>If you will now study <a href="#fig3">Figure 3</a>, you will find that it is possible -to make three distinct loops around these intersections and -to tie them from the back of the frame by means of half-hitches. -As each one of these intersections is sewed or tied, -the craftsman should move clockwise to the next intersection -of three groups of threads and repeat the operation around -the frame. When the first round has been completed, skip over -to the second round and repeat at the end of each round: -in this way it will be found unnecessary to break the thread -at any time. In fact, the only time that it should be necessary -to tie a knot in the thread is when the shuttle is empty. The -proper procedure then, is to refill the shuttle and tie the -new end to the end of the thread finished and continue -sewing.</p> -<p>When the entire frame has been tied, the finished article is -removed by simply cutting through the thread as near to -the prongs as is possible, with a pair of sharp scissors. -Comb out the fringe thus formed and trim evenly.</p> -<div class="img" id="fig8"> -<img src="images/p00k.jpg" alt="" width="1000" height="763" /> -<p class="pcap">Frame wound to illustrate one step in winding frame -for design suitable for pillow case or vanity set.</p> -</div> -<div class="img" id="fig9"> -<img src="images/p00m.jpg" alt="" width="1000" height="748" /> -<p class="pcap">Frame wound to illustrate another step in winding -frame for design suitable for pillow case or vanity set.</p> -</div> -<div class="img" id="fig10"> -<img src="images/p00n.jpg" alt="" width="1000" height="764" /> -<p class="pcap">Frame completely wound—for twelve-petal daisy design. -(This illustration shows frame extended for buffet -or vanity set centerpieces—or centerpieces for -luncheon set.)</p> -</div> -<div class="pb" id="Page_3">3</div> -<h2 id="c2"><span class="small"><span class="ss"><i>SPEED-O-WEAVE</i> FRAME</span></span></h2> -<div class="img"> -<img src="images/p01b.jpg" id="ncfig1" alt="_SPEED-O-WEAVE_ FRAME" width="600" height="44" /> -</div> -<div class="img" id="fig11"> -<img src="images/p01c.jpg" alt="" width="372" height="362" /> -<p class="pcap">The Lily SPEED-O-WEAVE -frame is packed in a box—complete -with adjusting bolts -and shuttle. (Shuttle is pictured -at right). Frame consists -of six angular sections, -each section being provided -with a plurality of prongs or -fingers adapted to hold the -threads. The sections are provided with -holes through which bolts, secured by wing -nuts, are extended to hold the several sections -together.</p> -</div> -<div class="img" id="fig12"> -<img src="images/p01c1.jpg" alt="" width="416" height="383" /> -<p class="pcap">The frame is assembled from -six pieces of angle steel, light, -sturdy, easily adjusted to various -sizes ... green lacquer finish. -Complete with adjusting bolts -and shuttle.</p> -<p class="pcapc">Adjustable To 20 Shapes</p> -</div> -<h3 id="c3">Many Variations Are Possible</h3> -<p>The SPEED-O-WEAVE frame is adjustable to over twenty -different sizes and shapes, and the number and variety of -pieces it is possible to make by this method is almost unlimited. -A few are: luncheon sets, chair sets, doilies, bedspreads, dresser -scarfs, pillow tops, handbags, pot holders and dish cloths. It -is also possible to do several different types of weaving on the -one frame. Endless variations of each type can be achieved -by interweaving colored threads to produce colored patterns. -The simplest form of work possible on the frame consists of -single piece sets with a fringe. In making blocks for joining, -as in a bedspread or any large article, the blocks are made -without a fringe in order to facilitate sewing them together.</p> -<h3 id="c4">No Skill Required!</h3> -<p><b>SPEED-O-WEAVE—or Hexagonal Weaving</b>—is fast becoming -one of the most popular of hand-crafts. This is due, no doubt, -to its extreme simplicity and to the fact that it is both inexpensive -and very quickly learned. For making SPEED-O-WEAVE -designs many yarns or crochet threads can be used. -For luncheon cloths, doilies, pillow tops, etc., the finer threads -may be used. For rugs, bedspreads, hot dish mats, etc., the -heavier yarns would be more appropriate.</p> -<p>Reduced to its simplest formula, Hexagonal Weaving, as done -on Lily’s SPEED-O-WEAVE frame, is simply the winding of -threads back and forth on the prongs or fingers of the frame -in such a manner, that the threads lie parallel to three sides of -the frame. If the threads are wound parallel to three sides of -the frame, they will automatically be parallel with the remaining -three sides of the frame, because of the manner in which -the frame is constructed. After the threads have been wound -in three directions on the frame, they are tied together at their -intersections, to effect a complete article.</p> -<div class="img"> -<img src="images/p01g.jpg" id="ncfig2" alt="Multiple-color designs" width="1200" height="509" /> -</div> -<div class="pb" id="Page_4">4</div> -<div class="img" id="fig13"> -<img src="images/p01m.jpg" alt="" width="1000" height="609" /> -<p class="pcap">LUNCHEON SET No. 86</p> -<p class="pcapc">An attractive Luncheon Set -made on Lily’s SPEED-O-WEAVE -frame. Directions for -making are inside folder.</p> -</div> -<h2>Transcriber’s Notes</h2> -<ul> -<li>Silently corrected a few typos.</li> -<li>Retained publication information from the printed edition: this eBook is public-domain in the country of publication.</li> -<li>In the text versions only, text in italics is delimited by _underscores_.</li> -</ul> -<div style='display:block; margin-top:4em'>*** END OF THE PROJECT GUTENBERG EBOOK LILY SPEED-O-WEAVE LEAFLET NO.147-S: LUNCHEON SET NO. 86 ***</div> -<div style='text-align:left'> - -<div style='display:block; margin:1em 0'> -Updated editions will replace the previous one—the old editions will -be renamed. -</div> - -<div style='display:block; margin:1em 0'> -Creating the works from print editions not protected by U.S. copyright -law means that no one owns a United States copyright in these works, -so the Foundation (and you!) can copy and distribute it in the United -States without permission and without paying copyright -royalties. 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