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| author | nfenwick <nfenwick@pglaf.org> | 2025-01-23 01:21:03 -0800 |
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diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..d7b82bc --- /dev/null +++ b/.gitattributes @@ -0,0 +1,4 @@ +*.txt text eol=lf +*.htm text eol=lf +*.html text eol=lf +*.md text eol=lf diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..cddd288 --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #65358 (https://www.gutenberg.org/ebooks/65358) diff --git a/old/65358-0.txt b/old/65358-0.txt deleted file mode 100644 index 7e4ea8a..0000000 --- a/old/65358-0.txt +++ /dev/null @@ -1,2767 +0,0 @@ -The Project Gutenberg eBook of The Girl's Own Paper, Vol. VIII, No. 362, -December 4, 1886, by Various - -This eBook is for the use of anyone anywhere in the United States and -most other parts of the world at no cost and with almost no restrictions -whatsoever. You may copy it, give it away or re-use it under the terms -of the Project Gutenberg License included with this eBook or online at -www.gutenberg.org. If you are not located in the United States, you -will have to check the laws of the country where you are located before -using this eBook. - -Title: The Girl's Own Paper, Vol. VIII, No. 362, December 4, 1886 - -Author: Various - -Release Date: May 16, 2021 [eBook #65358] - -Language: English - -Character set encoding: UTF-8 - -Produced by: Susan Skinner and the Online Distributed Proofreading Team at - https://www.pgdp.net - -*** START OF THE PROJECT GUTENBERG EBOOK THE GIRL'S OWN PAPER, VOL. VIII, -NO. 362, DECEMBER 4, 1886 *** - - - - -[Illustration: - -THE GIRL’S OWN PAPER - -VOL. VIII.—NO. 362.] DECEMBER 4, 1886. [PRICE ONE PENNY.] - - - - -MERLE’S CRUSADE. - -BY ROSA NOUCHETTE CAREY, Author of “Aunt Diana,” “For Lilias,” etc. - -[Illustration: “‘OH, MERLE!’ SHE WHISPERED, IN A VOICE OF AGONY.”] - -_All rights reserved._] - - -CHAPTER IX. - -BERENGARIA. - -The bright spring days found me a close prisoner to the house. The end -of April had been unusually chilly, and one cold rainy night Reggie was -taken with an attack of croup. - -It was a very severe attack, and for an hour or two my alarm was -excessive. Mrs. Morton was at a fancy ball, and Mr. Morton was -attending a late debate, and, to add to my trouble, Mrs. Garnett, who -would at once have come to my assistance, was confined to her bed with -a slight illness. - -Travers had no experience in these cases, and her presence was -perfectly useless. Hannah, frightened and half awake as she was, was -far more helpful. Happily Anderson was still up, and he undertook at -once to go for the doctor, adding, of his own accord, that he would -go round to the stables on his return, and send the carriage off for -his mistress. “She is not expected home until three, and it is only -half-past one, but she would never forgive us if she were not fetched -as quickly as possible.” - -I thanked Anderson, and begged Hannah to replenish the bath with hot -water. Happily, I knew what remedies to use; my former experience in my -schoolfellow’s nursery proved useful to me now. I remembered how the -doctor had approved of what I had done, and I resolved to do exactly -the same for Reggie. Frightened as I was, I am thankful to know my -fears did not impede my usefulness; I did all I could to relieve my -darling, and Hannah seconded my efforts. I am sure Travers wished with -all her heart to help us, but she had no nerve, and her lamentable -voice made me a trifle impatient. - -It was a great relief when Anderson appeared with Dr. Myrtle. He -waited for a few minutes to hear from the doctor that all dangers had -been averted by the prompt remedies, and then he went in search of -Stephenson. It was some time before we heard the sound of carriage -wheels. - -Reggie was still wrapped in a blanket on my lap, and had just fallen -asleep, worn out by the violence of the remedies still more than by the -attack. Dr. Myrtle whispered to me not to move, as he would speak to -Mrs. Morton downstairs, and enforce on her the need of quiet. It would -have been grievous to wake the exhausted little creature, and I was -quite content to sit holding him in my lap until morning, if Dr. Myrtle -thought it well for me to do so. - -I had forgotten all about the fancy ball, and my start when I saw Mrs. -Morton standing in the doorway almost woke Reggie. I really thought for -a moment that I was dreaming. I learnt afterwards that she had taken -the character of Berengaria, wife of the lion-hearted Richard, but for -the moment I was too confused to identify her. She was dressed in -dark blue velvet, and her gown and mantle were trimmed with ermine; -she wore a glittering belt that looked as though it were studded with -brilliants, and her brown hair hung in loose braids and plaits under -a gold coronet. As she swept noiselessly towards us, I could see the -tears were running down her cheeks, and her bosom was heaving under her -ermine. - -“Oh, Merle!” she whispered, in a voice of agony, as she knelt down -beside us, “to think my boy was in danger, and his mother was decked -out in this fool’s garb; it makes me sick only to remember it; oh, my -baby, my baby!” and she leant her head against my arm and sobbed, not -loudly, but with the utmost bitterness. - -“Dear Mrs. Morton,” I returned, gently, “it was not your fault; no one -could have foreseen this. Reggie had a little cold, but I thought it -was nothing. Oh, what are you doing!” for she had actually kissed me, -not once, but twice. - -“Let me do it, Merle,” returned my sweet mistress; “I am so grateful -to you, and so will my husband be when he knows all. Dr. Myrtle says -he never saw a nurse who understood her duties so well; everything had -been done for the child before he came.” - -“Oh, Aunt Agatha, if only you and Uncle Keith had heard that!” - -We had talked in whispers, but nothing seemed to disturb Reggie. A -moment after Mr. Morton came hurriedly into the nursery; he was very -pale and discomposed, and a sort of shock seemed to pass over him as he -saw his wife. - -“Violet,” he whispered, as she clung to him in a passion of weeping, -“this has unnerved you, but, indeed, Dr. Myrtle says our boy will do -well. My darling, will you not try to comfort yourself?” - -“I was at Lady S.’s ball when Muriel, our precious baby—oh, you -remember, Alick”—for she seemed unable to go on. Poor woman, no wonder -her tears flowed at such a memory. Mrs. Garnett told me reluctantly, -when I questioned her the next day, that baby Muriel had been taken -with a fit when Mrs. Morton and her husband were at a ball, and the -mother had only arrived in time to see the infant breathe its last. - -“Yes, yes,” he said, soothing her, “but nothing could have saved her, -you know. Dr. Myrtle told you so; and you were only spared the pain -of seeing her suffer. Try to be sensible about it, my dearest; our -baby has been ill, but everything has been done for him; and now he -is relieved, poor little fellow. We have to thank you for that, Miss -Fenton. How nicely you are holding him! he looks as comfortable as -possible,” touching the boy’s cheek with his forefinger. “Now, my love, -let me relieve you of this cumbrous thing,” taking off her coronet; -“this mantle will unfasten, too, I see. Now, suppose you put on your -dressing-gown, and ask Travers to make you and Miss Fenton some tea. I -will not be so cruel as to tell you to go to bed”—as she looked at him, -pleadingly. “If you were a wise woman you would go, but I suppose I -must humour you; but you must get rid of all this frippery.” - -“Oh, Alick, how good you are!” she said, gratefully, and in a few -minutes more she returned in her warm, quilted dressing gown, with her -hair simply braided; she looked even more beautiful than she had done -as Berengaria. - -Mr. Morton soon left us after placing his wife in my charge. The night -passed very quickly away after that. When Reggie stirred I put him in -his cot, and begged Mrs. Morton to lie down on the bed beside him. She -did not refuse; emotion had exhausted her, but her eyes never closed. -She told me long afterwards she dared not sleep, lest the old dream -should torment her of the dead baby’s hand, that she could never warm -with all her efforts. - -“I can feel it quite icy cold in mine, and sometimes there is a little -cold face on my bosom, but nothing ever warms them, and when I wake up -I am shivering too.” - -I could not tell what was passing through the poor mother’s mind, but I -did not like the feverish look in her wide, distended eyes. Mr. Morton -was right, and the shock of her boy’s illness had utterly unnerved her. -I thought, perhaps she was blaming herself needlessly, and yet never -was there a human being more utterly devoid of vanity and selfishness; -she was simply sacrificing her maternal duties to her husband’s -ambition; of her own accord she would never have entered a ball-room; I -am sure of that. - -I longed to soothe her, and yet I hardly knew what to say. Presently -she shivered, and I covered her up carefully with all the wraps I could -find, and then knelt down and chafed her hands. - -“You cannot sleep, Mrs. Morton; I am so sorry, and yet you are tired -out.” - -“I do not want to sleep,” she answered. “I dream badly sometimes, and I -would rather lie awake and listen to my boy’s breathing; he is sleeping -nicely, Merle.” - -“Yes, indeed; there is no need for anxiety now, and I am watching him -carefully.” - -“Oh, I can trust you,” with a faint smile; “I trusted you from the -first moment. But, my poor girl, I am afraid you are very tired, and I -have taken your bed from you.” - -“I would rather see you resting there, Mrs. Morton.” - -“Do you think you could read to me a little? My husband often reads to -me when I am nervous and cannot sleep. Anything will do, the simplest -child’s story; it is just the sound of the voice that soothes me. What -is that book? Oh, the Bible! I am afraid I do not read that enough, I -have so little time to myself, and then I am often too tired.” - -“It is just the book for tired people,” I returned; “if you want a -story. I think the history of Ruth is one of the most touching, she has -always seemed to me one of the sweetest characters in the Bible; it is -a perfect idyll of Oriental life.” - -“It is so long since I have read it,” she returned, apologetically, -“you shall read it to me if you like.” And I read the whole book -throughout to her, only pausing now and then to look at Reggie. - -She listened to it without interrupting me once, but I was rejoiced -to see that the strained expression had passed out of her eyes; they -looked more natural. - -“You are right, Merle,” she observed, when I had finished, “it is very -beautiful and touching; that was something like love, ‘where thou -goest, I will go.’ Now you may read me a psalm, if you are not tired. I -like your voice, it is so clear and quiet.” - -I read to her until she bade me stop; and then we talked a little. -I told her an incident or two in my school-days about our nutting -expeditions in the Luttrell woods, and how one of our party had strayed -and had encountered a gipsy caravan. I was just in the middle of Rose -Mervyn’s recital, when I heard measured breathing. She had fallen -asleep. - -I saw a great deal of Mrs. Morton during the next few days. She -was very unwell, and Dr. Myrtle insisted on her giving up all her -engagements for a week. He spoke very decidedly, and Mr. Morton was -obliged to yield to his opinion; but he seemed a little put out. - -“It is such a pity all those people should be disappointed,” he -observed, in a grumbling voice. “Mrs. Granville had quite set her heart -on having us both on Thursday. I knew how it would be when you fretted -yourself ill last night.” - -“I could not help it,” she pleaded. “Anderson gave me such a fright; of -course, he thought his coming for me was the best, but when I saw his -face I thought I should have died with fear.” - -“Nonsense, Violet, you ought to learn more self-control; you know I -dislike to see you give way so entirely. Well, we must abide by Dr. -Myrtle’s orders and treat you as an invalid.” - -“But, Alick,” detaining him as he was turning away, not in the best of -humours, as I could see from the night nursery, “I can write for you -all the same; the library is quite warm.” - -“How absurd!” was the reply. “Do you think I should let you tire -yourself for me? I hope I am not quite so selfish, my dear child,” for -she was still holding his arm beseechingly; “you must really let me go, -for I am dreadfully busy; rest yourself and get well, that is all I ask -of you,” and he kissed her and left the room. He was not often hasty -with her, but he was overworked and irritable. - -We made the most of that week between us. Reggie soon recovered, and as -long as he was kept in a certain temperature, and carefully watched, -gave us no further anxiety. - -His mother took entire charge of him during that week; she came up to -the nursery as soon as she was dressed, and stayed with us until Reggie -was in bed and Travers came to summon her. She even took her meals with -us. Dr. Myrtle thought she was suffering from a chill, and the warm -nursery was just the right temperature for her. It was a lovely sight -to watch her with her children. I think even Mr. Morton was struck by -the beauty of the scene when he came up one afternoon and found her -sitting in her easy chair with Reggie on her lap and Joyce standing -beside her. - -“You seem all very happy together,” he said, as he took up his position -on the rug. I had retreated with my work into the other room, but I -could hear her answer distinctly. - -“Oh, Alick, it has been such a happy week—a real holiday; it was worth -being ill to see so much of the children; Reggie has such pretty ways; -I knew so little about him before. He can say ‘fada,’ quite plainly.” - -“Indeed, my boy, then suppose you say your new words.” - -“Do you know what I have been wishing all this week?” she continued, -when Reggie had finished his vocabulary, and had been taken into his -father’s arms. - -“No, my dear,” sitting down beside her, “unless you wished for me to be -a Cabinet Minister.” - -“Oh no, Alick,” and there was pain in her voice, “not unless you wish -it very much too; I had a very different desire from that.” - -“Perhaps you were longing for a house in the country; well, that may -come by-and-by.” - -“Wrong again, Alick. I was wishing that you were a poor man—not a very -poor man, I should not like that—and that we lived in a small house -with a pretty garden where there would be a lawn for the children to -play on, and plenty of flowers for them to pick.” - -“Indeed! this is a strange wish of yours, you discontented woman.” - -“No, not discontented, but very, very happy, dear, so you need not -frown over my poor little wish; everyone builds castles, only mine is -not a castle, but a cottage.” - -“I should not care to live in your cottage, Violet; I am an ambitious -man. The Cabinet would be more to my taste.” - -“Yes, dear,” with a sigh, “it was only make believe nonsense,” and -she did not say another word about that fancy of hers, but began -questioning him about last night’s debate. That was just her way to -forget herself and follow his bent. No wonder he could not do without -her, and was restless and ill at ease if she were unavoidably absent. - -I wonder he understood in the least what she meant by wishing him to -be poor. No doubt her innocent fancy had constructed a home where no -uncongenial anxieties or ambition should sever her from her children, -where she should be all in all to them as well as to her husband. - -I daresay she imagined herself no longer burthened with wearisome -receptions, but sitting working in the shade of the little porch while -her children made daisy chains on the lawn of that humble abode. The -mother would undress her children and hear them say their little -prayers. Hark! was not that a click of the gate? Father has come home. -How late you are, Alick; the children are asleep; you must kiss them -without waking them. Hush, what nonsense, she is dreaming. Alick would -be in the Cabinet; people were prophesying that already. She must take -up her burthen again and follow him up the steep hill of fame. What if -her woman’s heart fainted sometimes, women must do their work in life, -as she would do hers. - -The next day the mother’s place was empty in the nursery. “Mrs. Morton -was with her husband in the library,” Travers told us. Later on we -heard she was driving. Just as I was putting Reggie, half asleep, in -his cot, she came up to wish the children good-night, but she did not -stay with us ten minutes. I remarked that she looked very ill and -exhausted. - -“Oh, I am only a little tired,” she returned, hurriedly; “I have been -paying calls all the afternoon, trying to make up for my idle week, and -the talking has tired me. Never mind, it is all in the day’s work.” And -she nodded to me kindly and left the room. - -(_To be continued._) - -[Illustration] - - - - -CHRISTMAS GIFTS. - - -With the approach of Christmas and Christmas gifts, the cares of the -girl members of a large family may be said to arrive at a crisis. There -is no girl so friendless or so heartless that there is no one she loves -or wishes to remind of that love at this season, while there are many -surrounded by affectionate relations and true friends, whose love they -warmly return, and whom they wish to please with a gift, and yet have -but a small sum at command, and must think carefully over its division. - -How many anxious calculations have to be made, what knitting of -smooth brows, what hasty arithmetic on stray scraps of paper, what -self-denial in personal matters to increase the little store, and -then, when the materials are bought, what secret work is carried on -behind father’s chair, should he happen to be awake, and in this and -that out-of-the-way nook of the house, so that the all-important, -and generally extremely apparent, secret is not divulged until the -Christmas or New Year’s morning! - -All honour to this secrecy, this planning and patient work! It is the -true spirit of present-giving; and let not any of our readers despise -it as childish; rather let them remember that that which costs no -time, no thought, no self-sacrifice is but of little value in the eyes -of affection, and pleases only where the gift is valued for itself, -and not for the giver. The girl who can walk into a shop and select -the first handsome article in it for mamma, and pay for it from an -amply-supplied purse, neither awakens in herself or her mother the -same holy feelings that are excited when baby works an impossible -kettle-holder “all by herself,” and which she “bided” out of the -pennies given her for sweeties. - -Admiring and sympathising as we do with girls who are generous-minded -and do not count labour and time when anxious to please, we have -brought together in this paper, with the idea of helping them, several -useful and pretty articles that can be made without any great expense. - -For a small present, costing at the utmost one shilling, the -fashionable little “hold-all bags” are good. These bags are four in -number, and are connected together only at the top; they are filled -with odds and ends, such as buttons and silks, until they stand upright -and all of a row, and they find a conspicuous place among drawing-room -nick-nacks. - -To make them, purchase one yard of good satin ribbon, in colour either -ruby, navy blue, or chestnut brown, with the reverse side of a pale -blue or old gold shade. The ribbon should be from two and a half to -three inches wide. Divide the yard into four equal portions, sew over -the sides, and hem the tops of two bags without decorating them, -but work on one of the other bags a handsome and legible monogram -containing the initials of the person for whom the present is intended. -Work this with fine gold-coloured purse silk, and surround the chief -outlines with Japanese gold thread. On the other bag work a small -spray of flowers, either a branch of wild rose, a bit of heather, -forget-me-not, or jessamine. Sew up these two bags, and hem them -round like the others; then make sixteen eyelet-holes, four on each -bag; make these round and not very big, and place them opposite to -each other, and at the extreme corners of the opening. Sew the bags -together by overcasting the first bag with its monogram turned outwards -on the inner side of its opening to the outer side of the opening -of one of the undecorated bags. Attach the second plain bag to the -inner side of the first plain bag, and sew the fourth bag, with its -decorated side turned outwards, to the inner side of the third bag. By -this arrangement both the decorated bags are outside, and every bag -at its base is separate. Finally, take a silk dress lace, the colour -of the satin ribbon, and run that through the eyelet-holes to make a -draw-string. Fill the bags, plant them out on the table, and draw their -openings slightly together. - -These “hold-all bags,” instead of being filled with odds and ends, are -sometimes turned into flower-vases. The smallest-sized penny tumblers -are inserted into each bag and filled with cut flowers, or the smallest -size flowerpot, filled with a tiny fern, is used. In the latter case, -a piece of American cloth is fastened round the pot to prevent any -moisture soiling the satin bag. - -The present method for concealing flower-pots when required for drawing -room decoration makes another simple but acceptable present. This is -a bag of plush, into which the pot is put. To make this bag of plush, -cut a round of millboard or stiff cardboard the size of the bottom -of an ordinary flower-pot. Take a piece of plush, in width twice the -circumference of the centre part of the pot, and in height the height -of the pot; sew the two ends of the plush together, and make a hem an -inch and a half wide. As a finish to the upper part, just below this -hem, on the wrong side of the bag, run on a narrow piece of black tape -to hold a draw-string, which make by running in a piece of strong -elastic, that will draw in the fulness of the plush until it fits the -upper part of the flower-pot tightly. Gather the lower ends of the -plush, arrange evenly round the piece of millboard, and sew to the -latter with the edges concealed, using strong thread for the securing -stitches. When the plush cover is used, its millboard foundation keeps -the bottom of the pot (which may be damp) from doing any damage to -the furniture, and the wide hem beyond the draw-string stands out as -a frilling a little below the edge of the pot. Half a yard of plush, -which costs two shillings, will make a pair of flower-pot covers. - -From America comes to us a novelty in bedroom decoration, and one -very suitable as a present to a young lady who uses her bedroom as -a sitting-room and likes it prettily decorated. This is known as a -“pillow sham,” and is a long strip of linen or cambric ornamented with -lace and ribbons, and laid over the top part of the bed in the daytime -only. It fits the width of the bed whatever size that is, and does -not fall down the sides. If the worker is an adept at drawn-thread -work, the pillow sham can be made very inexpensively and of material -that will last through much wear, but when drawn-thread work is not -used, Torchon and other strongly made lace is required. An easy way -for making a pillow sham is to buy four new hem-stitched-bordered -handkerchiefs, and upon the corner of one of the handkerchiefs to -embroider the first letter of the owner’s Christian name, making it -four inches high and slanting it from the corner to the middle of the -handkerchief. Join these handkerchiefs together, inserting between each -an inch and a half wide strip of Torchon lace insertion, and bordering -the handkerchiefs lengthways with a line of the same, so that each -square of cambric is surrounded by insertion lace. Finish with a frill -of Torchon lace edging, which carefully whip to the insertion lace. A -careless bow of ribbon or one of Liberty’s silk scarves tied in a bow -is sewn to the corner of the pillow sham, just above the embroidered -corner. - -When using drawn-work instead of lace insertion, a piece of linen the -length and width of the sham is taken, and the threads from this are -drawn out as strips down the width, leaving five squares of plain -linen between them. After working the strips over with linen thread -into a pattern, narrow coloured ribbon is run down the centres of the -drawn-work, and the linen squares embroidered with washing cotton of -the same colour as the ribbon. An edging of lace finishes the border, -and into this lace a line of narrow ribbon is threaded. - -Another variety of pillow sham is made by sewing together five or eight -pocket handkerchiefs with coloured borders, and ornamenting the same -with a large knot of narrow ribbons of various shades of colour. The -handkerchief borders in this case need not be alike, but should blend -together, and their colours should be used as some of the colours in -the knot of ribbons. - -Palm-leaf fans still find favour as drawing-room fans, but are no -longer left undecorated. The two newest ways of decorating them are -as follows:—Take a well shaped and strong fan and paint it with -oil-colours, with which a very little varnish has been mixed, either a -very bright yellow or a brilliant scarlet. Give two coats of colour, -and let the fan dry. Buy some ribbon half an inch in width; in colours, -black, vivid green, sky-blue, and yellow-pink. Make a wide vandyke -running down one of the lengths of ribbon by taking the running thread -in diagonal lines across the ribbon from edge to edge. Draw the ribbon -up so that it forms a number of pointed vandykes, sew the strips down -the ribs of the fan at equal distances apart, and use black ribbon more -than the other colours. Sew on a line of red gold tinsel between each -strip of ribbon, and finish the handle with a knot of coloured ribbons. - -The second make of fan requires a piece of plush, some narrow coloured -silk cords, and various shades of tinsel. The cords are obtained by -buying a yard of a twisted silk cord made up of various shades, and -using the strands of this separately. Cut the piece of the plush the -size of half the fan, so that it covers the fan on one side from the -tip of leaf to the handle. Fasten this round the edge to the back of -the fan, and ornament its straight edge on the fan with a line of -tinsel on the uncovered side of the fan. Sew down each rib alternate -lines of coloured silk cord and double lines of tinsel, using as many -varieties of tinsel as possible, and arranging the cords with due -regard to effect. Take three long peacocks’ feathers, and fasten these -across the piece of plush and sew their ends together close to the -handle of the fan. Cover the handle with a piece of plush, and arrange -a bow and ends of ribbon round the handle and to conceal the peacock -feather ends. Line the back of the fan with thin silk or dark twill. - -Blotting-book covers of velveteen are always acceptable presents. -The foundation for these is a sixpenny blotter, size ten inches by -eight inches, while three quarters of a yard of velveteen (price -three shillings the yard) will make two covers, with a piece of brown -holland or blue twill for the inside lining. The decoration for these -covers is embroidery, but this is only worked on the upper side of -the blotter, the underside being left plain, so as not to interfere -with its usefulness. The embroidery can be of any description of silk -embroidery, either oriental embroidery with its quaintly-formed but -impossible flowers and foliage, or sprays of naturally-tinted flowers -worked in crewel silks, and both worked directly on to the velveteen -foundation; or silk embroidery finished with a gold thread outline -and worked upon a coloured rep silk foundation, and sewn on as an -ornamental corner to the blotter; in fact there are many ways of -ornamenting the cover, and the embroidery the worker is most proficient -in should be selected. If church embroidery is within her capabilities, -we advise the initials or coat of arms of the owner being worked in a -frame on linen, cut out and couched down to the velveteen foundation -with gold thread or gold cord; but such elaborate embroidery is not -often obtainable. The way to make up the blotter is to cut the holland -lining exactly the size of the sixpenny blotter, and the velveteen a -little larger. Turn in the edges of both, and overcast them together, -enclosing the stiff cover of the blotter between them, and sewing the -blotting paper sheets in when the cover is made. Bradshaw covers are -made like blotters, but naturally take less material, and are only -embroidered in one corner. - -Large photograph-holders can be easily made at home. These are used for -the display of a number of cabinet photos, and are fitted with bands, -into which the photograph is slipped and easily taken out. The size -of such a stand is usually seventeen inches long by thirteen inches -high, but they can be made of any size desired. The foundation is of -millboard, to which a millboard support is fastened by its being glued -to stout tape and the tape glued to the millboard, with sufficient -width of tape left between the two pieces of millboard to allow the -support to work. The upper side of the millboard is covered with -quilted satin. The satin is selected of some bright colour, and the -quilting lines are run as diagonal lines, not as making diamonds. Three -tight bands of satin are sewn across the quilting; these are two inches -in width, and require a lining of stiff net when made up. They are -embroidered with coloured silks, either forming a running design, such -as a spray of jessamine or celandine, or with some geometrical pattern -constantly repeated. When finished and lined, the bands are placed as -diagonal lines across the satin, not as horizontal lines. - -For a photograph-holder the size given, the first band will be eleven -inches in length, and will cross from the top of the holder to the -left-hand side; the second band will be nineteen inches in length, and -will cross from the extreme top corner of the frame on the right side -to the bottom of the frame on the left; the third band will be twelve -inches in length, and will be arranged beneath the last-mentioned, -crossing from the right side to the bottom of the frame. Into these -bands the photographs are stuck; therefore, they must be sewn firmly -down at the sides where they end and commence, and stretch tightly -across the quilted frame. On the right-hand bottom corner of the -foundation, which is never covered with photographs, the owner’s -initials are sometimes worked in black silk over the quilting lines. -This makes a good finish, but is not essential. - -Bachelors’ wall pincushions are useful presents for gentlemen. They are -made of plush, and are ornamented with the perforated brass ornament -used about the harness of cart-horses. These brass rounds are sold by -all harness and saddle makers, and cost from sixpence to a shilling, -and for the latter price the small brass handle by which they hang will -be removed by the shopman, as it is not required for the pincushion. A -quarter of a yard of plush, a quarter of a yard of house-flannel, and -one yard of narrow satin ribbon are required for these cushions. To -make them, tear up the house-flannel into an inch and a quarter wide -widths. Roll these strips very tightly one over the other as a wide -narrow wheel, and keep the strips firm by sticking pins through the -wheel. When a round as large as the perforated brass is made, cut the -plush into two rounds of the same size and a long strip an inch and a -half wide. Cover one plush round with the perforated brass, and sew -them both on the face of the wheel and well through to the back; turn -the edges of the round of plush over the side, and sew on the round for -the back of the cushion; conceal the edges of both pieces of plush with -the narrow band, which turn in at its edges and secure tightly round -the sides of the cushion. Make a loop of the ribbon to hang up the -pincushion by, and sew the ends to the sides of the cushion, and with -the remaining ribbon make a pretty bow, which fasten to the top of the -loop. - -The newest decoration for white wooden articles is the poker or -burnt-wood work. This consists of burning down the background of any -design so that the design itself is in relief. The fumes of the burning -wood slightly colour the parts left untouched, and give an extremely -soft and ivory-like appearance to the work, which, if carried out with -the new apparatus introduced by Mr. Barnard, is quickly and easily -accomplished. - -The articles decorated with burnt wood work are all kinds of white -wood photo frames, small wooden table screens, all kinds of boxes, -bookslides, book cutters, drawing-room bellows, salt boxes, milking -stools, tubs, paste rollers, etc. The best designs are those of large, -single-petalled flowers, with their leaves, such as daffodils, daisies, -and dog-roses. The design is drawn upon the wood, outlined with a -burnt-in line, and its chief lines, such as divisions of flower petals, -centres of flowers, veins of leaves indicated, and then the background -burnt until it is depressed, and is of a warm brown deepening to -black in colour. Mr. Barnard’s apparatus consists of a platinum point -connected by an indiarubber tube to a bottle of benzine, which is -connected with another indiarubber tube to a small air pump. The -latter held in the left hand is pressed, forcing air over the benzine -to the platinum point and keeping that always red hot. The right hand -holds the point and uses it like a broad pencil, keeping it steadily -pressed on the wood until that is deeply burnt in. This apparatus costs -twenty-five shillings, but if several girls join together to purchase -it, there is no further outlay. Small pokers are used if the apparatus -is not procurable. These are about eight inches long and an inch in -circumference; they are sunk in wooden handles, and kept hot in a fire; -four to six are required at once, as they soon become cold. The parts -of the wood not burnt, such as the back of a screen, the legs of a -stool, require to be stained, sized, and varnished, and the burnt wood -is also varnished (not stained) as a finish. The paste rollers are used -for holding whips, keys, etc. They are hung to the wall with coloured -ribbons, and have a row of hooks screwed into them to hang keys, etc., -to. - - B. C. SAWARD. - - - - -THE AMATEUR CHOIR TEACHER. - -BY THE HON. VICTORIA GROSVENOR. - - -In a former article we made some suggestions as to the possibility of -improving a moderate gift for music with the view of learning to play -the organ and qualifying for the noblest of service, that of leading -God’s praise in His church. - -We propose now to take up the subject of training choirs for the same -excellent service, on the understanding that the future teacher has -taken the advice already given as to her own musical improvement. -Personal fitness for this branch of instruction is most necessary; as -if once the taught discover they know anything of which the teacher -has not more perfect knowledge, that teacher’s task will be a hard -one. Therefore, there should be familiar acquaintance with every -description of musical notation. Alto and tenor clefs should be well -understood to be clearly explained when met with. On this subject we -should like to recommend the careful study of “A Short Treatise on -the Stave,” by the late Dr. John Hullah, published by Parker, where -the whole matter is admirably set forth and illustrated on its own -technical grounds. The often-heard, but somewhat slipshod explanation, -“Oh! you must read a note higher or a note lower,” which leaves the -puzzled learner very much where he was before, will thus be avoided. -Even supposing the alto and tenor clefs are never met with, the study -will repay the intending teacher by opening her mind and giving -clearness to her musical ideas. - -It will be seen, by what has been said, that we consider our amateur -teacher’s first qualification should be thorough knowledge of her -subject. The second should decidedly be untiring patience, which will -bear with stupidity, carelessness, want of zeal, deficient ear, bad -pronunciation, and all the thousand and one difficulties which beset -choirs. These consist generally of volunteers who join with but little -idea of giving of their best to God, and an impatient teacher would -soon find herself in the lonely position of the last player in Haydn’s -“Good-bye” symphony. - -We would next place hopefulness in the teacher’s catalogue of moral -furniture. The learners will soon find out if they are being taught -without hope of their improvement; listless work will be the result, -and the shy, anxious members will give it up in despair. The power of -encouraging effort, of detecting and commending the slightest sign of -improvement, of persuading the members mentioned above that the work is -within their grasp, if persevered in, is most necessary, and a kindly -sunny disposition ever ready to look at the brightest side is simply -invaluable. - -Next we should place regularity and perseverance. Without these the -teacher can do nothing. If she works in the best spirit she will feel -that, like David, she cannot offer to God of that which doth cost her -nothing, and she will be ready to forego little pleasures in order that -the practice may not be interfered with, or the evening of the week -changed. This last is a most important point; as the lives of working -people, from whose ranks most members of choirs are recruited, do not -adapt themselves to change, they seldom receive in its integrity a -hasty message sent round to put off, and of all things, a walk for -nothing after a day’s work is to be avoided. Of course rules must be -elastic and not unbending as iron, but experience shows that the above -advice is really needful. Regularity in the teacher is sure to be -imitated by the learners, and steady work must tell in the end. - -The next point should be firmness tempered with wisdom. The teacher -must be supreme, or no choir will prosper. Infallible she cannot be -while here below; but even so, one will must rule or anarchy will be -the result. Twenty (or whatever number may compose the choir) views -of doing the same thing cannot conduce to harmony, moral or musical, -and this fact must be impressed. At the same time there are local -prejudices and fancies in most places, which a clever tactful teacher -will soon discover and understand, so as to know when she had better -give way. - -Enough has been said to show that we do not consider the task of -teaching a choir an easy one, nor will it always repay with success -those who have given it much trouble. The teacher must sometimes find -herself grappling with the effort of making the proverbial “sow’s ear -into a silk purse.” She has impossible materials to weld, such as, -_e.g._, excellent, but roaring basses, trebles possessing no high -notes, tenors out of tune, and leaning to amalgamation with treble, -altos none! What is she to do? Courage! Go on, do your best, teach, -exhort, scold, coax, never lose hope, and if you get no credit, try -not to mind. Man does not know, but God does, what work you do for His -sake, only be sure that you are so doing it. If the music be really -the unattainable “silk purse,” how much may be done in teaching the -inharmonious little choir to phrase well, to throw out by judicious -accent the sense of canticle and hymn, and so lead the congregation to -think of the lesson it contains! How much zeal may be kindled by the -teacher’s energy! How speedily the broad dialect peculiar to the place -will disappear before a little good-natured chaff and imitation from -one in whose lips it is seen, even by its votaries, to be ridiculous! -How the ill-used letter “H” may be helped and restored with the advice -of breathing over it. - -The reader will not, perhaps, think us very encouraging; but it is -obvious that where excellent voices are to be had, forming them into -a choir only needs intelligence and a firm hand from one who is equal -in knowledge to the task undertaken. We have, therefore, tried to suit -our advice to the needs of the many, who must perforce work under -difficulty, being obliged to take, not the materials they desire to -have, but only the heterogeneous ones at hand. - -A few practical suggestions and we have done! Do not attempt too much -in public. Congregations are very critical. One piece of music badly -done will be more noticed than several faultless ones. On the other -hand, keep on learning some music above the power of the choir for -improvement and interest. In cold weather, when possible, choose music -which does not try the voices too much by giving them sustained high -notes to sing. - -Lastly, work according to the views of the vicar of the parish, who -is responsible for everything in it; try to carry out in the best -possible manner whatever form of musical worship he desires to have in -his parish church. You may not be of the same opinion; but you will -gain nothing but good by putting your own views in the background and -thus learning to obey as well as to teach. And may we not hope that -the loving Father will acknowledge such work, even if imperfect in its -results, as done by His child to His Glory? - - - - -“SHE COULDN’T BOIL A POTATO;” - -OR, - -THE IGNORANT HOUSEKEEPER, AND HOW SHE ACQUIRED KNOWLEDGE. - -BY DORA HOPE. - - -Mrs. Wilson’s recovery was slow and tedious, even more trying to -herself, perhaps, than to her nurses. She had always been particularly -brisk and active, and had scorned to consider, or, as she said, -“coddle,” herself in any way, and it was a great trial to her -energetic, self-reliant nature to be waited on hand and foot, and -watched over “like a baby.” - -Ella, entirely unaccustomed as she was to illness of any sort, save -her mother’s occasional attacks of asthma, thought the nurse was -unnecessarily checking her aunt’s attempts to help herself, till Mrs. -Mobberly explained to her what different treatment is necessary for -different people, and how impossible it would be, with Mrs. Wilson’s -active temperament, to prevent her from getting excited and over-tired -if she once began to take any part in what was going on around her, -although a little exertion might have been actually beneficial to one -of a calmer and more indolent nature. - -It seemed a long time before Mrs. Wilson was allowed any food more -substantial than beef-tea, of which she wearied greatly in spite of the -nurse’s many devices for varying it. She showed Ella how to alter the -nature of it altogether by making it with half the quantity of mutton, -or veal, instead of entirely beef; or with all three together. This -not only made a pleasant change, but the doctor told them it was often -found more easily digestible than when made of beef alone. Then again, -both flavour and consistency were varied by adding cream, or an egg -well beaten up, or thickening with corn flour, tapioca, wheaten flour, -or rice, while at other times it was served clear, without either -flavouring or thickening, or in the form of a jelly turned out of a -tiny mould not larger than a teacup. - -Gradually, however, Mrs. Wilson began to take more solid food, and -then Ella’s great difficulties began. By the end of her first week’s -experience of providing real meals for her aunt, she wrote to her -mother that she had come to the conclusion that it was quite impossible -to arrange dishes suitable in every respect for a sick room. - -“Do pity the sorrows of a poor young housekeeper,” she wrote, “with -three people to please, the doctor, the nurse, and the patient, and -they all want something different. First comes the doctor, and tells -me I must now devote my attention to making the dishes as nourishing -as possible, as it is time aunt was picking up her strength again; so -I crowd in all the strengthening things I can think of, and flatter -myself I have made a mixture strong enough to restore the weakest -invalid; and the consequence is that next day nurse tells me she has -been up all night with her patient, whose supper was too concentrated -to digest. Next time, inspired by nurse’s tale of sufferings, I make -the simplest dish imaginable, which could not disagree with a baby, -and it comes down almost untouched, with a sarcastic remark from Aunt -Mary that when she is well she does not mind how plain her food is, but -that in her present state of health she needs something to tempt the -appetite a little. And yet——but I will draw a veil over the doctor’s -reproaches when I ventured to make her a spicy little dish.” - -But on the whole, in spite of her poor opinion of her own performances, -Ella managed to supply the needs of the sick-room very satisfactorily; -and she was much comforted on hearing from her mother that even -the most experienced housekeepers find it a hard task to tempt the -capricious appetite of an invalid, especially when it is necessary also -that the food should be very nourishing, and at the same time so light -as not to overtax the most feeble digestion, Mrs. Hastings sent her -daughter a list of suggestions for little dishes for the sick-room, -and added, at the close of her letter— - -“At any rate, my child, if your task is difficult, as I know it must -be, it is also satisfactory, for you can watch your patient each day -able to take a little more nourishment, or a little more substantial -food than the day before. You are saved the terribly sad duty of vainly -trying to tempt an appetite which daily gets a little poorer, or of -watching a dear one getting each day a little weaker, proving only too -clearly that all your efforts are in vain.” - -Happily Mrs. Wilson liked oysters, and, though she soon tired of them, -as of everything else, they formed the basis of a number of tempting -little dishes. The favourite of these, a suggestion of the doctor’s, -was called “Angels on Horseback.” Ella was very anxious to know what -the ridiculous name meant, but could get no information from the -doctor, who said he had often wondered himself, but all he knew was -that it was a favourite dish with invalids, and that was the name it -had always gone by. Each oyster was taken from the shell, and the beard -cut off, and was then rolled up in a very thin slice of bacon, tied -round with cotton, and fried. Usually three of these little rolls were -enough for a dish. - -At first Ella’s generous nature led her into the mistake of sending -up too large quantities of everything for the patient, but she -soon learnt that a dish which would tempt an invalid if offered in -small quantities, would be pushed aside in disgust if large and -substantial-looking. - -Next to “Angels on Horseback,” the favourite dishes were scalloped -or stewed oysters; while for a little additional nourishment between -meals, the nurse would often suggest a “Prairie Oyster.” This -exceedingly simple dish is not an oyster at all, but merely the raw -yolk of an egg, served like an oyster on a small shell, with the -smallest possible sprinkling of salt and pepper over it. The white must -be very carefully strained off, so as to preserve the yolk unbroken, -and it can then be slipped into the mouth and swallowed without any -trouble to the patient. - -Two other favourite dishes which the cook was particularly clever in -making were jellied veal and faggots. For the former a small knuckle of -veal was boiled till the meat slipped easily off the bones, which were -then taken out. The meat was cut into very small pieces, and pepper, -salt, mace, and thyme added to taste, with a small shalot chopped very -fine. This was all put back into the liquor, and boiled again till it -was thick, and then turned into a mould. When cold it formed a stiff -jelly. Ella always found the flavouring a difficulty, for Mrs. Wilson’s -taste as an invalid was of course very different from what it was -when in health, and her digestion was very easily upset; but the cook -obstinately declared that she knew her mistress’s tastes better than -Ella, and in spite of all orders persisted in putting in flavouring -according to her own fancy; so that many dishes which might have been -simple and nourishing enough to be frequently asked for, had to be -altogether prohibited, as being too spicy for the invalid’s delicate -digestion. - -For the faggots, a rump steak was cut into thin strips of about three -inches by two, and on these was spread a little butter, with pepper, -salt, and the smallest atom of minced shalot, or sometimes a few herbs. -The strips were then rolled up, tied with string, and fried in butter -or clarified dripping, and served up in gravy. - -Then there were the different kinds of panada, made of slices of -chicken or game cut off the bones, and scraped and pounded, and gently -simmered in milk; not to mention the numberless ways of cooking eggs, -buttered, scrambled, poached, and boiled, besides omelettes, custards, -and milk puddings of all descriptions. - -At last, Mrs. Wilson began to show signs of real improvement, and as -her strength returned she was allowed to spend part of every day on her -comfortable, old-fashioned sofa, while a few visitors were admitted -to see her. The nurse kept a very watchful eye over these visitors, -and after their departure sometimes expressed herself in very strong -language to Ella, saying that, “They ought to know better than to tire -out an invalid with stopping such a long time, and as for some of them, -why, they don’t never seem to care how high they send Mrs. Wilson’s -temperature up, with their worriting talk, and exciting the poor -creature so.” - -The nurse would have soon taken the matter into her own hands, and -requested the visitors to retire when her patient began to look tired, -but that Mrs. Wilson preferred Ella’s attendance in the room to that of -the nurse when visitors came, and she was not sufficiently experienced -to know when her aunt was beginning to get tired. The nurse hit upon -a plan, at last, which afforded Ella a good deal of secret amusement. -Mrs. Wilson’s spectacle-case was always placed on a little table by -the side of her sofa, and the nurse arranged that, whenever she began -to feel a little tired, and wished to be relieved of her visitors, she -should take up this spectacle-case and lay it beside her on the sofa, -which should be the signal for Ella, or the nurse, to suggest to the -caller that Mrs. Wilson had talked as much as was good for her. - -Every morning Ella had to bring an account of all the pets to her aunt, -and under her searching questions revealed an amount of ignorance that -quite appalled the old lady. - -“You should not feed the ducks and hens together,” she said, one day, -in answer to a remark of Ella’s. “Of course, the ducks eat more than -their share, with their great flat bills. Where are your brains, child?” - -Ella had a good deal of trouble with the fowls’ food at first. Their -morning meal was soft food, consisting of “sharps” (the outer part of -wheat, which is separated in grinding the corn for white flour) and -barley meal, mixed in equal parts, and added to any kitchen scraps -there might be. This was wetted with boiling water, and should have -been made into a stiff, dryish paste—a point Mrs. Wilson had been most -particular about. The cook, however, objected to any extra trouble; as -it was much easier to pour in water enough at once to make the mixture -wet and sloppy, she always did so; while, as for the kettle really -boiling—well, that was only one of her mistress’s many fads. - -Then there was the Indian meal, which ought not to have been used, -except in the cold weather, and then only occasionally mixed with -the other meal, but this had all been used up, and no fresh had been -ordered, so the fowls had been fed on Indian meal alone, till that, -too, was finished. - -Again, with her liberal ideas, Ella gave them far more food than they -could eat, and the wet, sour mess lay about all day; so that it was not -at all to be wondered at that the fowls drooped, seemed out of order, -and did not lay their proper quantity of eggs, and Ella, afraid of -exciting her aunt by telling her they were ailing, only increased the -evil by increasing the quantity of food. - -This state of things had lasted some time, when the nurse took pity -on Ella’s difficulties, and told her it would do her aunt no harm to -be asked for advice about the fowls; so, to Ella’s great relief, they -talked the matter over together, and a change was instituted in the -feeding. Fresh meal of all kinds was ordered, and Ella had a practical -lessons in mixing it. - -Mrs. Wilson had all the materials brought into her room, and directed -the process, while Ella, arrayed in a large apron, and with her sleeves -turned up carefully, followed her instructions. - -Some potato peelings and kitchen scraps had previously been boiled -together till they were quite soft, and now Ella cut these up small, -with an old knife, and then mixed the meal in equal parts, while -waiting for the kettle to boil. - -As soon as it boiled, the scraps were mixed in with the dry flour, and -Ella, seizing the big wooden spoon, began to stir vigorously, while the -nurse poured in the boiling water. - -“Enough water,” Mrs. Wilson cried, in spite of the incredulity of -the two operators, who had intended to put in twice as much. “Don’t -stop beating it up, child,” and Ella continued till she was hot and -breathless. - -“Now take up a handful and squeeze it.” - -Ella did so, and it fell from her hand a stiff lump, leaving her palm -quite clean. - -“That is quite right,” said Mrs. Wilson, encouragingly, after slowly -arranging her gold spectacles, and peering at the mass in the basin. -“See that it is always stiff like that; and never give them more than -they will run after when you throw it for them. If you find any is -left, do not give them so much next time. At night give them each as -much grain as you can take up in your hand, but no more. You may give -the ducks a little more, but stop at once when their hunger is not -keen. Now go and feed them, child; I am tired.” - -Under this treatment the fowls soon revived, and Ella was happy about -them again, at any rate till she discovered that she had made other -mistakes. She found the eggs she got now were much better and richer -than those bought in shops, or even than those she got when the fowls -were being carelessly fed, and that in consequence fewer of them were -necessary in cooking. - -One day, before she had began to take solid food, to the great delight -of her nurses, Mrs. Wilson declared she was hungry, and had taken a -fancy for a boiled egg. There were not many eggs from the hens now, but -the ducks laid regularly; so Ella picked out a fine large duck egg, -and carried in the prettily arranged tray herself; but what was her -disappointment when, on breaking the shell, the egg was found not to be -fresh. Her aunt pushed the tray away in disgust, the sight of the bad -egg had quite turned off her appetite, and she refused to eat anything -at all. - -The nurse was very much vexed, and Ella herself was greatly distressed, -and went off with the tray, more convinced than ever that housekeeping -was not her vocation, and that she never would succeed in it. - -The next time she was alone in the sick-room her aunt told her that she -was evidently very careless about the eggs, and must begin to manage -them differently. To begin with, she must use up all in the house as -quickly as possible for cooking, and every fresh one that came in must -be dated with lead pencil, and placed in order, with the large end -downward, in a board pierced with round holes for the purpose, and -which was kept in the cool larder. They were to be used in the order in -which they were brought in, and, Mrs. Wilson added, severely, she hoped -they would not soon disgrace themselves again by serving up a musty egg. - -At the beginning of January, Mrs. Wilson directed Ella to bring a -certain note-book and the writing materials. - -“Now,” she began, as soon as Ella was ready, “you will find a list, at -the beginning, of all subscriptions that are due. I want you to write -to all the people, and enclose the amounts. I will write cheques for -the large sums, but for the others you must get postal orders. Make a -list of all you will want, and then you can get them when you go out.” - -“But they have not applied for the subscriptions yet, auntie. I have -brought you every application that has come. Would it not be better to -leave them till they are asked for?” - -But this did not suit Aunt Mary’s views at all. She pointed out to Ella -that she kept a note herself of the date when her subscriptions were -due, and therefore knew the time as well as the recipients; and so she -did not see the good of making the charities expend a penny postage, -in addition to the cost of paper and envelope and clerk’s salary, in -merely reminding her of the fact. - -“And be sure,” she continued, “that you put a stamped envelope in with -each subscription. I want them to get the benefit of the whole amount, -without having to spend part of it in reminding and thanking me.” - -“There is another notice under the ‘January’ heading, auntie, about -paying the dog tax. Ought that to be attended to?” - -“Oh, yes, to be sure. Now you see the good of keeping a memorandum -book, for I had quite forgotten that January was the month for renewing -the licence. That will be seven and sixpence. Two dogs, did you say? -Dear, dear, child, how ignorant you are, to be sure! Don’t you know -that dogs are not taxed till they are six months old, and the puppy is -not nearly that yet?” - -Ella looked rather crestfallen at this rebuke, which her aunt -perceiving, hastened to comfort her by saying— - -“Well, it can’t be helped. You are a good girl, and do your best, -my dear; but things were different when I was young, and girls were -expected to know all the ways of a house. Ah, yes! girls were very -useful, in the old days, when I was young.” - -(_To be continued._) - - - - -“NO.” - -BY MARY E. HULLAH. - - -[Illustration] - -Embrance Clemon sat writing in a snug room on the second floor of -a house in an old-fashioned London street. A geranium stood on a -flower-stand near the window; the walls were painted brown, and the -carpet had faded into a comfortable insignificance. - -Embrance was just twenty-four. She had come to London three years ago, -on the strength of a promise of two pupils, and, behold! the pupils -had multiplied rapidly, and she now had as many lessons as she could -manage. She had been brought up by an aunt in the west of England; she -had been educated at a high school, where she had successfully passed -all the examinations that were open to her, and she was thoroughly -happy in her present work. In very truth, she stood alone in the world. -A few months ago, Mrs. Clemon (the aunt who had bestowed upon her such -good care) had set sail for New Zealand, to join her only son, who was -a farmer. She would fain have taken Embrance with her, but there were -two insurmountable difficulties in the way: a lack of funds, and the -young farmer’s desire to marry his cousin, as soon as he should be in -a position to support a wife. Embrance liked him, but she did not like -him well enough to consent to this arrangement; she therefore decided -to remain in London, and Mrs. Clemon, after some fretting, had been -induced to look upon the plan with approval. - -The years of work in the smoke and fog had not done more than tone down -the roses in Embrance’s cheeks; her hair, simply drawn back and plaited -to her head, was that shade of brown that most people call black; she -had kindly brown eyes, a large mouth, and a smile that won the hearts -of her pupils at once, and caused their elder sisters to say that, -after all, Miss Clemon was not so plain when you came to talk to her. -Certainly, Miss Clemon was very little given to thinking about her -appearance. It was, as Mrs. Clemon had always maintained, a pity. The -grey gown that she wore, with a stiff collar, was singularly unbecoming -to her; it was, indeed, warm and scrupulously neat, but when you had -said that, you had come to an end of its praises. It was hideous. - -At last, Embrance put down her pen and looked at the clock; it was -getting late, and the tea-things were still uncleared from one end of -the table. The street was very quiet, and she heard the postman’s knock -next door. - -“I wish somebody would write to me,” she said, aloud. - -It was not the mail day, but there were friends in the country who -corresponded with her from time to time, and to-night she would have -rejoiced over the arrival of any letter. “I almost think,” she said, -looking round her little domain with a half-stifled sigh, “that it was -a pity that I refused to go to that concert, but if I had gone”—with -a glance at a thick book—“I shouldn’t have got through my reading. -By-and-by, when I’m an old lady, perhaps I shall have time to enjoy -myself!” The gratification that she derived from this reflection was -considerably damped by the after-thought, “and then I shan’t care about -it!” - -Her meditations were interrupted at this stage by a sound of stumbling -footsteps on the staircase. It was Annie, the maid, panting and out of -breath; there was a lady just come, who wanted to see Miss Clemon. - -“A lady!” repeated Embrance. “What is her name?” - -“She didn’t say, miss; she is coming up.” - -A sharp ring of a bell sent Annie hurrying down stairs again; the lady, -whoever she was, would have to find her way unassisted. - -Embrance went out on to the landing. “The stairs are very steep,” she -said, “please take care.” - -“Embrance, oh, dear Embrance! is that you at last?” said a voice from -below. “I thought I should never find you in this horrible dark place; -how can you bear it?” - -“Hush! Come up; I am glad to see you, Joan. Come into my room.” - -The new-comer ran up the last few steps, and flung her arms vehemently -round Embrance, who led her into her sitting-room, and then drew back -to look at her. - -“Oh, Embrance,” gasped Joan, fairly breaking down now that the door was -shut behind her, “do be glad to see me! I have taken you by surprise, -haven’t I? But you said you would always help me, so I’ve come.” - -She took off her hat, and sat down on the sofa, dragging Embrance with -her. She was a young, fair girl, graceful in every movement, with a -small, delicate face, surrounded by masses of yellow hair. Her blue -eyes were full of tears, and her pretty lips quivered. - -“My darling,” said Embrance, tenderly, holding her by both hands, “of -course you came if you wanted me; but you are so tired and cold, I will -ring for some hot water and make you fresh tea, and when you are rested -you shall tell me all about it.” - -“Let me tell you now,” said Joan, excitedly. “Oh, Embrance! it is -so dull at home now that you are gone, and Mrs. Clemon is gone, and -everybody I care for! And I don’t get on with my painting, and they -cracked my best plate just when I wanted to send it to the Exhibition -at Exeter.” - -“Well, never mind. You must begin another one,” said Embrance, -coaxingly, almost as if she had been speaking to a child, while she cut -thin slices of bread-and-butter, and produced cake from the recesses of -a cupboard. “Tell me, is your grandfather in London?” - -“No; he’s at home, and Emily, too. I said that I should like to come -to you, and they said very well—I must write and ask you if it would -be convenient. And then I packed a bag, and just came up by the next -train.” - -“My dear Joan, they will think that you are lost.” - -“No they won’t. I wrote a letter to grandpapa before I came away, and -he had given his consent, you know. Are you shocked, Embrance?” - -“Not in the least.” Embrance’s dark eyes rested on her friend with a -look that showed how completely she meant what she said. “But I should -like to hear the rest of the story, Joan. There is something more than -a cracked plate.” - -“You are a real conjuror. I believe you know all about it without my -telling you.” Joan hung her head, and went on pathetically, “Alfred -Brownhill has been tiresome again, and grandpapa is bent upon my -accepting him, and Emily keeps on trying to persuade me. She says that -it is ridiculous for a girl in my position to throw away such a good -chance. I am tired of being told so often that I’m dependent; so——” - -“You came to me to learn to do for your self, you poor child! You know -how glad I shall be to help you, if I can.” - -“Embrance, you’re the kindest person in the world!” was all Joan said; -but she slipped her hand into her friend’s slim fingers caressingly. - -They had been friends from childhood. Embrance had often helped -little Joan Fulloch with her lessons, or coaxed her grandfather into -overlooking some escapade that was against his notions of propriety. -She knew well that it was a dreary home for an imaginative girl down at -Doveton, and that Emily (another granddaughter of the old man’s) was as -unsympathetic as she could be, looking upon Joan’s wish to become an -artist as the wildest of wild schemes. Embrance had vague recollections -of Mr. Brownhill (a flourishing county town solicitor) as a dull man, -who played lawn tennis. She did not believe that Joan liked him, and -as the child was harshly treated at home, she was doubly welcome here. -At any rate, if the worst came to the worst, there was a small sum in -the savings bank that would pay extra expenses for a year to come—and a -year was a long time to look forward in Embrance’s eyes. - -Joan soon regained her spirits, and forgot her fatigue in the novelty -of the situation. It was like a fairy tale, living up here at the top -of that corkscrew staircase; and what a pretty flower! and might she -paint here when Embrance was out? She had her own notions, though they -were somewhat erratic, about making money. - -To-morrow she would write to her cousin, Horace Meade, and he would -help her to get something to do; and she began making calculations as -to the number of people who required dinner services in the course of -a year. If Horace could once get orders for her, her fortune was made, -and in her spare time, she would paint landscapes for exhibitions. -“Then, you must give up these rooms,” exclaimed Joan, eagerly, “and we -can go and live somewhere where there is a garden. And, dear Embrance, -you’ll let me buy you another dress. You ought really never to wear -that cold colour.” - -Joan’s own dress was of a delicate blue shade, hanging in artistic -folds about her pretty figure. - -Embrance heaved a little sigh; she was accustomed of old to her -friend’s castle-building, but she would not say a word to damp her -ardour on this first night. She arranged her books and papers ready for -the morning’s work (her special reading must, of course, be put aside -now), then she came and sat by Joan, and listened to her long account -of home troubles, till the clock struck eleven, and the lamp began to -burn low. - -The days passed on; the winter was at hand. In spite of Joan Fulloch’s -good resolutions, in spite of her hostess’s kindness, she was far -from content in her new surroundings. Her grandfather had sent a box -containing clothes and painting materials; he had enclosed a brief note -in which he foretold that she would soon wish to return to Doveton. -Perhaps, if it had not been for this note, Joan would have said -good-bye to Embrance and the second floor parlour some weeks ago. As -it was she stayed on, always looking out for commissions that never -came, and making plans to paint pictures that she never began. Either -the light was too bad, or she had a headache; there was always an -excuse, and Embrance returned night after night, to find her visitor -plunged in the depths of despair. She would straightway set to work -to cheer her up, and before tea was over, Joan was invariably sure -of success—to-morrow or the next day. At last she heard of a pupil, -but, unfortunately, she did not take kindly to teaching; she was very -unpunctual, and it did not seem likely that her connection would -increase with rapidity. In the meantime, Embrance had begun to draw -upon her savings, for the expenses had increased marvellously since the -autumn. There were so many little luxuries that Joan, poor child, could -not possibly do without. - -“Embrance,” said Joan, one evening. She was sitting over the fire with -a novel, her face was flushed, and her hair was disordered; “I do want -so many things. I wish I could earn some money.” - -“You have got your pupil,” said Embrance, looking up from her book. -She was translating Schiller, and it was the third time that Joan had -interrupted her. - -“Five shillings an hour!” exclaimed Joan, kicking the fireirons down -with a clatter. “It’s so little; I shan’t have earned enough by -Christmas to buy a winter jacket, and besides, I owe you so much, -Embrance!” - -“Never mind about that, Joanie; I have enough for the present, if we -are careful.” - -“It is so tiresome of Horace to be away just when I want him most,” -continued Joan, “but he’ll come to-morrow; he has enough to do; he -ought to be able to help me. Do try and be in early to-morrow.” - -Embrance shook her head. “I can’t be home till seven o’clock.” - -“Put off that stupid lesson.” - -“I’m afraid it is impossible.” - -“I want you to see Horace. You never do anything I ask you!” - -“I am very sorry, Joan.” - -“What’s the good of being sorry?” asked Joan, pettishly. “No, no! I -don’t mean it!” She turned round sharply and saw that her friend’s eyes -were full of tears. In a second, she had flung down her book and was -kneeling at Embrance’s chair: “Do forgive me, it isn’t true. You are -the only person in the world who has real patience with me. Don’t mind -what I said; I didn’t mean it.” - -It took some time to calm Joan down after her fit of penitence, but at -last she went back to her novel. - -Embrance sat with both arms on the table; the translation got no -farther. Her heart was full of love for her friend, and yet—she had -her fair share of common sense—she could not but see that Joan was -thoroughly unfit for her present mode of life. She was just one of -those girls who would be happiest in a home of her own. Here, for once, -Embrance found herself cordially agreeing with Emily Fulloch, who was -as old-fashioned in her notions as it was possible for a narrow-minded -spinster to be. - -Perhaps a “brain-wave” of sympathy passed from one friend to another at -that moment, for Joan looked up from her book: - -“Darling, I think you will like Horace better than Mr. Brownhill, -though he is not so good-looking. I hope you will!” - -“I will try,” said Embrance, jumping up to kiss Joan; “I will try my -hardest, for your sake.” - -Joan blushed, and Embrance began talking of other matters. - -A week later, Mrs. Rakely (a friend of the Fullochs) came to London. -She stayed at an hotel close by, and was glad of Joan’s company, as -she wished to get through as much sight-seeing as she conveniently—or -inconveniently—could in the space of a fortnight. - -One Saturday afternoon Embrance had come home early (Joan had gone to -luncheon with Mrs. Rakely); she was tired, it had been a warm, rainy -day; her boots were muddy and her dress was damp. The armchair by the -fire looked very tempting; she sat down, and in a few seconds was fast -asleep, dreaming of a magnificent abode in New Zealand, where Joan, in -a white satin gown and a diamond necklace, was blissfully wedded to an -emperor with flowing ringlets and bright grey eyes. The emperor had -very bright eyes, indeed, and a habit of knocking on the ground with -his sceptre; he was also afflicted with a curious kind of cough that -did not sound natural—and yet it was natural, appallingly so. With a -start and a jerk, Embrance sat up in her chair wide awake, and met the -gaze of a real pair of grey eyes (brimming over with fun) that belonged -to a gentleman, who stood, hat in hand, at the open door. - -“I really apologise humbly,” he said, without venturing to approach; -“but I was told to walk up, and I knocked several times, and someone -said ‘Come in.’” - -Embrance had recovered her presence of mind. “Please do come in,” she -said. “I am very sorry that I was asleep; but I was so tired. I think -you are Mr. Meade?” - -“That is my name,” said the visitor, looking across the room from the -smoky fire to the rows of books with a quick glance; “and I have the -pleasure of speaking to Miss Clemon.” - -“Yes,” said Embrance, holding out her hand. “Joan will be so -disappointed to miss you. She is not in.” - -The recollection of her plans for Joan’s future happiness brought the -blood to her cheeks. She stooped over the fire to hide her confusion. -Yes, she liked the look of him. He had a clever, kindly face, much -bronzed by the sun; he wore a short beard and a turned-down collar; he -had no gloves, and his hands were long and thin. - -“Do let me do that for you,” said Mr. Meade, putting down his hat and -umbrella. “I am exceedingly skilful at managing fires and chimneys; in -fact, I have occasionally regretted not having been brought up to it -professionally.” - -“As a chimney-sweep?” inquired Embrance. - -“No, I think not,” said Mr. Meade, gravely, as he inserted the poker -between the bars, “but there might have been an opening as stoker or -master of the bellows in some grand family. There, now, if you will -allow me to have a sheet of newspaper, I think I shall succeed to -perfection.” - -Embrance fetched the newspaper, and in a few minutes the crimson flames -were leaping up the chimney. - -(_To be continued._) - - - - -THE SHEPHERD’S FAIRY. - -A PASTORALE. - -BY DARLEY DALE, Author of “Fair Katherine,” etc. - - -CHAPTER IX. - -The following Saturday turned out to be a misty November morning. -Towards noon the fog lifted, and at half-past one, when Dame Hursey -prepared to start to keep her appointment with her son, it was -tolerably clear, but the old wool-gatherer, who was as weather-wise as -John Shelley himself, shook her head as she scanned the horizon from -the door of her miserable cottage, and muttered to herself she doubted -the fog would come on worse than ever at sunset. - -As this was the first time she had seen her son for twelve or thirteen -years, and would probably be the last, seeing that he was going back -to Australia, probably never to return, at least in her lifetime, Dame -Hursey regarded the occasion as a festive one, and had taken a holiday -in honour of it. Her morning had been spent in cleaning her miserable -cottage, in the faint hope that her son might be persuaded to come home -and spend the evening with her. In this hope all her wool-gatherings -had been taken upstairs instead of lying about the floor and corners -of the kitchen, as they usually did; the floor had been scrubbed, a -fire was lighted, two rickety armchairs drawn up to it, and a cup -and saucer, a mug, and two or three plates—Dame Hursey’s stock of -crockery—placed on the table. She dispensed with dinner, and contenting -herself with a piece of bread and cheese, reserved two red herrings for -her tea on her return with her son. - -Then she dressed herself in her Sunday dress, not without some qualms -lest the fog should turn to rain. Even if it did, on such an occasion -as this she must wear her best things, so she put on her black stuff -dress, a black and white plaid shawl, and a bonnet that might have come -out of the ark, judging from its antique shape, and which, to Dame -Hursey’s pride, was ornamented with some dirty old artificial flowers. -Thus attired, and having made up the fire and left the kettle on the -hob, she locked up her hut, put the key in her pocket, and providing -herself with a gigantic cotton umbrella, to answer the purpose of a -walking-stick as well as in case of rain, she set out for Mount Harry. - -Though Dame Hursey knew all the short cuts, it was more than an hour’s -walk from her house to the top of Mount Harry, but the old woman was -longing to see her son again, so she started in good time, and reached -the spot a quarter of an hour before he did, though he was punctual. -The fog was rolling up again, as the old wool-gatherer had predicted, -and, accustomed as her black eyes were to piercing the mists which so -often wrap those rounded hills like a damp clinging garment, her son -was close upon her before she saw his form, looming like a gigantic -grey figure close beside her. It was twelve years and a half since -they had met, and George Hursey was very much altered in appearance -since, in the character of John Smith, carpenter on board the French -yacht Hirondelle, he had laid the baron’s little daughter on John -Shelley’s doorstep; but for all that his mother declared she would have -recognised him in a crowd. - -“You’ll come home and have a cup of tea and a chat, George, after all -these years, won’t you?” said the old dame, gazing with pride and -affection on her ne’er-do-well son. - -“No, mother, no; I might be recognised, and I don’t want to be arrested -for making off with a child, before I go back to my own wife and -children.” - -“The child is safe enough, if you mean the child you left on John -Shelley’s doorstep thirteen years ago come next June.” - -George Hursey gave a sigh of relief, for many a nightmare had that -innocent baby, which, for aught he knew to the contrary, might have -perished from cold or exposure through his fault, given him. - -“John Shelley took it in then, as I thought he would?” - -“Yes, and a beauty she is, and no mistake. George, tell me who the -child is, will you, honey?” said Dame Hursey, in a wheedling tone. - -“That’s what I have come here for chiefly, that and to see you once -again, for when I say good-bye to England to-morrow it will be for good -this time; I am going to give up the sea, and live at home now.” - -“Well, you know your own affairs best; but about the lassie, George; -whose child is she? No poor person’s, I’ll be bound,” said Dame Hursey, -whose curiosity about Fairy exceeded even her interest in her son’s -family affairs. - -“She is the niece of my late master, a French gentleman, and it was -by his wish I took her to John Shelley, only instead of going in as I -pretended I had done, I left her on the doorstep, and went off with the -purse; and if ever I cursed in my life I have cursed that money, which, -for aught I knew till a few minutes ago, had made me a murderer, though -for that matter I may be one still, for the baroness may have fretted -herself into her grave for her baby.” - -“The baroness, did you say, George? Sure, I was right, she is no common -child, no fit wife even for gentleman Jack,” exclaimed the old woman, -opening her umbrella, partly to keep the fog off, partly as a sort of -screen to shut in the secret she had yearned so long to learn. But -George was following up his own train of thought, and went on, heedless -of her interruption— - -“Though, as true as I stand here, I never knew till last week that -Monsieur Léon was drowned, and the Hirondelle lost a day or two after -I left her. Likely as not the baron thinks the child was drowned too, -since they have never found her. I might never have known, only I -happened to ask at Yarmouth if they had ever had a French yacht named -Hirondelle over there, and some of the fishermen remembered all about -the wreck. When I heard that I determined to come and see if the child -was safe, and now I know it is, I want to do the rest, mother.” - -“Yes, honey, what is it? You may trust me. I guessed the night I met -you you knew all about the fairies’ child, and I have kept your secret -and watched the child ever since, for your sake, George.” - -“Well, I want you to go to John Shelley, or to the parson if you like, -or both, and tell them the child belongs to the Baron de Thorens, of -Château de Thorens, near Carolles, in Normandy. Shall I write it down -for you?” - -“No, no, I can’t read it if you do; I shall remember fast enough—Baron -de Thorens, Château de Thorens, near Carolles, Normandy. I shall think -of Christmas carols, De Thorens, Château de Thorens,” repeated Dame -Hursey. - -“Never mind château, it only means castle, but don’t forget the name, -De Thorens. Here, I’ll cut that word on your umbrella handle with my -knife in printed letters. You can read print, I know.” - -“All right; and what else am I to tell them?” - -“Why, that my master and the baron gave me the child twelve years and -a half ago to put out to nurse with an Englishwoman. I went ashore at -Brighton in a little boat with Pierre Legros, one of the sailors, and I -walked across the downs with the child, and left it on John Shelley’s -doorstep; then I told Monsieur Léon John had taken it in and promised -to look after it. He took the address, and the only person I thought I -had robbed was John Shelley, though I knew the baron would make it up -to him when he heard of it.” - -“Are they rich, George?” asked the old woman, taking a pinch of snuff -as she peered at her son through the fog. - -“Yes, I think so. The château is a beautiful place, and stands in a -park.” - -“Is that all I am to say?” - -“Yes, leave the rest to the parson to decide; he will write to the -baron in French very likely. You may tell them as soon as you like, for -I shall be out of the country to-morrow.” - -“I shall wait till you are gone; one day more can’t make any -difference, and it is best to be on the safe side, then if they want -to know where you are, I can say on your way to Australia, so there’ll -be no fear of their catching you, though it is so long ago there isn’t -much danger of that now.” - -“Please yourself, and now I must be off. Here are five sovereigns for -you, mother; they are honestly earned, so you need not be afraid to -take them, and now I must say good-bye. How thick the fog is; there is -no danger of anyone seeing me this evening; it is as much as I shall do -to find my way down to the Brighton Road without breaking my neck in -a chalk pie. Take care of yourself, mother; but you know these downs -better than I do,” said George Hursey, kissing his mother. - -“Ay, ay, lad, never fear for me; I have been out in worse fogs than -this. Good-bye, God bless you,” and the old wool-gatherer strained her -eyes till her son’s figure disappeared, as it very quickly did, in the -fog. - -She stood still for a minute or two after he had gone, gloating over -the secret she had at last discovered, and muttering to herself again -and again, “Baron de Thorens, Carolles, Normandy,” and then she too -turned and walked slowly off through the fog in a different direction. - -It was quite true she had been out in worse fogs than this, but whether -it was that she was too much occupied with her own thoughts to think -of where she was going, or whether the fog, which gradually increased, -was worse than she fancied, she suddenly, after wandering about for -half-an-hour, awoke to the conclusion that she did not know where she -was. If she had come right she ought to have been at the bottom of the -hill by now, whereas she was still on flat ground, and had not begun -the descent. - -She had been so absorbed in wondering what the Shelleys, particularly -“gentleman Jack,” as she always called Jack, would say to her news, -and in picturing to herself the amazement on learning that Fairy was -the daughter of a French nobleman, perhaps a baroness herself or a -countess, for Dame Hursey had very vague ideas on the subject of -French titles; and in thinking how pleased Fairy would be to hear she -was a rich lady, that she forgot all about the fog and where she was -going. Loving gossip as she did, the secret George had put in her -power was dearer to her than the five sovereigns tied up in the corner -of her pocket-handkerchief; it would add to her importance in the -neighbourhood more than the gold. Moreover, it might lead to a reward -for her, since she had had no part in leaving the child to the care -of the shepherd, and Fairy she was sure would not suffer her to be -forgotten when the Shelleys came to be rewarded. - -“Why, but for me Fairy might never find her parents after all; if I -were to keep this secret to myself she would never know for certain she -was a lady born, perhaps a countess. I shall make them understand that -before I tell them. Or, if anything was to happen to me now before I -have told them, why they’d like to never know it. Bless me, where am -I? This fog is worse than I thought; I ought to have been home by now, -and here I am still on the top. De Thorens, Carolles, Normandy,” and so -muttering to herself Dame Hursey disappeared in the fog. - -That same afternoon, Fairy, little thinking her name and birth were -so soon to be revealed, and her happy life in the shepherd’s cottage -exchanged for a very different one in a French château, had gone for a -walk with Charlie, and, to Mrs. Shelley’s great anxiety, at half-past -five o’clock, when her husband and Jack came in to tea, they were not -home. The fog now was so dense that you could hardly see your hand -before you, and even with a lantern you could not discern anything a -yard or two in advance of you, and Mrs. Shelley was intensely relieved -when John and Jack came home safe. - -“Thank God you are both back safely; it is an awful fog, isn’t it, -John?” asked Mrs. Shelley, as John stood wiping the fog from his beard -and face. - -“Yes, it is a bad one; luckily both Jack and I saw it was coming on and -got the sheep home before dark, or we might have been half the night on -the downs.” - -“Isn’t it tiresome? Charlie and Fairy went out for a walk soon after -dinner, and they are not back now; I have been in such a fright about -them,” said Mrs. Shelley. - -“What, mother? Fairy out in this fog? Good heavens! the child may be -killed! What on earth does that little idiot mean by taking her out in -a fog? He deserves a sound thrashing,” burst out Jack. - -“Hush, Jack; Charlie may be in danger as well,” said Mrs. Shelley. - -“Serve him right too,” muttered Jack, as he went in search of a lantern -without another word. - -“Fairy and Charlie out, wife? Dear me, we shall have to go and look for -them; why, they may fall into a chalkpit and break their necks. Where -have they gone?” asked John, leisurely putting on his hat and scarf. - -“I don’t know, but I fancy to Mount Harry; I heard Fairy talking about -it.” - -“Here, Jack, we shall have to go and look for them children, I think,” -called out the shepherd to Jack. - -“Of course we shall; I am lighting the lantern; let’s be off at once, -father,” said Jack, who had made the necessary preparations for the -search while his father was taking in the fact that the children were -lost, and now stood with the lantern in his hand and his dog by his -side at the open door. - -“Where are we to go, father?” said Jack as they started. - -“Well, your mother says they are gone to Mount Harry, so if we were to -go along the Oatham-road and search those chalkpits as we go, that is -the only place they are likely to have fallen down. If they are not -there, and God forbid they should be, we shall know they have not come -to much harm beyond a fright. When we have passed the chalkpits we can -climb up Mount Harry and come back by the jail; I have my compass, we -can’t go far wrong with that.” - -Jack fell in with this plan at once; it was by far the best thing -they could do; but then John Shelley, in his slow, methodical way, -invariably hit upon the wisest plan of action in an emergency, as Jack -very well knew. Accordingly, off they started, each with a lantern and -the shepherd’s dog leading the way. Jack’s own dog was younger and not -so steady as Rover, so he kept him at home. This Rover was a son of -the Rover who had first discovered the fairies’ baby on his master’s -doorstep that midsummer evening, but John Shelley called all his dogs -Rover, and was rather scandalised when Jack insisted on naming his dog -Bruce; it was an innovation, and the shepherd disliked anything new; -however, in this he was persuaded to yield, Mrs. Shelley and Fairy -taking Jack’s part, and saying two Rovers in one family at the same -time would never do. - -(_To be continued._) - -[Illustration: MILAN CATHEDRAL.] - - - - -OUR TOUR IN NORTH ITALY. - -BY TWO LONDON BACHELORS. - - -After leaving Lugano, the train enters two tunnels, shortly after -which it crosses the Lake at Bissone, by means of a most hideous stone -bridge. Bissone is a very picturesque village. The little steeple of -the church rises romantically from the luxuriant foliage, and numerous -cottages are scattered on the side of the lake. The charm of the scene, -however, is much marred by the aforementioned bridge. - -After leaving Bissone, the train goes directly south to Mendrisio, the -station for Monte Generoso, the view from which is said to be equal (if -not superior) to that from the Rigi. We had intended to climb Monte -Generoso, but it being a very misty day, there would, of course, have -been no view, so we continued our journey, passing Chiasso and Como. At -Chiasso the luggage is examined, for, strange to say, one is in Swiss -territory until arriving at Como. - -We did not stay at Como, as we had decided to see that city and its -beautiful lake on our return journey. The route from Como to Milan -interested us, from the variety it afforded to the mountainous -districts we had recently visited. There is, indeed, a great charm in -the dead level of this huge Lombard plain; for apart from its cities, -so interesting, historically and archæologically, we felt a certain -sense of relief in getting again into a flat country, luxuriantly -fertile and productive. - -We made a mistake in not staying at Monza, a very ancient city -containing, amongst other interesting buildings, a cathedral, founded -by Queen Teodolinda in the sixth century, and a Broletto, or town -hall, attributed to Frederic Barbarossa. We arrived at Milan early in -the afternoon, and immediately drove to our hotel, through one of the -magnificent gates which guard the approaches to the city. - -On entering this, the first great Italian city which we had seen, many -thoughts crowded into our minds. Here we were in a country the very -cradle of European art, where through all times, even down to the -present, art seems a vital necessity to the people. In other lands art -has been an ornament or a luxury, but in Italy it seems to enter into -the very life of the inhabitants, and nothing seems to have been able -to wean them from their devotion to the beautiful creations of the -hand of man. We find them revelling in art when foreign armies were -overunning the country and decimating the population. We find it under -tyranny and oppression of the most galling description—surrounded by -acts of horror and infamy of the most despicable kind. We find it often -in combination with ignorance and folly that are simply contemptible. -We find it existing when liberty was utterly suppressed. Thus during -all the Middle Ages and the period of the Renaissance, whether -the Italians were slaves or free, whether they were conquered or -victorious, whether they were united or divided, still this marvellous -spirit of art seems to have pervaded everything from their religion -down to the most ordinary acts of everyday life. - -[Illustration: INTERIOR OF MILAN CATHEDRAL.] - -Another thought which naturally suggests itself on entering Milan is -that of the two noble characters whose lives stand out like brilliant -meteors amongst the gloom, horror, wickedness, and folly, which stain -so much of her history. We refer to her two Archbishops—St. Ambrose, -the light and glory of her early history; and Charles Borromeo, the -bright star which illumined her deepest gloom. And one cannot help -thinking of the good and great man pursuing his mission of charity -amongst the sick and dying of the plague-stricken city. - -Our first thought was to find our way to the cathedral, the second -largest Gothic church in Europe, about which probably more has been -written, and a greater number of conflicting opinions as to its merit -expressed, than about any building in the world, with the exception of -St. Peter’s, Rome. As it is impossible to say anything new about this -wonderful cathedral, we shall principally confine our remarks to our -own individual impressions and opinions. - -To commence with, the first view of the interior struck us as far finer -than the more popular exterior. Indeed, so great an effect had it -upon No. 2, that he turned as white as a sheet, and seemed completely -overcome with the wonder of the buildings. The enormous proportions -of the church, the great height of the pillars, with their canopied -niches over the capitals, and the rich religious effect of the whole, -formed a picture, in comparison to which (in our eyes) the blazing but -meretricious glory of the exterior, with its 4,000 or so niches and -vast masses of carving, was not to be compared. It is said that an -intimate acquaintance with both exterior and interior will fall far -short of one’s first impressions. - -Now this did not strike us with regard to the interior. No, not even -after we realised the tracery of the roof to be painted, and the -tracery of the windows to be somewhat straggling and unmeaning. But it -is a different matter from the exterior; after the first astonishment -is over, one sees at once the great over-elaboration and the general -“spikiness” of the effect, though No. 1 thought the admixture of the -Renaissance style in the façade saved this portion of the cathedral -by supplying that solidity and “sobriety of line” which the building -otherwise so painfully lacks. - -Even before we heard that the architect was supposed to have been -a German, we recognised the Teutonic character of the cathedral, -especially of the interior, which seemed to be not entirely unlike that -of Cologne. - -To enter more into detail, the plan is a Latin Cross, terminated by -an apse, and divided into a nave and four aisles. The interior is 477 -feet in length, by 183 in breadth, exclusive of the transepts, and is -supported by fifty-two pillars, which are eighty feet in height and -twelve feet in diameter. The before-mentioned niches, which crown the -pillars, are a great feature, each niche being of different design, -and all remarkably beautiful. The roof is elaborately painted in -imitation (so it is said) of tracery. Street calls this an “abominable -device, which never ceases to offend and annoy the eye more and more -every time it is observed.” The effect did not seem to No. 1 at all -disagreeable; quite the contrary. He thought it added great beauty and -richness to the design, and does not believe that it was ever intended -to deceive the beholder into the idea that it is real tracery. “Why -not believe it to be mere decorative painting, and beautiful art as -such?” he asked. But No. 2 was really deceived into believing that the -imitation of tracery was actually what it represented, particularly -as the design, which is in dark-brown colouring upon a light ceiling, -represents carvings of beautiful patterns and filigree work, very much -like the Gothic screens of some of our English cathedrals, only fixed -upon the ceiling instead of being on the line of sight. But when, after -investigation, he found the paint obliterated here and there by damp -and other causes, showing blotches of brown and white, he was disgusted -beyond measure, and began to look upon other work with suspicion. -“Why,” cried he, “should a Christian church impose on the unwary, or to -the wary preach affectation and artifice?” - -There is no triforium, and the pavement is a mosaic of various coloured -marbles. There is a great quantity of old stained glass in the windows, -which, though not equal to our old English glass, yet gives the -building a very religious effect, which is still more enhanced by the -colour of the stonework, which has the appearance of old ivory. The -interior is well filled with ancient monuments; but we have no space -to describe them, and will simply add that the most remarkable are -those of Gian Giacomo and Gabriele de Medici, attributed to Michael -Angelo; of Cardinal Caracciolo, in black marble, by Bambaja; and of -Ottone Visconti, Archbishop of Milan, which is earlier in date than -any portion of the cathedral. In the north transept is the bronze -candelabrum for holding seven lamps, constructed in imitation of that -which existed in the Holy Temple of Jerusalem—a magnificent work -erected in the thirteenth century. And in the south transept is a -famous statue of St. Bartholomew being flayed alive. - -St. Charles Borromeo, the great Archbishop of Milan, is buried below -the dome in a subterranean chapel. It may interest our girls to know -that he was the originator of Sunday-schools in Europe. - -The Duomo of Milan is like no other building in the world, it belongs -to no distinct style of architecture, and in art it had neither parents -nor children. Nothing was ever built like it before, and nothing -will ever be built like it again. We do not say that it is the most -beautiful church ever built, nor do we deny that, architecturally -speaking, it possesses many grave faults, but what we mean is this: -Of all other churches we say they are built in such and such a style, -or are of such and such an order of architecture. But of this we say -simply, it is the Duomo of Milan. - -When this vast structure, with its countless pinnacles of pure white -marble glittering in the sun, and backed-up by a dark blue sky, breaks -upon our astonished gaze, the mind is absorbed with wonder. - -Is it a vision? What have we seen before like it—possibly only one -thing—the snow-clad peaks of the Alps. One cannot get rid of the notion -that some kind of relationship exists between the two. We begin almost -to suspect that some mighty Alp, with its snow-clad peaks, must have -been its mother—so much is it like the kind of architecture that would -have sprung from the mountains. - -It was after leaving the Duomo that the two bachelors had their -first quarrel. This is how it came about:—The older bachelor, who is -impressionable and of a poetical and non-technical turn of mind, enjoys -an undisturbed first sight of a magnificent building, without first of -all inquiring into its structural and architectural details; and if -there is one thing more than another which annoys him, it is to have -the “dry bones” of workmanship dinned into his ears and thrust before -his mental vision when the complete building should rather impress on -him all that it has to say of great achievement and power. - -Now the younger bachelor is technical and fond of dates, so seized the -opportunity of showing off his knowledge of history and archæology -at the very moment when his friend was first gazing at the religious -splendour of the interior of the cathedral. This made No. 2 insist -on a judicial separation, at any rate for the first hour, so the -greater part of the building was explored in “single blessedness.” -The quarrel, postponed, of course, until we had left the Duomo, was -happily of short duration, and the two bachelors compared notes, and -came to the conclusion that, after all, more permanent unity is created -by contradictory temperaments. Whether this would apply in the case -of man and wife they unfortunately could offer no opinion founded -on experience, so they wended their way through some very narrow, -uninteresting streets to the church of St. Ambrose, at the west of the -city. - -St. Ambrogio, founded in the fourth century, is full of ancient -epitaphs and early Christian antiquities, notwithstanding that it -was very much repaired in the seventeenth century. The walls of the -“atrium,” or open court, in front of it, contain fragments of frescoes, -ancient inscriptions, etc., which, backed up by the Romanesque red -brick church (dating from the ninth century), form one of the most -picturesque scenes in North Italy. - -The interior of St. Ambrogio is, if possible, more interesting than -the exterior; it is of grey stone, with arches of red brick, a quaint -effect of colour. There are no transepts, and the building terminates -in an apse. - -It would take pages to describe all that is remarkable in the interior -of St. Ambrogio, so we shall only mention some of the interesting -features. On first entering the nave we noticed two pillars, on one of -which is a brazen serpent, said to be the brazen serpent of Exodus. The -vaulting of the apse is very ancient, and is covered with mosaic work -as fine as anything in St. Mark’s, Venice. Below we noticed the old -chair of St. Ambrose. The high altar is interesting, as being the place -where some of the German emperors received the iron crown of Lombardy; -a baldachino or ciborium covers it. - -On the front of the high altar (itself a blaze of glory) are depicted -scenes from the life of Christ, while on the back are represented -incidents in the life of St. Ambrose, the former in plates of gold and -the latter silver-gilt. - -St. Ambrogio contains several frescoes. The finest are “Legend of St. -George,” by Bernardino; and “Ecce Homo,” by Luini. In it also are the -shrines of Saints Gervasius and Protasius—very popular saints in Italy. - -On leaving St. Ambrogio we wished to get straight back to our hotel; -but we unfortunately lost our way, and were obliged to ask an Italian -gentleman to direct us. He not only put us on the right road, but -actually went out of his way to ensure our not losing ourselves again. -This is characteristic of the North Italians. They are really polite, -and, according to the elder bachelor, the most gentlemanly people he -has visited. - -After _table d’hôte_ we strolled out of the hotel, and walked through -the magnificent Galleria Vittorio Emmanuel (containing some of the best -shops in Milan) into the Piazza del Duomo. It was a beautiful moonlight -night, and the cathedral looked simply glorious—its dazzling whiteness -almost frightening us as it suddenly burst on our view. After due -deliberation No. 2 irreverently said that the appearance was similar to -that of a colossal wedding-cake, with its sugary-looking ornamentations -under a strong light. The Duomo, though not a very pure example of -Gothic, possibly over-ornamented, and its detail not always in the -best taste, is certainly one of the most extraordinary examples of -man’s industry, perseverance, and wealth to be found in the whole realm -of art. - -It was about 9 o’clock p.m. that the first scene was enacted of what -might have completely wrecked our holiday, viz., the longing of the -younger bachelor to smoke one of the long cigars, with straws in them -at either end, which foreigners, especially Italians, seem so to enjoy. -No. 2 (the older) bachelor being the better linguist, went into a -tobacco shop and ordered one of these cigars. It was in vain that the -shopman declared they were never bought by English; it was of no use -his repeating that they were so inferior—No, No. 1 had set his heart on -possessing one of them, and have one he would. - -We bought two, one of which the younger bachelor immediately smoked, -having first carefully extracted the straws. The other was given to the -waiter, and it is safe to predict that neither of us will ever be seen -with one of those terrible cigars again. About 10 p.m. No. 1 began to -show signs of a violent bilious attack, which grew worse as the night -came on. This was the commencement of an ailment which afterwards -turned out to be “gastric fever.” There was little sleep that night for -either of the bachelors, as No. 2 sat up by his friend during a great -part of the night. The next morning, however, though still unwell, No. 1 -insisted on going to church. On returning hotel-ward the younger felt -alarmingly ill, and could not walk further without help. - -When we got to the hotel, No. 2 determined to send for a doctor, -and, looking into his Baedeker, chose one of those recommended. Our -girls must not think it was entirely the horrible cigar that made No. 1 -so ill. They must remember he was described as having a shocking -digestion, which had been “upset” by the continual travelling and the -change of food; also, the sudden change from the bracing mountain air -to the comparatively enervating climate of Milan, no doubt accelerated -the illness. The doctor came about four hours after he was sent -for, and, after asking innumerable questions as to the occupation, -rule of life, etc., of the bachelor, seemingly unnecessary—not to -say impertinent—prescribed an alarming amount of medicine. We shall -remember that doctor, with his important manner and soft, deep voice. -He was a smart, healthy-looking man, with an imposing moustache and -short black hair. We shall also remember the answer he gave to the -older bachelor, who had inquired how long it would be before his friend -would be well enough to resume his travels—“Maybe in two or three -weeks,” being the encouraging reply. - -The younger bachelor is here reminded of the interesting view of -chimney-pots and house-roof visible from his bedroom window, which it -was his fate to watch incessantly for two whole days, miserably ill, -with one longing in life, viz., to quench his burning thirst with “a -lemon squash.” - -As it seemed the less expensive method, No. 2 shopped for the lemons, -bringing in a dozen at a time, and squeezing them with his fingers into -a water-bottle glass. The sugar was purloined from the _salle-à-manger_ -(as we wish this narrative of ours to be a strictly truthful one, -we resolutely admit our guilt, but hope the Italian Government will -not be too hard on us), for we preferred the charge of one halfpenny -per “squash,” instead of one franc, the probable price of one bought -at the hotel. If any one of our readers has had a brother to supply -incessantly with “lemon squash” for two days and one night, without -the use of a proper lemon-squeezer, she will appreciate the sad -intelligence that No. 2’s finger joints are now less supple and -powerful than before this Italian tour. - -_La femme de chambre_ was, as most young women are to forlorn and -helpless bachelors, tender and kind. In fact, at the end of two days -she quietly suggested that a lemon squash was the worst drink for the -poor patient, and actually the dear thing made for him some oatmeal, -bringing into the room a sieve, a basin, some warm water, and a screw -of paper containing oatmeal. Then (_à la_ Useful Hints in the G. O. P.) -the recipe was as follows:—A little oatmeal in the strainer, hold over -the empty basin, and with the warm water (by this time very lukewarm), -percolate through the sieve, and behold a dish of Scotch oatmeal! - -That preparation did not seem to improve the condition of the poor -patient. - -“Oh, that we had some English lady with us,” cried No. 2. - -“Never no more,” groaned No. 1, with his face to the wall, though -whether this depressing remark had a reference to the oatmeal, the -gentler sex, or the “holiday” (save the mark!), No. 2 has not yet been -able to determine. - -(_To be continued._) - - - - -ANSWERS TO CORRESPONDENTS. - -[Illustration] - - -MISCELLANEOUS. - -GUINEVERE must take her money to the nearest post-office, and say she -wishes to have a book and become a depositor. There is no difficulty -about so doing. - -EMMY.—“They also serve,” etc., is from Milton’s poem on his blindness. -The 7th April, 1868, was a Tuesday. - -ENID.—Ithuriel, the angel sent by Gabriel to find Satan. He finds him -squatting like a toad beside Eve, as she lies asleep, and brings him to -Gabriel. Ithuriel is armed with a spear, which by its touch discovered -falsehood at once. You will find all this in Milton’s “Paradise Lost,” -which you ought to have read. - -LILITH A.—“In Memoriam” was written in memory of Tennyson’s friend, -Arthur Henry Hallam, who died in 1833. - -GRACE.—The beer made with the ginger-beer plant is quite wholesome, we -believe. - -VIRAGO.—“A young lady, who is nine years old and two months over,” is -certainly not old enough to choose her books, nor must she think just -yet of being guided by her own judgment in any way, except in obeying -others older than herself, and should be punished if she do not. - -LADY CLARA VERE DE VERE.—The address of the secretary of the Princess -Louise Home is 54, New Broad-street, E.C. Write to the secretary. Young -ladies should have their names on their mother’s card. - -E. AUSTILL.—The first two chapters of “A Lady’s Journey to Texas” will -be found in vol. iv., pages 362 and 713. - -PHISIEGIG.—The real name of “George Sand” was Aurore Lucille Amantine -Dudevant. Henry M. Stanley, the African explorer, was born at Denbigh, -Wales, in 1840. - -C. H. S.—The answer to the riddle, “Man cannot live without my first,” -is _Ignis fatuus_, otherwise called “will o’ the wisp,” or “corpse -candle.” - -VIOLET.—The lines do much credit to your tenderness of heart and love -for your parents, but as poetry they are not worth much, and are full -of faults. - -CONSUMPTION.—We regret that we cannot give you any information, as we -do not know the medicine by name, and we could not advise anyone to use -it without the consent of a doctor. We should think a change of climate -would be advisable. Cold, dry climates are apparently more recommended -now than warm ones. - -DIE LORELEI.—The lines you send have some power about them, but they -are not correct in rhythm nor in construction. Count the feet and -position of the beats in each line carefully while composing. - -MARION MOSS.—Seals are found in the Arctic seas. Dundee and Hull are -the principal British ports whence the seal-fishers sail. They are also -found in Russian America, now called Alaska. - -PERPLEXED ONE.—Why not try to obtain a good situation as nurse—head -nurse, with a junior under you? - -MAGGIE might obtain the first volume by means of an advertisement in -the _Exchange and Mart_. - -WATER LILY.—Mr. Herbert John Gladstone, M.P., is the youngest son of -the Prime Minister, and was born 1854. - -SEVEN YEARS FOR RACHEL must get her sister to read aloud, alone, and -with someone slowly and carefully, being particularly careful to take -her breath regularly, easily, and deeply when reading or speaking. The -lungs must be well filled. - -A CHRISTIAN.—We agree with your mother that you are both very young, -and had better wait till you be older. Then we should repeat to you the -saying of Christ, “Have salt in yourselves,” which means that you must -form your opinions and actions on eternal principles, which are the -salt which should savour our lives. - -TILDA.—We quite agree with you that the manners of lady district -visitors should be very courteous, and that they should certainly knock -at people’s doors, and not go in until they be asked, nor should they -go at the dinner hour. Alas! good breeding and sound common-sense seem -both rare qualities everywhere. Either of them would have made your -visitors behave differently. - -GIPSY.—You should say, “Lady So-and-so,” and write it with a capital -“L.” - -ETHEL.—Show your teeth to a dentist. We regret that we could not give -you a recommendation of the kind. Your medical man would do so. The -loss of an eye-tooth does not affect the sight. It is believed that -eating very fine white bread has tended to injure the teeth. Wholemeal -bread is the best for producing good bone. - -SARAH BROWN.—You cannot re-silver a good looking-glass yourself. -You must send it to a manufactory for the purpose. Any furnishing -upholsterer or looking-glass seller would undertake to do that for you; -but you must make a bargain before you send it, and you might obtain a -good secondhand glass at less cost. - -DICK.—Dentists usually have a medical man to see and attend to the -patient when gas is employed. It is not dangerous to take it. - -“IN GREAT TROUBLE.”—Yours seems a case for a doctor’s advice. You -had better consult one. The word “silly” is not spelt “scilly,” like -the islands of that name, and “disappointed” should not be written -“dissapointed.” - -DOROTHY DRAKE.—You will find the answer to your question several times -repeated in our correspondence columns. - -EVELYN.—We do not place ourselves between our young readers and -their parents, by expressing an opinion respecting the punishments -they inflict. If severe, we imagine that their statement of the case -you describe would be of a different character from yours. Probably -there were attendant circumstances which aggravated the misdoing on -your part. What business had you to go out without leave, and not -fully dressed for so doing? Besides, you may have been disobedient or -impertinent. - -DITTO.—You will find instructions in riding in the monthly part for -October 1st, 1881, page 3, vol. iii., and, as we told you before, -at page 131 in the same volume. You cannot read figures, one would -suppose. There is a picture of a girl on horseback on the same page. -Look again. - -JO.—Perhaps you could receive some little pupils daily for two or -three hours at your own home, and teach them the rudiments of an -English education—reading, writing, arithmetic, grammar, geography, and -needlework. - -MOTHER OF SIX.—The Paddington Green Children’s Hospital might suit -you, boys under twelve years of age and girls under fourteen being -eligible, and no letters of recommendation being required. Write to -the treasurer, George Hanbury, Esq. 21, Portman-square, W. There are -also the Belgrave Hospital for Children, 77 and 79, Gloucester-street, -S.W.—lady superintendent, Miss Munro; The Eveline Hospital for Sick -Children, Southwark Bridge-road, S.E.;—secretary, T. H. Chapman, Esq. -All three are free. - -SOPHIA FALCONER.—Cod-liver oil is specially beneficial to consumptive -persons or those suffering from a severe cough, not from the stomach. -In cases of atrophy we should think it would be of service. Many -persons, strong or delicate, find a plunge or two in the sea of much -benefit; but few comparatively could go into still, cold, fresh water. -A cold sponge bath is quite a different thing, and cold salt-water -sponging of the spine, throat, and chest is much to be recommended, or -a good quick rubbing with a wet towel half wrung out, and drying with a -rough one. - -CURLY and FLUFFY.—Avoid meeting the men who try to force unwelcome -attentions upon you. Speak to your mother about it, and let her direct -you. She can put a stop to the persecution with authority. If she were -to go out with you a few times she could dismiss them at once. Avoid -seeing them, and go into a shop or turn a different way if they try to -join you. It is an important part of her duty to protect and chaperone -you. - -AN OLD GIRL OF POLAND.—In adopting a new country it is always wise to -be provided with a passport, a copy of your certificate of baptism, -and letters from your clergyman, and any leading men, magistrates or -others; also your banker, if you have one. Such papers might prove very -valuable as introductions into society, or to facilitate your obtaining -employment. Besides this, they would be very essential in case of -mistaken identity. No passport is needed in coming to England, yet it -is wise to have one. - -J. B.—To know the colour called primrose, you have only to look at -the flower and at the enamelled or painted representations of it. Why -ask anyone else when your own eyes could act better for you than any -description by another person? - -CLANSMAN.—We should like to encourage you to write, as the lines speak -well of the mind and the heart; but we think you would succeed better -in prose than poetry. - -“EUCHARIS LILY.”—We have no recollection of the MS. of which you speak, -and regret you have waited so long for an opinion. The lines you -enclose show good feeling, but lack originality. We thank you for your -kind letter. - -F. A. B.—We feel sincere sympathy for you, and scarcely know how to -advise you. At your early age you are only eligible for the Children’s -Hospital, Great Ormond Street, W.C. You might write for particulars to -the lady superintendent. You would have to supply certificates both as -to character and health. - -GERTRUDE MCKENZIE.—No licence is required to enable you to keep a -registry office for servants. - -SNOWDROPS.—Certainly, wear your gloves in church. Why not? A -correspondent some time ago advised that maidenhair ferns should be -watered with tea, and tea-leaves from the tea-pot should be put round -them. - -INEZ and PHILIP.—We are of opinion that the amount allowed by your -brother for his dinner is much in excess of what is needed, and may -prove a temptation to him if continued. We were interested in your -letter, and we hope your mutual happiness will long be continued. - -ONE YOU HAVE BENEFITED.—Many thanks for your kind letter. We quite see -all your difficulties, but we think you must not make too much of them. -The real use of all training at home is to help young people to stand -alone some day, and act in the fear of God, for themselves; they cannot -be always children, nor in leading strings, so you must excite in -them conscientiousness and a constant desire to do right. The conduct -they propose, _i.e._, of going out and in, of accepting invitations as -they please, without consulting you, is, in the first place, ill-bred -and unladylike. No one treats the lady of the house, be she mother -or step-mother, in that manner, and even in society they would not -be guests a second time in any house where they ignored the lady who -invited them. - -ALEA EUROPEA.—In the “Chapel in the Tower,” by Mr. Bell, we find the -following notice of Arthur Pole, who, with his brother Edmund, was -imprisoned for life, and died in the Tower—They were the sons of Sir -Geoffrey Pole, and grandsons of Margaret of Clarence, Countess of -Salisbury. Cardinal Pole was, therefore, their uncle. In 1562 they were -implicated in a conspiracy to depose Queen Elizabeth, and place Mary -Queen of Scots on the throne. It was also alleged that one of them -designed to marry her. They were tried for high treason at Westminster -Hall, 26th February, 1562, and sentenced to be executed as traitors at -Tyburn. The sentence was commuted by Queen Elizabeth to imprisonment -for life in the Tower, and on the walls of the Beauchamp Tower, which -was their prison, their names will be found carved several times. -The last written was as follows:—“A passage perillous makethe a port -pleasante, I. H. S., 1568, Arthur Pole, aged 37.” The date of his death -and that of his brother seems not to be known, but both were dead in -1578, and buried in the chapel in the Tower. - -DAISY.—Take no notice of the matter, unless you are directly charged, -when you can deny truthfully the authorship of such an unmaidenly -epistle. - -ALICIA.—If the jewellery be good and old, it is better to employ a -jeweller to clean it. - -SNOWSTORM.—We think you should go to New Zealand to your affianced -husband, and keep your promise, especially as you leave a sister at -home to take care of your mother. It would indeed be foolish to bring -him to England if he be doing well out there, and is able to marry and -give you a comfortable home. - -SYBIL.—We think you may need a tonic of some kind. A little alum and -water is sometimes good for moist hands, but it is never safe to check -perspirations, unless under a doctor’s orders. - -BUTTERCUP.—We know of no situation easier than a nurse’s, where there -are only one or two children, unless, perhaps, you could manage to get -one as parlour-maid only. - -A. S. F. T. F. (New South Wales).—There would be no value if the dates -of the half-crowns were erased, because coins of the House of Brunswick -are only valuable when in perfect order. - -MIZPAH.—The word “Mizpah” means a watch-tower. On a ring it would -mean, “The Lord watch between thee and me, when we are absent from -each other,” a solemn pledge of faithfulness and truth in a betrothal. -It was used as a solemn warning to one suspected, not trusted, in the -original case. - -I. H. B.—“Ban” is an Irish prefix, and means “white.” We cannot find -any other clue to the word, and we think you should have written -“Wenham,” which is the name of a lake near Boston, U.S.A., from which -the ice derives its name. - -OMEGA.—The only way to be comfortable is to prevent the chilblains -from coming at first, by rubbing the place you feel affected with a -little dry mustard and flour very gently, which will generally put -the chilblains back. When a chilblain has broken, a decoction of -poppy-heads with hot water may be soothing, and bread poultices are -used by many people, but we are doubtful of their expediency. When the -inflammation has subsided, a little creosote ointment may be used, but -when so bad it would be well to consult a doctor. - -R. A. A.—The editor declines, with thanks. - -DUM SPIRO SPERO.—The words are French, and are used when picking -the leaves from a daisy. They mean, “He loves me a little, much, -passionately, not at all.” This is one of the many ancient charms, or -really auguries, which we have obtained from unknown ancestry. - -F. A. H. B.—We regret that we can make no use of your essay. - -DADDY LONGLEGS should send her locket to a jeweller’s to be cleaned and -repolished. - -LADY GODIVA.—Probably digestion. Ask your doctor about it. - -ESTHER BLACK.—The notice of the marriage in the different newspapers is -a sufficient announcement to friends at a distance. Neither cards nor -wedding-cake are sent now. - -FLORENCE MOORE.—Does your sister wish to look like a balloon, tied in -at the middle with a string? or, still worse, does she wish to cut her -liver in two? Her other plan, “to drink vinegar,” would so thin her -blood that she would exchange her wholesome fat for dropsy, and become -blown out like a skin-bag used for water in the deserts. For your own -infirmity you should wear a backboard and faceboard daily while at your -studies. We have often described and prescribed them already. - -CURIOUS.—The origin of the name given by Handel to his composition -called “The Harmonious Blacksmith” was a very natural one. He was on -a visit to the Duke of Chandos, at Edgware, and, overtaken by heavy -rain, he took shelter in a smith’s forge. The ringing strokes of the -hammer, combined with the song of the smith, told a story to the lively -imagination of the composer, and gave birth to the piece in question. - -LAURA.—It is not very evident as to when the Manx House of Keys was -first established, but it existed in the time of the Dane King, Orry, -at the beginning of the tenth century. This sovereign established an -independent throne in Mona. The term “Keys” is derived from _Kiare -es feed_, “twenty-four,” and applied to that number of men of the -island who form the Lower House, while the Upper House, or Council, is -appointed by the crown, and consists of the bishop, archdeacon, clerk -of the rolls, and some civil officials. - -STRAWBERRY CREAM.—Have you learnt any branch of domestic service? If -so, make use of it. Better trained servants are much required. You -might, at least, look for a situation as schoolroom maid, under nurse, -or mother’s help. These would serve to give you practical training. - -LOLLY.—It is for ladies to recognise gentlemen, if acquaintances, not -the reverse. This being the case, we do not see what your bowing to -your clergyman can have to do with “fastness.” Of course, the character -of the recognition must depend on your position in life. Good Friday is -a fast, not a feast day. That is the reason, as you will perceive. - -ADMIRER OF THE G.O.P.—Why should you ask your clergyman to give you a -severe talking to? If you know you deserve it, why not administer it to -yourself? Tell your mother that you lament your want of self-control -and respect in giving way to unseemly ill-temper, and ask her to help -you by a timely check and reproof, and by her prayers to rule your -spirit. “He that ruleth his spirit is greater than he that taketh a -city.” Leaving off your spectacles will not only make your eyes ache, -but injure them, by overstraining the nerves. - -ENID.—If the ends of your hair split, you should have them carefully -singed by a hairdresser accustomed to do so. You might set all on fire -if you attempted to do so yourself. Improve your handwriting by writing -copies daily, and perfect your acquaintance with the first three or -more rules in arithmetic, and then you will be eligible for a situation -as shop assistant. - -GRETTA’S SISTER.—A surgeon should examine your sister’s tongue to see -whether it be paralysed. If she can hear, then no other alphabet is -needed for her than ours. - -YOUNG STEPMOTHER.—The advice of your governess is good. As you have -so high an opinion of her discretion, as well as amiability and -experience, you had better give her the due authority to act for you. -In a month’s time, or during the first quarter, you will see with -what success it is attended. One thing is certain, obedience must be -enforced. - -HOPE has some poetic feeling, but whether she will rise to the level -of “poetry” in future we could not say, nor could we recommend -any magazine or publisher likely to take literary and poetical -compositions. That is a question for the industry and perseverance of -the writer to solve. - -DOROTHY FORSTER.—The lines you send us are very halting, both as to -rhyme and reason. - -CHERRY RIPE.—The word “fiat” means an order or decree. We thank you for -your good wishes and praise of our paper. - -J. F. C.—We have pleasure in giving out readers the address of the -Santa Claus Society, for providing toys and dolls for children in -hospitals. To make them during leisure hours would be a nice occupation -for young people. For the benefit of those who would like to aid in a -truly charitable and Christian work, as well as for the sake of the -poor children, we copy your address, as one of the managers of the -society—Miss J. F. Charles, Hillside, Southwood-lane, Highgate, N. - -A. M. C.—There is a home of rest at 9, Albion-place, Ramsgate. Apply to -Miss Bennett. You may be taken in for three weeks, and the lowest terms -for board, lodging, and attendance are 10s. a week. - -POMME DE TERRE.—We have seen the grave of the late novelist, Charles -Reade, to which you refer, and the outside public knows no more than -just what the inscription states. This is all we can say in reply. - -WHITE HEATHER.—The falling of the hair is often due to a condition of -the general health and failure of nerve power, and the remedies need to -be internally administered, as well as externally. Go to a skin doctor, -and obtain his advice. - -MARY LEEMING and ALICE HAUGHTON.—Some collectors of insects use the -fumes of chloroform or brimstone. Where there are many wild flowers you -will find butterflies. - -PROGRESS.—Yes, women have been returned to Parliament in past times. In -1360 writs were issued, to four abbesses, requiring their attendance at -Westminster, and the year following five ladies of the nobility were -likewise returned (35th Edward III.)—viz., Marie Countesse de Norff, -Alianor Countesse de Ormand. Agnes Countesse de Pembrook, Philippa -Countess March, and Catherine Countesse de Atholl. Whether they -actually took their seats, we do not say positively. The only woman -ever made a Freemason was Miss St. Leger, a daughter of Lord Doneraile, -about the year 1739. - -NIL DESPERANDUM.—You may say “intreat,” but “entreat” is more correct. - -*** END OF THE PROJECT GUTENBERG EBOOK THE GIRL'S OWN PAPER, VOL. 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No. 362, by Various—A Project Gutenberg eBook - </title> - <link rel="coverpage" href="images/cover.jpg" /> - <style type="text/css"> - -body { - margin-left: 10%; - margin-right: 10%; -} - - h1,h2,h3,h4,h5,h6 { - text-align: center; /* all headings centered */ - clear: both; -} - -.ph3{ - text-align: center; - font-size: large; - font-weight: bold; -} - -p { - margin-top: .51em; - text-align: justify; - margin-bottom: .49em; -} - -hr { - width: 33%; - margin-top: 2em; - margin-bottom: 2em; - margin-left: 33.5%; - margin-right: 33.5%; - clear: both; -} - -hr.tb {width: 45%; margin-left: 27.5%; margin-right: 27.5%;} -hr.chap {width: 65%; margin-left: 17.5%; margin-right: 17.5%;} -@media print { hr.chap {display: none; visibility: hidden;} } -hr.full {width: 95%; margin-left: 2.5%; margin-right: 2.5%;} - - -.header {text-align: center; margin-top: 0;} -.header p {text-align: center; text-indent: 0;} -.header .floatl {float: left;} -.header .floatr {float: right;} -.header .floatc {padding-top: .5em;} - -@media handheld -{ -.header {text-align: center; margin-top: 0;} -.header p {text-align: center; text-indent: 0;} -.header .floatl {float: left;} -.header .floatr {float: right;} -.header .floatc {padding-top: .5em;} -} - - -div.chapter {page-break-before: always;} -h2.nobreak {page-break-before: avoid;} - -/* Girl's Own */ - -.smalltext{ - font-size: small; -} - -.blockquot_ans { - margin-left: 1em; - text-indent: -1em; -} - -.faux { - font-size: 0.1em; - visibility: hidden; -} - -.pagenum { /* uncomment the next line for invisible page numbers */ - /* visibility: hidden; */ - position: absolute; - left: 92%; - font-size: smaller; - text-align: right; - font-style: normal; - font-weight: normal; - font-variant: normal; -} /* page numbers */ - -.center {text-align: center;} - -.right {text-align: right;} - -.smcap {font-variant: small-caps;} - -.uppercase {text-transform: uppercase;} - -.caption {font-weight: bold;} - -/* Images */ - -img { - max-width: 100%; - height: auto; -} -img.w100 {width: 100%;} - - -.figcenter { - margin: auto; - text-align: center; - page-break-inside: avoid; - max-width: 100%; -} - -/* Illustrated drop caps */ - -.ddropcapbox { - float: left; -} - -.idropcap { - height: auto; -} - -.ddropcapbox { - margin-left: 0; - margin-right: 0.5em; -} - -.x-ebookmaker .ddropcapbox { - float: left; - } - -/* Illustration classes */ -.illowe10_9375 {width: 10.9375em;} -.illowe12_5 {width: 12.5em;} -.illowp100 {width: 100%;} -.illowp38 {width: 38%;} -.x-ebookmaker .illowp38 {width: 100%;} -.illowp51 {width: 51%;} -.x-ebookmaker .illowp51 {width: 100%;} -.illowp58 {width: 58%;} -.x-ebookmaker .illowp58 {width: 100%;} -.illowp80 {width: 80%;} -.x-ebookmaker .illowp80 {width: 100%;} - - </style> - </head> -<body> - -<div style='text-align:center; font-size:1.2em; font-weight:bold'>The Project Gutenberg eBook of The Girl's Own Paper, Vol. VIII, No. 362, December 4, 1886, by Various</div> - -<div style='display:block; margin:1em 0'> -This eBook is for the use of anyone anywhere in the United States and -most other parts of the world at no cost and with almost no restrictions -whatsoever. You may copy it, give it away or re-use it under the terms -of the Project Gutenberg License included with this eBook or online -at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you -are not located in the United States, you will have to check the laws of the -country where you are located before using this eBook. -</div> - -<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Title: The Girl's Own Paper, Vol. VIII, No. 362, December 4, 1886</div> - -<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Author: Various</div> - -<div style='display:block; margin:1em 0'>Release Date: May 16, 2021 [eBook #65358]</div> - -<div style='display:block; margin:1em 0'>Language: English</div> - -<div style='display:block; margin:1em 0'>Character set encoding: UTF-8</div> - -<div style='display:block; margin-left:2em; text-indent:-2em'>Produced by: Susan Skinner and the Online Distributed Proofreading Team at https://www.pgdp.net</div> - -<div style='margin-top:2em; margin-bottom:4em'>*** START OF THE PROJECT GUTENBERG EBOOK THE GIRL'S OWN PAPER, VOL. VIII, NO. 362, DECEMBER 4, 1886 ***</div> -<p><span class="pagenum" id="Page_145">{145}</span></p> - -<h1 class="faux">THE GIRL’S OWN PAPER</h1> - -<div class="figcenter illowp100" id="header" style="max-width: 37.5em;"> -<img class="w100" src="images/header.jpg" alt="The Girl's Own Paper." /> -</div> - -<hr class="full" /> - -<div class="center"> -<div class="header"> -<p class="floatl"><span class="smcap">Vol. VIII.—No. 362.</span></p> -<p class="floatr"><span class="smcap">Price One Penny.</span></p> -<p class="floatc">DECEMBER 4, 1886.</p> -</div></div> - -<hr class="full" /> - -<p class="center">[Transcriber’s Note: This Table of Contents was not present in the original.]</p> - -<p class="center"> - -<!-- Autogenerated TOC. Modify or delete as required. --> - -<a href="#MERLES_CRUSADE">MERLE’S CRUSADE.</a><br /> -<a href="#CHRISTMAS_GIFTS">CHRISTMAS GIFTS.</a><br /> -<a href="#THE_AMATEUR_CHOIR_TEACHER">THE AMATEUR CHOIR TEACHER.</a><br /> -<a href="#SHE_COULDNT_BOIL_A_POTATO">“SHE COULDN’T BOIL A POTATO.”</a><br /> -<a href="#NO">“NO.”</a><br /> -<a href="#THE_SHEPHERDS_FAIRY">THE SHEPHERD’S FAIRY.</a><br /> -<a href="#OUR_TOUR_IN_NORTH">OUR TOUR IN NORTH ITALY.</a><br /> -<a href="#ANSWERS_TO_CORRESPONDENTS">ANSWERS TO CORRESPONDENTS.</a><br /> - -<!-- End Autogenerated TOC. --> - -</p> - - -<hr class="chap x-ebookmaker-drop" /> - -<div class="chapter"> -<h2 class="nobreak" id="MERLES_CRUSADE">MERLE’S CRUSADE.</h2> -</div> -<p class="ph3"><span class="smcap">By</span> ROSA NOUCHETTE CAREY, Author of “Aunt Diana,” “For Lilias,” etc.</p> - -<div class="figcenter illowp80" id="i_page_145" style="max-width: 31.25em;"> - <img class="w100" src="images/i_page_145.jpg" alt="" /> - <div class="caption"><p class="center">“‘OH, MERLE!’ SHE WHISPERED, IN A VOICE OF AGONY.”</p></div> -</div> - -<p class="smalltext"><i>All rights reserved.</i>]</p> - -<p><span class="pagenum" id="Page_146">{146}</span></p> - - -<h3>CHAPTER IX.</h3> - -<p class="ph3">BERENGARIA.</p> - -<div class="ddropcapbox illowe10_9375" id="i_page_146"> -<img class="idropcap w100" src="images/i_page_146.jpg" alt='T' /></div> - -<p><span class="uppercase">he</span> bright spring -days found me a -close prisoner to -the house. The -end of April had -been unusually -chilly, and one -cold rainy night -Reggie was taken -with an attack of -croup.</p> - -<p>It was a very severe attack, and for -an hour or two my alarm was excessive. -Mrs. Morton was at a fancy ball, and -Mr. Morton was attending a late debate, -and, to add to my trouble, Mrs. Garnett, -who would at once have come to my -assistance, was confined to her bed with -a slight illness.</p> - -<p>Travers had no experience in these -cases, and her presence was perfectly -useless. Hannah, frightened and half -awake as she was, was far more helpful. -Happily Anderson was still up, and he -undertook at once to go for the doctor, -adding, of his own accord, that he would -go round to the stables on his return, -and send the carriage off for his mistress. -“She is not expected home until -three, and it is only half-past one, but she -would never forgive us if she were not -fetched as quickly as possible.”</p> - -<p>I thanked Anderson, and begged -Hannah to replenish the bath with hot -water. Happily, I knew what remedies -to use; my former experience in my -schoolfellow’s nursery proved useful to -me now. I remembered how the doctor -had approved of what I had done, and -I resolved to do exactly the same for -Reggie. Frightened as I was, I am -thankful to know my fears did not impede -my usefulness; I did all I could -to relieve my darling, and Hannah seconded -my efforts. I am sure Travers -wished with all her heart to help us, but -she had no nerve, and her lamentable -voice made me a trifle impatient.</p> - -<p>It was a great relief when Anderson -appeared with Dr. Myrtle. He waited -for a few minutes to hear from the doctor -that all dangers had been averted by -the prompt remedies, and then he went -in search of Stephenson. It was some -time before we heard the sound of carriage -wheels.</p> - -<p>Reggie was still wrapped in a blanket -on my lap, and had just fallen asleep, -worn out by the violence of the remedies -still more than by the attack. Dr. -Myrtle whispered to me not to move, as -he would speak to Mrs. Morton downstairs, -and enforce on her the need of -quiet. It would have been grievous to -wake the exhausted little creature, and -I was quite content to sit holding him in -my lap until morning, if Dr. Myrtle -thought it well for me to do so.</p> - -<p>I had forgotten all about the fancy -ball, and my start when I saw Mrs. -Morton standing in the doorway almost -woke Reggie. I really thought for a -moment that I was dreaming. I learnt -afterwards that she had taken the -character of Berengaria, wife of the lion-hearted -Richard, but for the moment I -was too confused to identify her. She -was dressed in dark blue velvet, and her -gown and mantle were trimmed with -ermine; she wore a glittering belt that -looked as though it were studded with -brilliants, and her brown hair hung in -loose braids and plaits under a gold -coronet. As she swept noiselessly towards -us, I could see the tears were -running down her cheeks, and her -bosom was heaving under her ermine.</p> - -<p>“Oh, Merle!” she whispered, in a -voice of agony, as she knelt down beside -us, “to think my boy was in danger, -and his mother was decked out in this -fool’s garb; it makes me sick only to -remember it; oh, my baby, my baby!” -and she leant her head against my arm -and sobbed, not loudly, but with the -utmost bitterness.</p> - -<p>“Dear Mrs. Morton,” I returned, -gently, “it was not your fault; no one -could have foreseen this. Reggie had a -little cold, but I thought it was nothing. -Oh, what are you doing!” for she had -actually kissed me, not once, but twice.</p> - -<p>“Let me do it, Merle,” returned my -sweet mistress; “I am so grateful to you, -and so will my husband be when he -knows all. Dr. Myrtle says he never -saw a nurse who understood her duties -so well; everything had been done for -the child before he came.”</p> - -<p>“Oh, Aunt Agatha, if only you and -Uncle Keith had heard that!”</p> - -<p>We had talked in whispers, but nothing -seemed to disturb Reggie. A -moment after Mr. Morton came hurriedly -into the nursery; he was very pale -and discomposed, and a sort of shock -seemed to pass over him as he saw his -wife.</p> - -<p>“Violet,” he whispered, as she clung -to him in a passion of weeping, “this -has unnerved you, but, indeed, Dr. -Myrtle says our boy will do well. My -darling, will you not try to comfort yourself?”</p> - -<p>“I was at Lady S.’s ball when Muriel, -our precious baby—oh, you remember, -Alick”—for she seemed unable to go on. -Poor woman, no wonder her tears flowed -at such a memory. Mrs. Garnett told -me reluctantly, when I questioned her the -next day, that baby Muriel had been -taken with a fit when Mrs. Morton and -her husband were at a ball, and the -mother had only arrived in time to see -the infant breathe its last.</p> - -<p>“Yes, yes,” he said, soothing her, -“but nothing could have saved her, you -know. Dr. Myrtle told you so; and you -were only spared the pain of seeing her -suffer. Try to be sensible about it, my -dearest; our baby has been ill, but -everything has been done for him; and -now he is relieved, poor little fellow. We -have to thank you for that, Miss Fenton. -How nicely you are holding him! he -looks as comfortable as possible,” touching -the boy’s cheek with his forefinger. -“Now, my love, let me relieve you of -this cumbrous thing,” taking off her -coronet; “this mantle will unfasten, too, -I see. Now, suppose you put on your -dressing-gown, and ask Travers to make -you and Miss Fenton some tea. I will -not be so cruel as to tell you to go to -bed”—as she looked at him, pleadingly. -“If you were a wise woman you would -go, but I suppose I must humour you; -but you must get rid of all this frippery.”</p> - -<p>“Oh, Alick, how good you are!” she -said, gratefully, and in a few minutes -more she returned in her warm, quilted -dressing gown, with her hair simply -braided; she looked even more beautiful -than she had done as Berengaria.</p> - -<p>Mr. Morton soon left us after placing -his wife in my charge. The night passed -very quickly away after that. When -Reggie stirred I put him in his cot, and -begged Mrs. Morton to lie down on the -bed beside him. She did not refuse; -emotion had exhausted her, but her eyes -never closed. She told me long afterwards -she dared not sleep, lest the old -dream should torment her of the dead -baby’s hand, that she could never warm -with all her efforts.</p> - -<p>“I can feel it quite icy cold in mine, -and sometimes there is a little cold face -on my bosom, but nothing ever warms -them, and when I wake up I am shivering -too.”</p> - -<p>I could not tell what was passing -through the poor mother’s mind, but I -did not like the feverish look in her -wide, distended eyes. Mr. Morton was -right, and the shock of her boy’s illness -had utterly unnerved her. I thought, -perhaps she was blaming herself needlessly, -and yet never was there a human -being more utterly devoid of vanity and -selfishness; she was simply sacrificing -her maternal duties to her husband’s -ambition; of her own accord she would -never have entered a ball-room; I am -sure of that.</p> - -<p>I longed to soothe her, and yet I -hardly knew what to say. Presently -she shivered, and I covered her up carefully -with all the wraps I could find, and -then knelt down and chafed her hands.</p> - -<p>“You cannot sleep, Mrs. Morton; I -am so sorry, and yet you are tired out.”</p> - -<p>“I do not want to sleep,” she answered. -“I dream badly sometimes, -and I would rather lie awake and listen -to my boy’s breathing; he is sleeping -nicely, Merle.”</p> - -<p>“Yes, indeed; there is no need for -anxiety now, and I am watching him -carefully.”</p> - -<p>“Oh, I can trust you,” with a faint -smile; “I trusted you from the first -moment. But, my poor girl, I am afraid -you are very tired, and I have taken your -bed from you.”</p> - -<p>“I would rather see you resting there, -Mrs. Morton.”</p> - -<p>“Do you think you could read to me -a little? My husband often reads to me -when I am nervous and cannot sleep. -Anything will do, the simplest child’s -story; it is just the sound of the voice -that soothes me. What is that book? -Oh, the Bible! I am afraid I do not -read that enough, I have so little time -to myself, and then I am often too tired.”</p> - -<p>“It is just the book for tired people,” -I returned; “if you want a story. I -think the history of Ruth is one of the -most touching, she has always seemed -to me one of the sweetest characters in -the Bible; it is a perfect idyll of Oriental -life.”</p> - -<p>“It is so long since I have read it,” -she returned, apologetically, “you shall -read it to me if you like.” And I read<span class="pagenum" id="Page_147">{147}</span> -the whole book throughout to her, only -pausing now and then to look at Reggie.</p> - -<p>She listened to it without interrupting -me once, but I was rejoiced to see that -the strained expression had passed out -of her eyes; they looked more natural.</p> - -<p>“You are right, Merle,” she observed, -when I had finished, “it is very beautiful -and touching; that was something -like love, ‘where thou goest, I will go.’ -Now you may read me a psalm, if you -are not tired. I like your voice, it is so -clear and quiet.”</p> - -<p>I read to her until she bade me stop; -and then we talked a little. I told her -an incident or two in my school-days -about our nutting expeditions in the -Luttrell woods, and how one of our party -had strayed and had encountered a -gipsy caravan. I was just in the middle -of Rose Mervyn’s recital, when I heard -measured breathing. She had fallen -asleep.</p> - -<p>I saw a great deal of Mrs. Morton -during the next few days. She was -very unwell, and Dr. Myrtle insisted on -her giving up all her engagements for a -week. He spoke very decidedly, and -Mr. Morton was obliged to yield to his -opinion; but he seemed a little put out.</p> - -<p>“It is such a pity all those people -should be disappointed,” he observed, -in a grumbling voice. “Mrs. Granville -had quite set her heart on having us -both on Thursday. I knew how it would -be when you fretted yourself ill last -night.”</p> - -<p>“I could not help it,” she pleaded. -“Anderson gave me such a fright; of -course, he thought his coming for me -was the best, but when I saw his face I -thought I should have died with fear.”</p> - -<p>“Nonsense, Violet, you ought to learn -more self-control; you know I dislike to -see you give way so entirely. Well, we -must abide by Dr. Myrtle’s orders and -treat you as an invalid.”</p> - -<p>“But, Alick,” detaining him as he -was turning away, not in the best of -humours, as I could see from the night -nursery, “I can write for you all the -same; the library is quite warm.”</p> - -<p>“How absurd!” was the reply. “Do -you think I should let you tire yourself -for me? I hope I am not quite so selfish, -my dear child,” for she was still holding -his arm beseechingly; “you must really -let me go, for I am dreadfully busy; -rest yourself and get well, that is all I -ask of you,” and he kissed her and left -the room. He was not often hasty with -her, but he was overworked and irritable.</p> - -<p>We made the most of that week between -us. Reggie soon recovered, and -as long as he was kept in a certain temperature, -and carefully watched, gave us -no further anxiety.</p> - -<p>His mother took entire charge of him -during that week; she came up to the -nursery as soon as she was dressed, and -stayed with us until Reggie was in bed -and Travers came to summon her. She -even took her meals with us. Dr. Myrtle -thought she was suffering from a chill, -and the warm nursery was just the right -temperature for her. It was a lovely -sight to watch her with her children. I -think even Mr. Morton was struck by -the beauty of the scene when he came -up one afternoon and found her sitting -in her easy chair with Reggie on her -lap and Joyce standing beside her.</p> - -<p>“You seem all very happy together,” -he said, as he took up his position on -the rug. I had retreated with my work -into the other room, but I could hear -her answer distinctly.</p> - -<p>“Oh, Alick, it has been such a happy -week—a real holiday; it was worth -being ill to see so much of the children; -Reggie has such pretty ways; I knew -so little about him before. He can say -‘fada,’ quite plainly.”</p> - -<p>“Indeed, my boy, then suppose you -say your new words.”</p> - -<p>“Do you know what I have been -wishing all this week?” she continued, -when Reggie had finished his vocabulary, -and had been taken into his -father’s arms.</p> - -<p>“No, my dear,” sitting down beside -her, “unless you wished for me to be a -Cabinet Minister.”</p> - -<p>“Oh no, Alick,” and there was pain -in her voice, “not unless you wish it -very much too; I had a very different -desire from that.”</p> - -<p>“Perhaps you were longing for a -house in the country; well, that may -come by-and-by.”</p> - -<p>“Wrong again, Alick. I was wishing -that you were a poor man—not a -very poor man, I should not like that—and -that we lived in a small house with -a pretty garden where there would be a -lawn for the children to play on, and -plenty of flowers for them to pick.”</p> - -<p>“Indeed! this is a strange wish of -yours, you discontented woman.”</p> - -<p>“No, not discontented, but very, very -happy, dear, so you need not frown over -my poor little wish; everyone builds -castles, only mine is not a castle, but a -cottage.”</p> - -<p>“I should not care to live in your -cottage, Violet; I am an ambitious man. -The Cabinet would be more to my taste.”</p> - -<p>“Yes, dear,” with a sigh, “it was -only make believe nonsense,” and she -did not say another word about that -fancy of hers, but began questioning -him about last night’s debate. That was -just her way to forget herself and -follow his bent. No wonder he could not -do without her, and was restless and ill -at ease if she were unavoidably absent.</p> - -<p>I wonder he understood in the least -what she meant by wishing him to be -poor. No doubt her innocent fancy had -constructed a home where no uncongenial -anxieties or ambition should -sever her from her children, where she -should be all in all to them as well as to -her husband.</p> - -<p>I daresay she imagined herself no -longer burthened with wearisome receptions, -but sitting working in the shade -of the little porch while her children -made daisy chains on the lawn of that -humble abode. The mother would undress -her children and hear them say -their little prayers. Hark! was not that -a click of the gate? Father has come -home. How late you are, Alick; the -children are asleep; you must kiss them -without waking them. Hush, what -nonsense, she is dreaming. Alick would -be in the Cabinet; people were prophesying -that already. She must take up her -burthen again and follow him up the -steep hill of fame. What if her woman’s -heart fainted sometimes, women must -do their work in life, as she would do -hers.</p> - -<p>The next day the mother’s place was -empty in the nursery. “Mrs. Morton -was with her husband in the library,” -Travers told us. Later on we heard she -was driving. Just as I was putting -Reggie, half asleep, in his cot, she -came up to wish the children good-night, -but she did not stay with us ten -minutes. I remarked that she looked -very ill and exhausted.</p> - -<p>“Oh, I am only a little tired,” she -returned, hurriedly; “I have been paying -calls all the afternoon, trying to -make up for my idle week, and the -talking has tired me. Never mind, it is -all in the day’s work.” And she nodded -to me kindly and left the room.</p> - -<p class="center">(<i>To be continued.</i>)</p> - -<div class="figcenter illowp100" id="i_page_147" style="max-width: 21.875em;"> - <img class="w100" src="images/i_page_147.jpg" alt="" /> -</div> -<hr class="chap x-ebookmaker-drop" /> - -<div class="chapter"> -<p><span class="pagenum" id="Page_148">{148}</span></p> - -<h2 class="nobreak" id="CHRISTMAS_GIFTS">CHRISTMAS GIFTS.</h2> -</div> - - -<div class="ddropcapbox illowe12_5" id="i_page_148"> - <img class="idropcap w100" src="images/i_page_148.jpg" alt="W" /> -</div> -<p><span class="uppercase">ith</span> the approach -of Christmas and -Christmas gifts, -the cares of the -girl members of -a large family -may be said to -arrive at a crisis. -There is no girl -so friendless or so -heartless that there is -no one she loves or -wishes to remind of -that love at this season, while there are many -surrounded by affectionate relations and true -friends, whose love they warmly return, and -whom they wish to please with a gift, and yet -have but a small sum at command, and must -think carefully over its division.</p> - -<p>How many anxious calculations have to be -made, what knitting of smooth brows, what -hasty arithmetic on stray scraps of paper, -what self-denial in personal matters to increase -the little store, and then, when the materials -are bought, what secret work is carried on -behind father’s chair, should he happen to be -awake, and in this and that out-of-the-way -nook of the house, so that the all-important, -and generally extremely apparent, secret is -not divulged until the Christmas or New -Year’s morning!</p> - -<p>All honour to this secrecy, this planning -and patient work! It is the true spirit of -present-giving; and let not any of our readers -despise it as childish; rather let them remember -that that which costs no time, no thought, -no self-sacrifice is but of little value in the -eyes of affection, and pleases only where the -gift is valued for itself, and not for the giver. -The girl who can walk into a shop and select -the first handsome article in it for mamma, -and pay for it from an amply-supplied purse, -neither awakens in herself or her mother the -same holy feelings that are excited when baby -works an impossible kettle-holder “all by -herself,” and which she “bided” out of the -pennies given her for sweeties.</p> - -<p>Admiring and sympathising as we do with -girls who are generous-minded and do not -count labour and time when anxious to please, -we have brought together in this paper, with -the idea of helping them, several useful and -pretty articles that can be made without any -great expense.</p> - -<p>For a small present, costing at the utmost -one shilling, the fashionable little “hold-all -bags” are good. These bags are four in number, -and are connected together only at the -top; they are filled with odds and ends, such -as buttons and silks, until they stand upright -and all of a row, and they find a conspicuous -place among drawing-room nick-nacks.</p> - -<p>To make them, purchase one yard of good -satin ribbon, in colour either ruby, navy blue, -or chestnut brown, with the reverse side of a -pale blue or old gold shade. The ribbon -should be from two and a half to three inches -wide. Divide the yard into four equal portions, -sew over the sides, and hem the tops of -two bags without decorating them, but work -on one of the other bags a handsome and -legible monogram containing the initials of -the person for whom the present is intended. -Work this with fine gold-coloured purse silk, -and surround the chief outlines with Japanese -gold thread. On the other bag work a small -spray of flowers, either a branch of wild rose, -a bit of heather, forget-me-not, or jessamine. -Sew up these two bags, and hem them round -like the others; then make sixteen eyelet-holes, -four on each bag; make these round -and not very big, and place them opposite to -each other, and at the extreme corners of the -opening. Sew the bags together by overcasting -the first bag with its monogram turned -outwards on the inner side of its opening to -the outer side of the opening of one of the -undecorated bags. Attach the second plain -bag to the inner side of the first plain bag, -and sew the fourth bag, with its decorated -side turned outwards, to the inner side of the -third bag. By this arrangement both the -decorated bags are outside, and every bag at -its base is separate. Finally, take a silk dress -lace, the colour of the satin ribbon, and run -that through the eyelet-holes to make a draw-string. -Fill the bags, plant them out on the -table, and draw their openings slightly together.</p> - -<p>These “hold-all bags,” instead of being -filled with odds and ends, are sometimes -turned into flower-vases. The smallest-sized -penny tumblers are inserted into each bag and -filled with cut flowers, or the smallest size -flowerpot, filled with a tiny fern, is used. In -the latter case, a piece of American cloth is -fastened round the pot to prevent any moisture -soiling the satin bag.</p> - -<p>The present method for concealing flower-pots -when required for drawing room decoration -makes another simple but acceptable -present. This is a bag of plush, into which -the pot is put. To make this bag of plush, -cut a round of millboard or stiff cardboard -the size of the bottom of an ordinary flower-pot. -Take a piece of plush, in width twice the -circumference of the centre part of the pot, -and in height the height of the pot; sew the -two ends of the plush together, and make a -hem an inch and a half wide. As a finish to -the upper part, just below this hem, on the -wrong side of the bag, run on a narrow piece -of black tape to hold a draw-string, which -make by running in a piece of strong elastic, -that will draw in the fulness of the plush -until it fits the upper part of the flower-pot -tightly. Gather the lower ends of the plush, -arrange evenly round the piece of millboard, -and sew to the latter with the edges concealed, -using strong thread for the securing -stitches. When the plush cover is used, its -millboard foundation keeps the bottom of the -pot (which may be damp) from doing any -damage to the furniture, and the wide hem -beyond the draw-string stands out as a frilling -a little below the edge of the pot. Half a yard -of plush, which costs two shillings, will make -a pair of flower-pot covers.</p> - -<p>From America comes to us a novelty in bedroom -decoration, and one very suitable as a -present to a young lady who uses her bedroom -as a sitting-room and likes it prettily -decorated. This is known as a “pillow -sham,” and is a long strip of linen or cambric -ornamented with lace and ribbons, and laid -over the top part of the bed in the daytime -only. It fits the width of the bed whatever -size that is, and does not fall down the sides. -If the worker is an adept at drawn-thread -work, the pillow sham can be made very inexpensively -and of material that will last through -much wear, but when drawn-thread work is -not used, Torchon and other strongly made -lace is required. An easy way for making a -pillow sham is to buy four new hem-stitched-bordered -handkerchiefs, and upon the corner -of one of the handkerchiefs to embroider -the first letter of the owner’s Christian name, -making it four inches high and slanting -it from the corner to the middle of the handkerchief. -Join these handkerchiefs together, -inserting between each an inch and a half -wide strip of Torchon lace insertion, and -bordering the handkerchiefs lengthways with a -line of the same, so that each square of -cambric is surrounded by insertion lace. -Finish with a frill of Torchon lace edging, -which carefully whip to the insertion lace. A -careless bow of ribbon or one of Liberty’s silk -scarves tied in a bow is sewn to the corner of -the pillow sham, just above the embroidered -corner.</p> - -<p>When using drawn-work instead of lace -insertion, a piece of linen the length and -width of the sham is taken, and the threads -from this are drawn out as strips down the -width, leaving five squares of plain linen -between them. After working the strips over -with linen thread into a pattern, narrow -coloured ribbon is run down the centres of the -drawn-work, and the linen squares embroidered -with washing cotton of the same colour -as the ribbon. An edging of lace finishes the -border, and into this lace a line of narrow -ribbon is threaded.</p> - -<p>Another variety of pillow sham is made by -sewing together five or eight pocket handkerchiefs -with coloured borders, and ornamenting -the same with a large knot of narrow -ribbons of various shades of colour. The -handkerchief borders in this case need not be -alike, but should blend together, and their -colours should be used as some of the colours -in the knot of ribbons.</p> - -<p>Palm-leaf fans still find favour as drawing-room -fans, but are no longer left undecorated. -The two newest ways of decorating them are -as follows:—Take a well shaped and strong -fan and paint it with oil-colours, with which a -very little varnish has been mixed, either a very -bright yellow or a brilliant scarlet. Give two coats -of colour, and let the fan dry. Buy -some ribbon half an inch in width; in colours, -black, vivid green, sky-blue, and yellow-pink. -Make a wide vandyke running down one of the -lengths of ribbon by taking the running -thread in diagonal lines across the ribbon -from edge to edge. Draw the ribbon up so -that it forms a number of pointed vandykes, -sew the strips down the ribs of the fan at -equal distances apart, and use black ribbon -more than the other colours. Sew on a line -of red gold tinsel between each strip of ribbon, -and finish the handle with a knot of coloured -ribbons.</p> - -<p>The second make of fan requires a piece of -plush, some narrow coloured silk cords, and -various shades of tinsel. The cords are -obtained by buying a yard of a twisted silk -cord made up of various shades, and using the -strands of this separately. Cut the piece of -the plush the size of half the fan, so that it -covers the fan on one side from the tip of leaf -to the handle. Fasten this round the edge to -the back of the fan, and ornament its straight -edge on the fan with a line of tinsel on the -uncovered side of the fan. Sew down each -rib alternate lines of coloured silk cord and -double lines of tinsel, using as many varieties -of tinsel as possible, and arranging the cords -with due regard to effect. Take three long -peacocks’ feathers, and fasten these across the -piece of plush and sew their ends together -close to the handle of the fan. Cover the -handle with a piece of plush, and arrange a -bow and ends of ribbon round the handle and -to conceal the peacock feather ends. Line the -back of the fan with thin silk or dark twill.</p> - -<p>Blotting-book covers of velveteen are always -acceptable presents. The foundation for these -is a sixpenny blotter, size ten inches by eight -inches, while three quarters of a yard of -velveteen (price three shillings the yard) will -make two covers, with a piece of brown -holland or blue twill for the inside lining. -The decoration for these covers is embroidery,<span class="pagenum" id="Page_149">{149}</span> -but this is only worked on the upper side of -the blotter, the underside being left plain, so -as not to interfere with its usefulness. The -embroidery can be of any description of silk -embroidery, either oriental embroidery with -its quaintly-formed but impossible flowers and -foliage, or sprays of naturally-tinted flowers -worked in crewel silks, and both worked -directly on to the velveteen foundation; or -silk embroidery finished with a gold thread -outline and worked upon a coloured rep silk -foundation, and sewn on as an ornamental -corner to the blotter; in fact there are many -ways of ornamenting the cover, and the -embroidery the worker is most proficient in -should be selected. If church embroidery is -within her capabilities, we advise the initials -or coat of arms of the owner being worked in -a frame on linen, cut out and couched down to -the velveteen foundation with gold thread or -gold cord; but such elaborate embroidery is -not often obtainable. The way to make up -the blotter is to cut the holland lining exactly -the size of the sixpenny blotter, and the -velveteen a little larger. Turn in the edges of -both, and overcast them together, enclosing the -stiff cover of the blotter between them, and -sewing the blotting paper sheets in when the -cover is made. Bradshaw covers are made -like blotters, but naturally take less material, -and are only embroidered in one corner.</p> - -<p>Large photograph-holders can be easily -made at home. These are used for the display -of a number of cabinet photos, and are -fitted with bands, into which the photograph -is slipped and easily taken out. The size of -such a stand is usually seventeen inches long -by thirteen inches high, but they can be made -of any size desired. The foundation is of -millboard, to which a millboard support is -fastened by its being glued to stout tape and -the tape glued to the millboard, with sufficient -width of tape left between the two pieces of -millboard to allow the support to work. The -upper side of the millboard is covered with -quilted satin. The satin is selected of some -bright colour, and the quilting lines are run -as diagonal lines, not as making diamonds. -Three tight bands of satin are sewn across the -quilting; these are two inches in width, and -require a lining of stiff net when made up. -They are embroidered with coloured silks, -either forming a running design, such as a -spray of jessamine or celandine, or with some -geometrical pattern constantly repeated. When -finished and lined, the bands are placed as -diagonal lines across the satin, not as horizontal -lines.</p> - -<p>For a photograph-holder the size given, the -first band will be eleven inches in length, and -will cross from the top of the holder to the -left-hand side; the second band will be nineteen -inches in length, and will cross from the -extreme top corner of the frame on the right -side to the bottom of the frame on the left; -the third band will be twelve inches in length, -and will be arranged beneath the last-mentioned, -crossing from the right side to the -bottom of the frame. Into these bands the -photographs are stuck; therefore, they must -be sewn firmly down at the sides where they -end and commence, and stretch tightly across -the quilted frame. On the right-hand bottom -corner of the foundation, which is never -covered with photographs, the owner’s initials -are sometimes worked in black silk over the -quilting lines. This makes a good finish, but -is not essential.</p> - -<p>Bachelors’ wall pincushions are useful presents -for gentlemen. They are made of plush, -and are ornamented with the perforated brass -ornament used about the harness of cart-horses. -These brass rounds are sold by all harness and -saddle makers, and cost from sixpence to a -shilling, and for the latter price the small brass -handle by which they hang will be removed -by the shopman, as it is not required for the -pincushion. A quarter of a yard of plush, a -quarter of a yard of house-flannel, and one -yard of narrow satin ribbon are required for -these cushions. To make them, tear up the -house-flannel into an inch and a quarter wide -widths. Roll these strips very tightly one -over the other as a wide narrow wheel, and -keep the strips firm by sticking pins through -the wheel. When a round as large as the -perforated brass is made, cut the plush into -two rounds of the same size and a long strip -an inch and a half wide. Cover one plush -round with the perforated brass, and sew them -both on the face of the wheel and well through -to the back; turn the edges of the round of -plush over the side, and sew on the round for -the back of the cushion; conceal the edges of -both pieces of plush with the narrow band, -which turn in at its edges and secure tightly -round the sides of the cushion. Make a loop -of the ribbon to hang up the pincushion by, -and sew the ends to the sides of the cushion, -and with the remaining ribbon make a pretty -bow, which fasten to the top of the loop.</p> - -<p>The newest decoration for white wooden -articles is the poker or burnt-wood work. This -consists of burning down the background of -any design so that the design itself is in relief. -The fumes of the burning wood slightly colour -the parts left untouched, and give an extremely -soft and ivory-like appearance to the work, -which, if carried out with the new apparatus -introduced by Mr. Barnard, is quickly and -easily accomplished.</p> - -<p>The articles decorated with burnt wood -work are all kinds of white wood photo -frames, small wooden table screens, all kinds -of boxes, bookslides, book cutters, drawing-room -bellows, salt boxes, milking stools, tubs, -paste rollers, etc. The best designs are -those of large, single-petalled flowers, with -their leaves, such as daffodils, daisies, and -dog-roses. The design is drawn upon the -wood, outlined with a burnt-in line, and its -chief lines, such as divisions of flower petals, -centres of flowers, veins of leaves indicated, -and then the background burnt until it is -depressed, and is of a warm brown deepening -to black in colour. Mr. Barnard’s apparatus -consists of a platinum point connected by -an indiarubber tube to a bottle of benzine, -which is connected with another indiarubber -tube to a small air pump. The latter held -in the left hand is pressed, forcing air over the -benzine to the platinum point and keeping -that always red hot. The right hand holds -the point and uses it like a broad pencil, -keeping it steadily pressed on the wood until -that is deeply burnt in. This apparatus costs -twenty-five shillings, but if several girls join -together to purchase it, there is no further -outlay. Small pokers are used if the apparatus -is not procurable. These are about eight inches -long and an inch in circumference; they are -sunk in wooden handles, and kept hot in a fire; -four to six are required at once, as they soon -become cold. The parts of the wood not -burnt, such as the back of a screen, the legs of -a stool, require to be stained, sized, and -varnished, and the burnt wood is also varnished -(not stained) as a finish. The paste rollers -are used for holding whips, keys, etc. They -are hung to the wall with coloured ribbons, -and have a row of hooks screwed into them to -hang keys, etc., to.</p> - -<p class="right"> -<span class="smcap">B. C. Saward.</span> -</p> - - -<hr class="chap x-ebookmaker-drop" /> - -<div class="chapter"> -<h2 class="nobreak" id="THE_AMATEUR_CHOIR_TEACHER">THE AMATEUR CHOIR TEACHER.</h2> -</div> -<p class="ph3"><span class="smcap">By the Hon. VICTORIA GROSVENOR.</span></p> - - -<div class="ddropcapbox illowe10_9375" id="i_page_149"> - <img class="idropcap w100" src="images/i_page_149.jpg" alt="I" /> -</div> -<p><span class="uppercase">n</span> a former article we -made some suggestions -as to the possibility -of improving -a moderate gift for -music with the view -of learning to play -the organ and -qualifying for the -noblest of service, -that of leading -God’s praise in His church.</p> - -<p>We propose now to take up the subject of -training choirs for the same excellent service, -on the understanding that the future teacher -has taken the advice already given as to her -own musical improvement. Personal fitness -for this branch of instruction is most necessary; -as if once the taught discover they know anything -of which the teacher has not more perfect -knowledge, that teacher’s task will be a -hard one. Therefore, there should be familiar -acquaintance with every description of musical -notation. Alto and tenor clefs should be -well understood to be clearly explained when -met with. On this subject we should like to recommend -the careful study of “A Short Treatise -on the Stave,” by the late Dr. John Hullah, -published by Parker, where the whole matter is -admirably set forth and illustrated on its own -technical grounds. The often-heard, but -somewhat slipshod explanation, “Oh! you -must read a note higher or a note lower,” -which leaves the puzzled learner very much -where he was before, will thus be avoided. -Even supposing the alto and tenor clefs are -never met with, the study will repay the intending -teacher by opening her mind and -giving clearness to her musical ideas.</p> - -<p>It will be seen, by what has been said, that -we consider our amateur teacher’s first qualification -should be thorough knowledge of her -subject. The second should decidedly be untiring -patience, which will bear with stupidity, -carelessness, want of zeal, deficient ear, bad -pronunciation, and all the thousand and one -difficulties which beset choirs. These consist -generally of volunteers who join with but -little idea of giving of their best to God, and -an impatient teacher would soon find herself -in the lonely position of the last player in -Haydn’s “Good-bye” symphony.</p> - -<p>We would next place hopefulness in the -teacher’s catalogue of moral furniture. The -learners will soon find out if they are being -taught without hope of their improvement; -listless work will be the result, and the shy, -anxious members will give it up in despair. -The power of encouraging effort, of detecting -and commending the slightest sign of improvement, -of persuading the members mentioned -above that the work is within their grasp, if -persevered in, is most necessary, and a kindly -sunny disposition ever ready to look at the -brightest side is simply invaluable.</p> - -<p>Next we should place regularity and perseverance.<span class="pagenum" id="Page_150">{150}</span> -Without these the teacher can do -nothing. If she works in the best spirit she -will feel that, like David, she cannot offer to -God of that which doth cost her nothing, and -she will be ready to forego little pleasures in -order that the practice may not be interfered -with, or the evening of the week changed. -This last is a most important point; as the -lives of working people, from whose ranks -most members of choirs are recruited, do not -adapt themselves to change, they seldom -receive in its integrity a hasty message sent -round to put off, and of all things, a walk for -nothing after a day’s work is to be avoided. -Of course rules must be elastic and not unbending -as iron, but experience shows that the -above advice is really needful. Regularity in -the teacher is sure to be imitated by the -learners, and steady work must tell in the end.</p> - -<p>The next point should be firmness tempered -with wisdom. The teacher must be supreme, -or no choir will prosper. Infallible she -cannot be while here below; but even so, -one will must rule or anarchy will be the -result. Twenty (or whatever number may -compose the choir) views of doing the same -thing cannot conduce to harmony, moral or -musical, and this fact must be impressed. At -the same time there are local prejudices and -fancies in most places, which a clever tactful -teacher will soon discover and understand, so -as to know when she had better give way.</p> - -<p>Enough has been said to show that we do -not consider the task of teaching a choir an -easy one, nor will it always repay with success -those who have given it much trouble. The -teacher must sometimes find herself grappling -with the effort of making the proverbial -“sow’s ear into a silk purse.” She has -impossible materials to weld, such as, <i>e.g.</i>, -excellent, but roaring basses, trebles possessing -no high notes, tenors out of tune, and -leaning to amalgamation with treble, altos -none! What is she to do? Courage! Go -on, do your best, teach, exhort, scold, coax, -never lose hope, and if you get no credit, try -not to mind. Man does not know, but God -does, what work you do for His sake, only be -sure that you are so doing it. If the music be -really the unattainable “silk purse,” how much -may be done in teaching the inharmonious -little choir to phrase well, to throw out by -judicious accent the sense of canticle and -hymn, and so lead the congregation to think -of the lesson it contains! How much zeal -may be kindled by the teacher’s energy! -How speedily the broad dialect peculiar to the -place will disappear before a little good-natured -chaff and imitation from one in whose -lips it is seen, even by its votaries, to be -ridiculous! How the ill-used letter “H” -may be helped and restored with the advice of -breathing over it.</p> - -<p>The reader will not, perhaps, think us -very encouraging; but it is obvious that -where excellent voices are to be had, forming -them into a choir only needs intelligence and -a firm hand from one who is equal in knowledge -to the task undertaken. We have, -therefore, tried to suit our advice to the needs -of the many, who must perforce work under -difficulty, being obliged to take, not the -materials they desire to have, but only the -heterogeneous ones at hand.</p> - -<p>A few practical suggestions and we have -done! Do not attempt too much in public. -Congregations are very critical. One piece of -music badly done will be more noticed than -several faultless ones. On the other hand, -keep on learning some music above the power -of the choir for improvement and interest. In -cold weather, when possible, choose music -which does not try the voices too much by -giving them sustained high notes to sing.</p> - -<p>Lastly, work according to the views of the -vicar of the parish, who is responsible for everything -in it; try to carry out in the best possible -manner whatever form of musical worship he -desires to have in his parish church. You -may not be of the same opinion; but you will -gain nothing but good by putting your own -views in the background and thus learning to -obey as well as to teach. And may we not -hope that the loving Father will acknowledge -such work, even if imperfect in its results, as -done by His child to His Glory?</p> - - -<hr class="chap x-ebookmaker-drop" /> - -<div class="chapter"> -<h2 class="nobreak" id="SHE_COULDNT_BOIL_A_POTATO">“SHE COULDN’T BOIL A POTATO;”<br /> -<span class="smalltext">OR,</span><br /> -THE IGNORANT HOUSEKEEPER, AND HOW SHE ACQUIRED KNOWLEDGE.</h2> -</div> -<p class="ph3"><span class="smcap">By</span> DORA HOPE.</p> - - -<p><span class="smcap">Mrs. Wilson</span>’s recovery was slow and tedious, -even more trying to herself, perhaps, than to -her nurses. She had always been particularly -brisk and active, and had scorned to consider, -or, as she said, “coddle,” herself in any -way, and it was a great trial to her energetic, -self-reliant nature to be waited on hand -and foot, and watched over “like a baby.”</p> - -<p>Ella, entirely unaccustomed as she was to -illness of any sort, save her mother’s occasional -attacks of asthma, thought the nurse was unnecessarily -checking her aunt’s attempts to -help herself, till Mrs. Mobberly explained to -her what different treatment is necessary for -different people, and how impossible it would -be, with Mrs. Wilson’s active temperament, to -prevent her from getting excited and over-tired -if she once began to take any part in what was -going on around her, although a little exertion -might have been actually beneficial to one of a -calmer and more indolent nature.</p> - -<p>It seemed a long time before Mrs. Wilson -was allowed any food more substantial than -beef-tea, of which she wearied greatly in spite -of the nurse’s many devices for varying it. -She showed Ella how to alter the nature of it -altogether by making it with half the quantity -of mutton, or veal, instead of entirely beef; or -with all three together. This not only made -a pleasant change, but the doctor told them it -was often found more easily digestible than -when made of beef alone. Then again, both -flavour and consistency were varied by adding -cream, or an egg well beaten up, or thickening -with corn flour, tapioca, wheaten flour, or -rice, while at other times it was served clear, -without either flavouring or thickening, or in -the form of a jelly turned out of a tiny mould -not larger than a teacup.</p> - -<p>Gradually, however, Mrs. Wilson began to -take more solid food, and then Ella’s great -difficulties began. By the end of her first -week’s experience of providing real meals for -her aunt, she wrote to her mother that she had -come to the conclusion that it was quite -impossible to arrange dishes suitable in every -respect for a sick room.</p> - -<p>“Do pity the sorrows of a poor young -housekeeper,” she wrote, “with three people -to please, the doctor, the nurse, and the -patient, and they all want something different. -First comes the doctor, and tells me I must -now devote my attention to making the dishes -as nourishing as possible, as it is time aunt was -picking up her strength again; so I crowd in -all the strengthening things I can think of, -and flatter myself I have made a mixture -strong enough to restore the weakest invalid; -and the consequence is that next day nurse -tells me she has been up all night with her -patient, whose supper was too concentrated to -digest. Next time, inspired by nurse’s tale of -sufferings, I make the simplest dish imaginable, -which could not disagree with a baby, -and it comes down almost untouched, with a -sarcastic remark from Aunt Mary that when -she is well she does not mind how plain her -food is, but that in her present state of health -she needs something to tempt the appetite a -little. And yet——but I will draw a veil over -the doctor’s reproaches when I ventured to -make her a spicy little dish.”</p> - -<p>But on the whole, in spite of her poor -opinion of her own performances, Ella -managed to supply the needs of the sick-room -very satisfactorily; and she was much comforted -on hearing from her mother that even -the most experienced housekeepers find it a -hard task to tempt the capricious appetite of -an invalid, especially when it is necessary also -that the food should be very nourishing, and at -the same time so light as not to overtax the -most feeble digestion, Mrs. Hastings sent -her daughter a list of suggestions for little -dishes for the sick-room, and added, at the -close of her letter—</p> - -<p>“At any rate, my child, if your task is -difficult, as I know it must be, it is also -satisfactory, for you can watch your patient -each day able to take a little more nourishment, -or a little more substantial food than -the day before. You are saved the terribly sad -duty of vainly trying to tempt an appetite -which daily gets a little poorer, or of watching -a dear one getting each day a little weaker, -proving only too clearly that all your efforts -are in vain.”</p> - -<p>Happily Mrs. Wilson liked oysters, and, -though she soon tired of them, as of everything -else, they formed the basis of a number -of tempting little dishes. The favourite of -these, a suggestion of the doctor’s, was called -“Angels on Horseback.” Ella was very -anxious to know what the ridiculous name -meant, but could get no information from the -doctor, who said he had often wondered himself, -but all he knew was that it was a -favourite dish with invalids, and that was the -name it had always gone by. Each oyster -was taken from the shell, and the beard cut off, -and was then rolled up in a very thin slice of -bacon, tied round with cotton, and fried. -Usually three of these little rolls were enough -for a dish.</p> - -<p>At first Ella’s generous nature led her into -the mistake of sending up too large quantities -of everything for the patient, but she soon -learnt that a dish which would tempt an -invalid if offered in small quantities, would be -pushed aside in disgust if large and substantial-looking.</p> - -<p>Next to “Angels on Horseback,” the -favourite dishes were scalloped or stewed -oysters; while for a little additional nourishment -between meals, the nurse would often -suggest a “Prairie Oyster.” This exceedingly<span class="pagenum" id="Page_151">{151}</span> -simple dish is not an oyster at all, but merely -the raw yolk of an egg, served like an oyster -on a small shell, with the smallest possible -sprinkling of salt and pepper over it. The -white must be very carefully strained off, so -as to preserve the yolk unbroken, and it can -then be slipped into the mouth and swallowed -without any trouble to the patient.</p> - -<p>Two other favourite dishes which the cook -was particularly clever in making were -jellied veal and faggots. For the former a -small knuckle of veal was boiled till the meat -slipped easily off the bones, which were then -taken out. The meat was cut into very small -pieces, and pepper, salt, mace, and thyme -added to taste, with a small shalot chopped -very fine. This was all put back into the -liquor, and boiled again till it was thick, and -then turned into a mould. When cold it -formed a stiff jelly. Ella always found the -flavouring a difficulty, for Mrs. Wilson’s taste -as an invalid was of course very different from -what it was when in health, and her digestion -was very easily upset; but the cook obstinately -declared that she knew her mistress’s tastes -better than Ella, and in spite of all orders persisted -in putting in flavouring according to her -own fancy; so that many dishes which might -have been simple and nourishing enough to be -frequently asked for, had to be altogether prohibited, -as being too spicy for the invalid’s -delicate digestion.</p> - -<p>For the faggots, a rump steak was cut into -thin strips of about three inches by two, and -on these was spread a little butter, with -pepper, salt, and the smallest atom of minced -shalot, or sometimes a few herbs. The strips -were then rolled up, tied with string, and -fried in butter or clarified dripping, and served -up in gravy.</p> - -<p>Then there were the different kinds of -panada, made of slices of chicken or game -cut off the bones, and scraped and pounded, -and gently simmered in milk; not to mention -the numberless ways of cooking eggs, buttered, -scrambled, poached, and boiled, besides omelettes, -custards, and milk puddings of all -descriptions.</p> - -<p>At last, Mrs. Wilson began to show signs -of real improvement, and as her strength returned -she was allowed to spend part of every -day on her comfortable, old-fashioned sofa, -while a few visitors were admitted to see her. -The nurse kept a very watchful eye over these -visitors, and after their departure sometimes -expressed herself in very strong language to -Ella, saying that, “They ought to know better -than to tire out an invalid with stopping such -a long time, and as for some of them, why, -they don’t never seem to care how high they -send Mrs. Wilson’s temperature up, with their -worriting talk, and exciting the poor creature -so.”</p> - -<p>The nurse would have soon taken the matter -into her own hands, and requested the visitors -to retire when her patient began to look tired, -but that Mrs. Wilson preferred Ella’s attendance -in the room to that of the nurse when -visitors came, and she was not sufficiently -experienced to know when her aunt was beginning -to get tired. The nurse hit upon a -plan, at last, which afforded Ella a good deal -of secret amusement. Mrs. Wilson’s spectacle-case -was always placed on a little table -by the side of her sofa, and the nurse arranged -that, whenever she began to feel a little tired, -and wished to be relieved of her visitors, she -should take up this spectacle-case and lay it -beside her on the sofa, which should be the -signal for Ella, or the nurse, to suggest to the -caller that Mrs. Wilson had talked as much -as was good for her.</p> - -<p>Every morning Ella had to bring an account -of all the pets to her aunt, and under her -searching questions revealed an amount of -ignorance that quite appalled the old lady.</p> - -<p>“You should not feed the ducks and hens -together,” she said, one day, in answer to a -remark of Ella’s. “Of course, the ducks eat -more than their share, with their great flat -bills. Where are your brains, child?”</p> - -<p>Ella had a good deal of trouble with the -fowls’ food at first. Their morning meal was -soft food, consisting of “sharps” (the outer -part of wheat, which is separated in grinding -the corn for white flour) and barley meal, -mixed in equal parts, and added to any kitchen -scraps there might be. This was wetted with -boiling water, and should have been made -into a stiff, dryish paste—a point Mrs. Wilson -had been most particular about. The cook, -however, objected to any extra trouble; as it -was much easier to pour in water enough at -once to make the mixture wet and sloppy, she -always did so; while, as for the kettle really -boiling—well, that was only one of her -mistress’s many fads.</p> - -<p>Then there was the Indian meal, which -ought not to have been used, except in the -cold weather, and then only occasionally -mixed with the other meal, but this had all -been used up, and no fresh had been ordered, -so the fowls had been fed on Indian meal -alone, till that, too, was finished.</p> - -<p>Again, with her liberal ideas, Ella gave -them far more food than they could eat, and -the wet, sour mess lay about all day; so that -it was not at all to be wondered at that the -fowls drooped, seemed out of order, and did -not lay their proper quantity of eggs, and -Ella, afraid of exciting her aunt by telling her -they were ailing, only increased the evil by -increasing the quantity of food.</p> - -<p>This state of things had lasted some time, -when the nurse took pity on Ella’s difficulties, -and told her it would do her aunt no harm to -be asked for advice about the fowls; so, to -Ella’s great relief, they talked the matter over -together, and a change was instituted in the -feeding. Fresh meal of all kinds was ordered, -and Ella had a practical lessons in mixing it.</p> - -<p>Mrs. Wilson had all the materials brought -into her room, and directed the process, while -Ella, arrayed in a large apron, and with her -sleeves turned up carefully, followed her -instructions.</p> - -<p>Some potato peelings and kitchen scraps -had previously been boiled together till they -were quite soft, and now Ella cut these up -small, with an old knife, and then mixed the -meal in equal parts, while waiting for the -kettle to boil.</p> - -<p>As soon as it boiled, the scraps were mixed -in with the dry flour, and Ella, seizing the big -wooden spoon, began to stir vigorously, while -the nurse poured in the boiling water.</p> - -<p>“Enough water,” Mrs. Wilson cried, in -spite of the incredulity of the two operators, -who had intended to put in twice as much. -“Don’t stop beating it up, child,” and Ella -continued till she was hot and breathless.</p> - -<p>“Now take up a handful and squeeze it.”</p> - -<p>Ella did so, and it fell from her hand a stiff -lump, leaving her palm quite clean.</p> - -<p>“That is quite right,” said Mrs. Wilson, -encouragingly, after slowly arranging her gold -spectacles, and peering at the mass in the -basin. “See that it is always stiff like that; -and never give them more than they will run -after when you throw it for them. If you find -any is left, do not give them so much next -time. At night give them each as much -grain as you can take up in your hand, but no -more. You may give the ducks a little more, -but stop at once when their hunger is not -keen. Now go and feed them, child; I am -tired.”</p> - -<p>Under this treatment the fowls soon -revived, and Ella was happy about them -again, at any rate till she discovered that she -had made other mistakes. She found the eggs -she got now were much better and richer than -those bought in shops, or even than those she -got when the fowls were being carelessly fed, -and that in consequence fewer of them were -necessary in cooking.</p> - -<p>One day, before she had began to take solid -food, to the great delight of her nurses, -Mrs. Wilson declared she was hungry, and -had taken a fancy for a boiled egg. There -were not many eggs from the hens now, but -the ducks laid regularly; so Ella picked out a -fine large duck egg, and carried in the prettily -arranged tray herself; but what was her -disappointment when, on breaking the shell, -the egg was found not to be fresh. Her aunt -pushed the tray away in disgust, the sight of -the bad egg had quite turned off her appetite, -and she refused to eat anything at all.</p> - -<p>The nurse was very much vexed, and Ella -herself was greatly distressed, and went off -with the tray, more convinced than ever that -housekeeping was not her vocation, and that -she never would succeed in it.</p> - -<p>The next time she was alone in the sick-room -her aunt told her that she was evidently -very careless about the eggs, and must begin -to manage them differently. To begin with, -she must use up all in the house as quickly as -possible for cooking, and every fresh one that -came in must be dated with lead pencil, and -placed in order, with the large end downward, -in a board pierced with round holes for -the purpose, and which was kept in the cool -larder. They were to be used in the order in -which they were brought in, and, Mrs. Wilson -added, severely, she hoped they would not -soon disgrace themselves again by serving up -a musty egg.</p> - -<p>At the beginning of January, Mrs. Wilson -directed Ella to bring a certain note-book and -the writing materials.</p> - -<p>“Now,” she began, as soon as Ella was -ready, “you will find a list, at the beginning, -of all subscriptions that are due. I want you -to write to all the people, and enclose the -amounts. I will write cheques for the large -sums, but for the others you must get postal -orders. Make a list of all you will want, and -then you can get them when you go out.”</p> - -<p>“But they have not applied for the subscriptions -yet, auntie. I have brought you -every application that has come. Would it -not be better to leave them till they are asked -for?”</p> - -<p>But this did not suit Aunt Mary’s views at -all. She pointed out to Ella that she kept a -note herself of the date when her subscriptions -were due, and therefore knew the time as well -as the recipients; and so she did not see the -good of making the charities expend a penny -postage, in addition to the cost of paper and -envelope and clerk’s salary, in merely reminding -her of the fact.</p> - -<p>“And be sure,” she continued, “that you -put a stamped envelope in with each subscription. -I want them to get the benefit of the -whole amount, without having to spend part -of it in reminding and thanking me.”</p> - -<p>“There is another notice under the ‘January’ -heading, auntie, about paying the dog -tax. Ought that to be attended to?”</p> - -<p>“Oh, yes, to be sure. Now you see the -good of keeping a memorandum book, for I -had quite forgotten that January was the -month for renewing the licence. That will be -seven and sixpence. Two dogs, did you say? -Dear, dear, child, how ignorant you are, to be -sure! Don’t you know that dogs are not -taxed till they are six months old, and the -puppy is not nearly that yet?”</p> - -<p>Ella looked rather crestfallen at this rebuke, -which her aunt perceiving, hastened to comfort -her by saying—</p> - -<p>“Well, it can’t be helped. You are a good -girl, and do your best, my dear; but things -were different when I was young, and girls -were expected to know all the ways of a -house. Ah, yes! girls were very useful, in -the old days, when I was young.”</p> - -<p class="center">(<i>To be continued.</i>)</p> -<hr class="chap x-ebookmaker-drop" /> - -<div class="chapter"> -<p><span class="pagenum" id="Page_152">{152}</span></p> - -<h2 class="nobreak" id="NO">“NO.”</h2> -</div> -<p class="ph3"><span class="smcap">By</span> MARY E. HULLAH.</p> - - -<div class="figcenter illowp58" id="i_page_152" style="max-width: 28.125em;"> - <img class="w100" src="images/i_page_152.jpg" alt="" /> -</div> - -<p><span class="smcap">Embrance Clemon</span> sat writing in a snug -room on the second floor of a house in an old-fashioned -London street. A geranium stood -on a flower-stand near the window; the walls -were painted brown, and the carpet had faded -into a comfortable insignificance.</p> - -<p>Embrance was just twenty-four. She had -come to London three years ago, on the -strength of a promise of two pupils, and, behold! -the pupils -had -multiplied -rapidly, and -she now had -as many lessons -as she -could manage. -She had been -brought up by an aunt in the -west of England; she had been -educated at a high school, where -she had successfully passed all -the examinations that were open -to her, and she was thoroughly -happy in her present work. In -very truth, she stood alone in -the world. A few months ago, -Mrs. Clemon (the aunt who had -bestowed upon her such good -care) had set sail for New Zealand, to join -her only son, who was a farmer. She would -fain have taken Embrance with her, but there -were two insurmountable difficulties in the -way: a lack of funds, and the young farmer’s -desire to marry his cousin, as soon as -he should be in a position to support a wife. -Embrance liked him, but she did not like him -well enough to consent to this arrangement; -she therefore decided to remain in London, -and Mrs. Clemon, after some fretting, had -been induced to look upon the plan with -approval.</p> - -<p>The years of work in the smoke and fog -had not done more than tone down the roses -in Embrance’s cheeks; her hair, simply drawn -back and plaited to her head, was that shade -of brown that most people call black; she had -kindly brown eyes, a large mouth, and a smile -that won the hearts of her pupils at once, and -caused their elder sisters to say that, after all, -Miss Clemon was not so plain when you came -to talk to her. Certainly, Miss Clemon was -very little given to thinking about her appearance. -It was, as Mrs. Clemon had always -maintained, a pity. The grey gown that she -wore, with a stiff collar, was singularly unbecoming -to her; it was, indeed, warm and -scrupulously neat, but when you had said that, -you had come to an end of its praises. It was -hideous.</p> - -<p>At last, Embrance put down her pen and -looked at the clock; it was getting late, and -the tea-things were still uncleared from one -end of the table. The street was very quiet, -and she heard the postman’s knock next door.</p> - -<p>“I wish somebody would write to me,” she -said, aloud.</p> - -<p>It was not the mail day, but there were -friends in the country who corresponded with -her from time to time, and to-night she would -have rejoiced over the arrival of any letter. -“I almost think,” she said, looking round her -little domain with a half-stifled sigh, “that it -was a pity that I refused to go to that concert, -but if I had gone”—with a glance at a -thick book—“I shouldn’t have got through<span class="pagenum" id="Page_153">{153}</span> -my reading. By-and-by, when I’m an old -lady, perhaps I shall have time to enjoy -myself!” The gratification that she derived -from this reflection was considerably damped -by the after-thought, “and then I shan’t care -about it!”</p> - -<p>Her meditations were interrupted at this -stage by a sound of stumbling footsteps on -the staircase. It was Annie, the maid, -panting and out of breath; there was a lady -just come, who wanted to see Miss Clemon.</p> - -<p>“A lady!” repeated Embrance. “What is -her name?”</p> - -<p>“She didn’t say, miss; she is coming up.”</p> - -<p>A sharp ring of a bell sent Annie hurrying -down stairs again; the lady, whoever she -was, would have to find her way unassisted.</p> - -<p>Embrance went out on to the landing. “The -stairs are very steep,” she said, “please take -care.”</p> - -<p>“Embrance, oh, dear Embrance! is that you -at last?” said a voice from below. “I -thought I should never find you in this -horrible dark place; how can you bear it?”</p> - -<p>“Hush! Come up; I am glad to see you, -Joan. Come into my room.”</p> - -<p>The new-comer ran up the last few steps, -and flung her arms vehemently round -Embrance, who led her into her sitting-room, -and then drew back to look at her.</p> - -<p>“Oh, Embrance,” gasped Joan, fairly -breaking down now that the door was shut -behind her, “do be glad to see me! I have -taken you by surprise, haven’t I? But you -said you would always help me, so I’ve -come.”</p> - -<p>She took off her hat, and sat down on the -sofa, dragging Embrance with her. She was -a young, fair girl, graceful in every movement, -with a small, delicate face, surrounded by -masses of yellow hair. Her blue eyes were -full of tears, and her pretty lips quivered.</p> - -<p>“My darling,” said Embrance, tenderly, -holding her by both hands, “of course you -came if you wanted me; but you are so tired -and cold, I will ring for some hot water and -make you fresh tea, and when you are rested -you shall tell me all about it.”</p> - -<p>“Let me tell you now,” said Joan, excitedly. -“Oh, Embrance! it is so dull at -home now that you are gone, and Mrs. Clemon -is gone, and everybody I care for! And -I don’t get on with my painting, and they -cracked my best plate just when I wanted to -send it to the Exhibition at Exeter.”</p> - -<p>“Well, never mind. You must begin -another one,” said Embrance, coaxingly, almost -as if she had been speaking to a child, -while she cut thin slices of bread-and-butter, -and produced cake from the recesses of a cupboard. -“Tell me, is your grandfather in -London?”</p> - -<p>“No; he’s at home, and Emily, too. I -said that I should like to come to you, and -they said very well—I must write and ask -you if it would be convenient. And then I -packed a bag, and just came up by the next -train.”</p> - -<p>“My dear Joan, they will think that you -are lost.”</p> - -<p>“No they won’t. I wrote a letter to -grandpapa before I came away, and he had -given his consent, you know. Are you -shocked, Embrance?”</p> - -<p>“Not in the least.” Embrance’s dark eyes -rested on her friend with a look that showed -how completely she meant what she said. -“But I should like to hear the rest of the -story, Joan. There is something more than a -cracked plate.”</p> - -<p>“You are a real conjuror. I believe you -know all about it without my telling you.” -Joan hung her head, and went on pathetically, -“Alfred Brownhill has been tiresome again, -and grandpapa is bent upon my accepting -him, and Emily keeps on trying to persuade -me. She says that it is ridiculous for a girl in -my position to throw away such a good -chance. I am tired of being told so often -that I’m dependent; so——”</p> - -<p>“You came to me to learn to do for your -self, you poor child! You know how glad I -shall be to help you, if I can.”</p> - -<p>“Embrance, you’re the kindest person in -the world!” was all Joan said; but she slipped -her hand into her friend’s slim fingers caressingly.</p> - -<p>They had been friends from childhood. -Embrance had often helped little Joan Fulloch -with her lessons, or coaxed her grandfather -into overlooking some escapade that -was against his notions of propriety. She -knew well that it was a dreary home for an -imaginative girl down at Doveton, and that -Emily (another granddaughter of the old -man’s) was as unsympathetic as she could be, -looking upon Joan’s wish to become an artist -as the wildest of wild schemes. Embrance -had vague recollections of Mr. Brownhill (a -flourishing county town solicitor) as a dull -man, who played lawn tennis. She did not -believe that Joan liked him, and as the child -was harshly treated at home, she was doubly -welcome here. At any rate, if the worst -came to the worst, there was a small sum in -the savings bank that would pay extra -expenses for a year to come—and a year -was a long time to look forward in Embrance’s -eyes.</p> - -<p>Joan soon regained her spirits, and forgot -her fatigue in the novelty of the situation. It -was like a fairy tale, living up here at the top -of that corkscrew staircase; and what a pretty -flower! and might she paint here when -Embrance was out? She had her own -notions, though they were somewhat erratic, -about making money.</p> - -<p>To-morrow she would write to her cousin, -Horace Meade, and he would help her to get -something to do; and she began making -calculations as to the number of people who -required dinner services in the course of a -year. If Horace could once get orders for her, -her fortune was made, and in her spare time, -she would paint landscapes for exhibitions. -“Then, you must give up these rooms,” -exclaimed Joan, eagerly, “and we can go and -live somewhere where there is a garden. And, -dear Embrance, you’ll let me buy you -another dress. You ought really never to -wear that cold colour.”</p> - -<p>Joan’s own dress was of a delicate blue -shade, hanging in artistic folds about her -pretty figure.</p> - -<p>Embrance heaved a little sigh; she was -accustomed of old to her friend’s castle-building, -but she would not say a word to -damp her ardour on this first night. She -arranged her books and papers ready for the -morning’s work (her special reading must, of -course, be put aside now), then she came and -sat by Joan, and listened to her long account -of home troubles, till the clock struck eleven, and -the lamp began to burn low.</p> - -<p>The days passed on; the winter was at -hand. In spite of Joan Fulloch’s good -resolutions, in spite of her hostess’s kindness, -she was far from content in her new surroundings. -Her grandfather had sent a box containing -clothes and painting materials; he had -enclosed a brief note in which he foretold that -she would soon wish to return to Doveton. -Perhaps, if it had not been for this note, -Joan would have said good-bye to Embrance -and the second floor parlour some weeks ago. -As it was she stayed on, always looking out -for commissions that never came, and making -plans to paint pictures that she never began. -Either the light was too bad, or she had a -headache; there was always an excuse, and -Embrance returned night after night, to find -her visitor plunged in the depths of despair. -She would straightway set to work to cheer -her up, and before tea was over, Joan was -invariably sure of success—to-morrow or the -next day. At last she heard of a pupil, but, -unfortunately, she did not take kindly to -teaching; she was very unpunctual, and it did -not seem likely that her connection would -increase with rapidity. In the meantime, -Embrance had begun to draw upon her -savings, for the expenses had increased -marvellously since the autumn. There were so -many little luxuries that Joan, poor child, -could not possibly do without.</p> - -<p>“Embrance,” said Joan, one evening. She -was sitting over the fire with a novel, her face -was flushed, and her hair was disordered; “I -do want so many things. I wish I could earn -some money.”</p> - -<p>“You have got your pupil,” said Embrance, -looking up from her book. She was -translating Schiller, and it was the third time -that Joan had interrupted her.</p> - -<p>“Five shillings an hour!” exclaimed Joan, -kicking the fireirons down with a clatter. -“It’s so little; I shan’t have earned enough -by Christmas to buy a winter jacket, and -besides, I owe you so much, Embrance!”</p> - -<p>“Never mind about that, Joanie; I have -enough for the present, if we are careful.”</p> - -<p>“It is so tiresome of Horace to be away -just when I want him most,” continued Joan, -“but he’ll come to-morrow; he has enough -to do; he ought to be able to help me. Do -try and be in early to-morrow.”</p> - -<p>Embrance shook her head. “I can’t be -home till seven o’clock.”</p> - -<p>“Put off that stupid lesson.”</p> - -<p>“I’m afraid it is impossible.”</p> - -<p>“I want you to see Horace. You never do -anything I ask you!”</p> - -<p>“I am very sorry, Joan.”</p> - -<p>“What’s the good of being sorry?” asked -Joan, pettishly. “No, no! I don’t mean it!” -She turned round sharply and saw that her -friend’s eyes were full of tears. In a second, -she had flung down her book and was kneeling -at Embrance’s chair: “Do forgive me, it isn’t -true. You are the only person in the world -who has real patience with me. Don’t mind -what I said; I didn’t mean it.”</p> - -<p>It took some time to calm Joan down after -her fit of penitence, but at last she went back -to her novel.</p> - -<p>Embrance sat with both arms on the table; -the translation got no farther. Her heart was -full of love for her friend, and yet—she had -her fair share of common sense—she could -not but see that Joan was thoroughly unfit for -her present mode of life. She was just one of -those girls who would be happiest in a home -of her own. Here, for once, Embrance found -herself cordially agreeing with Emily Fulloch, -who was as old-fashioned in her notions as it -was possible for a narrow-minded spinster to -be.</p> - -<p>Perhaps a “brain-wave” of sympathy -passed from one friend to another at that -moment, for Joan looked up from her book:</p> - -<p>“Darling, I think you will like Horace -better than Mr. Brownhill, though he is not so -good-looking. I hope you will!”</p> - -<p>“I will try,” said Embrance, jumping up to -kiss Joan; “I will try my hardest, for your -sake.”</p> - -<p>Joan blushed, and Embrance began talking -of other matters.</p> - -<p>A week later, Mrs. Rakely (a friend of the -Fullochs) came to London. She stayed at an -hotel close by, and was glad of Joan’s -company, as she wished to get through as -much sight-seeing as she conveniently—or -inconveniently—could in the space of a fortnight.</p> - -<p>One Saturday afternoon Embrance had -come home early (Joan had gone to luncheon -with Mrs. Rakely); she was tired, it had been -a warm, rainy day; her boots were muddy -and her dress was damp. The armchair by the -fire looked very tempting; she sat down, and<span class="pagenum" id="Page_154">{154}</span> -in a few seconds was fast asleep, dreaming of -a magnificent abode in New Zealand, where -Joan, in a white satin gown and a diamond -necklace, was blissfully wedded to an -emperor with flowing ringlets and bright -grey eyes. The emperor had very bright eyes, -indeed, and a habit of knocking on the ground -with his sceptre; he was also afflicted with a -curious kind of cough that did not sound -natural—and yet it was natural, appallingly so. -With a start and a jerk, Embrance sat up -in her chair wide awake, and met the gaze of -a real pair of grey eyes (brimming over with -fun) that belonged to a gentleman, who stood, -hat in hand, at the open door.</p> - -<p>“I really apologise humbly,” he said, without -venturing to approach; “but I was told -to walk up, and I knocked several times, and -someone said ‘Come in.’”</p> - -<p>Embrance had recovered her presence of -mind. “Please do come in,” she said. “I -am very sorry that I was asleep; but I was -so tired. I think you are Mr. Meade?”</p> - -<p>“That is my name,” said the visitor, looking -across the room from the smoky fire to the rows -of books with a quick glance; “and I have -the pleasure of speaking to Miss Clemon.”</p> - -<p>“Yes,” said Embrance, holding out her -hand. “Joan will be so disappointed to miss -you. She is not in.”</p> - -<p>The recollection of her plans for Joan’s -future happiness brought the blood to her -cheeks. She stooped over the fire to hide -her confusion. Yes, she liked the look of -him. He had a clever, kindly face, much -bronzed by the sun; he wore a short beard -and a turned-down collar; he had no gloves, -and his hands were long and thin.</p> - -<p>“Do let me do that for you,” said Mr. -Meade, putting down his hat and umbrella. -“I am exceedingly skilful at managing fires -and chimneys; in fact, I have occasionally -regretted not having been brought up to it -professionally.”</p> - -<p>“As a chimney-sweep?” inquired Embrance.</p> - -<p>“No, I think not,” said Mr. Meade, gravely, -as he inserted the poker between the bars, -“but there might have been an opening as -stoker or master of the bellows in some grand -family. There, now, if you will allow me to -have a sheet of newspaper, I think I shall -succeed to perfection.”</p> - -<p>Embrance fetched the newspaper, and in a -few minutes the crimson flames were leaping -up the chimney.</p> - -<p class="center">(<i>To be continued.</i>)</p> - - -<hr class="chap x-ebookmaker-drop" /> - -<div class="chapter"> -<h2 class="nobreak" id="THE_SHEPHERDS_FAIRY">THE SHEPHERD’S FAIRY.</h2> -</div> -<p class="ph3">A PASTORALE.</p> - -<p class="ph3"><span class="smcap">By</span> DARLEY DALE, Author of “Fair Katherine,” etc.</p> - - -<h3>CHAPTER IX.</h3> - -<p><span class="smcap">The</span> following Saturday turned out to be -a misty November morning. Towards -noon the fog lifted, and at half-past one, -when Dame Hursey prepared to start to -keep her appointment with her son, it was -tolerably clear, but the old wool-gatherer, -who was as weather-wise as John Shelley -himself, shook her head as she scanned -the horizon from the door of her miserable -cottage, and muttered to herself she -doubted the fog would come on worse -than ever at sunset.</p> - -<p>As this was the first time she had seen -her son for twelve or thirteen years, and -would probably be the last, seeing that -he was going back to Australia, probably -never to return, at least in her lifetime, -Dame Hursey regarded the occasion as -a festive one, and had taken a holiday -in honour of it. Her morning had been -spent in cleaning her miserable cottage, -in the faint hope that her son might be -persuaded to come home and spend the -evening with her. In this hope all her -wool-gatherings had been taken upstairs -instead of lying about the floor and -corners of the kitchen, as they usually -did; the floor had been scrubbed, a fire -was lighted, two rickety armchairs drawn -up to it, and a cup and saucer, a mug, -and two or three plates—Dame Hursey’s -stock of crockery—placed on the table. -She dispensed with dinner, and contenting -herself with a piece of bread and -cheese, reserved two red herrings for her -tea on her return with her son.</p> - -<p>Then she dressed herself in her Sunday -dress, not without some qualms lest -the fog should turn to rain. Even if it -did, on such an occasion as this she -must wear her best things, so she put -on her black stuff dress, a black and -white plaid shawl, and a bonnet that -might have come out of the ark, judging -from its antique shape, and which, to -Dame Hursey’s pride, was ornamented -with some dirty old artificial flowers. -Thus attired, and having made up the -fire and left the kettle on the hob, she -locked up her hut, put the key in her -pocket, and providing herself with a -gigantic cotton umbrella, to answer the -purpose of a walking-stick as well as in -case of rain, she set out for Mount -Harry.</p> - -<p>Though Dame Hursey knew all the -short cuts, it was more than an hour’s -walk from her house to the top of Mount -Harry, but the old woman was longing -to see her son again, so she started in -good time, and reached the spot a -quarter of an hour before he did, though -he was punctual. The fog was rolling -up again, as the old wool-gatherer had -predicted, and, accustomed as her black -eyes were to piercing the mists which -so often wrap those rounded hills like a -damp clinging garment, her son was -close upon her before she saw his form, -looming like a gigantic grey figure close -beside her. It was twelve years and a -half since they had met, and George -Hursey was very much altered in appearance -since, in the character of John -Smith, carpenter on board the French -yacht Hirondelle, he had laid the -baron’s little daughter on John Shelley’s -doorstep; but for all that his mother declared -she would have recognised him -in a crowd.</p> - -<p>“You’ll come home and have a cup -of tea and a chat, George, after all these -years, won’t you?” said the old dame, -gazing with pride and affection on her -ne’er-do-well son.</p> - -<p>“No, mother, no; I might be recognised, -and I don’t want to be arrested -for making off with a child, before I go -back to my own wife and children.”</p> - -<p>“The child is safe enough, if you mean -the child you left on John Shelley’s -doorstep thirteen years ago come next -June.”</p> - -<p>George Hursey gave a sigh of relief, -for many a nightmare had that innocent -baby, which, for aught he knew to the -contrary, might have perished from cold -or exposure through his fault, given him.</p> - -<p>“John Shelley took it in then, as I -thought he would?”</p> - -<p>“Yes, and a beauty she is, and no -mistake. George, tell me who the child -is, will you, honey?” said Dame Hursey, -in a wheedling tone.</p> - -<p>“That’s what I have come here for -chiefly, that and to see you once again, -for when I say good-bye to England to-morrow -it will be for good this time; I -am going to give up the sea, and live at -home now.”</p> - -<p>“Well, you know your own affairs -best; but about the lassie, George; -whose child is she? No poor person’s, -I’ll be bound,” said Dame Hursey, -whose curiosity about Fairy exceeded -even her interest in her son’s family -affairs.</p> - -<p>“She is the niece of my late master, -a French gentleman, and it was by his -wish I took her to John Shelley, only instead -of going in as I pretended I had -done, I left her on the doorstep, and -went off with the purse; and if -ever I cursed in my life I have cursed -that money, which, for aught I knew till -a few minutes ago, had made me a murderer, -though for that matter I may be -one still, for the baroness may have -fretted herself into her grave for her -baby.”</p> - -<p>“The baroness, did you say, George? -Sure, I was right, she is no common -child, no fit wife even for gentleman -Jack,” exclaimed the old woman, opening -her umbrella, partly to keep the fog -off, partly as a sort of screen to shut in the -secret she had yearned so long to learn. -But George was following up his own -train of thought, and went on, heedless -of her interruption—</p> - -<p>“Though, as true as I stand here, I -never knew till last week that Monsieur -Léon was drowned, and the Hirondelle -lost a day or two after I left her. Likely -as not the baron thinks the child was -drowned too, since they have never found -her. I might never have known, only -I happened to ask at Yarmouth if they -had ever had a French yacht named -Hirondelle over there, and some of the -fishermen remembered all about the -wreck. When I heard that I determined<span class="pagenum" id="Page_155">{155}</span> -to come and see if the child was safe, and -now I know it is, I want to do the rest, -mother.”</p> - -<p>“Yes, honey, what is it? You may -trust me. I guessed the night I met you -you knew all about the fairies’ child, and -I have kept your secret and watched the -child ever since, for your sake, George.”</p> - -<p>“Well, I want you to go to John -Shelley, or to the parson if you like, or -both, and tell them the child belongs to -the Baron de Thorens, of Château de -Thorens, near Carolles, in Normandy. -Shall I write it down for you?”</p> - -<p>“No, no, I can’t read it if you do; I -shall remember fast enough—Baron de -Thorens, Château de Thorens, near -Carolles, Normandy. I shall think of -Christmas carols, De Thorens, Château -de Thorens,” repeated Dame Hursey.</p> - -<p>“Never mind château, it only means -castle, but don’t forget the name, De -Thorens. Here, I’ll cut that word on -your umbrella handle with my knife in -printed letters. You can read print, I -know.”</p> - -<p>“All right; and what else am I to -tell them?”</p> - -<p>“Why, that my master and the baron -gave me the child twelve years and a -half ago to put out to nurse with an -Englishwoman. I went ashore at -Brighton in a little boat with Pierre -Legros, one of the sailors, and I walked -across the downs with the child, and -left it on John Shelley’s doorstep; then -I told Monsieur Léon John had taken -it in and promised to look after it. He -took the address, and the only person I -thought I had robbed was John Shelley, -though I knew the baron would make it -up to him when he heard of it.”</p> - -<p>“Are they rich, George?” asked the -old woman, taking a pinch of snuff as -she peered at her son through the fog.</p> - -<p>“Yes, I think so. The château is a -beautiful place, and stands in a park.”</p> - -<p>“Is that all I am to say?”</p> - -<p>“Yes, leave the rest to the parson to -decide; he will write to the baron in -French very likely. You may tell them -as soon as you like, for I shall be out -of the country to-morrow.”</p> - -<p>“I shall wait till you are gone; one -day more can’t make any difference, -and it is best to be on the safe side, then -if they want to know where you are, I -can say on your way to Australia, so -there’ll be no fear of their catching you, -though it is so long ago there isn’t much -danger of that now.”</p> - -<p>“Please yourself, and now I must be -off. Here are five sovereigns for you, -mother; they are honestly earned, so -you need not be afraid to take them, and -now I must say good-bye. How thick -the fog is; there is no danger of anyone -seeing me this evening; it is as much as -I shall do to find my way down to the -Brighton Road without breaking my -neck in a chalk pie. Take care of yourself, -mother; but you know these downs -better than I do,” said George Hursey, -kissing his mother.</p> - -<p>“Ay, ay, lad, never fear for me; I -have been out in worse fogs than this. -Good-bye, God bless you,” and the old -wool-gatherer strained her eyes till her -son’s figure disappeared, as it very -quickly did, in the fog.</p> - -<p>She stood still for a minute or two -after he had gone, gloating over the -secret she had at last discovered, and -muttering to herself again and again, -“Baron de Thorens, Carolles, Normandy,” -and then she too turned and -walked slowly off through the fog in a -different direction.</p> - -<p>It was quite true she had been out in -worse fogs than this, but whether it was -that she was too much occupied with -her own thoughts to think of where she -was going, or whether the fog, which -gradually increased, was worse than -she fancied, she suddenly, after wandering -about for half-an-hour, awoke to the -conclusion that she did not know where -she was. If she had come right she -ought to have been at the bottom of -the hill by now, whereas she was still -on flat ground, and had not begun the -descent.</p> - -<p>She had been so absorbed in wondering -what the Shelleys, particularly -“gentleman Jack,” as she always called -Jack, would say to her news, and in -picturing to herself the amazement on -learning that Fairy was the daughter of -a French nobleman, perhaps a baroness -herself or a countess, for Dame Hursey -had very vague ideas on the subject of -French titles; and in thinking how -pleased Fairy would be to hear she was -a rich lady, that she forgot all about -the fog and where she was going. Loving -gossip as she did, the secret George -had put in her power was dearer to her -than the five sovereigns tied up in the -corner of her pocket-handkerchief; it -would add to her importance in the -neighbourhood more than the gold. -Moreover, it might lead to a reward for -her, since she had had no part in leaving -the child to the care of the shepherd, -and Fairy she was sure would not suffer -her to be forgotten when the Shelleys -came to be rewarded.</p> - -<p>“Why, but for me Fairy might never -find her parents after all; if I were to -keep this secret to myself she would -never know for certain she was a lady -born, perhaps a countess. I shall make -them understand that before I tell them. -Or, if anything was to happen to me now -before I have told them, why they’d like -to never know it. Bless me, where am -I? This fog is worse than I thought; -I ought to have been home by now, and -here I am still on the top. De Thorens, -Carolles, Normandy,” and so muttering -to herself Dame Hursey disappeared in -the fog.</p> - -<p>That same afternoon, Fairy, little thinking -her name and birth were so soon to -be revealed, and her happy life in the -shepherd’s cottage exchanged for a very -different one in a French château, had -gone for a walk with Charlie, and, to -Mrs. Shelley’s great anxiety, at half-past -five o’clock, when her husband and Jack -came in to tea, they were not home. The -fog now was so dense that you could -hardly see your hand before you, and -even with a lantern you could not -discern anything a yard or two in -advance of you, and Mrs. Shelley was -intensely relieved when John and Jack -came home safe.</p> - -<p>“Thank God you are both back safely; -it is an awful fog, isn’t it, John?” asked -Mrs. Shelley, as John stood wiping -the fog from his beard and face.</p> - -<p>“Yes, it is a bad one; luckily both Jack -and I saw it was coming on and got the -sheep home before dark, or we might -have been half the night on the downs.”</p> - -<p>“Isn’t it tiresome? Charlie and Fairy -went out for a walk soon after dinner, -and they are not back now; I have been -in such a fright about them,” said Mrs. -Shelley.</p> - -<p>“What, mother? Fairy out in this -fog? Good heavens! the child may be -killed! What on earth does that little -idiot mean by taking her out in a fog? -He deserves a sound thrashing,” burst -out Jack.</p> - -<p>“Hush, Jack; Charlie may be in -danger as well,” said Mrs. Shelley.</p> - -<p>“Serve him right too,” muttered Jack, -as he went in search of a lantern without -another word.</p> - -<p>“Fairy and Charlie out, wife? Dear -me, we shall have to go and look for -them; why, they may fall into a chalkpit -and break their necks. Where have -they gone?” asked John, leisurely -putting on his hat and scarf.</p> - -<p>“I don’t know, but I fancy to Mount -Harry; I heard Fairy talking about it.”</p> - -<p>“Here, Jack, we shall have to go and -look for them children, I think,” called -out the shepherd to Jack.</p> - -<p>“Of course we shall; I am lighting -the lantern; let’s be off at once, -father,” said Jack, who had made the -necessary preparations for the search -while his father was taking in the fact -that the children were lost, and now -stood with the lantern in his hand and -his dog by his side at the open door.</p> - -<p>“Where are we to go, father?” said -Jack as they started.</p> - -<p>“Well, your mother says they are -gone to Mount Harry, so if we were to -go along the Oatham-road and search -those chalkpits as we go, that is the -only place they are likely to have fallen -down. If they are not there, and God -forbid they should be, we shall know -they have not come to much harm -beyond a fright. When we have passed -the chalkpits we can climb up Mount -Harry and come back by the jail; I -have my compass, we can’t go far wrong -with that.”</p> - -<p>Jack fell in with this plan at once; it -was by far the best thing they could -do; but then John Shelley, in his slow, -methodical way, invariably hit upon the -wisest plan of action in an emergency, -as Jack very well knew. Accordingly, -off they started, each with a lantern and -the shepherd’s dog leading the way. -Jack’s own dog was younger and not so -steady as Rover, so he kept him at -home. This Rover was a son of the -Rover who had first discovered the -fairies’ baby on his master’s doorstep -that midsummer evening, but John -Shelley called all his dogs Rover, and -was rather scandalised when Jack -insisted on naming his dog Bruce; it -was an innovation, and the shepherd -disliked anything new; however, in this -he was persuaded to yield, Mrs. Shelley -and Fairy taking Jack’s part, and saying -two Rovers in one family at the same -time would never do.</p> - -<p class="center">(<i>To be continued.</i>)</p> - -<hr class="chap x-ebookmaker-drop" /> - -<p><span class="pagenum" id="Page_156">{156}</span></p> - -<div class="figcenter illowp100" id="i_page_156" style="max-width: 31.25em;"> - <img class="w100" src="images/i_page_156.jpg" alt="" /> - <div class="caption"><p class="center">MILAN CATHEDRAL.</p></div> -</div> - - -<div class="chapter"> -<p><span class="pagenum" id="Page_157">{157}</span></p> - -<h2 class="nobreak" id="OUR_TOUR_IN_NORTH">OUR TOUR IN NORTH -ITALY.</h2> -</div> -<p class="ph3"><span class="smcap">By</span> TWO LONDON BACHELORS.</p> - - -<p><span class="smcap">After</span> leaving Lugano, the train enters -two tunnels, shortly after which it crosses -the Lake at Bissone, by means of a most -hideous stone bridge. Bissone is a very -picturesque village. The little steeple of -the church rises romantically from the -luxuriant foliage, and numerous cottages are -scattered on the side of the lake. The charm -of the scene, however, is much marred by the -aforementioned bridge.</p> - -<p>After leaving Bissone, the train goes directly -south to Mendrisio, the station for Monte -Generoso, the view from which is said to be -equal (if not superior) to that from the Rigi. -We had intended to climb Monte Generoso, -but it being a very misty day, there would, of -course, have been no view, so we continued -our journey, passing Chiasso and Como. At -Chiasso the luggage is examined, for, strange -to say, one is in Swiss territory until arriving -at Como.</p> - -<p>We did not stay at Como, as we had decided -to see that city and its beautiful lake on -our return journey. The route from Como to -Milan interested us, from the variety it afforded -to the mountainous districts we had recently -visited. There is, indeed, a great charm in -the dead level of this huge Lombard plain; -for apart from its cities, so interesting, -historically and archæologically, we felt a -certain sense of relief in getting again into a -flat country, luxuriantly fertile and productive.</p> - -<p>We made a mistake in not staying at -Monza, a very ancient city containing, amongst -other interesting buildings, a cathedral, -founded by Queen Teodolinda in the sixth -century, and a Broletto, or town hall, -attributed to Frederic Barbarossa. We -arrived at Milan early in the afternoon, and -immediately drove to our hotel, through one -of the magnificent gates which guard the approaches -to the city.</p> - -<p>On entering this, the first great Italian city -which we had seen, many thoughts crowded -into our minds. Here we were in a country -the very cradle of European art, where -through all times, even down to the present, -art seems a vital necessity to the people. In -other lands art has been an ornament or a -luxury, but in Italy it seems to enter into the -very life of the inhabitants, and nothing seems to -have been able to wean them from their -devotion to the beautiful creations of the -hand of man. We find them revelling in art -when foreign armies were overunning the -country and decimating the population. We -find it under tyranny and oppression of the -most galling description—surrounded by acts -of horror and infamy of the most despicable -kind. We find it often in combination with -ignorance and folly that are simply contemptible. -We find it existing when liberty was -utterly suppressed. Thus during all the<span class="pagenum" id="Page_158">{158}</span> -Middle Ages and the period of the Renaissance, -whether the Italians were slaves or free, -whether they were conquered or victorious, -whether they were united or divided, still this -marvellous spirit of art seems to have pervaded -everything from their religion down to the -most ordinary acts of everyday life.</p> - -<div class="figcenter illowp51" id="i_page_157" style="max-width: 25em;"> - <img class="w100" src="images/i_page_157.jpg" alt="" /> - <div class="caption"><p class="center">INTERIOR OF MILAN CATHEDRAL.</p></div> -</div> - -<p>Another thought which naturally suggests -itself on entering Milan is that of the two -noble characters whose lives stand out like -brilliant meteors amongst the gloom, horror, -wickedness, and folly, which stain so much of -her history. We refer to her two Archbishops—St. -Ambrose, the light and glory of -her early history; and Charles Borromeo, the -bright star which illumined her deepest -gloom. And one cannot help thinking of the -good and great man pursuing his mission of -charity amongst the sick and dying of the -plague-stricken city.</p> - -<p>Our first thought was to find our way -to the cathedral, the second largest Gothic -church in Europe, about which probably -more has been written, and a greater -number of conflicting opinions as to its -merit expressed, than about any building in -the world, with the exception of St. Peter’s, -Rome. As it is impossible to say anything -new about this wonderful cathedral, we shall -principally confine our remarks to our own -individual impressions and opinions.</p> - -<p>To commence with, the first view of the -interior struck us as far finer than the more -popular exterior. Indeed, so great an effect -had it upon No. 2, that he turned as white as -a sheet, and seemed completely overcome -with the wonder of the buildings. The -enormous proportions of the church, the great -height of the pillars, with their canopied niches -over the capitals, and the rich religious effect -of the whole, formed a picture, in comparison -to which (in our eyes) the blazing but -meretricious glory of the exterior, with its -4,000 or so niches and vast masses of carving, -was not to be compared. It is said that an -intimate acquaintance with both exterior and -interior will fall far short of one’s first -impressions.</p> - -<p>Now this did not strike us with regard to -the interior. No, not even after we realised -the tracery of the roof to be painted, and the -tracery of the windows to be somewhat -straggling and unmeaning. But it is a -different matter from the exterior; after the -first astonishment is over, one sees at once -the great over-elaboration and the general -“spikiness” of the effect, though No. 1 -thought the admixture of the Renaissance style -in the façade saved this portion of the -cathedral by supplying that solidity and -“sobriety of line” which the building otherwise -so painfully lacks.</p> - -<p>Even before we heard that the architect was -supposed to have been a German, we recognised -the Teutonic character of the cathedral, -especially of the interior, which seemed to be -not entirely unlike that of Cologne.</p> - -<p>To enter more into detail, the plan is a -Latin Cross, terminated by an apse, and -divided into a nave and four aisles. The -interior is 477 feet in length, by 183 in -breadth, exclusive of the transepts, and is -supported by fifty-two pillars, which are eighty -feet in height and twelve feet in diameter. -The before-mentioned niches, which crown -the pillars, are a great feature, each niche -being of different design, and all remarkably -beautiful. The roof is elaborately painted in -imitation (so it is said) of tracery. Street -calls this an “abominable device, which never -ceases to offend and annoy the eye more and -more every time it is observed.” The effect -did not seem to No. 1 at all disagreeable; quite -the contrary. He thought it added great -beauty and richness to the design, and does -not believe that it was ever intended to deceive -the beholder into the idea that it is -real tracery. “Why not believe it to be -mere decorative painting, and beautiful art as -such?” he asked. But No. 2 was really -deceived into believing that the imitation of -tracery was actually what it represented, -particularly as the design, which is in dark-brown -colouring upon a light ceiling, represents -carvings of beautiful patterns and filigree -work, very much like the Gothic screens of some -of our English cathedrals, only fixed upon the -ceiling instead of being on the line of sight. But -when, after investigation, he found the paint -obliterated here and there by damp and other -causes, showing blotches of brown and white, -he was disgusted beyond measure, and began -to look upon other work with suspicion. -“Why,” cried he, “should a Christian church -impose on the unwary, or to the wary -preach affectation and artifice?”</p> - -<p>There is no triforium, and the pavement is -a mosaic of various coloured marbles. There is -a great quantity of old stained glass in the -windows, which, though not equal to our old -English glass, yet gives the building a very religious -effect, which is still more enhanced by -the colour of the stonework, which has the appearance -of old ivory. The interior is well -filled with ancient monuments; but we have -no space to describe them, and will simply -add that the most remarkable are those of -Gian Giacomo and Gabriele de Medici, attributed -to Michael Angelo; of Cardinal Caracciolo, -in black marble, by Bambaja; and of -Ottone Visconti, Archbishop of Milan, which -is earlier in date than any portion of the -cathedral. In the north transept is the bronze -candelabrum for holding seven lamps, constructed -in imitation of that which existed -in the Holy Temple of Jerusalem—a magnificent -work erected in the thirteenth century. -And in the south transept is a famous statue -of St. Bartholomew being flayed alive.</p> - -<p>St. Charles Borromeo, the great Archbishop -of Milan, is buried below the dome in a subterranean -chapel. It may interest our girls to -know that he was the originator of Sunday-schools -in Europe.</p> - -<p>The Duomo of Milan is like no other -building in the world, it belongs to no distinct -style of architecture, and in art it had neither -parents nor children. Nothing was ever built -like it before, and nothing will ever be built -like it again. We do not say that it is the -most beautiful church ever built, nor do -we deny that, architecturally speaking, it -possesses many grave faults, but what we -mean is this: Of all other churches we say -they are built in such and such a style, or are -of such and such an order of architecture. -But of this we say simply, it is the Duomo of -Milan.</p> - -<p>When this vast structure, with its countless -pinnacles of pure white marble glittering in the -sun, and backed-up by a dark blue sky, breaks -upon our astonished gaze, the mind is -absorbed with wonder.</p> - -<p>Is it a vision? What have we seen before -like it—possibly only one thing—the snow-clad -peaks of the Alps. One cannot get rid of the -notion that some kind of relationship exists -between the two. We begin almost to suspect -that some mighty Alp, with its snow-clad -peaks, must have been its mother—so much is -it like the kind of architecture that would have -sprung from the mountains.</p> - -<p>It was after leaving the Duomo that the -two bachelors had their first quarrel. This is -how it came about:—The older bachelor, who -is impressionable and of a poetical and non-technical -turn of mind, enjoys an undisturbed -first sight of a magnificent building, without -first of all inquiring into its structural and -architectural details; and if there is one thing -more than another which annoys him, it is to -have the “dry bones” of workmanship dinned -into his ears and thrust before his mental -vision when the complete building should -rather impress on him all that it has to say of -great achievement and power.</p> - -<p>Now the younger bachelor is technical and -fond of dates, so seized the opportunity of showing -off his knowledge of history and archæology -at the very moment when his friend was first -gazing at the religious splendour of the interior -of the cathedral. This made No. 2 insist on -a judicial separation, at any rate for the first -hour, so the greater part of the building was -explored in “single blessedness.” The quarrel, -postponed, of course, until we had left the -Duomo, was happily of short duration, and -the two bachelors compared notes, and came -to the conclusion that, after all, more permanent -unity is created by contradictory temperaments. -Whether this would apply in the -case of man and wife they unfortunately could -offer no opinion founded on experience, so they -wended their way through some very narrow, -uninteresting streets to the church of St. -Ambrose, at the west of the city.</p> - -<p>St. Ambrogio, founded in the fourth century, -is full of ancient epitaphs and early Christian -antiquities, notwithstanding that it was very -much repaired in the seventeenth century. -The walls of the “atrium,” or open court, in -front of it, contain fragments of frescoes, -ancient inscriptions, etc., which, backed up -by the Romanesque red brick church (dating -from the ninth century), form one of the most -picturesque scenes in North Italy.</p> - -<p>The interior of St. Ambrogio is, if possible, -more interesting than the exterior; it is of -grey stone, with arches of red brick, a quaint -effect of colour. There are no transepts, and -the building terminates in an apse.</p> - -<p>It would take pages to describe all that is -remarkable in the interior of St. Ambrogio, so -we shall only mention some of the interesting -features. On first entering the nave we -noticed two pillars, on one of which is a brazen -serpent, said to be the brazen serpent of -Exodus. The vaulting of the apse is very -ancient, and is covered with mosaic work as -fine as anything in St. Mark’s, Venice. Below -we noticed the old chair of St. Ambrose. -The high altar is interesting, as being the -place where some of the German emperors -received the iron crown of Lombardy; a baldachino -or ciborium covers it.</p> - -<p>On the front of the high altar (itself a -blaze of glory) are depicted scenes from the -life of Christ, while on the back are represented -incidents in the life of St. Ambrose, -the former in plates of gold and the latter -silver-gilt.</p> - -<p>St. Ambrogio contains several frescoes. -The finest are “Legend of St. George,” -by Bernardino; and “Ecce Homo,” by -Luini. In it also are the shrines of Saints -Gervasius and Protasius—very popular saints -in Italy.</p> - -<p>On leaving St. Ambrogio we wished to get -straight back to our hotel; but we unfortunately -lost our way, and were obliged to ask -an Italian gentleman to direct us. He not -only put us on the right road, but actually -went out of his way to ensure our not losing -ourselves again. This is characteristic of the -North Italians. They are really polite, and, -according to the elder bachelor, the most gentlemanly -people he has visited.</p> - -<p>After <i>table d’hôte</i> we strolled out of the -hotel, and walked through the magnificent Galleria -Vittorio Emmanuel (containing some -of the best shops in Milan) into the Piazza -del Duomo. It was a beautiful moonlight -night, and the cathedral looked simply glorious—its -dazzling whiteness almost frightening us -as it suddenly burst on our view. After due -deliberation No. 2 irreverently said that the -appearance was similar to that of a colossal wedding-cake, -with its sugary-looking ornamentations -under a strong light. The Duomo, though -not a very pure example of Gothic, possibly -over-ornamented, and its detail not always in<span class="pagenum" id="Page_159">{159}</span> -the best taste, is certainly one of the most -extraordinary examples of man’s industry, -perseverance, and wealth to be found in the -whole realm of art.</p> - -<p>It was about 9 o’clock p.m. that the first -scene was enacted of what might have -completely wrecked our holiday, viz., the -longing of the younger bachelor to smoke -one of the long cigars, with straws in -them at either end, which foreigners, especially -Italians, seem so to enjoy. No. 2 (the -older) bachelor being the better linguist, went -into a tobacco shop and ordered one of these -cigars. It was in vain that the shopman declared -they were never bought by English; -it was of no use his repeating that they were -so inferior—No, No. 1 had set his heart on -possessing one of them, and have one he -would.</p> - -<p>We bought two, one of which the -younger bachelor immediately smoked, having -first carefully extracted the straws. The other -was given to the waiter, and it is safe to predict -that neither of us will ever be seen with -one of those terrible cigars again. About -10 p.m. No. 1 began to show signs of a violent -bilious attack, which grew worse as the night -came on. This was the commencement of an -ailment which afterwards turned out to be -“gastric fever.” There was little sleep that -night for either of the bachelors, as No. 2 -sat up by his friend during a great part of the -night. The next morning, however, though -still unwell, No. 1 insisted on going to church. -On returning hotel-ward the younger felt -alarmingly ill, and could not walk further -without help.</p> - -<p>When we got to the hotel, No. 2 determined -to send for a doctor, and, looking into his -Baedeker, chose one of those recommended. -Our girls must not think it was entirely the -horrible cigar that made No. 1 so ill. -They must remember he was described as -having a shocking digestion, which had been -“upset” by the continual travelling and the -change of food; also, the sudden change from -the bracing mountain air to the comparatively -enervating climate of Milan, no doubt accelerated -the illness. The doctor came about four -hours after he was sent for, and, after asking -innumerable questions as to the occupation, -rule of life, etc., of the bachelor, seemingly -unnecessary—not to say impertinent—prescribed -an alarming amount of medicine. We -shall remember that doctor, with his important -manner and soft, deep voice. He was a -smart, healthy-looking man, with an imposing -moustache and short black hair. We shall also -remember the answer he gave to the older -bachelor, who had inquired how long it would -be before his friend would be well enough to -resume his travels—“Maybe in two or three -weeks,” being the encouraging reply.</p> - -<p>The younger bachelor is here reminded of -the interesting view of chimney-pots and -house-roof visible from his bedroom window, -which it was his fate to watch incessantly for -two whole days, miserably ill, with one longing -in life, viz., to quench his burning thirst with -“a lemon squash.”</p> - -<p>As it seemed the less expensive method, -No. 2 shopped for the lemons, bringing in a -dozen at a time, and squeezing them with his -fingers into a water-bottle glass. The sugar -was purloined from the <i>salle-à-manger</i> (as we -wish this narrative of ours to be a strictly -truthful one, we resolutely admit our guilt, -but hope the Italian Government will not be -too hard on us), for we preferred the charge of -one halfpenny per “squash,” instead of one -franc, the probable price of one bought at the -hotel. If any one of our readers has had a -brother to supply incessantly with “lemon -squash” for two days and one night, without -the use of a proper lemon-squeezer, she will -appreciate the sad intelligence that No. 2’s -finger joints are now less supple and powerful -than before this Italian tour.</p> - -<p><i>La femme de chambre</i> was, as most young -women are to forlorn and helpless bachelors, -tender and kind. In fact, at the end of two -days she quietly suggested that a lemon squash -was the worst drink for the poor patient, and -actually the dear thing made for him some -oatmeal, bringing into the room a sieve, a -basin, some warm water, and a screw of paper -containing oatmeal. Then (<i>à la</i> Useful Hints -in the G. O. P.) the recipe was as follows:—A -little oatmeal in the strainer, hold over the -empty basin, and with the warm water (by -this time very lukewarm), percolate through -the sieve, and behold a dish of Scotch oatmeal!</p> - -<p>That preparation did not seem to improve -the condition of the poor patient.</p> - -<p>“Oh, that we had some English lady with -us,” cried No. 2.</p> - -<p>“Never no more,” groaned No. 1, with his -face to the wall, though whether this depressing -remark had a reference to the oatmeal, -the gentler sex, or the “holiday” (save the -mark!), No. 2 has not yet been able to determine.</p> - -<p class="center">(<i>To be continued.</i>)</p> - - -<hr class="chap x-ebookmaker-drop" /> - -<div class="chapter"> -<h2 class="nobreak" id="ANSWERS_TO_CORRESPONDENTS">ANSWERS TO CORRESPONDENTS.</h2> -</div> - -<div class="figcenter illowp38" id="i_page_159" style="max-width: 15.625em;"> - <img class="w100" src="images/i_page_159.jpg" alt="" /> -</div> - - -<h3>MISCELLANEOUS.</h3> - -<div class="blockquot_ans"> - -<p><span class="smcap">Guinevere</span> must take her money to the nearest post-office, -and say she wishes to have a book and -become a depositor. There is no difficulty about -so doing.</p> - -<p><span class="smcap">Emmy.</span>—“They also serve,” etc., is from Milton’s -poem on his blindness. The 7th April, 1868, was -a Tuesday.</p> - -<p><span class="smcap">Enid.</span>—Ithuriel, the angel sent by Gabriel to find Satan. -He finds him squatting like a toad beside Eve, as -she lies asleep, and brings him to Gabriel. Ithuriel -is armed with a spear, which by its touch discovered -falsehood at once. You will find all this in Milton’s -“Paradise Lost,” which you ought to have read.</p> - -<p><span class="smcap">Lilith A.</span>—“In Memoriam” was written in memory -of Tennyson’s friend, Arthur Henry Hallam, who -died in 1833.</p> - -<p><span class="smcap">Grace.</span>—The beer made with the ginger-beer plant is -quite wholesome, we believe.</p> - -<p><span class="smcap">Virago.</span>—“A young lady, who is nine years old and -two months over,” is certainly not old enough to -choose her books, nor must she think just yet of -being guided by her own judgment in any way, -except in obeying others older than herself, and -should be punished if she do not.</p> - -<p><span class="smcap">Lady Clara Vere de Vere.</span>—The address of the -secretary of the Princess Louise Home is 54, New -Broad-street, E.C. Write to the secretary. Young -ladies should have their names on their mother’s -card.</p> - -<p><span class="smcap">E. Austill.</span>—The first two chapters of “A Lady’s -Journey to Texas” will be found in vol. iv., pages -362 and 713.</p> - -<p><span class="smcap">Phisiegig.</span>—The real name of “George Sand” was -Aurore Lucille Amantine Dudevant. Henry M. -Stanley, the African explorer, was born at Denbigh, -Wales, in 1840.</p> - -<p>C. H. S.—The answer to the riddle, “Man cannot live -without my first,” is <i>Ignis fatuus</i>, otherwise called -“will o’ the wisp,” or “corpse candle.”</p> - -<p><span class="smcap">Violet.</span>—The lines do much credit to your tenderness -of heart and love for your parents, but as poetry they -are not worth much, and are full of faults.</p> - -<p><span class="smcap">Consumption.</span>—We regret that we cannot give you -any information, as we do not know the medicine by -name, and we could not advise anyone to use it -without the consent of a doctor. We should think a -change of climate would be advisable. Cold, dry -climates are apparently more recommended now than -warm ones.</p> - -<p><span class="smcap">Die Lorelei.</span>—The lines you send have some power -about them, but they are not correct in rhythm nor -in construction. Count the feet and position of the -beats in each line carefully while composing.</p> - -<p><span class="smcap">Marion Moss.</span>—Seals are found in the Arctic seas. -Dundee and Hull are the principal British ports -whence the seal-fishers sail. They are also found in -Russian America, now called Alaska.</p> - -<p><span class="smcap">Perplexed One.</span>—Why not try to obtain a good -situation as nurse—head nurse, with a junior under -you?</p> - -<p><span class="smcap">Maggie</span> might obtain the first volume by means of an -advertisement in the <i>Exchange and Mart</i>.</p> - -<p><span class="smcap">Water Lily.</span>—Mr. Herbert John Gladstone, M.P., -is the youngest son of the Prime Minister, and was -born 1854.</p> - -<p><span class="smcap">Seven Years for Rachel</span> must get her sister to -read aloud, alone, and with someone slowly and -carefully, being particularly careful to take her -breath regularly, easily, and deeply when reading or -speaking. The lungs must be well filled.</p> - -<p><span class="smcap">A Christian.</span>—We agree with your mother that you -are both very young, and had better wait till you be -older. Then we should repeat to you the saying of -Christ, “Have salt in yourselves,” which means that -you must form your opinions and actions on eternal -principles, which are the salt which should savour -our lives.</p> - -<p><span class="smcap">Tilda.</span>—We quite agree with you that the manners of -lady district visitors should be very courteous, and -that they should certainly knock at people’s doors, -and not go in until they be asked, nor should they -go at the dinner hour. Alas! good breeding and -sound common-sense seem both rare qualities everywhere. -Either of them would have made your -visitors behave differently.</p> - -<p><span class="smcap">Gipsy.</span>—You should say, “Lady So-and-so,” and write -it with a capital “L.”</p> - -<p><span class="smcap">Ethel.</span>—Show your teeth to a dentist. We regret -that we could not give you a recommendation of the -kind. Your medical man would do so. The loss of -an eye-tooth does not affect the sight. It is believed -that eating very fine white bread has tended to -injure the teeth. Wholemeal bread is the best for -producing good bone.</p> - -<p><span class="smcap">Sarah Brown.</span>—You cannot re-silver a good looking-glass -yourself. You must send it to a manufactory -for the purpose. Any furnishing upholsterer or -looking-glass seller would undertake to do that for -you; but you must make a bargain before you send -it, and you might obtain a good secondhand glass at -less cost.</p> - -<p><span class="smcap">Dick.</span>—Dentists usually have a medical man to see -and attend to the patient when gas is employed. It -is not dangerous to take it.</p> - -<p><span class="pagenum" id="Page_160">{160}</span></p> - -<p>“<span class="smcap">In Great Trouble.</span>”—Yours seems a case for a -doctor’s advice. You had better consult one. The -word “silly” is not spelt “scilly,” like the islands of -that name, and “disappointed” should not be written -“dissapointed.”</p> - -<p><span class="smcap">Dorothy Drake.</span>—You will find the answer to your -question several times repeated in our correspondence -columns.</p> - -<p><span class="smcap">Evelyn.</span>—We do not place ourselves between our -young readers and their parents, by expressing an -opinion respecting the punishments they inflict. If -severe, we imagine that their statement of the case -you describe would be of a different character from -yours. Probably there were attendant circumstances -which aggravated the misdoing on your part. What -business had you to go out without leave, and not -fully dressed for so doing? Besides, you may have -been disobedient or impertinent.</p> - -<p><span class="smcap">Ditto.</span>—You will find instructions in riding in the -monthly part for October 1st, 1881, page 3, vol. iii., -and, as we told you before, at page 131 in the same -volume. You cannot read figures, one would suppose. -There is a picture of a girl on horseback on -the same page. Look again.</p> - -<p><span class="smcap">Jo.</span>—Perhaps you could receive some little pupils daily -for two or three hours at your own home, and teach -them the rudiments of an English education—reading, -writing, arithmetic, grammar, geography, and -needlework.</p> - -<p><span class="smcap">Mother of Six.</span>—The Paddington Green Children’s -Hospital might suit you, boys under twelve years of -age and girls under fourteen being eligible, and no -letters of recommendation being required. Write to -the treasurer, George Hanbury, Esq. 21, Portman-square, -W. There are also the Belgrave Hospital -for Children, 77 and 79, Gloucester-street, S.W.—lady -superintendent, Miss Munro; The Eveline -Hospital for Sick Children, Southwark Bridge-road, -S.E.;—secretary, T. H. Chapman, Esq. All three -are free.</p> - -<p><span class="smcap">Sophia Falconer.</span>—Cod-liver oil is specially beneficial -to consumptive persons or those suffering from -a severe cough, not from the stomach. In cases of -atrophy we should think it would be of service. -Many persons, strong or delicate, find a plunge or -two in the sea of much benefit; but few comparatively -could go into still, cold, fresh water. A cold -sponge bath is quite a different thing, and cold salt-water -sponging of the spine, throat, and chest is -much to be recommended, or a good quick rubbing -with a wet towel half wrung out, and drying with a -rough one.</p> - -<p><span class="smcap">Curly</span> and <span class="smcap">Fluffy</span>.—Avoid meeting the men who try -to force unwelcome attentions upon you. Speak to -your mother about it, and let her direct you. She -can put a stop to the persecution with authority. If -she were to go out with you a few times she could -dismiss them at once. Avoid seeing them, and go -into a shop or turn a different way if they try to join -you. It is an important part of her duty to protect -and chaperone you.</p> - -<p><span class="smcap">An Old Girl of Poland.</span>—In adopting a new country -it is always wise to be provided with a passport, a -copy of your certificate of baptism, and letters from -your clergyman, and any leading men, magistrates -or others; also your banker, if you have one. Such -papers might prove very valuable as introductions -into society, or to facilitate your obtaining employment. -Besides this, they would be very essential in -case of mistaken identity. No passport is needed -in coming to England, yet it is wise to have one.</p> - -<p>J. B.—To know the colour called primrose, you have -only to look at the flower and at the enamelled or -painted representations of it. Why ask anyone else -when your own eyes could act better for you than -any description by another person?</p> - -<p><span class="smcap">Clansman.</span>—We should like to encourage you to write, -as the lines speak well of the mind and the heart; -but we think you would succeed better in prose than -poetry.</p> - -<p>“<span class="smcap">Eucharis Lily.</span>”—We have no recollection of the -MS. of which you speak, and regret you have waited -so long for an opinion. The lines you enclose show -good feeling, but lack originality. We thank you -for your kind letter.</p> - -<p>F. A. B.—We feel sincere sympathy for you, and -scarcely know how to advise you. At your early age -you are only eligible for the Children’s Hospital, -Great Ormond Street, W.C. You might write for -particulars to the lady superintendent. You would -have to supply certificates both as to character and -health.</p> - -<p><span class="smcap">Gertrude McKenzie.</span>—No licence is required to -enable you to keep a registry office for servants.</p> - -<p><span class="smcap">Snowdrops.</span>—Certainly, wear your gloves in church. -Why not? A correspondent some time ago advised -that maidenhair ferns should be watered with tea, -and tea-leaves from the tea-pot should be put round -them.</p> - -<p><span class="smcap">Inez</span> and <span class="smcap">Philip</span>.—We are of opinion that the amount -allowed by your brother for his dinner is much in -excess of what is needed, and may prove a temptation -to him if continued. We were interested -in your letter, and we hope your mutual happiness -will long be continued.</p> - -<p><span class="smcap">One You Have Benefited.</span>—Many thanks for your -kind letter. We quite see all your difficulties, but -we think you must not make too much of them. -The real use of all training at home is to help young -people to stand alone some day, and act in the fear of -God, for themselves; they cannot be always children, -nor in leading strings, so you must excite in them -conscientiousness and a constant desire to do right. -The conduct they propose, <i>i.e.</i>, of going out and in, -of accepting invitations as they please, without consulting -you, is, in the first place, ill-bred and unladylike. -No one treats the lady of the house, be she -mother or step-mother, in that manner, and even in -society they would not be guests a second time in -any house where they ignored the lady who invited -them.</p> - -<p><span class="smcap">Alea Europea.</span>—In the “Chapel in the Tower,” by -Mr. Bell, we find the following notice of Arthur -Pole, who, with his brother Edmund, was imprisoned -for life, and died in the Tower—They were -the sons of Sir Geoffrey Pole, and grandsons of -Margaret of Clarence, Countess of Salisbury. Cardinal -Pole was, therefore, their uncle. In 1562 they -were implicated in a conspiracy to depose Queen -Elizabeth, and place Mary Queen of Scots on the -throne. It was also alleged that one of them designed -to marry her. They were tried for high -treason at Westminster Hall, 26th February, 1562, -and sentenced to be executed as traitors at Tyburn. -The sentence was commuted by Queen Elizabeth to -imprisonment for life in the Tower, and on the walls -of the Beauchamp Tower, which was their prison, -their names will be found carved several times. The -last written was as follows:—“A passage perillous -makethe a port pleasante, I. H. S., 1568, Arthur -Pole, aged 37.” The date of his death and that of -his brother seems not to be known, but both -were dead in 1578, and buried in the chapel in the -Tower.</p> - -<p><span class="smcap">Daisy.</span>—Take no notice of the matter, unless you are -directly charged, when you can deny truthfully the -authorship of such an unmaidenly epistle.</p> - -<p><span class="smcap">Alicia.</span>—If the jewellery be good and old, it is better -to employ a jeweller to clean it.</p> - -<p><span class="smcap">Snowstorm.</span>—We think you should go to New Zealand -to your affianced husband, and keep your promise, -especially as you leave a sister at home to take -care of your mother. It would indeed be foolish to -bring him to England if he be doing well out there, -and is able to marry and give you a comfortable -home.</p> - -<p><span class="smcap">Sybil.</span>—We think you may need a tonic of some kind. -A little alum and water is sometimes good for -moist hands, but it is never safe to check perspirations, -unless under a doctor’s orders.</p> - -<p><span class="smcap">Buttercup.</span>—We know of no situation easier than a -nurse’s, where there are only one or two children, -unless, perhaps, you could manage to get one as -parlour-maid only.</p> - -<p>A. S. F. T. F. (New South Wales).—There would be -no value if the dates of the half-crowns were erased, -because coins of the House of Brunswick are only -valuable when in perfect order.</p> - -<p><span class="smcap">Mizpah.</span>—The word “Mizpah” means a watch-tower. -On a ring it would mean, “The Lord watch between -thee and me, when we are absent from each other,” -a solemn pledge of faithfulness and truth in a betrothal. -It was used as a solemn warning to one -suspected, not trusted, in the original case.</p> - -<p>I. H. B.—“Ban” is an Irish prefix, and means -“white.” We cannot find any other clue to the -word, and we think you should have written “Wenham,” -which is the name of a lake near Boston, -U.S.A., from which the ice derives its name.</p> - -<p><span class="smcap">Omega.</span>—The only way to be comfortable is to prevent -the chilblains from coming at first, by rubbing the -place you feel affected with a little dry mustard and -flour very gently, which will generally put the chilblains -back. When a chilblain has broken, a decoction -of poppy-heads with hot water may be soothing, -and bread poultices are used by many people, but we -are doubtful of their expediency. When the inflammation -has subsided, a little creosote ointment may -be used, but when so bad it would be well to consult -a doctor.</p> - -<p>R. A. A.—The editor declines, with thanks.</p> - -<p><span class="smcap">Dum Spiro Spero.</span>—The words are French, and are -used when picking the leaves from a daisy. They -mean, “He loves me a little, much, passionately, not -at all.” This is one of the many ancient charms, or -really auguries, which we have obtained from unknown -ancestry.</p> - -<p>F. A. H. B.—We regret that we can make no use of -your essay.</p> - -<p><span class="smcap">Daddy Longlegs</span> should send her locket to a jeweller’s -to be cleaned and repolished.</p> - -<p><span class="smcap">Lady Godiva.</span>—Probably digestion. Ask your doctor -about it.</p> - -<p><span class="smcap">Esther Black.</span>—The notice of the marriage in the -different newspapers is a sufficient announcement to -friends at a distance. Neither cards nor wedding-cake -are sent now.</p> - -<p><span class="smcap">Florence Moore.</span>—Does your sister wish to look like -a balloon, tied in at the middle with a string? or, -still worse, does she wish to cut her liver in two? -Her other plan, “to drink vinegar,” would so thin -her blood that she would exchange her wholesome -fat for dropsy, and become blown out like a skin-bag -used for water in the deserts. For your own infirmity -you should wear a backboard and faceboard daily -while at your studies. We have often described and -prescribed them already.</p> - -<p><span class="smcap">Curious.</span>—The origin of the name given by Handel to -his composition called “The Harmonious Blacksmith” -was a very natural one. He was on a visit -to the Duke of Chandos, at Edgware, and, overtaken -by heavy rain, he took shelter in a smith’s forge. -The ringing strokes of the hammer, combined with -the song of the smith, told a story to the lively -imagination of the composer, and gave birth to the -piece in question.</p> - -<p><span class="smcap">Laura.</span>—It is not very evident as to when the Manx -House of Keys was first established, but it existed -in the time of the Dane King, Orry, at the -beginning of the tenth century. This sovereign -established an independent throne in Mona. The -term “Keys” is derived from <i>Kiare es feed</i>, “twenty-four,” -and applied to that number of men of the -island who form the Lower House, while the Upper -House, or Council, is appointed by the crown, and -consists of the bishop, archdeacon, clerk of the rolls, -and some civil officials.</p> - -<p><span class="smcap">Strawberry Cream.</span>—Have you learnt any branch -of domestic service? If so, make use of it. Better -trained servants are much required. You might, at -least, look for a situation as schoolroom maid, under -nurse, or mother’s help. These would serve to give -you practical training.</p> - -<p><span class="smcap">Lolly.</span>—It is for ladies to recognise gentlemen, if acquaintances, -not the reverse. This being the case, -we do not see what your bowing to your clergyman -can have to do with “fastness.” Of course, the -character of the recognition must depend on your -position in life. Good Friday is a fast, not a feast -day. That is the reason, as you will perceive.</p> - -<p><span class="smcap">Admirer of the G.O.P.</span>—Why should you ask your -clergyman to give you a severe talking to? If you -know you deserve it, why not administer it to yourself? -Tell your mother that you lament your want -of self-control and respect in giving way to unseemly -ill-temper, and ask her to help you by a timely check -and reproof, and by her prayers to rule your spirit. -“He that ruleth his spirit is greater than he that -taketh a city.” Leaving off your spectacles will not -only make your eyes ache, but injure them, by overstraining -the nerves.</p> - -<p><span class="smcap">Enid.</span>—If the ends of your hair split, you should have -them carefully singed by a hairdresser accustomed -to do so. You might set all on fire if you attempted -to do so yourself. Improve your handwriting by -writing copies daily, and perfect your acquaintance -with the first three or more rules in arithmetic, and -then you will be eligible for a situation as shop assistant.</p> - -<p><span class="smcap">Gretta’s Sister.</span>—A surgeon should examine your -sister’s tongue to see whether it be paralysed. If she -can hear, then no other alphabet is needed for her -than ours.</p> - -<p><span class="smcap">Young Stepmother.</span>—The advice of your governess -is good. As you have so high an opinion of her discretion, -as well as amiability and experience, you -had better give her the due authority to act for you. -In a month’s time, or during the first quarter, you -will see with what success it is attended. One thing -is certain, obedience must be enforced.</p> - -<p><span class="smcap">Hope</span> has some poetic feeling, but whether she will -rise to the level of “poetry” in future we could not -say, nor could we recommend any magazine or publisher -likely to take literary and poetical compositions. -That is a question for the industry and perseverance -of the writer to solve.</p> - -<p><span class="smcap">Dorothy Forster.</span>—The lines you send us are very -halting, both as to rhyme and reason.</p> - -<p><span class="smcap">Cherry Ripe.</span>—The word “fiat” means an order or -decree. We thank you for your good wishes and -praise of our paper.</p> - -<p>J. F. C.—We have pleasure in giving out readers the -address of the Santa Claus Society, for providing -toys and dolls for children in hospitals. To make -them during leisure hours would be a nice occupation -for young people. For the benefit of those -who would like to aid in a truly charitable and -Christian work, as well as for the sake of the poor -children, we copy your address, as one of the -managers of the society—Miss J. F. Charles, Hillside, -Southwood-lane, Highgate, N.</p> - -<p>A. M. C.—There is a home of rest at 9, Albion-place, -Ramsgate. Apply to Miss Bennett. You may be -taken in for three weeks, and the lowest terms for -board, lodging, and attendance are 10s. a week.</p> - -<p><span class="smcap">Pomme de Terre.</span>—We have seen the grave of the -late novelist, Charles Reade, to which you refer, -and the outside public knows no more than just what -the inscription states. This is all we can say in -reply.</p> - -<p><span class="smcap">White Heather.</span>—The falling of the hair is often -due to a condition of the general health and failure -of nerve power, and the remedies need to be internally -administered, as well as externally. Go to a -skin doctor, and obtain his advice.</p> - -<p><span class="smcap">Mary Leeming</span> and <span class="smcap">Alice Haughton</span>.—Some collectors -of insects use the fumes of chloroform or -brimstone. Where there are many wild flowers you -will find butterflies.</p> - -<p><span class="smcap">Progress.</span>—Yes, women have been returned to Parliament -in past times. In 1360 writs were issued, -to four abbesses, requiring their attendance at -Westminster, and the year following five ladies of -the nobility were likewise returned (35th Edward III.)—viz., -Marie Countesse de Norff, Alianor Countesse -de Ormand. Agnes Countesse de Pembrook, Philippa -Countess March, and Catherine Countesse de Atholl. -Whether they actually took their seats, we do not -say positively. The only woman ever made a Freemason -was Miss St. Leger, a daughter of Lord -Doneraile, about the year 1739.</p> - -<p><span class="smcap">Nil Desperandum.</span>—You may say “intreat,” but -“entreat” is more correct.</p> -</div> - -<div style='display:block; margin-top:4em'>*** END OF THE PROJECT GUTENBERG EBOOK THE GIRL'S OWN PAPER, VOL. VIII, NO. 362, DECEMBER 4, 1886 ***</div> -<div style='text-align:left'> - -<div style='display:block; margin:1em 0'> -Updated editions will replace the previous one—the old editions will -be renamed. -</div> - -<div style='display:block; margin:1em 0'> -Creating the works from print editions not protected by U.S. copyright -law means that no one owns a United States copyright in these works, -so the Foundation (and you!) can copy and distribute it in the United -States without permission and without paying copyright -royalties. 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