summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
-rw-r--r--.gitattributes4
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
-rw-r--r--old/65374-0.txt967
-rw-r--r--old/65374-0.zipbin16948 -> 0 bytes
-rw-r--r--old/65374-h.zipbin1383834 -> 0 bytes
-rw-r--r--old/65374-h/65374-h.htm1139
-rw-r--r--old/65374-h/images/cover.jpgbin1369563 -> 0 bytes
8 files changed, 17 insertions, 2106 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..d7b82bc
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,4 @@
+*.txt text eol=lf
+*.htm text eol=lf
+*.html text eol=lf
+*.md text eol=lf
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..ba8efab
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #65374 (https://www.gutenberg.org/ebooks/65374)
diff --git a/old/65374-0.txt b/old/65374-0.txt
deleted file mode 100644
index e936a68..0000000
--- a/old/65374-0.txt
+++ /dev/null
@@ -1,967 +0,0 @@
-The Project Gutenberg eBook of Overlord of Colony Eight, by Robert
-Silverberg
-
-This eBook is for the use of anyone anywhere in the United States and
-most other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms
-of the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you
-will have to check the laws of the country where you are located before
-using this eBook.
-
-Title: Overlord of Colony Eight
-
-Author: Robert Silverberg
-
-Release Date: May 18, 2021 [eBook #65374]
-
-Language: English
-
-Character set encoding: UTF-8
-
-Produced by: Greg Weeks, Mary Meehan and the Online Distributed
- Proofreading Team at http://www.pgdp.net
-
-*** START OF THE PROJECT GUTENBERG EBOOK OVERLORD OF COLONY EIGHT ***
-
-
-
-
- Overlord Of Colony Eight
-
- By Robert Silverberg
-
- Reese returned to the colony expecting
- a pleasant reunion; instead he found friends
- ready to hunt him down like an alien beast....
-
- [Transcriber's Note: This etext was produced from
- Imagination Stories of Science and Fantasy
- October 1957
- Extensive research did not uncover any evidence that
- the U.S. copyright on this publication was renewed.]
-
-
-Colony Eight on the _Damballa_ was a huddle of low plastic domes set
-in a clearing of the jungle. It was also the most welcome sight Jim
-Reese had seen in a month--the month since he'd quarreled with Lois and
-struck out into the jungle alone.
-
-He had covered close to a thousand miles--all the way to Colony Seven,
-the nearest of the 10 colonies Earth had planted on the jungle world.
-Now he was returning, hoping his month's absence had healed the wounds
-he and Lois had caused each other. She had had time to think things
-over. So had he--and he still loved her.
-
-He saw one of the natives straggling through the jungle toward him and
-grinned. It was drunken old Kuhli, a native who had been accidentally
-made a drug addict by a well-meaning Terran doctor. Kuhli lived in a
-murky fog and hung around Colony Eight because he had no place else to
-go.
-
-Reese was happy to see a familiar face, even Kuhli's. He hailed the
-alien.
-
-"Kuhli! Kuhli, you old devil! Where are you going?" He knew the native
-rarely ventured into the jungle any more; his delicate sense of
-direction had long since been blunted by drugs.
-
-The alien whirled uncertainly and fixed his bleary green eyes on Reese.
-"Trouble, Earthman," he wheezed. "Go away. Away. Big trouble."
-
-Reese frowned. "What are you talking about?"
-
-Kuhli came near and rocked unsteadily on the pads of his seven-toed
-feet. "Everyone crazy there. Not safe. Trouble, Earthman." He moaned
-softly to himself. "Sad things happening."
-
-Reese glared at the alien; grasped him by his scaly shoulders and shook
-him. "Speak up, Kuhli! Is this just another pipedream of yours or is
-there something wrong in the Colony? I have to know!"
-
-The alien whined piteously. "Don't hurt Kuhli. Don't hurt. Trouble,
-Earthman!"
-
-Reese noticed a pack slung over the creature's back. "What's in here?"
-
-"Mine! Mine! Don't touch!"
-
-Curiosity impelled Reese to turn the alien around and peer in the
-bulging pack while the old man gibbered in fear.
-
-Reese whistled. The pack was brim-full of ampoules of
-benzolurethrimine, the pain-killing drug to which Kuhli had been made
-an addict. The alien had stumbled into the colony one day, his chest
-slashed open by the talons of a _khaljek_-bird; the colony doctor
-had administered the drug to ease his agony and only then discovered
-benzolurethrimine was a powerful narcotic for the aliens.
-
-"Where'd you get all this stuff?" Reese demanded.
-
-"Took it. Needed it. Not going back to Colony any more."
-
-There was something doing there, all right. This was no pipedream of
-Kuhli's--not when he was willing to steal a supply of drugs and strike
-out on his own into the treacherous jungle. Reese tightened his lips
-and, started to run toward the nearby colony at a dead trot. He hoped
-Lois was all right; he'd never forgive himself for leaving her if
-anything had happened to her.
-
- * * * * *
-
-He entered the circle of domes. No one seemed to be around. That was
-peculiar. There should always be a few idling colonists resting up
-before continuing their task of clearing the jungles.
-
-Finally he spotted Lloyd Kramer, one of his best friends. He and Kramer
-had decided together to join and had come out to _Damballa_ on the same
-ship.
-
-"Lloyd! Lloyd!" Reese ran toward the big man, who was standing stiffly
-outside his hut, staring elsewhere. "Hey, Lloyd!"
-
-Kramer turned. Reese said, "I just saw old Kuhli heading through the
-forest with a packload of benzo. He says there's some trouble in the
-Colony. What's up? How's Lois? Is she all right?"
-
-A puzzled frown appeared on Kramer's face. "Who are you?" he said in a
-deep rumbling, voice. "I do not recognize you."
-
-"What? You crazy, Lloyd? I'm Jim Reese!"
-
-"_Jim ... Reese?_" Kramer repeated the words as if they were some
-totally alien name. "Where did you come from, Jim Reese?"
-
-"I--what the devil is this, Lloyd?" Reese backed away suspiciously.
-"What's happened to you? Where is everyone?"
-
-"You do not know," Kramer said. "Therefore you were not here when the
-conversion took place. Therefore I must capture you."
-
-He lunged.
-
-Reese got out of the way just as Kramer's six-four body came thundering
-toward him. He had known Lloyd long enough to be aware of the big man's
-fight-patterns; he could side-step easily enough.
-
-"Lloyd! You out of your head?"
-
-"You must be captured," Kramer repeated. He turned and swung his giant
-fists. Reese managed to parry one blow but a massive right crashed
-into his belly and knocked him gasping back against the thick bole
-of a _ghive_ tree. He clung to the sticky bark for a second, sucking
-in breath. Then, as Kramer advanced again, Reese yanked out his
-hunting-knife. Kramer was unarmed.
-
-"Lloyd, I don't know what's gotten into you but if you take another
-step closer to me I'm going to slice you up. You must be crazy!"
-
-Kramer drew back, staring in puzzlement at the gleaming saw-toothed
-blade in Reese's hand. He froze some three yards away.
-
-He said aloud, "What should I do, Dr. Tersen? He has a knife."
-
-And in a cold, unfamiliar voice, he answered himself: "Keep him there
-at all costs--your life, if necessary. I will send help."
-
-"Yes, Dr. Tersen," Kramer said in his own voice.
-
-Reese frowned. Tersen? He remembered someone of that name--some
-scientist involved in a scandal a few years back on Earth. But what he
-was doing here on _Damballa_ and what sort of control was he exerting
-over Lloyd Kramer?
-
-"I am to keep you from escaping," Kramer said flatly. "Put the knife
-away, Jim Reese."
-
-Reese glanced past Kramer and saw moving figures--colonists, coming
-toward him. He recognized them but still there was something unfamiliar
-about them. They moved stiffly. _Like so many zombies_, Reese thought.
-
-Sweat poured down his body. He didn't want to hurt Kramer, not even the
-strangely-possessed Kramer before him.
-
-Stooping quickly, he picked up a handful of the soft, warm _Damballa_
-mud and hurled it into Kramer's face. The big man, blinded, spat out
-mouthfuls of mud. Reese turned and ran.
-
-"After him!" Kramer rumbled. "He's getting away!"
-
-Reese heard a dozen pairs of feet behind him. He dodged back into the
-jungle, felt a slimy trailer of vine slap across his face and plunged
-into a swampy morass covered over with quivering _chulla_-ferns.
-
- * * * * *
-
-He crouched there for five minutes, ten, listening while the colonists
-thrashed about searching for him. He felt chilled despite the tropical
-warmth of the forest.
-
-Who was this Tersen? And what had he done to the people of Colony
-Eight? To Lois...?
-
-He had to find out. Somehow, while he had been gone, Tersen had seized
-control of the minds and bodies of his friends and fellow colonists. He
-heard their voices--steely, unreal.
-
-"Any sign of him?"
-
-"No. He has vanished."
-
-"Dr. Tersen will punish us. We must find him."
-
-"He has a knife. We must be careful."
-
-"No. Dr. Tersen said to capture him even at the cost of our lives."
-
-Reese shuddered. He recognized those voices, or thought he did. Abel
-Lester, Dick Fredrics, Chuck Hylan--men he had worked with and known
-for years. Hunting him now, as if he were some wild _thruuv_ needed to
-serve as food for the colony.
-
-Someone passed within three feet of his hiding place and moved on.
-Reese was bathed in his own sweat. If he could only stay hidden until
-they went away, then sneak back into the Colony and find out what had
-happened, find out if Lois was all right--
-
-A needle of pain shot up his leg. He gasped and tried to keep from
-screaming.
-
-Another bright bolt of agony. Another.
-
-Needleworms! Boring up from the mucky depths of the swamp and
-penetrating the soles of his boots!
-
-He cursed. The damnable creatures were everywhere. He went into a
-little dance, trying to avoid their keen snouts, but there were dozens
-of them, sensing a juicy meal. If he stayed here any longer he'd be
-slowly eaten to death.
-
-Clutching his knife tightly he edged out of his shelter, looking
-around. There was no one in sight; the searchers were beating through
-the underbrush up ahead.
-
-He moved on tiptoe back toward the village. And suddenly the thick
-corded arms of Lloyd Kramer shot around him from behind, pinioning him
-in an unbreakable grip. The knife dropped from his hands.
-
-"All right!" Kramer called. "I've got him! Let's go back now."
-
- * * * * *
-
-Three men guarded him as he lay bound in one corner of the Colony
-Administration Building. Lloyd Kramer, Abel Lester and Mark Cameron,
-Lois' father. They had been facing him wordlessly for almost 15
-minutes. None of them would answer his questions--not even when he
-asked Cameron whether Lois was all right.
-
-Suddenly the door opened and a tall, ascetically thin man entered.
-Reese knew instantly from the cold set of his features and the fact
-that his eyes, unlike those of the zombies, burnt with a hard flame of
-intelligence, that this was Dr. Tersen.
-
-"You can go," Tersen said.
-
-The three guards nodded and left. Reese noticed that a tiny band of
-bright metal encircled Tersen's forehead.
-
-The scientist looked down at Reese. "Are you a member of this colony?"
-he asked.
-
-"Why should I tell you?"
-
-"I repeat, James Reese: are you a member of this colony?"
-
-"Yes," Reese said. "I've been away on a hunting trip the past month.
-Who the devil are you?"
-
-"My name is John Tersen, formerly of Earth. You may have heard of me."
-
-"I remember some sort of trial," Reese said. "You were accused of
-illegal experiments of some kind. You were banished from Earth."
-
-"Ah, yes. Precisely." A film of pain crossed Tersen's lean features.
-"Exiled from my native world. That was six years ago--six years in
-which I've worked alone, on an uncharted planetoid, preparing. Colony
-Eight of _Damballa_ represents my first laboratory experiment. After
-that, the other nine colonies--and then, Earth. I'll have repaid them
-for what they did to me!"
-
-"Do you have this whole colony in your control?" Reese asked.
-
-"Yes. All but you--and you'll soon be under the beam too."
-
-_That means Lois too_, Reese thought. _What an idiot I was to go away
-and leave her here alone!_
-
-And then he realized it was lucky he had done so. If he had stayed
-here, he'd probably be a zombie like all the rest. At least this way he
-was a free agent and it was still possible to defeat Tersen--for the
-time being.
-
-Something flashed brightly in Tersen's hand. A thin metallic
-bracelet--of the same metal as the band around the scientist's forehead.
-
-"This is for you," Tersen said. "Since I can't readjust the generator
-without losing control of all the others I've prepared a special
-trinket for you. Let me slip it on you, Reese."
-
-Tersen reached for Reese's wrist. Reese twisted his body away.
-
-"Don't be coy," Tersen said, smiling bleakly. He slapped Reese and
-seized his wrist. Despite Reese's desperate writhing Tersen managed to
-force the bracelet over the man's wrist and clamp it shut.
-
-"There," Tersen said. "Now the whole village is under control."
-
-Reese was puzzled. He felt no different; evidently something had gone
-wrong. But he did not intend to let Tersen know that.
-
-"We'll march on Colony Seven tonight," Tersen mused aloud.
-"Everything's ready to begin the conquest."
-
-He stepped behind Reese and undid his bonds. Reese rose to his feet
-stiffly, hoping he made a convincing zombie. He crossed the room toward
-the door.
-
-"Join the others," Tersen ordered.
-
-"Yes, Dr. Tersen," Reese said in sepulchral tones.
-
- * * * * *
-
-Outside, he glanced around and saw several colonists some distance
-away. He walked toward them, careful to maintain the stiff walk in case
-Tersen were watching.
-
-Something had gone wrong with Tersen's bracelet because Reese
-definitely was under no control. It was a lucky break; it allowed him
-some extra time to discover what power Tersen held over the enslaved
-colonists. And he could find Lois.
-
-The bracelet on his wrist gave no clue. It was just a thin band of
-metal without ornament. Presumably Tersen had expected to exert some
-kind of thought-control through it.
-
-None of the colonists wore bracelets of this sort. Therefore, Tersen
-had some other means of controlling them. He had spoken of a
-"generator." Perhaps he could find that while he remained at large.
-
-"Hello, Earthman. There is trouble here."
-
-Maintaining his stiffness, Reese turned. He saw Kuhli, the addict. The
-pack he had been carrying was missing.
-
-"Why are you back?" Reese asked.
-
-"I need.... I need...." Kuhli gestured to his back. "I lost my pack. I
-need...." He could not pronounce the name of the drug he craved but he
-had been drawn back to the colony by desperate need.
-
-Reese began to say something--then he cut it short and started to run.
-
-"Lois! Lois!"
-
-The girl was walking across the clearing in the familiar stiff-legged
-stride. Reese caught up with her in a moment or two, his heart
-pounding. "Thank God you're all right!" he exclaimed.
-
-She stared at him. Her lovely face was void of all expression and her
-hazel-grey eyes looked blankly at him. "Who are you?" she asked, as if
-she were sleepwalking.
-
-"Why--I'm Jim! Are you under this dreadful thing, too? Yes, yes, of
-course you must be. I...."
-
-She interrupted him--speaking in a deep, grotesque voice that sounded
-more like Dr. Tersen's than her own. "Somehow this Reese is not under
-control. He must be captured and put out of the way. Get him!"
-
-Reese realized that Tersen had been watching through Lois' eyes. Half
-a dozen of the colonists were converging on him now. He turned and
-started to run.
-
-They spread out in a loose ring around him and he saw that unless he
-could dodge past them and escape into the forest, he was trapped.
-
-He dashed forward toward the nearest man--Chuck Hylan. Hylan was lean
-and agile but Tersen's control left him stiff and awkward. He brought
-his fists up and aimed a few wild punches at Reese. Reese ducked them
-easily and smashed a hard right at Hylan.
-
-It was a blow that could have toppled a tree--but Hylan merely
-staggered and stayed up. Reese saw that the control gave them extra
-endurance. He'd get nowhere by fighting with them. Pushing Hylan aside,
-Reese broke for the clearing.
-
-And froze.
-
-He heard Tersen's dry voice saying, "... must have been a short in the
-wave canal. But that's taken care of now."
-
-The voice was not loud. It was in his mind.
-
-And he was unable to move.
-
- * * * * *
-
-It was a strange, unearthly experience to be a zombie. Part of Reese's
-mind remained conscious. Part of him knew that Tersen had belatedly
-achieved control through the bracelet on his wrist and that Reese was
-no longer his body's master. He felt a presence in his mind. Tersen.
-Tersen dictated his motions now.
-
-Stiffleggedly--and it was no sham, now--he turned or _was_ turned, and
-walked back toward the rest of the group. Tersen had appeared and stood
-there, icy eyes glittering at him.
-
-"I made the mistake of not testing you before I freed you," the
-scientist said. "But I think the control is in effect now. We'll see."
-
-_Raise your right hand!_ came a sudden mental command. Reese felt his
-right hand shoot above his head. He struggled to pull it down but it
-was impossible.
-
-_Left hand!_
-
-_Both hands!_
-
-_Kneel on your left knee!_
-
-Apparently Tersen was satisfied. He ordered Reese up and turned away.
-His control was complete.
-
-"We march on Colony Seven tonight," Tersen announced again.
-
-The rest of that day was a dim blur for Jim Reese. He followed through
-a series of dictated tasks, preparing for the raid on the colony. He
-discovered now exactly what had happened to Colony Eight but there was
-nothing at all he could do about it.
-
-Tersen had appeared about a week after Reese had quarrelled with Lois.
-He had announced he was here to perform some experiments and asked the
-Colony to let him stay for a month or so. The Colony had agreed.
-
-Tersen had proceeded to set up a dome and build his generator. It
-operated on encephalographic principles and allowed him to control the
-brains of all within its field at the time it was turned on. The Colony
-had not discovered this until the day Tersen had switched the generator
-on. From then on all were slaves.
-
-Since Reese had not been present when that happened he was not subject
-to the generator field nor was the generator set up to control him.
-Tersen had had a portable generator under experimental construction
-and it was that which he had used to control Reese. It had failed, at
-first, though Reese's clever act had deceived Tersen. But when the
-scientist discovered Reese still was not under control he was able to
-make a trifling adjustment that altered the situation.
-
-These things Reese found out by his contact with Tersen's mind. Contact
-worked in two directions--but control in only one.
-
-Reese and the others readied the Colony for the attack on its
-neighbors. Tersen planned to control all the 10 colonies on
-_Damballa_--and then, building more generators, he would spread his
-dominion to Earth, the planet that had driven him into exile.
-
- * * * * *
-
-But one person in Colony Eight was free from Tersen's control. One
-person came and went as he pleased.
-
-Kuhli. The drug-sodden alien.
-
-Reese was standing stiffly before the medical commissary later that
-day when Kuhli came out, his back once again laden with a packful
-of benzolurethrimine ampoules. The alien was smiling happily in his
-narcotic daze.
-
-He approached Reese and peered at him curiously out of eyes clouded
-with drugs. "Earthman. Much trouble here. I leave again."
-
-Prisoner within his own skull, Reese longed to break Tersen's iron
-control. But it was impossible. He stood stock-still while Kuhli stared
-at him.
-
-The alien's blubbery mouth split in a pleased smile. "Pretty," he
-crooned. "Pretty. I take."
-
-Reese's heart bounded in sudden hope.
-
-Kuhli's dim eyes were fixed on the shining bracelet on Reese's wrist!
-
-The alien was pawing his arm now, examining the trinket, exclaiming
-little wordless cries of pleasure over it. Reese felt his body
-breaking out in heavy sweat. If only Tersen wouldn't notice--!
-
-Kuhli began to slip the bracelet off.
-
-And Tersen detected it. His sudden, urgent thought came to Reese: _Stop
-him! Don't let him remove the bracelet, Reese!_
-
-Unable to resist, Reese started to draw his hand back, to bring his
-other fist down on the alien's skull. But halfway through the action he
-felt a shock like a heavy-voltage current ripping through him and knew
-that he was free. The alien had removed the bracelet!
-
-Quickly Reese seized it, grabbing it from the alien's paws. Despite
-Kuhli's protests, Reese hurled the bracelet as far into the underbrush
-as he could.
-
-He grinned and patted the blubbering alien on one scaly shoulder.
-"That's all right, Kuhli. Good boy, Kuhli. When this thing is over
-remind me to get you a new bracelet."
-
-He began to run, moving with grim determination now. He was free
-again--and now he knew where Tersen and his generator were located. He
-didn't intend to fail a third time.
-
- * * * * *
-
-Tersen had set up his headquarters in one of the small domes near the
-stream that ran past the colony. Blaster in hand, Reese ran to the
-dome.
-
-Someone stood in the door. Not Tersen.
-
-Lois.
-
-"Don't go in there," she said--in her normal voice. "Tersen's in there."
-
-"I know." He stared at her. She didn't have the same zombie-like
-appearance she had had earlier. "Get out of my way," he told her. "I'm
-going in."
-
-She put her hand on his arm tenderly. "No Jim. Give me the gun. I've
-broken out of his control. He doesn't know it yet. Let me go in
-there--and I'll take him by surprise. He won't expect it when I blast
-him down."
-
-A grin lit Reese's features. The voice was unmistakably Lois'. "Okay.
-Great idea, darling. Here."
-
-He handed her his blaster and waited for her to go inside. But instead
-she levelled the gun at him.
-
-"Lois! What is this--a trap?"
-
-Words came from her mouth in reply--words spoken in a deep, distorted
-voice. "Well done. Now kill him." It was the voice of Dr. Tersen.
-
-Her finger tightened on the trigger as Reese stood frozen in utter
-horror. Tersen had used a shrewd ruse--by pretending to have let Lois
-escape his power he had gotten Reese to surrender his weapon.
-
-But Lois stood facing him without firing. Sweat broke out on her face.
-She became deadly pale.
-
-"Fire!" Tersen urged, speaking through her mouth. "Shoot him!"
-
-"I--I can't," she said hesitantly, "I--love--him."
-
-The gun dropped from her hand. A moment later she fell in a crumpled
-heap at Reese's feet.
-
-There was no time to examine her. He snatched up the blaster, stepped
-over her fallen body and burst into the dome.
-
-A purple blast of energy seared the air above him and blew a hole above
-the door. Instantly Reese dropped.
-
-A compact, whirring pile of machinery confronted him--and, huddling
-behind an overturned bench, was Tersen aiming a blaster at him. Reese
-flattened himself against the floor.
-
-Tersen fired and missed. Reese squeezed the stud of his own blaster and
-ashed part of the table behind which Tersen cowered.
-
-He heard footsteps behind him. The colonists, still under Tersen's
-domination, were coming to their master's aid.
-
-"You'd better give up," Tersen said. "They'll tear you to pieces."
-
-Reese's only reply was another bolt of energy that ripped away the wall
-above Tersen's head. Tersen fired again; heat bathed Reese's cheek.
-
-The colonists were practically there now. He could hear them swarming
-up the path to aid Tersen. He fired again--
-
-Squarely into the generator.
-
-Livid blue flames flickered over the complex machinery for a moment.
-Tubes melted: connections shorted out. An agonized scream came from
-Tersen and he charged forward madly, blinded with rage.
-
-Reese didn't need to fire. He simply stepped into Tersen's path and
-smashed him to the ground with a solid right. Then he turned and pumped
-his remaining three charges into the burning generator.
-
-A moment later the colonists arrived--but not as Tersen's rescuers,
-as his executioners. Reese got out of their way as the newly-freed
-colonists rushed in.
-
-What was left of Tersen wasn't pretty.
-
-"It was awful," Lois sobbed, outside. "I knew what he was planning to
-do and yet I couldn't help myself. I--was like a puppet on a string."
-
-"I know what it was like," Reese said. "He had me under control a while
-too--until poor crazy Kuhli decided he liked the way my bracelet shone.
-But you did help yourself--you didn't fire!"
-
-"Yes," the girl said weakly. "I struggled--and then somehow I won. I
-snapped his hold and collapsed. And then--and then--"
-
-Reese smiled. "It's all over now," he said. "Tersen's dead and his
-machine's smashed. It had one flaw--it couldn't control love."
-
-She looked up at him. "You won't go away any more, will you, Jim?"
-
-"That's a silly question," he said.
-
-*** END OF THE PROJECT GUTENBERG EBOOK OVERLORD OF COLONY EIGHT ***
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the
-United States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for an eBook, except by following
-the terms of the trademark license, including paying royalties for use
-of the Project Gutenberg trademark. If you do not charge anything for
-copies of this eBook, complying with the trademark license is very
-easy. You may use this eBook for nearly any purpose such as creation
-of derivative works, reports, performances and research. Project
-Gutenberg eBooks may be modified and printed and given away--you may
-do practically ANYTHING in the United States with eBooks not protected
-by U.S. copyright law. Redistribution is subject to the trademark
-license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country other than the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you will have to check the laws of the country where
- you are located before using this eBook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm website
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that:
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from the Project Gutenberg Literary Archive Foundation, the manager of
-the Project Gutenberg-tm trademark. Contact the Foundation as set
-forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org
-
-Section 3. Information about the Project Gutenberg Literary
-Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non-profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's business office is located at 809 North 1500 West,
-Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
-to date contact information can be found at the Foundation's website
-and official page at www.gutenberg.org/contact
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without
-widespread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine-readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our website which has the main PG search
-facility: www.gutenberg.org
-
-This website includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
diff --git a/old/65374-0.zip b/old/65374-0.zip
deleted file mode 100644
index 6ad9fa5..0000000
--- a/old/65374-0.zip
+++ /dev/null
Binary files differ
diff --git a/old/65374-h.zip b/old/65374-h.zip
deleted file mode 100644
index 0c78fe8..0000000
--- a/old/65374-h.zip
+++ /dev/null
Binary files differ
diff --git a/old/65374-h/65374-h.htm b/old/65374-h/65374-h.htm
deleted file mode 100644
index b15c1c8..0000000
--- a/old/65374-h/65374-h.htm
+++ /dev/null
@@ -1,1139 +0,0 @@
-<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
- "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
-<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
- <head>
- <meta http-equiv="Content-Type" content="text/html;charset=us-ascii" />
- <meta http-equiv="Content-Style-Type" content="text/css" />
- <title>
- The Project Gutenberg eBook of Overlord of Colony Eight, by Robert Silverberg.
- </title>
- <link rel="coverpage" href="images/cover.jpg" />
-
- <style type="text/css">
-
-body {
- margin-left: 10%;
- margin-right: 10%;
-}
-
- h1,h2 {
- text-align: center; /* all headings centered */
- clear: both;
-}
-
-p {
- margin-top: .51em;
- text-align: justify;
- margin-bottom: .49em;
-}
-
-hr {
- width: 33%;
- margin-top: 2em;
- margin-bottom: 2em;
- margin-left: 33.5%;
- margin-right: 33.5%;
- clear: both;
-}
-
-hr.chap {width: 65%; margin-left: 17.5%; margin-right: 17.5%;}
-hr.tb {width: 45%; margin-left: 27.5%; margin-right: 27.5%;}
-
-.center {text-align: center;}
-
-.right {text-align: right;}
-
-/* Images */
-.figcenter {
- margin: auto;
- text-align: center;
-}
-
-div.titlepage {
- text-align: center;
- page-break-before: always;
- page-break-after: always;
-}
-
-div.titlepage p {
- text-align: center;
- text-indent: 0em;
- font-weight: bold;
- line-height: 1.5;
- margin-top: 3em;
-}
-
-
- </style>
- </head>
-<body>
-
-<div style='text-align:center; font-size:1.2em; font-weight:bold'>The Project Gutenberg eBook of Overlord of Colony Eight, by Robert Silverberg</div>
-
-<div style='display:block; margin:1em 0'>
-This eBook is for the use of anyone anywhere in the United States and
-most other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms
-of the Project Gutenberg License included with this eBook or online
-at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you
-are not located in the United States, you will have to check the laws of the
-country where you are located before using this eBook.
-</div>
-
-<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Title: Overlord of Colony Eight</div>
-
-<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Author: Robert Silverberg</div>
-
-<div style='display:block; margin:1em 0'>Release Date: May 18, 2021 [eBook #65374]</div>
-
-<div style='display:block; margin:1em 0'>Language: English</div>
-
-<div style='display:block; margin:1em 0'>Character set encoding: UTF-8</div>
-
-<div style='display:block; margin-left:2em; text-indent:-2em'>Produced by: Greg Weeks, Mary Meehan and the Online Distributed Proofreading Team at http://www.pgdp.net</div>
-
-<div style='margin-top:2em; margin-bottom:4em'>*** START OF THE PROJECT GUTENBERG EBOOK OVERLORD OF COLONY EIGHT ***</div>
-
-
-<div class="titlepage">
-
-<h1>Overlord Of Colony Eight</h1>
-
-<h2>By Robert Silverberg</h2>
-
-<p>Reese returned to the colony expecting<br />
-a pleasant reunion; instead he found friends<br />
-ready to hunt him down like an alien beast....</p>
-
-<p>[Transcriber's Note: This etext was produced from<br />
-Imagination Stories of Science and Fantasy<br />
-October 1957<br />
-Extensive research did not uncover any evidence that<br />
-the U.S. copyright on this publication was renewed.]</p>
-
-</div>
-
-<hr class="chap" />
-
-<p>Colony Eight on the <i>Damballa</i> was a huddle of low plastic domes set
-in a clearing of the jungle. It was also the most welcome sight Jim
-Reese had seen in a month&mdash;the month since he'd quarreled with Lois and
-struck out into the jungle alone.</p>
-
-<p>He had covered close to a thousand miles&mdash;all the way to Colony Seven,
-the nearest of the 10 colonies Earth had planted on the jungle world.
-Now he was returning, hoping his month's absence had healed the wounds
-he and Lois had caused each other. She had had time to think things
-over. So had he&mdash;and he still loved her.</p>
-
-<p>He saw one of the natives straggling through the jungle toward him and
-grinned. It was drunken old Kuhli, a native who had been accidentally
-made a drug addict by a well-meaning Terran doctor. Kuhli lived in a
-murky fog and hung around Colony Eight because he had no place else to
-go.</p>
-
-<p>Reese was happy to see a familiar face, even Kuhli's. He hailed the
-alien.</p>
-
-<p>"Kuhli! Kuhli, you old devil! Where are you going?" He knew the native
-rarely ventured into the jungle any more; his delicate sense of
-direction had long since been blunted by drugs.</p>
-
-<p>The alien whirled uncertainly and fixed his bleary green eyes on Reese.
-"Trouble, Earthman," he wheezed. "Go away. Away. Big trouble."</p>
-
-<p>Reese frowned. "What are you talking about?"</p>
-
-<p>Kuhli came near and rocked unsteadily on the pads of his seven-toed
-feet. "Everyone crazy there. Not safe. Trouble, Earthman." He moaned
-softly to himself. "Sad things happening."</p>
-
-<p>Reese glared at the alien; grasped him by his scaly shoulders and shook
-him. "Speak up, Kuhli! Is this just another pipedream of yours or is
-there something wrong in the Colony? I have to know!"</p>
-
-<p>The alien whined piteously. "Don't hurt Kuhli. Don't hurt. Trouble,
-Earthman!"</p>
-
-<p>Reese noticed a pack slung over the creature's back. "What's in here?"</p>
-
-<p>"Mine! Mine! Don't touch!"</p>
-
-<p>Curiosity impelled Reese to turn the alien around and peer in the
-bulging pack while the old man gibbered in fear.</p>
-
-<p>Reese whistled. The pack was brim-full of ampoules of
-benzolurethrimine, the pain-killing drug to which Kuhli had been made
-an addict. The alien had stumbled into the colony one day, his chest
-slashed open by the talons of a <i>khaljek</i>-bird; the colony doctor
-had administered the drug to ease his agony and only then discovered
-benzolurethrimine was a powerful narcotic for the aliens.</p>
-
-<p>"Where'd you get all this stuff?" Reese demanded.</p>
-
-<p>"Took it. Needed it. Not going back to Colony any more."</p>
-
-<p>There was something doing there, all right. This was no pipedream of
-Kuhli's&mdash;not when he was willing to steal a supply of drugs and strike
-out on his own into the treacherous jungle. Reese tightened his lips
-and, started to run toward the nearby colony at a dead trot. He hoped
-Lois was all right; he'd never forgive himself for leaving her if
-anything had happened to her.</p>
-
-<hr class="tb" />
-
-<p>He entered the circle of domes. No one seemed to be around. That was
-peculiar. There should always be a few idling colonists resting up
-before continuing their task of clearing the jungles.</p>
-
-<p>Finally he spotted Lloyd Kramer, one of his best friends. He and Kramer
-had decided together to join and had come out to <i>Damballa</i> on the same
-ship.</p>
-
-<p>"Lloyd! Lloyd!" Reese ran toward the big man, who was standing stiffly
-outside his hut, staring elsewhere. "Hey, Lloyd!"</p>
-
-<p>Kramer turned. Reese said, "I just saw old Kuhli heading through the
-forest with a packload of benzo. He says there's some trouble in the
-Colony. What's up? How's Lois? Is she all right?"</p>
-
-<p>A puzzled frown appeared on Kramer's face. "Who are you?" he said in a
-deep rumbling, voice. "I do not recognize you."</p>
-
-<p>"What? You crazy, Lloyd? I'm Jim Reese!"</p>
-
-<p>"<i>Jim ... Reese?</i>" Kramer repeated the words as if they were some
-totally alien name. "Where did you come from, Jim Reese?"</p>
-
-<p>"I&mdash;what the devil is this, Lloyd?" Reese backed away suspiciously.
-"What's happened to you? Where is everyone?"</p>
-
-<p>"You do not know," Kramer said. "Therefore you were not here when the
-conversion took place. Therefore I must capture you."</p>
-
-<p>He lunged.</p>
-
-<p>Reese got out of the way just as Kramer's six-four body came thundering
-toward him. He had known Lloyd long enough to be aware of the big man's
-fight-patterns; he could side-step easily enough.</p>
-
-<p>"Lloyd! You out of your head?"</p>
-
-<p>"You must be captured," Kramer repeated. He turned and swung his giant
-fists. Reese managed to parry one blow but a massive right crashed
-into his belly and knocked him gasping back against the thick bole
-of a <i>ghive</i> tree. He clung to the sticky bark for a second, sucking
-in breath. Then, as Kramer advanced again, Reese yanked out his
-hunting-knife. Kramer was unarmed.</p>
-
-<p>"Lloyd, I don't know what's gotten into you but if you take another
-step closer to me I'm going to slice you up. You must be crazy!"</p>
-
-<p>Kramer drew back, staring in puzzlement at the gleaming saw-toothed
-blade in Reese's hand. He froze some three yards away.</p>
-
-<p>He said aloud, "What should I do, Dr. Tersen? He has a knife."</p>
-
-<p>And in a cold, unfamiliar voice, he answered himself: "Keep him there
-at all costs&mdash;your life, if necessary. I will send help."</p>
-
-<p>"Yes, Dr. Tersen," Kramer said in his own voice.</p>
-
-<p>Reese frowned. Tersen? He remembered someone of that name&mdash;some
-scientist involved in a scandal a few years back on Earth. But what he
-was doing here on <i>Damballa</i> and what sort of control was he exerting
-over Lloyd Kramer?</p>
-
-<p>"I am to keep you from escaping," Kramer said flatly. "Put the knife
-away, Jim Reese."</p>
-
-<p>Reese glanced past Kramer and saw moving figures&mdash;colonists, coming
-toward him. He recognized them but still there was something unfamiliar
-about them. They moved stiffly. <i>Like so many zombies</i>, Reese thought.</p>
-
-<p>Sweat poured down his body. He didn't want to hurt Kramer, not even the
-strangely-possessed Kramer before him.</p>
-
-<p>Stooping quickly, he picked up a handful of the soft, warm <i>Damballa</i>
-mud and hurled it into Kramer's face. The big man, blinded, spat out
-mouthfuls of mud. Reese turned and ran.</p>
-
-<p>"After him!" Kramer rumbled. "He's getting away!"</p>
-
-<p>Reese heard a dozen pairs of feet behind him. He dodged back into the
-jungle, felt a slimy trailer of vine slap across his face and plunged
-into a swampy morass covered over with quivering <i>chulla</i>-ferns.</p>
-
-<hr class="tb" />
-
-<p>He crouched there for five minutes, ten, listening while the colonists
-thrashed about searching for him. He felt chilled despite the tropical
-warmth of the forest.</p>
-
-<p>Who was this Tersen? And what had he done to the people of Colony
-Eight? To Lois...?</p>
-
-<p>He had to find out. Somehow, while he had been gone, Tersen had seized
-control of the minds and bodies of his friends and fellow colonists. He
-heard their voices&mdash;steely, unreal.</p>
-
-<p>"Any sign of him?"</p>
-
-<p>"No. He has vanished."</p>
-
-<p>"Dr. Tersen will punish us. We must find him."</p>
-
-<p>"He has a knife. We must be careful."</p>
-
-<p>"No. Dr. Tersen said to capture him even at the cost of our lives."</p>
-
-<p>Reese shuddered. He recognized those voices, or thought he did. Abel
-Lester, Dick Fredrics, Chuck Hylan&mdash;men he had worked with and known
-for years. Hunting him now, as if he were some wild <i>thruuv</i> needed to
-serve as food for the colony.</p>
-
-<p>Someone passed within three feet of his hiding place and moved on.
-Reese was bathed in his own sweat. If he could only stay hidden until
-they went away, then sneak back into the Colony and find out what had
-happened, find out if Lois was all right&mdash;</p>
-
-<p>A needle of pain shot up his leg. He gasped and tried to keep from
-screaming.</p>
-
-<p>Another bright bolt of agony. Another.</p>
-
-<p>Needleworms! Boring up from the mucky depths of the swamp and
-penetrating the soles of his boots!</p>
-
-<p>He cursed. The damnable creatures were everywhere. He went into a
-little dance, trying to avoid their keen snouts, but there were dozens
-of them, sensing a juicy meal. If he stayed here any longer he'd be
-slowly eaten to death.</p>
-
-<p>Clutching his knife tightly he edged out of his shelter, looking
-around. There was no one in sight; the searchers were beating through
-the underbrush up ahead.</p>
-
-<p>He moved on tiptoe back toward the village. And suddenly the thick
-corded arms of Lloyd Kramer shot around him from behind, pinioning him
-in an unbreakable grip. The knife dropped from his hands.</p>
-
-<p>"All right!" Kramer called. "I've got him! Let's go back now."</p>
-
-<hr class="tb" />
-
-<p>Three men guarded him as he lay bound in one corner of the Colony
-Administration Building. Lloyd Kramer, Abel Lester and Mark Cameron,
-Lois' father. They had been facing him wordlessly for almost 15
-minutes. None of them would answer his questions&mdash;not even when he
-asked Cameron whether Lois was all right.</p>
-
-<p>Suddenly the door opened and a tall, ascetically thin man entered.
-Reese knew instantly from the cold set of his features and the fact
-that his eyes, unlike those of the zombies, burnt with a hard flame of
-intelligence, that this was Dr. Tersen.</p>
-
-<p>"You can go," Tersen said.</p>
-
-<p>The three guards nodded and left. Reese noticed that a tiny band of
-bright metal encircled Tersen's forehead.</p>
-
-<p>The scientist looked down at Reese. "Are you a member of this colony?"
-he asked.</p>
-
-<p>"Why should I tell you?"</p>
-
-<p>"I repeat, James Reese: are you a member of this colony?"</p>
-
-<p>"Yes," Reese said. "I've been away on a hunting trip the past month.
-Who the devil are you?"</p>
-
-<p>"My name is John Tersen, formerly of Earth. You may have heard of me."</p>
-
-<p>"I remember some sort of trial," Reese said. "You were accused of
-illegal experiments of some kind. You were banished from Earth."</p>
-
-<p>"Ah, yes. Precisely." A film of pain crossed Tersen's lean features.
-"Exiled from my native world. That was six years ago&mdash;six years in
-which I've worked alone, on an uncharted planetoid, preparing. Colony
-Eight of <i>Damballa</i> represents my first laboratory experiment. After
-that, the other nine colonies&mdash;and then, Earth. I'll have repaid them
-for what they did to me!"</p>
-
-<p>"Do you have this whole colony in your control?" Reese asked.</p>
-
-<p>"Yes. All but you&mdash;and you'll soon be under the beam too."</p>
-
-<p><i>That means Lois too</i>, Reese thought. <i>What an idiot I was to go away
-and leave her here alone!</i></p>
-
-<p>And then he realized it was lucky he had done so. If he had stayed
-here, he'd probably be a zombie like all the rest. At least this way he
-was a free agent and it was still possible to defeat Tersen&mdash;for the
-time being.</p>
-
-<p>Something flashed brightly in Tersen's hand. A thin metallic
-bracelet&mdash;of the same metal as the band around the scientist's forehead.</p>
-
-<p>"This is for you," Tersen said. "Since I can't readjust the generator
-without losing control of all the others I've prepared a special
-trinket for you. Let me slip it on you, Reese."</p>
-
-<p>Tersen reached for Reese's wrist. Reese twisted his body away.</p>
-
-<p>"Don't be coy," Tersen said, smiling bleakly. He slapped Reese and
-seized his wrist. Despite Reese's desperate writhing Tersen managed to
-force the bracelet over the man's wrist and clamp it shut.</p>
-
-<p>"There," Tersen said. "Now the whole village is under control."</p>
-
-<p>Reese was puzzled. He felt no different; evidently something had gone
-wrong. But he did not intend to let Tersen know that.</p>
-
-<p>"We'll march on Colony Seven tonight," Tersen mused aloud.
-"Everything's ready to begin the conquest."</p>
-
-<p>He stepped behind Reese and undid his bonds. Reese rose to his feet
-stiffly, hoping he made a convincing zombie. He crossed the room toward
-the door.</p>
-
-<p>"Join the others," Tersen ordered.</p>
-
-<p>"Yes, Dr. Tersen," Reese said in sepulchral tones.</p>
-
-<hr class="tb" />
-
-<p>Outside, he glanced around and saw several colonists some distance
-away. He walked toward them, careful to maintain the stiff walk in case
-Tersen were watching.</p>
-
-<p>Something had gone wrong with Tersen's bracelet because Reese
-definitely was under no control. It was a lucky break; it allowed him
-some extra time to discover what power Tersen held over the enslaved
-colonists. And he could find Lois.</p>
-
-<p>The bracelet on his wrist gave no clue. It was just a thin band of
-metal without ornament. Presumably Tersen had expected to exert some
-kind of thought-control through it.</p>
-
-<p>None of the colonists wore bracelets of this sort. Therefore, Tersen
-had some other means of controlling them. He had spoken of a
-"generator." Perhaps he could find that while he remained at large.</p>
-
-<p>"Hello, Earthman. There is trouble here."</p>
-
-<p>Maintaining his stiffness, Reese turned. He saw Kuhli, the addict. The
-pack he had been carrying was missing.</p>
-
-<p>"Why are you back?" Reese asked.</p>
-
-<p>"I need.... I need...." Kuhli gestured to his back. "I lost my pack. I
-need...." He could not pronounce the name of the drug he craved but he
-had been drawn back to the colony by desperate need.</p>
-
-<p>Reese began to say something&mdash;then he cut it short and started to run.</p>
-
-<p>"Lois! Lois!"</p>
-
-<p>The girl was walking across the clearing in the familiar stiff-legged
-stride. Reese caught up with her in a moment or two, his heart
-pounding. "Thank God you're all right!" he exclaimed.</p>
-
-<p>She stared at him. Her lovely face was void of all expression and her
-hazel-grey eyes looked blankly at him. "Who are you?" she asked, as if
-she were sleepwalking.</p>
-
-<p>"Why&mdash;I'm Jim! Are you under this dreadful thing, too? Yes, yes, of
-course you must be. I...."</p>
-
-<p>She interrupted him&mdash;speaking in a deep, grotesque voice that sounded
-more like Dr. Tersen's than her own. "Somehow this Reese is not under
-control. He must be captured and put out of the way. Get him!"</p>
-
-<p>Reese realized that Tersen had been watching through Lois' eyes. Half
-a dozen of the colonists were converging on him now. He turned and
-started to run.</p>
-
-<p>They spread out in a loose ring around him and he saw that unless he
-could dodge past them and escape into the forest, he was trapped.</p>
-
-<p>He dashed forward toward the nearest man&mdash;Chuck Hylan. Hylan was lean
-and agile but Tersen's control left him stiff and awkward. He brought
-his fists up and aimed a few wild punches at Reese. Reese ducked them
-easily and smashed a hard right at Hylan.</p>
-
-<p>It was a blow that could have toppled a tree&mdash;but Hylan merely
-staggered and stayed up. Reese saw that the control gave them extra
-endurance. He'd get nowhere by fighting with them. Pushing Hylan aside,
-Reese broke for the clearing.</p>
-
-<p>And froze.</p>
-
-<p>He heard Tersen's dry voice saying, "... must have been a short in the
-wave canal. But that's taken care of now."</p>
-
-<p>The voice was not loud. It was in his mind.</p>
-
-<p>And he was unable to move.</p>
-
-<hr class="tb" />
-
-<p>It was a strange, unearthly experience to be a zombie. Part of Reese's
-mind remained conscious. Part of him knew that Tersen had belatedly
-achieved control through the bracelet on his wrist and that Reese was
-no longer his body's master. He felt a presence in his mind. Tersen.
-Tersen dictated his motions now.</p>
-
-<p>Stiffleggedly&mdash;and it was no sham, now&mdash;he turned or <i>was</i> turned, and
-walked back toward the rest of the group. Tersen had appeared and stood
-there, icy eyes glittering at him.</p>
-
-<p>"I made the mistake of not testing you before I freed you," the
-scientist said. "But I think the control is in effect now. We'll see."</p>
-
-<p><i>Raise your right hand!</i> came a sudden mental command. Reese felt his
-right hand shoot above his head. He struggled to pull it down but it
-was impossible.</p>
-
-<p><i>Left hand!</i></p>
-
-<p><i>Both hands!</i></p>
-
-<p><i>Kneel on your left knee!</i></p>
-
-<p>Apparently Tersen was satisfied. He ordered Reese up and turned away.
-His control was complete.</p>
-
-<p>"We march on Colony Seven tonight," Tersen announced again.</p>
-
-<p>The rest of that day was a dim blur for Jim Reese. He followed through
-a series of dictated tasks, preparing for the raid on the colony. He
-discovered now exactly what had happened to Colony Eight but there was
-nothing at all he could do about it.</p>
-
-<p>Tersen had appeared about a week after Reese had quarrelled with Lois.
-He had announced he was here to perform some experiments and asked the
-Colony to let him stay for a month or so. The Colony had agreed.</p>
-
-<p>Tersen had proceeded to set up a dome and build his generator. It
-operated on encephalographic principles and allowed him to control the
-brains of all within its field at the time it was turned on. The Colony
-had not discovered this until the day Tersen had switched the generator
-on. From then on all were slaves.</p>
-
-<p>Since Reese had not been present when that happened he was not subject
-to the generator field nor was the generator set up to control him.
-Tersen had had a portable generator under experimental construction
-and it was that which he had used to control Reese. It had failed, at
-first, though Reese's clever act had deceived Tersen. But when the
-scientist discovered Reese still was not under control he was able to
-make a trifling adjustment that altered the situation.</p>
-
-<p>These things Reese found out by his contact with Tersen's mind. Contact
-worked in two directions&mdash;but control in only one.</p>
-
-<p>Reese and the others readied the Colony for the attack on its
-neighbors. Tersen planned to control all the 10 colonies on
-<i>Damballa</i>&mdash;and then, building more generators, he would spread his
-dominion to Earth, the planet that had driven him into exile.</p>
-
-<hr class="tb" />
-
-<p>But one person in Colony Eight was free from Tersen's control. One
-person came and went as he pleased.</p>
-
-<p>Kuhli. The drug-sodden alien.</p>
-
-<p>Reese was standing stiffly before the medical commissary later that
-day when Kuhli came out, his back once again laden with a packful
-of benzolurethrimine ampoules. The alien was smiling happily in his
-narcotic daze.</p>
-
-<p>He approached Reese and peered at him curiously out of eyes clouded
-with drugs. "Earthman. Much trouble here. I leave again."</p>
-
-<p>Prisoner within his own skull, Reese longed to break Tersen's iron
-control. But it was impossible. He stood stock-still while Kuhli stared
-at him.</p>
-
-<p>The alien's blubbery mouth split in a pleased smile. "Pretty," he
-crooned. "Pretty. I take."</p>
-
-<p>Reese's heart bounded in sudden hope.</p>
-
-<p>Kuhli's dim eyes were fixed on the shining bracelet on Reese's wrist!</p>
-
-<p>The alien was pawing his arm now, examining the trinket, exclaiming
-little wordless cries of pleasure over it. Reese felt his body
-breaking out in heavy sweat. If only Tersen wouldn't notice&mdash;!</p>
-
-<p>Kuhli began to slip the bracelet off.</p>
-
-<p>And Tersen detected it. His sudden, urgent thought came to Reese: <i>Stop
-him! Don't let him remove the bracelet, Reese!</i></p>
-
-<p>Unable to resist, Reese started to draw his hand back, to bring his
-other fist down on the alien's skull. But halfway through the action he
-felt a shock like a heavy-voltage current ripping through him and knew
-that he was free. The alien had removed the bracelet!</p>
-
-<p>Quickly Reese seized it, grabbing it from the alien's paws. Despite
-Kuhli's protests, Reese hurled the bracelet as far into the underbrush
-as he could.</p>
-
-<p>He grinned and patted the blubbering alien on one scaly shoulder.
-"That's all right, Kuhli. Good boy, Kuhli. When this thing is over
-remind me to get you a new bracelet."</p>
-
-<p>He began to run, moving with grim determination now. He was free
-again&mdash;and now he knew where Tersen and his generator were located. He
-didn't intend to fail a third time.</p>
-
-<hr class="tb" />
-
-<p>Tersen had set up his headquarters in one of the small domes near the
-stream that ran past the colony. Blaster in hand, Reese ran to the
-dome.</p>
-
-<p>Someone stood in the door. Not Tersen.</p>
-
-<p>Lois.</p>
-
-<p>"Don't go in there," she said&mdash;in her normal voice. "Tersen's in there."</p>
-
-<p>"I know." He stared at her. She didn't have the same zombie-like
-appearance she had had earlier. "Get out of my way," he told her. "I'm
-going in."</p>
-
-<p>She put her hand on his arm tenderly. "No Jim. Give me the gun. I've
-broken out of his control. He doesn't know it yet. Let me go in
-there&mdash;and I'll take him by surprise. He won't expect it when I blast
-him down."</p>
-
-<p>A grin lit Reese's features. The voice was unmistakably Lois'. "Okay.
-Great idea, darling. Here."</p>
-
-<p>He handed her his blaster and waited for her to go inside. But instead
-she levelled the gun at him.</p>
-
-<p>"Lois! What is this&mdash;a trap?"</p>
-
-<p>Words came from her mouth in reply&mdash;words spoken in a deep, distorted
-voice. "Well done. Now kill him." It was the voice of Dr. Tersen.</p>
-
-<p>Her finger tightened on the trigger as Reese stood frozen in utter
-horror. Tersen had used a shrewd ruse&mdash;by pretending to have let Lois
-escape his power he had gotten Reese to surrender his weapon.</p>
-
-<p>But Lois stood facing him without firing. Sweat broke out on her face.
-She became deadly pale.</p>
-
-<p>"Fire!" Tersen urged, speaking through her mouth. "Shoot him!"</p>
-
-<p>"I&mdash;I can't," she said hesitantly, "I&mdash;love&mdash;him."</p>
-
-<p>The gun dropped from her hand. A moment later she fell in a crumpled
-heap at Reese's feet.</p>
-
-<p>There was no time to examine her. He snatched up the blaster, stepped
-over her fallen body and burst into the dome.</p>
-
-<p>A purple blast of energy seared the air above him and blew a hole above
-the door. Instantly Reese dropped.</p>
-
-<p>A compact, whirring pile of machinery confronted him&mdash;and, huddling
-behind an overturned bench, was Tersen aiming a blaster at him. Reese
-flattened himself against the floor.</p>
-
-<p>Tersen fired and missed. Reese squeezed the stud of his own blaster and
-ashed part of the table behind which Tersen cowered.</p>
-
-<p>He heard footsteps behind him. The colonists, still under Tersen's
-domination, were coming to their master's aid.</p>
-
-<p>"You'd better give up," Tersen said. "They'll tear you to pieces."</p>
-
-<p>Reese's only reply was another bolt of energy that ripped away the wall
-above Tersen's head. Tersen fired again; heat bathed Reese's cheek.</p>
-
-<p>The colonists were practically there now. He could hear them swarming
-up the path to aid Tersen. He fired again&mdash;</p>
-
-<p>Squarely into the generator.</p>
-
-<p>Livid blue flames flickered over the complex machinery for a moment.
-Tubes melted: connections shorted out. An agonized scream came from
-Tersen and he charged forward madly, blinded with rage.</p>
-
-<p>Reese didn't need to fire. He simply stepped into Tersen's path and
-smashed him to the ground with a solid right. Then he turned and pumped
-his remaining three charges into the burning generator.</p>
-
-<p>A moment later the colonists arrived&mdash;but not as Tersen's rescuers,
-as his executioners. Reese got out of their way as the newly-freed
-colonists rushed in.</p>
-
-<p>What was left of Tersen wasn't pretty.</p>
-
-<p>"It was awful," Lois sobbed, outside. "I knew what he was planning to
-do and yet I couldn't help myself. I&mdash;was like a puppet on a string."</p>
-
-<p>"I know what it was like," Reese said. "He had me under control a while
-too&mdash;until poor crazy Kuhli decided he liked the way my bracelet shone.
-But you did help yourself&mdash;you didn't fire!"</p>
-
-<p>"Yes," the girl said weakly. "I struggled&mdash;and then somehow I won. I
-snapped his hold and collapsed. And then&mdash;and then&mdash;"</p>
-
-<p>Reese smiled. "It's all over now," he said. "Tersen's dead and his
-machine's smashed. It had one flaw&mdash;it couldn't control love."</p>
-
-<p>She looked up at him. "You won't go away any more, will you, Jim?"</p>
-
-<p>"That's a silly question," he said.</p>
-
-<div style='display:block; margin-top:4em'>*** END OF THE PROJECT GUTENBERG EBOOK OVERLORD OF COLONY EIGHT ***</div>
-<div style='text-align:left'>
-
-<div style='display:block; margin:1em 0'>
-Updated editions will replace the previous one&#8212;the old editions will
-be renamed.
-</div>
-
-<div style='display:block; margin:1em 0'>
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg&#8482; electronic works to protect the PROJECT GUTENBERG&#8482;
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for an eBook, except by following
-the terms of the trademark license, including paying royalties for use
-of the Project Gutenberg trademark. If you do not charge anything for
-copies of this eBook, complying with the trademark license is very
-easy. You may use this eBook for nearly any purpose such as creation
-of derivative works, reports, performances and research. Project
-Gutenberg eBooks may be modified and printed and given away--you may
-do practically ANYTHING in the United States with eBooks not protected
-by U.S. copyright law. Redistribution is subject to the trademark
-license, especially commercial redistribution.
-</div>
-
-<div style='margin:0.83em 0; font-size:1.1em; text-align:center'>START: FULL LICENSE<br />
-<span style='font-size:smaller'>THE FULL PROJECT GUTENBERG LICENSE<br />
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK</span>
-</div>
-
-<div style='display:block; margin:1em 0'>
-To protect the Project Gutenberg&#8482; mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase &#8220;Project
-Gutenberg&#8221;), you agree to comply with all the terms of the Full
-Project Gutenberg&#8482; License available with this file or online at
-www.gutenberg.org/license.
-</div>
-
-<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
-Section 1. General Terms of Use and Redistributing Project Gutenberg&#8482; electronic works
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.A. By reading or using any part of this Project Gutenberg&#8482;
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg&#8482; electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg&#8482; electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the person
-or entity to whom you paid the fee as set forth in paragraph 1.E.8.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.B. &#8220;Project Gutenberg&#8221; is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg&#8482; electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg&#8482; electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg&#8482;
-electronic works. See paragraph 1.E below.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.C. The Project Gutenberg Literary Archive Foundation (&#8220;the
-Foundation&#8221; or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg&#8482; electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg&#8482; mission of promoting
-free access to electronic works by freely sharing Project Gutenberg&#8482;
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg&#8482; name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg&#8482; License when
-you share it without charge with others.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg&#8482; work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country other than the United States.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E. Unless you have removed all references to Project Gutenberg:
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg&#8482; License must appear
-prominently whenever any copy of a Project Gutenberg&#8482; work (any work
-on which the phrase &#8220;Project Gutenberg&#8221; appears, or with which the
-phrase &#8220;Project Gutenberg&#8221; is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-</div>
-
-<blockquote>
- <div style='display:block; margin:1em 0'>
- This eBook is for the use of anyone anywhere in the United States and most
- other parts of the world at no cost and with almost no restrictions
- whatsoever. You may copy it, give it away or re-use it under the terms
- of the Project Gutenberg License included with this eBook or online
- at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you
- are not located in the United States, you will have to check the laws
- of the country where you are located before using this eBook.
- </div>
-</blockquote>
-
-<div style='display:block; margin:1em 0'>
-1.E.2. If an individual Project Gutenberg&#8482; electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase &#8220;Project
-Gutenberg&#8221; associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg&#8482;
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.3. If an individual Project Gutenberg&#8482; electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg&#8482; License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg&#8482;
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg&#8482;.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg&#8482; License.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg&#8482; work in a format
-other than &#8220;Plain Vanilla ASCII&#8221; or other format used in the official
-version posted on the official Project Gutenberg&#8482; website
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original &#8220;Plain
-Vanilla ASCII&#8221; or other form. Any alternate format must include the
-full Project Gutenberg&#8482; License as specified in paragraph 1.E.1.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg&#8482; works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg&#8482; electronic works
-provided that:
-</div>
-
-<div style='margin-left:0.7em;'>
- <div style='text-indent:-0.7em'>
- &bull; You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg&#8482; works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg&#8482; trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, &#8220;Information about donations to the Project Gutenberg
- Literary Archive Foundation.&#8221;
- </div>
-
- <div style='text-indent:-0.7em'>
- &bull; You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg&#8482;
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg&#8482;
- works.
- </div>
-
- <div style='text-indent:-0.7em'>
- &bull; You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
- </div>
-
- <div style='text-indent:-0.7em'>
- &bull; You comply with all other terms of this agreement for free
- distribution of Project Gutenberg&#8482; works.
- </div>
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg&#8482; electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from the Project Gutenberg Literary Archive Foundation, the manager of
-the Project Gutenberg&#8482; trademark. Contact the Foundation as set
-forth in Section 3 below.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg&#8482; collection. Despite these efforts, Project Gutenberg&#8482;
-electronic works, and the medium on which they may be stored, may
-contain &#8220;Defects,&#8221; such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the &#8220;Right
-of Replacement or Refund&#8221; described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg&#8482; trademark, and any other party distributing a Project
-Gutenberg&#8482; electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you &#8216;AS-IS&#8217;, WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg&#8482; electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg&#8482;
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg&#8482; work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg&#8482; work, and (c) any
-Defect you cause.
-</div>
-
-<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
-Section 2. Information about the Mission of Project Gutenberg&#8482;
-</div>
-
-<div style='display:block; margin:1em 0'>
-Project Gutenberg&#8482; is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-</div>
-
-<div style='display:block; margin:1em 0'>
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg&#8482;&#8217;s
-goals and ensuring that the Project Gutenberg&#8482; collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg&#8482; and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at www.gutenberg.org.
-</div>
-
-<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
-Section 3. Information about the Project Gutenberg Literary Archive Foundation
-</div>
-
-<div style='display:block; margin:1em 0'>
-The Project Gutenberg Literary Archive Foundation is a non-profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation&#8217;s EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state&#8217;s laws.
-</div>
-
-<div style='display:block; margin:1em 0'>
-The Foundation&#8217;s business office is located at 809 North 1500 West,
-Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
-to date contact information can be found at the Foundation&#8217;s website
-and official page at www.gutenberg.org/contact
-</div>
-
-<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
-Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation
-</div>
-
-<div style='display:block; margin:1em 0'>
-Project Gutenberg&#8482; depends upon and cannot survive without widespread
-public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine-readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-</div>
-
-<div style='display:block; margin:1em 0'>
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular state
-visit <a href="https://www.gutenberg.org/donate/">www.gutenberg.org/donate</a>.
-</div>
-
-<div style='display:block; margin:1em 0'>
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-</div>
-
-<div style='display:block; margin:1em 0'>
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-</div>
-
-<div style='display:block; margin:1em 0'>
-Please check the Project Gutenberg web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-</div>
-
-<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
-Section 5. General Information About Project Gutenberg&#8482; electronic works
-</div>
-
-<div style='display:block; margin:1em 0'>
-Professor Michael S. Hart was the originator of the Project
-Gutenberg&#8482; concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg&#8482; eBooks with only a loose network of
-volunteer support.
-</div>
-
-<div style='display:block; margin:1em 0'>
-Project Gutenberg&#8482; eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-</div>
-
-<div style='display:block; margin:1em 0'>
-Most people start at our website which has the main PG search
-facility: <a href="https://www.gutenberg.org">www.gutenberg.org</a>.
-</div>
-
-<div style='display:block; margin:1em 0'>
-This website includes information about Project Gutenberg&#8482;,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-</div>
-
-</div>
-
-</body>
-</html>
diff --git a/old/65374-h/images/cover.jpg b/old/65374-h/images/cover.jpg
deleted file mode 100644
index 03d645c..0000000
--- a/old/65374-h/images/cover.jpg
+++ /dev/null
Binary files differ