diff options
| author | nfenwick <nfenwick@pglaf.org> | 2025-01-22 21:00:53 -0800 |
|---|---|---|
| committer | nfenwick <nfenwick@pglaf.org> | 2025-01-22 21:00:53 -0800 |
| commit | 52105ec3e3d072ecb37da740bf3000debbfa4b86 (patch) | |
| tree | c9bfc777a170a12a4eb5e03fe922f33dd81da8a9 | |
| parent | 7c4431fae91b8b235f1cfd9c7c861eb2283f839a (diff) | |
| -rw-r--r-- | .gitattributes | 4 | ||||
| -rw-r--r-- | LICENSE.txt | 11 | ||||
| -rw-r--r-- | README.md | 2 | ||||
| -rw-r--r-- | old/65841-0.txt | 842 | ||||
| -rw-r--r-- | old/65841-0.zip | bin | 14733 -> 0 bytes | |||
| -rw-r--r-- | old/65841-h.zip | bin | 1021944 -> 0 bytes | |||
| -rw-r--r-- | old/65841-h/65841-h.htm | 1435 | ||||
| -rw-r--r-- | old/65841-h/images/cover.jpg | bin | 149950 -> 0 bytes | |||
| -rw-r--r-- | old/65841-h/images/i_chapdeco.jpg | bin | 150236 -> 0 bytes | |||
| -rw-r--r-- | old/65841-h/images/i_drop_a.jpg | bin | 94427 -> 0 bytes | |||
| -rw-r--r-- | old/65841-h/images/i_drop_i.jpg | bin | 79330 -> 0 bytes | |||
| -rw-r--r-- | old/65841-h/images/i_drop_s.jpg | bin | 93403 -> 0 bytes | |||
| -rw-r--r-- | old/65841-h/images/i_drop_t.jpg | bin | 96049 -> 0 bytes | |||
| -rw-r--r-- | old/65841-h/images/i_drop_w.jpg | bin | 93373 -> 0 bytes | |||
| -rw-r--r-- | old/65841-h/images/i_frontispiece.jpg | bin | 175782 -> 0 bytes | |||
| -rw-r--r-- | old/65841-h/images/i_logo.jpg | bin | 43726 -> 0 bytes | |||
| -rw-r--r-- | old/65841-h/images/i_signature.jpg | bin | 28255 -> 0 bytes |
17 files changed, 17 insertions, 2277 deletions
diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..d7b82bc --- /dev/null +++ b/.gitattributes @@ -0,0 +1,4 @@ +*.txt text eol=lf +*.htm text eol=lf +*.html text eol=lf +*.md text eol=lf diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..1bd0927 --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #65841 (https://www.gutenberg.org/ebooks/65841) diff --git a/old/65841-0.txt b/old/65841-0.txt deleted file mode 100644 index f0936b3..0000000 --- a/old/65841-0.txt +++ /dev/null @@ -1,842 +0,0 @@ -The Project Gutenberg eBook of The Lost Dryad, by Frank R. Stockton - -This eBook is for the use of anyone anywhere in the United States and -most other parts of the world at no cost and with almost no restrictions -whatsoever. You may copy it, give it away or re-use it under the terms -of the Project Gutenberg License included with this eBook or online at -www.gutenberg.org. If you are not located in the United States, you -will have to check the laws of the country where you are located before -using this eBook. - -Title: The Lost Dryad - -Author: Frank R. Stockton - -Release Date: July 14, 2021 [eBook #65841] - -Language: English - -Produced by: Tim Lindell, Donald Cummings and the Online Distributed - Proofreading Team at https://www.pgdp.net (This file was - produced from images generously made available by The - Internet Archive/American Libraries.) - -*** START OF THE PROJECT GUTENBERG EBOOK THE LOST DRYAD *** - - - - - - THE LOST DRYAD - - - - -ONE THOUSAND COPIES OF THIS BOOK HAVE BEEN PRINTED AT HILLACRE FOR THE -UNITED WORKERS OF GREENWICH――EASTERN BRANCH, INCORPORATED. - - - - -[Illustration] - -[Illustration: Sincerely yours -Frank R. Stockton] - - - - - THE LOST DRYAD - - BY - - FRANK R. STOCKTON - - - [Illustration] - - - PRINTED AT HILLACRE - FOR THE EASTERN BRANCH OF - THE UNITED WORKERS OF GREENWICH - RIVERSIDE, CONN. - 1912 - - - - - Copyright, 1911, by The Curtis Publishing Co. - Copyright, 1912, by The United Workers of Greenwich. - - - - -[Illustration] - -IN EXPLANATION - - -A dozen years ago, when every one was still reading _Rudder Grange_ and -_The Merry Chanter_, Frank R. Stockton asked Mrs. Frederick Gotthold -which of his stories she liked best. Her choice of the fairy tale, _Old -Pipes and The Dryad_, pleased him. The fanciful stories he wrote for -children were very near to his own heart. - -Some time after this, when the publishers were preparing a new edition -of Stockton, Mrs. Gotthold persuaded them to have printed for her -a copy of _Old Pipes_, each page on a leaf of vellum. This she -illuminated and decorated, bound it in leather and sent it to Mr. -Stockton. - -One day Mrs. Gotthold’s mail contained a parcel. Being opened, this -proved to be a small leather-bound book of neatest manuscript, bearing -on the inside cover this inscription: - - To Mrs. Florence W. Gotthold, this little story――which was - written for her, and of which there is no other copy――is - gratefully presented by - - FRANK R. STOCKTON - - Claymont, Nov. 3, 1901. - Transcribed by E. W. Tuttle. - -A title-page, also in Mr. Stockton’s handwriting, read: - - The | Lost Dryad | By | Frank R. Stockton | Only Copy. | - Claymont | Charles Town, W. Va. | 1901 - -The book consisted of twenty pages written by Mr. Stockton’s -sister-in-law from his dictation. - -Ten years have passed. Mr. Stockton died in April, 1902. None of his -immediate family remain. The friend for whom he dictated this quaint -little tale has regretted that her pleasure in it was not being shared -by others. Her interest in the Eastern Branch of The United Workers of -Greenwich, Connecticut, has prompted her now to give the story to them -for publication. The magazine rights were sold to the Curtis Publishing -Company. The money thus obtained has been expended in producing this -edition of one thousand copies――the first edition of one of the last -tales of America’s well-loved story-teller. - -The proceeds from the sale of this book will go into the construction -of a children’s club-house and playground in a very poor little -village, where some of the little ones wander through childhood almost -as forlornly as the Lost Dryad bereft of her oak-tree. To prolong the -youth and bring joy to the lives of these children is the purpose of -this publication of the troubles and adventures of The Lost Dryad. - - COS COB, CONNECTICUT, - Thanksgiving day, 1911. - - - - -[Illustration] - -THE LOST DRYAD. - - -There was once a dryad who was truly lost. The summer was drawing to a -close; the nights were becoming cool, she had no home, and she did not -know where she was. - -Not long before, while she was still in her oak tree, there had been a -terrible storm; the tree had been dashed to the ground and splintered -to pieces, while the poor dryad had been blown away, and away, and -away, she did not know where. Now she was looking for another oak tree -to live in, but she was lost, absolutely lost. One tree she found, -which she thought might shelter her, but when she examined it she found -that it was getting old and its trunk was badly cracked. After her -terrible experience she was afraid to go into a cracked tree, and so -she kept on her way. - -At a little distance, she saw a village, shaded by trees, and the -thought came to her that she might possibly find a home in a big oak -there. That would be fine, truly. She had never lived in a village, it -would be a new experience. - -So she kept on, but when she reached the place she found that few of -the trees were oaks, and these were not very well grown and too small -for her. It was nearly supper-time in the village and, therefore, there -were not many people in the street, but presently she met a big man -with a cross face. - -“Oho! Oho!” he cried, “who are you? You cannot go about the street -like that!” - -The poor dryad was terribly frightened. “Like what?” she asked. - -“You must go home and dress,” he said. - -“I am dressed,” said she; “these are all the clothes I ever wear.” - -“Do you call these clothes?” he said. “Come along with me! I am a -constable. I will take you to the lock-up. You must be crazy! But they -will take care of you there and, at any rate, will dress you properly.” - -The poor dryad trembled from head to foot. She did not know what a -lock-up was, but she knew it must be a terrible place, and she had -never seen anyone look so cruel as this man. He had already seized her -by the arm, and if his grasp should become tighter, she believed her -arm would break in two. Poor, weak, beautiful dryad! What could she do? - - -She thought of something. It was her only hope! It must be remembered -that there is a peculiar property pertaining to the kiss of a dryad. -Whenever a dryad kisses a human being, that person becomes ten years -younger. So all good mothers are very careful to keep their children -away from large oak trees. If a girl, of a dozen years, were to sit in -the shade of one of these trees, she might attract the attention of an -affectionate tree dweller; and then, if this dryad should kiss her, the -little toddler of two years might go home――if perchance, she remembered -where she lived――and astound her parents. But if a child who was not -yet ten should be kissed, it would disappear utterly. - -The dryad remembered her rare gift, as she looked up tearfully into the -stern face of the constable. - -“Please, sir,” she said, “don’t take me away; I shall be frightened to -death if you do. I have something to tell you, but only you must hear -it. Please let me whisper it to you.” - -The constable looked at her. He was fond of hearing secrets, and it -was quite proper that people should confide in him. So he bent down -his head to hear what the dryad had to say. In a moment she kissed him -twice, and, before he had time to notice the change, he was a man of -thirty years of age, vigorous and handsome. He released his grasp upon -her arm and stood up, straight and tall. - -“Oho!” he cried, “and who are you?” - -“Put down your head,” said the dryad, “and let me tell you.” Then she -gave him two more kisses. - -Now there stood before her a boy of ten, very much troubled. - -“I don’t know what is the matter with my clothes,” said he, “my -breeches are all down about my feet. They are like an old man’s -trousers. And my shoes and stockings! Where did I get such big shoes -and stockings? And this great jerkin, it is too big for me. I am going -to throw it off.” - -“That is right, little boy,” said the dryad, “throw it off, and pull -off those shoes and stockings; you can walk a great deal better in your -bare feet. You must have been asleep and in a dream you put on your -father’s clothes.” - -“I expect that was it,” said he, “it must have been that.” - -“Now run along home, little boy,” said the dryad, “and carry carefully -your father’s jerkin and his shoes and stockings. Perhaps if you put -them where you found them, he may never know. Now run along!” - -And the little boy ran along. - -The dryad was now alone, but she was still frightened. She was sure -there were no trees here which would suit her and she was afraid of -meeting some other cruel person, so she slipped into a side street, and -there she saw a light coming through a glass door. This was the only -light in the street and she went up to it and looked in. - - -Inside was a small room, not very well furnished, and by a table, with -a light on it, there sat a girl, trimming a hat. The dryad smiled with -pleasure; she was not afraid of a girl, especially one who was so -pretty, and looked so gentle. Perhaps she might tell her where there -was a good oak tree; so she opened the door, without making any noise, -and stepped in. - -At first the girl was startled and dropped the hat she was trimming, -but when the dryad quickly told her who she was and what a sad plight -she was in, she was reassured. She had heard of dryads and was glad to -see one. - -“But you must remember this,” she exclaimed, “on no account must you -kiss me. I am engaged to be married and I would not have you kiss me, -for the world.” - -“Oh, no! no! no!” said the dryad, “no matter how good you are to me, I -shall be very careful. And can you tell me where there is a large oak -tree?” - -“I do not remember any,” said the girl, “but I expect you sorely need -one for you must feel cold in the evening.” - -“Oh, no!” said the dryad, “I am not cold. But what a beautiful hat you -are making! Such lovely silk and lace you are putting on it!” - -“Yes,” said the girl, holding up the hat before the lamp, “I am trying -to make it pretty, but this silk is tarnished; it has lost a good deal -of its color. My step-mother thinks it is good enough for me and so I -must do the best I can with it.” - -“Poor girl!” said the dryad, “she ought to give you the nicest stuffs -there are in the village, you are so pretty.” And, moved by pity and -affection, she was about to give the girl a kiss of sympathy, but -remembering just in time that that would never do, she kissed the hat. -Instantly the silk and the lace were as bright and new as if they had -just come out of the shop. The dryad exclaimed with delight. - -“Look! look!” she cried, “did you ever see more charming colors?” - -The girl had never seen more charming colors, but her countenance fell. - -“They are very pretty,” she said, “but what an old-fashioned hat! It -looks like one of those hats people used to wear ten years ago.” - -Now the poor dryad was greatly troubled. “Have I spoiled it?” she said. -“Oh! I shall be too sorry if I have done that.” - -The girl turned the hat around and looked at it on every side. - -“Of course, I could not wear it as it is,” she said, “but I am sure -I can alter it. Yes, I can change the shape and then, with these new -trimmings, it will be perfectly lovely. I thank you ever so much. But -please do not come any nearer; you might forget yourself.” - -“And you are going to be married?” asked the dryad. - -“Yes, truly, if I can,” said the girl, “but my step-mother does not -wish it; she wants me to stay here and work for her. But I shall be -patient and, in the meantime, I am so glad that he will see me in my -new hat.” - -“And is your step-mother so very cross?” asked the dryad. - -“Oh, very! If she were at home I could not let you stay here, and as I -expect her to come back shortly, I am afraid――” - -The poor dryad clasped her hands. “You do not mean,” she said, “that -I must go away? I hoped that I might stay here until the people of the -village were all in bed.” - -“I am very sorry,” said the girl, “but really, if my step-mother should -come back and see you here I don’t know what would happen; but I will -tell you what I will do: I will lend you one of my frocks and a cape, -and you can put on my sun-bonnet; then you can go out and look for a -tree and people will not be apt to notice you, and if you will come -back after a while, when my step-mother has gone to bed, I will go out -with you and help you to find a tree if you have not found one. Oh, now -please don’t! People can be very grateful without kissing, you know, -and I will bring you the clothes in a minute.” - - -When the dryad had put on the frock and the little cape and the -sun-bonnet, she looked very much like an ordinary person, and when she -went out on the street nobody noticed her, for there were girls in that -village who were so poor that they were obliged to go barefooted. - -This lost dryad had no very good idea of time and, after she had walked -about the streets, and even a little way into the country, looking -for a tree and finding none, she thought that the cruel step-mother -must surely have gone to bed, and so she went back to the house of her -friend the girl, and opening the door she slipped in. There she saw the -cruel step-mother scolding the girl. As she entered, the step-mother -stopped short in her scolding, and the poor girl looked as if she was -about to faint. - -“Heigho!” cried the woman, “and who is this? How dare you come in -without knocking? What! Where did you get that sun-bonnet? You wretched -creature!” she cried, addressing her step-daughter, “what does this -mean? And your cape and your frock?” And without waiting for an answer -she stepped up to the dryad. - -“Take that off this minute, whoever you are!” she cried, and as she -said this she grasped the sun-bonnet and pulled it from the dryad’s -head. - -The girl almost fainted and sank into a chair, while the poor dryad, -nearly scared out of her wits, had barely sense enough left to throw -her arms around the step-mother’s neck and give her four kisses, as -quick as lightning. - -The next day was the step-mother’s birthday, and she intended to -celebrate the occasion by inviting some of her old cronies to sup with -her; but now there was a little girl standing on the floor, beginning -to cry. The dryad clapped her hands with delight. - -“So many clothes,” she exclaimed, “and such a dear little body in the -middle of them all!” - -The girl with the hat cried out, “Oh, what have you done!” But, in -spite of her consternation, she could not help laughing. - -“She does look funny,” said she. There was such a difference between -the little child and the cross step-mother, that it was impossible for -any one to be really sorry. - -“How queer it is!” said the dryad. “She knows nothing at all of the -life she has lived.” - -“Of course not,” said the girl, “she could not look back on her future, -you know.” - -“I want to go to bed,” said the little one, rubbing her eyes, “and -please take these things off.” - -“That is what we must do,” cried the dryad, “we must undress her and -put her to bed.” - -“No, let me do it alone, you might forget,” said the girl. - -So the little child was put to bed in the back room and, in a moment, -was asleep. - -“Now I need not go away,” cried the dryad. - -“No, indeed,” said the girl, “I should be afraid to be left alone with -that little thing who was my step-mother.” - - -The dryad threw aside the uncomfortable gown and cape, and her face -sparkled with delight; she was so glad that she need not go away and -was so happy at what she had done. - -“Now,” said she to the girl, “you can be married, and you two can take -care of the little girl.” - -“Yes, I can be married,” said the other, “but not immediately, and in -the meantime I must support this little child and myself. I have no -money and how am I going to do that?” - -“Oh, I wish I could help you,” cried the dryad. “Could not I live here -until you are married? I really ought to do something for you, and I -will never kiss you or the child.” - -“But how could you help me?” said the girl, smiling. - -“I don’t know,” said the dryad, reflecting, “perhaps there are some -people in the village who would like to be younger.” - -“Yes,” said the girl, “that might do. We could live here together and -setup a kisserie. It will be very pleasant for me to have everything my -own way and not to be scolded, and I shall take the best possible care -of the child. I know there are people who would like to be kissed, but -you will have to be very, very careful not to make mistakes.” - -“Oh, I will do that!” cried the dryad. “I promise you, that, from this -moment, I will never kiss anybody, old or young, unless you tell me to.” - - -At this moment, there was a sound of hurrying feet outside. The door -was thrown open and an excited group of men and women rushed into the -room. - -“A dreadful thing has happened,” cried one of the women; “the -constable, Johann Milder, has disappeared. He left his clothes behind -him. Stranger yet, there is a little boy at his house who says he lives -there, and who he is and where he came from nobody knows. We have come -to see your step-mother; she is a wise woman and perhaps she may help -us. Where is she? Call her quickly!” - -“She is here,” said the girl, and stepping to the bed, she turned down -the covering. - -Then all the people pushed into the back room and when they saw the -sleeping child, two women fainted, just where they stood. The others -were so much astounded that not one of them could speak a word. Then -the dryad, who, so far, had not been noticed, laughed out merrily. It -was all so funny that she could not help it. - -At this the people turned and stared at her. There were some among them -who had seen dryads and they set up a great shout. - -“A dryad!” they cried, “a wicked spirit, a tree witch! She has done -this! She has been about with her sinful kisses.” - -With one accord the villagers dashed at the dryad as if they would -pound her into pieces and trample them upon the floor. - -But the dryad was in the door way, between the two rooms, and she moved -so quickly that they could not touch her. Had she felt free to do as -she pleased, she might have rushed in among them and, in a very few -minutes, have made a kindergarten of the whole company, but she had -promised her dear friend, the girl, that, without her permission, she -would never kiss anybody, and she could not break her word. So she fled -through the open door and away, and away, and away, until she was far -from the village. - -It was not long before the dryad came to the great oak which was old -and whose trunk was cracked. - -“Ah!” she cried, “here is this tree which I would not enter, but I -shall not despise it again. It will shelter me, for a time, and I must -no longer remain out in this cruel world.” - -So she slipped into the oak, and was so glad to feel herself safe that -she kissed the inside of the tree, over and over again, telling it how -thankful she was to have its protection, and to feel again as if she -was at home. - - -It was not long before the aged oak was a hundred years younger; -strong, vigorous, clad in the brightest green and able to withstand the -fiercest storm. - -Now, when the villagers knew what had happened, they thought it quite -right that the girl should marry and take care of the child who had -been her step-mother, and when the boy who had been the constable grew -up, he married this child, and there was a great deal more happiness in -that village than there would have been, if the lost dryad had not come -to it, looking for a tree. - - - - - Transcriber’s Notes: - - ――Text in italics is enclosed by underscores (_italics_). - - ――Punctuation and spelling inaccuracies were silently corrected. - - ――Archaic and variable spelling has been preserved. - - ――Variations in hyphenation and compound words have been preserved. - -*** END OF THE PROJECT GUTENBERG EBOOK THE LOST DRYAD *** - -Updated editions will replace the previous one--the old editions will -be renamed. - -Creating the works from print editions not protected by U.S. copyright -law means that no one owns a United States copyright in these works, -so the Foundation (and you!) can copy and distribute it in the -United States without permission and without paying copyright -royalties. Special rules, set forth in the General Terms of Use part -of this license, apply to copying and distributing Project -Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm -concept and trademark. Project Gutenberg is a registered trademark, -and may not be used if you charge for an eBook, except by following -the terms of the trademark license, including paying royalties for use -of the Project Gutenberg trademark. If you do not charge anything for -copies of this eBook, complying with the trademark license is very -easy. You may use this eBook for nearly any purpose such as creation -of derivative works, reports, performances and research. Project -Gutenberg eBooks may be modified and printed and given away--you may -do practically ANYTHING in the United States with eBooks not protected -by U.S. copyright law. Redistribution is subject to the trademark -license, especially commercial redistribution. - -START: FULL LICENSE - -THE FULL PROJECT GUTENBERG LICENSE -PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK - -To protect the Project Gutenberg-tm mission of promoting the free -distribution of electronic works, by using or distributing this work -(or any other work associated in any way with the phrase "Project -Gutenberg"), you agree to comply with all the terms of the Full -Project Gutenberg-tm License available with this file or online at -www.gutenberg.org/license. - -Section 1. General Terms of Use and Redistributing Project -Gutenberg-tm electronic works - -1.A. By reading or using any part of this Project Gutenberg-tm -electronic work, you indicate that you have read, understand, agree to -and accept all the terms of this license and intellectual property -(trademark/copyright) agreement. If you do not agree to abide by all -the terms of this agreement, you must cease using and return or -destroy all copies of Project Gutenberg-tm electronic works in your -possession. If you paid a fee for obtaining a copy of or access to a -Project Gutenberg-tm electronic work and you do not agree to be bound -by the terms of this agreement, you may obtain a refund from the -person or entity to whom you paid the fee as set forth in paragraph -1.E.8. - -1.B. "Project Gutenberg" is a registered trademark. It may only be -used on or associated in any way with an electronic work by people who -agree to be bound by the terms of this agreement. There are a few -things that you can do with most Project Gutenberg-tm electronic works -even without complying with the full terms of this agreement. See -paragraph 1.C below. There are a lot of things you can do with Project -Gutenberg-tm electronic works if you follow the terms of this -agreement and help preserve free future access to Project Gutenberg-tm -electronic works. See paragraph 1.E below. - -1.C. The Project Gutenberg Literary Archive Foundation ("the -Foundation" or PGLAF), owns a compilation copyright in the collection -of Project Gutenberg-tm electronic works. Nearly all the individual -works in the collection are in the public domain in the United -States. If an individual work is unprotected by copyright law in the -United States and you are located in the United States, we do not -claim a right to prevent you from copying, distributing, performing, -displaying or creating derivative works based on the work as long as -all references to Project Gutenberg are removed. Of course, we hope -that you will support the Project Gutenberg-tm mission of promoting -free access to electronic works by freely sharing Project Gutenberg-tm -works in compliance with the terms of this agreement for keeping the -Project Gutenberg-tm name associated with the work. You can easily -comply with the terms of this agreement by keeping this work in the -same format with its attached full Project Gutenberg-tm License when -you share it without charge with others. - -1.D. The copyright laws of the place where you are located also govern -what you can do with this work. Copyright laws in most countries are -in a constant state of change. If you are outside the United States, -check the laws of your country in addition to the terms of this -agreement before downloading, copying, displaying, performing, -distributing or creating derivative works based on this work or any -other Project Gutenberg-tm work. The Foundation makes no -representations concerning the copyright status of any work in any -country other than the United States. - -1.E. Unless you have removed all references to Project Gutenberg: - -1.E.1. The following sentence, with active links to, or other -immediate access to, the full Project Gutenberg-tm License must appear -prominently whenever any copy of a Project Gutenberg-tm work (any work -on which the phrase "Project Gutenberg" appears, or with which the -phrase "Project Gutenberg" is associated) is accessed, displayed, -performed, viewed, copied or distributed: - - This eBook is for the use of anyone anywhere in the United States and - most other parts of the world at no cost and with almost no - restrictions whatsoever. You may copy it, give it away or re-use it - under the terms of the Project Gutenberg License included with this - eBook or online at www.gutenberg.org. If you are not located in the - United States, you will have to check the laws of the country where - you are located before using this eBook. - -1.E.2. If an individual Project Gutenberg-tm electronic work is -derived from texts not protected by U.S. copyright law (does not -contain a notice indicating that it is posted with permission of the -copyright holder), the work can be copied and distributed to anyone in -the United States without paying any fees or charges. If you are -redistributing or providing access to a work with the phrase "Project -Gutenberg" associated with or appearing on the work, you must comply -either with the requirements of paragraphs 1.E.1 through 1.E.7 or -obtain permission for the use of the work and the Project Gutenberg-tm -trademark as set forth in paragraphs 1.E.8 or 1.E.9. - -1.E.3. If an individual Project Gutenberg-tm electronic work is posted -with the permission of the copyright holder, your use and distribution -must comply with both paragraphs 1.E.1 through 1.E.7 and any -additional terms imposed by the copyright holder. Additional terms -will be linked to the Project Gutenberg-tm License for all works -posted with the permission of the copyright holder found at the -beginning of this work. - -1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm -License terms from this work, or any files containing a part of this -work or any other work associated with Project Gutenberg-tm. - -1.E.5. Do not copy, display, perform, distribute or redistribute this -electronic work, or any part of this electronic work, without -prominently displaying the sentence set forth in paragraph 1.E.1 with -active links or immediate access to the full terms of the Project -Gutenberg-tm License. - -1.E.6. You may convert to and distribute this work in any binary, -compressed, marked up, nonproprietary or proprietary form, including -any word processing or hypertext form. However, if you provide access -to or distribute copies of a Project Gutenberg-tm work in a format -other than "Plain Vanilla ASCII" or other format used in the official -version posted on the official Project Gutenberg-tm website -(www.gutenberg.org), you must, at no additional cost, fee or expense -to the user, provide a copy, a means of exporting a copy, or a means -of obtaining a copy upon request, of the work in its original "Plain -Vanilla ASCII" or other form. Any alternate format must include the -full Project Gutenberg-tm License as specified in paragraph 1.E.1. - -1.E.7. Do not charge a fee for access to, viewing, displaying, -performing, copying or distributing any Project Gutenberg-tm works -unless you comply with paragraph 1.E.8 or 1.E.9. - -1.E.8. You may charge a reasonable fee for copies of or providing -access to or distributing Project Gutenberg-tm electronic works -provided that: - -* You pay a royalty fee of 20% of the gross profits you derive from - the use of Project Gutenberg-tm works calculated using the method - you already use to calculate your applicable taxes. The fee is owed - to the owner of the Project Gutenberg-tm trademark, but he has - agreed to donate royalties under this paragraph to the Project - Gutenberg Literary Archive Foundation. Royalty payments must be paid - within 60 days following each date on which you prepare (or are - legally required to prepare) your periodic tax returns. Royalty - payments should be clearly marked as such and sent to the Project - Gutenberg Literary Archive Foundation at the address specified in - Section 4, "Information about donations to the Project Gutenberg - Literary Archive Foundation." - -* You provide a full refund of any money paid by a user who notifies - you in writing (or by e-mail) within 30 days of receipt that s/he - does not agree to the terms of the full Project Gutenberg-tm - License. You must require such a user to return or destroy all - copies of the works possessed in a physical medium and discontinue - all use of and all access to other copies of Project Gutenberg-tm - works. - -* You provide, in accordance with paragraph 1.F.3, a full refund of - any money paid for a work or a replacement copy, if a defect in the - electronic work is discovered and reported to you within 90 days of - receipt of the work. - -* You comply with all other terms of this agreement for free - distribution of Project Gutenberg-tm works. - -1.E.9. If you wish to charge a fee or distribute a Project -Gutenberg-tm electronic work or group of works on different terms than -are set forth in this agreement, you must obtain permission in writing -from the Project Gutenberg Literary Archive Foundation, the manager of -the Project Gutenberg-tm trademark. Contact the Foundation as set -forth in Section 3 below. - -1.F. - -1.F.1. Project Gutenberg volunteers and employees expend considerable -effort to identify, do copyright research on, transcribe and proofread -works not protected by U.S. copyright law in creating the Project -Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm -electronic works, and the medium on which they may be stored, may -contain "Defects," such as, but not limited to, incomplete, inaccurate -or corrupt data, transcription errors, a copyright or other -intellectual property infringement, a defective or damaged disk or -other medium, a computer virus, or computer codes that damage or -cannot be read by your equipment. - -1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right -of Replacement or Refund" described in paragraph 1.F.3, the Project -Gutenberg Literary Archive Foundation, the owner of the Project -Gutenberg-tm trademark, and any other party distributing a Project -Gutenberg-tm electronic work under this agreement, disclaim all -liability to you for damages, costs and expenses, including legal -fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT -LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE -PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE -TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE -LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR -INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH -DAMAGE. - -1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a -defect in this electronic work within 90 days of receiving it, you can -receive a refund of the money (if any) you paid for it by sending a -written explanation to the person you received the work from. If you -received the work on a physical medium, you must return the medium -with your written explanation. The person or entity that provided you -with the defective work may elect to provide a replacement copy in -lieu of a refund. If you received the work electronically, the person -or entity providing it to you may choose to give you a second -opportunity to receive the work electronically in lieu of a refund. If -the second copy is also defective, you may demand a refund in writing -without further opportunities to fix the problem. - -1.F.4. Except for the limited right of replacement or refund set forth -in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO -OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT -LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. - -1.F.5. Some states do not allow disclaimers of certain implied -warranties or the exclusion or limitation of certain types of -damages. If any disclaimer or limitation set forth in this agreement -violates the law of the state applicable to this agreement, the -agreement shall be interpreted to make the maximum disclaimer or -limitation permitted by the applicable state law. The invalidity or -unenforceability of any provision of this agreement shall not void the -remaining provisions. - -1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the -trademark owner, any agent or employee of the Foundation, anyone -providing copies of Project Gutenberg-tm electronic works in -accordance with this agreement, and any volunteers associated with the -production, promotion and distribution of Project Gutenberg-tm -electronic works, harmless from all liability, costs and expenses, -including legal fees, that arise directly or indirectly from any of -the following which you do or cause to occur: (a) distribution of this -or any Project Gutenberg-tm work, (b) alteration, modification, or -additions or deletions to any Project Gutenberg-tm work, and (c) any -Defect you cause. - -Section 2. Information about the Mission of Project Gutenberg-tm - -Project Gutenberg-tm is synonymous with the free distribution of -electronic works in formats readable by the widest variety of -computers including obsolete, old, middle-aged and new computers. It -exists because of the efforts of hundreds of volunteers and donations -from people in all walks of life. - -Volunteers and financial support to provide volunteers with the -assistance they need are critical to reaching Project Gutenberg-tm's -goals and ensuring that the Project Gutenberg-tm collection will -remain freely available for generations to come. In 2001, the Project -Gutenberg Literary Archive Foundation was created to provide a secure -and permanent future for Project Gutenberg-tm and future -generations. To learn more about the Project Gutenberg Literary -Archive Foundation and how your efforts and donations can help, see -Sections 3 and 4 and the Foundation information page at -www.gutenberg.org - -Section 3. Information about the Project Gutenberg Literary -Archive Foundation - -The Project Gutenberg Literary Archive Foundation is a non-profit -501(c)(3) educational corporation organized under the laws of the -state of Mississippi and granted tax exempt status by the Internal -Revenue Service. The Foundation's EIN or federal tax identification -number is 64-6221541. Contributions to the Project Gutenberg Literary -Archive Foundation are tax deductible to the full extent permitted by -U.S. federal laws and your state's laws. - -The Foundation's business office is located at 809 North 1500 West, -Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up -to date contact information can be found at the Foundation's website -and official page at www.gutenberg.org/contact - -Section 4. Information about Donations to the Project Gutenberg -Literary Archive Foundation - -Project Gutenberg-tm depends upon and cannot survive without -widespread public support and donations to carry out its mission of -increasing the number of public domain and licensed works that can be -freely distributed in machine-readable form accessible by the widest -array of equipment including outdated equipment. Many small donations -($1 to $5,000) are particularly important to maintaining tax exempt -status with the IRS. - -The Foundation is committed to complying with the laws regulating -charities and charitable donations in all 50 states of the United -States. Compliance requirements are not uniform and it takes a -considerable effort, much paperwork and many fees to meet and keep up -with these requirements. We do not solicit donations in locations -where we have not received written confirmation of compliance. To SEND -DONATIONS or determine the status of compliance for any particular -state visit www.gutenberg.org/donate - -While we cannot and do not solicit contributions from states where we -have not met the solicitation requirements, we know of no prohibition -against accepting unsolicited donations from donors in such states who -approach us with offers to donate. - -International donations are gratefully accepted, but we cannot make -any statements concerning tax treatment of donations received from -outside the United States. U.S. laws alone swamp our small staff. - -Please check the Project Gutenberg web pages for current donation -methods and addresses. Donations are accepted in a number of other -ways including checks, online payments and credit card donations. To -donate, please visit: www.gutenberg.org/donate - -Section 5. General Information About Project Gutenberg-tm electronic works - -Professor Michael S. Hart was the originator of the Project -Gutenberg-tm concept of a library of electronic works that could be -freely shared with anyone. For forty years, he produced and -distributed Project Gutenberg-tm eBooks with only a loose network of -volunteer support. - -Project Gutenberg-tm eBooks are often created from several printed -editions, all of which are confirmed as not protected by copyright in -the U.S. unless a copyright notice is included. Thus, we do not -necessarily keep eBooks in compliance with any particular paper -edition. - -Most people start at our website which has the main PG search -facility: www.gutenberg.org - -This website includes information about Project Gutenberg-tm, -including how to make donations to the Project Gutenberg Literary -Archive Foundation, how to help produce our new eBooks, and how to -subscribe to our email newsletter to hear about new eBooks. diff --git a/old/65841-0.zip b/old/65841-0.zip Binary files differdeleted file mode 100644 index 2dba836..0000000 --- a/old/65841-0.zip +++ /dev/null diff --git a/old/65841-h.zip b/old/65841-h.zip Binary files differdeleted file mode 100644 index 18b7d62..0000000 --- a/old/65841-h.zip +++ /dev/null diff --git a/old/65841-h/65841-h.htm b/old/65841-h/65841-h.htm deleted file mode 100644 index 328e209..0000000 --- a/old/65841-h/65841-h.htm +++ /dev/null @@ -1,1435 +0,0 @@ -<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" - "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> -<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en"> - <head> - <meta http-equiv="Content-Type" content="text/html;charset=utf-8" /> - <meta http-equiv="Content-Style-Type" content="text/css" /> - - <title> - The Lost Dryad, by Frank R. Stockton—A Project Gutenberg eBook - </title> - - <link rel="coverpage" href="images/cover.jpg" /> - - <style type="text/css"> - -/* DACSoft styles */ - -body { - margin-left: 10%; - margin-right: 10%; -} - -/* General headers */ -h1 { - text-align: center; /* all headings centered */ - page-break-before: always; - color: red; - clear: both; -} - -/* Chapter headers */ -h2 { - text-align: center; - font-weight: bold; - margin: .75em 0; -} - -div.chapter { - page-break-before: always; -} - -h2.nobreak { - page-break-before: avoid; -} - -/* Indented paragraph */ -p { - margin-top: .51em; - margin-bottom: .49em; - text-align: justify; - text-indent: 1em; -} - -/* Unindented paragraph */ -.noi {text-indent: 0em;} - -/* Centered unindented paragraph */ -.noic { - text-indent: 0em; - text-align: center; -} - -/* Illustrated drop caps */ -img.drop-cap { - float: left; - margin: 0 .75em .25em 0; -} - -p.drop-cap {text-indent: 0em;} - -p.drop-cap:first-letter { - color: transparent; - visibility: hidden; - margin-left: -1.2em; -} - -.x-ebookmaker img.drop-cap { - float: left; - margin: 0 .75em .25em 0; -} - -.x-ebookmaker p.drop-cap:first-letter { - color: transparent; - visibility: hidden; - margin-left: -1.2em; -} - -/* Non-standard paragraph margins */ -.p2 {margin-top: 2em;} -.p4 {margin-top: 4em;} - -.pad4 { - margin-top: 4em; - margin-bottom: 4em; -} - -/* Horizontal rules */ -hr { - width: 33%; - margin-top: 2em; - margin-bottom: 2em; - margin-left: 33.5%; - margin-right: 33.5%; - clear: both; -} - -hr.chap { - width: 65%; - margin-left: 17.5%; - margin-right: 17.5%; -} - -/* Physical book page and line numbers */ -.pagenum { /* uncomment the next line for invisible page numbers */ - /* visibility: hidden; */ - position: absolute; - right: 3%; -/* left: 92%; */ - font-size: x-small; - font-style: normal; - font-weight: normal; - font-variant: normal; - text-align: right; - color: gray; -} /* page numbers */ - -/* Blockquotes */ -.blockquot { - font-size: 90%; - margin-top: 1em; - margin-left: 10%; - margin-right: 10%; - margin-bottom: 1em; -} - -/* Alignment */ -.right {text-align: right;} - -/* Text appearance */ -.smcap {font-variant: small-caps;} - -/* Small fonts and lowercase small-caps */ -.smfont { - font-size: .8em; -} - -/* Illustration caption */ -.caption { - font-size: .75em; - font-weight: bold; -} - -/* Images */ -img { - max-width: 100%; /* no image to be wider than screen or containing div */ - height:auto; /* keep height in proportion to width */ -} - -.figcenter { - margin: auto; - text-align: center; - page-break-inside: avoid; - max-width: 90%; /* div no wider than screen, even when screen is narrow */ -} - -.illowe24 {width: 24em;} -.illowe4 {width: 4em;} - -/* Transcriber's notes */ -.tnote { - background-color: #E6E6FA; - margin-left: 10%; - margin-right: 10%; - padding-bottom: .5em; - padding-top: .5em; - padding-left: .5em; - padding-right: .5em; -} - -.tntitle { - font-size: 1.25em; - font-weight: bold; - text-align: center; - clear: both; -} - -/* Title page borders and content. */ -.halftitle { - font-size: 1.5em; - text-align: center; - clear: both; -} - -.author { - font-size: 1.25em; - text-align: center; - clear: both; -} - - </style> - </head> -<body> -<p style='text-align:center; font-size:1.2em; font-weight:bold'>The Project Gutenberg eBook of The Lost Dryad, by Frank R. Stockton</p> -<div style='display:block; margin:1em 0'> -This eBook is for the use of anyone anywhere in the United States and -most other parts of the world at no cost and with almost no restrictions -whatsoever. You may copy it, give it away or re-use it under the terms -of the Project Gutenberg License included with this eBook or online -at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you -are not located in the United States, you will have to check the laws of the -country where you are located before using this eBook. -</div> - -<p style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Title: The Lost Dryad</p> - <p style='display:block; margin-top:1em; margin-bottom:0; margin-left:2em; text-indent:-2em'>Author: Frank R. Stockton</p> -<p style='display:block; text-indent:0; margin:1em 0'>Release Date: July 14, 2021 [eBook #65841]</p> -<p style='display:block; text-indent:0; margin:1em 0'>Language: English</p> - <p style='display:block; margin-top:1em; margin-bottom:0; margin-left:2em; text-indent:-2em; text-align:left'>Produced by: Tim Lindell, Donald Cummings and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.)</p> -<div style='margin-top:2em; margin-bottom:4em'>*** START OF THE PROJECT GUTENBERG EBOOK THE LOST DRYAD ***</div> - - -<div class="figcenter" id="cover"> - <img src="images/cover.jpg" alt="cover" title="cover" /> -</div> - - - - -<hr class="chap x-ebookmaker-drop" /> - -<div class="chapter"> -<p class="noi halftitle">THE LOST DRYAD</p> -</div> - - - - -<hr class="chap x-ebookmaker-drop" /> - -<div class="chapter"> -<p class="noi">ONE THOUSAND COPIES OF THIS BOOK HAVE BEEN PRINTED -AT HILLACRE FOR THE UNITED WORKERS OF GREENWICH—EASTERN -BRANCH, INCORPORATED.</p> -</div> - - - - -<hr class="chap x-ebookmaker-drop" /> - -<div class="chapter"> -<div class="figcenter" id="i_frontispiece"> - <img src="images/i_frontispiece.jpg" alt="author portrait" title="author portrait" /> -</div> -<div class="figcenter" id="i_signature"> - <img src="images/i_signature.jpg" alt="" title="" /> - <div class="caption"> - <p class="noic">Sincerely yours<br /> -Frank R. Stockton</p> - </div> -</div> -</div> - - - - -<hr class="chap x-ebookmaker-drop" /> - -<h1>THE LOST DRYAD</h1> - -<p class="noic">BY</p> - -<p class="noi author">FRANK R. STOCKTON</p> - -<div class="pad4"> -<div class="figcenter illowe4" id="i_logo"> - <img class="illowe4" src="images/i_logo.jpg" alt="logo" title="logo" /> -</div> -</div> - -<p class="noic">PRINTED AT HILLACRE<br /> -FOR THE EASTERN BRANCH OF<br /> -THE UNITED WORKERS OF GREENWICH<br /> -RIVERSIDE, CONN.<br /> -1912</p> - - - - -<hr class="chap x-ebookmaker-drop" /> - -<div class="chapter"> -<p class="noic">Copyright, 1911, by The Curtis Publishing Co.</p> - -<p class="noic">Copyright, 1912, by The United Workers of Greenwich.</p> -</div> - - - - -<hr class="chap x-ebookmaker-drop" /> - -<div class="chapter"> -<p><span class="pagenum"><a id="Page_5"></a>[5]</span></p> - -<div class="figcenter illowe24" id="i_chapdeco1"> - <img src="images/i_chapdeco.jpg" alt="chapter deco" title="chapter deco" /> -</div> - -<h2 class="nobreak" id="Explanation">IN EXPLANATION</h2> -</div> - - -<div><img class="drop-cap illowe4" src="images/i_drop_a.jpg" alt="A" title="A" /></div> - -<p class="drop-cap">A dozen years ago, -when every one was still -reading <cite>Rudder Grange</cite> -and <cite>The Merry Chanter</cite>, -Frank R. Stockton asked -Mrs. Frederick Gotthold -which of his stories she liked best. -Her choice of the fairy tale, <cite>Old Pipes -and The Dryad</cite>, pleased him. The -fanciful stories he wrote for children -were very near to his own heart.</p> - -<p>Some time after this, when the -publishers were preparing a new edition -of Stockton, Mrs. Gotthold persuaded -them to have printed for her a copy of<span class="pagenum"><a id="Page_6"></a>[6]</span> -<cite>Old Pipes</cite>, each page on a leaf of vellum. -This she illuminated and decorated, -bound it in leather and sent it to -Mr. Stockton.</p> - -<p>One day Mrs. Gotthold’s mail -contained a parcel. Being opened, -this proved to be a small leather-bound -book of neatest manuscript, bearing on -the inside cover this inscription:</p> - -<div class="blockquot"> - -<p>To Mrs. Florence W. Gotthold, this little story—which -was written for her, and of which there is no other -copy—is gratefully presented by</p> - -<p class="right">FRANK R. STOCKTON</p> - -<p class="noi">Claymont, Nov. 3, 1901.<br /> -Transcribed by E. W. Tuttle.</p> -</div> - -<p class="noi">A title-page, also in Mr. Stockton’s -handwriting, read:</p> - -<div class="blockquot"> - -<p>The | Lost Dryad | By | Frank R. Stockton | Only -Copy. | Claymont | Charles Town, W. Va. | 1901</p> -</div> - -<p class="noi">The book consisted of twenty pages -written by Mr. Stockton’s sister-in-law -from his dictation.</p> - -<p>Ten years have passed. Mr. -Stockton died in April, 1902. None<span class="pagenum"><a id="Page_7"></a>[7]</span> -of his immediate family remain. The -friend for whom he dictated this -quaint little tale has regretted that her -pleasure in it was not being shared by -others. Her interest in the Eastern -Branch of The United Workers of -Greenwich, Connecticut, has prompted -her now to give the story to them for -publication. The magazine rights -were sold to the Curtis Publishing -Company. The money thus obtained -has been expended in producing this -edition of one thousand copies—the -first edition of one of the last tales of -America’s well-loved story-teller.</p> - -<p>The proceeds from the sale of this -book will go into the construction of a -children’s club-house and playground -in a very poor little village, where -some of the little ones wander through -childhood almost as forlornly as the -Lost Dryad bereft of her oak-tree. To -prolong the youth and bring joy to the -lives of these children is the purpose of<span class="pagenum"><a id="Page_8"></a>[8]</span> -this publication of the troubles and -adventures of The Lost Dryad.</p> - -<p class="p4 noi">COS COB, CONNECTICUT,<br /> -<span class="smcap">Thanksgiving day, 1911</span>.</p> - -<hr class="chap x-ebookmaker-drop" /> - -<div class="chapter"> -<p><span class="pagenum"><a id="Page_9"></a>[9]</span></p> - -<div class="figcenter illowe24" id="i_chapdeco2"> - <img src="images/i_chapdeco.jpg" alt="chapter deco" title="chapter deco" /> -</div> - -<h2 class="nobreak" id="Dryad">THE LOST DRYAD.</h2> -</div> - - -<div><img class="drop-cap illowe4" src="images/i_drop_t.jpg" alt="T" title="T" /></div> - -<p class="drop-cap">There was once a dryad -who was truly lost. The -summer was drawing to -a close; the nights were -becoming cool, she had -no home, and she did -not know where she was.</p> - -<p>Not long before, while she was -still in her oak tree, there had been a -terrible storm; the tree had been dashed -to the ground and splintered to pieces, -while the poor dryad had been blown -away, and away, and away, she did not -know where. Now she was looking -for another oak tree to live in, but she<span class="pagenum"><a id="Page_10"></a>[10]</span> -was lost, absolutely lost. One tree she -found, which she thought might shelter -her, but when she examined it she -found that it was getting old and its -trunk was badly cracked. After her -terrible experience she was afraid to go -into a cracked tree, and so she kept on -her way.</p> - -<p>At a little distance, she saw a -village, shaded by trees, and the thought -came to her that she might possibly -find a home in a big oak there. That -would be fine, truly. She had never -lived in a village, it would be a new -experience.</p> - -<p>So she kept on, but when she reached -the place she found that few of the -trees were oaks, and these were not -very well grown and too small for her. -It was nearly supper-time in the village -and, therefore, there were not many -people in the street, but presently she -met a big man with a cross face.</p> - -<p>“Oho! Oho!” he cried, “who<span class="pagenum"><a id="Page_11"></a>[11]</span> -are you? You cannot go about the -street like that!”</p> - -<p>The poor dryad was terribly -frightened. “Like what?” she asked.</p> - -<p>“You must go home and dress,” -he said.</p> - -<p>“I am dressed,” said she; “these -are all the clothes I ever wear.”</p> - -<p>“Do you call these clothes?” he -said. “Come along with me! I am -a constable. I will take you to the -lock-up. You must be crazy! But -they will take care of you there and, -at any rate, will dress you properly.”</p> - -<p>The poor dryad trembled from -head to foot. She did not know what -a lock-up was, but she knew it must be -a terrible place, and she had never seen -anyone look so cruel as this man. He -had already seized her by the arm, and -if his grasp should become tighter, she -believed her arm would break in two. -Poor, weak, beautiful dryad! What -could she do?</p> - - -<div class="p2"><img class="drop-cap illowe4" src="images/i_drop_s.jpg" alt="S" title="S" /></div> - -<p class="p2 drop-cap">She<span class="pagenum"><a id="Page_12"></a>[12]</span> -thought of something. -It was her only hope! -It must be remembered -that there is a peculiar -property pertaining to -the kiss of a dryad. -Whenever a dryad kisses a human being, -that person becomes ten years younger. -So all good mothers are very careful -to keep their children away from large -oak trees. If a girl, of a dozen years, -were to sit in the shade of one of these -trees, she might attract the attention of an -affectionate tree dweller; and then, if this -dryad should kiss her, the little toddler -of two years might go home—if perchance, -she remembered where she lived—and -astound her parents. But if a -child who was not yet ten should be -kissed, it would disappear utterly.</p> - -<p>The dryad remembered her rare -gift, as she looked up tearfully into the -stern face of the constable.</p> - -<p>“Please, sir,” she said, “don’t take<span class="pagenum"><a id="Page_13"></a>[13]</span> -me away; I shall be frightened to death -if you do. I have something to tell you, -but only you must hear it. Please let -me whisper it to you.”</p> - -<p>The constable looked at her. He -was fond of hearing secrets, and it was -quite proper that people should confide -in him. So he bent down his head to -hear what the dryad had to say. In a -moment she kissed him twice, and, before -he had time to notice the change, -he was a man of thirty years of age, -vigorous and handsome. He released -his grasp upon her arm and stood up, -straight and tall.</p> - -<p>“Oho!” he cried, “and who are -you?”</p> - -<p>“Put down your head,” said the -dryad, “and let me tell you.” Then -she gave him two more kisses.</p> - -<p>Now there stood before her a boy -of ten, very much troubled.</p> - -<p>“I don’t know what is the matter -with my clothes,” said he, “my breeches<span class="pagenum"><a id="Page_14"></a>[14]</span> -are all down about my feet. They are -like an old man’s trousers. And my shoes -and stockings! Where did I get such big -shoes and stockings? And this great -jerkin, it is too big for me. I am going -to throw it off.”</p> - -<p>“That is right, little boy,” said the -dryad, “throw it off, and pull off those -shoes and stockings; you can walk a -great deal better in your bare feet. You -must have been asleep and in a dream -you put on your father’s clothes.”</p> - -<p>“I expect that was it,” said he, “it -must have been that.”</p> - -<p>“Now run along home, little boy,” -said the dryad, “and carry carefully your -father’s jerkin and his shoes and stockings. -Perhaps if you put them where -you found them, he may never know. -Now run along!”</p> - -<p>And the little boy ran along.</p> - -<p>The dryad was now alone, but she -was still frightened. She was sure there -were no trees here which would suit<span class="pagenum"><a id="Page_15"></a>[15]</span> -her and she was afraid of meeting some -other cruel person, so she slipped into a -side street, and there she saw a light -coming through a glass door. This was -the only light in the street and she -went up to it and looked in.</p> - - -<div class="p2"><img class="drop-cap illowe4" src="images/i_drop_i.jpg" alt="I" title="I" /></div> - -<p class="p2 drop-cap">Inside was a small room, -not very well furnished, -and by a table, with a -light on it, there sat a -girl, trimming a hat. -The dryad smiled with -pleasure; she was not afraid of a girl, -especially one who was so pretty, and -looked so gentle. Perhaps she might -tell her where there was a good oak tree; -so she opened the door, without making -any noise, and stepped in.</p> - -<p>At first the girl was startled and -dropped the hat she was trimming, but -when the dryad quickly told her who<span class="pagenum"><a id="Page_16"></a>[16]</span> -she was and what a sad plight she -was in, she was reassured. She had -heard of dryads and was glad to see one.</p> - -<p>“But you must remember this,” -she exclaimed, “on no account must you -kiss me. I am engaged to be married -and I would not have you kiss me, for -the world.”</p> - -<p>“Oh, no! no! no!” said the dryad, -“no matter how good you are to me, I -shall be very careful. And can you tell -me where there is a large oak tree?”</p> - -<p>“I do not remember any,” said the -girl, “but I expect you sorely need one -for you must feel cold in the evening.”</p> - -<p>“Oh, no!” said the dryad, “I am -not cold. But what a beautiful hat you -are making! Such lovely silk and lace -you are putting on it!”</p> - -<p>“Yes,” said the girl, holding up the -hat before the lamp, “I am trying to -make it pretty, but this silk is tarnished; -it has lost a good deal of its color. My -step-mother thinks it is good enough for<span class="pagenum"><a id="Page_17"></a>[17]</span> -me and so I must do the best I can with it.”</p> - -<p>“Poor girl!” said the dryad, “she -ought to give you the nicest stuffs there -are in the village, you are so pretty.” -And, moved by pity and affection, she -was about to give the girl a kiss of -sympathy, but remembering just in time -that that would never do, she kissed the -hat. Instantly the silk and the lace were -as bright and new as if they had just -come out of the shop. The dryad exclaimed -with delight.</p> - -<p>“Look! look!” she cried, “did you -ever see more charming colors?”</p> - -<p>The girl had never seen more -charming colors, but her countenance fell.</p> - -<p>“They are very pretty,” she said, -“but what an old-fashioned hat! It -looks like one of those hats people used -to wear ten years ago.”</p> - -<p>Now the poor dryad was greatly -troubled. “Have I spoiled it?” she said. -“Oh! I shall be too sorry if I have done -that.”</p> - -<p><span class="pagenum"><a id="Page_18"></a>[18]</span></p> - -<p>The girl turned the hat around and -looked at it on every side.</p> - -<p>“Of course, I could not wear it as -it is,” she said, “but I am sure I can alter it. -Yes, I can change the shape and then, -with these new trimmings, it will be -perfectly lovely. I thank you ever so -much. But please do not come any -nearer; you might forget yourself.”</p> - -<p>“And you are going to be married?” -asked the dryad.</p> - -<p>“Yes, truly, if I can,” said the girl, -“but my step-mother does not wish it; -she wants me to stay here and work for -her. But I shall be patient and, in the -meantime, I am so glad that he will see -me in my new hat.”</p> - -<p>“And is your step-mother so very -cross?” asked the dryad.</p> - -<p>“Oh, very! If she were at home I -could not let you stay here, and as I expect -her to come back shortly, I am -afraid—”</p> - -<p>The poor dryad clasped her hands.<span class="pagenum"><a id="Page_19"></a>[19]</span> -“You do not mean,” she said, “that I -must go away? I hoped that I might -stay here until the people of the village -were all in bed.”</p> - -<p>“I am very sorry,” said the girl, -“but really, if my step-mother should -come back and see you here I don’t -know what would happen; but I will -tell you what I will do: I will lend you -one of my frocks and a cape, and you can -put on my sun-bonnet; then you can go -out and look for a tree and people will -not be apt to notice you, and if you will -come back after a while, when my step-mother -has gone to bed, I will go out -with you and help you to find a tree if -you have not found one. Oh, now please -don’t! People can be very grateful without -kissing, you know, and I will bring -you the clothes in a minute.”</p> - - -<div class="p2"><img class="drop-cap illowe4" src="images/i_drop_w.jpg" alt="W" title="W" /></div> - -<p class="p2 drop-cap">When<span class="pagenum"><a id="Page_20"></a>[20]</span> -the dryad had put -on the frock and the -little cape and the sun-bonnet, -she looked very -much like an ordinary -person, and when she -went out on the street nobody noticed -her, for there were girls in that village -who were so poor that they were -obliged to go barefooted.</p> - -<p>This lost dryad had no very good -idea of time and, after she had walked -about the streets, and even a little way -into the country, looking for a tree and -finding none, she thought that the cruel -step-mother must surely have gone to -bed, and so she went back to the house -of her friend the girl, and opening the -door she slipped in. There she saw the -cruel step-mother scolding the girl. As -she entered, the step-mother stopped -short in her scolding, and the poor girl -looked as if she was about to faint.</p> - -<p>“Heigho!” cried the woman, “and<span class="pagenum"><a id="Page_21"></a>[21]</span> -who is this? How dare you come in -without knocking? What! Where did -you get that sun-bonnet? You wretched -creature!” she cried, addressing her step-daughter, -“what does this mean? And -your cape and your frock?” And without -waiting for an answer she stepped up to -the dryad.</p> - -<p>“Take that off this minute, whoever -you are!” she cried, and as she said this -she grasped the sun-bonnet and pulled -it from the dryad’s head.</p> - -<p>The girl almost fainted and sank -into a chair, while the poor dryad, nearly -scared out of her wits, had barely -sense enough left to throw her arms -around the step-mother’s neck and give -her four kisses, as quick as lightning.</p> - -<p>The next day was the step-mother’s -birthday, and she intended to celebrate -the occasion by inviting some of her old -cronies to sup with her; but now there -was a little girl standing on the floor, -beginning to cry. The dryad clapped<span class="pagenum"><a id="Page_22"></a>[22]</span> -her hands with delight.</p> - -<p>“So many clothes,” she exclaimed, -“and such a dear little body in the -middle of them all!”</p> - -<p>The girl with the hat cried out, -“Oh, what have you done!” But, in spite -of her consternation, she could not help -laughing.</p> - -<p>“She does look funny,” said she. -There was such a difference between -the little child and the cross step-mother, -that it was impossible for any one to be -really sorry.</p> - -<p>“How queer it is!” said the dryad. -“She knows nothing at all of the life -she has lived.”</p> - -<p>“Of course not,” said the girl, “she -could not look back on her future, you -know.”</p> - -<p>“I want to go to bed,” said the little -one, rubbing her eyes, “and please take -these things off.”</p> - -<p>“That is what we must do,” cried -the dryad, “we must undress her and<span class="pagenum"><a id="Page_23"></a>[23]</span> -put her to bed.”</p> - -<p>“No, let me do it alone, you -might forget,” said the girl.</p> - -<p>So the little child was put to bed -in the back room and, in a moment, -was asleep.</p> - -<p>“Now I need not go away,” cried -the dryad.</p> - -<p>“No, indeed,” said the girl, “I -should be afraid to be left alone with -that little thing who was my step-mother.”</p> - - -<div class="p2"><img class="drop-cap illowe4" src="images/i_drop_t.jpg" alt="T" title="T" /></div> - -<p class="p2 drop-cap">The dryad threw aside the -uncomfortable gown and -cape, and her face -sparkled with delight; -she was so glad that she -need not go away and -was so happy at what she had done.</p> - -<p>“Now,” said she to the girl, “you -can be married, and you two can take -care of the little girl.”</p> - -<p><span class="pagenum"><a id="Page_24"></a>[24]</span></p> - -<p>“Yes, I can be married,” said the -other, “but not immediately, and in the -meantime I must support this little child -and myself. I have no money and how -am I going to do that?”</p> - -<p>“Oh, I wish I could help you,” -cried the dryad. “Could not I live here -until you are married? I really ought -to do something for you, and I will -never kiss you or the child.”</p> - -<p>“But how could you help me?” -said the girl, smiling.</p> - -<p>“I don’t know,” said the dryad, -reflecting, “perhaps there are some -people in the village who would like to -be younger.”</p> - -<p>“Yes,” said the girl, “that might do. -We could live here together and setup -a kisserie. It will be very pleasant for -me to have everything my own way -and not to be scolded, and I shall take the -best possible care of the child. I know -there are people who would like to be -kissed, but you will have to be very,<span class="pagenum"><a id="Page_25"></a>[25]</span> -very careful not to make mistakes.”</p> - -<p>“Oh, I will do that!” cried the -dryad. “I promise you, that, from this -moment, I will never kiss anybody, old -or young, unless you tell me to.”</p> - - -<div class="p2"><img class="drop-cap illowe4" src="images/i_drop_a.jpg" alt="A" title="A" /></div> - -<p class="p2 drop-cap">At this moment, there -was a sound of hurrying -feet outside. The door -was thrown open and an -excited group of men -and women rushed into -the room.</p> - -<p>“A dreadful thing has happened,” -cried one of the women; “the constable, -Johann Milder, has disappeared. He -left his clothes behind him. Stranger -yet, there is a little boy at his house -who says he lives there, and who he is -and where he came from nobody knows. -We have come to see your step-mother; -she is a wise woman and perhaps she -may help us. Where is she? Call her<span class="pagenum"><a id="Page_26"></a>[26]</span> -quickly!”</p> - -<p>“She is here,” said the girl, and -stepping to the bed, she turned down -the covering.</p> - -<p>Then all the people pushed into -the back room and when they saw the -sleeping child, two women fainted, just -where they stood. The others were so -much astounded that not one of them -could speak a word. Then the dryad, -who, so far, had not been noticed, -laughed out merrily. It was all so -funny that she could not help it.</p> - -<p>At this the people turned and -stared at her. There were some among -them who had seen dryads and they set -up a great shout.</p> - -<p>“A dryad!” they cried, “a wicked -spirit, a tree witch! She has done -this! She has been about with her sinful -kisses.”</p> - -<p>With one accord the villagers -dashed at the dryad as if they would -pound her into pieces and trample them<span class="pagenum"><a id="Page_27"></a>[27]</span> -upon the floor.</p> - -<p>But the dryad was in the door way, -between the two rooms, and she moved -so quickly that they could not touch -her. Had she felt free to do as she -pleased, she might have rushed in -among them and, in a very few minutes, -have made a kindergarten of the whole -company, but she had promised her -dear friend, the girl, that, without her -permission, she would never kiss anybody, -and she could not break her -word. So she fled through the open door -and away, and away, and away, until -she was far from the village.</p> - -<p>It was not long before the dryad -came to the great oak which was old -and whose trunk was cracked.</p> - -<p>“Ah!” she cried, “here is this tree -which I would not enter, but I shall -not despise it again. It will shelter me, -for a time, and I must no longer remain -out in this cruel world.”</p> - -<p>So she slipped into the oak, and<span class="pagenum"><a id="Page_28"></a>[28]</span> -was so glad to feel herself safe that she -kissed the inside of the tree, over and -over again, telling it how thankful she -was to have its protection, and to feel -again as if she was at home.</p> - - -<div class="p2"><img class="drop-cap illowe4" src="images/i_drop_i.jpg" alt="I" title="I" /></div> - -<p class="p2 drop-cap">It was not long before -the aged oak was a hundred -years younger; -strong, vigorous, clad in -the brightest green and -able to withstand the -fiercest storm.</p> - -<p>Now, when the villagers knew -what had happened, they thought it -quite right that the girl should marry -and take care of the child who had been -her step-mother, and when the boy who -had been the constable grew up, he -married this child, and there was a great -deal more happiness in that village than -there would have been, if the lost dryad -had not come to it, looking for a tree.</p> - - - - -<hr class="chap" /> -<div class="tnote"> -<p class="noi tntitle">Transcriber’s Notes:</p> - -<p class="smfont">Punctuation and spelling inaccuracies were silently corrected.</p> - -<p class="smfont">Archaic and variable spelling has been preserved.</p> - -<p class="smfont">Variations in hyphenation and compound words have been preserved.</p> -</div> - -<div style='display:block; margin-top:4em'>*** END OF THE PROJECT GUTENBERG EBOOK THE LOST DRYAD ***</div> -<div style='text-align:left'> - -<div style='display:block; margin:1em 0'> -Updated editions will replace the previous one—the old editions will -be renamed. -</div> - -<div style='display:block; margin:1em 0'> -Creating the works from print editions not protected by U.S. copyright -law means that no one owns a United States copyright in these works, -so the Foundation (and you!) can copy and distribute it in the United -States without permission and without paying copyright -royalties. Special rules, set forth in the General Terms of Use part -of this license, apply to copying and distributing Project -Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ -concept and trademark. Project Gutenberg is a registered trademark, -and may not be used if you charge for an eBook, except by following -the terms of the trademark license, including paying royalties for use -of the Project Gutenberg trademark. If you do not charge anything for -copies of this eBook, complying with the trademark license is very -easy. You may use this eBook for nearly any purpose such as creation -of derivative works, reports, performances and research. Project -Gutenberg eBooks may be modified and printed and given away--you may -do practically ANYTHING in the United States with eBooks not protected -by U.S. copyright law. Redistribution is subject to the trademark -license, especially commercial redistribution. -</div> - -<div style='margin:0.83em 0; font-size:1.1em; text-align:center'>START: FULL LICENSE<br /> -<span style='font-size:smaller'>THE FULL PROJECT GUTENBERG LICENSE<br /> -PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK</span> -</div> - -<div style='display:block; margin:1em 0'> -To protect the Project Gutenberg™ mission of promoting the free -distribution of electronic works, by using or distributing this work -(or any other work associated in any way with the phrase “Project -Gutenberg”), you agree to comply with all the terms of the Full -Project Gutenberg™ License available with this file or online at -www.gutenberg.org/license. -</div> - -<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'> -Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works -</div> - -<div style='display:block; margin:1em 0'> -1.A. By reading or using any part of this Project Gutenberg™ -electronic work, you indicate that you have read, understand, agree to -and accept all the terms of this license and intellectual property -(trademark/copyright) agreement. If you do not agree to abide by all -the terms of this agreement, you must cease using and return or -destroy all copies of Project Gutenberg™ electronic works in your -possession. If you paid a fee for obtaining a copy of or access to a -Project Gutenberg™ electronic work and you do not agree to be bound -by the terms of this agreement, you may obtain a refund from the person -or entity to whom you paid the fee as set forth in paragraph 1.E.8. -</div> - -<div style='display:block; margin:1em 0'> -1.B. “Project Gutenberg” is a registered trademark. It may only be -used on or associated in any way with an electronic work by people who -agree to be bound by the terms of this agreement. There are a few -things that you can do with most Project Gutenberg™ electronic works -even without complying with the full terms of this agreement. See -paragraph 1.C below. There are a lot of things you can do with Project -Gutenberg™ electronic works if you follow the terms of this -agreement and help preserve free future access to Project Gutenberg™ -electronic works. See paragraph 1.E below. -</div> - -<div style='display:block; margin:1em 0'> -1.C. The Project Gutenberg Literary Archive Foundation (“the -Foundation” or PGLAF), owns a compilation copyright in the collection -of Project Gutenberg™ electronic works. Nearly all the individual -works in the collection are in the public domain in the United -States. If an individual work is unprotected by copyright law in the -United States and you are located in the United States, we do not -claim a right to prevent you from copying, distributing, performing, -displaying or creating derivative works based on the work as long as -all references to Project Gutenberg are removed. Of course, we hope -that you will support the Project Gutenberg™ mission of promoting -free access to electronic works by freely sharing Project Gutenberg™ -works in compliance with the terms of this agreement for keeping the -Project Gutenberg™ name associated with the work. You can easily -comply with the terms of this agreement by keeping this work in the -same format with its attached full Project Gutenberg™ License when -you share it without charge with others. -</div> - -<div style='display:block; margin:1em 0'> -1.D. The copyright laws of the place where you are located also govern -what you can do with this work. Copyright laws in most countries are -in a constant state of change. If you are outside the United States, -check the laws of your country in addition to the terms of this -agreement before downloading, copying, displaying, performing, -distributing or creating derivative works based on this work or any -other Project Gutenberg™ work. The Foundation makes no -representations concerning the copyright status of any work in any -country other than the United States. -</div> - -<div style='display:block; margin:1em 0'> -1.E. Unless you have removed all references to Project Gutenberg: -</div> - -<div style='display:block; margin:1em 0'> -1.E.1. The following sentence, with active links to, or other -immediate access to, the full Project Gutenberg™ License must appear -prominently whenever any copy of a Project Gutenberg™ work (any work -on which the phrase “Project Gutenberg” appears, or with which the -phrase “Project Gutenberg” is associated) is accessed, displayed, -performed, viewed, copied or distributed: -</div> - -<blockquote> - <div style='display:block; margin:1em 0'> - This eBook is for the use of anyone anywhere in the United States and most - other parts of the world at no cost and with almost no restrictions - whatsoever. You may copy it, give it away or re-use it under the terms - of the Project Gutenberg License included with this eBook or online - at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you - are not located in the United States, you will have to check the laws - of the country where you are located before using this eBook. - </div> -</blockquote> - -<div style='display:block; margin:1em 0'> -1.E.2. If an individual Project Gutenberg™ electronic work is -derived from texts not protected by U.S. copyright law (does not -contain a notice indicating that it is posted with permission of the -copyright holder), the work can be copied and distributed to anyone in -the United States without paying any fees or charges. If you are -redistributing or providing access to a work with the phrase “Project -Gutenberg” associated with or appearing on the work, you must comply -either with the requirements of paragraphs 1.E.1 through 1.E.7 or -obtain permission for the use of the work and the Project Gutenberg™ -trademark as set forth in paragraphs 1.E.8 or 1.E.9. -</div> - -<div style='display:block; margin:1em 0'> -1.E.3. If an individual Project Gutenberg™ electronic work is posted -with the permission of the copyright holder, your use and distribution -must comply with both paragraphs 1.E.1 through 1.E.7 and any -additional terms imposed by the copyright holder. Additional terms -will be linked to the Project Gutenberg™ License for all works -posted with the permission of the copyright holder found at the -beginning of this work. -</div> - -<div style='display:block; margin:1em 0'> -1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ -License terms from this work, or any files containing a part of this -work or any other work associated with Project Gutenberg™. -</div> - -<div style='display:block; margin:1em 0'> -1.E.5. Do not copy, display, perform, distribute or redistribute this -electronic work, or any part of this electronic work, without -prominently displaying the sentence set forth in paragraph 1.E.1 with -active links or immediate access to the full terms of the Project -Gutenberg™ License. -</div> - -<div style='display:block; margin:1em 0'> -1.E.6. You may convert to and distribute this work in any binary, -compressed, marked up, nonproprietary or proprietary form, including -any word processing or hypertext form. However, if you provide access -to or distribute copies of a Project Gutenberg™ work in a format -other than “Plain Vanilla ASCII” or other format used in the official -version posted on the official Project Gutenberg™ website -(www.gutenberg.org), you must, at no additional cost, fee or expense -to the user, provide a copy, a means of exporting a copy, or a means -of obtaining a copy upon request, of the work in its original “Plain -Vanilla ASCII” or other form. Any alternate format must include the -full Project Gutenberg™ License as specified in paragraph 1.E.1. -</div> - -<div style='display:block; margin:1em 0'> -1.E.7. Do not charge a fee for access to, viewing, displaying, -performing, copying or distributing any Project Gutenberg™ works -unless you comply with paragraph 1.E.8 or 1.E.9. -</div> - -<div style='display:block; margin:1em 0'> -1.E.8. You may charge a reasonable fee for copies of or providing -access to or distributing Project Gutenberg™ electronic works -provided that: -</div> - -<div style='margin-left:0.7em;'> - <div style='text-indent:-0.7em'> - • You pay a royalty fee of 20% of the gross profits you derive from - the use of Project Gutenberg™ works calculated using the method - you already use to calculate your applicable taxes. The fee is owed - to the owner of the Project Gutenberg™ trademark, but he has - agreed to donate royalties under this paragraph to the Project - Gutenberg Literary Archive Foundation. Royalty payments must be paid - within 60 days following each date on which you prepare (or are - legally required to prepare) your periodic tax returns. Royalty - payments should be clearly marked as such and sent to the Project - Gutenberg Literary Archive Foundation at the address specified in - Section 4, “Information about donations to the Project Gutenberg - Literary Archive Foundation.” - </div> - - <div style='text-indent:-0.7em'> - • You provide a full refund of any money paid by a user who notifies - you in writing (or by e-mail) within 30 days of receipt that s/he - does not agree to the terms of the full Project Gutenberg™ - License. You must require such a user to return or destroy all - copies of the works possessed in a physical medium and discontinue - all use of and all access to other copies of Project Gutenberg™ - works. - </div> - - <div style='text-indent:-0.7em'> - • You provide, in accordance with paragraph 1.F.3, a full refund of - any money paid for a work or a replacement copy, if a defect in the - electronic work is discovered and reported to you within 90 days of - receipt of the work. - </div> - - <div style='text-indent:-0.7em'> - • You comply with all other terms of this agreement for free - distribution of Project Gutenberg™ works. - </div> -</div> - -<div style='display:block; margin:1em 0'> -1.E.9. If you wish to charge a fee or distribute a Project -Gutenberg™ electronic work or group of works on different terms than -are set forth in this agreement, you must obtain permission in writing -from the Project Gutenberg Literary Archive Foundation, the manager of -the Project Gutenberg™ trademark. Contact the Foundation as set -forth in Section 3 below. -</div> - -<div style='display:block; margin:1em 0'> -1.F. -</div> - -<div style='display:block; margin:1em 0'> -1.F.1. Project Gutenberg volunteers and employees expend considerable -effort to identify, do copyright research on, transcribe and proofread -works not protected by U.S. copyright law in creating the Project -Gutenberg™ collection. Despite these efforts, Project Gutenberg™ -electronic works, and the medium on which they may be stored, may -contain “Defects,” such as, but not limited to, incomplete, inaccurate -or corrupt data, transcription errors, a copyright or other -intellectual property infringement, a defective or damaged disk or -other medium, a computer virus, or computer codes that damage or -cannot be read by your equipment. -</div> - -<div style='display:block; margin:1em 0'> -1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right -of Replacement or Refund” described in paragraph 1.F.3, the Project -Gutenberg Literary Archive Foundation, the owner of the Project -Gutenberg™ trademark, and any other party distributing a Project -Gutenberg™ electronic work under this agreement, disclaim all -liability to you for damages, costs and expenses, including legal -fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT -LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE -PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE -TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE -LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR -INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH -DAMAGE. -</div> - -<div style='display:block; margin:1em 0'> -1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a -defect in this electronic work within 90 days of receiving it, you can -receive a refund of the money (if any) you paid for it by sending a -written explanation to the person you received the work from. If you -received the work on a physical medium, you must return the medium -with your written explanation. The person or entity that provided you -with the defective work may elect to provide a replacement copy in -lieu of a refund. If you received the work electronically, the person -or entity providing it to you may choose to give you a second -opportunity to receive the work electronically in lieu of a refund. If -the second copy is also defective, you may demand a refund in writing -without further opportunities to fix the problem. -</div> - -<div style='display:block; margin:1em 0'> -1.F.4. Except for the limited right of replacement or refund set forth -in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO -OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT -LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. -</div> - -<div style='display:block; margin:1em 0'> -1.F.5. Some states do not allow disclaimers of certain implied -warranties or the exclusion or limitation of certain types of -damages. If any disclaimer or limitation set forth in this agreement -violates the law of the state applicable to this agreement, the -agreement shall be interpreted to make the maximum disclaimer or -limitation permitted by the applicable state law. The invalidity or -unenforceability of any provision of this agreement shall not void the -remaining provisions. -</div> - -<div style='display:block; margin:1em 0'> -1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the -trademark owner, any agent or employee of the Foundation, anyone -providing copies of Project Gutenberg™ electronic works in -accordance with this agreement, and any volunteers associated with the -production, promotion and distribution of Project Gutenberg™ -electronic works, harmless from all liability, costs and expenses, -including legal fees, that arise directly or indirectly from any of -the following which you do or cause to occur: (a) distribution of this -or any Project Gutenberg™ work, (b) alteration, modification, or -additions or deletions to any Project Gutenberg™ work, and (c) any -Defect you cause. -</div> - -<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'> -Section 2. Information about the Mission of Project Gutenberg™ -</div> - -<div style='display:block; margin:1em 0'> -Project Gutenberg™ is synonymous with the free distribution of -electronic works in formats readable by the widest variety of -computers including obsolete, old, middle-aged and new computers. It -exists because of the efforts of hundreds of volunteers and donations -from people in all walks of life. -</div> - -<div style='display:block; margin:1em 0'> -Volunteers and financial support to provide volunteers with the -assistance they need are critical to reaching Project Gutenberg™’s -goals and ensuring that the Project Gutenberg™ collection will -remain freely available for generations to come. In 2001, the Project -Gutenberg Literary Archive Foundation was created to provide a secure -and permanent future for Project Gutenberg™ and future -generations. To learn more about the Project Gutenberg Literary -Archive Foundation and how your efforts and donations can help, see -Sections 3 and 4 and the Foundation information page at www.gutenberg.org. -</div> - -<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'> -Section 3. Information about the Project Gutenberg Literary Archive Foundation -</div> - -<div style='display:block; margin:1em 0'> -The Project Gutenberg Literary Archive Foundation is a non-profit -501(c)(3) educational corporation organized under the laws of the -state of Mississippi and granted tax exempt status by the Internal -Revenue Service. The Foundation’s EIN or federal tax identification -number is 64-6221541. Contributions to the Project Gutenberg Literary -Archive Foundation are tax deductible to the full extent permitted by -U.S. federal laws and your state’s laws. -</div> - -<div style='display:block; margin:1em 0'> -The Foundation’s business office is located at 809 North 1500 West, -Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up -to date contact information can be found at the Foundation’s website -and official page at www.gutenberg.org/contact -</div> - -<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'> -Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation -</div> - -<div style='display:block; margin:1em 0'> -Project Gutenberg™ depends upon and cannot survive without widespread -public support and donations to carry out its mission of -increasing the number of public domain and licensed works that can be -freely distributed in machine-readable form accessible by the widest -array of equipment including outdated equipment. Many small donations -($1 to $5,000) are particularly important to maintaining tax exempt -status with the IRS. -</div> - -<div style='display:block; margin:1em 0'> -The Foundation is committed to complying with the laws regulating -charities and charitable donations in all 50 states of the United -States. Compliance requirements are not uniform and it takes a -considerable effort, much paperwork and many fees to meet and keep up -with these requirements. We do not solicit donations in locations -where we have not received written confirmation of compliance. To SEND -DONATIONS or determine the status of compliance for any particular state -visit <a href="https://www.gutenberg.org/donate/">www.gutenberg.org/donate</a>. -</div> - -<div style='display:block; margin:1em 0'> -While we cannot and do not solicit contributions from states where we -have not met the solicitation requirements, we know of no prohibition -against accepting unsolicited donations from donors in such states who -approach us with offers to donate. -</div> - -<div style='display:block; margin:1em 0'> -International donations are gratefully accepted, but we cannot make -any statements concerning tax treatment of donations received from -outside the United States. U.S. laws alone swamp our small staff. -</div> - -<div style='display:block; margin:1em 0'> -Please check the Project Gutenberg web pages for current donation -methods and addresses. Donations are accepted in a number of other -ways including checks, online payments and credit card donations. To -donate, please visit: www.gutenberg.org/donate -</div> - -<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'> -Section 5. General Information About Project Gutenberg™ electronic works -</div> - -<div style='display:block; margin:1em 0'> -Professor Michael S. Hart was the originator of the Project -Gutenberg™ concept of a library of electronic works that could be -freely shared with anyone. For forty years, he produced and -distributed Project Gutenberg™ eBooks with only a loose network of -volunteer support. -</div> - -<div style='display:block; margin:1em 0'> -Project Gutenberg™ eBooks are often created from several printed -editions, all of which are confirmed as not protected by copyright in -the U.S. unless a copyright notice is included. Thus, we do not -necessarily keep eBooks in compliance with any particular paper -edition. -</div> - -<div style='display:block; margin:1em 0'> -Most people start at our website which has the main PG search -facility: <a href="https://www.gutenberg.org">www.gutenberg.org</a>. -</div> - -<div style='display:block; margin:1em 0'> -This website includes information about Project Gutenberg™, -including how to make donations to the Project Gutenberg Literary -Archive Foundation, how to help produce our new eBooks, and how to -subscribe to our email newsletter to hear about new eBooks. -</div> - -</div> -</body> -</html> diff --git a/old/65841-h/images/cover.jpg b/old/65841-h/images/cover.jpg Binary files differdeleted file mode 100644 index 0ac0414..0000000 --- a/old/65841-h/images/cover.jpg +++ /dev/null diff --git a/old/65841-h/images/i_chapdeco.jpg b/old/65841-h/images/i_chapdeco.jpg Binary files differdeleted file mode 100644 index e22d8eb..0000000 --- a/old/65841-h/images/i_chapdeco.jpg +++ /dev/null diff --git a/old/65841-h/images/i_drop_a.jpg b/old/65841-h/images/i_drop_a.jpg Binary files differdeleted file mode 100644 index b49ae96..0000000 --- a/old/65841-h/images/i_drop_a.jpg +++ /dev/null diff --git a/old/65841-h/images/i_drop_i.jpg b/old/65841-h/images/i_drop_i.jpg Binary files differdeleted file mode 100644 index e4a7b67..0000000 --- a/old/65841-h/images/i_drop_i.jpg +++ /dev/null diff --git a/old/65841-h/images/i_drop_s.jpg b/old/65841-h/images/i_drop_s.jpg Binary files differdeleted file mode 100644 index 8607b37..0000000 --- a/old/65841-h/images/i_drop_s.jpg +++ /dev/null diff --git a/old/65841-h/images/i_drop_t.jpg b/old/65841-h/images/i_drop_t.jpg Binary files differdeleted file mode 100644 index 229d8c1..0000000 --- a/old/65841-h/images/i_drop_t.jpg +++ /dev/null diff --git a/old/65841-h/images/i_drop_w.jpg b/old/65841-h/images/i_drop_w.jpg Binary files differdeleted file mode 100644 index ebf47df..0000000 --- a/old/65841-h/images/i_drop_w.jpg +++ /dev/null diff --git a/old/65841-h/images/i_frontispiece.jpg b/old/65841-h/images/i_frontispiece.jpg Binary files differdeleted file mode 100644 index 8b0d985..0000000 --- a/old/65841-h/images/i_frontispiece.jpg +++ /dev/null diff --git a/old/65841-h/images/i_logo.jpg b/old/65841-h/images/i_logo.jpg Binary files differdeleted file mode 100644 index 7a728f6..0000000 --- a/old/65841-h/images/i_logo.jpg +++ /dev/null diff --git a/old/65841-h/images/i_signature.jpg b/old/65841-h/images/i_signature.jpg Binary files differdeleted file mode 100644 index 2203f3c..0000000 --- a/old/65841-h/images/i_signature.jpg +++ /dev/null |
