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diff --git a/66677-0.txt b/66677-0.txt index 2d96094..188f532 100644 --- a/66677-0.txt +++ b/66677-0.txt @@ -541,12 +541,12 @@ Romans_--to which act we owe Wieland's _Oberon_--and as having, in ignorance of the existence of the original, bravely extemporized a _Chanson de Roland_, which stands, perhaps, in more absurd contrast to the true Chanson than any other conjectural restoration does to -any other original. But he had a real interest is literature, and +any other original. But he had a real interest in literature, and seems to have been amiable enough at this time. He was a military officer of high standing in the days of Fontenoy, and after that battle was for some time at Boulogne, where he used to visit Lesage. "The old man (he was then about seventy-seven) was," says Tressan, -"in a state of half torpor till midday, but he then revived, and was. +"in a state of half torpor till midday, but he then revived, and was fairly in possession of his faculties till sundown"--a fact from which the philosophic Count makes some large inferences in proper eighteenth-century style. But, even when most wide awake, Lesage was @@ -3120,7 +3120,7 @@ me what had happened in the inn at Cacabelos, between the muleteer and the bride, after we had taken to our heels in a panic. Then, with a friendly assurance at parting, he promised to leave no stone unturned for my release. His companions, of mere curiosity, -testified their pity for iny misfortune; assuring me that they would +testified their pity for my misfortune; assuring me that they would lend a helping hand to the little chorister, and do their utmost to procure my freedom. @@ -3436,7 +3436,7 @@ her compliments. I bowed the bearer out, with an accumulation of fine speeches; and, as soon as his back was turned, pounced upon the bag, like a hawk upon its quarry, and bore it between my talons to my chamber. I untied it without loss of time, and the contents were;--a -thousand ducats I The landlord, who had overheard the bearer, came in +thousand ducats! The landlord, who had overheard the bearer, came in just as I had done counting them, to know what was in the bag. The sight of my riches displayed upon a table, struck him in a very forcible manner. What the devil! here is a sum of money! So, so! @@ -5800,7 +5800,7 @@ duenna, the moment I was alone with her: You mean, no doubt, to exercise your tyranny most wantonly on my poor person; but I cannot bear much severity, I warn you beforehand; I give you, moreover, fair notice, that I shall be as savage as you can be. My heart cherishes -a passion, which not all your remonstrances shall tea? from it: so +a passion, which not all your remonstrances shall tear from it: so you may act accordingly. Watch me as closely as you please; it is hard if I cannot outwit such an old thing as you. At these taunting words, I thought this saracen in petticoats was going to give me a @@ -6673,7 +6673,7 @@ will swear that you have fought ten times by my side. Your valor shall mount to the very skies. I will tell more good of you than a commander-in-chief of a favorite officer. I will not say a word about the runaway trick; that would render you suspected of -turning--nose therefore, mum is the word. What say you to it? Are +turning nose, therefore mum is the word. What say you to it? Are you ready to set off? I am impatient to know your mind. Every one to his own fancy, said I, then, to Rolando; you were born @@ -6887,7 +6887,7 @@ gentlemen; you have, doubtless, some state affairs to discuss in council. O! no, no, answered my master, you had better stop; you will not interrupt us. This warm old gentleman has the moderation to lend me money at twenty per cent. What, at twenty per cent.! -exclaimed Centers, in a tone of astonishment. In good truth, I wish +exclaimed Centellés, in a tone of astonishment. In good truth, I wish you joy on being in such hands. I do not come off so cheaply, for my part: I pay through the nose for every farthing I get. My loans are generally raised at double that per cent. There is usury, said the @@ -7079,7 +7079,7 @@ acquaintance. Silva, said one of our merriest soakers, we shall make something of you, my friend. I perceive that you have wit at will, if you did but know how to draw upon it. The fear of talking absurdly prevents you from throwing out at all; and yet it is only by -a told push, that a thousand people nowadays set themselves up for +a bold push, that a thousand people nowadays set themselves up for good companions. Do you wish to be bright? You have only to give the reins to your loquacity, and to venture indiscriminately on whatever comes uppermost: your blunders will pass for the @@ -10119,7 +10119,7 @@ with difficulty uttering these last words, Leontio, drawn thither by the reverberation of her shrieks, came into the room, and, thunderstruck at the dreadful scene before him, remained fixed to the spot where he stood. Blanche, without noticing his presence, went on -addressing1 herself to the king. Farewell, prince, said bhe; cherish +addressing herself to the king. Farewell, prince, said she; cherish my memory with the tenderness it deserves. My affection and my misfortunes entitle me at least to that. Harbor no aversion to my father; he is innocent. Be a comfort to his remaining days; assuage diff --git a/66677-h/66677-h.htm b/66677-h/66677-h.htm index 8d413fd..aa446c9 100644 --- a/66677-h/66677-h.htm +++ b/66677-h/66677-h.htm @@ -1,24 +1,19 @@ -<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.1//EN" - "http://www.w3.org/TR/xhtml11/DTD/xhtml11.dtd"> +<!DOCTYPE html> -<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en"> +<html lang="en"> <head> -<link rel="icon" href="images/img-cover.jpg" type="image/x-cover" /> +<link rel="icon" href="images/img-cover.jpg" type="image/x-cover" > -<meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /> +<meta charset="utf-8"> -<title> -The Project Gutenberg eBook of Gil Blas, Volume I, by Alain René le Sage -</title> +<title>Gil Blas, Volume I | Project Gutenberg</title> -<style type="text/css"> -body { color: black; - background: white; - margin-right: 10%; - margin-left: 10%; - font-family: "Times New Roman", serif; +<style> +body { margin-right: 10%; + margin-left: 10%; + font-family: "Times New Roman", serif; text-align: justify } p {text-indent: 4% } @@ -66,14 +61,14 @@ h3 { text-align: center } h4 { text-align: center } h5 { text-align: center } -p.poem {text-indent: 0%; +p.poem {text-indent: 0%; margin-left: 10%; } p.thought {text-indent: 0% ; letter-spacing: 4em ; text-align: center } -p.letter {text-indent: 0%; +p.letter {text-indent: 0%; margin-left: 10% ; margin-right: 10% } @@ -108,19 +103,19 @@ p.finis { font-size: larger ; margin-left: 0% ; margin-right: 0% } -p.capcenter { margin-left: 0; +p.capcenter { margin-left: 0; margin-right: 0 ; - margin-bottom: .5% ; - margin-top: 0; + margin-bottom: .5% ; + margin-top: 0; font-weight: bold; float: none ; clear: both ; - text-indent: 0%; + text-indent: 0%; text-align: center } -img.imgcenter { margin-left: auto; - margin-bottom: 0; - margin-top: 1%; +img.imgcenter { margin-left: auto; + margin-bottom: 0; + margin-top: 1%; margin-right: auto; } </style> @@ -130,7 +125,7 @@ img.imgcenter { margin-left: auto; <body> <div>*** START OF THE PROJECT GUTENBERG EBOOK 66677 ***</div> -<p><br /><br /></p> +<p><br ><br ></p> <p class="transnote"> [Transcriber's note: the illustrations in the source volumes @@ -138,71 +133,71 @@ were uncaptioned. The captions I've added are my best guess as to what is going on in the illustrations.] </p> -<p><br /><br /></p> +<p><br ><br ></p> <p class="capcenter"> <a id="img-front"></a> -<img class="imgcenter" src="images/img-front.jpg" alt="Gil Blas being presented to royalty" /> -<br /> +<img class="imgcenter" src="images/img-front.jpg" alt="Gil Blas being presented to royalty"> +<br > Gil Blas being presented to royalty </p> -<p><br /><br /></p> +<p><br ><br ></p> <p class="t2"> - ALAIN RENÉ LE SAGE<br /> + ALAIN RENÉ LE SAGE<br > </p> <h1> -<br /><br /> - THE ADVENTURES<br /> -<br /> - OF<br /> -<br /> - GIL BLAS<br /> -<br /> - OF SANTILLANE<br /> +<br ><br > + THE ADVENTURES<br > +<br > + OF<br > +<br > + GIL BLAS<br > +<br > + OF SANTILLANE<br > </h1> -<p><br /></p> +<p><br ></p> <p class="t4"> - TRANSLATED FROM THE FRENCH BY TOBIAS SMOLLETT<br /> + TRANSLATED FROM THE FRENCH BY TOBIAS SMOLLETT<br > </p> -<p><br /></p> +<p><br ></p> <p class="t3"> - PRECEDED BY<br /> -<br /> - <i>A BIOGRAPHICAL AND CRITICAL NOTICE OF LE SAGE</i><br /> -<br /> - BY GEORGE SAINTSBURY<br /> + PRECEDED BY<br > +<br > + <i>A BIOGRAPHICAL AND CRITICAL NOTICE OF LE SAGE</i><br > +<br > + BY GEORGE SAINTSBURY<br > </p> -<p><br /></p> +<p><br ></p> <p class="t4"> - With Twelve Original Etchings by R. de Los Rios<br /> + With Twelve Original Etchings by R. de Los Rios<br > </p> -<p><br /></p> +<p><br ></p> <p class="t3"> - <i>IN THREE VOLUMES—VOL. I.</i><br /> + <i>IN THREE VOLUMES—VOL. I.</i><br > </p> -<p><br /><br /></p> +<p><br ><br ></p> <p class="t3"> - LONDON<br /> - J. C. NIMMO AND BAIN<br /> - 14, KING WILLIAM STREET, STRAND, W.C.<br /> - NEW YORK: SCRIBNER, WELFORD & CO.<br /> - 1881<br /> + LONDON<br > + J. C. NIMMO AND BAIN<br > + 14, KING WILLIAM STREET, STRAND, W.C.<br > + NEW YORK: SCRIBNER, WELFORD & CO.<br > + 1881<br > </p> -<p><br /><br /><br /></p> +<p><br ><br ><br ></p> <h3> THE AUTHOR'S DECLARATION. @@ -238,7 +233,7 @@ and in conformity with the manners of my own country. </p> -<p><br /><br /><br /></p> +<p><br ><br ><br ></p> <h3> GIL BLAS TO THE READER @@ -300,20 +295,20 @@ that mixture of the useful with the agreeable, so successfully prescribed by Horace. </p> -<p><br /><br /><br /></p> +<p><br ><br ><br ></p> <p class="t3b"> CONTENTS OF VOL. I. </p> -<p><br /></p> +<p><br ></p> <p class="contents"> BIOGRAPHICAL AND CRITICAL NOTICE OF LE SAGE, BY GEORGE SAINTSBURY </p> -<p><br /></p> +<p><br ></p> <p class="t3"> BOOK THE FIRST. @@ -465,7 +460,7 @@ The Measures Gil Blas took after the Adventure of the ready-furnished Lodging. </p> -<p><br /><br /></p> +<p><br ><br ></p> <p class="t3b"> BOOK THE SECOND. @@ -554,7 +549,7 @@ Life; great Rejoicing on the Occasion; the parting Scene between him and Gil Blas. </p> -<p><br /><br /></p> +<p><br ><br ></p> <p class="t3b"> BOOK THE THIRD. @@ -663,7 +658,7 @@ Gil Blas acquires a Relish for the Theatre, and takes a full Swing of its Pleasures, but soon becomes disgusted. </p> -<p><br /><br /></p> +<p><br ><br ></p> <p class="t3b"> BOOK THE FOURTH. @@ -719,7 +714,7 @@ The Behavior of Aurora de Guzman on her Arrival at Salamanca. Aurora's Devices to secure Don Lewis Pacheco's Affections. </p> -<p><br /><br /><br /></p> +<p><br ><br ><br ></p> <p><a id="chap00b"></a></p> @@ -993,14 +988,14 @@ in ignorance of the existence of the original, bravely extemporized a <i>Chanson de Roland</i>, which stands, perhaps, in more absurd contrast to the true Chanson than any other conjectural restoration does -to any other original. But he had a real interest is +to any other original. But he had a real interest in literature, and seems to have been amiable enough at this time. He was a military officer of high standing in the days of Fontenoy, and after that battle was for some time at Boulogne, where he used to visit Lesage. "The old man (he was then about seventy-seven) was," says Tressan, "in a state of half -torpor till midday, but he then revived, and was. +torpor till midday, but he then revived, and was fairly in possession of his faculties till sundown"—a fact from which the philosophic Count makes some large inferences in proper eighteenth-century style. @@ -2088,7 +2083,7 @@ literature he will always hold the rank of the best writer of the first quarter of the eighteenth century. </p> -<p><br /><br /><br /></p> +<p><br ><br ><br ></p> <p><a id="chap0101"></a></p> @@ -2096,13 +2091,13 @@ writer of the first quarter of the eighteenth century. HISTORY OF GIL BLAS OF SANTILLANE. </p> -<p><br /><br /></p> +<p><br ><br ></p> <h2> BOOK THE FIRST. </h2> -<p><br /><br /></p> +<p><br ><br ></p> <h3> <i>CHAPTER I.</i> @@ -2228,9 +2223,7 @@ it, I mounted my mule, and saw the outside of the town. </p> -<p><br /><br /><br /></p> - -<p><a id="chap0102"></a></p> +<p><br ><br ><br ></p> <p><a id="chap0102"></a></p> @@ -2601,7 +2594,7 @@ many devils as there are saints in the calendar, the parasite, the landlord, and the inn. </p> -<p><br /><br /><br /></p> +<p><br ><br ><br ></p> <p><a id="chap0103"></a></p> @@ -2766,7 +2759,7 @@ uncle Perez caught, just for all the world as you would catch a rat. </p> -<p><br /><br /><br /></p> +<p><br ><br ><br ></p> <p><a id="chap0104"></a></p> @@ -2802,8 +2795,8 @@ them to the rack where they were to feed. <p class="capcenter"> <a id="img-033"></a> -<img class="imgcenter" src="images/img-033.jpg" alt="Thieves' Cave" /> -<br /> +<img class="imgcenter" src="images/img-033.jpg" alt="Thieves' Cave"> +<br > Thieves' Cave </p> @@ -2905,7 +2898,7 @@ your service! I am the leader of the band; and the man you saw with me is one of my troopers. </p> -<p><br /><br /><br /></p> +<p><br ><br ><br ></p> <p><a id="chap0105"></a></p> @@ -3272,7 +3265,7 @@ plunder, it is sometimes theirs for fee and reward to save the guilty. </p> -<p><br /><br /><br /></p> +<p><br ><br ><br ></p> <p><a id="chap0106"></a></p> @@ -3421,7 +3414,7 @@ back to my charnel-house, where I passed the remainder of the night in weeping and wailing. </p> -<p><br /><br /><br /></p> +<p><br ><br ><br ></p> <p><a id="chap0107"></a></p> @@ -3528,7 +3521,7 @@ After this inauguration, I made my arrangements for my first campaign. </p> -<p><br /><br /><br /></p> +<p><br ><br ><br ></p> <p><a id="chap0108"></a></p> @@ -3670,7 +3663,7 @@ be bit; for you must live some time longer among us, before you are a match for them. </p> -<p><br /><br /><br /></p> +<p><br ><br ><br ></p> <p><a id="chap0109"></a></p> @@ -3780,7 +3773,7 @@ roadside, we carried off with us the lady, the mules, and the horses. </p> -<p><br /><br /><br /></p> +<p><br ><br ><br ></p> <p><a id="chap0110"></a></p> @@ -4044,7 +4037,7 @@ to her confidence, and to the knowledge of her misfortunes, which she recounted to the following effect. </p> -<p><br /><br /><br /></p> +<p><br ><br ><br ></p> <p><a id="chap0111"></a></p> @@ -4395,7 +4388,7 @@ it is for him the tears flow, which you see me shedding at this moment. </p> -<p><br /><br /><br /></p> +<p><br ><br ><br ></p> <p><a id="chap0112"></a></p> @@ -4560,7 +4553,7 @@ the sweet hope of an escape; whereas my innocence here will only be a passport to the galleys. </p> -<p><br /><br /><br /></p> +<p><br ><br ><br ></p> <p><a id="chap0113"></a></p> @@ -4604,7 +4597,7 @@ between the muleteer and the bride, after we had taken to our heels in a panic. Then, with a friendly assurance at parting, he promised to leave no stone unturned for my release. His companions, of mere -curiosity, testified their pity for iny misfortune; +curiosity, testified their pity for my misfortune; assuring me that they would lend a helping hand to the little chorister, and do their utmost to procure my freedom. @@ -4730,7 +4723,7 @@ labors are his ready passport to the blessings of repose. </p> -<p><br /><br /><br /></p> +<p><br ><br ><br ></p> <p><a id="chap0114"></a></p> @@ -4908,7 +4901,7 @@ miserable fare I had taken up with since my escape from the forest. </p> -<p><br /><br /><br /></p> +<p><br ><br ><br ></p> <p><a id="chap0115"></a></p> @@ -5056,7 +5049,7 @@ speeches; and, as soon as his back was turned, pounced upon the bag, like a hawk upon its quarry, and bore it between my talons to my chamber. I untied it without loss of time, and the contents -were;—a thousand ducats I The landlord, who +were;—a thousand ducats! The landlord, who had overheard the bearer, came in just as I had done counting them, to know what was in the bag. The sight of my riches displayed upon a table, struck @@ -5128,7 +5121,7 @@ from Burgos the next morning before sunrise, on my way to Madrid. </p> -<p><br /><br /><br /></p> +<p><br ><br ><br ></p> <p><a id="chap0116"></a></p> @@ -5242,7 +5235,7 @@ I have just received. Don Raphael opened the envelope, and read aloud as follows:— </p> -<p><br /></p> +<p><br ></p> <p> "MY DEAR CAMILLA: Signor Gil Blas of Santillane, @@ -5258,12 +5251,12 @@ and my cousin Don Raphael. </p> <p class="noindent"> - Your affectionate cousin,<br /> - DONNA MENCIA."<br /> - "Burgos.<br /> + Your affectionate cousin,<br > + DONNA MENCIA."<br > + "Burgos.<br > </p> -<p><br /></p> +<p><br ></p> <p> What! cried Don Raphael, casting his eyes again @@ -5434,7 +5427,7 @@ mine host at Burgos, to whom I have never denied the merit of so ingenious an invention. </p> -<p><br /><br /><br /></p> +<p><br ><br ><br ></p> <p><a id="chap0117"></a></p> @@ -5808,7 +5801,7 @@ failed here, he would do something as good for me elsewhere. </p> -<p><br /><br /><br /></p> +<p><br ><br ><br ></p> <p><a id="chap0201"></a></p> @@ -5816,7 +5809,7 @@ elsewhere. BOOK THE SECOND. </h2> -<p><br /><br /></p> +<p><br ><br ></p> <h3> <i>CHAPTER I.</i> @@ -6098,7 +6091,7 @@ of which I should never have known, but for that blab Inésilla. </p> -<p><br /><br /><br /></p> +<p><br ><br ><br ></p> <p><a id="chap0202"></a></p> @@ -6208,8 +6201,8 @@ death's door in less than two days. <p class="capcenter"> <a id="img-130"></a> -<img class="imgcenter" src="images/img-130.jpg" alt="Licentiate Sédillo on deathbed" /> -<br /> +<img class="imgcenter" src="images/img-130.jpg" alt="Licentiate Sédillo on deathbed"> +<br > Licentiate Sédillo on deathbed </p> @@ -6351,7 +6344,7 @@ of her good friend she had appropriated to her own use during the last illness of the licentiate. </p> -<p><br /><br /><br /></p> +<p><br ><br ><br ></p> <p><a id="chap0203"></a></p> @@ -6627,7 +6620,7 @@ night approach, we parted, after engaging to meet at the same place on the following day after dinner. </p> -<p><br /><br /><br /></p> +<p><br ><br ><br ></p> <p><a id="chap0204"></a></p> @@ -7074,7 +7067,7 @@ round our finger; and never tell him the truth, but when we are not paid for our lies. </p> -<p><br /><br /><br /></p> +<p><br ><br ><br ></p> <p><a id="chap0205"></a></p> @@ -7368,7 +7361,7 @@ of that terrible Don Roderic, who might waylay me on the road. </p> -<p><br /><br /><br /></p> +<p><br ><br ><br ></p> <p><a id="chap0206"></a></p> @@ -7492,7 +7485,7 @@ such as it is. At the same time he entered on the recital, nearly in the following terms. </p> -<p><br /><br /><br /></p> +<p><br ><br ><br ></p> <p><a id="chap0207"></a></p> @@ -8369,7 +8362,7 @@ wantonly on my poor person; but I cannot bear much severity, I warn you beforehand; I give you, moreover, fair notice, that I shall be as savage as you can be. My heart cherishes a passion, which not all -your remonstrances shall tea? from it: so you may +your remonstrances shall tear from it: so you may act accordingly. Watch me as closely as you please; it is hard if I cannot outwit such an old thing as you. At these taunting words, I thought this @@ -8567,7 +8560,7 @@ the matter; but left Madrid, to continue my tour of Spain, as soon as I found myself perfectly recovered. </p> -<p><br /><br /><br /></p> +<p><br ><br ><br ></p> <p><a id="chap0208"></a></p> @@ -8753,7 +8746,7 @@ compliment in kind. After this, we got again into the high road, and pursued our journey. </p> -<p><br /><br /><br /></p> +<p><br ><br ><br ></p> <p><a id="chap0209"></a></p> @@ -9024,7 +9017,7 @@ the glory of the donor, seemed likely to have ended to the same tune as the carousal of the Lapithæ. </p> -<p><br /><br /><br /></p> +<p><br ><br ><br ></p> <p><a id="chap0301"></a></p> @@ -9032,7 +9025,7 @@ to the same tune as the carousal of the Lapithæ. BOOK THE THIRD. </h2> -<p><br /><br /></p> +<p><br ><br ></p> <h3> <i>CHAPTER I.</i> @@ -9355,7 +9348,7 @@ which every honest man naturally entertains for an alguazil. </p> -<p><br /><br /><br /></p> +<p><br ><br ><br ></p> <p><a id="chap0302"></a></p> @@ -9589,8 +9582,8 @@ fought ten times by my side. Your valor shall mount to the very skies. I will tell more good of you than a commander-in-chief of a favorite officer. I will not say a word about the runaway trick; that -would render you suspected of turning—nose -therefore, mum is the word. What say you to it? Are +would render you suspected of turning nose, +therefore mum is the word. What say you to it? Are you ready to set off? I am impatient to know your mind. </p> @@ -9625,7 +9618,7 @@ the reckoning, and we rose from the table to go away. </p> -<p><br /><br /><br /></p> +<p><br ><br ><br ></p> <p><a id="chap0303"></a></p> @@ -9891,7 +9884,7 @@ affairs to discuss in council. O! no, no, answered my master, you had better stop; you will not interrupt us. This warm old gentleman has the moderation to lend me money at twenty per cent. What, -at twenty per cent.! exclaimed Centers, in a tone +at twenty per cent.! exclaimed Centellés, in a tone of astonishment. In good truth, I wish you joy on being in such hands. I do not come off so cheaply, for my part: I pay through the nose for every farthing @@ -10056,7 +10049,7 @@ hundred times better than your modest women of sense and discretion. </p> -<p><br /><br /><br /></p> +<p><br ><br ><br ></p> <p><a id="chap0304"></a></p> @@ -10166,7 +10159,7 @@ something of you, my friend. I perceive that you have wit at will, if you did but know how to draw upon it. The fear of talking absurdly prevents you from throwing out at all; and yet it is only by a -told push, that a thousand people nowadays set +bold push, that a thousand people nowadays set themselves up for good companions. Do you wish to be bright? You have only to give the reins to your loquacity, and to venture indiscriminately on @@ -10348,7 +10341,7 @@ dining-room were in equally high order when we took our leave of the young jeweller. </p> -<p><br /><br /><br /></p> +<p><br ><br ><br ></p> <p><a id="chap0305"></a></p> @@ -10727,7 +10720,7 @@ sun, parted us. Clarin followed the heels of Don Alexo, and I went home with Don Matthias. </p> -<p><br /><br /><br /></p> +<p><br ><br ><br ></p> <p><a id="chap0306"></a></p> @@ -10954,7 +10947,7 @@ time my own, for it is closely interwoven with the recital for which you have called. </p> -<p><br /><br /><br /></p> +<p><br ><br ><br ></p> <p><a id="chap0307"></a></p> @@ -11303,7 +11296,7 @@ good graces. The importance of my errand hither sufficiently assures me of his confidence. </p> -<p><br /><br /><br /></p> +<p><br ><br ><br ></p> <p><a id="chap0308"></a></p> @@ -11507,8 +11500,8 @@ if nothing had happened. <p class="capcenter"> <a id="img-284"></a> -<img class="imgcenter" src="images/img-284.jpg" alt="Duel between Don Matthias and Don Lope de Velasco" /> -<br /> +<img class="imgcenter" src="images/img-284.jpg" alt="Duel between Don Matthias and Don Lope de Velasco"> +<br > Duel between Don Matthias and Don Lope de Velasco </p> @@ -11554,7 +11547,7 @@ only for having taken a fancy to reading supposititious love-letters unseasonably. </p> -<p><br /><br /><br /></p> +<p><br ><br ><br ></p> <p><a id="chap0309"></a></p> @@ -11722,7 +11715,7 @@ immediately to fetch in my own little accommodations, and returned to take formal possession. </p> -<p><br /><br /><br /></p> +<p><br ><br ><br ></p> <p><a id="chap0310"></a></p> @@ -11921,7 +11914,7 @@ henceforward, when I spoke collectively of so august a body, I would always say the "company." </p> -<p><br /><br /><br /></p> +<p><br ><br ><br ></p> <p><a id="chap0311"></a></p> @@ -12148,7 +12141,7 @@ ranked the inhabitant of Parnassus below themselves; and malice could not degrade him lower. </p> -<p><br /><br /><br /></p> +<p><br ><br ><br ></p> <p><a id="chap0312"></a></p> @@ -12331,7 +12324,7 @@ The business is settled: I will not live any longer with the seven deadly sins. </p> -<p><br /><br /><br /></p> +<p><br ><br ><br ></p> <p><a id="chap0401"></a></p> @@ -12339,7 +12332,7 @@ with the seven deadly sins. BOOK THE FOURTH. </h2> -<p><br /><br /></p> +<p><br ><br ></p> <h3> <i>CHAPTER I.</i> @@ -12609,7 +12602,7 @@ apartment through a little door, of which she had the key. </p> -<p><br /><br /><br /></p> +<p><br ><br ><br ></p> <p><a id="chap0402"></a></p> @@ -12798,7 +12791,7 @@ comfort of finding myself reimbursed the expense so unseasonably incurred in perfumery and washes. </p> -<p><br /><br /><br /></p> +<p><br ><br ><br ></p> <p><a id="chap0403"></a></p> @@ -13071,7 +13064,7 @@ enjoin secrecy. After a moment's recollection, she began her recital to the following effect. </p> -<p><br /><br /><br /></p> +<p><br ><br ><br ></p> <p><a id="chap0404"></a></p> @@ -14440,8 +14433,8 @@ the reverberation of her shrieks, came into the room, and, thunderstruck at the dreadful scene before him, remained fixed to the spot where he stood. Blanche, without noticing his presence, went on -addressing1 herself to the king. Farewell, prince, said -bhe; cherish my memory with the tenderness it +addressing herself to the king. Farewell, prince, said +she; cherish my memory with the tenderness it deserves. My affection and my misfortunes entitle me at least to that. Harbor no aversion to my father; he is innocent. Be a comfort to his remaining @@ -14498,7 +14491,7 @@ Leontio, as a record to his posterity of the fatal adventure I have related. </p> -<p><br /><br /><br /></p> +<p><br ><br ><br ></p> <p><a id="chap0405"></a></p> @@ -14877,7 +14870,7 @@ good, but he might have taken his leave like a gentleman. </p> -<p><br /></p> +<p><br ></p> <p class="footnote"> [*] Should this phrase appear far-fetched in the person of Gil Blas, @@ -14889,7 +14882,7 @@ exquisitely characteristic Greek metaphor, "a hedge of teeth."—TRANSLATOR. </p> -<p><br /></p> +<p><br ></p> <p> Madam, said I, my master most assuredly has not @@ -15015,7 +15008,7 @@ approbation; so, leaving Signor Don Felix with his page, I withdrew to bed in an adjoining closet. </p> -<p><br /><br /><br /></p> +<p><br ><br ><br ></p> <p><a id="chap0406"></a></p> @@ -15449,22 +15442,23 @@ with the usual accompaniments of music, feasting, balls, and rejoicings, without either end or respite. </p> -<p><br /><br /></p> +<p><br ><br ></p> <p class="t3"> END OF VOL. I. </p> -<p><br /><br /></p> +<p><br ><br ></p> <p class="t4"> BALLANTYNE AND HANSON, EDINBURGH -<br /> +<br > CHANDOS STREET, LONDON </p> -<p><br /><br /><br /><br /></p> +<p><br ><br ><br ><br ></p> <div>*** END OF THE PROJECT GUTENBERG EBOOK 66677 ***</div> </body> </html> + |