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diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..d7b82bc --- /dev/null +++ b/.gitattributes @@ -0,0 +1,4 @@ +*.txt text eol=lf +*.htm text eol=lf +*.html text eol=lf +*.md text eol=lf diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..2c27f1b --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #67060 (https://www.gutenberg.org/ebooks/67060) diff --git a/old/67060-0.txt b/old/67060-0.txt deleted file mode 100644 index 484b854..0000000 --- a/old/67060-0.txt +++ /dev/null @@ -1,1452 +0,0 @@ -The Project Gutenberg eBook of Making Good for Muley, by W. C. Tuttle - -This eBook is for the use of anyone anywhere in the United States and -most other parts of the world at no cost and with almost no restrictions -whatsoever. You may copy it, give it away or re-use it under the terms -of the Project Gutenberg License included with this eBook or online at -www.gutenberg.org. If you are not located in the United States, you -will have to check the laws of the country where you are located before -using this eBook. - -Title: Making Good for Muley - -Author: W. C. Tuttle - -Release Date: January 5, 2022 [eBook #67060] - -Language: English - -Produced by: Roger Frank and Sue Clark - -*** START OF THE PROJECT GUTENBERG EBOOK MAKING GOOD FOR MULEY *** - - -[Illustration] - - Making Good for Muley - - by W. C. Tuttle - - Author of “A Prevaricated Parade,” “Loco or Love,” etc. - - -If there’s a word of truth in that old saying about beauty being only -skin deep, Susie Abernathy was the thinnest-skinned person I ever saw. -I may not be a judge of womanly beauty, and the poetry of my soul may -have been shook loose by pitching broncos, and buried deep under a -coating of alkali dust, but I sure do sabe when a woman is hard to -look at. - -Seems to me like it’s human nature for a feller with squirrel-teeth, -no jaw to speak about and a physique like a corn cultivator to marry a -beautiful female, and vice versa—not that “Muley” Bowles qualifies in -the beauty division, but at that I reckon he shaded Susie a little. - -Muley was a poetical puncher, of considerable avoirdupois, and he -found Susie a thing of beauty and a joy forever. Susie was a niece of -Zeb Abernathy, who owned a sheep outfit on Willow Creek, and a grouch -toward all cowmen—and Muley punched cows for the Cross J outfit, and -drew forty a month from old man Whittaker. - -I’m not belittling Muley’s salary, ’cause I drew the same, and so did -“Telescope” Tolliver and “Chuck” Warner. Back in the dim and distant -past, when cows first come into style, the old-timers got together and -settled the pay of the average cow-hand. - -They figured that any normal puncher—if there is such an animal—would -try at least three turns of the roulette wheel, at ten dollars per -turn. That left him ten dollars. He’d buy some tobacco, some red -neckties and perfume, and what was left, at two-bits a drink for -hooch, would just carry him a few inches short of the murder and -sudden death stage. - -I’ve just been up to the house to draw my stipend from the old man, -and am on my way back to the bunk-house, when Muley rides in. He’s -humped over in his saddle, like Misery going to a cemetery, and if you -can stamp despair on a full-sized milk-cheese he had it on his face. - -He slips his saddle off, turns his bronc into the corral, leans -against the fence and cuts loose the granddaddy of all sighs. There -ain’t many men that you can hear sigh at pointblank range for a -.30-30, but you could with Muley. It was like releasing the air on a -freight train. - -I wanders down there and passes the time of day with him, but he don’t -respond. He exhausts deep into his soul once more, and hangs up his -saddle. - -“Some of your relatives die, Muley?” I asks. - -“Hello, Hen,” says he, sad-like, “I ain’t got no relatives—except one -aunt. I don’t know whether she’s alive or not.” - -“Name of Bowles?” - -“Nope. Name’s Allender. Maw’s name was Allender, and that’s why I was -named Lemule Allender, and—what do you want to know for?” - -“You sighed a couple of times,” I reminds him, and he nods and looks -off across the range. - -“Henry, how can I make some money? Regular money. I can’t get along on -forty a month—no more.” - -“You aim to marry Susie Abernathy?” I asks. - -Muley digs a little trench with the toe of his boot, and shakes his -head, sad-like— - -“No-o-o, I reckon not, Hen.” - -“Just come from there?” I asks. - -“Uh-huh. Listen, Hen: can you keep a secret? I know danged well that -you can’t, but I got to talk to somebody. Me and Susie’s got it all -framed up to get married, but she argues that I got to see Zeb. Susie -ain’t of age yet, and Zeb is her guardian, Sabe? - -“Believe me, Henry, if I owned a penitentiary I’d hire Zeb. I’d a -killed him a long time ago if it wasn’t for Susie, ’cause no sheep-man -can tell me where to head in at—dang his old billy-goat face! He’s a -darned——” - -“Not to change the subject, Muley,” says I, “but why don’t you ask -him?” - -“I did. Do you think I’d feel this way over futures? You’re darn well -right I asked him! Know what he said? He said to me, just like this: -‘Mister Bowles, you keep away from Miss Abernathy. She’s got her -sights set higher than a forty-dollar puncher.’ - -“That’s what he said, Henry, and then I said: ‘Mister Abernathy, -you’re tilting that gun for her: let her do her own shooting,” and he -said, ‘Your reputation ain’t none too good, and if the Vigilantes ever -organize here Susie would be a widow.’ ‘You wouldn’t know it,’ says I, -‘’cause they’d get you first.’ - -“Muley,” says I, “which one of you shot first?” - -“Neither one. I beat him on the draw, but you can’t kill your -sweetheart’s guardian. It ain’t ethical, Hen. He told me that any old -time I could show enough money to buy out his herd I could have Susie. -I told him I wasn’t in the habit of buying either sheep or wives, and -he said he knowed that without me telling him. Said that no -forty-a-month puncher was ever that foolish.” - -“How about Susie—does she love you, Muley?” - -“Uh-huh,” he sighs, “she sure does. I don’t know how she can, but she -does.” - -“I don’t know either, Muley, but it takes all kinds of folks to make a -world.” - -“I been thinking of marriage for a long time,” he sighs, “I been -afraid to ask her, but today she up and kissed me, and that settled -it, Hen. Funny what a little kiss will do thataway. It makes me -desperate.” - -“It would have done the same to me, Muley. If a girl like her kissed -me I’d likely turn outlaw. You aim to go to Chicago with that train of -cows?” - -“I can’t, Hen. I hope the old man don’t ask me to. You going?” - -“No. Telescope and Chuck are going, but the old man wants me to act as -foreman while they’re gone—he’s going, too. I’ll ask him to let you -stay, if you want me to, Muley.” - -“I’d love you like a brother, Hen,” he sighs, “I want to be near her.” - -That’s Muley. Being of a poetical temperament he has to confide in -folks. If me or Telescope or Chuck got kissed by a lady we’d cherish -the memory to our graves—unless it was Susie, and think of it only -when alone. - -I ain’t so bad to look upon, and a lady couldn’t be censured for -giving me a kiss, but when it comes to Telescope and Chuck—well, I -suppose they’ll eventually marry beautiful women. - -Telescope is built like a bed-slat, and orates openly that he’s a twig -of the Tolliver tree, which flourished and bought colored help in -Kentucky before the plans were drawn for the pyramids. Chuck Warner -don’t claim nothing, and don’t get sore if you subtract from his -ancestry. He was born west of the Arizona line, and if he descended -from anybody it was Ananias. - -Chuck’s legs are as short as his memory, and he was born with the face -of a horse and the trusting eyes of an angel. He never told the truth -but once. A big feller, from down below Mesquite, took him down and -bumped his head on the ground. - -“You got enough?” asks the big person, and Chuck howls— - -“Plenty!” - -“You ain’t lying, are you?” asks the feller, after he lets Chuck up. - -Chuck brushes off his clothes and shakes his sore head: - -“No! Dang it all! I wasn’t in no position to lie about it!” - - * * * * * - -Muley told me that I couldn’t keep a secret, and I didn’t. Me and -Chuck and Telescope rides to town that afternoon, to foller out the -usual program expected of punchers with a month’s pay aboard, and I -tells them about Muley’s troubles. - -“He’s more to be censured than pitied,” admits Chuck. “I don’t blame -Zeb, but I do hate a shepherd what thinks a puncher ain’t good enough -for his relatives.” - -“Poor Muley,” says Telescope, sad-like, “any man what is just one aunt -shy of being an orphan has my sympathy. I’ll promise you, Hen, that -I’ll do all I can.” - -“In Muley’s name I thanks you,” says I, “but if you can’t do it for -Muley don’t do it on my account. I ain’t going to marry her. I just -feel sorry for him. I’d feel sorry for anybody what was in love with -Susie.” - -“She ain’t exactly of the vampire type,” agrees Chuck. “Muley’s got -one dead immortal cinch though: nobody’s going to come along and steal -her away from him.” - -“Zeb says he’ll have to marry her over his dead body or bring money -enough to buy out his sheep,” says I. - -“The latter is the more revolting,” says Telescope. “Tell Muley we’ll -fix it for him after we get back if we have to steal Zeb’s sheep so he -won’t have nothing to sell.” - -The next few days we’re a busy crew, loading twenty cars of beef for -Chicago, and we don’t have much time for conversation. Muley is too -fat to herd ’em up the chute, so he sets down cross-legged on top of a -car, and checks off the loads. Zeb Abernathy comes over to the yards -and sets down on top of the fence, along with a lot of other loafers, -and when Telescope sees him he crosses the corral and sets down beside -Zeb. - -“Howdy, Zeb,” says Telescope, rolling a smoke. “You going to leave -here after you sells out, or are you going to make your home with -Susie and her husband?” - -“Hu-u-u-u-h?” grunts Zeb, amazed-like, “what’s that you said?” - -“Haw, haw, haw!” laughed Telescope, slapping Zeb on the back. “You -can’t keep things like that a secret around here, old-timer. What’ll -we bring to the charivari—sheep-shears or tin cans?” - -Zeb sets there, working his jaws faster and faster over his tobacco, -and pretty soon he looks up at Muley. Muley grins at him, and nods. -That’s the last straw. - -“Muley’s going to buy out Zeb and marry his niece,” slates Telescope -to Johnny Myers, owner of the Triangle brand. “Muley’s going to be a -sheep-king, Johnny.” - -All this time Zeb has been getting off the fence, and he’s so mad that -he dances a jig in the dust when he hits the ground. - -“Ya-a-a-a-ah!” he whoops, waving his long arms like a swarm of bees -was after him. “Telescope Tolliver, you’re a liar if you think it! -Marry that fat, forty-dollar fool! Buy my herd! Say, he ain’t never -had money enough to buy a wool sock! Ya-a-a-a-ah! You think you’re -funny, don’t you?” - -“Ya-a-a-ah!” mimics Chuck, wiggling his ears. “Zebbie, you’re -learning. Now the chorus—ba-a-a-a-a-ah!” - -Zeb’s feelings can’t stand no more, so he turns around like a man with -a sore throat, and goes back toward town stiff-legged like a bear with -a peeve on. - -“Zeb loves you fellers,” laughs Johnny. “I heard him say this morning -that there’s just five things he hates. One is a rattlesnake and the -other four draws a salary from Whittaker. What’s he sore at you -fellers for? Has the sheep affected his brain?” - -“Such a theory is absurd, Johnny,” says I. “It can’t be proved, ’cause -nobody with brains ever mixes up with sheep. You can’t corrupt a -coyote.” - -A little later on me and Muley are setting on the fence, when -Telescope climbs up beside us and talks to Muley like a father. - -“You realize what this here marriage stuff means, Muley?” he asks. -“You sure you ain’t just sick like a calf for it’s maw?” - -“I know my own heart, liver and lights, Telescope,” replies Muley. - -“Really love her with all your heart and soul, eh? Say, I’ll bet you’d -turn her down cold if it was to your advantage.” - -“You dang well know I wouldn’t!” - -“Suppose,” says Telescope, “suppose somebody said to you: ‘Muley, I’ll -give you a year’s salary if you’ll keep away from Susie?’ What would -you do?” - -“Me? I’d rise up on my hind legs and inform him that my love ain’t for -sale. Sabe? Not for the salary of a lifetime.” - -Telescope thinks it over for a while, and then shakes his head, -sad-like: - -“Maybe you would, Muley. I sure hopes you gets them sheep, ’cause you -qualifies for the shepherd class without no fixing. I’ve read about -love making a fool out of a man, but—well, it ain’t no funeral of -mine.” - -That night we shakes hands with Telescope and Chuck and the old man, -and wishes them many happy returns of the day. - -“Don’t give up the ship, Muley,” advises Telescope. “Do a lot of -thinking while we’re gone, and if you can figure out any way of making -money without robbing a bank, me and Chuck will put her over for you, -eh, Chuck?” - -“A stiff upper lip gathers no mustache,” proclaims Chuck, “and a faint -heart never rustled no sheep, Muley. So-long, you pitch-fork puncher. -And, Hen-ree, don’t fall in love. One shepherd in the family is a -plenty.” - -Me and Muley rides back to the ranch, but Muley ain’t got much to say. -Love is a queer little animal, and affects folks different. Muley’s -was the dark-blue variety, with circles around the eyes. - -The next morning after breakfast Muley gets a sheet of paper and a -pencil, and seems to compose deep-like. After a while he cuts loose a -deep sigh, and looks, dreamy-like, at the ceiling. - -“I’m here,” says I. “Can I help you in any way, Muley?” - -“I’ve got it,” he sighs. “You can’t appreciate it, ’cause you ain’t -got no finer feelings, but I’ll recite it to you: - - “I loved a darling angel, - And she loved me quite a lot. - Her ears are like the clam shell, - And I can forget her not. - She’s doomed to marry money, - And my heart will break, I think, - If I don’t wed this angel, - I will drown myself in drink.” - -“Nice sentiment,” I applauded. “Bobby Burns never had nothing on you -except the long sound of his r’s, but you’ll have to put off your -demise for at least another month. You can’t do an artistic job of -drownding in a couple of dollars’ worth of hooch. If you was to get in -over your depth in liquor, Muley, what brand would you prefer?” - -Right then Muley gets sore at me. I finds that you can josh a man -about love just so far, and then he turns like a worm and tries to -bite me. - - * * * * * - -For the next few days he writes poetry in the evening, and is absent -most all day. He ain’t a pleasant critter to talk to, so I spends most -of my time playing solitaire. One day down in Paradise I runs across -Susie. - -“Seen Muley lately?” I asks, and she shakes her head. - -“No. Uncle Zeb ordered him off the ranch, and since then I’ve only -seen him at a distance. He—he said he was going to try and convince -uncle that he’s something more than an ordinary cowboy. Do you think -he can, Mister Peck?” - -“Not unless uncle loses his sense of sight. Muley is pining away, day -by day, and unless something comes up to relieve the situation he’ll -be able to go through a door without turning the knob. I know this is -a leading question, Miss Abernathy, but would you marry that Lemuel -Bowles if you had a good chance?” - -“Why—er—uh-huh,” says she, nodding her head brave-like, while her ears -get hot enough to light a cigaret on. - -“I feel sorry for Muley,” says I, letting her take it any way she -wants to, and then I lopes away, ’cause I sees Zeb coming. - -The next morning we ain’t no more than out of bed when in rides old -Paddy Morse. Paddy runs the post-office, along with his little store, -and this is the first time I ever seen him at the Cross J. - -“Is Le-mule Allender Bowles to home?” he inquires, peering over his -specs at me. - -“Right here, Paddy,” says Muley. “What do you want?” - -“Letter for you. Reckon it’s for you, ’cause there ain’t no other -Bowles around this here neck of the woods. You got to sign your full -name, same as on that letter or I can’t let you have it. Sabe? - -“This here is a special delivery letter—darn such things! Uncle Sam -forces me to ride plumb up here to deliver this or take the -consequences, which I believe is three hundred days in jail or a -year—sign right on that line. Now, I reckon I’ll go on back. Hope it -ain’t bad news, Muley. Mostly always a letter of that kind or a -telegram means death. Come from Milwaukee. You got any kin in -Milwaukee?” - -But Muley has gone back into the house, and Paddy don’t get the -information he seeks. - -About fifteen minutes later Muley comes down to the bunk-house, where -I’m putting some rosettes on a new bridle, and he’s got a grin plumb -across his fat face. I glances at him and goes on working. - -“Henry,” says he, after a little while, “would you like to have a job -herding my sheep?” - -“Your sheep? Sure. I’ll herd all you got in my sleep.” - -“I’m going to be the richest man in Yaller Rock County,” he proclaims. - -“You better talk lower, Muley,” I advises. “If the county -commissioners hear you talk thataway they’ll way-bill you to the -loco-lodge at Warm Springs.” - -“You remember me telling you about my Aunt Agnes, Hen? She died.” - -“And left you a sheep?” I asks. - -“Sheep—always sheep! Take a look at this.” - -He hands me a letter—the one what Paddy brought him, and I looks her -over. The brand opines it to be from Milwaukee, and the top of the -letter proclaims that Frederick & Quincy are lawyers. She listens -something like this: - - Dear Sir: - - It grieves us to inform you that your aunt, Miss Agnes - Allender, of this city, died on the fifth day of August, - 1900. - - According to her last will and testament, you, which she - designates as her favorite nephew, will inherit the bulk - of her estate, which is valued at about one hundred - thousand dollars. - - As you likely know she was a very eccentric person, and - her will imposes you as follows: without receiving a cent - of said inheritance you must, before the fifteenth day of - August, 1900, have invested four-fifths of said hundred - thousand dollars in sheep. - - She also designates that: the said Lemuel Allender Bowles - must not marry for the space of five years under penalty - of forfeiture of entire inheritance. Also that he take a - care for Alfred and Amelia for the rest of their natural - lives. All of the foregoing requests must be complied with - or my estate is to be divided between charitable - institutions aforementioned in my will. - - On the fifteenth day of August, 1900, our representative - will call on you and examine your investments. We wish you - luck. - -I hands it back to him, and goes on working. - -“Well,” says he, sort of choking-like, “don’t I get congratulated?” - -“As soon as I gets time I’m going to feel sorry for you, Muley. How in -thunder can you invest eighty thousand dollars around here, when -everybody knows you ain’t got a cent, and everybody hates sheep. You -can’t get married for five years, and you’ve got to feed, water and -groom Alfred and Amelia all the rest of their natural lives. Wonder -what them twin-sounding things are, Muley?” - -Muley sets to thinking it over, and folding and unfolding that letter: - -“Since you sympathized with me, things don’t look so rosy,” he admits, -with a deep sigh. “Reckon I missed that marrying part. If Alfred and -Amelia got a fair start they ought to be about due. Reckon I’ll ride -down to Paradise—dang the luck! I’ve torn that letter plumb in two!” - -He puts the two pieces in his vest pocket and goes off down to the -corral. - -The longer I thinks things over the harder it looks for Muley. Muley -ain’t got the reputation of a saint around here, and can’t even lie so -folks will believe him. Zeb owns all the visible supply of sheep, and -Muley ain’t got no time to spare if he’s going to make good. - -Along about noon Muley rides in. He’s got a big bundle under one arm -and a big box under the other. He deposits his plunder on the steps, -and sets down. I sets down beside him to wait until he gets through -sighing, when all to once a squeaky voice yells: - -“Way ’round ’em. Shep! Who’s crazy!” - -I hops plumb off the steps, and whirls with my gun ready. Muley looks -at me, sad-like, and sighs again— - -“That’s Alfred, Henry.” - -“Alfred?” I asks. “Alfred who?” - -“I don’t know. Nobody introduced me, but it don’t matter—Alfred is a -parrot.” - -“Oh!” says I, “what’s Amelia—a lady bug?” - -“Naw-w-w! Cat.” - -“_Squr-r-r-r-reek! Sheep dip! Sheep dip! Har, har, har! Squr-r-reek!_” -announces Alfred. - -“Hen, what’s the natural life of a parrot?” asks Muley, without -lifting his head. - -“I don’t know. Why the question?” - -“That letter specifies ‘natural lifetime.’ That’s the joker.” - -“Did it say that?” - -“Sure did. Wait, I’ll show you.” He fumbles around in his pockets for -a while, and then looks foolish-like at me: “The front half of that -letter is gone, Henry! Now, where in thunder did I drop that?” - -He hunts some more but his pockets don’t essay a trace. - -“Har, har, har! Way ’round ’em, Shep!” shrieks Alfred, and Muley kicks -the cage off the porch. - -“Shut up! You cross between a duck and a phonygraph! You ain’t yelped -nothing but sheep-talk since I got you. No wonder Aunt Agnes died—she -must have had ticks!” - -“You ain’t showing proper respect for the dead, Muley,” I reminds him. - -“Is that so!” he yelps. “Is that so! Well, dog-gone it, Hen, she -didn’t show no respect for the living when she shipped me these -trinkets, did she? Sending a puncher a sheep-talking buzzard ain’t -showing a whole lot of respect. That cat is so old I’ll have to feed -it on a bottle, and—” - -“Sheep dip!” screams Alfred. “Who’s crazy?” - -Muley throws his coat over the cage, and slams the whole works into -the house. He follers it inside, and I sets there for a while thinking -things over. The slats on Amelia’s home ain’t none too secure, so I -loosens one end, and as I goes inside the bunk-house I sees Amelia -trotting off toward the barn. - -Muley comes down after a while and sets down on the bunk. “Alfred -danged near bit my finger off, and Amelia’s made her getaway, Hen,” he -announces in a sad voice. “Amelia was down there on the corral fence, -making faces at Chuck’s coyote pup, and she offers fight when I tries -to calm her spirits. Aunt Agnes must have been a nut over ferocious -animals.” - -“Nevertheless she was your mother’s sister, and left you all her -wealth,” I chides him. - -“Yah! Like throwing both ends of a rope to a drownding man, and -forgetting to hang on to the middle. Can’t marry for five—huh!” - -He gets up and stomps out of the place, and I opines that Muley’s -inheritance is beginning to bear down upon his immortal soul. - - * * * * * - -The next day Hank Padden, who owns the Seven A outfit, shows up, and -sets down with me in the parlor. Muley is washing up, and when Hank -asks for him he yells that he’ll be out in a minute. - -“I’m going to make Muley an offer,” says Hank to me, confident-like. -“I hears that he’s going to get married, and I needs a foreman what is -a married man. Sabe? Single men ain’t got nothing to hold ’em down. I -like Muley—dang his fat carcass—and I rides over here to see him.” - -“Uh-huh,” says I, ’cause there ain’t nothing else to say, and then -Hank yells at Muley: - -“Come out here, you half-ton puncher! I want to talk to you about——” - -“Sheep dip! Sheep dip! Har, har, har!” - -I know it’s Alfred, but if it don’t sound like Muley I’ll eat my -quirt. Same little wheeze that Muley has in his laugh. - -Hank comes to his feet like a shot, and glares at the half-closed -door. He puts on his hat, walks straight out of the door, gets on his -bronc and fogs away from the Cross J. - -I hears a crash in the next room, a couple of shrieks, and out comes -Alfred with most of his tail feathers missing. He sails around the -room a couple of times, finally hits the open door, and perches on the -hitch-rack in front of the house. - -Muley comes out, with a shotgun in his hand, and glares around. - -“Natural lifetime, Muley,” I informs him, and he tosses the gun on the -sofa. - -“That bird will be the death of me, Henry!” he wails, “yelping -sheep-talk at Hank Padden is like lighting a cigaret with a stick of -dynamite. What did he want of me?” - -“He came over to sympathize with you about your aunt.” - -“Oh!” says Muley, blank-like, looking out of the window. “Ain’t this -Wick Smith coming?” - -It was Wick. He ties his bronc and comes inside. To hear him talk -you’d think that rheumatism had typhoid-pneumonia and bubonic plague -beat so far that you could cure ’em both with internal applications of -peach pie. - -“I got to get away from here,” states Wick, after we discusses the -weather a while. “Every season I lives here brings me that much nearer -the grave. I want to take a pardner into my store, and while I ain’t -decided exactly about it, I comes up here to have a talk with Muley. I -needs new blood in my place, and I got to have a married man, which -has a little money. Sabe?” - -“You got any sheep?” I asks. - -Wick sets up straight and glares at me. - -“Sheep? I’m a merchant—not a shepherd!” - -“Wool is good for rheumatism,” says I, offhand-like, trying to smooth -over my mistake. - -“If you’re looking for a married man with money you sure got into the -wrong pew, Mister Smith,” states Muley. - -“Zeb told me that you had an aunt—” begins Wick, wise-like, and then: - -“_Squr-r-r-r-reek! Meo-o-o-o-o-ow! Yip, yip, yip!_” - -First comes Amelia. She’s traveling so blamed fast that she looks like -a string of about six cats. Right behind her comes that coyote pup, -digging deep into his soul for joyful sounds, and behind him, -screeching and screaming comes Alfred, and they invades the parlor. - -Wick hops to his feet as they enters, and of course he’s the highest -point in the room. A cat will always hit for elevation—therefore Wick -got Amelia. Me and Muley sort of draws back to keep the score, but -things happens too fast for computation. Amelia draws all four feet -together in Wick’s scalp, the same of which makes Wick wrinkle up his -face, and forget the rheumatism in his legs. The bird and the coyote -don’t do much except cut circles until Wick starts, blind-like to -leave there, and falls over a chair. - -Wick turns over once, lands on his hands and knees, and pilgrims out -of the door, with the cat prospecting his dandruff, Alfred hopping up -and down on his back, and the coyote pup hanging on to his coattails, -and skidding along, making little snappy barks of delight. - -They all rolls off the porch, where the three animals tangles up, -leaving Wick alone. He forks his bronc in a hurry, and sets there -rubbing the haze out of his eyes. - -Amelia is setting a new cross-country record for cats, as she hunts -for a high spot, and the pup is singing along right behind her. - -Alfred walks circles around a post for a few seconds, and then -flutters to the top of the hitch-rack. He ruffles up what feathers -he’s got left, cocks his head on one side and screeches: - -“Har, har, har! Sheep dip! Who’s crazy?” - -“My gosh!” explodes Wick. “That cyclone hit me so hard that I can see -green eagles and hear ’em talk!” and he backs his bronc away, -cautious-like, and leaves us in a hurry. - -Me and Muley looks at each other for a while, and then Muley yawns: - -“I must have lost that piece of letter where Zeb could find it. Well, -it didn’t say nothing about buying sheep, anyway, Hen.” - -“Lucky it didn’t, Muley. If the community thought you intended to -bring eighty thousand dollars’ worth of sheep on to this range you’d -be the honored guest at a cravat party. Your auntie didn’t understand -conditions when she wrote that will, Muley.” - -“Why emphasize ‘when she wrote that will,’ Henry!” he asks, sad-like. -“After looking at Alfred and Amelia—well, Henry, there’s a destiny -what shapes our ends.” - -Next morning at breakfast we’re interrupted. Comes a thump of feet -outside the door, and a voice yells— - -“Hello, the house!” - -“Hello the ——!” says I. “That sounds like Zeb Abernathy, Muley.” - -Muley steps over and picks up the old man’s shotgun. - -“Let him in, Henry,” says he. “If he comes on the prod I’ll scatter -his remains to the four winds.” - -I opens the door, and the old pelican bows to me like I was the fourth -king in the deck to enter his hand. - -“Howdy, Henry,” says he, and then he happens to see Muley with the -shotgun. “I comes in sorrow not in anger,” he states, “my soul is -filled with contrition.” - -“As long as she’s filled with something I’ll save my buckshot,” opines -Muley. “Come on in and rest your ticks, Zeb Abernathy.” - -“Nice weather,” observes Zeb, mopping his face with a red -handkerchief. “May rain and it may not. I kind of look for a dry -spell.” - -“The Weather Bureau at Washington gets but annual reports, which reach -us too late, so we thanks you for the information,” says Muley. - -“I hope I see you both well,” opines Zeb. - -“Your eyesight don’t worry me none to speak about,” states Muley. “The -last time I meets up with you I made you throw your gun down the well. -How’s your sentiments concerning me at present?” - -“I’m filled with meekness and contrition, as I aforementioned, -Le-mule. It aches my heart to know that I provoked you thataway, and I -pilgrims over here to make amends. Sabe?” - -“Why this sudden change of attitude?” inquires Muley, and Zeb sort of -squirms in his chair. - -“She comes to me like a yelp in the night,” says he, pious-like, “I -gets to thinking thusly: ‘Le-mule Allender Bowles, I ain’t treated you -right. I hops on to you like a coyote on a carcass, and reviles you -abusive-like, ’cause you desires to marry into my family. I lets my -interest in Susie blind me to her best interests, but now I sheds the -scales off my eyes, and comes out into the sunshine of true -understanding. - -“The more I thinks about it, Le-mule, the worse I feels. Youth calls -to youth, and what is stronger than the call of true love? She ain’t -never yelped at me, boys, but I’m a heap wise. While Le-mule is only -getting forty a month now, I feels that in the due course of time -he’ll be a shining light of the community, and maybe go to Congress.” - -“Good sentiments, Zeb,” I agrees, “but it will likely be a close race -between the voters and the sheriff to decide whether he goes to Helena -or Deer Lodge.” - -“Haw! Haw! Haw!” roars Zeb. “Muley will never go to the penitentiary.” - -“Not willingly,” I agrees. “What are your sheep worth today?” - -“I have no sheep, Henry,” he grins. “Sold out to a feller from St. -Marie’s basin, and his drive started today. Yep. I’m a civilian now.” - -“Got a good price, too,” he grins, when he sees me look foolish-like -at Muley. “Glad I sold. Too much sentiment against sheep. Well, boys, -I reckon I’ll toddle along. I couldn’t sleep until I comes over and -squares myself with Le-mule. Come over and make yourself to home at my -place, Le-mule.” - -“Thanks, Zeb-uleon,” says Muley, “I may do that little thing, -Zeb-uleon. How’s Susie, Zeb-uleon?” - -“Tolable, Le-mule. She’s pining.” - -We watches him ride away, and then Muley spits, reflectively: - -“Henry, if that old pelican had called me Le-mule once more I’d have -slaughtered him. He must have found that letter I lost.” - -“You ought to invest your money in a detective agency, and run it -yourself. I suppose you’ll go over to see Susie?” - -“Dang well know I will! Why not?” - -“Go ahead. Go ahead, Muley, and lose a hundred thousand. What’s a -fortune beside her? Your brain ain’t big enough, Muley. When it gets -over forty dollars it all looks alike to you. You take my advice and -buy sheep.” - -“Yah-h-h-h!” he blats. “Where?” - -“What will you give me if I buy ’em for you?” I asks. - -“You? You got a dead aunt, too, Henry?” - -“No, but I got brains, and I can buy sheep.” - -“Go buy ’em then!” he snaps, “I’m from Missouri—me.” - - * * * * * - -Muley rides away in the general direction of his heart’s desire, and I -gets an inspiration. Over in St. Marie’s basin is plenty of sheep, and -I never saw a sheep-man yet what wouldn’t sell out. I like Muley. -Dog-gone his irresponsible heart, I like him. His mind ain’t big -enough to contemplate a hundred thousand dollars, and I feels glad for -him that he’s got a friend like me to make good for him. - -I may be rewarded for my efforts, and maybe not, but anyway I’ve -always wanted to handle big money, and show to the world that Henry -Peck could be more than he’s ever showed. - -I saddles up Glory and puts a pack on Blazer, and leaves a note for -Muley, telling him that I’ll be back on the fatal day to save him from -ruin. Little Henry is going to be a hero, and hopes to do his heroing -on a commission basis. - -I pilgrims over into a country that cowmen designates as being a fair -example of the place where sinners will reside in the hereafter, and -eats mutton and talks sheep. - -Believe me I could talk sheep faster than the men that owned the -herds, and I confides in ’em about Muley’s inheritance. Of course I -didn’t tell it all, but anyway I got options on enough sheep to cause -Yaller Rock County to build an extra wing on the insane asylum, and -said options didn’t cost me a cent. - -“Old Testament” Tilton rides back with me. I’ve spent about fifteen -thousand of Muley’s credit with him, and being a minister, he’s a -little suspicious of his fellow-men. - -“I ride with you for the good of my soul,” orates the old boy, when he -offers to accompany me. - -I reckon that when a shepherd goes into cow-land, it’s like taking a -ship into fresh water to knock off the barnacles. - -He’s a queer old coot. Imagine a man of his cognomen, add the smell of -sheep, dress him up around the neck like a preacher, tuck his pants -into the top of a pair of heavy boots, and you’ve got a portrait of -Old Testament. He rides a little calico bronc, with one cropped ear -and a rat-tail, and calls it Ebenezer. The only way, I figure, that he -could ever hand out salvation would be by correspondence. - -“Now, this here Le-mule Bowles,” remarks the old boy, “do you think I -could induce him to come into the vineyard?” - -“Muley will go into anything that’s got a door on it,” says I. “Also, -he’ll take anything what ain’t nailed down.” - -“I fear me it will be a task,” he says, sad-like, and then he sort of -brightens up. “Have you ever considered your soul?” - -“I have no soul,” says I. - -“Say not that you are a lost sheep,” he chides me, and it makes me -sore, and I points off down the valley. - -“We’re in cow-land now, old-timer, so you lay off on that lost-sheep -stuff. Sabe? Down here they calls ’em plain strays.” - -We plods down into the Sleeping Creek country, and stops at Hank -Padden’s place for dinner. Old Testament and Hank are old friends, but -Hank don’t more than give me a nod. I reckon he ain’t forgot what he -thought was Muley’s voice, and he blames me, too. When we gets ready -to leave Hank acts like I had a contagious disease. - -“Drop in any old time, Tilton,” says Hank. “Glad to see you.” - -“Me, too, Hank?” I asks, and he gives me a hard look. - -“You travels on your own responsibility,” he replies. - -“I wonder what Hank is sore at me for?” I asks Old Testament, a little -later, but he shakes his head, and mumbles something about the flocks -on the seven hills and the wrath to come. - -“Did you tell him that I bought them sheep?” I asks, and he nods. - -“Yea. I did not lie, Henry Peck. I know naught of Bowles.” - -“I suppose you also told him that I was going to stock this here range -with sheep, didn’t you?” - -“I merely told him that I surmised so.” - -We rides almost to the Cross J, when we overtakes Abe Evans, the depot -agent at Paradise. - -“Gosh! I’m glad you caught me,” pants Abe, “I never was built to fit a -saddle, and this here nag ain’t no rocking-chair. Here’s a telegram -for Lemule Bowles, charges paid. You sign for it, Hen, and let me go -back home.” - -We pilgrims on to the ranch, but Muley ain’t there. There’s a note on -the table which orates that he’ll be there at three o’clock, and it’s -addressed to Weinie Lopp, of the Triangle. - -“This here telegram ought to be opened,” opines Old Testament, who is -as nosey as a pet coon. “A telegram always means that something is -going to happen, and it’s better to be prepared.” - -I tears the cover off and looks her over. It says— - - Will arrive your town this date meet me with a vehicle. - -And she’s signed Frederick & Quincy. - -I looks at my watch and decides on quick action. - -“You set down here and rest your feet,” says I to Old Testament, “I’ll -hitch up the buckboard, and go to town. I just got enough time to get -there.” - -That was some ride. Them broncs were as wild as deer, and we went to -Paradise so fast that the dust didn’t settle for thirty minutes after -I ties up at the station. - -The train is late, so I goes over to Mike Pelly’s place, and washes -the sheep-taste out of my throat. It takes quite a lot of liquid, and -when I goes back to the station I’m sheep-proof. - -The train pulls in and I spots my man. There’s quite a crowd at the -station, but I knowed him the minute he got off, and it takes me about -three steps to get where he’s standing. Being sheep-proof, I’m also -polite, so I takes his valise away from him, and starts for the rig. - -“Come on, Blackstone,” says I, “your carriage waits without.” - -He starts with me, but he seems to complain a heap, so I stops and -asks him whyfore the objections. - -“Where the Sam Hill are you taking my bag?” he asks, getting red in -the face. “Who told you to take that valise?” - -“Mister,” says I, “don’t excite yourself thataway. I’m doing all I can -to make you comfortable. Sabe? I advises you to come along peaceable, -and anything you may say will be used against you.” - -I always thought that lawyers tried to settle things peaceably, but I -don’t reckon this one runs true to form, ’cause he hit me so hard -under the chin that he drove my head right up to the top of my hat. -That hat always was too small, but after that wallop I has to stuff -the sweat-band with paper so she’ll fit. - -The train is pulling out when I wakes up, and I sees that fat feller -standing on the rear platform. - -“What was you aiming to do, Hen?” asks Bill McFee, our sheriff, who is -setting beside me on the platform. - -“That was the feller I was here to meet, Bill,” says I. “He’s sure a -sudden son-of-a-gun for a lawyer.” - -“He ain’t no lawyer, Henry,” says Bill. “He’s the railroad paymaster, -and he thought you was trying to steal his roll.” - -“Wrong man,” says I. “Seen any stranger get off the train?” - -Bill shakes his head, so I pilgrims around to where I tied my rig, and -there sets Telescope, Chuck and the old man. Them three acts like they -was tickled stiff, and Telescope yelps at me— - -“Got the telegram, did you, Henry?” - -I don’t have nothing to say, and that seems to make ’em more joyful. I -don’t keep silent from choice, but that feller darn near unjointed my -jaw and she hurts like thunder when I opens my face. - -“Muley still wearing crape?” asks Chuck, as we ride out of town, and -all three of ’em busts out laughing. - -“Danged mean trick,” opines the old man. “You remember Jimmy -Frederick, don’t you, Hen? He was out here a few years ago. He knows -Muley well. We were up in his office and Telescope and Chuck got him -to write that letter.” - -“How many sheep has Muley bought on his nerve?” asks Chuck. - -“Come on through, Hen. Did he buy out Zeb’s herd? I hope he ain’t got -mutton for our supper.” And then Telescope sings sort of plaintive -like; - - “I love a little chicken and I love a little fish. - When somebody says ‘ham and eggs,’ I pass along my dish, - When I get good and hungry I could eat a roarin’ bull, - But when they passes mutton meat my stummick’s full.” - -And then Chuck joins in the chorus: - - “I’m a tough old rooster, and I’ve eaten snakes, - I’ve spread giant powder on my buckwheat cakes, - I’ve drank rawhide stew ’till I was out of breath, - But when they serves up mutton meat I starves to death.” - -“You’re a fine bunch of friends!” I snaps, taking a chance that my jaw -is still on its hinges. “She was his favorite relative, and since that -letter he ain’t done nothing but mope. You’re a danged bunch of ghoul -comedians. Muley’s due to kill somebody when he finds out about it. -What was the main idea?” - -“Well,” laughs Telescope, “we made him rich for a while, didn’t we? -Zeb orates that he wants Susie to marry money, so we gave it to him in -a lump. We puts in that marriage clause just to see if Muley loved her -enough to lose the money, Sabe? We knowed danged well that he couldn’t -buy no sheep. What did the parrot have to say, Hen?” - -“Told Hank Padden he could use sheep dip.” - -“Haw, haw, haw!” whoops Chuck. “Did he honest say that? I sat up all -one night and day trying to teach that parrot some sheep-talk, but all -it ever did was to bite me. Telescope swiped that cat at the depot in -Milwaukee.” - - * * * * * - -Just before we reaches the ranch, three people rides in ahead of us -and waits for us to come up. It’s Hank Padden, Johnny Myers and -“Scenery” Sims. They all got rifles. - -We exchanges greetings, but they don’t seem glad to see nobody but me. - -“We don’t aim to be nosey, Mr. Peck,” says Hank, “but we’d admire to -hear a little more about them sheep.” - -“What sheep?” I asks, surprised-like. - -“Old Testament told me,” says Hank. “He spoke about you going to start -a herd here and——” - -“I thanks you for the compliment,” says I. “It seems nice to be -mistaken for a capitalist, Hank, but what I wants to know is this; how -long since have you been taking the word of a shepherd? Do I need to -deny it?” - -“Old Testament must have lied, Hank,” states the old man. “He must -have been crazy to state such a thing. Somebody’s crazy anyway.” - -“That’s what I said,” squeaks Scenery. “Hen Peck couldn’t buy a pair -of wool socks.” - -They all nods sort of agreeable-like, and he drives on. - -“After a while, when there ain’t nobody around to interrupt us, I’m -going to ask you a few questions, Henry,” states Chuck, solemn-like. - -“You better bring a witness,” says I. “All I wants is an uninterested -third party present so I can prove I shot in self-defense.” - -We pulls up to the ranch. The front door is open and two rigs are tied -out in front. We pilgrims up to the door, and are greeted with some -sight. - -There’s Old Testament standing in the middle of the room, with his -eyes rolled toward the rafters, while in front of him stands Susie -Abernathy and Muley Bowles. Muley’s vest is stretched to the bursting -point, and you could light a match on Susie’s freckles. - -To one side stands Zeb Abernathy, and on the other stands Weinie Lopp, -all dressed up in a celluloid collar, and no place to put his hands. - -We hears Old Testament finish up his prayer, and as Muley folds Susie -to his bosom we troops inside. Muley sees us over Susie’s shoulder, -and breaks the clinch. Zeb grins out through his whiskers and Weinie -Lopp turns up the collar of his coat. - -Everything is still for a few seconds, and then Old Testament smiles -at me over his specs: - -“My son,” says he, “it’s fortunate that I came with you. I had -considered taking a trip over into the Bitter Roots, and Mister Lopp -would have missed me.” - -“Exactly,” says I, having the understanding of a fish. “All very true. -Was Weinie on your trail?” - -“Uh-huh,” gurgles Weinie,“I—I was after a preacher for Muley.” - -“They—they just got married,” chuckles Zeb. “Just now.” - -“Well,” says Chuck, foolish-like, “who gets the first kiss from the -bride—after you, Muley?” - -“Muley, you’re a hero!” gasps Telescope. “Any man is a hero who will -sacrifice a hundred thousand dollars at the throne of love. Everybody -take off your hats to Muley Bowles.” - -Everybody’s got their hats off so we don’t respond. - -“What did you mean by that, Telescope?” gasps Zeb. “Do—do you mean -that he—he’ll lose all that money ’cause he married Susie?” - -“You said it, Zeb,” grins Telescope. “Ain’t you proud of him? What a -nephew-in-law!” and then he turns to Muley: “Muley, old-timer, I -didn’t think you had it in you, but you never can tell which way a -dill pickle will squirt. How does it seem to lose a hundred thousand -dollars?” - -“Well,” grins Muley, putting one arm around the shrinking bride. “I -ain’t lying to you when I says I don’t know how it feels. You see, -Telescope, the name of Allender don’t cover no branch of my -family-tree, and I never had any Aunt Agnes.” - -There’s a painful silence for a minute, and then comes a flutter of -feathers, and in waddles Alfred. He ain’t got no tail-feathers left, -and the rest of his carcass is pretty well plucked. He looks us over, -wild-eyed, ruffles up his remaining foliage, croaks: - -“Har, har, har! Who’s crazy?” - -Zeb looks wide-eyed at the bird for a moment, and then sneaks past it -and out on the steps: - -“I’m going away,” says he in a low, hoarse voice. “Going away before -that bird answers its own questions.” - -“Tally three more,” states Telescope, and him and Chuck and the old -man sneaks out. - -“Make it five,” says I, and me and Weinie goes out, too. - - -[Transcriber’s Note: This story appeared in the September 3, 1918 issue -of Adventure magazine.] - -*** END OF THE PROJECT GUTENBERG EBOOK MAKING GOOD FOR MULEY *** - -Updated editions will replace the previous one--the old editions will -be renamed. - -Creating the works from print editions not protected by U.S. copyright -law means that no one owns a United States copyright in these works, -so the Foundation (and you!) can copy and distribute it in the -United States without permission and without paying copyright -royalties. 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C. Tuttle</title> - <link rel="icon" href="images/cover.jpg" type="image/x-cover" /> - <style> - body { margin-left:8%; margin-right:8%; } - p { text-indent:1.15em; margin-top:0.1em; margin-bottom:0.1em; text-align:justify; } - .poetry { display:block; text-align:left; } - .poetry .stanza { margin-top:0.7em; margin-bottom:0.7em; margin-left:4em; } - .poetry .verse { text-indent: -3em; padding-left: 3em; } - .indent2 { text-indent: -1.5em; padding-left: 3em; } - .poetry-container { text-align: center; } - .w001 { margin-left:15%; width:70% } - .x-ebookmaker .w001 { margin-left:5%; width:90% } - .mt01 { margin-top:1em; } - .mb01 { margin-bottom:1em; } - h1 { text-align:center; font-weight:normal; font-size:1.2em; margin-top:1em; } - .tn { font-size:0.9em; border:1px solid silver; margin-top:1.8em; margin-left:8%; width:80%; padding:0.4em 2%; } - </style> -</head> -<body> -<p style='text-align:center; font-size:1.2em; font-weight:bold'>The Project Gutenberg eBook of Making Good for Muley, by W. C. Tuttle</p> -<div style='display:block; margin:1em 0'> -This eBook is for the use of anyone anywhere in the United States and -most other parts of the world at no cost and with almost no restrictions -whatsoever. You may copy it, give it away or re-use it under the terms -of the Project Gutenberg License included with this eBook or online -at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you -are not located in the United States, you will have to check the laws of the -country where you are located before using this eBook. -</div> - -<p style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Title: Making Good for Muley</p> -<p style='display:block; margin-top:1em; margin-bottom:0; margin-left:2em; text-indent:-2em'>Author: W. C. Tuttle</p> -<p style='display:block; text-indent:0; margin:1em 0'>Release Date: January 5, 2022 [eBook #67060]</p> -<p style='display:block; text-indent:0; margin:1em 0'>Language: English</p> - <p style='display:block; margin-top:1em; margin-bottom:0; margin-left:2em; text-indent:-2em; text-align:left'>Produced by: Roger Frank and Sue Clark</p> -<div style='margin-top:2em; margin-bottom:4em'>*** START OF THE PROJECT GUTENBERG EBOOK MAKING GOOD FOR MULEY ***</div> -<div id='001' class='mt01 mb01 w001'> - <img src='images/illus-fpc.jpg' alt='' style='width:100%' /> -</div> -<div style='text-align:center; text-indent:0; margin-top:0; margin-bottom:0; margin-left:auto; margin-right:auto; '> -<h1 style='margin-bottom:0.7em;'>Making Good for Muley </h1> -<div style='margin-bottom:0.5em;'>by W. C. Tuttle </div> -<div style='font-size:0.9em;margin-bottom:2em;font-style:italic;'>Author of “A Prevaricated Parade,” “Loco or Love,” etc. </div> -</div> -<p>If there’s a word of truth in that old saying about beauty being only -skin deep, Susie Abernathy was the thinnest-skinned person I ever saw. -I may not be a judge of womanly beauty, and the poetry of my soul may -have been shook loose by pitching broncos, and buried deep under a -coating of alkali dust, but I sure do sabe when a woman is hard to -look at.</p> - -<p>Seems to me like it’s human nature for a feller with squirrel-teeth, -no jaw to speak about and a physique like a corn cultivator to marry a -beautiful female, and vice versa—not that “Muley” Bowles qualifies in -the beauty division, but at that I reckon he shaded Susie a little.</p> - -<p>Muley was a poetical puncher, of considerable avoirdupois, and he -found Susie a thing of beauty and a joy forever. Susie was a niece of -Zeb Abernathy, who owned a sheep outfit on Willow Creek, and a grouch -toward all cowmen—and Muley punched cows for the Cross J outfit, and -drew forty a month from old man Whittaker.</p> - -<p>I’m not belittling Muley’s salary, ’cause I drew the same, and so did -“Telescope” Tolliver and “Chuck” Warner. Back in the dim and distant -past, when cows first come into style, the old-timers got together and -settled the pay of the average cow-hand.</p> - -<p>They figured that any normal puncher—if there is such an animal—would -try at least three turns of the roulette wheel, at ten dollars per -turn. That left him ten dollars. He’d buy some tobacco, some red -neckties and perfume, and what was left, at two-bits a drink for -hooch, would just carry him a few inches short of the murder and -sudden death stage.</p> - -<p>I’ve just been up to the house to draw my stipend from the old man, -and am on my way back to the bunk-house, when Muley rides in. He’s -humped over in his saddle, like Misery going to a cemetery, and if you -can stamp despair on a full-sized milk-cheese he had it on his face.</p> - -<p>He slips his saddle off, turns his bronc into the corral, leans -against the fence and cuts loose the granddaddy of all sighs. There -ain’t many men that you can hear sigh at pointblank range for a -.30-30, but you could with Muley. It was like releasing the air on a -freight train.</p> - -<p>I wanders down there and passes the time of day with him, but he don’t -respond. He exhausts deep into his soul once more, and hangs up his -saddle.</p> - -<p>“Some of your relatives die, Muley?” I asks.</p> - -<p>“Hello, Hen,” says he, sad-like, “I ain’t got no relatives—except one -aunt. I don’t know whether she’s alive or not.”</p> - -<p>“Name of Bowles?”</p> - -<p>“Nope. Name’s Allender. Maw’s name was Allender, and that’s why I was -named Lemule Allender, and—what do you want to know for?”</p> - -<p>“You sighed a couple of times,” I reminds him, and he nods and looks -off across the range.</p> - -<p>“Henry, how can I make some money? Regular money. I can’t get along on -forty a month—no more.”</p> - -<p>“You aim to marry Susie Abernathy?” I asks.</p> - -<p>Muley digs a little trench with the toe of his boot, and shakes his -head, sad-like—</p> - -<p>“No-o-o, I reckon not, Hen.”</p> - -<p>“Just come from there?” I asks.</p> - -<p>“Uh-huh. Listen, Hen: can you keep a secret? I know danged well that -you can’t, but I got to talk to somebody. Me and Susie’s got it all -framed up to get married, but she argues that I got to see Zeb. Susie -ain’t of age yet, and Zeb is her guardian, Sabe?</p> - -<p>“Believe me, Henry, if I owned a penitentiary I’d hire Zeb. I’d a -killed him a long time ago if it wasn’t for Susie, ’cause no sheep-man -can tell me where to head in at—dang his old billy-goat face! He’s a -darned——”</p> - -<p>“Not to change the subject, Muley,” says I, “but why don’t you ask -him?”</p> - -<p>“I did. Do you think I’d feel this way over futures? You’re darn well -right I asked him! Know what he said? He said to me, just like this: -‘Mister Bowles, you keep away from Miss Abernathy. She’s got her -sights set higher than a forty-dollar puncher.’</p> - -<p>“That’s what he said, Henry, and then I said: ‘Mister Abernathy, -you’re tilting that gun for her: let her do her own shooting,” and he -said, ‘Your reputation ain’t none too good, and if the Vigilantes ever -organize here Susie would be a widow.’ ‘You wouldn’t know it,’ says I, -‘’cause they’d get you first.’</p> - -<p>“Muley,” says I, “which one of you shot first?”</p> - -<p>“Neither one. I beat him on the draw, but you can’t kill your -sweetheart’s guardian. It ain’t ethical, Hen. He told me that any old -time I could show enough money to buy out his herd I could have Susie. -I told him I wasn’t in the habit of buying either sheep or wives, and -he said he knowed that without me telling him. Said that no -forty-a-month puncher was ever that foolish.”</p> - -<p>“How about Susie—does she love you, Muley?”</p> - -<p>“Uh-huh,” he sighs, “she sure does. I don’t know how she can, but she -does.”</p> - -<p>“I don’t know either, Muley, but it takes all kinds of folks to make a -world.”</p> - -<p>“I been thinking of marriage for a long time,” he sighs, “I been -afraid to ask her, but today she up and kissed me, and that settled -it, Hen. Funny what a little kiss will do thataway. It makes me -desperate.”</p> - -<p>“It would have done the same to me, Muley. If a girl like her kissed -me I’d likely turn outlaw. You aim to go to Chicago with that train of -cows?”</p> - -<p>“I can’t, Hen. I hope the old man don’t ask me to. You going?”</p> - -<p>“No. Telescope and Chuck are going, but the old man wants me to act as -foreman while they’re gone—he’s going, too. I’ll ask him to let you -stay, if you want me to, Muley.”</p> - -<p>“I’d love you like a brother, Hen,” he sighs, “I want to be near her.”</p> - -<p>That’s Muley. Being of a poetical temperament he has to confide in -folks. If me or Telescope or Chuck got kissed by a lady we’d cherish -the memory to our graves—unless it was Susie, and think of it only -when alone.</p> - -<p>I ain’t so bad to look upon, and a lady couldn’t be censured for -giving me a kiss, but when it comes to Telescope and Chuck—well, I -suppose they’ll eventually marry beautiful women.</p> - -<p>Telescope is built like a bed-slat, and orates openly that he’s a twig -of the Tolliver tree, which flourished and bought colored help in -Kentucky before the plans were drawn for the pyramids. Chuck Warner -don’t claim nothing, and don’t get sore if you subtract from his -ancestry. He was born west of the Arizona line, and if he descended -from anybody it was Ananias.</p> - -<p>Chuck’s legs are as short as his memory, and he was born with the face -of a horse and the trusting eyes of an angel. He never told the truth -but once. A big feller, from down below Mesquite, took him down and -bumped his head on the ground.</p> - -<p>“You got enough?” asks the big person, and Chuck howls—</p> - -<p>“Plenty!”</p> - -<p>“You ain’t lying, are you?” asks the feller, after he lets Chuck up.</p> - -<p>Chuck brushes off his clothes and shakes his sore head:</p> - -<p>“No! Dang it all! I wasn’t in no position to lie about it!”</p> - -<div style='height:1em;'></div> -<p>Muley told me that I couldn’t keep a secret, and I didn’t. Me and -Chuck and Telescope rides to town that afternoon, to foller out the -usual program expected of punchers with a month’s pay aboard, and I -tells them about Muley’s troubles.</p> - -<p>“He’s more to be censured than pitied,” admits Chuck. “I don’t blame -Zeb, but I do hate a shepherd what thinks a puncher ain’t good enough -for his relatives.”</p> - -<p>“Poor Muley,” says Telescope, sad-like, “any man what is just one aunt -shy of being an orphan has my sympathy. I’ll promise you, Hen, that -I’ll do all I can.”</p> - -<p>“In Muley’s name I thanks you,” says I, “but if you can’t do it for -Muley don’t do it on my account. I ain’t going to marry her. I just -feel sorry for him. I’d feel sorry for anybody what was in love with -Susie.”</p> - -<p>“She ain’t exactly of the vampire type,” agrees Chuck. “Muley’s got -one dead immortal cinch though: nobody’s going to come along and steal -her away from him.”</p> - -<p>“Zeb says he’ll have to marry her over his dead body or bring money -enough to buy out his sheep,” says I.</p> - -<p>“The latter is the more revolting,” says Telescope. “Tell Muley we’ll -fix it for him after we get back if we have to steal Zeb’s sheep so he -won’t have nothing to sell.”</p> - -<p>The next few days we’re a busy crew, loading twenty cars of beef for -Chicago, and we don’t have much time for conversation. Muley is too -fat to herd ’em up the chute, so he sets down cross-legged on top of a -car, and checks off the loads. Zeb Abernathy comes over to the yards -and sets down on top of the fence, along with a lot of other loafers, -and when Telescope sees him he crosses the corral and sets down beside -Zeb.</p> - -<p>“Howdy, Zeb,” says Telescope, rolling a smoke. “You going to leave -here after you sells out, or are you going to make your home with -Susie and her husband?”</p> - -<p>“Hu-u-u-u-h?” grunts Zeb, amazed-like, “what’s that you said?”</p> - -<p>“Haw, haw, haw!” laughed Telescope, slapping Zeb on the back. “You -can’t keep things like that a secret around here, old-timer. What’ll -we bring to the charivari—sheep-shears or tin cans?”</p> - -<p>Zeb sets there, working his jaws faster and faster over his tobacco, -and pretty soon he looks up at Muley. Muley grins at him, and nods. -That’s the last straw.</p> - -<p>“Muley’s going to buy out Zeb and marry his niece,” slates Telescope -to Johnny Myers, owner of the Triangle brand. “Muley’s going to be a -sheep-king, Johnny.”</p> - -<p>All this time Zeb has been getting off the fence, and he’s so mad that -he dances a jig in the dust when he hits the ground.</p> - -<p>“Ya-a-a-a-ah!” he whoops, waving his long arms like a swarm of bees -was after him. “Telescope Tolliver, you’re a liar if you think it! -Marry that fat, forty-dollar fool! Buy my herd! Say, he ain’t never -had money enough to buy a wool sock! Ya-a-a-a-ah! You think you’re -funny, don’t you?”</p> - -<p>“Ya-a-a-ah!” mimics Chuck, wiggling his ears. “Zebbie, you’re -learning. Now the chorus—ba-a-a-a-a-ah!”</p> - -<p>Zeb’s feelings can’t stand no more, so he turns around like a man with -a sore throat, and goes back toward town stiff-legged like a bear with -a peeve on.</p> - -<p>“Zeb loves you fellers,” laughs Johnny. “I heard him say this morning -that there’s just five things he hates. One is a rattlesnake and the -other four draws a salary from Whittaker. What’s he sore at you -fellers for? Has the sheep affected his brain?”</p> - -<p>“Such a theory is absurd, Johnny,” says I. “It can’t be proved, ’cause -nobody with brains ever mixes up with sheep. You can’t corrupt a -coyote.”</p> - -<p>A little later on me and Muley are setting on the fence, when -Telescope climbs up beside us and talks to Muley like a father.</p> - -<p>“You realize what this here marriage stuff means, Muley?” he asks. -“You sure you ain’t just sick like a calf for it’s maw?”</p> - -<p>“I know my own heart, liver and lights, Telescope,” replies Muley.</p> - -<p>“Really love her with all your heart and soul, eh? Say, I’ll bet you’d -turn her down cold if it was to your advantage.”</p> - -<p>“You dang well know I wouldn’t!”</p> - -<p>“Suppose,” says Telescope, “suppose somebody said to you: ‘Muley, I’ll -give you a year’s salary if you’ll keep away from Susie?’ What would -you do?”</p> - -<p>“Me? I’d rise up on my hind legs and inform him that my love ain’t for -sale. Sabe? Not for the salary of a lifetime.”</p> - -<p>Telescope thinks it over for a while, and then shakes his head, -sad-like:</p> - -<p>“Maybe you would, Muley. I sure hopes you gets them sheep, ’cause you -qualifies for the shepherd class without no fixing. I’ve read about -love making a fool out of a man, but—well, it ain’t no funeral of -mine.”</p> - -<p>That night we shakes hands with Telescope and Chuck and the old man, -and wishes them many happy returns of the day.</p> - -<p>“Don’t give up the ship, Muley,” advises Telescope. “Do a lot of -thinking while we’re gone, and if you can figure out any way of making -money without robbing a bank, me and Chuck will put her over for you, -eh, Chuck?”</p> - -<p>“A stiff upper lip gathers no mustache,” proclaims Chuck, “and a faint -heart never rustled no sheep, Muley. So-long, you pitch-fork puncher. -And, Hen-ree, don’t fall in love. One shepherd in the family is a -plenty.”</p> - -<p>Me and Muley rides back to the ranch, but Muley ain’t got much to say. -Love is a queer little animal, and affects folks different. Muley’s -was the dark-blue variety, with circles around the eyes.</p> - -<p>The next morning after breakfast Muley gets a sheet of paper and a -pencil, and seems to compose deep-like. After a while he cuts loose a -deep sigh, and looks, dreamy-like, at the ceiling.</p> - -<p>“I’m here,” says I. “Can I help you in any way, Muley?”</p> - -<p>“I’ve got it,” he sighs. “You can’t appreciate it, ’cause you ain’t -got no finer feelings, but I’ll recite it to you:</p> - -<div class='poetry-container'> -<div class='poetry'> -<div class='stanza'> -<div class='verse'>“I loved a darling angel,</div> -<div class='indent2'>And she loved me quite a lot.</div> -<div class='verse'>Her ears are like the clam shell,</div> -<div class='indent2'>And I can forget her not.</div> -<div class='verse'>She’s doomed to marry money,</div> -<div class='indent2'>And my heart will break, I think,</div> -<div class='verse'>If I don’t wed this angel,</div> -<div class='indent2'>I will drown myself in drink.”</div> -</div> -</div> -</div> -<p>“Nice sentiment,” I applauded. “Bobby Burns never had nothing on you -except the long sound of his r’s, but you’ll have to put off your -demise for at least another month. You can’t do an artistic job of -drownding in a couple of dollars’ worth of hooch. If you was to get in -over your depth in liquor, Muley, what brand would you prefer?”</p> - -<p>Right then Muley gets sore at me. I finds that you can josh a man -about love just so far, and then he turns like a worm and tries to -bite me.</p> - -<div style='height:1em;'></div> -<p>For the next few days he writes poetry in the evening, and is absent -most all day. He ain’t a pleasant critter to talk to, so I spends most -of my time playing solitaire. One day down in Paradise I runs across -Susie.</p> - -<p>“Seen Muley lately?” I asks, and she shakes her head.</p> - -<p>“No. Uncle Zeb ordered him off the ranch, and since then I’ve only -seen him at a distance. He—he said he was going to try and convince -uncle that he’s something more than an ordinary cowboy. Do you think -he can, Mister Peck?”</p> - -<p>“Not unless uncle loses his sense of sight. Muley is pining away, day -by day, and unless something comes up to relieve the situation he’ll -be able to go through a door without turning the knob. I know this is -a leading question, Miss Abernathy, but would you marry that Lemuel -Bowles if you had a good chance?”</p> - -<p>“Why—er—uh-huh,” says she, nodding her head brave-like, while her ears -get hot enough to light a cigaret on.</p> - -<p>“I feel sorry for Muley,” says I, letting her take it any way she -wants to, and then I lopes away, ’cause I sees Zeb coming.</p> - -<p>The next morning we ain’t no more than out of bed when in rides old -Paddy Morse. Paddy runs the post-office, along with his little store, -and this is the first time I ever seen him at the Cross J.</p> - -<p>“Is Le-mule Allender Bowles to home?” he inquires, peering over his -specs at me.</p> - -<p>“Right here, Paddy,” says Muley. “What do you want?”</p> - -<p>“Letter for you. Reckon it’s for you, ’cause there ain’t no other -Bowles around this here neck of the woods. You got to sign your full -name, same as on that letter or I can’t let you have it. Sabe?</p> - -<p>“This here is a special delivery letter—darn such things! Uncle Sam -forces me to ride plumb up here to deliver this or take the -consequences, which I believe is three hundred days in jail or a -year—sign right on that line. Now, I reckon I’ll go on back. Hope it -ain’t bad news, Muley. Mostly always a letter of that kind or a -telegram means death. Come from Milwaukee. You got any kin in -Milwaukee?”</p> - -<p>But Muley has gone back into the house, and Paddy don’t get the -information he seeks.</p> - -<p>About fifteen minutes later Muley comes down to the bunk-house, where -I’m putting some rosettes on a new bridle, and he’s got a grin plumb -across his fat face. I glances at him and goes on working.</p> - -<p>“Henry,” says he, after a little while, “would you like to have a job -herding my sheep?”</p> - -<p>“Your sheep? Sure. I’ll herd all you got in my sleep.”</p> - -<p>“I’m going to be the richest man in Yaller Rock County,” he proclaims.</p> - -<p>“You better talk lower, Muley,” I advises. “If the county -commissioners hear you talk thataway they’ll way-bill you to the -loco-lodge at Warm Springs.”</p> - -<p>“You remember me telling you about my Aunt Agnes, Hen? She died.”</p> - -<p>“And left you a sheep?” I asks.</p> - -<p>“Sheep—always sheep! Take a look at this.”</p> - -<p>He hands me a letter—the one what Paddy brought him, and I looks her -over. The brand opines it to be from Milwaukee, and the top of the -letter proclaims that Frederick & Quincy are lawyers. She listens -something like this:</p> - -<blockquote> -<p style='text-indent:0'><span style='font-variant:small-caps'>Dear Sir:</span></p> - -<p>It grieves us to inform you that your aunt, Miss Agnes Allender, of -this city, died on the fifth day of August, 1900.</p> - -<p>According to her last will and testament, you, which she designates as -her favorite nephew, will inherit the bulk of her estate, which is -valued at about one hundred thousand dollars.</p> - -<p>As you likely know she was a very eccentric person, and her will -imposes you as follows: without receiving a cent of said inheritance -you must, before the fifteenth day of August, 1900, have invested -four-fifths of said hundred thousand dollars in sheep.</p> - -<p>She also designates that: the said Lemuel Allender Bowles must not -marry for the space of five years under penalty of forfeiture of -entire inheritance. Also that he take a care for Alfred and Amelia for -the rest of their natural lives. All of the foregoing requests must be -complied with or my estate is to be divided between charitable -institutions aforementioned in my will.</p> - -<p>On the fifteenth day of August, 1900, our representative will call on -you and examine your investments. We wish you luck.</p> - -</blockquote> -<p>I hands it back to him, and goes on working.</p> - -<p>“Well,” says he, sort of choking-like, “don’t I get congratulated?”</p> - -<p>“As soon as I gets time I’m going to feel sorry for you, Muley. How in -thunder can you invest eighty thousand dollars around here, when -everybody knows you ain’t got a cent, and everybody hates sheep. You -can’t get married for five years, and you’ve got to feed, water and -groom Alfred and Amelia all the rest of their natural lives. Wonder -what them twin-sounding things are, Muley?”</p> - -<p>Muley sets to thinking it over, and folding and unfolding that letter:</p> - -<p>“Since you sympathized with me, things don’t look so rosy,” he admits, -with a deep sigh. “Reckon I missed that marrying part. If Alfred and -Amelia got a fair start they ought to be about due. Reckon I’ll ride -down to Paradise—dang the luck! I’ve torn that letter plumb in two!”</p> - -<p>He puts the two pieces in his vest pocket and goes off down to the -corral.</p> - -<p>The longer I thinks things over the harder it looks for Muley. Muley -ain’t got the reputation of a saint around here, and can’t even lie so -folks will believe him. Zeb owns all the visible supply of sheep, and -Muley ain’t got no time to spare if he’s going to make good.</p> - -<p>Along about noon Muley rides in. He’s got a big bundle under one arm -and a big box under the other. He deposits his plunder on the steps, -and sets down. I sets down beside him to wait until he gets through -sighing, when all to once a squeaky voice yells:</p> - -<p>“Way ’round ’em. Shep! Who’s crazy!”</p> - -<p>I hops plumb off the steps, and whirls with my gun ready. Muley looks -at me, sad-like, and sighs again—</p> - -<p>“That’s Alfred, Henry.”</p> - -<p>“Alfred?” I asks. “Alfred who?”</p> - -<p>“I don’t know. Nobody introduced me, but it don’t matter—Alfred is a -parrot.”</p> - -<p>“Oh!” says I, “what’s Amelia—a lady bug?”</p> - -<p>“Naw-w-w! Cat.”</p> - -<p>“<i>Squr-r-r-r-reek! Sheep dip! Sheep dip! Har, har, har! Squr-r-reek!</i>” -announces Alfred.</p> - -<p>“Hen, what’s the natural life of a parrot?” asks Muley, without -lifting his head.</p> - -<p>“I don’t know. Why the question?”</p> - -<p>“That letter specifies ‘natural lifetime.’ That’s the joker.”</p> - -<p>“Did it say that?”</p> - -<p>“Sure did. Wait, I’ll show you.” He fumbles around in his pockets for -a while, and then looks foolish-like at me: “The front half of that -letter is gone, Henry! Now, where in thunder did I drop that?”</p> - -<p>He hunts some more but his pockets don’t essay a trace.</p> - -<p>“Har, har, har! Way ’round ’em, Shep!” shrieks Alfred, and Muley kicks -the cage off the porch.</p> - -<p>“Shut up! You cross between a duck and a phonygraph! You ain’t yelped -nothing but sheep-talk since I got you. No wonder Aunt Agnes died—she -must have had ticks!”</p> - -<p>“You ain’t showing proper respect for the dead, Muley,” I reminds him.</p> - -<p>“Is that so!” he yelps. “Is that so! Well, dog-gone it, Hen, she -didn’t show no respect for the living when she shipped me these -trinkets, did she? Sending a puncher a sheep-talking buzzard ain’t -showing a whole lot of respect. That cat is so old I’ll have to feed -it on a bottle, and—”</p> - -<p>“Sheep dip!” screams Alfred. “Who’s crazy?”</p> - -<p>Muley throws his coat over the cage, and slams the whole works into -the house. He follers it inside, and I sets there for a while thinking -things over. The slats on Amelia’s home ain’t none too secure, so I -loosens one end, and as I goes inside the bunk-house I sees Amelia -trotting off toward the barn.</p> - -<p>Muley comes down after a while and sets down on the bunk. “Alfred -danged near bit my finger off, and Amelia’s made her getaway, Hen,” he -announces in a sad voice. “Amelia was down there on the corral fence, -making faces at Chuck’s coyote pup, and she offers fight when I tries -to calm her spirits. Aunt Agnes must have been a nut over ferocious -animals.”</p> - -<p>“Nevertheless she was your mother’s sister, and left you all her -wealth,” I chides him.</p> - -<p>“Yah! Like throwing both ends of a rope to a drownding man, and -forgetting to hang on to the middle. Can’t marry for five—huh!”</p> - -<p>He gets up and stomps out of the place, and I opines that Muley’s -inheritance is beginning to bear down upon his immortal soul.</p> - -<div style='height:1em;'></div> -<p>The next day Hank Padden, who owns the Seven A outfit, shows up, and -sets down with me in the parlor. Muley is washing up, and when Hank -asks for him he yells that he’ll be out in a minute.</p> - -<p>“I’m going to make Muley an offer,” says Hank to me, confident-like. -“I hears that he’s going to get married, and I needs a foreman what is -a married man. Sabe? Single men ain’t got nothing to hold ’em down. I -like Muley—dang his fat carcass—and I rides over here to see him.”</p> - -<p>“Uh-huh,” says I, ’cause there ain’t nothing else to say, and then -Hank yells at Muley:</p> - -<p>“Come out here, you half-ton puncher! I want to talk to you about——”</p> - -<p>“Sheep dip! Sheep dip! Har, har, har!”</p> - -<p>I know it’s Alfred, but if it don’t sound like Muley I’ll eat my -quirt. Same little wheeze that Muley has in his laugh.</p> - -<p>Hank comes to his feet like a shot, and glares at the half-closed -door. He puts on his hat, walks straight out of the door, gets on his -bronc and fogs away from the Cross J.</p> - -<p>I hears a crash in the next room, a couple of shrieks, and out comes -Alfred with most of his tail feathers missing. He sails around the -room a couple of times, finally hits the open door, and perches on the -hitch-rack in front of the house.</p> - -<p>Muley comes out, with a shotgun in his hand, and glares around.</p> - -<p>“Natural lifetime, Muley,” I informs him, and he tosses the gun on the -sofa.</p> - -<p>“That bird will be the death of me, Henry!” he wails, “yelping -sheep-talk at Hank Padden is like lighting a cigaret with a stick of -dynamite. What did he want of me?”</p> - -<p>“He came over to sympathize with you about your aunt.”</p> - -<p>“Oh!” says Muley, blank-like, looking out of the window. “Ain’t this -Wick Smith coming?”</p> - -<p>It was Wick. He ties his bronc and comes inside. To hear him talk -you’d think that rheumatism had typhoid-pneumonia and bubonic plague -beat so far that you could cure ’em both with internal applications of -peach pie.</p> - -<p>“I got to get away from here,” states Wick, after we discusses the -weather a while. “Every season I lives here brings me that much nearer -the grave. I want to take a pardner into my store, and while I ain’t -decided exactly about it, I comes up here to have a talk with Muley. I -needs new blood in my place, and I got to have a married man, which -has a little money. Sabe?”</p> - -<p>“You got any sheep?” I asks.</p> - -<p>Wick sets up straight and glares at me.</p> - -<p>“Sheep? I’m a merchant—not a shepherd!”</p> - -<p>“Wool is good for rheumatism,” says I, offhand-like, trying to smooth -over my mistake.</p> - -<p>“If you’re looking for a married man with money you sure got into the -wrong pew, Mister Smith,” states Muley.</p> - -<p>“Zeb told me that you had an aunt—” begins Wick, wise-like, and then:</p> - -<p>“<i>Squr-r-r-r-reek! Meo-o-o-o-o-ow! Yip, yip, yip!</i>”</p> - -<p>First comes Amelia. She’s traveling so blamed fast that she looks like -a string of about six cats. Right behind her comes that coyote pup, -digging deep into his soul for joyful sounds, and behind him, -screeching and screaming comes Alfred, and they invades the parlor.</p> - -<p>Wick hops to his feet as they enters, and of course he’s the highest -point in the room. A cat will always hit for elevation—therefore Wick -got Amelia. Me and Muley sort of draws back to keep the score, but -things happens too fast for computation. Amelia draws all four feet -together in Wick’s scalp, the same of which makes Wick wrinkle up his -face, and forget the rheumatism in his legs. The bird and the coyote -don’t do much except cut circles until Wick starts, blind-like to -leave there, and falls over a chair.</p> - -<p>Wick turns over once, lands on his hands and knees, and pilgrims out -of the door, with the cat prospecting his dandruff, Alfred hopping up -and down on his back, and the coyote pup hanging on to his coattails, -and skidding along, making little snappy barks of delight.</p> - -<p>They all rolls off the porch, where the three animals tangles up, -leaving Wick alone. He forks his bronc in a hurry, and sets there -rubbing the haze out of his eyes.</p> - -<p>Amelia is setting a new cross-country record for cats, as she hunts -for a high spot, and the pup is singing along right behind her.</p> - -<p>Alfred walks circles around a post for a few seconds, and then -flutters to the top of the hitch-rack. He ruffles up what feathers -he’s got left, cocks his head on one side and screeches:</p> - -<p>“Har, har, har! Sheep dip! Who’s crazy?”</p> - -<p>“My gosh!” explodes Wick. “That cyclone hit me so hard that I can see -green eagles and hear ’em talk!” and he backs his bronc away, -cautious-like, and leaves us in a hurry.</p> - -<p>Me and Muley looks at each other for a while, and then Muley yawns:</p> - -<p>“I must have lost that piece of letter where Zeb could find it. Well, -it didn’t say nothing about buying sheep, anyway, Hen.”</p> - -<p>“Lucky it didn’t, Muley. If the community thought you intended to -bring eighty thousand dollars’ worth of sheep on to this range you’d -be the honored guest at a cravat party. Your auntie didn’t understand -conditions when she wrote that will, Muley.”</p> - -<p>“Why emphasize ‘when she wrote that will,’ Henry!” he asks, sad-like. -“After looking at Alfred and Amelia—well, Henry, there’s a destiny -what shapes our ends.”</p> - -<p>Next morning at breakfast we’re interrupted. Comes a thump of feet -outside the door, and a voice yells—</p> - -<p>“Hello, the house!”</p> - -<p>“Hello the ——!” says I. “That sounds like Zeb Abernathy, Muley.”</p> - -<p>Muley steps over and picks up the old man’s shotgun.</p> - -<p>“Let him in, Henry,” says he. “If he comes on the prod I’ll scatter -his remains to the four winds.”</p> - -<p>I opens the door, and the old pelican bows to me like I was the fourth -king in the deck to enter his hand.</p> - -<p>“Howdy, Henry,” says he, and then he happens to see Muley with the -shotgun. “I comes in sorrow not in anger,” he states, “my soul is -filled with contrition.”</p> - -<p>“As long as she’s filled with something I’ll save my buckshot,” opines -Muley. “Come on in and rest your ticks, Zeb Abernathy.”</p> - -<p>“Nice weather,” observes Zeb, mopping his face with a red -handkerchief. “May rain and it may not. I kind of look for a dry -spell.”</p> - -<p>“The Weather Bureau at Washington gets but annual reports, which reach -us too late, so we thanks you for the information,” says Muley.</p> - -<p>“I hope I see you both well,” opines Zeb.</p> - -<p>“Your eyesight don’t worry me none to speak about,” states Muley. “The -last time I meets up with you I made you throw your gun down the well. -How’s your sentiments concerning me at present?”</p> - -<p>“I’m filled with meekness and contrition, as I aforementioned, -Le-mule. It aches my heart to know that I provoked you thataway, and I -pilgrims over here to make amends. Sabe?”</p> - -<p>“Why this sudden change of attitude?” inquires Muley, and Zeb sort of -squirms in his chair.</p> - -<p>“She comes to me like a yelp in the night,” says he, pious-like, “I -gets to thinking thusly: ‘Le-mule Allender Bowles, I ain’t treated you -right. I hops on to you like a coyote on a carcass, and reviles you -abusive-like, ’cause you desires to marry into my family. I lets my -interest in Susie blind me to her best interests, but now I sheds the -scales off my eyes, and comes out into the sunshine of true -understanding.</p> - -<p>“The more I thinks about it, Le-mule, the worse I feels. Youth calls -to youth, and what is stronger than the call of true love? She ain’t -never yelped at me, boys, but I’m a heap wise. While Le-mule is only -getting forty a month now, I feels that in the due course of time -he’ll be a shining light of the community, and maybe go to Congress.”</p> - -<p>“Good sentiments, Zeb,” I agrees, “but it will likely be a close race -between the voters and the sheriff to decide whether he goes to Helena -or Deer Lodge.”</p> - -<p>“Haw! Haw! Haw!” roars Zeb. “Muley will never go to the penitentiary.”</p> - -<p>“Not willingly,” I agrees. “What are your sheep worth today?”</p> - -<p>“I have no sheep, Henry,” he grins. “Sold out to a feller from St. -Marie’s basin, and his drive started today. Yep. I’m a civilian now.”</p> - -<p>“Got a good price, too,” he grins, when he sees me look foolish-like -at Muley. “Glad I sold. Too much sentiment against sheep. Well, boys, -I reckon I’ll toddle along. I couldn’t sleep until I comes over and -squares myself with Le-mule. Come over and make yourself to home at my -place, Le-mule.”</p> - -<p>“Thanks, Zeb-uleon,” says Muley, “I may do that little thing, -Zeb-uleon. How’s Susie, Zeb-uleon?”</p> - -<p>“Tolable, Le-mule. She’s pining.”</p> - -<p>We watches him ride away, and then Muley spits, reflectively:</p> - -<p>“Henry, if that old pelican had called me Le-mule once more I’d have -slaughtered him. He must have found that letter I lost.”</p> - -<p>“You ought to invest your money in a detective agency, and run it -yourself. I suppose you’ll go over to see Susie?”</p> - -<p>“Dang well know I will! Why not?”</p> - -<p>“Go ahead. Go ahead, Muley, and lose a hundred thousand. What’s a -fortune beside her? Your brain ain’t big enough, Muley. When it gets -over forty dollars it all looks alike to you. You take my advice and -buy sheep.”</p> - -<p>“Yah-h-h-h!” he blats. “Where?”</p> - -<p>“What will you give me if I buy ’em for you?” I asks.</p> - -<p>“You? You got a dead aunt, too, Henry?”</p> - -<p>“No, but I got brains, and I can buy sheep.”</p> - -<p>“Go buy ’em then!” he snaps, “I’m from Missouri—me.”</p> - -<div style='height:1em;'></div> -<p>Muley rides away in the general direction of his heart’s desire, and I -gets an inspiration. Over in St. Marie’s basin is plenty of sheep, and -I never saw a sheep-man yet what wouldn’t sell out. I like Muley. -Dog-gone his irresponsible heart, I like him. His mind ain’t big -enough to contemplate a hundred thousand dollars, and I feels glad for -him that he’s got a friend like me to make good for him.</p> - -<p>I may be rewarded for my efforts, and maybe not, but anyway I’ve -always wanted to handle big money, and show to the world that Henry -Peck could be more than he’s ever showed.</p> - -<p>I saddles up Glory and puts a pack on Blazer, and leaves a note for -Muley, telling him that I’ll be back on the fatal day to save him from -ruin. Little Henry is going to be a hero, and hopes to do his heroing -on a commission basis.</p> - -<p>I pilgrims over into a country that cowmen designates as being a fair -example of the place where sinners will reside in the hereafter, and -eats mutton and talks sheep.</p> - -<p>Believe me I could talk sheep faster than the men that owned the -herds, and I confides in ’em about Muley’s inheritance. Of course I -didn’t tell it all, but anyway I got options on enough sheep to cause -Yaller Rock County to build an extra wing on the insane asylum, and -said options didn’t cost me a cent.</p> - -<p>“Old Testament” Tilton rides back with me. I’ve spent about fifteen -thousand of Muley’s credit with him, and being a minister, he’s a -little suspicious of his fellow-men.</p> - -<p>“I ride with you for the good of my soul,” orates the old boy, when he -offers to accompany me.</p> - -<p>I reckon that when a shepherd goes into cow-land, it’s like taking a -ship into fresh water to knock off the barnacles.</p> - -<p>He’s a queer old coot. Imagine a man of his cognomen, add the smell of -sheep, dress him up around the neck like a preacher, tuck his pants -into the top of a pair of heavy boots, and you’ve got a portrait of -Old Testament. He rides a little calico bronc, with one cropped ear -and a rat-tail, and calls it Ebenezer. The only way, I figure, that he -could ever hand out salvation would be by correspondence.</p> - -<p>“Now, this here Le-mule Bowles,” remarks the old boy, “do you think I -could induce him to come into the vineyard?”</p> - -<p>“Muley will go into anything that’s got a door on it,” says I. “Also, -he’ll take anything what ain’t nailed down.”</p> - -<p>“I fear me it will be a task,” he says, sad-like, and then he sort of -brightens up. “Have you ever considered your soul?”</p> - -<p>“I have no soul,” says I.</p> - -<p>“Say not that you are a lost sheep,” he chides me, and it makes me -sore, and I points off down the valley.</p> - -<p>“We’re in cow-land now, old-timer, so you lay off on that lost-sheep -stuff. Sabe? Down here they calls ’em plain strays.”</p> - -<p>We plods down into the Sleeping Creek country, and stops at Hank -Padden’s place for dinner. Old Testament and Hank are old friends, but -Hank don’t more than give me a nod. I reckon he ain’t forgot what he -thought was Muley’s voice, and he blames me, too. When we gets ready -to leave Hank acts like I had a contagious disease.</p> - -<p>“Drop in any old time, Tilton,” says Hank. “Glad to see you.”</p> - -<p>“Me, too, Hank?” I asks, and he gives me a hard look.</p> - -<p>“You travels on your own responsibility,” he replies.</p> - -<p>“I wonder what Hank is sore at me for?” I asks Old Testament, a little -later, but he shakes his head, and mumbles something about the flocks -on the seven hills and the wrath to come.</p> - -<p>“Did you tell him that I bought them sheep?” I asks, and he nods.</p> - -<p>“Yea. I did not lie, Henry Peck. I know naught of Bowles.”</p> - -<p>“I suppose you also told him that I was going to stock this here range -with sheep, didn’t you?”</p> - -<p>“I merely told him that I surmised so.”</p> - -<p>We rides almost to the Cross J, when we overtakes Abe Evans, the depot -agent at Paradise.</p> - -<p>“Gosh! I’m glad you caught me,” pants Abe, “I never was built to fit a -saddle, and this here nag ain’t no rocking-chair. Here’s a telegram -for Lemule Bowles, charges paid. You sign for it, Hen, and let me go -back home.”</p> - -<p>We pilgrims on to the ranch, but Muley ain’t there. There’s a note on -the table which orates that he’ll be there at three o’clock, and it’s -addressed to Weinie Lopp, of the Triangle.</p> - -<p>“This here telegram ought to be opened,” opines Old Testament, who is -as nosey as a pet coon. “A telegram always means that something is -going to happen, and it’s better to be prepared.”</p> - -<p>I tears the cover off and looks her over. It says—</p> - -<div style='text-align:center; text-indent:0; margin-top:0; margin-bottom:0; margin-left:auto; margin-right:auto; '> -<div style='font-size:0.9em;'>Will arrive your town this date meet me with a vehicle. </div> -</div> -<p>And she’s signed Frederick & Quincy.</p> - -<p>I looks at my watch and decides on quick action.</p> - -<p>“You set down here and rest your feet,” says I to Old Testament, “I’ll -hitch up the buckboard, and go to town. I just got enough time to get -there.”</p> - -<p>That was some ride. Them broncs were as wild as deer, and we went to -Paradise so fast that the dust didn’t settle for thirty minutes after -I ties up at the station.</p> - -<p>The train is late, so I goes over to Mike Pelly’s place, and washes -the sheep-taste out of my throat. It takes quite a lot of liquid, and -when I goes back to the station I’m sheep-proof.</p> - -<p>The train pulls in and I spots my man. There’s quite a crowd at the -station, but I knowed him the minute he got off, and it takes me about -three steps to get where he’s standing. Being sheep-proof, I’m also -polite, so I takes his valise away from him, and starts for the rig.</p> - -<p>“Come on, Blackstone,” says I, “your carriage waits without.”</p> - -<p>He starts with me, but he seems to complain a heap, so I stops and -asks him whyfore the objections.</p> - -<p>“Where the Sam Hill are you taking my bag?” he asks, getting red in -the face. “Who told you to take that valise?”</p> - -<p>“Mister,” says I, “don’t excite yourself thataway. I’m doing all I can -to make you comfortable. Sabe? I advises you to come along peaceable, -and anything you may say will be used against you.”</p> - -<p>I always thought that lawyers tried to settle things peaceably, but I -don’t reckon this one runs true to form, ’cause he hit me so hard -under the chin that he drove my head right up to the top of my hat. -That hat always was too small, but after that wallop I has to stuff -the sweat-band with paper so she’ll fit.</p> - -<p>The train is pulling out when I wakes up, and I sees that fat feller -standing on the rear platform.</p> - -<p>“What was you aiming to do, Hen?” asks Bill McFee, our sheriff, who is -setting beside me on the platform.</p> - -<p>“That was the feller I was here to meet, Bill,” says I. “He’s sure a -sudden son-of-a-gun for a lawyer.”</p> - -<p>“He ain’t no lawyer, Henry,” says Bill. “He’s the railroad paymaster, -and he thought you was trying to steal his roll.”</p> - -<p>“Wrong man,” says I. “Seen any stranger get off the train?”</p> - -<p>Bill shakes his head, so I pilgrims around to where I tied my rig, and -there sets Telescope, Chuck and the old man. Them three acts like they -was tickled stiff, and Telescope yelps at me—</p> - -<p>“Got the telegram, did you, Henry?”</p> - -<p>I don’t have nothing to say, and that seems to make ’em more joyful. I -don’t keep silent from choice, but that feller darn near unjointed my -jaw and she hurts like thunder when I opens my face.</p> - -<p>“Muley still wearing crape?” asks Chuck, as we ride out of town, and -all three of ’em busts out laughing.</p> - -<p>“Danged mean trick,” opines the old man. “You remember Jimmy -Frederick, don’t you, Hen? He was out here a few years ago. He knows -Muley well. We were up in his office and Telescope and Chuck got him -to write that letter.”</p> - -<p>“How many sheep has Muley bought on his nerve?” asks Chuck.</p> - -<p>“Come on through, Hen. Did he buy out Zeb’s herd? I hope he ain’t got -mutton for our supper.” And then Telescope sings sort of plaintive -like;</p> - -<div class='poetry-container'> -<div class='poetry'> -<div class='stanza'> -<div class='verse'>“I love a little chicken and I love a little fish.</div> -<div class='verse'>When somebody says ‘ham and eggs,’ I pass along my dish,</div> -<div class='verse'>When I get good and hungry I could eat a roarin’ bull,</div> -<div class='verse'>But when they passes mutton meat my stummick’s full.”</div> -</div> -</div> -</div> -<p>And then Chuck joins in the chorus:</p> - -<div class='poetry-container'> -<div class='poetry'> -<div class='stanza'> -<div class='verse'>“I’m a tough old rooster, and I’ve eaten snakes,</div> -<div class='verse'>I’ve spread giant powder on my buckwheat cakes,</div> -<div class='verse'>I’ve drank rawhide stew ’till I was out of breath,</div> -<div class='verse'>But when they serves up mutton meat I starves to death.”</div> -</div> -</div> -</div> -<p>“You’re a fine bunch of friends!” I snaps, taking a chance that my jaw -is still on its hinges. “She was his favorite relative, and since that -letter he ain’t done nothing but mope. You’re a danged bunch of ghoul -comedians. Muley’s due to kill somebody when he finds out about it. -What was the main idea?”</p> - -<p>“Well,” laughs Telescope, “we made him rich for a while, didn’t we? -Zeb orates that he wants Susie to marry money, so we gave it to him in -a lump. We puts in that marriage clause just to see if Muley loved her -enough to lose the money, Sabe? We knowed danged well that he couldn’t -buy no sheep. What did the parrot have to say, Hen?”</p> - -<p>“Told Hank Padden he could use sheep dip.”</p> - -<p>“Haw, haw, haw!” whoops Chuck. “Did he honest say that? I sat up all -one night and day trying to teach that parrot some sheep-talk, but all -it ever did was to bite me. Telescope swiped that cat at the depot in -Milwaukee.”</p> - -<div style='height:1em;'></div> -<p>Just before we reaches the ranch, three people rides in ahead of us -and waits for us to come up. It’s Hank Padden, Johnny Myers and -“Scenery” Sims. They all got rifles.</p> - -<p>We exchanges greetings, but they don’t seem glad to see nobody but me.</p> - -<p>“We don’t aim to be nosey, Mr. Peck,” says Hank, “but we’d admire to -hear a little more about them sheep.”</p> - -<p>“What sheep?” I asks, surprised-like.</p> - -<p>“Old Testament told me,” says Hank. “He spoke about you going to start -a herd here and——”</p> - -<p>“I thanks you for the compliment,” says I. “It seems nice to be -mistaken for a capitalist, Hank, but what I wants to know is this; how -long since have you been taking the word of a shepherd? Do I need to -deny it?”</p> - -<p>“Old Testament must have lied, Hank,” states the old man. “He must -have been crazy to state such a thing. Somebody’s crazy anyway.”</p> - -<p>“That’s what I said,” squeaks Scenery. “Hen Peck couldn’t buy a pair -of wool socks.”</p> - -<p>They all nods sort of agreeable-like, and he drives on.</p> - -<p>“After a while, when there ain’t nobody around to interrupt us, I’m -going to ask you a few questions, Henry,” states Chuck, solemn-like.</p> - -<p>“You better bring a witness,” says I. “All I wants is an uninterested -third party present so I can prove I shot in self-defense.”</p> - -<p>We pulls up to the ranch. The front door is open and two rigs are tied -out in front. We pilgrims up to the door, and are greeted with some -sight.</p> - -<p>There’s Old Testament standing in the middle of the room, with his -eyes rolled toward the rafters, while in front of him stands Susie -Abernathy and Muley Bowles. Muley’s vest is stretched to the bursting -point, and you could light a match on Susie’s freckles.</p> - -<p>To one side stands Zeb Abernathy, and on the other stands Weinie Lopp, -all dressed up in a celluloid collar, and no place to put his hands.</p> - -<p>We hears Old Testament finish up his prayer, and as Muley folds Susie -to his bosom we troops inside. Muley sees us over Susie’s shoulder, -and breaks the clinch. Zeb grins out through his whiskers and Weinie -Lopp turns up the collar of his coat.</p> - -<p>Everything is still for a few seconds, and then Old Testament smiles -at me over his specs:</p> - -<p>“My son,” says he, “it’s fortunate that I came with you. I had -considered taking a trip over into the Bitter Roots, and Mister Lopp -would have missed me.”</p> - -<p>“Exactly,” says I, having the understanding of a fish. “All very true. -Was Weinie on your trail?”</p> - -<p>“Uh-huh,” gurgles Weinie,“I—I was after a preacher for Muley.”</p> - -<p>“They—they just got married,” chuckles Zeb. “Just now.”</p> - -<p>“Well,” says Chuck, foolish-like, “who gets the first kiss from the -bride—after you, Muley?”</p> - -<p>“Muley, you’re a hero!” gasps Telescope. “Any man is a hero who will -sacrifice a hundred thousand dollars at the throne of love. Everybody -take off your hats to Muley Bowles.”</p> - -<p>Everybody’s got their hats off so we don’t respond.</p> - -<p>“What did you mean by that, Telescope?” gasps Zeb. “Do—do you mean -that he—he’ll lose all that money ’cause he married Susie?”</p> - -<p>“You said it, Zeb,” grins Telescope. “Ain’t you proud of him? What a -nephew-in-law!” and then he turns to Muley: “Muley, old-timer, I -didn’t think you had it in you, but you never can tell which way a -dill pickle will squirt. How does it seem to lose a hundred thousand -dollars?”</p> - -<p>“Well,” grins Muley, putting one arm around the shrinking bride. “I -ain’t lying to you when I says I don’t know how it feels. You see, -Telescope, the name of Allender don’t cover no branch of my -family-tree, and I never had any Aunt Agnes.”</p> - -<p>There’s a painful silence for a minute, and then comes a flutter of -feathers, and in waddles Alfred. He ain’t got no tail-feathers left, -and the rest of his carcass is pretty well plucked. He looks us over, -wild-eyed, ruffles up his remaining foliage, croaks:</p> - -<p>“Har, har, har! Who’s crazy?”</p> - -<p>Zeb looks wide-eyed at the bird for a moment, and then sneaks past it -and out on the steps:</p> - -<p>“I’m going away,” says he in a low, hoarse voice. “Going away before -that bird answers its own questions.”</p> - -<p>“Tally three more,” states Telescope, and him and Chuck and the old -man sneaks out.</p> - -<p>“Make it five,” says I, and me and Weinie goes out, too.</p> - -<div class="tn"> - <p style='text-indent:0'>Transcriber’s Note: This story appeared in - the September 3, 1918 issue of <em>Adventure</em> magazine.</p> -</div> -<div style='display:block; margin-top:4em'>*** END OF THE PROJECT GUTENBERG EBOOK MAKING GOOD FOR MULEY ***</div> -<div style='text-align:left'> - -<div style='display:block; margin:1em 0'> -Updated editions will replace the previous one—the old editions will -be renamed. -</div> - -<div style='display:block; margin:1em 0'> -Creating the works from print editions not protected by U.S. copyright -law means that no one owns a United States copyright in these works, -so the Foundation (and you!) can copy and distribute it in the United -States without permission and without paying copyright -royalties. 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