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diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..d7b82bc --- /dev/null +++ b/.gitattributes @@ -0,0 +1,4 @@ +*.txt text eol=lf +*.htm text eol=lf +*.html text eol=lf +*.md text eol=lf diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..3e773a5 --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #67457 (https://www.gutenberg.org/ebooks/67457) diff --git a/old/67457-0.txt b/old/67457-0.txt deleted file mode 100644 index 4d665f1..0000000 --- a/old/67457-0.txt +++ /dev/null @@ -1,1155 +0,0 @@ -The Project Gutenberg eBook of Death in Transit, by Jerry Sohl - -This eBook is for the use of anyone anywhere in the United States and -most other parts of the world at no cost and with almost no restrictions -whatsoever. You may copy it, give it away or re-use it under the terms -of the Project Gutenberg License included with this eBook or online at -www.gutenberg.org. If you are not located in the United States, you -will have to check the laws of the country where you are located before -using this eBook. - -Title: Death in Transit - -Author: Jerry Sohl - -Release Date: February 21, 2022 [eBook #67457] - -Language: English - -Produced by: Greg Weeks, Mary Meehan and the Online Distributed - Proofreading Team at http://www.pgdp.net - -*** START OF THE PROJECT GUTENBERG EBOOK DEATH IN TRANSIT *** - - - - - - Death in Transit - - By JERRY SOHL - - Illustrated by EMSH - - _There was one, and only one, thing - Clifton could do. Even so, he made - the worst of 100 possible choices!_ - - [Transcriber's Note: This etext was produced from - Infinity Science Fiction, June 1956. - Extensive research did not uncover any evidence that - the U.S. copyright on this publication was renewed.] - - -Clifton stood at the bottom of the shaft, his face white, his eyes -wide, his stance against the bulkhead that of a man who needed only a -slight push to slump to the floor. - -"Karen," he murmured. "Karen." - -He had been standing there a long time. - -He was staring at his dead wife, a heap of broken bones and blood on -the floor. But he was not seeing her--at least not as she was now. He -was seeing her the way his mind kept bringing her back to him: the -white evenness of her teeth when she smiled, the fury of her bright -blue eyes when she was angry, the way she had uncomplainingly slept on -the wrinkled sheets of the bed he had made when she had been ill ten -years before, and the way they had laughed about that when she reminded -him of it years later. He moved to stand erect, wondering why he should -have thought about that at a time like this, and then, as he looked at -her again and saw what the fall had done to her, he clenched his hands -in anger. - -They had said it couldn't happen! But they had been wrong. Man's wisdom -was not infinite after all. All the man-years of thought, all the -endless whirring and clicking of the computers and calculators--all of -it had not taken into account what might happen to Karen. - -His hands fell open. He knew that actually, they had never been wrong. -If he had found her right away, he could have put her back together. -He could have utilized the synthesizer for anything really bad, like a -shattered bone. The needles of the organic analyzer would have told him -what else he had to do. - -But Karen had been dead for hours when he found her. Too long. The -damage was irreparable, permanent. She was beyond recall. He might -conceivably have animated her muscles, her glands, got her blood to -flowing again. But her brain would have remained a vacuous, inert -thing. You had to get reconstruction going in a matter of minutes when -the brain, the anatomy's most perishable component, was involved. And -in some cases he had known, the memories were never fully restored. - -Why couldn't it have been a tumor? A deficiency disease? A nervous -breakdown? Insanity.... There was nothing the medocenter couldn't -handle. Its machines were right there on the ship, ready to be -used--but Karen had to fall down the ventilator shaft, opening the door -and walking into it as if it were her bedroom, and falling all the way -down and breaking half the bones in her body. - -And he had found her too late. Hours too late. - -"Too late," he said, and he nodded his head in agreement. And then he -was engulfed in sudden pity and remorse and a feeling of loss, as if -she had snatched a vital part of him in her going. And hadn't she? -Hadn't she taken her laughter with her, the laughter that brightened -his days? And the things they had shared. - -He glared at her, suddenly angry that she should have done this to -him, and he glared at the shaft and blew out his cheeks and clenched -his hands again and roared a great cry that echoed deafeningly in the -smallness of the shaft. - -And then he shouted obscenities at the ship and the stars and the -hundred people who lay as if dead in neat rows in the sleep locker and -he pounded the walls until blood from his hands left imprints there. - -But no one heard. There was no one to hear. Only the sleepers who -lived their days with his years. - -"Why?" he shouted, while his tears fell. And he thought: I haven't -cried since I was a kid. Then, saying her name again and again, he -knelt by her side to feel the silkiness of her jet black hair. - - * * * * * - -There had been no death aboard a Star Transit ship since the very -beginning. From the first day of the Great Emigration more than a -hundred years before, when the first captain and his wife stepped -aboard to pilot the precious cargo of sleeping humans ten or more years -across the vast stellar reaches to colonies on planets in a half dozen -far-distant star systems, there had been no recorded death. - -But now there would always be Karen. - -He should have told them she walked in her sleep. But the Medical -Examiners would have shrugged as they had with everything else he had -told them. The medocenters would take care of it. You couldn't _cure_ -sleepwalking with the devices in the medocenter, but they would have -taken care of anything that happened as a result--if he had reached -her in time. It was unforeseen, this business of her walking into the -shaft. No one was to blame. No one, that is, except himself. - -Clifton looked up from beside his wife to the circle of light at the -top of the shaft. "All right," he called out, "I'm to blame, do you -hear? I did it. She could be alive except for me." - -There was no answer to his self-indictment. - -"And where does it leave me?" he shouted bitterly. "I'm the one who has -to live and I've got nine years to go. Nine years to Ostarpa and the -small colony there. What am I supposed to do?" - -He never remembered later how long he stood in the shaft shouting -until he was hoarse, only recalling that at one point the walls seemed -to close in on him and the ship seemed filled with an oppressive -strangeness, and he was clawing his way up the ladder to the top. And -there were blurred images of walls and rooms as he ran about the ship, -and he remembered his jerking open the liquor cabinet and the stupor -that followed. - -It was days later when he sobered and, insulated by the intervening -unreality, managed to dispose of her body in a waste chute. - -Then he moved to the office and saw that it was the 371st day and -looked at the log to see that he had stopped making entries on the -363rd day. He examined the other books. Karen's precise handwriting had -recorded her final readings on that day, too. Now he would have to do -her work as well as his own. - -Clifton sighed, sat at his desk and, in a steady hand, wrote in the log: - - _Karen rose in her sleep, walked to and fell down the right aft - third level ventilating shaft and was killed. Reached her - approximately three hours after the incident. She could not be - saved._ - - _Clifton West, Captain_ - -Skipping to the 371st day, he wrote: - - _Sent Karen's body out the ventral waste chute._ - -He sat studying the words, then added: - - _Am alone on the ship._ - -Instantly he wished he had not written that, but was not moved to cross -the words out. It was true enough. He was alone. Would be alone nine -more years. - -Suppose something should happen to him? Who would land the ship? And -what would happen to the sleepers? - -He did not want to think about it. The medocenter would take care -of everything. He didn't walk in his sleep. His duty was to get the -hundred humans through to Ostarpa and then they all would become part -of the colony there, except of course he'd be ten years older than the -sleepers upon awakening. He looked at the day gauge on the wall. Just -3,332 days short of Ostarpa. - -Three thousand three hundred and thirty-two days without Karen! An -eternity of talking to himself and listening only to the sound of his -own feet as he walked about the ship. A lifetime for remembrance, just -as he remembered now how eager they both had been to make the trip, -how she had shared the rigorous training. It had been a chance of a -lifetime: ten years of being together! Time to meditate, to ponder the -problems of life, of all humanity, of each other. They had thought -soberly of it as an opportunity to make something of themselves--write -a great play, solve a great problem. But they had never got around to -that. The first year had been only the sheer delight of each other's -company. He wondered if it would have ever changed. How fast it had -gone! - -And now it was over and the nine years ahead loomed like a dark tunnel, -large and forbidding. - - * * * * * - -Clifton slammed the palms of his hands on the desk. Enough of that. He -was captain of the ship and he had duties. He could not spend his time -in the past. There were things to do. He must keep himself occupied. He -must not think of her. - -But he did. - -Even though the days stretched into weeks he still found his steps -faltering every time he walked past rooms where he had often looked for -her. For one thing there was the stereo room where Karen loved to spend -leisure hours. He never saw much in stereo, but she seemed to enjoy it. -And there was the music taperoom, the massage parlor, the baths. She -seemed to have a need of them. But all Clifton had ever needed was her. - -He passed the jammed clothes locker, filled with enough apparel to last -her ten years. He could not force himself to open it, though Karen -seldom had opened it herself. She had made most of her own clothes, -taking the material out of the huge storage bins. - -He found himself one day in her sewing room, a room she had converted -from a nursery, storing the nursery stuff until such a time as it was -needed and installing her sewing machine and getting to work. They had -joked about how, when they landed on Ostarpa, all the clothes in the -locker would be still intact because she so enjoyed fashioning her own. -Once he had asked her what was to become of them. - -"We'll start a dress shop, darling," Karen had said quickly as if she -had already thought about it, which is the way she answered everything. -"The sleeper women will want several changes right away." - -"You know," he replied, "I think I'll be your manager, set you up. -Karen West, Ostarpa's great dress designer. You'll have lots of -business and we'll make a fortune." - -"I'm not that good," she said, but her face glowed with joy. - -Even as he stood there he could hear the words as if they were said a -moment ago and he felt as if he should at any moment hear the click of -her heels across the floor, and when she'd enter the room, she'd say, -"Clifton, what in the world are you doing here?" - -The Transit Service had been right. No man was an island. A man might -be for a day, perhaps, or a week or even longer. But not for ten -years. That's why the service had insisted a man and his wife, proven -psychologically compatible, serve together as co-captains of each -transit liner. - -So it wasn't right that he should spend the next nine years a lonely -man. Karen was gone, but what about those hundred people in the sleep -locker? He needed someone, a companion, someone to talk to, someone to -take Karen's place. Not a woman, of course. That would not be right. -Especially after Karen. There could be no other woman like Karen. -Besides, suppose they didn't like each other? - -"No," he said, standing in the sewing room and shaking his head, "it -must not be a woman." - -And then he brought himself back to reality. No sleeper had ever been -awakened before the liner reached its destination. "And no sleeper is -going to be awakened on this trip," he said firmly. He had the power -to wake any or all of them in an emergency, but his own personal -emergency hardly constituted grounds for that. - -But suppose something happens to me? he reminded himself again. Who's -going to carry on? - -And then he set his lips close together, turned on his heel and left -the sewing room. "Nothing," he said aloud, "is going to happen to you. -That's why they put medocenters on these ships." And he went to the -place and spent the afternoon being checked over. - -He found himself in perfect health. For some reason he was disappointed. - - * * * * * - -The weeks passed slowly, but they did pass, and Clifton busied himself -with exhaustive checks throughout the entire ship, interested himself -in the stereos (they weren't so bad now that he had nothing else to -do), music tapes (he weeded out the ones he didn't like), massages -(he was pleased to discover they left him with a glow), books (funny -how hard it was to read after the ease of stereo), mathematics (how -much he'd forgotten), a few languages (German was still his hardest), -moods of writing (he just did not have the knack), painting (he was -always drawing machinery and wondering why)--and found the image of -Karen's laughing blue eyes still there at the edge of his mind, though -curiously distant, as if it were one of the stereos he had seen. - -Then the hunger started. - -He sat for long hours in the chill of the sleep locker and envied -the sleepers there, row on row, all of them without a worry, without -thought, trustful of him, confident he would get them through, none of -them knowing Karen was dead and not caring, and he had an urge to wake -them all and throw a furious party to end all parties. - -And sometimes he'd have a party there all by himself. - -And then he grew to hate them. When he did, he went to the medocenter -and this was erased and he was made whole again. - -But the hunger got worse. - -"Karen, Karen!" And he finally wondered if it was really Karen he -wanted. And the medocenter only made his hunger worse and he cursed the -efficiency of it. - -Then one day he got out the file of the sleepers, went through it from -Abelard, Johannes, to Yardley, Greta, and put the pictures in the -stereo and saw what the sleepers looked like and wondered which of -them would prove the most companionable. Which man, that is, for a -woman ... well, it just would not be right to awaken a woman. It would -not look right in the log, for one thing, and he was sure all he needed -was another person to talk to and it might as well be a man. After all, -man is a gregarious animal. If he had someone to talk to.... - -He turned back through the file for Hedstrom, George, a pleasant -looking fellow of thirty--which would make him five years Clifton's -junior--and in passing he came upon the picture of Portia Lavester -again. He slipped the picture in the stereo and spent a long time -looking at it. Quite a girl. Blonde. Unlike Karen in that respect. And -she wore her hair longer. Her eyes weren't as blue as Karen's. But her -skin was darker. Sun? Karen didn't like the sun. It made her freckled. -But this girl must have lived in it. The stereo was inadequate, -however. It didn't tell how she laughed. _Did_ she laugh? Was it -pleasing? - -He put it down and looked at the record. Portia Lavester. Twenty years -old. Five-feet-three. Weight 109. He looked at the picture again. The -weight was well distributed. - -He shuffled the picture back in the pile, tried to concentrate on -Hedstrom, George. A logical choice among the single men. Mechanical -background. He peeked at the Lavester record again. The girl was a home -economics expert. She'd do well on Ostarpa. Or on the ship. - -Clifton sighed and shoved the file away. Only then did he realize how -much he had missed Karen's cooking. The ship's electronic cookery was -all right, but it left much to be desired. It had no personal touch. - -But to get back to Hedstrom. How would the fellow act if he awakened -him? Immediately he thought of the girl and wondered what she would be -like. - -"Stop it!" he admonished himself. "She's much too young." And he -started going through looking at the other single women. The girl -Lavester was clearly the nicest. Again he studied her. - -And again he forced himself to go back to the man. - -Finally he decided to do nothing at present, left the office and -started his rounds, determined to think of other things. - -Eventually he found himself in the sleep locker looking for number -33, Portia Lavester's compartment. He saw it and discovered it was no -different from number 57, the compartment of George Hedstrom. The same -black oblong box with the ribbon of red plastic where it was sealed -near the top. It would be easy to activate the rollers, move it out -of line and out to the medocenter, rip off the plastic and charge the -contents with life. He wiped away a few dust motes and found that to -him the box suddenly seemed different from the others. - -He was sweating. - -Later in the tape room he listened to music and pondered the question. -Suppose he awakened her and she proved to be anything but what he -wanted? Sure, she was good looking, but what about her age? Her -mannerisms? Would his fifteen years turn her against him? There were -nine years left to Ostarpa; a lot could happen in nine years and she -would eventually discover he was no ogre. She might even learn to love -him. Why, she might even take Karen's place! - -He clicked off the music with a trembling hand, went to the bar, drew -a double shot and ice. - -Karen, Karen! Why did it have to happen to you? - -_Forgive me, darling, for what I am about to do._ - - * * * * * - -Clifton watched the lard-like flesh become suffused with pink, saw the -surge of color in the lips, the catch of breath and the resultant swell -of breast. Then the eyelids flickered. - -A moment later Portia Lavester was staring at him, and even as she did -so Clifton could see she did not understand what had happened. But when -the vacant eyes came alive, the girl sat up, crossed her hands to her -bare, hunched shoulders and looked around frantically. - -"Don't be frightened," Clifton said, smiling. "You're still on the -ship. You've just been awakened." - -"Thanks," she said without gratitude, "but I wasn't frightened. I was -looking for something to put on." - -"Oh." Clifton had forgotten about that. Now he blushed and opened a -nearby drawer and withdrew a white gown. "Take this. It will have to do -until I get you something else." - -She took it and held it to her nakedness, eying him coldly. He turned, -heard her drop quietly to the floor. "Where are the others?" she asked, -and he could hear the rustle of the gown as she put it around her. "And -where can I pick up my clothes?" - -He turned to look at her, found her at the side of the room in front of -its only mirror, inspecting her face and pushing her lush hair this way -and that and grimacing. "How long ago did we land? What's Ostarpa like?" - -She was lovely and not unlike Karen in manner and it was going to be -harder for him than he thought. - -"Was I the first or the last? Or was I in the middle? Just like me to -be in the middle." She laughed a little and he was glad to hear her, -though her laughter was a little lower in pitch than Karen's. And then -her eyes found his in the mirror and they widened. She turned. "Why -don't you say something? Is anything wrong?" Now she was frightened. - -She was very young and he was glad to hear her voice and he wanted to -tell her so, but he knew she wouldn't understand. So he said only, "I -want to talk to you." - -"What's happened?" Her eyes were panicky. - -"There are no others," he blurted out. - -"No others?" Her voice was shrill. - -He shook his head. "I awakened you because my wife died and I needed -someone." It was blunt, but he wanted to be honest with her. "The -others are still asleep out there." - -She stared with round eyes and a round, open mouth, and her hands fell -away from her face and were lost when the gown's long sleeves fell over -them. - -"I--I had to hear someone talk again," Clifton said haltingly. "I went -through the file. I studied all the sleepers. I decided on you. I'm -sorry if--" - -"How long?" she murmured, lips hardly moving. - -"Long?" he answered. "What do you mean?" And then he understood. "We're -a little more than a year from Earth." - -Her moan startled and unnerved him. Her eyes closed and she slumped to -the floor. - -When she did not move, he went to her, lifted her head. At once her -eyelids fluttered and she saw him and then her face darkened and she -lashed out with tiny fists, scratching and crying. - -"It's not as bad as all that!" he cried, half angry with her now, -trying to stop her, clutching her flailing arms. He drew away quickly -when she bit him. - -"You--you _beast_!" she wailed. "You spoiled everything. _Everything._ -Everything has been so carefully planned." - -"I know, I know," he soothed. - -"Oh," she quavered, and she fell to the floor again, sobbing. - -Clifton got up, surveyed her weeping figure, a mound of white on the -floor. Well, he thought, at least this is a change for me. And he felt -rather foolish about what he had done. If only it had been a man; he -could reason with a man. He turned in disgust and walked from the -medocenter. She would change. After all, nine years is a long time. No -woman could cry nine years. He smiled a little. Fiery little thing, -isn't she? he told himself as he started his tour of the ship. - - * * * * * - -He didn't find her in the medocenter when he returned. The white gown -was not there either. It was a long time before he found her lying atop -one of the compartments in the sleep locker. She was still clad in the -gown, a gaunt, spiritless figure, her eyes staring at the low ceiling. - -"Miss Lavester," he said, "I know it was a shock to wake up this side -of Ostarpa, but believe me, I intended no harm. If only you knew the -loneliness--" and he could not go on, remembering the emptiness of the -days just past. - -She said nothing, only blinking her eyes, pale blue eyes in a white -face. - -"If I'd known how upset you'd be, I'd never have awakened you," Clifton -said bitterly. "If I could put you back to sleep now I would." Now -her face turned toward his, eyes icy in a withering glance. She rose, -a firm press of breast against the white gown as she slid off the -compartment. Clifton's heart quickened. But she ignored him and walked -away. She looks like Karen sleepwalking, he thought. - -The next day he found her in the stereo room, dressed in one of Karen's -gowns from the clothes locker, a thin, pale blue dress that accented -her small waist and blonde hair. She looked ever so much like Karen. He -wondered where she had slept, if she had eaten. - -"Portia," he said, sitting in a nearby chair. She only sat, a still -figure, staring ahead, her hair brushed back in a long sweep, glossy -and smooth, and Clifton thought: My God, but she's a beautiful thing. - -"Portia," he repeated, "I want to talk to you." What could he do with -this girl? Was there no way to break through to her? - -Portia gave him a hateful glance and rose. He watched her and his -hunger was more than he could stand. - -"Please," he said desperately. "Don't leave." - -She turned at the doorway and looked at him coldly. - -"You don't know what it means to lose your wife and have no one to -talk to and have to decide what to do." He looked down at his hands -embarrassedly. Why was he finding it so hard to talk to her? He felt -his face coloring. "I think I'd have gone mad if I hadn't awakened you. -It wasn't a snap judgment, Portia. I just didn't pull your number out -of a hat. You see--" He looked up. She wasn't there. - -He saw her in the hallway, her head down, contemplative and walking -slowly, and catching up to her and walking beside her he explained, -"Suppose I'd have an accident like Karen did? Then none of you would -ever land on Ostarpa. Somebody had to be awakened, Portia. Can't you -understand that?" She gave no hint she knew he was there. - -He watched her in the massage room, unable to take his eyes off her as -the soft, flexible arms stroked her flesh, and he said softly, "You say -I spoiled everything, but I'd like you to think about that. On Ostarpa -you'd have to go to work right away, be given your duty number just -like you had on Earth. On the ship you've got nine years to play with, -nine years of carefree life. You can do what you want and nobody's -going to say or do a thing to tell you to stop, have you thought of -that?" The moving arms were silent and smooth and so was Portia. - -He followed her to the bath but could not bring himself to enter there. -He stayed beyond the filmy curtain and talked to her. "Sure, I know it -was a surprise, awakening you like that, and I know you had in mind -waking on Ostarpa, but being on the ship, the two of us, with all our -wants taken care of--it has its advantages." - -And in the bar, with her eyes averted, drinking with her, he -explained, "Oh, I'll admit there are records to keep. But I missed a -few days after Karen died. Taking the whole ten years into account, -that won't make much difference. But suppose I became ill for a few -days. Somebody's got to be on hand to see I get treatment at the -medocenter. That's why you've got to come around, why you've got to -start thinking about this thing." - -And finally, in the navigation room, he told her, "You can't go on -like this. You've got to learn all about this ship. Why, if something -happened to me, who'd awaken the sleepers? You will have to do that, -Portia. You'd be the only one left. You've just got to be ready to take -over, that's all there is to it. And don't think it's too hard. The -ship does most of it. Automatic. Just a lever here, a button there. -I'll teach you all about it. Even landing the ship. You won't find it -hard, once you put your mind to it." - -Through it all she remained aloof and unspeaking, a beautiful, silent -thing with two accusing orbs for eyes, a lovely mouth with generous -lips much given to a look of disdain. - -Until one day. - - * * * * * - -It was totally unexpected. Portia had taken over Karen's bedroom next -to his, closing and locking the intervening door as if forever. He had -gone to sleep in his room, with her still distant and uncommunicative -in hers. - -He awakened to the smell of coffee and a cooking breakfast. He sat up -quickly, wondering if Karen's death and the events that followed it had -been a bad dream, and when he assured himself they had not, wondering -if he had at last lost his mind. - -Clifton quickly dressed and entered the kitchen. - -Portia was there. - -She smiled at him. - -She said, "Good morning, Clifton." Just like Karen. - -He stood speechless, staring. - -"Breakfast is about ready." - -"Wh--what's come over you?" he said numbly, both pleased and -dumbfounded, his eyes relishing the lovely figure in one of Karen's -sheerest nightgowns. - -"You were right," she said, tossing her head to bring the blonde hair -away from her face and smiling. Her teeth were every bit as even and -white as Karen's. "I just realized it. As you said, there are nine -years ahead of us. I might as well make the best of it." - -"I'm glad," he said warmly, and the memory of what she had been like -during the days before was eclipsed by what she was now. "I was hoping -you'd come around." - -"Come, sit down," she said, indicating the place set for him, the -gleaming silver, the neat napkin, the steaming coffee in the cup. -"Don't let it get cold." - -"Karen used to say that." And then he thought: That's a mistake; -I mustn't mention Karen ever again. But Portia seemed not to have -noticed. And she seemed so much like her now. - -"I got tired of eating by myself," Portia said, sitting opposite him -at the table. And she stole a sly look as she said, "And I'm afraid I -acted badly." - -"Not at all," Clifton said gallantly. "I understand how you felt. It's -just taken a little time, that's all." He started eating, but his eyes -were on her and the transformation of eyes that were no longer cold, -lips that weren't scornful any more. - -"Pity the poor sleepers," she said, laughing. "They can't enjoy a -breakfast like this." - -"Do you suppose," he said, endeavoring to keep the talk in the same -vein, "that any might rise up when they smell that coffee?" He inhaled -ecstatically. "Hmm. There's nothing like it." - -"I hope I never make it that strong." And she giggled. - -With a shock he found his knee touching hers. He drew away, wondering -if it had been accidental. Later, when he tried to kiss her, she turned -away, murmuring, "Not yet, Cliff. Give me time. It's so--so sudden." - -He obeyed, turned his attention to other things. He could afford to -wait. After all, there were nine years. A day or so--what did it matter? - -It was more than a week before he managed to kiss her for the first -time. And then it was nothing like Karen's kisses. But immediately he -felt he was asking too much of Portia too soon. There'd be time for -teaching. - -They lost themselves in the intricacies of the ship, covering its -complete operation, the records that had to be kept, the functions of -each section, the matter of awakening the sleepers--which, Clifton -explained, was quite simple, since the medocenter did most of the work, -but still demanded certain procedures and precautions and delicate -adjustments. He even taught her how to use the communications system -that would become operable within a few months of Ostarpa. In all, they -spent a good two months studying together every facet of the ship. - -"It's so complicated," she said in an awed voice. She squeezed his hand -she had taken to holding. "But you're an awfully good teacher, Cliff." - -"And you're the loveliest student I ever had," he said, squeezing back -and drawing closer to kiss her. - -"Cliff!" she said, drawing away and giggling. "You're always joking. -I'll bet I'm the only student you ever had." - -"Well," he said lamely, "I hate to admit it, but you are." - -And then they both laughed. - - * * * * * - -At length they finished everything he could show her on the ship. Then -he brought up what had been on his mind ever since the day he awakened -her. - -"Portia," he said gravely, "I'm captain of this ship and as such I have -invested in me the power to perform marriage." - -Portia laughed. "You're always saying things so seriously, Cliff. -So--so pontifically. Is that the word?" - -"I'm serious, Portia." - -"I know." She laughed a little more, then straightened her face. "I -didn't mean to offend you." - -"You're always laughing at me. Why?" - -"I don't mean to." - -"I want to marry you, Portia." - -"I know." And instantly her eyes were grave. "I've known for a long -time." - -"I've wanted you since the day you first looked at me." - -"I've known that, too." - -"It was all I could do to--" - -"You've been more than kind, Cliff." - -"When, darling? When can I marry you?" - -She looked up. "Tomorrow?" - -His heart leaped. "Marry you tomorrow?" - -She nodded. "Tomorrow." - -Was there something odd in her look? He couldn't decide. - -When Clifton went to bed that night his heart sang. The years ahead no -longer seemed appalling and interminable. How they'd spend them! The -sewing room ... it could always be changed back into a nursery. Portia -had shown no interest in sewing, so he'd just store Karen's stuff. -Perhaps somebody would find use for it when they landed on Ostarpa. It -wasn't unusual for captains and their wives to have a half dozen kids -during transit. - -He went to sleep with the sound of children's feet echoing about the -halls and corridors of the ship. And when he dreamed of the marriage it -was, oddly, Karen he was marrying. - - * * * * * - -He awakened with a start. On this morning there was no welcome aroma of -coffee. At first he thought perhaps he was too early. But it was time. -Portia was probably so excited she was all off schedule. - -Clifton was careful on this morning. He took his bath, toweled himself -until his skin tingled, used his deodorant sparingly, gave himself a -close shave. The part in his hair was never straighter. - -Dressing himself in a clean, pressed suit, he strolled from his -bedroom. Portia was not in the kitchen. He walked to her bedroom. The -bed had been made. But no Portia. - -Where the devil had she gone? - -He started walking about the ship, searching first here and then there. -Of course not in stereo. Not on this day. Massage? No. Bath? Not -there. Tape? Same. - -She was nowhere to be found. Then he recalled the funny look in her -face the previous night. It meant _something_. - -Suicide? Frantic now, he went to both waste chutes. Neither gave -evidence of having been opened. Still.... - -An hour later he returned, a bewildered and disconsolate man, to his -office. - -Portia was there. - -With her was a man. - -He was George Hedstrom. - -Clifton could only sink back against the wall and look at the two of -them, the Portia he had never seen so radiant, George, a dark, handsome -fellow who wore a quizzical look. Clifton was shocked to see they were -holding hands. - -"Captain," George said in a friendly way, rising his full six feet, -"Portia tells me--" - -"I'm sorry, Cliff," Portia interrupted hastily. "George is my fiance. -We were to be married on Ostarpa, but as long as you--" - -_Tomorrow, she had said_.... - -The two figures blurred before him, the room reeled and Clifton -clutched the doorway for support. Karen, Karen! I've been -bewitched.... This girl--I thought she was you.... I should have -known.... - -"Let me help you." - -Clifton struck out at the dark head of hair, hit it somewhere. - -Karen, Karen! Can you hear me? - -He stumbled out of the room and down the corridor. - -Karen, Karen! Where are you? - -He found the ventral waste chute. He was in it, heard the door click -behind him. Now they'd never get him out, never take him away from his -Karen. - -The sides of the chute were closing in. It was hot. But it was cool -where Karen was. - -"Wait, Karen!" he cried. And as he inched his way down the chute he -hoped he wasn't too late, hoped she'd forgive him. - -There was the outer door. On the other side was coolness and Karen. -Dear, beautiful, lovely Karen. The _real_ Karen. - -With a surge of joy he held to the smooth sides of the shaft and raised -his foot. - -He plunged it down unerringly against the door. It burst open with a -deadly whoosh of air. - -The door clicked closed. - -The chute was empty. - -*** END OF THE PROJECT GUTENBERG EBOOK DEATH IN TRANSIT *** - -Updated editions will replace the previous one--the old editions will -be renamed. - -Creating the works from print editions not protected by U.S. copyright -law means that no one owns a United States copyright in these works, -so the Foundation (and you!) can copy and distribute it in the -United States without permission and without paying copyright -royalties. Special rules, set forth in the General Terms of Use part -of this license, apply to copying and distributing Project -Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm -concept and trademark. Project Gutenberg is a registered trademark, -and may not be used if you charge for an eBook, except by following -the terms of the trademark license, including paying royalties for use -of the Project Gutenberg trademark. 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You may copy it, give it away or re-use it under the terms -of the Project Gutenberg License included with this eBook or online -at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you -are not located in the United States, you will have to check the laws of the -country where you are located before using this eBook. -</div> - -<p style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Title: Death in Transit</p> -<p style='display:block; margin-top:1em; margin-bottom:0; margin-left:2em; text-indent:-2em'>Author: Jerry Sohl</p> -<p style='display:block; text-indent:0; margin:1em 0'>Release Date: February 21, 2022 [eBook #67457]</p> -<p style='display:block; text-indent:0; margin:1em 0'>Language: English</p> - <p style='display:block; margin-top:1em; margin-bottom:0; margin-left:2em; text-indent:-2em; text-align:left'>Produced by: Greg Weeks, Mary Meehan and the Online Distributed Proofreading Team at http://www.pgdp.net</p> -<div style='margin-top:2em; margin-bottom:4em'>*** START OF THE PROJECT GUTENBERG EBOOK DEATH IN TRANSIT ***</div> - -<div class="titlepage"> - -<h1>Death in Transit</h1> - -<h2>By JERRY SOHL</h2> - -<p>Illustrated by EMSH</p> - -<p><i>There was one, and only one, thing<br /> -Clifton could do. Even so, he made<br /> -the worst of 100 possible choices!</i></p> - -<p>[Transcriber's Note: This etext was produced from<br /> -Infinity Science Fiction, June 1956.<br /> -Extensive research did not uncover any evidence that<br /> -the U.S. copyright on this publication was renewed.]</p> - -</div> - -<hr class="chap" /> - -<div class="figcenter"> - <img src="images/illus.jpg" alt=""/> -</div> - -<hr class="chap" /> - -<p>Clifton stood at the bottom of the shaft, his face white, his eyes -wide, his stance against the bulkhead that of a man who needed only a -slight push to slump to the floor.</p> - -<p>"Karen," he murmured. "Karen."</p> - -<p>He had been standing there a long time.</p> - -<p>He was staring at his dead wife, a heap of broken bones and blood on -the floor. But he was not seeing her—at least not as she was now. He -was seeing her the way his mind kept bringing her back to him: the -white evenness of her teeth when she smiled, the fury of her bright -blue eyes when she was angry, the way she had uncomplainingly slept on -the wrinkled sheets of the bed he had made when she had been ill ten -years before, and the way they had laughed about that when she reminded -him of it years later. He moved to stand erect, wondering why he should -have thought about that at a time like this, and then, as he looked at -her again and saw what the fall had done to her, he clenched his hands -in anger.</p> - -<p>They had said it couldn't happen! But they had been wrong. Man's wisdom -was not infinite after all. All the man-years of thought, all the -endless whirring and clicking of the computers and calculators—all of -it had not taken into account what might happen to Karen.</p> - -<p>His hands fell open. He knew that actually, they had never been wrong. -If he had found her right away, he could have put her back together. -He could have utilized the synthesizer for anything really bad, like a -shattered bone. The needles of the organic analyzer would have told him -what else he had to do.</p> - -<p>But Karen had been dead for hours when he found her. Too long. The -damage was irreparable, permanent. She was beyond recall. He might -conceivably have animated her muscles, her glands, got her blood to -flowing again. But her brain would have remained a vacuous, inert -thing. You had to get reconstruction going in a matter of minutes when -the brain, the anatomy's most perishable component, was involved. And -in some cases he had known, the memories were never fully restored.</p> - -<p>Why couldn't it have been a tumor? A deficiency disease? A nervous -breakdown? Insanity.... There was nothing the medocenter couldn't -handle. Its machines were right there on the ship, ready to be -used—but Karen had to fall down the ventilator shaft, opening the door -and walking into it as if it were her bedroom, and falling all the way -down and breaking half the bones in her body.</p> - -<p>And he had found her too late. Hours too late.</p> - -<p>"Too late," he said, and he nodded his head in agreement. And then he -was engulfed in sudden pity and remorse and a feeling of loss, as if -she had snatched a vital part of him in her going. And hadn't she? -Hadn't she taken her laughter with her, the laughter that brightened -his days? And the things they had shared.</p> - -<p>He glared at her, suddenly angry that she should have done this to -him, and he glared at the shaft and blew out his cheeks and clenched -his hands again and roared a great cry that echoed deafeningly in the -smallness of the shaft.</p> - -<p>And then he shouted obscenities at the ship and the stars and the -hundred people who lay as if dead in neat rows in the sleep locker and -he pounded the walls until blood from his hands left imprints there.</p> - -<p>But no one heard. There was no one to hear. Only the sleepers who -lived their days with his years.</p> - -<p>"Why?" he shouted, while his tears fell. And he thought: I haven't -cried since I was a kid. Then, saying her name again and again, he -knelt by her side to feel the silkiness of her jet black hair.</p> - -<hr class="tb" /> - -<p>There had been no death aboard a Star Transit ship since the very -beginning. From the first day of the Great Emigration more than a -hundred years before, when the first captain and his wife stepped -aboard to pilot the precious cargo of sleeping humans ten or more years -across the vast stellar reaches to colonies on planets in a half dozen -far-distant star systems, there had been no recorded death.</p> - -<p>But now there would always be Karen.</p> - -<p>He should have told them she walked in her sleep. But the Medical -Examiners would have shrugged as they had with everything else he had -told them. The medocenters would take care of it. You couldn't <i>cure</i> -sleepwalking with the devices in the medocenter, but they would have -taken care of anything that happened as a result—if he had reached -her in time. It was unforeseen, this business of her walking into the -shaft. No one was to blame. No one, that is, except himself.</p> - -<p>Clifton looked up from beside his wife to the circle of light at the -top of the shaft. "All right," he called out, "I'm to blame, do you -hear? I did it. She could be alive except for me."</p> - -<p>There was no answer to his self-indictment.</p> - -<p>"And where does it leave me?" he shouted bitterly. "I'm the one who has -to live and I've got nine years to go. Nine years to Ostarpa and the -small colony there. What am I supposed to do?"</p> - -<p>He never remembered later how long he stood in the shaft shouting -until he was hoarse, only recalling that at one point the walls seemed -to close in on him and the ship seemed filled with an oppressive -strangeness, and he was clawing his way up the ladder to the top. And -there were blurred images of walls and rooms as he ran about the ship, -and he remembered his jerking open the liquor cabinet and the stupor -that followed.</p> - -<p>It was days later when he sobered and, insulated by the intervening -unreality, managed to dispose of her body in a waste chute.</p> - -<p>Then he moved to the office and saw that it was the 371st day and -looked at the log to see that he had stopped making entries on the -363rd day. He examined the other books. Karen's precise handwriting had -recorded her final readings on that day, too. Now he would have to do -her work as well as his own.</p> - -<p>Clifton sighed, sat at his desk and, in a steady hand, wrote in the log:</p> - -<div class="blockquot"> -<p><i>Karen rose in her sleep, walked to and fell down the right aft third -level ventilating shaft and was killed. Reached her approximately -three hours after the incident. She could not be saved.</i></p> - -<p class="ph1"><i>Clifton West, Captain</i></p></div> - -<p>Skipping to the 371st day, he wrote:</p> - -<div class="blockquot"> -<p><i>Sent Karen's body out the ventral waste chute.</i></p></div> - -<p>He sat studying the words, then added:</p> - -<div class="blockquot"> -<p><i>Am alone on the ship.</i></p></div> - -<p>Instantly he wished he had not written that, but was not moved to cross -the words out. It was true enough. He was alone. Would be alone nine -more years.</p> - -<p>Suppose something should happen to him? Who would land the ship? And -what would happen to the sleepers?</p> - -<p>He did not want to think about it. The medocenter would take care -of everything. He didn't walk in his sleep. His duty was to get the -hundred humans through to Ostarpa and then they all would become part -of the colony there, except of course he'd be ten years older than the -sleepers upon awakening. He looked at the day gauge on the wall. Just -3,332 days short of Ostarpa.</p> - -<p>Three thousand three hundred and thirty-two days without Karen! An -eternity of talking to himself and listening only to the sound of his -own feet as he walked about the ship. A lifetime for remembrance, just -as he remembered now how eager they both had been to make the trip, -how she had shared the rigorous training. It had been a chance of a -lifetime: ten years of being together! Time to meditate, to ponder the -problems of life, of all humanity, of each other. They had thought -soberly of it as an opportunity to make something of themselves—write -a great play, solve a great problem. But they had never got around to -that. The first year had been only the sheer delight of each other's -company. He wondered if it would have ever changed. How fast it had -gone!</p> - -<p>And now it was over and the nine years ahead loomed like a dark tunnel, -large and forbidding.</p> - -<hr class="tb" /> - -<p>Clifton slammed the palms of his hands on the desk. Enough of that. He -was captain of the ship and he had duties. He could not spend his time -in the past. There were things to do. He must keep himself occupied. He -must not think of her.</p> - -<p>But he did.</p> - -<p>Even though the days stretched into weeks he still found his steps -faltering every time he walked past rooms where he had often looked for -her. For one thing there was the stereo room where Karen loved to spend -leisure hours. He never saw much in stereo, but she seemed to enjoy it. -And there was the music taperoom, the massage parlor, the baths. She -seemed to have a need of them. But all Clifton had ever needed was her.</p> - -<p>He passed the jammed clothes locker, filled with enough apparel to last -her ten years. He could not force himself to open it, though Karen -seldom had opened it herself. She had made most of her own clothes, -taking the material out of the huge storage bins.</p> - -<p>He found himself one day in her sewing room, a room she had converted -from a nursery, storing the nursery stuff until such a time as it was -needed and installing her sewing machine and getting to work. They had -joked about how, when they landed on Ostarpa, all the clothes in the -locker would be still intact because she so enjoyed fashioning her own. -Once he had asked her what was to become of them.</p> - -<p>"We'll start a dress shop, darling," Karen had said quickly as if she -had already thought about it, which is the way she answered everything. -"The sleeper women will want several changes right away."</p> - -<p>"You know," he replied, "I think I'll be your manager, set you up. -Karen West, Ostarpa's great dress designer. You'll have lots of -business and we'll make a fortune."</p> - -<p>"I'm not that good," she said, but her face glowed with joy.</p> - -<p>Even as he stood there he could hear the words as if they were said a -moment ago and he felt as if he should at any moment hear the click of -her heels across the floor, and when she'd enter the room, she'd say, -"Clifton, what in the world are you doing here?"</p> - -<p>The Transit Service had been right. No man was an island. A man might -be for a day, perhaps, or a week or even longer. But not for ten -years. That's why the service had insisted a man and his wife, proven -psychologically compatible, serve together as co-captains of each -transit liner.</p> - -<p>So it wasn't right that he should spend the next nine years a lonely -man. Karen was gone, but what about those hundred people in the sleep -locker? He needed someone, a companion, someone to talk to, someone to -take Karen's place. Not a woman, of course. That would not be right. -Especially after Karen. There could be no other woman like Karen. -Besides, suppose they didn't like each other?</p> - -<p>"No," he said, standing in the sewing room and shaking his head, "it -must not be a woman."</p> - -<p>And then he brought himself back to reality. No sleeper had ever been -awakened before the liner reached its destination. "And no sleeper is -going to be awakened on this trip," he said firmly. He had the power -to wake any or all of them in an emergency, but his own personal -emergency hardly constituted grounds for that.</p> - -<p>But suppose something happens to me? he reminded himself again. Who's -going to carry on?</p> - -<p>And then he set his lips close together, turned on his heel and left -the sewing room. "Nothing," he said aloud, "is going to happen to you. -That's why they put medocenters on these ships." And he went to the -place and spent the afternoon being checked over.</p> - -<p>He found himself in perfect health. For some reason he was disappointed.</p> - -<hr class="tb" /> - -<p>The weeks passed slowly, but they did pass, and Clifton busied himself -with exhaustive checks throughout the entire ship, interested himself -in the stereos (they weren't so bad now that he had nothing else to -do), music tapes (he weeded out the ones he didn't like), massages -(he was pleased to discover they left him with a glow), books (funny -how hard it was to read after the ease of stereo), mathematics (how -much he'd forgotten), a few languages (German was still his hardest), -moods of writing (he just did not have the knack), painting (he was -always drawing machinery and wondering why)—and found the image of -Karen's laughing blue eyes still there at the edge of his mind, though -curiously distant, as if it were one of the stereos he had seen.</p> - -<p>Then the hunger started.</p> - -<p>He sat for long hours in the chill of the sleep locker and envied -the sleepers there, row on row, all of them without a worry, without -thought, trustful of him, confident he would get them through, none of -them knowing Karen was dead and not caring, and he had an urge to wake -them all and throw a furious party to end all parties.</p> - -<p>And sometimes he'd have a party there all by himself.</p> - -<p>And then he grew to hate them. When he did, he went to the medocenter -and this was erased and he was made whole again.</p> - -<p>But the hunger got worse.</p> - -<p>"Karen, Karen!" And he finally wondered if it was really Karen he -wanted. And the medocenter only made his hunger worse and he cursed the -efficiency of it.</p> - -<p>Then one day he got out the file of the sleepers, went through it from -Abelard, Johannes, to Yardley, Greta, and put the pictures in the -stereo and saw what the sleepers looked like and wondered which of -them would prove the most companionable. Which man, that is, for a -woman ... well, it just would not be right to awaken a woman. It would -not look right in the log, for one thing, and he was sure all he needed -was another person to talk to and it might as well be a man. After all, -man is a gregarious animal. If he had someone to talk to....</p> - -<p>He turned back through the file for Hedstrom, George, a pleasant -looking fellow of thirty—which would make him five years Clifton's -junior—and in passing he came upon the picture of Portia Lavester -again. He slipped the picture in the stereo and spent a long time -looking at it. Quite a girl. Blonde. Unlike Karen in that respect. And -she wore her hair longer. Her eyes weren't as blue as Karen's. But her -skin was darker. Sun? Karen didn't like the sun. It made her freckled. -But this girl must have lived in it. The stereo was inadequate, -however. It didn't tell how she laughed. <i>Did</i> she laugh? Was it -pleasing?</p> - -<p>He put it down and looked at the record. Portia Lavester. Twenty years -old. Five-feet-three. Weight 109. He looked at the picture again. The -weight was well distributed.</p> - -<p>He shuffled the picture back in the pile, tried to concentrate on -Hedstrom, George. A logical choice among the single men. Mechanical -background. He peeked at the Lavester record again. The girl was a home -economics expert. She'd do well on Ostarpa. Or on the ship.</p> - -<p>Clifton sighed and shoved the file away. Only then did he realize how -much he had missed Karen's cooking. The ship's electronic cookery was -all right, but it left much to be desired. It had no personal touch.</p> - -<p>But to get back to Hedstrom. How would the fellow act if he awakened -him? Immediately he thought of the girl and wondered what she would be -like.</p> - -<p>"Stop it!" he admonished himself. "She's much too young." And he -started going through looking at the other single women. The girl -Lavester was clearly the nicest. Again he studied her.</p> - -<p>And again he forced himself to go back to the man.</p> - -<p>Finally he decided to do nothing at present, left the office and -started his rounds, determined to think of other things.</p> - -<p>Eventually he found himself in the sleep locker looking for number -33, Portia Lavester's compartment. He saw it and discovered it was no -different from number 57, the compartment of George Hedstrom. The same -black oblong box with the ribbon of red plastic where it was sealed -near the top. It would be easy to activate the rollers, move it out -of line and out to the medocenter, rip off the plastic and charge the -contents with life. He wiped away a few dust motes and found that to -him the box suddenly seemed different from the others.</p> - -<p>He was sweating.</p> - -<p>Later in the tape room he listened to music and pondered the question. -Suppose he awakened her and she proved to be anything but what he -wanted? Sure, she was good looking, but what about her age? Her -mannerisms? Would his fifteen years turn her against him? There were -nine years left to Ostarpa; a lot could happen in nine years and she -would eventually discover he was no ogre. She might even learn to love -him. Why, she might even take Karen's place!</p> - -<p>He clicked off the music with a trembling hand, went to the bar, drew -a double shot and ice.</p> - -<p>Karen, Karen! Why did it have to happen to you?</p> - -<p><i>Forgive me, darling, for what I am about to do.</i></p> - -<hr class="tb" /> - -<p>Clifton watched the lard-like flesh become suffused with pink, saw the -surge of color in the lips, the catch of breath and the resultant swell -of breast. Then the eyelids flickered.</p> - -<p>A moment later Portia Lavester was staring at him, and even as she did -so Clifton could see she did not understand what had happened. But when -the vacant eyes came alive, the girl sat up, crossed her hands to her -bare, hunched shoulders and looked around frantically.</p> - -<p>"Don't be frightened," Clifton said, smiling. "You're still on the -ship. You've just been awakened."</p> - -<p>"Thanks," she said without gratitude, "but I wasn't frightened. I was -looking for something to put on."</p> - -<p>"Oh." Clifton had forgotten about that. Now he blushed and opened a -nearby drawer and withdrew a white gown. "Take this. It will have to do -until I get you something else."</p> - -<p>She took it and held it to her nakedness, eying him coldly. He turned, -heard her drop quietly to the floor. "Where are the others?" she asked, -and he could hear the rustle of the gown as she put it around her. "And -where can I pick up my clothes?"</p> - -<p>He turned to look at her, found her at the side of the room in front of -its only mirror, inspecting her face and pushing her lush hair this way -and that and grimacing. "How long ago did we land? What's Ostarpa like?"</p> - -<p>She was lovely and not unlike Karen in manner and it was going to be -harder for him than he thought.</p> - -<p>"Was I the first or the last? Or was I in the middle? Just like me to -be in the middle." She laughed a little and he was glad to hear her, -though her laughter was a little lower in pitch than Karen's. And then -her eyes found his in the mirror and they widened. She turned. "Why -don't you say something? Is anything wrong?" Now she was frightened.</p> - -<p>She was very young and he was glad to hear her voice and he wanted to -tell her so, but he knew she wouldn't understand. So he said only, "I -want to talk to you."</p> - -<p>"What's happened?" Her eyes were panicky.</p> - -<p>"There are no others," he blurted out.</p> - -<p>"No others?" Her voice was shrill.</p> - -<p>He shook his head. "I awakened you because my wife died and I needed -someone." It was blunt, but he wanted to be honest with her. "The -others are still asleep out there."</p> - -<p>She stared with round eyes and a round, open mouth, and her hands fell -away from her face and were lost when the gown's long sleeves fell over -them.</p> - -<p>"I—I had to hear someone talk again," Clifton said haltingly. "I went -through the file. I studied all the sleepers. I decided on you. I'm -sorry if—"</p> - -<p>"How long?" she murmured, lips hardly moving.</p> - -<p>"Long?" he answered. "What do you mean?" And then he understood. "We're -a little more than a year from Earth."</p> - -<p>Her moan startled and unnerved him. Her eyes closed and she slumped to -the floor.</p> - -<p>When she did not move, he went to her, lifted her head. At once her -eyelids fluttered and she saw him and then her face darkened and she -lashed out with tiny fists, scratching and crying.</p> - -<p>"It's not as bad as all that!" he cried, half angry with her now, -trying to stop her, clutching her flailing arms. He drew away quickly -when she bit him.</p> - -<p>"You—you <i>beast</i>!" she wailed. "You spoiled everything. <i>Everything.</i> -Everything has been so carefully planned."</p> - -<p>"I know, I know," he soothed.</p> - -<p>"Oh," she quavered, and she fell to the floor again, sobbing.</p> - -<p>Clifton got up, surveyed her weeping figure, a mound of white on the -floor. Well, he thought, at least this is a change for me. And he felt -rather foolish about what he had done. If only it had been a man; he -could reason with a man. He turned in disgust and walked from the -medocenter. She would change. After all, nine years is a long time. No -woman could cry nine years. He smiled a little. Fiery little thing, -isn't she? he told himself as he started his tour of the ship.</p> - -<hr class="tb" /> - -<p>He didn't find her in the medocenter when he returned. The white gown -was not there either. It was a long time before he found her lying atop -one of the compartments in the sleep locker. She was still clad in the -gown, a gaunt, spiritless figure, her eyes staring at the low ceiling.</p> - -<p>"Miss Lavester," he said, "I know it was a shock to wake up this side -of Ostarpa, but believe me, I intended no harm. If only you knew the -loneliness—" and he could not go on, remembering the emptiness of the -days just past.</p> - -<p>She said nothing, only blinking her eyes, pale blue eyes in a white -face.</p> - -<p>"If I'd known how upset you'd be, I'd never have awakened you," Clifton -said bitterly. "If I could put you back to sleep now I would." Now -her face turned toward his, eyes icy in a withering glance. She rose, -a firm press of breast against the white gown as she slid off the -compartment. Clifton's heart quickened. But she ignored him and walked -away. She looks like Karen sleepwalking, he thought.</p> - -<p>The next day he found her in the stereo room, dressed in one of Karen's -gowns from the clothes locker, a thin, pale blue dress that accented -her small waist and blonde hair. She looked ever so much like Karen. He -wondered where she had slept, if she had eaten.</p> - -<p>"Portia," he said, sitting in a nearby chair. She only sat, a still -figure, staring ahead, her hair brushed back in a long sweep, glossy -and smooth, and Clifton thought: My God, but she's a beautiful thing.</p> - -<p>"Portia," he repeated, "I want to talk to you." What could he do with -this girl? Was there no way to break through to her?</p> - -<p>Portia gave him a hateful glance and rose. He watched her and his -hunger was more than he could stand.</p> - -<p>"Please," he said desperately. "Don't leave."</p> - -<p>She turned at the doorway and looked at him coldly.</p> - -<p>"You don't know what it means to lose your wife and have no one to -talk to and have to decide what to do." He looked down at his hands -embarrassedly. Why was he finding it so hard to talk to her? He felt -his face coloring. "I think I'd have gone mad if I hadn't awakened you. -It wasn't a snap judgment, Portia. I just didn't pull your number out -of a hat. You see—" He looked up. She wasn't there.</p> - -<p>He saw her in the hallway, her head down, contemplative and walking -slowly, and catching up to her and walking beside her he explained, -"Suppose I'd have an accident like Karen did? Then none of you would -ever land on Ostarpa. Somebody had to be awakened, Portia. Can't you -understand that?" She gave no hint she knew he was there.</p> - -<p>He watched her in the massage room, unable to take his eyes off her as -the soft, flexible arms stroked her flesh, and he said softly, "You say -I spoiled everything, but I'd like you to think about that. On Ostarpa -you'd have to go to work right away, be given your duty number just -like you had on Earth. On the ship you've got nine years to play with, -nine years of carefree life. You can do what you want and nobody's -going to say or do a thing to tell you to stop, have you thought of -that?" The moving arms were silent and smooth and so was Portia.</p> - -<p>He followed her to the bath but could not bring himself to enter there. -He stayed beyond the filmy curtain and talked to her. "Sure, I know it -was a surprise, awakening you like that, and I know you had in mind -waking on Ostarpa, but being on the ship, the two of us, with all our -wants taken care of—it has its advantages."</p> - -<p>And in the bar, with her eyes averted, drinking with her, he -explained, "Oh, I'll admit there are records to keep. But I missed a -few days after Karen died. Taking the whole ten years into account, -that won't make much difference. But suppose I became ill for a few -days. Somebody's got to be on hand to see I get treatment at the -medocenter. That's why you've got to come around, why you've got to -start thinking about this thing."</p> - -<p>And finally, in the navigation room, he told her, "You can't go on -like this. You've got to learn all about this ship. Why, if something -happened to me, who'd awaken the sleepers? You will have to do that, -Portia. You'd be the only one left. You've just got to be ready to take -over, that's all there is to it. And don't think it's too hard. The -ship does most of it. Automatic. Just a lever here, a button there. -I'll teach you all about it. Even landing the ship. You won't find it -hard, once you put your mind to it."</p> - -<p>Through it all she remained aloof and unspeaking, a beautiful, silent -thing with two accusing orbs for eyes, a lovely mouth with generous -lips much given to a look of disdain.</p> - -<p>Until one day.</p> - -<hr class="tb" /> - -<p>It was totally unexpected. Portia had taken over Karen's bedroom next -to his, closing and locking the intervening door as if forever. He had -gone to sleep in his room, with her still distant and uncommunicative -in hers.</p> - -<p>He awakened to the smell of coffee and a cooking breakfast. He sat up -quickly, wondering if Karen's death and the events that followed it had -been a bad dream, and when he assured himself they had not, wondering -if he had at last lost his mind.</p> - -<p>Clifton quickly dressed and entered the kitchen.</p> - -<p>Portia was there.</p> - -<p>She smiled at him.</p> - -<p>She said, "Good morning, Clifton." Just like Karen.</p> - -<p>He stood speechless, staring.</p> - -<p>"Breakfast is about ready."</p> - -<p>"Wh—what's come over you?" he said numbly, both pleased and -dumbfounded, his eyes relishing the lovely figure in one of Karen's -sheerest nightgowns.</p> - -<p>"You were right," she said, tossing her head to bring the blonde hair -away from her face and smiling. Her teeth were every bit as even and -white as Karen's. "I just realized it. As you said, there are nine -years ahead of us. I might as well make the best of it."</p> - -<p>"I'm glad," he said warmly, and the memory of what she had been like -during the days before was eclipsed by what she was now. "I was hoping -you'd come around."</p> - -<p>"Come, sit down," she said, indicating the place set for him, the -gleaming silver, the neat napkin, the steaming coffee in the cup. -"Don't let it get cold."</p> - -<p>"Karen used to say that." And then he thought: That's a mistake; -I mustn't mention Karen ever again. But Portia seemed not to have -noticed. And she seemed so much like her now.</p> - -<p>"I got tired of eating by myself," Portia said, sitting opposite him -at the table. And she stole a sly look as she said, "And I'm afraid I -acted badly."</p> - -<p>"Not at all," Clifton said gallantly. "I understand how you felt. It's -just taken a little time, that's all." He started eating, but his eyes -were on her and the transformation of eyes that were no longer cold, -lips that weren't scornful any more.</p> - -<p>"Pity the poor sleepers," she said, laughing. "They can't enjoy a -breakfast like this."</p> - -<p>"Do you suppose," he said, endeavoring to keep the talk in the same -vein, "that any might rise up when they smell that coffee?" He inhaled -ecstatically. "Hmm. There's nothing like it."</p> - -<p>"I hope I never make it that strong." And she giggled.</p> - -<p>With a shock he found his knee touching hers. He drew away, wondering -if it had been accidental. Later, when he tried to kiss her, she turned -away, murmuring, "Not yet, Cliff. Give me time. It's so—so sudden."</p> - -<p>He obeyed, turned his attention to other things. He could afford to -wait. After all, there were nine years. A day or so—what did it matter?</p> - -<p>It was more than a week before he managed to kiss her for the first -time. And then it was nothing like Karen's kisses. But immediately he -felt he was asking too much of Portia too soon. There'd be time for -teaching.</p> - -<p>They lost themselves in the intricacies of the ship, covering its -complete operation, the records that had to be kept, the functions of -each section, the matter of awakening the sleepers—which, Clifton -explained, was quite simple, since the medocenter did most of the work, -but still demanded certain procedures and precautions and delicate -adjustments. He even taught her how to use the communications system -that would become operable within a few months of Ostarpa. In all, they -spent a good two months studying together every facet of the ship.</p> - -<p>"It's so complicated," she said in an awed voice. She squeezed his hand -she had taken to holding. "But you're an awfully good teacher, Cliff."</p> - -<p>"And you're the loveliest student I ever had," he said, squeezing back -and drawing closer to kiss her.</p> - -<p>"Cliff!" she said, drawing away and giggling. "You're always joking. -I'll bet I'm the only student you ever had."</p> - -<p>"Well," he said lamely, "I hate to admit it, but you are."</p> - -<p>And then they both laughed.</p> - -<hr class="tb" /> - -<p>At length they finished everything he could show her on the ship. Then -he brought up what had been on his mind ever since the day he awakened -her.</p> - -<p>"Portia," he said gravely, "I'm captain of this ship and as such I have -invested in me the power to perform marriage."</p> - -<p>Portia laughed. "You're always saying things so seriously, Cliff. -So—so pontifically. Is that the word?"</p> - -<p>"I'm serious, Portia."</p> - -<p>"I know." She laughed a little more, then straightened her face. "I -didn't mean to offend you."</p> - -<p>"You're always laughing at me. Why?"</p> - -<p>"I don't mean to."</p> - -<p>"I want to marry you, Portia."</p> - -<p>"I know." And instantly her eyes were grave. "I've known for a long -time."</p> - -<p>"I've wanted you since the day you first looked at me."</p> - -<p>"I've known that, too."</p> - -<p>"It was all I could do to—"</p> - -<p>"You've been more than kind, Cliff."</p> - -<p>"When, darling? When can I marry you?"</p> - -<p>She looked up. "Tomorrow?"</p> - -<p>His heart leaped. "Marry you tomorrow?"</p> - -<p>She nodded. "Tomorrow."</p> - -<p>Was there something odd in her look? He couldn't decide.</p> - -<p>When Clifton went to bed that night his heart sang. The years ahead no -longer seemed appalling and interminable. How they'd spend them! The -sewing room ... it could always be changed back into a nursery. Portia -had shown no interest in sewing, so he'd just store Karen's stuff. -Perhaps somebody would find use for it when they landed on Ostarpa. It -wasn't unusual for captains and their wives to have a half dozen kids -during transit.</p> - -<p>He went to sleep with the sound of children's feet echoing about the -halls and corridors of the ship. And when he dreamed of the marriage it -was, oddly, Karen he was marrying.</p> - -<hr class="tb" /> - -<p>He awakened with a start. On this morning there was no welcome aroma of -coffee. At first he thought perhaps he was too early. But it was time. -Portia was probably so excited she was all off schedule.</p> - -<p>Clifton was careful on this morning. He took his bath, toweled himself -until his skin tingled, used his deodorant sparingly, gave himself a -close shave. The part in his hair was never straighter.</p> - -<p>Dressing himself in a clean, pressed suit, he strolled from his -bedroom. Portia was not in the kitchen. He walked to her bedroom. The -bed had been made. But no Portia.</p> - -<p>Where the devil had she gone?</p> - -<p>He started walking about the ship, searching first here and then there. -Of course not in stereo. Not on this day. Massage? No. Bath? Not -there. Tape? Same.</p> - -<p>She was nowhere to be found. Then he recalled the funny look in her -face the previous night. It meant <i>something</i>.</p> - -<p>Suicide? Frantic now, he went to both waste chutes. Neither gave -evidence of having been opened. Still....</p> - -<p>An hour later he returned, a bewildered and disconsolate man, to his -office.</p> - -<p>Portia was there.</p> - -<p>With her was a man.</p> - -<p>He was George Hedstrom.</p> - -<p>Clifton could only sink back against the wall and look at the two of -them, the Portia he had never seen so radiant, George, a dark, handsome -fellow who wore a quizzical look. Clifton was shocked to see they were -holding hands.</p> - -<p>"Captain," George said in a friendly way, rising his full six feet, -"Portia tells me—"</p> - -<p>"I'm sorry, Cliff," Portia interrupted hastily. "George is my fiance. -We were to be married on Ostarpa, but as long as you—"</p> - -<p><i>Tomorrow, she had said</i>....</p> - -<p>The two figures blurred before him, the room reeled and Clifton -clutched the doorway for support. Karen, Karen! I've been -bewitched.... This girl—I thought she was you.... I should have -known....</p> - -<p>"Let me help you."</p> - -<p>Clifton struck out at the dark head of hair, hit it somewhere.</p> - -<p>Karen, Karen! Can you hear me?</p> - -<p>He stumbled out of the room and down the corridor.</p> - -<p>Karen, Karen! Where are you?</p> - -<p>He found the ventral waste chute. He was in it, heard the door click -behind him. Now they'd never get him out, never take him away from his -Karen.</p> - -<p>The sides of the chute were closing in. It was hot. But it was cool -where Karen was.</p> - -<p>"Wait, Karen!" he cried. And as he inched his way down the chute he -hoped he wasn't too late, hoped she'd forgive him.</p> - -<p>There was the outer door. On the other side was coolness and Karen. -Dear, beautiful, lovely Karen. The <i>real</i> Karen.</p> - -<p>With a surge of joy he held to the smooth sides of the shaft and raised -his foot.</p> - -<p>He plunged it down unerringly against the door. It burst open with a -deadly whoosh of air.</p> - -<p>The door clicked closed.</p> - -<p>The chute was empty.</p> - -<div style='display:block; margin-top:4em'>*** END OF THE PROJECT GUTENBERG EBOOK DEATH IN TRANSIT ***</div> -<div style='text-align:left'> - -<div style='display:block; margin:1em 0'> -Updated editions will replace the previous one—the old editions will -be renamed. -</div> - -<div style='display:block; margin:1em 0'> -Creating the works from print editions not protected by U.S. copyright -law means that no one owns a United States copyright in these works, -so the Foundation (and you!) can copy and distribute it in the United -States without permission and without paying copyright -royalties. Special rules, set forth in the General Terms of Use part -of this license, apply to copying and distributing Project -Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ -concept and trademark. 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