diff options
| author | Roger Frank <rfrank@pglaf.org> | 2025-10-15 05:28:52 -0700 |
|---|---|---|
| committer | Roger Frank <rfrank@pglaf.org> | 2025-10-15 05:28:52 -0700 |
| commit | 6a794feab6b954c233c47395f434b4c8135c00b0 (patch) | |
| tree | 4fa4b01e9892a31f117b5c261c371307a4689512 | |
| -rw-r--r-- | .gitattributes | 3 | ||||
| -rw-r--r-- | 7053-0.txt | 5921 | ||||
| -rw-r--r-- | 7053-0.zip | bin | 0 -> 124574 bytes | |||
| -rw-r--r-- | 7053-h.zip | bin | 0 -> 167272 bytes | |||
| -rw-r--r-- | 7053-h/7053-h.htm | 6542 | ||||
| -rw-r--r-- | 7053-h/images/cover.jpg | bin | 0 -> 18894 bytes | |||
| -rw-r--r-- | 7053-h/images/tpb.jpg | bin | 0 -> 17789 bytes | |||
| -rw-r--r-- | 7053-h/images/tps.jpg | bin | 0 -> 2194 bytes | |||
| -rw-r--r-- | LICENSE.txt | 11 | ||||
| -rw-r--r-- | README.md | 2 | ||||
| -rw-r--r-- | old/pgjr10.txt | 5968 | ||||
| -rw-r--r-- | old/pgjr10.zip | bin | 0 -> 122279 bytes | |||
| -rw-r--r-- | old/pgjr10h.htm | 5318 | ||||
| -rw-r--r-- | old/pgjr10h.zip | bin | 0 -> 126099 bytes |
14 files changed, 23765 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/7053-0.txt b/7053-0.txt new file mode 100644 index 0000000..bfd8f95 --- /dev/null +++ b/7053-0.txt @@ -0,0 +1,5921 @@ +The Project Gutenberg eBook, Pages From a Journal, by Mark Rutherford + + +This eBook is for the use of anyone anywhere in the United States and most +other parts of the world at no cost and with almost no restrictions +whatsoever. You may copy it, give it away or re-use it under the terms of +the Project Gutenberg License included with this eBook or online at +www.gutenberg.org. If you are not located in the United States, you'll have +to check the laws of the country where you are located before using this ebook. + + + + +Title: Pages From a Journal + with other Papers + + +Author: Mark Rutherford + + + +Release Date: August 1, 2019 [eBook #7053] +[This file was first posted on March 2, 2003] + +Language: English + +Character set encoding: UTF-8 + + +***START OF THE PROJECT GUTENBERG EBOOK PAGES FROM A JOURNAL*** + + +Transcribed from the 1901 T. Fisher Unwin edition by David Price, email +ccx074@pglaf.org + + [Picture: Book cover] + + + + + + Pages + From a Journal + + + _WITH OTHER PAPERS_ + + BY + MARK RUTHERFORD + + _Author of_ + “THE AUTOBIOGRAPHY OF MARK RUTHERFORD,” + “CLARA HOPGOOD,” ETC., ETC. + + [Picture: Decorative graphic] + + LONDON + T. FISHER UNWIN + PATERNOSTER SQUARE, E.C., + 1901 + + * * * * * + + [_SECOND IMPRESSION_.] + + * * * * * + + [_All rights reserved_.] + + + + +Contents + + PAGE +A Visit to Carlyle in 1868 1 +Early Morning in January 14 +March 16 +June 18 +August 20 +The End of October 22 +November 25 +The Break-up of a Great Drought 28 +Spinoza 32 +Supplementary Note on the Devil 58 +Injustice 62 +Time Settles Controversies 64 +Talking about our Troubles 66 +Faith 70 +Patience 74 +An Apology 78 +Belief, Unbelief, and Superstition 83 +Judas Iscariot 87 +Sir Walter Scott’s Use of the Supernatural 96 +September, 1798 99 +Some Notes on Milton 110 +The Morality of Byron’s Poetry. “The Corsair” 125 +Byron, Goethe, and Mr. Matthew Arnold 133 +A Sacrifice 149 +The Aged Three 152 +Conscience 153 +The Governess’s Story 160 +James Forbes 170 +Atonement 174 +My Aunt Eleanor 180 +Correspondence between George, Lucy, M.A., and Hermione 200 +Russell, B.A. +Mrs. Fairfax 218 + + + + +A VISIT TO CARLYLE IN 1868 + + +ON Saturday, the 22nd of March, 1868, my father and I called on Carlyle +at 5, Cheyne Row, Chelsea, with a message from one of his intimate +friends. + +We were asked upstairs at once, and found Carlyle at breakfast. The room +was large, well-lighted, a bright fire was burning, and the window was +open in order to secure complete ventilation. Opposite the fireplace was +a picture of Frederick the Great and his sister. There were also other +pictures which I had not time to examine. One of them Carlyle pointed +out. It was a portrait of the Elector of Saxony who assisted Luther. +The letters V.D.M.I.Æ. (“Verbum Dei Manet in Æternum”) were round it. +Everything in the room was in exact order, there was no dust or +confusion, and the books on the shelves were arranged in perfect +_evenness_. I noticed that when Carlyle replaced a book he took pains to +get it level with the others. The furniture was solid, neat, and I +should think expensive. I showed him the letter he had written to me +eighteen years ago. It has been published by Mr. Froude, but it will +bear reprinting. The circumstances under which it was written, not +stated by Mr. Froude, were these. In 1850, when the Latter-day Pamphlets +appeared—how well I remember the eager journey to the bookseller for each +successive number!—almost all the reviews united in a howl of execration, +criticism so called. I, being young, and owing so much to Carlyle, wrote +to him, the first and almost the only time I ever did anything of the +kind, assuring him that there was at least one person who believed in +him. This was his answer:— + + “CHELSEA, 9_th March_, 1850. + + “MY GOOD YOUNG FRIEND,—I am much obliged by the regard you entertain + for me; and do not blame your enthusiasm, which well enough beseems + your young years. If my books teach you anything, don’t mind in the + least whether other people believe it or not; but do you for your own + behoof lay it to heart as a real acquisition you have made, more + properly, as a real message left with you, which _you_ must set about + fulfilling, whatsoever others do! This is really all the counsel I + can give you about what you read in my books or those of others: + _practise_ what you learn there; instantly and in all ways begin + turning the belief into a fact, and continue at that—till you get + more and ever more beliefs, with which also do the like. It is idle + work otherwise to write books or to read them. + + “And be not surprised that ‘people have no sympathy with you’; that + is an accompaniment that will attend you all your days if you mean to + lead an earnest life. The ‘people’ could not save you with their + ‘sympathy’ if they had never so much of it to give; a man can and + must save himself, with or without their sympathy, as it may chance. + + “And may all good be with you, my kind young friend, and a heart + stout enough for this adventure you are upon; that is the best ‘good’ + of all. + + “I remain, yours very sincerely, + + “T. CARLYLE.” + +Carlyle had forgotten this letter, but said, “It is undoubtedly mine. It +is what I have always believed . . . it has been so ever since I was at +college. I do not mean to say I was not loved there as warmly by noble +friends as ever man could be, but the world tumbled on me, and has ever +since then been tumbling on me rubbish, huge wagon-loads of rubbish, +thinking to smother me, and was surprised it did not smother me—turned +round with amazement and said, ‘What, you alive yet?’ . . . While I was +writing my _Frederick_ my best friends, out of delicacy, did not call. +Those who came were those I did not want to come, and I saw very few of +them. I shook off everything to right and left. At last the work would +have killed me, and I was obliged to take to riding, chiefly in the dark, +about fourteen miles most days, plunging and floundering on. I ought to +have been younger to have undertaken such a task. If they were to offer +me all Prussia, all the solar system, I would not write _Frederick_ +again. No bribe from God or man would tempt me to do it.” + +He was re-reading his _Frederick_, to correct it for the stereotyped +edition. “On the whole I think it is very well done. No man perhaps in +England could have done it better. If you write a book though now, you +must just pitch it out of window and say, ‘Ho! all you jackasses, come +and trample on it and trample it into mud, or go on till you are tired.’” +He laughed heartily at this explosion. His laughter struck me—humour +controlling his wrath and in a sense _above_ it, as if the final word +were by no means hatred or contempt, even for the jackass. “ . . . No +piece of news of late years has gladdened me like the victory of the +Prussians over the Austrians. It was the triumph of Prussian over French +and Napoleonic influence. The Prussians were a valiant, pious people, +and it was a question which should have the most power in Germany, they +or Napoleon. The French are sunk in all kinds of filth. Compare what +the Prussians did with what we did in the Crimea. The English people are +an incredible people. They seem to think that it is not necessary that a +general should have the least knowledge of the art of war. It is as if +you had the stone, and should cry out to any travelling tinker or +blacksmith and say, ‘Here, come here and cut me for the stone,’ and he +_would_ cut you! Sir Charles Napier would have been a great general if +he had had the opportunity. He was much delighted with Frederick. +‘Frederick was a most extraordinary general,’ said Sir Charles, and on +examination I found out that all that Sir Charles had read of Frederick +was a manual for Prussian officers, published by him about 1760, telling +them what to do on particular occasions. I was very pleased at this +admiration of Frederick by Sir Charles . . . + +“Sir John Bowring was one of your model men; men who go about imagining +themselves the models of all virtues, and they are models of something +very different. He was one of your patriots, and the Government to quiet +him sent him out to China. When he got there he went to war with a third +of the human race! He, the patriot, he who believed in the +greatest-happiness principle, immediately went to war with a third of the +human race!” (Great laughter from T.C.) “And so far as I can make out +he was all wrong. + +“The _Frederick_ is being translated into German. It is being done by a +man whose name I have forgotten, but it was begun by one of the most +faithful friends I ever had, Neuberg. I could not work in the rooms in +the offices where lay the State papers I wanted to use, it brought on +such a headache, but Neuberg went there, and for six months worked all +day copying. He was taken ill, and a surgical operation was badly +performed, and then in that wild, black weather at the beginning of last +year, just after I came back from Mentone, the news came to me one night +he was dead.” + +On leaving Carlyle shook hands with us both and said he was glad to have +seen us. “It was pleasant to have friends coming out of the dark in this +way.” + +Perhaps a reflection or two which occurred to me after this interview may +not be out of place. Carlyle was perfectly frank, even to us of whom he +knew but little. He did not stand off or refuse to talk on any but +commonplace subjects. What was offered to us was his best. And yet +there is to be found in him a singular reserve, and those shallow persons +who taunt him with inconsistency because he makes so much of silence, and +yet talks so much, understand little or nothing of him. In half a dozen +pages one man may be guilty of shameless garrulity, and another may be +nobly reticent throughout a dozen volumes. Carlyle feels the +contradictions of the universe as keenly as any man can feel them. He +knows how easy it is to appear profound by putting anew the riddles which +nobody can answer; he knows how strong is the temptation towards the +insoluble. But upon these subjects he also knows how to hold his tongue; +he does not shriek in the streets, but he bows his head. He has found no +answer—he no more than the feeblest of us, and yet in his inmost soul +there is a shrine, and he worships. + +Carlyle is the champion of morals, ethics, law—call it what you like—of +that which says we must not always do a thing because it is pleasant. +There are two great ethical parties in the world, and, in the main, but +two. One of them asserts the claims of the senses. Its doctrine is +seductive because it is so right. It is necessary that we should in a +measure believe it, in order that life may be sweet. But nature has +heavily weighted the scale in its favour; its acceptance requires no +effort. It is easily perverted and becomes a snare. In our day nearly +all genius has gone over to it, and preaching it is rather superfluous. +The other party affirms what has been the soul of all religions worth +having, that it is by repression and self-negation that men and States +live. + +It has been said that Carlyle is great because he is graphic, and he is +supposed to be summed up in “mere picturesqueness,” the silliest of +verdicts. A man may be graphic in two ways. He may deal with his +subject from the outside, and by dint of using strong language may +“graphically” describe an execution or a drunken row in the streets. But +he may be graphic by ability to penetrate into essence, and to express it +in words which are worthy of it. What higher virtue than this can we +imagine in poet, artist, or prophet? + +Like all great men, Carlyle is infinitely tender. That was what struck +me as I sat and looked in his eyes, and the best portraits in some degree +confirm me. It is not worth while here to produce passages from his +books to prove my point, but I could easily do so, specially from the +_Life of Sterling_ and the _Cromwell_. {10} Much of his fierceness is an +inverted tenderness. + +His greatest book is perhaps the _Frederick_, the biography of a hero +reduced more than once to such extremities that apparently nothing but +some miraculous intervention could save him, and who did not yield, but +struggled on and finally emerged victorious. When we consider +Frederick’s position during the last part of the Seven Years’ War, we +must admit that no man was ever in such desperate circumstances or showed +such uncrushable determination. It was as if the Destinies, in order to +teach us what human nature can do, had ordained that he who had the most +fortitude should also encounter the severest trial of it. Over and over +again Frederick would have been justified in acknowledging defeat, and we +should have said that he had done all that could be expected even of such +a temper as that with which he was endowed. If the struggle of the will +with the encompassing world is the stuff of which epics are made, then no +greater epic than that of _Frederick_ has been written in prose or verse, +and it has the important advantage of being true. It is interesting to +note how attractive this primary virtue of which Frederick is such a +remarkable representative is to Carlyle, how _moral_ it is to him; and, +indeed, is it not the sum and substance of all morality? It should be +noted also that it was due to no religious motive: that it was bare, pure +humanity. At times it is difficult not to believe that Carlyle, +notwithstanding his piety, loves it all the more on that account. It is +strange that an example so salutary and stimulating to the poorest and +meanest of us should be set by an unbelieving king, and that my humdrum +existence should be secretly supported by “Frederick II. Roi de Prusse.” + + * * * + +Soon after Carlyle died I went to Ecclefechan and stood by his grave. It +was not a day that I would have chosen for such an errand, for it was +cold, grey, and hard, and towards the afternoon it rained a slow, +persistent, wintry rain. The kirkyard in Ecclefechan was dismal and +depressing, but my thoughts were not there. I remembered what Carlyle +was to the young men of thirty or forty years ago, in the days of that +new birth, which was so strange a characteristic of the time. His books +were read with excitement, with tears of joy, on lonely hills, by the +seashore and in London streets, and the readers were thankful that it was +their privilege to live when he also was alive. All that excitement has +vanished, but those who knew what it was are the better for it. Carlyle +now is almost nothing, but his day will return, he will be put in his +place as one of the greatest souls who have been born amongst us, and his +message will be considered as perhaps the most important which has ever +been sent to us. This is what I thought as I stood in Ecclefechan +kirkyard, and as I lingered I almost doubted if Carlyle _could_ be dead. +Was it possible that such as he could altogether die? Some touch, some +turn, I could not tell what or how, seemed all that was necessary to +enable me to see and to hear him. It was just as if I were perplexed and +baffled by a veil which prevented recognition of him, although I was sure +he was behind it. + + + + +EARLY MORNING IN JANUARY + + +A WARM, still morning, with a clear sky and stars. At first the hills +were almost black, but, as the dawn ascended, they became dark green, of +a peculiarly delicate tint which is never seen in the daytime. The +quietude is profound, although a voice from an unseen fishing-boat can +now and then be heard. How strange the landscape seems! It is not a +variation of the old landscape; it is a new world. The half-moon rides +high in the sky, and near her is Jupiter. A little way further to the +left is Venus, and still further down is Mercury, rare apparition, just +perceptible where the deep blue of the night is yielding to the green +which foretells the sun. The east grows lighter; the birds begin to stir +in the bushes, and the cry of a gull rises from the base of the cliff. +The sea becomes responsive, and in a moment is overspread with +continually changing colour, partly that of the heavens above it and +partly self-contributed. With what slow, majestic pomp is the day +preceded, as though there had been no day before it and no other would +follow it! + + + + +MARCH + + +IT is a bright day in March, with a gentle south-west wind. Sitting +still in the copse and facing the sun it strikes warm. It has already +mounted many degrees on its way to its summer height, and is regaining +its power. The clouds are soft, rounded, and spring-like, and the white +of the blackthorn is discernible here and there amidst the underwood. +The brooks are running full from winter rains but are not overflowing. +All over the wood which fills up the valley lies a thin, purplish mist, +harmonising with the purple bloom on the stems and branches. The buds +are ready to burst, there is a sense of movement, of waking after sleep; +the tremendous upward rush of life is almost felt. But how silent the +process is! There is no hurry for achievement, although so much has to +be done—such infinite intricacy to be unfolded and made perfect. The +little stream winding down the bottom turns and doubles on itself; a dead +leaf falls into it, is arrested by a twig, and lies there content. + + + + +JUNE + + +IT is a quiet, warm day in June. The wind is westerly, but there is only +just enough of it to waft now and then a sound from the far-off town, or +the dull, subdued thunder of cannon-firing from ships or forts distant +some forty miles or more. Massive, white-bordered clouds, grey +underneath, sail overhead; there was heavy rain last night, and they are +lifting and breaking a little. Softly and slowly they go, and one of +them, darker than the rest, has descended in a mist of rain, blotting out +the ships. The surface of the water is paved curiously in green and +violet, and where the light lies on it scintillates like millions of +stars. The grass is not yet cut, and the showers have brought it up +knee-deep. Its gentle whisper is plainly heard, the most delicate of all +the voices in the world, and the meadow bends into billows, grey, +silvery, and green, when a breeze of sufficient strength sweeps across +it. The larks are so multitudinous that no distinct song can be caught, +and amidst the confused melody comes the note of the thrush and the +blackbird. A constant under-running accompaniment is just audible in the +hum of innumerable insects and the sharp buzz of flies darting past the +ear. Only those who live in the open air and watch the fields and sea +from hour to hour and day to day know what they are and what they mean. +The chance visitor, or he who looks now and then, never understands them. +While I have lain here, the clouds have risen, have become more aërial, +and more suffused with light; the horizon has become better defined, and +the yellow shingle beach is visible to its extremest point clasping the +bay in its arms. The bay itself is the tenderest blue-green, and on the +rolling plain which borders it lies intense sunlight chequered with +moving shadows which wander eastwards. The wind has shifted a trifle, +and comes straight up the Channel from the illimitable ocean. + + + + +AUGUST + + +A FEW days ago it was very hot. Afterwards we had a thunderstorm, +followed by rain from the south-west. The wind has veered a point +northerly, and the barometer is rising. This morning at half-past five +the valley below was filled with white mist. Above it the tops of the +trees on the highest points emerged sharply distinct. It was motionless, +but gradually melted before the ascending sun, recalling Plutarch’s +“scenes in the beautiful temple of the world which the gods order at +their own festivals, when we are initiated into their own mysteries.” +Here was a divine mystery, with initiation for those who cared for it. +No priests were waiting, no ritual was necessary, the service was +simple—solitary adoration and perfect silence. + +As the day advances, masses of huge, heavy clouds appear. They are well +defined at the edges, and their intricate folds and depths are +brilliantly illuminated. The infinitude of the sky is not so impressive +when it is quite clear as when it contains and supports great clouds, and +large blue spaces are seen between them. On the hillsides the fields +here and there are yellow and the corn is in sheaves. The birds are +mostly dumb, the glory of the furze and broom has passed, but the heather +is in flower. The trees are dark, and even sombre, and, where they are +in masses, look as if they were in solemn consultation. A fore-feeling +of the end of summer steals upon me. Why cannot I banish this +anticipation? Why cannot I rest and take delight in what is before me? +If some beneficent god would but teach me how to take no thought for the +morrow, I would sacrifice to him all I possess. + + + + +THE END OF OCTOBER + + +IT is the first south-westerly gale of the autumn. Its violence is +increasing every minute, although the rain has ceased for awhile. For +weeks sky and sea have been beautiful, but they have been tame. Now for +some unknown reason there is a complete change, and all the strength of +nature is awake. It is refreshing to be once more brought face to face +with her tremendous power, and to be reminded of the mystery of its going +and coming. It is soothing to feel so directly that man, notwithstanding +his science and pretentions, his subjugation of steam and electricity, is +as nothing compared with his Creator. The air has a freshness and odour +about it to which we have long been strangers. It has been dry, and +loaded with fine dust, but now it is deliciously wet and clean. The wind +during the summer has changed lightly through all the points of the +compass, but it has never brought any scent save that of the land, +nothing from a distance. Now it is charged with messages from the ocean. + +The sky is not uniformly overcast, but is covered with long horizontal +folds of cloud, very dark below and a little lighter where they turn up +one into the other. They are incessantly modified by the storm, and +fragments are torn away from them which sweep overhead. The sea, looked +at from the height, shows white edges almost to the horizon, and although +the waves at a distance cannot be distinguished, the tossing of a +solitary vessel labouring to get round the point for shelter shows how +vast they are. The prevailing colour of the water is greyish-green, +passing into deep-blue, and perpetually shifting in tint. A quarter of a +mile away the breakers begin, and spread themselves in a white sheet to +the land. + +A couple of gulls rise from the base of the cliffs to a height of about a +hundred feet above them. They turn their heads to the south-west, and +hover like hawks, but without any visible movement of their wings. They +are followed by two more, who also poise themselves in the same way. +Presently all four mount higher, and again face the tempest. They do not +appear to defy it, nor even to exert themselves in resisting it. What to +us below is fierce opposition is to them a support and delight. How +these wonderful birds are able to accomplish this feat no mathematician +can tell us. After remaining stationary a few minutes, they wheel round, +once more ascend, and then without any effort go off to sea directly in +the teeth of the hurricane. + + + + +NOVEMBER + + +A NOVEMBER day at the end of the month—the country is left to those who +live in it. The scattered visitors who took lodgings in the summer in +the villages have all departed, and the recollection that they have been +here makes the solitude more complete. The woods in which they wandered +are impassable, for the rain has been heavy, and the dry, baked clay of +August has been turned into a slough a foot deep. The wind, what there +is of it, is from the south-west, soft, sweet and damp; the sky is almost +covered with bluish-grey clouds, which here and there give way and permit +a dim, watery gleam to float slowly over the distant pastures. The grass +for the most part is greyish-green, more grey than green where it has not +been mown, but on the rocky and broken ground there is a colour like that +of an emerald, and the low sun when it comes out throws from the +projections on the hillside long and beautifully shaped shadows. +Multitudes of gnats in these brief moments of sunshine are seen playing +in it. The leaves have not all fallen, down in the hollow hardly any +have gone, and the trees are still bossy, tinted with the delicate +yellowish-brown and brown of different stages of decay. The hedges have +been washed clean of the white dust; the roads have been washed; a deep +drain has just begun to trickle and on the meadows lie little pools of +the clearest rainwater, reflecting with added loveliness any blue patch +of the heavens disclosed above them. The birds are silent save the +jackdaws and the robin, who still sings his recollections of the summer, +or his anticipations of the spring, or perhaps his pleasure in the late +autumn. The finches are in flocks, and whirl round in the air with +graceful, shell-like convolutions as they descend, part separating, for +no reason apparently, and forming a second flock which goes away over the +copse. There is hardly any farm-work going on, excepting in the ditches, +which are being cleaned in readiness for the overflow when the thirsty +ground shall have sucked its fill. Under a bank by the roadside a couple +of men employed in carting stone for road-mending are sitting on a sack +eating their dinner. The roof of the barn beyond them is brilliant with +moss and lichens; it has not been so vivid since last February. It is a +delightful time. No demand is made for ecstatic admiration; everything +is at rest, nature has nothing to do but to sleep and wait. + + + + +THE BREAK-UP OF A GREAT DROUGHT + + +FOR three months there had been hardly a drop of rain. The wind had been +almost continuously north-west, and from that to east. Occasionally +there were light airs from the south-west, and vapour rose, but there was +nothing in it; there was no true south-westerly breeze, and in a few +hours the weather-cock returned to the old quarter. Not infrequently the +clouds began to gather, and there was every sign that a change was at +hand. The barometer at these times fell gradually day after day until at +last it reached a point which generally brought drenching storms, but +none appeared, and then it began slowly to rise again and we knew that +our hopes were vain, and that a week at least must elapse before it would +regain its usual height and there might be a chance of declining. At +last the disappointment was so keen that the instrument was removed. It +was better not to watch it, but to hope for a surprise. The grass became +brown, and in many places was killed down to the roots; there was no hay; +myriads of swarming caterpillars devoured the fruit trees; the brooks +were all dry; water for cattle had to be fetched from ponds and springs +miles away; the roads were broken up; the air was loaded with grit; and +the beautiful green of the hedges was choked with dust. Birds like the +rook, which fed upon worms, were nearly starved, and were driven far and +wide for strange food. It was pitiable to see them trying to pick the +soil of the meadow as hard as a rock. The everlasting glare was worse +than the gloom of winter, and the sense of universal parching thirst +became so distressing that the house was preferred to the fields. We +were close to a water famine! The Atlantic, the source of all life, was +asleep, and what if it should never wake! We know not its ways, it mocks +all our science. Close to us lies this great mystery, incomprehensible, +and yet our very breath depends upon it. Why should not the sweet tides +of soft moist air cease to stream in upon us? No reason could be given +why every green herb and living thing should not perish; no reason, save +a faith which was blind. For aught we _knew_, the ocean-begotten aërial +current might forsake the land and it might become a desert. + +One night grey bars appeared in the western sky, but they had too often +deluded us, and we did not believe in them. On this particular evening +they were a little heavier, and the window-cords were damp. The air +which came across the cliff was cool, and if we had dared to hope we +should have said it had a scent of the sea in it. At four o’clock in the +morning there was a noise of something beating against the panes—they +were streaming! It was impossible to lie still, and I rose and went out +of doors. No creature was stirring, there was no sound save that of the +rain, but a busier time there had not been for many a long month. +Thousands of millions of blades of grass and corn were eagerly drinking. +For sixteen hours the downpour continued, and when it was dusk I again +went out. The watercourses by the side of the roads had a little water +in them, but not a drop had reached those at the edge of the fields, so +thirsty was the earth. The drought, thank God, was at an end! + + + + +SPINOZA + + +NOW that twenty years have passed since I began the study of Spinoza it +is good to find that he still holds his ground. Much in him remains +obscure, but there is enough which is sufficiently clear to give a +direction to thought and to modify action. To the professional +metaphysician Spinoza’s work is already surpassed, and is absorbed in +subsequent systems. We are told to read him once because he is +historically interesting, and then we are supposed to have done with him. +But if “Spinozism,” as it is called, is but a stage of development there +is something in Spinoza which can be superseded as little as the +_Imitation of Christ_ or the _Pilgrim’s Progress_, and it is this which +continues to draw men to him. Goethe never cared for set philosophical +systems. Very early in life he thought he had found out that they were +useless pieces of construction, but to the end of his days he clung to +Spinoza, and Philina, of all persons in the world, repeats one of the +finest sayings in the _Ethic_. So far as the metaphysicians are +carpenters, and there is much carpentering in most of them, Goethe was +right, and the larger part of their industry endures wind and weather but +for a short time. Spinoza’s object was not to make a scheme of the +universe. He felt that the things on which men usually set their hearts +give no permanent satisfaction, and he cast about for some means by which +to secure “a joy continuous and supreme to all eternity.” I propose now, +without attempting to connect or contrast Spinoza with Descartes or the +Germans, to name some of those thoughts in his books by which he +conceived he had attained his end. + +The sorrow of life is the rigidity of the material universe in which we +are placed. We are bound by physical laws, and there is a constant +pressure of matter-of-fact evidence to prove that we are nothing but +common and cheap products of the earth to which in a few moments or years +we return. Spinoza’s chief aim is to free us from this sorrow, and to +free us from it by _thinking_. The emphasis on this word is important. +He continually insists that a thing is not unreal because we cannot +imagine it. His own science, mathematics, affords him examples of what +_must_ be, although we cannot picture it, and he believes that true +consolation lies in the region of that which cannot be imaged but can be +thought. + +Setting out on his quest, he lays hold at the very beginning on the idea +of Substance, which he afterwards identifies with the idea of God. “By +Substance I understand that which is in itself and is conceived through +itself; in other words, that, the conception of which does not need the +conception of another thing from which it must be formed.” {34a} “By +God, I understand Being absolutely infinite, that is to say, substance +consisting of infinite attributes, each one of which expresses eternal +and infinite essence.” {34b} “God, or substance consisting of infinite +attributes, each one of which expresses eternal and infinite essence, +necessarily exists.” {34c} By the phrases “in itself” and “by itself,” +we are to understand that this conception cannot be explained in other +terms. Substance must be posited, and there we must leave it. The +demonstration of the last-quoted proposition, the 11th, is elusive, and I +must pass it by, merely observing that the objection that no idea +involves existence, and that consequently the idea of God does not +involve it, is not a refutation of Spinoza, who might rejoin that it is +impossible not to affirm existence of God as the _Ethic_ defines him. +Spinoza escapes one great theological difficulty. Directly we begin to +reflect we are dissatisfied with a material God, and the nobler religions +assert that God is a Spirit. But if He be a pure spirit whence comes the +material universe? To Spinoza pure spirit and pure matter are mere +artifices of the understanding. His God is the Substance with infinite +attributes of which thought and extension are the two revealed to man, +and he goes further, for he maintains that they are one and the same +thing viewed in different ways, inside and outside of the same reality. +The conception of God, strictly speaking, is not incomprehensible, but it +is not _circum_-prehensible; if it were it could not be the true +conception of Him. + +Spinoza declares that “the human mind possesses an adequate knowledge of +the eternal and infinite essence of God” {36}—not of God in His +completeness, but it is adequate. The demonstration of this proposition +is at first sight unsatisfactory, because we look for one which shall +enable us to form an image of God like that which we can form of a +triangle. But we cannot have “a knowledge of God as distinct as that +which we have of common notions, because we cannot imagine God as we can +bodies.” “To your question,” says Spinoza to Boxel, “whether I have as +clear an idea of God as I have of a triangle? I answer, Yes. But if you +ask me whether I have as clear an image of God as I have of a triangle I +shall say, No; for we cannot imagine God, but we can in a measure +understand Him. Here also, it is to be observed that I do not say that I +altogether know God, but that I understand some of His attributes—not +all, nor the greatest part, and it is clear that my ignorance of very +many does not prevent my knowledge of certain others. When I learned the +elements of Euclid, I very soon understood that the three angles of a +triangle are equal to two right angles, and I clearly perceived this +property of a triangle, although I was ignorant of many others.” {37a} + +“Individual things are nothing but affections or modes of God’s +attributes, expressing those attributes in a certain and determinate +manner,” {37b} and hence “the more we understand individual objects, the +more we understand God.” {37c} + +The intellect of God in no way resembles the human intellect, for we +cannot conceive Him as proposing an end and considering the means to +attain it. “The intellect of God, in so far as it is conceived to +constitute His essence, is in truth the cause of things, both of their +essence and of their existence—a truth which seems to have been +understood by those who have maintained that God’s intellect, will, and +power are one and the same thing.” {37d} + +The whole of God is _fact_, and Spinoza denies any reserve in Him of +something unexpressed. “The omnipotence of God has been actual from +eternity, and in the same actuality will remain to eternity,” {38} not of +course in the sense that everything which exists has always existed as we +now know it, or that nothing will exist hereafter which does not exist +now, but that in God everything that has been, and will be, eternally +_is_. + +The reader will perhaps ask, What has this theology to do with the “joy +continuous and supreme”? We shall presently meet with some deductions +which contribute to it, but it is not difficult to understand that +Spinoza, to use his own word, might call the truths set forth in these +propositions “blessed.” Let a man once believe in that God of infinite +attributes of which thought and extension are those by which He manifests +Himself to us; let him see that the opposition between thought and matter +is fictitious; that his mind “is a part of the infinite intellect of +God”; that he is not a mere transient, outside interpreter of the +universe, but himself the soul or law, which is the universe, and he will +feel a relationship with infinity which will emancipate him. + +It is not true that in Spinoza’s God there is so little that is positive +that it is not worth preserving. All Nature is in Him, and if the +objector is sincere he will confess that it is not the lack of contents +in the idea which is disappointing, but a lack of contents particularly +interesting to himself. + +The opposition between the mind and body of man as two diverse entities +ceases with that between thought and extension. It would be impossible +briefly to explain in all its fulness what Spinoza means by the +proposition: “The object of the idea constituting the human mind is a +body” {39}; it is sufficient here to say that, just as extension and +thought are one, considered in different aspects, so body and mind are +one. We shall find in the fifth part of the _Ethic_ that Spinoza affirms +the eternity of the mind, though not perhaps in the way in which it is +usually believed. + +Following the order of the _Ethic_ we now come to its more directly +ethical maxims. Spinoza denies the freedom commonly assigned to the +will, or perhaps it is more correct to say he denies that it is +intelligible. The will is determined by the intellect. The idea of the +triangle involves the affirmation or volition that its three angles are +equal to two right angles. If we understand what a triangle is we are +not “free” to believe that it contains more or less than two right +angles, nor to act as if it contained more or less than two. The only +real freedom of the mind is obedience to the reason, and the mind is +enslaved when it is under the dominion of the passions. “God does not +act from freedom of the will,” {40a} and consequently “things could have +been produced by God in no other manner and in no other order than that +in which they have been produced.” {40b} + +“If you will but reflect,” Spinoza tells Boxel, “that indifference is +nothing but ignorance or doubt, and that a will always constant and in +all things determinate is a virtue and a necessary property of the +intellect, you will see that my words are entirely in accord with the +truth.” {40c} To the same effect is a passage in a letter to Blyenbergh, +“Our liberty does not consist in a certain contingency nor in a certain +indifference, but in the manner of affirming or denying, so that in +proportion as we affirm or deny anything with less indifference, are we +the more free.” {41a} So also to Schuller, “I call that thing free which +exists and acts solely from the necessity of its own nature: I call that +thing coerced which is determined to exist and to act in a certain and +determinate manner by another.” {41b} With regard to this definition it +might be objected that the necessity does not lie solely in the person +who wills but is also in the object. The triangle as well as the nature +of man contains the necessity. What Spinoza means is that the free man +by the necessity of his nature is bound to assert the truth of what +follows from the definition of a triangle and that the stronger he feels +the necessity the more free he is. Hence it follows that the wider the +range of the intellect and the more imperative the necessity which binds +it, the larger is its freedom. + +In genuine freedom Spinoza rejoices. “The doctrine is of service in so +far as it teaches us that we do everything by the will of God alone, and +that we are partakers of the divine nature in proportion as our actions +become more and more perfect and we more and more understand God. This +doctrine, therefore, besides giving repose in every way to the soul, has +also this advantage, that it teaches us in what our highest happiness or +blessedness consists, namely, in the knowledge of God alone, by which we +are drawn to do those things only which love and piety persuade.” {42a} +In other words, being part of the whole, the grandeur and office of the +whole are ours. We are anxious about what we call “personality,” but in +truth there is nothing in it of any worth, and the less we care for it +the more “blessed” we are. + +“By the desire which springs from reason we follow good directly and +avoid evil indirectly” {42b}: our aim should be the good; in obtaining +that we are delivered from evil. To the same purpose is the conclusion +of the fifth book of the _Ethic_ that “No one delights in blessedness +because he has restrained his affects, but, on the contrary, the power of +restraining his lusts springs from blessedness itself.” {43a} This is +exactly what the Gospel says to the Law. + +Fear is not the motive of a free man to do what is good. “A free man +thinks of nothing less than of death, and his wisdom is not a meditation +upon death, but upon life.” {43b} This is the celebrated sixty-seventh +proposition of the fourth part. If we examine the proof which directly +depends on the sixty-third proposition of the same part—“he who is led by +fear, and does what is good in order that he may avoid what is evil, is +not led by reason”—we shall see that Spinoza is referring to the fear of +the “evil” of hell-fire. + +All Spinoza’s teaching with regard to the passions is a consequence of +what he believes of God and man. He will study the passions and not +curse them. He finds that by understanding them “we can bring it to pass +that we suffer less from them. We have, therefore, mainly to strive to +acquire a clear and distinct knowledge of each affect.” {43c} “If the +human mind had none but adequate ideas it would form no notion of evil.” +{44a} “The difference between a man who is led by affect or opinion +alone and one who is led by reason” is that “the former, whether he wills +it or not, does those things of which he is entirely ignorant, but the +latter does the will of no one but himself.” {44b} _They know not what +they do_. + +The direct influence of Spinoza’s theology is also shown in his treatment +of pity, hatred, laughter, and contempt. “The man who has properly +understood that everything follows from the necessity of the divine +nature, and comes to pass according to the eternal laws and rules of +nature, will in truth discover nothing which is worthy of hatred, +laughter, or contempt, nor will he pity any one, but, so far as human +virtue is able, he will endeavour to _do well_, as we say, and to +_rejoice_.” {44c} By pity is to be understood mere blind sympathy. The +good that we do by this pity with the eyes of the mind shut ought to be +done with them open. “He who lives according to the guidance of reason +strives as much as possible to repay the hatred, anger, or contempt of +others towards himself with love or generosity. . . . He who wishes to +avenge injuries by hating in return does indeed live miserably. But he +who, on the contrary, strives to drive out hatred by love, fights +joyfully and confidently, with equal ease resisting one man or a number +of men, and needing scarcely any assistance from fortune. Those whom he +conquers yield gladly, not from defect of strength, but from an increase +of it.” {45a} + +“Joy is the passion by which the mind passes to a greater perfection: +sorrow, on the other hand, is the passion by which it passes to a less +perfection.” {45b} “No God and no human being, except an envious one, is +delighted by my impotence or my trouble, or esteems as any virtue in us +tears, sighs, fears, and other things of this kind, which are signs of +mental impotence; on the contrary, the greater the joy with which we are +affected, the greater the perfection to which we pass thereby; that is to +say, the more do we necessarily partake of the divine nature.” {46} It +would be difficult to find an account of joy and sorrow which is closer +to the facts than that which Spinoza gives. He lived amongst people +Roman Catholic and Protestant who worshipped sorrow. Sorrow was the +divinely decreed law of life and joy was merely a permitted exception. +He reversed this order and his claim to be considered in this respect as +one of the great revolutionary religious and moral reformers has not been +sufficiently recognised. It is remarkable that, unlike other reformers, +he has not contradicted error by an exaggeration, which itself very soon +stands in need of contradiction, but by simple sanity which requires no +correction. One reason for this peculiarity is that the _Ethic_ was the +result of long meditation. It was published posthumously and was +discussed in draft for many years before his death. Usually what we call +our convictions are propositions which we have not thoroughly examined in +quietude, but notions which have just come into our heads and are +irreversible to us solely because we are committed to them. Much may be +urged against the _Ethic_ and on behalf of hatred, contempt, and sorrow. +The “other side” may be produced mechanically to almost every truth; the +more easily, the more divine that truth is, and against no truths is it +producible with less genuine mental effort than against those uttered by +the founder of Christianity. The question, however, if we are dealing +with the New Testament, is not whether the Sermon on the Mount can be +turned inside out in a debating society, but whether it does not +represent better than anything which the clever leader of the opposition +can formulate the principle or temper which should govern our conduct. + +There is a group of propositions in the last part of the _Ethic_, which, +although they are difficult, it may be well to notice, because they were +evidently regarded by Spinoza as helping him to the end he had in view. +The difficulty lies in a peculiar combination of religious ideas and +scientific form. These propositions are the following:—{47} + + “The mind can cause all the affections of the body or the images of + things to be related to the idea of God.” + + “He who clearly and distinctly understands himself and his affects + loves God, and loves Him better the better he understands himself and + his affects.” + + “This love to God above everything else ought to occupy the mind.” + + “God is free from passions, nor is He affected with any affect of joy + or sorrow.” + + “No one can hate God.” + + “He who loves God cannot strive that God should love him in return.” + + “This love to God cannot be defiled either by the effect of envy or + jealousy, but is the more strengthened the more people we imagine to + be connected with God by the same bond of love.” + +The proof of the first of these propositions, using language somewhat +different from that of the text, is as follows:—There is no affection of +the body of which the mind cannot form some clear and distinct +conception, that is to say, of everything perceived it is capable of +forming a clear and adequate idea, not exhaustive, as Spinoza is careful +to warn us, but an idea not distorted by our personality, and one which +is in accordance with the thing itself, adequate as far as it goes. +Newton’s perception that the moon perpetually falls to the earth by the +same numerical law under which a stone falls to it was an adequate +perception. “Therefore,” continues the demonstration (quoting the +fifteenth proposition of the first part—“Whatever is, is in God, and +nothing can either be or be conceived without God”), “the mind can cause +all the affections of the body to be related to the idea of God.” +Spinoza, having arrived at his adequate idea thus takes a further step to +the idea of God. What is perceived is not an isolated external +phenomenon. It is a reality in God: it _is_ God: there is nothing more +to be thought or said of God than the affirmation of such realities as +these. The “relation to the idea of God” means that in the affirmation +He is affirmed. “Nothing,” that is to say, no reality “can be conceived +without God.” + +But it is possible for the word “love” to be applied to the relationship +between man and God. He who has a clear and adequate perception passes +to greater perfection, and therefore rejoices. Joy, accompanied with the +idea of a cause, is love. By the fourteenth proposition this joy is +accompanied by the idea of God as its cause, and therefore love to God +follows. The demonstration seems formal, and we ask ourselves, What is +the actual emotion which Spinoza describes? It is not new to him, for in +the _Short Treatise_, which is an early sketch for the _Ethic_, he thus +writes:—“Hence it follows incontrovertibly that it is knowledge which is +the cause of love, so that when we learn to know God in this way, we must +necessarily unite ourselves to Him, for He cannot be known, nor can he +reveal Himself, save as that which is supremely great and good. In this +union alone, as we have already said, our happiness consists. I do not +say that we must know Him adequately; but it is sufficient for us, in +order to be united with Him, to know Him in a measure, for the knowledge +we have of the body is not of such a kind that we can know it as it is or +perfectly; and yet what a union! what love!” {50} + +Perhaps it may clear the ground a little if we observe that Spinoza often +avoids a negative by a positive statement. Here he may intend to show us +what the love of God is not, that it is not what it is described in the +popular religion to be. “The only love of God I know,” we may imagine +him saying, “thus arises. The adequate perception is the keenest of +human joys for thereby I see God Himself. That which I see is not a +thing or a person, but nevertheless what I feel towards it can be called +by no other name than love. Although the object of this love is not +thing or person it is not indefinite, it is this only which is definite; +‘thing’ and ‘person’ are abstract and unreal. There was a love to God in +Kepler’s heart when the three laws were revealed to him. If it was not +love to God, what is love to Him?” + +To the eighteenth proposition, “No one can hate God,” there is a scholium +which shows that the problem of pain which Spinoza has left unsolved must +have occurred to him. “But some may object that if we understand God to +be the cause of all things, we do for that very reason consider Him to be +the cause of sorrow. But I reply that in so far as we understand the +causes of sorrow, it ceases to be a passion (Prop. 3, pt. 5), that is to +say (Prop. 59, pt. 3) it ceases to be a sorrow; and therefore in so far +as we understand God to be the cause of sorrow do we rejoice.” The third +proposition of the fifth part which he quotes merely proves that in so +far as we understand passion it ceases to be a passion. He replies to +those “who ask why God has not created all men in such a manner that they +might be controlled by the dictates of reason alone,” {52} “Because to +Him material was not wanting for the creation of everything, from the +highest down to the very lowest grade of perfection; or, to speak more +properly, because the laws of His nature were so ample that they sufficed +for the production of everything which can be conceived by an infinite +intellect.” Nevertheless of pain we have no explanation. Pain is not +lessened by understanding it, nor is its mystery penetrated if we see +that to God material could not have been wanting for the creation of men +or animals who have to endure it all their lives. But if Spinoza is +silent in the presence of pain, so also is every religion and philosophy +which the world has seen. Silence is the only conclusion of the Book of +Job, and patient fortitude in the hope of future enlightenment is the +conclusion of Christianity. + +It is a weak mistake, however, to put aside what religions and +philosophies tell us because it is insufficient. To Job it is not +revealed why suffering is apportioned so unequally or why it exists, but +the answer of the Almighty from the whirlwind he cannot dispute, and +although Spinoza has nothing more to say about pain than he says in the +passages just quoted and was certainly not exempt from it himself, it may +be impossible that any man should hate God. + +We now come to the final propositions of the _Ethic_, those in which +Spinoza declares his belief in the eternity of mind. The twenty-second +and twenty-third propositions of the fifth part are as follows:— + + “In God, nevertheless, there necessarily exists an idea which + expresses the essence of this or that human body under the form of + eternity.” + + “The human mind cannot be absolutely destroyed with the body, but + something of it remains which is eternal.” + +The word “nevertheless” is a reference to the preceding proposition which +denies the continuity of memory or imagination excepting so long as the +body lasts. The demonstration of the twenty-third proposition is not +easy to grasp, but the substance of it is that although the mind is the +idea of the body, that is to say, the mind is body as thought and body is +thought as extension, the mind, or essence of the body, is not completely +destroyed with the body. It exists as an eternal idea, and by an eternal +necessity in God. Here again we must not think of that personality which +is nothing better than a material notion, an image from the concrete +applied to mind, but we must cling fast to thought, to the thoughts which +alone makes us what we _are_, and these, says Spinoza, are in God and are +not to be defined by time. They have always been and always will be. +The enunciation of the thirty-third proposition is, “The intellectual +love of God which arises from the third kind of knowledge is eternal.” +The “third kind of knowledge” is that intuitive science which “advances +from an adequate idea of the formal essence of certain attributes of God +to the adequate knowledge of the essence of things;” {54} “No love except +intellectual love is eternal,” {55a} and the scholium to this proposition +adds, “If we look at the common opinion of men, we shall see that they +are indeed conscious of the eternity of their minds, but they confound it +with duration, and attribute it to imagination or memory, which they +believe remain after death.” The intellectual love of the mind towards +God is the very “love with which He loves Himself, not in so far as He is +infinite, but in so far as He can be manifested through the essence of +the human mind, considered under the form of eternity; that is to say, +the intellectual love of the mind towards God is part of the infinite +love with which God loves Himself.” {55b} “Hence it follows that God, in +so far as He loves Himself, loves men, and consequently that the love of +God towards men and the intellectual love of the mind towards God are one +and the same thing.” {55c} The more adequate ideas the mind forms “the +less it suffers from those affects which are evil, and the less it fears +death” because “the greater is that part which remains unharmed, and the +less consequently does it suffer from the affects.” It is possible even +“for the human mind to be of such a nature that that part of it which we +have shown perishes with its body, in comparison with the part of it +which remains, is of no consequence.” {56a} + +Spinoza, it is clear, holds that in some way—in what way he will not +venture to determine—the more our souls are possessed by the intellectual +love of God, the less is death to be dreaded, for the smaller is that +part of us which can die. Three parallel passages may be appended. One +will show that this was Spinoza’s belief from early years and the other +two that it is not peculiar to him. “If the soul is united with some +other thing which is and remains unchangeable, it must also remain +unchangeable and permanent.” {56b} “Further, this creative reason does +not at one time think, at another time not think [it thinks eternally]: +and when separated from the body it remains nothing but what it +essentially is: and thus it is alone immortal and eternal. Of this +unceasing work of thought, however, we retain no memory, because this +reason is unaffected by its objects; whereas the receptive, passive +intellect (which is affected) is perishable, and can really think nothing +without the support of the creative intellect.” {57a} The third +quotation is from a great philosophic writer, but one to whom perhaps we +should not turn for such a coincidence. “I believe,” said Pantagruel, +“that all intellectual souls are exempt from the scissors of Atropos. +They are all immortal.” {57b} + +I have not tried to write an essay on Spinoza, for in writing an essay +there is a temptation to a consistency and completeness which are +contributed by the writer and are not to be found in his subject. The +warning must be reiterated that here as elsewhere we are too desirous, +both writers and readers, of clear definition where none is possible. We +do not stop where the object of our contemplation stops for our eyes. +For my own part I must say that there is much in Spinoza which is beyond +me, much which I cannot _extend_, and much which, if it can be extended, +seems to involve contradiction. But I have also found his works +productive beyond those of almost any man I know of that _acquiescentia +mentis_ which enables us to live. + + + + +SUPPLEMENTARY NOTE ON THE DEVIL + + +SPINOZA denies the existence of the Devil, and says, in the _Short +Treatise_, that if he is the mere opposite of God and has nothing from +God, he is simply the Nothing. But if a philosophical doctrine be true, +it does not follow that as it stands it is applicable to practical +problems. For these a rule may have to be provided, which, although it +may not be inconsistent with the scientific theorem, differs from it in +form. The Devil is not an invention of priests for priestly purposes, +nor is he merely a hypothesis to account for facts, but he has been +forced upon us in order that we may be able to deal with them. Unless we +act as though there were an enemy to be resisted and chained, if we +fritter away differences of kind into differences of degree, we shall +make poor work of life. Spinoza himself assumes that other commands than +God’s may be given to us, but that we are unhesitatingly to obey His and +His only. “Ad fidem ergo catholicam,” he says, “ea solummodo pertinent, +quæ erga Deum _obedientia_ absolute ponit.” Consciousness seems to +testify to the presence of two mortal foes within us—one Divine and the +other diabolic—and perhaps the strongest evidence is not the rebellion of +the passions, but the picturing and the mental processes which are almost +entirely beyond our control, and often greatly distress us. We look down +upon them; they are not ours, and yet they are ours, and we cry out with +St. Paul against the law warring with the law of our minds. Bunyan of +course knows the practical problem and the rule, and to him the Devil is +not merely the tempter to crimes, but the great Adversary. In the _Holy +War_ the chosen regiments of Diabolus are the Doubters, and +notwithstanding their theologic names, they carried deadlier weapons than +the theologic doubters of to-day. The captain over the Grace-doubters +was Captain Damnation; he over the Felicity-doubters was Captain +Past-hope, and his ancient-bearer was Mr. Despair. The nature of the +Doubters is “to put a question upon every one of the truths of Emanuel, +and their country is called the Land of Doubting, and that land lieth off +and furthest remote to the north between the land of Darkness and that +called the Valley of the Shadow of Death.” They are not children of the +sun, and although they are not sinners in the common sense of the word, +those that were caught in Mansoul were promptly executed. + +There is nothing to be done but to fight and wait for the superior help +which will come if we do what we can. Emanuel at first delayed his aid +in the great battle, and the first brunt was left to Captain Credence. +Presently, however, Emanuel appeared “with colours flying, trumpets +sounding, and the feet of his men scarce touched the ground; they hasted +with such celerity towards the captains that were engaged that . . . +there was not left so much as one Doubter alive, they lay spread upon the +ground dead men as one would spread dung on the land.” The dead were +buried “lest the fumes and ill-favours that would arise from them might +infect the air and so annoy the famous town of Mansoul.” But it will be +a fight to the end for Diabolus, and the lords of the pit escaped. + +After Emanuel had finally occupied Mansoul he gave the citizens some +advice. The policy of Diabolus was “to make of their castle a +warehouse.” Emanuel made it a fortress and a palace, and garrisoned the +town. “O my Mansoul,” he said, “nourish my captains; make not my +captains sick, O Mansoul.” + + + + +INJUSTICE + + +A NOTION, self-begotten in me, of the limitations of my friend is +answerable for the barrenness of my intercourse with him. I set him down +as hard; I speak to him as if he were hard and from that which is hard in +myself. Naturally I evoke only that which is hard, although there may be +fountains of tenderness in him of which I am altogether unaware. It is +far better in conversation not to regulate it according to supposed +capacities or tempers, which are generally those of some fictitious +being, but to be simply ourselves. We shall often find unexpected and +welcome response. + +Our estimates of persons, unless they are frequently revived by personal +intercourse, are apt to alter insensibly and to become untrue. They +acquire increased definiteness but they lose in comprehensiveness. + +Especially is this true of those who are dead. If I do not read a great +author for some time my mental abstract of him becomes summary and false. +I turn to him again, all summary judgments upon him become impossible, +and he partakes of infinitude. Writers, and people who are in society +and talk much are apt to be satisfied with an algebraic symbol for a man +of note, and their work is done not with him but with _x_. + + + + +TIME SETTLES CONTROVERSIES + + +WE ought to let Time have his own way in the settlement of our disputes. +It is a commonplace how much he is able to do with some of our troubles, +such as loss of friends or wealth; but we do not sufficiently estimate +his power to help our arguments. If I permit myself to dispute, I always +go beyond what is necessary for my purpose, and my continual iteration +and insistence do nothing but provoke opposition. Much better would it +be simply to state my case and leave it. To do more is not only to +distrust it, but to distrust that in my friend which is my best ally, and +will more surely assist me than all my vehemence. Sometimes—nay, +often—it is better to say nothing, for there is a constant tendency in +Nature towards rectification, and her quiet protest and persuasiveness +are hindered by personal interference. If anybody very dear to me were +to fall into any heresy of belief or of conduct, I am not sure that I +ought to rebuke him, and that he would not sooner be converted by +observing my silent respect for him than by preaching to him. + + + + +TALKING ABOUT OUR TROUBLES + + +WE may talk about our troubles to those persons who can give us direct +help, but even in this case we ought as much as possible to come to a +provisional conclusion before consultation; to be perfectly clear to +ourselves within our own limits. Some people have a foolish trick of +applying for aid before they have done anything whatever to aid +themselves, and in fact try to talk themselves into perspicuity. The +only way in which they can think is by talking, and their speech +consequently is not the expression of opinion already and carefully +formed, but the manufacture of it. + +We may also tell our troubles to those who are suffering if we can lessen +their own. It may be a very great relief to them to know that others +have passed through trials equal to theirs and have survived. There are +obscure, nervous diseases, hypochondriac fancies, almost uncontrollable +impulses, which terrify by their apparent singularity. If we could +believe that they are common, the worst of the fear would vanish. + +But, as a rule, we should be very careful for our own sake not to speak +much about what distresses us. Expression is apt to carry with it +exaggeration, and this exaggerated form becomes henceforth that under +which we represent our miseries to ourselves, so that they are thereby +increased. By reserve, on the other hand, they are diminished, for we +attach less importance to that which it was not worth while to mention. +Secrecy, in fact, may be our salvation. + +It is injurious to be always treated as if something were the matter with +us. It is health-giving to be dealt with as if we were healthy, and the +man who imagines his wits are failing becomes stronger and sounder by +being entrusted with a difficult problem than by all the assurances of a +doctor. + +They are poor creatures who are always craving for pity. If we are sick, +let us prefer conversation upon any subject rather than upon ourselves. +Let it turn on matters that lie outside the dark chamber, upon the last +new discovery, or the last new idea. So shall we seem still to be linked +to the living world. By perpetually asking for sympathy an end is put to +real friendship. The friend is afraid to intrude anything which has no +direct reference to the patient’s condition lest it should be thought +irrelevant. No love even can long endure without complaint, silent it +may be, an invalid who is entirely self-centred; and what an agony it is +to know that we are tended simply as a duty by those who are nearest to +us, and that they will really be relieved when we have departed! From +this torture we may be saved if we early apprentice ourselves to the art +of self-suppression and sternly apply the gag to eloquence upon our own +woes. Nobody who really cares for us will mind waiting on us even to the +long-delayed last hour if we endure in fortitude. + +There is no harm in confronting our disorders or misfortunes. On the +contrary, the attempt is wholesome. Much of what we dread is really due +to indistinctness of outline. If we have the courage to say to +ourselves, What _is_ this thing, then? let the worst come to the worst, +and what then? we shall frequently find that after all it is not so +terrible. What we have to do is to subdue tremulous, nervous, insane +fright. Fright is often prior to an object; that is to say, the fright +comes first and something is invented or discovered to account for it. +There are certain states of body and mind which are productive of +objectless fright, and the most ridiculous thing in the world is able to +provoke it to activity. It is perhaps not too much to say that any +calamity the moment it is apprehended by the reason alone loses nearly +all its power to disturb and unfix us. The conclusions which are so +alarming are not those of the reason, but, to use Spinoza’s words, of the +“affects.” + + + + +FAITH + + +FAITH is nobly seen when a man, standing like Columbus upon the shore +with a dark, stormy Atlantic before him, resolves to sail, and although +week after week no land be visible, still believes and still sails on; +but it is nobler when there is no America as the goal of our venture, but +something which is unsubstantial, as, for example, self-control and +self-purification. It is curious, by the way, that discipline of this +kind should almost have disappeared. Possibly it is because religion is +now a matter of belief in certain propositions; but, whatever the cause +may be, we do not train ourselves day by day to become better as we train +ourselves to learn languages or science. To return from this +parenthesis, we say that when no applause nor even recognition is +expected, to proceed steadily and alone for its own sake in the work of +saving the soul is truer heroism than that which leads a martyr +cheerfully to the stake. + +Faith is at its best when we have to wrestle with despair, not only of +ourselves but of the Universe; when we strain our eyes and see nothing +but blackness. In the _Gorgias_ Socrates maintains, not only that it is +always better to suffer injustice than to commit it, but that it is +better to be punished for injustice than to escape, and better to die +than to do wrong; and it is better not only because of the effect on +others but for our own sake. We are naturally led to ask what support a +righteous man unjustly condemned could find, supposing he were about to +be executed, if he had no faith in personal immortality and knew that his +martyrdom could not have the least effect for good. Imagine him, for +example, shut up in a dungeon and about to be strangled in it and that +not a single inquiry will be made about him—where will he look for help? +what hope will compose him? He may say that in a few hours he will be +asleep, and that nothing will then be of any consequence to him, but that +thought surely will hardly content him. He may reflect that he at least +prevents the evil which would be produced by his apostasy; and very +frequently in life, when we abstain from doing wrong, we have to be +satisfied with a negative result and with the simple absence (which +nobody notices) of some direct mischief, although the abstention may cost +more than positive well-doing. This too, however, is but cold +consolation when the cord is brought and the grave is already dug. + +It must be admitted that Reason cannot give any answer. Socrates, when +his reasoning comes to an end, often permits himself to tell a story. +“My dialectic,” he seems to say, “is of no further use; but here is a +tale for you,” and as he goes on with it we can see his satyr eyes gleam +with an intensity which shows that he did not consider he was inventing a +mere fable. That was the way in which he taught theology. Perhaps we +may find that something less than logic and more than a dream may be of +use to us. We may figure to ourselves that this universe of souls is the +manifold expression of the One, and that in this expression there is a +purpose which gives importance to all the means of which it avails +itself. Apparent failure may therefore be a success, for the mind which +has been developed into perfect virtue falls back into the One, having +served (by its achievements) the end of its existence. The potential in +the One has become actual, has become real, and the One is the richer +thereby. + + + + +PATIENCE + + +WHAT is most to be envied in really religious people of the earlier type +is their intellectual and moral peace. They had obtained certain +convictions, a certain conception of the Universe, by which they could +live. Their horizon may have been encompassed with darkness; experience +sometimes contradicted their faith, but they trusted—nay, they knew—that +the opposition was not real and that the truths were not to be shaken. +Their conduct was marked by a corresponding unity. They determined once +for all that there were rules which had to be obeyed, and when any +particular case arose it was not judged according to the caprice of the +moment, but by statute. + +We, on the other hand, can only doubt. So far as those subjects are +concerned on which we are most anxious to be informed, we are sure of +nothing. What we have to do is to accept the facts and wait. We must +take care not to deny beauty and love because we are forced also to admit +ugliness and hatred. Let us yield ourselves up utterly to the +magnificence and tenderness of the sunrise, though the East End of London +lies over the horizon. That very same Power, and it is no other, which +blasts a country with the cholera or drives the best of us to madness has +put the smile in a child’s face and is the parent of Love. It is +curious, too, that the curse seems in no way to qualify the blessing. +The sweetness and majesty of Nature are so exquisite, so pure, that when +they are before us we cannot imagine they could be better if they +proceeded from an omnipotently merciful Being and no pestilence had ever +been known. We must not worry ourselves with attempts at reconciliation. +We must be satisfied with a hint here and there, with a ray of sunshine +at our feet, and we must do what we can to make the best of what we +possess. Hints and sunshine will not be wanting, and science, which was +once considered to be the enemy of religion, is dissolving by its later +discoveries the old gross materialism, the source of so much despair. + +The conduct of life is more important than speculation, but the lives of +most of us are regulated by no principle whatever. We read our Bible, +Thomas à Kempis, and Bunyan, and we are persuaded that our salvation lies +in the perpetual struggle of the higher against the lower self, the +spirit against the flesh, and that the success of the flesh is damnation. +We take down Horace and Rabelais and we admit that the body also has its +claims. We have no power to dominate both sets of books, and +consequently they supersede one another alternately. Perhaps life is too +large for any code we can as yet frame, and the dissolution of all codes, +the fluid, unstable condition of which we complain, may be a necessary +antecedent of new and more lasting combinations. One thing is certain, +that there is not a single code now in existence which is not false; that +the graduation of the vices and virtues is wrong, and that in the future +it will be altered. We must not hand ourselves over to a despotism with +no Divine right, even if there be a risk of anarchy. In the +determination of our own action, and in our criticism of other people, we +must use the whole of ourselves and not mere fragments. If we do this we +need not fear. We may suppose we are in danger because the stone tables +of the Decalogue have gone to dust, but it is more dangerous to attempt +to control men by fictions. Better no chart whatever than one which +shows no actually existing perils, but warns us against Scylla, +Charybdis, and the Cyclops. If we are perfectly honest with ourselves we +shall not find it difficult to settle whether we ought to do this or that +particular thing, and we may be content. The new legislation will come +naturally at the appointed time, and it is not impossible to live while +it is on the way. + + + + +AN APOLOGY + + +IN these latter days of anarchy and tumult, when there is no gospel of +faith or morals, when democracy seems bent on falsifying every prediction +of earlier democratic enthusiasts by developing worse dangers to liberty +than any which our forefathers had to encounter, and when the misery of +cities is so great, it appears absurd, not to say wrong, that we should +sit still and read books. I am ashamed when I go into my own little room +and open Milton or Shakespeare after looking at a newspaper or walking +through the streets of London. I feel that Milton and Shakespeare are +luxuries, and that I really belong to the class which builds palaces for +its pleasure, although men and women may be starving on the roads. + +Nevertheless, if I were placed on a platform I should be obliged to say, +“My brethren, I plainly perceive the world is all wrong, but I cannot see +how it is to be set right,” and I should descend the steps and go home. +There may be others who have a clearer perception than mine, and who may +be convinced that this way or that way lies regeneration. I do not wish +to discourage them; I wish them God-speed, but I cannot help them nor +become their disciple. Possibly I am doing nothing better than devising +excuses for lotus-eating, but here they are. + +To take up something merely because I am idle is useless. The message +must come to me, and with such urgency that I cannot help delivering it. +Nor is it of any use to attempt to give my natural thoughts a force which +is not inherent in them. + +The disease is often obvious, but the remedies are doubtful. The +accumulation of wealth in a few hands, generally by swindling, is +shocking, but if it were distributed to-morrow we should gain nothing. +The working man objects to the millionaire, but would gladly become a +millionaire himself, even if his million could be piled up in no other +way than by sweating thousands of his fellows. The usurpation of +government by the ignorant will bring disaster, but how in these days +could a wise man reign any longer than ignorance permitted him? The +everlasting veerings of the majority, without any reason meanwhile for +the change, show that, except on rare occasions of excitement, the +opinion of the voters is of no significance. But when we are asked what +substitute for elections can be proposed, none can be found. So with the +relationship between man and woman, the marriage laws and divorce. The +calculus has not been invented which can deal with such complexities. We +are in the same position as that in which Leverrier and Adams would have +been, if, observing the irregularities of Uranus, which led to the +discovery of Neptune, they had known nothing but the first six books of +Euclid and a little algebra. + +There has never been any reformation as yet without dogma and +supernaturalism. Ordinary people acknowledge no real reasons for virtue +except heaven and hell-fire. When heaven and hell-fire cease to +persuade, custom for a while is partly efficacious, but its strength soon +decays. Some good men, knowing the uselessness of rational means to +convert or to sustain their fellows, have clung to dogma with hysterical +energy, but without any genuine faith in it. They have failed, for dogma +cannot be successful unless it be the _inevitable_ expression of the +inward conviction. + +The voices now are so many and so contradictory that it is impossible to +hear any one of them distinctly, no matter what its claim on our +attention may be. The newspaper, the circulating library, the free +library, and the magazine are doing their best to prevent unity of +direction and the din and confusion of tongues beget a doubt whether +literature and the printing press have actually been such a blessing to +the race as enlightenment universally proclaims them to be. + +The great currents of human destiny seem more than ever to move by forces +which tend to no particular point. There is a drift, tremendous and +overpowering, due to nobody in particular, but to hundreds of millions of +small impulses. Achilles is dead, and the turn of the Myrmidons has +come. + + “Myrmdons, race féconde + Myrmidons, + Enfin nous commandons: + Jupiter livre le monde + Aux Myrmidons, aux Myrmidons. + + Voyant qu’ Achille succombe, + Ses Myrmidons, hors des rangs, + Disent: Dansons sur sa tombe + Ses petits vont être grands.” + +My last defence is that the Universe is an organic unity, and so subtle +and far-reaching are the invisible threads which pass from one part of it +to another that it is impossible to limit the effect which even an +insignificant life may have. “Were a single dust-atom destroyed, the +universe would collapse.” + + “ . . . who of men can tell + That flowers would bloom, or that green fruit would swell + To melting pulp, that fish would have bright mail, + The earth its dower of river, wood, and vale, + The meadows runnels, runnels pebble-stones, + The seed its harvest, or the lute its tones, + Tones ravishment, or ravishment its sweet + If human souls did never kiss and greet?” + + + + +BELIEF, UNBELIEF, AND SUPERSTITION + + +TRUE belief is rare and difficult. There is no security that the +fictitious beliefs which have been obtained by no genuine mental process, +that is to say, are not vitally held, may not be discarded for those +which are exactly contrary. We flatter ourselves that we have secured a +method and freedom of thought which will not permit us to be the victims +of the absurdities of the Middle Ages, but, in fact, there is no solid +obstacle to our conversion to some new grotesque religion more miraculous +than Roman Catholicism. Modern scepticism, distinguishing it from +scholarly scepticism, is nothing but stupidity or weakness. Few people +like to confess outright that they do not believe in a God, although the +belief in a personal devil is considered to be a sign of imbecility. +Nevertheless, men, as a rule, have no ground for believing in God a whit +more respectable than for disbelief in a devil. The devil is not seen +nor is God seen. The work of the devil is as obvious as that of God. +Nay, as the devil is a limited personality, belief in him is not +encumbered with the perplexities which arise when we attempt to apprehend +the infinite Being. Belief may often be tested; that is to say, we may +be able to discover whether it is an active belief or not by inquiring +what disbelief it involves. So also the test of disbelief is its +correspondent belief. + +Superstition is a name generally given to a few only of those beliefs for +which it is imagined that there is no sufficient support, such as the +belief in ghosts, witches, and, if we are Protestants, in miracles +performed after a certain date. Why these particular beliefs have been +selected as solely deserving to be called superstitious it is not easy to +discover. If the name is to be extended to all beliefs which we have not +attempted to verify, it must include the largest part of those we +possess. We vote at elections as we are told to vote by the newspaper +which we happen to read, and our opinions upon a particular policy are +based upon no surer foundation than those of the Papist on the +authenticity of the lives of the Saints. + +Superstition is a matter of _relative_ evidence. A thousand years ago it +was not so easy as it is now to obtain rigid demonstration in any +department except mathematics. Much that was necessarily the basis of +action was as incapable of proof as the story of St. George and the +Dragon, and consequently it is hardly fair to say that the dark ages were +more superstitious than our own. Nor does every belief, even in +supernatural objects, deserve the name of superstition. Suppose that the +light which struck down St. Paul on his journey to Damascus was due to +his own imagination, the belief that it came from Jesus enthroned in the +heavens was a sign of strength and not of weakness. Beliefs of this +kind, in so far as they exalt man, prove greatness and generosity, and +may be truer than the scepticism which is formally justified in rejecting +them. If Christ never rose from the dead, the women who waited at the +sepulchre were nearer to reality than the Sadducees, who denied the +resurrection. + +There is a half-belief, which we find in Virgil that is not superstition, +nor inconstancy, nor cowardice. A child-like faith in the old creed is +no longer possible, but it is equally impossible to surrender it. I +refer now not to those who select from it what they think to be in +accordance with their reason, and throw overboard the remainder with no +remorse, but rather to those who cannot endure to touch with sacrilegious +hands the ancient histories and doctrines which have been the +depositaries of so much that is eternal, and who dread lest with the +destruction of a story something precious should also be destroyed. The +so-called superstitious ages were not merely transitionary. Our regret +that they have departed is to be explained not by a mere idealisation of +the past, but by a conviction that truths have been lost, or at least +have been submerged. Perhaps some day they may be recovered, and in some +other form may again become our religion. + + + + +JUDAS ISCARIOT—WHAT CAN BE SAID FOR HIM? + + +JUDAS ISCARIOT has become to Christian people an object of horror more +loathsome than even the devil himself. The devil rebelled because he +could not brook subjection to the Son of God, a failing which was noble +compared with treachery to the Son of man. The hatred of Judas is not +altogether virtuous. We compound thereby for our neglect of Jesus and +His precepts: it is easier to establish our Christianity by cursing the +wretched servant than by following his Master. The heinousness also of +the crime in Gethsemane has been aggravated by the exaltation of Jesus to +the Redeemership of the world. All that can be known of Judas is soon +collected. He was chosen one of the twelve apostles, and received their +high commission to preach the kingdom of heaven, to heal the sick, raise +the dead, cleanse the lepers, and cast out devils. He was appointed +treasurer to the community. John in telling the story of the anointing +at Bethany says that he was a thief, but John also makes him the sole +objector to the waste of the ointment. According to the other +evangelists all the disciples objected. Since he remained in office it +could hardly have been known at the time of the visit to Bethany that he +was dishonest, nor could it have been known at any time to Matthew and +Mark, for they would not have lost the opportunity of adding such a touch +to the portrait. The probability, therefore, is that the robbery of the +bag is unhistorical. When the chief priests and scribes sought how they +might apprehend Jesus they made a bargain with Judas to deliver Him to +them for thirty pieces of silver. He was present at the Last Supper but +went and betrayed his Lord. A few hours afterwards, when he found out +that condemnation to death followed, he repented himself and brought +again the thirty pieces of silver to his employers, declared that he had +sinned in betraying innocent blood, cast down the money at their feet, +and went and hanged himself. + +This is all that is discoverable about Judas, and it has been considered +sufficient for a damnation deeper than any allotted to the worst of the +sons of Adam. Dante places him in the lowest round of the ninth or last +of the hellish circles, where he is eternally “champed” by Satan, +“bruised as with ponderous engine,” his head within the diabolic jaws and +“plying the feet without.” In the absence of a biography with details, +it is impossible to make out with accuracy what the real Judas was. We +can, however, by dispassionate examination of the facts determine their +sole import, and if we indulge in inferences we can deduce those which +are fairly probable. As Judas was treasurer, he must have been trusted. +He could hardly have been naturally covetous, for he had given up in +common with the other disciples much, if not all, to follow Jesus. The +thirty pieces of silver—some four or five pounds of our money—could not +have been considered by him as a sufficient bribe for the ignominy of a +treason which was to end in legal murder. He ought perhaps to have been +able to measure the ferocity of an established ecclesiastical order and +to have known what would have been the consequence of handing over to it +perfect, and therefore heretical, sincerity and purity, but there is no +evidence that he did know: nay, we are distinctly informed, as we have +just seen, that when he became aware what was going to happen his sorrow +for his wicked deed took a very practical shape. + +We cannot allege with confidence that it was any permanent loss of +personal attachment to Jesus which brought about his defection. It came +when the belief in a theocracy near at hand filled the minds of the +disciples. These ignorant Galilean fishermen expected that in a very +short time they would sit on twelve thrones judging the twelve tribes of +Israel. The custodian of the bag, gifted with more common sense than his +colleagues, probably foresaw the danger of a collision with Rome, and may +have desired by a timely arrest to prevent an open revolt, which would +have meant immediate destruction of the whole band with women and +children. Can any position be imagined more irritating that that of a +careful man of business who is keeper of the purse for a company of +heedless enthusiasts professing complete indifference to the value of +money, misunderstanding the genius of their chief, and looking out every +morning for some sign in the clouds, a prophecy of their immediate +appointment as vicegerents of a power that would supersede the awful +majesty of the Imperial city? He may have been heated by a long series +of petty annoyances to such a degree that at last they may have ended in +rage and a sudden flinging loose of himself from the society. It is the +impulsive man who frequently suffers what appears to be inversion, and +Judas was impulsive exceedingly. Matthew, and Matthew only, says that +Judas asked for money from the chief priests. “What will ye give me, and +I will deliver Him unto you?” According to Mark, whose account of the +transaction is the same as Luke’s, “Judas . . . went unto the chief +priests to betray Him unto them. And when they heard it, they were glad, +and promised to give him money.” If the priests were the tempters, a +slight difference is established in favour of Judas, but this we will +neglect. The sin of taking money and joining in that last meal in any +case is black enough, although, as we have before pointed out, Judas did +not at the time know what the other side of the bargain was. Admitting, +however, everything that can fairly be urged against him, all that can be +affirmed with certainty is that we are in the presence of strange and +unaccountable inconsistency, and that an apostle who had abandoned his +home, who had followed Jesus for three years amidst contempt and +persecution, and who at last slew himself in self-reproach, could be +capable of committing the meanest of sins. Is the co-existence of +irreconcilable opposites in human nature anything new? The story of +Judas may be of some value if it reminds us that man is incalculable, and +that, although in theory, and no doubt in reality, he is a unity, the +point from which the divergent forces in him rise is often infinitely +beyond our exploration; a lesson not merely in psychology but for our own +guidance, a warning that side by side with heroic virtues there may sleep +in us not only detestable vices, but vices by which those virtues are +contradicted and even for the time annihilated. The mode of betrayal, +with a kiss, has justly excited loathing, but it is totally +unintelligible. Why should he have taken the trouble to be so base when +the movement of a finger would have sufficed? Why was any sign necessary +to indicate one who was so well known? The supposition that the devil +compelled him to superfluous villainy in order that he might be secured +with greater certainty and tortured with greater subtlety is one that can +hardly be entertained except by theologians. It is equally difficult to +understand why Jesus submitted to such an insult, and why Peter should +not have smitten down its perpetrator. Peter was able to draw his sword, +and it would have been safer and more natural to kill Judas than to cut +off the ear of the high priest’s servant. John, who shows a special +dislike to Judas, knows nothing of the kiss. According to John, Jesus +asked the soldiers whom they sought, and then stepped boldly forward and +declared Himself. “Judas,” adds John, “was standing with them.” As John +took such particular notice of what happened, the absence of the kiss in +his account can hardly have been accidental. It is a sound maxim in +criticism that what is simply difficult of explanation is likely to be +authentic. An awkward reading in a manuscript is to be preferred to one +which is easier. But an historical improbability, especially if no +corroboration of it is to be found in a better authority, may be set +aside, and in this case we are justified in neglecting the kiss. +Whatever may have been the exact shade of darkness in the crime of Judas, +it was avenged with singular swiftness, and he himself was the avenger. +He did not slink away quietly and poison himself in a ditch. He boldly +encountered the sacred college, confessed his sin and the innocence of +the man they were about to crucify. Compared with these pious miscreants +who had no scruples about corrupting one of the disciples, but shuddered +at the thought of putting back into the treasury the money they had taken +from it, Judas becomes noble. His remorse is so unendurable that it +drives him to suicide. + +If a record could be kept of those who have abjured Jesus through love of +gold, through fear of the world or of the scribes and Pharisees, we +should find many who are considered quite respectable, or have even been +canonised, and who, nevertheless, much more worthily than Iscariot, are +entitled to “champing” by the jaws of Sathanas. Not a single scrap from +Judas himself has reached us. He underwent no trial, and is condemned +without plea or excuse on his own behalf, and with no cross-examination +of the evidence. No witnesses have been called to his character. What +would his friends at Kerioth have said for him? What would Jesus have +said? If He had met Judas with the halter in his hand would He not have +stopped him? Ah! I can see the Divine touch on the shoulder, the +passionate prostration of the repentant in the dust, the hands gently +lifting him, the forgiveness because he knew not what he did, and the +seal of a kiss indeed from the sacred lips. + + + + +SIR WALTER SCOTT’S USE OF THE SUPERNATURAL IN THE “BRIDE OF LAMMERMOOR” + + +THE supernatural machinery in Sir Walter Scott’s _Monastery_ is generally +and, no doubt, correctly, set down as a mistake. Sir Walter fails, not +because the White Lady of Avenel is a miracle, but because being +miraculous, she is made to do what sometimes is not worthy of her. This, +however, is not always true, for nothing can be finer than the change in +Halbert Glendinning after he has seen the spirit, and the great master +himself has never drawn a nobler stroke than that in which he describes +the effect which intercourse with her has had upon Mary. Halbert, on the +morning of the duel between himself and Sir Piercie Shafton, is trying to +persuade her that he intends no harm, and that he and Sir Piercie are +going on a hunting expedition. “Say not thus,” said the maiden, +interrupting him, “say not thus to me. Others thou may’st deceive, but +me thou can’st not. There has been that in me from the earliest youth +which fraud flies from, and which imposture cannot deceive.” The +transforming influence of the Lady is here just what it should be, and +the consequence is that she becomes a reality. + +But it is in the _Bride of Lammermoor_ more particularly that the use of +the supernatural is not only blameless but indispensable. We begin to +rise to it in that scene in which the Master of Ravenswood meets Alice. +“Begone from among them,” she says, “and if God has destined vengeance on +the oppressor’s house, do not you be the instrument. . . . If you remain +here, her destruction or yours, or that of both, will be the inevitable +consequence of her misplaced attachment.” A little further on, with +great art, Scott having duly prepared us by what has preceded, adds +intensity and colour. He apologises for the “tinge of superstition,” +but, not believing, he evidently believes, and we justly surrender +ourselves to him. The Master of Ravenswood after the insult received +from Lady Ashton wanders round the Mermaiden’s Well on his way to Wolf’s +Crag and sees the wraith of Alice. Scott makes horse as well as man +afraid so that we may not immediately dismiss the apparition as a mere +ordinary product of excitement. Alice at that moment was dying, and had +“prayed powerfully that she might see her master’s son and renew her +warning.” Observe the difference between this and any vulgar ghost +story. From the very first we feel that the Superior Powers are against +this match, and that it will be cursed. The beginning of the curse lies +far back in the hereditary temper of the Ravenswoods, in the intrigues of +the Ashtons, and in the feuds of the times. When Love intervenes we +discover in an instant that he is not sent by the gods to bring peace, +but that he is the awful instrument of destruction. The spectral +appearance of Alice at the hour of her departure, on the very spot “on +which Lucy Ashton had reclined listening to the fatal tale of woe . . . +holding up her shrivelled hand as if to prevent his coming more near,” is +necessary in order to intimate that the interdict is pronounced not by a +mortal human being but by a dread, supernal authority. + + + + +SEPTEMBER, 1798. “THE LYRICAL BALLADS.” + + +THE year 1798 was a year of great excitement: England was alone in the +struggle against Buonaparte; the mutiny at the Nore had only just been +quelled: the 3 per cent. Consols had been marked at 49 or 50; the +Gazettes were occupied with accounts of bloody captures of French ships; +Ireland may be said to have been in rebellion, and horrible murders were +committed there; the King sent a message to Parliament telling it that an +invasion might be expected and that it was to be assisted by +“incendiaries” at home; and the Archbishop of Canterbury and eleven +bishops passed a resolution declaring that if the French should land, or +a dangerous insurrection should break out, it would be the duty of the +clergy to take up arms against an enemy whom the Bishop of Rochester +described as “instigated by that desperate malignity against the Faith he +has abandoned, which in all ages has marked the horrible character of the +vile apostate.” + +In the midst of this raving political excitement three human beings were +to be found who although they were certainly not unmoved by it, were able +to detach themselves from it when they pleased, and to seclude themselves +in a privacy impenetrable even to an echo of the tumult around them. + +In April or May, 1798, the _Nightingale_ was written, and these are the +sights and sounds which were then in young Coleridge’s eyes and ears:— + + “No cloud, no relique of the sunken day + Distinguishes the West, no long thin slip + Of sullen light, no obscure trembling hues. + Come, we will rest on this old mossy bridge! + You see the glimmer of the stream beneath, + But hear no murmuring: it flows silently, + O’er its soft bed of verdure. All is still, + A balmy night! and tho’ the stars be dim, + Yet let us think upon the vernal showers + That gladden the green earth, and we shall find + A pleasure in the dimness of the stars.” + +We happen also to have Dorothy Wordsworth’s journal for April and May. +Here are a few extracts from it:— + + April 6th.—“Went a part of the way home with Coleridge. . . . The + spring still advancing very slowly. The horse-chestnuts budding, and + the hedgerows beginning to look green, but nothing fully expanded.” + + April 9th.—“Walked to Stowey . . . The sloe in blossom, the hawthorns + green, the larches in the park changed from black to green in two or + three days. Met Coleridge in returning.” + + April 12th.—“ . . . The spring advances rapidly, multitudes of + primroses, dog-violets, periwinkles, stitchwort.” + + April 27th.—“Coleridge breakfasted and drank tea, strolled in the + wood in the morning, went with him in the evening through the wood, + afterwards walked on the hills: the moon; a many-coloured sea and + sky.” + + May 6th, Sunday.—“Expected the painter {101} and Coleridge. A rainy + morning—very pleasant in the evening. Met Coleridge as we were + walking out. Went with him to Stowey; heard the nightingale; saw a + glow-worm.” + +What was it which these three young people (for Dorothy certainly must be +included as one of its authors) proposed to achieve by their book? +Coleridge, in the _Biographia Literaria_, says (vol. ii. c. 1): “During +the first year that Mr. Wordsworth and I were neighbours, our +conversations turned frequently on the two cardinal points of poetry, the +power of exciting the sympathy of the reader by a faithful adherence to +the truth of nature, and the power of giving the interest of novelty by +the modifying colours of imagination. The sudden charm, which accidents +of light and shade, which moonlight or sunset diffused over a known and +familiar landscape, appeared to represent the practicability of combining +both. These are the poetry of nature. The thought suggested itself—(to +which of us I do not recollect)—that a series of poems might be composed +of two sorts. In the one, the agents and incidents were to be, in part +at least, supernatural; and the excellence aimed at was to consist in the +interesting of the affections by the dramatic truth of such emotions, as +would naturally accompany such situations, supposing them real. And real +in this sense they have been to every human being who, from whatever +source of delusion, has at any time believed himself under supernatural +agency. For the second class, subjects were to be chosen from ordinary +life; the characters and incidents were to be such as will be found in +every village and its vicinity, where there is a meditative and feeling +mind to seek after them, or to notice them, when they present themselves. + + “In this idea originated the plan of the LYRICAL BALLADS; in which it + was agreed, that my endeavours should be directed to persons and + characters supernatural, or at least romantic; yet so as to transfer + from our inward nature a human interest and a semblance of truth + sufficient to procure for these shadows of imagination that willing + suspension of disbelief for the moment, which constitutes poetic + faith. Mr. Wordsworth, on the other hand, was to propose to himself + as his object, to give the charm of novelty to things of everyday and + to excite a feeling _analogous to the supernatural_, {103} by + awakening the mind’s attention to the lethargy of custom, and + directing it to the loveliness and the wonders of the world before + us; an inexhaustible treasure, but for which, in consequence of the + film of familiarity and selfish solicitude we have eyes, yet see not, + ears that hear not, and hearts that neither feel nor understand. + + “With this view I wrote THE ANCIENT MARINER, and was preparing, among + other poems, THE DARK LADIE and the CHRISTABEL, in which I should + have more nearly have realised my ideal, than I had done in my first + attempt.” + +Coleridge, when he wrote to Cottle offering him the _Lyrical Ballads_, +affirms that “the volumes offered to you are, to a certain degree, _one +work in kind_” {104a} (_Reminiscences_, p. 179); and Wordsworth declares, +“I should not, however, have requested this assistance, had I not +believed that the poems of my Friend would in a great measure _have the +same tendency as my own_, {104b} and that though there would be found a +difference, there would be found no discordance in the colours of our +style; as our opinions on the subject of poetry do almost entirely +coincide” (Preface to _Lyrical Ballads_, 1800). + +It is a point carefully to be borne in mind that we have the explicit and +contemporary authority of both poets that their aim was the same. + +There are difficulties in the way of believing that _The Ancient Mariner_ +was written for the _Lyrical Ballads_. It was planned in 1797 and was +originally intended for a magazine. Nevertheless, it may be asserted +that the purpose of _The Ancient Mariner_ and of _Christabel_ (which was +originally intended for the _Ballads_) was, as their author said, +_truth_, living truth. He was the last man in the world to care for a +story simply as a chain of events with no significance, and in these +poems the supernatural, by interpenetration with human emotions, comes +closer to us than an event of daily life. In return the emotions +themselves, by means of the supernatural expression, gain intensity. The +texture is so subtly interwoven that it is difficult to illustrate the +point by example, but take the following lines:— + + “Alone, alone, all, all alone, + Alone on a wide wide sea! + And never a saint took pity on + My soul in agony. + + The many men, so beautiful! + And they all dead did lie: + And a thousand thousand slimy things + Lived on; and so did I. + + * * * * + + The self-same moment I could pray: + And from my neck so free + The Albatross fell off, and sank + Like lead into the sea. + + * * * * + + And the hay was white with silent light + Till rising from the same, + Full many shapes, that shadows were, + In crimson colours came. + + A little distance from the prow + Those crimson shadows were: + I turned my eyes upon the deck— + Oh, Christ! what saw I there! + + Each corse lay flat, lifeless and flat, + And, by the holy rood! + A man all light, a seraph-man, + On every corse there stood.” + +Coleridge’s marginal gloss to these last stanzas is “The angelic spirits +leave the dead bodies, and appear in their own forms of light.” + +Once more from _Christabel_:— + + “The maid, alas! her thoughts are gone, + She nothing sees—no sight but one! + The maid, devoid of guile and sin, + I know not how, in fearful wise, + So deeply had she drunken in + That look, those shrunken serpent eyes, + That all her features were resigned + To this sole image in her mind: + And passively did imitate + That look of dull and treacherous hate.” + +What Wordsworth intended we have already heard from Coleridge, and +Wordsworth confirms him. It was, says the Preface of 1802, “to present +ordinary things to the mind in an unusual way.” In Wordsworth the +miraculous inherent in the commonplace, but obscured by “the film of +familiarity,” is restored to it. This translation is effected by the +imagination, which is not fancy nor dreaming, as Wordsworth is careful to +warn us, but that power by which we see things as they are. The authors +of _The Ancient Mariner_ and _Simon Lee_ are justified in claiming a +common object. It is to prove that the metaphysical in Shakespeare’s +sense of the word interpenetrates the physical, and serves to make us see +and feel it. + +Poetry, if it is to be good for anything, must help us to live. It is to +this we come at last in our criticism, and if it does not help us to live +it may as well disappear, no matter what its fine qualities may be. The +help to live, however, that is most wanted is not remedies against great +sorrows. The chief obstacle to the enjoyment of life is its dulness and +the weariness which invades us because there is nothing to be seen or +done of any particular value. If the supernatural becomes natural and +the natural becomes supernatural, the world regains its splendour and +charm. Lines may be drawn from their predecessors to Coleridge and the +Wordsworths, but the work they did was distinctly original, and renewed +proof was given of the folly of despair even when fertility seems to be +exhausted. There is always a hidden conduit open into an unknown region +whence at any moment streams may rush and renew the desert with foliage +and flowers. + +The reviews which followed the publication of the _Lyrical Ballads_ were +nearly all unfavourable. Even Southey discovered nothing in _The Ancient +Mariner_ but “a Dutch attempt at German sublimity.” A certain learned +pig thought it “the strangest story of a cock and bull that he ever saw +on paper,” and not a single critic, not even the one or two who had any +praise to offer, discerned the secret of the book. The publisher was so +alarmed that he hastily sold his stock. Nevertheless Coleridge, +Wordsworth, and his sister quietly went off to Germany without the least +disturbance of their faith, and the _Ballads_ are alive to this day. + + + + +SOME NOTES ON MILTON + + +MUCH of the criticism on Milton, if not hostile, is apologetic, and it is +considered quite correct to say we “do not care” for him. Partly this +indifference is due to his Nonconformity. The “superior” Englishman who +makes a jest of the doctrines and ministers of the Established Church +always pays homage to it because it is _respectable_, and sneers at +Dissent. Another reason why Milton does not take his proper place is +that his theme is a theology which for most people is no longer vital. A +religious poem if it is to be deeply felt must embody a living faith. +The great poems of antiquity are precious to us in proportion to our +acceptance, now, as fact, of what they tell us about heaven and earth. +There are only a few persons at present who perceive that in substance +the account which was given in the seventeenth century of the relation +between man and God is immortal and worthy of epic treatment. A thousand +years hence a much better estimate of Milton will be possible than that +which can be formed to-day. We attribute to him mechanic construction in +dead material because it is dead to ourselves. Even Mr. Ruskin who was +far too great not to recognise in part at least Milton’s claims, says +that “Milton’s account of the most important event in his whole system of +the universe, the fall of the angels, is evidently unbelievable to +himself; and the more so, that it is wholly founded on, and in a great +part spoiled and degraded from, Hesiod’s account of the decisive war of +the younger gods with the Titans. The rest of his poem is a picturesque +drama, in which every artifice of invention is visibly and consciously +employed; not a single fact being for an instant conceived as tenable by +any living faith” (_Sesame and Lilies_, section iii.). + +Mr. Mark Pattison, quoting part of this passage, remarks with justice, +“on the contrary, we shall not rightly apprehend either the poetry or the +character of the poet until we feel that throughout _Paradise Lost_, as +in _Paradise Regained_ and _Samson_, Milton felt himself to be standing +on the sure ground of fact and reality” (_English Men of Letters_—Milton, +p. 186, ed. 1879). + +St. Jude for ages had been sufficient authority for the angelic revolt, +and in a sense it was a reasonable dogma, for although it did not explain +the mystery of the origin of evil it pushed it a step further backwards, +and without such a revolt the Christian scheme does not well hold +together. So also with the entrance of the devil into the serpent. It +is not expressly taught in any passage of the canonical Scriptures, but +to the Church and to Milton it was as indisputable as the presence of sin +in the world. Milton, I repeat, _believed_ in the framework of his poem, +and unless we can concede this to him we ought not to attempt to +criticise him. He was impelled to turn his religion into poetry in order +to bring it closer to him. The religion of every Christian if it is real +is a poem. He pictures a background of Holy Land scenery, and he creates +a Jesus who continually converses with him and reveals to him much more +than is found in the fragmentary details of the Gospels. When Milton +goes beyond his documents he does not imagine for the purpose of filling +up: the additions are expression. + +Milton belonged to that order of poets whom the finite does not satisfy. +Like Wordsworth, but more eminently, he was “powerfully affected” only by +that “which is conversant with or turns upon infinity,” and man is to him +a being with such a relationship to infinity that Heaven and Hell contend +over him. Every touch which sets forth the eternal glory of Heaven and +the scarcely subordinate power of Hell magnifies him. Johnson, whose +judgment on Milton is unsatisfactory because he will not deliver himself +sufficiently to beauty which he must have recognised, nevertheless says +of the _Paradise Lost_, that “its end is to raise the thoughts above +sublunary cares,” and this is true. The other great epic poems worthy to +be compared with Milton’s, the Iliad, Odyssey, Æneid, and Divine Comedy, +all agree in representing man as an object of the deepest solicitude to +the gods or God. Milton’s conception of God is higher than Homer’s, +Virgil’s, or Dante’s, but the care of the Miltonic God for his offspring +is greater, and the profound truth unaffected by Copernican discoveries +and common to all these poets is therefore more impressive in Milton than +in the others. + +There is nothing which the most gifted of men can create that is not +mixed up with earth, and Milton, too, works it up with his gold. The +weakness of the _Paradise Lost_ is not, as Johnson affirms, its lack of +human interest, for the _Prometheus Bound_ has just as little, nor is +Johnson’s objection worth anything that the angels are sometimes +corporeal and at other times independent of material laws. Spirits could +not be represented to a human mind unless they were in a measure subject +to the conditions of time and space. The principal defect in _Paradise +Lost_ is the justification which the Almighty gives of the creation of +man with a liability to fall. It would have been better if Milton had +contented himself with telling the story of the Satanic insurrection, of +its suppression, of its author’s revenge, of the expulsion from Paradise, +and the promise of a Redeemer. But he wanted to “justify the ways of God +to man,” and in order to do this he thought it was necessary to show that +man must be endowed with freedom of will, and consequently could not be +directly preserved from yielding to the assaults of Satan. + +_Paradise Regained_ comes, perhaps, closer to us than _Paradise Lost_ +because its temptations are more nearly our own, and every amplification +which Milton introduces is designed to make them more completely ours +than they seem to be in the New Testament. It has often been urged +against _Paradise Regained_ that Jesus recovered Paradise for man by the +Atonement and not merely by resistance to the devil’s wiles, but inasmuch +as Paradise was lost by the devil’s triumph through human weakness it is +natural that _Paradise Regained_ should present the triumph of the +Redeemer’s strength. It is this victory which proves Jesus to be the Son +of God and consequently able to save us. + +He who has now become incarnated for our redemption is that same Messiah +who, when He rode forth against the angelic rebels, + + “into terror chang’d + His count’nance too severe to be beheld, + And full of wrath bent on his enemies.” + +It is He who + + “on his impious foes right onward drove, + Gloomy as night:” + +whose right hand grasped + + “ten thousand thunders, which he sent + Before him, such as in their souls infix’d + Plagues.” + + (_P. L._ vi. 824–38.) + +Now as Son of Man he is confronted with that same Archangel, and he +conquers by “strong sufferance.” He comes with no fourfold visage of a +charioteer flashing thick flames, no eye which glares lightning, no +victory eagle-winged and quiver near her with three-bolted thunder +stored, but in “weakness,” and with this he is to “overcome satanic +strength.” + +Milton sees in the temptation to turn the stones into bread a devilish +incitement to use miraculous powers and not to trust the Heavenly Father. + + “Why dost thou then suggest to me distrust, + Knowing who I am, as I know who thou art?” + + (_P. R._ i. 355–6.) + +Finding his enemy steadfast, Satan disappears, + + “bowing low + His gray dissimulation,” + + (_P. R._ i. 497–8.) + +and calls to council his peers. He disregards the proposal of Belial to +attempt the seduction of Jesus with women. If he is vulnerable it will +be to objects + + “such as have more shew + Of worth, of honour, glory, and popular praise, + Rocks whereon greatest men have oftest wreck’d; + Or that which only seems to satisfy + Lawful desires of Nature, not beyond.” + + (_P. R._ ii. 226–30.) + +The former appeal is first of all renewed. “Tell me,” says Satan, + + “‘if food were now before thee set + Would’st thou not eat?’ ‘Thereafter as I like + The giver,’ answered Jesus.” + + (_P. R._ ii. 320–22.) + +A banquet is laid, and Satan invites Jesus to partake of it. + + “What doubts the Son of God to sit and eat? + These are not fruits forbidd’n.” + + (_P. R._ ii. 368–9.) + +But Jesus refuses to touch the devil’s meat— + + “Thy pompous delicacies I contemn, + And count thy specious gifts no gifts, but guiles.” + + (_P. R._ ii. 390–1.) + +So they were, for at a word + + “Both table and provision vanish’d quite, + With sound of harpies’ wings and talons heard.” + + (_P. R._ ii. 402–3.) + +If but one grain of that enchanted food had been eaten, or one drop of +that enchanted liquor had been drunk, there would have been no Cross, no +Resurrection, no salvation for humanity. + +The temptation on the mountain is expanded by Milton through the close of +the second book, the whole of the third and part of the fourth. It is a +temptation of peculiar strength because it is addressed to an aspiration +which Jesus has acknowledged. + + “Yet this not all + To which my spirit aspir’d: victorious deeds + Flam’d in my heart, heroic acts.” + + (_P. R._ i. 214–16.) + +But he denies that the glory of mob-applause is worth anything. + + “What is glory but the blaze of fame, + The people’s praise, if always praise unmixt? + And what the people but a herd confus’d, + A miscellaneous rabble, who extol + Things vulgar, and, well weigh’d, scarce worth the praise?” + + (_P. R._ iii. 47–51.) + +To the Jesus of the New Testament this answer is, in a measure, +inappropriate. He would not have called the people “a herd confus’d, a +miscellaneous rabble.” But although inappropriate it is Miltonic. The +devil then tries the Saviour with a more subtle lure, an appeal to duty. + + “If kingdom move thee not, let move thee zeal + And duty; zeal and duty are not slow; + But on occasion’s forelock watchful wait. + They themselves rather are occasion best, + Zeal of thy father’s house, duty to free + Thy country from her heathen servitude.” + + (_P. R._ iii. 171–6.) + +But zeal and duty, the endeavour to hurry that which cannot and must not +be hurried may be a suggestion from hell. + + “If of my reign prophetic writ hath told + That it shall never end, so when begin + The Father in His purpose hath decreed.” + + (_P. R._ iii. 184–6.) + +Acquiescence, a conviction of the uselessness of individual or organised +effort to anticipate what only slow evolution can bring, is +characteristic of increasing years, and was likely enough to be the +temper of Milton when he had seen the failure of the effort to make +actual on earth the kingdom of Heaven. The temptation is developed in +such a way that every point supposed to be weak is attacked. “You may be +what you claim to be,” insinuates the devil, “but are rustic.” + + “Thy life hath yet been private, most part spent + At home, scarce view’d the Galilean towns, + And once a year Jerusalem.” + + (_P. R._ iii. 232–4.) + +Experience and alliances are plausibly urged as indispensable for +success. But Jesus knew that the sum total of a man’s power for good is +precisely what of good there is in him and that if it be expressed even +in the simplest form, all its strength is put forth and its office is +fulfilled. To suppose that it can be augmented by machinery is a foolish +delusion. The + + “projects deep + Of enemies, of aids, battles and leagues, + Plausible to the world” + + (_P. R._ iii. 395–3.) + +are to the Founder of the kingdom not of this world “worth naught.” +Another side of the mountain is tried. Rome is presented with Tiberius +at Capreæ. Could it possibly be anything but a noble deed to + + “expel this monster from his throne + Now made a sty, and in his place ascending, + A victor people free from servile yoke!” + + (_P. R._ iv. 100–102.) + +“_And with my help thou may’st_.” With the devil’s help and not without +can this glorious revolution be achieved! “For him,” is the Divine +reply, “I was not sent.” The attack is then directly pressed. + + “The kingdoms of the world, to thee I give; + For, giv’n to me, I give to whom I please, + No trifle; yet with this reserve, not else, + On this condition, if thou wilt fall down + And worship me as thy superior lord.” + + (_P. R._ iv. 163–7.) + +This, then, is the drift and meaning of it all. The answer is taken +verbally from the gospel. + + “‘Thou shalt worship + The Lord thy God, and only Him shalt serve.’” + + (_P. R._ iv. 176–7.) + +That is to say, Thou shalt submit thyself to God’s commands and God’s +methods and thou shalt submit thyself to _no other_. + +Omitting the Athenian and philosophic episode, which is unnecessary and a +little unworthy even of the Christian poet, we encounter not an +amplification of the Gospel story but an interpolation which is entirely +Milton’s own. Night gathers and a new assault is delivered in darkness. +Jesus wakes in the storm which rages round Him. The diabolic hostility +is open and avowed and He hears the howls and shrieks of the infernals. +He cannot banish them though He is so far master of Himself that He is +able to sit “unappall’d in calm and sinless peace.” He has to endure the +hellish threats and tumult through the long black hours + + “till morning fair + Came forth with pilgrim steps in amice gray, + Who with her radiant finger still’d the roar + Of thunder, chas’d the clouds, and laid the winds, + And grisly spectres, which the Fiend had rais’d + To tempt the Son of God with terrors dire. + But now the sun with more effectual beams + Had cheer’d the face of earth, and dri’d the wet + From drooping plant, or dropping tree; the birds, + Who all things now beheld more fresh and green, + After a night of storm so ruinous, + Clear’d up their choicest notes in bush and spray + To gratulate the sweet return of morn.” + + (_P. R._ iv. 426–38.) + +There is nothing perhaps in _Paradise Lost_ which possesses the peculiar +quality of this passage, nothing which like these verses brings into the +eyes the tears which cannot be repressed when a profound experience is +set to music. + +The temptation on the pinnacle occupies but a few lines only of the poem. +Hitherto Satan admits that Jesus had conquered, but he had done no more +than any wise and good man could do. + + “Now show thy progeny; if not to stand, + Cast thyself down; safely, if Son of God; + For it is written, ‘He will give command + Concerning thee to His angels; in their hands + They shall uplift thee, lest at any time + Thou chance to dash thy foot against a stone.’” + + (_P. R._ iv. 554–9.) + +The promise of Divine aid is made in mockery. + + “To whom thus Jesus: ‘Also it is written, + Tempt not the Lord thy God.’ He said, and stood: + But Satan, smitten with amazement, fell.” + + (_P. R._ iv. 560–2.) + +It is not meant, “thou shalt not tempt _me_,” but rather, “it is not +permitted me to tempt God.” In this extreme case Jesus depends on God’s +protection. This is the devil’s final defeat and the seraphic company +for which our great Example had refused to ask instantly surrounds and +receives him. Angelic quires + + “the Son of God, our Saviour meek, + Sung victor, and from heavenly feast refresh’t, + Brought on His way with joy; He unobserv’d, + Home to His mother’s house private return’d.” + + (_P. R._ iv. 636–9.) + +Warton wished to expunge this passage, considering it an unworthy +conclusion. It is to be hoped that there are many readers of Milton who +are able to see what is the value of these four lines, particularly of +the last. + +It is hardly necessary to say more in order to show how peculiarly Milton +is endowed with that quality which is possessed by all great poets—the +power to keep in contact with the soul of man. + + + + +THE MORALITY OF BYRON’S POETRY. “THE CORSAIR.” + + +[This is an abstract of an essay four times as long written many years +ago. Although so much has been struck out, the substance is unaltered, +and the conclusion is valid for the author now as then.] + +BYRON above almost all other poets, at least in our day, has been set +down as immoral. In reality he is moral, using the word in its proper +sense, and he is so, not only in detached passages, but in the general +drift of most of his poetry. We will take as an example “The Corsair.” + +Conrad is not a debauched buccaneer. He was not— + + “by Nature sent + To lead the guilty—guilt’s worst instrument.” + +He had been betrayed by misplaced confidence. + + “Doom’d by his very virtues for a dupe, + He cursed those virtues as the cause of ill, + And not the traitors who betray’d him still; + Nor deem’d that gifts bestow’d on better men + Had left him joy, and means to give again, + Fear’d—shunn’d—belied—ere youth had lost her force, + He hated man too much to feel remorse, + And thought the voice of wrath a sacred call, + To pay the injuries of some on all.” + +Conrad was not, and could not be, mean and selfish. A selfish Conrad +would be an absurdity. His motives are not gross— + + “he shuns the grosser joys of sense, + His mind seems nourished by that abstinence.” + +He is protected by a charm against undistinguishing lust— + + “Though fairest captives daily met his eye, + He shunn’d, nor sought, but coldly pass’d them by;” + +and even Gulnare, his deliverer, fails to seduce him. + +Mr. Ruskin observes that Byron makes much of courage. It is Conrad, the +leader, who undertakes the dangerous errand of surprising Seyd; it is he +who determines to save the harem. His courage is not the mere excitement +of battle. When he is captured— + + “A conqueror’s more than captive’s air is seen,” + +and he is not insensible to all fear. + + “Each has some fear, and he who least betrays, + The only hypocrite deserving praise. + + * * * * * + + One thought alone he could not—dared not meet— + ‘Oh, how these tidings will Medora greet?’” + +Gulnare announces his doom to him, but he is calm. He cannot stoop even +to pray. He has deserted his Maker, and it would be baseness now to +prostrate himself before Him. + + “I have no thought to mock his throne with prayer + Wrung from the coward crouching of despair; + It is enough—I breathe—and I can bear.” + +He has no martyr-hope with which to console himself; his endurance is of +the finest order—simple, sheer resolution, a resolve that with no reward, +he will never disgrace himself. He knows what it is + + “To count the hours that struggle to thine end, + With not a friend to animate, and tell + To other ears that death became thee well,” + +but he does not break down. + +Gulnare tries to persuade him that the only way by which he can save +himself from tortures and impalement is by the assassination of Seyd, but +he refuses to accept the terms— + + “Who spares a woman’s seeks not slumber’s life”— + +and dismisses her. When she has done the deed and he sees the single +spot of blood upon her, he, the Corsair, is unmanned as he had never been +in battle, prison, or by consciousness of guilt. + + “But ne’er from strife—captivity—remorse— + From all his feelings in their inmost force— + So thrill’d—so shudder’d every creeping vein, + As now they froze before that purple stain. + That spot of blood, that light but guilty streak, + Had banish’d all the beauty from her cheek!” + +The Corsair’s misanthropy had not destroyed him. Small creatures alone +are wholly converted into spite and scepticism by disappointment and +repulse. Those who are larger avenge themselves by devotion. Conrad’s +love for Medora was intensified and exalted by his hatred of the world. + + “Yes, it was Love—unchangeable—unchanged, + Felt but for one from whom he never ranged;” + +and she was worthy of him, the woman who could sing— + + “Deep in my soul that tender secret dwells, + Lonely and lost to light for evermore, + Save when to thine my heart responsive swells, + Then trembles into silence as before. + + There, in its centre, a sepulchral lamp + Burns the slow flame, eternal—but unseen; + Which not the darkness of despair can damp, + Though vain its ray as it had never been.” + +He finds Medora dead, and— + + “his mother’s softness crept + To those wild eyes, which like an infant’s wept.” + +If his crimes and love could be weighed in a celestial balance, weight +being apportioned to the rarity and value of the love, which would +descend? + +The points indicated in Conrad’s character are not many, but they are +sufficient for its delineation, and it is a moral character. We must, of +course, get rid of the notion that the relative magnitude of the virtues +and vices according to the priest or society is authentic. A reversion +to the natural or divine scale has been almost the sole duty preached to +us by every prophet. If we could incorporate Conrad with ourselves we +should find that the greater part of what is worst in us would be +neutralised. The sins of which we are ashamed, the dirty, despicable +sins, Conrad could not have committed; and in these latter days they are +perhaps the most injurious. + +We do not understand how moral it is to yield unreservedly to enthusiasm, +to the impression which great objects would fain make upon us, and to +embody that impression in worthy language. It is rare to meet now even +with young people who will abandon themselves to a heroic emotion, or +who, if they really feel it, do not try to belittle it in expression. +Byron’s poetry, above most, tempts and almost compels surrender to that +which is beyond the commonplace self. + +It is not true that “The Corsair” is insincere. He who hears a note of +insincerity in Conrad and Medora may have ears, but they must be those of +the translated Bottom who was proud of having “a reasonable good ear in +music.” Byron’s romance has been such a power exactly because men felt +that it was not fiction and that his was one of the strongest minds of +his day. He was incapable of toying with the creatures of the fancy +which had no relationship with himself and through himself with humanity. + +A word as to Byron’s hold upon the people. He was able to obtain a +hearing from ordinary men and women, who knew nothing even of +Shakespeare, save what they had seen at the theatre. Modern poetry is +the luxury of a small cultivated class. We may say what we like of +popularity, and if it be purchased by condescension to popular silliness +it is nothing. But Byron secured access to thousands of readers in +England and on the Continent by strength and loveliness, a feat seldom +equalled and never perhaps surpassed. The present writer’s father, a +compositor in a dingy printing office, repeated verses from “Childe +Harold” at the case. Still more remarkable, Byron reached one of this +writer’s friends, an officer in the Navy, of the ancient stamp; and the +attraction, both to printer and lieutenant, lay in nothing lower than +that which was best in him. It is surely a service sufficient to +compensate for many more faults than can be charged against him that +wherever there was any latent poetic dissatisfaction with the vulgarity +and meanness of ordinary life he gave it expression, and that he has +awakened in the _people_ lofty emotions which, without him, would have +slept. The cultivated critics, and the refined persons who have +_schrecklich viel gelesen_, are not competent to estimate the debt we owe +to Byron. + + + + +BYRON, GOETHE, AND MR. MATTHEW ARNOLD + + +(_Reprinted_, _with corrections_, _by permission from the_ “_Contemporary +Review_,” _August_, 1881.) + +MR. MATTHEW ARNOLD has lately published a remarkable essay {133} upon +Lord Byron. Mr. Arnold’s theory about Byron is, that he is neither +artist nor thinker—that “he has no light, cannot lead us from the past to +the future;” “the moment he reflects, he is a child;” “as a poet he has +no fine and exact sense for word and structure and rhythm; he has not the +artist’s nature and gifts.” The excellence of Byron mainly consists in +his “sincerity and strength;” in his rhetorical power; in his +“irreconcilable revolt and battle” against the political and social order +of things in which he lived. “Byron threw himself upon poetry as his +organ; and in poetry his topics were not Queen Mab, and the Witch of the +Atlas, and the Sensitive Plant, they were the upholders of the old order, +George the Third and Lord Castlereagh and the Duke of Wellington and +Southey, and they were the canters and tramplers of the great world, and +they were his enemies and himself.” + +Mr. Arnold appeals to Goethe as an authority in his favour. In order, +therefore, that English people may know what Goethe thought about Byron I +have collected some of the principal criticisms upon him which I can find +in Goethe’s works. The text upon which Mr. Arnold enlarges is the remark +just quoted which Goethe made about Byron to Eckermann: “_so bald er +reflectirt ist er ein Kind_”—_as soon as he reflects he is a child_. + +Goethe, it is true, did say this; but the interpretation of the saying +depends upon the context, which Mr. Arnold omits. I give the whole +passage, quoting from Oxenford’s translation of the _Eckermann +Conversations_, vol. i. p. 198 (edition 1850):— + + “‘Lord Byron,’ said Eckermann, ‘is no wiser when he takes ‘Faust’ to + pieces and thinks you found one thing here, the other there.’ ‘The + greater part of those fine things cited by Lord Byron,’ Goethe + replied, ‘I have never even read; much less did I think of them when + I was writing “Faust.” But Lord Byron is only great as a poet; as + soon as he reflects he is a child. He knows not how to help himself + against the stupid attacks of the same kind made upon him by his own + countrymen. He ought to have expressed himself more strongly against + them. ‘What is there is mine,’ he should have said, ‘and whether I + got it from a book or from life is of no consequence; the only point + is, whether I have made a right use of it.’ Walter Scott used a + scene from my ‘Egmont,’ and he had a right to do so; and because he + did it well, he deserves praise.’” + +Goethe certainly does not mean that Byron was unable to reflect in the +sense in which Mr. Arnold interprets the word. What was really meant we +shall see in a moment. + +We will, however, continue the quotations from the _Eckermann_:— + + “We see how the inadequate dogmas of the Church work upon a free mind + like Byron’s and how by such a piece (‘Cain’) he struggles to get rid + of a doctrine which has been forced upon him” (vol. i. p. 129). + + “The world to him was transparent, and he could paint by way of + anticipation” (vol. i. p. 140). + + “That which I call invention I never saw in any one in the world to a + greater degree than in him” (vol. i. p. 205). + + “Lord Byron is to be regarded as a man, as an Englishman, and as a + great talent. His good qualities belong chiefly to the man, his bad + to the Englishman and the peer, his talent is incommensurable. All + Englishmen are, as such, without reflection properly so-called; + distractions and party-spirit will not permit them to perfect + themselves in quiet. But they are great as practical men. Thus, + Lord Byron could never attain reflection on himself, and on this + account his maxims in general are not successful. . . . But where he + will create, he always succeeds; and we may truly say that, with him, + inspiration supplies the place of reflection. He was always obliged + to go on poetizing, and then everything that came from the man, + especially from his heart, was excellent. He produced his best + things, as women do pretty children, without thinking about it, or + knowing how it was done. He is a great talent, a born talent, and I + never saw the true poetical power greater in any man than in him. In + the apprehension of external objects, and a clear penetration into + past situations, he is quite as great as Shakespeare. But as a pure + individuality, Shakespeare is his superior” (vol. i. p. 209). + +We see now what Goethe means by “reflection.” It is the faculty of +self-separation, or conscious _consideration_, a faculty which would have +enabled Byron, as it enabled Goethe, to reply successfully to a charge of +plagiarism. It is not thought in its widest sense, nor creation, and it +has not much to do with the production of poems of the highest order—the +poems that is to say, which are written by the impersonal thought. + +But again— + + “The English may think of Byron as they please; but this is certain, + that they can show no poet who is to be compared to him. He is + different from all the others, and for the most part, greater” (vol. + i. p. 290). + +This passage is one which Mr. Arnold quotes, and he strives to diminish +its importance by translating _der ihm zu vergleichen wäre_, by “who is +his parallel,” and maintains that Goethe “was not so much thinking of the +strict rank, as poetry, of Byron’s production; he was thinking of that +wonderful personality of Byron which so enters into his poetry.” It is +just possible; but if Goethe did think this, he used words which are +misleading, and if the phrase _der ihm zu vergleichen wäre_ simply +indicates parallelism, it has no point, for in that sense it might have +been applied to Scott or to Southey. + + “I have read once more Byron’s ‘Deformed Transformed,’ and must say + that to me his talent appears greater than ever. His devil was + suggested by my Mephistopheles; but it is no imitation—it is + thoroughly new and original; close, genuine, and spirited. There are + no weak passages—not a place where you could put the head of a pin, + where you do not find _invention and thought_ [italics mine]. Were + it not for his hypochondriacal negative turn, he would be as great as + Shakespeare and the ancients” (vol. i. p. 294). + +Eckermann expressed his surprise. “Yes,” said Goethe, “you may believe +me, I have studied him anew and am confirmed in this opinion.” The +position which Byron occupies in the Second Part of “Faust” is well +known. Eckermann talked to Goethe about it, and Goethe said, “I could +not make use of any man as the representative of the modern poetical era +except him, who undoubtedly is to be regarded as the greatest genius of +our century” (vol. i. p. 425). Mr. Arnold translates this word “genius” +by “talent.” The word in the original is _talent_, and I will not +dispute with so accomplished a German scholar as Mr. Arnold as to what is +the precise meaning of _talent_. In both the English translations of +Eckermann the word is rendered “genius,” and after the comparison between +Byron, Shakespeare, and the ancients just quoted, we can hardly admit +that Goethe meant to distinguish scientifically between the two orders of +intellect and to assign the lower to Byron. + +But, last of all, I will translate Goethe’s criticism upon “Cain.” So +far as I know, it has not yet appeared in English. It is to be found in +the Stuttgart and Tübingen edition of Goethe, 1840, vol. xxxiii. p. 157. +Some portions which are immaterial I have omitted:— + + “After I had listened to the strangest things about this work for + almost a year, I at last took it myself in hand, and it excited in me + astonishment and admiration; an effect which will produce in the mind + which is simply susceptible, everything good, beautiful, and great. . + . . The poet who, surpassing the limit of all our conceptions, has + penetrated with burning spiritual vision the past and present, and + consequently the future, has now subdued new regions under his + limitless talent, but what he will accomplish therein can be + predicted by no human being. His procedure, however, we can + nevertheless in a measure more closely determine. He adheres to the + letter of the Biblical tradition, for he allows the first pair of + human beings to exchange their original purity and innocence for a + guilt mysterious in its origin; the punishment which is its + consequence descending upon all posterity. The monstrous burden of + such an event he lays upon the shoulders of Cain as the + representative of a wretched humanity, plunged for no fault of its + own into the depths of misery. + + “To this primitive son of man, bowed down and heavily burdened, + death, which as yet he has not seen, is an especial trouble; and + although he may desire the end of his present distress, it seems + still more hateful to exchange it for a condition altogether unknown. + Hence we already see that the full weight of a dogmatic system, + explaining, mediating, yet always in conflict with itself, just as it + still for ever occupies us, was imposed on the first miserable son of + man. These contradictions, which are not strange to human nature, + possessed his mind, and could not be brought to rest, either through + the divinely-given gentleness of his father and brother, or the + loving and alleviating co-operation of his sister-wife. In order to + sharpen them to the point of impossibility of endurance, Satan comes + upon the scene, a mighty and misleading spirit, who begins by + unsettling him morally, and then conducts him miraculously through + all worlds, causing him to see the past as overwhelmingly vast, the + present as small and of no account, and the future as full of + foreboding and void of consolation. + + “So he turns back to his own family, more excited, but not worse than + before; and finding in the family circle everything as he has left + it, the urgency of Abel, who wishes to make him offer a sacrifice, + becomes altogether insupportable. More say we not, excepting that + the motivation of the scene in which Abel perishes is of the rarest + excellence, and what follows is equally great and priceless. There + now lies Abel! That now is Death—there was so much talk about it, + and man knows about it as little as he did before. + + “We must not forget, that through the whole piece there runs a kind + of presentiment of a Saviour, so that the poet at this point, as well + as in all others, has known how to bring himself near to the ideas by + which we explain things, and to our modes of faith. + + “Of the scene with the parents, in which Eve at last curses the + speechless Cain, which our western neighbour lifts into such striking + prominence, there remains nothing more for us to say: we have to + approach the conclusion with astonishment and reverence. + + “With regard to this conclusion, an intelligent and fair friend, + related to us through esteem for Byron, has asserted that everything + religious and moral in the world was put into the last three words of + the piece.” {143} + +We have now heard enough from Goethe to prove that Mr. Arnold’s +interpretation of “_so bald er reflectirt ist er ein Kind_” is not +Goethe’s interpretation of Byron. It is to be remembered that Goethe was +not a youth overcome by Mr. Arnold’s “vogue” when he read Byron. He was +a singularly self-possessed old man. + +Many persons will be inclined to think that Goethe, so far from putting +Byron on a lower level than that usually assigned to him, has +over-praised him, and will question the “burning spiritual vision” which +the great German believed the great Englishman to possess. But if we +consider what Goethe calls the “motivation” of Cain; if we reflect on +what the poet has put into the legend; on the exploration of the universe +with Lucifer as a guide; on its result, on the mode in which the death of +Abel is reached; on the doom of the murderer—the limitless wilderness +henceforth and no rest; on the fidelity of Adah, who, with the true +instinct of love, separates between the man and the crime; on the majesty +of the principal character, who stands before us as the representative of +the insurgence of the human intellect, so that, if we know him, we know a +whole literature; if we meditate hereon, we shall say that Goethe has not +exaggerated. It is the same with the rest of Byron’s dramas. Over and +above the beauty of detached passages, there is in each one of them a +large and universal meaning, or rather meaning within meaning, precisely +the same for no reader, but none the less certain, and as inexhaustible +as the meanings of Nature. This is one reason why the wisdom of a +selection from Byron is so doubtful. The worth of “Cain,” of +“Sardanapalus,” of “Manfred,” of “Marino Faliero,” is the worth of an +outlook over the sea; and we cannot take a sample of the scene from a +cliff by putting a pint of water into a bottle. But Byron’s critics and +the compilers tell us of failures, which ought not to survive, and that +we are doing a kindness to him if we suppress these and exhibit him at +his best. No man who seriously cares for Byron will assent to this +doctrine. We want to know the whole of him, his weakness as well as his +strength; for the one is not intelligible without the other. A human +being is an indivisible unity, and his weakness _is_ his strength, and +his strength _is_ his weakness. + +It is not my object now, however, to justify what Mr. Arnold calls the +Byronic “superstition.” I hope I could justify a good part of it, but +this is not the opportunity. I cannot resist, however, saying a word by +way of conclusion on the manner in which Byron has fulfilled what seems +to me one of the chief offices of the poet. Mr. Arnold, although he is +so dissatisfied with Byron because he “cannot reflect,” would probably in +another mood admit that “reflections” are not what we demand of a poet. +We do not ask of him a rhymed book of proverbs. He should rather be the +articulation of what in Nature is great but inarticulate. In him the +thunder, the sea, the peace of morning, the joy of youth, the rush of +passion, the calm of old age, should find words, and men should through +him become aware of the unrecognised wealth of existence. Byron had the +power above most poets of acting as a kind of tongue to Nature. His +descriptions are on everybody’s lips, and it is superfluous to quote +them. He represented things not as if they were aloof from him, but as +if they were the concrete embodiment of his soul. The woods, the wilds, +the waters of Nature are to him— + + “the intense + Reply of _hers_ to our intelligence.” + +His success is equally marked when he portrays men or women whose +character attracts him. Take, for example, the girl in “The Island”:— + + “The sunborn blood suffused her neck, and threw + O’er her clear nutbrown skin a lucid hue, + Like coral reddening through the darken’d wave, + Which draws the diver to the crimson cave. + Such was this daughter of the southern seas, + _Herself a billow in her energies_. + + * * * * * + + Her smiles and tears had pass’d, as light winds pass + O’er lakes to ruffle, not destroy, their glass, + _Whose depths unsearch’d_, _and fountains from the hill_, + _Restore their surface_, _in itself so still_.” + +Passages like these might be quoted without end from Byron, and they +explain why he is and must be amongst the immortals. He may have been +careless in expression; he may have been a barbarian and not a εύφυής, as +Mr. Matthew Arnold affirms, but he was _great_. This is the word which +describes him. He was a mass of living energy, and therefore he is +sanative. Energy, power, is the one thing after which we pine in this +sickly age. We do not want carefully and consciously constructed poems +of mosaic. Strength is what we need and what will heal us. Strength is +true morality, and true beauty. It is the strength in Byron that +falsifies the accusation of affectation and posing, which is brought +against him. All that is meant by affectation and posing was a mere +surface trick. The real man, Byron, and his poems are perfectly +unconscious, as unconscious as the wind. The books which have lived and +always will live have this unconsciousness in them, and what is +manufactured, self-centred, and self-contemplative will perish. The +world’s literature is the work of men, who, to use Byron’s own words— + + “Strip off this fond and false identity;” + +who are lost in their object, who write because they cannot help it, +imperfectly or perfectly, as the case may be, and who do not sit down to +fit in this thing and that thing from a commonplace book. Many novelists +there are who know their art better than Charlotte Brontë, but she, like +Byron—and there are more points of resemblance between them than might at +first be supposed—is imperishable because she speaks under overwhelming +pressure, self-annihilated, we may say, while the spirit breathes through +her. The Byron “vogue” will never pass so long as men and women are men +and women. Mr. Arnold and the critics may remind us of his imperfections +of form, but Goethe is right after all, for not since Shakespeare have we +had any one _der ihm zu vergleichen wäre_. + + + + +A SACRIFICE + + +A FATAL plague devastated the city. The god had said that it would +continue to rage until atonement for a crime had been offered by the +sacrifice of a man. He was to be perfect in body; he must not desire to +die because he no longer loved life, or because he wished for fame. A +statue must not be erected to his memory; no poem must be composed for +him; his name must not appear in the city’s records. + +A few volunteers presented themselves, but none of them satisfied all the +conditions. At last a young man came who had served as the model for the +image of the god in his temple. There was no question, therefore, of +soundness of limb, and when he underwent the form of examination no spot +nor blemish was found on him. The priest asked him whether he was in +trouble, and especially whether he was disappointed in love. He said he +was in no trouble; that he was betrothed to a girl to whom he was +devoted, and that they had intended to be married that month. “I am,” he +declared, “the happiest man in the city.” The priest doubted and watched +him that evening, but he saw him walking side by side with this girl, and +the two were joyous as a youth and a maiden ought to be in the height of +their passion. She sat down and sang to him he played to her, and they +embraced one another tenderly at parting. + +The next morning was the day on which he was to be slain. There was an +altar in front of the temple, and a great crowd assembled, ranked round +the open space. At the appointed hour the priest appeared, and with him +was the youth, holding his beloved by the hand, but she was blindfolded. +He let go her hand, knelt down, and in a moment the sacrificial knife was +drawn across his throat. His body was placed upon the wood, and the +priest was about to kindle it when a flash from heaven struck it into a +blaze with such heat that when the fire dropped no trace of the victim +remained. The girl, too, had disappeared, and was never seen again. + +In accordance with the god’s decree, no statue was erected, no poem was +composed, and no entry was made in the city records. But tradition did +not forget that the saviour of the city was he who survived in the great +image on which the name of the god was inscribed. + + + + +THE AGED TREE + + +AN aged tree, whose companions had gone, having still a little sap in its +bark and a few leaves which grew therefrom, prayed it might see yet +another spring. Its prayer was granted: and spring came, but the old +tree had no leaves save one or two near the ground, and a great fungus +fixed itself on its trunk. It had a dull life in its roots, but not +enough to know that its moss and fungus were not foliage. It stood +there, an unlovely mass of decay, when the young trees were all bursting. +“That rotten thing,” said the master, “ought to have been cut down long +ago.” + + + + +CONSCIENCE + + +“CONSCIENCE,” said I, “her conscience would have told her.” + +“Yes,” said my father. “The strongest amongst the many objections to the +Roman Catholic doctrine of confession is that it weakens our dependence +on the conscience. If we seek for an external command to do what ought +to be done in obedience to that inward monitor, whose voice is always +clear if we will but listen, its authority will gradually be lost, and in +the end it will cease to speak.” + +“Conscience,” said my grandmother musingly (turning to my father). “You +will remember Phyllis Eyre? She was one of my best friends, and it is +now two years since she died, unmarried. She was once governess to the +children of Sir Robert Walsh, but remained in the house as companion to +Lady Walsh long after her pupils had grown up. She was, in fact, more +than a companion, for Lady Walsh trusted her and loved her. She was by +birth a lady; she had been well educated, and, like her mistress, she was +devoutly and evangelically pious. She was also very handsome, and this +you may well believe, for, as you know, she was handsome as an old woman, +stately and erect, with beautiful, undimmed eyes. When Evelina Walsh, +the eldest daughter, was about one and twenty, Charles Fysshe, the young +heir to the Fysshe property, came to stay with her brother, and Phyllis +soon discovered, or thought she discovered, that he was in love with +Evelina. He seemed to court her society, and paid her attentions which +could be explained on one hypothesis only. Phyllis was delighted, for +the match in every way was most suitable, and must gladden the hearts of +Evelina’s parents. The young man would one day be the possessor of +twenty thousand acres; he had already taken a position in the county, and +his soul was believed to be touched with Divine grace. Evelina certainly +was in love with him, and Phyllis was not backward in urging his claims. +She congratulated herself, and with justice, that if the marriage should +ever take place, it would be acknowledged that she had had a hand in it. +It might even be doubted whether Evelina, without Phyllis’s approval, +would have permitted herself to indulge her passion, for she was by +nature diffident, and so beset with reasons for and against when she had +to make up her mind on any important matter, that a decision was always +most difficult to her. + +“Charles stayed for about six weeks, and was then called home. He +promised that he would pay another visit of a week in the autumn, when +Sir Robert was to entertain the Lord Lieutenant and there were to be +grand doings at the Hall. Conversation naturally turned upon him during +his absence, and Phyllis, as usual, was warm in his praise. One evening, +after she had reached her own room and had lain down to sleep, a strange +apparition surprised her. It was something more than a suspicion that +she herself loved Charles. She strove to rid herself of this intrusion: +she called to mind the difference in their rank; that she was five years +his senior, and that if she yielded she would be guilty of treachery to +Evelina. It was all in vain; the more she resisted the more vividly did +his image present itself, and she was greatly distressed. What was the +meaning of this outbreak of emotion, not altogether spiritual, of this +loss of self-possession, such as she had never known before? Her usual +remedies against evil thoughts failed her, and, worst of all, there was +the constant suggestion that these particular thoughts were not evil. +Hitherto, when temptation had attacked her, she was sure whence it came, +but she was not sure now. It might be an interposition of Providence, +but how would it appear to Evelina? I myself, my dears, have generally +found that to resist the devil is not difficult if I am quite certain +that the creature before me is the devil, but it does tax my wits +sometimes to find out if he is really the enemy or not. When Apollyon +met Christian he was not in doubt for an instant, for the monster was +hideous to behold: he had scales like a fish, wings like a dragon, feet +like a bear, out of his belly came fire and smoke, and his mouth was as +the mouth of a lion. After some parleying he cast his dreadful dart, but +Christian, without more ado, put up his shield, drew his sword, and +presently triumphed. If Satan had turned himself, from his head to his +ankles, into a man, and had walked by Christian’s side, and had talked +with him, and had agreed with him in everything he had to say, the bear’s +claws might have peeped out, but Christian, instead of fighting, would +have begun to argue with himself whether the evidence of the face or the +foot was the stronger. He would have been just as likely to trust the +face, and in a few moments he would have been snapped up and carried off +to hell. To go on with my story: the night wore on in sophistry and +struggle, and no inner light dawned with the sun. Phyllis was much +agitated, for in the afternoon Charles was to return, and although amidst +the crowd of visitors she might be overlooked, she could not help seeing +him. She did see him, but did not speak to him. He sat next to Evelina +at dinner, who was happy and expectant. The next day there was a grand +meet of the hounds, and almost all the party disappeared. Phyllis +pleaded a headache, and obtained permission to stay at home. It was a +lovely morning in November, without a movement in the air, calm and +cloudless, one of those mornings not uncommon when the year begins to +die. She went into the woods at the outer edge of the park, and had +scarcely entered them, when lo! to her astonishment, there was Charles. +She could not avoid him, and he came up to her. + +“‘Why, Miss Eyre, what are you doing here?’ + +“‘I had a headache; I could not go with the others, and came out for a +stroll.’ + +“‘I, too, was not very well, and have been left behind.’ + +“They walked together side by side. + +“‘I wanted to speak to you, Miss Eyre. I wonder if you have suspected +anything lately.’ + +“‘Suspected? I do not quite comprehend: you are very vague.’ + +“‘Well, must I be more explicit? Have you fancied that I care more for +somebody you know than I care for all the world besides? I suppose you +have not, for I thought it better to hide as much as possible what I +felt.’ + +“‘I should be telling an untruth if I were to say I do not understand +you, and I trust you will pardon me if I tell you that a girl more worthy +of you than Evelina, and one more likely to make you happy, I have never +seen.’ + +“‘Gracious God! what have I done? what a mistake! Miss Eyre, it is you I +mean; it is you I love.’ + +“There was not an instant’s hesitation. + +“‘Sir, I thank you, but I can answer at once. _Never_ can I be yours. +That decision is irrevocable. I admire you, but cannot love you.’ + +“She parted from him abruptly, but no sooner had she left him than she +was confounded, and wondered who or what it was which gave that answer. +She wavered, and thought of going back, but she did not. Later on in the +day she heard that Charles had gone home, summoned by sudden business. +Two years afterwards his engagement with Evelina was announced, and in +three years they were married. It was not what I should call a happy +marriage, although they never quarrelled and had five children. To the +day of her death Phyllis was not sure whether she had done right or +wrong, nor am I.” + + + + +THE GOVERNESS’S STORY + + +IN the year 1850 I was living as governess in the small watering-place +S., on the south coast of England. Amongst my friends was a young +doctor, B., who had recently come to the town. He had not bought a +practice, but his family was known to one or two of the principal +inhabitants, and he had begun to do well. He deserved his success, for +he was skilful, frank, and gentle, and he did not affect that mystery +which in his elder colleagues was already suspected to be nothing but +ignorance. He was one of the early graduates of the University of +London, and representative of the new school of medical science, relying +not so much upon drugs as upon diet and regimen. I was one of his first +patients. I had a severe illness lasting for nearly three months; he +watched over me carefully and cured me. As I grew better he began to +talk on other matters than my health when he visited me. We found that +we were both interested in the same books: he lent me his and I lent him +mine. It is almost impossible, I should think, for a young man and a +young woman to be friends and nothing more, and I confess that my +sympathy with him in his admiration of the Elizabethan poets, and my +gratitude to him for my recovery passed into affection. I am sure also +that he felt affection for me. He became confidential, and told me all +his history and troubles. There was one peculiarity in his conversation +which was new to me: he never talked down to me, and he was not afraid at +times to discuss subjects that in the society to which I had been +accustomed were prohibited. Not a word that was improper ever escaped +his lips, but he treated me in a measure as if I were a man, and I was +flattered that he should put me on a level with himself. It is true that +sometimes I fancied he was so unreserved with me because he was sure he +was quite safe, for I was poor, and although I was not ugly I was not +handsome. However, on the whole, I was very happy in his society, and +there was more than a chance that I should become his wife. + +After six months of our acquaintanceship had passed, M., an old +schoolfellow of mine, took lodgings near me for the summer. She was a +remarkable girl. If she was not beautiful, she was better-looking than I +was, and she possessed a something, I know not what, more powerful than +beauty to fascinate men. Perhaps it was her unconstrained naturalness. +In walking, sitting, standing—whatever she did—her movements and +attitudes were not impeded or unduly masked by artificial restrictions. +I should not have called her profound, but what she said upon the +commonest subjects was interesting, because it was so entirely her own. +If she disliked a neighbour, she almost always disliked her for a reason +which we saw, directly it was pointed out to us, to be just, but it was +generally one which had not been given before. Her talk upon matters +externally trivial was thus much more to me than many discourses upon the +most important topics. On moral questions she expressed herself without +any regard to prejudices. She did not controvert the authenticity of the +ordinary standards, but nevertheless behaved as if she herself were her +only law. The people in R., her little native borough, considered her to +be dangerous, and I myself was once or twice weak enough to wonder that +she held on a straight course with so little help from authority, +forgetting that its support, in so far as it possesses any vital +strength, is derived from the same internal source which supplied +strength to her. + +When she came to S. she was unwell, and consulted my friend B. He did +not at first quite like attending her, and she reported to me with great +laughter how she had been told that he had made some inquiries about her +from one of her neighbours at home with whom he happened to be +acquainted, and how he had manœuvred in his visits to get the servants or +the landlady into the room. I met him soon afterwards, and he informed +me that he had a new patient. When he heard that I knew her—I did not +say how much I knew—he became inquisitive, and at last, after much +beating about the bush, knitting his eyebrows and lowering his voice, he +asked me whether I was aware that she was not quite—quite _above +suspicion_! My goodness, how I flamed up! I defended her with +vehemence: I exaggerated her prudence and her modesty; I declared, what +was the simple truth, that she was the last person in the world against +whom such a scandalous insinuation should be directed, and that she was +singularly inaccessible to vulgar temptation. I added that +notwithstanding her seeming lawlessness she was not only remarkably +sensitive to any accusation of bad manners, but that upon certain matters +she could not endure even a joke. The only quarrel I remember to have +had with her was when I lapsed into some commonplace jest about her +intimacy with a music-master who gave her lessons. The way in which she +took that jest I shall never forget. If I had made it to any other +woman, I should have passed on, unconscious of anything inconsistent with +myself, but she in an instant made me aware with hardly half a dozen +words that I had disgraced myself. I was ashamed, not so much because I +had done what was in the abstract wrong, but because it was something +which was not in keeping with my real character. I hope it will not be +thought that I am prosing if I take this opportunity of saying that the +laws peculiar to each of us are those which we are at the least pains to +discover and those which we are most prone to neglect. We think we have +done our duty when we have kept the commandments common to all of us, but +we may perhaps have disgracefully neglected it. + +Oh, how that afternoon with B. burnt itself into my memory for ever! I +was sitting on my little sofa with books piled round me. He removed a +few of the books, and I removed the others. He sat down beside me, and, +taking my hand, said he hoped I had forgiven him, and that I would +remember that in such a little place he was obliged to be very careful, +and to be quite sure of his patients, if they were women. He trusted I +should believe that there was no other person _in the world_ (the +emphasis on that word!) to whom he would have ventured to impart such a +secret. I was appeased, especially when, after a few minutes’ silence, +he took my hand and kissed it, the first and last kiss. He said nothing +further, and departed. The next time I saw him he was more than usually +deferential, more than ever desirous to come closer to me, and I thought +the final word must soon be spoken. + +M. remained in S. till far into the autumn, but I did not see much of +her. My work had begun again. B. continued to call on me as my health +was not quite re-established. We had agreed to read the same author at +the same time, in order that we might discuss him together whilst our +impressions were still fresh. Somehow his interest in these readings +began to flag; he informed me presently that I had now almost, entirely +recovered, and weeks often passed without meeting him. One afternoon I +was surprised to find M. in my room when I returned from a walk with my +pupils. She had been waiting for me nearly half an hour, and I could not +at first conjecture the reason. Gradually she drew the conversation +towards B. and at last asked me what I thought of him. Instantly I saw +what had happened. What I imagined was once mine had been stolen, stolen +perhaps unconsciously, but nevertheless stolen, my sole treasure. She +was rich, she had a father and mother, she had many friends and would +certainly have been married had she never seen B. I, as I have said, was +almost penniless; I was an orphan, with few friends; he was my first +love, and I knew he would be my last. + +I was condemned, I foresaw, henceforth to solitude, and that most +terrible of all calamities, heart-starvation. What B. had said about M. +came into my mind and rose to my lips. I knew, or thought I knew, that +if I revealed it to her she would be so angry that she would cast him +off. Probably I was mistaken, but in my despair the impulse to disclose +it was almost irresistible. I struggled against it, however, and when +she pressed me, I praised him and strove in my praise to be sincere. +Whether it was something in my tone, quite unintentional, I know not, but +she stopped me almost in the middle of a sentence and said she believed I +had kept something back which I did not wish her to hear; that she was +certain he had talked to me about her, and that she wished to know what +he had said. I protested he had never uttered a word which could be +interpreted as disparaging her, and she seemed to be content. She kissed +me a little more vehemently than usual, and went away. We ought always, +I suppose, to be glad when other people are happy, but God knows that +sometimes it is very difficult to be so, and that their happiness is hard +to bear. + +The Elizabethan studies had now altogether come to an end. In about a +couple of months I heard that M. and B. were engaged. M. went home, and +B. moved into a larger town. In a twelvemonth the marriage took place, +and M. wrote to me after her wedding trip. I replied, but she never +wrote again. I heard that she had said that I had laid myself out to +catch B. and that she was afraid that in so doing I had hinted there was +something against her. I heard also that B. had discouraged his wife’s +correspondence with me, no other reason being given than that he would +rather the acquaintanceship should be dropped. The interpretation of +this reason by those to whom it was given can be guessed. Did he fear +lest I should boast of what I had been to him or should repeat his +calumny? Ah, he little knew me if he dreamed that such treachery was +possible to me! + +I remained at the vicarage for three years. The children grew up and I +was obliged to leave, but I continued to teach in different families till +I was about five-and-forty. After five-and-forty I could not obtain +another situation, and I had to support myself by letting apartments at +Brighton. My strength is now failing; I cannot look after my servant +properly, nor wait upon my lodgers myself. Those who have to get their +living by a lodging-house know what this means and what the end will be. +I have occasionally again wished I could have seen my way partially to +explain myself to M., and have thought it hard to die misrepresented, but +I am glad I have not spoken. I should have disturbed her peace, and I +care nothing about justification or misrepresentation now. With eternity +so near, what does it matter? + + INSCRIPTION ON THE ENVELOPE. + + “TO MY NIECE JUDITH,—You have been so kind to your aunt, the only + human being, at last, who was left to love her, that she could not + refrain from telling you the one passage in her history which is of + any importance or interest.” + + + + +JAMES FORBES + + +“IT is all a lie, and it is hard to believe that people who preach it do +not know it to be a lie.” + +So said James Forbes to Elizabeth Castleton, the young woman to whom he +was engaged. She was the daughter of a clergyman, and James, who had +been brought up at Rugby and Oxford, was now in his last year at a London +hospital, and was going to be a doctor. + +“I am sure my father does not know it to be a lie, and I do not myself +know it to be a lie.” + +“I was not thinking of your father, but of the clergy generally, and you +_do_ know it to be a lie.” + +“It is not true of my brother, and, excepting my father and brother, you +have not been in company with parsons, as you call them, for half an hour +in your life.” + +“Do you mean to tell me you have any doubts about this discredited +rubbish?” + +“If I have I would rather not speak about them now. Jim, dear Jim, let +us drop the subject and talk of something else.” + +He was walking by her side, with his hands in his coat pockets. She drew +out one of his hands; he did not return the pressure, and presently +released himself. + +“I thought you were to be my intellectual companion. I have heard you +say yourself that a marriage which is not a marriage of mind is no +marriage.” + +“But, Jim, is there nothing in the world to think about but this?” + +“There is nothing so important. Are we to be dumb all our lives about +what you say is religion?” + +They separated and soon afterwards the engagement was broken off. Jim +had really loved Elizabeth, but at that time he was furious against what +he called “creeds.” He waited for three or four years till he had +secured a fair practice, and then married a clever and handsome young +woman who wrote poems, and had captivated him by telling him a witty +story from Heine. Elizabeth never married. + +Thirty years passed, and Jim, now a famous physician, had to go a long +distance down the Great Western Railway to attend a consultation. At +Bath an elderly lady entered the carriage carrying a handbag with the +initials “E. C.” upon it. She sat in the seat farthest away from him on +the opposite side, and looked at him steadfastly. He also looked at her, +but no word was spoken for a minute. He then crossed over, fell on his +knees, and buried his head with passionate sobbing on her knees. She put +her hands on him and her tears fell. + +“Five years,” at last he said; “I may live five years with care. She has +left me. I will give up everything and go abroad with you. Five years; +it is not much, but it will be something, everything. I shall die with +your face over me.” + +The train was slackening speed for Bristol; she bent down and kissed him. + +“Dearest Jim,” she whispered, “I have waited a long time, but I was sure +we should come together again at last. It is enough.” + +“You will go with me, then?” + +Again she kissed him. “It must not be.” + +Before he could reply the train was stopping at the platform, and a +gentleman with a lady appeared at the door. Miss Castleton stepped out +and was at once driven away in a carriage with her companions. + +He lived three years and then died almost suddenly of the disease which +he had foreseen would kill him. He had no children, but few relatives, +and his attendant was a hospital nurse. But the day before his death a +lady appeared who announced herself as a family friend, and the nurse was +superseded. It was Elizabeth: she came to his bedside, and he recognised +her. + +“Not till this morning,” she said, “did I hear you were ill.” + +“Happy,” he cried, “though I die to-night.” + +Soon afterwards—it was about sundown—he became unconscious; she sat there +alone with him till the morning broke, and then he passed away, and she +closed his eyes. + + + + +ATONEMENT + + +“YOU ask me how I lost my foot? You I see that dog?”—an unattractive +beast lying before the fire—“well, when I tell you how I came by him you +will know how I lost it;” and he then related the following story:— + +I was in Westmoreland with my wife and children for a holiday and we had +brought our dog with us, for we knew he would be unhappy with the +strangers to whom we had let our house. The weather was very wet and our +lodgings were not comfortable; we were kept indoors for days together, +and my temper, always irritable, became worse. My wife never resisted me +when I was in these moods and the absence of opposition provoked me all +the more. Had she stood up against me and told me I ought to be ashamed +of myself it would have been better for me. One afternoon everything +seemed to go wrong. A score of petty vexations, not one of which was of +any moment, worked me up to desperation. I threw my book across the +room, to the astonishment of my children, and determined to go out, +although it was raining hard. My dog, a brown retriever, was lying on +the mat just outside the door, and I nearly fell over him. “God damn +you!” said I, and kicked him. He howled with pain, but, although he was +the best of house-dogs and would have brought down any thief who came +near him, he did not growl at me, and quietly followed me. I am not +squeamish, but I was frightened directly the oath had escaped my lips. I +felt as if I had created something horrible which I could not annihilate, +and that it would wait for me and do me some mischief. The dog kept +closely to my heels for about a mile and I could not make him go on in +front. Usually the least word of encouragement or even the mere mention +of his name would send him scampering with delight in advance. I began +to think of something else, but in about a quarter of an hour I looked +round and found he was not behind me. I whistled and called, but he did +not come. In a renewed rage, which increased with every step I took, I +turned back to seek him. Suddenly I came upon him lying dead by the +roadside. Never shall I forget that shock—the reproach, the appeal of +that poor lifeless animal! I stroked him, I kissed him, I whispered his +name in his ear, but it was all in vain. I lifted up his beautiful broad +paw which he was wont to lay on my knee, I held it between my hands, and +when I let it go it fell heavily to the ground. I could not carry him +home, and with bitter tears and a kind of dread I drew him aside a little +way up the hill behind a rock. I went to my lodgings, returned towards +dusk with a spade, dug his grave in a lonely spot near the bottom of a +waterfall where he would never be disturbed, and there I buried him, +reverently smoothing the turf over him. What a night that was for me! I +was haunted incessantly by the vivid image of the dead body and by the +terror which accompanies a great crime. I had repaid all his devotion +with horrible cruelty. I had repented, but he would never know it. It +was not the dog only which I had slain; I had slain Divine faithfulness +and love. That _God damn you_ sounded perpetually in my ears. The +Almighty had registered and executed the curse, but it had fallen upon +the murderer and not on the victim. When I rose in the morning I +distinctly felt the blow of the kick in my foot, and the sensation lasted +all day. For weeks I was in a miserable condition. A separate +consciousness seemed to establish itself in this foot; there was nothing +to be seen and no pain, but there was a dull sort of pressure of which I +could not rid myself. If I slept I dreamed of the dog, and generally +dreamed I was caressing him, waking up to the dreadful truth of the +corpse on the path in the rain. I got it into my head—for I was +half-crazy—that only by some expiation I should be restored to health and +peace; but how to make any expiation I could not tell. Unhappy is the +wretch who longs to atone for a sin and no atonement is prescribed to +him! + +One night I was coming home late and heard the cry of “Fire!” I ran down +the street and found a house in flames. The fire-escape was at the +window, and had rescued a man, his wife and child. Every living creature +was safe, I was told, save a dog in the front room on the ground-floor. +I pushed the people aside, rushed in, half-blinded with smoke, and found +him. I could not escape by the passage, and dropped out of the window +into the area with him in my arms. I fell heavily on _that_ foot, and +when I was helped up the steps I could not put it to the ground. “You +may have him for your pains,” said his owner to me; “he is a useless cur. +I wouldn’t have ventured the singeing of a hair for him.” “May I?” I +replied, with an eagerness which must have seemed very strange. He was +indeed not worth half a crown, but I drew him closely to me and took him +into the cab. I was in great agony, and when the surgeon came it was +discovered that my ankle was badly fractured. An attempt was made to set +it, but in the end it was decided that the foot must be amputated. I +rejoiced when I heard the news, and on the day on which the operation was +performed I was calm and even cheerful. Our own doctor who came with the +surgeon told him I had “a highly nervous temperament,” and both of them +were amazed at my fortitude. The dog is a mongrel, as you see, but he +loves me, and if you were to offer me ten thousand golden guineas I would +not part with him. + + + + +LETTERS FROM MY AUNT ELEANOR {180} TO HER DAUGHTER SOPHIA, AND A FRAGMENT +FROM MY AUNT’S DIARY. + + + January 31, 1837. + +MY DEAREST CHILD,—It is now a month since your father died. It was a +sore trial to me that you should have broken down, and that you could not +be here when he was laid in his grave, but I would not for worlds have +allowed you to make the journey. I am glad I forced you away. The +doctor said he would not answer for the consequences unless you were +removed. But I must not talk, not even to you. I will write again soon. + + Your most affectionate mother, + + ELEANOR CHARTERIS. + + * * * * * + + February 5, 1837. + +I have been alone in the library from morning to night every day. How +foolish all the books look! There is nothing in them which can do me any +good. He is _not_: what is there which can alter that fact? Had he died +later I could have borne it better. I am only fifty years old, and may +have long to wait. I always knew I loved him devotedly; now I see how +much I depended on him. I had become so knit up with him that I imagined +his strength to be mine. His support was so continuous and so soft that +I was unconscious of it. How clear-headed and resolute he was in +difficulty and danger! You do not remember the great fire? We were +waked up out of our sleep; the flames spread rapidly; a mob filled the +street, shouting and breaking open doors. The man in charge of the +engines lost his head, but your father was perfectly cool. He got on +horseback, directed two or three friends to do the same; they galloped +into the town and drove the crowd away. He controlled all the operations +and saved many lives and many thousands of pounds. Is there any +happiness in the world like that of the woman who hangs on such a +husband? + + * * * * * + + February 10, 1837. + +I feel as if my heart would break if I do not see you, but I cannot come +to your Aunt’s house just now. She is very kind, but she would be +unbearable to me. Have patience: the sea air is doing you good; you will +soon be able to walk, and then you can return. O, to feel your head upon +my neck! I have many friends, but I have always needed a human being to +whom I was everything. To your father I believe I was everything, and +that thought was perpetual heaven to me. My love for him did not make me +neglect other people. On the contrary, it gave them their proper value. +Without it I should have put them by. When a man is dying for want of +water he cares for nothing around him. Satisfy his thirst, and he can +then enjoy other pleasures. I was his first love, he was my first, and +we were lovers to the end. I know the world would be dark to you also +were I to leave it. Perhaps it is wicked of me to rejoice that you would +suffer so keenly. I cannot tell how much of me is pure love and how much +of me is selfishness. I remember my uncle’s death. For ten days or so +afterwards everybody in the house looked solemn, and occasionally there +was a tear, but at the end of a fortnight there was smiling and at the +end of a month there was laughter. I was but a child then, but I thought +much about the ease and speed with which the gap left by death was +closed. + + * * * * * + + February 20, 1837. + +In a fortnight you will be here? The doctor really believes you will be +able to travel? I am glad you can get out and taste the sea air. I +count the hours which must pass till I see you. A short week, and +then—“the day after to-morrow, and the day after to-morrow of that day,” +and so I shall be able to reach forward to the Monday. It is strange +that the nearer Monday comes the more impatient I am. + + * * * * * + + March 3, 1837. + +With what sickening fear I opened your letter! I was sure it contained +some dreadful news. You have decided not to come till Wednesday, because +your cousin Tom can accompany you on that day. I _know_ you are quite +right. It is so much better, as you are not strong, that Tom should look +after you, and it would be absurd that you should make the journey two +days before him. I should have reproved you seriously if you had done +anything so foolish. But those two days are hard to bear. I shall not +meet you at the coach, nor shall I be downstairs. Go straight to the +library; I shall be there by myself. + + * * * * * + + DIARY. + +January 1, 1838.—Three days ago she died. Henceforth there is no living +creature to whom my existence is of any real importance. Crippled as she +was, she could never have married. I might have held her as long as she +lived. She could have expected no love but mine. God forgive me! +Perhaps I did unconsciously rejoice in that disabled limb because it kept +her closer to me. Now He has taken her from me. I may have been wicked, +but has He no mercy? “I would speak to the Almighty, and I desire to +reason with God.” An answer in anger could better be borne than this +impregnable silence. + + * * * * * + +January 3rd.—A day of snow and bitter wind. There were very few at the +grave, and I should have been better pleased if there had been none. +What claim had they to be there? I have come home alone, and they no +doubt are comforting themselves with the reflection that it is all over +except the half-mourning. Her death makes me hate them. Mr. Maxwell, +our rector, told me when my child was ill to remember that I had no right +to her. “Right!” what did he mean by that stupid word? How trouble +tries words! All I can say is that from her birth I had owned her, and +that now, when I want her most, I am dispossessed. “Self, self”—I know +the reply, but it is unjust, for I would have stood up cheerfully to be +shot if I could have saved her pain. Doubly unjust, for my passion for +her was a blessing to her as well as to me. + + * * * * * + +January 6th.—Henceforth I suppose I shall have to play with people, to +pretend to take an interest in their clothes and their parties, or, with +the superior sort, to discuss politics or books. I care nothing for +their rags or their gossip, for Lord Melbourne, Sir Robert Peel, or Mr. +James Montgomery. I must learn how to take the tip of a finger instead +of a hand, and to accept with gratitude comfits when I hunger for +bread—I, who have known—but I dare say nothing even to myself of my hours +with him—I, who have heard Sophy cry out in the night for me; I, who have +held her hand and have prayed by her bedside. + + * * * * * + +January 10th.—I must be still. I have learned this lesson before—that +speech even to myself does harm. If I admit no conversation nor debate +with myself, I certainly will not admit the chatter of outsiders. Mr. +Maxwell called again to-day. “Not a syllable on that subject,” said I +when he began in the usual strain. He then suggested that as this house +was too large for me, and must have what he called “melancholy +associations,” I should move. He had suggested this before, when my +husband died. How can I leave the home to which I was brought as a +bride? how can I endure the thought that strangers are in our room, or in +that other room where Sophy lay? Mr. Maxwell would think it sacrilege to +turn his church into an inn, and it is a worse sacrilege to me to permit +the profanation of the sanctuary which has been consecrated by Love and +Death. I do not know what might happen to me if I were to leave. I have +been what I am through shadowy nothings which other people despise. To +me they are realities and a law. I shall stay where I am. “A villa,” +forsooth, on the outskirts of the town! My existence would be fractured: +it will at least preserve its continuity here. Across the square I can +see the house in which I was born, and I can watch the shadow of the +church in the afternoon slowly crossing the churchyard. The townsfolk +stand in the street and go up and down it just as they did forty years +ago—not the same persons, but in a sense the same people. My brother +will call me extravagant if I remain here. He buys a horse and does not +consider it extravagant, and my money is not wasted if I spend it in the +only way in which it is of any value to me. + + * * * * * + +January 12th.—I had thought I could be dumb, but I cannot. My sorrow +comes in rushes. I lift up my head above the waves for an instant, and +immediately I am overwhelmed—“all Thy waves and Thy billows have gone +over me.” My nights are a terror to me, and I fear for my reason. That +last grip of Sophy’s hand is distinctly on mine now, palpable as the +pressure of a fleshly hand could be. It is strange that without any +external circumstances to account for it, she and I often thought the +same things at the same moment. She seemed to know instinctively what +was passing in my mind, so that I was afraid to harbour any unworthy +thought, feeling sure that she would detect it. Blood of my blood was +she. She said “goodbye” to me with perfect clearness, and in a quarter +of an hour she had gone. In that quarter of an hour there could not be +the extinction of so much. Such a creature as Sophy could not +instantaneously _not be_. I cannot believe it, but still the volume of +my life here is closed, the story is at an end; what remains will be +nothing but a few notes on what has gone before. + + * * * * * + +January 21st.—I went to church to-day for the first time since the +funeral. Mr. Maxwell preached a dull, doctrinal sermon. Whilst my +husband and Sophy lived, I was a regular attendant at church, and never +thought of disputing anything I heard. It did not make much impression +on me, but I accepted it, and if I had been asked whether I believed it, +I should have said, “Certainly.” But now a new standard of belief has +been set up in me, and the word “belief” has a different meaning. + + * * * * * + +February 3rd.—Whenever I saw anything beautiful I always asked Tom or +Sophy to look. Now I ask nobody. Early this morning, after the storm in +the night, the sky cleared, and I went out about dawn through the garden +up to the top of the orchard and watched the disappearance of the night +in the west. The loveliness of that silent conquest was unsurpassable. +Eighteen months ago I should have run indoors and have dragged Tom and +Sophy back with me. I saw it alone now, and although the promise in the +slow transformation of darkness to azure moved me to tears, I felt it was +no promise for me. + + * * * * * + +March 1st.—Nothing that is _prescribed_ does me any good. I cannot leave +off going to church, but the support I want I must find out for myself. +Perhaps if I had been born two hundred years ago, I might have been +caught by some strong enthusiastic organisation and have been a private +in a great army. A miserable time is this when each man has to grope his +way unassisted, and all the incalculable toil of founders of churches +goes for little or nothing. . . . I do not pray for any more pleasure: I +ask only for strength to endure, till I can lie down and rest. I have +had more rapture in a day than my neighbours and relations have had in +all their lives. Tom once said to me that he would sooner have had +twenty-four hours with me as his wife than youth and manhood with any +other woman he ever knew. He said that, not when we were first married, +but a score of years afterwards. I remember the place and the hour. It +was in the garden one morning in July, just before breakfast. It was a +burning day, and massive white clouds were forming themselves on the +horizon. The storm on that day was the heaviest I recollect, and the +lightning struck one of our chimneys and dashed it through the roof. His +passion was informed with intellect, and his intellect glowed with +passion. There was nothing in him merely animal or merely rational. . . . +To endure, to endure! Can there be any endurance without a motive? I +have no motive. + + * * * * * + +March 10th.—My sister and my brother-in-law came to-day and I wished them +away. Now that my husband is dead I discover that the frequent visitors +to our house came to see him and not me. There must be something in me +which prevents people, especially women, from being really intimate with +me. To be able to make friends is a talent which I do not possess, and +if those who call on me are prompted by kindness only, I would rather be +without them. The only attraction towards me which I value is that which +is irresistible. Perhaps I am wrong, and ought to accept with +thankfulness whatever is left to me if it has any savour of goodness in +it. I have no right to compare and to reject. . . I provide myself with +little maxims, and a breath comes and sweeps them away. What is +permanent behind these little flickerings is black night: that is the +real background of my life. + + * * * * * + +April 24th.—I have been to London, and on Easter Sunday I went to High +Mass at a Roman Catholic Church. I was obliged to leave, for I was +overpowered and hysterical. Were I to go often my reason might be +drowned, and I might become a devotee. And yet I do not think I should. +If I could prostrate myself at a shrine I should want an answer. When I +came out into the open air I saw again the _plainness_ of the world: the +skies, the sea, the fields are not in accord with incense or gorgeous +ceremonies. Incense and ceremonies are beyond the facts, and to the +facts we must cleave, no matter how poor and thin they may be. + + * * * * * + +May 5th.—If I am ill, I shall depend entirely on paid service. God grant +I may die suddenly and not linger in imbecility. So much of me is dead +that what is left is not worth preserving. Nearly everything I have done +all my life has been done for love. I shall now have to act for duty’s +sake. It is an entire reconstruction of myself, the insertion of a new +motive. I do not much believe in duty, nor, if I read my New Testament +aright, did the Apostle Paul. For Jesus he would do anything. That +sacred face would have drawn me whither the Law would never have driven +me. + + * * * * * + +May 7th.—It is painful to me to be so completely set aside. When Tom was +alive I was in the midst of the current of affairs. Few men, except +Maxwell, come to the house now. My property is in the hands of trustees. +Tom continually consulted me in business matters. I have nothing to look +after except my house, and I sit at my window and see the stream of life +pass without touching me. I cannot take up work merely for the sake of +taking it up. Nobody would value it, nor would it content me. How I +used to pity my husband’s uncle, Captain Charteris! He had been a +sailor; he had fought the French; he had been in imminent danger of +shipwreck, and from his youth upwards perpetual demands had been made +upon his resources and courage. At fifty he retired, a strong, active +man; and having a religious turn, he helped the curate with school-treats +and visiting. He pined away and died in five years. The bank goes on. +I have my dividends, but not a word reaches me about it. + + * * * * * + +October 10th.—Five months, I see, have passed since I made an entry in my +diary. What a day this is! The turf is once more soft, the trees and +hedges are washed, the leaves are turning yellow and are ready to fall. +I have been sitting in the garden alone, reading the forty-ninth chapter +of Genesis. I must copy the closing verses. It does me good to write +them. + +“And Jacob charged them, and said unto them, I am to be gathered unto my +people: bury me with my fathers in the cave that is in the field of +Ephron the Hittite, in the cave that is in the field of Machpelah, which +is before Mamre, in the land of Canaan, which Abraham bought with the +field of Ephron the Hittite for a possession of a burying-place. There +they buried Abraham and Sarah his wife; there they buried Isaac and +Rebekah his wife; and there I buried Leah. The purchase of the field and +of the cave that is therein was from the children of Heth. And when +Jacob had made an end of commanding his sons, he gathered up his feet +into the bed, and yielded up the ghost, and was gathered unto his +people.” There is no distress here: he gathers up his feet and departs. +Perhaps our wild longings are unnatural, and yet it seems but nature +_not_ to be content with what contented the patriarch. Anyhow, wherever +and whatever my husband and Sophy are I shall be. This at least is +beyond dispute. + + * * * * * + +October 12th.—I do not wish to forget past joys, but I must simply +remember them and not try to paint them. I must cut short any yearning +for them. + + * * * * * + +October 20th.—We do not say the same things to ourselves with sufficient +frequency. In these days of book-reading fifty fine thoughts come into +our heads in a day, and the next morning are forgotten. Not one of them +becomes a religion. In the Bible how few the thoughts are, and how +incessantly they are repeated! If my life could be controlled by two or +three divine ideas, I would burn my library. I often feel that I would +sooner be a Levitical priest, supposing I believed in my office, than be +familiar with all these great men whose works are stacked around me. + + * * * * * + +October 22nd.—Sometimes, especially at night, the thought not only that I +personally have lost Tom and Sophy, but that the exquisite fabric of +these relationships, so intricate, so delicate, so highly organised, +could be cast aside, to all appearance so wastefully, is almost +unendurable. . . . I went up to the moor on the top of the hill this +morning, where I could see, far away, the river broaden and lose itself +in the Atlantic. I lay on the heather looking through it and listening +to it. + + * * * * * + +October 23rd.—The 131st Psalm came into my mind when I was on the moor +again. “Neither do I exercise myself in great matters, or in things too +high for me. Surely I have behaved and quieted myself, as a child that +is weaned of its mother: my soul is even as a weaned child.” + + * * * * * + +October 28th—Tom once said to me that reasoning is often a bad guide for +us, and that loyalty to the silent Leader is true wisdom. Wesley, when +he was in trouble, asked himself “whether he should fight against it by +thinking, or by not thinking of it,” and a wise man told him “to be still +and go on.” A certain blind instinct seems to carry me forward. What is +it? an indication of a purpose I do not comprehend? an order given by the +Commander-in-Chief which is to be obeyed although the strategy is not +understood? + + * * * * * + +November 3rd.—Palmer, my maid, who has been with me ever since I began to +keep house, was very good-looking at one-and-twenty. When she had been +engaged to be married about a twelvemonth, she burned her face and the +burn left a bad scar. Her lover found excuses for breaking off the +engagement. He must have been a scoundrel, and I should like to have had +him whipped with wire. She was very fond of him. She had an offer of +marriage ten years afterwards, but she refused. I believe she feared +lest the scar, seen every day, would make her husband loathe her. Her +case is worse than mine, for she never knew such delights as mine. She +has subsisted on mere friendliness and civility. “Oh,” it is suggested +at once to me, “you are more sensitive than she is.” How dare I say +that? How hateful is the assumption of superior sensitiveness as an +excuse for want of endurance! + + * * * * * + +November 4th.—Ellen Charteris, my husband’s cousin, belongs to a Roman +Catholic branch of the family, and is an abbess. I remember saying to +her that I wondered that she and her nuns could spend such useless lives. +She replied that although she and all good Catholics believe in the +atonement of Christ, they also believe that works of piety in excess of +what may be demanded of us, even if they are done in secret, are a +set-off against the sins of the world. In this form the doctrine has not +much to commend itself to me, and it is assumed that the nuns’ works are +pious. But in a sense it is true. “The very hairs of your head are all +numbered.” The fall of a grain of dust is recorded. + + * * * * * + +November 7th—A kind of peace occasionally visits me. It is not the +indifference begotten of time, for my husband and my child are nearer and +dearer than ever to me. I care not to analyse it. I return to my +patriarch. With Joseph before him, the father, who had refused to be +comforted when he thought his son was dead, gathered up his feet into the +bed and slept. + + + + +CORRESPONDENCE BETWEEN GEORGE LUCY M.A., AND HIS GODCHILD, HERMIONE +RUSSELL, B.A. + + +MY DEAR HERMIONE,—I have sent you my little volume of verse translations +into English, and you will find appended a few attempts at Latin and +Greek renderings of favourite English poems. You must tell me what you +think of them, and you must not spare a single blunder or inelegance. I +do not expect any reviews, and if there should be none it will not +matter, for I proposed to myself nothing more than my own amusement and +that of my friends. I would rather have thoroughly good criticism from +you than a notice, even if it were laudatory, from a magazine or a +newspaper. You have worked hard at your Latin and Greek since we read +Homer and Virgil, and you have had better instruction than I had at +Winchester. These trifles were published about three months ago, but I +purposely did not send you a copy then. You are enjoying your holiday +deep in the country, and may be inclined to pardon that incurable old +idler, your godfather and former tutor, for a waste of time which perhaps +you would not forgive when you are teaching in London. Verse-making is +out of fashion now. Goodbye. I should like to spend a week with you +wandering through those Devonshire lanes if I could carry my two rooms +with me and stick them in a field. + + Affectionately, + G. L. + +MY DEAR GODFATHER,—The little _Musæ_ came safely. My love to you for +them, and for the pretty inscription. I positively refuse to say a +single syllable on your scholarship. I have deserted my Latin and Greek, +and they were never good enough to justify me in criticising yours. I +have latterly turned my attention to Logic, History, and Moral +Philosophy, and with the help of my degree I have obtained a situation as +teacher of these sciences. I confess I do not regret the change. They +are certainly of supreme importance. There is something to be learned +about them from Latin and Greek authors, but this can be obtained more +easily from modern writers or translations than by the laborious study of +the originals. Do not suppose I am no longer sensible to the charm of +classical art. It is wonderful, but I have come to the conclusion that +the time spent on the classics, both here and in Germany, is mostly +thrown away. Take even Homer. I admit the greatness of the Iliad and +the Odyssey, but do tell me, my dear godfather, whether in this +nineteenth century, when scores of urgent social problems are pressing +for solution, our young people ought to give themselves up to a study of +ancient legends? What, however, are Horace, Catullus, and Ovid compared +with Homer? Much in them is pernicious, and there is hardly anything in +them which helps us to live. Besides, we have surely enough in Chaucer, +Spenser, Shakspeare, and Milton, to say nothing of the poets of this +century, to satisfy the imagination of anybody. Boys spend years over +the _Metamorphoses_ or the story of the wars of Æneas, and enter life +with no knowledge of the simplest facts of psychology. I look forward to +a time not far distant, I hope, when our whole pædagogic system will be +remodelled. Greek and Latin will then occupy the place which Assyrian or +Egyptian hieroglyphic occupies now, and children will be directly +prepared for the duties which await them. + +I have in preparation a book which I expect soon to publish, entitled +_Positive Education_. It will appear anonymously, for society being +constituted as it is, I am afraid that my name on the title-page would +prevent me from finding employment. My object is to show how the moral +fabric can be built up without the aid of theology or metaphysics. I +profess no hostility to either, but as educational instruments I believe +them to be useless. I begin with Logic as the foundation of all science, +and then advance by easy steps (_a_) to the laws of external nature +commencing with number, and (_b_) to the rules of conduct, reasons being +given for them, with History and Biography as illustrations. One modern +foreign language, to be learned as thoroughly as it is possible to learn +it in this country, will be included. I desire to banish all magic in +school training. Everything taught shall be understood. It is easier, +and in some respects more advantageous, not to explain, but the mischief +of habituating children to bow to the unmeaning is so great that I would +face any inconvenience in order to get rid of it. All kinds of +objections, some of them of great weight, may be urged against me, but +the question is on which side do they preponderate? Is it no objection +to our present system that the simple laws most necessary to society +should be grounded on something which is unintelligible, that we should +be brought up in ignorance of any valid obligation to obey moral +precepts, that we should be unable to give any account of the commonest +physical phenomena, that we should never even notice them, that we should +be unaware, for example, of the nightly change in the position of planets +and stars, and that we should nevertheless busy ourselves with niceties +of expression in a dead tongue, and with tales about Jupiter and Juno? +For what glorious results may we not look when children from their +earliest years learn that which is essential, but which now, alas! is +picked up unmethodically and by chance? I cannot help saying all this to +you, for your _Musæ_ arrived just as my youngest brother came home from +Winchester. He was delighted with it, for he is able to write very fair +Latin and Greek. That boy is nearly eighteen. He does not know why the +tides rise and fall, and has never heard that there has been any +controversy as to the basis of ethics. + + Your affectionate godchild, + HERMIONE. + +MY DEAR HERMIONE,—Your letter was something like a knock-down blow. I am +sorry you have abandoned your old friends, and I felt that you intended +to rebuke me for trifling. A great deal of what you say I am sure is +true, but I cannot write about it. Whether Greek and Latin ought to be +generally taught I am unable to decide. I am glad I learned them. My +apology for my little _Musæ_ must be that it is too late to attempt to +alter the habits in which I was brought up. Remember, my dear child, +that I am an old bachelor with seventy years behind me last Christmas, +and remember also my natural limits. I am not so old, nevertheless, that +I cannot wish you God-speed in all your undertakings. + + Your affectionate godfather, + G. L. + +MY DEAR GODFATHER,—What a blunderer I am! What deplorable want of tact! +If I wanted your opinion on classical education or my scheme I surely +might have found a better opportunity for requesting it. It is always +the way with me. I get a thing into my head, and out it comes at the +most unseasonable moment. It is almost as important that what is said +should be relevant as that it should be true. Well, the mistake is made, +and I cannot unmake it. I will not trouble you with another +syllable—directly at any rate—about Latin and Greek, but I do want to +know what you think about the exclusion of theology and metaphysics from +the education of the young. I must have _debate_, so that before +publication my ideas may become clear and objections may be anticipated. +I cannot discuss the matter with my father. You were at college with +him, and you will remember his love for Aristotle, who, as I think, has +enslaved him. If I may say so without offence, you are not a +philosopher. You are more likely, therefore, to give a sound, +unprofessional opinion. You have never had much to do with children, but +this does not matter; in fact, it is rather an advantage, for actual +children would have distorted your judgment. What has theology done? It +is only half-believed, and its rewards and punishments are too remote to +be of practical service. They are not seen when they are most required. +As to metaphysics, its propositions are too loose. They may with equal +ease be affirmed or denied. Conduct cannot be controlled by what is +shadowy and uncertain. We have been brought up on theology and +metaphysics for centuries, and we are still at daggers drawn upon matters +of life and death. We are as warlike as ever, and not a single social +problem has been settled by bishops or professors. I wish to try a more +direct and, as I believe, a more efficient method. I wish to see what +the effect will be of teaching children from their infancy the lesson +that morality and the enjoyment of life are identical; that if, for +example, they lie, they lose. I should urge this on them perpetually, +until at last, by association, lying would become impossible. Restraint +which is exercised in accordance with rational principles, inasmuch as it +proceeds from Nature, must be more efficacious than an external +prohibition. So with other virtues. I should deduce most of them in the +same way. If I could not, I should let them go, assured that we could do +without them. Now, my dear godfather, do open out to me, and don’t put +me off. + + Your affectionate godchild, + HERMIONE. + +MY DEAR HERMIONE,—You terrify me. These matters are really not in my +way. I have never been able to tackle big questions. Unhappily for me, +all questions nowadays are big. I do not see many people, as you know, +and potter about in my garden from morning to night, but Mrs. Lindsay +occasionally brings down her friends from London, and the subjects of +conversation are so immense that I am bewildered. I admit that some +people are too rich and others are too poor, and that if I could give you +a vote you should have one, and that boys and girls might be better +taught, but upon Socialism, Enfranchisement of Women, and Educational +Reform, I have not a word to say. Is not this very unsatisfactory? +Nobody is more willing to admit it than I am. It is so disappointing in +talking to myself or to others to stop short of generalisation and to be +obliged to confess that _sometimes it is and sometimes it is not_. I +bless my stars that I am not a politician or a newspaper writer. When I +was young these great matters, at least in our village, were not such +common property as they are now. A man, even if he was a scholar, +thought he had done his duty by living an honest and peaceable life. He +was justified if he was kind to his neighbours and amused himself with +his bees and flowers. He had no desire to be remembered for any +achievement, and was content to be buried with a few tears and then to be +forgotten. All Mrs. Lindsay’s folk want to do something outside their +own houses or parishes which shall make their names immortal. . . . I +was interrupted by a tremendous thunderstorm and hail. That wonderful +rose-bush which, you will recollect, stood on the left-hand side of the +garden door, has been stripped just as if it had been scourged with +whips. If you have done, quite done with the Orelli you borrowed about +two years ago, please let me have it. Why could you not bring it? Mrs. +Lindsay was saying only the other day how glad she should be if you would +stay with her for a fortnight before you return to town. + + Your affectionate godfather, + G. L. + +MY DEAR GODFATHER,—I have sent back the Orelli. How I should love to +come and to wander about the meadows with you by the river or sit in the +boat with you under the willows. But I cannot, for I have promised to +speak at a Woman’s Temperance Meeting next week, and in the week +following I am going to read a paper called “An Educational Experiment,” +before our Ethical Society. This, I think, will be interesting. I have +placed my pupils in difficult historical positions, and have made them +tell me what they would have done, giving the reasons. I am thus enabled +to detect any weakness and to strengthen character on that side. Most of +the girls are embarrassed by the conflict of motives, and I have to +impress upon them the necessity in life of disregarding those which are +of less importance and of prompt action on the stronger. I have +classified my results in tables, so that it may be seen at a glance what +impulses are most generally operative. + +But to go back to your letter. I will not have you shuffle. You can say +so much if you like. Talk to me just as you did when we last sat under +the cedar-tree. I _must_ know your mind about theology and metaphysics. + + Your affectionate godchild, + HERMIONE. + +MY DEAR HERMIONE,—I am sorry you could not come. I am sorry that what +people call a “cause” should have kept you away. If any of your friends +had been ill; if it had been a dog or a cat, I should not have cared so +much. You are dreadful! Theology and metaphysics! I do not understand +what they are as formal sciences. Everything seems to me theological and +metaphysical. What Shakespeare says now and then carries me further than +anything I have read in the system-books into which I have looked. I +cannot take up a few propositions, bind them into faggots, and say, “This +is theology, and that is metaphysics.” There is much “discourse of God” +in a May blossom, and my admiration of it is “beyond nature,” but I am +not sure upon this latter point, for I do not know in the least what +φυσις or Nature is. We love justice and generosity, and hate injustice +and meanness, but the origin of virtue, the life of the soul, is as much +beyond me as the origin of life in a plant or animal, and I do not bother +myself with trying to find it out. I do feel, however, that justice and +generosity have somehow a higher authority than I or any human being can +give them, and if I had children of my own this is what I should try, not +exactly to teach them, but to breathe into them. I really, my dear +child, dare not attempt an essay on the influence which priests and +professors have had upon the world, nor am I quite clear that “shadowy” +and “uncertain” mean the same thing. All ultimate facts in a sense are +shadowy, but they are not uncertain. When you try to pinch them between +your fingers they seem unsubstantial, but they are very real. Are you +sure that you yourself stand on solid granite? + + Your affectionate godfather, + G. L. + +MY DEAR GODFATHER,—You are most disappointing and evasive. I gave up the +discussion on Latin and Greek, but I did and do want your reply to a most +simple question. If you had to teach children—you surely can imagine +yourself in such a position—would you teach them _what are generally +known as theology and metaphysics_?—excuse the emphasis. You have an +answer, I am certain, and you may just as well give it me. I know that +you had rather, or affect you had rather, talk about Catullus, but I also +know that you think upon serious subjects sometimes. These matters +cannot now be put aside. We live in a world in which certain problems +are forced upon us and we are compelled to come to some conclusion upon +them. I cannot shut myself up and determine that I will have no opinion +upon Education or Socialism or Women’s Rights. The fact that these +questions are here is plain proof that it is my duty not to ignore them. +You hate large generalisations, but how can we exist without them? They +may never be entirely true, but they are indispensable, and, if you never +commit yourself to any, you are much more likely to be practically wrong +than if you use them. + +Take, for example, the Local Veto. I admitted in my speech that there is +much to be urged against it. It might act harshly, and it is quite true +that poor men in large towns cannot spend their evenings in their filthy +homes; but I _must_ be for it or against it, and I am enthusiastically +for it, because on the whole it will do good. So with Socialism. The +evils of Capitalism are so monstrous that any remedy is better than none. +Socialism may not be the direct course: it may be a tremendously awkward +tack, but it is only by tacking that we get along. So with positive +education, but I have enlarged upon this already. What a sermon to my +dear godfather! Forgive me, but you will have to take sides, and do, +please, be a little more definite about my book. + + Your affectionate godchild, + HERMIONE. + +MY DEAR HERMIONE,—I haven’t written for some time, for I was unwell for +nearly a month. The doctor has given me physic, but my age is really the +mischief, and it is incurable. I caught cold through sitting out of +doors after dinner with the rector, a good fellow if he would not smoke +on my port. To smoke on good port is a sin. He knows my infirmity, that +I cannot sit still long, and he excuses my attendance at church. Would +you believe it? When I was very bad, and thought I might die, I read +Horace again, whom you detest. I often wonder what he really thought +upon many things when he looked out on the + + “taciturna noctis + signa.” + +Justice is not often done to him. He saw a long way, but he did not make +believe he saw beyond his limit, and was content with it. A rare virtue +is intellectual content! + + “Tu ne quæsieris, scire nefas, quem mihi, quem tibi + Finem dî dederint, Leuconoe, nec Babylonios + Tentaris numeros.” + +The rector was telling me about Tom Pavenham’s wedding. He has married +Margaret Loxley, as you may perhaps have seen in the paper I sent you. +Mrs. Loxley, her mother, was a Barfield, and old Pavenham, when he was a +youth, fell in love with her. She was also in love with him. He was +well-to-do, and farmed about seven hundred acres, but he was not thought +good enough by the elder Barfields, who lived in what was called a park. +They would not hear of the match. She was sent to France, and he went to +Buenos Ayres. After some years had passed he married out there, and she +married. His wife died when her first child, a boy, was born. Loxley +also died, leaving his wife with an only daughter. Pavenham retired from +business in South America, and came back with his son to his native +village, where he meant to spend the rest of his days. Tom and Margaret +were at once desperately smitten with one another. The father and mother +have kept their own flame alive, and I believe it is as bright as it ever +was. It is delightful to see them together. They called on me with the +children after the betrothal. He was so courteous and attentive to her, +and she seemed to bask in his obvious affection. I noticed how they +looked at one another and smiled happily as the boy and girl wandered off +together towards the filbert walk. The rector told me that he was +talking to old Pavenham one evening, and said to him: “Jem, aren’t you +sometimes sad when you think of what ought to have happened?” His voice +shook a bit as he replied gently: “God be thanked for what we have! +Besides, it has all come to pass in Tom and Margaret.” + +You must not be angry with me if I say nothing more about Positive +Education. It is a great strain on me to talk upon such matters, and +when I do I always feel afterwards that I have said much which is mere +words. That is a sure test; I must obey my dæmon. I wish I could give +you what you want for what you have given me; but when do we get what we +want in exchange for what we give? Our trafficking is a clumsy barter. +A man sells me a sheep, and I pay him in return with my grandfather’s old +sextant. This is not quite true for you and me. Love is given and love +is returned. À Dieu—not adieu. Remember that the world is very big, and +that there may be room in it for a few creatures like + + Your affectionate godfather, + G. L. + + + + +MRS. FAIRFAX + + +THE town of Langborough in 1839 had not been much disturbed since the +beginning of the preceding century. The new houses were nearly all of +them built to replace others which had fallen into decay; there were no +drains; the drinking-water came from pumps; the low fever killed thirty +or forty people every autumn; the Moot Hall still stood in the middle of +the High Street; the newspaper came but once a week; nobody read any +books; and the Saturday market and the annual fair were the only events +in public local history. Langborough, being seventy miles from London +and eight from the main coach-road, had but little communication with the +outside world. Its inhabitants intermarried without crossing from other +stocks, and men determined their choice mainly by equality of fortune and +rank. The shape of the nose and lips and colour of the eyes may have had +some influence in masculine selection, but not much: the doctor took the +lawyer’s daughter, the draper took the grocer’s, and the carpenter took +the blacksmith’s. Husbands and wives, as a rule, lived comfortably with +one another; there was no reason why they should quarrel. The air of the +place was sleepy; the men attended to their business, and the women were +entirely apart, minding their household affairs and taking tea with one +another. In Langborough, dozing as it had dozed since the days of Queen +Anne, it was almost impossible that any woman should differ so much from +another that she could be the cause of passionate preference. + +One day in the spring of 1839 Langborough was stirred to its depths. No +such excitement had been felt in the town since the run upon the bank in +1825, when one of the partners went up to London, brought down ten +thousand pounds in gold with him by the mail, and was met at Thaxton +cross-roads by a post-chaise, which was guarded into Langborough by three +men with pistols. A circular printed in London was received on that +spring day in 1839 by all the respectable ladies in the town stating that +a Mrs. Fairfax was about to begin business in Ferry Street as a +dressmaker. She had taken the only house to be let in Ferry Street. It +was a cottage with a front and back sitting-room, and belonged to an old +lady in Lincoln, who inherited it from her brother, who once lived in it +but had been dead forty years. Before a week had gone by four-fifths of +the population of Langborough had re-inspected it. The front room was +the shop, and in the window was a lay-figure attired in an evening robe +of rose-coloured silk, the like of which for style and fit no native lady +had ever seen. Underneath it was a card—“Mrs. Fairfax, Milliner and +Dressmaker.” The circular stated that Mrs. Fairfax could provide +materials or would make up those brought to her by her customers. + +Great was the debate which followed this unexpected apparition. Who Mrs. +Fairfax was could not be discovered. Her furniture and the lay-figure +had come by the waggon, and the only information the driver could give +was that he was directed at the “George and Blue Boar” in Holborn to +fetch them from Great Ormond Street. After much discussion it was agreed +that Mrs. Bingham, the wife of the wine merchant, should call on Mrs. +Fairfax and inquire the price of a gown. Mrs. Bingham was at the head of +society in Langborough, and had the reputation of being very clever. It +was hoped, and indeed fully expected, that she would be able to penetrate +the mystery. She went, opened the door, a little bell sounded, and Mrs. +Fairfax presented herself. Mrs. Bingham’s eyes fell at once upon Mrs. +Fairfax’s dress. It was black, with no ornament, and constructed with an +accuracy and grace which proved at once to Mrs. Bingham that its maker +was mistress of her art. Mrs. Bingham, although she could not entirely +desert the linendraper’s wife, whose husband was a good customer for +brandy, had some of her clothes made in London when she stayed with her +sister in town, and, to use her own phrase, “knew what was what.” + +“Mrs. Fairfax?” + +A bow. + +“Will you please tell me what a gown would cost made somewhat like that +in the window?” + +“For yourself, madam?” + +“Yes.” + +“Pardon me; I am afraid that colour would not suit you.” + +Mrs. Bingham was a stout woman with a ruddy complexion. + +“One colour costs no more than another?” + +“No, madam: twelve guineas; that silk is expensive. Will you not take a +seat?” + +“I am afraid you will find twelve guineas too much for anybody here. +Have you nothing cheaper?” + +Mrs. Fairfax produced some patterns and fashion-plates. + +“I suppose the gown in the window is your own make?” + +“My own make and design.” + +“Then you are not beginning business?” + +“I hope I may say that I thoroughly understand it.” + +The door leading into the back parlour opened, and a little girl about +nine or ten years old entered. + +“Mother, I want—” + +Mrs. Fairfax, without saying a word, gently led the child into the +parlour again. + +“Dear me, what a pretty little girl! Is that yours?” + +“Yes, she is mine.” + +Mrs. Bingham noticed that Mrs. Fairfax did not wear a widow’s cap, and +that she had a wedding-ring on her finger. + +“You will find it rather lonely here. Have you been accustomed to +solitude?” + +“Yes. That silk, now, would suit you admirably. With less ornament it +would be ten guineas.” + +“Thank you: I must not be so extravagant at present. May I look at +something which will do for walking? You would not, I suppose, make a +walking-dress for Langborough exactly as you would have made it in +London?” + +“If you mean for walking about the roads here, it would differ slightly +from one which would be suitable for London.” + +“Will you show me what you have usually made for town?” + +“This is what is worn now.” + +Mrs. Bingham was baffled but not defeated. She gave an order for a +walking-dress, and hoped that Mrs. Fairfax might be more communicative. + +“Have you any introductions here?” + +“None whatever.” + +“It is rather a risk if you are unknown.” + +“Perhaps you have been exempt from risks: some people are obliged +constantly to encounter them.” + +“‘Exempt,’ ‘encounter,”’ thought Mrs. Bingham: “she must have been to a +good school.” + +“When will you be ready to try on?” + +“On Friday,” and Mrs. Fairfax opened the door. + +As Mrs. Bingham went out she noticed a French book lying on a side table. + +The day following was Sunday, and Mrs. Fairfax and her daughter were at +church. They sat at the back, and all the congregation turned on +entering, looked at them, and thought about them during the service. +They went out as soon as it was over, but Mrs. Harrop, wife of the +ironmonger, and Mrs. Cobb, wife of the coal merchant, escaped with equal +promptitude and were close behind them. + +“There isn’t a crease in that body,” said Mrs. Harrop. + +On Monday Mrs. Bingham was at the post-office. She took care to be there +at the dinner hour, when the postmaster’s wife generally came to the +counter. + +“A newcomer, Mrs. Carter. Have you seen Mrs. Fairfax?” + +“Once or twice, ma’am.” + +“Has she many letters?” + +The door between the office and the parlour was open. + +“I’ve no doubt she will have, ma’am, if her business succeeds.” + +“I wonder where she lived before she came here. It is curious, isn’t it, +that nobody knows her? Did you ever notice how her letters are stamped?” + +“Can’t say as I have, ma’am.” + +Mrs. Carter shut the parlour door. “The smell of those onions,” she +whispered to her husband, “blows right in here.” She then altered her +tone a trifle. + +“One of ’em, Mrs. Bingham, had the Portsmouth postmark on it; but this is +in the strictest confidence, and I should never dream of letting it out +to anybody but you, but I don’t mind you, because I know you won’t repeat +it, and if my husband was to hear me he’d be in a fearful rage, for there +was a dreadful row when I told Lady Caroline at Thaxton Manor about the +letters Miss Margaret was getting, and it was found out that it was me as +told her, and some gentleman in London wrote to the Postmaster-General +about it.” + +“You may depend upon me, Mrs. Carter.” Mrs. Bingham considered she had +completely satisfied her conscience when she imposed an oath of secrecy +on Mrs. Harrop, who was also self-exonerated when she had imposed a +similar oath on Mrs. Cobb. + +A fortnight after the visit to the post-office there was a tea-party. +Mrs. Harrop, Mrs. Cobb, Mrs. Sweeting, the grocer’s wife, and Miss +Tarrant, an elderly lady, living on a small annuity, but most genteel, +were invited to Mrs. Bingham’s. They began to talk of Mrs. Fairfax +directly they had tasted the hot buttered toast. They had before them +the following facts: the carrier’s deposition that the goods came from +Great Ormond Street; the lay-figure and what it wore; Mrs. Fairfax’s +prices; the little girl; the wedding-ring but no widow’s weeds; the +Portsmouth postmark; the French book; Mrs. Bingham’s new gown, and +lastly—a piece of information contributed by Mrs. Sweeting and considered +to be of great importance, as we shall see presently—that Mrs. Fairfax +bought her coffee whole and ground it herself. On these facts, nine in +all, the ladies had to construct—it was imperative that they should +construct it—an explanation of Mrs. Fairfax, and it must be confessed +that they were not worse equipped than many a picturesque and successful +historian. At the request of the company, Mrs. Bingham went upstairs and +put on the gown. + +“Do you mind coming to the window, Mrs. Bingham?” asked Mrs. Harrop. + +Mrs. Bingham rose and went to the window. Her guests also rose. She +held her arms down and then held them up, and was surveyed from every +point of the compass. + +“I thought it was a pucker, but it’s only the shadow,” observed Mrs. +Harrop. + +Mrs. Cobb stroked the body and shook the skirt. Not a single +depreciatory criticism was ventured. Excepting the wearer, nobody +present had seen such a masterpiece. But although for half a lifetime we +may have beheld nothing better than an imperfect actual, we recognise +instantly the superiority and glory of the realised Ideal when it is +presented to us. Mrs. Harrop, Mrs. Cobb, Mrs. Sweeting, and Miss Tarrant +became suddenly aware of possibilities of which they had not hitherto +dreamed. Mrs. Swanley, the linendraper’s wife, was degraded and deposed. + +“She must have learned that in London,” said Mrs. Harrop. + +“London! my dear Mrs. Harrop,” replied Mrs. Bingham, “I know London +pretty well, and how things are cut there. I told you there was a French +book on the table. Take my word for it, she has lived in Paris. She +_must_ have lived there.” + +“Where is Great Ormond Street, Mrs. Bingham?” inquired Mrs. Sweeting. + +“A great many foreigners live there; it is somewhere near Leicester +Square.” + +Mrs. Bingham knew nothing about the street, but having just concluded a +residence in Paris from the French book, that conclusion led at once to a +further conclusion, clear as noonday, as to the quality of the people who +inhabited Great Ormond Street, and consequently to the final deduction of +its locality. + +“Did you not say, Mrs. Sweeting, that she buys her coffee whole?” added +Mrs. Bingham, as if inspiration had flashed into her. “If you want +additional proof that she is French, there it is.” + +“Portsmouth,” mused Mrs. Cobb. “You say, Mrs. Bingham, there are a good +many officers there. Let me see—1815—it’s twenty-four years ago since +the battle. A captain may have picked her up in Paris. I’ll be bound +that, if she ever was married, she was married when she was sixteen or +seventeen. They are always obliged to marry those French girls when they +are nothing but chits, I’ve been told—those of them, leastways, that +don’t live with men without being married. That would make her about +forty, and then he found her out and left her, and she went back to Paris +and learned dressmaking.” + +“But he writes to her from Portsmouth,” said Mrs. Bingham, who had not +been told that the solitary letter from Portsmouth was addressed in a +man’s handwriting. + +“He may not have broken with her altogether,” replied Mrs. Cobb. “If he +isn’t a downright brute he’ll want to hear about his daughter.” + +“Well,” said Mrs. Sweeting, twitching her eyes as she was wont to do when +she was about to give an opinion which she knew would disturb any of her +friends, “you may talk as you like, but the last thing Swanley made for +me looked as if it had been to the wash and hung on me to dry. French or +English, captain or no captain, I shall go to Mrs. Fairfax. Her +character’s got nothing to do with her cut. Suppose she _is_ divorced; +judging from that body of yours, Mrs. Bingham, I shan’t have to send back +a pelisse half a dozen times to get it altered. When it comes to that +you get sick of the thing, and may just as well give it away.” + +Mrs. Sweeting occupied the lowest rank in this particular section of +Langborough society. As a grocer Mr. Sweeting was not quite on a level +with the coal dealer, who was a merchant, nor with the ironmonger, who +repaired ploughs, and he was certainly below Mr. Bingham. Miss Tarrant, +never having been “connected with trade”—her father was chief clerk in +the bank—considered herself superior to all her acquaintances, but her +very small income prevented her from claiming her superiority so +effectively as she desired. + +“Mrs. Sweeting,” she said, “I am surprised at you! You do not consider +what the moral effect on the lower orders of patronising a female of this +kind will be, probably an abandoned woman. The child, no doubt, was not +born in wedlock. We are sinners ourselves if we support sinners.” + +“Miss Tarrant,” retorted Mrs. Sweeting, “I’m the respectable mother of +five children, and I don’t want any sermons on sin except in church. If +it wasn’t a sin of Swanley to charge me three guineas for that pelisse, +and wouldn’t take it back, I don’t know what sin.” + +Mrs. Bingham, although she was accustomed to tea-table disputes, and even +enjoyed them, was a little afraid of Mrs. Sweeting’s tongue, and thought +it politic to interfere. + +“I agree with you entirely, Mrs. Sweeting, about the inferiority of Mrs. +Swanley to this newcomer, but we must consider Miss Tarrant’s position in +the parish and her responsibilities. She is no doubt right from her +point of view.” + +So the conversation ended, but Mrs. Fairfax’s biography, which was to be +published under authority in Langborough, was now rounded off and +complete. She was a Parisian, father and mother unknown, was found in +Paris in 1815 by Captain Fairfax, who, by her intrigues and threats of +exposure, was forced into a marriage with her. A few years afterwards he +had grounds for a divorce, but not wishing a scandal, consented to a +compromise and voluntary separation. He left one child in her custody, +as it showed signs of resemblance to its mother, to whom he gave a small +monthly allowance. She had been apprenticed as a dressmaker in Paris, +had returned thither in order to master her trade, and then came back to +England. In a very little time, so clever was she that she learned to +speak English fluently, although, as Mrs. Bingham at once noticed, the +French accent was very perceptible. It was a good, intelligible, working +theory, and that was all that was wanted. This was Mrs. Fairfax so far +as her female neighbours were concerned. To the men in Langborough she +was what she was to the women, but with a difference. When she went to +Mr. Sweeting’s shop to order her groceries, Mr. Sweeting, notwithstanding +the canonical legend of her life, served her himself, and was much +entangled by her dark hair, and was drawn down by it into a most polite +bow. Mr. Cobb, who had a little cabin of an office in his coal-yard, +hastened back to it from superintending the discharge of a lighter, when +Mrs. Fairfax called to pay her little bill, actually took off his hat, +begged her to be seated, and hoped she did not find the last lot of coals +dusty. He was now unloading some of the best Wallsend that ever came up +the river, and would take care that the next half ton should not have an +ounce of small in it. + +“You’ll find it chilly where you are living, ma’am, but it isn’t damp, +that’s one comfort. The bottom of your street is damp, and down here in +a flood anything like what we had fourteen years ago, we are nearly +drowned. If you’ll step outside with me I’ll show you how high the water +rose.” He opened the door, and Mrs. Fairfax thought it courteous not to +refuse. He walked to the back of his cabin bareheaded, although the +morning was cold, and pointed out to her the white paint mark on the +wall. She, dropped her receipted bill in the black mud and stooped to +pick it up. Mr. Cobb plunged after it and wiped it carefully on his silk +pocket-handkerchief. Mrs. Cobb’s bay window commanded the whole length +of the coal-yard. In this bay window she always sat and worked and +nodded to the customers, or gossiped with them as they passed. She +turned her back on Mrs. Fairfax both when she entered the yard and when +she left it, but watched her carefully. Mr. Cobb came into dinner, but +his wife bided her time, knowing that, as he took snuff, the handkerchief +would be used. It was very provoking, he was absent-minded, and forgot +his usual pinch before he sat down to his meal. For three-quarters of an +hour his wife was afflicted with painfully uneasy impatience, and found +it very difficult to reply to Mr. Cobb’s occasional remarks. At last the +cheese was finished, the snuff-box appeared, and after it the +handkerchief. + +“A pretty mess that handkerchief is in, Cobb.” She always called him +simply “Cobb.” + +“Yes, it was an a-a-accident. I must have a clean one. I didn’t think +it was so dirty.” + +“The washing of your snuffy handkerchiefs costs quite enough as it is, +Cobb, without using them in that way.” + +“What way?” said Mr. Cobb weakly. + +“Oh, I saw it all, going out without your hat and standing there like a +silly fool cleaning that bit of paper. I wonder what the lightermen +thought of you.” + +It will already have been noticed that the question what other people +thought was always the test which was put in Langborough whenever +anything was done or anything happened not in accordance with the usual +routine, and Mrs. Cobb struck at her husband’s conscience by referring +him to his lightermen. She continued— + +“And you know what she is as well as I do, and if she’d been respectable +you’d have been rude to her, as you generally are.” + +“You bought that last new gown of her, and you never had one as fitted +you so well.” + +“What’s that got to do with it? You may be sure I knew my place when I +went there. Fit? Yes, it did fit; them sort of women, it stands to +reason, are just the women to fit you.” + +Mr. Cobb was silent. He was a mild man, and he knew by much experience +how unprofitable controversy with Mrs. Cobb was. He could not forget +Mrs. Fairfax’s stooping figure when she was about to pick up the bill. +She caused in all the Langborough males an unaccustomed quivering and +warmth, the same in each, physical, perhaps, but salutary, for the +monotony of life was relieved thereby and a deference and even a grace +were begotten which did not usually distinguish Langborough manners. Not +one of Mrs. Fairfax’s admirers, however, could say that she showed any +desire for conversation with him, nor could any direct evidence be +obtained as to what she thought of things in general. There was, to be +sure, the French book, and there were other circumstances already +mentioned from which suspicion or certainty (suspicion, as we have seen, +passing immediately into certainty in Langborough) of infidelity or +disreputable conduct followed, but no corroborating word from her could +be adduced. She attended to her business, accepted orders with thanks +and smiles, talked about the weather and the accident to the coach, was +punctual in her attendance at church, calm and inscrutable as the Sphinx. +The attendance at church was, of course, set down to “business +considerations,” and was held to be quite consistent with the scepticism +and loose morality deducible from the French book and the unground +coffee. + + * * * * * + +In speaking of the male creatures of the town we have left out Dr. +Midleton. He was forty-eight years old, and had been rector twenty +years. He had obtained high mathematical honours at Cambridge, and +became a tutor in a grammar school, but was soon presented by his college +with the living of Langborough. He was tall, spare, clean-shaven, +grey-eyed, dark-haired, thin-faced, his lips were curved and compressed, +and he stooped slightly. He was a widower with no children, and the +Rectory was efficiently kept in order by an aged housekeeper. +Tractarianism had not arisen in 1839, but he was High Church and an enemy +to all kinds of fanaticism, apt to be satirical, even in his sermons, on +the right of private judgment to interpret texts as it pleased in +ignorance of Hebrew and Greek. He was respected and feared more than any +other man in the parish. He had a great library, and had taken up +archæology as a hobby. He knew the history of every church in the +county, and more about the Langborough records than was known by the town +clerk. He was chairman of a Board of Governors charged with the +administration of wealthy trust for alms and schools. When he first took +office he found that this trust was controlled almost entirely by a man +named Jackson, a local solicitor, whose salary as clerk was £400 a year +and who had a large private practice. The alms were allotted to serve +political purposes, and the headmaster of the school enjoyed a salary of +£800 a year for teaching forty boys, of whom twenty were boarders. Mr. +Midleton—he was Mr. Midleton then—very soon determined to alter this +state of things. Jackson went about sneering at the newcomer who was +going to turn the place upside down, and having been accustomed to +interfere in the debates in the Board-room, interrupted the Rector at the +third or fourth meeting. + +“You’ll get yourself in a mess if you do that, Mr. Chairman.” + +“Mr. Jackson,” replied the Rector, rising slowly, “it may perhaps save +trouble if I remind you now, once for all, that I am chairman and you are +the clerk. Mr. Bingham, you were about to speak.” + +It was Dr. Midleton who obtained the new Act of Parliament remodelling +the trust, whereby a much larger portion of its funds was devoted to +education. Jackson died, partly from drink and partly from spite and +vexation, and the headmaster was pensioned. The Rector was not popular +with the middle class. He was not fond of paying visits, but he never +neglected his duty, and by the poor was almost beloved, for he was +careless and intimate in his talk with them and generous to real +distress. Everybody admired his courage. The cholera in 1831 was very +bad in Langborough, and the people were in a panic at the new disease, +which was fatal in many cases within six hours after the first attack. +The Rector through that dark time was untouched by the contagious dread +which overpowered his parishioners, and his presence carried confidence +and health. On the worst day, sultry, stifling, with no sun, an +indescribable terror crept abroad, and Mr. Cobb, standing at his gate, +was overcome by it. In five minutes he had heard of two deaths, and he +began to feel what were called “premonitory symptoms.” He carried a +brandy flask in his pocket, brandy being then considered a remedy, and he +drank freely, but imagined himself worse. He was about to rush indoors +and tell Mrs. Cobb to send for the surgeon, when the Rector passed. + +“Ah, Mr. Cobb! I was just about to call on you; glad to see you looking +so well when there’s so much sickness. We shall want you on the School +Committee this evening,” and then he explained some business which was to +be discussed. Mr. Cobb afterwards was fond of telling the story of this +interview. + +“Would you believe it?” said he. “He spoke to me about nothing much but +the trust, but somehow my stomach seemed quieter at once. The +sinking—just _here_, you know—was dreadful before he came up, and the +brandy was no good. It was a something in his way that did it.” + +Dr. Midleton was obliged to call on Mrs. Fairfax as a newcomer. He found +Mrs. Harrop there, and Mrs. Fairfax asked him to step into the back +parlour, into which no one in Langborough had hitherto been admitted. +Gowns were tried on in the shop, the door being bolted and the blind +drawn. Dr. Midleton found four little shelves of books on the cupboard +by the side of the fireplace. Some were French, but most of them were +English. Although it was such a small collection, his book-lover’s +instinct compelled him to look at it. His eyes fell upon a _Religio +Medici_, and he opened it hastily. On the fly-leaf was written “Mary +Leighton, from R. L.” He had just time, before its owner entered, to +replace it and to muse for an instant. + +“Richard Leighton of Trinity: it is not a common name, but it cannot be +he—have lost sight of him for years; heard he was married, and came to no +good.” + +He was able to watch her for a minute as she stood by the table giving +some directions to her child, who was sent on an errand. In that minute +he saw her as she had not been seen by anybody in Langborough. To Mrs. +Bingham and her friends Mrs. Fairfax was the substratum of a body and +skirt, with the inestimable advantage over a substratum of cane and +padding that a scandalous history of it could be invented and believed. +To Langborough men, married and single, she was a member of “the sex,” as +women were called in those days, who possessed in a remarkable degree the +power of exciting that quivering and warmth we have already observed. +Dr. Midleton saw before him a lady, tall but delicately built, with +handsome face and dark brown hair just streaked with grey, and he saw +also diffused over every feature a light which in her eyes, +forward-looking and earnest, became concentrated into a vivid, steady +flame. The few words she spoke to her daughter were sharply cut, a +delightful contrast in his ear to the dialect to which he was accustomed, +distinguished by its universal vowel and suppression of the consonants. +How he inwardly rejoiced to hear the sound of the second “t” in the word +“distinct,” when she told her little messenger that Mr. Cobb had been +“distinctly” ordered to send the coals yesterday. He remained standing +until the child had gone. + +“Pray be seated,” she said. She went to the fireplace, leaned on the +mantelpiece, and poked the fire. The attitude struck him. She was about +to put some coals in the grate, but he interfered with an “Allow me,” and +performed the office for her. She thanked him simply, and sat down +opposite to him, facing the light. She began the conversation. + +“It is good of you to call on me; calling on people, especially on +newcomers must be an unpleasant part of a clergyman’s duty.” + +“It is so, madam, sometimes—there are not many newcomers.” + +“It is an advantage in your profession that you must generally be +governed by duty. It is often easier to do what we are obliged to do, +even if it be disagreeable, than to choose our path by our likes and +dislikes.” + +The bell rang, and Mrs. Fairfax went into the shop. + +“Who can she be?” said the Doctor to himself. Such an experience as this +he had not known since he had been rector. Langborough did not deal in +ideas. It was content to affirm that Miss Tarrant now and then gave +herself airs, that Mrs. Sweeting had a way of her own, that Mr. Cobb +lacked spirit and was downtrodden by his wife. + +She returned and sat down again. + +“You know nobody in these parts, Mrs. Fairfax?” + +“Nobody.” + +“Yours is a bold venture, is it not?” + +“It is—certainly. A good many plans were projected, of which this was +one, and there were equal difficulties in the way of all. When that is +the case we may almost as well draw lots.” + +“Ah, that is what I often say to some of the weaker sort among my +parishioners. I said it to poor Cobb the other day. He did not know +whether he should do this or do that. ‘It doesn’t matter much,’ said I, +‘what you do, but do something. _Do_ it, with all your strength.’” + +The Doctor was thoroughly Tory, and he slid away to his favourite +doctrine. + +“Our ancestors, madam, were not such fools as we often take them to be. +They consulted the _sortes_ or lots, and at the last election—we have a +potwalloping constituency here—three parts of the voters would have done +better if they had trusted to the toss-up of a penny instead of their +reason.” + +Mrs. Fairfax leaned back in her chair. Dr. Midleton noticed her +wedding-ring, and also a handsome sapphire ring. She spoke rather slowly +and meditatively. + +“Life is so complicated; so few of the consequences of many actions of +the greatest moment can be foreseen, that the belief in the lot is not +unnatural.” + +“You have some books, I see—Sir Thomas Browne.” He took down the volume. + +“Leighton! Leighton! how odd! Was it Richard Leighton?” + +“Yes.” + +“Really; and you knew him?” + +“He was a friend of my brother.” + +“Do you know what has become of him? He was at Cambridge with me, but +was younger.” + +“I have not seen him for some time. Do you mind if I open the window a +little?” + +“Certainly not.” + +She stood at the window for a moment, looking out on the garden, with her +hand on the top of the sash. The Doctor had turned his chair a little +and his eyes were fixed on her there with her uplifted arm. A picture +which belonged to his father instantly came back to him. He recollected +it so well. It represented a woman watching a young man in a courtyard +who is just mounting his horse. We are every now and then reminded of +pictures by a group, an attitude, or the arrangement of a landscape +which, thereby, acquires a new charm. + +Suddenly the shop bell rang again, and Mrs. Fairfax’s little girl rushed +into the parlour. She had fallen down and cut her wrist terribly with a +piece of a bottle containing some hartshorn which she had to buy at the +druggist’s on her way home from Mr. Cobb’s. The blood flowed freely, but +Mrs. Fairfax, unbewildered, put her thumb firmly on the wrist just above +the wound and instructed the doctor how to use his pocket-handkerchief as +a tourniquet. As he was tying it, although such careful attention to the +operation was necessary, he noticed Mrs. Fairfax’s hands, and he almost +forgot himself and the accident. + +“There is glass in the wrist,” she said. “Will you kindly fetch the +surgeon? I do not like to leave.” + +He went at once, and fortunately met him in his gig. + +On the third day after the mishap Dr. Midleton thought he ought to +inquire after the child. The glass had been extracted and she was doing +well. Her mother was at work in the back-parlour. She made no apology +for her occupation, but laid down her tools. + +“Pray go on, madam.” + +“Certainly not. I am afraid I might make a mistake with my scissors if I +were to listen to you; or, worse, if I were to pay attention to them I +should not pay attention to you.” + +He smiled. “It is an art, I should think, which requires not only much +attention but practice.” + +She evaded the implied question. “It is difficult to fit, but it is more +difficult to please.” + +“That is true in my own profession.” + +“But you are not obliged to please.” + +“No, not obliged, I am happy to say. If my parishioners do not hear the +truth I have no excuse. It must be rather trying to the temper of a lady +like yourself to humour the caprices of the vulgar.” + +“No; they are my customers, and even if they are unpleasant they are so +not to me personally but to their servant, who ceases to be their servant +when she ceases to be employed upon their clothes.” + +“You are a philosopher, madam; that sentiment is worthy of Epictetus.” + +“I have read Epictetus in Mrs. Carter’s translation.” + +“You have read Epictetus? That is remarkable! I should think no other +woman in the county has read him.” He leaned forward a little and his +face was lighted up. “I have a library, madam, a large library; I should +like to show it to you, if—if it can be managed without difficulty.” + +“It will give me great pleasure to see it some day. It must be a +delightful solace to you in a town like this, in which I daresay you have +but few friends. I suppose, though, you visit a good deal?” + +“No; I do not visit much. I differ from my brother Sinclair in the next +parish. He is always visiting. What is the consequence?—gossip and, as +I conceive, a loss of dignity and self-respect. I will go wherever there +is trouble or wherever I am wanted, but I will not go anywhere for idle +talk.” + +“I think you are right. A priest should not make himself cheap and +common. He should be representative of sacred interests superior to the +ordinary interests of life.” + +“I am grateful to you, madam, very grateful to you for these +observations. They are as just as they are unusual. I sincerely hope +that we—” But there was a knock at the door. + +“Come in.” It was Mrs. Harrop. “Your bell rang, Mrs. Fairfax, but maybe +you didn’t hear it as you were engaged in conversation. Good morning, +Dr. Midleton. I hope I don’t intrude?” + +“No, you do not.” + +He bowed to the ladies, and as he went out, the parlour-door being open, +he moved the outer door backwards and forwards. + +“It would be as well, Mrs. Fairfax, to have a bell hung there which would +act properly.” + +“I don’t know quite what Dr. Midleton means,” said Mrs. Harrop when he +had gone. “The bell did ring, loud enough for most people to have heard +it, and I waited ever so long.” + +He walked down the street with his customary firm step, and met Mr. +Bingham who stopped him, half smiling and not quite at his ease. + +“We are sorry, Doctor, you did not give Hutchings your vote for the +almshouse last Thursday; we expected you would have gone with us.” + +“You expected? Why?” + +“Well, you see, sir, Hutchings has always worked hard for our side.” + +“I am astonished, Mr. Bingham, that you should suppose that I will ever +consent to divert the funds of a trust for party purposes.” + +Mr. Bingham, although he had just determined to give the Doctor a bit of +his mind, felt his strength depart from him. His sentences lacked power +to stand upright and fell sprawling. “No offence, Doctor, I merely +wanted you to know—not so much my own views—difficulty to keep our +friends together. Short—you know Tom Short—was saying to me he was +afraid—” + +“Pay no attention to fools. Good morning.” + +The Doctor came in that night from a vestry meeting to which he went +after dinner. The clock was striking nine, the chimes played their tune, +and as the last note sounded the housekeeper and servants filed into the +study for prayers. Prayers over they rose and went out, and he sat down. +His habits were becoming fixed and for some years he had always read in +the evening the friends of his youth. No sermon was composed then; no +ecclesiastical literature was studied. Pope and Swift were favourites +and, curiously enough, Lord Byron. His case is not uncommon, for it +often happens that men who are forced into reserve or opposition preserve +a secret, youthful, poetic passion and are even kept alive by it. On +this particular evening, however, Pope, Byron, and Swift remained on his +shelves. He meditated. + +“A wedding-ring on her finger; no widow’s weeds; he may nevertheless be +dead—I believe I heard he was—and she has discontinued that frightful +disfigurement. Leighton had the thickest crop of black hair I ever saw +on a man: what thick, black hair that child has! A lady; a reader of +books; nobody to be compared with her here.” At this point he rose and +walked about the room for a quarter of an hour. He sat down again and +took up an important paper about the Trust. He had forgotten it and it +was to be discussed the next day. His eyes wandered over it but he paid +no attention to it; and somewhat disgusted with himself he went to bed. + +Mrs. Fairfax had happened to tell him that she was fond of walking soon +after breakfast before she opened her shop, and generally preferred the +lane on the west side of the Common. From his house the direct road to +the lane lay down the High Street, but about a fortnight after that +evening in his study he found himself one morning in Deadman’s Rents, a +narrow, dirty alley which led to the east side of the Common. Deadman’s +Rents was inhabited by men who worked in brickyards and coalyards, who +did odd jobs, and by washerwomen and charwomen. It contained also three +beershops. The dwellers in the Rents were much surprised to see the +Doctor amongst them at that early hour, and conjectured he must have come +on a professional errand. Every one of the Deadman ladies who was at her +door—and they were generally at their doors in the daytime—vigilantly +watched him. He went straight through the Rents to the Common, whereupon +Mrs. Wiggins, who supported herself by the sale of firewood, jam, +pickles, and peppermints, was particularly disturbed and was obliged to +go over to the “Kicking Donkey,” partly to communicate what she had seen +and partly to ward off by half a quartern of rum the sinking which always +threatened her when she was in any way agitated. When he reached the +common it struck him that for the first time in his life he had gone a +roundabout way to escape being seen. Some people naturally take to +side-streets; he, on the contrary, preferred the High Street; it was his +quarter-deck and he paraded it like a captain. “Was he doing wrong?” he +said to himself. Certainly not; he desired a little intelligent +conversation and there was no need to tell everybody what he wanted. It +was unfortunate, nevertheless, that it was necessary to go through +Deadman’s Rents in order to get it. He soon saw Mrs. Fairfax and her +little girl in front of him. He overtook her, and she showed no surprise +at seeing him. + +“I have been thinking,” said he, “about what you told me”—this was a +reference to an interview not recorded. “I am annoyed that Mrs. Harrop +should have been impertinent to you.” + +“You need not be annoyed. The import of a word is not fixed. If +anything annoying is said to me, I always ask myself what it means—not to +me but to the speaker. Besides, as I have told you before, shop +insolence is nothing.” + +“You may be justified in not resenting it, but Mrs. Harrop cannot be +excused. I am not surprised to find that she can use such language, but +I am astonished that she should use it to you. It shows an utter lack of +perception. Your Epictetus has been studied to some purpose.” + +“I have quite forgotten him. I do not recollect books, but I never +forget the lessons taught me by my own trade.” + +“You have had much trouble?” + +“I have had my share: probably not in excess. It is difficult for +anybody to know whether his suffering is excessive: there is no means of +measuring it with that of others.” + +“Have you no friends with whom you can share it?” + +“I have known but one woman intimately, and she is now dead. I have +known two or three men whom I esteemed, but close friendship between a +woman and a man, unless he is her husband, as a rule is impossible.” + +“Do you really think so?” + +“I am certain of it. I am speaking now of a friendship which would +justify a demand for sympathy with real sorrows.” + +They continued their walk in silence for the next two or three minutes. + +“We are now near the end of the lane. I must turn and go back.” + +“I will go with you.” + +“Thank you: I should detain you: I have to make a call on business at the +White House. Good morning.” + +They parted. + +Dr. Midleton presently met Mrs. Jenkins of Deadman’s Rents, who was going +to the White House to do a day’s washing. A few steps further he met Mr. +Harrop in his gig, who overtook Mrs. Fairfax. Thus it came to pass that +Deadman’s Rents and the High Street knew before nightfall that Dr. +Midleton and Mrs. Fairfax had been seen on the Common that morning. Mrs. +Jenkins protested, that “if she was to be burnt alive with fuz-faggits +and brimstone, nothink but what she witnessed with her own eyes should +pass her lips, whatsomever she might think, and although they were +a-walkin’—him with his arm round her waist—she did _not_ see him +a-kissin’ of her—how could she when they were a hundred yards off?” + +The Doctor prolonged his stroll and reached home about half-past eleven. +A third of his life had been spent in Langborough. He remembered the day +he came and the unpacking of his books. They lined the walls of his +room, some of them rare, all of them his friends. Nobody in Langborough +had ever asked him to lend a single volume. The solitary scholar never +forsook his studies, but at times he sighed over them and they seemed a +little vain. They were not entirely without external effect, for Pope +and Swift in disguise often spoke to the vestry or the governors, and the +Doctor’s manners even in the shops were moulded by his intercourse with +the classic dead. Their names, however, in Langborough were almost +unknown. He had now become hardened by constant unsympathetic contact. +Suddenly a stranger had appeared who was an inhabitant of his own world +and talked his own tongue. The prospect of genuine intercourse disclosed +itself. None but those who have felt it can imagine the relief, the +joyous expansion, which follow the discovery after long years of +imprisonment with decent people of a person before whom it is unnecessary +to stifle what we most care to express. No wonder he was excited! + +But the stranger was a woman. He meditated much that morning on her +singular aptitude for reflection, but he presently began to dream over +figure, hair, eyes, hands. A picture in the most vivid colours painted +itself before him, and he could not close his eyes to it. He was +distressed to find himself the victim of this unaccustomed tyranny. He +did not know that it is impossible for a man to love a woman’s soul +without loving her body. There is no such thing as a spiritual love +apart from a corporeal love, the one celestial and the other earthly, and +the spiritual love begets a passion peculiar in its intensity. He was +happily diverted by Mr. Bingham, who called about a coming contested +election for the governorships. + +Next week there was another tea-party at Mrs. Cobb’s. The ladies were in +high spirits, for a subject of conversation was assured. If there had +been an inquest, or a marriage, or a highway robbery before one of these +parties, or if the contents of a will had just been made known, or still +better, if any scandal had just come to light, the guests were always +cheerful. Now, of course, the topic was Dr. Midleton and Mrs. Fairfax. + +“When I found him in that back parlour,” said Mrs. Harrop, “I thought he +wasn’t there to pay the usual call. Somehow it didn’t seem as if he was +like a clergyman. I felt quite queer: it came over me all of a sudden. +And then we know he’s been there once or twice since.” + +“I don’t wonder at your feeling queer, Mrs. Harrop,” quoth Mrs. Cobb. +“I’m sure I should have fainted; and what brazen boldness to walk out +together on the Common at nine o’clock in the morning. That girl who +brought in the tea—it’s my belief that a young man goes after her—but +even they wouldn’t demean themselves to be seen at it just after +breakfast.” + +“You don’t mean to say as your Deborah encourages a man, Mrs. Cobb! I +don’t know what we are a-comin’ to. You’ve always been so particular, +and she seemed so respectable. I _am_ sorry.” + +Mrs. Cobb did not quite relish Mrs. Harrop’s pity. + +“You may be sure, Mrs. Harrop, she was respectable when I took her, and +if she isn’t I shan’t keep her. I _am_ particular, more so than most +folk, and I don’t mind who knows it.” Mrs. Cobb threw back her cap +strings. The denial that she minded who knew it may not appear relevant, +but desiring to be spiteful she could not at the moment find a better way +of showing her spite than by declaring her indifference to the +publication of her virtues. If there was no venom in the substance of +the declaration there was much in the manner of it. Mrs. Bingham brought +back the conversation to the point. + +“I suppose you’ve heard what Mrs. Jenkins says? Your husband also, Mrs. +Harrop, met them both.” + +“Yes he did. He was not quite in time to see as much as Mrs. Jenkins +saw, and I’m glad he didn’t. I shouldn’t have felt comfortable if I’d +known he had. A clergyman, too! it is shocking. A nice business, this, +for the Dissenters.” + +“Well,” said Mrs. Bingham, “what are we to do? I had thought of going to +her and giving her a bit of my mind, but she has got that yellow gown to +make. What is your opinion, Miss Tarrant?” + +“I would not degrade myself, Mrs. Bingham, by any expostulations with +her. I would have nothing more to do with her. Could you not relieve +her of the unfinished gown? Mrs. Swanley, I am sure, under the +circumstances would be only too happy to complete it for you.” + +“Mrs. Swanley cannot come near her. I should look ridiculous in her body +and one of Swanley’s skirts.” + +“As to the Doctor,” continued Miss Tarrant, “I wonder that he can expect +to maintain any authority in matters of religion if he marries a +dressmaker of that stamp. It would be impossible even if her character +were unimpeachable. I am astonished, if he wishes to enter into the +matrimonial state, that he does not seek some one who would be able to +support him in his position and offer him the sympathy which a man who +has had a University education might justifiably demand.” + +Mrs. Sweeting had hitherto listened in silence. Miss Tarrant provoked +her. + +“It’s all a fuss about nothing, that’s my opinion. What has she done +that you know to be wrong? And as to the Doctor, he’s got a right to +please himself. I’m surprised at you, Miss Tarrant, for _you’ve_ always +stuck for him through thick and thin. As for that Mrs. Jenkins, I’ll +take my Bible oath that the last time she washed for me she stunk of gin +enough to poison me, and went away with two bits of soap in her pocket. +You may credit what she says: _I_ don’t, and never demean myself to +listen to her.” + +The ladies came to no conclusion. Mrs. Bingham said that she had +suggested a round robin to Dr. Midleton, but that her husband decidedly +“discountenanced the proposal.” Within a fortnight the election of +governors was to take place. There was always a fight at these +elections, and this year the Radicals had a strong list. The Doctor, +whose term of office had expired, was the most prominent of the Tory and +Church candidates, and never doubted his success. He was ignorant of all +the gossip about him. One day in that fortnight he might have been seen +in Ferry Street. He went into Mrs. Fairfax’s shop and was invited as +before into the back parlour. + +“I have brought you a basket of pears, and the book I promised you, the +_Utopia_.” He sat down. “I am afraid you will think my visits too +frequent.” + +“They are not too frequent for me: they may be for yourself.” + +“Ah! since I last entered your house I have not seen any books excepting +my own. You hardly know what life in Langborough is like.” + +“Does nobody take any interest in archæology?” + +“Nobody within five miles. Sinclair cares nothing about it: he is Low +Church, as I have told you.” + +“Why does that prevent his caring about it?” + +“Being Low Church he is narrow-minded, or, perhaps it would be more +correct to say, being narrow-minded he is Low Church. He is an +indifferent scholar, and occupies himself with his religious fancies and +those of his flock. He can reign supreme there. He is not troubled in +that department by the difficulties of learning and is not exposed to +criticism or contradiction.” + +“I suppose it is a fact of the greatest importance to him that he and his +parishioners have souls to be saved, and that in comparison with that +fact others are immaterial.” + +“We all believe we have souls to be saved. Having set forth God’s way of +saving them we have done all we ought to do. God’s way is not sufficient +for Sinclair. He enlarges it out of his own head, and instructs his +silly, ignorant friends to do the same. He will not be satisfied with +what God and the Church tell him.” + +“God and the Church, according to Dr. Midleton’s account, have not been +very effective in Langborough.” + +“They hear from me, madam, all I am commissioned to say, and if they do +not attend I cannot help it.” + +“I have read your paper in the Archæological Transactions on the history +of Langborough Abbey. It excited my imagination, which is never excited +in reading ordinary histories. In your essay I am in company with the +men who actually lived in the time of Henry the Second and Henry the +Eighth. I went over the ruins again, and found them much more beautiful +after I understood something about them.” + +“Yes: exactly what I have said a hundred times: knowledge is +indispensable.” + +“If you had not pointed it out, I should never have noticed the Early +English doorway in the Chapter-house, so distinct in style from the +Refectory.” + +“You noticed the brackets of that doorway: you noticed the quatrefoils in +the head? The Refectory is later by three centuries, and is exquisite, +but is not equal to the Chapter-house.” + +“Yes, I noticed the brackets and quatrefoils particularly. If knowledge +is not necessary in order that we may admire, its natural tendency is to +deepen our admiration. Without it we pass over so much. In my own small +way I have noticed how my slight botanical knowledge of flowers by the +mere attention involved increases my wonder at their loveliness.” + +There was the usual interruption by the shop-bell. How he hated that +bell! Mrs. Fairfax answered it, closing the parlour door. The customer +was Mrs. Bingham. + +“I will not disturb you now, Mrs. Fairfax. I was going to say something +about the black trimming you recommended. I really think red would suit +me better, but, never mind, I will call again as I saw the Doctor come +in. He is rather a frequent visitor.” + +“Not frequent: he comes occasionally. We are both interested in a +subject which I believe is not much studied in Langborough.” + +“Dear me! not dressmaking?” + +“No, madam, archæology.” + +Mrs. Bingham went out once more discomfited, and Mrs. Fairfax returned to +the parlour. + +“I am sure I am taking up too much of your time,” said the Doctor, “but I +cannot tell you what a privilege it is to spend a few minutes with a lady +like yourself.” + +Mrs. Fairfax was silent for a minute. + +“Mrs. Bingham has been here, and I think I ought to tell you that she has +made some significant remarks about you. Forgive me if I suggest that we +should partially, at any rate, discontinue our intercourse. I should be +most unhappy if your friendship with me were to do you any harm.” + +The Doctor rose in a passion, planting his stick on the floor. + +“When the cackling of the geese or the braying of the asses on +Langborough Common prevent my crossing it, then, and not till then, will +my course be determined by Mrs. Bingham and her colleagues.” + +He sat down again with his elbow on the arm of the chair and half shading +his eyes with his hand. His whole manner altered. Not a trace of the +rector remained in him: the decisiveness vanished from his voice; it +became musical, low, and hesitating. It was as if some angel had touched +him, and had suddenly converted all his strength into tenderness, a +transformation not impossible, for strength is tenderness and tenderness +is strength. + +“I shall be forty-nine years old next birthday,” he said. “Never until +now have I been sure that I loved a woman. I was married when I was +twenty-five. I had seen two or three girls whom I thought I could love, +and at last chose one. It was the arbitrary selection of a weary will. +My wife died within two years of her marriage. After her death I was +thrown in the way of women who attracted me, but I wavered. If I made up +my mind at night, I shrank back in the morning. I thought my +irresolution was mere cowardice. It was not so. It was a warning that +the time had not come. I resolved at last that there was to be no change +in my life, that I would resign myself to my lot, expect no affection, +and do the duty blindly which had been imposed upon me. But a miracle +has been wrought, and I have a perfectly clear direction: with you for +the first time in my life I am _sure_. You have known what it is to be +in a fog, unable to tell which way to turn, and all at once the cold, wet +mist was lifted, the sun came out, the fields were lighted up, the sea +revealed itself to the horizon, and your road lay straight before you +stretching over the hill. I will not shame myself by apologies that I am +no longer young. My love has remained with me. It is a passion for you, +and it is a reverence for a mind to which it will be a perpetual joy to +submit.” + +“God pardon me,” she said after a moment’s pause, “for having drawn you +to this! I did not mean it. If you knew all you would forgive me. It +cannot, cannot be! Leave me.” He hesitated. “Leave me, leave me at +once!” she cried. + +He rose, she took his right hand in both of hers: there was one look +straight into his eyes from her own which were filling with tears, a half +sob, her hands after one more grasp fell, and he found that he had left +the house. He went home. How strange it is to return to a familiar +chamber after a great event has happened! On his desk lay a volume of +Cicero’s letters. The fire had not been touched and was almost out: the +door leading to the garden was open: the self of two hours before seemed +to confront him. When the tumult in him began to subside he was struck +by the groundlessness of his double assumption that Mrs. Fairfax was Mrs. +Leighton and that she was free. He had made no inquiry. He had noticed +the wedding-ring, and he had come to some conclusion about it which was +supported by no evidence. Doubtless she could not be his: her husband +was still alive. At last the hour for which unconsciously he had been +waiting had struck, and his true self, he not having known hitherto what +it was, had been declared. But it was all for nothing. It was as if +some autumn-blooming plant had put forth on a sunny October morning the +flower of the year, and had been instantaneously blasted and cut down to +the root. The plant might revive next spring, but there could be no +revival for him. There could be nothing now before him but that same +dull duty, duty to the dull, duty without enthusiasm. He had no example +for his consolation. The Bible is the record of heroic suffering: there +is no story there of a martyrdom to monotony and life-weariness. He was +a pious man, but loved prescription and form: he loved to think of +himself as a member of the great Catholic Church and not as an isolated +individual, and he found more relief in praying the prayers which +millions had before him than in extempore effusion; humbly trusting that +what he was seeking in consecrated petitions was all that he really +needed. “In proportion as your prayers are peculiar,” he once told his +congregation in a course of sermons on Dissent, “they are worthless.” +There was nothing, though, in the prayer-book which met his case. He was +in no danger from temptation, nor had he trespassed. He was not in want +of his daily bread, and although he desired like all good men to see the +Kingdom of God, the advent of that celestial kingdom which had for an +instant been disclosed to him was for ever impossible. + +The servant announced Mrs. Sweeting, who was asked to come in. + +“Sit down, Mrs. Sweeting. What can I do for you?” + +“Well, sir, perhaps you may remember—and if you don’t, I do—how you +helped my husband in that dreadful year 1825. I shall never forget that +act of yours, Dr. Midleton, and I’d stick up for you if Mrs. Bingham and +Mrs. Harrop and Mrs. Cobb and Miss Tarrant were to swear against you and +you a-standing in the dock. As for that Miss Tarrant, there’s that +a-rankling in her that makes her worse than any of them, and if you don’t +know what it is, being too modest, forgive me for saying so, I do.” + +“But what’s the matter, Mrs. Sweeting?” + +“Matter, sir! Why, I can hardly bring it out, seeing that I’m only the +wife of a tradesman, but one thing I will say as I ain’t like the serpent +in Genesis, a-crawling about on its belly and spitting poison and biting +people by their heels.” + +“You have not yet told me what is wrong.” + +“Dr. Midleton, you shall have it, but recollect I come here as your +friend: leastways I hope you’ll forgive me if I call myself so, for if +you were ill and you were to hold up your finger for me not another soul +should come near you night nor day till you were well again or it had +pleased God Almighty to take you to Himself. Dr. Midleton, there’s a +conspiracy.” + +“A what?” + +“A conspiracy: that’s right, I believe. You are acquainted with Mrs. +Fairfax. To make a long and a short of it, they say you are always going +there, more than you ought, leastways unless you mean to marry her, and +that she’s only a dressmaker, and nobody knows where she comes from, and +they ain’t open and free: they won’t come and tell you themselves; but +you’ll be turned out at the election the day after to-morrow.” + +“But what do you say yourself?” + +“Me, Dr. Midleton? Why, I’ve spoke up pretty plainly. I told Mrs. Cobb +it would be a good thing if you were married, provided you wouldn’t be +trod upon as some people’s husbands are, and I was pretty well sure you +never would be, and that you knew a lady when you saw her better than +most folk; and as for her being a dressmaker what’s that got to do with +it?” + +“You are too well acquainted with me, Mrs. Sweeting, to suppose I should +condescend to notice this contemptible stuff or alter my course to please +all Langborough. Why did you take the trouble to report it to me?” + +“Because, sir, I wouldn’t for the world you should think I was mixed up +with them; and if my husband doesn’t vote for you my name isn’t +Sweeting.” + +“I am much obliged to you. I see your motives: you are straightforward +and I respect you.” + +Mrs. Sweeting thanked him and departed. His first feeling was wrath. +Never was there a man less likely to be cowed. He put on his hat and +walked to his committee-room, where he found Mr. Bingham. + +“No doubt, I suppose, Mr. Bingham?” + +“Don’t know, Doctor; the Radicals have got a strong candidate in Jem +Casey. Some of our people will turn, I’m afraid, and split their votes.” + +“Split votes! with a fellow like that! How can there be any splitting +between an honest man and a rascal?” + +“There shouldn’t be, sir, but—” Mr. Bingham hesitated—“I suppose there +may be personal considerations.” + +“Personal considerations! what do you mean? Let us have no more of these +Langborough tricks. Out with it, Bingham! Who are the persons and what +are the considerations?” + +“I really can’t say, Doctor, but perhaps you may not be as popular as you +were. You’ve—” but Mr. Bingham’s strength again completely failed him, +and he took a sudden turn—“You’ve taken a decided line lately at several +of our meetings.” + +The Doctor looked steadily at Mr. Bingham, who felt that every corner of +his pitiful soul was visible. + +“The line I have taken you have generally supported. That is not what +you mean. If I am defeated I shall be defeated by equivocating +cowardice, and I shall consider myself honoured.” + +The Doctor strode out of the room. He knew now that he was the common +property of the town, and that every tongue was wagging about him and a +woman, but he was defiant. The next morning he saw painted in white +paint on his own wall— + + “My dearly beloved, for all you’re so bold, + To-morrow you’ll find you’re left out in the cold; + And, Doctor, the reason you need not to ax, + It’s because of a dressmaker—Mrs. F—fax.” + +He was going out just as the gardener was about to obliterate the +inscription. + +“Leave it, Robert, leave it; let the filthy scoundrels perpetuate their +own disgrace.” + +The result of the election was curious. Two of the Church candidates +were returned at the top of the poll. Jem Casey came next. Dr. Midleton +and the other two Radical and Dissenting candidates were defeated. There +were between seventy and eighty plumpers for the two successful +Churchmen, and about five-and-twenty split votes for them and Casey, who +had distinguished himself by his coarse attacks on the Doctor. Mr. +Bingham had a bad cold, and did not vote. On the following Sunday the +church was fuller than usual. The Doctor preached on behalf of the +Society for the Propagation of the Gospel. He did not allude directly to +any of the events of the preceding week, but at the close of his sermon +he said—“It has been frequently objected that we ought not to spend money +on missions to the heathen abroad as there is such a field of labour at +home. The answer to that objection is that there is more hope of the +heathen than of many of our countrymen. This has been a nominally +Christian land for centuries, but even now many deadly sins are not +considered sinful, and it is an easier task to save the savage than to +convince those, for example, whose tongue, to use the words of the +apostle, is set on fire of hell, that they are in danger of damnation. I +hope, therefore, my brethren, that you will give liberally.” + +On Monday Langborough was amazed to find Mrs. Fairfax’s shop closed. She +had left the town. She had taken a post-chaise on Saturday and had met +the up-mail at Thaxton cross-roads. Her scanty furniture had +disappeared. The carrier could but inform Langborough that he had orders +to deliver her goods at Great Ormond Street whence he brought them. Mrs. +Bingham went to London shortly afterwards and called at Great Ormond +Street to inquire for Mrs. Fairfax. Nobody of that name lived there, and +the door was somewhat abruptly shut in her face. She came back convinced +that Mrs. Fairfax was what Mrs. Cobb called “a bad lot.” + +“Do you believe,” said she, “that a woman who gives a false name can be +respectable? We want no further proof.” + +Nobody wanted further proof. No Langborough lady needed any proof if a +reputation was to be blasted. + +“It’s an _alibi_,” said Mrs. Harrop. “That’s what Tom Cranch the poacher +did, and he was hung.” + +“An _alias_, I believe, is the correct term,” said Miss Tarrant. “It +means the assumption of a name which is not your own, a most +discreditable device, one to which actresses and women to whose +occupation I can only allude, uniformly resort. How thankful we ought to +be that our respected Rector’s eyes must now be opened and that he has +escaped the snare! It was impossible that he could be permanently +attracted by vice and vulgarity. It is singular how much more acute a +woman’s perception often is than a man’s. I saw through this creature at +once.” + + * * * * * + +Eighteen months passed. The doctor one day was unpacking a book he had +bought at Peterborough. Inside the brown paper was a copy of the +_Stamford Mercury_, a journal which had a wide circulation in the +Midlands. He generally read it, but he must have omitted to see this +number. His eye fell on the following announcement—“On the 24th June +last, Richard Leighton, aged 44 years.” The notice was late, for the +date of the paper was the 18th November. The next afternoon he was in +London. He had been to Great Ormond Street before and had inquired for +Mrs. Fairfax, but could find no trace of her. He now called again. + +“You will remember,” he said, “my inquiry about Mrs. Fairfax: can you +tell me anything about Mrs. Leighton?” He put his hand in his pocket and +pulled out five shillings. + +“She isn’t here: she went away when her husband died.” + +“He died abroad?” + +“Yes.” + +“Where has she gone?” + +“Don’t know quite: her friends wouldn’t have anything to do with her. +She said she was going to Plymouth. She had heard of something in the +dressmaking line there.” + +He handed over his five shillings, procured a substitute for next Sunday, +and went to Plymouth. He wandered through the streets but could see no +dressmaker’s shop which looked as if it had recently changed hands. He +walked backwards and forwards on the Hoe in the evening: the Eddystone +light glimmered far away on the horizon; and the dim hope arose in him +that it might be a prophecy of success, but his hope was vain. It came +into his mind that it was not likely that she would be there after dusk, +and he remembered her preference for early exercise. The first morning +was a failure, but on the second—it was sunny and warm—he saw her sitting +on a bench facing the sea. He went up unobserved and sat down. She did +not turn towards him till he said “Mrs. Leighton!” She started and +recognised him. Little was spoken as they walked home to her lodgings, a +small private house. On her way she called at a large shop where she was +employed and obtained leave of absence until after dinner. + +“At last!” said the doctor when the door was shut. + +She stood gazing in silence at the dull red cinder of the dying fire. + +“You put the advertisement in the _Stamford Mercury_?” he said. + +“Yes.” + +“I did not see it until a day or two ago.” + +“I had better tell you at once. My husband, whom you knew, was convicted +of forgery, and died at Botany Bay.” Her eyes still watched the red +cinders. + +The Doctor’s countenance showed no surprise, for no news could have had +any power over the emotion which mastered him. The long, slow years were +fulfilled. Long and slow and the fulfilment late, but the joy it brought +was the greater. Youthful passion is sweet, but it is not sweeter than +the discovery when we begin to count the years which are left to us, and +to fear there will be nothing in them better than in those which preceded +them that for us also love is reserved. + +Mrs. Leighton was obliged to go back to her work in the afternoon, but +she gave notice that night to leave in a week. + +In a couple of months Langborough was astounded at the news of the +Rector’s marriage with a Mrs. Leighton whom nobody in Langborough knew. +The advertisement in the _Stamford Mercury_ said that the lady was the +widow of Richard Leighton, Esq., and eldest daughter of the late +Marmaduke Sutton, Esq. Langborough spared no pains to discover who she +was. Mrs. Bingham found out that the Suttons were a Devonshire family, +and she ascertained from an Exeter friend that Mr. Marmaduke Sutton was +the son of an Honourable, and that Mrs. Leighton was consequently a +high-born lady. She had married as her first husband a man who had done +well at Cambridge, but who took to gambling and drink, and treated her +with such brutality that they separated. At last he forged a signature +and was transported. What became of his wife afterwards was not known. +Langborough was not only greatly moved by this intelligence, but was much +perplexed. Miss Tarrant’s estimate of the Doctor was once more reversed. +She was decidedly of opinion that the marriage was a scandal. A woman +who had consented to link herself with such a reprobate as the convict +must have been from the beginning could not herself have possessed any +reputation. Living apart, too, was next door to divorce, and who could +associate with a creature who had been divorced? No doubt she was +physically seductive, and the doctor had fallen a victim to her snares. +Miss Tarrant, if she had not known so well what men are, would never have +dreamed that Dr. Midleton, a scholar and a divine, could surrender to +corporeal attractions. She declared that she could no longer expect any +profit from his ministrations, and that she should leave the parish. +Miss Tarrant’s friends, however, did not go quite so far, and Mrs. Harrop +confessed to Mrs. Cobb that “she for one wouldn’t lay it down like Medes +and Persians, that we should have nothing to do with a woman because her +husband had made a fool of himself. I’m not a Mede nor a Persian, Mrs. +Cobb. I say let us wait and see what she is like.” + +Mrs. Bingham was of the same mind. She dwelt much to herself on the fact +that Mrs. Midleton’s great-grandfather must have been a lord. She +secretly hoped that as a wine merchant’s wife she might obtain admission +into a “sphere,” as she called it, from which the other ladies in the +town might be excluded. Mrs. Bingham already foretasted the bliss of an +invitation to the rectory to meet Lady Caroline from Thaxton Manor; she +already foretasted the greater bliss of not meeting her intimate friends +there, and that most exquisite conceivable bliss of telling them +afterwards all about the party. + +Mrs. Midleton and her husband returned on a Saturday afternoon. The road +from Thaxton cross-roads did not lie through the town: the carriage was +closed and nobody saw her. When they came to the rectory the Doctor +pointed to the verse in white paint on the wall, “It shall be taken out,” +he said, “before to-morrow morning: to-morrow is Sunday.” He was +expected to preach on that day and the church was crammed a quarter of an +hour before the service began. At five minutes to eleven a lady and +child entered and walked to the rector’s pew. The congregation was +stupefied with amazement. Mouths were agape, a hum of exclamations +arose, and people on the further side of the church stood up. + +It was Mrs. Fairfax! Nobody had conjectured that she and Mrs. Leighton +were the same person. It was unimaginable that a dressmaker should have +had near ancestors in the peerage. It was more than a year and a half +since she left the town. Mrs. Carter was able to say that not a single +letter had been addressed to her, and she was almost forgotten. + +A few days afterwards Mrs. Sweeting had a little note requesting her to +take tea with the Rector and his wife. Nobody was asked to meet her. +Mrs. Bingham had called the day before, and had been extremely +apologetic. + +“I am afraid, Mrs. Midleton, you must have thought me sometimes very rude +to you.” + +To which Mrs. Midleton replied graciously, “I am sure if you had been it +would have been quite excusable.” + +“Extremely kind of you to say so, Mrs. Midleton.” + +Mrs. Cobb also called. “I’ll just let her see,” said Mrs. Cobb to +herself; and she put on a gown which Mrs. Midleton as Mrs. Fairfax had +made for her. + +“You’ll remember this gown, Mrs. Midleton?” + +“Perfectly well. It is not quite a fit on the shoulders. If you will +let me have it back again it will give me great pleasure to alter it for +you.” + +By degrees, however, Mrs. Midleton came to be loved by many people in +Langborough. Mr. Sweeting not long afterwards died in debt, and Mrs. +Sweeting, the old housekeeper being also dead, was taken into the rectory +as her successor, and became Mrs. Midleton’s trusted friend. + + + + +FOOTNOTES + + +{10} Since 1868 the _Reminiscences_ and his _Life_ have been published +which put this estimate of him beyond all doubt. It is much to be +regretted that a certain theory, a certain irresistible tendency to +arrange facts so as to prove preconceived notions, a tendency more +dangerous and unhistorical even than direct suppression of the truth or +invention of what is not true, should have ruined Carlyle’s biography. +Professor Norton’s edition of the _Reminiscences_ should be compared with +Mr. Froude’s. + +{34a} _Ethic_ pt. 1, def. 3. + +{34b} Ibid., pt. 1, def. 6. + +{34c} Ibid., pt. 1, prop. 11. + +{36} _Ethic_, pt. 2, prop. 47. + +{37a} Letter 56 (Van Vloten and Land’s ed.). + +{37b} _Ethic_, pt. 1, coroll. prop. 25. + +{37c} Ibid., pt. 5, prop. 24. + +{37d} Ibid., pt. 1, schol. to prop. 17. + +{38} _Ethic_, pt. 1, schol. to prop. 17. + +{39} _Ethic_, pt. 2, prop. 13. + +{40a} _Ethic_, pt. 1, coroll. 1, prop. 32. + +{40b} Ibid., pt. 1, prop. 33. + +{40c} Letter 56 + +{41a} Letter 21. + +{41b} Letter 58. + +{42a} _Ethic_, pt. 2, schol. prop. 49. + +{42b} Ibid., pt. 4, coroll. prop. 63. + +{43a} _Ethic_, pt. 5, or pp. 42. + +{43b} “Agis being asked on a time how a man might continue free all his +life; he answered, ‘By despising death.’” (Plutarch’s “Morals.” Laconic +Apophthegms.) + +{43c} _Ethic_, pt. 5, schol. prop. 4. + +{44a} _Ethic_, pt. 4, coroll. prop. 64. + +{44b} Ibid., pt. 4, schol. prop. 66. + +{44c} Ibid., pt. 4, schol. prop. 50. + +{45a} _Ethic_, pt. 4, prop. 46 and schol. + +{45b} Ibid., pt. 3, schol. prop. 11. + +{46} _Ethic_, pt. 4, schol. prop. 45. + +{47} _Ethic_, pt. 5, props. 14–20. + +{50} _Short Treatise_, pt. 2, chap. 22. + +{52} _Ethic_, pt. 1, Appendix. + +{54} _Ethic_, pt. 2, schol. 2, prop. 40. + +{55a} _Ethic_, pt. 5, coroll. prop. 34. + +{55b} Ibid., pt. 5, prop. 36. + +{55c} Ibid., pt. 5, prop. 36, coroll. + +{56a} _Ethic_, pt. 5, prop. 38. + +{56b} _Short Treatise_, pt. 2, chap. 23. + +{57a} Aristotle’s _Psychology_ (Wallace’s translation), p. 161. + +{57b} Rabelais, _Pantagruel_, book 4, chap. 27. + +{101} Hazlitt. + +{103} Italics mine.—M. R. + +{104a} Italics mine.—M. R. + +{104b} Italics mine.—M. R. + +{133} _Poetry of Byron chosen and arranged by Matthew Arnold_—1881. + +{143} “_Adah_.—Peace be with him (Abel). + +_Cain_.—But with _me_!” + +{180} My aunt Eleanor was thought to be a bit of a pagan by the +evangelical part of our family. My mother when speaking of her to me +used to say, “Your heathen aunt.” She was well-educated, but the better +part of her education she received abroad after her engagement, which +took place when she was eighteen years old. She was the only member of +our family in the upper middle class. Her husband was Thomas Charteris, +junior partner in a bank. + + + + +***END OF THE PROJECT GUTENBERG EBOOK PAGES FROM A JOURNAL*** + + +******* This file should be named 7053-0.txt or 7053-0.zip ******* + + +This and all associated files of various formats will be found in: +http://www.gutenberg.org/dirs/7/0/5/7053 + + +Updated editions will replace the previous one--the old editions will +be renamed. + +Creating the works from print editions not protected by U.S. copyright +law means that no one owns a United States copyright in these works, +so the Foundation (and you!) can copy and distribute it in the United +States without permission and without paying copyright +royalties. Special rules, set forth in the General Terms of Use part +of this license, apply to copying and distributing Project +Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm +concept and trademark. Project Gutenberg is a registered trademark, +and may not be used if you charge for the eBooks, unless you receive +specific permission. If you do not charge anything for copies of this +eBook, complying with the rules is very easy. You may use this eBook +for nearly any purpose such as creation of derivative works, reports, +performances and research. They may be modified and printed and given +away--you may do practically ANYTHING in the United States with eBooks +not protected by U.S. copyright law. Redistribution is subject to the +trademark license, especially commercial redistribution. + +START: FULL LICENSE + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full +Project Gutenberg-tm License available with this file or online at +www.gutenberg.org/license. + +Section 1. General Terms of Use and Redistributing Project +Gutenberg-tm electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or +destroy all copies of Project Gutenberg-tm electronic works in your +possession. If you paid a fee for obtaining a copy of or access to a +Project Gutenberg-tm electronic work and you do not agree to be bound +by the terms of this agreement, you may obtain a refund from the +person or entity to whom you paid the fee as set forth in paragraph +1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this +agreement and help preserve free future access to Project Gutenberg-tm +electronic works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the +Foundation" or PGLAF), owns a compilation copyright in the collection +of Project Gutenberg-tm electronic works. Nearly all the individual +works in the collection are in the public domain in the United +States. If an individual work is unprotected by copyright law in the +United States and you are located in the United States, we do not +claim a right to prevent you from copying, distributing, performing, +displaying or creating derivative works based on the work as long as +all references to Project Gutenberg are removed. Of course, we hope +that you will support the Project Gutenberg-tm mission of promoting +free access to electronic works by freely sharing Project Gutenberg-tm +works in compliance with the terms of this agreement for keeping the +Project Gutenberg-tm name associated with the work. You can easily +comply with the terms of this agreement by keeping this work in the +same format with its attached full Project Gutenberg-tm License when +you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are +in a constant state of change. If you are outside the United States, +check the laws of your country in addition to the terms of this +agreement before downloading, copying, displaying, performing, +distributing or creating derivative works based on this work or any +other Project Gutenberg-tm work. The Foundation makes no +representations concerning the copyright status of any work in any +country outside the United States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other +immediate access to, the full Project Gutenberg-tm License must appear +prominently whenever any copy of a Project Gutenberg-tm work (any work +on which the phrase "Project Gutenberg" appears, or with which the +phrase "Project Gutenberg" is associated) is accessed, displayed, +performed, viewed, copied or distributed: + + This eBook is for the use of anyone anywhere in the United States and + most other parts of the world at no cost and with almost no + restrictions whatsoever. You may copy it, give it away or re-use it + under the terms of the Project Gutenberg License included with this + eBook or online at www.gutenberg.org. If you are not located in the + United States, you'll have to check the laws of the country where you + are located before using this ebook. + +1.E.2. If an individual Project Gutenberg-tm electronic work is +derived from texts not protected by U.S. copyright law (does not +contain a notice indicating that it is posted with permission of the +copyright holder), the work can be copied and distributed to anyone in +the United States without paying any fees or charges. If you are +redistributing or providing access to a work with the phrase "Project +Gutenberg" associated with or appearing on the work, you must comply +either with the requirements of paragraphs 1.E.1 through 1.E.7 or +obtain permission for the use of the work and the Project Gutenberg-tm +trademark as set forth in paragraphs 1.E.8 or 1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any +additional terms imposed by the copyright holder. Additional terms +will be linked to the Project Gutenberg-tm License for all works +posted with the permission of the copyright holder found at the +beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including +any word processing or hypertext form. However, if you provide access +to or distribute copies of a Project Gutenberg-tm work in a format +other than "Plain Vanilla ASCII" or other format used in the official +version posted on the official Project Gutenberg-tm web site +(www.gutenberg.org), you must, at no additional cost, fee or expense +to the user, provide a copy, a means of exporting a copy, or a means +of obtaining a copy upon request, of the work in its original "Plain +Vanilla ASCII" or other form. Any alternate format must include the +full Project Gutenberg-tm License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works +provided that + +* You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is owed + to the owner of the Project Gutenberg-tm trademark, but he has + agreed to donate royalties under this paragraph to the Project + Gutenberg Literary Archive Foundation. Royalty payments must be paid + within 60 days following each date on which you prepare (or are + legally required to prepare) your periodic tax returns. Royalty + payments should be clearly marked as such and sent to the Project + Gutenberg Literary Archive Foundation at the address specified in + Section 4, "Information about donations to the Project Gutenberg + Literary Archive Foundation." + +* You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or destroy all + copies of the works possessed in a physical medium and discontinue + all use of and all access to other copies of Project Gutenberg-tm + works. + +* You provide, in accordance with paragraph 1.F.3, a full refund of + any money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days of + receipt of the work. + +* You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project +Gutenberg-tm electronic work or group of works on different terms than +are set forth in this agreement, you must obtain permission in writing +from both the Project Gutenberg Literary Archive Foundation and The +Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm +trademark. Contact the Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +works not protected by U.S. copyright law in creating the Project +Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm +electronic works, and the medium on which they may be stored, may +contain "Defects," such as, but not limited to, incomplete, inaccurate +or corrupt data, transcription errors, a copyright or other +intellectual property infringement, a defective or damaged disk or +other medium, a computer virus, or computer codes that damage or +cannot be read by your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium +with your written explanation. The person or entity that provided you +with the defective work may elect to provide a replacement copy in +lieu of a refund. If you received the work electronically, the person +or entity providing it to you may choose to give you a second +opportunity to receive the work electronically in lieu of a refund. If +the second copy is also defective, you may demand a refund in writing +without further opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO +OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT +LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of +damages. If any disclaimer or limitation set forth in this agreement +violates the law of the state applicable to this agreement, the +agreement shall be interpreted to make the maximum disclaimer or +limitation permitted by the applicable state law. The invalidity or +unenforceability of any provision of this agreement shall not void the +remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in +accordance with this agreement, and any volunteers associated with the +production, promotion and distribution of Project Gutenberg-tm +electronic works, harmless from all liability, costs and expenses, +including legal fees, that arise directly or indirectly from any of +the following which you do or cause to occur: (a) distribution of this +or any Project Gutenberg-tm work, (b) alteration, modification, or +additions or deletions to any Project Gutenberg-tm work, and (c) any +Defect you cause. + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of +computers including obsolete, old, middle-aged and new computers. It +exists because of the efforts of hundreds of volunteers and donations +from people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future +generations. To learn more about the Project Gutenberg Literary +Archive Foundation and how your efforts and donations can help, see +Sections 3 and 4 and the Foundation information page at +www.gutenberg.org + +Section 3. Information about the Project Gutenberg Literary +Archive Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Contributions to the Project Gutenberg Literary +Archive Foundation are tax deductible to the full extent permitted by +U.S. federal laws and your state's laws. + +The Foundation's principal office is in Fairbanks, Alaska, with the +mailing address: PO Box 750175, Fairbanks, AK 99775, but its +volunteers and employees are scattered throughout numerous +locations. Its business office is located at 809 North 1500 West, Salt +Lake City, UT 84116, (801) 596-1887. Email contact links and up to +date contact information can be found at the Foundation's web site and +official page at www.gutenberg.org/contact + +For additional contact information: + + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To SEND +DONATIONS or determine the status of compliance for any particular +state visit www.gutenberg.org/donate + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. To +donate, please visit: www.gutenberg.org/donate + +Section 5. General Information About Project Gutenberg-tm electronic works. + +Professor Michael S. Hart was the originator of the Project +Gutenberg-tm concept of a library of electronic works that could be +freely shared with anyone. For forty years, he produced and +distributed Project Gutenberg-tm eBooks with only a loose network of +volunteer support. + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as not protected by copyright in +the U.S. unless a copyright notice is included. Thus, we do not +necessarily keep eBooks in compliance with any particular paper +edition. + +Most people start at our Web site which has the main PG search +facility: www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + diff --git a/7053-0.zip b/7053-0.zip Binary files differnew file mode 100644 index 0000000..e83a5aa --- /dev/null +++ b/7053-0.zip diff --git a/7053-h.zip b/7053-h.zip Binary files differnew file mode 100644 index 0000000..16ae5b8 --- /dev/null +++ b/7053-h.zip diff --git a/7053-h/7053-h.htm b/7053-h/7053-h.htm new file mode 100644 index 0000000..acfdd85 --- /dev/null +++ b/7053-h/7053-h.htm @@ -0,0 +1,6542 @@ +<!DOCTYPE html + PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" + "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> +<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en"> +<head> +<meta http-equiv="Content-Type" content="text/html; charset=US-ASCII" /> +<title>Pages From a Journal, by Mark Rutherford</title> + <style type="text/css"> +/*<![CDATA[ XML blockout */ +<!-- + P { margin-top: .75em; + margin-bottom: .75em; + } + P.gutsumm { margin-left: 5%;} + P.poetry {margin-left: 3%; } + .GutSmall { font-size: 0.7em; } + H1, H2 { + text-align: center; + margin-top: 2em; + margin-bottom: 2em; + } + H3, H4, H5 { + text-align: center; + margin-top: 1em; + margin-bottom: 1em; + } + BODY{margin-left: 10%; + margin-right: 10%; + } + table { border-collapse: collapse; } +table {margin-left:auto; margin-right:auto;} + td { vertical-align: top; border: 1px solid black;} + td p { margin: 0.2em; } + .blkquot {margin-left: 4em; margin-right: 4em;} /* block indent */ + + .smcap {font-variant: small-caps;} + + .pagenum {position: absolute; + left: 92%; + font-size: small; + text-align: right; + font-weight: normal; + color: gray; + } + img { border: none; } + img.dc { float: left; width: 50px; height: 50px; } + p.gutindent { margin-left: 2em; } + div.gapspace { height: 0.8em; } + div.gapline { height: 0.8em; width: 100%; border-top: 1px solid;} + div.gapmediumline { height: 0.3em; width: 40%; margin-left:30%; + border-top: 1px solid; } + div.gapmediumdoubleline { height: 0.3em; width: 40%; margin-left:30%; + border-top: 1px solid; border-bottom: 1px solid;} + div.gapshortdoubleline { height: 0.3em; width: 20%; + margin-left: 40%; border-top: 1px solid; + border-bottom: 1px solid; } + div.gapdoubleline { height: 0.3em; width: 50%; + margin-left: 25%; border-top: 1px solid; + border-bottom: 1px solid;} + div.gapshortline { height: 0.3em; width: 20%; margin-left:40%; + border-top: 1px solid; } + .citation {vertical-align: super; + font-size: .5em; + text-decoration: none;} + span.red { color: red; } + body {background-color: #ffffc0; } + img.floatleft { float: left; + margin-right: 1em; + margin-top: 0.5em; margin-bottom: 0.5em; } + img.floatright { float: right; + margin-left: 1em; margin-top: 0.5em; + margin-bottom: 0.5em; } + img.clearcenter {display: block; + margin-left: auto; + margin-right: auto; margin-top: 0.5em; + margin-bottom: 0.5em} + --> + /* XML end ]]>*/ + </style> +</head> +<body> +<pre> + +The Project Gutenberg eBook, Pages From a Journal, by Mark Rutherford + + +This eBook is for the use of anyone anywhere in the United States and most +other parts of the world at no cost and with almost no restrictions +whatsoever. You may copy it, give it away or re-use it under the terms of +the Project Gutenberg License included with this eBook or online at +www.gutenberg.org. If you are not located in the United States, you'll have +to check the laws of the country where you are located before using this ebook. + + + + +Title: Pages From a Journal + with other Papers + + +Author: Mark Rutherford + + + +Release Date: August 1, 2019 [eBook #7053] +[This file was first posted on March 2, 2003] + +Language: English + +Character set encoding: ISO-646-US (US-ASCII) + + +***START OF THE PROJECT GUTENBERG EBOOK PAGES FROM A JOURNAL*** +</pre> +<p>Transcribed from the 1901 T. Fisher Unwin edition by David +Price, email ccx074@pglaf.org</p> +<p style="text-align: center"> +<a href="images/cover.jpg"> +<img alt= +"Book cover" +title= +"Book cover" + src="images/cover.jpg" /> +</a></p> +<h1>Pages<br /> +From a Journal</h1> +<p style="text-align: center"><i>WITH OTHER PAPERS</i></p> +<p style="text-align: center"><span class="GutSmall">BY</span><br +/> +MARK RUTHERFORD</p> +<p style="text-align: center"><span class="GutSmall"><i>Author +of</i></span><br /> +<span class="GutSmall">“THE AUTOBIOGRAPHY OF MARK +RUTHERFORD,”</span><br /> +<span class="GutSmall">“CLARA HOPGOOD,” ETC., +ETC.</span></p> +<p style="text-align: center"> +<a href="images/tpb.jpg"> +<img alt= +"Decorative graphic" +title= +"Decorative graphic" + src="images/tps.jpg" /> +</a></p> +<p style="text-align: center"><span +class="GutSmall">LONDON</span><br /> +T. FISHER UNWIN<br /> +<span class="GutSmall"><span class="smcap">Paternoster +Square</span></span><span class="GutSmall">, E.C.,</span><br /> +<span class="GutSmall">1901</span></p> + +<div class="gapspace"> </div> +<p style="text-align: center">[<i>SECOND IMPRESSION</i>.]</p> + +<div class="gapspace"> </div> +<p style="text-align: center">[<i>All rights reserved</i>.]</p> +<h2>Contents</h2> +<table> +<tr> +<td><p> </p> +</td> +<td><p style="text-align: right"><span +class="GutSmall">PAGE</span></p> +</td> +</tr> +<tr> +<td><p>A Visit to Carlyle in 1868</p> +</td> +<td><p style="text-align: right"><span class="indexpageno"><a +href="#page1">1</a></span></p> +</td> +</tr> +<tr> +<td><p>Early Morning in January</p> +</td> +<td><p style="text-align: right"><span class="indexpageno"><a +href="#page14">14</a></span></p> +</td> +</tr> +<tr> +<td><p>March</p> +</td> +<td><p style="text-align: right"><span class="indexpageno"><a +href="#page16">16</a></span></p> +</td> +</tr> +<tr> +<td><p>June</p> +</td> +<td><p style="text-align: right"><span class="indexpageno"><a +href="#page18">18</a></span></p> +</td> +</tr> +<tr> +<td><p>August</p> +</td> +<td><p style="text-align: right"><span class="indexpageno"><a +href="#page20">20</a></span></p> +</td> +</tr> +<tr> +<td><p>The End of October</p> +</td> +<td><p style="text-align: right"><span class="indexpageno"><a +href="#page22">22</a></span></p> +</td> +</tr> +<tr> +<td><p>November</p> +</td> +<td><p style="text-align: right"><span class="indexpageno"><a +href="#page25">25</a></span></p> +</td> +</tr> +<tr> +<td><p>The Break-up of a Great Drought</p> +</td> +<td><p style="text-align: right"><span class="indexpageno"><a +href="#page28">28</a></span></p> +</td> +</tr> +<tr> +<td><p>Spinoza</p> +</td> +<td><p style="text-align: right"><span class="indexpageno"><a +href="#page32">32</a></span></p> +</td> +</tr> +<tr> +<td><p>Supplementary Note on the Devil</p> +</td> +<td><p style="text-align: right"><span class="indexpageno"><a +href="#page58">58</a></span></p> +</td> +</tr> +<tr> +<td><p>Injustice</p> +</td> +<td><p style="text-align: right"><span class="indexpageno"><a +href="#page62">62</a></span></p> +</td> +</tr> +<tr> +<td><p>Time Settles Controversies</p> +</td> +<td><p style="text-align: right"><span class="indexpageno"><a +href="#page64">64</a></span></p> +</td> +</tr> +<tr> +<td><p>Talking about our Troubles</p> +</td> +<td><p style="text-align: right"><span class="indexpageno"><a +href="#page66">66</a></span></p> +</td> +</tr> +<tr> +<td><p>Faith</p> +</td> +<td><p style="text-align: right"><span class="indexpageno"><a +href="#page70">70</a></span></p> +</td> +</tr> +<tr> +<td><p>Patience</p> +</td> +<td><p style="text-align: right"><span class="indexpageno"><a +href="#page74">74</a></span></p> +</td> +</tr> +<tr> +<td><p>An Apology</p> +</td> +<td><p style="text-align: right"><span class="indexpageno"><a +href="#page78">78</a></span></p> +</td> +</tr> +<tr> +<td><p>Belief, Unbelief, and Superstition</p> +</td> +<td><p style="text-align: right"><span class="indexpageno"><a +href="#page83">83</a></span></p> +</td> +</tr> +<tr> +<td><p>Judas Iscariot</p> +</td> +<td><p style="text-align: right"><span class="indexpageno"><a +href="#page87">87</a></span></p> +</td> +</tr> +<tr> +<td><p>Sir Walter Scott’s Use of the Supernatural</p> +</td> +<td><p style="text-align: right"><span class="indexpageno"><a +href="#page96">96</a></span></p> +</td> +</tr> +<tr> +<td><p>September, 1798</p> +</td> +<td><p style="text-align: right"><span class="indexpageno"><a +href="#page99">99</a></span></p> +</td> +</tr> +<tr> +<td><p>Some Notes on Milton</p> +</td> +<td><p style="text-align: right"><span class="indexpageno"><a +href="#page110">110</a></span></p> +</td> +</tr> +<tr> +<td><p>The Morality of Byron’s Poetry. “The +Corsair”</p> +</td> +<td><p style="text-align: right"><span class="indexpageno"><a +href="#page125">125</a></span></p> +</td> +</tr> +<tr> +<td><p>Byron, Goethe, and Mr. Matthew Arnold</p> +</td> +<td><p style="text-align: right"><span class="indexpageno"><a +href="#page133">133</a></span></p> +</td> +</tr> +<tr> +<td><p>A Sacrifice</p> +</td> +<td><p style="text-align: right"><span class="indexpageno"><a +href="#page149">149</a></span></p> +</td> +</tr> +<tr> +<td><p>The Aged Three</p> +</td> +<td><p style="text-align: right"><span class="indexpageno"><a +href="#page152">152</a></span></p> +</td> +</tr> +<tr> +<td><p>Conscience</p> +</td> +<td><p style="text-align: right"><span class="indexpageno"><a +href="#page153">153</a></span></p> +</td> +</tr> +<tr> +<td><p>The Governess’s Story</p> +</td> +<td><p style="text-align: right"><span class="indexpageno"><a +href="#page160">160</a></span></p> +</td> +</tr> +<tr> +<td><p>James Forbes</p> +</td> +<td><p style="text-align: right"><span class="indexpageno"><a +href="#page170">170</a></span></p> +</td> +</tr> +<tr> +<td><p>Atonement</p> +</td> +<td><p style="text-align: right"><span class="indexpageno"><a +href="#page174">174</a></span></p> +</td> +</tr> +<tr> +<td><p>My Aunt Eleanor</p> +</td> +<td><p style="text-align: right"><span class="indexpageno"><a +href="#page180">180</a></span></p> +</td> +</tr> +<tr> +<td><p>Correspondence between George, Lucy, M.A., and Hermione +Russell, B.A.</p> +</td> +<td><p style="text-align: right"><span class="indexpageno"><a +href="#page200">200</a></span></p> +</td> +</tr> +<tr> +<td><p>Mrs. Fairfax</p> +</td> +<td><p style="text-align: right"><span class="indexpageno"><a +href="#page218">218</a></span></p> +</td> +</tr> +</table> +<h2><a name="page1"></a><span class="pagenum">p. 1</span>A VISIT +TO CARLYLE IN 1868</h2> +<p><span class="smcap">On</span> Saturday, the 22nd of March, +1868, my father and I called on Carlyle at 5, Cheyne Row, +Chelsea, with a message from one of his intimate friends.</p> +<p>We were asked upstairs at once, and found Carlyle at +breakfast. The room was large, well-lighted, a bright fire +was burning, and the window was open in order to secure complete +ventilation. Opposite the fireplace was a picture of +Frederick the Great and his sister. There were also other +pictures which I had not time to examine. One of them +Carlyle pointed out. It was a portrait of the Elector of +Saxony who assisted Luther. The letters +V.D.M.I.Æ. (“Verbum Dei Manet in +Æternum”) were round it. Everything in the room +was in exact order, there was no dust or confusion, and the books +on the shelves were arranged in perfect <i>evenness</i>. I +noticed that when Carlyle replaced a book he took pains to get it +level with the others. The furniture was solid, neat, and I +should think expensive. I showed him the letter he had +written to me eighteen years ago. It has been published by +Mr. Froude, but it will bear reprinting. The circumstances +under which it was written, not stated by Mr. Froude, were +these. In 1850, when the Latter-day Pamphlets +appeared—how well I remember the eager journey to the +bookseller for each successive number!—almost all the +reviews united in a howl of execration, criticism so +called. I, being young, and owing so much to Carlyle, wrote +to him, the first and almost the only time I ever did anything of +the kind, assuring him that there was at least one person who +believed in him. This was his answer:—</p> +<blockquote><p style="text-align: right">“<span +class="smcap">Chelsea</span>, 9<i>th March</i>, 1850.</p> +<p>“<span class="smcap">My good young +Friend</span>,—I am much obliged by the regard you +entertain for me; and do not blame your enthusiasm, which well +enough beseems your young years. If my books teach you +anything, don’t mind in the least whether other people +believe it or not; but do you for your own behoof lay it to heart +as a real acquisition you have made, more properly, as a real +message left with you, which <i>you</i> must set about +fulfilling, whatsoever others do! This is really all the +counsel I can give you about what you read in my books or those +of others: <i>practise</i> what you learn there; instantly and in +all ways begin turning the belief into a fact, and continue at +that—till you get more and ever more beliefs, with which +also do the like. It is idle work otherwise to write books +or to read them.</p> +<p>“And be not surprised that ‘people have no +sympathy with you’; that is an accompaniment that will +attend you all your days if you mean to lead an earnest +life. The ‘people’ could not save you with +their ‘sympathy’ if they had never so much of it to +give; a man can and must save himself, with or without their +sympathy, as it may chance.</p> +<p>“And may all good be with you, my kind young friend, and +a heart stout enough for this adventure you are upon; that is the +best ‘good’ of all.</p> +<p style="text-align: center">“I remain, yours very +sincerely,</p> +<p style="text-align: right">“T. <span +class="smcap">Carlyle</span>.”</p> +</blockquote> +<p>Carlyle had forgotten this letter, but said, “It is +undoubtedly mine. It is what I have always believed . . . +it has been so ever since I was at college. I do not mean +to say I was not loved there as warmly by noble friends as ever +man could be, but the world tumbled on me, and has ever since +then been tumbling on me rubbish, huge wagon-loads of rubbish, +thinking to smother me, and was surprised it did not smother +me—turned round with amazement and said, ‘What, you +alive yet?’ . . . While I was writing my <i>Frederick</i> +my best friends, out of delicacy, did not call. Those who +came were those I did not want to come, and I saw very few of +them. I shook off everything to right and left. At +last the work would have killed me, and I was obliged to take to +riding, chiefly in the dark, about fourteen miles most days, +plunging and floundering on. I ought to have been younger +to have undertaken such a task. If they were to offer me +all Prussia, all the solar system, I would not write +<i>Frederick</i> again. No bribe from God or man would +tempt me to do it.”</p> +<p>He was re-reading his <i>Frederick</i>, to correct it for the +stereotyped edition. “On the whole I think it is very +well done. No man perhaps in England could have done it +better. If you write a book though now, you must just pitch +it out of window and say, ‘Ho! all you jackasses, come and +trample on it and trample it into mud, or go on till you are +tired.’” He laughed heartily at this +explosion. His laughter struck me—humour controlling +his wrath and in a sense <i>above</i> it, as if the final word +were by no means hatred or contempt, even for the jackass. +“ . . . No piece of news of late years has gladdened me +like the victory of the Prussians over the Austrians. It +was the triumph of Prussian over French and Napoleonic +influence. The Prussians were a valiant, pious people, and +it was a question which should have the most power in Germany, +they or Napoleon. The French are sunk in all kinds of +filth. Compare what the Prussians did with what we did in +the Crimea. The English people are an incredible +people. They seem to think that it is not necessary that a +general should have the least knowledge of the art of war. +It is as if you had the stone, and should cry out to any +travelling tinker or blacksmith and say, ‘Here, come here +and cut me for the stone,’ and he <i>would</i> cut +you! Sir Charles Napier would have been a great general if +he had had the opportunity. He was much delighted with +Frederick. ‘Frederick was a most extraordinary +general,’ said Sir Charles, and on examination I found out +that all that Sir Charles had read of Frederick was a manual for +Prussian officers, published by him about 1760, telling them what +to do on particular occasions. I was very pleased at this +admiration of Frederick by Sir Charles . . .</p> +<p>“Sir John Bowring was one of your model men; men who go +about imagining themselves the models of all virtues, and they +are models of something very different. He was one of your +patriots, and the Government to quiet him sent him out to +China. When he got there he went to war with a third of the +human race! He, the patriot, he who believed in the +greatest-happiness principle, immediately went to war with a +third of the human race!” (Great laughter from +T.C.) “And so far as I can make out he was all +wrong.</p> +<p>“The <i>Frederick</i> is being translated into +German. It is being done by a man whose name I have +forgotten, but it was begun by one of the most faithful friends I +ever had, Neuberg. I could not work in the rooms in the +offices where lay the State papers I wanted to use, it brought on +such a headache, but Neuberg went there, and for six months +worked all day copying. He was taken ill, and a surgical +operation was badly performed, and then in that wild, black +weather at the beginning of last year, just after I came back +from Mentone, the news came to me one night he was +dead.”</p> +<p>On leaving Carlyle shook hands with us both and said he was +glad to have seen us. “It was pleasant to have +friends coming out of the dark in this way.”</p> +<p>Perhaps a reflection or two which occurred to me after this +interview may not be out of place. Carlyle was perfectly +frank, even to us of whom he knew but little. He did not +stand off or refuse to talk on any but commonplace +subjects. What was offered to us was his best. And +yet there is to be found in him a singular reserve, and those +shallow persons who taunt him with inconsistency because he makes +so much of silence, and yet talks so much, understand little or +nothing of him. In half a dozen pages one man may be guilty +of shameless garrulity, and another may be nobly reticent +throughout a dozen volumes. Carlyle feels the +contradictions of the universe as keenly as any man can feel +them. He knows how easy it is to appear profound by putting +anew the riddles which nobody can answer; he knows how strong is +the temptation towards the insoluble. But upon these +subjects he also knows how to hold his tongue; he does not shriek +in the streets, but he bows his head. He has found no +answer—he no more than the feeblest of us, and yet in his +inmost soul there is a shrine, and he worships.</p> +<p>Carlyle is the champion of morals, ethics, law—call it +what you like—of that which says we must not always do a +thing because it is pleasant. There are two great ethical +parties in the world, and, in the main, but two. One of +them asserts the claims of the senses. Its doctrine is +seductive because it is so right. It is necessary that we +should in a measure believe it, in order that life may be +sweet. But nature has heavily weighted the scale in its +favour; its acceptance requires no effort. It is easily +perverted and becomes a snare. In our day nearly all genius +has gone over to it, and preaching it is rather +superfluous. The other party affirms what has been the soul +of all religions worth having, that it is by repression and +self-negation that men and States live.</p> +<p>It has been said that Carlyle is great because he is graphic, +and he is supposed to be summed up in “mere +picturesqueness,” the silliest of verdicts. A man may +be graphic in two ways. He may deal with his subject from +the outside, and by dint of using strong language may +“graphically” describe an execution or a drunken row +in the streets. But he may be graphic by ability to +penetrate into essence, and to express it in words which are +worthy of it. What higher virtue than this can we imagine +in poet, artist, or prophet?</p> +<p>Like all great men, Carlyle is infinitely tender. That +was what struck me as I sat and looked in his eyes, and the best +portraits in some degree confirm me. It is not worth while +here to produce passages from his books to prove my point, but I +could easily do so, specially from the <i>Life of Sterling</i> +and the <i>Cromwell</i>. <a name="citation10"></a><a +href="#footnote10" class="citation">[10]</a> Much of his +fierceness is an inverted tenderness.</p> +<p>His greatest book is perhaps the <i>Frederick</i>, the +biography of a hero reduced more than once to such extremities +that apparently nothing but some miraculous intervention could +save him, and who did not yield, but struggled on and finally +emerged victorious. When we consider Frederick’s +position during the last part of the Seven Years’ War, we +must admit that no man was ever in such desperate circumstances +or showed such uncrushable determination. It was as if the +Destinies, in order to teach us what human nature can do, had +ordained that he who had the most fortitude should also encounter +the severest trial of it. Over and over again Frederick +would have been justified in acknowledging defeat, and we should +have said that he had done all that could be expected even of +such a temper as that with which he was endowed. If the +struggle of the will with the encompassing world is the stuff of +which epics are made, then no greater epic than that of +<i>Frederick</i> has been written in prose or verse, and it has +the important advantage of being true. It is interesting to +note how attractive this primary virtue of which Frederick is +such a remarkable representative is to Carlyle, how <i>moral</i> +it is to him; and, indeed, is it not the sum and substance of all +morality? It should be noted also that it was due to no +religious motive: that it was bare, pure humanity. At times +it is difficult not to believe that Carlyle, notwithstanding his +piety, loves it all the more on that account. It is strange +that an example so salutary and stimulating to the poorest and +meanest of us should be set by an unbelieving king, and that my +humdrum existence should be secretly supported by +“Frederick II. Roi de Prusse.”</p> +<p style="text-align: center">* * *</p> +<p>Soon after Carlyle died I went to Ecclefechan and stood by his +grave. It was not a day that I would have chosen for such +an errand, for it was cold, grey, and hard, and towards the +afternoon it rained a slow, persistent, wintry rain. The +kirkyard in Ecclefechan was dismal and depressing, but my +thoughts were not there. I remembered what Carlyle was to +the young men of thirty or forty years ago, in the days of that +new birth, which was so strange a characteristic of the +time. His books were read with excitement, with tears of +joy, on lonely hills, by the seashore and in London streets, and +the readers were thankful that it was their privilege to live +when he also was alive. All that excitement has vanished, +but those who knew what it was are the better for it. +Carlyle now is almost nothing, but his day will return, he will +be put in his place as one of the greatest souls who have been +born amongst us, and his message will be considered as perhaps +the most important which has ever been sent to us. This is +what I thought as I stood in Ecclefechan kirkyard, and as I +lingered I almost doubted if Carlyle <i>could</i> be dead. +Was it possible that such as he could altogether die? Some +touch, some turn, I could not tell what or how, seemed all that +was necessary to enable me to see and to hear him. It was +just as if I were perplexed and baffled by a veil which prevented +recognition of him, although I was sure he was behind it.</p> +<h2><a name="page14"></a><span class="pagenum">p. 14</span>EARLY +MORNING IN JANUARY</h2> +<p>A <span class="smcap">warm</span>, still morning, with a clear +sky and stars. At first the hills were almost black, but, +as the dawn ascended, they became dark green, of a peculiarly +delicate tint which is never seen in the daytime. The +quietude is profound, although a voice from an unseen +fishing-boat can now and then be heard. How strange the +landscape seems! It is not a variation of the old +landscape; it is a new world. The half-moon rides high in +the sky, and near her is Jupiter. A little way further to +the left is Venus, and still further down is Mercury, rare +apparition, just perceptible where the deep blue of the night is +yielding to the green which foretells the sun. The east +grows lighter; the birds begin to stir in the bushes, and the cry +of a gull rises from the base of the cliff. The sea becomes +responsive, and in a moment is overspread with continually +changing colour, partly that of the heavens above it and partly +self-contributed. With what slow, majestic pomp is the day +preceded, as though there had been no day before it and no other +would follow it!</p> +<h2><a name="page16"></a><span class="pagenum">p. +16</span>MARCH</h2> +<p><span class="smcap">It</span> is a bright day in March, with a +gentle south-west wind. Sitting still in the copse and +facing the sun it strikes warm. It has already mounted many +degrees on its way to its summer height, and is regaining its +power. The clouds are soft, rounded, and spring-like, and +the white of the blackthorn is discernible here and there amidst +the underwood. The brooks are running full from winter +rains but are not overflowing. All over the wood which +fills up the valley lies a thin, purplish mist, harmonising with +the purple bloom on the stems and branches. The buds are +ready to burst, there is a sense of movement, of waking after +sleep; the tremendous upward rush of life is almost felt. +But how silent the process is! There is no hurry for +achievement, although so much has to be done—such infinite +intricacy to be unfolded and made perfect. The little +stream winding down the bottom turns and doubles on itself; a +dead leaf falls into it, is arrested by a twig, and lies there +content.</p> +<h2><a name="page18"></a><span class="pagenum">p. +18</span>JUNE</h2> +<p><span class="smcap">It</span> is a quiet, warm day in +June. The wind is westerly, but there is only just enough +of it to waft now and then a sound from the far-off town, or the +dull, subdued thunder of cannon-firing from ships or forts +distant some forty miles or more. Massive, white-bordered +clouds, grey underneath, sail overhead; there was heavy rain last +night, and they are lifting and breaking a little. Softly +and slowly they go, and one of them, darker than the rest, has +descended in a mist of rain, blotting out the ships. The +surface of the water is paved curiously in green and violet, and +where the light lies on it scintillates like millions of +stars. The grass is not yet cut, and the showers have +brought it up knee-deep. Its gentle whisper is plainly +heard, the most delicate of all the voices in the world, and the +meadow bends into billows, grey, silvery, and green, when a +breeze of sufficient strength sweeps across it. The larks +are so multitudinous that no distinct song can be caught, and +amidst the confused melody comes the note of the thrush and the +blackbird. A constant under-running accompaniment is just +audible in the hum of innumerable insects and the sharp buzz of +flies darting past the ear. Only those who live in the open +air and watch the fields and sea from hour to hour and day to day +know what they are and what they mean. The chance visitor, +or he who looks now and then, never understands them. While +I have lain here, the clouds have risen, have become more +aërial, and more suffused with light; the horizon has become +better defined, and the yellow shingle beach is visible to its +extremest point clasping the bay in its arms. The bay +itself is the tenderest blue-green, and on the rolling plain +which borders it lies intense sunlight chequered with moving +shadows which wander eastwards. The wind has shifted a +trifle, and comes straight up the Channel from the illimitable +ocean.</p> +<h2><a name="page20"></a><span class="pagenum">p. +20</span>AUGUST</h2> +<p>A <span class="smcap">few</span> days ago it was very +hot. Afterwards we had a thunderstorm, followed by rain +from the south-west. The wind has veered a point northerly, +and the barometer is rising. This morning at half-past five +the valley below was filled with white mist. Above it the +tops of the trees on the highest points emerged sharply +distinct. It was motionless, but gradually melted before +the ascending sun, recalling Plutarch’s “scenes in +the beautiful temple of the world which the gods order at their +own festivals, when we are initiated into their own +mysteries.” Here was a divine mystery, with +initiation for those who cared for it. No priests were +waiting, no ritual was necessary, the service was +simple—solitary adoration and perfect silence.</p> +<p>As the day advances, masses of huge, heavy clouds +appear. They are well defined at the edges, and their +intricate folds and depths are brilliantly illuminated. The +infinitude of the sky is not so impressive when it is quite clear +as when it contains and supports great clouds, and large blue +spaces are seen between them. On the hillsides the fields +here and there are yellow and the corn is in sheaves. The +birds are mostly dumb, the glory of the furze and broom has +passed, but the heather is in flower. The trees are dark, +and even sombre, and, where they are in masses, look as if they +were in solemn consultation. A fore-feeling of the end of +summer steals upon me. Why cannot I banish this +anticipation? Why cannot I rest and take delight in what is +before me? If some beneficent god would but teach me how to +take no thought for the morrow, I would sacrifice to him all I +possess.</p> +<h2><a name="page22"></a><span class="pagenum">p. 22</span>THE +END OF OCTOBER</h2> +<p><span class="smcap">It</span> is the first south-westerly gale +of the autumn. Its violence is increasing every minute, +although the rain has ceased for awhile. For weeks sky and +sea have been beautiful, but they have been tame. Now for +some unknown reason there is a complete change, and all the +strength of nature is awake. It is refreshing to be once +more brought face to face with her tremendous power, and to be +reminded of the mystery of its going and coming. It is +soothing to feel so directly that man, notwithstanding his +science and pretentions, his subjugation of steam and +electricity, is as nothing compared with his Creator. The +air has a freshness and odour about it to which we have long been +strangers. It has been dry, and loaded with fine dust, but +now it is deliciously wet and clean. The wind during the +summer has changed lightly through all the points of the compass, +but it has never brought any scent save that of the land, nothing +from a distance. Now it is charged with messages from the +ocean.</p> +<p>The sky is not uniformly overcast, but is covered with long +horizontal folds of cloud, very dark below and a little lighter +where they turn up one into the other. They are incessantly +modified by the storm, and fragments are torn away from them +which sweep overhead. The sea, looked at from the height, +shows white edges almost to the horizon, and although the waves +at a distance cannot be distinguished, the tossing of a solitary +vessel labouring to get round the point for shelter shows how +vast they are. The prevailing colour of the water is +greyish-green, passing into deep-blue, and perpetually shifting +in tint. A quarter of a mile away the breakers begin, and +spread themselves in a white sheet to the land.</p> +<p>A couple of gulls rise from the base of the cliffs to a height +of about a hundred feet above them. They turn their heads +to the south-west, and hover like hawks, but without any visible +movement of their wings. They are followed by two more, who +also poise themselves in the same way. Presently all four +mount higher, and again face the tempest. They do not +appear to defy it, nor even to exert themselves in resisting +it. What to us below is fierce opposition is to them a +support and delight. How these wonderful birds are able to +accomplish this feat no mathematician can tell us. After +remaining stationary a few minutes, they wheel round, once more +ascend, and then without any effort go off to sea directly in the +teeth of the hurricane.</p> +<h2><a name="page25"></a><span class="pagenum">p. +25</span>NOVEMBER</h2> +<p>A <span class="smcap">November</span> day at the end of the +month—the country is left to those who live in it. +The scattered visitors who took lodgings in the summer in the +villages have all departed, and the recollection that they have +been here makes the solitude more complete. The woods in +which they wandered are impassable, for the rain has been heavy, +and the dry, baked clay of August has been turned into a slough a +foot deep. The wind, what there is of it, is from the +south-west, soft, sweet and damp; the sky is almost covered with +bluish-grey clouds, which here and there give way and permit a +dim, watery gleam to float slowly over the distant +pastures. The grass for the most part is greyish-green, +more grey than green where it has not been mown, but on the rocky +and broken ground there is a colour like that of an emerald, and +the low sun when it comes out throws from the projections on the +hillside long and beautifully shaped shadows. Multitudes of +gnats in these brief moments of sunshine are seen playing in +it. The leaves have not all fallen, down in the hollow +hardly any have gone, and the trees are still bossy, tinted with +the delicate yellowish-brown and brown of different stages of +decay. The hedges have been washed clean of the white dust; +the roads have been washed; a deep drain has just begun to +trickle and on the meadows lie little pools of the clearest +rainwater, reflecting with added loveliness any blue patch of the +heavens disclosed above them. The birds are silent save the +jackdaws and the robin, who still sings his recollections of the +summer, or his anticipations of the spring, or perhaps his +pleasure in the late autumn. The finches are in flocks, and +whirl round in the air with graceful, shell-like convolutions as +they descend, part separating, for no reason apparently, and +forming a second flock which goes away over the copse. +There is hardly any farm-work going on, excepting in the ditches, +which are being cleaned in readiness for the overflow when the +thirsty ground shall have sucked its fill. Under a bank by +the roadside a couple of men employed in carting stone for +road-mending are sitting on a sack eating their dinner. The +roof of the barn beyond them is brilliant with moss and lichens; +it has not been so vivid since last February. It is a +delightful time. No demand is made for ecstatic admiration; +everything is at rest, nature has nothing to do but to sleep and +wait.</p> +<h2><a name="page28"></a><span class="pagenum">p. 28</span>THE +BREAK-UP OF A GREAT DROUGHT</h2> +<p><span class="smcap">For</span> three months there had been +hardly a drop of rain. The wind had been almost +continuously north-west, and from that to east. +Occasionally there were light airs from the south-west, and +vapour rose, but there was nothing in it; there was no true +south-westerly breeze, and in a few hours the weather-cock +returned to the old quarter. Not infrequently the clouds +began to gather, and there was every sign that a change was at +hand. The barometer at these times fell gradually day after +day until at last it reached a point which generally brought +drenching storms, but none appeared, and then it began slowly to +rise again and we knew that our hopes were vain, and that a week +at least must elapse before it would regain its usual height and +there might be a chance of declining. At last the +disappointment was so keen that the instrument was removed. +It was better not to watch it, but to hope for a surprise. +The grass became brown, and in many places was killed down to the +roots; there was no hay; myriads of swarming caterpillars +devoured the fruit trees; the brooks were all dry; water for +cattle had to be fetched from ponds and springs miles away; the +roads were broken up; the air was loaded with grit; and the +beautiful green of the hedges was choked with dust. Birds +like the rook, which fed upon worms, were nearly starved, and +were driven far and wide for strange food. It was pitiable +to see them trying to pick the soil of the meadow as hard as a +rock. The everlasting glare was worse than the gloom of +winter, and the sense of universal parching thirst became so +distressing that the house was preferred to the fields. We +were close to a water famine! The Atlantic, the source of +all life, was asleep, and what if it should never wake! We +know not its ways, it mocks all our science. Close to us +lies this great mystery, incomprehensible, and yet our very +breath depends upon it. Why should not the sweet tides of +soft moist air cease to stream in upon us? No reason could +be given why every green herb and living thing should not perish; +no reason, save a faith which was blind. For aught we +<i>knew</i>, the ocean-begotten aërial current might forsake +the land and it might become a desert.</p> +<p>One night grey bars appeared in the western sky, but they had +too often deluded us, and we did not believe in them. On +this particular evening they were a little heavier, and the +window-cords were damp. The air which came across the cliff +was cool, and if we had dared to hope we should have said it had +a scent of the sea in it. At four o’clock in the +morning there was a noise of something beating against the +panes—they were streaming! It was impossible to lie +still, and I rose and went out of doors. No creature was +stirring, there was no sound save that of the rain, but a busier +time there had not been for many a long month. Thousands of +millions of blades of grass and corn were eagerly drinking. +For sixteen hours the downpour continued, and when it was dusk I +again went out. The watercourses by the side of the roads +had a little water in them, but not a drop had reached those at +the edge of the fields, so thirsty was the earth. The +drought, thank God, was at an end!</p> +<h2><a name="page32"></a><span class="pagenum">p. +32</span>SPINOZA</h2> +<p><span class="smcap">Now</span> that twenty years have passed +since I began the study of Spinoza it is good to find that he +still holds his ground. Much in him remains obscure, but +there is enough which is sufficiently clear to give a direction +to thought and to modify action. To the professional +metaphysician Spinoza’s work is already surpassed, and is +absorbed in subsequent systems. We are told to read him +once because he is historically interesting, and then we are +supposed to have done with him. But if +“Spinozism,” as it is called, is but a stage of +development there is something in Spinoza which can be superseded +as little as the <i>Imitation of Christ</i> or the +<i>Pilgrim’s Progress</i>, and it is this which continues +to draw men to him. Goethe never cared for set +philosophical systems. Very early in life he thought he had +found out that they were useless pieces of construction, but to +the end of his days he clung to Spinoza, and Philina, of all +persons in the world, repeats one of the finest sayings in the +<i>Ethic</i>. So far as the metaphysicians are carpenters, +and there is much carpentering in most of them, Goethe was right, +and the larger part of their industry endures wind and weather +but for a short time. Spinoza’s object was not to +make a scheme of the universe. He felt that the things on +which men usually set their hearts give no permanent +satisfaction, and he cast about for some means by which to secure +“a joy continuous and supreme to all eternity.” +I propose now, without attempting to connect or contrast Spinoza +with Descartes or the Germans, to name some of those thoughts in +his books by which he conceived he had attained his end.</p> +<p>The sorrow of life is the rigidity of the material universe in +which we are placed. We are bound by physical laws, and +there is a constant pressure of matter-of-fact evidence to prove +that we are nothing but common and cheap products of the earth to +which in a few moments or years we return. Spinoza’s +chief aim is to free us from this sorrow, and to free us from it +by <i>thinking</i>. The emphasis on this word is +important. He continually insists that a thing is not +unreal because we cannot imagine it. His own science, +mathematics, affords him examples of what <i>must</i> be, +although we cannot picture it, and he believes that true +consolation lies in the region of that which cannot be imaged but +can be thought.</p> +<p>Setting out on his quest, he lays hold at the very beginning +on the idea of Substance, which he afterwards identifies with the +idea of God. “By Substance I understand that which is +in itself and is conceived through itself; in other words, that, +the conception of which does not need the conception of another +thing from which it must be formed.” <a +name="citation34a"></a><a href="#footnote34a" +class="citation">[34a]</a> “By God, I understand +Being absolutely infinite, that is to say, substance consisting +of infinite attributes, each one of which expresses eternal and +infinite essence.” <a name="citation34b"></a><a +href="#footnote34b" class="citation">[34b]</a> “God, +or substance consisting of infinite attributes, each one of which +expresses eternal and infinite essence, necessarily +exists.” <a name="citation34c"></a><a href="#footnote34c" +class="citation">[34c]</a> By the phrases “in +itself” and “by itself,” we are to understand +that this conception cannot be explained in other terms. +Substance must be posited, and there we must leave it. The +demonstration of the last-quoted proposition, the 11th, is +elusive, and I must pass it by, merely observing that the +objection that no idea involves existence, and that consequently +the idea of God does not involve it, is not a refutation of +Spinoza, who might rejoin that it is impossible not to affirm +existence of God as the <i>Ethic</i> defines him. Spinoza +escapes one great theological difficulty. Directly we begin +to reflect we are dissatisfied with a material God, and the +nobler religions assert that God is a Spirit. But if He be +a pure spirit whence comes the material universe? To +Spinoza pure spirit and pure matter are mere artifices of the +understanding. His God is the Substance with infinite +attributes of which thought and extension are the two revealed to +man, and he goes further, for he maintains that they are one and +the same thing viewed in different ways, inside and outside of +the same reality. The conception of God, strictly speaking, +is not incomprehensible, but it is not <i>circum</i>-prehensible; +if it were it could not be the true conception of Him.</p> +<p>Spinoza declares that “the human mind possesses an +adequate knowledge of the eternal and infinite essence of +God” <a name="citation36"></a><a href="#footnote36" +class="citation">[36]</a>—not of God in His completeness, +but it is adequate. The demonstration of this proposition +is at first sight unsatisfactory, because we look for one which +shall enable us to form an image of God like that which we can +form of a triangle. But we cannot have “a knowledge +of God as distinct as that which we have of common notions, +because we cannot imagine God as we can bodies.” +“To your question,” says Spinoza to Boxel, +“whether I have as clear an idea of God as I have of a +triangle? I answer, Yes. But if you ask me whether I +have as clear an image of God as I have of a triangle I shall +say, No; for we cannot imagine God, but we can in a measure +understand Him. Here also, it is to be observed that I do +not say that I altogether know God, but that I understand some of +His attributes—not all, nor the greatest part, and it is +clear that my ignorance of very many does not prevent my +knowledge of certain others. When I learned the elements of +Euclid, I very soon understood that the three angles of a +triangle are equal to two right angles, and I clearly perceived +this property of a triangle, although I was ignorant of many +others.” <a name="citation37a"></a><a href="#footnote37a" +class="citation">[37a]</a></p> +<p>“Individual things are nothing but affections or modes +of God’s attributes, expressing those attributes in a +certain and determinate manner,” <a +name="citation37b"></a><a href="#footnote37b" +class="citation">[37b]</a> and hence “the more we +understand individual objects, the more we understand God.” +<a name="citation37c"></a><a href="#footnote37c" +class="citation">[37c]</a></p> +<p>The intellect of God in no way resembles the human intellect, +for we cannot conceive Him as proposing an end and considering +the means to attain it. “The intellect of God, in so +far as it is conceived to constitute His essence, is in truth the +cause of things, both of their essence and of their +existence—a truth which seems to have been understood by +those who have maintained that God’s intellect, will, and +power are one and the same thing.” <a +name="citation37d"></a><a href="#footnote37d" +class="citation">[37d]</a></p> +<p>The whole of God is <i>fact</i>, and Spinoza denies any +reserve in Him of something unexpressed. “The +omnipotence of God has been actual from eternity, and in the same +actuality will remain to eternity,” <a +name="citation38"></a><a href="#footnote38" +class="citation">[38]</a> not of course in the sense that +everything which exists has always existed as we now know it, or +that nothing will exist hereafter which does not exist now, but +that in God everything that has been, and will be, eternally +<i>is</i>.</p> +<p>The reader will perhaps ask, What has this theology to do with +the “joy continuous and supreme”? We shall +presently meet with some deductions which contribute to it, but +it is not difficult to understand that Spinoza, to use his own +word, might call the truths set forth in these propositions +“blessed.” Let a man once believe in that God +of infinite attributes of which thought and extension are those +by which He manifests Himself to us; let him see that the +opposition between thought and matter is fictitious; that his +mind “is a part of the infinite intellect of God”; +that he is not a mere transient, outside interpreter of the +universe, but himself the soul or law, which is the universe, and +he will feel a relationship with infinity which will emancipate +him.</p> +<p>It is not true that in Spinoza’s God there is so little +that is positive that it is not worth preserving. All +Nature is in Him, and if the objector is sincere he will confess +that it is not the lack of contents in the idea which is +disappointing, but a lack of contents particularly interesting to +himself.</p> +<p>The opposition between the mind and body of man as two diverse +entities ceases with that between thought and extension. It +would be impossible briefly to explain in all its fulness what +Spinoza means by the proposition: “The object of the idea +constituting the human mind is a body” <a +name="citation39"></a><a href="#footnote39" +class="citation">[39]</a>; it is sufficient here to say that, +just as extension and thought are one, considered in different +aspects, so body and mind are one. We shall find in the +fifth part of the <i>Ethic</i> that Spinoza affirms the eternity +of the mind, though not perhaps in the way in which it is usually +believed.</p> +<p>Following the order of the <i>Ethic</i> we now come to its +more directly ethical maxims. Spinoza denies the freedom +commonly assigned to the will, or perhaps it is more correct to +say he denies that it is intelligible. The will is +determined by the intellect. The idea of the triangle +involves the affirmation or volition that its three angles are +equal to two right angles. If we understand what a triangle +is we are not “free” to believe that it contains more +or less than two right angles, nor to act as if it contained more +or less than two. The only real freedom of the mind is +obedience to the reason, and the mind is enslaved when it is +under the dominion of the passions. “God does not act +from freedom of the will,” <a name="citation40a"></a><a +href="#footnote40a" class="citation">[40a]</a> and consequently +“things could have been produced by God in no other manner +and in no other order than that in which they have been +produced.” <a name="citation40b"></a><a href="#footnote40b" +class="citation">[40b]</a></p> +<p>“If you will but reflect,” Spinoza tells Boxel, +“that indifference is nothing but ignorance or doubt, and +that a will always constant and in all things determinate is a +virtue and a necessary property of the intellect, you will see +that my words are entirely in accord with the truth.” <a +name="citation40c"></a><a href="#footnote40c" +class="citation">[40c]</a> To the same effect is a passage +in a letter to Blyenbergh, “Our liberty does not consist in +a certain contingency nor in a certain indifference, but in the +manner of affirming or denying, so that in proportion as we +affirm or deny anything with less indifference, are we the more +free.” <a name="citation41a"></a><a href="#footnote41a" +class="citation">[41a]</a> So also to Schuller, “I +call that thing free which exists and acts solely from the +necessity of its own nature: I call that thing coerced which is +determined to exist and to act in a certain and determinate +manner by another.” <a name="citation41b"></a><a +href="#footnote41b" class="citation">[41b]</a> With regard +to this definition it might be objected that the necessity does +not lie solely in the person who wills but is also in the +object. The triangle as well as the nature of man contains +the necessity. What Spinoza means is that the free man by +the necessity of his nature is bound to assert the truth of what +follows from the definition of a triangle and that the stronger +he feels the necessity the more free he is. Hence it +follows that the wider the range of the intellect and the more +imperative the necessity which binds it, the larger is its +freedom.</p> +<p>In genuine freedom Spinoza rejoices. “The doctrine +is of service in so far as it teaches us that we do everything by +the will of God alone, and that we are partakers of the divine +nature in proportion as our actions become more and more perfect +and we more and more understand God. This doctrine, +therefore, besides giving repose in every way to the soul, has +also this advantage, that it teaches us in what our highest +happiness or blessedness consists, namely, in the knowledge of +God alone, by which we are drawn to do those things only which +love and piety persuade.” <a name="citation42a"></a><a +href="#footnote42a" class="citation">[42a]</a> In other +words, being part of the whole, the grandeur and office of the +whole are ours. We are anxious about what we call +“personality,” but in truth there is nothing in it of +any worth, and the less we care for it the more +“blessed” we are.</p> +<p>“By the desire which springs from reason we follow good +directly and avoid evil indirectly” <a +name="citation42b"></a><a href="#footnote42b" +class="citation">[42b]</a>: our aim should be the good; in +obtaining that we are delivered from evil. To the same +purpose is the conclusion of the fifth book of the <i>Ethic</i> +that “No one delights in blessedness because he has +restrained his affects, but, on the contrary, the power of +restraining his lusts springs from blessedness itself.” <a +name="citation43a"></a><a href="#footnote43a" +class="citation">[43a]</a> This is exactly what the Gospel +says to the Law.</p> +<p>Fear is not the motive of a free man to do what is good. +“A free man thinks of nothing less than of death, and his +wisdom is not a meditation upon death, but upon life.” <a +name="citation43b"></a><a href="#footnote43b" +class="citation">[43b]</a> This is the celebrated +sixty-seventh proposition of the fourth part. If we examine +the proof which directly depends on the sixty-third proposition +of the same part—“he who is led by fear, and does +what is good in order that he may avoid what is evil, is not led +by reason”—we shall see that Spinoza is referring to +the fear of the “evil” of hell-fire.</p> +<p>All Spinoza’s teaching with regard to the passions is a +consequence of what he believes of God and man. He will +study the passions and not curse them. He finds that by +understanding them “we can bring it to pass that we suffer +less from them. We have, therefore, mainly to strive to +acquire a clear and distinct knowledge of each affect.” <a +name="citation43c"></a><a href="#footnote43c" +class="citation">[43c]</a> “If the human mind had +none but adequate ideas it would form no notion of evil.” +<a name="citation44a"></a><a href="#footnote44a" +class="citation">[44a]</a> “The difference between a +man who is led by affect or opinion alone and one who is led by +reason” is that “the former, whether he wills it or +not, does those things of which he is entirely ignorant, but the +latter does the will of no one but himself.” <a +name="citation44b"></a><a href="#footnote44b" +class="citation">[44b]</a> <i>They know not what they +do</i>.</p> +<p>The direct influence of Spinoza’s theology is also shown +in his treatment of pity, hatred, laughter, and contempt. +“The man who has properly understood that everything +follows from the necessity of the divine nature, and comes to +pass according to the eternal laws and rules of nature, will in +truth discover nothing which is worthy of hatred, laughter, or +contempt, nor will he pity any one, but, so far as human virtue +is able, he will endeavour to <i>do well</i>, as we say, and to +<i>rejoice</i>.” <a name="citation44c"></a><a +href="#footnote44c" class="citation">[44c]</a> By pity is +to be understood mere blind sympathy. The good that we do +by this pity with the eyes of the mind shut ought to be done with +them open. “He who lives according to the guidance of +reason strives as much as possible to repay the hatred, anger, or +contempt of others towards himself with love or generosity. . . . +He who wishes to avenge injuries by hating in return does indeed +live miserably. But he who, on the contrary, strives to +drive out hatred by love, fights joyfully and confidently, with +equal ease resisting one man or a number of men, and needing +scarcely any assistance from fortune. Those whom he +conquers yield gladly, not from defect of strength, but from an +increase of it.” <a name="citation45a"></a><a +href="#footnote45a" class="citation">[45a]</a></p> +<p>“Joy is the passion by which the mind passes to a +greater perfection: sorrow, on the other hand, is the passion by +which it passes to a less perfection.” <a +name="citation45b"></a><a href="#footnote45b" +class="citation">[45b]</a> “No God and no human +being, except an envious one, is delighted by my impotence or my +trouble, or esteems as any virtue in us tears, sighs, fears, and +other things of this kind, which are signs of mental impotence; +on the contrary, the greater the joy with which we are affected, +the greater the perfection to which we pass thereby; that is to +say, the more do we necessarily partake of the divine +nature.” <a name="citation46"></a><a href="#footnote46" +class="citation">[46]</a> It would be difficult to find an +account of joy and sorrow which is closer to the facts than that +which Spinoza gives. He lived amongst people Roman Catholic +and Protestant who worshipped sorrow. Sorrow was the +divinely decreed law of life and joy was merely a permitted +exception. He reversed this order and his claim to be +considered in this respect as one of the great revolutionary +religious and moral reformers has not been sufficiently +recognised. It is remarkable that, unlike other reformers, +he has not contradicted error by an exaggeration, which itself +very soon stands in need of contradiction, but by simple sanity +which requires no correction. One reason for this +peculiarity is that the <i>Ethic</i> was the result of long +meditation. It was published posthumously and was discussed +in draft for many years before his death. Usually what we +call our convictions are propositions which we have not +thoroughly examined in quietude, but notions which have just come +into our heads and are irreversible to us solely because we are +committed to them. Much may be urged against the +<i>Ethic</i> and on behalf of hatred, contempt, and sorrow. +The “other side” may be produced mechanically to +almost every truth; the more easily, the more divine that truth +is, and against no truths is it producible with less genuine +mental effort than against those uttered by the founder of +Christianity. The question, however, if we are dealing with +the New Testament, is not whether the Sermon on the Mount can be +turned inside out in a debating society, but whether it does not +represent better than anything which the clever leader of the +opposition can formulate the principle or temper which should +govern our conduct.</p> +<p>There is a group of propositions in the last part of the +<i>Ethic</i>, which, although they are difficult, it may be well +to notice, because they were evidently regarded by Spinoza as +helping him to the end he had in view. The difficulty lies +in a peculiar combination of religious ideas and scientific +form. These propositions are the following:—<a +name="citation47"></a><a href="#footnote47" +class="citation">[47]</a></p> +<blockquote><p>“The mind can cause all the affections of +the body or the images of things to be related to the idea of +God.”</p> +<p>“He who clearly and distinctly understands himself and +his affects loves God, and loves Him better the better he +understands himself and his affects.”</p> +<p>“This love to God above everything else ought to occupy +the mind.”</p> +<p>“God is free from passions, nor is He affected with any +affect of joy or sorrow.”</p> +<p>“No one can hate God.”</p> +<p>“He who loves God cannot strive that God should love him +in return.”</p> +<p>“This love to God cannot be defiled either by the effect +of envy or jealousy, but is the more strengthened the more people +we imagine to be connected with God by the same bond of +love.”</p> +</blockquote> +<p>The proof of the first of these propositions, using language +somewhat different from that of the text, is as +follows:—There is no affection of the body of which the +mind cannot form some clear and distinct conception, that is to +say, of everything perceived it is capable of forming a clear and +adequate idea, not exhaustive, as Spinoza is careful to warn us, +but an idea not distorted by our personality, and one which is in +accordance with the thing itself, adequate as far as it +goes. Newton’s perception that the moon perpetually +falls to the earth by the same numerical law under which a stone +falls to it was an adequate perception. +“Therefore,” continues the demonstration (quoting the +fifteenth proposition of the first part—“Whatever is, +is in God, and nothing can either be or be conceived without +God”), “the mind can cause all the affections of the +body to be related to the idea of God.” Spinoza, +having arrived at his adequate idea thus takes a further step to +the idea of God. What is perceived is not an isolated +external phenomenon. It is a reality in God: it <i>is</i> +God: there is nothing more to be thought or said of God than the +affirmation of such realities as these. The “relation +to the idea of God” means that in the affirmation He is +affirmed. “Nothing,” that is to say, no reality +“can be conceived without God.”</p> +<p>But it is possible for the word “love” to be +applied to the relationship between man and God. He who has +a clear and adequate perception passes to greater perfection, and +therefore rejoices. Joy, accompanied with the idea of a +cause, is love. By the fourteenth proposition this joy is +accompanied by the idea of God as its cause, and therefore love +to God follows. The demonstration seems formal, and we ask +ourselves, What is the actual emotion which Spinoza +describes? It is not new to him, for in the <i>Short +Treatise</i>, which is an early sketch for the <i>Ethic</i>, he +thus writes:—“Hence it follows incontrovertibly that +it is knowledge which is the cause of love, so that when we learn +to know God in this way, we must necessarily unite ourselves to +Him, for He cannot be known, nor can he reveal Himself, save as +that which is supremely great and good. In this union +alone, as we have already said, our happiness consists. I +do not say that we must know Him adequately; but it is sufficient +for us, in order to be united with Him, to know Him in a measure, +for the knowledge we have of the body is not of such a kind that +we can know it as it is or perfectly; and yet what a union! what +love!” <a name="citation50"></a><a href="#footnote50" +class="citation">[50]</a></p> +<p>Perhaps it may clear the ground a little if we observe that +Spinoza often avoids a negative by a positive statement. +Here he may intend to show us what the love of God is not, that +it is not what it is described in the popular religion to +be. “The only love of God I know,” we may +imagine him saying, “thus arises. The adequate +perception is the keenest of human joys for thereby I see God +Himself. That which I see is not a thing or a person, but +nevertheless what I feel towards it can be called by no other +name than love. Although the object of this love is not +thing or person it is not indefinite, it is this only which is +definite; ‘thing’ and ‘person’ are +abstract and unreal. There was a love to God in +Kepler’s heart when the three laws were revealed to +him. If it was not love to God, what is love to +Him?”</p> +<p>To the eighteenth proposition, “No one can hate +God,” there is a scholium which shows that the problem of +pain which Spinoza has left unsolved must have occurred to +him. “But some may object that if we understand God +to be the cause of all things, we do for that very reason +consider Him to be the cause of sorrow. But I reply that in +so far as we understand the causes of sorrow, it ceases to be a +passion (Prop. 3, pt. 5), that is to say (Prop. 59, pt. 3) it +ceases to be a sorrow; and therefore in so far as we understand +God to be the cause of sorrow do we rejoice.” The +third proposition of the fifth part which he quotes merely proves +that in so far as we understand passion it ceases to be a +passion. He replies to those “who ask why God has not +created all men in such a manner that they might be controlled by +the dictates of reason alone,” <a name="citation52"></a><a +href="#footnote52" class="citation">[52]</a> “Because to +Him material was not wanting for the creation of everything, from +the highest down to the very lowest grade of perfection; or, to +speak more properly, because the laws of His nature were so ample +that they sufficed for the production of everything which can be +conceived by an infinite intellect.” Nevertheless of +pain we have no explanation. Pain is not lessened by +understanding it, nor is its mystery penetrated if we see that to +God material could not have been wanting for the creation of men +or animals who have to endure it all their lives. But if +Spinoza is silent in the presence of pain, so also is every +religion and philosophy which the world has seen. Silence +is the only conclusion of the Book of Job, and patient fortitude +in the hope of future enlightenment is the conclusion of +Christianity.</p> +<p>It is a weak mistake, however, to put aside what religions and +philosophies tell us because it is insufficient. To Job it +is not revealed why suffering is apportioned so unequally or why +it exists, but the answer of the Almighty from the whirlwind he +cannot dispute, and although Spinoza has nothing more to say +about pain than he says in the passages just quoted and was +certainly not exempt from it himself, it may be impossible that +any man should hate God.</p> +<p>We now come to the final propositions of the <i>Ethic</i>, +those in which Spinoza declares his belief in the eternity of +mind. The twenty-second and twenty-third propositions of +the fifth part are as follows:—</p> +<blockquote><p>“In God, nevertheless, there necessarily +exists an idea which expresses the essence of this or that human +body under the form of eternity.”</p> +<p>“The human mind cannot be absolutely destroyed with the +body, but something of it remains which is eternal.”</p> +</blockquote> +<p>The word “nevertheless” is a reference to the +preceding proposition which denies the continuity of memory or +imagination excepting so long as the body lasts. The +demonstration of the twenty-third proposition is not easy to +grasp, but the substance of it is that although the mind is the +idea of the body, that is to say, the mind is body as thought and +body is thought as extension, the mind, or essence of the body, +is not completely destroyed with the body. It exists as an +eternal idea, and by an eternal necessity in God. Here +again we must not think of that personality which is nothing +better than a material notion, an image from the concrete applied +to mind, but we must cling fast to thought, to the thoughts which +alone makes us what we <i>are</i>, and these, says Spinoza, are +in God and are not to be defined by time. They have always +been and always will be. The enunciation of the +thirty-third proposition is, “The intellectual love of God +which arises from the third kind of knowledge is +eternal.” The “third kind of knowledge” +is that intuitive science which “advances from an adequate +idea of the formal essence of certain attributes of God to the +adequate knowledge of the essence of things;” <a +name="citation54"></a><a href="#footnote54" +class="citation">[54]</a> “No love except intellectual love +is eternal,” <a name="citation55a"></a><a +href="#footnote55a" class="citation">[55a]</a> and the scholium +to this proposition adds, “If we look at the common opinion +of men, we shall see that they are indeed conscious of the +eternity of their minds, but they confound it with duration, and +attribute it to imagination or memory, which they believe remain +after death.” The intellectual love of the mind +towards God is the very “love with which He loves Himself, +not in so far as He is infinite, but in so far as He can be +manifested through the essence of the human mind, considered +under the form of eternity; that is to say, the intellectual love +of the mind towards God is part of the infinite love with which +God loves Himself.” <a name="citation55b"></a><a +href="#footnote55b" class="citation">[55b]</a> “Hence +it follows that God, in so far as He loves Himself, loves men, +and consequently that the love of God towards men and the +intellectual love of the mind towards God are one and the same +thing.” <a name="citation55c"></a><a href="#footnote55c" +class="citation">[55c]</a> The more adequate ideas the mind +forms “the less it suffers from those affects which are +evil, and the less it fears death” because “the +greater is that part which remains unharmed, and the less +consequently does it suffer from the affects.” It is +possible even “for the human mind to be of such a nature +that that part of it which we have shown perishes with its body, +in comparison with the part of it which remains, is of no +consequence.” <a name="citation56a"></a><a +href="#footnote56a" class="citation">[56a]</a></p> +<p>Spinoza, it is clear, holds that in some way—in what way +he will not venture to determine—the more our souls are +possessed by the intellectual love of God, the less is death to +be dreaded, for the smaller is that part of us which can +die. Three parallel passages may be appended. One +will show that this was Spinoza’s belief from early years +and the other two that it is not peculiar to him. “If +the soul is united with some other thing which is and remains +unchangeable, it must also remain unchangeable and +permanent.” <a name="citation56b"></a><a +href="#footnote56b" class="citation">[56b]</a> +“Further, this creative reason does not at one time think, +at another time not think [it thinks eternally]: and when +separated from the body it remains nothing but what it +essentially is: and thus it is alone immortal and eternal. +Of this unceasing work of thought, however, we retain no memory, +because this reason is unaffected by its objects; whereas the +receptive, passive intellect (which is affected) is perishable, +and can really think nothing without the support of the creative +intellect.” <a name="citation57a"></a><a +href="#footnote57a" class="citation">[57a]</a> The third +quotation is from a great philosophic writer, but one to whom +perhaps we should not turn for such a coincidence. “I +believe,” said Pantagruel, “that all intellectual +souls are exempt from the scissors of Atropos. They are all +immortal.” <a name="citation57b"></a><a href="#footnote57b" +class="citation">[57b]</a></p> +<p>I have not tried to write an essay on Spinoza, for in writing +an essay there is a temptation to a consistency and completeness +which are contributed by the writer and are not to be found in +his subject. The warning must be reiterated that here as +elsewhere we are too desirous, both writers and readers, of clear +definition where none is possible. We do not stop where the +object of our contemplation stops for our eyes. For my own +part I must say that there is much in Spinoza which is beyond me, +much which I cannot <i>extend</i>, and much which, if it can be +<a name="page58"></a><span class="pagenum">p. 58</span>extended, +seems to involve contradiction. But I have also found his +works productive beyond those of almost any man I know of that +<i>acquiescentia mentis</i> which enables us to live.</p> +<h2>SUPPLEMENTARY NOTE ON THE DEVIL</h2> +<p><span class="smcap">Spinoza</span> denies the existence of the +Devil, and says, in the <i>Short Treatise</i>, that if he is the +mere opposite of God and has nothing from God, he is simply the +Nothing. But if a philosophical doctrine be true, it does +not follow that as it stands it is applicable to practical +problems. For these a rule may have to be provided, which, +although it may not be inconsistent with the scientific theorem, +differs from it in form. The Devil is not an invention of +priests for priestly purposes, nor is he merely a hypothesis to +account for facts, but he has been forced upon us in order that +we may be able to deal with them. Unless we act as though +there were an enemy to be resisted and chained, if we fritter +away differences of kind into differences of degree, we shall +make poor work of life. Spinoza himself assumes that other +commands than God’s may be given to us, but that we are +unhesitatingly to obey His and His only. “Ad fidem +ergo catholicam,” he says, “ea solummodo pertinent, +quæ erga Deum <i>obedientia</i> absolute +ponit.” Consciousness seems to testify to the +presence of two mortal foes within us—one Divine and the +other diabolic—and perhaps the strongest evidence is not +the rebellion of the passions, but the picturing and the mental +processes which are almost entirely beyond our control, and often +greatly distress us. We look down upon them; they are not +ours, and yet they are ours, and we cry out with St. Paul against +the law warring with the law of our minds. Bunyan of course +knows the practical problem and the rule, and to him the Devil is +not merely the tempter to crimes, but the great Adversary. +In the <i>Holy War</i> the chosen regiments of Diabolus are the +Doubters, and notwithstanding their theologic names, they carried +deadlier weapons than the theologic doubters of to-day. The +captain over the Grace-doubters was Captain Damnation; he over +the Felicity-doubters was Captain Past-hope, and his +ancient-bearer was Mr. Despair. The nature of the Doubters +is “to put a question upon every one of the truths of +Emanuel, and their country is called the Land of Doubting, and +that land lieth off and furthest remote to the north between the +land of Darkness and that called the Valley of the Shadow of +Death.” They are not children of the sun, and +although they are not sinners in the common sense of the word, +those that were caught in Mansoul were promptly executed.</p> +<p>There is nothing to be done but to fight and wait for the +superior help which will come if we do what we can. Emanuel +at first delayed his aid in the great battle, and the first brunt +was left to Captain Credence. Presently, however, Emanuel +appeared “with colours flying, trumpets sounding, and the +feet of his men scarce touched the ground; they hasted with such +celerity towards the captains that were engaged that . . . there +was not left so much as one Doubter alive, they lay spread upon +the ground dead men as one would spread dung on the +land.” The dead were buried “lest the fumes and +ill-favours that would arise from them might infect the air and +so annoy the famous town of Mansoul.” But it will be +a fight to the end for Diabolus, and the lords of the pit +escaped.</p> +<p>After Emanuel had finally occupied Mansoul he gave the +citizens some advice. The policy of Diabolus was “to +make of their castle a warehouse.” Emanuel made it a +fortress and a palace, and garrisoned the town. “O my +Mansoul,” he said, “nourish my captains; make not my +captains sick, O Mansoul.”</p> +<h2><a name="page62"></a><span class="pagenum">p. +62</span>INJUSTICE</h2> +<p>A <span class="smcap">notion</span>, self-begotten in me, of +the limitations of my friend is answerable for the barrenness of +my intercourse with him. I set him down as hard; I speak to +him as if he were hard and from that which is hard in +myself. Naturally I evoke only that which is hard, although +there may be fountains of tenderness in him of which I am +altogether unaware. It is far better in conversation not to +regulate it according to supposed capacities or tempers, which +are generally those of some fictitious being, but to be simply +ourselves. We shall often find unexpected and welcome +response.</p> +<p>Our estimates of persons, unless they are frequently revived +by personal intercourse, are apt to alter insensibly and to +become untrue. They acquire increased definiteness but they +lose in comprehensiveness.</p> +<p>Especially is this true of those who are dead. If I do +not read a great author for some time my mental abstract of him +becomes summary and false. I turn to him again, all summary +judgments upon him become impossible, and he partakes of +infinitude. Writers, and people who are in society and talk +much are apt to be satisfied with an algebraic symbol for a man +of note, and their work is done not with him but with +<i>x</i>.</p> +<h2><a name="page64"></a><span class="pagenum">p. 64</span>TIME +SETTLES CONTROVERSIES</h2> +<p><span class="smcap">We</span> ought to let Time have his own +way in the settlement of our disputes. It is a commonplace +how much he is able to do with some of our troubles, such as loss +of friends or wealth; but we do not sufficiently estimate his +power to help our arguments. If I permit myself to dispute, +I always go beyond what is necessary for my purpose, and my +continual iteration and insistence do nothing but provoke +opposition. Much better would it be simply to state my case +and leave it. To do more is not only to distrust it, but to +distrust that in my friend which is my best ally, and will more +surely assist me than all my vehemence. +Sometimes—nay, often—it is better to say nothing, for +there is a constant tendency in Nature towards rectification, and +her quiet protest and persuasiveness are hindered by personal +interference. If anybody very dear to me were to fall into +any heresy of belief or of conduct, I am not sure that I ought to +rebuke him, and that he would not sooner be converted by +observing my silent respect for him than by preaching to him.</p> +<h2><a name="page66"></a><span class="pagenum">p. +66</span>TALKING ABOUT OUR TROUBLES</h2> +<p><span class="smcap">We</span> may talk about our troubles to +those persons who can give us direct help, but even in this case +we ought as much as possible to come to a provisional conclusion +before consultation; to be perfectly clear to ourselves within +our own limits. Some people have a foolish trick of +applying for aid before they have done anything whatever to aid +themselves, and in fact try to talk themselves into +perspicuity. The only way in which they can think is by +talking, and their speech consequently is not the expression of +opinion already and carefully formed, but the manufacture of +it.</p> +<p>We may also tell our troubles to those who are suffering if we +can lessen their own. It may be a very great relief to them +to know that others have passed through trials equal to theirs +and have survived. There are obscure, nervous diseases, +hypochondriac fancies, almost uncontrollable impulses, which +terrify by their apparent singularity. If we could believe +that they are common, the worst of the fear would vanish.</p> +<p>But, as a rule, we should be very careful for our own sake not +to speak much about what distresses us. Expression is apt +to carry with it exaggeration, and this exaggerated form becomes +henceforth that under which we represent our miseries to +ourselves, so that they are thereby increased. By reserve, +on the other hand, they are diminished, for we attach less +importance to that which it was not worth while to mention. +Secrecy, in fact, may be our salvation.</p> +<p>It is injurious to be always treated as if something were the +matter with us. It is health-giving to be dealt with as if +we were healthy, and the man who imagines his wits are failing +becomes stronger and sounder by being entrusted with a difficult +problem than by all the assurances of a doctor.</p> +<p>They are poor creatures who are always craving for pity. +If we are sick, let us prefer conversation upon any subject +rather than upon ourselves. Let it turn on matters that lie +outside the dark chamber, upon the last new discovery, or the +last new idea. So shall we seem still to be linked to the +living world. By perpetually asking for sympathy an end is +put to real friendship. The friend is afraid to intrude +anything which has no direct reference to the patient’s +condition lest it should be thought irrelevant. No love +even can long endure without complaint, silent it may be, an +invalid who is entirely self-centred; and what an agony it is to +know that we are tended simply as a duty by those who are nearest +to us, and that they will really be relieved when we have +departed! From this torture we may be saved if we early +apprentice ourselves to the art of self-suppression and sternly +apply the gag to eloquence upon our own woes. Nobody who +really cares for us will mind waiting on us even to the +long-delayed last hour if we endure in fortitude.</p> +<p>There is no harm in confronting our disorders or +misfortunes. On the contrary, the attempt is +wholesome. Much of what we dread is really due to +indistinctness of outline. If we have the courage to say to +ourselves, What <i>is</i> this thing, then? let the worst come to +the worst, and what then? we shall frequently find that after all +it is not so terrible. What we have to do is to subdue +tremulous, nervous, insane fright. Fright is often prior to +an object; that is to say, the fright comes first and something +is invented or discovered to account for it. There are +certain states of body and mind which are productive of +objectless fright, and the most ridiculous thing in the world is +able to provoke it to activity. It is perhaps not too much +to say that any calamity the moment it is apprehended by the +reason alone loses nearly all its power to disturb and unfix +us. The conclusions which are so alarming are not those of +the reason, but, to use Spinoza’s words, of the +“affects.”</p> +<h2><a name="page70"></a><span class="pagenum">p. +70</span>FAITH</h2> +<p><span class="smcap">Faith</span> is nobly seen when a man, +standing like Columbus upon the shore with a dark, stormy +Atlantic before him, resolves to sail, and although week after +week no land be visible, still believes and still sails on; but +it is nobler when there is no America as the goal of our venture, +but something which is unsubstantial, as, for example, +self-control and self-purification. It is curious, by the +way, that discipline of this kind should almost have +disappeared. Possibly it is because religion is now a +matter of belief in certain propositions; but, whatever the cause +may be, we do not train ourselves day by day to become better as +we train ourselves to learn languages or science. To return +from this parenthesis, we say that when no applause nor even +recognition is expected, to proceed steadily and alone for its +own sake in the work of saving the soul is truer heroism than +that which leads a martyr cheerfully to the stake.</p> +<p>Faith is at its best when we have to wrestle with despair, not +only of ourselves but of the Universe; when we strain our eyes +and see nothing but blackness. In the <i>Gorgias</i> +Socrates maintains, not only that it is always better to suffer +injustice than to commit it, but that it is better to be punished +for injustice than to escape, and better to die than to do wrong; +and it is better not only because of the effect on others but for +our own sake. We are naturally led to ask what support a +righteous man unjustly condemned could find, supposing he were +about to be executed, if he had no faith in personal immortality +and knew that his martyrdom could not have the least effect for +good. Imagine him, for example, shut up in a dungeon and +about to be strangled in it and that not a single inquiry will be +made about him—where will he look for help? what hope will +compose him? He may say that in a few hours he will be +asleep, and that nothing will then be of any consequence to him, +but that thought surely will hardly content him. He may +reflect that he at least prevents the evil which would be +produced by his apostasy; and very frequently in life, when we +abstain from doing wrong, we have to be satisfied with a negative +result and with the simple absence (which nobody notices) of some +direct mischief, although the abstention may cost more than +positive well-doing. This too, however, is but cold +consolation when the cord is brought and the grave is already +dug.</p> +<p>It must be admitted that Reason cannot give any answer. +Socrates, when his reasoning comes to an end, often permits +himself to tell a story. “My dialectic,” he +seems to say, “is of no further use; but here is a tale for +you,” and as he goes on with it we can see his satyr eyes +gleam with an intensity which shows that he did not consider he +was inventing a mere fable. That was the way in which he +taught theology. Perhaps we may find that something less +than logic and more than a dream may be of use to us. We +may figure to ourselves that this universe of souls is the +manifold expression of the One, and that in this expression there +is a purpose which gives importance to all the means of which it +avails itself. Apparent failure may therefore be a success, +for the mind which has been developed into perfect virtue falls +back into the One, having served (by its achievements) the end of +its existence. The potential in the One has become actual, +has become real, and the One is the richer thereby.</p> +<h2><a name="page74"></a><span class="pagenum">p. +74</span>PATIENCE</h2> +<p><span class="smcap">What</span> is most to be envied in really +religious people of the earlier type is their intellectual and +moral peace. They had obtained certain convictions, a +certain conception of the Universe, by which they could +live. Their horizon may have been encompassed with +darkness; experience sometimes contradicted their faith, but they +trusted—nay, they knew—that the opposition was not +real and that the truths were not to be shaken. Their +conduct was marked by a corresponding unity. They +determined once for all that there were rules which had to be +obeyed, and when any particular case arose it was not judged +according to the caprice of the moment, but by statute.</p> +<p>We, on the other hand, can only doubt. So far as those +subjects are concerned on which we are most anxious to be +informed, we are sure of nothing. What we have to do is to +accept the facts and wait. We must take care not to deny +beauty and love because we are forced also to admit ugliness and +hatred. Let us yield ourselves up utterly to the +magnificence and tenderness of the sunrise, though the East End +of London lies over the horizon. That very same Power, and +it is no other, which blasts a country with the cholera or drives +the best of us to madness has put the smile in a child’s +face and is the parent of Love. It is curious, too, that +the curse seems in no way to qualify the blessing. The +sweetness and majesty of Nature are so exquisite, so pure, that +when they are before us we cannot imagine they could be better if +they proceeded from an omnipotently merciful Being and no +pestilence had ever been known. We must not worry ourselves +with attempts at reconciliation. We must be satisfied with +a hint here and there, with a ray of sunshine at our feet, and we +must do what we can to make the best of what we possess. +Hints and sunshine will not be wanting, and science, which was +once considered to be the enemy of religion, is dissolving by its +later discoveries the old gross materialism, the source of so +much despair.</p> +<p>The conduct of life is more important than speculation, but +the lives of most of us are regulated by no principle +whatever. We read our Bible, Thomas à Kempis, and +Bunyan, and we are persuaded that our salvation lies in the +perpetual struggle of the higher against the lower self, the +spirit against the flesh, and that the success of the flesh is +damnation. We take down Horace and Rabelais and we admit +that the body also has its claims. We have no power to +dominate both sets of books, and consequently they supersede one +another alternately. Perhaps life is too large for any code +we can as yet frame, and the dissolution of all codes, the fluid, +unstable condition of which we complain, may be a necessary +antecedent of new and more lasting combinations. One thing +is certain, that there is not a single code now in existence +which is not false; that the graduation of the vices and virtues +is wrong, and that in the future it will be altered. We +must not hand ourselves over to a despotism with no Divine right, +even if there be a risk of anarchy. In the determination of +our own action, and in our criticism of other people, we must use +the whole of ourselves and not mere fragments. If we do +this we need not fear. We may suppose we are in danger +because the stone tables of the Decalogue have gone to dust, but +it is more dangerous to attempt to control men by fictions. +Better no chart whatever than one which shows no actually +existing perils, but warns us against Scylla, Charybdis, and the +Cyclops. If we are perfectly honest with ourselves we shall +not find it difficult to settle whether we ought to do this or +that particular thing, and we may be content. The new +legislation will come naturally at the appointed time, and it is +not impossible to live while it is on the way.</p> +<h2><a name="page78"></a><span class="pagenum">p. 78</span>AN +APOLOGY</h2> +<p><span class="smcap">In</span> these latter days of anarchy and +tumult, when there is no gospel of faith or morals, when +democracy seems bent on falsifying every prediction of earlier +democratic enthusiasts by developing worse dangers to liberty +than any which our forefathers had to encounter, and when the +misery of cities is so great, it appears absurd, not to say +wrong, that we should sit still and read books. I am +ashamed when I go into my own little room and open Milton or +Shakespeare after looking at a newspaper or walking through the +streets of London. I feel that Milton and Shakespeare are +luxuries, and that I really belong to the class which builds +palaces for its pleasure, although men and women may be starving +on the roads.</p> +<p>Nevertheless, if I were placed on a platform I should be +obliged to say, “My brethren, I plainly perceive the world +is all wrong, but I cannot see how it is to be set right,” +and I should descend the steps and go home. There may be +others who have a clearer perception than mine, and who may be +convinced that this way or that way lies regeneration. I do +not wish to discourage them; I wish them God-speed, but I cannot +help them nor become their disciple. Possibly I am doing +nothing better than devising excuses for lotus-eating, but here +they are.</p> +<p>To take up something merely because I am idle is +useless. The message must come to me, and with such urgency +that I cannot help delivering it. Nor is it of any use to +attempt to give my natural thoughts a force which is not inherent +in them.</p> +<p>The disease is often obvious, but the remedies are +doubtful. The accumulation of wealth in a few hands, +generally by swindling, is shocking, but if it were distributed +to-morrow we should gain nothing. The working man objects +to the millionaire, but would gladly become a millionaire +himself, even if his million could be piled up in no other way +than by sweating thousands of his fellows. The usurpation +of government by the ignorant will bring disaster, but how in +these days could a wise man reign any longer than ignorance +permitted him? The everlasting veerings of the majority, +without any reason meanwhile for the change, show that, except on +rare occasions of excitement, the opinion of the voters is of no +significance. But when we are asked what substitute for +elections can be proposed, none can be found. So with the +relationship between man and woman, the marriage laws and +divorce. The calculus has not been invented which can deal +with such complexities. We are in the same position as that +in which Leverrier and Adams would have been, if, observing the +irregularities of Uranus, which led to the discovery of Neptune, +they had known nothing but the first six books of Euclid and a +little algebra.</p> +<p>There has never been any reformation as yet without dogma and +supernaturalism. Ordinary people acknowledge no real +reasons for virtue except heaven and hell-fire. When heaven +and hell-fire cease to persuade, custom for a while is partly +efficacious, but its strength soon decays. Some good men, +knowing the uselessness of rational means to convert or to +sustain their fellows, have clung to dogma with hysterical +energy, but without any genuine faith in it. They have +failed, for dogma cannot be successful unless it be the +<i>inevitable</i> expression of the inward conviction.</p> +<p>The voices now are so many and so contradictory that it is +impossible to hear any one of them distinctly, no matter what its +claim on our attention may be. The newspaper, the +circulating library, the free library, and the magazine are doing +their best to prevent unity of direction and the din and +confusion of tongues beget a doubt whether literature and the +printing press have actually been such a blessing to the race as +enlightenment universally proclaims them to be.</p> +<p>The great currents of human destiny seem more than ever to +move by forces which tend to no particular point. There is +a drift, tremendous and overpowering, due to nobody in +particular, but to hundreds of millions of small impulses. +Achilles is dead, and the turn of the Myrmidons has come.</p> +<blockquote><p>“Myrmdons, race féconde<br /> +Myrmidons,<br /> +Enfin nous commandons:<br /> +Jupiter livre le monde<br /> +Aux Myrmidons, aux Myrmidons.</p> +<p>Voyant qu’ Achille succombe,<br /> +Ses Myrmidons, hors des rangs,<br /> +Disent: Dansons sur sa tombe<br /> +Ses petits vont être grands.”</p> +</blockquote> +<p>My last defence is that the Universe is an organic unity, and +so subtle and far-reaching are the invisible threads which pass +from one part of it to another that it is impossible to limit the +effect which even an insignificant life may have. +“Were a single dust-atom destroyed, the universe would +collapse.”</p> + +<blockquote><p> “ +. . . who of men can tell<br /> +That flowers would bloom, or that green fruit would swell<br /> +To melting pulp, that fish would have bright mail,<br /> +The earth its dower of river, wood, and vale,<br /> +The meadows runnels, runnels pebble-stones,<br /> +The seed its harvest, or the lute its tones,<br /> +Tones ravishment, or ravishment its sweet<br /> +If human souls did never kiss and greet?”</p> +</blockquote> +<h2><a name="page83"></a><span class="pagenum">p. +83</span>BELIEF, UNBELIEF, AND SUPERSTITION</h2> +<p><span class="smcap">True</span> belief is rare and +difficult. There is no security that the fictitious beliefs +which have been obtained by no genuine mental process, that is to +say, are not vitally held, may not be discarded for those which +are exactly contrary. We flatter ourselves that we have +secured a method and freedom of thought which will not permit us +to be the victims of the absurdities of the Middle Ages, but, in +fact, there is no solid obstacle to our conversion to some new +grotesque religion more miraculous than Roman Catholicism. +Modern scepticism, distinguishing it from scholarly scepticism, +is nothing but stupidity or weakness. Few people like to +confess outright that they do not believe in a God, although the +belief in a personal devil is considered to be a sign of +imbecility. Nevertheless, men, as a rule, have no ground +for believing in God a whit more respectable than for disbelief +in a devil. The devil is not seen nor is God seen. +The work of the devil is as obvious as that of God. Nay, as +the devil is a limited personality, belief in him is not +encumbered with the perplexities which arise when we attempt to +apprehend the infinite Being. Belief may often be tested; +that is to say, we may be able to discover whether it is an +active belief or not by inquiring what disbelief it +involves. So also the test of disbelief is its +correspondent belief.</p> +<p>Superstition is a name generally given to a few only of those +beliefs for which it is imagined that there is no sufficient +support, such as the belief in ghosts, witches, and, if we are +Protestants, in miracles performed after a certain date. +Why these particular beliefs have been selected as solely +deserving to be called superstitious it is not easy to +discover. If the name is to be extended to all beliefs +which we have not attempted to verify, it must include the +largest part of those we possess. We vote at elections as +we are told to vote by the newspaper which we happen to read, and +our opinions upon a particular policy are based upon no surer +foundation than those of the Papist on the authenticity of the +lives of the Saints.</p> +<p>Superstition is a matter of <i>relative</i> evidence. A +thousand years ago it was not so easy as it is now to obtain +rigid demonstration in any department except mathematics. +Much that was necessarily the basis of action was as incapable of +proof as the story of St. George and the Dragon, and consequently +it is hardly fair to say that the dark ages were more +superstitious than our own. Nor does every belief, even in +supernatural objects, deserve the name of superstition. +Suppose that the light which struck down St. Paul on his journey +to Damascus was due to his own imagination, the belief that it +came from Jesus enthroned in the heavens was a sign of strength +and not of weakness. Beliefs of this kind, in so far as +they exalt man, prove greatness and generosity, and may be truer +than the scepticism which is formally justified in rejecting +them. If Christ never rose from the dead, the women who +waited at the sepulchre were nearer to reality than the +Sadducees, who denied the resurrection.</p> +<p>There is a half-belief, which we find in Virgil that is not +superstition, nor inconstancy, nor cowardice. A child-like +faith in the old creed is no longer possible, but it is equally +impossible to surrender it. I refer now not to those who +select from it what they think to be in accordance with their +reason, and throw overboard the remainder with no remorse, but +rather to those who cannot endure to touch with sacrilegious +hands the ancient histories and doctrines which have been the +depositaries of so much that is eternal, and who dread lest with +the destruction of a story something precious should also be +destroyed. The so-called superstitious ages were not merely +transitionary. Our regret that they have departed is to be +explained not by a mere idealisation of the past, but by a +conviction that truths have been lost, or at least have been +submerged. Perhaps some day they may be recovered, and in +some other form may again become our religion.</p> +<h2><a name="page87"></a><span class="pagenum">p. 87</span>JUDAS +ISCARIOT—WHAT CAN BE SAID FOR HIM?</h2> +<p><span class="smcap">Judas Iscariot</span> has become to +Christian people an object of horror more loathsome than even the +devil himself. The devil rebelled because he could not +brook subjection to the Son of God, a failing which was noble +compared with treachery to the Son of man. The hatred of +Judas is not altogether virtuous. We compound thereby for +our neglect of Jesus and His precepts: it is easier to establish +our Christianity by cursing the wretched servant than by +following his Master. The heinousness also of the crime in +Gethsemane has been aggravated by the exaltation of Jesus to the +Redeemership of the world. All that can be known of Judas +is soon collected. He was chosen one of the twelve +apostles, and received their high commission to preach the +kingdom of heaven, to heal the sick, raise the dead, cleanse the +lepers, and cast out devils. He was appointed treasurer to +the community. John in telling the story of the anointing +at Bethany says that he was a thief, but John also makes him the +sole objector to the waste of the ointment. According to +the other evangelists all the disciples objected. Since he +remained in office it could hardly have been known at the time of +the visit to Bethany that he was dishonest, nor could it have +been known at any time to Matthew and Mark, for they would not +have lost the opportunity of adding such a touch to the +portrait. The probability, therefore, is that the robbery +of the bag is unhistorical. When the chief priests and +scribes sought how they might apprehend Jesus they made a bargain +with Judas to deliver Him to them for thirty pieces of +silver. He was present at the Last Supper but went and +betrayed his Lord. A few hours afterwards, when he found +out that condemnation to death followed, he repented himself and +brought again the thirty pieces of silver to his employers, +declared that he had sinned in betraying innocent blood, cast +down the money at their feet, and went and hanged himself.</p> +<p>This is all that is discoverable about Judas, and it has been +considered sufficient for a damnation deeper than any allotted to +the worst of the sons of Adam. Dante places him in the +lowest round of the ninth or last of the hellish circles, where +he is eternally “champed” by Satan, “bruised as +with ponderous engine,” his head within the diabolic jaws +and “plying the feet without.” In the absence +of a biography with details, it is impossible to make out with +accuracy what the real Judas was. We can, however, by +dispassionate examination of the facts determine their sole +import, and if we indulge in inferences we can deduce those which +are fairly probable. As Judas was treasurer, he must have +been trusted. He could hardly have been naturally covetous, +for he had given up in common with the other disciples much, if +not all, to follow Jesus. The thirty pieces of +silver—some four or five pounds of our money—could +not have been considered by him as a sufficient bribe for the +ignominy of a treason which was to end in legal murder. He +ought perhaps to have been able to measure the ferocity of an +established ecclesiastical order and to have known what would +have been the consequence of handing over to it perfect, and +therefore heretical, sincerity and purity, but there is no +evidence that he did know: nay, we are distinctly informed, as we +have just seen, that when he became aware what was going to +happen his sorrow for his wicked deed took a very practical +shape.</p> +<p>We cannot allege with confidence that it was any permanent +loss of personal attachment to Jesus which brought about his +defection. It came when the belief in a theocracy near at +hand filled the minds of the disciples. These ignorant +Galilean fishermen expected that in a very short time they would +sit on twelve thrones judging the twelve tribes of Israel. +The custodian of the bag, gifted with more common sense than his +colleagues, probably foresaw the danger of a collision with Rome, +and may have desired by a timely arrest to prevent an open +revolt, which would have meant immediate destruction of the whole +band with women and children. Can any position be imagined +more irritating that that of a careful man of business who is +keeper of the purse for a company of heedless enthusiasts +professing complete indifference to the value of money, +misunderstanding the genius of their chief, and looking out every +morning for some sign in the clouds, a prophecy of their +immediate appointment as vicegerents of a power that would +supersede the awful majesty of the Imperial city? He may +have been heated by a long series of petty annoyances to such a +degree that at last they may have ended in rage and a sudden +flinging loose of himself from the society. It is the +impulsive man who frequently suffers what appears to be +inversion, and Judas was impulsive exceedingly. Matthew, +and Matthew only, says that Judas asked for money from the chief +priests. “What will ye give me, and I will deliver +Him unto you?” According to Mark, whose account of +the transaction is the same as Luke’s, “Judas . . . +went unto the chief priests to betray Him unto them. And +when they heard it, they were glad, and promised to give him +money.” If the priests were the tempters, a slight +difference is established in favour of Judas, but this we will +neglect. The sin of taking money and joining in that last +meal in any case is black enough, although, as we have before +pointed out, Judas did not at the time know what the other side +of the bargain was. Admitting, however, everything that can +fairly be urged against him, all that can be affirmed with +certainty is that we are in the presence of strange and +unaccountable inconsistency, and that an apostle who had +abandoned his home, who had followed Jesus for three years amidst +contempt and persecution, and who at last slew himself in +self-reproach, could be capable of committing the meanest of +sins. Is the co-existence of irreconcilable opposites in +human nature anything new? The story of Judas may be of +some value if it reminds us that man is incalculable, and that, +although in theory, and no doubt in reality, he is a unity, the +point from which the divergent forces in him rise is often +infinitely beyond our exploration; a lesson not merely in +psychology but for our own guidance, a warning that side by side +with heroic virtues there may sleep in us not only detestable +vices, but vices by which those virtues are contradicted and even +for the time annihilated. The mode of betrayal, with a +kiss, has justly excited loathing, but it is totally +unintelligible. Why should he have taken the trouble to be +so base when the movement of a finger would have sufficed? +Why was any sign necessary to indicate one who was so well +known? The supposition that the devil compelled him to +superfluous villainy in order that he might be secured with +greater certainty and tortured with greater subtlety is one that +can hardly be entertained except by theologians. It is +equally difficult to understand why Jesus submitted to such an +insult, and why Peter should not have smitten down its +perpetrator. Peter was able to draw his sword, and it would +have been safer and more natural to kill Judas than to cut off +the ear of the high priest’s servant. John, who shows +a special dislike to Judas, knows nothing of the kiss. +According to John, Jesus asked the soldiers whom they sought, and +then stepped boldly forward and declared Himself. +“Judas,” adds John, “was standing with +them.” As John took such particular notice of what +happened, the absence of the kiss in his account can hardly have +been accidental. It is a sound maxim in criticism that what +is simply difficult of explanation is likely to be +authentic. An awkward reading in a manuscript is to be +preferred to one which is easier. But an historical +improbability, especially if no corroboration of it is to be +found in a better authority, may be set aside, and in this case +we are justified in neglecting the kiss. Whatever may have +been the exact shade of darkness in the crime of Judas, it was +avenged with singular swiftness, and he himself was the +avenger. He did not slink away quietly and poison himself +in a ditch. He boldly encountered the sacred college, +confessed his sin and the innocence of the man they were about to +crucify. Compared with these pious miscreants who had no +scruples about corrupting one of the disciples, but shuddered at +the thought of putting back into the treasury the money they had +taken from it, Judas becomes noble. His remorse is so +unendurable that it drives him to suicide.</p> +<p>If a record could be kept of those who have abjured Jesus +through love of gold, through fear of the world or of the scribes +and Pharisees, we should find many who are considered quite +respectable, or have even been canonised, and who, nevertheless, +much more worthily than Iscariot, are entitled to +“champing” by the jaws of Sathanas. Not a +single scrap from Judas himself has reached us. He +underwent no trial, and is condemned without plea or excuse on +his own behalf, and with no cross-examination of the +evidence. No witnesses have been called to his +character. What would his friends at Kerioth have said for +him? What would Jesus have said? If He had met Judas +with the halter in his hand would He not have stopped him? +Ah! I can see the Divine touch on the shoulder, the +passionate prostration of the repentant in the dust, the hands +gently lifting him, the forgiveness because he knew not what he +did, and the seal of a kiss indeed from the sacred lips.</p> +<h2><a name="page96"></a><span class="pagenum">p. 96</span>SIR +WALTER SCOTT’S USE OF THE SUPERNATURAL IN THE “BRIDE +OF LAMMERMOOR”</h2> +<p><span class="smcap">The</span> supernatural machinery in Sir +Walter Scott’s <i>Monastery</i> is generally and, no doubt, +correctly, set down as a mistake. Sir Walter fails, not +because the White Lady of Avenel is a miracle, but because being +miraculous, she is made to do what sometimes is not worthy of +her. This, however, is not always true, for nothing can be +finer than the change in Halbert Glendinning after he has seen +the spirit, and the great master himself has never drawn a nobler +stroke than that in which he describes the effect which +intercourse with her has had upon Mary. Halbert, on the +morning of the duel between himself and Sir Piercie Shafton, is +trying to persuade her that he intends no harm, and that he and +Sir Piercie are going on a hunting expedition. “Say +not thus,” said the maiden, interrupting him, “say +not thus to me. Others thou may’st deceive, but me +thou can’st not. There has been that in me from the +earliest youth which fraud flies from, and which imposture cannot +deceive.” The transforming influence of the Lady is +here just what it should be, and the consequence is that she +becomes a reality.</p> +<p>But it is in the <i>Bride of Lammermoor</i> more particularly +that the use of the supernatural is not only blameless but +indispensable. We begin to rise to it in that scene in +which the Master of Ravenswood meets Alice. “Begone +from among them,” she says, “and if God has destined +vengeance on the oppressor’s house, do not you be the +instrument. . . . If you remain here, her destruction or +yours, or that of both, will be the inevitable consequence of her +misplaced attachment.” A little further on, with +great art, Scott having duly prepared us by what has preceded, +adds intensity and colour. He apologises for the +“tinge of superstition,” but, not believing, he +evidently believes, and we justly surrender ourselves to +him. The Master of Ravenswood after the insult received +from Lady Ashton wanders round the Mermaiden’s Well on his +way to Wolf’s Crag and sees the wraith of Alice. +Scott makes horse as well as man afraid so that we may not +immediately dismiss the apparition as a mere ordinary product of +excitement. Alice at that moment was dying, and had +“prayed powerfully that she might see her master’s +son and renew her warning.” Observe the difference +between this and any vulgar ghost story. From the very +first we feel that the Superior Powers are against this match, +and that it will be cursed. The beginning of the curse lies +far back in the hereditary temper of the Ravenswoods, in the +intrigues of the Ashtons, and in the feuds of the times. +When Love intervenes we discover in an instant that he is not +sent by the gods to bring peace, but that he is the awful +instrument of destruction. The spectral appearance of Alice +at the hour of her departure, on the very spot “on which +Lucy Ashton had reclined listening to the fatal tale of woe . . . +holding up her shrivelled hand as if to prevent his coming more +near,” is necessary in order to intimate that the interdict +is pronounced not by a mortal human being but by a dread, +supernal authority.</p> +<h2><a name="page99"></a><span class="pagenum">p. +99</span>SEPTEMBER, 1798. “THE LYRICAL +BALLADS.”</h2> +<p><span class="smcap">The</span> year 1798 was a year of great +excitement: England was alone in the struggle against Buonaparte; +the mutiny at the Nore had only just been quelled: the 3 per +cent. Consols had been marked at 49 or 50; the Gazettes were +occupied with accounts of bloody captures of French ships; +Ireland may be said to have been in rebellion, and horrible +murders were committed there; the King sent a message to +Parliament telling it that an invasion might be expected and that +it was to be assisted by “incendiaries” at home; and +the Archbishop of Canterbury and eleven bishops passed a +resolution declaring that if the French should land, or a +dangerous insurrection should break out, it would be the duty of +the clergy to take up arms against an enemy whom the Bishop of +Rochester described as “instigated by that desperate +malignity against the Faith he has abandoned, which in all ages +has marked the horrible character of the vile +apostate.”</p> +<p>In the midst of this raving political excitement three human +beings were to be found who although they were certainly not +unmoved by it, were able to detach themselves from it when they +pleased, and to seclude themselves in a privacy impenetrable even +to an echo of the tumult around them.</p> +<p>In April or May, 1798, the <i>Nightingale</i> was written, and +these are the sights and sounds which were then in young +Coleridge’s eyes and ears:—</p> +<blockquote><p>“No cloud, no relique of the sunken day<br +/> +Distinguishes the West, no long thin slip<br /> +Of sullen light, no obscure trembling hues.<br /> +Come, we will rest on this old mossy bridge!<br /> +You see the glimmer of the stream beneath,<br /> +But hear no murmuring: it flows silently,<br /> +O’er its soft bed of verdure. All is still,<br /> +A balmy night! and tho’ the stars be dim,<br /> +Yet let us think upon the vernal showers<br /> +That gladden the green earth, and we shall find<br /> +A pleasure in the dimness of the stars.”</p> +</blockquote> +<p>We happen also to have Dorothy Wordsworth’s journal for +April and May. Here are a few extracts from it:—</p> +<blockquote><p>April 6th.—“Went a part of the way +home with Coleridge. . . . The spring still advancing very +slowly. The horse-chestnuts budding, and the hedgerows +beginning to look green, but nothing fully expanded.”</p> +<p>April 9th.—“Walked to Stowey . . . The sloe in +blossom, the hawthorns green, the larches in the park changed +from black to green in two or three days. Met Coleridge in +returning.”</p> +<p>April 12th.—“ . . . The spring advances +rapidly, multitudes of primroses, dog-violets, periwinkles, +stitchwort.”</p> +<p>April 27th.—“Coleridge breakfasted and drank tea, +strolled in the wood in the morning, went with him in the evening +through the wood, afterwards walked on the hills: the moon; a +many-coloured sea and sky.”</p> +<p>May 6th, Sunday.—“Expected the painter <a +name="citation101"></a><a href="#footnote101" +class="citation">[101]</a> and Coleridge. A rainy +morning—very pleasant in the evening. Met Coleridge +as we were walking out. Went with him to Stowey; heard the +nightingale; saw a glow-worm.”</p> +</blockquote> +<p>What was it which these three young people (for Dorothy +certainly must be included as one of its authors) proposed to +achieve by their book? Coleridge, in the <i>Biographia +Literaria</i>, says (vol. ii. c. 1): “During the first year +that Mr. Wordsworth and I were neighbours, our conversations +turned frequently on the two cardinal points of poetry, the power +of exciting the sympathy of the reader by a faithful adherence to +the truth of nature, and the power of giving the interest of +novelty by the modifying colours of imagination. The sudden +charm, which accidents of light and shade, which moonlight or +sunset diffused over a known and familiar landscape, appeared to +represent the practicability of combining both. These are +the poetry of nature. The thought suggested +itself—(to which of us I do not recollect)—that a +series of poems might be composed of two sorts. In the one, +the agents and incidents were to be, in part at least, +supernatural; and the excellence aimed at was to consist in the +interesting of the affections by the dramatic truth of such +emotions, as would naturally accompany such situations, supposing +them real. And real in this sense they have been to every +human being who, from whatever source of delusion, has at any +time believed himself under supernatural agency. For the +second class, subjects were to be chosen from ordinary life; the +characters and incidents were to be such as will be found in +every village and its vicinity, where there is a meditative and +feeling mind to seek after them, or to notice them, when they +present themselves.</p> +<blockquote><p>“In this idea originated the plan of the +<span class="smcap">Lyrical Ballads</span>; in which it was +agreed, that my endeavours should be directed to persons and +characters supernatural, or at least romantic; yet so as to +transfer from our inward nature a human interest and a semblance +of truth sufficient to procure for these shadows of imagination +that willing suspension of disbelief for the moment, which +constitutes poetic faith. Mr. Wordsworth, on the other +hand, was to propose to himself as his object, to give the charm +of novelty to things of everyday and to excite a feeling +<i>analogous to the supernatural</i>, <a +name="citation103"></a><a href="#footnote103" +class="citation">[103]</a> by awakening the mind’s +attention to the lethargy of custom, and directing it to the +loveliness and the wonders of the world before us; an +inexhaustible treasure, but for which, in consequence of the film +of familiarity and selfish solicitude we have eyes, yet see not, +ears that hear not, and hearts that neither feel nor +understand.</p> +<p>“With this view I wrote <span class="smcap">The Ancient +Mariner</span>, and was preparing, among other poems, <span +class="smcap">The Dark Ladie</span> and the <span +class="smcap">Christabel</span>, in which I should have more +nearly have realised my ideal, than I had done in my first +attempt.”</p> +</blockquote> +<p>Coleridge, when he wrote to Cottle offering him the <i>Lyrical +Ballads</i>, affirms that “the volumes offered to you are, +to a certain degree, <i>one work in kind</i>” <a +name="citation104a"></a><a href="#footnote104a" +class="citation">[104a]</a> (<i>Reminiscences</i>, p. 179); and +Wordsworth declares, “I should not, however, have requested +this assistance, had I not believed that the poems of my Friend +would in a great measure <i>have the same tendency as my own</i>, +<a name="citation104b"></a><a href="#footnote104b" +class="citation">[104b]</a> and that though there would be found +a difference, there would be found no discordance in the colours +of our style; as our opinions on the subject of poetry do almost +entirely coincide” (Preface to <i>Lyrical Ballads</i>, +1800).</p> +<p>It is a point carefully to be borne in mind that we have the +explicit and contemporary authority of both poets that their aim +was the same.</p> +<p>There are difficulties in the way of believing that <i>The +Ancient Mariner</i> was written for the <i>Lyrical +Ballads</i>. It was planned in 1797 and was originally +intended for a magazine. Nevertheless, it may be asserted +that the purpose of <i>The Ancient Mariner</i> and of +<i>Christabel</i> (which was originally intended for the +<i>Ballads</i>) was, as their author said, <i>truth</i>, living +truth. He was the last man in the world to care for a story +simply as a chain of events with no significance, and in these +poems the supernatural, by interpenetration with human emotions, +comes closer to us than an event of daily life. In return +the emotions themselves, by means of the supernatural expression, +gain intensity. The texture is so subtly interwoven that it +is difficult to illustrate the point by example, but take the +following lines:—</p> +<blockquote><p>“Alone, alone, all, all alone,<br /> +Alone on a wide wide sea!<br /> +And never a saint took pity on<br /> +My soul in agony.</p> +<p>The many men, so beautiful!<br /> +And they all dead did lie:<br /> +And a thousand thousand slimy things<br /> +Lived on; and so did I.</p> +<p style="text-align: center">* * * *</p> +<p>The self-same moment I could pray:<br /> +And from my neck so free<br /> +The Albatross fell off, and sank<br /> +Like lead into the sea.</p> +<p style="text-align: center">* * * *</p> +<p>And the hay was white with silent light<br /> +Till rising from the same,<br /> +Full many shapes, that shadows were,<br /> +In crimson colours came.</p> +<p>A little distance from the prow<br /> +Those crimson shadows were:<br /> +I turned my eyes upon the deck—<br /> +Oh, Christ! what saw I there!</p> +<p>Each corse lay flat, lifeless and flat,<br /> +And, by the holy rood!<br /> +A man all light, a seraph-man,<br /> +On every corse there stood.”</p> +</blockquote> +<p>Coleridge’s marginal gloss to these last stanzas is +“The angelic spirits leave the dead bodies, and appear in +their own forms of light.”</p> +<p>Once more from <i>Christabel</i>:—</p> +<blockquote><p>“The maid, alas! her thoughts are gone,<br +/> +She nothing sees—no sight but one!<br /> +The maid, devoid of guile and sin,<br /> +I know not how, in fearful wise,<br /> +So deeply had she drunken in<br /> +That look, those shrunken serpent eyes,<br /> +That all her features were resigned<br /> +To this sole image in her mind:<br /> +And passively did imitate<br /> +That look of dull and treacherous hate.”</p> +</blockquote> +<p>What Wordsworth intended we have already heard from Coleridge, +and Wordsworth confirms him. It was, says the Preface of +1802, “to present ordinary things to the mind in an unusual +way.” In Wordsworth the miraculous inherent in the +commonplace, but obscured by “the film of +familiarity,” is restored to it. This translation is +effected by the imagination, which is not fancy nor dreaming, as +Wordsworth is careful to warn us, but that power by which we see +things as they are. The authors of <i>The Ancient +Mariner</i> and <i>Simon Lee</i> are justified in claiming a +common object. It is to prove that the metaphysical in +Shakespeare’s sense of the word interpenetrates the +physical, and serves to make us see and feel it.</p> +<p>Poetry, if it is to be good for anything, must help us to +live. It is to this we come at last in our criticism, and +if it does not help us to live it may as well disappear, no +matter what its fine qualities may be. The help to live, +however, that is most wanted is not remedies against great +sorrows. The chief obstacle to the enjoyment of life is its +dulness and the weariness which invades us because there is +nothing to be seen or done of any particular value. If the +supernatural becomes natural and the natural becomes +supernatural, the world regains its splendour and charm. +Lines may be drawn from their predecessors to Coleridge and the +Wordsworths, but the work they did was distinctly original, and +renewed proof was given of the folly of despair even when +fertility seems to be exhausted. There is always a hidden +conduit open into an unknown region whence at any moment streams +may rush and renew the desert with foliage and flowers.</p> +<p>The reviews which followed the publication of the <i>Lyrical +Ballads</i> were nearly all unfavourable. Even Southey +discovered nothing in <i>The Ancient Mariner</i> but “a +Dutch attempt at German sublimity.” A certain learned +pig thought it “the strangest story of a cock and bull that +he ever saw on paper,” and not a single critic, not even +the one or two who had any praise to offer, discerned the secret +of the book. The publisher was so alarmed that he hastily +sold his stock. Nevertheless Coleridge, Wordsworth, and his +sister quietly went off to Germany without the least disturbance +of their faith, and the <i>Ballads</i> are alive to this day.</p> +<h2><a name="page110"></a><span class="pagenum">p. 110</span>SOME +NOTES ON MILTON</h2> +<p><span class="smcap">Much</span> of the criticism on Milton, if +not hostile, is apologetic, and it is considered quite correct to +say we “do not care” for him. Partly this +indifference is due to his Nonconformity. The +“superior” Englishman who makes a jest of the +doctrines and ministers of the Established Church always pays +homage to it because it is <i>respectable</i>, and sneers at +Dissent. Another reason why Milton does not take his proper +place is that his theme is a theology which for most people is no +longer vital. A religious poem if it is to be deeply felt +must embody a living faith. The great poems of antiquity +are precious to us in proportion to our acceptance, now, as fact, +of what they tell us about heaven and earth. There are only +a few persons at present who perceive that in substance the +account which was given in the seventeenth century of the +relation between man and God is immortal and worthy of epic +treatment. A thousand years hence a much better estimate of +Milton will be possible than that which can be formed +to-day. We attribute to him mechanic construction in dead +material because it is dead to ourselves. Even Mr. Ruskin +who was far too great not to recognise in part at least +Milton’s claims, says that “Milton’s account of +the most important event in his whole system of the universe, the +fall of the angels, is evidently unbelievable to himself; and the +more so, that it is wholly founded on, and in a great part +spoiled and degraded from, Hesiod’s account of the decisive +war of the younger gods with the Titans. The rest of his +poem is a picturesque drama, in which every artifice of invention +is visibly and consciously employed; not a single fact being for +an instant conceived as tenable by any living faith” +(<i>Sesame and Lilies</i>, section iii.).</p> +<p>Mr. Mark Pattison, quoting part of this passage, remarks with +justice, “on the contrary, we shall not rightly apprehend +either the poetry or the character of the poet until we feel that +throughout <i>Paradise Lost</i>, as in <i>Paradise Regained</i> +and <i>Samson</i>, Milton felt himself to be standing on the sure +ground of fact and reality” (<i>English Men of +Letters</i>—Milton, p. 186, ed. 1879).</p> +<p>St. Jude for ages had been sufficient authority for the +angelic revolt, and in a sense it was a reasonable dogma, for +although it did not explain the mystery of the origin of evil it +pushed it a step further backwards, and without such a revolt the +Christian scheme does not well hold together. So also with +the entrance of the devil into the serpent. It is not +expressly taught in any passage of the canonical Scriptures, but +to the Church and to Milton it was as indisputable as the +presence of sin in the world. Milton, I repeat, +<i>believed</i> in the framework of his poem, and unless we can +concede this to him we ought not to attempt to criticise +him. He was impelled to turn his religion into poetry in +order to bring it closer to him. The religion of every +Christian if it is real is a poem. He pictures a background +of Holy Land scenery, and he creates a Jesus who continually +converses with him and reveals to him much more than is found in +the fragmentary details of the Gospels. When Milton goes +beyond his documents he does not imagine for the purpose of +filling up: the additions are expression.</p> +<p>Milton belonged to that order of poets whom the finite does +not satisfy. Like Wordsworth, but more eminently, he was +“powerfully affected” only by that “which is +conversant with or turns upon infinity,” and man is to him +a being with such a relationship to infinity that Heaven and Hell +contend over him. Every touch which sets forth the eternal +glory of Heaven and the scarcely subordinate power of Hell +magnifies him. Johnson, whose judgment on Milton is +unsatisfactory because he will not deliver himself sufficiently +to beauty which he must have recognised, nevertheless says of the +<i>Paradise Lost</i>, that “its end is to raise the +thoughts above sublunary cares,” and this is true. +The other great epic poems worthy to be compared with +Milton’s, the Iliad, Odyssey, Æneid, and Divine +Comedy, all agree in representing man as an object of the deepest +solicitude to the gods or God. Milton’s conception of +God is higher than Homer’s, Virgil’s, or +Dante’s, but the care of the Miltonic God for his offspring +is greater, and the profound truth unaffected by Copernican +discoveries and common to all these poets is therefore more +impressive in Milton than in the others.</p> +<p>There is nothing which the most gifted of men can create that +is not mixed up with earth, and Milton, too, works it up with his +gold. The weakness of the <i>Paradise Lost</i> is not, as +Johnson affirms, its lack of human interest, for the +<i>Prometheus Bound</i> has just as little, nor is +Johnson’s objection worth anything that the angels are +sometimes corporeal and at other times independent of material +laws. Spirits could not be represented to a human mind +unless they were in a measure subject to the conditions of time +and space. The principal defect in <i>Paradise Lost</i> is +the justification which the Almighty gives of the creation of man +with a liability to fall. It would have been better if +Milton had contented himself with telling the story of the +Satanic insurrection, of its suppression, of its author’s +revenge, of the expulsion from Paradise, and the promise of a +Redeemer. But he wanted to “justify the ways of God +to man,” and in order to do this he thought it was +necessary to show that man must be endowed with freedom of will, +and consequently could not be directly preserved from yielding to +the assaults of Satan.</p> +<p><i>Paradise Regained</i> comes, perhaps, closer to us than +<i>Paradise Lost</i> because its temptations are more nearly our +own, and every amplification which Milton introduces is designed +to make them more completely ours than they seem to be in the New +Testament. It has often been urged against <i>Paradise +Regained</i> that Jesus recovered Paradise for man by the +Atonement and not merely by resistance to the devil’s +wiles, but inasmuch as Paradise was lost by the devil’s +triumph through human weakness it is natural that <i>Paradise +Regained</i> should present the triumph of the Redeemer’s +strength. It is this victory which proves Jesus to be the +Son of God and consequently able to save us.</p> +<p>He who has now become incarnated for our redemption is that +same Messiah who, when He rode forth against the angelic +rebels,</p> + +<blockquote><p> “into +terror chang’d<br /> +His count’nance too severe to be beheld,<br /> +And full of wrath bent on his enemies.”</p> +</blockquote> +<p>It is He who</p> + +<blockquote><p> “on +his impious foes right onward drove,<br /> +Gloomy as night:”</p> +</blockquote> +<p>whose right hand grasped</p> + +<blockquote><p> “ten +thousand thunders, which he sent<br /> +Before him, such as in their souls infix’d<br /> +Plagues.”</p> +<p style="text-align: right">(<i>P. L.</i> vi. 824–38.)</p> +</blockquote> +<p>Now as Son of Man he is confronted with that same Archangel, +and he conquers by “strong sufferance.” He +comes with no fourfold visage of a charioteer flashing thick +flames, no eye which glares lightning, no victory eagle-winged +and quiver near her with three-bolted thunder stored, but in +“weakness,” and with this he is to “overcome +satanic strength.”</p> +<p>Milton sees in the temptation to turn the stones into bread a +devilish incitement to use miraculous powers and not to trust the +Heavenly Father.</p> +<blockquote><p>“Why dost thou then suggest to me +distrust,<br /> +Knowing who I am, as I know who thou art?”</p> +<p style="text-align: right">(<i>P. R.</i> i. 355–6.)</p> +</blockquote> +<p>Finding his enemy steadfast, Satan disappears,</p> + +<blockquote><p> “bowing +low<br /> +His gray dissimulation,”</p> +<p style="text-align: right">(<i>P. R.</i> i. 497–8.)</p> +</blockquote> +<p>and calls to council his peers. He disregards the +proposal of Belial to attempt the seduction of Jesus with +women. If he is vulnerable it will be to objects</p> + +<blockquote><p> “such +as have more shew<br /> +Of worth, of honour, glory, and popular praise,<br /> +Rocks whereon greatest men have oftest wreck’d;<br /> +Or that which only seems to satisfy<br /> +Lawful desires of Nature, not beyond.”</p> +<p style="text-align: right">(<i>P. R.</i> ii. 226–30.)</p> +</blockquote> +<p>The former appeal is first of all renewed. “Tell +me,” says Satan,</p> + +<blockquote><p> “‘if +food were now before thee set<br /> +Would’st thou not eat?’ ‘Thereafter as I +like<br /> +The giver,’ answered Jesus.”</p> +<p style="text-align: right">(<i>P. R.</i> ii. 320–22.)</p> +</blockquote> +<p>A banquet is laid, and Satan invites Jesus to partake of +it.</p> +<blockquote><p>“What doubts the Son of God to sit and +eat?<br /> +These are not fruits forbidd’n.”</p> +<p style="text-align: right">(<i>P. R.</i> ii. 368–9.)</p> +</blockquote> +<p>But Jesus refuses to touch the devil’s meat—</p> +<blockquote><p>“Thy pompous delicacies I contemn,<br /> +And count thy specious gifts no gifts, but guiles.”</p> +<p style="text-align: right">(<i>P. R.</i> ii. 390–1.)</p> +</blockquote> +<p>So they were, for at a word</p> +<blockquote><p>“Both table and provision vanish’d +quite,<br /> +With sound of harpies’ wings and talons heard.”</p> +<p style="text-align: right">(<i>P. R.</i> ii. 402–3.)</p> +</blockquote> +<p>If but one grain of that enchanted food had been eaten, or one +drop of that enchanted liquor had been drunk, there would have +been no Cross, no Resurrection, no salvation for humanity.</p> +<p>The temptation on the mountain is expanded by Milton through +the close of the second book, the whole of the third and part of +the fourth. It is a temptation of peculiar strength because +it is addressed to an aspiration which Jesus has +acknowledged.</p> + +<blockquote><p> “Yet +this not all<br /> +To which my spirit aspir’d: victorious deeds<br /> +Flam’d in my heart, heroic acts.”</p> +<p style="text-align: right">(<i>P. R.</i> i. 214–16.)</p> +</blockquote> +<p>But he denies that the glory of mob-applause is worth +anything.</p> +<blockquote><p> “What is +glory but the blaze of fame,<br /> +The people’s praise, if always praise unmixt?<br /> +And what the people but a herd confus’d,<br /> +A miscellaneous rabble, who extol<br /> +Things vulgar, and, well weigh’d, scarce worth the +praise?”</p> +<p style="text-align: right">(<i>P. R.</i> iii. 47–51.)</p> +</blockquote> +<p>To the Jesus of the New Testament this answer is, in a +measure, inappropriate. He would not have called the people +“a herd confus’d, a miscellaneous +rabble.” But although inappropriate it is +Miltonic. The devil then tries the Saviour with a more +subtle lure, an appeal to duty.</p> +<blockquote><p>“If kingdom move thee not, let move thee +zeal<br /> +And duty; zeal and duty are not slow;<br /> +But on occasion’s forelock watchful wait.<br /> +They themselves rather are occasion best,<br /> +Zeal of thy father’s house, duty to free<br /> +Thy country from her heathen servitude.”</p> +<p style="text-align: right">(<i>P. R.</i> iii. 171–6.)</p> +</blockquote> +<p>But zeal and duty, the endeavour to hurry that which cannot +and must not be hurried may be a suggestion from hell.</p> +<blockquote><p>“If of my reign prophetic writ hath told<br +/> +That it shall never end, so when begin<br /> +The Father in His purpose hath decreed.”</p> +<p style="text-align: right">(<i>P. R.</i> iii. 184–6.)</p> +</blockquote> +<p>Acquiescence, a conviction of the uselessness of individual or +organised effort to anticipate what only slow evolution can +bring, is characteristic of increasing years, and was likely +enough to be the temper of Milton when he had seen the failure of +the effort to make actual on earth the kingdom of Heaven. +The temptation is developed in such a way that every point +supposed to be weak is attacked. “You may be what you +claim to be,” insinuates the devil, “but are +rustic.”</p> +<blockquote><p>“Thy life hath yet been private, most part +spent<br /> +At home, scarce view’d the Galilean towns,<br /> +And once a year Jerusalem.”</p> +<p style="text-align: right">(<i>P. R.</i> iii. 232–4.)</p> +</blockquote> +<p>Experience and alliances are plausibly urged as indispensable +for success. But Jesus knew that the sum total of a +man’s power for good is precisely what of good there is in +him and that if it be expressed even in the simplest form, all +its strength is put forth and its office is fulfilled. To +suppose that it can be augmented by machinery is a foolish +delusion. The</p> + +<blockquote><p> “projects +deep<br /> +Of enemies, of aids, battles and leagues,<br /> +Plausible to the world”</p> +<p style="text-align: right">(<i>P. R.</i> iii. 395–3.)</p> +</blockquote> +<p>are to the Founder of the kingdom not of this world +“worth naught.” Another side of the mountain is +tried. Rome is presented with Tiberius at +Capreæ. Could it possibly be anything but a noble +deed to</p> +<blockquote><p> “expel +this monster from his throne<br /> +Now made a sty, and in his place ascending,<br /> +A victor people free from servile yoke!”</p> +<p style="text-align: right">(<i>P. R.</i> iv. +100–102.)</p> +</blockquote> +<p>“<i>And with my help thou may’st</i>.” +With the devil’s help and not without can this glorious +revolution be achieved! “For him,” is the +Divine reply, “I was not sent.” The attack is +then directly pressed.</p> +<blockquote><p>“The kingdoms of the world, to thee I +give;<br /> +For, giv’n to me, I give to whom I please,<br /> +No trifle; yet with this reserve, not else,<br /> +On this condition, if thou wilt fall down<br /> +And worship me as thy superior lord.”</p> +<p style="text-align: right">(<i>P. R.</i> iv. 163–7.)</p> +</blockquote> +<p>This, then, is the drift and meaning of it all. The +answer is taken verbally from the gospel.</p> + +<blockquote><p> “‘Thou +shalt worship<br /> +The Lord thy God, and only Him shalt serve.’”</p> +<p style="text-align: right">(<i>P. R.</i> iv. 176–7.)</p> +</blockquote> +<p>That is to say, Thou shalt submit thyself to God’s +commands and God’s methods and thou shalt submit thyself to +<i>no other</i>.</p> +<p>Omitting the Athenian and philosophic episode, which is +unnecessary and a little unworthy even of the Christian poet, we +encounter not an amplification of the Gospel story but an +interpolation which is entirely Milton’s own. Night +gathers and a new assault is delivered in darkness. Jesus +wakes in the storm which rages round Him. The diabolic +hostility is open and avowed and He hears the howls and shrieks +of the infernals. He cannot banish them though He is so far +master of Himself that He is able to sit “unappall’d +in calm and sinless peace.” He has to endure the +hellish threats and tumult through the long black hours</p> + +<blockquote><p> “till +morning fair<br /> +Came forth with pilgrim steps in amice gray,<br /> +Who with her radiant finger still’d the roar<br /> +Of thunder, chas’d the clouds, and laid the winds,<br /> +And grisly spectres, which the Fiend had rais’d<br /> +To tempt the Son of God with terrors dire.<br /> +But now the sun with more effectual beams<br /> +Had cheer’d the face of earth, and dri’d the wet<br +/> +From drooping plant, or dropping tree; the birds,<br /> +Who all things now beheld more fresh and green,<br /> +After a night of storm so ruinous,<br /> +Clear’d up their choicest notes in bush and spray<br /> +To gratulate the sweet return of morn.”</p> +<p style="text-align: right">(<i>P. R.</i> iv. 426–38.)</p> +</blockquote> +<p>There is nothing perhaps in <i>Paradise Lost</i> which +possesses the peculiar quality of this passage, nothing which +like these verses brings into the eyes the tears which cannot be +repressed when a profound experience is set to music.</p> +<p>The temptation on the pinnacle occupies but a few lines only +of the poem. Hitherto Satan admits that Jesus had +conquered, but he had done no more than any wise and good man +could do.</p> +<blockquote><p>“Now show thy progeny; if not to stand,<br +/> +Cast thyself down; safely, if Son of God;<br /> +For it is written, ‘He will give command<br /> +Concerning thee to His angels; in their hands<br /> +They shall uplift thee, lest at any time<br /> +Thou chance to dash thy foot against a stone.’”</p> +<p style="text-align: right">(<i>P. R.</i> iv. 554–9.)</p> +</blockquote> +<p>The promise of Divine aid is made in mockery.</p> +<blockquote><p>“To whom thus Jesus: ‘Also it is +written,<br /> +Tempt not the Lord thy God.’ He said, and stood:<br +/> +But Satan, smitten with amazement, fell.”</p> +<p style="text-align: right">(<i>P. R.</i> iv. 560–2.)</p> +</blockquote> +<p>It is not meant, “thou shalt not tempt <i>me</i>,” +but rather, “it is not permitted me to tempt +God.” In this extreme case Jesus depends on +God’s protection. This is the devil’s final +defeat and the seraphic company for which our great Example had +refused to ask instantly surrounds and receives him. +Angelic quires</p> + +<blockquote><p> “the +Son of God, our Saviour meek,<br /> +Sung victor, and from heavenly feast refresh’t,<br /> +Brought on His way with joy; He unobserv’d,<br /> +Home to His mother’s house private +return’d.”</p> +<p style="text-align: right">(<i>P. R.</i> iv. 636–9.)</p> +</blockquote> +<p>Warton wished to expunge this passage, considering it an +unworthy conclusion. It is to be hoped that there are many +readers of Milton who are able to see what is the value of these +four lines, particularly of the last.</p> +<p>It is hardly necessary to say more in order to show how +peculiarly Milton is endowed with that quality which is possessed +by all great poets—the power to keep in contact with the +soul of man.</p> +<h2><a name="page125"></a><span class="pagenum">p. 125</span>THE +MORALITY OF BYRON’S POETRY. “THE +CORSAIR.”</h2> +<p class="gutsumm">[This is an abstract of an essay four times as +long written many years ago. Although so much has been +struck out, the substance is unaltered, and the conclusion is +valid for the author now as then.]</p> +<p><span class="smcap">Byron</span> above almost all other poets, +at least in our day, has been set down as immoral. In +reality he is moral, using the word in its proper sense, and he +is so, not only in detached passages, but in the general drift of +most of his poetry. We will take as an example “The +Corsair.”</p> +<p>Conrad is not a debauched buccaneer. He was +not—</p> + +<blockquote><p> “by +Nature sent<br /> +To lead the guilty—guilt’s worst +instrument.”</p> +</blockquote> +<p>He had been betrayed by misplaced confidence.</p> +<blockquote><p>“Doom’d by his very virtues for a +dupe,<br /> +He cursed those virtues as the cause of ill,<br /> +And not the traitors who betray’d him still;<br /> +Nor deem’d that gifts bestow’d on better men<br /> +Had left him joy, and means to give again,<br /> +Fear’d—shunn’d—belied—ere youth had +lost her force,<br /> +He hated man too much to feel remorse,<br /> +And thought the voice of wrath a sacred call,<br /> +To pay the injuries of some on all.”</p> +</blockquote> +<p>Conrad was not, and could not be, mean and selfish. A +selfish Conrad would be an absurdity. His motives are not +gross—</p> +<blockquote><p> “he +shuns the grosser joys of sense,<br /> +His mind seems nourished by that abstinence.”</p> +</blockquote> +<p>He is protected by a charm against undistinguishing +lust—</p> +<blockquote><p>“Though fairest captives daily met his +eye,<br /> +He shunn’d, nor sought, but coldly pass’d them +by;”</p> +</blockquote> +<p>and even Gulnare, his deliverer, fails to seduce him.</p> +<p>Mr. Ruskin observes that Byron makes much of courage. It +is Conrad, the leader, who undertakes the dangerous errand of +surprising Seyd; it is he who determines to save the harem. +His courage is not the mere excitement of battle. When he +is captured—</p> +<blockquote><p>“A conqueror’s more than +captive’s air is seen,”</p> +</blockquote> +<p>and he is not insensible to all fear.</p> +<blockquote><p>“Each has some fear, and he who least +betrays,<br /> +The only hypocrite deserving praise.</p> +<p style="text-align: center">* * * * *</p> +<p>One thought alone he could not—dared not meet—<br +/> +‘Oh, how these tidings will Medora greet?’”</p> +</blockquote> +<p>Gulnare announces his doom to him, but he is calm. He +cannot stoop even to pray. He has deserted his Maker, and +it would be baseness now to prostrate himself before Him.</p> +<blockquote><p>“I have no thought to mock his throne with +prayer<br /> +Wrung from the coward crouching of despair;<br /> +It is enough—I breathe—and I can bear.”</p> +</blockquote> +<p>He has no martyr-hope with which to console himself; his +endurance is of the finest order—simple, sheer resolution, +a resolve that with no reward, he will never disgrace +himself. He knows what it is</p> +<blockquote><p>“To count the hours that struggle to thine +end,<br /> +With not a friend to animate, and tell<br /> +To other ears that death became thee well,”</p> +</blockquote> +<p>but he does not break down.</p> +<p>Gulnare tries to persuade him that the only way by which he +can save himself from tortures and impalement is by the +assassination of Seyd, but he refuses to accept the +terms—</p> +<blockquote><p>“Who spares a woman’s seeks not +slumber’s life”—</p> +</blockquote> +<p>and dismisses her. When she has done the deed and he +sees the single spot of blood upon her, he, the Corsair, is +unmanned as he had never been in battle, prison, or by +consciousness of guilt.</p> +<blockquote><p>“But ne’er from +strife—captivity—remorse—<br /> +From all his feelings in their inmost force—<br /> +So thrill’d—so shudder’d every creeping +vein,<br /> +As now they froze before that purple stain.<br /> +That spot of blood, that light but guilty streak,<br /> +Had banish’d all the beauty from her cheek!”</p> +</blockquote> +<p>The Corsair’s misanthropy had not destroyed him. +Small creatures alone are wholly converted into spite and +scepticism by disappointment and repulse. Those who are +larger avenge themselves by devotion. Conrad’s love +for Medora was intensified and exalted by his hatred of the +world.</p> +<blockquote><p>“Yes, it was +Love—unchangeable—unchanged,<br /> +Felt but for one from whom he never ranged;”</p> +</blockquote> +<p>and she was worthy of him, the woman who could sing—</p> +<blockquote><p>“Deep in my soul that tender secret +dwells,<br /> +Lonely and lost to light for evermore,<br /> +Save when to thine my heart responsive swells,<br /> +Then trembles into silence as before.</p> +<p>There, in its centre, a sepulchral lamp<br /> +Burns the slow flame, eternal—but unseen;<br /> +Which not the darkness of despair can damp,<br /> +Though vain its ray as it had never been.”</p> +</blockquote> +<p>He finds Medora dead, and—</p> + +<blockquote><p> “his +mother’s softness crept<br /> +To those wild eyes, which like an infant’s wept.”</p> +</blockquote> +<p>If his crimes and love could be weighed in a celestial +balance, weight being apportioned to the rarity and value of the +love, which would descend?</p> +<p>The points indicated in Conrad’s character are not many, +but they are sufficient for its delineation, and it is a moral +character. We must, of course, get rid of the notion that +the relative magnitude of the virtues and vices according to the +priest or society is authentic. A reversion to the natural +or divine scale has been almost the sole duty preached to us by +every prophet. If we could incorporate Conrad with +ourselves we should find that the greater part of what is worst +in us would be neutralised. The sins of which we are +ashamed, the dirty, despicable sins, Conrad could not have +committed; and in these latter days they are perhaps the most +injurious.</p> +<p>We do not understand how moral it is to yield unreservedly to +enthusiasm, to the impression which great objects would fain make +upon us, and to embody that impression in worthy language. +It is rare to meet now even with young people who will abandon +themselves to a heroic emotion, or who, if they really feel it, +do not try to belittle it in expression. Byron’s +poetry, above most, tempts and almost compels surrender to that +which is beyond the commonplace self.</p> +<p>It is not true that “The Corsair” is +insincere. He who hears a note of insincerity in Conrad and +Medora may have ears, but they must be those of the translated +Bottom who was proud of having “a reasonable good ear in +music.” Byron’s romance has been such a power +exactly because men felt that it was not fiction and that his was +one of the strongest minds of his day. He was incapable of +toying with the creatures of the fancy which had no relationship +with himself and through himself with humanity.</p> +<p>A word as to Byron’s hold upon the people. He was +able to obtain a hearing from ordinary men and women, who knew +nothing even of Shakespeare, save what they had seen at the +theatre. Modern poetry is the luxury of a small cultivated +class. We may say what we like of popularity, and if it be +purchased by condescension to popular silliness it is +nothing. But Byron secured access to thousands of readers +in England and on the Continent by strength and loveliness, a +feat seldom equalled and never perhaps surpassed. The +present writer’s father, a compositor in a dingy printing +office, repeated verses from “Childe Harold” at the +case. Still more remarkable, Byron reached one of this +writer’s friends, an officer in the Navy, of the ancient +stamp; and the attraction, both to printer and lieutenant, lay in +nothing lower than that which was best in him. It is surely +a service sufficient to compensate for many more faults than can +be charged against him that wherever there was any latent poetic +dissatisfaction with the vulgarity and meanness of ordinary life +he gave it expression, and that he has awakened in the +<i>people</i> lofty emotions which, without him, would have +slept. The cultivated critics, and the refined persons who +have <i>schrecklich viel gelesen</i>, are not competent to +estimate the debt we owe to Byron.</p> +<h2><a name="page133"></a><span class="pagenum">p. +133</span>BYRON, GOETHE, AND MR. MATTHEW ARNOLD</h2> +<p class="gutsumm">(<i>Reprinted</i>, <i>with corrections</i>, +<i>by permission from the</i> “<i>Contemporary +Review</i>,” <i>August</i>, 1881.)</p> +<p><span class="smcap">Mr. Matthew Arnold</span> has lately +published a remarkable essay <a name="citation133"></a><a +href="#footnote133" class="citation">[133]</a> upon Lord +Byron. Mr. Arnold’s theory about Byron is, that he is +neither artist nor thinker—that “he has no light, +cannot lead us from the past to the future;” “the +moment he reflects, he is a child;” “as a poet he has +no fine and exact sense for word and structure and rhythm; he has +not the artist’s nature and gifts.” The +excellence of Byron mainly consists in his “sincerity and +strength;” in his rhetorical power; in his +“irreconcilable revolt and battle” against the +political and social order of things in which he lived. +“Byron threw himself upon poetry as his organ; and in +poetry his topics were not Queen Mab, and the Witch of the Atlas, +and the Sensitive Plant, they were the upholders of the old +order, George the Third and Lord Castlereagh and the Duke of +Wellington and Southey, and they were the canters and tramplers +of the great world, and they were his enemies and +himself.”</p> +<p>Mr. Arnold appeals to Goethe as an authority in his +favour. In order, therefore, that English people may know +what Goethe thought about Byron I have collected some of the +principal criticisms upon him which I can find in Goethe’s +works. The text upon which Mr. Arnold enlarges is the +remark just quoted which Goethe made about Byron to Eckermann: +“<i>so bald er reflectirt ist er ein +Kind</i>”—<i>as soon as he reflects he is a +child</i>.</p> +<p>Goethe, it is true, did say this; but the interpretation of +the saying depends upon the context, which Mr. Arnold +omits. I give the whole passage, quoting from +Oxenford’s translation of the <i>Eckermann +Conversations</i>, vol. i. p. 198 (edition 1850):—</p> +<blockquote><p>“‘Lord Byron,’ said Eckermann, +‘is no wiser when he takes ‘Faust’ to pieces +and thinks you found one thing here, the other +there.’ ‘The greater part of those fine things +cited by Lord Byron,’ Goethe replied, ‘I have never +even read; much less did I think of them when I was writing +“Faust.” But Lord Byron is only great as a +poet; as soon as he reflects he is a child. He knows not +how to help himself against the stupid attacks of the same kind +made upon him by his own countrymen. He ought to have +expressed himself more strongly against them. ‘What +is there is mine,’ he should have said, ‘and whether +I got it from a book or from life is of no consequence; the only +point is, whether I have made a right use of it.’ +Walter Scott used a scene from my ‘Egmont,’ and he +had a right to do so; and because he did it well, he deserves +praise.’”</p> +</blockquote> +<p>Goethe certainly does not mean that Byron was unable to +reflect in the sense in which Mr. Arnold interprets the +word. What was really meant we shall see in a moment.</p> +<p>We will, however, continue the quotations from the +<i>Eckermann</i>:—</p> +<blockquote><p>“We see how the inadequate dogmas of the +Church work upon a free mind like Byron’s and how by such a +piece (‘Cain’) he struggles to get rid of a doctrine +which has been forced upon him” (vol. i. p. 129).</p> +<p>“The world to him was transparent, and he could paint by +way of anticipation” (vol. i. p. 140).</p> +<p>“That which I call invention I never saw in any one in +the world to a greater degree than in him” (vol. i. p. +205).</p> +<p>“Lord Byron is to be regarded as a man, as an +Englishman, and as a great talent. His good qualities +belong chiefly to the man, his bad to the Englishman and the +peer, his talent is incommensurable. All Englishmen are, as +such, without reflection properly so-called; distractions and +party-spirit will not permit them to perfect themselves in +quiet. But they are great as practical men. Thus, +Lord Byron could never attain reflection on himself, and on this +account his maxims in general are not successful. . . . But +where he will create, he always succeeds; and we may truly say +that, with him, inspiration supplies the place of +reflection. He was always obliged to go on poetizing, and +then everything that came from the man, especially from his +heart, was excellent. He produced his best things, as women +do pretty children, without thinking about it, or knowing how it +was done. He is a great talent, a born talent, and I never +saw the true poetical power greater in any man than in him. +In the apprehension of external objects, and a clear penetration +into past situations, he is quite as great as Shakespeare. +But as a pure individuality, Shakespeare is his superior” +(vol. i. p. 209).</p> +</blockquote> +<p>We see now what Goethe means by +“reflection.” It is the faculty of +self-separation, or conscious <i>consideration</i>, a faculty +which would have enabled Byron, as it enabled Goethe, to reply +successfully to a charge of plagiarism. It is not thought +in its widest sense, nor creation, and it has not much to do with +the production of poems of the highest order—the poems that +is to say, which are written by the impersonal thought.</p> +<p>But again—</p> +<blockquote><p>“The English may think of Byron as they +please; but this is certain, that they can show no poet who is to +be compared to him. He is different from all the others, +and for the most part, greater” (vol. i. p. 290).</p> +</blockquote> +<p>This passage is one which Mr. Arnold quotes, and he strives to +diminish its importance by translating <i>der ihm zu vergleichen +wäre</i>, by “who is his parallel,” and +maintains that Goethe “was not so much thinking of the +strict rank, as poetry, of Byron’s production; he was +thinking of that wonderful personality of Byron which so enters +into his poetry.” It is just possible; but if Goethe +did think this, he used words which are misleading, and if the +phrase <i>der ihm zu vergleichen wäre</i> simply indicates +parallelism, it has no point, for in that sense it might have +been applied to Scott or to Southey.</p> +<blockquote><p>“I have read once more Byron’s +‘Deformed Transformed,’ and must say that to me his +talent appears greater than ever. His devil was suggested +by my Mephistopheles; but it is no imitation—it is +thoroughly new and original; close, genuine, and spirited. +There are no weak passages—not a place where you could put +the head of a pin, where you do not find <i>invention and +thought</i> [italics mine]. Were it not for his +hypochondriacal negative turn, he would be as great as +Shakespeare and the ancients” (vol. i. p. 294).</p> +</blockquote> +<p>Eckermann expressed his surprise. “Yes,” +said Goethe, “you may believe me, I have studied him anew +and am confirmed in this opinion.” The position which +Byron occupies in the Second Part of “Faust” is well +known. Eckermann talked to Goethe about it, and Goethe +said, “I could not make use of any man as the +representative of the modern poetical era except him, who +undoubtedly is to be regarded as the greatest genius of our +century” (vol. i. p. 425). Mr. Arnold translates this +word “genius” by “talent.” The word +in the original is <i>talent</i>, and I will not dispute with so +accomplished a German scholar as Mr. Arnold as to what is the +precise meaning of <i>talent</i>. In both the English +translations of Eckermann the word is rendered +“genius,” and after the comparison between Byron, +Shakespeare, and the ancients just quoted, we can hardly admit +that Goethe meant to distinguish scientifically between the two +orders of intellect and to assign the lower to Byron.</p> +<p>But, last of all, I will translate Goethe’s criticism +upon “Cain.” So far as I know, it has not yet +appeared in English. It is to be found in the Stuttgart and +Tübingen edition of Goethe, 1840, vol. xxxiii. p. 157. +Some portions which are immaterial I have omitted:—</p> +<blockquote><p>“After I had listened to the strangest +things about this work for almost a year, I at last took it +myself in hand, and it excited in me astonishment and admiration; +an effect which will produce in the mind which is simply +susceptible, everything good, beautiful, and great. . . . +The poet who, surpassing the limit of all our conceptions, has +penetrated with burning spiritual vision the past and present, +and consequently the future, has now subdued new regions under +his limitless talent, but what he will accomplish therein can be +predicted by no human being. His procedure, however, we can +nevertheless in a measure more closely determine. He +adheres to the letter of the Biblical tradition, for he allows +the first pair of human beings to exchange their original purity +and innocence for a guilt mysterious in its origin; the +punishment which is its consequence descending upon all +posterity. The monstrous burden of such an event he lays +upon the shoulders of Cain as the representative of a wretched +humanity, plunged for no fault of its own into the depths of +misery.</p> +<p>“To this primitive son of man, bowed down and heavily +burdened, death, which as yet he has not seen, is an especial +trouble; and although he may desire the end of his present +distress, it seems still more hateful to exchange it for a +condition altogether unknown. Hence we already see that the +full weight of a dogmatic system, explaining, mediating, yet +always in conflict with itself, just as it still for ever +occupies us, was imposed on the first miserable son of man. +These contradictions, which are not strange to human nature, +possessed his mind, and could not be brought to rest, either +through the divinely-given gentleness of his father and brother, +or the loving and alleviating co-operation of his +sister-wife. In order to sharpen them to the point of +impossibility of endurance, Satan comes upon the scene, a mighty +and misleading spirit, who begins by unsettling him morally, and +then conducts him miraculously through all worlds, causing him to +see the past as overwhelmingly vast, the present as small and of +no account, and the future as full of foreboding and void of +consolation.</p> +<p>“So he turns back to his own family, more excited, but +not worse than before; and finding in the family circle +everything as he has left it, the urgency of Abel, who wishes to +make him offer a sacrifice, becomes altogether +insupportable. More say we not, excepting that the +motivation of the scene in which Abel perishes is of the rarest +excellence, and what follows is equally great and +priceless. There now lies Abel! That now is +Death—there was so much talk about it, and man knows about +it as little as he did before.</p> +<p>“We must not forget, that through the whole piece there +runs a kind of presentiment of a Saviour, so that the poet at +this point, as well as in all others, has known how to bring +himself near to the ideas by which we explain things, and to our +modes of faith.</p> +<p>“Of the scene with the parents, in which Eve at last +curses the speechless Cain, which our western neighbour lifts +into such striking prominence, there remains nothing more for us +to say: we have to approach the conclusion with astonishment and +reverence.</p> +<p>“With regard to this conclusion, an intelligent and fair +friend, related to us through esteem for Byron, has asserted that +everything religious and moral in the world was put into the last +three words of the piece.” <a name="citation143"></a><a +href="#footnote143" class="citation">[143]</a></p> +</blockquote> +<p>We have now heard enough from Goethe to prove that Mr. +Arnold’s interpretation of “<i>so bald er reflectirt +ist er ein Kind</i>” is not Goethe’s interpretation +of Byron. It is to be remembered that Goethe was not a +youth overcome by Mr. Arnold’s “vogue” when he +read Byron. He was a singularly self-possessed old man.</p> +<p>Many persons will be inclined to think that Goethe, so far +from putting Byron on a lower level than that usually assigned to +him, has over-praised him, and will question the “burning +spiritual vision” which the great German believed the great +Englishman to possess. But if we consider what Goethe calls +the “motivation” of Cain; if we reflect on what the +poet has put into the legend; on the exploration of the universe +with Lucifer as a guide; on its result, on the mode in which the +death of Abel is reached; on the doom of the murderer—the +limitless wilderness henceforth and no rest; on the fidelity of +Adah, who, with the true instinct of love, separates between the +man and the crime; on the majesty of the principal character, who +stands before us as the representative of the insurgence of the +human intellect, so that, if we know him, we know a whole +literature; if we meditate hereon, we shall say that Goethe has +not exaggerated. It is the same with the rest of +Byron’s dramas. Over and above the beauty of detached +passages, there is in each one of them a large and universal +meaning, or rather meaning within meaning, precisely the same for +no reader, but none the less certain, and as inexhaustible as the +meanings of Nature. This is one reason why the wisdom of a +selection from Byron is so doubtful. The worth of +“Cain,” of “Sardanapalus,” of +“Manfred,” of “Marino Faliero,” is the +worth of an outlook over the sea; and we cannot take a sample of +the scene from a cliff by putting a pint of water into a +bottle. But Byron’s critics and the compilers tell us +of failures, which ought not to survive, and that we are doing a +kindness to him if we suppress these and exhibit him at his +best. No man who seriously cares for Byron will assent to +this doctrine. We want to know the whole of him, his +weakness as well as his strength; for the one is not intelligible +without the other. A human being is an indivisible unity, +and his weakness <i>is</i> his strength, and his strength +<i>is</i> his weakness.</p> +<p>It is not my object now, however, to justify what Mr. Arnold +calls the Byronic “superstition.” I hope I +could justify a good part of it, but this is not the +opportunity. I cannot resist, however, saying a word by way +of conclusion on the manner in which Byron has fulfilled what +seems to me one of the chief offices of the poet. Mr. +Arnold, although he is so dissatisfied with Byron because he +“cannot reflect,” would probably in another mood +admit that “reflections” are not what we demand of a +poet. We do not ask of him a rhymed book of proverbs. +He should rather be the articulation of what in Nature is great +but inarticulate. In him the thunder, the sea, the peace of +morning, the joy of youth, the rush of passion, the calm of old +age, should find words, and men should through him become aware +of the unrecognised wealth of existence. Byron had the +power above most poets of acting as a kind of tongue to +Nature. His descriptions are on everybody’s lips, and +it is superfluous to quote them. He represented things not +as if they were aloof from him, but as if they were the concrete +embodiment of his soul. The woods, the wilds, the waters of +Nature are to him—</p> + +<blockquote><p> “the +intense<br /> +Reply of <i>hers</i> to our intelligence.”</p> +</blockquote> +<p>His success is equally marked when he portrays men or women +whose character attracts him. Take, for example, the girl +in “The Island”:—</p> +<blockquote><p>“The sunborn blood suffused her neck, and +threw<br /> +O’er her clear nutbrown skin a lucid hue,<br /> +Like coral reddening through the darken’d wave,<br /> +Which draws the diver to the crimson cave.<br /> +Such was this daughter of the southern seas,<br /> +<i>Herself a billow in her energies</i>.</p> +<p style="text-align: center">* * * * *</p> +<p>Her smiles and tears had pass’d, as light winds pass<br +/> +O’er lakes to ruffle, not destroy, their glass,<br /> +<i>Whose depths unsearch’d</i>, <i>and fountains from the +hill</i>,<br /> +<i>Restore their surface</i>, <i>in itself so +still</i>.”</p> +</blockquote> +<p>Passages like these might be quoted without end from Byron, +and they explain why he is and must be amongst the +immortals. He may have been careless in expression; he may +have been a barbarian and not a +εύφυής, as Mr. Matthew +Arnold affirms, but he was <i>great</i>. This is the word +which describes him. He was a mass of living energy, and +therefore he is sanative. Energy, power, is the one thing +after which we pine in this sickly age. We do not want +carefully and consciously constructed poems of mosaic. +Strength is what we need and what will heal us. Strength is +true morality, and true beauty. It is the strength in Byron +that falsifies the accusation of affectation and posing, which is +brought against him. All that is meant by affectation and +posing was a mere surface trick. The real man, Byron, and +his poems are perfectly unconscious, as unconscious as the +wind. The books which have lived and always will live have +this unconsciousness in them, and what is manufactured, +self-centred, and self-contemplative will perish. The +world’s literature is the work of men, who, to use +Byron’s own words—</p> +<blockquote><p>“Strip off this fond and false +identity;”</p> +</blockquote> +<p>who are lost in their object, who write because they cannot +help it, imperfectly or perfectly, as the case may be, and who do +not sit down to fit in this thing and that thing from a +commonplace book. Many novelists there are who know their +art better than Charlotte Brontë, but she, like +Byron—and there are more points of resemblance between them +than might at first be supposed—is imperishable because she +speaks under overwhelming pressure, self-annihilated, we may say, +while the spirit breathes through her. The Byron +“vogue” will never pass so long as men and women are +men and women. Mr. Arnold and the critics may remind us of +his imperfections of form, but Goethe is right after all, for not +since Shakespeare have we had any one <i>der ihm zu vergleichen +wäre</i>.</p> +<h2><a name="page149"></a><span class="pagenum">p. 149</span>A +SACRIFICE</h2> +<p>A <span class="smcap">fatal</span> plague devastated the +city. The god had said that it would continue to rage until +atonement for a crime had been offered by the sacrifice of a +man. He was to be perfect in body; he must not desire to +die because he no longer loved life, or because he wished for +fame. A statue must not be erected to his memory; no poem +must be composed for him; his name must not appear in the +city’s records.</p> +<p>A few volunteers presented themselves, but none of them +satisfied all the conditions. At last a young man came who +had served as the model for the image of the god in his +temple. There was no question, therefore, of soundness of +limb, and when he underwent the form of examination no spot nor +blemish was found on him. The priest asked him whether he +was in trouble, and especially whether he was disappointed in +love. He said he was in no trouble; that he was betrothed +to a girl to whom he was devoted, and that they had intended to +be married that month. “I am,” he declared, +“the happiest man in the city.” The priest +doubted and watched him that evening, but he saw him walking side +by side with this girl, and the two were joyous as a youth and a +maiden ought to be in the height of their passion. She sat +down and sang to him he played to her, and they embraced one +another tenderly at parting.</p> +<p>The next morning was the day on which he was to be +slain. There was an altar in front of the temple, and a +great crowd assembled, ranked round the open space. At the +appointed hour the priest appeared, and with him was the youth, +holding his beloved by the hand, but she was blindfolded. +He let go her hand, knelt down, and in a moment the sacrificial +knife was drawn across his throat. His body was placed upon +the wood, and the priest was about to kindle it when a flash from +heaven struck it into a blaze with such heat that when the fire +dropped no trace of the victim remained. The girl, too, had +disappeared, and was never seen again.</p> +<p>In accordance with the god’s decree, no statue was +erected, no poem was composed, and no entry was made in the city +records. But tradition did not forget that the saviour of +the city was he who survived in the great image on which the name +of the god was inscribed.</p> +<h2><a name="page152"></a><span class="pagenum">p. 152</span>THE +AGED TREE</h2> +<p><span class="smcap">An</span> aged tree, whose companions had +gone, having still a little sap in its bark and a few leaves +which grew therefrom, prayed it might see yet another +spring. Its prayer was granted: and spring came, but the +old tree had no leaves save one or two near the ground, and a +great fungus fixed itself on its trunk. It had a dull life +in its roots, but not enough to know that its moss and fungus +were not foliage. It stood there, an unlovely mass of +decay, when the young trees were all bursting. “That +rotten thing,” said the master, “ought to have been +cut down long ago.”</p> +<h2><a name="page153"></a><span class="pagenum">p. +153</span>CONSCIENCE</h2> +<p>“<span class="smcap">Conscience</span>,” said I, +“her conscience would have told her.”</p> +<p>“Yes,” said my father. “The strongest +amongst the many objections to the Roman Catholic doctrine of +confession is that it weakens our dependence on the +conscience. If we seek for an external command to do what +ought to be done in obedience to that inward monitor, whose voice +is always clear if we will but listen, its authority will +gradually be lost, and in the end it will cease to +speak.”</p> +<p>“Conscience,” said my grandmother musingly +(turning to my father). “You will remember Phyllis +Eyre? She was one of my best friends, and it is now two +years since she died, unmarried. She was once governess to +the children of Sir Robert Walsh, but remained in the house as +companion to Lady Walsh long after her pupils had grown up. +She was, in fact, more than a companion, for Lady Walsh trusted +her and loved her. She was by birth a lady; she had been +well educated, and, like her mistress, she was devoutly and +evangelically pious. She was also very handsome, and this +you may well believe, for, as you know, she was handsome as an +old woman, stately and erect, with beautiful, undimmed +eyes. When Evelina Walsh, the eldest daughter, was about +one and twenty, Charles Fysshe, the young heir to the Fysshe +property, came to stay with her brother, and Phyllis soon +discovered, or thought she discovered, that he was in love with +Evelina. He seemed to court her society, and paid her +attentions which could be explained on one hypothesis only. +Phyllis was delighted, for the match in every way was most +suitable, and must gladden the hearts of Evelina’s +parents. The young man would one day be the possessor of +twenty thousand acres; he had already taken a position in the +county, and his soul was believed to be touched with Divine +grace. Evelina certainly was in love with him, and Phyllis +was not backward in urging his claims. She congratulated +herself, and with justice, that if the marriage should ever take +place, it would be acknowledged that she had had a hand in +it. It might even be doubted whether Evelina, without +Phyllis’s approval, would have permitted herself to indulge +her passion, for she was by nature diffident, and so beset with +reasons for and against when she had to make up her mind on any +important matter, that a decision was always most difficult to +her.</p> +<p>“Charles stayed for about six weeks, and was then called +home. He promised that he would pay another visit of a week +in the autumn, when Sir Robert was to entertain the Lord +Lieutenant and there were to be grand doings at the Hall. +Conversation naturally turned upon him during his absence, and +Phyllis, as usual, was warm in his praise. One evening, +after she had reached her own room and had lain down to sleep, a +strange apparition surprised her. It was something more +than a suspicion that she herself loved Charles. She strove +to rid herself of this intrusion: she called to mind the +difference in their rank; that she was five years his senior, and +that if she yielded she would be guilty of treachery to +Evelina. It was all in vain; the more she resisted the more +vividly did his image present itself, and she was greatly +distressed. What was the meaning of this outbreak of +emotion, not altogether spiritual, of this loss of +self-possession, such as she had never known before? Her +usual remedies against evil thoughts failed her, and, worst of +all, there was the constant suggestion that these particular +thoughts were not evil. Hitherto, when temptation had +attacked her, she was sure whence it came, but she was not sure +now. It might be an interposition of Providence, but how +would it appear to Evelina? I myself, my dears, have +generally found that to resist the devil is not difficult if I am +quite certain that the creature before me is the devil, but it +does tax my wits sometimes to find out if he is really the enemy +or not. When Apollyon met Christian he was not in doubt for +an instant, for the monster was hideous to behold: he had scales +like a fish, wings like a dragon, feet like a bear, out of his +belly came fire and smoke, and his mouth was as the mouth of a +lion. After some parleying he cast his dreadful dart, but +Christian, without more ado, put up his shield, drew his sword, +and presently triumphed. If Satan had turned himself, from +his head to his ankles, into a man, and had walked by +Christian’s side, and had talked with him, and had agreed +with him in everything he had to say, the bear’s claws +might have peeped out, but Christian, instead of fighting, would +have begun to argue with himself whether the evidence of the face +or the foot was the stronger. He would have been just as +likely to trust the face, and in a few moments he would have been +snapped up and carried off to hell. To go on with my story: +the night wore on in sophistry and struggle, and no inner light +dawned with the sun. Phyllis was much agitated, for in the +afternoon Charles was to return, and although amidst the crowd of +visitors she might be overlooked, she could not help seeing +him. She did see him, but did not speak to him. He +sat next to Evelina at dinner, who was happy and expectant. +The next day there was a grand meet of the hounds, and almost all +the party disappeared. Phyllis pleaded a headache, and +obtained permission to stay at home. It was a lovely +morning in November, without a movement in the air, calm and +cloudless, one of those mornings not uncommon when the year +begins to die. She went into the woods at the outer edge of +the park, and had scarcely entered them, when lo! to her +astonishment, there was Charles. She could not avoid him, +and he came up to her.</p> +<p>“‘Why, Miss Eyre, what are you doing +here?’</p> +<p>“‘I had a headache; I could not go with the +others, and came out for a stroll.’</p> +<p>“‘I, too, was not very well, and have been left +behind.’</p> +<p>“They walked together side by side.</p> +<p>“‘I wanted to speak to you, Miss Eyre. I +wonder if you have suspected anything lately.’</p> +<p>“‘Suspected? I do not quite comprehend: you +are very vague.’</p> +<p>“‘Well, must I be more explicit? Have you +fancied that I care more for somebody you know than I care for +all the world besides? I suppose you have not, for I +thought it better to hide as much as possible what I +felt.’</p> +<p>“‘I should be telling an untruth if I were to say +I do not understand you, and I trust you will pardon me if I tell +you that a girl more worthy of you than Evelina, and one more +likely to make you happy, I have never seen.’</p> +<p>“‘Gracious God! what have I done? what a +mistake! Miss Eyre, it is you I mean; it is you I +love.’</p> +<p>“There was not an instant’s hesitation.</p> +<p>“‘Sir, I thank you, but I can answer at +once. <i>Never</i> can I be yours. That decision is +irrevocable. I admire you, but cannot love you.’</p> +<p>“She parted from him abruptly, but no sooner had she +left him than she was confounded, and wondered who or what it was +which gave that answer. She wavered, and thought of going +back, but she did not. Later on in the day she heard that +Charles had gone home, summoned by sudden business. Two +years afterwards his engagement with Evelina was announced, and +in three years they were married. It was not what I should +call a happy marriage, although they never quarrelled and had +five children. To the day of her death Phyllis was not sure +whether she had done right or wrong, nor am I.”</p> +<h2><a name="page160"></a><span class="pagenum">p. 160</span>THE +GOVERNESS’S STORY</h2> +<p><span class="smcap">In</span> the year 1850 I was living as +governess in the small watering-place S., on the south coast of +England. Amongst my friends was a young doctor, B., who had +recently come to the town. He had not bought a practice, +but his family was known to one or two of the principal +inhabitants, and he had begun to do well. He deserved his +success, for he was skilful, frank, and gentle, and he did not +affect that mystery which in his elder colleagues was already +suspected to be nothing but ignorance. He was one of the +early graduates of the University of London, and representative +of the new school of medical science, relying not so much upon +drugs as upon diet and regimen. I was one of his first +patients. I had a severe illness lasting for nearly three +months; he watched over me carefully and cured me. As I +grew better he began to talk on other matters than my health when +he visited me. We found that we were both interested in the +same books: he lent me his and I lent him mine. It is +almost impossible, I should think, for a young man and a young +woman to be friends and nothing more, and I confess that my +sympathy with him in his admiration of the Elizabethan poets, and +my gratitude to him for my recovery passed into affection. +I am sure also that he felt affection for me. He became +confidential, and told me all his history and troubles. +There was one peculiarity in his conversation which was new to +me: he never talked down to me, and he was not afraid at times to +discuss subjects that in the society to which I had been +accustomed were prohibited. Not a word that was improper +ever escaped his lips, but he treated me in a measure as if I +were a man, and I was flattered that he should put me on a level +with himself. It is true that sometimes I fancied he was so +unreserved with me because he was sure he was quite safe, for I +was poor, and although I was not ugly I was not handsome. +However, on the whole, I was very happy in his society, and there +was more than a chance that I should become his wife.</p> +<p>After six months of our acquaintanceship had passed, M., an +old schoolfellow of mine, took lodgings near me for the +summer. She was a remarkable girl. If she was not +beautiful, she was better-looking than I was, and she possessed a +something, I know not what, more powerful than beauty to +fascinate men. Perhaps it was her unconstrained +naturalness. In walking, sitting, standing—whatever +she did—her movements and attitudes were not impeded or +unduly masked by artificial restrictions. I should not have +called her profound, but what she said upon the commonest +subjects was interesting, because it was so entirely her +own. If she disliked a neighbour, she almost always +disliked her for a reason which we saw, directly it was pointed +out to us, to be just, but it was generally one which had not +been given before. Her talk upon matters externally trivial +was thus much more to me than many discourses upon the most +important topics. On moral questions she expressed herself +without any regard to prejudices. She did not controvert +the authenticity of the ordinary standards, but nevertheless +behaved as if she herself were her only law. The people in +R., her little native borough, considered her to be dangerous, +and I myself was once or twice weak enough to wonder that she +held on a straight course with so little help from authority, +forgetting that its support, in so far as it possesses any vital +strength, is derived from the same internal source which supplied +strength to her.</p> +<p>When she came to S. she was unwell, and consulted my friend +B. He did not at first quite like attending her, and she +reported to me with great laughter how she had been told that he +had made some inquiries about her from one of her neighbours at +home with whom he happened to be acquainted, and how he had +manœuvred in his visits to get the servants or the landlady +into the room. I met him soon afterwards, and he informed +me that he had a new patient. When he heard that I knew +her—I did not say how much I knew—he became +inquisitive, and at last, after much beating about the bush, +knitting his eyebrows and lowering his voice, he asked me whether +I was aware that she was not quite—quite <i>above +suspicion</i>! My goodness, how I flamed up! I +defended her with vehemence: I exaggerated her prudence and her +modesty; I declared, what was the simple truth, that she was the +last person in the world against whom such a scandalous +insinuation should be directed, and that she was singularly +inaccessible to vulgar temptation. I added that +notwithstanding her seeming lawlessness she was not only +remarkably sensitive to any accusation of bad manners, but that +upon certain matters she could not endure even a joke. The +only quarrel I remember to have had with her was when I lapsed +into some commonplace jest about her intimacy with a music-master +who gave her lessons. The way in which she took that jest I +shall never forget. If I had made it to any other woman, I +should have passed on, unconscious of anything inconsistent with +myself, but she in an instant made me aware with hardly half a +dozen words that I had disgraced myself. I was ashamed, not +so much because I had done what was in the abstract wrong, but +because it was something which was not in keeping with my real +character. I hope it will not be thought that I am prosing +if I take this opportunity of saying that the laws peculiar to +each of us are those which we are at the least pains to discover +and those which we are most prone to neglect. We think we +have done our duty when we have kept the commandments common to +all of us, but we may perhaps have disgracefully neglected +it.</p> +<p>Oh, how that afternoon with B. burnt itself into my memory for +ever! I was sitting on my little sofa with books piled +round me. He removed a few of the books, and I removed the +others. He sat down beside me, and, taking my hand, said he +hoped I had forgiven him, and that I would remember that in such +a little place he was obliged to be very careful, and to be quite +sure of his patients, if they were women. He trusted I +should believe that there was no other person <i>in the world</i> +(the emphasis on that word!) to whom he would have ventured to +impart such a secret. I was appeased, especially when, +after a few minutes’ silence, he took my hand and kissed +it, the first and last kiss. He said nothing further, and +departed. The next time I saw him he was more than usually +deferential, more than ever desirous to come closer to me, and I +thought the final word must soon be spoken.</p> +<p>M. remained in S. till far into the autumn, but I did not see +much of her. My work had begun again. B. continued to +call on me as my health was not quite re-established. We +had agreed to read the same author at the same time, in order +that we might discuss him together whilst our impressions were +still fresh. Somehow his interest in these readings began +to flag; he informed me presently that I had now almost, entirely +recovered, and weeks often passed without meeting him. One +afternoon I was surprised to find M. in my room when I returned +from a walk with my pupils. She had been waiting for me +nearly half an hour, and I could not at first conjecture the +reason. Gradually she drew the conversation towards B. and +at last asked me what I thought of him. Instantly I saw +what had happened. What I imagined was once mine had been +stolen, stolen perhaps unconsciously, but nevertheless stolen, my +sole treasure. She was rich, she had a father and mother, +she had many friends and would certainly have been married had +she never seen B. I, as I have said, was almost penniless; +I was an orphan, with few friends; he was my first love, and I +knew he would be my last.</p> +<p>I was condemned, I foresaw, henceforth to solitude, and that +most terrible of all calamities, heart-starvation. What B. +had said about M. came into my mind and rose to my lips. I +knew, or thought I knew, that if I revealed it to her she would +be so angry that she would cast him off. Probably I was +mistaken, but in my despair the impulse to disclose it was almost +irresistible. I struggled against it, however, and when she +pressed me, I praised him and strove in my praise to be +sincere. Whether it was something in my tone, quite +unintentional, I know not, but she stopped me almost in the +middle of a sentence and said she believed I had kept something +back which I did not wish her to hear; that she was certain he +had talked to me about her, and that she wished to know what he +had said. I protested he had never uttered a word which +could be interpreted as disparaging her, and she seemed to be +content. She kissed me a little more vehemently than usual, +and went away. We ought always, I suppose, to be glad when +other people are happy, but God knows that sometimes it is very +difficult to be so, and that their happiness is hard to bear.</p> +<p>The Elizabethan studies had now altogether come to an +end. In about a couple of months I heard that M. and B. +were engaged. M. went home, and B. moved into a larger +town. In a twelvemonth the marriage took place, and M. +wrote to me after her wedding trip. I replied, but she +never wrote again. I heard that she had said that I had +laid myself out to catch B. and that she was afraid that in so +doing I had hinted there was something against her. I heard +also that B. had discouraged his wife’s correspondence with +me, no other reason being given than that he would rather the +acquaintanceship should be dropped. The interpretation of +this reason by those to whom it was given can be guessed. +Did he fear lest I should boast of what I had been to him or +should repeat his calumny? Ah, he little knew me if he +dreamed that such treachery was possible to me!</p> +<p>I remained at the vicarage for three years. The children +grew up and I was obliged to leave, but I continued to teach in +different families till I was about five-and-forty. After +five-and-forty I could not obtain another situation, and I had to +support myself by letting apartments at Brighton. My +strength is now failing; I cannot look after my servant properly, +nor wait upon my lodgers myself. Those who have to get +their living by a lodging-house know what this means and what the +end will be. I have occasionally again wished I could have +seen my way partially to explain myself to M., and have thought +it hard to die misrepresented, but I am glad I have not +spoken. I should have disturbed her peace, and I care +nothing about justification or misrepresentation now. With +eternity so near, what does it matter?</p> +<blockquote><p style="text-align: center"><span +class="smcap">Inscription On The Envelope</span>.</p> +<p>“<span class="smcap">To my niece +Judith</span>,—You have been so kind to your aunt, the only +human being, at last, who was left to love her, that she could +not refrain from telling you the one passage in her history which +is of any importance or interest.”</p> +</blockquote> +<h2><a name="page170"></a><span class="pagenum">p. +170</span>JAMES FORBES</h2> +<p>“<span class="smcap">It</span> is all a lie, and it is +hard to believe that people who preach it do not know it to be a +lie.”</p> +<p>So said James Forbes to Elizabeth Castleton, the young woman +to whom he was engaged. She was the daughter of a +clergyman, and James, who had been brought up at Rugby and +Oxford, was now in his last year at a London hospital, and was +going to be a doctor.</p> +<p>“I am sure my father does not know it to be a lie, and I +do not myself know it to be a lie.”</p> +<p>“I was not thinking of your father, but of the clergy +generally, and you <i>do</i> know it to be a lie.”</p> +<p>“It is not true of my brother, and, excepting my father +and brother, you have not been in company with parsons, as you +call them, for half an hour in your life.”</p> +<p>“Do you mean to tell me you have any doubts about this +discredited rubbish?”</p> +<p>“If I have I would rather not speak about them +now. Jim, dear Jim, let us drop the subject and talk of +something else.”</p> +<p>He was walking by her side, with his hands in his coat +pockets. She drew out one of his hands; he did not return +the pressure, and presently released himself.</p> +<p>“I thought you were to be my intellectual +companion. I have heard you say yourself that a marriage +which is not a marriage of mind is no marriage.”</p> +<p>“But, Jim, is there nothing in the world to think about +but this?”</p> +<p>“There is nothing so important. Are we to be dumb +all our lives about what you say is religion?”</p> +<p>They separated and soon afterwards the engagement was broken +off. Jim had really loved Elizabeth, but at that time he +was furious against what he called “creeds.” He +waited for three or four years till he had secured a fair +practice, and then married a clever and handsome young woman who +wrote poems, and had captivated him by telling him a witty story +from Heine. Elizabeth never married.</p> +<p>Thirty years passed, and Jim, now a famous physician, had to +go a long distance down the Great Western Railway to attend a +consultation. At Bath an elderly lady entered the carriage +carrying a handbag with the initials “E. C.” upon +it. She sat in the seat farthest away from him on the +opposite side, and looked at him steadfastly. He also +looked at her, but no word was spoken for a minute. He then +crossed over, fell on his knees, and buried his head with +passionate sobbing on her knees. She put her hands on him +and her tears fell.</p> +<p>“Five years,” at last he said; “I may live +five years with care. She has left me. I will give up +everything and go abroad with you. Five years; it is not +much, but it will be something, everything. I shall die +with your face over me.”</p> +<p>The train was slackening speed for Bristol; she bent down and +kissed him.</p> +<p>“Dearest Jim,” she whispered, “I have waited +a long time, but I was sure we should come together again at +last. It is enough.”</p> +<p>“You will go with me, then?”</p> +<p>Again she kissed him. “It must not be.”</p> +<p>Before he could reply the train was stopping at the platform, +and a gentleman with a lady appeared at the door. Miss +Castleton stepped out and was at once driven away in a carriage +with her companions.</p> +<p>He lived three years and then died almost suddenly of the +disease which he had foreseen would kill him. He had no +children, but few relatives, and his attendant was a hospital +nurse. But the day before his death a lady appeared who +announced herself as a family friend, and the nurse was +superseded. It was Elizabeth: she came to his bedside, and +he recognised her.</p> +<p>“Not till this morning,” she said, “did I +hear you were ill.”</p> +<p>“Happy,” he cried, “though I die +to-night.”</p> +<p>Soon afterwards—it was about sundown—he became +unconscious; she sat there alone with him till the morning broke, +and then he passed away, and she closed his eyes.</p> +<h2><a name="page174"></a><span class="pagenum">p. +174</span>ATONEMENT</h2> +<p>“<span class="smcap">You</span> ask me how I lost my +foot? You I see that dog?”—an unattractive +beast lying before the fire—“well, when I tell you +how I came by him you will know how I lost it;” and he then +related the following story:—</p> +<p>I was in Westmoreland with my wife and children for a holiday +and we had brought our dog with us, for we knew he would be +unhappy with the strangers to whom we had let our house. +The weather was very wet and our lodgings were not comfortable; +we were kept indoors for days together, and my temper, always +irritable, became worse. My wife never resisted me when I +was in these moods and the absence of opposition provoked me all +the more. Had she stood up against me and told me I ought +to be ashamed of myself it would have been better for me. +One afternoon everything seemed to go wrong. A score of +petty vexations, not one of which was of any moment, worked me up +to desperation. I threw my book across the room, to the +astonishment of my children, and determined to go out, although +it was raining hard. My dog, a brown retriever, was lying +on the mat just outside the door, and I nearly fell over +him. “God damn you!” said I, and kicked +him. He howled with pain, but, although he was the best of +house-dogs and would have brought down any thief who came near +him, he did not growl at me, and quietly followed me. I am +not squeamish, but I was frightened directly the oath had escaped +my lips. I felt as if I had created something horrible +which I could not annihilate, and that it would wait for me and +do me some mischief. The dog kept closely to my heels for +about a mile and I could not make him go on in front. +Usually the least word of encouragement or even the mere mention +of his name would send him scampering with delight in +advance. I began to think of something else, but in about a +quarter of an hour I looked round and found he was not behind +me. I whistled and called, but he did not come. In a +renewed rage, which increased with every step I took, I turned +back to seek him. Suddenly I came upon him lying dead by +the roadside. Never shall I forget that shock—the +reproach, the appeal of that poor lifeless animal! I +stroked him, I kissed him, I whispered his name in his ear, but +it was all in vain. I lifted up his beautiful broad paw +which he was wont to lay on my knee, I held it between my hands, +and when I let it go it fell heavily to the ground. I could +not carry him home, and with bitter tears and a kind of dread I +drew him aside a little way up the hill behind a rock. I +went to my lodgings, returned towards dusk with a spade, dug his +grave in a lonely spot near the bottom of a waterfall where he +would never be disturbed, and there I buried him, reverently +smoothing the turf over him. What a night that was for +me! I was haunted incessantly by the vivid image of the +dead body and by the terror which accompanies a great +crime. I had repaid all his devotion with horrible +cruelty. I had repented, but he would never know it. +It was not the dog only which I had slain; I had slain Divine +faithfulness and love. That <i>God damn you</i> sounded +perpetually in my ears. The Almighty had registered and +executed the curse, but it had fallen upon the murderer and not +on the victim. When I rose in the morning I distinctly felt +the blow of the kick in my foot, and the sensation lasted all +day. For weeks I was in a miserable condition. A +separate consciousness seemed to establish itself in this foot; +there was nothing to be seen and no pain, but there was a dull +sort of pressure of which I could not rid myself. If I +slept I dreamed of the dog, and generally dreamed I was caressing +him, waking up to the dreadful truth of the corpse on the path in +the rain. I got it into my head—for I was +half-crazy—that only by some expiation I should be restored +to health and peace; but how to make any expiation I could not +tell. Unhappy is the wretch who longs to atone for a sin +and no atonement is prescribed to him!</p> +<p>One night I was coming home late and heard the cry of +“Fire!” I ran down the street and found a house +in flames. The fire-escape was at the window, and had +rescued a man, his wife and child. Every living creature +was safe, I was told, save a dog in the front room on the +ground-floor. I pushed the people aside, rushed in, +half-blinded with smoke, and found him. I could not escape +by the passage, and dropped out of the window into the area with +him in my arms. I fell heavily on <i>that</i> foot, and +when I was helped up the steps I could not put it to the +ground. “You may have him for your pains,” said +his owner to me; “he is a useless cur. I +wouldn’t have ventured the singeing of a hair for +him.” “May I?” I replied, with an +eagerness which must have seemed very strange. He was +indeed not worth half a crown, but I drew him closely to me and +took him into the cab. I was in great agony, and when the +surgeon came it was discovered that my ankle was badly +fractured. An attempt was made to set it, but in the end it +was decided that the foot must be amputated. I rejoiced +when I heard the news, and on the day on which the operation was +performed I was calm and even cheerful. Our own doctor who +came with the surgeon told him I had “a highly nervous +temperament,” and both of them were amazed at my +fortitude. The dog is a mongrel, as you see, but he loves +me, and if you were to offer me ten thousand golden guineas I +would not part with him.</p> +<h2><a name="page180"></a><span class="pagenum">p. +180</span>LETTERS FROM MY AUNT ELEANOR <a +name="citation180"></a><a href="#footnote180" +class="citation">[180]</a> TO HER DAUGHTER SOPHIA, AND A FRAGMENT +FROM MY AUNT’S DIARY.</h2> +<p style="text-align: right">January 31, 1837.</p> +<p><span class="smcap">My dearest Child</span>,—It is now a +month since your father died. It was a sore trial to me +that you should have broken down, and that you could not be here +when he was laid in his grave, but I would not for worlds have +allowed you to make the journey. I am glad I forced you +away. The doctor said he would not answer for the +consequences unless you were removed. But I must not talk, +not even to you. I will write again soon.</p> +<p style="text-align: center">Your most affectionate mother,</p> +<p style="text-align: right"><span class="smcap">Eleanor +Charteris</span>.</p> + +<div class="gapshortline"> </div> +<p style="text-align: right">February 5, 1837.</p> +<p>I have been alone in the library from morning to night every +day. How foolish all the books look! There is nothing +in them which can do me any good. He is <i>not</i>: what is +there which can alter that fact? Had he died later I could +have borne it better. I am only fifty years old, and may +have long to wait. I always knew I loved him devotedly; now +I see how much I depended on him. I had become so knit up +with him that I imagined his strength to be mine. His +support was so continuous and so soft that I was unconscious of +it. How clear-headed and resolute he was in difficulty and +danger! You do not remember the great fire? We were +waked up out of our sleep; the flames spread rapidly; a mob +filled the street, shouting and breaking open doors. The +man in charge of the engines lost his head, but your father was +perfectly cool. He got on horseback, directed two or three +friends to do the same; they galloped into the town and drove the +crowd away. He controlled all the operations and saved many +lives and many thousands of pounds. Is there any happiness +in the world like that of the woman who hangs on such a +husband?</p> + +<div class="gapshortline"> </div> +<p style="text-align: right">February 10, 1837.</p> +<p>I feel as if my heart would break if I do not see you, but I +cannot come to your Aunt’s house just now. She is +very kind, but she would be unbearable to me. Have +patience: the sea air is doing you good; you will soon be able to +walk, and then you can return. O, to feel your head upon my +neck! I have many friends, but I have always needed a human +being to whom I was everything. To your father I believe I +was everything, and that thought was perpetual heaven to +me. My love for him did not make me neglect other +people. On the contrary, it gave them their proper +value. Without it I should have put them by. When a +man is dying for want of water he cares for nothing around +him. Satisfy his thirst, and he can then enjoy other +pleasures. I was his first love, he was my first, and we +were lovers to the end. I know the world would be dark to +you also were I to leave it. Perhaps it is wicked of me to +rejoice that you would suffer so keenly. I cannot tell how +much of me is pure love and how much of me is selfishness. +I remember my uncle’s death. For ten days or so +afterwards everybody in the house looked solemn, and occasionally +there was a tear, but at the end of a fortnight there was smiling +and at the end of a month there was laughter. I was but a +child then, but I thought much about the ease and speed with +which the gap left by death was closed.</p> + +<div class="gapshortline"> </div> +<p style="text-align: right">February 20, 1837.</p> +<p>In a fortnight you will be here? The doctor really +believes you will be able to travel? I am glad you can get +out and taste the sea air. I count the hours which must +pass till I see you. A short week, and +then—“the day after to-morrow, and the day after +to-morrow of that day,” and so I shall be able to reach +forward to the Monday. It is strange that the nearer Monday +comes the more impatient I am.</p> + +<div class="gapshortline"> </div> +<p style="text-align: right">March 3, 1837.</p> +<p>With what sickening fear I opened your letter! I was +sure it contained some dreadful news. You have decided not +to come till Wednesday, because your cousin Tom can accompany you +on that day. I <i>know</i> you are quite right. It is +so much better, as you are not strong, that Tom should look after +you, and it would be absurd that you should make the journey two +days before him. I should have reproved you seriously if +you had done anything so foolish. But those two days are +hard to bear. I shall not meet you at the coach, nor shall +I be downstairs. Go straight to the library; I shall be +there by myself.</p> + +<div class="gapshortline"> </div> +<p style="text-align: center"><span +class="smcap">Diary</span>.</p> +<p>January 1, 1838.—Three days ago she died. +Henceforth there is no living creature to whom my existence is of +any real importance. Crippled as she was, she could never +have married. I might have held her as long as she +lived. She could have expected no love but mine. God +forgive me! Perhaps I did unconsciously rejoice in that +disabled limb because it kept her closer to me. Now He has +taken her from me. I may have been wicked, but has He no +mercy? “I would speak to the Almighty, and I desire +to reason with God.” An answer in anger could better +be borne than this impregnable silence.</p> + +<div class="gapshortline"> </div> +<p>January 3rd.—A day of snow and bitter wind. There +were very few at the grave, and I should have been better pleased +if there had been none. What claim had they to be +there? I have come home alone, and they no doubt are +comforting themselves with the reflection that it is all over +except the half-mourning. Her death makes me hate +them. Mr. Maxwell, our rector, told me when my child was +ill to remember that I had no right to her. +“Right!” what did he mean by that stupid word? +How trouble tries words! All I can say is that from her +birth I had owned her, and that now, when I want her most, I am +dispossessed. “Self, self”—I know the +reply, but it is unjust, for I would have stood up cheerfully to +be shot if I could have saved her pain. Doubly unjust, for +my passion for her was a blessing to her as well as to me.</p> + +<div class="gapshortline"> </div> +<p>January 6th.—Henceforth I suppose I shall have to play +with people, to pretend to take an interest in their clothes and +their parties, or, with the superior sort, to discuss politics or +books. I care nothing for their rags or their gossip, for +Lord Melbourne, Sir Robert Peel, or Mr. James Montgomery. I +must learn how to take the tip of a finger instead of a hand, and +to accept with gratitude comfits when I hunger for bread—I, +who have known—but I dare say nothing even to myself of my +hours with him—I, who have heard Sophy cry out in the night +for me; I, who have held her hand and have prayed by her +bedside.</p> + +<div class="gapshortline"> </div> +<p>January 10th.—I must be still. I have learned this +lesson before—that speech even to myself does harm. +If I admit no conversation nor debate with myself, I certainly +will not admit the chatter of outsiders. Mr. Maxwell called +again to-day. “Not a syllable on that subject,” +said I when he began in the usual strain. He then suggested +that as this house was too large for me, and must have what he +called “melancholy associations,” I should +move. He had suggested this before, when my husband +died. How can I leave the home to which I was brought as a +bride? how can I endure the thought that strangers are in our +room, or in that other room where Sophy lay? Mr. Maxwell +would think it sacrilege to turn his church into an inn, and it +is a worse sacrilege to me to permit the profanation of the +sanctuary which has been consecrated by Love and Death. I +do not know what might happen to me if I were to leave. I +have been what I am through shadowy nothings which other people +despise. To me they are realities and a law. I shall +stay where I am. “A villa,” forsooth, on the +outskirts of the town! My existence would be fractured: it +will at least preserve its continuity here. Across the +square I can see the house in which I was born, and I can watch +the shadow of the church in the afternoon slowly crossing the +churchyard. The townsfolk stand in the street and go up and +down it just as they did forty years ago—not the same +persons, but in a sense the same people. My brother will +call me extravagant if I remain here. He buys a horse and +does not consider it extravagant, and my money is not wasted if I +spend it in the only way in which it is of any value to me.</p> + +<div class="gapshortline"> </div> +<p>January 12th.—I had thought I could be dumb, but I +cannot. My sorrow comes in rushes. I lift up my head +above the waves for an instant, and immediately I am +overwhelmed—“all Thy waves and Thy billows have gone +over me.” My nights are a terror to me, and I fear +for my reason. That last grip of Sophy’s hand is +distinctly on mine now, palpable as the pressure of a fleshly +hand could be. It is strange that without any external +circumstances to account for it, she and I often thought the same +things at the same moment. She seemed to know instinctively +what was passing in my mind, so that I was afraid to harbour any +unworthy thought, feeling sure that she would detect it. +Blood of my blood was she. She said “goodbye” +to me with perfect clearness, and in a quarter of an hour she had +gone. In that quarter of an hour there could not be the +extinction of so much. Such a creature as Sophy could not +instantaneously <i>not be</i>. I cannot believe it, but +still the volume of my life here is closed, the story is at an +end; what remains will be nothing but a few notes on what has +gone before.</p> + +<div class="gapshortline"> </div> +<p>January 21st.—I went to church to-day for the first time +since the funeral. Mr. Maxwell preached a dull, doctrinal +sermon. Whilst my husband and Sophy lived, I was a regular +attendant at church, and never thought of disputing anything I +heard. It did not make much impression on me, but I +accepted it, and if I had been asked whether I believed it, I +should have said, “Certainly.” But now a new +standard of belief has been set up in me, and the word +“belief” has a different meaning.</p> + +<div class="gapshortline"> </div> +<p>February 3rd.—Whenever I saw anything beautiful I always +asked Tom or Sophy to look. Now I ask nobody. Early +this morning, after the storm in the night, the sky cleared, and +I went out about dawn through the garden up to the top of the +orchard and watched the disappearance of the night in the +west. The loveliness of that silent conquest was +unsurpassable. Eighteen months ago I should have run +indoors and have dragged Tom and Sophy back with me. I saw +it alone now, and although the promise in the slow transformation +of darkness to azure moved me to tears, I felt it was no promise +for me.</p> + +<div class="gapshortline"> </div> +<p>March 1st.—Nothing that is <i>prescribed</i> does me any +good. I cannot leave off going to church, but the support I +want I must find out for myself. Perhaps if I had been born +two hundred years ago, I might have been caught by some strong +enthusiastic organisation and have been a private in a great +army. A miserable time is this when each man has to grope +his way unassisted, and all the incalculable toil of founders of +churches goes for little or nothing. . . . I do not pray +for any more pleasure: I ask only for strength to endure, till I +can lie down and rest. I have had more rapture in a day +than my neighbours and relations have had in all their +lives. Tom once said to me that he would sooner have had +twenty-four hours with me as his wife than youth and manhood with +any other woman he ever knew. He said that, not when we +were first married, but a score of years afterwards. I +remember the place and the hour. It was in the garden one +morning in July, just before breakfast. It was a burning +day, and massive white clouds were forming themselves on the +horizon. The storm on that day was the heaviest I +recollect, and the lightning struck one of our chimneys and +dashed it through the roof. His passion was informed with +intellect, and his intellect glowed with passion. There was +nothing in him merely animal or merely rational. . . . To +endure, to endure! Can there be any endurance without a +motive? I have no motive.</p> + +<div class="gapshortline"> </div> +<p>March 10th.—My sister and my brother-in-law came to-day +and I wished them away. Now that my husband is dead I +discover that the frequent visitors to our house came to see him +and not me. There must be something in me which prevents +people, especially women, from being really intimate with +me. To be able to make friends is a talent which I do not +possess, and if those who call on me are prompted by kindness +only, I would rather be without them. The only attraction +towards me which I value is that which is irresistible. +Perhaps I am wrong, and ought to accept with thankfulness +whatever is left to me if it has any savour of goodness in +it. I have no right to compare and to reject. . . I provide +myself with little maxims, and a breath comes and sweeps them +away. What is permanent behind these little flickerings is +black night: that is the real background of my life.</p> + +<div class="gapshortline"> </div> +<p>April 24th.—I have been to London, and on Easter Sunday +I went to High Mass at a Roman Catholic Church. I was +obliged to leave, for I was overpowered and hysterical. +Were I to go often my reason might be drowned, and I might become +a devotee. And yet I do not think I should. If I +could prostrate myself at a shrine I should want an answer. +When I came out into the open air I saw again the +<i>plainness</i> of the world: the skies, the sea, the fields are +not in accord with incense or gorgeous ceremonies. Incense +and ceremonies are beyond the facts, and to the facts we must +cleave, no matter how poor and thin they may be.</p> + +<div class="gapshortline"> </div> +<p>May 5th.—If I am ill, I shall depend entirely on paid +service. God grant I may die suddenly and not linger in +imbecility. So much of me is dead that what is left is not +worth preserving. Nearly everything I have done all my life +has been done for love. I shall now have to act for +duty’s sake. It is an entire reconstruction of +myself, the insertion of a new motive. I do not much +believe in duty, nor, if I read my New Testament aright, did the +Apostle Paul. For Jesus he would do anything. That +sacred face would have drawn me whither the Law would never have +driven me.</p> + +<div class="gapshortline"> </div> +<p>May 7th.—It is painful to me to be so completely set +aside. When Tom was alive I was in the midst of the current +of affairs. Few men, except Maxwell, come to the house +now. My property is in the hands of trustees. Tom +continually consulted me in business matters. I have +nothing to look after except my house, and I sit at my window and +see the stream of life pass without touching me. I cannot +take up work merely for the sake of taking it up. Nobody +would value it, nor would it content me. How I used to pity +my husband’s uncle, Captain Charteris! He had been a +sailor; he had fought the French; he had been in imminent danger +of shipwreck, and from his youth upwards perpetual demands had +been made upon his resources and courage. At fifty he +retired, a strong, active man; and having a religious turn, he +helped the curate with school-treats and visiting. He pined +away and died in five years. The bank goes on. I have +my dividends, but not a word reaches me about it.</p> + +<div class="gapshortline"> </div> +<p>October 10th.—Five months, I see, have passed since I +made an entry in my diary. What a day this is! The +turf is once more soft, the trees and hedges are washed, the +leaves are turning yellow and are ready to fall. I have +been sitting in the garden alone, reading the forty-ninth chapter +of Genesis. I must copy the closing verses. It does +me good to write them.</p> +<p>“And Jacob charged them, and said unto them, I am to be +gathered unto my people: bury me with my fathers in the cave that +is in the field of Ephron the Hittite, in the cave that is in the +field of Machpelah, which is before Mamre, in the land of Canaan, +which Abraham bought with the field of Ephron the Hittite for a +possession of a burying-place. There they buried Abraham +and Sarah his wife; there they buried Isaac and Rebekah his wife; +and there I buried Leah. The purchase of the field and of +the cave that is therein was from the children of Heth. And +when Jacob had made an end of commanding his sons, he gathered up +his feet into the bed, and yielded up the ghost, and was gathered +unto his people.” There is no distress here: he +gathers up his feet and departs. Perhaps our wild longings +are unnatural, and yet it seems but nature <i>not</i> to be +content with what contented the patriarch. Anyhow, wherever +and whatever my husband and Sophy are I shall be. This at +least is beyond dispute.</p> + +<div class="gapshortline"> </div> +<p>October 12th.—I do not wish to forget past joys, but I +must simply remember them and not try to paint them. I must +cut short any yearning for them.</p> + +<div class="gapshortline"> </div> +<p>October 20th.—We do not say the same things to ourselves +with sufficient frequency. In these days of book-reading +fifty fine thoughts come into our heads in a day, and the next +morning are forgotten. Not one of them becomes a +religion. In the Bible how few the thoughts are, and how +incessantly they are repeated! If my life could be +controlled by two or three divine ideas, I would burn my +library. I often feel that I would sooner be a Levitical +priest, supposing I believed in my office, than be familiar with +all these great men whose works are stacked around me.</p> + +<div class="gapshortline"> </div> +<p>October 22nd.—Sometimes, especially at night, the +thought not only that I personally have lost Tom and Sophy, but +that the exquisite fabric of these relationships, so intricate, +so delicate, so highly organised, could be cast aside, to all +appearance so wastefully, is almost unendurable. . . . I +went up to the moor on the top of the hill this morning, where I +could see, far away, the river broaden and lose itself in the +Atlantic. I lay on the heather looking through it and +listening to it.</p> + +<div class="gapshortline"> </div> +<p>October 23rd.—The 131st Psalm came into my mind when I +was on the moor again. “Neither do I exercise myself +in great matters, or in things too high for me. Surely I +have behaved and quieted myself, as a child that is weaned of its +mother: my soul is even as a weaned child.”</p> + +<div class="gapshortline"> </div> +<p>October 28th—Tom once said to me that reasoning is often +a bad guide for us, and that loyalty to the silent Leader is true +wisdom. Wesley, when he was in trouble, asked himself +“whether he should fight against it by thinking, or by not +thinking of it,” and a wise man told him “to be still +and go on.” A certain blind instinct seems to carry +me forward. What is it? an indication of a purpose I do not +comprehend? an order given by the Commander-in-Chief which is to +be obeyed although the strategy is not understood?</p> + +<div class="gapshortline"> </div> +<p>November 3rd.—Palmer, my maid, who has been with me ever +since I began to keep house, was very good-looking at +one-and-twenty. When she had been engaged to be married +about a twelvemonth, she burned her face and the burn left a bad +scar. Her lover found excuses for breaking off the +engagement. He must have been a scoundrel, and I should +like to have had him whipped with wire. She was very fond +of him. She had an offer of marriage ten years afterwards, +but she refused. I believe she feared lest the scar, seen +every day, would make her husband loathe her. Her case is +worse than mine, for she never knew such delights as mine. +She has subsisted on mere friendliness and civility. +“Oh,” it is suggested at once to me, “you are +more sensitive than she is.” How dare I say +that? How hateful is the assumption of superior +sensitiveness as an excuse for want of endurance!</p> + +<div class="gapshortline"> </div> +<p>November 4th.—Ellen Charteris, my husband’s +cousin, belongs to a Roman Catholic branch of the family, and is +an abbess. I remember saying to her that I wondered that +she and her nuns could spend such useless lives. She +replied that although she and all good Catholics believe in the +atonement of Christ, they also believe that works of piety in +excess of what may be demanded of us, even if they are done in +secret, are a set-off against the sins of the world. In +this form the doctrine has not much to commend itself to me, and +it is assumed that the nuns’ works are pious. But in +a sense it is true. “The very hairs of your head are +all numbered.” The fall of a grain of dust is +recorded.</p> + +<div class="gapshortline"> </div> +<p>November 7th—A kind of peace occasionally visits +me. It is not the indifference begotten of time, for my +husband and my child are nearer and dearer than ever to me. +I care not to analyse it. I return to my patriarch. +With Joseph before him, the father, who had refused to be +comforted when he thought his son was dead, gathered up his feet +into the bed and slept.</p> +<h2><a name="page200"></a><span class="pagenum">p. +200</span>CORRESPONDENCE BETWEEN GEORGE LUCY M.A., AND HIS +GODCHILD, HERMIONE RUSSELL, B.A.</h2> +<p><span class="smcap">My dear Hermione</span>,—I have sent +you my little volume of verse translations into English, and you +will find appended a few attempts at Latin and Greek renderings +of favourite English poems. You must tell me what you think +of them, and you must not spare a single blunder or +inelegance. I do not expect any reviews, and if there +should be none it will not matter, for I proposed to myself +nothing more than my own amusement and that of my friends. +I would rather have thoroughly good criticism from you than a +notice, even if it were laudatory, from a magazine or a +newspaper. You have worked hard at your Latin and Greek +since we read Homer and Virgil, and you have had better +instruction than I had at Winchester. These trifles were +published about three months ago, but I purposely did not send +you a copy then. You are enjoying your holiday deep in the +country, and may be inclined to pardon that incurable old idler, +your godfather and former tutor, for a waste of time which +perhaps you would not forgive when you are teaching in +London. Verse-making is out of fashion now. +Goodbye. I should like to spend a week with you wandering +through those Devonshire lanes if I could carry my two rooms with +me and stick them in a field.</p> +<p style="text-align: right">Affectionately,<br /> +G. L.</p> +<p><span class="smcap">My dear Godfather</span>,—The little +<i>Musæ</i> came safely. My love to you for them, and +for the pretty inscription. I positively refuse to say a +single syllable on your scholarship. I have deserted my +Latin and Greek, and they were never good enough to justify me in +criticising yours. I have latterly turned my attention to +Logic, History, and Moral Philosophy, and with the help of my +degree I have obtained a situation as teacher of these +sciences. I confess I do not regret the change. They +are certainly of supreme importance. There is something to +be learned about them from Latin and Greek authors, but this can +be obtained more easily from modern writers or translations than +by the laborious study of the originals. Do not suppose I +am no longer sensible to the charm of classical art. It is +wonderful, but I have come to the conclusion that the time spent +on the classics, both here and in Germany, is mostly thrown +away. Take even Homer. I admit the greatness of the +Iliad and the Odyssey, but do tell me, my dear godfather, whether +in this nineteenth century, when scores of urgent social problems +are pressing for solution, our young people ought to give +themselves up to a study of ancient legends? What, however, +are Horace, Catullus, and Ovid compared with Homer? Much in +them is pernicious, and there is hardly anything in them which +helps us to live. Besides, we have surely enough in +Chaucer, Spenser, Shakspeare, and Milton, to say nothing of the +poets of this century, to satisfy the imagination of +anybody. Boys spend years over the <i>Metamorphoses</i> or +the story of the wars of Æneas, and enter life with no +knowledge of the simplest facts of psychology. I look +forward to a time not far distant, I hope, when our whole +pædagogic system will be remodelled. Greek and Latin +will then occupy the place which Assyrian or Egyptian +hieroglyphic occupies now, and children will be directly prepared +for the duties which await them.</p> +<p>I have in preparation a book which I expect soon to publish, +entitled <i>Positive Education</i>. It will appear +anonymously, for society being constituted as it is, I am afraid +that my name on the title-page would prevent me from finding +employment. My object is to show how the moral fabric can +be built up without the aid of theology or metaphysics. I +profess no hostility to either, but as educational instruments I +believe them to be useless. I begin with Logic as the +foundation of all science, and then advance by easy steps +(<i>a</i>) to the laws of external nature commencing with number, +and (<i>b</i>) to the rules of conduct, reasons being given for +them, with History and Biography as illustrations. One +modern foreign language, to be learned as thoroughly as it is +possible to learn it in this country, will be included. I +desire to banish all magic in school training. Everything +taught shall be understood. It is easier, and in some +respects more advantageous, not to explain, but the mischief of +habituating children to bow to the unmeaning is so great that I +would face any inconvenience in order to get rid of it. All +kinds of objections, some of them of great weight, may be urged +against me, but the question is on which side do they +preponderate? Is it no objection to our present system that +the simple laws most necessary to society should be grounded on +something which is unintelligible, that we should be brought up +in ignorance of any valid obligation to obey moral precepts, that +we should be unable to give any account of the commonest physical +phenomena, that we should never even notice them, that we should +be unaware, for example, of the nightly change in the position of +planets and stars, and that we should nevertheless busy ourselves +with niceties of expression in a dead tongue, and with tales +about Jupiter and Juno? For what glorious results may we +not look when children from their earliest years learn that which +is essential, but which now, alas! is picked up unmethodically +and by chance? I cannot help saying all this to you, for +your <i>Musæ</i> arrived just as my youngest brother came +home from Winchester. He was delighted with it, for he is +able to write very fair Latin and Greek. That boy is nearly +eighteen. He does not know why the tides rise and fall, and +has never heard that there has been any controversy as to the +basis of ethics.</p> +<p style="text-align: right">Your affectionate godchild,<br /> +<span class="smcap">Hermione</span>.</p> +<p><span class="smcap">My dear Hermione</span>,—Your letter +was something like a knock-down blow. I am sorry you have +abandoned your old friends, and I felt that you intended to +rebuke me for trifling. A great deal of what you say I am +sure is true, but I cannot write about it. Whether Greek +and Latin ought to be generally taught I am unable to +decide. I am glad I learned them. My apology for my +little <i>Musæ</i> must be that it is too late to attempt +to alter the habits in which I was brought up. Remember, my +dear child, that I am an old bachelor with seventy years behind +me last Christmas, and remember also my natural limits. I +am not so old, nevertheless, that I cannot wish you God-speed in +all your undertakings.</p> +<p style="text-align: right">Your affectionate godfather,<br /> +G. L.</p> +<p><span class="smcap">My dear Godfather</span>,—What a +blunderer I am! What deplorable want of tact! If I +wanted your opinion on classical education or my scheme I surely +might have found a better opportunity for requesting it. It +is always the way with me. I get a thing into my head, and +out it comes at the most unseasonable moment. It is almost +as important that what is said should be relevant as that it +should be true. Well, the mistake is made, and I cannot +unmake it. I will not trouble you with another +syllable—directly at any rate—about Latin and Greek, +but I do want to know what you think about the exclusion of +theology and metaphysics from the education of the young. I +must have <i>debate</i>, so that before publication my ideas may +become clear and objections may be anticipated. I cannot +discuss the matter with my father. You were at college with +him, and you will remember his love for Aristotle, who, as I +think, has enslaved him. If I may say so without offence, +you are not a philosopher. You are more likely, therefore, +to give a sound, unprofessional opinion. You have never had +much to do with children, but this does not matter; in fact, it +is rather an advantage, for actual children would have distorted +your judgment. What has theology done? It is only +half-believed, and its rewards and punishments are too remote to +be of practical service. They are not seen when they are +most required. As to metaphysics, its propositions are too +loose. They may with equal ease be affirmed or +denied. Conduct cannot be controlled by what is shadowy and +uncertain. We have been brought up on theology and +metaphysics for centuries, and we are still at daggers drawn upon +matters of life and death. We are as warlike as ever, and +not a single social problem has been settled by bishops or +professors. I wish to try a more direct and, as I believe, +a more efficient method. I wish to see what the effect will +be of teaching children from their infancy the lesson that +morality and the enjoyment of life are identical; that if, for +example, they lie, they lose. I should urge this on them +perpetually, until at last, by association, lying would become +impossible. Restraint which is exercised in accordance with +rational principles, inasmuch as it proceeds from Nature, must be +more efficacious than an external prohibition. So with +other virtues. I should deduce most of them in the same +way. If I could not, I should let them go, assured that we +could do without them. Now, my dear godfather, do open out +to me, and don’t put me off.</p> +<p style="text-align: right">Your affectionate godchild,<br /> +<span class="smcap">Hermione</span>.</p> +<p><span class="smcap">My dear Hermione</span>,—You terrify +me. These matters are really not in my way. I have +never been able to tackle big questions. Unhappily for me, +all questions nowadays are big. I do not see many people, +as you know, and potter about in my garden from morning to night, +but Mrs. Lindsay occasionally brings down her friends from +London, and the subjects of conversation are so immense that I am +bewildered. I admit that some people are too rich and +others are too poor, and that if I could give you a vote you +should have one, and that boys and girls might be better taught, +but upon Socialism, Enfranchisement of Women, and Educational +Reform, I have not a word to say. Is not this very +unsatisfactory? Nobody is more willing to admit it than I +am. It is so disappointing in talking to myself or to +others to stop short of generalisation and to be obliged to +confess that <i>sometimes it is and sometimes it is +not</i>. I bless my stars that I am not a politician or a +newspaper writer. When I was young these great matters, at +least in our village, were not such common property as they are +now. A man, even if he was a scholar, thought he had done +his duty by living an honest and peaceable life. He was +justified if he was kind to his neighbours and amused himself +with his bees and flowers. He had no desire to be +remembered for any achievement, and was content to be buried with +a few tears and then to be forgotten. All Mrs. +Lindsay’s folk want to do something outside their own +houses or parishes which shall make their names immortal. . . +. I was interrupted by a tremendous thunderstorm and +hail. That wonderful rose-bush which, you will recollect, +stood on the left-hand side of the garden door, has been stripped +just as if it had been scourged with whips. If you have +done, quite done with the Orelli you borrowed about two years +ago, please let me have it. Why could you not bring +it? Mrs. Lindsay was saying only the other day how glad she +should be if you would stay with her for a fortnight before you +return to town.</p> +<p style="text-align: right">Your affectionate godfather,<br /> +G. L.</p> +<p><span class="smcap">My dear Godfather</span>,—I have +sent back the Orelli. How I should love to come and to +wander about the meadows with you by the river or sit in the boat +with you under the willows. But I cannot, for I have +promised to speak at a Woman’s Temperance Meeting next +week, and in the week following I am going to read a paper called +“An Educational Experiment,” before our Ethical +Society. This, I think, will be interesting. I have +placed my pupils in difficult historical positions, and have made +them tell me what they would have done, giving the reasons. +I am thus enabled to detect any weakness and to strengthen +character on that side. Most of the girls are embarrassed +by the conflict of motives, and I have to impress upon them the +necessity in life of disregarding those which are of less +importance and of prompt action on the stronger. I have +classified my results in tables, so that it may be seen at a +glance what impulses are most generally operative.</p> +<p>But to go back to your letter. I will not have you +shuffle. You can say so much if you like. Talk to me +just as you did when we last sat under the cedar-tree. I +<i>must</i> know your mind about theology and metaphysics.</p> +<p style="text-align: right">Your affectionate godchild,<br /> +<span class="smcap">Hermione</span>.</p> +<p><span class="smcap">My dear Hermione</span>,—I am sorry +you could not come. I am sorry that what people call a +“cause” should have kept you away. If any of +your friends had been ill; if it had been a dog or a cat, I +should not have cared so much. You are dreadful! +Theology and metaphysics! I do not understand what they are +as formal sciences. Everything seems to me theological and +metaphysical. What Shakespeare says now and then carries me +further than anything I have read in the system-books into which +I have looked. I cannot take up a few propositions, bind +them into faggots, and say, “This is theology, and that is +metaphysics.” There is much “discourse of +God” in a May blossom, and my admiration of it is +“beyond nature,” but I am not sure upon this latter +point, for I do not know in the least what +φυσις or Nature is. We love +justice and generosity, and hate injustice and meanness, but the +origin of virtue, the life of the soul, is as much beyond me as +the origin of life in a plant or animal, and I do not bother +myself with trying to find it out. I do feel, however, that +justice and generosity have somehow a higher authority than I or +any human being can give them, and if I had children of my own +this is what I should try, not exactly to teach them, but to +breathe into them. I really, my dear child, dare not +attempt an essay on the influence which priests and professors +have had upon the world, nor am I quite clear that +“shadowy” and “uncertain” mean the same +thing. All ultimate facts in a sense are shadowy, but they +are not uncertain. When you try to pinch them between your +fingers they seem unsubstantial, but they are very real. +Are you sure that you yourself stand on solid granite?</p> +<p style="text-align: right">Your affectionate godfather,<br /> +G. L.</p> +<p><span class="smcap">My dear Godfather</span>,—You are +most disappointing and evasive. I gave up the discussion on +Latin and Greek, but I did and do want your reply to a most +simple question. If you had to teach children—you +surely can imagine yourself in such a position—would you +teach them <i>what are generally known as theology and +metaphysics</i>?—excuse the emphasis. You have an +answer, I am certain, and you may just as well give it me. +I know that you had rather, or affect you had rather, talk about +Catullus, but I also know that you think upon serious subjects +sometimes. These matters cannot now be put aside. We +live in a world in which certain problems are forced upon us and +we are compelled to come to some conclusion upon them. I +cannot shut myself up and determine that I will have no opinion +upon Education or Socialism or Women’s Rights. The +fact that these questions are here is plain proof that it is my +duty not to ignore them. You hate large generalisations, +but how can we exist without them? They may never be +entirely true, but they are indispensable, and, if you never +commit yourself to any, you are much more likely to be +practically wrong than if you use them.</p> +<p>Take, for example, the Local Veto. I admitted in my +speech that there is much to be urged against it. It might +act harshly, and it is quite true that poor men in large towns +cannot spend their evenings in their filthy homes; but I +<i>must</i> be for it or against it, and I am enthusiastically +for it, because on the whole it will do good. So with +Socialism. The evils of Capitalism are so monstrous that +any remedy is better than none. Socialism may not be the +direct course: it may be a tremendously awkward tack, but it is +only by tacking that we get along. So with positive +education, but I have enlarged upon this already. What a +sermon to my dear godfather! Forgive me, but you will have +to take sides, and do, please, be a little more definite about my +book.</p> +<p style="text-align: right">Your affectionate godchild,<br /> +<span class="smcap">Hermione</span>.</p> +<p><span class="smcap">My dear Hermione</span>,—I +haven’t written for some time, for I was unwell for nearly +a month. The doctor has given me physic, but my age is +really the mischief, and it is incurable. I caught cold +through sitting out of doors after dinner with the rector, a good +fellow if he would not smoke on my port. To smoke on good +port is a sin. He knows my infirmity, that I cannot sit +still long, and he excuses my attendance at church. Would +you believe it? When I was very bad, and thought I might +die, I read Horace again, whom you detest. I often wonder +what he really thought upon many things when he looked out on +the</p> + +<blockquote><p> “taciturna +noctis<br /> +signa.”</p> +</blockquote> +<p>Justice is not often done to him. He saw a long way, but +he did not make believe he saw beyond his limit, and was content +with it. A rare virtue is intellectual content!</p> +<blockquote><p>“Tu ne quæsieris, scire nefas, quem +mihi, quem tibi<br /> +Finem dî dederint, Leuconoe, nec Babylonios<br /> +Tentaris numeros.”</p> +</blockquote> +<p>The rector was telling me about Tom Pavenham’s +wedding. He has married Margaret Loxley, as you may perhaps +have seen in the paper I sent you. Mrs. Loxley, her mother, +was a Barfield, and old Pavenham, when he was a youth, fell in +love with her. She was also in love with him. He was +well-to-do, and farmed about seven hundred acres, but he was not +thought good enough by the elder Barfields, who lived in what was +called a park. They would not hear of the match. She +was sent to France, and he went to Buenos Ayres. After some +years had passed he married out there, and she married. His +wife died when her first child, a boy, was born. Loxley +also died, leaving his wife with an only daughter. Pavenham +retired from business in South America, and came back with his +son to his native village, where he meant to spend the rest of +his days. Tom and Margaret were at once desperately smitten +with one another. The father and mother have kept their own +flame alive, and I believe it is as bright as it ever was. +It is delightful to see them together. They called on me +with the children after the betrothal. He was so courteous +and attentive to her, and she seemed to bask in his obvious +affection. I noticed how they looked at one another and +smiled happily as the boy and girl wandered off together towards +the filbert walk. The rector told me that he was talking to +old Pavenham one evening, and said to him: “Jem, +aren’t you sometimes sad when you think of what ought to +have happened?” His voice shook a bit as he replied +gently: “God be thanked for what we have! Besides, it +has all come to pass in Tom and Margaret.”</p> +<p>You must not be angry with me if I say nothing more about +Positive Education. It is a great strain on me to talk upon +such matters, and when I do I always feel afterwards that I have +said much which is mere words. That is a sure test; I must +obey my dæmon. I wish I could give you what you want +for what you have given me; but when do we get what we want in +exchange for what we give? Our trafficking is a clumsy +barter. A man sells me a sheep, and I pay him in return +with my grandfather’s old sextant. This is not quite +true for you and me. Love is given and love is +returned. À Dieu—not adieu. Remember +that the world is very big, and that there may be room in it for +a few creatures like</p> +<p style="text-align: right">Your affectionate godfather,<br /> +G. L.</p> +<h2><a name="page218"></a><span class="pagenum">p. 218</span>MRS. +FAIRFAX</h2> +<p><span class="smcap">The</span> town of Langborough in 1839 had +not been much disturbed since the beginning of the preceding +century. The new houses were nearly all of them built to +replace others which had fallen into decay; there were no drains; +the drinking-water came from pumps; the low fever killed thirty +or forty people every autumn; the Moot Hall still stood in the +middle of the High Street; the newspaper came but once a week; +nobody read any books; and the Saturday market and the annual +fair were the only events in public local history. +Langborough, being seventy miles from London and eight from the +main coach-road, had but little communication with the outside +world. Its inhabitants intermarried without crossing from +other stocks, and men determined their choice mainly by equality +of fortune and rank. The shape of the nose and lips and +colour of the eyes may have had some influence in masculine +selection, but not much: the doctor took the lawyer’s +daughter, the draper took the grocer’s, and the carpenter +took the blacksmith’s. Husbands and wives, as a rule, +lived comfortably with one another; there was no reason why they +should quarrel. The air of the place was sleepy; the men +attended to their business, and the women were entirely apart, +minding their household affairs and taking tea with one +another. In Langborough, dozing as it had dozed since the +days of Queen Anne, it was almost impossible that any woman +should differ so much from another that she could be the cause of +passionate preference.</p> +<p>One day in the spring of 1839 Langborough was stirred to its +depths. No such excitement had been felt in the town since +the run upon the bank in 1825, when one of the partners went up +to London, brought down ten thousand pounds in gold with him by +the mail, and was met at Thaxton cross-roads by a post-chaise, +which was guarded into Langborough by three men with +pistols. A circular printed in London was received on that +spring day in 1839 by all the respectable ladies in the town +stating that a Mrs. Fairfax was about to begin business in Ferry +Street as a dressmaker. She had taken the only house to be +let in Ferry Street. It was a cottage with a front and back +sitting-room, and belonged to an old lady in Lincoln, who +inherited it from her brother, who once lived in it but had been +dead forty years. Before a week had gone by four-fifths of +the population of Langborough had re-inspected it. The +front room was the shop, and in the window was a lay-figure +attired in an evening robe of rose-coloured silk, the like of +which for style and fit no native lady had ever seen. +Underneath it was a card—“Mrs. Fairfax, Milliner and +Dressmaker.” The circular stated that Mrs. Fairfax +could provide materials or would make up those brought to her by +her customers.</p> +<p>Great was the debate which followed this unexpected +apparition. Who Mrs. Fairfax was could not be +discovered. Her furniture and the lay-figure had come by +the waggon, and the only information the driver could give was +that he was directed at the “George and Blue Boar” in +Holborn to fetch them from Great Ormond Street. After much +discussion it was agreed that Mrs. Bingham, the wife of the wine +merchant, should call on Mrs. Fairfax and inquire the price of a +gown. Mrs. Bingham was at the head of society in +Langborough, and had the reputation of being very clever. +It was hoped, and indeed fully expected, that she would be able +to penetrate the mystery. She went, opened the door, a +little bell sounded, and Mrs. Fairfax presented herself. +Mrs. Bingham’s eyes fell at once upon Mrs. Fairfax’s +dress. It was black, with no ornament, and constructed with +an accuracy and grace which proved at once to Mrs. Bingham that +its maker was mistress of her art. Mrs. Bingham, although +she could not entirely desert the linendraper’s wife, whose +husband was a good customer for brandy, had some of her clothes +made in London when she stayed with her sister in town, and, to +use her own phrase, “knew what was what.”</p> +<p>“Mrs. Fairfax?”</p> +<p>A bow.</p> +<p>“Will you please tell me what a gown would cost made +somewhat like that in the window?”</p> +<p>“For yourself, madam?”</p> +<p>“Yes.”</p> +<p>“Pardon me; I am afraid that colour would not suit +you.”</p> +<p>Mrs. Bingham was a stout woman with a ruddy complexion.</p> +<p>“One colour costs no more than another?”</p> +<p>“No, madam: twelve guineas; that silk is +expensive. Will you not take a seat?”</p> +<p>“I am afraid you will find twelve guineas too much for +anybody here. Have you nothing cheaper?”</p> +<p>Mrs. Fairfax produced some patterns and fashion-plates.</p> +<p>“I suppose the gown in the window is your own +make?”</p> +<p>“My own make and design.”</p> +<p>“Then you are not beginning business?”</p> +<p>“I hope I may say that I thoroughly understand +it.”</p> +<p>The door leading into the back parlour opened, and a little +girl about nine or ten years old entered.</p> +<p>“Mother, I want—”</p> +<p>Mrs. Fairfax, without saying a word, gently led the child into +the parlour again.</p> +<p>“Dear me, what a pretty little girl! Is that +yours?”</p> +<p>“Yes, she is mine.”</p> +<p>Mrs. Bingham noticed that Mrs. Fairfax did not wear a +widow’s cap, and that she had a wedding-ring on her +finger.</p> +<p>“You will find it rather lonely here. Have you +been accustomed to solitude?”</p> +<p>“Yes. That silk, now, would suit you +admirably. With less ornament it would be ten +guineas.”</p> +<p>“Thank you: I must not be so extravagant at +present. May I look at something which will do for +walking? You would not, I suppose, make a walking-dress for +Langborough exactly as you would have made it in +London?”</p> +<p>“If you mean for walking about the roads here, it would +differ slightly from one which would be suitable for +London.”</p> +<p>“Will you show me what you have usually made for +town?”</p> +<p>“This is what is worn now.”</p> +<p>Mrs. Bingham was baffled but not defeated. She gave an +order for a walking-dress, and hoped that Mrs. Fairfax might be +more communicative.</p> +<p>“Have you any introductions here?”</p> +<p>“None whatever.”</p> +<p>“It is rather a risk if you are unknown.”</p> +<p>“Perhaps you have been exempt from risks: some people +are obliged constantly to encounter them.”</p> +<p>“‘Exempt,’ ‘encounter,”’ +thought Mrs. Bingham: “she must have been to a good +school.”</p> +<p>“When will you be ready to try on?”</p> +<p>“On Friday,” and Mrs. Fairfax opened the door.</p> +<p>As Mrs. Bingham went out she noticed a French book lying on a +side table.</p> +<p>The day following was Sunday, and Mrs. Fairfax and her +daughter were at church. They sat at the back, and all the +congregation turned on entering, looked at them, and thought +about them during the service. They went out as soon as it +was over, but Mrs. Harrop, wife of the ironmonger, and Mrs. Cobb, +wife of the coal merchant, escaped with equal promptitude and +were close behind them.</p> +<p>“There isn’t a crease in that body,” said +Mrs. Harrop.</p> +<p>On Monday Mrs. Bingham was at the post-office. She took +care to be there at the dinner hour, when the postmaster’s +wife generally came to the counter.</p> +<p>“A newcomer, Mrs. Carter. Have you seen Mrs. +Fairfax?”</p> +<p>“Once or twice, ma’am.”</p> +<p>“Has she many letters?”</p> +<p>The door between the office and the parlour was open.</p> +<p>“I’ve no doubt she will have, ma’am, if her +business succeeds.”</p> +<p>“I wonder where she lived before she came here. It +is curious, isn’t it, that nobody knows her? Did you +ever notice how her letters are stamped?”</p> +<p>“Can’t say as I have, ma’am.”</p> +<p>Mrs. Carter shut the parlour door. “The smell of +those onions,” she whispered to her husband, “blows +right in here.” She then altered her tone a +trifle.</p> +<p>“One of ’em, Mrs. Bingham, had the Portsmouth +postmark on it; but this is in the strictest confidence, and I +should never dream of letting it out to anybody but you, but I +don’t mind you, because I know you won’t repeat it, +and if my husband was to hear me he’d be in a fearful rage, +for there was a dreadful row when I told Lady Caroline at Thaxton +Manor about the letters Miss Margaret was getting, and it was +found out that it was me as told her, and some gentleman in +London wrote to the Postmaster-General about it.”</p> +<p>“You may depend upon me, Mrs. Carter.” Mrs. +Bingham considered she had completely satisfied her conscience +when she imposed an oath of secrecy on Mrs. Harrop, who was also +self-exonerated when she had imposed a similar oath on Mrs. +Cobb.</p> +<p>A fortnight after the visit to the post-office there was a +tea-party. Mrs. Harrop, Mrs. Cobb, Mrs. Sweeting, the +grocer’s wife, and Miss Tarrant, an elderly lady, living on +a small annuity, but most genteel, were invited to Mrs. +Bingham’s. They began to talk of Mrs. Fairfax +directly they had tasted the hot buttered toast. They had +before them the following facts: the carrier’s deposition +that the goods came from Great Ormond Street; the lay-figure and +what it wore; Mrs. Fairfax’s prices; the little girl; the +wedding-ring but no widow’s weeds; the Portsmouth postmark; +the French book; Mrs. Bingham’s new gown, and +lastly—a piece of information contributed by Mrs. Sweeting +and considered to be of great importance, as we shall see +presently—that Mrs. Fairfax bought her coffee whole and +ground it herself. On these facts, nine in all, the ladies +had to construct—it was imperative that they should +construct it—an explanation of Mrs. Fairfax, and it must be +confessed that they were not worse equipped than many a +picturesque and successful historian. At the request of the +company, Mrs. Bingham went upstairs and put on the gown.</p> +<p>“Do you mind coming to the window, Mrs. Bingham?” +asked Mrs. Harrop.</p> +<p>Mrs. Bingham rose and went to the window. Her guests +also rose. She held her arms down and then held them up, +and was surveyed from every point of the compass.</p> +<p>“I thought it was a pucker, but it’s only the +shadow,” observed Mrs. Harrop.</p> +<p>Mrs. Cobb stroked the body and shook the skirt. Not a +single depreciatory criticism was ventured. Excepting the +wearer, nobody present had seen such a masterpiece. But +although for half a lifetime we may have beheld nothing better +than an imperfect actual, we recognise instantly the superiority +and glory of the realised Ideal when it is presented to us. +Mrs. Harrop, Mrs. Cobb, Mrs. Sweeting, and Miss Tarrant became +suddenly aware of possibilities of which they had not hitherto +dreamed. Mrs. Swanley, the linendraper’s wife, was +degraded and deposed.</p> +<p>“She must have learned that in London,” said Mrs. +Harrop.</p> +<p>“London! my dear Mrs. Harrop,” replied Mrs. +Bingham, “I know London pretty well, and how things are cut +there. I told you there was a French book on the +table. Take my word for it, she has lived in Paris. +She <i>must</i> have lived there.”</p> +<p>“Where is Great Ormond Street, Mrs. Bingham?” +inquired Mrs. Sweeting.</p> +<p>“A great many foreigners live there; it is somewhere +near Leicester Square.”</p> +<p>Mrs. Bingham knew nothing about the street, but having just +concluded a residence in Paris from the French book, that +conclusion led at once to a further conclusion, clear as noonday, +as to the quality of the people who inhabited Great Ormond +Street, and consequently to the final deduction of its +locality.</p> +<p>“Did you not say, Mrs. Sweeting, that she buys her +coffee whole?” added Mrs. Bingham, as if inspiration had +flashed into her. “If you want additional proof that +she is French, there it is.”</p> +<p>“Portsmouth,” mused Mrs. Cobb. “You +say, Mrs. Bingham, there are a good many officers there. +Let me see—1815—it’s twenty-four years ago +since the battle. A captain may have picked her up in +Paris. I’ll be bound that, if she ever was married, +she was married when she was sixteen or seventeen. They are +always obliged to marry those French girls when they are nothing +but chits, I’ve been told—those of them, leastways, +that don’t live with men without being married. That +would make her about forty, and then he found her out and left +her, and she went back to Paris and learned +dressmaking.”</p> +<p>“But he writes to her from Portsmouth,” said Mrs. +Bingham, who had not been told that the solitary letter from +Portsmouth was addressed in a man’s handwriting.</p> +<p>“He may not have broken with her altogether,” +replied Mrs. Cobb. “If he isn’t a downright +brute he’ll want to hear about his daughter.”</p> +<p>“Well,” said Mrs. Sweeting, twitching her eyes as +she was wont to do when she was about to give an opinion which +she knew would disturb any of her friends, “you may talk as +you like, but the last thing Swanley made for me looked as if it +had been to the wash and hung on me to dry. French or +English, captain or no captain, I shall go to Mrs. Fairfax. +Her character’s got nothing to do with her cut. +Suppose she <i>is</i> divorced; judging from that body of yours, +Mrs. Bingham, I shan’t have to send back a pelisse half a +dozen times to get it altered. When it comes to that you +get sick of the thing, and may just as well give it +away.”</p> +<p>Mrs. Sweeting occupied the lowest rank in this particular +section of Langborough society. As a grocer Mr. Sweeting +was not quite on a level with the coal dealer, who was a +merchant, nor with the ironmonger, who repaired ploughs, and he +was certainly below Mr. Bingham. Miss Tarrant, never having +been “connected with trade”—her father was +chief clerk in the bank—considered herself superior to all +her acquaintances, but her very small income prevented her from +claiming her superiority so effectively as she desired.</p> +<p>“Mrs. Sweeting,” she said, “I am surprised +at you! You do not consider what the moral effect on the +lower orders of patronising a female of this kind will be, +probably an abandoned woman. The child, no doubt, was not +born in wedlock. We are sinners ourselves if we support +sinners.”</p> +<p>“Miss Tarrant,” retorted Mrs. Sweeting, +“I’m the respectable mother of five children, and I +don’t want any sermons on sin except in church. If it +wasn’t a sin of Swanley to charge me three guineas for that +pelisse, and wouldn’t take it back, I don’t know what +sin.”</p> +<p>Mrs. Bingham, although she was accustomed to tea-table +disputes, and even enjoyed them, was a little afraid of Mrs. +Sweeting’s tongue, and thought it politic to interfere.</p> +<p>“I agree with you entirely, Mrs. Sweeting, about the +inferiority of Mrs. Swanley to this newcomer, but we must +consider Miss Tarrant’s position in the parish and her +responsibilities. She is no doubt right from her point of +view.”</p> +<p>So the conversation ended, but Mrs. Fairfax’s biography, +which was to be published under authority in Langborough, was now +rounded off and complete. She was a Parisian, father and +mother unknown, was found in Paris in 1815 by Captain Fairfax, +who, by her intrigues and threats of exposure, was forced into a +marriage with her. A few years afterwards he had grounds +for a divorce, but not wishing a scandal, consented to a +compromise and voluntary separation. He left one child in +her custody, as it showed signs of resemblance to its mother, to +whom he gave a small monthly allowance. She had been +apprenticed as a dressmaker in Paris, had returned thither in +order to master her trade, and then came back to England. +In a very little time, so clever was she that she learned to +speak English fluently, although, as Mrs. Bingham at once +noticed, the French accent was very perceptible. It was a +good, intelligible, working theory, and that was all that was +wanted. This was Mrs. Fairfax so far as her female +neighbours were concerned. To the men in Langborough she +was what she was to the women, but with a difference. When +she went to Mr. Sweeting’s shop to order her groceries, Mr. +Sweeting, notwithstanding the canonical legend of her life, +served her himself, and was much entangled by her dark hair, and +was drawn down by it into a most polite bow. Mr. Cobb, who +had a little cabin of an office in his coal-yard, hastened back +to it from superintending the discharge of a lighter, when Mrs. +Fairfax called to pay her little bill, actually took off his hat, +begged her to be seated, and hoped she did not find the last lot +of coals dusty. He was now unloading some of the best +Wallsend that ever came up the river, and would take care that +the next half ton should not have an ounce of small in it.</p> +<p>“You’ll find it chilly where you are living, +ma’am, but it isn’t damp, that’s one +comfort. The bottom of your street is damp, and down here +in a flood anything like what we had fourteen years ago, we are +nearly drowned. If you’ll step outside with me +I’ll show you how high the water rose.” He +opened the door, and Mrs. Fairfax thought it courteous not to +refuse. He walked to the back of his cabin bareheaded, +although the morning was cold, and pointed out to her the white +paint mark on the wall. She, dropped her receipted bill in +the black mud and stooped to pick it up. Mr. Cobb plunged +after it and wiped it carefully on his silk +pocket-handkerchief. Mrs. Cobb’s bay window commanded +the whole length of the coal-yard. In this bay window she +always sat and worked and nodded to the customers, or gossiped +with them as they passed. She turned her back on Mrs. +Fairfax both when she entered the yard and when she left it, but +watched her carefully. Mr. Cobb came into dinner, but his +wife bided her time, knowing that, as he took snuff, the +handkerchief would be used. It was very provoking, he was +absent-minded, and forgot his usual pinch before he sat down to +his meal. For three-quarters of an hour his wife was +afflicted with painfully uneasy impatience, and found it very +difficult to reply to Mr. Cobb’s occasional remarks. +At last the cheese was finished, the snuff-box appeared, and +after it the handkerchief.</p> +<p>“A pretty mess that handkerchief is in, +Cobb.” She always called him simply +“Cobb.”</p> +<p>“Yes, it was an a-a-accident. I must have a clean +one. I didn’t think it was so dirty.”</p> +<p>“The washing of your snuffy handkerchiefs costs quite +enough as it is, Cobb, without using them in that way.”</p> +<p>“What way?” said Mr. Cobb weakly.</p> +<p>“Oh, I saw it all, going out without your hat and +standing there like a silly fool cleaning that bit of +paper. I wonder what the lightermen thought of +you.”</p> +<p>It will already have been noticed that the question what other +people thought was always the test which was put in Langborough +whenever anything was done or anything happened not in accordance +with the usual routine, and Mrs. Cobb struck at her +husband’s conscience by referring him to his +lightermen. She continued—</p> +<p>“And you know what she is as well as I do, and if +she’d been respectable you’d have been rude to her, +as you generally are.”</p> +<p>“You bought that last new gown of her, and you never had +one as fitted you so well.”</p> +<p>“What’s that got to do with it? You may be +sure I knew my place when I went there. Fit? Yes, it +did fit; them sort of women, it stands to reason, are just the +women to fit you.”</p> +<p>Mr. Cobb was silent. He was a mild man, and he knew by +much experience how unprofitable controversy with Mrs. Cobb +was. He could not forget Mrs. Fairfax’s stooping +figure when she was about to pick up the bill. She caused +in all the Langborough males an unaccustomed quivering and +warmth, the same in each, physical, perhaps, but salutary, for +the monotony of life was relieved thereby and a deference and +even a grace were begotten which did not usually distinguish +Langborough manners. Not one of Mrs. Fairfax’s +admirers, however, could say that she showed any desire for +conversation with him, nor could any direct evidence be obtained +as to what she thought of things in general. There was, to +be sure, the French book, and there were other circumstances +already mentioned from which suspicion or certainty (suspicion, +as we have seen, passing immediately into certainty in +Langborough) of infidelity or disreputable conduct followed, but +no corroborating word from her could be adduced. She +attended to her business, accepted orders with thanks and smiles, +talked about the weather and the accident to the coach, was +punctual in her attendance at church, calm and inscrutable as the +Sphinx. The attendance at church was, of course, set down +to “business considerations,” and was held to be +quite consistent with the scepticism and loose morality deducible +from the French book and the unground coffee.</p> + +<div class="gapspace"> </div> +<p>In speaking of the male creatures of the town we have left out +Dr. Midleton. He was forty-eight years old, and had been +rector twenty years. He had obtained high mathematical +honours at Cambridge, and became a tutor in a grammar school, but +was soon presented by his college with the living of +Langborough. He was tall, spare, clean-shaven, grey-eyed, +dark-haired, thin-faced, his lips were curved and compressed, and +he stooped slightly. He was a widower with no children, and +the Rectory was efficiently kept in order by an aged +housekeeper. Tractarianism had not arisen in 1839, but he +was High Church and an enemy to all kinds of fanaticism, apt to +be satirical, even in his sermons, on the right of private +judgment to interpret texts as it pleased in ignorance of Hebrew +and Greek. He was respected and feared more than any other +man in the parish. He had a great library, and had taken up +archæology as a hobby. He knew the history of every +church in the county, and more about the Langborough records than +was known by the town clerk. He was chairman of a Board of +Governors charged with the administration of wealthy trust for +alms and schools. When he first took office he found that +this trust was controlled almost entirely by a man named Jackson, +a local solicitor, whose salary as clerk was £400 a year +and who had a large private practice. The alms were +allotted to serve political purposes, and the headmaster of the +school enjoyed a salary of £800 a year for teaching forty +boys, of whom twenty were boarders. Mr. Midleton—he +was Mr. Midleton then—very soon determined to alter this +state of things. Jackson went about sneering at the +newcomer who was going to turn the place upside down, and having +been accustomed to interfere in the debates in the Board-room, +interrupted the Rector at the third or fourth meeting.</p> +<p>“You’ll get yourself in a mess if you do that, Mr. +Chairman.”</p> +<p>“Mr. Jackson,” replied the Rector, rising slowly, +“it may perhaps save trouble if I remind you now, once for +all, that I am chairman and you are the clerk. Mr. Bingham, +you were about to speak.”</p> +<p>It was Dr. Midleton who obtained the new Act of Parliament +remodelling the trust, whereby a much larger portion of its funds +was devoted to education. Jackson died, partly from drink +and partly from spite and vexation, and the headmaster was +pensioned. The Rector was not popular with the middle +class. He was not fond of paying visits, but he never +neglected his duty, and by the poor was almost beloved, for he +was careless and intimate in his talk with them and generous to +real distress. Everybody admired his courage. The +cholera in 1831 was very bad in Langborough, and the people were +in a panic at the new disease, which was fatal in many cases +within six hours after the first attack. The Rector through +that dark time was untouched by the contagious dread which +overpowered his parishioners, and his presence carried confidence +and health. On the worst day, sultry, stifling, with no +sun, an indescribable terror crept abroad, and Mr. Cobb, standing +at his gate, was overcome by it. In five minutes he had +heard of two deaths, and he began to feel what were called +“premonitory symptoms.” He carried a brandy +flask in his pocket, brandy being then considered a remedy, and +he drank freely, but imagined himself worse. He was about +to rush indoors and tell Mrs. Cobb to send for the surgeon, when +the Rector passed.</p> +<p>“Ah, Mr. Cobb! I was just about to call on you; +glad to see you looking so well when there’s so much +sickness. We shall want you on the School Committee this +evening,” and then he explained some business which was to +be discussed. Mr. Cobb afterwards was fond of telling the +story of this interview.</p> +<p>“Would you believe it?” said he. “He +spoke to me about nothing much but the trust, but somehow my +stomach seemed quieter at once. The sinking—just +<i>here</i>, you know—was dreadful before he came up, and +the brandy was no good. It was a something in his way that +did it.”</p> +<p>Dr. Midleton was obliged to call on Mrs. Fairfax as a +newcomer. He found Mrs. Harrop there, and Mrs. Fairfax +asked him to step into the back parlour, into which no one in +Langborough had hitherto been admitted. Gowns were tried on +in the shop, the door being bolted and the blind drawn. Dr. +Midleton found four little shelves of books on the cupboard by +the side of the fireplace. Some were French, but most of +them were English. Although it was such a small collection, +his book-lover’s instinct compelled him to look at +it. His eyes fell upon a <i>Religio Medici</i>, and he +opened it hastily. On the fly-leaf was written “Mary +Leighton, from R. L.” He had just time, before its +owner entered, to replace it and to muse for an instant.</p> +<p>“Richard Leighton of Trinity: it is not a common name, +but it cannot be he—have lost sight of him for years; heard +he was married, and came to no good.”</p> +<p>He was able to watch her for a minute as she stood by the +table giving some directions to her child, who was sent on an +errand. In that minute he saw her as she had not been seen +by anybody in Langborough. To Mrs. Bingham and her friends +Mrs. Fairfax was the substratum of a body and skirt, with the +inestimable advantage over a substratum of cane and padding that +a scandalous history of it could be invented and believed. +To Langborough men, married and single, she was a member of +“the sex,” as women were called in those days, who +possessed in a remarkable degree the power of exciting that +quivering and warmth we have already observed. Dr. Midleton +saw before him a lady, tall but delicately built, with handsome +face and dark brown hair just streaked with grey, and he saw also +diffused over every feature a light which in her eyes, +forward-looking and earnest, became concentrated into a vivid, +steady flame. The few words she spoke to her daughter were +sharply cut, a delightful contrast in his ear to the dialect to +which he was accustomed, distinguished by its universal vowel and +suppression of the consonants. How he inwardly rejoiced to +hear the sound of the second “t” in the word +“distinct,” when she told her little messenger that +Mr. Cobb had been “distinctly” ordered to send the +coals yesterday. He remained standing until the child had +gone.</p> +<p>“Pray be seated,” she said. She went to the +fireplace, leaned on the mantelpiece, and poked the fire. +The attitude struck him. She was about to put some coals in +the grate, but he interfered with an “Allow me,” and +performed the office for her. She thanked him simply, and +sat down opposite to him, facing the light. She began the +conversation.</p> +<p>“It is good of you to call on me; calling on people, +especially on newcomers must be an unpleasant part of a +clergyman’s duty.”</p> +<p>“It is so, madam, sometimes—there are not many +newcomers.”</p> +<p>“It is an advantage in your profession that you must +generally be governed by duty. It is often easier to do +what we are obliged to do, even if it be disagreeable, than to +choose our path by our likes and dislikes.”</p> +<p>The bell rang, and Mrs. Fairfax went into the shop.</p> +<p>“Who can she be?” said the Doctor to +himself. Such an experience as this he had not known since +he had been rector. Langborough did not deal in +ideas. It was content to affirm that Miss Tarrant now and +then gave herself airs, that Mrs. Sweeting had a way of her own, +that Mr. Cobb lacked spirit and was downtrodden by his wife.</p> +<p>She returned and sat down again.</p> +<p>“You know nobody in these parts, Mrs. +Fairfax?”</p> +<p>“Nobody.”</p> +<p>“Yours is a bold venture, is it not?”</p> +<p>“It is—certainly. A good many plans were +projected, of which this was one, and there were equal +difficulties in the way of all. When that is the case we +may almost as well draw lots.”</p> +<p>“Ah, that is what I often say to some of the weaker sort +among my parishioners. I said it to poor Cobb the other +day. He did not know whether he should do this or do +that. ‘It doesn’t matter much,’ said I, +‘what you do, but do something. <i>Do</i> it, with +all your strength.’”</p> +<p>The Doctor was thoroughly Tory, and he slid away to his +favourite doctrine.</p> +<p>“Our ancestors, madam, were not such fools as we often +take them to be. They consulted the <i>sortes</i> or lots, +and at the last election—we have a potwalloping +constituency here—three parts of the voters would have done +better if they had trusted to the toss-up of a penny instead of +their reason.”</p> +<p>Mrs. Fairfax leaned back in her chair. Dr. Midleton +noticed her wedding-ring, and also a handsome sapphire +ring. She spoke rather slowly and meditatively.</p> +<p>“Life is so complicated; so few of the consequences of +many actions of the greatest moment can be foreseen, that the +belief in the lot is not unnatural.”</p> +<p>“You have some books, I see—Sir Thomas +Browne.” He took down the volume.</p> +<p>“Leighton! Leighton! how odd! Was it Richard +Leighton?”</p> +<p>“Yes.”</p> +<p>“Really; and you knew him?”</p> +<p>“He was a friend of my brother.”</p> +<p>“Do you know what has become of him? He was at +Cambridge with me, but was younger.”</p> +<p>“I have not seen him for some time. Do you mind if +I open the window a little?”</p> +<p>“Certainly not.”</p> +<p>She stood at the window for a moment, looking out on the +garden, with her hand on the top of the sash. The Doctor +had turned his chair a little and his eyes were fixed on her +there with her uplifted arm. A picture which belonged to +his father instantly came back to him. He recollected it so +well. It represented a woman watching a young man in a +courtyard who is just mounting his horse. We are every now +and then reminded of pictures by a group, an attitude, or the +arrangement of a landscape which, thereby, acquires a new +charm.</p> +<p>Suddenly the shop bell rang again, and Mrs. Fairfax’s +little girl rushed into the parlour. She had fallen down +and cut her wrist terribly with a piece of a bottle containing +some hartshorn which she had to buy at the druggist’s on +her way home from Mr. Cobb’s. The blood flowed +freely, but Mrs. Fairfax, unbewildered, put her thumb firmly on +the wrist just above the wound and instructed the doctor how to +use his pocket-handkerchief as a tourniquet. As he was +tying it, although such careful attention to the operation was +necessary, he noticed Mrs. Fairfax’s hands, and he almost +forgot himself and the accident.</p> +<p>“There is glass in the wrist,” she said. +“Will you kindly fetch the surgeon? I do not like to +leave.”</p> +<p>He went at once, and fortunately met him in his gig.</p> +<p>On the third day after the mishap Dr. Midleton thought he +ought to inquire after the child. The glass had been +extracted and she was doing well. Her mother was at work in +the back-parlour. She made no apology for her occupation, +but laid down her tools.</p> +<p>“Pray go on, madam.”</p> +<p>“Certainly not. I am afraid I might make a mistake +with my scissors if I were to listen to you; or, worse, if I were +to pay attention to them I should not pay attention to +you.”</p> +<p>He smiled. “It is an art, I should think, which +requires not only much attention but practice.”</p> +<p>She evaded the implied question. “It is difficult +to fit, but it is more difficult to please.”</p> +<p>“That is true in my own profession.”</p> +<p>“But you are not obliged to please.”</p> +<p>“No, not obliged, I am happy to say. If my +parishioners do not hear the truth I have no excuse. It +must be rather trying to the temper of a lady like yourself to +humour the caprices of the vulgar.”</p> +<p>“No; they are my customers, and even if they are +unpleasant they are so not to me personally but to their servant, +who ceases to be their servant when she ceases to be employed +upon their clothes.”</p> +<p>“You are a philosopher, madam; that sentiment is worthy +of Epictetus.”</p> +<p>“I have read Epictetus in Mrs. Carter’s +translation.”</p> +<p>“You have read Epictetus? That is +remarkable! I should think no other woman in the county has +read him.” He leaned forward a little and his face +was lighted up. “I have a library, madam, a large +library; I should like to show it to you, if—if it can be +managed without difficulty.”</p> +<p>“It will give me great pleasure to see it some +day. It must be a delightful solace to you in a town like +this, in which I daresay you have but few friends. I +suppose, though, you visit a good deal?”</p> +<p>“No; I do not visit much. I differ from my brother +Sinclair in the next parish. He is always visiting. +What is the consequence?—gossip and, as I conceive, a loss +of dignity and self-respect. I will go wherever there is +trouble or wherever I am wanted, but I will not go anywhere for +idle talk.”</p> +<p>“I think you are right. A priest should not make +himself cheap and common. He should be representative of +sacred interests superior to the ordinary interests of +life.”</p> +<p>“I am grateful to you, madam, very grateful to you for +these observations. They are as just as they are +unusual. I sincerely hope that we—” But +there was a knock at the door.</p> +<p>“Come in.” It was Mrs. Harrop. +“Your bell rang, Mrs. Fairfax, but maybe you didn’t +hear it as you were engaged in conversation. Good morning, +Dr. Midleton. I hope I don’t intrude?”</p> +<p>“No, you do not.”</p> +<p>He bowed to the ladies, and as he went out, the parlour-door +being open, he moved the outer door backwards and forwards.</p> +<p>“It would be as well, Mrs. Fairfax, to have a bell hung +there which would act properly.”</p> +<p>“I don’t know quite what Dr. Midleton +means,” said Mrs. Harrop when he had gone. “The +bell did ring, loud enough for most people to have heard it, and +I waited ever so long.”</p> +<p>He walked down the street with his customary firm step, and +met Mr. Bingham who stopped him, half smiling and not quite at +his ease.</p> +<p>“We are sorry, Doctor, you did not give Hutchings your +vote for the almshouse last Thursday; we expected you would have +gone with us.”</p> +<p>“You expected? Why?”</p> +<p>“Well, you see, sir, Hutchings has always worked hard +for our side.”</p> +<p>“I am astonished, Mr. Bingham, that you should suppose +that I will ever consent to divert the funds of a trust for party +purposes.”</p> +<p>Mr. Bingham, although he had just determined to give the +Doctor a bit of his mind, felt his strength depart from +him. His sentences lacked power to stand upright and fell +sprawling. “No offence, Doctor, I merely wanted you +to know—not so much my own views—difficulty to keep +our friends together. Short—you know Tom +Short—was saying to me he was afraid—”</p> +<p>“Pay no attention to fools. Good +morning.”</p> +<p>The Doctor came in that night from a vestry meeting to which +he went after dinner. The clock was striking nine, the +chimes played their tune, and as the last note sounded the +housekeeper and servants filed into the study for prayers. +Prayers over they rose and went out, and he sat down. His +habits were becoming fixed and for some years he had always read +in the evening the friends of his youth. No sermon was +composed then; no ecclesiastical literature was studied. +Pope and Swift were favourites and, curiously enough, Lord +Byron. His case is not uncommon, for it often happens that +men who are forced into reserve or opposition preserve a secret, +youthful, poetic passion and are even kept alive by it. On +this particular evening, however, Pope, Byron, and Swift remained +on his shelves. He meditated.</p> +<p>“A wedding-ring on her finger; no widow’s weeds; +he may nevertheless be dead—I believe I heard he +was—and she has discontinued that frightful +disfigurement. Leighton had the thickest crop of black hair +I ever saw on a man: what thick, black hair that child has! +A lady; a reader of books; nobody to be compared with her +here.” At this point he rose and walked about the +room for a quarter of an hour. He sat down again and took +up an important paper about the Trust. He had forgotten it +and it was to be discussed the next day. His eyes wandered +over it but he paid no attention to it; and somewhat disgusted +with himself he went to bed.</p> +<p>Mrs. Fairfax had happened to tell him that she was fond of +walking soon after breakfast before she opened her shop, and +generally preferred the lane on the west side of the +Common. From his house the direct road to the lane lay down +the High Street, but about a fortnight after that evening in his +study he found himself one morning in Deadman’s Rents, a +narrow, dirty alley which led to the east side of the +Common. Deadman’s Rents was inhabited by men who +worked in brickyards and coalyards, who did odd jobs, and by +washerwomen and charwomen. It contained also three +beershops. The dwellers in the Rents were much surprised to +see the Doctor amongst them at that early hour, and conjectured +he must have come on a professional errand. Every one of +the Deadman ladies who was at her door—and they were +generally at their doors in the daytime—vigilantly watched +him. He went straight through the Rents to the Common, +whereupon Mrs. Wiggins, who supported herself by the sale of +firewood, jam, pickles, and peppermints, was particularly +disturbed and was obliged to go over to the “Kicking +Donkey,” partly to communicate what she had seen and partly +to ward off by half a quartern of rum the sinking which always +threatened her when she was in any way agitated. When he +reached the common it struck him that for the first time in his +life he had gone a roundabout way to escape being seen. +Some people naturally take to side-streets; he, on the contrary, +preferred the High Street; it was his quarter-deck and he paraded +it like a captain. “Was he doing wrong?” he +said to himself. Certainly not; he desired a little +intelligent conversation and there was no need to tell everybody +what he wanted. It was unfortunate, nevertheless, that it +was necessary to go through Deadman’s Rents in order to get +it. He soon saw Mrs. Fairfax and her little girl in front +of him. He overtook her, and she showed no surprise at +seeing him.</p> +<p>“I have been thinking,” said he, “about what +you told me”—this was a reference to an interview not +recorded. “I am annoyed that Mrs. Harrop should have +been impertinent to you.”</p> +<p>“You need not be annoyed. The import of a word is +not fixed. If anything annoying is said to me, I always ask +myself what it means—not to me but to the speaker. +Besides, as I have told you before, shop insolence is +nothing.”</p> +<p>“You may be justified in not resenting it, but Mrs. +Harrop cannot be excused. I am not surprised to find that +she can use such language, but I am astonished that she should +use it to you. It shows an utter lack of perception. +Your Epictetus has been studied to some purpose.”</p> +<p>“I have quite forgotten him. I do not recollect +books, but I never forget the lessons taught me by my own +trade.”</p> +<p>“You have had much trouble?”</p> +<p>“I have had my share: probably not in excess. It +is difficult for anybody to know whether his suffering is +excessive: there is no means of measuring it with that of +others.”</p> +<p>“Have you no friends with whom you can share +it?”</p> +<p>“I have known but one woman intimately, and she is now +dead. I have known two or three men whom I esteemed, but +close friendship between a woman and a man, unless he is her +husband, as a rule is impossible.”</p> +<p>“Do you really think so?”</p> +<p>“I am certain of it. I am speaking now of a +friendship which would justify a demand for sympathy with real +sorrows.”</p> +<p>They continued their walk in silence for the next two or three +minutes.</p> +<p>“We are now near the end of the lane. I must turn +and go back.”</p> +<p>“I will go with you.”</p> +<p>“Thank you: I should detain you: I have to make a call +on business at the White House. Good morning.”</p> +<p>They parted.</p> +<p>Dr. Midleton presently met Mrs. Jenkins of Deadman’s +Rents, who was going to the White House to do a day’s +washing. A few steps further he met Mr. Harrop in his gig, +who overtook Mrs. Fairfax. Thus it came to pass that +Deadman’s Rents and the High Street knew before nightfall +that Dr. Midleton and Mrs. Fairfax had been seen on the Common +that morning. Mrs. Jenkins protested, that “if she +was to be burnt alive with fuz-faggits and brimstone, nothink but +what she witnessed with her own eyes should pass her lips, +whatsomever she might think, and although they were +a-walkin’—him with his arm round her waist—she +did <i>not</i> see him a-kissin’ of her—how could she +when they were a hundred yards off?”</p> +<p>The Doctor prolonged his stroll and reached home about +half-past eleven. A third of his life had been spent in +Langborough. He remembered the day he came and the +unpacking of his books. They lined the walls of his room, +some of them rare, all of them his friends. Nobody in +Langborough had ever asked him to lend a single volume. The +solitary scholar never forsook his studies, but at times he +sighed over them and they seemed a little vain. They were +not entirely without external effect, for Pope and Swift in +disguise often spoke to the vestry or the governors, and the +Doctor’s manners even in the shops were moulded by his +intercourse with the classic dead. Their names, however, in +Langborough were almost unknown. He had now become hardened +by constant unsympathetic contact. Suddenly a stranger had +appeared who was an inhabitant of his own world and talked his +own tongue. The prospect of genuine intercourse disclosed +itself. None but those who have felt it can imagine the +relief, the joyous expansion, which follow the discovery after +long years of imprisonment with decent people of a person before +whom it is unnecessary to stifle what we most care to +express. No wonder he was excited!</p> +<p>But the stranger was a woman. He meditated much that +morning on her singular aptitude for reflection, but he presently +began to dream over figure, hair, eyes, hands. A picture in +the most vivid colours painted itself before him, and he could +not close his eyes to it. He was distressed to find himself +the victim of this unaccustomed tyranny. He did not know +that it is impossible for a man to love a woman’s soul +without loving her body. There is no such thing as a +spiritual love apart from a corporeal love, the one celestial and +the other earthly, and the spiritual love begets a passion +peculiar in its intensity. He was happily diverted by Mr. +Bingham, who called about a coming contested election for the +governorships.</p> +<p>Next week there was another tea-party at Mrs. +Cobb’s. The ladies were in high spirits, for a +subject of conversation was assured. If there had been an +inquest, or a marriage, or a highway robbery before one of these +parties, or if the contents of a will had just been made known, +or still better, if any scandal had just come to light, the +guests were always cheerful. Now, of course, the topic was +Dr. Midleton and Mrs. Fairfax.</p> +<p>“When I found him in that back parlour,” said Mrs. +Harrop, “I thought he wasn’t there to pay the usual +call. Somehow it didn’t seem as if he was like a +clergyman. I felt quite queer: it came over me all of a +sudden. And then we know he’s been there once or +twice since.”</p> +<p>“I don’t wonder at your feeling queer, Mrs. +Harrop,” quoth Mrs. Cobb. “I’m sure I +should have fainted; and what brazen boldness to walk out +together on the Common at nine o’clock in the +morning. That girl who brought in the tea—it’s +my belief that a young man goes after her—but even they +wouldn’t demean themselves to be seen at it just after +breakfast.”</p> +<p>“You don’t mean to say as your Deborah encourages +a man, Mrs. Cobb! I don’t know what we are +a-comin’ to. You’ve always been so particular, +and she seemed so respectable. I <i>am</i> +sorry.”</p> +<p>Mrs. Cobb did not quite relish Mrs. Harrop’s pity.</p> +<p>“You may be sure, Mrs. Harrop, she was respectable when +I took her, and if she isn’t I shan’t keep her. +I <i>am</i> particular, more so than most folk, and I don’t +mind who knows it.” Mrs. Cobb threw back her cap +strings. The denial that she minded who knew it may not +appear relevant, but desiring to be spiteful she could not at the +moment find a better way of showing her spite than by declaring +her indifference to the publication of her virtues. If +there was no venom in the substance of the declaration there was +much in the manner of it. Mrs. Bingham brought back the +conversation to the point.</p> +<p>“I suppose you’ve heard what Mrs. Jenkins +says? Your husband also, Mrs. Harrop, met them +both.”</p> +<p>“Yes he did. He was not quite in time to see as +much as Mrs. Jenkins saw, and I’m glad he +didn’t. I shouldn’t have felt comfortable if +I’d known he had. A clergyman, too! it is +shocking. A nice business, this, for the +Dissenters.”</p> +<p>“Well,” said Mrs. Bingham, “what are we to +do? I had thought of going to her and giving her a bit of +my mind, but she has got that yellow gown to make. What is +your opinion, Miss Tarrant?”</p> +<p>“I would not degrade myself, Mrs. Bingham, by any +expostulations with her. I would have nothing more to do +with her. Could you not relieve her of the unfinished +gown? Mrs. Swanley, I am sure, under the circumstances +would be only too happy to complete it for you.”</p> +<p>“Mrs. Swanley cannot come near her. I should look +ridiculous in her body and one of Swanley’s +skirts.”</p> +<p>“As to the Doctor,” continued Miss Tarrant, +“I wonder that he can expect to maintain any authority in +matters of religion if he marries a dressmaker of that +stamp. It would be impossible even if her character were +unimpeachable. I am astonished, if he wishes to enter into +the matrimonial state, that he does not seek some one who would +be able to support him in his position and offer him the sympathy +which a man who has had a University education might justifiably +demand.”</p> +<p>Mrs. Sweeting had hitherto listened in silence. Miss +Tarrant provoked her.</p> +<p>“It’s all a fuss about nothing, that’s my +opinion. What has she done that you know to be wrong? +And as to the Doctor, he’s got a right to please +himself. I’m surprised at you, Miss Tarrant, for +<i>you’ve</i> always stuck for him through thick and +thin. As for that Mrs. Jenkins, I’ll take my Bible +oath that the last time she washed for me she stunk of gin enough +to poison me, and went away with two bits of soap in her +pocket. You may credit what she says: <i>I</i> don’t, +and never demean myself to listen to her.”</p> +<p>The ladies came to no conclusion. Mrs. Bingham said that +she had suggested a round robin to Dr. Midleton, but that her +husband decidedly “discountenanced the +proposal.” Within a fortnight the election of +governors was to take place. There was always a fight at +these elections, and this year the Radicals had a strong +list. The Doctor, whose term of office had expired, was the +most prominent of the Tory and Church candidates, and never +doubted his success. He was ignorant of all the gossip +about him. One day in that fortnight he might have been +seen in Ferry Street. He went into Mrs. Fairfax’s +shop and was invited as before into the back parlour.</p> +<p>“I have brought you a basket of pears, and the book I +promised you, the <i>Utopia</i>.” He sat down. +“I am afraid you will think my visits too +frequent.”</p> +<p>“They are not too frequent for me: they may be for +yourself.”</p> +<p>“Ah! since I last entered your house I have not seen any +books excepting my own. You hardly know what life in +Langborough is like.”</p> +<p>“Does nobody take any interest in +archæology?”</p> +<p>“Nobody within five miles. Sinclair cares nothing +about it: he is Low Church, as I have told you.”</p> +<p>“Why does that prevent his caring about it?”</p> +<p>“Being Low Church he is narrow-minded, or, perhaps it +would be more correct to say, being narrow-minded he is Low +Church. He is an indifferent scholar, and occupies himself +with his religious fancies and those of his flock. He can +reign supreme there. He is not troubled in that department +by the difficulties of learning and is not exposed to criticism +or contradiction.”</p> +<p>“I suppose it is a fact of the greatest importance to +him that he and his parishioners have souls to be saved, and that +in comparison with that fact others are immaterial.”</p> +<p>“We all believe we have souls to be saved. Having +set forth God’s way of saving them we have done all we +ought to do. God’s way is not sufficient for +Sinclair. He enlarges it out of his own head, and instructs +his silly, ignorant friends to do the same. He will not be +satisfied with what God and the Church tell him.”</p> +<p>“God and the Church, according to Dr. Midleton’s +account, have not been very effective in Langborough.”</p> +<p>“They hear from me, madam, all I am commissioned to say, +and if they do not attend I cannot help it.”</p> +<p>“I have read your paper in the Archæological +Transactions on the history of Langborough Abbey. It +excited my imagination, which is never excited in reading +ordinary histories. In your essay I am in company with the +men who actually lived in the time of Henry the Second and Henry +the Eighth. I went over the ruins again, and found them +much more beautiful after I understood something about +them.”</p> +<p>“Yes: exactly what I have said a hundred times: +knowledge is indispensable.”</p> +<p>“If you had not pointed it out, I should never have +noticed the Early English doorway in the Chapter-house, so +distinct in style from the Refectory.”</p> +<p>“You noticed the brackets of that doorway: you noticed +the quatrefoils in the head? The Refectory is later by +three centuries, and is exquisite, but is not equal to the +Chapter-house.”</p> +<p>“Yes, I noticed the brackets and quatrefoils +particularly. If knowledge is not necessary in order that +we may admire, its natural tendency is to deepen our +admiration. Without it we pass over so much. In my +own small way I have noticed how my slight botanical knowledge of +flowers by the mere attention involved increases my wonder at +their loveliness.”</p> +<p>There was the usual interruption by the shop-bell. How +he hated that bell! Mrs. Fairfax answered it, closing the +parlour door. The customer was Mrs. Bingham.</p> +<p>“I will not disturb you now, Mrs. Fairfax. I was +going to say something about the black trimming you +recommended. I really think red would suit me better, but, +never mind, I will call again as I saw the Doctor come in. +He is rather a frequent visitor.”</p> +<p>“Not frequent: he comes occasionally. We are both +interested in a subject which I believe is not much studied in +Langborough.”</p> +<p>“Dear me! not dressmaking?”</p> +<p>“No, madam, archæology.”</p> +<p>Mrs. Bingham went out once more discomfited, and Mrs. Fairfax +returned to the parlour.</p> +<p>“I am sure I am taking up too much of your time,” +said the Doctor, “but I cannot tell you what a privilege it +is to spend a few minutes with a lady like yourself.”</p> +<p>Mrs. Fairfax was silent for a minute.</p> +<p>“Mrs. Bingham has been here, and I think I ought to tell +you that she has made some significant remarks about you. +Forgive me if I suggest that we should partially, at any rate, +discontinue our intercourse. I should be most unhappy if +your friendship with me were to do you any harm.”</p> +<p>The Doctor rose in a passion, planting his stick on the +floor.</p> +<p>“When the cackling of the geese or the braying of the +asses on Langborough Common prevent my crossing it, then, and not +till then, will my course be determined by Mrs. Bingham and her +colleagues.”</p> +<p>He sat down again with his elbow on the arm of the chair and +half shading his eyes with his hand. His whole manner +altered. Not a trace of the rector remained in him: the +decisiveness vanished from his voice; it became musical, low, and +hesitating. It was as if some angel had touched him, and +had suddenly converted all his strength into tenderness, a +transformation not impossible, for strength is tenderness and +tenderness is strength.</p> +<p>“I shall be forty-nine years old next birthday,” +he said. “Never until now have I been sure that I +loved a woman. I was married when I was twenty-five. +I had seen two or three girls whom I thought I could love, and at +last chose one. It was the arbitrary selection of a weary +will. My wife died within two years of her marriage. +After her death I was thrown in the way of women who attracted +me, but I wavered. If I made up my mind at night, I shrank +back in the morning. I thought my irresolution was mere +cowardice. It was not so. It was a warning that the +time had not come. I resolved at last that there was to be +no change in my life, that I would resign myself to my lot, +expect no affection, and do the duty blindly which had been +imposed upon me. But a miracle has been wrought, and I have +a perfectly clear direction: with you for the first time in my +life I am <i>sure</i>. You have known what it is to be in a +fog, unable to tell which way to turn, and all at once the cold, +wet mist was lifted, the sun came out, the fields were lighted +up, the sea revealed itself to the horizon, and your road lay +straight before you stretching over the hill. I will not +shame myself by apologies that I am no longer young. My +love has remained with me. It is a passion for you, and it +is a reverence for a mind to which it will be a perpetual joy to +submit.”</p> +<p>“God pardon me,” she said after a moment’s +pause, “for having drawn you to this! I did not mean +it. If you knew all you would forgive me. It cannot, +cannot be! Leave me.” He hesitated. +“Leave me, leave me at once!” she cried.</p> +<p>He rose, she took his right hand in both of hers: there was +one look straight into his eyes from her own which were filling +with tears, a half sob, her hands after one more grasp fell, and +he found that he had left the house. He went home. +How strange it is to return to a familiar chamber after a great +event has happened! On his desk lay a volume of +Cicero’s letters. The fire had not been touched and +was almost out: the door leading to the garden was open: the self +of two hours before seemed to confront him. When the tumult +in him began to subside he was struck by the groundlessness of +his double assumption that Mrs. Fairfax was Mrs. Leighton and +that she was free. He had made no inquiry. He had +noticed the wedding-ring, and he had come to some conclusion +about it which was supported by no evidence. Doubtless she +could not be his: her husband was still alive. At last the +hour for which unconsciously he had been waiting had struck, and +his true self, he not having known hitherto what it was, had been +declared. But it was all for nothing. It was as if +some autumn-blooming plant had put forth on a sunny October +morning the flower of the year, and had been instantaneously +blasted and cut down to the root. The plant might revive +next spring, but there could be no revival for him. There +could be nothing now before him but that same dull duty, duty to +the dull, duty without enthusiasm. He had no example for +his consolation. The Bible is the record of heroic +suffering: there is no story there of a martyrdom to monotony and +life-weariness. He was a pious man, but loved prescription +and form: he loved to think of himself as a member of the great +Catholic Church and not as an isolated individual, and he found +more relief in praying the prayers which millions had before him +than in extempore effusion; humbly trusting that what he was +seeking in consecrated petitions was all that he really +needed. “In proportion as your prayers are +peculiar,” he once told his congregation in a course of +sermons on Dissent, “they are worthless.” There +was nothing, though, in the prayer-book which met his case. +He was in no danger from temptation, nor had he trespassed. +He was not in want of his daily bread, and although he desired +like all good men to see the Kingdom of God, the advent of that +celestial kingdom which had for an instant been disclosed to him +was for ever impossible.</p> +<p>The servant announced Mrs. Sweeting, who was asked to come +in.</p> +<p>“Sit down, Mrs. Sweeting. What can I do for +you?”</p> +<p>“Well, sir, perhaps you may remember—and if you +don’t, I do—how you helped my husband in that +dreadful year 1825. I shall never forget that act of yours, +Dr. Midleton, and I’d stick up for you if Mrs. Bingham and +Mrs. Harrop and Mrs. Cobb and Miss Tarrant were to swear against +you and you a-standing in the dock. As for that Miss +Tarrant, there’s that a-rankling in her that makes her +worse than any of them, and if you don’t know what it is, +being too modest, forgive me for saying so, I do.”</p> +<p>“But what’s the matter, Mrs. Sweeting?”</p> +<p>“Matter, sir! Why, I can hardly bring it out, +seeing that I’m only the wife of a tradesman, but one thing +I will say as I ain’t like the serpent in Genesis, +a-crawling about on its belly and spitting poison and biting +people by their heels.”</p> +<p>“You have not yet told me what is wrong.”</p> +<p>“Dr. Midleton, you shall have it, but recollect I come +here as your friend: leastways I hope you’ll forgive me if +I call myself so, for if you were ill and you were to hold up +your finger for me not another soul should come near you night +nor day till you were well again or it had pleased God Almighty +to take you to Himself. Dr. Midleton, there’s a +conspiracy.”</p> +<p>“A what?”</p> +<p>“A conspiracy: that’s right, I believe. You +are acquainted with Mrs. Fairfax. To make a long and a +short of it, they say you are always going there, more than you +ought, leastways unless you mean to marry her, and that +she’s only a dressmaker, and nobody knows where she comes +from, and they ain’t open and free: they won’t come +and tell you themselves; but you’ll be turned out at the +election the day after to-morrow.”</p> +<p>“But what do you say yourself?”</p> +<p>“Me, Dr. Midleton? Why, I’ve spoke up pretty +plainly. I told Mrs. Cobb it would be a good thing if you +were married, provided you wouldn’t be trod upon as some +people’s husbands are, and I was pretty well sure you never +would be, and that you knew a lady when you saw her better than +most folk; and as for her being a dressmaker what’s that +got to do with it?”</p> +<p>“You are too well acquainted with me, Mrs. Sweeting, to +suppose I should condescend to notice this contemptible stuff or +alter my course to please all Langborough. Why did you take +the trouble to report it to me?”</p> +<p>“Because, sir, I wouldn’t for the world you should +think I was mixed up with them; and if my husband doesn’t +vote for you my name isn’t Sweeting.”</p> +<p>“I am much obliged to you. I see your motives: you +are straightforward and I respect you.”</p> +<p>Mrs. Sweeting thanked him and departed. His first +feeling was wrath. Never was there a man less likely to be +cowed. He put on his hat and walked to his committee-room, +where he found Mr. Bingham.</p> +<p>“No doubt, I suppose, Mr. Bingham?”</p> +<p>“Don’t know, Doctor; the Radicals have got a +strong candidate in Jem Casey. Some of our people will +turn, I’m afraid, and split their votes.”</p> +<p>“Split votes! with a fellow like that! How can +there be any splitting between an honest man and a +rascal?”</p> +<p>“There shouldn’t be, sir, but—” Mr. +Bingham hesitated—“I suppose there may be personal +considerations.”</p> +<p>“Personal considerations! what do you mean? Let us +have no more of these Langborough tricks. Out with it, +Bingham! Who are the persons and what are the +considerations?”</p> +<p>“I really can’t say, Doctor, but perhaps you may +not be as popular as you were. You’ve—” +but Mr. Bingham’s strength again completely failed him, and +he took a sudden turn—“You’ve taken a decided +line lately at several of our meetings.”</p> +<p>The Doctor looked steadily at Mr. Bingham, who felt that every +corner of his pitiful soul was visible.</p> +<p>“The line I have taken you have generally +supported. That is not what you mean. If I am +defeated I shall be defeated by equivocating cowardice, and I +shall consider myself honoured.”</p> +<p>The Doctor strode out of the room. He knew now that he +was the common property of the town, and that every tongue was +wagging about him and a woman, but he was defiant. The next +morning he saw painted in white paint on his own wall—</p> +<blockquote><p>“My dearly beloved, for all you’re so +bold, <br /> +To-morrow you’ll find you’re left out in the cold;<br +/> +And, Doctor, the reason you need not to ax,<br /> +It’s because of a dressmaker—Mrs. +F—fax.”</p> +</blockquote> +<p>He was going out just as the gardener was about to obliterate +the inscription.</p> +<p>“Leave it, Robert, leave it; let the filthy scoundrels +perpetuate their own disgrace.”</p> +<p>The result of the election was curious. Two of the +Church candidates were returned at the top of the poll. Jem +Casey came next. Dr. Midleton and the other two Radical and +Dissenting candidates were defeated. There were between +seventy and eighty plumpers for the two successful Churchmen, and +about five-and-twenty split votes for them and Casey, who had +distinguished himself by his coarse attacks on the Doctor. +Mr. Bingham had a bad cold, and did not vote. On the +following Sunday the church was fuller than usual. The +Doctor preached on behalf of the Society for the Propagation of +the Gospel. He did not allude directly to any of the events +of the preceding week, but at the close of his sermon he +said—“It has been frequently objected that we ought +not to spend money on missions to the heathen abroad as there is +such a field of labour at home. The answer to that +objection is that there is more hope of the heathen than of many +of our countrymen. This has been a nominally Christian land +for centuries, but even now many deadly sins are not considered +sinful, and it is an easier task to save the savage than to +convince those, for example, whose tongue, to use the words of +the apostle, is set on fire of hell, that they are in danger of +damnation. I hope, therefore, my brethren, that you will +give liberally.”</p> +<p>On Monday Langborough was amazed to find Mrs. Fairfax’s +shop closed. She had left the town. She had taken a +post-chaise on Saturday and had met the up-mail at Thaxton +cross-roads. Her scanty furniture had disappeared. +The carrier could but inform Langborough that he had orders to +deliver her goods at Great Ormond Street whence he brought +them. Mrs. Bingham went to London shortly afterwards and +called at Great Ormond Street to inquire for Mrs. Fairfax. +Nobody of that name lived there, and the door was somewhat +abruptly shut in her face. She came back convinced that +Mrs. Fairfax was what Mrs. Cobb called “a bad +lot.”</p> +<p>“Do you believe,” said she, “that a woman +who gives a false name can be respectable? We want no +further proof.”</p> +<p>Nobody wanted further proof. No Langborough lady needed +any proof if a reputation was to be blasted.</p> +<p>“It’s an <i>alibi</i>,” said Mrs. +Harrop. “That’s what Tom Cranch the poacher +did, and he was hung.”</p> +<p>“An <i>alias</i>, I believe, is the correct term,” +said Miss Tarrant. “It means the assumption of a name +which is not your own, a most discreditable device, one to which +actresses and women to whose occupation I can only allude, +uniformly resort. How thankful we ought to be that our +respected Rector’s eyes must now be opened and that he has +escaped the snare! It was impossible that he could be +permanently attracted by vice and vulgarity. It is singular +how much more acute a woman’s perception often is than a +man’s. I saw through this creature at +once.”</p> + +<div class="gapspace"> </div> +<p>Eighteen months passed. The doctor one day was unpacking +a book he had bought at Peterborough. Inside the brown +paper was a copy of the <i>Stamford Mercury</i>, a journal which +had a wide circulation in the Midlands. He generally read +it, but he must have omitted to see this number. His eye +fell on the following announcement—“On the 24th June +last, Richard Leighton, aged 44 years.” The notice +was late, for the date of the paper was the 18th November. +The next afternoon he was in London. He had been to Great +Ormond Street before and had inquired for Mrs. Fairfax, but could +find no trace of her. He now called again.</p> +<p>“You will remember,” he said, “my inquiry +about Mrs. Fairfax: can you tell me anything about Mrs. +Leighton?” He put his hand in his pocket and pulled +out five shillings.</p> +<p>“She isn’t here: she went away when her husband +died.”</p> +<p>“He died abroad?”</p> +<p>“Yes.”</p> +<p>“Where has she gone?”</p> +<p>“Don’t know quite: her friends wouldn’t have +anything to do with her. She said she was going to +Plymouth. She had heard of something in the dressmaking +line there.”</p> +<p>He handed over his five shillings, procured a substitute for +next Sunday, and went to Plymouth. He wandered through the +streets but could see no dressmaker’s shop which looked as +if it had recently changed hands. He walked backwards and +forwards on the Hoe in the evening: the Eddystone light glimmered +far away on the horizon; and the dim hope arose in him that it +might be a prophecy of success, but his hope was vain. It +came into his mind that it was not likely that she would be there +after dusk, and he remembered her preference for early +exercise. The first morning was a failure, but on the +second—it was sunny and warm—he saw her sitting on a +bench facing the sea. He went up unobserved and sat +down. She did not turn towards him till he said “Mrs. +Leighton!” She started and recognised him. +Little was spoken as they walked home to her lodgings, a small +private house. On her way she called at a large shop where +she was employed and obtained leave of absence until after +dinner.</p> +<p>“At last!” said the doctor when the door was +shut.</p> +<p>She stood gazing in silence at the dull red cinder of the +dying fire.</p> +<p>“You put the advertisement in the <i>Stamford +Mercury</i>?” he said.</p> +<p>“Yes.”</p> +<p>“I did not see it until a day or two ago.”</p> +<p>“I had better tell you at once. My husband, whom +you knew, was convicted of forgery, and died at Botany +Bay.” Her eyes still watched the red cinders.</p> +<p>The Doctor’s countenance showed no surprise, for no news +could have had any power over the emotion which mastered +him. The long, slow years were fulfilled. Long and +slow and the fulfilment late, but the joy it brought was the +greater. Youthful passion is sweet, but it is not sweeter +than the discovery when we begin to count the years which are +left to us, and to fear there will be nothing in them better than +in those which preceded them that for us also love is +reserved.</p> +<p>Mrs. Leighton was obliged to go back to her work in the +afternoon, but she gave notice that night to leave in a week.</p> +<p>In a couple of months Langborough was astounded at the news of +the Rector’s marriage with a Mrs. Leighton whom nobody in +Langborough knew. The advertisement in the <i>Stamford +Mercury</i> said that the lady was the widow of Richard Leighton, +Esq., and eldest daughter of the late Marmaduke Sutton, +Esq. Langborough spared no pains to discover who she +was. Mrs. Bingham found out that the Suttons were a +Devonshire family, and she ascertained from an Exeter friend that +Mr. Marmaduke Sutton was the son of an Honourable, and that Mrs. +Leighton was consequently a high-born lady. She had married +as her first husband a man who had done well at Cambridge, but +who took to gambling and drink, and treated her with such +brutality that they separated. At last he forged a +signature and was transported. What became of his wife +afterwards was not known. Langborough was not only greatly +moved by this intelligence, but was much perplexed. Miss +Tarrant’s estimate of the Doctor was once more +reversed. She was decidedly of opinion that the marriage +was a scandal. A woman who had consented to link herself +with such a reprobate as the convict must have been from the +beginning could not herself have possessed any reputation. +Living apart, too, was next door to divorce, and who could +associate with a creature who had been divorced? No doubt +she was physically seductive, and the doctor had fallen a victim +to her snares. Miss Tarrant, if she had not known so well +what men are, would never have dreamed that Dr. Midleton, a +scholar and a divine, could surrender to corporeal +attractions. She declared that she could no longer expect +any profit from his ministrations, and that she should leave the +parish. Miss Tarrant’s friends, however, did not go +quite so far, and Mrs. Harrop confessed to Mrs. Cobb that +“she for one wouldn’t lay it down like Medes and +Persians, that we should have nothing to do with a woman because +her husband had made a fool of himself. I’m not a +Mede nor a Persian, Mrs. Cobb. I say let us wait and see +what she is like.”</p> +<p>Mrs. Bingham was of the same mind. She dwelt much to +herself on the fact that Mrs. Midleton’s great-grandfather +must have been a lord. She secretly hoped that as a wine +merchant’s wife she might obtain admission into a +“sphere,” as she called it, from which the other +ladies in the town might be excluded. Mrs. Bingham already +foretasted the bliss of an invitation to the rectory to meet Lady +Caroline from Thaxton Manor; she already foretasted the greater +bliss of not meeting her intimate friends there, and that most +exquisite conceivable bliss of telling them afterwards all about +the party.</p> +<p>Mrs. Midleton and her husband returned on a Saturday +afternoon. The road from Thaxton cross-roads did not lie +through the town: the carriage was closed and nobody saw +her. When they came to the rectory the Doctor pointed to +the verse in white paint on the wall, “It shall be taken +out,” he said, “before to-morrow morning: to-morrow +is Sunday.” He was expected to preach on that day and +the church was crammed a quarter of an hour before the service +began. At five minutes to eleven a lady and child entered +and walked to the rector’s pew. The congregation was +stupefied with amazement. Mouths were agape, a hum of +exclamations arose, and people on the further side of the church +stood up.</p> +<p>It was Mrs. Fairfax! Nobody had conjectured that she and +Mrs. Leighton were the same person. It was unimaginable +that a dressmaker should have had near ancestors in the +peerage. It was more than a year and a half since she left +the town. Mrs. Carter was able to say that not a single +letter had been addressed to her, and she was almost +forgotten.</p> +<p>A few days afterwards Mrs. Sweeting had a little note +requesting her to take tea with the Rector and his wife. +Nobody was asked to meet her. Mrs. Bingham had called the +day before, and had been extremely apologetic.</p> +<p>“I am afraid, Mrs. Midleton, you must have thought me +sometimes very rude to you.”</p> +<p>To which Mrs. Midleton replied graciously, “I am sure if +you had been it would have been quite excusable.”</p> +<p>“Extremely kind of you to say so, Mrs. +Midleton.”</p> +<p>Mrs. Cobb also called. “I’ll just let her +see,” said Mrs. Cobb to herself; and she put on a gown +which Mrs. Midleton as Mrs. Fairfax had made for her.</p> +<p>“You’ll remember this gown, Mrs. +Midleton?”</p> +<p>“Perfectly well. It is not quite a fit on the +shoulders. If you will let me have it back again it will +give me great pleasure to alter it for you.”</p> +<p>By degrees, however, Mrs. Midleton came to be loved by many +people in Langborough. Mr. Sweeting not long afterwards +died in debt, and Mrs. Sweeting, the old housekeeper being also +dead, was taken into the rectory as her successor, and became +Mrs. Midleton’s trusted friend.</p> +<h2>FOOTNOTES</h2> +<p><a name="footnote10"></a><a href="#citation10" +class="footnote">[10]</a> Since 1868 the +<i>Reminiscences</i> and his <i>Life</i> have been published +which put this estimate of him beyond all doubt. It is much +to be regretted that a certain theory, a certain irresistible +tendency to arrange facts so as to prove preconceived notions, a +tendency more dangerous and unhistorical even than direct +suppression of the truth or invention of what is not true, should +have ruined Carlyle’s biography. Professor +Norton’s edition of the <i>Reminiscences</i> should be +compared with Mr. Froude’s.</p> +<p><a name="footnote34a"></a><a href="#citation34a" +class="footnote">[34a]</a> <i>Ethic</i> pt. 1, def. 3.</p> +<p><a name="footnote34b"></a><a href="#citation34b" +class="footnote">[34b]</a> Ibid., pt. 1, def. 6.</p> +<p><a name="footnote34c"></a><a href="#citation34c" +class="footnote">[34c]</a> Ibid., pt. 1, prop. 11.</p> +<p><a name="footnote36"></a><a href="#citation36" +class="footnote">[36]</a> <i>Ethic</i>, pt. 2, prop. +47.</p> +<p><a name="footnote37a"></a><a href="#citation37a" +class="footnote">[37a]</a> Letter 56 (Van Vloten and +Land’s ed.).</p> +<p><a name="footnote37b"></a><a href="#citation37b" +class="footnote">[37b]</a> <i>Ethic</i>, pt. 1, coroll. +prop. 25.</p> +<p><a name="footnote37c"></a><a href="#citation37c" +class="footnote">[37c]</a> Ibid., pt. 5, prop. 24.</p> +<p><a name="footnote37d"></a><a href="#citation37d" +class="footnote">[37d]</a> Ibid., pt. 1, schol. to prop. +17.</p> +<p><a name="footnote38"></a><a href="#citation38" +class="footnote">[38]</a> <i>Ethic</i>, pt. 1, schol. to +prop. 17.</p> +<p><a name="footnote39"></a><a href="#citation39" +class="footnote">[39]</a> <i>Ethic</i>, pt. 2, prop. +13.</p> +<p><a name="footnote40a"></a><a href="#citation40a" +class="footnote">[40a]</a> <i>Ethic</i>, pt. 1, coroll. 1, +prop. 32.</p> +<p><a name="footnote40b"></a><a href="#citation40b" +class="footnote">[40b]</a> Ibid., pt. 1, prop. 33.</p> +<p><a name="footnote40c"></a><a href="#citation40c" +class="footnote">[40c]</a> Letter 56</p> +<p><a name="footnote41a"></a><a href="#citation41a" +class="footnote">[41a]</a> Letter 21.</p> +<p><a name="footnote41b"></a><a href="#citation41b" +class="footnote">[41b]</a> Letter 58.</p> +<p><a name="footnote42a"></a><a href="#citation42a" +class="footnote">[42a]</a> <i>Ethic</i>, pt. 2, schol. +prop. 49.</p> +<p><a name="footnote42b"></a><a href="#citation42b" +class="footnote">[42b]</a> Ibid., pt. 4, coroll. prop. +63.</p> +<p><a name="footnote43a"></a><a href="#citation43a" +class="footnote">[43a]</a> <i>Ethic</i>, pt. 5, or pp. +42.</p> +<p><a name="footnote43b"></a><a href="#citation43b" +class="footnote">[43b]</a> “Agis being asked on a +time how a man might continue free all his life; he answered, +‘By despising death.’” (Plutarch’s +“Morals.” Laconic Apophthegms.)</p> +<p><a name="footnote43c"></a><a href="#citation43c" +class="footnote">[43c]</a> <i>Ethic</i>, pt. 5, schol. +prop. 4.</p> +<p><a name="footnote44a"></a><a href="#citation44a" +class="footnote">[44a]</a> <i>Ethic</i>, pt. 4, coroll. +prop. 64.</p> +<p><a name="footnote44b"></a><a href="#citation44b" +class="footnote">[44b]</a> Ibid., pt. 4, schol. prop. +66.</p> +<p><a name="footnote44c"></a><a href="#citation44c" +class="footnote">[44c]</a> Ibid., pt. 4, schol. prop. +50.</p> +<p><a name="footnote45a"></a><a href="#citation45a" +class="footnote">[45a]</a> <i>Ethic</i>, pt. 4, prop. 46 +and schol.</p> +<p><a name="footnote45b"></a><a href="#citation45b" +class="footnote">[45b]</a> Ibid., pt. 3, schol. prop. +11.</p> +<p><a name="footnote46"></a><a href="#citation46" +class="footnote">[46]</a> <i>Ethic</i>, pt. 4, schol. prop. +45.</p> +<p><a name="footnote47"></a><a href="#citation47" +class="footnote">[47]</a> <i>Ethic</i>, pt. 5, props. +14–20.</p> +<p><a name="footnote50"></a><a href="#citation50" +class="footnote">[50]</a> <i>Short Treatise</i>, pt. 2, +chap. 22.</p> +<p><a name="footnote52"></a><a href="#citation52" +class="footnote">[52]</a> <i>Ethic</i>, pt. 1, +Appendix.</p> +<p><a name="footnote54"></a><a href="#citation54" +class="footnote">[54]</a> <i>Ethic</i>, pt. 2, schol. 2, +prop. 40.</p> +<p><a name="footnote55a"></a><a href="#citation55a" +class="footnote">[55a]</a> <i>Ethic</i>, pt. 5, coroll. +prop. 34.</p> +<p><a name="footnote55b"></a><a href="#citation55b" +class="footnote">[55b]</a> Ibid., pt. 5, prop. 36.</p> +<p><a name="footnote55c"></a><a href="#citation55c" +class="footnote">[55c]</a> Ibid., pt. 5, prop. 36, +coroll.</p> +<p><a name="footnote56a"></a><a href="#citation56a" +class="footnote">[56a]</a> <i>Ethic</i>, pt. 5, prop. +38.</p> +<p><a name="footnote56b"></a><a href="#citation56b" +class="footnote">[56b]</a> <i>Short Treatise</i>, pt. 2, +chap. 23.</p> +<p><a name="footnote57a"></a><a href="#citation57a" +class="footnote">[57a]</a> Aristotle’s +<i>Psychology</i> (Wallace’s translation), p. 161.</p> +<p><a name="footnote57b"></a><a href="#citation57b" +class="footnote">[57b]</a> Rabelais, <i>Pantagruel</i>, +book 4, chap. 27.</p> +<p><a name="footnote101"></a><a href="#citation101" +class="footnote">[101]</a> Hazlitt.</p> +<p><a name="footnote103"></a><a href="#citation103" +class="footnote">[103]</a> Italics mine.—M. R.</p> +<p><a name="footnote104a"></a><a href="#citation104a" +class="footnote">[104a]</a> Italics mine.—M. R.</p> +<p><a name="footnote104b"></a><a href="#citation104b" +class="footnote">[104b]</a> Italics mine.—M. R.</p> +<p><a name="footnote133"></a><a href="#citation133" +class="footnote">[133]</a> <i>Poetry of Byron chosen and +arranged by Matthew Arnold</i>—1881.</p> +<p><a name="footnote143"></a><a href="#citation143" +class="footnote">[143]</a> “<i>Adah</i>.—Peace +be with him (Abel).</p> +<p><i>Cain</i>.—But with <i>me</i>!”</p> +<p><a name="footnote180"></a><a href="#citation180" +class="footnote">[180]</a> My aunt Eleanor was thought to +be a bit of a pagan by the evangelical part of our family. +My mother when speaking of her to me used to say, “Your +heathen aunt.” She was well-educated, but the better +part of her education she received abroad after her engagement, +which took place when she was eighteen years old. She was +the only member of our family in the upper middle class. +Her husband was Thomas Charteris, junior partner in a bank.</p> +<p>***END OF THE PROJECT GUTENBERG EBOOK PAGES FROM A JOURNAL***</p> +<pre> + + +***** This file should be named 7053-h.htm or 7053-h.zip****** + + +This and all associated files of various formats will be found in: +http://www.gutenberg.org/dirs/7/0/5/7053 + + +Updated editions will replace the previous one--the old editions will +be renamed. + +Creating the works from print editions not protected by U.S. copyright +law means that no one owns a United States copyright in these works, +so the Foundation (and you!) can copy and distribute it in the United +States without permission and without paying copyright +royalties. Special rules, set forth in the General Terms of Use part +of this license, apply to copying and distributing Project +Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm +concept and trademark. Project Gutenberg is a registered trademark, +and may not be used if you charge for the eBooks, unless you receive +specific permission. If you do not charge anything for copies of this +eBook, complying with the rules is very easy. You may use this eBook +for nearly any purpose such as creation of derivative works, reports, +performances and research. They may be modified and printed and given +away--you may do practically ANYTHING in the United States with eBooks +not protected by U.S. copyright law. Redistribution is subject to the +trademark license, especially commercial redistribution. + +START: FULL LICENSE + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full +Project Gutenberg-tm License available with this file or online at +www.gutenberg.org/license. + +Section 1. General Terms of Use and Redistributing Project +Gutenberg-tm electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or +destroy all copies of Project Gutenberg-tm electronic works in your +possession. If you paid a fee for obtaining a copy of or access to a +Project Gutenberg-tm electronic work and you do not agree to be bound +by the terms of this agreement, you may obtain a refund from the +person or entity to whom you paid the fee as set forth in paragraph +1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this +agreement and help preserve free future access to Project Gutenberg-tm +electronic works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the +Foundation" or PGLAF), owns a compilation copyright in the collection +of Project Gutenberg-tm electronic works. Nearly all the individual +works in the collection are in the public domain in the United +States. If an individual work is unprotected by copyright law in the +United States and you are located in the United States, we do not +claim a right to prevent you from copying, distributing, performing, +displaying or creating derivative works based on the work as long as +all references to Project Gutenberg are removed. Of course, we hope +that you will support the Project Gutenberg-tm mission of promoting +free access to electronic works by freely sharing Project Gutenberg-tm +works in compliance with the terms of this agreement for keeping the +Project Gutenberg-tm name associated with the work. You can easily +comply with the terms of this agreement by keeping this work in the +same format with its attached full Project Gutenberg-tm License when +you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are +in a constant state of change. If you are outside the United States, +check the laws of your country in addition to the terms of this +agreement before downloading, copying, displaying, performing, +distributing or creating derivative works based on this work or any +other Project Gutenberg-tm work. The Foundation makes no +representations concerning the copyright status of any work in any +country outside the United States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other +immediate access to, the full Project Gutenberg-tm License must appear +prominently whenever any copy of a Project Gutenberg-tm work (any work +on which the phrase "Project Gutenberg" appears, or with which the +phrase "Project Gutenberg" is associated) is accessed, displayed, +performed, viewed, copied or distributed: + + This eBook is for the use of anyone anywhere in the United States and + most other parts of the world at no cost and with almost no + restrictions whatsoever. You may copy it, give it away or re-use it + under the terms of the Project Gutenberg License included with this + eBook or online at www.gutenberg.org. If you are not located in the + United States, you'll have to check the laws of the country where you + are located before using this ebook. + +1.E.2. If an individual Project Gutenberg-tm electronic work is +derived from texts not protected by U.S. copyright law (does not +contain a notice indicating that it is posted with permission of the +copyright holder), the work can be copied and distributed to anyone in +the United States without paying any fees or charges. If you are +redistributing or providing access to a work with the phrase "Project +Gutenberg" associated with or appearing on the work, you must comply +either with the requirements of paragraphs 1.E.1 through 1.E.7 or +obtain permission for the use of the work and the Project Gutenberg-tm +trademark as set forth in paragraphs 1.E.8 or 1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any +additional terms imposed by the copyright holder. Additional terms +will be linked to the Project Gutenberg-tm License for all works +posted with the permission of the copyright holder found at the +beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including +any word processing or hypertext form. However, if you provide access +to or distribute copies of a Project Gutenberg-tm work in a format +other than "Plain Vanilla ASCII" or other format used in the official +version posted on the official Project Gutenberg-tm web site +(www.gutenberg.org), you must, at no additional cost, fee or expense +to the user, provide a copy, a means of exporting a copy, or a means +of obtaining a copy upon request, of the work in its original "Plain +Vanilla ASCII" or other form. Any alternate format must include the +full Project Gutenberg-tm License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works +provided that + +* You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is owed + to the owner of the Project Gutenberg-tm trademark, but he has + agreed to donate royalties under this paragraph to the Project + Gutenberg Literary Archive Foundation. Royalty payments must be paid + within 60 days following each date on which you prepare (or are + legally required to prepare) your periodic tax returns. Royalty + payments should be clearly marked as such and sent to the Project + Gutenberg Literary Archive Foundation at the address specified in + Section 4, "Information about donations to the Project Gutenberg + Literary Archive Foundation." + +* You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or destroy all + copies of the works possessed in a physical medium and discontinue + all use of and all access to other copies of Project Gutenberg-tm + works. + +* You provide, in accordance with paragraph 1.F.3, a full refund of + any money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days of + receipt of the work. + +* You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project +Gutenberg-tm electronic work or group of works on different terms than +are set forth in this agreement, you must obtain permission in writing +from both the Project Gutenberg Literary Archive Foundation and The +Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm +trademark. Contact the Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +works not protected by U.S. copyright law in creating the Project +Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm +electronic works, and the medium on which they may be stored, may +contain "Defects," such as, but not limited to, incomplete, inaccurate +or corrupt data, transcription errors, a copyright or other +intellectual property infringement, a defective or damaged disk or +other medium, a computer virus, or computer codes that damage or +cannot be read by your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium +with your written explanation. The person or entity that provided you +with the defective work may elect to provide a replacement copy in +lieu of a refund. If you received the work electronically, the person +or entity providing it to you may choose to give you a second +opportunity to receive the work electronically in lieu of a refund. If +the second copy is also defective, you may demand a refund in writing +without further opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO +OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT +LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of +damages. If any disclaimer or limitation set forth in this agreement +violates the law of the state applicable to this agreement, the +agreement shall be interpreted to make the maximum disclaimer or +limitation permitted by the applicable state law. The invalidity or +unenforceability of any provision of this agreement shall not void the +remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in +accordance with this agreement, and any volunteers associated with the +production, promotion and distribution of Project Gutenberg-tm +electronic works, harmless from all liability, costs and expenses, +including legal fees, that arise directly or indirectly from any of +the following which you do or cause to occur: (a) distribution of this +or any Project Gutenberg-tm work, (b) alteration, modification, or +additions or deletions to any Project Gutenberg-tm work, and (c) any +Defect you cause. + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of +computers including obsolete, old, middle-aged and new computers. It +exists because of the efforts of hundreds of volunteers and donations +from people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future +generations. To learn more about the Project Gutenberg Literary +Archive Foundation and how your efforts and donations can help, see +Sections 3 and 4 and the Foundation information page at +www.gutenberg.org + +Section 3. Information about the Project Gutenberg Literary +Archive Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Contributions to the Project Gutenberg Literary +Archive Foundation are tax deductible to the full extent permitted by +U.S. federal laws and your state's laws. + +The Foundation's principal office is in Fairbanks, Alaska, with the +mailing address: PO Box 750175, Fairbanks, AK 99775, but its +volunteers and employees are scattered throughout numerous +locations. Its business office is located at 809 North 1500 West, Salt +Lake City, UT 84116, (801) 596-1887. Email contact links and up to +date contact information can be found at the Foundation's web site and +official page at www.gutenberg.org/contact + +For additional contact information: + + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To SEND +DONATIONS or determine the status of compliance for any particular +state visit www.gutenberg.org/donate + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. To +donate, please visit: www.gutenberg.org/donate + +Section 5. General Information About Project Gutenberg-tm electronic works. + +Professor Michael S. Hart was the originator of the Project +Gutenberg-tm concept of a library of electronic works that could be +freely shared with anyone. For forty years, he produced and +distributed Project Gutenberg-tm eBooks with only a loose network of +volunteer support. + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as not protected by copyright in +the U.S. unless a copyright notice is included. Thus, we do not +necessarily keep eBooks in compliance with any particular paper +edition. + +Most people start at our Web site which has the main PG search +facility: www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + +</pre></body> +</html> diff --git a/7053-h/images/cover.jpg b/7053-h/images/cover.jpg Binary files differnew file mode 100644 index 0000000..b0e5a05 --- /dev/null +++ b/7053-h/images/cover.jpg diff --git a/7053-h/images/tpb.jpg b/7053-h/images/tpb.jpg Binary files differnew file mode 100644 index 0000000..3299f97 --- /dev/null +++ b/7053-h/images/tpb.jpg diff --git a/7053-h/images/tps.jpg b/7053-h/images/tps.jpg Binary files differnew file mode 100644 index 0000000..b00147f --- /dev/null +++ b/7053-h/images/tps.jpg diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..7e1fc7e --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #7053 (https://www.gutenberg.org/ebooks/7053) diff --git a/old/pgjr10.txt b/old/pgjr10.txt new file mode 100644 index 0000000..5d0c288 --- /dev/null +++ b/old/pgjr10.txt @@ -0,0 +1,5968 @@ +The Project Gutenberg EBook of Pages from a Journal with Other Papers +by Mark Rutherford + +Copyright laws are changing all over the world. Be sure to check the +copyright laws for your country before downloading or redistributing +this or any other Project Gutenberg eBook. + +This header should be the first thing seen when viewing this Project +Gutenberg file. Please do not remove it. Do not change or edit the +header without written permission. + +Please read the "legal small print," and other information about the +eBook and Project Gutenberg at the bottom of this file. Included is +important information about your specific rights and restrictions in +how the file may be used. You can also find out about how to make a +donation to Project Gutenberg, and how to get involved. + + +**Welcome To The World of Free Plain Vanilla Electronic Texts** + +**eBooks Readable By Both Humans and By Computers, Since 1971** + +*****These eBooks Were Prepared By Thousands of Volunteers!***** + + +Title: Pages from a Journal with Other Papers + +Author: Mark Rutherford + +Release Date: December, 2004 [EBook #7053] +[This file was first posted on March 2, 2003] + +Edition: 10 + +Language: English + +Character set encoding: ASCII + +*** START OF THE PROJECT GUTENBERG EBOOK, PAGES FROM A JOURNAL *** + + + + +Transcribed from the 1901 T. Fisher Unwin edition by David Price, email +ccx074@coventry.ac.uk + + + + +PAGES FROM A JOURNAL, WITH OTHER PAPERS. + + + + +Contents: + A Visit to Carlyle in 1868 + Early Morning in January + March + June + August + The End of October + November + The Break-up of a Great Drought + Spinoza + Supplementary Note on the Devil + Injustice + Time Settles Controversies + Talking about our Troubles + Faith + Patience + An Apology + Belief, Unbelief, and Superstition + Judas Iscariot + Sir Walter Scott's Use of the Supernatural + September, 1798 + Some Notes on Milton + The Morality of Byron's Poetry. "The Corsair" + Byron, Goethe, and Mr. Matthew Arnold + A Sacrifice + The Aged Three + Conscience + The Governess's Story + James Forbes + Atonement + My Aunt Eleanor + Correspondence between George, Lucy, M.A., and Hermione Russell, B.A. + Mrs. Fairfax + + + +A VISIT TO CARLYLE IN 1868 + + + +On Saturday, the 22nd of March, 1868, my father and I called on Carlyle +at 5, Cheyne Row, Chelsea, with a message from one of his intimate +friends. + +We were asked upstairs at once, and found Carlyle at breakfast. The +room was large, well-lighted, a bright fire was burning, and the window +was open in order to secure complete ventilation. Opposite the +fireplace was a picture of Frederick the Great and his sister. There +were also other pictures which I had not time to examine. One of them +Carlyle pointed out. It was a portrait of the Elector of Saxony who +assisted Luther. The letters V.D.M.I.AE. ("Verbum Dei Manet in +AEternum") were round it. Everything in the room was in exact order, +there was no dust or confusion, and the books on the shelves were +arranged in perfect EVENNESS. I noticed that when Carlyle replaced a +book he took pains to get it level with the others. The furniture was +solid, neat, and I should think expensive. I showed him the letter he +had written to me eighteen years ago. It has been published by Mr. +Froude, but it will bear reprinting. The circumstances under which it +was written, not stated by Mr. Froude, were these. In 1850, when the +Latter-day Pamphlets appeared--how well I remember the eager journey to +the bookseller for each successive number!--almost all the reviews +united in a howl of execration, criticism so called. I, being young, +and owing so much to Carlyle, wrote to him, the first and almost the +only time I ever did anything of the kind, assuring him that there was +at least one person who believed in him. This was his answer:- + + +"CHELSEA, 9th March, 1850. + +"MY GOOD YOUNG FRIEND,--I am much obliged by the regard you entertain +for me; and do not blame your enthusiasm, which well enough beseems your +young years. If my books teach you anything, don't mind in the least +whether other people believe it or not; but do you for your own behoof +lay it to heart as a real acquisition you have made, more properly, as a +real message left with you, which YOU must set about fulfilling, +whatsoever others do! This is really all the counsel I can give you +about what you read in my books or those of others: PRACTISE what you +learn there; instantly and in all ways begin turning the belief into a +fact, and continue at that--till you get more and ever more beliefs, +with which also do the like. It is idle work otherwise to write books +or to read them. + +"And be not surprised that 'people have no sympathy with you'; that is +an accompaniment that will attend you all your days if you mean to lead +an earnest life. The 'people' could not save you with their 'sympathy' +if they had never so much of it to give; a man can and must save +himself, with or without their sympathy, as it may chance. + +"And may all good be with you, my kind young friend, and a heart stout +enough for this adventure you are upon; that is the best 'good' of all. + +"I remain, yours very sincerely, + +"T. CARLYLE." + + +Carlyle had forgotten this letter, but said, "It is undoubtedly mine. +It is what I have always believed . . . it has been so ever since I was +at college. I do not mean to say I was not loved there as warmly by +noble friends as ever man could be, but the world tumbled on me, and has +ever since then been tumbling on me rubbish, huge wagon-loads of +rubbish, thinking to smother me, and was surprised it did not smother +me--turned round with amazement and said, 'What, you alive yet?' . . . +While I was writing my Frederick my best friends, out of delicacy, did +not call. Those who came were those I did not want to come, and I saw +very few of them. I shook off everything to right and left. At last +the work would have killed me, and I was obliged to take to riding, +chiefly in the dark, about fourteen miles most days, plunging and +floundering on. I ought to have been younger to have undertaken such a +task. If they were to offer me all Prussia, all the solar system, I +would not write Frederick again. No bribe from God or man would tempt +me to do it." + +He was re-reading his Frederick, to correct it for the stereotyped +edition. "On the whole I think it is very well done. No man perhaps in +England could have done it better. If you write a book though now, you +must just pitch it out of window and say, 'Ho! all you jackasses, come +and trample on it and trample it into mud, or go on till you are +tired.'" He laughed heartily at this explosion. His laughter struck +me--humour controlling his wrath and in a sense ABOVE it, as if the +final word were by no means hatred or contempt, even for the jackass. " +. . . No piece of news of late years has gladdened me like the victory +of the Prussians over the Austrians. It was the triumph of Prussian +over French and Napoleonic influence. The Prussians were a valiant, +pious people, and it was a question which should have the most power in +Germany, they or Napoleon. The French are sunk in all kinds of filth. +Compare what the Prussians did with what we did in the Crimea. The +English people are an incredible people. They seem to think that it is +not necessary that a general should have the least knowledge of the art +of war. It is as if you had the stone, and should cry out to any +travelling tinker or blacksmith and say, 'Here, come here and cut me for +the stone,' and he WOULD cut you! Sir Charles Napier would have been a +great general if he had had the opportunity. He was much delighted with +Frederick. 'Frederick was a most extraordinary general,' said Sir +Charles, and on examination I found out that all that Sir Charles had +read of Frederick was a manual for Prussian officers, published by him +about 1760, telling them what to do on particular occasions. I was very +pleased at this admiration of Frederick by Sir Charles . . . + +"Sir John Bowring was one of your model men; men who go about imagining +themselves the models of all virtues, and they are models of something +very different. He was one of your patriots, and the Government to +quiet him sent him out to China. When he got there he went to war with +a third of the human race! He, the patriot, he who believed in the +greatest-happiness principle, immediately went to war with a third of +the human race!" (Great laughter from T.C.) "And so far as I can make +out he was all wrong. + +"The Frederick is being translated into German. It is being done by a +man whose name I have forgotten, but it was begun by one of the most +faithful friends I ever had, Neuberg. I could not work in the rooms in +the offices where lay the State papers I wanted to use, it brought on +such a headache, but Neuberg went there, and for six months worked all +day copying. He was taken ill, and a surgical operation was badly +performed, and then in that wild, black weather at the beginning of last +year, just after I came back from Mentone, the news came to me one night +he was dead." + +On leaving Carlyle shook hands with us both and said he was glad to have +seen us. "It was pleasant to have friends coming out of the dark in +this way." + +Perhaps a reflection or two which occurred to me after this interview +may not be out of place. Carlyle was perfectly frank, even to us of +whom he knew but little. He did not stand off or refuse to talk on any +but commonplace subjects. What was offered to us was his best. And yet +there is to be found in him a singular reserve, and those shallow +persons who taunt him with inconsistency because he makes so much of +silence, and yet talks so much, understand little or nothing of him. In +half a dozen pages one man may be guilty of shameless garrulity, and +another may be nobly reticent throughout a dozen volumes. Carlyle feels +the contradictions of the universe as keenly as any man can feel them. +He knows how easy it is to appear profound by putting anew the riddles +which nobody can answer; he knows how strong is the temptation towards +the insoluble. But upon these subjects he also knows how to hold his +tongue; he does not shriek in the streets, but he bows his head. He has +found no answer--he no more than the feeblest of us, and yet in his +inmost soul there is a shrine, and he worships. + +Carlyle is the champion of morals, ethics, law--call it what you like-- +of that which says we must not always do a thing because it is pleasant. +There are two great ethical parties in the world, and, in the main, but +two. One of them asserts the claims of the senses. Its doctrine is +seductive because it is so right. It is necessary that we should in a +measure believe it, in order that life may be sweet. But nature has +heavily weighted the scale in its favour; its acceptance requires no +effort. It is easily perverted and becomes a snare. In our day nearly +all genius has gone over to it, and preaching it is rather superfluous. +The other party affirms what has been the soul of all religions worth +having, that it is by repression and self-negation that men and States +live. + +It has been said that Carlyle is great because he is graphic, and he is +supposed to be summed up in "mere picturesqueness," the silliest of +verdicts. A man may be graphic in two ways. He may deal with his +subject from the outside, and by dint of using strong language may +"graphically" describe an execution or a drunken row in the streets. +But he may be graphic by ability to penetrate into essence, and to +express it in words which are worthy of it. What higher virtue than +this can we imagine in poet, artist, or prophet? + +Like all great men, Carlyle is infinitely tender. That was what struck +me as I sat and looked in his eyes, and the best portraits in some +degree confirm me. It is not worth while here to produce passages from +his books to prove my point, but I could easily do so, specially from +the Life of Sterling and the Cromwell. {10} Much of his fierceness is +an inverted tenderness. + +His greatest book is perhaps the Frederick, the biography of a hero +reduced more than once to such extremities that apparently nothing but +some miraculous intervention could save him, and who did not yield, but +struggled on and finally emerged victorious. When we consider +Frederick's position during the last part of the Seven Years' War, we +must admit that no man was ever in such desperate circumstances or +showed such uncrushable determination. It was as if the Destinies, in +order to teach us what human nature can do, had ordained that he who had +the most fortitude should also encounter the severest trial of it. Over +and over again Frederick would have been justified in acknowledging +defeat, and we should have said that he had done all that could be +expected even of such a temper as that with which he was endowed. If +the struggle of the will with the encompassing world is the stuff of +which epics are made, then no greater epic than that of Frederick has +been written in prose or verse, and it has the important advantage of +being true. It is interesting to note how attractive this primary +virtue of which Frederick is such a remarkable representative is to +Carlyle, how MORAL it is to him; and, indeed, is it not the sum and +substance of all morality? It should be noted also that it was due to +no religious motive: that it was bare, pure humanity. At times it is +difficult not to believe that Carlyle, notwithstanding his piety, loves +it all the more on that account. It is strange that an example so +salutary and stimulating to the poorest and meanest of us should be set +by an unbelieving king, and that my humdrum existence should be secretly +supported by "Frederick II. Roi de Prusse." + +* * * + +Soon after Carlyle died I went to Ecclefechan and stood by his grave. +It was not a day that I would have chosen for such an errand, for it was +cold, grey, and hard, and towards the afternoon it rained a slow, +persistent, wintry rain. The kirkyard in Ecclefechan was dismal and +depressing, but my thoughts were not there. I remembered what Carlyle +was to the young men of thirty or forty years ago, in the days of that +new birth, which was so strange a characteristic of the time. His books +were read with excitement, with tears of joy, on lonely hills, by the +seashore and in London streets, and the readers were thankful that it +was their privilege to live when he also was alive. All that excitement +has vanished, but those who knew what it was are the better for it. +Carlyle now is almost nothing, but his day will return, he will be put +in his place as one of the greatest souls who have been born amongst us, +and his message will be considered as perhaps the most important which +has ever been sent to us. This is what I thought as I stood in +Ecclefechan kirkyard, and as I lingered I almost doubted if Carlyle +COULD be dead. Was it possible that such as he could altogether die? +Some touch, some turn, I could not tell what or how, seemed all that was +necessary to enable me to see and to hear him. It was just as if I were +perplexed and baffled by a veil which prevented recognition of him, +although I was sure he was behind it. + + + +EARLY MORNING IN JANUARY + + + +A warm, still morning, with a clear sky and stars. At first the hills +were almost black, but, as the dawn ascended, they became dark green, of +a peculiarly delicate tint which is never seen in the daytime. The +quietude is profound, although a voice from an unseen fishing-boat can +now and then be heard. How strange the landscape seems! It is not a +variation of the old landscape; it is a new world. The half-moon rides +high in the sky, and near her is Jupiter. A little way further to the +left is Venus, and still further down is Mercury, rare apparition, just +perceptible where the deep blue of the night is yielding to the green +which foretells the sun. The east grows lighter; the birds begin to +stir in the bushes, and the cry of a gull rises from the base of the +cliff. The sea becomes responsive, and in a moment is overspread with +continually changing colour, partly that of the heavens above it and +partly self-contributed. With what slow, majestic pomp is the day +preceded, as though there had been no day before it and no other would +follow it! + + + +MARCH + + + +It is a bright day in March, with a gentle south-west wind. Sitting +still in the copse and facing the sun it strikes warm. It has already +mounted many degrees on its way to its summer height, and is regaining +its power. The clouds are soft, rounded, and spring-like, and the white +of the blackthorn is discernible here and there amidst the underwood. +The brooks are running full from winter rains but are not overflowing. +All over the wood which fills up the valley lies a thin, purplish mist, +harmonising with the purple bloom on the stems and branches. The buds +are ready to burst, there is a sense of movement, of waking after sleep; +the tremendous upward rush of life is almost felt. But how silent the +process is! There is no hurry for achievement, although so much has to +be done--such infinite intricacy to be unfolded and made perfect. The +little stream winding down the bottom turns and doubles on itself; a +dead leaf falls into it, is arrested by a twig, and lies there content. + + + +JUNE + + + +It is a quiet, warm day in June. The wind is westerly, but there is +only just enough of it to waft now and then a sound from the far-off +town, or the dull, subdued thunder of cannon-firing from ships or forts +distant some forty miles or more. Massive, white-bordered clouds, grey +underneath, sail overhead; there was heavy rain last night, and they are +lifting and breaking a little. Softly and slowly they go, and one of +them, darker than the rest, has descended in a mist of rain, blotting +out the ships. The surface of the water is paved curiously in green and +violet, and where the light lies on it scintillates like millions of +stars. The grass is not yet cut, and the showers have brought it up +knee-deep. Its gentle whisper is plainly heard, the most delicate of +all the voices in the world, and the meadow bends into billows, grey, +silvery, and green, when a breeze of sufficient strength sweeps across +it. The larks are so multitudinous that no distinct song can be caught, +and amidst the confused melody comes the note of the thrush and the +blackbird. A constant under-running accompaniment is just audible in +the hum of innumerable insects and the sharp buzz of flies darting past +the ear. Only those who live in the open air and watch the fields and +sea from hour to hour and day to day know what they are and what they +mean. The chance visitor, or he who looks now and then, never +understands them. While I have lain here, the clouds have risen, have +become more aerial, and more suffused with light; the horizon has become +better defined, and the yellow shingle beach is visible to its extremest +point clasping the bay in its arms. The bay itself is the tenderest +blue-green, and on the rolling plain which borders it lies intense +sunlight chequered with moving shadows which wander eastwards. The wind +has shifted a trifle, and comes straight up the Channel from the +illimitable ocean. + + + +AUGUST + + + +A few days ago it was very hot. Afterwards we had a thunderstorm, +followed by rain from the south-west. The wind has veered a point +northerly, and the barometer is rising. This morning at half-past five +the valley below was filled with white mist. Above it the tops of the +trees on the highest points emerged sharply distinct. It was +motionless, but gradually melted before the ascending sun, recalling +Plutarch's "scenes in the beautiful temple of the world which the gods +order at their own festivals, when we are initiated into their own +mysteries." Here was a divine mystery, with initiation for those who +cared for it. No priests were waiting, no ritual was necessary, the +service was simple--solitary adoration and perfect silence. + +As the day advances, masses of huge, heavy clouds appear. They are well +defined at the edges, and their intricate folds and depths are +brilliantly illuminated. The infinitude of the sky is not so impressive +when it is quite clear as when it contains and supports great clouds, +and large blue spaces are seen between them. On the hillsides the +fields here and there are yellow and the corn is in sheaves. The birds +are mostly dumb, the glory of the furze and broom has passed, but the +heather is in flower. The trees are dark, and even sombre, and, where +they are in masses, look as if they were in solemn consultation. A +fore-feeling of the end of summer steals upon me. Why cannot I banish +this anticipation? Why cannot I rest and take delight in what is before +me? If some beneficent god would but teach me how to take no thought +for the morrow, I would sacrifice to him all I possess. + + + +THE END OF OCTOBER + + + +It is the first south-westerly gale of the autumn. Its violence is +increasing every minute, although the rain has ceased for awhile. For +weeks sky and sea have been beautiful, but they have been tame. Now for +some unknown reason there is a complete change, and all the strength of +nature is awake. It is refreshing to be once more brought face to face +with her tremendous power, and to be reminded of the mystery of its +going and coming. It is soothing to feel so directly that man, +notwithstanding his science and pretentions, his subjugation of steam +and electricity, is as nothing compared with his Creator. The air has a +freshness and odour about it to which we have long been strangers. It +has been dry, and loaded with fine dust, but now it is deliciously wet +and clean. The wind during the summer has changed lightly through all +the points of the compass, but it has never brought any scent save that +of the land, nothing from a distance. Now it is charged with messages +from the ocean. + +The sky is not uniformly overcast, but is covered with long horizontal +folds of cloud, very dark below and a little lighter where they turn up +one into the other. They are incessantly modified by the storm, and +fragments are torn away from them which sweep overhead. The sea, looked +at from the height, shows white edges almost to the horizon, and +although the waves at a distance cannot be distinguished, the tossing of +a solitary vessel labouring to get round the point for shelter shows how +vast they are. The prevailing colour of the water is greyish-green, +passing into deep-blue, and perpetually shifting in tint. A quarter of +a mile away the breakers begin, and spread themselves in a white sheet +to the land. + +A couple of gulls rise from the base of the cliffs to a height of about +a hundred feet above them. They turn their heads to the south-west, and +hover like hawks, but without any visible movement of their wings. They +are followed by two more, who also poise themselves in the same way. +Presently all four mount higher, and again face the tempest. They do +not appear to defy it, nor even to exert themselves in resisting it. +What to us below is fierce opposition is to them a support and delight. +How these wonderful birds are able to accomplish this feat no +mathematician can tell us. After remaining stationary a few minutes, +they wheel round, once more ascend, and then without any effort go off +to sea directly in the teeth of the hurricane. + + + +NOVEMBER + + + +A November day at the end of the month--the country is left to those who +live in it. The scattered visitors who took lodgings in the summer in +the villages have all departed, and the recollection that they have been +here makes the solitude more complete. The woods in which they wandered +are impassable, for the rain has been heavy, and the dry, baked clay of +August has been turned into a slough a foot deep. The wind, what there +is of it, is from the south-west, soft, sweet and damp; the sky is +almost covered with bluish-grey clouds, which here and there give way +and permit a dim, watery gleam to float slowly over the distant +pastures. The grass for the most part is greyish-green, more grey than +green where it has not been mown, but on the rocky and broken ground +there is a colour like that of an emerald, and the low sun when it comes +out throws from the projections on the hillside long and beautifully +shaped shadows. Multitudes of gnats in these brief moments of sunshine +are seen playing in it. The leaves have not all fallen, down in the +hollow hardly any have gone, and the trees are still bossy, tinted with +the delicate yellowish-brown and brown of different stages of decay. +The hedges have been washed clean of the white dust; the roads have been +washed; a deep drain has just begun to trickle and on the meadows lie +little pools of the clearest rainwater, reflecting with added loveliness +any blue patch of the heavens disclosed above them. The birds are +silent save the jackdaws and the robin, who still sings his +recollections of the summer, or his anticipations of the spring, or +perhaps his pleasure in the late autumn. The finches are in flocks, and +whirl round in the air with graceful, shell-like convolutions as they +descend, part separating, for no reason apparently, and forming a second +flock which goes away over the copse. There is hardly any farm-work +going on, excepting in the ditches, which are being cleaned in readiness +for the overflow when the thirsty ground shall have sucked its fill. +Under a bank by the roadside a couple of men employed in carting stone +for road-mending are sitting on a sack eating their dinner. The roof of +the barn beyond them is brilliant with moss and lichens; it has not been +so vivid since last February. It is a delightful time. No demand is +made for ecstatic admiration; everything is at rest, nature has nothing +to do but to sleep and wait. + + + +THE BREAK-UP OF A GREAT DROUGHT + + + +For three months there had been hardly a drop of rain. The wind had +been almost continuously north-west, and from that to east. +Occasionally there were light airs from the south-west, and vapour rose, +but there was nothing in it; there was no true south-westerly breeze, +and in a few hours the weather-cock returned to the old quarter. Not +infrequently the clouds began to gather, and there was every sign that a +change was at hand. The barometer at these times fell gradually day +after day until at last it reached a point which generally brought +drenching storms, but none appeared, and then it began slowly to rise +again and we knew that our hopes were vain, and that a week at least +must elapse before it would regain its usual height and there might be a +chance of declining. At last the disappointment was so keen that the +instrument was removed. It was better not to watch it, but to hope for +a surprise. The grass became brown, and in many places was killed down +to the roots; there was no hay; myriads of swarming caterpillars +devoured the fruit trees; the brooks were all dry; water for cattle had +to be fetched from ponds and springs miles away; the roads were broken +up; the air was loaded with grit; and the beautiful green of the hedges +was choked with dust. Birds like the rook, which fed upon worms, were +nearly starved, and were driven far and wide for strange food. It was +pitiable to see them trying to pick the soil of the meadow as hard as a +rock. The everlasting glare was worse than the gloom of winter, and the +sense of universal parching thirst became so distressing that the house +was preferred to the fields. We were close to a water famine! The +Atlantic, the source of all life, was asleep, and what if it should +never wake! We know not its ways, it mocks all our science. Close to +us lies this great mystery, incomprehensible, and yet our very breath +depends upon it. Why should not the sweet tides of soft moist air cease +to stream in upon us? No reason could be given why every green herb and +living thing should not perish; no reason, save a faith which was blind. +For aught we KNEW, the ocean-begotten aerial current might forsake the +land and it might become a desert. + +One night grey bars appeared in the western sky, but they had too often +deluded us, and we did not believe in them. On this particular evening +they were a little heavier, and the window-cords were damp. The air +which came across the cliff was cool, and if we had dared to hope we +should have said it had a scent of the sea in it. At four o'clock in +the morning there was a noise of something beating against the panes-- +they were streaming! It was impossible to lie still, and I rose and +went out of doors. No creature was stirring, there was no sound save +that of the rain, but a busier time there had not been for many a long +month. Thousands of millions of blades of grass and corn were eagerly +drinking. For sixteen hours the downpour continued, and when it was +dusk I again went out. The watercourses by the side of the roads had a +little water in them, but not a drop had reached those at the edge of +the fields, so thirsty was the earth. The drought, thank God, was at an +end! + + + +SPINOZA + + + +Now that twenty years have passed since I began the study of Spinoza it +is good to find that he still holds his ground. Much in him remains +obscure, but there is enough which is sufficiently clear to give a +direction to thought and to modify action. To the professional +metaphysician Spinoza's work is already surpassed, and is absorbed in +subsequent systems. We are told to read him once because he is +historically interesting, and then we are supposed to have done with +him. But if "Spinozism," as it is called, is but a stage of development +there is something in Spinoza which can be superseded as little as the +Imitation of Christ or the Pilgrim's Progress, and it is this which +continues to draw men to him. Goethe never cared for set philosophical +systems. Very early in life he thought he had found out that they were +useless pieces of construction, but to the end of his days he clung to +Spinoza, and Philina, of all persons in the world, repeats one of the +finest sayings in the Ethic. So far as the metaphysicians are +carpenters, and there is much carpentering in most of them, Goethe was +right, and the larger part of their industry endures wind and weather +but for a short time. Spinoza's object was not to make a scheme of the +universe. He felt that the things on which men usually set their hearts +give no permanent satisfaction, and he cast about for some means by +which to secure "a joy continuous and supreme to all eternity." I +propose now, without attempting to connect or contrast Spinoza with +Descartes or the Germans, to name some of those thoughts in his books by +which he conceived he had attained his end. + +The sorrow of life is the rigidity of the material universe in which we +are placed. We are bound by physical laws, and there is a constant +pressure of matter-of-fact evidence to prove that we are nothing but +common and cheap products of the earth to which in a few moments or +years we return. Spinoza's chief aim is to free us from this sorrow, +and to free us from it by THINKING. The emphasis on this word is +important. He continually insists that a thing is not unreal because we +cannot imagine it. His own science, mathematics, affords him examples +of what MUST be, although we cannot picture it, and he believes that +true consolation lies in the region of that which cannot be imaged but +can be thought. + +Setting out on his quest, he lays hold at the very beginning on the idea +of Substance, which he afterwards identifies with the idea of God. "By +Substance I understand that which is in itself and is conceived through +itself; in other words, that, the conception of which does not need the +conception of another thing from which it must be formed." {34a} "By +God, I understand Being absolutely infinite, that is to say, substance +consisting of infinite attributes, each one of which expresses eternal +and infinite essence." {34b} "God, or substance consisting of infinite +attributes, each one of which expresses eternal and infinite essence, +necessarily exists." {34c} By the phrases "in itself" and "by itself," +we are to understand that this conception cannot be explained in other +terms. Substance must be posited, and there we must leave it. The +demonstration of the last-quoted proposition, the 11th, is elusive, and +I must pass it by, merely observing that the objection that no idea +involves existence, and that consequently the idea of God does not +involve it, is not a refutation of Spinoza, who might rejoin that it is +impossible not to affirm existence of God as the Ethic defines him. +Spinoza escapes one great theological difficulty. Directly we begin to +reflect we are dissatisfied with a material God, and the nobler +religions assert that God is a Spirit. But if He be a pure spirit +whence comes the material universe? To Spinoza pure spirit and pure +matter are mere artifices of the understanding. His God is the +Substance with infinite attributes of which thought and extension are +the two revealed to man, and he goes further, for he maintains that they +are one and the same thing viewed in different ways, inside and outside +of the same reality. The conception of God, strictly speaking, is not +incomprehensible, but it is not CIRCUM-prehensible; if it were it could +not be the true conception of Him. + +Spinoza declares that "the human mind possesses an adequate knowledge of +the eternal and infinite essence of God" {36}--not of God in His +completeness, but it is adequate. The demonstration of this proposition +is at first sight unsatisfactory, because we look for one which shall +enable us to form an image of God like that which we can form of a +triangle. But we cannot have "a knowledge of God as distinct as that +which we have of common notions, because we cannot imagine God as we can +bodies." "To your question," says Spinoza to Boxel, "whether I have as +clear an idea of God as I have of a triangle? I answer, Yes. But if +you ask me whether I have as clear an image of God as I have of a +triangle I shall say, No; for we cannot imagine God, but we can in a +measure understand Him. Here also, it is to be observed that I do not +say that I altogether know God, but that I understand some of His +attributes--not all, nor the greatest part, and it is clear that my +ignorance of very many does not prevent my knowledge of certain others. +When I learned the elements of Euclid, I very soon understood that the +three angles of a triangle are equal to two right angles, and I clearly +perceived this property of a triangle, although I was ignorant of many +others." {37a} + +"Individual things are nothing but affections or modes of God's +attributes, expressing those attributes in a certain and determinate +manner," {37b} and hence "the more we understand individual objects, the +more we understand God." {37c} + +The intellect of God in no way resembles the human intellect, for we +cannot conceive Him as proposing an end and considering the means to +attain it. "The intellect of God, in so far as it is conceived to +constitute His essence, is in truth the cause of things, both of their +essence and of their existence--a truth which seems to have been +understood by those who have maintained that God's intellect, will, and +power are one and the same thing." {37d} + +The whole of God is FACT, and Spinoza denies any reserve in Him of +something unexpressed. "The omnipotence of God has been actual from +eternity, and in the same actuality will remain to eternity," {38} not +of course in the sense that everything which exists has always existed +as we now know it, or that nothing will exist hereafter which does not +exist now, but that in God everything that has been, and will be, +eternally IS. + +The reader will perhaps ask, What has this theology to do with the "joy +continuous and supreme"? We shall presently meet with some deductions +which contribute to it, but it is not difficult to understand that +Spinoza, to use his own word, might call the truths set forth in these +propositions "blessed." Let a man once believe in that God of infinite +attributes of which thought and extension are those by which He +manifests Himself to us; let him see that the opposition between thought +and matter is fictitious; that his mind "is a part of the infinite +intellect of God"; that he is not a mere transient, outside interpreter +of the universe, but himself the soul or law, which is the universe, and +he will feel a relationship with infinity which will emancipate him. + +It is not true that in Spinoza's God there is so little that is positive +that it is not worth preserving. All Nature is in Him, and if the +objector is sincere he will confess that it is not the lack of contents +in the idea which is disappointing, but a lack of contents particularly +interesting to himself. + +The opposition between the mind and body of man as two diverse entities +ceases with that between thought and extension. It would be impossible +briefly to explain in all its fulness what Spinoza means by the +proposition: "The object of the idea constituting the human mind is a +body" {39}; it is sufficient here to say that, just as extension and +thought are one, considered in different aspects, so body and mind are +one. We shall find in the fifth part of the Ethic that Spinoza affirms +the eternity of the mind, though not perhaps in the way in which it is +usually believed. + +Following the order of the Ethic we now come to its more directly +ethical maxims. Spinoza denies the freedom commonly assigned to the +will, or perhaps it is more correct to say he denies that it is +intelligible. The will is determined by the intellect. The idea of the +triangle involves the affirmation or volition that its three angles are +equal to two right angles. If we understand what a triangle is we are +not "free" to believe that it contains more or less than two right +angles, nor to act as if it contained more or less than two. The only +real freedom of the mind is obedience to the reason, and the mind is +enslaved when it is under the dominion of the passions. "God does not +act from freedom of the will," {40a} and consequently "things could have +been produced by God in no other manner and in no other order than that +in which they have been produced." {40b} + +"If you will but reflect," Spinoza tells Boxel, "that indifference is +nothing but ignorance or doubt, and that a will always constant and in +all things determinate is a virtue and a necessary property of the +intellect, you will see that my words are entirely in accord with the +truth." {40c} To the same effect is a passage in a letter to +Blyenbergh, "Our liberty does not consist in a certain contingency nor +in a certain indifference, but in the manner of affirming or denying, so +that in proportion as we affirm or deny anything with less indifference, +are we the more free." {41a} So also to Schuller, "I call that thing +free which exists and acts solely from the necessity of its own nature: +I call that thing coerced which is determined to exist and to act in a +certain and determinate manner by another." {41b} With regard to this +definition it might be objected that the necessity does not lie solely +in the person who wills but is also in the object. The triangle as well +as the nature of man contains the necessity. What Spinoza means is that +the free man by the necessity of his nature is bound to assert the truth +of what follows from the definition of a triangle and that the stronger +he feels the necessity the more free he is. Hence it follows that the +wider the range of the intellect and the more imperative the necessity +which binds it, the larger is its freedom. + +In genuine freedom Spinoza rejoices. "The doctrine is of service in so +far as it teaches us that we do everything by the will of God alone, and +that we are partakers of the divine nature in proportion as our actions +become more and more perfect and we more and more understand God. This +doctrine, therefore, besides giving repose in every way to the soul, has +also this advantage, that it teaches us in what our highest happiness or +blessedness consists, namely, in the knowledge of God alone, by which we +are drawn to do those things only which love and piety persuade." {42a} +In other words, being part of the whole, the grandeur and office of the +whole are ours. We are anxious about what we call "personality," but in +truth there is nothing in it of any worth, and the less we care for it +the more "blessed" we are. + +"By the desire which springs from reason we follow good directly and +avoid evil indirectly" {42b}: our aim should be the good; in obtaining +that we are delivered from evil. To the same purpose is the conclusion +of the fifth book of the Ethic that "No one delights in blessedness +because he has restrained his affects, but, on the contrary, the power +of restraining his lusts springs from blessedness itself." {43a} This +is exactly what the Gospel says to the Law. + +Fear is not the motive of a free man to do what is good. "A free man +thinks of nothing less than of death, and his wisdom is not a meditation +upon death, but upon life." {43b} This is the celebrated sixty-seventh +proposition of the fourth part. If we examine the proof which directly +depends on the sixty-third proposition of the same part--"he who is led +by fear, and does what is good in order that he may avoid what is evil, +is not led by reason"--we shall see that Spinoza is referring to the +fear of the "evil" of hell-fire. + +All Spinoza's teaching with regard to the passions is a consequence of +what he believes of God and man. He will study the passions and not +curse them. He finds that by understanding them "we can bring it to +pass that we suffer less from them. We have, therefore, mainly to +strive to acquire a clear and distinct knowledge of each affect." {43c} +"If the human mind had none but adequate ideas it would form no notion +of evil." {44a} "The difference between a man who is led by affect or +opinion alone and one who is led by reason" is that "the former, whether +he wills it or not, does those things of which he is entirely ignorant, +but the latter does the will of no one but himself." {44b} THEY KNOW +NOT WHAT THEY DO. + +The direct influence of Spinoza's theology is also shown in his +treatment of pity, hatred, laughter, and contempt. "The man who has +properly understood that everything follows from the necessity of the +divine nature, and comes to pass according to the eternal laws and rules +of nature, will in truth discover nothing which is worthy of hatred, +laughter, or contempt, nor will he pity any one, but, so far as human +virtue is able, he will endeavour to DO WELL, as we say, and to +REJOICE." {44c} By pity is to be understood mere blind sympathy. The +good that we do by this pity with the eyes of the mind shut ought to be +done with them open. "He who lives according to the guidance of reason +strives as much as possible to repay the hatred, anger, or contempt of +others towards himself with love or generosity. . . . He who wishes to +avenge injuries by hating in return does indeed live miserably. But he +who, on the contrary, strives to drive out hatred by love, fights +joyfully and confidently, with equal ease resisting one man or a number +of men, and needing scarcely any assistance from fortune. Those whom he +conquers yield gladly, not from defect of strength, but from an increase +of it." {45a} + +"Joy is the passion by which the mind passes to a greater perfection: +sorrow, on the other hand, is the passion by which it passes to a less +perfection." {45b} "No God and no human being, except an envious one, +is delighted by my impotence or my trouble, or esteems as any virtue in +us tears, sighs, fears, and other things of this kind, which are signs +of mental impotence; on the contrary, the greater the joy with which we +are affected, the greater the perfection to which we pass thereby; that +is to say, the more do we necessarily partake of the divine nature." +{46} It would be difficult to find an account of joy and sorrow which +is closer to the facts than that which Spinoza gives. He lived amongst +people Roman Catholic and Protestant who worshipped sorrow. Sorrow was +the divinely decreed law of life and joy was merely a permitted +exception. He reversed this order and his claim to be considered in +this respect as one of the great revolutionary religious and moral +reformers has not been sufficiently recognised. It is remarkable that, +unlike other reformers, he has not contradicted error by an +exaggeration, which itself very soon stands in need of contradiction, +but by simple sanity which requires no correction. One reason for this +peculiarity is that the Ethic was the result of long meditation. It was +published posthumously and was discussed in draft for many years before +his death. Usually what we call our convictions are propositions which +we have not thoroughly examined in quietude, but notions which have just +come into our heads and are irreversible to us solely because we are +committed to them. Much may be urged against the Ethic and on behalf of +hatred, contempt, and sorrow. The "other side" may be produced +mechanically to almost every truth; the more easily, the more divine +that truth is, and against no truths is it producible with less genuine +mental effort than against those uttered by the founder of Christianity. +The question, however, if we are dealing with the New Testament, is not +whether the Sermon on the Mount can be turned inside out in a debating +society, but whether it does not represent better than anything which +the clever leader of the opposition can formulate the principle or +temper which should govern our conduct. + +There is a group of propositions in the last part of the Ethic, which, +although they are difficult, it may be well to notice, because they were +evidently regarded by Spinoza as helping him to the end he had in view. +The difficulty lies in a peculiar combination of religious ideas and +scientific form. These propositions are the following:- {47} + +"The mind can cause all the affections of the body or the images of +things to be related to the idea of God." + +"He who clearly and distinctly understands himself and his affects loves +God, and loves Him better the better he understands himself and his +affects." + +"This love to God above everything else ought to occupy the mind." + +"God is free from passions, nor is He affected with any affect of joy or +sorrow." + +"No one can hate God." + +"He who loves God cannot strive that God should love him in return." + +"This love to God cannot be defiled either by the effect of envy or +jealousy, but is the more strengthened the more people we imagine to be +connected with God by the same bond of love." + +The proof of the first of these propositions, using language somewhat +different from that of the text, is as follows:- There is no affection +of the body of which the mind cannot form some clear and distinct +conception, that is to say, of everything perceived it is capable of +forming a clear and adequate idea, not exhaustive, as Spinoza is careful +to warn us, but an idea not distorted by our personality, and one which +is in accordance with the thing itself, adequate as far as it goes. +Newton's perception that the moon perpetually falls to the earth by the +same numerical law under which a stone falls to it was an adequate +perception. "Therefore," continues the demonstration (quoting the +fifteenth proposition of the first part--"Whatever is, is in God, and +nothing can either be or be conceived without God"), "the mind can cause +all the affections of the body to be related to the idea of God." +Spinoza, having arrived at his adequate idea thus takes a further step +to the idea of God. What is perceived is not an isolated external +phenomenon. It is a reality in God: it IS God: there is nothing more +to be thought or said of God than the affirmation of such realities as +these. The "relation to the idea of God" means that in the affirmation +He is affirmed. "Nothing," that is to say, no reality "can be conceived +without God." + +But it is possible for the word "love" to be applied to the relationship +between man and God. He who has a clear and adequate perception passes +to greater perfection, and therefore rejoices. Joy, accompanied with +the idea of a cause, is love. By the fourteenth proposition this joy is +accompanied by the idea of God as its cause, and therefore love to God +follows. The demonstration seems formal, and we ask ourselves, What is +the actual emotion which Spinoza describes? It is not new to him, for +in the Short Treatise, which is an early sketch for the Ethic, he thus +writes:- "Hence it follows incontrovertibly that it is knowledge which +is the cause of love, so that when we learn to know God in this way, we +must necessarily unite ourselves to Him, for He cannot be known, nor can +he reveal Himself, save as that which is supremely great and good. In +this union alone, as we have already said, our happiness consists. I do +not say that we must know Him adequately; but it is sufficient for us, +in order to be united with Him, to know Him in a measure, for the +knowledge we have of the body is not of such a kind that we can know it +as it is or perfectly; and yet what a union! what love!" {50} + +Perhaps it may clear the ground a little if we observe that Spinoza +often avoids a negative by a positive statement. Here he may intend to +show us what the love of God is not, that it is not what it is described +in the popular religion to be. "The only love of God I know," we may +imagine him saying, "thus arises. The adequate perception is the +keenest of human joys for thereby I see God Himself. That which I see +is not a thing or a person, but nevertheless what I feel towards it can +be called by no other name than love. Although the object of this love +is not thing or person it is not indefinite, it is this only which is +definite; 'thing' and 'person' are abstract and unreal. There was a +love to God in Kepler's heart when the three laws were revealed to him. +If it was not love to God, what is love to Him?" + +To the eighteenth proposition, "No one can hate God," there is a +scholium which shows that the problem of pain which Spinoza has left +unsolved must have occurred to him. "But some may object that if we +understand God to be the cause of all things, we do for that very reason +consider Him to be the cause of sorrow. But I reply that in so far as +we understand the causes of sorrow, it ceases to be a passion (Prop. 3, +pt. 5), that is to say (Prop. 59, pt. 3) it ceases to be a sorrow; and +therefore in so far as we understand God to be the cause of sorrow do we +rejoice." The third proposition of the fifth part which he quotes +merely proves that in so far as we understand passion it ceases to be a +passion. He replies to those "who ask why God has not created all men +in such a manner that they might be controlled by the dictates of reason +alone," {52} "Because to Him material was not wanting for the creation +of everything, from the highest down to the very lowest grade of +perfection; or, to speak more properly, because the laws of His nature +were so ample that they sufficed for the production of everything which +can be conceived by an infinite intellect." Nevertheless of pain we +have no explanation. Pain is not lessened by understanding it, nor is +its mystery penetrated if we see that to God material could not have +been wanting for the creation of men or animals who have to endure it +all their lives. But if Spinoza is silent in the presence of pain, so +also is every religion and philosophy which the world has seen. Silence +is the only conclusion of the Book of Job, and patient fortitude in the +hope of future enlightenment is the conclusion of Christianity. + +It is a weak mistake, however, to put aside what religions and +philosophies tell us because it is insufficient. To Job it is not +revealed why suffering is apportioned so unequally or why it exists, but +the answer of the Almighty from the whirlwind he cannot dispute, and +although Spinoza has nothing more to say about pain than he says in the +passages just quoted and was certainly not exempt from it himself, it +may be impossible that any man should hate God. + +We now come to the final propositions of the Ethic, those in which +Spinoza declares his belief in the eternity of mind. The twenty-second +and twenty-third propositions of the fifth part are as follows:- + +"In God, nevertheless, there necessarily exists an idea which expresses +the essence of this or that human body under the form of eternity." + +"The human mind cannot be absolutely destroyed with the body, but +something of it remains which is eternal." + +The word "nevertheless" is a reference to the preceding proposition +which denies the continuity of memory or imagination excepting so long +as the body lasts. The demonstration of the twenty-third proposition is +not easy to grasp, but the substance of it is that although the mind is +the idea of the body, that is to say, the mind is body as thought and +body is thought as extension, the mind, or essence of the body, is not +completely destroyed with the body. It exists as an eternal idea, and +by an eternal necessity in God. Here again we must not think of that +personality which is nothing better than a material notion, an image +from the concrete applied to mind, but we must cling fast to thought, to +the thoughts which alone makes us what we ARE, and these, says Spinoza, +are in God and are not to be defined by time. They have always been and +always will be. The enunciation of the thirty-third proposition is, +"The intellectual love of God which arises from the third kind of +knowledge is eternal." The "third kind of knowledge" is that intuitive +science which "advances from an adequate idea of the formal essence of +certain attributes of God to the adequate knowledge of the essence of +things; {54} "No love except intellectual love is eternal," {55a} and +the scholium to this proposition adds, "If we look at the common opinion +of men, we shall see that they are indeed conscious of the eternity of +their minds, but they confound it with duration, and attribute it to +imagination or memory, which they believe remain after death." The +intellectual love of the mind towards God is the very "love with which +He loves Himself, not in so far as He is infinite, but in so far as He +can be manifested through the essence of the human mind, considered +under the form of eternity; that is to say, the intellectual love of the +mind towards God is part of the infinite love with which God loves +Himself." {55b} "Hence it follows that God, in so far as He loves +Himself, loves men, and consequently that the love of God towards men +and the intellectual love of the mind towards God are one and the same +thing." {55c} The more adequate ideas the mind forms "the less it +suffers from those affects which are evil, and the less it fears death" +because "the greater is that part which remains unharmed, and the less +consequently does it suffer from the affects." It is possible even "for +the human mind to be of such a nature that that part of it which we have +shown perishes with its body, in comparison with the part of it which +remains, is of no consequence." {56a} + +Spinoza, it is clear, holds that in some way--in what way he will not +venture to determine--the more our souls are possessed by the +intellectual love of God, the less is death to be dreaded, for the +smaller is that part of us which can die. Three parallel passages may +be appended. One will show that this was Spinoza's belief from early +years and the other two that it is not peculiar to him. "If the soul is +united with some other thing which is and remains unchangeable, it must +also remain unchangeable and permanent." {56b} "Further, this creative +reason does not at one time think, at another time not think [it thinks +eternally]: and when separated from the body it remains nothing but +what it essentially is: and thus it is alone immortal and eternal. Of +this unceasing work of thought, however, we retain no memory, because +this reason is unaffected by its objects; whereas the receptive, passive +intellect (which is affected) is perishable, and can really think +nothing without the support of the creative intellect." {57a} The third +quotation is from a great philosophic writer, but one to whom perhaps we +should not turn for such a coincidence. "I believe," said Pantagruel, +"that all intellectual souls are exempt from the scissors of Atropos. +They are all immortal." {57b} + +I have not tried to write an essay on Spinoza, for in writing an essay +there is a temptation to a consistency and completeness which are +contributed by the writer and are not to be found in his subject. The +warning must be reiterated that here as elsewhere we are too desirous, +both writers and readers, of clear definition where none is possible. +We do not stop where the object of our contemplation stops for our eyes. +For my own part I must say that there is much in Spinoza which is beyond +me, much which I cannot EXTEND, and much which, if it can be extended, +seems to involve contradiction. But I have also found his works +productive beyond those of almost any man I know of that acquiescentia +mentis which enables us to live. + + +SUPPLEMENTARY NOTE ON THE DEVIL + + +Spinoza denies the existence of the Devil, and says, in the Short +Treatise, that if he is the mere opposite of God and has nothing from +God, he is simply the Nothing. But if a philosophical doctrine be true, +it does not follow that as it stands it is applicable to practical +problems. For these a rule may have to be provided, which, although it +may not be inconsistent with the scientific theorem, differs from it in +form. The Devil is not an invention of priests for priestly purposes, +nor is he merely a hypothesis to account for facts, but he has been +forced upon us in order that we may be able to deal with them. Unless +we act as though there were an enemy to be resisted and chained, if we +fritter away differences of kind into differences of degree, we shall +make poor work of life. Spinoza himself assumes that other commands +than God's may be given to us, but that we are unhesitatingly to obey +His and His only. "Ad fidem ergo catholicam," he says, "ea solummodo +pertinent, quae erga Deum OBEDIENTIA absolute ponit." Consciousness +seems to testify to the presence of two mortal foes within us--one +Divine and the other diabolic--and perhaps the strongest evidence is not +the rebellion of the passions, but the picturing and the mental +processes which are almost entirely beyond our control, and often +greatly distress us. We look down upon them; they are not ours, and yet +they are ours, and we cry out with St. Paul against the law warring with +the law of our minds. Bunyan of course knows the practical problem and +the rule, and to him the Devil is not merely the tempter to crimes, but +the great Adversary. In the Holy War the chosen regiments of Diabolus +are the Doubters, and notwithstanding their theologic names, they +carried deadlier weapons than the theologic doubters of to-day. The +captain over the Grace-doubters was Captain Damnation; he over the +Felicity-doubters was Captain Past-hope, and his ancient-bearer was Mr. +Despair. The nature of the Doubters is "to put a question upon every +one of the truths of Emanuel, and their country is called the Land of +Doubting, and that land lieth off and furthest remote to the north +between the land of Darkness and that called the Valley of the Shadow of +Death." They are not children of the sun, and although they are not +sinners in the common sense of the word, those that were caught in +Mansoul were promptly executed. + +There is nothing to be done but to fight and wait for the superior help +which will come if we do what we can. Emanuel at first delayed his aid +in the great battle, and the first brunt was left to Captain Credence. +Presently, however, Emanuel appeared "with colours flying, trumpets +sounding, and the feet of his men scarce touched the ground; they hasted +with such celerity towards the captains that were engaged that . . . +there was not left so much as one Doubter alive, they lay spread upon +the ground dead men as one would spread dung on the land." The dead +were buried "lest the fumes and ill-favours that would arise from them +might infect the air and so annoy the famous town of Mansoul." But it +will be a fight to the end for Diabolus, and the lords of the pit +escaped. + +After Emanuel had finally occupied Mansoul he gave the citizens some +advice. The policy of Diabolus was "to make of their castle a +warehouse." Emanuel made it a fortress and a palace, and garrisoned the +town. "O my Mansoul," he said, "nourish my captains; make not my +captains sick, O Mansoul." + + + +INJUSTICE + + + +A notion, self-begotten in me, of the limitations of my friend is +answerable for the barrenness of my intercourse with him. I set him +down as hard; I speak to him as if he were hard and from that which is +hard in myself. Naturally I evoke only that which is hard, although +there may be fountains of tenderness in him of which I am altogether +unaware. It is far better in conversation not to regulate it according +to supposed capacities or tempers, which are generally those of some +fictitious being, but to be simply ourselves. We shall often find +unexpected and welcome response. + +Our estimates of persons, unless they are frequently revived by personal +intercourse, are apt to alter insensibly and to become untrue. They +acquire increased definiteness but they lose in comprehensiveness. + +Especially is this true of those who are dead. If I do not read a great +author for some time my mental abstract of him becomes summary and +false. I turn to him again, all summary judgments upon him become +impossible, and he partakes of infinitude. Writers, and people who are +in society and talk much are apt to be satisfied with an algebraic +symbol for a man of note, and their work is done not with him but with +x. + + + +TIME SETTLES CONTROVERSIES + + + +We ought to let Time have his own way in the settlement of our disputes. +It is a commonplace how much he is able to do with some of our troubles, +such as loss of friends or wealth; but we do not sufficiently estimate +his power to help our arguments. If I permit myself to dispute, I +always go beyond what is necessary for my purpose, and my continual +iteration and insistence do nothing but provoke opposition. Much better +would it be simply to state my case and leave it. To do more is not +only to distrust it, but to distrust that in my friend which is my best +ally, and will more surely assist me than all my vehemence. Sometimes-- +nay, often--it is better to say nothing, for there is a constant +tendency in Nature towards rectification, and her quiet protest and +persuasiveness are hindered by personal interference. If anybody very +dear to me were to fall into any heresy of belief or of conduct, I am +not sure that I ought to rebuke him, and that he would not sooner be +converted by observing my silent respect for him than by preaching to +him. + + + +TALKING ABOUT OUR TROUBLES + + + +We may talk about our troubles to those persons who can give us direct +help, but even in this case we ought as much as possible to come to a +provisional conclusion before consultation; to be perfectly clear to +ourselves within our own limits. Some people have a foolish trick of +applying for aid before they have done anything whatever to aid +themselves, and in fact try to talk themselves into perspicuity. The +only way in which they can think is by talking, and their speech +consequently is not the expression of opinion already and carefully +formed, but the manufacture of it. + +We may also tell our troubles to those who are suffering if we can +lessen their own. It may be a very great relief to them to know that +others have passed through trials equal to theirs and have survived. +There are obscure, nervous diseases, hypochondriac fancies, almost +uncontrollable impulses, which terrify by their apparent singularity. +If we could believe that they are common, the worst of the fear would +vanish. + +But, as a rule, we should be very careful for our own sake not to speak +much about what distresses us. Expression is apt to carry with it +exaggeration, and this exaggerated form becomes henceforth that under +which we represent our miseries to ourselves, so that they are thereby +increased. By reserve, on the other hand, they are diminished, for we +attach less importance to that which it was not worth while to mention. +Secrecy, in fact, may be our salvation. + +It is injurious to be always treated as if something were the matter +with us. It is health-giving to be dealt with as if we were healthy, +and the man who imagines his wits are failing becomes stronger and +sounder by being entrusted with a difficult problem than by all the +assurances of a doctor. + +They are poor creatures who are always craving for pity. If we are +sick, let us prefer conversation upon any subject rather than upon +ourselves. Let it turn on matters that lie outside the dark chamber, +upon the last new discovery, or the last new idea. So shall we seem +still to be linked to the living world. By perpetually asking for +sympathy an end is put to real friendship. The friend is afraid to +intrude anything which has no direct reference to the patient's +condition lest it should be thought irrelevant. No love even can long +endure without complaint, silent it may be, an invalid who is entirely +self-centred; and what an agony it is to know that we are tended simply +as a duty by those who are nearest to us, and that they will really be +relieved when we have departed! From this torture we may be saved if we +early apprentice ourselves to the art of self-suppression and sternly +apply the gag to eloquence upon our own woes. Nobody who really cares +for us will mind waiting on us even to the long-delayed last hour if we +endure in fortitude. + +There is no harm in confronting our disorders or misfortunes. On the +contrary, the attempt is wholesome. Much of what we dread is really due +to indistinctness of outline. If we have the courage to say to +ourselves, What IS this thing, then? let the worst come to the worst, +and what then? we shall frequently find that after all it is not so +terrible. What we have to do is to subdue tremulous, nervous, insane +fright. Fright is often prior to an object; that is to say, the fright +comes first and something is invented or discovered to account for it. +There are certain states of body and mind which are productive of +objectless fright, and the most ridiculous thing in the world is able to +provoke it to activity. It is perhaps not too much to say that any +calamity the moment it is apprehended by the reason alone loses nearly +all its power to disturb and unfix us. The conclusions which are so +alarming are not those of the reason, but, to use Spinoza's words, of +the "affects." + + + +FAITH + + + +Faith is nobly seen when a man, standing like Columbus upon the shore +with a dark, stormy Atlantic before him, resolves to sail, and although +week after week no land be visible, still believes and still sails on; +but it is nobler when there is no America as the goal of our venture, +but something which is unsubstantial, as, for example, self-control and +self-purification. It is curious, by the way, that discipline of this +kind should almost have disappeared. Possibly it is because religion is +now a matter of belief in certain propositions; but, whatever the cause +may be, we do not train ourselves day by day to become better as we +train ourselves to learn languages or science. To return from this +parenthesis, we say that when no applause nor even recognition is +expected, to proceed steadily and alone for its own sake in the work of +saving the soul is truer heroism than that which leads a martyr +cheerfully to the stake. + +Faith is at its best when we have to wrestle with despair, not only of +ourselves but of the Universe; when we strain our eyes and see nothing +but blackness. In the Gorgias Socrates maintains, not only that it is +always better to suffer injustice than to commit it, but that it is +better to be punished for injustice than to escape, and better to die +than to do wrong; and it is better not only because of the effect on +others but for our own sake. We are naturally led to ask what support a +righteous man unjustly condemned could find, supposing he were about to +be executed, if he had no faith in personal immortality and knew that +his martyrdom could not have the least effect for good. Imagine him, +for example, shut up in a dungeon and about to be strangled in it and +that not a single inquiry will be made about him--where will he look for +help? what hope will compose him? He may say that in a few hours he +will be asleep, and that nothing will then be of any consequence to him, +but that thought surely will hardly content him. He may reflect that he +at least prevents the evil which would be produced by his apostasy; and +very frequently in life, when we abstain from doing wrong, we have to be +satisfied with a negative result and with the simple absence (which +nobody notices) of some direct mischief, although the abstention may +cost more than positive well-doing. This too, however, is but cold +consolation when the cord is brought and the grave is already dug. + +It must be admitted that Reason cannot give any answer. Socrates, when +his reasoning comes to an end, often permits himself to tell a story. +"My dialectic," he seems to say, "is of no further use; but here is a +tale for you," and as he goes on with it we can see his satyr eyes gleam +with an intensity which shows that he did not consider he was inventing +a mere fable. That was the way in which he taught theology. Perhaps we +may find that something less than logic and more than a dream may be of +use to us. We may figure to ourselves that this universe of souls is +the manifold expression of the One, and that in this expression there is +a purpose which gives importance to all the means of which it avails +itself. Apparent failure may therefore be a success, for the mind which +has been developed into perfect virtue falls back into the One, having +served (by its achievements) the end of its existence. The potential in +the One has become actual, has become real, and the One is the richer +thereby. + + + +PATIENCE + + + +What is most to be envied in really religious people of the earlier type +is their intellectual and moral peace. They had obtained certain +convictions, a certain conception of the Universe, by which they could +live. Their horizon may have been encompassed with darkness; experience +sometimes contradicted their faith, but they trusted--nay, they knew-- +that the opposition was not real and that the truths were not to be +shaken. Their conduct was marked by a corresponding unity. They +determined once for all that there were rules which had to be obeyed, +and when any particular case arose it was not judged according to the +caprice of the moment, but by statute. + +We, on the other hand, can only doubt. So far as those subjects are +concerned on which we are most anxious to be informed, we are sure of +nothing. What we have to do is to accept the facts and wait. We must +take care not to deny beauty and love because we are forced also to +admit ugliness and hatred. Let us yield ourselves up utterly to the +magnificence and tenderness of the sunrise, though the East End of +London lies over the horizon. That very same Power, and it is no other, +which blasts a country with the cholera or drives the best of us to +madness has put the smile in a child's face and is the parent of Love. +It is curious, too, that the curse seems in no way to qualify the +blessing. The sweetness and majesty of Nature are so exquisite, so +pure, that when they are before us we cannot imagine they could be +better if they proceeded from an omnipotently merciful Being and no +pestilence had ever been known. We must not worry ourselves with +attempts at reconciliation. We must be satisfied with a hint here and +there, with a ray of sunshine at our feet, and we must do what we can to +make the best of what we possess. Hints and sunshine will not be +wanting, and science, which was once considered to be the enemy of +religion, is dissolving by its later discoveries the old gross +materialism, the source of so much despair. + +The conduct of life is more important than speculation, but the lives of +most of us are regulated by no principle whatever. We read our Bible, +Thomas a Kempis, and Bunyan, and we are persuaded that our salvation +lies in the perpetual struggle of the higher against the lower self, the +spirit against the flesh, and that the success of the flesh is +damnation. We take down Horace and Rabelais and we admit that the body +also has its claims. We have no power to dominate both sets of books, +and consequently they supersede one another alternately. Perhaps life +is too large for any code we can as yet frame, and the dissolution of +all codes, the fluid, unstable condition of which we complain, may be a +necessary antecedent of new and more lasting combinations. One thing is +certain, that there is not a single code now in existence which is not +false; that the graduation of the vices and virtues is wrong, and that +in the future it will be altered. We must not hand ourselves over to a +despotism with no Divine right, even if there be a risk of anarchy. In +the determination of our own action, and in our criticism of other +people, we must use the whole of ourselves and not mere fragments. If +we do this we need not fear. We may suppose we are in danger because +the stone tables of the Decalogue have gone to dust, but it is more +dangerous to attempt to control men by fictions. Better no chart +whatever than one which shows no actually existing perils, but warns us +against Scylla, Charybdis, and the Cyclops. If we are perfectly honest +with ourselves we shall not find it difficult to settle whether we ought +to do this or that particular thing, and we may be content. The new +legislation will come naturally at the appointed time, and it is not +impossible to live while it is on the way. + + + +AN APOLOGY + + + +In these latter days of anarchy and tumult, when there is no gospel of +faith or morals, when democracy seems bent on falsifying every +prediction of earlier democratic enthusiasts by developing worse dangers +to liberty than any which our forefathers had to encounter, and when the +misery of cities is so great, it appears absurd, not to say wrong, that +we should sit still and read books. I am ashamed when I go into my own +little room and open Milton or Shakespeare after looking at a newspaper +or walking through the streets of London. I feel that Milton and +Shakespeare are luxuries, and that I really belong to the class which +builds palaces for its pleasure, although men and women may be starving +on the roads. + +Nevertheless, if I were placed on a platform I should be obliged to say, +"My brethren, I plainly perceive the world is all wrong, but I cannot +see how it is to be set right," and I should descend the steps and go +home. There may be others who have a clearer perception than mine, and +who may be convinced that this way or that way lies regeneration. I do +not wish to discourage them; I wish them God-speed, but I cannot help +them nor become their disciple. Possibly I am doing nothing better than +devising excuses for lotus-eating, but here they are. + +To take up something merely because I am idle is useless. The message +must come to me, and with such urgency that I cannot help delivering it. +Nor is it of any use to attempt to give my natural thoughts a force +which is not inherent in them. + +The disease is often obvious, but the remedies are doubtful. The +accumulation of wealth in a few hands, generally by swindling, is +shocking, but if it were distributed to-morrow we should gain nothing. +The working man objects to the millionaire, but would gladly become a +millionaire himself, even if his million could be piled up in no other +way than by sweating thousands of his fellows. The usurpation of +government by the ignorant will bring disaster, but how in these days +could a wise man reign any longer than ignorance permitted him? The +everlasting veerings of the majority, without any reason meanwhile for +the change, show that, except on rare occasions of excitement, the +opinion of the voters is of no significance. But when we are asked what +substitute for elections can be proposed, none can be found. So with +the relationship between man and woman, the marriage laws and divorce. +The calculus has not been invented which can deal with such +complexities. We are in the same position as that in which Leverrier +and Adams would have been, if, observing the irregularities of Uranus, +which led to the discovery of Neptune, they had known nothing but the +first six books of Euclid and a little algebra. + +There has never been any reformation as yet without dogma and +supernaturalism. Ordinary people acknowledge no real reasons for virtue +except heaven and hell-fire. When heaven and hell-fire cease to +persuade, custom for a while is partly efficacious, but its strength +soon decays. Some good men, knowing the uselessness of rational means +to convert or to sustain their fellows, have clung to dogma with +hysterical energy, but without any genuine faith in it. They have +failed, for dogma cannot be successful unless it be the INEVITABLE +expression of the inward conviction. + +The voices now are so many and so contradictory that it is impossible to +hear any one of them distinctly, no matter what its claim on our +attention may be. The newspaper, the circulating library, the free +library, and the magazine are doing their best to prevent unity of +direction and the din and confusion of tongues beget a doubt whether +literature and the printing press have actually been such a blessing to +the race as enlightenment universally proclaims them to be. + +The great currents of human destiny seem more than ever to move by +forces which tend to no particular point. There is a drift, tremendous +and overpowering, due to nobody in particular, but to hundreds of +millions of small impulses. Achilles is dead, and the turn of the +Myrmidons has come. + + +"Myrmdons, race feconde +Myrmidons, +Enfin nous commandons: + +Jupiter livre le monde +Aux Myrmidons, aux Myrmidons. + +Voyant qu' Achille succombe, +Ses Myrmidons, hors des rangs, +Disent: Dansons sur sa tombe +Ses petits vont etre grands." + + +My last defence is that the Universe is an organic unity, and so subtle +and far-reaching are the invisible threads which pass from one part of +it to another that it is impossible to limit the effect which even an +insignificant life may have. "Were a single dust-atom destroyed, the +universe would collapse." + + +" . . . who of men can tell +That flowers would bloom, or that green fruit would swell +To melting pulp, that fish would have bright mail, +The earth its dower of river, wood, and vale, +The meadows runnels, runnels pebble-stones, +The seed its harvest, or the lute its tones, +Tones ravishment, or ravishment its sweet +If human souls did never kiss and greet?" + + + +BELIEF, UNBELIEF, AND SUPERSTITION + + + +True belief is rare and difficult. There is no security that the +fictitious beliefs which have been obtained by no genuine mental +process, that is to say, are not vitally held, may not be discarded for +those which are exactly contrary. We flatter ourselves that we have +secured a method and freedom of thought which will not permit us to be +the victims of the absurdities of the Middle Ages, but, in fact, there +is no solid obstacle to our conversion to some new grotesque religion +more miraculous than Roman Catholicism. Modern scepticism, +distinguishing it from scholarly scepticism, is nothing but stupidity or +weakness. Few people like to confess outright that they do not believe +in a God, although the belief in a personal devil is considered to be a +sign of imbecility. Nevertheless, men, as a rule, have no ground for +believing in God a whit more respectable than for disbelief in a devil. +The devil is not seen nor is God seen. The work of the devil is as +obvious as that of God. Nay, as the devil is a limited personality, +belief in him is not encumbered with the perplexities which arise when +we attempt to apprehend the infinite Being. Belief may often be tested; +that is to say, we may be able to discover whether it is an active +belief or not by inquiring what disbelief it involves. So also the test +of disbelief is its correspondent belief. + +Superstition is a name generally given to a few only of those beliefs +for which it is imagined that there is no sufficient support, such as +the belief in ghosts, witches, and, if we are Protestants, in miracles +performed after a certain date. Why these particular beliefs have been +selected as solely deserving to be called superstitious it is not easy +to discover. If the name is to be extended to all beliefs which we have +not attempted to verify, it must include the largest part of those we +possess. We vote at elections as we are told to vote by the newspaper +which we happen to read, and our opinions upon a particular policy are +based upon no surer foundation than those of the Papist on the +authenticity of the lives of the Saints. + +Superstition is a matter of RELATIVE evidence. A thousand years ago it +was not so easy as it is now to obtain rigid demonstration in any +department except mathematics. Much that was necessarily the basis of +action was as incapable of proof as the story of St. George and the +Dragon, and consequently it is hardly fair to say that the dark ages +were more superstitious than our own. Nor does every belief, even in +supernatural objects, deserve the name of superstition. Suppose that +the light which struck down St. Paul on his journey to Damascus was due +to his own imagination, the belief that it came from Jesus enthroned in +the heavens was a sign of strength and not of weakness. Beliefs of this +kind, in so far as they exalt man, prove greatness and generosity, and +may be truer than the scepticism which is formally justified in +rejecting them. If Christ never rose from the dead, the women who +waited at the sepulchre were nearer to reality than the Sadducees, who +denied the resurrection. + +There is a half-belief, which we find in Virgil that is not +superstition, nor inconstancy, nor cowardice. A child-like faith in the +old creed is no longer possible, but it is equally impossible to +surrender it. I refer now not to those who select from it what they +think to be in accordance with their reason, and throw overboard the +remainder with no remorse, but rather to those who cannot endure to +touch with sacrilegious hands the ancient histories and doctrines which +have been the depositaries of so much that is eternal, and who dread +lest with the destruction of a story something precious should also be +destroyed. The so-called superstitious ages were not merely +transitionary. Our regret that they have departed is to be explained +not by a mere idealisation of the past, but by a conviction that truths +have been lost, or at least have been submerged. Perhaps some day they +may be recovered, and in some other form may again become our religion. + + + +JUDAS ISCARIOT--WHAT CAN BE SAID FOR HIM? + + + +Judas Iscariot has become to Christian people an object of horror more +loathsome than even the devil himself. The devil rebelled because he +could not brook subjection to the Son of God, a failing which was noble +compared with treachery to the Son of man. The hatred of Judas is not +altogether virtuous. We compound thereby for our neglect of Jesus and +His precepts: it is easier to establish our Christianity by cursing the +wretched servant than by following his Master. The heinousness also of +the crime in Gethsemane has been aggravated by the exaltation of Jesus +to the Redeemership of the world. All that can be known of Judas is +soon collected. He was chosen one of the twelve apostles, and received +their high commission to preach the kingdom of heaven, to heal the sick, +raise the dead, cleanse the lepers, and cast out devils. He was +appointed treasurer to the community. John in telling the story of the +anointing at Bethany says that he was a thief, but John also makes him +the sole objector to the waste of the ointment. According to the other +evangelists all the disciples objected. Since he remained in office it +could hardly have been known at the time of the visit to Bethany that he +was dishonest, nor could it have been known at any time to Matthew and +Mark, for they would not have lost the opportunity of adding such a +touch to the portrait. The probability, therefore, is that the robbery +of the bag is unhistorical. When the chief priests and scribes sought +how they might apprehend Jesus they made a bargain with Judas to deliver +Him to them for thirty pieces of silver. He was present at the Last +Supper but went and betrayed his Lord. A few hours afterwards, when he +found out that condemnation to death followed, he repented himself and +brought again the thirty pieces of silver to his employers, declared +that he had sinned in betraying innocent blood, cast down the money at +their feet, and went and hanged himself. + +This is all that is discoverable about Judas, and it has been considered +sufficient for a damnation deeper than any allotted to the worst of the +sons of Adam. Dante places him in the lowest round of the ninth or last +of the hellish circles, where he is eternally "champed" by Satan, +"bruised as with ponderous engine," his head within the diabolic jaws +and "plying the feet without." In the absence of a biography with +details, it is impossible to make out with accuracy what the real Judas +was. We can, however, by dispassionate examination of the facts +determine their sole import, and if we indulge in inferences we can +deduce those which are fairly probable. As Judas was treasurer, he must +have been trusted. He could hardly have been naturally covetous, for he +had given up in common with the other disciples much, if not all, to +follow Jesus. The thirty pieces of silver--some four or five pounds of +our money--could not have been considered by him as a sufficient bribe +for the ignominy of a treason which was to end in legal murder. He +ought perhaps to have been able to measure the ferocity of an +established ecclesiastical order and to have known what would have been +the consequence of handing over to it perfect, and therefore heretical, +sincerity and purity, but there is no evidence that he did know: nay, +we are distinctly informed, as we have just seen, that when he became +aware what was going to happen his sorrow for his wicked deed took a +very practical shape. + +We cannot allege with confidence that it was any permanent loss of +personal attachment to Jesus which brought about his defection. It came +when the belief in a theocracy near at hand filled the minds of the +disciples. These ignorant Galilean fishermen expected that in a very +short time they would sit on twelve thrones judging the twelve tribes of +Israel. The custodian of the bag, gifted with more common sense than +his colleagues, probably foresaw the danger of a collision with Rome, +and may have desired by a timely arrest to prevent an open revolt, which +would have meant immediate destruction of the whole band with women and +children. Can any position be imagined more irritating that that of a +careful man of business who is keeper of the purse for a company of +heedless enthusiasts professing complete indifference to the value of +money, misunderstanding the genius of their chief, and looking out every +morning for some sign in the clouds, a prophecy of their immediate +appointment as vicegerents of a power that would supersede the awful +majesty of the Imperial city? He may have been heated by a long series +of petty annoyances to such a degree that at last they may have ended in +rage and a sudden flinging loose of himself from the society. It is the +impulsive man who frequently suffers what appears to be inversion, and +Judas was impulsive exceedingly. Matthew, and Matthew only, says that +Judas asked for money from the chief priests. "What will ye give me, +and I will deliver Him unto you?" According to Mark, whose account of +the transaction is the same as Luke's, "Judas . . . went unto the chief +priests to betray Him unto them. And when they heard it, they were +glad, and promised to give him money." If the priests were the +tempters, a slight difference is established in favour of Judas, but +this we will neglect. The sin of taking money and joining in that last +meal in any case is black enough, although, as we have before pointed +out, Judas did not at the time know what the other side of the bargain +was. Admitting, however, everything that can fairly be urged against +him, all that can be affirmed with certainty is that we are in the +presence of strange and unaccountable inconsistency, and that an apostle +who had abandoned his home, who had followed Jesus for three years +amidst contempt and persecution, and who at last slew himself in self- +reproach, could be capable of committing the meanest of sins. Is the +co-existence of irreconcilable opposites in human nature anything new? +The story of Judas may be of some value if it reminds us that man is +incalculable, and that, although in theory, and no doubt in reality, he +is a unity, the point from which the divergent forces in him rise is +often infinitely beyond our exploration; a lesson not merely in +psychology but for our own guidance, a warning that side by side with +heroic virtues there may sleep in us not only detestable vices, but +vices by which those virtues are contradicted and even for the time +annihilated. The mode of betrayal, with a kiss, has justly excited +loathing, but it is totally unintelligible. Why should he have taken +the trouble to be so base when the movement of a finger would have +sufficed? Why was any sign necessary to indicate one who was so well +known? The supposition that the devil compelled him to superfluous +villainy in order that he might be secured with greater certainty and +tortured with greater subtlety is one that can hardly be entertained +except by theologians. It is equally difficult to understand why Jesus +submitted to such an insult, and why Peter should not have smitten down +its perpetrator. Peter was able to draw his sword, and it would have +been safer and more natural to kill Judas than to cut off the ear of the +high priest's servant. John, who shows a special dislike to Judas, +knows nothing of the kiss. According to John, Jesus asked the soldiers +whom they sought, and then stepped boldly forward and declared Himself. +"Judas," adds John, "was standing with them." As John took such +particular notice of what happened, the absence of the kiss in his +account can hardly have been accidental. It is a sound maxim in +criticism that what is simply difficult of explanation is likely to be +authentic. An awkward reading in a manuscript is to be preferred to one +which is easier. But an historical improbability, especially if no +corroboration of it is to be found in a better authority, may be set +aside, and in this case we are justified in neglecting the kiss. +Whatever may have been the exact shade of darkness in the crime of +Judas, it was avenged with singular swiftness, and he himself was the +avenger. He did not slink away quietly and poison himself in a ditch. +He boldly encountered the sacred college, confessed his sin and the +innocence of the man they were about to crucify. Compared with these +pious miscreants who had no scruples about corrupting one of the +disciples, but shuddered at the thought of putting back into the +treasury the money they had taken from it, Judas becomes noble. His +remorse is so unendurable that it drives him to suicide. + +If a record could be kept of those who have abjured Jesus through love +of gold, through fear of the world or of the scribes and Pharisees, we +should find many who are considered quite respectable, or have even been +canonised, and who, nevertheless, much more worthily than Iscariot, are +entitled to "champing" by the jaws of Sathanas. Not a single scrap from +Judas himself has reached us. He underwent no trial, and is condemned +without plea or excuse on his own behalf, and with no cross-examination +of the evidence. No witnesses have been called to his character. What +would his friends at Kerioth have said for him? What would Jesus have +said? If He had met Judas with the halter in his hand would He not have +stopped him? Ah! I can see the Divine touch on the shoulder, the +passionate prostration of the repentant in the dust, the hands gently +lifting him, the forgiveness because he knew not what he did, and the +seal of a kiss indeed from the sacred lips. + + + +SIR WALTER SCOTT'S USE OF THE SUPERNATURAL IN THE "BRIDE OF LAMMERMOOR" + + + +The supernatural machinery in Sir Walter Scott's Monastery is generally +and, no doubt, correctly, set down as a mistake. Sir Walter fails, not +because the White Lady of Avenel is a miracle, but because being +miraculous, she is made to do what sometimes is not worthy of her. +This, however, is not always true, for nothing can be finer than the +change in Halbert Glendinning after he has seen the spirit, and the +great master himself has never drawn a nobler stroke than that in which +he describes the effect which intercourse with her has had upon Mary. +Halbert, on the morning of the duel between himself and Sir Piercie +Shafton, is trying to persuade her that he intends no harm, and that he +and Sir Piercie are going on a hunting expedition. "Say not thus," said +the maiden, interrupting him, "say not thus to me. Others thou may'st +deceive, but me thou can'st not. There has been that in me from the +earliest youth which fraud flies from, and which imposture cannot +deceive." The transforming influence of the Lady is here just what it +should be, and the consequence is that she becomes a reality. + +But it is in the Bride of Lammermoor more particularly that the use of +the supernatural is not only blameless but indispensable. We begin to +rise to it in that scene in which the Master of Ravenswood meets Alice. +"Begone from among them," she says, "and if God has destined vengeance +on the oppressor's house, do not you be the instrument. . . . If you +remain here, her destruction or yours, or that of both, will be the +inevitable consequence of her misplaced attachment." A little further +on, with great art, Scott having duly prepared us by what has preceded, +adds intensity and colour. He apologises for the "tinge of +superstition," but, not believing, he evidently believes, and we justly +surrender ourselves to him. The Master of Ravenswood after the insult +received from Lady Ashton wanders round the Mermaiden's Well on his way +to Wolf's Crag and sees the wraith of Alice. Scott makes horse as well +as man afraid so that we may not immediately dismiss the apparition as a +mere ordinary product of excitement. Alice at that moment was dying, +and had "prayed powerfully that she might see her master's son and renew +her warning." Observe the difference between this and any vulgar ghost +story. From the very first we feel that the Superior Powers are against +this match, and that it will be cursed. The beginning of the curse lies +far back in the hereditary temper of the Ravenswoods, in the intrigues +of the Ashtons, and in the feuds of the times. When Love intervenes we +discover in an instant that he is not sent by the gods to bring peace, +but that he is the awful instrument of destruction. The spectral +appearance of Alice at the hour of her departure, on the very spot "on +which Lucy Ashton had reclined listening to the fatal tale of woe . . . +holding up her shrivelled hand as if to prevent his coming more near," +is necessary in order to intimate that the interdict is pronounced not +by a mortal human being but by a dread, supernal authority. + + + +SEPTEMBER, 1798. "THE LYRICAL BALLADS." + + + +The year 1798 was a year of great excitement: England was alone in the +struggle against Buonaparte; the mutiny at the Nore had only just been +quelled: the 3 per cent. Consols had been marked at 49 or 50; the +Gazettes were occupied with accounts of bloody captures of French ships; +Ireland may be said to have been in rebellion, and horrible murders were +committed there; the King sent a message to Parliament telling it that +an invasion might be expected and that it was to be assisted by +"incendiaries" at home; and the Archbishop of Canterbury and eleven +bishops passed a resolution declaring that if the French should land, or +a dangerous insurrection should break out, it would be the duty of the +clergy to take up arms against an enemy whom the Bishop of Rochester +described as "instigated by that desperate malignity against the Faith +he has abandoned, which in all ages has marked the horrible character of +the vile apostate." + +In the midst of this raving political excitement three human beings were +to be found who although they were certainly not unmoved by it, were +able to detach themselves from it when they pleased, and to seclude +themselves in a privacy impenetrable even to an echo of the tumult +around them. + +In April or May, 1798, the Nightingale was written, and these are the +sights and sounds which were then in young Coleridge's eyes and ears:- + + +"No cloud, no relique of the sunken day +Distinguishes the West, no long thin slip +Of sullen light, no obscure trembling hues. +Come, we will rest on this old mossy bridge! +You see the glimmer of the stream beneath, +But hear no murmuring: it flows silently, +O'er its soft bed of verdure. All is still, +A balmy night! and tho' the stars be dim, +Yet let us think upon the vernal showers +That gladden the green earth, and we shall find +A pleasure in the dimness of the stars." + + +We happen also to have Dorothy Wordsworth's journal for April and May. +Here are a few extracts from it:- + + +April 6th.--"Went a part of the way home with Coleridge. . . . The +spring still advancing very slowly. The horse-chestnuts budding, and +the hedgerows beginning to look green, but nothing fully expanded." + +April 9th.--"Walked to Stowey . . . The sloe in blossom, the hawthorns +green, the larches in the park changed from black to green in two or +three days. Met Coleridge in returning." + +April 12th.--" . . . The spring advances rapidly, multitudes of +primroses, dog-violets, periwinkles, stitchwort." + +April 27th.--"Coleridge breakfasted and drank tea, strolled in the wood +in the morning, went with him in the evening through the wood, +afterwards walked on the hills: the moon; a many-coloured sea and sky." + +May 6th, Sunday.--"Expected the painter {101} and Coleridge. A rainy +morning--very pleasant in the evening. Met Coleridge as we were walking +out. Went with him to Stowey; heard the nightingale; saw a glow-worm." + + +What was it which these three young people (for Dorothy certainly must +be included as one of its authors) proposed to achieve by their book? +Coleridge, in the Biographia Literaria, says (vol. ii. c. 1): "During +the first year that Mr. Wordsworth and I were neighbours, our +conversations turned frequently on the two cardinal points of poetry, +the power of exciting the sympathy of the reader by a faithful adherence +to the truth of nature, and the power of giving the interest of novelty +by the modifying colours of imagination. The sudden charm, which +accidents of light and shade, which moonlight or sunset diffused over a +known and familiar landscape, appeared to represent the practicability +of combining both. These are the poetry of nature. The thought +suggested itself--(to which of us I do not recollect)--that a series of +poems might be composed of two sorts. In the one, the agents and +incidents were to be, in part at least, supernatural; and the excellence +aimed at was to consist in the interesting of the affections by the +dramatic truth of such emotions, as would naturally accompany such +situations, supposing them real. And real in this sense they have been +to every human being who, from whatever source of delusion, has at any +time believed himself under supernatural agency. For the second class, +subjects were to be chosen from ordinary life; the characters and +incidents were to be such as will be found in every village and its +vicinity, where there is a meditative and feeling mind to seek after +them, or to notice them, when they present themselves. + +"In this idea originated the plan of the LYRICAL BALLADS; in which it +was agreed, that my endeavours should be directed to persons and +characters supernatural, or at least romantic; yet so as to transfer +from our inward nature a human interest and a semblance of truth +sufficient to procure for these shadows of imagination that willing +suspension of disbelief for the moment, which constitutes poetic faith. +Mr. Wordsworth, on the other hand, was to propose to himself as his +object, to give the charm of novelty to things of everyday and to excite +a feeling ANALOGOUS TO THE SUPERNATURAL, {103} by awakening the mind's +attention to the lethargy of custom, and directing it to the loveliness +and the wonders of the world before us; an inexhaustible treasure, but +for which, in consequence of the film of familiarity and selfish +solicitude we have eyes, yet see not, ears that hear not, and hearts +that neither feel nor understand. + +"With this view I wrote THE ANCIENT MARINER, and was preparing, among +other poems, THE DARK LADIE and the CHRISTABEL, in which I should have +more nearly have realised my ideal, than I had done in my first +attempt." + +Coleridge, when he wrote to Cottle offering him the Lyrical Ballads, +affirms that "the volumes offered to you are, to a certain degree, ONE +WORK IN KIND" {104a} (Reminiscences, p. 179); and Wordsworth declares, +"I should not, however, have requested this assistance, had I not +believed that the poems of my Friend would in a great measure HAVE THE +SAME TENDENCY AS MY OWN, {104b} and that though there would be found a +difference, there would be found no discordance in the colours of our +style; as our opinions on the subject of poetry do almost entirely +coincide" (Preface to Lyrical Ballads, 1800). + +It is a point carefully to be borne in mind that we have the explicit +and contemporary authority of both poets that their aim was the same. + +There are difficulties in the way of believing that The Ancient Mariner +was written for the Lyrical Ballads. It was planned in 1797 and was +originally intended for a magazine. Nevertheless, it may be asserted +that the purpose of The Ancient Mariner and of Christabel (which was +originally intended for the Ballads) was, as their author said, TRUTH, +living truth. He was the last man in the world to care for a story +simply as a chain of events with no significance, and in these poems the +supernatural, by interpenetration with human emotions, comes closer to +us than an event of daily life. In return the emotions themselves, by +means of the supernatural expression, gain intensity. The texture is so +subtly interwoven that it is difficult to illustrate the point by +example, but take the following lines:- + + +"Alone, alone, all, all alone, +Alone on a wide wide sea! +And never a saint took pity on +My soul in agony. + +The many men, so beautiful! +And they all dead did lie: +And a thousand thousand slimy things +Lived on; and so did I. + +* * * * + +The self-same moment I could pray: +And from my neck so free +The Albatross fell off, and sank +Like lead into the sea. + +* * * * + +And the hay was white with silent light +Till rising from the same, +Full many shapes, that shadows were, +In crimson colours came. + +A little distance from the prow +Those crimson shadows were: +I turned my eyes upon the deck - +Oh, Christ! what saw I there! + +Each corse lay flat, lifeless and flat, +And, by the holy rood! +A man all light, a seraph-man, +On every corse there stood." + + +Coleridge's marginal gloss to these last stanzas is "The angelic spirits +leave the dead bodies, and appear in their own forms of light." + +Once more from Christabel:- + + +"The maid, alas! her thoughts are gone, +She nothing sees--no sight but one! +The maid, devoid of guile and sin, +I know not how, in fearful wise, +So deeply had she drunken in +That look, those shrunken serpent eyes, +That all her features were resigned +To this sole image in her mind: +And passively did imitate +That look of dull and treacherous hate." + + +What Wordsworth intended we have already heard from Coleridge, and +Wordsworth confirms him. It was, says the Preface of 1802, "to present +ordinary things to the mind in an unusual way." In Wordsworth the +miraculous inherent in the commonplace, but obscured by "the film of +familiarity," is restored to it. This translation is effected by the +imagination, which is not fancy nor dreaming, as Wordsworth is careful +to warn us, but that power by which we see things as they are. The +authors of The Ancient Mariner and Simon Lee are justified in claiming a +common object. It is to prove that the metaphysical in Shakespeare's +sense of the word interpenetrates the physical, and serves to make us +see and feel it. + +Poetry, if it is to be good for anything, must help us to live. It is +to this we come at last in our criticism, and if it does not help us to +live it may as well disappear, no matter what its fine qualities may be. +The help to live, however, that is most wanted is not remedies against +great sorrows. The chief obstacle to the enjoyment of life is its +dulness and the weariness which invades us because there is nothing to +be seen or done of any particular value. If the supernatural becomes +natural and the natural becomes supernatural, the world regains its +splendour and charm. Lines may be drawn from their predecessors to +Coleridge and the Wordsworths, but the work they did was distinctly +original, and renewed proof was given of the folly of despair even when +fertility seems to be exhausted. There is always a hidden conduit open +into an unknown region whence at any moment streams may rush and renew +the desert with foliage and flowers. + +The reviews which followed the publication of the Lyrical Ballads were +nearly all unfavourable. Even Southey discovered nothing in The Ancient +Mariner but "a Dutch attempt at German sublimity." A certain learned +pig thought it "the strangest story of a cock and bull that he ever saw +on paper," and not a single critic, not even the one or two who had any +praise to offer, discerned the secret of the book. The publisher was so +alarmed that he hastily sold his stock. Nevertheless Coleridge, +Wordsworth, and his sister quietly went off to Germany without the least +disturbance of their faith, and the Ballads are alive to this day. + + + +SOME NOTES ON MILTON + + + +Much of the criticism on Milton, if not hostile, is apologetic, and it +is considered quite correct to say we "do not care" for him. Partly +this indifference is due to his Nonconformity. The "superior" +Englishman who makes a jest of the doctrines and ministers of the +Established Church always pays homage to it because it is RESPECTABLE, +and sneers at Dissent. Another reason why Milton does not take his +proper place is that his theme is a theology which for most people is no +longer vital. A religious poem if it is to be deeply felt must embody a +living faith. The great poems of antiquity are precious to us in +proportion to our acceptance, now, as fact, of what they tell us about +heaven and earth. There are only a few persons at present who perceive +that in substance the account which was given in the seventeenth century +of the relation between man and God is immortal and worthy of epic +treatment. A thousand years hence a much better estimate of Milton will +be possible than that which can be formed to-day. We attribute to him +mechanic construction in dead material because it is dead to ourselves. +Even Mr. Ruskin who was far too great not to recognise in part at least +Milton's claims, says that "Milton's account of the most important event +in his whole system of the universe, the fall of the angels, is +evidently unbelievable to himself; and the more so, that it is wholly +founded on, and in a great part spoiled and degraded from, Hesiod's +account of the decisive war of the younger gods with the Titans. The +rest of his poem is a picturesque drama, in which every artifice of +invention is visibly and consciously employed; not a single fact being +for an instant conceived as tenable by any living faith" (Sesame and +Lilies, section iii.). + +Mr. Mark Pattison, quoting part of this passage, remarks with justice, +"on the contrary, we shall not rightly apprehend either the poetry or +the character of the poet until we feel that throughout Paradise Lost, +as in Paradise Regained and Samson, Milton felt himself to be standing +on the sure ground of fact and reality" (English Men of Letters--Milton, +p. 186, ed. 1879). + +St. Jude for ages had been sufficient authority for the angelic revolt, +and in a sense it was a reasonable dogma, for although it did not +explain the mystery of the origin of evil it pushed it a step further +backwards, and without such a revolt the Christian scheme does not well +hold together. So also with the entrance of the devil into the serpent. +It is not expressly taught in any passage of the canonical Scriptures, +but to the Church and to Milton it was as indisputable as the presence +of sin in the world. Milton, I repeat, BELIEVED in the framework of his +poem, and unless we can concede this to him we ought not to attempt to +criticise him. He was impelled to turn his religion into poetry in +order to bring it closer to him. The religion of every Christian if it +is real is a poem. He pictures a background of Holy Land scenery, and +he creates a Jesus who continually converses with him and reveals to him +much more than is found in the fragmentary details of the Gospels. When +Milton goes beyond his documents he does not imagine for the purpose of +filling up: the additions are expression. + +Milton belonged to that order of poets whom the finite does not satisfy. +Like Wordsworth, but more eminently, he was "powerfully affected" only +by that "which is conversant with or turns upon infinity," and man is to +him a being with such a relationship to infinity that Heaven and Hell +contend over him. Every touch which sets forth the eternal glory of +Heaven and the scarcely subordinate power of Hell magnifies him. +Johnson, whose judgment on Milton is unsatisfactory because he will not +deliver himself sufficiently to beauty which he must have recognised, +nevertheless says of the Paradise Lost, that "its end is to raise the +thoughts above sublunary cares," and this is true. The other great epic +poems worthy to be compared with Milton's, the Iliad, Odyssey, AEneid, +and Divine Comedy, all agree in representing man as an object of the +deepest solicitude to the gods or God. Milton's conception of God is +higher than Homer's, Virgil's, or Dante's, but the care of the Miltonic +God for his offspring is greater, and the profound truth unaffected by +Copernican discoveries and common to all these poets is therefore more +impressive in Milton than in the others. + +There is nothing which the most gifted of men can create that is not +mixed up with earth, and Milton, too, works it up with his gold. The +weakness of the Paradise Lost is not, as Johnson affirms, its lack of +human interest, for the Prometheus Bound has just as little, nor is +Johnson's objection worth anything that the angels are sometimes +corporeal and at other times independent of material laws. Spirits +could not be represented to a human mind unless they were in a measure +subject to the conditions of time and space. The principal defect in +Paradise Lost is the justification which the Almighty gives of the +creation of man with a liability to fall. It would have been better if +Milton had contented himself with telling the story of the Satanic +insurrection, of its suppression, of its author's revenge, of the +expulsion from Paradise, and the promise of a Redeemer. But he wanted +to "justify the ways of God to man," and in order to do this he thought +it was necessary to show that man must be endowed with freedom of will, +and consequently could not be directly preserved from yielding to the +assaults of Satan. + +Paradise Regained comes, perhaps, closer to us than Paradise Lost +because its temptations are more nearly our own, and every amplification +which Milton introduces is designed to make them more completely ours +than they seem to be in the New Testament. It has often been urged +against Paradise Regained that Jesus recovered Paradise for man by the +Atonement and not merely by resistance to the devil's wiles, but +inasmuch as Paradise was lost by the devil's triumph through human +weakness it is natural that Paradise Regained should present the triumph +of the Redeemer's strength. It is this victory which proves Jesus to be +the Son of God and consequently able to save us. + +He who has now become incarnated for our redemption is that same Messiah +who, when He rode forth against the angelic rebels, + + + "into terror chang'd +His count'nance too severe to be beheld, +And full of wrath bent on his enemies." + + +It is He who + + + "on his impious foes right onward drove, +Gloomy as night:" + + +whose right hand grasped + + + "ten thousand thunders, which he sent +Before him, such as in their souls infix'd +Plagues." +(P. L. vi. 824-38.) + + +Now as Son of Man he is confronted with that same Archangel, and he +conquers by "strong sufferance." He comes with no fourfold visage of a +charioteer flashing thick flames, no eye which glares lightning, no +victory eagle-winged and quiver near her with three-bolted thunder +stored, but in "weakness," and with this he is to "overcome satanic +strength." + +Milton sees in the temptation to turn the stones into bread a devilish +incitement to use miraculous powers and not to trust the Heavenly +Father. + + +"Why dost thou then suggest to me distrust, +Knowing who I am, as I know who thou art?" +(P. R. i. 355-6.) + + +Finding his enemy steadfast, Satan disappears, + + + "bowing low +His gray dissimulation," +(P. R. i. 497-8.) + + +and calls to council his peers. He disregards the proposal of Belial to +attempt the seduction of Jesus with women. If he is vulnerable it will +be to objects + + + "such as have more shew +Of worth, of honour, glory, and popular praise, +Rocks whereon greatest men have oftest wreck'd; +Or that which only seems to satisfy +Lawful desires of Nature, not beyond." +(P. R. ii. 226-30.) + + +The former appeal is first of all renewed. "Tell me," says Satan, + + + "'if food were now before thee set +Would'st thou not eat?' 'Thereafter as I like +The giver,' answered Jesus." +(P. R. ii. 320-22.) + + +A banquet is laid, and Satan invites Jesus to partake of it. + + +"What doubts the Son of God to sit and eat? +These are not fruits forbidd'n." +(P. R. ii. 368-9.) + + +But Jesus refuses to touch the devil's meat - + + +"Thy pompous delicacies I contemn, +And count thy specious gifts no gifts, but guiles." +(P. R. ii. 390-1.) + + +So they were, for at a word + + +"Both table and provision vanish'd quite, +With sound of harpies' wings and talons heard." +(P. R. ii. 402-3.) + + +If but one grain of that enchanted food had been eaten, or one drop of +that enchanted liquor had been drunk, there would have been no Cross, no +Resurrection, no salvation for humanity. + +The temptation on the mountain is expanded by Milton through the close +of the second book, the whole of the third and part of the fourth. It +is a temptation of peculiar strength because it is addressed to an +aspiration which Jesus has acknowledged. + + + "Yet this not all +To which my spirit aspir'd: victorious deeds +Flam'd in my heart, heroic acts." +(P. R. i. 214-16.) + + +But he denies that the glory of mob-applause is worth anything. + + + "What is glory but the blaze of fame, +The people's praise, if always praise unmixt? +And what the people but a herd confus'd, +A miscellaneous rabble, who extol +Things vulgar, and, well weigh'd, scarce worth the praise?" +(P. R. iii. 47-51.) + + +To the Jesus of the New Testament this answer is, in a measure, +inappropriate. He would not have called the people "a herd confus'd, a +miscellaneous rabble." But although inappropriate it is Miltonic. The +devil then tries the Saviour with a more subtle lure, an appeal to duty. + + +"If kingdom move thee not, let move thee zeal +And duty; zeal and duty are not slow; +But on occasion's forelock watchful wait. +They themselves rather are occasion best, +Zeal of thy father's house, duty to free +Thy country from her heathen servitude." +(P. R. iii. 171-6.) + + +But zeal and duty, the endeavour to hurry that which cannot and must not +be hurried may be a suggestion from hell. + + +"If of my reign prophetic writ hath told +That it shall never end, so when begin +The Father in His purpose hath decreed." +(P. R. iii. 184-6.) + + +Acquiescence, a conviction of the uselessness of individual or organised +effort to anticipate what only slow evolution can bring, is +characteristic of increasing years, and was likely enough to be the +temper of Milton when he had seen the failure of the effort to make +actual on earth the kingdom of Heaven. The temptation is developed in +such a way that every point supposed to be weak is attacked. "You may +be what you claim to be," insinuates the devil, "but are rustic." + + +"Thy life hath yet been private, most part spent +At home, scarce view'd the Galilean towns, +And once a year Jerusalem." +(P. R. iii. 232-4.) + + +Experience and alliances are plausibly urged as indispensable for +success. But Jesus knew that the sum total of a man's power for good is +precisely what of good there is in him and that if it be expressed even +in the simplest form, all its strength is put forth and its office is +fulfilled. To suppose that it can be augmented by machinery is a +foolish delusion. The + + + "projects deep +Of enemies, of aids, battles and leagues, +Plausible to the world" +(P. R. iii. 395-3.) + + +are to the Founder of the kingdom not of this world "worth naught." +Another side of the mountain is tried. Rome is presented with Tiberius +at Capreae. Could it possibly be anything but a noble deed to + + + "expel this monster from his throne +Now made a sty, and in his place ascending, +A victor people free from servile yoke!" +(P. R. iv. 100-102.) + + +"AND WITH MY HELP THOU MAY'ST." With the devil's help and not without +can this glorious revolution be achieved! "For him," is the Divine +reply, "I was not sent." The attack is then directly pressed. + + +"The kingdoms of the world, to thee I give; +For, giv'n to me, I give to whom I please, +No trifle; yet with this reserve, not else, +On this condition, if thou wilt fall down +And worship me as thy superior lord." +(P. R. iv. 163-7.) + + +This, then, is the drift and meaning of it all. The answer is taken +verbally from the gospel. + + + "'Thou shalt worship +The Lord thy God, and only Him shalt serve.'" +(P. R. iv. 176-7.) + + +That is to say, Thou shalt submit thyself to God's commands and God's +methods and thou shalt submit thyself to NO OTHER. + +Omitting the Athenian and philosophic episode, which is unnecessary and +a little unworthy even of the Christian poet, we encounter not an +amplification of the Gospel story but an interpolation which is entirely +Milton's own. Night gathers and a new assault is delivered in darkness. +Jesus wakes in the storm which rages round Him. The diabolic hostility +is open and avowed and He hears the howls and shrieks of the infernals. +He cannot banish them though He is so far master of Himself that He is +able to sit "unappall'd in calm and sinless peace." He has to endure +the hellish threats and tumult through the long black hours + + + "till morning fair +Came forth with pilgrim steps in amice gray, +Who with her radiant finger still'd the roar +Of thunder, chas'd the clouds, and laid the winds, +And grisly spectres, which the Fiend had rais'd +To tempt the Son of God with terrors dire. +But now the sun with more effectual beams +Had cheer'd the face of earth, and dri'd the wet +From drooping plant, or dropping tree; the birds, +Who all things now beheld more fresh and green, +After a night of storm so ruinous, +Clear'd up their choicest notes in bush and spray +To gratulate the sweet return of morn." +(P. R. iv. 426-38.) + + +There is nothing perhaps in Paradise Lost which possesses the peculiar +quality of this passage, nothing which like these verses brings into the +eyes the tears which cannot be repressed when a profound experience is +set to music. + +The temptation on the pinnacle occupies but a few lines only of the +poem. Hitherto Satan admits that Jesus had conquered, but he had done +no more than any wise and good man could do. + + +"Now show thy progeny; if not to stand, +Cast thyself down; safely, if Son of God; +For it is written, 'He will give command +Concerning thee to His angels; in their hands +They shall uplift thee, lest at any time +Thou chance to dash thy foot against a stone.'" +(P. R. iv. 554-9.) + + +The promise of Divine aid is made in mockery. + + +"To whom thus Jesus: 'Also it is written, +Tempt not the Lord thy God.' He said, and stood: +But Satan, smitten with amazement, fell." +(P. R. iv. 560-2.) + + +It is not meant, "thou shalt not tempt ME," but rather, "it is not +permitted me to tempt God." In this extreme case Jesus depends on God's +protection. This is the devil's final defeat and the seraphic company +for which our great Example had refused to ask instantly surrounds and +receives him. Angelic quires + + + "the Son of God, our Saviour meek, +Sung victor, and from heavenly feast refresh't, +Brought on His way with joy; He unobserv'd, +Home to His mother's house private return'd." +(P. R. iv. 636-9.) + + +Warton wished to expunge this passage, considering it an unworthy +conclusion. It is to be hoped that there are many readers of Milton who +are able to see what is the value of these four lines, particularly of +the last. + +It is hardly necessary to say more in order to show how peculiarly +Milton is endowed with that quality which is possessed by all great +poets--the power to keep in contact with the soul of man. + + + +THE MORALITY OF BYRON'S POETRY. "THE CORSAIR." + + + +[This is an abstract of an essay four times as long written many years +ago. Although so much has been struck out, the substance is unaltered, +and the conclusion is valid for the author now as then.] + +Byron above almost all other poets, at least in our day, has been set +down as immoral. In reality he is moral, using the word in its proper +sense, and he is so, not only in detached passages, but in the general +drift of most of his poetry. We will take as an example "The Corsair." + +Conrad is not a debauched buccaneer. He was not - + + + "by Nature sent +To lead the guilty--guilt's worst instrument." + + +He had been betrayed by misplaced confidence. + + +"Doom'd by his very virtues for a dupe, +He cursed those virtues as the cause of ill, +And not the traitors who betray'd him still; +Nor deem'd that gifts bestow'd on better men +Had left him joy, and means to give again, +Fear'd--shunn'd--belied--ere youth had lost her force, +He hated man too much to feel remorse, +And thought the voice of wrath a sacred call, +To pay the injuries of some on all." + + +Conrad was not, and could not be, mean and selfish. A selfish Conrad +would be an absurdity. His motives are not gross - + + + "he shuns the grosser joys of sense, +"His mind seems nourished by that abstinence." + + +He is protected by a charm against undistinguishing lust - + + +"Though fairest captives daily met his eye, +He shunn'd, nor sought, but coldly pass'd them by;" + + +and even Gulnare, his deliverer, fails to seduce him. + +Mr. Ruskin observes that Byron makes much of courage. It is Conrad, the +leader, who undertakes the dangerous errand of surprising Seyd; it is he +who determines to save the harem. His courage is not the mere +excitement of battle. When he is captured - + + +"A conqueror's more than captive's air is seen," + + +and he is not insensible to all fear. + + +"Each has some fear, and he who least betrays, +The only hypocrite deserving praise. + +* * * * * + +One thought alone he could not--dared not meet-- +'Oh, how these tidings will Medora greet?'" + + +Gulnare announces his doom to him, hut he is calm. He cannot stoop even +to pray. He has deserted his Maker, and it would be baseness now to +prostrate himself before Him. + + +"I have no thought to mock his throne with prayer +Wrung from the coward crouching of despair; +It is enough--I breathe--and I can bear." + + +He has no martyr-hope with which to console himself; his endurance is of +the finest order--simple, sheer resolution, a resolve that with no +reward, he will never disgrace himself. He knows what it is + + +"To count the hours that struggle to thine end, +With not a friend to animate, and tell +To other ears that death became thee well," + + +but he does not break down. + +Gulnare tries to persuade him that the only way by which he can save +himself from tortures and impalement is by the assassination of Seyd, +but he refuses to accept the terms - + + +"Who spares a woman's seeks not slumber's life" - + + +and dismisses her. When she has done the deed and he sees the single +spot of blood upon her, he, the Corsair, is unmanned as he had never +been in battle, prison, or by consciousness of guilt. + + +"But ne'er from strife--captivity--remorse-- +From all his feelings in their inmost force-- +So thrill'd--so shudder'd every creeping vein, +As now they froze before that purple stain. +That spot of blood, that light but guilty streak, +Had banish'd all the beauty from her cheek!" + + +The Corsair's misanthropy had not destroyed him. Small creatures alone +are wholly converted into spite and scepticism by disappointment and +repulse. Those who are larger avenge themselves by devotion. Conrad's +love for Medora was intensified and exalted by his hatred of the world. + + +"Yes, it was Love--unchangeable--unchanged, +Felt but for one from whom he never ranged;" + + +and she was worthy of him, the woman who could sing - + + +"Deep in my soul that tender secret dwells, +Lonely and lost to light for evermore, +Save when to thine my heart responsive swells, +Then trembles into silence as before. + +There, in its centre, a sepulchral lamp +Burns the slow flame, eternal--but unseen; +Which not the darkness of despair can damp, +Though vain its ray as it had never been." + + +He finds Medora dead, and - + + + "his mother's softness crept +To those wild eyes, which like an infant's wept." + + +If his crimes and love could be weighed in a celestial balance, weight +being apportioned to the rarity and value of the love, which would +descend? + +The points indicated in Conrad's character are not many, but they are +sufficient for its delineation, and it is a moral character. We must, +of course, get rid of the notion that the relative magnitude of the +virtues and vices according to the priest or society is authentic. A +reversion to the natural or divine scale has been almost the sole duty +preached to us by every prophet. If we could incorporate Conrad with +ourselves we should find that the greater part of what is worst in us +would be neutralised. The sins of which we are ashamed, the dirty, +despicable sins, Conrad could not have committed; and in these latter +days they are perhaps the most injurious. + +We do not understand how moral it is to yield unreservedly to +enthusiasm, to the impression which great objects would fain make upon +us, and to embody that impression in worthy language. It is rare to +meet now even with young people who will abandon themselves to a heroic +emotion, or who, if they really feel it, do not try to belittle it in +expression. Byron's poetry, above most, tempts and almost compels +surrender to that which is beyond the commonplace self. + +It is not true that "The Corsair" is insincere. He who hears a note of +insincerity in Conrad and Medora may have ears, but they must be those +of the translated Bottom who was proud of having "a reasonable good ear +in music." Byron's romance has been such a power exactly because men +felt that it was not fiction and that his was one of the strongest minds +of his day. He was incapable of toying with the creatures of the fancy +which had no relationship with himself and through himself with +humanity. + +A word as to Byron's hold upon the people. He was able to obtain a +hearing from ordinary men and women, who knew nothing even of +Shakespeare, save what they had seen at the theatre. Modern poetry is +the luxury of a small cultivated class. We may say what we like of +popularity, and if it be purchased by condescension to popular silliness +it is nothing. But Byron secured access to thousands of readers in +England and on the Continent by strength and loveliness, a feat seldom +equalled and never perhaps surpassed. The present writer's father, a +compositor in a dingy printing office, repeated verses from "Childe +Harold" at the case. Still more remarkable, Byron reached one of this +writer's friends, an officer in the Navy, of the ancient stamp; and the +attraction, both to printer and lieutenant, lay in nothing lower than +that which was best in him. It is surely a service sufficient to +compensate for many more faults than can be charged against him that +wherever there was any latent poetic dissatisfaction with the vulgarity +and meanness of ordinary life he gave it expression, and that he has +awakened in the PEOPLE lofty emotions which, without him, would have +slept. The cultivated critics, and the refined persons who have +schrecklich viel gelesen, are not competent to estimate the debt we owe +to Byron. + + + +BYRON, GOETHE, AND MR. MATTHEW ARNOLD + + + +(Reprinted, with corrections, by permission from the "Contemporary +Review," August, 1881.) + +Mr. Matthew Arnold has lately published a remarkable essay {133} upon +Lord Byron. Mr. Arnold's theory about Byron is, that he is neither +artist nor thinker--that "he has no light, cannot lead us from the past +to the future;" "the moment he reflects, he is a child;" "as a poet he +has no fine and exact sense for word and structure and rhythm; he has +not the artist's nature and gifts." The excellence of Byron mainly +consists in his "sincerity and strength;" in his rhetorical power; in +his "irreconcilable revolt and battle" against the political and social +order of things in which he lived. "Byron threw himself upon poetry as +his organ; and in poetry his topics were not Queen Mab, and the Witch of +the Atlas, and the Sensitive Plant, they were the upholders of the old +order, George the Third and Lord Castlereagh and the Duke of Wellington +and Southey, and they were the canters and tramplers of the great world, +and they were his enemies and himself." + +Mr. Arnold appeals to Goethe as an authority in his favour. In order, +therefore, that English people may know what Goethe thought about Byron +I have collected some of the principal criticisms upon him which I can +find in Goethe's works. The text upon which Mr. Arnold enlarges is the +remark just quoted which Goethe made about Byron to Eckermann: "so bald +er reflectirt ist er ein Kind"--AS SOON AS HE REFLECTS HE IS A CHILD. + +Goethe, it is true, did say this; but the interpretation of the saying +depends upon the context, which Mr. Arnold omits. I give the whole +passage, quoting from Oxenford's translation of the Eckermann +Conversations, vol. i. p. 198 (edition 1850):- + + +"'Lord Byron,' said Eckermann, 'is no wiser when he takes 'Faust' to +pieces and thinks you found one thing here, the other there.' 'The +greater part of those fine things cited by Lord Byron,' Goethe replied, +'I have never even read; much less did I think of them when I was +writing "Faust." But Lord Byron is only great as a poet; as soon as he +reflects he is a child. He knows not how to help himself against the +stupid attacks of the same kind made upon him by his own countrymen. He +ought to have expressed himself more strongly against them. 'What is +there is mine,' he should have said, 'and whether I got it from a book +or from life is of no consequence; the only point is, whether I have +made a right use of it.' Walter Scott used a scene from my 'Egmont,' +and he had a right to do so; and because he did it well, he deserves +praise.'" + +Goethe certainly does not mean that Byron was unable to reflect in the +sense in which Mr. Arnold interprets the word. What was really meant we +shall see in a moment. + +We will, however, continue the quotations from the Eckermann:- + + +"We see how the inadequate dogmas of the Church work upon a free mind +like Byron's and how by such a piece ('Cain') he struggles to get rid of +a doctrine which has been forced upon him" (vol. i. p. 129). + +"The world to him was transparent, and he could paint by way of +anticipation" (vol. i. p. 140). + +"That which I call invention I never saw in any one in the world to a +greater degree than in him" (vol. i. p. 205). + +"Lord Byron is to be regarded as a man, as an Englishman, and as a great +talent. His good qualities belong chiefly to the man, his bad to the +Englishman and the peer, his talent is incommensurable. All Englishmen +are, as such, without reflection properly so-called; distractions and +party-spirit will not permit them to perfect themselves in quiet. But +they are great as practical men. Thus, Lord Byron could never attain +reflection on himself, and on this account his maxims in general are not +successful. . . . But where he will create, he always succeeds; and we +may truly say that, with him, inspiration supplies the place of +reflection. He was always obliged to go on poetizing, and then +everything that came from the man, especially from his heart, was +excellent. He produced his best things, as women do pretty children, +without thinking about it, or knowing how it was done. He is a great +talent, a born talent, and I never saw the true poetical power greater +in any man than in him. In the apprehension of external objects, and a +clear penetration into past situations, he is quite as great as +Shakespeare. But as a pure individuality, Shakespeare is his superior" +(vol. i. p. 209). + +We see now what Goethe means by "reflection." It is the faculty of +self-separation, or conscious CONSIDERATION, a faculty which would have +enabled Byron, as it enabled Goethe, to reply successfully to a charge +of plagiarism. It is not thought in its widest sense, nor creation, and +it has not much to do with the production of poems of the highest order- +-the poems that is to say, which are written by the impersonal thought. + +But again-- + +"The English may think of Byron as they please; but this is certain, +that they can show no poet who is to be compared to him. He is +different from all the others, and for the most part, greater" (vol. i. +p. 290). + +This passage is one which Mr. Arnold quotes, and he strives to diminish +its importance by translating der ihm zu vergleichen ware, by "who is +his parallel," and maintains that Goethe "was not so much thinking of +the strict rank, as poetry, of Byron's production; he was thinking of +that wonderful personality of Byron which so enters into his poetry." +It is just possible; but if Goethe did think this, he used words which +are misleading, and if the phrase der ihm zu vergleichen ware simply +indicates parallelism, it has no point, for in that sense it might have +been applied to Scott or to Southey. + +"I have read once more Byron's 'Deformed Transformed,' and must say that +to me his talent appears greater than ever. His devil was suggested by +my Mephistopheles; but it is no imitation--it is thoroughly new and +original; close, genuine, and spirited. There are no weak passages--not +a place where you could put the head of a pin, where you do not find +INVENTION AND THOUGHT [italics mine]. Were it not for his +hypochondriacal negative turn, he would be as great as Shakespeare and +the ancients" (vol. i. p. 294). + +Eckermann expressed his surprise. "Yes," said Goethe, "you may believe +me, I have studied him anew and am confirmed in this opinion." The +position which Byron occupies in the Second Part of "Faust" is well +known. Eckermann talked to Goethe about it, and Goethe said, "I could +not make use of any man as the representative of the modern poetical era +except him, who undoubtedly is to be regarded as the greatest genius of +our century" (vol. i. p. 425). Mr. Arnold translates this word "genius" +by "talent." The word in the original is TALENT, and I will not dispute +with so accomplished a German scholar as Mr. Arnold as to what is the +precise meaning of TALENT. In both the English translations of +Eckermann the word is rendered "genius," and after the comparison +between Byron, Shakespeare, and the ancients just quoted, we can hardly +admit that Goethe meant to distinguish scientifically between the two +orders of intellect and to assign the lower to Byron. + +But, last of all, I will translate Goethe's criticism upon "Cain." So +far as I know, it has not yet appeared in English. It is to be found in +the Stuttgart and Tubingen edition of Goethe, 1840, vol. xxxiii. p. 157. +Some portions which are immaterial I have omitted:- + +"After I had listened to the strangest things about this work for almost +a year, I at last took it myself in hand, and it excited in me +astonishment and admiration; an effect which will produce in the mind +which is simply susceptible, everything good, beautiful, and great. . . +. The poet who, surpassing the limit of all our conceptions, has +penetrated with burning spiritual vision the past and present, and +consequently the future, has now subdued new regions under his limitless +talent, but what he will accomplish therein can be predicted by no human +being. His procedure, however, we can nevertheless in a measure more +closely determine. He adheres to the letter of the Biblical tradition, +for he allows the first pair of human beings to exchange their original +purity and innocence for a guilt mysterious in its origin; the +punishment which is its consequence descending upon all posterity. The +monstrous burden of such an event he lays upon the shoulders of Cain as +the representative of a wretched humanity, plunged for no fault of its +own into the depths of misery. + +"To this primitive son of man, bowed down and heavily burdened, death, +which as yet he has not seen, is an especial trouble; and although he +may desire the end of his present distress, it seems still more hateful +to exchange it for a condition altogether unknown. Hence we already see +that the full weight of a dogmatic system, explaining, mediating, yet +always in conflict with itself, just as it still for ever occupies us, +was imposed on the first miserable son of man. These contradictions, +which are not strange to human nature, possessed his mind, and could not +be brought to rest, either through the divinely-given gentleness of his +father and brother, or the loving and alleviating co-operation of his +sister-wife. In order to sharpen them to the point of impossibility of +endurance, Satan comes upon the scene, a mighty and misleading spirit, +who begins by unsettling him morally, and then conducts him miraculously +through all worlds, causing him to see the past as overwhelmingly vast, +the present as small and of no account, and the future as full of +foreboding and void of consolation. + +"So he turns back to his own family, more excited, but not worse than +before; and finding in the family circle everything as he has left it, +the urgency of Abel, who wishes to make him offer a sacrifice, becomes +altogether insupportable. More say we not, excepting that the +motivation of the scene in which Abel perishes is of the rarest +excellence, and what follows is equally great and priceless. There now +lies Abel! That now is Death--there was so much talk about it, and man +knows about it as little as he did before. + +"We must not forget, that through the whole piece there runs a kind of +presentiment of a Saviour, so that the poet at this point, as well as in +all others, has known how to bring himself near to the ideas by which we +explain things, and to our modes of faith. + +"Of the scene with the parents, in which Eve at last curses the +speechless Cain, which our western neighbour lifts into such striking +prominence, there remains nothing more for us to say: we have to +approach the conclusion with astonishment and reverence. + +"With regard to this conclusion, an intelligent and fair friend, related +to us through esteem for Byron, has asserted that everything religious +and moral in the world was put into the last three words of the piece." +{143} + +We have now heard enough from Goethe to prove that Mr. Arnold's +interpretation of "so bald er reflectirt ist er ein Kind" is not +Goethe's interpretation of Byron. It is to be remembered that Goethe +was not a youth overcome by Mr. Arnold's "vogue" when he read Byron. He +was a singularly self-possessed old man. + +Many persons will be inclined to think that Goethe, so far from putting +Byron on a lower level than that usually assigned to him, has over- +praised him, and will question the "burning spiritual vision" which the +great German believed the great Englishman to possess. But if we +consider what Goethe calls the "motivation" of Cain; if we reflect on +what the poet has put into the legend; on the exploration of the +universe with Lucifer as a guide; on its result, on the mode in which +the death of Abel is reached; on the doom of the murderer--the limitless +wilderness henceforth and no rest; on the fidelity of Adah, who, with +the true instinct of love, separates between the man and the crime; on +the majesty of the principal character, who stands before us as the +representative of the insurgence of the human intellect, so that, if we +know him, we know a whole literature; if we meditate hereon, we shall +say that Goethe has not exaggerated. It is the same with the rest of +Byron's dramas. Over and above the beauty of detached passages, there +is in each one of them a large and universal meaning, or rather meaning +within meaning, precisely the same for no reader, but none the less +certain, and as inexhaustible as the meanings of Nature. This is one +reason why the wisdom of a selection from Byron is so doubtful. The +worth of "Cain," of "Sardanapalus," of "Manfred," of "Marino Faliero," +is the worth of an outlook over the sea; and we cannot take a sample of +the scene from a cliff by putting a pint of water into a bottle. But +Byron's critics and the compilers tell us of failures, which ought not +to survive, and that we are doing a kindness to him if we suppress these +and exhibit him at his best. No man who seriously cares for Byron will +assent to this doctrine. We want to know the whole of him, his weakness +as well as his strength; for the one is not intelligible without the +other. A human being is an indivisible unity, and his weakness IS his +strength, and his strength IS his weakness. + +It is not my object now, however, to justify what Mr. Arnold calls the +Byronic "superstition." I hope I could justify a good part of it, but +this is not the opportunity. I cannot resist, however, saying a word by +way of conclusion on the manner in which Byron has fulfilled what seems +to me one of the chief offices of the poet. Mr. Arnold, although he is +so dissatisfied with Byron because he "cannot reflect," would probably +in another mood admit that "reflections" are not what we demand of a +poet. We do not ask of him a rhymed book of proverbs. He should rather +be the articulation of what in Nature is great but inarticulate. In him +the thunder, the sea, the peace of morning, the joy of youth, the rush +of passion, the calm of old age, should find words, and men should +through him become aware of the unrecognised wealth of existence. Byron +had the power above most poets of acting as a kind of tongue to Nature. +His descriptions are on everybody's lips, and it is superfluous to quote +them. He represented things not as if they were aloof from him, but as +if they were the concrete embodiment of his soul. The woods, the wilds, +the waters of Nature are to him - + + +"the intense +Reply of HERS to our intelligence." + + +His success is equally marked when he portrays men or women whose +character attracts him. Take, for example, the girl in "The Island":- + + +"The sunborn blood suffused her neck, and threw +O'er her clear nutbrown skin a lucid hue, +Like coral reddening through the darken'd wave, +Which draws the diver to the crimson cave. +Such was this daughter of the southern seas, +HERSELF A BILLOW IN HER ENERGIES. + +* * * * * + +Her smiles and tears had pass'd, as light winds pass +O'er lakes to ruffle, not destroy, their glass, +WHOSE DEPTHS UNSEARCH'D, AND FOUNTAINS FROM THE HILL, +RESTORE THEIR SURFACE, IN ITSELF SO STILL." + + +Passages like these might be quoted without end from Byron, and they +explain why he is and must be amongst the immortals. He may have been +careless in expression; he may have been a barbarian and not a e?f???, +as Mr. Matthew Arnold affirms, but he was GREAT. This is the word which +describes him. He was a mass of living energy, and therefore he is +sanative. Energy, power, is the one thing after which we pine in this +sickly age. We do not want carefully and consciously constructed poems +of mosaic. Strength is what we need and what will heal us. Strength is +true morality, and true beauty. It is the strength in Byron that +falsifies the accusation of affectation and posing, which is brought +against him. All that is meant by affectation and posing was a mere +surface trick. The real man, Byron, and his poems are perfectly +unconscious, as unconscious as the wind. The books which have lived and +always will live have this unconsciousness in them, and what is +manufactured, self-centred, and self-contemplative will perish. The +world's literature is the work of men, who, to use Byron's own words - + + +"Strip off this fond and false identity;" + + +who are lost in their object, who write because they cannot help it, +imperfectly or perfectly, as the case may be, and who do not sit down to +fit in this thing and that thing from a commonplace book. Many +novelists there are who know their art better than Charlotte Bronte, but +she, like Byron--and there are more points of resemblance between them +than might at first be supposed--is imperishable because she speaks +under overwhelming pressure, self-annihilated, we may say, while the +spirit breathes through her. The Byron "vogue" will never pass so long +as men and women are men and women. Mr. Arnold and the critics may +remind us of his imperfections of form, but Goethe is right after all, +for not since Shakespeare have we had any one der ihm zu vergleichen +ware. + + + +A SACRIFICE + + + +A fatal plague devastated the city. The god had said that it would +continue to rage until atonement for a crime had been offered by the +sacrifice of a man. He was to be perfect in body; he must not desire to +die because he no longer loved life, or because he wished for fame. A +statue must not be erected to his memory; no poem must be composed for +him; his name must not appear in the city's records. + +A few volunteers presented themselves, but none of them satisfied all +the conditions. At last a young man came who had served as the model +for the image of the god in his temple. There was no question, +therefore, of soundness of limb, and when he underwent the form of +examination no spot nor blemish was found on him. The priest asked him +whether he was in trouble, and especially whether he was disappointed in +love. He said he was in no trouble; that he was betrothed to a girl to +whom he was devoted, and that they had intended to be married that +month. "I am," he declared, "the happiest man in the city." The priest +doubted and watched him that evening, but he saw him walking side by +side with this girl, and the two were joyous as a youth and a maiden +ought to be in the height of their passion. She sat down and sang to +him he played to her, and they embraced one another tenderly at parting. + +The next morning was the day on which he was to be slain. There was an +altar in front of the temple, and a great crowd assembled, ranked round +the open space. At the appointed hour the priest appeared, and with him +was the youth, holding his beloved by the hand, but she was blindfolded. +He let go her hand, knelt down, and in a moment the sacrificial knife +was drawn across his throat. His body was placed upon the wood, and the +priest was about to kindle it when a flash from heaven struck it into a +blaze with such heat that when the fire dropped no trace of the victim +remained. The girl, too, had disappeared, and was never seen again. + +In accordance with the god's decree, no statue was erected, no poem was +composed, and no entry was made in the city records. But tradition did +not forget that the saviour of the city was he who survived in the great +image on which the name of the god was inscribed. + + + +THE AGED TREE + + + +An aged tree, whose companions had gone, having still a little sap in +its bark and a few leaves which grew therefrom, prayed it might see yet +another spring. Its prayer was granted: and spring came, but the old +tree had no leaves save one or two near the ground, and a great fungus +fixed itself on its trunk. It had a dull life in its roots, but not +enough to know that its moss and fungus were not foliage. It stood +there, an unlovely mass of decay, when the young trees were all +bursting. "That rotten thing," said the master, "ought to have been cut +down long ago." + + + +CONSCIENCE + + + +"Conscience," said I, "her conscience would have told her." + +"Yes," said my father. "The strongest amongst the many objections to +the Roman Catholic doctrine of confession is that it weakens our +dependence on the conscience. If we seek for an external command to do +what ought to be done in obedience to that inward monitor, whose voice +is always clear if we will but listen, its authority will gradually be +lost, and in the end it will cease to speak." + +"Conscience," said my grandmother musingly (turning to my father). "You +will remember Phyllis Eyre? She was one of my best friends, and it is +now two years since she died, unmarried. She was once governess to the +children of Sir Robert Walsh, but remained in the house as companion to +Lady Walsh long after her pupils had grown up. She was, in fact, more +than a companion, for Lady Walsh trusted her and loved her. She was by +birth a lady; she had been well educated, and, like her mistress, she +was devoutly and evangelically pious. She was also very handsome, and +this you may well believe, for, as you know, she was handsome as an old +woman, stately and erect, with beautiful, undimmed eyes. When Evelina +Walsh, the eldest daughter, was about one and twenty, Charles Fysshe, +the young heir to the Fysshe property, came to stay with her brother, +and Phyllis soon discovered, or thought she discovered, that he was in +love with Evelina. He seemed to court her society, and paid her +attentions which could be explained on one hypothesis only. Phyllis was +delighted, for the match in every way was most suitable, and must +gladden the hearts of Evelina's parents. The young man would one day be +the possessor of twenty thousand acres; he had already taken a position +in the county, and his soul was believed to be touched with Divine +grace. Evelina certainly was in love with him, and Phyllis was not +backward in urging his claims. She congratulated herself, and with +justice, that if the marriage should ever take place, it would be +acknowledged that she had had a hand in it. It might even be doubted +whether Evelina, without Phyllis's approval, would have permitted +herself to indulge her passion, for she was by nature diffident, and so +beset with reasons for and against when she had to make up her mind on +any important matter, that a decision was always most difficult to her. + +"Charles stayed for about six weeks, and was then called home. He +promised that he would pay another visit of a week in the autumn, when +Sir Robert was to entertain the Lord Lieutenant and there were to be +grand doings at the Hall. Conversation naturally turned upon him during +his absence, and Phyllis, as usual, was warm in his praise. One +evening, after she had reached her own room and had lain down to sleep, +a strange apparition surprised her. It was something more than a +suspicion that she herself loved Charles. She strove to rid herself of +this intrusion: she called to mind the difference in their rank; that +she was five years his senior, and that if she yielded she would be +guilty of treachery to Evelina. It was all in vain; the more she +resisted the more vividly did his image present itself, and she was +greatly distressed. What was the meaning of this outbreak of emotion, +not altogether spiritual, of this loss of self-possession, such as she +had never known before? Her usual remedies against evil thoughts failed +her, and, worst of all, there was the constant suggestion that these +particular thoughts were not evil. Hitherto, when temptation had +attacked her, she was sure whence it came, but she was not sure now. It +might be an interposition of Providence, but how would it appear to +Evelina? I myself, my dears, have generally found that to resist the +devil is not difficult if I am quite certain that the creature before me +is the devil, but it does tax my wits sometimes to find out if he is +really the enemy or not. When Apollyon met Christian he was not in +doubt for an instant, for the monster was hideous to behold: he had +scales like a fish, wings like a dragon, feet like a bear, out of his +belly came fire and smoke, and his mouth was as the mouth of a lion. +After some parleying he cast his dreadful dart, but Christian, without +more ado, put up his shield, drew his sword, and presently triumphed. +If Satan had turned himself, from his head to his ankles, into a man, +and had walked by Christian's side, and had talked with him, and had +agreed with him in everything he had to say, the bear's claws might have +peeped out, but Christian, instead of fighting, would have begun to +argue with himself whether the evidence of the face or the foot was the +stronger. He would have been just as likely to trust the face, and in a +few moments he would have been snapped up and carried off to hell. To +go on with my story: the night wore on in sophistry and struggle, and +no inner light dawned with the sun. Phyllis was much agitated, for in +the afternoon Charles was to return, and although amidst the crowd of +visitors she might be overlooked, she could not help seeing him. She +did see him, but did not speak to him. He sat next to Evelina at +dinner, who was happy and expectant. The next day there was a grand +meet of the hounds, and almost all the party disappeared. Phyllis +pleaded a headache, and obtained permission to stay at home. It was a +lovely morning in November, without a movement in the air, calm and +cloudless, one of those mornings not uncommon when the year begins to +die. She went into the woods at the outer edge of the park, and had +scarcely entered them, when lo! to her astonishment, there was Charles. +She could not avoid him, and he came up to her. + +"'Why, Miss Eyre, what are you doing here?' + +"'I had a headache; I could not go with the others, and came out for a +stroll.' + +"'I, too, was not very well, and have been left behind.' + +"They walked together side by side. + +"'I wanted to speak to you, Miss Eyre. I wonder if you have suspected +anything lately.' + +"'Suspected? I do not quite comprehend: you are very vague.' + +"'Well, must I be more explicit? Have you fancied that I care more for +somebody you know than I care for all the world besides? I suppose you +have not, for I thought it better to hide as much as possible what I +felt.' + +"'I should be telling an untruth if I were to say I do not understand +you, and I trust you will pardon me if I tell you that a girl more +worthy of you than Evelina, and one more likely to make you happy, I +have never seen.' + +"'Gracious God! what have I done? what a mistake! Miss Eyre, it is you +I mean; it is you I love.' + +"There was not an instant's hesitation. + +"'Sir, I thank you, but I can answer at once. NEVER can I be yours. +That decision is irrevocable. I admire you, but cannot love you.' + +"She parted from him abruptly, but no sooner had she left him than she +was confounded, and wondered who or what it was which gave that answer. +She wavered, and thought of going back, but she did not. Later on in +the day she heard that Charles had gone home, summoned by sudden +business. Two years afterwards his engagement with Evelina was +announced, and in three years they were married. It was not what I +should call a happy marriage, although they never quarrelled and had +five children. To the day of her death Phyllis was not sure whether she +had done right or wrong, nor am I." + + + +THE GOVERNESS'S STORY + + + +In the year 1850 I was living as governess in the small watering-place +S., on the south coast of England. Amongst my friends was a young +doctor, B., who had recently come to the town. He had not bought a +practice, but his family was known to one or two of the principal +inhabitants, and he had begun to do well. He deserved his success, for +he was skilful, frank, and gentle, and he did not affect that mystery +which in his elder colleagues was already suspected to be nothing but +ignorance. He was one of the early graduates of the University of +London, and representative of the new school of medical science, relying +not so much upon drugs as upon diet and regimen. I was one of his first +patients. I had a severe illness lasting for nearly three months; he +watched over me carefully and cured me. As I grew better he began to +talk on other matters than my health when he visited me. We found that +we were both interested in the same books: he lent me his and I lent +him mine. It is almost impossible, I should think, for a young man and +a young woman to be friends and nothing more, and I confess that my +sympathy with him in his admiration of the Elizabethan poets, and my +gratitude to him for my recovery passed into affection. I am sure also +that he felt affection for me. He became confidential, and told me all +his history and troubles. There was one peculiarity in his conversation +which was new to me: he never talked down to me, and he was not afraid +at times to discuss subjects that in the society to which I had been +accustomed were prohibited. Not a word that was improper ever escaped +his lips, but he treated me in a measure as if I were a man, and I was +flattered that he should put me on a level with himself. It is true +that sometimes I fancied he was so unreserved with me because he was +sure he was quite safe, for I was poor. and although I was not ugly I +was not handsome. However, on the whole, I was very happy in his +society, and there was more than a chance that I should become his wife. + +After six months of our acquaintanceship had passed, M., an old +schoolfellow of mine, took lodgings near me for the summer. She was a +remarkable girl. If she was not beautiful, she was better-looking than +I was, and she possessed a something, I know not what, more powerful +than beauty to fascinate men. Perhaps it was her unconstrained +naturalness. In walking, sitting, standing--whatever she did--her +movements and attitudes were not impeded or unduly masked by artificial +restrictions. I should not have called her profound, but what she said +upon the commonest subjects was interesting, because it was so entirely +her own. If she disliked a neighbour, she almost always disliked her +for a reason which we saw, directly it was pointed out to us, to be +just, but it was generally one which had not been given before. Her +talk upon matters externally trivial was thus much more to me than many +discourses upon the most important topics. On moral questions she +expressed herself without any regard to prejudices. She did not +controvert the authenticity of the ordinary standards, but nevertheless +behaved as if she herself were her only law. The people in R., her +little native borough, considered her to be dangerous, and I myself was +once or twice weak enough to wonder that she held on a straight course +with so little help from authority, forgetting that its support, in so +far as it possesses any vital strength, is derived from the same +internal source which supplied strength to her. + +When she came to S. she was unwell, and consulted my friend B. He did +not at first quite like attending her, and she reported to me with great +laughter how she had been told that he had made some inquiries about her +from one of her neighbours at home with whom he happened to be +acquainted, and how he had manoeuvred in his visits to get the servants +or the landlady into the room. I met him soon afterwards, and he +informed me that he had a new patient. When he heard that I knew her--I +did not say how much I knew--he became inquisitive, and at last, after +much beating about the bush, knitting his eyebrows and lowering his +voice, he asked me whether I was aware that she was not quite--quite +ABOVE SUSPICION! My goodness, how I flamed up! I defended her with +vehemence: I exaggerated her prudence and her modesty; I declared, what +was the simple truth, that she was the last person in the world against +whom such a scandalous insinuation should be directed, and that she was +singularly inaccessible to vulgar temptation. I added that +notwithstanding her seeming lawlessness she was not only remarkably +sensitive to any accusation of bad manners, but that upon certain +matters she could not endure even a joke. The only quarrel I remember +to have had with her was when I lapsed into some commonplace jest about +her intimacy with a music-master who gave her lessons. The way in which +she took that jest I shall never forget. If I had made it to any other +woman, I should have passed on, unconscious of anything inconsistent +with myself, but she in an instant made me aware with hardly half a +dozen words that I had disgraced myself. I was ashamed, not so much +because I had done what was in the abstract wrong, but because it was +something which was not in keeping with my real character. I hope it +will not be thought that I am prosing if I take this opportunity of +saying that the laws peculiar to each of us are those which we are at +the least pains to discover and those which we are most prone to +neglect. We think we have done our duty when we have kept the +commandments common to all of us, but we may perhaps have disgracefully +neglected it. + +Oh, how that afternoon with B. burnt itself into my memory for ever! I +was sitting on my little sofa with books piled round me. He removed a +few of the books, and I removed the others. He sat down beside me, and, +taking my hand, said he hoped I had forgiven him, and that I would +remember that in such a little place he was obliged to be very careful, +and to be quite sure of his patients, if they were women. He trusted I +should believe that there was no other person IN THE WORLD (the emphasis +on that word!) to whom he would have ventured to impart such a secret. +I was appeased, especially when, after a few minutes' silence, he took +my hand and kissed it, the first and last kiss. He said nothing +further, and departed. The next time I saw him he was more than usually +deferential, more than ever desirous to come closer to me, and I thought +the final word must soon be spoken. + +M. remained in S. till far into the autumn, but I did not see much of +her. My work had begun again. B. continued to call on me as my health +was not quite re-established. We had agreed to read the same author at +the same time, in order that we might discuss him together whilst our +impressions were still fresh. Somehow his interest in these readings +began to flag; he informed me presently that I had now almost, entirely +recovered, and weeks often passed without meeting him. One afternoon I +was surprised to find M. in my room when I returned from a walk with my +pupils. She had been waiting for me nearly half an hour, and I could +not at first conjecture the reason. Gradually she drew the conversation +towards B. and at last asked me what I thought of him. Instantly I saw +what had happened. What I imagined was once mine had been stolen, +stolen perhaps unconsciously, but nevertheless stolen, my sole treasure. +She was rich, she had a father and mother, she had many friends and +would certainly have been married had she never seen B. I, as I have +said, was almost penniless; I was an orphan, with few friends; he was my +first love, and I knew he would be my last. + +I was condemned, I foresaw, henceforth to solitude, and that most +terrible of all calamities, heart-starvation. What B. had said about M. +came into my mind and rose to my lips. I knew, or thought I knew, that +if I revealed it to her she would be so angry that she would cast him +off. Probably I was mistaken, but in my despair the impulse to disclose +it was almost irresistible. I struggled against it, however, and when +she pressed me, I praised him and strove in my praise to be sincere. +Whether it was something in my tone, quite unintentional, I know not, +but she stopped me almost in the middle of a sentence and said she +believed I had kept something back which I did not wish her to hear; +that she was certain he had talked to me about her, and that she wished +to know what he had said. I protested he had never uttered a word which +could be interpreted as disparaging her, and she seemed to be content. +She kissed me a little more vehemently than usual, and went away. We +ought always, I suppose, to be glad when other people are happy, but God +knows that sometimes it is very difficult to be so, and that their +happiness is hard to bear. + +The Elizabethan studies had now altogether come to an end. In about a +couple of months I heard that M. and B. were engaged. M. went home, and +B. moved into a larger town. In a twelvemonth the marriage took place, +and M. wrote to me after her wedding trip. I replied, but she never +wrote again. I heard that she had said that I had laid myself out to +catch B. and that she was afraid that in so doing I had hinted there was +something against her. I heard also that B. had discouraged his wife's +correspondence with me, no other reason being given than that he would +rather the acquaintanceship should be dropped. The interpretation of +this reason by those to whom it was given can be guessed. Did he fear +lest I should boast of what I had been to him or should repeat his +calumny? Ah, he little knew me if he dreamed that such treachery was +possible to me! + +I remained at the vicarage for three years. The children grew up and I +was obliged to leave, but I continued to teach in different families +till I was about five-and-forty. After five-and-forty I could not +obtain another situation, and I had to support myself by letting +apartments at Brighton. My strength is now failing; I cannot look after +my servant properly, nor wait upon my lodgers myself. Those who have to +get their living by a lodging-house know what this means and what the +end will be. I have occasionally again wished I could have seen my way +partially to explain myself to M., and have thought it hard to die +misrepresented, but I am glad I have not spoken. I should have +disturbed her peace, and I care nothing about justification or +misrepresentation now. With eternity so near, what does it matter? + + +INSCRIPTION ON THE ENVELOPE. + + +"TO MY NIECE JUDITH,--You have been so kind to your aunt, the only human +being, at last, who was left to love her, that she could not refrain +from telling you the one passage in her history which is of any +importance or interest." + + + +JAMES FORBES + + + +"It is all a lie, and it is hard to believe that people who preach it do +not know it to be a lie." + +So said James Forbes to Elizabeth Castleton, the young woman to whom he +was engaged. She was the daughter of a clergyman, and James, who had +been brought up at Rugby and Oxford, was now in his last year at a +London hospital, and was going to be a doctor. + +"I am sure my father does not know it to be a lie, and I do not myself +know it to be a lie." + +"I was not thinking of your father, but of the clergy generally, and you +DO know it to be a lie." + +"It is not true of my brother, and, excepting my father and brother, you +have not been in company with parsons, as you call them, for half an +hour in your life." + +"Do you mean to tell me you have any doubts about this discredited +rubbish?" + +"If I have I would rather not speak about them now. Jim, dear Jim, let +us drop the subject and talk of something else." + +He was walking by her side, with his hands in his coat pockets. She +drew out one of his hands; he did not return the pressure, and presently +released himself. + +"I thought you were to be my intellectual companion. I have heard you +say yourself that a marriage which is not a marriage of mind is no +marriage." + +"But, Jim, is there nothing in the world to think about but this?" + +"There is nothing so important. Are we to be dumb all our lives about +what you say is religion?" + +They separated and soon afterwards the engagement was broken off. Jim +had really loved Elizabeth, but at that time he was furious against what +he called "creeds." He waited for three or four years till he had +secured a fair practice, and then married a clever and handsome young +woman who wrote poems, and had captivated him by telling him a witty +story from Heine. Elizabeth never married. + +Thirty years passed, and Jim, now a famous physician, had to go a long +distance down the Great Western Railway to attend a consultation. At +Bath an elderly lady entered the carriage carrying a handbag with the +initials "E. C." upon it. She sat in the seat farthest away from him on +the opposite side, and looked at him steadfastly. He also looked at +her, but no word was spoken for a minute. He then crossed over, fell on +his knees, and buried his head with passionate sobbing on her knees. +She put her hands on him and her tears fell. + +"Five years," at last he said; "I may live five years with care. She +has left me. I will give up everything and go abroad with you. Five +years; it is not much, but it will be something, everything. I shall +die with your face over me." + +The train was slackening speed for Bristol; she bent down and kissed +him. + +"Dearest Jim," she whispered, "I have waited a long time, but I was sure +we should come together again at last. It is enough." + +"You will go with me, then?" + +Again she kissed him. "It must not be." + +Before he could reply the train was stopping at the platform, and a +gentleman with a lady appeared at the door. Miss Castleton stepped out +and was at once driven away in a carriage with her companions. + +He lived three years and then died almost suddenly of the disease which +he had foreseen would kill him. He had no children, but few relatives, +and his attendant was a hospital nurse. But the day before his death a +lady appeared who announced herself as a family friend, and the nurse +was superseded. It was Elizabeth: she came to his bedside, and he +recognised her. + +"Not till this morning," she said, "did I hear you were ill." + +"Happy," he cried, "though I die to-night." + +Soon afterwards--it was about sundown--he became unconscious; she sat +there alone with him till the morning broke, and then he passed away, +and she closed his eyes. + + + +ATONEMENT + + + +"You ask me how I lost my foot? You I see that dog?"--an unattractive +beast lying before the fire--"well, when I tell you how I came by him +you will know how I lost it;" and he then related the following story:- + +I was in Westmoreland with my wife and children for a holiday and we had +brought our dog with us, for we knew he would be unhappy with the +strangers to whom we had let our house. The weather was very wet and +our lodgings were not comfortable; we were kept indoors for days +together, and my temper, always irritable, became worse. My wife never +resisted me when I was in these moods and the absence of opposition +provoked me all the more. Had she stood up against me and told me I +ought to be ashamed of myself it would have been better for me. One +afternoon everything seemed to go wrong. A score of petty vexations, +not one of which was of any moment, worked me up to desperation. I +threw my book across the room, to the astonishment of my children, and +determined to go out, although it was raining hard. My dog, a brown +retriever, was lying on the mat just outside the door, and I nearly fell +over him. "God damn you!" said I, and kicked him. He howled with pain, +but, although he was the best of house-dogs and would have brought down +any thief who came near him, he did not growl at me, and quietly +followed me. I am not squeamish, but I was frightened directly the oath +had escaped my lips. I felt as if I had created something horrible +which I could not annihilate, and that it would wait for me and do me +some mischief. The dog kept closely to my heels for about a mile and I +could not make him go on in front. Usually the least word of +encouragement or even the mere mention of his name would send him +scampering with delight in advance. I began to think of something else, +but in about a quarter of an hour I looked round and found he was not +behind me. I whistled and called, but he did not come. In a renewed +rage, which increased with every step I took, I turned back to seek him. +Suddenly I came upon him lying dead by the roadside. Never shall I +forget that shock--the reproach, the appeal of that poor lifeless +animal! I stroked him, I kissed him, I whispered his name in his ear, +but it was all in vain. I lifted up his beautiful broad paw which he +was wont to lay on my knee, I held it between my hands, and when I let +it go it fell heavily to the ground. I could not carry him home, and +with bitter tears and a kind of dread I drew him aside a little way up +the hill behind a rock. I went to my lodgings, returned towards dusk +with a spade, dug his grave in a lonely spot near the bottom of a +waterfall where he would never be disturbed, and there I buried him, +reverently smoothing the turf over him. What a night that was for me! +I was haunted incessantly by the vivid image of the dead body and by the +terror which accompanies a great crime. I had repaid all his devotion +with horrible cruelty. I had repented, but he would never know it. It +was not the dog only which I had slain; I had slain Divine faithfulness +and love. That GOD DAMN YOU sounded perpetually in my ears. The +Almighty had registered and executed the curse, but it had fallen upon +the murderer and not on the victim. When I rose in the morning I +distinctly felt the blow of the kick in my foot, and the sensation +lasted all day. For weeks I was in a miserable condition. A separate +consciousness seemed to establish itself in this foot; there was nothing +to be seen and no pain, but there was a dull sort of pressure of which I +could not rid myself. If I slept I dreamed of the dog, and generally +dreamed I was caressing him, waking up to the dreadful truth of the +corpse on the path in the rain. I got it into my head--for I was half- +crazy--that only by some expiation I should be restored to health and +peace; but how to make any expiation I could not tell. Unhappy is the +wretch who longs to atone for a sin and no atonement is prescribed to +him! + +One night I was coming home late and heard the cry of "Fire!" I ran +down the street and found a house in flames. The fire-escape was at the +window, and had rescued a man, his wife and child. Every living +creature was safe, I was told, save a dog in the front room on the +ground-floor. I pushed the people aside, rushed in, half-blinded with +smoke, and found him. I could not escape by the passage, and dropped +out of the window into the area with him in my arms. I fell heavily on +THAT foot, and when I was helped up the steps I could not put it to the +ground. "You may have him for your pains," said his owner to me; "he is +a useless cur. I wouldn't have ventured the singeing of a hair for +him." "May I?" I replied, with an eagerness which must have seemed very +strange. He was indeed not worth half a crown, but I drew him closely +to me and took him into the cab. I was in great agony, and when the +surgeon came it was discovered that my ankle was badly fractured. An +attempt was made to set it, but in the end it was decided that the foot +must be amputated. I rejoiced when I heard the news, and on the day on +which the operation was performed I was calm and even cheerful. Our own +doctor who came with the surgeon told him I had "a highly nervous +temperament," and both of them were amazed at my fortitude. The dog is +a mongrel, as you see, but he loves me, and if you were to offer me ten +thousand golden guineas I would not part with him. + + + +LETTERS FROM MY AUNT ELEANOR {180} TO HER DAUGHTER SOPHIA, AND A +FRAGMENT FROM MY AUNT'S DIARY. + + + +January 31, 1837. + +My Dearest Child,--It is now a month since your father died. It was a +sore trial to me that you should have broken down, and that you could +not be here when he was laid in his grave, but I would not for worlds +have allowed you to make the journey. I am glad I forced you away. The +doctor said he would not answer for the consequences unless you were +removed. But I must not talk, not even to you. I will write again +soon. + +Your most affectionate mother, + +ELEANOR CHARTERIS. + + +February 5, 1837. + +I have been alone in the library from morning to night every day. How +foolish all the books look! There is nothing in them which can do me +any good. He is NOT: what is there which can alter that fact? Had he +died later I could have borne it better. I am only fifty years old, and +may have long to wait. I always knew I loved him devotedly; now I see +how much I depended on him. I had become so knit up with him that I +imagined his strength to be mine. His support was so continuous and so +soft that I was unconscious of it. How clear-headed and resolute he was +in difficulty and danger! You do not remember the great fire? We were +waked up out of our sleep; the flames spread rapidly; a mob filled the +street, shouting and breaking open doors. The man in charge of the +engines lost his head, but your father was perfectly cool. He got on +horseback, directed two or three friends to do the same; they galloped +into the town and drove the crowd away. He controlled all the +operations and saved many lives and many thousands of pounds. Is there +any happiness in the world like that of the woman who hangs on such a +husband? + + +February 10, 1837. + +I feel as if my heart would break if I do not see you, but I cannot come +to your Aunt's house just now. She is very kind, but she would be +unbearable to me. Have patience: the sea air is doing you good; you +will soon be able to walk, and then you can return. O, to feel your +head upon my neck! I have many friends, but I have always needed a +human being to whom I was everything. To your father I believe I was +everything, and that thought was perpetual heaven to me. My love for +him did not make me neglect other people. On the contrary, it gave them +their proper value. Without it I should have put them by. When a man +is dying for want of water he cares for nothing around him. Satisfy his +thirst, and he can then enjoy other pleasures. I was his first love, he +was my first, and we were lovers to the end. I know the world would be +dark to you also were I to leave it. Perhaps it is wicked of me to +rejoice that you would suffer so keenly. I cannot tell how much of me +is pure love and how much of me is selfishness. I remember my uncle's +death. For ten days or so afterwards everybody in the house looked +solemn, and occasionally there was a tear, but at the end of a fortnight +there was smiling and at the end of a month there was laughter. I was +but a child then, but I thought much about the ease and speed with which +the gap left by death was closed. + + +February 20, 1837. + +In a fortnight you will be here? The doctor really believes you will be +able to travel? I am glad you can get out and taste the sea air. I +count the hours which must pass till I see you. A short week, and then- +-"the day after to-morrow, and the day after to-morrow of that day," and +so I shall be able to reach forward to the Monday. It is strange that +the nearer Monday comes the more impatient I am. + + +March 3, 1837. + +With what sickening fear I opened your letter! I was sure it contained +some dreadful news. You have decided not to come till Wednesday, +because your cousin Tom can accompany you on that day. I KNOW you are +quite right. It is so much better, as you are not strong, that Tom +should look after you, and it would be absurd that you should make the +journey two days before him. I should have reproved you seriously if +you had done anything so foolish. But those two days are hard to bear. +I shall not meet you at the coach, nor shall I be downstairs. Go +straight to the library; I shall be there by myself. + + +DIARY. + +January 1, 1838.--Three days ago she died. Henceforth there is no +living creature to whom my existence is of any real importance. +Crippled as she was, she could never have married. I might have held +her as long as she lived. She could have expected no love but mine. +God forgive me! Perhaps I did unconsciously rejoice in that disabled +limb because it kept her closer to me. Now He has taken her from me. I +may have been wicked, but has He no mercy? "I would speak to the +Almighty, and I desire to reason with God." An answer in anger could +better be borne than this impregnable silence. + + +January 3rd.--A day of snow and bitter wind. There were very few at the +grave, and I should have been better pleased if there had been none. +What claim had they to be there? I have come home alone, and they no +doubt are comforting themselves with the reflection that it is all over +except the half-mourning. Her death makes me hate them. Mr. Maxwell, +our rector, told me when my child was ill to remember that I had no +right to her. "Right!" what did he mean by that stupid word? How +trouble tries words! All I can say is that from her birth I had owned +her, and that now, when I want her most, I am dispossessed. "Self, +self"--I know the reply, but it is unjust, for I would have stood up +cheerfully to be shot if I could have saved her pain. Doubly unjust, +for my passion for her was a blessing to her as well as to me. + + +January 6th.--Henceforth I suppose I shall have to play with people, to +pretend to take an interest in their clothes and their parties, or, with +the superior sort, to discuss politics or books. I care nothing for +their rags or their gossip, for Lord Melbourne, Sir Robert Peel, or Mr. +James Montgomery. I must learn how to take the tip of a finger instead +of a hand, and to accept with gratitude comfits when I hunger for bread- +-I, who have known--but I dare say nothing even to myself of my hours +with him--I, who have heard Sophy cry out in the night for me; I, who +have held her hand and have prayed by her bedside. + + +January 10th.--I must be still. I have learned this lesson before--that +speech even to myself does harm. If I admit no conversation nor debate +with myself, I certainly will not admit the chatter of outsiders. Mr. +Maxwell called again to-day. "Not a syllable on that subject," said I +when he began in the usual strain. He then suggested that as this house +was too large for me, and must have what he called "melancholy +associations," I should move. He had suggested this before, when my +husband died. How can I leave the home to which I was brought as a +bride? how can I endure the thought that strangers are in our room, or +in that other room where Sophy lay? Mr. Maxwell would think it +sacrilege to turn his church into an inn, and it is a worse sacrilege to +me to permit the profanation of the sanctuary which has been consecrated +by Love and Death. I do not know what might happen to me if I were to +leave. I have been what I am through shadowy nothings which other +people despise. To me they are realities and a law. I shall stay where +I am. "A villa," forsooth, on the outskirts of the town! My existence +would be fractured: it will at least preserve its continuity here. +Across the square I can see the house in which I was born, and I can +watch the shadow of the church in the afternoon slowly crossing the +churchyard. The townsfolk stand in the street and go up and down it +just as they did forty years ago--not the same persons, but in a sense +the same people. My brother will call me extravagant if I remain here. +He buys a horse and does not consider it extravagant, and my money is +not wasted if I spend it in the only way in which it is of any value to +me. + + +January 12th.--I had thought I could be dumb, but I cannot. My sorrow +comes in rushes. I lift up my head above the waves for an instant, and +immediately I am overwhelmed--"all Thy waves and Thy billows have gone +over me." My nights are a terror to me, and I fear for my reason. That +last grip of Sophy's hand is distinctly on mine now, palpable as the +pressure of a fleshly hand could be. It is strange that without any +external circumstances to account for it, she and I often thought the +same things at the same moment. She seemed to know instinctively what +was passing in my mind, so that I was afraid to harbour any unworthy +thought, feeling sure that she would detect it. Blood of my blood was +she. She said "goodbye" to me with perfect clearness, and in a quarter +of an hour she had gone. In that quarter of an hour there could not be +the extinction of so much. Such a creature as Sophy could not +instantaneously NOT BE. I cannot believe it, but still the volume of my +life here is closed, the story is at an end; what remains will be +nothing but a few notes on what has gone before. + + +January 21st.--I went to church to-day for the first time since the +funeral. Mr. Maxwell preached a dull, doctrinal sermon. Whilst my +husband and Sophy lived, I was a regular attendant at church, and never +thought of disputing anything I heard. It did not make much impression +on me, but I accepted it, and if I had been asked whether I believed it, +I should have said, "Certainly." But now a new standard of belief has +been set up in me, and the word "belief" has a different meaning. + + +February 3rd.--Whenever I saw anything beautiful I always asked Tom or +Sophy to look. Now I ask nobody. Early this morning, after the storm +in the night, the sky cleared, and I went out about dawn through the +garden up to the top of the orchard and watched the disappearance of the +night in the west. The loveliness of that silent conquest was +unsurpassable. Eighteen months ago I should have run indoors and have +dragged Tom and Sophy back with me. I saw it alone now, and although +the promise in the slow transformation of darkness to azure moved me to +tears, I felt it was no promise for me. + + +March 1st.--Nothing that is PRESCRIBED does me any good. I cannot leave +off going to church, but the support I want I must find out for myself. +Perhaps if I had been born two hundred years ago, I might have been +caught by some strong enthusiastic organisation and have been a private +in a great army. A miserable time is this when each man has to grope +his way unassisted, and all the incalculable toil of founders of +churches goes for little or nothing. . . . I do not pray for any more +pleasure: I ask only for strength to endure, till I can lie down and +rest. I have had more rapture in a day than my neighbours and relations +have had in all their lives. Tom once said to me that he would sooner +have had twenty-four hours with me as his wife than youth and manhood +with any other woman he ever knew. He said that, not when we were first +married, but a score of years afterwards. I remember the place and the +hour. It was in the garden one morning in July, just before breakfast. +It was a burning day, and massive white clouds were forming themselves +on the horizon. The storm on that day was the heaviest I recollect, and +the lightning struck one of our chimneys and dashed it through the roof. +His passion was informed with intellect, and his intellect glowed with +passion. There was nothing in him merely animal or merely rational. . . +. To endure, to endure! Can there be any endurance without a motive? +I have no motive. + + +March 10th.--My sister and my brother-in-law came to-day and I wished +them away. Now that my husband is dead I discover that the frequent +visitors to our house came to see him and not me. There must be +something in me which prevents people, especially women, from being +really intimate with me. To be able to make friends is a talent which I +do not possess, and if those who call on me are prompted by kindness +only, I would rather be without them. The only attraction towards me +which I value is that which is irresistible. Perhaps I am wrong, and +ought to accept with thankfulness whatever is left to me if it has any +savour of goodness in it. I have no right to compare and to reject. . . +I provide myself with little maxims, and a breath comes and sweeps them +away. What is permanent behind these little flickerings is black night: +that is the real background of my life. + + +April 24th.--I have been to London, and on Easter Sunday I went to High +Mass at a Roman Catholic Church. I was obliged to leave, for I was +overpowered and hysterical. Were I to go often my reason might be +drowned, and I might become a devotee. And yet I do not think I should. +If I could prostrate myself at a shrine I should want an answer. When I +came out into the open air I saw again the PLAINNESS of the world: the +skies, the sea, the fields are not in accord with incense or gorgeous +ceremonies. Incense and ceremonies are beyond the facts, and to the +facts we must cleave, no matter how poor and thin they may be. + + +May 5th.--If I am ill, I shall depend entirely on paid service. God +grant I may die suddenly and not linger in imbecility. So much of me is +dead that what is left is not worth preserving. Nearly everything I +have done all my life has been done for love. I shall now have to act +for duty's sake. It is an entire reconstruction of myself, the +insertion of a new motive. I do not much believe in duty, nor, if I +read my New Testament aright, did the Apostle Paul. For Jesus he would +do anything. That sacred face would have drawn me whither the Law would +never have driven me. + + +May 7th.--It is painful to me to be so completely set aside. When Tom +was alive I was in the midst of the current of affairs. Few men, except +Maxwell, come to the house now. My property is in the hands of +trustees. Tom continually consulted me in business matters. I have +nothing to look after except my house, and I sit at my window and see +the stream of life pass without touching me. I cannot take up work +merely for the sake of taking it up. Nobody would value it, nor would +it content me. How I used to pity my husband's uncle, Captain +Charteris! He had been a sailor; he had fought the French; he had been +in imminent danger of shipwreck, and from his youth upwards perpetual +demands had been made upon his resources and courage. At fifty he +retired, a strong, active man; and having a religious turn, he helped +the curate with school-treats and visiting. He pined away and died in +five years. The bank goes on. I have my dividends, but not a word +reaches me about it. + + +October 10th.--Five months, I see, have passed since I made an entry in +my diary. What a day this is! The turf is once more soft, the trees +and hedges are washed, the leaves are turning yellow and are ready to +fall. I have been sitting in the garden alone, reading the forty-ninth +chapter of Genesis. I must copy the closing verses. It does me good to +write them. + +"And Jacob charged them, and said unto them, I am to be gathered unto my +people: bury me with my fathers in the cave that is in the field of +Ephron the Hittite, in the cave that is in the field of Machpelah, which +is before Mamre, in the land of Canaan, which Abraham bought with the +field of Ephron the Hittite for a possession of a burying-place. There +they buried Abraham and Sarah his wife; there they buried Isaac and +Rebekah his wife; and there I buried Leah. The purchase of the field +and of the cave that is therein was from the children of Heth. And when +Jacob had made an end of commanding his sons, he gathered up his feet +into the bed, and yielded up the ghost, and was gathered unto his +people." There is no distress here: he gathers up his feet and +departs. Perhaps our wild longings are unnatural, and yet it seems but +nature NOT to be content with what contented the patriarch. Anyhow, +wherever and whatever my husband and Sophy are I shall be. This at +least is beyond dispute. + + +October 12th.--I do not wish to forget past joys, but I must simply +remember them and not try to paint them. I must cut short any yearning +for them. + + +October 20th.--We do not say the same things to ourselves with +sufficient frequency. In these days of book-reading fifty fine thoughts +come into our heads in a day, and the next morning are forgotten. Not +one of them becomes a religion. In the Bible how few the thoughts are, +and how incessantly they are repeated! If my life could be controlled +by two or three divine ideas, I would burn my library. I often feel +that I would sooner be a Levitical priest, supposing I believed in my +office, than be familiar with all these great men whose works are +stacked around me. + + +October 22nd.--Sometimes, especially at night, the thought not only that +I personally have lost Tom and Sophy, but that the exquisite fabric of +these relationships, so intricate, so delicate, so highly organised, +could be cast aside, to all appearance so wastefully, is almost +unendurable. . . . I went up to the moor on the top of the hill this +morning, where I could see, far away, the river broaden and lose itself +in the Atlantic. I lay on the heather looking through it and listening +to it. + + +October 23rd.--The 131st Psalm came into my mind when I was on the moor +again. "Neither do I exercise myself in great matters, or in things too +high for me. Surely I have behaved and quieted myself, as a child that +is weaned of its mother: my soul is even as a weaned child." + + +October 28th--Tom once said to me that reasoning is often a bad guide +for us, and that loyalty to the silent Leader is true wisdom. Wesley, +when he was in trouble, asked himself "whether he should fight against +it by thinking, or by not thinking of it," and a wise man told him "to +be still and go on." A certain blind instinct seems to carry me +forward. What is it? an indication of a purpose I do not comprehend? an +order given by the Commander-in-Chief which is to be obeyed although the +strategy is not understood? + + +November 3rd.--Palmer, my maid, who has been with me ever since I began +to keep house, was very good-looking at one-and-twenty. When she had +been engaged to be married about a twelvemonth, she burned her face and +the burn left a bad scar. Her lover found excuses for breaking off the +engagement. He must have been a scoundrel, and I should like to have +had him whipped with wire. She was very fond of him. She had an offer +of marriage ten years afterwards, but she refused. I believe she feared +lest the scar, seen every day, would make her husband loathe her. Her +case is worse than mine, for she never knew such delights as mine. + +She has subsisted on mere friendliness and civility. "Oh," it is +suggested at once to me, "you are more sensitive than she is." How dare +I say that? How hateful is the assumption of superior sensitiveness as +an excuse for want of endurance! + + +November 4th.--Ellen Charteris, my husband's cousin, belongs to a Roman +Catholic branch of the family, and is an abbess. I remember saying to +her that I wondered that she and her nuns could spend such useless +lives. She replied that although she and all good Catholics believe in +the atonement of Christ, they also believe that works of piety in excess +of what may be demanded of us, even if they are done in secret, are a +set-off against the sins of the world. In this form the doctrine has +not much to commend itself to me, and it is assumed that the nuns' works +are pious. But in a sense it is true. "The very hairs of your head are +all numbered." The fall of a grain of dust is recorded. + +November 7th--A kind of peace occasionally visits me. It is not the +indifference begotten of time, for my husband and my child are nearer +and dearer than ever to me. I care not to analyse it. I return to my +patriarch. With Joseph before him, the father, who had refused to be +comforted when he thought his son was dead, gathered up his feet into +the bed and slept. + + + +CORRESPONDENCE BETWEEN GEORGE LUCY M.A., AND HIS GODCHILD, HERMIONE +RUSSELL, B.A. + + + +My Dear Hermione,--I have sent you my little volume of verse +translations into English, and you will find appended a few attempts at +Latin and Greek renderings of favourite English poems. You must tell me +what you think of them, and you must not spare a single blunder or +inelegance. I do not expect any reviews, and if there should be none it +will not matter, for I proposed to myself nothing more than my own +amusement and that of my friends. I would rather have thoroughly good +criticism from you than a notice, even if it were laudatory, from a +magazine or a newspaper. You have worked hard at your Latin and Greek +since we read Homer and Virgil, and you have had better instruction than +I had at Winchester. These trifles were published about three months +ago, but I purposely did not send you a copy then. You are enjoying +your holiday deep in the country, and may be inclined to pardon that +incurable old idler, your godfather and former tutor, for a waste of +time which perhaps you would not forgive when you are teaching in +London. Verse-making is out of fashion now. Goodbye. I should like to +spend a week with you wandering through those Devonshire lanes if I +could carry my two rooms with me and stick them in a field. + +Affectionately, +G. L. + + +My Dear Godfather,--The little Musae came safely. My love to you for +them, and for the pretty inscription. I positively refuse to say a +single syllable on your scholarship. I have deserted my Latin and +Greek, and they were never good enough to justify me in criticising +yours. I have latterly turned my attention to Logic, History, and Moral +Philosophy, and with the help of my degree I have obtained a situation +as teacher of these sciences. I confess I do not regret the change. +They are certainly of supreme importance. There is something to be +learned about them from Latin and Greek authors, but this can be +obtained more easily from modern writers or translations than by the +laborious study of the originals. Do not suppose I am no longer +sensible to the charm of classical art. It is wonderful, but I have +come to the conclusion that the time spent on the classics, both here +and in Germany, is mostly thrown away. Take even Homer. I admit the +greatness of the Iliad and the Odyssey, but do tell me, my dear +godfather, whether in this nineteenth century, when scores of urgent +social problems are pressing for solution, our young people ought to +give themselves up to a study of ancient legends? What, however, are +Horace, Catullus, and Ovid compared with Homer? Much in them is +pernicious, and there is hardly anything in them which helps us to live. +Besides, we have surely enough in Chaucer, Spenser, Shakspeare, and +Milton, to say nothing of the poets of this century, to satisfy the +imagination of anybody. Boys spend years over the Metamorphoses or the +story of the wars of AEneas, and enter life with no knowledge of the +simplest facts of psychology. I look forward to a time not far distant, +I hope, when our whole paedagogic system will be remodelled. Greek and +Latin will then occupy the place which Assyrian or Egyptian hieroglyphic +occupies now, and children will be directly prepared for the duties +which await them. + +I have in preparation a book which I expect soon to publish, entitled +Positive Education. It will appear anonymously, for society being +constituted as it is, I am afraid that my name on the title-page would +prevent me from finding employment. My object is to show how the moral +fabric can be built up without the aid of theology or metaphysics. I +profess no hostility to either, but as educational instruments I believe +them to be useless. I begin with Logic as the foundation of all +science, and then advance by easy steps (a) to the laws of external +nature commencing with number, and (b) to the rules of conduct, reasons +being given for them, with History and Biography as illustrations. One +modern foreign language, to be learned as thoroughly as it is possible +to learn it in this country, will be included. I desire to banish all +magic in school training. Everything taught shall be understood. It is +easier, and in some respects more advantageous, not to explain, but the +mischief of habituating children to bow to the unmeaning is so great +that I would face any inconvenience in order to get rid of it. All +kinds of objections, some of them of great weight, may be urged against +me, but the question is on which side do they preponderate? Is it no +objection to our present system that the simple laws most necessary to +society should be grounded on something which is unintelligible, that we +should be brought up in ignorance of any valid obligation to obey moral +precepts, that we should be unable to give any account of the commonest +physical phenomena, that we should never even notice them, that we +should be unaware, for example, of the nightly change in the position of +planets and stars, and that we should nevertheless busy ourselves with +niceties of expression in a dead tongue, and with tales about Jupiter +and Juno? For what glorious results may we not look when children from +their earliest years learn that which is essential, but which now, alas! +is picked up unmethodically and by chance? I cannot help saying all +this to you, for your Musae arrived just as my youngest brother came +home from Winchester. He was delighted with it, for he is able to write +very fair Latin and Greek. That boy is nearly eighteen. He does not +know why the tides rise and fall, and has never heard that there has +been any controversy as to the basis of ethics. + +Your affectionate godchild, +HERMIONE. + + +My Dear Hermione,--Your letter was something like a knock-down blow. I +am sorry you have abandoned your old friends, and I felt that you +intended to rebuke me for trifling. A great deal of what you say I am +sure is true, but I cannot write about it. Whether Greek and Latin +ought to be generally taught I am unable to decide. I am glad I learned +them. My apology for my little Musae must be that it is too late to +attempt to alter the habits in which I was brought up. Remember, my +dear child, that I am an old bachelor with seventy years behind me last +Christmas, and remember also my natural limits. I am not so old, +nevertheless, that I cannot wish you God-speed in all your undertakings. + +Your affectionate godfather, +G. L. + + +My Dear Godfather,--What a blunderer I am! What deplorable want of +tact! If I wanted your opinion on classical education or my scheme I +surely might have found a better opportunity for requesting it. It is +always the way with me. I get a thing into my head, and out it comes at +the most unseasonable moment. It is almost as important that what is +said should be relevant as that it should be true. Well, the mistake is +made, and I cannot unmake it. I will not trouble you with another +syllable--directly at any rate--about Latin and Greek, but I do want to +know what you think about the exclusion of theology and metaphysics from +the education of the young. I must have DEBATE, so that before +publication my ideas may become clear and objections may be anticipated. +I cannot discuss the matter with my father. You were at college with +him, and you will remember his love for Aristotle, who, as I think, has +enslaved him. If I may say so without offence, you are not a +philosopher. You are more likely, therefore, to give a sound, +unprofessional opinion. You have never had much to do with children, +but this does not matter; in fact, it is rather an advantage, for actual +children would have distorted your judgment. What has theology done? +It is only half-believed, and its rewards and punishments are too remote +to be of practical service. They are not seen when they are most +required. As to metaphysics, its propositions are too loose. They may +with equal ease be affirmed or denied. Conduct cannot be controlled by +what is shadowy and uncertain. We have been brought up on theology and +metaphysics for centuries, and we are still at daggers drawn upon +matters of life and death. We are as warlike as ever, and not a single +social problem has been settled by bishops or professors. I wish to try +a more direct and, as I believe, a more efficient method. I wish to see +what the effect will be of teaching children from their infancy the +lesson that morality and the enjoyment of life are identical; that if, +for example, they lie, they lose. I should urge this on them +perpetually, until at last, by association, lying would become +impossible. Restraint which is exercised in accordance with rational +principles, inasmuch as it proceeds from Nature, must be more +efficacious than an external prohibition. So with other virtues. I +should deduce most of them in the same way. If I could not, I should +let them go, assured that we could do without them. Now, my dear +godfather, do open out to me, and don't put me off. + +Your affectionate godchild, +HERMIONE. + + +My Dear Hermione,--You terrify me. These matters are really not in my +way. I have never been able to tackle big questions. Unhappily for me, +all questions nowadays are big. I do not see many people, as you know, +and potter about in my garden from morning to night, but Mrs. Lindsay +occasionally brings down her friends from London, and the subjects of +conversation are so immense that I am bewildered. I admit that some +people are too rich and others are too poor, and that if I could give +you a vote you should have one, and that boys and girls might be better +taught, but upon Socialism, Enfranchisement of Women, and Educational +Reform, I have not a word to say. Is not this very unsatisfactory? +Nobody is more willing to admit it than I am. It is so disappointing in +talking to myself or to others to stop short of generalisation and to be +obliged to confess that SOMETIMES IT IS AND SOMETIMES IT IS NOT. I +bless my stars that I am not a politician or a newspaper writer. When I +was young these great matters, at least in our village, were not such +common property as they are now. A man, even if he was a scholar, +thought he had done his duty by living an honest and peaceable life. He +was justified if he was kind to his neighbours and amused himself with +his bees and flowers. He had no desire to be remembered for any +achievement, and was content to be buried with a few tears and then to +be forgotten. All Mrs. Lindsay's folk want to do something outside +their own houses or parishes which shall make their names immortal. . . +. I was interrupted by a tremendous thunderstorm and hail. That +wonderful rose-bush which, you will recollect, stood on the left-hand +side of the garden door, has been stripped just as if it had been +scourged with whips. If you have done, quite done with the Orelli you +borrowed about two years ago, please let me have it. Why could you not +bring it? Mrs. Lindsay was saying only the other day how glad she +should be if you would stay with her for a fortnight before you return +to town. + +Your affectionate godfather, +G. L. + + +My Dear Godfather,--I have sent back the Orelli. How I should love to +come and to wander about the meadows with you by the river or sit in the +boat with you under the willows. But I cannot, for I have promised to +speak at a Woman's Temperance Meeting next week, and in the week +following I am going to read a paper called "An Educational Experiment," +before our Ethical Society. This, I think, will be interesting. I have +placed my pupils in difficult historical positions, and have made them +tell me what they would have done, giving the reasons. I am thus +enabled to detect any weakness and to strengthen character on that side. +Most of the girls are embarrassed by the conflict of motives, and I have +to impress upon them the necessity in life of disregarding those which +are of less importance and of prompt action on the stronger. I have +classified my results in tables, so that it may be seen at a glance what +impulses are most generally operative. + +But to go back to your letter. I will not have you shuffle. You can +say so much if you like. Talk to me just as you did when we last sat +under the cedar-tree. I MUST know your mind about theology and +metaphysics. + +Your affectionate godchild, +HERMIONE. + + +My Dear Hermione,--I am sorry you could not come. I am sorry that what +people call a "cause" should have kept you away. If any of your friends +had been ill; if it had been a dog or a cat, I should not have cared so +much. You are dreadful! Theology and metaphysics! I do not understand +what they are as formal sciences. Everything seems to me theological +and metaphysical. What Shakespeare says now and then carries me further +than anything I have read in the system-books into which I have looked. +I cannot take up a few propositions, bind them into faggots, and say, +"This is theology, and that is metaphysics." There is much "discourse +of God" in a May blossom, and my admiration of it is "beyond nature," +but I am not sure upon this latter point, for I do not know in the least +what f?s?? or Nature is. We love justice and generosity, and hate +injustice and meanness, but the origin of virtue, the life of the soul, +is as much beyond me as the origin of life in a plant or animal, and I +do not bother myself with trying to find it out. I do feel, however, +that justice and generosity have somehow a higher authority than I or +any human being can give them, and if I had children of my own this is +what I should try, not exactly to teach them, but to breathe into them. +I really, my dear child, dare not attempt an essay on the influence +which priests and professors have had upon the world, nor am I quite +clear that "shadowy" and "uncertain" mean the same thing. All ultimate +facts in a sense are shadowy, but they are not uncertain. When you try +to pinch them between your fingers they seem unsubstantial, but they are +very real. Are you sure that you yourself stand on solid granite? + +Your affectionate godfather, +G. L. + + +My Dear Godfather,--You are most disappointing and evasive. I gave up +the discussion on Latin and Greek, but I did and do want your reply to a +most simple question. If you had to teach children--you surely can +imagine yourself in such a position--would you teach them WHAT ARE +GENERALLY KNOWN AS THEOLOGY AND METAPHYSICS?--excuse the emphasis. You +have an answer, I am certain, and you may just as well give it me. I +know that you had rather, or affect you had rather, talk about Catullus, +but I also know that you think upon serious subjects sometimes. These +matters cannot now be put aside. We live in a world in which certain +problems are forced upon us and we are compelled to come to some +conclusion upon them. I cannot shut myself up and determine that I will +have no opinion upon Education or Socialism or Women's Rights. The fact +that these questions are here is plain proof that it is my duty not to +ignore them. You hate large generalisations, but how can we exist +without them? They may never be entirely true, but they are +indispensable, and, if you never commit yourself to any, you are much +more likely to be practically wrong than if you use them. + +Take, for example, the Local Veto. I admitted in my speech that there +is much to be urged against it. It might act harshly, and it is quite +true that poor men in large towns cannot spend their evenings in their +filthy homes; but I MUST be for it or against it, and I am +enthusiastically for it, because on the whole it will do good. So with +Socialism. The evils of Capitalism are so monstrous that any remedy is +better than none. Socialism may not be the direct course: it may be a +tremendously awkward tack, but it is only by tacking that we get along. +So with positive education, but I have enlarged upon this already. What +a sermon to my dear godfather! Forgive me, but you will have to take +sides, and do, please, be a little more definite about my book. + +Your affectionate godchild, +HERMIONE. + + +My Dear Hermione,--I haven't written for some time, for I was unwell for +nearly a month. The doctor has given me physic, but my age is really +the mischief, and it is incurable. I caught cold through sitting out of +doors after dinner with the rector, a good fellow if he would not smoke +on my port. To smoke on good port is a sin. He knows my infirmity, +that I cannot sit still long, and he excuses my attendance at church. +Would you believe it? When I was very bad, and thought I might die, I +read Horace again, whom you detest. I often wonder what he really +thought upon many things when he looked out on the + + + taciturna noctis +signa." + + +Justice is not often done to him. He saw a long way, but he did not +make believe he saw beyond his limit, and was content with it. A rare +virtue is intellectual content! + + +"Tu ne quaesieris, scire nefas, quem mihi, quem tibi +Finem di dederint, Leuconoe, nec Babylonios +Tentaris numeros." + + +The rector was telling me about Tom Pavenham's wedding. He has married +Margaret Loxley, as you may perhaps have seen in the paper I sent you. +Mrs. Loxley, her mother, was a Barfield, and old Pavenham, when he was a +youth, fell in love with her. She was also in love with him. He was +well-to-do, and farmed about seven hundred acres, but he was not thought +good enough by the elder Barfields, who lived in what was called a park. +They would not hear of the match. She was sent to France, and he went +to Buenos Ayres. After some years had passed he married out there, and +she married. His wife died when her first child, a boy, was born. +Loxley also died, leaving his wife with an only daughter. Pavenham +retired from business in South America, and came back with his son to +his native village, where he meant to spend the rest of his days. Tom +and Margaret were at once desperately smitten with one another. The +father and mother have kept their own flame alive, and I believe it is +as bright as it ever was. It is delightful to see them together. They +called on me with the children after the betrothal. He was so courteous +and attentive to her, and she seemed to bask in his obvious affection. +I noticed how they looked at one another and smiled happily as the boy +and girl wandered off together towards the filbert walk. The rector +told me that he was talking to old Pavenham one evening, and said to +him: "Jem, aren't you sometimes sad when you think of what ought to +have happened?" His voice shook a bit as he replied gently: "God be +thanked for what we have! Besides, it has all come to pass in Tom and +Margaret." + +You must not be angry with me if I say nothing more about Positive +Education. It is a great strain on me to talk upon such matters, and +when I do I always feel afterwards that I have said much which is mere +words. That is a sure test; I must obey my daemon. I wish I could give +you what you want for what you have given me; but when do we get what we +want in exchange for what we give? Our trafficking is a clumsy barter. +A man sells me a sheep, and I pay him in return with my grandfather's +old sextant. This is not quite true for you and me. Love is given and +love is returned. A Dieu--not adieu. Remember that the world is very +big, and that there may be room in it for a few creatures like + +Your affectionate godfather, +G. L. + + + +MRS. FAIRFAX + + + +The town of Langborough in 1839 had not been much disturbed since the +beginning of the preceding century. The new houses were nearly all of +them built to replace others which had fallen into decay; there were no +drains; the drinking-water came from pumps; the low fever killed thirty +or forty people every autumn; the Moot Hall still stood in the middle of +the High Street; the newspaper came but once a week; nobody read any +books; and the Saturday market and the annual fair were the only events +in public local history. Langborough, being seventy miles from London +and eight from the main coach-road, had but little communication with +the outside world. Its inhabitants intermarried without crossing from +other stocks, and men determined their choice mainly by equality of +fortune and rank. The shape of the nose and lips and colour of the eyes +may have had some influence in masculine selection, but not much: the +doctor took the lawyer's daughter, the draper took the grocer's, and the +carpenter took the blacksmith's. Husbands and wives, as a rule, lived +comfortably with one another; there was no reason why they should +quarrel. The air of the place was sleepy; the men attended to their +business, and the women were entirely apart, minding their household +affairs and taking tea with one another. In Langborough, dozing as it +had dozed since the days of Queen Anne, it was almost impossible that +any woman should differ so much from another that she could be the cause +of passionate preference. + +One day in the spring of 1839 Langborough was stirred to its depths. No +such excitement had been felt in the town since the run upon the bank in +1825, when one of the partners went up to London, brought down ten +thousand pounds in gold with him by the mail, and was met at Thaxton +cross-roads by a post-chaise, which was guarded into Langborough by +three men with pistols. A circular printed in London was received on +that spring day in 1839 by all the respectable ladies in the town +stating that a Mrs. Fairfax was about to begin business in Ferry Street +as a dressmaker. She had taken the only house to be let in Ferry +Street. It was a cottage with a front and back sitting-room, and +belonged to an old lady in Lincoln, who inherited it from her brother, +who once lived in it but had been dead forty years. Before a week had +gone by four-fifths of the population of Langborough had re-inspected +it. The front room was the shop, and in the window was a lay-figure +attired in an evening robe of rose-coloured silk, the like of which for +style and fit no native lady had ever seen. Underneath it was a card-- +"Mrs. Fairfax, Milliner and Dressmaker." The circular stated that Mrs. +Fairfax could provide materials or would make up those brought to her by +her customers. + +Great was the debate which followed this unexpected apparition. Who +Mrs. Fairfax was could not be discovered. Her furniture and the lay- +figure had come by the waggon, and the only information the driver could +give was that he was directed at the "George and Blue Boar" in Holborn +to fetch them from Great Ormond Street. After much discussion it was +agreed that Mrs. Bingham, the wife of the wine merchant, should call on +Mrs. Fairfax and inquire the price of a gown. Mrs. Bingham was at the +head of society in Langborough, and had the reputation of being very +clever. It was hoped, and indeed fully expected, that she would be able +to penetrate the mystery. She went, opened the door, a little bell +sounded, and Mrs. Fairfax presented herself. Mrs. Bingham's eyes fell +at once upon Mrs. Fairfax's dress. It was black, with no ornament, and +constructed with an accuracy and grace which proved at once to Mrs. +Bingham that its maker was mistress of her art. Mrs. Bingham, although +she could not entirely desert the linendraper's wife, whose husband was +a good customer for brandy, had some of her clothes made in London when +she stayed with her sister in town, and, to use her own phrase, "knew +what was what." + +"Mrs. Fairfax?" + +A bow. + +"Will you please tell me what a gown would cost made somewhat like that +in the window?" + +"For yourself, madam?" + +"Yes." + +"Pardon me; I am afraid that colour would not suit you." + +Mrs. Bingham was a stout woman with a ruddy complexion. + +"One colour costs no more than another?" + +"No, madam: twelve guineas; that silk is expensive. Will you not take +a seat?" + +"I am afraid you will find twelve guineas too much for anybody here. +Have you nothing cheaper?" + +Mrs. Fairfax produced some patterns and fashion-plates. + +"I suppose the gown in the window is your own make?" + +"My own make and design." + +"Then you are not beginning business?" + +"I hope I may say that I thoroughly understand it." + +The door leading into the back parlour opened, and a little girl about +nine or ten years old entered. + +"Mother, I want--" + +Mrs. Fairfax, without saying a word, gently led the child into the +parlour again. + +"Dear me, what a pretty little girl! Is that yours?" + +"Yes, she is mine." + +Mrs. Bingham noticed that Mrs. Fairfax did not wear a widow's cap, and +that she had a wedding-ring on her finger. + +"You will find it rather lonely here. Have you been accustomed to +solitude?" + +"Yes. That silk, now, would suit you admirably. With less ornament it +would be ten guineas." + +"Thank you: I must not be so extravagant at present. May I look at +something which will do for walking? You would not, I suppose, make a +walking-dress for Langborough exactly as you would have made it in +London?" + +"If you mean for walking about the roads here, it would differ slightly +from one which would be suitable for London." + +"Will you show me what you have usually made for town?" + +"This is what is worn now." + +Mrs. Bingham was baffled but not defeated. She gave an order for a +walking-dress, and hoped that Mrs. Fairfax might be more communicative. + +"Have you any introductions here?" + +"None whatever." + +"It is rather a risk if you are unknown." + +"Perhaps you have been exempt from risks: some people are obliged +constantly to encounter them." + +"'Exempt,' 'encounter,"' thought Mrs. Bingham: "she must have been to a +good school." + +"When will you be ready to try on?" + +"On Friday," and Mrs. Fairfax opened the door. + +As Mrs. Bingham went out she noticed a French book lying on a side +table. + +The day following was Sunday, and Mrs. Fairfax and her daughter were at +church. They sat at the back, and all the congregation turned on +entering, looked at them, and thought about them during the service. +They went out as soon as it was over, but Mrs. Harrop, wife of the +ironmonger, and Mrs. Cobb, wife of the coal merchant, escaped with equal +promptitude and were close behind them. + +"There isn't a crease in that body," said Mrs. Harrop. + +On Monday Mrs. Bingham was at the post-office. She took care to be +there at the dinner hour, when the postmaster's wife generally came to +the counter. + +"A newcomer, Mrs. Carter. Have you seen Mrs. Fairfax?" + +"Once or twice, ma'am." + +"Has she many letters?" + +The door between the office and the parlour was open. + +"I've no doubt she will have, ma'am, if her business succeeds." + +"I wonder where she lived before she came here. It is curious, isn't +it, that nobody knows her? Did you ever notice how her letters are +stamped?" + +"Can't say as I have, ma'am." + +Mrs. Carter shut the parlour door. "The smell of those onions," she +whispered to her husband, "blows right in here." She then altered her +tone a trifle. + +"One of 'em, Mrs. Bingham, had the Portsmouth postmark on it; but this +is in the strictest confidence, and I should never dream of letting it +out to anybody but you, but I don't mind you, because I know you won't +repeat it, and if my husband was to hear me he'd be in a fearful rage, +for there was a dreadful row when I told Lady Caroline at Thaxton Manor +about the letters Miss Margaret was getting, and it was found out that +it was me as told her, and some gentleman in London wrote to the +Postmaster-General about it." + +"You may depend upon me, Mrs. Carter." Mrs. Bingham considered she had +completely satisfied her conscience when she imposed an oath of secrecy +on Mrs. Harrop, who was also self-exonerated when she had imposed a +similar oath on Mrs. Cobb. + +A fortnight after the visit to the post-office there was a tea-party. +Mrs. Harrop, Mrs. Cobb, Mrs. Sweeting, the grocer's wife, and Miss +Tarrant, an elderly lady, living on a small annuity, but most genteel, +were invited to Mrs. Bingham's. They began to talk of Mrs. Fairfax +directly they had tasted the hot buttered toast. They had before them +the following facts: the carrier's deposition that the goods came from +Great Ormond Street; the lay-figure and what it wore; Mrs. Fairfax's +prices; the little girl; the wedding-ring but no widow's weeds; the +Portsmouth postmark; the French book; Mrs. Bingham's new gown, and +lastly--a piece of information contributed by Mrs. Sweeting and +considered to be of great importance, as we shall see presently--that +Mrs. Fairfax bought her coffee whole and ground it herself. On these +facts, nine in all, the ladies had to construct--it was imperative that +they should construct it--an explanation of Mrs. Fairfax, and it must be +confessed that they were not worse equipped than many a picturesque and +successful historian. At the request of the company, Mrs. Bingham went +upstairs and put on the gown. + +"Do you mind coming to the window, Mrs. Bingham?" asked Mrs. Harrop. + +Mrs. Bingham rose and went to the window. Her guests also rose. She +held her arms down and then held them up, and was surveyed from every +point of the compass. + +"I thought it was a pucker, but it's only the shadow," observed Mrs. +Harrop. + +Mrs. Cobb stroked the body and shook the skirt. Not a single +depreciatory criticism was ventured. Excepting the wearer, nobody +present had seen such a masterpiece. But although for half a lifetime +we may have beheld nothing better than an imperfect actual, we recognise +instantly the superiority and glory of the realised Ideal when it is +presented to us. Mrs. Harrop, Mrs. Cobb, Mrs. Sweeting, and Miss +Tarrant became suddenly aware of possibilities of which they had not +hitherto dreamed. Mrs. Swanley, the linendraper's wife, was degraded +and deposed. + +"She must have learned that in London," said Mrs. Harrop. + +"London! my dear Mrs. Harrop," replied Mrs. Bingham, "I know London +pretty well, and how things are cut there. I told you there was a +French book on the table. Take my word for it, she has lived in Paris. +She MUST have lived there." + +"Where is Great Ormond Street, Mrs. Bingham?" inquired Mrs. Sweeting. + +"A great many foreigners live there; it is somewhere near Leicester +Square." + +Mrs. Bingham knew nothing about the street, but having just concluded a +residence in Paris from the French book, that conclusion led at once to +a further conclusion, clear as noonday, as to the quality of the people +who inhabited Great Ormond Street, and consequently to the final +deduction of its locality. + +"Did you not say, Mrs. Sweeting, that she buys her coffee whole?" added +Mrs. Bingham, as if inspiration had flashed into her. "If you want +additional proof that she is French, there it is." + +"Portsmouth," mused Mrs. Cobb. "You say, Mrs. Bingham, there are a good +many officers there. Let me see--1815--it's twenty-four years ago since +the battle. A captain may have picked her up in Paris. I'll be bound +that, if she ever was married, she was married when she was sixteen or +seventeen. They are always obliged to marry those French girls when +they are nothing but chits, I've been told--those of them, least-ways, +that don't live with men without being married. That would make her +about forty, and then he found her out and left her, and she went back +to Paris and learned dressmaking." + +"But he writes to her from Portsmouth," said Mrs. Bingham, who had not +been told that the solitary letter from Portsmouth was addressed in a +man's handwriting. + +"He may not have broken with her altogether," replied Mrs. Cobb. "If he +isn't a downright brute he'll want to hear about his daughter." + +"Well," said Mrs. Sweeting, twitching her eyes as she was wont to do +when she was about to give an opinion which she knew would disturb any +of her friends, "you may talk as you like, but the last thing Swanley +made for me looked as if it had been to the wash and hung on me to dry. +French or English, captain or no captain, I shall go to Mrs. Fairfax. +Her character's got nothing to do with her cut. Suppose she IS +divorced; judging from that body of yours, Mrs. Bingham, I shan't have +to send back a pelisse half a dozen times to get it altered. When it +comes to that you get sick of the thing, and may just as well give it +away." + +Mrs. Sweeting occupied the lowest rank in this particular section of +Langborough society. As a grocer Mr. Sweeting was not quite on a level +with the coal dealer, who was a merchant, nor with the ironmonger, who +repaired ploughs, and he was certainly below Mr. Bingham. Miss Tarrant, +never having been "connected with trade"--her father was chief clerk in +the bank--considered herself superior to all her acquaintances, but her +very small income prevented her from claiming her superiority so +effectively as she desired. + +"Mrs. Sweeting," she said, "I am surprised at you! You do not consider +what the moral effect on the lower orders of patronising a female of +this kind will be, probably an abandoned woman. The child, no doubt, +was not born in wedlock. We are sinners ourselves if we support +sinners." + +"Miss Tarrant," retorted Mrs. Sweeting, "I'm the respectable mother of +five children, and I don't want any sermons on sin except in church. If +it wasn't a sin of Swanley to charge me three guineas for that pelisse, +and wouldn't take it back, I don't know what sin." + +Mrs. Bingham, although she was accustomed to tea-table disputes, and +even enjoyed them, was a little afraid of Mrs. Sweeting's tongue, and +thought it politic to interfere. + +"I agree with you entirely, Mrs. Sweeting, about the inferiority of Mrs. +Swanley to this newcomer, but we must consider Miss Tarrant's position +in the parish and her responsibilities. She is no doubt right from her +point of view." + +So the conversation ended, but Mrs. Fairfax's biography, which was to be +published under authority in Langborough, was now rounded off and +complete. She was a Parisian, father and mother unknown, was found in +Paris in 1815 by Captain Fairfax, who, by her intrigues and threats of +exposure, was forced into a marriage with her. A few years afterwards +he had grounds for a divorce, but not wishing a scandal, consented to a +compromise and voluntary separation. He left one child in her custody, +as it showed signs of resemblance to its mother, to whom he gave a small +monthly allowance. She had been apprenticed as a dressmaker in Paris, +had returned thither in order to master her trade, and then came back to +England. In a very little time, so clever was she that she learned to +speak English fluently, although, as Mrs. Bingham at once noticed, the +French accent was very perceptible. It was a good, intelligible, +working theory, and that was all that was wanted. This was Mrs. Fairfax +so far as her female neighbours were concerned. To the men in +Langborough she was what she was to the women, but with a difference. +When she went to Mr. Sweeting's shop to order her groceries, Mr. +Sweeting, notwithstanding the canonical legend of her life, served her +himself, and was much entangled by her dark hair, and was drawn down by +it into a most polite bow. Mr. Cobb, who had a little cabin of an +office in his coal-yard, hastened back to it from superintending the +discharge of a lighter, when Mrs. Fairfax called to pay her little bill, +actually took off his hat, begged her to be seated, and hoped she did +not find the last lot of coals dusty. He was now unloading some of the +best Wallsend that ever came up the river, and would take care that the +next half ton should not have an ounce of small in it. + +"You'll find it chilly where you are living, ma'am, but it isn't damp, +that's one comfort. The bottom of your street is damp, and down here in +a flood anything like what we had fourteen years ago, we are nearly +drowned. If you'll step outside with me I'll show you how high the +water rose." He opened the door, and Mrs. Fairfax thought it courteous +not to refuse. He walked to the back of his cabin bareheaded, although +the morning was cold, and pointed out to her the white paint mark on the +wall. She, dropped her receipted bill in the black mud and stooped to +pick it up. Mr. Cobb plunged after it and wiped it carefully on his +silk pocket-handkerchief. Mrs. Cobb's bay window commanded the whole +length of the coal-yard. In this bay window she always sat and worked +and nodded to the customers, or gossiped with them as they passed. She +turned her back on Mrs. Fairfax both when she entered the yard and when +she left it, but watched her carefully. Mr. Cobb came into dinner, but +his wife bided her time, knowing that, as he took snuff, the +handkerchief would be used. It was very provoking, he was absent- +minded, and forgot his usual pinch before he sat down to his meal. For +three-quarters of an hour his wife was afflicted with painfully uneasy +impatience, and found it very difficult to reply to Mr. Cobb's +occasional remarks. At last the cheese was finished, the snuff-box +appeared, and after it the handkerchief. + +"A pretty mess that handkerchief is in, Cobb." She always called him +simply "Cobb." + +"Yes, it was an a-a-accident. I must have a clean one. I didn't think +it was so dirty." + +"The washing of your snuffy handkerchiefs costs quite enough as it is, +Cobb, without using them in that way." + +"What way?" said Mr. Cobb weakly. + +"Oh, I saw it all, going out without your hat and standing there like a +silly fool cleaning that bit of paper. I wonder what the lightermen +thought of you." + +It will already have been noticed that the question what other people +thought was always the test which was put in Langborough whenever +anything was done or anything happened not in accordance with the usual +routine, and Mrs. Cobb struck at her husband's conscience by referring +him to his lightermen. She continued - + +"And you know what she is as well as I do, and if she'd been respectable +you'd have been rude to her, as you generally are." + +"You bought that last new gown of her, and you never had one as fitted +you so well." + +"What's that got to do with it? You may be sure I knew my place when I +went there. Fit? Yes, it did fit; them sort of women, it stands to +reason, are just the women to fit you." + +Mr. Cobb was silent. He was a mild man, and he knew by much experience +how unprofitable controversy with Mrs. Cobb was. He could not forget +Mrs. Fairfax's stooping figure when she was about to pick up the bill. +She caused in all the Langborough males an unaccustomed quivering and +warmth, the same in each, physical, perhaps, but salutary, for the +monotony of life was relieved thereby and a deference and even a grace +were begotten which did not usually distinguish Langborough manners. +Not one of Mrs. Fairfax's admirers, however, could say that she showed +any desire for conversation with him, nor could any direct evidence be +obtained as to what she thought of things in general. There was, to be +sure, the French book, and there were other circumstances already +mentioned from which suspicion or certainty (suspicion, as we have seen, +passing immediately into certainty in Langborough) of infidelity or +disreputable conduct followed, but no corroborating word from her could +be adduced. She attended to her business, accepted orders with thanks +and smiles, talked about the weather and the accident to the coach, was +punctual in her attendance at church, calm and inscrutable as the +Sphinx. The attendance at church was, of course, set down to "business +considerations," and was held to be quite consistent with the scepticism +and loose morality deducible from the French book and the unground +coffee. + + +In speaking of the male creatures of the town we have left out Dr. +Midleton. He was forty-eight years old, and had been rector twenty +years. He had obtained high mathematical honours at Cambridge, and +became a tutor in a grammar school, but was soon presented by his +college with the living of Langborough. He was tall, spare, clean- +shaven, grey-eyed, dark-haired, thin-faced, his lips were curved and +compressed, and he stooped slightly. He was a widower with no children, +and the Rectory was efficiently kept in order by an aged housekeeper. +Tractarianism had not arisen in 1839, but he was High Church and an +enemy to all kinds of fanaticism, apt to be satirical, even in his +sermons, on the right of private judgment to interpret texts as it +pleased in ignorance of Hebrew and Greek. He was respected and feared +more than any other man in the parish. He had a great library, and had +taken up archaeology as a hobby. He knew the history of every church in +the county, and more about the Langborough records than was known by the +town clerk. He was chairman of a Board of Governors charged with the +administration of wealthy trust for alms and schools. When he first +took office he found that this trust was controlled almost entirely by a +man named Jackson, a local solicitor, whose salary as clerk was 400 +pounds a year and who had a large private practice. The alms were +allotted to serve political purposes, and the headmaster of the school +enjoyed a salary of 800 pounds a year for teaching forty boys, of whom +twenty were boarders. Mr. Midleton--he was Mr. Midleton then--very soon +determined to alter this state of things. Jackson went about sneering +at the newcomer who was going to turn the place upside down, and having +been accustomed to interfere in the debates in the Board-room, +interrupted the Rector at the third or fourth meeting. + +"You'll get yourself in a mess if you do that, Mr. Chairman." + +"Mr. Jackson," replied the Rector, rising slowly, "it may perhaps save +trouble if I remind you now, once for all, that I am chairman and you +are the clerk. Mr. Bingham, you were about to speak." + +It was Dr. Midleton who obtained the new Act of Parliament remodelling +the trust, whereby a much larger portion of its funds was devoted to +education. Jackson died, partly from drink and partly from spite and +vexation, and the headmaster was pensioned. The Rector was not popular +with the middle class. He was not fond of paying visits, but he never +neglected his duty, and by the poor was almost beloved, for he was +careless and intimate in his talk with them and generous to real +distress. Everybody admired his courage. The cholera in 1831 was very +bad in Langborough, and the people were in a panic at the new disease, +which was fatal in many cases within six hours after the first attack. +The Rector through that dark time was untouched by the contagious dread +which overpowered his parishioners, and his presence carried confidence +and health. On the worst day, sultry, stifling, with no sun, an +indescribable terror crept abroad, and Mr. Cobb, standing at his gate, +was overcome by it. In five minutes he had heard of two deaths, and he +began to feel what were called "premonitory symptoms." He carried a +brandy flask in his pocket, brandy being then considered a remedy, and +he drank freely, but imagined himself worse. He was about to rush +indoors and tell Mrs. Cobb to send for the surgeon, when the Rector +passed. + +"Ah, Mr. Cobb! I was just about to call on you; glad to see you looking +so well when there's so much sickness. We shall want you on the School +Committee this evening," and then he explained some business which was +to be discussed. Mr. Cobb afterwards was fond of telling the story of +this interview. + +"Would you believe it?" said he. "He spoke to me about nothing much but +the trust, but somehow my stomach seemed quieter at once. The sinking-- +just HERE, you know--was dreadful before he came up, and the brandy was +no good. It was a something in his way that did it." + +Dr. Midleton was obliged to call on Mrs. Fairfax as a newcomer. He +found Mrs. Harrop there, and Mrs. Fairfax asked him to step into the +back parlour, into which no one in Langborough had hitherto been +admitted. Gowns were tried on in the shop, the door being bolted and +the blind drawn. Dr. Midleton found four little shelves of books on the +cupboard by the side of the fireplace. Some were French, but most of +them were English. Although it was such a small collection, his book- +lover's instinct compelled him to look at it. His eyes fell upon a +Religio Medici, and he opened it hastily. On the fly-leaf was written +"Mary Leighton, from R. L." He had just time, before its owner entered, +to replace it and to muse for an instant. + +"Richard Leighton of Trinity: it is not a common name, but it cannot be +he--have lost sight of him for years; heard he was married, and came to +no good." + +He was able to watch her for a minute as she stood by the table giving +some directions to her child, who was sent on an errand. In that minute +he saw her as she had not been seen by anybody in Langborough. To Mrs. +Bingham and her friends Mrs. Fairfax was the substratum of a body and +skirt, with the inestimable advantage over a substratum of cane and +padding that a scandalous history of it could be invented and believed. +To Langborough men, married and single, she was a member of "the sex," +as women were called in those days, who possessed in a remarkable degree +the power of exciting that quivering and warmth we have already +observed. Dr. Midleton saw before him a lady, tall but delicately +built, with handsome face and dark brown hair just streaked with grey, +and he saw also diffused over every feature a light which in her eyes, +forward-looking and earnest, became concentrated into a vivid, steady +flame. The few words she spoke to her daughter were sharply cut, a +delightful contrast in his ear to the dialect to which he was +accustomed, distinguished by its universal vowel and suppression of the +consonants. How he inwardly rejoiced to hear the sound of the second +"t" in the word "distinct," when she told her little messenger that Mr. +Cobb had been "distinctly" ordered to send the coals yesterday. He +remained standing until the child had gone. + +"Pray be seated," she said. She went to the fireplace, leaned on the +mantelpiece, and poked the fire. The attitude struck him. She was +about to put some coals in the grate, but he interfered with an "Allow +me," and performed the office for her. She thanked him simply, and sat +down opposite to him, facing the light. She began the conversation. + +"It is good of you to call on me; calling on people, especially on +newcomers must be an unpleasant part of a clergyman's duty." + +"It is so, madam, sometimes--there are not many newcomers." + +"It is an advantage in your profession that you must generally be +governed by duty. It is often easier to do what we are obliged to do, +even if it be disagreeable, than to choose our path by our likes and +dislikes." + +The bell rang, and Mrs. Fairfax went into the shop. + +"Who can she be?" said the Doctor to himself. Such an experience as +this he had not known since he had been rector. Langborough did not +deal in ideas. It was content to affirm that Miss Tarrant now and then +gave herself airs, that Mrs. Sweeting had a way of her own, that Mr. +Cobb lacked spirit and was downtrodden by his wife. + +She returned and sat down again. + +"You know nobody in these parts, Mrs. Fairfax?" + +"Nobody." + +"Yours is a bold venture, is it not?" + +"It is--certainly. A good many plans were projected, of which this was +one, and there were equal difficulties in the way of all. When that is +the case we may almost as well draw lots." + +"Ah, that is what I often say to some of the weaker sort among my +parishioners. I said it to poor Cobb the other day. He did not know +whether he should do this or do that. 'It doesn't matter much,' said I, +'what you do, but do something. DO it, with all your strength.'" + +The Doctor was thoroughly Tory, and he slid away to his favourite +doctrine. + +"Our ancestors, madam, were not such fools as we often take them to be. +They consulted the sortes or lots, and at the last election--we have a +potwalloping constituency here--three parts of the voters would have +done better if they had trusted to the toss-up of a penny instead of +their reason." + +Mrs. Fairfax leaned back in her chair. Dr. Midleton noticed her +wedding-ring, and also a handsome sapphire ring. She spoke rather +slowly and meditatively. + +"Life is so complicated; so few of the consequences of many actions of +the greatest moment can be foreseen, that the belief in the lot is not +unnatural." + +"You have some books, I see--Sir Thomas Browne." He took down the +volume. + +"Leighton! Leighton! how odd! Was it Richard Leighton?" + +"Yes." + +"Really; and you knew him?" + +"He was a friend of my brother." + +"Do you know what has become of him? He was at Cambridge with me, but +was younger." + +"I have not seen him for some time. Do you mind if I open the window a +little?" + +"Certainly not." + +She stood at the window for a moment, looking out on the garden, with +her hand on the top of the sash. The Doctor had turned his chair a +little and his eyes were fixed on her there with her uplifted arm. A +picture which belonged to his father instantly came back to him. He +recollected it so well. It represented a woman watching a young man in +a courtyard who is just mounting his horse. We are every now and then +reminded of pictures by a group, an attitude, or the arrangement of a +landscape which, thereby, acquires a new charm. + +Suddenly the shop bell rang again, and Mrs. Fairfax's little girl rushed +into the parlour. She had fallen down and cut her wrist terribly with a +piece of a bottle containing some harts-horn which she had to buy at the +druggist's on her way home from Mr. Cobb's. The blood flowed freely, +but Mrs. Fairfax, unbewildered, put her thumb firmly on the wrist just +above the wound and instructed the doctor how to use his pocket- +handkerchief as a tourniquet. As he was tying it, although such careful +attention to the operation was necessary, he noticed Mrs. Fairfax's +hands, and he almost forgot himself and the accident. + +"There is glass in the wrist," she said. "Will you kindly fetch the +surgeon? I do not like to leave." + +He went at once, and fortunately met him in his gig. + +On the third day after the mishap Dr. Midleton thought he ought to +inquire after the child. The glass had been extracted and she was doing +well. Her mother was at work in the back-parlour. She made no apology +for her occupation, but laid down her tools. + +"Pray go on, madam." + +"Certainly not. I am afraid I might make a mistake with my scissors if +I were to listen to you; or, worse, if I were to pay attention to them I +should not pay attention to you." + +He smiled. "It is an art, I should think, which requires not only much +attention but practice." + +She evaded the implied question. "It is difficult to fit, but it is +more difficult to please." + +"That is true in my own profession." + +"But you are not obliged to please." + +"No, not obliged, I am happy to say. If my parishioners do not hear the +truth I have no excuse. It must be rather trying to the temper of a +lady like yourself to humour the caprices of the vulgar." + +"No; they are my customers, and even if they are unpleasant they are so +not to me personally but to their servant, who ceases to be their +servant when she ceases to be employed upon their clothes." + +"You are a philosopher, madam; that sentiment is worthy of Epictetus." + +"I have read Epictetus in Mrs. Carter's translation." + +"You have read Epictetus? That is remarkable! I should think no other +woman in the county has read him." He leaned forward a little and his +face was lighted up. "I have a library, madam, a large library; I +should like to show it to you, if--if it can be managed without +difficulty." + +"It will give me great pleasure to see it some day. It must be a +delightful solace to you in a town like this, in which I daresay you +have but few friends. I suppose, though, you visit a good deal?" + +"No; I do not visit much. I differ from my brother Sinclair in the next +parish. He is always visiting. What is the consequence?--gossip and, +as I conceive, a loss of dignity and self-respect. I will go wherever +there is trouble or wherever I am wanted, but I will not go anywhere for +idle talk." + +"I think you are right. A priest should not make himself cheap and +common. He should be representative of sacred interests superior to the +ordinary interests of life." + +"I am grateful to you, madam, very grateful to you for these +observations. They are as just as they are unusual. I sincerely hope +that we--" But there was a knock at the door. + +"Come in." It was Mrs. Harrop. "Your bell rang, Mrs. Fairfax, but +maybe you didn't hear it as you were engaged in conversation. Good +morning, Dr. Midleton. I hope I don't intrude?" + +"No, you do not." + +He bowed to the ladies, and as he went out, the parlour-door being open, +he moved the outer door backwards and forwards. + +"It would be as well, Mrs. Fairfax, to have a bell hung there which +would act properly." + +"I don't know quite what Dr. Midleton means," said Mrs. Harrop when he +had gone. "The bell did ring, loud enough for most people to have heard +it, and I waited ever so long." + +He walked down the street with his customary firm step, and met Mr. +Bingham who stopped him, half smiling and not quite at his ease. + +"We are sorry, Doctor, you did not give Hutchings your vote for the +almshouse last Thursday; we expected you would have gone with us." + +"You expected? Why?" + +"Well, you see, sir, Hutchings has always worked hard for our side." + +"I am astonished, Mr. Bingham, that you should suppose that I will ever +consent to divert the funds of a trust for party purposes." + +Mr. Bingham, although he had just determined to give the Doctor a bit of +his mind, felt his strength depart from him. His sentences lacked power +to stand upright and fell sprawling. "No offence, Doctor, I merely +wanted you to know--not so much my own views--difficulty to keep our +friends together. Short--you know Tom Short--was saying to me he was +afraid--" + +"Pay no attention to fools. Good morning." + +The Doctor came in that night from a vestry meeting to which he went +after dinner. The clock was striking nine, the chimes played their +tune, and as the last note sounded the housekeeper and servants filed +into the study for prayers. Prayers over they rose and went out, and he +sat down. His habits were becoming fixed and for some years he had +always read in the evening the friends of his youth. No sermon was +composed then; no ecclesiastical literature was studied. Pope and Swift +were favourites and, curiously enough, Lord Byron. His case is not +uncommon, for it often happens that men who are forced into reserve or +opposition preserve a secret, youthful, poetic passion and are even kept +alive by it. On this particular evening, however, Pope, Byron, and +Swift remained on his shelves. He meditated. + +"A wedding-ring on her finger; no widow's weeds; he may nevertheless be +dead--I believe I heard he was--and she has discontinued that frightful +disfigurement. Leighton had the thickest crop of black hair I ever saw +on a man: what thick, black hair that child has! A lady; a reader of +books; nobody to be compared with her here." At this point he rose and +walked about the room for a quarter of an hour. He sat down again and +took up an important paper about the Trust. He had forgotten it and it +was to be discussed the next day. His eyes wandered over it but he paid +no attention to it; and somewhat disgusted with himself he went to bed. + +Mrs. Fairfax had happened to tell him that she was fond of walking soon +after breakfast before she opened her shop, and generally preferred the +lane on the west side of the Common. From his house the direct road to +the lane lay down the High Street, but about a fortnight after that +evening in his study he found himself one morning in Deadman's Rents, a +narrow, dirty alley which led to the east side of the Common. Deadman's +Rents was inhabited by men who worked in brickyards and coalyards, who +did odd jobs, and by washerwomen and charwomen. It contained also three +beershops. The dwellers in the Rents were much surprised to see the +Doctor amongst them at that early hour, and conjectured he must have +come on a professional errand. Every one of the Deadman ladies who was +at her door--and they were generally at their doors in the daytime-- +vigilantly watched him. He went straight through the Rents to the +Common, whereupon Mrs. Wiggins, who supported herself by the sale of +firewood, jam, pickles, and peppermints, was particularly disturbed and +was obliged to go over to the "Kicking Donkey," partly to communicate +what she had seen and partly to ward off by half a quartern of rum the +sinking which always threatened her when she was in any way agitated. +When he reached the common it struck him that for the first time in his +life he had gone a roundabout way to escape being seen. Some people +naturally take to side-streets; he, on the contrary, preferred the High +Street; it was his quarter-deck and he paraded it like a captain. "Was +he doing wrong?" he said to himself. Certainly not; he desired a little +intelligent conversation and there was no need to tell everybody what he +wanted. It was unfortunate, nevertheless, that it was necessary to go +through Deadman's Rents in order to get it. He soon saw Mrs. Fairfax +and her little girl in front of him. He overtook her, and she showed no +surprise at seeing him. + +"I have been thinking," said he, "about what you told me"--this was a +reference to an interview not recorded. "I am annoyed that Mrs. Harrop +should have been impertinent to you." + +"You need not be annoyed. The import of a word is not fixed. If +anything annoying is said to me, I always ask myself what it means--not +to me but to the speaker. Besides, as I have told you before, shop +insolence is nothing." + +"You may be justified in not resenting it, but Mrs. Harrop cannot be +excused. I am not surprised to find that she can use such language, but +I am astonished that she should use it to you. It shows an utter lack +of perception. Your Epictetus has been studied to some purpose." + +"I have quite forgotten him. I do not recollect books, but I never +forget the lessons taught me by my own trade." + +"You have had much trouble?" + +"I have had my share: probably not in excess. It is difficult for +anybody to know whether his suffering is excessive: there is no means +of measuring it with that of others." + +"Have you no friends with whom you can share it?" + +"I have known but one woman intimately, and she is now dead. I have +known two or three men whom I esteemed, but close friendship between a +woman and a man, unless he is her husband, as a rule is impossible." + +"Do you really think so?" + +"I am certain of it. I am speaking now of a friendship which would +justify a demand for sympathy with real sorrows." + +They continued their walk in silence for the next two or three minutes. + +"We are now near the end of the lane. I must turn and go back." + +"I will go with you." + +"Thank you: I should detain you: I have to make a call on business at +the White House. Good morning." + +They parted. + +Dr. Midleton presently met Mrs. Jenkins of Deadman's Rents, who was +going to the White House to do a day's washing. A few steps further he +met Mr. Harrop in his gig, who overtook Mrs. Fairfax. Thus it came to +pass that Deadman's Rents and the High Street knew before nightfall that +Dr. Midleton and Mrs. Fairfax had been seen on the Common that morning. +Mrs. Jenkins protested, that "if she was to be burnt alive with fuz- +faggits and brimstone, nothink but what she witnessed with her own eyes +should pass her lips, whatsomever she might think, and although they +were a-walkin'--him with his arm round her waist--she did NOT see him a- +kissin' of her--how could she when they were a hundred yards off?" + +The Doctor prolonged his stroll and reached home about half-past eleven. +A third of his life had been spent in Langborough. He remembered the +day he came and the unpacking of his books. They lined the walls of his +room, some of them rare, all of them his friends. Nobody in Langborough +had ever asked him to lend a single volume. The solitary scholar never +forsook his studies, but at times he sighed over them and they seemed a +little vain. They were not entirely without external effect, for Pope +and Swift in disguise often spoke to the vestry or the governors, and +the Doctor's manners even in the shops were moulded by his intercourse +with the classic dead. Their names, however, in Langborough were almost +unknown. He had now become hardened by constant unsympathetic contact. +Suddenly a stranger had appeared who was an inhabitant of his own world +and talked his own tongue. The prospect of genuine intercourse +disclosed itself. None but those who have felt it can imagine the +relief, the joyous expansion, which follow the discovery after long +years of imprisonment with decent people of a person before whom it is +unnecessary to stifle what we most care to express. No wonder he was +excited! + +But the stranger was a woman. He meditated much that morning on her +singular aptitude for reflection, but he presently began to dream over +figure, hair, eyes, hands. A picture in the most vivid colours painted +itself before him, and he could not close his eyes to it. He was +distressed to find himself the victim of this unaccustomed tyranny. He +did not know that it is impossible for a man to love a woman's soul +without loving her body. There is no such thing as a spiritual love +apart from a corporeal love, the one celestial and the other earthly, +and the spiritual love begets a passion peculiar in its intensity. He +was happily diverted by Mr. Bingham, who called about a coming contested +election for the governorships. + +Next week there was another tea-party at Mrs. Cobb's. The ladies were +in high spirits, for a subject of conversation was assured. If there +had been an inquest, or a marriage, or a highway robbery before one of +these parties, or if the contents of a will had just been made known, or +still better, if any scandal had just come to light, the guests were +always cheerful. Now, of course, the topic was Dr. Midleton and Mrs. +Fairfax. + +"When I found him in that back parlour," said Mrs. Harrop, "I thought he +wasn't there to pay the usual call. Somehow it didn't seem as if he was +like a clergyman. I felt quite queer: it came over me all of a sudden. +And then we know he's been there once or twice since." + +"I don't wonder at your feeling queer, Mrs. Harrop," quoth Mrs. Cobb. +"I'm sure I should have fainted; and what brazen boldness to walk out +together on the Common at nine o'clock in the morning. That girl who +brought in the tea--it's my belief that a young man goes after her--but +even they wouldn't demean themselves to be seen at it just after +breakfast." + +"You don't mean to say as your Deborah encourages a man, Mrs. Cobb! I +don't know what we are a-comin' to. You've always been so particular, +and she seemed so respectable. I AM sorry." + +Mrs. Cobb did not quite relish Mrs. Harrop's pity. + +"You may be sure, Mrs. Harrop, she was respectable when I took her, and +if she isn't I shan't keep her. I AM particular, more so than most +folk, and I don't mind who knows it." Mrs. Cobb threw back her cap +strings. The denial that she minded who knew it may not appear +relevant, but desiring to be spiteful she could not at the moment find a +better way of showing her spite than by declaring her indifference to +the publication of her virtues. If there was no venom in the substance +of the declaration there was much in the manner of it. Mrs. Bingham +brought back the conversation to the point. + +"I suppose you've heard what Mrs. Jenkins says? Your husband also, Mrs. +Harrop, met them both." + +"Yes he did. He was not quite in time to see as much as Mrs. Jenkins +saw, and I'm glad he didn't. I shouldn't have felt comfortable if I'd +known he had. A clergyman, too! it is shocking. A nice business, this, +for the Dissenters." + +"Well," said Mrs. Bingham, "what are we to do? I had thought of going +to her and giving her a bit of my mind, but she has got that yellow gown +to make. What is your opinion, Miss Tarrant?" + +"I would not degrade myself, Mrs. Bingham, by any expostulations with +her. I would have nothing more to do with her. Could you not relieve +her of the unfinished gown? Mrs. Swanley, I am sure, under the +circumstances would be only too happy to complete it for you." + +"Mrs. Swanley cannot come near her. I should look ridiculous in her +body and one of Swanley's skirts." + +"As to the Doctor," continued Miss Tarrant, "I wonder that he can expect +to maintain any authority in matters of religion if he marries a +dressmaker of that stamp. It would be impossible even if her character +were unimpeachable. I am astonished, if he wishes to enter into the +matrimonial state, that he does not seek some one who would be able to +support him in his position and offer him the sympathy which a man who +has had a University education might justifiably demand." + +Mrs. Sweeting had hitherto listened in silence. Miss Tarrant provoked +her. + +"It's all a fuss about nothing, that's my opinion. What has she done +that you know to be wrong? And as to the Doctor, he's got a right to +please himself. I'm surprised at you, Miss Tarrant, for YOU'VE always +stuck for him through thick and thin. As for that Mrs. Jenkins, I'll +take my Bible oath that the last time she washed for me she stunk of gin +enough to poison me, and went away with two bits of soap in her pocket. +You may credit what she says: _I_ don't, and never demean myself to +listen to her." + +The ladies came to no conclusion. Mrs. Bingham said that she had +suggested a round robin to Dr. Midleton, but that her husband decidedly +"discountenanced the proposal." Within a fortnight the election of +governors was to take place. There was always a fight at these +elections, and this year the Radicals had a strong list. The Doctor, +whose term of office had expired, was the most prominent of the Tory and +Church candidates, and never doubted his success. He was ignorant of +all the gossip about him. One day in that fortnight he might have been +seen in Ferry Street. He went into Mrs. Fairfax's shop and was invited +as before into the back parlour. + +"I have brought you a basket of pears, and the book I promised you, the +Utopia." He sat down. "I am afraid you will think my visits too +frequent." + +"They are not too frequent for me: they may be for yourself." + +"Ah! since I last entered your house I have not seen any books excepting +my own. You hardly know what life in Langborough is like." + +"Does nobody take any interest in archaeology?" + +"Nobody within five miles. Sinclair cares nothing about it: he is Low +Church, as I have told you." + +"Why does that prevent his caring about it?" + +"Being Low Church he is narrow-minded, or, perhaps it would be more +correct to say, being narrow-minded he is Low Church. He is an +indifferent scholar, and occupies himself with his religious fancies and +those of his flock. He can reign supreme there. He is not troubled in +that department by the difficulties of learning and is not exposed to +criticism or contradiction." + +"I suppose it is a fact of the greatest importance to him that he and +his parishioners have souls to be saved, and that in comparison with +that fact others are immaterial." + +"We all believe we have souls to be saved. Having set forth God's way +of saving them we have done all we ought to do. God's way is not +sufficient for Sinclair. He enlarges it out of his own head, and +instructs his silly, ignorant friends to do the same. He will not be +satisfied with what God and the Church tell him." + +"God and the Church, according to Dr. Midleton's account, have not been +very effective in Langborough." + +"They hear from me, madam, all I am commissioned to say, and if they do +not attend I cannot help it" + +"I have read your paper in the Archaeological Transactions on the +history of Langborough Abbey. It excited my imagination, which is never +excited in reading ordinary histories. In your essay I am in company +with the men who actually lived in the time of Henry the Second and +Henry the Eighth. I went over the ruins again, and found them much more +beautiful after I understood something about them." + +"Yes: exactly what I have said a hundred times: knowledge is +indispensable." + +"If you had not pointed it out, I should never have noticed the Early +English doorway in the Chapter-house, so distinct in style from the +Refectory." + +"You noticed the brackets of that doorway: you noticed the quatrefoils +in the head? The Refectory is later by three centuries, and is +exquisite, but is not equal to the Chapter-house." + +"Yes, I noticed the brackets and quatrefoils particularly. If knowledge +is not necessary in order that we may admire, its natural tendency is to +deepen our admiration. Without it we pass over so much. In my own +small way I have noticed how my slight botanical knowledge of flowers by +the mere attention involved increases my wonder at their loveliness." + +There was the usual interruption by the shop-bell. How he hated that +bell! Mrs. Fairfax answered it, closing the parlour door. The customer +was Mrs. Bingham. + +"I will not disturb you now, Mrs. Fairfax. I was going to say something +about the black trimming you recommended. I really think red would suit +me better, but, never mind, I will call again as I saw the Doctor come +in. He is rather a frequent visitor." + +"Not frequent: he comes occasionally. We are both interested in a +subject which I believe is not much studied in Langborough." + +"Dear me! not dressmaking?" + +"No, madam, archaeology." + +Mrs. Bingham went out once more discomfited, and Mrs. Fairfax returned +to the parlour. + +"I am sure I am taking up too much of your time," said the Doctor, "but +I cannot tell you what a privilege it is to spend a few minutes with a +lady like yourself." + +Mrs. Fairfax was silent for a minute. + +"Mrs. Bingham has been here, and I think I ought to tell you that she +has made some significant remarks about you. Forgive me if I suggest +that we should partially, at any rate, discontinue our intercourse. I +should be most unhappy if your friendship with me were to do you any +harm." + +The Doctor rose in a passion, planting his stick on the floor. + +"When the cackling of the geese or the braying of the asses on +Langborough Common prevent my crossing it, then, and not till then, will +my course be determined by Mrs. Bingham and her colleagues." + +He sat down again with his elbow on the arm of the chair and half +shading his eyes with his hand. His whole manner altered. Not a trace +of the rector remained in him: the decisiveness vanished from his +voice; it became musical, low, and hesitating. It was as if some angel +had touched him, and had suddenly converted all his strength into +tenderness, a transformation not impossible, for strength is tenderness +and tenderness is strength. + +"I shall be forty-nine years old next birthday," he said. "Never until +now have I been sure that I loved a woman. I was married when I was +twenty-five. I had seen two or three girls whom I thought I could love, +and at last chose one. It was the arbitrary selection of a weary will. +My wife died within two years of her marriage. After her death I was +thrown in the way of women who attracted me, but I wavered. If I made +up my mind at night, I shrank back in the morning. I thought my +irresolution was mere cowardice. It was not so. It was a warning that +the time had not come. I resolved at last that there was to be no +change in my life, that I would resign myself to my lot, expect no +affection, and do the duty blindly which had been imposed upon me. But +a miracle has been wrought, and I have a perfectly clear direction: +with you for the first time in my life I am SURE. You have known what +it is to be in a fog, unable to tell which way to turn, and all at once +the cold, wet mist was lifted, the sun came out, the fields were lighted +up, the sea revealed itself to the horizon, and your road lay straight +before you stretching over the hill. I will not shame myself by +apologies that I am no longer young. My love has remained with me. It +is a passion for you, and it is a reverence for a mind to which it will +be a perpetual joy to submit." + +"God pardon me," she said after a moment's pause, "for having drawn you +to this! I did not mean it. If you knew all you would forgive me. It +cannot, cannot be! Leave me." He hesitated. "Leave me, leave me at +once!" she cried. + +He rose, she took his right hand in both of hers: there was one look +straight into his eyes from her own which were filling with tears, a +half sob, her hands after one more grasp fell, and he found that he had +left the house. He went home. How strange it is to return to a +familiar chamber after a great event has happened! On his desk lay a +volume of Cicero's letters. The fire had not been touched and was +almost out: the door leading to the garden was open: the self of two +hours before seemed to confront him. When the tumult in him began to +subside he was struck by the groundlessness of his double assumption +that Mrs. Fairfax was Mrs. Leighton and that she was free. He had made +no inquiry. He had noticed the wedding-ring, and he had come to some +conclusion about it which was supported by no evidence. Doubtless she +could not be his: her husband was still alive. At last the hour for +which unconsciously he had been waiting had struck, and his true self, +he not having known hitherto what it was, had been declared. But it was +all for nothing. It was as if some autumn-blooming plant had put forth +on a sunny October morning the flower of the year, and had been +instantaneously blasted and cut down to the root. The plant might +revive next spring, but there could be no revival for him. There could +be nothing now before him but that same dull duty, duty to the dull, +duty without enthusiasm. He had no example for his consolation. The +Bible is the record of heroic suffering: there is no story there of a +martyrdom to monotony and life-weariness. He was a pious man, but loved +prescription and form: he loved to think of himself as a member of the +great Catholic Church and not as an isolated individual, and he found +more relief in praying the prayers which millions had before him than in +extempore effusion; humbly trusting that what he was seeking in +consecrated petitions was all that he really needed. "In proportion as +your prayers are peculiar," he once told his congregation in a course of +sermons on Dissent, "they are worthless." There was nothing, though, in +the prayer-book which met his case. He was in no danger from +temptation, nor had he trespassed. He was not in want of his daily +bread, and although he desired like all good men to see the Kingdom of +God, the advent of that celestial kingdom which had for an instant been +disclosed to him was for ever impossible. + +The servant announced Mrs. Sweeting, who was asked to come in. + +"Sit down, Mrs. Sweeting. What can I do for you?" + +"Well, sir, perhaps you may remember--and if you don't, I do--how you +helped my husband in that dreadful year 1825. I shall never forget that +act of yours, Dr. Midleton, and I'd stick up for you if Mrs. Bingham and +Mrs. Harrop and Mrs. Cobb and Miss Tarrant were to swear against you and +you a-standing in the dock. As for that Miss Tarrant, there's that a- +rankling in her that makes her worse than any of them, and if you don't +know what it is, being too modest, forgive me for saying so, I do." + +"But what's the matter, Mrs. Sweeting?" + +"Matter, sir! Why, I can hardly bring it out, seeing that I'm only the +wife of a tradesman, but one thing I will say as I ain't like the +serpent in Genesis, a-crawling about on its belly and spitting poison +and biting people by their heels." + +"You have not yet told me what is wrong." + +"Dr. Midleton, you shall have it, but recollect I come here as your +friend: leastways I hope you'll forgive me if I call myself so, for if +you were ill and you were to hold up your finger for me not another soul +should come near you night nor day till you were well again or it had +pleased God Almighty to take you to Himself. Dr. Midleton, there's a +conspiracy." + +"A what?" + +"A conspiracy: that's right, I believe. You are acquainted with Mrs. +Fairfax. To make a long and a short of it, they say you are always +going there, more than you ought, leastways unless you mean to marry +her, and that she's only a dressmaker, and nobody knows where she comes +from, and they ain't open and free: they won't come and tell you +themselves; but you'll be turned out at the election the day after to- +morrow." + +"But what do you say yourself?" + +"Me, Dr. Midleton? Why, I've spoke up pretty plainly. I told Mrs. Cobb +it would be a good thing if you were married, provided you wouldn't be +trod upon as some people's husbands are, and I was pretty well sure you +never would be, and that you knew a lady when you saw her better than +most folk; and as for her being a dressmaker what's that got to do with +it?" + +"You are too well acquainted with me, Mrs. Sweeting, to suppose I should +condescend to notice this contemptible stuff or alter my course to +please all Langborough. Why did you take the trouble to report it to +me?" + +"Because, sir, I wouldn't for the world you should think I was mixed up +with them; and if my husband doesn't vote for you my name isn't +Sweeting." + +"I am much obliged to you. I see your motives: you are straightforward +and I respect you." + +Mrs. Sweeting thanked him and departed. His first feeling was wrath. +Never was there a man less likely to be cowed. He put on his hat and +walked to his committee-room, where he found Mr. Bingham. + +"No doubt, I suppose, Mr. Bingham?" + +"Don't know, Doctor; the Radicals have got a strong candidate in Jem +Casey. Some of our people will turn, I'm afraid, and split their +votes." + +"Split votes! with a fellow like that! How can there be any splitting +between an honest man and a rascal?" + +"There shouldn't be, sir, but--" Mr. Bingham hesitated--"I suppose there +may be personal considerations." + +"Personal considerations! what do you mean? Let us have no more of +these Langborough tricks. Out with it, Bingham! Who are the persons +and what are the considerations?" + +"I really can't say, Doctor, but perhaps you may not be as popular as +you were. You've--" but Mr. Bingham's strength again completely failed +him, and he took a sudden turn--"You've taken a decided line lately at +several of our meetings." + +The Doctor looked steadily at Mr. Bingham, who felt that every corner of +his pitiful soul was visible. + +"The line I have taken you have generally supported. That is not what +you mean. If I am defeated I shall be defeated by equivocating +cowardice, and I shall consider myself honoured." + +The Doctor strode out of the room. He knew now that he was the common +property of the town, and that every tongue was wagging about him and a +woman, but he was defiant. The next morning he saw painted in white +paint on his own wall - + + +"My dearly beloved, for all you're so bold, +To-morrow you'll find you're left out in the cold; +And, Doctor, the reason you need not to ax, +It's because of a dressmaker--Mrs. F---fax." + + +He was going out just as the gardener was about to obliterate the +inscription. + +"Leave it, Robert, leave it; let the filthy scoundrels perpetuate their +own disgrace." + +The result of the election was curious. Two of the Church candidates +were returned at the top of the poll. Jem Casey came next. Dr. +Midleton and the other two Radical and Dissenting candidates were +defeated. There were between seventy and eighty plumpers for the two +successful Churchmen, and about five-and-twenty split votes for them and +Casey, who had distinguished himself by his coarse attacks on the +Doctor. Mr. Bingham had a bad cold, and did not vote. On the following +Sunday the church was fuller than usual. The Doctor preached on behalf +of the Society for the Propagation of the Gospel. He did not allude +directly to any of the events of the preceding week, but at the close of +his sermon he said--"It has been frequently objected that we ought not +to spend money on missions to the heathen abroad as there is such a +field of labour at home. The answer to that objection is that there is +more hope of the heathen than of many of our countrymen. This has been +a nominally Christian land for centuries, but even now many deadly sins +are not considered sinful, and it is an easier task to save the savage +than to convince those, for example, whose tongue, to use the words of +the apostle, is set on fire of hell, that they are in danger of +damnation. I hope, therefore, my brethren, that you will give +liberally." + +On Monday Langborough was amazed to find Mrs. Fairfax's shop closed. +She had left the town. She had taken a post-chaise on Saturday and had +met the up-mail at Thaxton cross-roads. Her scanty furniture had +disappeared. The carrier could but inform Langborough that he had +orders to deliver her goods at Great Ormond Street whence he brought +them. Mrs. Bingham went to London shortly afterwards and called at +Great Ormond Street to inquire for Mrs. Fairfax. Nobody of that name +lived there, and the door was somewhat abruptly shut in her face. She +came back convinced that Mrs. Fairfax was what Mrs. Cobb called "a bad +lot." + +"Do you believe," said she, "that a woman who gives a false name can be +respectable? We want no further proof." + +Nobody wanted further proof. No Langborough lady needed any proof if a +reputation was to be blasted. + +"It's an alibi," said Mrs. Harrop. "That's what Tom Cranch the poacher +did, and he was hung." + +"An alias, I believe, is the correct term," said Miss Tarrant. "It +means the assumption of a name which is not your own, a most +discreditable device, one to which actresses and women to whose +occupation I can only allude, uniformly resort. How thankful we ought +to be that our respected Rector's eyes must now be opened and that he +has escaped the snare! It was impossible that he could be permanently +attracted by vice and vulgarity. It is singular how much more acute a +woman's perception often is than a man's. I saw through this creature +at once." + + +Eighteen months passed. The doctor one day was unpacking a book he had +bought at Peterborough. Inside the brown paper was a copy of the +Stamford Mercury, a journal which had a wide circulation in the +Midlands. He generally read it, but he must have omitted to see this +number. His eye fell on the following announcement--"On the 24th June +last, Richard Leighton, aged 44 years." The notice was late, for the +date of the paper was the 18th November. The next afternoon he was in +London. He had been to Great Ormond Street before and had inquired for +Mrs. Fairfax, but could find no trace of her. He now called again. + +"You will remember," he said, "my inquiry about Mrs. Fairfax: can you +tell me anything about Mrs. Leighton?" He put his hand in his pocket +and pulled out five shillings. + +"She isn't here: she went away when her husband died." + +"He died abroad?" + +"Yes." + +"Where has she gone?" + +"Don't know quite: her friends wouldn't have anything to do with her. +She said she was going to Plymouth. She had heard of something in the +dressmaking line there." + +He handed over his five shillings, procured a substitute for next +Sunday, and went to Plymouth. He wandered through the streets but could +see no dressmaker's shop which looked as if it had recently changed +hands. He walked backwards and forwards on the Hoe in the evening: the +Eddystone light glimmered far away on the horizon; and the dim hope +arose in him that it might be a prophecy of success, but his hope was +vain. It came into his mind that it was not likely that she would be +there after dusk, and he remembered her preference for early exercise. +The first morning was a failure, but on the second--it was sunny and +warm--he saw her sitting on a bench facing the sea. He went up +unobserved and sat down. She did not turn towards him till he said +"Mrs. Leighton!" She started and recognised him. Little was spoken as +they walked home to her lodgings, a small private house. On her way she +called at a large shop where she was employed and obtained leave of +absence until after dinner. + +"At last!" said the doctor when the door was shut. + +She stood gazing in silence at the dull red cinder of the dying fire. + +"You put the advertisement in the Stamford Mercury?" he said. + +"Yes." + +"I did not see it until a day or two ago." + +"I had better tell you at once. My husband, whom you knew, was +convicted of forgery, and died at Botany Bay." Her eyes still watched +the red cinders. + +The Doctor's countenance showed no surprise, for no news could have had +any power over the emotion which mastered him. The long, slow years +were fulfilled. Long and slow and the fulfilment late, but the joy it +brought was the greater. Youthful passion is sweet, but it is not +sweeter than the discovery when we begin to count the years which are +left to us, and to fear there will be nothing in them better than in +those which preceded them that for us also love is reserved. + +Mrs. Leighton was obliged to go back to her work in the afternoon, but +she gave notice that night to leave in a week. + +In a couple of months Langborough was astounded at the news of the +Rector's marriage with a Mrs. Leighton whom nobody in Langborough knew. +The advertisement in the Stamford Mercury said that the lady was the +widow of Richard Leighton, Esq., and eldest daughter of the late +Marmaduke Sutton, Esq. Langborough spared no pains to discover who she +was. Mrs. Bingham found out that the Suttons were a Devonshire family, +and she ascertained from an Exeter friend that Mr. Marmaduke Sutton was +the son of an Honourable, and that Mrs. Leighton was consequently a +high-born lady. She had married as her first husband a man who had done +well at Cambridge, but who took to gambling and drink, and treated her +with such brutality that they separated. At last he forged a signature +and was transported. What became of his wife afterwards was not known. +Langborough was not only greatly moved by this intelligence, but was +much perplexed. Miss Tarrant's estimate of the Doctor was once more +reversed. She was decidedly of opinion that the marriage was a scandal. +A woman who had consented to link herself with such a reprobate as the +convict must have been from the beginning could not herself have +possessed any reputation. Living apart, too, was next door to divorce, +and who could associate with a creature who had been divorced? No doubt +she was physically seductive, and the doctor had fallen a victim to her +snares. Miss Tarrant, if she had not known so well what men are, would +never have dreamed that Dr. Midleton, a scholar and a divine, could +surrender to corporeal attractions. She declared that she could no +longer expect any profit from his ministrations, and that she should +leave the parish. Miss Tarrant's friends, however, did not go quite so +far, and Mrs. Harrop confessed to Mrs. Cobb that "she for one wouldn't +lay it down like Medes and Persians, that we should have nothing to do +with a woman because her husband had made a fool of himself. I'm not a +Mede nor a Persian, Mrs. Cobb. I say let us wait and see what she is +like." + +Mrs. Bingham was of the same mind. She dwelt much to herself on the +fact that Mrs. Midleton's great-grandfather must have been a lord. She +secretly hoped that as a wine merchant's wife she might obtain admission +into a "sphere," as she called it, from which the other ladies in the +town might be excluded. Mrs. Bingham already foretasted the bliss of an +invitation to the rectory to meet Lady Caroline from Thaxton Manor; she +already foretasted the greater bliss of not meeting her intimate friends +there, and that most exquisite conceivable bliss of telling them +afterwards all about the party. + +Mrs. Midleton and her husband returned on a Saturday afternoon. The +road from Thaxton cross-roads did not lie through the town: the +carriage was closed and nobody saw her. When they came to the rectory +the Doctor pointed to the verse in white paint on the wall, "It shall be +taken out," he said, "before to-morrow morning: to-morrow is Sunday." +He was expected to preach on that day and the church was crammed a +quarter of an hour before the service began. At five minutes to eleven +a lady and child entered and walked to the rector's pew. The +congregation was stupefied with amazement. Mouths were agape, a hum of +exclamations arose, and people on the further side of the church stood +up. + +It was Mrs. Fairfax! Nobody had conjectured that she and Mrs. Leighton +were the same person. It was unimaginable that a dressmaker should have +had near ancestors in the peerage. It was more than a year and a half +since she left the town. Mrs. Carter was able to say that not a single +letter had been addressed to her, and she was almost forgotten. + +A few days afterwards Mrs. Sweeting had a little note requesting her to +take tea with the Rector and his wife. Nobody was asked to meet her. +Mrs. Bingham had called the day before, and had been extremely +apologetic. + +"I am afraid, Mrs. Midleton, you must have thought me sometimes very +rude to you." + +To which Mrs. Midleton replied graciously, "I am sure if you had been it +would have been quite excusable." + +"Extremely kind of you to say so, Mrs. Midleton." + +Mrs. Cobb also called. "I'll just let her see," said Mrs. Cobb to +herself; and she put on a gown which Mrs. Midleton as Mrs. Fairfax had +made for her. + +"You'll remember this gown, Mrs. Midleton?" + +"Perfectly well. It is not quite a fit on the shoulders. If you will +let me have it back again it will give me great pleasure to alter it for +you." + +By degrees, however, Mrs. Midleton came to be loved by many people in +Langborough. Mr. Sweeting not long afterwards died in debt, and Mrs. +Sweeting, the old housekeeper being also dead, was taken into the +rectory as her successor, and became Mrs. Midleton's trusted friend. + + + +Footnotes: + +{10} Since 1868 the Reminiscences and his Life have been published +which put this estimate of him beyond all doubt. It is much to be +regretted that a certain theory, a certain irresistible tendency to +arrange facts so as to prove preconceived notions, a tendency more +dangerous and unhistorical even than direct suppression of the truth or +invention of what is not true, should have ruined Carlyle's biography. +Professor Norton's edition of the Reminiscences should be compared with +Mr. Froude's. + +{34a} Ethic pt. 1, def. 3. + +{34b} Ibid., pt. 1, def. 6. + +{34c} Ibid., pt. 1, prop. 11. + +{36} Ethic, pt. 2, prop. 47. + +{37a} Letter 56 (Van Vloten and Land's ed.). + +{37b} Ethic, pt. 1, coroll. prop. 25. + +{37c} Ibid., pt. 5, prop. 24. + +{37d} Ibid., pt. 1, schol. to prop. 17. + +{38} Ethic, pt. 1, schol. to prop. 17. + +{39} Ethic, pt. 2, prop. 13. + +{40a} Ethic, pt. 1, coroll. 1, prop. 32. + +{40b} Ibid., pt. 1, prop. 33. + +{40c} Letter 56 + +{41a} Letter 21. + +{41b} Letter 58. + +{42a} Ethic, pt. 2, schol. prop. 49. + +{42b} Ibid., pt. 4, coroll. prop. 63. + +{43a} Ethic, pt. 5, or pp. 42. + +{43b} "Agis being asked on a time how a man might continue free all his +life; he answered, 'By despising death.'" (Plutarch's "Morals." +Laconic Apophthegms.) + +{43c} Ethic, pt. 5, schol. prop. 4. + +{44a} Ethic, pt. 4, coroll. prop. 64. + +{44b} Ibid., pt. 4, schol. prop. 66. + +{44c} Ibid., pt. 4, schol. prop. 50. + +{45a} Ethic, pt. 4, prop. 46 and schol. + +{45b} Ibid., pt. 3, schol. prop. 11. + +{46} Ethic, pt. 4, schol. prop. 45. + +{47} Ethic, pt. 5, props. 14-20. + +{50} Short Treatise, pt. 2, chap. 22. + +{52} Ethic, pt. 1, Appendix. + +{54} Ethic, pt. 2, schol. 2, prop. 40. + +{55a} Ethic, pt. 5, coroll. prop. 34. + +{55b} Ibid., pt. 5, prop. 36. + +{55c} Ibid., pt. 5, prop. 36, coroll. + +{56a} Ethic, pt. 5, prop. 38. + +{56b} Short Treatise, pt. 2, chap. 23. + +{57a} Aristotle's Psychology (Wallace's translation), p. 161. + +{57b} Rabelais, Pantagruel, book 4, chap. 27. + +{101} Hazlitt. + +{103} Italics mine.--M. R. + +{104a} Italics mine.--M. R. + +{104b} Italics mine.--M. R. + +{133} Poetry of Byron chosen and arranged by Matthew Arnold--1881. + +{143} "Adah.--Peace be with him (Abel). +Cain.--But with ME!" + +{180} My aunt Eleanor was thought to be a bit of a pagan by the +evangelical part of our family. My mother when speaking of her to me +used to say, "Your heathen aunt." She was well-educated, but the better +part of her education she received abroad after her engagement, which +took place when she was eighteen years old. She was the only member of +our family in the upper middle class. Her husband was Thomas Charteris, +junior partner in a bank. + + + + +*** END OF THE PROJECT GUTENBERG EBOOK, PAGES FROM A JOURNAL *** + +This file should be named pgjr10.txt or pgjr10.zip +Corrected EDITIONS of our eBooks get a new NUMBER, pgjr11.txt +VERSIONS based on separate sources get new LETTER, pgjr10a.txt + +Project Gutenberg eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the US +unless a copyright notice is included. Thus, we usually do not +keep eBooks in compliance with any particular paper edition. + +We are now trying to release all our eBooks one year in advance +of the official release dates, leaving time for better editing. +Please be encouraged to tell us about any error or corrections, +even years after the official publication date. + +Please note neither this listing nor its contents are final til +midnight of the last day of the month of any such announcement. +The official release date of all Project Gutenberg eBooks is at +Midnight, Central Time, of the last day of the stated month. A +preliminary version may often be posted for suggestion, comment +and editing by those who wish to do so. + +Most people start at our Web sites at: +http://gutenberg.net or +http://promo.net/pg + +These Web sites include award-winning information about Project +Gutenberg, including how to donate, how to help produce our new +eBooks, and how to subscribe to our email newsletter (free!). + + +Those of you who want to download any eBook before announcement +can get to them as follows, and just download by date. This is +also a good way to get them instantly upon announcement, as the +indexes our cataloguers produce obviously take a while after an +announcement goes out in the Project Gutenberg Newsletter. + +http://www.ibiblio.org/gutenberg/etext04 or +ftp://ftp.ibiblio.org/pub/docs/books/gutenberg/etext04 + +Or /etext03, 02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90 + +Just search by the first five letters of the filename you want, +as it appears in our Newsletters. + + +Information about Project Gutenberg (one page) + +We produce about two million dollars for each hour we work. The +time it takes us, a rather conservative estimate, is fifty hours +to get any eBook selected, entered, proofread, edited, copyright +searched and analyzed, the copyright letters written, etc. Our +projected audience is one hundred million readers. If the value +per text is nominally estimated at one dollar then we produce $2 +million dollars per hour in 2002 as we release over 100 new text +files per month: 1240 more eBooks in 2001 for a total of 4000+ +We are already on our way to trying for 2000 more eBooks in 2002 +If they reach just 1-2% of the world's population then the total +will reach over half a trillion eBooks given away by year's end. + +The Goal of Project Gutenberg is to Give Away 1 Trillion eBooks! +This is ten thousand titles each to one hundred million readers, +which is only about 4% of the present number of computer users. + +Here is the briefest record of our progress (* means estimated): + +eBooks Year Month + + 1 1971 July + 10 1991 January + 100 1994 January + 1000 1997 August + 1500 1998 October + 2000 1999 December + 2500 2000 December + 3000 2001 November + 4000 2001 October/November + 6000 2002 December* + 9000 2003 November* +10000 2004 January* + + +The Project Gutenberg Literary Archive Foundation has been created +to secure a future for Project Gutenberg into the next millennium. + +We need your donations more than ever! + +As of February, 2002, contributions are being solicited from people +and organizations in: Alabama, Alaska, Arkansas, Connecticut, +Delaware, District of Columbia, Florida, Georgia, Hawaii, Illinois, +Indiana, Iowa, Kansas, Kentucky, Louisiana, Maine, Massachusetts, +Michigan, Mississippi, Missouri, Montana, Nebraska, Nevada, New +Hampshire, New Jersey, New Mexico, New York, North Carolina, Ohio, +Oklahoma, Oregon, Pennsylvania, Rhode Island, South Carolina, South +Dakota, Tennessee, Texas, Utah, Vermont, Virginia, Washington, West +Virginia, Wisconsin, and Wyoming. + +We have filed in all 50 states now, but these are the only ones +that have responded. + +As the requirements for other states are met, additions to this list +will be made and fund raising will begin in the additional states. +Please feel free to ask to check the status of your state. + +In answer to various questions we have received on this: + +We are constantly working on finishing the paperwork to legally +request donations in all 50 states. If your state is not listed and +you would like to know if we have added it since the list you have, +just ask. + +While we cannot solicit donations from people in states where we are +not yet registered, we know of no prohibition against accepting +donations from donors in these states who approach us with an offer to +donate. + +International donations are accepted, but we don't know ANYTHING about +how to make them tax-deductible, or even if they CAN be made +deductible, and don't have the staff to handle it even if there are +ways. + +Donations by check or money order may be sent to: + +Project Gutenberg Literary Archive Foundation +PMB 113 +1739 University Ave. +Oxford, MS 38655-4109 + +Contact us if you want to arrange for a wire transfer or payment +method other than by check or money order. + +The Project Gutenberg Literary Archive Foundation has been approved by +the US Internal Revenue Service as a 501(c)(3) organization with EIN +[Employee Identification Number] 64-622154. Donations are +tax-deductible to the maximum extent permitted by law. As fund-raising +requirements for other states are met, additions to this list will be +made and fund-raising will begin in the additional states. + +We need your donations more than ever! + +You can get up to date donation information online at: + +http://www.gutenberg.net/donation.html + + +*** + +If you can't reach Project Gutenberg, +you can always email directly to: + +Michael S. Hart <hart@pobox.com> + +Prof. Hart will answer or forward your message. + +We would prefer to send you information by email. + + +**The Legal Small Print** + + +(Three Pages) + +***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN EBOOKS**START*** +Why is this "Small Print!" statement here? You know: lawyers. +They tell us you might sue us if there is something wrong with +your copy of this eBook, even if you got it for free from +someone other than us, and even if what's wrong is not our +fault. So, among other things, this "Small Print!" statement +disclaims most of our liability to you. It also tells you how +you may distribute copies of this eBook if you want to. + +*BEFORE!* YOU USE OR READ THIS EBOOK +By using or reading any part of this PROJECT GUTENBERG-tm +eBook, you indicate that you understand, agree to and accept +this "Small Print!" statement. If you do not, you can receive +a refund of the money (if any) you paid for this eBook by +sending a request within 30 days of receiving it to the person +you got it from. If you received this eBook on a physical +medium (such as a disk), you must return it with your request. + +ABOUT PROJECT GUTENBERG-TM EBOOKS +This PROJECT GUTENBERG-tm eBook, like most PROJECT GUTENBERG-tm eBooks, +is a "public domain" work distributed by Professor Michael S. Hart +through the Project Gutenberg Association (the "Project"). +Among other things, this means that no one owns a United States copyright +on or for this work, so the Project (and you!) can copy and +distribute it in the United States without permission and +without paying copyright royalties. Special rules, set forth +below, apply if you wish to copy and distribute this eBook +under the "PROJECT GUTENBERG" trademark. + +Please do not use the "PROJECT GUTENBERG" trademark to market +any commercial products without permission. + +To create these eBooks, the Project expends considerable +efforts to identify, transcribe and proofread public domain +works. Despite these efforts, the Project's eBooks and any +medium they may be on may contain "Defects". Among other +things, Defects may take the form of incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other +intellectual property infringement, a defective or damaged +disk or other eBook medium, a computer virus, or computer +codes that damage or cannot be read by your equipment. + +LIMITED WARRANTY; DISCLAIMER OF DAMAGES +But for the "Right of Replacement or Refund" described below, +[1] Michael Hart and the Foundation (and any other party you may +receive this eBook from as a PROJECT GUTENBERG-tm eBook) disclaims +all liability to you for damages, costs and expenses, including +legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR +UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT, +INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE +OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE +POSSIBILITY OF SUCH DAMAGES. + +If you discover a Defect in this eBook within 90 days of +receiving it, you can receive a refund of the money (if any) +you paid for it by sending an explanatory note within that +time to the person you received it from. If you received it +on a physical medium, you must return it with your note, and +such person may choose to alternatively give you a replacement +copy. If you received it electronically, such person may +choose to alternatively give you a second opportunity to +receive it electronically. + +THIS EBOOK IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS +TO THE EBOOK OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT +LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A +PARTICULAR PURPOSE. + +Some states do not allow disclaimers of implied warranties or +the exclusion or limitation of consequential damages, so the +above disclaimers and exclusions may not apply to you, and you +may have other legal rights. + +INDEMNITY +You will indemnify and hold Michael Hart, the Foundation, +and its trustees and agents, and any volunteers associated +with the production and distribution of Project Gutenberg-tm +texts harmless, from all liability, cost and expense, including +legal fees, that arise directly or indirectly from any of the +following that you do or cause: [1] distribution of this eBook, +[2] alteration, modification, or addition to the eBook, +or [3] any Defect. + +DISTRIBUTION UNDER "PROJECT GUTENBERG-tm" +You may distribute copies of this eBook electronically, or by +disk, book or any other medium if you either delete this +"Small Print!" and all other references to Project Gutenberg, +or: + +[1] Only give exact copies of it. Among other things, this + requires that you do not remove, alter or modify the + eBook or this "small print!" statement. You may however, + if you wish, distribute this eBook in machine readable + binary, compressed, mark-up, or proprietary form, + including any form resulting from conversion by word + processing or hypertext software, but only so long as + *EITHER*: + + [*] The eBook, when displayed, is clearly readable, and + does *not* contain characters other than those + intended by the author of the work, although tilde + (~), asterisk (*) and underline (_) characters may + be used to convey punctuation intended by the + author, and additional characters may be used to + indicate hypertext links; OR + + [*] The eBook may be readily converted by the reader at + no expense into plain ASCII, EBCDIC or equivalent + form by the program that displays the eBook (as is + the case, for instance, with most word processors); + OR + + [*] You provide, or agree to also provide on request at + no additional cost, fee or expense, a copy of the + eBook in its original plain ASCII form (or in EBCDIC + or other equivalent proprietary form). + +[2] Honor the eBook refund and replacement provisions of this + "Small Print!" statement. + +[3] Pay a trademark license fee to the Foundation of 20% of the + gross profits you derive calculated using the method you + already use to calculate your applicable taxes. If you + don't derive profits, no royalty is due. Royalties are + payable to "Project Gutenberg Literary Archive Foundation" + the 60 days following each date you prepare (or were + legally required to prepare) your annual (or equivalent + periodic) tax return. Please contact us beforehand to + let us know your plans and to work out the details. + +WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO? +Project Gutenberg is dedicated to increasing the number of +public domain and licensed works that can be freely distributed +in machine readable form. + +The Project gratefully accepts contributions of money, time, +public domain materials, or royalty free copyright licenses. +Money should be paid to the: +"Project Gutenberg Literary Archive Foundation." + +If you are interested in contributing scanning equipment or +software or other items, please contact Michael Hart at: +hart@pobox.com + +[Portions of this eBook's header and trailer may be reprinted only +when distributed free of all fees. Copyright (C) 2001, 2002 by +Michael S. Hart. Project Gutenberg is a TradeMark and may not be +used in any sales of Project Gutenberg eBooks or other materials be +they hardware or software or any other related product without +express permission.] + +*END THE SMALL PRINT! FOR PUBLIC DOMAIN EBOOKS*Ver.02/11/02*END* + diff --git a/old/pgjr10.zip b/old/pgjr10.zip Binary files differnew file mode 100644 index 0000000..52a4f50 --- /dev/null +++ b/old/pgjr10.zip diff --git a/old/pgjr10h.htm b/old/pgjr10h.htm new file mode 100644 index 0000000..80b1fa8 --- /dev/null +++ b/old/pgjr10h.htm @@ -0,0 +1,5318 @@ +<!DOCTYPE html + PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" + "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> +<html> +<head> +<meta http-equiv="Content-Type" content="text/html; charset=US-ASCII" /> +<title>Pages from a Journal with Other Papers</title> +</head> +<body> +<h2> +<a href="#startoftext">Pages from a Journal with Other Papers, by Mark Rutherford</a> +</h2> +<pre> +The Project Gutenberg EBook of Pages from a Journal with Other Papers +by Mark Rutherford + +Copyright laws are changing all over the world. Be sure to check the +copyright laws for your country before downloading or redistributing +this or any other Project Gutenberg eBook. + +This header should be the first thing seen when viewing this Project +Gutenberg file. Please do not remove it. Do not change or edit the +header without written permission. + +Please read the "legal small print," and other information about the +eBook and Project Gutenberg at the bottom of this file. Included is +important information about your specific rights and restrictions in +how the file may be used. You can also find out about how to make a +donation to Project Gutenberg, and how to get involved. + + +**Welcome To The World of Free Plain Vanilla Electronic Texts** + +**eBooks Readable By Both Humans and By Computers, Since 1971** + +*****These eBooks Were Prepared By Thousands of Volunteers!***** + + +Title: Pages from a Journal with Other Papers + +Author: Mark Rutherford + +Release Date: December, 2004 [EBook #7053] +[This file was first posted on March 2, 2003] + +Edition: 10 + +Language: English + +Character set encoding: ASCII +</pre> +<p><a name="startoftext"></a></p> +<p>Transcribed from the 1901 T. Fisher Unwin edition by David Price, +email ccx074@coventry.ac.uk</p> +<div class="GutenbergBlankLines3"><br /><br /><br /></div> +<h1>PAGES FROM A JOURNAL, WITH OTHER PAPERS.</h1> +<div class="GutenbergBlankLines3"><br /><br /><br /></div> +<p>Contents:<br /> A Visit to Carlyle in 1868<br /> Early +Morning in January<br /> March<br /> June<br /> August<br /> The +End of October<br /> November<br /> The +Break-up of a Great Drought<br /> Spinoza<br /> Supplementary +Note on the Devil<br /> Injustice<br /> Time +Settles Controversies<br /> Talking about our Troubles<br /> Faith<br /> Patience<br /> An +Apology<br /> Belief, Unbelief, and Superstition<br /> Judas +Iscariot<br /> Sir Walter Scott's Use of the Supernatural<br /> September, +1798<br /> Some Notes on Milton<br /> The +Morality of Byron's Poetry. "The Corsair"<br /> Byron, +Goethe, and Mr. Matthew Arnold<br /> A Sacrifice<br /> The +Aged Three<br /> Conscience<br /> The +Governess's Story<br /> James Forbes<br /> Atonement<br /> My +Aunt Eleanor<br /> Correspondence between George, Lucy, +M.A., and Hermione Russell, B.A.<br /> Mrs. Fairfax</p> +<div class="GutenbergBlankLines2"><br /><br /></div> +<h2>A VISIT TO CARLYLE IN 1868</h2> +<div class="GutenbergBlankLines2"><br /><br /></div> +<p>On Saturday, the 22nd of March, 1868, my father and I called on Carlyle +at 5, Cheyne Row, Chelsea, with a message from one of his intimate friends.</p> +<p>We were asked upstairs at once, and found Carlyle at breakfast. +The room was large, well-lighted, a bright fire was burning, and the +window was open in order to secure complete ventilation. Opposite +the fireplace was a picture of Frederick the Great and his sister. +There were also other pictures which I had not time to examine. +One of them Carlyle pointed out. It was a portrait of the Elector +of Saxony who assisted Luther. The letters V.D.M.I.Æ. +(“Verbum Dei Manet in Æternum”) were round it. +Everything in the room was in exact order, there was no dust or confusion, +and the books on the shelves were arranged in perfect <i>evenness</i>. +I noticed that when Carlyle replaced a book he took pains to get it +level with the others. The furniture was solid, neat, and I should +think expensive. I showed him the letter he had written to me +eighteen years ago. It has been published by Mr. Froude, but it +will bear reprinting. The circumstances under which it was written, +not stated by Mr. Froude, were these. In 1850, when the Latter-day +Pamphlets appeared - how well I remember the eager journey to the bookseller +for each successive number! - almost all the reviews united in a howl +of execration, criticism so called. I, being young, and owing +so much to Carlyle, wrote to him, the first and almost the only time +I ever did anything of the kind, assuring him that there was at least +one person who believed in him. This was his answer:-</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>“CHELSEA, <i>9th March</i>, 1850.</p> +<p>“MY GOOD YOUNG FRIEND, - I am much obliged by the regard you +entertain for me; and do not blame your enthusiasm, which well enough +beseems your young years. If my books teach you anything, don’t +mind in the least whether other people believe it or not; but do you +for your own behoof lay it to heart as a real acquisition you have made, +more properly, as a real message left with you, which <i>you</i> must +set about fulfilling, whatsoever others do! This is really all +the counsel I can give you about what you read in my books or those +of others: <i>practise</i> what you learn there; instantly and in all +ways begin turning the belief into a fact, and continue at that - till +you get more and ever more beliefs, with which also do the like. +It is idle work otherwise to write books or to read them.</p> +<p>“And be not surprised that ‘people have no sympathy with +you’; that is an accompaniment that will attend you all your days +if you mean to lead an earnest life. The ‘people’ +could not save you with their ‘sympathy’ if they had never +so much of it to give; a man can and must save himself, with or without +their sympathy, as it may chance.</p> +<p>“And may all good be with you, my kind young friend, and a +heart stout enough for this adventure you are upon; that is the best +‘good’ of all.</p> +<p>“I remain, yours very sincerely,</p> +<p>“T. CARLYLE.”</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>Carlyle had forgotten this letter, but said, “It is undoubtedly +mine. It is what I have always believed . . . it has been so ever +since I was at college. I do not mean to say I was not loved there +as warmly by noble friends as ever man could be, but the world tumbled +on me, and has ever since then been tumbling on me rubbish, huge wagon-loads +of rubbish, thinking to smother me, and was surprised it did not smother +me - turned round with amazement and said, ‘What, you alive yet?’ +. . . While I was writing my <i>Frederick</i> my best friends, out of +delicacy, did not call. Those who came were those I did not want +to come, and I saw very few of them. I shook off everything to +right and left. At last the work would have killed me, and I was +obliged to take to riding, chiefly in the dark, about fourteen miles +most days, plunging and floundering on. I ought to have been younger +to have undertaken such a task. If they were to offer me all Prussia, +all the solar system, I would not write <i>Frederick</i> again. +No bribe from God or man would tempt me to do it.”</p> +<p>He was re-reading his <i>Frederick</i>, to correct it for the stereotyped +edition. “On the whole I think it is very well done. +No man perhaps in England could have done it better. If you write +a book though now, you must just pitch it out of window and say, ‘Ho! +all you jackasses, come and trample on it and trample it into mud, or +go on till you are tired.’” He laughed heartily at +this explosion. His laughter struck me - humour controlling his +wrath and in a sense <i>above</i> it, as if the final word were by no +means hatred or contempt, even for the jackass. “ . . . +No piece of news of late years has gladdened me like the victory of +the Prussians over the Austrians. It was the triumph of Prussian +over French and Napoleonic influence. The Prussians were a valiant, +pious people, and it was a question which should have the most power +in Germany, they or Napoleon. The French are sunk in all kinds +of filth. Compare what the Prussians did with what we did in the +Crimea. The English people are an incredible people. They +seem to think that it is not necessary that a general should have the +least knowledge of the art of war. It is as if you had the stone, +and should cry out to any travelling tinker or blacksmith and say, ‘Here, +come here and cut me for the stone,’ and he <i>would</i> cut you! +Sir Charles Napier would have been a great general if he had had the +opportunity. He was much delighted with Frederick. ‘Frederick +was a most extraordinary general,’ said Sir Charles, and on examination +I found out that all that Sir Charles had read of Frederick was a manual +for Prussian officers, published by him about 1760, telling them what +to do on particular occasions. I was very pleased at this admiration +of Frederick by Sir Charles . . .</p> +<p>“Sir John Bowring was one of your model men; men who go about +imagining themselves the models of all virtues, and they are models +of something very different. He was one of your patriots, and +the Government to quiet him sent him out to China. When he got +there he went to war with a third of the human race! He, the patriot, +he who believed in the greatest-happiness principle, immediately went +to war with a third of the human race!” (Great laughter +from T.C.) “And so far as I can make out he was all wrong.</p> +<p>“The <i>Frederick</i> is being translated into German. +It is being done by a man whose name I have forgotten, but it was begun +by one of the most faithful friends I ever had, Neuberg. I could +not work in the rooms in the offices where lay the State papers I wanted +to use, it brought on such a headache, but Neuberg went there, and for +six months worked all day copying. He was taken ill, and a surgical +operation was badly performed, and then in that wild, black weather +at the beginning of last year, just after I came back from Mentone, +the news came to me one night he was dead.”</p> +<p>On leaving Carlyle shook hands with us both and said he was glad +to have seen us. “It was pleasant to have friends coming +out of the dark in this way.”</p> +<p>Perhaps a reflection or two which occurred to me after this interview +may not be out of place. Carlyle was perfectly frank, even to +us of whom he knew but little. He did not stand off or refuse +to talk on any but commonplace subjects. What was offered to us +was his best. And yet there is to be found in him a singular reserve, +and those shallow persons who taunt him with inconsistency because he +makes so much of silence, and yet talks so much, understand little or +nothing of him. In half a dozen pages one man may be guilty of +shameless garrulity, and another may be nobly reticent throughout a +dozen volumes. Carlyle feels the contradictions of the universe +as keenly as any man can feel them. He knows how easy it is to +appear profound by putting anew the riddles which nobody can answer; +he knows how strong is the temptation towards the insoluble. But +upon these subjects he also knows how to hold his tongue; he does not +shriek in the streets, but he bows his head. He has found no answer +- he no more than the feeblest of us, and yet in his inmost soul there +is a shrine, and he worships.</p> +<p>Carlyle is the champion of morals, ethics, law - call it what you +like - of that which says we must not always do a thing because it is +pleasant. There are two great ethical parties in the world, and, +in the main, but two. One of them asserts the claims of the senses. +Its doctrine is seductive because it is so right. It is necessary +that we should in a measure believe it, in order that life may be sweet. +But nature has heavily weighted the scale in its favour; its acceptance +requires no effort. It is easily perverted and becomes a snare. +In our day nearly all genius has gone over to it, and preaching it is +rather superfluous. The other party affirms what has been the +soul of all religions worth having, that it is by repression and self-negation +that men and States live.</p> +<p>It has been said that Carlyle is great because he is graphic, and +he is supposed to be summed up in “mere picturesqueness,” +the silliest of verdicts. A man may be graphic in two ways. +He may deal with his subject from the outside, and by dint of using +strong language may “graphically” describe an execution +or a drunken row in the streets. But he may be graphic by ability +to penetrate into essence, and to express it in words which are worthy +of it. What higher virtue than this can we imagine in poet, artist, +or prophet?</p> +<p>Like all great men, Carlyle is infinitely tender. That was +what struck me as I sat and looked in his eyes, and the best portraits +in some degree confirm me. It is not worth while here to produce +passages from his books to prove my point, but I could easily do so, +specially from the <i>Life of Sterling</i> and the <i>Cromwell</i>. +<a name="citation10"></a><a href="#footnote10">{10}</a> Much of +his fierceness is an inverted tenderness.</p> +<p>His greatest book is perhaps the <i>Frederick</i>, the biography +of a hero reduced more than once to such extremities that apparently +nothing but some miraculous intervention could save him, and who did +not yield, but struggled on and finally emerged victorious. When +we consider Frederick’s position during the last part of the Seven +Years’ War, we must admit that no man was ever in such desperate +circumstances or showed such uncrushable determination. It was +as if the Destinies, in order to teach us what human nature can do, +had ordained that he who had the most fortitude should also encounter +the severest trial of it. Over and over again Frederick would +have been justified in acknowledging defeat, and we should have said +that he had done all that could be expected even of such a temper as +that with which he was endowed. If the struggle of the will with +the encompassing world is the stuff of which epics are made, then no +greater epic than that of <i>Frederick</i> has been written in prose +or verse, and it has the important advantage of being true. It +is interesting to note how attractive this primary virtue of which Frederick +is such a remarkable representative is to Carlyle, how <i>moral</i> +it is to him; and, indeed, is it not the sum and substance of all morality? +It should be noted also that it was due to no religious motive: that +it was bare, pure humanity. At times it is difficult not to believe +that Carlyle, notwithstanding his piety, loves it all the more on that +account. It is strange that an example so salutary and stimulating +to the poorest and meanest of us should be set by an unbelieving king, +and that my humdrum existence should be secretly supported by “Frederick +II. Roi de Prusse.”</p> +<p>* * *</p> +<p>Soon after Carlyle died I went to Ecclefechan and stood by his grave. +It was not a day that I would have chosen for such an errand, for it +was cold, grey, and hard, and towards the afternoon it rained a slow, +persistent, wintry rain. The kirkyard in Ecclefechan was dismal +and depressing, but my thoughts were not there. I remembered what +Carlyle was to the young men of thirty or forty years ago, in the days +of that new birth, which was so strange a characteristic of the time. +His books were read with excitement, with tears of joy, on lonely hills, +by the seashore and in London streets, and the readers were thankful +that it was their privilege to live when he also was alive. All +that excitement has vanished, but those who knew what it was are the +better for it. Carlyle now is almost nothing, but his day will +return, he will be put in his place as one of the greatest souls who +have been born amongst us, and his message will be considered as perhaps +the most important which has ever been sent to us. This is what +I thought as I stood in Ecclefechan kirkyard, and as I lingered I almost +doubted if Carlyle <i>could</i> be dead. Was it possible that +such as he could altogether die? Some touch, some turn, I could +not tell what or how, seemed all that was necessary to enable me to +see and to hear him. It was just as if I were perplexed and baffled +by a veil which prevented recognition of him, although I was sure he +was behind it.</p> +<div class="GutenbergBlankLines2"><br /><br /></div> +<h2>EARLY MORNING IN JANUARY</h2> +<div class="GutenbergBlankLines2"><br /><br /></div> +<p>A warm, still morning, with a clear sky and stars. At first +the hills were almost black, but, as the dawn ascended, they became +dark green, of a peculiarly delicate tint which is never seen in the +daytime. The quietude is profound, although a voice from an unseen +fishing-boat can now and then be heard. How strange the landscape +seems! It is not a variation of the old landscape; it is a new +world. The half-moon rides high in the sky, and near her is Jupiter. +A little way further to the left is Venus, and still further down is +Mercury, rare apparition, just perceptible where the deep blue of the +night is yielding to the green which foretells the sun. The east +grows lighter; the birds begin to stir in the bushes, and the cry of +a gull rises from the base of the cliff. The sea becomes responsive, +and in a moment is overspread with continually changing colour, partly +that of the heavens above it and partly self-contributed. With +what slow, majestic pomp is the day preceded, as though there had been +no day before it and no other would follow it!</p> +<div class="GutenbergBlankLines2"><br /><br /></div> +<h2>MARCH</h2> +<div class="GutenbergBlankLines2"><br /><br /></div> +<p>It is a bright day in March, with a gentle south-west wind. +Sitting still in the copse and facing the sun it strikes warm. +It has already mounted many degrees on its way to its summer height, +and is regaining its power. The clouds are soft, rounded, and +spring-like, and the white of the blackthorn is discernible here and +there amidst the underwood. The brooks are running full from winter +rains but are not overflowing. All over the wood which fills up +the valley lies a thin, purplish mist, harmonising with the purple bloom +on the stems and branches. The buds are ready to burst, there +is a sense of movement, of waking after sleep; the tremendous upward +rush of life is almost felt. But how silent the process is! +There is no hurry for achievement, although so much has to be done - +such infinite intricacy to be unfolded and made perfect. The little +stream winding down the bottom turns and doubles on itself; a dead leaf +falls into it, is arrested by a twig, and lies there content.</p> +<div class="GutenbergBlankLines2"><br /><br /></div> +<h2>JUNE</h2> +<div class="GutenbergBlankLines2"><br /><br /></div> +<p>It is a quiet, warm day in June. The wind is westerly, but +there is only just enough of it to waft now and then a sound from the +far-off town, or the dull, subdued thunder of cannon-firing from ships +or forts distant some forty miles or more. Massive, white-bordered +clouds, grey underneath, sail overhead; there was heavy rain last night, +and they are lifting and breaking a little. Softly and slowly +they go, and one of them, darker than the rest, has descended in a mist +of rain, blotting out the ships. The surface of the water is paved +curiously in green and violet, and where the light lies on it scintillates +like millions of stars. The grass is not yet cut, and the showers +have brought it up knee-deep. Its gentle whisper is plainly heard, +the most delicate of all the voices in the world, and the meadow bends +into billows, grey, silvery, and green, when a breeze of sufficient +strength sweeps across it. The larks are so multitudinous that +no distinct song can be caught, and amidst the confused melody comes +the note of the thrush and the blackbird. A constant under-running +accompaniment is just audible in the hum of innumerable insects and +the sharp buzz of flies darting past the ear. Only those who live +in the open air and watch the fields and sea from hour to hour and day +to day know what they are and what they mean. The chance visitor, +or he who looks now and then, never understands them. While I +have lain here, the clouds have risen, have become more aërial, +and more suffused with light; the horizon has become better defined, +and the yellow shingle beach is visible to its extremest point clasping +the bay in its arms. The bay itself is the tenderest blue-green, +and on the rolling plain which borders it lies intense sunlight chequered +with moving shadows which wander eastwards. The wind has shifted +a trifle, and comes straight up the Channel from the illimitable ocean.</p> +<div class="GutenbergBlankLines2"><br /><br /></div> +<h2>AUGUST</h2> +<div class="GutenbergBlankLines2"><br /><br /></div> +<p>A few days ago it was very hot. Afterwards we had a thunderstorm, +followed by rain from the south-west. The wind has veered a point +northerly, and the barometer is rising. This morning at half-past +five the valley below was filled with white mist. Above it the +tops of the trees on the highest points emerged sharply distinct. +It was motionless, but gradually melted before the ascending sun, recalling +Plutarch’s “scenes in the beautiful temple of the world +which the gods order at their own festivals, when we are initiated into +their own mysteries.” Here was a divine mystery, with initiation +for those who cared for it. No priests were waiting, no ritual +was necessary, the service was simple - solitary adoration and perfect +silence.</p> +<p>As the day advances, masses of huge, heavy clouds appear. They +are well defined at the edges, and their intricate folds and depths +are brilliantly illuminated. The infinitude of the sky is not +so impressive when it is quite clear as when it contains and supports +great clouds, and large blue spaces are seen between them. On +the hillsides the fields here and there are yellow and the corn is in +sheaves. The birds are mostly dumb, the glory of the furze and +broom has passed, but the heather is in flower. The trees are +dark, and even sombre, and, where they are in masses, look as if they +were in solemn consultation. A fore-feeling of the end of summer +steals upon me. Why cannot I banish this anticipation? Why +cannot I rest and take delight in what is before me? If some beneficent +god would but teach me how to take no thought for the morrow, I would +sacrifice to him all I possess.</p> +<div class="GutenbergBlankLines2"><br /><br /></div> +<h2>THE END OF OCTOBER</h2> +<div class="GutenbergBlankLines2"><br /><br /></div> +<p>It is the first south-westerly gale of the autumn. Its violence +is increasing every minute, although the rain has ceased for awhile. +For weeks sky and sea have been beautiful, but they have been tame. +Now for some unknown reason there is a complete change, and all the +strength of nature is awake. It is refreshing to be once more +brought face to face with her tremendous power, and to be reminded of +the mystery of its going and coming. It is soothing to feel so +directly that man, notwithstanding his science and pretentions, his +subjugation of steam and electricity, is as nothing compared with his +Creator. The air has a freshness and odour about it to which we +have long been strangers. It has been dry, and loaded with fine +dust, but now it is deliciously wet and clean. The wind during +the summer has changed lightly through all the points of the compass, +but it has never brought any scent save that of the land, nothing from +a distance. Now it is charged with messages from the ocean.</p> +<p>The sky is not uniformly overcast, but is covered with long horizontal +folds of cloud, very dark below and a little lighter where they turn +up one into the other. They are incessantly modified by the storm, +and fragments are torn away from them which sweep overhead. The +sea, looked at from the height, shows white edges almost to the horizon, +and although the waves at a distance cannot be distinguished, the tossing +of a solitary vessel labouring to get round the point for shelter shows +how vast they are. The prevailing colour of the water is greyish-green, +passing into deep-blue, and perpetually shifting in tint. A quarter +of a mile away the breakers begin, and spread themselves in a white +sheet to the land.</p> +<p>A couple of gulls rise from the base of the cliffs to a height of +about a hundred feet above them. They turn their heads to the +south-west, and hover like hawks, but without any visible movement of +their wings. They are followed by two more, who also poise themselves +in the same way. Presently all four mount higher, and again face +the tempest. They do not appear to defy it, nor even to exert +themselves in resisting it. What to us below is fierce opposition +is to them a support and delight. How these wonderful birds are +able to accomplish this feat no mathematician can tell us. After +remaining stationary a few minutes, they wheel round, once more ascend, +and then without any effort go off to sea directly in the teeth of the +hurricane.</p> +<div class="GutenbergBlankLines2"><br /><br /></div> +<h2>NOVEMBER</h2> +<div class="GutenbergBlankLines2"><br /><br /></div> +<p>A November day at the end of the month - the country is left to those +who live in it. The scattered visitors who took lodgings in the +summer in the villages have all departed, and the recollection that +they have been here makes the solitude more complete. The woods +in which they wandered are impassable, for the rain has been heavy, +and the dry, baked clay of August has been turned into a slough a foot +deep. The wind, what there is of it, is from the south-west, soft, +sweet and damp; the sky is almost covered with bluish-grey clouds, which +here and there give way and permit a dim, watery gleam to float slowly +over the distant pastures. The grass for the most part is greyish-green, +more grey than green where it has not been mown, but on the rocky and +broken ground there is a colour like that of an emerald, and the low +sun when it comes out throws from the projections on the hillside long +and beautifully shaped shadows. Multitudes of gnats in these brief +moments of sunshine are seen playing in it. The leaves have not +all fallen, down in the hollow hardly any have gone, and the trees are +still bossy, tinted with the delicate yellowish-brown and brown of different +stages of decay. The hedges have been washed clean of the white +dust; the roads have been washed; a deep drain has just begun to trickle +and on the meadows lie little pools of the clearest rainwater, reflecting +with added loveliness any blue patch of the heavens disclosed above +them. The birds are silent save the jackdaws and the robin, who +still sings his recollections of the summer, or his anticipations of +the spring, or perhaps his pleasure in the late autumn. The finches +are in flocks, and whirl round in the air with graceful, shell-like +convolutions as they descend, part separating, for no reason apparently, +and forming a second flock which goes away over the copse. There +is hardly any farm-work going on, excepting in the ditches, which are +being cleaned in readiness for the overflow when the thirsty ground +shall have sucked its fill. Under a bank by the roadside a couple +of men employed in carting stone for road-mending are sitting on a sack +eating their dinner. The roof of the barn beyond them is brilliant +with moss and lichens; it has not been so vivid since last February. +It is a delightful time. No demand is made for ecstatic admiration; +everything is at rest, nature has nothing to do but to sleep and wait.</p> +<div class="GutenbergBlankLines2"><br /><br /></div> +<h2>THE BREAK-UP OF A GREAT DROUGHT</h2> +<div class="GutenbergBlankLines2"><br /><br /></div> +<p>For three months there had been hardly a drop of rain. The +wind had been almost continuously north-west, and from that to east. +Occasionally there were light airs from the south-west, and vapour rose, +but there was nothing in it; there was no true south-westerly breeze, +and in a few hours the weather-cock returned to the old quarter. +Not infrequently the clouds began to gather, and there was every sign +that a change was at hand. The barometer at these times fell gradually +day after day until at last it reached a point which generally brought +drenching storms, but none appeared, and then it began slowly to rise +again and we knew that our hopes were vain, and that a week at least +must elapse before it would regain its usual height and there might +be a chance of declining. At last the disappointment was so keen +that the instrument was removed. It was better not to watch it, +but to hope for a surprise. The grass became brown, and in many +places was killed down to the roots; there was no hay; myriads of swarming +caterpillars devoured the fruit trees; the brooks were all dry; water +for cattle had to be fetched from ponds and springs miles away; the +roads were broken up; the air was loaded with grit; and the beautiful +green of the hedges was choked with dust. Birds like the rook, +which fed upon worms, were nearly starved, and were driven far and wide +for strange food. It was pitiable to see them trying to pick the +soil of the meadow as hard as a rock. The everlasting glare was +worse than the gloom of winter, and the sense of universal parching +thirst became so distressing that the house was preferred to the fields. +We were close to a water famine! The Atlantic, the source of all +life, was asleep, and what if it should never wake! We know not +its ways, it mocks all our science. Close to us lies this great +mystery, incomprehensible, and yet our very breath depends upon it. +Why should not the sweet tides of soft moist air cease to stream in +upon us? No reason could be given why every green herb and living +thing should not perish; no reason, save a faith which was blind. +For aught we <i>knew</i>, the ocean-begotten aërial current might +forsake the land and it might become a desert.</p> +<p>One night grey bars appeared in the western sky, but they had too +often deluded us, and we did not believe in them. On this particular +evening they were a little heavier, and the window-cords were damp. +The air which came across the cliff was cool, and if we had dared to +hope we should have said it had a scent of the sea in it. At four +o’clock in the morning there was a noise of something beating +against the panes - they were streaming! It was impossible to +lie still, and I rose and went out of doors. No creature was stirring, +there was no sound save that of the rain, but a busier time there had +not been for many a long month. Thousands of millions of blades +of grass and corn were eagerly drinking. For sixteen hours the +downpour continued, and when it was dusk I again went out. The +watercourses by the side of the roads had a little water in them, but +not a drop had reached those at the edge of the fields, so thirsty was +the earth. The drought, thank God, was at an end!</p> +<div class="GutenbergBlankLines2"><br /><br /></div> +<h2>SPINOZA</h2> +<div class="GutenbergBlankLines2"><br /><br /></div> +<p>Now that twenty years have passed since I began the study of Spinoza +it is good to find that he still holds his ground. Much in him +remains obscure, but there is enough which is sufficiently clear to +give a direction to thought and to modify action. To the professional +metaphysician Spinoza’s work is already surpassed, and is absorbed +in subsequent systems. We are told to read him once because he +is historically interesting, and then we are supposed to have done with +him. But if “Spinozism,” as it is called, is but a +stage of development there is something in Spinoza which can be superseded +as little as the <i>Imitation of Christ</i> or the <i>Pilgrim’s +Progress</i>, and it is this which continues to draw men to him. +Goethe never cared for set philosophical systems. Very early in +life he thought he had found out that they were useless pieces of construction, +but to the end of his days he clung to Spinoza, and Philina, of all +persons in the world, repeats one of the finest sayings in the <i>Ethic</i>. +So far as the metaphysicians are carpenters, and there is much carpentering +in most of them, Goethe was right, and the larger part of their industry +endures wind and weather but for a short time. Spinoza’s +object was not to make a scheme of the universe. He felt that +the things on which men usually set their hearts give no permanent satisfaction, +and he cast about for some means by which to secure “a joy continuous +and supreme to all eternity.” I propose now, without attempting +to connect or contrast Spinoza with Descartes or the Germans, to name +some of those thoughts in his books by which he conceived he had attained +his end.</p> +<p>The sorrow of life is the rigidity of the material universe in which +we are placed. We are bound by physical laws, and there is a constant +pressure of matter-of-fact evidence to prove that we are nothing but +common and cheap products of the earth to which in a few moments or +years we return. Spinoza’s chief aim is to free us from +this sorrow, and to free us from it by <i>thinking</i>. The emphasis +on this word is important. He continually insists that a thing +is not unreal because we cannot imagine it. His own science, mathematics, +affords him examples of what <i>must</i> be, although we cannot picture +it, and he believes that true consolation lies in the region of that +which cannot be imaged but can be thought.</p> +<p>Setting out on his quest, he lays hold at the very beginning on the +idea of Substance, which he afterwards identifies with the idea of God. +“By Substance I understand that which is in itself and is conceived +through itself; in other words, that, the conception of which does not +need the conception of another thing from which it must be formed.” +<a name="citation34a"></a><a href="#footnote34a">{34a}</a> “By +God, I understand Being absolutely infinite, that is to say, substance +consisting of infinite attributes, each one of which expresses eternal +and infinite essence.” <a name="citation34b"></a><a href="#footnote34b">{34b}</a> +“God, or substance consisting of infinite attributes, each one +of which expresses eternal and infinite essence, necessarily exists.” +<a name="citation34c"></a><a href="#footnote34c">{34c}</a> By +the phrases “in itself” and “by itself,” we +are to understand that this conception cannot be explained in other +terms. Substance must be posited, and there we must leave it. +The demonstration of the last-quoted proposition, the 11th, is elusive, +and I must pass it by, merely observing that the objection that no idea +involves existence, and that consequently the idea of God does not involve +it, is not a refutation of Spinoza, who might rejoin that it is impossible +not to affirm existence of God as the <i>Ethic</i> defines him. +Spinoza escapes one great theological difficulty. Directly we +begin to reflect we are dissatisfied with a material God, and the nobler +religions assert that God is a Spirit. But if He be a pure spirit +whence comes the material universe? To Spinoza pure spirit and +pure matter are mere artifices of the understanding. His God is +the Substance with infinite attributes of which thought and extension +are the two revealed to man, and he goes further, for he maintains that +they are one and the same thing viewed in different ways, inside and +outside of the same reality. The conception of God, strictly speaking, +is not incomprehensible, but it is not <i>circum</i>-prehensible; if +it were it could not be the true conception of Him.</p> +<p>Spinoza declares that “the human mind possesses an adequate +knowledge of the eternal and infinite essence of God” <a name="citation36"></a><a href="#footnote36">{36}</a> +- not of God in His completeness, but it is adequate. The demonstration +of this proposition is at first sight unsatisfactory, because we look +for one which shall enable us to form an image of God like that which +we can form of a triangle. But we cannot have “a knowledge +of God as distinct as that which we have of common notions, because +we cannot imagine God as we can bodies.” “To your +question,” says Spinoza to Boxel, “whether I have as clear +an idea of God as I have of a triangle? I answer, Yes. But +if you ask me whether I have as clear an image of God as I have of a +triangle I shall say, No; for we cannot imagine God, but we can in a +measure understand Him. Here also, it is to be observed that I +do not say that I altogether know God, but that I understand some of +His attributes - not all, nor the greatest part, and it is clear that +my ignorance of very many does not prevent my knowledge of certain others. +When I learned the elements of Euclid, I very soon understood that the +three angles of a triangle are equal to two right angles, and I clearly +perceived this property of a triangle, although I was ignorant of many +others.” <a name="citation37a"></a><a href="#footnote37a">{37a}</a></p> +<p>“Individual things are nothing but affections or modes of God’s +attributes, expressing those attributes in a certain and determinate +manner,” <a name="citation37b"></a><a href="#footnote37b">{37b}</a> +and hence “the more we understand individual objects, the more +we understand God.” <a name="citation37c"></a><a href="#footnote37c">{37c}</a></p> +<p>The intellect of God in no way resembles the human intellect, for +we cannot conceive Him as proposing an end and considering the means +to attain it. “The intellect of God, in so far as it is +conceived to constitute His essence, is in truth the cause of things, +both of their essence and of their existence - a truth which seems to +have been understood by those who have maintained that God’s intellect, +will, and power are one and the same thing.” <a name="citation37d"></a><a href="#footnote37d">{37d}</a></p> +<p>The whole of God is <i>fact</i>, and Spinoza denies any reserve in +Him of something unexpressed. “The omnipotence of God has +been actual from eternity, and in the same actuality will remain to +eternity,” <a name="citation38"></a><a href="#footnote38">{38}</a> +not of course in the sense that everything which exists has always existed +as we now know it, or that nothing will exist hereafter which does not +exist now, but that in God everything that has been, and will be, eternally +<i>is.</i></p> +<p>The reader will perhaps ask, What has this theology to do with the +“joy continuous and supreme”? We shall presently meet +with some deductions which contribute to it, but it is not difficult +to understand that Spinoza, to use his own word, might call the truths +set forth in these propositions “blessed.” Let a man +once believe in that God of infinite attributes of which thought and +extension are those by which He manifests Himself to us; let him see +that the opposition between thought and matter is fictitious; that his +mind “is a part of the infinite intellect of God”; that +he is not a mere transient, outside interpreter of the universe, but +himself the soul or law, which is the universe, and he will feel a relationship +with infinity which will emancipate him.</p> +<p>It is not true that in Spinoza’s God there is so little that +is positive that it is not worth preserving. All Nature is in +Him, and if the objector is sincere he will confess that it is not the +lack of contents in the idea which is disappointing, but a lack of contents +particularly interesting to himself.</p> +<p>The opposition between the mind and body of man as two diverse entities +ceases with that between thought and extension. It would be impossible +briefly to explain in all its fulness what Spinoza means by the proposition: +“The object of the idea constituting the human mind is a body” +<a name="citation39"></a><a href="#footnote39">{39}</a>; it is sufficient +here to say that, just as extension and thought are one, considered +in different aspects, so body and mind are one. We shall find +in the fifth part of the <i>Ethic</i> that Spinoza affirms the eternity +of the mind, though not perhaps in the way in which it is usually believed.</p> +<p>Following the order of the <i>Ethic</i> we now come to its more directly +ethical maxims. Spinoza denies the freedom commonly assigned to +the will, or perhaps it is more correct to say he denies that it is +intelligible. The will is determined by the intellect. The +idea of the triangle involves the affirmation or volition that its three +angles are equal to two right angles. If we understand what a +triangle is we are not “free” to believe that it contains +more or less than two right angles, nor to act as if it contained more +or less than two. The only real freedom of the mind is obedience +to the reason, and the mind is enslaved when it is under the dominion +of the passions. “God does not act from freedom of the will,” +<a name="citation40a"></a><a href="#footnote40a">{40a}</a> and consequently +“things could have been produced by God in no other manner and +in no other order than that in which they have been produced.” +<a name="citation40b"></a><a href="#footnote40b">{40b}</a></p> +<p>“If you will but reflect,” Spinoza tells Boxel, “that +indifference is nothing but ignorance or doubt, and that a will always +constant and in all things determinate is a virtue and a necessary property +of the intellect, you will see that my words are entirely in accord +with the truth.” <a name="citation40c"></a><a href="#footnote40c">{40c}</a> +To the same effect is a passage in a letter to Blyenbergh, “Our +liberty does not consist in a certain contingency nor in a certain indifference, +but in the manner of affirming or denying, so that in proportion as +we affirm or deny anything with less indifference, are we the more free.” +<a name="citation41a"></a><a href="#footnote41a">{41a}</a> So +also to Schuller, “I call that thing free which exists and acts +solely from the necessity of its own nature: I call that thing coerced +which is determined to exist and to act in a certain and determinate +manner by another.” <a name="citation41b"></a><a href="#footnote41b">{41b}</a> +With regard to this definition it might be objected that the necessity +does not lie solely in the person who wills but is also in the object. +The triangle as well as the nature of man contains the necessity. +What Spinoza means is that the free man by the necessity of his nature +is bound to assert the truth of what follows from the definition of +a triangle and that the stronger he feels the necessity the more free +he is. Hence it follows that the wider the range of the intellect +and the more imperative the necessity which binds it, the larger is +its freedom.</p> +<p>In genuine freedom Spinoza rejoices. “The doctrine is +of service in so far as it teaches us that we do everything by the will +of God alone, and that we are partakers of the divine nature in proportion +as our actions become more and more perfect and we more and more understand +God. This doctrine, therefore, besides giving repose in every +way to the soul, has also this advantage, that it teaches us in what +our highest happiness or blessedness consists, namely, in the knowledge +of God alone, by which we are drawn to do those things only which love +and piety persuade.” <a name="citation42a"></a><a href="#footnote42a">{42a}</a> +In other words, being part of the whole, the grandeur and office of +the whole are ours. We are anxious about what we call “personality,” +but in truth there is nothing in it of any worth, and the less we care +for it the more “blessed” we are.</p> +<p>“By the desire which springs from reason we follow good directly +and avoid evil indirectly” <a name="citation42b"></a><a href="#footnote42b">{42b}</a>: +our aim should be the good; in obtaining that we are delivered from +evil. To the same purpose is the conclusion of the fifth book +of the <i>Ethic</i> that “No one delights in blessedness because +he has restrained his affects, but, on the contrary, the power of restraining +his lusts springs from blessedness itself.” <a name="citation43a"></a><a href="#footnote43a">{43a}</a> +This is exactly what the Gospel says to the Law.</p> +<p>Fear is not the motive of a free man to do what is good. “A +free man thinks of nothing less than of death, and his wisdom is not +a meditation upon death, but upon life.” <a name="citation43b"></a><a href="#footnote43b">{43b}</a> +This is the celebrated sixty-seventh proposition of the fourth part. +If we examine the proof which directly depends on the sixty-third proposition +of the same part - “he who is led by fear, and does what is good +in order that he may avoid what is evil, is not led by reason” +- we shall see that Spinoza is referring to the fear of the “evil” +of hell-fire.</p> +<p>All Spinoza’s teaching with regard to the passions is a consequence +of what he believes of God and man. He will study the passions +and not curse them. He finds that by understanding them “we +can bring it to pass that we suffer less from them. We have, therefore, +mainly to strive to acquire a clear and distinct knowledge of each affect.” +<a name="citation43c"></a><a href="#footnote43c">{43c}</a> “If +the human mind had none but adequate ideas it would form no notion of +evil.” <a name="citation44a"></a><a href="#footnote44a">{44a}</a> +“The difference between a man who is led by affect or opinion +alone and one who is led by reason” is that “the former, +whether he wills it or not, does those things of which he is entirely +ignorant, but the latter does the will of no one but himself.” +<a name="citation44b"></a><a href="#footnote44b">{44b}</a> <i>They +know not what they do.</i></p> +<p>The direct influence of Spinoza’s theology is also shown in +his treatment of pity, hatred, laughter, and contempt. “The +man who has properly understood that everything follows from the necessity +of the divine nature, and comes to pass according to the eternal laws +and rules of nature, will in truth discover nothing which is worthy +of hatred, laughter, or contempt, nor will he pity any one, but, so +far as human virtue is able, he will endeavour to <i>do well</i>, as +we say, and to <i>rejoice</i>.” <a name="citation44c"></a><a href="#footnote44c">{44c}</a> +By pity is to be understood mere blind sympathy. The good that +we do by this pity with the eyes of the mind shut ought to be done with +them open. “He who lives according to the guidance of reason +strives as much as possible to repay the hatred, anger, or contempt +of others towards himself with love or generosity. . . . He who wishes +to avenge injuries by hating in return does indeed live miserably. +But he who, on the contrary, strives to drive out hatred by love, fights +joyfully and confidently, with equal ease resisting one man or a number +of men, and needing scarcely any assistance from fortune. Those +whom he conquers yield gladly, not from defect of strength, but from +an increase of it.” <a name="citation45a"></a><a href="#footnote45a">{45a}</a></p> +<p>“Joy is the passion by which the mind passes to a greater perfection: +sorrow, on the other hand, is the passion by which it passes to a less +perfection.” <a name="citation45b"></a><a href="#footnote45b">{45b}</a> +“No God and no human being, except an envious one, is delighted +by my impotence or my trouble, or esteems as any virtue in us tears, +sighs, fears, and other things of this kind, which are signs of mental +impotence; on the contrary, the greater the joy with which we are affected, +the greater the perfection to which we pass thereby; that is to say, +the more do we necessarily partake of the divine nature.” <a name="citation46"></a><a href="#footnote46">{46}</a> +It would be difficult to find an account of joy and sorrow which is +closer to the facts than that which Spinoza gives. He lived amongst +people Roman Catholic and Protestant who worshipped sorrow. Sorrow +was the divinely decreed law of life and joy was merely a permitted +exception. He reversed this order and his claim to be considered +in this respect as one of the great revolutionary religious and moral +reformers has not been sufficiently recognised. It is remarkable +that, unlike other reformers, he has not contradicted error by an exaggeration, +which itself very soon stands in need of contradiction, but by simple +sanity which requires no correction. One reason for this peculiarity +is that the <i>Ethic</i> was the result of long meditation. It +was published posthumously and was discussed in draft for many years +before his death. Usually what we call our convictions are propositions +which we have not thoroughly examined in quietude, but notions which +have just come into our heads and are irreversible to us solely because +we are committed to them. Much may be urged against the <i>Ethic</i> +and on behalf of hatred, contempt, and sorrow. The “other +side” may be produced mechanically to almost every truth; the +more easily, the more divine that truth is, and against no truths is +it producible with less genuine mental effort than against those uttered +by the founder of Christianity. The question, however, if we are +dealing with the New Testament, is not whether the Sermon on the Mount +can be turned inside out in a debating society, but whether it does +not represent better than anything which the clever leader of the opposition +can formulate the principle or temper which should govern our conduct.</p> +<p>There is a group of propositions in the last part of the <i>Ethic</i>, +which, although they are difficult, it may be well to notice, because +they were evidently regarded by Spinoza as helping him to the end he +had in view. The difficulty lies in a peculiar combination of +religious ideas and scientific form. These propositions are the +following:- <a name="citation47"></a><a href="#footnote47">{47}</a></p> +<p>“The mind can cause all the affections of the body or the images +of things to be related to the idea of God.”</p> +<p>“He who clearly and distinctly understands himself and his +affects loves God, and loves Him better the better he understands himself +and his affects.”</p> +<p>“This love to God above everything else ought to occupy the +mind.”</p> +<p>“God is free from passions, nor is He affected with any affect +of joy or sorrow.”</p> +<p>“No one can hate God.”</p> +<p>“He who loves God cannot strive that God should love him in +return.”</p> +<p>“This love to God cannot be defiled either by the effect of +envy or jealousy, but is the more strengthened the more people we imagine +to be connected with God by the same bond of love.”</p> +<p>The proof of the first of these propositions, using language somewhat +different from that of the text, is as follows:- There is no affection +of the body of which the mind cannot form some clear and distinct conception, +that is to say, of everything perceived it is capable of forming a clear +and adequate idea, not exhaustive, as Spinoza is careful to warn us, +but an idea not distorted by our personality, and one which is in accordance +with the thing itself, adequate as far as it goes. Newton’s +perception that the moon perpetually falls to the earth by the same +numerical law under which a stone falls to it was an adequate perception. +“Therefore,” continues the demonstration (quoting the fifteenth +proposition of the first part - “Whatever is, is in God, and nothing +can either be or be conceived without God”), “the mind can +cause all the affections of the body to be related to the idea of God.” +Spinoza, having arrived at his adequate idea thus takes a further step +to the idea of God. What is perceived is not an isolated external +phenomenon. It is a reality in God: it <i>is</i> God: there is +nothing more to be thought or said of God than the affirmation of such +realities as these. The “relation to the idea of God” +means that in the affirmation He is affirmed. “Nothing,” +that is to say, no reality “can be conceived without God.”</p> +<p>But it is possible for the word “love” to be applied +to the relationship between man and God. He who has a clear and +adequate perception passes to greater perfection, and therefore rejoices. +Joy, accompanied with the idea of a cause, is love. By the fourteenth +proposition this joy is accompanied by the idea of God as its cause, +and therefore love to God follows. The demonstration seems formal, +and we ask ourselves, What is the actual emotion which Spinoza describes? +It is not new to him, for in the <i>Short Treatise</i>, which is an +early sketch for the <i>Ethic</i>, he thus writes:- “Hence it +follows incontrovertibly that it is knowledge which is the cause of +love, so that when we learn to know God in this way, we must necessarily +unite ourselves to Him, for He cannot be known, nor can he reveal Himself, +save as that which is supremely great and good. In this union +alone, as we have already said, our happiness consists. I do not +say that we must know Him adequately; but it is sufficient for us, in +order to be united with Him, to know Him in a measure, for the knowledge +we have of the body is not of such a kind that we can know it as it +is or perfectly; and yet what a union! what love!” <a name="citation50"></a><a href="#footnote50">{50}</a></p> +<p>Perhaps it may clear the ground a little if we observe that Spinoza +often avoids a negative by a positive statement. Here he may intend +to show us what the love of God is not, that it is not what it is described +in the popular religion to be. “The only love of God I know,” +we may imagine him saying, “thus arises. The adequate perception +is the keenest of human joys for thereby I see God Himself. That +which I see is not a thing or a person, but nevertheless what I feel +towards it can be called by no other name than love. Although +the object of this love is not thing or person it is not indefinite, +it is this only which is definite; ‘thing’ and ‘person’ +are abstract and unreal. There was a love to God in Kepler’s +heart when the three laws were revealed to him. If it was not +love to God, what is love to Him?”</p> +<p>To the eighteenth proposition, “No one can hate God,” +there is a scholium which shows that the problem of pain which Spinoza +has left unsolved must have occurred to him. “But some may +object that if we understand God to be the cause of all things, we do +for that very reason consider Him to be the cause of sorrow. But +I reply that in so far as we understand the causes of sorrow, it ceases +to be a passion (Prop. 3, pt. 5), that is to say (Prop. 59, pt. 3) it +ceases to be a sorrow; and therefore in so far as we understand God +to be the cause of sorrow do we rejoice.” The third proposition +of the fifth part which he quotes merely proves that in so far as we +understand passion it ceases to be a passion. He replies to those +“who ask why God has not created all men in such a manner that +they might be controlled by the dictates of reason alone,” <a name="citation52"></a><a href="#footnote52">{52}</a> +“Because to Him material was not wanting for the creation of everything, +from the highest down to the very lowest grade of perfection; or, to +speak more properly, because the laws of His nature were so ample that +they sufficed for the production of everything which can be conceived +by an infinite intellect.” Nevertheless of pain we have +no explanation. Pain is not lessened by understanding it, nor +is its mystery penetrated if we see that to God material could not have +been wanting for the creation of men or animals who have to endure it +all their lives. But if Spinoza is silent in the presence of pain, +so also is every religion and philosophy which the world has seen. +Silence is the only conclusion of the Book of Job, and patient fortitude +in the hope of future enlightenment is the conclusion of Christianity.</p> +<p>It is a weak mistake, however, to put aside what religions and philosophies +tell us because it is insufficient. To Job it is not revealed +why suffering is apportioned so unequally or why it exists, but the +answer of the Almighty from the whirlwind he cannot dispute, and although +Spinoza has nothing more to say about pain than he says in the passages +just quoted and was certainly not exempt from it himself, it may be +impossible that any man should hate God.</p> +<p>We now come to the final propositions of the <i>Ethic</i>, those +in which Spinoza declares his belief in the eternity of mind. +The twenty-second and twenty-third propositions of the fifth part are +as follows:-</p> +<p>“In God, nevertheless, there necessarily exists an idea which +expresses the essence of this or that human body under the form of eternity.”</p> +<p>“The human mind cannot be absolutely destroyed with the body, +but something of it remains which is eternal.”</p> +<p>The word “nevertheless” is a reference to the preceding +proposition which denies the continuity of memory or imagination excepting +so long as the body lasts. The demonstration of the twenty-third +proposition is not easy to grasp, but the substance of it is that although +the mind is the idea of the body, that is to say, the mind is body as +thought and body is thought as extension, the mind, or essence of the +body, is not completely destroyed with the body. It exists as +an eternal idea, and by an eternal necessity in God. Here again +we must not think of that personality which is nothing better than a +material notion, an image from the concrete applied to mind, but we +must cling fast to thought, to the thoughts which alone makes us what +we <i>are</i>, and these, says Spinoza, are in God and are not to be +defined by time. They have always been and always will be. +The enunciation of the thirty-third proposition is, “The intellectual +love of God which arises from the third kind of knowledge is eternal.” +The “third kind of knowledge” is that intuitive science +which “advances from an adequate idea of the formal essence of +certain attributes of God to the adequate knowledge of the essence of +things; <a name="citation54"></a><a href="#footnote54">{54}</a> “No +love except intellectual love is eternal,” <a name="citation55a"></a><a href="#footnote55a">{55a}</a> +and the scholium to this proposition adds, “If we look at the +common opinion of men, we shall see that they are indeed conscious of +the eternity of their minds, but they confound it with duration, and +attribute it to imagination or memory, which they believe remain after +death.” The intellectual love of the mind towards God is +the very “love with which He loves Himself, not in so far as He +is infinite, but in so far as He can be manifested through the essence +of the human mind, considered under the form of eternity; that is to +say, the intellectual love of the mind towards God is part of the infinite +love with which God loves Himself.” <a name="citation55b"></a><a href="#footnote55b">{55b}</a> +“Hence it follows that God, in so far as He loves Himself, loves +men, and consequently that the love of God towards men and the intellectual +love of the mind towards God are one and the same thing.” <a name="citation55c"></a><a href="#footnote55c">{55c}</a> +The more adequate ideas the mind forms “the less it suffers from +those affects which are evil, and the less it fears death” because +“the greater is that part which remains unharmed, and the less +consequently does it suffer from the affects.” It is possible +even “for the human mind to be of such a nature that that part +of it which we have shown perishes with its body, in comparison with +the part of it which remains, is of no consequence.” <a name="citation56a"></a><a href="#footnote56a">{56a}</a></p> +<p>Spinoza, it is clear, holds that in some way - in what way he will +not venture to determine - the more our souls are possessed by the intellectual +love of God, the less is death to be dreaded, for the smaller is that +part of us which can die. Three parallel passages may be appended. +One will show that this was Spinoza’s belief from early years +and the other two that it is not peculiar to him. “If the +soul is united with some other thing which is and remains unchangeable, +it must also remain unchangeable and permanent.” <a name="citation56b"></a><a href="#footnote56b">{56b}</a> +“Further, this creative reason does not at one time think, at +another time not think [it thinks eternally]: and when separated from +the body it remains nothing but what it essentially is: and thus it +is alone immortal and eternal. Of this unceasing work of thought, +however, we retain no memory, because this reason is unaffected by its +objects; whereas the receptive, passive intellect (which is affected) +is perishable, and can really think nothing without the support of the +creative intellect.” <a name="citation57a"></a><a href="#footnote57a">{57a}</a> +The third quotation is from a great philosophic writer, but one to whom +perhaps we should not turn for such a coincidence. “I believe,” +said Pantagruel, “that all intellectual souls are exempt from +the scissors of Atropos. They are all immortal.” <a name="citation57b"></a><a href="#footnote57b">{57b}</a></p> +<p>I have not tried to write an essay on Spinoza, for in writing an +essay there is a temptation to a consistency and completeness which +are contributed by the writer and are not to be found in his subject. +The warning must be reiterated that here as elsewhere we are too desirous, +both writers and readers, of clear definition where none is possible. +We do not stop where the object of our contemplation stops for our eyes. +For my own part I must say that there is much in Spinoza which is beyond +me, much which I cannot <i>extend</i>, and much which, if it can be +extended, seems to involve contradiction. But I have also found +his works productive beyond those of almost any man I know of that <i>acquiescentia +mentis</i> which enables us to live.</p> +<div class="GutenbergBlankLines1"><br /></div> +<h2>SUPPLEMENTARY NOTE ON THE DEVIL</h2> +<div class="GutenbergBlankLines1"><br /></div> +<p>Spinoza denies the existence of the Devil, and says, in the <i>Short +Treatise</i>, that if he is the mere opposite of God and has nothing +from God, he is simply the Nothing. But if a philosophical doctrine +be true, it does not follow that as it stands it is applicable to practical +problems. For these a rule may have to be provided, which, although +it may not be inconsistent with the scientific theorem, differs from +it in form. The Devil is not an invention of priests for priestly +purposes, nor is he merely a hypothesis to account for facts, but he +has been forced upon us in order that we may be able to deal with them. +Unless we act as though there were an enemy to be resisted and chained, +if we fritter away differences of kind into differences of degree, we +shall make poor work of life. Spinoza himself assumes that other +commands than God’s may be given to us, but that we are unhesitatingly +to obey His and His only. “Ad fidem ergo catholicam,” +he says, “ea solummodo pertinent, quæ erga Deum <i>obedientia</i> +absolute ponit.” Consciousness seems to testify to the presence +of two mortal foes within us - one Divine and the other diabolic - and +perhaps the strongest evidence is not the rebellion of the passions, +but the picturing and the mental processes which are almost entirely +beyond our control, and often greatly distress us. We look down +upon them; they are not ours, and yet they are ours, and we cry out +with St. Paul against the law warring with the law of our minds. +Bunyan of course knows the practical problem and the rule, and to him +the Devil is not merely the tempter to crimes, but the great Adversary. +In the <i>Holy War</i> the chosen regiments of Diabolus are the Doubters, +and notwithstanding their theologic names, they carried deadlier weapons +than the theologic doubters of to-day. The captain over the Grace-doubters +was Captain Damnation; he over the Felicity-doubters was Captain Past-hope, +and his ancient-bearer was Mr. Despair. The nature of the Doubters +is “to put a question upon every one of the truths of Emanuel, +and their country is called the Land of Doubting, and that land lieth +off and furthest remote to the north between the land of Darkness and +that called the Valley of the Shadow of Death.” They are +not children of the sun, and although they are not sinners in the common +sense of the word, those that were caught in Mansoul were promptly executed.</p> +<p>There is nothing to be done but to fight and wait for the superior +help which will come if we do what we can. Emanuel at first delayed +his aid in the great battle, and the first brunt was left to Captain +Credence. Presently, however, Emanuel appeared “with colours +flying, trumpets sounding, and the feet of his men scarce touched the +ground; they hasted with such celerity towards the captains that were +engaged that . . . there was not left so much as one Doubter alive, +they lay spread upon the ground dead men as one would spread dung on +the land.” The dead were buried “lest the fumes and +ill-favours that would arise from them might infect the air and so annoy +the famous town of Mansoul.” But it will be a fight to the +end for Diabolus, and the lords of the pit escaped.</p> +<p>After Emanuel had finally occupied Mansoul he gave the citizens some +advice. The policy of Diabolus was “to make of their castle +a warehouse.” Emanuel made it a fortress and a palace, and +garrisoned the town. “O my Mansoul,” he said, “nourish +my captains; make not my captains sick, O Mansoul.”</p> +<div class="GutenbergBlankLines2"><br /><br /></div> +<h2>INJUSTICE</h2> +<div class="GutenbergBlankLines2"><br /><br /></div> +<p>A notion, self-begotten in me, of the limitations of my friend is +answerable for the barrenness of my intercourse with him. I set +him down as hard; I speak to him as if he were hard and from that which +is hard in myself. Naturally I evoke only that which is hard, +although there may be fountains of tenderness in him of which I am altogether +unaware. It is far better in conversation not to regulate it according +to supposed capacities or tempers, which are generally those of some +fictitious being, but to be simply ourselves. We shall often find +unexpected and welcome response.</p> +<p>Our estimates of persons, unless they are frequently revived by personal +intercourse, are apt to alter insensibly and to become untrue. +They acquire increased definiteness but they lose in comprehensiveness.</p> +<p>Especially is this true of those who are dead. If I do not +read a great author for some time my mental abstract of him becomes +summary and false. I turn to him again, all summary judgments +upon him become impossible, and he partakes of infinitude. Writers, +and people who are in society and talk much are apt to be satisfied +with an algebraic symbol for a man of note, and their work is done not +with him but with <i>x</i>.</p> +<div class="GutenbergBlankLines2"><br /><br /></div> +<h2>TIME SETTLES CONTROVERSIES</h2> +<div class="GutenbergBlankLines2"><br /><br /></div> +<p>We ought to let Time have his own way in the settlement of our disputes. +It is a commonplace how much he is able to do with some of our troubles, +such as loss of friends or wealth; but we do not sufficiently estimate +his power to help our arguments. If I permit myself to dispute, +I always go beyond what is necessary for my purpose, and my continual +iteration and insistence do nothing but provoke opposition. Much +better would it be simply to state my case and leave it. To do +more is not only to distrust it, but to distrust that in my friend which +is my best ally, and will more surely assist me than all my vehemence. +Sometimes - nay, often - it is better to say nothing, for there is a +constant tendency in Nature towards rectification, and her quiet protest +and persuasiveness are hindered by personal interference. If anybody +very dear to me were to fall into any heresy of belief or of conduct, +I am not sure that I ought to rebuke him, and that he would not sooner +be converted by observing my silent respect for him than by preaching +to him.</p> +<div class="GutenbergBlankLines2"><br /><br /></div> +<h2>TALKING ABOUT OUR TROUBLES</h2> +<div class="GutenbergBlankLines2"><br /><br /></div> +<p>We may talk about our troubles to those persons who can give us direct +help, but even in this case we ought as much as possible to come to +a provisional conclusion before consultation; to be perfectly clear +to ourselves within our own limits. Some people have a foolish +trick of applying for aid before they have done anything whatever to +aid themselves, and in fact try to talk themselves into perspicuity. +The only way in which they can think is by talking, and their speech +consequently is not the expression of opinion already and carefully +formed, but the manufacture of it.</p> +<p>We may also tell our troubles to those who are suffering if we can +lessen their own. It may be a very great relief to them to know +that others have passed through trials equal to theirs and have survived. +There are obscure, nervous diseases, hypochondriac fancies, almost uncontrollable +impulses, which terrify by their apparent singularity. If we could +believe that they are common, the worst of the fear would vanish.</p> +<p>But, as a rule, we should be very careful for our own sake not to +speak much about what distresses us. Expression is apt to carry +with it exaggeration, and this exaggerated form becomes henceforth that +under which we represent our miseries to ourselves, so that they are +thereby increased. By reserve, on the other hand, they are diminished, +for we attach less importance to that which it was not worth while to +mention. Secrecy, in fact, may be our salvation.</p> +<p>It is injurious to be always treated as if something were the matter +with us. It is health-giving to be dealt with as if we were healthy, +and the man who imagines his wits are failing becomes stronger and sounder +by being entrusted with a difficult problem than by all the assurances +of a doctor.</p> +<p>They are poor creatures who are always craving for pity. If +we are sick, let us prefer conversation upon any subject rather than +upon ourselves. Let it turn on matters that lie outside the dark +chamber, upon the last new discovery, or the last new idea. So +shall we seem still to be linked to the living world. By perpetually +asking for sympathy an end is put to real friendship. The friend +is afraid to intrude anything which has no direct reference to the patient’s +condition lest it should be thought irrelevant. No love even can +long endure without complaint, silent it may be, an invalid who is entirely +self-centred; and what an agony it is to know that we are tended simply +as a duty by those who are nearest to us, and that they will really +be relieved when we have departed! From this torture we may be +saved if we early apprentice ourselves to the art of self-suppression +and sternly apply the gag to eloquence upon our own woes. Nobody +who really cares for us will mind waiting on us even to the long-delayed +last hour if we endure in fortitude.</p> +<p>There is no harm in confronting our disorders or misfortunes. +On the contrary, the attempt is wholesome. Much of what we dread +is really due to indistinctness of outline. If we have the courage +to say to ourselves, What <i>is</i> this thing, then? let the worst +come to the worst, and what then? we shall frequently find that after +all it is not so terrible. What we have to do is to subdue tremulous, +nervous, insane fright. Fright is often prior to an object; that +is to say, the fright comes first and something is invented or discovered +to account for it. There are certain states of body and mind which +are productive of objectless fright, and the most ridiculous thing in +the world is able to provoke it to activity. It is perhaps not +too much to say that any calamity the moment it is apprehended by the +reason alone loses nearly all its power to disturb and unfix us. +The conclusions which are so alarming are not those of the reason, but, +to use Spinoza’s words, of the “affects.”</p> +<div class="GutenbergBlankLines2"><br /><br /></div> +<h2>FAITH</h2> +<div class="GutenbergBlankLines2"><br /><br /></div> +<p>Faith is nobly seen when a man, standing like Columbus upon the shore +with a dark, stormy Atlantic before him, resolves to sail, and although +week after week no land be visible, still believes and still sails on; +but it is nobler when there is no America as the goal of our venture, +but something which is unsubstantial, as, for example, self-control +and self-purification. It is curious, by the way, that discipline +of this kind should almost have disappeared. Possibly it is because +religion is now a matter of belief in certain propositions; but, whatever +the cause may be, we do not train ourselves day by day to become better +as we train ourselves to learn languages or science. To return +from this parenthesis, we say that when no applause nor even recognition +is expected, to proceed steadily and alone for its own sake in the work +of saving the soul is truer heroism than that which leads a martyr cheerfully +to the stake.</p> +<p>Faith is at its best when we have to wrestle with despair, not only +of ourselves but of the Universe; when we strain our eyes and see nothing +but blackness. In the <i>Gorgias</i> Socrates maintains, not only +that it is always better to suffer injustice than to commit it, but +that it is better to be punished for injustice than to escape, and better +to die than to do wrong; and it is better not only because of the effect +on others but for our own sake. We are naturally led to ask what +support a righteous man unjustly condemned could find, supposing he +were about to be executed, if he had no faith in personal immortality +and knew that his martyrdom could not have the least effect for good. +Imagine him, for example, shut up in a dungeon and about to be strangled +in it and that not a single inquiry will be made about him - where will +he look for help? what hope will compose him? He may say that +in a few hours he will be asleep, and that nothing will then be of any +consequence to him, but that thought surely will hardly content him. +He may reflect that he at least prevents the evil which would be produced +by his apostasy; and very frequently in life, when we abstain from doing +wrong, we have to be satisfied with a negative result and with the simple +absence (which nobody notices) of some direct mischief, although the +abstention may cost more than positive well-doing. This too, however, +is but cold consolation when the cord is brought and the grave is already +dug.</p> +<p>It must be admitted that Reason cannot give any answer. Socrates, +when his reasoning comes to an end, often permits himself to tell a +story. “My dialectic,” he seems to say, “is +of no further use; but here is a tale for you,” and as he goes +on with it we can see his satyr eyes gleam with an intensity which shows +that he did not consider he was inventing a mere fable. That was +the way in which he taught theology. Perhaps we may find that +something less than logic and more than a dream may be of use to us. +We may figure to ourselves that this universe of souls is the manifold +expression of the One, and that in this expression there is a purpose +which gives importance to all the means of which it avails itself. +Apparent failure may therefore be a success, for the mind which has +been developed into perfect virtue falls back into the One, having served +(by its achievements) the end of its existence. The potential +in the One has become actual, has become real, and the One is the richer +thereby.</p> +<div class="GutenbergBlankLines2"><br /><br /></div> +<h2>PATIENCE</h2> +<div class="GutenbergBlankLines2"><br /><br /></div> +<p>What is most to be envied in really religious people of the earlier +type is their intellectual and moral peace. They had obtained +certain convictions, a certain conception of the Universe, by which +they could live. Their horizon may have been encompassed with +darkness; experience sometimes contradicted their faith, but they trusted +- nay, they knew - that the opposition was not real and that the truths +were not to be shaken. Their conduct was marked by a corresponding +unity. They determined once for all that there were rules which +had to be obeyed, and when any particular case arose it was not judged +according to the caprice of the moment, but by statute.</p> +<p>We, on the other hand, can only doubt. So far as those subjects +are concerned on which we are most anxious to be informed, we are sure +of nothing. What we have to do is to accept the facts and wait. +We must take care not to deny beauty and love because we are forced +also to admit ugliness and hatred. Let us yield ourselves up utterly +to the magnificence and tenderness of the sunrise, though the East End +of London lies over the horizon. That very same Power, and it +is no other, which blasts a country with the cholera or drives the best +of us to madness has put the smile in a child’s face and is the +parent of Love. It is curious, too, that the curse seems in no +way to qualify the blessing. The sweetness and majesty of Nature +are so exquisite, so pure, that when they are before us we cannot imagine +they could be better if they proceeded from an omnipotently merciful +Being and no pestilence had ever been known. We must not worry +ourselves with attempts at reconciliation. We must be satisfied +with a hint here and there, with a ray of sunshine at our feet, and +we must do what we can to make the best of what we possess. Hints +and sunshine will not be wanting, and science, which was once considered +to be the enemy of religion, is dissolving by its later discoveries +the old gross materialism, the source of so much despair.</p> +<p>The conduct of life is more important than speculation, but the lives +of most of us are regulated by no principle whatever. We read +our Bible, Thomas à Kempis, and Bunyan, and we are persuaded +that our salvation lies in the perpetual struggle of the higher against +the lower self, the spirit against the flesh, and that the success of +the flesh is damnation. We take down Horace and Rabelais and we +admit that the body also has its claims. We have no power to dominate +both sets of books, and consequently they supersede one another alternately. +Perhaps life is too large for any code we can as yet frame, and the +dissolution of all codes, the fluid, unstable condition of which we +complain, may be a necessary antecedent of new and more lasting combinations. +One thing is certain, that there is not a single code now in existence +which is not false; that the graduation of the vices and virtues is +wrong, and that in the future it will be altered. We must not +hand ourselves over to a despotism with no Divine right, even if there +be a risk of anarchy. In the determination of our own action, +and in our criticism of other people, we must use the whole of ourselves +and not mere fragments. If we do this we need not fear. +We may suppose we are in danger because the stone tables of the Decalogue +have gone to dust, but it is more dangerous to attempt to control men +by fictions. Better no chart whatever than one which shows no +actually existing perils, but warns us against Scylla, Charybdis, and +the Cyclops. If we are perfectly honest with ourselves we shall +not find it difficult to settle whether we ought to do this or that +particular thing, and we may be content. The new legislation will +come naturally at the appointed time, and it is not impossible to live +while it is on the way.</p> +<div class="GutenbergBlankLines2"><br /><br /></div> +<h2>AN APOLOGY</h2> +<div class="GutenbergBlankLines2"><br /><br /></div> +<p>In these latter days of anarchy and tumult, when there is no gospel +of faith or morals, when democracy seems bent on falsifying every prediction +of earlier democratic enthusiasts by developing worse dangers to liberty +than any which our forefathers had to encounter, and when the misery +of cities is so great, it appears absurd, not to say wrong, that we +should sit still and read books. I am ashamed when I go into my +own little room and open Milton or Shakespeare after looking at a newspaper +or walking through the streets of London. I feel that Milton and +Shakespeare are luxuries, and that I really belong to the class which +builds palaces for its pleasure, although men and women may be starving +on the roads.</p> +<p>Nevertheless, if I were placed on a platform I should be obliged +to say, “My brethren, I plainly perceive the world is all wrong, +but I cannot see how it is to be set right,” and I should descend +the steps and go home. There may be others who have a clearer +perception than mine, and who may be convinced that this way or that +way lies regeneration. I do not wish to discourage them; I wish +them God-speed, but I cannot help them nor become their disciple. +Possibly I am doing nothing better than devising excuses for lotus-eating, +but here they are.</p> +<p>To take up something merely because I am idle is useless. The +message must come to me, and with such urgency that I cannot help delivering +it. Nor is it of any use to attempt to give my natural thoughts +a force which is not inherent in them.</p> +<p>The disease is often obvious, but the remedies are doubtful. +The accumulation of wealth in a few hands, generally by swindling, is +shocking, but if it were distributed to-morrow we should gain nothing. +The working man objects to the millionaire, but would gladly become +a millionaire himself, even if his million could be piled up in no other +way than by sweating thousands of his fellows. The usurpation +of government by the ignorant will bring disaster, but how in these +days could a wise man reign any longer than ignorance permitted him? +The everlasting veerings of the majority, without any reason meanwhile +for the change, show that, except on rare occasions of excitement, the +opinion of the voters is of no significance. But when we are asked +what substitute for elections can be proposed, none can be found. +So with the relationship between man and woman, the marriage laws and +divorce. The calculus has not been invented which can deal with +such complexities. We are in the same position as that in which +Leverrier and Adams would have been, if, observing the irregularities +of Uranus, which led to the discovery of Neptune, they had known nothing +but the first six books of Euclid and a little algebra.</p> +<p>There has never been any reformation as yet without dogma and supernaturalism. +Ordinary people acknowledge no real reasons for virtue except heaven +and hell-fire. When heaven and hell-fire cease to persuade, custom +for a while is partly efficacious, but its strength soon decays. +Some good men, knowing the uselessness of rational means to convert +or to sustain their fellows, have clung to dogma with hysterical energy, +but without any genuine faith in it. They have failed, for dogma +cannot be successful unless it be the <i>inevitable</i> expression of +the inward conviction.</p> +<p>The voices now are so many and so contradictory that it is impossible +to hear any one of them distinctly, no matter what its claim on our +attention may be. The newspaper, the circulating library, the +free library, and the magazine are doing their best to prevent unity +of direction and the din and confusion of tongues beget a doubt whether +literature and the printing press have actually been such a blessing +to the race as enlightenment universally proclaims them to be.</p> +<p>The great currents of human destiny seem more than ever to move by +forces which tend to no particular point. There is a drift, tremendous +and overpowering, due to nobody in particular, but to hundreds of millions +of small impulses. Achilles is dead, and the turn of the Myrmidons +has come.</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>“Myrmdons, race féconde<br />Myrmidons,<br />Enfin nous +commandons:</p> +<p>Jupiter livre le monde<br />Aux Myrmidons, aux Myrmidons.</p> +<p>Voyant qu’ Achille succombe,<br />Ses Myrmidons, hors des rangs,<br />Disent: +Dansons sur sa tombe<br />Ses petits vont être grands.”</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>My last defence is that the Universe is an organic unity, and so +subtle and far-reaching are the invisible threads which pass from one +part of it to another that it is impossible to limit the effect which +even an insignificant life may have. “Were a single dust-atom +destroyed, the universe would collapse.”</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>“ . . . who of men can tell<br />That flowers would bloom, +or that green fruit would swell<br />To melting pulp, that fish would +have bright mail,<br />The earth its dower of river, wood, and vale,<br />The +meadows runnels, runnels pebble-stones,<br />The seed its harvest, or +the lute its tones,<br />Tones ravishment, or ravishment its sweet<br />If +human souls did never kiss and greet?”</p> +<div class="GutenbergBlankLines2"><br /><br /></div> +<h2>BELIEF, UNBELIEF, AND SUPERSTITION</h2> +<div class="GutenbergBlankLines2"><br /><br /></div> +<p>True belief is rare and difficult. There is no security that +the fictitious beliefs which have been obtained by no genuine mental +process, that is to say, are not vitally held, may not be discarded +for those which are exactly contrary. We flatter ourselves that +we have secured a method and freedom of thought which will not permit +us to be the victims of the absurdities of the Middle Ages, but, in +fact, there is no solid obstacle to our conversion to some new grotesque +religion more miraculous than Roman Catholicism. Modern scepticism, +distinguishing it from scholarly scepticism, is nothing but stupidity +or weakness. Few people like to confess outright that they do +not believe in a God, although the belief in a personal devil is considered +to be a sign of imbecility. Nevertheless, men, as a rule, have +no ground for believing in God a whit more respectable than for disbelief +in a devil. The devil is not seen nor is God seen. The work +of the devil is as obvious as that of God. Nay, as the devil is +a limited personality, belief in him is not encumbered with the perplexities +which arise when we attempt to apprehend the infinite Being. Belief +may often be tested; that is to say, we may be able to discover whether +it is an active belief or not by inquiring what disbelief it involves. +So also the test of disbelief is its correspondent belief.</p> +<p>Superstition is a name generally given to a few only of those beliefs +for which it is imagined that there is no sufficient support, such as +the belief in ghosts, witches, and, if we are Protestants, in miracles +performed after a certain date. Why these particular beliefs have +been selected as solely deserving to be called superstitious it is not +easy to discover. If the name is to be extended to all beliefs +which we have not attempted to verify, it must include the largest part +of those we possess. We vote at elections as we are told to vote +by the newspaper which we happen to read, and our opinions upon a particular +policy are based upon no surer foundation than those of the Papist on +the authenticity of the lives of the Saints.</p> +<p>Superstition is a matter of <i>relative</i> evidence. A thousand +years ago it was not so easy as it is now to obtain rigid demonstration +in any department except mathematics. Much that was necessarily +the basis of action was as incapable of proof as the story of St. George +and the Dragon, and consequently it is hardly fair to say that the dark +ages were more superstitious than our own. Nor does every belief, +even in supernatural objects, deserve the name of superstition. +Suppose that the light which struck down St. Paul on his journey to +Damascus was due to his own imagination, the belief that it came from +Jesus enthroned in the heavens was a sign of strength and not of weakness. +Beliefs of this kind, in so far as they exalt man, prove greatness and +generosity, and may be truer than the scepticism which is formally justified +in rejecting them. If Christ never rose from the dead, the women +who waited at the sepulchre were nearer to reality than the Sadducees, +who denied the resurrection.</p> +<p>There is a half-belief, which we find in Virgil that is not superstition, +nor inconstancy, nor cowardice. A child-like faith in the old +creed is no longer possible, but it is equally impossible to surrender +it. I refer now not to those who select from it what they think +to be in accordance with their reason, and throw overboard the remainder +with no remorse, but rather to those who cannot endure to touch with +sacrilegious hands the ancient histories and doctrines which have been +the depositaries of so much that is eternal, and who dread lest with +the destruction of a story something precious should also be destroyed. +The so-called superstitious ages were not merely transitionary. +Our regret that they have departed is to be explained not by a mere +idealisation of the past, but by a conviction that truths have been +lost, or at least have been submerged. Perhaps some day they may +be recovered, and in some other form may again become our religion.</p> +<div class="GutenbergBlankLines2"><br /><br /></div> +<h2>JUDAS ISCARIOT - WHAT CAN BE SAID FOR HIM?</h2> +<div class="GutenbergBlankLines2"><br /><br /></div> +<p>Judas Iscariot has become to Christian people an object of horror +more loathsome than even the devil himself. The devil rebelled +because he could not brook subjection to the Son of God, a failing which +was noble compared with treachery to the Son of man. The hatred +of Judas is not altogether virtuous. We compound thereby for our +neglect of Jesus and His precepts: it is easier to establish our Christianity +by cursing the wretched servant than by following his Master. +The heinousness also of the crime in Gethsemane has been aggravated +by the exaltation of Jesus to the Redeemership of the world. All +that can be known of Judas is soon collected. He was chosen one +of the twelve apostles, and received their high commission to preach +the kingdom of heaven, to heal the sick, raise the dead, cleanse the +lepers, and cast out devils. He was appointed treasurer to the +community. John in telling the story of the anointing at Bethany +says that he was a thief, but John also makes him the sole objector +to the waste of the ointment. According to the other evangelists +all the disciples objected. Since he remained in office it could +hardly have been known at the time of the visit to Bethany that he was +dishonest, nor could it have been known at any time to Matthew and Mark, +for they would not have lost the opportunity of adding such a touch +to the portrait. The probability, therefore, is that the robbery +of the bag is unhistorical. When the chief priests and scribes +sought how they might apprehend Jesus they made a bargain with Judas +to deliver Him to them for thirty pieces of silver. He was present +at the Last Supper but went and betrayed his Lord. A few hours +afterwards, when he found out that condemnation to death followed, he +repented himself and brought again the thirty pieces of silver to his +employers, declared that he had sinned in betraying innocent blood, +cast down the money at their feet, and went and hanged himself.</p> +<p>This is all that is discoverable about Judas, and it has been considered +sufficient for a damnation deeper than any allotted to the worst of +the sons of Adam. Dante places him in the lowest round of the +ninth or last of the hellish circles, where he is eternally “champed” +by Satan, “bruised as with ponderous engine,” his head within +the diabolic jaws and “plying the feet without.” In +the absence of a biography with details, it is impossible to make out +with accuracy what the real Judas was. We can, however, by dispassionate +examination of the facts determine their sole import, and if we indulge +in inferences we can deduce those which are fairly probable. As +Judas was treasurer, he must have been trusted. He could hardly +have been naturally covetous, for he had given up in common with the +other disciples much, if not all, to follow Jesus. The thirty +pieces of silver - some four or five pounds of our money - could not +have been considered by him as a sufficient bribe for the ignominy of +a treason which was to end in legal murder. He ought perhaps to +have been able to measure the ferocity of an established ecclesiastical +order and to have known what would have been the consequence of handing +over to it perfect, and therefore heretical, sincerity and purity, but +there is no evidence that he did know: nay, we are distinctly informed, +as we have just seen, that when he became aware what was going to happen +his sorrow for his wicked deed took a very practical shape.</p> +<p>We cannot allege with confidence that it was any permanent loss of +personal attachment to Jesus which brought about his defection. +It came when the belief in a theocracy near at hand filled the minds +of the disciples. These ignorant Galilean fishermen expected that +in a very short time they would sit on twelve thrones judging the twelve +tribes of Israel. The custodian of the bag, gifted with more common +sense than his colleagues, probably foresaw the danger of a collision +with Rome, and may have desired by a timely arrest to prevent an open +revolt, which would have meant immediate destruction of the whole band +with women and children. Can any position be imagined more irritating +that that of a careful man of business who is keeper of the purse for +a company of heedless enthusiasts professing complete indifference to +the value of money, misunderstanding the genius of their chief, and +looking out every morning for some sign in the clouds, a prophecy of +their immediate appointment as vicegerents of a power that would supersede +the awful majesty of the Imperial city? He may have been heated +by a long series of petty annoyances to such a degree that at last they +may have ended in rage and a sudden flinging loose of himself from the +society. It is the impulsive man who frequently suffers what appears +to be inversion, and Judas was impulsive exceedingly. Matthew, +and Matthew only, says that Judas asked for money from the chief priests. +“What will ye give me, and I will deliver Him unto you?” +According to Mark, whose account of the transaction is the same as Luke’s, +“Judas . . . went unto the chief priests to betray Him unto them. +And when they heard it, they were glad, and promised to give him money.” +If the priests were the tempters, a slight difference is established +in favour of Judas, but this we will neglect. The sin of taking +money and joining in that last meal in any case is black enough, although, +as we have before pointed out, Judas did not at the time know what the +other side of the bargain was. Admitting, however, everything +that can fairly be urged against him, all that can be affirmed with +certainty is that we are in the presence of strange and unaccountable +inconsistency, and that an apostle who had abandoned his home, who had +followed Jesus for three years amidst contempt and persecution, and +who at last slew himself in self-reproach, could be capable of committing +the meanest of sins. Is the co-existence of irreconcilable opposites +in human nature anything new? The story of Judas may be of some +value if it reminds us that man is incalculable, and that, although +in theory, and no doubt in reality, he is a unity, the point from which +the divergent forces in him rise is often infinitely beyond our exploration; +a lesson not merely in psychology but for our own guidance, a warning +that side by side with heroic virtues there may sleep in us not only +detestable vices, but vices by which those virtues are contradicted +and even for the time annihilated. The mode of betrayal, with +a kiss, has justly excited loathing, but it is totally unintelligible. +Why should he have taken the trouble to be so base when the movement +of a finger would have sufficed? Why was any sign necessary to +indicate one who was so well known? The supposition that the devil +compelled him to superfluous villainy in order that he might be secured +with greater certainty and tortured with greater subtlety is one that +can hardly be entertained except by theologians. It is equally +difficult to understand why Jesus submitted to such an insult, and why +Peter should not have smitten down its perpetrator. Peter was +able to draw his sword, and it would have been safer and more natural +to kill Judas than to cut off the ear of the high priest’s servant. +John, who shows a special dislike to Judas, knows nothing of the kiss. +According to John, Jesus asked the soldiers whom they sought, and then +stepped boldly forward and declared Himself. “Judas,” +adds John, “was standing with them.” As John took +such particular notice of what happened, the absence of the kiss in +his account can hardly have been accidental. It is a sound maxim +in criticism that what is simply difficult of explanation is likely +to be authentic. An awkward reading in a manuscript is to be preferred +to one which is easier. But an historical improbability, especially +if no corroboration of it is to be found in a better authority, may +be set aside, and in this case we are justified in neglecting the kiss. +Whatever may have been the exact shade of darkness in the crime of Judas, +it was avenged with singular swiftness, and he himself was the avenger. +He did not slink away quietly and poison himself in a ditch. He +boldly encountered the sacred college, confessed his sin and the innocence +of the man they were about to crucify. Compared with these pious +miscreants who had no scruples about corrupting one of the disciples, +but shuddered at the thought of putting back into the treasury the money +they had taken from it, Judas becomes noble. His remorse is so +unendurable that it drives him to suicide.</p> +<p>If a record could be kept of those who have abjured Jesus through +love of gold, through fear of the world or of the scribes and Pharisees, +we should find many who are considered quite respectable, or have even +been canonised, and who, nevertheless, much more worthily than Iscariot, +are entitled to “champing” by the jaws of Sathanas. +Not a single scrap from Judas himself has reached us. He underwent +no trial, and is condemned without plea or excuse on his own behalf, +and with no cross-examination of the evidence. No witnesses have +been called to his character. What would his friends at Kerioth +have said for him? What would Jesus have said? If He had +met Judas with the halter in his hand would He not have stopped him? +Ah! I can see the Divine touch on the shoulder, the passionate +prostration of the repentant in the dust, the hands gently lifting him, +the forgiveness because he knew not what he did, and the seal of a kiss +indeed from the sacred lips.</p> +<div class="GutenbergBlankLines2"><br /><br /></div> +<h2>SIR WALTER SCOTT’S USE OF THE SUPERNATURAL IN THE “BRIDE +OF LAMMERMOOR”</h2> +<div class="GutenbergBlankLines2"><br /><br /></div> +<p>The supernatural machinery in Sir Walter Scott’s <i>Monastery</i> +is generally and, no doubt, correctly, set down as a mistake. +Sir Walter fails, not because the White Lady of Avenel is a miracle, +but because being miraculous, she is made to do what sometimes is not +worthy of her. This, however, is not always true, for nothing +can be finer than the change in Halbert Glendinning after he has seen +the spirit, and the great master himself has never drawn a nobler stroke +than that in which he describes the effect which intercourse with her +has had upon Mary. Halbert, on the morning of the duel between +himself and Sir Piercie Shafton, is trying to persuade her that he intends +no harm, and that he and Sir Piercie are going on a hunting expedition. +“Say not thus,” said the maiden, interrupting him, “say +not thus to me. Others thou may’st deceive, but me thou +can’st not. There has been that in me from the earliest +youth which fraud flies from, and which imposture cannot deceive.” +The transforming influence of the Lady is here just what it should be, +and the consequence is that she becomes a reality.</p> +<p>But it is in the <i>Bride of Lammermoor</i> more particularly that +the use of the supernatural is not only blameless but indispensable. +We begin to rise to it in that scene in which the Master of Ravenswood +meets Alice. “Begone from among them,” she says, “and +if God has destined vengeance on the oppressor’s house, do not +you be the instrument. . . . If you remain here, her destruction +or yours, or that of both, will be the inevitable consequence of her +misplaced attachment.” A little further on, with great art, +Scott having duly prepared us by what has preceded, adds intensity and +colour. He apologises for the “tinge of superstition,” +but, not believing, he evidently believes, and we justly surrender ourselves +to him. The Master of Ravenswood after the insult received from +Lady Ashton wanders round the Mermaiden’s Well on his way to Wolf’s +Crag and sees the wraith of Alice. Scott makes horse as well as +man afraid so that we may not immediately dismiss the apparition as +a mere ordinary product of excitement. Alice at that moment was +dying, and had “prayed powerfully that she might see her master’s +son and renew her warning.” Observe the difference between +this and any vulgar ghost story. From the very first we feel that +the Superior Powers are against this match, and that it will be cursed. +The beginning of the curse lies far back in the hereditary temper of +the Ravenswoods, in the intrigues of the Ashtons, and in the feuds of +the times. When Love intervenes we discover in an instant that +he is not sent by the gods to bring peace, but that he is the awful +instrument of destruction. The spectral appearance of Alice at +the hour of her departure, on the very spot “on which Lucy Ashton +had reclined listening to the fatal tale of woe . . . holding up her +shrivelled hand as if to prevent his coming more near,” is necessary +in order to intimate that the interdict is pronounced not by a mortal +human being but by a dread, supernal authority.</p> +<div class="GutenbergBlankLines2"><br /><br /></div> +<h2>SEPTEMBER, 1798. “THE LYRICAL BALLADS.”</h2> +<div class="GutenbergBlankLines2"><br /><br /></div> +<p>The year 1798 was a year of great excitement: England was alone in +the struggle against Buonaparte; the mutiny at the Nore had only just +been quelled: the 3 per cent. Consols had been marked at 49 or 50; the +Gazettes were occupied with accounts of bloody captures of French ships; +Ireland may be said to have been in rebellion, and horrible murders +were committed there; the King sent a message to Parliament telling +it that an invasion might be expected and that it was to be assisted +by “incendiaries” at home; and the Archbishop of Canterbury +and eleven bishops passed a resolution declaring that if the French +should land, or a dangerous insurrection should break out, it would +be the duty of the clergy to take up arms against an enemy whom the +Bishop of Rochester described as “instigated by that desperate +malignity against the Faith he has abandoned, which in all ages has +marked the horrible character of the vile apostate.”</p> +<p>In the midst of this raving political excitement three human beings +were to be found who although they were certainly not unmoved by it, +were able to detach themselves from it when they pleased, and to seclude +themselves in a privacy impenetrable even to an echo of the tumult around +them.</p> +<p>In April or May, 1798, the <i>Nightingale</i> was written, and these +are the sights and sounds which were then in young Coleridge’s +eyes and ears:-</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>“No cloud, no relique of the sunken day<br />Distinguishes +the West, no long thin slip<br />Of sullen light, no obscure trembling +hues.<br />Come, we will rest on this old mossy bridge!<br />You see +the glimmer of the stream beneath,<br />But hear no murmuring: it flows +silently,<br />O’er its soft bed of verdure. All is still,<br />A +balmy night! and tho’ the stars be dim,<br />Yet let us think +upon the vernal showers<br />That gladden the green earth, and we shall +find<br />A pleasure in the dimness of the stars.”</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>We happen also to have Dorothy Wordsworth’s journal for April +and May. Here are a few extracts from it:-</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>April 6th. - “Went a part of the way home with Coleridge. . +. . The spring still advancing very slowly. The horse-chestnuts +budding, and the hedgerows beginning to look green, but nothing fully +expanded.”</p> +<p>April 9th. - “Walked to Stowey . . . The sloe in blossom, the +hawthorns green, the larches in the park changed from black to green +in two or three days. Met Coleridge in returning.”</p> +<p>April 12th. - “ . . . The spring advances rapidly, multitudes +of primroses, dog-violets, periwinkles, stitchwort.”</p> +<p>April 27th. - “Coleridge breakfasted and drank tea, strolled +in the wood in the morning, went with him in the evening through the +wood, afterwards walked on the hills: the moon; a many-coloured sea +and sky.”</p> +<p>May 6th, Sunday. - “Expected the painter <a name="citation101"></a><a href="#footnote101">{101}</a> +and Coleridge. A rainy morning - very pleasant in the evening. +Met Coleridge as we were walking out. Went with him to Stowey; +heard the nightingale; saw a glow-worm.”</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>What was it which these three young people (for Dorothy certainly +must be included as one of its authors) proposed to achieve by their +book? Coleridge, in the <i>Biographia Literaria</i>, says (vol. +ii. c. 1): “During the first year that Mr. Wordsworth and I were +neighbours, our conversations turned frequently on the two cardinal +points of poetry, the power of exciting the sympathy of the reader by +a faithful adherence to the truth of nature, and the power of giving +the interest of novelty by the modifying colours of imagination. +The sudden charm, which accidents of light and shade, which moonlight +or sunset diffused over a known and familiar landscape, appeared to +represent the practicability of combining both. These are the +poetry of nature. The thought suggested itself - (to which of +us I do not recollect) - that a series of poems might be composed of +two sorts. In the one, the agents and incidents were to be, in +part at least, supernatural; and the excellence aimed at was to consist +in the interesting of the affections by the dramatic truth of such emotions, +as would naturally accompany such situations, supposing them real. +And real in this sense they have been to every human being who, from +whatever source of delusion, has at any time believed himself under +supernatural agency. For the second class, subjects were to be +chosen from ordinary life; the characters and incidents were to be such +as will be found in every village and its vicinity, where there is a +meditative and feeling mind to seek after them, or to notice them, when +they present themselves.</p> +<p>“In this idea originated the plan of the LYRICAL BALLADS; in +which it was agreed, that my endeavours should be directed to persons +and characters supernatural, or at least romantic; yet so as to transfer +from our inward nature a human interest and a semblance of truth sufficient +to procure for these shadows of imagination that willing suspension +of disbelief for the moment, which constitutes poetic faith. Mr. +Wordsworth, on the other hand, was to propose to himself as his object, +to give the charm of novelty to things of everyday and to excite a feeling +<i>analogous to the supernatural</i>, <a name="citation103"></a><a href="#footnote103">{103}</a> +by awakening the mind’s attention to the lethargy of custom, and +directing it to the loveliness and the wonders of the world before us; +an inexhaustible treasure, but for which, in consequence of the film +of familiarity and selfish solicitude we have eyes, yet see not, ears +that hear not, and hearts that neither feel nor understand.</p> +<p>“With this view I wrote THE ANCIENT MARINER, and was preparing, +among other poems, THE DARK LADIE and the CHRISTABEL, in which I should +have more nearly have realised my ideal, than I had done in my first +attempt.”</p> +<p>Coleridge, when he wrote to Cottle offering him the <i>Lyrical Ballads</i>, +affirms that “the volumes offered to you are, to a certain degree, +<i>one work in kind</i>” <a name="citation104a"></a><a href="#footnote104a">{104a}</a> +(<i>Reminiscences</i>, p. 179); and Wordsworth declares, “I should +not, however, have requested this assistance, had I not believed that +the poems of my Friend would in a great measure <i>have the same tendency +as my own</i>, <a name="citation104b"></a><a href="#footnote104b">{104b}</a> +and that though there would be found a difference, there would be found +no discordance in the colours of our style; as our opinions on the subject +of poetry do almost entirely coincide” (Preface to <i>Lyrical +Ballads</i>, 1800).</p> +<p>It is a point carefully to be borne in mind that we have the explicit +and contemporary authority of both poets that their aim was the same.</p> +<p>There are difficulties in the way of believing that <i>The Ancient +Mariner</i> was written for the <i>Lyrical Ballads</i>. It was +planned in 1797 and was originally intended for a magazine. Nevertheless, +it may be asserted that the purpose of <i>The Ancient Mariner</i> and +of <i>Christabel</i> (which was originally intended for the <i>Ballads</i>) +was, as their author said, <i>truth</i>, living truth. He was +the last man in the world to care for a story simply as a chain of events +with no significance, and in these poems the supernatural, by interpenetration +with human emotions, comes closer to us than an event of daily life. +In return the emotions themselves, by means of the supernatural expression, +gain intensity. The texture is so subtly interwoven that it is +difficult to illustrate the point by example, but take the following +lines:-</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>“Alone, alone, all, all alone,<br />Alone on a wide wide sea!<br />And +never a saint took pity on<br />My soul in agony.</p> +<p>The many men, so beautiful!<br />And they all dead did lie:<br />And +a thousand thousand slimy things<br />Lived on; and so did I.</p> +<p><i>* * * *</i></p> +<p>The self-same moment I could pray:<br />And from my neck so free<br />The +Albatross fell off, and sank<br />Like lead into the sea.</p> +<p><i>* * *</i> *</p> +<p>And the hay was white with silent light<br />Till rising from the +same,<br />Full many shapes, that shadows were,<br />In crimson colours +came.</p> +<p>A little distance from the prow<br />Those crimson shadows were:<br />I +turned my eyes upon the deck -<br />Oh, Christ! what saw I there!</p> +<p>Each corse lay flat, lifeless and flat,<br />And, by the holy rood!<br />A +man all light, a seraph-man,<br />On every corse there stood.”</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>Coleridge’s marginal gloss to these last stanzas is “The +angelic spirits leave the dead bodies, and appear in their own forms +of light.”</p> +<p>Once more from <i>Christabel</i>:-</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>“The maid, alas! her thoughts are gone,<br />She nothing sees +- no sight but one!<br />The maid, devoid of guile and sin,<br />I know +not how, in fearful wise,<br />So deeply had she drunken in<br />That +look, those shrunken serpent eyes,<br />That all her features were resigned<br />To +this sole image in her mind:<br />And passively did imitate<br />That +look of dull and treacherous hate.”</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>What Wordsworth intended we have already heard from Coleridge, and +Wordsworth confirms him. It was, says the Preface of 1802, “to +present ordinary things to the mind in an unusual way.” +In Wordsworth the miraculous inherent in the commonplace, but obscured +by “the film of familiarity,” is restored to it. This +translation is effected by the imagination, which is not fancy nor dreaming, +as Wordsworth is careful to warn us, but that power by which we see +things as they are. The authors of <i>The Ancient Mariner</i> +and <i>Simon Lee</i> are justified in claiming a common object. +It is to prove that the metaphysical in Shakespeare’s sense of +the word interpenetrates the physical, and serves to make us see and +feel it.</p> +<p>Poetry, if it is to be good for anything, must help us to live. +It is to this we come at last in our criticism, and if it does not help +us to live it may as well disappear, no matter what its fine qualities +may be. The help to live, however, that is most wanted is not +remedies against great sorrows. The chief obstacle to the enjoyment +of life is its dulness and the weariness which invades us because there +is nothing to be seen or done of any particular value. If the +supernatural becomes natural and the natural becomes supernatural, the +world regains its splendour and charm. Lines may be drawn from +their predecessors to Coleridge and the Wordsworths, but the work they +did was distinctly original, and renewed proof was given of the folly +of despair even when fertility seems to be exhausted. There is +always a hidden conduit open into an unknown region whence at any moment +streams may rush and renew the desert with foliage and flowers.</p> +<p>The reviews which followed the publication of the <i>Lyrical Ballads</i> +were nearly all unfavourable. Even Southey discovered nothing +in <i>The Ancient Mariner</i> but “a Dutch attempt at German sublimity.” +A certain learned pig thought it “the strangest story of a cock +and bull that he ever saw on paper,” and not a single critic, +not even the one or two who had any praise to offer, discerned the secret +of the book. The publisher was so alarmed that he hastily sold +his stock. Nevertheless Coleridge, Wordsworth, and his sister +quietly went off to Germany without the least disturbance of their faith, +and the <i>Ballads</i> are alive to this day.</p> +<div class="GutenbergBlankLines2"><br /><br /></div> +<h2>SOME NOTES ON MILTON</h2> +<div class="GutenbergBlankLines2"><br /><br /></div> +<p>Much of the criticism on Milton, if not hostile, is apologetic, and +it is considered quite correct to say we “do not care” for +him. Partly this indifference is due to his Nonconformity. +The “superior” Englishman who makes a jest of the doctrines +and ministers of the Established Church always pays homage to it because +it is <i>respectable</i>, and sneers at Dissent. Another reason +why Milton does not take his proper place is that his theme is a theology +which for most people is no longer vital. A religious poem if +it is to be deeply felt must embody a living faith. The great +poems of antiquity are precious to us in proportion to our acceptance, +now, as fact, of what they tell us about heaven and earth. There +are only a few persons at present who perceive that in substance the +account which was given in the seventeenth century of the relation between +man and God is immortal and worthy of epic treatment. A thousand +years hence a much better estimate of Milton will be possible than that +which can be formed to-day. We attribute to him mechanic construction +in dead material because it is dead to ourselves. Even Mr. Ruskin +who was far too great not to recognise in part at least Milton’s +claims, says that “Milton’s account of the most important +event in his whole system of the universe, the fall of the angels, is +evidently unbelievable to himself; and the more so, that it is wholly +founded on, and in a great part spoiled and degraded from, Hesiod’s +account of the decisive war of the younger gods with the Titans. +The rest of his poem is a picturesque drama, in which every artifice +of invention is visibly and consciously employed; not a single fact +being for an instant conceived as tenable by any living faith” +(<i>Sesame and Lilies</i>, section iii.).</p> +<p>Mr. Mark Pattison, quoting part of this passage, remarks with justice, +“on the contrary, we shall not rightly apprehend either the poetry +or the character of the poet until we feel that throughout <i>Paradise +Lost</i>, as in <i>Paradise Regained</i> and <i>Samson</i>, Milton felt +himself to be standing on the sure ground of fact and reality” +(<i>English Men of Letters</i> - Milton, p. 186, ed. 1879).</p> +<p>St. Jude for ages had been sufficient authority for the angelic revolt, +and in a sense it was a reasonable dogma, for although it did not explain +the mystery of the origin of evil it pushed it a step further backwards, +and without such a revolt the Christian scheme does not well hold together. +So also with the entrance of the devil into the serpent. It is +not expressly taught in any passage of the canonical Scriptures, but +to the Church and to Milton it was as indisputable as the presence of +sin in the world. Milton, I repeat, <i>believed</i> in the framework +of his poem, and unless we can concede this to him we ought not to attempt +to criticise him. He was impelled to turn his religion into poetry +in order to bring it closer to him. The religion of every Christian +if it is real is a poem. He pictures a background of Holy Land +scenery, and he creates a Jesus who continually converses with him and +reveals to him much more than is found in the fragmentary details of +the Gospels. When Milton goes beyond his documents he does not +imagine for the purpose of filling up: the additions are expression.</p> +<p>Milton belonged to that order of poets whom the finite does not satisfy. +Like Wordsworth, but more eminently, he was “powerfully affected” +only by that “which is conversant with or turns upon infinity,” +and man is to him a being with such a relationship to infinity that +Heaven and Hell contend over him. Every touch which sets forth +the eternal glory of Heaven and the scarcely subordinate power of Hell +magnifies him. Johnson, whose judgment on Milton is unsatisfactory +because he will not deliver himself sufficiently to beauty which he +must have recognised, nevertheless says of the <i>Paradise Lost</i>, +that “its end is to raise the thoughts above sublunary cares,” +and this is true. The other great epic poems worthy to be compared +with Milton’s, the Iliad, Odyssey, Æneid, and Divine Comedy, +all agree in representing man as an object of the deepest solicitude +to the gods or God. Milton’s conception of God is higher +than Homer’s, Virgil’s, or Dante’s, but the care of +the Miltonic God for his offspring is greater, and the profound truth +unaffected by Copernican discoveries and common to all these poets is +therefore more impressive in Milton than in the others.</p> +<p>There is nothing which the most gifted of men can create that is +not mixed up with earth, and Milton, too, works it up with his gold. +The weakness of the <i>Paradise Lost</i> is not, as Johnson affirms, +its lack of human interest, for the <i>Prometheus Bound</i> has just +as little, nor is Johnson’s objection worth anything that the +angels are sometimes corporeal and at other times independent of material +laws. Spirits could not be represented to a human mind unless +they were in a measure subject to the conditions of time and space. +The principal defect in <i>Paradise Lost</i> is the justification which +the Almighty gives of the creation of man with a liability to fall. +It would have been better if Milton had contented himself with telling +the story of the Satanic insurrection, of its suppression, of its author’s +revenge, of the expulsion from Paradise, and the promise of a Redeemer. +But he wanted to “justify the ways of God to man,” and in +order to do this he thought it was necessary to show that man must be +endowed with freedom of will, and consequently could not be directly +preserved from yielding to the assaults of Satan.</p> +<p><i>Paradise Regained</i> comes, perhaps, closer to us than <i>Paradise +Lost</i> because its temptations are more nearly our own, and every +amplification which Milton introduces is designed to make them more +completely ours than they seem to be in the New Testament. It +has often been urged against <i>Paradise Regained</i> that Jesus recovered +Paradise for man by the Atonement and not merely by resistance to the +devil’s wiles, but inasmuch as Paradise was lost by the devil’s +triumph through human weakness it is natural that <i>Paradise Regained</i> +should present the triumph of the Redeemer’s strength. It +is this victory which proves Jesus to be the Son of God and consequently +able to save us.</p> +<p>He who has now become incarnated for our redemption is that same +Messiah who, when He rode forth against the angelic rebels,</p> +<div class="GutenbergBlankLines1"><br /></div> +<p> “into terror chang’d<br />His count’nance +too severe to be beheld,<br />And full of wrath bent on his enemies.”</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>It is He who</p> +<div class="GutenbergBlankLines1"><br /></div> +<p> “on his impious foes right onward drove,<br />Gloomy +as night:”</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>whose right hand grasped</p> +<div class="GutenbergBlankLines1"><br /></div> +<p> “ten thousand thunders, which he sent <br />Before +him, such as in their souls infix’d<br />Plagues.”<br />(<i>P. +L</i>. vi. 824-38.)</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>Now as Son of Man he is confronted with that same Archangel, and +he conquers by “strong sufferance.” He comes with +no fourfold visage of a charioteer flashing thick flames, no eye which +glares lightning, no victory eagle-winged and quiver near her with three-bolted +thunder stored, but in “weakness,” and with this he is to +“overcome satanic strength.”</p> +<p>Milton sees in the temptation to turn the stones into bread a devilish +incitement to use miraculous powers and not to trust the Heavenly Father.</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>“Why dost thou then suggest to me distrust,<br />Knowing who +I am, as I know who thou art?”<br />(<i>P. R</i>. i. 355-6.)</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>Finding his enemy steadfast, Satan disappears,</p> +<div class="GutenbergBlankLines1"><br /></div> +<p> “bowing low<br />His gray dissimulation,”<br />(<i>P. +R</i>. i. 497-8.)</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>and calls to council his peers. He disregards the proposal +of Belial to attempt the seduction of Jesus with women. If he +is vulnerable it will be to objects</p> +<div class="GutenbergBlankLines1"><br /></div> +<p> “such as have more shew<br />Of worth, of +honour, glory, and popular praise,<br />Rocks whereon greatest men have +oftest wreck’d;<br />Or that which only seems to satisfy<br />Lawful +desires of Nature, not beyond.”<br />(<i>P. R</i>. ii. 226-30.)</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>The former appeal is first of all renewed. “Tell me,” +says Satan,</p> +<div class="GutenbergBlankLines1"><br /></div> +<p> “‘if food were now before thee set<br />Would’st +thou not eat?’ ‘Thereafter as I like<br />The giver,’ +answered Jesus.”<br />(<i>P. R</i>. ii. 320-22.)</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>A banquet is laid, and Satan invites Jesus to partake of it.</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>“What doubts the Son of God to sit and eat?<br />These are +not fruits forbidd’n.”<br />(<i>P. R</i>. ii. 368-9.)</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>But Jesus refuses to touch the devil’s meat -</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>“Thy pompous delicacies I contemn,<br />And count thy specious +gifts no gifts, but guiles.”<br />(<i>P. R</i>. ii. 390-1.)</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>So they were, for at a word</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>“Both table and provision vanish’d quite, <br />With +sound of harpies’ wings and talons heard.”<br />(<i>P. R</i>. +ii. 402-3.)</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>If but one grain of that enchanted food had been eaten, or one drop +of that enchanted liquor had been drunk, there would have been no Cross, +no Resurrection, no salvation for humanity.</p> +<p>The temptation on the mountain is expanded by Milton through the +close of the second book, the whole of the third and part of the fourth. +It is a temptation of peculiar strength because it is addressed to an +aspiration which Jesus has acknowledged.</p> +<div class="GutenbergBlankLines1"><br /></div> +<p> “Yet this not all<br />To which my spirit +aspir’d: victorious deeds <br />Flam’d in my heart, heroic +acts.”<br />(<i>P. R</i>. i. 214-16.)</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>But he denies that the glory of mob-applause is worth anything.</p> +<div class="GutenbergBlankLines1"><br /></div> +<p> “What is glory but the blaze of fame,<br />The +people’s praise, if always praise unmixt?<br />And what the people +but a herd confus’d,<br />A miscellaneous rabble, who extol<br />Things +vulgar, and, well weigh’d, scarce worth the praise?”<br />(<i>P. +R</i>. iii. 47-51.)</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>To the Jesus of the New Testament this answer is, in a measure, inappropriate. +He would not have called the people “a herd confus’d, a +miscellaneous rabble.” But although inappropriate it is +Miltonic. The devil then tries the Saviour with a more subtle +lure, an appeal to duty.</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>“If kingdom move thee not, let move thee zeal<br />And duty; +zeal and duty are not slow;<br />But on occasion’s forelock watchful +wait.<br />They themselves rather are occasion best,<br />Zeal of thy +father’s house, duty to free<br />Thy country from her heathen +servitude.”<br />(<i>P. R</i>. iii. 171-6.)</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>But zeal and duty, the endeavour to hurry that which cannot and must +not be hurried may be a suggestion from hell.</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>“If of my reign prophetic writ hath told<br />That it shall +never end, so when begin<br />The Father in His purpose hath decreed.”<br />(<i>P. +R</i>. iii. 184-6.)</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>Acquiescence, a conviction of the uselessness of individual or organised +effort to anticipate what only slow evolution can bring, is characteristic +of increasing years, and was likely enough to be the temper of Milton +when he had seen the failure of the effort to make actual on earth the +kingdom of Heaven. The temptation is developed in such a way that +every point supposed to be weak is attacked. “You may be +what you claim to be,” insinuates the devil, “but are rustic.”</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>“Thy life hath yet been private, most part spent<br />At home, +scarce view’d the Galilean towns, <br />And once a year Jerusalem.”<br />(<i>P. +R</i>. iii. 232-4.)</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>Experience and alliances are plausibly urged as indispensable for +success. But Jesus knew that the sum total of a man’s power +for good is precisely what of good there is in him and that if it be +expressed even in the simplest form, all its strength is put forth and +its office is fulfilled. To suppose that it can be augmented by +machinery is a foolish delusion. The</p> +<div class="GutenbergBlankLines1"><br /></div> +<p> “projects deep<br />Of enemies, of aids, +battles and leagues, <br />Plausible to the world”<br />(<i>P. +R</i>. iii. 395-3.)</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>are to the Founder of the kingdom not of this world “worth +naught.” Another side of the mountain is tried. Rome +is presented with Tiberius at Capreæ. Could it possibly +be anything but a noble deed to</p> +<div class="GutenbergBlankLines1"><br /></div> +<p> “expel this monster from his throne<br />Now +made a sty, and in his place ascending, <br />A victor people free from +servile yoke!”<br />(<i>P. R</i>. iv. 100-102.)</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>“<i>And with my help thou may’st</i>.” With +the devil’s help and not without can this glorious revolution +be achieved! “For him,” is the Divine reply, “I +was not sent.” The attack is then directly pressed.</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>“The kingdoms of the world, to thee I give;<br />For, giv’n +to me, I give to whom I please,<br />No trifle; yet with this reserve, +not else,<br />On this condition, if thou wilt fall down<br />And worship +me as thy superior lord.”<br />(<i>P. R</i>. iv. 163-7.)</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>This, then, is the drift and meaning of it all. The answer +is taken verbally from the gospel.</p> +<div class="GutenbergBlankLines1"><br /></div> +<p> “‘Thou shalt worship<br />The Lord +thy God, and only Him shalt serve.’”<br />(<i>P. R</i>. +iv. 176-7.)</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>That is to say, Thou shalt submit thyself to God’s commands +and God’s methods and thou shalt submit thyself to <i>no other.</i></p> +<p>Omitting the Athenian and philosophic episode, which is unnecessary +and a little unworthy even of the Christian poet, we encounter not an +amplification of the Gospel story but an interpolation which is entirely +Milton’s own. Night gathers and a new assault is delivered +in darkness. Jesus wakes in the storm which rages round Him. +The diabolic hostility is open and avowed and He hears the howls and +shrieks of the infernals. He cannot banish them though He is so +far master of Himself that He is able to sit “unappall’d +in calm and sinless peace.” He has to endure the hellish +threats and tumult through the long black hours</p> +<div class="GutenbergBlankLines1"><br /></div> +<p> “till morning fair<br />Came forth with pilgrim +steps in amice gray,<br />Who with her radiant finger still’d +the roar<br />Of thunder, chas’d the clouds, and laid the winds,<br />And +grisly spectres, which the Fiend had rais’d<br />To tempt the +Son of God with terrors dire.<br />But now the sun with more effectual +beams<br />Had cheer’d the face of earth, and dri’d the +wet<br />From drooping plant, or dropping tree; the birds,<br />Who +all things now beheld more fresh and green,<br />After a night of storm +so ruinous,<br />Clear’d up their choicest notes in bush and spray<br />To +gratulate the sweet return of morn.”<br />(<i>P. R</i>. iv. 426-38.)</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>There is nothing perhaps in <i>Paradise Lost</i> which possesses +the peculiar quality of this passage, nothing which like these verses +brings into the eyes the tears which cannot be repressed when a profound +experience is set to music.</p> +<p>The temptation on the pinnacle occupies but a few lines only of the +poem. Hitherto Satan admits that Jesus had conquered, but he had +done no more than any wise and good man could do.</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>“Now show thy progeny; if not to stand,<br />Cast thyself down; +safely, if Son of God;<br />For it is written, ‘He will give command<br />Concerning +thee to His angels; in their hands<br />They shall uplift thee, lest +at any time<br />Thou chance to dash thy foot against a stone.’”<br />(<i>P. +R</i>. iv. 554-9.)</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>The promise of Divine aid is made in mockery.</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>“To whom thus Jesus: ‘Also it is written,<br />Tempt +not the Lord thy God.’ He said, and stood:<br />But Satan, +smitten with amazement, fell.”<br />(<i>P. R</i>. iv. 560-2.)</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>It is not meant, “thou shalt not tempt <i>me</i>,” but +rather, “it is not permitted me to tempt God.” In +this extreme case Jesus depends on God’s protection. This +is the devil’s final defeat and the seraphic company for which +our great Example had refused to ask instantly surrounds and receives +him. Angelic quires</p> +<div class="GutenbergBlankLines1"><br /></div> +<p> “the Son of God, our Saviour meek, <br />Sung +victor, and from heavenly feast refresh’t, <br />Brought on His +way with joy; He unobserv’d, <br />Home to His mother’s +house private return’d.”<br />(<i>P. R</i>. iv. 636-9.)</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>Warton wished to expunge this passage, considering it an unworthy +conclusion. It is to be hoped that there are many readers of Milton +who are able to see what is the value of these four lines, particularly +of the last.</p> +<p>It is hardly necessary to say more in order to show how peculiarly +Milton is endowed with that quality which is possessed by all great +poets - the power to keep in contact with the soul of man.</p> +<div class="GutenbergBlankLines2"><br /><br /></div> +<h2>THE MORALITY OF BYRON’S POETRY. “THE CORSAIR.”</h2> +<div class="GutenbergBlankLines2"><br /><br /></div> +<p>[This is an abstract of an essay four times as long written many +years ago. Although so much has been struck out, the substance +is unaltered, and the conclusion is valid for the author now as then.]</p> +<p>Byron above almost all other poets, at least in our day, has been +set down as immoral. In reality he is moral, using the word in +its proper sense, and he is so, not only in detached passages, but in +the general drift of most of his poetry. We will take as an example +“The Corsair.”</p> +<p>Conrad is not a debauched buccaneer. He was not -</p> +<div class="GutenbergBlankLines1"><br /></div> +<p> “by Nature sent<br />To lead the guilty - +guilt’s worst instrument.”</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>He had been betrayed by misplaced confidence.</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>“Doom’d by his very virtues for a dupe,<br />He cursed +those virtues as the cause of ill,<br />And not the traitors who betray’d +him still;<br />Nor deem’d that gifts bestow’d on better +men<br />Had left him joy, and means to give again,<br />Fear’d +- shunn’d - belied - ere youth had lost her force,<br />He hated +man too much to feel remorse,<br />And thought the voice of wrath a +sacred call,<br />To pay the injuries of some on all.”</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>Conrad was not, and could not be, mean and selfish. A selfish +Conrad would be an absurdity. His motives are not gross -</p> +<div class="GutenbergBlankLines1"><br /></div> +<p> “he shuns the grosser joys of sense,<br />“His +mind seems nourished by that abstinence.”</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>He is protected by a charm against undistinguishing lust -</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>“Though fairest captives daily met his eye,<br />He shunn’d, +nor sought, but coldly pass’d them by;”</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>and even Gulnare, his deliverer, fails to seduce him.</p> +<p>Mr. Ruskin observes that Byron makes much of courage. It is +Conrad, the leader, who undertakes the dangerous errand of surprising +Seyd; it is he who determines to save the harem. His courage is +not the mere excitement of battle. When he is captured -</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>“A conqueror’s more than captive’s air is seen,”</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>and he is not insensible to all fear.</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>“Each has some fear, and he who least betrays, <br />The only +hypocrite deserving praise.</p> +<p>* * * * *</p> +<p>One thought alone he could not - dared not meet - <br />‘Oh, +how these tidings will Medora greet?’”</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>Gulnare announces his doom to him, hut he is calm. He cannot +stoop even to pray. He has deserted his Maker, and it would be +baseness now to prostrate himself before Him.</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>“I have no thought to mock his throne with prayer <br />Wrung +from the coward crouching of despair;<br />It is enough - I breathe +- and I can bear.”</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>He has no martyr-hope with which to console himself; his endurance +is of the finest order - simple, sheer resolution, a resolve that with +no reward, he will never disgrace himself. He knows what it is</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>“To count the hours that struggle to thine end, <br />With +not a friend to animate, and tell<br />To other ears that death became +thee well,”</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>but he does not break down.</p> +<p>Gulnare tries to persuade him that the only way by which he can save +himself from tortures and impalement is by the assassination of Seyd, +but he refuses to accept the terms -</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>“Who spares a woman’s seeks not slumber’s life” +-</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>and dismisses her. When she has done the deed and he sees the +single spot of blood upon her, he, the Corsair, is unmanned as he had +never been in battle, prison, or by consciousness of guilt.</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>“But ne’er from strife - captivity - remorse - <br />From +all his feelings in their inmost force - <br />So thrill’d - so +shudder’d every creeping vein,<br />As now they froze before that +purple stain.<br />That spot of blood, that light but guilty streak,<br />Had +banish’d all the beauty from her cheek!”</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>The Corsair’s misanthropy had not destroyed him. Small +creatures alone are wholly converted into spite and scepticism by disappointment +and repulse. Those who are larger avenge themselves by devotion. +Conrad’s love for Medora was intensified and exalted by his hatred +of the world.</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>“Yes, it was Love - unchangeable - unchanged, <br />Felt but +for one from whom he never ranged;”</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>and she was worthy of him, the woman who could sing -</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>“Deep in my soul that tender secret dwells,<br />Lonely and +lost to light for evermore, <br />Save when to thine my heart responsive +swells, <br />Then trembles into silence as before.</p> +<p>There, in its centre, a sepulchral lamp<br />Burns the slow flame, +eternal - but unseen;<br />Which not the darkness of despair can damp,<br />Though +vain its ray as it had never been.”</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>He finds Medora dead, and -</p> +<div class="GutenbergBlankLines1"><br /></div> +<p> “his mother’s softness crept<br />To +those wild eyes, which like an infant’s wept.”</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>If his crimes and love could be weighed in a celestial balance, weight +being apportioned to the rarity and value of the love, which would descend?</p> +<p>The points indicated in Conrad’s character are not many, but +they are sufficient for its delineation, and it is a moral character. +We must, of course, get rid of the notion that the relative magnitude +of the virtues and vices according to the priest or society is authentic. +A reversion to the natural or divine scale has been almost the sole +duty preached to us by every prophet. If we could incorporate +Conrad with ourselves we should find that the greater part of what is +worst in us would be neutralised. The sins of which we are ashamed, +the dirty, despicable sins, Conrad could not have committed; and in +these latter days they are perhaps the most injurious.</p> +<p>We do not understand how moral it is to yield unreservedly to enthusiasm, +to the impression which great objects would fain make upon us, and to +embody that impression in worthy language. It is rare to meet +now even with young people who will abandon themselves to a heroic emotion, +or who, if they really feel it, do not try to belittle it in expression. +Byron’s poetry, above most, tempts and almost compels surrender +to that which is beyond the commonplace self.</p> +<p>It is not true that “The Corsair” is insincere. +He who hears a note of insincerity in Conrad and Medora may have ears, +but they must be those of the translated Bottom who was proud of having +“a reasonable good ear in music.” Byron’s romance +has been such a power exactly because men felt that it was not fiction +and that his was one of the strongest minds of his day. He was +incapable of toying with the creatures of the fancy which had no relationship +with himself and through himself with humanity.</p> +<p>A word as to Byron’s hold upon the people. He was able +to obtain a hearing from ordinary men and women, who knew nothing even +of Shakespeare, save what they had seen at the theatre. Modern +poetry is the luxury of a small cultivated class. We may say what +we like of popularity, and if it be purchased by condescension to popular +silliness it is nothing. But Byron secured access to thousands +of readers in England and on the Continent by strength and loveliness, +a feat seldom equalled and never perhaps surpassed. The present +writer’s father, a compositor in a dingy printing office, repeated +verses from “Childe Harold” at the case. Still more +remarkable, Byron reached one of this writer’s friends, an officer +in the Navy, of the ancient stamp; and the attraction, both to printer +and lieutenant, lay in nothing lower than that which was best in him. +It is surely a service sufficient to compensate for many more faults +than can be charged against him that wherever there was any latent poetic +dissatisfaction with the vulgarity and meanness of ordinary life he +gave it expression, and that he has awakened in the <i>people</i> lofty +emotions which, without him, would have slept. The cultivated +critics, and the refined persons who have <i>schrecklich viel gelesen</i>, +are not competent to estimate the debt we owe to Byron.</p> +<div class="GutenbergBlankLines2"><br /><br /></div> +<h2>BYRON, GOETHE, AND MR. MATTHEW ARNOLD</h2> +<div class="GutenbergBlankLines2"><br /><br /></div> +<p>(<i>Reprinted, with corrections, by permission from the</i> “<i>Contemporary +Review</i>,” <i>August</i>, 1881.)</p> +<p>Mr. Matthew Arnold has lately published a remarkable essay <a name="citation133"></a><a href="#footnote133">{133}</a> +upon Lord Byron. Mr. Arnold’s theory about Byron is, that +he is neither artist nor thinker - that “he has no light, cannot +lead us from the past to the future;” “the moment he reflects, +he is a child;” “as a poet he has no fine and exact sense +for word and structure and rhythm; he has not the artist’s nature +and gifts.” The excellence of Byron mainly consists in his +“sincerity and strength;” in his rhetorical power; in his +“irreconcilable revolt and battle” against the political +and social order of things in which he lived. “Byron threw +himself upon poetry as his organ; and in poetry his topics were not +Queen Mab, and the Witch of the Atlas, and the Sensitive Plant, they +were the upholders of the old order, George the Third and Lord Castlereagh +and the Duke of Wellington and Southey, and they were the canters and +tramplers of the great world, and they were his enemies and himself.”</p> +<p>Mr. Arnold appeals to Goethe as an authority in his favour. +In order, therefore, that English people may know what Goethe thought +about Byron I have collected some of the principal criticisms upon him +which I can find in Goethe’s works. The text upon which +Mr. Arnold enlarges is the remark just quoted which Goethe made about +Byron to Eckermann: “<i>so bald er reflectirt ist er ein Kind</i>” +- <i>as soon as he reflects he is a child.</i></p> +<p>Goethe, it is true, did say this; but the interpretation of the saying +depends upon the context, which Mr. Arnold omits. I give the whole +passage, quoting from Oxenford’s translation of the <i>Eckermann +Conversations</i>, vol. i. p. 198 (edition 1850):-</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>“‘Lord Byron,’ said Eckermann, ‘is no wiser +when he takes ‘Faust’ to pieces and thinks you found one +thing here, the other there.’ ‘The greater part of +those fine things cited by Lord Byron,’ Goethe replied, ‘I +have never even read; much less did I think of them when I was writing +“Faust.” But Lord Byron is only great as a poet; as +soon as he reflects he is a child. He knows not how to help himself +against the stupid attacks of the same kind made upon him by his own +countrymen. He ought to have expressed himself more strongly against +them. ‘What is there is mine,’ he should have said, +‘and whether I got it from a book or from life is of no consequence; +the only point is, whether I have made a right use of it.’ +Walter Scott used a scene from my ‘Egmont,’ and he had a +right to do so; and because he did it well, he deserves praise.’”</p> +<p>Goethe certainly does not mean that Byron was unable to reflect in +the sense in which Mr. Arnold interprets the word. What was really +meant we shall see in a moment.</p> +<p>We will, however, continue the quotations from the <i>Eckermann</i>:-</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>“We see how the inadequate dogmas of the Church work upon a +free mind like Byron’s and how by such a piece (‘Cain’) +he struggles to get rid of a doctrine which has been forced upon him” +(vol. i. p. 129).</p> +<p>“The world to him was transparent, and he could paint by way +of anticipation” (vol. i. p. 140).</p> +<p>“That which I call invention I never saw in any one in the +world to a greater degree than in him” (vol. i. p. 205).</p> +<p>“Lord Byron is to be regarded as a man, as an Englishman, and +as a great talent. His good qualities belong chiefly to the man, +his bad to the Englishman and the peer, his talent is incommensurable. +All Englishmen are, as such, without reflection properly so-called; +distractions and party-spirit will not permit them to perfect themselves +in quiet. But they are great as practical men. Thus, Lord +Byron could never attain reflection on himself, and on this account +his maxims in general are not successful. . . . But where he will +create, he always succeeds; and we may truly say that, with him, inspiration +supplies the place of reflection. He was always obliged to go +on poetizing, and then everything that came from the man, especially +from his heart, was excellent. He produced his best things, as +women do pretty children, without thinking about it, or knowing how +it was done. He is a great talent, a born talent, and I never +saw the true poetical power greater in any man than in him. In +the apprehension of external objects, and a clear penetration into past +situations, he is quite as great as Shakespeare. But as a pure +individuality, Shakespeare is his superior” (vol. i. p. 209).</p> +<p>We see now what Goethe means by “reflection.” It +is the faculty of self-separation, or conscious <i>consideration</i>, +a faculty which would have enabled Byron, as it enabled Goethe, to reply +successfully to a charge of plagiarism. It is not thought in its +widest sense, nor creation, and it has not much to do with the production +of poems of the highest order - the poems that is to say, which are +written by the impersonal thought.</p> +<p>But again - </p> +<p>“The English may think of Byron as they please; but this is +certain, that they can show no poet who is to be compared to him. +He is different from all the others, and for the most part, greater” +(vol. i. p. 290).</p> +<p>This passage is one which Mr. Arnold quotes, and he strives to diminish +its importance by translating <i>der ihm zu vergleichen wäre</i>, +by “who is his parallel,” and maintains that Goethe “was +not so much thinking of the strict rank, as poetry, of Byron’s +production; he was thinking of that wonderful personality of Byron which +so enters into his poetry.” It is just possible; but if +Goethe did think this, he used words which are misleading, and if the +phrase <i>der ihm zu vergleichen wäre</i> simply indicates parallelism, +it has no point, for in that sense it might have been applied to Scott +or to Southey.</p> +<p>“I have read once more Byron’s ‘Deformed Transformed,’ +and must say that to me his talent appears greater than ever. +His devil was suggested by my Mephistopheles; but it is no imitation +- it is thoroughly new and original; close, genuine, and spirited. +There are no weak passages - not a place where you could put the head +of a pin, where you do not find <i>invention and thought</i> [italics +mine]. Were it not for his hypochondriacal negative turn, he would +be as great as Shakespeare and the ancients” (vol. i. p. 294).</p> +<p>Eckermann expressed his surprise. “Yes,” said Goethe, +“you may believe me, I have studied him anew and am confirmed +in this opinion.” The position which Byron occupies in the +Second Part of “Faust” is well known. Eckermann talked +to Goethe about it, and Goethe said, “I could not make use of +any man as the representative of the modern poetical era except him, +who undoubtedly is to be regarded as the greatest genius of our century” +(vol. i. p. 425). Mr. Arnold translates this word “genius” +by “talent.” The word in the original is <i>talent</i>, +and I will not dispute with so accomplished a German scholar as Mr. +Arnold as to what is the precise meaning of <i>talent</i>. In +both the English translations of Eckermann the word is rendered “genius,” +and after the comparison between Byron, Shakespeare, and the ancients +just quoted, we can hardly admit that Goethe meant to distinguish scientifically +between the two orders of intellect and to assign the lower to Byron.</p> +<p>But, last of all, I will translate Goethe’s criticism upon +“Cain.” So far as I know, it has not yet appeared +in English. It is to be found in the Stuttgart and Tübingen +edition of Goethe, 1840, vol. xxxiii. p. 157. Some portions which +are immaterial I have omitted:-</p> +<p>“After I had listened to the strangest things about this work +for almost a year, I at last took it myself in hand, and it excited +in me astonishment and admiration; an effect which will produce in the +mind which is simply susceptible, everything good, beautiful, and great. +. . . The poet who, surpassing the limit of all our conceptions, +has penetrated with burning spiritual vision the past and present, and +consequently the future, has now subdued new regions under his limitless +talent, but what he will accomplish therein can be predicted by no human +being. His procedure, however, we can nevertheless in a measure +more closely determine. He adheres to the letter of the Biblical +tradition, for he allows the first pair of human beings to exchange +their original purity and innocence for a guilt mysterious in its origin; +the punishment which is its consequence descending upon all posterity. +The monstrous burden of such an event he lays upon the shoulders of +Cain as the representative of a wretched humanity, plunged for no fault +of its own into the depths of misery.</p> +<p>“To this primitive son of man, bowed down and heavily burdened, +death, which as yet he has not seen, is an especial trouble; and although +he may desire the end of his present distress, it seems still more hateful +to exchange it for a condition altogether unknown. Hence we already +see that the full weight of a dogmatic system, explaining, mediating, +yet always in conflict with itself, just as it still for ever occupies +us, was imposed on the first miserable son of man. These contradictions, +which are not strange to human nature, possessed his mind, and could +not be brought to rest, either through the divinely-given gentleness +of his father and brother, or the loving and alleviating co-operation +of his sister-wife. In order to sharpen them to the point of impossibility +of endurance, Satan comes upon the scene, a mighty and misleading spirit, +who begins by unsettling him morally, and then conducts him miraculously +through all worlds, causing him to see the past as overwhelmingly vast, +the present as small and of no account, and the future as full of foreboding +and void of consolation.</p> +<p>“So he turns back to his own family, more excited, but not +worse than before; and finding in the family circle everything as he +has left it, the urgency of Abel, who wishes to make him offer a sacrifice, +becomes altogether insupportable. More say we not, excepting that +the motivation of the scene in which Abel perishes is of the rarest +excellence, and what follows is equally great and priceless. There +now lies Abel! That now is Death - there was so much talk about +it, and man knows about it as little as he did before.</p> +<p>“We must not forget, that through the whole piece there runs +a kind of presentiment of a Saviour, so that the poet at this point, +as well as in all others, has known how to bring himself near to the +ideas by which we explain things, and to our modes of faith.</p> +<p>“Of the scene with the parents, in which Eve at last curses +the speechless Cain, which our western neighbour lifts into such striking +prominence, there remains nothing more for us to say: we have to approach +the conclusion with astonishment and reverence.</p> +<p>“With regard to this conclusion, an intelligent and fair friend, +related to us through esteem for Byron, has asserted that everything +religious and moral in the world was put into the last three words of +the piece.” <a name="citation143"></a><a href="#footnote143">{143}</a></p> +<p>We have now heard enough from Goethe to prove that Mr. Arnold’s +interpretation of “<i>so bald er reflectirt ist er ein Kind</i>” +is not Goethe’s interpretation of Byron. It is to be remembered +that Goethe was not a youth overcome by Mr. Arnold’s “vogue” +when he read Byron. He was a singularly self-possessed old man.</p> +<p>Many persons will be inclined to think that Goethe, so far from putting +Byron on a lower level than that usually assigned to him, has over-praised +him, and will question the “burning spiritual vision” which +the great German believed the great Englishman to possess. But +if we consider what Goethe calls the “motivation” of Cain; +if we reflect on what the poet has put into the legend; on the exploration +of the universe with Lucifer as a guide; on its result, on the mode +in which the death of Abel is reached; on the doom of the murderer - +the limitless wilderness henceforth and no rest; on the fidelity of +Adah, who, with the true instinct of love, separates between the man +and the crime; on the majesty of the principal character, who stands +before us as the representative of the insurgence of the human intellect, +so that, if we know him, we know a whole literature; if we meditate +hereon, we shall say that Goethe has not exaggerated. It is the +same with the rest of Byron’s dramas. Over and above the +beauty of detached passages, there is in each one of them a large and +universal meaning, or rather meaning within meaning, precisely the same +for no reader, but none the less certain, and as inexhaustible as the +meanings of Nature. This is one reason why the wisdom of a selection +from Byron is so doubtful. The worth of “Cain,” of +“Sardanapalus,” of “Manfred,” of “Marino +Faliero,” is the worth of an outlook over the sea; and we cannot +take a sample of the scene from a cliff by putting a pint of water into +a bottle. But Byron’s critics and the compilers tell us +of failures, which ought not to survive, and that we are doing a kindness +to him if we suppress these and exhibit him at his best. No man +who seriously cares for Byron will assent to this doctrine. We +want to know the whole of him, his weakness as well as his strength; +for the one is not intelligible without the other. A human being +is an indivisible unity, and his weakness <i>is</i> his strength, and +his strength <i>is</i> his weakness.</p> +<p>It is not my object now, however, to justify what Mr. Arnold calls +the Byronic “superstition.” I hope I could justify +a good part of it, but this is not the opportunity. I cannot resist, +however, saying a word by way of conclusion on the manner in which Byron +has fulfilled what seems to me one of the chief offices of the poet. +Mr. Arnold, although he is so dissatisfied with Byron because he “cannot +reflect,” would probably in another mood admit that “reflections” +are not what we demand of a poet. We do not ask of him a rhymed +book of proverbs. He should rather be the articulation of what +in Nature is great but inarticulate. In him the thunder, the sea, +the peace of morning, the joy of youth, the rush of passion, the calm +of old age, should find words, and men should through him become aware +of the unrecognised wealth of existence. Byron had the power above +most poets of acting as a kind of tongue to Nature. His descriptions +are on everybody’s lips, and it is superfluous to quote them. +He represented things not as if they were aloof from him, but as if +they were the concrete embodiment of his soul. The woods, the +wilds, the waters of Nature are to him -</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>“the intense<br />Reply of <i>hers</i> to our intelligence.”</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>His success is equally marked when he portrays men or women whose +character attracts him. Take, for example, the girl in “The +Island”:-</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>“The sunborn blood suffused her neck, and threw<br />O’er +her clear nutbrown skin a lucid hue,<br />Like coral reddening through +the darken’d wave,<br />Which draws the diver to the crimson cave.<br />Such +was this daughter of the southern seas,<br /><i>Herself a billow in +her energies</i>.</p> +<p>* * * * *</p> +<p>Her smiles and tears had pass’d, as light winds pass<br />O’er +lakes to ruffle, not destroy, their glass,<br /><i>Whose depths unsearch’d, +and fountains from the hill,<br />Restore their surface, in itself so +still</i>.”</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>Passages like these might be quoted without end from Byron, and they +explain why he is and must be amongst the immortals. He may have +been careless in expression; he may have been a barbarian and not a +ευφυης, as Mr. Matthew Arnold +affirms, but he was <i>great</i>. This is the word which describes +him. He was a mass of living energy, and therefore he is sanative. +Energy, power, is the one thing after which we pine in this sickly age. +We do not want carefully and consciously constructed poems of mosaic. +Strength is what we need and what will heal us. Strength is true +morality, and true beauty. It is the strength in Byron that falsifies +the accusation of affectation and posing, which is brought against him. +All that is meant by affectation and posing was a mere surface trick. +The real man, Byron, and his poems are perfectly unconscious, as unconscious +as the wind. The books which have lived and always will live have +this unconsciousness in them, and what is manufactured, self-centred, +and self-contemplative will perish. The world’s literature +is the work of men, who, to use Byron’s own words -</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>“Strip off this fond and false identity;”</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>who are lost in their object, who write because they cannot help +it, imperfectly or perfectly, as the case may be, and who do not sit +down to fit in this thing and that thing from a commonplace book. +Many novelists there are who know their art better than Charlotte Brontë, +but she, like Byron - and there are more points of resemblance between +them than might at first be supposed - is imperishable because she speaks +under overwhelming pressure, self-annihilated, we may say, while the +spirit breathes through her. The Byron “vogue” will +never pass so long as men and women are men and women. Mr. Arnold +and the critics may remind us of his imperfections of form, but Goethe +is right after all, for not since Shakespeare have we had any one <i>der +ihm zu vergleichen wäre.</i></p> +<div class="GutenbergBlankLines2"><br /><br /></div> +<h2>A SACRIFICE</h2> +<div class="GutenbergBlankLines2"><br /><br /></div> +<p>A fatal plague devastated the city. The god had said that it +would continue to rage until atonement for a crime had been offered +by the sacrifice of a man. He was to be perfect in body; he must +not desire to die because he no longer loved life, or because he wished +for fame. A statue must not be erected to his memory; no poem +must be composed for him; his name must not appear in the city’s +records.</p> +<p>A few volunteers presented themselves, but none of them satisfied +all the conditions. At last a young man came who had served as +the model for the image of the god in his temple. There was no +question, therefore, of soundness of limb, and when he underwent the +form of examination no spot nor blemish was found on him. The +priest asked him whether he was in trouble, and especially whether he +was disappointed in love. He said he was in no trouble; that he +was betrothed to a girl to whom he was devoted, and that they had intended +to be married that month. “I am,” he declared, “the +happiest man in the city.” The priest doubted and watched +him that evening, but he saw him walking side by side with this girl, +and the two were joyous as a youth and a maiden ought to be in the height +of their passion. She sat down and sang to him he played to her, +and they embraced one another tenderly at parting.</p> +<p>The next morning was the day on which he was to be slain. There +was an altar in front of the temple, and a great crowd assembled, ranked +round the open space. At the appointed hour the priest appeared, +and with him was the youth, holding his beloved by the hand, but she +was blindfolded. He let go her hand, knelt down, and in a moment +the sacrificial knife was drawn across his throat. His body was +placed upon the wood, and the priest was about to kindle it when a flash +from heaven struck it into a blaze with such heat that when the fire +dropped no trace of the victim remained. The girl, too, had disappeared, +and was never seen again.</p> +<p>In accordance with the god’s decree, no statue was erected, +no poem was composed, and no entry was made in the city records. +But tradition did not forget that the saviour of the city was he who +survived in the great image on which the name of the god was inscribed.</p> +<div class="GutenbergBlankLines2"><br /><br /></div> +<h2>THE AGED TREE</h2> +<div class="GutenbergBlankLines2"><br /><br /></div> +<p>An aged tree, whose companions had gone, having still a little sap +in its bark and a few leaves which grew therefrom, prayed it might see +yet another spring. Its prayer was granted: and spring came, but +the old tree had no leaves save one or two near the ground, and a great +fungus fixed itself on its trunk. It had a dull life in its roots, +but not enough to know that its moss and fungus were not foliage. +It stood there, an unlovely mass of decay, when the young trees were +all bursting. “That rotten thing,” said the master, +“ought to have been cut down long ago.”</p> +<div class="GutenbergBlankLines2"><br /><br /></div> +<h2>CONSCIENCE</h2> +<div class="GutenbergBlankLines2"><br /><br /></div> +<p>“Conscience,” said I, “her conscience would have +told her.”</p> +<p>“Yes,” said my father. “The strongest amongst +the many objections to the Roman Catholic doctrine of confession is +that it weakens our dependence on the conscience. If we seek for +an external command to do what ought to be done in obedience to that +inward monitor, whose voice is always clear if we will but listen, its +authority will gradually be lost, and in the end it will cease to speak.”</p> +<p>“Conscience,” said my grandmother musingly (turning to +my father). “You will remember Phyllis Eyre? She was +one of my best friends, and it is now two years since she died, unmarried. +She was once governess to the children of Sir Robert Walsh, but remained +in the house as companion to Lady Walsh long after her pupils had grown +up. She was, in fact, more than a companion, for Lady Walsh trusted +her and loved her. She was by birth a lady; she had been well +educated, and, like her mistress, she was devoutly and evangelically +pious. She was also very handsome, and this you may well believe, +for, as you know, she was handsome as an old woman, stately and erect, +with beautiful, undimmed eyes. When Evelina Walsh, the eldest +daughter, was about one and twenty, Charles Fysshe, the young heir to +the Fysshe property, came to stay with her brother, and Phyllis soon +discovered, or thought she discovered, that he was in love with Evelina. +He seemed to court her society, and paid her attentions which could +be explained on one hypothesis only. Phyllis was delighted, for +the match in every way was most suitable, and must gladden the hearts +of Evelina’s parents. The young man would one day be the +possessor of twenty thousand acres; he had already taken a position +in the county, and his soul was believed to be touched with Divine grace. +Evelina certainly was in love with him, and Phyllis was not backward +in urging his claims. She congratulated herself, and with justice, +that if the marriage should ever take place, it would be acknowledged +that she had had a hand in it. It might even be doubted whether +Evelina, without Phyllis’s approval, would have permitted herself +to indulge her passion, for she was by nature diffident, and so beset +with reasons for and against when she had to make up her mind on any +important matter, that a decision was always most difficult to her.</p> +<p>“Charles stayed for about six weeks, and was then called home. +He promised that he would pay another visit of a week in the autumn, +when Sir Robert was to entertain the Lord Lieutenant and there were +to be grand doings at the Hall. Conversation naturally turned +upon him during his absence, and Phyllis, as usual, was warm in his +praise. One evening, after she had reached her own room and had +lain down to sleep, a strange apparition surprised her. It was +something more than a suspicion that she herself loved Charles. +She strove to rid herself of this intrusion: she called to mind the +difference in their rank; that she was five years his senior, and that +if she yielded she would be guilty of treachery to Evelina. It +was all in vain; the more she resisted the more vividly did his image +present itself, and she was greatly distressed. What was the meaning +of this outbreak of emotion, not altogether spiritual, of this loss +of self-possession, such as she had never known before? Her usual +remedies against evil thoughts failed her, and, worst of all, there +was the constant suggestion that these particular thoughts were not +evil. Hitherto, when temptation had attacked her, she was sure +whence it came, but she was not sure now. It might be an interposition +of Providence, but how would it appear to Evelina? I myself, my +dears, have generally found that to resist the devil is not difficult +if I am quite certain that the creature before me is the devil, but +it does tax my wits sometimes to find out if he is really the enemy +or not. When Apollyon met Christian he was not in doubt for an +instant, for the monster was hideous to behold: he had scales like a +fish, wings like a dragon, feet like a bear, out of his belly came fire +and smoke, and his mouth was as the mouth of a lion. After some +parleying he cast his dreadful dart, but Christian, without more ado, +put up his shield, drew his sword, and presently triumphed. If +Satan had turned himself, from his head to his ankles, into a man, and +had walked by Christian’s side, and had talked with him, and had +agreed with him in everything he had to say, the bear’s claws +might have peeped out, but Christian, instead of fighting, would have +begun to argue with himself whether the evidence of the face or the +foot was the stronger. He would have been just as likely to trust +the face, and in a few moments he would have been snapped up and carried +off to hell. To go on with my story: the night wore on in sophistry +and struggle, and no inner light dawned with the sun. Phyllis +was much agitated, for in the afternoon Charles was to return, and although +amidst the crowd of visitors she might be overlooked, she could not +help seeing him. She did see him, but did not speak to him. +He sat next to Evelina at dinner, who was happy and expectant. +The next day there was a grand meet of the hounds, and almost all the +party disappeared. Phyllis pleaded a headache, and obtained permission +to stay at home. It was a lovely morning in November, without +a movement in the air, calm and cloudless, one of those mornings not +uncommon when the year begins to die. She went into the woods +at the outer edge of the park, and had scarcely entered them, when lo! +to her astonishment, there was Charles. She could not avoid him, +and he came up to her.</p> +<p>“‘Why, Miss Eyre, what are you doing here?’</p> +<p>“‘I had a headache; I could not go with the others, and +came out for a stroll.’</p> +<p>“‘I, too, was not very well, and have been left behind.’</p> +<p>“They walked together side by side.</p> +<p>“‘I wanted to speak to you, Miss Eyre. I wonder +if you have suspected anything lately.’</p> +<p>“‘Suspected? I do not quite comprehend: you are +very vague.’</p> +<p>“‘Well, must I be more explicit? Have you fancied +that I care more for somebody you know than I care for all the world +besides? I suppose you have not, for I thought it better to hide +as much as possible what I felt.’</p> +<p>“‘I should be telling an untruth if I were to say I do +not understand you, and I trust you will pardon me if I tell you that +a girl more worthy of you than Evelina, and one more likely to make +you happy, I have never seen.’</p> +<p>“‘Gracious God! what have I done? what a mistake! +Miss Eyre, it is you I mean; it is you I love.’</p> +<p>“There was not an instant’s hesitation.</p> +<p>“‘Sir, I thank you, but I can answer at once. <i>Never</i> +can I be yours. That decision is irrevocable. I admire you, +but cannot love you.’</p> +<p>“She parted from him abruptly, but no sooner had she left him +than she was confounded, and wondered who or what it was which gave +that answer. She wavered, and thought of going back, but she did +not. Later on in the day she heard that Charles had gone home, +summoned by sudden business. Two years afterwards his engagement +with Evelina was announced, and in three years they were married. +It was not what I should call a happy marriage, although they never +quarrelled and had five children. To the day of her death Phyllis +was not sure whether she had done right or wrong, nor am I.”</p> +<div class="GutenbergBlankLines2"><br /><br /></div> +<h2>THE GOVERNESS’S STORY</h2> +<div class="GutenbergBlankLines2"><br /><br /></div> +<p>In the year 1850 I was living as governess in the small watering-place +S., on the south coast of England. Amongst my friends was a young +doctor, B., who had recently come to the town. He had not bought +a practice, but his family was known to one or two of the principal +inhabitants, and he had begun to do well. He deserved his success, +for he was skilful, frank, and gentle, and he did not affect that mystery +which in his elder colleagues was already suspected to be nothing but +ignorance. He was one of the early graduates of the University +of London, and representative of the new school of medical science, +relying not so much upon drugs as upon diet and regimen. I was +one of his first patients. I had a severe illness lasting for +nearly three months; he watched over me carefully and cured me. +As I grew better he began to talk on other matters than my health when +he visited me. We found that we were both interested in the same +books: he lent me his and I lent him mine. It is almost impossible, +I should think, for a young man and a young woman to be friends and +nothing more, and I confess that my sympathy with him in his admiration +of the Elizabethan poets, and my gratitude to him for my recovery passed +into affection. I am sure also that he felt affection for me. +He became confidential, and told me all his history and troubles. +There was one peculiarity in his conversation which was new to me: he +never talked down to me, and he was not afraid at times to discuss subjects +that in the society to which I had been accustomed were prohibited. +Not a word that was improper ever escaped his lips, but he treated me +in a measure as if I were a man, and I was flattered that he should +put me on a level with himself. It is true that sometimes I fancied +he was so unreserved with me because he was sure he was quite safe, +for I was poor. and although I was not ugly I was not handsome. +However, on the whole, I was very happy in his society, and there was +more than a chance that I should become his wife.</p> +<p>After six months of our acquaintanceship had passed, M., an old schoolfellow +of mine, took lodgings near me for the summer. She was a remarkable +girl. If she was not beautiful, she was better-looking than I +was, and she possessed a something, I know not what, more powerful than +beauty to fascinate men. Perhaps it was her unconstrained naturalness. +In walking, sitting, standing - whatever she did - her movements and +attitudes were not impeded or unduly masked by artificial restrictions. +I should not have called her profound, but what she said upon the commonest +subjects was interesting, because it was so entirely her own. +If she disliked a neighbour, she almost always disliked her for a reason +which we saw, directly it was pointed out to us, to be just, but it +was generally one which had not been given before. Her talk upon +matters externally trivial was thus much more to me than many discourses +upon the most important topics. On moral questions she expressed +herself without any regard to prejudices. She did not controvert +the authenticity of the ordinary standards, but nevertheless behaved +as if she herself were her only law. The people in R., her little +native borough, considered her to be dangerous, and I myself was once +or twice weak enough to wonder that she held on a straight course with +so little help from authority, forgetting that its support, in so far +as it possesses any vital strength, is derived from the same internal +source which supplied strength to her.</p> +<p>When she came to S. she was unwell, and consulted my friend B. +He did not at first quite like attending her, and she reported to me +with great laughter how she had been told that he had made some inquiries +about her from one of her neighbours at home with whom he happened to +be acquainted, and how he had manœuvred in his visits to get the +servants or the landlady into the room. I met him soon afterwards, +and he informed me that he had a new patient. When he heard that +I knew her - I did not say how much I knew - he became inquisitive, +and at last, after much beating about the bush, knitting his eyebrows +and lowering his voice, he asked me whether I was aware that she was +not quite - quite <i>above suspicion</i>! My goodness, how I flamed +up! I defended her with vehemence: I exaggerated her prudence +and her modesty; I declared, what was the simple truth, that she was +the last person in the world against whom such a scandalous insinuation +should be directed, and that she was singularly inaccessible to vulgar +temptation. I added that notwithstanding her seeming lawlessness +she was not only remarkably sensitive to any accusation of bad manners, +but that upon certain matters she could not endure even a joke. +The only quarrel I remember to have had with her was when I lapsed into +some commonplace jest about her intimacy with a music-master who gave +her lessons. The way in which she took that jest I shall never +forget. If I had made it to any other woman, I should have passed +on, unconscious of anything inconsistent with myself, but she in an +instant made me aware with hardly half a dozen words that I had disgraced +myself. I was ashamed, not so much because I had done what was +in the abstract wrong, but because it was something which was not in +keeping with my real character. I hope it will not be thought +that I am prosing if I take this opportunity of saying that the laws +peculiar to each of us are those which we are at the least pains to +discover and those which we are most prone to neglect. We think +we have done our duty when we have kept the commandments common to all +of us, but we may perhaps have disgracefully neglected it.</p> +<p>Oh, how that afternoon with B. burnt itself into my memory for ever! +I was sitting on my little sofa with books piled round me. He +removed a few of the books, and I removed the others. He sat down +beside me, and, taking my hand, said he hoped I had forgiven him, and +that I would remember that in such a little place he was obliged to +be very careful, and to be quite sure of his patients, if they were +women. He trusted I should believe that there was no other person +<i>in the world</i> (the emphasis on that word!) to whom he would have +ventured to impart such a secret. I was appeased, especially when, +after a few minutes’ silence, he took my hand and kissed it, the +first and last kiss. He said nothing further, and departed. +The next time I saw him he was more than usually deferential, more than +ever desirous to come closer to me, and I thought the final word must +soon be spoken.</p> +<p>M. remained in S. till far into the autumn, but I did not see much +of her. My work had begun again. B. continued to call on +me as my health was not quite re-established. We had agreed to +read the same author at the same time, in order that we might discuss +him together whilst our impressions were still fresh. Somehow +his interest in these readings began to flag; he informed me presently +that I had now almost, entirely recovered, and weeks often passed without +meeting him. One afternoon I was surprised to find M. in my room +when I returned from a walk with my pupils. She had been waiting +for me nearly half an hour, and I could not at first conjecture the +reason. Gradually she drew the conversation towards B. and at +last asked me what I thought of him. Instantly I saw what had +happened. What I imagined was once mine had been stolen, stolen +perhaps unconsciously, but nevertheless stolen, my sole treasure. +She was rich, she had a father and mother, she had many friends and +would certainly have been married had she never seen B. I, as +I have said, was almost penniless; I was an orphan, with few friends; +he was my first love, and I knew he would be my last.</p> +<p>I was condemned, I foresaw, henceforth to solitude, and that most +terrible of all calamities, heart-starvation. What B. had said +about M. came into my mind and rose to my lips. I knew, or thought +I knew, that if I revealed it to her she would be so angry that she +would cast him off. Probably I was mistaken, but in my despair +the impulse to disclose it was almost irresistible. I struggled +against it, however, and when she pressed me, I praised him and strove +in my praise to be sincere. Whether it was something in my tone, +quite unintentional, I know not, but she stopped me almost in the middle +of a sentence and said she believed I had kept something back which +I did not wish her to hear; that she was certain he had talked to me +about her, and that she wished to know what he had said. I protested +he had never uttered a word which could be interpreted as disparaging +her, and she seemed to be content. She kissed me a little more +vehemently than usual, and went away. We ought always, I suppose, +to be glad when other people are happy, but God knows that sometimes +it is very difficult to be so, and that their happiness is hard to bear.</p> +<p>The Elizabethan studies had now altogether come to an end. +In about a couple of months I heard that M. and B. were engaged. +M. went home, and B. moved into a larger town. In a twelvemonth +the marriage took place, and M. wrote to me after her wedding trip. +I replied, but she never wrote again. I heard that she had said +that I had laid myself out to catch B. and that she was afraid that +in so doing I had hinted there was something against her. I heard +also that B. had discouraged his wife’s correspondence with me, +no other reason being given than that he would rather the acquaintanceship +should be dropped. The interpretation of this reason by those +to whom it was given can be guessed. Did he fear lest I should +boast of what I had been to him or should repeat his calumny? +Ah, he little knew me if he dreamed that such treachery was possible +to me!</p> +<p>I remained at the vicarage for three years. The children grew +up and I was obliged to leave, but I continued to teach in different +families till I was about five-and-forty. After five-and-forty +I could not obtain another situation, and I had to support myself by +letting apartments at Brighton. My strength is now failing; I +cannot look after my servant properly, nor wait upon my lodgers myself. +Those who have to get their living by a lodging-house know what this +means and what the end will be. I have occasionally again wished +I could have seen my way partially to explain myself to M., and have +thought it hard to die misrepresented, but I am glad I have not spoken. +I should have disturbed her peace, and I care nothing about justification +or misrepresentation now. With eternity so near, what does it +matter?</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>INSCRIPTION ON THE ENVELOPE.</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>“TO MY NIECE JUDITH, - You have been so kind to your aunt, +the only human being, at last, who was left to love her, that she could +not refrain from telling you the one passage in her history which is +of any importance or interest.”</p> +<div class="GutenbergBlankLines2"><br /><br /></div> +<h2>JAMES FORBES</h2> +<div class="GutenbergBlankLines2"><br /><br /></div> +<p>“It is all a lie, and it is hard to believe that people who +preach it do not know it to be a lie.”</p> +<p>So said James Forbes to Elizabeth Castleton, the young woman to whom +he was engaged. She was the daughter of a clergyman, and James, +who had been brought up at Rugby and Oxford, was now in his last year +at a London hospital, and was going to be a doctor.</p> +<p>“I am sure my father does not know it to be a lie, and I do +not myself know it to be a lie.”</p> +<p>“I was not thinking of your father, but of the clergy generally, +and you <i>do</i> know it to be a lie.”</p> +<p>“It is not true of my brother, and, excepting my father and +brother, you have not been in company with parsons, as you call them, +for half an hour in your life.”</p> +<p>“Do you mean to tell me you have any doubts about this discredited +rubbish?”</p> +<p>“If I have I would rather not speak about them now. Jim, +dear Jim, let us drop the subject and talk of something else.”</p> +<p>He was walking by her side, with his hands in his coat pockets. +She drew out one of his hands; he did not return the pressure, and presently +released himself.</p> +<p>“I thought you were to be my intellectual companion. +I have heard you say yourself that a marriage which is not a marriage +of mind is no marriage.”</p> +<p>“But, Jim, is there nothing in the world to think about but +this?”</p> +<p>“There is nothing so important. Are we to be dumb all +our lives about what you say is religion?”</p> +<p>They separated and soon afterwards the engagement was broken off. +Jim had really loved Elizabeth, but at that time he was furious against +what he called “creeds.” He waited for three or four +years till he had secured a fair practice, and then married a clever +and handsome young woman who wrote poems, and had captivated him by +telling him a witty story from Heine. Elizabeth never married.</p> +<p>Thirty years passed, and Jim, now a famous physician, had to go a +long distance down the Great Western Railway to attend a consultation. +At Bath an elderly lady entered the carriage carrying a handbag with +the initials “E. C.” upon it. She sat in the seat +farthest away from him on the opposite side, and looked at him steadfastly. +He also looked at her, but no word was spoken for a minute. He +then crossed over, fell on his knees, and buried his head with passionate +sobbing on her knees. She put her hands on him and her tears fell.</p> +<p>“Five years,” at last he said; “I may live five +years with care. She has left me. I will give up everything +and go abroad with you. Five years; it is not much, but it will +be something, everything. I shall die with your face over me.”</p> +<p>The train was slackening speed for Bristol; she bent down and kissed +him.</p> +<p>“Dearest Jim,” she whispered, “I have waited a +long time, but I was sure we should come together again at last. +It is enough.”</p> +<p>“You will go with me, then?”</p> +<p>Again she kissed him. “It must not be.”</p> +<p>Before he could reply the train was stopping at the platform, and +a gentleman with a lady appeared at the door. Miss Castleton stepped +out and was at once driven away in a carriage with her companions.</p> +<p>He lived three years and then died almost suddenly of the disease +which he had foreseen would kill him. He had no children, but +few relatives, and his attendant was a hospital nurse. But the +day before his death a lady appeared who announced herself as a family +friend, and the nurse was superseded. It was Elizabeth: she came +to his bedside, and he recognised her.</p> +<p>“Not till this morning,” she said, “did I hear +you were ill.”</p> +<p>“Happy,” he cried, “though I die to-night.”</p> +<p>Soon afterwards - it was about sundown - he became unconscious; she +sat there alone with him till the morning broke, and then he passed +away, and she closed his eyes.</p> +<div class="GutenbergBlankLines2"><br /><br /></div> +<h2>ATONEMENT</h2> +<div class="GutenbergBlankLines2"><br /><br /></div> +<p>“You ask me how I lost my foot? You I see that dog?” +- an unattractive beast lying before the fire - “well, when I +tell you how I came by him you will know how I lost it;” and he +then related the following story:-</p> +<p>I was in Westmoreland with my wife and children for a holiday and +we had brought our dog with us, for we knew he would be unhappy with +the strangers to whom we had let our house. The weather was very +wet and our lodgings were not comfortable; we were kept indoors for +days together, and my temper, always irritable, became worse. +My wife never resisted me when I was in these moods and the absence +of opposition provoked me all the more. Had she stood up against +me and told me I ought to be ashamed of myself it would have been better +for me. One afternoon everything seemed to go wrong. A score +of petty vexations, not one of which was of any moment, worked me up +to desperation. I threw my book across the room, to the astonishment +of my children, and determined to go out, although it was raining hard. +My dog, a brown retriever, was lying on the mat just outside the door, +and I nearly fell over him. “God damn you!” said I, +and kicked him. He howled with pain, but, although he was the +best of house-dogs and would have brought down any thief who came near +him, he did not growl at me, and quietly followed me. I am not +squeamish, but I was frightened directly the oath had escaped my lips. +I felt as if I had created something horrible which I could not annihilate, +and that it would wait for me and do me some mischief. The dog +kept closely to my heels for about a mile and I could not make him go +on in front. Usually the least word of encouragement or even the +mere mention of his name would send him scampering with delight in advance. +I began to think of something else, but in about a quarter of an hour +I looked round and found he was not behind me. I whistled and +called, but he did not come. In a renewed rage, which increased +with every step I took, I turned back to seek him. Suddenly I +came upon him lying dead by the roadside. Never shall I forget +that shock - the reproach, the appeal of that poor lifeless animal! +I stroked him, I kissed him, I whispered his name in his ear, but it +was all in vain. I lifted up his beautiful broad paw which he +was wont to lay on my knee, I held it between my hands, and when I let +it go it fell heavily to the ground. I could not carry him home, +and with bitter tears and a kind of dread I drew him aside a little +way up the hill behind a rock. I went to my lodgings, returned +towards dusk with a spade, dug his grave in a lonely spot near the bottom +of a waterfall where he would never be disturbed, and there I buried +him, reverently smoothing the turf over him. What a night that +was for me! I was haunted incessantly by the vivid image of the +dead body and by the terror which accompanies a great crime. I +had repaid all his devotion with horrible cruelty. I had repented, +but he would never know it. It was not the dog only which I had +slain; I had slain Divine faithfulness and love. That <i>God damn +you</i> sounded perpetually in my ears. The Almighty had registered +and executed the curse, but it had fallen upon the murderer and not +on the victim. When I rose in the morning I distinctly felt the +blow of the kick in my foot, and the sensation lasted all day. +For weeks I was in a miserable condition. A separate consciousness +seemed to establish itself in this foot; there was nothing to be seen +and no pain, but there was a dull sort of pressure of which I could +not rid myself. If I slept I dreamed of the dog, and generally +dreamed I was caressing him, waking up to the dreadful truth of the +corpse on the path in the rain. I got it into my head - for I +was half-crazy - that only by some expiation I should be restored to +health and peace; but how to make any expiation I could not tell. +Unhappy is the wretch who longs to atone for a sin and no atonement +is prescribed to him!</p> +<p>One night I was coming home late and heard the cry of “Fire!” +I ran down the street and found a house in flames. The fire-escape +was at the window, and had rescued a man, his wife and child. +Every living creature was safe, I was told, save a dog in the front +room on the ground-floor. I pushed the people aside, rushed in, +half-blinded with smoke, and found him. I could not escape by +the passage, and dropped out of the window into the area with him in +my arms. I fell heavily on <i>that</i> foot, and when I was helped +up the steps I could not put it to the ground. “You may +have him for your pains,” said his owner to me; “he is a +useless cur. I wouldn’t have ventured the singeing of a +hair for him.” “May I?” I replied, with an eagerness +which must have seemed very strange. He was indeed not worth half +a crown, but I drew him closely to me and took him into the cab. +I was in great agony, and when the surgeon came it was discovered that +my ankle was badly fractured. An attempt was made to set it, but +in the end it was decided that the foot must be amputated. I rejoiced +when I heard the news, and on the day on which the operation was performed +I was calm and even cheerful. Our own doctor who came with the +surgeon told him I had “a highly nervous temperament,” and +both of them were amazed at my fortitude. The dog is a mongrel, +as you see, but he loves me, and if you were to offer me ten thousand +golden guineas I would not part with him.</p> +<div class="GutenbergBlankLines2"><br /><br /></div> +<h2>LETTERS FROM MY AUNT ELEANOR <a name="citation180"></a><a href="#footnote180">{180}</a> +TO HER DAUGHTER SOPHIA, AND A FRAGMENT FROM MY AUNT’S DIARY.</h2> +<div class="GutenbergBlankLines2"><br /><br /></div> +<p>January 31, 1837.</p> +<p>My Dearest Child, - It is now a month since your father died. +It was a sore trial to me that you should have broken down, and that +you could not be here when he was laid in his grave, but I would not +for worlds have allowed you to make the journey. I am glad I forced +you away. The doctor said he would not answer for the consequences +unless you were removed. But I must not talk, not even to you. +I will write again soon.</p> +<p>Your most affectionate mother,</p> +<p>ELEANOR CHARTERIS.</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>February 5, 1837.</p> +<p>I have been alone in the library from morning to night every day. +How foolish all the books look! There is nothing in them which +can do me any good. He is <i>not</i>: what is there which can +alter that fact? Had he died later I could have borne it better. +I am only fifty years old, and may have long to wait. I always +knew I loved him devotedly; now I see how much I depended on him. +I had become so knit up with him that I imagined his strength to be +mine. His support was so continuous and so soft that I was unconscious +of it. How clear-headed and resolute he was in difficulty and +danger! You do not remember the great fire? We were waked +up out of our sleep; the flames spread rapidly; a mob filled the street, +shouting and breaking open doors. The man in charge of the engines +lost his head, but your father was perfectly cool. He got on horseback, +directed two or three friends to do the same; they galloped into the +town and drove the crowd away. He controlled all the operations +and saved many lives and many thousands of pounds. Is there any +happiness in the world like that of the woman who hangs on such a husband?</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>February 10, 1837.</p> +<p>I feel as if my heart would break if I do not see you, but I cannot +come to your Aunt’s house just now. She is very kind, but +she would be unbearable to me. Have patience: the sea air is doing +you good; you will soon be able to walk, and then you can return. +O, to feel your head upon my neck! I have many friends, but I +have always needed a human being to whom I was everything. To +your father I believe I was everything, and that thought was perpetual +heaven to me. My love for him did not make me neglect other people. +On the contrary, it gave them their proper value. Without it I +should have put them by. When a man is dying for want of water +he cares for nothing around him. Satisfy his thirst, and he can +then enjoy other pleasures. I was his first love, he was my first, +and we were lovers to the end. I know the world would be dark +to you also were I to leave it. Perhaps it is wicked of me to +rejoice that you would suffer so keenly. I cannot tell how much +of me is pure love and how much of me is selfishness. I remember +my uncle’s death. For ten days or so afterwards everybody +in the house looked solemn, and occasionally there was a tear, but at +the end of a fortnight there was smiling and at the end of a month there +was laughter. I was but a child then, but I thought much about +the ease and speed with which the gap left by death was closed.</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>February 20, 1837.</p> +<p>In a fortnight you will be here? The doctor really believes +you will be able to travel? I am glad you can get out and taste +the sea air. I count the hours which must pass till I see you. +A short week, and then - “the day after to-morrow, and the day +after to-morrow of that day,” and so I shall be able to reach +forward to the Monday. It is strange that the nearer Monday comes +the more impatient I am.</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>March 3, 1837.</p> +<p>With what sickening fear I opened your letter! I was sure it +contained some dreadful news. You have decided not to come till +Wednesday, because your cousin Tom can accompany you on that day. +I <i>know</i> you are quite right. It is so much better, as you +are not strong, that Tom should look after you, and it would be absurd +that you should make the journey two days before him. I should +have reproved you seriously if you had done anything so foolish. +But those two days are hard to bear. I shall not meet you at the +coach, nor shall I be downstairs. Go straight to the library; +I shall be there by myself.</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>DIARY.</p> +<p>January 1, 1838. - Three days ago she died. Henceforth there +is no living creature to whom my existence is of any real importance. +Crippled as she was, she could never have married. I might have +held her as long as she lived. She could have expected no love +but mine. God forgive me! Perhaps I did unconsciously rejoice +in that disabled limb because it kept her closer to me. Now He +has taken her from me. I may have been wicked, but has He no mercy? +“I would speak to the Almighty, and I desire to reason with God.” +An answer in anger could better be borne than this impregnable silence.</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>January 3rd. - A day of snow and bitter wind. There were very +few at the grave, and I should have been better pleased if there had +been none. What claim had they to be there? I have come +home alone, and they no doubt are comforting themselves with the reflection +that it is all over except the half-mourning. Her death makes +me hate them. Mr. Maxwell, our rector, told me when my child was +ill to remember that I had no right to her. “Right!” +what did he mean by that stupid word? How trouble tries words! +All I can say is that from her birth I had owned her, and that now, +when I want her most, I am dispossessed. “Self, self” +- I know the reply, but it is unjust, for I would have stood up cheerfully +to be shot if I could have saved her pain. Doubly unjust, for +my passion for her was a blessing to her as well as to me.</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>January 6th. - Henceforth I suppose I shall have to play with people, +to pretend to take an interest in their clothes and their parties, or, +with the superior sort, to discuss politics or books. I care nothing +for their rags or their gossip, for Lord Melbourne, Sir Robert Peel, +or Mr. James Montgomery. I must learn how to take the tip of a +finger instead of a hand, and to accept with gratitude comfits when +I hunger for bread - I, who have known - but I dare say nothing even +to myself of my hours with him - I, who have heard Sophy cry out in +the night for me; I, who have held her hand and have prayed by her bedside.</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>January 10th. - I must be still. I have learned this lesson +before - that speech even to myself does harm. If I admit no conversation +nor debate with myself, I certainly will not admit the chatter of outsiders. +Mr. Maxwell called again to-day. “Not a syllable on that +subject,” said I when he began in the usual strain. He then +suggested that as this house was too large for me, and must have what +he called “melancholy associations,” I should move. +He had suggested this before, when my husband died. How can I +leave the home to which I was brought as a bride? how can I endure the +thought that strangers are in our room, or in that other room where +Sophy lay? Mr. Maxwell would think it sacrilege to turn his church +into an inn, and it is a worse sacrilege to me to permit the profanation +of the sanctuary which has been consecrated by Love and Death. +I do not know what might happen to me if I were to leave. I have +been what I am through shadowy nothings which other people despise. +To me they are realities and a law. I shall stay where I am. +“A villa,” forsooth, on the outskirts of the town! +My existence would be fractured: it will at least preserve its continuity +here. Across the square I can see the house in which I was born, +and I can watch the shadow of the church in the afternoon slowly crossing +the churchyard. The townsfolk stand in the street and go up and +down it just as they did forty years ago - not the same persons, but +in a sense the same people. My brother will call me extravagant +if I remain here. He buys a horse and does not consider it extravagant, +and my money is not wasted if I spend it in the only way in which it +is of any value to me.</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>January 12th. - I had thought I could be dumb, but I cannot. +My sorrow comes in rushes. I lift up my head above the waves for +an instant, and immediately I am overwhelmed - “all Thy waves +and Thy billows have gone over me.” My nights are a terror +to me, and I fear for my reason. That last grip of Sophy’s +hand is distinctly on mine now, palpable as the pressure of a fleshly +hand could be. It is strange that without any external circumstances +to account for it, she and I often thought the same things at the same +moment. She seemed to know instinctively what was passing in my +mind, so that I was afraid to harbour any unworthy thought, feeling +sure that she would detect it. Blood of my blood was she. +She said “goodbye” to me with perfect clearness, and in +a quarter of an hour she had gone. In that quarter of an hour +there could not be the extinction of so much. Such a creature +as Sophy could not instantaneously <i>not be</i>. I cannot believe +it, but still the volume of my life here is closed, the story is at +an end; what remains will be nothing but a few notes on what has gone +before.</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>January 21st. - I went to church to-day for the first time since +the funeral. Mr. Maxwell preached a dull, doctrinal sermon. +Whilst my husband and Sophy lived, I was a regular attendant at church, +and never thought of disputing anything I heard. It did not make +much impression on me, but I accepted it, and if I had been asked whether +I believed it, I should have said, “Certainly.” But +now a new standard of belief has been set up in me, and the word “belief” +has a different meaning.</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>February 3rd. - Whenever I saw anything beautiful I always asked +Tom or Sophy to look. Now I ask nobody. Early this morning, +after the storm in the night, the sky cleared, and I went out about +dawn through the garden up to the top of the orchard and watched the +disappearance of the night in the west. The loveliness of that +silent conquest was unsurpassable. Eighteen months ago I should +have run indoors and have dragged Tom and Sophy back with me. +I saw it alone now, and although the promise in the slow transformation +of darkness to azure moved me to tears, I felt it was no promise for +me.</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>March 1st. - Nothing that is <i>prescribed</i> does me any good. +I cannot leave off going to church, but the support I want I must find +out for myself. Perhaps if I had been born two hundred years ago, +I might have been caught by some strong enthusiastic organisation and +have been a private in a great army. A miserable time is this +when each man has to grope his way unassisted, and all the incalculable +toil of founders of churches goes for little or nothing. . . . +I do not pray for any more pleasure: I ask only for strength to endure, +till I can lie down and rest. I have had more rapture in a day +than my neighbours and relations have had in all their lives. +Tom once said to me that he would sooner have had twenty-four hours +with me as his wife than youth and manhood with any other woman he ever +knew. He said that, not when we were first married, but a score +of years afterwards. I remember the place and the hour. +It was in the garden one morning in July, just before breakfast. +It was a burning day, and massive white clouds were forming themselves +on the horizon. The storm on that day was the heaviest I recollect, +and the lightning struck one of our chimneys and dashed it through the +roof. His passion was informed with intellect, and his intellect +glowed with passion. There was nothing in him merely animal or +merely rational. . . . To endure, to endure! Can there be +any endurance without a motive? I have no motive.</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>March 10th. - My sister and my brother-in-law came to-day and I wished +them away. Now that my husband is dead I discover that the frequent +visitors to our house came to see him and not me. There must be +something in me which prevents people, especially women, from being +really intimate with me. To be able to make friends is a talent +which I do not possess, and if those who call on me are prompted by +kindness only, I would rather be without them. The only attraction +towards me which I value is that which is irresistible. Perhaps +I am wrong, and ought to accept with thankfulness whatever is left to +me if it has any savour of goodness in it. I have no right to +compare and to reject. . . I provide myself with little maxims, and +a breath comes and sweeps them away. What is permanent behind +these little flickerings is black night: that is the real background +of my life.</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>April 24th. - I have been to London, and on Easter Sunday I went +to High Mass at a Roman Catholic Church. I was obliged to leave, +for I was overpowered and hysterical. Were I to go often my reason +might be drowned, and I might become a devotee. And yet I do not +think I should. If I could prostrate myself at a shrine I should +want an answer. When I came out into the open air I saw again +the <i>plainness</i> of the world: the skies, the sea, the fields are +not in accord with incense or gorgeous ceremonies. Incense and +ceremonies are beyond the facts, and to the facts we must cleave, no +matter how poor and thin they may be.</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>May 5th. - If I am ill, I shall depend entirely on paid service. +God grant I may die suddenly and not linger in imbecility. So +much of me is dead that what is left is not worth preserving. +Nearly everything I have done all my life has been done for love. +I shall now have to act for duty’s sake. It is an entire +reconstruction of myself, the insertion of a new motive. I do +not much believe in duty, nor, if I read my New Testament aright, did +the Apostle Paul. For Jesus he would do anything. That sacred +face would have drawn me whither the Law would never have driven me.</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>May 7th. - It is painful to me to be so completely set aside. +When Tom was alive I was in the midst of the current of affairs. +Few men, except Maxwell, come to the house now. My property is +in the hands of trustees. Tom continually consulted me in business +matters. I have nothing to look after except my house, and I sit +at my window and see the stream of life pass without touching me. +I cannot take up work merely for the sake of taking it up. Nobody +would value it, nor would it content me. How I used to pity my +husband’s uncle, Captain Charteris! He had been a sailor; +he had fought the French; he had been in imminent danger of shipwreck, +and from his youth upwards perpetual demands had been made upon his +resources and courage. At fifty he retired, a strong, active man; +and having a religious turn, he helped the curate with school-treats +and visiting. He pined away and died in five years. The +bank goes on. I have my dividends, but not a word reaches me about +it.</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>October 10th. - Five months, I see, have passed since I made an entry +in my diary. What a day this is! The turf is once more soft, +the trees and hedges are washed, the leaves are turning yellow and are +ready to fall. I have been sitting in the garden alone, reading +the forty-ninth chapter of Genesis. I must copy the closing verses. +It does me good to write them.</p> +<p>“And Jacob charged them, and said unto them, I am to be gathered +unto my people: bury me with my fathers in the cave that is in the field +of Ephron the Hittite, in the cave that is in the field of Machpelah, +which is before Mamre, in the land of Canaan, which Abraham bought with +the field of Ephron the Hittite for a possession of a burying-place. +There they buried Abraham and Sarah his wife; there they buried Isaac +and Rebekah his wife; and there I buried Leah. The purchase of +the field and of the cave that is therein was from the children of Heth. +And when Jacob had made an end of commanding his sons, he gathered up +his feet into the bed, and yielded up the ghost, and was gathered unto +his people.” There is no distress here: he gathers up his +feet and departs. Perhaps our wild longings are unnatural, and +yet it seems but nature <i>not</i> to be content with what contented +the patriarch. Anyhow, wherever and whatever my husband and Sophy +are I shall be. This at least is beyond dispute.</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>October 12th. - I do not wish to forget past joys, but I must simply +remember them and not try to paint them. I must cut short any +yearning for them.</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>October 20th. - We do not say the same things to ourselves with sufficient +frequency. In these days of book-reading fifty fine thoughts come +into our heads in a day, and the next morning are forgotten. Not +one of them becomes a religion. In the Bible how few the thoughts +are, and how incessantly they are repeated! If my life could be +controlled by two or three divine ideas, I would burn my library. +I often feel that I would sooner be a Levitical priest, supposing I +believed in my office, than be familiar with all these great men whose +works are stacked around me.</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>October 22nd. - Sometimes, especially at night, the thought not only +that I personally have lost Tom and Sophy, but that the exquisite fabric +of these relationships, so intricate, so delicate, so highly organised, +could be cast aside, to all appearance so wastefully, is almost unendurable. +. . . I went up to the moor on the top of the hill this morning, +where I could see, far away, the river broaden and lose itself in the +Atlantic. I lay on the heather looking through it and listening +to it.</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>October 23rd. - The 131st Psalm came into my mind when I was on the +moor again. “Neither do I exercise myself in great matters, +or in things too high for me. Surely I have behaved and quieted +myself, as a child that is weaned of its mother: my soul is even as +a weaned child.”</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>October 28th - Tom once said to me that reasoning is often a bad +guide for us, and that loyalty to the silent Leader is true wisdom. +Wesley, when he was in trouble, asked himself “whether he should +fight against it by thinking, or by not thinking of it,” and a +wise man told him “to be still and go on.” A certain +blind instinct seems to carry me forward. What is it? an indication +of a purpose I do not comprehend? an order given by the Commander-in-Chief +which is to be obeyed although the strategy is not understood?</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>November 3rd. - Palmer, my maid, who has been with me ever since +I began to keep house, was very good-looking at one-and-twenty. +When she had been engaged to be married about a twelvemonth, she burned +her face and the burn left a bad scar. Her lover found excuses +for breaking off the engagement. He must have been a scoundrel, +and I should like to have had him whipped with wire. She was very +fond of him. She had an offer of marriage ten years afterwards, +but she refused. I believe she feared lest the scar, seen every +day, would make her husband loathe her. Her case is worse than +mine, for she never knew such delights as mine.</p> +<p>She has subsisted on mere friendliness and civility. “Oh,” +it is suggested at once to me, “you are more sensitive than she +is.” How dare I say that? How hateful is the assumption +of superior sensitiveness as an excuse for want of endurance!</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>November 4th. - Ellen Charteris, my husband’s cousin, belongs +to a Roman Catholic branch of the family, and is an abbess. I +remember saying to her that I wondered that she and her nuns could spend +such useless lives. She replied that although she and all good +Catholics believe in the atonement of Christ, they also believe that +works of piety in excess of what may be demanded of us, even if they +are done in secret, are a set-off against the sins of the world. +In this form the doctrine has not much to commend itself to me, and +it is assumed that the nuns’ works are pious. But in a sense +it is true. “The very hairs of your head are all numbered.” +The fall of a grain of dust is recorded.</p> +<p>November 7th - A kind of peace occasionally visits me. It is +not the indifference begotten of time, for my husband and my child are +nearer and dearer than ever to me. I care not to analyse it. +I return to my patriarch. With Joseph before him, the father, +who had refused to be comforted when he thought his son was dead, gathered +up his feet into the bed and slept.</p> +<div class="GutenbergBlankLines2"><br /><br /></div> +<h2>CORRESPONDENCE BETWEEN GEORGE LUCY M.A., AND HIS GODCHILD, HERMIONE +RUSSELL, B.A.</h2> +<div class="GutenbergBlankLines2"><br /><br /></div> +<p>My Dear Hermione, - I have sent you my little volume of verse translations +into English, and you will find appended a few attempts at Latin and +Greek renderings of favourite English poems. You must tell me +what you think of them, and you must not spare a single blunder or inelegance. +I do not expect any reviews, and if there should be none it will not +matter, for I proposed to myself nothing more than my own amusement +and that of my friends. I would rather have thoroughly good criticism +from you than a notice, even if it were laudatory, from a magazine or +a newspaper. You have worked hard at your Latin and Greek since +we read Homer and Virgil, and you have had better instruction than I +had at Winchester. These trifles were published about three months +ago, but I purposely did not send you a copy then. You are enjoying +your holiday deep in the country, and may be inclined to pardon that +incurable old idler, your godfather and former tutor, for a waste of +time which perhaps you would not forgive when you are teaching in London. +Verse-making is out of fashion now. Goodbye. I should like +to spend a week with you wandering through those Devonshire lanes if +I could carry my two rooms with me and stick them in a field.</p> +<p>Affectionately,<br />G. L.</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>My Dear Godfather, - The little <i>Musæ</i> came safely. +My love to you for them, and for the pretty inscription. I positively +refuse to say a single syllable on your scholarship. I have deserted +my Latin and Greek, and they were never good enough to justify me in +criticising yours. I have latterly turned my attention to Logic, +History, and Moral Philosophy, and with the help of my degree I have +obtained a situation as teacher of these sciences. I confess I +do not regret the change. They are certainly of supreme importance. +There is something to be learned about them from Latin and Greek authors, +but this can be obtained more easily from modern writers or translations +than by the laborious study of the originals. Do not suppose I +am no longer sensible to the charm of classical art. It is wonderful, +but I have come to the conclusion that the time spent on the classics, +both here and in Germany, is mostly thrown away. Take even Homer. +I admit the greatness of the Iliad and the Odyssey, but do tell me, +my dear godfather, whether in this nineteenth century, when scores of +urgent social problems are pressing for solution, our young people ought +to give themselves up to a study of ancient legends? What, however, +are Horace, Catullus, and Ovid compared with Homer? Much in them +is pernicious, and there is hardly anything in them which helps us to +live. Besides, we have surely enough in Chaucer, Spenser, Shakspeare, +and Milton, to say nothing of the poets of this century, to satisfy +the imagination of anybody. Boys spend years over the <i>Metamorphoses</i> +or the story of the wars of Æneas, and enter life with no knowledge +of the simplest facts of psychology. I look forward to a time +not far distant, I hope, when our whole pædagogic system will +be remodelled. Greek and Latin will then occupy the place which +Assyrian or Egyptian hieroglyphic occupies now, and children will be +directly prepared for the duties which await them.</p> +<p>I have in preparation a book which I expect soon to publish, entitled +<i>Positive Education</i>. It will appear anonymously, for society +being constituted as it is, I am afraid that my name on the title-page +would prevent me from finding employment. My object is to show +how the moral fabric can be built up without the aid of theology or +metaphysics. I profess no hostility to either, but as educational +instruments I believe them to be useless. I begin with Logic as +the foundation of all science, and then advance by easy steps (<i>a</i>) +to the laws of external nature commencing with number, and (<i>b</i>) +to the rules of conduct, reasons being given for them, with History +and Biography as illustrations. One modern foreign language, to +be learned as thoroughly as it is possible to learn it in this country, +will be included. I desire to banish all magic in school training. +Everything taught shall be understood. It is easier, and in some +respects more advantageous, not to explain, but the mischief of habituating +children to bow to the unmeaning is so great that I would face any inconvenience +in order to get rid of it. All kinds of objections, some of them +of great weight, may be urged against me, but the question is on which +side do they preponderate? Is it no objection to our present system +that the simple laws most necessary to society should be grounded on +something which is unintelligible, that we should be brought up in ignorance +of any valid obligation to obey moral precepts, that we should be unable +to give any account of the commonest physical phenomena, that we should +never even notice them, that we should be unaware, for example, of the +nightly change in the position of planets and stars, and that we should +nevertheless busy ourselves with niceties of expression in a dead tongue, +and with tales about Jupiter and Juno? For what glorious results +may we not look when children from their earliest years learn that which +is essential, but which now, alas! is picked up unmethodically and by +chance? I cannot help saying all this to you, for your <i>Musæ</i> +arrived just as my youngest brother came home from Winchester. +He was delighted with it, for he is able to write very fair Latin and +Greek. That boy is nearly eighteen. He does not know why +the tides rise and fall, and has never heard that there has been any +controversy as to the basis of ethics.</p> +<p>Your affectionate godchild,<br />HERMIONE.</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>My Dear Hermione, - Your letter was something like a knock-down blow. +I am sorry you have abandoned your old friends, and I felt that you +intended to rebuke me for trifling. A great deal of what you say +I am sure is true, but I cannot write about it. Whether Greek +and Latin ought to be generally taught I am unable to decide. +I am glad I learned them. My apology for my little <i>Musæ</i> +must be that it is too late to attempt to alter the habits in which +I was brought up. Remember, my dear child, that I am an old bachelor +with seventy years behind me last Christmas, and remember also my natural +limits. I am not so old, nevertheless, that I cannot wish you +God-speed in all your undertakings.</p> +<p>Your affectionate godfather,<br />G. L.</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>My Dear Godfather, - What a blunderer I am! What deplorable +want of tact! If I wanted your opinion on classical education +or my scheme I surely might have found a better opportunity for requesting +it. It is always the way with me. I get a thing into my +head, and out it comes at the most unseasonable moment. It is +almost as important that what is said should be relevant as that it +should be true. Well, the mistake is made, and I cannot unmake +it. I will not trouble you with another syllable - directly at +any rate - about Latin and Greek, but I do want to know what you think +about the exclusion of theology and metaphysics from the education of +the young. I must have <i>debate</i>, so that before publication +my ideas may become clear and objections may be anticipated. I +cannot discuss the matter with my father. You were at college +with him, and you will remember his love for Aristotle, who, as I think, +has enslaved him. If I may say so without offence, you are not +a philosopher. You are more likely, therefore, to give a sound, +unprofessional opinion. You have never had much to do with children, +but this does not matter; in fact, it is rather an advantage, for actual +children would have distorted your judgment. What has theology +done? It is only half-believed, and its rewards and punishments +are too remote to be of practical service. They are not seen when +they are most required. As to metaphysics, its propositions are +too loose. They may with equal ease be affirmed or denied. +Conduct cannot be controlled by what is shadowy and uncertain. +We have been brought up on theology and metaphysics for centuries, and +we are still at daggers drawn upon matters of life and death. +We are as warlike as ever, and not a single social problem has been +settled by bishops or professors. I wish to try a more direct +and, as I believe, a more efficient method. I wish to see what +the effect will be of teaching children from their infancy the lesson +that morality and the enjoyment of life are identical; that if, for +example, they lie, they lose. I should urge this on them perpetually, +until at last, by association, lying would become impossible. +Restraint which is exercised in accordance with rational principles, +inasmuch as it proceeds from Nature, must be more efficacious than an +external prohibition. So with other virtues. I should deduce +most of them in the same way. If I could not, I should let them +go, assured that we could do without them. Now, my dear godfather, +do open out to me, and don’t put me off.</p> +<p>Your affectionate godchild,<br />HERMIONE.</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>My Dear Hermione, - You terrify me. These matters are really +not in my way. I have never been able to tackle big questions. +Unhappily for me, all questions nowadays are big. I do not see +many people, as you know, and potter about in my garden from morning +to night, but Mrs. Lindsay occasionally brings down her friends from +London, and the subjects of conversation are so immense that I am bewildered. +I admit that some people are too rich and others are too poor, and that +if I could give you a vote you should have one, and that boys and girls +might be better taught, but upon Socialism, Enfranchisement of Women, +and Educational Reform, I have not a word to say. Is not this +very unsatisfactory? Nobody is more willing to admit it than I +am. It is so disappointing in talking to myself or to others to +stop short of generalisation and to be obliged to confess that <i>sometimes +it is and sometimes it is not</i>. I bless my stars that I am +not a politician or a newspaper writer. When I was young these +great matters, at least in our village, were not such common property +as they are now. A man, even if he was a scholar, thought he had +done his duty by living an honest and peaceable life. He was justified +if he was kind to his neighbours and amused himself with his bees and +flowers. He had no desire to be remembered for any achievement, +and was content to be buried with a few tears and then to be forgotten. +All Mrs. Lindsay’s folk want to do something outside their own +houses or parishes which shall make their names immortal. . . . +I was interrupted by a tremendous thunderstorm and hail. That +wonderful rose-bush which, you will recollect, stood on the left-hand +side of the garden door, has been stripped just as if it had been scourged +with whips. If you have done, quite done with the Orelli you borrowed +about two years ago, please let me have it. Why could you not +bring it? Mrs. Lindsay was saying only the other day how glad +she should be if you would stay with her for a fortnight before you +return to town.</p> +<p>Your affectionate godfather,<br />G. L.</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>My Dear Godfather, - I have sent back the Orelli. How I should +love to come and to wander about the meadows with you by the river or +sit in the boat with you under the willows. But I cannot, for +I have promised to speak at a Woman’s Temperance Meeting next +week, and in the week following I am going to read a paper called “An +Educational Experiment,” before our Ethical Society. This, +I think, will be interesting. I have placed my pupils in difficult +historical positions, and have made them tell me what they would have +done, giving the reasons. I am thus enabled to detect any weakness +and to strengthen character on that side. Most of the girls are +embarrassed by the conflict of motives, and I have to impress upon them +the necessity in life of disregarding those which are of less importance +and of prompt action on the stronger. I have classified my results +in tables, so that it may be seen at a glance what impulses are most +generally operative.</p> +<p>But to go back to your letter. I will not have you shuffle. +You can say so much if you like. Talk to me just as you did when +we last sat under the cedar-tree. I <i>must</i> know your mind +about theology and metaphysics.</p> +<p>Your affectionate godchild,<br />HERMIONE.</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>My Dear Hermione, - I am sorry you could not come. I am sorry +that what people call a “cause” should have kept you away. +If any of your friends had been ill; if it had been a dog or a cat, +I should not have cared so much. You are dreadful! Theology +and metaphysics! I do not understand what they are as formal sciences. +Everything seems to me theological and metaphysical. What Shakespeare +says now and then carries me further than anything I have read in the +system-books into which I have looked. I cannot take up a few +propositions, bind them into faggots, and say, “This is theology, +and that is metaphysics.” There is much “discourse +of God” in a May blossom, and my admiration of it is “beyond +nature,” but I am not sure upon this latter point, for I do not +know in the least what φυσις or Nature +is. We love justice and generosity, and hate injustice and meanness, +but the origin of virtue, the life of the soul, is as much beyond me +as the origin of life in a plant or animal, and I do not bother myself +with trying to find it out. I do feel, however, that justice and +generosity have somehow a higher authority than I or any human being +can give them, and if I had children of my own this is what I should +try, not exactly to teach them, but to breathe into them. I really, +my dear child, dare not attempt an essay on the influence which priests +and professors have had upon the world, nor am I quite clear that “shadowy” +and “uncertain” mean the same thing. All ultimate +facts in a sense are shadowy, but they are not uncertain. When +you try to pinch them between your fingers they seem unsubstantial, +but they are very real. Are you sure that you yourself stand on +solid granite?</p> +<p>Your affectionate godfather,<br />G. L.</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>My Dear Godfather, - You are most disappointing and evasive. +I gave up the discussion on Latin and Greek, but I did and do want your +reply to a most simple question. If you had to teach children +- you surely can imagine yourself in such a position - would you teach +them <i>what are generally known as theology and metaphysics</i>? - +excuse the emphasis. You have an answer, I am certain, and you +may just as well give it me. I know that you had rather, or affect +you had rather, talk about Catullus, but I also know that you think +upon serious subjects sometimes. These matters cannot now be put +aside. We live in a world in which certain problems are forced +upon us and we are compelled to come to some conclusion upon them. +I cannot shut myself up and determine that I will have no opinion upon +Education or Socialism or Women’s Rights. The fact that +these questions are here is plain proof that it is my duty not to ignore +them. You hate large generalisations, but how can we exist without +them? They may never be entirely true, but they are indispensable, +and, if you never commit yourself to any, you are much more likely to +be practically wrong than if you use them.</p> +<p>Take, for example, the Local Veto. I admitted in my speech +that there is much to be urged against it. It might act harshly, +and it is quite true that poor men in large towns cannot spend their +evenings in their filthy homes; but I <i>must</i> be for it or against +it, and I am enthusiastically for it, because on the whole it will do +good. So with Socialism. The evils of Capitalism are so +monstrous that any remedy is better than none. Socialism may not +be the direct course: it may be a tremendously awkward tack, but it +is only by tacking that we get along. So with positive education, +but I have enlarged upon this already. What a sermon to my dear +godfather! Forgive me, but you will have to take sides, and do, +please, be a little more definite about my book.</p> +<p>Your affectionate godchild,<br />HERMIONE.</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>My Dear Hermione, - I haven’t written for some time, for I +was unwell for nearly a month. The doctor has given me physic, +but my age is really the mischief, and it is incurable. I caught +cold through sitting out of doors after dinner with the rector, a good +fellow if he would not smoke on my port. To smoke on good port +is a sin. He knows my infirmity, that I cannot sit still long, +and he excuses my attendance at church. Would you believe it? +When I was very bad, and thought I might die, I read Horace again, whom +you detest. I often wonder what he really thought upon many things +when he looked out on the</p> +<div class="GutenbergBlankLines1"><br /></div> +<p> taciturna noctis<br />signa.”</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>Justice is not often done to him. He saw a long way, but he +did not make believe he saw beyond his limit, and was content with it. +A rare virtue is intellectual content!</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>“Tu ne quæsieris, scire nefas, quem mihi, quem tibi<br />Finem +dî dederint, Leuconoe, nec Babylonios<br />Tentaris numeros.”</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>The rector was telling me about Tom Pavenham’s wedding. +He has married Margaret Loxley, as you may perhaps have seen in the +paper I sent you. Mrs. Loxley, her mother, was a Barfield, and +old Pavenham, when he was a youth, fell in love with her. She +was also in love with him. He was well-to-do, and farmed about +seven hundred acres, but he was not thought good enough by the elder +Barfields, who lived in what was called a park. They would not +hear of the match. She was sent to France, and he went to Buenos +Ayres. After some years had passed he married out there, and she +married. His wife died when her first child, a boy, was born. +Loxley also died, leaving his wife with an only daughter. Pavenham +retired from business in South America, and came back with his son to +his native village, where he meant to spend the rest of his days. +Tom and Margaret were at once desperately smitten with one another. +The father and mother have kept their own flame alive, and I believe +it is as bright as it ever was. It is delightful to see them together. +They called on me with the children after the betrothal. He was +so courteous and attentive to her, and she seemed to bask in his obvious +affection. I noticed how they looked at one another and smiled +happily as the boy and girl wandered off together towards the filbert +walk. The rector told me that he was talking to old Pavenham one +evening, and said to him: “Jem, aren’t you sometimes sad +when you think of what ought to have happened?” His voice +shook a bit as he replied gently: “God be thanked for what we +have! Besides, it has all come to pass in Tom and Margaret.”</p> +<p>You must not be angry with me if I say nothing more about Positive +Education. It is a great strain on me to talk upon such matters, +and when I do I always feel afterwards that I have said much which is +mere words. That is a sure test; I must obey my dæmon. +I wish I could give you what you want for what you have given me; but +when do we get what we want in exchange for what we give? Our +trafficking is a clumsy barter. A man sells me a sheep, and I +pay him in return with my grandfather’s old sextant. This +is not quite true for you and me. Love is given and love is returned. +À Dieu - not adieu. Remember that the world is very big, +and that there may be room in it for a few creatures like</p> +<p>Your affectionate godfather,<br />G. L.</p> +<div class="GutenbergBlankLines2"><br /><br /></div> +<h2>MRS. FAIRFAX</h2> +<div class="GutenbergBlankLines2"><br /><br /></div> +<p>The town of Langborough in 1839 had not been much disturbed since +the beginning of the preceding century. The new houses were nearly +all of them built to replace others which had fallen into decay; there +were no drains; the drinking-water came from pumps; the low fever killed +thirty or forty people every autumn; the Moot Hall still stood in the +middle of the High Street; the newspaper came but once a week; nobody +read any books; and the Saturday market and the annual fair were the +only events in public local history. Langborough, being seventy +miles from London and eight from the main coach-road, had but little +communication with the outside world. Its inhabitants intermarried +without crossing from other stocks, and men determined their choice +mainly by equality of fortune and rank. The shape of the nose +and lips and colour of the eyes may have had some influence in masculine +selection, but not much: the doctor took the lawyer’s daughter, +the draper took the grocer’s, and the carpenter took the blacksmith’s. +Husbands and wives, as a rule, lived comfortably with one another; there +was no reason why they should quarrel. The air of the place was +sleepy; the men attended to their business, and the women were entirely +apart, minding their household affairs and taking tea with one another. +In Langborough, dozing as it had dozed since the days of Queen Anne, +it was almost impossible that any woman should differ so much from another +that she could be the cause of passionate preference.</p> +<p>One day in the spring of 1839 Langborough was stirred to its depths. +No such excitement had been felt in the town since the run upon the +bank in 1825, when one of the partners went up to London, brought down +ten thousand pounds in gold with him by the mail, and was met at Thaxton +cross-roads by a post-chaise, which was guarded into Langborough by +three men with pistols. A circular printed in London was received +on that spring day in 1839 by all the respectable ladies in the town +stating that a Mrs. Fairfax was about to begin business in Ferry Street +as a dressmaker. She had taken the only house to be let in Ferry +Street. It was a cottage with a front and back sitting-room, and +belonged to an old lady in Lincoln, who inherited it from her brother, +who once lived in it but had been dead forty years. Before a week +had gone by four-fifths of the population of Langborough had re-inspected +it. The front room was the shop, and in the window was a lay-figure +attired in an evening robe of rose-coloured silk, the like of which +for style and fit no native lady had ever seen. Underneath it +was a card - “Mrs. Fairfax, Milliner and Dressmaker.” +The circular stated that Mrs. Fairfax could provide materials or would +make up those brought to her by her customers.</p> +<p>Great was the debate which followed this unexpected apparition. +Who Mrs. Fairfax was could not be discovered. Her furniture and +the lay-figure had come by the waggon, and the only information the +driver could give was that he was directed at the “George and +Blue Boar” in Holborn to fetch them from Great Ormond Street. +After much discussion it was agreed that Mrs. Bingham, the wife of the +wine merchant, should call on Mrs. Fairfax and inquire the price of +a gown. Mrs. Bingham was at the head of society in Langborough, +and had the reputation of being very clever. It was hoped, and +indeed fully expected, that she would be able to penetrate the mystery. +She went, opened the door, a little bell sounded, and Mrs. Fairfax presented +herself. Mrs. Bingham’s eyes fell at once upon Mrs. Fairfax’s +dress. It was black, with no ornament, and constructed with an +accuracy and grace which proved at once to Mrs. Bingham that its maker +was mistress of her art. Mrs. Bingham, although she could not +entirely desert the linendraper’s wife, whose husband was a good +customer for brandy, had some of her clothes made in London when she +stayed with her sister in town, and, to use her own phrase, “knew +what was what.”</p> +<p>“Mrs. Fairfax?”</p> +<p>A bow.</p> +<p>“Will you please tell me what a gown would cost made somewhat +like that in the window?”</p> +<p>“For yourself, madam?”</p> +<p>“Yes.”</p> +<p>“Pardon me; I am afraid that colour would not suit you.”</p> +<p>Mrs. Bingham was a stout woman with a ruddy complexion.</p> +<p>“One colour costs no more than another?”</p> +<p>“No, madam: twelve guineas; that silk is expensive. Will +you not take a seat?”</p> +<p>“I am afraid you will find twelve guineas too much for anybody +here. Have you nothing cheaper?”</p> +<p>Mrs. Fairfax produced some patterns and fashion-plates.</p> +<p>“I suppose the gown in the window is your own make?”</p> +<p>“My own make and design.”</p> +<p>“Then you are not beginning business?”</p> +<p>“I hope I may say that I thoroughly understand it.”</p> +<p>The door leading into the back parlour opened, and a little girl +about nine or ten years old entered.</p> +<p>“Mother, I want - ”</p> +<p>Mrs. Fairfax, without saying a word, gently led the child into the +parlour again.</p> +<p>“Dear me, what a pretty little girl! Is that yours?”</p> +<p>“Yes, she is mine.”</p> +<p>Mrs. Bingham noticed that Mrs. Fairfax did not wear a widow’s +cap, and that she had a wedding-ring on her finger.</p> +<p>“You will find it rather lonely here. Have you been accustomed +to solitude?”</p> +<p>“Yes. That silk, now, would suit you admirably. +With less ornament it would be ten guineas.”</p> +<p>“Thank you: I must not be so extravagant at present. +May I look at something which will do for walking? You would not, +I suppose, make a walking-dress for Langborough exactly as you would +have made it in London?”</p> +<p>“If you mean for walking about the roads here, it would differ +slightly from one which would be suitable for London.”</p> +<p>“Will you show me what you have usually made for town?”</p> +<p>“This is what is worn now.”</p> +<p>Mrs. Bingham was baffled but not defeated. She gave an order +for a walking-dress, and hoped that Mrs. Fairfax might be more communicative.</p> +<p>“Have you any introductions here?”</p> +<p>“None whatever.”</p> +<p>“It is rather a risk if you are unknown.”</p> +<p>“Perhaps you have been exempt from risks: some people are obliged +constantly to encounter them.”</p> +<p>“‘Exempt,’ ‘encounter,”’ thought +Mrs. Bingham: “she must have been to a good school.”</p> +<p>“When will you be ready to try on?”</p> +<p>“On Friday,” and Mrs. Fairfax opened the door.</p> +<p>As Mrs. Bingham went out she noticed a French book lying on a side +table.</p> +<p>The day following was Sunday, and Mrs. Fairfax and her daughter were +at church. They sat at the back, and all the congregation turned +on entering, looked at them, and thought about them during the service. +They went out as soon as it was over, but Mrs. Harrop, wife of the ironmonger, +and Mrs. Cobb, wife of the coal merchant, escaped with equal promptitude +and were close behind them.</p> +<p>“There isn’t a crease in that body,” said Mrs. +Harrop.</p> +<p>On Monday Mrs. Bingham was at the post-office. She took care +to be there at the dinner hour, when the postmaster’s wife generally +came to the counter.</p> +<p>“A newcomer, Mrs. Carter. Have you seen Mrs. Fairfax?”</p> +<p>“Once or twice, ma’am.”</p> +<p>“Has she many letters?”</p> +<p>The door between the office and the parlour was open.</p> +<p>“I’ve no doubt she will have, ma’am, if her business +succeeds.”</p> +<p>“I wonder where she lived before she came here. It is +curious, isn’t it, that nobody knows her? Did you ever notice +how her letters are stamped?”</p> +<p>“Can’t say as I have, ma’am.”</p> +<p>Mrs. Carter shut the parlour door. “The smell of those +onions,” she whispered to her husband, “blows right in here.” +She then altered her tone a trifle.</p> +<p>“One of ’em, Mrs. Bingham, had the Portsmouth postmark +on it; but this is in the strictest confidence, and I should never dream +of letting it out to anybody but you, but I don’t mind you, because +I know you won’t repeat it, and if my husband was to hear me he’d +be in a fearful rage, for there was a dreadful row when I told Lady +Caroline at Thaxton Manor about the letters Miss Margaret was getting, +and it was found out that it was me as told her, and some gentleman +in London wrote to the Postmaster-General about it.”</p> +<p>“You may depend upon me, Mrs. Carter.” Mrs. Bingham +considered she had completely satisfied her conscience when she imposed +an oath of secrecy on Mrs. Harrop, who was also self-exonerated when +she had imposed a similar oath on Mrs. Cobb.</p> +<p>A fortnight after the visit to the post-office there was a tea-party. +Mrs. Harrop, Mrs. Cobb, Mrs. Sweeting, the grocer’s wife, and +Miss Tarrant, an elderly lady, living on a small annuity, but most genteel, +were invited to Mrs. Bingham’s. They began to talk of Mrs. +Fairfax directly they had tasted the hot buttered toast. They +had before them the following facts: the carrier’s deposition +that the goods came from Great Ormond Street; the lay-figure and what +it wore; Mrs. Fairfax’s prices; the little girl; the wedding-ring +but no widow’s weeds; the Portsmouth postmark; the French book; +Mrs. Bingham’s new gown, and lastly - a piece of information contributed +by Mrs. Sweeting and considered to be of great importance, as we shall +see presently - that Mrs. Fairfax bought her coffee whole and ground +it herself. On these facts, nine in all, the ladies had to construct +- it was imperative that they should construct it - an explanation of +Mrs. Fairfax, and it must be confessed that they were not worse equipped +than many a picturesque and successful historian. At the request +of the company, Mrs. Bingham went upstairs and put on the gown.</p> +<p>“Do you mind coming to the window, Mrs. Bingham?” asked +Mrs. Harrop.</p> +<p>Mrs. Bingham rose and went to the window. Her guests also rose. +She held her arms down and then held them up, and was surveyed from +every point of the compass.</p> +<p>“I thought it was a pucker, but it’s only the shadow,” +observed Mrs. Harrop.</p> +<p>Mrs. Cobb stroked the body and shook the skirt. Not a single +depreciatory criticism was ventured. Excepting the wearer, nobody +present had seen such a masterpiece. But although for half a lifetime +we may have beheld nothing better than an imperfect actual, we recognise +instantly the superiority and glory of the realised Ideal when it is +presented to us. Mrs. Harrop, Mrs. Cobb, Mrs. Sweeting, and Miss +Tarrant became suddenly aware of possibilities of which they had not +hitherto dreamed. Mrs. Swanley, the linendraper’s wife, +was degraded and deposed.</p> +<p>“She must have learned that in London,” said Mrs. Harrop.</p> +<p>“London! my dear Mrs. Harrop,” replied Mrs. Bingham, +“I know London pretty well, and how things are cut there. +I told you there was a French book on the table. Take my word +for it, she has lived in Paris. She <i>must</i> have lived there.”</p> +<p>“Where is Great Ormond Street, Mrs. Bingham?” inquired +Mrs. Sweeting.</p> +<p>“A great many foreigners live there; it is somewhere near Leicester +Square.”</p> +<p>Mrs. Bingham knew nothing about the street, but having just concluded +a residence in Paris from the French book, that conclusion led at once +to a further conclusion, clear as noonday, as to the quality of the +people who inhabited Great Ormond Street, and consequently to the final +deduction of its locality.</p> +<p>“Did you not say, Mrs. Sweeting, that she buys her coffee whole?” +added Mrs. Bingham, as if inspiration had flashed into her. “If +you want additional proof that she is French, there it is.”</p> +<p>“Portsmouth,” mused Mrs. Cobb. “You say, +Mrs. Bingham, there are a good many officers there. Let me see +- 1815 - it’s twenty-four years ago since the battle. A +captain may have picked her up in Paris. I’ll be bound that, +if she ever was married, she was married when she was sixteen or seventeen. +They are always obliged to marry those French girls when they are nothing +but chits, I’ve been told - those of them, least-ways, that don’t +live with men without being married. That would make her about +forty, and then he found her out and left her, and she went back to +Paris and learned dressmaking.”</p> +<p>“But he writes to her from Portsmouth,” said Mrs. Bingham, +who had not been told that the solitary letter from Portsmouth was addressed +in a man’s handwriting.</p> +<p>“He may not have broken with her altogether,” replied +Mrs. Cobb. “If he isn’t a downright brute he’ll +want to hear about his daughter.”</p> +<p>“Well,” said Mrs. Sweeting, twitching her eyes as she +was wont to do when she was about to give an opinion which she knew +would disturb any of her friends, “you may talk as you like, but +the last thing Swanley made for me looked as if it had been to the wash +and hung on me to dry. French or English, captain or no captain, +I shall go to Mrs. Fairfax. Her character’s got nothing +to do with her cut. Suppose she <i>is</i> divorced; judging from +that body of yours, Mrs. Bingham, I shan’t have to send back a +pelisse half a dozen times to get it altered. When it comes to +that you get sick of the thing, and may just as well give it away.”</p> +<p>Mrs. Sweeting occupied the lowest rank in this particular section +of Langborough society. As a grocer Mr. Sweeting was not quite +on a level with the coal dealer, who was a merchant, nor with the ironmonger, +who repaired ploughs, and he was certainly below Mr. Bingham. +Miss Tarrant, never having been “connected with trade” - +her father was chief clerk in the bank - considered herself superior +to all her acquaintances, but her very small income prevented her from +claiming her superiority so effectively as she desired.</p> +<p>“Mrs. Sweeting,” she said, “I am surprised at you! +You do not consider what the moral effect on the lower orders of patronising +a female of this kind will be, probably an abandoned woman. The +child, no doubt, was not born in wedlock. We are sinners ourselves +if we support sinners.”</p> +<p>“Miss Tarrant,” retorted Mrs. Sweeting, “I’m +the respectable mother of five children, and I don’t want any +sermons on sin except in church. If it wasn’t a sin of Swanley +to charge me three guineas for that pelisse, and wouldn’t take +it back, I don’t know what sin.”</p> +<p>Mrs. Bingham, although she was accustomed to tea-table disputes, +and even enjoyed them, was a little afraid of Mrs. Sweeting’s +tongue, and thought it politic to interfere.</p> +<p>“I agree with you entirely, Mrs. Sweeting, about the inferiority +of Mrs. Swanley to this newcomer, but we must consider Miss Tarrant’s +position in the parish and her responsibilities. She is no doubt +right from her point of view.”</p> +<p>So the conversation ended, but Mrs. Fairfax’s biography, which +was to be published under authority in Langborough, was now rounded +off and complete. She was a Parisian, father and mother unknown, +was found in Paris in 1815 by Captain Fairfax, who, by her intrigues +and threats of exposure, was forced into a marriage with her. +A few years afterwards he had grounds for a divorce, but not wishing +a scandal, consented to a compromise and voluntary separation. +He left one child in her custody, as it showed signs of resemblance +to its mother, to whom he gave a small monthly allowance. She +had been apprenticed as a dressmaker in Paris, had returned thither +in order to master her trade, and then came back to England. In +a very little time, so clever was she that she learned to speak English +fluently, although, as Mrs. Bingham at once noticed, the French accent +was very perceptible. It was a good, intelligible, working theory, +and that was all that was wanted. This was Mrs. Fairfax so far +as her female neighbours were concerned. To the men in Langborough +she was what she was to the women, but with a difference. When +she went to Mr. Sweeting’s shop to order her groceries, Mr. Sweeting, +notwithstanding the canonical legend of her life, served her himself, +and was much entangled by her dark hair, and was drawn down by it into +a most polite bow. Mr. Cobb, who had a little cabin of an office +in his coal-yard, hastened back to it from superintending the discharge +of a lighter, when Mrs. Fairfax called to pay her little bill, actually +took off his hat, begged her to be seated, and hoped she did not find +the last lot of coals dusty. He was now unloading some of the +best Wallsend that ever came up the river, and would take care that +the next half ton should not have an ounce of small in it.</p> +<p>“You’ll find it chilly where you are living, ma’am, +but it isn’t damp, that’s one comfort. The bottom +of your street is damp, and down here in a flood anything like what +we had fourteen years ago, we are nearly drowned. If you’ll +step outside with me I’ll show you how high the water rose.” +He opened the door, and Mrs. Fairfax thought it courteous not to refuse. +He walked to the back of his cabin bareheaded, although the morning +was cold, and pointed out to her the white paint mark on the wall. +She, dropped her receipted bill in the black mud and stooped to pick +it up. Mr. Cobb plunged after it and wiped it carefully on his +silk pocket-handkerchief. Mrs. Cobb’s bay window commanded +the whole length of the coal-yard. In this bay window she always +sat and worked and nodded to the customers, or gossiped with them as +they passed. She turned her back on Mrs. Fairfax both when she +entered the yard and when she left it, but watched her carefully. +Mr. Cobb came into dinner, but his wife bided her time, knowing that, +as he took snuff, the handkerchief would be used. It was very +provoking, he was absent-minded, and forgot his usual pinch before he +sat down to his meal. For three-quarters of an hour his wife was +afflicted with painfully uneasy impatience, and found it very difficult +to reply to Mr. Cobb’s occasional remarks. At last the cheese +was finished, the snuff-box appeared, and after it the handkerchief.</p> +<p>“A pretty mess that handkerchief is in, Cobb.” +She always called him simply “Cobb.”</p> +<p>“Yes, it was an a-a-accident. I must have a clean one. +I didn’t think it was so dirty.”</p> +<p>“The washing of your snuffy handkerchiefs costs quite enough +as it is, Cobb, without using them in that way.”</p> +<p>“What way?” said Mr. Cobb weakly.</p> +<p>“Oh, I saw it all, going out without your hat and standing +there like a silly fool cleaning that bit of paper. I wonder what +the lightermen thought of you.”</p> +<p>It will already have been noticed that the question what other people +thought was always the test which was put in Langborough whenever anything +was done or anything happened not in accordance with the usual routine, +and Mrs. Cobb struck at her husband’s conscience by referring +him to his lightermen. She continued -</p> +<p>“And you know what she is as well as I do, and if she’d +been respectable you’d have been rude to her, as you generally +are.”</p> +<p>“You bought that last new gown of her, and you never had one +as fitted you so well.”</p> +<p>“What’s that got to do with it? You may be sure +I knew my place when I went there. Fit? Yes, it did fit; +them sort of women, it stands to reason, are just the women to fit you.”</p> +<p>Mr. Cobb was silent. He was a mild man, and he knew by much +experience how unprofitable controversy with Mrs. Cobb was. He +could not forget Mrs. Fairfax’s stooping figure when she was about +to pick up the bill. She caused in all the Langborough males an +unaccustomed quivering and warmth, the same in each, physical, perhaps, +but salutary, for the monotony of life was relieved thereby and a deference +and even a grace were begotten which did not usually distinguish Langborough +manners. Not one of Mrs. Fairfax’s admirers, however, could +say that she showed any desire for conversation with him, nor could +any direct evidence be obtained as to what she thought of things in +general. There was, to be sure, the French book, and there were +other circumstances already mentioned from which suspicion or certainty +(suspicion, as we have seen, passing immediately into certainty in Langborough) +of infidelity or disreputable conduct followed, but no corroborating +word from her could be adduced. She attended to her business, +accepted orders with thanks and smiles, talked about the weather and +the accident to the coach, was punctual in her attendance at church, +calm and inscrutable as the Sphinx. The attendance at church was, +of course, set down to “business considerations,” and was +held to be quite consistent with the scepticism and loose morality deducible +from the French book and the unground coffee.</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>In speaking of the male creatures of the town we have left out Dr. +Midleton. He was forty-eight years old, and had been rector twenty +years. He had obtained high mathematical honours at Cambridge, +and became a tutor in a grammar school, but was soon presented by his +college with the living of Langborough. He was tall, spare, clean-shaven, +grey-eyed, dark-haired, thin-faced, his lips were curved and compressed, +and he stooped slightly. He was a widower with no children, and +the Rectory was efficiently kept in order by an aged housekeeper. +Tractarianism had not arisen in 1839, but he was High Church and an +enemy to all kinds of fanaticism, apt to be satirical, even in his sermons, +on the right of private judgment to interpret texts as it pleased in +ignorance of Hebrew and Greek. He was respected and feared more +than any other man in the parish. He had a great library, and +had taken up archæology as a hobby. He knew the history +of every church in the county, and more about the Langborough records +than was known by the town clerk. He was chairman of a Board of +Governors charged with the administration of wealthy trust for alms +and schools. When he first took office he found that this trust +was controlled almost entirely by a man named Jackson, a local solicitor, +whose salary as clerk was £400 a year and who had a large private +practice. The alms were allotted to serve political purposes, +and the headmaster of the school enjoyed a salary of £800 a year +for teaching forty boys, of whom twenty were boarders. Mr. Midleton +- he was Mr. Midleton then - very soon determined to alter this state +of things. Jackson went about sneering at the newcomer who was +going to turn the place upside down, and having been accustomed to interfere +in the debates in the Board-room, interrupted the Rector at the third +or fourth meeting.</p> +<p>“You’ll get yourself in a mess if you do that, Mr. Chairman.”</p> +<p>“Mr. Jackson,” replied the Rector, rising slowly, “it +may perhaps save trouble if I remind you now, once for all, that I am +chairman and you are the clerk. Mr. Bingham, you were about to +speak.”</p> +<p>It was Dr. Midleton who obtained the new Act of Parliament remodelling +the trust, whereby a much larger portion of its funds was devoted to +education. Jackson died, partly from drink and partly from spite +and vexation, and the headmaster was pensioned. The Rector was +not popular with the middle class. He was not fond of paying visits, +but he never neglected his duty, and by the poor was almost beloved, +for he was careless and intimate in his talk with them and generous +to real distress. Everybody admired his courage. The cholera +in 1831 was very bad in Langborough, and the people were in a panic +at the new disease, which was fatal in many cases within six hours after +the first attack. The Rector through that dark time was untouched +by the contagious dread which overpowered his parishioners, and his +presence carried confidence and health. On the worst day, sultry, +stifling, with no sun, an indescribable terror crept abroad, and Mr. +Cobb, standing at his gate, was overcome by it. In five minutes +he had heard of two deaths, and he began to feel what were called “premonitory +symptoms.” He carried a brandy flask in his pocket, brandy +being then considered a remedy, and he drank freely, but imagined himself +worse. He was about to rush indoors and tell Mrs. Cobb to send +for the surgeon, when the Rector passed.</p> +<p>“Ah, Mr. Cobb! I was just about to call on you; glad +to see you looking so well when there’s so much sickness. +We shall want you on the School Committee this evening,” and then +he explained some business which was to be discussed. Mr. Cobb +afterwards was fond of telling the story of this interview.</p> +<p>“Would you believe it?” said he. “He spoke +to me about nothing much but the trust, but somehow my stomach seemed +quieter at once. The sinking - just <i>here</i>, you know - was +dreadful before he came up, and the brandy was no good. It was +a something in his way that did it.”</p> +<p>Dr. Midleton was obliged to call on Mrs. Fairfax as a newcomer. +He found Mrs. Harrop there, and Mrs. Fairfax asked him to step into +the back parlour, into which no one in Langborough had hitherto been +admitted. Gowns were tried on in the shop, the door being bolted +and the blind drawn. Dr. Midleton found four little shelves of +books on the cupboard by the side of the fireplace. Some were +French, but most of them were English. Although it was such a +small collection, his book-lover’s instinct compelled him to look +at it. His eyes fell upon a <i>Religio Medici</i>, and he opened +it hastily. On the fly-leaf was written “Mary Leighton, +from R. L.” He had just time, before its owner entered, +to replace it and to muse for an instant.</p> +<p>“Richard Leighton of Trinity: it is not a common name, but +it cannot be he - have lost sight of him for years; heard he was married, +and came to no good.”</p> +<p>He was able to watch her for a minute as she stood by the table giving +some directions to her child, who was sent on an errand. In that +minute he saw her as she had not been seen by anybody in Langborough. +To Mrs. Bingham and her friends Mrs. Fairfax was the substratum of a +body and skirt, with the inestimable advantage over a substratum of +cane and padding that a scandalous history of it could be invented and +believed. To Langborough men, married and single, she was a member +of “the sex,” as women were called in those days, who possessed +in a remarkable degree the power of exciting that quivering and warmth +we have already observed. Dr. Midleton saw before him a lady, +tall but delicately built, with handsome face and dark brown hair just +streaked with grey, and he saw also diffused over every feature a light +which in her eyes, forward-looking and earnest, became concentrated +into a vivid, steady flame. The few words she spoke to her daughter +were sharply cut, a delightful contrast in his ear to the dialect to +which he was accustomed, distinguished by its universal vowel and suppression +of the consonants. How he inwardly rejoiced to hear the sound +of the second “t” in the word “distinct,” when +she told her little messenger that Mr. Cobb had been “distinctly” +ordered to send the coals yesterday. He remained standing until +the child had gone.</p> +<p>“Pray be seated,” she said. She went to the fireplace, +leaned on the mantelpiece, and poked the fire. The attitude struck +him. She was about to put some coals in the grate, but he interfered +with an “Allow me,” and performed the office for her. +She thanked him simply, and sat down opposite to him, facing the light. +She began the conversation.</p> +<p>“It is good of you to call on me; calling on people, especially +on newcomers must be an unpleasant part of a clergyman’s duty.”</p> +<p>“It is so, madam, sometimes - there are not many newcomers.”</p> +<p>“It is an advantage in your profession that you must generally +be governed by duty. It is often easier to do what we are obliged +to do, even if it be disagreeable, than to choose our path by our likes +and dislikes.”</p> +<p>The bell rang, and Mrs. Fairfax went into the shop.</p> +<p>“Who can she be?” said the Doctor to himself. Such +an experience as this he had not known since he had been rector. +Langborough did not deal in ideas. It was content to affirm that +Miss Tarrant now and then gave herself airs, that Mrs. Sweeting had +a way of her own, that Mr. Cobb lacked spirit and was downtrodden by +his wife.</p> +<p>She returned and sat down again.</p> +<p>“You know nobody in these parts, Mrs. Fairfax?”</p> +<p>“Nobody.”</p> +<p>“Yours is a bold venture, is it not?”</p> +<p>“It is - certainly. A good many plans were projected, +of which this was one, and there were equal difficulties in the way +of all. When that is the case we may almost as well draw lots.”</p> +<p>“Ah, that is what I often say to some of the weaker sort among +my parishioners. I said it to poor Cobb the other day. He +did not know whether he should do this or do that. ‘It doesn’t +matter much,’ said I, ‘what you do, but do something. +<i>Do</i> it, with all your strength.’”</p> +<p>The Doctor was thoroughly Tory, and he slid away to his favourite +doctrine.</p> +<p>“Our ancestors, madam, were not such fools as we often take +them to be. They consulted the <i>sortes</i> or lots, and at the +last election - we have a potwalloping constituency here - three parts +of the voters would have done better if they had trusted to the toss-up +of a penny instead of their reason.”</p> +<p>Mrs. Fairfax leaned back in her chair. Dr. Midleton noticed +her wedding-ring, and also a handsome sapphire ring. She spoke +rather slowly and meditatively.</p> +<p>“Life is so complicated; so few of the consequences of many +actions of the greatest moment can be foreseen, that the belief in the +lot is not unnatural.”</p> +<p>“You have some books, I see - Sir Thomas Browne.” +He took down the volume.</p> +<p>“Leighton! Leighton! how odd! Was it Richard Leighton?”</p> +<p>“Yes.”</p> +<p>“Really; and you knew him?”</p> +<p>“He was a friend of my brother.”</p> +<p>“Do you know what has become of him? He was at Cambridge +with me, but was younger.”</p> +<p>“I have not seen him for some time. Do you mind if I +open the window a little?”</p> +<p>“Certainly not.”</p> +<p>She stood at the window for a moment, looking out on the garden, +with her hand on the top of the sash. The Doctor had turned his +chair a little and his eyes were fixed on her there with her uplifted +arm. A picture which belonged to his father instantly came back +to him. He recollected it so well. It represented a woman +watching a young man in a courtyard who is just mounting his horse. +We are every now and then reminded of pictures by a group, an attitude, +or the arrangement of a landscape which, thereby, acquires a new charm.</p> +<p>Suddenly the shop bell rang again, and Mrs. Fairfax’s little +girl rushed into the parlour. She had fallen down and cut her +wrist terribly with a piece of a bottle containing some harts-horn which +she had to buy at the druggist’s on her way home from Mr. Cobb’s. +The blood flowed freely, but Mrs. Fairfax, unbewildered, put her thumb +firmly on the wrist just above the wound and instructed the doctor how +to use his pocket-handkerchief as a tourniquet. As he was tying +it, although such careful attention to the operation was necessary, +he noticed Mrs. Fairfax’s hands, and he almost forgot himself +and the accident.</p> +<p>“There is glass in the wrist,” she said. “Will +you kindly fetch the surgeon? I do not like to leave.”</p> +<p>He went at once, and fortunately met him in his gig.</p> +<p>On the third day after the mishap Dr. Midleton thought he ought to +inquire after the child. The glass had been extracted and she +was doing well. Her mother was at work in the back-parlour. +She made no apology for her occupation, but laid down her tools.</p> +<p>“Pray go on, madam.”</p> +<p>“Certainly not. I am afraid I might make a mistake with +my scissors if I were to listen to you; or, worse, if I were to pay +attention to them I should not pay attention to you.”</p> +<p>He smiled. “It is an art, I should think, which requires +not only much attention but practice.”</p> +<p>She evaded the implied question. “It is difficult to +fit, but it is more difficult to please.”</p> +<p>“That is true in my own profession.”</p> +<p>“But you are not obliged to please.”</p> +<p>“No, not obliged, I am happy to say. If my parishioners +do not hear the truth I have no excuse. It must be rather trying +to the temper of a lady like yourself to humour the caprices of the +vulgar.”</p> +<p>“No; they are my customers, and even if they are unpleasant +they are so not to me personally but to their servant, who ceases to +be their servant when she ceases to be employed upon their clothes.”</p> +<p>“You are a philosopher, madam; that sentiment is worthy of +Epictetus.”</p> +<p>“I have read Epictetus in Mrs. Carter’s translation.”</p> +<p>“You have read Epictetus? That is remarkable! I +should think no other woman in the county has read him.” +He leaned forward a little and his face was lighted up. “I +have a library, madam, a large library; I should like to show it to +you, if - if it can be managed without difficulty.”</p> +<p>“It will give me great pleasure to see it some day. It +must be a delightful solace to you in a town like this, in which I daresay +you have but few friends. I suppose, though, you visit a good +deal?”</p> +<p>“No; I do not visit much. I differ from my brother Sinclair +in the next parish. He is always visiting. What is the consequence? +- gossip and, as I conceive, a loss of dignity and self-respect. +I will go wherever there is trouble or wherever I am wanted, but I will +not go anywhere for idle talk.”</p> +<p>“I think you are right. A priest should not make himself +cheap and common. He should be representative of sacred interests +superior to the ordinary interests of life.”</p> +<p>“I am grateful to you, madam, very grateful to you for these +observations. They are as just as they are unusual. I sincerely +hope that we - ” But there was a knock at the door.</p> +<p>“Come in.” It was Mrs. Harrop. “Your +bell rang, Mrs. Fairfax, but maybe you didn’t hear it as you were +engaged in conversation. Good morning, Dr. Midleton. I hope +I don’t intrude?”</p> +<p>“No, you do not.”</p> +<p>He bowed to the ladies, and as he went out, the parlour-door being +open, he moved the outer door backwards and forwards.</p> +<p>“It would be as well, Mrs. Fairfax, to have a bell hung there +which would act properly.”</p> +<p>“I don’t know quite what Dr. Midleton means,” said +Mrs. Harrop when he had gone. “The bell did ring, loud enough +for most people to have heard it, and I waited ever so long.”</p> +<p>He walked down the street with his customary firm step, and met Mr. +Bingham who stopped him, half smiling and not quite at his ease.</p> +<p>“We are sorry, Doctor, you did not give Hutchings your vote +for the almshouse last Thursday; we expected you would have gone with +us.”</p> +<p>“You expected? Why?”</p> +<p>“Well, you see, sir, Hutchings has always worked hard for our +side.”</p> +<p>“I am astonished, Mr. Bingham, that you should suppose that +I will ever consent to divert the funds of a trust for party purposes.”</p> +<p>Mr. Bingham, although he had just determined to give the Doctor a +bit of his mind, felt his strength depart from him. His sentences +lacked power to stand upright and fell sprawling. “No offence, +Doctor, I merely wanted you to know - not so much my own views - difficulty +to keep our friends together. Short - you know Tom Short - was +saying to me he was afraid - ”</p> +<p>“Pay no attention to fools. Good morning.”</p> +<p>The Doctor came in that night from a vestry meeting to which he went +after dinner. The clock was striking nine, the chimes played their +tune, and as the last note sounded the housekeeper and servants filed +into the study for prayers. Prayers over they rose and went out, +and he sat down. His habits were becoming fixed and for some years +he had always read in the evening the friends of his youth. No +sermon was composed then; no ecclesiastical literature was studied. +Pope and Swift were favourites and, curiously enough, Lord Byron. +His case is not uncommon, for it often happens that men who are forced +into reserve or opposition preserve a secret, youthful, poetic passion +and are even kept alive by it. On this particular evening, however, +Pope, Byron, and Swift remained on his shelves. He meditated.</p> +<p>“A wedding-ring on her finger; no widow’s weeds; he may +nevertheless be dead - I believe I heard he was - and she has discontinued +that frightful disfigurement. Leighton had the thickest crop of +black hair I ever saw on a man: what thick, black hair that child has! +A lady; a reader of books; nobody to be compared with her here.” +At this point he rose and walked about the room for a quarter of an +hour. He sat down again and took up an important paper about the +Trust. He had forgotten it and it was to be discussed the next +day. His eyes wandered over it but he paid no attention to it; +and somewhat disgusted with himself he went to bed.</p> +<p>Mrs. Fairfax had happened to tell him that she was fond of walking +soon after breakfast before she opened her shop, and generally preferred +the lane on the west side of the Common. From his house the direct +road to the lane lay down the High Street, but about a fortnight after +that evening in his study he found himself one morning in Deadman’s +Rents, a narrow, dirty alley which led to the east side of the Common. +Deadman’s Rents was inhabited by men who worked in brickyards +and coalyards, who did odd jobs, and by washerwomen and charwomen. +It contained also three beershops. The dwellers in the Rents were +much surprised to see the Doctor amongst them at that early hour, and +conjectured he must have come on a professional errand. Every +one of the Deadman ladies who was at her door - and they were generally +at their doors in the daytime - vigilantly watched him. He went +straight through the Rents to the Common, whereupon Mrs. Wiggins, who +supported herself by the sale of firewood, jam, pickles, and peppermints, +was particularly disturbed and was obliged to go over to the “Kicking +Donkey,” partly to communicate what she had seen and partly to +ward off by half a quartern of rum the sinking which always threatened +her when she was in any way agitated. When he reached the common +it struck him that for the first time in his life he had gone a roundabout +way to escape being seen. Some people naturally take to side-streets; +he, on the contrary, preferred the High Street; it was his quarter-deck +and he paraded it like a captain. “Was he doing wrong?” +he said to himself. Certainly not; he desired a little intelligent +conversation and there was no need to tell everybody what he wanted. +It was unfortunate, nevertheless, that it was necessary to go through +Deadman’s Rents in order to get it. He soon saw Mrs. Fairfax +and her little girl in front of him. He overtook her, and she +showed no surprise at seeing him.</p> +<p>“I have been thinking,” said he, “about what you +told me” - this was a reference to an interview not recorded. +“I am annoyed that Mrs. Harrop should have been impertinent to +you.”</p> +<p>“You need not be annoyed. The import of a word is not +fixed. If anything annoying is said to me, I always ask myself +what it means - not to me but to the speaker. Besides, as I have +told you before, shop insolence is nothing.”</p> +<p>“You may be justified in not resenting it, but Mrs. Harrop +cannot be excused. I am not surprised to find that she can use +such language, but I am astonished that she should use it to you. +It shows an utter lack of perception. Your Epictetus has been +studied to some purpose.”</p> +<p>“I have quite forgotten him. I do not recollect books, +but I never forget the lessons taught me by my own trade.”</p> +<p>“You have had much trouble?”</p> +<p>“I have had my share: probably not in excess. It is difficult +for anybody to know whether his suffering is excessive: there is no +means of measuring it with that of others.”</p> +<p>“Have you no friends with whom you can share it?”</p> +<p>“I have known but one woman intimately, and she is now dead. +I have known two or three men whom I esteemed, but close friendship +between a woman and a man, unless he is her husband, as a rule is impossible.”</p> +<p>“Do you really think so?”</p> +<p>“I am certain of it. I am speaking now of a friendship +which would justify a demand for sympathy with real sorrows.”</p> +<p>They continued their walk in silence for the next two or three minutes.</p> +<p>“We are now near the end of the lane. I must turn and +go back.”</p> +<p>“I will go with you.”</p> +<p>“Thank you: I should detain you: I have to make a call on business +at the White House. Good morning.”</p> +<p>They parted.</p> +<p>Dr. Midleton presently met Mrs. Jenkins of Deadman’s Rents, +who was going to the White House to do a day’s washing. +A few steps further he met Mr. Harrop in his gig, who overtook Mrs. +Fairfax. Thus it came to pass that Deadman’s Rents and the +High Street knew before nightfall that Dr. Midleton and Mrs. Fairfax +had been seen on the Common that morning. Mrs. Jenkins protested, +that “if she was to be burnt alive with fuz-faggits and brimstone, +nothink but what she witnessed with her own eyes should pass her lips, +whatsomever she might think, and although they were a-walkin’ +- him with his arm round her waist - she did <i>not</i> see him a-kissin’ +of her - how could she when they were a hundred yards off?”</p> +<p>The Doctor prolonged his stroll and reached home about half-past +eleven. A third of his life had been spent in Langborough. +He remembered the day he came and the unpacking of his books. +They lined the walls of his room, some of them rare, all of them his +friends. Nobody in Langborough had ever asked him to lend a single +volume. The solitary scholar never forsook his studies, but at +times he sighed over them and they seemed a little vain. They +were not entirely without external effect, for Pope and Swift in disguise +often spoke to the vestry or the governors, and the Doctor’s manners +even in the shops were moulded by his intercourse with the classic dead. +Their names, however, in Langborough were almost unknown. He had +now become hardened by constant unsympathetic contact. Suddenly +a stranger had appeared who was an inhabitant of his own world and talked +his own tongue. The prospect of genuine intercourse disclosed +itself. None but those who have felt it can imagine the relief, +the joyous expansion, which follow the discovery after long years of +imprisonment with decent people of a person before whom it is unnecessary +to stifle what we most care to express. No wonder he was excited!</p> +<p>But the stranger was a woman. He meditated much that morning +on her singular aptitude for reflection, but he presently began to dream +over figure, hair, eyes, hands. A picture in the most vivid colours +painted itself before him, and he could not close his eyes to it. +He was distressed to find himself the victim of this unaccustomed tyranny. +He did not know that it is impossible for a man to love a woman’s +soul without loving her body. There is no such thing as a spiritual +love apart from a corporeal love, the one celestial and the other earthly, +and the spiritual love begets a passion peculiar in its intensity. +He was happily diverted by Mr. Bingham, who called about a coming contested +election for the governorships.</p> +<p>Next week there was another tea-party at Mrs. Cobb’s. +The ladies were in high spirits, for a subject of conversation was assured. +If there had been an inquest, or a marriage, or a highway robbery before +one of these parties, or if the contents of a will had just been made +known, or still better, if any scandal had just come to light, the guests +were always cheerful. Now, of course, the topic was Dr. Midleton +and Mrs. Fairfax.</p> +<p>“When I found him in that back parlour,” said Mrs. Harrop, +“I thought he wasn’t there to pay the usual call. +Somehow it didn’t seem as if he was like a clergyman. I +felt quite queer: it came over me all of a sudden. And then we +know he’s been there once or twice since.”</p> +<p>“I don’t wonder at your feeling queer, Mrs. Harrop,” +quoth Mrs. Cobb. “I’m sure I should have fainted; +and what brazen boldness to walk out together on the Common at nine +o’clock in the morning. That girl who brought in the tea +- it’s my belief that a young man goes after her - but even they +wouldn’t demean themselves to be seen at it just after breakfast.”</p> +<p>“You don’t mean to say as your Deborah encourages a man, +Mrs. Cobb! I don’t know what we are a-comin’ to. +You’ve always been so particular, and she seemed so respectable. +I <i>am</i> sorry.”</p> +<p>Mrs. Cobb did not quite relish Mrs. Harrop’s pity.</p> +<p>“You may be sure, Mrs. Harrop, she was respectable when I took +her, and if she isn’t I shan’t keep her. I <i>am</i> +particular, more so than most folk, and I don’t mind who knows +it.” Mrs. Cobb threw back her cap strings. The denial +that she minded who knew it may not appear relevant, but desiring to +be spiteful she could not at the moment find a better way of showing +her spite than by declaring her indifference to the publication of her +virtues. If there was no venom in the substance of the declaration +there was much in the manner of it. Mrs. Bingham brought back +the conversation to the point.</p> +<p>“I suppose you’ve heard what Mrs. Jenkins says? +Your husband also, Mrs. Harrop, met them both.”</p> +<p>“Yes he did. He was not quite in time to see as much +as Mrs. Jenkins saw, and I’m glad he didn’t. I shouldn’t +have felt comfortable if I’d known he had. A clergyman, +too! it is shocking. A nice business, this, for the Dissenters.”</p> +<p>“Well,” said Mrs. Bingham, “what are we to do? +I had thought of going to her and giving her a bit of my mind, but she +has got that yellow gown to make. What is your opinion, Miss Tarrant?”</p> +<p>“I would not degrade myself, Mrs. Bingham, by any expostulations +with her. I would have nothing more to do with her. Could +you not relieve her of the unfinished gown? Mrs. Swanley, I am +sure, under the circumstances would be only too happy to complete it +for you.”</p> +<p>“Mrs. Swanley cannot come near her. I should look ridiculous +in her body and one of Swanley’s skirts.”</p> +<p>“As to the Doctor,” continued Miss Tarrant, “I +wonder that he can expect to maintain any authority in matters of religion +if he marries a dressmaker of that stamp. It would be impossible +even if her character were unimpeachable. I am astonished, if +he wishes to enter into the matrimonial state, that he does not seek +some one who would be able to support him in his position and offer +him the sympathy which a man who has had a University education might +justifiably demand.”</p> +<p>Mrs. Sweeting had hitherto listened in silence. Miss Tarrant +provoked her.</p> +<p>“It’s all a fuss about nothing, that’s my opinion. +What has she done that you know to be wrong? And as to the Doctor, +he’s got a right to please himself. I’m surprised +at you, Miss Tarrant, for <i>you’ve</i> always stuck for him through +thick and thin. As for that Mrs. Jenkins, I’ll take my Bible +oath that the last time she washed for me she stunk of gin enough to +poison me, and went away with two bits of soap in her pocket. +You may credit what she says: <i>I</i> don’t, and never demean +myself to listen to her.”</p> +<p>The ladies came to no conclusion. Mrs. Bingham said that she +had suggested a round robin to Dr. Midleton, but that her husband decidedly +“discountenanced the proposal.” Within a fortnight +the election of governors was to take place. There was always +a fight at these elections, and this year the Radicals had a strong +list. The Doctor, whose term of office had expired, was the most +prominent of the Tory and Church candidates, and never doubted his success. +He was ignorant of all the gossip about him. One day in that fortnight +he might have been seen in Ferry Street. He went into Mrs. Fairfax’s +shop and was invited as before into the back parlour.</p> +<p>“I have brought you a basket of pears, and the book I promised +you, the <i>Utopia</i>.” He sat down. “I am +afraid you will think my visits too frequent.”</p> +<p>“They are not too frequent for me: they may be for yourself.”</p> +<p>“Ah! since I last entered your house I have not seen any books +excepting my own. You hardly know what life in Langborough is +like.”</p> +<p>“Does nobody take any interest in archæology?”</p> +<p>“Nobody within five miles. Sinclair cares nothing about +it: he is Low Church, as I have told you.”</p> +<p>“Why does that prevent his caring about it?”</p> +<p>“Being Low Church he is narrow-minded, or, perhaps it would +be more correct to say, being narrow-minded he is Low Church. +He is an indifferent scholar, and occupies himself with his religious +fancies and those of his flock. He can reign supreme there. +He is not troubled in that department by the difficulties of learning +and is not exposed to criticism or contradiction.”</p> +<p>“I suppose it is a fact of the greatest importance to him that +he and his parishioners have souls to be saved, and that in comparison +with that fact others are immaterial.”</p> +<p>“We all believe we have souls to be saved. Having set +forth God’s way of saving them we have done all we ought to do. +God’s way is not sufficient for Sinclair. He enlarges it +out of his own head, and instructs his silly, ignorant friends to do +the same. He will not be satisfied with what God and the Church +tell him.”</p> +<p>“God and the Church, according to Dr. Midleton’s account, +have not been very effective in Langborough.”</p> +<p>“They hear from me, madam, all I am commissioned to say, and +if they do not attend I cannot help it”</p> +<p>“I have read your paper in the Archæological Transactions +on the history of Langborough Abbey. It excited my imagination, +which is never excited in reading ordinary histories. In your +essay I am in company with the men who actually lived in the time of +Henry the Second and Henry the Eighth. I went over the ruins again, +and found them much more beautiful after I understood something about +them.”</p> +<p>“Yes: exactly what I have said a hundred times: knowledge is +indispensable.”</p> +<p>“If you had not pointed it out, I should never have noticed +the Early English doorway in the Chapter-house, so distinct in style +from the Refectory.”</p> +<p>“You noticed the brackets of that doorway: you noticed the +quatrefoils in the head? The Refectory is later by three centuries, +and is exquisite, but is not equal to the Chapter-house.”</p> +<p>“Yes, I noticed the brackets and quatrefoils particularly. +If knowledge is not necessary in order that we may admire, its natural +tendency is to deepen our admiration. Without it we pass over +so much. In my own small way I have noticed how my slight botanical +knowledge of flowers by the mere attention involved increases my wonder +at their loveliness.”</p> +<p>There was the usual interruption by the shop-bell. How he hated +that bell! Mrs. Fairfax answered it, closing the parlour door. +The customer was Mrs. Bingham.</p> +<p>“I will not disturb you now, Mrs. Fairfax. I was going +to say something about the black trimming you recommended. I really +think red would suit me better, but, never mind, I will call again as +I saw the Doctor come in. He is rather a frequent visitor.”</p> +<p>“Not frequent: he comes occasionally. We are both interested +in a subject which I believe is not much studied in Langborough.”</p> +<p>“Dear me! not dressmaking?”</p> +<p>“No, madam, archæology.”</p> +<p>Mrs. Bingham went out once more discomfited, and Mrs. Fairfax returned +to the parlour.</p> +<p>“I am sure I am taking up too much of your time,” said +the Doctor, “but I cannot tell you what a privilege it is to spend +a few minutes with a lady like yourself.”</p> +<p>Mrs. Fairfax was silent for a minute.</p> +<p>“Mrs. Bingham has been here, and I think I ought to tell you +that she has made some significant remarks about you. Forgive +me if I suggest that we should partially, at any rate, discontinue our +intercourse. I should be most unhappy if your friendship with +me were to do you any harm.”</p> +<p>The Doctor rose in a passion, planting his stick on the floor.</p> +<p>“When the cackling of the geese or the braying of the asses +on Langborough Common prevent my crossing it, then, and not till then, +will my course be determined by Mrs. Bingham and her colleagues.”</p> +<p>He sat down again with his elbow on the arm of the chair and half +shading his eyes with his hand. His whole manner altered. +Not a trace of the rector remained in him: the decisiveness vanished +from his voice; it became musical, low, and hesitating. It was +as if some angel had touched him, and had suddenly converted all his +strength into tenderness, a transformation not impossible, for strength +is tenderness and tenderness is strength.</p> +<p>“I shall be forty-nine years old next birthday,” he said. +“Never until now have I been sure that I loved a woman. +I was married when I was twenty-five. I had seen two or three +girls whom I thought I could love, and at last chose one. It was +the arbitrary selection of a weary will. My wife died within two +years of her marriage. After her death I was thrown in the way +of women who attracted me, but I wavered. If I made up my mind +at night, I shrank back in the morning. I thought my irresolution +was mere cowardice. It was not so. It was a warning that +the time had not come. I resolved at last that there was to be +no change in my life, that I would resign myself to my lot, expect no +affection, and do the duty blindly which had been imposed upon me. +But a miracle has been wrought, and I have a perfectly clear direction: +with you for the first time in my life I am <i>sure</i>. You have +known what it is to be in a fog, unable to tell which way to turn, and +all at once the cold, wet mist was lifted, the sun came out, the fields +were lighted up, the sea revealed itself to the horizon, and your road +lay straight before you stretching over the hill. I will not shame +myself by apologies that I am no longer young. My love has remained +with me. It is a passion for you, and it is a reverence for a +mind to which it will be a perpetual joy to submit.”</p> +<p>“God pardon me,” she said after a moment’s pause, +“for having drawn you to this! I did not mean it. +If you knew all you would forgive me. It cannot, cannot be! +Leave me.” He hesitated. “Leave me, leave me +at once!” she cried.</p> +<p>He rose, she took his right hand in both of hers: there was one look +straight into his eyes from her own which were filling with tears, a +half sob, her hands after one more grasp fell, and he found that he +had left the house. He went home. How strange it is to return +to a familiar chamber after a great event has happened! On his +desk lay a volume of Cicero’s letters. The fire had not +been touched and was almost out: the door leading to the garden was +open: the self of two hours before seemed to confront him. When +the tumult in him began to subside he was struck by the groundlessness +of his double assumption that Mrs. Fairfax was Mrs. Leighton and that +she was free. He had made no inquiry. He had noticed the +wedding-ring, and he had come to some conclusion about it which was +supported by no evidence. Doubtless she could not be his: her +husband was still alive. At last the hour for which unconsciously +he had been waiting had struck, and his true self, he not having known +hitherto what it was, had been declared. But it was all for nothing. +It was as if some autumn-blooming plant had put forth on a sunny October +morning the flower of the year, and had been instantaneously blasted +and cut down to the root. The plant might revive next spring, +but there could be no revival for him. There could be nothing +now before him but that same dull duty, duty to the dull, duty without +enthusiasm. He had no example for his consolation. The Bible +is the record of heroic suffering: there is no story there of a martyrdom +to monotony and life-weariness. He was a pious man, but loved +prescription and form: he loved to think of himself as a member of the +great Catholic Church and not as an isolated individual, and he found +more relief in praying the prayers which millions had before him than +in extempore effusion; humbly trusting that what he was seeking in consecrated +petitions was all that he really needed. “In proportion +as your prayers are peculiar,” he once told his congregation in +a course of sermons on Dissent, “they are worthless.” +There was nothing, though, in the prayer-book which met his case. +He was in no danger from temptation, nor had he trespassed. He +was not in want of his daily bread, and although he desired like all +good men to see the Kingdom of God, the advent of that celestial kingdom +which had for an instant been disclosed to him was for ever impossible.</p> +<p>The servant announced Mrs. Sweeting, who was asked to come in.</p> +<p>“Sit down, Mrs. Sweeting. What can I do for you?”</p> +<p>“Well, sir, perhaps you may remember - and if you don’t, +I do - how you helped my husband in that dreadful year 1825. I +shall never forget that act of yours, Dr. Midleton, and I’d stick +up for you if Mrs. Bingham and Mrs. Harrop and Mrs. Cobb and Miss Tarrant +were to swear against you and you a-standing in the dock. As for +that Miss Tarrant, there’s that a-rankling in her that makes her +worse than any of them, and if you don’t know what it is, being +too modest, forgive me for saying so, I do.”</p> +<p>“But what’s the matter, Mrs. Sweeting?”</p> +<p>“Matter, sir! Why, I can hardly bring it out, seeing +that I’m only the wife of a tradesman, but one thing I will say +as I ain’t like the serpent in Genesis, a-crawling about on its +belly and spitting poison and biting people by their heels.”</p> +<p>“You have not yet told me what is wrong.”</p> +<p>“Dr. Midleton, you shall have it, but recollect I come here +as your friend: leastways I hope you’ll forgive me if I call myself +so, for if you were ill and you were to hold up your finger for me not +another soul should come near you night nor day till you were well again +or it had pleased God Almighty to take you to Himself. Dr. Midleton, +there’s a conspiracy.”</p> +<p>“A what?”</p> +<p>“A conspiracy: that’s right, I believe. You are +acquainted with Mrs. Fairfax. To make a long and a short of it, +they say you are always going there, more than you ought, leastways +unless you mean to marry her, and that she’s only a dressmaker, +and nobody knows where she comes from, and they ain’t open and +free: they won’t come and tell you themselves; but you’ll +be turned out at the election the day after to-morrow.”</p> +<p>“But what do you say yourself?”</p> +<p>“Me, Dr. Midleton? Why, I’ve spoke up pretty plainly. +I told Mrs. Cobb it would be a good thing if you were married, provided +you wouldn’t be trod upon as some people’s husbands are, +and I was pretty well sure you never would be, and that you knew a lady +when you saw her better than most folk; and as for her being a dressmaker +what’s that got to do with it?”</p> +<p>“You are too well acquainted with me, Mrs. Sweeting, to suppose +I should condescend to notice this contemptible stuff or alter my course +to please all Langborough. Why did you take the trouble to report +it to me?”</p> +<p>“Because, sir, I wouldn’t for the world you should think +I was mixed up with them; and if my husband doesn’t vote for you +my name isn’t Sweeting.”</p> +<p>“I am much obliged to you. I see your motives: you are +straightforward and I respect you.”</p> +<p>Mrs. Sweeting thanked him and departed. His first feeling was +wrath. Never was there a man less likely to be cowed. He +put on his hat and walked to his committee-room, where he found Mr. +Bingham.</p> +<p>“No doubt, I suppose, Mr. Bingham?”</p> +<p>“Don’t know, Doctor; the Radicals have got a strong candidate +in Jem Casey. Some of our people will turn, I’m afraid, +and split their votes.”</p> +<p>“Split votes! with a fellow like that! How can there +be any splitting between an honest man and a rascal?”</p> +<p>“There shouldn’t be, sir, but - ” Mr. Bingham hesitated +- “I suppose there may be personal considerations.”</p> +<p>“Personal considerations! what do you mean? Let us have +no more of these Langborough tricks. Out with it, Bingham! +Who are the persons and what are the considerations?”</p> +<p>“I really can’t say, Doctor, but perhaps you may not +be as popular as you were. You’ve - ” but Mr. Bingham’s +strength again completely failed him, and he took a sudden turn - “You’ve +taken a decided line lately at several of our meetings.”</p> +<p>The Doctor looked steadily at Mr. Bingham, who felt that every corner +of his pitiful soul was visible.</p> +<p>“The line I have taken you have generally supported. +That is not what you mean. If I am defeated I shall be defeated +by equivocating cowardice, and I shall consider myself honoured.”</p> +<p>The Doctor strode out of the room. He knew now that he was +the common property of the town, and that every tongue was wagging about +him and a woman, but he was defiant. The next morning he saw painted +in white paint on his own wall -</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>“My dearly beloved, for all you’re so bold,<br />To-morrow +you’ll find you’re left out in the cold;<br />And, Doctor, +the reason you need not to ax,<br />It’s because of a dressmaker +- Mrs. F---fax.”</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>He was going out just as the gardener was about to obliterate the +inscription.</p> +<p>“Leave it, Robert, leave it; let the filthy scoundrels perpetuate +their own disgrace.”</p> +<p>The result of the election was curious. Two of the Church candidates +were returned at the top of the poll. Jem Casey came next. +Dr. Midleton and the other two Radical and Dissenting candidates were +defeated. There were between seventy and eighty plumpers for the +two successful Churchmen, and about five-and-twenty split votes for +them and Casey, who had distinguished himself by his coarse attacks +on the Doctor. Mr. Bingham had a bad cold, and did not vote. +On the following Sunday the church was fuller than usual. The +Doctor preached on behalf of the Society for the Propagation of the +Gospel. He did not allude directly to any of the events of the +preceding week, but at the close of his sermon he said - “It has +been frequently objected that we ought not to spend money on missions +to the heathen abroad as there is such a field of labour at home. +The answer to that objection is that there is more hope of the heathen +than of many of our countrymen. This has been a nominally Christian +land for centuries, but even now many deadly sins are not considered +sinful, and it is an easier task to save the savage than to convince +those, for example, whose tongue, to use the words of the apostle, is +set on fire of hell, that they are in danger of damnation. I hope, +therefore, my brethren, that you will give liberally.”</p> +<p>On Monday Langborough was amazed to find Mrs. Fairfax’s shop +closed. She had left the town. She had taken a post-chaise +on Saturday and had met the up-mail at Thaxton cross-roads. Her +scanty furniture had disappeared. The carrier could but inform +Langborough that he had orders to deliver her goods at Great Ormond +Street whence he brought them. Mrs. Bingham went to London shortly +afterwards and called at Great Ormond Street to inquire for Mrs. Fairfax. +Nobody of that name lived there, and the door was somewhat abruptly +shut in her face. She came back convinced that Mrs. Fairfax was +what Mrs. Cobb called “a bad lot.”</p> +<p>“Do you believe,” said she, “that a woman who gives +a false name can be respectable? We want no further proof.”</p> +<p>Nobody wanted further proof. No Langborough lady needed any +proof if a reputation was to be blasted.</p> +<p>“It’s an <i>alibi</i>,” said Mrs. Harrop. +“That’s what Tom Cranch the poacher did, and he was hung.”</p> +<p>“An <i>alias</i>, I believe, is the correct term,” said +Miss Tarrant. “It means the assumption of a name which is +not your own, a most discreditable device, one to which actresses and +women to whose occupation I can only allude, uniformly resort. +How thankful we ought to be that our respected Rector’s eyes must +now be opened and that he has escaped the snare! It was impossible +that he could be permanently attracted by vice and vulgarity. +It is singular how much more acute a woman’s perception often +is than a man’s. I saw through this creature at once.”</p> +<div class="GutenbergBlankLines1"><br /></div> +<p>Eighteen months passed. The doctor one day was unpacking a +book he had bought at Peterborough. Inside the brown paper was +a copy of the <i>Stamford Mercury</i>, a journal which had a wide circulation +in the Midlands. He generally read it, but he must have omitted +to see this number. His eye fell on the following announcement +- “On the 24th June last, Richard Leighton, aged 44 years.” +The notice was late, for the date of the paper was the 18th November. +The next afternoon he was in London. He had been to Great Ormond +Street before and had inquired for Mrs. Fairfax, but could find no trace +of her. He now called again.</p> +<p>“You will remember,” he said, “my inquiry about +Mrs. Fairfax: can you tell me anything about Mrs. Leighton?” +He put his hand in his pocket and pulled out five shillings.</p> +<p>“She isn’t here: she went away when her husband died.”</p> +<p>“He died abroad?”</p> +<p>“Yes.”</p> +<p>“Where has she gone?”</p> +<p>“Don’t know quite: her friends wouldn’t have anything +to do with her. She said she was going to Plymouth. She +had heard of something in the dressmaking line there.”</p> +<p>He handed over his five shillings, procured a substitute for next +Sunday, and went to Plymouth. He wandered through the streets +but could see no dressmaker’s shop which looked as if it had recently +changed hands. He walked backwards and forwards on the Hoe in +the evening: the Eddystone light glimmered far away on the horizon; +and the dim hope arose in him that it might be a prophecy of success, +but his hope was vain. It came into his mind that it was not likely +that she would be there after dusk, and he remembered her preference +for early exercise. The first morning was a failure, but on the +second - it was sunny and warm - he saw her sitting on a bench facing +the sea. He went up unobserved and sat down. She did not +turn towards him till he said “Mrs. Leighton!” She +started and recognised him. Little was spoken as they walked home +to her lodgings, a small private house. On her way she called +at a large shop where she was employed and obtained leave of absence +until after dinner.</p> +<p>“At last!” said the doctor when the door was shut.</p> +<p>She stood gazing in silence at the dull red cinder of the dying fire.</p> +<p>“You put the advertisement in the <i>Stamford Mercury</i>?” +he said.</p> +<p>“Yes.”</p> +<p>“I did not see it until a day or two ago.”</p> +<p>“I had better tell you at once. My husband, whom you +knew, was convicted of forgery, and died at Botany Bay.” +Her eyes still watched the red cinders.</p> +<p>The Doctor’s countenance showed no surprise, for no news could +have had any power over the emotion which mastered him. The long, +slow years were fulfilled. Long and slow and the fulfilment late, +but the joy it brought was the greater. Youthful passion is sweet, +but it is not sweeter than the discovery when we begin to count the +years which are left to us, and to fear there will be nothing in them +better than in those which preceded them that for us also love is reserved.</p> +<p>Mrs. Leighton was obliged to go back to her work in the afternoon, +but she gave notice that night to leave in a week.</p> +<p>In a couple of months Langborough was astounded at the news of the +Rector’s marriage with a Mrs. Leighton whom nobody in Langborough +knew. The advertisement in the <i>Stamford Mercury</i> said that +the lady was the widow of Richard Leighton, Esq., and eldest daughter +of the late Marmaduke Sutton, Esq. Langborough spared no pains +to discover who she was. Mrs. Bingham found out that the Suttons +were a Devonshire family, and she ascertained from an Exeter friend +that Mr. Marmaduke Sutton was the son of an Honourable, and that Mrs. +Leighton was consequently a high-born lady. She had married as +her first husband a man who had done well at Cambridge, but who took +to gambling and drink, and treated her with such brutality that they +separated. At last he forged a signature and was transported. +What became of his wife afterwards was not known. Langborough +was not only greatly moved by this intelligence, but was much perplexed. +Miss Tarrant’s estimate of the Doctor was once more reversed. +She was decidedly of opinion that the marriage was a scandal. +A woman who had consented to link herself with such a reprobate as the +convict must have been from the beginning could not herself have possessed +any reputation. Living apart, too, was next door to divorce, and +who could associate with a creature who had been divorced? No +doubt she was physically seductive, and the doctor had fallen a victim +to her snares. Miss Tarrant, if she had not known so well what +men are, would never have dreamed that Dr. Midleton, a scholar and a +divine, could surrender to corporeal attractions. She declared +that she could no longer expect any profit from his ministrations, and +that she should leave the parish. Miss Tarrant’s friends, +however, did not go quite so far, and Mrs. Harrop confessed to Mrs. +Cobb that “she for one wouldn’t lay it down like Medes and +Persians, that we should have nothing to do with a woman because her +husband had made a fool of himself. I’m not a Mede nor a +Persian, Mrs. Cobb. I say let us wait and see what she is like.”</p> +<p>Mrs. Bingham was of the same mind. She dwelt much to herself +on the fact that Mrs. Midleton’s great-grandfather must have been +a lord. She secretly hoped that as a wine merchant’s wife +she might obtain admission into a “sphere,” as she called +it, from which the other ladies in the town might be excluded. +Mrs. Bingham already foretasted the bliss of an invitation to the rectory +to meet Lady Caroline from Thaxton Manor; she already foretasted the +greater bliss of not meeting her intimate friends there, and that most +exquisite conceivable bliss of telling them afterwards all about the +party.</p> +<p>Mrs. Midleton and her husband returned on a Saturday afternoon. +The road from Thaxton cross-roads did not lie through the town: the +carriage was closed and nobody saw her. When they came to the +rectory the Doctor pointed to the verse in white paint on the wall, +“It shall be taken out,” he said, “before to-morrow +morning: to-morrow is Sunday.” He was expected to preach +on that day and the church was crammed a quarter of an hour before the +service began. At five minutes to eleven a lady and child entered +and walked to the rector’s pew. The congregation was stupefied +with amazement. Mouths were agape, a hum of exclamations arose, +and people on the further side of the church stood up.</p> +<p>It was Mrs. Fairfax! Nobody had conjectured that she and Mrs. +Leighton were the same person. It was unimaginable that a dressmaker +should have had near ancestors in the peerage. It was more than +a year and a half since she left the town. Mrs. Carter was able +to say that not a single letter had been addressed to her, and she was +almost forgotten.</p> +<p>A few days afterwards Mrs. Sweeting had a little note requesting +her to take tea with the Rector and his wife. Nobody was asked +to meet her. Mrs. Bingham had called the day before, and had been +extremely apologetic.</p> +<p>“I am afraid, Mrs. Midleton, you must have thought me sometimes +very rude to you.”</p> +<p>To which Mrs. Midleton replied graciously, “I am sure if you +had been it would have been quite excusable.”</p> +<p>“Extremely kind of you to say so, Mrs. Midleton.”</p> +<p>Mrs. Cobb also called. “I’ll just let her see,” +said Mrs. Cobb to herself; and she put on a gown which Mrs. Midleton +as Mrs. Fairfax had made for her.</p> +<p>“You’ll remember this gown, Mrs. Midleton?”</p> +<p>“Perfectly well. It is not quite a fit on the shoulders. +If you will let me have it back again it will give me great pleasure +to alter it for you.”</p> +<p>By degrees, however, Mrs. Midleton came to be loved by many people +in Langborough. Mr. Sweeting not long afterwards died in debt, +and Mrs. Sweeting, the old housekeeper being also dead, was taken into +the rectory as her successor, and became Mrs. Midleton’s trusted +friend.</p> +<div class="GutenbergBlankLines2"><br /><br /></div> +<p>Footnotes:</p> +<p><a name="footnote10"></a><a href="#citation10">{10}</a> Since +1868 the <i>Reminiscences</i> and his <i>Life</i> have been published +which put this estimate of him beyond all doubt. It is much to +be regretted that a certain theory, a certain irresistible tendency +to arrange facts so as to prove preconceived notions, a tendency more +dangerous and unhistorical even than direct suppression of the truth +or invention of what is not true, should have ruined Carlyle’s +biography. Professor Norton’s edition of the <i>Reminiscences</i> +should be compared with Mr. Froude’s.</p> +<p><a name="footnote34a"></a><a href="#citation34a">{34a}</a> +<i>Ethic</i> pt. 1, def. 3.</p> +<p><a name="footnote34b"></a><a href="#citation34b">{34b}</a> +Ibid., pt. 1, def. 6.</p> +<p><a name="footnote34c"></a><a href="#citation34c">{34c}</a> +Ibid., pt. 1, prop. 11.</p> +<p><a name="footnote36"></a><a href="#citation36">{36}</a> <i>Ethic</i>, +pt. 2, prop. 47.</p> +<p><a name="footnote37a"></a><a href="#citation37a">{37a}</a> +Letter 56 (Van Vloten and Land’s ed.).</p> +<p><a name="footnote37b"></a><a href="#citation37b">{37b}</a> +<i>Ethic</i>, pt. 1, coroll. prop. 25.</p> +<p><a name="footnote37c"></a><a href="#citation37c">{37c}</a> +Ibid., pt. 5, prop. 24.</p> +<p><a name="footnote37d"></a><a href="#citation37d">{37d}</a> +Ibid., pt. 1, schol. to prop. 17.</p> +<p><a name="footnote38"></a><a href="#citation38">{38}</a> <i>Ethic</i>, +pt. 1, schol. to prop. 17.</p> +<p><a name="footnote39"></a><a href="#citation39">{39}</a> <i>Ethic</i>, +pt. 2, prop. 13.</p> +<p><a name="footnote40a"></a><a href="#citation40a">{40a}</a> +<i>Ethic</i>, pt. 1, coroll. 1, prop. 32.</p> +<p><a name="footnote40b"></a><a href="#citation40b">{40b}</a> +Ibid., pt. 1, prop. 33.</p> +<p><a name="footnote40c"></a><a href="#citation40c">{40c}</a> +Letter 56</p> +<p><a name="footnote41a"></a><a href="#citation41a">{41a}</a> +Letter 21.</p> +<p><a name="footnote41b"></a><a href="#citation41b">{41b}</a> +Letter 58.</p> +<p><a name="footnote42a"></a><a href="#citation42a">{42a}</a> +<i>Ethic</i>, pt. 2, schol. prop. 49.</p> +<p><a name="footnote42b"></a><a href="#citation42b">{42b}</a> +Ibid., pt. 4, coroll. prop. 63.</p> +<p><a name="footnote43a"></a><a href="#citation43a">{43a}</a> +<i>Ethic</i>, pt. 5, or pp. 42.</p> +<p><a name="footnote43b"></a><a href="#citation43b">{43b}</a> +“Agis being asked on a time how a man might continue free all +his life; he answered, ‘By despising death.’” +(Plutarch’s “Morals.” Laconic Apophthegms.)</p> +<p><a name="footnote43c"></a><a href="#citation43c">{43c}</a> +<i>Ethic</i>, pt. 5, schol. prop. 4.</p> +<p><a name="footnote44a"></a><a href="#citation44a">{44a}</a> +<i>Ethic</i>, pt. 4, coroll. prop. 64.</p> +<p><a name="footnote44b"></a><a href="#citation44b">{44b}</a> +Ibid., pt. 4, schol. prop. 66.</p> +<p><a name="footnote44c"></a><a href="#citation44c">{44c}</a> +Ibid., pt. 4, schol. prop. 50.</p> +<p><a name="footnote45a"></a><a href="#citation45a">{45a}</a> +<i>Ethic</i>, pt. 4, prop. 46 and schol.</p> +<p><a name="footnote45b"></a><a href="#citation45b">{45b}</a> +Ibid., pt. 3, schol. prop. 11.</p> +<p><a name="footnote46"></a><a href="#citation46">{46}</a> <i>Ethic</i>, +pt. 4, schol. prop. 45.</p> +<p><a name="footnote47"></a><a href="#citation47">{47}</a> <i>Ethic</i>, +pt. 5, props. 14-20.</p> +<p><a name="footnote50"></a><a href="#citation50">{50}</a> <i>Short +Treatise</i>, pt. 2, chap. 22.</p> +<p><a name="footnote52"></a><a href="#citation52">{52}</a> <i>Ethic</i>, +pt. 1, Appendix.</p> +<p><a name="footnote54"></a><a href="#citation54">{54}</a> <i>Ethic</i>, +pt. 2, schol. 2, prop. 40.</p> +<p><a name="footnote55a"></a><a href="#citation55a">{55a}</a> +<i>Ethic</i>, pt. 5, coroll. prop. 34.</p> +<p><a name="footnote55b"></a><a href="#citation55b">{55b}</a> +Ibid., pt. 5, prop. 36.</p> +<p><a name="footnote55c"></a><a href="#citation55c">{55c}</a> +Ibid., pt. 5, prop. 36, coroll.</p> +<p><a name="footnote56a"></a><a href="#citation56a">{56a}</a> +<i>Ethic</i>, pt. 5, prop. 38.</p> +<p><a name="footnote56b"></a><a href="#citation56b">{56b}</a> +<i>Short Treatise</i>, pt. 2, chap. 23.</p> +<p><a name="footnote57a"></a><a href="#citation57a">{57a}</a> +Aristotle’s <i>Psychology</i> (Wallace’s translation), p. +161.</p> +<p><a name="footnote57b"></a><a href="#citation57b">{57b}</a> +Rabelais, <i>Pantagruel</i>, book 4, chap. 27.</p> +<p><a name="footnote101"></a><a href="#citation101">{101}</a> +Hazlitt.</p> +<p><a name="footnote103"></a><a href="#citation103">{103}</a> +Italics mine. - M. R.</p> +<p><a name="footnote104a"></a><a href="#citation104a">{104a}</a> +Italics mine. - M. R.</p> +<p><a name="footnote104b"></a><a href="#citation104b">{104b}</a> +Italics mine. - M. R.</p> +<p><a name="footnote133"></a><a href="#citation133">{133}</a> +<i>Poetry of Byron chosen and arranged by Matthew Arnold</i> - 1881.</p> +<p><a name="footnote143"></a><a href="#citation143">{143}</a> +“<i>Adah</i>. - Peace be with him (Abel).<br /><i>Cain</i>. - +But with <i>me</i>!”</p> +<p><a name="footnote180"></a><a href="#citation180">{180}</a> +My aunt Eleanor was thought to be a bit of a pagan by the evangelical +part of our family. My mother when speaking of her to me used +to say, “Your heathen aunt.” She was well-educated, +but the better part of her education she received abroad after her engagement, +which took place when she was eighteen years old. She was the +only member of our family in the upper middle class. Her husband +was Thomas Charteris, junior partner in a bank.</p> +<div class="GutenbergBlankLines3"><br /><br /><br /></div> +<p>*** END OF THE PROJECT GUTENBERG EBOOK, PAGES FROM A JOURNAL ***</p> +<pre> + +******This file should be named pgjr10h.htm or pgjr10h.zip****** +Corrected EDITIONS of our EBooks get a new NUMBER, pgjr11h.htm +VERSIONS based on separate sources get new LETTER, pgjr10ah.htm + +Project Gutenberg eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the US +unless a copyright notice is included. Thus, we usually do not +keep eBooks in compliance with any particular paper edition. + +We are now trying to release all our eBooks one year in advance +of the official release dates, leaving time for better editing. +Please be encouraged to tell us about any error or corrections, +even years after the official publication date. + +Please note neither this listing nor its contents are final til +midnight of the last day of the month of any such announcement. +The official release date of all Project Gutenberg eBooks is at +Midnight, Central Time, of the last day of the stated month. A +preliminary version may often be posted for suggestion, comment +and editing by those who wish to do so. + +Most people start at our Web sites at: +http://gutenberg.net or +http://promo.net/pg + +These Web sites include award-winning information about Project +Gutenberg, including how to donate, how to help produce our new +eBooks, and how to subscribe to our email newsletter (free!). + + +Those of you who want to download any eBook before announcement +can get to them as follows, and just download by date. This is +also a good way to get them instantly upon announcement, as the +indexes our cataloguers produce obviously take a while after an +announcement goes out in the Project Gutenberg Newsletter. + +http://www.ibiblio.org/gutenberg/etext04 or +ftp://ftp.ibiblio.org/pub/docs/books/gutenberg/etext04 + +Or /etext03, 02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90 + +Just search by the first five letters of the filename you want, +as it appears in our Newsletters. + + +Information about Project Gutenberg (one page) + +We produce about two million dollars for each hour we work. The +time it takes us, a rather conservative estimate, is fifty hours +to get any eBook selected, entered, proofread, edited, copyright +searched and analyzed, the copyright letters written, etc. Our +projected audience is one hundred million readers. If the value +per text is nominally estimated at one dollar then we produce $2 +million dollars per hour in 2002 as we release over 100 new text +files per month: 1240 more eBooks in 2001 for a total of 4000+ +We are already on our way to trying for 2000 more eBooks in 2002 +If they reach just 1-2% of the world's population then the total +will reach over half a trillion eBooks given away by year's end. + +The Goal of Project Gutenberg is to Give Away 1 Trillion eBooks! +This is ten thousand titles each to one hundred million readers, +which is only about 4% of the present number of computer users. + +Here is the briefest record of our progress (* means estimated): + +eBooks Year Month + + 1 1971 July + 10 1991 January + 100 1994 January + 1000 1997 August + 1500 1998 October + 2000 1999 December + 2500 2000 December + 3000 2001 November + 4000 2001 October/November + 6000 2002 December* + 9000 2003 November* +10000 2004 January* + + +The Project Gutenberg Literary Archive Foundation has been created +to secure a future for Project Gutenberg into the next millennium. + +We need your donations more than ever! + +As of February, 2002, contributions are being solicited from people +and organizations in: Alabama, Alaska, Arkansas, Connecticut, +Delaware, District of Columbia, Florida, Georgia, Hawaii, Illinois, +Indiana, Iowa, Kansas, Kentucky, Louisiana, Maine, Massachusetts, +Michigan, Mississippi, Missouri, Montana, Nebraska, Nevada, New +Hampshire, New Jersey, New Mexico, New York, North Carolina, Ohio, +Oklahoma, Oregon, Pennsylvania, Rhode Island, South Carolina, South +Dakota, Tennessee, Texas, Utah, Vermont, Virginia, Washington, West +Virginia, Wisconsin, and Wyoming. + +We have filed in all 50 states now, but these are the only ones +that have responded. + +As the requirements for other states are met, additions to this list +will be made and fund raising will begin in the additional states. +Please feel free to ask to check the status of your state. + +In answer to various questions we have received on this: + +We are constantly working on finishing the paperwork to legally +request donations in all 50 states. If your state is not listed and +you would like to know if we have added it since the list you have, +just ask. + +While we cannot solicit donations from people in states where we are +not yet registered, we know of no prohibition against accepting +donations from donors in these states who approach us with an offer to +donate. + +International donations are accepted, but we don't know ANYTHING about +how to make them tax-deductible, or even if they CAN be made +deductible, and don't have the staff to handle it even if there are +ways. + +Donations by check or money order may be sent to: + +Project Gutenberg Literary Archive Foundation +PMB 113 +1739 University Ave. +Oxford, MS 38655-4109 + +Contact us if you want to arrange for a wire transfer or payment +method other than by check or money order. + +The Project Gutenberg Literary Archive Foundation has been approved by +the US Internal Revenue Service as a 501(c)(3) organization with EIN +[Employee Identification Number] 64-622154. Donations are +tax-deductible to the maximum extent permitted by law. As fund-raising +requirements for other states are met, additions to this list will be +made and fund-raising will begin in the additional states. + +We need your donations more than ever! + +You can get up to date donation information online at: + +http://www.gutenberg.net/donation.html + + +*** + +If you can't reach Project Gutenberg, +you can always email directly to: + +Michael S. Hart hart@pobox.com + +Prof. Hart will answer or forward your message. + +We would prefer to send you information by email. + + +**The Legal Small Print** + + +(Three Pages) + +***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN EBOOKS**START*** +Why is this "Small Print!" statement here? You know: lawyers. +They tell us you might sue us if there is something wrong with +your copy of this eBook, even if you got it for free from +someone other than us, and even if what's wrong is not our +fault. So, among other things, this "Small Print!" statement +disclaims most of our liability to you. It also tells you how +you may distribute copies of this eBook if you want to. + +*BEFORE!* YOU USE OR READ THIS EBOOK +By using or reading any part of this PROJECT GUTENBERG-tm +eBook, you indicate that you understand, agree to and accept +this "Small Print!" statement. If you do not, you can receive +a refund of the money (if any) you paid for this eBook by +sending a request within 30 days of receiving it to the person +you got it from. If you received this eBook on a physical +medium (such as a disk), you must return it with your request. + +ABOUT PROJECT GUTENBERG-TM EBOOKS +This PROJECT GUTENBERG-tm eBook, like most PROJECT GUTENBERG-tm eBooks, +is a "public domain" work distributed by Professor Michael S. Hart +through the Project Gutenberg Association (the "Project"). +Among other things, this means that no one owns a United States copyright +on or for this work, so the Project (and you!) can copy and +distribute it in the United States without permission and +without paying copyright royalties. Special rules, set forth +below, apply if you wish to copy and distribute this eBook +under the "PROJECT GUTENBERG" trademark. + +Please do not use the "PROJECT GUTENBERG" trademark to market +any commercial products without permission. + +To create these eBooks, the Project expends considerable +efforts to identify, transcribe and proofread public domain +works. Despite these efforts, the Project's eBooks and any +medium they may be on may contain "Defects". Among other +things, Defects may take the form of incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other +intellectual property infringement, a defective or damaged +disk or other eBook medium, a computer virus, or computer +codes that damage or cannot be read by your equipment. + +LIMITED WARRANTY; DISCLAIMER OF DAMAGES +But for the "Right of Replacement or Refund" described below, +[1] Michael Hart and the Foundation (and any other party you may +receive this eBook from as a PROJECT GUTENBERG-tm eBook) disclaims +all liability to you for damages, costs and expenses, including +legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR +UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT, +INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE +OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE +POSSIBILITY OF SUCH DAMAGES. + +If you discover a Defect in this eBook within 90 days of +receiving it, you can receive a refund of the money (if any) +you paid for it by sending an explanatory note within that +time to the person you received it from. If you received it +on a physical medium, you must return it with your note, and +such person may choose to alternatively give you a replacement +copy. If you received it electronically, such person may +choose to alternatively give you a second opportunity to +receive it electronically. + +THIS EBOOK IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS +TO THE EBOOK OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT +LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A +PARTICULAR PURPOSE. + +Some states do not allow disclaimers of implied warranties or +the exclusion or limitation of consequential damages, so the +above disclaimers and exclusions may not apply to you, and you +may have other legal rights. + +INDEMNITY +You will indemnify and hold Michael Hart, the Foundation, +and its trustees and agents, and any volunteers associated +with the production and distribution of Project Gutenberg-tm +texts harmless, from all liability, cost and expense, including +legal fees, that arise directly or indirectly from any of the +following that you do or cause: [1] distribution of this eBook, +[2] alteration, modification, or addition to the eBook, +or [3] any Defect. + +DISTRIBUTION UNDER "PROJECT GUTENBERG-tm" +You may distribute copies of this eBook electronically, or by +disk, book or any other medium if you either delete this +"Small Print!" and all other references to Project Gutenberg, +or: + +[1] Only give exact copies of it. Among other things, this + requires that you do not remove, alter or modify the + eBook or this "small print!" statement. You may however, + if you wish, distribute this eBook in machine readable + binary, compressed, mark-up, or proprietary form, + including any form resulting from conversion by word + processing or hypertext software, but only so long as + *EITHER*: + + [*] The eBook, when displayed, is clearly readable, and + does *not* contain characters other than those + intended by the author of the work, although tilde + (~), asterisk (*) and underline (_) characters may + be used to convey punctuation intended by the + author, and additional characters may be used to + indicate hypertext links; OR + + [*] The eBook may be readily converted by the reader at + no expense into plain ASCII, EBCDIC or equivalent + form by the program that displays the eBook (as is + the case, for instance, with most word processors); + OR + + [*] You provide, or agree to also provide on request at + no additional cost, fee or expense, a copy of the + eBook in its original plain ASCII form (or in EBCDIC + or other equivalent proprietary form). + +[2] Honor the eBook refund and replacement provisions of this + "Small Print!" statement. + +[3] Pay a trademark license fee to the Foundation of 20% of the + gross profits you derive calculated using the method you + already use to calculate your applicable taxes. If you + don't derive profits, no royalty is due. Royalties are + payable to "Project Gutenberg Literary Archive Foundation" + the 60 days following each date you prepare (or were + legally required to prepare) your annual (or equivalent + periodic) tax return. Please contact us beforehand to + let us know your plans and to work out the details. + +WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO? +Project Gutenberg is dedicated to increasing the number of +public domain and licensed works that can be freely distributed +in machine readable form. + +The Project gratefully accepts contributions of money, time, +public domain materials, or royalty free copyright licenses. +Money should be paid to the: +"Project Gutenberg Literary Archive Foundation." + +If you are interested in contributing scanning equipment or +software or other items, please contact Michael Hart at: +hart@pobox.com + +[Portions of this eBook's header and trailer may be reprinted only +when distributed free of all fees. Copyright (C) 2001, 2002 by +Michael S. Hart. Project Gutenberg is a TradeMark and may not be +used in any sales of Project Gutenberg eBooks or other materials be +they hardware or software or any other related product without +express permission.] + +*END THE SMALL PRINT! FOR PUBLIC DOMAIN EBOOKS*Ver.02/11/02*END* +</pre></body> +</html> diff --git a/old/pgjr10h.zip b/old/pgjr10h.zip Binary files differnew file mode 100644 index 0000000..4e37a50 --- /dev/null +++ b/old/pgjr10h.zip |
