summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
authorRoger Frank <rfrank@pglaf.org>2025-10-15 05:28:48 -0700
committerRoger Frank <rfrank@pglaf.org>2025-10-15 05:28:48 -0700
commita7d438bbcf9a79eb89e4d81531c90b3d47ddc10b (patch)
tree7981219c2fbab376d711ea342fcf9da242403542
initial commit of ebook 7056HEADmain
-rw-r--r--.gitattributes3
-rw-r--r--7056-8.txt2133
-rw-r--r--7056-8.zipbin0 -> 26255 bytes
-rw-r--r--7056-h.zipbin0 -> 28786 bytes
-rw-r--r--7056-h/7056-h.htm2794
-rw-r--r--7056.txt2133
-rw-r--r--7056.zipbin0 -> 26236 bytes
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
-rw-r--r--old/atshr10.txt2102
-rw-r--r--old/atshr10.zipbin0 -> 25578 bytes
11 files changed, 9178 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/7056-8.txt b/7056-8.txt
new file mode 100644
index 0000000..589b6fd
--- /dev/null
+++ b/7056-8.txt
@@ -0,0 +1,2133 @@
+The Project Gutenberg EBook of Along the Shore, by Rose Hawthorne Lathrop
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Along the Shore
+
+Author: Rose Hawthorne Lathrop
+
+Posting Date: March 19, 2014 [EBook #7056]
+Release Date: December, 2004
+First Posted: March 3, 2003
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK ALONG THE SHORE ***
+
+
+
+
+Produced by Michelle Shephard, Eric Eldred, Charles Franks
+and the Online Distributed Proofreading Team. HTML version
+by Al Haines.
+
+
+
+
+
+
+
+
+
+
+
+ ALONG THE SHORE
+
+ BY ROSE HAWTHORNE LATHROP
+
+
+
+
+ To
+ G. P. L.
+
+
+ We see the sky,--we love it day by day;
+ We feel the wind of Spring, from blossoms winging;
+ We meet with souls tender as tints in May:
+ For these large ecstasies what are we bringing?
+
+ There is no price, best friend, for greatest meed.
+ Laid on the altar of our true affection,
+ Wild flowers of love for me must intercede:
+ And lo! I win your unexcelled protection.
+
+
+
+
+ CONTENTS
+
+
+ Inlet And Shore
+ Impersonality
+ A Protean Glimpse
+ Power Against Power
+ Life's Priestess
+ Love Now
+ One And One
+ The Violin
+ Gertrude
+ Unity In Space
+ The Shell And The Word
+ The Clock-Tower Bell
+ Ours To Endure
+ Broken Waves
+ Why Sad To-Day?
+ The Ghosts Of Revellers
+ Life's Burying-Ground
+ Beyond Utterance
+ The Suicide
+ For Others
+ Zest
+ The Unperfected
+ God-Made
+ A Song Before Grief
+ Pride: Fate
+ Francie
+ Lost Reality
+ Closing Chords
+ Grace
+ Endless Resource
+ The Baby
+ A Waltz
+ First Bloom Of Love
+ A Wooing Song
+ Dorothy
+ Morning Song
+ Looking Backward
+ Unloved
+ The Clock's Song
+ Broken-Hearted
+ The Cynic's Fealty
+ The Girls We Might Have Wed
+ "Neither!"
+ Used Up
+ A Youth's Suicide
+ Twenty Bold Mariners
+ In The Artillery
+ The Lost Battle
+ The Outgoing Race
+ Hidden History
+ A Ballad Of The Mist
+ The Dreaming Wheel
+ The Roads That Meet
+ A PASSING VOICE
+
+
+
+
+ ALONG THE SHORE.
+
+
+
+ * * * * *
+
+ INLET AND SHORE.
+
+
+ Here is a world of changing glow,
+ Where moods roll swiftly far and wide;
+ Waves sadder than a funeral's pride,
+ Or bluer than the harebell's blow!
+
+ The sunlight makes the black hulls cast
+ A firefly radiance down the deep;
+ The inlet gleams, the long clouds sweep,
+ The sails flit up, the sails drop past.
+
+ The far sea-line is hushed and still;
+ The nearer sea has life and voice;
+ Each soul may take his fondest choice,--
+ The silence, or the restless thrill.
+
+ O little children of the deep,--
+ The single sails, the bright, full sails,
+ Gold in the sun, dark when it fails,
+ Now you are smiling, then you weep!
+
+ O blue of heaven, and bluer sea,
+ And green of wave, and gold of sky,
+ And white of sand that stretches by,
+ Toward east and west, away from me!
+
+ O shell-strewn shore, that silent hears
+ The legend of the mighty main,
+ And tells to none the lore again,--
+ We catch one utterance only: "Years!"
+
+
+
+
+ IMPERSONALITY
+
+
+ I dreamed within a dream the sun was gold;
+ And as I walked beneath this golden sun,
+ The world was like a mighty play-room old,
+ Made for our pleasure since it was begun.
+
+ But when I waked I found the sun was air,
+ The world was air, and all things only seemed,
+ Except the thoughts we grow by; for in prayer
+ We change to spirits such as God has dreamed.
+
+
+
+
+ A PROTEAN GLIMPSE.
+
+
+ Time and I pass to and fro,
+ Hardly greeting as we go,--
+ Go askant, like crossing wings
+ Of sea-gulls where the brave sea sings.
+
+ Time, the messenger of Fate!
+ Cunning master of debate,
+ Cunning soother of all sorrow,
+ Ruthless robber of to-morrow;
+ Tyrant to our dallying feet,
+ Though patron of a life complete;
+ Like Puck upon a rosy cloud,
+ He rides to distance while we woo him,--
+ Like pale Remorse wrapped in a shroud,
+ He brings the world in sackcloth to him!
+ O dimly seen, and often met
+ As shadowings of a wild regret!
+ O king of us, yet feebly served;
+ Dispenser of the dooms reserved;
+ So silent at the folly done,
+ So deadly when our respite's gone!--
+ As sea-gulls, slanting, cross at sea,
+ So cross our rapid flights with thee.
+
+
+
+
+ POWER AGAINST POWER.
+ [Nathaniel Hawthorne, 1864.]
+
+
+ Where spells were wrought he sat alone,
+ The wizard touching minds of men
+ Through far-swung avenues of power,
+ And proudly held the magic pen.
+
+ By the dark wall a white Shape gleams,
+ By morning's light a Shadow falls!
+ Is it a servant of his brain,
+ Or Power that to his power calls?
+
+ By morning's light the Shadow looms,
+ And watches with relentless eyes;
+ In night-gloom holds the glimmering lamp,
+ While the pen ever slower flies.
+
+ By the dark wall it beckons still,
+ By evening light it darkly stays;
+ The wizard looks, and his great life
+ Thrills with the sense of finished days.
+
+ A Shape so ghost-like by the sun,
+ With smiles that chill as dusks descend!
+ The glancing wizard, stern and pale,
+ Admits the presence of the End.
+
+ Health has forsaken, death is near,
+ The hand moves slower, eyes grow dim;
+ The End approaches, and the man
+ Dreams of no spell for quelling Him.
+
+
+
+
+ LIFE'S PRIESTESS.
+
+
+ All to herself a woman never sings
+ A happy song. Oh no! but it is so
+ As when the thrush has closed down his wings
+ Within the wood, and hears his hidden woe
+ From his own bill fill aisles of leaves, and go
+ About the wood and come to him again.
+
+
+
+
+ LOVE NOW.
+
+
+ The sanctity that is about the dead
+ To make us love them more than late, when here,
+ Is not it well to find the living dear
+ With sanctity like this, ere they have fled?
+
+ The tender thoughts we nurture for a loss
+ Of mother, friend, or child, oh! it were wise
+ To spend this glory on the earnest eyes,
+ The longing heart, that feel life's present cross.
+
+ Give also mercy to the living here
+ Whose keen-strung souls will quiver at your touch;
+ The utmost reverence is not too much
+ For eyes that weep, although the lips may sneer.
+
+
+
+
+ ONE AND ONE.
+
+
+ The thanking heart can only silence keep;
+ The breaking heart can only die alone:
+ Our happy love above abysses deep
+ Of unguessed power hovers, and is gone!
+
+ Come, take my hand, O friend I take for life!
+ You cannot reach my soul through touch or gaze;
+ Be our full lips with infinite meanings rife:
+ The longed-for words, which of us ever says?
+
+
+
+
+ THE VIOLIN.
+
+
+ Touch gently, friend, and slow, the violin, So sweet and low,
+ That my dreaming senses may be beckoned so
+ Into a rest as deep as the long past "years ago!"
+ So softly, then, begin;
+
+ And ever gently touch the violin,
+ Until an impulse grows of a sudden, like wind
+ On the brow of the earth,
+ And the voice of your violin shows its wide-swung girth
+ With a crash of the strings and a medley of rage and mirth;
+ And my rested senses spring
+ Like juice from a broken rind,
+ And the joys that your melodies bring
+ I know worth a life-time to win,
+ As you waken to love and this hour your violin!
+
+
+
+
+ GERTRUDE.
+ [In Memory: 1877.]
+
+
+ What shall I say, my friend, my own heart healing,
+ When for my love you cannot answer me?
+ This earth would quake, alas! might I but see
+ You smile, death's rigorous law repealing!
+ Pale lips, your mystery so well concealing,
+ May not the eloquent, varied minstrelsy
+ Of my inspired ardor potent be
+ To touch your chords to music's uttered feeling?
+ Friend, here you cherished flowers: send me now
+ One ghostly bloom to prove that you are blessed.
+ No? If denial such as brands my brow
+ Be in your heavenly regions, too, confessed,
+ Oh may it prove the truth that your still eyes
+ Foresee the end of all futurities!
+
+
+
+
+ UNITY IN SPACE.
+
+
+ Take me away into a storm of snow
+ So white and soft, I feel no deathly chill,
+ But listen to the murmuring overflow
+ Of clouds that fall in many a frosty rill!
+
+ Take me away into the sunset's glow,
+ That holds a summer in a glorious bloom;
+ Or take me to the shadowed woods that grow
+ On the sky's mountains, in the evening gloom!
+
+ Give me an entrance to the limpid lake
+ When moonbeams shine across its purity!
+ A life there is, within the life we take
+ So commonly, for which 't were well to die.
+
+
+
+
+ THE SHELL AND THE WORLD.
+
+
+ The world was like a shell to me,--
+ Its voice with distant song was low;
+ But now its mysteries I know:
+ I hear the turmoil of the sea.
+
+ The whirling, soft, and tender sound
+ That meant I knew not what of lore,--
+ I dream its mystery now no more:
+ Its reckless meaning I have found.
+
+ O shell! I held thee to my ears
+ When I was young, and smiled with pride
+ To stand aglow at marvel's side!
+ O world, thy voice is wild with tears!
+
+
+
+
+ THE CLOCK-TOWER BELL.
+
+
+ Say not, sad bell, another hour hath come,
+ Bare for the record of a world of crime;
+ Toll, rather, friend, the end of hideous Time,
+ Wherein we bloom, live, die, yet have no home!
+
+ Bell, laurels would we o'er thy pulsing twine,
+ And sing thee songs of triumph with glad tears,
+ If to the warring of our haggard years
+ Thy clang should herald peace along the line!
+
+
+
+
+ OURS TO ENDURE.
+
+
+ We speak of the world that passes away,--
+ The world of men who lived years ago,
+ And could not feel that their hearts' quick glow
+ Would fade to such ashen lore to-day.
+
+ We hear of death that is not our woe,
+ And see the shadow of funerals creeping
+ Over the sweet fresh roads by the reaping;
+ But do we weep till our loved ones go?
+
+ When one is lost who is greater than we,
+ And loved us so well that death should reprieve
+ Of all hearts this one to us; when we must leave
+ His grave,--the past will break like the sea!
+
+
+
+
+ BROKEN WAVES.
+
+
+ The sun is lying on the garden-wall,
+ The full red rose is sweetening all the air,
+ The day is happier than a dream most fair;
+ The evening weaves afar a wide-spread pall,
+ And lo! sun, day, and rose, no longer there!
+
+ I have a lover now my life is young,
+ I have a love to keep this many a day;
+ My heart will hold it when my life is gray,
+ My love will last although my heart be wrung.
+ My life, my heart, my love shall fade away!
+
+ O lover loved, the day has only gone!
+ In death or life, our love can only go;
+ Never forgotten is the joy we know,
+ We follow memory when life is done:
+ No wave is lost in all the tides that flow.
+
+
+
+
+ WHY SAD TO-DAY?
+
+
+ Why is the nameless sorrowing look
+ So often thought a whim?
+ God-willed, the willow shades the brook,
+ The gray owl sings a hymn;
+
+ Sadly the winds change, and the rain
+ Comes where the sunlight fell:
+ Sad is our story, told again,
+ Which past years told so well!
+
+ Why not love sorrow and the glance
+ That ends in silent tears?
+ If we count up the world's mischance,
+ Grieving is in arrears.
+
+ Why should I know why I could weep?
+ The old urns cannot read
+ The names they wear of kings they keep
+ In ashes; both are dead.
+
+ And like an urn the heart must hold
+ Aims of an age gone by:
+ What the aims were we are not told;
+ We hold them, who knows why?
+
+
+
+
+ THE GHOSTS OF REVELLERS.
+
+
+ At purple eyes beside the grain,
+ Our loves on altars we had burned,
+ And mixed our tribute with the dew,
+ Our tears, when rosy dawn returned.
+
+ Our voices we had joined with song
+ Of bird ecstatic, light, and free;
+ Our laughter rollicked with the brook
+ Running through darkness merrily.
+
+ At purple eyes beside the rim
+ Of frozen lakes our loves we burned,
+ And slid away when stillness reigned:
+ Deep the vast woods our bodies urned.
+
+ In starlit night along the shade
+ Of our dusk tombs our spirits glide;
+ We hear the echoing of the wind,
+ We breathe the sighs we living sighed.
+
+
+
+
+ LIFE'S BURYING-GROUND.
+
+
+ My graveyard holds no once-loved human forms,
+ Grown hideous and forgotten, left alone,
+ But every agony my heart has known,--
+ The new-born trusts that died, the drift of storms.
+
+ I visit every day the shadowy grove;
+ I bury there my outraged tender thought;
+ I bring the insult for the love I sought,
+ And my contempt, where I had tried to love.
+
+
+
+
+ BEYOND UTTERANCE.
+
+
+ There in the midst of gloom the church-spire rose,
+ And not a star lit any side of heaven;
+ In glades not far the damp reeds coldly touched
+ Their sides, like soldiers dead before they fall;
+ There in the belfry clung the sleeping bat,--
+ Most abject creature, hanging like a leaf
+ Down from the bell-tongue, silent as the speech
+ The dead have lost ere they are laid in graves.
+
+ A melancholy prelude I would sing
+ To song more drear, while thought soars into gloom.
+ Find me the harbor of the roaming storm,
+ Or end of souls whose doom is life itself!
+ So vague, yet surely sad, the song I dream
+ And utter not. So sends the tide its roll,--
+ Unending chord of horror for a woe
+ We but half know, even when we die of it.
+
+
+
+
+ THE SUICIDE.
+
+
+ A shadowed form before the light,
+ A gleaming face against the night,
+ Clutched hands across a halo bright
+ Of blowing hair,--her fixed sight
+ Stares down where moving black, below,
+ The river's deathly waves in murmurous silence flow.
+
+ The moon falls fainting on the sky,
+ The dark woods bow their heads in sorrow,
+ The earth sends up a misty sigh:
+ A soul defies the morrow!
+
+
+
+
+ FOR OTHERS.
+
+
+ Weeping for another's woe,
+ Tears flow then that would not flow
+ When our sorrow was our own,
+ And the deadly, stiffening blow
+ Was upon our own heart given
+ In the moments that have flown!
+
+ Cringing at another's cry
+ In the hollow world of grief
+ Stills the anguish of our pain
+ For the fate that made us die
+ To our hopes as sweet as vain;
+ And our tears can flow again!
+
+ One storm blows the night this way,
+ But another brings the day.
+
+
+
+
+ ZEST.
+
+
+ Labor not in the murky dell,
+ But till your harvest hill at morn;
+ Stoop to no words that, rank and fell,
+ Grow faster than the rustling corn.
+
+ With gladdening eyes go greet the sun,
+ Who lifts his brow in varied light;
+ Bring light where'er your feet may run:
+ So bring a day to sorrow's night.
+
+
+
+
+ THE UNPERFECTED.
+
+
+ A broken mirror in a trembling hand;
+ Sad, trembling lips that utter broken thought:
+ One of a wide and wandering, aimless band;
+ One in the world who for the world hath naught.
+
+ A heart that loves beyond the shallow word;
+ A heart well loved beyond its flowerless worth:
+ One who asks God to answer the prayer heard;
+ One from the dust returning to the earth.
+
+ Can miracle ne'er make the mirror whole
+ For one who, seeing, could be nobly bold?
+ Who could well die, to magnify the soul,--
+ Whose strength of love will shake the graveyard's mould?
+
+
+
+
+ GOD-MADE.
+
+
+ Somewhere, somewhere in this heart
+ There lies a jewel from the sea,
+ Or from a rock, or from the sand,
+ Or dropped from heaven wondrously.
+
+ Oh, burn, my jewel, in my glance!
+ Oh, shimmer on my lips in prayer!
+ Light my love's eyes to read my soul,
+ Which, wrapt in ashes, yet is fair!
+
+ When dead I lie, forgotten, deep
+ Within the earth and sunken past,
+ Still shall my jewel light my dust,--
+ The worth God gives us, first and last!
+
+
+
+
+ A SONG BEFORE GRIEF.
+
+
+ Sorrow, my friend,
+ When shall you come again?
+ The wind is slow, and the bent willows send
+ Their silvery motions wearily down the plain.
+ The bird is dead
+ That sang this morning through the summer rain!
+
+ Sorrow, my friend,
+ I owe my soul to you.
+ And if my life with any glory end
+ Of tenderness for others, and the words are true,
+ Said, honoring, when I'm dead,--
+ Sorrow, to you, the mellow praise, the funeral
+ wreath, are due.
+
+ And yet, my friend,
+ When love and joy are strong,
+ Your terrible visage from my sight I rend
+ With glances to blue heaven. Hovering along,
+ By mine your shadow led,
+ "Away!" I shriek, "nor dare to work my new-sprung mercies wrong!"
+
+ Still, you are near:
+ Who can your care withstand?
+ When deep eternity shall look most clear,
+ Sending bright waves to kiss the trembling land,
+ My joy shall disappear,--
+ A flaming torch thrown to the golden sea by your pale hand.
+
+
+
+
+ PRIDE: FATE.
+
+
+ Lullaby on the wing
+ Of my song, O my own!
+ Soft airs of evening
+ Join my song's murmuring tone.
+
+ Lullaby, O my love!
+ Close your eyes, lake-like clear;
+ Lullaby, while above
+ Wake the stars, with heaven near.
+
+ Lullaby, sweet, so still
+ In arms of death; I alone
+ Sing lullaby, like a rill,
+ To your form, cold as a stone.
+
+ Lullaby, O my heart!
+ Sleep in peace, all alone;
+ Night has come, and your part
+ For loving is wholly done!
+
+
+
+
+ FRANCIE.
+
+
+ I loved a child as we should love
+ Each other everywhere;
+ I cared more for his happiness
+ Than I dreaded my own despair.
+
+ An angel asked me to give him
+ My whole life's dearest cost;
+ And in adding mine to his treasures
+ I knew they could never be lost.
+
+ To his heart I gave the gold,
+ Though little my own had known;
+ To his eyes what tenderness
+ From youth in mine had grown!
+
+ I gave him all my buoyant
+ Hope for my future years;
+ I gave him whatever melody
+ My voice had steeped in tears.
+
+ Upon the shore of darkness
+ His drifted body lies.
+ He is dead, and I stand beside him,
+ With his beauty in my eyes.
+
+ I am like those withered petals
+ We see on a winter day,
+ That gladly gave their color
+ In the happy summer away.
+
+ I am glad I lavished my worthiest
+ To fashion his greater worth;
+ Since he will live in heaven,
+ I shall lie content in the earth.
+
+
+
+
+ LOST REALITY.
+
+
+ O soul of life, 't is thee we long to hear,
+ Thine eyes we seek for, and thy touch we dream;
+ Lost from our days, thou art a spirit near,--
+ Life needs thine eloquence, and ways supreme.
+ More real than we who but a semblance wear,
+ We see thee not, because thou wilt not seem!
+
+
+
+
+ CLOSING CHORDS.
+
+
+ I.
+
+ _Death's Eloquence._
+
+
+ When I shall go
+ Into the narrow home that leaves
+ No room for wringing of the hands and hair,
+ And feel the pressing of the walls which bear
+ The heavy sod upon my heart that grieves,
+ (As the weird earth rolls on),
+ Then I shall know
+ What is the power of destiny. But still,
+ Still while my life, however sad, be mine,
+ I war with memory, striving to divine
+ Phantom to-morrows, to outrun the past;
+ For yet the tears of final, absolute ill
+ And ruinous knowledge of my fate I shun.
+ Even as the frail, instinctive weed
+ Tries, through unending shade, to reach at last
+ A shining, mellowing, rapture-giving sun;
+ So in the deed of breathing joy's warm breath,
+ Fain to succeed,
+ I, too, in colorless longings, hope till death.
+
+
+ II.
+
+ _Peace._
+
+
+ An angel spoke with me, and lo, he hoarded
+ My falling tears to cheer a flower's face!
+ For, so it seems, in all the heavenly space
+ A wasted grief was never yet recorded.
+ Victorious calm those holy tones afforded
+ Unto my soul, whose outcry, in disgrace,
+ Changed to low music, leading to the place
+ Where, though well armed, with futile end awarded,
+ My past lay dead. "Wars are of earth!" he cried;
+ "Endurance only breathes immortal air.
+ Courage eternal, by a world defied,
+ Still wears the front of patience, smooth and fair."
+ Are wars so futile, and is courage peace?
+ Take, then, my soul, thus gently thy release!
+
+
+
+
+ GRACE.
+
+
+ Ill-wrought life we look at as we die!
+ Mistaken, selfish, meagre, and unmeet;
+ So graven on the hearts that cruelly
+ We have deprived of many an hour sweet:
+ O ill-wrought life we look at as we die!
+
+ O day of God we look at as we die!
+ Grace, like a river flowing toward our feet;
+ Wide pardon blowing with the breezes by;
+ Love telling us bright tales of the Complete;--
+ While listening, hoping, thanking, lo, we die!
+
+
+
+
+ ENDLESS RESOURCE.
+
+
+ New days are dear, and cannot be unloved,
+ Though in deep grief we mourn, and cling to death;
+ Who has not known, in living on, a breath
+ Of infinite joy that has life's rapture proved?
+
+ If I have thought that in this rainbow world
+ The best we see was but a preface given
+ Of infinite greater tints in heaven,
+ And life or no, heaven yet would be unfurl'd,--
+
+ I did belie the soul-wide joys of earth,
+ And feelings deep as lights that dwell in seas.
+ Can heaven itself outlove such depths as these?
+ Live on! Life holds more than we dream of worth!
+
+
+
+
+ THE BABY.
+
+
+ Pray, have you heard the news?
+ Sturdy in lungs and thews,
+ There's a fine baby!
+ Ring bells of crystal lip,
+ Wave boughs with blossoming tip;
+ Think what he may be!
+
+ Love cannot love enough,
+ Winter is never rough
+ All round such sweetness;
+ One of a million more
+ Sent to the glad heart's door
+ In their completeness!
+
+ Such news is never old,
+ Though in each ear't is told,
+ As a first birthday.
+ Welcome, thou ray of light!
+ In golden prayers bedight,
+ Sail down thy mirth-way!
+
+
+
+
+ A Waltz.
+
+
+ Delicate gayety,
+ Strains of a violin;
+ Graceful steps begin--
+ Roses at her waist!
+ Clouds of sparkling light,
+ Whispers of lovers alone
+ As the couples drift one by one
+ In the golden sheen of the ball.
+ Alone in the happy crowd
+ Each pair glides past each pair;
+ Delicate strains of an air;
+ Rainbow gayety:
+ Pride of the moment throbs,
+ Smiles, on the youthful cheek,
+ Fearing no ill-wind's freak,
+ Warm in the heart of the waltz;--
+ Moving like melody,
+ Flowing in light and glee,
+ Young as the May is she,
+ Strong as the June I am.
+
+
+
+
+ FIRST BLOOM OF LOVE.
+
+
+ O girl of spring! O brown-eyed girl!
+ Gathering violets near the woods,
+ Whose coy young petals half unfurl
+ The mystery of their dulcet moods.
+
+ O blushing girl! O girl of spring!
+ I hear no answer move the air;
+ Yet eyelids hovering on the wing
+ Reveal deep meanings curtained there.
+
+ O girl of spring! O spring of love!
+ Let silent violets be the speech
+ From you to me, and let them prove
+ What maiden silence will not teach!
+
+
+
+
+ A WOOING SONG.
+
+
+ O love, I come; thy last glance guideth me!
+ Drawn, too, by webs of shadow, like thine hair;
+ For, Sweet, the mystery
+ Of thy dark hair the deepening dusk hath caught.
+ In early moonlight gleamings, lo, I see
+ Thy white hands beckon to the garden, where
+ Dim day and silvery darkness are inwrought
+ As our two lives, where, joining soul with soul,
+ The tints shall mingle in a fairer whole.
+ Oh! dost thou hear? I call, beloved, I call,
+ My stout heart trembling till thy words return;
+ Hope-lifted, I float faster with the fall
+ Of fear toward joy such fear alone can earn!
+
+
+
+
+ DOROTHY.
+
+ Dear little Dorothy, she is no more!
+ I have wandered world-wide, from shore to shore,
+ I have seen as great beauties as ever were wed;
+ But none can console me for Dorothy dead.
+
+ Dear little Dorothy! How strange it seems
+ That her face is less real than the faces of dreams;
+ That the love which kept true, and the lips which so spoke,
+ Are more lost than my heart, which died not when it broke!
+
+
+
+
+ MORNING SONG.
+
+
+ Turn thy face to me, my love,
+ I come from out the morning;
+ Give thy hand to me, my love,
+ I'm dewy from the dawning.
+
+ Touch my lips with thine, my love,
+ I've tasted air at daybreak;
+ Gaze into my eyes, my love,
+ At the sky's waking they wake.
+
+
+
+
+ LOOKING BACKWARD.
+
+
+ Gray towers make me think of thee,
+ Thou girl of olden minstrelsy,
+ Young as the sunlight of to-day,
+ Silent as tasselled boughs in May!
+
+ A wind-flower in a world of harm,
+ A harebell on a turret's arm,
+ A pearl upon the hilt of fame
+ Thou wert, fair child of some high name.
+
+ The velvet page, the deep-eyed knight,
+ The heartless falcon, poised for flight,
+ The dainty steed and graceful hound,
+ In thee their keenest rapture found.
+
+ But for old ballads, and the rhyme
+ And writ of genius o'er the time
+ When keeps had newly reared their towers,
+ The winning scene had not been ours.
+
+ O Chivalry! thy age was fair,
+ When even knaves set out to dare
+ Their heads for any barbarous crime,
+ And hate was brave, and love sublime.
+
+ The bugle-note I send so far
+ Across Time's moors to thee, sweet star,
+ Where stands thy castle in its mist,
+ Hear, if the wandering breezes list!
+
+
+
+
+ UNLOVED.
+
+
+ Paler than the water's white
+ Stood the maiden in the shade,
+ And more silent than the night
+ Were her lips together laid;
+
+ Eyes she hid so long and still
+ By lids wet with unshed tears,
+ Hands she loosely clasped at will,
+ Though her heart was full of fears.
+
+ Never, never, never more
+ May her soul with joy be moved;
+ Silent, silent, silent,--for
+ He was silent whom she loved.
+
+
+
+
+ THE CLOCK'S SONG.
+
+
+ Eileen of four,
+ Eileen of smiles;
+ Eileen of five,
+ Eileen of tears;
+ Eileen of ten, of fifteen years,
+ Eileen of youth
+ And woman's wiles;
+ Eileen of twenty,
+ In love's land,
+ Eileen all tender
+ In her bliss,
+ Untouched by sorrow's treacherous kiss,
+ And the sly weapon in life's hand,--
+ Eileen aroused to share all fate,
+ Eileen a wife,
+ Pale, beautiful,
+ Eileen most grave
+ And dutiful,
+ Mourning her dreams in queenly state.
+ Eileen! Eileen!....
+
+
+
+
+ BROKEN-HEARTED.
+
+
+ "Cross my hands upon my breast,"
+ Read her last behest.
+ "Turn my cheek upon the pillow,
+ As resting from life's stormy billow
+ With sleep's fine zest!"
+
+ "Cross my hands upon my breast,"
+ Read her last behest,
+ "That the patient bones may lie
+ In form of thanks eternally,
+ Grimly expressed!"
+
+ We clasped her hands upon her breast:
+ Oh mockery at misery's hest!
+ We hid in flowers her body's grief,--
+ Counting by many a rose and leaf
+ Her days unblessed!
+
+
+
+
+ THE CYNIC'S FEALTY.
+
+
+ We all have hearts that shake alike
+ Beneath the arias of Fate's hand;
+ Although the cynics sneering stand,
+ These too the deathless powers strike.
+
+ A trembling lover's infinite trust,
+ To the last drop of doating blood,
+ Feels not alone the ocean flood
+ Of desperate grief, when dreams are dust.
+
+ The scornfullest souls, with mourning eyes,
+ Pant o'er again their ghostly ways;--
+ Dread night-paths, where were gleaming days
+ When life was lovelier than the skies!
+
+
+
+
+ THE GIRLS WE MIGHT HAVE WED.
+
+
+ Come, brothers, let us sing a dirge,--
+ A dirge for myriad chances dead;
+ In grief your mournful accents merge:
+ Sing, sing the girls we might have wed!
+
+ Sweet lips were those we never pressed
+ In love that never lost the dew
+ In sunlight of a love confessed,--
+ Kind were the girls we never knew!
+
+ Sing low, sing low, while in the glow
+ Of fancy's hour those forms we trace,
+ Hovering around the years that go;
+ Those years our lives can ne'er replace!
+
+ Sweet lips are those that never turn
+ A cruel word; dear eyes that lead
+ The heart on in a blithe concern;
+ White hand of her we did not wed;
+
+ Fair hair or dark, that falls along
+ A form that never shrinks with time;
+ Bright image of a realm of song,
+ Standing beside our years of prime;--
+
+ When you shall go, then may we know
+ The heart is dead, the man is old.
+ Life can no other charm bestow
+ When girls we might have loved turn cold!
+
+
+
+
+ "NEITHER!"
+
+
+ So ancient to myself I seem,
+ I might have crossed grave Styx's stream
+ A year ago;--
+ My word, 'tis so;--
+ And now be wandering with my sires
+ In that rare world we wonder o'er,
+ Half disbelieve, and prize the more!
+
+ Yet spruce I am, and still can mix
+ My wits with all the sparkling tricks,
+ A youth and girl
+ At twenty's whirl
+ Play round each other's bosom fires,
+ On this brisk earth I once enjoyed:--
+ But now I'm otherwise employed!
+
+ Am I a thing without a name;
+ A sort of dummy in the game?
+ "Not young, not old:"
+ A world is told
+ Of misery in that lengthened phrase;
+ Yet, gad, although my coat be smooth,
+ My forehead's wrinkled,--that's the truth!
+
+ I hardly know which road to go.
+ With youth? Perhaps. With age? Oh no!
+ Well, then, with those
+ Who share my woes,
+ Doomed to mere fashionable ways,--
+ Fair matrons, cigarettes, and tea,
+ Sighs, mirrors, and society?
+
+ Is it a folly still to twirl,
+ And smirk and promenade and querl
+ About the town?
+ I'll put this down:
+ A man becomes downright _blast_
+ Before he knows that he is either
+ That, or what I am--call it, "Neither."
+
+ Oh, for a hint what we shall do,
+ We bucks whose comedy is through!
+ Who'd be sedate?
+ And yet I hate
+ To pose persistently to-day
+ As one just trying flights, you know,
+ When I _did_ try them long ago!
+
+ Suppose I hurry up the tide
+ Of age, and bravely drift beside
+ Those hoary dogs
+ Who lie like logs
+ Around the clubs where life is hushed?
+ My blood runs cold! What? Say farewell
+ To this year's new bewildering belle!
+
+ Hold, man, the secret broad and huge,
+ With every well-known subterfuge!
+ If bald and gray
+ And thin, still say
+ You're only thirty: don't be crushed;
+ But when your voice shakes o'er a pun,
+ Be off to China:--your day's done!
+
+
+
+
+ USED UP.
+
+
+ Hand me my light gloves, James;
+ I'm off for the waltzing world,
+ The kingdom of Strauss and that--
+ Where is my old crush-hat?
+ _Is_ my hair properly curled?
+ Call in the daytime, James.
+
+ Think of me, won't you, James,
+ When I am rosily twirling
+ The "Rose of a garden of girls,"
+ The Pearl among circling pearls,
+ In a mesh of melodious whirling?
+ Envy me, won't you, James?
+
+ For a heart lost along with her fan,
+ For a nice sense of honor flown,
+ For the care of an invalid soul,
+ And tastes far beyond my control,--
+ I have for my precious own
+ The fame of a "waltzing man."
+
+ If I don't come, come for me, James.
+ Ah, the waltz is my mastering passion!
+ The trip-tripping airs are as sweet
+ As love to my turning feet,
+ While I clasp the fair doll of fashion,
+ My _fiancée_. But come for me, James.
+
+ The heart which I lost--it is strange--
+ I've been told it will yet be my death;
+ And I think it quite likely I might
+ Waltz once too often to-night,
+ In spite of the music and Beth.
+ Death's a difficult move to arrange.
+
+ Pray smoke by the fire, old boy,
+ And find yourself whiskey and books.
+ If I should not turn up, then, at two
+ Or three, you will know I need you.
+ If I'm dead, you must pardon my looks
+ As I lie in the ball-room, old boy.
+
+
+
+
+ A YOUTH'S SUICIDE.
+
+
+ He handed his life a poisoned draught,
+ With a scornful smile and a cold, cold glance,
+ And the merry bystanders loudly laughed
+ (For the rollicking world was gay!).
+
+ He thought she knew not the juice, perchance;
+ But her tears fell down to her sobbing lips
+ While the merry-makers turned to the dance
+ (The world was mocking fate that day!).
+
+ To his life he kissed his finger-tips:
+ "Drink deep the beaker, and so farewell!"
+ Then slowly the poisoned draught she sips
+ (How they laugh at her meek dismay!).
+
+ He sprang to her arm, which loosely fell,
+ Crying: "No! not yet that dire eclipse!"
+ Now loud laughed the dancers, and whirled pell-mell
+ (While the echoes hurried away!).
+
+ The mad world clustered, it seemed, around.
+ "Farewell!" she sighed, sinking; then from afar
+ Flowed the pealing laughter and wassail's sound
+ (For the dead the world will not stay!).
+
+
+
+
+ TWENTY BOLD MARINERS.
+
+
+ Twenty bold mariners went to the wave,
+ Twenty sweet breezes blew over the main;
+ All were so hearty, so free, and so brave,--
+ But they never came back again!
+
+ Half the wild ocean rose up to the clouds,
+ Half the broad sky scowled in thunder and rain;
+ Twenty white crests rose around them like shrouds,
+ And they stayed in the dancing main!
+
+ This is easy to sing, and often to mourn,
+ And the breaking of dawn is no newer to-day;
+ But those who die young, or are left forlorn,
+ Think grief is no older than they!
+
+
+
+
+ IN THE ARTILLERY.
+
+
+ We are moving on in silence,
+ Save for rattling iron and steel,
+ And a skirmish echoing round us,
+ Showering faintly, peal on peal.
+
+ Like a lion roars the North wind
+ As a-horse we sternly clank,
+ While beside the guns our men drop,
+ Slyly shot from either flank.
+
+ You are musing, love, and smiling
+ By the hearth-fire of the Mill,
+ While the tangled oaks are cracking
+ Boughs upon the windy hill.
+
+ I can see the moonlight shining
+ Over fields of frozen calm;
+ I can hear the chapel organ,
+ And the singing of the psalm.
+
+ Fare you well, then, English village,
+ Which of all I loved the most,
+ Where my ghost alone can wander
+ Once again, when life is lost.
+
+ Fare you well, then, Sally Dorset;
+ You will never utter wail
+ For the soldier dead who loved you
+ With these tears of no avail!
+
+ I can see your drowsy lashes
+ Lifting as you hear them read
+ Prayers in mercy for our souls' shrift
+ When we come to our last need.
+
+ I forgive you, matchless beauty,
+ Proudly conscious of your fame,
+ Loved by many a luckless youngster
+ Who will ne'er forget your name!
+
+ Merry, though so cold of answer,
+ With a laughing glance of steel,
+ How your face swept like a banner,
+ Blushing down the village reel!
+
+ As you dance before my vision
+ On this deadly foreign morn,
+ Death is charmed into the soothing
+ Of the love you chose to scorn.
+
+ We shall die--our hours are numbered--
+ As the sunlight dawns serene
+ Over yonder mountain ridges,
+ Rimming round this battle scene.
+
+ I shall die--few will return, dear;
+ I shall be of those who stay:
+ England sent us, but a handful,
+ Among hordes of heathen clay.
+
+ We will show the world how England
+ Has no dross to spend in war;
+ When she throws away her soldiers,
+ They are soldiers to the core.
+
+ You will wake to hear the twitter
+ Of the early sparrow's note:
+ I shall lie beneath the heavens,
+ With the death-grip at my throat!
+
+
+
+
+ THE LOST BATTLE
+
+
+ To his heart it struck such terror
+ That he laughed a laugh of scorn,--
+ The man in the soldier's doublet,
+ With the sword so bravely worn.
+
+ It struck his heart like the frost-wind
+ To find his comrades fled,
+ While the battle-field was guarded
+ By the heroes who lay dead.
+
+ He drew his sword in the sunlight,
+ And called with a long halloo:
+ "Dead men, there is one living
+ Shall stay it out with you!"
+
+ He raised a ragged standard,
+ This lonely soul in war,
+ And called the foe to onset,
+ With shouts they heard afar.
+
+ They galloped swiftly toward him.
+ The banner floated wide;
+ It sank; he sank beside it
+ Upon his sword, and died.
+
+
+
+
+ THE OUTGOING RACE.
+
+
+ The mothers wish for no more daughters;
+ There is no future before them.
+ They bow their heads and their pride
+ At the end of the many tribes' journey.
+
+ The mothers weep over their children,
+ Loved and unwelcome together,
+ Who should have been dreamed, not born,
+ Since there is no road for the Indian.
+
+ The mothers see into the future,
+ Beyond the end of that Chieftain
+ Who shall be the last of the race
+ Which allowed only death to a coward.
+
+ The square, cold cheeks, lips firm-set,
+ The hot, straight glance, and the throat-line,
+ Held like a stag's on the cliff,
+ Shall be swept by the night-winds, and vanish!
+
+
+
+
+ HIDDEN HISTORY.
+
+
+ I.
+
+
+ There was a maiden in a land
+ Was buried with all honor fine,
+ For they said she had dared her pulsing life
+ To save a silent, holy shrine.
+
+ The cannon rode by the church's door,
+ The men's wild faces flashed in the sun;
+ The woman had guarded with rifle poised,
+ While the cassocked priests had run.
+
+ Ah, no! To save her pulsing life
+ The woman like a reindeer turned,
+ While hostile armies rolled by her in clouds,
+ And miles of sun and metal burned.
+
+ But who should know? For she was dead
+ Before the leathern curtain's wall,
+ When came her wide-eyed comrades, and found
+ Her body and her weapon, all.
+
+
+ II.
+
+
+ There was a woman left to die
+ Who never told her sacrifice,
+ But trusted for her crown to God,
+ As to its value and device.
+
+ No land was prouder for her heart,
+ No word has echoed long her deed,
+ And where she has lain, the angel flower
+ Looks like a common weed.
+
+
+
+
+ A BALLAD OF THE MIST.
+
+
+ "I love the Lady of Merle," he said.
+ "She is not for thee!" her suitor cried.
+ And in the valley the lovers fought
+ By the salt river's tide.
+
+ The braver fell on the dewy sward:
+ The unloved lover returned once more;
+ In yellow satin the lady came
+ And met him at the door.
+
+ "Hast thou heard, dark Edith," laughed he grim,
+ "Poor Hugh hath craved thee many a day?
+ Soon would it have been too late for him
+ His low-born will to say.
+
+ "I struck a blade where lay his heart's love,
+ And voice for thee have I left him none,
+ To brag he still seeks thee over the hills
+ When thou and I are one!"
+
+ Fearless across the wide country
+ Rode the dark Lady Edith of Merle;
+ She looked at the headlands soft with haze,
+ And the moor's mists of pearl.
+
+ The moon it struggled to see her pass
+ Through its half-lit veils of driving gray;
+ But moonbeams were slower than the steed
+ That Edith rode away.
+
+ Oh, what was her guerdon and her haste,
+ While cried the far screech-owl in the tree,
+ And to her heart crept its note so lone,
+ Beating tremulously?
+
+ About her a black scarf floated thin,
+ And over her cheek the mist fell cold,
+ And shuddered the moon between its rifts
+ Of dark cloud's silvery fold.
+
+ Oh, white fire of the nightly sky
+ When burns the moon's wonder wide and far,
+ And every cloud illumed with flame
+ Engulfs a shaken star!
+
+ * * * * *
+
+ Bright as comes morning from the hill,
+ There comes a face to her lover's eyes;
+ Her love she tells; and he, dying, smiles,--
+ And smiles yet in the skies.
+
+ He is dead, and closer breathe the mists;
+ He is dead, the owlet moans remote;
+ He is buried, and the moon draws near,
+ To gaze and hide and float.
+
+ Fearless within the churchyard's spell
+ The white-browed lady doth stand and sigh;
+ She loves the mist, and the grave, and the moon,
+ And the owl's quivering cry.
+
+
+
+
+ THE DREAMING WHEEL.
+
+
+ Down slant the moonbeams to the floor
+ Through the garret's scented air,
+ And show a thin-spoked spinning-wheel,
+ Standing ten years and more
+ Far from the hearth-stone's woe and weal,--
+ The ghost of a lost day's care!
+
+ And over the dreaming spinning-wheel,
+ That has not stirred so long,
+ The weaving spiders spin a veil,
+ A silvery shroud for its human zeal
+ And usefulness, with their fingers pale,
+ The shadowy lights among.
+
+ See! in the moonlight cold and gray
+ A thoughtful maiden stands;
+ And though she blames not overmuch
+ With her sweet lips the great world's way,
+ Yet sad and slow she stoops to touch
+ The still wheel with her hands.
+
+ "Forsaken wheel! when you first came
+ To clothe young hearts and old,
+ Our ancestors were glad to wear
+ Your woof, nor knew the shame
+ Which later days have bred, to share
+ The homespun's simple fold!
+
+ "My lover's gone to win for me,
+ With tender pride and care,
+ Riches to garnish all our days;
+ But love thrives in simplicity
+ As well as in the prouder ways,
+ If noble thought is there!
+
+ "When our strong grandsires vowed to wed,
+ Stout knots of wool, and corn,
+ Were gathered in, and hardly more
+ Of what will count not when we're dead!
+ Life brought them to a happy shore,
+ Who set their sails at dawn.
+
+ "O silent wheel! we weave a sad,
+ Weak fabric of our days;
+ The faith that moved thee long is gone;
+ Forgot, the couple, lass and lad,
+ Who loved with courage deeply drawn,
+ Heeding but God's delays!
+
+ "On thy long loneliness the sun
+ Blazes in dread, the moon
+ Shines with a pitiless, threatening hue!
+ And while the golden sand-grains run,
+ Old age comes nearer; and like you
+ I may be standing silent--soon!
+
+ "Then turn, my lover, turn your eyes
+ Back to the humble door;
+ Waste not the youthful years in hand.
+ See where the truest comfort lies,
+ And join the freer old-time band,
+ Nor crave a worldly store!
+
+ "In Freedom's land let no one know
+ Even the chain of ease,
+ Nor bow to royal Luxury's glance.
+ From peasant-hands fair art can grow;
+ From the rough brow thought springs with lance
+ And helmet: God loves these!"
+
+ She wept; then raised her head, and swung
+ The aged wheel with whispering whir;
+ And as it turned, it softly sung
+ (In fancy) this response to her:--
+
+ "I had not spun the sower's shirt,
+ I had not kept the children warm,
+ If I had found a wearing harm
+ In my monotonous toil alert.
+
+ "To those who wait with eager eyes
+ And ready hands and tender hearts,--
+ They find the giant year, that parts,
+ Hath forged strong links with paradise!
+
+ "Sigh not that Time doth turn the glass
+ To let the golden sand-grains run,
+ While longer shadows of the sun
+ Fall o'er the spring-time, bonny lass!
+
+ "The circumstances of a life
+ Are little things compared to it;
+ The way love's shown is ever fit;
+ Thank God, who gives us love, not strife!
+
+ "And if I do not stand beside
+ The hearth, as fifty years ago,
+ No current of the years that flow
+ Can rob the radiance from a bride!
+
+ "I know not why the world should change,
+ I know not why my day is done;
+ And yet this limit of my zone
+ Hints of the limit to all range.
+
+ "Man's progress always alters tint,
+ As mountains move from rose to gray;
+ Yet like their shapes, love still doth stay
+ The same, complete,--'tis God's imprint.
+
+ "And yet I dream Time yet may turn
+ Its wheel to weave the humbler thought,
+ As in old days. When joy is sought,
+ Men find it where the hearth-fires burn."
+
+
+
+
+ THE ROADS THAT MEET.
+
+
+ ART.
+
+
+ One is so fair, I turn to go,
+ As others go, its beckoning length;
+ Such paths can never lead to woe,
+ I say in eager, early strength.
+ What is the goal?
+ Visions of heaven, wake;
+ But the wind's whispers round me roll:
+ "For you, mistake!"
+
+
+ LOVE.
+
+
+ One leads beneath high oaks, and birds
+ Choose there their joyous revelry;
+ The sunbeams glint in golden herds,
+ The river mirrors silently.
+ Under these trees
+ My heart would bound or break;
+ Tell me what goal, resonant breeze?
+ "For you, mistake!"
+
+
+ CHARITY.
+
+
+ What is there left? The arid way,
+ The chilling height, whence all the world
+ Looks little, and each radiant day,
+ Like the soul's banner, flies unfurled.
+ May I stand here;
+ In this rare ether slake
+ My reverential lips, and fear
+ No last mistake?
+
+ Some spirits wander till they die,
+ With shattered thoughts and trembling hands;
+ What jarred their natures hopelessly
+ No living wight yet understands.
+ There is no goal,
+ Whatever end they make;
+ Though prayers each trusting step control,
+ They win mistake.
+
+ This is so true, we dare not learn
+ Its force until our hopes are old,
+ And, skyward, God's star-beacons burn
+ The brighter as our hearts grow cold.
+ If all we miss,
+ In the great plans that shake
+ The world, still God has need of this,--
+ Even our mistake.
+
+
+
+
+ A PASSING VOICE.
+
+ "Turn me a rhyme," said Fate,
+ "Turn me a rhyme:
+ A swift and deadly hate
+ Blows headlong towards thee in the teeth of Time.
+ Write! or thy words will fall too late."
+
+ "Write me a fold," said Fate,
+ "Write me a fold,
+ Life to conciliate,
+ Of words red with thine heart's blood, hotly told.
+ Then, kings may envy thine estate!"
+
+ "Make thee a fame," said Fate,
+ "Make thee a fame
+ To storm the heaven-hung gate,
+ Unbarred alone to the victorious name
+ Which has Art's conquerors to mate."
+
+ "Die in thy shame," said Fate,
+ "Die in thy shame!
+ Naught here can compensate
+ But the proud radiance of that glorious flame,
+ Genius: fade, thou, unconsecrate!"
+
+
+ THE END.
+
+
+
+
+
+
+
+
+
+
+End of Project Gutenberg's Along the Shore, by Rose Hawthorne Lathrop
+
+*** END OF THIS PROJECT GUTENBERG EBOOK ALONG THE SHORE ***
+
+***** This file should be named 7056-8.txt or 7056-8.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/7/0/5/7056/
+
+Produced by Michelle Shephard, Eric Eldred, Charles Franks
+and the Online Distributed Proofreading Team. HTML version
+by Al Haines.
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License available with this file or online at
+ www.gutenberg.org/license.
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation information page at www.gutenberg.org
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at 809
+North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email
+contact links and up to date contact information can be found at the
+Foundation's web site and official page at www.gutenberg.org/contact
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit www.gutenberg.org/donate
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: www.gutenberg.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For forty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Most people start at our Web site which has the main PG search facility:
+
+ www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/7056-8.zip b/7056-8.zip
new file mode 100644
index 0000000..28e22cd
--- /dev/null
+++ b/7056-8.zip
Binary files differ
diff --git a/7056-h.zip b/7056-h.zip
new file mode 100644
index 0000000..4c96675
--- /dev/null
+++ b/7056-h.zip
Binary files differ
diff --git a/7056-h/7056-h.htm b/7056-h/7056-h.htm
new file mode 100644
index 0000000..6c2d71d
--- /dev/null
+++ b/7056-h/7056-h.htm
@@ -0,0 +1,2794 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.1//EN"
+ "http://www.w3.org/TR/xhtml11/DTD/xhtml11.dtd">
+
+<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en">
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=ISO-8859-1" />
+
+<title>
+The Project Gutenberg E-text of Along the Shore, by Rose Hawthorne Lathrop
+</title>
+
+<style type="text/css">
+body { color: black;
+ background: white;
+ margin-right: 10%;
+ margin-left: 10%;
+ font-family: "Times New Roman", serif;
+ text-align: justify }
+
+p {text-indent: 4% }
+
+p.noindent {text-indent: 0% }
+
+p.t1 {text-indent: 0% ;
+ font-size: 200%;
+ text-align: center }
+
+p.t2 {text-indent: 0% ;
+ font-size: 150%;
+ text-align: center }
+
+p.t3 {text-indent: 0% ;
+ font-size: 100%;
+ text-align: center }
+
+p.t3b {text-indent: 0% ;
+ font-size: 100%;
+ font-weight: bold;
+ text-align: center }
+
+p.t4 {text-indent: 0% ;
+ font-size: 80%;
+ text-align: center }
+
+p.t4b {text-indent: 0% ;
+ font-size: 80%;
+ font-weight: bold;
+ text-align: center }
+
+p.t5 {text-indent: 0% ;
+ font-size: 60%;
+ text-align: center }
+
+h1 { text-align: center }
+h2 { text-align: center }
+h3 { text-align: center }
+h4 { text-align: center }
+h5 { text-align: center }
+
+p.poem {text-indent: 0%;
+ margin-left: 10%; }
+
+p.contents {text-indent: -3%;
+ margin-left: 5% }
+
+p.thought {text-indent: 0% ;
+ letter-spacing: 4em ;
+ text-align: center }
+
+p.letter {text-indent: 0%;
+ margin-left: 10% ;
+ margin-right: 10% }
+
+p.footnote {text-indent: 0% ;
+ font-size: 80%;
+ margin-left: 10% ;
+ margin-right: 10% }
+
+p.transnote {text-indent: 0% ;
+ margin-left: 0% ;
+ margin-right: 0% }
+
+p.intro {font-size: 90% ;
+ text-indent: -5% ;
+ margin-left: 5% ;
+ margin-right: 0% }
+
+p.quote {text-indent: 4% ;
+ margin-left: 0% ;
+ margin-right: 0% }
+
+p.finis { font-size: larger ;
+ text-align: center ;
+ text-indent: 0% ;
+ margin-left: 0% ;
+ margin-right: 0% }
+
+</style>
+
+</head>
+
+<body>
+
+
+<pre>
+
+The Project Gutenberg EBook of Along the Shore, by Rose Hawthorne Lathrop
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Along the Shore
+
+Author: Rose Hawthorne Lathrop
+
+Posting Date: March 19, 2014 [EBook #7056]
+Release Date: December, 2004
+First Posted: March 3, 2003
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK ALONG THE SHORE ***
+
+
+
+
+Produced by Michelle Shephard, Eric Eldred, Charles Franks
+and the Online Distributed Proofreading Team. HTML version
+by Al Haines.
+
+
+
+
+
+
+</pre>
+
+
+<h1>
+<br /><br /><br />
+ ALONG THE SHORE<br />
+</h1>
+
+<p class="t2">
+ BY ROSE HAWTHORNE LATHROP<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<p class="t3">
+ To<br />
+ G. P. L.<br />
+</p>
+
+<p><br /></p>
+
+<p class="poem">
+ We see the sky,&mdash;we love it day by day;<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; We feel the wind of Spring, from blossoms winging;<br />
+ We meet with souls tender as tints in May:<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; For these large ecstasies what are we bringing?<br />
+</p>
+
+<p class="poem">
+ There is no price, best friend, for greatest meed.<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Laid on the altar of our true affection,<br />
+ Wild flowers of love for me must intercede:<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; And lo! I win your unexcelled protection.<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<p class="t3b">
+ CONTENTS<br />
+</p>
+
+<p class="noindent">
+ <a href="#inlet">Inlet And Shore</a><br />
+ <a href="#impersonality">Impersonality</a><br />
+ <a href="#protean">A Protean Glimpse</a><br />
+ <a href="#power">Power Against Power</a><br />
+ <a href="#priestess">Life's Priestess</a><br />
+ <a href="#love">Love Now</a><br />
+ <a href="#one">One And One</a><br />
+ <a href="#violin">The Violin</a><br />
+ <a href="#gertrude">Gertrude</a><br />
+ <a href="#unity">Unity In Space</a><br />
+ <a href="#shell">The Shell And The Word</a><br />
+ <a href="#bell">The Clock-Tower Bell</a><br />
+ <a href="#endure">Ours To Endure</a><br />
+ <a href="#waves">Broken Waves</a><br />
+ <a href="#sad">Why Sad To-Day?</a><br />
+ <a href="#ghosts">The Ghosts Of Revellers</a><br />
+ <a href="#burying">Life's Burying-Ground</a><br />
+ <a href="#utterance">Beyond Utterance</a><br />
+ <a href="#suicide">The Suicide</a><br />
+ <a href="#others">For Others</a><br />
+ <a href="#zest">Zest</a><br />
+ <a href="#unperfected">The Unperfected</a><br />
+ <a href="#godmade">God-Made</a><br />
+ <a href="#grief">A Song Before Grief</a><br />
+ <a href="#pride">Pride: Fate</a><br />
+ <a href="#francie">Francie</a><br />
+ <a href="#lost">Lost Reality</a><br />
+ <a href="#closing">Closing Chords</a><br />
+ <a href="#grace">Grace</a><br />
+ <a href="#endless">Endless Resource</a><br />
+ <a href="#baby">The Baby</a><br />
+ <a href="#waltz">A Waltz</a><br />
+ <a href="#bloom">First Bloom Of Love</a><br />
+ <a href="#wooing">A Wooing Song</a><br />
+ <a href="#dorothy">Dorothy</a><br />
+ <a href="#morning">Morning Song</a><br />
+ <a href="#looking">Looking Backward</a><br />
+ <a href="#unloved">Unloved</a><br />
+ <a href="#clock">The Clock's Song</a><br />
+ <a href="#broken">Broken-Hearted</a><br />
+ <a href="#fealty">The Cynic's Fealty</a><br />
+ <a href="#girls">The Girls We Might Have Wed</a><br />
+ <a href="#neither">"Neither!"</a><br />
+ <a href="#usedup">Used Up</a><br />
+ <a href="#youth">A Youth's Suicide</a><br />
+ <a href="#mariners">Twenty Bold Mariners</a><br />
+ <a href="#artillery">In The Artillery</a><br />
+ <a href="#battle">The Lost Battle</a><br />
+ <a href="#race">The Outgoing Race</a><br />
+ <a href="#hidden">Hidden History</a><br />
+ <a href="#ballad">A Ballad Of The Mist</a><br />
+ <a href="#wheel">The Dreaming Wheel</a><br />
+ <a href="#roads">The Roads That Meet</a><br />
+ <a href="#voice">A PASSING VOICE</a><br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<p class="t2">
+ ALONG THE SHORE.<br />
+</p>
+
+<p><br /><br /></p>
+
+<p class="t3">
+ * * * * *<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="inlet"></a>
+ INLET AND SHORE.<br />
+</h3>
+
+<p class="poem">
+ Here is a world of changing glow,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Where moods roll swiftly far and wide;<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Waves sadder than a funeral's pride,<br />
+ Or bluer than the harebell's blow!<br />
+</p>
+
+<p class="poem">
+ The sunlight makes the black hulls cast<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; A firefly radiance down the deep;<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; The inlet gleams, the long clouds sweep,<br />
+ The sails flit up, the sails drop past.<br />
+</p>
+
+<p class="poem">
+ The far sea-line is hushed and still;<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; The nearer sea has life and voice;<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Each soul may take his fondest choice,&mdash;<br />
+ The silence, or the restless thrill.<br />
+</p>
+
+<p class="poem">
+ O little children of the deep,&mdash;<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; The single sails, the bright, full sails,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Gold in the sun, dark when it fails,<br />
+ Now you are smiling, then you weep!<br />
+</p>
+
+<p class="poem">
+ O blue of heaven, and bluer sea,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; And green of wave, and gold of sky,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; And white of sand that stretches by,<br />
+ Toward east and west, away from me!<br />
+</p>
+
+<p class="poem">
+ O shell-strewn shore, that silent hears<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; The legend of the mighty main,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; And tells to none the lore again,&mdash;<br />
+ We catch one utterance only: "Years!"<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="impersonality"></a>
+ IMPERSONALITY<br />
+</h3>
+
+<p class="poem">
+ I dreamed within a dream the sun was gold;<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; And as I walked beneath this golden sun,<br />
+ The world was like a mighty play-room old,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Made for our pleasure since it was begun.<br />
+</p>
+
+<p class="poem">
+ But when I waked I found the sun was air,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; The world was air, and all things only seemed,<br />
+ Except the thoughts we grow by; for in prayer<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; We change to spirits such as God has dreamed.<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="protean"></a>
+ A PROTEAN GLIMPSE.<br />
+</h3>
+
+<p class="poem">
+ Time and I pass to and fro,<br />
+ Hardly greeting as we go,&mdash;<br />
+ Go askant, like crossing wings<br />
+ Of sea-gulls where the brave sea sings.<br />
+</p>
+
+<p class="poem">
+ Time, the messenger of Fate!<br />
+ Cunning master of debate,<br />
+ Cunning soother of all sorrow,<br />
+ Ruthless robber of to-morrow;<br />
+ Tyrant to our dallying feet,<br />
+ Though patron of a life complete;<br />
+ Like Puck upon a rosy cloud,<br />
+ He rides to distance while we woo him,&mdash;<br />
+ Like pale Remorse wrapped in a shroud,<br />
+ He brings the world in sackcloth to him!<br />
+ O dimly seen, and often met<br />
+ As shadowings of a wild regret!<br />
+ O king of us, yet feebly served;<br />
+ Dispenser of the dooms reserved;<br />
+ So silent at the folly done,<br />
+ So deadly when our respite's gone!&mdash;<br />
+ As sea-gulls, slanting, cross at sea,<br />
+ So cross our rapid flights with thee.<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="power"></a>
+ POWER AGAINST POWER.<br />
+ [Nathaniel Hawthorne, 1864.]<br />
+</h3>
+
+<p class="poem">
+ Where spells were wrought he sat alone,<br />
+ The wizard touching minds of men<br />
+ Through far-swung avenues of power,<br />
+ And proudly held the magic pen.<br />
+</p>
+
+<p class="poem">
+ By the dark wall a white Shape gleams,<br />
+ By morning's light a Shadow falls!<br />
+ Is it a servant of his brain,<br />
+ Or Power that to his power calls?<br />
+</p>
+
+<p class="poem">
+ By morning's light the Shadow looms,<br />
+ And watches with relentless eyes;<br />
+ In night-gloom holds the glimmering lamp,<br />
+ While the pen ever slower flies.<br />
+</p>
+
+<p class="poem">
+ By the dark wall it beckons still,<br />
+ By evening light it darkly stays;<br />
+ The wizard looks, and his great life<br />
+ Thrills with the sense of finished days.<br />
+</p>
+
+<p class="poem">
+ A Shape so ghost-like by the sun,<br />
+ With smiles that chill as dusks descend!<br />
+ The glancing wizard, stern and pale,<br />
+ Admits the presence of the End.<br />
+</p>
+
+<p class="poem">
+ Health has forsaken, death is near,<br />
+ The hand moves slower, eyes grow dim;<br />
+ The End approaches, and the man<br />
+ Dreams of no spell for quelling Him.<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="priestess"></a>
+ LIFE'S PRIESTESS.<br />
+</h3>
+
+<p class="poem">
+ All to herself a woman never sings<br />
+ A happy song. Oh no! but it is so<br />
+ As when the thrush has closed down his wings<br />
+ Within the wood, and hears his hidden woe<br />
+ From his own bill fill aisles of leaves, and go<br />
+ About the wood and come to him again.<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="love"></a>
+ LOVE NOW.<br />
+</h3>
+
+<p class="poem">
+ The sanctity that is about the dead<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; To make us love them more than late, when here,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Is not it well to find the living dear<br />
+ With sanctity like this, ere they have fled?<br />
+</p>
+
+<p class="poem">
+ The tender thoughts we nurture for a loss<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Of mother, friend, or child, oh! it were wise<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; To spend this glory on the earnest eyes,<br />
+ The longing heart, that feel life's present cross.<br />
+</p>
+
+<p class="poem">
+ Give also mercy to the living here<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Whose keen-strung souls will quiver at your touch;<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; The utmost reverence is not too much<br />
+ For eyes that weep, although the lips may sneer.<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="one"></a>
+ ONE AND ONE.<br />
+</h3>
+
+<p class="poem">
+ The thanking heart can only silence keep;<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; The breaking heart can only die alone:<br />
+ Our happy love above abysses deep<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Of unguessed power hovers, and is gone!<br />
+</p>
+
+<p class="poem">
+ Come, take my hand, O friend I take for life!<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; You cannot reach my soul through touch or gaze;<br />
+ Be our full lips with infinite meanings rife:<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; The longed-for words, which of us ever says?<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="violin"></a>
+ THE VIOLIN.<br />
+</h3>
+
+<p class="poem">
+ Touch gently, friend, and slow, the violin, So sweet and low,<br />
+ That my dreaming senses may be beckoned so<br />
+ Into a rest as deep as the long past "years ago!"<br />
+ So softly, then, begin;<br />
+</p>
+
+<p class="poem">
+ And ever gently touch the violin,<br />
+ Until an impulse grows of a sudden, like wind<br />
+ On the brow of the earth,<br />
+ And the voice of your violin shows its wide-swung girth<br />
+ With a crash of the strings and a medley of rage and mirth;<br />
+ And my rested senses spring<br />
+ Like juice from a broken rind,<br />
+ And the joys that your melodies bring<br />
+ I know worth a life-time to win,<br />
+ As you waken to love and this hour your violin!<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="gertrude"></a>
+ GERTRUDE.<br />
+ [In Memory: 1877.]<br />
+</h3>
+
+<p class="poem">
+ What shall I say, my friend, my own heart healing,<br />
+ When for my love you cannot answer me?<br />
+ This earth would quake, alas! might I but see<br />
+ You smile, death's rigorous law repealing!<br />
+ Pale lips, your mystery so well concealing,<br />
+ May not the eloquent, varied minstrelsy<br />
+ Of my inspired ardor potent be<br />
+ To touch your chords to music's uttered feeling?<br />
+ Friend, here you cherished flowers: send me now<br />
+ One ghostly bloom to prove that you are blessed.<br />
+ No? If denial such as brands my brow<br />
+ Be in your heavenly regions, too, confessed,<br />
+ Oh may it prove the truth that your still eyes<br />
+ Foresee the end of all futurities!<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="unity"></a>
+ UNITY IN SPACE.<br />
+</h3>
+
+<p class="poem">
+ Take me away into a storm of snow<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; So white and soft, I feel no deathly chill,<br />
+ But listen to the murmuring overflow<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Of clouds that fall in many a frosty rill!<br />
+</p>
+
+<p class="poem">
+ Take me away into the sunset's glow,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; That holds a summer in a glorious bloom;<br />
+ Or take me to the shadowed woods that grow<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; On the sky's mountains, in the evening gloom!<br />
+</p>
+
+<p class="poem">
+ Give me an entrance to the limpid lake<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; When moonbeams shine across its purity!<br />
+ A life there is, within the life we take<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; So commonly, for which 't were well to die.<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="shell"></a>
+ THE SHELL AND THE WORLD.<br />
+</h3>
+
+<p class="poem">
+ The world was like a shell to me,&mdash;<br />
+ Its voice with distant song was low;<br />
+ But now its mysteries I know:<br />
+ I hear the turmoil of the sea.<br />
+</p>
+
+<p class="poem">
+ The whirling, soft, and tender sound<br />
+ That meant I knew not what of lore,&mdash;<br />
+ I dream its mystery now no more:<br />
+ Its reckless meaning I have found.<br />
+</p>
+
+<p class="poem">
+ O shell! I held thee to my ears<br />
+ When I was young, and smiled with pride<br />
+ To stand aglow at marvel's side!<br />
+ O world, thy voice is wild with tears!<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="bell"></a>
+ THE CLOCK-TOWER BELL.<br />
+</h3>
+
+<p class="poem">
+ Say not, sad bell, another hour hath come,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Bare for the record of a world of crime;<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Toll, rather, friend, the end of hideous Time,<br />
+ Wherein we bloom, live, die, yet have no home!<br />
+</p>
+
+<p class="poem">
+ Bell, laurels would we o'er thy pulsing twine,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; And sing thee songs of triumph with glad tears,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; If to the warring of our haggard years<br />
+ Thy clang should herald peace along the line!<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="endure"></a>
+ OURS TO ENDURE.<br />
+</h3>
+
+<p class="poem">
+ We speak of the world that passes away,&mdash;<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; The world of men who lived years ago,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; And could not feel that their hearts' quick glow<br />
+ Would fade to such ashen lore to-day.<br />
+</p>
+
+<p class="poem">
+ We hear of death that is not our woe,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; And see the shadow of funerals creeping<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Over the sweet fresh roads by the reaping;<br />
+ But do we weep till our loved ones go?<br />
+</p>
+
+<p class="poem">
+ When one is lost who is greater than we,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; And loved us so well that death should reprieve<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Of all hearts this one to us; when we must leave<br />
+ His grave,&mdash;the past will break like the sea!<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="waves"></a>
+ BROKEN WAVES.<br />
+</h3>
+
+<p class="poem">
+ The sun is lying on the garden-wall,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; The full red rose is sweetening all the air,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; The day is happier than a dream most fair;<br />
+ The evening weaves afar a wide-spread pall,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; And lo! sun, day, and rose, no longer there!<br />
+</p>
+
+<p class="poem">
+ I have a lover now my life is young,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; I have a love to keep this many a day;<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; My heart will hold it when my life is gray,<br />
+ My love will last although my heart be wrung.<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; My life, my heart, my love shall fade away!<br />
+</p>
+
+<p class="poem">
+ O lover loved, the day has only gone!<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; In death or life, our love can only go;<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Never forgotten is the joy we know,<br />
+ We follow memory when life is done:<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; No wave is lost in all the tides that flow.<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="sad"></a>
+ WHY SAD TO-DAY?<br />
+</h3>
+
+<p class="poem">
+ Why is the nameless sorrowing look<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; So often thought a whim?<br />
+ God-willed, the willow shades the brook,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; The gray owl sings a hymn;<br />
+</p>
+
+<p class="poem">
+ Sadly the winds change, and the rain<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Comes where the sunlight fell:<br />
+ Sad is our story, told again,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Which past years told so well!<br />
+</p>
+
+<p class="poem">
+ Why not love sorrow and the glance<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; That ends in silent tears?<br />
+ If we count up the world's mischance,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Grieving is in arrears.<br />
+</p>
+
+<p class="poem">
+ Why should I know why I could weep?<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; The old urns cannot read<br />
+ The names they wear of kings they keep<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; In ashes; both are dead.<br />
+</p>
+
+<p class="poem">
+ And like an urn the heart must hold<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Aims of an age gone by:<br />
+ What the aims were we are not told;<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; We hold them, who knows why?<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="ghosts"></a>
+ THE GHOSTS OF REVELLERS.<br />
+</h3>
+
+<p class="poem">
+ At purple eyes beside the grain,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Our loves on altars we had burned,<br />
+ And mixed our tribute with the dew,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Our tears, when rosy dawn returned.<br />
+</p>
+
+<p class="poem">
+ Our voices we had joined with song<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Of bird ecstatic, light, and free;<br />
+ Our laughter rollicked with the brook<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Running through darkness merrily.<br />
+</p>
+
+<p class="poem">
+ At purple eyes beside the rim<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Of frozen lakes our loves we burned,<br />
+ And slid away when stillness reigned:<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Deep the vast woods our bodies urned.<br />
+</p>
+
+<p class="poem">
+ In starlit night along the shade<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Of our dusk tombs our spirits glide;<br />
+ We hear the echoing of the wind,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; We breathe the sighs we living sighed.<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="burying"></a>
+ LIFE'S BURYING-GROUND.<br />
+</h3>
+
+<p class="poem">
+ My graveyard holds no once-loved human forms,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Grown hideous and forgotten, left alone,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; But every agony my heart has known,&mdash;<br />
+ The new-born trusts that died, the drift of storms.<br />
+</p>
+
+<p class="poem">
+ I visit every day the shadowy grove;<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; I bury there my outraged tender thought;<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; I bring the insult for the love I sought,<br />
+ And my contempt, where I had tried to love.<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="utterance"></a>
+ BEYOND UTTERANCE.<br />
+</h3>
+
+<p class="poem">
+ There in the midst of gloom the church-spire rose,<br />
+ And not a star lit any side of heaven;<br />
+ In glades not far the damp reeds coldly touched<br />
+ Their sides, like soldiers dead before they fall;<br />
+ There in the belfry clung the sleeping bat,&mdash;<br />
+ Most abject creature, hanging like a leaf<br />
+ Down from the bell-tongue, silent as the speech<br />
+ The dead have lost ere they are laid in graves.<br />
+</p>
+
+<p class="poem">
+ A melancholy prelude I would sing<br />
+ To song more drear, while thought soars into gloom.<br />
+ Find me the harbor of the roaming storm,<br />
+ Or end of souls whose doom is life itself!<br />
+ So vague, yet surely sad, the song I dream<br />
+ And utter not. So sends the tide its roll,&mdash;<br />
+ Unending chord of horror for a woe<br />
+ We but half know, even when we die of it.<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="suicide"></a>
+ THE SUICIDE.<br />
+</h3>
+
+<p class="poem">
+ A shadowed form before the light,<br />
+ A gleaming face against the night,<br />
+ Clutched hands across a halo bright<br />
+ Of blowing hair,&mdash;her fixed sight<br />
+ Stares down where moving black, below,<br />
+ The river's deathly waves in murmurous silence flow.<br />
+</p>
+
+<p class="poem">
+ The moon falls fainting on the sky,<br />
+ The dark woods bow their heads in sorrow,<br />
+ The earth sends up a misty sigh:<br />
+ A soul defies the morrow!<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="others"></a>
+ FOR OTHERS.<br />
+</h3>
+
+<p class="poem">
+ Weeping for another's woe,<br />
+ Tears flow then that would not flow<br />
+ When our sorrow was our own,<br />
+ And the deadly, stiffening blow<br />
+ Was upon our own heart given<br />
+ In the moments that have flown!<br />
+</p>
+
+<p class="poem">
+ Cringing at another's cry<br />
+ In the hollow world of grief<br />
+ Stills the anguish of our pain<br />
+ For the fate that made us die<br />
+ To our hopes as sweet as vain;<br />
+ And our tears can flow again!<br />
+</p>
+
+<p class="poem">
+ One storm blows the night this way,<br />
+ But another brings the day.<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="zest"></a>
+ ZEST.<br />
+</h3>
+
+<p class="poem">
+ Labor not in the murky dell,<br />
+ But till your harvest hill at morn;<br />
+ Stoop to no words that, rank and fell,<br />
+ Grow faster than the rustling corn.<br />
+</p>
+
+<p class="poem">
+ With gladdening eyes go greet the sun,<br />
+ Who lifts his brow in varied light;<br />
+ Bring light where'er your feet may run:<br />
+ So bring a day to sorrow's night.<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="unperfected"></a>
+ THE UNPERFECTED.<br />
+</h3>
+
+<p class="poem">
+ A broken mirror in a trembling hand;<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Sad, trembling lips that utter broken thought:<br />
+ One of a wide and wandering, aimless band;<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; One in the world who for the world hath naught.<br />
+</p>
+
+<p class="poem">
+ A heart that loves beyond the shallow word;<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; A heart well loved beyond its flowerless worth:<br />
+ One who asks God to answer the prayer heard;<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; One from the dust returning to the earth.<br />
+</p>
+
+<p class="poem">
+ Can miracle ne'er make the mirror whole<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; For one who, seeing, could be nobly bold?<br />
+ Who could well die, to magnify the soul,&mdash;<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Whose strength of love will shake the graveyard's mould?<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="godmade"></a>
+ GOD-MADE.<br />
+</h3>
+
+<p class="poem">
+ Somewhere, somewhere in this heart<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; There lies a jewel from the sea,<br />
+ Or from a rock, or from the sand,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Or dropped from heaven wondrously.<br />
+</p>
+
+<p class="poem">
+ Oh, burn, my jewel, in my glance!<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Oh, shimmer on my lips in prayer!<br />
+ Light my love's eyes to read my soul,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Which, wrapt in ashes, yet is fair!<br />
+</p>
+
+<p class="poem">
+ When dead I lie, forgotten, deep<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Within the earth and sunken past,<br />
+ Still shall my jewel light my dust,&mdash;<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; The worth God gives us, first and last!<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="grief"></a>
+ A SONG BEFORE GRIEF.<br />
+</h3>
+
+<p class="poem">
+ Sorrow, my friend,<br />
+ When shall you come again?<br />
+ The wind is slow, and the bent willows send<br />
+ Their silvery motions wearily down the plain.<br />
+ The bird is dead<br />
+ That sang this morning through the summer rain!<br />
+</p>
+
+<p class="poem">
+ Sorrow, my friend,<br />
+ I owe my soul to you.<br />
+ And if my life with any glory end<br />
+ Of tenderness for others, and the words are true,<br />
+ Said, honoring, when I'm dead,&mdash;<br />
+ Sorrow, to you, the mellow praise, the funeral<br />
+ wreath, are due.<br />
+</p>
+
+<p class="poem">
+ And yet, my friend,<br />
+ When love and joy are strong,<br />
+ Your terrible visage from my sight I rend<br />
+ With glances to blue heaven. Hovering along,<br />
+ By mine your shadow led,<br />
+ "Away!" I shriek, "nor dare to work my new-sprung mercies wrong!"<br />
+</p>
+
+<p class="poem">
+ Still, you are near:<br />
+ Who can your care withstand?<br />
+ When deep eternity shall look most clear,<br />
+ Sending bright waves to kiss the trembling land,<br />
+ My joy shall disappear,&mdash;<br />
+ A flaming torch thrown to the golden sea by your pale hand.<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="pride"></a>
+ PRIDE: FATE.<br />
+</h3>
+
+<p class="poem">
+ Lullaby on the wing<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Of my song, O my own!<br />
+ Soft airs of evening<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Join my song's murmuring tone.<br />
+</p>
+
+<p class="poem">
+ Lullaby, O my love!<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Close your eyes, lake-like clear;<br />
+ Lullaby, while above<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Wake the stars, with heaven near.<br />
+</p>
+
+<p class="poem">
+ Lullaby, sweet, so still<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; In arms of death; I alone<br />
+ Sing lullaby, like a rill,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; To your form, cold as a stone.<br />
+</p>
+
+<p class="poem">
+ Lullaby, O my heart!<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Sleep in peace, all alone;<br />
+ Night has come, and your part<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; For loving is wholly done!<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="francie"></a>
+ FRANCIE.<br />
+</h3>
+
+<p class="poem">
+ I loved a child as we should love<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Each other everywhere;<br />
+ I cared more for his happiness<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Than I dreaded my own despair.<br />
+</p>
+
+<p class="poem">
+ An angel asked me to give him<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; My whole life's dearest cost;<br />
+ And in adding mine to his treasures<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; I knew they could never be lost.<br />
+</p>
+
+<p class="poem">
+ To his heart I gave the gold,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Though little my own had known;<br />
+ To his eyes what tenderness<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; From youth in mine had grown!<br />
+</p>
+
+<p class="poem">
+ I gave him all my buoyant<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Hope for my future years;<br />
+ I gave him whatever melody<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; My voice had steeped in tears.<br />
+</p>
+
+<p class="poem">
+ Upon the shore of darkness<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; His drifted body lies.<br />
+ He is dead, and I stand beside him,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; With his beauty in my eyes.<br />
+</p>
+
+<p class="poem">
+ I am like those withered petals<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; We see on a winter day,<br />
+ That gladly gave their color<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; In the happy summer away.<br />
+</p>
+
+<p class="poem">
+ I am glad I lavished my worthiest<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; To fashion his greater worth;<br />
+ Since he will live in heaven,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; I shall lie content in the earth.<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="lost"></a>
+ LOST REALITY.<br />
+</h3>
+
+<p class="poem">
+ O soul of life, 't is thee we long to hear,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Thine eyes we seek for, and thy touch we dream;<br />
+ Lost from our days, thou art a spirit near,&mdash;<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Life needs thine eloquence, and ways supreme.<br />
+ More real than we who but a semblance wear,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; We see thee not, because thou wilt not seem!<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="closing"></a>
+ CLOSING CHORDS.<br />
+</h3>
+
+<p><br /></p>
+
+<p class="poem">
+ I.<br />
+</p>
+
+<p class="poem">
+ <i>Death's Eloquence.</i><br />
+</p>
+
+<p><br /></p>
+
+<p class="poem">
+ When I shall go<br />
+ Into the narrow home that leaves<br />
+ No room for wringing of the hands and hair,<br />
+ And feel the pressing of the walls which bear<br />
+ The heavy sod upon my heart that grieves,<br />
+ (As the weird earth rolls on),<br />
+ Then I shall know<br />
+ What is the power of destiny. But still,<br />
+ Still while my life, however sad, be mine,<br />
+ I war with memory, striving to divine<br />
+ Phantom to-morrows, to outrun the past;<br />
+ For yet the tears of final, absolute ill<br />
+ And ruinous knowledge of my fate I shun.<br />
+ Even as the frail, instinctive weed<br />
+ Tries, through unending shade, to reach at last<br />
+ A shining, mellowing, rapture-giving sun;<br />
+ So in the deed of breathing joy's warm breath,<br />
+ Fain to succeed,<br />
+ I, too, in colorless longings, hope till death.<br />
+</p>
+
+<p><br /></p>
+
+<p class="poem">
+ II.<br />
+</p>
+
+<p class="poem">
+ <i>Peace.</i><br />
+</p>
+
+<p><br /></p>
+
+<p class="poem">
+ An angel spoke with me, and lo, he hoarded<br />
+ My falling tears to cheer a flower's face!<br />
+ For, so it seems, in all the heavenly space<br />
+ A wasted grief was never yet recorded.<br />
+ Victorious calm those holy tones afforded<br />
+ Unto my soul, whose outcry, in disgrace,<br />
+ Changed to low music, leading to the place<br />
+ Where, though well armed, with futile end awarded,<br />
+ My past lay dead. "Wars are of earth!" he cried;<br />
+ "Endurance only breathes immortal air.<br />
+ Courage eternal, by a world defied,<br />
+ Still wears the front of patience, smooth and fair."<br />
+ Are wars so futile, and is courage peace?<br />
+ Take, then, my soul, thus gently thy release!<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="grace"></a>
+ GRACE.<br />
+</h3>
+
+<p class="poem">
+ Ill-wrought life we look at as we die!<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Mistaken, selfish, meagre, and unmeet;<br />
+ So graven on the hearts that cruelly<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; We have deprived of many an hour sweet:<br />
+ O ill-wrought life we look at as we die!<br />
+</p>
+
+<p class="poem">
+ O day of God we look at as we die!<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Grace, like a river flowing toward our feet;<br />
+ Wide pardon blowing with the breezes by;<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Love telling us bright tales of the Complete;&mdash;<br />
+ While listening, hoping, thanking, lo, we die!<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="endless"></a>
+ ENDLESS RESOURCE.<br />
+</h3>
+
+<p class="poem">
+ New days are dear, and cannot be unloved,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Though in deep grief we mourn, and cling to death;<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Who has not known, in living on, a breath<br />
+ Of infinite joy that has life's rapture proved?<br />
+</p>
+
+<p class="poem">
+ If I have thought that in this rainbow world<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; The best we see was but a preface given<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Of infinite greater tints in heaven,<br />
+ And life or no, heaven yet would be unfurl'd,&mdash;<br />
+</p>
+
+<p class="poem">
+ I did belie the soul-wide joys of earth,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; And feelings deep as lights that dwell in seas.<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Can heaven itself outlove such depths as these?<br />
+ Live on! Life holds more than we dream of worth!<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="baby"></a>
+ THE BABY.<br />
+</h3>
+
+<p class="poem">
+ Pray, have you heard the news?<br />
+ Sturdy in lungs and thews,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; There's a fine baby!<br />
+ Ring bells of crystal lip,<br />
+ Wave boughs with blossoming tip;<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Think what he may be!<br />
+</p>
+
+<p class="poem">
+ Love cannot love enough,<br />
+ Winter is never rough<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; All round such sweetness;<br />
+ One of a million more<br />
+ Sent to the glad heart's door<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; In their completeness!<br />
+</p>
+
+<p class="poem">
+ Such news is never old,<br />
+ Though in each ear't is told,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; As a first birthday.<br />
+ Welcome, thou ray of light!<br />
+ In golden prayers bedight,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Sail down thy mirth-way!<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="waltz"></a>
+ A Waltz.<br />
+</h3>
+
+<p class="poem">
+ Delicate gayety,<br />
+ Strains of a violin;<br />
+ Graceful steps begin&mdash;<br />
+ Roses at her waist!<br />
+ Clouds of sparkling light,<br />
+ Whispers of lovers alone<br />
+ As the couples drift one by one<br />
+ In the golden sheen of the ball.<br />
+ Alone in the happy crowd<br />
+ Each pair glides past each pair;<br />
+ Delicate strains of an air;<br />
+ Rainbow gayety:<br />
+ Pride of the moment throbs,<br />
+ Smiles, on the youthful cheek,<br />
+ Fearing no ill-wind's freak,<br />
+ Warm in the heart of the waltz;&mdash;<br />
+ Moving like melody,<br />
+ Flowing in light and glee,<br />
+ Young as the May is she,<br />
+ Strong as the June I am.<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="bloom"></a>
+ FIRST BLOOM OF LOVE.<br />
+</h3>
+
+<p class="poem">
+ O girl of spring! O brown-eyed girl!<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Gathering violets near the woods,<br />
+ Whose coy young petals half unfurl<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; The mystery of their dulcet moods.<br />
+</p>
+
+<p class="poem">
+ O blushing girl! O girl of spring!<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; I hear no answer move the air;<br />
+ Yet eyelids hovering on the wing<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Reveal deep meanings curtained there.<br />
+</p>
+
+<p class="poem">
+ O girl of spring! O spring of love!<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Let silent violets be the speech<br />
+ From you to me, and let them prove<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; What maiden silence will not teach!<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="wooing"></a>
+ A WOOING SONG.<br />
+</h3>
+
+<p class="poem">
+ O love, I come; thy last glance guideth me!<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Drawn, too, by webs of shadow, like thine hair;<br />
+ For, Sweet, the mystery<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Of thy dark hair the deepening dusk hath caught.<br />
+ In early moonlight gleamings, lo, I see<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Thy white hands beckon to the garden, where<br />
+ Dim day and silvery darkness are inwrought<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; As our two lives, where, joining soul with soul,<br />
+ The tints shall mingle in a fairer whole.<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Oh! dost thou hear? I call, beloved, I call,<br />
+ My stout heart trembling till thy words return;<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Hope-lifted, I float faster with the fall<br />
+ Of fear toward joy such fear alone can earn!<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="dorothy"></a>
+ DOROTHY.<br />
+</h3>
+
+<p class="poem">
+ Dear little Dorothy, she is no more!<br />
+ I have wandered world-wide, from shore to shore,<br />
+ I have seen as great beauties as ever were wed;<br />
+ But none can console me for Dorothy dead.<br />
+</p>
+
+<p class="poem">
+ Dear little Dorothy! How strange it seems<br />
+ That her face is less real than the faces of dreams;<br />
+ That the love which kept true, and the lips which so spoke,<br />
+ Are more lost than my heart, which died not when it broke!<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="morning"></a>
+ MORNING SONG.<br />
+</h3>
+
+<p class="poem">
+ Turn thy face to me, my love,<br />
+ I come from out the morning;<br />
+ Give thy hand to me, my love,<br />
+ I'm dewy from the dawning.<br />
+</p>
+
+<p class="poem">
+ Touch my lips with thine, my love,<br />
+ I've tasted air at daybreak;<br />
+ Gaze into my eyes, my love,<br />
+ At the sky's waking they wake.<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="looking"></a>
+ LOOKING BACKWARD.<br />
+</h3>
+
+<p class="poem">
+ Gray towers make me think of thee,<br />
+ Thou girl of olden minstrelsy,<br />
+ Young as the sunlight of to-day,<br />
+ Silent as tasselled boughs in May!<br />
+</p>
+
+<p class="poem">
+ A wind-flower in a world of harm,<br />
+ A harebell on a turret's arm,<br />
+ A pearl upon the hilt of fame<br />
+ Thou wert, fair child of some high name.<br />
+</p>
+
+<p class="poem">
+ The velvet page, the deep-eyed knight,<br />
+ The heartless falcon, poised for flight,<br />
+ The dainty steed and graceful hound,<br />
+ In thee their keenest rapture found.<br />
+</p>
+
+<p class="poem">
+ But for old ballads, and the rhyme<br />
+ And writ of genius o'er the time<br />
+ When keeps had newly reared their towers,<br />
+ The winning scene had not been ours.<br />
+</p>
+
+<p class="poem">
+ O Chivalry! thy age was fair,<br />
+ When even knaves set out to dare<br />
+ Their heads for any barbarous crime,<br />
+ And hate was brave, and love sublime.<br />
+</p>
+
+<p class="poem">
+ The bugle-note I send so far<br />
+ Across Time's moors to thee, sweet star,<br />
+ Where stands thy castle in its mist,<br />
+ Hear, if the wandering breezes list!<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="unloved"></a>
+ UNLOVED.<br />
+</h3>
+
+<p class="poem">
+ Paler than the water's white<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Stood the maiden in the shade,<br />
+ And more silent than the night<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Were her lips together laid;<br />
+</p>
+
+<p class="poem">
+ Eyes she hid so long and still<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; By lids wet with unshed tears,<br />
+ Hands she loosely clasped at will,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Though her heart was full of fears.<br />
+</p>
+
+<p class="poem">
+ Never, never, never more<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; May her soul with joy be moved;<br />
+ Silent, silent, silent,&mdash;for<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; He was silent whom she loved.<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="clock"></a>
+ THE CLOCK'S SONG.<br />
+</h3>
+
+<p class="poem">
+ Eileen of four,<br />
+ Eileen of smiles;<br />
+ Eileen of five,<br />
+ Eileen of tears;<br />
+ Eileen of ten, of fifteen years,<br />
+ Eileen of youth<br />
+ And woman's wiles;<br />
+ Eileen of twenty,<br />
+ In love's land,<br />
+ Eileen all tender<br />
+ In her bliss,<br />
+ Untouched by sorrow's treacherous kiss,<br />
+ And the sly weapon in life's hand,&mdash;<br />
+ Eileen aroused to share all fate,<br />
+ Eileen a wife,<br />
+ Pale, beautiful,<br />
+ Eileen most grave<br />
+ And dutiful,<br />
+ Mourning her dreams in queenly state.<br />
+ Eileen! Eileen!....<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="broken"></a>
+ BROKEN-HEARTED.<br />
+</h3>
+
+<p class="poem">
+ "Cross my hands upon my breast,"<br />
+ Read her last behest.<br />
+ "Turn my cheek upon the pillow,<br />
+ As resting from life's stormy billow<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; With sleep's fine zest!"<br />
+</p>
+
+<p class="poem">
+ "Cross my hands upon my breast,"<br />
+ Read her last behest,<br />
+ "That the patient bones may lie<br />
+ In form of thanks eternally,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Grimly expressed!"<br />
+</p>
+
+<p class="poem">
+ We clasped her hands upon her breast:<br />
+ Oh mockery at misery's hest!<br />
+ We hid in flowers her body's grief,&mdash;<br />
+ Counting by many a rose and leaf<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Her days unblessed!<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="fealty"></a>
+ THE CYNIC'S FEALTY.<br />
+</h3>
+
+<p class="poem">
+ We all have hearts that shake alike<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Beneath the arias of Fate's hand;<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Although the cynics sneering stand,<br />
+ These too the deathless powers strike.<br />
+</p>
+
+<p class="poem">
+ A trembling lover's infinite trust,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; To the last drop of doating blood,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Feels not alone the ocean flood<br />
+ Of desperate grief, when dreams are dust.<br />
+</p>
+
+<p class="poem">
+ The scornfullest souls, with mourning eyes,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Pant o'er again their ghostly ways;&mdash;<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Dread night-paths, where were gleaming days<br />
+ When life was lovelier than the skies!<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="girls"></a>
+ THE GIRLS WE MIGHT HAVE WED.<br />
+</h3>
+
+<p class="poem">
+ Come, brothers, let us sing a dirge,&mdash;<br />
+ A dirge for myriad chances dead;<br />
+ In grief your mournful accents merge:<br />
+ Sing, sing the girls we might have wed!<br />
+</p>
+
+<p class="poem">
+ Sweet lips were those we never pressed<br />
+ In love that never lost the dew<br />
+ In sunlight of a love confessed,&mdash;<br />
+ Kind were the girls we never knew!<br />
+</p>
+
+<p class="poem">
+ Sing low, sing low, while in the glow<br />
+ Of fancy's hour those forms we trace,<br />
+ Hovering around the years that go;<br />
+ Those years our lives can ne'er replace!<br />
+</p>
+
+<p class="poem">
+ Sweet lips are those that never turn<br />
+ A cruel word; dear eyes that lead<br />
+ The heart on in a blithe concern;<br />
+ White hand of her we did not wed;<br />
+</p>
+
+<p class="poem">
+ Fair hair or dark, that falls along<br />
+ A form that never shrinks with time;<br />
+ Bright image of a realm of song,<br />
+ Standing beside our years of prime;&mdash;<br />
+</p>
+
+<p class="poem">
+ When you shall go, then may we know<br />
+ The heart is dead, the man is old.<br />
+ Life can no other charm bestow<br />
+ When girls we might have loved turn cold!<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="neither"></a>
+ "NEITHER!"<br />
+</h3>
+
+<p class="poem">
+ So ancient to myself I seem,<br />
+ I might have crossed grave Styx's stream<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; A year ago;&mdash;<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; My word, 'tis so;&mdash;<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; And now be wandering with my sires<br />
+ In that rare world we wonder o'er,<br />
+ Half disbelieve, and prize the more!<br />
+</p>
+
+<p class="poem">
+ Yet spruce I am, and still can mix<br />
+ My wits with all the sparkling tricks,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; A youth and girl<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; At twenty's whirl<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Play round each other's bosom fires,<br />
+ On this brisk earth I once enjoyed:&mdash;<br />
+ But now I'm otherwise employed!<br />
+</p>
+
+<p class="poem">
+ Am I a thing without a name;<br />
+ A sort of dummy in the game?<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; "Not young, not old:"<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; A world is told<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Of misery in that lengthened phrase;<br />
+ Yet, gad, although my coat be smooth,<br />
+ My forehead's wrinkled,&mdash;that's the truth!<br />
+</p>
+
+<p class="poem">
+ I hardly know which road to go.<br />
+ With youth? Perhaps. With age? Oh no!<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Well, then, with those<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Who share my woes,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Doomed to mere fashionable ways,&mdash;<br />
+ Fair matrons, cigarettes, and tea,<br />
+ Sighs, mirrors, and society?<br />
+</p>
+
+<p class="poem">
+ Is it a folly still to twirl,<br />
+ And smirk and promenade and querl<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; About the town?<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; I'll put this down:<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; A man becomes downright <i>blast</i><br />
+ Before he knows that he is either<br />
+ That, or what I am&mdash;call it, "Neither."<br />
+</p>
+
+<p class="poem">
+ Oh, for a hint what we shall do,<br />
+ We bucks whose comedy is through!<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Who'd be sedate?<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; And yet I hate<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; To pose persistently to-day<br />
+ As one just trying flights, you know,<br />
+ When I <i>did</i> try them long ago!<br />
+</p>
+
+<p class="poem">
+ Suppose I hurry up the tide<br />
+ Of age, and bravely drift beside<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Those hoary dogs<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Who lie like logs<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Around the clubs where life is hushed?<br />
+ My blood runs cold! What? Say farewell<br />
+ To this year's new bewildering belle!<br />
+</p>
+
+<p class="poem">
+ Hold, man, the secret broad and huge,<br />
+ With every well-known subterfuge!<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; If bald and gray<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; And thin, still say<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; You're only thirty: don't be crushed;<br />
+ But when your voice shakes o'er a pun,<br />
+ Be off to China:&mdash;your day's done!<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="usedup"></a>
+ USED UP.<br />
+</h3>
+
+<p class="poem">
+ Hand me my light gloves, James;<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; I'm off for the waltzing world,<br />
+ The kingdom of Strauss and that&mdash;<br />
+ Where is my old crush-hat?<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; <i>Is</i> my hair properly curled?<br />
+ Call in the daytime, James.<br />
+</p>
+
+<p class="poem">
+ Think of me, won't you, James,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; When I am rosily twirling<br />
+ The "Rose of a garden of girls,"<br />
+ The Pearl among circling pearls,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; In a mesh of melodious whirling?<br />
+ Envy me, won't you, James?<br />
+</p>
+
+<p class="poem">
+ For a heart lost along with her fan,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; For a nice sense of honor flown,<br />
+ For the care of an invalid soul,<br />
+ And tastes far beyond my control,&mdash;<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; I have for my precious own<br />
+ The fame of a "waltzing man."<br />
+</p>
+
+<p class="poem">
+ If I don't come, come for me, James.<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Ah, the waltz is my mastering passion!<br />
+ The trip-tripping airs are as sweet<br />
+ As love to my turning feet,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; While I clasp the fair doll of fashion,<br />
+ My <i>fiancée</i>. But come for me, James.<br />
+</p>
+
+<p class="poem">
+ The heart which I lost&mdash;it is strange&mdash;<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; I've been told it will yet be my death;<br />
+ And I think it quite likely I might<br />
+ Waltz once too often to-night,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; In spite of the music and Beth.<br />
+ Death's a difficult move to arrange.<br />
+</p>
+
+<p class="poem">
+ Pray smoke by the fire, old boy,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; And find yourself whiskey and books.<br />
+ If I should not turn up, then, at two<br />
+ Or three, you will know I need you.<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; If I'm dead, you must pardon my looks<br />
+ As I lie in the ball-room, old boy.<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="youth"></a>
+ A YOUTH'S SUICIDE.<br />
+</h3>
+
+<p class="poem">
+ He handed his life a poisoned draught,<br />
+ With a scornful smile and a cold, cold glance,<br />
+ And the merry bystanders loudly laughed<br />
+ (For the rollicking world was gay!).<br />
+</p>
+
+<p class="poem">
+ He thought she knew not the juice, perchance;<br />
+ But her tears fell down to her sobbing lips<br />
+ While the merry-makers turned to the dance<br />
+ (The world was mocking fate that day!).<br />
+</p>
+
+<p class="poem">
+ To his life he kissed his finger-tips:<br />
+ "Drink deep the beaker, and so farewell!"<br />
+ Then slowly the poisoned draught she sips<br />
+ (How they laugh at her meek dismay!).<br />
+</p>
+
+<p class="poem">
+ He sprang to her arm, which loosely fell,<br />
+ Crying: "No! not yet that dire eclipse!"<br />
+ Now loud laughed the dancers, and whirled pell-mell<br />
+ (While the echoes hurried away!).<br />
+</p>
+
+<p class="poem">
+ The mad world clustered, it seemed, around.<br />
+ "Farewell!" she sighed, sinking; then from afar<br />
+ Flowed the pealing laughter and wassail's sound<br />
+ (For the dead the world will not stay!).<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="mariners"></a>
+ TWENTY BOLD MARINERS.<br />
+</h3>
+
+<p class="poem">
+ Twenty bold mariners went to the wave,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Twenty sweet breezes blew over the main;<br />
+ All were so hearty, so free, and so brave,&mdash;<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; But they never came back again!<br />
+</p>
+
+<p class="poem">
+ Half the wild ocean rose up to the clouds,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Half the broad sky scowled in thunder and rain;<br />
+ Twenty white crests rose around them like shrouds,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; And they stayed in the dancing main!<br />
+</p>
+
+<p class="poem">
+ This is easy to sing, and often to mourn,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; And the breaking of dawn is no newer to-day;<br />
+ But those who die young, or are left forlorn,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Think grief is no older than they!<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="artillery"></a>
+ IN THE ARTILLERY.<br />
+</h3>
+
+<p class="poem">
+ We are moving on in silence,<br />
+ Save for rattling iron and steel,<br />
+ And a skirmish echoing round us,<br />
+ Showering faintly, peal on peal.<br />
+</p>
+
+<p class="poem">
+ Like a lion roars the North wind<br />
+ As a-horse we sternly clank,<br />
+ While beside the guns our men drop,<br />
+ Slyly shot from either flank.<br />
+</p>
+
+<p class="poem">
+ You are musing, love, and smiling<br />
+ By the hearth-fire of the Mill,<br />
+ While the tangled oaks are cracking<br />
+ Boughs upon the windy hill.<br />
+</p>
+
+<p class="poem">
+ I can see the moonlight shining<br />
+ Over fields of frozen calm;<br />
+ I can hear the chapel organ,<br />
+ And the singing of the psalm.<br />
+</p>
+
+<p class="poem">
+ Fare you well, then, English village,<br />
+ Which of all I loved the most,<br />
+ Where my ghost alone can wander<br />
+ Once again, when life is lost.<br />
+</p>
+
+<p class="poem">
+ Fare you well, then, Sally Dorset;<br />
+ You will never utter wail<br />
+ For the soldier dead who loved you<br />
+ With these tears of no avail!<br />
+</p>
+
+<p class="poem">
+ I can see your drowsy lashes<br />
+ Lifting as you hear them read<br />
+ Prayers in mercy for our souls' shrift<br />
+ When we come to our last need.<br />
+</p>
+
+<p class="poem">
+ I forgive you, matchless beauty,<br />
+ Proudly conscious of your fame,<br />
+ Loved by many a luckless youngster<br />
+ Who will ne'er forget your name!<br />
+</p>
+
+<p class="poem">
+ Merry, though so cold of answer,<br />
+ With a laughing glance of steel,<br />
+ How your face swept like a banner,<br />
+ Blushing down the village reel!<br />
+</p>
+
+<p class="poem">
+ As you dance before my vision<br />
+ On this deadly foreign morn,<br />
+ Death is charmed into the soothing<br />
+ Of the love you chose to scorn.<br />
+</p>
+
+<p class="poem">
+ We shall die&mdash;our hours are numbered&mdash;<br />
+ As the sunlight dawns serene<br />
+ Over yonder mountain ridges,<br />
+ Rimming round this battle scene.<br />
+</p>
+
+<p class="poem">
+ I shall die&mdash;few will return, dear;<br />
+ I shall be of those who stay:<br />
+ England sent us, but a handful,<br />
+ Among hordes of heathen clay.<br />
+</p>
+
+<p class="poem">
+ We will show the world how England<br />
+ Has no dross to spend in war;<br />
+ When she throws away her soldiers,<br />
+ They are soldiers to the core.<br />
+</p>
+
+<p class="poem">
+ You will wake to hear the twitter<br />
+ Of the early sparrow's note:<br />
+ I shall lie beneath the heavens,<br />
+ With the death-grip at my throat!<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="battle"></a>
+ THE LOST BATTLE<br />
+</h3>
+
+<p class="poem">
+ To his heart it struck such terror<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; That he laughed a laugh of scorn,&mdash;<br />
+ The man in the soldier's doublet,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; With the sword so bravely worn.<br />
+</p>
+
+<p class="poem">
+ It struck his heart like the frost-wind<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; To find his comrades fled,<br />
+ While the battle-field was guarded<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; By the heroes who lay dead.<br />
+</p>
+
+<p class="poem">
+ He drew his sword in the sunlight,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; And called with a long halloo:<br />
+ "Dead men, there is one living<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Shall stay it out with you!"<br />
+</p>
+
+<p class="poem">
+ He raised a ragged standard,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; This lonely soul in war,<br />
+ And called the foe to onset,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; With shouts they heard afar.<br />
+</p>
+
+<p class="poem">
+ They galloped swiftly toward him.<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; The banner floated wide;<br />
+ It sank; he sank beside it<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Upon his sword, and died.<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="race"></a>
+ THE OUTGOING RACE.<br />
+</h3>
+
+<p class="poem">
+ The mothers wish for no more daughters;<br />
+ There is no future before them.<br />
+ They bow their heads and their pride<br />
+ At the end of the many tribes' journey.<br />
+</p>
+
+<p class="poem">
+ The mothers weep over their children,<br />
+ Loved and unwelcome together,<br />
+ Who should have been dreamed, not born,<br />
+ Since there is no road for the Indian.<br />
+</p>
+
+<p class="poem">
+ The mothers see into the future,<br />
+ Beyond the end of that Chieftain<br />
+ Who shall be the last of the race<br />
+ Which allowed only death to a coward.<br />
+</p>
+
+<p class="poem">
+ The square, cold cheeks, lips firm-set,<br />
+ The hot, straight glance, and the throat-line,<br />
+ Held like a stag's on the cliff,<br />
+ Shall be swept by the night-winds, and vanish!<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="hidden"></a>
+ HIDDEN HISTORY.<br />
+</h3>
+
+<p><br /></p>
+
+<p class="poem">
+ I.<br />
+</p>
+
+<p><br /></p>
+
+<p class="poem">
+ There was a maiden in a land<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Was buried with all honor fine,<br />
+ For they said she had dared her pulsing life<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; To save a silent, holy shrine.<br />
+</p>
+
+<p class="poem">
+ The cannon rode by the church's door,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; The men's wild faces flashed in the sun;<br />
+ The woman had guarded with rifle poised,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; While the cassocked priests had run.<br />
+</p>
+
+<p class="poem">
+ Ah, no! To save her pulsing life<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; The woman like a reindeer turned,<br />
+ While hostile armies rolled by her in clouds,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; And miles of sun and metal burned.<br />
+</p>
+
+<p class="poem">
+ But who should know? For she was dead<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Before the leathern curtain's wall,<br />
+ When came her wide-eyed comrades, and found<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Her body and her weapon, all.<br />
+</p>
+
+<p><br /></p>
+
+<p class="poem">
+ II.<br />
+</p>
+
+<p><br /></p>
+
+<p class="poem">
+ There was a woman left to die<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Who never told her sacrifice,<br />
+ But trusted for her crown to God,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; As to its value and device.<br />
+</p>
+
+<p class="poem">
+ No land was prouder for her heart,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; No word has echoed long her deed,<br />
+ And where she has lain, the angel flower<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Looks like a common weed.<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="ballad"></a>
+ A BALLAD OF THE MIST.<br />
+</h3>
+
+<p class="poem">
+ "I love the Lady of Merle," he said.<br />
+ "She is not for thee!" her suitor cried.<br />
+ And in the valley the lovers fought<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; By the salt river's tide.<br />
+</p>
+
+<p class="poem">
+ The braver fell on the dewy sward:<br />
+ The unloved lover returned once more;<br />
+ In yellow satin the lady came<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; And met him at the door.<br />
+</p>
+
+<p class="poem">
+ "Hast thou heard, dark Edith," laughed he grim,<br />
+ "Poor Hugh hath craved thee many a day?<br />
+ Soon would it have been too late for him<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; His low-born will to say.<br />
+</p>
+
+<p class="poem">
+ "I struck a blade where lay his heart's love,<br />
+ And voice for thee have I left him none,<br />
+ To brag he still seeks thee over the hills<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; When thou and I are one!"<br />
+</p>
+
+<p class="poem">
+ Fearless across the wide country<br />
+ Rode the dark Lady Edith of Merle;<br />
+ She looked at the headlands soft with haze,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; And the moor's mists of pearl.<br />
+</p>
+
+<p class="poem">
+ The moon it struggled to see her pass<br />
+ Through its half-lit veils of driving gray;<br />
+ But moonbeams were slower than the steed<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; That Edith rode away.<br />
+</p>
+
+<p class="poem">
+ Oh, what was her guerdon and her haste,<br />
+ While cried the far screech-owl in the tree,<br />
+ And to her heart crept its note so lone,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Beating tremulously?<br />
+</p>
+
+<p class="poem">
+ About her a black scarf floated thin,<br />
+ And over her cheek the mist fell cold,<br />
+ And shuddered the moon between its rifts<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Of dark cloud's silvery fold.<br />
+</p>
+
+<p class="poem">
+ Oh, white fire of the nightly sky<br />
+ When burns the moon's wonder wide and far,<br />
+ And every cloud illumed with flame<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Engulfs a shaken star!<br />
+</p>
+
+<p class="poem">
+ * * * * *<br />
+</p>
+
+<p class="poem">
+ Bright as comes morning from the hill,<br />
+ There comes a face to her lover's eyes;<br />
+ Her love she tells; and he, dying, smiles,&mdash;<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; And smiles yet in the skies.<br />
+</p>
+
+<p class="poem">
+ He is dead, and closer breathe the mists;<br />
+ He is dead, the owlet moans remote;<br />
+ He is buried, and the moon draws near,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; To gaze and hide and float.<br />
+</p>
+
+<p class="poem">
+ Fearless within the churchyard's spell<br />
+ The white-browed lady doth stand and sigh;<br />
+ She loves the mist, and the grave, and the moon,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; And the owl's quivering cry.<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="wheel"></a>
+ THE DREAMING WHEEL.<br />
+</h3>
+
+<p class="poem">
+ Down slant the moonbeams to the floor<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Through the garret's scented air,<br />
+ And show a thin-spoked spinning-wheel,<br />
+ Standing ten years and more<br />
+ Far from the hearth-stone's woe and weal,&mdash;<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; The ghost of a lost day's care!<br />
+</p>
+
+<p class="poem">
+ And over the dreaming spinning-wheel,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; That has not stirred so long,<br />
+ The weaving spiders spin a veil,<br />
+ A silvery shroud for its human zeal<br />
+ And usefulness, with their fingers pale,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; The shadowy lights among.<br />
+</p>
+
+<p class="poem">
+ See! in the moonlight cold and gray<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; A thoughtful maiden stands;<br />
+ And though she blames not overmuch<br />
+ With her sweet lips the great world's way,<br />
+ Yet sad and slow she stoops to touch<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; The still wheel with her hands.<br />
+</p>
+
+<p class="poem">
+ "Forsaken wheel! when you first came<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; To clothe young hearts and old,<br />
+ Our ancestors were glad to wear<br />
+ Your woof, nor knew the shame<br />
+ Which later days have bred, to share<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; The homespun's simple fold!<br />
+</p>
+
+<p class="poem">
+ "My lover's gone to win for me,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; With tender pride and care,<br />
+ Riches to garnish all our days;<br />
+ But love thrives in simplicity<br />
+ As well as in the prouder ways,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; If noble thought is there!<br />
+</p>
+
+<p class="poem">
+ "When our strong grandsires vowed to wed,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Stout knots of wool, and corn,<br />
+ Were gathered in, and hardly more<br />
+ Of what will count not when we're dead!<br />
+ Life brought them to a happy shore,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Who set their sails at dawn.<br />
+</p>
+
+<p class="poem">
+ "O silent wheel! we weave a sad,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Weak fabric of our days;<br />
+ The faith that moved thee long is gone;<br />
+ Forgot, the couple, lass and lad,<br />
+ Who loved with courage deeply drawn,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Heeding but God's delays!<br />
+</p>
+
+<p class="poem">
+ "On thy long loneliness the sun<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Blazes in dread, the moon<br />
+ Shines with a pitiless, threatening hue!<br />
+ And while the golden sand-grains run,<br />
+ Old age comes nearer; and like you<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; I may be standing silent&mdash;soon!<br />
+</p>
+
+<p class="poem">
+ "Then turn, my lover, turn your eyes<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Back to the humble door;<br />
+ Waste not the youthful years in hand.<br />
+ See where the truest comfort lies,<br />
+ And join the freer old-time band,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Nor crave a worldly store!<br />
+</p>
+
+<p class="poem">
+ "In Freedom's land let no one know<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Even the chain of ease,<br />
+ Nor bow to royal Luxury's glance.<br />
+ From peasant-hands fair art can grow;<br />
+ From the rough brow thought springs with lance<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; And helmet: God loves these!"<br />
+</p>
+
+<p class="poem">
+ She wept; then raised her head, and swung<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; The aged wheel with whispering whir;<br />
+ And as it turned, it softly sung<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; (In fancy) this response to her:&mdash;<br />
+</p>
+
+<p class="poem">
+ "I had not spun the sower's shirt,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; I had not kept the children warm,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; If I had found a wearing harm<br />
+ In my monotonous toil alert.<br />
+</p>
+
+<p class="poem">
+ "To those who wait with eager eyes<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; And ready hands and tender hearts,&mdash;<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; They find the giant year, that parts,<br />
+ Hath forged strong links with paradise!<br />
+</p>
+
+<p class="poem">
+ "Sigh not that Time doth turn the glass<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; To let the golden sand-grains run,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; While longer shadows of the sun<br />
+ Fall o'er the spring-time, bonny lass!<br />
+</p>
+
+<p class="poem">
+ "The circumstances of a life<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Are little things compared to it;<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; The way love's shown is ever fit;<br />
+ Thank God, who gives us love, not strife!<br />
+</p>
+
+<p class="poem">
+ "And if I do not stand beside<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; The hearth, as fifty years ago,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; No current of the years that flow<br />
+ Can rob the radiance from a bride!<br />
+</p>
+
+<p class="poem">
+ "I know not why the world should change,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; I know not why my day is done;<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; And yet this limit of my zone<br />
+ Hints of the limit to all range.<br />
+</p>
+
+<p class="poem">
+ "Man's progress always alters tint,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; As mountains move from rose to gray;<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Yet like their shapes, love still doth stay<br />
+ The same, complete,&mdash;'tis God's imprint.<br />
+</p>
+
+<p class="poem">
+ "And yet I dream Time yet may turn<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Its wheel to weave the humbler thought,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; As in old days. When joy is sought,<br />
+ Men find it where the hearth-fires burn."<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="roads"></a>
+ THE ROADS THAT MEET.<br />
+</h3>
+
+<p><br /></p>
+
+<p class="poem">
+ ART.<br />
+</p>
+
+<p><br /></p>
+<p class="poem">
+ One is so fair, I turn to go,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; As others go, its beckoning length;<br />
+ Such paths can never lead to woe,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; I say in eager, early strength.<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; What is the goal?<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Visions of heaven, wake;<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; But the wind's whispers round me roll:<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; "For you, mistake!"<br />
+</p>
+
+<p><br /></p>
+
+<p class="poem">
+ LOVE.<br />
+</p>
+
+<p><br /></p>
+
+<p class="poem">
+ One leads beneath high oaks, and birds<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Choose there their joyous revelry;<br />
+ The sunbeams glint in golden herds,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; The river mirrors silently.<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Under these trees<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; My heart would bound or break;<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Tell me what goal, resonant breeze?<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; "For you, mistake!"<br />
+</p>
+
+<p><br /></p>
+
+<p class="poem">
+ CHARITY.<br />
+</p>
+
+<p><br /></p>
+
+<p class="poem">
+ What is there left? The arid way,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; The chilling height, whence all the world<br />
+ Looks little, and each radiant day,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Like the soul's banner, flies unfurled.<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; May I stand here;<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; In this rare ether slake<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; My reverential lips, and fear<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; No last mistake?<br />
+</p>
+
+<p class="poem">
+ Some spirits wander till they die,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; With shattered thoughts and trembling hands;<br />
+ What jarred their natures hopelessly<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; No living wight yet understands.<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; There is no goal,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Whatever end they make;<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Though prayers each trusting step control,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; They win mistake.<br />
+</p>
+
+<p class="poem">
+ This is so true, we dare not learn<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Its force until our hopes are old,<br />
+ And, skyward, God's star-beacons burn<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; The brighter as our hearts grow cold.<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; If all we miss,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; In the great plans that shake<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; The world, still God has need of this,&mdash;<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Even our mistake.<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="voice"></a>
+ A PASSING VOICE.<br />
+</h3>
+
+<p class="poem">
+ "Turn me a rhyme," said Fate,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; "Turn me a rhyme:<br />
+ A swift and deadly hate<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Blows headlong towards thee in the teeth of Time.<br />
+ Write! or thy words will fall too late."<br />
+</p>
+
+<p class="poem">
+ "Write me a fold," said Fate,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; "Write me a fold,<br />
+ Life to conciliate,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Of words red with thine heart's blood, hotly told.<br />
+ Then, kings may envy thine estate!"<br />
+</p>
+
+<p class="poem">
+ &nbsp;&nbsp;&nbsp;&nbsp; "Make thee a fame," said Fate,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; "Make thee a fame<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; To storm the heaven-hung gate,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Unbarred alone to the victorious name<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Which has Art's conquerors to mate."<br />
+</p>
+
+<p class="poem">
+ &nbsp;&nbsp;&nbsp;&nbsp; "Die in thy shame," said Fate,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; "Die in thy shame!<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Naught here can compensate<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; But the proud radiance of that glorious flame,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp; Genius: fade, thou, unconsecrate!"<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<p class="finis">
+ THE END.<br />
+</p>
+
+<p><br /><br /><br /><br /></p>
+
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of Project Gutenberg's Along the Shore, by Rose Hawthorne Lathrop
+
+*** END OF THIS PROJECT GUTENBERG EBOOK ALONG THE SHORE ***
+
+***** This file should be named 7056-h.htm or 7056-h.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/7/0/5/7056/
+
+Produced by Michelle Shephard, Eric Eldred, Charles Franks
+and the Online Distributed Proofreading Team. HTML version
+by Al Haines.
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License available with this file or online at
+ www.gutenberg.org/license.
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation information page at www.gutenberg.org
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at 809
+North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email
+contact links and up to date contact information can be found at the
+Foundation's web site and official page at www.gutenberg.org/contact
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit www.gutenberg.org/donate
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: www.gutenberg.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For forty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Most people start at our Web site which has the main PG search facility:
+
+ www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+
+</body>
+
+</html>
+
+
diff --git a/7056.txt b/7056.txt
new file mode 100644
index 0000000..65b440e
--- /dev/null
+++ b/7056.txt
@@ -0,0 +1,2133 @@
+The Project Gutenberg EBook of Along the Shore, by Rose Hawthorne Lathrop
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Along the Shore
+
+Author: Rose Hawthorne Lathrop
+
+Posting Date: March 19, 2014 [EBook #7056]
+Release Date: December, 2004
+First Posted: March 3, 2003
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK ALONG THE SHORE ***
+
+
+
+
+Produced by Michelle Shephard, Eric Eldred, Charles Franks
+and the Online Distributed Proofreading Team. HTML version
+by Al Haines.
+
+
+
+
+
+
+
+
+
+
+
+ ALONG THE SHORE
+
+ BY ROSE HAWTHORNE LATHROP
+
+
+
+
+ To
+ G. P. L.
+
+
+ We see the sky,--we love it day by day;
+ We feel the wind of Spring, from blossoms winging;
+ We meet with souls tender as tints in May:
+ For these large ecstasies what are we bringing?
+
+ There is no price, best friend, for greatest meed.
+ Laid on the altar of our true affection,
+ Wild flowers of love for me must intercede:
+ And lo! I win your unexcelled protection.
+
+
+
+
+ CONTENTS
+
+
+ Inlet And Shore
+ Impersonality
+ A Protean Glimpse
+ Power Against Power
+ Life's Priestess
+ Love Now
+ One And One
+ The Violin
+ Gertrude
+ Unity In Space
+ The Shell And The Word
+ The Clock-Tower Bell
+ Ours To Endure
+ Broken Waves
+ Why Sad To-Day?
+ The Ghosts Of Revellers
+ Life's Burying-Ground
+ Beyond Utterance
+ The Suicide
+ For Others
+ Zest
+ The Unperfected
+ God-Made
+ A Song Before Grief
+ Pride: Fate
+ Francie
+ Lost Reality
+ Closing Chords
+ Grace
+ Endless Resource
+ The Baby
+ A Waltz
+ First Bloom Of Love
+ A Wooing Song
+ Dorothy
+ Morning Song
+ Looking Backward
+ Unloved
+ The Clock's Song
+ Broken-Hearted
+ The Cynic's Fealty
+ The Girls We Might Have Wed
+ "Neither!"
+ Used Up
+ A Youth's Suicide
+ Twenty Bold Mariners
+ In The Artillery
+ The Lost Battle
+ The Outgoing Race
+ Hidden History
+ A Ballad Of The Mist
+ The Dreaming Wheel
+ The Roads That Meet
+ A PASSING VOICE
+
+
+
+
+ ALONG THE SHORE.
+
+
+
+ * * * * *
+
+ INLET AND SHORE.
+
+
+ Here is a world of changing glow,
+ Where moods roll swiftly far and wide;
+ Waves sadder than a funeral's pride,
+ Or bluer than the harebell's blow!
+
+ The sunlight makes the black hulls cast
+ A firefly radiance down the deep;
+ The inlet gleams, the long clouds sweep,
+ The sails flit up, the sails drop past.
+
+ The far sea-line is hushed and still;
+ The nearer sea has life and voice;
+ Each soul may take his fondest choice,--
+ The silence, or the restless thrill.
+
+ O little children of the deep,--
+ The single sails, the bright, full sails,
+ Gold in the sun, dark when it fails,
+ Now you are smiling, then you weep!
+
+ O blue of heaven, and bluer sea,
+ And green of wave, and gold of sky,
+ And white of sand that stretches by,
+ Toward east and west, away from me!
+
+ O shell-strewn shore, that silent hears
+ The legend of the mighty main,
+ And tells to none the lore again,--
+ We catch one utterance only: "Years!"
+
+
+
+
+ IMPERSONALITY
+
+
+ I dreamed within a dream the sun was gold;
+ And as I walked beneath this golden sun,
+ The world was like a mighty play-room old,
+ Made for our pleasure since it was begun.
+
+ But when I waked I found the sun was air,
+ The world was air, and all things only seemed,
+ Except the thoughts we grow by; for in prayer
+ We change to spirits such as God has dreamed.
+
+
+
+
+ A PROTEAN GLIMPSE.
+
+
+ Time and I pass to and fro,
+ Hardly greeting as we go,--
+ Go askant, like crossing wings
+ Of sea-gulls where the brave sea sings.
+
+ Time, the messenger of Fate!
+ Cunning master of debate,
+ Cunning soother of all sorrow,
+ Ruthless robber of to-morrow;
+ Tyrant to our dallying feet,
+ Though patron of a life complete;
+ Like Puck upon a rosy cloud,
+ He rides to distance while we woo him,--
+ Like pale Remorse wrapped in a shroud,
+ He brings the world in sackcloth to him!
+ O dimly seen, and often met
+ As shadowings of a wild regret!
+ O king of us, yet feebly served;
+ Dispenser of the dooms reserved;
+ So silent at the folly done,
+ So deadly when our respite's gone!--
+ As sea-gulls, slanting, cross at sea,
+ So cross our rapid flights with thee.
+
+
+
+
+ POWER AGAINST POWER.
+ [Nathaniel Hawthorne, 1864.]
+
+
+ Where spells were wrought he sat alone,
+ The wizard touching minds of men
+ Through far-swung avenues of power,
+ And proudly held the magic pen.
+
+ By the dark wall a white Shape gleams,
+ By morning's light a Shadow falls!
+ Is it a servant of his brain,
+ Or Power that to his power calls?
+
+ By morning's light the Shadow looms,
+ And watches with relentless eyes;
+ In night-gloom holds the glimmering lamp,
+ While the pen ever slower flies.
+
+ By the dark wall it beckons still,
+ By evening light it darkly stays;
+ The wizard looks, and his great life
+ Thrills with the sense of finished days.
+
+ A Shape so ghost-like by the sun,
+ With smiles that chill as dusks descend!
+ The glancing wizard, stern and pale,
+ Admits the presence of the End.
+
+ Health has forsaken, death is near,
+ The hand moves slower, eyes grow dim;
+ The End approaches, and the man
+ Dreams of no spell for quelling Him.
+
+
+
+
+ LIFE'S PRIESTESS.
+
+
+ All to herself a woman never sings
+ A happy song. Oh no! but it is so
+ As when the thrush has closed down his wings
+ Within the wood, and hears his hidden woe
+ From his own bill fill aisles of leaves, and go
+ About the wood and come to him again.
+
+
+
+
+ LOVE NOW.
+
+
+ The sanctity that is about the dead
+ To make us love them more than late, when here,
+ Is not it well to find the living dear
+ With sanctity like this, ere they have fled?
+
+ The tender thoughts we nurture for a loss
+ Of mother, friend, or child, oh! it were wise
+ To spend this glory on the earnest eyes,
+ The longing heart, that feel life's present cross.
+
+ Give also mercy to the living here
+ Whose keen-strung souls will quiver at your touch;
+ The utmost reverence is not too much
+ For eyes that weep, although the lips may sneer.
+
+
+
+
+ ONE AND ONE.
+
+
+ The thanking heart can only silence keep;
+ The breaking heart can only die alone:
+ Our happy love above abysses deep
+ Of unguessed power hovers, and is gone!
+
+ Come, take my hand, O friend I take for life!
+ You cannot reach my soul through touch or gaze;
+ Be our full lips with infinite meanings rife:
+ The longed-for words, which of us ever says?
+
+
+
+
+ THE VIOLIN.
+
+
+ Touch gently, friend, and slow, the violin, So sweet and low,
+ That my dreaming senses may be beckoned so
+ Into a rest as deep as the long past "years ago!"
+ So softly, then, begin;
+
+ And ever gently touch the violin,
+ Until an impulse grows of a sudden, like wind
+ On the brow of the earth,
+ And the voice of your violin shows its wide-swung girth
+ With a crash of the strings and a medley of rage and mirth;
+ And my rested senses spring
+ Like juice from a broken rind,
+ And the joys that your melodies bring
+ I know worth a life-time to win,
+ As you waken to love and this hour your violin!
+
+
+
+
+ GERTRUDE.
+ [In Memory: 1877.]
+
+
+ What shall I say, my friend, my own heart healing,
+ When for my love you cannot answer me?
+ This earth would quake, alas! might I but see
+ You smile, death's rigorous law repealing!
+ Pale lips, your mystery so well concealing,
+ May not the eloquent, varied minstrelsy
+ Of my inspired ardor potent be
+ To touch your chords to music's uttered feeling?
+ Friend, here you cherished flowers: send me now
+ One ghostly bloom to prove that you are blessed.
+ No? If denial such as brands my brow
+ Be in your heavenly regions, too, confessed,
+ Oh may it prove the truth that your still eyes
+ Foresee the end of all futurities!
+
+
+
+
+ UNITY IN SPACE.
+
+
+ Take me away into a storm of snow
+ So white and soft, I feel no deathly chill,
+ But listen to the murmuring overflow
+ Of clouds that fall in many a frosty rill!
+
+ Take me away into the sunset's glow,
+ That holds a summer in a glorious bloom;
+ Or take me to the shadowed woods that grow
+ On the sky's mountains, in the evening gloom!
+
+ Give me an entrance to the limpid lake
+ When moonbeams shine across its purity!
+ A life there is, within the life we take
+ So commonly, for which 't were well to die.
+
+
+
+
+ THE SHELL AND THE WORLD.
+
+
+ The world was like a shell to me,--
+ Its voice with distant song was low;
+ But now its mysteries I know:
+ I hear the turmoil of the sea.
+
+ The whirling, soft, and tender sound
+ That meant I knew not what of lore,--
+ I dream its mystery now no more:
+ Its reckless meaning I have found.
+
+ O shell! I held thee to my ears
+ When I was young, and smiled with pride
+ To stand aglow at marvel's side!
+ O world, thy voice is wild with tears!
+
+
+
+
+ THE CLOCK-TOWER BELL.
+
+
+ Say not, sad bell, another hour hath come,
+ Bare for the record of a world of crime;
+ Toll, rather, friend, the end of hideous Time,
+ Wherein we bloom, live, die, yet have no home!
+
+ Bell, laurels would we o'er thy pulsing twine,
+ And sing thee songs of triumph with glad tears,
+ If to the warring of our haggard years
+ Thy clang should herald peace along the line!
+
+
+
+
+ OURS TO ENDURE.
+
+
+ We speak of the world that passes away,--
+ The world of men who lived years ago,
+ And could not feel that their hearts' quick glow
+ Would fade to such ashen lore to-day.
+
+ We hear of death that is not our woe,
+ And see the shadow of funerals creeping
+ Over the sweet fresh roads by the reaping;
+ But do we weep till our loved ones go?
+
+ When one is lost who is greater than we,
+ And loved us so well that death should reprieve
+ Of all hearts this one to us; when we must leave
+ His grave,--the past will break like the sea!
+
+
+
+
+ BROKEN WAVES.
+
+
+ The sun is lying on the garden-wall,
+ The full red rose is sweetening all the air,
+ The day is happier than a dream most fair;
+ The evening weaves afar a wide-spread pall,
+ And lo! sun, day, and rose, no longer there!
+
+ I have a lover now my life is young,
+ I have a love to keep this many a day;
+ My heart will hold it when my life is gray,
+ My love will last although my heart be wrung.
+ My life, my heart, my love shall fade away!
+
+ O lover loved, the day has only gone!
+ In death or life, our love can only go;
+ Never forgotten is the joy we know,
+ We follow memory when life is done:
+ No wave is lost in all the tides that flow.
+
+
+
+
+ WHY SAD TO-DAY?
+
+
+ Why is the nameless sorrowing look
+ So often thought a whim?
+ God-willed, the willow shades the brook,
+ The gray owl sings a hymn;
+
+ Sadly the winds change, and the rain
+ Comes where the sunlight fell:
+ Sad is our story, told again,
+ Which past years told so well!
+
+ Why not love sorrow and the glance
+ That ends in silent tears?
+ If we count up the world's mischance,
+ Grieving is in arrears.
+
+ Why should I know why I could weep?
+ The old urns cannot read
+ The names they wear of kings they keep
+ In ashes; both are dead.
+
+ And like an urn the heart must hold
+ Aims of an age gone by:
+ What the aims were we are not told;
+ We hold them, who knows why?
+
+
+
+
+ THE GHOSTS OF REVELLERS.
+
+
+ At purple eyes beside the grain,
+ Our loves on altars we had burned,
+ And mixed our tribute with the dew,
+ Our tears, when rosy dawn returned.
+
+ Our voices we had joined with song
+ Of bird ecstatic, light, and free;
+ Our laughter rollicked with the brook
+ Running through darkness merrily.
+
+ At purple eyes beside the rim
+ Of frozen lakes our loves we burned,
+ And slid away when stillness reigned:
+ Deep the vast woods our bodies urned.
+
+ In starlit night along the shade
+ Of our dusk tombs our spirits glide;
+ We hear the echoing of the wind,
+ We breathe the sighs we living sighed.
+
+
+
+
+ LIFE'S BURYING-GROUND.
+
+
+ My graveyard holds no once-loved human forms,
+ Grown hideous and forgotten, left alone,
+ But every agony my heart has known,--
+ The new-born trusts that died, the drift of storms.
+
+ I visit every day the shadowy grove;
+ I bury there my outraged tender thought;
+ I bring the insult for the love I sought,
+ And my contempt, where I had tried to love.
+
+
+
+
+ BEYOND UTTERANCE.
+
+
+ There in the midst of gloom the church-spire rose,
+ And not a star lit any side of heaven;
+ In glades not far the damp reeds coldly touched
+ Their sides, like soldiers dead before they fall;
+ There in the belfry clung the sleeping bat,--
+ Most abject creature, hanging like a leaf
+ Down from the bell-tongue, silent as the speech
+ The dead have lost ere they are laid in graves.
+
+ A melancholy prelude I would sing
+ To song more drear, while thought soars into gloom.
+ Find me the harbor of the roaming storm,
+ Or end of souls whose doom is life itself!
+ So vague, yet surely sad, the song I dream
+ And utter not. So sends the tide its roll,--
+ Unending chord of horror for a woe
+ We but half know, even when we die of it.
+
+
+
+
+ THE SUICIDE.
+
+
+ A shadowed form before the light,
+ A gleaming face against the night,
+ Clutched hands across a halo bright
+ Of blowing hair,--her fixed sight
+ Stares down where moving black, below,
+ The river's deathly waves in murmurous silence flow.
+
+ The moon falls fainting on the sky,
+ The dark woods bow their heads in sorrow,
+ The earth sends up a misty sigh:
+ A soul defies the morrow!
+
+
+
+
+ FOR OTHERS.
+
+
+ Weeping for another's woe,
+ Tears flow then that would not flow
+ When our sorrow was our own,
+ And the deadly, stiffening blow
+ Was upon our own heart given
+ In the moments that have flown!
+
+ Cringing at another's cry
+ In the hollow world of grief
+ Stills the anguish of our pain
+ For the fate that made us die
+ To our hopes as sweet as vain;
+ And our tears can flow again!
+
+ One storm blows the night this way,
+ But another brings the day.
+
+
+
+
+ ZEST.
+
+
+ Labor not in the murky dell,
+ But till your harvest hill at morn;
+ Stoop to no words that, rank and fell,
+ Grow faster than the rustling corn.
+
+ With gladdening eyes go greet the sun,
+ Who lifts his brow in varied light;
+ Bring light where'er your feet may run:
+ So bring a day to sorrow's night.
+
+
+
+
+ THE UNPERFECTED.
+
+
+ A broken mirror in a trembling hand;
+ Sad, trembling lips that utter broken thought:
+ One of a wide and wandering, aimless band;
+ One in the world who for the world hath naught.
+
+ A heart that loves beyond the shallow word;
+ A heart well loved beyond its flowerless worth:
+ One who asks God to answer the prayer heard;
+ One from the dust returning to the earth.
+
+ Can miracle ne'er make the mirror whole
+ For one who, seeing, could be nobly bold?
+ Who could well die, to magnify the soul,--
+ Whose strength of love will shake the graveyard's mould?
+
+
+
+
+ GOD-MADE.
+
+
+ Somewhere, somewhere in this heart
+ There lies a jewel from the sea,
+ Or from a rock, or from the sand,
+ Or dropped from heaven wondrously.
+
+ Oh, burn, my jewel, in my glance!
+ Oh, shimmer on my lips in prayer!
+ Light my love's eyes to read my soul,
+ Which, wrapt in ashes, yet is fair!
+
+ When dead I lie, forgotten, deep
+ Within the earth and sunken past,
+ Still shall my jewel light my dust,--
+ The worth God gives us, first and last!
+
+
+
+
+ A SONG BEFORE GRIEF.
+
+
+ Sorrow, my friend,
+ When shall you come again?
+ The wind is slow, and the bent willows send
+ Their silvery motions wearily down the plain.
+ The bird is dead
+ That sang this morning through the summer rain!
+
+ Sorrow, my friend,
+ I owe my soul to you.
+ And if my life with any glory end
+ Of tenderness for others, and the words are true,
+ Said, honoring, when I'm dead,--
+ Sorrow, to you, the mellow praise, the funeral
+ wreath, are due.
+
+ And yet, my friend,
+ When love and joy are strong,
+ Your terrible visage from my sight I rend
+ With glances to blue heaven. Hovering along,
+ By mine your shadow led,
+ "Away!" I shriek, "nor dare to work my new-sprung mercies wrong!"
+
+ Still, you are near:
+ Who can your care withstand?
+ When deep eternity shall look most clear,
+ Sending bright waves to kiss the trembling land,
+ My joy shall disappear,--
+ A flaming torch thrown to the golden sea by your pale hand.
+
+
+
+
+ PRIDE: FATE.
+
+
+ Lullaby on the wing
+ Of my song, O my own!
+ Soft airs of evening
+ Join my song's murmuring tone.
+
+ Lullaby, O my love!
+ Close your eyes, lake-like clear;
+ Lullaby, while above
+ Wake the stars, with heaven near.
+
+ Lullaby, sweet, so still
+ In arms of death; I alone
+ Sing lullaby, like a rill,
+ To your form, cold as a stone.
+
+ Lullaby, O my heart!
+ Sleep in peace, all alone;
+ Night has come, and your part
+ For loving is wholly done!
+
+
+
+
+ FRANCIE.
+
+
+ I loved a child as we should love
+ Each other everywhere;
+ I cared more for his happiness
+ Than I dreaded my own despair.
+
+ An angel asked me to give him
+ My whole life's dearest cost;
+ And in adding mine to his treasures
+ I knew they could never be lost.
+
+ To his heart I gave the gold,
+ Though little my own had known;
+ To his eyes what tenderness
+ From youth in mine had grown!
+
+ I gave him all my buoyant
+ Hope for my future years;
+ I gave him whatever melody
+ My voice had steeped in tears.
+
+ Upon the shore of darkness
+ His drifted body lies.
+ He is dead, and I stand beside him,
+ With his beauty in my eyes.
+
+ I am like those withered petals
+ We see on a winter day,
+ That gladly gave their color
+ In the happy summer away.
+
+ I am glad I lavished my worthiest
+ To fashion his greater worth;
+ Since he will live in heaven,
+ I shall lie content in the earth.
+
+
+
+
+ LOST REALITY.
+
+
+ O soul of life, 't is thee we long to hear,
+ Thine eyes we seek for, and thy touch we dream;
+ Lost from our days, thou art a spirit near,--
+ Life needs thine eloquence, and ways supreme.
+ More real than we who but a semblance wear,
+ We see thee not, because thou wilt not seem!
+
+
+
+
+ CLOSING CHORDS.
+
+
+ I.
+
+ _Death's Eloquence._
+
+
+ When I shall go
+ Into the narrow home that leaves
+ No room for wringing of the hands and hair,
+ And feel the pressing of the walls which bear
+ The heavy sod upon my heart that grieves,
+ (As the weird earth rolls on),
+ Then I shall know
+ What is the power of destiny. But still,
+ Still while my life, however sad, be mine,
+ I war with memory, striving to divine
+ Phantom to-morrows, to outrun the past;
+ For yet the tears of final, absolute ill
+ And ruinous knowledge of my fate I shun.
+ Even as the frail, instinctive weed
+ Tries, through unending shade, to reach at last
+ A shining, mellowing, rapture-giving sun;
+ So in the deed of breathing joy's warm breath,
+ Fain to succeed,
+ I, too, in colorless longings, hope till death.
+
+
+ II.
+
+ _Peace._
+
+
+ An angel spoke with me, and lo, he hoarded
+ My falling tears to cheer a flower's face!
+ For, so it seems, in all the heavenly space
+ A wasted grief was never yet recorded.
+ Victorious calm those holy tones afforded
+ Unto my soul, whose outcry, in disgrace,
+ Changed to low music, leading to the place
+ Where, though well armed, with futile end awarded,
+ My past lay dead. "Wars are of earth!" he cried;
+ "Endurance only breathes immortal air.
+ Courage eternal, by a world defied,
+ Still wears the front of patience, smooth and fair."
+ Are wars so futile, and is courage peace?
+ Take, then, my soul, thus gently thy release!
+
+
+
+
+ GRACE.
+
+
+ Ill-wrought life we look at as we die!
+ Mistaken, selfish, meagre, and unmeet;
+ So graven on the hearts that cruelly
+ We have deprived of many an hour sweet:
+ O ill-wrought life we look at as we die!
+
+ O day of God we look at as we die!
+ Grace, like a river flowing toward our feet;
+ Wide pardon blowing with the breezes by;
+ Love telling us bright tales of the Complete;--
+ While listening, hoping, thanking, lo, we die!
+
+
+
+
+ ENDLESS RESOURCE.
+
+
+ New days are dear, and cannot be unloved,
+ Though in deep grief we mourn, and cling to death;
+ Who has not known, in living on, a breath
+ Of infinite joy that has life's rapture proved?
+
+ If I have thought that in this rainbow world
+ The best we see was but a preface given
+ Of infinite greater tints in heaven,
+ And life or no, heaven yet would be unfurl'd,--
+
+ I did belie the soul-wide joys of earth,
+ And feelings deep as lights that dwell in seas.
+ Can heaven itself outlove such depths as these?
+ Live on! Life holds more than we dream of worth!
+
+
+
+
+ THE BABY.
+
+
+ Pray, have you heard the news?
+ Sturdy in lungs and thews,
+ There's a fine baby!
+ Ring bells of crystal lip,
+ Wave boughs with blossoming tip;
+ Think what he may be!
+
+ Love cannot love enough,
+ Winter is never rough
+ All round such sweetness;
+ One of a million more
+ Sent to the glad heart's door
+ In their completeness!
+
+ Such news is never old,
+ Though in each ear't is told,
+ As a first birthday.
+ Welcome, thou ray of light!
+ In golden prayers bedight,
+ Sail down thy mirth-way!
+
+
+
+
+ A Waltz.
+
+
+ Delicate gayety,
+ Strains of a violin;
+ Graceful steps begin--
+ Roses at her waist!
+ Clouds of sparkling light,
+ Whispers of lovers alone
+ As the couples drift one by one
+ In the golden sheen of the ball.
+ Alone in the happy crowd
+ Each pair glides past each pair;
+ Delicate strains of an air;
+ Rainbow gayety:
+ Pride of the moment throbs,
+ Smiles, on the youthful cheek,
+ Fearing no ill-wind's freak,
+ Warm in the heart of the waltz;--
+ Moving like melody,
+ Flowing in light and glee,
+ Young as the May is she,
+ Strong as the June I am.
+
+
+
+
+ FIRST BLOOM OF LOVE.
+
+
+ O girl of spring! O brown-eyed girl!
+ Gathering violets near the woods,
+ Whose coy young petals half unfurl
+ The mystery of their dulcet moods.
+
+ O blushing girl! O girl of spring!
+ I hear no answer move the air;
+ Yet eyelids hovering on the wing
+ Reveal deep meanings curtained there.
+
+ O girl of spring! O spring of love!
+ Let silent violets be the speech
+ From you to me, and let them prove
+ What maiden silence will not teach!
+
+
+
+
+ A WOOING SONG.
+
+
+ O love, I come; thy last glance guideth me!
+ Drawn, too, by webs of shadow, like thine hair;
+ For, Sweet, the mystery
+ Of thy dark hair the deepening dusk hath caught.
+ In early moonlight gleamings, lo, I see
+ Thy white hands beckon to the garden, where
+ Dim day and silvery darkness are inwrought
+ As our two lives, where, joining soul with soul,
+ The tints shall mingle in a fairer whole.
+ Oh! dost thou hear? I call, beloved, I call,
+ My stout heart trembling till thy words return;
+ Hope-lifted, I float faster with the fall
+ Of fear toward joy such fear alone can earn!
+
+
+
+
+ DOROTHY.
+
+ Dear little Dorothy, she is no more!
+ I have wandered world-wide, from shore to shore,
+ I have seen as great beauties as ever were wed;
+ But none can console me for Dorothy dead.
+
+ Dear little Dorothy! How strange it seems
+ That her face is less real than the faces of dreams;
+ That the love which kept true, and the lips which so spoke,
+ Are more lost than my heart, which died not when it broke!
+
+
+
+
+ MORNING SONG.
+
+
+ Turn thy face to me, my love,
+ I come from out the morning;
+ Give thy hand to me, my love,
+ I'm dewy from the dawning.
+
+ Touch my lips with thine, my love,
+ I've tasted air at daybreak;
+ Gaze into my eyes, my love,
+ At the sky's waking they wake.
+
+
+
+
+ LOOKING BACKWARD.
+
+
+ Gray towers make me think of thee,
+ Thou girl of olden minstrelsy,
+ Young as the sunlight of to-day,
+ Silent as tasselled boughs in May!
+
+ A wind-flower in a world of harm,
+ A harebell on a turret's arm,
+ A pearl upon the hilt of fame
+ Thou wert, fair child of some high name.
+
+ The velvet page, the deep-eyed knight,
+ The heartless falcon, poised for flight,
+ The dainty steed and graceful hound,
+ In thee their keenest rapture found.
+
+ But for old ballads, and the rhyme
+ And writ of genius o'er the time
+ When keeps had newly reared their towers,
+ The winning scene had not been ours.
+
+ O Chivalry! thy age was fair,
+ When even knaves set out to dare
+ Their heads for any barbarous crime,
+ And hate was brave, and love sublime.
+
+ The bugle-note I send so far
+ Across Time's moors to thee, sweet star,
+ Where stands thy castle in its mist,
+ Hear, if the wandering breezes list!
+
+
+
+
+ UNLOVED.
+
+
+ Paler than the water's white
+ Stood the maiden in the shade,
+ And more silent than the night
+ Were her lips together laid;
+
+ Eyes she hid so long and still
+ By lids wet with unshed tears,
+ Hands she loosely clasped at will,
+ Though her heart was full of fears.
+
+ Never, never, never more
+ May her soul with joy be moved;
+ Silent, silent, silent,--for
+ He was silent whom she loved.
+
+
+
+
+ THE CLOCK'S SONG.
+
+
+ Eileen of four,
+ Eileen of smiles;
+ Eileen of five,
+ Eileen of tears;
+ Eileen of ten, of fifteen years,
+ Eileen of youth
+ And woman's wiles;
+ Eileen of twenty,
+ In love's land,
+ Eileen all tender
+ In her bliss,
+ Untouched by sorrow's treacherous kiss,
+ And the sly weapon in life's hand,--
+ Eileen aroused to share all fate,
+ Eileen a wife,
+ Pale, beautiful,
+ Eileen most grave
+ And dutiful,
+ Mourning her dreams in queenly state.
+ Eileen! Eileen!....
+
+
+
+
+ BROKEN-HEARTED.
+
+
+ "Cross my hands upon my breast,"
+ Read her last behest.
+ "Turn my cheek upon the pillow,
+ As resting from life's stormy billow
+ With sleep's fine zest!"
+
+ "Cross my hands upon my breast,"
+ Read her last behest,
+ "That the patient bones may lie
+ In form of thanks eternally,
+ Grimly expressed!"
+
+ We clasped her hands upon her breast:
+ Oh mockery at misery's hest!
+ We hid in flowers her body's grief,--
+ Counting by many a rose and leaf
+ Her days unblessed!
+
+
+
+
+ THE CYNIC'S FEALTY.
+
+
+ We all have hearts that shake alike
+ Beneath the arias of Fate's hand;
+ Although the cynics sneering stand,
+ These too the deathless powers strike.
+
+ A trembling lover's infinite trust,
+ To the last drop of doating blood,
+ Feels not alone the ocean flood
+ Of desperate grief, when dreams are dust.
+
+ The scornfullest souls, with mourning eyes,
+ Pant o'er again their ghostly ways;--
+ Dread night-paths, where were gleaming days
+ When life was lovelier than the skies!
+
+
+
+
+ THE GIRLS WE MIGHT HAVE WED.
+
+
+ Come, brothers, let us sing a dirge,--
+ A dirge for myriad chances dead;
+ In grief your mournful accents merge:
+ Sing, sing the girls we might have wed!
+
+ Sweet lips were those we never pressed
+ In love that never lost the dew
+ In sunlight of a love confessed,--
+ Kind were the girls we never knew!
+
+ Sing low, sing low, while in the glow
+ Of fancy's hour those forms we trace,
+ Hovering around the years that go;
+ Those years our lives can ne'er replace!
+
+ Sweet lips are those that never turn
+ A cruel word; dear eyes that lead
+ The heart on in a blithe concern;
+ White hand of her we did not wed;
+
+ Fair hair or dark, that falls along
+ A form that never shrinks with time;
+ Bright image of a realm of song,
+ Standing beside our years of prime;--
+
+ When you shall go, then may we know
+ The heart is dead, the man is old.
+ Life can no other charm bestow
+ When girls we might have loved turn cold!
+
+
+
+
+ "NEITHER!"
+
+
+ So ancient to myself I seem,
+ I might have crossed grave Styx's stream
+ A year ago;--
+ My word, 'tis so;--
+ And now be wandering with my sires
+ In that rare world we wonder o'er,
+ Half disbelieve, and prize the more!
+
+ Yet spruce I am, and still can mix
+ My wits with all the sparkling tricks,
+ A youth and girl
+ At twenty's whirl
+ Play round each other's bosom fires,
+ On this brisk earth I once enjoyed:--
+ But now I'm otherwise employed!
+
+ Am I a thing without a name;
+ A sort of dummy in the game?
+ "Not young, not old:"
+ A world is told
+ Of misery in that lengthened phrase;
+ Yet, gad, although my coat be smooth,
+ My forehead's wrinkled,--that's the truth!
+
+ I hardly know which road to go.
+ With youth? Perhaps. With age? Oh no!
+ Well, then, with those
+ Who share my woes,
+ Doomed to mere fashionable ways,--
+ Fair matrons, cigarettes, and tea,
+ Sighs, mirrors, and society?
+
+ Is it a folly still to twirl,
+ And smirk and promenade and querl
+ About the town?
+ I'll put this down:
+ A man becomes downright _blast_
+ Before he knows that he is either
+ That, or what I am--call it, "Neither."
+
+ Oh, for a hint what we shall do,
+ We bucks whose comedy is through!
+ Who'd be sedate?
+ And yet I hate
+ To pose persistently to-day
+ As one just trying flights, you know,
+ When I _did_ try them long ago!
+
+ Suppose I hurry up the tide
+ Of age, and bravely drift beside
+ Those hoary dogs
+ Who lie like logs
+ Around the clubs where life is hushed?
+ My blood runs cold! What? Say farewell
+ To this year's new bewildering belle!
+
+ Hold, man, the secret broad and huge,
+ With every well-known subterfuge!
+ If bald and gray
+ And thin, still say
+ You're only thirty: don't be crushed;
+ But when your voice shakes o'er a pun,
+ Be off to China:--your day's done!
+
+
+
+
+ USED UP.
+
+
+ Hand me my light gloves, James;
+ I'm off for the waltzing world,
+ The kingdom of Strauss and that--
+ Where is my old crush-hat?
+ _Is_ my hair properly curled?
+ Call in the daytime, James.
+
+ Think of me, won't you, James,
+ When I am rosily twirling
+ The "Rose of a garden of girls,"
+ The Pearl among circling pearls,
+ In a mesh of melodious whirling?
+ Envy me, won't you, James?
+
+ For a heart lost along with her fan,
+ For a nice sense of honor flown,
+ For the care of an invalid soul,
+ And tastes far beyond my control,--
+ I have for my precious own
+ The fame of a "waltzing man."
+
+ If I don't come, come for me, James.
+ Ah, the waltz is my mastering passion!
+ The trip-tripping airs are as sweet
+ As love to my turning feet,
+ While I clasp the fair doll of fashion,
+ My _fiancee_. But come for me, James.
+
+ The heart which I lost--it is strange--
+ I've been told it will yet be my death;
+ And I think it quite likely I might
+ Waltz once too often to-night,
+ In spite of the music and Beth.
+ Death's a difficult move to arrange.
+
+ Pray smoke by the fire, old boy,
+ And find yourself whiskey and books.
+ If I should not turn up, then, at two
+ Or three, you will know I need you.
+ If I'm dead, you must pardon my looks
+ As I lie in the ball-room, old boy.
+
+
+
+
+ A YOUTH'S SUICIDE.
+
+
+ He handed his life a poisoned draught,
+ With a scornful smile and a cold, cold glance,
+ And the merry bystanders loudly laughed
+ (For the rollicking world was gay!).
+
+ He thought she knew not the juice, perchance;
+ But her tears fell down to her sobbing lips
+ While the merry-makers turned to the dance
+ (The world was mocking fate that day!).
+
+ To his life he kissed his finger-tips:
+ "Drink deep the beaker, and so farewell!"
+ Then slowly the poisoned draught she sips
+ (How they laugh at her meek dismay!).
+
+ He sprang to her arm, which loosely fell,
+ Crying: "No! not yet that dire eclipse!"
+ Now loud laughed the dancers, and whirled pell-mell
+ (While the echoes hurried away!).
+
+ The mad world clustered, it seemed, around.
+ "Farewell!" she sighed, sinking; then from afar
+ Flowed the pealing laughter and wassail's sound
+ (For the dead the world will not stay!).
+
+
+
+
+ TWENTY BOLD MARINERS.
+
+
+ Twenty bold mariners went to the wave,
+ Twenty sweet breezes blew over the main;
+ All were so hearty, so free, and so brave,--
+ But they never came back again!
+
+ Half the wild ocean rose up to the clouds,
+ Half the broad sky scowled in thunder and rain;
+ Twenty white crests rose around them like shrouds,
+ And they stayed in the dancing main!
+
+ This is easy to sing, and often to mourn,
+ And the breaking of dawn is no newer to-day;
+ But those who die young, or are left forlorn,
+ Think grief is no older than they!
+
+
+
+
+ IN THE ARTILLERY.
+
+
+ We are moving on in silence,
+ Save for rattling iron and steel,
+ And a skirmish echoing round us,
+ Showering faintly, peal on peal.
+
+ Like a lion roars the North wind
+ As a-horse we sternly clank,
+ While beside the guns our men drop,
+ Slyly shot from either flank.
+
+ You are musing, love, and smiling
+ By the hearth-fire of the Mill,
+ While the tangled oaks are cracking
+ Boughs upon the windy hill.
+
+ I can see the moonlight shining
+ Over fields of frozen calm;
+ I can hear the chapel organ,
+ And the singing of the psalm.
+
+ Fare you well, then, English village,
+ Which of all I loved the most,
+ Where my ghost alone can wander
+ Once again, when life is lost.
+
+ Fare you well, then, Sally Dorset;
+ You will never utter wail
+ For the soldier dead who loved you
+ With these tears of no avail!
+
+ I can see your drowsy lashes
+ Lifting as you hear them read
+ Prayers in mercy for our souls' shrift
+ When we come to our last need.
+
+ I forgive you, matchless beauty,
+ Proudly conscious of your fame,
+ Loved by many a luckless youngster
+ Who will ne'er forget your name!
+
+ Merry, though so cold of answer,
+ With a laughing glance of steel,
+ How your face swept like a banner,
+ Blushing down the village reel!
+
+ As you dance before my vision
+ On this deadly foreign morn,
+ Death is charmed into the soothing
+ Of the love you chose to scorn.
+
+ We shall die--our hours are numbered--
+ As the sunlight dawns serene
+ Over yonder mountain ridges,
+ Rimming round this battle scene.
+
+ I shall die--few will return, dear;
+ I shall be of those who stay:
+ England sent us, but a handful,
+ Among hordes of heathen clay.
+
+ We will show the world how England
+ Has no dross to spend in war;
+ When she throws away her soldiers,
+ They are soldiers to the core.
+
+ You will wake to hear the twitter
+ Of the early sparrow's note:
+ I shall lie beneath the heavens,
+ With the death-grip at my throat!
+
+
+
+
+ THE LOST BATTLE
+
+
+ To his heart it struck such terror
+ That he laughed a laugh of scorn,--
+ The man in the soldier's doublet,
+ With the sword so bravely worn.
+
+ It struck his heart like the frost-wind
+ To find his comrades fled,
+ While the battle-field was guarded
+ By the heroes who lay dead.
+
+ He drew his sword in the sunlight,
+ And called with a long halloo:
+ "Dead men, there is one living
+ Shall stay it out with you!"
+
+ He raised a ragged standard,
+ This lonely soul in war,
+ And called the foe to onset,
+ With shouts they heard afar.
+
+ They galloped swiftly toward him.
+ The banner floated wide;
+ It sank; he sank beside it
+ Upon his sword, and died.
+
+
+
+
+ THE OUTGOING RACE.
+
+
+ The mothers wish for no more daughters;
+ There is no future before them.
+ They bow their heads and their pride
+ At the end of the many tribes' journey.
+
+ The mothers weep over their children,
+ Loved and unwelcome together,
+ Who should have been dreamed, not born,
+ Since there is no road for the Indian.
+
+ The mothers see into the future,
+ Beyond the end of that Chieftain
+ Who shall be the last of the race
+ Which allowed only death to a coward.
+
+ The square, cold cheeks, lips firm-set,
+ The hot, straight glance, and the throat-line,
+ Held like a stag's on the cliff,
+ Shall be swept by the night-winds, and vanish!
+
+
+
+
+ HIDDEN HISTORY.
+
+
+ I.
+
+
+ There was a maiden in a land
+ Was buried with all honor fine,
+ For they said she had dared her pulsing life
+ To save a silent, holy shrine.
+
+ The cannon rode by the church's door,
+ The men's wild faces flashed in the sun;
+ The woman had guarded with rifle poised,
+ While the cassocked priests had run.
+
+ Ah, no! To save her pulsing life
+ The woman like a reindeer turned,
+ While hostile armies rolled by her in clouds,
+ And miles of sun and metal burned.
+
+ But who should know? For she was dead
+ Before the leathern curtain's wall,
+ When came her wide-eyed comrades, and found
+ Her body and her weapon, all.
+
+
+ II.
+
+
+ There was a woman left to die
+ Who never told her sacrifice,
+ But trusted for her crown to God,
+ As to its value and device.
+
+ No land was prouder for her heart,
+ No word has echoed long her deed,
+ And where she has lain, the angel flower
+ Looks like a common weed.
+
+
+
+
+ A BALLAD OF THE MIST.
+
+
+ "I love the Lady of Merle," he said.
+ "She is not for thee!" her suitor cried.
+ And in the valley the lovers fought
+ By the salt river's tide.
+
+ The braver fell on the dewy sward:
+ The unloved lover returned once more;
+ In yellow satin the lady came
+ And met him at the door.
+
+ "Hast thou heard, dark Edith," laughed he grim,
+ "Poor Hugh hath craved thee many a day?
+ Soon would it have been too late for him
+ His low-born will to say.
+
+ "I struck a blade where lay his heart's love,
+ And voice for thee have I left him none,
+ To brag he still seeks thee over the hills
+ When thou and I are one!"
+
+ Fearless across the wide country
+ Rode the dark Lady Edith of Merle;
+ She looked at the headlands soft with haze,
+ And the moor's mists of pearl.
+
+ The moon it struggled to see her pass
+ Through its half-lit veils of driving gray;
+ But moonbeams were slower than the steed
+ That Edith rode away.
+
+ Oh, what was her guerdon and her haste,
+ While cried the far screech-owl in the tree,
+ And to her heart crept its note so lone,
+ Beating tremulously?
+
+ About her a black scarf floated thin,
+ And over her cheek the mist fell cold,
+ And shuddered the moon between its rifts
+ Of dark cloud's silvery fold.
+
+ Oh, white fire of the nightly sky
+ When burns the moon's wonder wide and far,
+ And every cloud illumed with flame
+ Engulfs a shaken star!
+
+ * * * * *
+
+ Bright as comes morning from the hill,
+ There comes a face to her lover's eyes;
+ Her love she tells; and he, dying, smiles,--
+ And smiles yet in the skies.
+
+ He is dead, and closer breathe the mists;
+ He is dead, the owlet moans remote;
+ He is buried, and the moon draws near,
+ To gaze and hide and float.
+
+ Fearless within the churchyard's spell
+ The white-browed lady doth stand and sigh;
+ She loves the mist, and the grave, and the moon,
+ And the owl's quivering cry.
+
+
+
+
+ THE DREAMING WHEEL.
+
+
+ Down slant the moonbeams to the floor
+ Through the garret's scented air,
+ And show a thin-spoked spinning-wheel,
+ Standing ten years and more
+ Far from the hearth-stone's woe and weal,--
+ The ghost of a lost day's care!
+
+ And over the dreaming spinning-wheel,
+ That has not stirred so long,
+ The weaving spiders spin a veil,
+ A silvery shroud for its human zeal
+ And usefulness, with their fingers pale,
+ The shadowy lights among.
+
+ See! in the moonlight cold and gray
+ A thoughtful maiden stands;
+ And though she blames not overmuch
+ With her sweet lips the great world's way,
+ Yet sad and slow she stoops to touch
+ The still wheel with her hands.
+
+ "Forsaken wheel! when you first came
+ To clothe young hearts and old,
+ Our ancestors were glad to wear
+ Your woof, nor knew the shame
+ Which later days have bred, to share
+ The homespun's simple fold!
+
+ "My lover's gone to win for me,
+ With tender pride and care,
+ Riches to garnish all our days;
+ But love thrives in simplicity
+ As well as in the prouder ways,
+ If noble thought is there!
+
+ "When our strong grandsires vowed to wed,
+ Stout knots of wool, and corn,
+ Were gathered in, and hardly more
+ Of what will count not when we're dead!
+ Life brought them to a happy shore,
+ Who set their sails at dawn.
+
+ "O silent wheel! we weave a sad,
+ Weak fabric of our days;
+ The faith that moved thee long is gone;
+ Forgot, the couple, lass and lad,
+ Who loved with courage deeply drawn,
+ Heeding but God's delays!
+
+ "On thy long loneliness the sun
+ Blazes in dread, the moon
+ Shines with a pitiless, threatening hue!
+ And while the golden sand-grains run,
+ Old age comes nearer; and like you
+ I may be standing silent--soon!
+
+ "Then turn, my lover, turn your eyes
+ Back to the humble door;
+ Waste not the youthful years in hand.
+ See where the truest comfort lies,
+ And join the freer old-time band,
+ Nor crave a worldly store!
+
+ "In Freedom's land let no one know
+ Even the chain of ease,
+ Nor bow to royal Luxury's glance.
+ From peasant-hands fair art can grow;
+ From the rough brow thought springs with lance
+ And helmet: God loves these!"
+
+ She wept; then raised her head, and swung
+ The aged wheel with whispering whir;
+ And as it turned, it softly sung
+ (In fancy) this response to her:--
+
+ "I had not spun the sower's shirt,
+ I had not kept the children warm,
+ If I had found a wearing harm
+ In my monotonous toil alert.
+
+ "To those who wait with eager eyes
+ And ready hands and tender hearts,--
+ They find the giant year, that parts,
+ Hath forged strong links with paradise!
+
+ "Sigh not that Time doth turn the glass
+ To let the golden sand-grains run,
+ While longer shadows of the sun
+ Fall o'er the spring-time, bonny lass!
+
+ "The circumstances of a life
+ Are little things compared to it;
+ The way love's shown is ever fit;
+ Thank God, who gives us love, not strife!
+
+ "And if I do not stand beside
+ The hearth, as fifty years ago,
+ No current of the years that flow
+ Can rob the radiance from a bride!
+
+ "I know not why the world should change,
+ I know not why my day is done;
+ And yet this limit of my zone
+ Hints of the limit to all range.
+
+ "Man's progress always alters tint,
+ As mountains move from rose to gray;
+ Yet like their shapes, love still doth stay
+ The same, complete,--'tis God's imprint.
+
+ "And yet I dream Time yet may turn
+ Its wheel to weave the humbler thought,
+ As in old days. When joy is sought,
+ Men find it where the hearth-fires burn."
+
+
+
+
+ THE ROADS THAT MEET.
+
+
+ ART.
+
+
+ One is so fair, I turn to go,
+ As others go, its beckoning length;
+ Such paths can never lead to woe,
+ I say in eager, early strength.
+ What is the goal?
+ Visions of heaven, wake;
+ But the wind's whispers round me roll:
+ "For you, mistake!"
+
+
+ LOVE.
+
+
+ One leads beneath high oaks, and birds
+ Choose there their joyous revelry;
+ The sunbeams glint in golden herds,
+ The river mirrors silently.
+ Under these trees
+ My heart would bound or break;
+ Tell me what goal, resonant breeze?
+ "For you, mistake!"
+
+
+ CHARITY.
+
+
+ What is there left? The arid way,
+ The chilling height, whence all the world
+ Looks little, and each radiant day,
+ Like the soul's banner, flies unfurled.
+ May I stand here;
+ In this rare ether slake
+ My reverential lips, and fear
+ No last mistake?
+
+ Some spirits wander till they die,
+ With shattered thoughts and trembling hands;
+ What jarred their natures hopelessly
+ No living wight yet understands.
+ There is no goal,
+ Whatever end they make;
+ Though prayers each trusting step control,
+ They win mistake.
+
+ This is so true, we dare not learn
+ Its force until our hopes are old,
+ And, skyward, God's star-beacons burn
+ The brighter as our hearts grow cold.
+ If all we miss,
+ In the great plans that shake
+ The world, still God has need of this,--
+ Even our mistake.
+
+
+
+
+ A PASSING VOICE.
+
+ "Turn me a rhyme," said Fate,
+ "Turn me a rhyme:
+ A swift and deadly hate
+ Blows headlong towards thee in the teeth of Time.
+ Write! or thy words will fall too late."
+
+ "Write me a fold," said Fate,
+ "Write me a fold,
+ Life to conciliate,
+ Of words red with thine heart's blood, hotly told.
+ Then, kings may envy thine estate!"
+
+ "Make thee a fame," said Fate,
+ "Make thee a fame
+ To storm the heaven-hung gate,
+ Unbarred alone to the victorious name
+ Which has Art's conquerors to mate."
+
+ "Die in thy shame," said Fate,
+ "Die in thy shame!
+ Naught here can compensate
+ But the proud radiance of that glorious flame,
+ Genius: fade, thou, unconsecrate!"
+
+
+ THE END.
+
+
+
+
+
+
+
+
+
+
+End of Project Gutenberg's Along the Shore, by Rose Hawthorne Lathrop
+
+*** END OF THIS PROJECT GUTENBERG EBOOK ALONG THE SHORE ***
+
+***** This file should be named 7056.txt or 7056.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/7/0/5/7056/
+
+Produced by Michelle Shephard, Eric Eldred, Charles Franks
+and the Online Distributed Proofreading Team. HTML version
+by Al Haines.
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License available with this file or online at
+ www.gutenberg.org/license.
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation information page at www.gutenberg.org
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at 809
+North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email
+contact links and up to date contact information can be found at the
+Foundation's web site and official page at www.gutenberg.org/contact
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit www.gutenberg.org/donate
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: www.gutenberg.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For forty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Most people start at our Web site which has the main PG search facility:
+
+ www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/7056.zip b/7056.zip
new file mode 100644
index 0000000..8a66e96
--- /dev/null
+++ b/7056.zip
Binary files differ
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..5a623a7
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #7056 (https://www.gutenberg.org/ebooks/7056)
diff --git a/old/atshr10.txt b/old/atshr10.txt
new file mode 100644
index 0000000..80c5999
--- /dev/null
+++ b/old/atshr10.txt
@@ -0,0 +1,2102 @@
+The Project Gutenberg EBook of Along the Shore, by Rose Hawthorne Lathrop
+
+Copyright laws are changing all over the world. Be sure to check the
+copyright laws for your country before downloading or redistributing
+this or any other Project Gutenberg eBook.
+
+This header should be the first thing seen when viewing this Project
+Gutenberg file. Please do not remove it. Do not change or edit the
+header without written permission.
+
+Please read the "legal small print," and other information about the
+eBook and Project Gutenberg at the bottom of this file. Included is
+important information about your specific rights and restrictions in
+how the file may be used. You can also find out about how to make a
+donation to Project Gutenberg, and how to get involved.
+
+
+**Welcome To The World of Free Plain Vanilla Electronic Texts**
+
+**eBooks Readable By Both Humans and By Computers, Since 1971**
+
+*****These eBooks Were Prepared By Thousands of Volunteers!*****
+
+
+Title: Along the Shore
+
+Author: Rose Hawthorne Lathrop
+
+Release Date: December, 2004 [EBook #7056]
+[Yes, we are more than one year ahead of schedule]
+[This file was first posted on March 3, 2003]
+
+Edition: 10
+
+Language: English
+
+Character set encoding: Latin-1
+
+*** START OF THE PROJECT GUTENBERG EBOOK ALONG THE SHORE ***
+
+
+
+
+This eBook was produced by Michelle Shephard, Eric Eldred,
+Charles Franks and the Online Distributed Proofreading Team
+
+
+
+
+
+ALONG THE SHORE
+
+BY ROSE HAWTHORNE LATHROP
+
+
+
+
+To
+G. P. L.
+
+
+We see the sky,--we love it day by day;
+ We feel the wind of Spring, from blossoms winging;
+We meet with souls tender as tints in May:
+For these large ecstasies what are we bringing?
+
+There is no price, best friend, for greatest meed.
+ Laid on the altar of our true affection,
+Wild flowers of love for me must intercede:
+ And lo! I win your unexcelled protection.
+
+
+
+
+CONTENTS
+
+
+Inlet And Shore
+Impersonality
+A Protean Glimpse
+Power Against Power
+Life's Priestess
+Love Now
+One And One
+The Violin
+Gertrude
+Unity In Space
+The Shell And The Word
+The Clock-Tower Bell
+Ours To Endure
+Broken Waves
+Why Sad To-Day?
+The Ghosts Of Revellers
+Life's Burying-Ground
+Beyond Utterance
+The Suicide
+For Others
+Zest
+The Unperfected
+God-Made
+A Song Before Grief
+Pride: Fate
+Francie
+Lost Reality
+Closing Chords
+Grace
+Endless Resource
+The Baby
+A Waltz
+First Bloom Of Love
+A Wooing Song
+Dorothy
+Morning Song
+Looking Backward
+Unloved
+The Clock's Song
+Broken-Hearted
+The Cynic's Fealty
+The Girls We Might Have Wed
+"Neither!"
+Used Up
+A Youth's Suicide
+Twenty Bold Mariners
+In The Artillery
+The Lost Battle
+The Outgoing Race
+Hidden History
+A Ballad Of The Mist
+The Dreaming Wheel
+The Roads That Meet
+A PASSING VOICE
+
+
+
+
+ALONG THE SHORE.
+
+
+
+ * * * * *
+
+INLET AND SHORE.
+
+
+Here is a world of changing glow,
+ Where moods roll swiftly far and wide;
+ Waves sadder than a funeral's pride,
+Or bluer than the harebell's blow!
+
+The sunlight makes the black hulls cast
+ A firefly radiance down the deep;
+ The inlet gleams, the long clouds sweep,
+The sails flit up, the sails drop past.
+
+The far sea-line is hushed and still;
+ The nearer sea has life and voice;
+ Each soul may take his fondest choice,--
+The silence, or the restless thrill.
+
+O little children of the deep,--
+ The single sails, the bright, full sails,
+ Gold in the sun, dark when it fails,
+Now you are smiling, then you weep!
+
+O blue of heaven, and bluer sea,
+ And green of wave, and gold of sky,
+ And white of sand that stretches by,
+Toward east and west, away from me!
+
+O shell-strewn shore, that silent hears
+ The legend of the mighty main,
+ And tells to none the lore again,--
+We catch one utterance only: "Years!"
+
+
+
+
+IMPERSONALITY
+
+
+I dreamed within a dream the sun was gold;
+ And as I walked beneath this golden sun,
+The world was like a mighty play-room old,
+ Made for our pleasure since it was begun.
+
+But when I waked I found the sun was air,
+ The world was air, and all things only seemed,
+Except the thoughts we grow by; for in prayer
+ We change to spirits such as God has dreamed.
+
+
+
+
+A PROTEAN GLIMPSE.
+
+
+Time and I pass to and fro,
+Hardly greeting as we go,--
+Go askant, like crossing wings
+Of sea-gulls where the brave sea sings.
+
+Time, the messenger of Fate!
+Cunning master of debate,
+Cunning soother of all sorrow,
+Ruthless robber of to-morrow;
+Tyrant to our dallying feet,
+Though patron of a life complete;
+Like Puck upon a rosy cloud,
+He rides to distance while we woo him,--
+Like pale Remorse wrapped in a shroud,
+He brings the world in sackcloth to him!
+O dimly seen, and often met
+As shadowings of a wild regret!
+O king of us, yet feebly served;
+Dispenser of the dooms reserved;
+So silent at the folly done,
+So deadly when our respite's gone!--
+As sea-gulls, slanting, cross at sea,
+So cross our rapid flights with thee.
+
+
+
+
+POWER AGAINST POWER.
+[Nathaniel Hawthorne, 1864.]
+
+
+Where spells were wrought he sat alone,
+The wizard touching minds of men
+Through far-swung avenues of power,
+And proudly held the magic pen.
+
+By the dark wall a white Shape gleams,
+By morning's light a Shadow falls!
+Is it a servant of his brain,
+Or Power that to his power calls?
+
+By morning's light the Shadow looms,
+And watches with relentless eyes;
+In night-gloom holds the glimmering lamp,
+While the pen ever slower flies.
+
+By the dark wall it beckons still,
+By evening light it darkly stays;
+The wizard looks, and his great life
+Thrills with the sense of finished days.
+
+A Shape so ghost-like by the sun,
+With smiles that chill as dusks descend!
+The glancing wizard, stern and pale,
+Admits the presence of the End.
+
+Health has forsaken, death is near,
+The hand moves slower, eyes grow dim;
+The End approaches, and the man
+Dreams of no spell for quelling Him.
+
+
+
+
+LIFE'S PRIESTESS.
+
+
+All to herself a woman never sings
+A happy song. Oh no! but it is so
+As when the thrush has closed down his wings
+Within the wood, and hears his hidden woe
+From his own bill fill aisles of leaves, and go
+About the wood and come to him again.
+
+
+
+
+LOVE NOW.
+
+
+The sanctity that is about the dead
+ To make us love them more than late, when here,
+ Is not it well to find the living dear
+With sanctity like this, ere they have fled?
+
+The tender thoughts we nurture for a loss
+ Of mother, friend, or child, oh! it were wise
+ To spend this glory on the earnest eyes,
+The longing heart, that feel life's present cross.
+
+Give also mercy to the living here
+ Whose keen-strung souls will quiver at your touch;
+ The utmost reverence is not too much
+For eyes that weep, although the lips may sneer.
+
+
+
+
+ONE AND ONE.
+
+
+The thanking heart can only silence keep;
+ The breaking heart can only die alone:
+Our happy love above abysses deep
+ Of unguessed power hovers, and is gone!
+
+Come, take my hand, O friend I take for life!
+ You cannot reach my soul through touch or gaze;
+Be our full lips with infinite meanings rife:
+ The longed-for words, which of us ever says?
+
+
+
+
+THE VIOLIN.
+
+
+Touch gently, friend, and slow, the violin, So sweet and low,
+That my dreaming senses may be beckoned so
+Into a rest as deep as the long past "years ago!"
+So softly, then, begin;
+
+And ever gently touch the violin,
+Until an impulse grows of a sudden, like wind
+On the brow of the earth,
+And the voice of your violin shows its wide-swung girth
+With a crash of the strings and a medley of rage and mirth;
+And my rested senses spring
+Like juice from a broken rind,
+And the joys that your melodies bring
+I know worth a life-time to win,
+As you waken to love and this hour your violin!
+
+
+
+
+GERTRUDE.
+[In Memory: 1877.]
+
+
+What shall I say, my friend, my own heart healing,
+When for my love you cannot answer me?
+This earth would quake, alas! might I but see
+You smile, death's rigorous law repealing!
+Pale lips, your mystery so well concealing,
+May not the eloquent, varied minstrelsy
+Of my inspired ardor potent be
+To touch your chords to music's uttered feeling?
+Friend, here you cherished flowers: send me now
+One ghostly bloom to prove that you are blessed.
+No? If denial such as brands my brow
+Be in your heavenly regions, too, confessed,
+Oh may it prove the truth that your still eyes
+Foresee the end of all futurities!
+
+
+
+
+UNITY IN SPACE.
+
+
+Take me away into a storm of snow
+ So white and soft, I feel no deathly chill,
+But listen to the murmuring overflow
+ Of clouds that fall in many a frosty rill!
+
+Take me away into the sunset's glow,
+ That holds a summer in a glorious bloom;
+Or take me to the shadowed woods that grow
+ On the sky's mountains, in the evening gloom!
+
+Give me an entrance to the limpid lake
+ When moonbeams shine across its purity!
+A life there is, within the life we take
+ So commonly, for which 't were well to die.
+
+
+
+
+THE SHELL AND THE WORLD.
+
+
+The world was like a shell to me,--
+Its voice with distant song was low;
+But now its mysteries I know:
+I hear the turmoil of the sea.
+
+The whirling, soft, and tender sound
+That meant I knew not what of lore,--
+I dream its mystery now no more:
+Its reckless meaning I have found.
+
+O shell! I held thee to my ears
+When I was young, and smiled with pride
+To stand aglow at marvel's side!
+O world, thy voice is wild with tears!
+
+
+
+
+THE CLOCK-TOWER BELL.
+
+
+Say not, sad bell, another hour hath come,
+ Bare for the record of a world of crime;
+ Toll, rather, friend, the end of hideous Time,
+Wherein we bloom, live, die, yet have no home!
+
+Bell, laurels would we o'er thy pulsing twine,
+ And sing thee songs of triumph with glad tears,
+ If to the warring of our haggard years
+Thy clang should herald peace along the line!
+
+
+
+
+OURS TO ENDURE.
+
+
+We speak of the world that passes away,--
+ The world of men who lived years ago,
+ And could not feel that their hearts' quick glow
+Would fade to such ashen lore to-day.
+
+We hear of death that is not our woe,
+ And see the shadow of funerals creeping
+ Over the sweet fresh roads by the reaping;
+But do we weep till our loved ones go?
+
+When one is lost who is greater than we,
+ And loved us so well that death should reprieve
+ Of all hearts this one to us; when we must leave
+His grave,--the past will break like the sea!
+
+
+
+
+BROKEN WAVES.
+
+
+The sun is lying on the garden-wall,
+ The full red rose is sweetening all the air,
+ The day is happier than a dream most fair;
+The evening weaves afar a wide-spread pall,
+ And lo! sun, day, and rose, no longer there!
+
+I have a lover now my life is young,
+ I have a love to keep this many a day;
+ My heart will hold it when my life is gray,
+My love will last although my heart be wrung.
+ My life, my heart, my love shall fade away!
+
+O lover loved, the day has only gone!
+ In death or life, our love can only go;
+ Never forgotten is the joy we know,
+We follow memory when life is done:
+ No wave is lost in all the tides that flow.
+
+
+
+
+WHY SAD TO-DAY?
+
+
+Why is the nameless sorrowing look
+ So often thought a whim?
+God-willed, the willow shades the brook,
+ The gray owl sings a hymn;
+
+Sadly the winds change, and the rain
+ Comes where the sunlight fell:
+Sad is our story, told again,
+ Which past years told so well!
+
+Why not love sorrow and the glance
+ That ends in silent tears?
+If we count up the world's mischance,
+ Grieving is in arrears.
+
+Why should I know why I could weep?
+ The old urns cannot read
+The names they wear of kings they keep
+ In ashes; both are dead.
+
+And like an urn the heart must hold
+ Aims of an age gone by:
+What the aims were we are not told;
+ We hold them, who knows why?
+
+
+
+
+THE GHOSTS OF REVELLERS.
+
+
+At purple eyes beside the grain,
+ Our loves on altars we had burned,
+And mixed our tribute with the dew,
+ Our tears, when rosy dawn returned.
+
+Our voices we had joined with song
+ Of bird ecstatic, light, and free;
+Our laughter rollicked with the brook
+ Running through darkness merrily.
+
+At purple eyes beside the rim
+ Of frozen lakes our loves we burned,
+And slid away when stillness reigned:
+ Deep the vast woods our bodies urned.
+
+In starlit night along the shade
+ Of our dusk tombs our spirits glide;
+We hear the echoing of the wind,
+ We breathe the sighs we living sighed.
+
+
+
+
+LIFE'S BURYING-GROUND.
+
+
+My graveyard holds no once-loved human forms,
+ Grown hideous and forgotten, left alone,
+ But every agony my heart has known,--
+The new-born trusts that died, the drift of storms.
+
+I visit every day the shadowy grove;
+ I bury there my outraged tender thought;
+ I bring the insult for the love I sought,
+And my contempt, where I had tried to love.
+
+
+
+
+BEYOND UTTERANCE.
+
+
+There in the midst of gloom the church-spire rose,
+And not a star lit any side of heaven;
+In glades not far the damp reeds coldly touched
+Their sides, like soldiers dead before they fall;
+There in the belfry clung the sleeping bat,--
+Most abject creature, hanging like a leaf
+Down from the bell-tongue, silent as the speech
+The dead have lost ere they are laid in graves.
+
+A melancholy prelude I would sing
+To song more drear, while thought soars into gloom.
+Find me the harbor of the roaming storm,
+Or end of souls whose doom is life itself!
+So vague, yet surely sad, the song I dream
+And utter not. So sends the tide its roll,--
+Unending chord of horror for a woe
+We but half know, even when we die of it.
+
+
+
+
+THE SUICIDE.
+
+
+A shadowed form before the light,
+A gleaming face against the night,
+Clutched hands across a halo bright
+Of blowing hair,--her fixed sight
+Stares down where moving black, below,
+The river's deathly waves in murmurous silence flow.
+
+The moon falls fainting on the sky,
+The dark woods bow their heads in sorrow,
+The earth sends up a misty sigh:
+A soul defies the morrow!
+
+
+
+
+FOR OTHERS.
+
+
+Weeping for another's woe,
+Tears flow then that would not flow
+When our sorrow was our own,
+And the deadly, stiffening blow
+Was upon our own heart given
+In the moments that have flown!
+
+Cringing at another's cry
+In the hollow world of grief
+Stills the anguish of our pain
+For the fate that made us die
+To our hopes as sweet as vain;
+And our tears can flow again!
+
+One storm blows the night this way,
+But another brings the day.
+
+
+
+
+ZEST.
+
+
+Labor not in the murky dell,
+But till your harvest hill at morn;
+Stoop to no words that, rank and fell,
+Grow faster than the rustling corn.
+
+With gladdening eyes go greet the sun,
+Who lifts his brow in varied light;
+Bring light where'er your feet may run:
+So bring a day to sorrow's night.
+
+
+
+
+THE UNPERFECTED.
+
+
+A broken mirror in a trembling hand;
+ Sad, trembling lips that utter broken thought:
+One of a wide and wandering, aimless band;
+ One in the world who for the world hath naught.
+
+A heart that loves beyond the shallow word;
+ A heart well loved beyond its flowerless worth:
+One who asks God to answer the prayer heard;
+ One from the dust returning to the earth.
+
+Can miracle ne'er make the mirror whole
+ For one who, seeing, could be nobly bold?
+Who could well die, to magnify the soul,--
+ Whose strength of love will shake the graveyard's mould?
+
+
+
+
+GOD-MADE.
+
+
+Somewhere, somewhere in this heart
+ There lies a jewel from the sea,
+Or from a rock, or from the sand,
+ Or dropped from heaven wondrously.
+
+Oh, burn, my jewel, in my glance!
+ Oh, shimmer on my lips in prayer!
+Light my love's eyes to read my soul,
+ Which, wrapt in ashes, yet is fair!
+
+When dead I lie, forgotten, deep
+ Within the earth and sunken past,
+Still shall my jewel light my dust,--
+ The worth God gives us, first and last!
+
+
+
+
+A SONG BEFORE GRIEF.
+
+
+Sorrow, my friend,
+When shall you come again?
+The wind is slow, and the bent willows send
+Their silvery motions wearily down the plain.
+The bird is dead
+That sang this morning through the summer rain!
+
+Sorrow, my friend,
+I owe my soul to you.
+And if my life with any glory end
+Of tenderness for others, and the words are true,
+Said, honoring, when I'm dead,--
+Sorrow, to you, the mellow praise, the funeral
+wreath, are due.
+
+And yet, my friend,
+When love and joy are strong,
+Your terrible visage from my sight I rend
+With glances to blue heaven. Hovering along,
+By mine your shadow led,
+"Away!" I shriek, "nor dare to work my new-sprung mercies wrong!"
+
+Still, you are near:
+Who can your care withstand?
+When deep eternity shall look most clear,
+Sending bright waves to kiss the trembling land,
+My joy shall disappear,--
+A flaming torch thrown to the golden sea by your pale hand.
+
+
+
+
+PRIDE: FATE.
+
+
+Lullaby on the wing
+ Of my song, O my own!
+Soft airs of evening
+ Join my song's murmuring tone.
+
+Lullaby, O my love!
+ Close your eyes, lake-like clear;
+Lullaby, while above
+ Wake the stars, with heaven near.
+
+Lullaby, sweet, so still
+ In arms of death; I alone
+Sing lullaby, like a rill,
+ To your form, cold as a stone.
+
+Lullaby, O my heart!
+ Sleep in peace, all alone;
+Night has come, and your part
+ For loving is wholly done!
+
+
+
+
+FRANCIE.
+
+
+I loved a child as we should love
+ Each other everywhere;
+I cared more for his happiness
+ Than I dreaded my own despair.
+
+An angel asked me to give him
+ My whole life's dearest cost;
+And in adding mine to his treasures
+ I knew they could never be lost.
+
+To his heart I gave the gold,
+ Though little my own had known;
+To his eyes what tenderness
+ From youth in mine had grown!
+
+I gave him all my buoyant
+ Hope for my future years;
+I gave him whatever melody
+ My voice had steeped in tears.
+
+Upon the shore of darkness
+ His drifted body lies.
+He is dead, and I stand beside him,
+ With his beauty in my eyes.
+
+I am like those withered petals
+ We see on a winter day,
+That gladly gave their color
+ In the happy summer away.
+
+I am glad I lavished my worthiest
+ To fashion his greater worth;
+Since he will live in heaven,
+ I shall lie content in the earth.
+
+
+
+
+LOST REALITY.
+
+
+O soul of life, 't is thee we long to hear,
+ Thine eyes we seek for, and thy touch we dream;
+Lost from our days, thou art a spirit near,--
+ Life needs thine eloquence, and ways supreme.
+More real than we who but a semblance wear,
+ We see thee not, because thou wilt not seem!
+
+
+
+
+CLOSING CHORDS.
+
+
+I.
+
+_Death's Eloquence._
+
+
+When I shall go
+Into the narrow home that leaves
+No room for wringing of the hands and hair,
+And feel the pressing of the walls which bear
+The heavy sod upon my heart that grieves,
+(As the weird earth rolls on),
+Then I shall know
+What is the power of destiny. But still,
+Still while my life, however sad, be mine,
+I war with memory, striving to divine
+Phantom to-morrows, to outrun the past;
+For yet the tears of final, absolute ill
+And ruinous knowledge of my fate I shun.
+Even as the frail, instinctive weed
+Tries, through unending shade, to reach at last
+A shining, mellowing, rapture-giving sun;
+So in the deed of breathing joy's warm breath,
+Fain to succeed,
+I, too, in colorless longings, hope till death.
+
+
+II.
+
+_Peace._
+
+
+An angel spoke with me, and lo, he hoarded
+My falling tears to cheer a flower's face!
+For, so it seems, in all the heavenly space
+A wasted grief was never yet recorded.
+Victorious calm those holy tones afforded
+Unto my soul, whose outcry, in disgrace,
+Changed to low music, leading to the place
+Where, though well armed, with futile end awarded,
+My past lay dead. "Wars are of earth!" he cried;
+"Endurance only breathes immortal air.
+Courage eternal, by a world defied,
+Still wears the front of patience, smooth and fair."
+Are wars so futile, and is courage peace?
+Take, then, my soul, thus gently thy release!
+
+
+
+
+GRACE.
+
+
+Ill-wrought life we look at as we die!
+ Mistaken, selfish, meagre, and unmeet;
+So graven on the hearts that cruelly
+ We have deprived of many an hour sweet:
+O ill-wrought life we look at as we die!
+
+O day of God we look at as we die!
+ Grace, like a river flowing toward our feet;
+Wide pardon blowing with the breezes by;
+ Love telling us bright tales of the Complete;--
+While listening, hoping, thanking, lo, we die!
+
+
+
+
+ENDLESS RESOURCE.
+
+
+New days are dear, and cannot be unloved,
+ Though in deep grief we mourn, and cling to death;
+ Who has not known, in living on, a breath
+Of infinite joy that has life's rapture proved?
+
+If I have thought that in this rainbow world
+ The best we see was but a preface given
+ Of infinite greater tints in heaven,
+And life or no, heaven yet would be unfurl'd,--
+
+I did belie the soul-wide joys of earth,
+ And feelings deep as lights that dwell in seas.
+ Can heaven itself outlove such depths as these?
+Live on! Life holds more than we dream of worth!
+
+
+
+
+THE BABY.
+
+
+Pray, have you heard the news?
+Sturdy in lungs and thews,
+ There's a fine baby!
+Ring bells of crystal lip,
+Wave boughs with blossoming tip;
+ Think what he may be!
+
+Love cannot love enough,
+Winter is never rough
+ All round such sweetness;
+One of a million more
+Sent to the glad heart's door
+ In their completeness!
+
+Such news is never old,
+Though in each ear't is told,
+ As a first birthday.
+Welcome, thou ray of light!
+In golden prayers bedight,
+ Sail down thy mirth-way!
+
+
+
+
+A Waltz.
+
+
+Delicate gayety,
+Strains of a violin;
+Graceful steps begin--
+Roses at her waist!
+Clouds of sparkling light,
+Whispers of lovers alone
+As the couples drift one by one
+In the golden sheen of the ball.
+Alone in the happy crowd
+Each pair glides past each pair;
+Delicate strains of an air;
+Rainbow gayety:
+Pride of the moment throbs,
+Smiles, on the youthful cheek,
+Fearing no ill-wind's freak,
+Warm in the heart of the waltz;--
+Moving like melody,
+Flowing in light and glee,
+Young as the May is she,
+Strong as the June I am.
+
+
+
+
+FIRST BLOOM OF LOVE.
+
+
+O girl of spring! O brown-eyed girl!
+ Gathering violets near the woods,
+Whose coy young petals half unfurl
+ The mystery of their dulcet moods.
+
+O blushing girl! O girl of spring!
+ I hear no answer move the air;
+Yet eyelids hovering on the wing
+ Reveal deep meanings curtained there.
+
+O girl of spring! O spring of love!
+ Let silent violets be the speech
+From you to me, and let them prove
+ What maiden silence will not teach!
+
+
+
+
+A WOOING SONG.
+
+
+O love, I come; thy last glance guideth me!
+ Drawn, too, by webs of shadow, like thine hair;
+For, Sweet, the mystery
+ Of thy dark hair the deepening dusk hath caught.
+In early moonlight gleamings, lo, I see
+ Thy white hands beckon to the garden, where
+Dim day and silvery darkness are inwrought
+ As our two lives, where, joining soul with soul,
+The tints shall mingle in a fairer whole.
+ Oh! dost thou hear? I call, beloved, I call,
+My stout heart trembling till thy words return;
+ Hope-lifted, I float faster with the fall
+Of fear toward joy such fear alone can earn!
+
+
+
+
+DOROTHY.
+
+Dear little Dorothy, she is no more!
+I have wandered world-wide, from shore to shore,
+I have seen as great beauties as ever were wed;
+But none can console me for Dorothy dead.
+
+Dear little Dorothy! How strange it seems
+That her face is less real than the faces of dreams;
+That the love which kept true, and the lips which so spoke,
+Are more lost than my heart, which died not when it broke!
+
+
+
+
+MORNING SONG.
+
+
+Turn thy face to me, my love,
+I come from out the morning;
+Give thy hand to me, my love,
+I'm dewy from the dawning.
+
+Touch my lips with thine, my love,
+I've tasted air at daybreak;
+Gaze into my eyes, my love,
+At the sky's waking they wake.
+
+
+
+
+LOOKING BACKWARD.
+
+
+Gray towers make me think of thee,
+Thou girl of olden minstrelsy,
+Young as the sunlight of to-day,
+Silent as tasselled boughs in May!
+
+A wind-flower in a world of harm,
+A harebell on a turret's arm,
+A pearl upon the hilt of fame
+Thou wert, fair child of some high name.
+
+The velvet page, the deep-eyed knight,
+The heartless falcon, poised for flight,
+The dainty steed and graceful hound,
+In thee their keenest rapture found.
+
+But for old ballads, and the rhyme
+And writ of genius o'er the time
+When keeps had newly reared their towers,
+The winning scene had not been ours.
+
+O Chivalry! thy age was fair,
+When even knaves set out to dare
+Their heads for any barbarous crime,
+And hate was brave, and love sublime.
+
+The bugle-note I send so far
+Across Time's moors to thee, sweet star,
+Where stands thy castle in its mist,
+Hear, if the wandering breezes list!
+
+
+
+
+UNLOVED.
+
+
+Paler than the water's white
+ Stood the maiden in the shade,
+And more silent than the night
+ Were her lips together laid;
+
+Eyes she hid so long and still
+ By lids wet with unshed tears,
+Hands she loosely clasped at will,
+ Though her heart was full of fears.
+
+Never, never, never more
+ May her soul with joy be moved;
+Silent, silent, silent,--for
+ He was silent whom she loved.
+
+
+
+
+THE CLOCK'S SONG.
+
+
+Eileen of four,
+Eileen of smiles;
+Eileen of five,
+Eileen of tears;
+Eileen of ten, of fifteen years,
+Eileen of youth
+And woman's wiles;
+Eileen of twenty,
+In love's land,
+Eileen all tender
+In her bliss,
+Untouched by sorrow's treacherous kiss,
+And the sly weapon in life's hand,--
+Eileen aroused to share all fate,
+Eileen a wife,
+Pale, beautiful,
+Eileen most grave
+And dutiful,
+Mourning her dreams in queenly state.
+Eileen! Eileen!....
+
+
+
+
+BROKEN-HEARTED.
+
+
+"Cross my hands upon my breast,"
+Read her last behest.
+"Turn my cheek upon the pillow,
+As resting from life's stormy billow
+ With sleep's fine zest!"
+
+"Cross my hands upon my breast,"
+Read her last behest,
+"That the patient bones may lie
+In form of thanks eternally,
+ Grimly expressed!"
+
+We clasped her hands upon her breast:
+Oh mockery at misery's hest!
+We hid in flowers her body's grief,--
+Counting by many a rose and leaf
+ Her days unblessed!
+
+
+
+
+THE CYNIC'S FEALTY.
+
+
+We all have hearts that shake alike
+ Beneath the arias of Fate's hand;
+ Although the cynics sneering stand,
+These too the deathless powers strike.
+
+A trembling lover's infinite trust,
+ To the last drop of doating blood,
+ Feels not alone the ocean flood
+Of desperate grief, when dreams are dust.
+
+The scornfullest souls, with mourning eyes,
+ Pant o'er again their ghostly ways;--
+ Dread night-paths, where were gleaming days
+When life was lovelier than the skies!
+
+
+
+
+THE GIRLS WE MIGHT HAVE WED.
+
+
+Come, brothers, let us sing a dirge,--
+A dirge for myriad chances dead;
+In grief your mournful accents merge:
+Sing, sing the girls we might have wed!
+
+Sweet lips were those we never pressed
+In love that never lost the dew
+In sunlight of a love confessed,--
+Kind were the girls we never knew!
+
+Sing low, sing low, while in the glow
+Of fancy's hour those forms we trace,
+Hovering around the years that go;
+Those years our lives can ne'er replace!
+
+Sweet lips are those that never turn
+A cruel word; dear eyes that lead
+The heart on in a blithe concern;
+White hand of her we did not wed;
+
+Fair hair or dark, that falls along
+A form that never shrinks with time;
+Bright image of a realm of song,
+Standing beside our years of prime;--
+
+When you shall go, then may we know
+The heart is dead, the man is old.
+Life can no other charm bestow
+When girls we might have loved turn cold!
+
+
+
+
+"NEITHER!"
+
+
+So ancient to myself I seem,
+I might have crossed grave Styx's stream
+ A year ago;--
+ My word, 'tis so;--
+ And now be wandering with my sires
+In that rare world we wonder o'er,
+Half disbelieve, and prize the more!
+
+Yet spruce I am, and still can mix
+My wits with all the sparkling tricks,
+ A youth and girl
+ At twenty's whirl
+ Play round each other's bosom fires,
+On this brisk earth I once enjoyed:--
+But now I'm otherwise employed!
+
+Am I a thing without a name;
+A sort of dummy in the game?
+ "Not young, not old:"
+ A world is told
+ Of misery in that lengthened phrase;
+Yet, gad, although my coat be smooth,
+My forehead's wrinkled,--that's the truth!
+
+I hardly know which road to go.
+With youth? Perhaps. With age? Oh no!
+ Well, then, with those
+ Who share my woes,
+ Doomed to mere fashionable ways,--
+Fair matrons, cigarettes, and tea,
+Sighs, mirrors, and society?
+
+Is it a folly still to twirl,
+And smirk and promenade and querl
+ About the town?
+ I'll put this down:
+ A man becomes downright _blast_
+Before he knows that he is either
+That, or what I am--call it, "Neither."
+
+Oh, for a hint what we shall do,
+We bucks whose comedy is through!
+ Who'd be sedate?
+ And yet I hate
+ To pose persistently to-day
+As one just trying flights, you know,
+When I _did_ try them long ago!
+
+Suppose I hurry up the tide
+Of age, and bravely drift beside
+ Those hoary dogs
+ Who lie like logs
+ Around the clubs where life is hushed?
+My blood runs cold! What? Say farewell
+To this year's new bewildering belle!
+
+Hold, man, the secret broad and huge,
+With every well-known subterfuge!
+ If bald and gray
+ And thin, still say
+ You're only thirty: don't be crushed;
+But when your voice shakes o'er a pun,
+Be off to China:--your day's done!
+
+
+
+
+USED UP.
+
+
+Hand me my light gloves, James;
+ I'm off for the waltzing world,
+The kingdom of Strauss and that--
+Where is my old crush-hat?
+ _Is_ my hair properly curled?
+Call in the daytime, James.
+
+Think of me, won't you, James,
+ When I am rosily twirling
+The "Rose of a garden of girls,"
+The Pearl among circling pearls,
+ In a mesh of melodious whirling?
+Envy me, won't you, James?
+
+For a heart lost along with her fan,
+ For a nice sense of honor flown,
+For the care of an invalid soul,
+And tastes far beyond my control,--
+ I have for my precious own
+The fame of a "waltzing man."
+
+If I don't come, come for me, James.
+ Ah, the waltz is my mastering passion!
+The trip-tripping airs are as sweet
+As love to my turning feet,
+ While I clasp the fair doll of fashion,
+My _fiancée_. But come for me, James.
+
+The heart which I lost--it is strange--
+ I've been told it will yet be my death;
+And I think it quite likely I might
+Waltz once too often to-night,
+ In spite of the music and Beth.
+Death's a difficult move to arrange.
+
+Pray smoke by the fire, old boy,
+ And find yourself whiskey and books.
+If I should not turn up, then, at two
+Or three, you will know I need you.
+ If I'm dead, you must pardon my looks
+As I lie in the ball-room, old boy.
+
+
+
+
+A YOUTH'S SUICIDE.
+
+
+He handed his life a poisoned draught,
+With a scornful smile and a cold, cold glance,
+And the merry bystanders loudly laughed
+(For the rollicking world was gay!).
+
+He thought she knew not the juice, perchance;
+But her tears fell down to her sobbing lips
+While the merry-makers turned to the dance
+(The world was mocking fate that day!).
+
+To his life he kissed his finger-tips:
+"Drink deep the beaker, and so farewell!"
+Then slowly the poisoned draught she sips
+(How they laugh at her meek dismay!).
+
+He sprang to her arm, which loosely fell,
+Crying: "No! not yet that dire eclipse!"
+Now loud laughed the dancers, and whirled pell-mell
+(While the echoes hurried away!).
+
+The mad world clustered, it seemed, around.
+"Farewell!" she sighed, sinking; then from afar
+Flowed the pealing laughter and wassail's sound
+(For the dead the world will not stay!).
+
+
+
+
+TWENTY BOLD MARINERS.
+
+
+Twenty bold mariners went to the wave,
+ Twenty sweet breezes blew over the main;
+All were so hearty, so free, and so brave,--
+ But they never came back again!
+
+Half the wild ocean rose up to the clouds,
+ Half the broad sky scowled in thunder and rain;
+Twenty white crests rose around them like shrouds,
+ And they stayed in the dancing main!
+
+This is easy to sing, and often to mourn,
+ And the breaking of dawn is no newer to-day;
+But those who die young, or are left forlorn,
+ Think grief is no older than they!
+
+
+
+
+IN THE ARTILLERY.
+
+
+We are moving on in silence,
+Save for rattling iron and steel,
+And a skirmish echoing round us,
+Showering faintly, peal on peal.
+
+Like a lion roars the North wind
+As a-horse we sternly clank,
+While beside the guns our men drop,
+Slyly shot from either flank.
+
+You are musing, love, and smiling
+By the hearth-fire of the Mill,
+While the tangled oaks are cracking
+Boughs upon the windy hill.
+
+I can see the moonlight shining
+Over fields of frozen calm;
+I can hear the chapel organ,
+And the singing of the psalm.
+
+Fare you well, then, English village,
+Which of all I loved the most,
+Where my ghost alone can wander
+Once again, when life is lost.
+
+Fare you well, then, Sally Dorset;
+You will never utter wail
+For the soldier dead who loved you
+With these tears of no avail!
+
+I can see your drowsy lashes
+Lifting as you hear them read
+Prayers in mercy for our souls' shrift
+When we come to our last need.
+
+I forgive you, matchless beauty,
+Proudly conscious of your fame,
+Loved by many a luckless youngster
+Who will ne'er forget your name!
+
+Merry, though so cold of answer,
+With a laughing glance of steel,
+How your face swept like a banner,
+Blushing down the village reel!
+
+As you dance before my vision
+On this deadly foreign morn,
+Death is charmed into the soothing
+Of the love you chose to scorn.
+
+We shall die--our hours are numbered--
+As the sunlight dawns serene
+Over yonder mountain ridges,
+Rimming round this battle scene.
+
+I shall die--few will return, dear;
+I shall be of those who stay:
+England sent us, but a handful,
+Among hordes of heathen clay.
+
+We will show the world how England
+Has no dross to spend in war;
+When she throws away her soldiers,
+They are soldiers to the core.
+
+You will wake to hear the twitter
+Of the early sparrow's note:
+I shall lie beneath the heavens,
+With the death-grip at my throat!
+
+
+
+
+THE LOST BATTLE
+
+
+To his heart it struck such terror
+ That he laughed a laugh of scorn,--
+The man in the soldier's doublet,
+ With the sword so bravely worn.
+
+It struck his heart like the frost-wind
+ To find his comrades fled,
+While the battle-field was guarded
+ By the heroes who lay dead.
+
+He drew his sword in the sunlight,
+ And called with a long halloo:
+"Dead men, there is one living
+ Shall stay it out with you!"
+
+He raised a ragged standard,
+ This lonely soul in war,
+And called the foe to onset,
+ With shouts they heard afar.
+
+They galloped swiftly toward him.
+ The banner floated wide;
+It sank; he sank beside it
+ Upon his sword, and died.
+
+
+
+
+THE OUTGOING RACE.
+
+
+The mothers wish for no more daughters;
+There is no future before them.
+They bow their heads and their pride
+At the end of the many tribes' journey.
+
+The mothers weep over their children,
+Loved and unwelcome together,
+Who should have been dreamed, not born,
+Since there is no road for the Indian.
+
+The mothers see into the future,
+Beyond the end of that Chieftain
+Who shall be the last of the race
+Which allowed only death to a coward.
+
+The square, cold cheeks, lips firm-set,
+The hot, straight glance, and the throat-line,
+Held like a stag's on the cliff,
+Shall be swept by the night-winds, and vanish!
+
+
+
+
+HIDDEN HISTORY.
+
+
+I.
+
+
+There was a maiden in a land
+ Was buried with all honor fine,
+For they said she had dared her pulsing life
+ To save a silent, holy shrine.
+
+The cannon rode by the church's door,
+ The men's wild faces flashed in the sun;
+The woman had guarded with rifle poised,
+ While the cassocked priests had run.
+
+Ah, no! To save her pulsing life
+ The woman like a reindeer turned,
+While hostile armies rolled by her in clouds,
+ And miles of sun and metal burned.
+
+But who should know? For she was dead
+ Before the leathern curtain's wall,
+When came her wide-eyed comrades, and found
+ Her body and her weapon, all.
+
+
+II.
+
+
+There was a woman left to die
+ Who never told her sacrifice,
+But trusted for her crown to God,
+ As to its value and device.
+
+No land was prouder for her heart,
+ No word has echoed long her deed,
+And where she has lain, the angel flower
+ Looks like a common weed.
+
+
+
+
+A BALLAD OF THE MIST.
+
+
+"I love the Lady of Merle," he said.
+"She is not for thee!" her suitor cried.
+And in the valley the lovers fought
+ By the salt river's tide.
+
+The braver fell on the dewy sward:
+The unloved lover returned once more;
+In yellow satin the lady came
+ And met him at the door.
+
+"Hast thou heard, dark Edith," laughed he grim,
+"Poor Hugh hath craved thee many a day?
+Soon would it have been too late for him
+ His low-born will to say.
+
+"I struck a blade where lay his heart's love,
+And voice for thee have I left him none,
+To brag he still seeks thee over the hills
+ When thou and I are one!"
+
+Fearless across the wide country
+Rode the dark Lady Edith of Merle;
+She looked at the headlands soft with haze,
+ And the moor's mists of pearl.
+
+The moon it struggled to see her pass
+Through its half-lit veils of driving gray;
+But moonbeams were slower than the steed
+ That Edith rode away.
+
+Oh, what was her guerdon and her haste,
+While cried the far screech-owl in the tree,
+And to her heart crept its note so lone,
+ Beating tremulously?
+
+About her a black scarf floated thin,
+And over her cheek the mist fell cold,
+And shuddered the moon between its rifts
+ Of dark cloud's silvery fold.
+
+Oh, white fire of the nightly sky
+When burns the moon's wonder wide and far,
+And every cloud illumed with flame
+ Engulfs a shaken star!
+
+ * * * * *
+
+Bright as comes morning from the hill,
+There comes a face to her lover's eyes;
+Her love she tells; and he, dying, smiles,--
+ And smiles yet in the skies.
+
+He is dead, and closer breathe the mists;
+He is dead, the owlet moans remote;
+He is buried, and the moon draws near,
+ To gaze and hide and float.
+
+Fearless within the churchyard's spell
+The white-browed lady doth stand and sigh;
+She loves the mist, and the grave, and the moon,
+ And the owl's quivering cry.
+
+
+
+
+THE DREAMING WHEEL.
+
+
+Down slant the moonbeams to the floor
+ Through the garret's scented air,
+And show a thin-spoked spinning-wheel,
+Standing ten years and more
+Far from the hearth-stone's woe and weal,--
+ The ghost of a lost day's care!
+
+And over the dreaming spinning-wheel,
+ That has not stirred so long,
+The weaving spiders spin a veil,
+A silvery shroud for its human zeal
+And usefulness, with their fingers pale,
+ The shadowy lights among.
+
+See! in the moonlight cold and gray
+ A thoughtful maiden stands;
+And though she blames not overmuch
+With her sweet lips the great world's way,
+Yet sad and slow she stoops to touch
+ The still wheel with her hands.
+
+"Forsaken wheel! when you first came
+ To clothe young hearts and old,
+Our ancestors were glad to wear
+Your woof, nor knew the shame
+Which later days have bred, to share
+ The homespun's simple fold!
+
+"My lover's gone to win for me,
+ With tender pride and care,
+Riches to garnish all our days;
+But love thrives in simplicity
+As well as in the prouder ways,
+ If noble thought is there!
+
+"When our strong grandsires vowed to wed,
+ Stout knots of wool, and corn,
+Were gathered in, and hardly more
+Of what will count not when we're dead!
+Life brought them to a happy shore,
+ Who set their sails at dawn.
+
+"O silent wheel! we weave a sad,
+ Weak fabric of our days;
+The faith that moved thee long is gone;
+Forgot, the couple, lass and lad,
+Who loved with courage deeply drawn,
+ Heeding but God's delays!
+
+"On thy long loneliness the sun
+ Blazes in dread, the moon
+Shines with a pitiless, threatening hue!
+And while the golden sand-grains run,
+Old age comes nearer; and like you
+ I may be standing silent--soon!
+
+"Then turn, my lover, turn your eyes
+ Back to the humble door;
+Waste not the youthful years in hand.
+See where the truest comfort lies,
+And join the freer old-time band,
+ Nor crave a worldly store!
+
+"In Freedom's land let no one know
+ Even the chain of ease,
+Nor bow to royal Luxury's glance.
+From peasant-hands fair art can grow;
+From the rough brow thought springs with lance
+ And helmet: God loves these!"
+
+She wept; then raised her head, and swung
+ The aged wheel with whispering whir;
+And as it turned, it softly sung
+ (In fancy) this response to her:--
+
+"I had not spun the sower's shirt,
+ I had not kept the children warm,
+ If I had found a wearing harm
+In my monotonous toil alert.
+
+"To those who wait with eager eyes
+ And ready hands and tender hearts,--
+ They find the giant year, that parts,
+Hath forged strong links with paradise!
+
+"Sigh not that Time doth turn the glass
+ To let the golden sand-grains run,
+ While longer shadows of the sun
+Fall o'er the spring-time, bonny lass!
+
+"The circumstances of a life
+ Are little things compared to it;
+ The way love's shown is ever fit;
+Thank God, who gives us love, not strife!
+
+"And if I do not stand beside
+ The hearth, as fifty years ago,
+ No current of the years that flow
+Can rob the radiance from a bride!
+
+"I know not why the world should change,
+ I know not why my day is done;
+ And yet this limit of my zone
+Hints of the limit to all range.
+
+"Man's progress always alters tint,
+ As mountains move from rose to gray;
+ Yet like their shapes, love still doth stay
+The same, complete,--'tis God's imprint.
+
+"And yet I dream Time yet may turn
+ Its wheel to weave the humbler thought,
+ As in old days. When joy is sought,
+Men find it where the hearth-fires burn."
+
+
+
+
+THE ROADS THAT MEET.
+
+
+ART.
+
+
+One is so fair, I turn to go,
+ As others go, its beckoning length;
+Such paths can never lead to woe,
+ I say in eager, early strength.
+ What is the goal?
+ Visions of heaven, wake;
+ But the wind's whispers round me roll:
+ "For you, mistake!"
+
+
+LOVE.
+
+
+One leads beneath high oaks, and birds
+ Choose there their joyous revelry;
+The sunbeams glint in golden herds,
+ The river mirrors silently.
+ Under these trees
+ My heart would bound or break;
+ Tell me what goal, resonant breeze?
+ "For you, mistake!"
+
+
+CHARITY.
+
+
+What is there left? The arid way,
+ The chilling height, whence all the world
+Looks little, and each radiant day,
+ Like the soul's banner, flies unfurled.
+ May I stand here;
+ In this rare ether slake
+ My reverential lips, and fear
+ No last mistake?
+
+Some spirits wander till they die,
+ With shattered thoughts and trembling hands;
+What jarred their natures hopelessly
+ No living wight yet understands.
+ There is no goal,
+ Whatever end they make;
+ Though prayers each trusting step control,
+ They win mistake.
+
+This is so true, we dare not learn
+ Its force until our hopes are old,
+And, skyward, God's star-beacons burn
+ The brighter as our hearts grow cold.
+ If all we miss,
+ In the great plans that shake
+ The world, still God has need of this,--
+ Even our mistake.
+
+
+
+
+A PASSING VOICE.
+
+"Turn me a rhyme," said Fate,
+ "Turn me a rhyme:
+A swift and deadly hate
+ Blows headlong towards thee in the teeth of Time.
+Write! or thy words will fall too late."
+
+"Write me a fold," said Fate,
+ "Write me a fold,
+Life to conciliate,
+ Of words red with thine heart's blood, hotly told.
+Then, kings may envy thine estate!"
+
+ "Make thee a fame," said Fate,
+ "Make thee a fame
+ To storm the heaven-hung gate,
+ Unbarred alone to the victorious name
+ Which has Art's conquerors to mate."
+
+ "Die in thy shame," said Fate,
+ "Die in thy shame!
+ Naught here can compensate
+ But the proud radiance of that glorious flame,
+ Genius: fade, thou, unconsecrate!"
+
+
+THE END.
+
+
+
+
+
+End of Project Gutenberg's Along the Shore, by Rose Hawthorne Lathrop
+
+*** END OF THE PROJECT GUTENBERG EBOOK ALONG THE SHORE ***
+
+This file should be named atshr10.txt or atshr10.zip
+Corrected EDITIONS of our eBooks get a new NUMBER, atshr11.txt
+VERSIONS based on separate sources get new LETTER, atshr10a.txt
+
+This eBook was produced by Michelle Shephard, Eric Eldred,
+Charles Franks and the Online Distributed Proofreading Team
+
+Project Gutenberg eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the US
+unless a copyright notice is included. Thus, we usually do not
+keep eBooks in compliance with any particular paper edition.
+
+We are now trying to release all our eBooks one year in advance
+of the official release dates, leaving time for better editing.
+Please be encouraged to tell us about any error or corrections,
+even years after the official publication date.
+
+Please note neither this listing nor its contents are final til
+midnight of the last day of the month of any such announcement.
+The official release date of all Project Gutenberg eBooks is at
+Midnight, Central Time, of the last day of the stated month. A
+preliminary version may often be posted for suggestion, comment
+and editing by those who wish to do so.
+
+Most people start at our Web sites at:
+http://gutenberg.net or
+http://promo.net/pg
+
+These Web sites include award-winning information about Project
+Gutenberg, including how to donate, how to help produce our new
+eBooks, and how to subscribe to our email newsletter (free!).
+
+
+Those of you who want to download any eBook before announcement
+can get to them as follows, and just download by date. This is
+also a good way to get them instantly upon announcement, as the
+indexes our cataloguers produce obviously take a while after an
+announcement goes out in the Project Gutenberg Newsletter.
+
+http://www.ibiblio.org/gutenberg/etext03 or
+ftp://ftp.ibiblio.org/pub/docs/books/gutenberg/etext03
+
+Or /etext02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90
+
+Just search by the first five letters of the filename you want,
+as it appears in our Newsletters.
+
+
+Information about Project Gutenberg (one page)
+
+We produce about two million dollars for each hour we work. The
+time it takes us, a rather conservative estimate, is fifty hours
+to get any eBook selected, entered, proofread, edited, copyright
+searched and analyzed, the copyright letters written, etc. Our
+projected audience is one hundred million readers. If the value
+per text is nominally estimated at one dollar then we produce $2
+million dollars per hour in 2002 as we release over 100 new text
+files per month: 1240 more eBooks in 2001 for a total of 4000+
+We are already on our way to trying for 2000 more eBooks in 2002
+If they reach just 1-2% of the world's population then the total
+will reach over half a trillion eBooks given away by year's end.
+
+The Goal of Project Gutenberg is to Give Away 1 Trillion eBooks!
+This is ten thousand titles each to one hundred million readers,
+which is only about 4% of the present number of computer users.
+
+Here is the briefest record of our progress (* means estimated):
+
+eBooks Year Month
+
+ 1 1971 July
+ 10 1991 January
+ 100 1994 January
+ 1000 1997 August
+ 1500 1998 October
+ 2000 1999 December
+ 2500 2000 December
+ 3000 2001 November
+ 4000 2001 October/November
+ 6000 2002 December*
+ 9000 2003 November*
+10000 2004 January*
+
+
+The Project Gutenberg Literary Archive Foundation has been created
+to secure a future for Project Gutenberg into the next millennium.
+
+We need your donations more than ever!
+
+As of February, 2002, contributions are being solicited from people
+and organizations in: Alabama, Alaska, Arkansas, Connecticut,
+Delaware, District of Columbia, Florida, Georgia, Hawaii, Illinois,
+Indiana, Iowa, Kansas, Kentucky, Louisiana, Maine, Massachusetts,
+Michigan, Mississippi, Missouri, Montana, Nebraska, Nevada, New
+Hampshire, New Jersey, New Mexico, New York, North Carolina, Ohio,
+Oklahoma, Oregon, Pennsylvania, Rhode Island, South Carolina, South
+Dakota, Tennessee, Texas, Utah, Vermont, Virginia, Washington, West
+Virginia, Wisconsin, and Wyoming.
+
+We have filed in all 50 states now, but these are the only ones
+that have responded.
+
+As the requirements for other states are met, additions to this list
+will be made and fund raising will begin in the additional states.
+Please feel free to ask to check the status of your state.
+
+In answer to various questions we have received on this:
+
+We are constantly working on finishing the paperwork to legally
+request donations in all 50 states. If your state is not listed and
+you would like to know if we have added it since the list you have,
+just ask.
+
+While we cannot solicit donations from people in states where we are
+not yet registered, we know of no prohibition against accepting
+donations from donors in these states who approach us with an offer to
+donate.
+
+International donations are accepted, but we don't know ANYTHING about
+how to make them tax-deductible, or even if they CAN be made
+deductible, and don't have the staff to handle it even if there are
+ways.
+
+Donations by check or money order may be sent to:
+
+Project Gutenberg Literary Archive Foundation
+PMB 113
+1739 University Ave.
+Oxford, MS 38655-4109
+
+Contact us if you want to arrange for a wire transfer or payment
+method other than by check or money order.
+
+The Project Gutenberg Literary Archive Foundation has been approved by
+the US Internal Revenue Service as a 501(c)(3) organization with EIN
+[Employee Identification Number] 64-622154. Donations are
+tax-deductible to the maximum extent permitted by law. As fund-raising
+requirements for other states are met, additions to this list will be
+made and fund-raising will begin in the additional states.
+
+We need your donations more than ever!
+
+You can get up to date donation information online at:
+
+http://www.gutenberg.net/donation.html
+
+
+***
+
+If you can't reach Project Gutenberg,
+you can always email directly to:
+
+Michael S. Hart <hart@pobox.com>
+
+Prof. Hart will answer or forward your message.
+
+We would prefer to send you information by email.
+
+
+**The Legal Small Print**
+
+
+(Three Pages)
+
+***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN EBOOKS**START***
+Why is this "Small Print!" statement here? You know: lawyers.
+They tell us you might sue us if there is something wrong with
+your copy of this eBook, even if you got it for free from
+someone other than us, and even if what's wrong is not our
+fault. So, among other things, this "Small Print!" statement
+disclaims most of our liability to you. It also tells you how
+you may distribute copies of this eBook if you want to.
+
+*BEFORE!* YOU USE OR READ THIS EBOOK
+By using or reading any part of this PROJECT GUTENBERG-tm
+eBook, you indicate that you understand, agree to and accept
+this "Small Print!" statement. If you do not, you can receive
+a refund of the money (if any) you paid for this eBook by
+sending a request within 30 days of receiving it to the person
+you got it from. If you received this eBook on a physical
+medium (such as a disk), you must return it with your request.
+
+ABOUT PROJECT GUTENBERG-TM EBOOKS
+This PROJECT GUTENBERG-tm eBook, like most PROJECT GUTENBERG-tm eBooks,
+is a "public domain" work distributed by Professor Michael S. Hart
+through the Project Gutenberg Association (the "Project").
+Among other things, this means that no one owns a United States copyright
+on or for this work, so the Project (and you!) can copy and
+distribute it in the United States without permission and
+without paying copyright royalties. Special rules, set forth
+below, apply if you wish to copy and distribute this eBook
+under the "PROJECT GUTENBERG" trademark.
+
+Please do not use the "PROJECT GUTENBERG" trademark to market
+any commercial products without permission.
+
+To create these eBooks, the Project expends considerable
+efforts to identify, transcribe and proofread public domain
+works. Despite these efforts, the Project's eBooks and any
+medium they may be on may contain "Defects". Among other
+things, Defects may take the form of incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged
+disk or other eBook medium, a computer virus, or computer
+codes that damage or cannot be read by your equipment.
+
+LIMITED WARRANTY; DISCLAIMER OF DAMAGES
+But for the "Right of Replacement or Refund" described below,
+[1] Michael Hart and the Foundation (and any other party you may
+receive this eBook from as a PROJECT GUTENBERG-tm eBook) disclaims
+all liability to you for damages, costs and expenses, including
+legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR
+UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,
+INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE
+OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE
+POSSIBILITY OF SUCH DAMAGES.
+
+If you discover a Defect in this eBook within 90 days of
+receiving it, you can receive a refund of the money (if any)
+you paid for it by sending an explanatory note within that
+time to the person you received it from. If you received it
+on a physical medium, you must return it with your note, and
+such person may choose to alternatively give you a replacement
+copy. If you received it electronically, such person may
+choose to alternatively give you a second opportunity to
+receive it electronically.
+
+THIS EBOOK IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
+TO THE EBOOK OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
+PARTICULAR PURPOSE.
+
+Some states do not allow disclaimers of implied warranties or
+the exclusion or limitation of consequential damages, so the
+above disclaimers and exclusions may not apply to you, and you
+may have other legal rights.
+
+INDEMNITY
+You will indemnify and hold Michael Hart, the Foundation,
+and its trustees and agents, and any volunteers associated
+with the production and distribution of Project Gutenberg-tm
+texts harmless, from all liability, cost and expense, including
+legal fees, that arise directly or indirectly from any of the
+following that you do or cause: [1] distribution of this eBook,
+[2] alteration, modification, or addition to the eBook,
+or [3] any Defect.
+
+DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
+You may distribute copies of this eBook electronically, or by
+disk, book or any other medium if you either delete this
+"Small Print!" and all other references to Project Gutenberg,
+or:
+
+[1] Only give exact copies of it. Among other things, this
+ requires that you do not remove, alter or modify the
+ eBook or this "small print!" statement. You may however,
+ if you wish, distribute this eBook in machine readable
+ binary, compressed, mark-up, or proprietary form,
+ including any form resulting from conversion by word
+ processing or hypertext software, but only so long as
+ *EITHER*:
+
+ [*] The eBook, when displayed, is clearly readable, and
+ does *not* contain characters other than those
+ intended by the author of the work, although tilde
+ (~), asterisk (*) and underline (_) characters may
+ be used to convey punctuation intended by the
+ author, and additional characters may be used to
+ indicate hypertext links; OR
+
+ [*] The eBook may be readily converted by the reader at
+ no expense into plain ASCII, EBCDIC or equivalent
+ form by the program that displays the eBook (as is
+ the case, for instance, with most word processors);
+ OR
+
+ [*] You provide, or agree to also provide on request at
+ no additional cost, fee or expense, a copy of the
+ eBook in its original plain ASCII form (or in EBCDIC
+ or other equivalent proprietary form).
+
+[2] Honor the eBook refund and replacement provisions of this
+ "Small Print!" statement.
+
+[3] Pay a trademark license fee to the Foundation of 20% of the
+ gross profits you derive calculated using the method you
+ already use to calculate your applicable taxes. If you
+ don't derive profits, no royalty is due. Royalties are
+ payable to "Project Gutenberg Literary Archive Foundation"
+ the 60 days following each date you prepare (or were
+ legally required to prepare) your annual (or equivalent
+ periodic) tax return. Please contact us beforehand to
+ let us know your plans and to work out the details.
+
+WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
+Project Gutenberg is dedicated to increasing the number of
+public domain and licensed works that can be freely distributed
+in machine readable form.
+
+The Project gratefully accepts contributions of money, time,
+public domain materials, or royalty free copyright licenses.
+Money should be paid to the:
+"Project Gutenberg Literary Archive Foundation."
+
+If you are interested in contributing scanning equipment or
+software or other items, please contact Michael Hart at:
+hart@pobox.com
+
+[Portions of this eBook's header and trailer may be reprinted only
+when distributed free of all fees. Copyright (C) 2001, 2002 by
+Michael S. Hart. Project Gutenberg is a TradeMark and may not be
+used in any sales of Project Gutenberg eBooks or other materials be
+they hardware or software or any other related product without
+express permission.]
+
+*END THE SMALL PRINT! FOR PUBLIC DOMAIN EBOOKS*Ver.02/11/02*END*
+
diff --git a/old/atshr10.zip b/old/atshr10.zip
new file mode 100644
index 0000000..df058a7
--- /dev/null
+++ b/old/atshr10.zip
Binary files differ