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+The Project Gutenberg EBook of Orchesography, by John Weaver
+
+This eBook is for the use of anyone anywhere in the United States and most
+other parts of the world at no cost and with almost no restrictions
+whatsoever.  You may copy it, give it away or re-use it under the terms of
+the Project Gutenberg License included with this eBook or online at
+www.gutenberg.org.  If you are not located in the United States, you'll have
+to check the laws of the country where you are located before using this ebook.
+
+Title: Orchesography
+       Or, The Art of Dancing
+
+Author: John Weaver
+
+Release Date: October 2, 2003 [EBook #9454]
+[Most recently updated: April 11, 2020]
+
+Language: English
+
+Character set encoding: UTF-8
+
+*** START OF THIS PROJECT GUTENBERG EBOOK ORCHESOGRAPHY ***
+
+
+
+
+Produced by Tobin Richard, Debra Storr, Greg Lindahl and
+PG Distributed Proofreaders
+
+
+
+
+
+
+
+
+
+
+ORCHESOGRAPHY.
+
+OR, THE
+
+ART OF DANCING,
+
+
+BY
+
+Characters and Demonstrative Figures.
+
+WHEREIN
+
+The whole Art is explain'd; with compleat Tables of all Steps us'd
+in Dancing, and Rules for the Motions of the Arms
+
+WHEREBY
+
+Any person (who understands Dancing) may of himself learn all manner
+of Dances.
+
+BEING
+
+An Exact and Just Translation from the French of Monsieur Feuillet.
+
+
+
+By JOHN WEAVER, Dancing-Master.
+
+
+
+Pars pedibus plaudant Choreas,----Virg. Aenid. 6.
+
+LONDON: Printed by H. Meere, at the Black Fryars, for the Author, and
+are to be sold by P.Valliant, French Bookseller near Catherine-Street,
+in the  Strand. 1706.
+
+
+
+
+Transcriber's note:
+
+Because of its heavy dependence on diagrams and other graphics,
+there is no text version of this etext.
+
+
+
+
+
+
+
+
+
+
+End of the Project Gutenberg EBook of Orchesography, by John Weaver
+
+*** END OF THIS PROJECT GUTENBERG EBOOK ORCHESOGRAPHY ***
+
+***** This file should be named 9454-0.txt or 9454-0.zip *****
+This and all associated files of various formats will be found in:
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+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+<title>Orchesography, by John Weaver</title>
+<meta http-equiv="content-type" content="text/html; charset=utf-8">
+<style type="text/css">
+<!--
+body {margin:10%; text-align:justify}
+img {border: 0;}
+blockquote {font-size:14pt}
+P {font-size:14pt}
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+</style>
+</head>
+<body>
+
+
+<pre>
+The Project Gutenberg EBook of Orchesography, by John Weaver
+
+This eBook is for the use of anyone anywhere in the United States and most
+other parts of the world at no cost and with almost no restrictions
+whatsoever.  You may copy it, give it away or re-use it under the terms of
+the Project Gutenberg License included with this eBook or online at
+www.gutenberg.org.  If you are not located in the United States, you'll have
+to check the laws of the country where you are located before using this ebook.
+
+Title: Orchesography
+       Or, The Art of Dancing
+
+Author: John Weaver
+
+Release Date: October 2, 2003 [EBook #9454]
+[Most recently updated: April 11, 2020]
+
+Language: English
+
+Character set encoding: UTF-8
+
+*** START OF THIS PROJECT GUTENBERG EBOOK ORCHESOGRAPHY ***
+
+
+
+
+Produced by Tobin Richard, Debra Storr, Greg Lindahl and
+PG Distributed Proofreaders
+
+
+
+
+
+
+</pre>
+
+
+
+
+<h2 align=center>
+ORCHESOGRAPHY.</h2>
+
+<hr WIDTH="100%">
+<p align=center>OR, THE
+
+<h1 align=center>
+ART OF DANCING,</h1>
+<p align=center>BY
+
+<h3 align=center>
+<i>Characters</i> and <i>Demonstrative Figures</i>.</h3>
+<p align=center>WHEREIN
+
+<h3 align=center>
+The whole <i>Art</i> is explain&rsquo;d; with compleat <i>Tables</i> of all <i>Steps</i>
+us&rsquo;d in <i>Dancing</i>, and <i>Rules</i> for the <i>Motions</i> of the
+<i>Arms</i></h3>
+<p align=center>WHEREBY
+
+<h3 align=center>
+Any person (who understands <i>Dancing</i>) may of himself learn all manner
+of <i>Dances</i>.</h3>
+<p align=center>BEING
+
+<h3 align=center>
+An Exact and Just <i>Translation</i> from the <i>French</i> of Monsieur
+<i>Feuillet</i>.</h3>
+
+ <hr WIDTH="100%">
+
+
+<h2 align=center>
+<i>By</i> JOHN WEAVER, <i>Dancing-Master</i>.</h2>
+
+<hr WIDTH="100%">
+<br><i>Pars pedibus plaudant Choreas</i>,----Virg. Aenid. 6.
+<p><i>LONDON</i>: Printed by <i>H. Meere</i>, at the <i>Black Fryars</i>,
+for the Author, and are to be sold by <i>P.Valliant, French</i> Bookseller
+near <i>Catherine-Street</i>, in the <i>Strand</i>. 1706.
+<hr WIDTH="100%">
+
+<h2>
+To Mr. Isaac.</h2>
+
+<h3>
+SIR,</h3>
+Tho&rsquo; <i>Dancing</i> and <i>Musick</i> seem to be of near an equal Antiquity,
+and even of an equal Extent, yet <i>Musick</i> has long receiv&rsquo;d an Advantage,
+which <i>Dancing</i> wanted. <i>Musick</i> has employ&rsquo;d the Pens of many
+of the Learned, both Ancient and Modern, and has had the Benefit of an
+universal Character, which convey&rsquo;d the harmonious Compositions to all
+Lovers of the <i>Art</i> in all Nations. <i>Dancing</i>, on the contrary,
+tho&rsquo; celebrated by Ancient Authors in an extraordinary manner, and with
+uncommon Praises, (as I shall shew in a Treatise, which I shall suddenly
+publish on that Subject) yet among the Moderns, it has been wholly unknown
+to the Learned, and destitute of all Pens, in either the speculative or
+practick part of the <i>Art</i>, which for want of an universal Character,
+was confin&rsquo;d to the immediate Master and Scholar, or at farthest, to a
+narrow traditional Instruction, which none could participate of without
+a Teacher, who had been taught by some other, either Composer, or Scholar
+of such Composer. This Inconvenience at length stirr&rsquo;d up Monsieur <i>Beauchamp</i>
+to begin what Monsieur <i>Feuillet</i> accomplish&rsquo;d in the following Treatise,
+which tho&rsquo; for some time enjoy&rsquo;d by the <i>French</i> Nation, as a native
+Growth,
+<i>now first appears</i> in its true and just Extent in its Transplantation
+into the <i>English</i> Climate and Language.
+<p>The Service to the Lovers and Professors of this <i>Art</i>, having
+been the chief Motive of my Undertaking so difficult a Province, that we
+who enjoy the Happiness of so Great a Master as Mr. <i>Isaac</i>, should
+not want the Advantage of spreading that Excellence in this <i>Art</i>,
+which renders him so admir&rsquo;d by all who have any Taste of it; so having
+receiv&rsquo;d such great and generous Encouragement in this Study from you,
+Sir; the Product of that Encouragement and Study does, as it were, out
+of a natural Right and just Gratitude, seek Shelter under your Patronage,
+and challenge the Advantage of appearing in the World under the Protection
+of your Name, whole known Judgment and Mastery in this <i>Art</i>, will
+secure me from the Censure of Malice and Ignorance.
+<p>However, I shall have little to fear, if I am so happy as to merit that
+generous Assistance, which you have been pleased to give me in the compiling
+of this Book; and I am apt to flatter my self, that I have done the Original
+that Justice, that the Author will have no Reason to complain: But whatever
+Defects I may have been guilty of in it, I promise my self Forgiveness
+from so much Goodness and Candor, as all People (with Justice) allow to
+Mr. <i>Isaac</i>. You are so truly distinguish&rsquo;d from most Men, by a peculiar
+Sincerity and Zeal for the Service of your Friend, or him whom you have
+once thought fit to espouse, that as I have done nothing but comply&rsquo;d with
+my own Inclination, in offering this publick Acknowledgment of your Favour,
+so I have infinite Cause of being perfectly satisfy&rsquo;d with my Patron.
+<p>I know it is the Custom of <i>Dedicators</i>, to launch forth into the
+Praises of the Virtues and Parts of their Patrons; but I know Mr. <i>Isaac</i>
+too well, to think I can render my self more acceptable to him, by entertaining
+him with his own Deserts, since they are too well known to all your Acquaintance,
+to need a Publication in this place. Not but that it would be a Theme infinitely
+grateful to me; but I shall curb that Inclination, and deny my self a Pleasure
+that would be disgustful to you. It is enough, that by spreading the Knowledge
+which the following Book conveys, your Excellence in the <i>Art</i>, your
+admirable Compositions will more easily, and more largely encrease the
+Number of your Admirers; among which, there never will be one more truly
+devoted to your Service, than,
+<p><i>SIR,</i>
+<p><i>Your most Obliged Humble Servant</i>,
+<p>John Weaver.
+
+<h2 align=center>
+PREFACE.</h2>
+<i>I Perswade my self, that before so useful a Curiosity as the following
+Treatise, it would not be disagreeable to the Reader, to give him an Account
+of the Origin and Progress of the Art of</i> Orchesography. Furetier, <i>in
+his Historical Dictionary, tells us of a curious Treatise of this Art by
+one</i> Thoinet Arbeau, <i>printed 1588, at</i> Langres, <i>from whom Monsieur</i>
+Feuillet, <i>in his Preface, supposes this Art to date its first Rise and
+Birth, tho&rsquo; he could never procure a Sight of it, as not to be found in</i>
+Paris. <i>But this very Book falling into my Hands, I took Care to peruse
+it with some Attention, but found it far short of that Expectation, which
+such Recommendation had rais&rsquo;d in me: For tho&rsquo; it might perhaps have given
+the Hint to Mr</i>. Beauchamp; <i>yet it is nothing but an imperfect rough
+Draught, nor if it confin&rsquo;d to Dancing, since it treats besides of beating
+the Drum, playing on the Pipe, and the like.</i>
+<p><i>But notwithstanding this blind Hint of</i> Arbeau, <i>to do Justice
+to Mons.</i> Beauchamp, <i>we must attribute to him the Invention of this
+Art, who in all Probability, could no more see the former Book, than Mons.</i>
+Feuillet. <i>But as no Art was ever invented and perfected at once; so
+it remain&rsquo;d for Mons</i>. Feuillet, <i>to raise the compleat and finish&rsquo;d
+Superstructure on Mons</i>. Beauchamp&rsquo;s <i>Foundation; and it must be allowed,
+that Mons</i>. Feuillet <i>has carry&rsquo;d this Art to a very great Perfection,
+and taken a great deal of Pains in the Improvement of the Character, and
+given Rules so just, and a Method so proper, that I cannot imagine any
+Man can flatter himself with an Ability of designing a better, or more
+regular manner. For this Reason I chose rather to follow his Method entirely,
+than attempt any Alteration of my own, which I have done with that Care
+and Diligence, that I think I may assure the Reader I have omitted nothing
+that he has deliver&rsquo;d. I have also made it my Business</i> to bring the
+Reader acquainted with the Meaning of my Author, as well as his Words,
+which is a Happiness every Translator has not the Power of arriving at,
+as generally either ignorant of the Subject or Language he translates from,
+or into, or both.
+<p>Another Fault of our common Translators I have avoided with all the
+Industry I could: Some of them pretending to meddle with Books of Art,
+and not understanding the Terms of Art, give us such an odd Jargon, that
+we can never understand it without the Interpretation of a Master, or having
+Recourse to the Original itself. I have therefore render&rsquo;d all the French
+<i>Terms
+into</i> English<i>, but with so much Caution of doing Justice to the Author,
+and the Art, that I would not defend on my own Judgment, but let none pass
+without the Approbation of the best</i> English <i>Masters.</i>
+<p><i>The Perfection, which Dancing is now come to in</i> England<i>, seems
+to point this Time out at the fittest Juncture, for the Publication of
+a Book of this Nature; since we now enjoy in this Nation, Performers and
+Masters of greater Excellence than any other part of</i> Europe<i>; who
+shew every Beauty of the Art in its full Glory and Perfection. For whoever
+shall consider the Masterly Compositions of Ball-Dances by Mr.</i> Isaac<i>,
+which are so well adapted to the manner of our School-teaching, (peculiar
+to</i> England<i>, no other Nation having any such thing as publick Dancing-Schools)
+whoever shall see the admirable Compositions of Mons.</i> L&rsquo;Abbé <i>in
+Ballet, and his Performance, with that of M.</i> Desbargues<i>, M.</i>
+Du Ruel<i>, and M.</i> Cherrier<i>, can hope to see nothing in this Art
+of greater Excellence, unless any wonderful Genius should arise, and advance
+this once celebrated Art to that Perfection, which drew the Eyes, and employ&rsquo;d
+the Pens of the old</i> Greeks <i>and</i> Romans<i>; a lively Description
+of which, the Reader may see in this</i> Epigram<i>, by an unknown Hand</i>
+<blockquote>Mascula foemineo derivans Pectora Sexu,
+<br>Atq; aptans lentum Sexum at utrumq; latus,
+<br>Egressus Scenam Populum faltator adorat
+<br>Solerti pendet predere verba Manu.
+<br>Nam cum grata Chorus diffundit cantica dulcis
+<br>Qu&aelig; resonat Cantor, motibus ipse probat.
+<br>Pugnat, ludit, amat, Bacchatur, Vertitur, adstat,
+<br>Illustrat verum, cuncta decore replet.
+<br>Tot Lingu&aelig;, quot Membra viro, Mirabilis est Ars,
+<br>Qu&aelig; facit Articulos voce silente loqui.</blockquote>
+<i>From this Epigram, it is plain, that the ancient Dancing had something
+more than Motion, Measure, and Figure, and express&rsquo;d the Passions and Actions
+of Mankind, was a sort os silent Poetry, and the Painting, tho&rsquo; without
+Colours, so expressive, as to touch and charm every Beholder.</i>
+<p><i>There will be no need to enforce the Use of this Art, and by Consequence
+recommend the Book that teaches it, to all Lovers of Dancing, since it
+carries its own Evidence with it self, and has already convinc&rsquo;d them of
+its Benefit and Advantage; and I question not but others will find the
+same Satisfaction from their Study, which I have done, since by a close
+Application to this Character, I have made such a Progress in it, as to
+be able to communicate all Dances to the rest of the Profession at any
+Distance. I have a great deal of Reason to believe, that had not I first
+undertaken to make Mons.</i>Feuillet <i>speak</i> English, <i>this Character
+had yet a longer while remain&rsquo;d a Secret to this Nation; those who had
+made their private Market of it, not being willing to admit any Rivals
+in an Art, which chiefly distinguish&rsquo;d them from others of their Profession.</i>
+<p><i>I must undeceive some, who may perhaps mistake the Design of the
+following Treatise, and take it for an Instruction, or some Improvement
+in the Art of Dancing, or Method of Teaching. But I must assure them, that
+I am not yet Master of Vanity enough to venture upon a Task so difficult,
+and so invidious, since I am of Opinion, that there are not better Masters
+for instructing Scholars in a genteel Movement and Address, than the</i>
+English.
+<p><i>I shall not therefore detain the Reader any longer in the Porch,
+but leave him now to enter, and improve</i>.
+<blockquote>Ingredere ut proficias.</blockquote>
+
+
+<h2 align=center>
+A List of <i>the Dancing-Masters</i>,</h2>
+
+
+<h3 align=center>
+Subscribers to this Undertaking.</h3>
+
+<table WIDTH="100%" >
+<tr>
+<td VALIGN=TOP>A<br>
+<i>Monsieur</i> L&rsquo;Abbé.&nbsp;
+<p>B<br>
+<i>Mr</i>. Bosely <i>of</i> Norwich.&nbsp;
+<p>C<br>
+<i>Mr</i>. Tho. Caverly.
+<br><i>Mr</i>. Ant. Caverly.
+<br><i>Monsieur</i> Camille.
+<br><i>Monsieur</i> Cherrier.
+<br><i>Mr</i>. Claxton.
+<br><i>Mr</i>. Coucb.
+<br><i>Monsieur</i> Cottin.
+<br><i>Mr</i>. Counley <i>of</i> Barbadoes.
+<br><i>Mr</i>. Cragg.
+<br><i>Mr</i>. Christian.&nbsp;
+<p>D<br>
+<i>Monsieur</i> Debargues.
+<br><i>Mr</i>. Delamain <i>of</i> Dublin.
+<br><i>Monsieur</i> Le Duc.
+<br><i>Mr</i>. Douson.&nbsp;
+<p>E<br>
+<i>Monsieur</i> D&rsquo;Elisle.
+<br><i>Mr</i>. Essex.&nbsp;
+<p>G<br>
+<i>Mr</i>. Groscourt.
+<br><i>Mr</i>. Gery.</td>
+
+<td VALIGN=TOP>H<br>
+<i>Mr</i>. Walter Holt, <i>Sen</i>.
+<br><i>Mr</i>. Walter Holt, <i>Jun</i>.
+<br><i>Mr. Rich. Holt.</i>
+<br><i>Mr. Heale of Salisbury.</i>
+<p><i>I<br>Mr. Isaac.</i>
+<p><i>L<br>Mr. Lally.</i>
+<br><i>Mr. Char. Lewis.</i>
+<p><i>N<br>Mr. Nicholson.</i>
+<p><i>O<br>Mr. Orlabeer.</i>
+<p><i>P<br>Mr. Pawlet.</i>
+<br><i>Mr. Pemberton.</i>
+<br><i>Mr. Porter of Darby.</i>
+<br><i>Mr. Pritton.</i>
+<p><i>R<br>Monsieur Du Ruell.</i>
+<br><i>Mr. Rogers.</i>
+<p><i>S<br>Monsieur Serancour.</i>
+<br><i>Monsieur L&rsquo;Sac.</i>
+<br><i>Mr. Sexton of York.</i>
+<br><i>Mr. Shirley.</i></td>
+</tr>
+</table>
+
+<p><i>This Undertaking bas also been encouraged by the Subscriptions of
+several of the Nobility and Gentry</i>
+
+<hr WIDTH="100%">
+
+
+<h3 align=center>
+<i>ERRATA.</i></h3>
+Dedication, page 2. line 1.<i> for Phrases,</i> read <i>Praises.</i>
+<br>P. 8.l.3. f.<i> the,</i> r<i>.a.</i>
+<br>P.17.1.3, f.<i> afterwards, </i>r<i>. forwards..</i>
+<br>P.34.1.7. after Page, add <i>as E F do the upper end of the Room, G
+H the lower part.</i>
+<br>P. 40. 1. 2, f.<i> behind,</i> r.<i> before.</i>
+<br>P. 47. 1. 4. f. <i>Rigandons, </i>r.<i>Rigandons.</i>
+<br>[Transcribers note: corrections to text made]
+
+<h2 align=center>
+Orchesography.</h2>
+<p align=center>OR,
+
+<h1 align=center>
+The ART of DANCING</h1>
+<p align=center>BY
+
+<h3 align=center>
+Characters and Demonstrative Figures.</h3>
+<i>By which any Person, who understands Dancing, may of himself easily
+learn all manner of </i>Dances.
+<p>The Explanation of the Terms belonging to <i>DANCING</i>, seem to be
+altogether needless, since they are so plain and intelligible of themselves:
+But lest the Reader should put wrong Constructions on those <i>Terms</i>
+of <i>Art</i> which the <i>Dancing-Masters</i> make use of, I shall give
+the following <i>Explanation</i> of them.
+<p><i>Dancing </i>is composed of<i> Positions, Steps, Sinkings, Risings,
+Springings, Capers, Fallings, Slidings, Turnings </i>of the Body<i>, Cadence</i>
+or<i> Time, Figures,</i> &amp;c.
+<p><i>Positions,</i> are the different Placings of the Feet in Dancing.
+<p><i>Steps, </i>are the Motions of the Feet from one place to another.
+<p><i>Sinkings, </i>are the Bendings of the Knees.
+<p><i>Risings, </i>are when we rise from a Sink, or erect our selves.
+<p><i>Springing, </i>is a rising or leaping from the Ground.
+<p><i>Capers, </i>are when in <i>rising</i> or leaping from the Ground,
+one Leg beats against the other, which we call <i>Cutting.</i>
+<p><i>Fallings, are </i>when the Body, being out of its proper Poise, falls
+by its own Weight.
+<p><i>Slidings,</i> are when<i>, in moving, </i>the Foot slides on the
+Ground.
+<p><i>Turnings, </i>are when the Body turns either one way or the other.
+<p><i>Cadence or Time, </i>is a right understanding of the different Measures,
+and Observation of the most remarkable places in the<i> Tune.</i>
+<p><i>Figures, </i>are<i> Tracts </i>made by<i> Art, </i>on which the<i>
+Dancer </i>is to move.
+<p>Before I proceed to demonstrate what I have already explain&rsquo;d, I shall
+describe the<i> Room</i> or <i>Stage, </i>where<i> Dancing </i>is perform&rsquo;d;
+as also the different<i> Tracts </i>or<i> Figures </i>to be made thereon,
+and the<i> Posture</i> and<i> Presence of the Body</i>, in which the<i>
+Performer </i>ought to stand.
+
+<h2 align=center>
+Of the Stage, Room, or School.</h2>
+The <i>Stage or Dancing-Room</i>, I shall represent by an <i>Oblong</i>,
+as in the Figure A B C D, of which the upper end is A B, the lower end
+C D; the right side B D, and the left side A C.
+<p align=center><img alt=" "  SRC="images/p12ABCD.png" height=391 width=365>
+
+<h2 align=center>
+The Presence of the Body.</h2>
+The <i>Posture</i> or Presence of the Body, is to have respect to that
+part of the <i>Room</i>, to which the Face or Fore-part of the Body is
+directed, which I describe by the Figure F G H I, of which F G shews the
+two Sides of the Body, H the Face or Fore-part, and I the Back or Hinder-part.
+<p align=center><img alt=" "  SRC="images/p12fghi.png" height=120 width=200>
+
+<table WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td VALIGN=TOP><i>The Face of Forepart of the Body up.</i></td>
+
+<td VALIGN=TOP><i>The Face down.</i></td>
+
+<td VALIGN=TOP><i>The Face to the right side.</i></td>
+
+<td VALIGN=TOP><i>The Face to the left side.</i></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><img alt=" "  SRC="images/p12face.png" height=181 width=150></td>
+
+<td ALIGN=CENTER><img alt=" "  SRC="images/p12facdn.png" height=177 width=150></td>
+
+<td ALIGN=CENTER><img alt=" "  SRC="images/p12faceR.png" height=175 width=150></td>
+
+<td ALIGN=CENTER><img alt=" "  SRC="images/p12faceL.png" BORDER="1" height=173 width=150></td>
+</tr>
+</table>
+
+
+<h2 align=center>
+Of the Tract.</h2>
+The Line on which the Dances are described, I call the <i>Tract</i>.
+<p>Which <i>Tract</i> serves for two Ends, the first to direct the <i>Steps</i>
+and <i>Positions</i>, and the other to represent the Figure of the <i>Dance</i>.
+<p>All <i>Steps</i> and <i>Positions</i> may be described upon two Lines,
+<i>viz</i>.upon
+a <i>Right</i> Line, and a <i>Diametrical</i> Line; but because the <i>Tract</i>
+must also be made use of for the Explanation of the Figure of <i>Dances</i>,
+I shall add to these Lines, the <i>Circular</i> and i>Oblique.
+<p>A <i>Right Line</i>, I call that which extends it self in Length, from
+one end of the <i>Room</i> to the other, as by the Line mark&rsquo;d K.
+<p align=center><img alt=" "  SRC="images/p13Kline.png" height=230 width=200>
+<p>A <i>Diametrical Line</i>, is that which goes cross the <i>Room from
+side to side, as is shewn by the Line L.</i>
+<p align=center><img alt=" "  SRC="images/p13Lline.png" height=253 width=200>
+<br><i>The Circular Line,</i>
+is that which goes round the<i> Room, </i>as is express&rsquo;d by the Letter
+M.
+<p align=center><img alt=" "  SRC="images/p14Mline.png" height=225 width=200>
+<p>The<i> Oblique Line,</i> is that which goes cross the <i>Room, </i>from
+Corner to Corner, as may be seen by the Line N.
+<p align=center><img alt=" "  SRC="images/p14Nline.png" height=225 width=200>
+<br>Every one of these <i>Lines</i>,<i> </i>or<i> Tracts, </i>may jointly
+or separately form the<i> Figure </i>of a<i> Dance, </i>on which may be
+described the<i> Positions </i>and <i>Steps, </i>as in<i> Figure </i>O.
+The beginning of which <i>Tract, </i>is shewn by the<i> Character </i>representing
+the<i> Posture </i>or<i> Presence of the Body, </i>which must be join&rsquo;d
+to it, to shew the<i> Position </i>of the Body at the beginning of the<i>
+Dance.</i>
+<br><img alt=" "  SRC="images/p14Oline.png" height=245 width=200>
+
+<h2 align=center>
+<i>Of the Positions.</i></h2>
+There are ten Sorts of <i>Positions</i> generally us&rsquo;d in <i>Dancing,</i>
+which are divided into <i>True</i> and <i>False.</i>
+<p>The<i> True</i>, are when the Feet are plac&rsquo;d uniform, and have the
+Toes turn&rsquo;d out equally.
+<p>The <i>False</i>, are some of them uniform, others not, and differ from
+the <i>True</i>, in that, the Toes are turn&rsquo;d inward, or one in, and the
+other out.
+<p>In all <i>Positions</i> whatsoever, the Form of the Foot is known by
+these Marks, <i>viz.</i> That which resembles an O, represents the Heel;
+the Line join&rsquo;d to it, the Ankle; and the Extremity of that Line, the Point
+of that Foot.
+<p align=center><i>A half Position.</i>
+<br><img alt=" "  SRC="images/p15TAH.png" height=95 width=200>
+<br>This Figure of the <i>Foot</i>, is but a half <i>Position,</i> because
+it represents but one <i>Foot</i>, whereas a whole <i>Position</i> does
+that of two, as in the Figure A B.
+<p align=center><i>Position</i>
+<br><img alt=" "  SRC="images/p15pos.png" height=100 width=138>
+<br>&rsquo;Tis to be observ&rsquo;d, that the Letter A, in the foregoing Figure, represents
+the left <i>Foot</i>, and B, the right.
+
+<h2 align=center>
+<i>Of true Positions.</i></h2>
+There are five true <i>Positions</i>. The first is when the two Feet are
+join&rsquo;d together, the Heels being one against the other.
+<i>First Position.</i>
+<p align=center><img alt=" "  SRC="images/p16first.png" height=100 width=84>
+<p>The second is when the Feet are open, or separate, on a Line, one distant
+from the other the length of the Foot.
+<i>Second Position.</i>
+<p align=center><img alt=" "  SRC="images/p16secnd.png" height=100 width=87>
+<p>The third is when the Heel of one Foot is join&rsquo;d to the Ankle of the
+other, which I shall hereafter term inclos&rsquo;d.
+<i>Third Position.</i>
+<p align=center><img alt=" "  SRC="images/p16third.png" height=100 width=54>
+<p>The fourth is when the two Feet are plac&rsquo;d one before the other, the
+distance of a Foot in length.
+<i>Fourth Position.</i>
+<p align=center><img alt=" "  SRC="images/p16fourt.png" height=100 width=76>
+<p>The fifth is when the two Feet are cross&rsquo;d, the Heel of one directly
+opposite to the Toe of the other. Fifth Position.
+<p align=center><img alt=" "  SRC="images/p16fifth.png" height=100 width=56>
+
+<h2 align=center>
+<i>Of false Positions.</i></h2>
+There are also five of these. The first is when the Toes are turn&rsquo;d inwards,
+and touch each other, the Heels being open on the Line.
+<i>First Position.</i>
+<p align=center><img alt=" "  SRC="images/p17first.png" height=100 width=88>
+<p>The second is when the Toes are turn&rsquo;d inwards, there being the distance
+of a Foot&rsquo;s Length between the Toes; the Heels as before.
+<i>Second Position.</i>
+<p align=center><img alt=" "  SRC="images/p17second.png" height=80 width=139>
+<p>The third is when the Toe of one Foot is outwards, and the other inwards,
+the one parallel towards the other.
+<i>Third Position.</i>
+<p align=center><img alt=" "  SRC="images/p17third.png" height=100 width=74>
+<p>The fourth is when the Toes are turn&rsquo;d inwards, so that the Toe of one
+Foot points to the Ankle of the other.
+<i>Fourth Position.</i>
+<p align=center><img alt=" "  SRC="images/p17fourt.png" height=100 width=57>
+<p>The fifth false Position, is mark&rsquo;d like the fifth true one, and seems
+to be the same Position; but notwithstanding, they are very different,
+for whereas in the true one, the Toes are turn&rsquo;d outwards, in the false,
+they are turn&rsquo;d inwards, crossing each other, so that the Heel of one Foot
+is right against the Toe of the other, and is to be distinguish&rsquo;d from
+the true one by a small Bar between the Position.
+<i>Fifth Position.</i>
+<p align=center><img alt=" "  SRC="images/p17fifth.png" height=100 width=57>
+
+<h2 align=center>
+<i>Of Steps.</i></h2>
+Altho&rsquo; <i>Steps</i> made use of in Dancing, are almost innumerable, I shall
+nevertheless reduce them to five, which serve to express the different
+Figures the Leg makes in moving: These I shall call, <i>a straight plain
+Step</i>, an <i>open Step</i>, a <i>circular</i> or <i>round Step</i>,
+a <i>waving Step</i>, and a <i>beaten Step</i>.
+<p>A <i>straight Step</i>, is when the Foot moves in a right Line; which
+is to be made two ways, forwards, and backwards.
+<p>The <i>open Step</i>, is when the Leg opens; which is to be done three
+ways, one outwards, another inwards, both which make an Arch or half Circle,
+and the third sideways, which may also be called a <i>straight Step</i>,
+because the Motion of it is in a direct Line.
+<p>The <i>round </i>or <i>circular</i> Step, is when the Foot, in moving,
+makes a <i>circular Figure</i>; of this there is two ways, one outwards,
+and another inwards.
+<p>The <i>waving Step</i>, is when the Foot, in moving, turns both inwards
+and outwards. There are three ways of doing this, forwards, backwards,
+and sideways.
+<p>The <i>beaten Step</i>, is when one Leg or Foot is beaten against the
+other. Of this there are also three ways of performing, viz. forwards,
+backwards, and sideways.
+<p>A <i>Step</i> is known by the Character following, <i>viz</i>. a black
+Spot mark&rsquo;d A, representing the <i>Position</i> of the <i>Foot</i>, the
+Line drawn from that Spot, mark&rsquo;d B, shewing the <i>Motion, Figure</i>,
+and
+<i>Largness</i> of the <i>Step</i>, as from A to D, and lastly, by
+a small side Stroke join&rsquo;d to the End of the Line C, representing the Foot,
+of which D is the Heel, and E the Point of the Foot, or Toe.
+<p align=center><img alt=" "  SRC="images/p18.png" height=150 width=153>
+
+<h2 align=center>
+A Demonstration of all the Steps which have been before explain&rsquo;d.</h2>
+
+<table WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>A straight Step forwards.</i>
+<br><img alt=" "  SRC="images/p19strfw.png" height=100 width=41></td>
+
+<td ALIGN=CENTER><i>The same backwards.</i>
+<br><img alt=" "  SRC="images/p19stbwd.png" height=100 width=42></td>
+</tr>
+</table>
+
+<table WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>An open Step outwards.</i>
+<br><img alt=" "  SRC="images/p19stout.png" height=100 width=60></td>
+
+<td ALIGN=CENTER><i>The same inwards.</i>
+<br><img alt=" "  SRC="images/p19stinws.png" height=100 width=71></td>
+
+<td VALIGN=TOP><i>The same sideways.</i>
+<br><img alt=" "  SRC="images/p19stside.png" height=30 width=131></td>
+</tr>
+</table>
+
+<table WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>A circular Step outwards.</i>
+<br><img alt=" "  SRC="images/p19stcio.png" height=100 width=56></td>
+
+<td ALIGN=CENTER><i>The same inwards.</i>
+<br><img alt=" "  SRC="images/p19stcin.png" height=100 width=51></td>
+</tr>
+</table>
+
+<table WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>A waving Step forwards.</i>
+<br><img alt=" "  SRC="images/p19wvfwd.png" height=100 width=37></td>
+
+<td ALIGN=CENTER><i>The same backwards.</i>
+<br><img alt=" "  SRC="images/p19wvbk.png" height=100 width=41></td>
+
+<td VALIGN=TOP><i>The same sideways.</i>
+<p><img alt=" "  SRC="images/p19wvsid.png" height=40 width=107></td>
+</tr>
+</table>
+
+<table WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>A beaten Step forwards.</i>
+<br><img alt=" "  SRC="images/p19btfwd.png" height=100 width=40></td>
+
+<td ALIGN=CENTER><i>The same backwards.</i>
+<br><img alt=" "  SRC="images/p19brbw.png" height=100 width=53></td>
+
+<td VALIGN=TOP><i>The same sideways.</i>
+<p><img alt=" "  SRC="images/p19btsid.png" height=40 width=80></td>
+</tr>
+</table>
+
+<p>To a <i>Step</i> may be added these following Marks, <i>viz. Sinking,
+Rising, Springing </i>or <i>Bounds, Capers, Falling, Sliding, holding the
+Foot up, Pointing </i>the <i>Toes, placing</i> the <i>Heel, turning</i>
+a <i>quarter Turn,</i> a <i>half Turn</i>, a <i>three quarter Turn</i>,
+and a <i>whole Turn.</i>
+<p>The Mark for a <i>Sink</i>, is a little Stroke inclining towards the
+little black Head.
+<p align=center><i>A Sink.</i>
+<br><img alt=" "  SRC="images/p20sink.png" height=100 width=35>
+<p>The Mark for a <i>Rise</i> from a <i>Sink</i>, is when there is a little
+straight Stroke upon the <i>Step</i>.
+<p align=center><i>A Rise.</i>
+<br><img alt=" "  SRC="images/p20rise.png" height=100 width=31>
+<p>The Mark of a <i>Spring</i> or <i>Rise</i> from the Ground, is when
+there are two of the aforesaid Strokes, which is sometimes call&rsquo;d a <i>Bound</i>.<p align=center><i>A
+Spring, or Bound.</i>
+<p align=center><img alt=" "  SRC="images/p20sprg.png" height=100 width=35>
+<p>The Mark for a <i>Caper,</i> is when there are three Strokes.
+<p align=center><i>A Caper.</i>
+<p align=center><img alt=" "  SRC="images/p20caper.png" height=100 width=31>
+<p>The Mark for a<i> Falling Step</i>, is when at the End of the little
+straight Stroke, another straight one is join&rsquo;d parallel to the <i>Step</i>,
+and pointing to the Mark for the <i>Foot</i>.
+<p align=center><i>A falling Step.</i>
+<p align=center><img alt=" "  SRC="images/p21fall.png" height=100 width=27>
+<p>The Mark of a <i>Slide</i>, is when at the End of the little Stroke,
+a small Bar is plac&rsquo;d parallel to the <i>Step.</i><p align=center><i>A Slide.</i>
+<p align=center><img alt=" "  SRC="images/p21slide.png" height=100 width=30>
+<p>The Mark for the <i>Foot up</i>, is when the <i>Step </i>is cut off.
+<p align=center><i>The
+Foot up.</i>
+<p align=center><img alt=" "  SRC="images/p21ftup.png" height=100 width=30>
+<p>The Mark for <i>pointing the Foot</i>, without the Body&rsquo;s bearing upon
+it, is when there is a <i>Point</i> directly at the End of that which represents
+the <i>Toe</i>.
+<p align=center><i>To point the Foot.</i>
+<p align=center><img alt=" "  SRC="images/p21ptft.png" height=100 width=43>
+<p>The Mark for placing the <i>Heel</i>, without the Body&rsquo;s bearing upon
+it, is when there is a <i>Point</i> directly behind that which represents
+the <i>Heel</i>.
+<p align=center><i>To place the Heel.</i>
+<p align=center><img alt=" "  SRC="images/p22plhl.png" height=100 width=36>
+<p>A <i>quarter Turn</i> of the Body, is shewn by a quarter of a <i>Circle</i>
+plac&rsquo;d on the <i>Step</i>.
+<p align=center><i>A quarter Turn.</i>
+<p align=center><img alt=" "  SRC="images/p22qturn.png" height=37 width=100>
+<p>A <i>half Turn,</i> is represented by a <i>half Circle</i>.
+<p align=center><i>A half Turn.</i>
+<p align=center><img alt=" "  SRC="images/p22hftrn.png" height=100 width=57>
+<p>A <i>three quarter Turn</i>, is shewn by a <i>three quarter Circle</i>.
+<p align=center><i>A three quarter Turn.</i>
+<p align=center><img alt=" "  SRC="images/p22q3turn.png" height=100 width=125>
+<p>A <i>whole Turn</i>, is represented bya <i>whole Circle</i>.
+<p align=center><i>A whole Turn.</i>
+<p align=center><img alt=" "  SRC="images/p22whltn.png" height=120 width=108>
+
+<h2 align=center>
+<i>Steps</i> may have Several Marks.</h2>
+
+<table WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td VALIGN=TOP><i>Sink and Rise.</i></td>
+
+<td VALIGN=TOP><i>Rise and Sink.</i></td>
+
+<td VALIGN=TOP><i>Sink and Bound.</i></td>
+
+<td VALIGN=TOP><i>Bound and Sink.</i></td>
+
+<td ALIGN=CENTER><i>Sink, Bound and Sink.</i></td>
+
+<td VALIGN=TOP><i>Sink and Caper.</i></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><img alt=" "  SRC="images/p23srise.png" height=100 width=37></td>
+
+<td ALIGN=CENTER><img alt=" "  SRC="images/p23rssnk.png" height=100 width=31></td>
+
+<td ALIGN=CENTER><img alt=" "  SRC="images/p23sb.png" height=100 width=37></td>
+
+<td ALIGN=CENTER><img alt=" "  SRC="images/p23bndsk.png" height=100 width=36></td>
+
+<td ALIGN=CENTER><img alt=" "  SRC="images/p23sbs.png" height=100 width=34></td>
+
+<td ALIGN=CENTER><img alt=" "  SRC="images/p23scaper.png" height=100 width=31></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td VALIGN=TOP><i>Rise and Fall.</i></td>
+
+<td ALIGN=CENTER><i>Sink, Rise and Slide.</i></td>
+
+<td VALIGN=TOP><i>Sink and Hop.</i></td>
+
+<td ALIGN=CENTER><i>Sink, Bound and Turn.</i></td>
+
+<td ALIGN=CENTER><i>Sink, Rise, and point the Toe.</i></td>
+
+<td ALIGN=CENTER><i>Sink, Bound, &amp; place the Heel.</i></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><img alt=" "  SRC="images/p23rsfll.png" height=100 width=37></td>
+
+<td ALIGN=CENTER><img alt=" "  SRC="images/p23srs.png" height=100 width=36></td>
+
+<td ALIGN=CENTER><img alt=" "  SRC="images/p23skhop.png" height=100 width=38></td>
+
+<td ALIGN=CENTER><img alt=" "  SRC="images/p23sbt.png" height=100 width=86></td>
+
+<td ALIGN=CENTER><img alt=" "  SRC="images/p23sriseptoe.png" height=100 width=50></td>
+
+<td ALIGN=CENTER><img alt=" "  SRC="images/p23sbph.png" height=100 width=44></td>
+</tr>
+</table>
+
+
+<h2 align=center>
+<i>How to place the Marks in their proper Order.</i></h2>
+It is necessary first to know, that a <i>Step</i> has three Divisions,
+<i>viz</i>.
+a <i>Beginning, Middle</i>, and <i>End:</i> You must also consider the
+<i>Foot,</i>
+as well in <i>Steps</i> as <i>Positions,</i> has two Sides, an Inside and
+an Outside. The Beginning of the <i>Step</i>, is the Beginning of the Line,
+joining the little black Spot, as is shewn by the Letter A. The Middle,
+is the middle of the Line, as at Letter B. And the End, is the Extremity
+of the Line, joining that which represents the Foot, as at Letter C. The
+Outside of the Foot, is between the Heel and the end of the little Toe,
+mark&rsquo;d D E; and the Inside, is that which is between the Heel and End of
+the great Toe, as is mark&rsquo;d F G.
+<table WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><img alt=" "  SRC="images/p23etoa.png" height=120 width=70></td>
+
+<td ALIGN=CENTER><img alt=" "  SRC="images/p23atog.png" height=120 width=77></td>
+
+<td ALIGN=CENTER><img alt=" "  SRC="images/p23gefd.png" height=55 width=60></td>
+
+<td ALIGN=CENTER><img alt=" "  SRC="images/p23fgde.png" height=60 width=67></td>
+</tr>
+</table>
+There are three ways of <i>Sinking, viz</i>. before the Foot moves, in
+moving, and after it has moved.
+<p>When there is the Mark of a <i>Sink</i> at the beginning of a <i>Step</i>,
+the <i>Sink</i> must be made before the Foot moves.
+<p align=center><i>Sink before the
+Foot moves.</i>
+<br><img alt=" "  SRC="images/p24sbmov.png" height=100 width=34>
+<p>When the <i>Sink </i>is mark&rsquo;d in the middle of the <i>Step</i>, the
+<i>Sink</i>
+is not to be made till the Foot has made half the <i>Step</i>.
+<p align=center><i>A Sink
+in moving.</i>
+<br><img alt=" "  SRC="images/p24simov.png" height=100 width=43>
+<p>When the <i>Sink</i> is mark&rsquo;d at the end of the <i>Step</i>, the <i>Sink</i>
+must not be made till the <i>Step</i> is finish&rsquo;d.
+<p align=center><i>A Sink after Movement.</i>
+<br><img alt=" "  SRC="images/p24samov.png" height=100 width=32>
+<p>It is the same thing in the Marks of a Rise.
+<table WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Rise before the Foot moves.</i>
+<br><img alt=" "  SRC="images/p24rbmov.png" height=100 width=33></td>
+
+<td ALIGN=CENTER><i>Rise in moving.</i>
+<br><img alt=" "  SRC="images/p24rimov.png" height=100 width=40></td>
+
+<td ALIGN=CENTER><i>Rise after Movement.</i>
+<br><img alt=" "  SRC="images/p24ramov.png" height=100 width=38></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Sink and Rise before the Foot moves.</i>
+<br><img alt=" "  SRC="images/p25srbfm.png" height=100 width=33></td>
+
+<td ALIGN=CENTER><i>Sink and Rise in moving.</i>
+<br><img alt=" "  SRC="images/p25srimv.png" height=100 width=33></td>
+
+<td ALIGN=CENTER><i>Sink and Rise after moving.</i>
+<br><img alt=" "  SRC="images/p25sramv.png" height=100 width=35></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td VALIGN=TOP><i>Sink before Moving, and Rise in Moving.</i>
+<br><img alt=" "  SRC="images/p25sbmrm.png" height=100 width=37></td>
+
+<td VALIGN=TOP><i>Sink as before, and Rise after Moving.</i>
+<br><img alt=" "  SRC="images/p25sabrm.png" height=100 width=39></td>
+
+<td VALIGN=TOP><i>Sink in Moving, Rise after the Movement.</i>
+<br><img alt=" "  SRC="images/p25smram.png" height=100 width=37></td>
+</tr>
+</table>
+
+
+<h2 align=center>
+<i>Observations upon Springings.</i></h2>
+<i>Springings</i> may be perform&rsquo;d two ways,<i> viz</i>. with both Feet
+at once, or with one Foot only.
+<p>The <i>Springings</i> which are made on both Feet, are mark&rsquo;d upon the
+<i>Positions</i>,
+as hereafter will appear; whereas the <i>Springings</i> that are made in
+moving, are mark&rsquo;d upon the <i>Steps</i>, as has been already shewn, and
+will again appear by the Sequel.
+
+<h2 align=center>
+<i>Of Springing Steps.</i></h2>
+A <i>Springing Step</i>, is perform&rsquo;d two ways, either by <i>springing</i>
+and <i>falling </i>on the same Foot which moves forward, which I shall,
+for the future, call a <i>Bound;</i> or <i>springing</i> and <i>falling</i>
+on the Foot that does not move forward, which I shall call a <i>Hop</i>.
+<p>When there is a Mark of a <i>Spring</i> upon the <i>Step</i>, and no
+Mark for the holding up of the Foot after it, it shews, that the <i>Spring</i>
+is to be made with the <i>Foot</i> that moves, which is call&rsquo;d a <i>Bound</i>
+<p align=center><i>A Bound.</i>
+<br><img alt=" "  SRC="images/p26bound.png" height=100 width=29>
+<p>But when there is a Mark for a <i>Spring</i>, and afterwards a Mark
+for the <i>Foot </i>up, it signifies, that the <i>Spring</i> must be made
+on the <i>Foot</i> that does not move forwards, which is call&rsquo;d a <i>Hop.</i>
+<p align=center><i>A Hop.</i>
+<br><img alt=" "  SRC="images/p26hop.png" height=100 width=26>
+<p>The mark for <i>falling</i>, has no proper Place assign&rsquo;d it, and I
+shall only observe, that in <i>rising</i>, when it is in Order to <i>fall</i>,
+it is necessary the Mark for a <i>Rise</i>, should be near the beginning
+of the <i>Step</i>.
+<p align=center><i>Rise and Fall.</i>
+<br><img alt=" "  SRC="images/p26rsfal.png" height=100 width=39>
+<p>The mark for a <i>Slide</i>, has likewise no proper Place, when it is
+single on a <i>Step</i>; but when it is accompanied with other Marks, as
+<i>sinking,
+rising</i>, &amp;c. then it must be plac&rsquo;d last.
+<p align=center><i>Sink, Rise, and Slide.</i>
+<br><img alt=" "  SRC="images/p26srsld.png" height=100 width=30>
+<p>If after the Mark of a <i>Slide</i>, there be also the Mark for the
+Foot up, you must <i>Slide</i> no farther than that Mark shewing the Foot
+up.
+<p align=center><i>Slide, and afterwards hold the Foot up.</i>
+<br><img alt=" "  SRC="images/p27shfu.png" height=100 width=38>
+<p>The Mark for the <i>Foot up</i>, may be plac&rsquo;d either in the Middle,
+or the End; when it is in the Middle, it shews, that the Foot is only up,
+in Order to be set down afterwards.
+<p align=center><i>Foot up, and then put down.</i>
+<br><img alt=" "  SRC="images/p27fupd.png" height=100 width=36>
+<p>But when it is at the End, it signifies, that the Foot must remain up.
+<p align=center><i>Foot up.</i>
+<br><img alt=" "  SRC="images/p27ftup.png" height=100 width=40>
+<p>To <i>point the Toe</i>, and afterwards the <i>Heel</i>, there must
+be a Point on the outside of that which represents the <i>Toe</i>, and
+another on the inside of that which represents the <i>Heel.</i>
+<p align=center><i>To point the
+Toe, and after to place the Heel.</i>
+<br><img alt=" "  SRC="images/p27ptphl.png" height=100 width=34>
+<p>To <i>place the Heel</i>, and afterwards <i>point the Toe</i>, there
+must be a point on the outside of that which represents the <i>Heel,</i>
+and another on the inside of that which represents the <i>Toe</i>.
+<p align=center><i>To
+place the Heel, and afterwards point the Toe.</i>
+<br><img alt=" "  SRC="images/P28phpt.png" height=100 width=30>
+<p>It is to be observed, that in the two foregoing Examples, the Point
+which is on the Outside of that which represents either the <i>Toe</i>
+or <i>Heel</i>, is the Point from whence you must always begin.
+<p>When there is a Point at the end of that which represents the<i> Toe</i>,
+and another behind that which shews the <i>Heel</i>, it shews, that the
+<i>Foot</i>
+must be set down <i>flat.</i>
+<p align=center><i>A flat Foot.</i>
+<br><img alt=" "  SRC="images/p28flft.png" height=100 width=39>
+<p>Marks for <i>Turning</i>, have no proper Places assign&rsquo;d them, no more
+than the <i>falling</i> or<i> sliding</i> Mark ; but you must then observe
+to which side to turn, whether to the right or left.
+<p>You must observe, that the beginning of the <i>turning</i> Mark, is
+to be taken from that Part which is nearest to the black Spot.
+<p>After having thus shewn the beginning of each <i>turning Mark</i>, you
+must observe exactly which way to turn, whether to the <i>right </i>or
+<i>left,</i>
+as appears by the following Examples:
+<table WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>A quarter turn to the Right.</i>
+<br><img alt=" "  SRC="images/p28qtR.png" height=100 width=31></td>
+
+<td ALIGN=CENTER><i>A quarter Turn to the Left.</i>
+<br><img alt=" "  SRC="images/p28qtR.png" height=100 width=31></td>
+
+<td ALIGN=CENTER><i>A half Turn to the Right.</i>
+<br><img alt=" "  SRC="images/p28htr.png" height=100 width=68></td>
+
+<td ALIGN=CENTER><i>A half Turn to the Left.</i>
+<br><img alt=" "  SRC="images/p28htl.png" height=100 width=49></td>
+
+<td ALIGN=CENTER><i>Three quarter Turn to the Right.</i>
+<br><img alt=" "  SRC="images/p283qR.png" height=100 width=108></td>
+
+<td ALIGN=CENTER><i>Three quarter Turn to the Left.</i>
+<br><img alt=" "  SRC="images/p283qL.png" height=100 width=132></td>
+</tr>
+</table>
+
+<p>The beginning of a <i>whole Turn</i>, or<i> turn quite round</i>, is
+more difficult to find out, because the Circle, which is the Mark of it,
+has neither beginning nor End: But it is nevertheless to be known by a
+<i>Point
+</i>plac&rsquo;d
+on the side of the <i>Step</i>; from which Point the beginning being known,
+you make Use of the same Rules as above.
+<table WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>A whole Turn to the Right.</i>
+<br><img alt=" "  SRC="images/p29wtR.png" height=120 width=103></td>
+
+<td ALIGN=CENTER><i>A whole Turn to the Left.</i>
+<br><img alt=" "  SRC="images/p29wtL.png" height=120 width=108></td>
+</tr>
+</table>
+When a <i>Turn</i> is to be made but half a quarter round, it must be mark&rsquo;d
+a quarter of a <i>Circle</i> on the side of the <i>Step,</i> without joining
+it to the Step.
+<table WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td VALIGN=TOP><i>A half quarter Turn to the Left.</i>
+<br><img alt=" "  SRC="images/p29hqtL.png" height=100 width=233></td>
+
+<td VALIGN=TOP><i>A half quarter Turn to the Right.</i>
+<br><img alt=" "  SRC="images/p29hqtR.png" height=80 width=238></td>
+</tr>
+</table>
+I have already shewn, that all <i>Steps </i>and half <i>Positions</i>,
+which have but one Point at either of their Extremities, signify either
+the pointing of the <i>Toe</i>, or placing the <i>Heel</i>, without the
+Body&rsquo;s bearing on it; but when there happens to be two Points, it then
+shews, that the Body must bear upon it.
+<table WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>To bear the Body on the Toe.</i>
+<br><img alt=" "  SRC="images/p29bbot.png" height=100 width=115></td>
+
+<td ALIGN=CENTER><i>To bear the Body on the Heel.</i>
+<br><img alt=" "  SRC="images/p29bboh.png" height=100 width=113></td>
+</tr>
+</table>
+Having explain&rsquo;d all the before-mention&rsquo;d <i>Marks</i>, I hope it will
+not be thought improper to shew when <i>Sinkings, Risings, Springings</i>,
+and
+<i>Slidings,</i> are to be made upon the <i>Toe, Heel</i>, or <i>flat
+Foot</i>, as the following Examples will demonstrate.
+<p>When there is a Point at the end of the <i>sinking</i> Mark, it shews,
+that the <i>Toe</i> must be bent downwards.
+<p align=center><i>Sink, the Toe towards the
+Ground.</i>
+<br><img alt=" "  SRC="images/p30sktg.png" height=100 width=29>
+<p>When there is a Point behind the <i>sinking</i> Mark, it denotes, that
+the <i>Heel</i> must be bent downwards.
+<p align=center><i>Sink, the Heel towards the Ground.</i>
+<br><img alt=" "  SRC="images/p30skhlg.png" height=100 width=29>
+<p>When there is a Point at the end of the <i>sinking</i> Mark, and another
+behind, it shews the <i>Sink</i> must be with a <i>flat Foot</i>.
+<p align=center><i>Sink, the
+Foot flat.</i>
+<br><img alt=" "  SRC="images/p30sftfl.png" height=100 width=32>
+<p>When there is a Point at the end of a<i> rising</i> Mark, it shews the
+<i>Rise</i>
+must be made on the <i>Toe</i>.
+<p align=center><i>Rise on the Toe.</i>
+<br><img alt=" "  SRC="images/p30rotoe.png" height=100 width=27>
+<p>When there is a Point behind the <i>rising</i> Mark, it shews, that
+the <i>Rise</i> must be made on the <i>Heel</i>.
+<p align=center><i>Rise on the Heel.</i>
+<br><img alt=" "  SRC="images/p31ronhl.png" height=100 width=33>
+<p>When there is a Point at the end of a <i>rising</i> Mark, and another
+behind, it shews, that the <i>Rise</i> must be on a <i>flat Foot</i>.
+<p align=center><i>Rise on
+a flat Foot.</i>
+<br><img alt=" "  SRC="images/p31rofft.png" height=100 width=43>
+<p>When there is a Point at the end of a <i>springing</i> Mark, it shews,
+that the <i>Spring, Hop</i>, or <i>Bound,</i> must be made on the <i>Toe</i>.
+<p align=center><i>Spring
+on the Toe.</i>
+<br><img alt=" "  SRC="images/p31sptoe.png" height=100 width=28>
+<p>When there is a Point behind the <i>springing</i> Mark, it shews, that
+the <i>Spring, Hop</i>, or <i>Bound,</i> must be made on the <i>Heel</i>.
+<p align=center><i>Spring
+on the Heel.</i>
+<br><img alt=" "  SRC="images/p31spohl.png" height=100 width=34>
+<p>When there is a Point at the end of the <i>springing</i> Mark, and another
+behind, it signifies, that the <i>Spring, Hop</i>, or <i>Bound</i>, must
+be made on a <i>flat Foot</i>.
+<p align=center><i>Spring on a flat Foot.</i>
+<br><img alt=" "  SRC="images/p32spfft.png" height=100 width=34>
+<p>When there is a Point at the end of the <i>sliding</i> Mark, towards
+the Mark representing the Foot, it shews, that the <i>Slide</i> must be
+made on the Toe.
+<p align=center><i>Slide on the Toe.</i>
+<br><img alt=" "  SRC="images/p32sltoe.png" height=100 width=35>
+<p>When there is a Point at the other end of the <i>sliding</i> Mark, it
+shews, that the <i>Slide</i> is to be made on the Heel.
+<p align=center><i>Slide on the
+Heel.</i>
+<br><img alt=" "  SRC="images/p32slhel.png" height=100 width=33>
+<p>And when there is a Point at each end of the <i>sliding</i> Mark, it
+denotes, that the <i>Slide</i> must be made with a flat Foot.
+<p align=center><i>Slide
+with a flat Foot.</i>
+<br><img alt=" "  SRC="images/p32slfft.png" height=100 width=31>
+
+
+<h2 align=center>
+<i>Of marking the Positions.</i></h2>
+All the <i>Marks</i> which have been hitherto demonstrated, may be plac&rsquo;d
+as well upon the <i>half Positions</i> or <i>Positions</i>, as upon the
+<i>Steps</i>,
+the <i>sliding</i> Marks only excepted.
+<p>If there were, for Example, a <i>sinking</i> Mark upon a <i>half Position</i>,
+it would shew, that the Knee of that Leg only was to be bent; but if <i>sinking
+Marks</i> should be on the <i>whole Position</i>, then both Knees are to
+be <i>bent</i> at the same time. The same is to be observ&rsquo;d for <i>Rising,
+Springing</i>, &amp;c. The<i> Marks </i>on the <i>Positions</i>, have no
+appointed Place, as they have on <i>Steps</i>, excepting <i>Points</i>,
+which are to be plac&rsquo;d in the same manner as on <i>Steps</i>.
+<table WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Sink on one Foot.</i>
+<br><img alt=" "  SRC="images/p33sk1ft.png" height=60 width=54></td>
+
+<td ALIGN=CENTER><i>Sink on both Feet.</i>
+<br><img alt=" "  SRC="images/p33s2ft.png" height=70 width=94></td>
+
+<td ALIGN=CENTER><i>Rise on one Foot.</i>
+<br><img alt=" "  SRC="images/p33rs1ft.png" height=60 width=52></td>
+
+<td ALIGN=CENTER><i>Rise on both Feet.</i>
+<br><img alt=" "  SRC="images/p33r2ft.png" height=63 width=100></td>
+
+<td ALIGN=CENTER><i>Spring on one Foot.</i>
+<br><img alt=" "  SRC="images/p33sp1ft.png" height=60 width=64></td>
+
+<td ALIGN=CENTER><i>Spring on both Feet.</i>
+<br><img alt=" "  SRC="images/p33spr2f.png" height=60 width=92></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Caper on one Foot.</i>
+<br><img alt=" "  SRC="images/p33caper1.png" height=60 width=66></td>
+
+<td VALIGN=TOP><i>Caper on both Feet.</i>
+<br><img alt=" "  SRC="images/p33cap2.png" height=68 width=100></td>
+
+<td ALIGN=CENTER><i>One Foot up.</i>
+<br><img alt=" "  SRC="images/p33ftup.png" height=60 width=63></td>
+
+<td ALIGN=CENTER><i>Foot up, and then down.</i>
+<br><img alt=" "  SRC="images/p33ftudw.png" height=60 width=85></td>
+
+<td ALIGN=CENTER><i>To point the Toe.</i>
+<br><img alt=" "  SRC="images/p33pttoe.png" height=60 width=68></td>
+
+<td ALIGN=CENTER><i>To be on both Toes.</i>
+<br><img alt=" "  SRC="images/p33bthto.png" height=60 width=100></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>To place the Heel.</i>
+<br><img alt=" "  SRC="images/p33plhl.png" height=60 width=72></td>
+
+<td ALIGN=CENTER><i>To be on both Heels.</i>
+<br><img alt=" "  SRC="images/p33bthhl.png" height=74 width=100></td>
+
+<td VALIGN=TOP><i>To point the Toe, and then the Heel.</i>
+<br><img alt=" "  SRC="images/p33ptph.png" height=60 width=85></td>
+
+<td ALIGN=CENTER><i>To be first on the Toes, and then the Heels.</i>
+<br><img alt=" "  SRC="images/p33toehl.png" height=56 width=100></td>
+
+<td ALIGN=CENTER><i>To place the Heel, and point the Toe.</i>
+<br><img alt=" "  SRC="images/p33phlpt.png" height=60 width=49></td>
+
+<td ALIGN=CENTER><i>To be first on the Heels, and then the Toes.</i>
+<br><img alt=" "  SRC="images/p33hltoe.png" height=65 width=100></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td><i>To be on the flat Foot.</i>
+<br><img alt=" "  SRC="images/p33flft.png" height=60 width=57></td>
+
+<td><i>Both Feet flat.</i>
+<br><img alt=" "  SRC="images/p332flft.png" height=72 width=100></td>
+
+<td ALIGN=CENTER><i>A Turn on the Foot to the Rise.</i>
+<br><img alt=" "  SRC="images/p33t1ftR.png" height=60 width=69></td>
+
+<td ALIGN=CENTER><i>A Turn on both Feet to the Rise.</i>
+<br><img alt=" "  SRC="images/p33t2ftR.png" height=53 width=100></td>
+
+<td ALIGN=CENTER><i>Turn on one Foot to the Left.</i>
+<br><img alt=" "  SRC="images/p33t1ftL.png" height=60 width=83></td>
+
+<td ALIGN=CENTER><i>Turn on both Feet to the Left.</i>
+<br><img alt=" "  SRC="images/p33t2ftL.png" height=52 width=100></td>
+</tr>
+</table>
+
+
+<h2 align=center>
+<i>Of</i> Positions <i>and</i> half Positions <i>having several Marks at
+once.</i></h2>
+<i>Positions</i> and <i>half Positions </i>may have several <i>Marks</i>
+together, as <i>Steps</i> have; and it must be observ&rsquo;d of the <i>Marks</i>
+for <i>Sinking, Rising, Springing</i>, and <i>Capers</i>, that the <i>Mark</i>
+plac&rsquo;d nearest to the O, is what must be first made; but when there is
+the <i>Mark</i> for the Foot up, that must certainly be the last perform&rsquo;d.
+<table WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Sink, and rise on one Foot.</i>
+<br><img alt=" "  SRC="images/p34skrs1.png" height=75 width=102></td>
+
+<td VALIGN=TOP><i>Sink, and rise on both Feet.</i>
+<br><img alt=" "  SRC="images/p34skrs2.png" height=68 width=126></td>
+
+<td ALIGN=CENTER><i>Rise, and sink on one Foot.</i>
+<br><img alt=" "  SRC="images/p34rs1ft.png" height=68 width=82></td>
+
+<td VALIGN=TOP><i>Rise, and sink on both Feet.</i>
+<br><img alt=" "  SRC="images/p34skrs2.png" height=68 width=126></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Sink, and spring on one Foot.</i>
+<br><img alt=" "  SRC="images/p34sksp1.png" height=60 width=77></td>
+
+<td ALIGN=CENTER><i>Sink, and spring on both Feet.</i>
+<br><img alt=" "  SRC="images/p34sksp2.png" height=60 width=114></td>
+
+<td VALIGN=TOP><i>Spring, and sink on one Foot.</i>
+<br><img alt=" "  SRC="images/p34spsk1.png" height=60 width=71></td>
+
+<td ALIGN=CENTER><i>Spring, and sink on both Feet.</i>
+<br><img alt=" "  SRC="images/p34spsk2.png" height=60 width=94></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Sink, spring, and sink on one Foot.</i>
+<br><img alt=" "  SRC="images/p34skss1.png" height=60 width=70></td>
+
+<td ALIGN=CENTER><i>Sink, spring, and sink on both Feet.</i>
+<br><img alt=" "  SRC="images/p33skss2.png" height=60 width=100></td>
+
+<td ALIGN=CENTER><i>Sink, and caper on one Foot.</i>
+<br><img alt=" "  SRC="images/p34skcp1.png" height=60 width=77></td>
+
+<td ALIGN=CENTER><i>Sink, and caper on both Feet.</i>
+<br><img alt=" "  SRC="images/p34skcp2.png" height=60 width=114></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td VALIGN=TOP><i>Sink, and spring a half Turn to the Left on one Foot.</i>
+<br><img alt=" "  SRC="images/p34ssht1.png" height=60 width=76></td>
+
+<td ALIGN=CENTER><i>The same on both Feet.</i>
+<br><img alt=" "  SRC="images/p34same2.png" height=60 width=98></td>
+
+<td VALIGN=TOP><i>Sink, caper a three quarter Turn to the Right on one
+Foot.</i>
+<br><img alt=" "  SRC="images/p34sc3qt.png" height=60 width=68></td>
+
+<td ALIGN=CENTER><i>Sink, caper on both Feet a whole Turn to the Right.</i>
+<br><img alt=" "  SRC="images/p34sc2fwt.png" height=60 width=105></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Turn on the Toes a half Turn to the Left.</i>
+<br><img alt=" "  SRC="images/p34tthtL.png" height=60 width=82></td>
+
+<td ALIGN=CENTER><i>The same on the Heels.</i>
+<br><img alt=" "  SRC="images/p34thhtL.png" height=60 width=73></td>
+
+<td ALIGN=CENTER><i>Sink, rise, and turn a half Turn on the Toes to the
+Right.</i>
+<br><img alt=" "  SRC="images/p34srtht.png" height=60 width=92></td>
+
+<td ALIGN=CENTER><i>The same on the Heels.</i>
+<br><img alt=" "  SRC="images/p34srthh.png" height=60 width=81></td>
+</tr>
+</table>
+
+<p>All the Marks of <i>sinking</i> and <i>rising</i>, which have been already
+demonstrated upon the <i>Step</i>, have Relation to the <i>Bendings</i>
+and <i>Risings</i> of both the Knees: But when it shall happen, that in
+moving in a Dance, one <i>Knee</i> only ought to <i>bend</i> or <i>rise</i>,
+the following Rules must be observed.
+<p>It will be necessary upon this Occasion, to understand when one Leg
+moves, what the other ought to do; to demonstrate which, I shall make use
+of a <i>half Position</i> and a <i>Step</i>, which must be ty&rsquo;d together
+by a Small Line, of which, one end is join&rsquo;d to that which represents the
+<i>Heel</i>
+of the <i>half Position</i>, and the other to the Head of the
+<i>Step</i>.
+This Union denotes, that the <i>half Position</i> and the
+<i>Step</i>,
+are both to act at the same time.
+<table WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>To bend the left Knee, while the right moves extended.</i>
+<p><img alt=" "  SRC="images/p35bLkx.png" height=96 width=120></td>
+
+<td ALIGN=CENTER><i>To bend, and rise the left Knee, while the right moves
+extended.</i>
+<p><img alt=" "  SRC="images/p35brLkx.png" height=103 width=120></td>
+
+<td ALIGN=CENTER><i>To bend the left Knee, moving the right half way extended
+and afterwards to bend in moving.</i>
+<br><img alt=" "  SRC="images/p35bLkmR.png" height=128 width=100></td>
+
+<td ALIGN=CENTER><i>To bend the left Knee, the right moving extended, and
+sink in the middle of the Step, and rise on the Toes.</i>
+<br><img alt=" "  SRC="images/p35bLkRm.png" height=139 width=100></td>
+
+<td ALIGN=CENTER><i>To bend the right Knee in moving, and rise towards
+the end, the left continuing extended.</i>
+<br><img alt=" "  SRC="images/p35bRkLx.png" height=141 width=120></td>
+</tr>
+</table>
+
+<p>Two <i>Steps</i> ty&rsquo;d together at the Heads, shew they are both to move
+at once, which can only be perform&rsquo;d by <i>springing</i>, which I shall
+hereafter call a <i>starting Step</i>.
+<p>These kind of <i>starting Steps</i>, may be practis&rsquo;d two ways, <i>viz</i>.
+with both <i>Knees</i> stiff, or falling with the Knees bent.
+<p>The first of these needs no other Mark for Direction, but the <i>sliding
+Mark</i>; but the other must have the <i>sliding</i> and <i>falling</i>
+Marks together.
+<table WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>To Spring with both Feet open at once.</i>
+<br><img alt=" "  SRC="images/p35sp2op.png" height=150 width=240></td>
+
+<td ALIGN=CENTER><i>With one Foot forwards, and the other backwards, both
+at once.</i>
+<br><img alt=" "  SRC="images/p35ftf1b.png" height=150 width=71></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>A starting Step, with both Feet open, the Knees stiff.</i>
+<br><img alt=" "  SRC="images/p35st2osk.png" height=150 width=245></td>
+
+<td ALIGN=CENTER><i>A starting Step, one Foot forwards, the other backwards,
+the Knees stiff.</i>
+<br><img alt=" "  SRC="images/p35st1f1k.png" height=150 width=67></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>A starting Step, with both Feet open, and falling with
+both Knees bent.</i>
+<br><img alt=" "  SRC="images/p35st2kob.png" height=150 width=251></td>
+
+<td ALIGN=CENTER><i>The same, one Foot backwards, the other forwards.</i>
+<br><img alt=" "  SRC="images/p351fwbw.png" height=150 width=66></td>
+</tr>
+</table>
+
+
+<h2 align=center>
+<i>Of waving Positions, and half Positions.</i></h2>
+A <i>Waving Position, </i>or half <i>Position,</i> is when the Foot
+<i>waves
+</i>or<i>
+turns </i>inwards or outwards, whether upon the <i>Toe,
+</i>the
+<i>Heel,
+</i>or
+with the <i>Foot </i>up, which is explain&rsquo;d by a kind of<i> Half-Moon
+</i>proceeding
+from that place which represents either the <i>Heel</i> or <i>Toe, </i>and
+which demonstrates the Motion the <i>Heel </i>or <i>Toe</i> ought to make
+in <i>Waving. </i>If it be to wave upon the<i> Toe, </i>the <i>Crescent
+</i>or
+<i>Half-Moon
+</i>ought
+to be plac&rsquo;d where the <i>Heel </i>is represented, tending towards the
+<i>Toes </i>on that side you are to wave; on the contrary, if the<i> waving
+</i>Step is to be done on the <i>Heel, </i>or with the Foot up, the<i>
+Crescent </i>must be in the place which represents the
+<i>Toes</i> tending
+towards the <i>Heel.</i>
+<table WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Waving on the Toe, the Heel opening outwards.</i>
+<br><img alt=" "  SRC="images/p36wthoo.png" height=70 width=83></td>
+
+<td ALIGN=CENTER><i>The same on both Toes.</i>
+<br><img alt=" "  SRC="images/p36wtho2.png" height=70 width=115></td>
+
+<td ALIGN=CENTER><i>Waving on the Heel, the Toe closing inwards.</i>
+<br><img alt=" "  SRC="images/p36whtci.png" height=70 width=77></td>
+
+<td ALIGN=CENTER><i>The same on both Heels.</i>
+<br><img alt=" "  SRC="images/p36whto2.png" height=70 width=96></td>
+
+<td ALIGN=CENTER><i>Waving with the Foot up, the Toe closing inwards.</i>
+<br><img alt=" "  SRC="images/p36wftut.png" height=70 width=100></td>
+</tr>
+</table>
+
+
+<h2 align=center>
+<i>Of Positions and half Positions, which are wav&rsquo;d and unwav&rsquo;d.</i></h2>
+<i>Positions </i>and<i> half Positions, wav&rsquo;d </i>and<i> unwav&rsquo;d</i> are
+when the<i> Heel </i>or <i>Toe </i>returns to the place from whence either
+of them mov&rsquo;d, which is explain&rsquo;d by the <i>Crescent </i>being doubled,
+returning to the place from whence it came.
+<table WIDTH="100%">
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Waving and unwaving, the Heel opening outwards, and
+then closing inwards</i>.
+<br><img alt=" "  SRC="images/p36wwhci.png" height=70 width=68></td>
+
+<td ALIGN=CENTER><i>The same with both Feet.</i>
+<p><img alt=" "  SRC="images/p36wwhoc.png" height=70 width=119></td>
+
+<td ALIGN=CENTER><i>Waving and unwaving, the Toe closing, inwards, and
+afterwards opening outwards.</i>
+<br><img alt=" "  SRC="images/p36wwtco.png" height=70 width=58></td>
+
+<td ALIGN=CENTER><i>The same with both Feet.</i>
+<p><img alt=" "  SRC="images/p36whtc2.png" height=70 width=100></td>
+
+<td ALIGN=CENTER><i>Waving and unwaving with the Foot up, the Toe closing
+inwards, and then opening outwards.</i>
+<br><img alt=" "  SRC="images/p36wwtoo.png" height=70 width=70></td>
+</tr>
+</table>
+
+<p>Examples of waving Positions, where the <i>Toes</i> or <i>Heels</i>
+wave both one way, and are distinguish&rsquo;d by the <i>Crescents</i> being
+both on the same side.
+<table WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Waving on both Toes, the Heels moving to the Right.</i>
+<br><img alt=" "  SRC="images/p37w2thR.png" height=100 width=72></td>
+
+<td ALIGN=CENTER><i>The same to the Left.</i>
+<br><img alt=" "  SRC="images/p37w2thL.png" height=100 width=71></td>
+
+<td ALIGN=CENTER><i>Waving on both Heels, the Toes moving to the Left.</i>
+<br><img alt=" "  SRC="images/p37w2htL.png" height=100 width=66></td>
+
+<td ALIGN=CENTER><i>The same to the Right.</i>
+<br><img alt=" "  SRC="images/p37w2htR.png" height=100 width=69></td>
+</tr>
+</table>
+
+<p>Examples of waving and unwaving Positions, where the Feet turn and return
+both on the same side.
+<table WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>To turn on the Toes, the two Heels moving to the Right,
+and returning to the Left.</i>
+<br><img alt=" "  SRC="images/p37tthRL.png" height=120 width=72></td>
+
+<td ALIGN=CENTER><i>The same to the Left, and to tht Right.</i>
+<br><img alt=" "  SRC="images/p37r2c2.png" height=120 width=70></td>
+
+<td ALIGN=CENTER><i>To turn on the two Heels, the Toes moving to the Left,
+and then returning to the Right.</i>
+<br><img alt=" "  SRC="images/p37t2htR.png" height=120 width=72></td>
+
+<td ALIGN=CENTER><i>The same to the Right, and to the Left.</i>
+<br><img alt=" "  SRC="images/p37r2c4.png" height=120 width=91></td>
+</tr>
+</table>
+
+
+<h2 align=center>
+<i>Of the Change of Positions.</i></h2>
+The <i>Change</i> of Positions, is <i>changing</i> or <i>shifting</i> from
+one <i>Position</i> to another, whether true or false; to wit, from the
+first to the second, from the second to the third, and so on.
+<p>The Change of Positions is made two ways, either by <i>springing,</i>
+or <i>waving.</i>
+<p>Those which are perform&rsquo;d by <i>springing,</i> are done when you <i>spring</i>
+from one Position, and fall in another; and those which are perform&rsquo;d by
+waving, must be done on the Ground, by waving the two Feet, or each Foot
+Separately, either on the Toes or Heels.
+<p>The shifting of <i>Positions</i> by <i>springing,</i> may be known by
+what follows, <i>viz.</i> by two <i>Positions,</i> one of which has <i>springing</i>
+on it, and the other none.
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr VALIGN=TOP>
+<td VALIGN=TOP COLSPAN="2">
+
+<h2 align=center>
+<i>a TABLE of the shifting of the True Positions</i></h2>
+</td>
+
+<td VALIGN=TOP COLSPAN="2">
+
+<h2 align=center>
+<i>a TABLE of the shifting of the False Positions</i></h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td VALIGN=TOP><i>from the 1st to the 2nd.</i>
+<br><img alt=" "  SRC="images/p38f1t2.png" height=120 width=121></td>
+
+<td ALIGN=CENTER><i>from the 1st to the 3rd.</i>
+<br><img alt=" "  SRC="images/p38t1t3.png" height=120 width=75></td>
+
+<td ALIGN=CENTER><i>from the 1st to the 2nd.</i>
+<br><img alt=" "  SRC="images/p38f1t2.png" height=120 width=121></td>
+
+<td VALIGN=TOP><i>from the 1st to the 3rd.</i>
+<br><img alt=" "  SRC="images/p38f1t3.png" height=120 width=65></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>from the 1st to the 4th.</i>
+<br><img alt=" "  SRC="images/p38t1t4.png" height=120 width=66></td>
+
+<td ALIGN=CENTER><i>from the 1st to the 5th.</i>
+<br><img alt=" "  SRC="images/p38t1t5.png" height=120 width=52></td>
+
+<td ALIGN=CENTER><i>from the 1st to the 4th.</i>
+<br><img alt=" "  SRC="images/p38f1t4.png" height=120 width=54></td>
+
+<td ALIGN=CENTER><i>from the 1st to the 5th.</i>
+<br><img alt=" "  SRC="images/p38f1t5.png" height=120 width=62></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td VALIGN=TOP><i>from the 2nd to the 3rd.</i>
+<br><img alt=" "  SRC="images/p38t2t3.png" height=120 width=121></td>
+
+<td VALIGN=TOP><i>from the 3rd to the 5th.</i>
+<br><img alt=" "  SRC="images/p38t3t5.png" height=120 width=43></td>
+
+<td VALIGN=TOP><i>from the 2nd to the 3rd.</i>
+<br><img alt=" "  SRC="images/p38f2t3.png" height=120 width=109></td>
+
+<td ALIGN=CENTER><i>from the 3rd to the 1st.</i>
+<br><img alt=" "  SRC="images/p38f3t2.png" height=120 width=64></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>from the 4th to the 2nd.</i>
+<br><img alt=" "  SRC="images/p38t4t2.png" height=120 width=86></td>
+
+<td ALIGN=CENTER><i>from the 5th to the 1st.</i>
+<br><img alt=" "  SRC="images/p38t5t1.png" height=120 width=63></td>
+
+<td ALIGN=CENTER><i>from the 4th to the 2nd.</i>
+<br><img alt=" "  SRC="images/p38f4t2.png" height=120 width=120></td>
+
+<td ALIGN=CENTER><i>from the 5th to the 4th.</i>
+<br><img alt=" "  SRC="images/p39f5t4.png" height=120 width=51></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>from the 4th to the 4th.</i>
+<br><img alt=" "  SRC="images/p38t4t4.png" height=120 width=40></td>
+
+<td ALIGN=CENTER><i>from the 3rd to the 3rd.</i>
+<br><img alt=" "  SRC="images/p38t3t3.png" height=120 width=55></td>
+
+<td ALIGN=CENTER><i>from the 3rd to the 3rd.</i>
+<br><img alt=" "  SRC="images/p38f3t3.png" height=120 width=55></td>
+
+<td ALIGN=CENTER><i>from the 4th to the 4th.</i>
+<br><img alt=" "  SRC="images/p38f4t4.png" height=120 width=49></td>
+</tr>
+</table>
+<p>
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="2">
+
+<h2 align=center>
+<i>a TABLE of the Changing true positions into false positions</i></h2>
+</td>
+
+<td COLSPAN="2">
+
+<h2 align=center>
+<i>a TABLE of Shifting from false positions to true positions</i></h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>from the 1st true to the 2nd false.</i>
+<br><img alt=" "  SRC="images/p391t2f.png" height=120 width=98></td>
+
+<td ALIGN=CENTER><i>from the 1st true to the 3rd false.</i>
+<br><img alt=" "  SRC="images/p391t3f.png" height=120 width=65></td>
+
+<td ALIGN=CENTER><i>from the 1st false to the 2nd true.</i>
+<br><img alt=" "  SRC="images/p391f2t.png" height=120 width=78></td>
+
+<td ALIGN=CENTER><i>from the 1st false to the 3rd true.</i>
+<br><img alt=" "  SRC="images/p391f3t.png" height=120 width=77></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>from the 1st true to the 4th false.</i>
+<br><img alt=" "  SRC="images/p391t4f.png" height=120 width=70></td>
+
+<td ALIGN=CENTER><i>from the 1st true to the 5th false.</i>
+<br><img alt=" "  SRC="images/p391t5f.png" height=120 width=66></td>
+
+<td ALIGN=CENTER><i>from the 1st false to the 4th true.</i>
+<br><img alt=" "  SRC="images/p391f4t.png" height=120 width=60></td>
+
+<td ALIGN=CENTER><i>from the 1st false to the 5th true.</i>
+<br><img alt=" "  SRC="images/p391f5t.png" height=120 width=56></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>from the 2nd true to the 3rd false.</i>
+<br><img alt=" "  SRC="images/p392t3f.png" height=120 width=104></td>
+
+<td ALIGN=CENTER><i>from the 3rd true to the 1st false.</i>
+<br><img alt=" "  SRC="images/p393t1f.png" height=120 width=62></td>
+
+<td ALIGN=CENTER><i>from the 2nd false to the 3rd true.</i>
+<br><img alt=" "  SRC="images/p392f3t.png" height=120 width=100></td>
+
+<td ALIGN=CENTER><i>from the 3rd false to the 4th true.</i>
+<br><img alt=" "  SRC="images/p393f4t.png" height=120 width=55></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>from the 4th true to the 5th false.</i>
+<br><img alt=" "  SRC="images/p393t5f.png" height=120 width=41></td>
+
+<td ALIGN=CENTER><i>from the 5th true to the 2nd false.</i>
+<br><img alt=" "  SRC="images/p395t2f.png" height=120 width=92></td>
+
+<td ALIGN=CENTER><i>from the 4th false to the 1st true.</i>
+<br><img alt=" "  SRC="images/p394f1t.png" height=120 width=61></td>
+
+<td ALIGN=CENTER><i>from the 5th false to the 2nd true.</i>
+<br><img alt=" "  SRC="images/p395f2t.png" height=120 width=112></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>from the 1st true to the 1st false.</i>
+<br><img alt=" "  SRC="images/p391t1f.png" height=120 width=63></td>
+
+<td ALIGN=CENTER><i>from the 3rd true to the 3rd false.</i>
+<br><img alt=" "  SRC="images/p393t3f.png" height=120 width=63>&amp;c</td>
+
+<td ALIGN=CENTER><i>from the 2nd false to the 2nd true.</i>
+<br><img alt=" "  SRC="images/p392f2t.png" height=120 width=83></td>
+
+<td ALIGN=CENTER><i>from the 3rd false to the 3rd true.</i>
+<br><img alt=" "  SRC="images/p393f3t.png" height=120 width=56></td>
+</tr>
+</table>
+The <i>Position</i> which has <i>springing</i> Marks on it, shews from
+whence the <i>Spring</i> is to be made, and that which has no <i>springing</i>
+Marks on it, only denotes in what <i>Position</i> to fall, as may be seen
+by the foregoing Tables.
+
+<h2 align=center>
+<i>Of Positions that shift or change from one place to another.</i></h2>
+<i>Positions</i> may also change in <i>springing</i> from one place to
+another, as in <i>springing</i> forwards, backwards, or sideways. This
+is explain&rsquo;d by two Lines of Communication, that go from the <i>Position</i>
+on which the <i>springing Marks</i> are plac&rsquo;d, to that where there are
+none: Which Lines denote the Extension of the <i>Spring</i>, and of which
+side it must fall.
+<table WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>To spring forwards, both feet join&rsquo;d.</i>
+<br><img alt=" "  SRC="images/p40spfbj.png" height=150 width=91></td>
+
+<td ALIGN=CENTER><i>The same backwards.</i>
+<br><img alt=" "  SRC="images/p40spb2j.png" height=150 width=92></td>
+
+<td ALIGN=CENTER><i>To spring forwards, separating the Feet.</i>
+<br><img alt=" "  SRC="images/p40spfsf.png" height=150 width=134></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>The same backwards.</i>
+<br><img alt=" "  SRC="images/p40spbft.png" height=150 width=112></td>
+
+<td ALIGN=CENTER><i>To spring forwards, and fall inclosed.</i>
+<br><img alt=" "  SRC="images/p40spffi.png" height=150 width=92></td>
+
+<td ALIGN=CENTER><i>The same backwards</i>
+<br><img alt=" "  SRC="images/p40r2c2.png" height=150 width=104></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td VALIGN=TOP><i>To spring sideways to the Right, join&rsquo;d.</i>
+<br><img alt=" "  SRC="images/p40spsRj.png" height=60 width=180></td>
+
+<td ALIGN=CENTER><i>The same to the Left.</i>
+<br><img alt=" "  SRC="images/p40spsLj.png" height=55 width=180></td>
+
+<td ALIGN=CENTER><i>To spring sideways to the Right, cross&rsquo;d.</i>
+<br><img alt=" "  SRC="images/p40spsRc.png" height=91 width=180></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>The same to the Left.</i>
+<br><img alt=" "  SRC="images/p40spsLc.png" height=83 width=180></td>
+
+<td ALIGN=CENTER><i>To spring sideways cross&rsquo;d to the right, the foremost
+Foot falling behind.</i>
+<br><img alt=" "  SRC="images/p40sscRf.png" height=73 width=180></td>
+
+<td ALIGN=CENTER><i>The same to the Left</i>
+<br><img alt=" "  SRC="images/p40sscLf.png" height=92 width=180></td>
+</tr>
+</table>
+
+<p><i>Positions</i> may also change in <i>springing</i>, by two <i>Steps</i>
+being ty&rsquo;d together at the Heads; which shews, that they must move both
+at the same time.
+<table WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>A Spring forwards, with both Feet join&rsquo;d.</i>
+<br><img alt=" "  SRC="images/p41springfwdbothfeetjoined.png" height=180 width=77></td>
+
+<td ALIGN=CENTER><i>The same backwards.</i>
+<p><img alt=" "  SRC="images/p41springbkwdbothfeetjoined.png" height=150 width=98></td>
+
+<td ALIGN=CENTER><i>To spring from the first Position to the second.</i>
+<br><img alt=" "  SRC="images/p41sping1stpostto2nd.png" height=180 width=181></td>
+
+<td VALIGN=TOP><i>To spring from the second to the first.</i>
+<br><img alt=" "  SRC="images/p41spring2ndpostto1st.png" height=180 width=219></td>
+</tr>
+</table>
+
+
+<h2 align=center>
+<i>Of the Changing of waving Positions.</i></h2>
+The Changing of <i>waving Positions</i>, is the same with the Change of
+<i>springing
+Positions</i>, excepting, that instead of <i>springing Marks</i>, you must
+use <i>waving Marks</i>.
+<p>I have already said, that one <i>Position</i> may change to another,
+by <i>waving</i> both Feet at once, or separately.
+<p>Those which are to be made with both Feet at once, are to be known by
+a <i>wav&rsquo;d Position</i>; and those which are to be made by one Foot only,
+are known by a <i>half Position wav&rsquo;d</i>.
+<br>&nbsp;
+<table WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td COLSPAN="4">
+
+<h3 align=center>
+<i>The Changing of Waving Positions</i>.</h3>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>from the 1st true to the 2d false</i>
+<br><img alt=" "  SRC="images/p421t2f.png" height=150 width=114></td>
+
+<td ALIGN=CENTER><i>from the 2d false to the 1st true</i>
+<br><img alt=" "  SRC="images/p422f1t.png" height=150 width=118></td>
+
+<td ALIGN=CENTER><i>from the 1st false to the 2d true</i>
+<br><img alt=" "  SRC="images/p421f2t.png" height=150 width=108></td>
+
+<td ALIGN=CENTER><i>from the 2d true to the 1st false</i>
+<br><img alt=" "  SRC="images/p422t1f.png" height=150 width=107></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>from the 3d true to the 2d false</i>
+<br><img alt=" "  SRC="images/p423t2f.png" height=150 width=120></td>
+
+<td ALIGN=CENTER><i>from the 2d false to the 3d true</i>
+<br><img alt=" "  SRC="images/p422f3t.png" height=150 width=134></td>
+
+<td ALIGN=CENTER><i>from the 3d true to the 3d false</i>
+<br><img alt=" "  SRC="images/p423t3f.png" height=150 width=81></td>
+
+<td ALIGN=CENTER><i>from the 3d false to the 2d true</i>
+<br><img alt=" "  SRC="images/p423f2t.png" height=150 width=98></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>from the 2d true to the 3d false</i>
+<br><img alt=" "  SRC="images/p422t3f.png" height=150 width=110></td>
+
+<td ALIGN=CENTER><i>from the 3 false to the 3d true</i>
+<br><img alt=" "  SRC="images/p423f3t.png" height=150 width=59></td>
+
+<td ALIGN=CENTER><i>from the 3d false to the 3d false</i>
+<br><img alt=" "  SRC="images/p423f3f.png" height=150 width=77></td>
+
+<td ALIGN=CENTER><i>from the 3d false to the 3d false</i>
+<br><img alt=" "  SRC="images/p423f3fagain.png" height=150 width=92></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>from the 5th true to the 4th false</i>
+<br><img alt=" "  SRC="images/p425t4f.png" height=150 width=59></td>
+
+<td ALIGN=CENTER><i>from the 4th false to the 5th true</i>
+<br><img alt=" "  SRC="images/p424f5t.png" height=150 width=65></td>
+
+<td ALIGN=CENTER><i>from the 1st true to the 1st false</i>
+<br><img alt=" "  SRC="images/p421t1f.png" height=150 width=95></td>
+
+<td ALIGN=CENTER><i>from the 1st false to the 1st true</i>
+<br><img alt=" "  SRC="images/p421f1t.png" height=150 width=89></td>
+</tr>
+</table>
+
+
+<h2 align=center>
+<i>How to hold the Book or Paper, to decipher written Dances</i></h2>
+You must understand, the each page, on which the <i>Dance</i> is described,
+represents the <i>Dancing-Room</i>; and the four Sides of the Page, the
+four Sides of the <i>Room</i>, viz. the upper part of the Page, represents
+the upper end of the <i>Room</i>; the lower part, the lower end; the right
+side of the Page the right side of the <i>Room</i>; and the left side,
+the left, as you may see by the following Figure, of which A B C D represent
+the
+<i>Room</i>, and E F G H, the Page. E F shew the upper part of the
+Page, as C D do the lower end; F H the right side of the Page, as E F do
+the upper end of the Room G H the lower part, as B D the right side of
+the
+<i>Room</i>; and E G the left side of the Page, as A C the left side
+of the <i>Room</i>.
+<p align=center><img alt=" "  SRC="images/p43room.png" height=400 width=375>
+<p>You
+must observe always to hold the upper end of the Book against the upper
+end of the <i>Room</i>; and whether the <i>Dance</i> have any <i>Turning</i>
+in it or not, you must carefully avoid removing the Book from the Scituation
+above demonstrated.
+<p>When any Steps are made without <i>turning</i>, or in <i>turning</i>
+quite round, then both sides of the Book must be held with both Hands;
+but in <i>turning</i> a quarter round, half round, or three quarters round,
+it will be necessary to take more Care, because it will be difficult to
+<i>turn</i>,
+unles the Book turns also; yet this must be absolutely avoided; for if
+the Book moves out of its Scituation, it will be impossible to comprehend
+the <i>Steps</i> therein describ&rsquo;d; wherefore, for the better Observation
+of this, I shall give you the following Rules.
+<p>After having consider&rsquo;d the <i>Turning</i>, and on what side to turn,
+as for Example, in a quarter <i>Turn</i> to the Right, you must put your
+left Hand to the farther part of the Book, and your Right to the nearest.
+Your Hands being thus prepared, in turning your quarter <i>Turn</i>, bring
+your left Hand in to you, whilst your right removes from you; so that both
+Hands will by this means be equally advanc&rsquo;d before you, holding the Book
+by the same places before-mention&rsquo;d, and you will find, that in turning
+a quarter round, the Book will still remain in its former Scituation. You
+must make use of the same Rule in a <i>half Turn</i>.
+<p>I shall only add, that the Hand, which is plac&rsquo;d on the most opposite
+part of the Book, must come quite in to your Breast, while the other removes
+quite from you.
+<p>To turn <i>three quarters round</i> to the Right, you must cross your
+Hands more than you did in the <i>half Turn</i>; so that your left Hand
+must hold the upper part of that side which your right Hand would naturally
+have held, had you not turn&rsquo;d; and your right Hand must hold the lower
+part of that side, which your left would otherwise have held. Your Hands
+being thus prepar&rsquo;d, you will turn <i>three quarters round</i> in the same
+manner as you did <i>half round</i>.
+<p>The same Rules may be made use of in <i>turning</i> to the left, only
+you must observe, that instead of placing your left Hand, you must place
+the right to that part of the Book the farthest from you; and it may serve
+for a general Rule, that in turning to the Right, you first remove your
+left Hand; and in turning to the Left, you remove your Right.
+
+<h2 align=center>
+<i>Rules to be observ&rsquo;d in Dancing by written Characters.</i></h2>
+You must first find out the beginning of the <i>Tract</i>, by which means
+you will know towards what part of the <i>Dancing-Room</i> the Body is
+to be plac&rsquo;d, before the <i>Dance</i> begins, as has been shewn before,
+in speaking of the <i>Posture</i>, and <i>Presence of the Body</i>. Then
+observe whether there be any <i>Position</i>, as you will find in the following
+Examples, and there you are to place your self. Then see what <i>Step</i>
+is nearest to the said <i>Position</i>, and you will find it to be that
+which is mark&rsquo;d
+<i>Number</i> 1. Which having perform&rsquo;d, observe which
+is nearest to that, and you will find it is that mark&rsquo;d <i>Number</i> 2.
+After this, you must move to <i>Number</i> 3, then to <i>Number</i> 4,
+&amp;c. and so continue moving, observing exactly to perform that <i>Step</i>
+which is nearest to the place where you are, and to follow always the same
+<i>Rule</i>
+as well in moving forwards, backwards, and sideways, as in moving round.
+<p>Examples.
+<table WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>To move round.</i>
+<br><img alt=" "  SRC="images/p45moveround.png" height=308 width=300></td>
+
+<td ALIGN=CENTER><i>To move forwards.</i>
+<br><img alt=" "  SRC="images/p45moveforewards.png" height=300 width=76></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td VALIGN=TOP><i>To move sideways.</i>
+<br><img alt=" "  SRC="images/p45movesidewards.png" height=86 width=300></td>
+
+<td ALIGN=CENTER><i>To move backwards</i>
+<br><img alt=" "  SRC="images/p45movebackwards.png" height=300 width=79></td>
+</tr>
+</table>
+
+
+<h2 align=center>
+<i>How to know what </i>Steps<i> and </i>half Positions<i> are with the
+right Foot, and what with the left.</i></h2>
+The <i>Tract</i> or <i>Line</i>, on which <i>Dances</i> are describ&rsquo;d,
+whether forward or backward, must be consider&rsquo;d in respect to its right
+side mark&rsquo;d R, and the left side mark&rsquo;d L, as may be seen by the following
+<i>Example.</i>
+<p>The <i>Steps</i> and <i>half Positions</i>, which are on the right side,
+are made with the right Foot; and those which are on the left side, with
+the left Foot, as the following <i>Movements</i> will demonstrate, where
+I shall give to each <i>Step</i> and <i>half Position</i>, the same Letters
+r and l, the better to explain them.
+<p>Besides the Letters, r and l, the <i>Step</i> and <i>half Position</i>
+of the right or left Foot, will be easily known, by observing which way
+the <i>Toes</i> are turn&rsquo;d.
+<p>The <i>Toe</i> turning outwards on the right side, is the right Foot,
+and the <i>Toe</i> turning outwards on the left side, is the left.
+<p>The different <i>Tracts</i> or <i>Figures</i> made in <i>Dancing</i>,
+whether forwards, backwards, sideways, or round, will be explain&rsquo;d by what
+follows.
+<p>The <i>Tract</i> mark&rsquo;d A, is moving forwards, the Face towards the
+upper end of the <i>Room</i>.
+<p>The <i>Tract</i> B retires or goes back, the Face towards the lower
+end of the <i>Room</i>.
+<p>The <i>Tract</i> F is moving forwards, the Face towards the right side
+of the <i>Room</i>.
+<p>The <i>Tract</i> H retires, the Face towards the left side of the <i>Room</i>.
+<p>The <i>Tract</i> I, moves forwards, the Face towards the left side of
+the <i>Room</i>.
+<p>The <i>Tract</i> K retires backwards, the Face towards the right side
+of the <i>Room</i>.
+<p>The <i>Tracts</i> G, move round, and the <i>Tracts</i> M, retire round.
+<p align=center>><img alt=" "  SRC="images/p47.png" height=844 width=600>
+<p>In moving sideways, the <i>Tract</i> or <i>Line</i> must also be considered
+as to its two sides, <i>viz</i>. the upper side mark&rsquo;d X, and the under
+side mark&rsquo;d Y. <i>Steps</i> and <i>half Positions</i>, which are on the
+upper side of the Line, are to be made with the foremost Foot, and those
+which are on the under side, with the hinder Foot.
+<p>The <i>Tracts</i> mark&rsquo;d N, are moving sideways to the right, towards
+the lower end of the <i>Room</i>.
+<p>The <i>Tracts</i> R, move round sideways to the right.
+<p>And the <i>Tracts</i> S, move round sideways to the left.
+
+<h2 align=center>
+<i>The manner of Steps crossing one another</i>.</h2>
+A <i>Step</i> which begins with the hind Foot, in order to move sideways,
+to end on a Line with the other Foot, ought to begin from the part under
+the Line, and rise obliquely sideways towards that above, as you may see
+by the following <i>Step</i>.
+<table WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>To move the right Foot sidesway.</i>
+<br><img alt=" "  SRC="images/p48moveRftside.png" height=98 width=300></td>
+
+<td ALIGN=CENTER><i>To move the left Foot sideways.</i>
+<br><img alt=" "  SRC="images/p48moveLftside.png" height=89 width=300></td>
+</tr>
+</table>
+
+<p>A <i>Step</i>, which is to cross behind the foregoing <i>Step</i>, must
+begin above the Line, and descend obliquely below it; and which you will
+easily understand by the following Example: The first <i>Step</i> you may
+know by <i>Number</i> 1, and the other, which crosses, by <i>Number</i>
+2.
+<table WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>To move the right Foot sideways, and cross the left
+behind.</i>
+<br><img alt=" "  SRC="images/p48moveRftsidecrossLbehind.png" height=86 width=300></td>
+
+<td ALIGN=CENTER><i>To move the left Foot Sideways, and cross the right
+behind.</i>
+<br><img alt=" "  SRC="images/p48moveLftsidecrossRbehind.png" height=79 width=300></td>
+</tr>
+</table>
+
+<p>A <i>Step</i>, which begins with the foremost Foot, in order to move
+sideways, to end on a Line with the other Foot, ought to begin from the
+part above the Line, and descend obliquely sideways towards that below,
+as the following <i>Step</i>, mark&rsquo;d <i>Number</i> 1, will shew.
+<table WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>To move the right Foot sideways.</i>
+<br><img alt=" "  SRC="images/p49movRftside.png" height=83 width=300></td>
+
+<td ALIGN=CENTER><i>To move the left Foot sideways.</i>
+<br><img alt=" "  SRC="images/p49movLftside.png" height=82 width=300></td>
+</tr>
+</table>
+
+<p>A <i>Step</i>, which is to cross before the foregoing <i>Step</i>, must
+begin from below the Line, and rise obliquely above it, which you may observe
+by the <i>Step Number 1</i>.
+<table WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>To move the right Foot sideways and cross the left
+before.</i>
+<br><img alt=" "  SRC="images/p49moveRftsidecrossLbefore.png" height=77 width=300></td>
+
+<td ALIGN=CENTER><i>To move the left Foot sideways, and cross the right
+before.</i>
+<br><img alt=" "  SRC="images/p49moveLftsidecrossRbefore.png" height=80 width=300></td>
+</tr>
+</table>
+
+
+<h2 align=center>
+<i>To return upon a Tract you have just before mov&rsquo;d on.</i></h2>
+For <i>Example</i>, if you have mov&rsquo;d from the lower end of the <i>Room</i>,
+to the upper end, and have a mind to return upon the same <i>Tract</i>,
+as the <i>Tract</i> mark&rsquo;d A, you must remove, and place the <i>Line</i>
+or <i>Tract</i>, on which you would return, on one side or the other, as
+you shall find most convenient, as is mark&rsquo;d by the Letter B, and which
+in effect is the same with the foregoing; which two <i>Tracts</i> must
+be join&rsquo;d together by a pointed <i>Line</i> mark&rsquo;d C, which only serves
+to conduct the Sight from one <i>Line</i> to the other.
+<p align=center><img alt=" "  SRC="images/p49illustration.png" height=250 width=159>
+<p>The same thing must be observ&rsquo;d in moving several times round on the same
+<i>Circle</i>,
+as upon the <i>Circle</i> mark&rsquo;d D; about which may be describ&rsquo;d as many
+<i>Circles</i>
+as shall be necessary. As for <i>Example</i>, the
+<i>Circles</i> E and
+F, which must be supposed to be on the same <i>Circle</i> with the
+<i>Circle</i>
+D.
+<p align=center><img alt=" "  SRC="images/p50.png" height=376 width=400>
+
+<h2 align=center>
+<i>To know to and from what Positions, Steps move</i>.</h2>
+I might have mark&rsquo;d the <i>Positions</i>, in which each <i>Step</i> ought
+to terminate; but since this must have created a great deal of Trouble,
+I shall only confine my self to mark them on join&rsquo;d and inclos&rsquo;d <i>Steps</i>,
+and for the rest, whether forwards, backwards, sideways, or cross&rsquo;d, the
+<i>Positions</i>
+may be easily known, without marking them, in observing that which follows.
+<p><i>Steps</i> which move forwards or backwards, shall be taken to be
+in the fourth <i>Position</i>.
+<p><i>Steps</i> which move streight, opening sideways, shall be taken to
+be in Second the <i>Position</i>, and <i>Steps</i> crossing, whether forwards
+or backwards, shall be taken to be in the fifth <i>Position</i>.
+<table WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>To move to the fourth Position, and afterwards to the
+second.</i>
+<br><img alt=" "  SRC="images/p51moveto4and2.png" height=160 width=190></td>
+
+<td ALIGN=CENTER><i>To move to the fifth Position, and afterwards to the
+second.</i>
+<br><img alt=" "  SRC="images/p51move5and2.png" height=160 width=185></td>
+
+<td ALIGN=CENTER><i>To move to the fifth Position, and afterwards to the
+fourth.</i>
+<br><img alt=" "  SRC="images/p51move5and4.png" height=160 width=168></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>To move to the fifth Position, and afterwards to the
+second.</i>
+<br><img alt=" "  SRC="images/p51move5and2long.png" height=98 width=180></td>
+
+<td ALIGN=CENTER><i>To move to the second Position, and afterwards to the
+fifth.</i>
+<br><img alt=" "  SRC="images/p51move2and5side.png" height=101 width=180></td>
+
+<td ALIGN=CENTER><i>To move to the second Position, and afterwards to the
+fifth.</i>
+<br><img alt=" "  SRC="images/p51move2and5.png" height=101 width=180></td>
+</tr>
+</table>
+
+<p>If it should happen nevertheless, that any of the above-mention&rsquo;d <i>Steps</i>
+should terminate upon both Feet, as it often happens in <i>rising</i> and
+<i>springing</i>,
+it is then necessary to mark the <i>Position</i>; without which it would
+be impossible to know, that the <i>rising</i> and <i>springing</i> should
+be on both Feet; wherefore, in demonstrating the <i>Positions</i> of <i>join&rsquo;d</i>
+and <i>inclos&rsquo;d Steps</i>, I will add to them those before-mention&rsquo;d, on
+which I will also mark the <i>Positions</i>, to make Use of on Occasion.
+
+<h2 align=center>
+<i>How Steps terminate in Positions</i>.</h2>
+When a <i>Step</i> terminates in a <i>Position</i>, there ought to be no
+Foot at the end of it, because the half <i>Position</i>, to which it is
+join&rsquo;d, serves for that.
+<table WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>A Step to the first Position forwards.</i>
+<br><img alt=" "  SRC="images/p51stepto1fwd.png" height=150 width=59></td>
+
+<td ALIGN=CENTER><i>The same backwards.</i>
+<br><img alt=" "  SRC="images/p51stepto1bkwd.png" height=150 width=67></td>
+
+<td ALIGN=CENTER><i>A Step to the third Position forwards.</i>
+<br><img alt=" "  SRC="images/p51stepto3fwd.png" height=150 width=66></td>
+
+<td ALIGN=CENTER><i>The same backwards.</i>
+<br><img alt=" "  SRC="images/p51stepto3bkwd.png" height=150 width=82></td>
+
+<td ALIGN=CENTER><i>A Step to the third Position before.</i>
+<br><img alt=" "  SRC="images/p51stepto3before.png" height=150 width=87></td>
+
+<td ALIGN=CENTER><i>The same behind.</i>
+<br><img alt=" "  SRC="images/p51stepto3behind.png" height=150 width=117></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>A rising Step on both Feet in the Second Postion.</i>
+<br><img alt=" "  SRC="images/p51riseboth5th.png" height=150 width=71></td>
+
+<td ALIGN=CENTER><i>A Spring on both Feet in the Second Postion.</i>
+<br><img alt=" "  SRC="images/p52sprboth2nd.png" height=150 width=76></td>
+
+<td ALIGN=CENTER><i>A Rise on both Feet in the fourth Position.</i>
+<br><img alt=" "  SRC="images/p52risebothin4th.png" height=150 width=76></td>
+
+<td ALIGN=CENTER><i>A Spring on both Feet in the fourth Position.</i>
+<br><img alt=" "  SRC="images/p52sprboth4th.png" height=150 width=60></td>
+
+<td ALIGN=CENTER><i>A Rise on both Feet in the fifth Position.</i>
+<br><img alt=" "  SRC="images/p51riseboth5th.png" height=150 width=71></td>
+
+<td ALIGN=CENTER><i>A Spring on both Feet in the fifth Position.</i>
+<br><img alt=" "  SRC="images/p52sprboth5th.png" height=150 width=72></td>
+</tr>
+</table>
+
+<p>A <i>Position</i> at the end of a <i>Step</i>, may be also known by
+adding to the <i>Step</i> a <i>half Position</i>, because the Representation
+of the Foot, which is at the Extremity of the <i>Step</i>, is made Use
+of, upon this Occasion, for a <i>half Position</i>; and a <i>half Position</i>
+join&rsquo;d to it, is the same as a <i>whole Position</i>.
+<table WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>A join&rsquo;d Step.</i>
+<br><img alt=" "  SRC="images/p52joinedstep.png" height=180 width=98></td>
+
+<td ALIGN=CENTER><i>An inclos&rsquo;d Step.</i>
+<br><img alt=" "  SRC="images/p52inclst.png" height=180 width=85></td>
+</tr>
+</table>
+
+<p>The Same Rule must be observ&rsquo;d in <i>beaten Steps</i>, viz. That the
+<i>half
+Position</i> represents the Foot, against which the other <i>beats</i>;
+and whereby you may know whether the <i>Beat</i> be made on the <i>Instep</i>,
+behind the Heel, against the <i>Ankle</i>, or against the side of the Foot.
+<table WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>A Beat on the Instep.</i>
+<br><img alt=" "  SRC="images/p51beatoninstep.png" height=150 width=79></td>
+
+<td ALIGN=CENTER><i>A Beat behind.</i>
+<br><img alt=" "  SRC="images/p51beatbehind.png" height=150 width=64></td>
+
+<td ALIGN=CENTER><i>A Beat on the Instep, and a move behind.</i>
+<br><img alt=" "  SRC="images/p51beatinstepmovbehind.png" height=150 width=65></td>
+
+<td ALIGN=CENTER><i>A Beat behind and before.</i>
+<br><img alt=" "  SRC="images/p52beatbehindbefore.png" height=150 width=79></td>
+
+<td ALIGN=CENTER><i>A Beat above and below.</i>
+<br><img alt=" "  SRC="images/p52beatabovebelow.png" height=150 width=95></td>
+
+<td ALIGN=CENTER><i>The same four times.</i>
+<br><img alt=" "  SRC="images/p52beatabovebelow4times.png" height=150 width=92></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>A Beat on the Ankle.</i>
+<br><img alt=" "  SRC="images/p52beatonankle.png" height=150 width=86></td>
+
+<td ALIGN=CENTER><i>A beat 4 times on the Ankle, &amp; behind the Heel.</i>
+<br><img alt=" "  SRC="images/p53beat4timesanklebehindheel.png" height=150 width=85></td>
+
+<td ALIGN=CENTER><i>A Beat sidewards, moving forwards.</i>
+<br><img alt=" "  SRC="images/p53beatsidemovfwd.png" height=150 width=61></td>
+
+<td ALIGN=CENTER><i>The same backwards.</i>
+<br><img alt=" "  SRC="images/p53beatsidemovbkwd.png" height=150 width=75></td>
+
+<td ALIGN=CENTER><i>The same twice, moving forwards.</i>
+<br><img alt=" "  SRC="images/p53sametwicemovfwd.png" height=150 width=76></td>
+
+<td ALIGN=CENTER><i>The same, moving backwards.</i>
+<br><img alt=" "  SRC="images/p53samemovbkwd.png" height=150 width=71></td>
+</tr>
+</table>
+
+<p>You must observe, that when two <i>Steps</i> terminate both in the same
+<i>Position</i>,
+the first moves without any regard to the <i>Position</i>, and it is the
+last only that must observe the said <i>Position</i>; as the following
+Examples will demonstrate.
+<table WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>To move the right Foot forwards, and join the left.</i>
+<br><img alt=" "  SRC="images/p53movRftfwdjoinL.png" height=180 width=105></td>
+
+<td ALIGN=CENTER><i>To move the right Foot forwards, and inclose in the
+left behind.</i>
+<br><img alt=" "  SRC="images/p53moveRftfwdincloseLbehind.png" height=180 width=83></td>
+</tr>
+</table>
+
+
+<h2 align=center>
+<i>Of simple and compound Steps.</i></h2>
+All <i>Steps</i> may be either <i>simple</i> or <i>compound</i>.
+<p>A <i>simple Step</i>, is that which is alone, as all those which hitherto
+demonstrated; and a <i>compound Step</i>, is, where two or more <i>Steps</i>
+are join&rsquo;d together by a <i>Line</i>, and which then are to be reputed
+as one <i>Step</i> only, as will appear by the following <i>Steps</i>.
+<p align=center><img alt=" "  SRC="images/p536illustrations.png" height=151 width=600>
+<p>To practise
+more easily what has already been taught and demonstrated, you may make
+Use of the following <i>Tables</i>; where you will find all or the greatest
+Part of the <i>Steps</i> us&rsquo;d in <i>Dancing</i>, whether with one Foot,
+or the other, forwards, backwards, sideways, or turning, as well upon streight
+Lines, as diametrical.
+
+<h2 align=center>
+<i>The Tables.</i></h2>
+
+<table WIDTH="100%" >
+<tr>
+<td VALIGN=TOP><a href="#courant">1. Of <i>Courant Movements.</i></a>
+<br>2<a href="#halfcoupees">. Of <i>half Coupee&rsquo;s.</i></a>
+<br><a href="#coupees">3. Of <i>Coupee&rsquo;s.</i></a>
+<br><a href="#bouree">4. Of <i>Bouree&rsquo;s, or Fleurets.</i></a>
+<br><a href="#bounds">5. Of <i>Bounds, or Tacs.</i></a>
+<br><a href="#hops">6. Of
+<i>Contretemps, or compos&rsquo;d Hops.</i></a>
+<br><a href="#chassees">7. Of <i>Chassee&rsquo;s, or Drives.</i></a></td>
+
+<td VALIGN=TOP><a href="#sissones">8. Of <i>Siffonne&rsquo;s, or Cross-Leaps.</i></a>
+<br><a href="#pirouettes">9. Of <i>Pirouettes.</i></a>
+<br><a href="#capers">10. Of
+<i>Capers, and Half-Capers.</i></a>
+<br><a href="#entrechat">11. Of <i>Entre-chats, or Cross-Capers.</i></a>
+<br><a href="#waving">12. Of <i>Waving Steps.</i></a>
+<br><a href="#suplement">13. A <i>Supplement.</i></a></td>
+</tr>
+</table>
+
+<p>You must observe, that each Square contains only one <i>Step</i>, which
+I have writ down twice, to the end to shew, that what is perform&rsquo;d with
+one Foot, may also be perform&rsquo;d with the other.
+<p>An Explanation of the Steps contain&rsquo;d in each Square, is also writ down
+with them; and whereas some of the Words and Terms are abbreviated for
+want of Room, I have put down here a short Explanation of them.
+<table WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td VALIGN=TOP><i>forw.----------------------forwards.</i>
+<br><i>bacw.-------------------backwards.</i>
+<br><i>sidw.-----------------------sideways.</i>
+<br><i>sl.--------------------------------slide.</i>
+<br><i>cro.---------------------------cross&rsquo;d.</i>
+<br><i>op.-------------------------------open.</i>
+<br><i>qr.-------------------- quarter Turn.</i>
+<br><i>hf.------------------------- half Turn.</i>
+<br><i>3 qr. Turn----three quarter Turn.</i></td>
+
+<td VALIGN=TOP><i>circ.-------------------circular.</i>
+<br><i>jo.-----------------------join&rsquo;d.</i>
+<br><i>incl.-------------------inclos&rsquo;d.</i>
+<br><i>bef.---------------------before.</i>
+<br><i>beh.--------------------behind.</i>
+<br><i>wav.------------------waving.</i>
+<br><i>turn.------------------turning.</i>
+<br><i>outw.---------------outwards.</i>
+<br><i>inw.-------------------inwards.</i></td>
+</tr>
+</table>
+[Transcribers note: text expanded in tables]
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="2">
+
+<h2 align=center>
+TABLES</h2>
+
+
+<h3 align=center>
+<i>Conteyning most of the steps us&rsquo;d in</i></h3>
+
+
+<h2 align=center>
+Dancing</h2>
+
+
+<h3 align=center>
+<a NAME="courant"></a><i>Courant Movements And Galliard step.</i></h3>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Forwards.</i>
+<br><img alt=" "  SRC="images/p55forwards.png" height=150 width=230></td>
+
+<td ALIGN=CENTER><i>Backwards.</i>
+<br><img alt=" "  SRC="images/p55backwards.png" height=150 width=53></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td VALIGN=TOP><i>Sideways open.</i>
+<br><img alt=" "  SRC="images/p55sidewaysopen.png" height=62 width=250></td>
+
+<td ALIGN=CENTER><i>Crossways before.</i>
+<br><img alt=" "  SRC="images/p55crosswaysbefore.png" height=80 width=220></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td><i>Another.</i>
+<br><img alt=" "  SRC="images/p55crosswaysbeforeanother.png" height=91 width=220></td>
+
+<td ALIGN=CENTER><i>Crossways forwards turning.</i>
+<br><img alt=" "  SRC="images/p55crosswaysturning.png" height=150 width=54></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Sideways open turning.</i>
+<br><img alt=" "  SRC="images/p55sideopenturn.png" height=150 width=57></td>
+
+<td><i>Forwards turning.</i>
+<br><img alt=" "  SRC="images/p55fwdturning.png" height=64 width=150></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td><i>Another.</i>
+<br><img alt=" "  SRC="images/p55fwdturninganother.png" height=74 width=150></td>
+
+<td ALIGN=CENTER><i>Another with half a turn.</i>
+<br><img alt=" "  SRC="images/p55anotherwithhalfturn1.png" height=150 width=52><img alt=" "  SRC="images/p55anotherwithhalfturn2.png" height=150 width=81></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Galliard step</i>
+<br><img alt=" "  SRC="images/p55galliard.png" height=61 width=280></td>
+
+<td VALIGN=TOP><i>The same turning half</i>
+<br><img alt=" "  SRC="images/p55thesameturninghalf.png" height=49 width=280></td>
+</tr>
+</table>
+
+<br>&nbsp;
+<table BORDER="1" WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td COLSPAN="2">
+
+<h2 align=center>
+<a NAME="halfcoupees"></a><i>a</i> TABLE <i>of half Coupees</i></h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Half Coupee forwards</i>
+<br><img alt=" "  SRC="images/p56halfcoupeefwd1.png" height=150 width=55><img alt=" "  SRC="images/p56halfcoupeefwd2.png" height=150 width=51></td>
+
+<td ALIGN=CENTER><i>Backwards</i>
+<br><img alt=" "  SRC="images/p56halfcoupeebkwd1.png" height=150 width=51><img alt=" "  SRC="images/p56halfcoupeebkwd2.png" height=150 width=60></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Open backwards</i>
+<br><img alt=" "  SRC="images/p56openbwd1.png" height=150 width=67><img alt=" "  SRC="images/p56openbwd2.png" height=150 width=63></td>
+
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="images/p56othesame.png" height=48 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same circular before</i>
+<br><img alt=" "  SRC="images/p56samecircbefore1.png" height=150 width=84><img alt=" "  SRC="images/p56samecircbefore2.png" height=150 width=81></td>
+
+<td ALIGN=CENTER><i>the same circular sideways</i>
+<br><img alt=" "  SRC="images/p56samecircside1.png" height=150 width=75><img alt=" "  SRC="images/p56samesidecirc2.png" height=150 width=75></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>open sideways</i>
+<br><img alt=" "  SRC="images/p56opensideways.png" height=48 width=280></td>
+
+<td ALIGN=CENTER><i>another</i>
+<br><img alt=" "  SRC="images/p56anotheropensideways.png" height=50 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>another</i>
+<br><img alt=" "  SRC="images/p56another1.png" height=150 width=119><img alt=" "  SRC="images/p56another2.png" height=150 width=119></td>
+
+<td><i>crossways before</i>
+<br><img alt=" "  SRC="images/p56crosswaysbefore.png" height=57 width=300></td>
+</tr>
+</table>
+
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="2">
+
+<h2 align=center>
+TABLE <i>of half Coupees</i></h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>another</i>
+<br><img alt=" "  SRC="images/p57another1.png" height=58 width=180><img alt=" "  SRC="images/p57another2.png" height=62 width=180></td>
+
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="images/p57thesame1.png" height=150 width=82><img alt=" "  SRC="images/p57thesame2.png" height=150 width=76></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Crossing behind</i>
+<br><img alt=" "  SRC="images/p57crossbehind.png" height=61 width=350></td>
+
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="images/p57crossbehind1.png" height=150 width=75><img alt=" "  SRC="images/p57crossbehind2.png" height=150 width=62></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Forwards joyn&rsquo;d on the end of the feet</i>
+<br><img alt=" "  SRC="images/p57fwdjoynedonendoffeet1.png" height=150 width=72><img alt=" "  SRC="images/p57fwdjoynedonendoffeet2.png" height=150 width=75></td>
+
+<td ALIGN=CENTER><i>the same backwards</i>
+<br><img alt=" "  SRC="images/p57samebkwd1.png" height=150 width=81><img alt=" "  SRC="images/p57samebkwd2.png" height=150 width=75></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Forwards inclosed</i>
+<br><img alt=" "  SRC="images/p57fwdincl1.png" height=150 width=61><img alt=" "  SRC="images/p57fwdincl2.png" height=150 width=50></td>
+
+<td ALIGN=CENTER><i>the same backwards</i>
+<br><img alt=" "  SRC="images/p57inclsamebkwd1.png" height=150 width=69><img alt=" "  SRC="images/p57inclsamebkwd2.png" height=150 width=72></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Forwards joyn&rsquo;d the 2nd foot up</i>
+<br><img alt=" "  SRC="images/p57fwdjoined2ndftup1.png" height=150 width=53><img alt=" "  SRC="images/p57fwdjoined2ndftup2.png" height=150 width=53></td>
+
+<td ALIGN=CENTER><i>the same backwards</i>
+<br><img alt=" "  SRC="images/p57bkwdjoined2ndftup1.png" height=150 width=67><img alt=" "  SRC="images/p57bkwdjoined2ndftup2.png" height=150 width=69></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Forwards inclosed 2nd up</i>
+<br><img alt=" "  SRC="images/p57fwdincl2ndup1.png" height=150 width=50><img alt=" "  SRC="images/p57fwdincl2ndup2.png" height=150 width=52></td>
+
+<td ALIGN=CENTER><i>the same backwards</i>
+<br><img alt=" "  SRC="images/p57bkwdincl2ndup1.png" height=150 width=67><img alt=" "  SRC="images/p57bkwdincl2ndup2.png" height=150 width=61></td>
+</tr>
+</table>
+
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="2">
+
+<h2 align=center>
+TABLE <i>of half Coupees</i></h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Sideways open and joyn&rsquo;d 2nd up</i>
+<br><img alt=" "  SRC="images/p58sideopenjoined2ndup.png" height=49 width=280></td>
+
+<td ALIGN=CENTER><i>another</i>
+<br><img alt=" "  SRC="images/p58another1.png" height=50 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>another</i>
+<br><img alt=" "  SRC="images/p58another2.png" height=42 width=280></td>
+
+<td ALIGN=CENTER><i>another</i>
+<br><img alt=" "  SRC="images/p58another3.png" height=44 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>another</i>
+<br><img alt=" "  SRC="images/p58another4.png" height=55 width=280></td>
+
+<td ALIGN=CENTER><i>another the last inclosed behind</i>
+<br><img alt=" "  SRC="images/p58anotherlastinclbehind.png" height=47 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>a beat behind</i>
+<br><img alt=" "  SRC="images/p58beatbehind1.png" height=150 width=62><img alt=" "  SRC="images/p58beatbehind2.png" height=150 width=50></td>
+
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="images/p58same.png" height=63 width=300></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Beat before cross the ankle</i>
+<br><img alt=" "  SRC="images/p58beatbeforecrossankle1.png" height=150 width=54><img alt=" "  SRC="images/p58beatbeforecrossankle2.png" height=150 width=49></td>
+
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="images/p58same2.png" height=65 width=300></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Sideways open</i>
+<br><img alt=" "  SRC="images/p58sidewaysopen1.png" height=150 width=94><img alt=" "  SRC="images/p58sidewaysopen2.png" height=150 width=91></td>
+
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="images/p58same1of2.png" height=150 width=108><img alt=" "  SRC="images/p58same2of2.png" height=150 width=102></td>
+</tr>
+</table>
+
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="2">
+
+<h2 align=center>
+TABLE <i>of half Coupees</i></h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Beat on the ankle open sideways</i>
+<br><img alt=" "  SRC="images/p59beatankleopenside1.png" height=150 width=76><img alt=" "  SRC="images/p59beatankleopenside2.png" height=150 width=68></td>
+
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="images/p59same1of2.png" height=150 width=89><img alt=" "  SRC="images/p59same2of2.png" height=150 width=90></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>crossing forwards quarter turn</i>
+<br><img alt=" "  SRC="images/p59crossfwdqtrturn1.png" height=150 width=56><img alt=" "  SRC="images/p59crossfwdqtrturn2.png" height=150 width=62></td>
+
+<td ALIGN=CENTER><i>open sided quarter turn</i>
+<br><img alt=" "  SRC="images/p59opensideqtrturn1.png" height=150 width=64><img alt=" "  SRC="images/p59opensideqtrturn2.png" height=150 width=57></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="images/p59thesame.png" height=60 width=280></td>
+
+<td ALIGN=CENTER><i>another</i>
+<br><img alt=" "  SRC="images/p59another1of2.png" height=150 width=63><img alt=" "  SRC="images/p59another2of2.png" height=150 width=62></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>another</i>
+<br><img alt=" "  SRC="images/p592ndanother1of2.png" height=150 width=46><img alt=" "  SRC="images/p592ndanother2of2.png" height=150 width=55></td>
+
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="images/p59thesame2nd.png" height=92 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Forwards turning quarter</i>
+<br><img alt=" "  SRC="images/p59forwardturnqtr.png" height=59 width=280></td>
+
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="images/p59thesame3rd.png" height=64 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>another</i>
+<br><img alt=" "  SRC="images/p59anotherlong1st.png" height=43 width=280></td>
+
+<td ALIGN=CENTER><i>another</i>
+<br><img alt=" "  SRC="images/p59anotherlong2nd.png" height=45 width=280></td>
+</tr>
+</table>
+
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="2">
+
+<h2 align=center>
+TABLE <i>of half Coupees</i>.</h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Backwards turning</i>
+<br><img alt=" "  SRC="images/p60bwdturning.png" height=51 width=280></td>
+
+<td ALIGN=CENTER><i>open half turn</i>
+<br><img alt=" "  SRC="images/p60openhalfturn1.png" height=150 width=85><img alt=" "  SRC="images/p60openhalfturn2.png" height=150 width=76></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Forwards turning</i>
+<br><img alt=" "  SRC="images/p60fwdturn1.png" height=150 width=54><img alt=" "  SRC="images/p60fwdturn2.png" height=150 width=46></td>
+
+<td ALIGN=CENTER><i>Open turning</i>
+<br><img alt=" "  SRC="images/p60openturning.png" height=47 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="images/p60same1of2.png" height=150 width=93><img alt=" "  SRC="images/p60same2of2.png" height=150 width=101></td>
+
+<td ALIGN=CENTER><i>Beat on the ankle turn open to the side</i>
+<br><img alt=" "  SRC="images/p60beatonkleturnopenside1.png" height=150 width=62><img alt=" "  SRC="images/p60beatonkleturnopenside2.png" height=150 width=59></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>another</i>
+<br><img alt=" "  SRC="images/p601another1.png" height=150 width=68><img alt=" "  SRC="images/p601another2.png" height=150 width=66></td>
+
+<td ALIGN=CENTER><i>Beat behind turning</i>
+<br><img alt=" "  SRC="images/p60beatbehindturn1.png" height=150 width=53><img alt=" "  SRC="images/p60beatbehindturn2.png" height=150 width=62></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>another</i>
+<br><img alt=" "  SRC="images/p602another1.png" height=150 width=62><img alt=" "  SRC="images/p602another2.png" height=150 width=56></td>
+
+<td ALIGN=CENTER><i>Open side turning</i>
+<br><img alt=" "  SRC="images/p60opensideturn.png" height=150 width=204></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="images/p60same.png" height=48 width=280></td>
+
+<td ALIGN=CENTER><i>Forwards turning</i>
+<br><img alt=" "  SRC="images/p60fwdturning.png" height=150 width=250></td>
+</tr>
+</table>
+
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="2">
+
+<h2 align=center>
+<a NAME="coupees"></a>TABLE <i>of Coupeés</i>.</h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Coupee forwards</i>
+<br><img alt=" "  SRC="images/p61r1c1.png" height=150 width=215></td>
+
+<td ALIGN=CENTER><i>Backwards</i>
+<br><img alt=" "  SRC="images/p61r1c2.png" height=150 width=215></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Forwards 2nd open and up.</i>
+<br><img alt=" "  SRC="images/p61r2c1.png" height=150 width=222></td>
+
+<td ALIGN=CENTER><i>Open backwards 2nd open and up</i>
+<br><img alt=" "  SRC="images/p61r2c2.png" height=150 width=232></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Forwards 2nd circular inner; open sideways</i>
+<br><img alt=" "  SRC="images/p61r3c1.png" height=150 width=222></td>
+
+<td ALIGN=CENTER><i>2nd circ: &amp; slide forwards</i>
+<br><img alt=" "  SRC="images/p61r3c2.png" height=150 width=251></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>2nd behind and open; before: &amp; circular up</i>
+<br><img alt=" "  SRC="images/p61r4c1.png" height=150 width=193></td>
+
+<td ALIGN=CENTER><i>Forwards: 2nd bear behind</i>
+<br><img alt=" "  SRC="images/p61r4c2.png" height=150 width=223></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Coupee 2 movements</i>
+<br><img alt=" "  SRC="images/p61r5c1.png" height=150 width=210></td>
+
+<td ALIGN=CENTER><i>Open back: 2nd beat before</i>
+<br><img alt=" "  SRC="images/p61r5c2.png" height=150 width=257></td>
+</tr>
+</table>
+
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="2">
+
+<h2 align=center>
+TABLE <i>of Coupees</i></h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="images/p62r1c1.png" height=150 width=252></td>
+
+<td ALIGN=CENTER><i>Backwards; 2nd beat before and fall behind</i>
+<br><img alt=" "  SRC="images/p62r1c2.png" height=150 width=245></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Backwards: 2nd beat before and inclosed behind</i>
+<br><img alt=" "  SRC="images/p62r2c1.png" height=150 width=242></td>
+
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="images/p62r2c2.png" height=150 width=245></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>2nd inclosed behind</i>
+<br><img alt=" "  SRC="images/p62r3c1.png" height=65 width=290></td>
+
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="images/p62r3c2.png" height=150 width=244></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="images/p62r4c1.png" height=150 width=230></td>
+
+<td ALIGN=CENTER><i>Both inclosed behind</i>
+<br><img alt=" "  SRC="images/p62r4c2.png" height=150 width=259></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Crossed behind; 2nd open sideways</i>
+<br><img alt=" "  SRC="images/p62r5c1.png" height=150 width=278></td>
+
+<td ALIGN=CENTER><i>Circular before crossed behind: 2nd open up</i>
+<br><img alt=" "  SRC="images/p62r5c2.png" height=150 width=250></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Circular behind 2nd joyned</i>
+<br><img alt=" "  SRC="images/p62r6c1.png" height=150 width=280></td>
+
+<td ALIGN=CENTER><i>Backwards inclosed 2nd step forwards</i>
+<br><img alt=" "  SRC="images/p62r6c2.png" height=150 width=264></td>
+</tr>
+</table>
+
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="2">
+
+<h2 align=center>
+TABLE <i>of Coupees</i></h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Inclosed before 2nd step backward</i>
+<br><img alt=" "  SRC="images/p63r1c1.png" height=150 width=229></td>
+
+<td ALIGN=CENTER><i>Open sideways 2nd crossed before</i>
+<br><img alt=" "  SRC="images/p63r1c2.png" height=48 width=290></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Another behind</i>
+<br><img alt=" "  SRC="images/p63r2c1.png" height=45 width=280></td>
+
+<td ALIGN=CENTER><i>Another 2nd open and fall behind</i>
+<br><img alt=" "  SRC="images/p63r2c2.png" height=62 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Another 2nd passing before to open outwards</i>
+<br><img alt=" "  SRC="images/p63r3c1.png" height=121 width=280></td>
+
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="images/p63r3c2.png" height=81 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Open both</i>
+<br><img alt=" "  SRC="images/p63r4c1.png" height=52 width=280></td>
+
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="images/p63r4c2.png" height=132 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Cross behind 2nd open sideways</i>
+<br><img alt=" "  SRC="images/p63r5c1.png" height=48 width=280></td>
+
+<td ALIGN=CENTER><i>the same before</i>
+<br><img alt=" "  SRC="images/p63r5c2.png" height=49 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="images/p63r6c1.png" height=41 width=280></td>
+
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="images/p63r6c2.png" height=150 width=220></td>
+</tr>
+</table>
+
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="2">
+
+<h2 align=center>
+TABLE <i>of Coupees</i></h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Cross behind going sideways 2nd open.</i>
+<br><img alt=" "  SRC="images/p64r1c1.png" height=43 width=280></td>
+
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="images/p64r1c2.png" height=150 width=207></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same 2nd waving.</i>
+<br><img alt=" "  SRC="images/p64r2c1.png" height=48 width=280></td>
+
+<td ALIGN=CENTER><i>Open sideways 2nd cross behind.</i>
+<br><img alt=" "  SRC="images/p64r2c2.png" height=54 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same before.</i>
+<br><img alt=" "  SRC="images/p64r3c1.png" height=45 width=280></td>
+
+<td ALIGN=CENTER><i>Forwards 2nd joyn&rsquo;d.</i>
+<br><img alt=" "  SRC="images/p64r3c2.png" height=150 width=211></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same backwards.</i>
+<br><img alt=" "  SRC="images/p64r4c1.png" height=150 width=222></td>
+
+<td ALIGN=CENTER><i>Forwards 2nd inclosed. behind.</i>
+<br><img alt=" "  SRC="images/p64r4c2.png" height=150 width=202></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Open sideways 2nd joyn&rsquo;d.</i>
+<br><img alt=" "  SRC="images/p64r5c1.png" height=47 width=280></td>
+
+<td ALIGN=CENTER><i>Another</i>
+<br><img alt=" "  SRC="images/p64r5c2.png" height=44 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Open sideways 2nd inclosed behind.</i>
+<br><img alt=" "  SRC="images/p64r6c1.png" height=48 width=280></td>
+
+<td ALIGN=CENTER><i>the same before.</i>
+<br><img alt=" "  SRC="images/p64r6c2.png" height=40 width=280></td>
+</tr>
+</table>
+
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="2">
+
+<h2 align=center>
+TABLE <i>of Coupees</i></h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Crossed before going sideways 2nd joyn&rsquo;d</i>
+<br><img alt=" "  SRC="images/p65r1c1.png" height=47 width=280></td>
+
+<td ALIGN=CENTER><i>Another</i>
+<br><img alt=" "  SRC="images/p65r1c2.png" height=43 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same crossed behind</i>
+<br><img alt=" "  SRC="images/p65r2c1.png" height=48 width=280></td>
+
+<td ALIGN=CENTER><i>Another</i>
+<br><img alt=" "  SRC="images/p65r2c2.png" height=46 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Beat behind and beat before</i>
+<br><img alt=" "  SRC="images/p65r3c1.png" height=150 width=229></td>
+
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="images/p65r3c2.png" height=78 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Beat behind 2nd inclosed behind</i>
+<br><img alt=" "  SRC="images/p65r4c1.png" height=150 width=234></td>
+
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="images/p65r4c2.png" height=150 width=237></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="images/p65r5c1.png" height=66 width=280></td>
+
+<td ALIGN=CENTER><i>Beat before 2nd forwards</i>
+<br><img alt=" "  SRC="images/p65r5c2.png" height=150 width=227></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="images/p65r6c1.png" height=67 width=280></td>
+
+<td ALIGN=CENTER><i>Beat open sideways 2nd passing before open outwards</i>
+<br><img alt=" "  SRC="images/p65r6c2.png" height=127 width=280></td>
+</tr>
+</table>
+
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="2">
+
+<h2 align=center>
+<i>TABLE of Coupees</i>.</h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Beat on the ankle and both open sideways</i>
+<br><img alt=" "  SRC="images/p66r1c1.png" height=141 width=280></td>
+
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="images/p66r1c2.png" height=135 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Cross before quarter turn and 2nd open sideways</i>
+<br><img alt=" "  SRC="images/p66r2c1.png" height=150 width=232></td>
+
+<td ALIGN=CENTER><i>Open sideways: turn: 2nd crossed before</i>
+<br><img alt=" "  SRC="images/p66r2c2.png" height=150 width=225></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Open sideways: turn: 2nd open: sideways</i>
+<br><img alt=" "  SRC="images/p66r3c1.png" height=150 width=242></td>
+
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="images/p66r3c2.png" height=113 width=300></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="images/p66r4c1.png" height=108 width=280></td>
+
+<td ALIGN=CENTER><i>Open sideways turn: 2nd Crossed behind</i>
+<br><img alt=" "  SRC="images/p66r4c2.png" height=150 width=243></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Open sideways turn: 2nd crossed before</i>
+<br><img alt=" "  SRC="images/p66r5c1.png" height=150 width=238></td>
+
+<td ALIGN=CENTER><i>Another</i>
+<br><img alt=" "  SRC="images/p66r5c2.png" height=150 width=219></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Another crossed before</i>
+<br><img alt=" "  SRC="images/p66r6c1.png" height=150 width=249></td>
+
+<td ALIGN=CENTER><i>1st open sideways turn: 2nd open: sideways</i>
+<br><img alt=" "  SRC="images/p66r6c2.png" height=150 width=241></td>
+</tr>
+</table>
+
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="2">
+
+<h2 align=center>
+TABLE <i>of Coupees</i></h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="images/p67r1c1.png" height=131 width=300></td>
+
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="images/p67r1c2.png" height=119 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Forwards turning</i>
+<br><img alt=" "  SRC="images/p67r2c1.png" height=64 width=300></td>
+
+<td ALIGN=CENTER><i>Another</i>
+<br><img alt=" "  SRC="images/p67r2c2.png" height=49 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Forwards turning 2nd joyned</i>
+<br><img alt=" "  SRC="images/p67r3c1.png" height=55 width=300></td>
+
+<td ALIGN=CENTER><i>Another</i>
+<br><img alt=" "  SRC="images/p67r3c2.png" height=52 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Forwards turning 2nd inclosed. behind</i>
+<br><img alt=" "  SRC="images/p67r4c1.png" height=62 width=300></td>
+
+<td ALIGN=CENTER><i>Forwards turning</i>
+<br><img alt=" "  SRC="images/p67r4c2.png" height=47 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Crossed behind turning 2nd forwards</i>
+<br><img alt=" "  SRC="images/p67r5c1.png" height=49 width=300></td>
+
+<td ALIGN=CENTER><i>Forwards turning</i>
+<br><img alt=" "  SRC="images/p67r5c2.png" height=49 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Crossed behind turning 2nd forwards</i>
+<br><img alt=" "  SRC="images/p67r6c1.png" height=47 width=300></td>
+
+<td ALIGN=CENTER><i>Backwards turning</i>
+<br><img alt=" "  SRC="images/p67r6c2.png" height=55 width=280></td>
+</tr>
+</table>
+
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="2">
+
+<h2 align=center>
+TABLE <i>of Coupees</i>.</h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Another</i>
+<br><img alt=" "  SRC="images/p68r1c1.png" height=52 width=280></td>
+
+<td ALIGN=CENTER><i>half turn 2nd open outwards</i>
+<br><img alt=" "  SRC="images/p68r1c2.png" height=145 width=300></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>half turn 2nd backwards</i>
+<br><img alt=" "  SRC="images/p68r2c1.png" height=150 width=259></td>
+
+<td ALIGN=CENTER><i>half turn forwards</i>
+<br><img alt=" "  SRC="images/p68r2c2.png" height=150 width=244></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Another</i>
+<br><img alt=" "  SRC="images/p68r3c1.png" height=150 width=228></td>
+
+<td ALIGN=CENTER><i>Turn: open: &amp; cross: behind: 2nd open outwards</i>
+<br><img alt=" "  SRC="images/p68r3c2.png" height=144 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Open sideways; turn: 2nd open sideways</i>
+<br><img alt=" "  SRC="images/p68r4c1.png" height=44 width=280></td>
+
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="images/p68r4c2.png" height=118 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="images/p68r5c1.png" height=109 width=280></td>
+
+<td ALIGN=CENTER><i>Open turn with a beat before: 2nd open sideways</i>
+<br><img alt=" "  SRC="images/p68r5c2.png" height=150 width=257></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Another 2nd crossed behind</i>
+<br><img alt=" "  SRC="images/p68r6c1.png" height=146 width=280></td>
+
+<td ALIGN=CENTER><i>Beat behind turn 2nd inclosed behind</i>
+<br><img alt=" "  SRC="images/p68r6c2.png" height=150 width=264></td>
+</tr>
+</table>
+
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="2">
+
+<h2 align=center>
+TABLE <i>of Coupees</i>.</h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="images/p69r1c1.png" height=150 width=253></td>
+
+<td ALIGN=CENTER><i>Beat behind turn 2nd open sideways</i>
+<br><img alt=" "  SRC="images/p69r1c2.png" height=150 width=230></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Both open sideways</i>
+<br><img alt=" "  SRC="images/p69r2c1.png" height=128 width=280></td>
+
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="images/p69r2c2.png" height=49 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Cross before turn 2nd open sideways</i>
+<br><img alt=" "  SRC="images/p69r3c1.png" height=52 width=280></td>
+
+<td ALIGN=CENTER><i>Forwards turning</i>
+<br><img alt=" "  SRC="images/p69r3c2.png" height=150 width=226></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Cross before turn 2nd open sideways</i>
+<br><img alt=" "  SRC="images/p69r4c1.png" height=130 width=280></td>
+
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="images/p69r4c2.png" height=108 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>3 quarter turn 2nd open outwards</i>
+<br><img alt=" "  SRC="images/p69r5c1.png" height=140 width=280></td>
+
+<td ALIGN=CENTER><i>Another whole turn</i>
+<br><img alt=" "  SRC="images/p69r5c2.png" height=150 width=257></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Turn sideways 2nd turn going behind and opening sideways</i>
+<br><img alt=" "  SRC="images/p69r6c1.png" height=59 width=280></td>
+
+<td ALIGN=CENTER><i>Whole turn 2nd open sideways</i>
+<br><img alt=" "  SRC="images/p69r6c2.png" height=101 width=300></td>
+</tr>
+</table>
+
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="2">
+
+<h2 align=center>
+<a NAME="bouree"></a>TABLE</h2>
+
+
+<h3 align=center>
+<i>of</i></h3>
+
+
+<h2 align=center>
+<i>Bouree steps or Fleurets</i></h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Bouree step forwards</i>
+<br><img alt=" "  SRC="images/p70r1c1a.png" height=150 width=58><img alt=" "  SRC="images/p70r1c1b.png" height=150 width=53></td>
+
+<td ALIGN=CENTER><i>backwards</i>
+<br><img alt=" "  SRC="images/p70r1c2a.png" height=150 width=66><img alt=" "  SRC="images/p70r1c2b.png" height=150 width=67></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>backwards the last open sideways</i>
+<br><img alt=" "  SRC="images/p70r2c1a.png" height=150 width=97><img alt=" "  SRC="images/p70r2c1b.png" height=150 width=112></td>
+
+<td ALIGN=CENTER><i>1st backwards: 2nd beat before: 3rd forwards</i>
+<br><img alt=" "  SRC="images/p70r2c2a.png" height=150 width=88><img alt=" "  SRC="images/p70r2c2b.png" height=150 width=78></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="images/p70r3c1a.png" height=150 width=66><img alt=" "  SRC="images/p70r3c1b.png" height=150 width=66></td>
+
+<td ALIGN=CENTER><i>1st backwards: 2nd beat &amp; inclosed behind: 3rd
+forwards</i>
+<br><img alt=" "  SRC="images/p70r3c2a.png" height=150 width=64><img alt=" "  SRC="images/p70r3c2b.png" height=150 width=85></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="images/p70r4c1a.png" height=150 width=77><img alt=" "  SRC="images/p70r4c1b.png" height=150 width=84></td>
+
+<td ALIGN=CENTER><i>2. 1st backwards 3rd forwards</i>
+<br><img alt=" "  SRC="images/p70r4c2a.png" height=150 width=81><img alt=" "  SRC="images/p70r4c2b.png" height=150 width=88></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="images/p70r5c1a.png" height=150 width=59><img alt=" "  SRC="images/p70r5c1b.png" height=150 width=71></td>
+
+<td ALIGN=CENTER><i>1st backwards: 2nd joyned: 3rd forwards</i>
+<br><img alt=" "  SRC="images/p70r5c2a.png" height=150 width=94><img alt=" "  SRC="images/p70r5c2b.png" height=150 width=93></td>
+</tr>
+</table>
+
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="2">
+
+<h2 align=center>
+TABLE <i>of Bouree&rsquo;s.</i></h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same.</i>
+<br><img alt=" "  SRC="images/p71r1c1.png" height=150 width=237></td>
+
+<td ALIGN=CENTER><i>Another the last open sideways</i>
+<br><img alt=" "  SRC="images/p71r1c2.png" height=128 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same.</i>
+<br><img alt=" "  SRC="images/p71r2c1.png" height=120 width=280></td>
+
+<td ALIGN=CENTER><i>the same.</i>
+<br><img alt=" "  SRC="images/p71r2c2.png" height=126 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="images/p71r3c1.png" height=67 width=280></td>
+
+<td ALIGN=CENTER><i>the same 3d. cross&rsquo;d before.</i>
+<br><img alt=" "  SRC="images/p71r3c2.png" height=150 width=268></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same.</i>
+<br><img alt=" "  SRC="images/p71r4c1.png" height=150 width=238></td>
+
+<td ALIGN=CENTER><i>the same.</i>
+<br><img alt=" "  SRC="images/p71r4c2.png" height=70 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>1st circular before fall behind; 2d inclosed: behind
+3d forwards.</i>
+<br><img alt=" "  SRC="images/p71r5c1.png" height=150 width=244></td>
+
+<td ALIGN=CENTER><i>1st circular sideways; the 2d &amp; 3 same as before</i>
+<br><img alt=" "  SRC="images/p71r5c2.png" height=150 width=252></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Sideways</i>
+<br><img alt=" "  SRC="images/p71r6c1.png" height=43 width=280></td>
+
+<td ALIGN=CENTER><i>Another.</i>
+<br><img alt=" "  SRC="images/p71r6c2.png" height=46 width=300></td>
+</tr>
+</table>
+
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="2">
+
+<h2 align=center>
+TABLE <i>of Bouree&rsquo;s.</i></h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>1st &amp; 2d open 3rd inclosed behind.</i>
+<br><img alt=" "  SRC="images/p72r1c1.png" height=39 width=280></td>
+
+<td ALIGN=CENTER><i>the same.</i>
+<br><img alt=" "  SRC="images/p72r1c2.png" height=108 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same.</i>
+<br><img alt=" "  SRC="images/p72r2c1.png" height=133 width=300></td>
+
+<td ALIGN=CENTER><i>behind going sideways.</i>
+<br><img alt=" "  SRC="images/p72r2c2.png" height=41 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>before going sideways.</i>
+<br><img alt=" "  SRC="images/p72r3c1.png" height=38 width=280></td>
+
+<td ALIGN=CENTER><i>Another</i>
+<br><img alt=" "  SRC="images/p72r3c2.png" height=40 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same.</i>
+<br><img alt=" "  SRC="images/p72r4c1.png" height=147 width=280></td>
+
+<td ALIGN=CENTER><i>before &amp; behind sideways.</i>
+<br><img alt=" "  SRC="images/p72r4c2.png" height=40 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same.</i>
+<br><img alt=" "  SRC="images/p72r5c1.png" height=138 width=280></td>
+
+<td ALIGN=CENTER><i>behind &amp; before sideways.</i>
+<br><img alt=" "  SRC="images/p72r5c2.png" height=43 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same.</i>
+<br><img alt=" "  SRC="images/p72r6c1.png" height=140 width=280></td>
+
+<td ALIGN=CENTER><i>behind going sideways.</i>
+<br><img alt=" "  SRC="images/p72r6c2.png" height=44 width=280></td>
+</tr>
+</table>
+
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="2">
+
+<h2 align=center>
+TABLE <i>of Bouree&rsquo;s.</i></h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same.</i>
+<br><img alt=" "  SRC="images/p73r1c1.png" height=150 width=275></td>
+
+<td ALIGN=CENTER><i>1st behind 2d Waving &amp; open sideways 3d inclosed.
+behind.</i>
+<br><img alt=" "  SRC="images/p73r1c2.png" height=38 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>1st open sideways 2d cross behind 3d open sideways.</i>
+<br><img alt=" "  SRC="images/p73r2c1.png" height=52 width=300></td>
+
+<td ALIGN=CENTER><i>the same 2d cross&rsquo;d before</i>
+<br><img alt=" "  SRC="images/p73r2c2.png" height=41 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>1st forwards: 2d inclosed behind 3d forwards</i>
+<br><img alt=" "  SRC="images/p73r3c1.png" height=150 width=210></td>
+
+<td ALIGN=CENTER><i>1st open sideways, 2d joyn&rsquo;d, 3d open sideways.</i>
+<br><img alt=" "  SRC="images/p73r3c2.png" height=46 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>1st open sideways, 3d inclosed. behind, 3d forwards</i>
+<br><img alt=" "  SRC="images/p73r4c1.png" height=111 width=300></td>
+
+<td ALIGN=CENTER><i>1st cross&rsquo;d before 2d. joyn&rsquo;d 3d before.</i>
+<br><img alt=" "  SRC="images/p73r4c2.png" height=45 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same cross&rsquo;d behind.</i>
+<br><img alt=" "  SRC="images/p73r5c1.png" height=42 width=300></td>
+
+<td ALIGN=CENTER><i>1st cross&rsquo;d before, 2d joyn&rsquo;d, 3d open sideways.</i>
+<br><img alt=" "  SRC="images/p73r5c2.png" height=45 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same cross&rsquo;d behind</i>
+<br><img alt=" "  SRC="images/p73r6c1.png" height=43 width=300></td>
+
+<td ALIGN=CENTER><i>1st beat behind, 2d beat before, 3d forwards.</i>
+<br><img alt=" "  SRC="images/p73r6c2.png" height=150 width=208></td>
+</tr>
+</table>
+
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="2">
+
+<h2 align=center>
+TABLE <i>of Bouree&rsquo;s</i></h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>1st beat behind, 2d inclosed. behind, 3d forwards.</i>
+<br><img alt=" "  SRC="images/p74r1c1.png" height=150 width=234></td>
+
+<td ALIGN=CENTER><i>the same.</i>
+<br><img alt=" "  SRC="images/p74r1c2.png" height=150 width=226></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>beat before, 2d forwards, 3d inclosed. behind.</i>
+<br><img alt=" "  SRC="images/p74r2c1.png" height=150 width=226></td>
+
+<td ALIGN=CENTER><i>1st beat sideways, 2d open &amp; the 3d. inclosed:
+behind.</i>
+<br><img alt=" "  SRC="images/p74r2c2.png" height=150 width=269></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same.</i>
+<br><img alt=" "  SRC="images/p74r3c1.png" height=137 width=300></td>
+
+<td ALIGN=CENTER><i>quarter turn sideways before.</i>
+<br><img alt=" "  SRC="images/p74r3c2.png" height=150 width=221></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>before &amp; behind, quarter turn sideways.</i>
+<br><img alt=" "  SRC="images/p74r4c1.png" height=150 width=235></td>
+
+<td ALIGN=CENTER><i>1st open sideways, quarter turn: 2d cross&rsquo;d before,
+3d open sideways.</i>
+<br><img alt=" "  SRC="images/p74r4c2.png" height=150 width=207></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same cross&rsquo;d behind.</i>
+<br><img alt=" "  SRC="images/p74r5c1.png" height=150 width=209></td>
+
+<td ALIGN=CENTER><i>quarter turn, 1st &amp; 2d open, 3d inclosed. behind.</i>
+<br><img alt=" "  SRC="images/p74r5c2.png" height=150 width=203></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same.</i>
+<br><img alt=" "  SRC="images/p74r6c1.png" height=117 width=300></td>
+
+<td ALIGN=CENTER><i>the same.</i>
+<br><img alt=" "  SRC="images/p74r6c2.png" height=131 width=280></td>
+</tr>
+</table>
+
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="2">
+
+<h2 align=center>
+TABLE <i>of Bouree&rsquo;s</i></h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>forward turning</i>
+<br><img alt=" "  SRC="images/p75r1c1.png" height=45 width=300></td>
+
+<td ALIGN=CENTER><i>Another</i>
+<br><img alt=" "  SRC="images/p75r1c2.png" height=42 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>1st forwards: turn: 2d inclosed: behind 3d forwards.</i>
+<br><img alt=" "  SRC="images/p75r2c1.png" height=45 width=300></td>
+
+<td ALIGN=CENTER><i>forward turning</i>
+<br><img alt=" "  SRC="images/p75r2c2.png" height=43 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>1st behind: turning: 2d &amp; 3d forward.</i>
+<br><img alt=" "  SRC="images/p75r3c1.png" height=59 width=300></td>
+
+<td ALIGN=CENTER><i>forward turning.</i>
+<br><img alt=" "  SRC="images/p75r3c2.png" height=45 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>1st behind turning: 2d open: &amp; inclosed. behind:
+3d forwards.</i>
+<br><img alt=" "  SRC="images/p75r4c1.png" height=52 width=300></td>
+
+<td ALIGN=CENTER><i>backwards turning</i>
+<br><img alt=" "  SRC="images/p75r4c2.png" height=43 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Another</i>
+<br><img alt=" "  SRC="images/p75r5c1.png" height=51 width=300></td>
+
+<td ALIGN=CENTER><i>1st open inwards turn: 2d open inclosed behind: 3d
+forwards.</i>
+<br><img alt=" "  SRC="images/p75r5c2.png" height=150 width=237></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the 1st open inwards turn 2d. open sideways. 3d inclosed
+behind.</i>
+<br><img alt=" "  SRC="images/p75r6c1.png" height=140 width=300></td>
+
+<td ALIGN=CENTER><i>forwards half turn</i>
+<br><img alt=" "  SRC="images/p75r6c2.png" height=150 width=230></td>
+</tr>
+</table>
+
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="2">
+
+<h2 align=center>
+TABLE <i>of Bouree&rsquo;s</i></h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>forwards half turn.</i>
+<br><img alt=" "  SRC="images/p76r1c1.png" height=150 width=208></td>
+
+<td ALIGN=CENTER><i>1st open outwards &amp; back, turn 2nd open outwards,
+inclosed behind 3rd forwards.</i>
+<br><img alt=" "  SRC="images/p76r1c2.png" height=150 width=240></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>1st open, turn 2nd open, 3rd inclosed behind.</i>
+<br><img alt=" "  SRC="images/p76r2c1.png" height=50 width=280></td>
+
+<td ALIGN=CENTER><i>the same.</i>
+<br><img alt=" "  SRC="images/p76r2c2.png" height=112 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same.</i>
+<br><img alt=" "  SRC="images/p76r3c1.png" height=137 width=300></td>
+
+<td ALIGN=CENTER><i>1st beat before turn &amp; open sideways, 2nd open,
+3rd inclosed. behind.</i>
+<br><img alt=" "  SRC="images/p76r3c2.png" height=150 width=225></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same.</i>
+<br><img alt=" "  SRC="images/p76r4c1.png" height=150 width=257></td>
+
+<td ALIGN=CENTER><i>1st beat before turn, 2nd inclosed behind, 3rd cross&rsquo;d
+before.</i>
+<br><img alt=" "  SRC="images/p76r4c2.png" height=150 width=231></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same.</i>
+<br><img alt=" "  SRC="images/p76r5c1.png" height=150 width=226></td>
+
+<td ALIGN=CENTER><i>1st beat behind, turn 2nd &amp; 3rd open sideways.</i>
+<br><img alt=" "  SRC="images/p76r5c2.png" height=150 width=217></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>1st open turn 2nd open 3rd inclosed.</i>
+<br><img alt=" "  SRC="images/p76r6c1.png" height=120 width=280></td>
+
+<td ALIGN=CENTER><i>the same.</i>
+<br><img alt=" "  SRC="images/p76r6c2.png" height=53 width=280></td>
+</tr>
+</table>
+
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="2">
+
+<h2 align=center>
+TABLE <i>of Bouree&rsquo;s</i></h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>half turn sideways.</i>
+<br><img alt=" "  SRC="images/p77r1c1.png" height=43 width=280></td>
+
+<td ALIGN=CENTER><i>the same before and behind.</i>
+<br><img alt=" "  SRC="images/p77r1c2.png" height=42 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>forwards half turn.</i>
+<br><img alt=" "  SRC="images/p77r2c1.png" height=150 width=236></td>
+
+<td ALIGN=CENTER><i>1st cross&rsquo;d before turn 2nd open sideways &amp; 3rd
+joyn&rsquo;d.</i>
+<br><img alt=" "  SRC="images/p77r2c2.png" height=144 width=300></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same sideways before.</i>
+<br><img alt=" "  SRC="images/p77r3c1.png" height=107 width=280></td>
+
+<td ALIGN=CENTER><i>the same before and behind.</i>
+<br><img alt=" "  SRC="images/p77r3c2.png" height=105 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>1st open &amp; 3 quarter turn, 2rd joyn&rsquo;d with quarter
+turn 3rd forward.</i>
+<br><img alt=" "  SRC="images/p77r4c1.png" height=150 width=246></td>
+
+<td ALIGN=CENTER><i>1st open half turn 2nd beat behind turn half 3rd cross&rsquo;d
+behind.</i>
+<br><img alt=" "  SRC="images/p77r4c2.png" height=64 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>before and behind turn a whole turn.</i>
+<br><img alt=" "  SRC="images/p77r5c1.png" height=115 width=280></td>
+
+<td ALIGN=CENTER><i>1st cross&rsquo;d before half turn, 2nd quarter turn, 3rd
+joyn&rsquo;d.</i>
+<br><img alt=" "  SRC="images/p77r5c2.png" height=64 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same 3rd sideways.</i>
+<br><img alt=" "  SRC="images/p77r6c1.png" height=59 width=280></td>
+
+<td ALIGN=CENTER><i>1st beat behind half turn, 2nd quarter turn, 3rd open
+sideways.</i>
+<br><img alt=" "  SRC="images/p77r6c2.png" height=150 width=235></td>
+</tr>
+</table>
+
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="2">
+
+<h2 align=center>
+<a NAME="bounds"></a>TABLE</h2>
+
+
+<h2 align=center>
+<i>of</i></h2>
+
+
+<h2 align=center>
+<i>Bounds and Tac&rsquo;s</i></h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>a Bound forwards.</i>
+<br><img alt=" "  SRC="images/p78r1c1.png" height=150 width=241></td>
+
+<td ALIGN=CENTER><i>backwards</i>
+<br><img alt=" "  SRC="images/p78r1c2.png" height=150 width=267></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Open backwards 2nd open in the same time.</i>
+<br><img alt=" "  SRC="images/p78r2c1.png" height=150 width=278></td>
+
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="images/p78r2c2.png" height=64 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same circular before</i>
+<br><img alt=" "  SRC="images/p79r3c1.png" height=49 width=300></td>
+
+<td ALIGN=CENTER><i>the same circular sideways</i>
+<br><img alt=" "  SRC="images/p79r3c2.png" height=51 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>forward joyn&rsquo;d on both feet.</i>
+<br><img alt=" "  SRC="images/p78r4c1.png" height=150 width=250></td>
+
+<td ALIGN=CENTER><i>the same backwards.</i>
+<br><img alt=" "  SRC="images/p78r4c2.png" height=150 width=242></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>forwards inclosed before.</i>
+<br><img alt=" "  SRC="images/p78r5c1.png" height=150 width=239></td>
+
+<td ALIGN=CENTER><i>backwards inclosed before.</i>
+<br><img alt=" "  SRC="images/p78r5c2.png" height=150 width=271></td>
+</tr>
+</table>
+
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="2">
+
+<h2 align=center>
+TABLE <i>of Bounds</i></h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>fowards 2nd joyn&rsquo;d open.</i>
+<br><img alt=" "  SRC="images/p79r1c1.png" height=150 width=248></td>
+
+<td ALIGN=CENTER><i>the same backwards.</i>
+<br><img alt=" "  SRC="images/p79r1c2.png" height=150 width=244></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>forwards 2nd inclosed behind.</i>
+<br><img alt=" "  SRC="images/p79r2c1.png" height=150 width=249></td>
+
+<td ALIGN=CENTER><i>the same backwards inclosed before.</i>
+<br><img alt=" "  SRC="images/p79r2c2.png" height=150 width=256></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>open sideways 2nd joyn&rsquo;d up.</i>
+<br><img alt=" "  SRC="images/p79r3c1.png" height=49 width=300></td>
+
+<td ALIGN=CENTER><i>the same inclosed behind.</i>
+<br><img alt=" "  SRC="images/p79r3c2.png" height=51 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Cross&rsquo;d before 2nd sideways joyn&rsquo;d up.</i>
+<br><img alt=" "  SRC="images/p79r4c1.png" height=42 width=300></td>
+
+<td ALIGN=CENTER><i>Illustration: the same.</i>
+<br><img alt=" "  SRC="images/p79r4c2.png" height=40 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same cross&rsquo;d behind.</i>
+<br><img alt=" "  SRC="images/p79r5c1.png" height=42 width=300></td>
+
+<td ALIGN=CENTER><i>forwards quarter turn 2nd open outwards.</i>
+<br><img alt=" "  SRC="images/p79r5c2.png" height=60 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Cross&rsquo;d behind quarter turn 2nd open outwards.</i>
+<br><img alt=" "  SRC="images/p79r6c1.png" height=54 width=300></td>
+
+<td ALIGN=CENTER><i>backwards quarter turn 2nd open outwards.</i>
+<br><img alt=" "  SRC="images/p79r6c2.png" height=72 width=280></td>
+</tr>
+</table>
+
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="2">
+
+<h2 align=center>
+TABLE <i>of Bounds</i></h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>half turn 2nd open backwards.</i>
+<br><img alt=" "  SRC="images/p80r1c1.png" height=150 width=245></td>
+
+<td ALIGN=CENTER><i>forwards turning</i>
+<br><img alt=" "  SRC="images/p80r1c2.png" height=150 width=238></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Another</i>
+<br><img alt=" "  SRC="images/p80r2c1.png" height=138 width=280></td>
+
+<td ALIGN=CENTER><i>behind turning 2nd open outwards.</i>
+<br><img alt=" "  SRC="images/p80r2c2.png" height=142 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>open sideways turn 2nd open outwards</i>
+<br><img alt=" "  SRC="images/p80r3c1.png" height=63 width=280></td>
+
+<td ALIGN=CENTER><i>forwards turn.</i>
+<br><img alt=" "  SRC="images/p80r3c2.png" height=129 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>3 quarter turn 2nd behind up</i>
+<br><img alt=" "  SRC="images/p80r4c1.png" height=53 width=280></td>
+
+<td ALIGN=CENTER><i>the same.</i>
+<br><img alt=" "  SRC="images/p80r4c2.png" height=172 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Another.</i>
+<br><img alt=" "  SRC="images/p80r5c1.png" height=133 width=280></td>
+
+<td ALIGN=CENTER><i>Whole turn 2nd open outwards.</i>
+<br><img alt=" "  SRC="images/p80r5c2.png" height=151 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Another 2nd inclosed behind.</i>
+<br><img alt=" "  SRC="images/p80r6c1.png" height=175 width=300></td>
+
+<td ALIGN=CENTER><i>on both feet a whole turn.</i>
+<br><img alt=" "  SRC="images/p80r6c2.png" height=161 width=280></td>
+</tr>
+</table>
+
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="2">
+
+<h2 align=center>
+<a NAME="hops"></a>A TABLE <i>of Compos&rsquo;d Hops or Contretemps.</i></h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Contretemps forwards</i>
+<br><img alt=" "  SRC="images/p81r1c1.png" height=150 width=230></td>
+
+<td ALIGN=CENTER><i>Backwards</i>
+<br><img alt=" "  SRC="images/p81r1c2.png" height=150 width=226></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>beat behind &amp; then forwards.</i>
+<br><img alt=" "  SRC="images/p81r2c1.png" height=150 width=232></td>
+
+<td ALIGN=CENTER><i>beat on the ankle &amp; forwards.</i>
+<br><img alt=" "  SRC="images/p81r2c2.png" height=150 width=230></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>beat on the ankle 2nd beat behind.</i>
+<br><img alt=" "  SRC="images/p81r3c1.png" height=150 width=255></td>
+
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="images/p81r3c2.png" height=97 width=300></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>backwards 2d open</i>
+<br><img alt=" "  SRC="images/p81r4c1.png" height=138 width=280></td>
+
+<td ALIGN=CENTER><i>forwards 2nd beat behind. pass&rsquo;d before &amp; open
+circular.</i>
+<br><img alt=" "  SRC="images/p81r4c2.png" height=150 width=228></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>forwards cross 2nd beat behind.</i>
+<br><img alt=" "  SRC="images/p81r5c1.png" height=150 width=267></td>
+
+<td ALIGN=CENTER><i>the same circular inwards.</i>
+<br><img alt=" "  SRC="images/p81r5c2.png" height=150 width=258></td>
+</tr>
+</table>
+
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="2">
+
+<h2 align=center>
+TABLE <i>of Contretemps</i></h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>forwards open &amp; bound on the same foot which is
+called Balonne.</i>
+<br><img alt=" "  SRC="images/p82r1c1.png" height=150 width=239></td>
+
+<td ALIGN=CENTER><i>Another the sinking of the bound taken from the instep.</i>
+<br><img alt=" "  SRC="images/p82r1c2.png" height=150 width=245></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>backwards 2nd inclosed behind.</i>
+<br><img alt=" "  SRC="images/p82r2c1.png" height=150 width=261></td>
+
+<td ALIGN=CENTER><i>beat before inclosed behind 2nd forwards.</i>
+<br><img alt=" "  SRC="images/p82r2c2.png" height=150 width=234></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>backwards 2nd open sideways.</i>
+<br><img alt=" "  SRC="images/p82r3c1.png" height=150 width=276></td>
+
+<td ALIGN=CENTER><i>sideways 2nd cross&rsquo;d before.</i>
+<br><img alt=" "  SRC="images/p82r3c2.png" height=57 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Another 2nd cross&rsquo;d behind.</i>
+<br><img alt=" "  SRC="images/p82r4c1.png" height=45 width=300></td>
+
+<td ALIGN=CENTER><i>sideways 1st cross&rsquo;d before 2nd open sideways.</i>
+<br><img alt=" "  SRC="images/p82r4c2.png" height=43 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same from another position.</i>
+<br><img alt=" "  SRC="images/p82r5c1.png" height=44 width=300></td>
+
+<td ALIGN=CENTER><i>the same.</i>
+<br><img alt=" "  SRC="images/p82r5c2.png" height=150 width=245></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>beat before cross&rsquo;d behind &amp; open sideways.</i>
+<br><img alt=" "  SRC="images/p82r6c1.png" height=55 width=300></td>
+
+<td ALIGN=CENTER><i>open 2nd cross&rsquo;d behind.</i>
+<br><img alt=" "  SRC="images/p82r6c2.png" height=52 width=280></td>
+</tr>
+</table>
+
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="2">
+
+<h2 align=center>
+TABLE <i>of Contretemps</i></h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>open 2nd cross&rsquo;d before.</i>
+<br><img alt=" "  SRC="images/p83r1c1.png" height=48 width=280></td>
+
+<td ALIGN=CENTER><i>open sideways waving 2nd cross&rsquo;d behind.</i>
+<br><img alt=" "  SRC="images/p83r1c2.png" height=57 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>open sideways, 2nd cross&rsquo;d behind.</i>
+<br><img alt=" "  SRC="images/p83r2c1.png" height=120 width=280></td>
+
+<td ALIGN=CENTER><i>forwards 2nd joyn&rsquo;d.</i>
+<br><img alt=" "  SRC="images/p83r2c2.png" height=150 width=242></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>backwards and joyn&rsquo;d</i>
+<br><img alt=" "  SRC="images/p83r3c1.png" height=150 width=253></td>
+
+<td ALIGN=CENTER><i>Rigandon step.</i>
+<br><i>Springing open fall in the same position 2nd the same without spring.</i>
+<br><img alt=" "  SRC="images/p83r3c2.png" height=131 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same.</i>
+<br><img alt=" "  SRC="images/p83r4c1.png" height=119 width=280></td>
+
+<td ALIGN=CENTER><i>open sideways 2nd joyn&rsquo;d.</i>
+<br><img alt=" "  SRC="images/p83r4c2.png" height=57 width=300></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Another.</i>
+<br><img alt=" "  SRC="images/p83r5c1.png" height=49 width=280></td>
+
+<td ALIGN=CENTER><i>open sideways 2nd inclosed behind.</i>
+<br><img alt=" "  SRC="images/p83r5c2.png" height=52 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same inclosed behind.</i>
+<br><img alt=" "  SRC="images/p83r6c1.png" height=48 width=280></td>
+
+<td ALIGN=CENTER><i>beat sinking behind spring forward cross&rsquo;d 2nd open
+sideways.</i>
+<br><img alt=" "  SRC="images/p83r6c2.png" height=150 width=253></td>
+</tr>
+</table>
+
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="2">
+
+<h2 align=center>
+<i>TABLE of Contretemps</i></h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>cross&rsquo;d before turn 2nd open sideways.</i>
+<br><img alt=" "  SRC="images/p84r1c1.png" height=150 width=244></td>
+
+<td ALIGN=CENTER><i>open sideways turn 2nd cross&rsquo;d before.</i>
+<br><img alt=" "  SRC="images/p84r1c2.png" height=150 width=233></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same cross&rsquo;d behind.</i>
+<br><img alt=" "  SRC="images/p84r2c1.png" height=93 width=280></td>
+
+<td ALIGN=CENTER><i>beat on the instep turn and inclosed behind and forwards.</i>
+<br><img alt=" "  SRC="images/p84r2c2.png" height=85 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>open sideways turn &amp; cross&rsquo;d before.</i>
+<br><img alt=" "  SRC="images/p84r3c1.png" height=150 width=233></td>
+
+<td ALIGN=CENTER><i>Another cross&rsquo;d before.</i>
+<br><img alt=" "  SRC="images/p84r3c2.png" height=150 width=221></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>open sideways turn &amp; cross&rsquo;d behind.</i>
+<br><img alt=" "  SRC="images/p84r4c1.png" height=150 width=241></td>
+
+<td ALIGN=CENTER><i>the same.</i>
+<br><img alt=" "  SRC="images/p84r4c2.png" height=126 width=300></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>forwards turning.</i>
+<br><img alt=" "  SRC="images/p84r5c1.png" height=54 width=280></td>
+
+<td ALIGN=CENTER><i>Another.</i>
+<br><img alt=" "  SRC="images/p84r5c2.png" height=51 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Another.</i>
+<br><img alt=" "  SRC="images/p84r6c1.png" height=40 width=280></td>
+
+<td ALIGN=CENTER><i>backwards turn.</i>
+<br><img alt=" "  SRC="images/p84r6c2.png" height=53 width=280></td>
+</tr>
+</table>
+
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="2">
+
+<h2 align=center>
+<i>TABLE of Contretemps</i></h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>beat on the instep burn open sideways 2nd open also.</i>
+<br><img alt=" "  SRC="images/p85r1c1.png" height=142 width=300></td>
+
+<td ALIGN=CENTER><i>half turn 2nd backwards.</i>
+<br><img alt=" "  SRC="images/p85r1c2.png" height=150 width=272></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>forwards turning</i>
+<br><img alt=" "  SRC="images/p85r2c1.png" height=150 width=245></td>
+
+<td ALIGN=CENTER><i>Another.</i>
+<br><img alt=" "  SRC="images/p85r2c2.png" height=150 width=245></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>turning 2nd inclosed both.</i>
+<br><img alt=" "  SRC="images/p85r3c1.png" height=139 width=280></td>
+
+<td ALIGN=CENTER><i>open sideways turning 2nd cross&rsquo;d behind.</i>
+<br><img alt=" "  SRC="images/p85r3c2.png" height=50 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>open turn sinking behind to hop open sideways 2nd cross&rsquo;d
+behind.</i>
+<br><img alt=" "  SRC="images/p85r4c1.png" height=150 width=275></td>
+
+<td ALIGN=CENTER><i>open turn sinking behind to hop forwards 2nd also forwards.</i>
+<br><img alt=" "  SRC="images/p85r4c2.png" height=72 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same with a half turn.</i>
+<br><img alt=" "  SRC="images/p85r5c1.png" height=150 width=262></td>
+
+<td ALIGN=CENTER><i>beat behind turn and forwards.</i>
+<br><img alt=" "  SRC="images/p85r5c2.png" height=150 width=283></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>open sideways turn 2nd cross&rsquo;d.</i>
+<br><img alt=" "  SRC="images/p85r6c1.png" height=131 width=280></td>
+
+<td ALIGN=CENTER><i>the same.</i>
+<br><img alt=" "  SRC="images/p85r6c2.png" height=49 width=280></td>
+</tr>
+</table>
+
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="2">
+
+<h2 align=center>
+<i>TABLE of Contretemps.</i></h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>open turn: half turn the last back: turn: quarter turn</i>
+<br><img alt=" "  SRC="images/p86r1c1.png" height=54 width=280></td>
+
+<td ALIGN=CENTER><i>cross&rsquo;d before: half turn 2nd open.</i>
+<br><img alt=" "  SRC="images/p86r1c2.png" height=41 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>beat before &amp; inclosed behind 2nd forwards turning
+quarter turn</i>
+<br><img alt=" "  SRC="images/p86r2c1.png" height=131 width=300></td>
+
+<td ALIGN=CENTER><i>forwards turn half turn</i>
+<br><img alt=" "  SRC="images/p86r2c2.png" height=150 width=234></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>cross&rsquo;d before turn: 2nd open sideways.</i>
+<br><img alt=" "  SRC="images/p86r3c1.png" height=136 width=280></td>
+
+<td ALIGN=CENTER><i>the same.</i>
+<br><img alt=" "  SRC="images/p86r3c2.png" height=111 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>half turn circular, sinking to bound turn: left open.</i>
+<br><img alt=" "  SRC="images/p86r4c1.png" height=150 width=231></td>
+
+<td ALIGN=CENTER><i>Another</i>
+<br><img alt=" "  SRC="images/p86r4c2.png" height=150 width=230></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>beat on the ankle half turn &amp; forwards.</i>
+<br><img alt=" "  SRC="images/p86r5c1.png" height=150 width=267></td>
+
+<td ALIGN=CENTER><i>open turn: 3 quarter turn 2nd backwards.</i>
+<br><img alt=" "  SRC="images/p86r5c2.png" height=150 width=278></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>a whole turn 2nd beat behind.</i>
+<br><img alt=" "  SRC="images/p86r6c1.png" height=150 width=259></td>
+
+<td ALIGN=CENTER><i>beat behind: whole turn forwards the last.</i>
+<br><img alt=" "  SRC="images/p86r6c2.png" height=150 width=229></td>
+</tr>
+</table>
+
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="2">
+
+<h2 align=center>
+<a NAME="chassees"></a>TABLE</h2>
+
+
+<h2 align=center>
+<i>of</i></h2>
+
+
+<h2 align=center>
+<i>Chassés or Drises.</i></h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>forwards.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
+backwards.</i>
+<br><img alt=" "  SRC="images/p87r1c1.png" height=150 width=231></td>
+
+<td ALIGN=CENTER><i>sideways.</i>
+<br><img alt=" "  SRC="images/p87r1c2.png" height=45 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>backwards circular before.</i>
+<br><img alt=" "  SRC="images/p87r2c1.png" height=150 width=237></td>
+
+<td ALIGN=CENTER><i>a beaten chassee sideways.</i>
+<br><img alt=" "  SRC="images/p87r2c2.png" height=64 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>open forwards.</i>
+<br><img alt=" "  SRC="images/p87r3c1.png" height=150 width=208></td>
+
+<td ALIGN=CENTER><i>forwards inclosed behind.</i>
+<br><img alt=" "  SRC="images/p87r3c2.png" height=150 width=206></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>forwards quarter turn.</i>
+<br><img alt=" "  SRC="images/p87r4c1.png" height=150 width=230></td>
+
+<td ALIGN=CENTER><i>half turn.</i>
+<br><img alt=" "  SRC="images/p87r4c2.png" height=150 width=196></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>3 quarter turn.</i>
+<br><img alt=" "  SRC="images/p87r5c1.png" height=150 width=269></td>
+
+<td ALIGN=CENTER><i>a whole turn.</i>
+<br><img alt=" "  SRC="images/p87r5c2.png" height=150 width=238></td>
+</tr>
+</table>
+
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="2">
+
+<h2 align=center>
+TABLE</h2>
+
+
+<h2 align=center>
+<i>of</i></h2>
+
+
+<h2 align=center>
+<i>Chassees and Falling steps.</i></h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Drive without springing.</i>
+<br><img alt=" "  SRC="images/p88r1c1.png" height=150 width=207></td>
+
+<td ALIGN=CENTER><i>the same.</i>
+<br><img alt=" "  SRC="images/p88r1c2.png" height=150 width=204></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>beaten Chassee behind.</i>
+<br><img alt=" "  SRC="images/p88r2c1.png" height=150 width=212></td>
+
+<td ALIGN=CENTER><i>sideways turn.</i>
+<br><img alt=" "  SRC="images/p88r2c2.png" height=57 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Chassee forwards with falling step.</i>
+<br><img alt=" "  SRC="images/p88r3c1.png" height=150 width=217></td>
+
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="images/p88r3c2.png" height=150 width=198></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>a falling steps open both feet and rise on the 2nd.</i>
+<br><img alt=" "  SRC="images/p88r4c1.png" height=51 width=280></td>
+
+<td ALIGN=CENTER><i>Another 1st drives the 2nd and batone.</i>
+<br><img alt=" "  SRC="images/p88r4c2.png" height=60 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>1st drives the 2nd springing. 2nd driv the 3rd by a
+falling step.</i>
+<br><img alt=" "  SRC="images/p88r5c1.png" height=150 width=263></td>
+
+<td ALIGN=CENTER><i>the same sideways without sinking.</i>
+<br><img alt=" "  SRC="images/p88r5c2.png" height=106 width=300></td>
+</tr>
+</table>
+
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="2">
+
+<h2 align=center>
+<a NAME="sissones"></a><i>a </i>TABLE</h2>
+
+
+<h2 align=center>
+<i>of</i></h2>
+
+
+<h2 align=center>
+<i>Sissonnes or Cross leaps</i></h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Sissonnes forwards</i>
+<br><img alt=" "  SRC="images/p89r1c1.png" height=150 width=212></td>
+
+<td ALIGN=CENTER><i>backwards.</i>
+<br><img alt=" "  SRC="images/p89r1c2.png" height=150 width=260></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>forwards 2nd open behind.</i>
+<br><img alt=" "  SRC="images/p89r2c1.png" height=150 width=266></td>
+
+<td ALIGN=CENTER><i>forwards.</i>
+<br><img alt=" "  SRC="images/p89r2c2.png" height=77 width=300></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>forwards turn quarter turn</i>
+<br><img alt=" "  SRC="images/p89r3c1.png" height=52 width=280></td>
+
+<td ALIGN=CENTER><i>Another.</i>
+<br><img alt=" "  SRC="images/p89r3c2.png" height=62 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>backwards turn quarter turn.</i>
+<br><img alt=" "  SRC="images/p89r4c1.png" height=67 width=280></td>
+
+<td ALIGN=CENTER><i>half turn.</i>
+<br><img alt=" "  SRC="images/p85r5c2.png" height=150 width=283></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER>
+<table >
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>beat before return behind.</i>
+<br><img alt=" "  SRC="images/p89r5c1.png" height=150 width=72></td>
+
+<td ALIGN=CENTER><i>the same half turn.</i>
+<br><img alt=" "  SRC="images/p89r5c2.png" height=150 width=70></td>
+</tr>
+</table>
+</td>
+
+<td ALIGN=CENTER>
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>beat behind half turn return behind.</i>
+<br><img alt=" "  SRC="images/p89r5c3.png" height=150 width=70></td>
+
+<td ALIGN=CENTER><i>another turn half turn.</i>
+<br><img alt=" "  SRC="images/p89r5c4.png" height=150 width=44></td>
+</tr>
+</table>
+</td>
+</tr>
+</table>
+
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="2">
+
+<h2 align=center>
+<a NAME="pirouettes"></a>TABLE</h2>
+
+
+<h2 align=center>
+<i>of</i></h2>
+
+
+<h2 align=center>
+<i>Piro&uuml;ettes.</i></h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>open cross&rsquo;d behind &amp; turn on the toes half turn.</i>
+<br><img alt=" "  SRC="images/p90r1c1.png" height=150 width=291></td>
+
+<td ALIGN=CENTER><i>the same cross&rsquo;d before.</i>
+<br><img alt=" "  SRC="images/p90r1c2.png" height=150 width=267></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER>
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>open half turn outwards.</i>
+<br><img alt=" "  SRC="images/p90r2c1a.png" height=150 width=125></td>
+
+<td ALIGN=CENTER><i>same inwards.</i>
+<br><img alt=" "  SRC="images/p90r2c1b.png" height=150 width=105></td>
+</tr>
+</table>
+</td>
+
+<td ALIGN=CENTER><i>a whole turn open outwards.</i>
+<br><img alt=" "  SRC="images/p90r2c2.png" height=135 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>open inwards.</i>
+<br><img alt=" "  SRC="images/p90r3c1.png" height=139 width=300></td>
+
+<td ALIGN=CENTER><i>a turn behind open outwards.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
+open inwards.</i>
+<br><img alt=" "  SRC="images/p90r3c2.png" height=144 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>a whole turn open outwards.</i>
+<br><img alt=" "  SRC="images/p90r4c1.png" height=53 width=280></td>
+
+<td ALIGN=CENTER><i>open inward.</i>
+<br><img alt=" "  SRC="images/p90r4c2.png" height=69 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>2 turns open outward.</i>
+<br><img alt=" "  SRC="images/p90r5c1.png" height=144 width=300></td>
+
+<td ALIGN=CENTER><i>open inward.</i>
+<br><img alt=" "  SRC="images/p90r5c2.png" height=150 width=283></td>
+</tr>
+</table>
+
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="2">
+
+<h2 align=center>
+<i>TABLE of Piro&uuml;ettes.</i></h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>beat before behind and before half a turn outwards.</i>
+<br><img alt=" "  SRC="images/p91r1c1.png" height=131 width=280></td>
+
+<td ALIGN=CENTER><i>the same inwards.</i>
+<br><img alt=" "  SRC="images/p91r1c2.png" height=135 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Another outwards.</i>
+<br><img alt=" "  SRC="images/p91r2c1.png" height=150 width=252></td>
+
+<td ALIGN=CENTER><i>open a half turn inwards circular &amp; beating on
+the instep.</i>
+<br><img alt=" "  SRC="images/p91r2c2.png" height=150 width=233></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>beat before behind &amp; before a whole turn outward.</i>
+<br><img alt=" "  SRC="images/p91r3c1.png" height=121 width=280></td>
+
+<td ALIGN=CENTER><i>the same inward.</i>
+<br><img alt=" "  SRC="images/p91r3c2.png" height=121 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Another outward.</i>
+<br><img alt=" "  SRC="images/p91r4c1.png" height=150 width=261></td>
+
+<td ALIGN=CENTER><i>beat before &amp; behind one turn inward open one leg
+outward.</i>
+<br><img alt=" "  SRC="images/p91r4c2.png" height=150 width=262></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>beat before &amp; behind 2nd each &amp; end inclosed
+behind a whole turn outward.</i>
+<br><img alt=" "  SRC="images/p91r5c1.png" height=129 width=280></td>
+
+<td ALIGN=CENTER><i>the same inward.</i>
+<br><img alt=" "  SRC="images/p91r5c2.png" height=125 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>beat behind &amp; before twice each one turn outward.</i>
+<br><img alt=" "  SRC="images/p91r6c1.png" height=150 width=255></td>
+
+<td ALIGN=CENTER><i>open circular inwards beat before behind &amp; before
+one turn outward.</i>
+<br><img alt=" "  SRC="images/p91r6c2.png" height=150 width=290></td>
+</tr>
+</table>
+
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="2">
+
+<h2 align=center>
+<a NAME="capers"></a><i>a </i>TABLE</h2>
+
+
+<h2 align=center>
+<i>of</i></h2>
+
+
+<h2 align=center>
+<i>Capers and half Capers.</i></h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>half caper forwards or a beaten bound.</i>
+<br><img alt=" "  SRC="images/p92r1c1.png" height=150 width=240></td>
+
+<td ALIGN=CENTER><i>the same backwards.</i>
+<br><img alt=" "  SRC="images/p92r1c2.png" height=150 width=271></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>half Caper in moving or a beaten hop.</i>
+<br><img alt=" "  SRC="images/p92r2c1.png" height=150 width=225></td>
+
+<td ALIGN=CENTER><i>the same backwards.</i>
+<br><img alt=" "  SRC="images/p92r2c2.png" height=150 width=260></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Another forwards.</i>
+<br><img alt=" "  SRC="images/p92r3c1.png" height=150 width=233></td>
+
+<td ALIGN=CENTER><i>a Caper Chassee forwards.</i>
+<br><img alt=" "  SRC="images/p92r3c2.png" height=150 width=236></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same backwards.</i>
+<br><img alt=" "  SRC="images/p92r4c1.png" height=150 width=211></td>
+
+<td ALIGN=CENTER><i>Another.</i>
+<br><img alt=" "  SRC="images/p92r4c2.png" height=150 width=273></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>a beaten Sissonne.</i>
+<br><img alt=" "  SRC="images/p92r5c1.png" height=150 width=234></td>
+
+<td ALIGN=CENTER><i>the same backwards.</i>
+<br><img alt=" "  SRC="images/p92r5c2.png" height=150 width=260></td>
+</tr>
+</table>
+
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="2">
+
+<h2 align=center>
+<i>TABLE of Capers.</i></h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Another the last circular.</i>
+<br><img alt=" "  SRC="images/p93r1c1.png" height=131 width=300></td>
+
+<td ALIGN=CENTER><i>an upright Caper in the same position.</i>
+<br><img alt=" "  SRC="images/p93r1c2.png" height=150 width=240></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same the right foot falling behind.</i>
+<br><img alt=" "  SRC="images/p93r2c1.png" height=150 width=222></td>
+
+<td ALIGN=CENTER><i>the same turning quite round.</i>
+<br><img alt=" "  SRC="images/p93r2c2.png" height=150 width=256></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>half Caper turning quarter turn.</i>
+<br><img alt=" "  SRC="images/p93r3c1.png" height=43 width=300></td>
+
+<td ALIGN=CENTER><i>Another.</i>
+<br><img alt=" "  SRC="images/p93r3c2.png" height=43 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Another.</i>
+<br><img alt=" "  SRC="images/p93r4c1.png" height=78 width=300></td>
+
+<td ALIGN=CENTER><i>Another with a half turn.</i>
+<br><img alt=" "  SRC="images/p93r4c2.png" height=150 width=258></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Another.</i>
+<br><img alt=" "  SRC="images/p93r5c1.png" height=150 width=276></td>
+
+<td ALIGN=CENTER><i>a side caper with a whole turn.</i>
+<br><img alt=" "  SRC="images/p93r5c2.png" height=150 width=206></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>a half Caper a whole turn.</i>
+<br><img alt=" "  SRC="images/p93r6c1.png" height=150 width=236></td>
+
+<td ALIGN=CENTER><i>a back Caper.</i>
+<br><img alt=" "  SRC="images/p93r6c2.png" height=150 width=223></td>
+</tr>
+</table>
+
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="2">
+
+<h2 align=center>
+<a NAME="entrechat"></a><i>a </i>TABLE</h2>
+
+
+<h2 align=center>
+<i>of</i></h2>
+
+
+<h2 align=center>
+<i>Entrechats or Cross Capers</i></h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>a half Entrechat open the leg cross before and fall
+behind.</i>
+<br><img alt=" "  SRC="images/p94r1c1.png" height=150 width=239></td>
+
+<td ALIGN=CENTER><i>another beat and sinking on the instep cross behind
+&amp; return before.</i>
+<br><img alt=" "  SRC="images/p94r1c2.png" height=150 width=250></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Entrechat of 3 and move forwards; the foot the ended
+open.</i>
+<br><img alt=" "  SRC="images/p94r2c1.png" height=150 width=206></td>
+
+<td ALIGN=CENTER><i>of 4 &amp; return on the same position.</i>
+<br><img alt=" "  SRC="images/p94r2c2.png" height=150 width=275></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same moving sideways.</i>
+<br><img alt=" "  SRC="images/p94r3c1.png" height=58 width=300></td>
+
+<td ALIGN=CENTER><i>of 3 moving sideways, the foot ending behind moving
+sideways.</i>
+<br><img alt=" "  SRC="images/p94r3c2.png" height=44 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>an Entrechat of v[5] in the same place.</i>
+<br><img alt=" "  SRC="images/p94r4c1.png" height=160 width=209></td>
+
+<td ALIGN=CENTER><i>an Entrechat of 5 forwards.</i>
+<br><img alt=" "  SRC="images/p94r4c2.png" height=160 width=249></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same.</i>
+<br><img alt=" "  SRC="images/p94r5c1.png" height=160 width=269></td>
+
+<td ALIGN=CENTER><i>of 4 turning and falling in the same position.</i>
+<br><img alt=" "  SRC="images/p94r5c2.png" height=148 width=280></td>
+</tr>
+</table>
+
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="4">
+
+<h2 align=center>
+<a NAME="waving"></a><i>TABLE of Waving Steps</i></h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>forwards.</i>
+<br><img alt=" "  SRC="images/p95r1c1.png" height=150 width=60></td>
+
+<td ALIGN=CENTER><i>backwards.</i>
+<br><img alt=" "  SRC="images/p95r1c2.png" height=150 width=61></td>
+
+<td ALIGN=CENTER><i>sideways.</i>
+<br><img alt=" "  SRC="images/p95r1c3.png" height=46 width=150></td>
+
+<td ALIGN=CENTER><i>beat behind open before waving.</i>
+<br><img alt=" "  SRC="images/p95r1c4.png" height=150 width=52></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>forwards and after wave the heel.</i>
+<br><img alt=" "  SRC="images/p95r2c1.png" height=150 width=53></td>
+
+<td ALIGN=CENTER><i>the same with the toe.</i>
+<br><img alt=" "  SRC="images/p95r2c2.png" height=150 width=60></td>
+
+<td COLSPAN="2"><i>a Pirouette waving on the Toes and heels alternatively.</i>
+<br><img alt=" "  SRC="images/p95r2c3.png" height=150 width=230></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Spring and wave one foot.</i>
+<br><img alt=" "  SRC="images/p95r3c1.png" height=150 width=53></td>
+
+<td ALIGN=CENTER><i>with both feet waving.</i>
+<br><img alt=" "  SRC="images/p95r3c2.png" height=150 width=69></td>
+
+<td COLSPAN="2"><i>a whole turn waving as above.</i>
+<br><img alt=" "  SRC="images/p95r3c3.png" height=150 width=83></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>spring forwards waving both feet.</i>
+<br><img alt=" "  SRC="images/p95r4c1.png" height=160 width=80></td>
+
+<td ALIGN=CENTER><i>the same backwards.</i>
+<br><img alt=" "  SRC="images/p95r4c2.png" height=160 width=77></td>
+
+<td COLSPAN="2"><i>half Coupee, afterwards wave the heel then 2 toes and
+the heel, end inclosed.</i>
+<br><img alt=" "  SRC="images/p95r4c3.png" height=160 width=141></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td COLSPAN="2"><i>a Contretemps waving, then wave the other foot, first
+the Toe and then the heel. end as before.</i>
+<br><img alt=" "  SRC="images/p95r5c1.png" height=138 width=300></td>
+
+<td ALIGN=CENTER COLSPAN="2">
+
+<h2 align=center>
+<i>Finis.</i></h2>
+</td>
+</tr>
+</table>
+
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="4">
+
+<h2 align=center>
+<a NAME="suplement"></a><i>a</i></h2>
+
+
+<h2 align=center>
+<i>Suplement of Steps.</i></h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Minuet step.</i>
+<br><img alt=" "  SRC="images/p96r1c1.png" height=160 width=44></td>
+
+<td ALIGN=CENTER><i>French minuet step.</i>
+<br><img alt=" "  SRC="images/p96r1c2.png" height=160 width=47></td>
+
+<td ALIGN=CENTER><i>with a fleuret.</i>
+<br><img alt=" "  SRC="images/p96r1c3.png" height=160 width=50></td>
+
+<td ALIGN=CENTER><i>with a Bound.</i>
+<br><img alt=" "  SRC="images/p96r1c4.png" height=160 width=51></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>sideways behind.</i>
+<br><img alt=" "  SRC="images/p96r2c1.png" height=31 width=140></td>
+
+<td ALIGN=CENTER><i>before and behind.</i>
+<br><img alt=" "  SRC="images/p96r2c2.png" height=40 width=140></td>
+
+<td ALIGN=CENTER><i>sideways with a fleuret.</i>
+<br><img alt=" "  SRC="images/p96r2c3.png" height=42 width=140></td>
+
+<td ALIGN=CENTER><i>to Ballance.</i>
+<br><img alt=" "  SRC="images/p96r2c4.png" height=123 width=140></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the hope or Contretemps forwards in the minuet time.</i>
+<br><img alt=" "  SRC="images/p96r3c1.png" height=160 width=45></td>
+
+<td ALIGN=CENTER><i>the hop backwards.</i>
+<br><img alt=" "  SRC="images/p96r3c2.png" height=160 width=113></td>
+
+<td ALIGN=CENTER><i>a step in the Minuet.</i>
+<br><img alt=" "  SRC="images/p96r3c3.png" height=160 width=66></td>
+
+<td ALIGN=CENTER><i>the same sideways.</i>
+<br><img alt=" "  SRC="images/p96r3c4.png" height=66 width=140></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>boree with a bound.</i>
+<br><img alt=" "  SRC="images/p96r4c1.png" height=160 width=42></td>
+
+<td ALIGN=CENTER><i>a Contretemps with a bound.</i>
+<br><img alt=" "  SRC="images/p96r4c2.png" height=160 width=47></td>
+
+<td ALIGN=CENTER><i>a sissone with a Contretemps.</i>
+<br><img alt=" "  SRC="images/p96r4c3.png" height=160 width=65></td>
+
+<td ALIGN=CENTER><i>a Contretemps with a Slide.</i>
+<br><img alt=" "  SRC="images/p96r4c4.png" height=160 width=54></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td COLSPAN="4"><i>These four last steps are all of them in the Rigandon
+of Mr. Isaac&rsquo;s, and give a particular grace to the dance which the common
+way of performing them would not do; and it is to Mr. Isaac we owe the
+so frequent use of them here since they are seldom, or ever found, in any
+other Dances whatsoever.</i></td>
+</tr>
+</table>
+
+
+<h2 align=center>
+<i>Of Time, Measure, or Cadence.</i></h2>
+There are three sorts of<i> Time</i> in <i>Dancing, viz. Common Time, Triple
+Time, </i>and <i>Quadruple Time.</i>
+<p><i>Common Time,</i> is used in<i> Gavots, Galliards, Bouree&rsquo;s, Rigandons,
+Jiggs, </i>and <i>Canaries.</i>
+<p><i>Triple Time, </i>is made use of in <i>Courants, Sarabands, Chaconnes,
+Passacailes, Minuets,</i> and<i> Passe-Pieds.</i>
+<p><i>And Quadruple Time,</i> is made use of in slow <i>Tunes, </i>as appears
+by the second <i>Tune</i> in the following Plate, and the<i> Tunes </i>called
+<i>Loures.</i>
+<p><i>To Tunes </i>of <i>Common</i> or <i>Triple Time,</i> a <i>Step </i>is
+put for each <i>Barr </i>or<i> Measure; </i>and to <i>Tunes </i>of<i> Quadruple
+Time, y</i>ou must put two.
+<p>It is to be observ&rsquo;d nevertheless, that in <i>Courant Movements,</i>
+two <i>Steps </i>are put to each<i> Barr </i>or <i>Measure; </i>the first
+of which takes up two parts in three of the <i>Measure, </i>and the second
+takes up the third part; and in the <i>Minuet, </i>one <i>Step </i>is put
+to two<i> Barrs </i>or <i>Measures.</i>
+<p>The <i>Barrs</i> or <i>Measures</i> in <i>Dances, </i>must be marked
+in like manner with those in <i>Musick,</i> viz. with little <i>Barrs </i>crossing
+the <i>Tract, </i>which are to agree with those of the <i>Tune.Example.</i>
+<p align=center><img alt=" "  SRC="images/p97.png" height=160 width=51>
+<p>You will understand by the following Examples, how each <i>Step </i>agrees
+with the <i>Tune</i> to which they are composed.
+<p align=center><i>Common time</i>
+<br><img alt=" "  SRC="images/p98r1.png" height=75 width=600>
+<p align=center><i>Triple time</i>
+<br><img alt=" "  SRC="images/p98r2.png" height=79 width=600>
+<p align=center><i>Example of Steps which doe agree with the Measure of Common or Triple
+Time.</i>
+<br><img alt=" "  SRC="images/p98r3.png" height=440 width=600>
+<p align=center><i>Quadruple Time.</i>
+<br><img alt=" "  SRC="images/p98r4.png" height=79 width=600>
+<p align=center><i>Lovres</i>
+<br><img alt=" "  SRC="images/p98r5.png" height=80 width=600>
+<p align=center><i>Example of Steps agreeing with Quadruple Time or Louves.</i>
+<br><img alt=" "  SRC="images/p98r6.png" height=376 width=600>
+<p>If it happens that you have occasion to put more <i>Steps</i> in a
+<i>Measure,</i>
+than are in the foregoing Examples, the following Rules must be observed.
+<p>If, for Example, you would in a <i>Measure</i> of <i>Common Time</i>,
+or half a<i> Measure</i> of <i>Quadruple Time</i>, which is the same thing,
+put a <i>Fleuret</i> and a <i>Bound</i>; the three <i>Steps</i> composing
+the <i>Fleuret</i>, must have a double Tie to join them, and which will
+shew their Motion to be as swift again, as if there had been but one; the
+<i>Bound
+</i>also
+must be joined to the <i>Fleuret</i> with a single Tie only; by which you
+will know, that these two <i>Steps</i> are in Effect but one.
+<p align=center><i>Examples.</i>
+<br><img alt=" "  SRC="images/p99r1c1.png" height=350 width=203><img alt=" "  SRC="images/p99r1c2.png" height=350 width=194>
+<p>If you would put the same<i> Step</i> in a <i>Measure</i> of <i>Triple
+Time</i>, the two first <i>Steps</i> of the <i>Fleuret </i>must only have
+a double Tie.
+<p align=center><img alt=" "  SRC="images/p99r2.png" height=350 width=223>
+<p>When in <i>Dancing</i> some<i> Measures</i> of the<i> Tune</i>, are
+to be let slip, whether in the beginning or middle of the <i>Dance</i>,
+it must be mark&rsquo;d in the following manner, vis. by a little Stroke crossing
+obliquely the Tract, and as many of them are to be mark&rsquo;d, as there are
+<i>Barrs</i>
+to be let slip; and in describing a half Measure, half the Stroke only
+must be mark&rsquo;d.
+<p align=center><i>Three Measures and a half.</i>
+<br><img alt=" "  SRC="images/p100r1.png" height=150 width=64>
+<p>The same Stroke longways,
+parallel with the <i>Tract</i>, is equivalent to four of the foregoing
+Strokes, and takes up four Measures of the <i>Tune</i>.
+<p align=center><i>Fourteen Measures.</i>
+<br><img alt=" "  SRC="images/p100r2.png" height=150 width=68>
+<p>For a <i>Time, half
+Time</i>, or <i>quarter Time</i>, &amp;c. they may be mark&rsquo;d in the same
+manner as they are in Musick.
+<p align=center><i>A quarter Time. A half Time. A Time</i>.
+<br><img alt=" "  SRC="images/p100r3t.png" height=150 width=232>
+<p>In <i>Tunes</i>, which begin with odd Notes, as <i>Gavots, Chaconnes,
+Jiggs, loures, Bouree&rsquo;s</i>, &amp;c. the foregoing Marks must be made Use
+of in the beginning of the <i>Tract</i>.
+<p>The Letters of the Alphabet, which are plac&rsquo;d upon the <i>Steps</i>
+in the following Example, and which are also plac&rsquo;d over the Notes of the
+Tune, demonstrate the
+<i>Time</i> or <i>Cadence</i> of a Dance.
+<p align=center><img alt=" "  SRC="images/p101r1.png" height=391 width=600>
+
+<h2 align=center>
+<i>Of the Figure.</i></h2>
+There are two Sorts of <i>Figures</i> in <i>Dancing</i>, viz. a <i>Regular</i>,
+and an <i>Irregular</i>.
+<p>A <i>regular Figure</i>, is when two or more <i>Dancers</i> move contrarily,
+the one to the Right, and the other to the Left.
+<p align=center><i>A regular Figure.</i>
+<br><img alt=" "  SRC="images/p101r2.png" height=289 width=300>
+<p>An
+<i>irregular Figure</i>, is when two <i>Dancers</i> move together,
+both in the same
+<i>Figure</i>, on the same side.
+<p align=center><i>An irregular Figure.</i>
+<br><img alt=" "  SRC="images/p102r1.png" height=183 width=350>
+<p>By the Mark representing the Presence of the Body, you will distinguish
+the <i>Tract</i> for the Man, from that of the Woman; in that for the Man,
+the <i>half Circle</i> is single, and that for the Woman, is double. The
+Distinction for two Men, or two Women Dancing together, is known by a <i>Point</i>
+plac&rsquo;d in the middle of the <i>half Circle</i> of one of them, that wherein
+the Point is, representing the <i>Tract</i> for the Woman Side.
+<table WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>The Tract for a Man.</i>
+<br><img alt=" "  SRC="images/p102r2c1.png" height=150 width=43></td>
+
+<td ALIGN=CENTER><i>The Tract for a Woman.</i>
+<br><img alt=" "  SRC="images/p102r2c2.png" height=150 width=39></td>
+
+<td ALIGN=CENTER><i>Tracts for two Men.</i>
+<br><img alt=" "  SRC="images/p102r2c3.png" height=150 width=127></td>
+
+<td ALIGN=CENTER><i>Tracts for two Women.</i>
+<br><img alt=" "  SRC="images/p102r2c4.png" height=150 width=132></td>
+</tr>
+</table>
+
+<p>If a Number of <i>Dancers</i> figure together, the Mark for the placing
+the Body will not be sufficient to distinguish them, (as in a Dance for
+eight:) On this Occasion therefore, you may make Use of Letters, of which
+AA may represent two which figure together. BB two others. CC two more,
+and DD the other two; each of which, will also be distinguish&rsquo;d by there
+<i>figuring</i>,
+and which the following Example will demonstrate.
+<p align=center><img alt=" "  SRC="images/p103.png" height=337 width=500>
+
+
+<h2 align=center>
+<i>Some Rules to be observed in the Figures of Dances.</i></h2>
+I Have already shewn, that the <i>Tract</i> serves for two Ends,
+<i>viz</i>.
+first, on which to describe the <i>Steps</i> and <i>Positions</i>; and
+secondly, for the Direction of the <i>Figure</i> of the Dance.
+<p>I shall now add, that when in <i>Dancing</i>, several <i>Steps</i> are
+to be perform&rsquo;d in the same place, the <i>Tract</i> is then to be respected
+only as the Conductor of the <i>Step</i>, and not in Relation to the <i>Figure</i>;
+but where the <i>Steps</i> move continually from one place to another,
+then the <i>Tract</i> is to be observ&rsquo;d, not only for the Description of
+the <i>Steps</i>, but also for the <i>Figure</i> of the <i>Dance</i>. Place
+your self then where the beginning of the <i>Tract</i> directs, and observe
+whether the <i>Figure</i> be <i>streight, diametrical, circular</i>, or
+<i>oblique</i>,
+whether it be <i>forwards, backwarks</i>, or <i>sideways</i>, if to the
+right, or to the left; all which I have already demonstrated in the foregoing
+Pages; then having learnt the Tune, which must be prick&rsquo;d down on the Top
+of each Page, add the Steps to the Tune, as has been already shewn, moving
+in the <i>Figure</i> as is described on the Paper. When it happens that
+the <i>Tract</i> or <i>Tracts</i> cross one another, the <i>Steps</i> on
+the one, must leave a sufficient Breach, for the describing the <i>Steps</i>;
+on the other, to avoid Confusion.
+
+<h2 align=center>
+<i>For giving the Hands in Dancing</i>.</h2>
+You will know when to give the Hand, by a small <i>Crescent</i> or
+<i>half
+Circle</i> at the end of a little Barr or Stroke, which is to be plac&rsquo;d
+on the side of the <i>Tract</i>, viz. when it is on the right side of the
+<i>Tract</i>,
+it shews, that you must give the right Hand; and when on the left, it shews
+the
+left Hand is to be given; and when there is one on each side, both Hands
+must then be given.
+<table WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>To give the right Hand.</i>
+<br><img alt=" "  SRC="images/p104r1c1.png" height=118 width=180></td>
+
+<td ALIGN=CENTER><i>To give the left Hand</i>
+<br><img alt=" "  SRC="images/p104r1c2.png" height=128 width=180></td>
+
+<td ALIGN=CENTER><i>To give both Hands.</i>
+<br><img alt=" "  SRC="images/p104r1c3.png" height=116 width=180></td>
+</tr>
+</table>
+
+<p>When you have thus given one Hand or both, you are not to quit Hands,
+till you find the same Marks cut through with another little Stroke, which
+shews, that in that place the Hands are to let go.
+<table WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>To let go one Hand.</i>
+<br><img alt=" "  SRC="images/p104r2c1.png" height=300 width=114>
+<br><i>To give one Hand.</i></td>
+
+<td ALIGN=CENTER><i>To let go both Hands.</i>
+<br><img alt=" "  SRC="images/p104r2c2.png" height=300 width=153>
+<br><i>To give both Hands.</i></td>
+</tr>
+</table>
+
+
+<h2 align=center>
+<i>Of the Movement of the Arms.</i></h2>
+Although the Carriage and <i>Movement</i> of the <i>Arms</i> depend more
+on the Fancy of the Performer, than on any certain Rules, I shall nevertheless
+lay down some Examples, which will explain, by demonstrative Characters,
+the different <i>Motion</i> of the <i>Arms</i> in <i>Dancing</i>; or at
+least, will inform you what Characters to make Use of in describing the
+<i>Motion</i>
+of the <i>Arms</i>, to the Movement of each <i>Step</i>.
+<p>The Arm is represented by the Letters ABC, of which A represents the
+Shoulder, B the Elbow, and C the Wrist.
+<table WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>The Arm streight</i>
+<br><img alt=" "  SRC="images/p105r1c1.png" height=41 width=120></td>
+
+<td ALIGN=CENTER><i>The Wrist bent.</i>
+<br><img alt=" "  SRC="images/p105r1c2.png" height=49 width=120></td>
+
+<td ALIGN=CENTER><i>The Arm bent.</i>
+<br><img alt=" "  SRC="images/p105r1c3.png" height=94 width=120></td>
+
+<td ALIGN=CENTER><i>The Arm quite before.</i>
+<br><img alt=" "  SRC="images/p105r1c4.png" height=112 width=120></td>
+</tr>
+</table>
+
+
+<h2 align=center>
+<i>Where to place the Motion of the Arms on the Tract.</i></h2>
+In moving forwards or backwards in the <i>Dance</i>, the <i>Arms</i> must
+be mark&rsquo;d on each side the <i>Tract</i>, the right <i>Arm</i> on the right
+side the <i>Tract</i>, and the left <i>Arm</i> on the left side; but when
+in the <i>Figure</i> of the <i>Dance</i>, the Movement is sideways, they
+are to be mark&rsquo;d both on one side, always observing, that the right
+<i>Arm</i>
+must be to the right, and the left <i>Arm</i> to the left.
+<table WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Both Arms open.</i>
+<br><img alt=" "  SRC="images/p105r2c1.png" height=176 width=280></td>
+
+<td ALIGN=CENTER><i>The left Arm open, the right bent at Elbow.</i>
+<br><img alt=" "  SRC="images/p105r2c2.png" height=161 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Both arms open.</i>
+<br><img alt=" "  SRC="images/p105r2c3.png" height=79 width=280></td>
+
+<td ALIGN=CENTER><i>The right Arm open, and the left quite closed.</i>
+<br><img alt=" "  SRC="images/p105r2c4.png" height=142 width=280></td>
+</tr>
+</table>
+
+<p>I shall not pretend to make a long Disquisition on the <i>Motion</i>
+of the <i>Arms</i>, but shall only add, that as there are three Movements
+from the Waste downwards, fo there are also three Movements in the <i>Arms</i>,
+which have a Correspondence, and are agreeing with them below, <i>viz</i>.
+that of the Wrist, has Relation to the Heel; that of the Elbow, to the
+Knee, and that of the Shoulder, or the whole Arm, to the Thigh.
+<p>You will know when the Arm moves by an arch&rsquo;d Line, mark&rsquo;d C D, drawn
+from that which represents the end of the Arm, which shews the Figure the
+Wrist makes in moving, as from C to D.
+<p align=center><img alt=" "  SRC="images/p106r1c1.png" height=66 width=120><img alt=" "  SRC="images/p106r1c2.png" height=78 width=120><img alt=" "  SRC="images/p106r1c3.png" height=82 width=120><img alt=" "  SRC="images/p106r1c4.png" height=48 width=120>
+<p>The <i>Movements</i> of the <i>Arms</i> are to be perform&rsquo;d two ways,
+upwards or downwards; upwards from the <i>Position</i> of the <i>Arm</i>
+below, or downwards from the <i>Position</i> above.
+<p>The <i>Motion</i> of the <i>Arm</i> upwards, is when the <i>Arm</i>,
+which is open or extended, closes (in approaching) to the Body ascending,
+and the Motion of the <i>Arm</i> downwards, is when the <i>Arm</i>, which
+is clos&rsquo;d, opens or extends it self descending.
+
+<h2 align=center>
+<i>Examples of the Movements of the Arms.</i></h2>
+
+<table WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>The Motion of the Wrist upwards.</i>
+<br><img alt=" "  SRC="images/p106r2c1.png" height=26 width=90></td>
+
+<td ALIGN=CENTER><i>The Motion of the Elbow upwards.</i>
+<br><img alt=" "  SRC="images/p106r2c2.png" height=44 width=90></td>
+
+<td ALIGN=CENTER><i>The Motion of the whole Arm upwards.</i>
+<br><img alt=" "  SRC="images/p106r2c3.png" height=40 width=90></td>
+
+<td ALIGN=CENTER><i>The Motion of the Wrist downwards.</i>
+<br><img alt=" "  SRC="images/p106r2c4.png" height=33 width=90></td>
+
+<td ALIGN=CENTER><i>The motion of the Elbow downwards.</i>
+<br><img alt=" "  SRC="images/p106r2c5.png" height=59 width=90></td>
+
+<td ALIGN=CENTER><i>The Motion of the whole Arm downwards.</i>
+<br><img alt=" "  SRC="images/p106r2c6.png" height=65 width=90></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>The Wrist moving round upwards.</i>
+<br><img alt=" "  SRC="images/p106r3c1.png" height=27 width=90></td>
+
+<td ALIGN=CENTER><i>The Elbow moving round upwards.</i>
+<br><img alt=" "  SRC="images/p106r3c2.png" height=41 width=90></td>
+
+<td ALIGN=CENTER><i>The whole Arm moving round upwards.</i>
+<br><img alt=" "  SRC="images/p106r3c3.png" height=43 width=90></td>
+
+<td ALIGN=CENTER><i>The Wrist moving round downwards.</i>
+<br><img alt=" "  SRC="images/p106r3c4.png" height=25 width=90></td>
+
+<td ALIGN=CENTER><i>The Elbow moving round downwards.</i>
+<br><img alt=" "  SRC="images/p106r3c5.png" height=40 width=90></td>
+
+<td ALIGN=CENTER><i>The whole Arm moving round downwards.</i>
+<br><img alt=" "  SRC="images/p106r3c6.png" height=48 width=90></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>The Wrist moving round downwards.</i>
+<br><img alt=" "  SRC="images/p107r1c1.png" height=39 width=90></td>
+
+<td ALIGN=CENTER><i>The Elbow moving round downwards.</i>
+<br><img alt=" "  SRC="images/p107r1c2.png" height=66 width=90></td>
+
+<td ALIGN=CENTER><i>The whole Arm moving round downwards.</i>
+<br><img alt=" "  SRC="images/p107r1c3.png" height=70 width=70></td>
+
+<td ALIGN=CENTER><i>Double Movement of the Wrist upwards and downwards.</i>
+<br><img alt=" "  SRC="images/p106r3c4.png" height=25 width=90></td>
+
+<td ALIGN=CENTER><i>Double Movement of the Elbow upwards and downwards.</i>
+<br><img alt=" "  SRC="images/p107r1c5.png" height=56 width=90></td>
+
+<td ALIGN=CENTER><i>Double Movement of the whole Arm upwards and downwards.</i>
+<br><img alt=" "  SRC="images/p107r1c6.png" height=53 width=90></td>
+</tr>
+</table>
+
+<p>The <i>Arms</i> may either move both together, or one after the other;
+you will know when the<i> Arms</i> are to move together, by a Line or Tie
+drawn from the one to the other; and when there is no Tie, they are then
+to move one after the other.
+<p>The<i> Arms</i> may either move alike with the same Movement, as when
+both <i>Arms</i> either open or extend themselves together, or close, or
+approach each other at the same time.
+<p>Or they may move contrary one to the other, when the one opens, and
+the other closes.
+<table WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Both Arms moving together with the same Motion.</i>
+<br><img alt=" "  SRC="images/p107r2c1.png" height=96 width=180></td>
+
+<td ALIGN=CENTER><i>Both Arms moving together with a contrary Movements.</i>
+<br><img alt=" "  SRC="images/p107r2c2.png" height=95 width=180></td>
+
+<td ALIGN=CENTER><i>Both Arms moving one after the other, first the right,
+and then the left.</i>
+<br><img alt=" "  SRC="images/p107r2c3.png" height=88 width=180></td>
+</tr>
+</table>
+
+
+<h2 align=center>
+<i>Some Rules to be observed in writing of Dances.</i></h2>
+You must resolve in what part of the <i>Room</i> the <i>Dance</i> is to
+begin, and there place the beginning of the<i> Tract</i>; then trace out
+the <i>Figure</i>, and mark thereon the <i>Position</i>; then describe
+the <i>Steps</i>, as I have shewn in the foregoing Examples; and if you
+find any Difficulty in writing any of the <i>Steps</i>, you must make Use
+of your <i>Table</i> of <i>Steps</i>; and in finding the <i>Step</i> you
+have Occasion for, you ought first to consider what <i>Step</i> it is,
+whether <i>Courant, Coupee, Bouree, Bound, Contretemps</i>, &amp;c. Suppose,
+for Example, the Step to be a <i>Bouree</i>, turn then to the Table of
+<i>Bouree&rsquo;s</i>
+or <i>Fleurets</i>, and having found the <i>Step</i> you want, observe
+after what manner it is describ&rsquo;d, and then write it down in your Dance.
+<p>On the Top of each Page, on which your Dance is describ&rsquo;d, you must
+prick down as many Barrs of the Tune, as there are Barns or Measures in
+the Dance.
+<p>Altho&rsquo; the <i>Tract</i> serves generally for the explaining the <i>Figure</i>
+of the Dance, yet it often happens that many Steps are to be perform&rsquo;d
+in the same Place, and then (as I have shewn before) the <i>Tract</i> is
+to have regard only to the <i>Steps</i>. This <i>Tract</i> is only a borrow&rsquo;d
+<i>Tract</i>,
+and which may be drawn any way, as shall be most convenient. As for Example,
+from A to B, altho&rsquo; the <i>Tract</i> is drawn out in length from A to B,
+the <i>Dancer</i> nevertheless removes not from A, which may also be well
+understood by the <i>Steps</i>, which are from A to B, which can only be
+perform&rsquo;d in the same place.
+<p align=center><img alt=" "  SRC="images/p108.png" height=235 width=600>
+<p>You must observe at the end of each Page, the place where the <i>Dancer</i>
+finishes, and to what part of the <i>Room</i> the Face directs, by which
+means you will readily know where to place the beginning of the <i>Tract</i>
+in the following Page ; and so continue from Page to Page, to the end of
+the <i>Dance</i>.
+<p>But if in the beginning of a Page, two Dancers should happen to be close
+together, and some <i>Steps</i> to be perform&rsquo;d in the same place; which
+<i>Steps</i>
+cannot be conveniently described, neither on one side, or the other, and
+that the Closeness of the <i>Dancers</i>, will not admit of advancing of
+the
+<i>Tracts,</i> one towards the other; you must then be oblig&rsquo;d, instead
+of placing the
+<i>Tracts</i> at C D, to retire as far back as will be necessary
+to describe the <i>Steps,</i> so that the <i>Steps </i>may end at C D.
+<p align=center><img alt=" "  SRC="images/p109r1.png" height=143 width=600>
+<p>Or else the contrary may be done, by placing the beginning of the <i>Steps</i>
+at C D; and instead of describing the <i>Steps</i> one towards the other,
+they must Separate, as from C to E, and D to F.
+<p>You will find these are perform&rsquo;d without the <i>Dancers</i> moving
+out of their Places; and both these Examples are equally good, in considering
+only which agrees best with the <i>Figure</i> of the<i> Dance</i> that
+follows.
+<p align=center><img alt=" "  SRC="images/p109r2.png" height=112 width=600>
+<p>If in the <i>Dances</i> in the second Volume, you find some of the <i>Steps</i>
+longer than others, you must have no Regard to them, as to their Length
+in the Description of them, but judge of their Extension by the Distance
+of <i>Positions</i>, (as I have already shewn in the Termination of the
+<i>Steps</i>,
+in their <i>Positions</i>;) so that you are not to conclude any thing from
+the Length or Shortness of Steps.
+
+<h4 align=center>
+<i>FINIS.</i></h4>
+
+<pre>
+
+
+
+
+
+End of the Project Gutenberg EBook of Orchesography, by John Weaver
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+eBook #9454 (https://www.gutenberg.org/ebooks/9454)
diff --git a/old/adanc10h.htm b/old/adanc10h.htm
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+
+The Project Gutenberg EBook of Orchesography, by John Weaver
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+*****These eBooks Were Prepared By Thousands of Volunteers!*****
+
+
+Title: Orchesography
+       Or, the Art of Dancing
+
+Author: John Weaver
+
+Release Date: December, 2005 [EBook #9454]
+[Yes, we are more than one year ahead of schedule]
+[This file was first posted on October 2, 2003]
+
+Edition: 10
+
+Language: English
+
+Character set encoding: ISO-8859-1
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+*** START OF THE PROJECT GUTENBERG EBOOK ORCHESOGRAPHY ***
+
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+
+
+Produced by Tobin Richard, Debra Storr, Greg Lindahl
+and PG Distributed Proofreaders
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+</pre>
+
+
+
+<h2 align=center>
+ORCHESOGRAPHY.</h2>
+
+<hr WIDTH="100%">
+<p align=center>OR, THE
+
+<h1 align=center>
+ART OF DANCING,</h1>
+<p align=center>BY
+
+<h3 align=center>
+<i>Characters</i> and <i>Demonstrative Figures</i>.</h3>
+<p align=center>WHEREIN
+
+<h3 align=center>
+The whole <i>Art</i> is explain'd; with compleat <i>Tables</i> of all <i>Steps</i>
+us'd in <i>Dancing</i>, and <i>Rules</i> for the <i>Motions</i> of the
+<i>Arms</i></h3>
+<p align=center>WHEREBY
+
+<h3 align=center>
+Any person (who understands <i>Dancing</i>) may of himself learn all manner
+of <i>Dances</i>.</h3>
+<p align=center>BEING
+
+<h3 align=center>
+An Exact and Just <i>Translation</i> from the <i>French</i> of Monsieur
+<i>Feuillet</i>.</h3>
+
+ <hr WIDTH="100%">
+
+
+<h2 align=center>
+<i>By</i> JOHN WEAVER, <i>Dancing-Master</i>.</h2>
+
+<hr WIDTH="100%">
+<br><i>Pars pedibus plaudant Choreas</i>,----Virg. Aenid. 6.
+<p><i>LONDON</i>: Printed by <i>H. Meere</i>, at the <i>Black Fryars</i>,
+for the Author, and are to be sold by <i>P.Valliant, French</i> Bookseller
+near <i>Catherine-Street</i>, in the <i>Strand</i>. 1706.
+<hr WIDTH="100%">
+
+<h2>
+To Mr. Isaac.</h2>
+
+<h3>
+SIR,</h3>
+Tho' <i>Dancing</i> and <i>Musick</i> seem to be of near an equal Antiquity,
+and even of an equal Extent, yet <i>Musick</i> has long receiv'd an Advantage,
+which <i>Dancing</i> wanted. <i>Musick</i> has employ'd the Pens of many
+of the Learned, both Ancient and Modern, and has had the Benefit of an
+universal Character, which convey'd the harmonious Compositions to all
+Lovers of the <i>Art</i> in all Nations. <i>Dancing</i>, on the contrary,
+tho' celebrated by Ancient Authors in an extraordinary manner, and with
+uncommon Praises, (as I shall shew in a Treatise, which I shall suddenly
+publish on that Subject) yet among the Moderns, it has been wholly unknown
+to the Learned, and destitute of all Pens, in either the speculative or
+practick part of the <i>Art</i>, which for want of an universal Character,
+was confin'd to the immediate Master and Scholar, or at farthest, to a
+narrow traditional Instruction, which none could participate of without
+a Teacher, who had been taught by some other, either Composer, or Scholar
+of such Composer. This Inconvenience at length stirr'd up Monsieur <i>Beauchamp</i>
+to begin what Monsieur <i>Feuillet</i> accomplish'd in the following Treatise,
+which tho' for some time enjoy'd by the <i>French</i> Nation, as a native
+Growth,
+<i>now first appears</i> in its true and just Extent in its Transplantation
+into the <i>English</i> Climate and Language.
+<p>The Service to the Lovers and Professors of this <i>Art</i>, having
+been the chief Motive of my Undertaking so difficult a Province, that we
+who enjoy the Happiness of so Great a Master as Mr. <i>Isaac</i>, should
+not want the Advantage of spreading that Excellence in this <i>Art</i>,
+which renders him so admir'd by all who have any Taste of it; so having
+receiv'd such great and generous Encouragement in this Study from you,
+Sir; the Product of that Encouragement and Study does, as it were, out
+of a natural Right and just Gratitude, seek Shelter under your Patronage,
+and challenge the Advantage of appearing in the World under the Protection
+of your Name, whole known Judgment and Mastery in this <i>Art</i>, will
+secure me from the Censure of Malice and Ignorance.
+<p>However, I shall have little to fear, if I am so happy as to merit that
+generous Assistance, which you have been pleased to give me in the compiling
+of this Book; and I am apt to flatter my self, that I have done the Original
+that Justice, that the Author will have no Reason to complain: But whatever
+Defects I may have been guilty of in it, I promise my self Forgiveness
+from so much Goodness and Candor, as all People (with Justice) allow to
+Mr. <i>Isaac</i>. You are so truly distinguish'd from most Men, by a peculiar
+Sincerity and Zeal for the Service of your Friend, or him whom you have
+once thought fit to espouse, that as I have done nothing but comply'd with
+my own Inclination, in offering this publick Acknowledgment of your Favour,
+so I have infinite Cause of being perfectly satisfy'd with my Patron.
+<p>I know it is the Custom of <i>Dedicators</i>, to launch forth into the
+Praises of the Virtues and Parts of their Patrons; but I know Mr. <i>Isaac</i>
+too well, to think I can render my self more acceptable to him, by entertaining
+him with his own Deserts, since they are too well known to all your Acquaintance,
+to need a Publication in this place. Not but that it would be a Theme infinitely
+grateful to me; but I shall curb that Inclination, and deny my self a Pleasure
+that would be disgustful to you. It is enough, that by spreading the Knowledge
+which the following Book conveys, your Excellence in the <i>Art</i>, your
+admirable Compositions will more easily, and more largely encrease the
+Number of your Admirers; among which, there never will be one more truly
+devoted to your Service, than,
+<p><i>SIR,</i>
+<p><i>Your most Obliged Humble Servant</i>,
+<p>John Weaver.
+
+<h2 align=center>
+PREFACE.</h2>
+<i>I Perswade my self, that before so useful a Curiosity as the following
+Treatise, it would not be disagreeable to the Reader, to give him an Account
+of the Origin and Progress of the Art of</i> Orchesography. Furetier, <i>in
+his Historical Dictionary, tells us of a curious Treatise of this Art by
+one</i> Thoinet Arbeau, <i>printed 1588, at</i> Langres, <i>from whom Monsieur</i>
+Feuillet, <i>in his Preface, supposes this Art to date its first Rise and
+Birth, tho' he could never procure a Sight of it, as not to be found in</i>
+Paris. <i>But this very Book falling into my Hands, I took Care to peruse
+it with some Attention, but found it far short of that Expectation, which
+such Recommendation had rais'd in me: For tho' it might perhaps have given
+the Hint to Mr</i>. Beauchamp; <i>yet it is nothing but an imperfect rough
+Draught, nor if it confin'd to Dancing, since it treats besides of beating
+the Drum, playing on the Pipe, and the like.</i>
+<p><i>But notwithstanding this blind Hint of</i> Arbeau, <i>to do Justice
+to Mons.</i> Beauchamp, <i>we must attribute to him the Invention of this
+Art, who in all Probability, could no more see the former Book, than Mons.</i>
+Feuillet. <i>But as no Art was ever invented and perfected at once; so
+it remain'd for Mons</i>. Feuillet, <i>to raise the compleat and finish'd
+Superstructure on Mons</i>. Beauchamp's <i>Foundation; and it must be allowed,
+that Mons</i>. Feuillet <i>has carry'd this Art to a very great Perfection,
+and taken a great deal of Pains in the Improvement of the Character, and
+given Rules so just, and a Method so proper, that I cannot imagine any
+Man can flatter himself with an Ability of designing a better, or more
+regular manner. For this Reason I chose rather to follow his Method entirely,
+than attempt any Alteration of my own, which I have done with that Care
+and Diligence, that I think I may assure the Reader I have omitted nothing
+that he has deliver'd. I have also made it my Business</i> to bring the
+Reader acquainted with the Meaning of my Author, as well as his Words,
+which is a Happiness every Translator has not the Power of arriving at,
+as generally either ignorant of the Subject or Language he translates from,
+or into, or both.
+<p>Another Fault of our common Translators I have avoided with all the
+Industry I could: Some of them pretending to meddle with Books of Art,
+and not understanding the Terms of Art, give us such an odd Jargon, that
+we can never understand it without the Interpretation of a Master, or having
+Recourse to the Original itself. I have therefore render'd all the French
+<i>Terms
+into</i> English<i>, but with so much Caution of doing Justice to the Author,
+and the Art, that I would not defend on my own Judgment, but let none pass
+without the Approbation of the best</i> English <i>Masters.</i>
+<p><i>The Perfection, which Dancing is now come to in</i> England<i>, seems
+to point this Time out at the fittest Juncture, for the Publication of
+a Book of this Nature; since we now enjoy in this Nation, Performers and
+Masters of greater Excellence than any other part of</i> Europe<i>; who
+shew every Beauty of the Art in its full Glory and Perfection. For whoever
+shall consider the Masterly Compositions of Ball-Dances by Mr.</i> Isaac<i>,
+which are so well adapted to the manner of our School-teaching, (peculiar
+to</i> England<i>, no other Nation having any such thing as publick Dancing-Schools)
+whoever shall see the admirable Compositions of Mons.</i> L'Abbe <i>in
+Ballet, and his Performance, with that of M.</i> Desbargues<i>, M.</i>
+Du Ruel<i>, and M.</i> Cherrier<i>, can hope to see nothing in this Art
+of greater Excellence, unless any wonderful Genius should arise, and advance
+this once celebrated Art to that Perfection, which drew the Eyes, and employ'd
+the Pens of the old</i> Greeks <i>and</i> Romans<i>; a lively Description
+of which, the Reader may see in this</i> Epigram<i>, by an unknown Hand</i>
+<blockquote>Mascula foemineo derivans Pectora Sexu,
+<br>Atq; aptans lentum Sexum at utrumq; latus,
+<br>Egressus Scenam Populum faltator adorat
+<br>Solerti pendet predere verba Manu.
+<br>Nam cum grata Chorus diffundit cantica dulcis
+<br>Qu&aelig; resonat Cantor, motibus ipse probat.
+<br>Pugnat, ludit, amat, Bacchatur, Vertitur, adstat,
+<br>Illustrat verum, cuncta decore replet.
+<br>Tot Lingu&aelig;, quot Membra viro, Mirabilis est Ars,
+<br>Qu&aelig; facit Articulos voce silente loqui.</blockquote>
+<i>From this Epigram, it is plain, that the ancient Dancing had something
+more than Motion, Measure, and Figure, and express'd the Passions and Actions
+of Mankind, was a sort os silent Poetry, and the Painting, tho' without
+Colours, so expressive, as to touch and charm every Beholder.</i>
+<p><i>There will be no need to enforce the Use of this Art, and by Consequence
+recommend the Book that teaches it, to all Lovers of Dancing, since it
+carries its own Evidence with it self, and has already convinc'd them of
+its Benefit and Advantage; and I question not but others will find the
+same Satisfaction from their Study, which I have done, since by a close
+Application to this Character, I have made such a Progress in it, as to
+be able to communicate all Dances to the rest of the Profession at any
+Distance. I have a great deal of Reason to believe, that had not I first
+undertaken to make Mons.</i>Feuillet <i>speak</i> English, <i>this Character
+had yet a longer while remain'd a Secret to this Nation; those who had
+made their private Market of it, not being willing to admit any Rivals
+in an Art, which chiefly distinguish'd them from others of their Profession.</i>
+<p><i>I must undeceive some, who may perhaps mistake the Design of the
+following Treatise, and take it for an Instruction, or some Improvement
+in the Art of Dancing, or Method of Teaching. But I must assure them, that
+I am not yet Master of Vanity enough to venture upon a Task so difficult,
+and so invidious, since I am of Opinion, that there are not better Masters
+for instructing Scholars in a genteel Movement and Address, than the</i>
+English.
+<p><i>I shall not therefore detain the Reader any longer in the Porch,
+but leave him now to enter, and improve</i>.
+<blockquote>Ingredere ut proficias.</blockquote>
+
+
+<h2 align=center>
+A List of <i>the Dancing-Masters</i>,</h2>
+
+
+<h3 align=center>
+Subscribers to this Undertaking.</h3>
+
+<table WIDTH="100%" >
+<tr>
+<td VALIGN=TOP>A<br>
+<i>Monsieur</i> L'Abbe.&nbsp;
+<p>B<br>
+<i>Mr</i>. Bosely <i>of</i> Norwich.&nbsp;
+<p>C<br>
+<i>Mr</i>. Tho. Caverly.
+<br><i>Mr</i>. Ant. Caverly.
+<br><i>Monsieur</i> Camille.
+<br><i>Monsieur</i> Cherrier.
+<br><i>Mr</i>. Claxton.
+<br><i>Mr</i>. Coucb.
+<br><i>Monsieur</i> Cottin.
+<br><i>Mr</i>. Counley <i>of</i> Barbadoes.
+<br><i>Mr</i>. Cragg.
+<br><i>Mr</i>. Christian.&nbsp;
+<p>D<br>
+<i>Monsieur</i> Debargues.
+<br><i>Mr</i>. Delamain <i>of</i> Dublin.
+<br><i>Monsieur</i> Le Duc.
+<br><i>Mr</i>. Douson.&nbsp;
+<p>E<br>
+<i>Monsieur</i> D'Elisle.
+<br><i>Mr</i>. Essex.&nbsp;
+<p>G<br>
+<i>Mr</i>. Groscourt.
+<br><i>Mr</i>. Gery.</td>
+
+<td VALIGN=TOP>H<br>
+<i>Mr</i>. Walter Holt, <i>Sen</i>.
+<br><i>Mr</i>. Walter Holt, <i>Jun</i>.
+<br><i>Mr. Rich. Holt.</i>
+<br><i>Mr. Heale of Salisbury.</i>
+<p><i>I<br>Mr. Isaac.</i>
+<p><i>L<br>Mr. Lally.</i>
+<br><i>Mr. Char. Lewis.</i>
+<p><i>N<br>Mr. Nicholson.</i>
+<p><i>O<br>Mr. Orlabeer.</i>
+<p><i>P<br>Mr. Pawlet.</i>
+<br><i>Mr. Pemberton.</i>
+<br><i>Mr. Porter of Darby.</i>
+<br><i>Mr. Pritton.</i>
+<p><i>R<br>Monsieur Du Ruell.</i>
+<br><i>Mr. Rogers.</i>
+<p><i>S<br>Monsieur Serancour.</i>
+<br><i>Monsieur L'Sac.</i>
+<br><i>Mr. Sexton of York.</i>
+<br><i>Mr. Shirley.</i></td>
+</tr>
+</table>
+
+<p><i>This Undertaking bas also been encouraged by the Subscriptions of
+several of the Nobility and Gentry</i>
+
+<hr WIDTH="100%">
+
+
+<h3 align=center>
+<i>ERRATA.</i></h3>
+Dedication, page 2. line 1.<i> for Phrases,</i> read <i>Praises.</i>
+<br>P. 8.l.3. f.<i> the,</i> r<i>.a.</i>
+<br>P.17.1.3, f.<i> afterwards, </i>r<i>. forwards..</i>
+<br>P.34.1.7. after Page, add <i>as E F do the upper end of the Room, G
+H the lower part.</i>
+<br>P. 40. 1. 2, f.<i> behind,</i> r.<i> before.</i>
+<br>P. 47. 1. 4. f. <i>Rigandons, </i>r.<i>Rigandons.</i>
+<br>[Transcribers note: corrections to text made]
+
+<h2 align=center>
+Orchesography.</h2>
+<p align=center>OR,
+
+<h1 align=center>
+The ART of DANCING</h1>
+<p align=center>BY
+
+<h3 align=center>
+Characters and Demonstrative Figures.</h3>
+<i>By which any Person, who understands Dancing, may of himself easily
+learn all manner of </i>Dances.
+<p>The Explanation of the Terms belonging to <i>DANCING</i>, seem to be
+altogether needless, since they are so plain and intelligible of themselves:
+But lest the Reader should put wrong Constructions on those <i>Terms</i>
+of <i>Art</i> which the <i>Dancing-Masters</i> make use of, I shall give
+the following <i>Explanation</i> of them.
+<p><i>Dancing </i>is composed of<i> Positions, Steps, Sinkings, Risings,
+Springings, Capers, Fallings, Slidings, Turnings </i>of the Body<i>, Cadence</i>
+or<i> Time, Figures,</i> &amp;c.
+<p><i>Positions,</i> are the different Placings of the Feet in Dancing.
+<p><i>Steps, </i>are the Motions of the Feet from one place to another.
+<p><i>Sinkings, </i>are the Bendings of the Knees.
+<p><i>Risings, </i>are when we rise from a Sink, or erect our selves.
+<p><i>Springing, </i>is a rising or leaping from the Ground.
+<p><i>Capers, </i>are when in <i>rising</i> or leaping from the Ground,
+one Leg beats against the other, which we call <i>Cutting.</i>
+<p><i>Fallings, are </i>when the Body, being out of its proper Poise, falls
+by its own Weight.
+<p><i>Slidings,</i> are when<i>, in moving, </i>the Foot slides on the
+Ground.
+<p><i>Turnings, </i>are when the Body turns either one way or the other.
+<p><i>Cadence or Time, </i>is a right understanding of the different Measures,
+and Observation of the most remarkable places in the<i> Tune.</i>
+<p><i>Figures, </i>are<i> Tracts </i>made by<i> Art, </i>on which the<i>
+Dancer </i>is to move.
+<p>Before I proceed to demonstrate what I have already explain'd, I shall
+describe the<i> Room</i> or <i>Stage, </i>where<i> Dancing </i>is perform'd;
+as also the different<i> Tracts </i>or<i> Figures </i>to be made thereon,
+and the<i> Posture</i> and<i> Presence of the Body</i>, in which the<i>
+Performer </i>ought to stand.
+
+<h2 align=center>
+Of the Stage, Room, or School.</h2>
+The <i>Stage or Dancing-Room</i>, I shall represent by an <i>Oblong</i>,
+as in the Figure A B C D, of which the upper end is A B, the lower end
+C D; the right side B D, and the left side A C.
+<p align=center><img alt=" "  SRC="img1/p12ABCD.png" height=391 width=365>
+
+<h2 align=center>
+The Presence of the Body.</h2>
+The <i>Posture</i> or Presence of the Body, is to have respect to that
+part of the <i>Room</i>, to which the Face or Fore-part of the Body is
+directed, which I describe by the Figure F G H I, of which F G shews the
+two Sides of the Body, H the Face or Fore-part, and I the Back or Hinder-part.
+<p align=center><img alt=" "  SRC="img1/p12fghi.png" height=120 width=200>
+
+<table WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td VALIGN=TOP><i>The Face of Forepart of the Body up.</i></td>
+
+<td VALIGN=TOP><i>The Face down.</i></td>
+
+<td VALIGN=TOP><i>The Face to the right side.</i></td>
+
+<td VALIGN=TOP><i>The Face to the left side.</i></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><img alt=" "  SRC="img1/p12face.png" height=181 width=150></td>
+
+<td ALIGN=CENTER><img alt=" "  SRC="img1/p12facdn.png" height=177 width=150></td>
+
+<td ALIGN=CENTER><img alt=" "  SRC="img1/p12faceR.png" height=175 width=150></td>
+
+<td ALIGN=CENTER><img alt=" "  SRC="img1/p12faceL.png" BORDER="1" height=173 width=150></td>
+</tr>
+</table>
+
+
+<h2 align=center>
+Of the Tract.</h2>
+The Line on which the Dances are described, I call the <i>Tract</i>.
+<p>Which <i>Tract</i> serves for two Ends, the first to direct the <i>Steps</i>
+and <i>Positions</i>, and the other to represent the Figure of the <i>Dance</i>.
+<p>All <i>Steps</i> and <i>Positions</i> may be described upon two Lines,
+<i>viz</i>.upon
+a <i>Right</i> Line, and a <i>Diametrical</i> Line; but because the <i>Tract</i>
+must also be made use of for the Explanation of the Figure of <i>Dances</i>,
+I shall add to these Lines, the <i>Circular</i> and i>Oblique.
+<p>A <i>Right Line</i>, I call that which extends it self in Length, from
+one end of the <i>Room</i> to the other, as by the Line mark'd K.
+<p align=center><img alt=" "  SRC="img1/p13Kline.png" height=230 width=200>
+<p>A <i>Diametrical Line</i>, is that which goes cross the <i>Room from
+side to side, as is shewn by the Line L.</i>
+<p align=center><img alt=" "  SRC="img1/p13Lline.png" height=253 width=200>
+<br><i>The Circular Line,</i>
+is that which goes round the<i> Room, </i>as is express'd by the Letter
+M.
+<p align=center><img alt=" "  SRC="img1/p14Mline.png" height=225 width=200>
+<p>The<i> Oblique Line,</i> is that which goes cross the <i>Room, </i>from
+Corner to Corner, as may be seen by the Line N.
+<p align=center><img alt=" "  SRC="img1/p14Nline.png" height=225 width=200>
+<br>Every one of these <i>Lines</i>,<i> </i>or<i> Tracts, </i>may jointly
+or separately form the<i> Figure </i>of a<i> Dance, </i>on which may be
+described the<i> Positions </i>and <i>Steps, </i>as in<i> Figure </i>O.
+The beginning of which <i>Tract, </i>is shewn by the<i> Character </i>representing
+the<i> Posture </i>or<i> Presence of the Body, </i>which must be join'd
+to it, to shew the<i> Position </i>of the Body at the beginning of the<i>
+Dance.</i>
+<br><img alt=" "  SRC="img1/p14Oline.png" height=245 width=200>
+
+<h2 align=center>
+<i>Of the Positions.</i></h2>
+There are ten Sorts of <i>Positions</i> generally us'd in <i>Dancing,</i>
+which are divided into <i>True</i> and <i>False.</i>
+<p>The<i> True</i>, are when the Feet are plac'd uniform, and have the
+Toes turn'd out equally.
+<p>The <i>False</i>, are some of them uniform, others not, and differ from
+the <i>True</i>, in that, the Toes are turn'd inward, or one in, and the
+other out.
+<p>In all <i>Positions</i> whatsoever, the Form of the Foot is known by
+these Marks, <i>viz.</i> That which resembles an O, represents the Heel;
+the Line join'd to it, the Ankle; and the Extremity of that Line, the Point
+of that Foot.
+<p align=center><i>A half Position.</i>
+<br><img alt=" "  SRC="img1/p15TAH.png" height=95 width=200>
+<br>This Figure of the <i>Foot</i>, is but a half <i>Position,</i> because
+it represents but one <i>Foot</i>, whereas a whole <i>Position</i> does
+that of two, as in the Figure A B.
+<p align=center><i>Position</i>
+<br><img alt=" "  SRC="img1/p15pos.png" height=100 width=138>
+<br>'Tis to be observ'd, that the Letter A, in the foregoing Figure, represents
+the left <i>Foot</i>, and B, the right.
+
+<h2 align=center>
+<i>Of true Positions.</i></h2>
+There are five true <i>Positions</i>. The first is when the two Feet are
+join'd together, the Heels being one against the other.
+<i>First Position.</i>
+<p align=center><img alt=" "  SRC="img1/p16first.png" height=100 width=84>
+<p>The second is when the Feet are open, or separate, on a Line, one distant
+from the other the length of the Foot.
+<i>Second Position.</i>
+<p align=center><img alt=" "  SRC="img1/p16secnd.png" height=100 width=87>
+<p>The third is when the Heel of one Foot is join'd to the Ankle of the
+other, which I shall hereafter term inclos'd.
+<i>Third Position.</i>
+<p align=center><img alt=" "  SRC="img1/p16third.png" height=100 width=54>
+<p>The fourth is when the two Feet are plac'd one before the other, the
+distance of a Foot in length.
+<i>Fourth Position.</i>
+<p align=center><img alt=" "  SRC="img1/p16fourt.png" height=100 width=76>
+<p>The fifth is when the two Feet are cross'd, the Heel of one directly
+opposite to the Toe of the other. Fifth Position.
+<p align=center><img alt=" "  SRC="img1/p16fifth.png" height=100 width=56>
+
+<h2 align=center>
+<i>Of false Positions.</i></h2>
+There are also five of these. The first is when the Toes are turn'd inwards,
+and touch each other, the Heels being open on the Line.
+<i>First Position.</i>
+<p align=center><img alt=" "  SRC="img1/p17first.png" height=100 width=88>
+<p>The second is when the Toes are turn'd inwards, there being the distance
+of a Foot's Length between the Toes; the Heels as before.
+<i>Second Position.</i>
+<p align=center><img alt=" "  SRC="img1/p17second.png" height=80 width=139>
+<p>The third is when the Toe of one Foot is outwards, and the other inwards,
+the one parallel towards the other.
+<i>Third Position.</i>
+<p align=center><img alt=" "  SRC="img1/p17third.png" height=100 width=74>
+<p>The fourth is when the Toes are turn'd inwards, so that the Toe of one
+Foot points to the Ankle of the other.
+<i>Fourth Position.</i>
+<p align=center><img alt=" "  SRC="img1/p17fourt.png" height=100 width=57>
+<p>The fifth false Position, is mark'd like the fifth true one, and seems
+to be the same Position; but notwithstanding, they are very different,
+for whereas in the true one, the Toes are turn'd outwards, in the false,
+they are turn'd inwards, crossing each other, so that the Heel of one Foot
+is right against the Toe of the other, and is to be distinguish'd from
+the true one by a small Bar between the Position.
+<i>Fifth Position.</i>
+<p align=center><img alt=" "  SRC="img1/p17fifth.png" height=100 width=57>
+
+<h2 align=center>
+<i>Of Steps.</i></h2>
+Altho' <i>Steps</i> made use of in Dancing, are almost innumerable, I shall
+nevertheless reduce them to five, which serve to express the different
+Figures the Leg makes in moving: These I shall call, <i>a straight plain
+Step</i>, an <i>open Step</i>, a <i>circular</i> or <i>round Step</i>,
+a <i>waving Step</i>, and a <i>beaten Step</i>.
+<p>A <i>straight Step</i>, is when the Foot moves in a right Line; which
+is to be made two ways, forwards, and backwards.
+<p>The <i>open Step</i>, is when the Leg opens; which is to be done three
+ways, one outwards, another inwards, both which make an Arch or half Circle,
+and the third sideways, which may also be called a <i>straight Step</i>,
+because the Motion of it is in a direct Line.
+<p>The <i>round </i>or <i>circular</i> Step, is when the Foot, in moving,
+makes a <i>circular Figure</i>; of this there is two ways, one outwards,
+and another inwards.
+<p>The <i>waving Step</i>, is when the Foot, in moving, turns both inwards
+and outwards. There are three ways of doing this, forwards, backwards,
+and sideways.
+<p>The <i>beaten Step</i>, is when one Leg or Foot is beaten against the
+other. Of this there are also three ways of performing, viz. forwards,
+backwards, and sideways.
+<p>A <i>Step</i> is known by the Character following, <i>viz</i>. a black
+Spot mark'd A, representing the <i>Position</i> of the <i>Foot</i>, the
+Line drawn from that Spot, mark'd B, shewing the <i>Motion, Figure</i>,
+and
+<i>Largness</i> of the <i>Step</i>, as from A to D, and lastly, by
+a small side Stroke join'd to the End of the Line C, representing the Foot,
+of which D is the Heel, and E the Point of the Foot, or Toe.
+<p align=center><img alt=" "  SRC="img1/p18.png" height=150 width=153>
+
+<h2 align=center>
+A Demonstration of all the Steps which have been before explain'd.</h2>
+
+<table WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>A straight Step forwards.</i>
+<br><img alt=" "  SRC="img1/p19strfw.png" height=100 width=41></td>
+
+<td ALIGN=CENTER><i>The same backwards.</i>
+<br><img alt=" "  SRC="img1/p19stbwd.png" height=100 width=42></td>
+</tr>
+</table>
+
+<table WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>An open Step outwards.</i>
+<br><img alt=" "  SRC="img1/p19stout.png" height=100 width=60></td>
+
+<td ALIGN=CENTER><i>The same inwards.</i>
+<br><img alt=" "  SRC="img1/p19stinws.png" height=100 width=71></td>
+
+<td VALIGN=TOP><i>The same sideways.</i>
+<br><img alt=" "  SRC="img1/p19stside.png" height=30 width=131></td>
+</tr>
+</table>
+
+<table WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>A circular Step outwards.</i>
+<br><img alt=" "  SRC="img1/p19stcio.png" height=100 width=56></td>
+
+<td ALIGN=CENTER><i>The same inwards.</i>
+<br><img alt=" "  SRC="img1/p19stcin.png" height=100 width=51></td>
+</tr>
+</table>
+
+<table WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>A waving Step forwards.</i>
+<br><img alt=" "  SRC="img1/p19wvfwd.png" height=100 width=37></td>
+
+<td ALIGN=CENTER><i>The same backwards.</i>
+<br><img alt=" "  SRC="img1/p19wvbk.png" height=100 width=41></td>
+
+<td VALIGN=TOP><i>The same sideways.</i>
+<p><img alt=" "  SRC="img1/p19wvsid.png" height=40 width=107></td>
+</tr>
+</table>
+
+<table WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>A beaten Step forwards.</i>
+<br><img alt=" "  SRC="img1/p19btfwd.png" height=100 width=40></td>
+
+<td ALIGN=CENTER><i>The same backwards.</i>
+<br><img alt=" "  SRC="img1/p19brbw.png" height=100 width=53></td>
+
+<td VALIGN=TOP><i>The same sideways.</i>
+<p><img alt=" "  SRC="img1/p19btsid.png" height=40 width=80></td>
+</tr>
+</table>
+
+<p>To a <i>Step</i> may be added these following Marks, <i>viz. Sinking,
+Rising, Springing </i>or <i>Bounds, Capers, Falling, Sliding, holding the
+Foot up, Pointing </i>the <i>Toes, placing</i> the <i>Heel, turning</i>
+a <i>quarter Turn,</i> a <i>half Turn</i>, a <i>three quarter Turn</i>,
+and a <i>whole Turn.</i>
+<p>The Mark for a <i>Sink</i>, is a little Stroke inclining towards the
+little black Head.
+<p align=center><i>A Sink.</i>
+<br><img alt=" "  SRC="img1/p20sink.png" height=100 width=35>
+<p>The Mark for a <i>Rise</i> from a <i>Sink</i>, is when there is a little
+straight Stroke upon the <i>Step</i>.
+<p align=center><i>A Rise.</i>
+<br><img alt=" "  SRC="img1/p20rise.png" height=100 width=31>
+<p>The Mark of a <i>Spring</i> or <i>Rise</i> from the Ground, is when
+there are two of the aforesaid Strokes, which is sometimes call'd a <i>Bound</i>.<p align=center><i>A
+Spring, or Bound.</i>
+<p align=center><img alt=" "  SRC="img1/p20sprg.png" height=100 width=35>
+<p>The Mark for a <i>Caper,</i> is when there are three Strokes.
+<p align=center><i>A Caper.</i>
+<p align=center><img alt=" "  SRC="img1/p20caper.png" height=100 width=31>
+<p>The Mark for a<i> Falling Step</i>, is when at the End of the little
+straight Stroke, another straight one is join'd parallel to the <i>Step</i>,
+and pointing to the Mark for the <i>Foot</i>.
+<p align=center><i>A falling Step.</i>
+<p align=center><img alt=" "  SRC="img2/p21fall.png" height=100 width=27>
+<p>The Mark of a <i>Slide</i>, is when at the End of the little Stroke,
+a small Bar is plac'd parallel to the <i>Step.</i><p align=center><i>A Slide.</i>
+<p align=center><img alt=" "  SRC="img2/p21slide.png" height=100 width=30>
+<p>The Mark for the <i>Foot up</i>, is when the <i>Step </i>is cut off.
+<p align=center><i>The
+Foot up.</i>
+<p align=center><img alt=" "  SRC="img2/p21ftup.png" height=100 width=30>
+<p>The Mark for <i>pointing the Foot</i>, without the Body's bearing upon
+it, is when there is a <i>Point</i> directly at the End of that which represents
+the <i>Toe</i>.
+<p align=center><i>To point the Foot.</i>
+<p align=center><img alt=" "  SRC="img2/p21ptft.png" height=100 width=43>
+<p>The Mark for placing the <i>Heel</i>, without the Body's bearing upon
+it, is when there is a <i>Point</i> directly behind that which represents
+the <i>Heel</i>.
+<p align=center><i>To place the Heel.</i>
+<p align=center><img alt=" "  SRC="img2/p22plhl.png" height=100 width=36>
+<p>A <i>quarter Turn</i> of the Body, is shewn by a quarter of a <i>Circle</i>
+plac'd on the <i>Step</i>.
+<p align=center><i>A quarter Turn.</i>
+<p align=center><img alt=" "  SRC="img2/p22qturn.png" height=37 width=100>
+<p>A <i>half Turn,</i> is represented by a <i>half Circle</i>.
+<p align=center><i>A half Turn.</i>
+<p align=center><img alt=" "  SRC="img2/p22hftrn.png" height=100 width=57>
+<p>A <i>three quarter Turn</i>, is shewn by a <i>three quarter Circle</i>.
+<p align=center><i>A three quarter Turn.</i>
+<p align=center><img alt=" "  SRC="img2/p22q3turn.png" height=100 width=125>
+<p>A <i>whole Turn</i>, is represented bya <i>whole Circle</i>.
+<p align=center><i>A whole Turn.</i>
+<p align=center><img alt=" "  SRC="img2/p22whltn.png" height=120 width=108>
+
+<h2 align=center>
+<i>Steps</i> may have Several Marks.</h2>
+
+<table WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td VALIGN=TOP><i>Sink and Rise.</i></td>
+
+<td VALIGN=TOP><i>Rise and Sink.</i></td>
+
+<td VALIGN=TOP><i>Sink and Bound.</i></td>
+
+<td VALIGN=TOP><i>Bound and Sink.</i></td>
+
+<td ALIGN=CENTER><i>Sink, Bound and Sink.</i></td>
+
+<td VALIGN=TOP><i>Sink and Caper.</i></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><img alt=" "  SRC="img2/p23srise.png" height=100 width=37></td>
+
+<td ALIGN=CENTER><img alt=" "  SRC="img2/p23rssnk.png" height=100 width=31></td>
+
+<td ALIGN=CENTER><img alt=" "  SRC="img2/p23sb.png" height=100 width=37></td>
+
+<td ALIGN=CENTER><img alt=" "  SRC="img2/p23bndsk.png" height=100 width=36></td>
+
+<td ALIGN=CENTER><img alt=" "  SRC="img2/p23sbs.png" height=100 width=34></td>
+
+<td ALIGN=CENTER><img alt=" "  SRC="img2/p23scaper.png" height=100 width=31></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td VALIGN=TOP><i>Rise and Fall.</i></td>
+
+<td ALIGN=CENTER><i>Sink, Rise and Slide.</i></td>
+
+<td VALIGN=TOP><i>Sink and Hop.</i></td>
+
+<td ALIGN=CENTER><i>Sink, Bound and Turn.</i></td>
+
+<td ALIGN=CENTER><i>Sink, Rise, and point the Toe.</i></td>
+
+<td ALIGN=CENTER><i>Sink, Bound, &amp; place the Heel.</i></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><img alt=" "  SRC="img2/p23rsfll.png" height=100 width=37></td>
+
+<td ALIGN=CENTER><img alt=" "  SRC="img2/p23srs.png" height=100 width=36></td>
+
+<td ALIGN=CENTER><img alt=" "  SRC="img2/p23skhop.png" height=100 width=38></td>
+
+<td ALIGN=CENTER><img alt=" "  SRC="img2/p23sbt.png" height=100 width=86></td>
+
+<td ALIGN=CENTER><img alt=" "  SRC="img2/p23sriseptoe.png" height=100 width=50></td>
+
+<td ALIGN=CENTER><img alt=" "  SRC="img2/p23sbph.png" height=100 width=44></td>
+</tr>
+</table>
+
+
+<h2 align=center>
+<i>How to place the Marks in their proper Order.</i></h2>
+It is necessary first to know, that a <i>Step</i> has three Divisions,
+<i>viz</i>.
+a <i>Beginning, Middle</i>, and <i>End:</i> You must also consider the
+<i>Foot,</i>
+as well in <i>Steps</i> as <i>Positions,</i> has two Sides, an Inside and
+an Outside. The Beginning of the <i>Step</i>, is the Beginning of the Line,
+joining the little black Spot, as is shewn by the Letter A. The Middle,
+is the middle of the Line, as at Letter B. And the End, is the Extremity
+of the Line, joining that which represents the Foot, as at Letter C. The
+Outside of the Foot, is between the Heel and the end of the little Toe,
+mark'd D E; and the Inside, is that which is between the Heel and End of
+the great Toe, as is mark'd F G.
+<table WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><img alt=" "  SRC="img2/p23etoa.png" height=120 width=70></td>
+
+<td ALIGN=CENTER><img alt=" "  SRC="img2/p23atog.png" height=120 width=77></td>
+
+<td ALIGN=CENTER><img alt=" "  SRC="img2/p23gefd.png" height=55 width=60></td>
+
+<td ALIGN=CENTER><img alt=" "  SRC="img2/p23fgde.png" height=60 width=67></td>
+</tr>
+</table>
+There are three ways of <i>Sinking, viz</i>. before the Foot moves, in
+moving, and after it has moved.
+<p>When there is the Mark of a <i>Sink</i> at the beginning of a <i>Step</i>,
+the <i>Sink</i> must be made before the Foot moves.
+<p align=center><i>Sink before the
+Foot moves.</i>
+<br><img alt=" "  SRC="img2/p24sbmov.png" height=100 width=34>
+<p>When the <i>Sink </i>is mark'd in the middle of the <i>Step</i>, the
+<i>Sink</i>
+is not to be made 'till the Foot has made half the <i>Step</i>.
+<p align=center><i>A Sink
+in moving.</i>
+<br><img alt=" "  SRC="img2/p24simov.png" height=100 width=43>
+<p>When the <i>Sink</i> is mark'd at the end of the <i>Step</i>, the <i>Sink</i>
+must not be made 'till the <i>Step</i> is finish'd.
+<p align=center><i>A Sink after Movement.</i>
+<br><img alt=" "  SRC="img2/p24samov.png" height=100 width=32>
+<p>It is the same thing in the Marks of a Rise.
+<table WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Rise before the Foot moves.</i>
+<br><img alt=" "  SRC="img2/p24rbmov.png" height=100 width=33></td>
+
+<td ALIGN=CENTER><i>Rise in moving.</i>
+<br><img alt=" "  SRC="img2/p24rimov.png" height=100 width=40></td>
+
+<td ALIGN=CENTER><i>Rise after Movement.</i>
+<br><img alt=" "  SRC="img2/p24ramov.png" height=100 width=38></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Sink and Rise before the Foot moves.</i>
+<br><img alt=" "  SRC="img2/p25srbfm.png" height=100 width=33></td>
+
+<td ALIGN=CENTER><i>Sink and Rise in moving.</i>
+<br><img alt=" "  SRC="img2/p25srimv.png" height=100 width=33></td>
+
+<td ALIGN=CENTER><i>Sink and Rise after moving.</i>
+<br><img alt=" "  SRC="img2/p25sramv.png" height=100 width=35></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td VALIGN=TOP><i>Sink before Moving, and Rise in Moving.</i>
+<br><img alt=" "  SRC="img2/p25sbmrm.png" height=100 width=37></td>
+
+<td VALIGN=TOP><i>Sink as before, and Rise after Moving.</i>
+<br><img alt=" "  SRC="img2/p25sabrm.png" height=100 width=39></td>
+
+<td VALIGN=TOP><i>Sink in Moving, Rise after the Movement.</i>
+<br><img alt=" "  SRC="img2/p25smram.png" height=100 width=37></td>
+</tr>
+</table>
+
+
+<h2 align=center>
+<i>Observations upon Springings.</i></h2>
+<i>Springings</i> may be perform'd two ways,<i> viz</i>. with both Feet
+at once, or with one Foot only.
+<p>The <i>Springings</i> which are made on both Feet, are mark'd upon the
+<i>Positions</i>,
+as hereafter will appear; whereas the <i>Springings</i> that are made in
+moving, are mark'd upon the <i>Steps</i>, as has been already shewn, and
+will again appear by the Sequel.
+
+<h2 align=center>
+<i>Of Springing Steps.</i></h2>
+A <i>Springing Step</i>, is perform'd two ways, either by <i>springing</i>
+and <i>falling </i>on the same Foot which moves forward, which I shall,
+for the future, call a <i>Bound;</i> or <i>springing</i> and <i>falling</i>
+on the Foot that does not move forward, which I shall call a <i>Hop</i>.
+<p>When there is a Mark of a <i>Spring</i> upon the <i>Step</i>, and no
+Mark for the holding up of the Foot after it, it shews, that the <i>Spring</i>
+is to be made with the <i>Foot</i> that moves, which is call'd a <i>Bound</i>
+<p align=center><i>A Bound.</i>
+<br><img alt=" "  SRC="img2/p26bound.png" height=100 width=29>
+<p>But when there is a Mark for a <i>Spring</i>, and afterwards a Mark
+for the <i>Foot </i>up, it signifies, that the <i>Spring</i> must be made
+on the <i>Foot</i> that does not move forwards, which is call'd a <i>Hop.</i>
+<p align=center><i>A Hop.</i>
+<br><img alt=" "  SRC="img2/p26hop.png" height=100 width=26>
+<p>The mark for <i>falling</i>, has no proper Place assign'd it, and I
+shall only observe, that in <i>rising</i>, when it is in Order to <i>fall</i>,
+it is necessary the Mark for a <i>Rise</i>, should be near the beginning
+of the <i>Step</i>.
+<p align=center><i>Rise and Fall.</i>
+<br><img alt=" "  SRC="img2/p26rsfal.png" height=100 width=39>
+<p>The mark for a <i>Slide</i>, has likewise no proper Place, when it is
+single on a <i>Step</i>; but when it is accompanied with other Marks, as
+<i>sinking,
+rising</i>, &amp;c. then it must be plac'd last.
+<p align=center><i>Sink, Rise, and Slide.</i>
+<br><img alt=" "  SRC="img2/p26srsld.png" height=100 width=30>
+<p>If after the Mark of a <i>Slide</i>, there be also the Mark for the
+Foot up, you must <i>Slide</i> no farther than that Mark shewing the Foot
+up.
+<p align=center><i>Slide, and afterwards hold the Foot up.</i>
+<br><img alt=" "  SRC="img2/p27shfu.png" height=100 width=38>
+<p>The Mark for the <i>Foot up</i>, may be plac'd either in the Middle,
+or the End; when it is in the Middle, it shews, that the Foot is only up,
+in Order to be set down afterwards.
+<p align=center><i>Foot up, and then put down.</i>
+<br><img alt=" "  SRC="img2/p27fupd.png" height=100 width=36>
+<p>But when it is at the End, it signifies, that the Foot must remain up.
+<p align=center><i>Foot up.</i>
+<br><img alt=" "  SRC="img2/p27ftup.png" height=100 width=40>
+<p>To <i>point the Toe</i>, and afterwards the <i>Heel</i>, there must
+be a Point on the outside of that which represents the <i>Toe</i>, and
+another on the inside of that which represents the <i>Heel.</i>
+<p align=center><i>To point the
+Toe, and after to place the Heel.</i>
+<br><img alt=" "  SRC="img2/p27ptphl.png" height=100 width=34>
+<p>To <i>place the Heel</i>, and afterwards <i>point the Toe</i>, there
+must be a point on the outside of that which represents the <i>Heel,</i>
+and another on the inside of that which represents the <i>Toe</i>.
+<p align=center><i>To
+place the Heel, and afterwards point the Toe.</i>
+<br><img alt=" "  SRC="img2/P28phpt.png" height=100 width=30>
+<p>It is to be observed, that in the two foregoing Examples, the Point
+which is on the Outside of that which represents either the <i>Toe</i>
+or <i>Heel</i>, is the Point from whence you must always begin.
+<p>When there is a Point at the end of that which represents the<i> Toe</i>,
+and another behind that which shews the <i>Heel</i>, it shews, that the
+<i>Foot</i>
+must be set down <i>flat.</i>
+<p align=center><i>A flat Foot.</i>
+<br><img alt=" "  SRC="img2/p28flft.png" height=100 width=39>
+<p>Marks for <i>Turning</i>, have no proper Places assign'd them, no more
+than the <i>falling</i> or<i> sliding</i> Mark ; but you must then observe
+to which side to turn, whether to the right or left.
+<p>You must observe, that the beginning of the <i>turning</i> Mark, is
+to be taken from that Part which is nearest to the black Spot.
+<p>After having thus shewn the beginning of each <i>turning Mark</i>, you
+must observe exactly which way to turn, whether to the <i>right </i>or
+<i>left,</i>
+as appears by the following Examples:
+<table WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>A quarter turn to the Right.</i>
+<br><img alt=" "  SRC="img2/p28qtR.png" height=100 width=31></td>
+
+<td ALIGN=CENTER><i>A quarter Turn to the Left.</i>
+<br><img alt=" "  SRC="img2/p28qtR.png" height=100 width=31></td>
+
+<td ALIGN=CENTER><i>A half Turn to the Right.</i>
+<br><img alt=" "  SRC="img2/p28htr.png" height=100 width=68></td>
+
+<td ALIGN=CENTER><i>A half Turn to the Left.</i>
+<br><img alt=" "  SRC="img2/p28htl.png" height=100 width=49></td>
+
+<td ALIGN=CENTER><i>Three quarter Turn to the Right.</i>
+<br><img alt=" "  SRC="img2/p283qR.png" height=100 width=108></td>
+
+<td ALIGN=CENTER><i>Three quarter Turn to the Left.</i>
+<br><img alt=" "  SRC="img2/p283qL.png" height=100 width=132></td>
+</tr>
+</table>
+
+<p>The beginning of a <i>whole Turn</i>, or<i> turn quite round</i>, is
+more difficult to find out, because the Circle, which is the Mark of it,
+has neither beginning nor End: But it is nevertheless to be known by a
+<i>Point
+</i>plac'd
+on the side of the <i>Step</i>; from which Point the beginning being known,
+you make Use of the same Rules as above.
+<table WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>A whole Turn to the Right.</i>
+<br><img alt=" "  SRC="img2/p29wtR.png" height=120 width=103></td>
+
+<td ALIGN=CENTER><i>A whole Turn to the Left.</i>
+<br><img alt=" "  SRC="img2/p29wtL.png" height=120 width=108></td>
+</tr>
+</table>
+When a <i>Turn</i> is to be made but half a quarter round, it must be mark'd
+a quarter of a <i>Circle</i> on the side of the <i>Step,</i> without joining
+it to the Step.
+<table WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td VALIGN=TOP><i>A half quarter Turn to the Left.</i>
+<br><img alt=" "  SRC="img2/p29hqtL.png" height=100 width=233></td>
+
+<td VALIGN=TOP><i>A half quarter Turn to the Right.</i>
+<br><img alt=" "  SRC="img2/p29hqtR.png" height=80 width=238></td>
+</tr>
+</table>
+I have already shewn, that all <i>Steps </i>and half <i>Positions</i>,
+which have but one Point at either of their Extremities, signify either
+the pointing of the <i>Toe</i>, or placing the <i>Heel</i>, without the
+Body's bearing on it; but when there happens to be two Points, it then
+shews, that the Body must bear upon it.
+<table WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>To bear the Body on the Toe.</i>
+<br><img alt=" "  SRC="img2/p29bbot.png" height=100 width=115></td>
+
+<td ALIGN=CENTER><i>To bear the Body on the Heel.</i>
+<br><img alt=" "  SRC="img2/p29bboh.png" height=100 width=113></td>
+</tr>
+</table>
+Having explain'd all the before-mention'd <i>Marks</i>, I hope it will
+not be thought improper to shew when <i>Sinkings, Risings, Springings</i>,
+and
+<i>Slidings,</i> are to be made upon the <i>Toe, Heel</i>, or <i>flat
+Foot</i>, as the following Examples will demonstrate.
+<p>When there is a Point at the end of the <i>sinking</i> Mark, it shews,
+that the <i>Toe</i> must be bent downwards.
+<p align=center><i>Sink, the Toe towards the
+Ground.</i>
+<br><img alt=" "  SRC="img2/p30sktg.png" height=100 width=29>
+<p>When there is a Point behind the <i>sinking</i> Mark, it denotes, that
+the <i>Heel</i> must be bent downwards.
+<p align=center><i>Sink, the Heel towards the Ground.</i>
+<br><img alt=" "  SRC="img2/p30skhlg.png" height=100 width=29>
+<p>When there is a Point at the end of the <i>sinking</i> Mark, and another
+behind, it shews the <i>Sink</i> must be with a <i>flat Foot</i>.
+<p align=center><i>Sink, the
+Foot flat.</i>
+<br><img alt=" "  SRC="img2/p30sftfl.png" height=100 width=32>
+<p>When there is a Point at the end of a<i> rising</i> Mark, it shews the
+<i>Rise</i>
+must be made on the <i>Toe</i>.
+<p align=center><i>Rise on the Toe.</i>
+<br><img alt=" "  SRC="img2/p30rotoe.png" height=100 width=27>
+<p>When there is a Point behind the <i>rising</i> Mark, it shews, that
+the <i>Rise</i> must be made on the <i>Heel</i>.
+<p align=center><i>Rise on the Heel.</i>
+<br><img alt=" "  SRC="img3/p31ronhl.png" height=100 width=33>
+<p>When there is a Point at the end of a <i>rising</i> Mark, and another
+behind, it shews, that the <i>Rise</i> must be on a <i>flat Foot</i>.
+<p align=center><i>Rise on
+a flat Foot.</i>
+<br><img alt=" "  SRC="img3/p31rofft.png" height=100 width=43>
+<p>When there is a Point at the end of a <i>springing</i> Mark, it shews,
+that the <i>Spring, Hop</i>, or <i>Bound,</i> must be made on the <i>Toe</i>.
+<p align=center><i>Spring
+on the Toe.</i>
+<br><img alt=" "  SRC="img3/p31sptoe.png" height=100 width=28>
+<p>When there is a Point behind the <i>springing</i> Mark, it shews, that
+the <i>Spring, Hop</i>, or <i>Bound,</i> must be made on the <i>Heel</i>.
+<p align=center><i>Spring
+on the Heel.</i>
+<br><img alt=" "  SRC="img3/p31spohl.png" height=100 width=34>
+<p>When there is a Point at the end of the <i>springing</i> Mark, and another
+behind, it signifies, that the <i>Spring, Hop</i>, or <i>Bound</i>, must
+be made on a <i>flat Foot</i>.
+<p align=center><i>Spring on a flat Foot.</i>
+<br><img alt=" "  SRC="img3/p32spfft.png" height=100 width=34>
+<p>When there is a Point at the end of the <i>sliding</i> Mark, towards
+the Mark representing the Foot, it shews, that the <i>Slide</i> must be
+made on the Toe.
+<p align=center><i>Slide on the Toe.</i>
+<br><img alt=" "  SRC="img3/p32sltoe.png" height=100 width=35>
+<p>When there is a Point at the other end of the <i>sliding</i> Mark, it
+shews, that the <i>Slide</i> is to be made on the Heel.
+<p align=center><i>Slide on the
+Heel.</i>
+<br><img alt=" "  SRC="img3/p32slhel.png" height=100 width=33>
+<p>And when there is a Point at each end of the <i>sliding</i> Mark, it
+denotes, that the <i>Slide</i> must be made with a flat Foot.
+<p align=center><i>Slide
+with a flat Foot.</i>
+<br><img alt=" "  SRC="img3/p32slfft.png" height=100 width=31>
+
+
+<h2 align=center>
+<i>Of marking the Positions.</i></h2>
+All the <i>Marks</i> which have been hitherto demonstrated, may be plac'd
+as well upon the <i>half Positions</i> or <i>Positions</i>, as upon the
+<i>Steps</i>,
+the <i>sliding</i> Marks only excepted.
+<p>If there were, for Example, a <i>sinking</i> Mark upon a <i>half Position</i>,
+it would shew, that the Knee of that Leg only was to be bent; but if <i>sinking
+Marks</i> should be on the <i>whole Position</i>, then both Knees are to
+be <i>bent</i> at the same time. The same is to be observ'd for <i>Rising,
+Springing</i>, &amp;c. The<i> Marks </i>on the <i>Positions</i>, have no
+appointed Place, as they have on <i>Steps</i>, excepting <i>Points</i>,
+which are to be plac'd in the same manner as on <i>Steps</i>.
+<table WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Sink on one Foot.</i>
+<br><img alt=" "  SRC="img3/p33sk1ft.png" height=60 width=54></td>
+
+<td ALIGN=CENTER><i>Sink on both Feet.</i>
+<br><img alt=" "  SRC="img3/p33s2ft.png" height=70 width=94></td>
+
+<td ALIGN=CENTER><i>Rise on one Foot.</i>
+<br><img alt=" "  SRC="img3/p33rs1ft.png" height=60 width=52></td>
+
+<td ALIGN=CENTER><i>Rise on both Feet.</i>
+<br><img alt=" "  SRC="img3/p33r2ft.png" height=63 width=100></td>
+
+<td ALIGN=CENTER><i>Spring on one Foot.</i>
+<br><img alt=" "  SRC="img3/p33sp1ft.png" height=60 width=64></td>
+
+<td ALIGN=CENTER><i>Spring on both Feet.</i>
+<br><img alt=" "  SRC="img3/p33spr2f.png" height=60 width=92></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Caper on one Foot.</i>
+<br><img alt=" "  SRC="img3/p33caper1.png" height=60 width=66></td>
+
+<td VALIGN=TOP><i>Caper on both Feet.</i>
+<br><img alt=" "  SRC="img3/p33cap2.png" height=68 width=100></td>
+
+<td ALIGN=CENTER><i>One Foot up.</i>
+<br><img alt=" "  SRC="img3/p33ftup.png" height=60 width=63></td>
+
+<td ALIGN=CENTER><i>Foot up, and then down.</i>
+<br><img alt=" "  SRC="img3/p33ftudw.png" height=60 width=85></td>
+
+<td ALIGN=CENTER><i>To point the Toe.</i>
+<br><img alt=" "  SRC="img3/p33pttoe.png" height=60 width=68></td>
+
+<td ALIGN=CENTER><i>To be on both Toes.</i>
+<br><img alt=" "  SRC="img3/p33bthto.png" height=60 width=100></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>To place the Heel.</i>
+<br><img alt=" "  SRC="img3/p33plhl.png" height=60 width=72></td>
+
+<td ALIGN=CENTER><i>To be on both Heels.</i>
+<br><img alt=" "  SRC="img3/p33bthhl.png" height=74 width=100></td>
+
+<td VALIGN=TOP><i>To point the Toe, and then the Heel.</i>
+<br><img alt=" "  SRC="img3/p33ptph.png" height=60 width=85></td>
+
+<td ALIGN=CENTER><i>To be first on the Toes, and then the Heels.</i>
+<br><img alt=" "  SRC="img3/p33toehl.png" height=56 width=100></td>
+
+<td ALIGN=CENTER><i>To place the Heel, and point the Toe.</i>
+<br><img alt=" "  SRC="img3/p33phlpt.png" height=60 width=49></td>
+
+<td ALIGN=CENTER><i>To be first on the Heels, and then the Toes.</i>
+<br><img alt=" "  SRC="img3/p33hltoe.png" height=65 width=100></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td><i>To be on the flat Foot.</i>
+<br><img alt=" "  SRC="img3/p33flft.png" height=60 width=57></td>
+
+<td><i>Both Feet flat.</i>
+<br><img alt=" "  SRC="img3/p332flft.png" height=72 width=100></td>
+
+<td ALIGN=CENTER><i>A Turn on the Foot to the Rise.</i>
+<br><img alt=" "  SRC="img3/p33t1ftR.png" height=60 width=69></td>
+
+<td ALIGN=CENTER><i>A Turn on both Feet to the Rise.</i>
+<br><img alt=" "  SRC="img3/p33t2ftR.png" height=53 width=100></td>
+
+<td ALIGN=CENTER><i>Turn on one Foot to the Left.</i>
+<br><img alt=" "  SRC="img3/p33t1ftL.png" height=60 width=83></td>
+
+<td ALIGN=CENTER><i>Turn on both Feet to the Left.</i>
+<br><img alt=" "  SRC="img3/p33t2ftL.png" height=52 width=100></td>
+</tr>
+</table>
+
+
+<h2 align=center>
+<i>Of</i> Positions <i>and</i> half Positions <i>having several Marks at
+once.</i></h2>
+<i>Positions</i> and <i>half Positions </i>may have several <i>Marks</i>
+together, as <i>Steps</i> have; and it must be observ'd of the <i>Marks</i>
+for <i>Sinking, Rising, Springing</i>, and <i>Capers</i>, that the <i>Mark</i>
+plac'd nearest to the O, is what must be first made; but when there is
+the <i>Mark</i> for the Foot up, that must certainly be the last perform'd.
+<table WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Sink, and rise on one Foot.</i>
+<br><img alt=" "  SRC="img3/p34skrs1.png" height=75 width=102></td>
+
+<td VALIGN=TOP><i>Sink, and rise on both Feet.</i>
+<br><img alt=" "  SRC="img3/p34skrs2.png" height=68 width=126></td>
+
+<td ALIGN=CENTER><i>Rise, and sink on one Foot.</i>
+<br><img alt=" "  SRC="img3/p34rs1ft.png" height=68 width=82></td>
+
+<td VALIGN=TOP><i>Rise, and sink on both Feet.</i>
+<br><img alt=" "  SRC="img3/p34skrs2.png" height=68 width=126></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Sink, and spring on one Foot.</i>
+<br><img alt=" "  SRC="img3/p34sksp1.png" height=60 width=77></td>
+
+<td ALIGN=CENTER><i>Sink, and spring on both Feet.</i>
+<br><img alt=" "  SRC="img3/p34sksp2.png" height=60 width=114></td>
+
+<td VALIGN=TOP><i>Spring, and sink on one Foot.</i>
+<br><img alt=" "  SRC="img3/p34spsk1.png" height=60 width=71></td>
+
+<td ALIGN=CENTER><i>Spring, and sink on both Feet.</i>
+<br><img alt=" "  SRC="img3/p34spsk2.png" height=60 width=94></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Sink, spring, and sink on one Foot.</i>
+<br><img alt=" "  SRC="img3/p34skss1.png" height=60 width=70></td>
+
+<td ALIGN=CENTER><i>Sink, spring, and sink on both Feet.</i>
+<br><img alt=" "  SRC="img3/p33skss2.png" height=60 width=100></td>
+
+<td ALIGN=CENTER><i>Sink, and caper on one Foot.</i>
+<br><img alt=" "  SRC="img3/p34skcp1.png" height=60 width=77></td>
+
+<td ALIGN=CENTER><i>Sink, and caper on both Feet.</i>
+<br><img alt=" "  SRC="img3/p34skcp2.png" height=60 width=114></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td VALIGN=TOP><i>Sink, and spring a half Turn to the Left on one Foot.</i>
+<br><img alt=" "  SRC="img3/p34ssht1.png" height=60 width=76></td>
+
+<td ALIGN=CENTER><i>The same on both Feet.</i>
+<br><img alt=" "  SRC="img3/p34same2.png" height=60 width=98></td>
+
+<td VALIGN=TOP><i>Sink, caper a three quarter Turn to the Right on one
+Foot.</i>
+<br><img alt=" "  SRC="img3/p34sc3qt.png" height=60 width=68></td>
+
+<td ALIGN=CENTER><i>Sink, caper on both Feet a whole Turn to the Right.</i>
+<br><img alt=" "  SRC="img3/p34sc2fwt.png" height=60 width=105></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Turn on the Toes a half Turn to the Left.</i>
+<br><img alt=" "  SRC="img3/p34tthtL.png" height=60 width=82></td>
+
+<td ALIGN=CENTER><i>The same on the Heels.</i>
+<br><img alt=" "  SRC="img3/p34thhtL.png" height=60 width=73></td>
+
+<td ALIGN=CENTER><i>Sink, rise, and turn a half Turn on the Toes to the
+Right.</i>
+<br><img alt=" "  SRC="img3/p34srtht.png" height=60 width=92></td>
+
+<td ALIGN=CENTER><i>The same on the Heels.</i>
+<br><img alt=" "  SRC="img3/p34srthh.png" height=60 width=81></td>
+</tr>
+</table>
+
+<p>All the Marks of <i>sinking</i> and <i>rising</i>, which have been already
+demonstrated upon the <i>Step</i>, have Relation to the <i>Bendings</i>
+and <i>Risings</i> of both the Knees: But when it shall happen, that in
+moving in a Dance, one <i>Knee</i> only ought to <i>bend</i> or <i>rise</i>,
+the following Rules must be observed.
+<p>It will be necessary upon this Occasion, to understand when one Leg
+moves, what the other ought to do; to demonstrate which, I shall make use
+of a <i>half Position</i> and a <i>Step</i>, which must be ty'd together
+by a Small Line, of which, one end is join'd to that which represents the
+<i>Heel</i>
+of the <i>half Position</i>, and the other to the Head of the
+<i>Step</i>.
+This Union denotes, that the <i>half Position</i> and the
+<i>Step</i>,
+are both to act at the same time.
+<table WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>To bend the left Knee, while the right moves extended.</i>
+<p><img alt=" "  SRC="img3/p35bLkx.png" height=96 width=120></td>
+
+<td ALIGN=CENTER><i>To bend, and rise the left Knee, while the right moves
+extended.</i>
+<p><img alt=" "  SRC="img3/p35brLkx.png" height=103 width=120></td>
+
+<td ALIGN=CENTER><i>To bend the left Knee, moving the right half way extended
+and afterwards to bend in moving.</i>
+<br><img alt=" "  SRC="img3/p35bLkmR.png" height=128 width=100></td>
+
+<td ALIGN=CENTER><i>To bend the left Knee, the right moving extended, and
+sink in the middle of the Step, and rise on the Toes.</i>
+<br><img alt=" "  SRC="img3/p35bLkRm.png" height=139 width=100></td>
+
+<td ALIGN=CENTER><i>To bend the right Knee in moving, and rise towards
+the end, the left continuing extended.</i>
+<br><img alt=" "  SRC="img3/p35bRkLx.png" height=141 width=120></td>
+</tr>
+</table>
+
+<p>Two <i>Steps</i> ty'd together at the Heads, shew they are both to move
+at once, which can only be perform'd by <i>springing</i>, which I shall
+hereafter call a <i>starting Step</i>.
+<p>These kind of <i>starting Steps</i>, may be practis'd two ways, <i>viz</i>.
+with both <i>Knees</i> stiff, or falling with the Knees bent.
+<p>The first of these needs no other Mark for Direction, but the <i>sliding
+Mark</i>; but the other must have the <i>sliding</i> and <i>falling</i>
+Marks together.
+<table WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>To Spring with both Feet open at once.</i>
+<br><img alt=" "  SRC="img3/p35sp2op.png" height=150 width=240></td>
+
+<td ALIGN=CENTER><i>With one Foot forwards, and the other backwards, both
+at once.</i>
+<br><img alt=" "  SRC="img3/p35ftf1b.png" height=150 width=71></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>A starting Step, with both Feet open, the Knees stiff.</i>
+<br><img alt=" "  SRC="img3/p35st2osk.png" height=150 width=245></td>
+
+<td ALIGN=CENTER><i>A starting Step, one Foot forwards, the other backwards,
+the Knees stiff.</i>
+<br><img alt=" "  SRC="img3/p35st1f1k.png" height=150 width=67></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>A starting Step, with both Feet open, and falling with
+both Knees bent.</i>
+<br><img alt=" "  SRC="img3/p35st2kob.png" height=150 width=251></td>
+
+<td ALIGN=CENTER><i>The same, one Foot backwards, the other forwards.</i>
+<br><img alt=" "  SRC="img3/p351fwbw.png" height=150 width=66></td>
+</tr>
+</table>
+
+
+<h2 align=center>
+<i>Of waving Positions, and half Positions.</i></h2>
+A <i>Waving Position, </i>or half <i>Position,</i> is when the Foot
+<i>waves
+</i>or<i>
+turns </i>inwards or outwards, whether upon the <i>Toe,
+</i>the
+<i>Heel,
+</i>or
+with the <i>Foot </i>up, which is explaiu'd by a kind of<i> Half-Moon
+</i>proceeding
+from that place which represents either the <i>Heel</i> or <i>Toe, </i>and
+which demonstrates the Motion the <i>Heel </i>or <i>Toe</i> ought to make
+in <i>Waving. </i>If it be to wave upon the<i> Toe, </i>the <i>Crescent
+</i>or
+<i>Half-Moon
+</i>ought
+to be plac'd where the <i>Heel </i>is represented, tending towards the
+<i>Toes </i>on that side you are to wave; on the contrary, if the<i> waving
+</i>Step is to be done on the <i>Heel, </i>or with the Foot up, the<i>
+Crescent </i>must be in the place which represents the
+<i>Toes</i> tending
+towards the <i>Heel.</i>
+<table WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Waving on the Toe, the Heel opening outwards.</i>
+<br><img alt=" "  SRC="img3/p36wthoo.png" height=70 width=83></td>
+
+<td ALIGN=CENTER><i>The same on both Toes.</i>
+<br><img alt=" "  SRC="img3/p36wtho2.png" height=70 width=115></td>
+
+<td ALIGN=CENTER><i>Waving on the Heel, the Toe closing inwards.</i>
+<br><img alt=" "  SRC="img3/p36whtci.png" height=70 width=77></td>
+
+<td ALIGN=CENTER><i>The same on both Heels.</i>
+<br><img alt=" "  SRC="img3/p36whto2.png" height=70 width=96></td>
+
+<td ALIGN=CENTER><i>Waving with the Foot up, the Toe closing inwards.</i>
+<br><img alt=" "  SRC="img3/p36wftut.png" height=70 width=100></td>
+</tr>
+</table>
+
+
+<h2 align=center>
+<i>Of Positions and half Positions, which are wav'd and unwav'd.</i></h2>
+<i>Positions </i>and<i> half Positions, wav'd </i>and<i> unwav'd</i> are
+when the<i> Heel </i>or <i>Toe </i>returns to the place from whence either
+of them mov'd, which is explain'd by the <i>Crescent </i>being doubled,
+returning to the place from whence it came.
+<table WIDTH="100%">
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Waving and unwaving, the Heel opening outwards, and
+then closing inwards</i>.
+<br><img alt=" "  SRC="img3/p36wwhci.png" height=70 width=68></td>
+
+<td ALIGN=CENTER><i>The same with both Feet.</i>
+<p><img alt=" "  SRC="img3/p36wwhoc.png" height=70 width=119></td>
+
+<td ALIGN=CENTER><i>Waving and unwaving, the Toe closing, inwards, and
+afterwards opening outwards.</i>
+<br><img alt=" "  SRC="img3/p36wwtco.png" height=70 width=58></td>
+
+<td ALIGN=CENTER><i>The same with both Feet.</i>
+<p><img alt=" "  SRC="img3/p36whtc2.png" height=70 width=100></td>
+
+<td ALIGN=CENTER><i>Waving and unwaving with the Foot up, the Toe closing
+inwards, and then opening outwards.</i>
+<br><img alt=" "  SRC="img3/p36wwtoo.png" height=70 width=70></td>
+</tr>
+</table>
+
+<p>Examples of waving Positions, where the <i>Toes</i> or <i>Heels</i>
+wave both one way, and are distinguish'd by the <i>Crescents</i> being
+both on the same side.
+<table WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Waving on both Toes, the Heels moving to the Right.</i>
+<br><img alt=" "  SRC="img3/p37w2thR.png" height=100 width=72></td>
+
+<td ALIGN=CENTER><i>The same to the Left.</i>
+<br><img alt=" "  SRC="img3/p37w2thL.png" height=100 width=71></td>
+
+<td ALIGN=CENTER><i>Waving on both Heels, the Toes moving to the Left.</i>
+<br><img alt=" "  SRC="img3/p37w2htL.png" height=100 width=66></td>
+
+<td ALIGN=CENTER><i>The same to the Right.</i>
+<br><img alt=" "  SRC="img3/p37w2htR.png" height=100 width=69></td>
+</tr>
+</table>
+
+<p>Examples of waving and unwaving Positions, where the Feet turn and return
+both on the same side.
+<table WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>To turn on the Toes, the two Heels moving to the Right,
+and returning to the Left.</i>
+<br><img alt=" "  SRC="img3/p37tthRL.png" height=120 width=72></td>
+
+<td ALIGN=CENTER><i>The same to the Left, and to tht Right.</i>
+<br><img alt=" "  SRC="img3/p37r2c2.png" height=120 width=70></td>
+
+<td ALIGN=CENTER><i>To turn on the two Heels, the Toes moving to the Left,
+and then returning to the Right.</i>
+<br><img alt=" "  SRC="img3/p37t2htR.png" height=120 width=72></td>
+
+<td ALIGN=CENTER><i>The same to the Right, and to the Left.</i>
+<br><img alt=" "  SRC="img3/p37r2c4.png" height=120 width=91></td>
+</tr>
+</table>
+
+
+<h2 align=center>
+<i>Of the Change of Positions.</i></h2>
+The <i>Change</i> of Positions, is <i>changing</i> or <i>shifting</i> from
+one <i>Position</i> to another, whether true or false; to wit, from the
+first to the second, from the second to the third, and so on.
+<p>The Change of Positions is made two ways, either by <i>springing,</i>
+or <i>waving.</i>
+<p>Those which are perform'd by <i>springing,</i> are done when you <i>spring</i>
+from one Position, and fall in another; and those which are perform'd by
+waving, must be done on the Ground, by waving the two Feet, or each Foot
+Separately, either on the Toes or Heels.
+<p>The shifting of <i>Positions</i> by <i>springing,</i> may be known by
+what follows, <i>viz.</i> by two <i>Positions,</i> one of which has <i>springing</i>
+on it, and the other none.
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr VALIGN=TOP>
+<td VALIGN=TOP COLSPAN="2">
+
+<h2 align=center>
+<i>a TABLE of the shifting of the True Positions</i></h2>
+</td>
+
+<td VALIGN=TOP COLSPAN="2">
+
+<h2 align=center>
+<i>a TABLE of the shifting of the False Positions</i></h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td VALIGN=TOP><i>from the 1st to the 2nd.</i>
+<br><img alt=" "  SRC="img3/p38f1t2.png" height=120 width=121></td>
+
+<td ALIGN=CENTER><i>from the 1st to the 3rd.</i>
+<br><img alt=" "  SRC="img3/p38t1t3.png" height=120 width=75></td>
+
+<td ALIGN=CENTER><i>from the 1st to the 2nd.</i>
+<br><img alt=" "  SRC="img3/p38f1t2.png" height=120 width=121></td>
+
+<td VALIGN=TOP><i>from the 1st to the 3rd.</i>
+<br><img alt=" "  SRC="img3/p38f1t3.png" height=120 width=65></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>from the 1st to the 4th.</i>
+<br><img alt=" "  SRC="img3/p38t1t4.png" height=120 width=66></td>
+
+<td ALIGN=CENTER><i>from the 1st to the 5th.</i>
+<br><img alt=" "  SRC="img3/p38t1t5.png" height=120 width=52></td>
+
+<td ALIGN=CENTER><i>from the 1st to the 4th.</i>
+<br><img alt=" "  SRC="img3/p38f1t4.png" height=120 width=54></td>
+
+<td ALIGN=CENTER><i>from the 1st to the 5th.</i>
+<br><img alt=" "  SRC="img3/p38f1t5.png" height=120 width=62></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td VALIGN=TOP><i>from the 2nd to the 3rd.</i>
+<br><img alt=" "  SRC="img3/p38t2t3.png" height=120 width=121></td>
+
+<td VALIGN=TOP><i>from the 3rd to the 5th.</i>
+<br><img alt=" "  SRC="img3/p38t3t5.png" height=120 width=43></td>
+
+<td VALIGN=TOP><i>from the 2nd to the 3rd.</i>
+<br><img alt=" "  SRC="img3/p38f2t3.png" height=120 width=109></td>
+
+<td ALIGN=CENTER><i>from the 3rd to the 1st.</i>
+<br><img alt=" "  SRC="img3/p38f3t2.png" height=120 width=64></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>from the 4th to the 2nd.</i>
+<br><img alt=" "  SRC="img3/p38t4t2.png" height=120 width=86></td>
+
+<td ALIGN=CENTER><i>from the 5th to the 1st.</i>
+<br><img alt=" "  SRC="img3/p38t5t1.png" height=120 width=63></td>
+
+<td ALIGN=CENTER><i>from the 4th to the 2nd.</i>
+<br><img alt=" "  SRC="img3/p38f4t2.png" height=120 width=120></td>
+
+<td ALIGN=CENTER><i>from the 5th to the 4th.</i>
+<br><img alt=" "  SRC="img3/p39f5t4.png" height=120 width=51></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>from the 4th to the 4th.</i>
+<br><img alt=" "  SRC="img3/p38t4t4.png" height=120 width=40></td>
+
+<td ALIGN=CENTER><i>from the 3rd to the 3rd.</i>
+<br><img alt=" "  SRC="img3/p38t3t3.png" height=120 width=55></td>
+
+<td ALIGN=CENTER><i>from the 3rd to the 3rd.</i>
+<br><img alt=" "  SRC="img3/p38f3t3.png" height=120 width=55></td>
+
+<td ALIGN=CENTER><i>from the 4th to the 4th.</i>
+<br><img alt=" "  SRC="img3/p38f4t4.png" height=120 width=49></td>
+</tr>
+</table>
+<p>
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="2">
+
+<h2 align=center>
+<i>a TABLE of the Changing true positions into false positions</i></h2>
+</td>
+
+<td COLSPAN="2">
+
+<h2 align=center>
+<i>a TABLE of Shifting from false positions to true positions</i></h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>from the 1st true to the 2nd false.</i>
+<br><img alt=" "  SRC="img3/p391t2f.png" height=120 width=98></td>
+
+<td ALIGN=CENTER><i>from the 1st true to the 3rd false.</i>
+<br><img alt=" "  SRC="img3/p391t3f.png" height=120 width=65></td>
+
+<td ALIGN=CENTER><i>from the 1st false to the 2nd true.</i>
+<br><img alt=" "  SRC="img3/p391f2t.png" height=120 width=78></td>
+
+<td ALIGN=CENTER><i>from the 1st false to the 3rd true.</i>
+<br><img alt=" "  SRC="img3/p391f3t.png" height=120 width=77></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>from the 1st true to the 4th false.</i>
+<br><img alt=" "  SRC="img3/p391t4f.png" height=120 width=70></td>
+
+<td ALIGN=CENTER><i>from the 1st true to the 5th false.</i>
+<br><img alt=" "  SRC="img3/p391t5f.png" height=120 width=66></td>
+
+<td ALIGN=CENTER><i>from the 1st false to the 4th true.</i>
+<br><img alt=" "  SRC="img3/p391f4t.png" height=120 width=60></td>
+
+<td ALIGN=CENTER><i>from the 1st false to the 5th true.</i>
+<br><img alt=" "  SRC="img3/p391f5t.png" height=120 width=56></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>from the 2nd true to the 3rd false.</i>
+<br><img alt=" "  SRC="img3/p392t3f.png" height=120 width=104></td>
+
+<td ALIGN=CENTER><i>from the 3rd true to the 1st false.</i>
+<br><img alt=" "  SRC="img3/p393t1f.png" height=120 width=62></td>
+
+<td ALIGN=CENTER><i>from the 2nd false to the 3rd true.</i>
+<br><img alt=" "  SRC="img3/p392f3t.png" height=120 width=100></td>
+
+<td ALIGN=CENTER><i>from the 3rd false to the 4th true.</i>
+<br><img alt=" "  SRC="img3/p393f4t.png" height=120 width=55></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>from the 4th true to the 5th false.</i>
+<br><img alt=" "  SRC="img3/p393t5f.png" height=120 width=41></td>
+
+<td ALIGN=CENTER><i>from the 5th true to the 2nd false.</i>
+<br><img alt=" "  SRC="img3/p395t2f.png" height=120 width=92></td>
+
+<td ALIGN=CENTER><i>from the 4th false to the 1st true.</i>
+<br><img alt=" "  SRC="img3/p394f1t.png" height=120 width=61></td>
+
+<td ALIGN=CENTER><i>from the 5th false to the 2nd true.</i>
+<br><img alt=" "  SRC="img3/p395f2t.png" height=120 width=112></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>from the 1st true to the 1st false.</i>
+<br><img alt=" "  SRC="img3/p391t1f.png" height=120 width=63></td>
+
+<td ALIGN=CENTER><i>from the 3rd true to the 3rd false.</i>
+<br><img alt=" "  SRC="img3/p393t3f.png" height=120 width=63>&amp;c</td>
+
+<td ALIGN=CENTER><i>from the 2nd false to the 2nd true.</i>
+<br><img alt=" "  SRC="img3/p392f2t.png" height=120 width=83></td>
+
+<td ALIGN=CENTER><i>from the 3rd false to the 3rd true.</i>
+<br><img alt=" "  SRC="img3/p393f3t.png" height=120 width=56></td>
+</tr>
+</table>
+The <i>Position</i> which has <i>springing</i> Marks on it, shews from
+whence the <i>Spring</i> is to be made, and that which has no <i>springing</i>
+Marks on it, only denotes in what <i>Position</i> to fall, as may be seen
+by the foregoing Tables.
+
+<h2 align=center>
+<i>Of Positions that shift or change from one place to another.</i></h2>
+<i>Positions</i> may also change in <i>springing</i> from one place to
+another, as in <i>springing</i> forwards, backwards, or sideways. This
+is explain'd by two Lines of Communication, that go from the <i>Position</i>
+on which the <i>springing Marks</i> are plac'd, to that where there are
+none: Which Lines denote the Extension of the <i>Spring</i>, and of which
+side it must fall.
+<table WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>To spring forwards, both feet join'd.</i>
+<br><img alt=" "  SRC="img3/p40spfbj.png" height=150 width=91></td>
+
+<td ALIGN=CENTER><i>The same backwards.</i>
+<br><img alt=" "  SRC="img3/p40spb2j.png" height=150 width=92></td>
+
+<td ALIGN=CENTER><i>To spring forwards, separating the Feet.</i>
+<br><img alt=" "  SRC="img3/p40spfsf.png" height=150 width=134></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>The same backwards.</i>
+<br><img alt=" "  SRC="img3/p40spbft.png" height=150 width=112></td>
+
+<td ALIGN=CENTER><i>To spring forwards, and fall inclosed.</i>
+<br><img alt=" "  SRC="img3/p40spffi.png" height=150 width=92></td>
+
+<td ALIGN=CENTER><i>The same backwards</i>
+<br><img alt=" "  SRC="img3/p40r2c2.png" height=150 width=104></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td VALIGN=TOP><i>To spring sideways to the Right, join'd.</i>
+<br><img alt=" "  SRC="img3/p40spsRj.png" height=60 width=180></td>
+
+<td ALIGN=CENTER><i>The same to the Left.</i>
+<br><img alt=" "  SRC="img3/p40spsLj.png" height=55 width=180></td>
+
+<td ALIGN=CENTER><i>To spring sideways to the Right, cross'd.</i>
+<br><img alt=" "  SRC="img3/p40spsRc.png" height=91 width=180></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>The same to the Left.</i>
+<br><img alt=" "  SRC="img3/p40spsLc.png" height=83 width=180></td>
+
+<td ALIGN=CENTER><i>To spring sideways cross'd to the right, the foremost
+Foot falling behind.</i>
+<br><img alt=" "  SRC="img3/p40sscRf.png" height=73 width=180></td>
+
+<td ALIGN=CENTER><i>The same to the Left</i>
+<br><img alt=" "  SRC="img3/p40sscLf.png" height=92 width=180></td>
+</tr>
+</table>
+
+<p><i>Positions</i> may also change in <i>springing</i>, by two <i>Steps</i>
+being ty'd together at the Heads; which shews, that they must move both
+at the same time.
+<table WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>A Spring forwards, with both Feet join'd.</i>
+<br><img alt=" "  SRC="img4/p41 spring fwd both feet joined.png" height=180 width=77></td>
+
+<td ALIGN=CENTER><i>The same backwards.</i>
+<p><img alt=" "  SRC="img4/p41 spring bkwd both feet joined.png" height=150 width=98></td>
+
+<td ALIGN=CENTER><i>To spring from the first Position to the second.</i>
+<br><img alt=" "  SRC="img4/p41 sping 1st post to 2nd.png" height=180 width=181></td>
+
+<td VALIGN=TOP><i>To spring from the second to the first.</i>
+<br><img alt=" "  SRC="img4/p41 spring 2nd post to 1st.png" height=180 width=219></td>
+</tr>
+</table>
+
+
+<h2 align=center>
+<i>Of the Changing of waving Positions.</i></h2>
+The Changing of <i>waving Positions</i>, is the same with the Change of
+<i>springing
+Positions</i>, excepting, that instead of <i>springing Marks</i>, you must
+use <i>waving Marks</i>.
+<p>I have already said, that one <i>Position</i> may change to another,
+by <i>waving</i> both Feet at once, or separately.
+<p>Those which are to be made with both Feet at once, are to be known by
+a <i>wav'd Position</i>; and those which are to be made by one Foot only,
+are known by a <i>half Position wav'd</i>.
+<br>&nbsp;
+<table WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td COLSPAN="4">
+
+<h3 align=center>
+<i>The Changing of Waving Positions</i>.</h3>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>from the 1st true to the 2d false</i>
+<br><img alt=" "  SRC="img4/p42 1t 2f.png" height=150 width=114></td>
+
+<td ALIGN=CENTER><i>from the 2d false to the 1st true</i>
+<br><img alt=" "  SRC="img4/p42 2f 1t.png" height=150 width=118></td>
+
+<td ALIGN=CENTER><i>from the 1st false to the 2d true</i>
+<br><img alt=" "  SRC="img4/p42 1f 2t.png" height=150 width=108></td>
+
+<td ALIGN=CENTER><i>from the 2d true to the 1st false</i>
+<br><img alt=" "  SRC="img4/p42 2t 1f.png" height=150 width=107></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>from the 3d true to the 2d false</i>
+<br><img alt=" "  SRC="img4/p42 3t 2f.png" height=150 width=120></td>
+
+<td ALIGN=CENTER><i>from the 2d false to the 3d true</i>
+<br><img alt=" "  SRC="img4/p42 2f 3t.png" height=150 width=134></td>
+
+<td ALIGN=CENTER><i>from the 3d true to the 3d false</i>
+<br><img alt=" "  SRC="img4/p42 3t 3f.png" height=150 width=81></td>
+
+<td ALIGN=CENTER><i>from the 3d false to the 2d true</i>
+<br><img alt=" "  SRC="img4/p42 3f 2t.png" height=150 width=98></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>from the 2d true to the 3d false</i>
+<br><img alt=" "  SRC="img4/p42 2t 3f.png" height=150 width=110></td>
+
+<td ALIGN=CENTER><i>from the 3 false to the 3d true</i>
+<br><img alt=" "  SRC="img4/p42 3f 3t.png" height=150 width=59></td>
+
+<td ALIGN=CENTER><i>from the 3d false to the 3d false</i>
+<br><img alt=" "  SRC="img4/p42 3f 3f.png" height=150 width=77></td>
+
+<td ALIGN=CENTER><i>from the 3d false to the 3d false</i>
+<br><img alt=" "  SRC="img4/p42 3f 3f again.png" height=150 width=92></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>from the 5th true to the 4th false</i>
+<br><img alt=" "  SRC="img4/p42 5t 4f.png" height=150 width=59></td>
+
+<td ALIGN=CENTER><i>from the 4th false to the 5th true</i>
+<br><img alt=" "  SRC="img4/p42 4f 5t.png" height=150 width=65></td>
+
+<td ALIGN=CENTER><i>from the 1st true to the 1st false</i>
+<br><img alt=" "  SRC="img4/p42 1t 1f.png" height=150 width=95></td>
+
+<td ALIGN=CENTER><i>from the 1st false to the 1st true</i>
+<br><img alt=" "  SRC="img4/p42 1f 1t.png" height=150 width=89></td>
+</tr>
+</table>
+
+
+<h2 align=center>
+<i>How to hold the Book or Paper, to decipher written Dances</i></h2>
+You must understand, the each page, on which the <i>Dance</i> is described,
+represents the <i>Dancing-Room</i>; and the four Sides of the Page, the
+four Sides of the <i>Room</i>, viz. the upper part of the Page, represents
+the upper end of the <i>Room</i>; the lower part, the lower end; the right
+side of the Page the right side of the <i>Room</i>; and the left side,
+the left, as you may see by the following Figure, of which A B C D represent
+the
+<i>Room</i>, and E F G H, the Page. E F shew the upper part of the
+Page, as C D do the lower end; F H the right side of the Page, as E F do
+the upper end of the Room G H the lower part, as B D the right side of
+the
+<i>Room</i>; and E G the left side of the Page, as A C the left side
+of the <i>Room</i>.
+<p align=center><img alt=" "  SRC="img4/p43 room.png" height=400 width=375>
+<p>You
+must observe always to hold the upper end of the Book against the upper
+end of the <i>Room</i>; and whether the <i>Dance</i> have any <i>Turning</i>
+in it or not, you must carefully avoid removing the Book from the Scituation
+above demonstrated.
+<p>When any Steps are made without <i>turning</i>, or in <i>turning</i>
+quite round, then both sides of the Book must be held with both Hands;
+but in <i>turning</i> a quarter round, half round, or three quarters round,
+it will be necessary to take more Care, because it will be difficult to
+<i>turn</i>,
+unles the Book turns also; yet this must be absolutely avoided; for if
+the Book moves out of its Scituation, it will be impossible to comprehend
+the <i>Steps</i> therein describ'd; wherefore, for the better Observation
+of this, I shall give you the following Rules.
+<p>After having consider'd the <i>Turning</i>, and on what side to turn,
+as for Example, in a quarter <i>Turn</i> to the Right, you must put your
+left Hand to the farther part of the Book, and your Right to the nearest.
+Your Hands being thus prepared, in turning your quarter <i>Turn</i>, bring
+your left Hand in to you, whilst your right removes from you; so that both
+Hands will by this means be equally advanc'd before you, holding the Book
+by the same places before-mention'd, and you will find, that in turning
+a quarter round, the Book will still remain in its former Scituation. You
+must make use of the same Rule in a <i>half Turn</i>.
+<p>I shall only add, that the Hand, which is plac'd on the most opposite
+part of the Book, must come quite in to your Breast, while the other removes
+quite from you.
+<p>To turn <i>three quarters round</i> to the Right, you must cross your
+Hands more than you did in the <i>half Turn</i>; so that your left Hand
+must hold the upper part of that side which your right Hand would naturally
+have held, had you not turn'd; and your right Hand must hold the lower
+part of that side, which your left would otherwise have held. Your Hands
+being thus prepar'd, you will turn <i>three quarters round</i> in the same
+manner as you did <i>half round</i>.
+<p>The same Rules may be made use of in <i>turning</i> to the left, only
+you must observe, that instead of placing your left Hand, you must place
+the right to that part of the Book the farthest from you; and it may serve
+for a general Rule, that in turning to the Right, you first remove your
+left Hand; and in turning to the Left, you remove your Right.
+
+<h2 align=center>
+<i>Rules to be observ'd in Dancing by written Characters.</i></h2>
+You must first find out the beginning of the <i>Tract</i>, by which means
+you will know towards what part of the <i>Dancing-Room</i> the Body is
+to be plac'd, before the <i>Dance</i> begins, as has been shewn before,
+in speaking of the <i>Posture</i>, and <i>Presence of the Body</i>. Then
+observe whether there be any <i>Position</i>, as you will find in the following
+Examples, and there you are to place your self. Then see what <i>Step</i>
+is nearest to the said <i>Position</i>, and you will find it to be that
+which is mark'd
+<i>Number</i> 1. Which having perform'd, observe which
+is nearest to that, and you will find it is that mark'd <i>Number</i> 2.
+After this, you must move to <i>Number</i> 3, then to <i>Number</i> 4,
+&amp;c. and so continue moving, observing exactly to perform that <i>Step</i>
+which is nearest to the place where you are, and to follow always the same
+<i>Rule</i>
+as well in moving forwards, backwards, and sideways, as in moving round.
+<p>Examples.
+<table WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>To move round.</i>
+<br><img alt=" "  SRC="img4/p45 move round.png" height=308 width=300></td>
+
+<td ALIGN=CENTER><i>To move forwards.</i>
+<br><img alt=" "  SRC="img4/p45 move forewards.png" height=300 width=76></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td VALIGN=TOP><i>To move sideways.</i>
+<br><img alt=" "  SRC="img4/p45 move sidewards.png" height=86 width=300></td>
+
+<td ALIGN=CENTER><i>To move backwards</i>
+<br><img alt=" "  SRC="img4/p45 move backwards.png" height=300 width=79></td>
+</tr>
+</table>
+
+
+<h2 align=center>
+<i>How to know what </i>Steps<i> and </i>half Positions<i> are with the
+right Foot, and what with the left.</i></h2>
+The <i>Tract</i> or <i>Line</i>, on which <i>Dances</i> are describ'd,
+whether forward or backward, must be consider'd in respect to its right
+side mark'd R, and the left side mark'd L, as may be seen by the following
+<i>Example.</i>
+<p>The <i>Steps</i> and <i>half Positions</i>, which are on the right side,
+are made with the right Foot; and those which are on the left side, with
+the left Foot, as the following <i>Movements</i> will demonstrate, where
+I shall give to each <i>Step</i> and <i>half Position</i>, the same Letters
+r and l, the better to explain them.
+<p>Besides the Letters, r and l, the <i>Step</i> and <i>half Position</i>
+of the right or left Foot, will be easily known, by observing which way
+the <i>Toes</i> are turn'd.
+<p>The <i>Toe</i> turning outwards on the right side, is the right Foot,
+and the <i>Toe</i> turning outwards on the left side, is the left.
+<p>The different <i>Tracts</i> or <i>Figures</i> made in <i>Dancing</i>,
+whether forwards, backwards, sideways, or round, will be explain'd by what
+follows.
+<p>The <i>Tract</i> mark'd A, is moving forwards, the Face towards the
+upper end of the <i>Room</i>.
+<p>The <i>Tract</i> B retires or goes back, the Face towards the lower
+end of the <i>Room</i>.
+<p>The <i>Tract</i> F is moving forwards, the Face towards the right side
+of the <i>Room</i>.
+<p>The <i>Tract</i> H retires, the Face towards the left side of the <i>Room</i>.
+<p>The <i>Tract</i> I, moves forwards, the Face towards the left side of
+the <i>Room</i>.
+<p>The <i>Tract</i> K retires backwards, the Face towards the right side
+of the <i>Room</i>.
+<p>The <i>Tracts</i> G, move round, and the <i>Tracts</i> M, retire round.
+<p align=center>><img alt=" "  SRC="img4/p47.png" height=844 width=600>
+<p>In moving sideways, the <i>Tract</i> or <i>Line</i> must also be considered
+as to its two sides, <i>viz</i>. the upper side mark'd X, and the under
+side mark'd Y. <i>Steps</i> and <i>half Positions</i>, which are on the
+upper side of the Line, are to be made with the foremost Foot, and those
+which are on the under side, with the hinder Foot.
+<p>The <i>Tracts</i> mark'd N, are moving sideways to the right, towards
+the lower end of the <i>Room</i>.
+<p>The <i>Tracts</i> R, move round sideways to the right.
+<p>And the <i>Tracts</i> S, move round sideways to the left.
+
+<h2 align=center>
+<i>The manner of Steps crossing one another</i>.</h2>
+A <i>Step</i> which begins with the hind Foot, in order to move sideways,
+to end on a Line with the other Foot, ought to begin from the part under
+the Line, and rise obliquely sideways towards that above, as you may see
+by the following <i>Step</i>.
+<table WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>To move the right Foot sidesway.</i>
+<br><img alt=" "  SRC="img4/p48 move R ft side.png" height=98 width=300></td>
+
+<td ALIGN=CENTER><i>To move the left Foot sideways.</i>
+<br><img alt=" "  SRC="img4/p48 move L ft side.png" height=89 width=300></td>
+</tr>
+</table>
+
+<p>A <i>Step</i>, which is to cross behind the foregoing <i>Step</i>, must
+begin above the Line, and descend obliquely below it; and which you will
+easily understand by the following Example: The first <i>Step</i> you may
+know by <i>Number</i> 1, and the other, which crosses, by <i>Number</i>
+2.
+<table WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>To move the right Foot sideways, and cross the left
+behind.</i>
+<br><img alt=" "  SRC="img4/p48 move R ft side cross L behind.png" height=86 width=300></td>
+
+<td ALIGN=CENTER><i>To move the left Foot Sideways, and cross the right
+behind.</i>
+<br><img alt=" "  SRC="img4/p48 move L ft side cross R behind.png" height=79 width=300></td>
+</tr>
+</table>
+
+<p>A <i>Step</i>, which begins with the foremost Foot, in order to move
+sideways, to end on a Line with the other Foot, ought to begin from the
+part above the Line, and descend obliquely sideways towards that below,
+as the following <i>Step</i>, mark'd <i>Number</i> 1, will shew.
+<table WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>To move the right Foot sideways.</i>
+<br><img alt=" "  SRC="img4/p49 mov R ft side.png" height=83 width=300></td>
+
+<td ALIGN=CENTER><i>To move the left Foot sideways.</i>
+<br><img alt=" "  SRC="img4/p49 mov L ft side.png" height=82 width=300></td>
+</tr>
+</table>
+
+<p>A <i>Step</i>, which is to cross before the foregoing <i>Step</i>, must
+begin from below the Line, and rise obliquely above it, which you may observe
+by the <i>Step Number 1</i>.
+<table WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>To move the right Foot sideways and cross the left
+before.</i>
+<br><img alt=" "  SRC="img4/p49 move R ft side cross L before.png" height=77 width=300></td>
+
+<td ALIGN=CENTER><i>To move the left Foot sideways, and cross the right
+before.</i>
+<br><img alt=" "  SRC="img4/p49 move L ft side cross R before.png" height=80 width=300></td>
+</tr>
+</table>
+
+
+<h2 align=center>
+<i>To return upon a Tract you have just before mov'd on.</i></h2>
+For <i>Example</i>, if you have mov'd from the lower end of the <i>Room</i>,
+to the upper end, and have a mind to return upon the same <i>Tract</i>,
+as the <i>Tract</i> mark'd A, you must remove, and place the <i>Line</i>
+or <i>Tract</i>, on which you would return, on one side or the other, as
+you shall find most convenient, as is mark'd by the Letter B, and which
+in effect is the same with the foregoing; which two <i>Tracts</i> must
+be join'd together by a pointed <i>Line</i> mark'd C, which only serves
+to conduct the Sight from one <i>Line</i> to the other.
+<p align=center><img alt=" "  SRC="img4/p49 illustration.png" height=250 width=159>
+<p>The same thing must be observ'd in moving several times round on the same
+<i>Circle</i>,
+as upon the <i>Circle</i> mark'd D; about which may be describ'd as many
+<i>Circles</i>
+as shall be necessary. As for <i>Example</i>, the
+<i>Circles</i> E and
+F, which must be supposed to be on the same <i>Circle</i> with the
+<i>Circle</i>
+D.
+<p align=center><img alt=" "  SRC="img4/p50.png" height=376 width=400>
+
+<h2 align=center>
+<i>To know to and from what Positions, Steps move</i>.</h2>
+I might have mark'd the <i>Positions</i>, in which each <i>Step</i> ought
+to terminate; but since this must have created a great deal of Trouble,
+I shall only confine my self to mark them on join'd and inclos'd <i>Steps</i>,
+and for the rest, whether forwards, backwards, sideways, or cross'd, the
+<i>Positions</i>
+may be easily known, without marking them, in observing that which follows.
+<p><i>Steps</i> which move forwards or backwards, shall be taken to be
+in the fourth <i>Position</i>.
+<p><i>Steps</i> which move streight, opening sideways, shall be taken to
+be in Second the <i>Position</i>, and <i>Steps</i> crossing, whether forwards
+or backwards, shall be taken to be in the fifth <i>Position</i>.
+<table WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>To move to the fourth Position, and afterwards to the
+second.</i>
+<br><img alt=" "  SRC="img4/p51 move to 4 and 2.png" height=160 width=190></td>
+
+<td ALIGN=CENTER><i>To move to the fifth Position, and afterwards to the
+second.</i>
+<br><img alt=" "  SRC="img4/p51 move 5 and 2.png" height=160 width=185></td>
+
+<td ALIGN=CENTER><i>To move to the fifth Position, and afterwards to the
+fourth.</i>
+<br><img alt=" "  SRC="img4/p51 move 5 and 4.png" height=160 width=168></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>To move to the fifth Position, and afterwards to the
+second.</i>
+<br><img alt=" "  SRC="img4/p51 move 5 and 2 long.png" height=98 width=180></td>
+
+<td ALIGN=CENTER><i>To move to the second Position, and afterwards to the
+fifth.</i>
+<br><img alt=" "  SRC="img4/p51 move 2 and 5 side.png" height=101 width=180></td>
+
+<td ALIGN=CENTER><i>To move to the second Position, and afterwards to the
+fifth.</i>
+<br><img alt=" "  SRC="img4/p51 mopve 2 and 5.png" height=101 width=180></td>
+</tr>
+</table>
+
+<p>If it should happen nevertheless, that any of the above-mention'd <i>Steps</i>
+should terminate upon both Feet, as it often happens in <i>rising</i> and
+<i>springing</i>,
+it is then necessary to mark the <i>Position</i>; without which it would
+be impossible to know, that the <i>rising</i> and <i>springing</i> should
+be on both Feet; wherefore, in demonstrating the <i>Positions</i> of <i>join'd</i>
+and <i>inclos'd Steps</i>, I will add to them those before-mention'd, on
+which I will also mark the <i>Positions</i>, to make Use of on Occasion.
+
+<h2 align=center>
+<i>How Steps terminate in Positions</i>.</h2>
+When a <i>Step</i> terminates in a <i>Position</i>, there ought to be no
+Foot at the end of it, because the half <i>Position</i>, to which it is
+join'd, serves for that.
+<table WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>A Step to the first Position forwards.</i>
+<br><img alt=" "  SRC="img4/p51 step to 1 fwd.png" height=150 width=59></td>
+
+<td ALIGN=CENTER><i>The same backwards.</i>
+<br><img alt=" "  SRC="img4/p51 step to 1 bkwd.png" height=150 width=67></td>
+
+<td ALIGN=CENTER><i>A Step to the third Position forwards.</i>
+<br><img alt=" "  SRC="img4/p51 step to 3 fwd.png" height=150 width=66></td>
+
+<td ALIGN=CENTER><i>The same backwards.</i>
+<br><img alt=" "  SRC="img4/p51 step to 3 bkwd.png" height=150 width=82></td>
+
+<td ALIGN=CENTER><i>A Step to the third Position before.</i>
+<br><img alt=" "  SRC="img4/p51 step to 3 before.png" height=150 width=87></td>
+
+<td ALIGN=CENTER><i>The same behind.</i>
+<br><img alt=" "  SRC="img4/p51 step tp 3 behind.png" height=150 width=117></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>A rising Step on both Feet in the Second Postion.</i>
+<br><img alt=" "  SRC="img4/p51 rise both 5th.png" height=150 width=71></td>
+
+<td ALIGN=CENTER><i>A Spring on both Feet in the Second Postion.</i>
+<br><img alt=" "  SRC="img4/p52 spr both 2nd.png" height=150 width=76></td>
+
+<td ALIGN=CENTER><i>A Rise on both Feet in the fourth Position.</i>
+<br><img alt=" "  SRC="img4/p52 rise both in 4th.png" height=150 width=76></td>
+
+<td ALIGN=CENTER><i>A Spring on both Feet in the fourth Position.</i>
+<br><img alt=" "  SRC="img4/p52 spr both 4th.png" height=150 width=60></td>
+
+<td ALIGN=CENTER><i>A Rise on both Feet in the fifth Position.</i>
+<br><img alt=" "  SRC="img4/p51 rise both 5th.png" height=150 width=71></td>
+
+<td ALIGN=CENTER><i>A Spring on both Feet in the fifth Position.</i>
+<br><img alt=" "  SRC="img4/p52 spr both 5th.png" height=150 width=72></td>
+</tr>
+</table>
+
+<p>A <i>Position</i> at the end of a <i>Step</i>, may be also known by
+adding to the <i>Step</i> a <i>half Position</i>, because the Representation
+of the Foot, which is at the Extremity of the <i>Step</i>, is made Use
+of, upon this Occasion, for a <i>half Position</i>; and a <i>half Position</i>
+join'd to it, is the same as a <i>whole Position</i>.
+<table WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>A join'd Step.</i>
+<br><img alt=" "  SRC="img4/p52 joined step.png" height=180 width=98></td>
+
+<td ALIGN=CENTER><i>An inclos'd Step.</i>
+<br><img alt=" "  SRC="img4/p52inclst.png" height=180 width=85></td>
+</tr>
+</table>
+
+<p>The Same Rule must be observ'd in <i>beaten Steps</i>, viz. That the
+<i>half
+Position</i> represents the Foot, against which the other <i>beats</i>;
+and whereby you may know whether the <i>Beat</i> be made on the <i>Instep</i>,
+behind the Heel, against the <i>Ankle</i>, or against the side of the Foot.
+<table WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>A Beat on the Instep.</i>
+<br><img alt=" "  SRC="img4/p51 beat on instep.png" height=150 width=79></td>
+
+<td ALIGN=CENTER><i>A Beat behind.</i>
+<br><img alt=" "  SRC="img4/p51 beat behind.png" height=150 width=64></td>
+
+<td ALIGN=CENTER><i>A Beat on the Instep, and a move behind.</i>
+<br><img alt=" "  SRC="img4/p51 beat instep mov behind.png" height=150 width=65></td>
+
+<td ALIGN=CENTER><i>A Beat behind and before.</i>
+<br><img alt=" "  SRC="img4/p52 beat behind before.png" height=150 width=79></td>
+
+<td ALIGN=CENTER><i>A Beat above and below.</i>
+<br><img alt=" "  SRC="img4/p52 beat above below.png" height=150 width=95></td>
+
+<td ALIGN=CENTER><i>The same four times.</i>
+<br><img alt=" "  SRC="img4/p52 beat above below 4 times.png" height=150 width=92></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>A Beat on the Ankle.</i>
+<br><img alt=" "  SRC="img4/p52 beat on ankle.png" height=150 width=86></td>
+
+<td ALIGN=CENTER><i>A beat 4 times on the Ankle, &amp; behind the Heel.</i>
+<br><img alt=" "  SRC="img4/p53 beat 4 times ankle behind heel.png" height=150 width=85></td>
+
+<td ALIGN=CENTER><i>A Beat sidewards, moving forwards.</i>
+<br><img alt=" "  SRC="img4/p53 beat side mov fwd.png" height=150 width=61></td>
+
+<td ALIGN=CENTER><i>The same backwards.</i>
+<br><img alt=" "  SRC="img4/p53 beat side mov bkwd.png" height=150 width=75></td>
+
+<td ALIGN=CENTER><i>The same twice, moving forwards.</i>
+<br><img alt=" "  SRC="img4/p53 same twice mov fwd.png" height=150 width=76></td>
+
+<td ALIGN=CENTER><i>The same, moving backwards.</i>
+<br><img alt=" "  SRC="img4/p53 same mov bkwd.png" height=150 width=71></td>
+</tr>
+</table>
+
+<p>You must observe, that when two <i>Steps</i> terminate both in the same
+<i>Position</i>,
+the first moves without any regard to the <i>Position</i>, and it is the
+last only that must observe the said <i>Position</i>; as the following
+Examples will demonstrate.
+<table WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>To move the right Foot forwards, and join the left.</i>
+<br><img alt=" "  SRC="img4/p53 mov R ft fwd join L.png" height=180 width=105></td>
+
+<td ALIGN=CENTER><i>To move the right Foot forwards, and inclose in the
+left behind.</i>
+<br><img alt=" "  SRC="img4/p53 move R ft fwd inclose L behind.png" height=180 width=83></td>
+</tr>
+</table>
+
+
+<h2 align=center>
+<i>Of simple and compound Steps.</i></h2>
+All <i>Steps</i> may be either <i>simple</i> or <i>compound</i>.
+<p>A <i>simple Step</i>, is that which is alone, as all those which hitherto
+demonstrated; and a <i>compound Step</i>, is, where two or more <i>Steps</i>
+are join'd together by a <i>Line</i>, and which then are to be reputed
+as one <i>Step</i> only, as will appear by the following <i>Steps</i>.
+<p align=center><img alt=" "  SRC="img4/p53 6 illustrations.png" height=151 width=600>
+<p>To practise
+more easily what has already been taught and demonstrated, you may make
+Use of the following <i>Tables</i>; where you will find all or the greatest
+Part of the <i>Steps</i> us'd in <i>Dancing</i>, whether with one Foot,
+or the other, forwards, backwards, sideways, or turning, as well upon streight
+Lines, as diametrical.
+
+<h2 align=center>
+<i>The Tables.</i></h2>
+
+<table WIDTH="100%" >
+<tr>
+<td VALIGN=TOP><a href="#courant">1. Of <i>Courant Movements.</i></a>
+<br>2<a href="#halfcoupees">. Of <i>half Coupee's.</i></a>
+<br><a href="#coupees">3. Of <i>Coupee's.</i></a>
+<br><a href="#bouree">4. Of <i>Bouree's, or Fleurets.</i></a>
+<br><a href="#bounds">5. Of <i>Bounds, or Tacs.</i></a>
+<br><a href="#hops">6. Of
+<i>Contretemps, or compos'd Hops.</i></a>
+<br><a href="#chassees">7. Of <i>Chassee's, or Drives.</i></a></td>
+
+<td VALIGN=TOP><a href="#sissones">8. Of <i>Siffonne's, or Cross-Leaps.</i></a>
+<br><a href="#pirouettes">9. Of <i>Pirouettes.</i></a>
+<br><a href="#capers">10. Of
+<i>Capers, and Half-Capers.</i></a>
+<br><a href="#entrechat">11. Of <i>Entre-chats, or Cross-Capers.</i></a>
+<br><a href="#waving">12. Of <i>Waving Steps.</i></a>
+<br><a href="#suplement">13. A <i>Supplement.</i></a></td>
+</tr>
+</table>
+
+<p>You must observe, that each Square contains only one <i>Step</i>, which
+I have writ down twice, to the end to shew, that what is perform'd with
+one Foot, may also be perform'd with the other.
+<p>An Explanation of the Steps contain'd in each Square, is also writ down
+with them; and whereas some of the Words and Terms are abbreviated for
+want of Room, I have put down here a short Explanation of them.
+<table WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td VALIGN=TOP><i>forw.----------------------forwards.</i>
+<br><i>bacw.-------------------backwards.</i>
+<br><i>sidw.-----------------------sideways.</i>
+<br><i>sl.--------------------------------slide.</i>
+<br><i>cro.---------------------------cross'd.</i>
+<br><i>op.-------------------------------open.</i>
+<br><i>qr.-------------------- quarter Turn.</i>
+<br><i>hf.------------------------- half Turn.</i>
+<br><i>3 qr. Turn----three quarter Turn.</i></td>
+
+<td VALIGN=TOP><i>circ.-------------------circular.</i>
+<br><i>jo.-----------------------join'd.</i>
+<br><i>incl.-------------------inclos'd.</i>
+<br><i>bef.---------------------before.</i>
+<br><i>beh.--------------------behind.</i>
+<br><i>wav.------------------waving.</i>
+<br><i>turn.------------------turning.</i>
+<br><i>outw.---------------outwards.</i>
+<br><i>inw.-------------------inwards.</i></td>
+</tr>
+</table>
+[Transcribers note: text expanded in tables]
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="2">
+
+<h2 align=center>
+TABLES</h2>
+
+
+<h3 align=center>
+<i>Conteyning most of the steps us'd in</i></h3>
+
+
+<h2 align=center>
+Dancing</h2>
+
+
+<h3 align=center>
+<a NAME="courant"></a><i>Courant Movements And Galliard step.</i></h3>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Forwards.</i>
+<br><img alt=" "  SRC="img5/p55 forwards.png" height=150 width=230></td>
+
+<td ALIGN=CENTER><i>Backwards.</i>
+<br><img alt=" "  SRC="img5/p55 backwards.png" height=150 width=53></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td VALIGN=TOP><i>Sideways open.</i>
+<br><img alt=" "  SRC="img5/p55 sideways open.png" height=62 width=250></td>
+
+<td ALIGN=CENTER><i>Crossways before.</i>
+<br><img alt=" "  SRC="img5/p55 crossways before.png" height=80 width=220></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td><i>Another.</i>
+<br><img alt=" "  SRC="img5/p55 crossways before another.png" height=91 width=220></td>
+
+<td ALIGN=CENTER><i>Crossways forwards turning.</i>
+<br><img alt=" "  SRC="img5/p55 crossways turning.png" height=150 width=54></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Sideways open turning.</i>
+<br><img alt=" "  SRC="img5/p55 side open turn.png" height=150 width=57></td>
+
+<td><i>Forwards turning.</i>
+<br><img alt=" "  SRC="img5/p55 fwd turning.png" height=64 width=150></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td><i>Another.</i>
+<br><img alt=" "  SRC="img5/p55 fwd turning another.png" height=74 width=150></td>
+
+<td ALIGN=CENTER><i>Another with half a turn.</i>
+<br><img alt=" "  SRC="img5/p55 another with half turn 1.png" height=150 width=52><img alt=" "  SRC="img5/p55 another with half turn 2.png" height=150 width=81></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Galliard step</i>
+<br><img alt=" "  SRC="img5/p55 galliard.png" height=61 width=280></td>
+
+<td VALIGN=TOP><i>The same turning half</i>
+<br><img alt=" "  SRC="img5/p55 the same turning half.png" height=49 width=280></td>
+</tr>
+</table>
+
+<br>&nbsp;
+<table BORDER="1" WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td COLSPAN="2">
+
+<h2 align=center>
+<a NAME="halfcoupees"></a><i>a</i> TABLE <i>of half Coupees</i></h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Half Coupee forwards</i>
+<br><img alt=" "  SRC="img5/p56 half coupee fwd 1.png" height=150 width=55><img alt=" "  SRC="img5/p56 half coupee fwd 2.png" height=150 width=51></td>
+
+<td ALIGN=CENTER><i>Backwards</i>
+<br><img alt=" "  SRC="img5/p56 half coupee bkwd 1.png" height=150 width=51><img alt=" "  SRC="img5/p56 half coupee bkwd 2.png" height=150 width=60></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Open backwards</i>
+<br><img alt=" "  SRC="img5/p56 open bwd 1.png" height=150 width=67><img alt=" "  SRC="img5/p56 open bwd 2.png" height=150 width=63></td>
+
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="img5/p56 othe same.png" height=48 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same circular before</i>
+<br><img alt=" "  SRC="img5/p56 same circ before 1.png" height=150 width=84><img alt=" "  SRC="img5/p56 same circ before 2.png" height=150 width=81></td>
+
+<td ALIGN=CENTER><i>the same circular sideways</i>
+<br><img alt=" "  SRC="img5/p56 same circ side 1.png" height=150 width=75><img alt=" "  SRC="img5/p56 same side circ 2.png" height=150 width=75></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>open sideways</i>
+<br><img alt=" "  SRC="img5/p56 open sideways.png" height=48 width=280></td>
+
+<td ALIGN=CENTER><i>another</i>
+<br><img alt=" "  SRC="img5/p56 another open sideways.png" height=50 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>another</i>
+<br><img alt=" "  SRC="img5/p56 another 1.png" height=150 width=119><img alt=" "  SRC="img5/p56 another 2.png" height=150 width=119></td>
+
+<td><i>crossways before</i>
+<br><img alt=" "  SRC="img5/p56 crossways before.png" height=57 width=300></td>
+</tr>
+</table>
+
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="2">
+
+<h2 align=center>
+TABLE <i>of half Coupees</i></h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>another</i>
+<br><img alt=" "  SRC="img5/p57 another 1.png" height=58 width=180><img alt=" "  SRC="img5/p57 another 2.png" height=62 width=180></td>
+
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="img5/p57 the same 1.png" height=150 width=82><img alt=" "  SRC="img5/p57 the same 2.png" height=150 width=76></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Crossing behind</i>
+<br><img alt=" "  SRC="img5/p57 cross behind.png" height=61 width=350></td>
+
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="img5/p57 cross behind 1.png" height=150 width=75><img alt=" "  SRC="img5/p57 cross behind 2.png" height=150 width=62></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Forwards joyn'd on the end of the feet</i>
+<br><img alt=" "  SRC="img5/p57 fwd joyned on end of feet 1.png" height=150 width=72><img alt=" "  SRC="img5/p57 fwd joyned on end of feet 2.png" height=150 width=75></td>
+
+<td ALIGN=CENTER><i>the same backwards</i>
+<br><img alt=" "  SRC="img5/p57 same bkwd 1.png" height=150 width=81><img alt=" "  SRC="img5/p57 same bkwd 2.png" height=150 width=75></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Forwards inclosed</i>
+<br><img alt=" "  SRC="img5/p57 fwd incl 1.png" height=150 width=61><img alt=" "  SRC="img5/p57 fwd incl 2.png" height=150 width=50></td>
+
+<td ALIGN=CENTER><i>the same backwards</i>
+<br><img alt=" "  SRC="img5/p57 incl same bkwd 1.png" height=150 width=69><img alt=" "  SRC="img5/p57 incl same bkwd 2.png" height=150 width=72></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Forwards joyn'd the 2nd foot up</i>
+<br><img alt=" "  SRC="img5/p57 fwd joined 2nd ft up 1.png" height=150 width=53><img alt=" "  SRC="img5/p57 fwd joined 2nd ft up 2.png" height=150 width=53></td>
+
+<td ALIGN=CENTER><i>the same backwards</i>
+<br><img alt=" "  SRC="img5/p57 bkwd joined 2nd ft up 1.png" height=150 width=67><img alt=" "  SRC="img5/p57 bkwd joined 2nd ft up 2.png" height=150 width=69></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Forwards inclosed 2nd up</i>
+<br><img alt=" "  SRC="img5/p57 fwd incl 2nd up 1.png" height=150 width=50><img alt=" "  SRC="img5/p57 fwd incl 2nd up 2.png" height=150 width=52></td>
+
+<td ALIGN=CENTER><i>the same backwards</i>
+<br><img alt=" "  SRC="img5/p57 bkwd incl 2nd up 1.png" height=150 width=67><img alt=" "  SRC="img5/p57 bkwd incl 2nd up 2.png" height=150 width=61></td>
+</tr>
+</table>
+
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="2">
+
+<h2 align=center>
+TABLE <i>of half Coupees</i></h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Sideways open and joyn'd 2nd up</i>
+<br><img alt=" "  SRC="img5/p58 side open joined 2nd up.png" height=49 width=280></td>
+
+<td ALIGN=CENTER><i>another</i>
+<br><img alt=" "  SRC="img5/p58 another 1.png" height=50 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>another</i>
+<br><img alt=" "  SRC="img5/p58 another 2.png" height=42 width=280></td>
+
+<td ALIGN=CENTER><i>another</i>
+<br><img alt=" "  SRC="img5/p58 another 3.png" height=44 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>another</i>
+<br><img alt=" "  SRC="img5/p58 another 4.png" height=55 width=280></td>
+
+<td ALIGN=CENTER><i>another the last inclosed behind</i>
+<br><img alt=" "  SRC="img5/p58 another last incl behind.png" height=47 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>a beat behind</i>
+<br><img alt=" "  SRC="img5/p58 beat behind 1.png" height=150 width=62><img alt=" "  SRC="img5/p58 beat behind 2.png" height=150 width=50></td>
+
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="img5/p58 same.png" height=63 width=300></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Beat before cross the ankle</i>
+<br><img alt=" "  SRC="img5/p58 beat before cross ankle 1.png" height=150 width=54><img alt=" "  SRC="img5/p58 beat before cross ankle 2.png" height=150 width=49></td>
+
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="img5/p58 same 2.png" height=65 width=300></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Sideways open</i>
+<br><img alt=" "  SRC="img5/p58 sideways open 1.png" height=150 width=94><img alt=" "  SRC="img5/p58 sideways open 2.png" height=150 width=91></td>
+
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="img5/p58 same 1 of 2.png" height=150 width=108><img alt=" "  SRC="img5/p58 same 2 of 2.png" height=150 width=102></td>
+</tr>
+</table>
+
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="2">
+
+<h2 align=center>
+TABLE <i>of half Coupees</i></h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Beat on the ankle open sideways</i>
+<br><img alt=" "  SRC="img5/p59 beat ankle open side 1.png" height=150 width=76><img alt=" "  SRC="img5/p59 beat ankle open side 2.png" height=150 width=68></td>
+
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="img5/p59 same 1 of 2.png" height=150 width=89><img alt=" "  SRC="img5/p59 same 2 of 2.png" height=150 width=90></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>crossing forwards quarter turn</i>
+<br><img alt=" "  SRC="img5/p59 cross fwd qtr turn 1.png" height=150 width=56><img alt=" "  SRC="img5/p59 cross fwd qtr turn 2.png" height=150 width=62></td>
+
+<td ALIGN=CENTER><i>open sided quarter turn</i>
+<br><img alt=" "  SRC="img5/p59 open side qtr turn 1.png" height=150 width=64><img alt=" "  SRC="img5/p59 open side qtr turn 2.png" height=150 width=57></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="img5/p59  the same.png" height=60 width=280></td>
+
+<td ALIGN=CENTER><i>another</i>
+<br><img alt=" "  SRC="img5/p59 another 1 of 2.png" height=150 width=63><img alt=" "  SRC="img5/p59 another 2 of 2.png" height=150 width=62></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>another</i>
+<br><img alt=" "  SRC="img5/p59 2nd another 1 of 2.png" height=150 width=46><img alt=" "  SRC="img5/p59 2nd another 2 of 2.png" height=150 width=55></td>
+
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="img5/p59 the same 2nd.png" height=92 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Forwards turning quarter</i>
+<br><img alt=" "  SRC="img5/p59 forward turn qtr.png" height=59 width=280></td>
+
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="img5/p59 the same 3rd.png" height=64 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>another</i>
+<br><img alt=" "  SRC="img5/p59 another long 1st.png" height=43 width=280></td>
+
+<td ALIGN=CENTER><i>another</i>
+<br><img alt=" "  SRC="img5/p59 another long 2nd.png" height=45 width=280></td>
+</tr>
+</table>
+
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="2">
+
+<h2 align=center>
+TABLE <i>of half Coupees</i>.</h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Backwards turning</i>
+<br><img alt=" "  SRC="img5/p60 bwd turning.png" height=51 width=280></td>
+
+<td ALIGN=CENTER><i>open half turn</i>
+<br><img alt=" "  SRC="img5/p60 open half turn 1.png" height=150 width=85><img alt=" "  SRC="img5/p60 open half turn 2.png" height=150 width=76></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Forwards turning</i>
+<br><img alt=" "  SRC="img5/p60 fwd turn 1.png" height=150 width=54><img alt=" "  SRC="img5/p60 fwd turn 2.png" height=150 width=46></td>
+
+<td ALIGN=CENTER><i>Open turning</i>
+<br><img alt=" "  SRC="img5/p60 open turning.png" height=47 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="img5/p60 same 1 of 2.png" height=150 width=93><img alt=" "  SRC="img5/p60 same 2 of 2.png" height=150 width=101></td>
+
+<td ALIGN=CENTER><i>Beat on the ankle turn open to the side</i>
+<br><img alt=" "  SRC="img5/p60 beat onkle turn open side 1.png" height=150 width=62><img alt=" "  SRC="img5/p60 beat onkle turn open side 2.png" height=150 width=59></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>another</i>
+<br><img alt=" "  SRC="img5/p60 1 another 1.png" height=150 width=68><img alt=" "  SRC="img5/p60 1 another 2.png" height=150 width=66></td>
+
+<td ALIGN=CENTER><i>Beat behind turning</i>
+<br><img alt=" "  SRC="img5/p60 beat behind turn 1.png" height=150 width=53><img alt=" "  SRC="img5/p60 beat behind turn 2.png" height=150 width=62></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>another</i>
+<br><img alt=" "  SRC="img5/p60 2 another 1.png" height=150 width=62><img alt=" "  SRC="img5/p60 2 another 2.png" height=150 width=56></td>
+
+<td ALIGN=CENTER><i>Open side turning</i>
+<br><img alt=" "  SRC="img5/p60 open side turn.png" height=150 width=204></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="img5/p60 same.png" height=48 width=280></td>
+
+<td ALIGN=CENTER><i>Forwards turning</i>
+<br><img alt=" "  SRC="img5/p60 fwd turning.png" height=150 width=250></td>
+</tr>
+</table>
+
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="2">
+
+<h2 align=center>
+<a NAME="coupees"></a>TABLE <i>of Coupe&eacute;s</i>.</h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Coupee forwards</i>
+<br><img alt=" "  SRC="img5/p61r1c1.png" height=150 width=215></td>
+
+<td ALIGN=CENTER><i>Backwards</i>
+<br><img alt=" "  SRC="img5/p61r1c2.png" height=150 width=215></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Forwards 2nd open and up.</i>
+<br><img alt=" "  SRC="img5/p61r2c1.png" height=150 width=222></td>
+
+<td ALIGN=CENTER><i>Open backwards 2nd open and up</i>
+<br><img alt=" "  SRC="img5/p61r2c2.png" height=150 width=232></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Forwards 2nd circular inner; open sideways</i>
+<br><img alt=" "  SRC="img5/p61r3c1.png" height=150 width=222></td>
+
+<td ALIGN=CENTER><i>2nd circ: &amp; slide forwards</i>
+<br><img alt=" "  SRC="img5/p61r3c2.png" height=150 width=251></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>2nd behind and open; before: &amp; circular up</i>
+<br><img alt=" "  SRC="img5/p61r4c1.png" height=150 width=193></td>
+
+<td ALIGN=CENTER><i>Forwards: 2nd bear behind</i>
+<br><img alt=" "  SRC="img5/p61r4c2.png" height=150 width=223></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Coupee 2 movements</i>
+<br><img alt=" "  SRC="img5/p61r5c1.png" height=150 width=210></td>
+
+<td ALIGN=CENTER><i>Open back: 2nd beat before</i>
+<br><img alt=" "  SRC="img5/p61r5c2.png" height=150 width=257></td>
+</tr>
+</table>
+
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="2">
+
+<h2 align=center>
+TABLE <i>of Coupees</i></h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="img5/p62r1c1.png" height=150 width=252></td>
+
+<td ALIGN=CENTER><i>Backwards; 2nd beat before and fall behind</i>
+<br><img alt=" "  SRC="img5/p62r1c2.png" height=150 width=245></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Backwards: 2nd beat before and inclosed behind</i>
+<br><img alt=" "  SRC="img5/p62r2c1.png" height=150 width=242></td>
+
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="img5/p62r2c2.png" height=150 width=245></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>2nd inclosed behind</i>
+<br><img alt=" "  SRC="img5/p62r3c1.png" height=65 width=290></td>
+
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="img5/p62r3c2.png" height=150 width=244></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="img5/p62r4c1.png" height=150 width=230></td>
+
+<td ALIGN=CENTER><i>Both inclosed behind</i>
+<br><img alt=" "  SRC="img5/p62r4c2.png" height=150 width=259></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Crossed behind; 2nd open sideways</i>
+<br><img alt=" "  SRC="img5/p62r5c1.png" height=150 width=278></td>
+
+<td ALIGN=CENTER><i>Circular before crossed behind: 2nd open up</i>
+<br><img alt=" "  SRC="img5/p62r5c2.png" height=150 width=250></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Circular behind 2nd joyned</i>
+<br><img alt=" "  SRC="img5/p62r6c1.png" height=150 width=280></td>
+
+<td ALIGN=CENTER><i>Backwards inclosed 2nd step forwards</i>
+<br><img alt=" "  SRC="img5/p62r6c2.png" height=150 width=264></td>
+</tr>
+</table>
+
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="2">
+
+<h2 align=center>
+TABLE <i>of Coupees</i></h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Inclosed before 2nd step backward</i>
+<br><img alt=" "  SRC="img5/p63r1c1.png" height=150 width=229></td>
+
+<td ALIGN=CENTER><i>Open sideways 2nd crossed before</i>
+<br><img alt=" "  SRC="img5/p63r1c2.png" height=48 width=290></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Another behind</i>
+<br><img alt=" "  SRC="img5/p63r2c1.png" height=45 width=280></td>
+
+<td ALIGN=CENTER><i>Another 2nd open and fall behind</i>
+<br><img alt=" "  SRC="img5/p63r2c2.png" height=62 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Another 2nd passing before to open outwards</i>
+<br><img alt=" "  SRC="img5/p63r3c1.png" height=121 width=280></td>
+
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="img5/p63r3c2.png" height=81 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Open both</i>
+<br><img alt=" "  SRC="img5/p63r4c1.png" height=52 width=280></td>
+
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="img5/p63r4c2.png" height=132 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Cross behind 2nd open sideways</i>
+<br><img alt=" "  SRC="img5/p63r5c1.png" height=48 width=280></td>
+
+<td ALIGN=CENTER><i>the same before</i>
+<br><img alt=" "  SRC="img5/p63r5c2.png" height=49 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="img5/p63r6c1.png" height=41 width=280></td>
+
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="img5/p63r6c2.png" height=150 width=220></td>
+</tr>
+</table>
+
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="2">
+
+<h2 align=center>
+TABLE <i>of Coupees</i></h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Cross behind going sideways 2nd open.</i>
+<br><img alt=" "  SRC="img5/p64r1c1.png" height=43 width=280></td>
+
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="img5/p64r1c2.png" height=150 width=207></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same 2nd waving.</i>
+<br><img alt=" "  SRC="img5/p64r2c1.png" height=48 width=280></td>
+
+<td ALIGN=CENTER><i>Open sideways 2nd cross behind.</i>
+<br><img alt=" "  SRC="img5/p64r2c2.png" height=54 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same before.</i>
+<br><img alt=" "  SRC="img5/p64r3c1.png" height=45 width=280></td>
+
+<td ALIGN=CENTER><i>Forwards 2nd joyn'd.</i>
+<br><img alt=" "  SRC="img5/p64r3c2.png" height=150 width=211></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same backwards.</i>
+<br><img alt=" "  SRC="img5/p64r4c1.png" height=150 width=222></td>
+
+<td ALIGN=CENTER><i>Forwards 2nd inclosed. behind.</i>
+<br><img alt=" "  SRC="img5/p64r4c2.png" height=150 width=202></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Open sideways 2nd joyn'd.</i>
+<br><img alt=" "  SRC="img5/p64r5c1.png" height=47 width=280></td>
+
+<td ALIGN=CENTER><i>Another</i>
+<br><img alt=" "  SRC="img5/p64r5c2.png" height=44 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Open sideways 2nd inclosed behind.</i>
+<br><img alt=" "  SRC="img5/p64r6c1.png" height=48 width=280></td>
+
+<td ALIGN=CENTER><i>the same before.</i>
+<br><img alt=" "  SRC="img5/p64r6c2.png" height=40 width=280></td>
+</tr>
+</table>
+
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="2">
+
+<h2 align=center>
+TABLE <i>of Coupees</i></h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Crossed before going sideways 2nd joyn'd</i>
+<br><img alt=" "  SRC="img5/p65r1c1.png" height=47 width=280></td>
+
+<td ALIGN=CENTER><i>Another</i>
+<br><img alt=" "  SRC="img5/p65r1c2.png" height=43 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same crossed behind</i>
+<br><img alt=" "  SRC="img5/p65r2c1.png" height=48 width=280></td>
+
+<td ALIGN=CENTER><i>Another</i>
+<br><img alt=" "  SRC="img5/p65r2c2.png" height=46 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Beat behind and beat before</i>
+<br><img alt=" "  SRC="img5/p65r3c1.png" height=150 width=229></td>
+
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="img5/p65r3c2.png" height=78 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Beat behind 2nd inclosed behind</i>
+<br><img alt=" "  SRC="img5/p65r4c1.png" height=150 width=234></td>
+
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="img5/p65r4c2.png" height=150 width=237></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="img5/p65r5c1.png" height=66 width=280></td>
+
+<td ALIGN=CENTER><i>Beat before 2nd forwards</i>
+<br><img alt=" "  SRC="img5/p65r5c2.png" height=150 width=227></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="img5/p65r6c1.png" height=67 width=280></td>
+
+<td ALIGN=CENTER><i>Beat open sideways 2nd passing before open outwards</i>
+<br><img alt=" "  SRC="img5/p65r6c2.png" height=127 width=280></td>
+</tr>
+</table>
+
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="2">
+
+<h2 align=center>
+<i>TABLE of Coupees</i>.</h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Beat on the ankle and both open sideways</i>
+<br><img alt=" "  SRC="img5/p66r1c1.png" height=141 width=280></td>
+
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="img5/p66r1c2.png" height=135 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Cross before quarter turn and 2nd open sideways</i>
+<br><img alt=" "  SRC="img5/p66r2c1.png" height=150 width=232></td>
+
+<td ALIGN=CENTER><i>Open sideways: turn: 2nd crossed before</i>
+<br><img alt=" "  SRC="img5/p66r2c2.png" height=150 width=225></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Open sideways: turn: 2nd open: sideways</i>
+<br><img alt=" "  SRC="img5/p66r3c1.png" height=150 width=242></td>
+
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="img5/p66r3c2.png" height=113 width=300></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="img5/p66r4c1.png" height=108 width=280></td>
+
+<td ALIGN=CENTER><i>Open sideways turn: 2nd Crossed behind</i>
+<br><img alt=" "  SRC="img5/p66r4c2.png" height=150 width=243></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Open sideways turn: 2nd crossed before</i>
+<br><img alt=" "  SRC="img5/p66r5c1.png" height=150 width=238></td>
+
+<td ALIGN=CENTER><i>Another</i>
+<br><img alt=" "  SRC="img5/p66r5c2.png" height=150 width=219></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Another crossed before</i>
+<br><img alt=" "  SRC="img5/p66r6c1.png" height=150 width=249></td>
+
+<td ALIGN=CENTER><i>1st open sideways turn: 2nd open: sideways</i>
+<br><img alt=" "  SRC="img5/p66r6c2.png" height=150 width=241></td>
+</tr>
+</table>
+
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="2">
+
+<h2 align=center>
+TABLE <i>of Coupees</i></h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="img5/p67r1c1.png" height=131 width=300></td>
+
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="img5/p67r1c2.png" height=119 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Forwards turning</i>
+<br><img alt=" "  SRC="img5/p67r2c1.png" height=64 width=300></td>
+
+<td ALIGN=CENTER><i>Another</i>
+<br><img alt=" "  SRC="img5/p67r2c2.png" height=49 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Forwards turning 2nd joyned</i>
+<br><img alt=" "  SRC="img5/p67r3c1.png" height=55 width=300></td>
+
+<td ALIGN=CENTER><i>Another</i>
+<br><img alt=" "  SRC="img5/p67r3c2.png" height=52 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Forwards turning 2nd inclosed. behind</i>
+<br><img alt=" "  SRC="img5/p67r4c1.png" height=62 width=300></td>
+
+<td ALIGN=CENTER><i>Forwards turning</i>
+<br><img alt=" "  SRC="img5/p67r4c2.png" height=47 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Crossed behind turning 2nd forwards</i>
+<br><img alt=" "  SRC="img5/p67r5c1.png" height=49 width=300></td>
+
+<td ALIGN=CENTER><i>Forwards turning</i>
+<br><img alt=" "  SRC="img5/p67r5c2.png" height=49 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Crossed behind turning 2nd forwards</i>
+<br><img alt=" "  SRC="img5/p67r6c1.png" height=47 width=300></td>
+
+<td ALIGN=CENTER><i>Backwards turning</i>
+<br><img alt=" "  SRC="img5/p67r6c2.png" height=55 width=280></td>
+</tr>
+</table>
+
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="2">
+
+<h2 align=center>
+TABLE <i>of Coupees</i>.</h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Another</i>
+<br><img alt=" "  SRC="img5/p68r1c1.png" height=52 width=280></td>
+
+<td ALIGN=CENTER><i>half turn 2nd open outwards</i>
+<br><img alt=" "  SRC="img5/p68r1c2.png" height=145 width=300></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>half turn 2nd backwards</i>
+<br><img alt=" "  SRC="img5/p68r2c1.png" height=150 width=259></td>
+
+<td ALIGN=CENTER><i>half turn forwards</i>
+<br><img alt=" "  SRC="img5/p68r2c2.png" height=150 width=244></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Another</i>
+<br><img alt=" "  SRC="img5/p68r3c1.png" height=150 width=228></td>
+
+<td ALIGN=CENTER><i>Turn: open: &amp; cross: behind: 2nd open outwards</i>
+<br><img alt=" "  SRC="img5/p68r3c2.png" height=144 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Open sideways; turn: 2nd open sideways</i>
+<br><img alt=" "  SRC="img5/p68r4c1.png" height=44 width=280></td>
+
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="img5/p68r4c2.png" height=118 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="img5/p68r5c1.png" height=109 width=280></td>
+
+<td ALIGN=CENTER><i>Open turn with a beat before: 2nd open sideways</i>
+<br><img alt=" "  SRC="img5/p68r5c2.png" height=150 width=257></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Another 2nd crossed behind</i>
+<br><img alt=" "  SRC="img5/p68r6c1.png" height=146 width=280></td>
+
+<td ALIGN=CENTER><i>Beat behind turn 2nd inclosed behind</i>
+<br><img alt=" "  SRC="img5/p68r6c2.png" height=150 width=264></td>
+</tr>
+</table>
+
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="2">
+
+<h2 align=center>
+TABLE <i>of Coupees</i>.</h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="img5/p69r1c1.png" height=150 width=253></td>
+
+<td ALIGN=CENTER><i>Beat behind turn 2nd open sideways</i>
+<br><img alt=" "  SRC="img5/p69r1c2.png" height=150 width=230></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Both open sideways</i>
+<br><img alt=" "  SRC="img5/p69r2c1.png" height=128 width=280></td>
+
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="img5/p69r2c2.png" height=49 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Cross before turn 2nd open sideways</i>
+<br><img alt=" "  SRC="img5/p69r3c1.png" height=52 width=280></td>
+
+<td ALIGN=CENTER><i>Forwards turning</i>
+<br><img alt=" "  SRC="img5/p69r3c2.png" height=150 width=226></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Cross before turn 2nd open sideways</i>
+<br><img alt=" "  SRC="img5/p69r4c1.png" height=130 width=280></td>
+
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="img5/p69r4c2.png" height=108 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>3 quarter turn 2nd open outwards</i>
+<br><img alt=" "  SRC="img5/p69r5c1.png" height=140 width=280></td>
+
+<td ALIGN=CENTER><i>Another whole turn</i>
+<br><img alt=" "  SRC="img5/p69r5c2.png" height=150 width=257></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Turn sideways 2nd turn going behind and opening sideways</i>
+<br><img alt=" "  SRC="img5/p69r6c1.png" height=59 width=280></td>
+
+<td ALIGN=CENTER><i>Whole turn 2nd open sideways</i>
+<br><img alt=" "  SRC="img5/p69r6c2.png" height=101 width=300></td>
+</tr>
+</table>
+
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="2">
+
+<h2 align=center>
+<a NAME="bouree"></a>TABLE</h2>
+
+
+<h3 align=center>
+<i>of</i></h3>
+
+
+<h2 align=center>
+<i>Bouree steps or Fleurets</i></h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Bouree step forwards</i>
+<br><img alt=" "  SRC="img6/p70r1c1a.png" height=150 width=58><img alt=" "  SRC="img6/p70r1c1b.png" height=150 width=53></td>
+
+<td ALIGN=CENTER><i>backwards</i>
+<br><img alt=" "  SRC="img6/p70r1c2a.png" height=150 width=66><img alt=" "  SRC="img6/p70r1c2b.png" height=150 width=67></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>backwards the last open sideways</i>
+<br><img alt=" "  SRC="img6/p70r2c1a.png" height=150 width=97><img alt=" "  SRC="img6/p70r2c1b.png" height=150 width=112></td>
+
+<td ALIGN=CENTER><i>1st backwards: 2nd beat before: 3rd forwards</i>
+<br><img alt=" "  SRC="img6/p70r2c2a.png" height=150 width=88><img alt=" "  SRC="img6/p70r2c2b.png" height=150 width=78></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="img6/p70r3c1a.png" height=150 width=66><img alt=" "  SRC="img6/p70r3c1b.png" height=150 width=66></td>
+
+<td ALIGN=CENTER><i>1st backwards: 2nd beat &amp; inclosed behind: 3rd
+forwards</i>
+<br><img alt=" "  SRC="img6/p70r3c2a.png" height=150 width=64><img alt=" "  SRC="img6/p70r3c2b.png" height=150 width=85></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="img6/p70r4c1a.png" height=150 width=77><img alt=" "  SRC="img6/p70r4c1b.png" height=150 width=84></td>
+
+<td ALIGN=CENTER><i>2. 1st backwards 3rd forwards</i>
+<br><img alt=" "  SRC="img6/p70r4c2a.png" height=150 width=81><img alt=" "  SRC="img6/p70r4c2b.png" height=150 width=88></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="img6/p70r5c1a.png" height=150 width=59><img alt=" "  SRC="img6/p70r5c1b.png" height=150 width=71></td>
+
+<td ALIGN=CENTER><i>1st backwards: 2nd joyned: 3rd forwards</i>
+<br><img alt=" "  SRC="img6/p70r5c2a.png" height=150 width=94><img alt=" "  SRC="img6/p70r5c2b.png" height=150 width=93></td>
+</tr>
+</table>
+
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="2">
+
+<h2 align=center>
+TABLE <i>of Bouree's.</i></h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same.</i>
+<br><img alt=" "  SRC="img6/p71r1c1.png" height=150 width=237></td>
+
+<td ALIGN=CENTER><i>Another the last open sideways</i>
+<br><img alt=" "  SRC="img6/p71r1c2.png" height=128 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same.</i>
+<br><img alt=" "  SRC="img6/p71r2c1.png" height=120 width=280></td>
+
+<td ALIGN=CENTER><i>the same.</i>
+<br><img alt=" "  SRC="img6/p71r2c2.png" height=126 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="img6/p71r3c1.png" height=67 width=280></td>
+
+<td ALIGN=CENTER><i>the same 3d. cross'd before.</i>
+<br><img alt=" "  SRC="img6/p71r3c2.png" height=150 width=268></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same.</i>
+<br><img alt=" "  SRC="img6/p71r4c1.png" height=150 width=238></td>
+
+<td ALIGN=CENTER><i>the same.</i>
+<br><img alt=" "  SRC="img6/p71r4c2.png" height=70 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>1st circular before fall behind; 2d inclosed: behind
+3d forwards.</i>
+<br><img alt=" "  SRC="img6/p71r5c1.png" height=150 width=244></td>
+
+<td ALIGN=CENTER><i>1st circular sideways; the 2d &amp; 3 same as before</i>
+<br><img alt=" "  SRC="img6/p71r5c2.png" height=150 width=252></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Sideways</i>
+<br><img alt=" "  SRC="img6/p71r6c1.png" height=43 width=280></td>
+
+<td ALIGN=CENTER><i>Another.</i>
+<br><img alt=" "  SRC="img6/p71r6c2.png" height=46 width=300></td>
+</tr>
+</table>
+
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="2">
+
+<h2 align=center>
+TABLE <i>of Bouree's.</i></h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>1st &amp; 2d open 3rd inclosed behind.</i>
+<br><img alt=" "  SRC="img6/p72r1c1.png" height=39 width=280></td>
+
+<td ALIGN=CENTER><i>the same.</i>
+<br><img alt=" "  SRC="img6/p72r1c2.png" height=108 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same.</i>
+<br><img alt=" "  SRC="img6/p72r2c1.png" height=133 width=300></td>
+
+<td ALIGN=CENTER><i>behind going sideways.</i>
+<br><img alt=" "  SRC="img6/p72r2c2.png" height=41 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>before going sideways.</i>
+<br><img alt=" "  SRC="img6/p72r3c1.png" height=38 width=280></td>
+
+<td ALIGN=CENTER><i>Another</i>
+<br><img alt=" "  SRC="img6/p72r3c2.png" height=40 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same.</i>
+<br><img alt=" "  SRC="img6/p72r4c1.png" height=147 width=280></td>
+
+<td ALIGN=CENTER><i>before &amp; behind sideways.</i>
+<br><img alt=" "  SRC="img6/p72r4c2.png" height=40 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same.</i>
+<br><img alt=" "  SRC="img6/p72r5c1.png" height=138 width=280></td>
+
+<td ALIGN=CENTER><i>behind &amp; before sideways.</i>
+<br><img alt=" "  SRC="img6/p72r5c2.png" height=43 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same.</i>
+<br><img alt=" "  SRC="img6/p72r6c1.png" height=140 width=280></td>
+
+<td ALIGN=CENTER><i>behind going sideways.</i>
+<br><img alt=" "  SRC="img6/p72r6c2.png" height=44 width=280></td>
+</tr>
+</table>
+
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="2">
+
+<h2 align=center>
+TABLE <i>of Bouree's.</i></h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same.</i>
+<br><img alt=" "  SRC="img6/p73r1c1.png" height=150 width=275></td>
+
+<td ALIGN=CENTER><i>1st behind 2d Waving &amp; open sideways 3d inclosed.
+behind.</i>
+<br><img alt=" "  SRC="img6/p73r1c2.png" height=38 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>1st open sideways 2d cross behind 3d open sideways.</i>
+<br><img alt=" "  SRC="img6/p73r2c1.png" height=52 width=300></td>
+
+<td ALIGN=CENTER><i>the same 2d cross'd before</i>
+<br><img alt=" "  SRC="img6/p73r2c2.png" height=41 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>1st forwards: 2d inclosed behind 3d forwards</i>
+<br><img alt=" "  SRC="img6/p73r3c1.png" height=150 width=210></td>
+
+<td ALIGN=CENTER><i>1st open sideways, 2d joyn'd, 3d open sideways.</i>
+<br><img alt=" "  SRC="img6/p73r3c2.png" height=46 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>1st open sideways, 3d inclosed. behind, 3d forwards</i>
+<br><img alt=" "  SRC="img6/p73r4c1.png" height=111 width=300></td>
+
+<td ALIGN=CENTER><i>1st cross'd before 2d. joyn'd 3d before.</i>
+<br><img alt=" "  SRC="img6/p73r4c2.png" height=45 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same cross'd behind.</i>
+<br><img alt=" "  SRC="img6/p73r5c1.png" height=42 width=300></td>
+
+<td ALIGN=CENTER><i>1st cross'd before, 2d joyn'd, 3d open sideways.</i>
+<br><img alt=" "  SRC="img6/p73r5c2.png" height=45 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same cross'd behind</i>
+<br><img alt=" "  SRC="img6/p73r6c1.png" height=43 width=300></td>
+
+<td ALIGN=CENTER><i>1st beat behind, 2d beat before, 3d forwards.</i>
+<br><img alt=" "  SRC="img6/p73r6c2.png" height=150 width=208></td>
+</tr>
+</table>
+
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="2">
+
+<h2 align=center>
+TABLE <i>of Bouree's</i></h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>1st beat behind, 2d inclosed. behind, 3d forwards.</i>
+<br><img alt=" "  SRC="img6/p74r1c1.png" height=150 width=234></td>
+
+<td ALIGN=CENTER><i>the same.</i>
+<br><img alt=" "  SRC="img6/p74r1c2.png" height=150 width=226></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>beat before, 2d forwards, 3d inclosed. behind.</i>
+<br><img alt=" "  SRC="img6/p74r2c1.png" height=150 width=226></td>
+
+<td ALIGN=CENTER><i>1st beat sideways, 2d open &amp; the 3d. inclosed:
+behind.</i>
+<br><img alt=" "  SRC="img6/p74r2c2.png" height=150 width=269></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same.</i>
+<br><img alt=" "  SRC="img6/p74r3c1.png" height=137 width=300></td>
+
+<td ALIGN=CENTER><i>quarter turn sideways before.</i>
+<br><img alt=" "  SRC="img6/p74r3c2.png" height=150 width=221></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>before &amp; behind, quarter turn sideways.</i>
+<br><img alt=" "  SRC="img6/p74r4c1.png" height=150 width=235></td>
+
+<td ALIGN=CENTER><i>1st open sideways, quarter turn: 2d cross'd before,
+3d open sideways.</i>
+<br><img alt=" "  SRC="img6/p74r4c2.png" height=150 width=207></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same cross'd behind.</i>
+<br><img alt=" "  SRC="img6/p74r5c1.png" height=150 width=209></td>
+
+<td ALIGN=CENTER><i>quarter turn, 1st &amp; 2d open, 3d inclosed. behind.</i>
+<br><img alt=" "  SRC="img6/p74r5c2.png" height=150 width=203></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same.</i>
+<br><img alt=" "  SRC="img6/p74r6c1.png" height=117 width=300></td>
+
+<td ALIGN=CENTER><i>the same.</i>
+<br><img alt=" "  SRC="img6/p74r6c2.png" height=131 width=280></td>
+</tr>
+</table>
+
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="2">
+
+<h2 align=center>
+TABLE <i>of Bouree's</i></h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>forward turning</i>
+<br><img alt=" "  SRC="img6/p75r1c1.png" height=45 width=300></td>
+
+<td ALIGN=CENTER><i>Another</i>
+<br><img alt=" "  SRC="img6/p75r1c2.png" height=42 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>1st forwards: turn: 2d inclosed: behind 3d forwards.</i>
+<br><img alt=" "  SRC="img6/p75r2c1.png" height=45 width=300></td>
+
+<td ALIGN=CENTER><i>forward turning</i>
+<br><img alt=" "  SRC="img6/p75r2c2.png" height=43 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>1st behind: turning: 2d &amp; 3d forward.</i>
+<br><img alt=" "  SRC="img6/p75r3c1.png" height=59 width=300></td>
+
+<td ALIGN=CENTER><i>forward turning.</i>
+<br><img alt=" "  SRC="img6/p75r3c2.png" height=45 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>1st behind turning: 2d open: &amp; inclosed. behind:
+3d forwards.</i>
+<br><img alt=" "  SRC="img6/p75r4c1.png" height=52 width=300></td>
+
+<td ALIGN=CENTER><i>backwards turning</i>
+<br><img alt=" "  SRC="img6/p75r4c2.png" height=43 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Another</i>
+<br><img alt=" "  SRC="img6/p75r5c1.png" height=51 width=300></td>
+
+<td ALIGN=CENTER><i>1st open inwards turn: 2d open inclosed behind: 3d
+forwards.</i>
+<br><img alt=" "  SRC="img6/p75r5c2.png" height=150 width=237></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the 1st open inwards turn 2d. open sideways. 3d inclosed
+behind.</i>
+<br><img alt=" "  SRC="img6/p75r6c1.png" height=140 width=300></td>
+
+<td ALIGN=CENTER><i>forwards half turn</i>
+<br><img alt=" "  SRC="img6/p75r6c2.png" height=150 width=230></td>
+</tr>
+</table>
+
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="2">
+
+<h2 align=center>
+TABLE <i>of Bouree's</i></h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>forwards half turn.</i>
+<br><img alt=" "  SRC="img6/p76r1c1.png" height=150 width=208></td>
+
+<td ALIGN=CENTER><i>1st open outwards &amp; back, turn 2nd open outwards,
+inclosed behind 3rd forwards.</i>
+<br><img alt=" "  SRC="img6/p76r1c2.png" height=150 width=240></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>1st open, turn 2nd open, 3rd inclosed behind.</i>
+<br><img alt=" "  SRC="img6/p76r2c1.png" height=50 width=280></td>
+
+<td ALIGN=CENTER><i>the same.</i>
+<br><img alt=" "  SRC="img6/p76r2c2.png" height=112 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same.</i>
+<br><img alt=" "  SRC="img6/p76r3c1.png" height=137 width=300></td>
+
+<td ALIGN=CENTER><i>1st beat before turn &amp; open sideways, 2nd open,
+3rd inclosed. behind.</i>
+<br><img alt=" "  SRC="img6/p76r3c2.png" height=150 width=225></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same.</i>
+<br><img alt=" "  SRC="img6/p76r4c1.png" height=150 width=257></td>
+
+<td ALIGN=CENTER><i>1st beat before turn, 2nd inclosed behind, 3rd cross'd
+before.</i>
+<br><img alt=" "  SRC="img6/p76r4c2.png" height=150 width=231></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same.</i>
+<br><img alt=" "  SRC="img6/p76r5c1.png" height=150 width=226></td>
+
+<td ALIGN=CENTER><i>1st beat behind, turn 2nd &amp; 3rd open sideways.</i>
+<br><img alt=" "  SRC="img6/p76r5c2.png" height=150 width=217></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>1st open turn 2nd open 3rd inclosed.</i>
+<br><img alt=" "  SRC="img6/p76r6c1.png" height=120 width=280></td>
+
+<td ALIGN=CENTER><i>the same.</i>
+<br><img alt=" "  SRC="img6/p76r6c2.png" height=53 width=280></td>
+</tr>
+</table>
+
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="2">
+
+<h2 align=center>
+TABLE <i>of Bouree's</i></h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>half turn sideways.</i>
+<br><img alt=" "  SRC="img6/p77r1c1.png" height=43 width=280></td>
+
+<td ALIGN=CENTER><i>the same before and behind.</i>
+<br><img alt=" "  SRC="img6/p77r1c2.png" height=42 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>forwards half turn.</i>
+<br><img alt=" "  SRC="img6/p77r2c1.png" height=150 width=236></td>
+
+<td ALIGN=CENTER><i>1st cross'd before turn 2nd open sideways &amp; 3rd
+joyn'd.</i>
+<br><img alt=" "  SRC="img6/p77r2c2.png" height=144 width=300></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same sideways before.</i>
+<br><img alt=" "  SRC="img6/p77r3c1.png" height=107 width=280></td>
+
+<td ALIGN=CENTER><i>the same before and behind.</i>
+<br><img alt=" "  SRC="img6/p77r3c2.png" height=105 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>1st open &amp; 3 quarter turn, 2rd joyn'd with quarter
+turn 3rd forward.</i>
+<br><img alt=" "  SRC="img6/p77r4c1.png" height=150 width=246></td>
+
+<td ALIGN=CENTER><i>1st open half turn 2nd beat behind turn half 3rd cross'd
+behind.</i>
+<br><img alt=" "  SRC="img6/p77r4c2.png" height=64 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>before and behind turn a whole turn.</i>
+<br><img alt=" "  SRC="img6/p77r5c1.png" height=115 width=280></td>
+
+<td ALIGN=CENTER><i>1st cross'd before half turn, 2nd quarter turn, 3rd
+joyn'd.</i>
+<br><img alt=" "  SRC="img6/p77r5c2.png" height=64 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same 3rd sideways.</i>
+<br><img alt=" "  SRC="img6/p77r6c1.png" height=59 width=280></td>
+
+<td ALIGN=CENTER><i>1st beat behind half turn, 2nd quarter turn, 3rd open
+sideways.</i>
+<br><img alt=" "  SRC="img6/p77r6c2.png" height=150 width=235></td>
+</tr>
+</table>
+
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="2">
+
+<h2 align=center>
+<a NAME="bounds"></a>TABLE</h2>
+
+
+<h2 align=center>
+<i>of</i></h2>
+
+
+<h2 align=center>
+<i>Bounds and Tac's</i></h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>a Bound forwards.</i>
+<br><img alt=" "  SRC="img6/p78r1c1.png" height=150 width=241></td>
+
+<td ALIGN=CENTER><i>backwards</i>
+<br><img alt=" "  SRC="img6/p78r1c2.png" height=150 width=267></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Open backwards 2nd open in the same time.</i>
+<br><img alt=" "  SRC="img6/p78r2c1.png" height=150 width=278></td>
+
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="img6/p78r2c2.png" height=64 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same circular before</i>
+<br><img alt=" "  SRC="img6/p79r3c1.png" height=49 width=300></td>
+
+<td ALIGN=CENTER><i>the same circular sideways</i>
+<br><img alt=" "  SRC="img6/p79r3c2.png" height=51 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>forward joyn'd on both feet.</i>
+<br><img alt=" "  SRC="img6/p78r4c1.png" height=150 width=250></td>
+
+<td ALIGN=CENTER><i>the same backwards.</i>
+<br><img alt=" "  SRC="img6/p78r4c2.png" height=150 width=242></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>forwards inclosed before.</i>
+<br><img alt=" "  SRC="img6/p78r5c1.png" height=150 width=239></td>
+
+<td ALIGN=CENTER><i>backwards inclosed before.</i>
+<br><img alt=" "  SRC="img6/p78r5c2.png" height=150 width=271></td>
+</tr>
+</table>
+
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="2">
+
+<h2 align=center>
+TABLE <i>of Bounds</i></h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>fowards 2nd joyn'd open.</i>
+<br><img alt=" "  SRC="img6/p79r1c1.png" height=150 width=248></td>
+
+<td ALIGN=CENTER><i>the same backwards.</i>
+<br><img alt=" "  SRC="img6/p79r1c2.png" height=150 width=244></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>forwards 2nd inclosed behind.</i>
+<br><img alt=" "  SRC="img6/p79r2c1.png" height=150 width=249></td>
+
+<td ALIGN=CENTER><i>the same backwards inclosed before.</i>
+<br><img alt=" "  SRC="img6/p79r2c2.png" height=150 width=256></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>open sideways 2nd joyn'd up.</i>
+<br><img alt=" "  SRC="img6/p79r3c1.png" height=49 width=300></td>
+
+<td ALIGN=CENTER><i>the same inclosed behind.</i>
+<br><img alt=" "  SRC="img6/p79r3c2.png" height=51 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Cross'd before 2nd sideways joyn'd up.</i>
+<br><img alt=" "  SRC="img6/p79r4c1.png" height=42 width=300></td>
+
+<td ALIGN=CENTER><i>Illustration: the same.</i>
+<br><img alt=" "  SRC="img6/p79r4c2.png" height=40 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same cross'd behind.</i>
+<br><img alt=" "  SRC="img6/p79r5c1.png" height=42 width=300></td>
+
+<td ALIGN=CENTER><i>forwards quarter turn 2nd open outwards.</i>
+<br><img alt=" "  SRC="img6/p79r5c2.png" height=60 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Cross'd behind quarter turn 2nd open outwards.</i>
+<br><img alt=" "  SRC="img6/p79r6c1.png" height=54 width=300></td>
+
+<td ALIGN=CENTER><i>backwards quarter turn 2nd open outwards.</i>
+<br><img alt=" "  SRC="img6/p79r6c2.png" height=72 width=280></td>
+</tr>
+</table>
+
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="2">
+
+<h2 align=center>
+TABLE <i>of Bounds</i></h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>half turn 2nd open backwards.</i>
+<br><img alt=" "  SRC="img6/p80r1c1.png" height=150 width=245></td>
+
+<td ALIGN=CENTER><i>forwards turning</i>
+<br><img alt=" "  SRC="img6/p80r1c2.png" height=150 width=238></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Another</i>
+<br><img alt=" "  SRC="img6/p80r2c1.png" height=138 width=280></td>
+
+<td ALIGN=CENTER><i>behind turning 2nd open outwards.</i>
+<br><img alt=" "  SRC="img6/p80r2c2.png" height=142 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>open sideways turn 2nd open outwards</i>
+<br><img alt=" "  SRC="img6/p80r3c1.png" height=63 width=280></td>
+
+<td ALIGN=CENTER><i>forwards turn.</i>
+<br><img alt=" "  SRC="img6/p80r3c2.png" height=129 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>3 quarter turn 2nd behind up</i>
+<br><img alt=" "  SRC="img6/p80r4c1.png" height=53 width=280></td>
+
+<td ALIGN=CENTER><i>the same.</i>
+<br><img alt=" "  SRC="img6/p80r4c2.png" height=172 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Another.</i>
+<br><img alt=" "  SRC="img6/p80r5c1.png" height=133 width=280></td>
+
+<td ALIGN=CENTER><i>Whole turn 2nd open outwards.</i>
+<br><img alt=" "  SRC="img6/p80r5c2.png" height=151 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Another 2nd inclosed behind.</i>
+<br><img alt=" "  SRC="img6/p80r6c1.png" height=175 width=300></td>
+
+<td ALIGN=CENTER><i>on both feet a whole turn.</i>
+<br><img alt=" "  SRC="img6/p80r6c2.png" height=161 width=280></td>
+</tr>
+</table>
+
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="2">
+
+<h2 align=center>
+<a NAME="hops"></a>A TABLE <i>of Compos'd Hops or Contretemps.</i></h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Contretemps forwards</i>
+<br><img alt=" "  SRC="img7/p81r1c1.png" height=150 width=230></td>
+
+<td ALIGN=CENTER><i>Backwards</i>
+<br><img alt=" "  SRC="img7/p81r1c2.png" height=150 width=226></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>beat behind &amp; then forwards.</i>
+<br><img alt=" "  SRC="img7/p81r2c1.png" height=150 width=232></td>
+
+<td ALIGN=CENTER><i>beat on the ankle &amp; forwards.</i>
+<br><img alt=" "  SRC="img7/p81r2c2.png" height=150 width=230></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>beat on the ankle 2nd beat behind.</i>
+<br><img alt=" "  SRC="img7/p81r3c1.png" height=150 width=255></td>
+
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="img7/p81r3c2.png" height=97 width=300></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>backwards 2d open</i>
+<br><img alt=" "  SRC="img7/p81r4c1.png" height=138 width=280></td>
+
+<td ALIGN=CENTER><i>forwards 2nd beat behind. pass'd before &amp; open
+circular.</i>
+<br><img alt=" "  SRC="img7/p81r4c2.png" height=150 width=228></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>forwards cross 2'd beat behind.</i>
+<br><img alt=" "  SRC="img7/p81r5c1.png" height=150 width=267></td>
+
+<td ALIGN=CENTER><i>the same circular inwards.</i>
+<br><img alt=" "  SRC="img7/p81r5c2.png" height=150 width=258></td>
+</tr>
+</table>
+
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="2">
+
+<h2 align=center>
+TABLE <i>of Contretemps</i></h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>forwards open &amp; bound on the same foot which is
+called Balonne.</i>
+<br><img alt=" "  SRC="img7/p82r1c1.png" height=150 width=239></td>
+
+<td ALIGN=CENTER><i>Another the sinking of the bound taken from the instep.</i>
+<br><img alt=" "  SRC="img7/p82r1c2.png" height=150 width=245></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>backwards 2nd inclosed behind.</i>
+<br><img alt=" "  SRC="img7/p82r2c1.png" height=150 width=261></td>
+
+<td ALIGN=CENTER><i>beat before inclosed behind 2nd forwards.</i>
+<br><img alt=" "  SRC="img7/p82r2c2.png" height=150 width=234></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>backwards 2nd open sideways.</i>
+<br><img alt=" "  SRC="img7/p82r3c1.png" height=150 width=276></td>
+
+<td ALIGN=CENTER><i>sideways 2nd cross'd before.</i>
+<br><img alt=" "  SRC="img7/p82r3c2.png" height=57 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Another 2nd cross'd behind.</i>
+<br><img alt=" "  SRC="img7/p82r4c1.png" height=45 width=300></td>
+
+<td ALIGN=CENTER><i>sideways 1st cross'd before 2nd open sideways.</i>
+<br><img alt=" "  SRC="img7/p82r4c2.png" height=43 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same from another position.</i>
+<br><img alt=" "  SRC="img7/p82r5c1.png" height=44 width=300></td>
+
+<td ALIGN=CENTER><i>the same.</i>
+<br><img alt=" "  SRC="img7/p82r5c2.png" height=150 width=245></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>beat before cross'd behind &amp; open sideways.</i>
+<br><img alt=" "  SRC="img7/p82r6c1.png" height=55 width=300></td>
+
+<td ALIGN=CENTER><i>open 2nd cross'd behind.</i>
+<br><img alt=" "  SRC="img7/p82r6c2.png" height=52 width=280></td>
+</tr>
+</table>
+
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="2">
+
+<h2 align=center>
+TABLE <i>of Contretemps</i></h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>open 2nd cross'd before.</i>
+<br><img alt=" "  SRC="img7/p83r1c1.png" height=48 width=280></td>
+
+<td ALIGN=CENTER><i>open sideways waving 2nd cross'd behind.</i>
+<br><img alt=" "  SRC="img7/p83r1c2.png" height=57 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>open sideways, 2nd cross'd behind.</i>
+<br><img alt=" "  SRC="img7/p83r2c1.png" height=120 width=280></td>
+
+<td ALIGN=CENTER><i>forwards 2nd joyn'd.</i>
+<br><img alt=" "  SRC="img7/p83r2c2.png" height=150 width=242></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>backwards and joyn'd</i>
+<br><img alt=" "  SRC="img7/p83r3c1.png" height=150 width=253></td>
+
+<td ALIGN=CENTER><i>Rigandon step.</i>
+<br><i>Springing open fall in the same position 2nd the same without spring.</i>
+<br><img alt=" "  SRC="img7/p83r3c2.png" height=131 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same.</i>
+<br><img alt=" "  SRC="img7/p83r4c1.png" height=119 width=280></td>
+
+<td ALIGN=CENTER><i>open sideways 2nd joyn'd.</i>
+<br><img alt=" "  SRC="img7/p83r4c2.png" height=57 width=300></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Another.</i>
+<br><img alt=" "  SRC="img7/p83r5c1.png" height=49 width=280></td>
+
+<td ALIGN=CENTER><i>open sideways 2nd inclosed behind.</i>
+<br><img alt=" "  SRC="img7/p83r5c2.png" height=52 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same inclosed behind.</i>
+<br><img alt=" "  SRC="img7/p83r6c1.png" height=48 width=280></td>
+
+<td ALIGN=CENTER><i>beat sinking behind spring forward cross'd 2nd open
+sideways.</i>
+<br><img alt=" "  SRC="img7/p83r6c2.png" height=150 width=253></td>
+</tr>
+</table>
+
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="2">
+
+<h2 align=center>
+<i>TABLE of Contretemps</i></h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>cross'd before turn 2nd open sideways.</i>
+<br><img alt=" "  SRC="img7/p84r1c1.png" height=150 width=244></td>
+
+<td ALIGN=CENTER><i>open sideways turn 2nd cross'd before.</i>
+<br><img alt=" "  SRC="img7/p84r1c2.png" height=150 width=233></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same cross'd behind.</i>
+<br><img alt=" "  SRC="img7/p84r2c1.png" height=93 width=280></td>
+
+<td ALIGN=CENTER><i>beat on the instep turn and inclosed behind and forwards.</i>
+<br><img alt=" "  SRC="img7/p84r2c2.png" height=85 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>open sideways turn &amp; cross'd before.</i>
+<br><img alt=" "  SRC="img7/p84r3c1.png" height=150 width=233></td>
+
+<td ALIGN=CENTER><i>Another cross'd before.</i>
+<br><img alt=" "  SRC="img7/p84r3c2.png" height=150 width=221></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>open sideways turn &amp; cross'd behind.</i>
+<br><img alt=" "  SRC="img7/p84r4c1.png" height=150 width=241></td>
+
+<td ALIGN=CENTER><i>the same.</i>
+<br><img alt=" "  SRC="img7/p84r4c2.png" height=126 width=300></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>forwards turning.</i>
+<br><img alt=" "  SRC="img7/p84r5c1.png" height=54 width=280></td>
+
+<td ALIGN=CENTER><i>Another.</i>
+<br><img alt=" "  SRC="img7/p84r5c2.png" height=51 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Another.</i>
+<br><img alt=" "  SRC="img7/p84r6c1.png" height=40 width=280></td>
+
+<td ALIGN=CENTER><i>backwards turn.</i>
+<br><img alt=" "  SRC="img7/p84r6c2.png" height=53 width=280></td>
+</tr>
+</table>
+
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="2">
+
+<h2 align=center>
+<i>TABLE of Contretemps</i></h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>beat on the instep burn open sideways 2nd open also.</i>
+<br><img alt=" "  SRC="img7/p85r1c1.png" height=142 width=300></td>
+
+<td ALIGN=CENTER><i>half turn 2nd backwards.</i>
+<br><img alt=" "  SRC="img7/p85r1c2.png" height=150 width=272></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>forwards turning</i>
+<br><img alt=" "  SRC="img7/p85r2c1.png" height=150 width=245></td>
+
+<td ALIGN=CENTER><i>Another.</i>
+<br><img alt=" "  SRC="img7/p85r2c2.png" height=150 width=245></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>turning 2nd inclosed both.</i>
+<br><img alt=" "  SRC="img7/p85r3c1.png" height=139 width=280></td>
+
+<td ALIGN=CENTER><i>open sideways turning 2nd cross'd behind.</i>
+<br><img alt=" "  SRC="img7/p85r3c2.png" height=50 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>open turn sinking behind to hop open sideways 2nd cross'd
+behind.</i>
+<br><img alt=" "  SRC="img7/p85r4c1.png" height=150 width=275></td>
+
+<td ALIGN=CENTER><i>open turn sinking behind to hop forwards 2nd also forwards.</i>
+<br><img alt=" "  SRC="img7/p85r4c2.png" height=72 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same with a half turn.</i>
+<br><img alt=" "  SRC="img7/p85r5c1.png" height=150 width=262></td>
+
+<td ALIGN=CENTER><i>beat behind turn and forwards.</i>
+<br><img alt=" "  SRC="img7/p85r5c2.png" height=150 width=283></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>open sideways turn 2nd cross'd.</i>
+<br><img alt=" "  SRC="img7/p85r6c1.png" height=131 width=280></td>
+
+<td ALIGN=CENTER><i>the same.</i>
+<br><img alt=" "  SRC="img7/p85r6c2.png" height=49 width=280></td>
+</tr>
+</table>
+
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="2">
+
+<h2 align=center>
+<i>TABLE of Contretemps.</i></h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>open turn: half turn the last back: turn: quarter turn</i>
+<br><img alt=" "  SRC="img7/p86r1c1.png" height=54 width=280></td>
+
+<td ALIGN=CENTER><i>cross'd before: half turn 2nd open.</i>
+<br><img alt=" "  SRC="img7/p86r1c2.png" height=41 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>beat before &amp; inclosed behind 2nd forwards turning
+quarter turn</i>
+<br><img alt=" "  SRC="img7/p86r2c1.png" height=131 width=300></td>
+
+<td ALIGN=CENTER><i>forwards turn half turn</i>
+<br><img alt=" "  SRC="img7/p86r2c2.png" height=150 width=234></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>cross'd before turn: 2nd open sideways.</i>
+<br><img alt=" "  SRC="img7/p86r3c1.png" height=136 width=280></td>
+
+<td ALIGN=CENTER><i>the same.</i>
+<br><img alt=" "  SRC="img7/p86r3c2.png" height=111 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>half turn circular, sinking to bound turn: left open.</i>
+<br><img alt=" "  SRC="img7/p86r4c1.png" height=150 width=231></td>
+
+<td ALIGN=CENTER><i>Another</i>
+<br><img alt=" "  SRC="img7/p86r4c2.png" height=150 width=230></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>beat on the ankle half turn &amp; forwards.</i>
+<br><img alt=" "  SRC="img7/p86r5c1.png" height=150 width=267></td>
+
+<td ALIGN=CENTER><i>open turn: 3 quarter turn 2nd backwards.</i>
+<br><img alt=" "  SRC="img7/p86r5c2.png" height=150 width=278></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>a whole turn 2nd beat behind.</i>
+<br><img alt=" "  SRC="img7/p86r6c1.png" height=150 width=259></td>
+
+<td ALIGN=CENTER><i>beat behind: whole turn forwards the last.</i>
+<br><img alt=" "  SRC="img7/p86r6c2.png" height=150 width=229></td>
+</tr>
+</table>
+
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="2">
+
+<h2 align=center>
+<a NAME="chassees"></a>TABLE</h2>
+
+
+<h2 align=center>
+<i>of</i></h2>
+
+
+<h2 align=center>
+<i>Chass&eacute;s or Drises.</i></h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>forwards.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
+backwards.</i>
+<br><img alt=" "  SRC="img7/p87r1c1.png" height=150 width=231></td>
+
+<td ALIGN=CENTER><i>sideways.</i>
+<br><img alt=" "  SRC="img7/p87r1c2.png" height=45 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>backwards circular before.</i>
+<br><img alt=" "  SRC="img7/p87r2c1.png" height=150 width=237></td>
+
+<td ALIGN=CENTER><i>a beaten chassee sideways.</i>
+<br><img alt=" "  SRC="img7/p87r2c2.png" height=64 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>open forwards.</i>
+<br><img alt=" "  SRC="img7/p87r3c1.png" height=150 width=208></td>
+
+<td ALIGN=CENTER><i>forwards inclosed behind.</i>
+<br><img alt=" "  SRC="img7/p87r3c2.png" height=150 width=206></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>forwards quarter turn.</i>
+<br><img alt=" "  SRC="img7/p87r4c1.png" height=150 width=230></td>
+
+<td ALIGN=CENTER><i>half turn.</i>
+<br><img alt=" "  SRC="img7/p87r4c2.png" height=150 width=196></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>3 quarter turn.</i>
+<br><img alt=" "  SRC="img7/p87r5c1.png" height=150 width=269></td>
+
+<td ALIGN=CENTER><i>a whole turn.</i>
+<br><img alt=" "  SRC="img7/p87r5c2.png" height=150 width=238></td>
+</tr>
+</table>
+
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="2">
+
+<h2 align=center>
+TABLE</h2>
+
+
+<h2 align=center>
+<i>of</i></h2>
+
+
+<h2 align=center>
+<i>Chassees and Falling steps.</i></h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Drive without springing.</i>
+<br><img alt=" "  SRC="img7/p88r1c1.png" height=150 width=207></td>
+
+<td ALIGN=CENTER><i>the same.</i>
+<br><img alt=" "  SRC="img7/p88r1c2.png" height=150 width=204></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>beaten Chassee behind.</i>
+<br><img alt=" "  SRC="img7/p88r2c1.png" height=150 width=212></td>
+
+<td ALIGN=CENTER><i>sideways turn.</i>
+<br><img alt=" "  SRC="img7/p88r2c2.png" height=57 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Chassee forwards with falling step.</i>
+<br><img alt=" "  SRC="img7/p88r3c1.png" height=150 width=217></td>
+
+<td ALIGN=CENTER><i>the same</i>
+<br><img alt=" "  SRC="img7/p88r3c2.png" height=150 width=198></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>a falling steps open both feet and rise on the 2nd.</i>
+<br><img alt=" "  SRC="img7/p88r4c1.png" height=51 width=280></td>
+
+<td ALIGN=CENTER><i>Another 1st drives the 2nd and batone.</i>
+<br><img alt=" "  SRC="img7/p88r4c2.png" height=60 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>1st drives the 2nd springing. 2nd driv the 3rd by a
+falling step.</i>
+<br><img alt=" "  SRC="img7/p88r5c1.png" height=150 width=263></td>
+
+<td ALIGN=CENTER><i>the same sideways without sinking.</i>
+<br><img alt=" "  SRC="img7/p88r5c2.png" height=106 width=300></td>
+</tr>
+</table>
+
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="2">
+
+<h2 align=center>
+<a NAME="sissones"></a><i>a </i>TABLE</h2>
+
+
+<h2 align=center>
+<i>of</i></h2>
+
+
+<h2 align=center>
+<i>Sissonnes or Cross leaps</i></h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Sissonnes forwards</i>
+<br><img alt=" "  SRC="img7/p89r1c1.png" height=150 width=212></td>
+
+<td ALIGN=CENTER><i>backwards.</i>
+<br><img alt=" "  SRC="img7/p89r1c2.png" height=150 width=260></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>forwards 2nd open behind.</i>
+<br><img alt=" "  SRC="img7/p89r2c1.png" height=150 width=266></td>
+
+<td ALIGN=CENTER><i>forwards.</i>
+<br><img alt=" "  SRC="img7/p89r2c2.png" height=77 width=300></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>forwards turn quarter turn</i>
+<br><img alt=" "  SRC="img7/p89r3c1.png" height=52 width=280></td>
+
+<td ALIGN=CENTER><i>Another.</i>
+<br><img alt=" "  SRC="img7/p89r3c2.png" height=62 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>backwards turn quarter turn.</i>
+<br><img alt=" "  SRC="img7/p89r4c1.png" height=67 width=280></td>
+
+<td ALIGN=CENTER><i>half turn.</i>
+<br><img alt=" "  SRC="img7/p85r5c2.png" height=150 width=283></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER>
+<table >
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>beat before return behind.</i>
+<br><img alt=" "  SRC="img7/p89r5c1.png" height=150 width=72></td>
+
+<td ALIGN=CENTER><i>the same half turn.</i>
+<br><img alt=" "  SRC="img7/p89r5c2.png" height=150 width=70></td>
+</tr>
+</table>
+</td>
+
+<td ALIGN=CENTER>
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>beat behind half turn return behind.</i>
+<br><img alt=" "  SRC="img7/p89r5c3.png" height=150 width=70></td>
+
+<td ALIGN=CENTER><i>another turn half turn.</i>
+<br><img alt=" "  SRC="img7/p89r5c4.png" height=150 width=44></td>
+</tr>
+</table>
+</td>
+</tr>
+</table>
+
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="2">
+
+<h2 align=center>
+<a NAME="pirouettes"></a>TABLE</h2>
+
+
+<h2 align=center>
+<i>of</i></h2>
+
+
+<h2 align=center>
+<i>Piro&uuml;ettes.</i></h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>open cross'd behind &amp; turn on the toes half turn.</i>
+<br><img alt=" "  SRC="img7/p90r1c1.png" height=150 width=291></td>
+
+<td ALIGN=CENTER><i>the same cross'd before.</i>
+<br><img alt=" "  SRC="img7/p90r1c2.png" height=150 width=267></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER>
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>open half turn outwards.</i>
+<br><img alt=" "  SRC="img7/p90r2c1a.png" height=150 width=125></td>
+
+<td ALIGN=CENTER><i>same inwards.</i>
+<br><img alt=" "  SRC="img7/p90r2c1b.png" height=150 width=105></td>
+</tr>
+</table>
+</td>
+
+<td ALIGN=CENTER><i>a whole turn open outwards.</i>
+<br><img alt=" "  SRC="img7/p90r2c2.png" height=135 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>open inwards.</i>
+<br><img alt=" "  SRC="img7/p90r3c1.png" height=139 width=300></td>
+
+<td ALIGN=CENTER><i>a turn behind open outwards.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
+open inwards.</i>
+<br><img alt=" "  SRC="img7/p90r3c2.png" height=144 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>a whole turn open outwards.</i>
+<br><img alt=" "  SRC="img7/p90r4c1.png" height=53 width=280></td>
+
+<td ALIGN=CENTER><i>open inward.</i>
+<br><img alt=" "  SRC="img7/p90r4c2.png" height=69 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>2 turns open outward.</i>
+<br><img alt=" "  SRC="img7/p90r5c1.png" height=144 width=300></td>
+
+<td ALIGN=CENTER><i>open inward.</i>
+<br><img alt=" "  SRC="img7/p90r5c2.png" height=150 width=283></td>
+</tr>
+</table>
+
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="2">
+
+<h2 align=center>
+<i>TABLE of Piro&uuml;ettes.</i></h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>beat before behind and before half a turn outwards.</i>
+<br><img alt=" "  SRC="img7/p91r1c1.png" height=131 width=280></td>
+
+<td ALIGN=CENTER><i>the same inwards.</i>
+<br><img alt=" "  SRC="img7/p91r1c2.png" height=135 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Another outwards.</i>
+<br><img alt=" "  SRC="img7/p91r2c1.png" height=150 width=252></td>
+
+<td ALIGN=CENTER><i>open a half turn inwards circular &amp; beating on
+the instep.</i>
+<br><img alt=" "  SRC="img7/p91r2c2.png" height=150 width=233></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>beat before behind &amp; before a whole turn outward.</i>
+<br><img alt=" "  SRC="img7/p91r3c1.png" height=121 width=280></td>
+
+<td ALIGN=CENTER><i>the same inward.</i>
+<br><img alt=" "  SRC="img7/p91r3c2.png" height=121 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Another outward.</i>
+<br><img alt=" "  SRC="img7/p91r4c1.png" height=150 width=261></td>
+
+<td ALIGN=CENTER><i>beat before &amp; behind one turn inward open one leg
+outward.</i>
+<br><img alt=" "  SRC="img7/p91r4c2.png" height=150 width=262></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>beat before &amp; behind 2nd each &amp; end inclosed
+behind a whole turn outward.</i>
+<br><img alt=" "  SRC="img7/p91r5c1.png" height=129 width=280></td>
+
+<td ALIGN=CENTER><i>the same inward.</i>
+<br><img alt=" "  SRC="img7/p91r5c2.png" height=125 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>beat behind &amp; before twice each one turn outward.</i>
+<br><img alt=" "  SRC="img7/p91r6c1.png" height=150 width=255></td>
+
+<td ALIGN=CENTER><i>open circular inwards beat before behind &amp; before
+one turn outward.</i>
+<br><img alt=" "  SRC="img7/p91r6c2.png" height=150 width=290></td>
+</tr>
+</table>
+
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="2">
+
+<h2 align=center>
+<a NAME="capers"></a><i>a </i>TABLE</h2>
+
+
+<h2 align=center>
+<i>of</i></h2>
+
+
+<h2 align=center>
+<i>Capers and half Capers.</i></h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>half caper forwards or a beaten bound.</i>
+<br><img alt=" "  SRC="img7/p92r1c1.png" height=150 width=240></td>
+
+<td ALIGN=CENTER><i>the same backwards.</i>
+<br><img alt=" "  SRC="img7/p92r1c2.png" height=150 width=271></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>half Caper in moving or a beaten hop.</i>
+<br><img alt=" "  SRC="img7/p92r2c1.png" height=150 width=225></td>
+
+<td ALIGN=CENTER><i>the same backwards.</i>
+<br><img alt=" "  SRC="img7/p92r2c2.png" height=150 width=260></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Another forwards.</i>
+<br><img alt=" "  SRC="img7/p92r3c1.png" height=150 width=233></td>
+
+<td ALIGN=CENTER><i>a Caper Chassee forwards.</i>
+<br><img alt=" "  SRC="img7/p92r3c2.png" height=150 width=236></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same backwards.</i>
+<br><img alt=" "  SRC="img7/p92r4c1.png" height=150 width=211></td>
+
+<td ALIGN=CENTER><i>Another.</i>
+<br><img alt=" "  SRC="img7/p92r4c2.png" height=150 width=273></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>a beaten Sissonne.</i>
+<br><img alt=" "  SRC="img7/p92r5c1.png" height=150 width=234></td>
+
+<td ALIGN=CENTER><i>the same backwards.</i>
+<br><img alt=" "  SRC="img7/p92r5c2.png" height=150 width=260></td>
+</tr>
+</table>
+
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="2">
+
+<h2 align=center>
+<i>TABLE of Capers.</i></h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Another the last circular.</i>
+<br><img alt=" "  SRC="img7/p93r1c1.png" height=131 width=300></td>
+
+<td ALIGN=CENTER><i>an upright Caper in the same position.</i>
+<br><img alt=" "  SRC="img7/p93r1c2.png" height=150 width=240></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same the right foot falling behind.</i>
+<br><img alt=" "  SRC="img7/p93r2c1.png" height=150 width=222></td>
+
+<td ALIGN=CENTER><i>the same turning quite round.</i>
+<br><img alt=" "  SRC="img7/p93r2c2.png" height=150 width=256></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>half Caper turning quarter turn.</i>
+<br><img alt=" "  SRC="img7/p93r3c1.png" height=43 width=300></td>
+
+<td ALIGN=CENTER><i>Another.</i>
+<br><img alt=" "  SRC="img7/p93r3c2.png" height=43 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Another.</i>
+<br><img alt=" "  SRC="img7/p93r4c1.png" height=78 width=300></td>
+
+<td ALIGN=CENTER><i>Another with a half turn.</i>
+<br><img alt=" "  SRC="img7/p93r4c2.png" height=150 width=258></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Another.</i>
+<br><img alt=" "  SRC="img7/p93r5c1.png" height=150 width=276></td>
+
+<td ALIGN=CENTER><i>a side caper with a whole turn.</i>
+<br><img alt=" "  SRC="img7/p93r5c2.png" height=150 width=206></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>a half Caper a whole turn.</i>
+<br><img alt=" "  SRC="img7/p93r6c1.png" height=150 width=236></td>
+
+<td ALIGN=CENTER><i>a back Caper.</i>
+<br><img alt=" "  SRC="img7/p93r6c2.png" height=150 width=223></td>
+</tr>
+</table>
+
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="2">
+
+<h2 align=center>
+<a NAME="entrechat"></a><i>a </i>TABLE</h2>
+
+
+<h2 align=center>
+<i>of</i></h2>
+
+
+<h2 align=center>
+<i>Entrechats or Cross Capers</i></h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>a half Entrechat open the leg cross before and fall
+behind.</i>
+<br><img alt=" "  SRC="img7/p94r1c1.png" height=150 width=239></td>
+
+<td ALIGN=CENTER><i>another beat and sinking on the instep cross behind
+&amp; return before.</i>
+<br><img alt=" "  SRC="img7/p94r1c2.png" height=150 width=250></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Entrechat of 3 and move forwards; the foot the ended
+open.</i>
+<br><img alt=" "  SRC="img7/p94r2c1.png" height=150 width=206></td>
+
+<td ALIGN=CENTER><i>of 4 &amp; return on the same position.</i>
+<br><img alt=" "  SRC="img7/p94r2c2.png" height=150 width=275></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same moving sideways.</i>
+<br><img alt=" "  SRC="img7/p94r3c1.png" height=58 width=300></td>
+
+<td ALIGN=CENTER><i>of 3 moving sideways, the foot ending behind moving
+sideways.</i>
+<br><img alt=" "  SRC="img7/p94r3c2.png" height=44 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>an Entrechat of v[5] in the same place.</i>
+<br><img alt=" "  SRC="img7/p94r4c1.png" height=160 width=209></td>
+
+<td ALIGN=CENTER><i>an Entrechat of 5 forwards.</i>
+<br><img alt=" "  SRC="img7/p94r4c2.png" height=160 width=249></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the same.</i>
+<br><img alt=" "  SRC="img7/p94r5c1.png" height=160 width=269></td>
+
+<td ALIGN=CENTER><i>of 4 turning and falling in the same position.</i>
+<br><img alt=" "  SRC="img7/p94r5c2.png" height=148 width=280></td>
+</tr>
+</table>
+
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="4">
+
+<h2 align=center>
+<a NAME="waving"></a><i>TABLE of Waving Steps</i></h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>forwards.</i>
+<br><img alt=" "  SRC="img7/p95r1c1.png" height=150 width=60></td>
+
+<td ALIGN=CENTER><i>backwards.</i>
+<br><img alt=" "  SRC="img7/p95r1c2.png" height=150 width=61></td>
+
+<td ALIGN=CENTER><i>sideways.</i>
+<br><img alt=" "  SRC="img7/p95r1c3.png" height=46 width=150></td>
+
+<td ALIGN=CENTER><i>beat behind open before waving.</i>
+<br><img alt=" "  SRC="img7/p95r1c4.png" height=150 width=52></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>forwards and after wave the heel.</i>
+<br><img alt=" "  SRC="img7/p95r2c1.png" height=150 width=53></td>
+
+<td ALIGN=CENTER><i>the same with the toe.</i>
+<br><img alt=" "  SRC="img7/p95r2c2.png" height=150 width=60></td>
+
+<td COLSPAN="2"><i>a Pirouette waving on the Toes and heels alternatively.</i>
+<br><img alt=" "  SRC="img7/p95r2c3.png" height=150 width=230></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Spring and wave one foot.</i>
+<br><img alt=" "  SRC="img7/p95r3c1.png" height=150 width=53></td>
+
+<td ALIGN=CENTER><i>with both feet waving.</i>
+<br><img alt=" "  SRC="img7/p95r3c2.png" height=150 width=69></td>
+
+<td COLSPAN="2"><i>a whole turn waving as above.</i>
+<br><img alt=" "  SRC="img7/p95r3c3.png" height=150 width=83></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>spring forwards waving both feet.</i>
+<br><img alt=" "  SRC="img7/p95r4c1.png" height=160 width=80></td>
+
+<td ALIGN=CENTER><i>the same backwards.</i>
+<br><img alt=" "  SRC="img7/p95r4c2.png" height=160 width=77></td>
+
+<td COLSPAN="2"><i>half Coupee, afterwards wave the heel then 2 toes and
+the heel, end inclosed.</i>
+<br><img alt=" "  SRC="img7/p95r4c3.png" height=160 width=141></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td COLSPAN="2"><i>a Contretemps waving, then wave the other foot, first
+the Toe and then the heel. end as before.</i>
+<br><img alt=" "  SRC="img7/p95r5c1.png" height=138 width=300></td>
+
+<td ALIGN=CENTER COLSPAN="2">
+
+<h2 align=center>
+<i>Finis.</i></h2>
+</td>
+</tr>
+</table>
+
+<br>&nbsp;
+<table WIDTH="100%" BORDER="1">
+<tr ALIGN=CENTER>
+<td COLSPAN="4">
+
+<h2 align=center>
+<a NAME="suplement"></a><i>a</i></h2>
+
+
+<h2 align=center>
+<i>Suplement of Steps.</i></h2>
+</td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Minuet step.</i>
+<br><img alt=" "  SRC="img7/p96r1c1.png" height=160 width=44></td>
+
+<td ALIGN=CENTER><i>French minuet step.</i>
+<br><img alt=" "  SRC="img7/p96r1c2.png" height=160 width=47></td>
+
+<td ALIGN=CENTER><i>with a fleuret.</i>
+<br><img alt=" "  SRC="img7/p96r1c3.png" height=160 width=50></td>
+
+<td ALIGN=CENTER><i>with a Bound.</i>
+<br><img alt=" "  SRC="img7/p96r1c4.png" height=160 width=51></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>sideways behind.</i>
+<br><img alt=" "  SRC="img7/p96r2c1.png" height=31 width=140></td>
+
+<td ALIGN=CENTER><i>before and behind.</i>
+<br><img alt=" "  SRC="img7/p96r2c2.png" height=40 width=140></td>
+
+<td ALIGN=CENTER><i>sideways with a fleuret.</i>
+<br><img alt=" "  SRC="img7/p96r2c3.png" height=42 width=140></td>
+
+<td ALIGN=CENTER><i>to Ballance.</i>
+<br><img alt=" "  SRC="img7/p96r2c4.png" height=123 width=140></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>the hope or Contretemps forwards in the minuet time.</i>
+<br><img alt=" "  SRC="img7/p96r3c1.png" height=160 width=45></td>
+
+<td ALIGN=CENTER><i>the hop backwards.</i>
+<br><img alt=" "  SRC="img7/p96r3c2.png" height=160 width=113></td>
+
+<td ALIGN=CENTER><i>a step in the Minuet.</i>
+<br><img alt=" "  SRC="img7/p96r3c3.png" height=160 width=66></td>
+
+<td ALIGN=CENTER><i>the same sideways.</i>
+<br><img alt=" "  SRC="img7/p96r3c4.png" height=66 width=140></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>boree with a bound.</i>
+<br><img alt=" "  SRC="img7/p96r4c1.png" height=160 width=42></td>
+
+<td ALIGN=CENTER><i>a Contretemps with a bound.</i>
+<br><img alt=" "  SRC="img7/p96r4c2.png" height=160 width=47></td>
+
+<td ALIGN=CENTER><i>a sissone with a Contretemps.</i>
+<br><img alt=" "  SRC="img7/p96r4c3.png" height=160 width=65></td>
+
+<td ALIGN=CENTER><i>a Contretemps with a Slide.</i>
+<br><img alt=" "  SRC="img7/p96r4c4.png" height=160 width=54></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td COLSPAN="4"><i>These four last steps are all of them in the Rigandon
+of Mr. Isaac's, and give a particular grace to the dance which the common
+way of performing them would not do; and it is to Mr. Isaac we owe the
+so frequent use of them here since they are seldom, or ever found, in any
+other Dances whatsoever.</i></td>
+</tr>
+</table>
+
+
+<h2 align=center>
+<i>Of Time, Measure, or Cadence.</i></h2>
+There are three sorts of<i> Time</i> in <i>Dancing, viz. Common Time, Triple
+Time, </i>and <i>Quadruple Time.</i>
+<p><i>Common Time,</i> is used in<i> Gavots, Galliards, Bouree's, Rigandons,
+Jiggs, </i>and <i>Canaries.</i>
+<p><i>Triple Time, </i>is made use of in <i>Courants, Sarabands, Chaconnes,
+Passacailes, Minuets,</i> and<i> Passe-Pieds.</i>
+<p><i>And Quadruple Time,</i> is made use of in slow <i>Tunes, </i>as appears
+by the second <i>Tune</i> in the following Plate, and the<i> Tunes </i>called
+<i>Loures.</i>
+<p><i>To Tunes </i>of <i>Common</i> or <i>Triple Time,</i> a <i>Step </i>is
+put for each <i>Barr </i>or<i> Measure; </i>and to <i>Tunes </i>of<i> Quadruple
+Time, y</i>ou must put two.
+<p>It is to be observ'd nevertheless, that in <i>Courant Movements,</i>
+two <i>Steps </i>are put to each<i> Barr </i>or <i>Measure; </i>the first
+of which takes up two parts in three of the <i>Measure, </i>and the second
+takes up the third part; and in the <i>Minuet, </i>one <i>Step </i>is put
+to two<i> Barrs </i>or <i>Measures.</i>
+<p>The <i>Barrs</i> or <i>Measures</i> in <i>Dances, </i>must be marked
+in like manner with those in <i>Musick,</i> viz. with little <i>Barrs </i>crossing
+the <i>Tract, </i>which are to agree with those of the <i>Tune.Example.</i>
+<p align=center><img alt=" "  SRC="img8/p97.png" height=160 width=51>
+<p>You will understand by the following Examples, how each <i>Step </i>agrees
+with the <i>Tune</i> to which they are composed.
+<p align=center><i>Common time</i>
+<br><img alt=" "  SRC="img8/p98r1.png" height=75 width=600>
+<p align=center><i>Triple time</i>
+<br><img alt=" "  SRC="img8/p98r2.png" height=79 width=600>
+<p align=center><i>Example of Steps which doe agree with the Measure of Common or Triple
+Time.</i>
+<br><img alt=" "  SRC="img8/p98r3.png" height=440 width=600>
+<p align=center><i>Quadruple Time.</i>
+<br><img alt=" "  SRC="img8/p98r4.png" height=79 width=600>
+<p align=center><i>Lovres</i>
+<br><img alt=" "  SRC="img8/p98r5.png" height=80 width=600>
+<p align=center><i>Example of Steps agreeing with Quadruple Time or Louves.</i>
+<br><img alt=" "  SRC="img8/p98r6.png" height=376 width=600>
+<p>If it happens that you have occasion to put more <i>Steps</i> in a
+<i>Measure,</i>
+than are in the foregoing Examples, the following Rules must be observed.
+<p>If, for Example, you would in a <i>Measure</i> of <i>Common Time</i>,
+or half a<i> Measure</i> of <i>Quadruple Time</i>, which is the same thing,
+put a <i>Fleuret</i> and a <i>Bound</i>; the three <i>Steps</i> composing
+the <i>Fleuret</i>, must have a double Tie to join them, and which will
+shew their Motion to be as swift again, as if there had been but one; the
+<i>Bound
+</i>also
+must be joined to the <i>Fleuret</i> with a single Tie only; by which you
+will know, that these two <i>Steps</i> are in Effect but one.
+<p align=center><i>Examples.</i>
+<br><img alt=" "  SRC="img8/p99r1c1.png" height=350 width=203><img alt=" "  SRC="img8/p99r1c2.png" height=350 width=194>
+<p>If you would put the same<i> Step</i> in a <i>Measure</i> of <i>Triple
+Time</i>, the two first <i>Steps</i> of the <i>Fleuret </i>must only have
+a double Tie.
+<p align=center><img alt=" "  SRC="img8/p99r2.png" height=350 width=223>
+<p>When in <i>Dancing</i> some<i> Measures</i> of the<i> Tune</i>, are
+to be let slip, whether in the beginning or middle of the <i>Dance</i>,
+it must be mark'd in the following manner, vis. by a little Stroke crossing
+obliquely the Tract, and as many of them are to be mark'd, as there are
+<i>Barrs</i>
+to be let slip; and in describing a half Measure, half the Stroke only
+must be mark'd.
+<p align=center><i>Three Measures and a half.</i>
+<br><img alt=" "  SRC="img8/p100r1.png" height=150 width=64>
+<p>The same Stroke longways,
+parallel with the <i>Tract</i>, is equivalent to four of the foregoing
+Strokes, and takes up four Measures of the <i>Tune</i>.
+<p align=center><i>Fourteen Measures.</i>
+<br><img alt=" "  SRC="img8/p100r2.png" height=150 width=68>
+<p>For a <i>Time, half
+Time</i>, or <i>quarter Time</i>, &amp;c. they may be mark'd in the same
+manner as they are in Musick.
+<p align=center><i>A quarter Time. A half Time. A Time</i>.
+<br><img alt=" "  SRC="img8/p100r3t.png" height=150 width=232>
+<p>In <i>Tunes</i>, which begin with odd Notes, as <i>Gavots, Chaconnes,
+Jiggs, loures, Bouree's</i>, &amp;c. the foregoing Marks must be made Use
+of in the beginning of the <i>Tract</i>.
+<p>The Letters of the Alphabet, which are plac'd upon the <i>Steps</i>
+in the following Example, and which are also plac'd over the Notes of the
+Tune, demonstrate the
+<i>Time</i> or <i>Cadence</i> of a Dance.
+<p align=center><img alt=" "  SRC="img8/p101r1.png" height=391 width=600>
+
+<h2 align=center>
+<i>Of the Figure.</i></h2>
+There are two Sorts of <i>Figures</i> in <i>Dancing</i>, viz. a <i>Regular</i>,
+and an <i>Irregular</i>.
+<p>A <i>regular Figure</i>, is when two or more <i>Dancers</i> move contrarily,
+the one to the Right, and the other to the Left.
+<p align=center><i>A regular Figure.</i>
+<br><img alt=" "  SRC="img8/p101r2.png" height=289 width=300>
+<p>An
+<i>irregular Figure</i>, is when two <i>Dancers</i> move together,
+both in the same
+<i>Figure</i>, on the same side.
+<p align=center><i>An irregular Figure.</i>
+<br><img alt=" "  SRC="img8/p102r1.png" height=183 width=350>
+<p>By the Mark representing the Presence of the Body, you will distinguish
+the <i>Tract</i> for the Man, from that of the Woman; in that for the Man,
+the <i>half Circle</i> is single, and that for the Woman, is double. The
+Distinction for two Men, or two Women Dancing together, is known by a <i>Point</i>
+plac'd in the middle of the <i>half Circle</i> of one of them, that wherein
+the Point is, representing the <i>Tract</i> for the Woman Side.
+<table WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>The Tract for a Man.</i>
+<br><img alt=" "  SRC="img8/p102r2c1.png" height=150 width=43></td>
+
+<td ALIGN=CENTER><i>The Tract for a Woman.</i>
+<br><img alt=" "  SRC="img8/p102r2c2.png" height=150 width=39></td>
+
+<td ALIGN=CENTER><i>Tracts for two Men.</i>
+<br><img alt=" "  SRC="img8/p102r2c3.png" height=150 width=127></td>
+
+<td ALIGN=CENTER><i>Tracts for two Women.</i>
+<br><img alt=" "  SRC="img8/p102r2c4.png" height=150 width=132></td>
+</tr>
+</table>
+
+<p>If a Number of <i>Dancers</i> figure together, the Mark for the placing
+the Body will not be sufficient to distinguish them, (as in a Dance for
+eight:) On this Occasion therefore, you may make Use of Letters, of which
+AA may represent two which figure together. BB two others. CC two more,
+and DD the other two; each of which, will also be distinguish'd by there
+<i>figuring</i>,
+and which the following Example will demonstrate.
+<p align=center><img alt=" "  SRC="img8/p103.png" height=337 width=500>
+
+
+<h2 align=center>
+<i>Some Rules to be observed in the Figures of Dances.</i></h2>
+I Have already shewn, that the <i>Tract</i> serves for two Ends,
+<i>viz</i>.
+first, on which to describe the <i>Steps</i> and <i>Positions</i>; and
+secondly, for the Direction of the <i>Figure</i> of the Dance.
+<p>I shall now add, that when in <i>Dancing</i>, several <i>Steps</i> are
+to be perform'd in the same place, the <i>Tract</i> is then to be respected
+only as the Conductor of the <i>Step</i>, and not in Relation to the <i>Figure</i>;
+but where the <i>Steps</i> move continually from one place to another,
+then the <i>Tract</i> is to be observ'd, not only for the Description of
+the <i>Steps</i>, but also for the <i>Figure</i> of the <i>Dance</i>. Place
+your self then where the beginning of the <i>Tract</i> directs, and observe
+whether the <i>Figure</i> be <i>streight, diametrical, circular</i>, or
+<i>oblique</i>,
+whether it be <i>forwards, backwarks</i>, or <i>sideways</i>, if to the
+right, or to the left; all which I have already demonstrated in the foregoing
+Pages; then having learnt the Tune, which must be prick'd down on the Top
+of each Page, add the Steps to the Tune, as has been already shewn, moving
+in the <i>Figure</i> as is described on the Paper. When it happens that
+the <i>Tract</i> or <i>Tracts</i> cross one another, the <i>Steps</i> on
+the one, must leave a sufficient Breach, for the describing the <i>Steps</i>;
+on the other, to avoid Confusion.
+
+<h2 align=center>
+<i>For giving the Hands in Dancing</i>.</h2>
+You will know when to give the Hand, by a small <i>Crescent</i> or
+<i>half
+Circle</i> at the end of a little Barr or Stroke, which is to be plac'd
+on the side of the <i>Tract</i>, viz. when it is on the right side of the
+<i>Tract</i>,
+it shews, that you must give the right Hand; and when on the left, it shews
+the
+left Hand is to be given; and when there is one on each side, both Hands
+must then be given.
+<table WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>To give the right Hand.</i>
+<br><img alt=" "  SRC="img8/p104r1c1.png" height=118 width=180></td>
+
+<td ALIGN=CENTER><i>To give the left Hand</i>
+<br><img alt=" "  SRC="img8/p104r1c2.png" height=128 width=180></td>
+
+<td ALIGN=CENTER><i>To give both Hands.</i>
+<br><img alt=" "  SRC="img8/p104r1c3.png" height=116 width=180></td>
+</tr>
+</table>
+
+<p>When you have thus given one Hand or both, you are not to quit Hands,
+'till you find the same Marks cut through with another little Stroke, which
+shews, that in that place the Hands are to let go.
+<table WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>To let go one Hand.</i>
+<br><img alt=" "  SRC="img8/p104r2c1.png" height=300 width=114>
+<br><i>To give one Hand.</i></td>
+
+<td ALIGN=CENTER><i>To let go both Hands.</i>
+<br><img alt=" "  SRC="img8/p104r2c2.png" height=300 width=153>
+<br><i>To give both Hands.</i></td>
+</tr>
+</table>
+
+
+<h2 align=center>
+<i>Of the Movement of the Arms.</i></h2>
+Although the Carriage and <i>Movement</i> of the <i>Arms</i> depend more
+on the Fancy of the Performer, than on any certain Rules, I shall nevertheless
+lay down some Examples, which will explain, by demonstrative Characters,
+the different <i>Motion</i> of the <i>Arms</i> in <i>Dancing</i>; or at
+least, will inform you what Characters to make Use of in describing the
+<i>Motion</i>
+of the <i>Arms</i>, to the Movement of each <i>Step</i>.
+<p>The Arm is represented by the Letters ABC, of which A represents the
+Shoulder, B the Elbow, and C the Wrist.
+<table WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>The Arm streight</i>
+<br><img alt=" "  SRC="img8/p105r1c1.png" height=41 width=120></td>
+
+<td ALIGN=CENTER><i>The Wrist bent.</i>
+<br><img alt=" "  SRC="img8/p105r1c2.png" height=49 width=120></td>
+
+<td ALIGN=CENTER><i>The Arm bent.</i>
+<br><img alt=" "  SRC="img8/p105r1c3.png" height=94 width=120></td>
+
+<td ALIGN=CENTER><i>The Arm quite before.</i>
+<br><img alt=" "  SRC="img8/p105r1c4.png" height=112 width=120></td>
+</tr>
+</table>
+
+
+<h2 align=center>
+<i>Where to place the Motion of the Arms on the Tract.</i></h2>
+In moving forwards or backwards in the <i>Dance</i>, the <i>Arms</i> must
+be mark'd on each side the <i>Tract</i>, the right <i>Arm</i> on the right
+side the <i>Tract</i>, and the left <i>Arm</i> on the left side; but when
+in the <i>Figure</i> of the <i>Dance</i>, the Movement is sideways, they
+are to be mark'd both on one side, always observing, that the right
+<i>Arm</i>
+must be to the right, and the left <i>Arm</i> to the left.
+<table WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Both Arms open.</i>
+<br><img alt=" "  SRC="img8/p105r2c1.png" height=176 width=280></td>
+
+<td ALIGN=CENTER><i>The left Arm open, the right bent at Elbow.</i>
+<br><img alt=" "  SRC="img8/p105r2c2.png" height=161 width=280></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Both arms open.</i>
+<br><img alt=" "  SRC="img8/p105r2c3.png" height=79 width=280></td>
+
+<td ALIGN=CENTER><i>The right Arm open, and the left quite closed.</i>
+<br><img alt=" "  SRC="img8/p105r2c4.png" height=142 width=280></td>
+</tr>
+</table>
+
+<p>I shall not pretend to make a long Disquisition on the <i>Motion</i>
+of the <i>Arms</i>, but shall only add, that as there are three Movements
+from the Waste downwards, fo there are also three Movements in the <i>Arms</i>,
+which have a Correspondence, and are agreeing with them below, <i>viz</i>.
+that of the Wrist, has Relation to the Heel; that of the Elbow, to the
+Knee, and that of the Shoulder, or the whole Arm, to the Thigh.
+<p>You will know when the Arm moves by an arch'd Line, mark'd C D, drawn
+from that which represents the end of the Arm, which shews the Figure the
+Wrist makes in moving, as from C to D.
+<p align=center><img alt=" "  SRC="img8/p106r1c1.png" height=66 width=120><img alt=" "  SRC="img8/p106r1c2.png" height=78 width=120><img alt=" "  SRC="img8/p106r1c3.png" height=82 width=120><img alt=" "  SRC="img8/p106r1c4.png" height=48 width=120>
+<p>The <i>Movements</i> of the <i>Arms</i> are to be perform'd two ways,
+upwards or downwards; upwards from the <i>Position</i> of the <i>Arm</i>
+below, or downwards from the <i>Position</i> above.
+<p>The <i>Motion</i> of the <i>Arm</i> upwards, is when the <i>Arm</i>,
+which is open or extended, closes (in approaching) to the Body ascending,
+and the Motion of the <i>Arm</i> downwards, is when the <i>Arm</i>, which
+is clos'd, opens or extends it self descending.
+
+<h2 align=center>
+<i>Examples of the Movements of the Arms.</i></h2>
+
+<table WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>The Motion of the Wrist upwards.</i>
+<br><img alt=" "  SRC="img8/p106r2c1.png" height=26 width=90></td>
+
+<td ALIGN=CENTER><i>The Motion of the Elbow upwards.</i>
+<br><img alt=" "  SRC="img8/p106r2c2.png" height=44 width=90></td>
+
+<td ALIGN=CENTER><i>The Motion of the whole Arm upwards.</i>
+<br><img alt=" "  SRC="img8/p106r2c3.png" height=40 width=90></td>
+
+<td ALIGN=CENTER><i>The Motion of the Wrist downwards.</i>
+<br><img alt=" "  SRC="img8/p106r2c4.png" height=33 width=90></td>
+
+<td ALIGN=CENTER><i>The motion of the Elbow downwards.</i>
+<br><img alt=" "  SRC="img8/p106r2c5.png" height=59 width=90></td>
+
+<td ALIGN=CENTER><i>The Motion of the whole Arm downwards.</i>
+<br><img alt=" "  SRC="img8/p106r2c6.png" height=65 width=90></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>The Wrist moving round upwards.</i>
+<br><img alt=" "  SRC="img8/p106r3c1.png" height=27 width=90></td>
+
+<td ALIGN=CENTER><i>The Elbow moving round upwards.</i>
+<br><img alt=" "  SRC="img8/p106r3c2.png" height=41 width=90></td>
+
+<td ALIGN=CENTER><i>The whole Arm moving round upwards.</i>
+<br><img alt=" "  SRC="img8/p106r3c3.png" height=43 width=90></td>
+
+<td ALIGN=CENTER><i>The Wrist moving round downwards.</i>
+<br><img alt=" "  SRC="img8/p106r3c4.png" height=25 width=90></td>
+
+<td ALIGN=CENTER><i>The Elbow moving round downwards.</i>
+<br><img alt=" "  SRC="img8/p106r3c5.png" height=40 width=90></td>
+
+<td ALIGN=CENTER><i>The whole Arm moving round downwards.</i>
+<br><img alt=" "  SRC="img8/p106r3c6.png" height=48 width=90></td>
+</tr>
+
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>The Wrist moving round downwards.</i>
+<br><img alt=" "  SRC="img8/p107r1c1.png" height=39 width=90></td>
+
+<td ALIGN=CENTER><i>The Elbow moving round downwards.</i>
+<br><img alt=" "  SRC="img8/p107r1c2.png" height=66 width=90></td>
+
+<td ALIGN=CENTER><i>The whole Arm moving round downwards.</i>
+<br><img alt=" "  SRC="img8/p107r1c3.png" height=70 width=70></td>
+
+<td ALIGN=CENTER><i>Double Movement of the Wrist upwards and downwards.</i>
+<br><img alt=" "  SRC="img8/p106r3c4.png" height=25 width=90></td>
+
+<td ALIGN=CENTER><i>Double Movement of the Elbow upwards and downwards.</i>
+<br><img alt=" "  SRC="img8/p107r1c5.png" height=56 width=90></td>
+
+<td ALIGN=CENTER><i>Double Movement of the whole Arm upwards and downwards.</i>
+<br><img alt=" "  SRC="img8/p107r1c6.png" height=53 width=90></td>
+</tr>
+</table>
+
+<p>The <i>Arms</i> may either move both together, or one after the other;
+you will know when the<i> Arms</i> are to move together, by a Line or Tie
+drawn from the one to the other; and when there is no Tie, they are then
+to move one after the other.
+<p>The<i> Arms</i> may either move alike with the same Movement, as when
+both <i>Arms</i> either open or extend themselves together, or close, or
+approach each other at the same time.
+<p>Or they may move contrary one to the other, when the one opens, and
+the other closes.
+<table WIDTH="100%" >
+<tr ALIGN=CENTER>
+<td ALIGN=CENTER><i>Both Arms moving together with the same Motion.</i>
+<br><img alt=" "  SRC="img8/p107r2c1.png" height=96 width=180></td>
+
+<td ALIGN=CENTER><i>Both Arms moving together with a contrary Movements.</i>
+<br><img alt=" "  SRC="img8/p107r2c2.png" height=95 width=180></td>
+
+<td ALIGN=CENTER><i>Both Arms moving one after the other, first the right,
+and then the left.</i>
+<br><img alt=" "  SRC="img8/p107r2c3.png" height=88 width=180></td>
+</tr>
+</table>
+
+
+<h2 align=center>
+<i>Some Rules to be observed in writing of Dances.</i></h2>
+You must resolve in what part of the <i>Room</i> the <i>Dance</i> is to
+begin, and there place the beginning of the<i> Tract</i>; then trace out
+the <i>Figure</i>, and mark thereon the <i>Position</i>; then describe
+the <i>Steps</i>, as I have shewn in the foregoing Examples; and if you
+find any Difficulty in writing any of the <i>Steps</i>, you must make Use
+of your <i>Table</i> of <i>Steps</i>; and in finding the <i>Step</i> you
+have Occasion for, you ought first to consider what <i>Step</i> it is,
+whether <i>Courant, Coupee, Bouree, Bound, Contretemps</i>, &amp;c. Suppose,
+for Example, the Step to be a <i>Bouree</i>, turn then to the Table of
+<i>Bouree's</i>
+or <i>Fleurets</i>, and having found the <i>Step</i> you want, observe
+after what manner it is describ'd, and then write it down in your Dance.
+<p>On the Top of each Page, on which your Dance is describ'd, you must
+prick down as many Barrs of the Tune, as there are Barns or Measures in
+the Dance.
+<p>Altho' the <i>Tract</i> serves generally for the explaining the <i>Figure</i>
+of the Dance, yet it often happens that many Steps are to be perform'd
+in the same Place, and then (as I have shewn before) the <i>Tract</i> is
+to have regard only to the <i>Steps</i>. This <i>Tract</i> is only a borrow'd
+<i>Tract</i>,
+and which may be drawn any way, as shall be most convenient. As for Example,
+from A to B, altho' the <i>Tract</i> is drawn out in length from A to B,
+the <i>Dancer</i> nevertheless removes not from A, which may also be well
+understood by the <i>Steps</i>, which are from A to B, which can only be
+perform'd in the same place.
+<p align=center><img alt=" "  SRC="img8/p108.png" height=235 width=600>
+<p>You must observe at the end of each Page, the place where the <i>Dancer</i>
+finishes, and to what part of the <i>Room</i> the Face directs, by which
+means you will readily know where to place the beginning of the <i>Tract</i>
+in the following Page ; and so continue from Page to Page, to the end of
+the <i>Dance</i>.
+<p>But if in the beginning of a Page, two Dancers should happen to be close
+together, and some <i>Steps</i> to be perform'd in the same place; which
+<i>Steps</i>
+cannot be conveniently described, neither on one side, or the other, and
+that the Closeness of the <i>Dancers</i>, will not admit of advancing of
+the
+<i>Tracts,</i> one towards the other; you must then be oblig'd, instead
+of placing the
+<i>Tracts</i> at C D, to retire as far back as will be necessary
+to describe the <i>Steps,</i> so that the <i>Steps </i>may end at C D.
+<p align=center><img alt=" "  SRC="img8/p109r1.png" height=143 width=600>
+<p>Or else the contrary may be done, by placing the beginning of the <i>Steps</i>
+at C D; and instead of describing the <i>Steps</i> one towards the other,
+they must Separate, as from C to E, and D to F.
+<p>You will find these are perform'd without the <i>Dancers</i> moving
+out of their Places; and both these Examples are equally good, in considering
+only which agrees best with the <i>Figure</i> of the<i> Dance</i> that
+follows.
+<p align=center><img alt=" "  SRC="img8/p109r2.png" height=112 width=600>
+<p>If in the <i>Dances</i> in the second Volume, you find some of the <i>Steps</i>
+longer than others, you must have no Regard to them, as to their Length
+in the Description of them, but judge of their Extension by the Distance
+of <i>Positions</i>, (as I have already shewn in the Termination of the
+<i>Steps</i>,
+in their <i>Positions</i>;) so that you are not to conclude any thing from
+the Length or Shortness of Steps.
+
+<h1 align=center>
+<i>FINIS.</i></h1>
+
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of the Project Gutenberg EBook of Orchesography, by John Weaver
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