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+<meta http-equiv="Content-Style-Type" content="text/css" />
+<title>The Project Gutenberg eBook of The Middle Temple Murder, by J.S. Fletcher</title>
+<link rel="coverpage" href="images/cover.jpg" />
+<style type="text/css">
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+
+<body>
+<div>*** START OF THE PROJECT GUTENBERG EBOOK 10373 ***</div>
+
+<div class="fig" style="width:55%;">
+<img src="images/cover.jpg" style="width:100%;" alt="[Illustration]" />
+</div>
+
+<h1>The Middle Temple Murder</h1>
+
+<h2 class="no-break">by J.S. Fletcher</h2>
+
+<h4>1919</h4>
+
+<hr />
+
+<h2>Contents</h2>
+
+<table summary="" style="">
+
+<tr>
+<td> <a href="#chap01">CHAPTER I. THE SCRAP OF GREY PAPER</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap02">CHAPTER II. HIS FIRST BRIEF</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap03">CHAPTER III. THE CLUE OF THE CAP</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap04">CHAPTER IV. THE ANGLO-ORIENT HOTEL</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap05">CHAPTER V. SPARGO WISHES TO SPECIALIZE</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap06">CHAPTER VI. WITNESS TO A MEETING</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap07">CHAPTER VII. MR. AYLMORE</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap08">CHAPTER VIII. THE MAN FROM THE SAFE DEPOSIT</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap09">CHAPTER IX. THE DEALER IN RARE STAMPS</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap10">CHAPTER X. THE LEATHER BOX</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap11">CHAPTER XI. MR. AYLMORE IS QUESTIONED</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap12">CHAPTER XII. THE NEW WITNESS</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap13">CHAPTER XIII. UNDER SUSPICION</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap14">CHAPTER XIV. THE SILVER TICKET</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap15">CHAPTER XV. MARKET MILCASTER</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap16">CHAPTER XVI. THE &ldquo;YELLOW DRAGON&rdquo;</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap17">CHAPTER XVII. MR. QUARTERPAGE HARKS BACK</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap18">CHAPTER XVIII. AN OLD NEWSPAPER</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap19">CHAPTER XIX. THE CHAMBERLAYNE STORY</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap20">CHAPTER XX. MAITLAND <i>alias</i> MARBURY</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap21">CHAPTER XXI. ARRESTED</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap22">CHAPTER XXII. THE BLANK PAST</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap23">CHAPTER XXIII. MISS BAYLIS</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap24">CHAPTER XXIV. MOTHER GUTCH</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap25">CHAPTER XXV. REVELATIONS</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap26">CHAPTER XXVI. STILL SILENT</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap27">CHAPTER XXVII. MR. ELPHICK&rsquo;S CHAMBERS</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap28">CHAPTER XXVIII. OF PROVED IDENTITY</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap29">CHAPTER XXIX. THE CLOSED DOORS</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap30">CHAPTER XXX. REVELATION</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap31">CHAPTER XXXI. THE PENITENT WINDOW-CLEANER</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap32">CHAPTER XXXII. THE CONTENTS OF THE COFFIN</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap33">CHAPTER XXXIII. FORESTALLED</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap34">CHAPTER XXXIV. THE WHIP HAND</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap35">CHAPTER XXXV. MYERST EXPLAINS</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap36">CHAPTER XXXVI. THE FINAL TELEGRAM</a></td>
+</tr>
+
+
+</table>
+
+<div class="chapter">
+
+<h2><a name="chap01"></a>CHAPTER ONE<br/>
+THE SCRAP OF GREY PAPER</h2>
+
+<p>
+As a rule, Spargo left the <i>Watchman</i> office at two o&rsquo;clock. The
+paper had then gone to press. There was nothing for him, recently promoted to a
+sub-editorship, to do after he had passed the column for which he was
+responsible; as a matter of fact he could have gone home before the machines
+began their clatter. But he generally hung about, trifling, until two
+o&rsquo;clock came. On this occasion, the morning of the 22nd of June, 1912, he
+stopped longer than usual, chatting with Hacket, who had charge of the foreign
+news, and who began telling him about a telegram which had just come through
+from Durazzo. What Hacket had to tell was interesting: Spargo lingered to hear
+all about it, and to discuss it. Altogether it was well beyond half-past two
+when he went out of the office, unconsciously puffing away from him as he
+reached the threshold the last breath of the atmosphere in which he had spent
+his midnight. In Fleet Street the air was fresh, almost to sweetness, and the
+first grey of the coming dawn was breaking faintly around the high silence of
+St. Paul&rsquo;s.
+</p>
+
+<p>
+Spargo lived in Bloomsbury, on the west side of Russell Square. Every night and
+every morning he walked to and from the <i>Watchman</i> office by the same
+route&mdash;Southampton Row, Kingsway, the Strand, Fleet Street. He came to
+know several faces, especially amongst the police; he formed the habit of
+exchanging greetings with various officers whom he encountered at regular
+points as he went slowly homewards, smoking his pipe. And on this morning, as
+he drew near to Middle Temple Lane, he saw a policeman whom he knew, one
+Driscoll, standing at the entrance, looking about him. Further away another
+policeman appeared, sauntering. Driscoll raised an arm and signalled; then,
+turning, he saw Spargo. He moved a step or two towards him. Spargo saw news in
+his face.
+</p>
+
+<p>
+&ldquo;What is it?&rdquo; asked Spargo.
+</p>
+
+<p>
+Driscoll jerked a thumb over his shoulder, towards the partly open door of the
+lane. Within, Spargo saw a man hastily donning a waistcoat and jacket.
+</p>
+
+<p>
+&ldquo;He says,&rdquo; answered Driscoll, &ldquo;him, there&mdash;the
+porter&mdash;that there&rsquo;s a man lying in one of them entries down the
+lane, and he thinks he&rsquo;s dead. Likewise, he thinks he&rsquo;s
+murdered.&rdquo;
+</p>
+
+<p>
+Spargo echoed the word.
+</p>
+
+<p>
+&ldquo;But what makes him think that?&rdquo; he asked, peeping with curiosity
+beyond Driscoll&rsquo;s burly form. &ldquo;Why?&rdquo;
+</p>
+
+<p>
+&ldquo;He says there&rsquo;s blood about him,&rdquo; answered Driscoll. He
+turned and glanced at the oncoming constable, and then turned again to Spargo.
+&ldquo;You&rsquo;re a newspaper man, sir?&rdquo; he suggested.
+</p>
+
+<p>
+&ldquo;I am,&rdquo; replied Spargo.
+</p>
+
+<p>
+&ldquo;You&rsquo;d better walk down with us,&rdquo; said Driscoll, with a grin.
+&ldquo;There&rsquo;ll be something to write pieces in the paper about. At
+least, there may be.&rdquo; Spargo made no answer. He continued to look down
+the lane, wondering what secret it held, until the other policeman came up. At
+the same moment the porter, now fully clothed, came out.
+</p>
+
+<p>
+&ldquo;Come on!&rdquo; he said shortly. &ldquo;I&rsquo;ll show you.&rdquo;
+</p>
+
+<p>
+Driscoll murmured a word or two to the newly-arrived constable, and then turned
+to the porter.
+</p>
+
+<p>
+&ldquo;How came you to find him, then?&rdquo; he asked
+</p>
+
+<p>
+The porter jerked his head at the door which they were leaving.
+</p>
+
+<p>
+&ldquo;I heard that door slam,&rdquo; he replied, irritably, as if the fact
+which he mentioned caused him offence. &ldquo;I know I did! So I got up to look
+around. Then&mdash;well, I saw that!&rdquo;
+</p>
+
+<p>
+He raised a hand, pointing down the lane. The three men followed his
+outstretched finger. And Spargo then saw a man&rsquo;s foot, booted,
+grey-socked, protruding from an entry on the left hand.
+</p>
+
+<p>
+&ldquo;Sticking out there, just as you see it now,&rdquo; said the porter.
+&ldquo;I ain&rsquo;t touched it. And so&mdash;&rdquo;
+</p>
+
+<p>
+He paused and made a grimace as if at the memory of some unpleasant thing.
+Driscoll nodded comprehendingly.
+</p>
+
+<p>
+&ldquo;And so you went along and looked?&rdquo; he suggested. &ldquo;Just
+so&mdash;just to see who it belonged to, as it might be.&rdquo;
+</p>
+
+<p>
+&ldquo;Just to see&mdash;what there was to see,&rdquo; agreed the porter.
+&ldquo;Then I saw there was blood. And then&mdash;well, I made up the lane to
+tell one of you chaps.&rdquo;
+</p>
+
+<p>
+&ldquo;Best thing you could have done,&rdquo; said Driscoll. &ldquo;Well, now
+then&mdash;&rdquo;
+</p>
+
+<p>
+The little procession came to a halt at the entry. The entry was a cold and
+formal thing of itself; not a nice place to lie dead in, having glazed white
+tiles for its walls and concrete for its flooring; something about its
+appearance in that grey morning air suggested to Spargo the idea of a mortuary.
+And that the man whose foot projected over the step was dead he had no doubt:
+the limpness of his pose certified to it.
+</p>
+
+<p>
+For a moment none of the four men moved or spoke. The two policemen
+unconsciously stuck their thumbs in their belts and made play with their
+fingers; the porter rubbed his chin thoughtfully&mdash;Spargo remembered
+afterwards the rasping sound of this action; he himself put his hands in his
+pockets and began to jingle his money and his keys. Each man had his own
+thoughts as he contemplated the piece of human wreckage which lay before him.
+</p>
+
+<p>
+&ldquo;You&rsquo;ll notice,&rdquo; suddenly observed Driscoll, speaking in a
+hushed voice, &ldquo;You&rsquo;ll notice that he&rsquo;s lying there in a queer
+way&mdash;same as if&mdash;as if he&rsquo;d been put there. Sort of propped up
+against that wall, at first, and had slid down, like.&rdquo;
+</p>
+
+<p>
+Spargo was taking in all the details with a professional eye. He saw at his
+feet the body of an elderly man; the face was turned away from him, crushed in
+against the glaze of the wall, but he judged the man to be elderly because of
+grey hair and whitening whisker; it was clothed in a good, well-made suit of
+grey check cloth&mdash;tweed&mdash;and the boots were good: so, too, was the
+linen cuff which projected from the sleeve that hung so limply. One leg was
+half doubled under the body; the other was stretched straight out across the
+threshold; the trunk was twisted to the wall. Over the white glaze of the tiles
+against which it and the shoulder towards which it had sunk were crushed there
+were gouts and stains of blood. And Driscoll, taking a hand out of his belt,
+pointed a finger at them.
+</p>
+
+<p>
+&ldquo;Seems to me,&rdquo; he said, slowly, &ldquo;seems to me as how
+he&rsquo;s been struck down from behind as he came out of here. That
+blood&rsquo;s from his nose&mdash;gushed out as he fell. What do you say,
+Jim?&rdquo; The other policeman coughed.
+</p>
+
+<p>
+&ldquo;Better get the inspector here,&rdquo; he said. &ldquo;And the doctor and
+the ambulance. Dead&mdash;ain&rsquo;t he?&rdquo;
+</p>
+
+<p>
+Driscoll bent down and put a thumb on the hand which lay on the pavement.
+</p>
+
+<p>
+&ldquo;As ever they make &rsquo;em,&rdquo; he remarked laconically. &ldquo;And
+stiff, too. Well, hurry up, Jim!&rdquo;
+</p>
+
+<p>
+Spargo waited until the inspector arrived; waited until the hand-ambulance
+came. More policemen came with it; they moved the body for transference to the
+mortuary, and Spargo then saw the dead man&rsquo;s face. He looked long and
+steadily at it while the police arranged the limbs, wondering all the time who
+it was that he gazed at, how he came to that end, what was the object of his
+murderer, and many other things. There was some professionalism in
+Spargo&rsquo;s curiosity, but there was also a natural dislike that a
+fellow-being should have been so unceremoniously smitten out of the world.
+</p>
+
+<p>
+There was nothing very remarkable about the dead man&rsquo;s face. It was that
+of a man of apparently sixty to sixty-five years of age; plain, even homely of
+feature, clean-shaven, except for a fringe of white whisker, trimmed, after an
+old-fashioned pattern, between the ear and the point of the jaw. The only
+remarkable thing about it was that it was much lined and seamed; the wrinkles
+were many and deep around the corners of the lips and the angles of the eyes;
+this man, you would have said to yourself, has led a hard life and weathered
+storm, mental as well as physical.
+</p>
+
+<p>
+Driscoll nudged Spargo with a turn of his elbow. He gave him a wink.
+&ldquo;Better come down to the dead-house,&rdquo; he muttered confidentially.
+</p>
+
+<p>
+&ldquo;Why?&rdquo; asked Spargo.
+</p>
+
+<p>
+&ldquo;They&rsquo;ll go through him,&rdquo; whispered Driscoll. &ldquo;Search
+him, d&rsquo;ye see? Then you&rsquo;ll get to know all about him, and so on.
+Help to write that piece in the paper, eh?&rdquo;
+</p>
+
+<p>
+Spargo hesitated. He had had a stiff night&rsquo;s work, and until his
+encounter with Driscoll he had cherished warm anticipation of the meal which
+would be laid out for him at his rooms, and of the bed into which he would
+subsequently tumble. Besides, a telephone message would send a man from the
+<i>Watchman</i> to the mortuary. This sort of thing was not in his line now,
+now&mdash;
+</p>
+
+<p>
+&ldquo;You&rsquo;ll be for getting one o&rsquo; them big play-cards out with
+something about a mystery on it,&rdquo; suggested Driscoll. &ldquo;You never
+know what lies at the bottom o&rsquo; these affairs, no more you
+don&rsquo;t.&rdquo;
+</p>
+
+<p>
+That last observation decided Spargo; moreover, the old instinct for getting
+news began to assert itself.
+</p>
+
+<p>
+&ldquo;All right,&rdquo; he said. &ldquo;I&rsquo;ll go along with you.&rdquo;
+</p>
+
+<p>
+And re-lighting his pipe he followed the little cortège through the streets,
+still deserted and quiet, and as he walked behind he reflected on the
+unobtrusive fashion in which murder could stalk about. Here was the work of
+murder, no doubt, and it was being quietly carried along a principal London
+thoroughfare, without fuss or noise, by officials to whom the dealing with it
+was all a matter of routine. Surely&mdash;
+</p>
+
+<p>
+&ldquo;My opinion,&rdquo; said a voice at Spargo&rsquo;s elbow, &ldquo;my
+opinion is that it was done elsewhere. Not there! He was put there.
+That&rsquo;s what I say.&rdquo; Spargo turned and saw that the porter was at
+his side. He, too, was accompanying the body.
+</p>
+
+<p>
+&ldquo;Oh!&rdquo; said Spargo. &ldquo;You think&mdash;&rdquo;
+</p>
+
+<p>
+&ldquo;I think he was struck down elsewhere and carried there,&rdquo; said the
+porter. &ldquo;In somebody&rsquo;s chambers, maybe. I&rsquo;ve known of some
+queer games in our bit of London! Well!&mdash;he never came in at my lodge last
+night&mdash;I&rsquo;ll stand to that. And who is he, I should like to know?
+From what I see of him, not the sort to be about our place.&rdquo;
+</p>
+
+<p>
+&ldquo;That&rsquo;s what we shall hear presently,&rdquo; said Spargo.
+&ldquo;They&rsquo;re going to search him.&rdquo;
+</p>
+
+<p>
+But Spargo was presently made aware that the searchers had found nothing. The
+police-surgeon said that the dead man had, without doubt, been struck down from
+behind by a terrible blow which had fractured the skull and caused death almost
+instantaneously. In Driscoll&rsquo;s opinion, the murder had been committed for
+the sake of plunder. For there was nothing whatever on the body. It was
+reasonable to suppose that a man who is well dressed would possess a watch and
+chain, and have money in his pockets, and possibly rings on his fingers. But
+there was nothing valuable to be found; in fact there was nothing at all to be
+found that could lead to identification&mdash;no letters, no papers, nothing.
+It was plain that whoever had struck the dead man down had subsequently
+stripped him of whatever was on him. The only clue to possible identity lay in
+the fact that a soft cap of grey cloth appeared to have been newly purchased at
+a fashionable shop in the West End.
+</p>
+
+<p>
+Spargo went home; there seemed to be nothing to stop for. He ate his food and
+he went to bed, only to do poor things in the way of sleeping. He was not the
+sort to be impressed by horrors, but he recognized at last that the
+morning&rsquo;s event had destroyed his chance of rest; he accordingly rose,
+took a cold bath, drank a cup of coffee, and went out. He was not sure of any
+particular idea when he strolled away from Bloomsbury, but it did not surprise
+him when, half an hour later he found that he had walked down to the police
+station near which the unknown man&rsquo;s body lay in the mortuary. And there
+he met Driscoll, just going off duty. Driscoll grinned at sight of him.
+</p>
+
+<p>
+&ldquo;You&rsquo;re in luck,&rdquo; he said. &ldquo;&rsquo;Tisn&rsquo;t five
+minutes since they found a bit of grey writing paper crumpled up in the poor
+man&rsquo;s waistcoat pocket&mdash;it had slipped into a crack. Come in, and
+you&rsquo;ll see it.&rdquo;
+</p>
+
+<p>
+Spargo went into the inspector&rsquo;s office. In another minute he found
+himself staring at the scrap of paper. There was nothing on it but an address,
+scrawled in pencil:&mdash;Ronald Breton, Barrister, King&rsquo;s Bench Walk,
+Temple, London.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap02"></a>CHAPTER TWO<br/>
+HIS FIRST BRIEF</h2>
+
+<p>
+Spargo looked up at the inspector with a quick jerk of his head. &ldquo;I know
+this man,&rdquo; he said.
+</p>
+
+<p>
+The inspector showed new interest.
+</p>
+
+<p>
+&ldquo;What, Mr. Breton?&rdquo; he asked.
+</p>
+
+<p>
+&ldquo;Yes. I&rsquo;m on the <i>Watchman</i>, you know, sub-editor. I took an
+article from him the other day&mdash;article on &lsquo;Ideal Sites for
+Campers-Out.&rsquo; He came to the office about it. So this was in the dead
+man&rsquo;s pocket?&rdquo;
+</p>
+
+<p>
+&ldquo;Found in a hole in his pocket, I understand: I wasn&rsquo;t present
+myself. It&rsquo;s not much, but it may afford some clue to identity.&rdquo;
+</p>
+
+<p>
+Spargo picked up the scrap of grey paper and looked closely at it. It seemed to
+him to be the sort of paper that is found in hotels and in clubs; it had been
+torn roughly from the sheet.
+</p>
+
+<p>
+&ldquo;What,&rdquo; he asked meditatively, &ldquo;what will you do about
+getting this man identified?&rdquo;
+</p>
+
+<p>
+The inspector shrugged his shoulders.
+</p>
+
+<p>
+&ldquo;Oh, usual thing, I suppose. There&rsquo;ll be publicity, you know. I
+suppose you&rsquo;ll be doing a special account yourself, for your paper, eh?
+Then there&rsquo;ll be the others. And we shall put out the usual notice.
+Somebody will come forward to identify&mdash;sure to. And&mdash;&rdquo;
+</p>
+
+<p>
+A man came into the office&mdash;a stolid-faced, quiet-mannered, soberly
+attired person, who might have been a respectable tradesman out for a stroll,
+and who gave the inspector a sidelong nod as he approached his desk, at the
+same time extending his hand towards the scrap of paper which Spargo had just
+laid down.
+</p>
+
+<p>
+&ldquo;I&rsquo;ll go along to King&rsquo;s Bench Walk and see Mr.
+Breton,&rdquo; he observed, looking at his watch. &ldquo;It&rsquo;s just about
+ten&mdash;I daresay he&rsquo;ll be there now.&rdquo;
+</p>
+
+<p>
+&ldquo;I&rsquo;m going there, too,&rdquo; remarked Spargo, but as if speaking
+to himself. &ldquo;Yes, I&rsquo;ll go there.&rdquo;
+</p>
+
+<p>
+The newcomer glanced at Spargo, and then at the inspector. The inspector nodded
+at Spargo.
+</p>
+
+<p>
+&ldquo;Journalist,&rdquo; he said, &ldquo;Mr. Spargo of the <i>Watchman</i>.
+Mr. Spargo was there when the body was found. And he knows Mr. Breton.&rdquo;
+Then he nodded from Spargo to the stolid-faced person. &ldquo;This is
+Detective-Sergeant Rathbury, from the Yard,&rdquo; he said to Spargo.
+&ldquo;He&rsquo;s come to take charge of this case.&rdquo;
+</p>
+
+<p>
+&ldquo;Oh?&rdquo; said Spargo blankly. &ldquo;I see&mdash;what,&rdquo; he went
+on, with sudden abruptness, &ldquo;what shall you do about Breton?&rdquo;
+</p>
+
+<p>
+&ldquo;Get him to come and look at the body,&rdquo; replied Rathbury. &ldquo;He
+may know the man and he mayn&rsquo;t. Anyway, his name and address are here,
+aren&rsquo;t they?&rdquo;
+</p>
+
+<p>
+&ldquo;Come along,&rdquo; said Spargo. &ldquo;I&rsquo;ll walk there with
+you.&rdquo;
+</p>
+
+<p>
+Spargo remained in a species of brown study all the way along Tudor Street; his
+companion also maintained silence in a fashion which showed that he was by
+nature and custom a man of few words. It was not until the two were climbing
+the old balustrated staircase of the house in King&rsquo;s Bench Walk in which
+Ronald Breton&rsquo;s chambers were somewhere situate that Spargo spoke.
+</p>
+
+<p>
+&ldquo;Do you think that old chap was killed for what he may have had on
+him?&rdquo; he asked, suddenly turning on the detective.
+</p>
+
+<p>
+&ldquo;I should like to know what he had on him before I answered that
+question, Mr. Spargo,&rdquo; replied Rathbury, with a smile.
+</p>
+
+<p>
+&ldquo;Yes,&rdquo; said Spargo, dreamily. &ldquo;I suppose so. He might have
+had&mdash;nothing on him, eh?&rdquo;
+</p>
+
+<p>
+The detective laughed, and pointed to a board on which names were printed.
+</p>
+
+<p>
+&ldquo;We don&rsquo;t know anything yet, sir,&rdquo; he observed, &ldquo;except
+that Mr. Breton is on the fourth floor. By which I conclude that it isn&rsquo;t
+long since he was eating his dinner.&rdquo;
+</p>
+
+<p>
+&ldquo;Oh, he&rsquo;s young&mdash;he&rsquo;s quite young,&rdquo; said Spargo.
+&ldquo;I should say he&rsquo;s about four-and-twenty. I&rsquo;ve met him
+only&mdash;&rdquo;
+</p>
+
+<p>
+At that moment the unmistakable sounds of girlish laughter came down the
+staircase. Two girls seemed to be laughing&mdash;presently masculine laughter
+mingled with the lighter feminine.
+</p>
+
+<p>
+&ldquo;Seems to be studying law in very pleasant fashion up here,
+anyway,&rdquo; said Rathbury. &ldquo;Mr. Breton&rsquo;s chambers, too. And the
+door&rsquo;s open.&rdquo;
+</p>
+
+<p>
+The outer oak door of Ronald Breton&rsquo;s chambers stood thrown wide; the
+inner one was well ajar; through the opening thus made Spargo and the detective
+obtained a full view of the interior of Mr. Ronald Breton&rsquo;s rooms. There,
+against a background of law books, bundles of papers tied up with pink tape,
+and black-framed pictures of famous legal notabilities, they saw a pretty,
+vivacious-eyed girl, who, perched on a chair, wigged and gowned, and
+flourishing a mass of crisp paper, was haranguing an imaginary judge and jury,
+to the amusement of a young man who had his back to the door, and of another
+girl who leant confidentially against his shoulder.
+</p>
+
+<p>
+&ldquo;I put it to you, gentlemen of the jury&mdash;I put it to you with
+confidence, feeling that you must be, must necessarily be, some, perhaps
+brothers, perhaps husbands, and fathers, can you, on your consciences do my
+client the great wrong, the irreparable injury, the&mdash;the&mdash;&rdquo;
+</p>
+
+<p>
+&ldquo;Think of some more adjectives!&rdquo; exclaimed the young man.
+&ldquo;Hot and strong &rsquo;uns&mdash;pile &rsquo;em up. That&rsquo;s what
+they like&mdash;they&mdash;Hullo!&rdquo;
+</p>
+
+<p>
+This exclamation arose from the fact that at this point of the proceedings the
+detective rapped at the inner door, and then put his head round its edge.
+Whereupon the young lady who was orating from the chair, jumped hastily down;
+the other young lady withdrew from the young man&rsquo;s protecting arm; there
+was a feminine giggle and a feminine swishing of skirts, and a hasty bolt into
+an inner room, and Mr. Ronald Breton came forward, blushing a little, to greet
+the interrupter.
+</p>
+
+<p>
+&ldquo;Come in, come in!&rdquo; he exclaimed hastily. &ldquo;I&mdash;&rdquo;
+</p>
+
+<p>
+Then he paused, catching sight of Spargo, and held out his hand with a look of
+surprise.
+</p>
+
+<p>
+&ldquo;Oh&mdash;Mr. Spargo?&rdquo; he said. &ldquo;How do you
+do?&mdash;we&mdash;I&mdash;we were just having a lark&mdash;I&rsquo;m off to
+court in a few minutes. What can I do for you, Mr. Spargo?&rdquo;
+</p>
+
+<p>
+He had backed to the inner door as he spoke, and he now closed it and turned
+again to the two men, looking from one to the other. The detective, on his
+part, was looking at the young barrister. He saw a tall, slimly-built youth, of
+handsome features and engaging presence, perfectly groomed, and immaculately
+garbed, and having upon him a general air of well-to-do-ness, and he formed the
+impression from these matters that Mr. Breton was one of those fortunate young
+men who may take up a profession but are certainly not dependent upon it. He
+turned and glanced at the journalist.
+</p>
+
+<p>
+&ldquo;How do you do?&rdquo; said Spargo slowly. &ldquo;I&mdash;the fact is, I
+came here with Mr. Rathbury. He&mdash;wants to see you. Detective-Sergeant
+Rathbury&mdash;of New Scotland Yard.&rdquo;
+</p>
+
+<p>
+Spargo pronounced this formal introduction as if he were repeating a lesson.
+But he was watching the young barrister&rsquo;s face. And Breton turned to the
+detective with a look of surprise.
+</p>
+
+<p>
+&ldquo;Oh!&rdquo; he said. &ldquo;You wish&mdash;&rdquo;
+</p>
+
+<p>
+Rathbury had been fumbling in his pocket for the scrap of grey paper, which he
+had carefully bestowed in a much-worn memorandum-book. &ldquo;I wished to ask a
+question, Mr. Breton,&rdquo; he said. &ldquo;This morning, about a quarter to
+three, a man&mdash;elderly man&mdash;was found dead in Middle Temple Lane, and
+there seems little doubt that he was murdered. Mr. Spargo here&mdash;he was
+present when the body was found.&rdquo;
+</p>
+
+<p>
+&ldquo;Soon after,&rdquo; corrected Spargo. &ldquo;A few minutes after.&rdquo;
+</p>
+
+<p>
+&ldquo;When this body was examined at the mortuary,&rdquo; continued Rathbury,
+in his matter-of-fact, business-like tones, &ldquo;nothing was found that could
+lead to identification. The man appears to have been robbed. There was nothing
+whatever on him&mdash;but this bit of torn paper, which was found in a hole in
+the lining of his waistcoat pocket. It&rsquo;s got your name and address on it,
+Mr. Breton. See?&rdquo;
+</p>
+
+<p>
+Ronald Breton took the scrap of paper and looked at it with knitted brows.
+</p>
+
+<p>
+&ldquo;By Jove!&rdquo; he muttered. &ldquo;So it has; that&rsquo;s queer.
+What&rsquo;s he like, this man?&rdquo;
+</p>
+
+<p>
+Rathbury glanced at a clock which stood on the mantelpiece.
+</p>
+
+<p>
+&ldquo;Will you step round and take a look at him, Mr. Breton?&rdquo; he said.
+&ldquo;It&rsquo;s close by.&rdquo;
+</p>
+
+<p>
+&ldquo;Well&mdash;I&mdash;the fact is, I&rsquo;ve got a case on, in Mr. Justice
+Borrow&rsquo;s court,&rdquo; Breton answered, also glancing at his clock.
+&ldquo;But it won&rsquo;t be called until after eleven. Will&mdash;&rdquo;
+</p>
+
+<p>
+&ldquo;Plenty of time, sir,&rdquo; said Rathbury; &ldquo;it won&rsquo;t take
+you ten minutes to go round and back again&mdash;a look will do. You
+don&rsquo;t recognize this handwriting, I suppose?&rdquo;
+</p>
+
+<p>
+Breton still held the scrap of paper in his fingers. He looked at it again,
+intently.
+</p>
+
+<p>
+&ldquo;No!&rdquo; he answered. &ldquo;I don&rsquo;t. I don&rsquo;t know it at
+all&mdash;I can&rsquo;t think, of course, who this man could be, to have my
+name and address. I thought he might have been some country solicitor, wanting
+my professional services, you know,&rdquo; he went on, with a shy smile at
+Spargo; &ldquo;but, three&mdash;three o&rsquo;clock in the morning, eh?&rdquo;
+</p>
+
+<p>
+&ldquo;The doctor,&rdquo; observed Rathbury, &ldquo;the doctor thinks he had
+been dead about two and a half hours.&rdquo;
+</p>
+
+<p>
+Breton turned to the inner door.
+</p>
+
+<p>
+&ldquo;I&rsquo;ll&mdash;I&rsquo;ll just tell these ladies I&rsquo;m going out
+for a quarter of an hour,&rdquo; he said. &ldquo;They&rsquo;re going over to
+the court with me&mdash;I got my first brief yesterday,&rdquo; he went on with
+a boyish laugh, glancing right and left at his visitors. &ldquo;It&rsquo;s
+nothing much&mdash;small case&mdash;but I promised my fiancée and her sister
+that they should be present, you know. A moment.&rdquo;
+</p>
+
+<p>
+He disappeared into the next room and came back a moment later in all the glory
+of a new silk hat. Spargo, a young man who was never very particular about his
+dress, began to contrast his own attire with the butterfly appearance of this
+youngster; he had been quick to notice that the two girls who had whisked into
+the inner room had been similarly garbed in fine raiment, more characteristic
+of Mayfair than of Fleet Street. Already he felt a strange curiosity about
+Breton, and about the young ladies whom he heard talking behind the inner door.
+</p>
+
+<p>
+&ldquo;Well, come on,&rdquo; said Breton. &ldquo;Let&rsquo;s go straight
+there.&rdquo;
+</p>
+
+<p>
+The mortuary to which Rathbury led the way was cold, drab, repellent to the
+general gay sense of the summer morning. Spargo shivered involuntarily as he
+entered it and took a first glance around. But the young barrister showed no
+sign of feeling or concern; he looked quickly about him and stepped alertly to
+the side of the dead man, from whose face the detective was turning back a
+cloth. He looked steadily and earnestly at the fixed features. Then he drew
+back, shaking his head.
+</p>
+
+<p>
+&ldquo;No!&rdquo; he said with decision. &ldquo;Don&rsquo;t know
+him&mdash;don&rsquo;t know him from Adam. Never set eyes on him in my life,
+that I know of.&rdquo;
+</p>
+
+<p>
+Rathbury replaced the cloth.
+</p>
+
+<p>
+&ldquo;I didn&rsquo;t suppose you would,&rdquo; he remarked. &ldquo;Well, I
+expect we must go on the usual lines. Somebody&rsquo;ll identify him.&rdquo;
+</p>
+
+<p>
+&ldquo;You say he was murdered?&rdquo; said Breton. &ldquo;Is
+that&mdash;certain?&rdquo;
+</p>
+
+<p>
+Rathbury jerked his thumb at the corpse.
+</p>
+
+<p>
+&ldquo;The back of his skull is smashed in,&rdquo; he said laconically.
+&ldquo;The doctor says he must have been struck down from behind&mdash;and a
+fearful blow, too. I&rsquo;m much obliged to you, Mr. Breton.&rdquo;
+</p>
+
+<p>
+&ldquo;Oh, all right!&rdquo; said Breton. &ldquo;Well, you know where to find
+me if you want me. I shall be curious about this. Good-bye&mdash;good-bye, Mr.
+Spargo.&rdquo;
+</p>
+
+<p>
+The young barrister hurried away, and Rathbury turned to the journalist.
+</p>
+
+<p>
+&ldquo;I didn&rsquo;t expect anything from that,&rdquo; he remarked.
+&ldquo;However, it was a thing to be done. You are going to write about this
+for your paper?&rdquo;
+</p>
+
+<p>
+Spargo nodded.
+</p>
+
+<p>
+&ldquo;Well,&rdquo; continued Rathbury, &ldquo;I&rsquo;ve sent a man to
+Fiskie&rsquo;s, the hatter&rsquo;s, where that cap came from, you know. We may
+get a bit of information from that quarter&mdash;it&rsquo;s possible. If you
+like to meet me here at twelve o&rsquo;clock I&rsquo;ll tell you anything
+I&rsquo;ve heard. Just now I&rsquo;m going to get some breakfast.&rdquo;
+</p>
+
+<p>
+&ldquo;I&rsquo;ll meet you here,&rdquo; said Spargo, &ldquo;at twelve
+o&rsquo;clock.&rdquo;
+</p>
+
+<p>
+He watched Rathbury go away round one corner; he himself suddenly set off round
+another. He went to the <i>Watchman</i> office, wrote a few lines, which he
+enclosed in an envelope for the day-editor, and went out again. Somehow or
+other, his feet led him up Fleet Street, and before he quite realized what he
+was doing he found himself turning into the Law Courts.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap03"></a>CHAPTER THREE<br/>
+THE CLUE OF THE CAP</h2>
+
+<p>
+Having no clear conception of what had led him to these scenes of litigation,
+Spargo went wandering aimlessly about in the great hall and the adjacent
+corridors until an official, who took him to be lost, asked him if there was
+any particular part of the building he wanted. For a moment Spargo stared at
+the man as if he did not comprehend his question. Then his mental powers
+reasserted themselves.
+</p>
+
+<p>
+&ldquo;Isn&rsquo;t Mr. Justice Borrow sitting in one of the courts this
+morning?&rdquo; he suddenly asked.
+</p>
+
+<p>
+&ldquo;Number seven,&rdquo; replied the official. &ldquo;What&rsquo;s your
+case&mdash;when&rsquo;s it down?&rdquo;
+</p>
+
+<p>
+&ldquo;I haven&rsquo;t got a case,&rdquo; said Spargo. &ldquo;I&rsquo;m a
+pressman&mdash;reporter, you know.&rdquo;
+</p>
+
+<p>
+The official stuck out a finger.
+</p>
+
+<p>
+&ldquo;Round the corner&mdash;first to your right&mdash;second on the
+left,&rdquo; he said automatically. &ldquo;You&rsquo;ll find plenty of
+room&mdash;nothing much doing there this morning.&rdquo;
+</p>
+
+<p>
+He turned away, and Spargo recommenced his apparently aimless perambulation of
+the dreary, depressing corridors.
+</p>
+
+<p>
+&ldquo;Upon my honour!&rdquo; he muttered. &ldquo;Upon my honour, I really
+don&rsquo;t know what I&rsquo;ve come up here for. I&rsquo;ve no business
+here.&rdquo;
+</p>
+
+<p>
+Just then he turned a corner and came face to face with Ronald Breton. The
+young barrister was now in his wig and gown and carried a bundle of papers tied
+up with pink tape; he was escorting two young ladies, who were laughing and
+chattering as they tripped along at his side. And Spargo, glancing at them
+meditatively, instinctively told himself which of them it was that he and
+Rathbury had overheard as she made her burlesque speech: it was not the elder
+one, who walked by Ronald Breton with something of an air of proprietorship,
+but the younger, the girl with the laughing eyes and the vivacious smile, and
+it suddenly dawned upon him that somewhere, deep within him, there had been a
+notion, a hope of seeing this girl again&mdash;why, he could not then think.
+</p>
+
+<p>
+Spargo, thus coming face to face with these three, mechanically lifted his hat.
+Breton stopped, half inquisitive. His eyes seemed to ask a question.
+</p>
+
+<p>
+&ldquo;Yes,&rdquo; said Spargo. &ldquo;I&mdash;the fact is, I remembered that
+you said you were coming up here, and I came after you. I want&mdash;when
+you&rsquo;ve time&mdash;to have a talk, to ask you a few questions.
+About&mdash;this affair of the dead man, you know.&rdquo;
+</p>
+
+<p>
+Breton nodded. He tapped Spargo on the arm.
+</p>
+
+<p>
+&ldquo;Look here,&rdquo; he said. &ldquo;When this case of mine is over, I can
+give you as much time as you like. Can you wait a bit? Yes? Well, I say, do me
+a favour. I was taking these ladies round to the gallery&mdash;round there, and
+up the stairs&mdash;and I&rsquo;m a bit pressed for time&mdash;I&rsquo;ve a
+solicitor waiting for me. You take them&mdash;there&rsquo;s a good fellow;
+then, when the case is over, bring them down here, and you and I will talk.
+Here&mdash;I&rsquo;ll introduce you all&mdash;no ceremony. Miss
+Aylmore&mdash;Miss Jessie Aylmore. Mr. Spargo&mdash;of the <i>Watchman</i>.
+Now, I&rsquo;m off!&rdquo; Breton turned on the instant; his gown whisked round
+a corner, and Spargo found himself staring at two smiling girls. He saw then
+that both were pretty and attractive, and that one seemed to be the elder by
+some three or four years.
+</p>
+
+<p>
+&ldquo;That is very cool of Ronald,&rdquo; observed the elder young lady.
+&ldquo;Perhaps his scheme doesn&rsquo;t fit in with yours, Mr. Spargo? Pray
+don&rsquo;t&mdash;&rdquo;
+</p>
+
+<p>
+&ldquo;Oh, it&rsquo;s all right!&rdquo; said Spargo, feeling himself uncommonly
+stupid. &ldquo;I&rsquo;ve nothing to do. But&mdash;where did Mr. Breton say you
+wished to be taken?&rdquo;
+</p>
+
+<p>
+&ldquo;Into the gallery of number seven court,&rdquo; said the younger girl
+promptly. &ldquo;Round this corner&mdash;I think I know the way.&rdquo;
+</p>
+
+<p>
+Spargo, still marvelling at the rapidity with which affairs were moving that
+morning, bestirred himself to act as cicerone, and presently led the two young
+ladies to the very front of one of those public galleries from which idlers and
+specially-interested spectators may see and hear the proceedings which obtain
+in the badly-ventilated, ill-lighted tanks wherein justice is dispensed at the
+Law Courts. There was no one else in that gallery; the attendant in the
+corridor outside seemed to be vastly amazed that any one should wish to enter
+it, and he presently opened the door, beckoned to Spargo, and came half-way
+down the stairs to meet him.
+</p>
+
+<p>
+&ldquo;Nothing much going on here this morning,&rdquo; he whispered behind a
+raised hand. &ldquo;But there&rsquo;s a nice breach case in number
+five&mdash;get you three good seats there if you like.&rdquo;
+</p>
+
+<p>
+Spargo declined this tempting offer, and went back to his charges. He had
+decided by that time that Miss Aylmore was about twenty-three, and her sister
+about eighteen; he also thought that young Breton was a lucky dog to be in
+possession of such a charming future wife and an equally charming
+sister-in-law. And he dropped into a seat at Miss Jessie Aylmore&rsquo;s side,
+and looked around him as if he were much awed by his surroundings.
+</p>
+
+<p>
+&ldquo;I suppose one can talk until the judge enters?&rdquo; he whispered.
+&ldquo;Is this really Mr. Breton&rsquo;s first case?&rdquo;
+</p>
+
+<p>
+&ldquo;His very first&mdash;all on his own responsibility, any way,&rdquo;
+replied Spargo&rsquo;s companion, smiling. &ldquo;And he&rsquo;s very
+nervous&mdash;and so&rsquo;s my sister. Aren&rsquo;t you, now, Evelyn?&rdquo;
+</p>
+
+<p>
+Evelyn Aylmore looked at Spargo, and smiled quietly.
+</p>
+
+<p>
+&ldquo;I suppose one&rsquo;s always nervous about first appearances,&rdquo; she
+said. &ldquo;However, I think Ronald&rsquo;s got plenty of confidence, and, as
+he says, it&rsquo;s not much of a case: it isn&rsquo;t even a jury case.
+I&rsquo;m afraid you&rsquo;ll find it dull, Mr. Spargo&mdash;it&rsquo;s only
+something about a promissory note.&rdquo;
+</p>
+
+<p>
+&ldquo;Oh, I&rsquo;m all right, thank you,&rdquo; replied Spargo, unconsciously
+falling back on a favourite formula. &ldquo;I always like to hear
+lawyers&mdash;they manage to say such a lot about&mdash;about&mdash;&rdquo;
+</p>
+
+<p>
+&ldquo;About nothing,&rdquo; said Jessie Aylmore. &ldquo;But there&mdash;so do
+gentlemen who write for the papers, don&rsquo;t they?&rdquo;
+</p>
+
+<p>
+Spargo was about to admit that there was a good deal to be said on that point
+when Miss Aylmore suddenly drew her sister&rsquo;s attention to a man who had
+just entered the well of the court.
+</p>
+
+<p>
+&ldquo;Look, Jessie!&rdquo; she observed. &ldquo;There&rsquo;s Mr.
+Elphick!&rdquo;
+</p>
+
+<p>
+Spargo looked down at the person indicated: an elderly, large-faced,
+smooth-shaven man, a little inclined to stoutness, who, wigged and gowned, was
+slowly making his way to a corner seat just outside that charmed inner sanctum
+wherein only King&rsquo;s Counsel are permitted to sit. He dropped into this in
+a fashion which showed that he was one of those men who loved personal comfort;
+he bestowed his plump person at the most convenient angle and fitting a monocle
+in his right eye, glanced around him. There were a few of his professional
+brethren in his vicinity; there were half a dozen solicitors and their clerks
+in conversation with one or other of them; there were court officials. But the
+gentleman of the monocle swept all these with an indifferent look and cast his
+eyes upward until he caught sight of the two girls. Thereupon he made a most
+gracious bow in their direction; his broad face beamed in a genial smile, and
+he waved a white hand.
+</p>
+
+<p>
+&ldquo;Do you know Mr. Elphick, Mr. Spargo?&rdquo; enquired the younger Miss
+Aylmore.
+</p>
+
+<p>
+&ldquo;I rather think I&rsquo;ve seen him, somewhere about the Temple,&rdquo;
+answered Spargo. &ldquo;In fact, I&rsquo;m sure I have.&rdquo;
+</p>
+
+<p>
+&ldquo;His chambers are in Paper Buildings,&rdquo; said Jessie.
+&ldquo;Sometimes he gives tea-parties in them. He is Ronald&rsquo;s guardian,
+and preceptor, and mentor, and all that, and I suppose he&rsquo;s dropped into
+this court to hear how his pupil goes on.&rdquo;
+</p>
+
+<p>
+&ldquo;Here is Ronald,&rdquo; whispered Miss Aylmore.
+</p>
+
+<p>
+&ldquo;And here,&rdquo; said her sister, &ldquo;is his lordship, looking very
+cross. Now, Mr. Spargo, you&rsquo;re in for it.&rdquo;
+</p>
+
+<p>
+Spargo, to tell the truth, paid little attention to what went on beneath him.
+The case which young Breton presently opened was a commercial one, involving
+certain rights and properties in a promissory note; it seemed to the journalist
+that Breton dealt with it very well, showing himself master of the financial
+details, and speaking with readiness and assurance. He was much more interested
+in his companions, and especially in the younger one, and he was meditating on
+how he could improve his further acquaintance when he awoke to the fact that
+the defence, realizing that it stood no chance, had agreed to withdraw, and
+that Mr. Justice Borrow was already giving judgment in Ronald Breton&rsquo;s
+favour.
+</p>
+
+<p>
+In another minute he was walking out of the gallery in rear of the two sisters.
+</p>
+
+<p>
+&ldquo;Very good&mdash;very good, indeed,&rdquo; he said, absent-mindedly.
+&ldquo;I thought he put his facts very clearly and concisely.&rdquo;
+</p>
+
+<p>
+Downstairs, in the corridor, Ronald Breton was talking to Mr. Elphick. He
+pointed a finger at Spargo as the latter came up with the girls: Spargo
+gathered that Breton was speaking of the murder and of his, Spargo&rsquo;s,
+connection with it. And directly they approached, he spoke.
+</p>
+
+<p>
+&ldquo;This is Mr. Spargo, sub-editor of the <i>Watchman</i>.&rdquo; Breton
+said. &ldquo;Mr. Elphick&mdash;Mr. Spargo. I was just telling Mr. Elphick,
+Spargo, that you saw this poor man soon after he was found.&rdquo;
+</p>
+
+<p>
+Spargo, glancing at Mr. Elphick, saw that he was deeply interested. The elderly
+barrister took him&mdash;literally&mdash;by the button-hole.
+</p>
+
+<p>
+&ldquo;My dear sir!&rdquo; he said. &ldquo;You&mdash;saw this poor fellow?
+Lying dead&mdash;in the third entry down Middle Temple Lane? The third entry,
+eh?&rdquo;
+</p>
+
+<p>
+&ldquo;Yes,&rdquo; replied Spargo, simply. &ldquo;I saw him. It was the third
+entry.&rdquo;
+</p>
+
+<p>
+&ldquo;Singular!&rdquo; said Mr. Elphick, musingly. &ldquo;I know a man who
+lives in that house. In fact, I visited him last night, and did not leave until
+nearly midnight. And this unfortunate man had Mr. Ronald Breton&rsquo;s name
+and address in his pocket?&rdquo;
+</p>
+
+<p>
+Spargo nodded. He looked at Breton, and pulled out his watch. Just then he had
+no idea of playing the part of informant to Mr. Elphick.
+</p>
+
+<p>
+&ldquo;Yes, that&rsquo;s so,&rdquo; he answered shortly. Then, looking at
+Breton significantly, he added, &ldquo;If you can give me those few minutes,
+now&mdash;?&rdquo;
+</p>
+
+<p>
+&ldquo;Yes&mdash;yes!&rdquo; responded Ronald Breton, nodding. &ldquo;I
+understand. Evelyn&mdash;I&rsquo;ll leave you and Jessie to Mr. Elphick; I must
+go.&rdquo;
+</p>
+
+<p>
+Mr. Elphick seized Spargo once more.
+</p>
+
+<p>
+&ldquo;My dear sir!&rdquo; he said, eagerly. &ldquo;Do you&mdash;do you think I
+could possibly see&mdash;the body?&rdquo;
+</p>
+
+<p>
+&ldquo;It&rsquo;s at the mortuary,&rdquo; answered Spargo. &ldquo;I don&rsquo;t
+know what their regulations are.&rdquo;
+</p>
+
+<p>
+Then he escaped with Breton. They had crossed Fleet Street and were in the
+quieter shades of the Temple before Spargo spoke.
+</p>
+
+<p>
+&ldquo;About what I wanted to say to you,&rdquo; he said at last. &ldquo;It
+was&mdash;this. I&mdash;well, I&rsquo;ve always wanted, as a journalist, to
+have a real big murder case. I think this is one. I want to go right into
+it&mdash;thoroughly, first and last. And&mdash;I think you can help me.&rdquo;
+</p>
+
+<p>
+&ldquo;How do you know that it is a murder case?&rdquo; asked Breton quietly.
+</p>
+
+<p>
+&ldquo;It&rsquo;s a murder case,&rdquo; answered Spargo, stolidly. &ldquo;I
+feel it. Instinct, perhaps. I&rsquo;m going to ferret out the truth. And it
+seems to me&mdash;&rdquo;
+</p>
+
+<p>
+He paused and gave his companion a sharp glance.
+</p>
+
+<p>
+&ldquo;It seems to me,&rdquo; he presently continued, &ldquo;that the clue lies
+in that scrap of paper. That paper and that man are connecting links between
+you and&mdash;somebody else.&rdquo;
+</p>
+
+<p>
+&ldquo;Possibly,&rdquo; agreed Breton. &ldquo;You want to find the somebody
+else?&rdquo;
+</p>
+
+<p>
+&ldquo;I want you to help me to find the somebody else,&rdquo; answered Spargo.
+&ldquo;I believe this is a big, very big affair: I want to do it. I don&rsquo;t
+believe in police methods&mdash;much. By the by, I&rsquo;m just going to meet
+Rathbury. He may have heard of something. Would you like to come?&rdquo;
+</p>
+
+<p>
+Breton ran into his chambers in King&rsquo;s Bench Walk, left his gown and wig,
+and walked round with Spargo to the police office. Rathbury came out as they
+were stepping in.
+</p>
+
+<p>
+&ldquo;Oh!&rdquo; he said. &ldquo;Ah!&mdash;I&rsquo;ve got what may be helpful,
+Mr. Spargo. I told you I&rsquo;d sent a man to Fiskie&rsquo;s, the hatter!
+Well, he&rsquo;s just returned. The cap which the dead man was wearing was
+bought at Fiskie&rsquo;s yesterday afternoon, and it was sent to Mr. Marbury,
+Room 20, at the Anglo-Orient Hotel.&rdquo;
+</p>
+
+<p>
+&ldquo;Where is that?&rdquo; asked Spargo.
+</p>
+
+<p>
+&ldquo;Waterloo district,&rdquo; answered Rathbury. &ldquo;A small house, I
+believe. Well, I&rsquo;m going there. Are you coming?&rdquo;
+</p>
+
+<p>
+&ldquo;Yes,&rdquo; replied Spargo. &ldquo;Of course. And Mr. Breton wants to
+come, too.&rdquo;
+</p>
+
+<p>
+&ldquo;If I&rsquo;m not in the way,&rdquo; said Breton.
+</p>
+
+<p>
+Rathbury laughed.
+</p>
+
+<p>
+&ldquo;Well, we may find out something about this scrap of paper,&rdquo; he
+observed. And he waved a signal to the nearest taxi-cab driver.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap04"></a>CHAPTER FOUR<br/>
+THE ANGLO-ORIENT HOTEL</h2>
+
+<p>
+The house at which Spargo and his companions presently drew up was an
+old-fashioned place in the immediate vicinity of Waterloo Railway
+Station&mdash;a plain-fronted, four-square erection, essentially mid-Victorian
+in appearance, and suggestive, somehow, of the very early days of railway
+travelling. Anything more in contrast with the modern ideas of a hotel it would
+have been difficult to find in London, and Ronald Breton said so as he and the
+others crossed the pavement.
+</p>
+
+<p>
+&ldquo;And yet a good many people used to favour this place on their way to and
+from Southampton in the old days,&rdquo; remarked Rathbury. &ldquo;And I
+daresay that old travellers, coming back from the East after a good many
+years&rsquo; absence, still rush in here. You see, it&rsquo;s close to the
+station, and travellers have a knack of walking into the nearest place when
+they&rsquo;ve a few thousand miles of steamboat and railway train behind them.
+Look there, now!&rdquo; They had crossed the threshold as the detective spoke,
+and as they entered a square, heavily-furnished hall, he made a sidelong motion
+of his head towards a bar on the left, wherein stood or lounged a number of men
+who from their general appearance, their slouched hats, and their bronzed faces
+appeared to be Colonials, or at any rate to have spent a good part of their
+time beneath Oriental skies. There was a murmur of tongues that had a Colonial
+accent in it; an aroma of tobacco that suggested Sumatra and Trichinopoly, and
+Rathbury wagged his head sagely. &ldquo;Lay you anything the dead man was a
+Colonial, Mr. Spargo,&rdquo; he remarked. &ldquo;Well, now, I suppose
+that&rsquo;s the landlord and landlady.&rdquo;
+</p>
+
+<p>
+There was an office facing them, at the rear of the hall, and a man and woman
+were regarding them from a box window which opened above a ledge on which lay a
+register book. They were middle-aged folk: the man, a fleshy, round-faced,
+somewhat pompous-looking individual, who might at some time have been a butler;
+the woman a tall, spare-figured, thin-featured, sharp-eyed person, who examined
+the newcomers with an enquiring gaze. Rathbury went up to them with easy
+confidence.
+</p>
+
+<p>
+&ldquo;You the landlord of this house, sir?&rdquo; he asked. &ldquo;Mr.
+Walters? Just so&mdash;and Mrs. Walters, I presume?&rdquo;
+</p>
+
+<p>
+The landlord made a stiff bow and looked sharply at his questioner.
+</p>
+
+<p>
+&ldquo;What can I do for you, sir?&rdquo; he enquired.
+</p>
+
+<p>
+&ldquo;A little matter of business, Mr. Walters,&rdquo; replied Rathbury,
+pulling out a card. &ldquo;You&rsquo;ll see there who I
+am&mdash;Detective-Sergeant Rathbury, of the Yard. This is Mr. Frank Spargo, a
+newspaper man; this is Mr. Ronald Breton, a barrister.&rdquo;
+</p>
+
+<p>
+The landlady, hearing their names and description, pointed to a side door, and
+signed Rathbury and his companions to pass through. Obeying her pointed finger,
+they found themselves in a small private parlour. Walters closed the two doors
+which led into it and looked at his principal visitor.
+</p>
+
+<p>
+&ldquo;What is it, Mr. Rathbury?&rdquo; he enquired. &ldquo;Anything
+wrong?&rdquo;
+</p>
+
+<p>
+&ldquo;We want a bit of information,&rdquo; answered Rathbury, almost with
+indifference.
+</p>
+
+<p>
+&ldquo;Did anybody of the name of Marbury put up here yesterday&mdash;elderly
+man, grey hair, fresh complexion?&rdquo;
+</p>
+
+<p>
+Mrs. Walters started, glancing at her husband.
+</p>
+
+<p>
+&ldquo;There!&rdquo; she exclaimed. &ldquo;I knew some enquiry would be made.
+Yes&mdash;a Mr. Marbury took a room here yesterday morning, just after the noon
+train got in from Southampton. Number 20 he took. But&mdash;he didn&rsquo;t use
+it last night. He went out&mdash;very late&mdash;and he never came back.&rdquo;
+</p>
+
+<p>
+Rathbury nodded. Answering a sign from the landlord, he took a chair and,
+sitting down, looked at Mrs. Walters.
+</p>
+
+<p>
+&ldquo;What made you think some enquiry would be made, ma&rsquo;am?&rdquo; he
+asked. &ldquo;Had you noticed anything?&rdquo;
+</p>
+
+<p>
+Mrs. Walters seemed a little confused by this direct question. Her husband gave
+vent to a species of growl.
+</p>
+
+<p>
+&ldquo;Nothing to notice,&rdquo; he muttered. &ldquo;Her way of
+speaking&mdash;that&rsquo;s all.&rdquo;
+</p>
+
+<p>
+&ldquo;Well&mdash;why I said that was this,&rdquo; said the landlady. &ldquo;He
+happened to tell us, did Mr. Marbury, that he hadn&rsquo;t been in London for
+over twenty years, and couldn&rsquo;t remember anything about it, him, he said,
+never having known much about London at any time. And, of course, when he went
+out so late and never came back, why, naturally, I thought something had
+happened to him, and that there&rsquo;d be enquiries made.&rdquo;
+</p>
+
+<p>
+&ldquo;Just so&mdash;just so!&rdquo; said Rathbury. &ldquo;So you would,
+ma&rsquo;am&mdash;so you would. Well, something has happened to him. He&rsquo;s
+dead. What&rsquo;s more, there&rsquo;s strong reason to think he was
+murdered.&rdquo;
+</p>
+
+<p>
+Mr. and Mrs. Walters received this announcement with proper surprise and
+horror, and the landlord suggested a little refreshment to his visitors. Spargo
+and Breton declined, on the ground that they had work to do during the
+afternoon; Rathbury accepted it, evidently as a matter of course.
+</p>
+
+<p>
+&ldquo;My respects,&rdquo; he said, lifting his glass. &ldquo;Well, now,
+perhaps you&rsquo;ll just tell me what you know of this man? I may as well tell
+you, Mr. and Mrs. Walters, that he was found dead in Middle Temple Lane this
+morning, at a quarter to three; that there wasn&rsquo;t anything on him but his
+clothes and a scrap of paper which bore this gentleman&rsquo;s name and
+address; that this gentleman knows nothing whatever of him, and that I traced
+him here because he bought a cap at a West End hatter&rsquo;s yesterday, and
+had it sent to your hotel.&rdquo;
+</p>
+
+<p>
+&ldquo;Yes,&rdquo; said Mrs. Walters quickly, &ldquo;that&rsquo;s so. And he
+went out in that cap last night. Well&mdash;we don&rsquo;t know much about him.
+As I said, he came in here about a quarter past twelve yesterday morning, and
+booked Number 20. He had a porter with him that brought a trunk and a
+bag&mdash;they&rsquo;re in 20 now, of course. He told me that he had stayed at
+this house over twenty years ago, on his way to Australia&mdash;that, of
+course, was long before we took it. And he signed his name in the book as John
+Marbury.&rdquo;
+</p>
+
+<p>
+&ldquo;We&rsquo;ll look at that, if you please,&rdquo; said Rathbury.
+</p>
+
+<p>
+Walters fetched in the register and turned the leaf to the previous day&rsquo;s
+entries. They all bent over the dead man&rsquo;s writing.
+</p>
+
+<p>
+&ldquo;&lsquo;John Marbury, Coolumbidgee, New South Wales,&rsquo;&rdquo; said
+Rathbury. &ldquo;Ah&mdash;now I was wondering if that writing would be the same
+as that on the scrap of paper, Mr. Breton. But, you see, it
+isn&rsquo;t&mdash;it&rsquo;s quite different.&rdquo;
+</p>
+
+<p>
+&ldquo;Quite different,&rdquo; said Breton. He, too, was regarding the
+handwriting with great interest. And Rathbury noticed his keen inspection of
+it, and asked another question.
+</p>
+
+<p>
+&ldquo;Ever seen that writing before?&rdquo; he suggested.
+</p>
+
+<p>
+&ldquo;Never,&rdquo; answered Breton. &ldquo;And yet&mdash;there&rsquo;s
+something very familiar about it.&rdquo;
+</p>
+
+<p>
+&ldquo;Then the probability is that you have seen it before,&rdquo; remarked
+Rathbury. &ldquo;Well&mdash;now we&rsquo;ll hear a little more about
+Marbury&rsquo;s doings here. Just tell me all you know, Mr. and Mrs.
+Walters.&rdquo;
+</p>
+
+<p>
+&ldquo;My wife knows most,&rdquo; said Walters. &ldquo;I scarcely saw the
+man&mdash;I don&rsquo;t remember speaking with him.&rdquo;
+</p>
+
+<p>
+&ldquo;No,&rdquo; said Mrs. Walters. &ldquo;You didn&rsquo;t&mdash;you
+weren&rsquo;t much in his way. Well,&rdquo; she continued, &ldquo;I showed him
+up to his room. He talked a bit&mdash;said he&rsquo;d just landed at
+Southampton from Melbourne.&rdquo;
+</p>
+
+<p>
+&ldquo;Did he mention his ship?&rdquo; asked Rathbury. &ldquo;But if he
+didn&rsquo;t, it doesn&rsquo;t matter, for we can find out.&rdquo;
+</p>
+
+<p>
+&ldquo;I believe the name&rsquo;s on his things,&rdquo; answered the landlady.
+&ldquo;There are some labels of that sort. Well, he asked for a chop to be
+cooked for him at once, as he was going out. He had his chop, and he went out
+at exactly one o&rsquo;clock, saying to me that he expected he&rsquo;d get
+lost, as he didn&rsquo;t know London well at any time, and shouldn&rsquo;t know
+it at all now. He went outside there&mdash;I saw him&mdash;looked about him and
+walked off towards Blackfriars way. During the afternoon the cap you spoke of
+came for him&mdash;from Fiskie&rsquo;s. So, of course, I judged he&rsquo;d been
+Piccadilly way. But he himself never came in until ten o&rsquo;clock. And then
+he brought a gentleman with him.&rdquo;
+</p>
+
+<p>
+&ldquo;Aye?&rdquo; said Rathbury. &ldquo;A gentleman, now? Did you see
+him?&rdquo;
+</p>
+
+<p>
+&ldquo;Just,&rdquo; replied the landlady. &ldquo;They went straight up to 20,
+and I just caught a mere glimpse of the gentleman as they turned up the stairs.
+A tall, well-built gentleman, with a grey beard, very well dressed as far as I
+could see, with a top hat and a white silk muffler round his throat, and
+carrying an umbrella.&rdquo;
+</p>
+
+<p>
+&ldquo;And they went to Marbury&rsquo;s room?&rdquo; said Rathbury. &ldquo;What
+then?&rdquo;
+</p>
+
+<p>
+&ldquo;Well, then, Mr. Marbury rang for some whiskey and soda,&rdquo; continued
+Mrs. Walters. &ldquo;He was particular to have a decanter of whiskey: that, and
+a syphon of soda were taken up there. I heard nothing more until nearly
+midnight; then the hall-porter told me that the gentleman in 20 had gone out,
+and had asked him if there was a night-porter&mdash;as, of course, there is. He
+went out at half-past eleven.&rdquo;
+</p>
+
+<p>
+&ldquo;And the other gentleman?&rdquo; asked Rathbury.
+</p>
+
+<p>
+&ldquo;The other gentleman,&rdquo; answered the landlady, &ldquo;went out with
+him. The hall-porter said they turned towards the station. And that was the
+last anybody in this house saw of Mr. Marbury. He certainly never came
+back.&rdquo;
+</p>
+
+<p>
+&ldquo;That,&rdquo; observed Rathbury with a quiet smile, &ldquo;that is quite
+certain, ma&rsquo;am? Well&mdash;I suppose we&rsquo;d better see this Number 20
+room, and have a look at what he left there.&rdquo;
+</p>
+
+<p>
+&ldquo;Everything,&rdquo; said Mrs. Walters, &ldquo;is just as he left it.
+Nothing&rsquo;s been touched.&rdquo;
+</p>
+
+<p>
+It seemed to two of the visitors that there was little to touch. On the
+dressing-table lay a few ordinary articles of toilet&mdash;none of them of any
+quality or value: the dead man had evidently been satisfied with the plain
+necessities of life. An overcoat hung from a peg: Rathbury, without ceremony,
+went through its pockets; just as unceremoniously he proceeded to examine trunk
+and bag, and finding both unlocked, he laid out on the bed every article they
+contained and examined each separately and carefully. And he found nothing
+whereby he could gather any clue to the dead owner&rsquo;s identity.
+</p>
+
+<p>
+&ldquo;There you are!&rdquo; he said, making an end of his task. &ldquo;You
+see, it&rsquo;s just the same with these things as with the clothes he had on
+him. There are no papers&mdash;there&rsquo;s nothing to tell who he was, what
+he was after, where he&rsquo;d come from&mdash;though that we may find out in
+other ways. But it&rsquo;s not often that a man travels without some clue to
+his identity. Beyond the fact that some of this linen was, you see, bought in
+Melbourne, we know nothing of him. Yet he must have had papers and money on
+him. Did you see anything of his money, now, ma&rsquo;am?&rdquo; he asked,
+suddenly turning to Mrs. Walters. &ldquo;Did he pull out his purse in your
+presence, now?&rdquo;
+</p>
+
+<p>
+&ldquo;Yes,&rdquo; answered the landlady, with promptitude. &ldquo;He came into
+the bar for a drink after he&rsquo;d been up to his room. He pulled out a
+handful of gold when he paid for it&mdash;a whole handful. There must have been
+some thirty to forty sovereigns and half-sovereigns.&rdquo;
+</p>
+
+<p>
+&ldquo;And he hadn&rsquo;t a penny piece on him&mdash;when found,&rdquo;
+muttered Rathbury.
+</p>
+
+<p>
+&ldquo;I noticed another thing, too,&rdquo; remarked the landlady. &ldquo;He
+was wearing a very fine gold watch and chain, and had a splendid ring on his
+left hand&mdash;little finger&mdash;gold, with a big diamond in it.&rdquo;
+</p>
+
+<p>
+&ldquo;Yes,&rdquo; said the detective, thoughtfully, &ldquo;I noticed that
+he&rsquo;d worn a ring, and that it had been a bit tight for him.
+Well&mdash;now there&rsquo;s only one thing to ask about. Did your chambermaid
+notice if he left any torn paper around&mdash;tore any letters up, or anything
+like that?&rdquo;
+</p>
+
+<p>
+But the chambermaid, produced, had not noticed anything of the sort; on the
+contrary, the gentleman of Number 20 had left his room very tidy indeed. So
+Rathbury intimated that he had no more to ask, and nothing further to say, just
+then, and he bade the landlord and landlady of the Anglo-Orient Hotel good
+morning, and went away, followed by the two young men.
+</p>
+
+<p>
+&ldquo;What next?&rdquo; asked Spargo, as they gained the street.
+</p>
+
+<p>
+&ldquo;The next thing,&rdquo; answered Rathbury, &ldquo;is to find the man with
+whom Marbury left this hotel last night.&rdquo;
+</p>
+
+<p>
+&ldquo;And how&rsquo;s that to be done?&rdquo; asked Spargo.
+</p>
+
+<p>
+&ldquo;At present,&rdquo; replied Rathbury, &ldquo;I don&rsquo;t know.&rdquo;
+</p>
+
+<p>
+And with a careless nod, he walked off, apparently desirous of being alone.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap05"></a>CHAPTER FIVE<br/>
+SPARGO WISHES TO SPECIALIZE</h2>
+
+<p>
+The barrister and the journalist, left thus unceremoniously on a crowded
+pavement, looked at each other. Breton laughed.
+</p>
+
+<p>
+&ldquo;We don&rsquo;t seem to have gained much information,&rdquo; he remarked.
+&ldquo;I&rsquo;m about as wise as ever.&rdquo;
+</p>
+
+<p>
+&ldquo;No&mdash;wiser,&rdquo; said Spargo. &ldquo;At any rate, I am. I know now
+that this dead man called himself John Marbury; that he came from Australia;
+that he only landed at Southampton yesterday morning, and that he was in the
+company last night of a man whom we have had described to us&mdash;a tall,
+grey-bearded, well-dressed man, presumably a gentleman.&rdquo;
+</p>
+
+<p>
+Breton shrugged his shoulders.
+</p>
+
+<p>
+&ldquo;I should say that description would fit a hundred thousand men in
+London,&rdquo; he remarked.
+</p>
+
+<p>
+&ldquo;Exactly&mdash;so it would,&rdquo; answered Spargo. &ldquo;But we know
+that it was one of the hundred thousand, or half-million, if you like. The
+thing is to find that one&mdash;the one.&rdquo;
+</p>
+
+<p>
+&ldquo;And you think you can do it?&rdquo;
+</p>
+
+<p>
+&ldquo;I think I&rsquo;m going to have a big try at it.&rdquo;
+</p>
+
+<p>
+Breton shrugged his shoulders again.
+</p>
+
+<p>
+&ldquo;What?&mdash;by going up to every man who answers the description, and
+saying &lsquo;Sir, are you the man who accompanied John Marbury to the
+Anglo&mdash;&mdash;&rdquo;
+</p>
+
+<p>
+Spargo suddenly interrupted him.
+</p>
+
+<p>
+&ldquo;Look here!&rdquo; he said. &ldquo;Didn&rsquo;t you say that you knew a
+man who lives in that block in the entry of which Marbury was found?&rdquo;
+</p>
+
+<p>
+&ldquo;No, I didn&rsquo;t,&rdquo; answered Breton. &ldquo;It was Mr. Elphick
+who said that. All the same, I do know that man&mdash;he&rsquo;s Mr.
+Cardlestone, another barrister. He and Mr. Elphick are
+friends&mdash;they&rsquo;re both enthusiastic philatelists&mdash;stamp
+collectors, you know&mdash;and I dare say Mr. Elphick was round there last
+night examining something new Cardlestone&rsquo;s got hold of. Why?&rdquo;
+</p>
+
+<p>
+&ldquo;I&rsquo;d like to go round there and make some enquiries,&rdquo; replied
+Spargo. &ldquo;If you&rsquo;d be kind enough to&mdash;&mdash;&rdquo;
+</p>
+
+<p>
+&ldquo;Oh, I&rsquo;ll go with you!&rdquo; responded Breton, with alacrity.
+&ldquo;I&rsquo;m just as keen about this business as you are, Spargo! I want to
+know who this man Marbury is, and how he came to have my name and address on
+him. Now, if I had been a well-known man in my profession, you know,
+why&mdash;&rdquo;
+</p>
+
+<p>
+&ldquo;Yes,&rdquo; said Spargo, as they got into a cab, &ldquo;yes, that would
+have explained a lot. It seems to me that we&rsquo;ll get at the murderer
+through that scrap of paper a lot quicker than through Rathbury&rsquo;s line.
+Yes, that&rsquo;s what I think.&rdquo;
+</p>
+
+<p>
+Breton looked at his companion with interest.
+</p>
+
+<p>
+&ldquo;But&mdash;you don&rsquo;t know what Rathbury&rsquo;s line is,&rdquo; he
+remarked.
+</p>
+
+<p>
+&ldquo;Yes, I do,&rdquo; said Spargo. &ldquo;Rathbury&rsquo;s gone off to
+discover who the man is with whom Marbury left the Anglo-Orient Hotel last
+night. That&rsquo;s his line.&rdquo;
+</p>
+
+<p>
+&ldquo;And you want&mdash;&mdash;?&rdquo;
+</p>
+
+<p>
+&ldquo;I want to find out the full significance of that bit of paper, and who
+wrote it,&rdquo; answered Spargo. &ldquo;I want to know why that old man was
+coming to you when he was murdered.&rdquo;
+</p>
+
+<p>
+Breton started.
+</p>
+
+<p>
+&ldquo;By Jove!&rdquo; he exclaimed. &ldquo;I&mdash;I never thought of that.
+You&mdash;you really think he was coming to me when he was struck down?&rdquo;
+</p>
+
+<p>
+&ldquo;Certain. Hadn&rsquo;t he got an address in the Temple? Wasn&rsquo;t he
+in the Temple? Of course, he was trying to find you.&rdquo;
+</p>
+
+<p>
+&ldquo;But&mdash;the late hour?&rdquo;
+</p>
+
+<p>
+&ldquo;No matter. How else can you explain his presence in the Temple? I think
+he was asking his way. That&rsquo;s why I want to make some enquiries in this
+block.&rdquo;
+</p>
+
+<p>
+It appeared to Spargo that a considerable number of people, chiefly of the
+office-boy variety, were desirous of making enquiries about the dead man. Being
+luncheon-hour, that bit of Middle Temple Lane where the body was found, was
+thick with the inquisitive and the sensation-seeker, for the news of the murder
+had spread, and though there was nothing to see but the bare stones on which
+the body had lain, there were more open mouths and staring eyes around the
+entry than Spargo had seen for many a day. And the nuisance had become so great
+that the occupants of the adjacent chambers had sent for a policeman to move
+the curious away, and when Spargo and his companion presented themselves at the
+entry this policeman was being lectured as to his duties by a little
+weazen-faced gentleman, in very snuffy and old-fashioned garments, and an
+ancient silk hat, who was obviously greatly exercised by the unwonted
+commotion.
+</p>
+
+<p>
+&ldquo;Drive them all out into the street!&rdquo; exclaimed this personage.
+&ldquo;Drive them all away, constable&mdash;into Fleet Street or upon the
+Embankment&mdash;anywhere, so long as you rid this place of them. This is a
+disgrace, and an inconvenience, a nuisance, a&mdash;&mdash;&rdquo;
+</p>
+
+<p>
+&ldquo;That&rsquo;s old Cardlestone,&rdquo; whispered Breton. &ldquo;He&rsquo;s
+always irascible, and I don&rsquo;t suppose we&rsquo;ll get anything out of
+him. Mr. Cardlestone,&rdquo; he continued, making his way up to the old
+gentleman who was now retreating up the stone steps, brandishing an umbrella as
+ancient as himself. &ldquo;I was just coming to see you, sir. This is Mr.
+Spargo, a journalist, who is much interested in this murder.
+He&mdash;&mdash;&rdquo;
+</p>
+
+<p>
+&ldquo;I know nothing about the murder, my dear sir!&rdquo; exclaimed Mr.
+Cardlestone. &ldquo;And I never talk to journalists&mdash;a pack of busybodies,
+sir, saving your presence. I am not aware that any murder has been committed,
+and I object to my doorway being filled by a pack of office boys and street
+loungers. Murder indeed! I suppose the man fell down these steps and broke his
+neck&mdash;drunk, most likely.&rdquo;
+</p>
+
+<p>
+He opened his outer door as he spoke, and Breton, with a reassuring smile and a
+nod at Spargo, followed him into his chambers on the first landing, motioning
+the journalist to keep at their heels.
+</p>
+
+<p>
+&ldquo;Mr. Elphick tells me that he was with you until a late hour last
+evening, Mr. Cardlestone,&rdquo; he said. &ldquo;Of course, neither of you
+heard anything suspicious?&rdquo;
+</p>
+
+<p>
+&ldquo;What should we hear that was suspicious in the Temple, sir?&rdquo;
+demanded Mr. Cardlestone, angrily. &ldquo;I hope the Temple is free from that
+sort of thing, young Mr. Breton. Your respected guardian and myself had a quiet
+evening on our usual peaceful pursuits, and when he went away all was as quiet
+as the grave, sir. What may have gone on in the chambers above and around me I
+know not! Fortunately, our walls are thick, sir&mdash;substantial. I say, sir,
+the man probably fell down and broke his neck. What he was doing here, I do not
+presume to say.&rdquo;
+</p>
+
+<p>
+&ldquo;Well, it&rsquo;s guess, you know, Mr. Cardlestone,&rdquo; remarked
+Breton, again winking at Spargo. &ldquo;But all that was found on this man was
+a scrap of paper on which my name and address were written. That&rsquo;s
+practically all that was known of him, except that he&rsquo;d just arrived from
+Australia.&rdquo;
+</p>
+
+<p>
+Mr. Cardlestone suddenly turned on the young barrister with a sharp, acute
+glance.
+</p>
+
+<p>
+&ldquo;Eh?&rdquo; he exclaimed. &ldquo;What&rsquo;s this? You say this man had
+your name and address on him, young Breton!&mdash;yours? And that he came
+from&mdash;Australia?&rdquo;
+</p>
+
+<p>
+&ldquo;That&rsquo;s so,&rdquo; answered Breton. &ldquo;That&rsquo;s all
+that&rsquo;s known.&rdquo;
+</p>
+
+<p>
+Mr. Cardlestone put aside his umbrella, produced a bandanna handkerchief of
+strong colours, and blew his nose in a reflective fashion.
+</p>
+
+<p>
+&ldquo;That&rsquo;s a mysterious thing,&rdquo; he observed.
+&ldquo;Um&mdash;does Elphick know all that?&rdquo;
+</p>
+
+<p>
+Breton looked at Spargo as if he was asking him for an explanation of Mr.
+Cardlestone&rsquo;s altered manner. And Spargo took up the conversation.
+</p>
+
+<p>
+&ldquo;No,&rdquo; he said. &ldquo;All that Mr. Elphick knows is that Mr. Ronald
+Breton&rsquo;s name and address were on the scrap of paper found on the body.
+Mr. Elphick&rdquo;&mdash;here Spargo paused and looked at
+Breton&mdash;&ldquo;Mr. Elphick,&rdquo; he presently continued, slowly
+transferring his glance to the old barrister, &ldquo;spoke of going to view the
+body.&rdquo;
+</p>
+
+<p>
+&ldquo;Ah!&rdquo; exclaimed Mr. Cardlestone, eagerly. &ldquo;It can be seen?
+Then I&rsquo;ll go and see it. Where is it?&rdquo;
+</p>
+
+<p>
+Breton started.
+</p>
+
+<p>
+&ldquo;But&mdash;my dear sir!&rdquo; he said. &ldquo;Why?&rdquo;
+</p>
+
+<p>
+Mr. Cardlestone picked up his umbrella again.
+</p>
+
+<p>
+&ldquo;I feel a proper curiosity about a mystery which occurs at my very
+door,&rdquo; he said. &ldquo;Also, I have known more than one man who went to
+Australia. This might&mdash;I say might, young gentlemen&mdash;might be a man I
+had once known. Show me where this body is.&rdquo;
+</p>
+
+<p>
+Breton looked helplessly at Spargo: it was plain that he did not understand the
+turn that things were taking. But Spargo was quick to seize an opportunity. In
+another minute he was conducting Mr. Cardlestone through the ins and outs of
+the Temple towards Blackfriars. And as they turned into Tudor Street they
+encountered Mr. Elphick.
+</p>
+
+<p>
+&ldquo;I am going to the mortuary,&rdquo; he remarked. &ldquo;So, I suppose,
+are you, Cardlestone? Has anything more been discovered, young man?&rdquo;
+</p>
+
+<p>
+Spargo tried a chance shot&mdash;at what he did not know. &ldquo;The
+man&rsquo;s name was Marbury,&rdquo; he said. &ldquo;He was from
+Australia.&rdquo;
+</p>
+
+<p>
+He was keeping a keen eye on Mr. Elphick, but he failed to see that Mr. Elphick
+showed any of the surprise which Mr. Cardlestone had exhibited. Rather, he
+seemed indifferent.
+</p>
+
+<p>
+&ldquo;Oh?&rdquo; he said&mdash;&ldquo;Marbury? And from Australia.
+Well&mdash;I should like to see the body.&rdquo;
+</p>
+
+<p>
+Spargo and Breton had to wait outside the mortuary while the two elder
+gentlemen went in. There was nothing to be learnt from either when they
+reappeared.
+</p>
+
+<p>
+&ldquo;We don&rsquo;t know the man,&rdquo; said Mr. Elphick, calmly. &ldquo;As
+Mr. Cardlestone, I understand, has said to you already&mdash;we have known men
+who went to Australia, and as this man was evidently wandering about the
+Temple, we thought it might have been one of them, come back. But&mdash;we
+don&rsquo;t recognize him.&rdquo;
+</p>
+
+<p>
+&ldquo;Couldn&rsquo;t recognize him,&rdquo; said Mr. Cardlestone.
+&ldquo;No!&rdquo;
+</p>
+
+<p>
+They went away together arm in arm, and Breton looked at Spargo.
+</p>
+
+<p>
+&ldquo;As if anybody on earth ever fancied they&rsquo;d recognize him!&rdquo;
+he said. &ldquo;Well&mdash;what are you going to do now, Spargo? I must
+go.&rdquo;
+</p>
+
+<p>
+Spargo, who had been digging his walking-stick into a crack in the pavement,
+came out of a fit of abstraction.
+</p>
+
+<p>
+&ldquo;I?&rdquo; he said. &ldquo;Oh&mdash;I&rsquo;m going to the office.&rdquo;
+And he turned abruptly away, and walking straight off to the editorial rooms at
+the <i>Watchman</i>, made for one in which sat the official guardian of the
+editor. &ldquo;Try to get me a few minutes with the chief,&rdquo; he said.
+</p>
+
+<p>
+The private secretary looked up.
+</p>
+
+<p>
+&ldquo;Really important?&rdquo; he asked.
+</p>
+
+<p>
+&ldquo;Big!&rdquo; answered Spargo. &ldquo;Fix it.&rdquo;
+</p>
+
+<p>
+Once closeted with the great man, whose idiosyncrasies he knew pretty well by
+that time, Spargo lost no time.
+</p>
+
+<p>
+&ldquo;You&rsquo;ve heard about this murder in Middle Temple Lane?&rdquo; he
+suggested.
+</p>
+
+<p>
+&ldquo;The mere facts,&rdquo; replied the editor, tersely.
+</p>
+
+<p>
+&ldquo;I was there when the body was found,&rdquo; continued Spargo, and gave a
+brief résumé of his doings. &ldquo;I&rsquo;m certain this is a most unusual
+affair,&rdquo; he went on. &ldquo;It&rsquo;s as full of mystery as&mdash;as it
+could be. I want to give my attention to it. I want to specialize on it. I can
+make such a story of it as we haven&rsquo;t had for some time&mdash;ages. Let
+me have it. And to start with, let me have two columns for tomorrow morning.
+I&rsquo;ll make it&mdash;big!&rdquo;
+</p>
+
+<p>
+The editor looked across his desk at Spargo&rsquo;s eager face.
+</p>
+
+<p>
+&ldquo;Your other work?&rdquo; he said.
+</p>
+
+<p>
+&ldquo;Well in hand,&rdquo; replied Spargo. &ldquo;I&rsquo;m ahead a whole
+week&mdash;both articles and reviews. I can tackle both.&rdquo;
+</p>
+
+<p>
+The editor put his finger tips together.
+</p>
+
+<p>
+&ldquo;Have you got some idea about this, young man?&rdquo; he asked.
+</p>
+
+<p>
+&ldquo;I&rsquo;ve got a great idea,&rdquo; answered Spargo. He faced the great
+man squarely, and stared at him until he had brought a smile to the editorial
+face. &ldquo;That&rsquo;s why I want to do it,&rdquo; he added.
+&ldquo;And&mdash;it&rsquo;s not mere boasting nor over-confidence&mdash;I know
+I shall do it better than anybody else.&rdquo;
+</p>
+
+<p>
+The editor considered matters for a brief moment.
+</p>
+
+<p>
+&ldquo;You mean to find out who killed this man?&rdquo; he said at last.
+</p>
+
+<p>
+Spargo nodded his head&mdash;twice.
+</p>
+
+<p>
+&ldquo;I&rsquo;ll find that out,&rdquo; he said doggedly.
+</p>
+
+<p>
+The editor picked up a pencil, and bent to his desk.
+</p>
+
+<p>
+&ldquo;All right,&rdquo; he said. &ldquo;Go ahead. You shall have your two
+columns.&rdquo;
+</p>
+
+<p>
+Spargo went quietly away to his own nook and corner. He got hold of a block of
+paper and began to write. He was going to show how to do things.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap06"></a>CHAPTER SIX<br/>
+WITNESS TO A MEETING</h2>
+
+<p>
+Ronald Breton walked into the <i>Watchman</i> office and into Spargo&rsquo;s
+room next morning holding a copy of the current issue in his hand. He waved it
+at Spargo with an enthusiasm which was almost boyish.
+</p>
+
+<p>
+&ldquo;I say!&rdquo; he exclaimed. &ldquo;That&rsquo;s the way to do it,
+Spargo! I congratulate you. Yes, that&rsquo;s the way&mdash;certain!&rdquo;
+</p>
+
+<p>
+Spargo, idly turning over a pile of exchanges, yawned.
+</p>
+
+<p>
+&ldquo;What way?&rdquo; he asked indifferently.
+</p>
+
+<p>
+&ldquo;The way you&rsquo;ve written this thing up,&rdquo; said Breton.
+&ldquo;It&rsquo;s a hundred thousand times better than the usual cut-and-dried
+account of a murder. It&rsquo;s&mdash;it&rsquo;s like a&mdash;a romance!&rdquo;
+</p>
+
+<p>
+&ldquo;Merely a new method of giving news,&rdquo; said Spargo. He picked up a
+copy of the <i>Watchman</i>, and glanced at his two columns, which had somehow
+managed to make themselves into three, viewing the displayed lettering, the
+photograph of the dead man, the line drawing of the entry in Middle Temple
+Lane, and the facsimile of the scrap of grey paper, with a critical eye.
+&ldquo;Yes&mdash;merely a new method,&rdquo; he continued. &ldquo;The question
+is&mdash;will it achieve its object?&rdquo;
+</p>
+
+<p>
+&ldquo;What&rsquo;s the object?&rdquo; asked Breton.
+</p>
+
+<p>
+Spargo fished out a box of cigarettes from an untidy drawer, pushed it over to
+his visitor, helped himself, and tilting back his chair, put his feet on his
+desk.
+</p>
+
+<p>
+&ldquo;The object?&rdquo; he said, drily. &ldquo;Oh, well, the object is the
+ultimate detection of the murderer.&rdquo;
+</p>
+
+<p>
+&ldquo;You&rsquo;re after that?&rdquo;
+</p>
+
+<p>
+&ldquo;I&rsquo;m after that&mdash;just that.&rdquo;
+</p>
+
+<p>
+&ldquo;And not&mdash;not simply out to make effective news?&rdquo;
+</p>
+
+<p>
+&ldquo;I&rsquo;m out to find the murderer of John Marbury,&rdquo; said Spargo
+deliberately slow in his speech. &ldquo;And I&rsquo;ll find him.&rdquo;
+</p>
+
+<p>
+&ldquo;Well, there doesn&rsquo;t seem to be much in the way of clues, so
+far,&rdquo; remarked Breton. &ldquo;I see&mdash;nothing. Do you?&rdquo;
+</p>
+
+<p>
+Spargo sent a spiral of scented smoke into the air.
+</p>
+
+<p>
+&ldquo;I want to know an awful lot,&rdquo; he said. &ldquo;I&rsquo;m hungering
+for news. I want to know who John Marbury is. I want to know what he did with
+himself between the time when he walked out of the Anglo-Orient Hotel, alive
+and well, and the time when he was found in Middle Temple Lane, with his skull
+beaten in and dead. I want to know where he got that scrap of paper. Above
+everything, Breton, I want to know what he&rsquo;d got to do with you!&rdquo;
+</p>
+
+<p>
+He gave the young barrister a keen look, and Breton nodded.
+</p>
+
+<p>
+&ldquo;Yes,&rdquo; he said. &ldquo;I confess that&rsquo;s a corker. But I
+think&mdash;&mdash;&rdquo;
+</p>
+
+<p>
+&ldquo;Well?&rdquo; said Spargo.
+</p>
+
+<p>
+&ldquo;I think he may have been a man who had some legal business in hand, or
+in prospect, and had been recommended to&mdash;me,&rdquo; said Breton.
+</p>
+
+<p>
+Spargo smiled&mdash;a little sardonically.
+</p>
+
+<p>
+&ldquo;That&rsquo;s good!&rdquo; he said. &ldquo;You had your very first
+brief&mdash;yesterday. Come&mdash;your fame isn&rsquo;t blown abroad through
+all the heights yet, my friend! Besides&mdash;don&rsquo;t intending clients
+approach&mdash;isn&rsquo;t it strict etiquette for them to
+approach?&mdash;barristers through solicitors?&rdquo;
+</p>
+
+<p>
+&ldquo;Quite right&mdash;in both your remarks,&rdquo; replied Breton,
+good-humouredly. &ldquo;Of course, I&rsquo;m not known a bit, but all the same
+I&rsquo;ve known several cases where a barrister has been approached in the
+first instance and asked to recommend a solicitor. Somebody who wanted to do me
+a good turn may have given this man my address.&rdquo;
+</p>
+
+<p>
+&ldquo;Possible,&rdquo; said Spargo. &ldquo;But he wouldn&rsquo;t have come to
+consult you at midnight. Breton!&mdash;the more I think of it, the more
+I&rsquo;m certain there&rsquo;s a tremendous mystery in this affair!
+That&rsquo;s why I got the chief to let me write it up as I have
+done&mdash;here. I&rsquo;m hoping that this photograph&mdash;though to be sure,
+it&rsquo;s of a dead face&mdash;and this facsimile of the scrap of paper will
+lead to somebody coming forward who can&mdash;&mdash;&rdquo;
+</p>
+
+<p>
+Just then one of the uniformed youths who hang about the marble pillared
+vestibule of the <i>Watchman</i> office came into the room with the
+unmistakable look and air of one who carries news of moment.
+</p>
+
+<p>
+&ldquo;I dare lay a sovereign to a cent that I know what this is,&rdquo;
+muttered Spargo in an aside. &ldquo;Well?&rdquo; he said to the boy.
+&ldquo;What is it?&rdquo;
+</p>
+
+<p>
+The messenger came up to the desk.
+</p>
+
+<p>
+&ldquo;Mr. Spargo,&rdquo; he said, &ldquo;there&rsquo;s a man downstairs who
+says that he wants to see somebody about that murder case that&rsquo;s in the
+paper this morning, sir. Mr. Barrett said I was to come to you.&rdquo;
+</p>
+
+<p>
+&ldquo;Who is the man?&rdquo; asked Spargo.
+</p>
+
+<p>
+&ldquo;Won&rsquo;t say, sir,&rdquo; replied the boy. &ldquo;I gave him a form
+to fill up, but he said he wouldn&rsquo;t write anything&mdash;said all he
+wanted was to see the man who wrote the piece in the paper.&rdquo;
+</p>
+
+<p>
+&ldquo;Bring him here,&rdquo; commanded Spargo. He turned to Breton when the
+boy had gone, and he smiled. &ldquo;I knew we should have somebody here sooner
+or later,&rdquo; he said. &ldquo;That&rsquo;s why I hurried over my breakfast
+and came down at ten o&rsquo;clock. Now then, what will you bet on the chances
+of this chap&rsquo;s information proving valuable?&rdquo;
+</p>
+
+<p>
+&ldquo;Nothing,&rdquo; replied Breton. &ldquo;He&rsquo;s probably some crank or
+faddist who&rsquo;s got some theory that he wants to ventilate.&rdquo;
+</p>
+
+<p>
+The man who was presently ushered in by the messenger seemed from preliminary
+and outward appearance to justify Breton&rsquo;s prognostication. He was
+obviously a countryman, a tall, loosely-built, middle-aged man, yellow of hair,
+blue of eye, who was wearing his Sunday-best array of pearl-grey trousers and
+black coat, and sported a necktie in which were several distinct colours.
+Oppressed with the splendour and grandeur of the <i>Watchman</i> building, he
+had removed his hard billycock hat as he followed the boy, and he ducked his
+bared head at the two young men as he stepped on to the thick pile of the
+carpet which made luxurious footing in Spargo&rsquo;s room. His blue eyes,
+opened to their widest, looked round him in astonishment at the sumptuousness
+of modern newspaper-office accommodation.
+</p>
+
+<p>
+&ldquo;How do you do, sir?&rdquo; said Spargo, pointing a finger to one of the
+easy-chairs for which the <i>Watchman</i> office is famous. &ldquo;I understand
+that you wish to see me?&rdquo;
+</p>
+
+<p>
+The caller ducked his yellow head again, sat down on the edge of the chair, put
+his hat on the floor, picked it up again, and endeavoured to hang it on his
+knee, and looked at Spargo innocently and shyly.
+</p>
+
+<p>
+&ldquo;What I want to see, sir,&rdquo; he observed in a rustic accent,
+&ldquo;is the gentleman as wrote that piece in your newspaper about this here
+murder in Middle Temple Lane.&rdquo;
+</p>
+
+<p>
+&ldquo;You see him,&rdquo; said Spargo. &ldquo;I am that man.&rdquo;
+</p>
+
+<p>
+The caller smiled&mdash;generously.
+</p>
+
+<p>
+&ldquo;Indeed, sir?&rdquo; he said. &ldquo;A very nice bit of reading,
+I&rsquo;m sure. And what might your name be, now, sir? I can always talk
+free-er to a man when I know what his name is.&rdquo;
+</p>
+
+<p>
+&ldquo;So can I,&rdquo; answered Spargo. &ldquo;My name is Spargo&mdash;Frank
+Spargo. What&rsquo;s yours?&rdquo;
+</p>
+
+<p>
+&ldquo;Name of Webster, sir&mdash;William Webster. I farm at One Ash Farm, at
+Gosberton, in Oakshire. Me and my wife,&rdquo; continued Mr. Webster, again
+smiling and distributing his smile between both his hearers, &ldquo;is at
+present in London on a holiday. And very pleasant we find it&mdash;weather and
+all.&rdquo;
+</p>
+
+<p>
+&ldquo;That&rsquo;s right,&rdquo; said Spargo. &ldquo;And&mdash;you wanted to
+see me about this murder, Mr. Webster?&rdquo;
+</p>
+
+<p>
+&ldquo;I did, sir. Me, I believe, knowing, as I think, something that&rsquo;ll
+do for you to put in your paper. You see, Mr. Spargo, it come about in this
+fashion&mdash;happen you&rsquo;ll be for me to tell it in my own way.&rdquo;
+</p>
+
+<p>
+&ldquo;That,&rdquo; answered Spargo, &ldquo;is precisely what I desire.&rdquo;
+</p>
+
+<p>
+&ldquo;Well, to be sure, I couldn&rsquo;t tell it in no other,&rdquo; declared
+Mr. Webster. &ldquo;You see, sir, I read your paper this morning while I was
+waiting for my breakfast&mdash;they take their breakfasts so late in them
+hotels&mdash;and when I&rsquo;d read it, and looked at the pictures, I says to
+my wife &lsquo;As soon as I&rsquo;ve had my breakfast,&rsquo; I says,
+&lsquo;I&rsquo;m going to where they print this newspaper to tell &rsquo;em
+something.&rsquo; &lsquo;Aye?&rsquo; she says, &lsquo;Why, what have you to
+tell, I should like to know?&rsquo; just like that, Mr. Spargo.&rdquo;
+</p>
+
+<p>
+&ldquo;Mrs. Webster,&rdquo; said Spargo, &ldquo;is a lady of businesslike
+principles. And what have you to tell?&rdquo;
+</p>
+
+<p>
+Mr. Webster looked into the crown of his hat, looked out of it, and smiled
+knowingly.
+</p>
+
+<p>
+&ldquo;Well, sir,&rdquo; he continued, &ldquo;Last night, my wife, she went out
+to a part they call Clapham, to take her tea and supper with an old friend of
+hers as lives there, and as they wanted to have a bit of woman-talk, like, I
+didn&rsquo;t go. So thinks I to myself, I&rsquo;ll go and see this here House
+of Commons. There was a neighbour of mine as had told me that all you&rsquo;d
+got to do was to tell the policeman at the door that you wanted to see your own
+Member of Parliament. So when I got there I told &rsquo;em that I wanted to see
+our M.P., Mr. Stonewood&mdash;you&rsquo;ll have heard tell of him, no doubt; he
+knows me very well&mdash;and they passed me, and I wrote out a ticket for him,
+and they told me to sit down while they found him. So I sat down in a grand
+sort of hall where there were a rare lot of people going and coming, and some
+fine pictures and images to look at, and for a time I looked at them, and then
+I began to take a bit of notice of the folk near at hand, waiting, you know,
+like myself. And as sure as I&rsquo;m a christened man, sir, the gentleman
+whose picture you&rsquo;ve got in your paper&mdash;him as was
+murdered&mdash;was sitting next to me! I knew that picture as soon as I saw it
+this morning.&rdquo;
+</p>
+
+<p>
+Spargo, who had been making unmeaning scribbles on a block of paper, suddenly
+looked at his visitor.
+</p>
+
+<p>
+&ldquo;What time was that?&rdquo; he asked.
+</p>
+
+<p>
+&ldquo;It was between a quarter and half-past nine, sir,&rdquo; answered Mr.
+Webster. &ldquo;It might ha&rsquo; been twenty past&mdash;it might ha&rsquo;
+been twenty-five past.&rdquo;
+</p>
+
+<p>
+&ldquo;Go on, if you please,&rdquo; said Spargo.
+</p>
+
+<p>
+&ldquo;Well, sir, me and this here dead gentleman talked a bit. About what a
+long time it took to get a member to attend to you, and such-like. I made
+mention of the fact that I hadn&rsquo;t been in there before. &lsquo;Neither
+have I!&rsquo; he says, &lsquo;I came in out of curiosity,&rsquo; he says, and
+then he laughed, sir&mdash;queer-like. And it was just after that that what
+I&rsquo;m going to tell you about happened.&rdquo;
+</p>
+
+<p>
+&ldquo;Tell,&rdquo; commanded Spargo.
+</p>
+
+<p>
+&ldquo;Well, sir, there was a gentleman came along, down this grand hall that
+we were sitting in&mdash;a tall, handsome gentleman, with a grey beard.
+He&rsquo;d no hat on, and he was carrying a lot of paper and documents in his
+hand, so I thought he was happen one of the members. And all of a sudden this
+here man at my side, he jumps up with a sort of start and an exclamation,
+and&mdash;&mdash;&rdquo;
+</p>
+
+<p>
+Spargo lifted his hand. He looked keenly at his visitor.
+</p>
+
+<p>
+&ldquo;Now, you&rsquo;re absolutely sure about what you heard him
+exclaim?&rdquo; he asked. &ldquo;Quite sure about it? Because I see you are
+going to tell us what he did exclaim.&rdquo;
+</p>
+
+<p>
+&ldquo;I&rsquo;ll tell you naught but what I&rsquo;m certain of, sir,&rdquo;
+replied Webster. &ldquo;What he said as he jumped up was &lsquo;Good
+God!&rsquo; he says, sharp-like&mdash;and then he said a name, and I
+didn&rsquo;t right catch it, but it sounded like Danesworth, or Painesworth, or
+something of that sort&mdash;one of them there, or very like &rsquo;em, at any
+rate. And then he rushed up to this here gentleman, and laid his hand on his
+arm&mdash;sudden-like.&rdquo;
+</p>
+
+<p>
+&ldquo;And&mdash;the gentleman?&rdquo; asked Spargo, quietly.
+</p>
+
+<p>
+&ldquo;Well, he seemed taken aback, sir. He jumped. Then he stared at the man.
+Then they shook hands. And then, after they&rsquo;d spoken a few words
+together-like, they walked off, talking. And, of course, I never saw no more of
+&rsquo;em. But when I saw your paper this morning, sir, and that picture in it,
+I said to myself &lsquo;That&rsquo;s the man I sat next to in that there hall
+at the House of Commons!&rsquo; Oh, there&rsquo;s no doubt of it, sir!&rdquo;
+</p>
+
+<p>
+&ldquo;And supposing you saw a photograph of the tall gentleman with the grey
+beard?&rdquo; suggested Spargo. &ldquo;Could you recognize him from
+that?&rdquo;
+</p>
+
+<p>
+&ldquo;Make no doubt of it, sir,&rdquo; answered Mr. Webster. &ldquo;I observed
+him particular.&rdquo;
+</p>
+
+<p>
+Spargo rose, and going over to a cabinet, took from it a thick volume, the
+leaves of which he turned over for several minutes.
+</p>
+
+<p>
+&ldquo;Come here, if you please, Mr. Webster,&rdquo; he said.
+</p>
+
+<p>
+The farmer went across the room.
+</p>
+
+<p>
+&ldquo;There is a full set of photographs of members of the present House of
+Commons here,&rdquo; said Spargo. &ldquo;Now, pick out the one you saw. Take
+your time&mdash;and be sure.&rdquo;
+</p>
+
+<p>
+He left his caller turning over the album and went back to Breton.
+</p>
+
+<p>
+&ldquo;There!&rdquo; he whispered. &ldquo;Getting nearer&mdash;a bit
+nearer&mdash;eh?&rdquo;
+</p>
+
+<p>
+&ldquo;To what?&rdquo; asked Breton. &ldquo;I don&rsquo;t see&mdash;&rdquo;
+</p>
+
+<p>
+A sudden exclamation from the farmer interrupted Breton&rsquo;s remark.
+</p>
+
+<p>
+&ldquo;This is him, sir!&rdquo; answered Mr. Webster. &ldquo;That&rsquo;s the
+gentleman&mdash;know him anywhere!&rdquo;
+</p>
+
+<p>
+The two young men crossed the room. The farmer was pointing a stubby finger to
+a photograph, beneath which was written <i>Stephen Aylmore, Esq., M.P. for
+Brookminster</i>.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap07"></a>CHAPTER SEVEN<br/>
+MR. AYLMORE</h2>
+
+<p>
+Spargo, keenly observant and watchful, felt, rather than saw, Breton start; he
+himself preserved an imperturbable equanimity. He gave a mere glance at the
+photograph to which Mr. Webster was pointing.
+</p>
+
+<p>
+&ldquo;Oh!&rdquo; he said. &ldquo;That he?&rdquo;
+</p>
+
+<p>
+&ldquo;That&rsquo;s the gentleman, sir,&rdquo; replied Webster. &ldquo;Done to
+the life, that is. No difficulty in recognizing of that, Mr. Spargo.&rdquo;
+</p>
+
+<p>
+&ldquo;You&rsquo;re absolutely sure?&rdquo; demanded Spargo. &ldquo;There are a
+lot of men in the House of Commons, you know, who wear beards, and many of the
+beards are grey.&rdquo;
+</p>
+
+<p>
+But Webster wagged his head.
+</p>
+
+<p>
+&ldquo;That&rsquo;s him, sir!&rdquo; he repeated. &ldquo;I&rsquo;m as sure of
+that as I am that my name&rsquo;s William Webster. That&rsquo;s the man I saw
+talking to him whose picture you&rsquo;ve got in your paper. Can&rsquo;t say no
+more, sir.&rdquo;
+</p>
+
+<p>
+&ldquo;Very good,&rdquo; said Spargo. &ldquo;I&rsquo;m much obliged to you.
+I&rsquo;ll see Mr. Aylmore. Leave me your address in London, Mr. Webster. How
+long do you remain in town?&rdquo;
+</p>
+
+<p>
+&ldquo;My address is the Beachcroft Hotel, Bloomsbury, sir, and I shall be
+there for another week,&rdquo; answered the farmer. &ldquo;Hope I&rsquo;ve been
+of some use, Mr. Spargo. As I says to my wife&mdash;&mdash;&rdquo;
+</p>
+
+<p>
+Spargo cut his visitor short in polite fashion and bowed him out. He turned to
+Breton, who still stood staring at the album of portraits.
+</p>
+
+<p>
+&ldquo;There!&mdash;what did I tell you?&rdquo; he said. &ldquo;Didn&rsquo;t I
+say I should get some news? There it is.&rdquo;
+</p>
+
+<p>
+Breton nodded his head. He seemed thoughtful.
+</p>
+
+<p>
+&ldquo;Yes,&rdquo; he agreed. &ldquo;Yes, I say, Spargo!&rdquo;
+</p>
+
+<p>
+&ldquo;Well?&rdquo;
+</p>
+
+<p>
+&ldquo;Mr. Aylmore is my prospective father-in-law, you know.&rdquo;
+</p>
+
+<p>
+&ldquo;Quite aware of it. Didn&rsquo;t you introduce me to his
+daughters&mdash;only yesterday?&rdquo;
+</p>
+
+<p>
+&ldquo;But&mdash;how did you know they were his daughters?&rdquo;
+</p>
+
+<p>
+Spargo laughed as he sat down to his desk.
+</p>
+
+<p>
+&ldquo;Instinct&mdash;intuition,&rdquo; he answered. &ldquo;However, never mind
+that, just now. Well&mdash;I&rsquo;ve found something out. Marbury&mdash;if
+that is the dead man&rsquo;s real name, and anyway, it&rsquo;s all we know him
+by&mdash;was in the company of Mr. Aylmore that night. Good!&rdquo;
+</p>
+
+<p>
+&ldquo;What are you going to do about it?&rdquo; asked Breton.
+</p>
+
+<p>
+&ldquo;Do? See Mr. Aylmore, of course.&rdquo;
+</p>
+
+<p>
+He was turning over the leaves of a telephone address-book; one hand had
+already picked up the mouthpiece of the instrument on his desk.
+</p>
+
+<p>
+&ldquo;Look here,&rdquo; said Breton. &ldquo;I know where Mr. Aylmore is always
+to be found at twelve o&rsquo;clock. At the A. and P.&mdash;the Atlantic and
+Pacific Club, you know, in St. James&rsquo;s. If you like, I&rsquo;ll go with
+you.&rdquo;
+</p>
+
+<p>
+Spargo glanced at the clock and laid down the telephone.
+</p>
+
+<p>
+&ldquo;All right,&rdquo; he said. &ldquo;Eleven o&rsquo;clock, now. I&rsquo;ve
+something to do. I&rsquo;ll meet you outside the A. and P. at exactly
+noon.&rdquo;
+</p>
+
+<p>
+&ldquo;I&rsquo;ll be there,&rdquo; agreed Breton. He made for the door, and
+with his hand on it, turned. &ldquo;What do you expect from&mdash;from what
+we&rsquo;ve just heard?&rdquo; he asked.
+</p>
+
+<p>
+Spargo shrugged his shoulders.
+</p>
+
+<p>
+&ldquo;Wait&mdash;until we hear what Mr. Aylmore has to say,&rdquo; he
+answered. &ldquo;I suppose this man Marbury was some old acquaintance.&rdquo;
+</p>
+
+<p>
+Breton closed the door and went away: left alone, Spargo began to mutter to
+himself.
+</p>
+
+<p>
+&ldquo;Good God!&rdquo; he says.
+&ldquo;Dainsworth&mdash;Painsworth&mdash;something of that sort&mdash;one of
+the two. Excellent&mdash;that our farmer friend should have so much
+observation. Ah!&mdash;and why should Mr. Stephen Aylmore be recognized as
+Dainsworth or Painsworth or something of that sort. Now, who is Mr. Stephen
+Aylmore&mdash;beyond being what I know him to be?&rdquo;
+</p>
+
+<p>
+Spargo&rsquo;s fingers went instinctively to one of a number of books of
+reference which stood on his desk: they turned with practised swiftness to a
+page over which his eye ran just as swiftly. He read aloud:
+</p>
+
+<p>
+&ldquo;AYLMORE, STEPHEN, M.P. for Brookminster since 1910. Residences: 23, St.
+Osythe Court, Kensington: Buena Vista, Great Marlow. Member Atlantic and
+Pacific and City Venturers&rsquo; Clubs. Interested in South American
+enterprise.&rdquo;
+</p>
+
+<p>
+&ldquo;Um!&rdquo; muttered Spargo, putting the book away. &ldquo;That&rsquo;s
+not very illuminating. However, we&rsquo;ve got one move finished. Now
+we&rsquo;ll make another.&rdquo;
+</p>
+
+<p>
+Going over to the album of photographs, Spargo deftly removed that of Mr.
+Aylmore, put it in an envelope and the envelope in his pocket and, leaving the
+office, hailed a taxi-cab, and ordered its driver to take him to the
+Anglo-Orient Hotel. This was the something-to-do of which he had spoken to
+Breton: Spargo wanted to do it alone.
+</p>
+
+<p>
+Mrs. Walters was in her low-windowed office when Spargo entered the hall; she
+recognized him at once and motioned him into her parlour.
+</p>
+
+<p>
+&ldquo;I remember you,&rdquo; said Mrs. Walters; &ldquo;you came with the
+detective&mdash;Mr. Rathbury.&rdquo;
+</p>
+
+<p>
+&ldquo;Have you seen him, since?&rdquo; asked Spargo.
+</p>
+
+<p>
+&ldquo;Not since,&rdquo; replied Mrs. Walters. &ldquo;No&mdash;and I was
+wondering if he&rsquo;d be coming round, because&mdash;&mdash;&rdquo; She
+paused there and looked at Spargo with particular
+enquiry&mdash;&ldquo;You&rsquo;re a friend of his, aren&rsquo;t you?&rdquo; she
+asked. &ldquo;I suppose you know as much as he does&mdash;about this?&rdquo;
+</p>
+
+<p>
+&ldquo;He and I,&rdquo; replied Spargo, with easy confidence, &ldquo;are
+working this case together. You can tell me anything you&rsquo;d tell
+him.&rdquo;
+</p>
+
+<p>
+The landlady rummaged in her pocket and produced an old purse, from an inner
+compartment of which she brought out a small object wrapped in tissue paper.
+</p>
+
+<p>
+&ldquo;Well,&rdquo; she said, unwrapping the paper, &ldquo;we found this in
+Number 20 this morning&mdash;it was lying under the dressing-table. The girl
+that found it brought it to me, and I thought it was a bit of glass, but
+Walters, he says as how he shouldn&rsquo;t be surprised if it&rsquo;s a
+diamond. And since we found it, the waiter who took the whisky up to 20, after
+Mr. Marbury came in with the other gentleman, has told me that when he went
+into the room the two gentlemen were looking at a paper full of things like
+this. So there?&rdquo;
+</p>
+
+<p>
+Spargo fingered the shining bit of stone.
+</p>
+
+<p>
+&ldquo;That&rsquo;s a diamond&mdash;right enough,&rdquo; he said. &ldquo;Put it
+away, Mrs. Walters&mdash;I shall see Rathbury presently, and I&rsquo;ll tell
+him about it. Now, that other gentleman! You told us you saw him. Could you
+recognize him&mdash;I mean, a photograph of him? Is this the man?&rdquo;
+</p>
+
+<p>
+Spargo knew from the expression of Mrs. Walters&rsquo; face that she had no
+more doubt than Webster had.
+</p>
+
+<p>
+&ldquo;Oh, yes!&rdquo; she said. &ldquo;That&rsquo;s the gentleman who came in
+with Mr. Marbury&mdash;I should have known him in a thousand. Anybody would
+recognize him from that&mdash;perhaps you&rsquo;d let our hall-porter and the
+waiter I mentioned just now look at it?&rdquo;
+</p>
+
+<p>
+&ldquo;I&rsquo;ll see them separately and see if they&rsquo;ve ever seen a man
+who resembles this,&rdquo; replied Spargo.
+</p>
+
+<p>
+The two men recognized the photograph at once, without any prompting, and
+Spargo, after a word or two with the landlady, rode off to the Atlantic and
+Pacific Club, and found Ronald Breton awaiting him on the steps. He made no
+reference to his recent doings, and together they went into the house and asked
+for Mr. Aylmore.
+</p>
+
+<p>
+Spargo looked with more than uncommon interest at the man who presently came to
+them in the visitors&rsquo; room. He was already familiar with Mr.
+Aylmore&rsquo;s photograph, but he never remembered seeing him in real life;
+the Member for Brookminster was one of that rapidly diminishing body of
+legislators whose members are disposed to work quietly and unobtrusively, doing
+yeoman service on committees, obeying every behest of the party whips, without
+forcing themselves into the limelight or seizing every opportunity to air their
+opinions. Now that Spargo met him in the flesh he proved to be pretty much what
+the journalist had expected&mdash;a rather cold-mannered, self-contained man,
+who looked as if he had been brought up in a school of rigid repression, and
+taught not to waste words. He showed no more than the merest of languid
+interests in Spargo when Breton introduced him, and his face was quite
+expressionless when Spargo brought to an end his brief explanation
+&mdash;purposely shortened&mdash;of his object in calling upon him.
+</p>
+
+<p>
+&ldquo;Yes,&rdquo; he said indifferently. &ldquo;Yes, it is quite true that I
+met Marbury and spent a little time with him on the evening your informant
+spoke of. I met him, as he told you, in the lobby of the House. I was much
+surprised to meet him. I had not seen him for&mdash;I really don&rsquo;t know
+how many years.&rdquo;
+</p>
+
+<p>
+He paused and looked at Spargo as if he was wondering what he ought or not to
+say to a newspaper man. Spargo remained silent, waiting. And presently Mr.
+Aylmore went on.
+</p>
+
+<p>
+&ldquo;I read your account in the <i>Watchman</i> this morning,&rdquo; he said.
+&ldquo;I was wondering, when you called just now, if I would communicate with
+you or with the police. The fact is&mdash;I suppose you want this for your
+paper, eh?&rdquo; he continued after a sudden breaking off.
+</p>
+
+<p>
+&ldquo;I shall not print anything that you wish me not to print,&rdquo;
+answered Spargo. &ldquo;If you care to give me any
+information&mdash;&mdash;&rdquo;
+</p>
+
+<p>
+&ldquo;Oh, well!&rdquo; said Mr. Aylmore. &ldquo;I don&rsquo;t mind. The fact
+is, I knew next to nothing. Marbury was a man with whom I had some&mdash;well,
+business relations, of a sort, a great many years ago. It must be twenty
+years&mdash;perhaps more&mdash;since I lost sight of him. When he came up to me
+in the lobby the other night, I had to make an effort of memory to recall him.
+He wished me, having once met me, to give him some advice, and as there was
+little doing in the House that night, and as he had once been&mdash;almost a
+friend&mdash;I walked to his hotel with him, chatting. He told me that he had
+only landed from Australia that morning, and what he wanted my advice about,
+principally, was&mdash;diamonds. Australian diamonds.&rdquo;
+</p>
+
+<p>
+&ldquo;I was unaware,&rdquo; remarked Spargo, &ldquo;that diamonds were ever
+found in Australia.&rdquo;
+</p>
+
+<p>
+Mr. Aylmore smiled&mdash;a little cynically.
+</p>
+
+<p>
+&ldquo;Perhaps so,&rdquo; he said. &ldquo;But diamonds have been found in
+Australia from time to time, ever since Australia was known to Europeans, and
+in the opinion of experts, they will eventually be found there in quantity.
+Anyhow, Marbury had got hold of some Australian diamonds, and he showed them to
+me at his hotel&mdash;a number of them. We examined them in his room.&rdquo;
+</p>
+
+<p>
+&ldquo;What did he do with them&mdash;afterwards?&rdquo; asked Spargo.
+</p>
+
+<p>
+&ldquo;He put them in his waistcoat pocket&mdash;in a very small wash-leather
+bag, from which he had taken them. There were, in all, sixteen or twenty
+stones&mdash;not more, and they were all small. I advised him to see some
+expert&mdash;I mentioned Streeter&rsquo;s to him. Now, I can tell you how he
+got hold of Mr. Breton&rsquo;s address.&rdquo;
+</p>
+
+<p>
+The two young men pricked up their ears. Spargo unconsciously tightened his
+hold on the pencil with which he was making notes.
+</p>
+
+<p>
+&ldquo;He got it from me,&rdquo; continued Mr. Aylmore. &ldquo;The handwriting
+on the scrap of paper is mine, hurriedly scrawled. He wanted legal advice. As I
+knew very little about lawyers, I told him that if he called on Mr. Breton, Mr.
+Breton would be able to tell him of a first-class, sharp solicitor. I wrote
+down Mr. Breton&rsquo;s address for him, on a scrap of paper which he tore off
+a letter that he took from his pocket. By the by, I observe that when his body
+was found there was nothing on it in the shape of papers or money. I am quite
+sure that when I left him he had a lot of gold on him, those diamonds, and a
+breast-pocket full of letters.&rdquo;
+</p>
+
+<p>
+&ldquo;Where did you leave him, sir?&rdquo; asked Spargo. &ldquo;You left the
+hotel together, I believe?&rdquo;
+</p>
+
+<p>
+&ldquo;Yes. We strolled along when we left it. Having once met, we had much to
+talk of, and it was a fine night. We walked across Waterloo Bridge and very
+shortly afterwards he left me. And that is really all I know. My own
+impression&mdash;&mdash;&rdquo; He paused for a moment and Spargo waited
+silently.
+</p>
+
+<p>
+&ldquo;My own impression&mdash;though I confess it may seem to have no very
+solid grounds&mdash;is that Marbury was decoyed to where he was found, and was
+robbed and murdered by some person who knew he had valuables on him. There is
+the fact that he was robbed, at any rate.&rdquo;
+</p>
+
+<p>
+&ldquo;I&rsquo;ve had a notion,&rdquo; said Breton, diffidently.
+&ldquo;Mayn&rsquo;t be worth much, but I&rsquo;ve had it, all the same. Some
+fellow-passenger of Marbury&rsquo;s may have tracked him all day&mdash;Middle
+Temple Lane&rsquo;s pretty lonely at night, you know.&rdquo;
+</p>
+
+<p>
+No one made any comment upon this suggestion, and on Spargo looking at Mr.
+Aylmore, the Member of Parliament rose and glanced at the door.
+</p>
+
+<p>
+&ldquo;Well, that&rsquo;s all I can tell you, Mr. Spargo,&rdquo; he said.
+&ldquo;You see, it&rsquo;s not much, after all. Of course, there&rsquo;ll be an
+inquest on Marbury, and I shall have to re-tell it. But you&rsquo;re welcome to
+print what I&rsquo;ve told you.&rdquo;
+</p>
+
+<p>
+Spargo left Breton with his future father-in-law and went away towards New
+Scotland Yard. He and Rathbury had promised to share news&mdash;now he had some
+to communicate.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap08"></a>CHAPTER EIGHT<br/>
+THE MAN FROM THE SAFE DEPOSIT</h2>
+
+<p>
+Spargo found Rathbury sitting alone in a small, somewhat dismal apartment which
+was chiefly remarkable for the business-like paucity of its furnishings and its
+indefinable air of secrecy. There was a plain writing-table and a hard chair or
+two; a map of London, much discoloured, on the wall; a few faded photographs of
+eminent bands in the world of crime, and a similar number of well-thumbed books
+of reference. The detective himself, when Spargo was shown in to him, was
+seated at the table, chewing an unlighted cigar, and engaged in the apparently
+aimless task of drawing hieroglyphics on scraps of paper. He looked up as the
+journalist entered, and held out his hand.
+</p>
+
+<p>
+&ldquo;Well, I congratulate you on what you stuck in the <i>Watchman</i> this
+morning,&rdquo; he said. &ldquo;Made extra good reading, I thought. They did
+right to let you tackle that job. Going straight through with it now, I
+suppose, Mr. Spargo?&rdquo;
+</p>
+
+<p>
+Spargo dropped into the chair nearest to Rathbury&rsquo;s right hand. He
+lighted a cigarette, and having blown out a whiff of smoke, nodded his head in
+a fashion which indicated that the detective might consider his question
+answered in the affirmative.
+</p>
+
+<p>
+&ldquo;Look here,&rdquo; he said. &ldquo;We settled yesterday, didn&rsquo;t we,
+that you and I are to consider ourselves partners, as it were, in this job?
+That&rsquo;s all right,&rdquo; he continued, as Rathbury nodded very quietly.
+&ldquo;Very well&mdash;have you made any further progress?&rdquo;
+</p>
+
+<p>
+Rathbury put his thumbs in the armholes of his waistcoat and, leaning back in
+his chair, shook his head.
+</p>
+
+<p>
+&ldquo;Frankly, I haven&rsquo;t,&rdquo; he replied. &ldquo;Of course,
+there&rsquo;s a lot being done in the usual official-routine way. We&rsquo;ve
+men out making various enquiries. We&rsquo;re enquiring about Marbury&rsquo;s
+voyage to England. All that we know up to now is that he was certainly a
+passenger on a liner which landed at Southampton in accordance with what he
+told those people at the Anglo-Orient, that he left the ship in the usual way
+and was understood to take the train to town&mdash;as he did. That&rsquo;s all.
+There&rsquo;s nothing in that. We&rsquo;ve cabled to Melbourne for any news of
+him from there. But I expect little from that.&rdquo;
+</p>
+
+<p>
+&ldquo;All right,&rdquo; said Spargo. &ldquo;And&mdash;what are you
+doing&mdash;you, yourself? Because, if we&rsquo;re to share facts, I must know
+what my partner&rsquo;s after. Just now, you seemed to be&mdash;drawing.&rdquo;
+</p>
+
+<p>
+Rathbury laughed.
+</p>
+
+<p>
+&ldquo;Well, to tell you the truth,&rdquo; he said, &ldquo;when I want to work
+things out, I come into this room&mdash;it&rsquo;s quiet, as you see&mdash;and
+I scribble anything on paper while I think. I was figuring on my next step,
+and&mdash;&rdquo;
+</p>
+
+<p>
+&ldquo;Do you see it?&rdquo; asked Spargo, quickly.
+</p>
+
+<p>
+&ldquo;Well&mdash;I want to find the man who went with Marbury to that
+hotel,&rdquo; replied Rathbury. &ldquo;It seems to me&mdash;&rdquo;
+</p>
+
+<p>
+Spargo wagged his finger at his fellow-contriver.
+</p>
+
+<p>
+&ldquo;I&rsquo;ve found him,&rdquo; he said. &ldquo;That&rsquo;s what I wrote
+that article for&mdash;to find him. I knew it would find him. I&rsquo;ve never
+had any training in your sort of work, but I knew that article would get him.
+And it has got him.&rdquo;
+</p>
+
+<p>
+Rathbury accorded the journalist a look of admiration.
+</p>
+
+<p>
+&ldquo;Good!&rdquo; he said. &ldquo;And&mdash;who is he?&rdquo;
+</p>
+
+<p>
+&ldquo;I&rsquo;ll tell you the story,&rdquo; answered Spargo, &ldquo;and in a
+summary. This morning a man named Webster, a farmer, a visitor to London, came
+to me at the office, and said that being at the House of Commons last night he
+witnessed a meeting between Marbury and a man who was evidently a Member of
+Parliament, and saw them go away together. I showed him an album of photographs
+of the present members, and he immediately recognized the portrait of one of
+them as the man in question. I thereupon took the portrait to the Anglo-Orient
+Hotel&mdash;Mrs. Walters also at once recognized it as that of the man who came
+to the hotel with Marbury, stopped with him a while in his room, and left with
+him. The man is Mr. Stephen Aylmore, the member for Brookminster.&rdquo;
+</p>
+
+<p>
+Rathbury expressed his feelings in a sharp whistle.
+</p>
+
+<p>
+&ldquo;I know him!&rdquo; he said. &ldquo;Of course&mdash;I remember Mrs.
+Walters&rsquo;s description now. But his is a familiar type&mdash;tall,
+grey-bearded, well-dressed. Um!&mdash;well, we&rsquo;ll have to see Mr. Aylmore
+at once.&rdquo;
+</p>
+
+<p>
+&ldquo;I&rsquo;ve seen him,&rdquo; said Spargo. &ldquo;Naturally! For you see,
+Mrs. Walters gave me a bit more evidence. This morning they found a loose
+diamond on the floor of Number 20, and after it was found the waiter who took
+the drinks up to Marbury and his guest that night remembered that when he
+entered the room the two gentlemen were looking at a paper full of similar
+objects. So then I went on to see Mr. Aylmore. You know young Breton, the
+barrister?&mdash;you met him with me, you remember?&rdquo;
+</p>
+
+<p>
+&ldquo;The young fellow whose name and address were found on Marbury,&rdquo;
+replied Rathbury. &ldquo;I remember.&rdquo;
+</p>
+
+<p>
+&ldquo;Breton is engaged to Aylmore&rsquo;s daughter,&rdquo; continued Spargo.
+&ldquo;Breton took me to Aylmore&rsquo;s club. And Aylmore gives a plain,
+straightforward account of the matter which he&rsquo;s granted me leave to
+print. It clears up a lot of things. Aylmore knew Marbury over twenty years
+ago. He lost sight of him. They met accidentally in the lobby of the House on
+the evening preceding the murder. Marbury told him that he wanted his advice
+about those rare things, Australian diamonds. He went back with him to his
+hotel and spent a while with him; then they walked out together as far as
+Waterloo Bridge, where Aylmore left him and went home. Further, the scrap of
+grey paper is accounted for. Marbury wanted the address of a smart solicitor;
+Aylmore didn&rsquo;t know of one but told Marbury that if he called on young
+Breton, he&rsquo;d know, and would put him in the way to find one. Marbury
+wrote Breton&rsquo;s address down. That&rsquo;s Aylmore&rsquo;s story. But
+it&rsquo;s got an important addition. Aylmore says that when he left Marbury,
+Marbury had on him a quantity of those diamonds in a wash-leather bag, a lot of
+gold, and a breast-pocket full of letters and papers. Now&mdash;there was
+nothing on him when he was found dead in Middle Temple Lane.&rdquo;
+</p>
+
+<p>
+Spargo stopped and lighted a fresh cigarette.
+</p>
+
+<p>
+&ldquo;That&rsquo;s all I know,&rdquo; he said. &ldquo;What do you make of
+it?&rdquo;
+</p>
+
+<p>
+Rathbury leaned back in his chair in his apparently favourite attitude and
+stared hard at the dusty ceiling above him.
+</p>
+
+<p>
+&ldquo;Don&rsquo;t know,&rdquo; he said. &ldquo;It brings things up to a point,
+certainly. Aylmore and Marbury parted at Waterloo Bridge&mdash;very late.
+Waterloo Bridge is pretty well next door to the Temple. But&mdash;how did
+Marbury get into the Temple, unobserved? We&rsquo;ve made every enquiry, and we
+can&rsquo;t trace him in any way as regards that movement. There&rsquo;s a clue
+for his going there in the scrap of paper bearing Breton&rsquo;s address, but
+even a Colonial would know that no business was done in the Temple at midnight,
+eh?&rdquo;
+</p>
+
+<p>
+&ldquo;Well,&rdquo; said Spargo, &ldquo;I&rsquo;ve thought of one or two
+things. He may have been one of those men who like to wander around at night.
+He may have seen&mdash;he would see&mdash;plenty of lights in the Temple at
+that hour; he may have slipped in unobserved&mdash;it&rsquo;s possible,
+it&rsquo;s quite possible. I once had a moonlight saunter in the Temple myself
+after midnight, and had no difficulty about walking in and out, either.
+But&mdash;if Marbury was murdered for the sake of what he had on him&mdash;how
+did he meet with his murderer or murderers in there? Criminals don&rsquo;t hang
+about Middle Temple Lane.&rdquo;
+</p>
+
+<p>
+The detective shook his head. He picked up his pencil and began making more
+hieroglyphics.
+</p>
+
+<p>
+&ldquo;What&rsquo;s your theory, Mr. Spargo?&rdquo; he asked suddenly. &ldquo;I
+suppose you&rsquo;ve got one.&rdquo;
+</p>
+
+<p>
+&ldquo;Have you?&rdquo; asked Spargo, bluntly.
+</p>
+
+<p>
+&ldquo;Well,&rdquo; returned Rathbury, hesitatingly, &ldquo;I hadn&rsquo;t, up
+to now. But now&mdash;now, after what you&rsquo;ve told me, I think I can make
+one. It seems to me that after Marbury left Aylmore he probably mooned about by
+himself, that he was decoyed into the Temple, and was there murdered and
+robbed. There are a lot of queer ins and outs, nooks and corners in that old
+spot, Mr. Spargo, and the murderer, if he knew his ground well, could easily
+hide himself until he could get away in the morning. He might be a man who had
+access to chambers or offices&mdash;think how easy it would be for such a man,
+having once killed and robbed his victim, to lie hid for hours afterwards? For
+aught we know, the man who murdered Marbury may have been within twenty feet of
+you when you first saw his dead body that morning. Eh?&rdquo;
+</p>
+
+<p>
+Before Spargo could reply to this suggestion an official entered the room and
+whispered a few words in the detective&rsquo;s ear.
+</p>
+
+<p>
+&ldquo;Show him in at once,&rdquo; said Rathbury. He turned to Spargo as the
+man quitted the room and smiled significantly. &ldquo;Here&rsquo;s somebody
+wants to tell something about the Marbury case,&rdquo; he remarked.
+&ldquo;Let&rsquo;s hope it&rsquo;ll be news worth hearing.&rdquo;
+</p>
+
+<p>
+Spargo smiled in his queer fashion.
+</p>
+
+<p>
+&ldquo;It strikes me that you&rsquo;ve only got to interest an inquisitive
+public in order to get news,&rdquo; he said. &ldquo;The principal thing is to
+investigate it when you&rsquo;ve got it. Who&rsquo;s this, now?&rdquo;
+</p>
+
+<p>
+The official had returned with a dapper-looking gentleman in a frock-coat and
+silk hat, bearing upon him the unmistakable stamp of the city man, who
+inspected Rathbury with deliberation and Spargo with a glance, and being seated
+turned to the detective as undoubtedly the person he desired to converse with.
+</p>
+
+<p>
+&ldquo;I understand that you are the officer in charge of the Marbury murder
+case,&rdquo; he observed. &ldquo;I believe I can give you some valuable
+information in respect to that. I read the account of the affair in the
+<i>Watchman</i> newspaper this morning, and saw the portrait of the murdered
+man there, and I was at first inclined to go to the <i>Watchman</i> office with
+my information, but I finally decided to approach the police instead of the
+Press, regarding the police as being more&mdash;more responsible.&rdquo;
+</p>
+
+<p>
+&ldquo;Much obliged to you, sir,&rdquo; said Rathbury, with a glance at Spargo.
+&ldquo;Whom have I the pleasure of&mdash;&mdash;&rdquo;
+</p>
+
+<p>
+&ldquo;My name,&rdquo; replied the visitor, drawing out and laying down a card,
+&ldquo;is Myerst&mdash;Mr. E.P. Myerst, Secretary of the London and Universal
+Safe Deposit Company. I may, I suppose, speak with confidence,&rdquo; continued
+Mr. Myerst, with a side-glance at Spargo. &ldquo;My information
+is&mdash;confidential.&rdquo;
+</p>
+
+<p>
+Rathbury inclined his head and put his fingers together.
+</p>
+
+<p>
+&ldquo;You may speak with every confidence, Mr. Myerst,&rdquo; he answered.
+&ldquo;If what you have to tell has any real bearing on the Marbury case, it
+will probably have to be repeated in public, you know, sir. But at present it
+will be treated as private.&rdquo;
+</p>
+
+<p>
+&ldquo;It has a very real bearing on the case, I should say,&rdquo; replied Mr.
+Myerst. &ldquo;Yes, I should decidedly say so. The fact is that on June 21st at
+about&mdash;to be precise&mdash;three o&rsquo;clock in the afternoon, a
+stranger, who gave the name of John Marbury, and his present address as the
+Anglo-Orient Hotel, Waterloo, called at our establishment, and asked if he
+could rent a small safe. He explained to me that he desired to deposit in such
+a safe a small leather box&mdash;which, by the by, was of remarkably ancient
+appearance&mdash;that he had brought with him. I showed him a safe such as he
+wanted, informed him of the rent, and of the rules of the place, and he engaged
+the safe, paid the rent for one year in advance, and deposited his leather
+box&mdash;an affair of about a foot square&mdash;there and then. After that,
+having exchanged a remark or two about the altered conditions of London, which,
+I understood him to say, he had not seen for a great many years, he took his
+key and his departure. I think there can be no doubt about this being the Mr.
+Marbury who was found murdered.&rdquo;
+</p>
+
+<p>
+&ldquo;None at all, I should say, Mr. Myerst,&rdquo; said Rathbury. &ldquo;And
+I&rsquo;m much obliged to you for coming here. Now you might tell me a little
+more, sir. Did Marbury tell you anything about the contents of the box?&rdquo;
+</p>
+
+<p>
+&ldquo;No. He merely remarked that he wished the greatest care to be taken of
+it,&rdquo; replied the secretary.
+</p>
+
+<p>
+&ldquo;Didn&rsquo;t give you any hint as to what was in it?&rdquo; asked
+Rathbury.
+</p>
+
+<p>
+&ldquo;None. But he was very particular to assure himself that it could not be
+burnt, nor burgled, nor otherwise molested,&rdquo; replied Mr. Myerst.
+&ldquo;He appeared to be greatly relieved when he found that it was impossible
+for anyone but himself to take his property from his safe.&rdquo;
+</p>
+
+<p>
+&ldquo;Ah!&rdquo; said Rathbury, winking at Spargo. &ldquo;So he would, no
+doubt. And Marbury himself, sir, now? How did he strike you?&rdquo;
+</p>
+
+<p>
+Mr. Myerst gravely considered this question.
+</p>
+
+<p>
+&ldquo;Mr. Marbury struck me,&rdquo; he answered at last, &ldquo;as a man who
+had probably seen strange places. And before leaving he made, what I will term,
+a remarkable remark. About&mdash;in fact, about his leather box.&rdquo;
+</p>
+
+<p>
+&ldquo;His leather box?&rdquo; said Rathbury. &ldquo;And what was it,
+sir?&rdquo;
+</p>
+
+<p>
+&ldquo;This,&rdquo; replied the secretary. &ldquo;&lsquo;That box,&rsquo; he
+said, &lsquo;is safe now. But it&rsquo;s been safer. It&rsquo;s been
+buried&mdash;and deep-down, too&mdash;for many and many a year!&rsquo;&rdquo;
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap09"></a>CHAPTER NINE<br/>
+THE DEALER IN RARE STAMPS</h2>
+
+<p>
+&ldquo;Buried&mdash;and deep-down, too&mdash;for many and many a year,&rdquo;
+repeated Mr. Myerst, eyeing his companions with keen glances. &ldquo;I consider
+that, gentlemen, a very remarkable remark&mdash;very remarkable!&rdquo;
+</p>
+
+<p>
+Rathbury stuck his thumbs in the armholes of his waistcoat again and began
+swaying backwards and forwards in his chair. He looked at Spargo. And with his
+knowledge of men, he knew that all Spargo&rsquo;s journalistic instincts had
+been aroused, and that he was keen as mustard to be off on a new scent.
+</p>
+
+<p>
+&ldquo;Remarkable&mdash;remarkable, Mr. Myerst!&rdquo; he assented. &ldquo;What
+do you say, Mr. Spargo?&rdquo;
+</p>
+
+<p>
+Spargo turned slowly, and for the first time since Myerst had entered made a
+careful inspection of him. The inspection lasted several seconds; then Spargo
+spoke.
+</p>
+
+<p>
+&ldquo;And what did you say to that?&rdquo; he asked quietly.
+</p>
+
+<p>
+Myerst looked from his questioner to Rathbury. And Rathbury thought it time to
+enlighten the caller.
+</p>
+
+<p>
+&ldquo;I may as well tell you, Mr. Myerst,&rdquo; he said smilingly,
+&ldquo;that this is Mr. Spargo, of the <i>Watchman</i>. Mr. Spargo wrote the
+article about the Marbury case of which you spoke when you came in. Mr. Spargo,
+you&rsquo;ll gather, is deeply interested in this matter&mdash;and he and I, in
+our different capacities, are working together. So&mdash;you understand?&rdquo;
+Myerst regarded Spargo in a new light. And while he was so looking at him.
+Spargo repeated the question he had just put.
+</p>
+
+<p>
+&ldquo;I said&mdash;What did you say to that?&rdquo;
+</p>
+
+<p>
+Myerst hesitated.
+</p>
+
+<p>
+&ldquo;Well&mdash;er&mdash;I don&rsquo;t think I said anything,&rdquo; he
+replied. &ldquo;Nothing that one might call material, you know.&rdquo;
+</p>
+
+<p>
+&ldquo;Didn&rsquo;t ask him what he meant?&rdquo; suggested Spargo.
+</p>
+
+<p>
+&ldquo;Oh, no&mdash;not at all,&rdquo; replied Myerst.
+</p>
+
+<p>
+Spargo got up abruptly from his chair.
+</p>
+
+<p>
+&ldquo;Then you missed one of the finest opportunities I ever heard of!&rdquo;
+he said, half-sneeringly. &ldquo;You might have heard such a
+story&mdash;&rdquo;
+</p>
+
+<p>
+He paused, as if it were not worth while to continue, and turned to Rathbury,
+who was regarding him with amusement.
+</p>
+
+<p>
+&ldquo;Look here, Rathbury,&rdquo; he said. &ldquo;Is it possible to get that
+box opened?&rdquo;
+</p>
+
+<p>
+&ldquo;It&rsquo;ll have to be opened,&rdquo; answered Rathbury, rising.
+&ldquo;It&rsquo;s got to be opened. It probably contains the clue we want.
+I&rsquo;m going to ask Mr. Myerst here to go with me just now to take the first
+steps about having it opened. I shall have to get an order. We may get the
+matter through today, but at any rate we&rsquo;ll have it done tomorrow
+morning.&rdquo;
+</p>
+
+<p>
+&ldquo;Can you arrange for me to be present when that comes off?&rdquo; asked
+Spargo. &ldquo;You can&mdash;certain? That&rsquo;s all right, Rathbury. Now
+I&rsquo;m off, and you&rsquo;ll ring me up or come round if you hear anything,
+and I&rsquo;ll do the same by you.&rdquo;
+</p>
+
+<p>
+And without further word, Spargo went quickly away, and just as quickly
+returned to the <i>Watchman</i> office. There the assistant who had been told
+off to wait upon his orders during this new crusade met him with a business
+card.
+</p>
+
+<p>
+&ldquo;This gentleman came in to see you about an hour ago, Mr. Spargo,&rdquo;
+he said. &ldquo;He thinks he can tell you something about the Marbury affair,
+and he said that as he couldn&rsquo;t wait, perhaps you&rsquo;d step round to
+his place when you came in.&rdquo;
+</p>
+
+<p>
+Spargo took the card and read:
+</p>
+
+<p class="center">
+MR. JAMES CRIEDIR,<br/>
+DEALER IN PHILATELIC RARITIES,<br/>
+2,021, STRAND.
+</p>
+
+<p class="noindent">
+Spargo put the card in his waistcoat pocket and went out again, wondering why
+Mr. James Criedir could not, would not, or did not call himself a dealer in
+rare postage stamps, and so use plain English. He went up Fleet Street and soon
+found the shop indicated on the card, and his first glance at its exterior
+showed that whatever business might have been done by Mr. Criedir in the past
+at that establishment there was to be none done there in the future by him, for
+there were newly-printed bills in the window announcing that the place was to
+let. And inside he found a short, portly, elderly man who was superintending
+the packing-up and removal of the last of his stock. He turned a bright,
+enquiring eye on the journalist.
+</p>
+
+<p>
+&ldquo;Mr. Criedir?&rdquo; said Spargo.
+</p>
+
+<p>
+&ldquo;The same, sir,&rdquo; answered the philatelist. &ldquo;You
+are&mdash;?&rdquo;
+</p>
+
+<p>
+&ldquo;Mr. Spargo, of the <i>Watchman</i>. You called on me.&rdquo;
+</p>
+
+<p>
+Mr. Criedir opened the door of a tiny apartment at the rear of the very little
+shop and motioned his caller to enter. He followed him in and carefully closed
+the door.
+</p>
+
+<p>
+&ldquo;Glad to see you, Mr. Spargo,&rdquo; he said genially. &ldquo;Take a
+seat, sir&mdash;I&rsquo;m all in confusion here&mdash;giving up business, you
+see. Yes, I called on you. I think, having read the <i>Watchman</i> account of
+that Marbury affair, and having seen the murdered man&rsquo;s photograph in
+your columns, that I can give you a bit of information.&rdquo;
+</p>
+
+<p>
+&ldquo;Material?&rdquo; asked Spargo, tersely.
+</p>
+
+<p>
+Mr. Criedir cocked one of his bright eyes at his visitor. He coughed drily.
+</p>
+
+<p>
+&ldquo;That&rsquo;s for you to decide&mdash;when you&rsquo;ve heard it,&rdquo;
+he said. &ldquo;I should say, considering everything, that it was material.
+Well, it&rsquo;s this&mdash;I kept open until yesterday&mdash;everything as
+usual, you know&mdash;stock in the window and so on&mdash;so that anybody who
+was passing would naturally have thought that the business was going on, though
+as a matter of fact, I&rsquo;m retiring&mdash;retired,&rdquo; added Mr. Criedir
+with a laugh, &ldquo;last night. Now&mdash;but won&rsquo;t you take down what
+I&rsquo;ve got to tell you?&rdquo;
+</p>
+
+<p>
+&ldquo;I am taking it down,&rdquo; answered Spargo. &ldquo;Every word. In my
+head.&rdquo;
+</p>
+
+<p>
+Mr. Criedir laughed and rubbed his hands.
+</p>
+
+<p>
+&ldquo;Oh!&rdquo; he said. &ldquo;Ah, well, in my young days journalists used
+to pull out pencil and notebook at the first opportunity. But you modern young
+men&mdash;&rdquo;
+</p>
+
+<p>
+&ldquo;Just so,&rdquo; agreed Spargo. &ldquo;This information, now?&rdquo;
+</p>
+
+<p>
+&ldquo;Well,&rdquo; said Mr. Criedir, &ldquo;we&rsquo;ll go on then. Yesterday
+afternoon the man described as Marbury came into my shop. He&mdash;&rdquo;
+</p>
+
+<p>
+&ldquo;What time&mdash;exact time?&rdquo; asked Spargo.
+</p>
+
+<p>
+&ldquo;Two&mdash;to the very minute by St. Clement Danes clock,&rdquo; answered
+Mr. Criedir. &ldquo;I&rsquo;d swear twenty affidavits on that point. He was
+precisely as you&rsquo;ve described him&mdash;dress, everything&mdash;I tell
+you I knew his photo as soon as I saw it. He was carrying a little
+box&mdash;&rdquo;
+</p>
+
+<p>
+&ldquo;What sort of box?&rdquo; said Spargo.
+</p>
+
+<p>
+&ldquo;A queer, old-fashioned, much-worn leather box&mdash;a very miniature
+trunk, in fact,&rdquo; replied Mr. Criedir. &ldquo;About a foot square; the
+sort of thing you never see nowadays. It was very much worn; it attracted me
+for that very reason. He set it on the counter and looked at me.
+&lsquo;You&rsquo;re a dealer in stamps&mdash;rare stamps?&rsquo; he said.
+&lsquo;I am,&rsquo; I replied. &lsquo;I&rsquo;ve something here I&rsquo;d like
+to show you,&rsquo; he said, unlocking the box.
+&lsquo;It&rsquo;s&mdash;&rsquo;&rdquo;
+</p>
+
+<p>
+&ldquo;Stop a bit,&rdquo; said Spargo. &ldquo;Where did he take the key from
+with which he unlocked the box?&rdquo;
+</p>
+
+<p>
+&ldquo;It was one of several which he carried on a split ring, and he took the
+bunch out of his left-hand trousers pocket,&rdquo; replied Mr. Criedir.
+&ldquo;Oh, I keep my eyes open, young gentleman! Well&mdash;he opened his box.
+It seemed to me to be full of papers&mdash;at any rate there were a lot of
+legal-looking documents on the top, tied up with red tape. To show you how I
+notice things I saw that the papers were stained with age, and that the red
+tape was faded to a mere washed-out pink.&rdquo;
+</p>
+
+<p>
+&ldquo;Good&mdash;good!&rdquo; murmured Spargo. &ldquo;Excellent! Proceed,
+sir.&rdquo;
+</p>
+
+<p>
+&ldquo;He put his hand under the topmost papers and drew out an
+envelope,&rdquo; continued Mr. Criedir. &ldquo;From the envelope he produced an
+exceedingly rare, exceedingly valuable set of Colonial stamps&mdash;the
+very-first ever issued. &lsquo;I&rsquo;ve just come from Australia,&rsquo; he
+said. &lsquo;I promised a young friend of mine out there to sell these stamps
+for him in London, and as I was passing this way I caught sight of your shop.
+Will you buy &rsquo;em, and how much will you give for &rsquo;em?&rsquo;&rdquo;
+</p>
+
+<p>
+&ldquo;Prompt,&rdquo; muttered Spargo.
+</p>
+
+<p>
+&ldquo;He seemed to me the sort of man who doesn&rsquo;t waste words,&rdquo;
+agreed Mr. Criedir. &ldquo;Well, there was no doubt about the stamps, nor about
+their great value. But I had to explain to him that I was retiring from
+business that very day, and did not wish to enter into even a single deal, and
+that, therefore, I couldn&rsquo;t do anything. &lsquo;No matter,&rsquo; he
+says, &lsquo;I daresay there are lots of men in your line of
+trade&mdash;perhaps you can recommend me to a good firm?&rsquo; &lsquo;I could
+recommend you to a dozen extra-good firms,&rsquo; I answered. &lsquo;But I can
+do better for you. I&rsquo;ll give you the name and address of a private buyer
+who, I haven&rsquo;t the least doubt, will be very glad to buy that set from
+you and will give you a big price.&rsquo; &lsquo;Write it down,&rsquo; he says,
+&lsquo;and thank you for your trouble.&rsquo; So I gave him a bit of advice as
+to the price he ought to get, and I wrote the name and address of the man I
+referred to on the back of one of my cards.&rdquo;
+</p>
+
+<p>
+&ldquo;Whose name and address?&rdquo; asked Spargo.
+</p>
+
+<p>
+&ldquo;Mr. Nicholas Cardlestone, 2, Pilcox Buildings, Middle Temple
+Lane,&rdquo; replied Mr. Criedir. &ldquo;Mr. Cardlestone is one of the most
+enthusiastic and accomplished philatelists in Europe. And I knew he
+didn&rsquo;t possess that set of stamps.&rdquo;
+</p>
+
+<p>
+&ldquo;I know Mr. Cardlestone,&rdquo; remarked Spargo. &ldquo;It was at the
+foot of his stairs that Marbury was found murdered.&rdquo;
+</p>
+
+<p>
+&ldquo;Just so,&rdquo; said Mr. Criedir. &ldquo;Which makes me think that he
+was going to see Mr. Cardlestone when he was set upon, murdered, and
+robbed.&rdquo;
+</p>
+
+<p>
+Spargo looked fixedly at the retired stamp-dealer.
+</p>
+
+<p>
+&ldquo;What, going to see an elderly gentleman in his rooms in the Temple, to
+offer to sell him philatelic rarities at&mdash;past midnight?&rdquo; he said.
+&ldquo;I think&mdash;not much!&rdquo;
+</p>
+
+<p>
+&ldquo;All right,&rdquo; replied Mr. Criedir. &ldquo;You think and argue on
+modern lines&mdash;which are, of course, highly superior. But&mdash;how do you
+account for my having given Marbury Mr. Cardlestone&rsquo;s address and for his
+having been found dead&mdash;murdered&mdash;at the foot of Cardlestone&rsquo;s
+stairs a few hours later?&rdquo;
+</p>
+
+<p>
+&ldquo;I don&rsquo;t account for it,&rdquo; said Spargo. &ldquo;I&rsquo;m
+trying to.&rdquo;
+</p>
+
+<p>
+Mr. Criedir made no comment on this. He looked his visitor up and down for a
+moment; gathered some idea of his capabilities, and suddenly offered him a
+cigarette. Spargo accepted it with a laconic word of thanks, and smoked
+half-way through it before he spoke again.
+</p>
+
+<p>
+&ldquo;Yes,&rdquo; he said. &ldquo;I&rsquo;m trying to account. And I shall
+account. And I&rsquo;m much obliged to you, Mr. Criedir, for what you&rsquo;ve
+told me. Now, then, may I ask you a question or two?&rdquo;
+</p>
+
+<p>
+&ldquo;A thousand!&rdquo; responded Mr. Criedir with great geniality.
+</p>
+
+<p>
+&ldquo;Very well. Did Marbury say he&rsquo;d call on Cardlestone?&rdquo;
+</p>
+
+<p>
+&ldquo;He did. Said he&rsquo;d call as soon as he could&mdash;that day.&rdquo;
+</p>
+
+<p>
+&ldquo;Have you told Cardlestone what you&rsquo;ve just told me?&rdquo;
+</p>
+
+<p>
+&ldquo;I have. But not until an hour ago&mdash;on my way back from your office,
+in fact. I met him in Fleet Street and told him.&rdquo;
+</p>
+
+<p>
+&ldquo;Had he received a call from Marbury?&rdquo;
+</p>
+
+<p>
+&ldquo;No! Never heard of or seen the man. At least, never heard of him until
+he heard of the murder. He told me he and his friend, Mr. Elphick, another
+philatelist, went to see the body, wondering if they could recognize it as any
+man they&rsquo;d ever known, but they couldn&rsquo;t.&rdquo;
+</p>
+
+<p>
+&ldquo;I know they did,&rdquo; said Spargo. &ldquo;I saw &rsquo;em at the
+mortuary. Um! Well&mdash;one more question. When Marbury left you, did he put
+those stamps in his box again, as before?&rdquo;
+</p>
+
+<p>
+&ldquo;No,&rdquo; replied Mr. Criedir. &ldquo;He put them in his right-hand
+breast pocket, and he locked up his old box, and went off swinging it in his
+left hand.&rdquo;
+</p>
+
+<p>
+Spargo went away down Fleet Street, seeing nobody. He muttered to himself, and
+he was still muttering when he got into his room at the office. And what he
+muttered was the same thing, repeated over and over again:
+</p>
+
+<p>
+&ldquo;Six hours&mdash;six hours&mdash;six hours! Those six hours!&rdquo;
+</p>
+
+<p>
+Next morning the <i>Watchman</i> came out with four leaded columns of
+up-to-date news about the Marbury Case, and right across the top of the four
+ran a heavy double line of great capitals, black and staring:&mdash;WHO SAW
+JOHN MARBURY BETWEEN 3.15 P.M. AND 9.15 P.M. ON THE DAY PRECEDING HIS MURDER?
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap10"></a>CHAPTER TEN<br/>
+THE LEATHER BOX</h2>
+
+<p>
+Whether Spargo was sanguine enough to expect that his staring headline would
+bring him information of the sort he wanted was a secret which he kept to
+himself. That a good many thousands of human beings must have set eyes on John
+Marbury between the hours which Spargo set forth in that headline was certain;
+the problem was&mdash;What particular owner or owners of a pair or of many
+pairs of those eyes would remember him? Why should they remember him? Walters
+and his wife had reason to remember him; Criedir had reason to remember him; so
+had Myerst; so had William Webster. But between a quarter past three, when he
+left the London and Universal Safe Deposit, and a quarter past nine, when he
+sat down by Webster&rsquo;s side in the lobby of the House of Commons, nobody
+seemed to have any recollection of him except Mr. Fiskie, the hatter, and he
+only remembered him faintly, and because Marbury had bought a fashionable cloth
+cap at his shop. At any rate, by noon of that day, nobody had come forward with
+any recollection of him. He must have gone West from seeing Myerst, because he
+bought his cap at Fiskie&rsquo;s; he must eventually have gone South-West,
+because he turned up at Westminster. But where else did he go? What did he do?
+To whom did he speak? No answer came to these questions.
+</p>
+
+<p>
+&ldquo;That shows,&rdquo; observed young Mr. Ronald Breton, lazing an hour away
+in Spargo&rsquo;s room at the <i>Watchman</i> at that particular hour which is
+neither noon nor afternoon, wherein even busy men do nothing, &ldquo;that shows
+how a chap can go about London as if he were merely an ant that had strayed
+into another ant-heap than his own. Nobody notices.&rdquo;
+</p>
+
+<p>
+&ldquo;You&rsquo;d better go and read up a little elementary entomology,
+Breton,&rdquo; said Spargo. &ldquo;I don&rsquo;t know much about it myself, but
+I&rsquo;ve a pretty good idea that when an ant walks into the highways and
+byways of a colony to which he doesn&rsquo;t belong he doesn&rsquo;t survive
+his intrusion by many seconds.&rdquo;
+</p>
+
+<p>
+&ldquo;Well, you know what I mean,&rdquo; said Breton. &ldquo;London&rsquo;s an
+ant-heap, isn&rsquo;t it? One human ant more or less doesn&rsquo;t count. This
+man Marbury must have gone about a pretty tidy lot during those six hours.
+He&rsquo;d ride on a &rsquo;bus&mdash;almost certain. He&rsquo;d get into a
+taxi-cab&mdash;I think that&rsquo;s much more certain, because it would be a
+novelty to him. He&rsquo;d want some tea&mdash;anyway, he&rsquo;d be sure to
+want a drink, and he&rsquo;d turn in somewhere to get one or the other.
+He&rsquo;d buy things in shops&mdash;these Colonials always do. He&rsquo;d go
+somewhere to get his dinner. He&rsquo;d&mdash;but what&rsquo;s the use of
+enumeration in this case?&rdquo;
+</p>
+
+<p>
+&ldquo;A mere piling up of platitudes,&rdquo; answered Spargo.
+</p>
+
+<p>
+&ldquo;What I mean is,&rdquo; continued Breton, &ldquo;that piles of people
+must have seen him, and yet it&rsquo;s now hours and hours since your paper
+came out this morning, and nobody&rsquo;s come forward to tell anything. And
+when you come to think of it, why should they? Who&rsquo;d remember an ordinary
+man in a grey tweed suit?&rdquo;
+</p>
+
+<p>
+&ldquo;&lsquo;An ordinary man in a grey tweed suit,&rsquo;&rdquo; repeated
+Spargo. &ldquo;Good line. You haven&rsquo;t any copyright in it, remember. It
+would make a good cross-heading.&rdquo;
+</p>
+
+<p>
+Breton laughed. &ldquo;You&rsquo;re a queer chap, Spargo,&rdquo; he said.
+&ldquo;Seriously, do you think you&rsquo;re getting any nearer anything?&rdquo;
+</p>
+
+<p>
+&ldquo;I&rsquo;m getting nearer something with everything that&rsquo;s
+done,&rdquo; Spargo answered. &ldquo;You can&rsquo;t start on a business like
+this without evolving something out of it, you know.&rdquo;
+</p>
+
+<p>
+&ldquo;Well,&rdquo; said Breton, &ldquo;to me there&rsquo;s not so much mystery
+in it. Mr. Aylmore&rsquo;s explained the reason why my address was found on the
+body; Criedir, the stamp-man, has explained&mdash;&rdquo;
+</p>
+
+<p>
+Spargo suddenly looked up.
+</p>
+
+<p>
+&ldquo;What?&rdquo; he said sharply.
+</p>
+
+<p>
+&ldquo;Why, the reason of Marbury&rsquo;s being found where he was
+found,&rdquo; replied Breton. &ldquo;Of course, I see it all! Marbury was
+mooning around Fleet Street; he slipped into Middle Temple Lane, late as it
+was, just to see where old Cardlestone hangs out, and he was set upon and done
+for. The thing&rsquo;s plain to me. The only thing now is to find who did
+it.&rdquo;
+</p>
+
+<p>
+&ldquo;Yes, that&rsquo;s it,&rdquo; agreed Spargo. &ldquo;That&rsquo;s
+it.&rdquo; He turned over the leaves of the diary which lay on his desk.
+&ldquo;By the by,&rdquo; he said, looking up with some interest, &ldquo;the
+adjourned inquest is at eleven o&rsquo;clock tomorrow morning. Are you
+going?&rdquo;
+</p>
+
+<p>
+&ldquo;I shall certainly go,&rdquo; answered Breton. &ldquo;What&rsquo;s more,
+I&rsquo;m going to take Miss Aylmore and her sister. As the gruesome details
+were over at the first sitting, and as there&rsquo;ll be nothing but this new
+evidence tomorrow, and as they&rsquo;ve never been in a coroner&rsquo;s
+court&mdash;&mdash;&rdquo;
+</p>
+
+<p>
+&ldquo;Mr. Aylmore&rsquo;ll be the principal witness tomorrow,&rdquo;
+interrupted Spargo. &ldquo;I suppose he&rsquo;ll be able to tell a lot more
+than he told&mdash;me.&rdquo;
+</p>
+
+<p>
+Breton shrugged his shoulders.
+</p>
+
+<p>
+&ldquo;I don&rsquo;t see that there&rsquo;s much more to tell,&rdquo; he said.
+&ldquo;But,&rdquo; he added, with a sly laugh, &ldquo;I suppose you want some
+more good copy, eh?&rdquo;
+</p>
+
+<p>
+Spargo glanced at his watch, rose, and picked up his hat. &ldquo;I&rsquo;ll
+tell you what I want,&rdquo; he said. &ldquo;I want to know who John Marbury
+was. That would make good copy. Who he
+was&mdash;twenty&mdash;twenty-five&mdash;forty years ago. Eh?&rdquo;
+</p>
+
+<p>
+&ldquo;And you think Mr. Aylmore can tell?&rdquo; asked Breton.
+</p>
+
+<p>
+&ldquo;Mr. Aylmore,&rdquo; answered Spargo as they walked towards the door,
+&ldquo;is the only person I have met so far who has admitted that he knew John
+Marbury in the&mdash;past. But he didn&rsquo;t tell me&mdash;much. Perhaps
+he&rsquo;ll tell the coroner and his jury&mdash;more. Now, I&rsquo;m off
+Breton&mdash;I&rsquo;ve an appointment.&rdquo;
+</p>
+
+<p>
+And leaving Breton to find his own way out, Spargo hurried away, jumped into a
+taxi-cab and speeded to the London and Universal Safe Deposit. At the corner of
+its building he found Rathbury awaiting him.
+</p>
+
+<p>
+&ldquo;Well?&rdquo; said Spargo, as he sprang out: &ldquo;How is it?&rdquo;
+</p>
+
+<p>
+&ldquo;It&rsquo;s all right,&rdquo; answered Rathbury. &ldquo;You can be
+present: I got the necessary permission. As there are no relations known,
+there&rsquo;ll only be one or two officials and you, and the Safe Deposit
+people, and myself. Come on&mdash;it&rsquo;s about time.&rdquo;
+</p>
+
+<p>
+&ldquo;It sounds,&rdquo; observed Spargo, &ldquo;like an exhumation.&rdquo;
+</p>
+
+<p>
+Rathbury laughed. &ldquo;Well, we&rsquo;re certainly going to dig up a dead
+man&rsquo;s secrets,&rdquo; he said. &ldquo;At least, we may be going to do so.
+In my opinion, Mr. Spargo, we&rsquo;ll find some clue in this leather
+box.&rdquo;
+</p>
+
+<p>
+Spargo made no answer. They entered the office, to be shown into a room where
+were already assembled Mr. Myerst, a gentleman who turned out to be the
+chairman of the company, and the officials of whom Rathbury had spoken. And in
+another moment Spargo heard the chairman explaining that the company possessed
+duplicate keys to all safes, and that the proper authorization having been
+received from the proper authorities, those present would now proceed to the
+safe recently tenanted by the late Mr. John Marbury, and take from it the
+property which he himself had deposited there, a small leather box, which they
+would afterwards bring to that room and cause to be opened in each
+other&rsquo;s presence.
+</p>
+
+<p>
+It seemed to Spargo that there was an unending unlocking of bolts and bars
+before he and his fellow-processionists came to the safe so recently rented by
+the late Mr. John Marbury, now undoubtedly deceased. And at first sight of it,
+he saw that it was so small an affair that it seemed ludicrous to imagine that
+it could contain anything of any importance. In fact, it looked to be no more
+than a plain wooden locker, one amongst many in a small strong room: it
+reminded Spargo irresistibly of the locker in which, in his school days, he had
+kept his personal belongings and the jam tarts, sausage rolls, and hardbake
+smuggled in from the tuck-shop. Marbury&rsquo;s name had been newly painted
+upon it; the paint was scarcely dry. But when the wooden door&mdash;the front
+door, as it were, of this temple of mystery, had been solemnly opened by the
+chairman, a formidable door of steel was revealed, and expectation still leapt
+in the bosoms of the beholders.
+</p>
+
+<p>
+&ldquo;The duplicate key, Mr. Myerst, if you please,&rdquo; commanded the
+chairman, &ldquo;the duplicate key!&rdquo;
+</p>
+
+<p>
+Myerst, who was fully as solemn as his principal, produced a curious-looking
+key: the chairman lifted his hand as if he were about to christen a battleship:
+the steel door swung slowly back. And there, in a two-foot square cavity, lay
+the leather box.
+</p>
+
+<p>
+It struck Spargo as they filed back to the secretary&rsquo;s room that the
+procession became more funereal-like than ever. First walked the chairman,
+abreast with the high official, who had brought the necessary authorization
+from the all-powerful quarter; then came Myerst carrying the box: followed two
+other gentlemen, both legal lights, charged with watching official and police
+interests; Rathbury and Spargo brought up the rear. He whispered something of
+his notions to the detective; Rathbury nodded a comprehensive understanding.
+</p>
+
+<p>
+&ldquo;Let&rsquo;s hope we&rsquo;re going to see&mdash;something!&rdquo; he
+said.
+</p>
+
+<p>
+In the secretary&rsquo;s room a man waited who touched his forelock
+respectfully as the heads of the procession entered. Myerst set the box on the
+table: the man made a musical jingle of keys: the other members of the
+procession gathered round.
+</p>
+
+<p>
+&ldquo;As we naturally possess no key to this box,&rdquo; announced the
+chairman in grave tones, &ldquo;it becomes our duty to employ professional
+assistance in opening it. Jobson!&rdquo;
+</p>
+
+<p>
+He waved a hand, and the man of the keys stepped forward with alacrity. He
+examined the lock of the box with a knowing eye; it was easy to see that he was
+anxious to fall upon it. While he considered matters, Spargo looked at the box.
+It was pretty much what it had been described to him as being; a small, square
+box of old cow-hide, very strongly made, much worn and tarnished, fitted with a
+handle projecting from the lid, and having the appearance of having been hidden
+away somewhere for many a long day.
+</p>
+
+<p>
+There was a click, a spring: Jobson stepped back.
+</p>
+
+<p>
+&ldquo;That&rsquo;s it, if you please, sir,&rdquo; he said.
+</p>
+
+<p>
+The chairman motioned to the high official.
+</p>
+
+<p>
+&ldquo;If you would be good enough to open the box, sir,&rdquo; he said.
+&ldquo;Our duty is now concluded.&rdquo;
+</p>
+
+<p>
+As the high official laid his hand on the lid the other men gathered round with
+craning necks and expectant eyes. The lid was lifted: somebody sighed deeply.
+And Spargo pushed his own head and eyes nearer.
+</p>
+
+<p>
+The box was empty!
+</p>
+
+<p>
+Empty, as anything that can be empty is empty! thought Spargo: there was
+literally nothing in it. They were all staring into the interior of a plain,
+time-worn little receptacle, lined out with old-fashioned chintz stuff, such as
+our Mid-Victorian fore-fathers were familiar with, and
+containing&mdash;nothing.
+</p>
+
+<p>
+&ldquo;God bless my soul!&rdquo; exclaimed the chairman. &ldquo;This
+is&mdash;dear me!&mdash;why, there is nothing in the box!&rdquo;
+</p>
+
+<p>
+&ldquo;That,&rdquo; remarked the high official, drily, &ldquo;appears to be
+obvious.&rdquo;
+</p>
+
+<p>
+The chairman looked at the secretary.
+</p>
+
+<p>
+&ldquo;I understood the box was valuable, Mr. Myerst,&rdquo; he said, with the
+half-injured air of a man who considers himself to have been robbed of an
+exceptionally fine treat. &ldquo;Valuable!&rdquo;
+</p>
+
+<p>
+Myerst coughed.
+</p>
+
+<p>
+&ldquo;I can only repeat what I have already said, Sir Benjamin,&rdquo; he
+answered. &ldquo;The&mdash;er late Mr. Marbury spoke of the deposit as being of
+great value to him; he never permitted it out of his hand until he placed it in
+the safe. He appeared to regard it as of the greatest value.&rdquo;
+</p>
+
+<p>
+&ldquo;But we understand from the evidence of Mr. Criedir, given to the
+<i>Watchman</i> newspaper, that it was full of papers and&mdash;and other
+articles,&rdquo; said the chairman. &ldquo;Criedir saw papers in it about an
+hour before it was brought here.&rdquo;
+</p>
+
+<p>
+Myerst spread out his hands.
+</p>
+
+<p>
+&ldquo;I can only repeat what I have said, Sir Benjamin,&rdquo; he answered.
+&ldquo;I know nothing more.&rdquo;
+</p>
+
+<p>
+&ldquo;But why should a man deposit an empty box?&rdquo; began the chairman.
+&ldquo;I&mdash;&rdquo;
+</p>
+
+<p>
+The high official interposed.
+</p>
+
+<p>
+&ldquo;That the box is empty is certain,&rdquo; he observed. &ldquo;Did you
+ever handle it yourself, Mr. Myerst?&rdquo;
+</p>
+
+<p>
+Myerst smiled in a superior fashion.
+</p>
+
+<p>
+&ldquo;I have already observed, sir, that from the time the deceased entered
+this room until the moment he placed the box in the safe which he rented, the
+box was never out of his hands,&rdquo; he replied.
+</p>
+
+<p>
+Then there was silence. At last the high official turned to the chairman.
+</p>
+
+<p>
+&ldquo;Very well,&rdquo; he said. &ldquo;We&rsquo;ve made the enquiry.
+Rathbury, take the box away with you and lock it up at the Yard.&rdquo;
+</p>
+
+<p>
+So Spargo went out with Rathbury and the box; and saw excellent, if mystifying,
+material for the article which had already become the daily feature of his
+paper.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap11"></a>CHAPTER ELEVEN<br/>
+MR. AYLMORE IS QUESTIONED</h2>
+
+<p>
+It seemed to Spargo as he sat listening to the proceedings at the adjourned
+inquest next day that the whole story of what was now world-famous as the
+Middle Temple Murder Case was being reiterated before him for the thousandth
+time. There was not a detail of the story with which he had not become familiar
+to fulness. The first proceeding before the coroner had been of a merely formal
+nature; these were thorough and exhaustive; the representative of the Crown and
+twelve good men and true of the City of London were there to hear and to find
+out and to arrive at a conclusion as to how the man known as John Marbury came
+by his death. And although he knew all about it, Spargo found himself
+tabulating the evidence in a professional manner, and noting how each
+successive witness contributed, as it were, a chapter to the story. The story
+itself ran quite easily, naturally, consecutively&mdash;you could make it in
+sections. And Spargo, sitting merely to listen, made them:
+</p>
+
+<p>
+1. The Temple porter and Constable Driscoll proved the finding of the body.
+</p>
+
+<p>
+2. The police surgeon testified as to the cause of death&mdash;the man had been
+struck down from behind by a blow, a terrible blow&mdash;from some heavy
+instrument, and had died immediately.
+</p>
+
+<p>
+3. The police and the mortuary officials proved that when the body was examined
+nothing was found in the clothing but the now famous scrap of grey paper.
+</p>
+
+<p>
+4. Rathbury proved that by means of the dead man&rsquo;s new fashionable cloth
+cap, bought at Fiskie&rsquo;s well-known shop in the West-End, he traced
+Marbury to the Anglo-Orient Hotel in the Waterloo District.
+</p>
+
+<p>
+5. Mr. and Mrs. Walters gave evidence of the arrival of Marbury at the
+Anglo-Orient Hotel, and of his doings while he was in and about there.
+</p>
+
+<p>
+6. The purser of the ss. <i>Wambarino</i> proved that Marbury sailed from
+Melbourne to Southampton on that ship, excited no remark, behaved himself like
+any other well-regulated passenger, and left the <i>Wambarino</i> at
+Southampton early in the morning of what was to be the last day of his life in
+just the ordinary manner.
+</p>
+
+<p>
+7. Mr. Criedir gave evidence of his rencontre with Marbury in the matter of the
+stamps.
+</p>
+
+<p>
+8. Mr. Myerst told of Marbury&rsquo;s visit to the Safe Deposit, and further
+proved that the box which he placed there proved, on official examination, to
+be empty.
+</p>
+
+<p>
+9. William Webster re-told the story of his encounter with Marbury in one of
+the vestibules of the House of Commons, and of his witnessing the meeting
+between him and the gentleman whom he (Webster) now knew to be Mr. Aylmore, a
+Member of Parliament.
+</p>
+
+<p>
+All this led up to the appearance of Mr. Aylmore, M.P., in the witness-box. And
+Spargo knew and felt that it was that appearance for which the crowded court
+was waiting. Thanks to his own vivid and realistic specials in the
+<i>Watchman</i>, everybody there had already become well and thoroughly
+acquainted with the mass of evidence represented by the nine witnesses who had
+been in the box before Mr. Aylmore entered it. They were familiar, too, with
+the facts which Mr. Aylmore had permitted Spargo to print after the interview
+at the club, which Ronald Breton arranged. Why, then, the extraordinary
+interest which the Member of Parliament&rsquo;s appearance aroused? For
+everybody was extraordinarily interested; from the Coroner downwards to the
+last man who had managed to squeeze himself into the last available inch of the
+public gallery, all who were there wanted to hear and see the man who met
+Marbury under such dramatic circumstances, and who went to his hotel with him,
+hobnobbed with him, gave him advice, walked out of the hotel with him for a
+stroll from which Marbury never returned. Spargo knew well why the interest was
+so keen&mdash;everybody knew that Aylmore was the only man who could tell the
+court anything really pertinent about Marbury; who he was, what he was after;
+what his life had been.
+</p>
+
+<p>
+He looked round the court as the Member of Parliament entered the
+witness-box&mdash;a tall, handsome, perfectly-groomed man, whose beard was only
+slightly tinged with grey, whose figure was as erect as a well-drilled
+soldier&rsquo;s, who carried about him an air of conscious power.
+Aylmore&rsquo;s two daughters sat at a little distance away, opposite Spargo,
+with Ronald Breton in attendance upon them; Spargo had encountered their glance
+as they entered the court, and they had given him a friendly nod and smile. He
+had watched them from time to time; it was plain to him that they regarded the
+whole affair as a novel sort of entertainment; they might have been idlers in
+some Eastern bazaar, listening to the unfolding of many tales from the
+professional tale-tellers. Now, as their father entered the box, Spargo looked
+at them again; he saw nothing more than a little heightening of colour in their
+cheeks, a little brightening of their eyes.
+</p>
+
+<p>
+&ldquo;All that they feel,&rdquo; he thought, &ldquo;is a bit of extra
+excitement at the idea that their father is mixed up in this delightful
+mystery. Um! Well&mdash;now how much is he mixed up?&rdquo;
+</p>
+
+<p>
+And he turned to the witness-box and from that moment never took his eyes off
+the man who now stood in it. For Spargo had ideas about the witness which he
+was anxious to develop.
+</p>
+
+<p>
+The folk who expected something immediately sensational in Mr. Aylmore&rsquo;s
+evidence were disappointed. Aylmore, having been sworn, and asked a question or
+two by the Coroner, requested permission to tell, in his own way, what he knew
+of the dead man and of this sad affair; and having received that permission, he
+went on in a calm, unimpassioned manner to repeat precisely what he had told
+Spargo. It sounded a very plain, ordinary story. He had known Marbury many
+years ago. He had lost sight of him for&mdash;oh, quite twenty years. He had
+met him accidentally in one of the vestibules of the House of Commons on the
+evening preceding the murder. Marbury had asked his advice. Having no
+particular duty, and willing to do an old acquaintance a good turn, he had gone
+back to the Anglo-Orient Hotel with Marbury, had remained awhile with him in
+his room, examining his Australian diamonds, and had afterwards gone out with
+him. He had given him the advice he wanted; they had strolled across Waterloo
+Bridge; shortly afterwards they had parted. That was all he knew.
+</p>
+
+<p>
+The court, the public, Spargo, everybody there, knew all this already. It had
+been in print, under a big headline, in the <i>Watchman</i>. Aylmore had now
+told it again; having told it, he seemed to consider that his next step was to
+leave the box and the court, and after a perfunctory question or two from the
+Coroner and the foreman of the jury he made a motion as if to step down. But
+Spargo, who had been aware since the beginning of the enquiry of the presence
+of a certain eminent counsel who represented the Treasury, cocked his eye in
+that gentleman&rsquo;s direction, and was not surprised to see him rise in his
+well-known, apparently indifferent fashion, fix his monocle in his right eye,
+and glance at the tall figure in the witness-box.
+</p>
+
+<p>
+&ldquo;The fun is going to begin,&rdquo; muttered Spargo.
+</p>
+
+<p>
+The Treasury representative looked from Aylmore to the Coroner and made a jerky
+bow; from the Coroner to Aylmore and straightened himself. He looked like a man
+who is going to ask indifferent questions about the state of the weather, or
+how Smith&rsquo;s wife was last time you heard of her, or if stocks are likely
+to rise or fall. But Spargo had heard this man before, and he knew many signs
+of his in voice and manner and glance.
+</p>
+
+<p>
+&ldquo;I want to ask you a few questions, Mr. Aylmore, about your
+acquaintanceship with the dead man. It was an acquaintanceship of some time
+ago?&rdquo; began the suave, seemingly careless voice.
+</p>
+
+<p>
+&ldquo;A considerable time ago,&rdquo; answered Aylmore.
+</p>
+
+<p>
+&ldquo;How long&mdash;roughly speaking?&rdquo;
+</p>
+
+<p>
+&ldquo;I should say from twenty to twenty-two or three years.&rdquo;
+</p>
+
+<p>
+&ldquo;Never saw him during that time until you met accidentally in the way you
+have described to us?&rdquo;
+</p>
+
+<p>
+&ldquo;Never.&rdquo;
+</p>
+
+<p>
+&ldquo;Ever heard from him?&rdquo;
+</p>
+
+<p>
+&ldquo;No.&rdquo;
+</p>
+
+<p>
+&ldquo;Ever heard of him?&rdquo;
+</p>
+
+<p>
+&ldquo;No.&rdquo;
+</p>
+
+<p>
+&ldquo;But when you met, you knew each other at once?&rdquo;
+</p>
+
+<p>
+&ldquo;Well&mdash;almost at once.&rdquo;
+</p>
+
+<p>
+&ldquo;Almost at once. Then, I take it, you were very well known to each other
+twenty or twenty-two years ago?&rdquo;
+</p>
+
+<p>
+&ldquo;We were&mdash;yes, well known to each other.&rdquo;
+</p>
+
+<p>
+&ldquo;Close friends?&rdquo;
+</p>
+
+<p>
+&ldquo;I said we were acquaintances.&rdquo;
+</p>
+
+<p>
+&ldquo;Acquaintances. What was his name when you knew him at that time?&rdquo;
+</p>
+
+<p>
+&ldquo;His name? It was&mdash;Marbury.&rdquo;
+</p>
+
+<p>
+&ldquo;Marbury&mdash;the same name. Where did you know him?&rdquo;
+</p>
+
+<p>
+&ldquo;I&mdash;oh, here in London.&rdquo;
+</p>
+
+<p>
+&ldquo;What was he?&rdquo;
+</p>
+
+<p>
+&ldquo;Do you mean&mdash;what was his occupation?&rdquo;
+</p>
+
+<p>
+&ldquo;What was his occupation?&rdquo;
+</p>
+
+<p>
+&ldquo;I believe he was concerned in financial matters.&rdquo;
+</p>
+
+<p>
+&ldquo;Concerned in financial matters. Had you dealings with him?&rdquo;
+</p>
+
+<p>
+&ldquo;Well, yes&mdash;on occasions.&rdquo;
+</p>
+
+<p>
+&ldquo;What was his business address in London?&rdquo;
+</p>
+
+<p>
+&ldquo;I can&rsquo;t remember that.&rdquo;
+</p>
+
+<p>
+&ldquo;What was his private address?&rdquo;
+</p>
+
+<p>
+&ldquo;That I never knew.&rdquo;
+</p>
+
+<p>
+&ldquo;Where did you transact your business with him?&rdquo;
+</p>
+
+<p>
+&ldquo;Well, we met, now and then.&rdquo;
+</p>
+
+<p>
+&ldquo;Where? What place, office, resort?&rdquo;
+</p>
+
+<p>
+&ldquo;I can&rsquo;t remember particular places. Sometimes&mdash;in the
+City.&rdquo;
+</p>
+
+<p>
+&ldquo;In the City. Where in the City? Mansion House, or Lombard Street, or St.
+Paul&rsquo;s Churchyard, or the Old Bailey, or where?&rdquo;
+</p>
+
+<p>
+&ldquo;I have recollections of meeting him outside the Stock Exchange.&rdquo;
+</p>
+
+<p>
+&ldquo;Oh! Was he a member of that institution?&rdquo;
+</p>
+
+<p>
+&ldquo;Not that I know of.&rdquo;
+</p>
+
+<p>
+&ldquo;Were you?&rdquo;
+</p>
+
+<p>
+&ldquo;Certainly not!&rdquo;
+</p>
+
+<p>
+&ldquo;What were the dealings that you had with him?&rdquo;
+</p>
+
+<p>
+&ldquo;Financial dealings&mdash;small ones.&rdquo;
+</p>
+
+<p>
+&ldquo;How long did your acquaintanceship with him last&mdash;what period did
+it extend over?&rdquo;
+</p>
+
+<p>
+&ldquo;I should say about six months to nine months.&rdquo;
+</p>
+
+<p>
+&ldquo;No more?&rdquo;
+</p>
+
+<p>
+&ldquo;Certainly no more.&rdquo;
+</p>
+
+<p>
+&ldquo;It was quite a slight acquaintanceship, then?&rdquo;
+</p>
+
+<p>
+&ldquo;Oh, quite!&rdquo;
+</p>
+
+<p>
+&ldquo;And yet, after losing sight of this merely slight acquaintance for over
+twenty years, you, on meeting him, take great interest in him?&rdquo;
+</p>
+
+<p>
+&ldquo;Well, I was willing to do him a good turn, I was interested in what he
+told me the other evening.&rdquo;
+</p>
+
+<p>
+&ldquo;I see. Now you will not object to my asking you a personal question or
+two. You are a public man, and the facts about the lives of public men are more
+or less public property. You are represented in this work of popular reference
+as coming to this country in 1902, from Argentina, where you made a
+considerable fortune. You have told us, however, that you were in London,
+acquainted with Marbury, about the years, say 1890 to 1892. Did you then leave
+England soon after knowing Marbury?&rdquo;
+</p>
+
+<p>
+&ldquo;I did. I left England in 1891 or 1892&mdash;I am not sure which.&rdquo;
+</p>
+
+<p>
+&ldquo;We are wanting to be very sure about this matter, Mr. Aylmore. We want
+to solve the important question&mdash;who is, who was John Marbury, and how did
+he come by his death? You seem to be the only available person who knows
+anything about him. What was your business before you left England?&rdquo;
+</p>
+
+<p>
+&ldquo;I was interested in financial affairs.&rdquo;
+</p>
+
+<p>
+&ldquo;Like Marbury. Where did you carry on your business?&rdquo;
+</p>
+
+<p>
+&ldquo;In London, of course.&rdquo;
+</p>
+
+<p>
+&ldquo;At what address?&rdquo;
+</p>
+
+<p>
+For some moments Aylmore had been growing more and more restive. His brow had
+flushed; his moustache had begun to twitch. And now he squared his shoulders
+and faced his questioner defiantly.
+</p>
+
+<p>
+&ldquo;I resent these questions about my private affairs!&rdquo; he snapped
+out.
+</p>
+
+<p>
+&ldquo;Possibly. But I must put them. I repeat my last question.&rdquo;
+</p>
+
+<p>
+&ldquo;And I refuse to answer it.&rdquo;
+</p>
+
+<p>
+&ldquo;Then I ask you another. Where did you live in London at the time you are
+telling us of, when you knew John Marbury?&rdquo;
+</p>
+
+<p>
+&ldquo;I refuse to answer that question also!&rdquo;
+</p>
+
+<p>
+The Treasury Counsel sat down and looked at the Coroner.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap12"></a>CHAPTER TWELVE<br/>
+THE NEW WITNESS</h2>
+
+<p>
+The voice of the Coroner, bland, suave, deprecating, broke the silence. He was
+addressing the witness.
+</p>
+
+<p>
+&ldquo;I am sure, Mr. Aylmore,&rdquo; he said, &ldquo;there is no wish to
+trouble you with unnecessary questions. But we are here to get at the truth of
+this matter of John Marbury&rsquo;s death, and as you are the only witness we
+have had who knew him personally&mdash;&rdquo;
+</p>
+
+<p>
+Aylmore turned impatiently to the Coroner.
+</p>
+
+<p>
+&ldquo;I have every wish to respect your authority, sir!&rdquo; he exclaimed.
+&ldquo;And I have told you all that I know of Marbury and of what happened when
+I met him the other evening. But I resent being questioned on my private
+affairs of twenty years ago&mdash;I very much resent it! Any question that is
+really pertinent I will answer, but I will not answer questions that seem to me
+wholly foreign to the scope of this enquiry.&rdquo;
+</p>
+
+<p>
+The Treasury Counsel rose again. His manner had become of the quietest, and
+Spargo again became keenly attentive.
+</p>
+
+<p>
+&ldquo;Perhaps I can put a question or two to Mr. Aylmore which will not yield
+him offence,&rdquo; he remarked drily. He turned once more to the witness,
+regarding him as if with interest. &ldquo;Can you tell us of any person now
+living who knew Marbury in London at the time under discussion&mdash;twenty to
+twenty-two or three years ago?&rdquo; he asked.
+</p>
+
+<p>
+Aylmore shook his head angrily.
+</p>
+
+<p>
+&ldquo;No, I can&rsquo;t,&rdquo; he replied.
+</p>
+
+<p>
+&ldquo;And yet you and he must have had several business acquaintances at that
+time who knew you both!&rdquo;
+</p>
+
+<p>
+&ldquo;Possibly&mdash;at that time. But when I returned to England my business
+and my life lay in different directions to those of that time. I don&rsquo;t
+know of anybody who knew Marbury then&mdash;anybody.&rdquo;
+</p>
+
+<p>
+The Counsel turned to a clerk who sat behind him, whispered to him; Spargo saw
+the clerk make a sidelong motion of his head towards the door of the court. The
+Counsel looked again at the witness.
+</p>
+
+<p>
+&ldquo;One more question. You told the court a little time since that you
+parted with Marbury on the evening preceding his death at the end of Waterloo
+Bridge&mdash;at, I think you said, a quarter to twelve.&rdquo;
+</p>
+
+<p>
+&ldquo;About that time.&rdquo;
+</p>
+
+<p>
+&ldquo;And at that place?&rdquo;
+</p>
+
+<p>
+&ldquo;Yes.&rdquo;
+</p>
+
+<p>
+&ldquo;That is all I want to ask you, Mr. Aylmore&mdash;just now,&rdquo; said
+the Counsel. He turned to the Coroner. &ldquo;I am going to ask you, sir, at
+this point to call a witness who has volunteered certain evidence to the police
+authorities this morning. That evidence is of a very important nature, and I
+think that this is the stage at which it ought to be given to you and the jury.
+If you would be pleased to direct that David Lyell be called&mdash;&rdquo;
+</p>
+
+<p>
+Spargo turned instinctively to the door, having seen the clerk who had sat
+behind the Treasury Counsel make his way there. There came into view, ushered
+by the clerk, a smart-looking, alert, self-confident young man, evidently a
+Scotsman, who, on the name of David Lyell being called, stepped jauntily and
+readily into the place which the member of Parliament just vacated. He took the
+oath&mdash;Scotch fashion&mdash;with the same readiness and turned easily to
+the Treasury Counsel. And Spargo, glancing quickly round, saw that the court
+was breathless with anticipation, and that its anticipation was that the new
+witness was going to tell something which related to the evidence just given by
+Aylmore.
+</p>
+
+<p>
+&ldquo;Your name is David Lyell?&rdquo;
+</p>
+
+<p>
+&ldquo;That is my name, sir.&rdquo;
+</p>
+
+<p>
+&ldquo;And you reside at 23, Cumbrae Side, Kilmarnock, Scotland?&rdquo;
+</p>
+
+<p>
+&ldquo;I do.&rdquo;
+</p>
+
+<p>
+&ldquo;What are you, Mr. Lyell?&rdquo;
+</p>
+
+<p>
+&ldquo;Traveller, sir, for the firm of Messrs. Stevenson, Robertson &amp;
+Soutar, distillers, of Kilmarnock.&rdquo;
+</p>
+
+<p>
+&ldquo;Your duties take you, I think, over to Paris occasionally?&rdquo;
+</p>
+
+<p>
+&ldquo;They do&mdash;once every six weeks I go to Paris.&rdquo;
+</p>
+
+<p>
+&ldquo;On the evening of June 21st last were you in London on your way to
+Paris?&rdquo;
+</p>
+
+<p>
+&ldquo;I was.&rdquo;
+</p>
+
+<p>
+&ldquo;I believe you stayed at De Keyser&rsquo;s Hotel, at the Blackfriars end
+of the Embankment?&rdquo;
+</p>
+
+<p>
+&ldquo;I did&mdash;it&rsquo;s handy for the continental trains.&rdquo;
+</p>
+
+<p>
+&ldquo;About half-past eleven, or a little later, that evening, did you go
+along the Embankment, on the Temple Gardens side, for a walk?&rdquo;
+</p>
+
+<p>
+&ldquo;I did, sir. I&rsquo;m a bad sleeper, and it&rsquo;s a habit of mine to
+take a walk of half an hour or so last thing before I go to bed.&rdquo;
+</p>
+
+<p>
+&ldquo;How far did you walk?&rdquo;
+</p>
+
+<p>
+&ldquo;As far as Waterloo Bridge.&rdquo;
+</p>
+
+<p>
+&ldquo;Always on the Temple side?&rdquo;
+</p>
+
+<p>
+&ldquo;Just so, sir&mdash;straight along on that side.&rdquo;
+</p>
+
+<p>
+&ldquo;Very good. When you got close to Waterloo Bridge, did you meet anybody
+you knew?&rdquo;
+</p>
+
+<p>
+&ldquo;Yes.&rdquo;
+</p>
+
+<p>
+&ldquo;Mr. Aylmore, the Member of Parliament.&rdquo;
+</p>
+
+<p>
+Spargo could not avoid a glance at the two sisters. The elder&rsquo;s head was
+averted; the younger was staring at the witness steadily. And Breton was
+nervously tapping his fingers on the crown of his shining silk hat.
+</p>
+
+<p>
+&ldquo;Mr. Aylmore, the Member of Parliament,&rdquo; repeated the
+Counsel&rsquo;s suave, clear tones. &ldquo;Oh! And how did you come to
+recognize Mr. Aylmore, Member of Parliament?&rdquo;
+</p>
+
+<p>
+&ldquo;Well, sir, in this way. At home, I&rsquo;m the secretary of our Liberal
+Ward Club, and last year we had a demonstration, and it fell to me to arrange
+with the principal speakers. I got Mr. Aylmore to come and speak, and naturally
+I met him several times, in London and in Scotland.&rdquo;
+</p>
+
+<p>
+&ldquo;So that you knew him quite well?&rdquo;
+</p>
+
+<p>
+&ldquo;Oh yes, sir.&rdquo;
+</p>
+
+<p>
+&ldquo;Do you see him now, Mr. Lyell?&rdquo;
+</p>
+
+<p>
+Lyell smiled and half turned in the box.
+</p>
+
+<p>
+&ldquo;Why, of course!&rdquo; he answered. &ldquo;There is Mr. Aylmore.&rdquo;
+</p>
+
+<p>
+&ldquo;There is Mr. Aylmore. Very good. Now we go on. You met Mr. Aylmore close
+to Waterloo Bridge? How close?&rdquo;
+</p>
+
+<p>
+&ldquo;Well, sir, to be exact, Mr. Aylmore came down the steps from the bridge
+on to the Embankment.&rdquo;
+</p>
+
+<p>
+&ldquo;Alone?&rdquo;
+</p>
+
+<p>
+&ldquo;No.&rdquo;
+</p>
+
+<p>
+&ldquo;Who was with him?&rdquo;
+</p>
+
+<p>
+&ldquo;A man, sir.&rdquo;
+</p>
+
+<p>
+&ldquo;Did you know the man?&rdquo;
+</p>
+
+<p>
+&ldquo;No. But seeing who he was with. I took a good look at him. I
+haven&rsquo;t forgotten his face.&rdquo;
+</p>
+
+<p>
+&ldquo;You haven&rsquo;t forgotten his face. Mr. Lyell&mdash;has anything
+recalled that face to you within this last day or two?&rdquo;
+</p>
+
+<p>
+&ldquo;Yes, sir, indeed!&rdquo;
+</p>
+
+<p>
+&ldquo;What?&rdquo;
+</p>
+
+<p>
+&ldquo;The picture of the man they say was murdered&mdash;John Marbury.&rdquo;
+</p>
+
+<p>
+&ldquo;You&rsquo;re sure of that?&rdquo;
+</p>
+
+<p>
+&ldquo;I&rsquo;m as certain, sir, as that my name&rsquo;s what it is.&rdquo;
+</p>
+
+<p>
+&ldquo;It is your belief that Mr. Aylmore, when you met him, was accompanied by
+the man who, according to the photographs, was John Marbury?&rdquo;
+</p>
+
+<p>
+&ldquo;It is, sir!&rdquo;
+</p>
+
+<p>
+&ldquo;Very well. Now, having seen Mr. Aylmore and his companion, what did you
+do?&rdquo;
+</p>
+
+<p>
+&ldquo;Oh, I just turned and walked after them.&rdquo;
+</p>
+
+<p>
+&ldquo;You walked after them? They were going eastward, then?&rdquo;
+</p>
+
+<p>
+&ldquo;They were walking by the way I&rsquo;d come.&rdquo;
+</p>
+
+<p>
+&ldquo;You followed them eastward?&rdquo;
+</p>
+
+<p>
+&ldquo;I did&mdash;I was going back to the hotel, you see.&rdquo;
+</p>
+
+<p>
+&ldquo;What were they doing?&rdquo;
+</p>
+
+<p>
+&ldquo;Talking uncommonly earnestly, sir.&rdquo;
+</p>
+
+<p>
+&ldquo;How far did you follow them?&rdquo;
+</p>
+
+<p>
+&ldquo;I followed them until they came to the Embankment lodge of Middle Temple
+Lane, sir.&rdquo;
+</p>
+
+<p>
+&ldquo;And then?&rdquo;
+</p>
+
+<p>
+&ldquo;Why, sir, they turned in there, and I went straight on to De
+Keyser&rsquo;s, and to my bed.&rdquo;
+</p>
+
+<p>
+There was a deeper silence in court at that moment than at any other period of
+the long day, and it grew still deeper when the quiet, keen voice put the next
+question.
+</p>
+
+<p>
+&ldquo;You swear on your oath that you saw Mr. Aylmore take his companion into
+the Temple by the Embankment entrance of Middle Temple Lane on the occasion in
+question?&rdquo;
+</p>
+
+<p>
+&ldquo;I do! I could swear no other, sir.&rdquo;
+</p>
+
+<p>
+&ldquo;Can you tell us, as near as possible, what time that would be?&rdquo;
+</p>
+
+<p>
+&ldquo;Yes. It was, to a minute or so, about five minutes past twelve.&rdquo;
+</p>
+
+<p>
+The Treasury Counsel nodded to the Coroner, and the Coroner, after a whispered
+conference with the foreman of the jury, looked at the witness.
+</p>
+
+<p>
+&ldquo;You have only just given this information to the police, I
+understand?&rdquo; he said.
+</p>
+
+<p>
+&ldquo;Yes, sir. I have been in Paris, and in Amiens, and I only returned by
+this morning&rsquo;s boat. As soon as I had read all the news in the
+papers&mdash;the English papers&mdash;and seen the dead man&rsquo;s photographs
+I determined to tell the police what I knew, and I went to New Scotland Yard as
+soon as I got to London this morning.&rdquo;
+</p>
+
+<p>
+Nobody else wanted to ask Mr. David Lyell any questions, and he stepped down.
+And Mr. Aylmore suddenly came forward again, seeking the Coroner&rsquo;s
+attention.
+</p>
+
+<p>
+&ldquo;May I be allowed to make an explanation, sir?&rdquo; he began.
+&ldquo;I&mdash;&rdquo;
+</p>
+
+<p>
+But the Treasury Counsel was on his feet, this time stern and implacable.
+&ldquo;I would point out, sir, that you have had Mr. Aylmore in the box, and
+that he was not then at all ready to give explanations, or even to answer
+questions,&rdquo; he said. &ldquo;And before you allow him to make any
+explanation now, I ask you to hear another witness whom I wish to interpose at
+this stage. That witness is&mdash;&mdash;&rdquo;
+</p>
+
+<p>
+Mr. Aylmore turned almost angrily to the Coroner.
+</p>
+
+<p>
+&ldquo;After the evidence of the last witness, I think I have a right to be
+heard at once!&rdquo; he said with emphasis. &ldquo;As matters stand at
+present, it looks as if I had trifled, sir, with you and the jury, whereas if I
+am allowed to make an explanation&mdash;&rdquo;
+</p>
+
+<p>
+&ldquo;I must respectfully ask that before Mr. Aylmore is allowed to make any
+explanation, the witness I have referred to is heard,&rdquo; said the Treasury
+Counsel sternly. &ldquo;There are weighty reasons.&rdquo;
+</p>
+
+<p>
+&ldquo;I am afraid you must wait a little, Mr. Aylmore, if you wish to give an
+explanation,&rdquo; said the Coroner. He turned to the Counsel. &ldquo;Who is
+this other witness?&rdquo; he asked.
+</p>
+
+<p>
+Aylmore stepped back. And Spargo noticed that the younger of his two daughters
+was staring at him with an anxious expression. There was no distrust of her
+father in her face; she was anxious. She, too, slowly turned to the next
+witness. This man was the porter of the Embankment lodge of Middle Temple Lane.
+The Treasury Counsel put a straight question to him at once.
+</p>
+
+<p>
+&ldquo;You see that gentleman,&rdquo; he said, pointing to Aylmore. &ldquo;Do
+you know him as an inmate of the Temple?&rdquo;
+</p>
+
+<p>
+The man stared at Aylmore, evidently confused.
+</p>
+
+<p>
+&ldquo;Why, certainly, sir!&rdquo; he answered. &ldquo;Quite well, sir.&rdquo;
+</p>
+
+<p>
+&ldquo;Very good. And now&mdash;what name do you know him by?&rdquo;
+</p>
+
+<p>
+The man grew evidently more bewildered.
+</p>
+
+<p>
+&ldquo;Name, sir. Why, Mr. Anderson, sir!&rdquo; he replied. &ldquo;Mr.
+Anderson!&rdquo;
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap13"></a>CHAPTER THIRTEEN<br/>
+UNDER SUSPICION</h2>
+
+<p>
+A distinct, uncontrollable murmur of surprise ran round the packed court as
+this man in the witness-box gave this answer. It signified many
+things&mdash;that there were people present who had expected some such dramatic
+development; that there were others present who had not; that the answer itself
+was only a prelude to further developments. And Spargo, looking narrowly about
+him, saw that the answer had aroused different feelings in Aylmore&rsquo;s two
+daughters. The elder one had dropped her face until it was quite hidden; the
+younger was sitting bolt upright, staring at her father in utter and genuine
+bewilderment. And for the first time, Aylmore made no response to her.
+</p>
+
+<p>
+But the course of things was going steadily forward. There was no stopping the
+Treasury Counsel now; he was going to get at some truth in his own merciless
+fashion. He had exchanged one glance with the Coroner, had whispered a word to
+the solicitor who sat close by him, and now he turned again to the witness.
+</p>
+
+<p>
+&ldquo;So you know that gentleman&mdash;make sure now&mdash;as Mr. Anderson, an
+inmate of the Temple?&rdquo;
+</p>
+
+<p>
+&ldquo;Yes, sir.&rdquo;
+</p>
+
+<p>
+&ldquo;You don&rsquo;t know him by any other name?&rdquo;
+</p>
+
+<p>
+&ldquo;No, sir, I don&rsquo;t.&rdquo;
+</p>
+
+<p>
+&ldquo;How long have you known him by that name?&rdquo;
+</p>
+
+<p>
+&ldquo;I should say two or three years, sir.&rdquo;
+</p>
+
+<p>
+&ldquo;See him go in and out regularly?&rdquo;
+</p>
+
+<p>
+&ldquo;No, sir&mdash;not regularly.&rdquo;
+</p>
+
+<p>
+&ldquo;How often, then?&rdquo;
+</p>
+
+<p>
+&ldquo;Now and then, sir&mdash;perhaps once a week.&rdquo;
+</p>
+
+<p>
+&ldquo;Tell us what you know of Mr. Anderson&rsquo;s goings-in-and-out.&rdquo;
+</p>
+
+<p>
+&ldquo;Well, sir, I might see him two nights running; then I mightn&rsquo;t see
+him again for perhaps a week or two. Irregular, as you might say, sir.&rdquo;
+</p>
+
+<p>
+&ldquo;You say &lsquo;nights.&rsquo; Do I understand that you never see Mr.
+Anderson except at night?&rdquo;
+</p>
+
+<p>
+&ldquo;Yes, sir. I&rsquo;ve never seen him except at night. Always about the
+same time, sir.&rdquo;
+</p>
+
+<p>
+&ldquo;What time?&rdquo;
+</p>
+
+<p>
+&ldquo;Just about midnight, sir.&rdquo;
+</p>
+
+<p>
+&ldquo;Very well. Do you remember the midnight of June 21st-22nd?&rdquo;
+</p>
+
+<p>
+&ldquo;I do, sir.&rdquo;
+</p>
+
+<p>
+&ldquo;Did you see Mr. Anderson enter then?&rdquo;
+</p>
+
+<p>
+&ldquo;Yes, sir, just after twelve.&rdquo;
+</p>
+
+<p>
+&ldquo;Was he alone?&rdquo;
+</p>
+
+<p>
+&ldquo;No, sir; there was another gentleman with him.&rdquo;
+</p>
+
+<p>
+&ldquo;Remember anything about that other gentleman?&rdquo;
+</p>
+
+<p>
+&ldquo;Nothing, sir, except that I noticed as they walked through, that the
+other gentleman had grey clothes on.&rdquo;
+</p>
+
+<p>
+&ldquo;Had grey clothes on. You didn&rsquo;t see his face?&rdquo;
+</p>
+
+<p>
+&ldquo;Not to remember it, sir. I don&rsquo;t remember anything but what
+I&rsquo;ve told you, sir.&rdquo;
+</p>
+
+<p>
+&ldquo;That is that the other gentleman wore a grey suit. Where did Mr.
+Anderson and this gentleman in the grey suit go when they&rsquo;d passed
+through?&rdquo;
+</p>
+
+<p>
+&ldquo;Straight up the Lane, sir.&rdquo;
+</p>
+
+<p>
+&ldquo;Do you know where Mr. Anderson&rsquo;s rooms in the Temple are?&rdquo;
+</p>
+
+<p>
+&ldquo;Not exactly, sir, but I understood in Fountain Court.&rdquo;
+</p>
+
+<p>
+&ldquo;Now, on that night in question, did Mr. Anderson leave again by your
+lodge?&rdquo;
+</p>
+
+<p>
+&ldquo;No, sir.&rdquo;
+</p>
+
+<p>
+&ldquo;You heard of the discovery of the body of a dead man in Middle Temple
+Lane next morning?&rdquo;
+</p>
+
+<p>
+&ldquo;I did, sir.&rdquo;
+</p>
+
+<p>
+&ldquo;Did you connect that man with the gentleman in the grey suit?&rdquo;
+</p>
+
+<p>
+&ldquo;No, sir, I didn&rsquo;t. It never occurred to me. A lot of the gentlemen
+who live in the Temple bring friends in late of nights; I never gave the matter
+any particular thought.&rdquo;
+</p>
+
+<p>
+&ldquo;Never mentioned it to anybody until now, when you were sent for to come
+here?&rdquo;
+</p>
+
+<p>
+&ldquo;No, sir, never, to anybody.&rdquo;
+</p>
+
+<p>
+&ldquo;And you have never known the gentleman standing there as anybody but Mr.
+Anderson?&rdquo;
+</p>
+
+<p>
+&ldquo;No, sir, never heard any other name but Anderson.&rdquo;
+</p>
+
+<p>
+The Coroner glanced at the Counsel.
+</p>
+
+<p>
+&ldquo;I think this may be a convenient opportunity for Mr. Aylmore to give the
+explanation he offered a few minutes ago,&rdquo; he said. &ldquo;Do you suggest
+anything?&rdquo;
+</p>
+
+<p>
+&ldquo;I suggest, sir, that if Mr. Aylmore desires to give any explanation he
+should return to the witness-box and submit himself to examination again on his
+oath,&rdquo; replied the Counsel. &ldquo;The matter is in your hands.&rdquo;
+</p>
+
+<p>
+The Coroner turned to Aylmore.
+</p>
+
+<p>
+&ldquo;Do you object to that?&rdquo; he asked.
+</p>
+
+<p>
+Aylmore stepped boldly forward and into the box.
+</p>
+
+<p>
+&ldquo;I object to nothing,&rdquo; he said in clear tones, &ldquo;except to
+being asked to reply to questions about matters of the past which have not and
+cannot have anything to do with this case. Ask me what questions you like,
+arising out of the evidence of the last two witnesses, and I will answer them
+so far as I see myself justified in doing so. Ask me questions about matters of
+twenty years ago, and I shall answer them or not as I see fit. And I may as
+well say that I will take all the consequences of my silence or my
+speech.&rdquo;
+</p>
+
+<p>
+The Treasury Counsel rose again.
+</p>
+
+<p>
+&ldquo;Very well, Mr. Aylmore,&rdquo; he said. &ldquo;I will put certain
+questions to you. You heard the evidence of David Lyell?&rdquo;
+</p>
+
+<p>
+&ldquo;I did.&rdquo;
+</p>
+
+<p>
+&ldquo;Was that quite true as regards yourself?&rdquo;
+</p>
+
+<p>
+&ldquo;Quite true&mdash;absolutely true.&rdquo;
+</p>
+
+<p>
+&ldquo;And you heard that of the last witness. Was that also true!&rdquo;
+</p>
+
+<p>
+&ldquo;Equally true.&rdquo;
+</p>
+
+<p>
+&ldquo;Then you admit that the evidence you gave this morning, before these
+witnesses came on the scene, was not true?&rdquo;
+</p>
+
+<p>
+&ldquo;No, I do not! Most emphatically I do not. It was true.&rdquo;
+</p>
+
+<p>
+&ldquo;True? You told me, on oath, that you parted from John Marbury on
+Waterloo Bridge!&rdquo;
+</p>
+
+<p>
+&ldquo;Pardon me, I said nothing of the sort. I said that from the Anglo-Orient
+Hotel we strolled across Waterloo Bridge, and that shortly afterwards we
+parted&mdash;I did not say where we parted. I see there is a shorthand writer
+here who is taking everything down&mdash;ask him if that is not exactly what I
+said?&rdquo;
+</p>
+
+<p>
+A reference to the stenographer proved Aylmore to be right, and the Treasury
+Counsel showed plain annoyance.
+</p>
+
+<p>
+&ldquo;Well, at any rate, you so phrased your answer that nine persons out of
+ten would have understood that you parted from Marbury in the open streets
+after crossing Waterloo Bridge,&rdquo; he said. &ldquo;Now&mdash;?&rdquo;
+</p>
+
+<p>
+Aylmore smiled.
+</p>
+
+<p>
+&ldquo;I am not responsible for the understanding of nine people out of ten any
+more than I am for your understanding,&rdquo; he said, with a sneer. &ldquo;I
+said what I now repeat&mdash;Marbury and I walked across Waterloo Bridge, and
+shortly afterwards we parted. I told you the truth.&rdquo;
+</p>
+
+<p>
+&ldquo;Indeed! Perhaps you will continue to tell us the truth. Since you have
+admitted that the evidence of the last two witnesses is absolutely correct,
+perhaps you will tell us exactly where you and Marbury did part?&rdquo;
+</p>
+
+<p>
+&ldquo;I will&mdash;willingly. We parted at the door of my chambers in Fountain
+Court.&rdquo;
+</p>
+
+<p>
+&ldquo;Then&mdash;to reiterate&mdash;it was you who took Marbury into the
+Temple that night?&rdquo;
+</p>
+
+<p>
+&ldquo;It was certainly I who took Marbury into the Temple that night.&rdquo;
+</p>
+
+<p>
+There was another murmur amongst the crowded benches. Here at any rate was
+fact&mdash;solid, substantial fact. And Spargo began to see a possible course
+of events which he had not anticipated.
+</p>
+
+<p>
+&ldquo;That is a candid admission, Mr. Aylmore. I suppose you see a certain
+danger to yourself in making it.&rdquo;
+</p>
+
+<p>
+&ldquo;I need not say whether I do or I do not. I have made it.&rdquo;
+</p>
+
+<p>
+&ldquo;Very good. Why did you not make it before?&rdquo;
+</p>
+
+<p>
+&ldquo;For my own reasons. I told you as much as I considered necessary for the
+purpose of this enquiry. I have virtually altered nothing now. I asked to be
+allowed to make a statement, to give an explanation, as soon as Mr. Lyell had
+left this box: I was not allowed to do so. I am willing to make it now.&rdquo;
+</p>
+
+<p>
+&ldquo;Make it then.&rdquo;
+</p>
+
+<p>
+&ldquo;It is simply this,&rdquo; said Aylmore, turning to the Coroner. &ldquo;I
+have found it convenient, during the past three years, to rent a simple set of
+chambers in the Temple, where I could occasionally&mdash;very occasionally, as
+a rule&mdash;go late at night. I also found it convenient, for my own
+reasons&mdash;with which, I think, no one has anything to do&mdash;to rent
+those chambers under the name of Mr. Anderson. It was to my chambers that
+Marbury accompanied me for a few moments on the midnight with which we are
+dealing. He was not in them more than five minutes at the very outside: I
+parted from him at my outer door, and I understood that he would leave the
+Temple by the way we had entered and would drive or walk straight back to his
+hotel. That is the whole truth. I wish to add that I ought perhaps to have told
+all this at first. I had reasons for not doing so. I told what I considered
+necessary, that I parted from Marbury, leaving him well and alive, soon after
+midnight.&rdquo;
+</p>
+
+<p>
+&ldquo;What reasons were or are they which prevented you from telling all this
+at first?&rdquo; asked the Treasury Counsel.
+</p>
+
+<p>
+&ldquo;Reasons which are private to me.&rdquo;
+</p>
+
+<p>
+&ldquo;Will you tell them to the court?&rdquo;
+</p>
+
+<p>
+&ldquo;No!&rdquo;
+</p>
+
+<p>
+&ldquo;Then will you tell us why Marbury went with you to the chambers in
+Fountain Court which you tenant under the name of Anderson?&rdquo;
+</p>
+
+<p>
+&ldquo;Yes. To fetch a document which I had in my keeping, and had kept for him
+for twenty years or more.&rdquo;
+</p>
+
+<p>
+&ldquo;A document of importance?&rdquo;
+</p>
+
+<p>
+&ldquo;Of very great importance.&rdquo;
+</p>
+
+<p>
+&ldquo;He would have it on him when he was&mdash;as we believe he
+was&mdash;murdered and robbed?&rdquo;
+</p>
+
+<p>
+&ldquo;He had it on him when he left me.&rdquo;
+</p>
+
+<p>
+&ldquo;Will you tell us what it was?&rdquo;
+</p>
+
+<p>
+&ldquo;Certainly not!&rdquo;
+</p>
+
+<p>
+&ldquo;In fact, you won&rsquo;t tell us any more than you choose to
+tell?&rdquo;
+</p>
+
+<p>
+&ldquo;I have told you all I can tell of the events of that night.&rdquo;
+</p>
+
+<p>
+&ldquo;Then I am going to ask you a very pertinent question. Is it not a fact
+that you know a great deal more about John Marbury than you have told this
+court?&rdquo;
+</p>
+
+<p>
+&ldquo;That I shall not answer.&rdquo;
+</p>
+
+<p>
+&ldquo;Is it not a fact that you could, if you would, tell this court more
+about John Marbury and your acquaintanceship with him twenty years ago?&rdquo;
+</p>
+
+<p>
+&ldquo;I also decline to answer that.&rdquo;
+</p>
+
+<p>
+The Treasury Counsel made a little movement of his shoulders and turned to the
+Coroner.
+</p>
+
+<p>
+&ldquo;I should suggest, sir, that you adjourn this enquiry,&rdquo; he said
+quietly.
+</p>
+
+<p>
+&ldquo;For a week,&rdquo; assented the Coroner, turning to the jury.
+</p>
+
+<p>
+The crowd surged out of the court, chattering, murmuring, exclaiming&mdash;
+spectators, witnesses, jurymen, reporters, legal folk, police folk, all mixed
+up together. And Spargo, elbowing his own way out, and busily reckoning up the
+value of the new complexions put on everything by the day&rsquo;s work,
+suddenly felt a hand laid on his arm. Turning he found himself gazing at Jessie
+Aylmore.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap14"></a>CHAPTER FOURTEEN<br/>
+THE SILVER TICKET</h2>
+
+<p>
+With a sudden instinct of protection, Spargo quickly drew the girl aside from
+the struggling crowd, and within a moment had led her into a quiet by-street.
+He looked down at her as she stood recovering her breath.
+</p>
+
+<p>
+&ldquo;Yes?&rdquo; he said quietly.
+</p>
+
+<p>
+Jessie Aylmore looked up at him, smiling faintly.
+</p>
+
+<p>
+&ldquo;I want to speak to you,&rdquo; she said. &ldquo;I must speak to
+you.&rdquo;
+</p>
+
+<p>
+&ldquo;Yes,&rdquo; said Spargo. &ldquo;But&mdash;the others? Your
+sister?&mdash;Breton?&rdquo;
+</p>
+
+<p>
+&ldquo;I left them on purpose to speak to you,&rdquo; she answered. &ldquo;They
+knew I did. I am well accustomed to looking after myself.&rdquo;
+</p>
+
+<p>
+Spargo moved down the by-street, motioning his companion to move with him.
+</p>
+
+<p>
+&ldquo;Tea,&rdquo; he said, &ldquo;is what you want. I know a queer,
+old-fashioned place close by here where you can get the best China tea in
+London. Come and have some.&rdquo;
+</p>
+
+<p>
+Jessie Aylmore smiled and followed her guide obediently. And Spargo said
+nothing, marching stolidly along with his thumbs in his waistcoat pockets, his
+fingers playing soundless tunes outside, until he had installed himself and his
+companion in a quiet nook in the old tea-house he had told her of, and had
+given an order for tea and hot tea-cakes to a waitress who evidently knew him.
+Then he turned to her.
+</p>
+
+<p>
+&ldquo;You want,&rdquo; he said, &ldquo;to talk to me about your father.&rdquo;
+</p>
+
+<p>
+&ldquo;Yes,&rdquo; she answered. &ldquo;I do.&rdquo;
+</p>
+
+<p>
+&ldquo;Why?&rdquo; asked Spargo.
+</p>
+
+<p>
+The girl gave him a searching look.
+</p>
+
+<p>
+&ldquo;Ronald Breton says you&rsquo;re the man who&rsquo;s written all those
+special articles in the <i>Watchman</i> about the Marbury case,&rdquo; she
+answered. &ldquo;Are you?&rdquo;
+</p>
+
+<p>
+&ldquo;I am,&rdquo; said Spargo.
+</p>
+
+<p>
+&ldquo;Then you&rsquo;re a man of great influence,&rdquo; she went on.
+&ldquo;You can stir the public mind. Mr. Spargo&mdash;what are you going to
+write about my father and today&rsquo;s proceedings?&rdquo;
+</p>
+
+<p>
+Spargo signed to her to pour out the tea which had just arrived. He seized,
+without ceremony, upon a piece of the hot buttered tea-cake, and bit a great
+lump out of it.
+</p>
+
+<p>
+&ldquo;Frankly,&rdquo; he mumbled, speaking with his mouth full,
+&ldquo;frankly, I don&rsquo;t know. I don&rsquo;t know&mdash;yet. But
+I&rsquo;ll tell you this&mdash;it&rsquo;s best to be candid&mdash;I
+shouldn&rsquo;t allow myself to be prejudiced or biassed in making up my
+conclusions by anything that you may say to me. Understand?&rdquo;
+</p>
+
+<p>
+Jessie Aylmore took a sudden liking to Spargo because of the unconventionality
+and brusqueness of his manners.
+</p>
+
+<p>
+&ldquo;I&rsquo;m not wanting to prejudice or bias you,&rdquo; she said.
+&ldquo;All I want is that you should be very sure before you
+say&mdash;anything.&rdquo;
+</p>
+
+<p>
+&ldquo;I&rsquo;ll be sure,&rdquo; said Spargo. &ldquo;Don&rsquo;t bother. Is
+the tea all right?&rdquo;
+</p>
+
+<p>
+&ldquo;Beautiful!&rdquo; she answered, with a smile that made Spargo look at
+her again. &ldquo;Delightful! Mr. Spargo, tell me!&mdash;what did you think
+about&mdash;about what has just happened?&rdquo;
+</p>
+
+<p>
+Spargo, regardless of the fact that his fingers were liberally ornamented with
+butter, lifted a hand and rubbed his always untidy hair. Then he ate more
+tea-cake and gulped more tea.
+</p>
+
+<p>
+&ldquo;Look here!&rdquo; he said suddenly. &ldquo;I&rsquo;m no great hand at
+talking. I can write pretty decently when I&rsquo;ve a good story to tell, but
+I don&rsquo;t talk an awful lot, because I never can express what I mean unless
+I&rsquo;ve got a pen in my hand. Frankly, I find it hard to tell you what I
+think. When I write my article this evening, I&rsquo;ll get all these things
+marshalled in proper form, and I shall write clearly about &rsquo;em. But
+I&rsquo;ll tell you one thing I do think&mdash;I wish your father had made a
+clean breast of things to me at first, when he gave me that interview, or had
+told everything when he first went into that box.&rdquo;
+</p>
+
+<p>
+&ldquo;Why?&rdquo; she asked.
+</p>
+
+<p>
+&ldquo;Because he&rsquo;s now set up an atmosphere of doubt and suspicion
+around himself. People&rsquo;ll think&mdash;Heaven knows what they&rsquo;ll
+think! They already know that he knows more about Marbury than he&rsquo;ll
+tell, that&mdash;&rdquo;
+</p>
+
+<p>
+&ldquo;But does he?&rdquo; she interrupted quickly. &ldquo;Do you think he
+does?&rdquo;
+</p>
+
+<p>
+&ldquo;Yes!&rdquo; replied Spargo, with emphasis. &ldquo;I do. A lot more! If
+he had only been explicit at first&mdash;however, he wasn&rsquo;t. Now
+it&rsquo;s done. As things stand&mdash;look here, does it strike you that your
+father is in a very serious position?&rdquo;
+</p>
+
+<p>
+&ldquo;Serious?&rdquo; she exclaimed.
+</p>
+
+<p>
+&ldquo;Dangerous! Here&rsquo;s the fact&mdash;he&rsquo;s admitted that he took
+Marbury to his rooms in the Temple that midnight. Well, next morning
+Marbury&rsquo;s found robbed and murdered in an entry, not fifty yards
+off!&rdquo;
+</p>
+
+<p>
+&ldquo;Does anybody suppose that my father would murder him for the sake of
+robbing him of whatever he had on him?&rdquo; she laughed scornfully. &ldquo;My
+father is a very wealthy man, Mr. Spargo.&rdquo;
+</p>
+
+<p>
+&ldquo;May be,&rdquo; answered Spargo. &ldquo;But millionaires have been known
+to murder men who held secrets.&rdquo;
+</p>
+
+<p>
+&ldquo;Secrets!&rdquo; she exclaimed.
+</p>
+
+<p>
+&ldquo;Have some more tea,&rdquo; said Spargo, nodding at the teapot.
+&ldquo;Look here&mdash;this way it is. The theory that people&mdash;some
+people&mdash;will build up (I won&rsquo;t say that it hasn&rsquo;t suggested
+itself to me) is this:&mdash;There&rsquo;s some mystery about the relationship,
+acquaintanceship, connection, call it what you like, of your father and Marbury
+twenty odd years ago. Must be. There&rsquo;s some mystery about your
+father&rsquo;s life, twenty odd years ago. Must be&mdash;or else he&rsquo;d
+have answered those questions. Very well. &lsquo;Ha, ha!&rsquo; says the
+general public. &lsquo;Now we have it!&rsquo; &lsquo;Marbury,&rsquo; says the
+general public, &lsquo;was a man who had a hold on Aylmore. He turned up.
+Aylmore trapped him into the Temple, killed him to preserve his own secret, and
+robbed him of all he had on him as a blind.&rsquo; Eh?&rdquo;
+</p>
+
+<p>
+&ldquo;You think&mdash;people will say that?&rdquo; she exclaimed.
+</p>
+
+<p>
+&ldquo;Cock-sure! They&rsquo;re saying it. Heard half a dozen of &rsquo;em say
+it, in more or less elegant fashion as I came out of that court. Of course,
+they&rsquo;ll say it. Why, what else could they say?&rdquo;
+</p>
+
+<p>
+For a moment Jessie Aylmore sat looking silently into her tea-cup. Then she
+turned her eyes on Spargo, who immediately manifested a new interest in what
+remained of the tea-cakes.
+</p>
+
+<p>
+&ldquo;Is that what you&rsquo;re going to say in your article tonight?&rdquo;
+she asked, quietly.
+</p>
+
+<p>
+&ldquo;No!&rdquo; replied Spargo, promptly. &ldquo;It isn&rsquo;t. I&rsquo;m
+going to sit on the fence tonight. Besides, the case is <i>sub judice</i>. All
+I&rsquo;m going to do is to tell, in my way, what took place at the
+inquest.&rdquo;
+</p>
+
+<p>
+The girl impulsively put her hand across the table and laid it on
+Spargo&rsquo;s big fist.
+</p>
+
+<p>
+&ldquo;Is it what you think?&rdquo; she asked in a low voice.
+</p>
+
+<p>
+&ldquo;Honour bright, no!&rdquo; exclaimed Spargo. &ldquo;It
+isn&rsquo;t&mdash;it isn&rsquo;t! I don&rsquo;t think it. I think there&rsquo;s
+a most extraordinary mystery at the bottom of Marbury&rsquo;s death, and I
+think your father knows an enormous lot about Marbury that he won&rsquo;t tell,
+but I&rsquo;m certain sure that he neither killed Marbury nor knows anything
+whatever about his death. And as I&rsquo;m out to clear this mystery up, and
+mean to do it, nothing&rsquo;ll make me more glad than to clear your father. I
+say, do have some more tea-cake? We&rsquo;ll have fresh ones&mdash;and fresh
+tea.&rdquo;
+</p>
+
+<p>
+&ldquo;No, thank you,&rdquo; she said smiling. &ldquo;And thank you for what
+you&rsquo;ve just said. I&rsquo;m going now, Mr. Spargo. You&rsquo;ve done me
+good.&rdquo;
+</p>
+
+<p>
+&ldquo;Oh, rot!&rdquo; exclaimed Spargo. &ldquo;Nothing&mdash;nothing!
+I&rsquo;ve just told you what I&rsquo;m thinking. You must go?…&rdquo;
+</p>
+
+<p>
+He saw her into a taxi-cab presently, and when she had gone stood vacantly
+staring after the cab until a hand clapped him smartly on the shoulder.
+Turning, he found Rathbury grinning at him.
+</p>
+
+<p>
+&ldquo;All right, Mr. Spargo, I saw you!&rdquo; he said. &ldquo;Well,
+it&rsquo;s a pleasant change to squire young ladies after being all day in that
+court. Look here, are you going to start your writing just now?&rdquo;
+</p>
+
+<p>
+&ldquo;I&rsquo;m not going to start my writing as you call it, until after
+I&rsquo;ve dined at seven o&rsquo;clock and given myself time to digest my
+modest dinner,&rdquo; answered Spargo. &ldquo;What is it?&rdquo;
+</p>
+
+<p>
+&ldquo;Come back with me and have another look at that blessed leather
+box,&rdquo; said Rathbury. &ldquo;I&rsquo;ve got it in my room, and I&rsquo;d
+like to examine it for myself. Come on!&rdquo;
+</p>
+
+<p>
+&ldquo;The thing&rsquo;s empty,&rdquo; said Spargo.
+</p>
+
+<p>
+&ldquo;There might be a false bottom in it,&rdquo; remarked Rathbury.
+&ldquo;One never knows. Here, jump into this!&rdquo;
+</p>
+
+<p>
+He pushed Spargo into a passing taxi-cab, and following, bade the driver go
+straight to the Yard. Arrived there, he locked Spargo and himself into the
+drab-visaged room in which the journalist had seen him before.
+</p>
+
+<p>
+&ldquo;What d&rsquo;ye think of today&rsquo;s doings, Spargo?&rdquo; he asked,
+as he proceeded to unlock a cupboard.
+</p>
+
+<p>
+&ldquo;I think,&rdquo; said Spargo, &ldquo;that some of you fellows must have
+had your ears set to tingling.&rdquo;
+</p>
+
+<p>
+&ldquo;That&rsquo;s so,&rdquo; assented Rathbury. &ldquo;Of course, the next
+thing&rsquo;ll be to find out all about the Mr. Aylmore of twenty years since.
+When a man won&rsquo;t tell you where he lived twenty years ago, what he was
+exactly doing, what his precise relationship with another man was&mdash;why,
+then, you&rsquo;ve just got to find out, eh? Oh, some of our fellows are at
+work on the life history of Stephen Aylmore, Esq., M.P., already&mdash;you bet!
+Well, now, Spargo, here&rsquo;s the famous box.&rdquo;
+</p>
+
+<p>
+The detective brought the old leather case out of the cupboard in which he had
+been searching, and placed it on his desk. Spargo threw back the lid and looked
+inside, measuring the inner capacity against the exterior lines.
+</p>
+
+<p>
+&ldquo;No false bottom in that, Rathbury,&rdquo; he said. &ldquo;There&rsquo;s
+just the outer leather case, and the inner lining, of this old bed-hanging
+stuff, and that&rsquo;s all. There&rsquo;s no room for any false bottom or
+anything of that sort, d&rsquo;you see?&rdquo;
+</p>
+
+<p>
+Rathbury also sized up the box&rsquo;s capacity.
+</p>
+
+<p>
+&ldquo;Looks like it,&rdquo; he said disappointedly. &ldquo;Well, what about
+the lid, then? I remember there was an old box like this in my
+grandmother&rsquo;s farmhouse, where I was reared&mdash;there was a pocket in
+the lid. Let&rsquo;s see if there&rsquo;s anything of the sort here?&rdquo;
+</p>
+
+<p>
+He threw the lid back and began to poke about the lining of it with the tips of
+his fingers, and presently he turned to his companion with a sharp exclamation.
+</p>
+
+<p>
+&ldquo;By George, Spargo!&rdquo; he said. &ldquo;I don&rsquo;t know about any
+pocket, but there&rsquo;s something under this lining. Feels like&mdash;here,
+you feel. There&mdash;and there.&rdquo;
+</p>
+
+<p>
+Spargo put a finger on the places indicated.
+</p>
+
+<p>
+&ldquo;Yes, that&rsquo;s so,&rdquo; he agreed. &ldquo;Feels like two
+cards&mdash;a large and a small one. And the small one&rsquo;s harder than the
+other. Better cut that lining out, Rathbury.&rdquo;
+</p>
+
+<p>
+&ldquo;That,&rdquo; remarked Rathbury, producing a pen-knife, &ldquo;is just
+what I&rsquo;m going to do. We&rsquo;ll cut along this seam.&rdquo;
+</p>
+
+<p>
+He ripped the lining carefully open along the upper part of the lining of the
+lid, and looking into the pocket thus made, drew out two objects which he
+dropped on his blotting pad.
+</p>
+
+<p>
+&ldquo;A child&rsquo;s photograph,&rdquo; he said, glancing at one of them.
+&ldquo;But what on earth is that?&rdquo;
+</p>
+
+<p>
+The object to which he pointed was a small, oblong piece of thin, much-worn
+silver, about the size of a railway ticket. On one side of it was what seemed
+to be a heraldic device or coat-of-arms, almost obliterated by rubbing; on the
+other, similarly worn down by friction, was the figure of a horse.
+</p>
+
+<p>
+&ldquo;That&rsquo;s a curious object,&rdquo; remarked Spargo, picking it up.
+&ldquo;I never saw anything like that before. What can it be?&rdquo;
+</p>
+
+<p>
+&ldquo;Don&rsquo;t know&mdash;I never saw anything of the sort either,&rdquo;
+said Rathbury. &ldquo;Some old token, I should say. Now this photo.
+Ah&mdash;you see, the photographer&rsquo;s name and address have been torn away
+or broken off&mdash;there&rsquo;s nothing left but just two letters of
+what&rsquo;s apparently been the name of the town&mdash;see.
+Er&mdash;that&rsquo;s all there is. Portrait of a baby, eh?&rdquo;
+</p>
+
+<p>
+Spargo gave, what might have been called in anybody else but him, a casual
+glance at the baby&rsquo;s portrait. He picked up the silver ticket again and
+turned it over and over.
+</p>
+
+<p>
+&ldquo;Look here, Rathbury,&rdquo; he said. &ldquo;Let me take this silver
+thing. I know where I can find out what it is. At least, I think I do.&rdquo;
+</p>
+
+<p>
+&ldquo;All right,&rdquo; agreed the detective, &ldquo;but take the greatest
+care of it, and don&rsquo;t tell a soul that we found it in this box, you know.
+No connection with the Marbury case, Spargo, remember.&rdquo;
+</p>
+
+<p>
+&ldquo;Oh, all right,&rdquo; said Spargo. &ldquo;Trust me.&rdquo;
+</p>
+
+<p>
+He put the silver ticket in his pocket, and went back to the office, wondering
+about this singular find. And when he had written his article that evening, and
+seen a proof of it, Spargo went into Fleet Street intent on seeking peculiar
+information.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap15"></a>CHAPTER FIFTEEN<br/>
+MARKET MILCASTER</h2>
+
+<p>
+The haunt of well-informed men which Spargo had in view when he turned out of
+the <i>Watchman</i> office lay well hidden from ordinary sight and knowledge in
+one of those Fleet Street courts the like of which is not elsewhere in the
+world. Only certain folk knew of it. It was, of course, a club; otherwise it
+would not have been what it was. It is the simplest thing in life, in England,
+at any rate, to form a club of congenial spirits. You get so many of your
+choice friends and acquaintances to gather round you; you register yourselves
+under a name of your own choosing; you take a house and furnish it according to
+your means and your taste: you comply with the very easy letter of the law, and
+there you are. Keep within that easy letter, and you can do what you please on
+your own premises. It is much more agreeable to have a small paradise of your
+own of this description than to lounge about Fleet Street bars.
+</p>
+
+<p>
+The particular club to which Spargo bent his steps was called the Octoneumenoi.
+Who evolved this extraordinary combination of Latin and Greek was a dark
+mystery: there it was, however, on a tiny brass plate you once reached the
+portals. The portals were gained by devious ways. You turned out of Fleet
+Street by an alley so narrow that it seemed as if you might suddenly find
+yourself squeezed between the ancient walls. Then you suddenly dived down
+another alley and found yourself in a small court, with high walls around you
+and a smell of printer&rsquo;s ink in your nose and a whirring of printing
+presses in your ears. You made another dive into a dark entry, much encumbered
+by bales of paper, crates of printing material, jars of printing ink; after
+falling over a few of these you struck an ancient flight of stairs and went up
+past various landings, always travelling in a state of gloom and fear. After a
+lot of twisting and turning you came to the very top of the house and found it
+heavily curtained off. You lifted a curtain and found yourself in a small
+entresol, somewhat artistically painted&mdash;the whole and sole work of an
+artistic member who came one day with a formidable array of lumber and
+paint-pots and worked his will on the ancient wood. Then you saw the brass
+plate and its fearful name, and beneath it the formal legal notice that this
+club was duly registered and so on, and if you were a member you went in, and
+if you weren&rsquo;t a member you tinkled an electric bell and asked to see a
+member&mdash;if you knew one.
+</p>
+
+<p>
+Spargo was not a member, but he knew many members, and he tinkled the bell, and
+asked the boy who answered it for Mr. Starkey. Mr. Starkey, a young gentleman
+with the biceps of a prize-fighter and a head of curly hair that would have
+done credit to Antinous, came forth in due course and shook Spargo by the hand
+until his teeth rattled.
+</p>
+
+<p>
+&ldquo;Had we known you were coming,&rdquo; said Mr. Starkey, &ldquo;we&rsquo;d
+have had a brass band on the stairs.&rdquo;
+</p>
+
+<p>
+&ldquo;I want to come in,&rdquo; remarked Spargo.
+</p>
+
+<p>
+&ldquo;Sure!&rdquo; said Mr. Starkey. &ldquo;That&rsquo;s what you&rsquo;ve
+come for.&rdquo;
+</p>
+
+<p>
+&ldquo;Well, stand out of the way, then, and let&rsquo;s get in,&rdquo; said
+Spargo. &ldquo;Look here,&rdquo; he continued when they had penetrated into a
+small vestibule, &ldquo;doesn&rsquo;t old Crowfoot turn in here about this time
+every night?&rdquo;
+</p>
+
+<p>
+&ldquo;Every night as true as the clock, my son Spargo, Crowfoot puts his nose
+in at precisely eleven, having by that time finished that daily column wherein
+he informs a section of the populace as to the prospects of their spotting a
+winner tomorrow,&rdquo; answered Mr. Starkey. &ldquo;It&rsquo;s five minutes to
+his hour now. Come in and drink till he comes. Want him?&rdquo;
+</p>
+
+<p>
+&ldquo;A word with him,&rdquo; answered Spargo. &ldquo;A mere word&mdash;or
+two.&rdquo;
+</p>
+
+<p>
+He followed Starkey into a room which was so filled with smoke and sound that
+for a moment it was impossible to either see or hear. But the smoke was
+gradually making itself into a canopy, and beneath the canopy Spargo made out
+various groups of men of all ages, sitting around small tables, smoking and
+drinking, and all talking as if the great object of their lives was to get as
+many words as possible out of their mouths in the shortest possible time. In
+the further corner was a small bar; Starkey pulled Spargo up to it.
+</p>
+
+<p>
+&ldquo;Name it, my son,&rdquo; commanded Starkey. &ldquo;Try the Octoneumenoi
+very extra special. Two of &rsquo;em, Dick. Come to beg to be a member,
+Spargo?&rdquo;
+</p>
+
+<p>
+&ldquo;I&rsquo;ll think about being a member of this ante-room of the infernal
+regions when you start a ventilating fan and provide members with a route-map
+of the way from Fleet Street,&rdquo; answered Spargo, taking his glass.
+&ldquo;Phew!&mdash;what an atmosphere!&rdquo;
+</p>
+
+<p>
+&ldquo;We&rsquo;re considering a ventilating fan,&rdquo; said Starkey.
+&ldquo;I&rsquo;m on the house committee now, and I brought that very matter up
+at our last meeting. But Templeson, of the <i>Bulletin</i>&mdash;you know
+Templeson&mdash;he says what we want is a wine-cooler to stand under that
+sideboard&mdash;says no club is proper without a wine-cooler, and that he knows
+a chap&mdash;second-hand dealer, don&rsquo;t you know&mdash;what has a beauty
+to dispose of in old Sheffield plate. Now, if you were on our house committee,
+Spargo, old man, would you go in for the wine-cooler or the ventilating fan?
+You see&mdash;&rdquo;
+</p>
+
+<p>
+&ldquo;There is Crowfoot,&rdquo; said Spargo. &ldquo;Shout him over here,
+Starkey, before anybody else collars him.&rdquo;
+</p>
+
+<p>
+Through the door by which Spargo had entered a few minutes previously came a
+man who stood for a moment blinking at the smoke and the lights. He was a tall,
+elderly man with a figure and bearing of a soldier; a big, sweeping moustache
+stood well out against a square-cut jaw and beneath a prominent nose; a pair of
+keen blue eyes looked out from beneath a tousled mass of crinkled hair. He wore
+neither hat nor cap; his attire was a carelessly put on Norfolk suit of brown
+tweed; he looked half-unkempt, half-groomed. But knotted at the collar of his
+flannel shirt were the colours of one of the most famous and exclusive cricket
+clubs in the world, and everybody knew that in his day their wearer had been a
+mighty figure in the public eye.
+</p>
+
+<p>
+&ldquo;Hi, Crowfoot!&rdquo; shouted Starkey above the din and babel.
+&ldquo;Crowfoot, Crowfoot! Come over here, there&rsquo;s a chap dying to see
+you!&rdquo;
+</p>
+
+<p>
+&ldquo;Yes, that&rsquo;s the way to get him, isn&rsquo;t it?&rdquo; said
+Spargo. &ldquo;Here, I&rsquo;ll get him myself.&rdquo;
+</p>
+
+<p>
+He went across the room and accosted the old sporting journalist.
+</p>
+
+<p>
+&ldquo;I want a quiet word with you,&rdquo; he said. &ldquo;This place is like
+a pandemonium.&rdquo;
+</p>
+
+<p>
+Crowfoot led the way into a side alcove and ordered a drink.
+</p>
+
+<p>
+&ldquo;Always is, this time,&rdquo; he said, yawning. &ldquo;But it&rsquo;s
+companionable. What is it, Spargo?&rdquo;
+</p>
+
+<p>
+Spargo took a pull at the glass which he had carried with him. &ldquo;I should
+say,&rdquo; he said, &ldquo;that you know as much about sporting matters as any
+man writing about &rsquo;em?&rdquo;
+</p>
+
+<p>
+&ldquo;Well, I think you might say it with truth,&rdquo; answered Crowfoot.
+</p>
+
+<p>
+&ldquo;And old sporting matters?&rdquo; said Spargo.
+</p>
+
+<p>
+&ldquo;Yes, and old sporting matters,&rdquo; replied the other with a sudden
+flash of the eye. &ldquo;Not that they greatly interest the modern generation,
+you know.&rdquo;
+</p>
+
+<p>
+&ldquo;Well, there&rsquo;s something that&rsquo;s interesting me greatly just
+now, anyway,&rdquo; said Spargo. &ldquo;And I believe it&rsquo;s got to do with
+old sporting affairs. And I came to you for information about it, believing you
+to be the only man I know of that could tell anything.&rdquo;
+</p>
+
+<p>
+&ldquo;Yes&mdash;what is it?&rdquo; asked Crowfoot.
+</p>
+
+<p>
+Spargo drew out an envelope, and took from it the carefully-wrapped-up silver
+ticket. He took off the wrappings and laid the ticket on Crowfoot&rsquo;s
+outstretched palm.
+</p>
+
+<p>
+&ldquo;Can you tell me what that is?&rdquo; he asked.
+</p>
+
+<p>
+Another sudden flash came into the old sportsman&rsquo;s eyes&mdash;he eagerly
+turned the silver ticket over.
+</p>
+
+<p>
+&ldquo;God bless my soul!&rdquo; he exclaimed. &ldquo;Where did you get
+this?&rdquo;
+</p>
+
+<p>
+&ldquo;Never mind, just now,&rdquo; replied Spargo. &ldquo;You know what it
+is?&rdquo;
+</p>
+
+<p>
+&ldquo;Certainly I know what it is! But&mdash;Gad! I&rsquo;ve not seen one of
+these things for Lord knows how many years. It makes me feel something like a
+young &rsquo;un again!&rdquo; said Crowfoot. &ldquo;Quite a young
+&rsquo;un!&rdquo;
+</p>
+
+<p>
+&ldquo;But what is it?&rdquo; asked Spargo.
+</p>
+
+<p>
+Crowfoot turned the ticket over, showing the side on which the heraldic device
+was almost worn away.
+</p>
+
+<p>
+&ldquo;It&rsquo;s one of the original silver stand tickets of the old
+racecourse at Market Milcaster,&rdquo; answered Crowfoot. &ldquo;That&rsquo;s
+what it is. One of the old original silver stand tickets. There are the arms of
+Market Milcaster, you see, nearly worn away by much rubbing. There, on the
+obverse, is the figure of a running horse. Oh, yes, that&rsquo;s what it is!
+Bless me!&mdash;most interesting.&rdquo;
+</p>
+
+<p>
+&ldquo;Where&rsquo;s Market Milcaster?&rdquo; enquired Spargo.
+&ldquo;Don&rsquo;t know it.&rdquo;
+</p>
+
+<p>
+&ldquo;Market Milcaster,&rdquo; replied Crowfoot, still turning the silver
+ticket over and over, &ldquo;is what the topographers call a decayed town in
+Elmshire. It has steadily decayed since the river that led to it got gradually
+silted up. There used to be a famous race-meeting there in June every year.
+It&rsquo;s nearly forty years since that meeting fell through. I went to it
+often when I was a lad&mdash;often!&rdquo;
+</p>
+
+<p>
+&ldquo;And you say that&rsquo;s a ticket for the stand?&rdquo; asked Spargo.
+</p>
+
+<p>
+&ldquo;This is one of fifty silver tickets, or passes, or whatever you like to
+call &rsquo;em, which were given by the race committee to fifty burgesses of
+the town,&rdquo; answered Crowfoot. &ldquo;It was, I remember, considered a
+great privilege to possess a silver ticket. It admitted its possessor&mdash;for
+life, mind you!&mdash;to the stand, the paddocks, the ring, anywhere. It also
+gave him a place at the annual race-dinner. Where on earth did you get this,
+Spargo?&rdquo;
+</p>
+
+<p>
+Spargo took the ticket and carefully re-wrapped it, this time putting it in his
+purse.
+</p>
+
+<p>
+&ldquo;I&rsquo;m awfully obliged to you, Crowfoot,&rdquo; he said, &ldquo;The
+fact is, I can&rsquo;t tell you where I got it just now, but I&rsquo;ll promise
+you that I will tell you, and all about it, too, as soon as my tongue&rsquo;s
+free to do so.&rdquo;
+</p>
+
+<p>
+&ldquo;Some mystery, eh?&rdquo; suggested Crowfoot.
+</p>
+
+<p>
+&ldquo;Considerable,&rdquo; answered Spargo. &ldquo;Don&rsquo;t mention to
+anyone that I showed it to you. You shall know everything eventually.&rdquo;
+</p>
+
+<p>
+&ldquo;Oh, all right, my boy, all right!&rdquo; said Crowfoot. &ldquo;Odd how
+things turn up, isn&rsquo;t it? Now, I&rsquo;ll wager anything that there
+aren&rsquo;t half a dozen of these old things outside Market Milcaster itself.
+As I said, there were only fifty, and they were all in possession of burgesses.
+They were so much thought of that they were taken great care of. I&rsquo;ve
+been in Market Milcaster myself since the races were given up, and I&rsquo;ve
+seen these tickets carefully framed and hung over mantelpieces&mdash;oh,
+yes!&rdquo;
+</p>
+
+<p>
+Spargo caught at a notion.
+</p>
+
+<p>
+&ldquo;How do you get to Market Milcaster?&rdquo; he asked.
+</p>
+
+<p>
+&ldquo;Paddington,&rdquo; replied Crowfoot. &ldquo;It&rsquo;s a goodish
+way.&rdquo;
+</p>
+
+<p>
+&ldquo;I wonder,&rdquo; said Spargo, &ldquo;if there&rsquo;s any old sporting
+man there who could remember&mdash;things. Anything about this ticket, for
+instance?&rdquo;
+</p>
+
+<p>
+&ldquo;Old sporting man!&rdquo; exclaimed Crowfoot. &ldquo;Egad!&mdash;but no,
+he must be dead&mdash;anyhow, if he isn&rsquo;t dead, he must be a veritable
+patriarch. Old Ben Quarterpage, he was an auctioneer in the town, and a rare
+sportsman.&rdquo;
+</p>
+
+<p>
+&ldquo;I may go down there,&rdquo; said Spargo. &ldquo;I&rsquo;ll see if
+he&rsquo;s alive.&rdquo;
+</p>
+
+<p>
+&ldquo;Then, if you do go down,&rdquo; suggested Crowfoot, &ldquo;go to the old
+&lsquo;Yellow Dragon&rsquo; in the High Street, a fine old place.
+Quarterpage&rsquo;s place of business and his private house were exactly
+opposite the &lsquo;Dragon.&rsquo; But I&rsquo;m afraid you&rsquo;ll find him
+dead&mdash;it&rsquo;s five and twenty years since I was in Market Milcaster,
+and he was an old bird then. Let&rsquo;s see, now. If Old Ben Quarterpage is
+alive, Spargo, he&rsquo;ll be ninety years of age!&rdquo;
+</p>
+
+<p>
+&ldquo;Well, I&rsquo;ve known men of ninety who were spry enough, even in my
+bit of experience,&rdquo; said Spargo. &ldquo;I know one&mdash;now&mdash;my own
+grandfather. Well, the best of thanks, Crowfoot, and I&rsquo;ll tell you all
+about it some day.&rdquo;
+</p>
+
+<p>
+&ldquo;Have another drink?&rdquo; suggested Crowfoot.
+</p>
+
+<p>
+But Spargo excused himself. He was going back to the office, he said; he still
+had something to do. And he got himself away from the Octoneumenoi, in spite of
+Starkey, who wished to start a general debate on the wisest way of expending
+the club&rsquo;s ready money balance, and went back to the <i>Watchman</i>, and
+there he sought the presence of the editor, and in spite of the fact that it
+was the busiest hour of the night, saw him and remained closeted with him for
+the extraordinary space of ten minutes. And after that Spargo went home and
+fell into bed.
+</p>
+
+<p>
+But next morning, bright and early, he was on the departure platform at
+Paddington, suit-case in hand, and ticket in pocket for Market Milcaster, and
+in the course of that afternoon he found himself in an old-fashioned bedroom
+looking out on Market Milcaster High Street. And there, right opposite him, he
+saw an ancient house, old brick, ivy-covered, with an office at its side, over
+the door of which was the name, <i>Benjamin Quarterpage</i>.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap16"></a>CHAPTER SIXTEEN<br/>
+THE &ldquo;YELLOW DRAGON&rdquo;</h2>
+
+<p>
+Spargo, changing his clothes, washing away the dust of his journey, in that
+old-fashioned lavender-scented bedroom, busied his mind in further speculations
+on his plan of campaign in Market Milcaster. He had no particularly clear plan.
+The one thing he was certain of was that in the old leather box which the man
+whom he knew as John Marbury had deposited with the London and Universal Safe
+Deposit Company, he and Rathbury had discovered one of the old silver tickets
+of Market Milcaster racecourse, and that he, Spargo, had come to Market
+Milcaster, with the full approval of his editor, in an endeavour to trace it.
+How was he going to set about this difficult task?
+</p>
+
+<p>
+&ldquo;The first thing,&rdquo; said Spargo to himself as he tied a new tie,
+&ldquo;is to have a look round. That&rsquo;ll be no long job.&rdquo;
+</p>
+
+<p>
+For he had already seen as he approached the town, and as he drove from the
+station to the &ldquo;Yellow Dragon&rdquo; Hotel, that Market Milcaster was a
+very small place. It chiefly consisted of one long, wide thoroughfare&mdash;the
+High Street&mdash;with smaller streets leading from it on either side. In the
+High Street seemed to be everything that the town could show&mdash;the ancient
+parish church, the town hall, the market cross, the principal houses and shops,
+the bridge, beneath which ran the river whereon ships had once come up to the
+town before its mouth, four miles away, became impassably silted up. It was a
+bright, clean, little town, but there were few signs of trade in it, and Spargo
+had been quick to notice that in the &ldquo;Yellow Dragon,&rdquo; a big,
+rambling old hostelry, reminiscent of the old coaching days, there seemed to be
+little doing. He had eaten a bit of lunch in the coffee-room immediately on his
+arrival; the coffee-room was big enough to accommodate a hundred and fifty
+people, but beyond himself, an old gentleman and his daughter, evidently
+tourists, two young men talking golf, a man who looked like an artist, and an
+unmistakable honeymooning couple, there was no one in it. There was little
+traffic in the wide street beneath Spargo&rsquo;s windows; little passage of
+people to and fro on the sidewalks; here a countryman drove a lazy cow as
+lazily along; there a farmer in his light cart sat idly chatting with an
+aproned tradesman, who had come out of his shop to talk to him. Over everything
+lay the quiet of the sunlight of the summer afternoon, and through the open
+windows stole a faint, sweet scent of the new-mown hay lying in the meadows
+outside the old houses.
+</p>
+
+<p>
+&ldquo;A veritable Sleepy Hollow,&rdquo; mused Spargo. &ldquo;Let&rsquo;s go
+down and see if there&rsquo;s anybody to talk to. Great Scott!&mdash;to think
+that I was in the poisonous atmosphere of the Octoneumenoi only sixteen hours
+ago!&rdquo;
+</p>
+
+<p>
+Spargo, after losing himself in various corridors and passages, finally landed
+in the wide, stone-paved hall of the old hotel, and with a sure instinct turned
+into the bar-parlour which he had noticed when he entered the place. This was a
+roomy, comfortable, bow-windowed apartment, looking out upon the High Street,
+and was furnished and ornamented with the usual appurtenances of country-town
+hotels. There were old chairs and tables and sideboards and cupboards, which
+had certainly been made a century before, and seemed likely to endure for a
+century or two longer; there were old prints of the road and the chase, and an
+old oil-painting or two of red-faced gentlemen in pink coats; there were
+foxes&rsquo; masks on the wall, and a monster pike in a glass case on a
+side-table; there were ancient candlesticks on the mantelpiece and an antique
+snuff-box set between them. Also there was a small, old-fashioned bar in a
+corner of the room, and a new-fashioned young woman seated behind it, who was
+yawning over a piece of fancy needlework, and looked at Spargo when he entered
+as Andromeda may have looked at Perseus when he made arrival at her rock. And
+Spargo, treating himself to a suitable drink and choosing a cigar to accompany
+it, noted the look, and dropped into the nearest chair.
+</p>
+
+<p>
+&ldquo;This,&rdquo; he remarked, eyeing the damsel with enquiry, &ldquo;appears
+to me to be a very quiet place.&rdquo;
+</p>
+
+<p>
+&ldquo;Quiet!&rdquo; exclaimed the lady. &ldquo;Quiet?&rdquo;
+</p>
+
+<p>
+&ldquo;That,&rdquo; continued Spargo, &ldquo;is precisely what I observed.
+Quiet. I see that you agree with me. You expressed your agreement with two
+shades of emphasis, the surprised and the scornful. We may conclude, thus far,
+that the place is undoubtedly quiet.&rdquo;
+</p>
+
+<p>
+The damsel looked at Spargo as if she considered him in the light of a new
+specimen, and picking up her needlework she quitted the bar and coming out into
+the room took a chair near his own.
+</p>
+
+<p>
+&ldquo;It makes you thankful to see a funeral go by here,&rdquo; she remarked.
+&ldquo;It&rsquo;s about all that one ever does see.&rdquo;
+</p>
+
+<p>
+&ldquo;Are there many?&rdquo; asked Spargo. &ldquo;Do the inhabitants die much
+of inanition?&rdquo;
+</p>
+
+<p>
+The damsel gave Spargo another critical inspection.
+</p>
+
+<p>
+&ldquo;Oh, you&rsquo;re joking!&rdquo; she said. &ldquo;It&rsquo;s well you
+can. Nothing ever happens here. This place is a back number.&rdquo;
+</p>
+
+<p>
+&ldquo;Even the back numbers make pleasant reading at times,&rdquo; murmured
+Spargo. &ldquo;And the backwaters of life are refreshing. Nothing doing in this
+town, then?&rdquo; he added in a louder voice.
+</p>
+
+<p>
+&ldquo;Nothing!&rdquo; replied his companion. &ldquo;It&rsquo;s fast asleep. I
+came here from Birmingham, and I didn&rsquo;t know what I was coming to. In
+Birmingham you see as many people in ten minutes as you see here in ten
+months.&rdquo;
+</p>
+
+<p>
+&ldquo;Ah!&rdquo; said Spargo. &ldquo;What you are suffering from is dulness.
+You must have an antidote.&rdquo;
+</p>
+
+<p>
+&ldquo;Dulness!&rdquo; exclaimed the damsel. &ldquo;That&rsquo;s the right word
+for Market Milcaster. There&rsquo;s just a few regular old customers drop in
+here of a morning, between eleven and one. A stray caller looks
+in&mdash;perhaps during the afternoon. Then, at night, a lot of old fogies sit
+round that end of the room and talk about old times. Old times,
+indeed!&mdash;what they want in Market Milcaster is new times.&rdquo;
+</p>
+
+<p>
+Spargo pricked up his ears.
+</p>
+
+<p>
+&ldquo;Well, but it&rsquo;s rather interesting to hear old fogies talk about
+old times,&rdquo; he said. &ldquo;I love it!&rdquo;
+</p>
+
+<p>
+&ldquo;Then you can get as much of it as ever you want here,&rdquo; remarked
+the barmaid. &ldquo;Look in tonight any time after eight o&rsquo;clock, and if
+you don&rsquo;t know more about the history of Market Milcaster by ten than you
+did when you sat down, you must be deaf. There are some old gentlemen drop in
+here every night, regular as clockwork, who seem to feel that they
+couldn&rsquo;t go to bed unless they&rsquo;ve told each other stories about old
+days which I should think they&rsquo;ve heard a thousand times already!&rdquo;
+</p>
+
+<p>
+&ldquo;Very old men?&rdquo; asked Spargo.
+</p>
+
+<p>
+&ldquo;Methuselahs,&rdquo; replied the lady. &ldquo;There&rsquo;s old Mr.
+Quarterpage, across the way there, the auctioneer, though he doesn&rsquo;t do
+any business now&mdash;they say he&rsquo;s ninety, though I&rsquo;m sure you
+wouldn&rsquo;t take him for more than seventy. And there&rsquo;s Mr. Lummis,
+further down the street&mdash;he&rsquo;s eighty-one. And Mr. Skene, and Mr.
+Kaye&mdash;they&rsquo;re regular patriarchs. I&rsquo;ve sat here and listened
+to them till I believe I could write a history of Market Milcaster since the
+year One.&rdquo;
+</p>
+
+<p>
+&ldquo;I can conceive of that as a pleasant and profitable occupation,&rdquo;
+said Spargo.
+</p>
+
+<p>
+He chatted a while longer in a fashion calculated to cheer the barmaid&rsquo;s
+spirits, after which he went out and strolled around the town until seven
+o&rsquo;clock, the &ldquo;Dragon&rsquo;s&rdquo; hour for dinner. There were no
+more people in the big coffee-room than there had been at lunch and Spargo was
+glad, when his solitary meal was over, to escape to the bar-parlour, where he
+took his coffee in a corner near to that sacred part in which the old townsmen
+had been reported to him to sit.
+</p>
+
+<p>
+&ldquo;And mind you don&rsquo;t sit in one of their chairs,&rdquo; said the
+barmaid, warningly. &ldquo;They all have their own special chairs and their
+special pipes there on that rack, and I suppose the ceiling would fall in if
+anybody touched pipe or chair. But you&rsquo;re all right there, and
+you&rsquo;ll hear all they&rsquo;ve got to say.&rdquo;
+</p>
+
+<p>
+To Spargo, who had never seen anything of the sort before, and who, twenty-four
+hours previously, would have believed the thing impossible, the proceedings of
+that evening in the bar-parlour of the &ldquo;Yellow Dragon&rdquo; at Market
+Milcaster were like a sudden transference to the eighteenth century. Precisely
+as the clock struck eight and a bell began to toll somewhere in the recesses of
+the High Street, an old gentleman walked in, and the barmaid, catching
+Spargo&rsquo;s eye, gave him a glance which showed that the play was about to
+begin.
+</p>
+
+<p>
+&ldquo;Good evening, Mr. Kaye,&rdquo; said the barmaid. &ldquo;You&rsquo;re
+first tonight.&rdquo;
+</p>
+
+<p>
+&ldquo;Evening,&rdquo; said Mr. Kaye and took a seat, scowled around him, and
+became silent. He was a tall, lank old gentleman, clad in rusty black clothes,
+with a pointed collar sticking up on both sides of his fringe of grey whisker
+and a voluminous black neckcloth folded several times round his neck, and by
+the expression of his countenance was inclined to look on life severely.
+&ldquo;Nobody been in yet?&rdquo; asked Mr. Kaye. &ldquo;No, but here&rsquo;s
+Mr. Lummis and Mr. Skene,&rdquo; replied the barmaid.
+</p>
+
+<p>
+Two more old gentlemen entered the bar-parlour. Of these, one was a little,
+dapper-figured man, clad in clothes of an eminently sporting cut, and of very
+loud pattern; he sported a bright blue necktie, a flower in his lapel, and a
+tall white hat, which he wore at a rakish angle. The other was a big, portly,
+bearded man with a Falstaffian swagger and a rakish eye, who chaffed the
+barmaid as he entered, and gave her a good-humoured chuck under the chin as he
+passed her. These two also sank into chairs which seemed to have been specially
+designed to meet them, and the stout man slapped the arms of his as familiarly
+as he had greeted the barmaid. He looked at his two cronies.
+</p>
+
+<p>
+&ldquo;Well?&rdquo; he said, &ldquo;Here&rsquo;s three of us. And there&rsquo;s
+a symposium.&rdquo;
+</p>
+
+<p>
+&ldquo;Wait a bit, wait a bit,&rdquo; said the dapper little man.
+&ldquo;Grandpa&rsquo;ll be here in a minute. We&rsquo;ll start fair.&rdquo;
+</p>
+
+<p>
+The barmaid glanced out of the window.
+</p>
+
+<p>
+&ldquo;There&rsquo;s Mr. Quarterpage coming across the street now,&rdquo; she
+announced. &ldquo;Shall I put the things on the table?&rdquo;
+</p>
+
+<p>
+&ldquo;Aye, put them on, my dear, put them on!&rdquo; commanded the fat man.
+&ldquo;Have all in readiness.&rdquo;
+</p>
+
+<p>
+The barmaid thereupon placed a round table before the sacred chairs, set out
+upon it a fine old punch-bowl and the various ingredients for making punch, a
+box of cigars, and an old leaden tobacco-box, and she had just completed this
+interesting prelude to the evening&rsquo;s discourse when the door opened again
+and in walked one of the most remarkable old men Spargo had ever seen. And by
+this time, knowing that this was the venerable Mr. Benjamin Quarterpage, of
+whom Crowfoot had told him, he took good stock of the newcomer as he took his
+place amongst his friends, who on their part received him with ebullitions of
+delight which were positively boyish.
+</p>
+
+<p>
+Mr. Quarterpage was a youthful buck of ninety&mdash;a middle-sized,
+sturdily-built man, straight as a dart, still active of limb, clear-eyed, and
+strong of voice. His clean-shaven old countenance was ruddy as a sun-warmed
+pippin; his hair was still only silvered; his hand was steady as a rock. His
+clothes of buff-coloured whipcord were smart and jaunty, his neckerchief as gay
+as if he had been going to a fair. It seemed to Spargo that Mr. Quarterpage had
+a pretty long lease of life before him even at his age.
+</p>
+
+<p>
+Spargo, in his corner, sat fascinated while the old gentlemen began their
+symposium. Another, making five, came in and joined them&mdash;the five had the
+end of the bar-parlour to themselves. Mr. Quarterpage made the punch with all
+due solemnity and ceremony; when it was ladled out each man lighted his pipe or
+took a cigar, and the tongues began to wag. Other folk came and went; the old
+gentlemen were oblivious of anything but their own talk. Now and then a young
+gentleman of the town dropped in to take his modest half-pint of bitter beer
+and to dally in the presence of the barmaid; such looked with awe at the
+patriarchs: as for the patriarchs themselves they were lost in the past.
+</p>
+
+<p>
+Spargo began to understand what the damsel behind the bar meant when she said
+that she believed she could write a history of Market Milcaster since the year
+One. After discussing the weather, the local events of the day, and various
+personal matters, the old fellows got to reminiscences of the past, telling
+tale after tale, recalling incident upon incident of long years before. At last
+they turned to memories of racing days at Market Milcaster. And at that Spargo
+determined on a bold stroke. Now was the time to get some information. Taking
+the silver ticket from his purse, he laid it, the heraldic device uppermost, on
+the palm of his hand, and approaching the group with a polite bow, said
+quietly:
+</p>
+
+<p>
+&ldquo;Gentlemen, can any of you tell me anything about that?&rdquo;
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap17"></a>CHAPTER SEVENTEEN<br/>
+MR. QUARTERPAGE HARKS BACK</h2>
+
+<p>
+If Spargo had upset the old gentlemen&rsquo;s bowl of punch&mdash;the second of
+the evening&mdash;or had dropped an infernal machine in their midst, he could
+scarcely have produced a more startling effect than that wrought upon them by
+his sudden production of the silver ticket. Their babble of conversation died
+out; one of them dropped his pipe; another took his cigar out of his mouth as
+if he had suddenly discovered that he was sucking a stick of poison; all lifted
+astonished faces to the interrupter, staring from him to the shining object
+exhibited in his outstretched palm, from it back to him. And at last Mr.
+Quarterpage, to whom Spargo had more particularly addressed himself, spoke,
+pointing with great <i>empressement</i> to the ticket.
+</p>
+
+<p>
+&ldquo;Young gentleman!&rdquo; he said, in accents that seemed to Spargo to
+tremble a little, &ldquo;young gentleman, where did you get that?&rdquo;
+</p>
+
+<p>
+&ldquo;You know what it is, then?&rdquo; asked Spargo, willing to dally a
+little with the matter. &ldquo;You recognize it?&rdquo;
+</p>
+
+<p>
+&ldquo;Know it! Recognize it!&rdquo; exclaimed Mr. Quarterpage. &ldquo;Yes, and
+so does every gentleman present. And it is just because I see you are a
+stranger to this town that I ask you where you got it. Not, I think, young
+gentleman, in this town.&rdquo;
+</p>
+
+<p>
+&ldquo;No,&rdquo; replied Spargo. &ldquo;Certainly not in this town. How should
+I get it in this town if I&rsquo;m a stranger?&rdquo;
+</p>
+
+<p>
+&ldquo;Quite true, quite true!&rdquo; murmured Mr. Quarterpage. &ldquo;I cannot
+conceive how any person in the town who is in possession of one of
+those&mdash;what shall we call them&mdash;heirlooms?&mdash;yes, heirlooms of
+antiquity, could possibly be base enough to part with it. Therefore, I ask
+again&mdash;Where did you get that, young gentleman?&rdquo;
+</p>
+
+<p>
+&ldquo;Before I tell you that,&rdquo; answered Spargo, who, in answer to a
+silent sign from the fat man had drawn a chair amongst them, &ldquo;perhaps you
+will tell me exactly what this is? I see it to be a bit of old, polished, much
+worn silver, having on the obverse the arms or heraldic bearings of somebody or
+something; on the reverse the figure of a running horse. But&mdash;what is
+it?&rdquo;
+</p>
+
+<p>
+The five old men all glanced at each other and made simultaneous grunts. Then
+Mr. Quarterpage spoke.
+</p>
+
+<p>
+&ldquo;It is one of the original fifty burgess tickets of Market Milcaster,
+young sir, which gave its holder special and greatly valued privileges in
+respect to attendance at our once famous race-meeting, now unfortunately a
+thing of the past,&rdquo; he added. &ldquo;Fifty&mdash;aye, forty!&mdash;years
+ago, to be in possession of one of those tickets was&mdash;was&mdash;&rdquo;
+</p>
+
+<p>
+&ldquo;A grand thing!&rdquo; said one of the old gentlemen.
+</p>
+
+<p>
+&ldquo;Mr. Lummis is right,&rdquo; said Mr. Quarterpage. &ldquo;It was a grand
+thing&mdash;a very grand thing. Those tickets, sir, were treasured&mdash;are
+treasured. And yet you, a stranger, show us one! You got it, sir&mdash;&rdquo;
+</p>
+
+<p>
+Spargo saw that it was now necessary to cut matters short.
+</p>
+
+<p>
+&ldquo;I found this ticket&mdash;under mysterious circumstances&mdash;in
+London,&rdquo; he answered. &ldquo;I want to trace it. I want to know who its
+original owner was. That is why I have come to Market Milcaster.&rdquo;
+</p>
+
+<p>
+Mr. Quarterpage slowly looked round the circle of faces.
+</p>
+
+<p>
+&ldquo;Wonderful!&rdquo; he said. &ldquo;Wonderful! He found this
+ticket&mdash;one of our famous fifty&mdash;in London, and under mysterious
+circumstances. He wants to trace it&mdash;he wants to know to whom it belonged!
+That is why he has come to Market Milcaster. Most extraordinary! Gentlemen, I
+appeal to you if this is not the most extraordinary event that has happened in
+Market Milcaster for&mdash;I don&rsquo;t know how many years?&rdquo;
+</p>
+
+<p>
+There was a general murmur of assent, and Spargo found everybody looking at him
+as if he had just announced that he had come to buy the whole town.
+</p>
+
+<p>
+&ldquo;But&mdash;why?&rdquo; he asked, showing great surprise.
+&ldquo;Why?&rdquo;
+</p>
+
+<p>
+&ldquo;Why?&rdquo; exclaimed Mr. Quarterpage. &ldquo;Why? He asks&mdash;why?
+Because, young gentleman, it is the greatest surprise to me, and to these
+friends of mine, too, every man jack of &rsquo;em, to hear that any one of our
+fifty tickets ever passed out of the possession of any of the fifty families to
+whom they belonged! And unless I am vastly, greatly, most unexplainably
+mistaken, young sir, you are not a member of any Market Milcaster
+family.&rdquo;
+</p>
+
+<p>
+&ldquo;No, I&rsquo;m not,&rdquo; admitted Spargo. And he was going to add that
+until the previous evening he had never even heard of Market Milcaster, but he
+wisely refrained. &ldquo;No, I&rsquo;m certainly not,&rdquo; he added.
+</p>
+
+<p>
+Mr. Quarterpage waved his long pipe.
+</p>
+
+<p>
+&ldquo;I believe,&rdquo; he said, &ldquo;I believe that if the evening were not
+drawing to a close&mdash;it is already within a few minutes of our departure,
+young gentleman&mdash;I believe, I say, that if I had time, I could, from
+memory, give the names of the fifty families who held those tickets when the
+race-meeting came to an end. I believe I could!&rdquo;
+</p>
+
+<p>
+&ldquo;I&rsquo;m sure you could!&rdquo; asserted the little man in the loud
+suit. &ldquo;Never was such a memory as yours, never!&rdquo;
+</p>
+
+<p>
+&ldquo;Especially for anything relating to the old racing matters,&rdquo; said
+the fat man. &ldquo;Mr. Quarterpage is a walking encyclopaedia.&rdquo;
+</p>
+
+<p>
+&ldquo;My memory is good,&rdquo; said Mr. Quarterpage. &ldquo;It&rsquo;s the
+greatest blessing I have in my declining years. Yes, I am sure I could do that,
+with a little thought. And what&rsquo;s more, nearly every one of those fifty
+families is still in the town, or if not in the town, close by it, or if not
+close by it, I know where they are. Therefore, I cannot make out how this young
+gentleman&mdash;from London, did you say, sir?&rdquo;
+</p>
+
+<p>
+&ldquo;From London,&rdquo; answered Spargo.
+</p>
+
+<p>
+&ldquo;This young gentleman from London comes to be in possession of one of our
+tickets,&rdquo; continued Mr. Quarterpage. &ldquo;It is&mdash;wonderful! But I
+tell you what, young gentleman from London, if you will do me the honour to
+breakfast with me in the morning, sir, I will show you my racing books and
+papers and we will speedily discover who the original holder of that ticket
+was. My name, sir, is Quarterpage&mdash;Benjamin Quarterpage&mdash;and I reside
+at the ivy-covered house exactly opposite this inn, and my breakfast hour is
+nine o&rsquo;clock sharp, and I shall bid you heartily welcome!&rdquo;
+</p>
+
+<p>
+Spargo made his best bow.
+</p>
+
+<p>
+&ldquo;Sir,&rdquo; he said, &ldquo;I am greatly obliged by your kind
+invitation, and I shall consider it an honour to wait upon you to the
+moment.&rdquo;
+</p>
+
+<p>
+Accordingly, at five minutes to nine next morning, Spargo found himself in an
+old-fashioned parlour, looking out upon a delightful garden, gay with summer
+flowers, and being introduced by Mr. Quarterpage, Senior, to Mr. Quarterpage,
+Junior&mdash;a pleasant gentleman of sixty, always referred to by his father as
+something quite juvenile&mdash;and to Miss Quarterpage, a young-old lady of
+something a little less elderly than her brother, and to a breakfast table
+bounteously spread with all the choice fare of the season. Mr. Quarterpage,
+Senior, was as fresh and rosy as a cherub; it was a revelation to Spargo to
+encounter so old a man who was still in possession of such life and spirits,
+and of such a vigorous and healthy appetite.
+</p>
+
+<p>
+Naturally, the talk over the breakfast table ran on Spargo&rsquo;s possession
+of the old silver ticket, upon which subject it was evident Mr. Quarterpage was
+still exercising his intellect. And Spargo, who had judged it well to enlighten
+his host as to who he was, and had exhibited a letter with which the editor of
+the <i>Watchman</i> had furnished him, told how in the exercise of his
+journalistic duties he had discovered the ticket in the lining of an old box.
+But he made no mention of the Marbury matter, being anxious to see first
+whither Mr. Quarterpage&rsquo;s revelations would lead him.
+</p>
+
+<p>
+&ldquo;You have no idea, Mr. Spargo,&rdquo; said the old gentleman, when,
+breakfast over, he and Spargo were closeted together in a little library in
+which were abundant evidences of the host&rsquo;s taste in sporting matters;
+&ldquo;you have no idea of the value which was attached to the possession of
+one of those silver tickets. There is mine, as you see, securely framed and
+just as securely fastened to the wall. Those fifty silver tickets, my dear sir,
+were made when our old race-meeting was initiated, in the year 1781. They were
+made in the town by a local silversmith, whose great-great-grandson still
+carries on the business. The fifty were distributed amongst the fifty leading
+burgesses of the town to be kept in their families for ever&mdash;nobody ever
+anticipated in those days that our race-meeting would ever be discontinued. The
+ticket carried great privileges. It made its holder, and all members of his
+family, male and female, free of the stands, rings, and paddocks. It gave the
+holder himself and his eldest son, if of age, the right to a seat at our grand
+race banquet&mdash;at which, I may tell you, Mr. Spargo, Royalty itself has
+been present in the good old days. Consequently, as you see, to be the holder
+of a silver ticket was to be somebody.&rdquo;
+</p>
+
+<p>
+&ldquo;And when the race-meeting fell through?&rdquo; asked Spargo. &ldquo;What
+then?&rdquo;
+</p>
+
+<p>
+&ldquo;Then, of course, the families who held the tickets looked upon them as
+heirlooms, to be taken great care of,&rdquo; replied Mr. Quarterpage.
+&ldquo;They were dealt with as I dealt with mine&mdash;framed on velvet, and
+hung up&mdash;or locked away: I am sure that anybody who had one took the
+greatest care of it. Now, I said last night, over there at the
+&lsquo;Dragon,&rsquo; that I could repeat the names of all the families who
+held these tickets. So I can. But here&rdquo;&mdash;the old gentleman drew out
+a drawer and produced from it a parchment-bound book which he handled with
+great reverence&mdash;&ldquo;here is a little volume of my own
+handwriting&mdash;memoranda relating to Market Milcaster Races&mdash;in which
+is a list of the original holders, together with another list showing who held
+the tickets when the races were given up. I make bold to say, Mr. Spargo, that
+by going through the second list, I could trace every ticket&mdash;except the
+one you have in your purse.&rdquo;
+</p>
+
+<p>
+&ldquo;Every one?&rdquo; said Spargo, in some surprise.
+</p>
+
+<p>
+&ldquo;Every one! For as I told you,&rdquo; continued Mr. Quarterpage,
+&ldquo;the families are either in the town (we&rsquo;re a conservative people
+here in Market Milcaster and we don&rsquo;t move far afield) or they&rsquo;re
+just outside the town, or they&rsquo;re not far away. I can&rsquo;t conceive
+how the ticket you have&mdash;and it&rsquo;s genuine enough&mdash;could ever
+get out of possession of one of these families, and&mdash;&rdquo;
+</p>
+
+<p>
+&ldquo;Perhaps,&rdquo; suggested Spargo, &ldquo;it never has been out of
+possession. I told you it was found in the lining of a box&mdash;that box
+belonged to a dead man.&rdquo;
+</p>
+
+<p>
+&ldquo;A dead man!&rdquo; exclaimed Mr. Quarterpage. &ldquo;A dead man! Who
+could&mdash;ah! Perhaps&mdash;perhaps I have an idea. Yes!&mdash;an idea. I
+remember something now that I had never thought of.&rdquo;
+</p>
+
+<p>
+The old gentleman unfastened the clasp of his parchment-bound book, and turned
+over its pages until he came to one whereon was a list of names. He pointed
+this out to Spargo.
+</p>
+
+<p>
+&ldquo;There is the list of holders of the silver tickets at the time the
+race-meetings came to an end,&rdquo; he said. &ldquo;If you were acquainted
+with this town you would know that those are the names of our best-known
+inhabitants&mdash;all, of course, burgesses. There&rsquo;s mine, you
+see&mdash;Quarterpage. There&rsquo;s Lummis, there&rsquo;s Kaye, there&rsquo;s
+Skene, there&rsquo;s Templeby&mdash;the gentlemen you saw last night. All good
+old town names. They all are&mdash;on this list. I know every family mentioned.
+The holders of that time are many of them dead; but their successors have the
+tickets. Yes&mdash;and now that I think of it, there&rsquo;s only one man who
+held a ticket when this list was made about whom I don&rsquo;t know
+anything&mdash;at least, anything recent. The ticket, Mr. Spargo, which
+you&rsquo;ve found must have been his. But I thought&mdash;I thought somebody
+else had it!&rdquo;
+</p>
+
+<p>
+&ldquo;And this man, sir? Who was he?&rdquo; asked Spargo, intuitively
+conscious that he was coming to news. &ldquo;Is his name there?&rdquo;
+</p>
+
+<p>
+The old man ran the tip of his finger down the list of names.
+</p>
+
+<p>
+&ldquo;There it is!&rdquo; he said. &ldquo;John Maitland.&rdquo;
+</p>
+
+<p>
+Spargo bent over the fine writing.
+</p>
+
+<p>
+&ldquo;Yes, John Maitland,&rdquo; he observed. &ldquo;And who was John
+Maitland?&rdquo;
+</p>
+
+<p>
+Mr. Quarterpage shook his head. He turned to another of the many drawers in an
+ancient bureau, and began to search amongst a mass of old newspapers, carefully
+sorted into small bundles and tied up.
+</p>
+
+<p>
+&ldquo;If you had lived in Market Milcaster one-and-twenty years ago, Mr.
+Spargo,&rdquo; he said, &ldquo;you would have known who John Maitland was. For
+some time, sir, he was the best-known man in the place&mdash;aye, and in this
+corner of the world. But&mdash;aye, here it is&mdash;the newspaper of October
+5th, 1891. Now, Mr. Spargo, you&rsquo;ll find in this old newspaper who John
+Maitland was, and all about him. Now, I&rsquo;ll tell you what to do.
+I&rsquo;ve just got to go into my office for an hour to talk the day&rsquo;s
+business over with my son&mdash;you take this newspaper out into the garden
+there with one of these cigars, and read what&rsquo;ll you find in it, and when
+you&rsquo;ve read that we&rsquo;ll have some more talk.&rdquo;
+</p>
+
+<p>
+Spargo carried the old newspaper into the sunlit garden.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap18"></a>CHAPTER EIGHTEEN<br/>
+AN OLD NEWSPAPER</h2>
+
+<p>
+As soon as Spargo unfolded the paper he saw what he wanted on the middle page,
+headed in two lines of big capitals. He lighted a cigar and settled down to
+read.
+</p>
+
+<p class="center">
+&ldquo;MARKET MILCASTER QUARTER SESSIONS<br/>
+&ldquo;TRIAL OF JOHN MAITLAND
+</p>
+
+<p>
+&ldquo;The Quarter Sessions for the Borough of Market Milcaster were held on
+Wednesday last, October 3rd, 1891, in the Town Hall, before the Recorder, Henry
+John Campernowne, Esq., K.C., who was accompanied on the bench by the
+Worshipful the Mayor of Market Milcaster (Alderman Pettiford), the Vicar of
+Market Milcaster (the Rev. P.B. Clabberton, M.A., R.D.), Alderman Banks, J.P.,
+Alderman Peters, J.P., Sir Gervais Racton, J.P., Colonel Fludgate, J.P.,
+Captain Murrill, J.P., and other magistrates and gentlemen. There was a crowded
+attendance of the public in anticipation of the trial of John Maitland,
+ex-manager of the Market Milcaster Bank, and the reserved portions of the Court
+were filled with the <i>élite</i> of the town and neighbourhood, including a
+considerable number of ladies who manifested the greatest interest in the
+proceedings.
+</p>
+
+<p>
+&ldquo;The Recorder, in charging the Grand Jury, said he regretted that the
+very pleasant and gratifying experience which had been his upon the occasion of
+his last two official visits to Market Milcaster&mdash;he referred to the fact
+that on both those occasions his friend the Worshipful Mayor had been able to
+present him with a pair of white gloves&mdash;was not to be repeated on the
+present occasion. It would be their sad and regrettable lot to have before them
+a fellow-townsman whose family had for generations occupied a foremost position
+in the life of the borough. That fellow-townsman was charged with one of the
+most serious offences known to a commercial nation like ours: the offence of
+embezzling the moneys of the bank of which he had for many years been the
+trusted manager, and with which he had been connected all his life since his
+school days. He understood that the prisoner who would shortly be put before
+the court on his trial was about to plead guilty, and there would accordingly
+be no need for him to direct the gentlemen of the Grand Jury on this
+matter&mdash;what he had to say respecting the gravity and even enormity of the
+offence he would reserve. The Recorder then addressed himself to the Grand Jury
+on the merits of two minor cases, which came before the court at a later period
+of the morning, after which they retired, and having formally returned a true
+bill against the prisoner, and a petty jury, chosen from well-known burgesses
+of the town having been duly sworn.
+</p>
+
+<p>
+&ldquo;JOHN MAITLAND, aged 42, bank manager, of the Bank House, High Street,
+Market Milcaster, was formally charged with embezzling, on April 23rd, 1891,
+the sum of £4,875 10_s_. 6_d_., the moneys of his employers, the Market
+Milcaster Banking Company Ltd., and converting the same to his own use. The
+prisoner, who appeared to feel his position most acutely, and who looked very
+pale and much worn, was represented by Mr. Charles Doolittle, the well-known
+barrister of Kingshaven; Mr. Stephens, K.C., appeared on behalf of the
+prosecution.
+</p>
+
+<p>
+&ldquo;Maitland, upon being charged, pleaded guilty.
+</p>
+
+<p>
+&ldquo;Mr. Stephens, K.C., addressing the Recorder, said that without any
+desire to unduly press upon the prisoner, who, he ventured to think, had taken
+a very wise course in pleading guilty to that particular count in the
+indictment with which he stood charged, he felt bound, in the interests of
+justice, to set forth to the Court some particulars of the defalcations which
+had arisen through the prisoner&rsquo;s much lamented dishonesty. He proposed
+to offer a clear and succinct account of the matter. The prisoner, John
+Maitland, was the last of an old Market Milcaster family&mdash;he was, in fact,
+he believed, with the exception of his own infant son, the very last of the
+race. His father had been manager of the bank before him. Maitland himself had
+entered the service of the bank at the age of eighteen, when he left the local
+Grammar School; he succeeded his father as manager at the age of thirty-two; he
+had therefore occupied this highest position of trust for ten years. His
+directors had the fullest confidence in him; they relied on his honesty and his
+honour; they gave him discretionary powers such as no bank-manager, probably,
+ever enjoyed or held before. In fact, he was so trusted that he was, to all
+intents and purposes, the Market Milcaster Banking Company; in other words he
+was allowed full control over everything, and given full licence to do what he
+liked. Whether the directors were wise in extending such liberty to even the
+most trusted servant, it was not for him (Mr. Stephens) to say; it was some
+consolation, under the circumstances, to know that the loss would fall upon the
+directors, inasmuch as they themselves held nearly the whole of the shares. But
+he had to speak of the loss&mdash;of the serious defalcations which Maitland
+had committed. The prisoner had wisely pleaded guilty to the first count of the
+indictment. But there were no less than seventeen counts in the indictment. He
+had pleaded guilty to embezzling a sum of £4,875 odd. But the total amount of
+the defalcations, comprised in the seventeen counts, was no less&mdash;it
+seemed a most amazing sum!&mdash;than £221,573 8_s_. 6_d_.! There was the
+fact&mdash;the banking company had been robbed of over two hundred thousand
+pounds by the prisoner in the dock before a mere accident, the most trifling
+chance, had revealed to the astounded directors that he was robbing them at
+all. And the most serious feature of the whole case was that not one penny of
+this money had been, or ever could be, recovered. He believed that the
+prisoner&rsquo;s learned counsel was about to urge upon the Court that the
+prisoner himself had been tricked and deceived by another man, unfortunately
+not before the Court&mdash;a man, he understood, also well known in Market
+Milcaster, who was now dead, and therefore could not be called, but whether he
+was so tricked or deceived was no excuse for his clever and wholesale robbing
+of his employers. He had thought it necessary to put these facts&mdash;which
+would not be denied&mdash;before the Court, in order that it might be known how
+heavy the defalcations really had been, and that they should be considered in
+dealing with the prisoner.
+</p>
+
+<p>
+&ldquo;The Recorder asked if there was no possibility of recovering any part of
+the vast sum concerned.
+</p>
+
+<p>
+&ldquo;Mr. Stephens replied that they were informed that there was not the
+remotest chance&mdash;the money, it was said by prisoner and those acting on
+his behalf, had utterly vanished with the death of the man to whom he had just
+made reference.
+</p>
+
+<p>
+&ldquo;Mr. Doolittle, on behalf of the prisoner, craved to address a few words
+to the Court in mitigation of sentence. He thanked Mr. Stephens for the
+considerate and eminently dispassionate manner in which he had outlined the
+main facts of the case. He had no desire to minimize the prisoner&rsquo;s
+guilt. But, on prisoner&rsquo;s behalf, he desired to tell the true story as to
+how these things came to be. Until as recently as three years previously the
+prisoner had never made the slightest deviation from the straight path of
+integrity. Unfortunately for him, and, he believed, for some others in Market
+Milcaster, there came to the town three years before the present proceedings, a
+man named Chamberlayne, who commenced business in the High Street as a
+stock-and-share broker. A man of good address and the most plausible manners,
+Chamberlayne attracted a good many people&mdash;amongst them his unfortunate
+client. It was matter of common knowledge that Chamberlayne had induced
+numerous persons in Market Milcaster to enter into financial transactions with
+him; it was matter of common repute that those transactions had not always
+turned out well for Chamberlayne&rsquo;s clients. Unhappily for himself,
+Maitland had great faith in Chamberlayne. He had begun to have transactions
+with him in a large way; they had gone on and on in a large way until he was
+involved to vast amounts. Believing thoroughly in Chamberlayne and his methods,
+he had entrusted him with very large sums of money.
+</p>
+
+<p>
+&ldquo;The Recorder interrupted Mr. Doolittle at this point to ask if he was to
+understand that Mr. Doolittle was referring to the prisoner&rsquo;s own money.
+</p>
+
+<p>
+&ldquo;Mr. Doolittle replied that he was afraid the large sums he referred to
+were the property of the bank. But the prisoner had such belief in Chamberlayne
+that he firmly anticipated that all would be well, and that these sums would be
+repaid, and that a vast profit would result from their use.
+</p>
+
+<p>
+&ldquo;The Recorder remarked that he supposed the prisoner intended to put the
+profit into his own pockets.
+</p>
+
+<p>
+&ldquo;Mr. Doolittle said at any rate the prisoner assured him that of the two
+hundred and twenty thousand pounds which was in question, Chamberlayne had had
+the immediate handling of at least two hundred thousand, and he, the prisoner,
+had not the ghost of a notion as to what Chamberlayne had done with it.
+Unfortunately for everybody, for the bank, for some other people, and
+especially for his unhappy client, Chamberlayne died, very suddenly, just as
+these proceedings were instituted, and so far it had been absolutely impossible
+to trace anything of the moneys concerned. He had died under mysterious
+circumstances, and there was just as much mystery about his affairs.
+</p>
+
+<p>
+&ldquo;The Recorder observed that he was still waiting to hear what Mr.
+Doolittle had to urge in mitigation of any sentence he, the Recorder, might
+think fit to pass.
+</p>
+
+<p>
+&ldquo;Mr. Doolittle said that he would trouble the Court with as few remarks
+as possible. All that he could urge on behalf of the unfortunate man in the
+dock was that until three years ago he had borne a most exemplary character,
+and had never committed a dishonest action. It had been his misfortune, his
+folly, to allow a plausible man to persuade him to these acts of dishonesty.
+That man had been called to another account, and the prisoner was left to bear
+the consequences of his association with him. It seemed as if Chamberlayne had
+made away with the money for his own purposes, and it might be that it would
+yet be recovered. He would only ask the Court to remember the prisoner&rsquo;s
+antecedents and his previous good conduct, and to bear in mind that whatever
+his near future might be he was, in a commercial sense, ruined for life.
+</p>
+
+<p>
+&ldquo;The Recorder, in passing sentence, said that he had not heard a single
+word of valid excuse for Maitland&rsquo;s conduct. Such dishonesty must be
+punished in the most severe fashion, and the prisoner must go to penal
+servitude for ten years.
+</p>
+
+<p>
+&ldquo;Maitland, who heard the sentence unmoved, was removed from the town
+later in the day to the county jail at Saxchester.&rdquo;
+</p>
+
+<p>
+Spargo read all this swiftly; then went over it again, noting certain points in
+it. At last he folded up the newspaper and turned to the house&mdash;to see old
+Quarterpage beckoning to him from the library window.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap19"></a>CHAPTER NINETEEN<br/>
+THE CHAMBERLAYNE STORY</h2>
+
+<p>
+&ldquo;I perceive, sir,&rdquo; said Mr. Quarterpage, as Spargo entered the
+library, &ldquo;that you have read the account of the Maitland trial.&rdquo;
+</p>
+
+<p>
+&ldquo;Twice,&rdquo; replied Spargo.
+</p>
+
+<p>
+&ldquo;And you have come to the conclusion that&mdash;but what conclusion have
+you come to?&rdquo; asked Mr. Quarterpage.
+</p>
+
+<p>
+&ldquo;That the silver ticket in my purse was Maitland&rsquo;s property,&rdquo;
+said Spargo, who was not going to give all his conclusions at once.
+</p>
+
+<p>
+&ldquo;Just so,&rdquo; agreed the old gentleman. &ldquo;I think so&mdash;I
+can&rsquo;t think anything else. But I was under the impression that I could
+have accounted for that ticket, just as I am sure I can account for the other
+forty-nine.&rdquo;
+</p>
+
+<p>
+&ldquo;Yes&mdash;and how?&rdquo; asked Spargo.
+</p>
+
+<p>
+Mr. Quarterpage turned to a corner cupboard and in silence produced a decanter
+and two curiously-shaped old wine-glasses. He carefully polished the glasses
+with a cloth which he took from a drawer, and set glasses and decanter on a
+table in the window, motioning Spargo to take a chair in proximity thereto. He
+himself pulled up his own elbow-chair.
+</p>
+
+<p>
+&ldquo;We&rsquo;ll take a glass of my old brown sherry,&rdquo; he said.
+&ldquo;Though I say it as shouldn&rsquo;t, as the saying goes, I don&rsquo;t
+think you could find better brown sherry than that from Land&rsquo;s End to
+Berwick-upon-Tweed, Mr. Spargo&mdash;no, nor further north either, where they
+used to have good taste in liquor in my young days! Well, here&rsquo;s your
+good health, sir, and I&rsquo;ll tell you about Maitland.&rdquo;
+</p>
+
+<p>
+&ldquo;I&rsquo;m curious,&rdquo; said Spargo. &ldquo;And about more than
+Maitland. I want to know about a lot of things arising out of that newspaper
+report. I want to know something about the man referred to so much&mdash;the
+stockbroker, Chamberlayne.&rdquo;
+</p>
+
+<p>
+&ldquo;Just so,&rdquo; observed Mr. Quarterpage, smiling. &ldquo;I thought that
+would touch your sense of the inquisitive. But Maitland first. Now, when
+Maitland went to prison, he left behind him a child, a boy, just then about two
+years old. The child&rsquo;s mother was dead. Her sister, a Miss Baylis,
+appeared on the scene&mdash;Maitland had married his wife from a
+distance&mdash;and took possession of the child and of Maitland&rsquo;s
+personal effects. He had been made bankrupt while he was awaiting his trial,
+and all his household goods were sold. But this Miss Baylis took some small
+personal things, and I always believed that she took the silver ticket. And she
+may have done, for anything I know to the contrary. Anyway, she took the child
+away, and there was an end of the Maitland family in Market Milcaster.
+Maitland, of course, was in due procedure of things removed to Dartmoor, and
+there he served his term. There were people who were very anxious to get hold
+of him when he came out&mdash;the bank people, for they believed that he knew
+more about the disposition of that money than he&rsquo;d ever told, and they
+wanted to induce him to tell what they hoped he knew&mdash;between ourselves,
+Mr. Spargo, they were going to make it worth his while to tell.&rdquo;
+</p>
+
+<p>
+Spargo tapped the newspaper, which he had retained while the old gentleman
+talked.
+</p>
+
+<p>
+&ldquo;Then they didn&rsquo;t believe what his counsel said&mdash;that
+Chamberlayne got all the money?&rdquo; he asked.
+</p>
+
+<p>
+Mr. Quarterpage laughed.
+</p>
+
+<p>
+&ldquo;No&mdash;nor anybody else!&rdquo; he answered. &ldquo;There was a strong
+idea in the town&mdash;you&rsquo;ll see why afterwards&mdash;that it was all a
+put-up job, and that Maitland cheerfully underwent his punishment knowing that
+there was a nice fortune waiting for him when he came out. And as I say, the
+bank people meant to get hold of him. But though they sent a special agent to
+meet him on his release, they never did get hold of him. Some mistake
+arose&mdash;when Maitland was released, he got clear away. Nobody&rsquo;s ever
+heard a word of him from that day to this. Unless Miss Baylis has.&rdquo;
+</p>
+
+<p>
+&ldquo;Where does this Miss Baylis live?&rdquo; asked Spargo.
+</p>
+
+<p>
+&ldquo;Well, I don&rsquo;t know,&rdquo; replied Mr. Quarterpage. &ldquo;She did
+live in Brighton when she took the child away, and her address was known, and I
+have it somewhere. But when the bank people sought her out after
+Maitland&rsquo;s release, she, too, had clean disappeared, and all efforts to
+trace her failed. In fact, according to the folks who lived near her in
+Brighton, she&rsquo;d completely disappeared, with the child, five years
+before. So there wasn&rsquo;t a clue to Maitland. He served his time&mdash;made
+a model prisoner&mdash;they did find that much out!&mdash;earned the maximum
+remission, was released, and vanished. And for that very reason there&rsquo;s a
+theory about him in this very town to this very day!&rdquo;
+</p>
+
+<p>
+&ldquo;What?&rdquo; asked Spargo.
+</p>
+
+<p>
+&ldquo;This. That he&rsquo;s now living comfortably, luxuriously abroad on what
+he got from the bank,&rdquo; replied Mr. Quarterpage. &ldquo;They say that the
+sister-in-law was in at the game; that when she disappeared with the child, she
+went abroad somewhere and made a home ready for Maitland, and that he went off
+to them as soon as he came out. Do you see?&rdquo;
+</p>
+
+<p>
+&ldquo;I suppose that was possible,&rdquo; said Spargo.
+</p>
+
+<p>
+&ldquo;Quite possible, sir. But now,&rdquo; continued the old gentleman,
+replenishing the glasses, &ldquo;now we come on to the Chamberlayne story.
+It&rsquo;s a good deal more to do with the Maitland story than appears at first
+sight, I&rsquo;ll tell it to you and you can form your own conclusions.
+Chamberlayne was a man who came to Market Milcaster&mdash;I don&rsquo;t know
+from where&mdash;in 1886&mdash;five years before the Maitland smash-up. He was
+then about Maitland&rsquo;s age&mdash;a man of thirty-seven or eight. He came
+as clerk to old Mr. Vallas, the rope and twine manufacturer: Vallas&rsquo;s
+place is still there, at the bottom of the High Street, near the river, though
+old Vallas is dead. He was a smart, cute, pushing chap, this Chamberlayne; he
+made himself indispensable to old Vallas, and old Vallas paid him a rare good
+salary. He settled down in the town, and he married a town girl, one of the
+Corkindales, the saddlers, when he&rsquo;d been here three years. Unfortunately
+she died in childbirth within a year of their marriage. It was very soon after
+that that Chamberlayne threw up his post at Vallas&rsquo;s, and started
+business as a stock-and-share broker. He&rsquo;d been a saving man; he&rsquo;d
+got a nice bit of money with his wife; he always let it be known that he had
+money of his own, and he started in a good way. He was a man of the most
+plausible manners: he&rsquo;d have coaxed butter out of a dog&rsquo;s throat if
+he&rsquo;d wanted to. The moneyed men of the town believed in him&mdash;I
+believed in him myself, Mr. Spargo&mdash;I&rsquo;d many a transaction with him,
+and I never lost aught by him&mdash;on the contrary, he did very well for me.
+He did well for most of his clients&mdash;there were, of course, ups and downs,
+but on the whole he satisfied his clients uncommonly well. But, naturally,
+nobody ever knew what was going on between him and Maitland.&rdquo;
+</p>
+
+<p>
+&ldquo;I gather from this report,&rdquo; said Spargo, &ldquo;that everything
+came out suddenly&mdash;unexpectedly?&rdquo;
+</p>
+
+<p>
+&ldquo;That was so, sir,&rdquo; replied Mr. Quarterpage. &ldquo;Sudden?
+Unexpected? Aye, as a crack of thunder on a fine winter&rsquo;s day. Nobody had
+the ghost of a notion that anything was wrong. John Maitland was much respected
+in the town; much thought of by everybody; well known to everybody. I can
+assure you, Mr. Spargo, that it was no pleasant thing to have to sit on that
+grand jury as I did&mdash;I was its foreman, sir,&mdash;and hear a man
+sentenced that you&rsquo;d regarded as a bosom friend. But there it was!&rdquo;
+</p>
+
+<p>
+&ldquo;How was the thing discovered?&rdquo; asked Spargo, anxious to get at
+facts.
+</p>
+
+<p>
+&ldquo;In this way,&rdquo; replied Mr. Quarterpage. &ldquo;The Market Milcaster
+Bank is in reality almost entirely the property of two old families in the
+town, the Gutchbys and the Hostables. Owing to the death of his father, a young
+Hostable, fresh from college, came into the business. He was a shrewd, keen
+young fellow; he got some suspicion, somehow, about Maitland, and he insisted
+on the other partners consenting to a special investigation, and on their
+making it suddenly. And Maitland was caught before he had a chance. But
+we&rsquo;re talking about Chamberlayne.&rdquo;
+</p>
+
+<p>
+&ldquo;Yes, about Chamberlayne,&rdquo; agreed Spargo.
+</p>
+
+<p>
+&ldquo;Well, now, Maitland was arrested one evening,&rdquo; continued Mr.
+Quarterpage. &ldquo;Of course, the news of his arrest ran through the town like
+wild-fire. Everybody was astonished; he was at that time&mdash;aye, and had
+been for years&mdash;a churchwarden at the Parish Church, and I don&rsquo;t
+think there could have been more surprise if we&rsquo;d heard that the Vicar
+had been arrested for bigamy. In a little town like this, news is all over the
+place in a few minutes. Of course, Chamberlayne would hear that news like
+everybody else. But it was remembered, and often remarked upon afterwards, that
+from the moment of Maitland&rsquo;s arrest nobody in Market Milcaster ever had
+speech with Chamberlayne again. After his wife&rsquo;s death he&rsquo;d taken
+to spending an hour or so of an evening across there at the
+&lsquo;Dragon,&rsquo; where you saw me and my friends last night, but on that
+night he didn&rsquo;t go to the &lsquo;Dragon.&rsquo; And next morning he
+caught the eight o&rsquo;clock train to London. He happened to remark to the
+stationmaster as he got into the train that he expected to be back late that
+night, and that he should have a tiring day of it. But Chamberlayne
+didn&rsquo;t come back that night, Mr. Spargo. He didn&rsquo;t come back to
+Market Milcaster for four days, and when he did come back it was in a
+coffin!&rdquo;
+</p>
+
+<p>
+&ldquo;Dead?&rdquo; exclaimed Spargo. &ldquo;That was sudden!&rdquo;
+</p>
+
+<p>
+&ldquo;Very sudden,&rdquo; agreed Mr. Quarterpage. &ldquo;Yes, sir, he came
+back in his coffin, did Chamberlayne. On the very evening on which he&rsquo;d
+spoken of being back, there came a telegram here to say that he&rsquo;d died
+very suddenly at the Cosmopolitan Hotel. That telegram came to his
+brother-in-law, Corkindale, the saddler&mdash;you&rsquo;ll find him down the
+street, opposite the Town Hall. It was sent to Corkindale by a nephew of
+Chamberlayne&rsquo;s, another Chamberlayne, Stephen, who lived in London, and
+was understood to be on the Stock Exchange there. I saw that telegram, Mr.
+Spargo, and it was a long one. It said that Chamberlayne had had a sudden
+seizure, and though a doctor had been got to him he&rsquo;d died shortly
+afterwards. Now, as Chamberlayne had his nephew and friends in London, his
+brother-in-law, Tom Corkindale, didn&rsquo;t feel that there was any necessity
+for him to go up to town, so he just sent off a wire to Stephen Chamberlayne
+asking if there was aught he could do. And next morning came another wire from
+Stephen saying that no inquest would be necessary, as the doctor had been
+present and able to certify the cause of death, and would Corkindale make all
+arrangements for the funeral two days later. You see, Chamberlayne had bought a
+vault in our cemetery when he buried his wife, so naturally they wished to bury
+him in it, with her.&rdquo;
+</p>
+
+<p>
+Spargo nodded. He was beginning to imagine all sorts of things and theories; he
+was taking everything in.
+</p>
+
+<p>
+&ldquo;Well,&rdquo; continued Mr. Quarterpage, &ldquo;on the second day after
+that, they brought Chamberlayne&rsquo;s body down. Three of &rsquo;em came with
+it&mdash;Stephen Chamberlayne, the doctor who&rsquo;d been called in, and a
+solicitor. Everything was done according to proper form and usage. As
+Chamberlayne had been well known in the town, a good number of townsfolk met
+the body at the station and followed it to the cemetery. Of course, many of us
+who had been clients of Chamberlayne&rsquo;s were anxious to know how he had
+come to such a sudden end. According to Stephen Chamberlayne&rsquo;s account,
+our Chamberlayne had wired to him and to his solicitor to meet him at the
+Cosmopolitan to do some business. They were awaiting him there when he arrived,
+and they had lunch together. After that, they got to their business in a
+private room. Towards the end of the afternoon, Chamberlayne was taken suddenly
+ill, and though they got a doctor to him at once, he died before evening. The
+doctor said he&rsquo;d a diseased heart. Anyhow, he was able to certify the
+cause of his death, so there was no inquest and they buried him, as I have told
+you.&rdquo;
+</p>
+
+<p>
+The old gentleman paused and, taking a sip at his sherry, smiled at some
+reminiscence which occurred to him.
+</p>
+
+<p>
+&ldquo;Well,&rdquo; he said, presently going on, &ldquo;of course, on that came
+all the Maitland revelations, and Maitland vowed and declared that Chamberlayne
+had not only had nearly all the money, but that he was absolutely certain that
+most of it was in his hands in hard cash. But Chamberlayne, Mr. Spargo, had
+left practically nothing. All that could be traced was about three or four
+thousand pounds. He&rsquo;d left everything to his nephew, Stephen. There
+wasn&rsquo;t a trace, a clue to the vast sums with which Maitland had entrusted
+him. And then people began to talk, and they said what some of them say to this
+very day!&rdquo;
+</p>
+
+<p>
+&ldquo;What&rsquo;s that?&rdquo; asked Spargo.
+</p>
+
+<p>
+Mr. Quarterpage leaned forward and tapped his guest on the arm.
+</p>
+
+<p>
+&ldquo;That Chamberlayne never did die, and that that coffin was weighted with
+lead!&rdquo; he answered.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap20"></a>CHAPTER TWENTY<br/>
+MAITLAND <i>ALIAS</i> MARBURY</h2>
+
+<p>
+This remarkable declaration awoke such a new conception of matters in
+Spargo&rsquo;s mind, aroused such infinitely new possibilities in his
+imagination, that for a full moment he sat silently staring at his informant,
+who chuckled with quiet enjoyment at his visitor&rsquo;s surprise.
+</p>
+
+<p>
+&ldquo;Do you mean to tell me,&rdquo; said Spargo at last, &ldquo;that there
+are people in this town who still believe that the coffin in your cemetery
+which is said to contain Chamberlayne&rsquo;s body contains&mdash;lead?&rdquo;
+</p>
+
+<p>
+&ldquo;Lots of &rsquo;em, my dear sir!&rdquo; replied Mr. Quarterpage.
+&ldquo;Lots of &rsquo;em! Go out in the street and ask the first six men you
+meet, and I&rsquo;ll go bail that four out of the six believe it.&rdquo;
+</p>
+
+<p>
+&ldquo;Then why, in the sacred name of common sense did no one ever take steps
+to make certain?&rdquo; asked Spargo. &ldquo;Why didn&rsquo;t they get an order
+for exhumation?&rdquo;
+</p>
+
+<p>
+&ldquo;Because it was nobody&rsquo;s particular business to do so,&rdquo;
+answered Mr. Quarterpage. &ldquo;You don&rsquo;t know country-town life, my
+dear sir. In towns like Market Milcaster folks talk and gossip a great deal,
+but they&rsquo;re always slow to do anything. It&rsquo;s a case of who&rsquo;ll
+start first&mdash;of initiative. And if they see it&rsquo;s going to cost
+anything&mdash;then they&rsquo;ll have nothing to do with it.&rdquo;
+</p>
+
+<p>
+&ldquo;But&mdash;the bank people?&rdquo; suggested Spargo.
+</p>
+
+<p>
+Mr. Quarterpage shook his head.
+</p>
+
+<p>
+&ldquo;They&rsquo;re amongst the lot who believe that Chamberlayne did
+die,&rdquo; he said. &ldquo;They&rsquo;re very old-fashioned,
+conservative-minded people, the Gutchbys and the Hostables, and they accepted
+the version of the nephew, and the doctor, and the solicitor. But now
+I&rsquo;ll tell you something about those three. There was a man here in the
+town, a gentleman of your own profession, who came to edit that paper
+you&rsquo;ve got on your knee. He got interested in this Chamberlayne case, and
+he began to make enquiries with the idea of getting hold of some
+good&mdash;what do you call it?&rdquo;
+</p>
+
+<p>
+&ldquo;I suppose he&rsquo;d call it &lsquo;copy,&rsquo;&rdquo; said Spargo.
+</p>
+
+<p>
+&ldquo;&lsquo;Copy&rsquo;&mdash;that was his term,&rdquo; agreed Mr.
+Quarterpage. &ldquo;Well, he took the trouble to go to London to ask some quiet
+questions of the nephew, Stephen. That was just twelve months after
+Chamberlayne had been buried. But he found that Stephen Chamberlayne had left
+England&mdash;months before. Gone, they said, to one of the colonies, but they
+didn&rsquo;t know which. And the solicitor had also gone. And the
+doctor&mdash;couldn&rsquo;t be traced, no, sir, not even through the Medical
+Register. What do you think of all that, Mr. Spargo?&rdquo;
+</p>
+
+<p>
+&ldquo;I think,&rdquo; answered Spargo, &ldquo;that Market Milcaster folk are
+considerably slow. I should have had that death and burial enquired into. The
+whole thing looks to me like a conspiracy.&rdquo;
+</p>
+
+<p>
+&ldquo;Well, sir, it was, as I say, nobody&rsquo;s business,&rdquo; said Mr.
+Quarterpage. &ldquo;The newspaper gentleman tried to stir up interest in it,
+but it was no good, and very soon afterwards he left. And there it is.&rdquo;
+</p>
+
+<p>
+&ldquo;Mr. Quarterpage,&rdquo; said Spargo, &ldquo;what&rsquo;s your own honest
+opinion?&rdquo;
+</p>
+
+<p>
+The old gentleman smiled.
+</p>
+
+<p>
+&ldquo;Ah!&rdquo; he said. &ldquo;I&rsquo;ve often wondered, Mr. Spargo, if I
+really have an opinion on that point. I think that what I probably feel about
+the whole affair is that there was a good deal of mystery attaching to it. But
+we seem, sir, to have gone a long way from the question of that old silver
+ticket which you&rsquo;ve got in your purse. Now&mdash;&mdash;&rdquo;
+</p>
+
+<p>
+&ldquo;No!&rdquo; said Spargo, interrupting his host with an accompanying wag
+of his forefinger. &ldquo;No! I think we&rsquo;re coming nearer to it. Now
+you&rsquo;ve given me a great deal of your time, Mr. Quarterpage, and told me a
+lot, and, first of all, before I tell you a lot, I&rsquo;m going to show you
+something.&rdquo;
+</p>
+
+<p>
+And Spargo took out of his pocket-book a carefully-mounted photograph of John
+Marbury&mdash;the original of the process-picture which he had had made for the
+<i>Watchman</i>. He handed it over.
+</p>
+
+<p>
+&ldquo;Do you recognize that photograph as that of anybody you know?&rdquo; he
+asked. &ldquo;Look at it well and closely.&rdquo;
+</p>
+
+<p>
+Mr. Quarterpage put on a special pair of spectacles and studied the photograph
+from several points of view.
+</p>
+
+<p>
+&ldquo;No, sir,&rdquo; he said at last with a shake of the head. &ldquo;I
+don&rsquo;t recognize it at all.&rdquo;
+</p>
+
+<p>
+&ldquo;Can&rsquo;t see in it any resemblance to any man you&rsquo;ve ever
+known?&rdquo; asked Spargo.
+</p>
+
+<p>
+&ldquo;No, sir, none!&rdquo; replied Mr. Quarterpage. &ldquo;None
+whatever.&rdquo;
+</p>
+
+<p>
+&ldquo;Very well,&rdquo; said Spargo, laying the photograph on the table
+between them. &ldquo;Now, then, I want you to tell me what John Maitland was
+like when you knew him. Also, I want you to describe Chamberlayne as he was
+when he died, or was supposed to die. You remember them, of course, quite
+well?&rdquo;
+</p>
+
+<p>
+Mr. Quarterpage got up and moved to the door.
+</p>
+
+<p>
+&ldquo;I can do better than that,&rdquo; he said. &ldquo;I can show you
+photographs of both men as they were just before Maitland&rsquo;s trial. I have
+a photograph of a small group of Market Milcaster notabilities which was taken
+at a municipal garden-party; Maitland and Chamberlayne are both in it.
+It&rsquo;s been put away in a cabinet in my drawing-room for many a long year,
+and I&rsquo;ve no doubt it&rsquo;s as fresh as when it was taken.&rdquo;
+</p>
+
+<p>
+He left the room and presently returned with a large mounted photograph which
+he laid on the table before his visitor.
+</p>
+
+<p>
+&ldquo;There you are, sir,&rdquo; he said. &ldquo;Quite fresh, you see&mdash;it
+must be getting on to twenty years since that was taken out of the drawer that
+it&rsquo;s been kept in. Now, that&rsquo;s Maitland. And that&rsquo;s
+Chamberlayne.&rdquo;
+</p>
+
+<p>
+Spargo found himself looking at a group of men who stood against an ivy-covered
+wall in the stiff attitudes in which photographers arrange masses of sitters.
+He fixed his attention on the two figures indicated by Mr. Quarterpage, and saw
+two medium-heighted, rather sturdily-built men about whom there was nothing
+very specially noticeable.
+</p>
+
+<p>
+&ldquo;Um!&rdquo; he said, musingly. &ldquo;Both bearded.&rdquo;
+</p>
+
+<p>
+&ldquo;Yes, they both wore beards&mdash;full beards,&rdquo; assented Mr.
+Quarterpage. &ldquo;And you see, they weren&rsquo;t so much alike. But Maitland
+was a much darker man than Chamberlayne, and he had brown eyes, while
+Chamberlayne&rsquo;s were rather a bright blue.&rdquo;
+</p>
+
+<p>
+&ldquo;The removal of a beard makes a great difference,&rdquo; remarked Spargo.
+He looked at the photograph of Maitland in the group, comparing it with that of
+Marbury which he had taken from his pocket. &ldquo;And twenty years makes a
+difference, too,&rdquo; he added musingly.
+</p>
+
+<p>
+&ldquo;To some people twenty years makes a vast difference, sir,&rdquo; said
+the old gentleman. &ldquo;To others it makes none&mdash;I haven&rsquo;t changed
+much, they tell me, during the past twenty years. But I&rsquo;ve known men
+change&mdash;age, almost beyond recognition!&mdash;in five years. It depends,
+sir, on what they go through.&rdquo;
+</p>
+
+<p>
+Spargo suddenly laid aside the photographs, put his hands in his pockets, and
+looked steadfastly at Mr. Quarterpage.
+</p>
+
+<p>
+&ldquo;Look here!&rdquo; he said. &ldquo;I&rsquo;m going to tell you what
+I&rsquo;m after, Mr. Quarterpage. I&rsquo;m sure you&rsquo;ve heard all about
+what&rsquo;s known as the Middle Temple Murder&mdash;the Marbury case?&rdquo;
+</p>
+
+<p>
+&ldquo;Yes, I&rsquo;ve read of it,&rdquo; replied Mr. Quarterpage.
+</p>
+
+<p>
+&ldquo;Have you read the accounts of it in my paper, the
+<i>Watchman</i>?&rdquo; asked Spargo.
+</p>
+
+<p>
+Mr. Quarterpage shook his head.
+</p>
+
+<p>
+&ldquo;I&rsquo;ve only read one newspaper, sir, since I was a young man,&rdquo;
+he replied. &ldquo;I take the <i>Times</i>, sir&mdash;we always took it, aye,
+even in the days when newspapers were taxed.&rdquo;
+</p>
+
+<p>
+&ldquo;Very good,&rdquo; said Spargo. &ldquo;But perhaps I can tell you a
+little more than you&rsquo;ve read, for I&rsquo;ve been working up that case
+ever since the body of the man known as John Marbury was found. Now, if
+you&rsquo;ll just give me your attention, I&rsquo;ll tell you the whole story
+from that moment until&mdash;now.&rdquo;
+</p>
+
+<p>
+And Spargo, briefly, succinctly, re-told the story of the Marbury case from the
+first instant of his own connection with it until the discovery of the silver
+ticket, and Mr. Quarterpage listened in rapt attention, nodding his head from
+time to time as the younger man made his points.
+</p>
+
+<p>
+&ldquo;And now, Mr. Quarterpage,&rdquo; concluded Spargo, &ldquo;this is the
+point I&rsquo;ve come to. I believe that the man who came to the Anglo-Orient
+Hotel as John Marbury and who was undoubtedly murdered in Middle Temple Lane
+that night, was John Maitland&mdash;I haven&rsquo;t a doubt about it after
+learning what you tell me about the silver ticket. I&rsquo;ve found out a great
+deal that&rsquo;s valuable here, and I think I&rsquo;m getting nearer to a
+solution of the mystery. That is, of course, to find out who murdered John
+Maitland, or Marbury. What you have told me about the Chamberlayne affair has
+led me to think this&mdash;there may have been people, or a person, in London,
+who was anxious to get Marbury, as we&rsquo;ll call him, out of the way, and
+who somehow encountered him that night&mdash;anxious to silence him, I mean,
+because of the Chamberlayne affair. And I wondered, as there is so much mystery
+about him, and as he won&rsquo;t give any account of himself, if this man
+Aylmore was really Chamberlayne. Yes, I wondered that! But Aylmore&rsquo;s a
+tall, finely-built man, quite six feet in height, and his beard, though
+it&rsquo;s now getting grizzled, has been very dark, and Chamberlayne, you say,
+was a medium-sized, fair man, with blue eyes.&rdquo;
+</p>
+
+<p>
+&ldquo;That&rsquo;s so, sir,&rdquo; assented Mr. Quarterpage. &ldquo;Yes, a
+middling-sized man, and fair&mdash;very fair. Deary me, Mr. Spargo!&mdash;this
+is a revelation. And you really think, sir, that John Maitland and John Marbury
+are one and the same person?&rdquo;
+</p>
+
+<p>
+&ldquo;I&rsquo;m sure of it, now,&rdquo; said Spargo. &ldquo;I see it in this
+way. Maitland, on his release, went out to Australia, and there he stopped. At
+last he comes back, evidently well-to-do. He&rsquo;s murdered the very day of
+his arrival. Aylmore is the only man who knows anything of him&mdash;Aylmore
+won&rsquo;t tell all he knows; that&rsquo;s flat. But Aylmore&rsquo;s admitted
+that he knew him at some vague date, say from twenty-one to twenty-two or three
+years ago. Now, where did Aylmore know him? He says in London. That&rsquo;s a
+vague term. He won&rsquo;t say where&mdash;he won&rsquo;t say anything
+definite&mdash;he won&rsquo;t even say what he, Aylmore, himself was in those
+days. Do you recollect anything of anybody like Aylmore coming here to see
+Maitland, Mr. Quarterpage?&rdquo;
+</p>
+
+<p>
+&ldquo;I don&rsquo;t,&rdquo; answered Mr. Quarterpage. &ldquo;Maitland was a
+very quiet, retiring fellow, sir: he was about the quietest man in the town. I
+never remember that he had visitors; certainly I&rsquo;ve no recollection of
+such a friend of his as this Aylmore, from your description of him, would be at
+that time.&rdquo;
+</p>
+
+<p>
+&ldquo;Did Maitland go up to London much in those days?&rdquo; asked Spargo.
+</p>
+
+<p>
+Mr. Quarterpage laughed.
+</p>
+
+<p>
+&ldquo;Well, now, to show you what a good memory I have,&rdquo; he said,
+&ldquo;I&rsquo;ll tell you of something that occurred across there at the
+&lsquo;Dragon&rsquo; only a few months before the Maitland affair came out.
+There were some of us in there one evening, and, for a rare thing, Maitland
+came in with Chamberlayne. Chamberlayne happened to remark that he was going up
+to town next day&mdash;he was always to and fro&mdash;and we got talking about
+London. And Maitland said in course of conversation, that he believed he was
+about the only man of his age in England&mdash;and, of course, he meant of his
+class and means&mdash;who&rsquo;d never even seen London! And I don&rsquo;t
+think he ever went there between that time and his trial: in fact, I&rsquo;m
+sure he didn&rsquo;t, for if he had, I should have heard of it.&rdquo;
+</p>
+
+<p>
+&ldquo;Well, that&rsquo;s queer,&rdquo; remarked Spargo. &ldquo;It&rsquo;s very
+queer. For I&rsquo;m certain Maitland and Marbury are one and the same person.
+My theory about that old leather box is that Maitland had that carefully
+planted before his arrest; that he dug it up when he came put of Dartmoor; that
+he took it off to Australia with him; that he brought it back with him; and
+that, of course, the silver ticket and the photograph had been in it all these
+years. Now&mdash;&mdash;&rdquo;
+</p>
+
+<p>
+At that moment the door of the library was opened, and a parlourmaid looked in
+at her master.
+</p>
+
+<p>
+&ldquo;There&rsquo;s the boots from the &lsquo;Dragon&rsquo; at the front door,
+sir,&rdquo; she said. &ldquo;He&rsquo;s brought two telegrams across from there
+for Mr. Spargo, thinking he might like to have them at once.&rdquo;
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap21"></a>CHAPTER TWENTY-ONE<br/>
+ARRESTED</h2>
+
+<p>
+Spargo hurried out to the hall, took the two telegrams from the boots of the
+&ldquo;Dragon,&rdquo; and, tearing open the envelopes, read the messages
+hastily. He went back to Mr. Quarterpage.
+</p>
+
+<p>
+&ldquo;Here&rsquo;s important news,&rdquo; he said as he closed the library
+door and resumed his seat. &ldquo;I&rsquo;ll read these telegrams to you, sir,
+and then we can discuss them in the light of what we&rsquo;ve been talking
+about this morning. The first is from our office. I told you we sent over to
+Australia for a full report about Marbury at the place he said he hailed
+from&mdash;Coolumbidgee. That report&rsquo;s just reached the <i>Watchman</i>,
+and they&rsquo;ve wired it on to me. It&rsquo;s from the chief of police at
+Coolumbidgee to the editor of the <i>Watchman</i>, London:&mdash;
+</p>
+
+<p class="letter">
+&ldquo;John Marbury came to Coolumbidgee in the winter of 1898-9. He was
+unaccompanied. He appeared to be in possession of fairly considerable means and
+bought a share in a small sheep-farm from its proprietor, Andrew Robertson, who
+is still here, and who says that Marbury never told him anything about himself
+except that he had emigrated for health reasons and was a widower. He mentioned
+that he had had a son who was dead, and was now without relations. He lived a
+very quiet, steady life on the sheep-farm, never leaving it for many years.
+About six months ago, however, he paid a visit to Melbourne, and on returning
+told Robertson that he had decided to return to England in consequence of some
+news he had received, and must therefore sell his share in the farm. Robertson
+bought it from him for three thousand pounds, and Marbury shortly afterwards
+left for Melbourne. From what we could gather, Robertson thinks Marbury was
+probably in command of five or six thousand when he left Coolumbidgee. He told
+Robertson that he had met a man in Melbourne who had given him news that
+surprised him, but did not say what news. He had in his possession when he left
+Robertson exactly the luggage he brought with him when he came&mdash;a stout
+portmanteau and a small, square leather box. There are no effects of his left
+behind at Coolumbidgee.&rdquo;
+</p>
+
+<p>
+&ldquo;That&rsquo;s all,&rdquo; said Spargo, laying the first of the telegrams
+on the table. &ldquo;And it seems to me to signify a good deal. But now
+here&rsquo;s more startling news. This is from Rathbury, the Scotland Yard
+detective that I told you of, Mr. Quarterpage&mdash;he promised, you know, to
+keep me posted in what went on in my absence. Here&rsquo;s what he says:
+</p>
+
+<p class="letter">
+&ldquo;Fresh evidence tending to incriminate Aylmore has come to hand.
+Authorities have decided to arrest him on suspicion. You&rsquo;d better hurry
+back if you want material for to-morrow&rsquo;s paper.&rdquo;
+</p>
+
+<p>
+Spargo threw that telegram down, too, waited while the old gentleman glanced at
+both of them with evident curiosity, and then jumped up.
+</p>
+
+<p>
+&ldquo;Well, I shall have to go, Mr. Quarterpage,&rdquo; he said. &ldquo;I
+looked the trains out this morning so as to be in readiness. I can catch the
+1.20 to Paddington&mdash;that&rsquo;ll get me in before half-past four.
+I&rsquo;ve an hour yet. Now, there&rsquo;s another man I want to see in Market
+Milcaster. That&rsquo;s the photographer&mdash;or a photographer. You remember
+I told you of the photograph found with the silver ticket? Well, I&rsquo;m
+calculating that that photograph was taken here, and I want to see the man who
+took it&mdash;if he&rsquo;s alive and I can find him.&rdquo;
+</p>
+
+<p>
+Mr. Quarterpage rose and put on his hat.
+</p>
+
+<p>
+&ldquo;There&rsquo;s only one photographer in this town, sir,&rdquo; he said,
+&ldquo;and he&rsquo;s been here for a good many years&mdash;Cooper. I&rsquo;ll
+take you to him&mdash;it&rsquo;s only a few doors away.&rdquo;
+</p>
+
+<p>
+Spargo wasted no time in letting the photographer know what he wanted. He put a
+direct question to Mr. Cooper&mdash;an elderly man.
+</p>
+
+<p>
+&ldquo;Do you remember taking a photograph of the child of John Maitland, the
+bank manager, some twenty or twenty-one years ago?&rdquo; he asked, after Mr.
+Quarterpage had introduced him as a gentleman from London who wanted to ask a
+few questions.
+</p>
+
+<p>
+&ldquo;Quite well, sir,&rdquo; replied Mr. Cooper. &ldquo;As well as if it had
+been yesterday.&rdquo;
+</p>
+
+<p>
+&ldquo;Do you still happen to have a copy of it?&rdquo; asked Spargo.
+</p>
+
+<p>
+But Mr. Cooper had already turned to a row of file albums. He took down one
+labelled 1891, and began to search its pages. In a minute or two he laid it on
+his table before his callers.
+</p>
+
+<p>
+&ldquo;There you are, sir,&rdquo; he said. &ldquo;That&rsquo;s the
+child!&rdquo;
+</p>
+
+<p>
+Spargo gave one glance at the photograph and turned to Mr. Quarterpage.
+&ldquo;Just as I thought,&rdquo; he said. &ldquo;That&rsquo;s the same
+photograph we found in the leather box with the silver ticket. I&rsquo;m
+obliged to you, Mr. Cooper. Now, there&rsquo;s just one more question I want to
+ask. Did you ever supply any further copies of this photograph to anybody after
+the Maitland affair?&mdash;that is; after the family had left the town?&rdquo;
+</p>
+
+<p>
+&ldquo;Yes,&rdquo; replied the photographer. &ldquo;I supplied half a dozen
+copies to Miss Baylis, the child&rsquo;s aunt, who, as a matter of fact,
+brought him here to be photographed. And I can give you her address,
+too,&rdquo; he continued, beginning to turn over another old file. &ldquo;I
+have it somewhere.&rdquo;
+</p>
+
+<p>
+Mr. Quarterpage nudged Spargo.
+</p>
+
+<p>
+&ldquo;That&rsquo;s something I couldn&rsquo;t have done!&rdquo; he remarked.
+&ldquo;As I told you, she&rsquo;d disappeared from Brighton when enquiries were
+made after Maitland&rsquo;s release.&rdquo;
+</p>
+
+<p>
+&ldquo;Here you are,&rdquo; said Mr. Cooper. &ldquo;I sent six copies of that
+photograph to Miss Baylis in April, 1895. Her address was then 6, Chichester
+Square, Bayswater, W.&rdquo;
+</p>
+
+<p>
+Spargo rapidly wrote this address down, thanked the photographer for his
+courtesy, and went out with Mr. Quarterpage. In the street he turned to the old
+gentleman with a smile.
+</p>
+
+<p>
+&ldquo;Well, I don&rsquo;t think there&rsquo;s much doubt about that!&rdquo; he
+exclaimed. &ldquo;Maitland and Marbury are the same man, Mr. Quarterpage.
+I&rsquo;m as certain of that as that I see your Town Hall there.&rdquo;
+</p>
+
+<p>
+&ldquo;And what will you do next, sir?&rdquo; enquired Mr. Quarterpage.
+</p>
+
+<p>
+&ldquo;Thank you&mdash;as I do&mdash;for all your kindness and assistance, and
+get off to town by this 1.20,&rdquo; replied Spargo. &ldquo;And I shan&rsquo;t
+fail to let you know how things go on.&rdquo;
+</p>
+
+<p>
+&ldquo;One moment,&rdquo; said the old gentleman, as Spargo was hurrying away,
+&ldquo;do you think this Mr. Aylmore really murdered Maitland?&rdquo;
+</p>
+
+<p>
+&ldquo;No!&rdquo; answered Spargo with emphasis. &ldquo;I don&rsquo;t! And I
+think we&rsquo;ve got a good deal to do before we find out who did.&rdquo;
+</p>
+
+<p>
+Spargo purposely let the Marbury case drop out of his mind during his journey
+to town. He ate a hearty lunch in the train and talked with his neighbours; it
+was a relief to let his mind and attention turn to something else than the
+theme which had occupied it unceasingly for so many days. But at Reading the
+newspaper boys were shouting the news of the arrest of a Member of Parliament,
+and Spargo, glancing out of the window, caught sight of a newspaper placard:
+</p>
+
+<p class="center">
+THE MARBURY MURDER CASE<br/>
+ARREST OF MR. AYLMORE
+</p>
+
+<p>
+He snatched a paper from a boy as the train moved out and, unfolding it, found
+a mere announcement in the space reserved for stop-press news:
+</p>
+
+<p class="letter">
+&ldquo;Mr. Stephen Aylmore, M.P., was arrested at two o&rsquo;clock this
+afternoon, on his way to the House of Commons, on a charge of being concerned
+in the murder of John Marbury in Middle Temple Lane on the night of June 21st
+last. It is understood he will be brought up at Bow Street at ten o&rsquo;clock
+tomorrow morning.&rdquo;
+</p>
+
+<p>
+Spargo hurried to New Scotland Yard as soon as he reached Paddington. He met
+Rathbury coming away from his room. At sight of him, the detective turned back.
+</p>
+
+<p>
+&ldquo;Well, so there you are!&rdquo; he said. &ldquo;I suppose you&rsquo;ve
+heard the news?&rdquo;
+</p>
+
+<p>
+Spargo nodded as he dropped into a chair.
+</p>
+
+<p>
+&ldquo;What led to it?&rdquo; he asked abruptly. &ldquo;There must have been
+something.&rdquo;
+</p>
+
+<p>
+&ldquo;There was something,&rdquo; he replied. &ldquo;The thing&mdash;stick,
+bludgeon, whatever you like to call it, some foreign article&mdash;with which
+Marbury was struck down was found last night.&rdquo;
+</p>
+
+<p>
+&ldquo;Well?&rdquo; asked Spargo.
+</p>
+
+<p>
+&ldquo;It was proved to be Aylmore&rsquo;s property,&rdquo; answered Rathbury.
+&ldquo;It was a South American curio that he had in his rooms in Fountain
+Court.&rdquo;
+</p>
+
+<p>
+&ldquo;Where was it found?&rdquo; asked Spargo.
+</p>
+
+<p>
+Rathbury laughed.
+</p>
+
+<p>
+&ldquo;He was a clumsy fellow who did it, whether he was Aylmore or whoever he
+was!&rdquo; he replied. &ldquo;Do you know, it had been dropped into a
+sewer-trap in Middle Temple Lane&mdash;actually! Perhaps the murderer thought
+it would be washed out into the Thames and float away. But, of course, it was
+bound to come to light. A sewer man found it yesterday evening, and it was
+quickly recognized by the woman who cleans up for Aylmore as having been in his
+rooms ever since she knew them.&rdquo;
+</p>
+
+<p>
+&ldquo;What does Aylmore say about it?&rdquo; asked Spargo. &ldquo;I suppose
+he&rsquo;s said something?&rdquo;
+</p>
+
+<p>
+&ldquo;Says that the bludgeon is certainly his, and that he brought it from
+South America with him,&rdquo; announced Rathbury; &ldquo;but that he
+doesn&rsquo;t remember seeing it in his rooms for some time, and thinks that it
+was stolen from them.&rdquo;
+</p>
+
+<p>
+&ldquo;Um!&rdquo; said Spargo, musingly. &ldquo;But&mdash;how do you know that
+was the thing that Marbury was struck down with?&rdquo;
+</p>
+
+<p>
+Rathbury smiled grimly.
+</p>
+
+<p>
+&ldquo;There&rsquo;s some of his hair on it&mdash;mixed with blood,&rdquo; he
+answered. &ldquo;No doubt about that. Well&mdash;anything come of your jaunt
+westward?&rdquo;
+</p>
+
+<p>
+&ldquo;Yes,&rdquo; replied Spargo. &ldquo;Lots!&rdquo;
+</p>
+
+<p>
+&ldquo;Good?&rdquo; asked Rathbury.
+</p>
+
+<p>
+&ldquo;Extra good. I&rsquo;ve found out who Marbury really was.&rdquo;
+</p>
+
+<p>
+&ldquo;No! Really?&rdquo;
+</p>
+
+<p>
+&ldquo;No doubt, to my mind. I&rsquo;m certain of it.&rdquo;
+</p>
+
+<p>
+Rathbury sat down at his desk, watching Spargo with rapt attention.
+</p>
+
+<p>
+&ldquo;And who was he?&rdquo; he asked.
+</p>
+
+<p>
+&ldquo;John Maitland, once of Market Milcaster,&rdquo; replied Spargo.
+&ldquo;Ex-bank manager. Also ex-convict.&rdquo;
+</p>
+
+<p>
+&ldquo;Ex-convict!&rdquo;
+</p>
+
+<p>
+&ldquo;Ex-convict. He was sentenced, at Market Milcaster Quarter Sessions, in
+autumn, 1891, to ten years&rsquo; penal servitude, for embezzling the
+bank&rsquo;s money, to the tune of over two hundred thousand pounds. Served his
+term at Dartmoor. Went to Australia as soon, or soon after, he came out.
+That&rsquo;s who Marbury was&mdash;Maitland. Dead&mdash;certain!&rdquo;
+</p>
+
+<p>
+Rathbury still stared at his caller.
+</p>
+
+<p>
+&ldquo;Go on!&rdquo; he said. &ldquo;Tell all about it, Spargo. Let&rsquo;s
+hear every detail. I&rsquo;ll tell you all I know after. But what I
+know&rsquo;s nothing to that.&rdquo;
+</p>
+
+<p>
+Spargo told him the whole story of his adventures at Market Milcaster, and the
+detective listened with rapt attention.
+</p>
+
+<p>
+&ldquo;Yes,&rdquo; he said at the end. &ldquo;Yes&mdash;I don&rsquo;t think
+there&rsquo;s much doubt about that. Well, that clears up a lot, doesn&rsquo;t
+it?&rdquo;
+</p>
+
+<p>
+Spargo yawned.
+</p>
+
+<p>
+&ldquo;Yes, a whole slate full is wiped off there,&rdquo; he said. &ldquo;I
+haven&rsquo;t so much interest in Marbury, or Maitland now. My interest is all
+in Aylmore.&rdquo;
+</p>
+
+<p>
+Rathbury nodded.
+</p>
+
+<p>
+&ldquo;Yes,&rdquo; he said. &ldquo;The thing to find out is&mdash;who is
+Aylmore, or who was he, twenty years ago?&rdquo;
+</p>
+
+<p>
+&ldquo;Your people haven&rsquo;t found anything out, then?&rdquo; asked Spargo.
+</p>
+
+<p>
+&ldquo;Nothing beyond the irreproachable history of Mr. Aylmore since he
+returned to this country, a very rich man, some ten years since,&rdquo;
+answered Rathbury, smiling. &ldquo;They&rsquo;ve no previous dates to go on.
+What are you going to do next, Spargo?&rdquo;
+</p>
+
+<p>
+&ldquo;Seek out that Miss Baylis,&rdquo; replied Spargo.
+</p>
+
+<p>
+&ldquo;You think you could get something there?&rdquo; asked Rathbury.
+</p>
+
+<p>
+&ldquo;Look here!&rdquo; said Spargo. &ldquo;I don&rsquo;t believe for a second
+Aylmore killed Marbury. I believe I shall get at the truth by following up what
+I call the Maitland trail. This Miss Baylis must know something&mdash;if
+she&rsquo;s alive. Well, now I&rsquo;m going to report at the office. Keep in
+touch with me, Rathbury.&rdquo;
+</p>
+
+<p>
+He went on then to the <i>Watchman</i> office, and as he got out of his
+taxi-cab at its door, another cab came up and set down Mr. Aylmore&rsquo;s
+daughters.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap22"></a>CHAPTER TWENTY-TWO<br/>
+THE BLANK PAST</h2>
+
+<p>
+Jessie Aylmore came forward to meet Spargo with ready confidence; the elder
+girl hung back diffidently.
+</p>
+
+<p>
+&ldquo;May we speak to you?&rdquo; said Jessie. &ldquo;We have come on purpose
+to speak to you. Evelyn didn&rsquo;t want to come, but I made her come.&rdquo;
+</p>
+
+<p>
+Spargo shook hands silently with Evelyn Aylmore and motioned them both to
+follow him. He took them straight upstairs to his room and bestowed them in his
+easiest chairs before he addressed them.
+</p>
+
+<p>
+&ldquo;I&rsquo;ve only just got back to town,&rdquo; he said abruptly. &ldquo;I
+was sorry to hear the news about your father. That&rsquo;s what&rsquo;s brought
+you here, of course. But&mdash;I&rsquo;m afraid I can&rsquo;t do much.&rdquo;
+</p>
+
+<p>
+&ldquo;I told you that we had no right to trouble Mr. Spargo, Jessie,&rdquo;
+said Evelyn Aylmore. &ldquo;What can he do to help us?&rdquo;
+</p>
+
+<p>
+Jessie shook her head impatiently.
+</p>
+
+<p>
+&ldquo;The <i>Watchman&rsquo;s</i> about the most powerful paper in London,
+isn&rsquo;t it?&rdquo; she said. &ldquo;And isn&rsquo;t Mr. Spargo writing all
+these articles about the Marbury case? Mr. Spargo, you must help us!&rdquo;
+</p>
+
+<p>
+Spargo sat down at his desk and began turning over the letters and papers which
+had accumulated during his absence.
+</p>
+
+<p>
+&ldquo;To be absolutely frank with you,&rdquo; he said, presently, &ldquo;I
+don&rsquo;t see how anybody&rsquo;s going to help, so long as your father keeps
+up that mystery about the past.&rdquo;
+</p>
+
+<p>
+&ldquo;That,&rdquo; said Evelyn, quietly, &ldquo;is exactly what Ronald says,
+Jessie. But we can&rsquo;t make our father speak, Mr. Spargo. That he is as
+innocent as we are of this terrible crime we are certain, and we don&rsquo;t
+know why he wouldn&rsquo;t answer the questions put to him at the inquest.
+And&mdash;we know no more than you know or anyone knows, and though I have
+begged my father to speak, he won&rsquo;t say a word. We saw his danger:
+Ronald&mdash;Mr. Breton&mdash;told us, and we implored him to tell everything
+he knew about Mr. Marbury. But so far he has simply laughed at the idea that he
+had anything to do with the murder, or could be arrested for it, and
+now&mdash;&mdash;&rdquo;
+</p>
+
+<p>
+&ldquo;And now he&rsquo;s locked up,&rdquo; said Spargo in his usual
+matter-of-fact fashion. &ldquo;Well, there are people who have to be saved from
+themselves, you know. Perhaps you&rsquo;ll have to save your father from the
+consequences of his own&mdash;shall we say obstinacy? Now, look here, between
+ourselves, how much do you know about your father&rsquo;s&mdash;past?&rdquo;
+</p>
+
+<p>
+The two sisters looked at each other and then at Spargo.
+</p>
+
+<p>
+&ldquo;Nothing,&rdquo; said the elder.
+</p>
+
+<p>
+&ldquo;Absolutely nothing!&rdquo; said the younger.
+</p>
+
+<p>
+&ldquo;Answer a few plain questions,&rdquo; said Spargo. &ldquo;I&rsquo;m not
+going to print your replies, nor make use of them in any way: I&rsquo;m only
+asking the questions with a desire to help you. Have you any relations in
+England?&rdquo;
+</p>
+
+<p>
+&ldquo;None that we know of,&rdquo; replied Evelyn.
+</p>
+
+<p>
+&ldquo;Nobody you could go to for information about the past?&rdquo; asked
+Spargo.
+</p>
+
+<p>
+&ldquo;No&mdash;nobody!&rdquo;
+</p>
+
+<p>
+Spargo drummed his fingers on his blotting-pad. He was thinking hard.
+</p>
+
+<p>
+&ldquo;How old is your father?&rdquo; he asked suddenly.
+</p>
+
+<p>
+&ldquo;He was fifty-nine a few weeks ago,&rdquo; answered Evelyn.
+</p>
+
+<p>
+&ldquo;And how old are you, and how old is your sister?&rdquo; demanded Spargo.
+</p>
+
+<p>
+&ldquo;I am twenty, and Jessie is nearly nineteen.&rdquo;
+</p>
+
+<p>
+&ldquo;Where were you born?&rdquo;
+</p>
+
+<p>
+&ldquo;Both of us at San Gregorio, which is in the San José province of
+Argentina, north of Monte Video.&rdquo;
+</p>
+
+<p>
+&ldquo;Your father was in business there?&rdquo;
+</p>
+
+<p>
+&ldquo;He was in business in the export trade, Mr. Spargo. There&rsquo;s no
+secret about that. He exported all sorts of things to England and to
+France&mdash;skins, hides, wools, dried salts, fruit. That&rsquo;s how he made
+his money.&rdquo;
+</p>
+
+<p>
+&ldquo;You don&rsquo;t know how long he&rsquo;d been there when you were
+born?&rdquo;
+</p>
+
+<p>
+&ldquo;No.&rdquo;
+</p>
+
+<p>
+&ldquo;Was he married when he went out there?&rdquo;
+</p>
+
+<p>
+&ldquo;No, he wasn&rsquo;t. We do know that. He&rsquo;s told us the
+circumstances of his marriage, because they were romantic. When he sailed from
+England to Buenos Ayres, he met on the steamer a young lady who, he said, was
+like himself, relationless and nearly friendless. She was going out to
+Argentina as a governess. She and my father fell in love with each other, and
+they were married in Buenos Ayres soon after the steamer arrived.&rdquo;
+</p>
+
+<p>
+&ldquo;And your mother is dead?&rdquo;
+</p>
+
+<p>
+&ldquo;My mother died before we came to England. I was eight years old, and
+Jessie six, then.&rdquo;
+</p>
+
+<p>
+&ldquo;And you came to England&mdash;how long after that?&rdquo;
+</p>
+
+<p>
+&ldquo;Two years.&rdquo;
+</p>
+
+<p>
+&ldquo;So that you&rsquo;ve been in England ten years. And you know nothing
+whatever of your father&rsquo;s past beyond what you&rsquo;ve told me?&rdquo;
+</p>
+
+<p>
+&ldquo;Nothing&mdash;absolutely nothing.&rdquo;
+</p>
+
+<p>
+&ldquo;Never heard him talk of&mdash;you see, according to your account, your
+father was a man of getting on to forty when he went out to Argentina. He must
+have had a career of some sort in this country. Have you never heard him speak
+of his boyhood? Did he never talk of old times, or that sort of thing?&rdquo;
+</p>
+
+<p>
+&ldquo;I never remember hearing my father speak of any period antecedent to his
+marriage,&rdquo; replied Evelyn.
+</p>
+
+<p>
+&ldquo;I once asked him a question about his childhood.&rdquo; said Jessie.
+&ldquo;He answered that his early days had not been very happy ones, and that
+he had done his best to forget them. So I never asked him anything
+again.&rdquo;
+</p>
+
+<p>
+&ldquo;So that it really comes to this,&rdquo; remarked Spargo. &ldquo;You know
+nothing whatever about your father, his family, his fortunes, his life, beyond
+what you yourselves have observed since you were able to observe? That&rsquo;s
+about it, isn&rsquo;t it?&rdquo;
+</p>
+
+<p>
+&ldquo;I should say that that is exactly it,&rdquo; answered Evelyn.
+</p>
+
+<p>
+&ldquo;Just so,&rdquo; said Spargo. &ldquo;And therefore, as I told your sister
+the other day, the public will say that your father has some dark secret behind
+him, and that Marbury had possession of it, and that your father killed him in
+order to silence him. That isn&rsquo;t my view. I not only believe your father
+to be absolutely innocent, but I believe that he knows no more than a child
+unborn of Marbury&rsquo;s murder, and I&rsquo;m doing my best to find out who
+that murderer was. By the by, since you&rsquo;ll see all about it in tomorrow
+morning&rsquo;s <i>Watchman</i>, I may as well tell you that I&rsquo;ve found
+out who Marbury really was. He&mdash;&mdash;&rdquo;
+</p>
+
+<p>
+At this moment Spargo&rsquo;s door was opened and in walked Ronald Breton. He
+shook his head at sight of the two sisters.
+</p>
+
+<p>
+&ldquo;I thought I should find you here,&rdquo; he said. &ldquo;Jessie said she
+was coming to see you, Spargo. I don&rsquo;t know what good you can do&mdash;I
+don&rsquo;t see what good the most powerful newspaper in the world can do. My
+God!&mdash;everything&rsquo;s about as black as ever it can be. Mr.
+Aylmore&mdash;I&rsquo;ve just come away from him; his solicitor, Stratton, and
+I have been with him for an hour&mdash;is obstinate as ever&mdash;he will not
+tell more than he has told. Whatever good can you do, Spargo, when he
+won&rsquo;t speak about that knowledge of Marbury which he must have?&rdquo;
+</p>
+
+<p>
+&ldquo;Oh, well!&rdquo; said Spargo. &ldquo;Perhaps we can give him some
+information about Marbury. Mr. Aylmore has forgotten that it&rsquo;s not such a
+difficult thing to rake up the past as he seems to think it is. For example, as
+I was just telling these young ladies, I myself have discovered who Marbury
+really was.&rdquo;
+</p>
+
+<p>
+Breton started.
+</p>
+
+<p>
+&ldquo;You have? Without doubt?&rdquo; he exclaimed.
+</p>
+
+<p>
+&ldquo;Without reasonable doubt. Marbury was an ex-convict.&rdquo;
+</p>
+
+<p>
+Spargo watched the effect of this sudden announcement. The two girls showed no
+sign of astonishment or of unusual curiosity; they received the news with as
+much unconcern as if Spargo had told them that Marbury was a famous musician.
+But Ronald Breton started, and it seemed to Spargo that he saw a sense of
+suspicion dawn in his eyes.
+</p>
+
+<p>
+&ldquo;Marbury&mdash;an ex-convict!&rdquo; he exclaimed. &ldquo;You mean
+that?&rdquo;
+</p>
+
+<p>
+&ldquo;Read your <i>Watchman</i> in the morning,&rdquo; said Spargo.
+&ldquo;You&rsquo;ll find the whole story there&mdash;I&rsquo;m going to write
+it tonight when you people have gone. It&rsquo;ll make good reading.&rdquo;
+</p>
+
+<p>
+Evelyn and Jessie Aylmore took Spargo&rsquo;s hint and went away, Spargo seeing
+them to the door with another assurance of his belief in their father&rsquo;s
+innocence and his determination to hunt down the real criminal. Ronald Breton
+went down with them to the street and saw them into a cab, but in another
+minute he was back in Spargo&rsquo;s room as Spargo had expected. He shut the
+door carefully behind him and turned to Spargo with an eager face.
+</p>
+
+<p>
+&ldquo;I say, Spargo, is that really so?&rdquo; he asked. &ldquo;About Marbury
+being an ex-convict?&rdquo;
+</p>
+
+<p>
+&ldquo;That&rsquo;s so, Breton. I&rsquo;ve no more doubt about it than I have
+that I see you. Marbury was in reality one John Maitland, a bank manager, of
+Market Milcaster, who got ten years&rsquo; penal servitude in 1891 for
+embezzlement.&rdquo;
+</p>
+
+<p>
+&ldquo;In 1891? Why&mdash;that&rsquo;s just about the time that Aylmore says he
+knew him!&rdquo;
+</p>
+
+<p>
+&ldquo;Exactly. And&mdash;it just strikes me,&rdquo; said Spargo, sitting down
+at his desk and making a hurried note, &ldquo;it just strikes
+me&mdash;didn&rsquo;t Aylmore say he knew Marbury in London?&rdquo;
+</p>
+
+<p>
+&ldquo;Certainly,&rdquo; replied Breton. &ldquo;In London.&rdquo;
+</p>
+
+<p>
+&ldquo;Um!&rdquo; mused Spargo. &ldquo;That&rsquo;s queer, because Maitland had
+never been in London up to the time of his going to Dartmoor, whatever he may
+have done when he came out of Dartmoor, and, of course, Aylmore had gone to
+South America long before that. Look here, Breton,&rdquo; he continued, aloud,
+&ldquo;have you access to Aylmore? Will you, can you, see him before he&rsquo;s
+brought up at Bow Street tomorrow?&rdquo;
+</p>
+
+<p>
+&ldquo;Yes,&rdquo; answered Breton. &ldquo;I can see him with his
+solicitor.&rdquo;
+</p>
+
+<p>
+&ldquo;Then listen,&rdquo; said Spargo. &ldquo;Tomorrow morning you&rsquo;ll
+find the whole story of how I proved Marbury&rsquo;s identity with Maitland in
+the <i>Watchman</i>. Read it as early as you can; get an interview with Aylmore
+as early as you can; make him read it, every word, before he&rsquo;s brought
+up. Beg him if he values his own safety and his daughters&rsquo; peace of mind
+to throw away all that foolish reserve, and to tell all he knows about Maitland
+twenty years ago. He should have done that at first. Why, I was asking his
+daughters some questions before you came in&mdash;they know absolutely nothing
+of their father&rsquo;s history previous to the time when they began to
+understand things! Don&rsquo;t you see that Aylmore&rsquo;s career, previous to
+his return to England, is a blank past!&rdquo;
+</p>
+
+<p>
+&ldquo;I know&mdash;I know!&rdquo; said Breton. &ldquo;Yes&mdash;although
+I&rsquo;ve gone there a great deal, I never heard Aylmore speak of anything
+earlier than his Argentine experiences. And yet, he must have been getting on
+when he went out there.&rdquo;
+</p>
+
+<p>
+&ldquo;Thirty-seven or eight, at least,&rdquo; remarked Spargo. &ldquo;Well,
+Aylmore&rsquo;s more or less of a public man, and no public man can keep his
+life hidden nowadays. By the by, how did you get to know the Aylmores?&rdquo;
+</p>
+
+<p>
+&ldquo;My guardian, Mr. Elphick, and I met them in Switzerland,&rdquo; answered
+Breton. &ldquo;We kept up the acquaintance after our return.&rdquo;
+</p>
+
+<p>
+&ldquo;Mr. Elphick still interesting himself in the Marbury case?&rdquo; asked
+Spargo.
+</p>
+
+<p>
+&ldquo;Very much so. And so is old Cardlestone, at the foot of whose stairs the
+thing came off. I dined with them last night and they talked of little
+else,&rdquo; said Breton.
+</p>
+
+<p>
+&ldquo;And their theory&mdash;&rdquo;
+</p>
+
+<p>
+&ldquo;Oh, still the murder for the sake of robbery!&rdquo; replied Breton.
+&ldquo;Old Cardlestone is furious that such a thing could have happened at his
+very door. He says that there ought to be a thorough enquiry into every tenant
+of the Temple.&rdquo;
+</p>
+
+<p>
+&ldquo;Longish business that,&rdquo; observed Spargo. &ldquo;Well, run away
+now, Breton&mdash;I must write.&rdquo;
+</p>
+
+<p>
+&ldquo;Shall you be at Bow Street tomorrow morning?&rdquo; asked Breton as he
+moved to the door. &ldquo;It&rsquo;s to be at ten-thirty.&rdquo;
+</p>
+
+<p>
+&ldquo;No, I shan&rsquo;t!&rdquo; replied Spargo. &ldquo;It&rsquo;ll only be a
+remand, and I know already just as much as I should hear there. I&rsquo;ve got
+something much more important to do. But you&rsquo;ll remember what I asked of
+you&mdash;get Aylmore to read my story in the <i>Watchman</i>, and beg him to
+speak out and tell all he knows&mdash;all!&rdquo;
+</p>
+
+<p>
+And when Breton had gone, Spargo again murmured those last words: &ldquo;All he
+knows&mdash;all!&rdquo;
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap23"></a>CHAPTER TWENTY-THREE<br/>
+MISS BAYLIS</h2>
+
+<p>
+Next day, a little before noon, Spargo found himself in one of those
+pretentious yet dismal Bayswater squares, which are almost entirely given up to
+the trade, calling, or occupation of the lodging and boarding-house keeper.
+They are very pretentious, those squares, with their many-storied houses, their
+stuccoed frontages, and their pilastered and balconied doorways; innocent
+country folk, coming into them from the neighbouring station of Paddington,
+take them to be the residences of the dukes and earls who, of course, live
+nowhere else but in London. They are further encouraged in this belief by the
+fact that young male persons in evening dress are often seen at the doorways in
+more or less elegant attitudes. These, of course, are taken by the country folk
+to be young lords enjoying the air of Bayswater, but others, more knowing, are
+aware that they are Swiss or German waiters whose linen might be cleaner.
+</p>
+
+<p>
+Spargo gauged the character of the house at which he called as soon as the door
+was opened to him. There was the usual smell of eggs and bacon, of fish and
+chops; the usual mixed and ancient collection of overcoats, wraps, and sticks
+in the hall; the usual sort of parlourmaid to answer the bell. And presently,
+in answer to his enquiries, there was the usual type of landlady confronting
+him, a more than middle-aged person who desired to look younger, and made
+attempts in the way of false hair, teeth, and a little rouge, and who wore that
+somewhat air and smile which in its wearer&mdash;under these
+circumstances&mdash;always means that she is considering whether you will be
+able to cheat her or whether she will be able to see you.
+</p>
+
+<p>
+&ldquo;You wish to see Miss Baylis?&rdquo; said this person, examining Spargo
+closely. &ldquo;Miss Baylis does not often see anybody.&rdquo;
+</p>
+
+<p>
+&ldquo;I hope,&rdquo; said Spargo politely, &ldquo;that Miss Baylis is not an
+invalid?&rdquo;
+</p>
+
+<p>
+&ldquo;No, she&rsquo;s not an invalid,&rdquo; replied the landlady; &ldquo;but
+she&rsquo;s not as young as she was, and she&rsquo;s an objection to strangers.
+Is it anything I can tell her?&rdquo;
+</p>
+
+<p>
+&ldquo;No,&rdquo; said Spargo. &ldquo;But you can, if you please, take her a
+message from me. Will you kindly give her my card, and tell her that I wish to
+ask her a question about John Maitland of Market Milcaster, and that I should
+be much obliged if she would give me a few minutes.&rdquo;
+</p>
+
+<p>
+&ldquo;Perhaps you will sit down,&rdquo; said the landlady. She led Spargo into
+a room which opened out upon a garden; in it two or three old ladies, evidently
+inmates, were sitting. The landlady left Spargo to sit with them and to amuse
+himself by watching them knit or sew or read the papers, and he wondered if
+they always did these things every day, and if they would go on doing them
+until a day would come when they would do them no more, and he was beginning to
+feel very dreary when the door opened and a woman entered whom Spargo, after
+one sharp glance at her, decided to be a person who was undoubtedly out of the
+common. And as she slowly walked across the room towards him he let his first
+glance lengthen into a look of steady inspection.
+</p>
+
+<p>
+The woman whom Spargo thus narrowly inspected was of very remarkable
+appearance. She was almost masculine; she stood nearly six feet in height; she
+was of a masculine gait and tread, and spare, muscular, and athletic. What at
+once struck Spargo about her face was the strange contrast between her dark
+eyes and her white hair; the hair, worn in abundant coils round a well-shaped
+head, was of the most snowy whiteness; the eyes of a real coal-blackness, as
+were also the eyebrows above them. The features were well-cut and of a striking
+firmness; the jaw square and determined. And Spargo&rsquo;s first thought on
+taking all this in was that Miss Baylis seemed to have been fitted by Nature to
+be a prison wardress, or the matron of a hospital, or the governess of an
+unruly girl, and he began to wonder if he would ever manage to extract anything
+out of those firmly-locked lips.
+</p>
+
+<p>
+Miss Baylis, on her part, looked Spargo over as if she was half-minded to order
+him to instant execution. And Spargo was so impressed by her that he made a
+profound bow and found a difficulty in finding his tongue.
+</p>
+
+<p>
+&ldquo;Mr. Spargo?&rdquo; she said in a deep voice which seemed peculiarly
+suited to her. &ldquo;Of, I see, the <i>Watchman</i>? You wish to speak to
+me?&rdquo;
+</p>
+
+<p>
+Spargo again bowed in silence. She signed him to the window near which they
+were standing.
+</p>
+
+<p>
+&ldquo;Open the casement, if you please,&rdquo; she commanded him. &ldquo;We
+will walk in the garden. This is not private.&rdquo;
+</p>
+
+<p>
+Spargo obediently obeyed her orders; she swept through the opened window and he
+followed her. It was not until they had reached the bottom of the garden that
+she spoke again.
+</p>
+
+<p>
+&ldquo;I understand that you desire to ask me some question about John
+Maitland, of Market Milcaster?&rdquo; she said. &ldquo;Before you put it. I
+must ask you a question. Do you wish any reply I may give you for
+publication?&rdquo;
+</p>
+
+<p>
+&ldquo;Not without your permission,&rdquo; replied Spargo. &ldquo;I should not
+think of publishing anything you may tell me except with your express
+permission.&rdquo;
+</p>
+
+<p>
+She looked at him gloomily, seemed to gather an impression of his good faith,
+and nodded her head.
+</p>
+
+<p>
+&ldquo;In that case,&rdquo; she said, &ldquo;what do you want to ask?&rdquo;
+</p>
+
+<p>
+&ldquo;I have lately had reason for making certain enquiries about John
+Maitland,&rdquo; answered Spargo. &ldquo;I suppose you read the newspapers and
+possibly the <i>Watchman</i>, Miss Baylis?&rdquo;
+</p>
+
+<p>
+But Miss Baylis shook her head.
+</p>
+
+<p>
+&ldquo;I read no newspapers,&rdquo; she said. &ldquo;I have no interest in the
+affairs of the world. I have work which occupies all my time: I give my whole
+devotion to it.&rdquo;
+</p>
+
+<p>
+&ldquo;Then you have not recently heard of what is known as the Marbury
+case&mdash;a case of a man who was found murdered?&rdquo; asked Spargo.
+</p>
+
+<p>
+&ldquo;I have not,&rdquo; she answered. &ldquo;I am not likely to hear such
+things.&rdquo;
+</p>
+
+<p>
+Spargo suddenly realized that the power of the Press is not quite as great nor
+as far-reaching as very young journalists hold it to be, and that there
+actually are, even in London, people who can live quite cheerfully without a
+newspaper. He concealed his astonishment and went on.
+</p>
+
+<p>
+&ldquo;Well,&rdquo; he said, &ldquo;I believe that the murdered man, known to
+the police as John Marbury, was, in reality, your brother-in-law, John
+Maitland. In fact, Miss Baylis, I&rsquo;m absolutely certain of it!&rdquo;
+</p>
+
+<p>
+He made this declaration with some emphasis, and looked at his stern companion
+to see how she was impressed. But Miss Baylis showed no sign of being
+impressed.
+</p>
+
+<p>
+&ldquo;I can quite believe that, Mr. Spargo,&rdquo; she said coldly. &ldquo;It
+is no surprise to me that John Maitland should come to such an end. He was a
+thoroughly bad and unprincipled man, who brought the most terrible disgrace on
+those who were, unfortunately, connected with him. He was likely to die a bad
+man&rsquo;s death.&rdquo;
+</p>
+
+<p>
+&ldquo;I may ask you a few questions about him?&rdquo; suggested Spargo in his
+most insinuating manner.
+</p>
+
+<p>
+&ldquo;You may, so long as you do not drag my name into the papers,&rdquo; she
+replied. &ldquo;But pray, how do you know that I have the sad shame of being
+John Maitland&rsquo;s sister-in-law?&rdquo;
+</p>
+
+<p>
+&ldquo;I found that out at Market Milcaster,&rdquo; said Spargo. &ldquo;The
+photographer told me&mdash;Cooper.&rdquo;
+</p>
+
+<p>
+&ldquo;Ah!&rdquo; she exclaimed.
+</p>
+
+<p>
+&ldquo;The questions I want to ask are very simple,&rdquo; said Spargo.
+&ldquo;But your answers may materially help me. You remember Maitland going to
+prison, of course?&rdquo;
+</p>
+
+<p>
+Miss Baylis laughed&mdash;a laugh of scorn.
+</p>
+
+<p>
+&ldquo;Could I ever forget it?&rdquo; she exclaimed.
+</p>
+
+<p>
+&ldquo;Did you ever visit him in prison?&rdquo; asked Spargo.
+</p>
+
+<p>
+&ldquo;Visit him in prison!&rdquo; she said indignantly. &ldquo;Visits in
+prison are to be paid to those who deserve them, who are repentant; not to
+scoundrels who are hardened in their sin!&rdquo;
+</p>
+
+<p>
+&ldquo;All right. Did you ever see him after he left prison?&rdquo;
+</p>
+
+<p>
+&ldquo;I saw him, for he forced himself upon me&mdash;I could not help myself.
+He was in my presence before I was aware that he had even been released.&rdquo;
+</p>
+
+<p>
+&ldquo;What did he come for?&rdquo; asked Spargo.
+</p>
+
+<p>
+&ldquo;To ask for his son&mdash;who had been in my charge,&rdquo; she replied.
+</p>
+
+<p>
+&ldquo;That&rsquo;s a thing I want to know about,&rdquo; said Spargo. &ldquo;Do
+you know what a certain lot of people in Market Milcaster say to this day, Miss
+Baylis?&mdash;they say that you were in at the game with Maitland; that you had
+a lot of the money placed in your charge; that when Maitland went to prison,
+you took the child away, first to Brighton, then abroad&mdash;disappeared with
+him&mdash;and that you made a home ready for Maitland when he came out.
+That&rsquo;s what&rsquo;s said by some people in Market Milcaster.&rdquo;
+</p>
+
+<p>
+Miss Baylis&rsquo;s stern lips curled.
+</p>
+
+<p>
+&ldquo;People in Market Milcaster!&rdquo; she exclaimed. &ldquo;All the people
+I ever knew in Market Milcaster had about as many brains between them as that
+cat on the wall there. As for making a home for John Maitland, I would have
+seen him die in the gutter, of absolute want, before I would have given him a
+crust of dry bread!&rdquo;
+</p>
+
+<p>
+&ldquo;You appear to have a terrible dislike of this man,&rdquo; observed
+Spargo, astonished at her vehemence.
+</p>
+
+<p>
+&ldquo;I had&mdash;and I have,&rdquo; she answered. &ldquo;He tricked my sister
+into a marriage with him when he knew that she would rather have married an
+honest man who worshipped her; he treated her with quiet, infernal cruelty; he
+robbed her and me of the small fortunes our father left us.&rdquo;
+</p>
+
+<p>
+&ldquo;Ah!&rdquo; said Spargo. &ldquo;Well, so you say Maitland came to you,
+when he came out of prison, to ask for his boy. Did he take the boy?&rdquo;
+</p>
+
+<p>
+&ldquo;No&mdash;the boy was dead.&rdquo;
+</p>
+
+<p>
+&ldquo;Dead, eh? Then I suppose Maitland did not stop long with you?&rdquo;
+</p>
+
+<p>
+Miss Baylis laughed her scornful laugh.
+</p>
+
+<p>
+&ldquo;I showed him the door!&rdquo; she said.
+</p>
+
+<p>
+&ldquo;Well, did he tell you that he was going to Australia?&rdquo; enquired
+Spargo.
+</p>
+
+<p>
+&ldquo;I should not have listened to anything that he told me, Mr.
+Spargo,&rdquo; she answered.
+</p>
+
+<p>
+&ldquo;Then, in short,&rdquo; said Spargo, &ldquo;you never heard of him
+again?&rdquo;
+</p>
+
+<p>
+&ldquo;I never heard of him again,&rdquo; she declared passionately, &ldquo;and
+I only hope that what you tell me is true, and that Marbury really was
+Maitland!&rdquo;
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap24"></a>CHAPTER TWENTY-FOUR<br/>
+MOTHER GUTCH</h2>
+
+<p>
+Spargo, having exhausted the list of questions which he had thought out on his
+way to Bayswater, was about to take his leave of Miss Baylis, when a new idea
+suddenly occurred to him, and he turned back to that formidable lady.
+</p>
+
+<p>
+&ldquo;I&rsquo;ve just thought of something else,&rdquo; he said. &ldquo;I told
+you that I&rsquo;m certain Marbury was Maitland, and that he came to a sad
+end&mdash;murdered.&rdquo;
+</p>
+
+<p>
+&ldquo;And I&rsquo;ve told you,&rdquo; she replied scornfully, &ldquo;that in
+my opinion no end could be too bad for him.&rdquo;
+</p>
+
+<p>
+&ldquo;Just so&mdash;I understand you,&rdquo; said Spargo. &ldquo;But I
+didn&rsquo;t tell you that he was not only murdered but robbed&mdash;robbed of
+probably a good deal. There&rsquo;s good reason to believe that he had
+securities, bank notes, loose diamonds, and other things on him to the value of
+a large amount. He&rsquo;d several thousand pounds when he left Coolumbidgee,
+in New South Wales, where he&rsquo;d lived quietly for some years.&rdquo;
+</p>
+
+<p>
+Miss Baylis smiled sourly.
+</p>
+
+<p>
+&ldquo;What&rsquo;s all this to me?&rdquo; she asked.
+</p>
+
+<p>
+&ldquo;Possibly nothing. But you see, that money, those securities, may be
+recovered. And as the boy you speak of is dead, there surely must be somebody
+who&rsquo;s entitled to the lot. It&rsquo;s worth having, Miss Baylis, and
+there&rsquo;s strong belief on the part of the police that it will turn
+up.&rdquo;
+</p>
+
+<p>
+This was a bit of ingenious bluff on the part of Spargo; he watched its effect
+with keen eyes. But Miss Baylis was adamant, and she looked as scornful as
+ever.
+</p>
+
+<p>
+&ldquo;I say again what&rsquo;s all that to me?&rdquo; she exclaimed.
+</p>
+
+<p>
+&ldquo;Well, but hadn&rsquo;t the dead boy any relatives on his father&rsquo;s
+side?&rdquo; asked Spargo. &ldquo;I know you&rsquo;re his aunt on the
+mother&rsquo;s side, and as you&rsquo;re indifferent perhaps, I can find some
+on the other side. It&rsquo;s very easy to find all these things out, you
+know.&rdquo;
+</p>
+
+<p>
+Miss Baylis, who had begun to stalk back to the house in gloomy and majestic
+fashion, and had let Spargo see plainly that this part of the interview was
+distasteful to her, suddenly paused in her stride and glared at the young
+journalist.
+</p>
+
+<p>
+&ldquo;Easy to find all these things out?&rdquo; she repeated.
+</p>
+
+<p>
+Spargo caught, or fancied he caught, a note of anxiety in her tone. He was
+quick to turn his fancy to practical purpose.
+</p>
+
+<p>
+&ldquo;Oh, easy enough!&rdquo; he said. &ldquo;I could find out all about
+Maitland&rsquo;s family through that boy. Quite, quite easily!&rdquo;
+</p>
+
+<p>
+Miss Baylis had stopped now, and stood glaring at him. &ldquo;How?&rdquo; she
+demanded.
+</p>
+
+<p>
+&ldquo;I&rsquo;ll tell you,&rdquo; said Spargo with cheerful alacrity.
+&ldquo;It is, of course, the easiest thing in the world to trace all about his
+short life. I suppose I can find the register of his birth at Market Milcaster,
+and you, of course, will tell me where he died. By the by, when did he die,
+Miss Baylis?&rdquo;
+</p>
+
+<p>
+But Miss Baylis was going on again to the house.
+</p>
+
+<p>
+&ldquo;I shall tell you nothing more,&rdquo; she said angrily.
+&ldquo;I&rsquo;ve told you too much already, and I believe all you&rsquo;re
+here for is to get some news for your paper. But I will, at any rate tell you
+this&mdash;when Maitland went to prison his child would have been defenceless
+but for me; he&rsquo;d have had to go to the workhouse but for me; he
+hadn&rsquo;t a single relation in the world but me, on either father&rsquo;s or
+mother&rsquo;s side. And even at my age, old woman as I am, I&rsquo;d rather
+beg my bread in the street, I&rsquo;d rather starve and die, than touch a penny
+piece that had come from John Maitland! That&rsquo;s all.&rdquo;
+</p>
+
+<p>
+Then without further word, without offering to show Spargo the way out, she
+marched in at the open window and disappeared. And Spargo, knowing no other
+way, was about to follow her when he heard a sudden rustling sound in the
+shadow by which they had stood, and the next moment a queer, cracked, horrible
+voice, suggesting all sorts of things, said distinctly and yet in a whisper:
+</p>
+
+<p>
+&ldquo;Young man!&rdquo;
+</p>
+
+<p>
+Spargo turned and stared at the privet hedge behind him. It was thick and
+bushy, and in its full summer green, but it seemed to him that he saw a
+nondescript shape behind. &ldquo;Who&rsquo;s there?&rdquo; he demanded.
+&ldquo;Somebody listening?&rdquo;
+</p>
+
+<p>
+There was a curious cackle of laughter from behind the hedge; then the cracked,
+husky voice spoke again.
+</p>
+
+<p>
+&ldquo;Young man, don&rsquo;t you move or look as if you were talking to
+anybody. Do you know where the &lsquo;King of Madagascar&rsquo; public-house is
+in this quarter of the town, young man?&rdquo;
+</p>
+
+<p>
+&ldquo;No!&rdquo; answered Spargo. &ldquo;Certainly not!&rdquo;
+</p>
+
+<p>
+&ldquo;Well, anybody&rsquo;ll tell you when you get outside, young man,&rdquo;
+continued the queer voice of the unseen person. &ldquo;Go there, and wait at
+the corner by the &lsquo;King of Madagascar,&rsquo; and I&rsquo;ll come there
+to you at the end of half an hour. Then I&rsquo;ll tell you something, young
+man&mdash;I&rsquo;ll tell you something. Now run away, young man, run away to
+the &lsquo;King of Madagascar&rsquo;&mdash;I&rsquo;m coming!&rdquo;
+</p>
+
+<p>
+The voice ended in low, horrible cachinnation which made Spargo feel queer. But
+he was young enough to be in love with adventure, and he immediately turned on
+his heel without so much as a glance at the privet hedge, and went across the
+garden and through the house, and let himself out at the door. And at the next
+corner of the square he met a policeman and asked him if he knew where the
+&ldquo;King of Madagascar&rdquo; was.
+</p>
+
+<p>
+&ldquo;First to the right, second to the left,&rdquo; answered the policeman
+tersely. &ldquo;You can&rsquo;t miss it anywhere round there&mdash;it&rsquo;s a
+landmark.&rdquo;
+</p>
+
+<p>
+And Spargo found the landmark&mdash;a great, square-built tavern&mdash;easily,
+and he waited at a corner of it wondering what he was going to see, and
+intensely curious about the owner of the queer voice, with all its suggestions
+of he knew not what. And suddenly there came up to him an old woman and leered
+at him in a fashion that made him suddenly realize how dreadful old age may be.
+</p>
+
+<p>
+Spargo had never seen such an old woman as this in his life. She was dressed
+respectably, better than respectably. Her gown was good; her bonnet was smart;
+her smaller fittings were good. But her face was evil; it showed unmistakable
+signs of a long devotion to the bottle; the old eyes leered and ogled, the old
+lips were wicked. Spargo felt a sense of disgust almost amounting to nausea,
+but he was going to hear what the old harridan had to say and he tried not to
+look what he felt.
+</p>
+
+<p>
+&ldquo;Well?&rdquo; he said, almost roughly. &ldquo;Well?&rdquo;
+</p>
+
+<p>
+&ldquo;Well, young man, there you are,&rdquo; said his new acquaintance.
+&ldquo;Let us go inside, young man; there&rsquo;s a quiet little place where a
+lady can sit and take her drop of gin&mdash;I&rsquo;ll show you. And if
+you&rsquo;re good to me, I&rsquo;ll tell you something about that cat that you
+were talking to just now. But you&rsquo;ll give me a little matter to put in my
+pocket, young man? Old ladies like me have a right to buy little comforts, you
+know, little comforts.&rdquo;
+</p>
+
+<p>
+Spargo followed this extraordinary person into a small parlour within; the
+attendant who came in response to a ring showed no astonishment at her
+presence; he also seemed to know exactly what she required, which was a certain
+brand of gin, sweetened, and warm. And Spargo watched her curiously as with
+shaking hand she pushed up the veil which hid little of her wicked old face,
+and lifted the glass to her mouth with a zest which was not thirst but pure
+greed of liquor. Almost instantly he saw a new light steal into her eyes, and
+she laughed in a voice that grew clearer with every sound she made.
+</p>
+
+<p>
+&ldquo;Ah, young man!&rdquo; she said with a confidential nudge of the elbow
+that made Spargo long to get up and fly. &ldquo;I wanted that! It&rsquo;s done
+me good. When I&rsquo;ve finished that, you&rsquo;ll pay for another for
+me&mdash;and perhaps another? They&rsquo;ll do me still more good. And
+you&rsquo;ll give me a little matter of money, won&rsquo;t you, young
+man?&rdquo;
+</p>
+
+<p>
+&ldquo;Not till I know what I&rsquo;m giving it for,&rdquo; replied Spargo.
+</p>
+
+<p>
+&ldquo;You&rsquo;ll be giving it because I&rsquo;m going to tell you that if
+it&rsquo;s made worth my while I can tell you, or somebody that sent you, more
+about Jane Baylis than anybody in the world. I&rsquo;m not going to tell you
+that now, young man&mdash;I&rsquo;m sure you don&rsquo;t carry in your pocket
+what I shall want for my secret, not you, by the look of you! I&rsquo;m only
+going to show you that I have the secret. Eh?&rdquo;
+</p>
+
+<p>
+&ldquo;Who are you?&rdquo; asked Spargo.
+</p>
+
+<p>
+The woman leered and chuckled. &ldquo;What are you going to give me, young
+man?&rdquo; she asked.
+</p>
+
+<p>
+Spargo put his fingers in his pocket and pulled out two half-sovereigns.
+</p>
+
+<p>
+&ldquo;Look here,&rdquo; he said, showing his companion the coins, &ldquo;if
+you can tell me anything of importance you shall have these. But no trifling,
+now. And no wasting of time. If you have anything to tell, out with it!&rdquo;
+</p>
+
+<p>
+The woman stretched out a trembling, claw-like hand.
+</p>
+
+<p>
+&ldquo;But let me hold one of those, young man!&rdquo; she implored. &ldquo;Let
+me hold one of the beautiful bits of gold. I shall tell you all the better if I
+hold one of them. Let me&mdash;there&rsquo;s a good young gentleman.&rdquo;
+</p>
+
+<p>
+Spargo gave her one of the coins, and resigned himself to his fate, whatever it
+might be.
+</p>
+
+<p>
+&ldquo;You won&rsquo;t get the other unless you tell something,&rdquo; he said.
+&ldquo;Who are you, anyway?&rdquo;
+</p>
+
+<p>
+The woman, who had begun mumbling and chuckling over the half-sovereign,
+grinned horribly.
+</p>
+
+<p>
+&ldquo;At the boarding-house yonder, young man, they call me Mother
+Gutch,&rdquo; she answered; &ldquo;but my proper name is Mrs. Sabina Gutch, and
+once upon a time I was a good-looking young woman. And when my husband died I
+went to Jane Baylis as housekeeper, and when she retired from that and came to
+live in that boarding-house where we live now, she was forced to bring me with
+her and to keep me. Why had she to do that, young man?&rdquo;
+</p>
+
+<p>
+&ldquo;Heaven knows!&rdquo; answered Spargo.
+</p>
+
+<p>
+&ldquo;Because I&rsquo;ve got a hold on her, young man&mdash;I&rsquo;ve got a
+secret of hers,&rdquo; continued Mother Gutch. &ldquo;She&rsquo;d be scared to
+death if she knew I&rsquo;d been behind that hedge and had heard what she said
+to you, and she&rsquo;d be more than scared if she knew that you and I were
+here, talking. But she&rsquo;s grown hard and near with me, and she won&rsquo;t
+give me a penny to get a drop of anything with, and an old woman like me has a
+right to her little comforts, and if you&rsquo;ll buy the secret, young man,
+I&rsquo;ll split on her, there and then, when you pay the money.&rdquo;
+</p>
+
+<p>
+&ldquo;Before I talk about buying any secret,&rdquo; said Spargo,
+&ldquo;you&rsquo;ll have to prove to me that you&rsquo;ve a secret to sell
+that&rsquo;s worth my buying.&rdquo;
+</p>
+
+<p>
+&ldquo;And I will prove it!&rdquo; said Mother Gutch with sudden fierceness.
+&ldquo;Touch the bell, and let me have another glass, and then I&rsquo;ll tell
+you. Now,&rdquo; she went on, more quietly&mdash;Spargo noticed that the more
+she drank, the more rational she became, and that her nerves seemed to gain
+strength and her whole appearance to be improved&mdash;&ldquo;now, you came to
+her to find out about her brother-in-law, Maitland, that went to prison,
+didn&rsquo;t you?&rdquo;
+</p>
+
+<p>
+&ldquo;Well?&rdquo; demanded Spargo.
+</p>
+
+<p>
+&ldquo;And about that boy of his?&rdquo; she continued.
+</p>
+
+<p>
+&ldquo;You heard all that was said,&rdquo; answered Spargo. &ldquo;I&rsquo;m
+waiting to hear what you have to say.&rdquo;
+</p>
+
+<p>
+But Mother Gutch was resolute in having her own way. She continued her
+questions:
+</p>
+
+<p>
+&ldquo;And she told you that Maitland came and asked for the boy, and that she
+told him the boy was dead, didn&rsquo;t she?&rdquo; she went on.
+</p>
+
+<p>
+&ldquo;Well?&rdquo; said Spargo despairingly. &ldquo;She did. What then?&rdquo;
+</p>
+
+<p>
+Mother Gutch took an appreciative pull at her glass and smiled knowingly.
+&ldquo;What then?&rdquo; she chuckled. &ldquo;All lies, young man, the boy
+isn&rsquo;t dead&mdash;any more than I am. And my secret is&mdash;&rdquo;
+</p>
+
+<p>
+&ldquo;Well?&rdquo; demanded Spargo impatiently. &ldquo;What is it?&rdquo;
+</p>
+
+<p>
+&ldquo;This!&rdquo; answered Mother Gutch, digging her companion in the ribs,
+&ldquo;I know what she did with him!&rdquo;
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap25"></a>CHAPTER TWENTY-FIVE<br/>
+REVELATIONS</h2>
+
+<p>
+Spargo turned on his disreputable and dissolute companion with all his
+journalistic energies and instincts roused. He had not been sure, since
+entering the &ldquo;King of Madagascar,&rdquo; that he was going to hear
+anything material to the Middle Temple Murder; he had more than once feared
+that this old gin-drinking harridan was deceiving him, for the purpose of
+extracting drink and money from him. But now, at the mere prospect of getting
+important information from her, he forgot all about Mother Gutch&rsquo;s
+unfortunate propensities, evil eyes, and sodden face; he only saw in her
+somebody who could tell him something. He turned on her eagerly.
+</p>
+
+<p>
+&ldquo;You say that John Maitland&rsquo;s son didn&rsquo;t die!&rdquo; he
+exclaimed.
+</p>
+
+<p>
+&ldquo;The boy did not die,&rdquo; replied Mother Gutch.
+</p>
+
+<p>
+&ldquo;And that you know where he is?&rdquo; asked Spargo.
+</p>
+
+<p>
+Mother Gutch shook her head.
+</p>
+
+<p>
+&ldquo;I didn&rsquo;t say that I know where he is, young man,&rdquo; she
+replied. &ldquo;I said I knew what she did with him.&rdquo;
+</p>
+
+<p>
+&ldquo;What, then?&rdquo; demanded Spargo.
+</p>
+
+<p>
+Mother Gutch drew herself up in a vast assumption of dignity, and favoured
+Spargo with a look.
+</p>
+
+<p>
+&ldquo;That&rsquo;s the secret, young man,&rdquo; she said. &ldquo;I&rsquo;m
+willing to sell that secret, but not for two half-sovereigns and two or three
+drops of cold gin. If Maitland left all that money you told Jane Baylis of,
+when I was listening to you from behind the hedge, my secret&rsquo;s worth
+something.&rdquo;
+</p>
+
+<p>
+Spargo suddenly remembered his bit of bluff to Miss Baylis. Here was an
+unexpected result of it.
+</p>
+
+<p>
+&ldquo;Nobody but me can help you to trace Maitland&rsquo;s boy,&rdquo;
+continued Mother Gutch, &ldquo;and I shall expect to be paid accordingly.
+That&rsquo;s plain language, young man.&rdquo;
+</p>
+
+<p>
+Spargo considered the situation in silence for a minute or two. Could this
+wretched, bibulous old woman really be in possession of a secret which would
+lead to the solving of the mystery of the Middle Temple Murder? Well, it would
+be a fine thing for the <i>Watchman</i> if the clearing up of everything came
+through one of its men. And the <i>Watchman</i> was noted for being generous
+even to extravagance in laying out money on all sorts of objects: it had spent
+money like water on much less serious matters than this.
+</p>
+
+<p>
+&ldquo;How much do you want for your secret?&rdquo; he suddenly asked, turning
+to his companion.
+</p>
+
+<p>
+Mother Gutch began to smooth out a pleat in her gown. It was really wonderful
+to Spargo to find how very sober and normal this old harridan had become; he
+did not understand that her nerves had been all a-quiver and on edge when he
+first met her, and that a resort to her favourite form of alcohol in liberal
+quantity had calmed and quickened them; secretly he was regarding her with
+astonishment as the most extraordinary old person he had ever met, and he was
+almost afraid of her as he waited for her decision. At last Mother Gutch spoke.
+</p>
+
+<p>
+&ldquo;Well, young man,&rdquo; she said, &ldquo;having considered matters, and
+having a right to look well to myself, I think that what I should prefer to
+have would be one of those annuities. A nice, comfortable annuity, paid
+weekly&mdash;none of your monthlies or quarterlies, but regular and punctual,
+every Saturday morning. Or Monday morning, as was convenient to the parties
+concerned&mdash;but punctual and regular. I know a good many ladies in my
+sphere of life as enjoys annuities, and it&rsquo;s a great comfort to have
+&rsquo;em paid weekly.&rdquo;
+</p>
+
+<p>
+It occurred to Spargo that Mrs. Gutch would probably get rid of her weekly dole
+on the day it was paid, whether that day happened to be Monday or Saturday, but
+that, after all, was no concern of his, so he came back to first principles.
+</p>
+
+<p>
+&ldquo;Even now you haven&rsquo;t said how much,&rdquo; he remarked.
+</p>
+
+<p>
+&ldquo;Three pound a week,&rdquo; replied Mother Gutch. &ldquo;And cheap,
+too!&rdquo;
+</p>
+
+<p>
+Spargo thought hard for two minutes. The secret might&mdash;might!&mdash;lead
+to something big. This wretched old woman would probably drink herself to death
+within a year or two. Anyhow, a few hundreds of pounds was nothing to the
+<i>Watchman</i>. He glanced at his watch. At that hour&mdash;for the next
+hour&mdash;the great man of the <i>Watchman</i> would be at the office. He
+jumped to his feet, suddenly resolved and alert.
+</p>
+
+<p>
+&ldquo;Here, I&rsquo;ll take you to see my principals,&rdquo; he said.
+&ldquo;We&rsquo;ll run along in a taxi-cab.&rdquo;
+</p>
+
+<p>
+&ldquo;With all the pleasure in the world, young man,&rdquo; replied Mother
+Gutch; &ldquo;when you&rsquo;ve given me that other half-sovereign. As for
+principals, I&rsquo;d far rather talk business with masters than with
+men&mdash;though I mean no disrespect to you.&rdquo;
+</p>
+
+<p>
+Spargo, feeling that he was in for it, handed over the second half-sovereign,
+and busied himself in ordering a taxi-cab. But when that came round he had to
+wait while Mrs. Gutch consumed a third glass of gin and purchased a flask of
+the same beverage to put in her pocket. At last he got her off, and in due
+course to the <i>Watchman</i> office, where the hall-porter and the messenger
+boys stared at her in amazement, well used as they were to seeing strange folk,
+and he got her to his own room, and locked her in, and then he sought the
+presence of the mighty.
+</p>
+
+<p>
+What Spargo said to his editor and to the great man who controlled the fortunes
+and workings of the <i>Watchman</i> he never knew. It was probably fortunate
+for him that they were both thoroughly conversant with the facts of the Middle
+Temple Murder, and saw that there might be an advantage in securing the
+revelations of which Spargo had got the conditional promise. At any rate, they
+accompanied Spargo to his room, intent on seeing, hearing and bargaining with
+the lady he had locked up there.
+</p>
+
+<p>
+Spargo&rsquo;s room smelt heavily of unsweetened gin, but Mother Gutch was
+soberer than ever. She insisted upon being introduced to proprietor and editor
+in due and proper form, and in discussing terms with them before going into any
+further particulars. The editor was all for temporizing with her until
+something could be done to find out what likelihood of truth there was in her,
+but the proprietor, after sizing her up in his own shrewd fashion, took his two
+companions out of the room.
+</p>
+
+<p>
+&ldquo;We&rsquo;ll hear what the old woman has to say on her own terms,&rdquo;
+he said. &ldquo;She may have something to tell that is really of the greatest
+importance in this case: she certainly has something to tell. And, as Spargo
+says, she&rsquo;ll probably drink herself to death in about as short a time as
+possible. Come back&mdash;let&rsquo;s hear her story.&rdquo; So they returned
+to the gin-scented atmosphere, and a formal document was drawn out by which the
+proprietor of the <i>Watchman</i> bound himself to pay Mrs. Gutch the sum of
+three pounds a week for life (Mrs. Gutch insisting on the insertion of the
+words &ldquo;every Saturday morning, punctual and regular&rdquo;) and then Mrs.
+Gutch was invited to tell her tale. And Mrs. Gutch settled herself to do so,
+and Spargo prepared to take it down, word for word.
+</p>
+
+<p>
+&ldquo;Which the story, as that young man called it, is not so long as a
+monkey&rsquo;s tail nor so short as a Manx cat&rsquo;s, gentlemen,&rdquo; said
+Mrs. Gutch; &ldquo;but full of meat as an egg. Now, you see, when that Maitland
+affair at Market Milcaster came off, I was housekeeper to Miss Jane Baylis at
+Brighton. She kept a boarding-house there, in Kemp Town, and close to the
+sea-front, and a very good thing she made out of it, and had saved a nice bit,
+and having, like her sister, Mrs. Maitland, had a little fortune left her by
+her father, as was at one time a publican here in London, she had a good lump
+of money. And all that money was in this here Maitland&rsquo;s hands, every
+penny. I very well remember the day when the news came about that affair of
+Maitland robbing the bank. Miss Baylis, she was like a mad thing when she saw
+it in the paper, and before she&rsquo;d seen it an hour she was off to Market
+Milcaster. I went up to the station with her, and she told me then before she
+got in the train that Maitland had all her fortune and her savings, and her
+sister&rsquo;s, his wife&rsquo;s, too, and that she feared all would be
+lost.&rdquo;
+</p>
+
+<p>
+&ldquo;Mrs. Maitland was then dead,&rdquo; observed Spargo without looking up
+from his writing-block.
+</p>
+
+<p>
+&ldquo;She was, young man, and a good thing, too,&rdquo; continued Mrs. Gutch.
+&ldquo;Well, away went Miss Baylis, and no more did I hear or see for nearly a
+week, and then back she comes, and brings a little boy with her&mdash;which was
+Maitland&rsquo;s. And she told me that night that she&rsquo;d lost every penny
+she had in the world, and that her sister&rsquo;s money, what ought to have
+been the child&rsquo;s, was gone, too, and she said her say about Maitland.
+However, she saw well to that child; nobody could have seen better. And very
+soon after, when Maitland was sent to prison for ten years, her and me talked
+about things. &lsquo;What&rsquo;s the use,&rsquo; says I to her, &lsquo;of your
+letting yourself get so fond of that child, and looking after it as you do, and
+educating it, and so on?&rsquo; I says. &lsquo;Why not?&rsquo; says she.
+&lsquo;&rsquo;Tisn&rsquo;t yours,&rsquo; I says, &lsquo;you haven&rsquo;t no
+right to it,&rsquo; I says. &lsquo;As soon as ever its father comes out,&rsquo;
+says I,&rsquo; he&rsquo;ll come and claim it, and you can&rsquo;t do nothing to
+stop him.&rsquo; Well, gentlemen, if you&rsquo;ll believe me, never did I see a
+woman look as she did when I says all that. And she up and swore that Maitland
+should never see or touch the child again&mdash;not under no circumstances
+whatever.&rdquo;
+</p>
+
+<p>
+Mrs. Gutch paused to take a little refreshment from her pocket-flask, with an
+apologetic remark as to the state of her heart. She resumed, presently,
+apparently refreshed.
+</p>
+
+<p>
+&ldquo;Well, gentlemen, that notion, about Maitland&rsquo;s taking the child
+away from her seemed to get on her mind, and she used to talk to me at times
+about it, always saying the same thing&mdash;that Maitland should never have
+him. And one day she told me she was going to London to see lawyers about it,
+and she went, and she came back, seeming more satisfied, and a day or two
+afterwards, there came a gentleman who looked like a lawyer, and he stopped a
+day or two, and he came again and again, until one day she came to me, and she
+says, &lsquo;You don&rsquo;t know who that gentleman is that&rsquo;s come so
+much lately?&rsquo; she says. &lsquo;Not I,&rsquo; I says, &lsquo;unless
+he&rsquo;s after you.&rsquo; &lsquo;After me!&rsquo; she says, tossing her
+head: &lsquo;That&rsquo;s the gentleman that ought to have married my poor
+sister if that scoundrel Maitland hadn&rsquo;t tricked her into throwing him
+over!&rsquo; &lsquo;You don&rsquo;t say so!&rsquo; I says. &lsquo;Then by
+rights he ought to have been the child&rsquo;s pa!&rsquo; &lsquo;He&rsquo;s
+going to be a father to the boy,&rsquo; she says. &lsquo;He&rsquo;s going to
+take him and educate him in the highest fashion, and make a gentleman of
+him,&rsquo; she says, &lsquo;for his mother&rsquo;s sake.&rsquo; &lsquo;Mercy
+on us!&rsquo; says I. &lsquo;What&rsquo;ll Maitland say when he comes for
+him?&rsquo; &lsquo;Maitland&rsquo;ll never come for him,&rsquo; she says,
+&lsquo;for I&rsquo;m going to leave here, and the boy&rsquo;ll be gone before
+then. This is all being done,&rsquo; she says, &lsquo;so that the
+child&rsquo;ll never know his father&rsquo;s shame&mdash;he&rsquo;ll never know
+who his father was.&rsquo; And true enough, the boy was taken away, but
+Maitland came before she&rsquo;d gone, and she told him the child was dead, and
+I never see a man so cut up. However, it wasn&rsquo;t no concern of mine. And
+so there&rsquo;s so much of the secret, gentlemen, and I would like to know if
+I ain&rsquo;t giving good value.&rdquo;
+</p>
+
+<p>
+&ldquo;Very good,&rdquo; said the proprietor. &ldquo;Go on.&rdquo; But Spargo
+intervened.
+</p>
+
+<p>
+&ldquo;Did you ever hear the name of the gentleman who took the boy
+away?&rdquo; he asked.
+</p>
+
+<p>
+&ldquo;Yes, I did,&rdquo; replied Mrs. Gutch. &ldquo;Of course I did. Which it
+was Elphick.&rdquo;
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap26"></a>CHAPTER TWENTY-SIX<br/>
+STILL SILENT</h2>
+
+<p>
+Spargo dropped his pen on the desk before him with a sharp clatter that made
+Mrs. Gutch jump. A steady devotion to the bottle had made her nerves to be none
+of the strongest, and she looked at the startler of them with angry
+malevolence.
+</p>
+
+<p>
+&ldquo;Don&rsquo;t do that again, young man!&rdquo; she exclaimed sharply.
+&ldquo;I can&rsquo;t a-bear to be jumped out of my skin, and it&rsquo;s bad
+manners. I observed that the gentleman&rsquo;s name was Elphick.&rdquo;
+</p>
+
+<p>
+Spargo contrived to get in a glance at his proprietor and his editor&mdash;a
+glance which came near to being a wink.
+</p>
+
+<p>
+&ldquo;Just so&mdash;Elphick,&rdquo; he said. &ldquo;A law gentleman I think
+you said, Mrs. Gutch?&rdquo;
+</p>
+
+<p>
+&ldquo;I said,&rdquo; answered Mrs. Gutch, &ldquo;as how he looked like a
+lawyer gentleman. And since you&rsquo;re so particular, young man, though I
+wasn&rsquo;t addressing you but your principals, he was a lawyer gentleman. One
+of the sort that wears wigs and gowns&mdash;ain&rsquo;t I seen his picture in
+Jane Baylis&rsquo;s room at the boarding-house where you saw her this
+morning?&rdquo;
+</p>
+
+<p>
+&ldquo;Elderly man?&rdquo; asked Spargo.
+</p>
+
+<p>
+&ldquo;Elderly he will be now,&rdquo; replied the informant; &ldquo;but when he
+took the boy away he was a middle-aged man. About his age,&rdquo; she added,
+pointing to the editor in a fashion which made that worthy man wince and the
+proprietor desire to laugh unconsumedly; &ldquo;and not so very unlike him
+neither, being one as had no hair on his face.&rdquo;
+</p>
+
+<p>
+&ldquo;Ah!&rdquo; said Spargo. &ldquo;And where did this Mr. Elphick take the
+boy, Mrs. Gutch?&rdquo;
+</p>
+
+<p>
+But Mrs. Gutch shook her head.
+</p>
+
+<p>
+&ldquo;Ain&rsquo;t no idea,&rdquo; she said. &ldquo;He took him. Then, as I
+told you, Maitland came, and Jane Baylis told him that the boy was dead. And
+after that she never even told me anything about the boy. She kept a tight
+tongue. Once or twice I asked her, and she says, &lsquo;Never you mind,&rsquo;
+she says; &lsquo;he&rsquo;s all right for life, if he lives to be as old as
+Methusalem.&rsquo; And she never said more, and I never said more. But,&rdquo;
+continued Mrs. Gutch, whose pocket-flask was empty, and who began to wipe tears
+away, &ldquo;she&rsquo;s treated me hard has Jane Baylis, never allowing me a
+little comfort such as a lady of my age should have, and when I hears the two
+of you a-talking this morning the other side of that privet hedge, thinks I,
+&lsquo;Now&rsquo;s the time to have my knife into you, my fine madam!&rsquo;
+And I hope I done it.&rdquo;
+</p>
+
+<p>
+Spargo looked at the editor and the proprietor, nodding his head slightly. He
+meant them to understand that he had got all he wanted from Mother Gutch.
+</p>
+
+<p>
+&ldquo;What are you going to do, Mrs. Gutch, when you leave here?&rdquo; he
+asked. &ldquo;You shall be driven straight back to Bayswater, if you
+like.&rdquo;
+</p>
+
+<p>
+&ldquo;Which I shall be obliged for, young man,&rdquo; said Mrs. Gutch,
+&ldquo;and likewise for the first week of the annuity, and will call every
+Saturday for the same at eleven punctual, or can be posted to me on a Friday,
+whichever is agreeable to you gentlemen. And having my first week in my purse,
+and being driven to Bayswater, I shall take my boxes and go to a friend of mine
+where I shall be hearty welcome, shaking the dust of my feet off against Jane
+Baylis and where I&rsquo;ve been living with her.&rdquo;
+</p>
+
+<p>
+&ldquo;Yes, but, Mrs. Gutch,&rdquo; said Spargo, with some anxiety, &ldquo;if
+you go back there tonight, you&rsquo;ll be very careful not to tell Miss Baylis
+that you&rsquo;ve been here and told us all this?&rdquo;
+</p>
+
+<p>
+Mrs. Gutch rose, dignified and composed.
+</p>
+
+<p>
+&ldquo;Young man,&rdquo; she said, &ldquo;you mean well, but you ain&rsquo;t
+used to dealing with ladies. I can keep my tongue as still as anybody when I
+like. I wouldn&rsquo;t tell Jane Baylis my affairs&mdash;my new affairs,
+gentlemen, thanks to you&mdash;not for two annuities, paid twice a week!&rdquo;
+</p>
+
+<p>
+&ldquo;Take Mrs. Gutch downstairs, Spargo, and see her all right, and then come
+to my room,&rdquo; said the editor. &ldquo;And don&rsquo;t you forget, Mrs.
+Gutch&mdash;keep a quiet tongue in your head&mdash;no more talk&mdash;or
+there&rsquo;ll be no annuities on Saturday mornings.&rdquo;
+</p>
+
+<p>
+So Spargo took Mother Gutch to the cashier&rsquo;s department and paid her her
+first week&rsquo;s money, and he got her a taxi-cab, and paid for it, and saw
+her depart, and then he went to the editor&rsquo;s room, strangely thoughtful.
+The editor and the proprietor were talking, but they stopped when Spargo
+entered and looked at him eagerly. &ldquo;I think we&rsquo;ve done it,&rdquo;
+said Spargo quietly.
+</p>
+
+<p>
+&ldquo;What, precisely, have we found out?&rdquo; asked the editor.
+</p>
+
+<p>
+&ldquo;A great deal more than I&rsquo;d anticipated,&rdquo; answered Spargo,
+&ldquo;and I don&rsquo;t know what fields it doesn&rsquo;t open out. If you
+look back, you&rsquo;ll remember that the only thing found on Marbury&rsquo;s
+body was a scrap of grey paper on which was a name and address&mdash;Ronald
+Breton, King&rsquo;s Bench Walk.&rdquo;
+</p>
+
+<p>
+&ldquo;Well?&rdquo;
+</p>
+
+<p>
+&ldquo;Breton is a young barrister. Also he writes a bit&mdash;I have accepted
+two or three articles of his for our literary page.&rdquo;
+</p>
+
+<p>
+&ldquo;Well?&rdquo;
+</p>
+
+<p>
+&ldquo;Further, he is engaged to Miss Aylmore, the eldest daughter of Aylmore,
+the Member of Parliament who has been charged at Bow Street today with the
+murder of Marbury.&rdquo;
+</p>
+
+<p>
+&ldquo;I know. Well, what then, Spargo?&rdquo;
+</p>
+
+<p>
+&ldquo;But the most important matter,&rdquo; continued Spargo, speaking very
+deliberately, &ldquo;is this&mdash;that is, taking that old woman&rsquo;s
+statement to be true, as I personally believe it is&mdash;that Breton, as he
+has told me himself (I have seen a good deal of him) was brought up by a
+guardian. That guardian is Mr. Septimus Elphick, the barrister.&rdquo;
+</p>
+
+<p>
+The proprietor and the editor looked at each other. Their faces wore the
+expression of men thinking on the same lines and arriving at the same
+conclusion. And the proprietor suddenly turned on Spargo with a sharp
+interrogation: &ldquo;You think then&mdash;&mdash;&rdquo;
+</p>
+
+<p>
+Spargo nodded.
+</p>
+
+<p>
+&ldquo;I think that Mr. Septimus Elphick is the Elphick, and that Breton is the
+young Maitland of whom Mrs. Gutch has been talking,&rdquo; he answered.
+</p>
+
+<p>
+The editor got up, thrust his hands in his pockets, and began to pace the room.
+</p>
+
+<p>
+&ldquo;If that&rsquo;s so,&rdquo; he said, &ldquo;if that&rsquo;s so, the
+mystery deepens. What do you propose to do, Spargo?&rdquo;
+</p>
+
+<p>
+&ldquo;I think,&rdquo; said Spargo, slowly, &ldquo;I think that without telling
+him anything of what we have learnt, I should like to see young Breton and get
+an introduction from him to Mr. Elphick. I can make a good excuse for wanting
+an interview with him. If you will leave it in my hands&mdash;&rdquo;
+</p>
+
+<p>
+&ldquo;Yes, yes!&rdquo; said the proprietor, waving a hand. &ldquo;Leave it
+entirely in Spargo&rsquo;s hands.&rdquo;
+</p>
+
+<p>
+&ldquo;Keep me informed,&rdquo; said the editor. &ldquo;Do what you think. It
+strikes me you&rsquo;re on the track.&rdquo;
+</p>
+
+<p>
+Spargo left their presence, and going back to his own room, still faintly
+redolent of the personality of Mrs. Gutch, got hold of the reporter who had
+been present at Bow Street when Aylmore was brought up that morning. There was
+nothing new; the authorities had merely asked for another remand. So far as the
+reporter knew, Aylmore had said nothing fresh to anybody.
+</p>
+
+<p>
+Spargo went round to the Temple and up to Ronald Breton&rsquo;s chambers. He
+found the young barrister just preparing to leave, and looking unusually grave
+and thoughtful. At sight of Spargo he turned back from his outer door, beckoned
+the journalist to follow him, and led him into an inner room.
+</p>
+
+<p>
+&ldquo;I say, Spargo!&rdquo; he said, as he motioned his visitor to take a
+chair. &ldquo;This is becoming something more than serious. You know what you
+told me to do yesterday as regards Aylmore?&rdquo;
+</p>
+
+<p>
+&ldquo;To get him to tell all?&mdash;Yes,&rdquo; said Spargo.
+</p>
+
+<p>
+Breton shook his head.
+</p>
+
+<p>
+&ldquo;Stratton&mdash;his solicitor, you know&mdash;and I saw him this morning
+before the police-court proceedings,&rdquo; he continued. &ldquo;I told him of
+my talk with you; I even went as far as to tell him that his daughters had been
+to the <i>Watchman</i> office. Stratton and I both begged him to take your
+advice and tell all, everything, no matter at what cost to his private
+feelings. We pointed out to him the serious nature of the evidence against him;
+how he had damaged himself by not telling the whole truth at once; how he had
+certainly done a great deal to excite suspicion against himself; how, as the
+evidence stands at present, any jury could scarcely do less than convict him.
+And it was all no good, Spargo!&rdquo;
+</p>
+
+<p>
+&ldquo;He won&rsquo;t say anything?&rdquo;
+</p>
+
+<p>
+&ldquo;He&rsquo;ll say no more. He was adamant. &lsquo;I told the entire truth
+in respect to my dealings with Marbury on the night he met his death at the
+inquest,&rsquo; he said, over and over again, &lsquo;and I shall say nothing
+further on any consideration. If the law likes to hang an innocent man on such
+evidence as that, let it!&rsquo; And he persisted in that until we left him.
+Spargo, I don&rsquo;t know what&rsquo;s to be done.&rdquo;
+</p>
+
+<p>
+&ldquo;And nothing happened at the police-court?&rdquo;
+</p>
+
+<p>
+&ldquo;Nothing&mdash;another remand. Stratton and I saw Aylmore again before he
+was removed. He left us with a sort of sardonic remark&mdash;&lsquo;If you all
+want to prove me innocent,&rsquo; he said, &lsquo;find the guilty
+man.&rsquo;&rdquo;
+</p>
+
+<p>
+&ldquo;Well, there was a tremendous lot of common sense in that,&rdquo; said
+Spargo.
+</p>
+
+<p>
+&ldquo;Yes, of course, but how, how, how is it going to be done?&rdquo;
+exclaimed Breton. &ldquo;Are you any nearer&mdash;is Rathbury any nearer? Is
+there the slightest clue that will fasten the guilt on anybody else?&rdquo;
+</p>
+
+<p>
+Spargo gave no answer to these questions. He remained silent a while,
+apparently thinking.
+</p>
+
+<p>
+&ldquo;Was Rathbury in court?&rdquo; he suddenly asked.
+</p>
+
+<p>
+&ldquo;He was,&rdquo; replied Breton. &ldquo;He was there with two or three
+other men who I suppose were detectives, and seemed to be greatly interested in
+Aylmore.&rdquo;
+</p>
+
+<p>
+&ldquo;If I don&rsquo;t see Rathbury tonight I&rsquo;ll see him in the
+morning,&rdquo; said Spargo. He rose as if to go, but after lingering a moment,
+sat down again. &ldquo;Look here,&rdquo; he continued, &ldquo;I don&rsquo;t
+know how this thing stands in law, but would it be a very weak case against
+Aylmore if the prosecution couldn&rsquo;t show some motive for his killing
+Marbury?&rdquo;
+</p>
+
+<p>
+Breton smiled.
+</p>
+
+<p>
+&ldquo;There&rsquo;s no necessity to prove motive in murder,&rdquo; he said.
+&ldquo;But I&rsquo;ll tell you what, Spargo&mdash;if the prosecution can show
+that Aylmore had a motive for getting rid of Marbury, if they could prove that
+it was to Aylmore&rsquo;s advantage to silence him&mdash;why, then, I
+don&rsquo;t think he&rsquo;s a chance.&rdquo;
+</p>
+
+<p>
+&ldquo;I see. But so far no motive, no reason for his killing Marbury has been
+shown.&rdquo;
+</p>
+
+<p>
+&ldquo;I know of none.&rdquo;
+</p>
+
+<p>
+Spargo rose and moved to the door.
+</p>
+
+<p>
+&ldquo;Well, I&rsquo;m off,&rdquo; he said. Then, as if he suddenly recollected
+something, he turned back. &ldquo;Oh, by the by,&rdquo; he said,
+&ldquo;isn&rsquo;t your guardian, Mr. Elphick, a big authority on
+philately?&rdquo;
+</p>
+
+<p>
+&ldquo;One of the biggest. Awful enthusiast.&rdquo;
+</p>
+
+<p>
+&ldquo;Do you think he&rsquo;d tell me a bit about those Australian stamps
+which Marbury showed to Criedir, the dealer?&rdquo;
+</p>
+
+<p>
+&ldquo;Certain, he would&mdash;delighted. Here&rdquo;&mdash;and Breton
+scribbled a few words on a card&mdash;&ldquo;there&rsquo;s his address and a
+word from me. I&rsquo;ll tell you when you can always find him in, five nights
+out of seven&mdash;at nine o&rsquo;clock, after he&rsquo;s dined. I&rsquo;d go
+with you tonight, but I must go to Aylmore&rsquo;s. The two girls are in
+terrible trouble.&rdquo;
+</p>
+
+<p>
+&ldquo;Give them a message from me,&rdquo; said Spargo as they went out
+together. &ldquo;Tell them to keep up their hearts and their courage.&rdquo;
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap27"></a>CHAPTER TWENTY-SEVEN<br/>
+MR. ELPHICK&rsquo;S CHAMBERS</h2>
+
+<p>
+Spargo went round again to the Temple that night at nine o&rsquo;clock, asking
+himself over and over again two questions&mdash;the first, how much does
+Elphick know? the second, how much shall I tell him?
+</p>
+
+<p>
+The old house in the Temple to which he repaired and in which many a generation
+of old fogies had lived since the days of Queen Anne, was full of stairs and
+passages, and as Spargo had forgotten to get the exact number of the set of
+chambers he wanted, he was obliged to wander about in what was a deserted
+building. So wandering, he suddenly heard steps, firm, decisive steps coming up
+a staircase which he himself had just climbed. He looked over the banisters
+down into the hollow beneath. And there, marching up resolutely, was the figure
+of a tall, veiled woman, and Spargo suddenly realized, with a sharp quickening
+of his pulses, that for the second time that day he was beneath one roof with
+Miss Baylis.
+</p>
+
+<p>
+Spargo&rsquo;s mind acted quickly. Knowing what he now knew, from his
+extraordinary dealings with Mother Gutch, he had no doubt whatever that Miss
+Baylis had come to see Mr. Elphick&mdash;come, of course, to tell Mr. Elphick
+that he, Spargo, had visited her that morning, and that he was on the track of
+the Maitland secret history. He had never thought of it before, for he had been
+busily engaged since the departure of Mother Gutch; but, naturally, Miss Baylis
+and Mr. Elphick would keep in communication with each other. At any rate, here
+she was, and her destination was, surely, Elphick&rsquo;s chambers. And the
+question for him, Spargo, was&mdash;what to do?
+</p>
+
+<p>
+What Spargo did was to remain in absolute silence, motionless, tense, where he
+was on the stair, and to trust to the chance that the woman did not look up.
+But Miss Baylis neither looked up nor down: she reached a landing, turned along
+a corridor with decision, and marched forward. A moment later Spargo heard a
+sharp double knock on a door: a moment after that he heard a door heavily shut;
+he knew then that Miss Baylis had sought and gained admittance&mdash;somewhere.
+</p>
+
+<p>
+To find out precisely where that somewhere was drew Spargo down to the landing
+which Miss Baylis had just left. There was no one about&mdash;he had not, in
+fact, seen a soul since he entered the building. Accordingly he went along the
+corridor into which he had seen Miss Baylis turn. He knew that all the doors in
+that house were double ones, and that the outer oak in each was solid and
+substantial enough to be sound proof. Yet, as men will under such
+circumstances, he walked softly; he said to himself, smiling at the thought,
+that he would be sure to start if somebody suddenly opened a door on him. But
+no hand opened any door, and at last he came to the end of the corridor and
+found himself confronting a small board on which was painted in white letters
+on a black ground, Mr. Elphick&rsquo;s Chambers.
+</p>
+
+<p>
+Having satisfied himself as to his exact whereabouts, Spargo drew back as
+quietly as he had come. There was a window half-way along the corridor from
+which, he had noticed as he came along, one could catch a glimpse of the
+Embankment and the Thames; to this he withdrew, and leaning on the sill looked
+out and considered matters. Should he go and&mdash;if he could gain
+admittance&mdash;beard these two conspirators? Should he wait until the woman
+came out and let her see that he was on the track? Should he hide again until
+she went, and then see Elphick alone?
+</p>
+
+<p>
+In the end Spargo did none of these things immediately. He let things slide for
+the moment. He lighted a cigarette and stared at the river and the brown sails,
+and the buildings across on the Surrey side. Ten minutes went by&mdash;twenty
+minutes&mdash;nothing happened. Then, as half-past nine struck from all the
+neighbouring clocks, Spargo flung away a second cigarette, marched straight
+down the corridor and knocked boldly at Mr. Elphick&rsquo;s door.
+</p>
+
+<p>
+Greatly to Spargo&rsquo;s surprise, the door was opened before there was any
+necessity to knock again. And there, calmly confronting him, a benevolent, yet
+somewhat deprecating expression on his spectacled and placid face, stood Mr.
+Elphick, a smoking cap on his head, a tasseled smoking jacket over his dress
+shirt, and a short pipe in his hand.
+</p>
+
+<p>
+Spargo was taken aback: Mr. Elphick apparently was not. He held the door well
+open, and motioned the journalist to enter.
+</p>
+
+<p>
+&ldquo;Come in, Mr. Spargo,&rdquo; he said. &ldquo;I was expecting you. Walk
+forward into my sitting-room.&rdquo;
+</p>
+
+<p>
+Spargo, much astonished at this reception, passed through an ante-room into a
+handsomely furnished apartment full of books and pictures. In spite of the fact
+that it was still very little past midsummer there was a cheery fire in the
+grate, and on a table set near a roomy arm-chair was set such creature comforts
+as a spirit-case, a syphon, a tumbler, and a novel&mdash;from which things
+Spargo argued that Mr. Elphick had been taking his ease since his dinner. But
+in another armchair on the opposite side of the hearth was the forbidding
+figure of Miss Baylis, blacker, gloomier, more mysterious than ever. She
+neither spoke nor moved when Spargo entered: she did not even look at him. And
+Spargo stood staring at her until Mr. Elphick, having closed his doors, touched
+him on the elbow, and motioned him courteously to a seat.
+</p>
+
+<p>
+&ldquo;Yes, I was expecting you, Mr. Spargo,&rdquo; he said, as he resumed his
+own chair. &ldquo;I have been expecting you at any time, ever since you took up
+your investigation of the Marbury affair, in some of the earlier stages of
+which you saw me, you will remember, at the mortuary. But since Miss Baylis
+told me, twenty minutes ago, that you had been to her this morning I felt sure
+that it would not be more than a few hours before you would come to me.&rdquo;
+</p>
+
+<p>
+&ldquo;Why, Mr. Elphick, should you suppose that I should come to you at
+all?&rdquo; asked Spargo, now in full possession of his wits.
+</p>
+
+<p>
+&ldquo;Because I felt sure that you would leave no stone unturned, no corner
+unexplored,&rdquo; replied Mr. Elphick. &ldquo;The curiosity of the modern
+pressman is insatiable.&rdquo;
+</p>
+
+<p>
+Spargo stiffened.
+</p>
+
+<p>
+&ldquo;I have no curiosity, Mr. Elphick,&rdquo; he said. &ldquo;I am charged by
+my paper to investigate the circumstances of the death of the man who was found
+in Middle Temple Lane, and, if possible, to track his murderer,
+and&mdash;&mdash;&rdquo;
+</p>
+
+<p>
+Mr. Elphick laughed slightly and waved his hand.
+</p>
+
+<p>
+&ldquo;My good young gentleman!&rdquo; he said. &ldquo;You exaggerate your own
+importance. I don&rsquo;t approve of modern journalism nor of its methods. In
+your own case you have got hold of some absurd notion that the man John Marbury
+was in reality one John Maitland, once of Market Milcaster, and you have been
+trying to frighten Miss Baylis here into&mdash;&mdash;&rdquo;
+</p>
+
+<p>
+Spargo suddenly rose from his chair. There was a certain temper in him which,
+when once roused, led him to straight hitting, and it was roused now. He looked
+the old barrister full in the face.
+</p>
+
+<p>
+&ldquo;Mr. Elphick,&rdquo; he said, &ldquo;you are evidently unaware of all
+that I know. So I will tell you what I will do. I will go back to my office,
+and I will write down what I do know, and give the true and absolute proofs of
+what I know, and, if you will trouble yourself to read the <i>Watchman</i>
+tomorrow morning, then you, too, will know.&rdquo;
+</p>
+
+<p>
+&ldquo;Dear me&mdash;dear me!&rdquo; said Mr. Elphick, banteringly. &ldquo;We
+are so used to ultra-sensational stories from the <i>Watchman</i>
+that&mdash;but I am a curious and inquisitive old man, my good young sir, so
+perhaps you will tell me in a word what it is you do know, eh?&rdquo;
+</p>
+
+<p>
+Spargo reflected for a second. Then he bent forward across the table and looked
+the old barrister straight in the face.
+</p>
+
+<p>
+&ldquo;Yes,&rdquo; he said quietly. &ldquo;I will tell you what I know beyond
+doubt. I know that the man murdered under the name of John Marbury was, without
+doubt, John Maitland, of Market Milcaster, and that Ronald Breton is his son,
+whom you took from that woman!&rdquo;
+</p>
+
+<p>
+If Spargo had desired a complete revenge for the cavalier fashion in which Mr.
+Elphick had treated it he could not have been afforded a more ample one than
+that offered to him by the old barrister&rsquo;s reception of this news. Mr.
+Elphick&rsquo;s face not only fell, but changed; his expression of almost
+sneering contempt was transformed to one clearly resembling abject terror; he
+dropped his pipe, fell back in his chair, recovered himself, gripped the
+chair&rsquo;s arms, and stared at Spargo as if the young man had suddenly
+announced to him that in another minute he must be led to instant execution.
+And Spargo, quick to see his advantage, followed it up.
+</p>
+
+<p>
+&ldquo;That is what I know, Mr. Elphick, and if I choose, all the world shall
+know it tomorrow morning!&rdquo; he said firmly. &ldquo;Ronald Breton is the
+son of the murdered man, and Ronald Breton is engaged to be married to the
+daughter of the man charged with the murder. Do you hear that? It is not matter
+of suspicion, or of idea, or of conjecture, it is fact&mdash;fact!&rdquo;
+</p>
+
+<p>
+Mr. Elphick slowly turned his face to Miss Baylis. He gasped out a few words.
+</p>
+
+<p>
+&ldquo;You&mdash;did&mdash;not&mdash;tell&mdash;me&mdash;this!&rdquo;
+</p>
+
+<p>
+Then Spargo, turning to the woman, saw that she, too, was white to the lips and
+as frightened as the man.
+</p>
+
+<p>
+&ldquo;I&mdash;didn&rsquo;t know!&rdquo; she muttered. &ldquo;He didn&rsquo;t
+tell me. He only told me this morning what&mdash;what I&rsquo;ve told
+you.&rdquo;
+</p>
+
+<p>
+Spargo picked up his hat.
+</p>
+
+<p>
+&ldquo;Good-night, Mr. Elphick,&rdquo; he said.
+</p>
+
+<p>
+But before he could reach the door the old barrister had leapt from his chair
+and seized him with trembling hands. Spargo turned and looked at him. He knew
+then that for some reason or other he had given Mr. Septimus Elphick a
+thoroughly bad fright.
+</p>
+
+<p>
+&ldquo;Well?&rdquo; he growled.
+</p>
+
+<p>
+&ldquo;My dear young gentleman!&rdquo; implored Mr. Elphick. &ldquo;Don&rsquo;t
+go! I&rsquo;ll&mdash;I&rsquo;ll do anything for you if you won&rsquo;t go away
+to print that. I&rsquo;ll&mdash;I&rsquo;ll give you a thousand pounds!&rdquo;
+</p>
+
+<p>
+Spargo shook him off.
+</p>
+
+<p>
+&ldquo;That&rsquo;s enough!&rdquo; he snarled. &ldquo;Now, I am off! What,
+you&rsquo;d try to bribe me?&rdquo;
+</p>
+
+<p>
+Mr. Elphick wrung his hands.
+</p>
+
+<p>
+&ldquo;I didn&rsquo;t mean that&mdash;indeed I didn&rsquo;t!&rdquo; he almost
+wailed. &ldquo;I&mdash;I don&rsquo;t know what I meant. Stay, young gentleman,
+stay a little, and let us&mdash;let us talk. Let me have a word with
+you&mdash;as many words as you please. I implore you!&rdquo;
+</p>
+
+<p>
+Spargo made a fine pretence of hesitation.
+</p>
+
+<p>
+&ldquo;If I stay,&rdquo; he said, at last, &ldquo;it will only be on the strict
+condition that you answer&mdash;and answer truly&mdash;whatever questions I
+like to ask you. Otherwise&mdash;&mdash;&rdquo;
+</p>
+
+<p>
+He made another move to the door, and again Mr. Elphick laid beseeching hands
+on him.
+</p>
+
+<p>
+&ldquo;Stay!&rdquo; he said. &ldquo;I&rsquo;ll answer anything you like!&rdquo;
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap28"></a>CHAPTER TWENTY-EIGHT<br/>
+OF PROVED IDENTITY</h2>
+
+<p>
+Spargo sat down again in the chair which he had just left, and looked at the
+two people upon whom his startling announcement had produced such a curious
+effect. And he recognized as he looked at them that, while they were both
+frightened, they were frightened in different ways. Miss Baylis had already
+recovered her composure; she now sat sombre and stern as ever, returning
+Spargo&rsquo;s look with something of indifferent defiance; he thought he could
+see that in her mind a certain fear was battling with a certain amount of
+wonder that he had discovered the secret. It seemed to him that so far as she
+was concerned the secret had come to an end; it was as if she said in so many
+words that now the secret was out he might do his worst.
+</p>
+
+<p>
+But upon Mr. Septimus Elphick the effect was very different. He was still
+trembling from excitement; he groaned as he sank into his chair and the hand
+with which he poured out a glass of spirits shook; the glass rattled against
+his teeth when he raised it to his lips. The half-contemptuous fashion of his
+reception of Spargo had now wholly disappeared; he was a man who had received a
+shock, and a bad one. And Spargo, watching him keenly, said to himself: This
+man knows a great deal more than, a great deal beyond, the mere fact that
+Marbury was Maitland, and that Ronald Breton is in reality Maitland&rsquo;s
+son; he knows something which he never wanted anybody to know, which he firmly
+believed it impossible anybody ever could know. It was as if he had buried
+something deep, deep down in the lowest depths, and was as astounded as he was
+frightened to find that it had been at last flung up to the broad light of day.
+</p>
+
+<p>
+&ldquo;I shall wait,&rdquo; suddenly said Spargo, &ldquo;until you are
+composed, Mr. Elphick. I have no wish to distress you. But I see, of course,
+that the truths which I have told you are of a sort that cause you
+considerable&mdash;shall we say fear?&rdquo;
+</p>
+
+<p>
+Elphick took another stiff pull at his liquor. His hand had grown steadier, and
+the colour was coming back to his face.
+</p>
+
+<p>
+&ldquo;If you will let me explain,&rdquo; he said. &ldquo;If you will hear what
+was done for the boy&rsquo;s sake&mdash;eh?&rdquo;
+</p>
+
+<p>
+&ldquo;That,&rdquo; answered Spargo, &ldquo;is precisely what I wish. I can
+tell you this&mdash;I am the last man in the world to wish harm of any sort to
+Mr. Breton.&rdquo;
+</p>
+
+<p>
+Miss Baylis relieved her feelings with a scornful sniff. &ldquo;He says
+that!&rdquo; she exclaimed, addressing the ceiling. &ldquo;He says that,
+knowing that he means to tell the world in his rag of a paper that Ronald
+Breton, on whom every care has been lavished, is the son of a scoundrel, an
+ex-convict, a&mdash;&mdash;&rdquo;
+</p>
+
+<p>
+Elphick lifted his hand.
+</p>
+
+<p>
+&ldquo;Hush&mdash;hush!&rdquo; he said imploringly. &ldquo;Mr. Spargo means
+well, I am sure&mdash;I am convinced. If Mr. Spargo will hear
+me&mdash;&mdash;&rdquo;
+</p>
+
+<p>
+But before Spargo could reply, a loud insistent knocking came at the outer
+door. Elphick started nervously, but presently he moved across the room,
+walking as if he had received a blow, and opened the door. A boy&rsquo;s voice
+penetrated into the sitting-room.
+</p>
+
+<p>
+&ldquo;If you please, sir, is Mr. Spargo, of the <i>Watchman</i>, here? He left
+this address in case he was wanted.&rdquo;
+</p>
+
+<p>
+Spargo recognized the voice as that of one of the office messenger boys, and
+jumping up, went to the door.
+</p>
+
+<p>
+&ldquo;What is it, Rawlins?&rdquo; he asked.
+</p>
+
+<p>
+&ldquo;Will you please come back to the office, sir, at once? There&rsquo;s Mr.
+Rathbury there and says he must see you instantly.&rdquo;
+</p>
+
+<p>
+&ldquo;All right,&rdquo; answered Spargo. &ldquo;I&rsquo;m coming just
+now.&rdquo;
+</p>
+
+<p>
+He motioned the lad away, and turned to Elphick.
+</p>
+
+<p>
+&ldquo;I shall have to go,&rdquo; he said. &ldquo;I may be kept. Now, Mr.
+Elphick, can I come to see you tomorrow morning?&rdquo;
+</p>
+
+<p>
+&ldquo;Yes, yes, tomorrow morning!&rdquo; replied Elphick eagerly.
+&ldquo;Tomorrow morning, certainly. At eleven&mdash;eleven o&rsquo;clock. That
+will do?&rdquo;
+</p>
+
+<p>
+&ldquo;I shall be here at eleven,&rdquo; said Spargo. &ldquo;Eleven
+sharp.&rdquo;
+</p>
+
+<p>
+He was moving away when Elphick caught him by the sleeve.
+</p>
+
+<p>
+&ldquo;A word&mdash;just a word!&rdquo; he said. &ldquo;You&mdash;you have not
+told the&mdash;the boy&mdash;Ronald&mdash;of what you know? You
+haven&rsquo;t?&rdquo;
+</p>
+
+<p>
+&ldquo;I haven&rsquo;t,&rdquo; replied Spargo.
+</p>
+
+<p>
+Elphick tightened his grip on Spargo&rsquo;s sleeve. He looked into his face
+beseechingly.
+</p>
+
+<p>
+&ldquo;Promise me&mdash;promise me, Mr. Spargo, that you won&rsquo;t tell him
+until you have seen me in the morning!&rdquo; he implored. &ldquo;I beg you to
+promise me this.&rdquo;
+</p>
+
+<p>
+Spargo hesitated, considering matters.
+</p>
+
+<p>
+&ldquo;Very well&mdash;I promise,&rdquo; he said.
+</p>
+
+<p>
+&ldquo;And you won&rsquo;t print it?&rdquo; continued Elphick, still clinging
+to him. &ldquo;Say you won&rsquo;t print it tonight?&rdquo;
+</p>
+
+<p>
+&ldquo;I shall not print it tonight,&rdquo; answered Spargo.
+&ldquo;That&rsquo;s certain.&rdquo;
+</p>
+
+<p>
+Elphick released his grip on the young man&rsquo;s arm.
+</p>
+
+<p>
+&ldquo;Come&mdash;at eleven tomorrow morning,&rdquo; he said, and drew back and
+closed the door.
+</p>
+
+<p>
+Spargo ran quickly to the office and hurried up to his own room. And there,
+calmly seated in an easy-chair, smoking a cigar, and reading an evening
+newspaper, was Rathbury, unconcerned and outwardly as imperturbable as ever. He
+greeted Spargo with a careless nod and a smile.
+</p>
+
+<p>
+&ldquo;Well,&rdquo; he said, &ldquo;how&rsquo;s things?&rdquo;
+</p>
+
+<p>
+Spargo, half-breathless, dropped into his desk-chair.
+</p>
+
+<p>
+&ldquo;You didn&rsquo;t come here to tell me that,&rdquo; he said.
+</p>
+
+<p>
+Rathbury laughed.
+</p>
+
+<p>
+&ldquo;No,&rdquo; he said, throwing the newspaper aside, &ldquo;I didn&rsquo;t.
+I came to tell you my latest. You&rsquo;re at full liberty to stick it into
+your paper tonight: it may just as well be known.&rdquo;
+</p>
+
+<p>
+&ldquo;Well?&rdquo; said Spargo.
+</p>
+
+<p>
+Rathbury took his cigar out of his lips and yawned.
+</p>
+
+<p>
+&ldquo;Aylmore&rsquo;s identified,&rdquo; he said lazily.
+</p>
+
+<p>
+Spargo sat up, sharply.
+</p>
+
+<p>
+&ldquo;Identified!&rdquo;
+</p>
+
+<p>
+&ldquo;Identified, my son. Beyond doubt.&rdquo;
+</p>
+
+<p>
+&ldquo;But as whom&mdash;as what?&rdquo; exclaimed Spargo.
+</p>
+
+<p>
+Rathbury laughed.
+</p>
+
+<p>
+&ldquo;He&rsquo;s an old lag&mdash;an ex-convict. Served his time partly at
+Dartmoor. That, of course, is where he met Maitland or Marbury. D&rsquo;ye see?
+Clear as noontide now, Spargo.&rdquo;
+</p>
+
+<p>
+Spargo sat drumming his fingers on the desk before him. His eyes were fixed on
+a map of London that hung on the opposite wall; his ears heard the throbbing of
+the printing-machines far below. But what he really saw was the faces of the
+two girls; what he really heard was the voices of two girls …
+</p>
+
+<p>
+&ldquo;Clear as noontide&mdash;as noontide,&rdquo; repeated Rathbury with great
+cheerfulness.
+</p>
+
+<p>
+Spargo came back to the earth of plain and brutal fact.
+</p>
+
+<p>
+&ldquo;What&rsquo;s clear as noontide?&rdquo; he asked sharply.
+</p>
+
+<p>
+&ldquo;What? Why, the whole thing! Motive&mdash;everything,&rdquo; answered
+Rathbury. &ldquo;Don&rsquo;t you see, Maitland and Aylmore (his real name is
+Ainsworth, by the by) meet at Dartmoor, probably, or, rather, certainly, just
+before Aylmore&rsquo;s release. Aylmore goes abroad, makes money, in time comes
+back, starts new career, gets into Parliament, becomes big man. In time,
+Maitland, who, after his time, has also gone abroad, also comes back. The two
+meet. Maitland probably tries to blackmail Aylmore or threatens to let folk
+know that the flourishing Mr. Aylmore, M.P., is an ex-convict.
+Result&mdash;Aylmore lures him to the Temple and quiets him. Pooh!&mdash;the
+whole thing&rsquo;s clear as noontide, as I say. As&mdash;noontide!&rdquo;
+</p>
+
+<p>
+Spargo drummed his fingers again.
+</p>
+
+<p>
+&ldquo;How?&rdquo; he asked quietly. &ldquo;How came Aylmore to be
+identified?&rdquo;
+</p>
+
+<p>
+&ldquo;My work,&rdquo; said Rathbury proudly. &ldquo;My work, my son. You see,
+I thought a lot. And especially after we&rsquo;d found out that Marbury was
+Maitland.&rdquo;
+</p>
+
+<p>
+&ldquo;You mean after I&rsquo;d found out,&rdquo; remarked Spargo.
+</p>
+
+<p>
+Rathbury waved his cigar.
+</p>
+
+<p>
+&ldquo;Well, well, it&rsquo;s all the same,&rdquo; he said. &ldquo;You help me,
+and I help you, eh? Well, as I say, I thought a considerable lot. I
+thought&mdash;now, where did Maitland, or Marbury, know or meet Aylmore twenty
+or twenty-two years ago? Not in London, because we knew Maitland never was in
+London&mdash;at any rate, before his trial, and we haven&rsquo;t the least
+proof that he was in London after. And why won&rsquo;t Aylmore tell? Clearly
+because it must have been in some undesirable place. And then, all of a sudden,
+it flashed on me in a moment of&mdash;what do you writing fellows call those
+moments, Spargo?&rdquo;
+</p>
+
+<p>
+&ldquo;Inspiration, I should think,&rdquo; said Spargo. &ldquo;Direct
+inspiration.&rdquo;
+</p>
+
+<p>
+&ldquo;That&rsquo;s it. In a moment of direct inspiration, it flashed on
+me&mdash;why, twenty years ago, Maitland was in Dartmoor&mdash;they must have
+met there! And so, we got some old warders who&rsquo;d been there at that time
+to come to town, and we gave &rsquo;em opportunities to see Aylmore and to
+study him. Of course, he&rsquo;s twenty years older, and he&rsquo;s grown a
+beard, but they began to recall him, and then one man remembered that if he was
+the man they thought he&rsquo;d a certain birth-mark. And&mdash;he has!&rdquo;
+</p>
+
+<p>
+&ldquo;Does Aylmore know that he&rsquo;s been identified?&rdquo; asked Spargo.
+</p>
+
+<p>
+Rathbury pitched his cigar into the fireplace and laughed.
+</p>
+
+<p>
+&ldquo;Know!&rdquo; he said scornfully. &ldquo;Know? He&rsquo;s admitted it.
+What was the use of standing out against proof like that. He admitted it
+tonight in my presence. Oh, he knows all right!&rdquo;
+</p>
+
+<p>
+&ldquo;And what did he say?&rdquo;
+</p>
+
+<p>
+Rathbury laughed contemptuously.
+</p>
+
+<p>
+&ldquo;Say? Oh, not much. Pretty much what he said about this affair&mdash;that
+when he was convicted the time before he was an innocent man. He&rsquo;s
+certainly a good hand at playing the innocent game.&rdquo;
+</p>
+
+<p>
+&ldquo;And of what was he convicted?&rdquo;
+</p>
+
+<p>
+&ldquo;Oh, of course, we know all about it&mdash;now. As soon as we found out
+who he really was, we had all the particulars turned up. Aylmore, or Ainsworth
+(Stephen Ainsworth his name really is) was a man who ran a sort of what they
+call a Mutual Benefit Society in a town right away up in the
+North&mdash;Cloudhampton&mdash;some thirty years ago. He was nominally
+secretary, but it was really his own affair. It was patronized by the working
+classes&mdash;Cloudhampton&rsquo;s a purely artisan population&mdash;and they
+stuck a lot of their brass, as they call it, in it. Then suddenly it came to
+smash, and there was nothing. He&mdash;Ainsworth, or Aylmore&mdash;pleaded that
+he was robbed and duped by another man, but the court didn&rsquo;t believe him,
+and he got seven years. Plain story you see, Spargo, when it all comes out,
+eh?&rdquo;
+</p>
+
+<p>
+&ldquo;All stories are quite plain&mdash;when they come out,&rdquo; observed
+Spargo. &ldquo;And he kept silence now, I suppose, because he didn&rsquo;t want
+his daughters to know about his past?&rdquo;
+</p>
+
+<p>
+&ldquo;Just so,&rdquo; agreed Rathbury. &ldquo;And I don&rsquo;t know that I
+blame him. He thought, of course, that he&rsquo;d go scot-free over this
+Marbury affair. But he made his mistake in the initial stages, my boy&mdash;oh,
+yes!&rdquo;
+</p>
+
+<p>
+Spargo got up from his desk and walked around his room for a few minutes,
+Rathbury meanwhile finding and lighting another cigar. At last Spargo came back
+and clapped a hand on the detective&rsquo;s shoulder.
+</p>
+
+<p>
+&ldquo;Look here, Rathbury!&rdquo; he said. &ldquo;It&rsquo;s very evident that
+you&rsquo;re now going on the lines that Aylmore did murder Marbury. Eh?&rdquo;
+</p>
+
+<p>
+Rathbury looked up. His face showed astonishment.
+</p>
+
+<p>
+&ldquo;After evidence like that!&rdquo; he exclaimed. &ldquo;Why, of course.
+There&rsquo;s the motive, my son, the motive!&rdquo;
+</p>
+
+<p>
+Spargo laughed.
+</p>
+
+<p>
+&ldquo;Rathbury!&rdquo; he said. &ldquo;Aylmore no more murdered Marbury than
+you did!&rdquo;
+</p>
+
+<p>
+The detective got up and put on his hat.
+</p>
+
+<p>
+&ldquo;Oh!&rdquo; he said. &ldquo;Perhaps you know who did, then?&rdquo;
+</p>
+
+<p>
+&ldquo;I shall know in a few days,&rdquo; answered Spargo.
+</p>
+
+<p>
+Rathbury stared wonderingly at him. Then he suddenly walked to the door.
+&ldquo;Good-night!&rdquo; he said gruffly.
+</p>
+
+<p>
+&ldquo;Good-night, Rathbury,&rdquo; replied Spargo and sat down at his desk.
+</p>
+
+<p>
+But that night Spargo wrote nothing for the <i>Watchman</i>. All he wrote was a
+short telegram addressed to Aylmore&rsquo;s daughters. There were only three
+words on it&mdash;<i>Have no fear.</i>
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap29"></a>CHAPTER TWENTY-NINE<br/>
+THE CLOSED DOORS</h2>
+
+<p>
+Alone of all the London morning newspapers, the <i>Watchman</i> appeared next
+day destitute of sensationalism in respect to the Middle Temple Murder. The
+other daily journals published more or less vivid accounts of the
+identification of Mr. Stephen Aylmore, M.P. for the Brookminster Division, as
+the <i>ci-devant</i> Stephen Ainsworth, ex-convict, once upon a time founder
+and secretary of the Hearth and Home Mutual Benefit Society, the headquarters
+of which had been at Cloudhampton, in Daleshire; the fall of which had involved
+thousands of honest working folk in terrible distress if not in absolute ruin.
+Most of them had raked up Ainsworth&rsquo;s past to considerable journalistic
+purpose: it had been an easy matter to turn up old files, to recount the fall
+of the Hearth and Home, to tell anew the story of the privations of the humble
+investors whose small hoards had gone in the crash; it had been easy, too, to
+set out again the history of Ainsworth&rsquo;s arrest, trial, and fate. There
+was plenty of romance in the story: it was that of a man who by his financial
+ability had built up a great industrial insurance society; had&mdash;as was
+alleged&mdash;converted the large sums entrusted to him to his own purposes;
+had been detected and punished; had disappeared, after his punishment, so
+effectually that no one knew where he had gone; had come back, comparatively a
+few years later, under another name, a very rich man, and had entered
+Parliament and been, in a modest way, a public character without any of those
+who knew him in his new career suspecting that he had once worn a dress
+liberally ornamented with the broad arrow. Fine copy, excellent copy: some of
+the morning newspapers made a couple of columns of it.
+</p>
+
+<p>
+But the <i>Watchman</i>, up to then easily ahead of all its contemporaries in
+keeping the public informed of all the latest news in connection with the
+Marbury affair, contented itself with a brief announcement. For after Rathbury
+had left him, Spargo had sought his proprietor and his editor, and had sat long
+in consultation with them, and the result of their talk had been that all the
+<i>Watchman</i> thought fit to tell its readers next morning was contained in a
+curt paragraph:
+</p>
+
+<p>
+&ldquo;We understand that Mr. Stephen Aylmore, M.P., who is charged with the
+murder of John Marbury, or Maitland, in the Temple on June 21st last, was
+yesterday afternoon identified by certain officials as Stephen Ainsworth, who
+was sentenced to a term of penal servitude in connection with the Hearth and
+Home Mutual Benefit Society funds nearly thirty years ago.&rdquo;
+</p>
+
+<p>
+Coming down to Fleet Street that morning, Spargo, strolling jauntily along the
+front of the Law Courts, encountered a fellow-journalist, a man on an
+opposition newspaper, who grinned at him in a fashion which indicated derision.
+</p>
+
+<p>
+&ldquo;Left behind a bit, that rag of yours, this morning, Spargo, my
+boy!&rdquo; he remarked elegantly. &ldquo;Why, you&rsquo;ve missed one of the
+finest opportunities I ever heard of in connection with that Aylmore affair. A
+miserable paragraph!&mdash;why, I worked off a column and a half in ours! What
+were you doing last night, old man?&rdquo;
+</p>
+
+<p>
+&ldquo;Sleeping,&rdquo; said Spargo and went by with a nod.
+&ldquo;Sleeping!&rdquo;
+</p>
+
+<p>
+He left the other staring at him, and crossed the road to Middle Temple Lane.
+It was just on the stroke of eleven as he walked up the stairs to Mr.
+Elphick&rsquo;s chambers; precisely eleven as he knocked at the outer door. It
+is seldom that outer doors are closed in the Temple at that hour, but
+Elphick&rsquo;s door was closed fast enough. The night before it had been
+promptly opened, but there was no response to Spargo&rsquo;s first knock, nor
+to his second, nor to his third. And half-unconsciously he murmured aloud:
+&ldquo;Elphick&rsquo;s door is closed!&rdquo;
+</p>
+
+<p>
+It never occurred to Spargo to knock again: instinct told him that
+Elphick&rsquo;s door was closed because Elphick was not there; closed because
+Elphick was not going to keep the appointment. He turned and walked slowly back
+along the corridor. And just as he reached the head of the stairs Ronald
+Breton, pale and anxious, came running up them, and at sight of Spargo paused,
+staring questioningly at him. As if with a mutual sympathy the two young men
+shook hands.
+</p>
+
+<p>
+&ldquo;I&rsquo;m glad you didn&rsquo;t print more than those two or three lines
+in the <i>Watchman</i> this morning,&rdquo; said Breton. &ldquo;It
+was&mdash;considerate. As for the other papers!&mdash;Aylmore assured me last
+night, Spargo, that though he did serve that term at Dartmoor he was innocent
+enough! He was scapegoat for another man who disappeared.&rdquo;
+</p>
+
+<p>
+Then, as Spargo merely nodded, he added, awkwardly:
+</p>
+
+<p>
+&ldquo;And I&rsquo;m obliged to you, too, old chap, for sending that wire to
+the two girls last night&mdash;it was good of you. They want all the comfort
+they can get, poor things! But&mdash;what are you doing here, Spargo?&rdquo;
+</p>
+
+<p>
+Spargo leant against the head of the stairs and folded his hands.
+</p>
+
+<p>
+&ldquo;I came here,&rdquo; he said, &ldquo;to keep an appointment with Mr.
+Elphick&mdash;an appointment which he made when I called on him, as you
+suggested, at nine o&rsquo;clock. The appointment&mdash;a most important
+one&mdash;was for eleven o&rsquo;clock.&rdquo;
+</p>
+
+<p>
+Breton glanced at his watch.
+</p>
+
+<p>
+&ldquo;Come on, then,&rdquo; he said. &ldquo;It&rsquo;s well past that now, and
+my guardian&rsquo;s a very martinet in the matter of punctuality.&rdquo;
+</p>
+
+<p>
+But Spargo did not move. Instead, he shook his head, regarding Breton with
+troubled eyes.
+</p>
+
+<p>
+&ldquo;So am I,&rdquo; he answered. &ldquo;I was trained to it. Your guardian
+isn&rsquo;t there, Breton.&rdquo;
+</p>
+
+<p>
+&ldquo;Not there? If he made an appointment for eleven? Nonsense&mdash;I never
+knew him miss an appointment!&rdquo;
+</p>
+
+<p>
+&ldquo;I knocked three times&mdash;three separate times,&rdquo; answered
+Spargo.
+</p>
+
+<p>
+&ldquo;You should have knocked half a dozen times&mdash;he may have overslept
+himself. He sits up late&mdash;he and old Cardlestone often sit up half the
+night, talking stamps or playing piquet,&rdquo; said Breton. &ldquo;Come
+on&mdash;you&rsquo;ll see!&rdquo;
+</p>
+
+<p>
+Spargo shook his head again.
+</p>
+
+<p>
+&ldquo;He&rsquo;s not there, Breton,&rdquo; he said. &ldquo;He&rsquo;s
+gone!&rdquo;
+</p>
+
+<p>
+Breton stared at the journalist as if he had just announced that he had seen
+Mr. Septimus Elphick riding down Fleet Street on a dromedary. He seized
+Spargo&rsquo;s elbow.
+</p>
+
+<p>
+&ldquo;Come on!&rdquo; he said. &ldquo;I have a key to Mr. Elphick&rsquo;s
+door, so that I can go in and out as I like. I&rsquo;ll soon show you whether
+he&rsquo;s gone or not.&rdquo;
+</p>
+
+<p>
+Spargo followed the young barrister down the corridor.
+</p>
+
+<p>
+&ldquo;All the same,&rdquo; he said meditatively as Breton fitted a key to the
+latch, &ldquo;he&rsquo;s not there, Breton. He&rsquo;s&mdash;off!&rdquo;
+</p>
+
+<p>
+&ldquo;Good heavens, man, I don&rsquo;t know what you&rsquo;re talking
+about!&rdquo; exclaimed Breton, opening the door and walking into the lobby.
+&ldquo;Off! Where on earth should he be off to, when he&rsquo;s made an
+appointment with you for eleven, and&mdash;Hullo!&rdquo;
+</p>
+
+<p>
+He had opened the door of the room in which Spargo had met Elphick and Miss
+Baylis the night before, and was walking in when he pulled himself up on the
+threshold with a sharp exclamation.
+</p>
+
+<p>
+&ldquo;Good God!&rdquo; he cried. &ldquo;What&mdash;what&rsquo;s all
+this?&rdquo;
+</p>
+
+<p>
+Spargo quietly looked over Breton&rsquo;s shoulder. It needed but one quick
+glance to show him that much had happened in that quiet room since he had
+quitted it the night before. There stood the easy-chair in which he had left
+Elphick; there, close by it, but pushed aside, as if by a hurried hand, was the
+little table with its spirit case, its syphon, its glass, in which stale liquid
+still stood; there was the novel, turned face downwards; there, upon the novel,
+was Elphick&rsquo;s pipe. But the rest of the room was in dire confusion. The
+drawers of a bureau had been pulled open and never put back; papers of all
+descriptions, old legal-looking documents, old letters, littered the
+centre-table and the floor; in one corner of the room a black japanned box had
+been opened, its contents strewn about, and the lid left yawning. And in the
+grate, and all over the fender there were masses of burned and charred paper;
+it was only too evident that the occupant of the chambers, wherever he might
+have disappeared to, had spent some time before his disappearance in destroying
+a considerable heap of documents and papers, and in such haste that he had not
+troubled to put matters straight before he went.
+</p>
+
+<p>
+Breton stared at this scene for a moment in utter consternation. Then he made
+one step towards an inner door, and Spargo followed him. Together they entered
+an inner room&mdash;a sleeping apartment. There was no one in it, but there
+were evidences that Elphick had just as hastily packed a bag as he had
+destroyed his papers. The clothes which Spargo had seen him wearing the
+previous evening were flung here, there, everywhere: the gorgeous
+smoking-jacket was tossed unceremoniously in one corner, a dress-shirt, in the
+bosom of which valuable studs still glistened, in another. One or two suitcases
+lay about, as if they had been examined and discarded in favour of something
+more portable; here, too, drawers, revealing stocks of linen and underclothing,
+had been torn open and left open; open, too, swung the door of a wardrobe,
+revealing a quantity of expensive clothing. And Spargo, looking around him,
+seemed to see all that had happened&mdash;the hasty, almost frantic search for
+and tearing up and burning of papers; the hurried change of clothing, of
+packing necessaries into a bag that could be carried, and then the flight the
+getting away, the&mdash;&mdash;
+</p>
+
+<p>
+&ldquo;What on earth does all this mean?&rdquo; exclaimed Breton. &ldquo;What
+is it, Spargo?&rdquo;
+</p>
+
+<p>
+&ldquo;I mean exactly what I told you,&rdquo; answered Spargo.
+&ldquo;He&rsquo;s off! Off!&rdquo;
+</p>
+
+<p>
+&ldquo;Off! But why off? What&mdash;my guardian!&mdash;as quiet an old
+gentleman as there is in the Temple&mdash;off!&rdquo; cried Breton. &ldquo;For
+what reason, eh? It isn&rsquo;t&mdash;good God, Spargo, it isn&rsquo;t because
+of anything you said to him last night!&rdquo;
+</p>
+
+<p>
+&ldquo;I should say it is precisely because of something that I said to him
+last night,&rdquo; replied Spargo. &ldquo;I was a fool ever to let him out of
+my sight.&rdquo;
+</p>
+
+<p>
+Breton turned on his companion and gasped.
+</p>
+
+<p>
+&ldquo;Out&mdash;of&mdash;your&mdash;sight!&rdquo; he exclaimed.
+&ldquo;Why&mdash;why&mdash;you don&rsquo;t mean to say that Mr. Elphick has
+anything to do with this Marbury affair? For God&rsquo;s sake,
+Spargo&mdash;&mdash;&rdquo;
+</p>
+
+<p>
+Spargo laid a hand on the young barrister&rsquo;s shoulder.
+</p>
+
+<p>
+&ldquo;I&rsquo;m afraid you&rsquo;ll have to hear a good deal, Breton,&rdquo;
+he said. &ldquo;I was going to talk to you today in any case. You
+see&mdash;&mdash;&rdquo;
+</p>
+
+<p>
+Before Spargo could say more a woman, bearing the implements which denote the
+charwoman&rsquo;s profession, entered the room and immediately cried out at
+what she saw. Breton turned on her almost savagely.
+</p>
+
+<p>
+&ldquo;Here, you!&rdquo; he said. &ldquo;Have you seen anything of Mr. Elphick
+this morning?&rdquo;
+</p>
+
+<p>
+The charwoman rolled her eyes and lifted her hands.
+</p>
+
+<p>
+&ldquo;Me, sir! Not a sign of him, sir. Which I never comes here much before
+half-past eleven, sir, Mr. Elphick being then gone out to his breakfast. I see
+him yesterday morning, sir, which he was then in his usual state of good
+health, sir, if any thing&rsquo;s the matter with him now. No, sir, I
+ain&rsquo;t seen nothing of him.&rdquo;
+</p>
+
+<p>
+Breton let out another exclamation of impatience.
+</p>
+
+<p>
+&ldquo;You&rsquo;d better leave all this,&rdquo; he said. &ldquo;Mr.
+Elphick&rsquo;s evidently gone away in a hurry, and you mustn&rsquo;t touch
+anything here until he comes back. I&rsquo;m going to lock up the chambers: if
+you&rsquo;ve a key of them give it to me.&rdquo;
+</p>
+
+<p>
+The charwoman handed over a key, gave another astonished look at the rooms, and
+vanished, muttering, and Breton turned to Spargo.
+</p>
+
+<p>
+&ldquo;What do you say?&rdquo; he demanded. &ldquo;I must hear&mdash;a good
+deal! Out with it, then, man, for Heaven&rsquo;s sake.&rdquo;
+</p>
+
+<p>
+But Spargo shook his head.
+</p>
+
+<p>
+&ldquo;Not now, Breton,&rdquo; he answered. &ldquo;Presently, I tell you, for
+Miss Aylmore&rsquo;s sake, and your own, the first thing to do is to get on
+your guardian&rsquo;s track. We must&mdash;must, I say!&mdash;and at
+once.&rdquo;
+</p>
+
+<p>
+Breton stood staring at Spargo for a moment as if he could not credit his own
+senses. Then he suddenly motioned Spargo out of the room.
+</p>
+
+<p>
+&ldquo;Come on!&rdquo; he said. &ldquo;I know who&rsquo;ll know where he is, if
+anybody does.&rdquo;
+</p>
+
+<p>
+&ldquo;Who, then?&rdquo; asked Spargo, as they hurried out.
+</p>
+
+<p>
+&ldquo;Cardlestone,&rdquo; answered Breton, grimly. &ldquo;Cardlestone!&rdquo;
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap30"></a>CHAPTER THIRTY<br/>
+REVELATION</h2>
+
+<p>
+There was as much bright sunshine that morning in Middle Temple Lane as ever
+manages to get into it, and some of it was shining in the entry into which
+Spargo and Breton presently hurried. Full of haste as he was Breton paused at
+the foot of the stair. He looked down at the floor and at the wall at its side.
+</p>
+
+<p>
+&ldquo;Wasn&rsquo;t it there?&rdquo; he said in a low voice, pointing at the
+place he looked at. &ldquo;Wasn&rsquo;t it there, Spargo, just there, that
+Marbury, or, rather, Maitland, was found?&rdquo;
+</p>
+
+<p>
+&ldquo;It was just there,&rdquo; answered Spargo.
+</p>
+
+<p>
+&ldquo;You saw him?&rdquo;
+</p>
+
+<p>
+&ldquo;I saw him.&rdquo;
+</p>
+
+<p>
+&ldquo;Soon&mdash;afterwards?&rdquo;
+</p>
+
+<p>
+&ldquo;Immediately after he was found. You know all that, Breton. Why do you
+ask now?&rdquo;
+</p>
+
+<p>
+Breton, who was still staring at the place on which he had fixed his eyes on
+walking into the entry, shook his head.
+</p>
+
+<p>
+&ldquo;Don&rsquo;t know,&rdquo; he answered. &ldquo;I&mdash;but come
+on&mdash;let&rsquo;s see if old Cardlestone can tell us anything.&rdquo;
+</p>
+
+<p>
+There was another charwoman, armed with pails and buckets, outside
+Cardlestone&rsquo;s door, into which she was just fitting a key. It was evident
+to Spargo that she knew Breton, for she smiled at him as she opened the door.
+</p>
+
+<p>
+&ldquo;I don&rsquo;t think Mr. Cardlestone&rsquo;ll be in, sir,&rdquo; she
+said. &ldquo;He&rsquo;s generally gone out to breakfast at this time&mdash;him
+and Mr. Elphick goes together.&rdquo;
+</p>
+
+<p>
+&ldquo;Just see,&rdquo; said Breton. &ldquo;I want to see him if he is
+in.&rdquo; The charwoman entered the chambers and immediately screamed.
+</p>
+
+<p>
+&ldquo;Quite so,&rdquo; remarked Spargo. &ldquo;That&rsquo;s what I expected to
+hear. Cardlestone, you see, Breton, is also&mdash;off!&rdquo;
+</p>
+
+<p>
+Breton made no reply. He rushed after the charwoman, with Spargo in close
+attendance.
+</p>
+
+<p>
+&ldquo;Good God&mdash;another!&rdquo; groaned Breton.
+</p>
+
+<p>
+If the confusion in Elphick&rsquo;s rooms had been bad, that in
+Cardlestone&rsquo;s chambers was worse. Here again all the features of the
+previous scene were repeated&mdash;drawers had been torn open, papers thrown
+about; the hearth was choked with light ashes; everything was at sixes and
+sevens. An open door leading into an inner room showed that Cardlestone, like
+Elphick, had hastily packed a bag; like Elphick had changed his clothes, and
+had thrown his discarded garments anywhere, into any corner. Spargo began to
+realize what had taken place&mdash;Elphick, having made his own preparations
+for flight, had come to Cardlestone, and had expedited him, and they had fled
+together. But&mdash;why?
+</p>
+
+<p>
+The charwoman sat down in the nearest chair and began to moan and sob; Breton
+strode forward, across the heaps of papers and miscellaneous objects tossed
+aside in that hurried search and clearing up, into the inner room. And Spargo,
+looking about him, suddenly caught sight of something lying on the floor at
+which he made a sharp clutch. He had just secured it and hurried it into his
+pocket when Breton came back.
+</p>
+
+<p>
+&ldquo;I don&rsquo;t know what all this means, Spargo,&rdquo; he said, almost
+wearily. &ldquo;I suppose you do. Look here,&rdquo; he went on, turning to the
+charwoman, &ldquo;stop that row&mdash;that&rsquo;ll do no good, you know. I
+suppose Mr. Cardlestone&rsquo;s gone away in a hurry. You&rsquo;d
+better&mdash;what had she better do, Spargo?&rdquo;
+</p>
+
+<p>
+&ldquo;Leave things exactly as they are, lock up the chambers, and as
+you&rsquo;re a friend of Mr. Cardlestone&rsquo;s give you the key,&rdquo;
+answered Spargo, with a significant glance. &ldquo;Do that, now, and
+let&rsquo;s go&mdash;I&rsquo;ve something to do.&rdquo;
+</p>
+
+<p>
+Once outside, with the startled charwoman gone away, Spargo turned to Breton.
+</p>
+
+<p>
+&ldquo;I&rsquo;ll tell you all I know, presently, Breton,&rdquo; he said.
+&ldquo;In the meantime, I want to find out if the lodge porter saw Mr. Elphick
+or Mr. Cardlestone leave. I must know where they&rsquo;ve gone&mdash;if I can
+only find out. I don&rsquo;t suppose they went on foot.&rdquo;
+</p>
+
+<p>
+&ldquo;All right,&rdquo; responded Breton, gloomily. &ldquo;We&rsquo;ll go and
+ask. But this is all beyond me. You don&rsquo;t mean to
+say&mdash;&mdash;&rdquo;
+</p>
+
+<p>
+&ldquo;Wait a while,&rdquo; answered Spargo. &ldquo;One thing at once,&rdquo;
+he continued, as they walked up Middle Temple Lane. &ldquo;This is the first
+thing. You ask the porter if he&rsquo;s seen anything of either of
+them&mdash;he knows you.&rdquo;
+</p>
+
+<p>
+The porter, duly interrogated, responded with alacrity.
+</p>
+
+<p>
+&ldquo;Anything of Mr. Elphick this morning, Mr. Breton?&rdquo; he answered.
+&ldquo;Certainly, sir. I got a taxi for Mr. Elphick and Mr. Cardlestone early
+this morning&mdash;soon after seven. Mr. Elphick said they were going to Paris,
+and they&rsquo;d breakfast at Charing Cross before the train left.&rdquo;
+</p>
+
+<p>
+&ldquo;Say when they&rsquo;d be back?&rdquo; asked Breton, with an assumption
+of entire carelessness.
+</p>
+
+<p>
+&ldquo;No, sir, Mr. Elphick didn&rsquo;t,&rdquo; answered the porter.
+&ldquo;But I should say they wouldn&rsquo;t be long because they&rsquo;d only
+got small suit-cases with them&mdash;such as they&rsquo;d put a day or
+two&rsquo;s things in, sir.&rdquo;
+</p>
+
+<p>
+&ldquo;All right,&rdquo; said Breton. He turned away towards Spargo who had
+already moved off. &ldquo;What next?&rdquo; he asked. &ldquo;Charing Cross, I
+suppose!&rdquo;
+</p>
+
+<p>
+Spargo smiled and shook his head.
+</p>
+
+<p>
+&ldquo;No,&rdquo; he answered. &ldquo;I&rsquo;ve no use for Charing Cross. They
+haven&rsquo;t gone to Paris. That was all a blind. For the present let&rsquo;s
+go back to your chambers. Then I&rsquo;ll talk to you.&rdquo;
+</p>
+
+<p>
+Once within Breton&rsquo;s inner room, with the door closed upon them, Spargo
+dropped into an easy-chair and looked at the young barrister with earnest
+attention.
+</p>
+
+<p>
+&ldquo;Breton!&rdquo; he said. &ldquo;I believe we&rsquo;re coming in sight of
+land. You want to save your prospective father-in-law, don&rsquo;t you?&rdquo;
+</p>
+
+<p>
+&ldquo;Of course!&rdquo; growled Breton. &ldquo;That goes without saying.
+But&mdash;&mdash;&rdquo;
+</p>
+
+<p>
+&ldquo;But you may have to make some sacrifices in order to do it,&rdquo; said
+Spargo. &ldquo;You see&mdash;&mdash;&rdquo;
+</p>
+
+<p>
+&ldquo;Sacrifices!&rdquo; exclaimed Breton. &ldquo;What&mdash;&mdash;&rdquo;
+</p>
+
+<p>
+&ldquo;You may have to sacrifice some ideas&mdash;you may find that
+you&rsquo;ll not be able to think as well of some people in the future as you
+have thought of them in the past. For instance&mdash;Mr. Elphick.&rdquo;
+</p>
+
+<p>
+Breton&rsquo;s face grew dark.
+</p>
+
+<p>
+&ldquo;Speak plainly, Spargo!&rdquo; he said. &ldquo;It&rsquo;s best with
+me.&rdquo;
+</p>
+
+<p>
+&ldquo;Very well,&rdquo; replied Spargo. &ldquo;Mr. Elphick, then, is in some
+way connected with this affair.&rdquo;
+</p>
+
+<p>
+&ldquo;You mean the&mdash;murder?&rdquo;
+</p>
+
+<p>
+&ldquo;I mean the murder. So is Cardlestone. Of that I&rsquo;m now dead
+certain. And that&rsquo;s why they&rsquo;re off. I startled Elphick last night.
+It&rsquo;s evident that he immediately communicated with Cardlestone, and that
+they made a rapid exit. Why?&rdquo;
+</p>
+
+<p>
+&ldquo;Why? That&rsquo;s what I&rsquo;m asking you! Why? Why? Why?&rdquo;
+</p>
+
+<p>
+&ldquo;Because they&rsquo;re afraid of something coming out. And being afraid,
+their first instinct is to&mdash;run. They&rsquo;ve run at the first alarm.
+Foolish&mdash;but instinctive.&rdquo;
+</p>
+
+<p>
+Breton, who had flung himself into the elbow-chair at his desk, jumped to his
+feet and thumped his blotting-pad.
+</p>
+
+<p>
+&ldquo;Spargo!&rdquo; he exclaimed. &ldquo;Are you telling me that you accuse
+my guardian and his friend, Mr. Cardlestone, of being&mdash;murderers?&rdquo;
+</p>
+
+<p>
+&ldquo;Nothing of the sort. I am accusing Mr. Elphick and Mr. Cardlestone of
+knowing more about the murder than they care to tell or want to tell. I am also
+accusing them, and especially your guardian, of knowing all about Maitland,
+alias Marbury. I made him confess last night that he knew this dead man to be
+John Maitland.&rdquo;
+</p>
+
+<p>
+&ldquo;You did!&rdquo;
+</p>
+
+<p>
+&ldquo;I did. And now, Breton, since it&rsquo;s got to come out, we&rsquo;ll
+have the truth. Pull yourself together&mdash;get your nerves ready, for
+you&rsquo;ll have to stand a shock or two. But I know what I&rsquo;m talking
+about&mdash;I can prove every word I&rsquo;m going to say to you. And first let
+me ask you a few questions. Do you know anything about your parentage?&rdquo;
+</p>
+
+<p>
+&ldquo;Nothing&mdash;beyond what Mr. Elphick has told me.&rdquo;
+</p>
+
+<p>
+&ldquo;And what was that?&rdquo;
+</p>
+
+<p>
+&ldquo;That my parents were old friends of his, who died young, leaving me
+unprovided for, and that he took me up and looked after me.&rdquo;
+</p>
+
+<p>
+&ldquo;And he&rsquo;s never given you any documentary evidence of any sort to
+prove the truth of that story?&rdquo;
+</p>
+
+<p>
+&ldquo;Never! I never questioned his statement. Why should I?&rdquo;
+</p>
+
+<p>
+&ldquo;You never remember anything of your childhood&mdash;I mean of any person
+who was particularly near you in your childhood?&rdquo;
+</p>
+
+<p>
+&ldquo;I remember the people who brought me up from the time I was three years
+old. And I have just a faint, shadowy recollection of some woman, a tall, dark
+woman, I think, before that.&rdquo;
+</p>
+
+<p>
+&ldquo;Miss Baylis,&rdquo; said Spargo to himself. &ldquo;All right,
+Breton,&rdquo; he went on aloud. &ldquo;I&rsquo;m going to tell you the truth.
+I&rsquo;ll tell it to you straight out and give you all the explanations
+afterwards. Your real name is not Breton at all. Your real name is Maitland,
+and you&rsquo;re the only child of the man who was found murdered at the foot
+of Cardlestone&rsquo;s staircase!&rdquo;
+</p>
+
+<p>
+Spargo had been wondering how Breton would take this, and he gazed at him with
+some anxiety as he got out the last words. What would he do?&mdash;what would
+he say?&mdash;what&mdash;&mdash;
+</p>
+
+<p>
+Breton sat down quietly at his desk and looked Spargo hard between the eyes.
+</p>
+
+<p>
+&ldquo;Prove that to me, Spargo,&rdquo; he said, in hard, matter-of-fact tones.
+&ldquo;Prove it to me, every word. Every word, Spargo!&rdquo;
+</p>
+
+<p>
+Spargo nodded.
+</p>
+
+<p>
+&ldquo;I will&mdash;every word,&rdquo; he answered. &ldquo;It&rsquo;s the right
+thing. Listen, then.&rdquo;
+</p>
+
+<p>
+It was a quarter to twelve, Spargo noticed, throwing a glance at the clock
+outside, as he began his story; it was past one when he brought it to an end.
+And all that time Breton listened with the keenest attention, only asking a
+question now and then; now and then making a brief note on a sheet of paper
+which he had drawn to him.
+</p>
+
+<p>
+&ldquo;That&rsquo;s all,&rdquo; said Spargo at last.
+</p>
+
+<p>
+&ldquo;It&rsquo;s plenty,&rdquo; observed Breton laconically.
+</p>
+
+<p>
+He sat staring at his notes for a moment; then he looked up at Spargo.
+&ldquo;What do you really think?&rdquo; he asked.
+</p>
+
+<p>
+&ldquo;About&mdash;what?&rdquo; said Spargo.
+</p>
+
+<p>
+&ldquo;This flight of Elphick&rsquo;s and Cardlestone&rsquo;s.&rdquo;
+</p>
+
+<p>
+&ldquo;I think, as I said, that they knew something which they think may be
+forced upon them. I never saw a man in a greater fright than that I saw Elphick
+in last night. And it&rsquo;s evident that Cardlestone shares in that fright,
+or they wouldn&rsquo;t have gone off in this way together.&rdquo;
+</p>
+
+<p>
+&ldquo;Do you think they know anything of the actual murder?&rdquo;
+</p>
+
+<p>
+Spargo shook his head.
+</p>
+
+<p>
+&ldquo;I don&rsquo;t know. Probably. They know something. And&mdash;look
+here!&rdquo;
+</p>
+
+<p>
+Spargo put his hand in his breast pocket and drew something out which he handed
+to Breton, who gazed at it curiously.
+</p>
+
+<p>
+&ldquo;What&rsquo;s this?&rdquo; he demanded. &ldquo;Stamps?&rdquo;
+</p>
+
+<p>
+&ldquo;That, from the description of Criedir, the stamp-dealer, is a sheet of
+those rare Australian stamps which Maitland had on him&mdash;carried on him. I
+picked it up just now in Cardlestone&rsquo;s room, when you were looking into
+his bedroom.&rdquo;
+</p>
+
+<p>
+&ldquo;But that, after all, proves nothing. Those mayn&rsquo;t be the identical
+stamps. And whether they are or not&mdash;&mdash;&rdquo;
+</p>
+
+<p>
+&ldquo;What are the probabilities?&rdquo; interrupted Spargo sharply. &ldquo;I
+believe that those are the stamps which Maitland&mdash;your father!&mdash;had
+on him, and I want to know how they came to be in Cardlestone&rsquo;s rooms.
+And I will know.&rdquo;
+</p>
+
+<p>
+Breton handed the stamps back.
+</p>
+
+<p>
+&ldquo;But the general thing, Spargo?&rdquo; he said. &ldquo;If they
+didn&rsquo;t murder&mdash;I can&rsquo;t realize the thing yet!&mdash;my
+father&mdash;&mdash;&rdquo;
+</p>
+
+<p>
+&ldquo;If they didn&rsquo;t murder your father, they know who did!&rdquo;
+exclaimed Spargo. &ldquo;Now, then, it&rsquo;s time for more action. Let
+Elphick and Cardlestone alone for the moment&mdash;they&rsquo;ll be tracked
+easily enough. I want to tackle something else for the moment. How do you get
+an authority from the Government to open a grave?&rdquo;
+</p>
+
+<p>
+&ldquo;Order from the Home Secretary, which will have to be obtained by showing
+the very strongest reasons why it should be made.&rdquo;
+</p>
+
+<p>
+&ldquo;Good! We&rsquo;ll give the reasons. I want to have a grave
+opened.&rdquo;
+</p>
+
+<p>
+&ldquo;A grave opened! Whose grave?&rdquo;
+</p>
+
+<p>
+&ldquo;The grave of the man Chamberlayne at Market Milcaster,&rdquo; replied
+Spargo.
+</p>
+
+<p>
+Breton started.
+</p>
+
+<p>
+&ldquo;His? In Heaven&rsquo;s name, why?&rdquo; he demanded.
+</p>
+
+<p>
+Spargo laughed as he got up.
+</p>
+
+<p>
+&ldquo;Because I believe it&rsquo;s empty,&rdquo; he answered. &ldquo;Because I
+believe that Chamberlayne is alive, and that his other name
+is&mdash;Cardlestone!&rdquo;
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap31"></a>CHAPTER THIRTY-ONE<br/>
+THE PENITENT WINDOW-CLEANER</h2>
+
+<p>
+That afternoon Spargo had another of his momentous interviews with his
+proprietor and his editor. The first result was that all three drove to the
+offices of the legal gentleman who catered for the <i>Watchman</i> when it
+wanted any law, and that things were put in shape for an immediate application
+to the Home Office for permission to open the Chamberlayne grave at Market
+Milcaster; the second was that on the following morning there appeared in the
+<i>Watchman</i> a notice which set half the mouths of London a-watering. That
+notice; penned by Spargo, ran as follows:&mdash;
+</p>
+
+<p class="center">
+&ldquo;ONE THOUSAND POUNDS REWARD.
+</p>
+
+<p class="letter">
+&ldquo;W<small>HEREAS</small>, on some date within the past twelve months,
+there was stolen, abstracted, or taken from the chambers in Fountain Court,
+Temple, occupied by Mr. Stephen Aylmore, M.P., under the name of Mr. Anderson,
+a walking-stick, or stout staff, of foreign make, and of curious workmanship,
+which stick was probably used in the murder of John Marbury, or Maitland, in
+Middle Temple Lane, on the night of June 21–22 last, and is now in the hands of
+the police:<br/>
+    &ldquo;This is to give notice that the Proprietor of the <i>Watchman</i>
+newspaper will pay the above-mentioned reward (O<small>NE</small>
+T<small>HOUSAND</small> P<small>OUNDS</small> S<small>TERLING</small>) at once
+and in cash to whosoever will prove that he or she stole, abstracted, or took
+away the said stick from the said chambers, and will further give full
+information as to his or her disposal of the same, and the Proprietor of the
+<i>Watchman</i> moreover engages to treat any revelation affecting the said
+stick in the most strictly private and confidential manner, and to abstain from
+using it in any way detrimental to the informant, who should call at the
+<i>Watchman</i> office, and ask for Mr. Frank Spargo at any time between eleven
+and one o&rsquo;clock midday, and seven and eleven o&rsquo;clock in the
+evening.&rdquo;
+</p>
+
+<p>
+&ldquo;And you really expect to get some information through that?&rdquo; asked
+Breton, who came into Spargo&rsquo;s room about noon on the day on which the
+promising announcement came out. &ldquo;You really do?&rdquo;
+</p>
+
+<p>
+&ldquo;Before today is out,&rdquo; said Spargo confidently. &ldquo;There is
+more magic in a thousand-pound reward than you fancy, Breton. I&rsquo;ll have
+the history of that stick before midnight.&rdquo;
+</p>
+
+<p>
+&ldquo;How are you to tell that you won&rsquo;t be imposed upon?&rdquo;
+suggested Breton. &ldquo;Anybody can say that he or she stole the stick.&rdquo;
+</p>
+
+<p>
+&ldquo;Whoever comes here with any tale of a stick will have to prove to me how
+he or she got the stick and what was done with the stick,&rdquo; said Spargo.
+&ldquo;I haven&rsquo;t the least doubt that that stick was stolen or taken away
+from Aylmore&rsquo;s rooms in Fountain Court, and that it got into the hands
+of&mdash;&rdquo;
+</p>
+
+<p>
+&ldquo;Yes, of whom?&rdquo;
+</p>
+
+<p>
+&ldquo;That&rsquo;s what I want to know in some fashion. I&rsquo;ve an idea,
+already. But I can afford to wait for definite information. I know one
+thing&mdash;when I get that information&mdash;as I shall&mdash;we shall be a
+long way on the road towards establishing Aylmore&rsquo;s innocence.&rdquo;
+</p>
+
+<p>
+Breton made no remark upon this. He was looking at Spargo with a meditative
+expression.
+</p>
+
+<p>
+&ldquo;Spargo,&rdquo; he said, suddenly, &ldquo;do you think you&rsquo;ll get
+that order for the opening of the grave at Market Milcaster?&rdquo;
+</p>
+
+<p>
+&ldquo;I was talking to the solicitors over the &rsquo;phone just now,&rdquo;
+answered Spargo. &ldquo;They&rsquo;ve every confidence about it. In fact,
+it&rsquo;s possible it may be made this afternoon. In that case, the opening
+will be made early tomorrow morning.&rdquo;
+</p>
+
+<p>
+&ldquo;Shall you go?&rdquo; asked Breton.
+</p>
+
+<p>
+&ldquo;Certainly. And you can go with me, if you like. Better keep in touch
+with us all day in case we hear. You ought to be there&mdash;you&rsquo;re
+concerned.&rdquo;
+</p>
+
+<p>
+&ldquo;I should like to go&mdash;I will go,&rdquo; said Breton. &ldquo;And if
+that grave proves to be&mdash;empty&mdash;I&rsquo;ll&mdash;I&rsquo;ll tell you
+something.&rdquo;
+</p>
+
+<p>
+Spargo looked up with sharp instinct.
+</p>
+
+<p>
+&ldquo;You&rsquo;ll tell me something? Something? What?&rdquo;
+</p>
+
+<p>
+&ldquo;Never mind&mdash;wait until we see if that coffin contains a dead body
+or lead and sawdust. If there&rsquo;s no body there&mdash;&mdash;&rdquo;
+</p>
+
+<p>
+At that moment one of the senior messenger boys came in and approached Spargo.
+His countenance, usually subdued to an official stolidity, showed signs of
+something very like excitement.
+</p>
+
+<p>
+&ldquo;There&rsquo;s a man downstairs asking for you, Mr. Spargo,&rdquo; he
+said. &ldquo;He&rsquo;s been hanging about a bit, sir,&mdash;seems very shy
+about coming up. He won&rsquo;t say what he wants, and he won&rsquo;t fill up a
+form, sir. Says all he wants is a word or two with you.&rdquo;
+</p>
+
+<p>
+&ldquo;Bring him up at once!&rdquo; commanded Spargo. He turned to Breton when
+the boy had gone. &ldquo;There!&rdquo; he said, laughing. &ldquo;This is the
+man about the stick&mdash;you see if it isn&rsquo;t.&rdquo;
+</p>
+
+<p>
+&ldquo;You&rsquo;re such a cock-sure chap, Spargo,&rdquo; said Breton.
+&ldquo;You&rsquo;re always going on a straight line.&rdquo;
+</p>
+
+<p>
+&ldquo;Trying to, you mean,&rdquo; retorted Spargo. &ldquo;Well, stop here, and
+hear what this chap has to say: it&rsquo;ll no doubt be amusing.&rdquo;
+</p>
+
+<p>
+The messenger boy, deeply conscious that he was ushering into Spargo&rsquo;s
+room an individual who might shortly carry away a thousand pounds of good
+<i>Watchman</i> money in his pocket, opened the door and introduced a shy and
+self-conscious young man, whose nervousness was painfully apparent to everybody
+and deeply felt by himself. He halted on the threshold, looking round the
+comfortably-furnished room, and at the two well-dressed young men which it
+framed as if he feared to enter on a scene of such grandeur.
+</p>
+
+<p>
+&ldquo;Come in, come in!&rdquo; said Spargo, rising and pointing to an
+easy-chair at the side of his desk. &ldquo;Take a seat. You&rsquo;ve called
+about that reward, of course.&rdquo;
+</p>
+
+<p>
+The man in the chair eyed the two of them cautiously, and not without
+suspicion. He cleared his throat with a palpable effort.
+</p>
+
+<p>
+&ldquo;Of course,&rdquo; he said. &ldquo;It&rsquo;s all on the strict private.
+Name of Edward Mollison, sir.&rdquo;
+</p>
+
+<p>
+&ldquo;And where do you live, and what do you do?&rdquo; asked Spargo.
+</p>
+
+<p>
+&ldquo;You might put it down Rowton House, Whitechapel,&rdquo; answered Edward
+Mollison. &ldquo;Leastways, that&rsquo;s where I generally hang out when I can
+afford it. And&mdash;window-cleaner. Leastways, I was window cleaning
+when&mdash;when&mdash;&mdash;&rdquo;
+</p>
+
+<p>
+&ldquo;When you came in contact with the stick we&rsquo;ve been advertising
+about,&rdquo; suggested Spargo. &ldquo;Just so. Well, Mollison&mdash;what about
+the stick?&rdquo;
+</p>
+
+<p>
+Mollison looked round at the door, and then at the windows, and then at Breton.
+</p>
+
+<p>
+&ldquo;There ain&rsquo;t no danger of me being got into trouble along of that
+stick?&rdquo; he asked. &ldquo;&rsquo;Cause if there is, I ain&rsquo;t a-going
+to say a word&mdash;no, not for no thousand pounds! Me never having been in no
+trouble of any sort, guv&rsquo;nor&mdash;though a poor man.&rdquo;
+</p>
+
+<p>
+&ldquo;Not the slightest danger in the world, Mollison,&rdquo; replied Spargo.
+&ldquo;Not the least. All you&rsquo;ve got to do is to tell the truth&mdash;and
+prove that it is the truth. So it was you who took that queer-looking stick out
+of Mr. Aylmore&rsquo;s rooms in Fountain Court, was it?&rdquo;
+</p>
+
+<p>
+Mollison appeared to find this direct question soothing to his feelings. He
+smiled weakly.
+</p>
+
+<p>
+&ldquo;It was cert&rsquo;nly me as took it, sir,&rdquo; he said. &ldquo;Not
+that I meant to pinch it&mdash;not me! And, as you might say, I didn&rsquo;t
+take it, when all&rsquo;s said and done. It was&mdash;put on me.&rdquo;
+</p>
+
+<p>
+&ldquo;Put on you, was it?&rdquo; said Spargo. &ldquo;That&rsquo;s interesting.
+And how was it put on you?&rdquo;
+</p>
+
+<p>
+Mollison grinned again and rubbed his chin.
+</p>
+
+<p>
+&ldquo;It was this here way,&rdquo; he answered. &ldquo;You see, I was working
+at that time&mdash;near on to nine months since, it is&mdash;for the Universal
+Daylight Window Cleaning Company, and I used to clean a many windows here and
+there in the Temple, and them windows at Mr. Aylmore&rsquo;s&mdash;only I knew
+them as Mr. Anderson&rsquo;s&mdash;among &rsquo;em. And I was there one
+morning, early it was, when the charwoman she says to me, &lsquo;I wish
+you&rsquo;d take these two or three hearthrugs,&rsquo; she says, &lsquo;and
+give &rsquo;em a good beating,&rsquo; she says. And me being always a ready one
+to oblige, &lsquo;All right!&rsquo; I says, and takes &rsquo;em.
+&lsquo;Here&rsquo;s something to wallop &rsquo;em with,&rsquo; she says, and
+pulls that there old stick out of a lot that was in a stand in a corner of the
+lobby. And that&rsquo;s how I came to handle it, sir.&rdquo;
+</p>
+
+<p>
+&ldquo;I see,&rdquo; said Spargo. &ldquo;A good explanation. And when you had
+beaten the hearthrugs&mdash;what then?&rdquo;
+</p>
+
+<p>
+Mollison smiled his weak smile again.
+</p>
+
+<p>
+&ldquo;Well, sir, I looked at that there stick and I see it was something
+uncommon,&rdquo; he answered. &ldquo;And I thinks&mdash;&lsquo;Well, this Mr.
+Anderson, he&rsquo;s got a bundle of sticks and walking canes up
+there&mdash;he&rsquo;ll never miss this old thing,&rsquo; I thinks. And so I
+left it in a corner when I&rsquo;d done beating the rugs, and when I went away
+with my things I took it with me.&rdquo;
+</p>
+
+<p>
+&ldquo;You took it with you?&rdquo; said Spargo. &ldquo;Just so. To keep as a
+curiosity, I suppose?&rdquo;
+</p>
+
+<p>
+Mollison&rsquo;s weak smile turned to one of cunning. He was obviously losing
+his nervousness; the sound of his own voice and the reception of his news was
+imparting confidence to him.
+</p>
+
+<p>
+&ldquo;Not half!&rdquo; he answered. &ldquo;You see, guv&rsquo;nor, there was
+an old cove as I knew in the Temple there as is, or was, &rsquo;cause I
+ain&rsquo;t been there since, a collector of antikities, like, and I&rsquo;d
+sold him a queer old thing, time and again. And, of course, I had him in my eye
+when I took the stick away&mdash;see?&rdquo;
+</p>
+
+<p>
+&ldquo;I see. And you took the stick to him?&rdquo;
+</p>
+
+<p>
+&ldquo;I took it there and then,&rdquo; replied Mollison. &ldquo;Pitched him a
+tale, I did, about it having been brought from foreign parts by Uncle
+Simon&mdash;which I never had no Uncle Simon. Made out it was a rare
+curiosity&mdash;which it might ha&rsquo; been one, for all I know.&rdquo;
+</p>
+
+<p>
+&ldquo;Exactly. And the old cove took a fancy to it, eh?&rdquo;
+</p>
+
+<p>
+&ldquo;Bought it there and then,&rdquo; answered Mollison, with something very
+like a wink.
+</p>
+
+<p>
+&ldquo;Ah! Bought it there and then. And how much did he give you for
+it?&rdquo; asked Spargo. &ldquo;Something handsome, I hope?&rdquo;
+</p>
+
+<p>
+&ldquo;Couple o&rsquo; quid,&rdquo; replied Mollison. &ldquo;Me not wishing to
+part with a family heirloom for less.&rdquo;
+</p>
+
+<p>
+&ldquo;Just so. And do you happen to be able to tell me the old cove&rsquo;s
+name and his address, Mollison?&rdquo; asked Spargo.
+</p>
+
+<p>
+&ldquo;I do, sir. Which they&rsquo;ve painted on his entry&mdash;the fifth or
+sixth as you go down Middle Temple Lane,&rdquo; answered Mollison. &ldquo;Mr.
+Nicholas Cardlestone, first floor up the staircase.&rdquo;
+</p>
+
+<p>
+Spargo rose from his seat without as much as a look at Breton.
+</p>
+
+<p>
+&ldquo;Come this way, Mollison,&rdquo; he said. &ldquo;We&rsquo;ll go and see
+about your little reward. Excuse me, Breton.&rdquo;
+</p>
+
+<p>
+Breton kicked his heels in solitude for half an hour. Then Spargo came back.
+</p>
+
+<p>
+&ldquo;There&mdash;that&rsquo;s one matter settled, Breton,&rdquo; he said.
+&ldquo;Now for the next. The Home Secretary&rsquo;s made the order for the
+opening of the grave at Market Milcaster. I&rsquo;m going down there at once,
+and I suppose you&rsquo;re coming. And remember, if that grave&rsquo;s
+empty&mdash;&mdash;&rdquo;
+</p>
+
+<p>
+&ldquo;If that grave&rsquo;s empty,&rdquo; said Breton, &ldquo;I&rsquo;ll tell
+you&mdash;a good deal.&rdquo;
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap32"></a>CHAPTER THIRTY-TWO<br/>
+THE CONTENTS OF THE COFFIN</h2>
+
+<p>
+There travelled down together to Market Milcaster late that afternoon, Spargo,
+Breton, the officials from the Home Office, entrusted with the order for the
+opening of the Chamberlayne grave, and a solicitor acting on behalf of the
+proprietor of the <i>Watchman</i>. It was late in the evening when they reached
+the little town, but Spargo, having looked in at the parlour of the
+&ldquo;Yellow Dragon&rdquo; and ascertained that Mr. Quarterpage had only just
+gone home, took Breton across the street to the old gentleman&rsquo;s house.
+Mr. Quarterpage himself came to the door, and recognized Spargo immediately.
+Nothing would satisfy him but that the two should go in; his family, he said,
+had just retired, but he himself was going to take a final nightcap and a
+cigar, and they must share it.
+</p>
+
+<p>
+&ldquo;For a few minutes only then, Mr. Quarterpage,&rdquo; said Spargo as they
+followed the old man into his dining-room. &ldquo;We have to be up at daybreak.
+And&mdash;possibly&mdash;you, too, would like to be up just as early.&rdquo;
+</p>
+
+<p>
+Mr. Quarterpage looked an enquiry over the top of a decanter which he was
+handling.
+</p>
+
+<p>
+&ldquo;At daybreak?&rdquo; he exclaimed.
+</p>
+
+<p>
+&ldquo;The fact is,&rdquo; said Spargo, &ldquo;that grave of
+Chamberlayne&rsquo;s is going to be opened at daybreak. We have managed to get
+an order from the Home Secretary for the exhumation of Chamberlayne&rsquo;s
+body: the officials in charge of it have come down in the same train with us;
+we&rsquo;re all staying across there at the &lsquo;Dragon.&rsquo; The officials
+have gone to make the proper arrangements with your authorities. It will be at
+daybreak, or as near it as can conveniently be managed. And I suppose, now that
+you know of it, you&rsquo;ll be there?&rdquo;
+</p>
+
+<p>
+&ldquo;God bless me!&rdquo; exclaimed Mr. Quarterpage. &ldquo;You&rsquo;ve
+really done that! Well, well, so we shall know the truth at last, after all
+these years. You&rsquo;re a very wonderful young man, Mr. Spargo, upon my word.
+And this other young gentleman?&rdquo;
+</p>
+
+<p>
+Spargo looked at Breton, who had already given him permission to speak.
+&ldquo;Mr. Quarterpage,&rdquo; he said, &ldquo;this young gentleman is, without
+doubt, John Maitland&rsquo;s son. He&rsquo;s the young barrister, Mr. Ronald
+Breton, that I told you of, but there&rsquo;s no doubt about his parentage. And
+I&rsquo;m sure you&rsquo;ll shake hands with him and wish him well.&rdquo;
+</p>
+
+<p>
+Mr. Quarterpage set down decanter and glass and hastened to give Breton his
+hand.
+</p>
+
+<p>
+&ldquo;My dear young sir!&rdquo; he exclaimed. &ldquo;That I will indeed! And
+as to wishing you well&mdash;ah, I never wished anything but well to your poor
+father. He was led away, sir, led away by Chamberlayne. God bless me, what a
+night of surprises! Why, Mr. Spargo, supposing that coffin is found
+empty&mdash;what then?&rdquo;
+</p>
+
+<p>
+&ldquo;Then,&rdquo; answered Spargo, &ldquo;then I think we shall be able to
+put our hands on the man who is supposed to be in it.&rdquo;
+</p>
+
+<p>
+&ldquo;You think my father was worked upon by this man Chamberlayne,
+sir?&rdquo; observed Breton a few minutes later when they had all sat down
+round Mr. Quarterpage&rsquo;s hospitable hearth. &ldquo;You think he was unduly
+influenced by him?&rdquo;
+</p>
+
+<p>
+Mr. Quarterpage shook his head sadly.
+</p>
+
+<p>
+&ldquo;Chamberlayne, my dear young sir,&rdquo; he answered. &ldquo;Chamberlayne
+was a plausible and a clever fellow. Nobody knew anything about him until he
+came to this town, and yet before he had been here very long he had contrived
+to ingratiate himself with everybody&mdash;of course, to his own advantage. I
+firmly believe that he twisted your father round his little finger. As I told
+Mr. Spargo there when he was making his enquiries of me a short while back, it
+would never have been any surprise to me to hear&mdash;definitely, I mean,
+young gentlemen&mdash;that all this money that was in question went into
+Chamberlayne&rsquo;s pockets. Dear me&mdash;dear me!&mdash;and you really
+believe that Chamberlayne is actually alive, Mr. Spargo?&rdquo;
+</p>
+
+<p>
+Spargo pulled out his watch. &ldquo;We shall all know whether he was buried in
+that grave before another six hours are over, Mr. Quarterpage,&rdquo; he said.
+</p>
+
+<p>
+He might well have spoken of four hours instead of six, for it was then nearly
+midnight, and before three o&rsquo;clock Spargo and Breton, with the other men
+who had accompanied them from London were out of the &ldquo;Yellow
+Dragon&rdquo; and on their way to the cemetery just outside the little town.
+Over the hills to the eastward the grey dawn was slowly breaking: the long
+stretch of marshland which lies between Market Milcaster and the sea was white
+with fog: on the cypresses and acacias of the cemetery hung veils and webs of
+gossamer: everything around them was quiet as the dead folk who lay beneath
+their feet. And the people actively concerned went quietly to work, and those
+who could do nothing but watch stood around in silence.
+</p>
+
+<p>
+&ldquo;In all my long life of over ninety years,&rdquo; whispered old
+Quarterpage, who had met them at the cemetery gates, looking fresh and brisk in
+spite of his shortened rest, &ldquo;I have never seen this done before. It
+seems a strange, strange thing to interfere with a dead man&rsquo;s last
+resting-place&mdash;a dreadful thing.&rdquo;
+</p>
+
+<p>
+&ldquo;If there is a dead man there,&rdquo; said Spargo.
+</p>
+
+<p>
+He himself was mainly curious about the details of this exhumation; he had no
+scruples, sentimental or otherwise, about the breaking in upon the dead. He
+watched all that was done. The men employed by the local authorities,
+instructed over-night, had fenced in the grave with canvas; the proceedings
+were accordingly conducted in strict privacy; a man was posted to keep away any
+very early passersby, who might be attracted by the unusual proceedings. At
+first there was nothing to do but wait, and Spargo occupied himself by
+reflecting that every spadeful of earth thrown out of that grave was bringing
+him nearer to the truth; he had an unconquerable intuition that the truth of at
+any rate one phase of the Marbury case was going to be revealed to them. If the
+coffin to which they were digging down contained a body, and that the body of
+the stockbroker, Chamberlayne, then a good deal of his, Spargo&rsquo;s, latest
+theory, would be dissolved to nothingness. But if that coffin contained no body
+at all, then&mdash;&rdquo;
+</p>
+
+<p>
+&ldquo;They&rsquo;re down to it!&rdquo; whispered Breton.
+</p>
+
+<p>
+Presently they all went and looked down into the grave. The workmen had
+uncovered the coffin preparatory to lifting it to the surface; one of them was
+brushing the earth away from the name-plate. And in the now strong light they
+could all read the lettering on it.
+</p>
+
+<p class="center">
+JAMES CARTWRIGHT CHAMBERLAYNE<br/>
+Born 1852<br/>
+Died 1891
+</p>
+
+<p>
+Spargo turned away as the men began to lift the coffin out of the grave.
+</p>
+
+<p>
+&ldquo;We shall know now!&rdquo; he whispered to Breton. &ldquo;And
+yet&mdash;what is it we shall know if&mdash;&mdash;&rdquo;
+</p>
+
+<p>
+&ldquo;If what?&rdquo; said Breton. &ldquo;If&mdash;what?&rdquo;
+</p>
+
+<p>
+But Spargo shook his head. This was one of the great moments he had lately been
+working for, and the issues were tremendous.
+</p>
+
+<p>
+&ldquo;Now for it!&rdquo; said the <i>Watchman&rsquo;s</i> solicitor in an
+undertone. &ldquo;Come, Mr. Spargo, now we shall see.&rdquo;
+</p>
+
+<p>
+They all gathered round the coffin, set on low trestles at the graveside, as
+the workmen silently went to work on the screws. The screws were rusted in
+their sockets; they grated as the men slowly worked them out. It seemed to
+Spargo that each man grew slower and slower in his movements; he felt that he
+himself was getting fidgety. Then he heard a voice of authority.
+</p>
+
+<p>
+&ldquo;Lift the lid off!&rdquo;
+</p>
+
+<p>
+A man at the head of the coffin, a man at the foot suddenly and swiftly raised
+the lid: the men gathered round craned their necks with a quick movement.
+</p>
+
+<p>
+Sawdust!
+</p>
+
+<p>
+The coffin was packed to the brim with sawdust, tightly pressed down. The
+surface lay smooth, undisturbed, levelled as some hand had levelled it long
+years before. They were not in the presence of death, but of deceit.
+</p>
+
+<p>
+Somebody laughed faintly. The sound of the laughter broke the spell. The chief
+official present looked round him with a smile.
+</p>
+
+<p>
+&ldquo;It is evident that there were good grounds for suspicion,&rdquo; he
+remarked. &ldquo;Here is no dead body, gentlemen. See if anything lies beneath
+the sawdust,&rdquo; he added, turning to the workmen. &ldquo;Turn it
+out!&rdquo;
+</p>
+
+<p>
+The workmen began to scoop out the sawdust with their hands; one of them,
+evidently desirous of making sure that no body was in the coffin, thrust down
+his fingers at various places along its length. He, too, laughed.
+</p>
+
+<p>
+&ldquo;The coffin&rsquo;s weighted with lead!&rdquo; he remarked.
+&ldquo;See!&rdquo;
+</p>
+
+<p>
+And tearing the sawdust aside, he showed those around him that at three
+intervals bars of lead had been tightly wedged into the coffin where the head,
+the middle, and the feet of a corpse would have rested.
+</p>
+
+<p>
+&ldquo;Done it cleverly,&rdquo; he remarked, looking round. &ldquo;You see how
+these weights have been adjusted. When a body&rsquo;s laid out in a coffin, you
+know, all the weight&rsquo;s in the end where the head and trunk rest. Here you
+see the heaviest bar of lead is in the middle; the lightest at the feet.
+Clever!&rdquo;
+</p>
+
+<p>
+&ldquo;Clear out all the sawdust,&rdquo; said some one. &ldquo;Let&rsquo;s see
+if there&rsquo;s anything else.&rdquo;
+</p>
+
+<p>
+There was something else. At the bottom of the coffin two bundles of papers,
+tied up with pink tape. The legal gentlemen present immediately manifested
+great interest in these. So did Spargo, who, pulling Breton along with him,
+forced his way to where the officials from the Home Office and the solicitor
+sent by the <i>Watchman</i> were hastily examining their discoveries.
+</p>
+
+<p>
+The first bundle of papers opened evidently related to transactions at Market
+Milcaster: Spargo caught glimpses of names that were familiar to him, Mr.
+Quarterpage&rsquo;s amongst them. He was not at all astonished to see these
+things. But he was something more than astonished when, on the second parcel
+being opened, a quantity of papers relating to Cloudhampton and the Hearth and
+Home Mutual Benefit Society were revealed. He gave a hasty glance at these and
+drew Breton aside.
+</p>
+
+<p>
+&ldquo;It strikes me we&rsquo;ve found a good deal more than we ever bargained
+for!&rdquo; he exclaimed. &ldquo;Didn&rsquo;t Aylmore say that the real culprit
+at Cloudhampton was another man&mdash;his clerk or something of that
+sort?&rdquo;
+</p>
+
+<p>
+&ldquo;He did,&rdquo; agreed Breton. &ldquo;He insists on it.&rdquo;
+</p>
+
+<p>
+&ldquo;Then this fellow Chamberlayne must have been the man,&rdquo; said
+Spargo. &ldquo;He came to Market Milcaster from the north. What&rsquo;ll be
+done with those papers?&rdquo; he asked, turning to the officials.
+</p>
+
+<p>
+&ldquo;We are going to seal them up at once, and take them to London,&rdquo;
+replied the principal person in authority. &ldquo;They will be quite safe, Mr.
+Spargo; have no fear. We don&rsquo;t know what they may reveal.&rdquo;
+</p>
+
+<p>
+&ldquo;You don&rsquo;t, indeed!&rdquo; said Spargo. &ldquo;But I may as well
+tell you that I have a strong belief that they&rsquo;ll reveal a good deal that
+nobody dreams of, so take the greatest care of them.&rdquo;
+</p>
+
+<p>
+Then, without waiting for further talk with any one, Spargo hurried Breton out
+of the cemetery. At the gate, he seized him by the arm.
+</p>
+
+<p>
+&ldquo;Now, then, Breton!&rdquo; he commanded. &ldquo;Out with it!&rdquo;
+</p>
+
+<p>
+&ldquo;With what?&rdquo;
+</p>
+
+<p>
+&ldquo;You promised to tell me something&mdash;a great deal, you said&mdash;if
+we found that coffin empty. It is empty. Come on&mdash;quick!&rdquo;
+</p>
+
+<p>
+&ldquo;All right. I believe I know where Elphick and Cardlestone can be found.
+That&rsquo;s all.&rdquo;
+</p>
+
+<p>
+&ldquo;All! It&rsquo;s enough. Where, then, in heaven&rsquo;s name?&rdquo;
+</p>
+
+<p>
+&ldquo;Elphick has a queer little place where he and Cardlestone sometimes go
+fishing&mdash;right away up in one of the wildest parts of the Yorkshire moors.
+I expect they&rsquo;ve gone there. Nobody knows even their names
+there&mdash;they could go and lie quiet there for&mdash;ages.&rdquo;
+</p>
+
+<p>
+&ldquo;Do you know the way to it?&rdquo;
+</p>
+
+<p>
+&ldquo;I do&mdash;I&rsquo;ve been there.&rdquo;
+</p>
+
+<p>
+Spargo motioned him to hurry.
+</p>
+
+<p>
+&ldquo;Come on, then,&rdquo; he said. &ldquo;We&rsquo;re going there by the
+very first train out of this. I know the train, too&mdash;we&rsquo;ve just time
+to snatch a mouthful of breakfast and to send a wire to the <i>Watchman</i>,
+and then we&rsquo;ll be off. Yorkshire!&mdash;Gad, Breton, that&rsquo;s over
+three hundred miles away!&rdquo;
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap33"></a>CHAPTER THIRTY-THREE<br/>
+FORESTALLED</h2>
+
+<p>
+Travelling all that long summer day, first from the south-west of England to
+the Midlands, then from the Midlands to the north, Spargo and Breton came late
+at night to Hawes&rsquo; Junction, on the border of Yorkshire and Westmoreland,
+and saw rising all around them in the half-darkness the mighty bulks of the
+great fells which rise amongst that wild and lonely stretch of land. At that
+hour of the night and amidst that weird silence, broken only by the murmur of
+some adjacent waterfall the scene was impressive and suggestive; it seemed to
+Spargo as if London were a million miles away, and the rush and bustle of human
+life a thing of another planet. Here and there in the valleys he saw a light,
+but such lights were few and far between; even as he looked some of them
+twinkled and went out. It was evident that he and Breton were presently to be
+alone with the night.
+</p>
+
+<p>
+&ldquo;How far?&rdquo; he asked Breton as they walked away from the station.
+</p>
+
+<p>
+&ldquo;We&rsquo;d better discuss matters,&rdquo; answered Breton. &ldquo;The
+place is in a narrow valley called Fossdale, some six or seven miles away
+across these fells, and as wild a walk as any lover of such things could wish
+for. It&rsquo;s half-past nine now, Spargo: I reckon it will take us a good two
+and a half hours, if not more, to do it. Now, the question is&mdash;Do we go
+straight there, or do we put up for the night? There&rsquo;s an inn here at
+this junction: there&rsquo;s the Moor Cock Inn a mile or so along the road
+which we must take before we turn off to the moorland and the fells. It&rsquo;s
+going to be a black night&mdash;look at those masses of black cloud gathering
+there!&mdash;and possibly a wet one, and we&rsquo;ve no waterproofs. But
+it&rsquo;s for you to say&mdash;I&rsquo;m game for whatever you like.&rdquo;
+</p>
+
+<p>
+&ldquo;Do you know the way?&rdquo; asked Spargo.
+</p>
+
+<p>
+&ldquo;I&rsquo;ve been the way. In the daytime I could go straight ahead. I
+remember all the landmarks. Even in the darkness I believe I can find my way.
+But it&rsquo;s rough walking.&rdquo;
+</p>
+
+<p>
+&ldquo;We&rsquo;ll go straight there,&rdquo; said Spargo. &ldquo;Every
+minute&rsquo;s precious. But&mdash;can we get a mouthful of bread and cheese
+and a glass of ale first?&rdquo;
+</p>
+
+<p>
+&ldquo;Good idea! We&rsquo;ll call in at the &lsquo;Moor Cock.&rsquo; Now then,
+while we&rsquo;re on this firm road, step it out lively.&rdquo;
+</p>
+
+<p>
+The &ldquo;Moor Cock&rdquo; was almost deserted at that hour: there was
+scarcely a soul in it when the two travellers turned in to its dimly-lighted
+parlour. The landlord, bringing the desired refreshment, looked hard at Breton.
+</p>
+
+<p>
+&ldquo;Come our way again then, sir?&rdquo; he remarked with a sudden grin of
+recognition.
+</p>
+
+<p>
+&ldquo;Ah, you remember me?&rdquo; said Breton.
+</p>
+
+<p>
+&ldquo;I call in mind when you came here with the two old gents last
+year,&rdquo; replied the landlord. &ldquo;I hear they&rsquo;re here
+again&mdash;Tom Summers was coming across that way this morning, and said
+he&rsquo;d seen &rsquo;em at the little cottage. Going to join &rsquo;em, I
+reckon, sir?&rdquo;
+</p>
+
+<p>
+Breton kicked Spargo under the table.
+</p>
+
+<p>
+&ldquo;Yes, we&rsquo;re going to have a day or two with them,&rdquo; he
+answered. &ldquo;Just to get a breath of your moorland air.&rdquo;
+</p>
+
+<p>
+&ldquo;Well, you&rsquo;ll have a roughish walk over there tonight,
+gentlemen,&rdquo; said the landlord. &ldquo;There&rsquo;s going to be a storm.
+And it&rsquo;s a stiffish way to make out at this time o&rsquo;night.&rdquo;
+</p>
+
+<p>
+&ldquo;Oh, we&rsquo;ll manage,&rdquo; said Breton, nonchalantly. &ldquo;I know
+the way, and we&rsquo;re not afraid of a wet skin.&rdquo;
+</p>
+
+<p>
+The landlord laughed, and sitting down on his long settle folded his arms and
+scratched his elbows.
+</p>
+
+<p>
+&ldquo;There was a gentleman&mdash;London gentleman by his tongue&mdash;came in
+here this afternoon, and asked the way to Fossdale,&rdquo; he observed.
+&ldquo;He&rsquo;ll be there long since&mdash;he&rsquo;d have daylight for his
+walk. Happen he&rsquo;s one of your party?&mdash;he asked where the old
+gentlemen&rsquo;s little cottage was.&rdquo;
+</p>
+
+<p>
+Again Spargo felt his shin kicked and made no sign. &ldquo;One of their
+friends, perhaps,&rdquo; answered Breton. &ldquo;What was he like?&rdquo;
+</p>
+
+<p>
+The landlord ruminated. He was not good at description and was conscious of the
+fact.
+</p>
+
+<p>
+&ldquo;Well, a darkish, serious-faced gentleman,&rdquo; he said.
+&ldquo;Stranger hereabouts, at all events. Wore a grey suit&mdash;something
+like your friend&rsquo;s there. Yes&mdash;he took some bread and cheese with
+him when he heard what a long way it was.&rdquo;
+</p>
+
+<p>
+&ldquo;Wise man,&rdquo; remarked Breton. He hastily finished his own bread and
+cheese, and drank off the rest of his pint of ale. &ldquo;Come on,&rdquo; he
+said, &ldquo;let&rsquo;s be stepping.&rdquo;
+</p>
+
+<p>
+Outside, in the almost tangible darkness, Breton clutched Spargo&rsquo;s arm.
+&ldquo;Who&rsquo;s the man?&rdquo; he said. &ldquo;Can you think,
+Spargo?&rdquo;
+</p>
+
+<p>
+&ldquo;Can&rsquo;t,&rdquo; answered Spargo. &ldquo;I was trying to, while that
+chap was talking. But&mdash;it&rsquo;s somebody that&rsquo;s got in before us.
+Not Rathbury, anyhow&mdash;he&rsquo;s not serious-faced. Heavens, Breton,
+however are you going to find your way in this darkness?&rdquo;
+</p>
+
+<p>
+&ldquo;You&rsquo;ll see presently. We follow the road a little. Then we turn up
+the fell side there. On the top, if the night clears a bit, we ought to see
+Great Shunnor Fell and Lovely Seat&mdash;they&rsquo;re both well over two
+thousand feet, and they stand up well. We want to make for a point clear
+between them. But I warn you, Spargo, it&rsquo;s stiff going!&rdquo;
+</p>
+
+<p>
+&ldquo;Go ahead!&rdquo; said Spargo. &ldquo;It&rsquo;s the first time in my
+life I ever did anything of this sort, but we&rsquo;re going on if it takes us
+all night. I couldn&rsquo;t sleep in any bed now that I&rsquo;ve heard
+there&rsquo;s somebody ahead of us. Go first, old chap, and I&rsquo;ll
+follow.&rdquo;
+</p>
+
+<p>
+Breton went steadily forward along the road. That was easy work, but when he
+turned off and began to thread his way up the fell-side by what was obviously
+no more than a sheep-track, Spargo&rsquo;s troubles began. It seemed to him
+that he was walking as in a nightmare; all that he saw was magnified and
+heightened; the darkening sky above; the faint outlines of the towering hills;
+the gaunt spectres of fir and pine; the figure of Breton forging stolidly and
+surely ahead. Now the ground was soft and spongy under his feet; now it was
+stony and rugged; more than once he caught an ankle in the wire-like heather
+and tripped, bruising his knees. And in the end he resigned himself to keeping
+his eye on Breton, outlined against the sky, and following doggedly in his
+footsteps.
+</p>
+
+<p>
+&ldquo;Was there no other way than this?&rdquo; he asked after a long interval
+of silence. &ldquo;Do you mean to say those two&mdash;Elphick and
+Cardlestone&mdash;would take this way?&rdquo;
+</p>
+
+<p>
+&ldquo;There is another way&mdash;down the valley, by Thwaite Bridge and
+Hardraw,&rdquo; answered Breton, &ldquo;but it&rsquo;s miles and miles round.
+This is a straight cut across country, and in daylight it&rsquo;s a delightful
+walk. But at night&mdash;Gad!&mdash;here&rsquo;s the rain, Spargo!&rdquo;
+</p>
+
+<p>
+The rain came down as it does in that part of the world, with a suddenness that
+was as fierce as it was heavy. The whole of the grey night was blotted out;
+Spargo was only conscious that he stood in a vast solitude and was being
+gradually drowned. But Breton, whose sight was keener, and who had more
+knowledge of the situation dragged his companion into the shelter of a group of
+rocks. He laughed a little as they huddled closely together.
+</p>
+
+<p>
+&ldquo;This is a different sort of thing to pursuing detective work in Fleet
+Street, Spargo,&rdquo; he said. &ldquo;You would come on, you know.&rdquo;
+</p>
+
+<p>
+&ldquo;I&rsquo;m going on if we go through cataracts and floods,&rdquo;
+answered Spargo. &ldquo;I might have been induced to stop at the &lsquo;Moor
+Cock&rsquo; overnight if we hadn&rsquo;t heard of that chap in front. If
+he&rsquo;s after those two he&rsquo;s somebody who knows something. What I
+can&rsquo;t make out is&mdash;who he can be.&rdquo;
+</p>
+
+<p>
+&ldquo;Nor I,&rdquo; said Breton. &ldquo;I can&rsquo;t think of anybody who
+knows of this retreat. But&mdash;has it ever struck you, Spargo, that somebody
+beside yourself may have been investigating?&rdquo;
+</p>
+
+<p>
+&ldquo;Possible,&rdquo; replied Spargo. &ldquo;One never knows. I only wish
+we&rsquo;d been a few hours earlier. For I wanted to have the first word with
+those two.&rdquo;
+</p>
+
+<p>
+The rain ceased as suddenly as it had come. Just as suddenly the heavens
+cleared. And going forward to the top of the ridge which they were then
+crossing, Breton pointed an arm to something shining far away below them.
+</p>
+
+<p>
+&ldquo;You see that?&rdquo; he said. &ldquo;That&rsquo;s a sheet of water lying
+between us and Cotterdale. We leave that on our right hand, climb the fell
+beyond it, drop down into Cotterdale, cross two more ranges of fell, and come
+down into Fossdale under Lovely Seat. There&rsquo;s a good two hours and a half
+stiff pull yet, Spargo. Think you can stick it?&rdquo;
+</p>
+
+<p>
+Spargo set his teeth.
+</p>
+
+<p>
+&ldquo;Go on!&rdquo; he said.
+</p>
+
+<p>
+Up hill, down dale, now up to his ankles in peaty ground, now tearing his
+shins, now bruising his knees, Spargo, yearning for the London lights, the
+well-paved London streets, the convenient taxi-cab, even the humble omnibus,
+plodded forward after his guide. It seemed to him that they had walked for ages
+and had traversed a whole continent of mountains and valley when at last
+Breton, halting on the summit of a wind-swept ridge, laid one hand on his
+companion&rsquo;s shoulder and pointed downward with the other.
+</p>
+
+<p>
+&ldquo;There!&rdquo; he said. &ldquo;There!&rdquo;
+</p>
+
+<p>
+Spargo looked ahead into the night. Far away, at what seemed to him to be a
+considerable distance, he saw the faint, very faint glimmer of a light&mdash;a
+mere spark of a light.
+</p>
+
+<p>
+&ldquo;That&rsquo;s the cottage,&rdquo; said Breton, &ldquo;Late as it is, you
+see, they&rsquo;re up. And here&rsquo;s the roughest bit of the journey.
+It&rsquo;ll take me all my time to find the track across this moor, Spargo, so
+step carefully after me&mdash;there are bogs and holes hereabouts.&rdquo;
+</p>
+
+<p>
+Another hour had gone by ere the two came to the cottage. Sometimes the guiding
+light had vanished, blotted out by intervening rises in the ground; always,
+when they saw it again, they were slowly drawing nearer to it. And now when
+they were at last close to it, Spargo realized that he found himself in one of
+the loneliest places he had ever been capable of imagining&mdash;so lonely and
+desolate a spot he had certainly never seen. In the dim light he could see a
+narrow, crawling stream, making its way down over rocks and stones from the
+high ground of Great Shunnor Fell. Opposite to the place at which they stood,
+on the edge of the moorland, a horseshoe like formation of ground was backed by
+a ring of fir and pine; beneath this protecting fringe of trees stood a small
+building of grey stone which looked as if it had been originally built by some
+shepherd as a pen for the moorland sheep. It was of no more than one storey in
+height, but of some length; a considerable part of it was hidden by shrubs and
+brushwood. And from one uncurtained, blindless window the light of a lamp shone
+boldly into the fading darkness without.
+</p>
+
+<p>
+Breton pulled up on the edge of the crawling stream.
+</p>
+
+<p>
+&ldquo;We&rsquo;ve got to get across there, Spargo,&rdquo; he said. &ldquo;But
+as we&rsquo;re already soaked to the knee it doesn&rsquo;t matter about getting
+another wetting. Have you any idea how long we&rsquo;ve been walking?&rdquo;
+</p>
+
+<p>
+&ldquo;Hours&mdash;days&mdash;years!&rdquo; replied Spargo.
+</p>
+
+<p>
+&ldquo;I should say quite four hours,&rdquo; said Breton. &ldquo;In that case,
+it&rsquo;s well past two o&rsquo;clock, and the light will be breaking in
+another hour or so. Now, once across this stream, what shall we do?&rdquo;
+</p>
+
+<p>
+&ldquo;What have we come to do? Go to the cottage, of course!&rdquo;
+</p>
+
+<p>
+&ldquo;Wait a bit. No need to startle them. By the fact they&rsquo;ve got a
+light, I take it that they&rsquo;re up. Look there!&rdquo;
+</p>
+
+<p>
+As he spoke, a figure crossed the window passing between it and the light.
+</p>
+
+<p>
+&ldquo;That&rsquo;s not Elphick, nor yet Cardlestone,&rdquo; said Spargo.
+&ldquo;They&rsquo;re medium-heighted men. That&rsquo;s a tallish man.&rdquo;
+</p>
+
+<p>
+&ldquo;Then it&rsquo;s the man the landlord of the &lsquo;Moor Cock&rsquo; told
+us about,&rdquo; said Breton. &ldquo;Now, look here&mdash;I know every inch of
+this place. When we&rsquo;re across let me go up to the cottage, and I&rsquo;ll
+take an observation through that window and see who&rsquo;s inside. Come
+on.&rdquo;
+</p>
+
+<p>
+He led Spargo across the stream at a place where a succession of boulders made
+a natural bridge, and bidding him keep quiet, went up the bank to the cottage.
+Spargo, watching him, saw him make his way past the shrubs and undergrowth
+until he came to a great bush which stood between the lighted window and the
+projecting porch of the cottage. He lingered in the shadow of this bush but for
+a short moment; then came swiftly and noiselessly back to his companion. His
+hand fell on Spargo&rsquo;s arm with a clutch of nervous excitement.
+</p>
+
+<p>
+&ldquo;Spargo!&rdquo; he whispered. &ldquo;Who on earth do you think the other
+man is?&rdquo;
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap34"></a>CHAPTER THIRTY-FOUR<br/>
+THE WHIP HAND</h2>
+
+<p>
+Spargo, almost irritable from desire to get at close grips with the objects of
+his long journey, shook off Breton&rsquo;s hand with a growl of resentment.
+</p>
+
+<p>
+&ldquo;And how on earth can I waste time guessing?&rdquo; he exclaimed.
+&ldquo;Who is he?&rdquo;
+</p>
+
+<p>
+Breton laughed softly.
+</p>
+
+<p>
+&ldquo;Steady, Spargo, steady!&rdquo; he said. &ldquo;It&rsquo;s
+Myerst&mdash;the Safe Deposit man. Myerst!&rdquo;
+</p>
+
+<p>
+Spargo started as if something had bitten him.
+</p>
+
+<p>
+&ldquo;Myerst!&rdquo; he almost shouted. &ldquo;Myerst! Good Lord!&mdash;why
+did I never think of him? Myerst! Then&mdash;&mdash;&rdquo;
+</p>
+
+<p>
+&ldquo;I don&rsquo;t know why you should have thought of him,&rdquo; said
+Breton. &ldquo;But&mdash;he&rsquo;s there.&rdquo;
+</p>
+
+<p>
+Spargo took a step towards the cottage: Breton pulled him back.
+</p>
+
+<p>
+&ldquo;Wait!&rdquo; he said. &ldquo;We&rsquo;ve got to discuss this. I&rsquo;d
+better tell you what they&rsquo;re doing.&rdquo;
+</p>
+
+<p>
+&ldquo;What are they doing, then?&rdquo; demanded Spargo impatiently.
+</p>
+
+<p>
+&ldquo;Well,&rdquo; answered Breton. &ldquo;They&rsquo;re going through a
+quantity of papers. The two old gentlemen look very ill and very miserable.
+Myerst is evidently laying down the law to them in some fashion or other.
+I&rsquo;ve formed a notion, Spargo.&rdquo;
+</p>
+
+<p>
+&ldquo;What notion?&rdquo;
+</p>
+
+<p>
+&ldquo;Myerst is in possession of whatever secret they have, and he&rsquo;s
+followed them down here to blackmail them. That&rsquo;s my notion.&rdquo;
+</p>
+
+<p>
+Spargo thought awhile, pacing up and down the river bank.
+</p>
+
+<p>
+&ldquo;I daresay you&rsquo;re right,&rdquo; he said. &ldquo;Now, what&rsquo;s
+to be done?&rdquo;
+</p>
+
+<p>
+Breton, too, considered matters.
+</p>
+
+<p>
+&ldquo;I wish,&rdquo; he said at last, &ldquo;I wish we could get in there and
+overhear what&rsquo;s going on. But that&rsquo;s impossible&mdash;I know that
+cottage. The only thing we can do is this&mdash;we must catch Myerst unawares.
+He&rsquo;s here for no good. Look here!&rdquo;
+</p>
+
+<p>
+And reaching round to his hip-pocket Breton drew out a Browning revolver and
+wagged it in his hand with a smile.
+</p>
+
+<p>
+&ldquo;That&rsquo;s a useful thing to have, Spargo,&rdquo; he remarked.
+&ldquo;I slipped it into my pocket the other day, wondering why on earth I did
+it. Now it&rsquo;ll come in handy. For anything we know Myerst may be
+armed.&rdquo;
+</p>
+
+<p>
+&ldquo;Well?&rdquo; said Spargo.
+</p>
+
+<p>
+&ldquo;Come up to the cottage. If things turn out as I think they will, Myerst,
+when he&rsquo;s got what he wants, will be off. Now, you shall get where I did
+just now, behind that bush, and I&rsquo;ll station myself in the doorway. You
+can report to me, and when Myerst comes out I&rsquo;ll cover him. Come on,
+Spargo; it&rsquo;s beginning to get light already.&rdquo;
+</p>
+
+<p>
+Breton cautiously led the way along the river bank, making use of such cover as
+the willows and alders afforded. Together, he and Spargo made their way to the
+front of the cottage. Arrived at the door, Breton posted himself in the porch,
+motioning to Spargo to creep in behind the bushes and to look through the
+window. And Spargo noiselessly followed his directions and slightly parting the
+branches which concealed him looked in through the uncurtained glass.
+</p>
+
+<p>
+The interior into which he looked was rough and comfortless in the extreme.
+There were the bare accessories of a moorland cottage; rough chairs and tables,
+plastered walls, a fishing rod or two piled in a corner; some food set out on a
+side table. At the table in the middle of the floor the three men sat.
+Cardlestone&rsquo;s face was in the shadow; Myerst had his back to the window;
+old Elphick bending over the table was laboriously writing with shaking
+fingers. And Spargo twisted his head round to his companion.
+</p>
+
+<p>
+&ldquo;Elphick,&rdquo; he said, &ldquo;is writing a cheque. Myerst has another
+cheque in his hand. Be ready!&mdash;when he gets that second cheque I guess
+he&rsquo;ll be off.&rdquo;
+</p>
+
+<p>
+Breton smiled grimly and nodded. A moment later Spargo whispered again.
+</p>
+
+<p>
+&ldquo;Look out, Breton! He&rsquo;s coming.&rdquo;
+</p>
+
+<p>
+Breton drew back into the angle of the porch; Spargo quitted his protecting
+bush and took the other angle. The door opened. And they heard Myerst&rsquo;s
+voice, threatening, commanding in tone.
+</p>
+
+<p>
+&ldquo;Now, remember all I&rsquo;ve said! And don&rsquo;t you
+forget&mdash;I&rsquo;ve the whip hand of both of you&mdash;the whip
+hand!&rdquo;
+</p>
+
+<p>
+Then Myerst turned and stepped out into the grey light&mdash;to find himself
+confronted by an athletic young man who held the muzzle of an ugly revolver
+within two inches of the bridge of his nose and in a remarkably firm and steady
+grip. Another glance showed him the figure of a second business-like looking
+young man at his side, whose attitude showed a desire to grapple with him.
+</p>
+
+<p>
+&ldquo;Good-morning, Mr. Myerst,&rdquo; said Breton with cold and ironic
+politeness. &ldquo;We are glad to meet you so unexpectedly. And&mdash;I must
+trouble you to put up your hands. Quick!&rdquo;
+</p>
+
+<p>
+Myerst made one hurried movement of his right hand towards his hip, but a
+sudden growl from Breton made him shift it just as quickly above his head,
+whither the left followed it. Breton laughed softly.
+</p>
+
+<p>
+&ldquo;That&rsquo;s wise, Mr. Myerst,&rdquo; he said, keeping his revolver
+steadily pointed at his prisoner&rsquo;s nose. &ldquo;Discretion will certainly
+be the better part of your valour on this occasion. Spargo&mdash;may I trouble
+you to see what Mr. Myerst carries in his pockets? Go through them carefully.
+Not for papers or documents&mdash;just now. We can leave that
+matter&mdash;we&rsquo;ve plenty of time. See if he&rsquo;s got a weapon of any
+sort on him, Spargo&mdash;that&rsquo;s the important thing.&rdquo;
+</p>
+
+<p>
+Considering that Spargo had never gone through the experience of searching a
+man before, he made sharp and creditable work of seeing what the prisoner
+carried. And he forthwith drew out and exhibited a revolver, while Myerst,
+finding his tongue, cursed them both, heartily and with profusion.
+</p>
+
+<p>
+&ldquo;Excellent!&rdquo; said Breton, laughing again. &ldquo;Sure he&rsquo;s
+got nothing else on him that&rsquo;s dangerous, Spargo? All right. Now, Mr.
+Myerst, right about face! Walk into the cottage, hands up, and remember there
+are two revolvers behind your back. March!&rdquo;
+</p>
+
+<p>
+Myerst obeyed this peremptory order with more curses. The three walked into the
+cottage. Breton kept his eye on his captive; Spargo gave a glance at the two
+old men. Cardlestone, white and shaking, was lying back in his chair; Elphick,
+scarcely less alarmed, had risen, and was coming forward with trembling limbs.
+</p>
+
+<p>
+&ldquo;Wait a moment,&rdquo; said Breton, soothingly. &ldquo;Don&rsquo;t alarm
+yourself. We&rsquo;ll deal with Mr. Myerst here first. Now, Myerst, my man, sit
+down in that chair&mdash;it&rsquo;s the heaviest the place affords. Into it,
+now! Spargo, you see that coil of rope there. Tie Myerst up&mdash;hand and
+foot&mdash;to that chair. And tie him well. All the knots to be double, Spargo,
+and behind him.&rdquo;
+</p>
+
+<p>
+Myerst suddenly laughed. &ldquo;You damned young bully!&rdquo; he exclaimed.
+&ldquo;If you put a rope round me, you&rsquo;re only putting ropes round the
+necks of these two old villains. Mark that, my fine fellows!&rdquo;
+</p>
+
+<p>
+&ldquo;We&rsquo;ll see about that later,&rdquo; answered Breton. He kept Myerst
+covered while Spargo made play with the rope. &ldquo;Don&rsquo;t be afraid of
+hurting him, Spargo,&rdquo; he said. &ldquo;Tie him well and strong. He
+won&rsquo;t shift that chair in a hurry.&rdquo;
+</p>
+
+<p>
+Spargo spliced his man to the chair in a fashion that would have done credit to
+a sailor. He left Myerst literally unable to move either hand or foot, and
+Myerst cursed him from crown to heel for his pains. &ldquo;That&rsquo;ll
+do,&rdquo; said Breton at last. He dropped his revolver into his pocket and
+turned to the two old men. Elphick averted his eyes and sank into a chair in
+the darkest corner of the room: old Cardlestone shook as with palsy and
+muttered words which the two young men could not catch. &ldquo;Guardian,&rdquo;
+continued Breton, &ldquo;don&rsquo;t be frightened! And don&rsquo;t you be
+frightened, either, Mr. Cardlestone. There&rsquo;s nothing to be afraid of,
+just yet, whatever there may be later on. It seems to me that Mr. Spargo and I
+came just in time. Now, guardian, what was this fellow after?&rdquo;
+</p>
+
+<p>
+Old Elphick lifted his head and shook it; he was plainly on the verge of tears;
+as for Cardlestone, it was evident that his nerve was completely gone. And
+Breton pointed Spargo to an old corner cupboard.
+</p>
+
+<p>
+&ldquo;Spargo,&rdquo; he said, &ldquo;I&rsquo;m pretty sure you&rsquo;ll find
+whisky in there. Give them both a stiff dose: they&rsquo;ve broken up. Now,
+guardian,&rdquo; he continued, when Spargo had carried out this order,
+&ldquo;what was he after? Shall I suggest it? Was it&mdash;blackmail?&rdquo;
+</p>
+
+<p>
+Cardlestone began to whimper; Elphick nodded his head. &ldquo;Yes, yes!&rdquo;
+he muttered. &ldquo;Blackmail! That was it&mdash;blackmail. He&mdash;he got
+money&mdash;papers&mdash;from us. They&rsquo;re on him.&rdquo;
+</p>
+
+<p>
+Breton turned on the captive with a look of contempt.
+</p>
+
+<p>
+&ldquo;I thought as much, Mr. Myerst,&rdquo; he said. &ldquo;Spargo,
+let&rsquo;s see what he has on him.&rdquo;
+</p>
+
+<p>
+Spargo began to search the prisoner&rsquo;s pockets. He laid out everything on
+the table as he found it. It was plain that Myerst had contemplated some sort
+of flight or a long, long journey. There was a quantity of loose gold; a number
+of bank-notes of the more easily negotiated denominations; various foreign
+securities, realizable in Paris. And there was an open cheque, signed by
+Cardlestone for ten thousand pounds, and another, with Elphick&rsquo;s name at
+the foot, also open, for half that amount. Breton examined all these matters as
+Spargo handed them out. He turned to old Elphick.
+</p>
+
+<p>
+&ldquo;Guardian,&rdquo; he said, &ldquo;why have you or Mr. Cardlestone given
+this man these cheques and securities? What hold has he on you?&rdquo;
+</p>
+
+<p>
+Old Cardlestone began to whimper afresh; Elphick turned a troubled face on his
+ward.
+</p>
+
+<p>
+&ldquo;He&mdash;he threatened to accuse us of the murder of Marbury!&rdquo; he
+faltered. &ldquo;We&mdash;we didn&rsquo;t see that we had a chance.&rdquo;
+</p>
+
+<p>
+&ldquo;What does he know of the murder of Marbury and of you in connection with
+it?&rdquo; demanded Breton. &ldquo;Come&mdash;tell me the truth now.&rdquo;
+</p>
+
+<p>
+&ldquo;He&rsquo;s been investigating&mdash;so he says,&rdquo; answered Elphick.
+&ldquo;He lives in that house in Middle Temple Lane, you know, in the top-floor
+rooms above Cardlestone&rsquo;s. And&mdash;and he says he&rsquo;s the fullest
+evidence against Cardlestone&mdash;and against me as an accessory after the
+fact.&rdquo;
+</p>
+
+<p>
+&ldquo;And&mdash;it&rsquo;s a lie?&rdquo; asked Breton.
+</p>
+
+<p>
+&ldquo;A lie!&rdquo; answered Elphick. &ldquo;Of course, it&rsquo;s a lie.
+But&mdash;he&rsquo;s so clever that&mdash;that&mdash;&mdash;&rdquo;
+</p>
+
+<p>
+&ldquo;That you don&rsquo;t know how you could prove it otherwise,&rdquo; said
+Breton. &ldquo;Ah! And so this fellow lives over Mr. Cardlestone there, does
+he? That may account for a good many things. Now we must have the police
+here.&rdquo; He sat down at the table and drew the writing materials to him.
+&ldquo;Look here, Spargo,&rdquo; he continued. &ldquo;I&rsquo;m going to write
+a note to the superintendent of police at Hawes&mdash;there&rsquo;s a farm half
+a mile from here where I can get a man to ride down to Hawes with the note.
+Now, if you want to send a wire to the <i>Watchman</i>, draft it out, and
+he&rsquo;ll take it with him.&rdquo;
+</p>
+
+<p>
+Elphick began to move in his corner.
+</p>
+
+<p>
+&ldquo;Must the police come?&rdquo; he said. &ldquo;Must&mdash;&mdash;&rdquo;
+</p>
+
+<p>
+&ldquo;The police must come,&rdquo; answered Breton firmly. &ldquo;Go ahead
+with your wire, Spargo, while I write this note.&rdquo;
+</p>
+
+<p>
+Three quarters of an hour later, when Breton came back from the farm, he sat
+down at Elphick&rsquo;s side and laid his hand on the old man&rsquo;s.
+</p>
+
+<p>
+&ldquo;Now, guardian,&rdquo; he said, quietly, &ldquo;you&rsquo;ve got to tell
+us the truth.&rdquo;
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap35"></a>CHAPTER THIRTY-FIVE<br/>
+MYERST EXPLAINS</h2>
+
+<p>
+It had been apparent to Spargo, from the moment of his entering the cottage,
+that the two old men were suffering badly from shock and fright: Cardlestone
+still sat in his corner shivering and trembling; he looked incapable of
+explaining anything; Elphick was scarcely more fitted to speak. And when Breton
+issued his peremptory invitation to his guardian to tell the truth, Spargo
+intervened.
+</p>
+
+<p>
+&ldquo;Far better leave him alone, Breton,&rdquo; he said in a low voice.
+&ldquo;Don&rsquo;t you see the old chap&rsquo;s done up? They&rsquo;re both
+done up. We don&rsquo;t know what they&rsquo;ve gone through with this fellow
+before we came, and it&rsquo;s certain they&rsquo;ve had no sleep. Leave it all
+till later&mdash;after all, we&rsquo;ve found them and we&rsquo;ve found
+him.&rdquo; He jerked his thumb over his shoulder in Myerst&rsquo;s direction,
+and Breton involuntarily followed the movement. He caught the prisoner&rsquo;s
+eye, and Myerst laughed.
+</p>
+
+<p>
+&ldquo;I daresay you two young men think yourselves very clever,&rdquo; he said
+sneeringly. &ldquo;Don&rsquo;t you, now?&rdquo;
+</p>
+
+<p>
+&ldquo;We&rsquo;ve been clever enough to catch you, anyway,&rdquo; retorted
+Breton. &ldquo;And now we&rsquo;ve got you we&rsquo;ll keep you till the police
+can relieve us of you.&rdquo;
+</p>
+
+<p>
+&ldquo;Oh!&rdquo; said Myerst, with another sneering laugh. &ldquo;And on what
+charge do you propose to hand me over to the police? It strikes me you&rsquo;ll
+have some difficulty in formulating one, Mr. Breton.&rdquo;
+</p>
+
+<p>
+&ldquo;Well see about that later,&rdquo; said Breton. &ldquo;You&rsquo;ve
+extorted money by menaces from these gentlemen, at any rate.&rdquo;
+</p>
+
+<p>
+&ldquo;Have I? How do you know they didn&rsquo;t entrust me with these cheques
+as their agent?&rdquo; exclaimed Myerst. &ldquo;Answer me that! Or, rather, let
+them answer if they dare. Here you, Cardlestone, you Elphick&mdash;didn&rsquo;t
+you give me these cheques as your agent? Speak up now, and quick!&rdquo;
+</p>
+
+<p>
+Spargo, watching the two old men, saw them both quiver at the sound of
+Myerst&rsquo;s voice; Cardlestone indeed, began to whimper softly.
+</p>
+
+<p>
+&ldquo;Look here, Breton,&rdquo; he said, whispering, &ldquo;this
+scoundrel&rsquo;s got some hold on these two old chaps&mdash;they&rsquo;re
+frightened to death of him. Leave them alone: it would be best for them if they
+could get some rest. Hold your tongue, you!&rdquo; he added aloud, turning to
+Myerst. &ldquo;When we want you to speak we&rsquo;ll tell you.&rdquo;
+</p>
+
+<p>
+But Myerst laughed again.
+</p>
+
+<p>
+&ldquo;All very high and mighty, Mr. Spargo of the <i>Watchman</i>!&rdquo; he
+sneered. &ldquo;You&rsquo;re another of the cock-sure lot. And you&rsquo;re
+very clever, but not clever enough. Now, look here! Supposing&mdash;&rdquo;
+</p>
+
+<p>
+Spargo turned his back on him. He went over to old Cardlestone and felt his
+hands. And he turned to Breton with a look of concern.
+</p>
+
+<p>
+&ldquo;I say!&rdquo; he exclaimed. &ldquo;He&rsquo;s more than
+frightened&mdash;he&rsquo;s ill! What&rsquo;s to be done?&rdquo;
+</p>
+
+<p>
+&ldquo;I asked the police to bring a doctor along with them,&rdquo; answered
+Breton. &ldquo;In the meantime, let&rsquo;s put him to bed&mdash;there are beds
+in that inner room. We&rsquo;ll get him to bed and give him something hot to
+drink&mdash;that&rsquo;s all I can think of for the present.&rdquo;
+</p>
+
+<p>
+Between them they managed to get Cardlestone to his bed, and Spargo, with a
+happy thought, boiled water on the rusty stove and put hot bottles to his feet.
+When that was done they persuaded Elphick to lie down in the inner room.
+Presently both old men fell asleep, and then Breton and Spargo suddenly
+realized that they themselves were hungry and wet and weary.
+</p>
+
+<p>
+&ldquo;There ought to be food in the cupboard,&rdquo; said Breton, beginning to
+rummage. &ldquo;They&rsquo;ve generally had a good stock of tinned things. Here
+we are, Spargo&mdash;these are tongues and sardines. Make some hot coffee while
+I open one of these tins.&rdquo;
+</p>
+
+<p>
+The prisoner watched the preparations for a rough and ready breakfast with eyes
+that eventually began to glisten.
+</p>
+
+<p>
+&ldquo;I may remind you that I&rsquo;m hungry, too,&rdquo; he said as Spargo
+set the coffee on the table. &ldquo;And you&rsquo;ve no right to starve me,
+even if you&rsquo;ve the physical ability to keep me tied up. Give me something
+to eat, if you please.&rdquo;
+</p>
+
+<p>
+&ldquo;You shan&rsquo;t starve,&rdquo; said Breton, carelessly. He cut an ample
+supply of bread and meat, filled a cup with coffee and placed cup and plate
+before Myerst. &ldquo;Untie his right arm, Spargo,&rdquo; he continued.
+&ldquo;I think we can give him that liberty. We&rsquo;ve got his revolver,
+anyhow.&rdquo;
+</p>
+
+<p>
+For a while the three men ate and drank in silence. At last Myerst pushed his
+plate away. He looked scrutinizingly at his two captors. &ldquo;Look
+here!&rdquo; he said. &ldquo;You think you know a lot about all this affair,
+Spargo, but there&rsquo;s only one person who knows all about it. That&rsquo;s
+me!&rdquo;
+</p>
+
+<p>
+&ldquo;We&rsquo;re taking that for granted,&rdquo; said Spargo. &ldquo;We
+guessed as much when we found you here. You&rsquo;ll have ample opportunity for
+explanation, you know, later on.&rdquo;
+</p>
+
+<p>
+&ldquo;I&rsquo;ll explain now, if you care to hear,&rdquo; said Myerst with
+another of his cynical laughs. &ldquo;And if I do, I&rsquo;ll tell you the
+truth. I know you&rsquo;ve got an idea in your heads that isn&rsquo;t
+favourable to me, but you&rsquo;re utterly wrong, whatever you may think. Look
+here!&mdash;I&rsquo;ll make you a fair offer. There are some cigars in my case
+there&mdash;give me one, and mix me a drink of that whisky&mdash;a good
+&rsquo;un&mdash;and I&rsquo;ll tell you what I know about this matter. Come
+on!&mdash;anything&rsquo;s better than sitting here doing nothing.&rdquo;
+</p>
+
+<p>
+The two young men looked at each other. Then Breton nodded. &ldquo;Let him talk
+if he likes,&rdquo; he said. &ldquo;We&rsquo;re not bound to believe him. And
+we may hear something that&rsquo;s true. Give him his cigar and his
+drink.&rdquo;
+</p>
+
+<p>
+Myerst took a stiff pull at the contents of the tumbler which Spargo presently
+set before him. He laughed as he inhaled the first fumes of his cigar.
+</p>
+
+<p>
+&ldquo;As it happens, you&rsquo;ll hear nothing but the truth,&rdquo; he
+observed. &ldquo;Now that things are as they are, there&rsquo;s no reason why I
+shouldn&rsquo;t tell the truth. The fact is, I&rsquo;ve nothing to fear. You
+can&rsquo;t give me in charge, for it so happens that I&rsquo;ve got a power of
+attorney from these two old chaps inside there to act for them in regard to the
+money they entrusted me with. It&rsquo;s in an inside pocket of that
+letter-case, and if you look at it, Breton, you&rsquo;ll see it&rsquo;s in
+order. I&rsquo;m not even going to dare you to interfere with or destroy
+it&mdash;you&rsquo;re a barrister, and you&rsquo;ll respect the law. But
+that&rsquo;s a fact&mdash;and if anybody&rsquo;s got a case against anybody, I
+have against you two for assault and illegal detention. But I&rsquo;m not a
+vindictive man, and&mdash;&mdash;&rdquo;
+</p>
+
+<p>
+Breton took up Myerst&rsquo;s letter-case and examined its contents. And
+presently he turned to Spargo.
+</p>
+
+<p>
+&ldquo;He&rsquo;s right!&rdquo; he whispered. &ldquo;This is quite in
+order.&rdquo; He turned to Myerst. &ldquo;All the same,&rdquo; he said,
+addressing him, &ldquo;we shan&rsquo;t release you, because we believe
+you&rsquo;re concerned in the murder of John Marbury. We&rsquo;re justified in
+holding you on that account.&rdquo;
+</p>
+
+<p>
+&ldquo;All right, my young friend,&rdquo; said Myerst. &ldquo;Have your own
+stupid way. But I said I&rsquo;d tell you the plain truth. Well, the plain
+truth is that I know no more of the absolute murder of your father than I know
+of what is going on in Timbuctoo at this moment! I do not know who killed John
+Maitland. That&rsquo;s a fact! It may have been the old man in there
+who&rsquo;s already at his own last gasp, or it mayn&rsquo;t. I tell you I
+don&rsquo;t know&mdash;though, like you, Spargo, I&rsquo;ve tried hard to find
+out. That&rsquo;s the truth&mdash;I do not know.&rdquo;
+</p>
+
+<p>
+&ldquo;You expect us to believe that?&rdquo; exclaimed Breton incredulously.
+</p>
+
+<p>
+&ldquo;Believe it or not, as you like&mdash;it&rsquo;s the truth,&rdquo;
+answered Myerst. &ldquo;Now, look here&mdash;I said nobody knew as much of this
+affair as I know, and that&rsquo;s true also. And here&rsquo;s the truth of
+what I know. The old man in that room, whom you know as Nicholas Cardlestone,
+is in reality Chamberlayne, the stockbroker, of Market Milcaster, whose name
+was so freely mentioned when your father was tried there. That&rsquo;s another
+fact!&rdquo;
+</p>
+
+<p>
+&ldquo;How,&rdquo; asked Breton, sternly, &ldquo;can you prove it? How do you
+know it?&rdquo;
+</p>
+
+<p>
+&ldquo;Because,&rdquo; replied Myerst, with a cunning grin, &ldquo;I helped to
+carry out his mock death and burial&mdash;I was a solicitor in those days, and
+my name was&mdash;something else. There were three of us at it:
+Chamberlayne&rsquo;s nephew; a doctor of no reputation; and myself. We carried
+it out very cleverly, and Chamberlayne gave us five thousand pounds apiece for
+our trouble. It was not the first time that I had helped him and been well paid
+for my help. The first time was in connection with the Cloudhampton Hearth and
+Home Mutual Benefit Society affair&mdash;Aylmore, or Ainsworth, was as innocent
+as a child in that!&mdash;Chamberlayne was the man at the back. But,
+unfortunately, Chamberlayne didn&rsquo;t profit&mdash;he lost all he got by it,
+pretty quick. That was why be transferred his abilities to Market
+Milcaster.&rdquo;
+</p>
+
+<p>
+&ldquo;You can prove all this, I suppose?&rdquo; remarked Spargo.
+</p>
+
+<p>
+&ldquo;Every word&mdash;every letter! But about the Market Milcaster affair:
+Your father, Breton, was right in what he said about Chamberlayne having all
+the money that was got from the bank. He had&mdash;and he engineered that mock
+death and funeral so that he could disappear, and he paid us who helped him
+generously, as I&rsquo;ve told you. The thing couldn&rsquo;t have been better
+done. When it was done, the nephew disappeared; the doctor disappeared;
+Chamberlayne disappeared. I had bad luck&mdash;to tell you the truth, I was
+struck off the rolls for a technical offence. So I changed my name and became
+Mr. Myerst, and eventually what I am now. And it was not until three years ago
+that I found Chamberlayne. I found him in this way: After I became secretary to
+the Safe Deposit Company, I took chambers in the Temple, above
+Cardlestone&rsquo;s. And I speedily found out who he was. Instead of going
+abroad, the old fox&mdash;though he was a comparatively young &rsquo;un,
+then!&mdash;had shaved off his beard, settled down in the Temple and given
+himself up to his two hobbies, collecting curiosities and stamps. There
+he&rsquo;d lived quietly all these years, and nobody had ever recognized or
+suspected him. Indeed, I don&rsquo;t see how they could; he lived such a quiet,
+secluded life, with his collections, his old port, and his little whims and
+fads. But&mdash;I knew him!&rdquo;
+</p>
+
+<p>
+&ldquo;And you doubtless profited by your recognition,&rdquo; suggested Breton.
+</p>
+
+<p>
+&ldquo;I certainly did. He was glad to pay me a nice sum every quarter to hold
+my tongue,&rdquo; replied Myerst, &ldquo;and I was glad to take it and,
+naturally, I gained a considerable knowledge of him. He had only one
+friend&mdash;Mr. Elphick, in there. Now, I&rsquo;ll tell you about him.&rdquo;
+</p>
+
+<p>
+&ldquo;Only if you are going to speak respectfully of him,&rdquo; said Breton
+sternly.
+</p>
+
+<p>
+&ldquo;I&rsquo;ve no reason to do otherwise. Elphick is the man who ought to
+have married your mother. When things turned out as they did, Elphick took you
+and brought you up as he has done, so that you should never know of your
+father&rsquo;s disgrace. Elphick never knew until last night that Cardlestone
+is Chamberlayne. Even the biggest scoundrels have friends&mdash;Elphick&rsquo;s
+very fond of Cardlestone. He&mdash;&mdash;&rdquo;
+</p>
+
+<p>
+Spargo turned sharply on Myerst.
+</p>
+
+<p>
+&ldquo;You say Elphick didn&rsquo;t know until last night!&rdquo; he exclaimed.
+&ldquo;Why, then, this running away? What were they running from?&rdquo;
+</p>
+
+<p>
+&ldquo;I have no more notion than you have, Spargo,&rdquo; replied Myerst.
+&ldquo;I tell you one or other of them knows something that I don&rsquo;t.
+Elphick, I gather, took fright from you, and went to Cardlestone&mdash;then
+they both vanished. It may be that Cardlestone did kill Maitland&mdash;I
+don&rsquo;t know. But I&rsquo;ll tell you what I know about the actual
+murder&mdash;for I do know a good deal about it, though, as I say, I
+don&rsquo;t know who killed Maitland. Now, first, you know all that about
+Maitland&rsquo;s having papers and valuables and gold on him? Very
+well&mdash;I&rsquo;ve got all that. The whole lot is locked
+up&mdash;safely&mdash;and I&rsquo;m willing to hand it over to you, Breton,
+when we go back to town, and the necessary proof is given&mdash;as it will
+be&mdash;that you&rsquo;re Maitland&rsquo;s son.&rdquo;
+</p>
+
+<p>
+Myerst paused to see the effect of this announcement, and laughed when he saw
+the blank astonishment which stole over his hearers&rsquo; faces.
+</p>
+
+<p>
+&ldquo;And still more,&rdquo; he continued, &ldquo;I&rsquo;ve got all the
+contents of that leather box which Maitland deposited with
+me&mdash;that&rsquo;s safely locked up, too, and at your disposal. I took
+possession of that the day after the murder. Then, for purposes of my own, I
+went to Scotland Yard, as Spargo there is aware. You see, I was playing a
+game&mdash;and it required some ingenuity.&rdquo;
+</p>
+
+<p>
+&ldquo;A game!&rdquo; exclaimed Breton. &ldquo;Good heavens&mdash;what
+game?&rdquo;
+</p>
+
+<p>
+&ldquo;I never knew until I had possession of all these things that Marbury was
+Maitland of Market Milcaster,&rdquo; answered Myerst. &ldquo;When I did know
+then I began to put things together and to pursue my own line, independent of
+everybody. I tell you I had all Maitland&rsquo;s papers and possessions, by
+that time&mdash;except one thing. That packet of Australian stamps. And&mdash;I
+found out that those stamps were in the hands of&mdash;Cardlestone!&rdquo;
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap36"></a>CHAPTER THIRTY-SIX.<br/>
+THE FINAL TELEGRAM</h2>
+
+<p>
+Myerst paused, to take a pull at his glass, and to look at the two amazed
+listeners with a smile of conscious triumph.
+</p>
+
+<p>
+&ldquo;In the hands of Cardlestone,&rdquo; he repeated. &ldquo;Now, what did I
+argue from that? Why, of course, that Maitland had been to Cardlestone&rsquo;s
+rooms that night. Wasn&rsquo;t he found lying dead at the foot of
+Cardlestone&rsquo;s stairs? Aye&mdash;but who found him? Not the
+porter&mdash;not the police&mdash;not you, Master Spargo, with all your
+cleverness. The man who found Maitland lying dead there that night
+was&mdash;I!&rdquo;
+</p>
+
+<p>
+In the silence that followed, Spargo, who had been making notes of what Myerst
+said, suddenly dropped his pencil and thrusting his hands in his pockets sat
+bolt upright with a look which Breton, who was watching him seriously, could
+not make out. It was the look of a man whose ideas and conceptions are being
+rudely upset. And Myerst, too, saw it and he laughed, more sneeringly than
+ever.
+</p>
+
+<p>
+&ldquo;That&rsquo;s one for you, Spargo!&rdquo; he said. &ldquo;That surprises
+you&mdash;that makes you think. Now what do you think?&mdash;if one may
+ask.&rdquo;
+</p>
+
+<p>
+&ldquo;I think,&rdquo; said Spargo, &ldquo;that you are either a consummate
+liar, or that this mystery is bigger than before.&rdquo;
+</p>
+
+<p>
+&ldquo;I can lie when it&rsquo;s necessary,&rdquo; retorted Myerst. &ldquo;Just
+now it isn&rsquo;t necessary. I&rsquo;m telling you the plain truth:
+there&rsquo;s no reason why I shouldn&rsquo;t. As I&rsquo;ve said before,
+although you two young bullies have tied me up in this fashion, you can&rsquo;t
+do anything against me. I&rsquo;ve a power of attorney from those two old men
+in there, and that&rsquo;s enough to satisfy anybody as to my possession of
+their cheques and securities. I&rsquo;ve the whip hand of you, my sons, in all
+ways. And that&rsquo;s why I&rsquo;m telling you the truth&mdash;to amuse
+myself during this period of waiting. The plain truth, my sons!&rdquo;
+</p>
+
+<p>
+&ldquo;In pursuance of which,&rdquo; observed Breton, drily, &ldquo;I think you
+mentioned that you were the first person to find my father lying dead?&rdquo;
+</p>
+
+<p>
+&ldquo;I was. That is&mdash;as far as I can gather. I&rsquo;ll tell you all
+about it. As I said, I live over Cardlestone. That night I came home very
+late&mdash;it was well past one o&rsquo;clock. There was nobody about&mdash;as
+a matter of fact, no one has residential chambers in that building but
+Cardlestone and myself. I found the body of a man lying in the entry. I struck
+a match and immediately recognized my visitor of the afternoon&mdash;John
+Marbury. Now, although I was so late in going home, I was as sober as a man can
+be, and I think pretty quickly at all times. I thought at double extra speed
+just then. And the first thing I did was to strip the body of every article it
+had on it&mdash;money, papers, everything. All these things are safely locked
+up&mdash;they&rsquo;ve never been tracked. Next day, using my facilities as
+secretary to the Safe Deposit Company, I secured the things in that box. Then I
+found out who the dead man really was. And then I deliberately set to work to
+throw dust in the eyes of the police and of the newspapers, and particularly in
+the eyes of young Master Spargo there. I had an object.&rdquo;
+</p>
+
+<p>
+&ldquo;What?&rdquo; asked Breton.
+</p>
+
+<p>
+&ldquo;What! Knowing all I did, I firmly believed that Marbury, or, rather,
+Maitland, had been murdered by either Cardlestone or Elphick. I put it to
+myself in this way, and my opinion was strengthened as you, Spargo, inserted
+news in your paper&mdash;Maitland, finding himself in the vicinity of
+Cardlestone after leaving Aylmore&rsquo;s rooms that night, turned into our
+building, perhaps just to see where Cardlestone lived. He met Cardlestone
+accidentally, or he perhaps met Cardlestone and Elphick together&mdash;they
+recognized each other. Maitland probably threatened to expose Cardlestone, or,
+rather, Chamberlayne&mdash;nobody, of course, could know what happened, but my
+theory was that Chamberlayne killed him. There, at any rate, was the fact that
+Maitland was found murdered at Chamberlayne&rsquo;s very threshold. And, in the
+course of a few days, I proved, to my own positive satisfaction, by getting
+access to Chamberlayne&rsquo;s rooms in his absence that Maitland had been
+there, had been in those rooms. For I found there, in Chamberlayne&rsquo;s
+desk, the rare Australian stamps of which Criedir told at the inquest. That was
+proof positive.&rdquo;
+</p>
+
+<p>
+Spargo looked at Breton. They knew what Myerst did not know&mdash;that the
+stamps of which he spoke were lying in Spargo&rsquo;s breast pocket, where they
+had lain since he had picked them up from the litter and confusion of
+Chamberlayne&rsquo;s floor.
+</p>
+
+<p>
+&ldquo;Why,&rdquo; asked Breton, after a pause, &ldquo;why did you never accuse
+Cardlestone, or Chamberlayne, of the murder?&rdquo;
+</p>
+
+<p>
+&ldquo;I did! I have accused him a score of times&mdash;and Elphick,
+too,&rdquo; replied Myerst with emphasis. &ldquo;Not at first, mind you&mdash;I
+never let Chamberlayne know that I ever suspected him for some time. I had my
+own game to play. But at last&mdash;not so many days ago&mdash;I did. I accused
+them both. That&rsquo;s how I got the whip hand of them. They began to be
+afraid&mdash;by that time Elphick had got to know all about Cardlestone&rsquo;s
+past as Chamberlayne. And as I tell you, Elphick&rsquo;s fond of Cardlestone.
+It&rsquo;s queer, but he is. He&mdash;wants to shield him.&rdquo;
+</p>
+
+<p>
+&ldquo;What did they say when you accused them?&rdquo; asked Breton.
+&ldquo;Let&rsquo;s keep to that point&mdash;never mind their feelings for one
+another.&rdquo;
+</p>
+
+<p>
+&ldquo;Just so, but that feeling&rsquo;s a lot more to do with this mystery
+than you think, my young friend,&rdquo; said Myerst. &ldquo;What did they say,
+you ask? Why, they strenuously denied it, Cardlestone swore solemnly to me that
+he had no part or lot in the murder of Maitland. So did Elphick. But&mdash;they
+know something about the murder. If those two old men can&rsquo;t tell you
+definitely who actually struck John Maitland down, I&rsquo;m certain that they
+have a very clear idea in their minds as to who really did! They&mdash;&rdquo;
+</p>
+
+<p>
+A sudden sharp cry from the inner room interrupted Myerst. Breton and Spargo
+started to their feet and made for the door. But before they could reach it
+Elphick came out, white and shaking.
+</p>
+
+<p>
+&ldquo;He&rsquo;s gone!&rdquo; he exclaimed in quavering accents. &ldquo;My old
+friend&rsquo;s gone&mdash;he&rsquo;s dead! I was&mdash;asleep. I woke suddenly
+and looked at him. He&mdash;&mdash;&rdquo;
+</p>
+
+<p>
+Spargo forced the old man into a chair and gave him some whisky; Breton passed
+quickly into the inner room; only to come back shaking his head.
+</p>
+
+<p>
+&ldquo;He&rsquo;s dead,&rdquo; he said. &ldquo;He evidently died in his
+sleep.&rdquo;
+</p>
+
+<p>
+&ldquo;Then his secret&rsquo;s gone with him,&rdquo; remarked Myerst, calmly.
+&ldquo;And now we shall never know if he did kill John Maitland or if he
+didn&rsquo;t. So that&rsquo;s done with!&rdquo;
+</p>
+
+<p>
+Old Elphick suddenly sat up in his chair, pushing Spargo fiercely away from his
+side.
+</p>
+
+<p>
+&ldquo;He didn&rsquo;t kill John Maitland!&rdquo; he cried angrily, attempting
+to shake his fist at Myerst. &ldquo;Whoever says he killed Maitland lies. He
+was as innocent as I am. You&rsquo;ve tortured and tormented him to his death
+with that charge, as you&rsquo;re torturing me&mdash;among you. I tell you
+he&rsquo;d nothing to do with John Maitland&rsquo;s death&mdash;nothing!&rdquo;
+</p>
+
+<p>
+Myerst laughed.
+</p>
+
+<p>
+&ldquo;Who had, then?&rdquo; he said.
+</p>
+
+<p>
+&ldquo;Hold your tongue!&rdquo; commanded Breton, turning angrily on him. He
+sat down by Elphick&rsquo;s side and laid his hand soothingly on the old
+man&rsquo;s arm.
+</p>
+
+<p>
+&ldquo;Guardian,&rdquo; he said, &ldquo;why don&rsquo;t you tell what you know?
+Don&rsquo;t be afraid of that fellow there&mdash;he&rsquo;s safe enough. Tell
+Spargo and me what you know of the matter. Remember, nothing can hurt
+Cardlestone, or Chamberlayne, or whoever he is or was, now.&rdquo;
+</p>
+
+<p>
+Elphick sat for a moment shaking his head. He allowed Spargo to give him
+another drink; he lifted his head and looked at the two young men with
+something of an appeal.
+</p>
+
+<p>
+&ldquo;I&rsquo;m badly shaken,&rdquo; he said. &ldquo;I&rsquo;ve suffered much
+lately&mdash;I&rsquo;ve learnt things that I didn&rsquo;t know. Perhaps I ought
+to have spoken before, but I was afraid for&mdash;for him. He was a good
+friend, Cardlestone, whatever else he may have been&mdash;a good friend.
+And&mdash;I don&rsquo;t know any more than what happened that night.&rdquo;
+</p>
+
+<p>
+&ldquo;Tell us what happened that night,&rdquo; said Breton.
+</p>
+
+<p>
+&ldquo;Well, that night I went round, as I often did, to play piquet with
+Cardlestone. That was about ten o&rsquo;clock. About eleven Jane Baylis came to
+Cardlestone&rsquo;s&mdash;she&rsquo;d been to my rooms to find me&mdash;wanted
+to see me particularly&mdash;and she&rsquo;d come on there, knowing where I
+should be. Cardlestone would make her have a glass of wine and a biscuit; she
+sat down and we all talked. Then, about, I should think, a quarter to twelve, a
+knock came at Cardlestone&rsquo;s door&mdash;his outer door was open, and of
+course anybody outside could see lights within. Cardlestone went to the door:
+we heard a man&rsquo;s voice enquire for him by name; then the voice added that
+Criedir, the stamp dealer, had advised him to call on Mr. Cardlestone to show
+him some rare Australian stamps, and that seeing a light under his door he had
+knocked. Cardlestone asked him in&mdash;he came in. That was the man we saw
+next day at the mortuary. Upon my honour, we didn&rsquo;t know him, either that
+night or next day!&rdquo;
+</p>
+
+<p>
+&ldquo;What happened when he came in?&rdquo; asked Breton.
+</p>
+
+<p>
+&ldquo;Cardlestone asked him to sit down: he offered and gave him a drink. The
+man said Criedir had given him Cardlestone&rsquo;s address, and that he&rsquo;d
+been with a friend at some rooms in Fountain Court, and as he was passing our
+building he&rsquo;d just looked to make sure where Cardlestone lived, and as
+he&rsquo;d noticed a light he&rsquo;d made bold to knock. He and Cardlestone
+began to examine the stamps. Jane Baylis said good-night, and she and I left
+Cardlestone and the man together.&rdquo;
+</p>
+
+<p>
+&ldquo;No one had recognized him?&rdquo; said Breton.
+</p>
+
+<p>
+&ldquo;No one! Remember, I only once or twice saw Maitland in all my life. The
+others certainly did not recognize him. At least, I never knew that they
+did&mdash;if they did.&rdquo;
+</p>
+
+<p>
+&ldquo;Tell us,&rdquo; said Spargo, joining in for the first time, &ldquo;tell
+us what you and Miss Baylis did?&rdquo;
+</p>
+
+<p>
+&ldquo;At the foot of the stairs Jane Baylis suddenly said she&rsquo;d
+forgotten something in Cardlestone&rsquo;s lobby. As she was going out in to
+Fleet Street, and I was going down Middle Temple Lane to turn off to my own
+rooms we said good-night. She went back upstairs. And I went home. And upon my
+soul and honour that&rsquo;s all I know!&rdquo;
+</p>
+
+<p>
+Spargo suddenly leapt to his feet. He snatched at his cap&mdash;a sodden and
+bedraggled headgear which he had thrown down when they entered the cottage.
+</p>
+
+<p>
+&ldquo;That&rsquo;s enough!&rdquo; he almost shouted. &ldquo;I&rsquo;ve got
+it&mdash;at last! Breton&mdash;where&rsquo;s the nearest telegraph office?
+Hawes? Straight down this valley? Then, here&rsquo;s for it! Look after things
+till I&rsquo;m back, or, when the police come, join me there. I shall catch the
+first train to town, anyhow, after wiring.&rdquo;
+</p>
+
+<p>
+&ldquo;But&mdash;what are you after, Spargo?&rdquo; exclaimed Breton.
+&ldquo;Stop! What on earth&mdash;&mdash;&rdquo;
+</p>
+
+<p>
+But Spargo had closed the door and was running for all he was worth down the
+valley. Three quarters of an hour later he startled a quiet and peaceful
+telegraphist by darting, breathless and dirty, into a sleepy country post
+office, snatching a telegraph form and scribbling down a message in shaky
+handwriting:&mdash;
+</p>
+
+<p class="letter">
+<i>Rathbury, New Scotland Yard, London.</i><br/>
+<i>Arrest Jane Baylis at once for murder of John Maitland.</i><br/>
+<i>Coming straight to town with full evidence.</i><br/>
+          <i>Frank Spargo</i>.
+</p>
+
+<p>
+Then Spargo dropped on the office bench, and while the wondering operator set
+the wires ticking, strove to get his breath, utterly spent in his mad race
+across the heather. And when it was got he set out again&mdash;to find the
+station.
+</p>
+
+<hr />
+
+<p>
+Some days later, Spargo, having seen Stephen Aylmore walk out of the Bow Street
+dock, cleared of the charge against him, and in a fair way of being cleared of
+the affair of twenty years before, found himself in a very quiet corner of the
+Court holding the hand of Jessie Aylmore, who, he discovered, was saying things
+to him which he scarcely comprehended. There was nobody near them and the girl
+spoke freely and warmly.
+</p>
+
+<p>
+&ldquo;But you will come&mdash;you will come today&mdash;and be properly
+thanked,&rdquo; she said. &ldquo;You will&mdash;won&rsquo;t you?&rdquo;
+</p>
+
+<p>
+Spargo allowed himself to retain possession of the hand. Also he took a
+straight look into Jessie Aylmore&rsquo;s eyes.
+</p>
+
+<p>
+&ldquo;I don&rsquo;t want thanks,&rdquo; he said. &ldquo;It was all a lot of
+luck. And if I come&mdash;today&mdash;it will be to see&mdash;just you!&rdquo;
+</p>
+
+<p>
+Jessie Aylmore looked down at the two hands.
+</p>
+
+<p>
+&ldquo;I think,&rdquo; she whispered, &ldquo;I think that is what I really
+meant!&rdquo;
+</p>
+
+<p class="center">
+THE END
+</p>
+
+</div><!--end chapter-->
+
+<div>*** END OF THE PROJECT GUTENBERG EBOOK 10373 ***</div>
+</body>
+
+</html>
+
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