diff options
Diffstat (limited to 'old/11194.txt')
| -rw-r--r-- | old/11194.txt | 1899 |
1 files changed, 1899 insertions, 0 deletions
diff --git a/old/11194.txt b/old/11194.txt new file mode 100644 index 0000000..96ff586 --- /dev/null +++ b/old/11194.txt @@ -0,0 +1,1899 @@ +The Project Gutenberg EBook of Vignettes in Verse, by Matilda Betham + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Vignettes in Verse + +Author: Matilda Betham + +Release Date: February 20, 2004 [EBook #11194] + +Language: English + +Character set encoding: US-ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK VIGNETTES IN VERSE *** + + + + +Produced by Jonathan Ingram, David Garcia and the Online Distributed +Proofreading Team. + + + + + +Vignettes: + +IN VERSE. + + +BY MATILDA BETHAM. + + + +1818. + + + +THESE VERSES ARE INSCRIBED +TO +LADY BETHAM, +AS A TRIBUTE OF SINCERE RESPECT +FOR HER +AMIABLE QUALITIES. + + + +ADVERTISEMENT. + + * * * * * + +As far as the seventy-fourth page, these Poems have been printed about +two years; during which many things happened likely to prevent their +ever appearing. The time, however, is now come, and I have to-day found +the remainder, up to where the lines end with + + "Its unpolluted birthright." + +On reading the whole over, they struck me with much surprise, as they +appear in a singular manner prophetic. I wrote them with a general, and +somewhat undefined view; and they now take the aspect of speaking on +what has since happened to myself--a long seclusion, during which I was +bereft of the common means of study, having given rise to one that has +turned out far more important than I at first imagined, and which I have +continued since, to the exclusion of every other pursuit. + +_Stonkam, May 10th_, 1818. + + + + + +Vignettes. + + + +I. + + +If writing Journals were my task, + From cottagers to kings-- +A little book I'd only ask, + And fill it full of wings! + +Each pair should represent a day: + On some the sun should rise, +While others bent their mournful way + Through cold and cloudy skies. + +And here I would the light'ning bring + With threatening, forked glare; +And there the hallowed rainbow fling + Across the troubled air. + +Some faint and wearily should glide + Their broken flight along-- +While some high in the air should ride + Dilated, bold, and strong. + +Some agitated and adrift, + Against their will should rove; +Some, steering forward, sure and swift, + Should scarcely seem to move-- + +While others, happiest of their kind! + Should in the ether soar, +As if no care would ever find, + No sorrow reach them more; + +When soon an arrow from below + Should wound them in their flight, +And many a crimson drop should flow + Before they fell in sight. + +The rapid and abrupt descent, + The stain'd and ruffled plume, +Would seem as if they were not meant + Their ardour to resume. + +But soon their beauty and their force + Sweet hours of rest renew; +Full soon their light, their varied course + Careering they pursue. + +Alternately to rise and fall, + Or float along the day-- +And this is Fortune--This is all + I would vouchsafe to say! + + + + +II. + + + Lucy, I think not of thy beauty, + I praise not each peculiar grace; + To see thee in the path of duty, + And with that happy, smiling face, +Conveys more pleasure to thy friend, +Than any outward charm could lend. + + I see thy graceful babes caress thee, + I mark thy wise, maternal care, + And sadly do the words impress me, + The magic words--that thou art fair. +I wonder that a tongue is found +To utter the unfeeling sound! + + For, art thou not above such praises? + And is this all that they can see? + Poor is the joy such flattery raises, + And, oh! how much unworthy thee! +Unworthy one whose heart can feel +The voice of truth, the warmth of zeal! + + O Lucy, thou art snatch'd from folly, + Become too tender to be vain, + The world, it makes me melancholy, + The world would lure thee back again! +And it would cost me many sighs, +To see it win so bright a prize! + + Though passing apprehensions move me, + I know thou hast a noble heart; + But, Lucy, I so truly love thee, + So much admire thee as thou art, +That, but the shadow of a fear, +Wakes in my breast a pang sincere. + + + + +III. + +THE ARTISAN. + + +This twilight gloom. This lone retreat-- +This silence to my soul is sweet! +Awhile escap'd from toil and strife, +And all the lesser ills of life, +Here only at the evening's close, +My weary spirit finds repose; +My sinking heart its freedom gains, +Which poverty had bound in chains! + +For here unheard the moments fly-- +And so secure, so happy I, +That, often at the very last, +I feel not that my dream is past. +The little hour of bliss I spend, +With thee, my chosen, only friend! +That transient hour the heart sustains, +Which poverty has bound in chains! + +And for this dear, this precious hour, +I would not, if I had the power, +Exchange a worldling's life of ease, +Whom all around him seek to please. +I have no other friend beside, +But here I safely may confide. +Suspicion ne'er the bosom stains, +Which poverty has bound in chains! + +How oft I wonder at my lot! +How oft are all but thee forgot! +While in this half-despairing breast, +Love builds a little, quiet nest, +To hover o'er with joyous wing, +Nay, sometimes soar aloft and sing! +'Tis this alone the heart sustains, +Which poverty has bound in chains! + + + + +IV. + + +"Come, Edmund, now the sun goes down, + Thy many wanderings tell! +Say, after all thine eyes have seen, + If home appears so well!" + +"So well! alas! ye do not know + How absence can endear! +In every hill, in every tree, + A thousand charms appear. + +"The verdure of these English fields + Seems in my heart to glow-- +There, as this shaded river winds, + I feel its waters flow. + +"For, though I ventured forth so bold, + So long, so far did roam, +Affection, like a wayward child, + Still wept and murmur'd, _home!_ + +"I persevered, yet still I strained + The pleader to my breast; +I hush'd her cries, but as I chid + More fondly still carest. + +"And when I met with foreign dames + Of grace and beauty rare-- +I fancied one dear village girl + Like them: but oh! how fair! + +"My early playmate! oft I humm'd + The lays she lisping sung! +And sigh'd when looking on the arm, + Where she at parting hung. + +"Then, joy! within my native vale + To find my Ellen free! +To fancy others pleas'd her not, + Because she thought on me! + +"So closely round a glowing heart + Did never flowers entwine! +Oh! ne'er was mortal spirit lull'd + With visions sweet as mine!" + + + + +V. + +VALENTINE + +_FROM A YOUNG LADY TO HER MOTHER._ + +1811. + + -------- + +It is a custom, in some parts of Norfolk and Suffolk, to send little +presents with verses on Valentine's Day, to relatives and friends. + + -------- + +Hope has her emblem, so has Love, + But I have vainly sought +For one, that might entirely prove + The picture of my thought. + +If violets, when fresh with dew, + Could amaranthine be, +Their soothing, deep, and glowing hue + Would justly speak for me. + +Or to some plant with tendrils fine, + With blossoms sweet and gay, +This office I would now assign; + But flowers will all decay! + +A bird would suit my purpose more, + With filial heart endued; +But, ere their little life is o'er, + Birds lose their gratitude! + +No emblem of the love I feel + Appears within my view; +Less ardent, or less pure the zeal, + Less tender, or less true! + +All I can do is to avow, + My services are thine; +And that my spirit still shall bow, + Before my Valentine. + + + + +VI. + +THE LOVER'S APOLOGY. + + +I look'd into her eyes, + And saw something divine, +For there, like summer lightning, + Swift coruscations shine. + +Still flashing, and still changing, + Attemper'd soft and bright, +Through each expression ranging, + From pity to delight. + +From high or zealous feeling, + From arch, excursive grace, +From all with which a lovely mind + Endows the human face. + +Perhaps a new and careless eye + May not those beauties see, +And wonder to behold the power + Belinda has with me. + +The spell which holds this captive soul + She never would possess, +Were not her varying features rul'd + By sparkling playfulness, + +But when with aimless, trackless skill + Is twin'd a mazy chain, +In the warm foldings of a heart, + Perforce it must remain. + + + + +VII. + + +Come, Magdalen, and bind my hair, + And put me on my sad array; +I to my father's house repair, + And hear his final doom to-day. + +But wrap me in that cypress veil; + At first his eye I would not brave, +'Till he shall bid the mourner hail, + And knows I come from Edwin's grave. + +I, late his boast, his heir, his pride, + Must like a guilty vassal kneel; +I, who was gallant Edwin's bride, + Must to my widow'd state appeal! + +Closely within my heart must keep + His praise for whom that heart is riv'n, +And let each fond resentment sleep, + For I must die or be forgiven. + + + + +VIII. + +_The Spanish Lady's Farewell_, 1809. + + +Manuel, I do not shed a tear, + Our parting to delay! +I dare not listen to my fear! + I dare not bid thee stay! + +The heart may shrink, the spirit fail, + But Spaniards must be free; +And pride and duty shall prevail + O'er all my love for thee! + +Then go! and round that gallant head, + Like banners in the air, +Shall float full many a daring hope, + And many a tender prayer! + +Should freedom perish--at thy death, + 'T'were folly to repine-- +And I should every feeling lose, + Except the wish for mine! + +But if the destiny of Spain, + Be once again to rise, +Oh! grant me heaven, to read the tale, + In Manuel's joyful eyes! + + + + +IX. + +SONNET. + + + I am unskill'd in speech: my tongue is slow +The graceful courtesies of life to pay; +To deck kind meanings up in trim array, + Keeping the mind's soft tone: words such as flow + From Complaisance, when she alone inspires! + And Caution, with a care that never tires, +Marshals each tribe of thoughts in such a way + That all are ready for their needful task, + The moment the occasion comes to ask, +All prompt to hear, to answer and obey; +When mine, undisciplin'd, their cause betray, + By coward falterings, or rebellious zeal!-- +And Art, though subtle, though sublime thy sway, + I doubt if thou canst rule us, when we feel! + + + + +X. + +ALL' AMICA. + + +And didst thou think that worldly art +Would mould anew this shrinking heart? +No! as a bird, by storms opprest, +Is sheltered in its silent nest, +I nurse and soothe it in the strife, +Screen from the bleakest airs of life, +And bring it all that once you knew, +As kind, as timid, and as true! + +But how could I so foolish be, +As not to feel a doubt of thee?-- +This joy to find me still the same +Takes from my lip the power to blame; +Else, but forgive me, else I find +A mist has stolen o'er thy mind, +And veil'd my prospect; dimm'd that light +Which once was warm, and clear, and bright. + + + + +XI. + +TO THE SAME. + + +Go forth, my voice, through the wild air, + In the lone stillness of the night, + Beneath the cold moon's pale blue light; +Seek Eugenia, and declare, +As warmth and promise lurk below +A waste of lifeless, drifted snow; + +So, while my lips inertly move, + While many heavy fetters bind, + And press upon my languid mind, +Oh! tell her not to doubt my love! +Affection still her hold shall keep, +Although her weary servants sleep. + +Friendship to me is like a flower, + Yielding a balm for human woe, + I less than ever could forego; +More prized, more needed every hour! +Perchance it dies for want of care, +But as it withers, I despair! + + + + +XII. + +_To the late Lady Rouse Boughton_. + + +'Tis said, that jealous of a name + We all would praise confine, +And choke the leading path to fame + In our peculiar line. + +But vainly should detraction preach + If once I made it known, +The art of pleasing thou would'st teach + Acknowledg'd for thy own. + + + + +XIII. + + +Yes! I can suffer, sink with pain, +With anguish I can ill sustain; +Till not a hope has strength to spring, +Till scarce a prayer can lift its wing; +Yet in my inmost heart there lies +A living fount that will arise, +And, of itself, diffuse a balm, +A healing and refreshing calm, +A pure delight, a cooling glow, +Which Hate and Meanness cannot know! + +Yes! I can faint, and I can fear, +The power of petty creatures here, +Who trick dark deeds in gay disguise, +And weave their web of brooded lies, +With so few threads made smooth and fair, +All seems plain sense and reason there; +And yet I would not learn their art, +Nor have their paltry spells by heart, +Their rankling blood within my veins, +For all the treasure earth contains! + +Oft, panic-struck, I sink, dismay'd, +Call, with expiring faith, for aid; +When all my efforts useless seem, +Emptied of force as in a dream, +My courage knows to persevere, +Entwin'd, o'ergrown, o'ertowered by fear! +As he who summoned in the night, +At sudden wreck, in wild affright, +Once throws his arms around a mast, +Continues still to hold it fast, +When sight and strength and aim are flown, +When cold, benumb'd, and senseless grown, +My soul, by hurrying tempests driven, +Though blinded from the light of Heaven, +Clinging, all hope, all comfort o'er, +Must yet awaken on the shore! + + + + +XIV. + +TO MR. AND MRS. EVERARD, + +_On their only Son's being in the Navy_, 1811. + + -------- + +Talent and beauty, and the heart's warm glow, +Gilding with Heavenly light his path below, +Few with such rare felicity have won, +In that rich prize, a dear and only son; +And fewer but those faculties would doom +To the soft prison of a pamper'd home; +Check his bold wishes when they soar'd on high, +And see well-pleas'd each early vision die; +But ye, enweaving, as to me appears, +With his bright hopes, those of maturer years, +Hallowing the web, with all that parents feel, +The saintly trust in Heav'n, the patriot's zeal, +The aching doubts, that still tenacious wind +Around the lofty and the tender mind; +Ye, with a more than Roman virtue, yield, +To the proud strife of Albion's liquid field, +This darling; and, in whispers, bid him wear +The finest wreath that buds and blossoms there; +And I could almost say I heard a strain +Pronounce--the sacrifice should not be vain! + + + + +XV. + +TO THE HON. LADY J----, + +_With the Picture of her Grand-daughter, the present Lady Petre._ + +1813. + + +Behold the semblance of thy flower! + I could not fill its leaves with dew, +Shew its tints varying with the hour, + Its motion as the zephyrs blew. + +And beauty too were more complete, + Appearing on the native stem, +In midst of buds and blossoms sweet, + And catching graces, charms from them. + +Or blooming under eyes like thine, + Whose fond, soft gaze, whose tender tear, +Must also, losing power divine, + Awake no answering sweetness here. + +For much of loveliness must sleep, + E'en when inspir'd and led by truth; +The faithful pencil aims to keep + Mildness and innocence and youth. + + + + +XVI. + +To MRS. A. + + +An Hour was before me, no creature more bright, +More airy, more joyous, e'er sprang on my sight. +To catch and to fetter I instantly tried, +And "thou art my slave, pretty vagrant," I cried. + +I had hold, and securely I thought, of its wing, +O! how I shall glory, so lovely a thing +To place by the cradle of friendship, and see, +With the aid of my captive, if I can be free. + +Oh! while she is with me, some means may be found +To temper the air and to hallow the ground-- +To make those entangling bind-weeds decay, +Drive Suspicion, who rear'd them, for ever away, +And leave all around, kind, and healthful, and gay! + +When this can be compass'd, I'll build me a bower, +And twine in the trellice each sweet-scented flower-- +Rare, delicate plants, whose large, fresh leaves shall fling +Green shadows, where birds in the stillness may sing. + +A place of repose, when the spirit is faint, +And the heart wants to utter a passing complaint: +Of safety; for pure and serene be the air, +And nothing unkind or unholy be there! + +In this sacred retreat I my cares would confide, +And there my half-forming opinions should hide; +If true, gather strength for the brightness of day-- +If false, in the shade, unreprov'd, die away! + +How fondly I nourish'd these hopes, but in vain! +The calm and the stillness I could not retain; +My Hour fled away, every wish unfulfill'd, +And warm'd not the Friendship Suspicion had chill'd! + + + + +XVII. + + +LINES + +_Sent to a Brother on his leaving England_. + +May 2, 1816. + + -------- + +FANCIFUL BOUQUET. + + -------- + +_Hopes_ all glowing, _Wishes_ rare, + _Blessings_ mixed with many a _Prayer_, +Flowers as yet beyond compare, + Though flourishing in northern air. + +_Farewells_ twined with tender _Fears_, + _Golden day-dreams_, gemm'd with tears, +_Affections_ nurtur'd many years, + Before this perfect bloom appears. + +_Thoughts_ of fondness and of pride, + _Love-vanities_ we need not hide; +_Heart-blossoms_, in its crimson dyed, + For you, are here together tied. + +And yet they all appear too poor, + Though goodness can ensure no more; +Though monarchs, whom the world adore, + Would purchase such with all their store. + +And while this charmed gift we send, + We know where'er your footsteps bend, +The looks and tones that win the friend, + That kindness, nature, truth, attend, + +Are yours, and must be with you still, + Angelic guards, go where they will, +To ward off much surrounding ill, + And happiest destinies fulfil. + + + + +XVIII. + + +_Written jointly with a particular Friend, after a conversation +similar to the subject, with the Damon of the Story_. + + -------- + +Believing love was all a bubble, +And wooing but a needless trouble, +Damon grew fond of posied rings, +And many such romantic things; +But whether it were Fortune's spite, +That study wound his brain too tight, +Or that his fancy play'd him tricks, +He could not on the lady fix. + He look'd around, + And often found, +A damsel passing fair; + "_She's good enough,_" he then would cry, + And rub his hands, and wink his eye, +"_I'll be enamour'd there!_" + +He thus resolved; but had not power +To hold the humour "_half an hour_"-- +And critics, vers'd in Cupid's laws, +Pretended they had found a clause, + In an old volume on the shelf;-- +Which said, if arrows chanc'd to fly, +When no bright nymph was passing by, +And lighted on a vacant breast; +The swain, Narcissus-like possest, + Strait doated on himself! + +If so, his anxious friends declar'd +All future trouble might be spar'd: +A heart thus pierc'd would never rove, +Nor meanly seek a second love; +No distance e'er could give him pain-- +No rivalry torment his brain. +Self-love will bear a many knocks, +A thousand mortifying shocks; +One moment languish in despair, +The next alert and debonair. + +Poor Damon bit his nails and sigh'd, +But still he was not satisfied; +He could not rest, nor be content, +Until to Cupid's court he went. +Of rules establish'd in the place, +Or, how to enter with a grace, +He own'd he neither knew nor car'd, +But thought _such nonsense better spar'd_, +And went undaunted and alone +To place himself before the throne. +He kiss'd no hand, he bent no knee, +Nor measur'd steps of one, two, three, +But made a careless, slouching bow, +And said, "Your highness will allow, +That I am personable, tall, +A rather handsome face withal, +And fit to serve as volunteer, +At least as any present here! +Purblind, and deaf, and long and short, +Without distinction here resort; +Whilst I, neglected and forgot, +Sate daily watching in my cot; +And scarcely stirr'd, for fear there might, +Arrive that morning or that night +A captaincy, or some commission, +For I confess I have ambition, +And think if none had done me wrong +I had not been o'erlook'd so long. +To come then, Sir, I thought my duty, +Oh! make me sensible to beauty! +The ice about my bosom melt! +Infuse a warmth it never felt! +I come uncall'd! excuse my boldness! +In truth I could not bear the coldness!" + +Half piqued to see him thus intrude, +And question in a way so rude; +Half tickled at the strange address, +Cupid said gravely, "We confess + There may be reason in your plea; +But still we very much admire +Your entering in such strange attire! + We cannot such omissions see, +And countenance--It should appear, +You know not we are sovereign here! +The soldiers of our chosen band +Approach not till we give command. +We every look and action sway, +And they with prompt delight obey. +For height, and size, and such like things, +We care far less than other kings; +But station, learning, no pretence, +Can make us with our power dispense. +The warrior must not here look big, +The lawyer doffs his forked wig, +The portly merchant rich and free, +Forgets his pride and bends the knee; +The doctor gives his terrors scope, +And, like a patient, whines for hope; +In short the wise have childish fits, +And fools and madmen find their wits. +"Then go--this silly pride subdue, +And thou shall be our servant too! +Acquire the courtly way of speech, +Not, 'do you hear?' but, 'I beseech.' +And let a suitor's voice and air, +Thy grievances and zeal declare, +We never scorn a humble prayer!" + +Expecting then a heart submiss, +He held him forth his hand to kiss; +For petrified the while he spoke, +With troubled wonder in his look +Poor Damon stood; aghast, suspended, +But gain'd his senses as he ended; +Abruptly turning on his toe, +"I thank you, Master Cupid, no! +I am a freeman and a brave, +And will not stoop to be a slave. +Your rules will never do for me, +I'd rather learn the rule of three-- +"And since I find it is the plan, +To make me an automaton, +I'll case my heart in triple mail, + And fence it so completely round, +That all this vaunted skill shall fail, + Those blunted arrows back rebound; +For know, usurper! from this hour, +I scorn thy laws, abjure thy power! +From this dear moment I despise +The whole artillery of eyes; +Reason alone shall be my guide, +And Reason's voice shall win my bride. +Some bonny lass shall say I can +Love you as well as any man; +I will the self-same troth accord, +Most gladly take her at her word; +And we may just as happy prove +Without the fooleries of love. +She must not ask so much attention, +As many ladies I could mention; +But when I do not want to sway, +I'll always let her have her way; +And study to oblige her too, +When I have nothing else to do; +And am not tired, or wish to rest, +Or like some other plan the best, +For, more than this would be a task, +None but thy votaries would ask. +She must have riches, beauty, grace, +And modest sweetness in her face." +Just then he saw a scornful sneer +Upon Dan Cupid's face appear; +While courtiers whispered with a grin, +"Poor fellow, he'll be taken in! +The finest birds are always shy, +The rarest at a distance fly, +And Reason cannot soar so high." +"Aye, you may laugh, to prove her mind +At once exalted and refined, +I'll watch her skill in music's art; +By ear and fingers judge the heart, +And then it will not be believ'd +I can be easily deceiv'd. +I only grieve that in my prime +I've wasted so much precious time, +For long ere this I might have married, +Had I not so unwisely tarried, +And vex'd my brains in looking round +For that which never could be found." + +"And would'st thou wish," the monarch cried, +"To set our gentle laws aside? +Thou hast no friend in Common Sense, +In such affairs she thinks it wisest, +To stand aside without pretence, +And sanction laws which thou despisest. +But try the plan, it merits praise, +Success may crown its winning ways! +The lady must be blind indeed, + With whom such offers of neglect, + And cool, habitual disrespect +Would not succeed. +But come no longer here to flout us, +Since, truly, thou canst do without us; +For dignity is lost in sport, +An outlaw for contempt of court; +We banish thee with all thy pride +Until thy heart be rarified." + + + + +XIX. + +ABSENCE. + +_Written in Derbyshire, by the same Friend._ + + -------- + +When recollection brings to mind, +The kindred ties I've left behind, +The converse gentle and refin'd, + I grieve! + +Deep the regret, the pain extreme, +And yet I fondly love the dream, +And find the sad, delightful theme + Relieve. + +It bids all present forms decay, +All present feelings fade away; +Impeding distance, long delay + Are o'er! + +Fancy, so active in the gloom, +Till some one enters in the room, +Can all the images of home + Restore. + +Alas! when weeks, and months are past, +Shall I that home behold at last, +Which even the dark clouds overcast + Endear? + +Lest one of all the cares that dart +Like arrows round each thoughtful heart, +May pierce ere then some vital part + I fear! + + + + +XX. + +_On reading in Savary's Travels the death of Ali Bey, who, it is +there represented, in the midst of enlightened and benevolent efforts +to benefit his country, was repeatedly betrayed, and at length taken +captive by his brother-in-law, whom he had advanced and loved, and +who, till the very last, he could not believe to be his enemy_. + + -------- + +O generous Ali! while thy fate inspires +Indignant pity, with a patriot's fires, +I mourn for Egypt, and with equal zeal, +For her, for thee, and ruin'd science feel: +Admire the confidence my heart deplores +And blame the weakness it almost adores! + +Pride of thy race! before my mental eyes, +I see thee, like another Alfred rise; +See honour splendent on thy ample brow, +While Thought and Genius fill the orbs below; +Those beaming orbs! where lofty sweetness shone, +And where the soul sate smiling on her throne: +Depriv'd too soon of that benignant ray, +Which impious Dahab shudder'd to survey. +Pale, bleeding, conquer'd, dying, and forlorn, +I see thee view the wretch with silent scorn! +See thy cheek flush at the false tears he shed, +And proudly turn away the languid head, +With mingled anger, sorrow, and disdain, +That he should dare to tempt thy love again! + +Oh! yet within the tent I see thee lie, +The victor, like a coward, crouching by; +O'erawed, rebuked, and humbled in the hour, +The plenitude of his success and power! +A pain the guilty never make us know, +In all the miseries they cause below; +A pain which they in every triumph feel, +A humbling sense no glory yet could heal, +The want of conscious worth, the poignant thought, +That inwardly sets all pretence at naught! +That curbs all self-applause--tears all disguise-- +When the subdued, the ruin'd can _despise_; +And, in the arms of death, can yet be free, +To say, "Let me be any thing but thee!" + +Ambition! while thy zeal the good inflame, +And make a noble nature sigh for fame, +We deem thee of a more than royal line, +For self-devotion tendeth to divine! +But when, like Dahab's demon, selfish, vain, +It loosens Gratitude's mysterious chain; +When broken Faith aloud, but vainly calls; +When the warm friend, the king, the brother falls; +Instead of honours, and a conqueror's fame, +Hatred shall haunt, and curses brand thy name! + + + + +XXI. + + +LINES. + +_Written for a Young Gentleman to speak at the Audit at St. Saviour's +School, Southwark, after the Battle of Trafalgar_. + + -------- + +While others, from the Greek and Roman page, +Declare the prudent councils of the sage; +Or, in recital of achievements bold, +Retrace the motives and the deeds of old, +I, in the accents of my native clime, +And, at the moment, shaking hands with Time, +I, whom our recent loss forbids to roam, +Shall plant my mourning standard nearer home! +At the sad shrine where gallant Nelson sleeps, +Where Britain bends her lofty head and weeps, +Deeply lamenting that she cannot prove, +The fond excess of dearly purchas'd love. + +Is there a callous mind, that does not feel +An anxious interest in the public weal! +Is there a heart that pities not the brave! +To whom luxuriant laurels hide the grave! +A grief unwing'd, yet unconsol'd by pride! +A tongue that said not, when our hero died, +While bitter tears that glorious loss deplore, +The man who _lov'd his country_ is no more? +No! in each eye the glowing trophies fade; +Each sign of triumph seems a vain parade! +The aching sigh to conquering shouts succeeds, +And Victory assumes a widow's weeds. + +Some wily chieftain, building up a name, +May fight for immortality and fame; +Time may embalm his valour, or his art, +And History shew the coldness of a heart, +Which, emulous of grandeur and a throne, +Acts for itself, "_its own low self_" alone; +And, in the inner chambers of the mind, +Broods over plans to subjugate mankind: +There fondly bends each nation to his sway, +That he may rule, and all beside obey. +Haply the mighty fabric may arise, +Vast in its bulk, and aiming at the skies, +Till Wisdom, viewing the enormous pile, +Admires the madness of a man the while, +Who labours with incessant toil and skill; +To feed Ambition, discontented still; +And for that serpent in his bosom curl'd, +Erects a temple fit to hold the world! + +Though such a chief a deathless wreath may crown, +Though he may win a sterile, hard renown, +His name shall ne'er a sudden glow impart, +Nor make the tear of admiration start; +Ne'er in his plaudits shall warm blessings join! +None cry, "The triumph of that man is mine!" +But, when his greatness crumbles in the dust, +Coldly exclaim, "Lo! Providence is just!" +Far different is the patriot warrior's lot! +He may in Time's long journey be forgot; +Though many generations shall decay, +Ere England's love to Nelson wears away! +But if at length successive years should cast +The mist of distance upon ages past, +And fathers what themselves have witness'd tell, +Of those who yet shall serve their country well-- +Memory and Knowledge shall dispel the gloom, +And shed strong light on every honour'd tomb-- +To lift the spirit when our courage fail, +When worth departed, future ages hail! + +And ye, compeers, who in the classic page, +Do homage to the hero and the sage, +Whose hearts at base and cruel actions bleed, +But rise triumphant at a noble deed-- +Forbear from Duty's anxious side to stray, +But follow bravely when she leads the way; +Follow with head and heart, as Nelson fought; +Be vigilant like him in act and thought; +Then, as the lark mounts upwards in the skies, +Early in life's fair morning will you rise, +Expand bold pinions nearest to the sun, +And claim the meed of glory fairly won. + + + + +XXII. + +TO THE HETMAN, PLATOFF. + + -------- + +O ancient warrior! as we hail thee, + And behold thy cordial smile, +We hope that greetings ne'er may fail thee, + Such as those of Britain's isle. + +They are, although so seeming rude, + Given only where we think them due; +Most courteous, e'en when they intrude, + Too vehement, but always true! + +Applauses which no art can fashion, + Which speak the feelings and no more; +Which give respect the glow of passion, + When worth and valour we adore; + +Blest is the hero in receiving! + And pride may scoff at, or despise, +What if but once sincere believing, + Is grateful to the good and wise. + + + + +XXIII. + +_On the Death of Master Frederic Thomson_. + +1810. + + -------- + +In the first dawn of youth I much admire +The lively boy of ruddy countenance, +Strong-built, and bold, and hardy, with black hair, +And dark brown eye, contrasting its blue-white, +Somewhat abruptly; save in the bright hour +Of inward passion, or of sudden joy; +When, as a monarch, gracious and renown'd, +Amid a crowd of subjects, diverse all, +Thrills with one deep, soft feeling every heart; +Or, as the sun throws his pervading beams +At once on bleak harsh mountains and the sky; +The soul, by union of its light and heat, +Clears and irradiates all, and gives to strength +A mellow sweetness; hues late undefin'd +Grow more intense, or, if discordant, lose +Their coarseness, and become diaphanous. +This I admire, but still methinks I look +With a serener pleasure on the head +Crested by flaxen curls; or where soft locks, +Like to long coiling leaves that lose their edge, +Shine silken on the cheek, and parting smooth +Above a fair and modest countenance, +Harmonize with its pure, its tender bloom. +Still lovelier when with that infusion sweet +Of saint or angel spirit, resident +In the calm circle of a blue eye fring'd +With sable lashes! I remember once +A face like this, ere sickness took away +Its freshness, in whose looks there also dwelt, +If one may speak it of a thing so young, +And not subdue our warm belief to say +The prophecy of all these qualities, +Refinement, gentleness, and mild resolve; +Fitted to stem the evil of this world, +And hold with patient intrepidity, +The shield of calm resistance to its power. +It seem'd as if no anger e'er could dwell +Within his bosom; no blind prejudice +Distract his judgment; and no folly call +For a reproof: as if Affection were +Too soon allied to Thought, and tempered so +His morning, that the ministry of Time, +The chast'ning trial of Remorse and Grief, +And of stern Disappointment, all were spar'd. + + + + +XXIV. + +_On the Death of Herbert Southey: addressed to his Father_. + + -------- + +Knowing the nature of thy grief, +Too deep, too recent for relief, +Oh! why impatient must I press +So early on a friend's distress! +Why am I eager thus to prove, +To him who feels excess of love, +The tender liking we bestow +On fair and guileless things below? +On Love and Joy without pretence, +On kind and playful Innocence! +The pleas'd idea Memory kept, +The partial glance which never slept, +When hopes arose oft render'd vain, +Of seeing Keswick yet again. + +Never but once a child had won +So much upon me as thy son; +And, for each wild and winning art, +That, nestling, fastens in the heart; +For graces that light tendrils fling +Around each nerve's tenacious string; +Caprices beautiful, that strike +The heart, and captive fancy, like +Those of a tame, young bird at play, +That carols near, then flits away, +Will on a sudden upward soar, +Then give its little wanderings o'er, +For fondling, gentle, sweet repose, +When tapering pinions softly close, +Slight, warmth--pervaded quills are prest, +And head shrunk closely to the breast: +All sleeping but that lovely eye, +Which speaks delight, and asks reply: +Oh! with such graces never one +Was so much gifted as thy son! +In each variety of tone, +Each wayward charm, he stood alone; +And all too nicely pois'd to press, +Or ruffle tranquil happiness. + +If thus a stranger thinks, who knew +Him but an infant--if he grew +With all the promise that appear'd +So brightly then, still more endear'd-- +If, as the Honey with the Bee, +Affection dwells with poesy: +If that Affection is comprest, +And hoarded in a Father's breast, +Whose very soul doth blessings shed +Upon a grateful darling's head; +While every look is treasur'd there, +Till Thought itself becomes a prayer, +And Hopes hang on him full and gay. +"As blossoms on a bough in May"[1]-- +Shall any venture to intrude +On thee? Oh! not with footstep rude, +But with a timorous zeal I come, +Just hang this wreath upon his tomb-- +Record fond wishes sadly o'er, +To see my little favourite more! + + * * * * * + +[Footnote 1: + As many hopes hang on his noble head + As blossoms on a bough in May; and sweet ones! + --_Beaumont and Fletcher._] + + + + +XXV. + + +Fear has to do with sacred things, +And more than all from Pity springs. +Two school-girls once--the time is past, +But ever will the memory last-- +This moral to my fancy drew, +In colours brilliant, deep, and true. + +Mute, blooming, one all-wondering stands, +The elder kisses oft her hands, +Bends o'er with fainting, fond caress, +And languishes in strong distress. +Clings to her shoulder, were it meet, +Seems wishing to embrace her feet; +Like one impatient to implore, +Who dreads the time is nearly o'er, +To ask or to receive a boon, +Which must be known and granted soon. +A boon with life itself entwin'd, + One that her lips refus'd to name, + However oft the impulse came. +Such was the picture--but her mind +Forgetting self--could not arise, +To look in those unconscious eyes! +The zeal that prompted, were she free +To serve her friend on bended knee, +Shrunk from the orphan's gaze, just hurl'd, +Lonely and poor upon the world-- +Unknowing yet her loss, endeared, +By its excess, and therefore fear'd! + +Thus has it ever seem'd to me, +That Pity made a Deity +Of Mortal Suffering--that her ray +Melted all blame, all scorn away! +That when her arms the dying fold, +When her pure hands the loathsome hold, +Disgust and Dread, their power forego, +The Aegis drops from Human Woe, +Whose false and cruel glare alone +Turned other living hearts to stone. + + + + +XXVI. + + +ELEGY ON EDWARD BETHAM, + +_Lost in the Duchess of Gordon East Indiaman, off the Cape of Good +Hope_. + + -------- + +Lovely as are the wide and sudden calms +Upon a lake, when all the waters rise, +To smooth each undulation, and present +A plain of molten silver--is the hope, +Dear Edward, of thy safety--which now comes +To fill, expand, and elevate my heart-- +String every nerve, and give to every vein, +A warmer and a sweeter sense of life! + +Welcome, oh! welcome, that most healing hope, +Pouring abroad an efficacious ray +Into the aching bosom!--Tidings sweet +Those of such prompt return, with wisdom gain'd +By suffering, but with all thy innocence, +All thy accustomed gaiety of heart, +And all thy deep, quick sensibilities! +Those gems of virtue, which concentre still +In narrow limits, stores of moral wealth +Beyond all estimate--whose value known, +The dealer sells his other merchandize; +His ivory and curious workmanship, +The silkworm's product and the cloth of gold, +To purchase that imperishable store, +More highly prized than all!--Possessing all +The properties, most precious of the rest, +In a superior measure and degree, +Without alloy, sparkling with inward light! +Unseen, untraced the process of his growth!-- +No aid from any human hand or care!--- +No nourishment from any earthly dews! +No ripening from our bright, material sun! +But secretly supplied by Providence +With some more pure, diviner aliment, +And with more heavenly, searching radiance fill'd; +For the superior comfort, higher bliss +Of that in-drinking eye the soul of man! + +Thus sang I, when fallacious hopes were rais'd +Of his dear safety--whom, howe'er belov'd-- +However strong in health, and firmly built +Like a fine statue of the antique world, +As if he might have reach'd a century +Without decrepitude, we ne'er again-- +Nor we alone, no other human eye-- +Can e'er behold! Then had I painted him +Returning, as he lately left our shores, +With all the fairness and the bloom of youth-- +The light brown hair, and its soft yellow gleams, +Brightened with silver; thickening into shade, +Now with a dove-like, now a chesnut hue! +The smile of Peace and Love and joyful Hope! +And those blue eyes, through whose dark lash the soul, +Rejoicing, from its kind and happy home, +Look'd forth with rapture, artless, and uncheck'd! +Eyes, where Delight in careless luxury +Lay nestling and indulging blissful thoughts; +With every day-dream, for whose food the world +Offers magnificence and loveliness; +All graceful motions, and all graceful forms. +The ripened nectar of delicious sounds, +The social haunt--the lonely quiet hour; +The Hopes embodying innocent and gay +As those of Childhood, whose soft footstep past +Not long before, not yet forgotten, by! + +The letter, dearest, blotted with thy tears, +In answer to a caution--fear--express'd +By much too strongly--often gives my heart +A secret pang--but of remorse for nought +But paining thee--too tender to endure +The thought that self-indulgence, or neglect, +Causing increas'd disquietude and care, +Might, by increased disquietude and care, +Open the grave for him who gave thee birth! +How often and how warmly did'st thou ask, +With epithets of fondness, how I dar'd +Imagine such a horror, and to one +Present, who would have died, or borne extremes +Of any hard endurance, not to give +The slightest anguish to a parent's breast! +Alas! the cruel rashness of reproof-- +The busy vigilance of human pride-- +Like a too eager partizan, may strike, +To ward off danger from his chieftain's head, +A fellow soldier zealous in the cause! + +As of this world, this visible, wide world, +This earth, with all its forests, all its plants, +All its deep mines, its rivers, and its seas, +Yea! all that breathes, and moves, and clings to life +By any subtler impulse, which eludes +Our blunted observation:--as of this, +All that appears and all that is, so much +Remains, in scorn of science, unexplor'd; +So, in the not less wond'rous moral world, +The innermost recesses of the mind, +We see as little; save, Phoenician like, +By petty trade and parley on its coasts, +Talk by interpreters, impatient guess, +Or careless resting in incertitude, +At meanings in a tongue almost unknown; +Or so corrupted by this intercourse, +That all its native harmony is lost, +Its irresistible persuasions o'er! +The clearness and the sweetness of its tones, +Its loftiness, simplicity and truth. + +All that we hear is coarse and limited, +And yet we sail along and search no more, +And look no farther, though the ear is pall'd +With the vile din of tame monotony, +The taste perverted, judgment led astray, +By soul-annihilating idleness, +By universal, strengthless poverty, +Which leans upon its neighbour for support, +And lifts the eye for sanction, or assent, +To weakness still more helpless than its own! + +Two thousand years the sanctuary's veil +Has now been rent asunder, shewing all +That, to the patient and unsandall'd foot, +Egress and regress freely are allowed +Through that most glorious temple, where abstract, +And long a stranger to the vulgar eye, +Thought held her silent rule, and mission'd forth +Her sealed and unquestion'd messengers. +Yet those who follow nature when the track +Is finer than a hair--those who can cleave +The subtile and combined elements +That form a drop of water--those can shrink +From the more holy alchemy enjoin'd, +Call'd for by that disgust the heart conceives +At the usurping empire of pretence; +At all those useless and disgraceful chains, +Which tie us down, and imp with aptest wings, +Falsehood and selfishness, who ought to creep +In their own reptile slime, and dart away +When eyes perceiv'd their presence. Oh! could those +Adventure in too perilous a path, +If without other guide than the bright stars, +The love of what is lofty and divine, +Or the desire of gaining for mankind, +Now fettered and held down to poison'd food, +Its unpolluted birth-right + --they dared on, +Plunging at once into untravelled realms, +And bringing, as the harvest of their toil, +Arms which will make each potent talisman, +Each charm, and spell, and dire enchantment sink +In endless infamy--without a hope +To trick their bloated, and their wither'd limbs, +In any Proteus vestment of disguise, +Again to awe and ruinate the world. + +Oh! my dear brother, little did I think +These lines would be prophetic, yet to me +They seem so; for I since have felt deep woe, +And passed through seas of anguish to attain +A view of mysteries wonderful and sad-- +Since they are rivetted, through every clime, +With shame, and guilt, and wretchedness on all +That bear what only is the _curse_ of life, +Whilst they remain, which have confronted time, +Wearing the semblance, sporting with the names +Of truth and valour, liberty and God, +Successfully, through each recorded age, +But yet _may_ fall, and will, I trust and hope! + + + +FINIS. + + + + + +End of the Project Gutenberg EBook of Vignettes in Verse, by Matilda Betham + +*** END OF THIS PROJECT GUTENBERG EBOOK VIGNETTES IN VERSE *** + +***** This file should be named 11194.txt or 11194.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/1/1/1/9/11194/ + +Produced by Jonathan Ingram, David Garcia and the Online Distributed +Proofreading Team. + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + +Each eBook is in a subdirectory of the same number as the eBook's +eBook number, often in several formats including plain vanilla ASCII, +compressed (zipped), HTML and others. + +Corrected EDITIONS of our eBooks replace the old file and take over +the old filename and etext number. The replaced older file is renamed. +VERSIONS based on separate sources are treated as new eBooks receiving +new filenames and etext numbers. + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + +EBooks posted prior to November 2003, with eBook numbers BELOW #10000, +are filed in directories based on their release date. If you want to +download any of these eBooks directly, rather than using the regular +search system you may utilize the following addresses and just +download by the etext year. + + https://www.gutenberg.org/etext06 + + (Or /etext 05, 04, 03, 02, 01, 00, 99, + 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90) + +EBooks posted since November 2003, with etext numbers OVER #10000, are +filed in a different way. The year of a release date is no longer part +of the directory path. The path is based on the etext number (which is +identical to the filename). The path to the file is made up of single +digits corresponding to all but the last digit in the filename. For +example an eBook of filename 10234 would be found at: + + https://www.gutenberg.org/1/0/2/3/10234 + +or filename 24689 would be found at: + https://www.gutenberg.org/2/4/6/8/24689 + +An alternative method of locating eBooks: + https://www.gutenberg.org/GUTINDEX.ALL + + |
