diff options
Diffstat (limited to 'old')
| -rw-r--r-- | old/12206-h.zip | bin | 0 -> 510251 bytes | |||
| -rw-r--r-- | old/12206-h/027.jpg | bin | 0 -> 63454 bytes | |||
| -rw-r--r-- | old/12206-h/028.jpg | bin | 0 -> 90900 bytes | |||
| -rw-r--r-- | old/12206-h/029.jpg | bin | 0 -> 114116 bytes | |||
| -rw-r--r-- | old/12206-h/030.jpg | bin | 0 -> 90927 bytes | |||
| -rw-r--r-- | old/12206-h/031.jpg | bin | 0 -> 95367 bytes | |||
| -rw-r--r-- | old/12206-h/12206-h.htm | 1166 | ||||
| -rw-r--r-- | old/12206-h/title.jpg | bin | 0 -> 43731 bytes | |||
| -rw-r--r-- | old/12206.txt | 906 | ||||
| -rw-r--r-- | old/12206.zip | bin | 0 -> 15946 bytes |
10 files changed, 2072 insertions, 0 deletions
diff --git a/old/12206-h.zip b/old/12206-h.zip Binary files differnew file mode 100644 index 0000000..81b0588 --- /dev/null +++ b/old/12206-h.zip diff --git a/old/12206-h/027.jpg b/old/12206-h/027.jpg Binary files differnew file mode 100644 index 0000000..6ce9ffd --- /dev/null +++ b/old/12206-h/027.jpg diff --git a/old/12206-h/028.jpg b/old/12206-h/028.jpg Binary files differnew file mode 100644 index 0000000..a8cf5b2 --- /dev/null +++ b/old/12206-h/028.jpg diff --git a/old/12206-h/029.jpg b/old/12206-h/029.jpg Binary files differnew file mode 100644 index 0000000..272694a --- /dev/null +++ b/old/12206-h/029.jpg diff --git a/old/12206-h/030.jpg b/old/12206-h/030.jpg Binary files differnew file mode 100644 index 0000000..3fbd553 --- /dev/null +++ b/old/12206-h/030.jpg diff --git a/old/12206-h/031.jpg b/old/12206-h/031.jpg Binary files differnew file mode 100644 index 0000000..db27d4a --- /dev/null +++ b/old/12206-h/031.jpg diff --git a/old/12206-h/12206-h.htm b/old/12206-h/12206-h.htm new file mode 100644 index 0000000..15782d4 --- /dev/null +++ b/old/12206-h/12206-h.htm @@ -0,0 +1,1166 @@ +<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN"> +<html> +<head> +<meta http-equiv="Content-Type" + content="text/html; charset=us-ascii"> +<title>The Project Gutenberg eBook of Odd Craft + By W. W. Jacobs: Part 6 +</title> + +<style type="text/css"> + <!-- + P { text-indent: 1em; + margin: 15%; + margin-top: .75em; + text-align: justify; + margin-bottom: .75em; } + H1,H2,H3,H4,H5,H6 { text-align: center; } + HR { width: 33%; } + PRE { font-family: cursive} + .toc { margin-left: 15%; margin-bottom: 0em;} + CENTER { padding: 10px;} + // --> +</style> + +</head> +<body> + + +<pre> + +The Project Gutenberg EBook of Breaking A Spell, by W.W. Jacobs + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Breaking A Spell + Odd Craft, Part 6. + +Author: W.W. Jacobs + +Release Date: April 29, 2004 [EBook #12206] + +Language: English + +Character set encoding: US-ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK BREAKING A SPELL *** + + + + +Produced by David Widger + + + + + +</pre> + + + +<br><br> +<center> +<img alt="title (42K)" src="title.jpg" height="658" width="479" /> +</center> +<br><br> +<br /><br /> +<h2> + 1909 +</h2> + +<center> +<h3>PART 6.</h3> +</center> + +<br /><br /> +<hr> +<br /><br /> + + +<h2>List of Illustrations</h2> + + + + + + + +<p class="toc"><a href="#image-27"> +"He Got 'imself Very Much Liked, Especially by the Old +Ladies." +</a></p> +<p class="toc"><a href="#image-28"> +"Mrs. Prince Was Sitting at 'er Front Door Nursing 'er +Three Cats." +</a></p> +<p class="toc"><a href="#image-29"> +"He Took It Round, and Everybody 'ad a Look at It." +</a></p> +<p class="toc"><a href="#image-30"> +"She Sat Listening Quite Quiet at Fust." +</a></p> +<p class="toc"><a href="#image-31"> +"The Doctor Felt 'is Pulse and Looked at 'is Tongue." +</a></p> + + + + + + +<br /><br /> +<hr> +<br /><br /> + + + + + + + +<a name="2H_4_6"><!-- H2 anchor --></a> +<p> </p> +<p> </p> +<p> </p> +<p> </p> +<h2> + BREAKING A SPELL +</h2> +<p> + "Witchcraft?" said the old man, thoughtfully, as he scratched his scanty + whiskers. No, I ain't heard o' none in these parts for a long time. + There used to be a little of it about when I was a boy, and there was + some talk of it arter I'd growed up, but Claybury folk never took much + count of it. The last bit of it I remember was about forty years ago, + and that wasn't so much witchcraft as foolishness. +</p> +<p> + There was a man in this place then—Joe Barlcomb by name—who was a firm + believer in it, and 'e used to do all sorts of things to save hisself + from it. He was a new-comer in Claybury, and there was such a lot of it + about in the parts he came from that the people thought o' nothing else + hardly. +</p> +<p> + He was a man as got 'imself very much liked at fust, especially by the + old ladies, owing to his being so perlite to them, that they used to 'old + 'im up for an example to the other men, and say wot nice, pretty ways he + 'ad. Joe Barlcomb was everything at fust, but when they got to 'ear that + his perliteness was because 'e thought 'arf of 'em was witches, and + didn't know which 'arf, they altered their minds. +</p> +<a name="image-27"><!--IMG--></a> +<center> +<img src="027.jpg" height="376" width="556" +alt="'he Got 'imself Very Much Liked, Especially by the Old +Ladies.' +"> +</center> +<!--IMAGE END--> +<p> + In a month or two he was the laughing-stock of the place; but wot was + worse to 'im than that was that he'd made enemies of all the old ladies. + Some of 'em was free-spoken women, and 'e couldn't sleep for thinking of + the 'arm they might do 'im. +</p> +<p> + He was terrible uneasy about it at fust, but, as nothing 'appened and he + seemed to go on very prosperous-like, 'e began to forget 'is fears, when + all of a sudden 'e went 'ome one day and found 'is wife in bed with a + broken leg. +</p> +<p> + She was standing on a broken chair to reach something down from the + dresser when it 'appened, and it was pointed out to Joe Barlcomb that it + was a thing anybody might ha' done without being bewitched; but he said + 'e knew better, and that they'd kept that broken chair for standing on + for years and years to save the others, and nothing 'ad ever 'appened + afore. +</p> +<p> + In less than a week arter that three of his young 'uns was down with the + measles, and, 'is wife being laid up, he sent for 'er mother to come and + nurse 'em. It's as true as I sit 'ere, but that pore old lady 'adn't + been in the house two hours afore she went to bed with the yellow + jaundice. +</p> +<p> + Joe Barlcomb went out of 'is mind a'most. He'd never liked 'is wife's + mother, and he wouldn't 'ave had 'er in the house on'y 'e wanted her to + nurse 'is wife and children, and when she came and laid up and wanted + waiting on 'e couldn't dislike her enough. +</p> +<p> + He was quite certain all along that somebody was putting a spell on 'im, + and when 'e went out a morning or two arterward and found 'is best pig + lying dead in a corner of the sty he gave up and, going into the 'ouse, + told 'em all that they'd 'ave to die 'cause he couldn't do anything more + for 'em. His wife's mother and 'is wife and the children all started + crying together, and Joe Barlcomb, when 'e thought of 'is pig, he sat + down and cried too. +</p> +<p> + He sat up late that night thinking it over, and, arter looking at it all + ways, he made up 'is mind to go and see Mrs. Prince, an old lady that + lived all alone by 'erself in a cottage near Smith's farm. He'd set 'er + down for wot he called a white witch, which is the best kind and on'y do + useful things, such as charming warts away or telling gals about their + future 'usbands; and the next arternoon, arter telling 'is wife's mother + that fresh air and travelling was the best cure for the yellow jaundice, + he set off to see 'er. +</p> +<a name="image-28"><!--IMG--></a> +<center> +<img src="028.jpg" height="523" width="514" +alt="'mrs. Prince Was Sitting at 'er Front Door Nursing 'er +Three Cats.' +"> +</center> +<!--IMAGE END--> +<p> + Mrs. Prince was sitting at 'er front door nursing 'er three cats when 'e + got there. She was an ugly, little old woman with piercing black eyes + and a hook nose, and she 'ad a quiet, artful sort of a way with 'er that + made 'er very much disliked. One thing was she was always making fun of + people, and for another she seemed to be able to tell their thoughts, and + that don't get anybody liked much, especially when they don't keep it to + theirselves. She'd been a lady's maid all 'er young days, and it was + very 'ard to be taken for a witch just because she was old. +</p> +<p> + "Fine day, ma'am," ses Joe Barlcomb. +</p> +<p> + "Very fine," ses Mrs. Prince. +</p> +<p> + "Being as I was passing, I just thought I'd look in," ses Joe Barlcomb, + eyeing the cats. +</p> +<p> + "Take a chair," ses Mrs. Prince, getting up and dusting one down with 'er + apron. +</p> +<p> + Joe sat down. "I'm in a bit o' trouble, ma'am," he ses, "and I thought + p'r'aps as you could help me out of it. My pore pig's been bewitched, + and it's dead." +</p> +<p> + "Bewitched?" ses Mrs. Prince, who'd 'eard of 'is ideas. "Rubbish. Don't + talk to me." +</p> +<p> + "It ain't rubbish, ma'am," ses Joe Barlcomb; "three o' my children is + down with the measles, my wife's broke 'er leg, 'er mother is laid up in + my little place with the yellow jaundice, and the pig's dead." +</p> +<p> + "Wot, another one?" ses Mrs. Prince. +</p> +<p> + "No; the same one," ses Joe. +</p> +<p> + "Well, 'ow am I to help you?" ses Mrs. Prince. "Do you want me to come + and nurse 'em?" +</p> +<p> + "No, no," ses Joe, starting and turning pale; "unless you'd like to come + and nurse my wife's mother," he ses, arter thinking a bit. "I was hoping + that you'd know who'd been overlooking me and that you'd make 'em take + the spell off." +</p> +<p> + Mrs. Prince got up from 'er chair and looked round for the broom she'd + been sweeping with, but, not finding it, she set down agin and stared in + a curious sort o' way at Joe Barlcomb. +</p> +<p> + "Oh, I see," she ses, nodding. "Fancy you guessing I was a witch." +</p> +<p> + "You can't deceive me," ses Joe; "I've 'ad too much experience; I knew it + the fust time I saw you by the mole on your nose." +</p> +<p> + Mrs. Prince got up and went into her back-place, trying her 'ardest to + remember wot she'd done with that broom. She couldn't find it anywhere, + and at last she came back and sat staring at Joe for so long that 'e was + 'arf frightened out of his life. And by-and-by she gave a 'orrible smile + and sat rubbing the side of 'er nose with 'er finger. +</p> +<p> + "If I help you," she ses at last, "will you promise to keep it a dead + secret and do exactly as I tell you? If you don't, dead pigs'll be + nothing to the misfortunes that you will 'ave." +</p> +<p> + "I will," ses Joe Barlcomb, very pale. +</p> +<p> + "The spell," ses Mrs. Prince, holding up her 'ands and shutting 'er eyes, + "was put upon you by a man. It is one out of six men as is jealous of + you because you're so clever, but which one it is I can't tell without + your assistance. Have you got any money?" +</p> +<p> + "A little," ses Joe, anxious-like— "a very little. Wot with the yellow + jaundice and other things, I——" +</p> +<p> + "Fust thing to do," ses Mrs. Prince, still with her eyes shut, "you go up + to the Cauliflower to-night; the six men'll all be there, and you must + buy six ha'pennies off of them; one each." +</p> +<p> + "Buy six ha'pennies?" ses Joe, staring at her. +</p> +<p> + "Don't repeat wot I say," ses Mrs. Prince; "it's unlucky. You buy six + ha'pennies for a shilling each, without saying wot it's for. You'll be + able to buy 'em all right if you're civil." +</p> +<p> + "It seems to me it don't need much civility for that," ses Joe, pulling a + long face. +</p> +<p> + "When you've got the ha'pennies," ses Mrs. Prince, "bring 'em to me and + I'll tell you wot to do with 'em. Don't lose no time, because I can see + that something worse is going to 'appen if it ain't prevented." +</p> +<p> + "Is it anything to do with my wife's mother getting worse?" ses Joe + Barlcomb, who was a careful man and didn't want to waste six shillings. +</p> +<p> + "No, something to you," ses Mrs. Prince. +</p> +<p> + Joe Barlcomb went cold all over, and then he put down a couple of eggs + he'd brought round for 'er and went off 'ome agin, and Mrs. Prince stood + in the doorway with a cat on each shoulder and watched 'im till 'e was + out of sight. +</p> +<p> + That night Joe Barlcomb came up to this 'ere Cauliflower public-house, + same as he'd been told, and by-and-by, arter he 'ad 'ad a pint, he looked + round, and taking a shilling out of 'is pocket put it on the table, and + he ses, "Who'll give me a ha'penny for that?" he ses. +</p> +<p> + None of 'em seemed to be in a hurry. Bill Jones took it up and bit it, + and rang it on the table and squinted at it, and then he bit it agin, and + turned round and asked Joe Barlcomb wot was wrong with it. +</p> +<p> + "Wrong?" ses Joe; "nothing." +</p> +<p> + Bill Jones put it down agin. "You're wide awake, Joe," he ses, "but so + am I." +</p> +<p> + "Won't nobody give me a ha'penny for it?" ses Joe, looking round. +</p> +<p> + Then Peter Lamb came up, and he looked at it and rang it, and at last he + gave Joe a ha'penny for it and took it round, and everybody 'ad a look at + it. +</p> +<a name="image-29"><!--IMG--></a> +<center> +<img src="029.jpg" height="515" width="561" +alt="'he Took It Round, and Everybody 'ad a Look at It.' +"> +</center> +<!--IMAGE END--> +<p> + "It stands to reason it's a bad 'un," ses Bill Jones, "but it's so well + done I wish as I'd bought it." +</p> +<p> + "H-s-h!" ses Peter Lamb; "don't let the landlord 'ear you." +</p> +<p> + The landlord 'ad just that moment come in, and Peter walked up and + ordered a pint, and took his ten-pence change as bold as brass. Arter + that Joe Barbcomb bought five more ha'pennies afore you could wink + a'most, and every man wot sold one went up to the bar and 'ad a pint and + got tenpence change, and drank Joe Barlcomb's health. +</p> +<p> + "There seems to be a lot o' money knocking about to-night," ses the + landlord, as Sam Martin, the last of 'em, was drinking 'is pint. +</p> +<p> + Sam Martin choked and put 'is pot down on the counter with a bang, and + him and the other five was out o' that door and sailing up the road with + their tenpences afore the landlord could get his breath. He stood to the + bar scratching his 'ead and staring, but he couldn't understand it a bit + till a man wot was too late to sell his ha'penny up and told 'im all + about it. The fuss 'e made was terrible. The shillings was in a little + heap on a shelf at the back o' the bar, and he did all sorts o' things to + 'em to prove that they was bad, and threatened Joe Barlcomb with the + police. At last, however, 'e saw wot a fool he was making of himself, + and arter nearly breaking his teeth 'e dropped them into a drawer and + stirred 'em up with the others. +</p> +<p> + Joe Barlcomb went round the next night to see Mrs. Prince, and she asked + 'im a lot o' questions about the men as 'ad sold 'im the ha'pennies. +</p> +<p> + "The fust part 'as been done very well," she ses, nodding her 'ead at + 'im; "if you do the second part as well, you'll soon know who your enemy + is." +</p> +<p> + "Nothing'll bring the pig back," ses Joe. +</p> +<p> + "There's worse misfortunes than that, as I've told you," ses Mrs. Prince, + sharply. "Now, listen to wot I'm going to say to you. When the clock + strikes twelve to-night——" +</p> +<p> + "Our clock don't strike," ses Joe. +</p> +<p> + "Then you must borrow one that does," ses Mrs. Prince, "and when it + strikes twelve you must go round to each o' them six men and sell them a + ha'penny for a shilling." +</p> +<p> + Joe Barlcomb looked at 'er. "'Ow?" he ses, short-like. +</p> +<p> + "Same way as you sold 'em a shilling for a ha'-penny," ses Mrs. Prince; + "it don't matter whether they buy the ha'pennies or not. All you've got + to do is to go and ask 'em, and the man as makes the most fuss is the man + that 'as put the trouble on you." +</p> +<p> + "It seems a roundabout way o' going to work," ses Joe. +</p> +<p> + "<i>Wot!</i>" screams Mrs. Prince, jumping up and waving her arms about. + "<i>Wot!</i> Go your own way; I'll have nothing more to do with you. And + don't blame me for anything that happens. It's a very bad thing to come + to a witch for advice and then not to do as she tells you. You ought to + know that." +</p> +<p> + "I'll do it, ma'am," ses Joe Barlcomb, trembling. +</p> +<p> + "You'd better," ses Mrs. Prince; "and mind—not a word to anybody." +</p> +<p> + Joe promised her agin, and 'e went off and borrered a clock from Albert + Price, and at twelve o'clock that night he jumped up out of bed and began + to dress 'imself and pretend not to 'ear his wife when she asked 'im + where he was going. +</p> +<p> + It was a dark, nasty sort o' night, blowing and raining, and, o' course, + everybody 'ad gone to bed long since. The fust cottage Joe came to was + Bill Jones's, and, knowing Bill's temper, he stood for some time afore he + could make up 'is mind to knock; but at last he up with 'is stick and + banged away at the door. +</p> +<p> + A minute arterward he 'eard the bedroom winder pushed open, and then Bill + Jones popped his 'cad out and called to know wot was the matter and who + it was. +</p> +<p> + "It's me—Joe Barlcomb," ses Joe, "and I want to speak to you very + partikler." +</p> +<p> + "Well, speak away," ses Bill. "You go into the back room," he ses, + turning to his wife. +</p> +<p> + "Whaffor?" ses Mrs. Jones. +</p> +<p> + "'Cos I don't know wot Joe is going to say," ses Bill. "You go in now, + afore I make you." +</p> +<p> + His wife went off grumbling, and then Bill told Joe Barlcomb to hurry up + wot he'd got to say as 'e 'adn't got much on and the weather wasn't as + warm as it might be. +</p> +<p> + "I sold you a shilling for a ha'penny last night, Bill," ses Joe. +</p> +<p> + "Do you want to sell any more?" ses Bill Jones, putting his 'and down to + where 'is trouser pocket ought to be. +</p> +<p> + "Not exactly that," ses Joe Barlcomb. "This time I want you to sell me a + shilling for a ha'penny." +</p> +<p> + Bill leaned out of the winder and stared down at Joe Barlcomb, and then + he ses, in a choking voice, "Is that wot you've come disturbing my sleep + for at this time o' night?" he ses. +</p> +<p> + "I must 'ave it, Bill," ses Joe. +</p> +<p> + "Well, if you'll wait a moment," ses Bill, trying to speak perlitely, + "I'll come down and give it to you." +</p> +<p> + Joe didn't like 'is tone of voice, but he waited, and all of a sudden + Bill Jones came out o' that door like a gun going off and threw 'imself + on Joe Barlcomb. Both of 'em was strong men, and by the time they'd + finished they was so tired they could 'ardly stand. Then Bill Jones went + back to bed, and Joe Barlcomb, arter sitting down on the doorstep to rest + 'imself, went off and knocked up Peter Lamb. +</p> +<p> + Peter Lamb was a little man and no good as a fighter, but the things he + said to Joe Barlcomb as he leaned out o' the winder and shook 'is fist at + him was 'arder to bear than blows. He screamed away at the top of 'is + voice for ten minutes, and then 'e pulled the winder to with a bang and + went back to bed. +</p> +<p> + Joe Barlcomb was very tired, but he walked on to Jasper Potts's 'ouse, + trying 'ard as he walked to decide which o' the fust two 'ad made the + most fuss. Arter he 'ad left Jasper Potts 'e got more puzzled than ever, + Jasper being just as bad as the other two, and Joe leaving 'im at last in + the middle of loading 'is gun. +</p> +<p> + By the time he'd made 'is last call—at Sam Martin's—it was past three + o'clock, and he could no more tell Mrs. Prince which 'ad made the most + fuss than 'e could fly. There didn't seem to be a pin to choose between + 'em, and, 'arf worried out of 'is life, he went straight on to Mrs. + Prince and knocked 'er up to tell 'er. She thought the 'ouse was afire + at fust, and came screaming out o' the front door in 'er bedgown, and + when she found out who it was she was worse to deal with than the men 'ad + been. +</p> +<p> + She 'ad quieted down by the time Joe went round to see 'er the next + evening, and asked 'im to describe exactly wot the six men 'ad done and + said. She sat listening quite quiet at fust, but arter a time she scared + Joe by making a odd, croupy sort o' noise in 'er throat, and at last she + got up and walked into the back-place. She was there a long time making + funny noises, and at last Joe walked toward the door on tip-toe and + peeped through the crack and saw 'er in a sort o' fit, sitting in a chair + with 'er arms folded acrost her bodice and rocking 'erself up and down + and moaning. Joe stood as if 'e'd been frozen a'most, and then 'e crept + back to 'is seat and waited, and when she came into the room agin she + said as the trouble 'ad all been caused by Bill Jones. She sat still for + nearly 'arf an hour, thinking 'ard, and then she turned to Joe and ses: +</p> +<a name="image-30"><!--IMG--></a> +<center> +<img src="030.jpg" height="391" width="446" +alt="'she Sat Listening Quite Quiet at Fust.' +"> +</center> +<!--IMAGE END--> +<p> + "Can you read?" she ses. +</p> +<p> + "No," ses Joe, wondering wot was coming next. +</p> +<p> + "That's all right, then," she ses, "because if you could I couldn't do + wot I'm going to do." +</p> +<p> + "That shows the 'arm of eddication," ses Joe. "I never did believe in + it." +</p> +<p> + Mrs. Prince nodded, and then she went and got a bottle with something in + it which looked to Joe like gin, and arter getting out 'er pen and ink + and printing some words on a piece o' paper she stuck it on the bottle, + and sat looking at Joe and thinking. +</p> +<p> + "Take this up to the Cauliflower," she ses, "make friends with Bill + Jones, and give him as much beer as he'll drink, and give 'im a little o' + this gin in each mug. If he drinks it the spell will be broken, and + you'll be luckier than you 'ave ever been in your life afore. When 'e's + drunk some, and not before, leave the bottle standing on the table." +</p> +<p> + Joe Barlcomb thanked 'er, and with the bottle in 'is pocket went off to + the Cauliflower, whistling. Bill Jones was there, and Peter Lamb, and + two or three more of 'em, and at fust they said some pretty 'ard things + to him about being woke up in the night. +</p> +<p> + "Don't bear malice, Bill," ses Joe Barlcomb; "'ave a pint with me." +</p> +<p> + He ordered two pints, and then sat down along-side o' Bill, and in five + minutes they was like brothers. +</p> +<p> + "'Ave a drop o' gin in it, Bill," he ses, taking the bottle out of 'is + pocket. +</p> +<p> + Bill thanked 'im and had a drop, and then, thoughtful-like, he wanted Joe + to 'ave some in his too, but Joe said no, he'd got a touch o' toothache, + and it was bad for it. +</p> +<p> + "I don't mind 'aving a drop in my beer, Joe," ses Peter Lamb. +</p> +<p> + "Not to-night, mate," ses Joe; "it's all for Bill. I bought it on + purpose for 'im." +</p> +<p> + Bill shook 'ands with him, and when Joe called for another pint and put + some more gin in it he said that 'e was the noblest-'arted man that ever + lived. +</p> +<p> + "You wasn't saying so 'arf an hour ago," ses Peter Lamb. +</p> +<p> + "'Cos I didn't know 'im so well then," ses Bill Jones. +</p> +<p> + "You soon change your mind, don't you?" ses Peter. +</p> +<p> + Bill didn't answer 'im. He was leaning back on the bench and staring at + the bottle as if 'e couldn't believe his eyesight. His face was all + white and shining, and 'is hair as wet as if it 'ad just been dipped in a + bucket o' water. +</p> +<p> + "See a ghost, Bill?" ses Peter, looking at 'im. +</p> +<p> + Bill made a 'orrible noise in his throat, and kept on staring at the + bottle till they thought 'e'd gone crazy. Then Jasper Potts bent his + 'ead down and began to read out loud wot was on the bottle. "P-o-i— + POISON FOR BILL JONES," he ses, in a voice as if 'e couldn't believe it. +</p> +<p> + You might 'ave heard a pin drop. Everybody turned and looked at Bill + Jones, as he sat there trembling all over. Then those that could read + took up the bottle and read it out loud all over agin. +</p> +<p> + "Pore Bill," ses Peter Lamb. "I 'ad a feeling come over me that + something was wrong." +</p> +<p> + "You're a murderer," ses Sam Martin, catching 'old of Joe Barlcomb. + "You'll be 'ung for this. Look at pore Bill, cut off in 'is prime." +</p> +<p> + "Run for the doctor," ses someone. +</p> +<p> + Two of 'em ran off as 'ard as they could go, and then the landlord came + round the bar and asked Bill to go and die outside, because 'e didn't + want to be brought into it. Jasper Potts told 'im to clear off, and then + he bent down and asked Bill where the pain was. +</p> +<p> + "I don't think he'll 'ave much pain," ses Peter Lamb, who always + pretended to know a lot more than other people. "It'll soon be over, + Bill." +</p> +<p> + "We've all got to go some day," ses Sam Martin. "Better to die young + than live to be a trouble to yourself," ses Bob Harris. +</p> +<p> + To 'ear them talk everybody seemed to think that Bill Jones was in luck; + everybody but Bill Jones 'imself, that is. +</p> +<p> + "I ain't fit to die," he ses, shivering. "You don't know 'ow bad I've + been." +</p> +<p> + "Wot 'ave you done, Bill?" ses Peter Lamb, in a soft voice. "If it'll + ease your feelings afore you go to make a clean breast of it, we're all + friends here." +</p> +<p> + Bill groaned. +</p> +<p> + "And it's too late for you to be punished for anything," ses Peter, arter + a moment. +</p> +<p> + Bill Jones groaned agin, and then, shaking 'is 'ead, began to w'isper 'is + wrong-doings. When the doctor came in 'arf an hour arterward all the men + was as quiet as mice, and pore Bill was still w'ispering as 'ard as he + could w'isper. +</p> +<p> + The doctor pushed 'em out of the way in a moment, and then 'e bent over + Bill and felt 'is pulse and looked at 'is tongue. Then he listened to + his 'art, and in a puzzled way smelt at the bottle, which Jasper Potts + was a-minding of, and wetted 'is finger and tasted it. +</p> +<a name="image-31"><!--IMG--></a> +<center> +<img src="031.jpg" height="431" width="546" +alt="'the Doctor Felt 'is Pulse and Looked at 'is Tongue.' +"> +</center> +<!--IMAGE END--> +<p> + "Somebody's been making a fool of you and me too," he ses, in a angry + voice. "It's only gin, and very good gin at that. Get up and go home." +</p> +<p> + It all came out next morning, and Joe Barlcomb was the laughing-stock of + the place. Most people said that Mrs. Prince 'ad done quite right, and + they 'oped that it ud be a lesson to him, but nobody ever talked much of + witchcraft in Claybury agin. One thing was that Bill Jones wouldn't 'ave + the word used in 'is hearing. +</p> + + + + + + + + + + + + + + + + +<pre> + + + + + +End of the Project Gutenberg EBook of Breaking A Spell, by W.W. Jacobs + +*** END OF THIS PROJECT GUTENBERG EBOOK BREAKING A SPELL *** + +***** This file should be named 12206-h.htm or 12206-h.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/1/2/2/0/12206/ + +Produced by David Widger + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + +Each eBook is in a subdirectory of the same number as the eBook's +eBook number, often in several formats including plain vanilla ASCII, +compressed (zipped), HTML and others. + +Corrected EDITIONS of our eBooks replace the old file and take over +the old filename and etext number. The replaced older file is renamed. +VERSIONS based on separate sources are treated as new eBooks receiving +new filenames and etext numbers. + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + +EBooks posted prior to November 2003, with eBook numbers BELOW #10000, +are filed in directories based on their release date. If you want to +download any of these eBooks directly, rather than using the regular +search system you may utilize the following addresses and just +download by the etext year. + + https://www.gutenberg.org/etext06 + + (Or /etext 05, 04, 03, 02, 01, 00, 99, + 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90) + +EBooks posted since November 2003, with etext numbers OVER #10000, are +filed in a different way. The year of a release date is no longer part +of the directory path. The path is based on the etext number (which is +identical to the filename). The path to the file is made up of single +digits corresponding to all but the last digit in the filename. For +example an eBook of filename 10234 would be found at: + + https://www.gutenberg.org/1/0/2/3/10234 + +or filename 24689 would be found at: + https://www.gutenberg.org/2/4/6/8/24689 + +An alternative method of locating eBooks: + https://www.gutenberg.org/GUTINDEX.ALL + + + + +</pre> + +</body> +</html> diff --git a/old/12206-h/title.jpg b/old/12206-h/title.jpg Binary files differnew file mode 100644 index 0000000..8c4b3bd --- /dev/null +++ b/old/12206-h/title.jpg diff --git a/old/12206.txt b/old/12206.txt new file mode 100644 index 0000000..4a51193 --- /dev/null +++ b/old/12206.txt @@ -0,0 +1,906 @@ +The Project Gutenberg EBook of Breaking A Spell, by W.W. Jacobs + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Breaking A Spell + Odd Craft, Part 6. + +Author: W.W. Jacobs + +Release Date: April 29, 2004 [EBook #12206] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK BREAKING A SPELL *** + + + + +Produced by David Widger + + + + +ODD CRAFT + +By W.W. Jacobs + + + +BREAKING A SPELL + +"Witchcraft?" said the old man, thoughtfully, as he scratched his scanty +whiskers. No, I ain't heard o' none in these parts for a long time. +There used to be a little of it about when I was a boy, and there was +some talk of it arter I'd growed up, but Claybury folk never took much +count of it. The last bit of it I remember was about forty years ago, +and that wasn't so much witchcraft as foolishness. + +There was a man in this place then--Joe Barlcomb by name--who was a firm +believer in it, and 'e used to do all sorts of things to save hisself +from it. He was a new-comer in Claybury, and there was such a lot of it +about in the parts he came from that the people thought o' nothing else +hardly. + +He was a man as got 'imself very much liked at fust, especially by the +old ladies, owing to his being so perlite to them, that they used to 'old +'im up for an example to the other men, and say wot nice, pretty ways he +'ad. Joe Barlcomb was everything at fust, but when they got to 'ear that +his perliteness was because 'e thought 'arf of 'em was witches, and +didn't know which 'arf, they altered their minds. + +[Illustration: "He got 'imself very much liked, especially by the old +ladies."] + +In a month or two he was the laughing-stock of the place; but wot was +worse to 'im than that was that he'd made enemies of all the old ladies. +Some of 'em was free-spoken women, and 'e couldn't sleep for thinking of +the 'arm they might do 'im. + +He was terrible uneasy about it at fust, but, as nothing 'appened and he +seemed to go on very prosperous-like, 'e began to forget 'is fears, when +all of a sudden 'e went 'ome one day and found 'is wife in bed with a +broken leg. + +She was standing on a broken chair to reach something down from the +dresser when it 'appened, and it was pointed out to Joe Barlcomb that it +was a thing anybody might ha' done without being bewitched; but he said +'e knew better, and that they'd kept that broken chair for standing on +for years and years to save the others, and nothing 'ad ever 'appened +afore. + +In less than a week arter that three of his young 'uns was down with the +measles, and, 'is wife being laid up, he sent for 'er mother to come and +nurse 'em. It's as true as I sit 'ere, but that pore old lady 'adn't +been in the house two hours afore she went to bed with the yellow +jaundice. + +Joe Barlcomb went out of 'is mind a'most. He'd never liked 'is wife's +mother, and he wouldn't 'ave had 'er in the house on'y 'e wanted her to +nurse 'is wife and children, and when she came and laid up and wanted +waiting on 'e couldn't dislike her enough. + +He was quite certain all along that somebody was putting a spell on 'im, +and when 'e went out a morning or two arterward and found 'is best pig +lying dead in a corner of the sty he gave up and, going into the 'ouse, +told 'em all that they'd 'ave to die 'cause he couldn't do anything more +for 'em. His wife's mother and 'is wife and the children all started +crying together, and Joe Barlcomb, when 'e thought of 'is pig, he sat +down and cried too. + +He sat up late that night thinking it over, and, arter looking at it all +ways, he made up 'is mind to go and see Mrs. Prince, an old lady that +lived all alone by 'erself in a cottage near Smith's farm. He'd set 'er +down for wot he called a white witch, which is the best kind and on'y do +useful things, such as charming warts away or telling gals about their +future 'usbands; and the next arternoon, arter telling 'is wife's mother +that fresh air and travelling was the best cure for the yellow jaundice, +he set off to see 'er. + +[Illustration: "Mrs. Prince was sitting at 'er front door nursing 'er +three cats."] + +Mrs. Prince was sitting at 'er front door nursing 'er three cats when 'e +got there. She was an ugly, little old woman with piercing black eyes +and a hook nose, and she 'ad a quiet, artful sort of a way with 'er that +made 'er very much disliked. One thing was she was always making fun of +people, and for another she seemed to be able to tell their thoughts, and +that don't get anybody liked much, especially when they don't keep it to +theirselves. She'd been a lady's maid all 'er young days, and it was +very 'ard to be taken for a witch just because she was old. + +"Fine day, ma'am," ses Joe Barlcomb. + +"Very fine," ses Mrs. Prince. + +"Being as I was passing, I just thought I'd look in," ses Joe Barlcomb, +eyeing the cats. + +"Take a chair," ses Mrs. Prince, getting up and dusting one down with 'er +apron. + +Joe sat down. "I'm in a bit o' trouble, ma'am," he ses, "and I thought +p'r'aps as you could help me out of it. My pore pig's been bewitched, +and it's dead." + +"Bewitched?" ses Mrs. Prince, who'd 'eard of 'is ideas. "Rubbish. Don't +talk to me." + +"It ain't rubbish, ma'am," ses Joe Barlcomb; "three o' my children is +down with the measles, my wife's broke 'er leg, 'er mother is laid up in +my little place with the yellow jaundice, and the pig's dead." + +"Wot, another one?" ses Mrs. Prince. + +"No; the same one," ses Joe. + +"Well, 'ow am I to help you?" ses Mrs. Prince. "Do you want me to come +and nurse 'em?" + +"No, no," ses Joe, starting and turning pale; "unless you'd like to come +and nurse my wife's mother," he ses, arter thinking a bit. "I was hoping +that you'd know who'd been overlooking me and that you'd make 'em take +the spell off." + +Mrs. Prince got up from 'er chair and looked round for the broom she'd +been sweeping with, but, not finding it, she set down agin and stared in +a curious sort o' way at Joe Barlcomb. + +"Oh, I see," she ses, nodding. "Fancy you guessing I was a witch." + +"You can't deceive me," ses Joe; "I've 'ad too much experience; I knew it +the fust time I saw you by the mole on your nose." + +Mrs. Prince got up and went into her back-place, trying her 'ardest to +remember wot she'd done with that broom. She couldn't find it anywhere, +and at last she came back and sat staring at Joe for so long that 'e was +'arf frightened out of his life. And by-and-by she gave a 'orrible smile +and sat rubbing the side of 'er nose with 'er finger. + +"If I help you," she ses at last, "will you promise to keep it a dead +secret and do exactly as I tell you? If you don't, dead pigs'll be +nothing to the misfortunes that you will 'ave." + +"I will," ses Joe Barlcomb, very pale. + +"The spell," ses Mrs. Prince, holding up her 'ands and shutting 'er eyes, +"was put upon you by a man. It is one out of six men as is jealous of +you because you're so clever, but which one it is I can't tell without +your assistance. Have you got any money?" + +"A little," ses Joe, anxious-like-- "a very little. Wot with the yellow +jaundice and other things, I----" + +"Fust thing to do," ses Mrs. Prince, still with her eyes shut, "you go up +to the Cauliflower to-night; the six men'll all be there, and you must +buy six ha'pennies off of them; one each." + +"Buy six ha'pennies?" ses Joe, staring at her. + +"Don't repeat wot I say," ses Mrs. Prince; "it's unlucky. You buy six +ha'pennies for a shilling each, without saying wot it's for. You'll be +able to buy 'em all right if you're civil." + +"It seems to me it don't need much civility for that," ses Joe, pulling a +long face. + +"When you've got the ha'pennies," ses Mrs. Prince, "bring 'em to me and +I'll tell you wot to do with 'em. Don't lose no time, because I can see +that something worse is going to 'appen if it ain't prevented." + +"Is it anything to do with my wife's mother getting worse?" ses Joe +Barlcomb, who was a careful man and didn't want to waste six shillings. + +"No, something to you," ses Mrs. Prince. + +Joe Barlcomb went cold all over, and then he put down a couple of eggs +he'd brought round for 'er and went off 'ome agin, and Mrs. Prince stood +in the doorway with a cat on each shoulder and watched 'im till 'e was +out of sight. + +That night Joe Barlcomb came up to this 'ere Cauliflower public-house, +same as he'd been told, and by-and-by, arter he 'ad 'ad a pint, he looked +round, and taking a shilling out of 'is pocket put it on the table, and +he ses, "Who'll give me a ha'penny for that?" he ses. + +None of 'em seemed to be in a hurry. Bill Jones took it up and bit it, +and rang it on the table and squinted at it, and then he bit it agin, and +turned round and asked Joe Barlcomb wot was wrong with it. + +"Wrong?" ses Joe; "nothing." + +Bill Jones put it down agin. "You're wide awake, Joe," he ses, "but so +am I." + +"Won't nobody give me a ha'penny for it?" ses Joe, looking round. + +Then Peter Lamb came up, and he looked at it and rang it, and at last he +gave Joe a ha'penny for it and took it round, and everybody 'ad a look at +it. + +[Illustration: "He took it round, and everybody 'ad a look at it."] + +"It stands to reason it's a bad 'un," ses Bill Jones, "but it's so well +done I wish as I'd bought it." + +"H-s-h!" ses Peter Lamb; "don't let the landlord 'ear you." + +The landlord 'ad just that moment come in, and Peter walked up and +ordered a pint, and took his ten-pence change as bold as brass. Arter +that Joe Barbcomb bought five more ha'pennies afore you could wink +a'most, and every man wot sold one went up to the bar and 'ad a pint and +got tenpence change, and drank Joe Barlcomb's health. + +"There seems to be a lot o' money knocking about to-night," ses the +landlord, as Sam Martin, the last of 'em, was drinking 'is pint. + +Sam Martin choked and put 'is pot down on the counter with a bang, and +him and the other five was out o' that door and sailing up the road with +their tenpences afore the landlord could get his breath. He stood to the +bar scratching his 'ead and staring, but he couldn't understand it a bit +till a man wot was too late to sell his ha'penny up and told 'im all +about it. The fuss 'e made was terrible. The shillings was in a little +heap on a shelf at the back o' the bar, and he did all sorts o' things to +'em to prove that they was bad, and threatened Joe Barlcomb with the +police. At last, however, 'e saw wot a fool he was making of himself, +and arter nearly breaking his teeth 'e dropped them into a drawer and +stirred 'em up with the others. + +Joe Barlcomb went round the next night to see Mrs. Prince, and she asked +'im a lot o' questions about the men as 'ad sold 'im the ha'pennies. + +"The fust part 'as been done very well," she ses, nodding her 'ead at +'im; "if you do the second part as well, you'll soon know who your enemy +is." + +"Nothing'll bring the pig back," ses Joe. + +"There's worse misfortunes than that, as I've told you," ses Mrs. Prince, +sharply. "Now, listen to wot I'm going to say to you. When the clock +strikes twelve to-night----" + +"Our clock don't strike," ses Joe. + +"Then you must borrow one that does," ses Mrs. Prince, "and when it +strikes twelve you must go round to each o' them six men and sell them a +ha'penny for a shilling." + +Joe Barlcomb looked at 'er. "'Ow?" he ses, short-like. + +"Same way as you sold 'em a shilling for a ha'-penny," ses Mrs. Prince; +"it don't matter whether they buy the ha'pennies or not. All you've got +to do is to go and ask 'em, and the man as makes the most fuss is the man +that 'as put the trouble on you." + +"It seems a roundabout way o' going to work," ses Joe. + +"_Wot!_" screams Mrs. Prince, jumping up and waving her arms about. +"_Wot!_ Go your own way; I'll have nothing more to do with you. And +don't blame me for anything that happens. It's a very bad thing to come +to a witch for advice and then not to do as she tells you. You ought to +know that." + +"I'll do it, ma'am," ses Joe Barlcomb, trembling. + +"You'd better," ses Mrs. Prince; "and mind--not a word to anybody." + +Joe promised her agin, and 'e went off and borrered a clock from Albert +Price, and at twelve o'clock that night he jumped up out of bed and began +to dress 'imself and pretend not to 'ear his wife when she asked 'im +where he was going. + +It was a dark, nasty sort o' night, blowing and raining, and, o' course, +everybody 'ad gone to bed long since. The fust cottage Joe came to was +Bill Jones's, and, knowing Bill's temper, he stood for some time afore he +could make up 'is mind to knock; but at last he up with 'is stick and +banged away at the door. + +A minute arterward he 'eard the bedroom winder pushed open, and then Bill +Jones popped his 'cad out and called to know wot was the matter and who +it was. + +"It's me--Joe Barlcomb," ses Joe, "and I want to speak to you very +partikler." + +"Well, speak away," ses Bill. "You go into the back room," he ses, +turning to his wife. + +"Whaffor?" ses Mrs. Jones. + +"'Cos I don't know wot Joe is going to say," ses Bill. "You go in now, +afore I make you." + +His wife went off grumbling, and then Bill told Joe Barlcomb to hurry up +wot he'd got to say as 'e 'adn't got much on and the weather wasn't as +warm as it might be. + +"I sold you a shilling for a ha'penny last night, Bill," ses Joe. + +"Do you want to sell any more?" ses Bill Jones, putting his 'and down to +where 'is trouser pocket ought to be. + +"Not exactly that," ses Joe Barlcomb. "This time I want you to sell me a +shilling for a ha'penny." + +Bill leaned out of the winder and stared down at Joe Barlcomb, and then +he ses, in a choking voice, "Is that wot you've come disturbing my sleep +for at this time o' night?" he ses. + +"I must 'ave it, Bill," ses Joe. + +"Well, if you'll wait a moment," ses Bill, trying to speak perlitely, +"I'll come down and give it to you." + +Joe didn't like 'is tone of voice, but he waited, and all of a sudden +Bill Jones came out o' that door like a gun going off and threw 'imself +on Joe Barlcomb. Both of 'em was strong men, and by the time they'd +finished they was so tired they could 'ardly stand. Then Bill Jones went +back to bed, and Joe Barlcomb, arter sitting down on the doorstep to rest +'imself, went off and knocked up Peter Lamb. + +Peter Lamb was a little man and no good as a fighter, but the things he +said to Joe Barlcomb as he leaned out o' the winder and shook 'is fist at +him was 'arder to bear than blows. He screamed away at the top of 'is +voice for ten minutes, and then 'e pulled the winder to with a bang and +went back to bed. + +Joe Barlcomb was very tired, but he walked on to Jasper Potts's 'ouse, +trying 'ard as he walked to decide which o' the fust two 'ad made the +most fuss. Arter he 'ad left Jasper Potts 'e got more puzzled than ever, +Jasper being just as bad as the other two, and Joe leaving 'im at last in +the middle of loading 'is gun. + +By the time he'd made 'is last call--at Sam Martin's--it was past three +o'clock, and he could no more tell Mrs. Prince which 'ad made the most +fuss than 'e could fly. There didn't seem to be a pin to choose between +'em, and, 'arf worried out of 'is life, he went straight on to Mrs. +Prince and knocked 'er up to tell 'er. She thought the 'ouse was afire +at fust, and came screaming out o' the front door in 'er bedgown, and +when she found out who it was she was worse to deal with than the men 'ad +been. + +She 'ad quieted down by the time Joe went round to see 'er the next +evening, and asked 'im to describe exactly wot the six men 'ad done and +said. She sat listening quite quiet at fust, but arter a time she scared +Joe by making a odd, croupy sort o' noise in 'er throat, and at last she +got up and walked into the back-place. She was there a long time making +funny noises, and at last Joe walked toward the door on tip-toe and +peeped through the crack and saw 'er in a sort o' fit, sitting in a chair +with 'er arms folded acrost her bodice and rocking 'erself up and down +and moaning. Joe stood as if 'e'd been frozen a'most, and then 'e crept +back to 'is seat and waited, and when she came into the room agin she +said as the trouble 'ad all been caused by Bill Jones. She sat still for +nearly 'arf an hour, thinking 'ard, and then she turned to Joe and ses: + +[Illustration: "She sat listening quite quiet at fust."] + +"Can you read?" she ses. + +"No," ses Joe, wondering wot was coming next. + +"That's all right, then," she ses, "because if you could I couldn't do +wot I'm going to do." + +"That shows the 'arm of eddication," ses Joe. "I never did believe in +it." + +Mrs. Prince nodded, and then she went and got a bottle with something in +it which looked to Joe like gin, and arter getting out 'er pen and ink +and printing some words on a piece o' paper she stuck it on the bottle, +and sat looking at Joe and thinking. + +"Take this up to the Cauliflower," she ses, "make friends with Bill +Jones, and give him as much beer as he'll drink, and give 'im a little o' +this gin in each mug. If he drinks it the spell will be broken, and +you'll be luckier than you 'ave ever been in your life afore. When 'e's +drunk some, and not before, leave the bottle standing on the table." + +Joe Barlcomb thanked 'er, and with the bottle in 'is pocket went off to +the Cauliflower, whistling. Bill Jones was there, and Peter Lamb, and +two or three more of 'em, and at fust they said some pretty 'ard things +to him about being woke up in the night. + +"Don't bear malice, Bill," ses Joe Barlcomb; "'ave a pint with me." + +He ordered two pints, and then sat down along-side o' Bill, and in five +minutes they was like brothers. + +"'Ave a drop o' gin in it, Bill," he ses, taking the bottle out of 'is +pocket. + +Bill thanked 'im and had a drop, and then, thoughtful-like, he wanted Joe +to 'ave some in his too, but Joe said no, he'd got a touch o' toothache, +and it was bad for it. + +"I don't mind 'aving a drop in my beer, Joe," ses Peter Lamb. + +"Not to-night, mate," ses Joe; "it's all for Bill. I bought it on +purpose for 'im." + +Bill shook 'ands with him, and when Joe called for another pint and put +some more gin in it he said that 'e was the noblest-'arted man that ever +lived. + +"You wasn't saying so 'arf an hour ago," ses Peter Lamb. + +"'Cos I didn't know 'im so well then," ses Bill Jones. + +"You soon change your mind, don't you?" ses Peter. + +Bill didn't answer 'im. He was leaning back on the bench and staring at +the bottle as if 'e couldn't believe his eyesight. His face was all +white and shining, and 'is hair as wet as if it 'ad just been dipped in a +bucket o' water. + +"See a ghost, Bill?" ses Peter, looking at 'im. + +Bill made a 'orrible noise in his throat, and kept on staring at the +bottle till they thought 'e'd gone crazy. Then Jasper Potts bent his +'ead down and began to read out loud wot was on the bottle. "P-o-i-- +POISON FOR BILL JONES," he ses, in a voice as if 'e couldn't believe it. + +You might 'ave heard a pin drop. Everybody turned and looked at Bill +Jones, as he sat there trembling all over. Then those that could read +took up the bottle and read it out loud all over agin. + +"Pore Bill," ses Peter Lamb. "I 'ad a feeling come over me that +something was wrong." + +"You're a murderer," ses Sam Martin, catching 'old of Joe Barlcomb. +"You'll be 'ung for this. Look at pore Bill, cut off in 'is prime." + +"Run for the doctor," ses someone. + +Two of 'em ran off as 'ard as they could go, and then the landlord came +round the bar and asked Bill to go and die outside, because 'e didn't +want to be brought into it. Jasper Potts told 'im to clear off, and then +he bent down and asked Bill where the pain was. + +"I don't think he'll 'ave much pain," ses Peter Lamb, who always +pretended to know a lot more than other people. "It'll soon be over, +Bill." + +"We've all got to go some day," ses Sam Martin. "Better to die young +than live to be a trouble to yourself," ses Bob Harris. + +To 'ear them talk everybody seemed to think that Bill Jones was in luck; +everybody but Bill Jones 'imself, that is. + +"I ain't fit to die," he ses, shivering. "You don't know 'ow bad I've +been." + +"Wot 'ave you done, Bill?" ses Peter Lamb, in a soft voice. "If it'll +ease your feelings afore you go to make a clean breast of it, we're all +friends here." + +Bill groaned. + +"And it's too late for you to be punished for anything," ses Peter, arter +a moment. + +Bill Jones groaned agin, and then, shaking 'is 'ead, began to w'isper 'is +wrong-doings. When the doctor came in 'arf an hour arterward all the men +was as quiet as mice, and pore Bill was still w'ispering as 'ard as he +could w'isper. + +The doctor pushed 'em out of the way in a moment, and then 'e bent over +Bill and felt 'is pulse and looked at 'is tongue. Then he listened to +his 'art, and in a puzzled way smelt at the bottle, which Jasper Potts +was a-minding of, and wetted 'is finger and tasted it. + +[Illustration: "The doctor felt 'is pulse and looked at 'is tongue."] + +"Somebody's been making a fool of you and me too," he ses, in a angry +voice. "It's only gin, and very good gin at that. Get up and go home." + +It all came out next morning, and Joe Barlcomb was the laughing-stock of +the place. Most people said that Mrs. Prince 'ad done quite right, and +they 'oped that it ud be a lesson to him, but nobody ever talked much of +witchcraft in Claybury agin. One thing was that Bill Jones wouldn't 'ave +the word used in 'is hearing. + + + + + +End of the Project Gutenberg EBook of Breaking A Spell, by W.W. Jacobs + +*** END OF THIS PROJECT GUTENBERG EBOOK BREAKING A SPELL *** + +***** This file should be named 12206.txt or 12206.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/1/2/2/0/12206/ + +Produced by David Widger + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + +Each eBook is in a subdirectory of the same number as the eBook's +eBook number, often in several formats including plain vanilla ASCII, +compressed (zipped), HTML and others. + +Corrected EDITIONS of our eBooks replace the old file and take over +the old filename and etext number. The replaced older file is renamed. +VERSIONS based on separate sources are treated as new eBooks receiving +new filenames and etext numbers. + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + +EBooks posted prior to November 2003, with eBook numbers BELOW #10000, +are filed in directories based on their release date. If you want to +download any of these eBooks directly, rather than using the regular +search system you may utilize the following addresses and just +download by the etext year. + + https://www.gutenberg.org/etext06 + + (Or /etext 05, 04, 03, 02, 01, 00, 99, + 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90) + +EBooks posted since November 2003, with etext numbers OVER #10000, are +filed in a different way. The year of a release date is no longer part +of the directory path. The path is based on the etext number (which is +identical to the filename). The path to the file is made up of single +digits corresponding to all but the last digit in the filename. For +example an eBook of filename 10234 would be found at: + + https://www.gutenberg.org/1/0/2/3/10234 + +or filename 24689 would be found at: + https://www.gutenberg.org/2/4/6/8/24689 + +An alternative method of locating eBooks: + https://www.gutenberg.org/GUTINDEX.ALL + + diff --git a/old/12206.zip b/old/12206.zip Binary files differnew file mode 100644 index 0000000..bbd3077 --- /dev/null +++ b/old/12206.zip |
