summaryrefslogtreecommitdiff
path: root/old/1285-0.txt
diff options
context:
space:
mode:
Diffstat (limited to 'old/1285-0.txt')
-rw-r--r--old/1285-0.txt2101
1 files changed, 2101 insertions, 0 deletions
diff --git a/old/1285-0.txt b/old/1285-0.txt
new file mode 100644
index 0000000..c3049f6
--- /dev/null
+++ b/old/1285-0.txt
@@ -0,0 +1,2101 @@
+The Project Gutenberg EBook of The Water Goats and Other Troubles, by
+Ellis Parker Butler
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Water Goats and Other Troubles
+
+Author: Ellis Parker Butler
+
+Posting Date: September 17, 2008 [EBook #1285]
+Release Date: April, 1998
+Last Updated: March 11, 2018
+
+Language: English
+
+Character set encoding: UTF-8
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE WATER GOATS AND OTHER TROUBLES ***
+
+
+
+
+Produced by An Anonymous Volunteer
+
+
+
+
+
+THE WATER GOATS AND OTHER TROUBLES
+
+By Ellis Parker Butler
+
+
+By The Same Author
+
+ Pigs is Pigs
+
+ The Great American Pie Company
+
+ Mike Flannery On Duty and off
+
+ The Thin Santa Claus
+
+ That Pup, Kilo, etc.
+
+
+
+
+
+THE WATER GOATS AND OTHER TROUBLES
+
+
+
+CONTENTS
+
+I. THE WATER GOATS II. MR. BILLINGS'S POCKETS III. OUR FIRST BURGLAR
+
+
+
+
+I. THE WATER GOATS
+
+
+“And then,” said the landscape gardener, combing his silky, pointed
+beard gently with his long, artistic fingers, “in the lake you might
+have a couple of gondolas. Two would be sufficient for a lake of this
+size; amply sufficient. Yes,” he said firmly, “I would certainly advise
+gondolas. They look well, and the children like to ride on them. And so
+do the adults. I would have two gondolas in the lake.”
+
+Mayor Dugan and the City Council, meeting as a committee of the whole
+to receive the report of the landscape gardener and his plan for the new
+public park, nodded their heads sagely.
+
+“Sure!” said Mayor Dugan. “We want two of thim--of thim gon--thim gon--”
+
+“Gondolas,” said the landscape gardener. “Sure!” said Mayor Dugan, “we
+want two of thim. Remimber th' gondolas, Toole.”
+
+“I have thim fast in me mind,” said Toole. “I will not let thim git
+away, Dugan.”
+
+The landscape gardener stood a minute in deep thought, looking at the
+ceiling.
+
+“Yes, that is all!” he said. “My report, and the plan, and what I have
+mentioned, will be all you need.”
+
+Then he shook hands with the mayor and with all the city councilmen
+and left Jeffersonville forever, going back to New York where landscape
+gardeners grow, and the doors were opened and the committee of the whole
+became once more the regular meeting of the City Council.
+
+The appropriation for the new park was rushed through in twenty minutes,
+passing the second and third readings by the reading of the title under
+a suspension of the by-laws, and being unanimously adopted. It was a
+matter of life and death with Mayor Dugan and his ring. Jeffersonville
+was getting tired of the joyful grafters, and murmurs of discontent
+were concentrating into threats of a reform party to turn the
+cheerful rascals out. The new park was to be a sop thrown to the
+populace--something to make the city proud of itself and grateful to its
+mayor and council. It was more than a pet scheme of Mayor Dugan, it
+was a lifeboat for the ring. In half an hour the committees had been
+appointed, and the mayor turned to the regular business. Then from his
+seat at the left of the last row little Alderman Toole arose.
+
+“Misther Mayor,” he said, “how about thim--thim don--thim don--Golas!”
+ whispered Alderman Grevemeyer hoarsely, “dongolas.”
+
+“How about thim dongolas, Misther Mayor?” asked Alderman Toole.
+
+“Sure!” said the mayor. “Will annyone move that we git two dongolas t'
+put in th' lake for th' kids t' ride on? Will annyone move that Alderman
+Toole be a conmittee of wan t' git two dongolas t' put in th' lake?”
+
+“I make dot motions,” said Alderman Greveneyer, half raising his great
+bulk from his seat and sinking back with a grunt.
+
+“Sicond th' motion,” said Alderman Toole.
+
+“Moved and siconded,” said the mayor, “that Alderman Toole be a
+committee t' buy two dongolas t' put in th' lake for th' kids t' ride
+on. Ye have heard th' motion.”
+
+The motion was unanimously carried. That was the kind of City Council
+Mayor Dugan had chosen.
+
+When little Alderman Toole dropped into Casey's saloon that night on his
+way home he did not slip meekly to the far end of the bar, as he usually
+did. For the first time in his aldermanic career he had been put on a
+committee where he would really have something to do, and he felt
+the honour. He boldly took a place between the big mayor and Alderman
+Grevemeyer, and said: “One of th' same, Casey,” with the air of a man
+who has matters of importance on his mind. He felt that things were
+coming his way. Even the big mayor seemed to appreciate it, for he put
+his hand affectionately on Toole's shoulder.
+
+“Mike,” said the mayor, “about thim dongolas, now; have ye thought anny
+about where ye would be gettin' thim?”
+
+“I have not,” said Toole. “I was thinkin' 'twould be good t' think it
+over a bit, Dugan. Mebby 'twould be best t' git thim at Chicagy.” He
+looked anxiously at the mayor's face, hoping for some sign of approval
+or disapproval, but the mayor's face was noncommittal. “But mebby it
+wouldn't,” concluded Toole. As a feeler he added: “Would ye be wantin'
+me t' have thim made here, Dugan?”
+
+The big mayor patted Toole on the shoulder indulgently.
+
+“It's up t' you, Mike,” he said. “Ye know th' way Dugan does things, an'
+th' way he likes thim done. I trust thim that I kin trust, an' whin I
+put a man on committee I'm done wid th' thing. Of coorse,” he added,
+putting his mouth close to Toole's ear, and winking at Grevemeyer, “ye
+will see that there is a rake-off for me an' th' byes.”
+
+“Sure!” said Toole.
+
+The big mayor turned back to the bar and took a drink from his glass.
+Grevemeyer took a drink from his glass, also. So did Toole, gravely.
+Dugan wiped his mouth on the back of his hand and turned to Toole again.
+
+“Mike,” he said, “what do ye think? Mebby 'twould do as well t' git a
+couple of sicond-hand dongolas an' have thim painted up. If they was in
+purty good shape no wan would know th' difference, an' 'twould make a
+bit more rake-off fer th' byes, mebby.”
+
+“Th' same word was on th' ind o' me tongue, Dugan,” said Toole, nodding
+his head slowly. “I was considerin' this very minute where I could lay
+me hand on a couple of purty good dongolas that has not been used much.
+Flannagan could paint thim up fine!”
+
+“Or Stoltzenau could do such paintings,” interposed Grevemeyer.
+
+“Sure!” agreed the big mayor. He toyed with his glass a moment. “Mike,”
+ he said suddenly, “what th' divil is a dongola, anyhow?”
+
+Mike Toole was just raising his glass to his lips with the movements of
+one accustomed to hold conversation with the mayor. His left hand rested
+on his hip, with his arm akimbo, and his hat was tipped carelessly to
+the back of his head. The hand raising his glass stopped short where it
+was when he heard the mayor's question. He frowned at the glass--scowled
+at it angrily.
+
+“A dongola, Dugan”--he said slowly, and stopped. “A dongola”--he
+repeated. “A dongola--did ye ask me what a dongola might be, Dugan?”
+
+The big mayor nodded, and Grevemeyer leaned forward to catch the answer.
+Casey, too, leaned on his bar and listened. Alderman Toole raised his
+glass to his lips and filled his mouth with the liquor. Instantly he
+dashed the glass furiously to the floor. He jerked off his hat and cast
+it into a far corner and pulled off his coat, throwing it after his hat.
+He was climbing on to the bar when the big mayor and Grevemeyer laid
+their hands on the little man and held him tightly. The big mayor shook
+him once and set him on the floor.
+
+“Mike!” said the big mayor. “What's th' matter wid ye? What are ye goin'
+afther Casey that way for? Is it crazy ye are? Or have ye gone insane?”
+
+“Knock-out drops!” shouted Toole, shaking his fist at Casey, who looked
+down at him in astonishment. “Knock-out drops! I will have th' law on
+ye, Casey. I will have th' joint closed! I'll teach ye t' be givin'
+knock-out drops t' th' aldermin of th' city!”
+
+“Mike!” cried the big mayor, giving him another vigorous shake. “Shut up
+wid ye! Casey wouldn't be givin' ye annything that wasn't good for ye.
+Casey wouldn't be givin' ye knock-out drops.”
+
+“No?” whispered Mike angrily. “No? Wouldn't he, Dugan? An' what has he
+done t' me mimory, then, Dugan? What has he put in th' drink t' rob
+me of me mimory? Wan minute ago I knew as well anny other man what a
+dongola is like, an' now I have no mimory of anny dongolas at all. Wan
+minute ago I could have told ye th' whole history of dongolas, from th'
+time of Adam up till now, an' have drawed a picture of wan that annywan
+could recognize--an' now I wouldn't know wan if ye was show it t' me! I
+was about t' tell ye th' whole history of dongolas, Dugan; 'twas on th'
+ind of me tongue t' give ye a talk on dongolas, whin I took a drink. Ye
+saw me take a drink, Grevemeyer?”
+
+“Ya!” said Grevemeyer, nodding his head solemnly. “You took such a
+drink!”
+
+“Sure,” said Toole, arranging his vest. “Grevemeyer saw me take th'
+drink--an now I have no mimory of dongolas at all. If ye was t' show me
+a chromo of wan I wouldn't know was it a dongola or what. I'm ashamed of
+ye, Casey!”
+
+“If ye done it, Casey, ye hadn't have ought t' have done it,” said Dugan
+reprovingly. “Th' mind of him might be ruined intirely.”
+
+“Stop, Dugan!” said Toole hastily. “I forgive him. Me mind will likely
+be all right by mornin'. 'Tis purty good yit, ixcipt on th' subjict of
+dongolas. I'm timporarily out of remimbrance what dongolas is. 'Tis odd
+how thim knock-out drops works, Grevemeyer.”
+
+“Ya!” said the alderman unsuspectingly, “gifing such a forgetfulness on
+such easy things as dongolas.”
+
+“Sure! You tell Dugan what dongolas is, Grevemeyer,” said Toole quickly.
+
+Grevemeyer looked at his glass thoughtfully. His mind worked slowly
+always, but he saw that it would not do for him to have knock-out drops
+so soon after Toole.
+
+“Ach!” he exclaimed angrily. “You are insulting to me mit such questions
+Toole. So much will I tell you--never ask Germans what is dongolas. It
+is not for Germans to talk about such things. Ask Casey.”
+
+Casey scratched his head thoughtfully.
+
+“Dongolas?” he repeated. “I have heard th' word, Grevemeyer. Wait a bit!
+'Tis something about shoes. Sure! I remimber, now! 'Twas dongola shoes
+wan of me kids had, last winter, an' no good they were, too. Dongolas is
+shoes, Grevemeyer--laced shoes--dongolas is laced shoes.”
+
+The big mayor leaned his head far back and laughed long and loud. He
+pounded on the bar with his fist, and slapped Toole on the back.
+
+“Laced shoes!” he cried, wiping his eyes, and then he became suddenly
+serious. “'Twould not be shoes, Casey,” he said gravely. “Thim dongolas
+was ricomminded by th' landscape-gardener from New Yorrk. 'Twould not be
+sinsible t' ricommind us put a pair of laced shoes in th' park lake fer
+th' kids t' ride on.”
+
+“'Twould not seem so,” said Toole, shaking his head wisely. “I wisht me
+mind was like it always is. 'Tis a pity--”
+
+“Stop!” cried Casey. “I have it! Thim was kid shoes. Thim dongolas was
+kid shoes.”
+
+“So said, Casey,” said Duo'an “For th' kid.”
+
+“No,” said Casey, “of th' kid.”
+
+“Sure!” said Gravemeyer. “So it is--the shoes of the child.”
+
+“Right fer ye!” exclaimed Casey. “Th' kid shoes of th' kid. 'Twas kid
+leather they were made out of, Dugan. Th' dongola is some fancy kind
+of a goat. Like box-calf is th' skin of th' calf of th' box-cow. Th'
+dongola is some foreign kind of a goat, Dugan.”
+
+“Ho, ho-o-o!” cried Toole, suddenly, knocking on his forehead with
+the knuckles of his fist. The three men turned their eyes upon him and
+stared.
+
+“What ails ye now, Mike?” asked Dugan, disgustedly.
+
+“Ho-o-o!” he cried again, slapping himself on the top of his head. “Me
+mind is comm' back t' me, Dugan! Th' effects of th' knock-out drops is
+wearin' off! I recall now that th' dongola is some fancy kind of a goat.
+'Twill all come back t' me soon.
+
+“Go along wid ye!” exclaimed Dugan. “Would ye be puttin' a goat in th'
+lake for th' kids t' ride on?”
+
+“Sure!” said Toole enthusiastically. “Sure I would, Dugan. Not th'
+common goat I wouldn't. But dongola goats I would. Have ye heard of
+dongola water goats, Casey? Was thim dongola goat skin shoes warranted
+t' be water-proof?”
+
+Casey wrinkled his brow.
+
+“'Tis like they was, Toole,” he said doubtfully. “'Tis like they was
+warranted t' be, but they wasn't.”
+
+“Sure!” cried Toole joyously. “'Tis water-proof th' skin of th' dongola
+water goats is, like th' skin of th' duck. An' swim? A duck isn't in it
+wid a water goat. I remimber seein' thim in ould Ireland whin I was
+a bye, Dugan, swimmin in th' lake of Killarney. Ah, 'twas a purty
+picture.”
+
+“I seem t' remimber thim mesilf,” he said. “Not clear, but a bit.”
+
+“Sure ye do!” cried Toole. “Many's the time I have rode across th' lake
+on th' back of a dongola. Me own father, who was a big man in th' ould
+country, used t' keep a pair of thim for us childer. 'Twas himself
+fetched thim from Donnegal, Dugan. 'Twas from Donnegal they got th' name
+of thim, an' 'twas th' name ye give thim that misled me. Donnegoras
+was what we called thim in th' ould counry--donnegoras from Donnegal. I
+remimber th' two of thim I had whin I was a kid, Dugan--wan was a Nanny,
+an' wan was a Billy, an'--”
+
+“Go on home, Mike,” said Dugan. “Go on home an' sleep it off!” and the
+little alderman from the Fourth Ward picked up his hat and coat, and
+obeyed his orders.
+
+Instituting a new public park and seeing that in every purchase and
+every contract there is a rake-off for the ring is a big job, and
+between this and the fight against the rapidly increasing strength of
+the reform party, Mayor Dugan had his hands more than full. He had no
+time to think of dongolas, and he did not want to think of them--Toole
+was the committee on dongolas, and it was his duty to think of them,
+and to worry about them, if any worry was necessary. But Toole did not
+worry. He sat down and wrote a letter to his cousin Dennis, official
+keeper of the zoo in Idlewild Park at Franklin, Iowa.
+
+
+“Dear Dennis,” he wrote. “Have you any dongola goats in your menagery
+for I want two right away good strong ones answer right away your
+affectionate cousin alderman Michael Toole.”
+
+“Ps monny no object.”
+
+
+When Dennis Toole received this letter he walked through his zoo and
+considered his animals thoughtfully. The shop-worn brown bear would not
+do to fill cousin Mike's order; neither would the weather-worn red deer
+nor the family of variegated tame rabbits. The zoo of Idlewild Park at
+Franklin was woefully short of dongola goats--in fact, to any but the
+most imaginative and easily pleased child, it was lacking in nearly
+every thing that makes a zoo a congress of the world's most rare and
+thrilling creatures. After all, the nearest thing to a goat was a goat,
+and goats were plenty in Franklin. Dennis felt an irresistible longing
+to aid Mike--the longing that comes to any healthy man when a request
+is accompanied by the legend “Money no object.” He wrote that evening to
+Mike.
+
+
+“Dear Mike,” he wrote. “I've got two good strong dongola goats I can let
+you have cheap. I'm overstocked with dongolas to-day. I want to get rid
+of two. Zoo is getting too crowded with all kinds of animals and I
+don't need so many dongola goats. I will sell you two for fifty dollars.
+Apiece. What do you want them for? Your affectionate cousin, Dennis
+Toole, Zoo keeper. PS. Crates extra.”
+
+
+“Casey,” said Mike to his friend the saloon keeper when he received this
+communication, “'tis just as I told ye--dongolas is goats. I have
+been corrispondin' with wan of th' celibrated animal men regardin' th'
+dongola water goat, an' I have me eye on two of thim this very minute.
+But 'twill be ixpinsive, Casey, mighty ixpinsive. Th' dongola water
+goat is a rare birrd, Casey. They have become extinct in th' lakes
+of Ireland, an' what few of thim is left in th' worrld is held at
+outrajeous prices. In th' letter I have from th' animal man, Casey, he
+wants two hundred dollars apiece for each dongola water goat, an' 'twill
+be no easy thing for him t' git thim.”
+
+“Hasn't he thim in his shop, Mike?” asked Casey.
+
+“He has not, Casey,” said the little alderman. “He has no place for
+thim. Cages he has, an' globes for goldfish, an' birrd cages, but th'
+size of th' shop l'aves no room for an aquarium, Casey. He has no tank
+for the preservation of water goats. Hippopotamuses an' alligators an'
+crocodiles an' dongola water goats an' sea lions he does not keep in
+stock, Casey, but sinds out an' catches thim whin ordered. He writes
+that his agints has their eyes on two fine dongolas, an' he has
+tiligraphed thim t' catch thim.”
+
+“Are they near by, Mike?” asked Casey, much interested.
+
+“Naw,” said Toole. “'Twill be some time till I git thim. Th' last he
+heard of thim they were swimmin' in th' Lake of Geneva.”
+
+“Is it far, th' lake?” asked Casey.
+
+“I disremimber how far,” said Toole. “'Tis in Africa or Asia, or mebby
+'tis in Constantinople. Wan of thim countries it is, annyhow.”
+
+But to his cousin Dennis he wrote:
+
+
+“Dear Dennis--I will take them two dongolas. Crate them good and solid.
+Do not send them till I tell you. Send the bill to me. Your affectionate
+cousin alderman Michael Toole. Ps Make bill for two hundred dollars a
+piece. Business is business. This is between us two. M. T.”
+
+
+A Keeper of the Water Goats had been selected with the utmost care,
+combining in the choice practical politics with a sense of fitness.
+Timothy Fagan was used to animals--for years he had driven a dumpcart.
+He was used to children--he had ten or eleven of his own. And he
+controlled several votes in the Fourth Ward. His elevation from the
+dump-cart of the street cleaning department to the high office of
+Keeper of the Water Goats was one that Dugan believed would give general
+satisfaction.
+
+When the goats arrived in Jeffersonville the two heavy crates were
+hauled to Alderman Toole's back yard to await the opening of the park,
+and there Mayor Dugan and Goat Keeper Fagan came to inspect them.
+Alderman Toole led the way to them with pride, and Mayor Dugan's creased
+brow almost uncreased as he bent down and peered between the bars of the
+crates. They were fine goats. Perhaps they looked somewhat more dejected
+than a goat usually looks--more dirty and down at the heels than a goat
+often looks--but they were undoubtedly goats. As specimens of ordinary
+Irish goats they might not have passed muster with a careful buyer, but
+no doubt they were excellent examples of the dongola.
+
+“Ye have done good, Mike,” said the mayor. “Ye have done good! But ain't
+they mebby a bit off their feed--or something?”
+
+“Off their feed!” said Toole. “An' who wouldn't be, poor things? Mind
+ye, Dugan, thim is not common goats--thim is dongolas--an' used to bein'
+in th' wather con-continuous from mornin' till night. 'Tis sufferin' for
+a swim they be, poor animals. Wance let thim git in th' lake an' ye will
+see th' difference, Dugan. 'Twill make all th' difference in th' worrld
+t' thim. 'Tis dyin' for a swim they are.”
+
+“Sure!” said the Keeper of the Water Goats. “Ye have done good, Mike,”
+ said the mayor again. “Thim dongolas will be a big surprise for th'
+people.”
+
+They were. They surprised the Keeper of the Goats first of all. The day
+before the park was to be opened to the public the goats were taken to
+the park and turned over to their official keeper. At eleven
+o'clock that morning Alderman Toole was leaning against Casey's bar,
+confidentially pouring into his ear the story of how the dongolas had
+given their captors a world of trouble, swimming violently to the far
+reaches of Lake Geneva and hiding among the bulrushes and reeds, when
+the swinging door of the saloon was banged open and Tim Fagan rushed in.
+He was mad. He was very mad, but he was a great deal wetter than mad. He
+looked as if he had been soaked in water over night, and not wrung out
+in the morning.
+
+“Mike!” he whispered hoarsely, grasping the little alderman by the arm.
+“I want ye! I want ye down at th' park.”
+
+A chill of fear passed over Alderman Toole. He turned his face to Fagan
+and laid his hand on his shoulder.
+
+“Tim,” he demanded, “has annything happened t' th' dongolas?”
+
+“Is annything happened t' th' dongolas!” exclaimed Fagan sarcastically.
+“Is annything wrong with thim water goats? Oh, no, Toole! Nawthin'
+has gone wrong with thim! Only they won't go into th' wather, Mike! Is
+annything gone wrong with thim, did ye say? Nawthin'! They be in good
+health, but they are not crazy t' be swimmin'. Th' way they do not
+hanker t' dash into th' water is marvellous, Mike. No water for thim!”
+
+“Hist!” said Toole uneasily, glancing around to see that no one but
+Casey was in hearing. “Mebby ye have not started thim right, Tim.”
+
+“Mebby not,” said Fagan angrily. “Mebby I do not know how t' start th'
+water goat, Toole! Mebby there is one way unbeknownst t' me. If so, I
+have not tried it. But th' forty-sivin other ways I have tried, an' th'
+goats will not swim. I have started thim backwards an' I have started
+thim frontwards, an' I have took thim in by th' horns an' give thim
+lessons t' swim, an' they will not swim! I have done me duty by thim,
+Mike, an' I have wrastled with thim, an' rolled in th' lake with thim.
+Was it t' be swimmin' teacher t' water goats ye got me this job for?”
+
+“Hist!” said Toole again. “Not so loud, Tim! Ye haven't told Dugan have
+ye?”
+
+“I have not!” said Tim, with anger. “I have not told annybody annything
+excipt thim goats an' what I told thim is not dacint hearin'. I have
+conversed with thim in strong language, an' it done no good. No swimmin'
+for thim! Come on down an' have a chat with thim yersilf, Toole. Come
+on down an' argue with thim, an persuade thim with th' soft sound of yer
+voice t' swim. Come on down an' git thim water goats used t' th' water.”
+
+“Ye don't understand th' water goat, Tim,” said Toole in gentle reproof.
+“I will show ye how t' handle him,” and he went out, followed by the wet
+Keeper of the Water Goats.
+
+The two water goats stood at the side of the lake, wet and mournful,
+tied to two strong stakes. They looked weary and meek, for they had had
+a hard morning, but as soon as they saw Tim Fagan they brightened up.
+They arose simultaneously on their hind legs and their eyes glittered
+with deadly hatred. They strained at their ropes, and then, suddenly,
+panic-stricken, they turned and ran, bringing up at the ends of their
+ropes with a shock that bent the stout stakes to which they were
+fastened. They stood still and cowered, trembling.
+
+“Lay hold!” commanded Toole. “Lay hold of a horn of th' brute till I
+show ye how t' make him swim.”
+
+Through the fresh gravel of the beach the four feet of the reluctant
+goat ploughed deep furrows. It shook its head from side to side, but
+Toole and Fagan held it fast, and into the water it went.
+
+“Now!” cried Alderman Toole. “Git behind an' push, Tim! Wan! Two! Three!
+Push!”
+
+Alderman Toole released his hold and Keeper of the Water Goats Fagan
+pushed. Then they tried the other goat. It was easier to try the other
+water goat than to waste time hunting up the one they had just tried,
+for it had gone away. As soon as Alderman Toole let it go, it went. It
+seemed to want to get to the other end of the park as soon as possible,
+but it did not take the short cut across the lake--it went around. But
+it did not mind travel--it went to the farthest part of the park, and it
+would have gone farther if it could. So Alderman Toole and Keeper Fagan
+tried the other water goat. That one went straight to the other end of
+the park. It swerved from a straight line but once, and that was when
+it shied at a pail of water that was in the way. It did not seem to like
+water.
+
+In the Franklin Zoo Dennis Toole had just removed the lid of his tin
+lunch-pail when the telegraph boy handed him the yellow envelope. He
+turned it over and over, studying its exterior, while the boy went to
+look at the shop-worn brown bear. The zoo keeper decided that there was
+no way to find out what was inside of the envelope but to open it. He
+was ready for the worst. He wondered, unthinkingly, which one of his
+forty or more cousins was dead, and opened the envelope.
+
+“Dennis Toole, Franklin Zoo,” he read, “Dongolas won't swim. How do you
+make them swim? Telegraph at once. Michael Toole.”
+
+He laid the telegram across his knees and looked at it as if it was some
+strange communication from another sphere. He pushed his hat to one side
+of his head and scratched the tuft of red hair thus bared.
+
+“'Dongolas won't swim!”' he repeated slowly. “An' how do I make thim
+swim? I wonder does Cousin Mike take th' goat t' be a fish, or what?
+I wonder does he take swimmin' to be wan of th' accomplishments of th'
+goat?” He shook his head in puzzlement, and frowned at the telegram.
+“Would he be havin' a goat regatta, I wonder, or was he expectin' th'
+goat t' be a web-footed animal? 'Won't swim!' he repeated angrily.
+'Won't swim!' An' what is it to me if they won't swim? Nayther would
+I swim if I was a goat. 'Tis none of me affair if they will not swim.
+There was nawthin' said about 'swimmin' goats.' Goats I can give him,
+an' dongola goats I can give him, an jumpin' goats, an' climbin' goats,
+an' walkin' goats, but 'tis not in me line t'furnish submarine goats.
+No, nor goats t' fly up in th' air! Would anny one,” he said with
+exasperation, “would anny one that got a plain order for goats ixpict t'
+have t' furnish goats that would hop up off th' earth an' make a balloon
+ascension? 'Tis no fault of Dennis Toole's thim goats won't swim. What
+will Mike be telegraphin' me nixt, I wonder? 'Dear Dennis: Th' goats
+won't lay eggs. How do ye make thim?' Bye, have ye a piece of paper t'
+write an answer t' me cousin Mike on?”
+
+The Keeper of the Water Goats and Alderman Toole were sitting on a
+rustic bench looking sadly at the water goats when the Jeffersonville
+telegraph messenger brought them Dennis Toole's answer. Alderman Toole
+grasped the envelope eagerly and tore it open, and Fagan leaned over his
+shoulder as he read it:
+
+
+“Michael Toole, Alderman, Jeffersonville,” they read. “Put them in the
+water and see if they will swim. Dennis Toole.”
+
+
+“Put thim in th' wather!” exclaimed Alderman Toole angrily. “Why don't
+ye put thim in th' wather, Fagan? Why did ye not think t' put thim
+in th' wather?” He looked down at his soaking clothes, and his anger
+increased. “Why have ye been tryin' t' make thim dongolas swim on land,
+Fagan?” he asked sarcastically. “Or have ye been throwin' thim up in th'
+air t' see thim swim? Why don't ye put thim in th' wather? Why don't
+ye follow th' instructions of th' expert dongola water goat man an' put
+thim in th' wather if ye want thim t' swim?”
+
+Fagan looked at the angry alderman. He looked at the dripping goats.
+
+“So I did, Mike,” he said seriously. “We both of us did.”
+
+“An' did we!” cried Alderman Toole in mock surprise. “Is it possible we
+thought t' put thim in th' wather whin we wanted thim t' swim? It was in
+me mind that we tied thim to a tree an' played ring-around-a-rosy
+with thim t' induce thim t' swim! Where's a pencil? Where's a piece of
+paper?” he cried.
+
+He jerked them from the hand of the messenger boy. The afternoon was
+half worn away. Every minute was precious. He wrote hastily and handed
+the message to the messenger boy.
+
+“Fagan,” he said, as the boy disappeared down the path at a run, “raise
+up yer spirits an come an' give th' water goats some more instructions
+in th' ginteel art of swimmin' in th' wather.”
+
+Fagan sighed and arose. He walked toward the dejected water goats, and,
+taking the nearest one by the horns yanked it toward the lake. The goat
+was too weak to do more than hold back feebly and bleat its disapproval
+of another bath. The more lessons in swimming it received the less it
+seemed to like to swim. It had developed a positive hatred of swimming.
+
+Dennis Toole received the second telegram with a savage grin. He had
+expected it. He opened it with malicious slowness.
+
+
+“Dennis Toole, Franklin Zoo,” he read. “Where do you think I put them to
+make them swim? They won't swim in the lake. It won't do no good to
+us for them to swim on dry land. No fooling, now, how do you make them
+dongolas swim? Answer quick.
+
+“Michael Toole.”
+
+
+He did not have to study out his reply, for he had been considering it
+ever since he had sent the other telegram. He took a blank from the
+boy and wrote the answer. The sun was setting when the Jeffersonville
+messenger delivered it to Alderman Toole.
+
+
+“Mike Toole, Jeffersonville,” it said. “Quit fooling, yourself. Don't
+you know young dongolas are always water-shy at first? Tie them in the
+lake and let them soak, and they will learn to swim fast enough. If I
+didn't know any more about dongolas than you do I would keep clear of
+them. Dennis Toole.”
+
+
+“Listen to that now,” said Alderman Toole, a smile spreading over his
+face. “An' who ever said I knew annything about water goats, anny how?
+Th' natural history of th' water goat is not wan of the things usually
+considered part of th' iducation of th' alderman from th' Fourth Ward,
+Fagan, but 'tis surprised I am that ye did not know th' goat is like th'
+soup bean, an' has t' be soaked before usin'. Th' Keeper of th' Water
+Goat should know th' habits of th' animal, Fagan. Why did ye not put
+thim in to soak in th' first place? I am surprised at ye!”
+
+“It escaped me mind,” said Fagan. “I was thinkin' these was broke t'
+swimmin' an' did not need t' be soaked. I wonder how long they should be
+soaked, Mike?”
+
+“'Twill do no harrm t' soak thim over night, anny how,” said Toole.
+“Over night is th' usual soak given t' th' soup-bean an' th' salt
+mackerel, t' say nawthin' of th' codfish an' others of th' water-goat
+family. Let th' water goats soak over night, Fagan, an by mornin' they
+will be ready t' swim like a trout. We will anchor thim in th' lake,
+Fagan--an' we will say nawthin' t' Dugan. 'Twould be a blow t' Dugan
+was he t' learn th' dongolas provided fer th' park was young an'
+wather-shy.”
+
+They anchored the water goats firmly in the lake, and left them there to
+overcome their shyness, which seemed, as Fagan and Toole left them, to
+be as great as ever. The goats gazed sadly, and bleated longingly, after
+the two men as they disappeared in the dusk, and when the men had passed
+entirely out of sight, the goats looked at each other and complained
+bitterly.
+
+Alderman Toole thoughtfully changed his wet clothes for dry ones before
+he went to Casey's that evening, for he thought Dugan might be there,
+and he was. He was there when Toole arrived, and his brow was black.
+He had had a bad day of it. Everything had gone wrong with him and his
+affairs. A large lump of his adherents had sloughed off from his party
+and had affiliated with his opponents, and the evening opposition paper
+had come out with a red-hot article condemning the administration for
+reckless extravagance. It had especially condemned Dugan for burdening
+the city with new bonds to create an unneeded park, and the whole thing
+had ended with a screech of ironic laughter over the--so the editor
+called it--fitting capstone of the whole business, the purchase of two
+dongola goats at perfectly extravagant prices.
+
+“Mike,” said the big mayor severely, when the little alderman had
+offered his greetings, “there is the divil an' all t' pay about thim
+dongolas. Th' News is full of thim. 'Twill be th' ind of us all if they
+do not pan out well. Have ye tried thim in th' water yet?”
+
+“Sure!” exclaimed the little alderman with a heartiness he did not feel.
+“What has me an' Fagan been doin' all day but tryin' thim? Have no fear
+of th' wather goats, Dugan.”
+
+“Do they swim well, Mike?” asked the big mayor kindly, but with a weary
+heaviness he did not try to conceal.
+
+“Swim!” exclaimed Toole. “Did ye say swim, Dugan? Swim is no name for
+th' way they rip thro' the wather! 'Twas marvellous t' see thim. Ah,
+thim dongolas is wonderful animals! Do ye think we could persuade thim
+t' come out whin we wanted t' come home? Not thim, Dugan! 'Twas all me
+an' Fagan could do t' pull thim out by main force, an' th' minute we let
+go of thim, back they wint into th' wather. 'Twas pitiful t' hear th'
+way they bleated t' be let back into th' wather agin, Dugan, so we let
+thim stay in for th' night.”
+
+“Ye did not let thim loose in th' lake, Mike?” exclaimed the big mayor.
+“Ye did not let thim be so they could git away?”
+
+“No,” said Toole. “No! They'll not git away, Dugan. We anchored thim
+fast.”
+
+“Ye done good, Mike,” said the big mayor.
+
+The next morning Keeper of the Water Goats Fagan was down sufficiently
+early to drag the bodies of the goats out of the lake long before even
+the first citizen was admitted to the park. Alone, and hastily he hid
+them in the little tool house, and locked the door on them. Then he went
+to find Alderman Toole. He found him in the mayor's office, and beckoned
+him to one side. In hot, quick accents he told him the untimely fate of
+the dongola water goats, and the mayor--with an eye for everything on
+that important day--saw the red face of Alderman Toole grow longer and
+redder; saw the look of pain and horror that overspread it. A chilling
+fear gripped his own heart.
+
+“Mike,” he said. “What's th' matter with th' dongolas?”
+
+It was Fagan who spoke, while the little alderman from the Fourth Ward
+stood bereft of speech in this awful moment.
+
+“Dugan,” he said, “I have not had much ixperience with th' dongola
+wather goat, an' th' ways an' habits of thim is strange t' me, but if I
+was t' say what I think, I would say they was over-soaked.”
+
+“Over-soaked, Fagan?” said the mayor crossly. “Talk sense, will ye?”
+
+“Sure!” said Fagan. “An' over-soaked is what I say. Thim water goats has
+all th' looks of bein' soaked too long. I would not say positive, Yer
+Honour, but that is th' looks of thim. If me own mother was t' ask me I
+would say th' same, Dugan. 'Soakin' too long done it,' is what I would
+say.”
+
+“You are a fool, Fagan!” exclaimed the big mayor.
+
+“Well,” said Fagan mildly, “I have not had much ixperience in soakin'
+dongolas, if ye mean that, Dugan. I do not set up t' be an expert
+dongola soaker. I do not know th' rules t' go by. Some may like thim
+soaked long an' some may like thim soaked not so long, but if I was to
+say, I would say thim two dongolas at th' park has been soaked a dang
+sight too long. Th' swim has been soaked clean out of thim.”
+
+“Are they sick?” asked the big mayor. “What is th' matter with thim?”
+
+“They do look sick,” agreed Fagan, breaking the bad news gently. “I
+should say they look mighty sick, Dugan. If they looked anny sicker, I
+would be afther lookin' for a place t' bury thim in. An' I am lookin'
+for th' place now.”
+
+As the truth dawned on the mind of the big mayor, he lost his firm look
+and sank into a chair. This was the last brick pulled from under his
+structure of hopes. His head sank upon his breast and for many minutes
+he was silent, while his aides stood abashed and ill at ease. At last
+he raised his head and stared at Toole, more in sorrow than in
+resentfulness.
+
+“Mike,” he said, “Mike Toole! What in th' worrld made ye soak thim
+dongolas?”
+
+“Dugan,” pleaded Toole, laying his hand on the big mayor's arm. “Dugan,
+old man, don't look at me that way. There was nawthin' else t' do but
+soak thim dongolas. Many's th' time I have seen me old father soakin'
+th' young dongolas t' limber thim up for swimmin'. 'If iver ye have to
+do with dongolas, Mike,' he used t' say t' me, 'soak thim well firrst.'
+So I soaked thim, an' 'tis none of me fault, nor Fagan's either, that
+they soaked full o' wather. First-class dongolas is wather-proof, as
+iveryone knows, Dugan, an' how was we t' know thim two was not? How
+was me an' Fagan t' know their skins would soak in wather like a pillow
+case? Small blame to us, Dugan.”
+
+The big mayor took his head between his hands and stared moodily at the
+floor.
+
+“Go awn away!” he said after a while. “Ye have done for me an' th' byes,
+Toole. Ye have soaked us out of office, wan an' all of us. I want t' be
+alone. It is all over with us. Go awn away.”
+
+Toole and the Keeper of the Water Goats stole silently from the room and
+out into the street. Fagan was the first to speak.
+
+“How was we t' know thim dongolas would soak in wather that way, Toole?”
+ he said defensively. “How was we t' know they was not th' wather-proof
+kind of dongolas?”
+
+The little alderman from the Fourth Ward walked silently by the Keeper's
+side. His head was downcast and his hands were clasped beneath the tails
+of his coat. Suddenly he looked Fagan full in the face.
+
+“'Twas our fault, Fagan,” he said. “'Twas all our fault. If we didn't
+know thim dongolas was wather-proof we should have varnished thim before
+we put thim in th' lake t' soak. I don't blame you, Fagan, for ye did
+not know anny better, but I blame mesilf. For I call t' mind now that
+me father always varnished th' dongolas before he soaked thim overnight.
+'Take no chances, Mike,' he used t' say t' me, 'always varnish thim
+firrst. Some of thim is rubbery an' will not soak up wather, but some is
+spongy, an' 'tis best t' varnish one an' all of thim.”'
+
+“Think of that now!” exclaimed Fagan with admiration. “Sure, but this
+natural history is a wonderful science, Toole! To think that thim
+animals was th' spongyhided dongola water goats of foreign lands, an'
+used t' bein' varnished before each an' every bath! An' t' me they
+looked no different from th' goats of me byehood! I was never cut out
+for a goat keeper, Mike. An' me job on th' dump-cart is gone, too.
+'Twill be hard times for Fagan.”
+
+“'Twill be hard times for Toole, too,” said the little alderman, and
+they walked on without speaking until Fagan reached his gate.
+
+“Well, anny how,” he said with cheerful philosophy, “'tis better t'
+be us than to be thim dongola water goats--dead or alive. 'Tis not
+too often I take a bath, Mike, but if I was wan of thim spongy-hided
+dongolas an' had t' be varnished each time I got in me bath tub, I would
+stop bathin' for good an' all.”
+
+He looked toward the house.
+
+“I'll not worry,” he said. “Maggie will be sad t' hear th' job is gone,
+but she would have took it harder t' know her Tim was wastin' his time
+varnishin' th' slab side of a spongy goat.”
+
+
+
+
+II. MR. BILLINGS'S POCKETS
+
+
+On the sixteenth of June Mr. Rollin Billings entered his home at
+Westcote very much later than usual, and stealing upstairs, like a thief
+in the night, he undressed and dropped into bed. In two minutes he was
+asleep, and it was no wonder, for by that time it was five minutes after
+three in the morning, and Mr. Billings's usual bedtime was ten o'clock.
+Even when he was delayed at his office he made it an invariable rule to
+catch the nine o'clock train home.
+
+When Mrs. Billings awoke the next--or, rather, that same--morning, she
+gazed a minute at the thin, innocent face of her husband, and was in
+the satisfied frame of mind that takes an unexpected train delay as
+a legitimate excuse, when she happened to cast her eyes upon Mr.
+Billings's coat, which was thrown carelessly over the foot of the bed.
+Protruding from one of the side pockets was a patent nursing-bottle,
+half full of milk. Instantly Mrs. Billings was out of bed and searching
+Mr. Billings's other pockets. To her horror her search was fruitful.
+
+In a vest pocket she found three false curls, or puffs of hair, such as
+ladies are wearing to-day to increase the abundance of their own, and
+these curls were of a rich brownish red. Finally, when she dived into
+his trousers pocket, she found twelve acorns carefully wrapped in a
+lady's handkerchief, with the initials “T. M. C.” embroidered in one
+corner.
+
+All these Mrs. Billings hid carefully in her upper bureau drawer and
+proceeded to dress. When at length she awakened Mr. Billings, he yawned,
+stretched, and then, realizing that getting-up time had arrived, hopped
+briskly out of bed.
+
+“You got in late last night,” said Mrs. Billings pleasantly.
+
+If she had expected Mr. Billings to cringe and cower she was mistaken.
+He continued to dress, quite in his usual manner, as if he had a clear
+conscience.
+
+“Indeed I did, Mary,” he said. “It was three when I entered the house,
+for the clock was just striking.”
+
+“Something must have delayed you,” suggested Mrs. Billings.
+
+“Otherwise, dear,” said Mr. Billings, “I should have been home much
+sooner.
+
+“Probably,” said Mrs. Billings, suddenly assuming her most sarcastic
+tone, as she reached into her bureau drawer and drew out the patent
+nursing-bottle, “this had something to do with your being delayed!”
+
+Mr. Billings looked at the nursing-bottle, and then he drew out his
+watch and looked at that.
+
+“My dear,” he said, “you are right. It did. But I now have just time
+to gulp down my coffee and catch my train. To-night, when I return from
+town, I will tell you the most remarkable story of that nursing-bottle,
+and how it happened to be in my pocket, and in the mean time I beg
+you--I most sincerely beg you--to feel no uneasiness.”
+
+With this he hurried out of the room, and a few moments later his wife
+saw him running for his train.
+
+All day Mrs. Billings was prey to the most disturbing thoughts, and
+as soon as dinner was finished that evening she led the way into the
+library.
+
+“Now, Rollin?” she said, and without hesitation Mr. Billings began.
+
+I. THE PATENT NURSING-BOTTLE
+
+
+You have (he said), I know, met Lemuel, the coloured elevator boy in our
+office building, and you know what a pleasant, accommodating lad he is.
+He is the sort of boy for whom one would gladly do a favour, for he is
+always so willing to do favours for others, but I was thinking nothing
+of this when I stepped from my office at exactly five o'clock yesterday
+evening. I was thinking of nothing but getting home to dinner as soon as
+possible, and was just stepping into the elevator when Lemuel laid his
+hand gently on my arm.
+
+“I beg yo' pahdon, Mistah Billings,” he said politely, “but would yo' do
+me a favour?”
+
+“Certainly, Lemuel,” I said; “how much can I lend you?”
+
+“'Tain't that, sah,” he said. “I wish t' have a word or two in private
+with yo'. Would yo' mind steppin' back into yo' office until I git these
+folks out of th' buildin', so's I can speak to yo'?”
+
+I knew I had still half an hour before my six-two train, and I was
+not unwilling to do Lemuel a favour, so I went back to my office as he
+desired, and waited there until he appeared, which was not until he had
+taken all the tenants down in his elevator. Then he opened the door and
+came in. With him was the young man I had often seen in the office next
+to mine, as I passed, and a young woman on whom I had never set my eyes
+before. No sooner had they opened the door than the young man began to
+speak, and Lemuel stood unobtrusively to one side.
+
+“Mr. Billings,” said the young man, “you may think it strange that I
+should come to you in this way when you and I are hardly acquaintances,
+but I have often observed you passing my door, and have noted your
+kind-looking face, and the moment I found this trouble upon me I
+instantly thought of you as the one man who would be likely to help me
+out of my difficulty.”
+
+While he said this I had time to study his face, and also to glance at
+the young woman, and I saw that he must, indeed, be in great trouble. I
+also saw that the young woman was pretty and modest and that she, also,
+was in great distress. I at once agreed to help him, provided I should
+not be made to miss the six-thirty train, for I saw I was already too
+late for the six-two.
+
+“Good!” he cried. “For several years Madge--who is this young lady--and
+I have been in love, and we wish to be married this evening, but her
+father and my father are waiting at the foot of the elevator at this
+minute, and they have been waiting there all day. There is no other way
+for us to leave the building, for the foot of the stairs is also the
+foot of the elevator, and, in fact, when I last peeped, Madge's father
+was sitting on the bottom step. It is now exactly fifteen minutes of
+six, and at six o'clock they mean to come up and tear Madge and me away,
+and have us married.”
+
+“To--” I began.
+
+“To each other,” said the young man with emotion.
+
+“But I thought that was what you wanted?” I exclaimed.
+
+“Not at all! Not at all!” said the young man, and the young woman added
+her voice in protest, too. “I am the head of the Statistical Department
+of the Society for the Obtaining of a Uniform National Divorce Law, and
+the work in that department has convinced me beyond a doubt that forced
+marriages always end unhappily. In eighty-seven thousand six hundred and
+four cases of forced marriages that I have tabulated I have found that
+eighty-seven thousand six hundred and three have been unhappy. In the
+face of such statistics Madge and I dare not allow ourselves to be
+married against our wills. We insist on marrying voluntarily.”
+
+“That could be easily arranged,” I ventured to say, “in view of the fact
+that both your fathers wish you to be married.”
+
+“Not at all,” said Madge, with more independence than I had thought her
+capable of; “because my father and Henry's father are gentlemen of
+the old school. I would not say anything against either father, for in
+ordinary affairs I they are two most suave and charming old gentlemen,
+but in this they hold to the old-school idea that children should allow
+their parents to select their life-partners, and they insist that Henry
+and I allow ourselves to be forced to marry each other. And that,
+in spite of the statistics Henry has shown them. Our whole happiness
+depends on our getting out of this building before they can come up and
+get us. That is why we appeal to you.”
+
+“If you still hesitate, after what Madge has said,” said Henry, pulling
+a large roll of paper out of his pocket, “here are the statistics.”
+
+“Very well,” I said, “I will help you, if I can do so and not miss the
+six-thirty train. What is your plan?”
+
+“It is very simple,” said Henry. “Our fathers are both quite
+near-sighted, and as six o'clock draws near they will naturally become
+greatly excited and nervous, and, therefore, less observant of small
+things. I have brought with me some burnt cork with which I will blacken
+my face, and I will change clothes with Lemuel, and, in the one moment
+necessary to escape, my father will not recognize me. Lemuel, on
+the other hand, will whiten his face with some powder that Madge has
+brought, and will wear my clothes, and in the excitement my father will
+seize him instead of me.”
+
+“Excellent,” I said, “but what part do I play in this?”
+
+“This part,” said Henry, “you will wear, over your street clothes, a
+gown that Madge has brought in her suit-case and a hat that she has also
+brought, both of which her father will easily recognize, while Madge
+will redden her face with rouge, muss her hair, don a torn, calico
+dress, and with a scrub-rag and a mop in her hands easily pass for a
+scrub-woman.
+
+“And then?” I asked.
+
+“Then you and Lemuel will steal cautiously down the stairs, as if you
+were Madge and I seeking to escape, while Madge and I, as Lemuel and the
+scrub-woman, will go down by the elevator. My father and Madge's father
+will seize you and Lemuel--”
+
+“And I shall appear like a fool when they discover I am a respectable
+business man rigged up in woman's clothes,” I said.
+
+“Not at all,” said Madge, “for Henry and I have thought of that. You
+must play your part until you see that henry and I have escaped from
+the elevator and have left the building, and that is all. I have had the
+forethought to prepare an alibi for you. As soon as you see that Henry
+and I are safe outside the building, you must become very indignant, and
+insist that you are a respectable married woman, and in proof you
+must hand my father the contents of this package. He will be convinced
+immediately and let you go, and then Lemuel can run you up to your
+office and you can take off my dress and hat and catch the six-thirty
+train without trouble.” She then handed me a small parcel, which I
+slipped into my coat pocket.
+
+When this had been agreed upon she and Henry left the office and I took
+the hat and dress from the suit-case and put them on, while Lemuel put
+on Henry's suit and whitened his face. This took but a few minutes, and
+we went into the hall and found Henry and Madge already waiting for us.
+Henry was blackened into a good likeness of Lemuel, and Madge was quite
+a mussy scrub-woman. They immediately entered the elevator and began to
+descend slowly, while Lemuel and I crept down the stairs.
+
+Lemuel and I kept as nearly as possible opposite the elevator, so that
+we might arrive at the foot of the stairs but a moment before Madge and
+Henry, and we could hear the two fathers shuffling on the street floor,
+when suddenly, as we reached the third floor, we heard a whisper from
+Henry in the elevator. The elevator had stuck fast between the third and
+fourth floors. As with one mind, Lemuel and I seated ourselves on a step
+and waited until Henry should get the elevator running again and could
+proceed to the street floor.
+
+For a while we could hear no noise but the grating of metal on metal as
+Henry worked with the starting lever of the elevator, and then we heard
+the two voices of the fathers.
+
+“It is a ruse,” said one father. “They are pretending the elevator is
+stuck, and when we grow impatient and start up the stairs they will come
+down with a rush and escape us.”
+
+“But we are not so silly as that,” said the other father. “We will stay
+right here and wait until they come down.”
+
+At that Lemuel and I settled ourselves more comfortably, for there was
+nothing else to do. I cursed inwardly as I felt the minutes slip by and
+knew that half-past six had come and gone, but I was sure you would not
+like to have me desert those two poor lovers who were fighting to ward
+off the statistics, so I sat still and silent. So did Lemuel.
+
+I do not know how long I sat there, for it was already dark in the
+narrow stairway, but it must have been a long time. I drowsed off, and
+I was finally awakened by Lemuel tugging at my sleeve, and I knew that
+Henry had managed to start the elevator again. Lemuel and I hastened our
+steps, and just as the elevator was coming into sight below the second
+floor we were seen by the two fathers. For an instant they hesitated,
+and then they seized us. At the same time the elevator door opened and
+Henry and Madge came out, and the two fathers hardly glanced at them as
+they went out of the door into the street.
+
+As soon as I saw that they were safe I feigned great indignation, and so
+did Lemuel.
+
+“Unhand me, sir!” I cried. “Who do you think I am? I am a respectable
+married lady, leaving the building with her husband. Unhand me!”
+
+Instead of doing so, however, the father that had me by the arm drew me
+nearer to the hall light. As he did so he stared closely at my face.
+
+“Morgan,” he said to the other father, “this is not my daughter. My
+daughter did not have a moustache.”
+
+“Indeed, I am not your daughter,” I said; “I am a respectable married
+lady, and here is the proof.”
+
+With that I reached for the package Madge had given me, but it was in my
+coat-pocket, underneath the dress I had on, and it was only with great
+difficulty and by raising one side of the skirt that I was able to get
+it. I unwrapped it and showed it to the father that had me by the arm.
+It was the patent nursing-bottle.
+
+When Mr. Billings had finished his relation his wife sat for a moment in
+silence. Then she said:
+
+“And he let you go?”
+
+“Yes, of course,” said Mr. Billings; “he could not hold me after such
+proof as that, and Lemuel ran me up to my office, where I changed my
+hat and took off the dress. I knew it was late, and I did not know
+what train I could catch, but I made haste, and, on the way down in the
+elevator, I felt in my pocket to see if I had my commutation ticket,
+when my hand struck the patent nursing-bottle. My first impulse was to
+drop it in the car, but on second thought I decided to keep it, for
+I knew that when you saw it and heard the story you would understand
+perfectly why I was detained last night.”
+
+“Yes?” said Mrs. Billings questioningly. “But, my dear, all that does
+not account for these.”
+
+As she said that she drew from her workbasket the three auburn-red
+curls.
+
+“Oh, those!” said Mr. Billings, after a momentary hesitation. “I was
+about to tell you about those.”
+
+“Do so!” said Mrs. Billings coldly. “I am listening.”
+
+II. THE THREE AUBURN-RED CURLS
+
+
+When I went down in the elevator (said Mr. Billings) with the
+nursing-bottle in my pocket, I had no thought but to get to the train
+as soon as possible, for I saw by the clock in my office that I had just
+time to catch the eleven-nine if I should not be delayed. Therefore, as
+soon as I was outside the building I started to run, but when I reached
+the corner and was just about to step on a passing street-car a hand was
+laid on my arm, and I turned to see who was seeking to detain me. It was
+a woman in the most pitiable rags, and on her arm she carried a baby so
+thin and pale that I could scarcely believe it lived.
+
+One glance at the child showed me that it was on the verge of death
+by starvation, and this was confirmed by the moans of the mother, who
+begged me for humanity's sake to give her money with which to provide
+food for the child, even though I let her, herself, starve. You know,
+my dear, you never allow me to give money to street beggars, and
+I remembered this, but at the same time I remembered the patent
+nursing-bottle I still carried in my pocket.
+
+Without hesitation I drew the patent nursing-bottle from my pocket and
+told the mother to allow the infant to have a sufficient quantity of
+milk it contained to sustain the child's life until she could procure
+other alms or other aid. With a cry of joy the mother took the
+nursing-bottle and pressed it to the poor baby's lips, and it was with
+great pleasure I saw the rosy colour return to the child's cheeks. The
+sadness of despair that had shadowed the mother's face also fled, and
+I could see that already she was looking on life with a more optimistic
+view.
+
+I verily believe the child could have absorbed the entire contents of
+the bottle, but I had impressed upon the mother that she was to give the
+child only sufficient to sustain life, not to suffice it until it was
+grown to manhood or womanhood, and when the bottle was half-emptied the
+mother returned it to me. How much time all this occupied I do not know,
+but the child took the milk with extreme slowness. I may say that it
+took the milk drop by drop. A great deal of time must have elapsed.
+
+But when the mother had returned the patent nursing-bottle to me and saw
+how impatient I was to be gone, she still retained her hold upon my arm.
+
+“Sir,” she said, “you have undoubtedly saved the life of my child, and
+I only regret that I cannot repay you for all it means to me. But I
+cannot. Stay!” she cried, when I was about to pull my arm away. “Has
+your wife auburn-red hair?”
+
+“No,” I said, “she has not, her hair is a most beautiful black.”
+
+“No matter,” said the poor woman, putting her hand to her head. “Some
+day she may wish to change the colour of her hair to auburn-red, which
+is easily done with a little bleach and a little dye, and should she do
+so these may come handy;” and with that she slipped something soft and
+fluffy into my hand and fled into the night. When I looked, I saw in my
+hand the very curls you hold there. My first impulse was to drop them in
+the street, but I remembered that the poor woman had not given them to
+me, but to you, and that it was my duty to bring them home to you, so I
+slipped them into my pocket.
+
+
+When Mr. Billings had ended this recital of what had happened to him his
+wife said:
+
+“Huh!”
+
+At the same time she tossed the curls into the grate, where they
+shrivelled up, burst into blue smoke, and shortly disappeared in ashes.
+
+“That is a very likely story,” she said, “but it does not explain how
+this came to be in your pocket.”
+
+
+Saying this she drew from her basket the handkerchief and handed it to
+Mr. Billings.
+
+“Hah!” he exclaimed. For a moment he turned the rolled-up handkerchief
+over and over, and then he cautiously opened it. At the sight of the
+twelve acorns he seemed somewhat surprised, and when the initials “T. M.
+C.” on the corner of the handkerchief caught his eye he blushed.
+
+“You are blushing--you are disturbed,” said Mrs. Billings severely.
+
+“I am,” said Mr. Billings, suddenly recovering himself; “and no wonder.”
+
+“And no wonder, indeed!” said Mrs Billings. “Perhaps, then, you can tell
+me how those acorns and that handkerchief came to be in your pocket.”
+
+“I can,” said Mr. Billings, “and I will.”
+
+“You had better,” said Mrs. Billings.
+
+III. THE TWELVE ACORNS AND THE LADY'S HANDKERCHIEF
+
+
+You may have noticed, my dear (said Mr. Billings), that the initials on
+that handkerchief are “T. M. C.,” and I wish you to keep that in mind,
+for it has a great deal to do with this story. Had they been anything
+else that handkerchief would not have found its way into my pocket; and
+when you see how those acorns and that handkerchief, and the half-filled
+nursing-bottle and the auburn-red curls all combined to keep me out of
+my home until the unearthly hour of three A. M., you will forget the
+unjust suspicions which I too sadly fear you now hold against me, and
+you will admit that a half-filled patent nursing-bottle, a trio of
+curls, a lady's handkerchief and twelve acorns were the most natural
+things in the world to find in my pockets.
+
+When I had left the poor woman with her no-longer-starving baby I
+hurriedly glanced into a store window, and by the clock there saw it
+was twenty minutes of one and that I had exactly time to catch the one
+o'clock train, which is the last train that runs to Westcote. I glanced
+up and down the street, but not a car was in sight, and I knew I could
+not afford to wait long if I wished to catch that train. There was but
+one thing to do, and that was to take a cab, and, as luck would have
+it, at that moment an automobile cab came rapidly around the corner. I
+raised my voice and my arm, and the driver saw or heard me, for he made
+a quick turn in the street and drew up at the curb beside me. I hastily
+gave him the directions, jumped in and slammed the door shut, and the
+auto-cab immediately started forward at what seemed to me unsafe speed.
+
+We had not gone far when something in the fore part of the automobile
+began to thump in a most alarming manner, and the driver slackened his
+speed, drew up to the curb and stopped. He opened the door and put his
+head in.
+
+“Something's gone wrong,” he said, “but don't you worry. I'll have it
+fixed in no time, and then I can put on more speed and I'll get you
+there in just the same time as if nothing had happened.”
+
+When he said this I was perfectly satisfied, for he was a nice-looking
+man, and I lay back, for I was quite tired out, it was so long past my
+usual bedtime; and the driver went to work, doing things I could not
+understand to the fore part of the automobile, where the machinery is.
+I remember thinking that the cushions of this automobile were unusually
+soft, and then I must have dozed off, and when I opened my eyes I did
+not know how much time had elapsed, but the driver was still at work
+and I could hear him swearing. He seemed to be having a great deal of
+trouble, so I got out of the automobile, intending to tell him that
+perhaps I had better try to get a car, after all. But his actions when
+he saw me were most unexpected. He waved the wrench he held in his hand,
+and ordered me to get back into the automobile, and I did. I supposed
+he was afraid he would lose his fare and tip, but in a few minutes he
+opened the door again and spoke to me.
+
+“Now, sport,” he said, “there ain't no use thinkin' about gettin' that
+train, because it's gone, and I may as well say now that you've got to
+come with me, unless you want me to smash your head in. The fact is,
+this ain't no public automobile, and I hadn't no right to take you for
+a passenger. This automobile belongs to a lady and I'm her hired
+chauffeur, and she's at a bridge-whist party in a house on Fifth Avenue,
+and I'm supposed to be waiting outside that house. One-fifteen o'clock
+was the time she said she would be out. But I thought maybe I might make
+a dollar or two for myself instead of waiting there all that time, and
+she would never know it. And now it is nearly two o'clock, and if I
+go back alone she will be raving mad, and I'll get my discharge and no
+references, and my poor wife and six children will have to starve. So
+you will have to go with me and explain how it was that I wasn't there
+at one-fifteen o'clock.”
+
+“My friend,” I said, “I am sorry for you, but I do not see how it would
+help you, should I refuse to go and you should, as you say, smash my
+head in.”
+
+“Don't you worry none about that,” he said. “If I smashed your head in,
+as I could do easy enough with this wrench, I'd take what was left of
+you up some dark street, and lay you on the pavement and run the machine
+across you once or twice, and then take you to a hospital, and that
+would be excuse enough. You'd be another 'Killed by an Automobile,' and
+I'd be the hero that picked you up and took you to the hospital.”
+
+“Well,” I said, “under the circumstances I shall go with you, not
+because you threaten me, but because your poor wife and six children are
+threatened with starvation.”
+
+“Good!” he said. “And now all you have to do is to think of what the
+excuse you will give my lady boss will be.”
+
+With that he lay back against the cushions and waited. He seemed to feel
+that the matter did not concern him any more, and that the rest of it
+lay with me.
+
+“Go ahead!” I said to him. “I have no idea what I shall tell your
+mistress, but since I have lost the last train I must try to catch the
+two o'clock trolley car to Westeote, and I do not wish to spend any more
+time than necessary on this business. Make all the haste possible, and
+as we go I shall think what I will say when we get there.”
+
+The driver got out and took his seat and started the car. I was worried,
+indeed, my dear. I tried to think of something plausible to tell the
+young man's employer; something that would have an air of self-proof,
+when suddenly I remembered the half-filled nursing-bottle and the three
+auburn-red curls. Why should I not tell the lady that a poor mother,
+while proceeding down Fifth Avenue from her scrub-woman job, had been
+taken suddenly ill, and that I, being near, had insisted that this
+automobile help me convey the woman to her home, which we found, alas!
+to be in the farthest districts of Brooklyn? Then I would produce the
+three auburn-red curls and the half-filled nursing-bottle as having been
+left in the automobile by the woman, and this proof would suffice.
+
+I had fully decided on this when the automobile stopped in front of a
+large house in Fifth Avenue, and I had time to tell the driver that
+I had thought of the proper thing to say, but that was all, for the
+waiting lady came down the steps in great anger, and was about to begin
+a good scolding, when she noticed me sitting in her automobile.
+
+If she had been angry before she was now furious, and she was the kind
+of young woman who can be extremely furious when she tries. I think
+nothing in the world could have calmed her had she not caught sight of
+my face by the light of two strong lamps on a passing automobile. She
+saw in my face what you see there now, my dear--the benevolent, fatherly
+face of a settled-down, trustworthy, married man of past middle age--and
+as if by magic her anger fled and she burst into tears.
+
+“Oh, sir!” she cried, “I do not know who you are, nor how you happen
+to be in my car, but at this moment I am homeless and friendless. I am
+alone in the world, and I need advice. Let me get into the car beside
+you--”
+
+“Miss,” I said, “I do not like to disoblige you, but I can never allow
+myself to be in an automobile at this time of night with a strange
+woman, unchaperoned.”
+
+These words seemed almost more than she could bear, and my heart was
+full of pity, but, just as I was about to spring from the automobile and
+rush away, I saw on the walk the poor woman to whose baby I had given
+the half of the contents of the patent nursing-bottle. I called her and
+made her get into the automobile, and then I let the young woman enter.
+
+“Now,” I said, “where to?”
+
+“That,” she said, “is what I do not know. When I left my home this
+evening I left it forever, and I left a note of farewell to my father,
+which he must have received and read by this time, and if I went back he
+would turn me from the door in anger, for he is a gentleman of the old
+school.”
+
+When I heard these words I was startled. “Can it be,” I asked, “that you
+have a brother henry?”
+
+“I have,” she admitted; “Henry Corwin is his name.” This was the name of
+the young man I had helped that very evening to marry Madge. I told her
+to proceed.
+
+“My father,” she said, “has been insisting that I marry a man I do not
+love, and things have come to such a point that I must either accede or
+take things into my own hands. I agreed to elope this evening with the
+man I love, for he had long wished me to elope with him. I was to meet
+him outside his house at exactly one-fifteen o'clock, and I told him
+that if I was not there promptly he might know I had changed my mind.
+When the time came for me to hasten to him in my automobile, which was
+then to hurry us to a waiting minister, my automobile was not here.
+Unfortunately I did not know my lover's address, for I had left it in
+the card pocket in this automobile. I knew not what to do. As the time
+passed and my automobile did not appear I knew that my lover had decided
+that I was not coming, and had gone away into his house. Now I cannot go
+home, for I have no home. I cannot so lower my pride as to ring the bell
+of his house and say I wish to be forgiven and married even yet. What
+shall I do?”
+
+For answer I felt in the card pocket of the automobile and drew out the
+address of her lover, and without hesitation I gave the address to the
+chauffeur. In a few minutes we were there. Leaving the young woman in
+the car with the poor woman, I got out and surveyed the house. It was
+unpromising. Evidently all the family but the young man were away for
+the summer, and the doors and windows were all boarded up. There was not
+a bell to ring. I pounded on the boards that covered the door, but it
+was unavailing. The young woman called to me that the young man lived
+in the front room of the topmost floor, and could not hear me, and I
+glanced up and saw that one window alone of all those in the house was
+not boarded up. Instantly I hopped upon the seat beside the driver and
+said, “Central Park.”
+
+We dashed up Fifth Avenue and into the Park at full speed, and when we
+were what I considered far enough in I ordered him to stop, and hurrying
+up a low bank I began to grope among the leaves of last year under
+the trees. I was right. In a few minutes I had filled my pockets with
+acorns, was back in the car, and we were hurrying toward the house
+of the lover, when I saw standing on a corner a figure I instantly
+recognized as Lemuel, the elevator boy, and at the same time I
+remembered that Lemuel spent his holidays pitching for a ball nine, He
+was just the man I needed, and I stopped and made him get into the car.
+In a minute more we were before the house again, and I handed Lemuel
+a fistful of acorns. He drew back and threw them with all his strength
+toward the upper window.
+
+My dear, will you believe it? Those acorns were wormy! They were light.
+They would not carry to the window, but scattered like bits of chips
+when they had travelled but half-way. I was upset, but Lemuel was not.
+He ordered the chauffeur to drive to lower Sixth Avenue with all speed,
+in order that he might get a baseball. With this he said he could
+hit any mark, and we had started in that direction when, passing a
+restaurant on Broadway, I saw emerge Henry and Madge.
+
+“Better far,” I said to myself, “put this young woman in charge of her
+brother and his new wife than leave her to elope alone,” and I made the
+chauffeur draw up beside them. Hastily I explained the situation, and
+where we were going at that moment, and Henry and Madge laughed in
+unison.
+
+“Madge,” said Henry, “we had no trouble making wormy acorns travel
+through the air, had we?” And both laughed again. At this I made them
+get into the automobile, and while we returned to the lover's house
+I made them explain. It was very simple, and I had just tied a dozen
+acorns tightly in my handkerchief, making a ball to throw at the window,
+when the poor woman with the baby noticed that the window was partly
+open. I asked Lemuel if he could throw straight enough to throw the
+handkerchief-ball into the window, and he said he could, and took
+the handkerchief, but a brighter idea came to me, and I turned to the
+eloping young lady.
+
+“Let me have your handkerchief, if it has your initials on it,” I said;
+“for when he sees that fall into his room he will know you are here. He
+will not think you are forward, coming to him alone, for he will know
+you could never have thrown the handkerchief, even if loaded with
+acorns, to such a height. It will be your message to him.”
+
+At this, which I do pride myself was a suggestion worthy of myself,
+all were delighted, and while I modestly tied twelve acorns in the
+handkerchief on which were the initials “T. M. C.,” all the others
+cheered. Even the woman from whom I had received the three auburn-red
+curls cheered, and the baby that was half-filled out of the patent
+nursing-bottle crowed with joy. But the chauffeur honked his honker.
+Lemuel took the handkerchief full of acorns in his hand and drew back
+his famous left arm, when suddenly Theodora Mitchell Corwin--for that
+was the eloping young lady's name--shrieked, and looking up we saw her
+lover at the window. He gave an answering yell and disappeared, and
+Lemuel let his left arm fall and handed me the handkerchief-ball.
+
+In the excitement I dropped it into my pocket, and it was not until I
+was on the car for Westcote that I discovered it, and then, not wishing
+to be any later in getting home, I did not go back to give it to
+Theodora Mitchell Corwin; in fact, I did not know where she had eloped
+to. Nor could I give it to Madge or Henry, for they had gone on their
+wedding journey as soon as they saw Theodora and her lover safely
+eloped.
+
+I had no right to give it to the poor woman with the baby, even if
+she had not immediately disappeared into her world of poverty, and it
+certainly did not belong to Lemuel, nor could I have given it to him,
+for he took the ten dollars the lover gave him and stayed out so late
+that he was late to work this morning and was discharged. He said he was
+going back to Texas. So I brought the handkerchief and the twelve acorns
+home, knowing you would be interested in hearing their story.
+
+When Mr. Billings had thus finished his relation of the happenings of
+his long evening, Mrs. Billings was thoughtful for a minute. Then she
+said:
+
+“But Rollin, when I spoke to you of the handkerchief and the twelve
+acorns you blushed, and said you had reason to blush. I see nothing in
+this kind action you did to cause a blush.”
+
+“I blushed,” said Mr. Billings, “to think of the lie I was going to tell
+Theodora Merrill Corwin--”
+
+“I thought you said her name was Theodora Mitchell Corwin,” said Mrs.
+Billings.
+
+“Mitchell or Merill,” said Mr. Billings. “I cannot remember exactly
+which.”
+
+For several minutes Mrs. Billings was silent. Occasionally she would
+open her mouth as if to ask a question, but each time she closed it
+again without speaking. Mr. Billings sat regarding his wife with what,
+in a man of less clear conscience, might be called anxiety. At length
+Mrs. Billings put her sewing into her sewing-basket and arose.
+
+“Rollin,” she said, “I have enjoyed hearing you tell your experiences
+greatly. I can say but one thing: Never in your life have you deceived
+me. And you have not deceived me now.”
+
+For half an hour after this Mr. Billings sat alone, thinking.
+
+
+
+
+III. OUR FIRST BURGLAR
+
+
+When our new suburban house was completed I took Sarah out to see it,
+and she liked it all but the stairs.
+
+“Edgar,” she said, when she had ascended to the second floor, “I don't
+know whether it is imagination or not, but it seems to me that these
+stairs are funny, some way. I can't understand it. They are not a long
+flight, and they are not unusually steep, but they seem to be unusually
+wearying. I never knew a short flight to tire me so, and I have climbed
+many flights in the six years we have lived in flats.”
+
+“Perhaps, Sarah,” I said, with mild dissimulation, “you are unusually
+tired to-day.”
+
+The fact was that I had planned those stairs myself, and for a
+particular reason I had made the rise of each step three inches more
+than the customary height, and in this way I had saved two steps. I had
+also made the tread of the steps unusually narrow; and the reason was
+that I had found, from long experience, that stair carpet wears first on
+the tread of the steps, where the foot falls. By making the steps tall
+enough to save two, and by making the tread narrow, I reduced the wear
+on the carpet to a minimum. I believe in economy where it is possible.
+For the same reason I had the stair banisters made wide, with a
+saddle-like top to the newel post, to tempt my son and daughter to slide
+downstairs. The less they used the stairs the longer the carpet would
+last.
+
+I need hardly say that Sarah has a fear of burglars; most women have. As
+for myself, I prefer not to meet a burglar. It is all very well to get
+up in the night and prowl about with a pistol in one hand, seeking to
+eliminate the life of a burglar, and some men may like it; but I am of
+a very excitable nature, and I am sure that if I did find a burglar and
+succeeded in shooting him, I should be in such an excited state that
+I could not sleep again that night--and no man can afford to lose his
+night's rest.
+
+There are other objections to shooting a burglar in the house, and these
+objections apply with double force when the house and its furnishings
+are entirely new. Although some of the rugs in our house were red, not
+all of them were; and I had no guarantee that if I shot a burglar
+he would lie down on a red rug to bleed to death. A burglar does not
+consider one's feelings, and would be quite as apt to bleed on a green
+rug, and spoil it, as not. Until burglarizing is properly regulated and
+burglars are educated, as they should be, in technical burglary schools,
+we cannot hope that a shot burglar will staunch his wound until he can
+find a red rug to lie down on.
+
+And there are still other objections to shooting a burglar. If all
+burglars were fat, one of these would be removed; but perhaps a thin
+burglar might get in front of my revolver, and in that case the bullet
+would be likely to go right through him and continue on its way, and
+perhaps break a mirror or a cut-glass dish. I am a thin man myself, and
+if a burglar shot at me he might damage things in the same way.
+
+I thought all these things over when we decided to build in the suburbs,
+for Sarah is very nervous about burglars, and makes me get up at the
+slightest noise and go poking about. Only the fact that no burglar had
+ever entered our flat at night had prevented what might have been a
+serious accident to a burglar, for I made it a rule, when Sarah wakened
+me on such occasions, to waste no time, but to go through the rooms as
+hastily as possible and get back to bed; and at the speed I travelled I
+might have bumped into a burglar in the dark and knocked him over, and
+his head might have struck some hard object, causing concussion of the
+brain; and as a burglar has a small brain a small amount of concussion
+might have ruined it entirely. But as I am a slight man it might have
+been my brain that got concussed. A father of a family has to think of
+these things.
+
+The nervousness of Sarah regarding burglars had led me in this way to
+study the subject carefully, and my adoption of jet-black pajamas as
+nightwear was not due to cowardice on my part. I properly reasoned that
+if a burglar tried to shoot me while I was rushing around the house
+after him in the darkness, a suit of black pajamas would somewhat spoil
+his aim, and, not being able to see me, he would not shoot at all.
+In this way I should save Sarah the nerve shock that would follow the
+explosion of a pistol in the house. For Sarah was very much more afraid
+of pistols than of burglars. I am sure there were only two reasons why
+I had never killed a burglar with a pistol: one was that no burglar had
+ever entered our flat, and the other was that I never had a pistol.
+
+But I knew that one is much less protected in a suburb than in town,
+and when I decided to build I studied the burglar protection matter most
+carefully. I said nothing to Sarah about it, for fear it would upset her
+nerves, but for months I considered every method that seemed to have
+any merit, and that would avoid getting a burglar's blood--or
+mine--spattered around on our new furnishings. I desired some method by
+which I could finish up a burglar properly without having to leave my
+bed, for although Sarah is brave enough in sending me out of bed to
+catch a burglar, I knew she must suffer severe nerve strain during the
+time I was wandering about in the dark. Her objection to explosives had
+also to be considered, and I really had to exercise my brain more than
+common before I hit upon what I may now consider the only perfect method
+of handling burglars.
+
+Several things coincided to suggest my method. One of these was Sarah's
+foolish notion that our silver must, every night, be brought from
+the dining-room and deposited under our bed. This I considered a most
+foolhardy tempting of fate. It coaxed any burglar who ordinarily would
+have quietly taken the silver from the dining-room and have then gone
+away peacefully, to enter our room. The knowledge that I lay in bed
+ready at any time to spring out upon him would make him prepare his
+revolver, and his nervousness might make him shoot me, which would quite
+upset Sarah's nerves. I told Sarah so, but she had a hereditary instinct
+for bringing the silver to the bedroom, and insisted. I saw that in
+the suburban house this, would be continued as “bringing the silver
+upstairs,” and a trial of my carpet-saving stairs suggested to me my
+burglar-defeating plan. I had the apparatus built into the house, and I
+had the house planned to agree with the apparatus.
+
+For several months after we moved into the house I had no burglars, but
+I felt no fear of them in any event. I was prepared for them.
+
+In order not to make Sarah nervous, I explained to her that my invention
+of a silver-elevator was merely a time-saving device. From the top of
+the dining-room sideboard I ran upright tracks through the ceiling to
+the back of the hall above, and in these I placed a glass case, which
+could be run up and down the tracks like a dumbwaiter. All our servant
+had to do when she had washed the silver was to put it in the glass
+case, and I had attached to the top of the case a stout steel cable
+which ran to the ceiling of the hall above, over a pulley, and so to our
+bedroom, which was at the front of the hall upstairs. By this means I
+could, when I was in bed, pull the cable, and the glass case of silver
+would rise to the second floor. Our bedroom door opened upon the hall,
+and from the bed I could see the glass case; but in order that I might
+be sure that the silver was there I put a small electric light in
+the case and kept it burning all night. Sarah was delighted with this
+arrangement, for in the morning all I had to do was to pay out the steel
+cable and the silver would descend to the dining-room, and the maid
+could have the table all set by the time breakfast was ready. Not once
+did Sarah have a suspicion that all this was not merely a household
+economy, but my burglar trap.
+
+On the sixth of August, at two o'clock in the morning, Sarah awakened
+me, and I immediately sat straight up in bed. There was an undoubtable
+noise of sawing, and I knew at once that a burglar was entering our
+home. Sarah was trembling, and I knew she was getting nervous, but I
+ordered her to remain calm.
+
+“Sarah,” I said, in a whisper, “be calm! There is not the least danger.
+I have been expecting this for some time, and I only hope the burglar
+has no dependent family or poor old mother to support. Whatever happens,
+be calm and keep perfectly quiet.”
+
+With that I released the steel cable from the head of my bed and let the
+glass case full of silver slide noiselessly to the sideboard.
+
+“Edgar!” whispered Sarah in agonized tones, “are you giving him our
+silver?”
+
+“Sarah!” I whispered sternly, “remember what I have just said. Be calm
+and keep perfectly quiet.” And I would say no more.
+
+In a very short time I heard the window below us open softly, and I
+knew the burglar was entering the parlour from the side porch. I counted
+twenty, which I had figured would be the time required for him to reach
+the dining-room, and then, when I was sure he must have seen the silver
+shining in the glass case, I slowly pulled on the steel cable and raised
+case and silver to the hall above. Sarah began to whisper to me, but I
+silenced her.
+
+What I had expected happened. The burglar, seeing the silver rise
+through the ceiling, left the dining-room and went into the hall. There,
+from the foot of the stairs, he could see the case glowing in the hall
+above, and without hesitation he mounted the stairs. As he reached the
+top I had a good view of him, for he was silhouetted against the light
+that glowed from the silver case. He was a most brutal looking fellow
+of the prize-fighting type, but I almost laughed aloud when I saw his
+build. He was short and chunky. As he stepped forward to grasp the
+silver case, I let the steel cable run through my fingers, and the case
+and its precious contents slid noiselessly down to the dining-room. For
+only one instant the burglar seemed disconcerted, then he turned and ran
+downstairs again.
+
+This time I did not wait so long to draw up the silver. I hardly gave
+him time to reach the dining-room door before I jerked the cable, and
+the case was glowing in the upper hall. The burglar immediately stopped,
+turned, and mounted the stairs, but just as he reached the top I let the
+silver slide down again, and he had to turn and descend. Hardly had he
+reached the bottom step before I had the silver once more in the upper
+hall.
+
+The burglar was a gritty fellow and was not to be so easily defeated.
+With some word which I could not catch, but which I have no doubt was
+profane, or at least vulgar, he dashed up the stairs, and just as his
+hand touched the case I let the silver drop to the dining-room. I smiled
+as I saw his next move. He carefully removed his coat and vest, rolled
+up his sleeves, and took off his collar. This evidently meant that he
+intended to get the silver if it took the whole night, and nothing could
+have pleased me more. I lay in my comfortable bed fairly shaking with
+suppressed laughter, and had to stuff a corner of a pillow in my mouth
+to smother the sound of my mirth. I did not allow the least pity for the
+unfortunate fellow to weaken my nerve.
+
+A low, long screech from the hall told me that I had a man of uncommon
+brain to contend with, for I knew the sound came from his hands drawing
+along the banister, and that to husband his strength and to save time,
+he was sliding down. But this did not disconcert me. It pleased me. The
+quicker he went down, the oftener he would have to walk up.
+
+For half an hour I played with him, giving him just time to get down
+to the foot of the stairs before I raised the silver, and just time
+to reach the top before I lowered it, and then I grew tired of the
+sport--for it was nothing else to me--and decided to finish him off. I
+was getting sleepy, but it was evident that the burglar was not, and
+I was a little afraid I might fall asleep and thus defeat myself. The
+burglar had that advantage because he was used to night work. So I
+quickened my movements a little. When the burglar slid down I gave
+him just time to see the silver rise through the ceiling, and when he
+climbed the stairs I only allowed him to see it descend through the
+floor. In this way I made him double his pace, and as I quickened my
+movements I soon had him dashing up the stairs and sliding down again
+as if for a wager. I did not give him a moment for rest, and he was soon
+panting terribly and beginning to stumble; but with almost superhuman
+nerve he kept up the chase. He was an unusually tough burglar.
+
+But quick as he was I was always quicker, and a glimpse of the glowing
+case was all I let him have at either end of his climb or slide. No
+sooner was he down than it was up, and no sooner was the case up than
+he was up after it. In this way I kept increasing his speed until it was
+something terrific, and the whole house shook, like an automobile with
+a very powerful motor. But still his speed increased. I saw then that
+I had brought him to the place I had prepared for, where he had but one
+object in life, and that was to beat the case up or down stairs; and as
+I was now so sleepy I could hardly keep my eyes open, I did what I had
+intended to do from the first. I lowered the case until it was exactly
+between the ceiling of the dining-room and the floor of the hall
+above--and turned out the electric light. I then tied the steel cable
+securely to the head of my bed, turned over, and went to sleep, lulled
+by the shaking of the house as the burglar dashed up and down the
+stairs.
+
+Just how long this continued I do not know, for my sleep was deep and
+dreamless, but I should judge that the burglar ran himself to death
+sometime between half-past three and a quarter after four. So great had
+been his efforts that when I went to remove him I did not recognize him
+at all. When I had seen him last in the glow of the glass silver case
+he had been a stout, chunky fellow, and now his remains were those of
+an emaciated man. He must have run off one hundred and twenty pounds of
+flesh before he gave out.
+
+Only one thing clouded my triumph. Our silver consisted of but half a
+dozen each of knives, forks, and spoons, a butter knife, and a sugar
+spoon, all plated, and worth probably five dollars, and to save this
+I had made the burglar wear to rags a Wilton stair carpet worth
+twenty-nine dollars. But I have now corrected this. I have bought fifty
+dollars worth of silver.
+
+
+
+
+
+End of the Project Gutenberg EBook of The Water Goats and Other Troubles, by
+Ellis Parker Butler
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE WATER GOATS AND OTHER TROUBLES ***
+
+***** This file should be named 1285-0.txt or 1285-0.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/1/2/8/1285/
+
+Produced by An Anonymous Volunteer
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase “Project
+Gutenberg”), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. “Project Gutenberg” is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation”
+ or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase “Project Gutenberg” appears, or with which the phrase “Project
+Gutenberg” is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase “Project Gutenberg” associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+“Plain Vanilla ASCII” or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original “Plain Vanilla ASCII” or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, “Information about donations to
+ the Project Gutenberg Literary Archive Foundation.”
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+“Defects,” such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
+of Replacement or Refund” described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.