summaryrefslogtreecommitdiff
path: root/old/13213.txt
diff options
context:
space:
mode:
Diffstat (limited to 'old/13213.txt')
-rw-r--r--old/13213.txt1418
1 files changed, 1418 insertions, 0 deletions
diff --git a/old/13213.txt b/old/13213.txt
new file mode 100644
index 0000000..6d32ac5
--- /dev/null
+++ b/old/13213.txt
@@ -0,0 +1,1418 @@
+The Project Gutenberg EBook of The Night Before Christmas and Other
+Popular Stories For Children, by Various
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Night Before Christmas and Other Popular Stories For Children
+
+Author: Various
+
+Release Date: August 18, 2004 [EBook #13213]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE NIGHT BEFORE CHRISTMAS ***
+
+
+
+
+Produced by Sandra Brown, the Online Distributed Proofreading Team,
+and The Internet Archive Children's Library
+
+
+
+
+
+
+
+
+[Transcriber's Note: The Table of Contents was added by the transcriber.]
+
+
+
+
+THE NIGHT BEFORE CHRISTMAS
+
+AND OTHER POPULAR STORIES FOR CHILDREN
+
+
+
+HANDSOMELY ILLUSTRATED
+
+COPYRIGHT. 1903, BY W. B. CONKEY COMPANY
+
+CHICAGO
+
+W. B. CONKEY COMPANY
+
+
+
+
+CONTENTS
+
+ THE NIGHT BEFORE CHRISTMAS.
+
+ THE NIGHT AFTER CHRISTMAS.
+
+ SANTA CLAUS DOES NOT FORGET.
+
+ THE FAIRY CHRISTMAS.
+
+ THE BALL GAME.
+
+ CHRISTMAS DAY.
+
+ THE DOLLS' CHRISTMAS PARTY.
+
+ GRANDMA'S CHRISTMAS GIFTS.
+
+ MAMA'S HAPPY CHRISTMAS.
+
+ THE CHRISTMAS CAROL OF THE BIRDS.
+
+ A TURKEY FOE ONE.
+
+ LITTLE CHRISTMAS CAROLLERS.
+
+ WHAT HAPPENED CHRISTMAS EVE.
+
+ SUSY'S CHRISTMAS PRESENT.
+
+ SANTA CLAUS'S LETTER.
+
+ A RAGGED CHRISTMAS FEAST.
+
+
+
+
+THE NIGHT BEFORE CHRISTMAS.
+
+
+ 'Twas the night before Christmas, and all through the house,
+ Not a creature was stirring, not even a mouse.
+ The stockings were hung by the chimney with care,
+ In the hope that St. Nicholas soon would be there.
+ The children were nestled all snug in their beds,
+ While visions of sugar-plums danced in their heads.
+ And mamma in her kerchief, and I in my cap,
+ Had just settled our brains for a long winter's nap;
+
+ When out on the lawn there arose such a clatter,
+ I sprang from the bed to see what was the matter.
+ Away to the window I flew like a flash,
+ Tore open the shutters and threw up the sash.
+ The moon on the breast of the new-fallen snow
+ Gave the lustre of midday to objects below--
+ When what to my wondering eyes should appear
+ But a miniature sleigh and eight tiny reindeer.
+
+ With a little old driver so lively and quick,
+ I knew in a moment it must be St. Nick.
+ More rapid than eagles his coursers they came,
+ And he whistled and shouted and called them by name--
+ "Now, Dasher! Now, Dancer! Now, Prancer! Now, Vixen!
+ On, Comet! On, Cupid! On, Dunder and Blixen!
+ To the top of the porch, to the top of the wall!
+ Now, dash away! Dash away! Dash away! All!"
+
+ As dry leaves before the wild hurricane fly,
+ When they meet with an obstacle, mount to the sky,
+ So up to the house-top the coursers they flew
+ With the sleigh full of toys, and St. Nicholas, too.
+ And then in a twinkling I heard on the roof
+ The prancing and pawing of each tiny hoof.
+ As I drew in my head, and was turning around,
+ Down the chimney St. Nicholas came with a bound.
+
+ He was dressed all in fur from his head to his foot,
+ And his clothes were all tarnished with ashes and soot;
+ A bundle of toys he had flung on his back,
+ And he looked like a pedlar just opening his pack.
+ His eyes--how they twinkled! His dimples, how merry!
+ His cheeks were like roses, his nose like a cherry;
+ His droll little mouth was drawn up in a bow,
+ And the beard on his chin was as white as the snow.
+
+ [Illustration: THE REINDEER AND THE SLEIGH]
+
+ The stump of a pipe he held tight in his teeth,
+ And the smoke, it encircled his head like a wreath.
+ He was chubby and plump, a right jolly old elf,
+ And I laughed when I saw him, in spite of myself.
+ A wink of his eye, and a twist of his head,
+ Soon gave me to know I had nothing to dread.
+
+ He spoke not a word, but went straight to his work,
+ And filled all the stockings--then turned with a jerk,
+ And laying his finger aside of his nose,
+ And giving a nod, up the chimney he rose.
+ He sprang to his sleigh, to his team gave a whistle,
+ And away they all flew, like the down of a thistle;
+ But I heard him exclaim ere he drove out of sight,
+ "Merry Christmas to all, and to all a good-night!"
+
+
+
+
+THE NIGHT AFTER CHRISTMAS.
+
+
+ 'Twas the night after Christmas, and all through the house
+ Not a creature was stirring--excepting a mouse.
+ The stockings were flung in haste over the chair,
+ For hopes of St. Nicholas were no longer there.
+ The children were restlessly tossing in bed,
+ For the pie and the candy were heavy as lead;
+ While mamma in her kerchief, and I in my gown,
+ Had just made up our minds that we would not lie down,
+ When out on the lawn there arose such a clatter,
+ I sprang from my chair to see what was the matter.
+ Away to the window I went with a dash,
+ Flung open the shutter, and threw up the sash.
+ The moon on the breast of the new-fallen snow,
+ Gave the lustre of noon-day to objects below.
+
+ When what to my long anxious eyes should appear
+ But a horse and a sleigh, both old-fashioned and queer;
+ With a little old driver, so solemn and slow,
+ I knew at a glance it must be Dr Brough.
+ I drew in my head, and was turning around,
+ When upstairs came the Doctor, with scarcely a sound,
+ He wore a thick overcoat, made long ago,
+ And the beard on his chin was white with the snow.
+ He spoke a few words, and went straight to his work;
+ He felt all the pulses,--then turned with a jerk,
+
+ And laying his finger aside of his nose,
+ With a nod of his head to the chimney he goes:--
+ "A spoonful of oil, ma'am, if you have it handy;
+ No nuts and no raisins, no pies and no candy.
+ These tender young stomachs cannot well digest
+ All the sweets that they get; toys and books are the best.
+ But I know my advice will not find many friends,
+ For the custom of Christmas the other way tends.
+ The fathers and mothers, and Santa Claus, too,
+ Are exceedingly blind. Well, a good-night to you!"
+ And I heard him exclaim, as he drove out of sight:
+ These feastings and candies make Doctors' bills right!"
+
+
+
+
+SANTA CLAUS DOES NOT FORGET.
+
+
+Bertie was a very good boy. He was kind, obedient, truthful, and
+unselfish. He had, however, one great fault,--he always forgot.
+
+No matter how important the errand, his answer always was, "I forgot."
+When he was sent with a note to the dress-maker his mother would find
+the note in his pocket at night. If he was sent to the store in a
+great hurry, to get something for tea, he would return late, without
+the article, but with his usual answer.
+
+His father and mother talked the matter over, and decided that
+something must be done to make the little boy remember.
+
+Christmas was near, and Bertie was busy making out a list of things
+which Santa Claus was to bring him.
+
+"Santa Claus may forget some of those things," said his mother.
+
+[Illustration: CHRISTMAS FROLICS]
+
+"He cannot," replied Bertie; "for I shall write sled, and skates, and
+drum, and violin, and all the things on this paper. Then when Santa
+Claus goes to my stocking he will find the list. He can see it and put
+the things in as fast as he reads."
+
+Christmas morning came, and Bertie was up at dawn to see what was in
+his stocking. His mother kept away from him as long as she could, for
+she knew what Santa Claus had done.
+
+Finally she heard him coming with slow steps to her room. Slowly he
+opened the door and came towards her. He held in his hand a list very
+much longer than the one he had made out. He put it in his mother's
+hand, while tears of disappointment fell from his eyes.
+
+"See what Santa Claus left for me; but I think he might have given me
+one thing besides."
+
+His mother opened the roll. It was a list of all the errands Bertie
+had been asked to do for six months. At the end of all was written, in
+staring capitals, "I FORGOT."
+
+Bertie wept for an hour. Then his mother told him they were all
+going to grandpa's. For the first time he would see a Christmas-tree.
+Perhaps something might be growing there for him.
+
+It was very strange to Bertie, but on grandpa's tree he found
+everything he had written on his list. Was he cured of his bad habit?
+Not all at once; but when his mother saw that he was particularly
+heedless she would say, "Remember, Santa Claus does not forget."
+
+M. A. HALEY
+
+
+
+
+THE FAIRY CHRISTMAS.
+
+
+It was Christmas Day, and Toddy and Tita were alone. Papa and mamma
+had gone out West to see their big boy who was ill. They had promised
+to be home for Christmas, but a big snow had blocked the railroad
+track, and nurse was afraid the train would be delayed until the day
+after Christmas. What a dull Christmas for two little girls, all alone
+in the great city house, with only the servants! They felt so lonely
+that nurse let them play in the big drawing-room instead of in the
+nursery, so they arranged all the chairs in a row, and pretended
+it was a snowed-up train. Tita was the conductor, and Toddy was the
+passengers. Just as they were in the midst of it, they heard music in
+the street, and, running to the window, they saw a little boy outside,
+singing and beating a tambourine.
+
+"Why," said Tita, "his feet are all bare!"
+
+"Dess he hanged up bofe stockin's an' his shoes, too," said Toddy.
+
+"Let's open the window and ask him."
+
+But the great window was too high to reach, so they took papa's cane
+and pushed it tip. The little boy smiled, but they could not hear what
+he said, so they told him to come in, and ran to open the big front
+door. He was a little frightened at first, but the carpet felt warm to
+his poor bare feet.
+
+He told them that his name was Guido, and that he had come from Italy,
+which is a much warmer country than ours, and that he was very poor,
+so poor that he had no shoes, and had to go singing from house to
+house for a few pennies to get some dinner. And he was _so_ hungry.
+
+"Poor little boy!" said Tita. "Our mamma is away, and we're having a
+pretty sad Christmas, but we'll try to make it nice for _you._"
+
+So they played games, and Guido sang to them. Then the folding doors
+rolled back, and there was the dining-room and the table all set, and
+Thomas, the black waiter, smiling, just as if it had been a big dinner
+party instead of two very little girls. Nurse said: "Well, I never!"
+when she saw Guido, but she felt so sorry for the lonely little girls
+that she let him come to the table. And _such_ a dinner as he ate! He
+had never had one like it before. "It is a fairy tale," he said.
+
+Just as dessert came on, the door opened and in rushed mamma and papa;
+the train had gotten in, after all. They were so glad to see their
+darlings happy instead of moping that they gave them each some extra
+kisses. You may be sure little Guido never went hungry and barefoot
+after that. Long afterward he would say: "That was a fairy Christmas!"
+
+That night, after Tita had said her prayers, she said:
+
+"Mamma, I know something. Whenever you feel sad and lonely, if you
+will just find somebody sadder and lonelier than yourself and cheer
+them up, it will make you all right."
+
+And I think that that was the very best kind of a Christmas lesson of
+love. Don't you?
+
+ETHELDRED B. BARRY.
+
+
+
+
+THE BALL GAME.
+
+ Did you ever know a boy
+ Make believe he had a toy?
+ That's the way
+ Babies play;
+ Babies who are young and small
+ Make believe they play at ball!
+
+
+
+
+CHRISTMAS DAY.
+
+
+"Boys," said Mrs. Howard one morning, looking up from a letter she was
+reading, "I have had a letter from your grandmamma. She writes that
+she is returning to England shortly."
+
+The boys went on with their breakfast without showing any great amount
+of interest in this piece of news, for they had never seen their
+grandmother, and therefore could not very well be expected to show any
+affection for her.
+
+Now Mrs. Howard, the mother of two of the boys and aunt to the third
+little fellow, was a widow and very poor, and often found it a hard
+task to provide for her "three boys," as she called them, for, having
+adopted her little orphan nephew, she always treated him as her own
+son. She had sometimes thought it strange that old Mrs. Howard should
+not have offered to provide for Leslie herself but she had never done
+so, and at last Mrs. Howard had ceased to expect it. But now, right at
+the end of her letter, Grandmamma Howard wrote:--
+
+"I have been thinking that perhaps it would come a little hard on you
+to support not only your own two boys, but poor Alice's son, and so,
+on my return to England, I propose, if you are willing, to adopt one
+of them, for I am a lonely old woman and shall be glad of a young face
+about me again."
+
+After thinking the matter over, Mrs. Howard decided she would say
+nothing about their grandmother's intention to the boys, as she
+thought that it was just possible she might change her mind again.
+
+Time passed on, and winter set in, and full of the delights of
+skating, the boys forgot all about the expected arrival of their
+grandmother.
+
+During the Christmas holidays the boys one morning started off to
+Broome Meadow for a good day's skating on the pond there. They carried
+their dinner with them, and were told to be sure and be home before
+dark.
+
+As they ran along the frosty road they came suddenly upon a poor old
+woman, so suddenly that Leslie ran right up against her before he
+could stop himself. The old woman grumbled about "lazy, selfish boys,
+only thinking of their own pleasure, and not caring what happened to a
+poor old woman!"
+
+But Leslie stopped at once and apologized, in his polite little way,
+for his carelessness.
+
+"I _am_ sorry," he said. "I hope I did not hurt you; and you have such
+heavy parcels to carry too. Won't you let me help you?"
+
+"Oh! come on, Leslie," said his cousins; "we shall never get to the
+pond at this rate!"
+
+"Yes, go on," said the old woman sharply; "your skating is of a great
+deal more importance than an old woman, eh?"
+
+But Leslie's only answer was to take the parcels and trudge merrily
+along beside his companion.
+
+On the way to her cottage the old woman asked him all sorts of
+questions about himself and his cousins, and then, having reached her
+cottage, dismissed him with scarcely a "thank you" for the trouble he
+had taken. But Leslie did not take it much to heart.
+
+He raced along, trying his hardest to overtake his cousins before they
+reached the pond, and was soon skimming about with the rest of them.
+
+Squire Leaholme, in whose grounds the boys were skating, afterwards
+came down to the pond to watch the fun, and, being a kind-hearted old
+gentleman, offered to give a prize of a new pair of skates to the boy
+who should win the greatest number of races.
+
+As it was getting late, it was arranged that the racing should come
+off on the following day, and the Squire invited all the boys who took
+part in it, to come up to his house to a substantial tea, after the
+fun was over.
+
+How delighted Leslie was, for he was a first-rate skater, and he _did_
+so want a new pair of skates!
+
+But the Squire's skates were not to be won by him, for on the
+following day as he and his cousins were on their way to the pond,
+they came across the queer old woman whom they had met on the previous
+day.
+
+She was sitting on the ground, and seemed to be in great pain. The
+boys stopped to ask what ailed her, and she told them that she had
+slipped and twisted her foot, and was afraid that her ankle was
+sprained, for she could not bear to put it to the ground.
+
+[Illustration: FROM THE CHRISTMAS TREE.]
+
+"You musn't sit here in the cold," said Leslie; "come, try and get up,
+and I will help you home."
+
+"Oh! Leslie," cried both his cousins, "don't go. You will be late for
+the races, and lose your chance of the prize."
+
+Poor Leslie! He turned first red, then white, and then said, in a
+husky tone of voice--
+
+"Never mind--you go on without me."
+
+"You're a good laddie," said the old woman. "Will you be _very_ sorry
+to miss the fun?"
+
+Leslie muttered something about not minding _much_, and then the brave
+little fellow set himself to help the poor old woman home, as gently
+and tenderly as he could.
+
+She would not let him come in with her, but told him to run off as
+quickly as he could, and perhaps after all, he would not be too late
+for the skating. But Leslie could not bear to leave her alone and in
+pain, so he decided to run home and fetch his Aunt.
+
+When Mrs. Howard arrived at the cottage, you can think how surprised
+she was to find that Leslie's "poor old woman" was none other than
+Grandmamma Howard herself, who wishing to find out the real characters
+of her grandsons, had chosen to come in this disguise to the little
+village where they lived.
+
+You will easily guess which of the three boys Grandmamma chose to be
+her little companion. And oh! what a lovely Grandmamma she was, as not
+only Leslie, but his cousins too, found out. She always seemed to know
+exactly what a boy wanted, and still better, to give it to him.
+
+Walter and Stanley often felt terribly ashamed of the selfish manner
+in which they had behaved, and wished they were more like Leslie.
+
+But Grandmamma told them that it was "never too late to mend," and
+they took her advice, and I am quite sure that at the present moment
+if they were to meet a poor old woman in distress by the roadside,
+they would not pass her by, as they once did Grandmamma Howard.
+
+ANNA MORRISON.
+
+
+
+
+THE DOLLS' CHRISTMAS PARTY.
+
+
+It was the week before Christmas, and the dolls In the toy-shop played
+together all night. The biggest one was from Paris.
+
+One night she said, "We ought to have a party before Santa Claus
+carries us away to the little girls. I can dance, and I will show you
+how."
+
+"I can dance myself if you will pull the string," said a "Jim Crow"
+doll.
+
+"What shall we have for supper?" piped a little boy-doll in a Jersey
+suit. He was always thinking about eating.
+
+"Oh, dear," cried the French lady, "I don't know what we shall do for
+supper!"
+
+"I can get the supper," added a big rag doll. The other dolls had
+never liked her very well, but they thanked her now. She had taken
+lessons at a cooking-school, and knew how to make cake and candy.
+She gave French names to everything she made, and this made it taste
+better. Old Mother Hubbard was there, and she said the rag doll did
+not know how to cook anything.
+
+They danced in one of the great shop-windows. They opened a toy piano,
+and a singing-doll played "Comin' through the Rye," The dolls did
+not find that a good tune to dance by; but the lady did not know any
+other, although she was the most costly doll in the shop. Then they
+wound up a music-box, and danced by that. This did very well for some
+tunes; but they had to walk around when it played "Hail Columbia," and
+wait for something else.
+
+The "Jim Crow" doll had to dance by himself, for he could do nothing
+but a "break-down." He would not dance at all unless some one pulled
+his string. A toy monkey did this; but he would not stop when the
+dancer was tired.
+
+They had supper on one of the counters. The rag doll placed some boxes
+for tables. The supper was of candy, for there was nothing in the shop
+to eat but sugar hearts and eggs. The dolls like candy better than
+anything else, and the supper was splendid. Patsy McQuirk said he
+could not eat candy. He wanted to know what kind of a supper it
+was without any potatoes. He got very angry, put his hands into his
+pockets, and smoked his pipe. It was very uncivil for him to do so in
+company. The smoke made the little ladies sick, and they all tried to
+climb into a "horn of plenty" to get out of the way.
+
+Mother Hubbard and the two black waiters tried to sing "I love Little
+Pussy;" but the tall one in a brigand hat opened his mouth wide,
+that the small dollies were afraid they might fall into it. The clown
+raised both arms in wonder, and Jack in the Box sprang up as high as
+me could to look down into the fellow's throat.
+
+All the baby-dolls in caps and long dresses had been put to bed. They
+woke up when the others were at supper, and began to cry. The big doll
+brought them some candy, and that kept them quiet for some time.
+
+The next morning a little girl found the toy piano open. She was sure
+the dolls had been playing on it. The grown-up people thought it had
+been left open the night before; but they do not understand dolls as
+well as little people do.
+
+VIOLA ROSEBOROUGH
+
+
+
+
+GRANDMA'S CHRISTMAS GIFTS.
+
+
+Grandma Burns sat knitting busily in the sun one bright morning the
+week before Christmas. The snow lay deep, and the hard crust glistened
+like silver. All at once she heard little sighs of grief outside her
+door. When she opened it there sat Peter and Jimmy Rice, two very poor
+little boys, with their faces in their hands; and they were crying.
+
+"My patience!" cried grandma. "What can be the matter with two bright
+little boys this sunny morning?"
+
+"We don't have no good times," sighed little Peter.
+
+"We can't slide. We haven't any sleds," whimpered Jimmy.
+
+"Why, of course boys can't have a good time without sleds," said
+grandma, cheerily. "Let us look about and see if we can't find
+something." And grandma's cap-border bobbed behind barrels and boxes
+in the shed and all among the cobwebs in the garret; but nothing could
+be found suitable.
+
+"Hum! I do believe this would do for little Pete;" and the dear old
+lady drew a large, pressed-tin pan off the top shelf in the pantry.
+A long, smooth butter-tray was found for Jimmy. Grandma shook her
+cap-border with laughter to see them skim over the hard crust in their
+queer sleds. And the boys shouted and swung their hands as they flew
+past the window.
+
+"I do expect they'll wear 'em about through," murmured grandma; "but
+boys must slide,--that's certain."
+
+And the pan was scoured as bright as a new silver dollar and the red
+paint was all gone off the wooden tray when Peter and Jimmy brought
+their sleds back.
+
+Grandma knitted faster than ever all that day, and her face was bright
+with smiles. She was planning something. She went to see Job Easter
+that night. He promised to make two small sleds for the pair of socks
+she was knitting.
+
+When the sleds were finished she dyed them red and drew a yellow
+horse upon each one. Grandma called them horses, but no one would have
+suspected it. Then the night before Christmas she drew on her great
+socks over her shoes to keep her from slipping, put on her hood and
+cloak, and dragged the little sleds over to Peter and Timmy's house.
+
+She hitched them to the door-latch, and went home laughing all the
+way.
+
+
+
+
+MAMA'S HAPPY CHRISTMAS.
+
+
+It had seemed to the little Wendell children that they would have
+a very sad Christmas. Mama had been very ill, and papa had been so
+anxious about mama that he could not think of anything else.
+
+When Christmas Day came, however, mama was so much better that she
+could lie on the lounge. The children all brought their stockings into
+her room to open them.
+
+"You children all seem as happy as if you had had your usual Christmas
+tree," said mama, as they sat around her.
+
+"Why, I _never_ had such a happy Christmas before," said sweet little
+Agnes. "And it's just because you are well again."
+
+"Now I think you must all run out for the rest of the day," said the
+nurse, "because your mama wants to see you all again this evening."
+
+"I wish we could get up something expressly for mama's amusement,"
+said Agnes, when they had gone into the nursery.
+
+"How would you like to have some tableaux in here?" asked their French
+governess, Miss Marcelle.
+
+"Oh, yes," they all cried, "it would be fun, mama loves tableaux."
+
+So all day long they were busy arranging five tableaux for the
+evening. The tableaux were to be in the room which had folding-doors
+opening into Mrs. Wendell's sitting-room.
+
+[Illustration: MAMA'S HAPPY CHRISTMAS]
+
+At the proper time Miss Marcelle stepped outside the folding-doors
+and made a pretty little speech. She said that some young ladies and
+a young gentleman had asked permission to show some tableaux to Mrs.
+Wendell if she would like to see them. Mrs. Wendell replied that she
+would be charmed.
+
+Then mademoiselle announced the tableaux; opening the doors wide for
+each one. This is a list of the tableaux: First, The Sleeping Beauty;
+second, Little Red Riding Hood; third, The Fairy Queen; fourth, Old
+Mother Hubbard; fifth, The Lord High Admiral.
+
+Miss Marcelle had arranged everything so nicely, and Celeste, the
+French maid, helped so much with the dressing, that the pictures all
+went off without a single mistake.
+
+[Illustration: LITTLE RED RIDING HOOD]
+
+[Illustration: THE LORD HIGH ADMIRAL]
+
+Mama was delighted. She said she must kiss those dear young ladies,
+and that delightful young man who had given her such a charming
+surprise.
+
+So all the children came in rosy and smiling.
+
+"Why, didn't you know us?" asked the little Lord Admiral.
+
+"I know this," said mama, "I am like Agnes; I _never_ had such a happy
+Christmas before."
+
+MIRIAM T. BARNARD.
+
+
+
+
+THE CHRISTMAS CAROL OF THE BIRDS.
+
+
+Do you know, when we are having such good times at Christmas, what
+sweet music they have in Norway, that cold country across the sea? One
+day in the year the simple peasants who live there make the birds very
+happy, so that they sing, of their own free-will, a glad, joyous carol
+on Christmas morning.
+
+And this is why they sing on that morning more than on any
+other. After the birds have found shelter from the north wind on
+Christmas-eve, and the night is still and bright with stars, or even
+if the storm be ever so severe, the good people bring out sheaves of
+corn and wheat from their storehouses. Tying them on slender poles,
+they raise them from every spire, barn, gatepost, and gable; then,
+when the Christmas sun rises over the hills, every spire and gable
+bursts forth into joyous song.
+
+You can well believe that these songs of the birds make the people
+of Norway very happy. They echo, with all their hearts, their living,
+grateful anthem, "Glory to God in the highest, on earth peace,
+good-will to men!"
+
+MRS. G. HALL.
+
+
+
+
+A TURKEY FOR ONE.
+
+
+Lura's Uncle Roy is in Japan. He used to take Christmas dinner at
+Lura's home. Now he could only write her papa to say a box of gifts
+had been sent, and one was for his little girl.
+
+The little girl clapped her hands, crying, "Oh, mamma! don't you think
+it is the chain and locket dear uncle said he would sometime give me?"
+
+"No," replied her papa, reading on. "Your uncle says it is a turkey
+for one."
+
+"But we do not need turkeys from Japan," remarked the little daughter,
+soberly.
+
+Her papa smiled, and handed the open letter to her mamma.
+
+"Read it aloud, every bit," begged Lura, seeing her mamma was smiling,
+too.
+
+But her mamma folded the letter and said nothing.
+
+On Christmas eve the box, which had just arrived, was opened, and
+every one in the house was made glad with a present. Lura's was a
+papier-mache turkey, nearly as large as the one brought home at the
+same time by the market-boy.
+
+Next morning, while the fowl in the kitchen was being roasted, Lura
+placed hers before a window and watched people admire it as they
+passed. All its imitation feathers, and even more its red wattles,
+seemed to wish every man and woman, boy and girl, a Merry Christmas.
+
+Lura had not spoken of the jewelry since her uncle's letter was read.
+It is not nice for one who receives a gift to wish it was different.
+Lura was not that kind of a child.
+
+When dinner was nearly over, her papa said to her, "My dear, you have
+had as much of my turkey as you wanted; if you please, I will now try
+some of yours."
+
+"Mine is what Uncle Roy calls a turkey for one," laughed Lura. She
+turned in her chair towards where her bird had been strutting on the
+window-sill, and added, in surprise, "Why, what has become of him?"
+
+At that moment the servant brought in a huge platter. When room had
+been made for it on the table it was set down in front of Lura's papa,
+and on the dish was her turkey.
+
+"Oh, what fun!" gayly exclaimed the child. "Did uncle tell you to
+pretend to serve it?"
+
+"I have not finished what he directs me to do," her papa said, with a
+flourish of the carving-knife.
+
+"But, papa--oh, please!" Her hand was on his arm. "You would not spoil
+my beautiful bird from Japan!
+
+A hidden spring was touched with the point of the knife. The breast
+opened, and disclosed the fowl filled with choice toys and other
+things. The first taken out was a tiny box; inside was a gold chain
+and locket; the locket held Uncle Roy's picture.
+
+It was a turkey for one,--for only Uncle Roy's niece. But all the
+family shared the amusement.
+
+LAVINIA S. GOODWIN.
+
+
+
+
+LITTLE CHRISTMAS CAROLLERS.
+
+
+ We are a band of carollers,
+ We march through frost and snow,
+ But care not for the weather
+ As on our way we go.
+
+ At every hall or cottage
+ That stands upon our way,
+ We stop to give the people
+ Best wishes for the day.
+
+ We pray a merry Christmas,
+ Made bright by Christmas cheer,
+ With peace, and hope, and gladness
+ And all they may hold dear.
+
+ And for all those that happen
+ To pass us on our way
+ We have a smile, and wish them
+ A merry Christmas-day.
+
+L.A. FRANCE
+
+
+
+
+[Illustration: CHRISTMAS CAROLLERS]
+
+
+WHAT HAPPENED CHRISTMAS EVE.
+
+
+It was Christmas Eve and the frost fairies were busy getting ready
+for Christmas Day. First of all they spread the loveliest white snow
+carpet over the rough, bare ground; then they hung the bushes and
+trees with icicles that flashed like diamonds in the moonlight. Later
+on, they planned to draw beautiful frost pictures on the window panes,
+to surprise the little children in the morning.
+
+The stars shone brightly and the moon sent floods of light in every
+nook and corner. How could any one think of sleeping when there was
+such a glory outside!
+
+Jessie and Fred had gone to bed very early so they might be the first
+to shout "Merry Christmas!" but their eyes would not stay shut.
+
+"Oh dear! it must be 'most morning," said Fred; "let us creep softly
+down stairs and maybe we'll catch Santa Claus before he rides off."
+
+Hand in hand they tiptoed to the dining-room and peeped out the big
+window;--surely, surely, that was something climbing up the roof of
+cousin Nellie's house; it must be old Santa. Fred gave a chuckle of
+delight; to be sure the reindeer were very queer looking objects, and
+the sleigh such a funny shape, but the children were satisfied.
+
+The old fir tree, whose high branches almost touched the roof,
+knew all about those shadows, but it was so old no one could ever
+understand a word of the many tales it told.
+
+"There's something scratching on the door," whispered Jessie; but
+it was only a mouse, who had sniffed the delightful odors of the
+Christmas goodies and was trying his best to find a way into the
+pantry and test them with his sharp teeth.
+
+"Come," said Jessie, "we'll turn to icicles if we stay here much,
+longer"; so up-stairs they quickly scampered.
+
+Papa had been to town on an errand, so it was quite late when he came
+home. As he was hunting in his pockets for his key, he heard a pitiful
+cry, and looking down he saw a big, white cat carrying a tiny kitten
+in her mouth.
+
+"Poor thing," said papa, "you shall come inside till morning."
+
+Santa Claus had been there with the nicest wagon for Fred and a warm,
+seal-skin cap that lay right in the middle of it. When papa left the
+room, puss and her kitty were curled up comfortably on the rug singing
+their sleepy song.
+
+The sun was shining brightly in the dining-room window when Jessie and
+Fred made their appearance; then Fred just laughed with delight, for
+right in the crown of his new cap lay the cutest white kitten, with
+big, blue eyes and wee pink nose, while standins close by as if to
+guard her darling from danger, was good old mother puss.
+
+"I never had a live Christmas present before," said Fred, "now I know
+Santa Claus read the letter I threw up the chimney because I told him
+to bring me a kitten and here it is."
+
+Papa smiled and looked at mamma, and then everybody said "Merry
+Christmas" at once.
+
+OLIVER HERFOLD.
+
+
+
+
+SUSY'S CHRISTMAS PRESENT.
+
+
+"Tell us a story, nursie; please do", begged two little golden-haired
+girls, as they snuggled on the soft rug before the fire. "Did you ever
+have just what you wished for at Christmas, when you were a little
+girl?"
+
+"Yes, I did once. I was the oldest, and had two brothers and three
+little sisters. We did not have a beautiful home like this. We lived
+in a little cottage. It was pretty, though, in the summer time, when
+the roses and pinks were in bloom. My father was dead, and mother
+worked for the rich people around the village. There was plenty to do
+about holiday times.
+
+"It was the day before Christmas. Mother was at the house of a
+very rich and kind lady. She was going to have a grand party in the
+evening.
+
+"Mother told me, when she went away, to mind the children, and perhaps
+I might have a nice Christmas present. I knew we should have plenty of
+candy and cake, and other nice things, from Mrs. Reid's. We often had
+pretty clothes, too, that Mamie and Robbie Reid had outgrown.
+
+"I had been wishing for a muff; but I knew Mother could not afford to
+buy me one. It was hard enough even to get shoes for us all. I thought
+I should have to be satisfied with mittens.
+
+"It was quite dark, and we all sat around the fire. I had rocked Tilly
+to sleep and put her to bed. Willie and Joe were playing cat's-cradle.
+The rest of us were making believe we were rich and could have all we
+wanted for Christmas.
+
+"All at once there was a heavy step on the porch, and a knock at the
+door. I opened it, with Margie and Amy clinging to my dress. A boy
+shoved a big box into the room and shouted, 'A merry Christmas to
+you!' He then ran out at the gate.
+
+"The box had all our names on the cover, and the children were wild to
+see what was inside.
+
+"'Wait till mother comes,' I said; and pretty soon we heard her at
+the gate, She seemed surprised, and said Santa Claus had remembered us
+early.
+
+"Mother advised us to go to bed and wait until morning to see our
+presents. It was pretty hard; but we had some oranges and candy, and I
+put the boys to bed. Margie and I wondered and guessed what was in the
+box; but at last we fell asleep.
+
+"You may be sure we were up early in the morning. There were dolls and
+toys for the little ones, with hoods and mittens, and for me a lovely
+squirrel muff, lined with blue, with a soft little boa for my neck. I
+was a happy girl that Christmas, I can tell you.
+
+"And now, my dears, you must go to bed, or Santa Claus will not be
+able to find your stockings."
+
+"Oh! I hope I shall have what I want to-morrow!" said Gracie.
+
+"And I, too," echoed Helen. "And your story was very nice, nursie."
+
+"Good-night, and call us early in the morning."
+
+
+
+
+SANTA CLAUS'S LETTER.
+
+
+Christmas was coming. Jamie and Ted had already begun to write long
+letters to Santa Claus. But one thing was rather queer: both boys
+asked him for the same things.
+
+Each little letter ended with,--"Just like Brother's."
+
+They agreed to ask for only one sled. They would rather ride together.
+Now was not this very sweet and loving?
+
+One night, after they had gone to bed, Jamie said, "Ted, if Santa
+Claus brings us skates, Jim can teach us how to use them."
+
+"Oh, yes; and if we get fur mittens it will be such fun to make a
+fort."
+
+"And a snow-man," Jamie answered.
+
+Ted went oh: "I'll always ride the sled down a hill, and you can ride
+it up."
+
+"I guess you won't," Jamie said, speaking loudly.
+
+"Why not?" Ted asked.
+
+"Because it'll be as much my sled as yours."
+
+"Yes, of course," Ted replied; "but I chose it first."
+
+"You are a selfish boy!" said Jamie.
+
+"Well, then, so are you!"
+
+"I don't care. I won't sleep with you. I'll ask mamma if I can't have
+the first pick; I'm the biggest," roared Jamie, bounding out of bed.
+
+"You're a big, cross cry baby," Ted shouted, jumping out after his
+brother.
+
+Away ran Jamie to mamma, with Ted at his heels. Both were angry. Both
+talked at once.
+
+Mamma was grieved. Her dear little boys had never been so unkind to
+each other before. She kissed their hot faces and stroked their pretty
+hair. She told them how their naughty words hurt her. She showed them
+how displeased God was to see two little brothers quarrel.
+
+That night they went to sleep in each other's arms, full of love and
+forgiveness.
+
+Christmas morning came at last. Very early the boys crept out of bed,
+just to "feel" their stockings.
+
+Papa heard them, and, remembering that he was once a boy lighted the
+gas.
+
+Each little red stocking was full from toe to top. Boxes and paper
+parcels were piled around them. Such shouting! Such a good time! It
+seemed as if all their letters had been answered.
+
+Suddenly Jamie cried, "O Ted, here's a letter!"
+
+They put their little heads together, and with papa's help spelled
+this out:--
+
+ "My dear Boys,--No sled this year. It quarrelled so I was
+ afraid to bring it. I dropped it off the load about a week
+ ago. Get ready for it next year. Merry Christmas! SANTA
+ CLAUS."
+
+
+
+
+A RAGGED CHRISTMAS FEAST.
+
+
+On Christmas day there is a great feast in Dublin. This, you know, is
+the chief city of Ireland. The feast is made for the children. There
+are in that city a great many little ones who are very very poor.
+There are kind people there, also, who look after these poor children.
+They have what they call "ragged schools," where many of them are
+taught to read, and to sew, and other useful things.
+
+Dr. Nelaton is a famous minister in Dublin, and every year he, with
+other good people, gets up this great feast for the children.
+About eight hundred of them came last year. Some of these were only
+half-clad, and all were very ragged. They were seated at long, narrow
+tables, which were covered with a white cloth, The children from the
+ragged schools wore aprons in bright colors, to hide their rags. Each
+school had a color of its own. These aprons were only lent them for
+the day, and the children felt very fine in them. But there were two
+long rows without any aprons. These were little ones who had been
+picked up along the streets. Each ragged scholar had permission to
+bring all the children he could find. And, oh, how ragged and dirty
+these two rows were!
+
+But they brightened up, just like the children with aprons, when they
+saw the feast. A huge mug of steaming tea and an immense bun to each
+child! Rarely did they have such a treat as this. And how they did
+eat! Each child had all he wanted. It would have done you good to see
+their poor, pinched faces beam with delight. During the meal a large
+throng of orphan children in the gallery sung some sweet songs. Then,
+after the feast, there were small gifts, and little speeches and
+prayers, and more songs. The little ragged ones seemed like new beings
+in this atmosphere of love. Such a glad day as that Christmas was a
+rare event in their sad lives. Children who live in happy homes know
+little about the sufferings of the poor. Perhaps, if they knew more,
+such little ones would try harder, by gifts and kind acts, to carry
+sunshine to sorrowful hearts.
+
+
+
+
+
+
+End of the Project Gutenberg EBook of The Night Before Christmas and Other
+Popular Stories For Children, by Various
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE NIGHT BEFORE CHRISTMAS ***
+
+***** This file should be named 13213.txt or 13213.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/1/3/2/1/13213/
+
+Produced by Sandra Brown, the Online Distributed Proofreading Team,
+and The Internet Archive Children's Library
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.