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+*** START OF THE PROJECT GUTENBERG EBOOK 13313 ***
+
+PUNCH, OR THE LONDON CHARIVARI.
+
+VOLUME 100.
+
+
+
+May 9, 1891.
+
+
+
+
+A FIRST VISIT TO THE "NAVERIES."
+
+"Shiver my timbers!" said the Scribe.
+
+"Haul down my yard-arm with a marling-spike!" cried the Artist.
+
+And with these strictly nautical expressions, two of _Mr. Punch's_
+Own entered the Royal Naval Exhibition, which now occupies the larger
+portion of the grounds of the Military Hospital, Chelsea. That so
+popular a show should be allowed to occupy so large a site speaks
+wonders for the amiability of the British Public. When the Sodgeries
+appeared last year, it was, so to speak, with fear and trembling that
+"the powers that were" appropriated a little of the ground usually
+over-run by the Nobility and Gentry of the Pimlico Road and its
+vicinity; or, rather, by their haughty offspring. This year the tough
+old sea-dogs of the Admiralty have had no hesitation in taking
+what they required, apparently without causing comment, much less
+objection. And the result? In lieu of the dusty arena of 1890,
+scarcely large enough for a ladies' cricket-match, there appears in
+1891 an enclosure containing lakes and lighthouses, panoramas, and
+full-size models of men-of-war! And the Public take their exclusion
+philosophically, either paying their shillings at the door, or
+attempting to get a view of the hoofs of the nautical horses through
+the gaps in the surrounding hoardings.
+
+The Scribe and the Artist, having been ordered by He Who Must Be
+Obeyed in the world generally, and at 85, Fleet Street, in particular,
+to make a sort of preliminary cruise through the wonders of the
+(Admiralty) Deep, hastened from the inviting grounds into the main
+building, with its pictures, its plans, and last, but (it is only
+just to say) least, its pickles. The first object that attracted their
+favourable attention was a trophy of arms, representing the fashions
+of the past and the present. On one side were shrapnel and magazine
+rifles, on the other flint-locks and the ordnance of an age long gone
+by. Next they passed through the Arctic section, wherein they found
+dummies drawing a sledge through the canvas snow of a corded-off North
+Pole. Then they entered the Picture Galleries called after NELSON and
+BENBOW, wherein magnificent paintings by POWELL, full of smoke and
+action, served as an appropriate background to the collection of
+plate, lent by that gallant sailor-warrior and industrious collector
+of well-considered trifles, H.R.H. the Duke of EDINBURGH. They glanced
+at the relics of Trafalgar, and then hurried away to the HOWE Gallery,
+which, containing as it did specimens of the implements used in
+the game of golf, might have as appropriately been christened the
+WHEREFORE. Next they skirted a corridor full of plans, and here they
+discovered that the Committee of the Exhibition must be wags, every
+Jack Tar of them! This corridor was close to the Dining-rooms, and the
+Committee (ha! ha! ha!) had called it (he! he! he!) after COOK! (Ho!
+ho! ho!) Oh, the wit of it! How the Members of the Executive must have
+nudged one another in the ribs as the quaint idea dawned upon them!
+And how they must have laughed, too, on the Opening Day, when the
+Guard of Honour, presenting arms, and the "Greenwich Boys" singing
+"_Ye Mariners of England_," were drenched in the rain! And what a
+capital notion it was on that occasion to put "the Representatives of
+the Fourth Estate" (no doubt called by _them_, with many a sly twinkle
+of the eye, "the Press Gang") into a pen that soon, thanks to a series
+of water-spouts, assumed the appearance of a tank!
+
+After leaving the Galleries, the Scribe and the Artist looked up at
+the model of Eddystone Lighthouse, and entered a shed declared to be
+an "Arctic Scene." Here they were reminded by the introduced ship
+of those happy days of their boyhood spent in the toy-shops of the
+Lowther Arcade. Next they visited the Panorama of Trafalgar, and
+revelled in the carnage of a sea-fight that only required Margate in
+the distance to be entirely convincing. They glanced at the arena, and
+gazed with awe at the lake which is to be devoted to the manoeuvring
+of miniature ironclads. It will be interesting to note whether these
+mimic combats will hold their own in the coming season against the
+introduction of capsized clowns, drenched old women, and comic police.
+Keeping the best for the last, the Scribe and the Artist now entered
+the model of the _Victory_--a really admirable exhibition. There they
+saw before them the old battle-ship with its full equipment, as it
+was in the days of NELSON--when that deathless hero expected every
+Englishman (not excluding even those passing the Custom House--as
+the Committee would say) "to _do_ his duty." To make the illusion
+complete, the great sea-captain was observed dying in the cook-pit in
+the agonies of wax. And to think that this work was executed by a firm
+of house-decorators! Why, who would not, after this, have his back
+drawing-room converted into the quarter-deck of the _Shannon_, and his
+spare bed-room into a tiny reproduction of the Battle of Copenhagen!
+
+[Illustration: Mr. Punch's Representatives, after partaking of
+Chelsea Hospitality (_a purely fancy sketch_).]
+
+The Scribe and the Artist, on their visit, were invited by all sorts
+and conditions of men to partake of champagne. The moment it was
+discovered that they were "connected with the Press," the offerers
+of hospitality were absolutely overwhelming. But, obeying the best
+traditions of their order, they sternly, but courteously, refused all
+refreshment. It is fortunate they pursued this course, for had they
+received the entirely disinterested kindness of their would-be hosts,
+their recollections of the marvels of the Royal Naval Exhibition would
+no doubt have been of the haziest character imaginable. As it was,
+they were able to take their departure through the main entrance
+with some show of dignity, and not in a less imposing manner (as the
+Committee--_Cook's_ Gallery near the Dining-rooms--ho! ho! ho! ha! ha!
+ha!--would probably and amusingly suggest), by Tite Street.
+
+ * * * * *
+
+AMONG THE IMMORTALS.
+
+Mr. PUNCH would be failing in his duty to Art and the British
+Public if he did not place on imperishable record his notes of the
+exceptionally brilliant Royal Academy Banquet of last Saturday. H.R.H.
+the Prince of WALES made one of his best and briefest speeches, in
+which he feelingly alluded to the late Sir EDGAR BOËHM, R.A. Never
+was the President, Sir FREDERICK, more eloquent, or his themes more
+varied; for this occasion is noteworthy as being the first time in the
+history of this great annual representative gathering that the toast
+of Music and the Drama has been duly honoured. Sir ARTHUR SULLIVAN
+responded for the first, and HENRY IRVING for the second. Both made
+excellent speeches. Sir ARTHUR'S solo was most effective; his notes
+were in his head; he gave us several variations on the original
+theme, and cleverly played upon one word in saying that music had been
+"instrumental" on various historical occasions. HENRY IRVING followed
+suit; he spoke of Mrs. SIDDONS, Sir JOSHUA REYNOLDS, and of a
+professional gentleman, one ROSCIUS, mentioned, we believe, by
+_Hamlet_ as having been, some considerable time ago, "a man of parts,"
+that is an Actor, in Rome. It was a great success. Sir FREDERICK then
+proposed the LORD MAYOR, which may be briefly expressed as "a toast
+with a Savory to follow." For "The Visitors," Lord Justice BOWEN,
+catching sight of the President's classical picture (No. 232), made a
+happy hit about the delights of a honeymoon in the Infernal Regions,
+ending in the return of Proserpine to her mother Ceres by order of the
+Court above. Finally, the President, in summing up the losses to Art
+during the past year, paid a graceful tribute to the memory of CHARLES
+KEENE, who, but a short while ago, was our fellow-worker on the staff
+of _Mr. Punch_ With a hopeful allusion to the Storage of Artistic
+Force in the near future, the President concluded: but this Banquet of
+1891 will long live in the recollection of all whose privilege it was
+to be present on so memorable an occasion.
+
+ * * * * *
+
+MUSICAL NOTES.
+
+I SAY! YSAYE! _Why say?_ Why _not_ say that YSAYE is a grand Yolinist,
+since he is this; and, as 'ARRY would observe, "No error!" and whoever
+says the contrary, is not speaking the absolute truth, but "_Ysaye
+Worsay_." The Yolinist had the advantage of the co-operation of a fine
+Orchestra, under the Magic Wand of Conductor COWEN.
+
+On the 27th, Heard young JEAN GERARDY, Little boy, but player hardy,
+Not the slightest Lardy-Dardy, Not yet out of care of "Guardy," Heard
+him _Lundi_, not on _Mardi_. But, whene'er he plays, your Bardy,
+Always spry, and never tardy, Will again hear JEAN GERARDY.
+
+ * * * * *
+
+GENERAL SUMMARY OF CARICATURES OF MR. GLADSTONE.--"Collarable
+Imitations."
+
+ * * * * *
+
+[Illustration: FASHION'S FLORALIA: OR, THE URBAN QUEEN OF
+THE MAY.]
+
+ * * * * *
+
+FASHION'S FLORALIA;
+
+OR, THE URBAN QUEEN OF THE MAY.
+
+(_A Song of the Season, a very long way after Herrick_.)
+
+ "London town is another affair
+ Since HERRICK wrote his perfect rhymes."
+
+MORTIMER COLLINS.
+
+ True, sadly true, shaper of rattling rhymes,
+ London hath changed with process of the times.
+ Aurora now may "throw her faire
+ Fresh-quilted colours through the aire,"
+ But our conditions atmospheric
+ Are not as in the days of HERRICK.
+ Nathless the Muse to-day may see
+ Flora at urban revelry.
+ See how the goddess trippeth from the West,
+ Fragrant, though something fashionably drest;
+ The Season waketh at her tread,
+ Art lifteth a long-drooping head;
+ Music doth make a merry din.
+ 'Tis profanation, keeping in,
+ Whenas a hundred Shows upon this day
+ Spring, lightly as the lark to fetch in May.
+
+ Rise, Nymph, put on fresh finery, and be seen,
+ To come forth like the Spring-time, fresh and green!
+ And gay as Flora. Art is there,
+ With flowing hyacinthine hair.
+ Fear not, the throng will strew
+ Largess abundant upon _you_,
+ When Burlington's great Opening Day is kept.
+ Gone is thy Grosvenor rival, not unwept;
+ But a New Nymph, with footing light,
+ Trips it beside thee, nor hath night
+ Shadowed sweet "Aquarelle" whose skill,
+ As of a Water-Nymph, is still
+ Well to the fore. Pipe up! playing means paying,
+ When Fashion's Urban Flora goes a-Maying.
+
+ Come, my CORINNA, come; and, coming, mark
+ How each street turns a grove, each square a park,
+ Made green and trimmed with trees: see how
+ The pinky hawthorn decks the bough!
+ Each Bond Street porch, or door, ere this
+ Of Art a Tabernacle is;
+ Nor Art alone. With May is interwove
+ Seaweed, which Neptune's favourites love.
+ SWINBURNE should sing in stanzas fleet,
+ How NELSON may, at Chelsea, meet
+ ARMSTRONG! Sound conch-shell! Let's obey
+ Thy Proclamation made for May.
+ Wild marine whiffs from the salt sea are straying,
+ And the brine greets us as we go a-Maying.
+
+ There's not a London-Teuton but this day
+ Hath a new welcome for the English May.
+ Germania from her distant home
+ In Flora's train this year doth come.
+ She hath despatched her country's cream
+ Of things, to make the Cockney dream.
+ Neptune and she have wooed and plighted troth,
+ And her we give May-welcome, nothing loth,
+ As many a welcome we have given
+ To France, Spain, Italy! War hath riven
+ Many true hearts, but we're content
+ Of Peace to make experiment.
+ Blow Teuton horn--(not like "_Hernani's_" braying!)--
+ It makes new music as we go a-Maying!
+
+ Come, let us go, while May is in its prime,
+ And make the best of the brief Season's time.
+ HERRICK'S CORINNA might not see
+ An Urban May Queen such as we
+ Behold disport in our rare sun.
+ Rouse, Nymph! The Season is begun!
+ We'll trust no blizzard, and no boreal rain
+ May mar "Our Opening Day." Sound flutes again!
+ Pipe, Sir FREDERICK! Ah, well played!
+ Tootle thy new strains, fair Maid.
+ Blow, oh Briny One, with might!
+ Teuton BRUNEHILD, glad our sight!
+ Fashion's Floralia, Nymph, invite our straying;
+ Come, my CORINNA, come; let's go a-Maying!
+
+ * * * * *
+
+[Illustration: THINGS ONE WOULD RATHER HAVE LEFT
+UNSAID.
+
+_Painter_. "WOULD YOU BELIEVE IT? THIS IS THE PICTURE THEY'VE THOUGHT
+PROPER TO REJECT! I'LL BE SO BOLD AS TO SAY, THERE ARE NOT TWENTY
+BETTER IN THE WHOLE EXHIBITION!"
+
+_Friend_. "DEAR ME! IS IT SUCH A POOR ACADEMY AS THAT?"]
+
+ * * * * *
+
+THE HUMOUR O'T!
+
+(_Namely of Parliament, as seen through Harry Furniss's fancy._)
+
+AIR--"_The Wooing o't._"
+
+ LIKA JOKO makes us laugh,
+ Ha! ha! the humour o't!
+ With caricature and caustic chaff;
+ He! he! the humour o't!
+ Parliament strikes some as slow,
+ LIKA JOKO deems not so;
+ Visit _his_ St. Stephen's Show!
+ Humph! humph! the humour o't!
+
+ GLADSTONE stern and GLADSTONE staid,
+ Ha! ha! the humour o't!
+ GLADSTONE in war-paint arrayed,
+ He! he! the humour o't!
+ GLADSTONE "Out" and GLADSTONE "In,"
+ GLADSTONE with colossal chin,
+ Giant collars plunged within,
+ Humph! humph! the humour o't!
+
+ SMITH with bland perennial smile,
+ Ha! ha! the humour o't!
+ BALFOUR, pet of the Green Isle,
+ He! he! the humour o't!
+ HARCOURT, big as Babel's tower,
+ GOSCHEN, with myopic glower,
+ JOSEPH of the orchid-flower.
+ Humph! humph! the humour o't!
+
+ How they muster, how they "tell,"
+ Ha! ha! the humour o't!
+ Woes of the Division Bell,
+ He! he! the humour o't!
+ _All_--from Prayers to "Who goes Home?"
+ O'er St. Stephens you may roam;
+ LIKA JOKO bids you. Come!
+ Humph! humph! the humour o't!
+
+ LIKA JOKO is a wag,
+ Ha! ha! the humour o't!
+ All the tricks are in his bag,
+ He! he! the humour o't!
+ He can mimic, he can mime,
+ Draw, and act, and--what is prime--
+ _Keep you laughing all the time._
+ Humph! humph! the humour o't!
+
+ * * * * *
+
+Why doesn't some Musical Photographic Artist of Scotch Nationality
+compose a March for his fellow Professors and Practisers, and call it
+"_The March of the Camera Men_"? Sure to be popular.
+
+ * * * * *
+
+AN UN-"COMMON" GOOD HORSE.--The Winner of this Year's Two Thousand.
+
+ * * * * *
+
+MR. PUNCH'S POCKET IBSEN.
+
+(_Condensed and Revised Version by Mr. P.'s Own Harmless Ibsenite._)
+
+No. III.--HEDDA GABLER.
+
+ACT. III.
+
+SCENE.--_The same Room, but--it being evening--darker than ever--The
+crape curtains are drawn. A Servant, with black ribbons in her cap,
+and red eyes, comes in and lights the gas quietly and carefully.
+Chords are heard on the piano in the back Drawing-room. Presently_
+HEDDA _comes in and looks out into the darkness. A short pause. Enter_
+GEORGE TESMAN.
+
+_George_. I am _so_ uneasy about poor LÖVBORG. Fancy! he is not at
+home. Mrs. ELVSTED told me he had been here early this morning, so I
+suppose you gave him back his manuscript, eh?
+
+_Hedda_ (_cold and immovable, supported by arm-chair_). No, I put it
+on the fire instead.
+
+_George_. On the fire! LÖVBORG'S wonderful new book that he read to
+me at BRACK'S party, when we had that wild revelry last night! Fancy
+_that!_ But, I say, HEDDA--isn't that _rather_--eh? _Too_ bad, you
+know--really. A great work like that. How on earth did you come to
+think of it?
+
+_Hedda_ (_suppressing an almost imperceptible smile_). Well, dear
+GEORGE, you gave me a tolerably strong hint.
+
+_George_. Me? Well, to be sure--that _is_ a joke! Why, I only said
+that I envied him for writing such a book, and it would put me
+entirely in the shade if it came out, and if anything was to happen to
+it, I should never forgive myself, as poor LÖVBORG couldn't write it
+all over again, and so we must take the greatest care of it! And then
+I left it on a chair and went away--that was all! And you went and
+burnt the book all up! Bless me, who _would_ have expected it?
+
+_Hedda_. Nobody, you dear simple old soul! But I did it for your
+sake--it was _love_, GEORGE!
+
+_George_ (_in an outburst between doubt and joy_). HEDDA, you don't
+mean that! Your love takes such queer forms sometimes, Yes, but
+yes--(_laughing in excess of joy_), why, you _must_ be fond of me!
+Just think of that now! Well, you _are_ fun, HEDDA! Look here, I must
+just run and tell the housemaid that--she will enjoy the joke so, eh?
+
+_Hedda_ (_coldly, in self-command_). It is surely not necessary, even
+for a clever Norwegian man of letters in a realistic social drama, to
+make quite such a fool of himself as all that?
+
+_George_. No, that's true too. Perhaps we'd better keep it
+quiet--though I _must_ tell Aunt JULIE--it will make her so happy to
+hear that you burnt a manuscript on my account! And, besides, I should
+like to ask her whether that's a usual thing with young wives. (_Looks
+uneasy and pensive again._) But poor old EJLERT'S manuscript! Oh Lor,
+you know! Well, well! [Mrs. ELVSTED _comes in_.
+
+_Mrs. E._ Oh, please, I'm so uneasy about dear Mr. LÖVBORG. Something
+has happened to him, I'm sure!
+
+_Judge Brack_ (_comes in from the hall, with a new hat in his hand_).
+You have guessed it, first time. Something _has!_
+
+_Mrs. E._ Oh, dear, good gracious! What is it? Something distressing,
+I'm certain of it! [_d._
+
+_Brack_ (_pleasantly_). That depends on how one takes it. He has shot
+himself, and is in a hospital now, that's all!
+
+_George_ (_sympathetically_). That's sad, eh? poor old LÖVBORG! Well,
+I _am_ cut up to hear that. Fancy, though, eh?
+
+_Hedda_. Was it through the temple, or through the breast? The breast?
+Well, one can do it beautifully through the breast, too. Do you know,
+as an advanced woman, I like an act of that sort--it's so positive, to
+have the courage to settle the account with himself--it's beautiful,
+really!
+
+_Mrs. E._ Oh, HEDDA, what an odd way to look at it! But never mind
+poor dear Mr. LÖVBORG now. What _we've_ got to do is to see if we
+can't put his wonderful manuscript, that he said he had torn to
+pieces, together again. (_Takes a bundle of small pages out of the
+pocket of her mantle._) There are the loose scraps he dictated it to
+me from. I hid them on the chance of some such emergency. And if
+dear Mr. TESMAN and I were to put our heads together, I _do_ think
+something might come of it.
+
+_George_. Fancy! I will dedicate my life--or all I can spare of it--to
+the task. I seem to feel I owe him some slight amends, perhaps. No use
+crying over spilt milk, eh, Mrs. ELVSTED? We'll sit down--just you and
+I--in the back drawing-room, and see if you can't inspire me as you
+did him, eh?
+
+_Mrs. E._ Oh, goodness, yes! I should like it--if it only might be
+possible!
+
+[GEORGE _and_ Mrs. E. _go into the back Drawing-room and
+become absorbed in eager conversation_; HEDDA _sits in a chair in the
+front room, and a little later_ BRACK _crosses over to her._
+
+_Hedda_ (_in a low tone_). Oh, Judge, _what_ a relief to know that
+everything--including LÖVBORG'S pistol--went off so well! In the
+breast! Isn't there a veil of unintentional beauty in that? Such an
+act of voluntary courage, too!
+
+_Brack_ (_smiles_). Hm!--perhaps, dear Mrs. HEDDA--
+
+_Hedda_ (_enthusiastically_). But _wasn't_ it sweet of him! To have
+the courage to live his own life after his own fashion--to break away
+from the banquet of life--_so_ early and _so_ drunk! A beautiful act
+like that _does_ appeal to a superior woman's imagination!
+
+_Brack_. Sorry to shatter your poetical illusions, little Mrs. HEDDA,
+but, as a matter of fact, our lamented friend met his end under other
+circumstances. The shot did _not_ strike him in the _breast_--but--
+[_Pauses._
+
+_Hedda_ (_excitedly_). General GABLER'S pistols! I might have known
+it! Did they _ever_ shoot straight? Where _was_ he hit, then?
+
+_Brack_ (_in a discreet undertone_). A little lower down!
+
+_Hedda_. Oh, _how_ disgusting!--how vulgar!--how ridiculous!--like
+everything else about me!
+
+_Brack_. Yes, we're realistic types of human nature, and all that--but
+a trifle squalid, perhaps. And why did you give LÖVBORG your pistol,
+when it was certain to be traced by the police? For a charming
+cold-blooded woman with a clear head and no scruples, wasn't it just a
+leetle foolish?
+
+_Hedda_. Perhaps; but I wanted him to do it beautifully, and he
+didn't! Oh, I've just admitted that I _did_ give him the pistol--how
+annoyingly unwise of me! Now I'm in _your_ power, I suppose?
+
+_Brack_. Precisely--for some reason it's not easy to understand.
+But it's inevitable, and you know how you dread anything approaching
+scandal. All your past proceedings show that. (_To_ GEORGE _and_ Mrs.
+E., _who come in together from the back-room._) Well, how are you
+getting on with the reconstruction of poor LÖVBORG'S great work, eh?
+
+[Illustration: "What! the accounts of all those everlasting
+bores settled?"]
+
+_George_. Capitally; we've made out the first two parts already. And
+really, HEDDA, I do believe Mrs. ELVSTED _is_ inspiring me; I begin to
+feel it coming on. Fancy that!
+
+_Mrs. E._ Yes, goodness! HEDDA, _won't_ it be lovely if I can. I mean
+to try _so_ hard!
+
+_Hedda_. Do, you dear little silly rabbit; and while you are trying I
+will go into the back drawing-room and lie down.
+
+[_She goes into the back-room and draws the curtains. Short pause.
+Suddenly she is heard playing_ "The Bogie Man" _within on the piano._
+
+_George_. But, dearest HEDDA, don't play "_The Bogie Man_" this
+evening. As one of my aunts is dead, and poor old LÖVBORG has shot
+himself, it seems just a little pointed, eh?
+
+_Hedda_ (_puts her head out between the curtains_). All right! I'll be
+quiet after this. I'm going to practise with the late General GABLER'S
+pistol!
+
+[_Closes the curtains again_; GEORGE _gets behind the stove_, Judge
+BRACK _under the table, and_ Mrs. ELVSTED _under the sofa. A shot is
+heard within._
+
+_George_ (_behind the stove_). Eh, look here, I tell you what--she's
+hit _me!_ Think of that!
+
+[_His legs are visibly agitated for a short
+time. Another shot is heard._
+
+_Mrs. E._ (_under the sofa_). Oh, please, not me! Oh, goodness, now
+I can't inspire anybody any more. Oh!
+
+[_Her feet, which can be seen
+under the valance, quiver a little, and then are suddenly still._
+
+_Brack_ (_vivaciously, from under the table_). I say, Mrs. HEDDA,
+I'm coming in every evening--we will have great fun here togeth--
+(_Another shot is heard._) Bless me! to bring down the poor old
+cock-of-the-walk--it's unsportsmanlike!--it's--.
+
+[_The table-cloth is violently agitated for a minute, and presently
+the curtains open, and_ HEDDA _appears._
+
+_Hedda_ (_clearly and firmly_). I've been trying in there to shoot
+myself beautifully--but with General GABLER'S pistol--(_She lifts the
+tablecloth, then looks behind the stove and under the sofa._) What!
+the accounts of all those everlasting bores settled? Then my suicide
+becomes unnecessary. Yes, I feel the courage of life once more!
+
+[_She goes into the back-room and plays_ "The Funeral March of a
+Marionette" _as the Curtain falls._
+
+THE END (_with the usual apologies_).
+
+ * * * * *
+
+OPERATIC NOTES.
+
+[Illustration: "J'y suis."
+Pro Arris et focus.]
+
+
+_Monday.--Le Prophête_.--Notable performance. Profit to those who
+were there; loss to those who weren't. The two Poles, NED and JOHN DE
+RESZKÉ, excellent as the Tipster, or Prophet, and the Chief Anabaptist
+Swindler. Madame RICHARD--"_O Richard, Oma Reine!_" repeated her grand
+impersonation of _Fides_, but being a trifle "out of it" as to tune
+occasionally, I cannot be _Fidei Defensor_, and swear she was quite
+correct, so can only report that RICHARD was a bit "dicky"; otherwise,
+sings like a Dicky-Bird. Cathedral Scene magnificent. Rites are wrong,
+probably; but these are trifles, except to strict ritualists. Skating
+Scene not up to date; it was a novelty once upon a time, but rinks
+have done for it. There was an unrehearsed effect in the Prison Scene,
+when the walls collapsed--the imprisoned Madame RICHARD escaped, and
+the Curtain descended. Nobody hurt. The walls, which had fallen,
+like those of Jericho, to the sound of the trumpet, were put away
+carefully, for alteration and repairs. The prisoner, issuing from
+her narrow fire-escape, was recaptured, and the Opera ended with the
+Drinking Scene, the Prophet among the Peris, a peri-lous situation,
+which makes the Opera go, at the climax, "like a house-a-fire." Burns
+Justice is done to the Impostor, and, at a late hour, we call our
+cabs, and return to hum "_béviam_" over "a modest quencher."
+
+_Saturday_.--BOÏTO'S _Mefistofele_. Strong combination. Excellent. But
+big "waits" made it heavy.
+
+ * * * * *
+
+AN AGRICULTURAL TRIPOS.
+
+PRELIMINARY EXAMINATION PAPER.
+
+1. A field is ploughed three years running. Can it still have a shy
+at its little go? Examine this, and say all you know about "PIERS, or
+PEARS, the Ploughman." Did he use his own soap?
+
+2. How do you extract the square of a Beet-root? In connection with
+this, say how much it will take to square a "Swede?"
+
+3. Explain the use of the "Sewing-machine" for agricultural purposes.
+What do you mean by "going against the grain?"
+
+4. You plant a field of corn. What plaster do you adopt when it begins
+to shoot? Also give the best remedy you know for _corn in the ear_.
+
+5. Write a Sentimental History of the Harvest Moon. Is it really twice
+as big as any other moon, or does it only look so, after drinking the
+landlord's health several times over?
+
+6. To what _gourmet_ giving a dinner-party in January is attributed
+the historical saying, "_Peas_ at any price"?
+
+7. How many black beans will make five white ones? Given the number,
+explain the process, and solve the equation.
+
+8. What pomade do you recommend for "top-dressing"?
+
+9. What would be an M.P.'s first step towards squaring a circle of
+Agricultural Voters?
+
+ * * * * *
+
+SAD STORY.--A painter, who had on several occasions aspired to a place
+in the Chantrey Collection, and invariably been refused, on being
+encouraged to launch a fresh venture, and spread his canvas, which
+would be soon filled, for a sale, replied dejectedly, "Chantrey be
+blowed; I _shan't try_ any more!" Poor fellow! He must indeed have
+been bad. He has not been heard of since. The Serpentine has been
+dragged.
+
+ * * * * *
+
+THE HANSOM CAB STRIKE!--Remarkable Conversion!! Not yet concluded!
+Last week another lot of Hansoms became Growlers.
+
+ * * * * *
+
+REPARTEE TO A SPOUSE.
+
+Both parties in the recent extraordinary abduction case, where a
+Mrs. JONES was carried off down a rope-ladder at midnight by her own
+husband, Mr. JONES, have published statements defending their own line
+of conduct. The following is Mrs. JONES'S version:--
+
+"As public opinion appears to have erroneously taken
+my--so-called--husband's side, as far as I can gather from my having
+been twice chased through the streets by an infuriated mob, and
+four separate attempts having been made to blow up my house
+with nitro-glycerine, I feel compelled to explain--with much
+reluctance--why it was that I declined to live with Mr. JONES.
+
+"To begin with, it was only under _the most awful threats_ that Mr.
+JONES prevailed on me to become his wife. His words--I remember them
+well--were, 'My darling, you know how tenderly I adore you; if you
+don't marry me _at once_ I'll break every bone in your body!' He then
+snatched my bonnet, a _new one_, from my head, and so acted on my
+_nerves_ that I went off to the Registry Office and was married. That
+he was actuated by merely mercenary motives is proved by the fact that
+the gratuity (of half-a-crown), which he presented to the Registry
+Clerk, he actually _borrowed from me!_ I knew him already to be
+unprincipled; but never until that moment had it flashed upon me that
+he was a _fortune-hunter!_ However, as he had the drawing-room poker
+with him--he kept it concealed up his back during the ceremony at the
+Registry Office--I did not at that time say anything, but handed him
+the coin. I do not know if I should have left him at once, had he not
+aggravated the baseness of his conduct by using the vulgar expression,
+'Fork it out quick!' But I regret to say that his origin is painfully
+_low_. Whereas, anybody who consults _my_ relatives will hear from
+them that they belong to the very highest County Families. Indeed, he
+would hear it all day long if he lived with them, as I do!
+
+"On the day of the abduction, I was treated _barbarously!_ Even the
+cab in which I was taken off was, so the coachman informed me, 'put
+down to my account.' Oh, had I but guessed the truth about Mr. JONES
+when I went to the Altar--I mean the Registry Office! Supper consisted
+of _cold mutton and pickles_ (!) which latter he upset, and I had a
+dress _ruined_."
+
+On perusing the above, Mr. JONES decided that he could no longer keep
+silence, and has made public the subjoined explanation:--
+
+"When I first saw Mrs. JONES--then Miss THOMPSON--her youthful grace
+quite captivated me. Her age was under fifty-six, and mine was just
+sixty. She was, in fact, as I told her at the time, almost old enough
+to know her own mind. It is true that she was wealthy, but that had
+no influence on my conduct. On the contrary I felt it as a positive
+drawback, as my domestic ideal has always been Love in a Cottage! But
+as she was bent upon our marrying, I agreed to waive this objection.
+
+"In proof of this assertion I need only say that on the _very day
+after_ our first meeting, I received the following letter:--
+
+"'PRICELESS AND ADORABLE PET,--How _are_ your little
+tootsy-wootsicums? _Did_ they get wet in conducting me home after
+that _delicious_ interview? If so, and you were to catch cold in your
+precious head, I should never forgive myself. Oh, come and see me
+_soon!_ Your Own, till Death, ANGELINA.'
+
+"Possibly I may be blamed for publishing this letter. I do it for
+_her_ sake, not for mine. Even now I believe that, were I left alone
+with her for an hour, with none of her relatives nor a policeman near,
+I could persuade her to retract her calumnious statement about the
+poker. I conclude by saying that it is my belief that her relatives,
+who are all of them powerful mesmerists, have _hypnotised her!_"
+
+ * * * * *
+
+OUR BOOKING-OFFICE.
+
+_My Face is My Fortune_, by Messrs. PHILIPS and FENDALL. Why don't
+they agree to spell both names with an "F," and make it FILLIPS and
+FENDALL. I fancy that FENDALL couldn't do without the sensational
+fillips. This story excites curiosity throughout the first volume,
+and then, in the other volume, satisfies it in so disappointing and
+commonplace a fashion as to suggest the idea that one of the authors,
+becoming weary of his share in the work, suddenly chucked it up,
+and said, "Oh, bother! let's finish anyhow;" and then the other
+_collaborateur_, whichever it was, did finish it as best and as
+quickly as he could. There is evidence of laziness or of lack of
+invention in the story. If it were for the first time in fiction that
+a secret is learnt by some one hiding behind some pantomime plants
+in a conservatory, then too much praise could not be bestowed on the
+ingenious devisers of so strong and original a situation. But as "we
+know that situation,--he comes from Sheffield," and as it has done
+duty some scores of times before, on or off the stage, why, the
+thoroughgoing novel-reader shakes his head and asks, "Couldn't they
+have devised something better than this between them?" "I expected
+much from this combination in Authorship, and am disappointed," says
+the candid BARON DE BOOK-WORMS.
+
+ * * * * *
+
+[Illustration: WHAT OUR ARTIST (THE NEWLY-MARRIED ONE)
+HAS TO PUT UP WITH.
+
+_Our Artist_. "JUST LOOK, DARLING! I WAS SHORT OF CANVASSES, SO I'VE
+STRETCHED A CLEAN POCKET-HANDKERCHIEF!--SEE HOW SPLENDIDLY IT TAKES
+THE PAINT!"
+
+_His Prudent Little Wife._. "OH, JOHN DEAR, HOW EXTRAVAGANT OF YOU!
+_IT'LL NEVER COME OUT!_"]
+
+ * * * * *
+
+THE ADOPTED CHILD.
+
+ "Last year the CHANCELLOR of the EXCHEQUER frittered away his
+ resources in a number of small remissions, for which hardly
+ anyone was grateful. This year he squanders the greater
+ part of his surplus in providing for Free, or--as the phrase
+ is--Assisted Education--an innovation for which there is
+ hardly any genuine demand, and which a very large class of the
+ community, including many of the most loyal supporters of the
+ Government, view with rooted distrust."--_The Standard_.
+
+MRS. GAMP (_the "Old Regular_") _loquitur_:--
+
+ "More changes, too, to come afore we have done with changes!"
+ Ah! I said that to good Mister MOULD years agone; which 'ow memory
+ ranges
+ All over them dear "Good Old Times," as I wish them wos back agen,
+ bless 'em!
+ Which the new ones ain't much to _my_ mind; there's too many fresh
+ "monthlies" to mess 'em.
+ No; monthlying ain't wot it were; the perfession's too open, a lump.
+ Nusses now ain't no more like old SAIREY, no not than the old Aldgit
+ Pump.
+ Like the Cristial Palluses fountings; A Pilgjian's Projiss is life,
+ And a Nuss ain't no more _like_ a Nuss than a Wife now resembles a
+ Wife.
+
+ Heigho! Which it's no use a frettin'. But _Fondlings_! Ah, well, I
+ _did_ think
+ Our respectable fam'lies, _though_ mixed, from sich ojus demeaning
+ would shrink,
+ Which no greater hinsult to _me_, the old reglar, could well be
+ deviged;
+ And though I've to live and to learn, I confess as this turn I'm
+ serpriged.
+ A Fondling!!! Turned up unbeknownst on a doorstep permiskus, no doubt.
+ And then to _adopt_ him! Oh dear, wot the plague is our Party about?
+ Wich to monthly to _it_ were my pride; its legitermit offspring I've
+ nussed
+ Many years with the greatest success, but to-day I feels flurried and
+ fussed,
+ And my eyes is Saint Polge's fontin with tears, and this brat is their
+ source;
+ As it isn't no offspring of _ourn_--of the fam'ly I mean, Ma'am, in
+ course;
+ But a Brummagem bantling, picked hup, as were not worth its swaddlin'
+ and food,
+ And I never yet knowed any brat from _that_ source as turned out any
+ good.
+ Missis G., Mum, it's all a mistake, as you know in your 'art all the
+ same,
+ For you turned up your nose at the child when JOE CHAMBERLING give him
+ a name,
+ Afore we was thick with his set, when you snubbed him, and laughed him
+ to scorn,
+ And heaped naughty names on this kid, as you swore was his nat'ral
+ fust-born.
+ And now you come dandling, and doddling, and patting the brat on the
+ 'ed,
+ And forgetting the things as you promiged, and backing on all as you
+ said.
+ Missis G., you do raly amaze me! This comes of our precious mix-up;
+ Which the child's no more like one of ourn than a pug's like a
+ tarrier-pup.
+
+ In the best-regulated o' fam'lies things will go askew, I'm aweer;
+ As I says to my friend Mrs. HARRIS, as says to me, "SAIREY, my dear,
+ You looks dragged, my sweet creetur," she says. "Missis HARRIS," I
+ makes 'er reply,
+ "When the 'art in one's buzzum beats 'ot, there's excuge for the tear
+ in one's heye.
+ Which wales isn't in it for worrit, my love, with your poor old pal,
+ SAIREY,
+ Along o' the Fam'ly," I says; "as things _do_ seem to go that
+ contrairey,
+ _My_ services now ain't required, with 'adoptions' all over the shop,
+ From Brummagem, yus, and elsewheres; and I ast 'Where is this thing to
+ stop?'
+ RITCHIE'S 'pick-up' was tryin', most tryin'; and as to those bad Irish
+ brats,
+ As BALFOUR interjuced--dear! jest fancy our Party adopting small Pats!
+ And now this here Brummagem babby! You say he's a promising cheild,
+ Missis G., and 'you're learning to love him!' All this makes old
+ SAIREY feel wild.
+ It's wus than kidnapping, this bizness of picking up 'Fondlings' all
+ round.
+ You're nussing a wiper, _I_ say, and you'll soon feel 'is bite, _I'll_
+ be bound.
+ Who arsked for 'im, BETSY--I mean Missis G.--who demanded the brat?
+ _You_'ve altered your mind, and you pet him; you'd much better mind
+ what you're at.
+ Drat the boy's bragian imperence! _I_ says. He's a halien, a fondling,
+ a waif,
+ And _I_ never knew, for my part, _any_ Brummagem goods as wos _safe!_"
+
+ * * * * *
+
+[Illustration: THE ADOPTED CHILD.
+
+MOTHER GOSCHEN. "FOUND 'IM IN BIRMINGHAM, MY DEAR! DIDN'T LIKE 'IM AT
+FIRST,--BUT, SOMEHOW, I'VE QUITE TOOK A FANCY TO 'IM!!"
+
+MRS. GAMP. "A FONDLING INDEED!--WHICH ALL I CAN SAY IS I DON'T LIKE
+THE LOOKS OF 'IM!!"]
+
+ * * * * *
+
+ESSENCE OF PARLIAMENT.
+
+EXTRACTED FROM THE DIARY OF TOBY, M.P.
+
+_House of Commons, Monday, April 27_.--"Well, I never!" said GEORGE
+ELLIOT, beaming on House from back bench; "have known HARCOURT man
+and boy for forty years; seen him in divers moods; watched him through
+various occupations. These have been so many that I have had time to
+forget he was once Chancellor of the Exchequer; but he was, and
+upon my word, listening to him to-night, and knowing something
+about figures myself, I believe he would have made a splash at the
+Treasury."
+
+[Illustration: Genial George.]
+
+JOKIM doesn't enjoy performance quite so much as GENIAL GEORGE. Oddly
+enough, Budget Night, which ought to be the apex of comfort and
+glory for CHANCELLOR of the EXCHEQUER, is with him ever the season of
+tribulation. House of Commons is, regarded as audience, always at its
+best on Budget Night. Will laugh immoderately at feeblest joke
+uttered by CHANCELLOR; cheers to the echo his moral sentiments; sits
+enraptured when he soars into eloquence; and is undisguisedly grateful
+when he has completed his peroration. JOKIM'S muddle of Thursday
+night made the best of. Opposition silenced by promised legislation
+establishing Free Education. Everything in sunshine-glow of
+prosperity. Thought JOKIM might keep some of the sunbeams for himself.
+Then comes HARCOURT with the abhorrëd shears of facts and figures,
+and slits the thin-spun web of JOKIM'S ingenious fancy; shows that,
+instead of a surplus, he has, when honest arithmetic is set to work, a
+deficit; instead of increasing the rate of reduction of National Debt,
+he has done less in that direction than his predecessors; and that
+whilst expenditure on Army and Navy has exceeded any figures reached
+by former Chancellors of the Exchequer, the floating debt is ever
+growing.
+
+JOKIM sits on Treasury Bench affecting the virtue of a smile though
+he has it not. Wriggles like a snail under dispensation of salt. When
+HARCOURT finished, HENRY FOWLER stepped in, and with fresh array of
+figures and new marshalling of argument, completed the demolition of
+JOKIM'S system of finance. Mr. G. looked smilingly on, delighting in
+the energy and aptitude of his Young Men. JOKIM, anxious to change the
+subject on any terms, tried to draw Mr. G. into the controversy. "I
+think not," said Mr. G., with a smile of ineffable sweetness. "Right
+Hon. Gentleman need not go so far afield: will have pretty tough job
+in answering HARCOURT."
+
+A pretty scene; admirable Parliamentary play. Oddly enough boxes
+empty; stalls a wilderness; pit only half full. Energies of House
+so sapped with dreary flood of talk on Irish Land Bill cannot be
+reanimated even for a brisk battle over the Budget.
+
+_Business done_.--JOKIM pummelled to pulp.
+
+
+_Tuesday_.--OLD MORALITY walked out of House just now, his back
+suffused with sense of duty done, alike to QUEEN and Country. Irish
+Land Bill, which, as CAMPBELL-BANNERMAN says, makes a Moated Grange of
+House of Commons, on again all day. SAGE OF QUEEN ANNE'S GATE and
+his Party active as usual. The PARTY a little doubtful of the SAGE.
+Sometimes, in blessed intervals of silence, is discovered gazing on
+a bald space on back of SAGE'S head, striving, as it were, to pierce
+through this weak spot, and discover what is in the SAGE'S mind. The
+SAGE in outward manner most deferential and encouraging. Misses no
+opportunity of publicly applauding him. It is true that when the SAGE
+has got him on his legs, starting afresh on new Amendment, he seizes
+the opportunity to slink out of the House, and take another cigarette,
+quite certain that the PARTY is good for half-an-hour. This, and one
+or two other little things, create a suspicion in the mind of the
+PARTY, who was not brought up in India for nothing. WILFRID LAWSON,
+who sits close by, and keenly watches progress of events, says he has
+no doubt the time will come when the PARTY will revolt.
+
+"KEAY," says WILFRID, "occupies a strategical position, which gives
+him a great pull over LABBY. His respected Leader sits on the bench
+immediately below him. Some day SEYMOUR KEAY'S wild Mahratta blood may
+boil over, an unsuspected scimitar may flash forth from his trouser
+pocket, and the SAGE'S head, falling gory on the floor of the House,
+may gently, from mere force of habit, roll in the direction of Queen
+Anne's Gate."
+
+"For a real sanguinary-minded man," said RITCHIE, to whom I told this
+story, "give me a teetotaller."
+
+The PARTY, with some assistance from Windbag SEXTON, wasted sitting
+till quarter to seven. By this time, all Amendments to Clause 3 being
+wearily worn off, opportunity just left to pass Clause before Sitting
+adjourned. Question put that Clause 3 pass. Then SAGE, smelling
+obtrusively of cigarettes, interposed, and declared it "would be
+indecent" to accept the Clause without further discussion. Nothing
+House shrinks from just now more abjectly than from charge of
+indecency. Accordingly debate stood over, and Thursday may, if
+the SAGE and his Party please, and the Closure is not invoked, be
+appropriated for further discussion of Clause 3.
+
+OLD MORALITY might have moved Closure at twelve minutes to seven,
+and carried Clause 3. Committee naturally expected he would. But OLD
+MORALITY had another card up his sleeve. At very last moment, whilst
+Members trooped out, and it was thought all was over, OLD MORALITY
+gave notice of motion to take the whole time of House, including
+Tuesday and Friday nights' evening sittings.
+
+"I think you had them there," I said, as we walked across to Grosvenor
+Place.
+
+"Yes, TOBY," he said, a little flush mantling his modest face; "we've
+given them rope enough, and now we'll hang them. They've had their
+run, now we'll take ours. It's the main thing I always look to. Never
+forget when I was still in the seminary writing out copy of verses
+about a shipwreck. A graphic scene; the riven vessel, the raging seas,
+the panic-stricken crowd on deck, and then this little self-drawn
+picture of the sole survivor, the one man left to tell the story:
+
+ Some fell upon their bended knees
+ And others fell down fainting,
+ But I fell to on bread and cheese;
+ For that, Sir, was the main thing.
+
+It's the bread and cheese I look to, TOBY, dear boy. For others the
+glory of debate, the prize of Parliamentary oratory. Give me the bread
+and cheese of seeing business advancing, and I'm content."
+
+_Business done_.--Once more Committee on Irish Land Bill.
+
+
+_Thursday_.--A pretty little game on to-night. OLD MORALITY moved his
+Resolution taking power to appropriate Tuesdays and Fridays evening
+sittings, and all Wednesdays for Irish Land Bill. In ordinary
+circumstances there would have been stormy protest led from Front
+Opposition Bench against this inroad on time of private Members. Other
+fish to fry to-night. Wednesday week assigned for Second Reading of
+Woman's Suffrage Bill; if Government take that day for Irish Land
+Bill, obviously can't be utilised for furtherance of Woman's Rights.
+This an awkward question for some Members; don't like it, but daren't
+vote against it. Here's opportunity of getting rid of it by side-wind.
+Not necessary in arranging proceedings to mention Suffrage Bill,
+or even Wednesday, 13th of May. It was principle for which Members
+struggled; "the principle of uniformity," as Mr. G. beautifully put
+it. "Let us," he said, though perhaps not quite in this phrase, "go
+the whole hog or none; take all the Wednesdays, or leave them."
+
+Pretty to see OLD MORALITY protesting against this unprecedented
+access of generosity. The very picture, as MCEWAN said, of a good
+man struggling with the adversity of overwhelming good fortune. Was
+prepared to take a Wednesday here and there: but, really, too much to
+appropriate everyone. "Not at all--not at all," said Mr. G.
+
+But it was only under compulsion of a Division that he consented to
+accept the endowment. In meanwhile, the Woman's Suffrage Debate on
+Wednesday week snuffed out, and final opportunity of Session lost.
+
+"I'm inclined," said WM. WOODALL, "as a rule, to take kindly views of
+my fellow men, to put the best construction upon their actions; but,
+upon my word, I'm not satisfied in my own mind that we advocates of
+Woman's Rights have not been made the victims of deep and dastardly
+design."
+
+"Order! Order!" said COURTNEY; "no more am I."
+
+_Business done_.--Woman's Rights men dished.
+
+_Friday_.--Brer FOX looked in to-night, and, finding Brer RABBIT
+absent, undertook charge of Irish affairs. Desirous of introducing
+novelty into situation, began by patronising Prince ARTHUR. "So
+conciliatory, you know; so anxious to meet the views of Irish Members;
+really, they ought to meet him half-way, and refrain from annoying him
+by unnecessary Amendments."
+
+Brer FOX'S voice faltered as he spoke, and, bringing round his tail,
+he gently brushed away a falling tear. Unfortunately for him, TIM
+HEALY present. TIM jumped up, and fell upon his ancient chief,
+flouting his counsel, and repudiating his right to leadership. Effect
+upon Brer FOX something like that which followed on the flight of the
+piece of old red sandstone which struck in the abdomen a gentleman,
+who chanced to be standing round. The subsequent proceedings
+interested him no more. He walked out, and was not seen again.
+"Exceedingly rude man," he said; "never come near TIM HEALY but I feel
+an infinite yearning for a fire-escape." _Business done_.--Land Bill
+again.
+
+ * * * * *
+
+"MORE FREE THAN WELCOME."--MR. GOSCHEN'S Education Scheme, to the
+Tories.
+
+ * * * * *
+
+A REGIMENT OF "THE LINE."--The Royal Academicians.
+
+ * * * * *
+
+[Illustration: GRANDOLPH THE PRODIGAL.
+
+(_A Parliamentary Drama too good for words, after "L'Enfant Prodigue"
+at the Prince of Wales's Theatre._)]
+
+ * * * * *
+
+THE PICK OF THE PICTURES. (AT THE ROYAL ACADEMY.)
+
+[Illustration: No. 199. Doctor Dubitans. "I'm afraid I've
+given him the wrong stuff." Luke Fildes, R.A.]
+
+[Illustration: No. 742. "He's got 'em on!" or, Nanny, wilt
+thou gang with me in that new suit and those tight boots? By Phil. R.
+Morris, A.]
+
+[Illustration: Grand Combination Picture, "Liddell and
+Scott!" [Liddell (289) by H. Herkomer, R.A., and Scott (281) by G(ee)
+W(oa) Joy! "Joy and Woe!" Comedy and Tragedy.]]
+
+[Illustration: No. 226. The Penance of Zæo in the presence
+of some Members of the County Council. P.H. Calderon, R.A.]
+
+No. 5. "_Long Ago_." LONG (EDWIN, R.A.) and more or less of "a go."
+Instead of "_Long Ago_" which is egotistical, why not _Long Egit_ or
+_Long Fecit?_
+
+Nos. 21, 22, 23. "_The Lyons Mail_" (and Female). BRITON RIVIÈRE,
+R.A. [N.B.--"R.A.," _i.e._, "Royal Academician" and "Royal
+Animal-painter."]
+
+No. 27. The Viscount CROSS looking quite Viscount Cheerful. "_Painted
+for the Grand Jury Room, Lancaster Castle_," the Catalogue informs
+us. Suggestive of their arguing among themselves "at cross purposes."
+Painted by SYDNEY HODGES.
+
+No. 77. "_On Strike_." Very striking. Who could have painted this? Ah!
+_Who but_ HERKOMER. R.A.
+
+No. 82. Apparently this must have been intended for a portrait of the
+late Mr. DION BOUCICAULT, but subsequently adapted to represent
+WALTER GILBEY, Esq. Looks quite the GILBEY'S "fine, old, dry," but
+not "crusted." No doubt whatever of its being the excellent work of
+W(erry) Q(uaint) ORCHARDSON, R.A.
+
+No. 112. "_Hanson is as Hanson does_." By J. HANSON WALKER. Naturally
+pleased with "the promise of May," and
+
+No. 118. Another Young Lady only Younger. By the same Artist.
+
+No. 143. The Right Hon. A.J. BALFOUR, M.P., as seen by L. ALMA-TADEMA,
+R.A. Taken while considering
+
+No. 147. The Irish Question as represented by Sir FREDERICK LEIGHTON,
+P.R.A.'s "_Perseus and Andromeda_." Allegory, _Andromeda_, Ireland.
+_The Monster_, "Parnellism and Crime;" and _Perseus_, BALFOUR.
+Marvellous Monster! DRURIOLANUS should at once order a dozen of
+'em, hot and strong, for next Christmas Pantomime. Poor Miss ANNE
+DROMEDA,--"a dainty morsel _à croquer_," quoth the Monster.
+
+No. 148. No possible doubt whatever about this being A. BERTIE;
+FREEMAN-MITFORD, C.B., painted by the President of the Painters, who
+has hit him off to the life. B.M. is taken at the moment when, as a
+spectator of the Perseus and Andromeda _ballet d'action_, he remembers
+having seen something like it in "Old Japan."
+
+No. 201. "_Poor Tom's a Cold!_" LAURENCE SCOTT. Picture illustrating
+the shortest and easiest way of catching his death of cold.
+
+No. 206. "_Two's company, Three's none_," observed the Sun, as
+blushing deeply, he sank away in the far distance. By MAURICE GREIFFEN
+LAGEN.
+
+No. 209. The original Pieman met by SIMON going to the fair in very
+full dress. ARTHUR S. COPE.
+
+No.220. "_A Student_" of ALMA-TADEMA'S style. THOMAS R. SPENCE.
+
+No. 231. "Is it one o'clock?" she said to herself, anxiously. "I
+hope luncheon will be punctual." The picture will be known as "_Grace
+before Meals_," delightfully (of course) painted by Sir JOHN E.
+MILLAIS.
+
+No. 232. By the P.R.A. "What's that?" said one well-educated clerical
+visitor to his matronly wife. She read it out, pronouncing it thusly,
+"_Return of Percy Fone_." "What!" exclaimed the Clergyman. Then,
+taking the Catalogue into his own hands, he read "_Return of
+Persephone_." "It's pronounced," he informed his help-mate,
+"Për-s[)e]ph-[)o]-n[)e]." "Is it?" she returned, in a tone expressive
+of unmitigated incredulity. "Then," she asked suddenly, as a
+brilliant idea struck her, "why isn't 'telephone' pronounced
+'tel-[)e]ph-[)o]-n[)e]'?" And turning her back on him, would not hear
+another word on the subject.
+
+No. 283. _Not Crossley, but Kindly_. CLAUDE CALTHROP.
+
+No. 333. _Professor Huxley_. By Hon. JOHN COLLIER. When it isn't the
+Professor, it might serve for Sir GEORGE GROVE. Bravo, Honourable
+JOHN! "Hang him, JOHN COLLIER!" (SHAKSPEARE adapted.)
+
+No. 390. A Boy to the very life, or a Life Boy. JAMES SANT, R.A. It's
+a picture of Master HUGH BURDETT MONEY COUTTS. How well this name will
+look on a cheque for a cool thousand or so! But to see the _Hue_ of
+health on his cheek is better than seeing the colour of that HUGH'S
+money.
+
+No. 414. Portrait of Author W. PINERO, Esq. Painted by JOSEPH
+MORDECAI, who has done to Author PINERO what HAMAN would have done to
+MORDECAI, _i.e._, hung him.
+
+No. 439. Sitting for Don Quixote. WILLIAM E. LOCKHART.
+
+No. 459. _Stiff Collar Day; or, Just Back from the Wash_, "And,
+confound it! she's been washing my shirt and tie together, and spoilt
+'em both. Wish I had another lot ready, but haven't, so must go to
+Academy as I am," said WALTER S-WASH-BUCKLER LETHBRIDGE, and finished
+up with an impetuous and irrepressible "Hang it!" "I will," replied
+the Artist, JOHN PETTIE, R.A.
+
+No. 544. _Josephine Grimaldina; or, Female Clown_, the next novelty
+in Pantomime, dedicated to the author and composer of _L'Enfant
+Prodigue_. JOHN S. SARGENT.
+
+No. 667. _Feeling his Bumps; or, Phrenology in the Olden Time._"
+ERNEST NORMAND.
+
+No. 651. Gentleman ready for riding, but no spurs. "Where the deuce
+have I put them?" he is evidently saying. "All ready but that. Can't
+find 'em anywhere!" A picture which quite tells its own (JULIAN)
+STORY.
+
+ * * * * *
+
+
+THE RIGHTS AND WRONGS OF LABOUR.
+
+(_At the service of the Ch-nc-ll-r of the Exch-qu-r, if he purposes
+writing a Prophetic Romance._)
+
+MACAULAY'S New Zealander had arrived prematurely. London Bridge was
+not reduced to its centre pier, and St. Paul's Cathedral was certainly
+not in ruins. Still there was an uncanny look about town. On the
+Embankment electric tram-cars were running, but they seemed to be
+little patronised. Here and there he noticed a pedestrian leisurely
+going his way, but the side-walks appeared, to all intents and
+purposes, abandoned. At length he reached a garden-seat, upon which
+was sprawling a Typical Working Man. The New Zealander gave this
+interesting individual "Good morning," and made some common-place
+remark about the weather.
+
+"Fine day!" returned the T.W.M., rather surlily. "Well, what does it
+matter to me? If it rains, I stay at home; if it don't, why I don't
+either."
+
+"I am a stranger seeking for information," explained the New
+Zealander; "so I am sure you will excuse me if I ask you how much do
+you pay for your house?"
+
+"Pay for my house!" ejaculated the T.W.M. "Why, nothing of course! And
+I pay nothing too for my sons at Oxford, and the girls at Cambridge.
+And I get my clothes free, and my food comes in gratuitously. Why, you
+must be a stranger if you don't know that! Why everything and anything
+is paid by the Government--out of the Income Tax."
+
+"And don't you ever work?"
+
+"Work! bless you, no. I can't afford to work! If I did, I should have
+to pay the Income Tax myself!" returned the T.W.M., with a grin.
+
+"Then who does contribute to this evidently highly-important source of
+revenue?
+
+"Why, the professional men, under Schedule D!" cried the hardy son of
+toil. "The authors with families, and the City clerks. All _that_ set,
+you know. They pay the Income Tax, sure enough. It's as much as they
+can do to keep bodies and souls together. But _somebody_ must pay--why
+not they?--pay for themselves--and for me!"
+
+ * * * * *
+
+THE DUMB SHOW.--It sounds odd that the serious pantomime, _L'Enfant
+Prodigue_, the play without words, should be "the talk of London."
+
+ * * * * *
+
+LEAVES FROM A CANDIDATE'S DIARY.
+
+[Illustration: Canvas and Scrutiny.]
+
+"_George Hotel," Billsbury, Friday, April 25th_.--Arrived this morning
+in order to attend a "Monstre Open Air Conservative Fête, which was
+held in the grounds of the Billsbury Summer Palace. The programme
+was a very attractive one. First, there was a "reception of town
+and county delegates and their ladies" by the Earl and Countess of
+ROCHEVIEILLE. The Earl is a scrubby little fellow of about sixty,
+who looks more like an old-clothes-man than anything else. Norman
+noses--at least their descendants in this generation--are curiously
+like the Semitic variety sometimes. The name is pronounced "Rovail,"
+and both the Earl and Countess get blue with rage if anybody makes
+a mistake about it, as nearly all the delegates did. They stood on a
+raised daïs, and received delegates' addresses to the number of about
+thirty. Lady ROCHEVIEILLE is a stout lady--very. It was a blazing hot
+day, and she was "overcome" just as she was shaking hands with Colonel
+and Mrs. CHORKLE, who were accompanied by BENJAMIN DISRAELI CHORKLE.
+The rest of the CHORKLE family, including WILLIAMINA HENRIETTA SMITH
+CHORKLE, who was in a nurse's arms, were somewhere about the grounds
+looking for the "Magic Haunts of the Fairy Bulbul," and eating
+enormous quantities of macaroons, which I had given them. Colonel
+CHORKLE rather lost his head when Lady R. collapsed. He made an effort
+to pick her up, but had to drop her heavily on the boards of the
+daïs. Eventually, however, she was carried away and revived, and
+the proceedings went on. There were Conservative merry-go-rounds,
+Conservative negro-minstrels, Conservative acrobats and Conservative
+dancing bears, distributed about the grounds. I was taken about by
+Alderman MOFFAT and HOLLEBONE, who introduced me right and left to
+hundreds of my supporters and their wives and daughters. At the end
+of it all I felt as if I had got a heavy sort of how-do-you-do
+smile regularly glued on my face. One of my chief supporters is an
+undertaker named JOBSON. HOLLEBONE brought him up to me and said, "Mr.
+JOBSON, permit me to introduce you to our popular young Candidate, Mr.
+PATTLE. Mr. PATTLE let me have the honour of introducing you to our
+popular young undertaker, Mr. JOBSON." Gave me rather a shock, but
+JOBSON seemed quite a pleasant man. His wife was there too, gorgeously
+dressed in red plush with an Indian shawl on her shoulders, and a
+sealskin muff. She must have felt the heat horribly.
+
+Later in the afternoon there was a political meeting, at which we all
+spoke, but we had to make it short, as everybody was anxious to get
+away to the "Refined Musical _Mélange_ (with incidental dances) of
+the Sisters WILKINS," which was held in a specially erected tent.
+Fireworks, illuminations, and dancing, ended the affair.
+
+_April 26_.--Was made an Oddfellow to-day. Initiation didn't last
+long. CHORKLE and JERRAM were initiated with me, and we all had to
+make speeches afterwards, declaring our devotion to the great cause of
+Oddfellowship. Afterwards sentiments were called for. The only one I
+remember was given by a man called TABSEY, a tailor, who seems to be
+rather famous for this kind of thing. After holding his hand to his
+head for some time, and knitting his brows, he cleared his throat, and
+said, in a loud voice,--"May the tear of true sympathy crystallise
+as it falls, and be worn as a radiant jewel upon the finger of
+affliction." This was vociferously applauded. I congratulated TABSEY
+afterwards, and paid him a compliment about it. He told me he found
+it a great relief, after a hard day's work in the shop, to throw off
+a sentiment or two. He's going to publish a book of them, and I've had
+to subscribe for six copies, at half a guinea each.
+
+ * * * * *
+
+FROM A WATCHFUL OBSERVER.--SIR,--The other day I saw advertised in a
+shop-window, "The Invisible Trouser Stretcher." Who wears "Invisible
+Trousers"? Do you remember the story of _The Emperor of China's
+Clothes?_--when they all cried, "He's got 'em on," and he hadn't. That
+Invisible Trousers should exist is quite enough stretch of imagination
+without any further stretcher.--Yours, THE DAY WATCHMAN.
+
+ * * * * *
+
+MRS. R. AT THE OPERA.--Mrs. RAMSBOTHAM Junior went to hear _La
+Traviata_. She expressed her sympathy with _Violetta_, between
+two _Gourmands_. Remarking on the touching finish to the converted
+_Traviata's_ career, Mrs. R. observed that it reminded her of the
+poet's line about "She who stopped to cough, remained to pray."
+
+ * * * * *
+
+-->NOTICE,--Rejected Communications or Contributions, whether MS.,
+Printed Matter, Drawings, or Pictures of any description, will in no
+case be returned, not even when accompanied by a Stamped and Addressed
+Envelope, Cover, or Wrapper. To this rule there will be no exception.
+
+
+
+
+
+
+
+
+
+End of the Project Gutenberg EBook of Punch, or the London Charivari, Volume
+100, May 9, 1891, by Various
+
+*** END OF THE PROJECT GUTENBERG EBOOK 13313 ***