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| author | Roger Frank <rfrank@pglaf.org> | 2025-10-15 04:43:24 -0700 |
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| committer | Roger Frank <rfrank@pglaf.org> | 2025-10-15 04:43:24 -0700 |
| commit | 56592d5475bc3ae8c3a1f9a3ac67e40f72aee8ca (patch) | |
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diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/13978-0.txt b/13978-0.txt new file mode 100644 index 0000000..bc38770 --- /dev/null +++ b/13978-0.txt @@ -0,0 +1,645 @@ +*** START OF THE PROJECT GUTENBERG EBOOK 13978 *** + +Note: Project Gutenberg also has an HTML version of this + file which includes the original illustrations. + See 13978-h.htm or 13978-h.zip: + (https://www.gutenberg.org/dirs/1/3/9/7/13978/13978-h/13978-h.htm) + or + (https://www.gutenberg.org/dirs/1/3/9/7/13978/13978-h.zip) + + + + + +THE TRUE LEGEND OF ST. DUNSTAN AND THE DEVIL + +Showing How the Horse-Shoe Came to Be a Charm against Witchcraft + +by + +EDWARD G. FLIGHT. + +With Illustrations by George Cruikshank + +Engraved by John Thompson + +Third Edition + +1871 + + + + + + + +[Illustration] + + + +[Illustration] + + + + + + + +[Illustration] + + + + +PREFACE TO THE SECOND EDITION. + + +The success of the first edition of this little work, compels its author +to say a few words on the issue of a second. "Expressive silence" would +now be in him the excessive impudence of not acknowledging, as he +respectfully does acknowledge, that success to be greatly ascribable to +the eminent artists who have drawn and engraved the illustrations. + +"A man's worst wish for his enemy is that he might write a book," is a +generally-received notion, of whose accuracy it is hoped there is no +impertinence in suggesting a doubt. To reflect on having contributed, +however slightly, to the innocent amusement of others, without giving +pain to any, is alone an enjoyment well worth writing for. But when even +so unpretending a trifle as this is, can, besides, bring around its +obscure author fresh and valuable friendships, the hackneyed exclamation +would appear more intelligible if rendered thus: "Oh, that my _friend_ +would write a book!" + +In former days, possibly, things may have been very different from what +they now are. Haply, the literary highway may, heretofore, have been not +particularly clean, choked with rubbish, badly drained, ill lighted, not +always well paved even with good intentions, and beset with dangerous +characters, bilious-looking Thugs, prowling about, ready to pounce upon, +hocus, strangle, and pillage any new arrival. But all that is now +changed. Now, the path of literature is all velvet and roses. The race +of quacks and impostors has become as extinct, as are the saurian and +the dodo; and every honest flourisher of the pen, instead of being +tarred and feathered, is hailed as a welcome addition to "the united +happy family"--of letters. + +Much of this agreeable change is owing to the improvement of the +literary police, which is become a respectable, sober, well-conducted +body of men, who seldom go on duty as critics, without a horse-shoe. +Much is owing to the propagation of the doctrines of the Peace Society, +even among that species of the _genus irritabile_, authors +themselves, who have at last learned + + "That brother should not war with brother, + And worry and devour each other; + But sing and shine by sweet consent, + Till life's poor transient night is spent." + + +Chiefly, however, is the happy change attributable to the discriminating +and impartial judgment of the reading public of this golden Victorian +era. In the present day, it may be considered a general rule, that +no picture is admired, no book pronounced readable, no magazine or +newspaper circulated, unless in each case it develope intrinsic merit. +The mere name of the artist, or author, or editor, has not the slightest +weight with our present intelligent, discriminating community, who are +never enslaved, or misled, by whim, caprice, or fashion. It has been +said, but it seems too monstrous for belief, that, formerly, persons +were actually to be found so extremely indolent, or stupid, or timid, as +never to think for themselves; but who followed with the crowd, like a +swarm of bees, to the brazen tinkle of a mere name! Happily, the minds +of the present age are far too active, enlightened, independent, and +fearless, for degradation so unworthy. In our day, the professed wit +hopes not for the homage of a laugh, on his "only asking for the +mustard;" the artist no longer trusts to his signature on the canvas for +its being admired; no amount of previous authorship-celebrity preserves +a book from the trunkmaker; and the newspaper-writer cannot expect an +extensive sale, unless his leaders equal, at least, the frothy head of +"Barclay's porter," or possess the Attic salt of "Fortnum and Mason's +hams." At the same time, the proudest notable in literature can now no +longer swamp, or thrust aside, his obscurer peers; nor is the humblest +votive offering at the shrine of intellect, in danger, as formerly, from +the hoofs of spurious priests, alike insensible to receive, and impotent +to reflect or minister, light or warmth, from the sacred fire they +pretend to cherish. In short, such is the pleasant change which has come +over literary affairs, that, however apposite in past times, there is +not, in the present, any fitness in the exclamation, "Oh, that mine +enemy would write a book!" + +With reference to the observation, made by more than one correspondent, +that the horse-shoe has not always proved an infallible charm against +the devil, the author, deferentially, begs to hazard an opinion that, in +every one of such cases, the supposed failure may have resulted from an +adoption of something else than the real shoe, as a protection. Once +upon a time, a witness very sensibly accounted for the plaintiff's horse +having broken down. "'Twasn't the hoss's fault," said he; "his plates +was wore so thin and so smooth, that, if he'd been Hal Brook[1] his +self, he couldn't help slipping." + +[Footnote 1: Doubtless he meant Al Borak, the name of Mahomet's night +mare.] + +"You mean," said the judge, "that the horse, instead of shoes, had +merely slippers?" + +Peradventure, the alleged failures may be similarly accounted for; +the party, in each case, having perhaps nailed up, not a shoe, but a +slipper, the learned distinction respecting which was thus judicially +recognised. The deed which the devil signed, must, like a penal statute, +be construed strictly. It says nothing of a slipper; and it has been +held by all our greatest lawyers, from Popham and Siderfin, down to +Ambler and Walker, that a slipper is not a shoe. + +Another solution suggests itself. Possibly the horse-shoe, even if +genuine, was not affixed until after the Wicked One had already got +possession. In that case, not only would the charm be inefficacious +to eject him, but would actually operate as a bar to his quitting the +premises; for that eminent jurisconsult, Mephistopheles himself, has +distinctly laid it down as "a law binding on devils, that they must go +out the same way they stole in." Nailing up a shoe to keep the devil +out, after he has once got in, is indeed too late; and is something like +the literary pastime of the "Englishman," who kept on showing cause +against the Frenchman's rule, long after the latter had, on the motion +of his soldiers, already made it absolute with costs. + +There is one other circumstance the author begs to refer to, from a +desire to dispel any uneasiness about our relations with the Yezidi +government. The late distinguished under-secretary for foreign affairs, +as every one knows, not regarding as _infra dig._ certain great, winged, +human-headed bulls,[2] that would have astonished Mr. Edgeworth, not +less than they puzzle all Smithfield, and the rest of the learned "whose +speech is of oxen," has imported those extraordinary grand-junction +specimens, which, with their countryfolk, the Yezidis, Dr. Layard has +particularly described in his book on Nineveh. When speaking of the +Yezidis, he has observed, "The name of the evil spirit is, however, +never mentioned; and any allusion to it by others so vexes and irritates +them, that it is said they have put to death persons who have wantonly +outraged their feelings by its use. So far is their dread of offending +the evil principle carried, that they carefully avoid every expression +which may resemble in sound the name of Satan, or the Arabic word for +'accursed.' Thus, in speaking of a river, they will not say _Shat_, +because it is too nearly connected with the first syllable in _Sheitan_, +the devil; but substitute _Nahr_. Nor, for the same reason, will they +utter the word _Keitan_, thread or fringe. _Naal_, a horse-shoe, and +_naal-band_, a farrier, are forbidden words; because they approach to +_laan_, a curse, and _m[=a]loun_, accursed."--_Layard_, vol. i. p. 297. + +[Footnote 2: A sister countryman,--a bull is excusable when discoursing +of bulls,--on seeing the monster at the Museum, exclaimed, "Faith! the +great Dan himself couldn't repale _that_ union, at all, at all, +_after_ 'twas once put together." Some suppose this bull to be +typical of a foreign John Bull, the head representing the Crown, the +fine feathers the Lords, and the rest the Commons.] + +Notwithstanding all this, the author has the pleasant satisfaction of +most respectfully assuring his readers, on the authority of the last +Yezidi _Moniteur_, that the amicable relations of this country with +the Yezidi government are not in the slightest danger of being disturbed +by this little book; and that John Bull is, at present, in no jeopardy +of being swallowed up by those monstrous distant cousins of his, of whom +Mr. Layard has brought home the above-mentioned speaking likenesses. + +1, Adam Street, Adelphi. + + + + +[Illustration] + + + +ST. DUNSTAN AND THE DEVIL. + + + +[Illustration] + + + +[Illustration] + + + +"And it is for trouth reported, that where this signe dothe appere, +there the Evill Spirite entreth not."--SERMON ON WITCHES. + +"Your wife's a witch, man; you should nail a horse-shoe on your +chamber-door."--REDGAUNTLET. + + + +[Illustration] + + +ST. DUNSTAN AND THE DEVIL. + + + In days of yore, when saints were plenty, + (For each one now, you'd then find twenty,) + In Glaston's fruitful vale, + Saint Dunstan had his dwelling snug, + Warm as that inmate of a rug, + Named in no polished tale. + + The holy man, when not employed + At prayers or meals, to work enjoyed + With anvil, forge, and sledge. + These he provided in his cell, + With saintly furniture as well; + So chroniclers allege. + + The peaceful mattock, ploughshare, spade, + Sickle, and pruning-hook he made, + Eschewing martial labours. + Thus bees will rather honey bring, + Than hurtfully employ their sting + In warfare for their neighbours. + + A cheerful saint too, oft would he + Mellow old Time with minstrelsy,-- + But such as gave no scandal; + Than his was never harp more famed; + For Dunstan was the blacksmith named + Harmonious by Handel. + + And when with tuneful voice he sang, + His well-strung harp's melodious twang + Accompaniment lending; + So sweetly wedded were the twain, + The chords flowed mingled with the strain, + Mellifluently blending. + + Now 'tis well known mankind's great foe + Oft lurks and wanders to and fro, + In bailiwicks and shires; + Scattering broad-cast his mischief-seeds, + Planting the germs of wicked deeds, + Choking fair shoots with poisonous weeds, + Till goodness nigh expires. + + Well, so it chanced, this tramping vagrant, + Intent on villanies most flagrant, + Ranged by Saint Dunstan's gate; + And hearing music so delicious, + Like hooded snake, his spleen malicious + Swelled up with envious hate. + + +[Illustration] + + + Thought Nick, I'll make his harp a fool; + I'll push him from his music-stool; + Then, skulking near the saint, + The vilest jars Nick loudly sounded, + Of brayings, neighings, screams compounded; + How the musician's ears were wounded, + Not Hogarth e'en could paint. + + The devil fancied it rare fun. + "Well! don't you like my second, Dun? + Two parts sound better sure than one," + Said he, with queer grimace: + "Come sing away, indeed you shall; + Strike up a spicy madrigal, + And hear me do the bass." + + This chaffing Dunstan could not brook, + His clenched fist, his crabbed look + Betrayed his irritation. + 'Twas nuts for Nick's derisive jaw, + Who fairly chuckled when he saw + The placid saint's vexation. + + "_Au revoir_, friend, adieu till noon; + Just now you are rather out of tune, + Your visage is too sharp; + Your ear perhaps a trifle flat: + When I return, 'All round my hat' + We'll have upon the harp." + + A tale, I know, has gone about, + That Dunstan twinged him by the snout + With pincers hotly glowing; + Levying, by _fieri facias_ tweak, + A diabolic screech and squeak, + No tender mercy showing. + + But antiquarians the most curious + Reject that vulgar tale as spurious; + His reverence, say they, + Instead of giving nose a pull, + Resolved on vengeance just and full + Upon some future day. + + Dunstan the saying called to mind, + "The devil through his paw behind + Alone shall penal torture find + From iron, lead, or steel." + Achilles thus had been eternal, + Thanks to his baptism infernal, + But for his mortal heel. + + And so the saint, by wisdom guided, + To fix old Clootie's hoof decided + With horse-shoe of real metal, + And iron nails quite unmistakable; + For Dunstan, now become implacable, + Resolved Nick's hash to settle. + + Satan, of this without forewarning, + Worse luck for him! the following morning, + With simper sauntered in; + Squinted at what the saint was doing, + But never smoked the mischief brewing, + Putting his foot in't; soon the shoeing + Did holy smith begin. + + Oh! 'twas worth coin to see him seize + That ugly leg, and 'twixt his knees + Firmly the pastern grasp. + The shoe he tried on, burning hot, + His tools all handy he had got, + Hammer, and nails, and rasp. + + A startled stare the devil lent, + Much wondering what St. Dunstan meant + This preluding to follow. + But the first nail from hammer's stroke + Full soon Nick's silent wonder broke, + For his shrill scream might then have woke + The sleepiest of Sleepy Hollow. + + And distant Echo heard the sound + Vexing the hills for leagues around, + But answer would not render. + She may not thus her lips profane: + So Shadow, fearful of a stain, + Avoids the black offender. + + The saint no pity had on Nick, + But drove long nails right through the quick; + Louder shrieked he, and faster. + Dunstan cared not; his bitter grin, + Without mistake, showed Father Sin + He had found a ruthless master. + + And having driven, clenched, and filed, + The saint reviewed his work, and smiled + With cruel satisfaction; + And jeering said, "Pray, ere you go, + Dance me the _pas seul_ named 'Jim Crow,' + With your most graceful action." + + To tell how Horny yelled and cried, + And all the artful tricks he tried, + To ease his tribulations, + Would more than fill a bigger book + Than ever author undertook, + Since the Book of Lamentations. + + His tail's short, quick, convulsive coils + Told of more pain than all Job's boils, + When Satan brought, with subtle toils, + Job's patience to the scratch. + For sympathetic tortures spread + From hoof to tail, from tail to head: + All did the anguish catch. + + +[Illustration] + + + And yet, though seemed this sharp correction + Stereotyped in Satan's recollection, + As in his smarting hocks; + Not until he the following deed + Had signed and sealed, St. Dunstan freed + The vagabond from stocks. + + + TO ALL good folk in Christendom to whom this instrument + shall come the Devil sendeth greeting: KNOW YE that for + himself and heirs said Devil covenants and declares, that never + at morn or evening prayers at chapel church or meeting, never + where concords of sweet sound sacred or social flow around or + harmony is woo'd, nor where the Horse-Shoe meets his sight on + land or sea by day or night on lowly sill or lofty pinnacle on + bowsprit helm mast boom or binnacle, said Devil will intrude. + + + The horse-shoe now saves keel, and roof, + From visits of this rover's hoof, + The emblem seen preventing. + He recks the bond, but more the pain, + The nails went so against the grain, + The rasp was so tormenting. + + He will not through Gran[=a]da march, + For there he knows the horse-shoe arch + At every gate attends him. + Nor partridges can he digest, + Since the dire horse-shoe on the breast + Most grievously offends him. + + The name of Smith he cannot bear; + Smith Payne he'll curse, and foully swear + At Smith of Pennsylvania, + With looks so wild about the face; + Monro called in, pronounced the case + Clear antismithymania; + + And duly certified that Nick + Should be confined as lunatic, + Fit subject for commission. + But who the deuce would like to be + The devil's person's committee? + So kindred won't petition. + + Now, since the wicked fiend's at large, + Skippers, and housekeepers, I charge + You all to heed my warning. + Over your threshold, on your mast, + Be sure the horse-shoe's well nailed fast, + Protecting and adorning. + + +[Illustration: "O, et praesidium, et dulce decus."--HOR Lib. i. Ode i.] + + + Here note, if humourists by trade + On waistcoat had the shoe displayed, + Lampoon's sour spirit might be laid, + And cease its spiteful railing. + Whether the humour chanced to be + Joke, pun, quaint ballad, repartee, + Slang, or bad spelling, we should see + Good humour still prevailing. + + And oh! if Equity, as well + As Nisi Prius, would not sell + _Reason's perfection_ ever + To wrangling suitors _sans_ horse-shoe, + Lawyers would soon have nought to do, + Their subtle efforts ceasing too, + Reason from right to sever. + + While Meux the symbol wears, _tant mieux_, + Repelling sinful aid to brew + His liquid strains XX; + Still, I advise, strong drinks beware, + No horse-shoe thwarts the devil there, + Or demon-mischief checks. + + And let me rede you, Mr. Barry, + Not all your arms of John, Dick, Harry, + Plantagenet, or Tudor; + Nor your projections, or your niches, + Affluent of crowns and sculptile riches, + Will scare the foul intruder. + + He'll care not for your harp a whistle, + Nor lion, horse, rose, shamrock, thistle, + Horn'd head, or _Honi soit_; + Nor puppy-griffs, though doubtless meant + Young senators to represent, + Like Samson, armed with jaw. + + Only consult your sober senses, + And ponder well the consequences, + If in some moment evil, + The old sinner should take Speaker's chair, + Make Black Rod fetch the nobles there, + And with them play the devil! + + Then do not fail, great architect, + Assembled wisdom to protect + From Satan's visitation. + With horse-shoe fortify each gate, + Each lion's paw; and then the State + Is safe from ruination. + + +[Illustration] + + + +[Illustration] + + + + +POSTSCRIPT. + + +The courteous reader's indulgence will, it is hoped, extend to a waiver +of all proofs and vouchers in demonstration of the authenticity of this +tale, which is "simply told as it was told to me." Any one who can show +that it is not the true tale, will greatly oblige, if he can and will a +tale unfold, that _is_ the true one. If this is not the true story +and history of the horse-shoe's charm against the wicked one, what +_is_? That's the question. + +There's nothing like candour; and so it is here candidly and ingenuously +confessed that the original deed mentioned in the poem, has hitherto +eluded the most diligent searches and researches. As yet, it cannot be +found, notwithstanding all the patient, zealous, and persevering efforts +of learned men, erudite antiquarians, law and equity chiffonniers, who +have poked and pored, in, through, over, and among, heaps, bundles, +and collections, of old papers, vellums, parchments, deeds, muniments, +documents, testaments, instruments, ingrossments, records, writings, +indentures, deed polls, escrows, books, bills, rolls, charters, +chirographs, and exemplifications, in old English, German text, black +letter, red letter, round-hand, court-hand, Norman French, dog Latin, +and law gibberish, occupying all sorts of old boxes, old bookcases, old +chests, old cupboards, old desks, old drawers, old presses, and old +shelves, belonging to the Dunstan branch of the old Smith family. At +one moment, during the searches, it is true, hopes were excited on the +perception of a faint brimstone odour issuing from an antiquated iron +box found among some rubbish; but instead of any vellum or parchment, +there were only the unused remains of some bundles of veteran matches, +with their tinder-box accomplice, which had been thrown aside and +forgotten, ever since the time when the functions of those old hardened +incendiaries, flint and steel, were extinguished by the lucifers. +All further search, it is feared, will be in vain; and the deed is now +believed to be as irrecoverably lost, as the musty muster-roll of Battle +Abbey. + +A legal friend has volunteered an opinion, that certain supposed defects +in the alleged deed evince its spuriousness, and even if genuine, its +inefficiency. His words are, "The absence of all legal consideration, +that is to say, valuable consideration, such as money, or money's worth; +or good consideration, such as natural love and affection, would render +the deed void, or voidable, as a mere _nudum pactum_. [See +_Plowden_.] Moreover, an objection arises from there being no +_Anno Domini_, [_Year Book, Temp. Ric. III._] and no _Anno Regni_, +[_Croke Eliz._] and no condition _in poenam_. [_Lib. Ass._] Now, +if the original deed had been thus defective, the covenanting party +thereto is too good a lawyer, not to have set it aside." + +To these learned subtleties it may be answered, that the deed was +evidently intended, not so much as an instrument effectively binding +"the covenanting party," as a record whereby to justify a renewal +of punishment, in case of contravention of any of the articles of +treaty. It would have been informal to make mention of money as the +consideration, it being patent that this "covenanting party" considers +it of no value at all. For however dearly all "good folk in Christendom" +may estimate and hug the precious bane, as the most valuable +consideration on earth, he, old sinner that he is, wickedly disparages +it, as being mere filthy lucre, only useful horticulturally, to manure +his hot-beds of iniquity. With regard to the consideration of natural +love and affection, it is humbly submitted that the facts are at +variance with such a suggestion. + +Another friend, not of the legal, but the equestrian order, has +tendered, according to his ideas, an explanation of the especial +protecting virtue of the horseshoe. His notions are given as follows, +_ipsissimis verbis_. "There is not in the whole world, a nobler +animal than that splendid fellow, the horse. He is the embodiment of all +that is magnificent, possessing strength, swiftness, courage, sagacity, +and gracefulness. He never drinks more than he needs, or says more +than he ought. If he were an opposition M.P.--and a horse was once a +consul--his speech against Government bills, would be only a dignified +neigh. Base and unworthy measures he disdains. + + + "Who ever knew this honest brute + At law his neighbour prosecute; + Bring action for assault and battery, + Or friend beguile with lies and flattery? + + +"His proud step is on all fours with his love of a fair field and no +favour. The grandeur of his nature is such, that the idea of a beggar +on horseback is proverbially the most revolting of all inequitable +absurdities and incongruities in human economy; while, on the other +hand, as was once well remarked by a distinguished lecturer, this superb +animal stamped his very name itself on that for which our loftiest +princes and nobles, before the present degenerate age of iron, were +emulous of distinguishing themselves. In proportion as they developed +unblemished honour, with undaunted bravery, graceful bearing, and +magnanimous generosity, were they deemed worthy to rank among +Christendom's bright chivalry. + +"The horse-shoe was, no doubt, regarded as typical of the noble +qualities of its wearer. These being so hateful to the ugly, sly, +intriguing, slandering, malevolent, ill-conditioned, pettifogging, +pitiful arch-enemy, it might well be supposed that the mere apparition +of that type would scare him away. To this supposition is ascribable the +adoption of the horse-shoe, as an infallible charm against the visits of +old Iniquity." + +But mere "supposition" is no answer to the question above propounded. + + * * * * * + +An acknowledgment is due, and is hereby offered, to the unknown +correspondent, who has obligingly communicated the following copy of the +coat of arms of the Dunstan family. + +"Azure, on a chevron gules between three harps, a horse-shoe supported +by two pairs of pincers, proper. _Crest_--An arm embowed, couped +at the shoulder, the hand grasping a hammer, all proper. +_Motto_--'SARUED HYM RIGHTE.'" + +[Illustration: SAREUD HYM RIGHTE] + +*** END OF THE PROJECT GUTENBERG EBOOK 13978 *** diff --git a/13978-h/13978-h.htm b/13978-h/13978-h.htm new file mode 100644 index 0000000..2ee6815 --- /dev/null +++ b/13978-h/13978-h.htm @@ -0,0 +1,920 @@ +<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN" + "http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd"> +<html> +<head> +<meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /> +<title>The Project Gutenberg eBook of The True Legend of St. Dunstan and the Devil, by Edward G. Flight</title> +<style type="text/css"> +/*<![CDATA[*/ + <!-- + body { margin-left: 5%; margin-right: 5%; } + p { text-indent: 1em; + margin-top: .75em; + font-size: 100%; + text-align: justify; + margin-bottom: .75em; } + h1,h2,h3,h4,h5,h6 { text-align: center; } + hr { width: 50%; } + hr.full { width: 100%; } + .foot { margin-left: 10%; margin-right: 10%; text-align: justify; text-indent: -3em; font-size: 85%; } + .poem { margin-left: 10%; margin-right: 10%; margin-bottom: 1em; text-align: left; } + .poem .stanza { margin: 1em 0em 1em 0em; } + .poem p { margin: 0; padding-left: 3em; text-indent: -3em; } + .poem p.i2 { margin-left: 2em; } + .poem p.i6 { margin-left: 6em; } + .poem p.i10 { margin-left: 10em; } + .r { text-align: right; } + .quote { margin-left: 8%; margin-right: 8%; text-indent: 0em; font-size: 90%; } + .toc { margin-left: 15%; font-size: 80%; margin-bottom: 0em;} + center { padding: 0.8em;} + .figure {padding: 1em; margin: 0; text-align: center; font-size: 0.8em; margin: auto;} + .figure img {border: none;} + a:link {color:blue; + text-decoration:none} + link {color:blue; + text-decoration:none} + a:visited {color:blue; + text-decoration:none} + a:hover {color:red} + pre {font-size: 8pt;} + +/*]]>*/ + // --> +</style> +</head> +<body> +<div>*** START OF THE PROJECT GUTENBERG EBOOK 13978 ***</div> +<h1>The Project Gutenberg eBook, The True Legend of St. Dunstan and the Devil, +by Edward G. Flight, Illustrated by George Cruikshank</h1> +<hr class="full" /> +<div style="height: 2em;"><br /></div> + +<div class="figure" style="width: 100%;"> +<a href="images/horse-1.png"><img src="images/horse-1.png" width="60%" +alt="" /></a> +</div> + +<h1> +THE HORSE SHOE +</h1> + +<div style="height: 4em;"><br /><br /></div> + +<h2> + THE TRUE LEGEND OF +<br /> + ST. DUNSTAN AND THE DEVIL; +</h2> +<h3> +SHOWING HOW THE HORSE-SHOE CAME TO BE A CHARM AGAINST WITCHCRAFT. +</h3> +<center><b> +BY EDWARD G. FLIGHT. +</b> +</center> +<center> +WITH ILLUSTRATIONS +<br /> +BY GEORGE CRUIKSHANK, +</center> +<center> +ENGRAVED BY JOHN THOMPSON. +</center> + +<center><img src="images/horse-2.png" alt="" /></center> + +<center> +<i>THIRD EDITION</i>. +</center> +<center> +LONDON: +<!-- BELL AND DALDY, YORK ST., COVENT GARDEN. --> +<br /> +1871. +</center> + +<!-- +<center> +CHISWICK PRESS:—PRINTED BY WHITTINGHAM AND WILKINS, +<br /> +TOOKS COURT, CHANCERY LANE. +</center> +--> +<hr /> + +<div style="height: 4em;"><br /><br /><br /><br /></div> + +<div class="figure" style="width: 100%;"> +<img width="80%" src="images/horse-3.png" alt="" /> +</div> + +<h2> + PREFACE TO THE SECOND EDITION. +</h2> +<p style="text-indent: -2em;"> +<img width="75" height="75" src="images/cap-t.png" alt="T" style="float: left; margin-right: 2em;" /> +HE success of the first edition of this little work, compels its author +to say a few words on the issue of a second. "Expressive silence" would +now be in him the excessive impudence of not acknowledging, as he +respectfully does acknowledge, that success to be greatly ascribable to +the eminent artists who have drawn and engraved the illustrations. +</p> +<p> +"A man's worst wish for his enemy is that he might write a book," is a +generally-received notion, of whose accuracy it is hoped there is no +impertinence in suggesting a doubt. To reflect on having contributed, +however slightly, to the innocent amusement of others, without giving +pain to any, is alone an enjoyment well worth writing for. But when even +so unpretending a trifle as this is, can, besides, bring around its +obscure author fresh and valuable friendships, the hackneyed exclamation +would appear more intelligible if rendered thus: "Oh, that my <i>friend</i> +would write a book!" +</p> +<p> +In former days, possibly, things may have been very different from what +they now are. Haply, the literary highway may, heretofore, have been not +particularly clean, choked with rubbish, badly drained, ill lighted, not +always well paved even with good intentions, and beset with dangerous +characters, bilious-looking Thugs, prowling about, ready to pounce upon, +hocus, strangle, and pillage any new arrival. But all that is now +changed. Now, the path of literature is all velvet and roses. The race +of quacks and impostors has become as extinct, as are the saurian and +the dodo; and every honest flourisher of the pen, instead of being +tarred and feathered, is hailed as a welcome addition to "the united +happy family"—of letters. +</p> +<p> +Much of this agreeable change is owing to the improvement of the +literary police, which is become a respectable, sober, well-conducted +body of men, who seldom go on duty as critics, without a horse-shoe. +Much is owing to the propagation of the doctrines of the Peace Society, +even among that species of the <i>genus irritabile</i>, authors +themselves, who have at last learned +</p> +<div class="poem"> +<div class="stanza"> +<p class="i2"> "That brother should not war with brother</p> +<p class="i2"> And worry and devour each other;</p> +<p class="i2"> But sing and shine by sweet consent</p> +<p class="i2"> Till life's poor transient night is spent."</p> +</div> +</div> + +<p> +Chiefly, however, is the happy change attributable to the discriminating +and impartial judgment of the reading public of this golden Victorian +era. In the present day, it may be considered a general rule, that +no picture is admired, no book pronounced readable, no magazine or +newspaper circulated, unless in each case it develope intrinsic merit. +The mere name of the artist, or author, or editor, has not the slightest +weight with our present intelligent, discriminating community, who are +never enslaved, or misled, by whim, caprice, or fashion. It has been +said, but it seems too monstrous for belief, that, formerly, persons +were actually to be found so extremely indolent, or stupid, or timid, as +never to think for themselves; but who followed with the crowd, like a +swarm of bees, to the brazen tinkle of a mere name! Happily, the minds +of the present age are far too active, enlightened, independent, and +fearless, for degradation so unworthy. In our day, the professed wit +hopes not for the homage of a laugh, on his "only asking for the +mustard;" the artist no longer trusts to his signature on the canvas for +its being admired; no amount of previous authorship-celebrity preserves +a book from the trunkmaker; and the newspaper-writer cannot expect an +extensive sale, unless his leaders equal, at least, the frothy head of +"Barclay's porter," or possess the Attic salt of "Fortnum and Mason's +hams." At the same time, the proudest notable in literature can now no +longer swamp, or thrust aside, his obscurer peers; nor is the humblest +votive offering at the shrine of intellect, in danger, as formerly, from +the hoofs of spurious priests, alike insensible to receive, and impotent +to reflect or minister, light or warmth, from the sacred fire they +pretend to cherish. In short, such is the pleasant change which has come +over literary affairs, that, however apposite in past times, there is +not, in the present, any fitness in the exclamation, "Oh, that mine +enemy would write a book!" +</p> +<p> +With reference to the observation, made by more than one correspondent, +that the horse-shoe has not always proved an infallible charm against +the devil, the author, deferentially, begs to hazard an opinion that, in +every one of such cases, the supposed failure may have resulted from an +adoption of something else than the real shoe, as a protection. Once +upon a time, a witness very sensibly accounted for the plaintiff's horse +having broken down. "'Twasn't the hoss's fault," said he; "his plates +was wore so thin and so smooth, that, if he'd been Hal Brook<a href="#note-1" name="noteref-1"><small>1</small></a> his +self, he couldn't help slipping." +</p> +<p> +"You mean," said the judge, "that the horse, instead of shoes, had +merely slippers?" +</p> +<p> +Peradventure, the alleged failures may be similarly accounted for; +the party, in each case, having perhaps nailed up, not a shoe, but a +slipper, the learned distinction respecting which was thus judicially +recognised. The deed which the devil signed, must, like a penal statute, +be construed strictly. It says nothing of a slipper; and it has been +held by all our greatest lawyers, from Popham and Siderfin, down to +Ambler and Walker, that a slipper is not a shoe. +</p> +<p> +Another solution suggests itself. Possibly the horse-shoe, even if +genuine, was not affixed until after the Wicked One had already got +possession. In that case, not only would the charm be inefficacious +to eject him, but would actually operate as a bar to his quitting the +premises; for that eminent jurisconsult, Mephistopheles himself, has +distinctly laid it down as "a law binding on devils, that they must go +out the same way they stole in." Nailing up a shoe to keep the devil +out, after he has once got in, is indeed too late; and is something like +the literary pastime of the "Englishman," who kept on showing cause +against the Frenchman's rule, long after the latter had, on the motion +of his soldiers, already made it absolute with costs. +</p> +<p> +There is one other circumstance the author begs to refer to, from a +desire to dispel any uneasiness about our relations with the Yezidi +government. The late distinguished under-secretary for foreign affairs, +as every one knows, not regarding as <i>infra dig.</i> certain great, +winged, human-headed bulls,<a href="#note-2" name="noteref-2"><small>2</small></a> that would have astonished Mr. Edgeworth, +not less than they puzzle all Smithfield, and the rest of the learned +"whose speech is of oxen," has imported those extraordinary +grand-junction specimens, which, with their countryfolk, the Yezidis, +Dr. Layard has particularly described in his book on Nineveh. When +speaking of the Yezidis, he has observed, "The name of the evil spirit +is, however, never mentioned; and any allusion to it by others so vexes +and irritates them, that it is said they have put to death persons who +have wantonly outraged their feelings by its use. So far is their dread +of offending the evil principle carried, that they carefully avoid every +expression which may resemble in sound the name of Satan, or the Arabic +word for 'accursed.' Thus, in speaking of a river, they will not say +<i>Shat</i>, because it is too nearly connected with the first syllable +in <i>Sheitan</i>, the devil; but substitute <i>Nahr</i>. Nor, for the +same reason, will they utter the word <i>Keitan</i>, thread or fringe. +<i>Naal</i>, a horse-shoe, and <i>naal-band</i>, a farrier, are forbidden words; +because they approach to <i>laan</i>, a curse, and <i>māloun</i>, accursed."—<i>Layard</i>, +vol. i. p. 297. +</p> +<p> +Notwithstanding all this, the author has the pleasant satisfaction of +most respectfully assuring his readers, on the authority of the last +Yezidi <i>Moniteur</i>, that the amicable relations of this country with +the Yezidi government are not in the slightest danger of being disturbed +by this little book; and that John Bull is, at present, in no jeopardy +of being swallowed up by those monstrous distant cousins of his, of whom +Mr. Layard has brought home the above-mentioned speaking likenesses. +</p> +<p class="r"> +1, Adam Street, Adelphi. +</p> +<hr /> + +<div style="height: 4em;"><br /><br /><br /><br /></div> + +<div class="figure" style="width: 100%;"> +<img src="images/horse-4.png" alt="" /> +</div> + +<h2> +ST. DUNSTAN AND THE DEVIL. +</h2> + +<div class="figure" style="width: 100%;"> +<img src="images/horse-5.png" alt="" /> +</div> + +<div style="height: 4em;"><br /><br /><br /><br /></div> + +<div class="figure" style="width: 100%;"> +<a href="images/horse-6.png"><img src="images/horse-6.png" +alt="" width="60%" /></a> +</div> + +<p class="quote"> +"And it is for trouth reported, that where this signe dothe appere, +there the Evill Spirite entreth not."—SERMON ON WITCHES. +</p> +<p class="quote"> +"Your wife's a witch, man; you should nail a horse-shoe on your +chamber-door."—REDGAUNTLET. +</p> + +<hr /> + +<div style="height: 4em;"><br /><br /><br /><br /></div> + +<div class="figure" style="width: 100%;"> +<img width="80%" src="images/horse-7.png" alt="" /> +</div> + +<h2> +ST. DUNSTAN AND THE DEVIL. +</h2> + + +<div class="poem"> +<div class="stanza"> +<p style="text-indent: -2em; margin-left: -3em;"> +<img width="75" height="75" src="images/cap-i.png" alt="I" style="float: left; margin-right: 2em;" /> +N days of yore, when saints were plenty</p> +<p class="i6"> (For each one now, you'd then find twenty,)</p> +<p class="i10"> In Glaston's fruitful vale</p> +<p class="i6"> Saint Dunstan had his dwelling snug</p> +<p class="i6"> Warm as that inmate of a rug</p> +<p class="i10"> Named in no polished tale</p> +</div> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> The holy man, when not employed</p> +<p class="i2"> At prayers or meals, to work enjoyed</p> +<p class="i6"> With anvil, forge, and sledge</p> +<p class="i2"> These he provided in his cell</p> +<p class="i2"> With saintly furniture as well;</p> +<p class="i6"> So chroniclers allege</p> +</div> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> The peaceful mattock, ploughshare, spade</p> +<p class="i2"> Sickle, and pruning-hook he made</p> +<p class="i6"> Eschewing martial labours</p> +<p class="i2"> Thus bees will rather honey bring</p> +<p class="i2"> Than hurtfully employ their sting</p> +<p class="i6"> In warfare for their neighbours</p> +</div> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> A cheerful saint too, oft would he</p> +<p class="i2"> Mellow old Time with minstrelsy,—</p> +<p class="i6"> But such as gave no scandal;</p> +<p class="i2"> Than his was never harp more famed;</p> +<p class="i2"> For Dunstan was the blacksmith named</p> +<p class="i6"> Harmonious by Handel</p> +</div> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> And when with tuneful voice he sang</p> +<p class="i2"> His well-strung harp's melodious twang</p> +<p class="i6"> Accompaniment lending;</p> +<p class="i2"> So sweetly wedded were the twain</p> +<p class="i2"> The chords flowed mingled with the strain</p> +<p class="i6"> Mellifluently blending</p> +</div> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> Now 'tis well known mankind's great foe</p> +<p class="i2"> Oft lurks and wanders to and fro</p> +<p class="i6"> In bailiwicks and shires;</p> +<p class="i2"> Scattering broad-cast his mischief-seeds</p> +<p class="i2"> Planting the germs of wicked deeds</p> +<p class="i2"> Choking fair shoots with poisonous weeds</p> +<p class="i6"> Till goodness nigh expires</p> +</div> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> Well, so it chanced, this tramping vagrant</p> +<p class="i2"> Intent on villanies most flagrant</p> +<p class="i6"> Ranged by Saint Dunstan's gate;</p> +<p class="i2"> And hearing music so delicious</p> +<p class="i2"> Like hooded snake, his spleen malicious</p> +<p class="i6"> Swelled up with envious hate</p> +</div> +</div> + +<div class="figure" style="width: 100%;"> +<a href="images/illus-003.png"><img width="100%" src="images/illus-003.png" +alt="" /></a> +</div> + + +<div class="poem"> +<div class="stanza"> +<p class="i2"> Thought Nick, I'll make his harp a fool;</p> +<p class="i2"> I'll push him from his music-stool;</p> +<p class="i6"> Then, skulking near the saint</p> +<p class="i2"> The vilest jars Nick loudly sounded</p> +<p class="i2"> Of brayings, neighings, screams compounded;</p> +<p class="i2"> How the musician's ears were wounded</p> +<p class="i6"> Not Hogarth e'en could paint</p> +</div> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> The devil fancied it rare fun</p> +<p class="i2"> "Well! don't you like my second, Dun?</p> +<p class="i2"> Two parts sound better sure than one,"</p> +<p class="i6"> Said he, with queer grimace:</p> +<p class="i2"> "Come sing away, indeed you shall;</p> +<p class="i2"> Strike up a spicy madrigal</p> +<p class="i6"> And hear me do the bass."</p> +</div> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> This chaffing Dunstan could not brook</p> +<p class="i2"> His clenched fist, his crabbed look</p> +<p class="i6"> Betrayed his irritation</p> +<p class="i2"> 'Twas nuts for Nick's derisive jaw</p> +<p class="i2"> Who fairly chuckled when he saw</p> +<p class="i6"> The placid saint's vexation</p> +</div> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> "<i>Au revoir</i>, friend, adieu till noon;</p> +<p class="i2"> Just now you are rather out of tune</p> +<p class="i6"> Your visage is too sharp;</p> +<p class="i2"> Your ear perhaps a trifle flat:</p> +<p class="i2"> When I return, 'All round my hat'</p> +<p class="i6"> We'll have upon the harp."</p> +</div> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> A tale, I know, has gone about</p> +<p class="i2"> That Dunstan twinged him by the snout</p> +<p class="i6"> With pincers hotly glowing;</p> +<p class="i2"> Levying, by <i>fieri facias</i> tweak</p> +<p class="i2"> A diabolic screech and squeak</p> +<p class="i6"> No tender mercy showing</p> +</div> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> But antiquarians the most curious</p> +<p class="i2"> Reject that vulgar tale as spurious;</p> +<p class="i6"> His reverence, say they</p> +<p class="i2"> Instead of giving nose a pull</p> +<p class="i2"> Resolved on vengeance just and full</p> +<p class="i6"> Upon some future day</p> +</div> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> Dunstan the saying called to mind</p> +<p class="i2"> "The devil through his paw behind</p> +<p class="i2"> Alone shall penal torture find</p> +<p class="i6"> From iron, lead, or steel."</p> +<p class="i2"> Achilles thus had been eternal</p> +<p class="i2"> Thanks to his baptism infernal</p> +<p class="i6"> But for his mortal heel</p> +</div> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> And so the saint, by wisdom guided</p> +<p class="i2"> To fix old Clootie's hoof decided</p> +<p class="i6"> With horse-shoe of real metal</p> +<p class="i2"> And iron nails quite unmistakable;</p> +<p class="i2"> For Dunstan, now become implacable</p> +<p class="i6"> Resolved Nick's hash to settle</p> +</div> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> Satan, of this without forewarning</p> +<p class="i2"> Worse luck for him! the following morning</p> +<p class="i6"> With simper sauntered in;</p> +<p class="i2"> Squinted at what the saint was doing</p> +<p class="i2"> But never smoked the mischief brewing</p> +<p class="i2"> Putting his foot in't; soon the shoeing</p> +<p class="i6"> Did holy smith begin</p> +</div> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> Oh! 'twas worth coin to see him seize</p> +<p class="i2"> That ugly leg, and 'twixt his knees</p> +<p class="i6"> Firmly the pastern grasp</p> +<p class="i2"> The shoe he tried on, burning hot</p> +<p class="i2"> His tools all handy he had got</p> +<p class="i6"> Hammer, and nails, and rasp</p> +</div> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> A startled stare the devil lent</p> +<p class="i2"> Much wondering what St. Dunstan meant</p> +<p class="i6"> This preluding to follow</p> +<p class="i2"> But the first nail from hammer's stroke</p> +<p class="i2"> Full soon Nick's silent wonder broke</p> +<p class="i2"> For his shrill scream might then have woke</p> +<p class="i6"> The sleepiest of Sleepy Hollow</p> +</div> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> And distant Echo heard the sound</p> +<p class="i2"> Vexing the hills for leagues around</p> +<p class="i6"> But answer would not render</p> +<p class="i2"> She may not thus her lips profane:</p> +<p class="i2"> So Shadow, fearful of a stain</p> +<p class="i6"> Avoids the black offender</p> +</div> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> The saint no pity had on Nick</p> +<p class="i2"> But drove long nails right through the quick;</p> +<p class="i6"> Louder shrieked he, and faster</p> +<p class="i2"> Dunstan cared not; his bitter grin</p> +<p class="i2"> Without mistake, showed Father Sin</p> +<p class="i6"> He had found a ruthless master</p> +</div> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> And having driven, clenched, and filed</p> +<p class="i2"> The saint reviewed his work, and smiled</p> +<p class="i6"> With cruel satisfaction;</p> +<p class="i2"> And jeering said, "Pray, ere you go</p> +<p class="i2"> Dance me the <i>pas seul</i> named 'Jim Crow,'</p> +<p class="i6"> With your most graceful action."</p> +</div> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> To tell how Horny yelled and cried</p> +<p class="i2"> And all the artful tricks he tried</p> +<p class="i6"> To ease his tribulations</p> +<p class="i2"> Would more than fill a bigger book</p> +<p class="i2"> Than ever author undertook</p> +<p class="i6"> Since the Book of Lamentations</p> +</div> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> His tail's short, quick, convulsive coils</p> +<p class="i2"> Told of more pain than all Job's boils</p> +<p class="i2"> When Satan brought, with subtle toils</p> +<p class="i6"> Job's patience to the scratch</p> +<p class="i2"> For sympathetic tortures spread</p> +<p class="i2"> From hoof to tail, from tail to head:</p> +<p class="i6"> All did the anguish catch</p> +</div> +</div> + +<div class="figure" style="width: 100%;"> +<a href="images/illus-004.png"><img width="100%" src="images/illus-004.png" +alt="" /></a> +</div> + + +<div class="poem"> +<div class="stanza"> +<p class="i2"> And yet, though seemed this sharp correction</p> +<p class="i2"> Stereotyped in Satan's recollection</p> +<p class="i6"> As in his smarting hocks;</p> +<p class="i2"> Not until he the following deed</p> +<p class="i2"> Had signed and sealed, St. Dunstan freed</p> +<p class="i6"> The vagabond from stocks</p> +</div> +</div> + +<p class="quote"> + <b>To all</b> good folk in Christendom to whom this instrument + shall come the Devil sendeth greeting: <b>Know ye</b> that for + himself and heirs said Devil covenants and declares, that never + at morn or evening prayers at chapel church or meeting, never + where concords of sweet sound sacred or social flow around or + harmony is woo'd, nor where the Horse-Shoe meets his sight on + land or sea by day or night on lowly sill or lofty pinnacle on + bowsprit helm mast boom or binnacle, said Devil will intrude. +</p> +<div class="poem"> +<div class="stanza"> +<p class="i2"> The horse-shoe now saves keel, and roof</p> +<p class="i2"> From visits of this rover's hoof</p> +<p class="i6"> The emblem seen preventing</p> +<p class="i2"> He recks the bond, but more the pain</p> +<p class="i2"> The nails went so against the grain</p> +<p class="i6"> The rasp was so tormenting</p> +</div> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> He will not through Granāda march</p> +<p class="i2"> For there he knows the horse-shoe arch</p> +<p class="i6"> At every gate attends him</p> +<p class="i2"> Nor partridges can he digest</p> +<p class="i2"> Since the dire horse-shoe on the breast</p> +<p class="i6"> Most grievously offends him</p> +</div> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> The name of Smith he cannot bear;</p> +<p class="i2"> Smith Payne he'll curse, and foully swear</p> +<p class="i6"> At Smith of Pennsylvania</p> +<p class="i2"> With looks so wild about the face;</p> +<p class="i2"> Monro called in, pronounced the case</p> +<p class="i6"> Clear antismithymania;</p> +</div> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> And duly certified that Nick</p> +<p class="i2"> Should be confined as lunatic</p> +<p class="i6"> Fit subject for commission</p> +<p class="i2"> But who the deuce would like to be</p> +<p class="i2"> The devil's person's committee?</p> +<p class="i6"> So kindred won't petition</p> +</div> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> Now, since the wicked fiend's at large</p> +<p class="i2"> Skippers, and housekeepers, I charge</p> +<p class="i6"> You all to heed my warning</p> +<p class="i2"> Over your threshold, on your mast</p> +<p class="i2"> Be sure the horse-shoe's well nailed fast</p> +<p class="i6"> Protecting and adorning</p> +</div> +</div> + +<div class="figure" style="width: 100%;"> +<a href="images/illus-005.png"><img width="100%" src="images/illus-005.png" +alt="'O, et Praesidium, Et Dulce Decus.'--Hor Lib. I. Ode I." /> +</a> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> Here note, if humourists by trade</p> +<p class="i2"> On waistcoat had the shoe displayed</p> +<p class="i2"> Lampoon's sour spirit might be laid</p> +<p class="i6"> And cease its spiteful railing</p> +<p class="i2"> Whether the humour chanced to be</p> +<p class="i2"> Joke, pun, quaint ballad, repartee</p> +<p class="i2"> Slang, or bad spelling, we should see</p> +<p class="i6"> Good humour still prevailing</p> +</div> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> And oh! if Equity, as well</p> +<p class="i2"> As Nisi Prius, would not sell</p> +<p class="i6"> <i>Reason's perfection</i> ever</p> +<p class="i2"> To wrangling suitors <i>sans</i> horse-shoe</p> +<p class="i2"> Lawyers would soon have nought to do</p> +<p class="i2"> Their subtle efforts ceasing too</p> +<p class="i6"> Reason from right to sever</p> +</div> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> While Meux the symbol wears, <i>tant mieux</i></p> +<p class="i2"> Repelling sinful aid to brew</p> +<p class="i6"> His liquid strains XX;</p> +<p class="i2"> Still, I advise, strong drinks beware</p> +<p class="i2"> No horse-shoe thwarts the devil there</p> +<p class="i6"> Or demon-mischief checks</p> +</div> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> And let me rede you, Mr. Barry</p> +<p class="i2"> Not all your arms of John, Dick, Harry</p> +<p class="i6"> Plantagenet, or Tudor;</p> +<p class="i2"> Nor your projections, or your niches</p> +<p class="i2"> Affluent of crowns and sculptile riches</p> +<p class="i6"> Will scare the foul intruder</p> +</div> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> He'll care not for your harp a whistle</p> +<p class="i2"> Nor lion, horse, rose, shamrock, thistle</p> +<p class="i6"> Horn'd head, or <i>Honi soit</i>;</p> +<p class="i2"> Nor puppy-griffs, though doubtless meant</p> +<p class="i2"> Young senators to represent</p> +<p class="i6"> Like Samson, armed with jaw</p> +</div> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> Only consult your sober senses</p> +<p class="i2"> And ponder well the consequences</p> +<p class="i6"> If in some moment evil</p> +<p class="i2"> The old sinner should take Speaker's chair</p> +<p class="i2"> Make Black Rod fetch the nobles there</p> +<p class="i6"> And with them play the devil!</p> +</div> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> Then do not fail, great architect</p> +<p class="i2"> Assembled wisdom to protect</p> +<p class="i6"> From Satan's visitation</p> +<p class="i2"> With horse-shoe fortify each gate</p> +<p class="i2"> Each lion's paw; and then the State</p> +<p class="i6"> Is safe from ruination</p> +</div> +</div> + + +<div class="figure" style="width: 100%;"> +<img width="100%" src="images/horse-10.png" alt="" /> +</div> + +<hr /> + +<div style="height: 4em;"><br /><br /><br /><br /></div> + +<div class="figure" style="width: 100%;"> +<img width="80%" src="images/horse-11.png" alt="" /> +</div> + +<h2> + POSTSCRIPT. +</h2> + +<p style="text-indent: -2em;"> +<img width="75" height="75" src="images/cap-t.png" alt="T" style="float: left; margin-right: 2em;" /> +HE courteous reader's indulgence will, it is hoped, extend to a waiver +of all proofs and vouchers in demonstration of the authenticity of this +tale, which is "simply told as it was told to me." Any one who can show +that it is not the true tale, will greatly oblige, if he can and will a +tale unfold, that <i>is</i> the true one. If this is not the true story +and history of the horse-shoe's charm against the wicked one, what +<i>is</i>? That's the question. +</p> +<p> +There's nothing like candour; and so it is here candidly and ingenuously +confessed that the original deed mentioned in the poem, has hitherto +eluded the most diligent searches and researches. As yet, it cannot be +found, notwithstanding all the patient, zealous, and persevering efforts +of learned men, erudite antiquarians, law and equity chiffonniers, who +have poked and pored, in, through, over, and among, heaps, bundles, +and collections, of old papers, vellums, parchments, deeds, muniments, +documents, testaments, instruments, ingrossments, records, writings, +indentures, deed polls, escrows, books, bills, rolls, charters, +chirographs, and exemplifications, in old English, German text, black +letter, red letter, round-hand, court-hand, Norman French, dog Latin, +and law gibberish, occupying all sorts of old boxes, old bookcases, old +chests, old cupboards, old desks, old drawers, old presses, and old +shelves, belonging to the Dunstan branch of the old Smith family. At +one moment, during the searches, it is true, hopes were excited on the +perception of a faint brimstone odour issuing from an antiquated iron +box found among some rubbish; but instead of any vellum or parchment, +there were only the unused remains of some bundles of veteran matches, +with their tinder-box accomplice, which had been thrown aside and +forgotten, ever since the time when the functions of those old hardened +incendiaries, flint and steel, were extinguished by the lucifers. +All further search, it is feared, will be in vain; and the deed is now +believed to be as irrecoverably lost, as the musty muster-roll of Battle +Abbey. +</p> +<p> +A legal friend has volunteered an opinion, that certain supposed defects +in the alleged deed evince its spuriousness, and even if genuine, its +inefficiency. His words are, "The absence of all legal consideration, +that is to say, valuable consideration, such as money, or money's worth; +or good consideration, such as natural love and affection, would render +the deed void, or voidable, as a mere <i>nudum pactum</i>. [See +<i>Plowden</i>.] Moreover, an objection arises from there being no +<i>Anno Domini</i>, [<i>Year Book, Temp. Ric. III.</i>] and no <i>Anno Regni</i>, +[<i>Croke Eliz.</i>] and no condition <i>in pœnam</i>. [<i>Lib. Ass.</i>] Now, +if the original deed had been thus defective, the covenanting party +thereto is too good a lawyer, not to have set it aside." +</p> +<p> +To these learned subtleties it may be answered, that the deed was +evidently intended, not so much as an instrument effectively binding +"the covenanting party," as a record whereby to justify a renewal +of punishment, in case of contravention of any of the articles of +treaty. It would have been informal to make mention of money as the +consideration, it being patent that this "covenanting party" considers +it of no value at all. For however dearly all "good folk in Christendom" +may estimate and hug the precious bane, as the most valuable +consideration on earth, he, old sinner that he is, wickedly disparages +it, as being mere filthy lucre, only useful horticulturally, to manure +his hot-beds of iniquity. With regard to the consideration of natural +love and affection, it is humbly submitted that the facts are at +variance with such a suggestion. +</p> +<p> +Another friend, not of the legal, but the equestrian order, has +tendered, according to his ideas, an explanation of the especial +protecting virtue of the horseshoe. His notions are given as follows, +<i>ipsissimis verbis</i>. "There is not in the whole world, a nobler +animal than that splendid fellow, the horse. He is the embodiment of all +that is magnificent, possessing strength, swiftness, courage, sagacity, +and gracefulness. He never drinks more than he needs, or says more +than he ought. If he were an opposition M.P.—and a horse was once a +consul—his speech against Government bills, would be only a dignified +neigh. Base and unworthy measures he disdains. +</p> +<div class="poem"> +<div class="stanza"> +<p class="i2"> "Who ever knew this honest brute</p> +<p class="i2"> At law his neighbour prosecute;</p> +<p class="i2"> Bring action for assault and battery</p> +<p class="i2"> Or friend beguile with lies and flattery?</p> +</div> +</div> + +<p> +"His proud step is on all fours with his love of a fair field and no +favour. The grandeur of his nature is such, that the idea of a beggar +on horseback is proverbially the most revolting of all inequitable +absurdities and incongruities in human economy; while, on the other +hand, as was once well remarked by a distinguished lecturer, this superb +animal stamped his very name itself on that for which our loftiest +princes and nobles, before the present degenerate age of iron, were +emulous of distinguishing themselves. In proportion as they developed +unblemished honour, with undaunted bravery, graceful bearing, and +magnanimous generosity, were they deemed worthy to rank among +Christendom's bright chivalry. +</p> +<p> +"The horse-shoe was, no doubt, regarded as typical of the noble +qualities of its wearer. These being so hateful to the ugly, sly, +intriguing, slandering, malevolent, ill-conditioned, pettifogging, +pitiful arch-enemy, it might well be supposed that the mere apparition +of that type would scare him away. To this supposition is ascribable the +adoption of the horse-shoe, as an infallible charm against the visits of +old Iniquity." +</p> +<p> +But mere "supposition" is no answer to the question above propounded. +</p> +<hr /> +<p> +An acknowledgment is due, and is hereby offered, to the unknown +correspondent, who has obligingly communicated the following copy of the +coat of arms of the Dunstan family. +</p> +<p> +"Azure, on a chevron gules between three harps, a horse-shoe supported +by two pairs of pincers, proper. <i>Crest</i>—An arm embowed, couped +at the shoulder, the hand grasping a hammer, all proper. +<i>Motto</i>—'SARUED HYM RIGHTE.'" +</p> + +<div class="figure" style="width: 100%;"> +<a href="images/coatarms.png"><img width="60%" src="images/coatarms.png" +alt="Sareud Hym Righte" /></a> +</div> + +<div style="height: 6em;"><br /><br /><br /><br /><br /><br /></div> + +<hr class="full" /> + +<h2>Footnotes</h2> + +<a name="note-1"><!--Note--></a> +<p class="foot"> +<u>1</u> (<a href="#noteref-1">return</a>)<br /> +Doubtless he meant Al Borak, the name of Mahomet's night +mare. +</p> +<a name="note-2"><!--Note--></a> +<p class="foot"> +<u>2</u> (<a href="#noteref-2">return</a>)<br /> +A sister countryman,—a bull is excusable when discoursing +of bulls,—on seeing the monster at the Museum, exclaimed, "Faith! the +great Dan himself couldn't repale <i>that</i> union, at all, at all, +<i>after</i> 'twas once put together." Some suppose this bull to be +typical of a foreign John Bull, the head representing the Crown, the +fine feathers the Lords, and the rest the Commons. +</p> + +<br /> +<br /> +<div>*** END OF THE PROJECT GUTENBERG EBOOK 13978 ***</div> +</body> +</html> diff --git a/13978-h/images/cap-i.png b/13978-h/images/cap-i.png Binary files differnew file mode 100644 index 0000000..9b29d42 --- /dev/null +++ b/13978-h/images/cap-i.png diff --git a/13978-h/images/cap-t.png b/13978-h/images/cap-t.png Binary files differnew file mode 100644 index 0000000..e4e7b8f --- /dev/null +++ b/13978-h/images/cap-t.png diff --git a/13978-h/images/coatarms.png b/13978-h/images/coatarms.png Binary files differnew file mode 100644 index 0000000..8989f97 --- /dev/null +++ b/13978-h/images/coatarms.png diff --git a/13978-h/images/horse-1.png b/13978-h/images/horse-1.png Binary files differnew file mode 100644 index 0000000..8baf585 --- /dev/null +++ b/13978-h/images/horse-1.png diff --git a/13978-h/images/horse-10.png b/13978-h/images/horse-10.png Binary files differnew file mode 100644 index 0000000..cbe674e --- /dev/null +++ b/13978-h/images/horse-10.png diff --git a/13978-h/images/horse-11.png b/13978-h/images/horse-11.png Binary files differnew file mode 100644 index 0000000..e3d1534 --- /dev/null +++ b/13978-h/images/horse-11.png diff --git a/13978-h/images/horse-2.png b/13978-h/images/horse-2.png Binary files differnew file mode 100644 index 0000000..ac2d53b --- /dev/null +++ b/13978-h/images/horse-2.png diff --git a/13978-h/images/horse-3.png b/13978-h/images/horse-3.png Binary files differnew file mode 100644 index 0000000..87b76c4 --- /dev/null +++ b/13978-h/images/horse-3.png diff --git a/13978-h/images/horse-4.png b/13978-h/images/horse-4.png Binary files differnew file mode 100644 index 0000000..315df8c --- /dev/null +++ b/13978-h/images/horse-4.png diff --git a/13978-h/images/horse-5.png b/13978-h/images/horse-5.png Binary files differnew file mode 100644 index 0000000..784474b --- /dev/null +++ b/13978-h/images/horse-5.png diff --git a/13978-h/images/horse-6.png b/13978-h/images/horse-6.png Binary files differnew file mode 100644 index 0000000..6963c07 --- /dev/null +++ b/13978-h/images/horse-6.png diff --git a/13978-h/images/horse-7.png b/13978-h/images/horse-7.png Binary files differnew file mode 100644 index 0000000..6fab4cf --- /dev/null +++ b/13978-h/images/horse-7.png diff --git a/13978-h/images/illus-003.png b/13978-h/images/illus-003.png Binary files differnew file mode 100644 index 0000000..7c52ac5 --- /dev/null +++ b/13978-h/images/illus-003.png diff --git a/13978-h/images/illus-004.png b/13978-h/images/illus-004.png Binary files differnew file mode 100644 index 0000000..737cb65 --- /dev/null +++ b/13978-h/images/illus-004.png diff --git a/13978-h/images/illus-005.png b/13978-h/images/illus-005.png Binary files differnew file mode 100644 index 0000000..ad01c5d --- /dev/null +++ b/13978-h/images/illus-005.png diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. 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Flight, Illustrated by George Cruikshank</h1> +<pre> +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at <a href = "https://www.gutenberg.org">www.gutenberg.org</a></pre> +<p>Title: The True Legend of St. Dunstan and the Devil</p> +<p>Author: Edward G. Flight</p> +<p>Release Date: November 8, 2004 [eBook #13978]</p> +<p>Language: English</p> +<p>Character set encoding: ISO-8859-1</p> +<p>***START OF THE PROJECT GUTENBERG EBOOK THE TRUE LEGEND OF ST. DUNSTAN AND THE DEVIL***</p> +<br /><br /><h4>E-text prepared by Clare Boothby, David Garcia,<br /> + and the Project Gutenberg Online Distributed Proofreading Team</h4><br /><br /> +<hr class="full" /> +<div style="height: 2em;"><br /></div> + +<div class="figure" style="width: 100%;"> +<a href="images/horse-1.png"><img src="images/horse-1.png" width="60%" +alt="" /></a> +</div> + +<h1> +THE HORSE SHOE +</h1> + +<div style="height: 4em;"><br /><br /></div> + +<h2> + THE TRUE LEGEND OF +<br /> + ST. DUNSTAN AND THE DEVIL; +</h2> +<h3> +SHOWING HOW THE HORSE-SHOE CAME TO BE A CHARM AGAINST WITCHCRAFT. +</h3> +<center><b> +BY EDWARD G. FLIGHT. +</b> +</center> +<center> +WITH ILLUSTRATIONS +<br /> +BY GEORGE CRUIKSHANK, +</center> +<center> +ENGRAVED BY JOHN THOMPSON. +</center> + +<center><img src="images/horse-2.png" alt="" /></center> + +<center> +<i>THIRD EDITION</i>. +</center> +<center> +LONDON: +<!-- BELL AND DALDY, YORK ST., COVENT GARDEN. --> +<br /> +1871. +</center> + +<!-- +<center> +CHISWICK PRESS:—PRINTED BY WHITTINGHAM AND WILKINS, +<br /> +TOOKS COURT, CHANCERY LANE. +</center> +--> +<hr /> + +<div style="height: 4em;"><br /><br /><br /><br /></div> + +<div class="figure" style="width: 100%;"> +<img width="80%" src="images/horse-3.png" alt="" /> +</div> + +<h2> + PREFACE TO THE SECOND EDITION. +</h2> +<p style="text-indent: -2em;"> +<img width="75" height="75" src="images/cap-t.png" alt="T" style="float: left; margin-right: 2em;" /> +HE success of the first edition of this little work, compels its author +to say a few words on the issue of a second. "Expressive silence" would +now be in him the excessive impudence of not acknowledging, as he +respectfully does acknowledge, that success to be greatly ascribable to +the eminent artists who have drawn and engraved the illustrations. +</p> +<p> +"A man's worst wish for his enemy is that he might write a book," is a +generally-received notion, of whose accuracy it is hoped there is no +impertinence in suggesting a doubt. To reflect on having contributed, +however slightly, to the innocent amusement of others, without giving +pain to any, is alone an enjoyment well worth writing for. But when even +so unpretending a trifle as this is, can, besides, bring around its +obscure author fresh and valuable friendships, the hackneyed exclamation +would appear more intelligible if rendered thus: "Oh, that my <i>friend</i> +would write a book!" +</p> +<p> +In former days, possibly, things may have been very different from what +they now are. Haply, the literary highway may, heretofore, have been not +particularly clean, choked with rubbish, badly drained, ill lighted, not +always well paved even with good intentions, and beset with dangerous +characters, bilious-looking Thugs, prowling about, ready to pounce upon, +hocus, strangle, and pillage any new arrival. But all that is now +changed. Now, the path of literature is all velvet and roses. The race +of quacks and impostors has become as extinct, as are the saurian and +the dodo; and every honest flourisher of the pen, instead of being +tarred and feathered, is hailed as a welcome addition to "the united +happy family"—of letters. +</p> +<p> +Much of this agreeable change is owing to the improvement of the +literary police, which is become a respectable, sober, well-conducted +body of men, who seldom go on duty as critics, without a horse-shoe. +Much is owing to the propagation of the doctrines of the Peace Society, +even among that species of the <i>genus irritabile</i>, authors +themselves, who have at last learned +</p> +<div class="poem"> +<div class="stanza"> +<p class="i2"> "That brother should not war with brother</p> +<p class="i2"> And worry and devour each other;</p> +<p class="i2"> But sing and shine by sweet consent</p> +<p class="i2"> Till life's poor transient night is spent."</p> +</div> +</div> + +<p> +Chiefly, however, is the happy change attributable to the discriminating +and impartial judgment of the reading public of this golden Victorian +era. In the present day, it may be considered a general rule, that +no picture is admired, no book pronounced readable, no magazine or +newspaper circulated, unless in each case it develope intrinsic merit. +The mere name of the artist, or author, or editor, has not the slightest +weight with our present intelligent, discriminating community, who are +never enslaved, or misled, by whim, caprice, or fashion. It has been +said, but it seems too monstrous for belief, that, formerly, persons +were actually to be found so extremely indolent, or stupid, or timid, as +never to think for themselves; but who followed with the crowd, like a +swarm of bees, to the brazen tinkle of a mere name! Happily, the minds +of the present age are far too active, enlightened, independent, and +fearless, for degradation so unworthy. In our day, the professed wit +hopes not for the homage of a laugh, on his "only asking for the +mustard;" the artist no longer trusts to his signature on the canvas for +its being admired; no amount of previous authorship-celebrity preserves +a book from the trunkmaker; and the newspaper-writer cannot expect an +extensive sale, unless his leaders equal, at least, the frothy head of +"Barclay's porter," or possess the Attic salt of "Fortnum and Mason's +hams." At the same time, the proudest notable in literature can now no +longer swamp, or thrust aside, his obscurer peers; nor is the humblest +votive offering at the shrine of intellect, in danger, as formerly, from +the hoofs of spurious priests, alike insensible to receive, and impotent +to reflect or minister, light or warmth, from the sacred fire they +pretend to cherish. In short, such is the pleasant change which has come +over literary affairs, that, however apposite in past times, there is +not, in the present, any fitness in the exclamation, "Oh, that mine +enemy would write a book!" +</p> +<p> +With reference to the observation, made by more than one correspondent, +that the horse-shoe has not always proved an infallible charm against +the devil, the author, deferentially, begs to hazard an opinion that, in +every one of such cases, the supposed failure may have resulted from an +adoption of something else than the real shoe, as a protection. Once +upon a time, a witness very sensibly accounted for the plaintiff's horse +having broken down. "'Twasn't the hoss's fault," said he; "his plates +was wore so thin and so smooth, that, if he'd been Hal Brook<a href="#note-1" name="noteref-1"><small>1</small></a> his +self, he couldn't help slipping." +</p> +<p> +"You mean," said the judge, "that the horse, instead of shoes, had +merely slippers?" +</p> +<p> +Peradventure, the alleged failures may be similarly accounted for; +the party, in each case, having perhaps nailed up, not a shoe, but a +slipper, the learned distinction respecting which was thus judicially +recognised. The deed which the devil signed, must, like a penal statute, +be construed strictly. It says nothing of a slipper; and it has been +held by all our greatest lawyers, from Popham and Siderfin, down to +Ambler and Walker, that a slipper is not a shoe. +</p> +<p> +Another solution suggests itself. Possibly the horse-shoe, even if +genuine, was not affixed until after the Wicked One had already got +possession. In that case, not only would the charm be inefficacious +to eject him, but would actually operate as a bar to his quitting the +premises; for that eminent jurisconsult, Mephistopheles himself, has +distinctly laid it down as "a law binding on devils, that they must go +out the same way they stole in." Nailing up a shoe to keep the devil +out, after he has once got in, is indeed too late; and is something like +the literary pastime of the "Englishman," who kept on showing cause +against the Frenchman's rule, long after the latter had, on the motion +of his soldiers, already made it absolute with costs. +</p> +<p> +There is one other circumstance the author begs to refer to, from a +desire to dispel any uneasiness about our relations with the Yezidi +government. The late distinguished under-secretary for foreign affairs, +as every one knows, not regarding as <i>infra dig.</i> certain great, +winged, human-headed bulls,<a href="#note-2" name="noteref-2"><small>2</small></a> that would have astonished Mr. Edgeworth, +not less than they puzzle all Smithfield, and the rest of the learned +"whose speech is of oxen," has imported those extraordinary +grand-junction specimens, which, with their countryfolk, the Yezidis, +Dr. Layard has particularly described in his book on Nineveh. When +speaking of the Yezidis, he has observed, "The name of the evil spirit +is, however, never mentioned; and any allusion to it by others so vexes +and irritates them, that it is said they have put to death persons who +have wantonly outraged their feelings by its use. So far is their dread +of offending the evil principle carried, that they carefully avoid every +expression which may resemble in sound the name of Satan, or the Arabic +word for 'accursed.' Thus, in speaking of a river, they will not say +<i>Shat</i>, because it is too nearly connected with the first syllable +in <i>Sheitan</i>, the devil; but substitute <i>Nahr</i>. Nor, for the +same reason, will they utter the word <i>Keitan</i>, thread or fringe. +<i>Naal</i>, a horse-shoe, and <i>naal-band</i>, a farrier, are forbidden words; +because they approach to <i>laan</i>, a curse, and <i>māloun</i>, accursed."—<i>Layard</i>, +vol. i. p. 297. +</p> +<p> +Notwithstanding all this, the author has the pleasant satisfaction of +most respectfully assuring his readers, on the authority of the last +Yezidi <i>Moniteur</i>, that the amicable relations of this country with +the Yezidi government are not in the slightest danger of being disturbed +by this little book; and that John Bull is, at present, in no jeopardy +of being swallowed up by those monstrous distant cousins of his, of whom +Mr. Layard has brought home the above-mentioned speaking likenesses. +</p> +<p class="r"> +1, Adam Street, Adelphi. +</p> +<hr /> + +<div style="height: 4em;"><br /><br /><br /><br /></div> + +<div class="figure" style="width: 100%;"> +<img src="images/horse-4.png" alt="" /> +</div> + +<h2> +ST. DUNSTAN AND THE DEVIL. +</h2> + +<div class="figure" style="width: 100%;"> +<img src="images/horse-5.png" alt="" /> +</div> + +<div style="height: 4em;"><br /><br /><br /><br /></div> + +<div class="figure" style="width: 100%;"> +<a href="images/horse-6.png"><img src="images/horse-6.png" +alt="" width="60%" /></a> +</div> + +<p class="quote"> +"And it is for trouth reported, that where this signe dothe appere, +there the Evill Spirite entreth not."—SERMON ON WITCHES. +</p> +<p class="quote"> +"Your wife's a witch, man; you should nail a horse-shoe on your +chamber-door."—REDGAUNTLET. +</p> + +<hr /> + +<div style="height: 4em;"><br /><br /><br /><br /></div> + +<div class="figure" style="width: 100%;"> +<img width="80%" src="images/horse-7.png" alt="" /> +</div> + +<h2> +ST. DUNSTAN AND THE DEVIL. +</h2> + + +<div class="poem"> +<div class="stanza"> +<p style="text-indent: -2em; margin-left: -3em;"> +<img width="75" height="75" src="images/cap-i.png" alt="I" style="float: left; margin-right: 2em;" /> +N days of yore, when saints were plenty</p> +<p class="i6"> (For each one now, you'd then find twenty,)</p> +<p class="i10"> In Glaston's fruitful vale</p> +<p class="i6"> Saint Dunstan had his dwelling snug</p> +<p class="i6"> Warm as that inmate of a rug</p> +<p class="i10"> Named in no polished tale</p> +</div> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> The holy man, when not employed</p> +<p class="i2"> At prayers or meals, to work enjoyed</p> +<p class="i6"> With anvil, forge, and sledge</p> +<p class="i2"> These he provided in his cell</p> +<p class="i2"> With saintly furniture as well;</p> +<p class="i6"> So chroniclers allege</p> +</div> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> The peaceful mattock, ploughshare, spade</p> +<p class="i2"> Sickle, and pruning-hook he made</p> +<p class="i6"> Eschewing martial labours</p> +<p class="i2"> Thus bees will rather honey bring</p> +<p class="i2"> Than hurtfully employ their sting</p> +<p class="i6"> In warfare for their neighbours</p> +</div> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> A cheerful saint too, oft would he</p> +<p class="i2"> Mellow old Time with minstrelsy,—</p> +<p class="i6"> But such as gave no scandal;</p> +<p class="i2"> Than his was never harp more famed;</p> +<p class="i2"> For Dunstan was the blacksmith named</p> +<p class="i6"> Harmonious by Handel</p> +</div> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> And when with tuneful voice he sang</p> +<p class="i2"> His well-strung harp's melodious twang</p> +<p class="i6"> Accompaniment lending;</p> +<p class="i2"> So sweetly wedded were the twain</p> +<p class="i2"> The chords flowed mingled with the strain</p> +<p class="i6"> Mellifluently blending</p> +</div> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> Now 'tis well known mankind's great foe</p> +<p class="i2"> Oft lurks and wanders to and fro</p> +<p class="i6"> In bailiwicks and shires;</p> +<p class="i2"> Scattering broad-cast his mischief-seeds</p> +<p class="i2"> Planting the germs of wicked deeds</p> +<p class="i2"> Choking fair shoots with poisonous weeds</p> +<p class="i6"> Till goodness nigh expires</p> +</div> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> Well, so it chanced, this tramping vagrant</p> +<p class="i2"> Intent on villanies most flagrant</p> +<p class="i6"> Ranged by Saint Dunstan's gate;</p> +<p class="i2"> And hearing music so delicious</p> +<p class="i2"> Like hooded snake, his spleen malicious</p> +<p class="i6"> Swelled up with envious hate</p> +</div> +</div> + +<div class="figure" style="width: 100%;"> +<a href="images/illus-003.png"><img width="100%" src="images/illus-003.png" +alt="" /></a> +</div> + + +<div class="poem"> +<div class="stanza"> +<p class="i2"> Thought Nick, I'll make his harp a fool;</p> +<p class="i2"> I'll push him from his music-stool;</p> +<p class="i6"> Then, skulking near the saint</p> +<p class="i2"> The vilest jars Nick loudly sounded</p> +<p class="i2"> Of brayings, neighings, screams compounded;</p> +<p class="i2"> How the musician's ears were wounded</p> +<p class="i6"> Not Hogarth e'en could paint</p> +</div> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> The devil fancied it rare fun</p> +<p class="i2"> "Well! don't you like my second, Dun?</p> +<p class="i2"> Two parts sound better sure than one,"</p> +<p class="i6"> Said he, with queer grimace:</p> +<p class="i2"> "Come sing away, indeed you shall;</p> +<p class="i2"> Strike up a spicy madrigal</p> +<p class="i6"> And hear me do the bass."</p> +</div> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> This chaffing Dunstan could not brook</p> +<p class="i2"> His clenched fist, his crabbed look</p> +<p class="i6"> Betrayed his irritation</p> +<p class="i2"> 'Twas nuts for Nick's derisive jaw</p> +<p class="i2"> Who fairly chuckled when he saw</p> +<p class="i6"> The placid saint's vexation</p> +</div> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> "<i>Au revoir</i>, friend, adieu till noon;</p> +<p class="i2"> Just now you are rather out of tune</p> +<p class="i6"> Your visage is too sharp;</p> +<p class="i2"> Your ear perhaps a trifle flat:</p> +<p class="i2"> When I return, 'All round my hat'</p> +<p class="i6"> We'll have upon the harp."</p> +</div> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> A tale, I know, has gone about</p> +<p class="i2"> That Dunstan twinged him by the snout</p> +<p class="i6"> With pincers hotly glowing;</p> +<p class="i2"> Levying, by <i>fieri facias</i> tweak</p> +<p class="i2"> A diabolic screech and squeak</p> +<p class="i6"> No tender mercy showing</p> +</div> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> But antiquarians the most curious</p> +<p class="i2"> Reject that vulgar tale as spurious;</p> +<p class="i6"> His reverence, say they</p> +<p class="i2"> Instead of giving nose a pull</p> +<p class="i2"> Resolved on vengeance just and full</p> +<p class="i6"> Upon some future day</p> +</div> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> Dunstan the saying called to mind</p> +<p class="i2"> "The devil through his paw behind</p> +<p class="i2"> Alone shall penal torture find</p> +<p class="i6"> From iron, lead, or steel."</p> +<p class="i2"> Achilles thus had been eternal</p> +<p class="i2"> Thanks to his baptism infernal</p> +<p class="i6"> But for his mortal heel</p> +</div> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> And so the saint, by wisdom guided</p> +<p class="i2"> To fix old Clootie's hoof decided</p> +<p class="i6"> With horse-shoe of real metal</p> +<p class="i2"> And iron nails quite unmistakable;</p> +<p class="i2"> For Dunstan, now become implacable</p> +<p class="i6"> Resolved Nick's hash to settle</p> +</div> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> Satan, of this without forewarning</p> +<p class="i2"> Worse luck for him! the following morning</p> +<p class="i6"> With simper sauntered in;</p> +<p class="i2"> Squinted at what the saint was doing</p> +<p class="i2"> But never smoked the mischief brewing</p> +<p class="i2"> Putting his foot in't; soon the shoeing</p> +<p class="i6"> Did holy smith begin</p> +</div> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> Oh! 'twas worth coin to see him seize</p> +<p class="i2"> That ugly leg, and 'twixt his knees</p> +<p class="i6"> Firmly the pastern grasp</p> +<p class="i2"> The shoe he tried on, burning hot</p> +<p class="i2"> His tools all handy he had got</p> +<p class="i6"> Hammer, and nails, and rasp</p> +</div> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> A startled stare the devil lent</p> +<p class="i2"> Much wondering what St. Dunstan meant</p> +<p class="i6"> This preluding to follow</p> +<p class="i2"> But the first nail from hammer's stroke</p> +<p class="i2"> Full soon Nick's silent wonder broke</p> +<p class="i2"> For his shrill scream might then have woke</p> +<p class="i6"> The sleepiest of Sleepy Hollow</p> +</div> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> And distant Echo heard the sound</p> +<p class="i2"> Vexing the hills for leagues around</p> +<p class="i6"> But answer would not render</p> +<p class="i2"> She may not thus her lips profane:</p> +<p class="i2"> So Shadow, fearful of a stain</p> +<p class="i6"> Avoids the black offender</p> +</div> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> The saint no pity had on Nick</p> +<p class="i2"> But drove long nails right through the quick;</p> +<p class="i6"> Louder shrieked he, and faster</p> +<p class="i2"> Dunstan cared not; his bitter grin</p> +<p class="i2"> Without mistake, showed Father Sin</p> +<p class="i6"> He had found a ruthless master</p> +</div> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> And having driven, clenched, and filed</p> +<p class="i2"> The saint reviewed his work, and smiled</p> +<p class="i6"> With cruel satisfaction;</p> +<p class="i2"> And jeering said, "Pray, ere you go</p> +<p class="i2"> Dance me the <i>pas seul</i> named 'Jim Crow,'</p> +<p class="i6"> With your most graceful action."</p> +</div> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> To tell how Horny yelled and cried</p> +<p class="i2"> And all the artful tricks he tried</p> +<p class="i6"> To ease his tribulations</p> +<p class="i2"> Would more than fill a bigger book</p> +<p class="i2"> Than ever author undertook</p> +<p class="i6"> Since the Book of Lamentations</p> +</div> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> His tail's short, quick, convulsive coils</p> +<p class="i2"> Told of more pain than all Job's boils</p> +<p class="i2"> When Satan brought, with subtle toils</p> +<p class="i6"> Job's patience to the scratch</p> +<p class="i2"> For sympathetic tortures spread</p> +<p class="i2"> From hoof to tail, from tail to head:</p> +<p class="i6"> All did the anguish catch</p> +</div> +</div> + +<div class="figure" style="width: 100%;"> +<a href="images/illus-004.png"><img width="100%" src="images/illus-004.png" +alt="" /></a> +</div> + + +<div class="poem"> +<div class="stanza"> +<p class="i2"> And yet, though seemed this sharp correction</p> +<p class="i2"> Stereotyped in Satan's recollection</p> +<p class="i6"> As in his smarting hocks;</p> +<p class="i2"> Not until he the following deed</p> +<p class="i2"> Had signed and sealed, St. Dunstan freed</p> +<p class="i6"> The vagabond from stocks</p> +</div> +</div> + +<p class="quote"> + <b>To all</b> good folk in Christendom to whom this instrument + shall come the Devil sendeth greeting: <b>Know ye</b> that for + himself and heirs said Devil covenants and declares, that never + at morn or evening prayers at chapel church or meeting, never + where concords of sweet sound sacred or social flow around or + harmony is woo'd, nor where the Horse-Shoe meets his sight on + land or sea by day or night on lowly sill or lofty pinnacle on + bowsprit helm mast boom or binnacle, said Devil will intrude. +</p> +<div class="poem"> +<div class="stanza"> +<p class="i2"> The horse-shoe now saves keel, and roof</p> +<p class="i2"> From visits of this rover's hoof</p> +<p class="i6"> The emblem seen preventing</p> +<p class="i2"> He recks the bond, but more the pain</p> +<p class="i2"> The nails went so against the grain</p> +<p class="i6"> The rasp was so tormenting</p> +</div> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> He will not through Granāda march</p> +<p class="i2"> For there he knows the horse-shoe arch</p> +<p class="i6"> At every gate attends him</p> +<p class="i2"> Nor partridges can he digest</p> +<p class="i2"> Since the dire horse-shoe on the breast</p> +<p class="i6"> Most grievously offends him</p> +</div> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> The name of Smith he cannot bear;</p> +<p class="i2"> Smith Payne he'll curse, and foully swear</p> +<p class="i6"> At Smith of Pennsylvania</p> +<p class="i2"> With looks so wild about the face;</p> +<p class="i2"> Monro called in, pronounced the case</p> +<p class="i6"> Clear antismithymania;</p> +</div> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> And duly certified that Nick</p> +<p class="i2"> Should be confined as lunatic</p> +<p class="i6"> Fit subject for commission</p> +<p class="i2"> But who the deuce would like to be</p> +<p class="i2"> The devil's person's committee?</p> +<p class="i6"> So kindred won't petition</p> +</div> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> Now, since the wicked fiend's at large</p> +<p class="i2"> Skippers, and housekeepers, I charge</p> +<p class="i6"> You all to heed my warning</p> +<p class="i2"> Over your threshold, on your mast</p> +<p class="i2"> Be sure the horse-shoe's well nailed fast</p> +<p class="i6"> Protecting and adorning</p> +</div> +</div> + +<div class="figure" style="width: 100%;"> +<a href="images/illus-005.png"><img width="100%" src="images/illus-005.png" +alt="'O, et Praesidium, Et Dulce Decus.'--Hor Lib. I. Ode I." /> +</a> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> Here note, if humourists by trade</p> +<p class="i2"> On waistcoat had the shoe displayed</p> +<p class="i2"> Lampoon's sour spirit might be laid</p> +<p class="i6"> And cease its spiteful railing</p> +<p class="i2"> Whether the humour chanced to be</p> +<p class="i2"> Joke, pun, quaint ballad, repartee</p> +<p class="i2"> Slang, or bad spelling, we should see</p> +<p class="i6"> Good humour still prevailing</p> +</div> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> And oh! if Equity, as well</p> +<p class="i2"> As Nisi Prius, would not sell</p> +<p class="i6"> <i>Reason's perfection</i> ever</p> +<p class="i2"> To wrangling suitors <i>sans</i> horse-shoe</p> +<p class="i2"> Lawyers would soon have nought to do</p> +<p class="i2"> Their subtle efforts ceasing too</p> +<p class="i6"> Reason from right to sever</p> +</div> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> While Meux the symbol wears, <i>tant mieux</i></p> +<p class="i2"> Repelling sinful aid to brew</p> +<p class="i6"> His liquid strains XX;</p> +<p class="i2"> Still, I advise, strong drinks beware</p> +<p class="i2"> No horse-shoe thwarts the devil there</p> +<p class="i6"> Or demon-mischief checks</p> +</div> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> And let me rede you, Mr. Barry</p> +<p class="i2"> Not all your arms of John, Dick, Harry</p> +<p class="i6"> Plantagenet, or Tudor;</p> +<p class="i2"> Nor your projections, or your niches</p> +<p class="i2"> Affluent of crowns and sculptile riches</p> +<p class="i6"> Will scare the foul intruder</p> +</div> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> He'll care not for your harp a whistle</p> +<p class="i2"> Nor lion, horse, rose, shamrock, thistle</p> +<p class="i6"> Horn'd head, or <i>Honi soit</i>;</p> +<p class="i2"> Nor puppy-griffs, though doubtless meant</p> +<p class="i2"> Young senators to represent</p> +<p class="i6"> Like Samson, armed with jaw</p> +</div> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> Only consult your sober senses</p> +<p class="i2"> And ponder well the consequences</p> +<p class="i6"> If in some moment evil</p> +<p class="i2"> The old sinner should take Speaker's chair</p> +<p class="i2"> Make Black Rod fetch the nobles there</p> +<p class="i6"> And with them play the devil!</p> +</div> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> Then do not fail, great architect</p> +<p class="i2"> Assembled wisdom to protect</p> +<p class="i6"> From Satan's visitation</p> +<p class="i2"> With horse-shoe fortify each gate</p> +<p class="i2"> Each lion's paw; and then the State</p> +<p class="i6"> Is safe from ruination</p> +</div> +</div> + + +<div class="figure" style="width: 100%;"> +<img width="100%" src="images/horse-10.png" alt="" /> +</div> + +<hr /> + +<div style="height: 4em;"><br /><br /><br /><br /></div> + +<div class="figure" style="width: 100%;"> +<img width="80%" src="images/horse-11.png" alt="" /> +</div> + +<h2> + POSTSCRIPT. +</h2> + +<p style="text-indent: -2em;"> +<img width="75" height="75" src="images/cap-t.png" alt="T" style="float: left; margin-right: 2em;" /> +HE courteous reader's indulgence will, it is hoped, extend to a waiver +of all proofs and vouchers in demonstration of the authenticity of this +tale, which is "simply told as it was told to me." Any one who can show +that it is not the true tale, will greatly oblige, if he can and will a +tale unfold, that <i>is</i> the true one. If this is not the true story +and history of the horse-shoe's charm against the wicked one, what +<i>is</i>? That's the question. +</p> +<p> +There's nothing like candour; and so it is here candidly and ingenuously +confessed that the original deed mentioned in the poem, has hitherto +eluded the most diligent searches and researches. As yet, it cannot be +found, notwithstanding all the patient, zealous, and persevering efforts +of learned men, erudite antiquarians, law and equity chiffonniers, who +have poked and pored, in, through, over, and among, heaps, bundles, +and collections, of old papers, vellums, parchments, deeds, muniments, +documents, testaments, instruments, ingrossments, records, writings, +indentures, deed polls, escrows, books, bills, rolls, charters, +chirographs, and exemplifications, in old English, German text, black +letter, red letter, round-hand, court-hand, Norman French, dog Latin, +and law gibberish, occupying all sorts of old boxes, old bookcases, old +chests, old cupboards, old desks, old drawers, old presses, and old +shelves, belonging to the Dunstan branch of the old Smith family. At +one moment, during the searches, it is true, hopes were excited on the +perception of a faint brimstone odour issuing from an antiquated iron +box found among some rubbish; but instead of any vellum or parchment, +there were only the unused remains of some bundles of veteran matches, +with their tinder-box accomplice, which had been thrown aside and +forgotten, ever since the time when the functions of those old hardened +incendiaries, flint and steel, were extinguished by the lucifers. +All further search, it is feared, will be in vain; and the deed is now +believed to be as irrecoverably lost, as the musty muster-roll of Battle +Abbey. +</p> +<p> +A legal friend has volunteered an opinion, that certain supposed defects +in the alleged deed evince its spuriousness, and even if genuine, its +inefficiency. His words are, "The absence of all legal consideration, +that is to say, valuable consideration, such as money, or money's worth; +or good consideration, such as natural love and affection, would render +the deed void, or voidable, as a mere <i>nudum pactum</i>. [See +<i>Plowden</i>.] Moreover, an objection arises from there being no +<i>Anno Domini</i>, [<i>Year Book, Temp. Ric. III.</i>] and no <i>Anno Regni</i>, +[<i>Croke Eliz.</i>] and no condition <i>in pœnam</i>. [<i>Lib. Ass.</i>] Now, +if the original deed had been thus defective, the covenanting party +thereto is too good a lawyer, not to have set it aside." +</p> +<p> +To these learned subtleties it may be answered, that the deed was +evidently intended, not so much as an instrument effectively binding +"the covenanting party," as a record whereby to justify a renewal +of punishment, in case of contravention of any of the articles of +treaty. It would have been informal to make mention of money as the +consideration, it being patent that this "covenanting party" considers +it of no value at all. For however dearly all "good folk in Christendom" +may estimate and hug the precious bane, as the most valuable +consideration on earth, he, old sinner that he is, wickedly disparages +it, as being mere filthy lucre, only useful horticulturally, to manure +his hot-beds of iniquity. With regard to the consideration of natural +love and affection, it is humbly submitted that the facts are at +variance with such a suggestion. +</p> +<p> +Another friend, not of the legal, but the equestrian order, has +tendered, according to his ideas, an explanation of the especial +protecting virtue of the horseshoe. His notions are given as follows, +<i>ipsissimis verbis</i>. "There is not in the whole world, a nobler +animal than that splendid fellow, the horse. He is the embodiment of all +that is magnificent, possessing strength, swiftness, courage, sagacity, +and gracefulness. He never drinks more than he needs, or says more +than he ought. If he were an opposition M.P.—and a horse was once a +consul—his speech against Government bills, would be only a dignified +neigh. Base and unworthy measures he disdains. +</p> +<div class="poem"> +<div class="stanza"> +<p class="i2"> "Who ever knew this honest brute</p> +<p class="i2"> At law his neighbour prosecute;</p> +<p class="i2"> Bring action for assault and battery</p> +<p class="i2"> Or friend beguile with lies and flattery?</p> +</div> +</div> + +<p> +"His proud step is on all fours with his love of a fair field and no +favour. The grandeur of his nature is such, that the idea of a beggar +on horseback is proverbially the most revolting of all inequitable +absurdities and incongruities in human economy; while, on the other +hand, as was once well remarked by a distinguished lecturer, this superb +animal stamped his very name itself on that for which our loftiest +princes and nobles, before the present degenerate age of iron, were +emulous of distinguishing themselves. In proportion as they developed +unblemished honour, with undaunted bravery, graceful bearing, and +magnanimous generosity, were they deemed worthy to rank among +Christendom's bright chivalry. +</p> +<p> +"The horse-shoe was, no doubt, regarded as typical of the noble +qualities of its wearer. These being so hateful to the ugly, sly, +intriguing, slandering, malevolent, ill-conditioned, pettifogging, +pitiful arch-enemy, it might well be supposed that the mere apparition +of that type would scare him away. To this supposition is ascribable the +adoption of the horse-shoe, as an infallible charm against the visits of +old Iniquity." +</p> +<p> +But mere "supposition" is no answer to the question above propounded. +</p> +<hr /> +<p> +An acknowledgment is due, and is hereby offered, to the unknown +correspondent, who has obligingly communicated the following copy of the +coat of arms of the Dunstan family. +</p> +<p> +"Azure, on a chevron gules between three harps, a horse-shoe supported +by two pairs of pincers, proper. <i>Crest</i>—An arm embowed, couped +at the shoulder, the hand grasping a hammer, all proper. +<i>Motto</i>—'SARUED HYM RIGHTE.'" +</p> + +<div class="figure" style="width: 100%;"> +<a href="images/coatarms.png"><img width="60%" src="images/coatarms.png" +alt="Sareud Hym Righte" /></a> +</div> + +<div style="height: 6em;"><br /><br /><br /><br /><br /><br /></div> + +<hr class="full" /> + +<h2>Footnotes</h2> + +<a name="note-1"><!--Note--></a> +<p class="foot"> +<u>1</u> (<a href="#noteref-1">return</a>)<br /> +Doubtless he meant Al Borak, the name of Mahomet's night +mare. +</p> +<a name="note-2"><!--Note--></a> +<p class="foot"> +<u>2</u> (<a href="#noteref-2">return</a>)<br /> +A sister countryman,—a bull is excusable when discoursing +of bulls,—on seeing the monster at the Museum, exclaimed, "Faith! the +great Dan himself couldn't repale <i>that</i> union, at all, at all, +<i>after</i> 'twas once put together." Some suppose this bull to be +typical of a foreign John Bull, the head representing the Crown, the +fine feathers the Lords, and the rest the Commons. +</p> + +<br /> +<br /> +<hr class="full" /> +<p>***END OF THE PROJECT GUTENBERG EBOOK THE TRUE LEGEND OF ST. DUNSTAN AND THE DEVIL***</p> +<p>******* This file should be named 13978-h.txt or 13978-h.zip *******</p> +<p>This and all associated files of various formats will be found in:<br /> +<a href="https://www.gutenberg.org/dirs/1/3/9/7/13978">https://www.gutenberg.org/1/3/9/7/13978</a></p> +<p>Updated editions will replace the previous one--the old editions +will be renamed.</p> + +<p>Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. 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Flight, Illustrated by George Cruikshank + + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + + + + +Title: The True Legend of St. Dunstan and the Devil + +Author: Edward G. Flight + +Release Date: November 8, 2004 [eBook #13978] + +Language: English + +Character set encoding: ISO-646-US (US-ASCII) + + +***START OF THE PROJECT GUTENBERG EBOOK THE TRUE LEGEND OF ST. DUNSTAN AND +THE DEVIL*** + + +E-text prepared by Clare Boothby, David Garcia, and the Project Gutenberg +Online Distributed Proofreading Team + + + +Note: Project Gutenberg also has an HTML version of this + file which includes the original illustrations. + See 13978-h.htm or 13978-h.zip: + (https://www.gutenberg.org/dirs/1/3/9/7/13978/13978-h/13978-h.htm) + or + (https://www.gutenberg.org/dirs/1/3/9/7/13978/13978-h.zip) + + + + + +THE TRUE LEGEND OF ST. DUNSTAN AND THE DEVIL + +Showing How the Horse-Shoe Came to Be a Charm against Witchcraft + +by + +EDWARD G. FLIGHT. + +With Illustrations by George Cruikshank + +Engraved by John Thompson + +Third Edition + +1871 + + + + + + + +[Illustration] + + + +[Illustration] + + + + + + + +[Illustration] + + + + +PREFACE TO THE SECOND EDITION. + + +The success of the first edition of this little work, compels its author +to say a few words on the issue of a second. "Expressive silence" would +now be in him the excessive impudence of not acknowledging, as he +respectfully does acknowledge, that success to be greatly ascribable to +the eminent artists who have drawn and engraved the illustrations. + +"A man's worst wish for his enemy is that he might write a book," is a +generally-received notion, of whose accuracy it is hoped there is no +impertinence in suggesting a doubt. To reflect on having contributed, +however slightly, to the innocent amusement of others, without giving +pain to any, is alone an enjoyment well worth writing for. But when even +so unpretending a trifle as this is, can, besides, bring around its +obscure author fresh and valuable friendships, the hackneyed exclamation +would appear more intelligible if rendered thus: "Oh, that my _friend_ +would write a book!" + +In former days, possibly, things may have been very different from what +they now are. Haply, the literary highway may, heretofore, have been not +particularly clean, choked with rubbish, badly drained, ill lighted, not +always well paved even with good intentions, and beset with dangerous +characters, bilious-looking Thugs, prowling about, ready to pounce upon, +hocus, strangle, and pillage any new arrival. But all that is now +changed. Now, the path of literature is all velvet and roses. The race +of quacks and impostors has become as extinct, as are the saurian and +the dodo; and every honest flourisher of the pen, instead of being +tarred and feathered, is hailed as a welcome addition to "the united +happy family"--of letters. + +Much of this agreeable change is owing to the improvement of the +literary police, which is become a respectable, sober, well-conducted +body of men, who seldom go on duty as critics, without a horse-shoe. +Much is owing to the propagation of the doctrines of the Peace Society, +even among that species of the _genus irritabile_, authors +themselves, who have at last learned + + "That brother should not war with brother, + And worry and devour each other; + But sing and shine by sweet consent, + Till life's poor transient night is spent." + + +Chiefly, however, is the happy change attributable to the discriminating +and impartial judgment of the reading public of this golden Victorian +era. In the present day, it may be considered a general rule, that +no picture is admired, no book pronounced readable, no magazine or +newspaper circulated, unless in each case it develope intrinsic merit. +The mere name of the artist, or author, or editor, has not the slightest +weight with our present intelligent, discriminating community, who are +never enslaved, or misled, by whim, caprice, or fashion. It has been +said, but it seems too monstrous for belief, that, formerly, persons +were actually to be found so extremely indolent, or stupid, or timid, as +never to think for themselves; but who followed with the crowd, like a +swarm of bees, to the brazen tinkle of a mere name! Happily, the minds +of the present age are far too active, enlightened, independent, and +fearless, for degradation so unworthy. In our day, the professed wit +hopes not for the homage of a laugh, on his "only asking for the +mustard;" the artist no longer trusts to his signature on the canvas for +its being admired; no amount of previous authorship-celebrity preserves +a book from the trunkmaker; and the newspaper-writer cannot expect an +extensive sale, unless his leaders equal, at least, the frothy head of +"Barclay's porter," or possess the Attic salt of "Fortnum and Mason's +hams." At the same time, the proudest notable in literature can now no +longer swamp, or thrust aside, his obscurer peers; nor is the humblest +votive offering at the shrine of intellect, in danger, as formerly, from +the hoofs of spurious priests, alike insensible to receive, and impotent +to reflect or minister, light or warmth, from the sacred fire they +pretend to cherish. In short, such is the pleasant change which has come +over literary affairs, that, however apposite in past times, there is +not, in the present, any fitness in the exclamation, "Oh, that mine +enemy would write a book!" + +With reference to the observation, made by more than one correspondent, +that the horse-shoe has not always proved an infallible charm against +the devil, the author, deferentially, begs to hazard an opinion that, in +every one of such cases, the supposed failure may have resulted from an +adoption of something else than the real shoe, as a protection. Once +upon a time, a witness very sensibly accounted for the plaintiff's horse +having broken down. "'Twasn't the hoss's fault," said he; "his plates +was wore so thin and so smooth, that, if he'd been Hal Brook[1] his +self, he couldn't help slipping." + +[Footnote 1: Doubtless he meant Al Borak, the name of Mahomet's night +mare.] + +"You mean," said the judge, "that the horse, instead of shoes, had +merely slippers?" + +Peradventure, the alleged failures may be similarly accounted for; +the party, in each case, having perhaps nailed up, not a shoe, but a +slipper, the learned distinction respecting which was thus judicially +recognised. The deed which the devil signed, must, like a penal statute, +be construed strictly. It says nothing of a slipper; and it has been +held by all our greatest lawyers, from Popham and Siderfin, down to +Ambler and Walker, that a slipper is not a shoe. + +Another solution suggests itself. Possibly the horse-shoe, even if +genuine, was not affixed until after the Wicked One had already got +possession. In that case, not only would the charm be inefficacious +to eject him, but would actually operate as a bar to his quitting the +premises; for that eminent jurisconsult, Mephistopheles himself, has +distinctly laid it down as "a law binding on devils, that they must go +out the same way they stole in." Nailing up a shoe to keep the devil +out, after he has once got in, is indeed too late; and is something like +the literary pastime of the "Englishman," who kept on showing cause +against the Frenchman's rule, long after the latter had, on the motion +of his soldiers, already made it absolute with costs. + +There is one other circumstance the author begs to refer to, from a +desire to dispel any uneasiness about our relations with the Yezidi +government. The late distinguished under-secretary for foreign affairs, +as every one knows, not regarding as _infra dig._ certain great, winged, +human-headed bulls,[2] that would have astonished Mr. Edgeworth, not +less than they puzzle all Smithfield, and the rest of the learned "whose +speech is of oxen," has imported those extraordinary grand-junction +specimens, which, with their countryfolk, the Yezidis, Dr. Layard has +particularly described in his book on Nineveh. When speaking of the +Yezidis, he has observed, "The name of the evil spirit is, however, +never mentioned; and any allusion to it by others so vexes and irritates +them, that it is said they have put to death persons who have wantonly +outraged their feelings by its use. So far is their dread of offending +the evil principle carried, that they carefully avoid every expression +which may resemble in sound the name of Satan, or the Arabic word for +'accursed.' Thus, in speaking of a river, they will not say _Shat_, +because it is too nearly connected with the first syllable in _Sheitan_, +the devil; but substitute _Nahr_. Nor, for the same reason, will they +utter the word _Keitan_, thread or fringe. _Naal_, a horse-shoe, and +_naal-band_, a farrier, are forbidden words; because they approach to +_laan_, a curse, and _m[=a]loun_, accursed."--_Layard_, vol. i. p. 297. + +[Footnote 2: A sister countryman,--a bull is excusable when discoursing +of bulls,--on seeing the monster at the Museum, exclaimed, "Faith! the +great Dan himself couldn't repale _that_ union, at all, at all, +_after_ 'twas once put together." Some suppose this bull to be +typical of a foreign John Bull, the head representing the Crown, the +fine feathers the Lords, and the rest the Commons.] + +Notwithstanding all this, the author has the pleasant satisfaction of +most respectfully assuring his readers, on the authority of the last +Yezidi _Moniteur_, that the amicable relations of this country with +the Yezidi government are not in the slightest danger of being disturbed +by this little book; and that John Bull is, at present, in no jeopardy +of being swallowed up by those monstrous distant cousins of his, of whom +Mr. Layard has brought home the above-mentioned speaking likenesses. + +1, Adam Street, Adelphi. + + + + +[Illustration] + + + +ST. DUNSTAN AND THE DEVIL. + + + +[Illustration] + + + +[Illustration] + + + +"And it is for trouth reported, that where this signe dothe appere, +there the Evill Spirite entreth not."--SERMON ON WITCHES. + +"Your wife's a witch, man; you should nail a horse-shoe on your +chamber-door."--REDGAUNTLET. + + + +[Illustration] + + +ST. DUNSTAN AND THE DEVIL. + + + In days of yore, when saints were plenty, + (For each one now, you'd then find twenty,) + In Glaston's fruitful vale, + Saint Dunstan had his dwelling snug, + Warm as that inmate of a rug, + Named in no polished tale. + + The holy man, when not employed + At prayers or meals, to work enjoyed + With anvil, forge, and sledge. + These he provided in his cell, + With saintly furniture as well; + So chroniclers allege. + + The peaceful mattock, ploughshare, spade, + Sickle, and pruning-hook he made, + Eschewing martial labours. + Thus bees will rather honey bring, + Than hurtfully employ their sting + In warfare for their neighbours. + + A cheerful saint too, oft would he + Mellow old Time with minstrelsy,-- + But such as gave no scandal; + Than his was never harp more famed; + For Dunstan was the blacksmith named + Harmonious by Handel. + + And when with tuneful voice he sang, + His well-strung harp's melodious twang + Accompaniment lending; + So sweetly wedded were the twain, + The chords flowed mingled with the strain, + Mellifluently blending. + + Now 'tis well known mankind's great foe + Oft lurks and wanders to and fro, + In bailiwicks and shires; + Scattering broad-cast his mischief-seeds, + Planting the germs of wicked deeds, + Choking fair shoots with poisonous weeds, + Till goodness nigh expires. + + Well, so it chanced, this tramping vagrant, + Intent on villanies most flagrant, + Ranged by Saint Dunstan's gate; + And hearing music so delicious, + Like hooded snake, his spleen malicious + Swelled up with envious hate. + + +[Illustration] + + + Thought Nick, I'll make his harp a fool; + I'll push him from his music-stool; + Then, skulking near the saint, + The vilest jars Nick loudly sounded, + Of brayings, neighings, screams compounded; + How the musician's ears were wounded, + Not Hogarth e'en could paint. + + The devil fancied it rare fun. + "Well! don't you like my second, Dun? + Two parts sound better sure than one," + Said he, with queer grimace: + "Come sing away, indeed you shall; + Strike up a spicy madrigal, + And hear me do the bass." + + This chaffing Dunstan could not brook, + His clenched fist, his crabbed look + Betrayed his irritation. + 'Twas nuts for Nick's derisive jaw, + Who fairly chuckled when he saw + The placid saint's vexation. + + "_Au revoir_, friend, adieu till noon; + Just now you are rather out of tune, + Your visage is too sharp; + Your ear perhaps a trifle flat: + When I return, 'All round my hat' + We'll have upon the harp." + + A tale, I know, has gone about, + That Dunstan twinged him by the snout + With pincers hotly glowing; + Levying, by _fieri facias_ tweak, + A diabolic screech and squeak, + No tender mercy showing. + + But antiquarians the most curious + Reject that vulgar tale as spurious; + His reverence, say they, + Instead of giving nose a pull, + Resolved on vengeance just and full + Upon some future day. + + Dunstan the saying called to mind, + "The devil through his paw behind + Alone shall penal torture find + From iron, lead, or steel." + Achilles thus had been eternal, + Thanks to his baptism infernal, + But for his mortal heel. + + And so the saint, by wisdom guided, + To fix old Clootie's hoof decided + With horse-shoe of real metal, + And iron nails quite unmistakable; + For Dunstan, now become implacable, + Resolved Nick's hash to settle. + + Satan, of this without forewarning, + Worse luck for him! the following morning, + With simper sauntered in; + Squinted at what the saint was doing, + But never smoked the mischief brewing, + Putting his foot in't; soon the shoeing + Did holy smith begin. + + Oh! 'twas worth coin to see him seize + That ugly leg, and 'twixt his knees + Firmly the pastern grasp. + The shoe he tried on, burning hot, + His tools all handy he had got, + Hammer, and nails, and rasp. + + A startled stare the devil lent, + Much wondering what St. Dunstan meant + This preluding to follow. + But the first nail from hammer's stroke + Full soon Nick's silent wonder broke, + For his shrill scream might then have woke + The sleepiest of Sleepy Hollow. + + And distant Echo heard the sound + Vexing the hills for leagues around, + But answer would not render. + She may not thus her lips profane: + So Shadow, fearful of a stain, + Avoids the black offender. + + The saint no pity had on Nick, + But drove long nails right through the quick; + Louder shrieked he, and faster. + Dunstan cared not; his bitter grin, + Without mistake, showed Father Sin + He had found a ruthless master. + + And having driven, clenched, and filed, + The saint reviewed his work, and smiled + With cruel satisfaction; + And jeering said, "Pray, ere you go, + Dance me the _pas seul_ named 'Jim Crow,' + With your most graceful action." + + To tell how Horny yelled and cried, + And all the artful tricks he tried, + To ease his tribulations, + Would more than fill a bigger book + Than ever author undertook, + Since the Book of Lamentations. + + His tail's short, quick, convulsive coils + Told of more pain than all Job's boils, + When Satan brought, with subtle toils, + Job's patience to the scratch. + For sympathetic tortures spread + From hoof to tail, from tail to head: + All did the anguish catch. + + +[Illustration] + + + And yet, though seemed this sharp correction + Stereotyped in Satan's recollection, + As in his smarting hocks; + Not until he the following deed + Had signed and sealed, St. Dunstan freed + The vagabond from stocks. + + + TO ALL good folk in Christendom to whom this instrument + shall come the Devil sendeth greeting: KNOW YE that for + himself and heirs said Devil covenants and declares, that never + at morn or evening prayers at chapel church or meeting, never + where concords of sweet sound sacred or social flow around or + harmony is woo'd, nor where the Horse-Shoe meets his sight on + land or sea by day or night on lowly sill or lofty pinnacle on + bowsprit helm mast boom or binnacle, said Devil will intrude. + + + The horse-shoe now saves keel, and roof, + From visits of this rover's hoof, + The emblem seen preventing. + He recks the bond, but more the pain, + The nails went so against the grain, + The rasp was so tormenting. + + He will not through Gran[=a]da march, + For there he knows the horse-shoe arch + At every gate attends him. + Nor partridges can he digest, + Since the dire horse-shoe on the breast + Most grievously offends him. + + The name of Smith he cannot bear; + Smith Payne he'll curse, and foully swear + At Smith of Pennsylvania, + With looks so wild about the face; + Monro called in, pronounced the case + Clear antismithymania; + + And duly certified that Nick + Should be confined as lunatic, + Fit subject for commission. + But who the deuce would like to be + The devil's person's committee? + So kindred won't petition. + + Now, since the wicked fiend's at large, + Skippers, and housekeepers, I charge + You all to heed my warning. + Over your threshold, on your mast, + Be sure the horse-shoe's well nailed fast, + Protecting and adorning. + + +[Illustration: "O, et praesidium, et dulce decus."--HOR Lib. i. Ode i.] + + + Here note, if humourists by trade + On waistcoat had the shoe displayed, + Lampoon's sour spirit might be laid, + And cease its spiteful railing. + Whether the humour chanced to be + Joke, pun, quaint ballad, repartee, + Slang, or bad spelling, we should see + Good humour still prevailing. + + And oh! if Equity, as well + As Nisi Prius, would not sell + _Reason's perfection_ ever + To wrangling suitors _sans_ horse-shoe, + Lawyers would soon have nought to do, + Their subtle efforts ceasing too, + Reason from right to sever. + + While Meux the symbol wears, _tant mieux_, + Repelling sinful aid to brew + His liquid strains XX; + Still, I advise, strong drinks beware, + No horse-shoe thwarts the devil there, + Or demon-mischief checks. + + And let me rede you, Mr. Barry, + Not all your arms of John, Dick, Harry, + Plantagenet, or Tudor; + Nor your projections, or your niches, + Affluent of crowns and sculptile riches, + Will scare the foul intruder. + + He'll care not for your harp a whistle, + Nor lion, horse, rose, shamrock, thistle, + Horn'd head, or _Honi soit_; + Nor puppy-griffs, though doubtless meant + Young senators to represent, + Like Samson, armed with jaw. + + Only consult your sober senses, + And ponder well the consequences, + If in some moment evil, + The old sinner should take Speaker's chair, + Make Black Rod fetch the nobles there, + And with them play the devil! + + Then do not fail, great architect, + Assembled wisdom to protect + From Satan's visitation. + With horse-shoe fortify each gate, + Each lion's paw; and then the State + Is safe from ruination. + + +[Illustration] + + + +[Illustration] + + + + +POSTSCRIPT. + + +The courteous reader's indulgence will, it is hoped, extend to a waiver +of all proofs and vouchers in demonstration of the authenticity of this +tale, which is "simply told as it was told to me." Any one who can show +that it is not the true tale, will greatly oblige, if he can and will a +tale unfold, that _is_ the true one. If this is not the true story +and history of the horse-shoe's charm against the wicked one, what +_is_? That's the question. + +There's nothing like candour; and so it is here candidly and ingenuously +confessed that the original deed mentioned in the poem, has hitherto +eluded the most diligent searches and researches. As yet, it cannot be +found, notwithstanding all the patient, zealous, and persevering efforts +of learned men, erudite antiquarians, law and equity chiffonniers, who +have poked and pored, in, through, over, and among, heaps, bundles, +and collections, of old papers, vellums, parchments, deeds, muniments, +documents, testaments, instruments, ingrossments, records, writings, +indentures, deed polls, escrows, books, bills, rolls, charters, +chirographs, and exemplifications, in old English, German text, black +letter, red letter, round-hand, court-hand, Norman French, dog Latin, +and law gibberish, occupying all sorts of old boxes, old bookcases, old +chests, old cupboards, old desks, old drawers, old presses, and old +shelves, belonging to the Dunstan branch of the old Smith family. At +one moment, during the searches, it is true, hopes were excited on the +perception of a faint brimstone odour issuing from an antiquated iron +box found among some rubbish; but instead of any vellum or parchment, +there were only the unused remains of some bundles of veteran matches, +with their tinder-box accomplice, which had been thrown aside and +forgotten, ever since the time when the functions of those old hardened +incendiaries, flint and steel, were extinguished by the lucifers. +All further search, it is feared, will be in vain; and the deed is now +believed to be as irrecoverably lost, as the musty muster-roll of Battle +Abbey. + +A legal friend has volunteered an opinion, that certain supposed defects +in the alleged deed evince its spuriousness, and even if genuine, its +inefficiency. His words are, "The absence of all legal consideration, +that is to say, valuable consideration, such as money, or money's worth; +or good consideration, such as natural love and affection, would render +the deed void, or voidable, as a mere _nudum pactum_. [See +_Plowden_.] Moreover, an objection arises from there being no +_Anno Domini_, [_Year Book, Temp. Ric. III._] and no _Anno Regni_, +[_Croke Eliz._] and no condition _in poenam_. [_Lib. Ass._] Now, +if the original deed had been thus defective, the covenanting party +thereto is too good a lawyer, not to have set it aside." + +To these learned subtleties it may be answered, that the deed was +evidently intended, not so much as an instrument effectively binding +"the covenanting party," as a record whereby to justify a renewal +of punishment, in case of contravention of any of the articles of +treaty. It would have been informal to make mention of money as the +consideration, it being patent that this "covenanting party" considers +it of no value at all. For however dearly all "good folk in Christendom" +may estimate and hug the precious bane, as the most valuable +consideration on earth, he, old sinner that he is, wickedly disparages +it, as being mere filthy lucre, only useful horticulturally, to manure +his hot-beds of iniquity. With regard to the consideration of natural +love and affection, it is humbly submitted that the facts are at +variance with such a suggestion. + +Another friend, not of the legal, but the equestrian order, has +tendered, according to his ideas, an explanation of the especial +protecting virtue of the horseshoe. His notions are given as follows, +_ipsissimis verbis_. "There is not in the whole world, a nobler +animal than that splendid fellow, the horse. He is the embodiment of all +that is magnificent, possessing strength, swiftness, courage, sagacity, +and gracefulness. He never drinks more than he needs, or says more +than he ought. If he were an opposition M.P.--and a horse was once a +consul--his speech against Government bills, would be only a dignified +neigh. Base and unworthy measures he disdains. + + + "Who ever knew this honest brute + At law his neighbour prosecute; + Bring action for assault and battery, + Or friend beguile with lies and flattery? + + +"His proud step is on all fours with his love of a fair field and no +favour. The grandeur of his nature is such, that the idea of a beggar +on horseback is proverbially the most revolting of all inequitable +absurdities and incongruities in human economy; while, on the other +hand, as was once well remarked by a distinguished lecturer, this superb +animal stamped his very name itself on that for which our loftiest +princes and nobles, before the present degenerate age of iron, were +emulous of distinguishing themselves. In proportion as they developed +unblemished honour, with undaunted bravery, graceful bearing, and +magnanimous generosity, were they deemed worthy to rank among +Christendom's bright chivalry. + +"The horse-shoe was, no doubt, regarded as typical of the noble +qualities of its wearer. These being so hateful to the ugly, sly, +intriguing, slandering, malevolent, ill-conditioned, pettifogging, +pitiful arch-enemy, it might well be supposed that the mere apparition +of that type would scare him away. To this supposition is ascribable the +adoption of the horse-shoe, as an infallible charm against the visits of +old Iniquity." + +But mere "supposition" is no answer to the question above propounded. + + * * * * * + +An acknowledgment is due, and is hereby offered, to the unknown +correspondent, who has obligingly communicated the following copy of the +coat of arms of the Dunstan family. + +"Azure, on a chevron gules between three harps, a horse-shoe supported +by two pairs of pincers, proper. _Crest_--An arm embowed, couped +at the shoulder, the hand grasping a hammer, all proper. +_Motto_--'SARUED HYM RIGHTE.'" + +[Illustration: SAREUD HYM RIGHTE] + + + +***END OF THE PROJECT GUTENBERG EBOOK THE TRUE LEGEND OF ST. 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