diff options
Diffstat (limited to '14887.txt')
| -rw-r--r-- | 14887.txt | 6688 |
1 files changed, 6688 insertions, 0 deletions
diff --git a/14887.txt b/14887.txt new file mode 100644 index 0000000..dca7b42 --- /dev/null +++ b/14887.txt @@ -0,0 +1,6688 @@ +The Project Gutenberg EBook of Pipe and Pouch, by Various + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Pipe and Pouch + The Smoker's Own Book of Poetry + +Author: Various + +Release Date: February 3, 2005 [EBook #14887] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK PIPE AND POUCH *** + + + + +Produced by David Newman, William Flis, and the PG Online Distributed +Proofreading Team. + + + + + +[Illustration: (Smoker)] + + + + +PIPE AND POUCH + +THE + +SMOKER'S OWN BOOK OF POETRY + +COMPILED BY + +JOSEPH KNIGHT + +[Illustration] + +BOSTON + +JOSEPH KNIGHT COMPANY + +1895 + + * * * * * + + + + +_COPYRIGHT, 1894,_ + +BY JOSEPH KNIGHT. + +UNIVERSITY PRESS: + +JOHN WILSON AND SON, CAMBRIDGE, U.S.A. + + * * * * * + +DEDICATED + +TO MY FRIEND AND FELLOW-SMOKER, + +WALTER MONTGOMERY JACKSON. + + * * * * * + + + + +PREFACE. + + +This is an age of anthologies. Collections of poetry covering a wide +range of subjects have appeared of late, and seem to have met with +favor and approval. Not to the busy man only, but to the student of +literature such compilations are of value. It is sometimes objected +that they tend to discourage wide reading and original research; but +the overwhelming flood of books would seem to make them a necessity. +Unless one has the rare gift of being able to sprint through a book, +as Andrew Lang says Mr. Gladstone does, it is surely well to make +use of the labors of the industrious compiler. Such collections are +often the result of wide reading and patient labor. Frequently the +larger part is made up of single poems, the happy and perhaps only +inspiration of the writer, gleaned from the poet's corner of the +newspaper or the pages of a magazine. This is specially true of the +present compilation, the first on the subject aiming at anything like +completeness. Brief collections of prose and poetry combined have +already been published; but so much of value has been omitted that +there seemed to be room for a better book. A vast amount has been +written in praise of tobacco, much of it commonplace or lacking in +poetic quality. While some of the verse here gathered is an obvious +echo, or passes into unmistakable parody, it has been the aim of +the compiler to maintain, as far as possible, a high standard and +include only the best. From the days of Raleigh to the present +time, literature abounds in allusions to tobacco. The Elizabethan +writers constantly refer to it, often in praise though sometimes +in condemnation. The incoming of the "Indian weed" created a great +furore, and scarcely any other of the New World discoveries was talked +about so much. Ben Jonson, Marlowe, Fletcher, Spenser, Dekker, and +many other of the poets and dramatists of the time, make frequent +reference to it; and no doubt at the Mermaid tavern, pipes and tobacco +found a place beside the sack and ale. Singular to say, Shakespeare +makes no reference to it; and only once in his essay "Of Plantations," +as far as the compiler has been able to discover, does Bacon speak +of it. Shakespeare's silence has been explained on the theory that +he could not introduce any reference to the newly discovered plant +without anachronism; but he did not often let a little thing of this +kind stand in his way. It has been suggested, on the other hand, that +he avoided all reference to it out of deference to King James I., +who wrote the famous "Counterblast." Whichever theory is correct, +the fact remains, and it may be an interesting contribution to the +Bacon-Shakespeare controversy. Queen Elizabeth never showed any +hostility to tobacco; but her successors, James I. and the two +Charleses, and Cromwell were its bitter opponents. Notwithstanding +its enemies, who just as fiercely opposed the introduction of tea +and coffee, its use spread over Europe and the world, and prince +and peasant alike yielded to its mild but irresistible sway. Poets +and philosophers drew solace and inspiration from the pipe. Milton, +Addison, Fielding, Hobbes, and Newton were all smokers. It is said +Newton was smoking under a tree in his garden when the historic apple +fell. Scott, Campbell, Byron, Hood, and Lamb all smoked, and Carlyle +and Tennyson were rarely without a pipe in their mouths. The great +novelists, Thackeray, Dickens, and Bulwer were famous smokers; and so +were the great soldiers, Napoleon, Bluecher, and Grant. While nearly +all the poems here gathered together were written, and perhaps could +only have been written, by smokers, several among the best are the +work of authors who never use the weed,--one by a man, two or three +by women. Among the more recent writers there has been no more devoted +smoker than Mr. Lowell, as his recently published letters testify. +Three of the most delightful poems in praise of smoking are his, and +with Mr. Aldrich's charming "Latakia" are the gems of the collection. +The compiler desires to express his grateful acknowledgments to +friends who have permitted him to use their work and have otherwise +aided him from time to time; and to the many unknown authors whose +poems are here gathered, and whom it was quite impossible to reach; +and to Messrs. Houghton, Mifflin, & Company, Harper & Brothers, The +Bowen-Merrill Company, and the publishers of "Outlook," for their +gracious permission to include copyrighted poems. + +J.K. + +BOSTON, July, 1894. + + * * * * * + + + + +CONTENTS. + + +A. + + PAGE + Acrostic _J.H._ 44 + Ad Nicotina _E.N.S._ 118 + Another Match _Cope's Tobacco Plant_ 45 + Ashes _De Witt Sterry_ 47 + +B. + + Bachelor's Invocation, A _Pall Mall Gazette_ 182 + Bachelor's Views, A _Tom Hall_ 177 + Bachelor's Soliloquy _Cigar and Tobacco World_ 95 + Ballad of the Pipe, The _Hermann Rave_ 69 + Ballade of Tobacco, The _Brander Matthews_ 54 + Betrothed, The _Rudyard Kipling_ 108 + Brief Puff of Smoke, A _Selim_ 19 + +C. + + Cannon Song _H.P. Peck_ 85 + Chibouque _Francis S. Saltus_ 173 + Choosing a wife by a Pipe of Tobacco _Gentleman's Magazine_ + 48 + Cigar, The _Thomas Hood_ 153 + Cigarette Rings _J. Ashby-Sterry_ 147 + Cigars and Beer _George Arnold_ 166 + Clouds _Bauernfeld_ 52 + Confession of a Cigar Smoker _Anon._ 158 + +D. + + Discovery of Tobacco _Cigar and Tobacco World_ 64 + Dreamer's Pipe, The _New Orleans Times Democrat_ 96 + Duet, The _Ella Wheeler Wilcox_ 174 + +E. + + Edifying Reflections of a Tobacco Smoker _Translated from the + German_ 58 + Effusion by a Cigar Smoker _Horace Smith_ 167 + Encomium on Tobacco, An _Anon._ 36 + Epitaph _Anon._ 17 + +F. + + Farewell to Tobacco, A _Charles Lamb_ 100 + Farmer's Pipe, The _George Cooper_ 7 + Forsaken of all comforts _Sir Robert Ayton_ 140 + Free Puff, A _Arthur Irving Gray_ 121 + Friend of my youth _Anon._ 164 + +G. + + Geordie to his Tobacco Pipe _George S. Phillips_ 25 + Glass is Good, A _John O'Keefe_ 94 + Good Cigar, A _Norris Bull_ 93 + +H. + + Happy Smoking Ground, The _Richard Le Gallienne_ 145 + Her Brother's Cigarette _Anon._ 79 + He Respondeth _Life_ 55 + How it Once Was _New York Sun_ 78 + +I. + + If I were King _W.E. Henley_ 171 + I like Cigars _Ella Wheeler Wilcox_ 121 + In Favor of Tobacco _Samuel Rowlands_ 52 + Ingin Summer _Eva Wilder McGlasson_ 57 + Inscription for a Tobacco Jar _Cope's Tobacco Plant_ 12 + In Rotten Row _W.E. Henley_ 174 + In the ol' Tobacker Patch _S.Q. Lapius_ 80 + In the smoke of my dear cigarito _Camilla K. von K._ 92 + Invocation to Tobacco _Henry James Mellen_ 31 + In wreaths of Smoke _Frank Newton Holman_ 46 + It may be Weeds _Anon._ 23 + +K. + + "Keats took Snuff" _The Globe_ 68 + Knickerbocker _Austin Dobson_ 63 + +L. + + Last Pipe, The _London Spectator_ 12 + Latakia _T.B. Aldrich_ 142 + Latest Comfort, The _F.W. Littleton Hay_ 157 + Loss, A _Judy_ 128 + Lost Lotus, The _Anon._ 60 + +M. + + Maecenas Bids his Friend to Dine _Anon._ 81 + Meerschaum _Wrongfellow_ 119 + Motto for a Tobacco Jar _Anon._ 12 + My After-Dinner Cloud _Henry S. Leigh_ 143 + My Cigar _Arthur W. Gundry_ 2 + My Cigarette _Richard Barnard_ 52 + My Cigarette _Charles F. Lummis_ 113 + My Cigarette _Tom Hall_ 176 + My Friendly Pipe _Detroit Tribune_ 94 + My Little Brown Pipe _Amelia E. Barr_ 138 + My Meerschaum Pipe _Johnson M. Mundy_ 123 + My Meerschaums _Charles F. Lummis_ 131 + My Pipe _German Smoking Song_ 7 + My Pipe and I _Elton J. Buckley_ 106 + My Three Loves _Henry S. Leigh_ 50 + +O. + + Ode of Thanks, A _James Russell Lowell_ 33 + Ode to My Pipe _Andrew Wynter_ 14 + Ode to Tobacco _Daniel Webster_ 95 + Ode to Tobacco _C.S. Calverly_ 134 + Old Clay Pipe, The _A.B. Van Fleet_ 71 + Old Pipe of Mine _John J. Gormley_ 83 + Old Sweetheart of Mine, An _James Whitcomb Riley_ 165 + On a Broken Pipe _Anon._ 112 + On a Tobacco Jar _Bernard Barker_ 38 + On Receipt of a Rare Pipe _W.H.B._ 135 + +P. + + Patriotic Smoker's Lament _St. James Gazette_ 41 + Pernicious Weed _William Cowper_ 73 + Pipe and Tobacco _German Folk Song_ 156 + Pipe Critic, The _Walter Littlefield_ 115 + Pipe of Tobacco, A _John Usher_ 15 + Pipe of Tobacco, A _Henry Fielding_ 163 + Pipes and Beer _Edgar Fawcett_ 178 + Pipe you make Yourself, The _Henry E. Brown_ 172 + Poet's Pipe, The _Charles Baudelaire_ 2 + Pot and a Pipe of Tobacco, A _Universal Songster_ 169 + +S. + + Scent of a good Cigar, The _Kate A. Carrington_ 61 + Seasonable Sweets _C._ 23 + Sic Transit _W.B. Anderson_ 108 + Sir Walter Raleigh! name of worth _Anon._ 158 + Smoke and Chess _Samuel W. Duffield_ 10 + Smoke is the Food of Lovers _Jacob Cats_ 51 + Smoker's Reverie, The _Anon._ 17 + Smoker's Calendar, The _Anon._ 159 + Smoke Traveller, The _Irving Browne_ #74 + Smoking Away _Francis Miles Finch_ 98 + Smoking Song _Anon._ 77 + Smoking Spiritualized _Ralph Erskine_ 148 + Song of the Smoke-Wreaths _L.T.A._ 9 + Song without a Name, A _W. Lloyd_ 117 + Sublime Tobacco _Lord Byron_ 97 + Sweet Smoking Pipe _Anon._ 146 + Symphony in Smoke, A _Harper's Bazaar_ 22 + +T. + + Those Ashes _R.K. Munkittrick_ 130 + Titlepage Dedication _Anon._ 44 + To an Old Pipe _De Witt Sterry_ 43 + To a Pipe of Tobacco _Gentleman's Magazine_ 91 + Tobacco _George Wither_ 86 + Tobacco _Thomas Jones_ 151 + Tobacco is an Indian Weed _From "Pills to Purge Melancholy"_ + 150 + Tobacco, some say _Anon._ 164 + To C.F. Bradford _James Russell Lowell_ 5 + To My Cigar _Charles Sprague_ 62 + To My Cigar _Friedrich Marc_ 165 + To My Meerschaum _P.D.R._ 82 + Too Great a Sacrifice _Anon._ 90 + To see her Pipe Awry _C.F._ 55 + To the Rev. Mr. Newton _William Cowper_ 126 + To the Tobacco Pipe _The Meteor, London_ 39 + True Leucothoe, The _Anon._ 129 + 'Twas off the Blue Canaries _Joseph Warren Fabens_ 140 + Two other Hearts _London Tobacco_ 73 + +V. + + Valentine, A _Anon._ 113 + Virginia's kingly Plant _Anon._ 87 + Virginia Tobacco _Stanley Gregson_ 31 + +W. + + Warning, A _Arthur Lovell_ 124 + What I Like _H.L._ 131 + Winter Evening Hymn to My Fire, A _James Russell Lowell_ + 105 + With Pipe and Book _Richard Le Gallienne_ 1 + + * * * * * + + + + +PIPE AND POUCH + + * * * * * + +WITH PIPE AND BOOK. + + + With Pipe and Book at close of day, + Oh, what is sweeter, mortal, say? + It matters not what book on knee, + Old Izaak or the Odyssey, + It matters not meerschaum or clay. + + And though one's eyes will dream astray, + And lips forget to sue or sway, + It is "enough to merely be," + With Pipe and Book. + + What though our modern skies be gray, + As bards aver, I will not pray + For "soothing Death" to succor me, + But ask this much, O Fate, of thee, + A little longer yet to stay + With Pipe and Book. + +RICHARD LE GALLIENNE. + + + + +A POET'S PIPE. + +_FROM THE FRENCH OF CHARLES BAUDELAIRE._ + + + A poet's pipe am I, + And my Abyssinian tint + Is an unmistakable hint + That he lays me not often by. + When his soul is with grief o'erworn + I smoke like the cottage where + They are cooking the evening fare + For the laborer's return. + + I enfold and cradle his soul + In the vapors moving and blue + That mount from my fiery mouth; + And there is power in my bowl + To charm his spirit and soothe, + And heal his weariness too. + +RICHARD HERNE SHEPHERD. + + + + +MY CIGAR. + + + In spite of my physician, who is, _entre nous_, a fogy, + And for every little pleasure has some pathologic bogy, + Who will bear with no small vices, and grows dismally prophetic + If I wander from the weary way of virtue dietetic; + + In spite of dire forewarnings that my brains will all be scattered, + My memory extinguished, and my nervous system shattered, + That my hand will take to trembling, and my heart begin to flutter, + My digestion turn a rebel to my very bread and butter; + + As I puff this mild Havana, and its ashes slowly lengthen, + I feel my courage gather and my resolution strengthen: + I will smoke, and I will praise you, my cigar, and I will light you + With tobacco-phobic pamphlets by the learned prigs who fight you! + + Let him who has a mistress to her eyebrow write a sonnet, + Let the lover of a lily pen a languid ode upon it; + In such sentimental subjects I'm a Philistine and cynic, + And prefer the inspiration drawn from sources nicotinic. + + So I sing of you, dear product of (I trust you are) Havana, + And if there's any question as to how my verses scan, a + Reason is my shyness in the Muses' aid invoking, + As, like other ancient maidens, they perchance object to smoking. + + I have learnt with you the wisdom of contemplative quiescence, + While the world is in a ferment of unmeaning effervescence, + That its jar and rush and riot bring no good one-half so sterling + As your fleecy clouds of fragrance that are now about me curling. + + So, let stocks go up or downward, and let politicians wrangle, + Let the parsons and philosophers grope in a wordy tangle, + Let those who want them scramble for their dignities or dollars, + Be millionnaires or magnates, or senators or scholars. + + I will puff my mild Havana, and I quietly will query, + Whether, when the strife is over, and the combatants are weary, + Their gains will be more brilliant than its faint expiring flashes, + Or more solid than this panful of its dead and sober ashes. + +ARTHUR W. GUNDRY. + + + + +TO C.F. BRADFORD. + +_ON THE GIFT OF A MEERSCHAUM PIPE._ + + + The pipe came safe, and welcome, too, + As anything must be from you; + A meerschaum pure, 'twould float as light + As she the girls called Amphitrite. + Mixture divine of foam and clay, + From both it stole the best away: + Its foam is such as crowns the glow + Of beakers brimmed by Veuve Clicquot; + Its clay is but congested lymph + Jove chose to make some choicer nymph; + And here combined,--why, this must be + The birth of some enchanted sea, + Shaped to immortal form, the type + And very Venus of a pipe. + + When high I heap it with the weed + From Lethe wharf, whose potent seed + Nicotia, big from Bacchus, bore + And cast upon Virginia's shore, + I'll think,--So fill the fairer bowl + And wise alembic of thy soul, + With herbs far-sought that shall distil, + Not fumes to slacken thought and will, + But bracing essences that nerve + To wait, to dare, to strive, to serve. + + When curls the smoke in eddies soft, + And hangs a shifting dream aloft, + That gives and takes, though chance-designed, + The impress of the dreamer's mind, + I'll think,--So let the vapors bred + By passion, in the heart or head, + Pass off and upward into space, + Waving farewells of tenderest grace, + Remembered in some happier time, + To blend their beauty with my rhyme. + + While slowly o'er its candid bowl + The color deepens (as the soul + That burns in mortals leaves its trace + Of bale or beauty on the face), + I'll think,--So let the essence rare + Of years consuming make me fair; + So, 'gainst the ills of life profuse, + Steep me in some narcotic juice; + And if my soul must part with all + That whiteness which we greenness call, + Smooth back, O Fortune, half thy frown, + And make me beautifully brown! + + Dream-forger, I refill thy cup + With reverie's wasteful pittance up, + And while the fire burns slow away, + Hiding itself in ashes gray, + I'll think,--As inward Youth retreats, + Compelled to spare his wasting heats, + When Life's Ash-Wednesday comes about, + And my head's gray with fires burnt out, + While stays one spark to light the eye, + With the last flash of memory, + 'Twill leap to welcome C.F.B., + Who sent my favorite pipe to me. + +JAMES RUSSELL LOWELL. + + + + +MY PIPE. + + + When love grows cool, thy fire still warms me; + When friends are fled, thy presence charms me. + If thou art full, though purse be bare, + I smoke, and cast away all care! + +_German Smoking Song._ + + + + +THE FARMER'S PIPE. + + + Make a picture, dreamy smoke, + In my still and cosey room; + From the fading past evoke + Forms that breathe of summer's bloom. + + Bashful Will and rosy Nell-- + Ah, I watch them now at play + By the mossy wayside well + As I did twelve years to-day. + + We were younger then, my pipe: + You are dingy now and worn; + And my fruit is more than ripe, + And my fields are brown and shorn. + + Nell has merry eyes of blue, + And is timid, pure, and mild; + Will is fair and brave and true, + And a neighboring farmer's child. + + Little maid is busy, too, + Making rare, fictitious pies, + Just as any wife would do, + Looking, meanwhile, wondrous wise. + + Drawing water from the well, + Delving sand upon the hill, + Going here and there for Nell,-- + That's her helpmate, willing Will. + + Yonder, in the waning light, + Hand in hand the truants come, + Nell so fearful lest the night + Should fall around her far from home. + + Fading, fading, skyward flies + This joy-picture you have limned; + Pipe of mine, the quiet skies + Of my life you leave undimmed. + + Nell and Will are lovers now; + There they stray in dying light. + That's a kiss! Ah, well, somehow + Nell's no more afraid at night! + +GEORGE COOPER. + + + + +SONG OF THE SMOKE-WREATHS. + +_SUNG TO THE SMOKERS._ + + + Not like clouds that cap the mountains, + Not like mists that mask the sea, + Not like vapors round the fountains,-- + Soft and clear and warm are we. + + Hear the tempest, how its minions + Tear the clouds and heap the snows! + No storm-rage is in our pinions; + Who knows us, 'tis peace he knows. + + Soaring from the burning censers, + Stealing forth through all the air, + Hovering as the mild dispensers + Over you of blisses rare, + + Softly float we, softly blend we, + Tinted from the deep blue sky, + Scented from the myrrh-lands, bend we + Downward to you ere we die. + + Ease we bring, and airy fancies, + Sober thoughts with visions gay, + Peace profound with daring glances + Through the clouds to endless day. + + Not like clouds that cap the mountains, + Not like mists that mask the sea, + Not like vapors round the fountains,-- + Soft and clear and warm are we. + +L.T.A., in _London Society_. + + + + +SMOKE AND CHESS. + + + We were sitting at chess as the sun went down; + And he, from his meerschaum's glossy brown, + With a ring of smoke made his king a crown. + + The cherry stem, with its amber tip, + Thoughtfully rested on his lip, + As the goblet's rim from which heroes sip. + + And, looking out through the early green, + He called on his patron saint, I ween,-- + That misty maiden, Saint Nicotine,-- + + While ever rested that crown so fair, + Poised in the warm and pulseless air, + On the carven chessman's ivory hair. + + Dreamily wandered the game along, + Quietly moving at even-song, + While the striving kings stood firm and strong, + + Until that one which of late was crowned + Flinched from a knight's determined bound, + And in sullen majesty left the ground, + + Reeling back; and it came to pass + That, waiting to mutter no funeral mass, + A bishop had dealt him the _coup de grace_. + + And so, as we sat, we reasoned still + Of fate and of fortune, of human will, + And what are the purposes men fulfil. + + For we see at last, when the truth arrives, + The moves on the chess-board of our lives,-- + That fields may be lost, though the king survives. + + Not always he whom the world reveres + Merits its honor or wins its cheers, + Standing the best at the end of the years. + + Not always he who has lost the fight + Rises again with the coming light, + Battles anew for his ancient right. + +SAMUEL W. DUFFIELD. + + + + +INSCRIPTION FOR A TOBACCO JAR. + + + Keep me at hand; and as my fumes arise, + You'll find _a jar_ the gates of Paradise. + +_Copes Tobacco Plant._ + + + + +MOTTO FOR A TOBACCO JAR. + + + Come! don't refuse sweet Nicotina's aid, + But woo the goddess through a yard of clay; + And soon you'll own she is the fairest maid + To stifle pain, and drive old Care away. + Nor deem it waste; what though to ash she burns, + If for your outlay you get good returns! + + + + +THE LAST PIPE. + + + When head is sick and brain doth swim, + And heavy hangs each unstrung limb, + 'Tis sweet through smoke-puffs, wreathing slow, + To watch the firelight flash or glow. + As each soft cloud floats up on high, + Some worry takes its wings to fly; + And Fancy dances with the flame, + Who lay so labor-crammed and lame; + While the spent Will, the slack Desire, + Re-kindle at the dying fire, + And burn to meet the morrow's sun + With all its day's work to be done. + + The tedious tangle of the Law, + Your work ne'er done without some flaw; + Those ghastly streets that drive one mad, + With children joyless, elders sad, + Young men unmanly, girls going by + Bold-voiced, with eyes unmaidenly; + Christ dead two thousand years agone, + And kingdom come still all unwon; + Your own slack self that will not rise + Whole-hearted for the great emprise,-- + Well, all these dark thoughts of the day + As thin smoke's shadow drift away. + + And all those magic mists unclose, + And a girl's face amid them grows,-- + The very look she's wont to wear, + The wild rose blossoms in her hair, + The wondrous depths of her pure eyes, + The maiden soul that 'neath them lies, + That fears to meet, yet will not fly, + Your stranger spirit drawing nigh. + What if our times seem sliding down? + She lives, creation's flower and crown. + What if your way seems dull and long? + Each tiny triumph over wrong, + Each effort up through sloth and fear, + And she and you are brought more near. + So rapping out these ashes light,-- + "My pipe, you've served me well to-night." + +_London Spectator_. + + + + +ODE TO MY PIPE. + + + O Blessed pipe, + That now I clutch within my gripe, + What joy is in thy smooth, round bowl, + As black as coal! + + So sweetly wed + To thy blanched, gradual thread, + Like Desdemona to the Moor, + Thou pleasure's core. + + What woman's lip + Could ever give, like thy red tip, + Such unremitting store of bliss, + Or such a kiss? + + Oh, let me toy, + Ixion-like, with cloudy joy; + Thy stem with a most gentle slant + I eye askant! + + Unseen, unheard, + Thy dreamy nectar is transferred, + The while serenity astride + Thy neck doth ride. + + A burly cloud + Doth now thy outward beauties shroud: + And now a film doth upward creep, + Cuddling the cheek. + + And now a ring, + A mimic silver quoit, takes wing; + Another and another mount on high, + Then spread and die. + + They say in story + That good men have a crown of glory; + O beautiful and good, behold + The crowns unfold! + + How did they live? + What pleasure could the Old World give + That ancient miserable lot + When thou wert not? + + Oh, woe betide! + My oldest, dearest friend hath died,-- + Died in my hand quite unaware, + Oh, Baccy rare! + +ANDREW WYNTER. + + + + +A PIPE OF TOBACCO. + + + Let the toper regale in his tankard of ale, + Or with alcohol moisten his thrapple, + Only give me, I pray, a good pipe of soft clay, + Nicely tapered and thin in the stapple; + And I shall puff, puff, let who will say, "Enough!" + No luxury else I'm in lack o', + No malice I hoard 'gainst queen, prince, duke, or lord, + While I pull at my pipe of tobacco. + + When I feel the hot strife of the battle of life, + And the prospect is aught but enticin', + Mayhap some real ill, like a protested bill, + Dims the sunshine that tinged the horizon: + Only let me puff, puff,--be they ever so rough, + All the sorrows of life I lose track o', + The mists disappear, and the vista is clear, + With a soothing mild pipe of tobacco. + + And when joy after pain, like the sun after rain, + Stills the waters, long turbid and troubled, + That life's current may flow with a ruddier glow, + And the sense of enjoyment be doubled,-- + Oh! let me puff, puff, till I feel _quantum suff._, + Such luxury still I'm in lack o'; + Be joy ever so sweet, it would be incomplete, + Without a good pipe of tobacco. + + Should my recreant muse--sometimes apt to refuse + The guidance of bit and of bridle-- + Still blankly demur, spite of whip and spur, + Unimpassioned, inconstant, or idle; + Only let me puff, puff, till the brain cries, "Enough!" + Such excitement is all I'm in lack o', + And the poetic vein soon to fancy gives rein, + Inspired by a pipe of tobacco. + + And when, with one accord, round the jovial board, + In friendship our bosoms are glowing, + While with toast and with song we the evening prolong, + And with nectar the goblets are flowing; + Still let us puff, puff,--be life smooth, be it rough, + Such enjoyment we're ever in lack o'; + The more peace and good-will will abound as we fill + A jolly good pipe of tobacco. + +JOHN USHER. + + + + +EPITAPH + +_ON A YOUNG LADY WHO DESIRED THAT TOBACCO MIGHT BE PLANTED OVER HER +GRAVE._ + + + Let no cold marble o'er my body rise-- + But only earth above, and sunny skies. + Thus would I lowly lie in peaceful rest, + Nursing the Herb Divine from out my breast. + Green let it grow above this clay of mine, + Deriving strength from strength that I resign. + So in the days to come, when I'm beyond + This fickle life, will come my lovers fond, + And gazing on the plant, their grief restrain + In whispering, "Lo! dear Anna blooms again!" + + + + +THE SMOKER'S REVERIE. + +(_OCTOBER._) + + + I'm sitting at dusk 'neath the old beechen tree, + With its leaves by the autumn made ripe; + While they cling to the stems like old age unto life, + I dream of the days when I'll rest from this strife, + And in peace smoke my brierwood pipe. + + O my brierwood pipe!--of bright fancy the twin, + What a medley of forms you create; + Every puff of white smoke seems a vision as fair + As the poet's bright dream, and like dreams fades in air, + While the dreamer dreams on of his fate. + + The fleecy white clouds that now float in the sky, + Form the visions I love most to see; + Fairy shapes that I saw in my boyhood's first dreams + Seem to beckon me on, while beyond them there gleams + A bright future, in waiting for me. + + O my brierwood pipe! I ne'er loved thee as now, + As that fair form and face steal above; + See, she beckons me on to where roses are spread, + And she points to my fancy the bright land ahead, + Where the winds whisper nothing but love. + + Oh, answer, my pipe, shall my dream be as fair + When it changes to dreams of the past? + When autumn's chill winds make this leaf look as sere + As the leaves on the beech-tree that shelters me here, + Will the tree's _heart_ be chilled by the blast? + + While musing, around me has gathered a heap + Of the leaflets, all dying and dead; + And I see in my reverie plainly revealed + The slope of life's hill, in my boyhood concealed + By the forms that fair fancy had bred. + + While I sit on the banks of the beautiful stream, + Picking roses that bloom by its side, + I know that the shallop will certainly come, + When the roses are withered, to carry me home, + And that life will go out with the tide. + + O my brierwood pipe! may the heart be as light + When memory supplanteth the dream; + When the sun has gone down may the sunbeam remain, + And life's roses, though dead, all their fragrance retain, + Till they catch at Eternity's gleam. + +ANON. + + + + +A BRIEF PUFF OF SMOKE. + + + Great Doctor Parr, the learned Whig, + Ne'er deemed the smoke-cloud _infra dig._, + In which you could not see his wig, + Involved in clouds of smoke. + + Quaint Lamb his wit would oft enshroud + In smoke-igniting laughter loud, + Like summer thunder in the cloud,-- + The lightning in the smoke. + + Dean Swift "died at the top;" his head + Had drifting clouds when wit had fled: + Dull care lurked in his brain, instead + Of blowing out in smoke. + + And Cowper mild--no smoker he, + Bard of the sofa and bohea-- + Complained his "dear friend Bull" not free + From lowering Stygian smoke. + + Clouds in his non-inebriate nob + Were doomed the tea tables to rob, + Inflicting many a painful throb + On one who could not smoke! + + Smoke on! it is the steam of life, + The smoother of the waves of strife; + Where chimneys smoke, or scolds the wife, + The counteraction--smoke. + + We ride and work and weave by steam, + Till ages past seem like a dream + In a new world whose dawning beam + Is redolent of smoke. + + We travel like a comet wild + On which some distant sun had smiled, + And from his orbit thus beguiled + With a long tail of smoke. + + The clouds arise from smoking seas, + And give, with each conveying breeze, + Life to the "weed," and herbs, and trees, + Which turn again to smoke. + + All nations smoke! Havana's pother + Smokes friendly with its Broseley brother: + The world's one end puffs to the other, + In amicable smoke. + + When plague and pestilence go forth, + And to diseases dire give birth, + Which walk in darkness through the earth, + I clothe myself in smoke. + + I smoke through desolating years, + Tabooed from fever, void of fears, + And when some dreaded pest appears, + I call in Doctor Smoke. + + Go, reader! perfume ladies' hair + And scent the ringlets of the fair + With eau Cologne and odors rare + Aloof from healthy smoke. + + Go babble at the ball and rout, + And smirk with high-born dames who doubt: + Thy flames are quenched, thy fires are out, + And sinking into smoke. + + "Better," said Johnson, great in name, + "It were, when poets droop in fame, + To see smoke brighten into flame, + Than flames sink into smoke." + +SELIM: _Eclectic Magazine_. + + + + +A SYMPHONY IN SMOKE. + + + A pretty, piquant, pouting pet, + Who likes to muse and take her ease, + She loves to smoke a cigarette; + + To dream in silken hammockette, + And sing and swing beneath the trees, + A pretty, piquant, pouting pet. + + Her Christian name is Violet; + Her eyes are blue as summer skies; + She loves to smoke a cigarette. + + As calm as babe in bassinette, + She swingeth in the summer breeze, + A pretty, piquant, pouting pet. + + She ponders o'er a novelette; + Her parasol is Japanese; + She loves to smoke a cigarette. + + She loves a fume without a fret; + Her frills are white, her frock _cerise_,-- + A pretty, pouting, piquant pet. + + She almost goes to sleep, and yet, + Half-lulled by booming honey-bees, + She loves to smoke a cigarette. + + A winsome, clever, cool coquette, + Who flouts all Grundian decrees,-- + pretty, pouting, piquant pet, + That loves to smoke a cigarette. + +_Harper's Bazaar_. + + + + +IT MAY BE WEEDS. + + + It may be weeds + I've gathered too; + But even weeds may be + As fragrant as + The fairest flower + With some sweet memory. + +ANON. + + + + +SEASONABLE SWEETS. + +"_DON'T BE FLOWERY, JACOB._"--CHARLES DICKENS. + + + When the year is young, what sweets are flung + By the violets, hiding, dim, + And the lilac that sways her censers high, + Whilst the skylark chants a hymn! + How sweet is the scent of the daffodil bloom, + When blithe spring decks each spray, + And the flowering thorn sheds rare perfume + Through the beautiful month of May! + What a dainty pet is the mignonette, + Whose sweets wide scattered are! + But sweeter to me than all these yet + Is the scent of a prime cigar! + + Delicious airs waft the fields of June, + When the beans are all in flower; + The woodruff is fragrant in the hedge, + And the woodbine in the bower. + Sweet eglantine doth her garlands twine + For the blithe hours as they run, + And balmily sighs the meadow-sweet, + That is all in love with the sun, + Whilst new-mown hay o'er the hedgerows gay + Flings odorous airs afar; + Yet sweeter than these on the passing breeze + Is the scent of a prime cigar. + + When all the beauties of Flora's court + Smile on the gay parterre, + What glorious color, what exquisite form, + And dainty scents are there! + They bask in the beam, and bend by the stream, + Like beautiful nymphs at play, + Holding dew-pearls up in each nectar cup + To the glorious God of Day. + Oh, their lives are sweet, but all too brief, + And death doth their sweetness mar; + But fragrance fine is forever thine, + My well-beloved cigar! + +C. + + + + +GEORDIE TO HIS TOBACCO-PIPE. + + + Good pipe, old friend, old black and colored friend, + Whom I have smoked these fourteen years and more, + My best companion, faithful to the end, + Faithful to death through all thy fiery core, + + How shall I sing thy praises, or proclaim + The generous virtues which I've found in thee? + I know thou carest not a whit for fame, + And hast no thought but how to comfort me, + + And serve my needs, and humor every mood; + But love and friendship do my heart constrain + To give thee all I can for much of good + Which thou hast rendered me in joy and pain. + + Say, then, old honest meerschaum! shall I weave + Thy history together with my own? + Of late I never see thee but I grieve + For him whose gift thou wert--forever gone! + + Gone to his grave amidst the vines of France, + He, all so good, so beautiful, and wise; + And this dear giver doth thyself enhance, + And makes thee doubly precious in mine eyes. + + For he was one of Nature's rarest men,-- + Poet and preacher, lover of his kind, + True-hearted man of God, whose like again + In this world's journey I may never find. + + I know not if the shadow of his soul, + Or the divine effulgence of his heart, + Has through thy veins in mystic silence stole; + But thou to me dost seem of him a part. + + His hands have touched thee, and his lips have drawn, + As mine, full many an inspiring cloud + From thy great burning heart, at night and morn; + And thou art here, whilst he lies in his shroud! + + And here am I, his friend and thine, old pipe! + And he has often sat my chair beside, + As he was wont to sit in living type, + Of many companies the flower and pride,-- + + Sat by my side, and talked to me the while, + Invisible to every eye save mine, + And smiled upon me as he used to smile + When we three sat o'er our good cups of wine. + + Ah, happy days, when the old Chapel House, + Of the old Forest Chapel, rang with mirth, + And the great joy of our divine carouse, + As we hobnobbed it by the blazing hearth! + + We never more, old pipe, shall see those days, + Whose memories lie like pictures in my mind; + But thou and I will go the self-same ways, + E'en though we leave all other friends behind. + + And for thy sake, and for my own, and his, + We will be one, as we have ever been, + Thou dear old friend, with thy most honest phiz, + And no new faces come our loves between. + + +II. + + Thou hast thy separate virtues, honest pipe! + Apart from all the memory of friends: + For thou art mellow, old, and black, and ripe; + And the good weed that in its smoke ascends + + From thy rare bowl doth scent the liberal air + With incense richer than the woods of Ind. + E'en to the barren palate of despair + (Inhaled through cedar tubes from glorious Scinde!) + + It hath a charm would quicken into life, + And make the heart gush out in streams of love, + And the earth, dead before, with beauty rife, + And full of flowers as heaven of stars above. + + It is thy virtue and peculiar gift, + Thou sooty wizard of the potent weed; + No other pipe can thus the soul uplift, + Or such rare fancies and high musings breed. + + I've tried full many of thy kith and kind, + Dug from thy native Asiatic clay, + Fashioned by cunning hand and curious mind + Into all shapes and features, grave and gay,-- + + Black niggers' heads with their white-livered eyes + Glaring in fiery horror through the smoke, + And monstrous dragons stained with bloody dyes, + And comelier forms; but all save thee I broke. + + For though, like thee, each pipe was black and old, + They were not wiser for their many years, + Nor knew thy sorcery though set in gold, + Nor had thy tropic taste,--these proud compeers! + + Like great John Paul, who would have loved thee well, + Thou art the "only one" of all thy race; + Nor shall another comrade near thee dwell, + Old King of pipes! my study's pride and grace! + + +III. + + Thus have I made "assurance doubly sure," + And sealed it twice, that thou shalt reign alone! + And as the dainty bee doth search for pure, + Sweet honey till his laden thighs do groan + + With their sweet burden, tasting nothing foul, + So thou of best tobacco shalt be filled; + And when the starry midnight wakes the owl, + And the lorn nightingale her song has trilled, + + I, with my lamp and books, as is my wont, + Will give thee of the choicest of all climes,-- + Black Cavendish, full-flavored, full of juice, + Pale Turkish, famed through all the Osman times, + + Dark Latakia, Syrian, Persia's pride, + And sweet Virginian, sweeter than them all! + Oh, rich bouquet of plants! fit for a bride + Who, blushing, waits the happy bridegroom's call! + + And these shall be thy food, thy dainty food, + And we together will their luxury share, + Voluptuous tumults stealing through the blood, + Voluptuous visions filling all the air! + + I will not thee profane with impious shag, + Nor poison thee with nigger-head and twist, + Nor with Kentucky, though the planters brag + That it hath virtues all the rest have missed. + + These are for porters, loafers, and the scum, + Who have no sense for the diviner weeds, + Who drink their muddy beer and muddier rum, + Insatiate, like dogs in all their greeds. + + But not for thee nor me these things obscene; + We have a higher pleasure, purer taste. + My draughts have been with thee of hippocrene, + And our delights intelligent and chaste. + + +IV. + + Intelligent and chaste since we have held + Commune together on the world's highway; + No Falstaff failings have my mind impelled + To do misdeeds of sack by night or day; + + But we have ever erred on virtue's side-- + At least we should have done--but woe is me! + I fear in this my statement I have lied, + For ghosts, like moonlight shadows on the sea, + + Crowd thick around me from the shadowy past,-- + Ghosts of old memories reeling drunk with wine! + And boon companions, Lysius-like, and vast + In their proportions as the god divine. + + I do confess my sins, and here implore + The aid of "Rare Old Ben" and other ghosts + That I may sin again, but rarely more, + Responsive only unto royal toasts. + + For, save these sins, I am a saintly man, + And live like other saints on prayer and praise, + My long face longer, if life be a span, + Than any two lives in these saintly days. + + So let me smoke and drink and do good deeds, + And boast the doing like a Pharisee; + Am I not holy if I love the creeds, + Even though my drinking sins choke up the sea? + +GEORGE S. PHILLIPS (JANUARY SEARLE): _The Gypsies of the Dane's Dike._ + + + + +INVOCATION TO TOBACCO. + + + Weed of the strange flower, weed of the earth, + Killer of dulness, parent of mirth, + Come in the sad hour, come in the gay, + Appear in the night, or in the day,-- + Still thou art welcome as June's blooming rose, + Joy of the palate, delight of the nose. + + Weed of the green field, weed of the wild, + Fostered in freedom, America's child, + Come in Virginia, come in Havana, + Friend of the universe, sweeter than manna,-- + Still thou art welcome, rich, fragrant, and ripe, + Pride of the tube-case, delight of the pipe. + + Weed of the savage, weed of each pole, + Comforting, soothing, philosophy's soul, + Come in the snuff-box, come in cigar, + In Strasburgh and King's, come from afar,-- + Still thou art welcome, the purest, the best, + Joy of earth's millions, forever carest. + +HENRY JAMES MELLEN. + + + + +VIRGINIA TOBACCO. + + + Two maiden dames of sixty-two + Together long had dwelt; + Neither, alas! of love so true + The bitter pang had felt. + + But age comes on, they say, apace, + To warn us of our death, + And wrinkles mar the fairest face,-- + At last it stops our breath. + + One of these dames tormented sore + With that curst pang, toothache, + Was at a loss for such a bore + What remedy to take. + + "I've heard," thought she, "this ill to cure, + A pipe is good, they say. + Well then, tobacco I'll endure, + And smoke the pain away." + + The pipe was lit, the tooth soon well, + And she retired to rest, + When then the other ancient belle + Her spinster maid addressed,-- + + "Let me request a favor, pray"-- + "I'll do it if I can"-- + "Oh! well, then, love, smoke every day, + _You smell so like a man!_" + +Attributed to JOHN STANLEY GREGSON. + + + + +AN ODE OF THANKS FOR CERTAIN CIGARS. + +_TO CHARLES ELIOT NORTON._ + + + Luck, my dear Norton, still makes shifts, + To mix a mortal with her gifts, + Which he may find who duly sifts. + + Sweets to the sweet,--behold the clue! + Why not, then, new things to the gnu, + And trews to Highland clansmen true? + + 'Twas thus your kindly thought decreed + These weeds to one who is indeed, + And feels himself, a very weed,-- + + A weed from which, when bruised and shent, + Though some faint perfume may be rent, + Yet oftener much without a cent. + + But imp, O Muse, a stronger wing + Mount, leaving self below, and sing + What thoughts these Cuban exiles bring! + + He that knows aught of mythic lore + Knows how god Bacchus wandered o'er + The earth, and what strange names he bore. + + The Bishop of Avranches supposes + That all these large and varying doses + Of fable mean naught else than Moses; + + But waiving doubts, we surely know + He taught mankind to plough and sow, + And from the Tigris to the Po + + Planted the vine; but of his visit + To this our hemisphere, why is it + We have no statement more explicit? + + He gave to us a leaf divine + More grateful to the serious Nine + Than fierce inspirings of the vine. + + And that _he_ loved it more, this proved,-- + He gave his name to what he loved, + Distorted now, but not removed. + + Tobacco, sacred herb, though lowly, + Baffles old Time, the tyrant, wholly, + And makes him turn his hour-glass slowly; + + Nay, makes as 'twere of every glass six, + Whereby we beat the heathen classics + With their weak Chians and their Massics. + + These gave his glass a quicker twist, + And flew the hours like driving mist, + While Horace drank and Lesbia kissed. + + How are we gainers when all's done, + If Life's swift clepsydra have run + With wine for water? 'Tis all one. + + But this rare plant delays the stream + (At least if things are what they seem) + Through long eternities of dream. + + What notes the antique Muse had known + Had she, instead of oat-straws, blown + Our wiser pipes of clay or stone! + + Rash song, forbear! Thou canst not hope, + Untutored as thou art, to cope + With themes of such an epic scope. + + Enough if thou give thanks to him + Who sent these leaves (forgive the whim) + Plucked from the dream-tree's sunniest limb. + + My gratitude feels no eclipse, + For I, whate'er my other slips, + Shall have his kindness on my lips. + + The prayers of Christian, Turk, and Jew + Have one sound up there in the blue, + And one smell all their incense, too. + + Perhaps that smoke with incense ranks + Which curls from 'mid life's jars and clanks, + Graceful with happiness and thanks. + + I pledge him, therefore, in a puff,-- + rather frailish kind of stuff, + But still professional enough. + + Hock-cups breed hiccups; let us feel + The god along our senses steel + More nobly and without his reel. + + Each temperately 'baccy _plenus_, + May no grim fate of doubtful genus + E'er blow the smallest cloud between us. + + And as his gift I shall devote + To fire, and o'er their ashes gloat,-- + Let him do likewise with this note. + +JAMES RUSSELL LOWELL. + +[From "The Letters of James Russell Lowell." Copyright, 1893, by +Harper & Brothers.] + + + + +AN ENCOMIUM ON TOBACCO. + + + Thrice happy isles that stole the world's delight, + And thus produce so rich a Margarite! + It is the fountain whence all pleasure springs, + A potion for imperial and mighty kings. + + He that is master of so rich a store + May laugh at Croesus and esteem him poor; + And with his smoky sceptre in his fist, + Securely flout the toiling alchemist, + Who daily labors with a vain expense + In distillations of the quintessence, + Not knowing that this golden herb alone + Is the philosopher's admired stone. + + It is a favor which the gods doth please, + If they do feed on smoke, as Lucian says. + Therefore the cause that the bright sun doth rest + At the low point of the declining west-- + When his oft-wearied horses breathless pant-- + Is to refresh himself with this sweet plant, + Which wanton Thetis from the west doth bring, + To joy her love after his toilsome ring: + For 'tis a cordial for an inward smart, + As is dictamnum to the wounded hart. + It is the sponge that wipes out all our woe; + 'Tis like the thorn that doth on Pelion grow, + With which whoe'er his frosty limbs anoints, + Shall feel no cold in fat or flesh or joints. + 'Tis like the river, which whoe'er doth taste + Forgets his present griefs and sorrows past. + Music, which makes grim thoughts retire, + And for a while cease their tormenting fire,-- + Music, which forces beasts to stand and gaze, + And fills their senseless spirits with amaze,-- + Compared to this is like delicious strings, + Which sound but harshly while Apollo sings. + The train with this infumed, all quarrel ends, + And fiercest foemen turn to faithful friends; + The man that shall this smoky magic prove, + Will need no philtres to obtain his love. + + Yet the sweet simple, by misordered use, + Death or some dangerous sickness may produce. + Should we not for our sustentation eat + Because a surfeit comes from too much meat? + So our fair plant--that doth as needful stand + As heaven, or fire, or air, or sea, or land; + As moon, or stars that rule the gloomy night, + Or sacred friendship, or the sunny light-- + Her treasured virtue in herself enrolls, + And leaves the evil to vainglorious souls. + And yet, who dies with this celestial breath + Shall live immortal in a joyful death. + All goods, all pleasures it in one can link-- + 'Tis physic, clothing, music, meat, and drink. + + Gods would have revell'd at their feasts of mirth + With this pure distillation of the earth; + The marrow of the world, star of the West, + The pearl whereby this lower orb is blest; + The joy of mortals, umpire of all strife, + Delight of nature, mithridate of life; + The daintiest dish of a delicious feast, + By taking which man differs from a beast. + +ANONYMOUS: _Time, James I._ + + + + +ON A TOBACCO JAR. + + + Three hundred years ago or soe, + One worthy knight and gentlemanne + Did bring me here, to charm and chere, + To physical and mental manne. + God bless his soule who filled ye bowle, + And may our blessings find him; + That he not miss some share of blisse + Who left soe much behind him. + +BERNARD BARKER. + + + + +TO THE TOBACCO PIPE. + + + Dear piece of fascinating clay! + 'Tis thine to smooth life's rugged way, + To give a happiness unknown + To those--who let a pipe alone; + Thy tube can best the vapors chase, + By raising--others in their place; + Can give the face staid Wisdom's air, + And teach the lips--to ope with care; + 'Tis hence thou art the truest friend + (Where least is said there's least to mend), + And he who ventures many a joke + Had better oft be still and smoke. + + Whatever giddy foplings think, + Thou giv'st the highest zest to drink. + When fragrant clouds thy fumes exhale, + And hover round the nut-brown ale, + Who thinks of claret or champagne? + E'en burgundy were pour'd in vain. + + 'Tis not in city smoke alone, + Midst fogs and glooms thy charms are known. + With thee, at morn, the rustic swain + Tracks o'er the snow-besprinkled plain, + To seek some neighb'ring copse's side, + And rob the woodlands of their pride: + With thee, companion of his toil, + His active spirits ne'er recoil; + Though hard his daily task assign'd, + He bears it with an equal mind. + + The fisher 'board some little bark, + When all around is drear and dark, + With shortened pipe beguiles the hour, + Though bleak the wind and cold the show'r, + Nor thinks the morn's approach too slow, + Regardless of what tempests blow. + Midst hills of sand, midst ditches, dikes, + Midst cannons, muskets, halberts, pikes; + With thee, as still, Mynheer can stay, + As Neddy 'twixt two wisps of hay; + Heedless of Britain and of France, + Smokes on--and looks to the main chance. + + And sure the solace thou canst give + Must make thy fame unrivalled live, + So long as men can temper clay + (For as thou art, e'en so are they), + The sun mature the Indian weed, + And rolling years fresh sorrows breed. + +From _The Meteors_, London. + + + + +THE PATRIOTIC SMOKER'S LAMENT. + + + Tell me, shade of Walter Raleigh, + Briton of the truest type, + When that too devoted valet + Quenched your first-recorded pipe, + Were you pondering the opinion, + As you watched the airy coil, + That the virtue of Virginia + Might be bred in British soil? + + You transplanted the potato, + 'Twas a more enduring gift + Than the wisdom of a Plato + To our poverty and thrift. + That respected root has flourished + Nobly for a nation's need, + But our brightest dreams are nourished + Ever on a foreign weed. + + From the deepest meditation + Of the philosophic scribe, + From the poet's inspiration, + For the cynic's polished gibe, + We invoke narcotic nurses + In their jargon from afar, + I indite these modest verses + On a polyglot cigar. + + Leaf that lulls a Turkish Aga + May a scholar's soul renew, + Fancy spring from Larranaga, + History from honey-dew. + When the teacher and the tyro + Spirit-manna fondly seek, + 'Tis the cigarette from Cairo, + Or a compound from the Greek. + + But no British-born aroma + Is fit incense to the Queen, + Nature gives her best diploma + To the alien nicotine. + We are doomed to her ill-favor, + For the plant that's native grown + Has a patriotic flavor + Too exclusively our own. + + O my country, could your smoker + Boast your "shag," or even "twist," + Every man were mediocre + Save the blest tobacconist! + He will point immortal morals, + Make all common praises mute, + Who shall win our grateful laurels + With a national cheroot. + +_The St. James Gazette_. + + + + +TO AN OLD PIPE. + + + Once your smoothly polished face + Nestled lightly in a case; + 'Twas a jolly cosy place, + I surmise; + + And a zealous subject blew + On your cheeks, until they grew + To the fascinating hue + Of her eyes. + + Near a rusty-hilted sword, + Now upon my mantel-board, + Where my curios are stored, + You recline. + + You were pleasant company when + By the scribbling of her pen + I was sent the ways of men + To repine. + + Tell me truly (you were there + When she ceased that debonair + Correspondence and affair) + I suppose + + That she laughed and smiled all day; + Or did gentle tear-drops stray + Down her charming _retroussee_ + Little nose? + + Where the sunbeams, coyly still, + Fall upon the mantel-sill, + You perpetually will + Silence woo; + + And I fear that she herself, + By the little chubby elf. + Will be laid upon the shelf + Just as you. + +DE WITT STERRY. + + + + +TITLEPAGE DEDICATION. + + "Let those smoke now who never smoked before, + And those who always smoked--now smoke the more." + + + + +ACROSTIC. + + To thee, blest weed, whose sovereign wiles, + O'er cankered care bring radiant smiles, + Best gift of Love to mortals given! + At once the bud and bliss of Heaven! + Crownless are kings uncrowned by thee; + Content the serf in thy sweet liberty, + O charm of life! O foe to misery! + +J.H. + + + + +ANOTHER MATCH. + +_AFTER A.C. SWINBURNE._ + + + If love were dhudeen olden, + And I were like the weed, + Oh! we would live together + And love the jolly weather, + And bask in sunshine golden, + Rare pals of choicest breed; + If love were dhudeen olden, + And I were like the weed. + + If you were oil essential, + And I were nicotine, + We'd hatch up wicked treason, + And spoil each smoker's reason, + Till he grew penitential, + And turned a bilious green; + If you were oil essential, + And I were nicotine. + + If you were snuff, my darling, + And I, your love, the box. + We'd live and sneeze together, + Shut out from all the weather, + And anti-snuffers snarling, + In neckties orthodox; + If you were snuff, my darling, + And I, your love, the box. + + If you were the aroma, + And I were simply smoke, + We'd skyward fly together, + As light as any feather; + And flying high as Homer, + His gray old ghost we'd choke; + If you were the aroma, + And I were simply smoke. + +From _Cope's Tobacco Plant_. + + + + +IN WREATHS OF SMOKE. + + + In wreaths of smoke, blown waywardwise, + Faces of olden days uprise, + And in his dreamers revery + They haunt the smoker's brain, and he + Breathes for the past regretful sighs. + + Mem'ries of maids, with azure eyes, + In dewy dells, 'neath June's soft skies, + Faces that more he'll only see + In wreaths of smoke. + + Eheu, eheu! how fast Time flies,-- + How youth-time passion droops and dies, + And all the countless visions flee! + How worn would all those faces be, + Were they not swathed in soft disguise + In wreaths of smoke! + +FRANK NEWTON HOLMAN. + + + + +ASHES. + + + Wrapped in a sadly tattered gown, + Alone I puff my brier brown, + And watch the ashes settle down + In lambent flashes; + While thro' the blue, thick, curling haze, + I strive with feeble eyes to gaze, + Upon the half-forgotten days + That left but ashes. + + Again we wander through the lane, + Beneath the elms and out again, + Across the rippling fields of grain, + Where softly flashes + A slender brook 'mid banks of fern, + At every sigh my pulses burn, + At every thought I slowly turn + And find but ashes. + + What made my fingers tremble so, + As you wrapped skeins of worsted snow, + Around them, now with movements slow + And now with dashes? + Maybe 'tis smoke that blinds my eyes, + Maybe a tear within them lies; + But as I puff my pipe there flies + A cloud of ashes. + + Perhaps you did not understand, + How lightly flames of love were fanned. + Ah, every thought and wish I've planned + With something clashes! + And yet within my lonely den + Over a pipe, away from men, + I love to throw aside my pen + And stir the ashes. + +DE WITT STERRY. + + + + +CHOOSING A WIFE BY A PIPE OF TOBACCO. + + + Tube, I love thee as my life; + By thee I mean to choose a wife. + Tube, thy _color_ let me find, + In her _skin_, and in her _mind_. + Let her have a _shape_ as fine; + Let her breath be sweet as thine; + Let her, when her lips I kiss, + _Burn_ like thee, to give me bliss; + Let her, in some _smoke_ or other, + All my failings kindly smother. + Often when my thoughts are _low_, + Send them where they ought to go; + When to study I incline, + Let her aid be such as thine; + Such as thine the charming power + In the vacant social hour. + Let her live to give delight, + Ever _warm_ and ever _bright_; + Let her deeds, whene'er she dies, + Mount as incense to the skies. + +_Gentleman's Magazine_. + + + + +MY THREE LOVES. + + + When Life was all a summer day, + And I was under twenty, + Three loves were scattered in my way-- + And three at once are plenty. + Three hearts, if offered with a grace, + One thinks not of refusing; + The task in this especial case + Was only that of choosing. + I knew not which to make my pet,-- + My pipe, cigar, or cigarette. + + To cheer my night or glad my day + My pipe was ever willing; + The meerschaum or the lowly clay + Alike repaid the filling. + Grown men delight in blowing clouds, + As boys in blowing bubbles, + Our cares to puff away in crowds + And vanish all our troubles. + My pipe I nearly made my pet, + Above cigar or cigarette. + + A tiny paper, tightly rolled + About some Latakia, + Contains within its magic fold + A mighty _panacea_. + Some thought of sorrow or of strife + At ev'ry whiff will vanish; + And all the scenery of life + Turn picturesquely Spanish. + But still I could not quite forget + Cigar and pipe for cigarette. + + To yield an after-dinner puff + O'er _demi-tasse_ and brandy, + No cigarettes are strong enough, + No pipes are ever handy. + However fine may be the feed, + It only moves my laughter + Unless a dry delicious weed + Appears a little after. + A prime cigar I firmly set + Above a pipe or cigarette. + + But after all I try in vain + To fetter my opinion; + Since each upon my giddy brain + Has boasted a dominion. + Comparisons I'll not provoke, + Lest _all_ should be offended. + Let this discussion end in smoke + As many more have ended. + And each I'll make a special pet; + My pipe, cigar, and cigarette. + +HENRY S. LEIGH. + + + + +SMOKE IS THE FOOD OF LOVERS. + + + When Cupid open'd shop, the trade he chose + Was just the very one you might suppose. + Love keep a shop?--his trade, oh! quickly name! + A dealer in tobacco--fie, for shame! + No less than true, and set aside all joke, + From oldest time he ever dealt in smoke; + Than smoke, no other thing he sold, or made; + Smoke all the substance of his stock in trade; + His capital all smoke, smoke all his store, + 'Twas nothing else; but lovers ask no more-- + And thousands enter daily at his door! + Hence it was ever, and it e'er will be + The trade most suited to his faculty: + Fed by the vapors of their heart's desire, + No other food his votaries require; + For that they seek--the favor of the fair-- + Is unsubstantial as the smoke and air. + +JACOB CATS: _Moral Emblems_. + + + + +CLOUDS. + + + Mortals say their heart is light + When the clouds around disperse; + Clouds to gather, thick as night, + Is the smoker's universe. + +_From the German of Bauernfeld_. + + + + +IN FAVOR OF TOBACCO. + + + Much victuals serves for gluttony + To fatten men like swine; + But he's a frugal man indeed + That with a leaf can dine, + And needs no napkin for his hands, + His fingers' ends to wipe, + But keeps his kitchen in a box, + And roast meat in a pipe. + +SAMUEL ROWLANDS: _Knave of Clubs_ (1611). + + + + +MY CIGARETTE. + +_WORDS AND MUSIC BY RICHARD BARNARD_. + + + To my sweet cigarette I am singing + This joyous and bright bacca-role; + Just now to my lips she was clinging, + Her spirit was soothing my soul. + With figure so slender and dapper + I feel the soft touch of it yet, + Adorned in her dainty white wrapper, + How fair is my own cigarette! + 'Twere better, perhaps, that we part, love; + 'Twere better, if never we'd met. + Alas, you are part of my heart, love, + Destructive but sweet cigarette! + + Though matchless, by matches she's fired, + And glows both with pleasure and pride; + By her soft, balmy breath I'm inspired, + And kiss and caress my new bride. + E'en the clouds of her nature are joyous, + Though other clouds cause us regret; + From worry and care they decoy us, + The clouds of a sweet cigarette. + 'Twere better, etc. + + The houris in paradise living + Dissolve in the first love embrace, + Their life to their love freely giving,-- + And so with my love 'tis the case; + For when her life's last spark is flying, + Still sweet to the end is my pet, + Who helps me, although she is dying, + To light up a fresh cigarette! + 'Twere better, etc. + + + + +THE BALLADE OF TOBACCO. + + + When verdant youth sees life afar, + And first sets out wild oats to sow, + He puffs a stiff and stark cigar, + And quaffs champagne of Mumm & Co. + He likes not smoking yet; but though + Tobacco makes him sick indeed, + Cigars and wine he can't forego,-- + A slave is each man to the weed. + + In time his tastes more dainty are + And delicate. Become a beau, + From out the country of the czar + He brings his cigarettes, and lo! + He sips the vintage of Bordeaux. + Thus keener relish shall succeed + The baser liking we outgrow,-- + A slave is each man to the weed + + When age and his own lucky star + To him perfected wisdom show, + The schooner glides across the bar, + And beer for him shall freely flow; + A pipe with genial warmth shall glow, + To which he turns in direst need, + To seek in smoke surcease of woe,-- + A slave is each man to the weed. + + + + +ENVOI. + + + Smokers, who doubt or con or pro, + And ye who dare to drink, take heed! + And see in smoke a friendly foe,-- + A slave is each man to the weed. + +BRANDER MATTHEWS. + + + + +HE RESPONDETH. + + +SHE. + + You still persist in using, + I observe with great regret, + The needlessly expensive + Cigarette. + + + HE. + + You should set a good example; + But you seem to quite forget + That you use a thirty-dollar + Vinaigrette. + +_Life._ + + + + +TO SEE HER PIPE AWRY. + + + Betty bouncer kept a stall + At the corner of a street, + And she had a smile for all. + Many were the friends she'd greet + With kindly nod on passing by, + Who, smiling, saw her pipe awry. + + Poor old lass! she loved her pipe, + A constant friend it seemed to be; + As she sold her apples ripe, + With an apple on each knee, + How she'd make the smoke-wreaths fly, + As I've watched her pipe awry! + + Seasons came and seasons went, + Only changing Betty's store; + Youngsters with her always spent + Their little all and wished they'd more: + Timidly with upturned eye + Staring at her pipe awry. + + Bet was always at her post + Early morn or even late; + Ginger beer or chestnut roast, + Served she as she sat in state, + On two bushel-baskets high; + You should have seen her pipe awry! + + Little care old Betty had, + She quietly jogged on her way; + Never did her face look sad. + Although she fumed the livelong day. + Guiltless seemed she of a sigh. + I never saw her pipe her eye! + +C.F. + + + + +INGIN SUMMER. + + + Jest about the time when Fall + Gits to rattlin' in the trees, + An' the man thet knows it all, + 'Spicions frost in every breeze, + When a person tells hisse'f + Thet the leaves look mighty thin, + Then thar blows a meller breaf! + Ingin summer's hyere agin. + + Kind-uh smoky-lookin' blues + Spins acrost the mountain-side, + An' the heavy mornin' dews + Greens the grass up far an' wide, + Natur' raly 'pears as ef + She wuz layin' off a day,-- + Sort-uh drorin in her breaf + 'Fore she freezes up to stay. + + Nary lick o' work I strike, + 'Long about this time of year! + I'm a sort-uh slowly like, + Right when Ingin summer's here. + Wife and boys kin do the work; + But a man with natchel wit, + Like I got, kin 'ford to shirk, + Ef he has a turn for it. + + Time when grapes set in to ripe, + All I ast off any man + Is a common co'n-cob pipe + With terbacker to my han'; + Then jest loose me whar the air + Simmers 'crost me, wahm an' free! + Promised lands ull find me thar; + Wings ull fahly sprout on me! + + I'm a loungin' 'round on thrones, + Bossin' worlds f'om shore to shore, + When I stretch my marrer-bones + Jest outside the cabin door! + An' the sunshine peepin' down + On my old head, bald an' gray, + 'Pears right like the gilted crown, + I expect to w'ar some day. + +EVA WILDER MCGLASSON. + + + + +EDIFYING REFLECTIONS OF A TOBACCO-SMOKER. + +_SET TO MUSIC BY JOHANN SEBASTIAN BACH. AUTHOR UNKNOWN. TRANSLATED BY +EDWARD BRECK._ + + + + As oft I fill my faithful pipe, + To while away the moments glad, + With fragrant leaves, so rich and ripe, + My mind perceives an image sad, + So that I can but clearly see + How very like it is to me. + + My pipe is made of earth and clay, + From which my mortal part is wrought; + I, too, must turn to earth some day. + It often falls, as quick as thought, + And breaks in two,--puts out its flame; + My fate, alas! is but the same! + + My pipe I color not, nor paint; + White it remains, and hence 'tis true + That, when in Death's cold arms I faint, + My lips shall wear the ashen hue; + And as it blackens day by day, + So black the grave shall turn my clay! + + And when the pipe is put alight + The smoke ascends, then trembles, wanes, + And soon dissolves in sunshine bright, + And but the whitened ash remains. + 'Tis so man's glory crumble must, + E'en as his body, into dust! + + How oft the filler is mislaid; + And, rather than to seek in vain, + I use my finger in its stead, + And fancy as I feel the pain, + If coals can burn to such degree, + How hot, O Lord, must Hades be! + + So in tobacco oft I find, + Lessons of such instructive type; + And hence with calm, contented mind + I live, and smoke my faithful pipe + In reverence where'er I roam,-- + On land, on water, and at home. + + + + +THE LOST LOTUS. + + + 'Tis said that in the sun-embroidered East, + There dwelt a race whose softly flowing hours + Passed like the vision of a royal feast, + By Nero given in the Baian bowers; + Thanks to the lotus-blossom spell, + Their lives were one long miracle. + + In after years the passing sons of men + Looked for those lotus blossoms all in vain, + Through every hillside, glade, and glen + And e'en the isles of many a main; + Yet through the centuries some doom, + Forbade them see the lotus bloom. + + The Old World wearied of the long pursuit, + And called the sacred leaf a poet's theme, + When lo! the New World, rich in flower and fruit, + Revealed the lotus, lovelier than the dream + That races of the long past days did haunt,-- + The green-leaved, amber-tipped tobacco plant. + +ANON. + + + + +THE SCENT OF A GOOD CIGAR. + + + What is it comes through the deepening dusk,-- + Something sweeter than jasmine scent, + Sweeter than rose and violet blent, + More potent in power than orange or musk? + The scent of a good cigar. + + I am all alone in my quiet room, + And the windows are open wide and free + To let in the south wind's kiss for me, + While I rock in the softly gathering gloom, + And that subtle fragrance steals. + + Just as a loving, tender hand + Will sometimes steal in yours, + It softly comes through the open doors, + And memory wakes at its command,-- + The scent of that good cigar. + + And what does it say? Ah! that's for me + And my heart alone to know; + But that heart thrills with a sudden glow, + Tears fill my eyes till I cannot see,-- + From the scent of that good cigar. + +KATE A. CARRINGTON. + + + + +TO MY CIGAR. + + + Yes, social friend, I love thee well, + In learned doctor's spite; + Thy clouds all other clouds dispel, + And lap me in delight. + + What though they tell, with phizzes long, + My years are sooner past! + I would reply with reason strong, + They're sweeter while they last. + + When in the lonely evening hour, + Attended but by thee, + O'er history's varied page I pore, + Man's fate in thine I see. + + Oft as the snowy column grows, + Then breaks and falls away, + I trace how mighty realms thus rose, + Thus tumbled to decay. + + Awhile like thee earth's masters burn + And smoke and fume around; + And then, like thee, to ashes turn, + And mingle with the ground. + + Life's but a leaf adroitly rolled, + And Time's the wasting breath + That, late or early, we behold + Gives all to dusty death. + + From beggar's frieze to monarch's robe, + One common doom is passed; + Sweet Nature's works, the swelling globe, + Must all burn out at last. + + And what is he who smokes thee now? + A little moving heap, + That soon, like thee, to fate must bow, + With thee in dust must sleep. + + But though thy ashes downward go, + Thy essence rolls on high; + Thus, when my body lieth low, + My soul shall cleave the sky. + +CHARLES SPRAGUE. + + + + +KNICKERBOCKER. + + + Shade of Herrick, Muse of Locker, + Help me sing of Knickerbocker! + Boughton, had you bid me chant + Hymns to Peter Stuyvesant, + Had you bid me sing of Wouter, + He, the onion head, the doubter! + But to rhyme of this one--Mocker! + Who shall rhyme to Knickerbocker? + Nay, but where my hand must fail, + There the more shall yours avail; + You shall take your brush and paint + All that ring of figures quaint,-- + All those Rip Van Winkle jokers, + All those solid-looking smokers, + Pulling at their pipes of amber, + In the dark-beamed Council Chamber. + + Only art like yours can touch + Shapes so dignified--and Dutch; + Only art like yours can show + How the pine logs gleam and glow, + Till the firelight laughs and passes + 'Twixt the tankards and the glasses, + Touching with responsive graces + All those grave Batavian faces, + Making bland and beatific + All that session soporific. + + Then I come and write beneath: + Boughton, he deserves the wreath; + He can give us form and hue-- + This the Muse can never do! + +AUSTIN DOBSON. + + + + +THE DISCOVERY OF TOBACCO. + +_A SAILOR'S VERSION_. + + + They were three jolly sailors bold, + Who sailed across the sea; + They'd braved the storm, and stood the gale, + And got to Virgin-ee. + + + + +THE DISCOVERY OF TOBACCO. + + + 'Twas in the days of good Queen Bess,-- + Or p'raps a bit before,-- + And now these here three sailors bold + Went cruising on the shore. + A lurch to starboard, one to port, + Now forrard, boys, go we, + With a haul and a "Ho!" and a "That's your sort!" + To find out Tobac-kee. + + Says Jack, "This here's a rummy land." + Says Tom, "Well, shiver me! + The sun shines out as precious hot + As ever I did see." + Says Dick, "Messmates, since here we be,"-- + And gave his eye a wink,-- + "We've come to find out Tobac-kee, + Which means a drop to drink." + + Says Jack, says he, "The Injins think--" + Says Tom, "I'll swear as they + Don't think at all." Says Dick, "You're right; + It ain't their nat'ral way. + But I want to find out, my lads, + This stuff of which they tell; + For if as it ain't meant to drink, + Why, it must be meant to smell." + + Says Tom, says he, "To drink or smell, + I don't think this here's meant." + Says Jack, says he, "Blame my old eyes, + If I'll believe it's scent." + "Well, then," says Dick, "if that ain't square, + It must be meant for meat; + So come along, my jovial mates, + To find what's good to eat." + + They came across a great big plant, + A-growing tall and true. + Says Jack, says he, "I'm precious dry," + And picked a leaf to chew. + While Tom takes up a sun-dried bit, + A-lying by the trees; + He rubs it in his hands to dust + And then begins to sneeze. + + Another leaf picks nimble Dick, + And dries it in the sun, + And rolls it up all neat and tight. + "My lads," says he, in fun, + "I mean to cook this precious weed." + And then from out his poke + With burning-glass he lights the end, + And quick blows up the smoke. + + Says Jack, says he, "Of Paradise + I've heerd some people tell." + Says Tom, says he, "This here will do; + Let's have another smell." + Says Dick, his face all pleasant smiles, + A-looking through a cloud, + "It strikes me here's the cap'en bold, + And now we'll all be rowed." + + Up comes brave Hawkins on the beach; + "Shiver my hull!" he cries, + "What's these here games, my merry men?" + And then, "Why, blame my eyes! + Here's one as chaws, and one as snuffs, + And t' other of the three + Is smoking like a chimbley-pot-- + They've found out Tobac-kee!" + + So if ever you should hear + Of Raleigh, and them lies + About his sarvant and his pipe + And him as "Fire!" cries, + You say as 'twas three sailors bold + As sailed to Virgin-ee + In brave old Hawkins' gallant ship + Who found out Tobac-kee. + A lurch to starboard, one to port, + Now forrard, boys, go we, + With a haul and a "Ho!" and a "That's your sort!" + To find out Tobac-kee. + +_Cigar and Tobacco World_, London. + + + + +"KEATS TOOK SNUFF." + + "Keats took snuff.... It has been established by the + praise-worthy editorial research of Mr. Burton Forman." + + + So "Keats took snuff?" A few more years, + When we are dead and famous--eh? + Will they record our pipes and beers, + And if we smoked cigars or clay? + Or will the world cry "Quantum suff" + To tattle such as "Keats took snuff"? + + Perhaps some chronicler would wish + To know what whiskey we preferred, + And if we ever dined on fish, + Or only took the joint and bird. + Such facts are quite as worthy stuff, + Good chronicler, as "Keats took snuff." + + You answer: "But, if you were Keats--" + Tut! never mind your buts and ifs, + Of little men record their meats, + Their drinks, their troubles, and their tiffs, + Of the great dead there's gold enough + To spare us such as "Keats took snuff." + + Well, go your ways, you little folk, + Who polish up the great folk's lives; + Record the follies that they spoke, + And paint their squabbles with their wives. + Somewhere, if ever ghosts be gruff, + I trust some Keats will "give you snuff." + +_The Globe_, London. + + + + +THE BALLAD OF THE PIPE. + + + Oh, give me but Virginia's weed, + An earthen bowl, a stem of reed, + What care I for the weather? + Though winter freeze and summer broil + We rest us from our days of toil + My Pipe and I together! + + Like to a priest of sacred fane, + I nightly light the glow again + With reverence and pleasure; + For through this plain and modest bowl + I coax sweet mem'ry to my soul + And many trippings measure! + + There's comfort in each puff of smoke, + Defiance to ill-fortune's stroke + And happiness forever! + There grows a volume full of thought + And humor, than the book you bought + Holds nothing half so clever! + + The summer fragrance, all pent up + Among the leaves, is here sent up + In dreams of summer glory; + And these blue clouds that slowly rise + Were colored by the summer skies, + And tell a summer story. + + And oh! the happiest, sweetest times + Come ringing all their silver chimes + Of merry songs and laughter; + And all that may be well and worth + For Mother Future to bring forth + I do imagine after. + + What care I if my poor means + Clad not my walls with splendid scenes + And pictures by the masters; + Here in the curling smoke-wreath glow + Bold hills and lovely vales below, + And brooks with nodding asters. + + All that on earth is fair and fine, + This fragrant magic makes it mine, + And gives me sole dominion; + And if you call me fanciful, + I only take a stronger pull, + And laugh at your opinion. + + Let others fret and fume with care, + 'Tis easy finding everywhere, + But happiness is rarer; + And if I find it sweet and ripe, + In this tobacco and my pipe, + I'll count it all the fairer. + + Then give me but Virginia's weed, + An earthen bowl, a stem of reed, + What care I for the weather? + Though winter freeze, or summer broil + We rest us from the days of toil, + My Pipe and I together. + +HERMANN RAVE. + + + + +THE OLD CLAY PIPE. + + + There's a lot of solid comfort + In an old clay pipe, I find, + If you're kind of out of humor + Or in trouble in your mind. + When you're feeling awful lonesome + And don't know just what to do, + There's a heap of satisfaction + If you smoke a pipe or two. + + The ten thousand pleasant memories + That are buried in your soul + Are playing hide and seek with you + Around that smoking bowl. + These are mighty restful moments: + You're at peace with all the world, + And the panorama changes + As the thin blue smoke is curled. + + Now you cross the bridge of sorrows, + Now you enter pleasant lands, + And before an open doorway, + You will linger to shake hands + With a lithe and girlish figure + That is coming through the door; + Ah! you recognize the features: + You have seen that face before. + + You are at the dear old homestead + Where you spent those happy years; + You are romping with the children; + You are smiling through your tears; + You have fought and whipped the bully + You are eight and he is ten. + Oh! how rapidly we travel,-- + You are now a boy again. + + You approach the open doorway, + And before the old armchair + You will stop and kiss the grandma, + You will smooth the thin white hair; + You will read the open Bible, + For the lamp is lit, you see. + It is now your hour for bed-time + And you kneel at mother's knee. + + Still you linger at the hearthstone; + You are loath to leave the place. + When an apple cut's in progress: + You must wait and dance with Grace. + + What's the matter with the music? + Only this: The pipe is broke, + And a thousand pleasant fancies + Vanish promptly with the smoke. + +A.B. VAN FLEET. + + + + +PERNICIOUS WEED! + + + The pipe, with solemn interposing puff, + Makes half a sentence at a time enough; + The dozing sages drop the drowsy strain, + Then pause and puff, and speak, and pause again. + Such often, like the tube they so admire, + Important triflers! have more smoke than fire. + Pernicious weed! whose scent the fair annoys, + Unfriendly to society's chief joys, + Thy worst effect is banishing for hours + The sex whose presence civilizes ours. + +WILLIAM COWPER. + + + + +TWO OTHER HEARTS. + + + Full tender beamed the light of love down from his manly face, + As he pressed her to his bosom in a fervent, fond embrace. + No cost of others' happiness found place within his thought; + The weakness of life's brittle thread no dim forebodings brought. + + But tenderer than the light of love, more brittle than life's + thread, + The shrouds that wrapped two other hearts gave up their withered + dead; + For, crumbling in his waistcoat, their glowing future dashed, + Two excellent Havanas were very badly smashed. + +_London Tobacco_. + + + + +THE SMOKE TRAVELLER. + + + When I puff my cigarette, + Straight I see a Spanish girl,-- + Mantilla, fan, coquettish curl, + Languid airs and dimpled face, + Calculating, fatal grace; + Hear a twittering serenade + Under lofty balcony played; + Queen at bull-fight, naught she cares + What her agile lover dares; + She can love and quick forget. + + Let me but my meerschaum light, + I behold a bearded man, + Built upon capacious plan, + Sabre-slashed in war or duel, + Gruff of aspect, but not cruel, + Metaphysically muddled, + With strong beer a little fuddled, + Slow in love, and deep in books, + More sentimental than he looks, + Swears new friendships every night. + + Let me my chibouk enkindle,-- + In a tent I'm quick set down + With a Bedouin, lean and brown, + Plotting gain of merchandise, + Or perchance of robber prize; + Clumsy camel load upheaving, + Woman deftly carpet-weaving, + Meal of dates and bread and salt, + While in azure heavenly vault + Throbbing stars begin to dwindle. + + Glowing coal in clay dudheen + Carries me to sweet Killarney, + Full of hypocritic blarney,-- + Huts with babies, pigs, and hens + Mixed together, bogs and fens, + Shillalahs, praties, usquebaugh, + Tenants defying hated law, + Fair blue eyes with lashes black, + Eyes black and blue from cudgel-thwack,-- + So fair, so foul, is Erin green. + + My nargileh once inflamed, + Quick appears a Turk with turban, + Girt with guards in palace urban, + Or in house by summer sea + Slave-girls dancing languidly, + Bow-string, sack, and bastinado, + Black boats darting in the shadow; + Let things happen as they please, + Whether well or ill at ease, + Fate alone is blessed or blamed. + + With my ancient calumet + I can raise a wigwam's smoke, + And the copper tribe invoke,-- + Scalps and wampum, bows and knives, + Slender maidens, greasy wives, + Papoose hanging on a tree, + Chieftains squatting silently, + Feathers, beads, and hideous paint, + Medicine-man and wooden-saint,-- + Forest-framed the vision set. + + My cigar breeds many forms,-- + Planter of the rich Havana + Mopping brow with sheer bandanna, + Russian prince in fur arrayed, + Paris fop on dress parade, + London swell just after dinner, + Wall Street broker--gambling sinner! + Delver in Nevada mine, + Scotch laird bawling "Auld Lang Syne." + Thus Raleigh's weed my fancy warms. + + Life's review in smoke goes past,-- + Fickle fortune, stubborn fate, + Right discovered all too late, + Beings loved and gone before, + Beings loved but friends no more, + Self-reproach and futile sighs, + Vanity in birth that dies, + Longing, heart-break, adoration,-- + Nothing sure in expectation + Save ash-receiver at the last. + +IRVING BROWNE. + + + + +SMOKING SONG. + + + With grateful twirl our smoke-wreaths curl, + As mist from the waterfall given, + Or the locks that float round beauty's throat + In the whispering air of even. + + _Chorus_. Then drown the fears of the coming years, + And the dread of change before us; + The way is sweet to our willing feet, + With the smoke-wreaths twining o'er us. + + As the light beams through the ringlets blue, + Will hope beam through our sorrow, + While the gathering wreath of the smoke we breathe + Shuts out the fear of to-morrow. + + A magic charm in the evening calm + Calls thought from mem'ry's treasure; + But clear and bright in the liquid light + Are the smoke-called dreams of pleasure. + + Then who shall chide, with boasting pride, + Delights they ne'er have tasted? + Oh, let them smile while we beguile + The hour with joys they've wasted. + +_College Song._ + + + + +HOW IT ONCE WAS. + + + Right stout and strong the worthy burghers stood, + Or rather, sat, + Drank beer in plenty, ate abundant food; + For they to ancient customs still were true, + And smoked, and smoked, because they surely knew + What they were at. + + William the Testy ruled New Amsterdam,-- + A tall man he,-- + Whose rule was meant by him to be no sham, + But rather like the stern paternal style + That sways the city now. He made the while + A rough decree. + + He ordered that the pipes should cease to smoke, + From that day on. + The people took the order as a joke; + They did not think, who smoked from childhood up, + That one man such delight would seek to stop, + Even in fun. + + But when at last it dawned upon their minds + That this was meant, + They closed their houses, shut their window blinds, + Brought forth tobacco from their ample hoard, + And to the governor's house with one accord + The burghers went. + + They carried chairs, and sat without a word + Before his porch, + And smoked, and smoked, and not a sound was heard, + Till Kieft came forth to take the morning air, + With speech that would have burned them then and there + If words could scorch. + + But they, however savagely he spoke, + Made no reply. + Higher and thicker rose the clouds of smoke, + And Kieft, perceiving that they would be free + Tried not to put in force his harsh decree, + But let it die. + +_New York Sun_. + + + + +HER BROTHER'S CIGARETTE. + + + Like raven's wings her locks of jet, + Her soft eyes touched with fond regret, + Doubt and desire her mind beset, + Fondling her brother's cigarette. + + Roses with dewy diamonds set, + Drooped o'er the window's parapet; + With grace she turned a match to get, + And lit her brother's cigarette. + + Her puffs of smoky violet + Twined in fantastic silhouette; + She blushed, laughed, coughed a little, yet, + She smoked her brother's cigarette. + + Her eyes with briny tears were wet, + Her bang grew limp beneath its net, + Her brow was gemmed with beaded sweat, + And to her bed she went, you bet. + +ANON. + + + + +IN THE OL' TOBACKER PATCH. + + + I jess kind o' feel so lonesome that I don't know what to do, + When I think about them days we used to spend + A hoein' out tobacker in th' clearin'--me an' you-- + An' a wishin' that the day was at an end. + For the dewdrops was a sparklin' on the beeches' tender leaves + As we started out a workin' in the morn; + An' th' noonday sun was sendin' down a shower of burnin' sheaves + When we heard the welcome-soundin' dinner-horn. + An' th' shadders round us gathered in a sort of ghostly batch, + 'Fore we started home from workin' in that ol' tobacker patch. + + I'm a feelin' mighty lonesome, as I look aroun' to-day, + For I see th' change that's taken place since then. + All th' hills is brown and faded, for th' woods is cleared away; + You an' me has changed from ragged boys to men; + You are livin' in th' city that we ust to dream about; + I am still a dwellin' here upon the place, + But my form is bent an' feeble, which was once so straight and + stout, + An' there's most a thousand wrinkles on my face. + You have made a mint of money; I, perhaps have been your match, + But we both enjoyed life better in that ol' tobacker patch. + +S.Q. LAPIUS. + + + + +MAECENAS BIDS HIS FRIEND TO DINE. + + I beg you come to-night and dine. + A welcome waits you, and sound wine,-- + The Roederer chilly to a charm, + As Juno's breath the claret warm, + The sherry of an ancient brand. + No Persian pomp, you understand,-- + A soup, a fish, two meats, and then + A salad fit for aldermen + (When aldermen, alas the days! + Were really worth their _mayonnaise_); + A dish of grapes whose clusters won + Their bronze in Carolinian sun; + Next, cheese--for you the Neufchatel, + A bit of Cheshire likes me well; + Cafe au lait or coffee black, + With Kirsch or Kuemmel or cognac + (The German band in Irving Place + By this time purple in the face); + Cigars and pipes. These being through, + Friends shall drop in, a very few-- + Shakespeare and Milton, and no more. + When these are guests I bolt the door, + With "Not at home" to any one + Excepting Alfred Tennyson. + +ANON. + + + + +TO MY MEERSCHAUM. + + + There's a charm in the sun-crested hills, + In the quivering light of a star, + In the flash of a silvery rill, + Yet to me thou art lovelier far, + My Meerschaum! + + There's a love in her witching dark eye, + There's a love in her tresses at play, + Yet her love would be worth not a sigh, + If from thee she could lure me away, + My Meerschaum! + + Let revellers sing of their wine, + As they toss it in ecstasy down, + But the bowl I call for is thine, + With its deepening amber and brown, + My Meerschaum! + + For when trouble would bid me despair, + I call for a flagon of beer, + And puff a defiance to care, + Till sorrows in smoke disappear, + My Meerschaum! + + Though mid pleasures unnumbered I whirl, + Though I traverse the billowy sea, + Yet the waving and beautiful curl + Of thy smoke's ever dearer to me, + My Meerschaum! + +P.D.R. + + + + +OLD PIPE OF MINE. + + + Companion of my lonely hours, + Full many a time 'twixt night and morn + Thy muse hath roamed through poesy's bowers + Upon thy fragrant pinions borne. + Let others seek the bliss that reigns + In homage paid at beauty's shrine, + We envy not such foolish gains, + In sweet content, old pipe of mine. + + Ah! you have been a travelled pipe; + But now, of course, you're getting stale, + Just like myself, and rather ripe; + You've had your fill of cakes and ale, + And half-forgotten memories, too. + And all the pensive thoughts that twine + Around a past that, _entre nous_, + Has pleasant been, old pipe of mine. + + Old pipe of mine, for many a year + What boon companions we have been! + With here a smile and there a tear, + How many changes we have seen! + How many hearts have ceased to beat, + How many eyes have ceased to shine, + How many friends will never meet, + Since first we met, old pipe of mine! + + Though here and there the road was deep, + And now and then the rain would fall; + We managed every time to keep + A sturdy forehead to them all! + And even when she left my side, + We didn't wait to fret or pine, + Oh, no; we said the world was wide, + And luck would turn, old pipe of mine! + + + + +CANNON SONG. + + + And it has turned since you and I + Set out to face the world alone; + And, in a garret near the sky, + Had scarce a crust to call our own, + But many a banquet, Barmecide; + And many a dream of hope divine, + Lie buried in the moaning tide, + That drowns the past, old pipe of mine! + + But prosing isn't quite the thing, + And so, I guess, I'll give it up: + Just wait a moment while I sing; + We'll have another parting cup, + And then to bed. The stars are low; + Yon sickly moon has ceased to shine; + So here she goes, and off we go + To Slumberland, old pipe of mine! + +JOHN J. GORMLEY. + + + + +CANNON SONG. + + Come, seniors, come, and fill your pipes, + Your richest incense raise; + Let's take a smoke, a parting smoke, + For good old by-gone days! + + _Chorus_. For good old by-gone days, + We'll smoke for good old by-gone days! + We'll take a smoke, a parting smoke, + For good old by-gone days! + + We'll crown the cannon with a cloud, + We'll celebrate its praise; + Recalling _its_ old parting smoke, + For good old by-gone days! + + We'll smoke to these we leave behind + In devious college ways; + We'll smoke to songs we've sung before, + In good old by-gone days. + + We'll smoke to _Alma Mater's_ name; + She loves the cloud we raise! + For well she knows the "biggest guns" + Are in the coming days! + + We'll smoke the times, the good old times, + When we were called _fire_! + Their light shall blaze in memory, + Till the lamp of life expire! + + Then let each smoking pipe be broke,-- + Hurrah for coming days! + We'll take a march, a merry march, + To meet the coming days! + +H.P. PECK. + + + + +TOBACCO. + + + The Indian weed, withered quite, + Green at noon, cut down at night, + Shows thy decay; all flesh is hay, + Thus thinke, then drinke tobacco. + + The pipe that is so lily-white, + Shows thee to be a mortal wight; + And even such, gone with a touch, + Thus thinke, then drinke tobacco. + + And when the smoke ascends on high, + Thinke thou beholdst the vanity + Of worldly stuffe, gone with a puffe, + Thus thinke, then drinke tobacco. + + And when the pipe grows foul within, + Think on thy soule defil'd with sin, + And then the fire it doth require. + Thus thinke, then drinke tobacco. + + The ashes that are left behind, + May serve to put thee still in mind, + That unto dust return thou must. + Thus thinke, then drinke tobacco. + +GEORGE WITHER, 1620. + + + + +VIRGINIA'S KINGLY PLANT. + +_BY AN "OLD SALT."_ + + + Oh, muse! grant me the power + (I have the will) to sing + How oft in lonely hour, + When storms would round me lower, + Tobacco's proved a king! + + Philanthropists, no doubt + With good intentions ripe, + Their dogmas may put out, + And arrogantly shout + The evils of the pipe. + + Kind moralists, with tracts, + Opinions fine may show; + Produce a thousand facts,-- + How ill tobacco acts + Man's system to o'erthrow. + + Learn'd doctors have employed + Much patience, time, and skill, + To prove tobacco cloyed + With acrid alkaloid, + With power the nerves to kill. + + E'en popes have curst the plant; + Kings bade its use to cease; + But all the pontiff's rant + And royal James's cant + Ne'er made its use decrease. + + Teetotalers may stamp + And roar at pipes and beer; + But place them in a swamp, + When nights are dark and damp,-- + Their tunes would change, I fear. + + No advocate am I + Of excess in one or t'other, + And ne'er essayed to try + In wine to drown a sigh, + Or a single care to smother. + + Yet, in moderation pure, + A glass is well enough; + But a troubled heart to cure, + Kind feelings to insure, + Give me a cheerful puff. + + How oft a learn'd divine + His sermons will prepare, + Not by imbibing wine, + But 'neath th' influence fine + Of a pipe of "baccy" rare! + + How many a pleasing scene, + How many a happy joke, + How many a satire keen, + Or problem sharp, has been + Evolved or born of smoke! + + How oft amidst the jar, + Of storms on ruin bent, + On shipboard, near or far, + To the drenched and shiv'ring tar, + Tobacco's solace lent! + + Oh, tell me not 'tis bad, + Or that it shortens life! + Its charms can soothe the sad, + And make the wretched glad, + In trouble and in strife. + + 'Tis used in every clime, + By all men, high and low; + It is praised in prose and rhyme, + And can but end with time; + So let the kind herb grow! + + 'Tis a friend to the distress'd; + 'Tis a comforter in need; + It is social, soothing, blest; + It has fragrance, force, and zest; + Then hail the kingly weed! + +ANON. + + + + +TOO GREAT A SACRIFICE. + + + The maid, as by the papers doth appear, + Whom fifty thousand dollars made so dear, + To test Lothario's passion, simply said, + "Forego the weed before we go to wed. + For smoke, take flame; I'll be that flame's bright fanner. + To have your Anna, give up your Havana." + But he, when thus she brought him to the scratch, + Lit his cigar, and threw away his match. + +ANON. + + + + +TO A PIPE OF TOBACCO. + + + Come, lovely tube, by friendship blest, + Belov'd and honored by the wise, + Come filled with honest "Weekly's best," + And kindled from the lofty skies. + + While round me clouds of incense roll, + With guiltless joys you charm the sense, + And nobler pleasure to the soul + In hints of moral truth dispense. + + Soon as you feel th' enliv'ning ray, + To dust you hasten to return, + And teach me that my earliest day + Began to give me to the urn. + + But though thy grosser substance sink + To dust, thy purer part aspires; + This when I see, I joy to think + That earth but half of me requires. + + Like thee, myself am born to die, + Made half to rise, and half to fall. + Oh, could I, while my moments fly, + The bliss you give me give to all! + +_Gentleman's Magazine_, July, 1745. + + + + + In the smoke of my dear cigarito + Cloud castles rise gorgeous and tall; + And Eros, divine muchachito, + With smiles hovers over it all. + + But dreaming, forgetting to cherish + The fire at my lips as it dies, + The dream and the rapture must perish, + And Eros descend from the skies. + + O wicked and false muchachito, + Your rapture I yet may recall; + But, like my re-lit cigarito, + A bitterness tinges it all. + +CAMILLA K. VON K. + + + + +A GOOD CIGAR. + + + Oh, 'tis well and enough, + A whiff or a puff + From the heart of a pipe to get; + And a dainty maid + Or a budding blade + May toy with the cigarette; + But a man, when the time + Of a glorious prime + Dawns forth like a morning star, + Wants the dark-brown bloom + And the sweet perfume + That go with a good cigar. + + To lazily float + In a painted boat + On a shimmering morning sea, + Or to flirt with a maid + In the afternoon shade + Seems good enough sport to be; + But the evening hour, + With its subtle power, + Is sweeter and better far, + If joined to the joy, + Devoid of alloy, + That lurks in a good cigar. + + When a blanket wet + Is solidly set + O'er hopes prematurely grown; + When ambition is tame, + And energy lame, + And the bloom from the fruit is blown; + When to dance and to dine + With women and wine + Past poverty pleasures are,-- + A man's not bereft + Of all peace, if there's left + The joy of a good cigar. + +NORRIS BULL. + + + + + A glass is good, and a lass is good, + And a pipe to smoke in cold weather; + The world is good, and the people are good, + And we're all good fellows together. + +JOHN O'KEEFE: _Sprigs of Laurel_, Act ii. sc. i. + + + + +MY FRIENDLY PIPE. + + + Let sybarites still dream delights + While smoking cigarettes, + Whose opiates get in their pates + Till waking brings regrets; + Oh, let them doze, devoid of woes, + Of troubles, and of frets. + + And let the chap who loves to nap + With his cigar in hand + Pursue his way, and live his day, + As runs time's changing sand; + Let him delight by day and night + In his peculiar brand. + + But as for me, I love to be + Provided with a pipe,-- + A rare old bowl to warm my soul, + A meerschaum brown and ripe,-- + With good plug cut, no stump or butt, + Nor filthy gutter-snipe. + + My joys increase! It brings me peace + As nothing else can do; + From all the strife of daily life + Here my relief is true. + I watch its rings; it purrs and sings-- + And then it's cheaper, too! + +_Detroit Tribune_. + + + + +ODE TO TOBACCO. + + + Come then, Tobacco, new-found friend, + Come, and thy suppliant attend + In each dull, lonely hour; + And though misfortunes lie around, + Thicker than hailstones on the ground, + I'll rest upon thy power. + Then while the coxcomb, pert and proud, + The politician, learned and loud, + Keep one eternal clack, + I'll tread where silent Nature smiles, + Where Solitude our woe beguiles, + And chew thee, dear Tobac. + +DANIEL WEBSTER. + + + + +A BACHELOR'S SOLILOQUY. + + + I sit all alone with my pipe by the fire, + I ne'er knew the Benedict's yoke; + I worship a fairy-like, fanciful form, + That goes up the chimney in smoke. + + I sit in my dressing-gowned slipperful ease, + Without wife or bairns to provoke, + And puff at my pipe, while my hopes and my fears + All go up the chimney in smoke. + + I sit with my pipe, and my heart's lonesome care + I try, but all vainly, to choke. + Ah, me! but I find that the flame that Love lights + Won't go up the chimney in smoke. + +_Cigar and Tobacco World_, London. + + + + +THE DREAMER'S PIPE. + + + Meerschaum, thing with amber tip, + Clutched between the dreamer's lip, + Fragrant odors from thy bowl + Mingling with the dreamer's soul; + Curling wreaths of smoke ascending, + Comfort sweet with incense blending. + Joy and peace and solace sending + To the dreamer's heart. + + Fashioned like a satyr's head, + Crowned with fire, glowing red, + Quaintly carved and softly sleek + As Afric maiden's downy cheek. + Comrade of each idle hour + In forest shade or leafy bower; + Lotus-eaters from thy power + Ne'er can break apart. + + Darkly colored from long use + With tobacco's balmy juice + From snowy white to ebon turned + By the incense daily burned. + Laid at night within thy case + Of velvet soft--thy resting place-- + Whence with leering, stained face + Daily thou must start,-- + + To soothe the dreamer's every care, + To glow and burn and fill the air + With thy curling perfume rare: + As thou charmest gloom away, + With the dreamer rest for aye + Friend of youth, and manhood ripe + All hail to thee, thou meerschaum pipe! + +_New Orleans Times Democrat._ + + + + +SUBLIME TOBACCO. + + + But here the herald of the self-same mouth + Came breathing o'er the aromatic South, + Not like a "bed of violets" on the gale, + But such as wafts its cloud o'er grog or ale, + Borne from a short, frail pipe, which yet had blown + Its gentle odors over either zone, + And, puff'd where'er minds rise or waters roll, + Had wafted smoke from Portsmouth to the Pole, + Opposed its vapor as the lightning flash'd, + And reek'd, 'midst mountain billows unabashed, + To AEolus a constant sacrifice, + Through every change of all the varying skies. + And what was he who bore it? I may err, + But deem him sailor or philosopher. + Sublime tobacco! which from east to west + Cheers the tar's labor or the Turkman's rest; + Which on the Moslem's ottoman divides + His hours, and rivals opiums and his brides; + Magnificent in Stamboul, but less grand, + Though not less loved, in Wapping on the Strand; + Divine in hookas, glorious in a pipe, + When tipp'd with amber, mellow, rich, and ripe; + Like other charmers, wooing the caress + More dazzlingly when daring in full dress; + Yet thy true lovers more admire by far + Thy naked beauties,--give me a cigar! + +LORD BYRON: + +_The Island, Canto ii., Stanza 19._ + + + + +SMOKING AWAY. + + + Floating away like the fountains' spray, + Or the snow-white plume of a maiden, + The smoke-wreaths rise to the starlit skies + With blissful fragrance laden. + + _Chorus._ Then smoke away till a golden ray + Lights up the dawn of the morrow, + For a cheerful cigar, like a shield, will bar, + The blows of care and sorrow. + + The leaf burns bright, like the gems of light + That flash in the braids of Beauty; + It nerves each heart for the hero's part + On the battle-plain of duty. + + In the thoughtful gloom of his darkened room, + Sits the child of song and story, + But his heart is light, for his pipe burns bright, + And his dreams are all of glory. + + By the blazing fire sits the gray-haired sire, + And infant arras surround him; + And he smiles on all in that quaint old hall, + While the smoke-curls float around him. + + In the forest grand of our native land, + When the savage conflict ended, + The "pipe of peace" brought a sweet release + From toil and terror blended. + + The dark-eyed train of the maids of Spain + 'Neath their arbor shades trip lightly, + And a gleaming cigar, like a new-born star, + In the clasp of their lips burns brightly + + It warms the soul like the blushing bowl, + With its rose-red burden streaming, + And drowns it in bliss, like the first warm kiss + From the lips with love-buds teeming. + +FRANCIS MILES FINCH. + + + + +A FAREWELL TO TOBACCO. + + + May the Babylonish curse + Straight confound my stammering verse + If I can a passage see + In this word-perplexity, + Or a fit expression find, + Or a language to my mind + (Still the phrase is wide or scant), + To take leave of thee, GREAT PLANT! + Or in any terms relate + Half my love, or half my hate: + For I hate, yet love, thee so, + That, whichever thing I show, + The plain truth will seem to be + A constrain'd hyperbole, + And the passion to proceed + More from a mistress than a weed. + + Sooty retainer to the vine, + Bacchus' black servant, negro fine; + Sorcerer, that mak'st us dote upon + Thy begrimed complexion, + And, for thy pernicious sake, + More and greater oaths to break + Than reclaimed lovers take + 'Gainst women: thou thy siege dost lay + Much too in the female way, + While thou suck'st the lab'ring breath + Faster than kisses or than death. + + Thou in such a cloud dost bind us, + That our worst foes cannot find us, + And ill-fortune, that would thwart us, + Shoots at rovers, shooting at us; + While each man, through thy height'ning steam + Does like a smoking Etna seem, + And all about us does express + (Fancy and wit in richest dress) + A Sicilian fruitfulness. + + Thou through such a mist dost show us, + That our best friends do not know us, + And, for those allowed features, + Due to reasonable creatures, + Liken'st us to fell Chimeras, + Monsters that, who see us, fear us; + Worse than Cerberus or Geryon, + Or, who first loved a cloud, Ixion. + + Bacchus we know, and we allow + His tipsy rites. But what art thou, + That but by reflex canst show + What his deity can do, + As the false Egyptian spell + Aped the true Hebrew miracle, + Some few vapors thou mayst raise + The weak brain may serve to amaze, + But to the reins and nobler heart + Canst nor life nor heat impart. + + Brother of Bacchus, later born, + The Old World was sure forlorn + Wanting thee, that aidest more + The god's victories than before + All his panthers, and the brawls + Of his piping Bacchanals. + These, as stale, we disallow, + Or judge of _thee_ meant; only thou + His true Indian conquest art; + And for ivy round his dart + The reformed god now weaves + A finer thyrsus of thy leaves. + + Scent to match thy rich perfume + Chemic art did ne'er presume, + Through her quaint alembic strain, + None so sov'reign to the brain. + Nature, that did in thee excel, + Framed again no second smell. + Roses, violets, but toys + For the smaller sort of boys, + Or for greener damsels meant; + Thou art the only manly scent. + + Stinking'st of the stinking kind, + Filth of the mouth and fog of the mind, + Africa, that brags her foison, + Breeds no such prodigious poison, + Henbane, nightshade, both together, + Hemlock, aconite-- + + Nay, rather, + Plant divine, of rarest virtue; + Blisters on the tongue would hurt you. + 'Twas but in a sort I blamed thee; + None e'er prosper'd who defamed thee; + Irony all, and feign'd abuse, + Such as perplex'd lovers use + At a need when, in despair + To paint forth their fairest fair, + Or in part but to express + That exceeding comeliness + Which their fancies doth so strike, + They borrow language of dislike; + And, instead of Dearest Miss, + Jewel, Honey, Sweetheart, Bliss, + And those forms of old admiring, + Call her Cockatrice and Siren, + Basilisk, and all that's evil, + Witch, Hyena, Mermaid, Devil, + Ethiop, Wench, and Blackamore, + Monkey, Ape, and twenty more, + Friendly Trait'ress, loving Foe,-- + Not that she is truly so, + But no other way they know + A contentment to express, + Borders so upon excess + That they do not rightly wot + Whether it be pain or not. + + Or as men, constrain'd to part + With what's nearest to their heart. + While their sorrow's at the height + Lose discrimination quite, + And their hasty wrath let fall, + To appease their frantic gall, + On the darling thing whatever + Whence they feel it death to sever, + Though it be, as they, perforce, + Guiltless of the sad divorce. + + For I must (nor let it grieve thee, + Friendliest of plants, that I must) leave thee. + For thy sake, TOBACCO, I + Would do anything but die, + And but seek to extend my days + Long enough to sing thy praise. + But as she who once hath been + A king's consort is a queen + Ever after, nor will bate + Any tittle of her state, + Though a widow or divorced, + So I, from thy converse forced, + The old name and style retain, + A right Katherine of Spain; + And a seat, too, 'mongst the joys + Of the blest Tobacco Boys, + Where, though I by sour physician + Am debarr'd the full fruition + Of thy favors, I may catch + Some collateral sweets, and snatch + Sidelong odors, that give life + Like glances from a neighbor's wife, + And still live in the by-places + And the suburbs of thy graces, + And in thy borders take delight, + An unconquer'd Canaanite. + +CHARLES LAMB. + + + + +A WINTER EVENING HYMN TO MY FIRE. + + + Nicotia, dearer to the Muse + Than all the grape's bewildering juice, + We worship, unforbid of thee; + And as her incense floats and curls + In airy spires and wayward whirls, + Or poises on its tremulous stalk + A flower of frailest reverie, + So winds and loiters, idly free, + The current of unguided talk, + Now laughter-rippled, and now caught + In smooth dark pools of deeper thought + Meanwhile thou mellowest every word, + A sweetly unobtrusive third; + For thou hast magic beyond wine + To unlock natures each to each; + The unspoken thought thou canst divine; + Thou fill'st the pauses of the speech + With whispers that to dreamland reach, + And frozen fancy-springs unchain + In Arctic outskirts of the brain. + Sun of all inmost confidences, + To thy rays doth the heart unclose + Its formal calyx of pretences, + That close against rude day's offences, + And open its shy midnight rose! + +JAMES RUSSELL LOWELL. + + + + +MY PIPE AND I. + + + There may be comrades in this world, + As stanch and true as steel. + There are: and by their friendships firm + Is life made only real. + But, after all, of all these hearts + That close with mine entwine, + None lie so near, nor seem so dear + As this old pipe of mine. + + My silent friend--whose voice is held + Fast for my ear alone-- + Stays with me always, well content, + With Darby to be Joan. + No fickleness disturbs our lot; + No jars its peace to smother; + Ah, no; my faithful pipe and I + Have wooed and won--each other. + + On clouds of curling incense sweet, + We go--my pipe and I-- + To lands far off, where skies stay blue + Through all the years that fly. + And nights and days, with rosy dreams + Teems bright--an endless throng + That passing leave, in echoing wake, + Soft murmurings of song. + + Does this dream fade? Another comes + To fill its place and more. + In castles silvern roam we now, + They're ours! All! All are ours! + What'er the wreathing rings enfold + Drops shimmering golden showers! + + No sordid cost our steps can stay, + We travel free as air. + Our wings are fancies, incense-borne, + That feather-light upbear. + Begone! ye powers of steam and flood. + Thy roads creep far too slow; + We need thee not. My pipe and I + Swifter than Time must go. + + Why, what is this? The pipe gone out? + Well, well, the fire's out, too! + The dreams are gone--we're poor once more; + Life's pain begins anew. + 'Tis time for sleep, my faithful pipe, + But may thy dreamings be, + Through slumbering hours hued as bright + As those thou gav'st to me! + +ELTON J. BUCKLEY. + + + + +SIC TRANSIT. + + Just a note that I found on my table, + By the bills of a year buried o'er, + In a feminine hand and requesting + My presence for tennis at four. + + Half remorseful for leaving it lying + In surroundings unworthy as those, + I carefully dusted and smoothed it, + And mutely begged pardon of Rose. + + But I thought with a smile of the proverb + Which says you may treat as you will + The vase which has once contained roses, + Their fragrance will cling to it still. + + For the writer I scarcely remember, + The occasion has vanished afar, + And the fragrance that clings to the letter + Recalls--an Havana cigar. + +W.B. ANDERSON. + + + + +THE BETROTHED. + +"_YOU MUST CHOOSE BETWEEN ME AND YOUR CIGAR._" + + Open the old cigar-box, get me a Cuba stout, + For things are running crossways, and Maggie and I are out. + + We quarrelled about Havanas--we fought o'er a good cheroot, + And I know she is exacting, and she says I am a brute. + + Open the old cigar-box--let me consider a space; + In the soft blue veil of the vapor, musing on Maggie's face. + + Maggie is pretty to look at,--Maggie's a loving lass, + But the prettiest cheeks must wrinkle, the truest of loves must + pass. + + There's peace in a Laranaga, there's calm in a Henry Clay, + But the best cigar in an hour is finished and thrown away,-- + + Thrown away for another as perfect and ripe and brown,-- + But I could not throw away Maggie for fear o' the talk o' the town! + + Maggie my wife at fifty,--gray and dour and old,-- + With never another Maggie to purchase for love or gold! + + And the light of Days that have Been the dark of the Days that Are, + And Love's torch stinking and stale, like the butt of a dead + cigar,-- + + The butt of a dead cigar you are bound to keep in your pocket,-- + With never a new one to light tho' it's charred and black to the + socket. + + Open the old cigar-box,--let me consider a while,-- + Here is a mild Manilla,--there is a wifely smile. + + Which is the better portion,--bondage bought with a ring, + Or a harem of dusky beauties, fifty tied in a string? + + Counsellors cunning and silent--comforters true and tried, + And never a one of the fifty to sneer at a rival bride. + + Thought in the early morning, solace in time of woes, + Peace in the hush of the twilight, balm ere my eyelids close. + + This will the fifty give me, asking nought in return, + With only a _Suttee's_ passion,--to do their duty and burn. + + This will the fifty give me. When they are spent and dead, + Five times other fifties shall be my servants instead. + + The furrows of far-off Java, the isles of the Spanish Main, + When they hear my harem is empty, will send me my brides again. + + I will take no heed to their raiment, nor food for their mouths + withal, + So long as the gulls are nesting, so long as the showers fall. + + I will scent 'em with best vanilla, with tea will I temper their + hides, + And the Moor and the Mormon shall envy, who read of the tale of my + brides. + + For Maggie has written a letter to give me my choice between + The wee little whimpering Love and the great god Nick o' Teen. + + And I have been servant of Love for barely a twelve-month clear. + But I have been Priest of Partagas a matter of seven year; + + And the gloom of my bachelor days is flecked with the cheery light + Of stumps that I burned to Friendship and Pleasure and Work and + Fight. + + And I turn my eyes to the future that Maggie and I must prove, + But the only light on the marshes is the Will-o'-the-Wisp of Love. + + Will it see me safe through my journey, or leave me bogged in the + mire? + Since a puff of tobacco can cloud it, shall I follow the fitful + fire? + + Open the old cigar-box,--let me consider anew,-- + Old friends, and who is Maggie that I should abandon _you_? + + A million surplus Maggies are willing to bear the yoke; + And a woman is only a woman, but a good cigar is a Smoke. + + Light me another Cuba: I hold to my first-sworn vows, + If Maggie will have no rival, I'll have no Maggie for spouse! + +RUDYARD KIPLING. + + + + +ON A BROKEN PIPE. + + + Neglected now it lies, a cold clay form, + So late with living inspirations warm; + Type of all other creatures formed of clay-- + What more than it for epitaph have they? + + + + +A VALENTINE. + + + What's my love's name? Guess her name. + Nina? No. + Alina? No. + It does end with "ina," though. + Guess again. Christina? No; + Guess again. Wilhelmina? No. + She reciprocates my flame, + Cheers me wheresoe'er I go, + Never forward, never coy, + She is evermore my joy. + Oh, the rapture! oh, the bliss! + When I met my darling's kiss. + Oh, I love her form to greet! + Oh, her breath is passing sweet! + Who could help but love her so? + Nicotina, mistress mine, + Thou shall be my Valentine. + +ANON. + + + + +MY CIGARETTE. + + + My cigarette! The amulet + That charms afar unrest and sorrow, + The magic wand that, far beyond + To-day, can conjure up to-morrow. + Like love's desire, thy crown of fire + So softly with the twilight blending; + And ah, meseems a poet's dreams + Are in thy wreaths of smoke ascending. + + My cigarette! Can I forget + How Kate and I, in sunny weather, + Sat in the shade the elm-tree made + And rolled the fragrant weed together? + I at her side, beatified + To hold and guide her fingers willing; + She rolling slow the papers snow, + Putting my heart in with the filling. + + My cigarette! I see her yet, + The white smoke from her red lips curling, + Her dreaming eyes, her soft replies, + Her gentle sighs, her laughter purling! + Ah, dainty roll, whose parting soul + Ebbs out in many a snowy billow, + I too would burn, if I could earn + Upon her lips so soft a pillow. + + Ah, cigarette! The gay coquette + Has long forgot the flame she lighted; + And you and I unthinking by + Alike are thrown, alike are slighted. + The darkness gathers fast without, + A raindrop on my window plashes; + My cigarette and heart are out, + And naught is left me but the ashes. + +CHARLES F. LUMMIS. + + + + +THE PIPE CRITIC. + + + Say, pipe, let's talk of love; + Canst aid me? By my life, + I'll ask not gods above + To help me choose a wife; + But to thy gentle self I'll give the puzzling strife. + + Thy color let me find, + And blue like smoke her eyes; + A healthy store her mind + As that which in thee lies,-- + An evanescent draft, whose incense mounts the skies. + + And, pipe, a breath like thine; + Her hair an amber gold, + And wrought in shapes as fine + As that which now I hold; + A grace in every limb, her form thy slender mould. + + And when her lips I kiss, + Oh, may she burn like thee, + And strive to give me bliss! + A comforter to be + When friends wax cold, time fades, and all departs from me. + + And may she hide in smoke, + As you, my friend, have done, + The failings that would choke + My virtues every one, + Turn grief to laughing jest, or painful thought to fun. + + Her aid be such as thine + To stir my brain a bit. + When 'round this hearth of mine + Friends sit and banter wit, + She'll shape a well-turned phrase, a subtle jest to hit. + + In short, my sole delight + (Why, pipe, you sputter so!), + Whose angel visage bright + (And at me ashes throw!) + Shall never rival fear. You're jealous now, I know. + + Nay, pipe, I'll not leave thee; + For of thy gifts there's one + That's passing dear to me + Whose equal she'd have none,-- + The gift of peace serene; she'd have, alas, a tongue! + +WALTER LITTLEFIELD. + + + + +A SONG WITHOUT A NAME. + +AIR: "_THE VICAR OF BRAY_." + + + 'Twas in Queen Bess's golden days + That smoking came in fashion; + And from the court it quickly spread + Throughout the English nation. + The courtiers first the lesson learnt, + And burn'd the fragrant treasure; + And e'en the queen herself, 'tis said, + Would sometimes share the pleasure. + But this is true, I will maintain,-- + And I am far from joking,-- + Of all the pleasures men have found + There's none to equal smoking. + + Then learned men and lawyers wise + And grave divines and doctors + Found smoking help'd to clear the brain, + And puff'd away in flocks, sirs; + Then business men and humble clerks + And laborer and peasant + By smoking care would drive away, + And make this life more pleasant. + For this is true. I will maintain,-- + And I am far from joking,-- + Of all the pleasures men have found + There's none to equal smoking. + + And from these times we modern men + Great glory do inherit, + And wealth and learning and the strength + Which makes the English spirit. + We have no care, we fear no foe, + We pass our lifetime gayly, + But little think how much we owe + To great Sir Walter Raleigh. + For this is true, I will maintain,-- + And I am far from joking,-- + Of all the pleasures men have found + There's none to equal smoking. + +W. LLOYD. + + + + +AD NICOTINA. + +"_A CONSTRAINED HYPERBOLE._" + + + Let others sing the praise of wine; + I'll tolerate no queen + But one fair nymph of spotless line, + The gentle Nicotine. + Her breath's as sweet as any flower's, + No matter where it blows, + And makes this dull old world of ours + The color of the rose. + + There's not a pang but she can soothe, + Nor spell but she can break, + And e'en the hardest lot can smooth, + And bid us courage take. + Fair Nicotine! thou dost atone + For many an aching heart; + And I for one will gladly own + The magic of thine art. + + Ah, "friendly traitress," "loving foe," + Forgive this loving lay; + For I, thy worshipper, would show + The sweetness of thy sway. + "Sublime tobacco!" may thy reign + Ne'er for one moment cease; + For thou, Great Plant, art kin to brain, + And synonym for peace. + +E.H.S. + + + + +MEERSCHAUM. + + + Come to me, O my meerschaum, + For the vile street organs play; + And the torture they're inflicting + Will vanish quite away. + + I open my study window + And into the twilight peer, + And my anxious eyes are watching + For the man with my evening beer. + + In one hand is the shining pewter, + All amber the ale doth glow; + In t'other are long "churchwardens," + As spotless and pure as snow. + + Ah! what would the world be to us + Tobaccoless?--Fearful bore! + We should dread the day after to-morrow + Worse than the day before. + + As the elephant's trunk to the creature, + Is the pipe to the man, I trow; + Useful and meditative + As the cud to the peaceful cow. + + So to the world is smoking; + Through that we feel, with bliss + That, whatever worlds come after, + A jolly old world is this. + + Come to me, O my meerschaum, + And whisper to me here, + If you like me better than coffee, + Than grog, or the bitter beer. + + Oh! what are our biggest winnings, + If peaceful content we miss? + Though fortune may give us an innings + She seldom conveys us bliss. + + You're better than all the fortunes + That ever were made or broke; + For a penny will always fill + And buy me content with a smoke. + +WRONGFELLOW. + + + + + I like cigars + Beneath the stars, + Upon the waters blue. + To laugh and float + While rocks the boat + Upon the waves,--Don't you? + + To rest the oar + And float to shore,-- + While soft the moonbeams shine,-- + To laugh and joke, + And idly smoke; + I think is quite divine. + +ELLA WHEELER WILCOX. + + + + +"A FREE PUFF." + + + Do you remember when first we met? + I was turning twenty--well! I don't forget + How I walked along, + Humming a song + Across the fields and down the lane + By the country road, and back again + To the dear old farm--three miles or more-- + And brought you home from the village store. + + Summer was passing--don't you recall + The splendid harvest we had that Fall, + And how when the Autumn died,--sober and brown,-- + We trudged down the turnpike, and on to the town? + + Sweet black brierwood pipe of mine! + If you were human you'd be half divine, + For when I've looked beyond the smoke, into your burning bowl + In times of need + You've been, indeed, + The only comfort, sweetest solace, of my overflowing soul. + We've been together nearly thirty years, old fellow! + And now, you must admit, we're both a trifle mellow. + We have had our share of joys and a deal of sorrows, + And while we're only waiting for a few more to-morrows, + Others will come, and others will go, + And Time will gather what Youth will sow; + But we together will go down the rough + Road to the end, and to the end--puff. + +ARTHUR IRVING GRAY. + + + + +MY MEERSCHAUM PIPE. + + + Old meerschaum pipe, I'll fondly wipe + Thy scarred and blackened form, + For thou to me wilt ever be-- + Whate'er betides the storm-- + A casket filled with memories + Of life's Auroral morn. + + Thou once wert fair like ivory rare; + Spotless as lily white; + Thy curving lines, like tendril'd vines, + Were pleasing to the sight, + And in thine ample bowl there lurked + A promise of delight. + + Like incense flung from censer swung + Before some sculptured shrine, + To float along with prayer and song + To realms of bliss divine,-- + Ascend thy fragrant wreaths of smoke + And with my thoughts entwine. + + Old pipe, old friend, o'er thee doth bend + The rainbow hues of life, + While sorrows roll across my soul, + And peace is turned to strife, + And Faith drifts o'er a sea of doubt + With desolation rife. + + Alas, that man or pipe e'er can + Wax old or know decay; + Alas, that heart from heart must part, + Or Love can lose its sway. + And death in life should cast its pall + Athwart the troubled way. + + Tho' love be cross'd, and friends are lost, + And severed every tie; + Tho' hopes are dead and joys have fled, + And darkened is the sky; + We yet can warm each other's hearts, + Old meerschaum pipe and I. + +JOHNSON M. MUNDY. + + + + +A WARNING. + + +HE. + + I loathe all books. I hate to see + The world and men through others' eyes; + My own are good enough for me. + These scribbling fellows I despise; + They bore me. + I used to try to read a bit, + But, when I did, a sleepy fit + Came o'er me. + + Yet here I sit with pensive look, + Filling my pipe with fragrant loads, + Gazing in rapture at a book!-- + A free translation of the Odes + Of Horace. + 'Tis owned by sweet Elizabeth, + And breathes a subtle, fragrant breath + Of orris. + + I longed for something that was hers + To cheer me when I'm feeling low; + I saw this book of paltry verse, + And asked to take it home--and so + She lent it. + I love her deep and tenderly, + Yet dare not tell my love, lest she + Resent it. + + I'll learn to quote a stanza here, + A couplet there. I'm very sure + 'Twould aid my suit could I appear + _Au fait_ in books and literature. + I'll do it! + This jingle I can quickly learn; + Then, hid in roses, I'll return + Her poet! + + +SHE. + + The hateful man! 'Twould vex a saint! + Around my pretty, cherished book, + The odor vile, the noisome taint + Of horrid, stale tobacco-smoke + Yet lingers! + The hateful man, my book to spoil! + Patrick, the tongs--lest I should soil + My fingers! + + This lovely rose, these lilies frail, + These violets he has sent to me + The odor of his pipe exhale! + Am I to blame that I should be + Enraged? + Tell Mr. Simpson every time + He calls upon me, Patrick, I'm + Engaged! + +ARTHUR LOVELL. + + + + +TO THE REV. MR. NEWTON. + + + Says the Pipe to the Snuff-box, "I can't understand + What the ladies and gentlemen see in your face, + That you are in fashion all over the land, + And I am so much fallen into disgrace. + + "Do but see what a pretty contemplative air + I give to the company,--pray do but note 'em,-- + You would think that the wise men of Greece were all there, + Or, at least, would suppose them the wise men of Gotham. + + "My breath is as sweet as the breath of blown roses, + While you are a nuisance where'er you appear; + There is nothing but snivelling and blowing of noses, + Such a noise as turns any man's stomach to hear." + + Then, lifting his lid in a delicate way, + And opening his mouth with a smile quite engaging. + The Box in reply was heard plainly to say, + "What a silly dispute is this we are Waging! + + "If you have a little of merit to claim, + You may thank the sweet-smelling Virginian weed; + And I, if I seem to deserve any blame, + The before-mentioned drug in apology plead. + + "Thus neither the praise nor the blame is our own, + No room for a sneer, much less a cachinnus; + We are vehicles, not of tobacco alone, + But of anything else they may choose to put in us." + +WM. COWPER. + + + + +A LOSS. + + + How hard a thing it is to part + From those we love and cherish; + How deeply does it pain one's heart + To know all things must perish! + + And when a friend and comrade dear + Is lost to us forever, + We feel how frail are all things here, + Since e'en best friends must sever. + + I, too, have lost a friend, who broke + Its power when care was near me; + And troubles disappeared in smoke + When he was by to cheer me. + + But as friends fall when valued most, + Like fruit that over-ripe is. + My loved companion I have lost,-- + That friend my meerschaum pipe is! + +_Judy_ (1873). + + + + +THE TRUE LEUCOTHOE. + + + Let others praise the god of wine, + Or Venus, love, and beauty's smile; + I choose a theme not less divine,-- + The plant that grows in Cuba's Isle. + + The old Greeks err'd who bound with bays + Apollo's brow; the verdant crown + He wore, when measuring their days, + Grew in the West, where he went down. + + An idle tale they also told; + They said he gave them frankincense, + Borne by some tree he loved of old; + If so, he gave a mere pretence. + + For the true offspring of his love-- + Tobacco--grew far o'er the sea, + Where Leucothoe from above + Led him as honey leads the bee, + + Till on that plant he paus'd to gaze + Some moments ere he held his way, + And cheer her with his warmest rays, + Heedless of time or length of day. + + Then with a sigh his brows he wreath'd + With leaves that care and toil beguile, + And bless'd, as their perfume he breath'd, + The plant that grows in Cuba's Isle. + +ANON. + + + + +THOSE ASHES. + + + Up to the frescoed ceiling + The smoke of my cigarette + In a sinuous spray is reeling, + Forming flower and minaret. + + What delicious landscape floating + On perfumed wings I see; + Pale swans I am idly noting, + And queens robed in filagree. + + I see such delicious faces + As ne'er man saw before, + And my fancy fondly chases + Sweet maids on a fairy shore. + + Now to bits my air-castle crashes, + And those pictures I see no more; + My grandmother yells: "Them ashes-- + Don't drop them on the floor!" + +R.K. MUNKITTRICK. + + + + +WHAT I LIKE. + + + To lie with half-closed eyes, as in a dream, + Upon the grassy bank of some calm stream-- + And smoke. + + To climb with daring feet some rugged rock, + And sit aloft where gulls and curlews flock-- + And smoke. + + To wander lonely on the ocean's brink, + And of the good old times to muse and think-- + And smoke. + + To hide me in some deep and woody glen, + Far from unhealthy haunts of sordid men-- + And smoke. + + To linger in some fairy haunted vale, + While all about me falls the moonlight pale-- + And smoke. + +H.L. + + + + +MY MEERSCHAUMS. + + + Long pipes and short ones, straight and curved, + High carved and plain, dark-hued and creamy, + Slim tubes for cigarettes reserved, + And stout ones for Havanas dreamy. + + This cricket, on an amber spear + Impaled, recalls that golden weather + When love and I, too young to fear + Heartburn, smoked cigarettes together. + + And even now--too old to take + The little papered shams for flavor-- + I light it oft for her sweet sake + Who gave it, with her girlish favor. + + And here's the mighty student bowl + Whose tutoring in and after college + Has led me nearer wisdom's goal + Than all I learned of text-book knowledge. + + "It taught me?" Ay, to hold my tongue, + To keep a-light, and yet burn slowly, + To break ill spells around me flung + As with the enchanted whiff of Moly. + + This nargileh, whose hue betrays + Perique from soft Louisiana, + In Egypt once beguiled the days + Of Tewfik's dreamy-eyed Sultana. + + Speaking of color,--do you know + A maid with eyes as darkly splendid + As are the hues that, rich and slow, + On this Hungarian bowl have blended? + + Can artist paint the fiery glints + Of this quaint finger here beside it, + With amber nail,--the lustrous tints, + A thousand Partagas have dyed it? + + "And this old silver patched affair?" + Well, sir, that meerschaum has its reasons + For showing marks of time and wear; + For in its smoke through fifty seasons + + My grandsire blew his cares away! + And then, when done with life's sojourning, + At seventy-five dropped dead one day, + That pipe between his set teeth burning! + + "Killed him?" No doubt! it's apt to kill + In fifty year's incessant using-- + Some twenty pipes a day. And still, + On that ripe, well-filled, lifetime musing, + + I envy oft so bright a part,-- + To live as long as life's a treasure; + To die of--not an aching heart, + But--half a century of pleasure! + + Well, well! I'm boring you, no doubt; + How these old memories will undo one-- + I see you've let your weed go out; + That's wrong! Here, light yourself a new one! + +CHARLES F. LUMMIS. + + + + +ODE TO TOBACCO. + + + Thou, who when fears attack + Bidst them avaunt, and Black + Care, at the horseman's back + Perching, unseatest; + Sweet when the morn is gray; + Sweet when they've cleared away + Lunch; and at close of day + Possibly sweetest! + + I have a liking old + For thee, though manifold + Stories, I know, are told + Not to thy credit: + How one (or two at most) + Drops make a cat a ghost,-- + Useless, except to roast-- + Doctors have said it; + + How they who use fusees + All grow by slow degrees + Brainless as chimpanzees, + Meagre as lizards, + Go mad, and beat their wives, + Plunge (after shocking lives) + Razors and carving-knives + Into their gizzards. + + Confound such knavish tricks! + Yet know I five or six + Smokers who freely mix + Still with their neighbors,-- + Jones, who, I'm glad to say, + Asked leave of Mrs. J., + Daily absorbs a clay + After his labors. + + Cats may have had their goose + Cooked by tobacco juice; + Still, why deny its use + Thoughtfully taken? + We're not as tabbies are; + Smith, take a fresh cigar! + Jones, the tobacco jar! + Here's to thee, Bacon! + +C.S. CALVERLY. + + + + +ON RECEIPT OF A RARE PIPE. + + + I lifted off the lid with anxious care, + Removed the wrappages, stripe after stripe, + And when the hidden contents were laid bare, + My first remark was: "Mercy, what a pipe!" + + A pipe of symmetry that matched its size, + Mounted with metal bright,--a sight to see; + With the rich amber hue that smokers prize, + Attesting both its age and pedigree. + + A pipe to make the royal Friedrich jealous, + Or the great Teufelsdroeckh with envy gripe! + A man should hold some rank above his fellows + To justify his smoking such a pipe! + + What country gave it birth? What blest of cities + Saw it first kindle at the glowing coal? + What happy artist murmured, "Nunc dimittis," + When he had fashioned this transcendent bowl? + + Has it been hoarded in a monarch's treasures? + Was it a gift of peace, or prize of war? + Did the great Khalif in his "House of Pleasures" + Wager and lose it to the good Zaafar? + + It may have soothed mild Spenser's melancholy, + While musing o'er traditions of the past, + Or graced the lips of brave Sir Walter Raleigh, + Ere sage King Jamie blew his "_Counterblast_." + + Did it, safe hidden in some secret cavern, + Escape that monarch's pipoclastic ken? + Has Shakespeare smoked it at the Mermaid Tavern, + Quaffing a cup of sack with rare old Ben? + + Ay, Shakespeare might have watched his vast creations + Loom through its smoke,--the spectre-haunted Thane, + The Sisters at their ghostly invocations, + The jealous Moor, and melancholy Dane. + + Round its orbed haze and through its mazy ringlets, + Titania may have led her elfin rout, + Or Ariel fanned it with his gauzy winglets, + Or Puck danced in the bowl to put it out. + + Vain are all fancies,--questions bring no answer; + The smokers vanish, but the pipe remains; + He were indeed a subtle necromancer, + Could read their records in its cloudy stains. + + Nor this alone. Its destiny may doom it + To outlive e'en its use and history; + Some ploughman of the future may exhume it + From soil now deep beneath the Eastern sea. + + And, treasured by soma antiquarian Stultus, + It may to gaping visitors be shown + Labelled: "The symbol of some ancient cultus + Conjecturally Phallic, but unknown." + + Why do I thus recall the ancient quarrel + Twixt Man and Time, that marks all earthly things? + Why labor to re-word the hackneyed moral + [Greek: Hos phyllon genee], as Homer sings? + '[Omega][sigmaf] [phi][upsilon][lambda][lambda][omega][nu] + [gamma][epsilon][nu][epsilon][eta], as Homer sings? + + For this: Some links we forge are never broken; + Some feelings claim exemption from decay; + And Love, of which this pipe is but the token, + Shall last, though pipes and smokers pass away. + +W.H.B. + + + + +MY LITTLE BROWN PIPE. + + + I have a little comforter, + I carry in my pocket: + It is not any woman's face + Set in a golden locket; + It is not any kind of purse; + It is not book or letter, + But yet at times I really think + That it is something better. + + Oh, my pipe, my little brown pipe! + How oft, at morning early, + When vexed with thoughts of coming toil, + And just a little surly, + I sit with thee till things get clear, + And all my plans grow steady, + And I can face the strife of life + With all my senses steady. + + No matter if my temper stands + At stormy, fair, or clearing, + My pipe has not for any mood + A word of angry sneering. + I always find it just the same, + In care, or joy, or sorrow, + And what it is to-day I know + It's sure to be to-morrow. + + It helps me through the stress of life; + It balances my losses; + It adds a charm to all my joys, + And lightens all my crosses. + For through the wreathing, misty veil + Joy has a softer splendor, + And life grows sweetly possible, + And love more truly tender. + + Oh, I have many richer joys! + I do not underrate them, + And every man knows what I mean, + I do not need to state them. + But this I say,--I'd rather miss + A deal of what's called pleasure, + Than lose my little comforter, + My little smoky treasure. + +AMELIA E. BARR. + + + + + Forsaken of all comforts but these two,-- + My fagot and my pipe--I sit to muse + On all my crosses, and almost excuse + The heavens for dealing with me as they do. + When Hope steps in, and, with a smiling brow, + Such cheerful expectations doth infuse + As makes me think ere long I cannot choose + But be some grandee, whatsoe'er I'm now. + But having spent my pipe, I then perceive + That hopes and dreams are cousins,--both deceive. + Then mark I this conclusion in my mind, + It's all one thing,--both tend into one scope,-- + To live upon Tobacco and on Hope: + The one's but smoke, the other is but wind. + +SIR ROBERT AYTON. + + + + +'TWAS OFF THE BLUE CANARIES. + + + 'Twas off the blue Canary isles, + A glorious summer day, + I sat upon the quarter deck, + And whiffed my cares away; + And as the volumed smoke arose, + Like incense in the air, + I breathed a sigh to think, in sooth, + It was my last cigar. + + I leaned upon the quarter rail, + And looked down in the sea; + E'en there the purple wreath of smoke, + Was curling gracefully; + Oh! what had I at such a time + To do with wasting care? + Alas! the trembling tear proclaimed + It was my last cigar. + + I watched the ashes as it came + Fast drawing toward the end; + I watched it as a friend would watch + Beside a dying friend; + But still the flame swept slowly on; + It vanished into air; + I threw it from me,--spare the tale,-- + It was my last cigar. + + I've seen the land of all I love + Fade in the distance dim; + I've watched above the blighted heart, + Where once proud hope hath been; + But I've never known a sorrow + That could with that compare, + When off the blue Canaries + I smoked my last cigar. + +JOSEPH WARREN FABENS. + + + + +LATAKIA. + + +I. + + When all the panes are hung with frost, + Wild wizard-work of silver lace, + I draw my sofa on the rug, + Before the ancient chimney-place. + Upon the painted tiles are mosques + And minarets, and here and there + A blind muezzin lifts his hands, + And calls the faithful unto prayer. + Folded in idle, twilight dreams, + I hear the hemlock chirp and sing, + As if within its ruddy core + It held the happy heart of Spring. + Ferdousi never sang like that, + Nor Saadi grave, nor Hafiz gay; + I lounge, and blow white rings of smoke, + And watch them rise and float away. + + +II. + + The curling wreaths like turbans seem + Of silent slaves that come and go,-- + Or Viziers, packed with craft and crime, + Whom I behead from time to time, + With pipe-stem, at a single blow. + And now and then a lingering cloud + Takes gracious form at my desire, + And at my side my lady stands, + Unwinds her veil with snowy hands,-- + A shadowy shape, a breath of fire! + + O Love, if you were only here + Beside me in this mellow light, + Though all the bitter winds should blow, + And all the ways be choked with snow, + 'Twould be a true Arabian night! + +T.B. ALDRICH. + + + + +MY AFTER-DINNER CLOUD. + + + Some sombre evening, when I sit + And feed in solitude at home, + Perchance an ultra-bilious fit + Paints all the world an orange chrome. + + When Fear and Care and grim Despair + Flock round me in a ghostly crowd, + One charm dispels them all in air,-- + I blow my after-dinner cloud. + + 'Tis melancholy to devour + The gentle chop in loneliness. + I look on six--my prandial hour-- + With dread not easy to express. + + And yet for every penance done, + Due compensation seems allow'd. + My penance o'er, its price is won,-- + I blow my after-dinner cloud. + + My clay is _not_ a Henry Clay,-- + I like it better on the whole; + And when I fill it, I can say, + I drown my sorrows in the bowl. + + For most I love my lowly pipe + When weary, sad, and leaden-brow'd; + At such a time behold me ripe + To blow my after-dinner cloud. + + As gracefully the smoke ascends + In columns from the weed beneath, + My friendly wizard, Fancy, lends + A vivid shape to every wreath. + + Strange memories of life or death + Up from the cradle to the shroud, + Come forth as, with enchanter's breath, + I blow my after-dinner cloud. + + What wonder if it stills my care + To quit the present for the past, + And summon back the things that were, + Which only thus in vapor last? + + What wonder if I envy not + The rich, the giddy, and the proud, + Contented in this quiet spot + To blow my after-dinner cloud? + +HENRY S. LEIGH. + + + + +THE HAPPY SMOKING-GROUND. + + + When that last pipe is smoked at last + And pouch and pipe put by, + And Smoked and Smoker both alike + In dust and ashes lie, + What of the Smoker? Whither passed? + Ah, will he smoke no more? + And will there be no golden cloud + Upon the golden shore? + Ah! who shall say we cry in vain + To Fate upon his hill, + For, howsoe'er we ask and ask, + He goes on smoking still. + But, surely, 'twere a bitter thing + If other men pursue + Their various earthly joys again + Beyond that distant blue, + If the poor Smoker might not ply + His peaceful passion too. + If Indian braves may still up there + On merry scalpings go, + And buried Britons rise again + With arrow and with bow, + May not the Smoker hope to take + His "cutty" from below? + So let us trust; and when at length + You lay me 'neath the yew, + Forget not, O my friends, I pray, + Pipes and tobacco too! + +RICHARD LE GALLIENNE. + + + + +SWEET SMOKING PIPE. + + + Sweet smoking pipe; bright glowing stove, + Companion still of my retreat, + Thou dost my gloomy thoughts remove, + And purge my brain with gentle heat. + + Tobacco, charmer of my mind, + When, like the meteor's transient gleam. + Thy substance gone to air I find, + I think, alas, my life's the same! + + What else but lighted dust am I? + Then shew'st me what my fate will be; + And when thy sinking ashes die, + I learn that I must end like thee. + +ANON. + + + + +CIGARETTE RINGS. + + + How it blows! How it rains! I'll not turn out to-night; + I'm too sleepy to read and too lazy to write; + So I'll watch the blue rings, as they eddy and twirl, + And in gossamer wreathings coquettishly curl. + In the stillness of night and the sparseness of chimes + There's a fleetness in fancy, a frolic in rhymes; + There's a world of romance that persistently clings + To the azurine curving of Cigarette Rings! + + What a picture comes back from the passed-away times! + They are lounging once more 'neath the sweet-scented limes; + See how closely he watches the Queen of Coquettes, + As her white hands roll deftly those small cigarettes! + He believes in her smiles and puts faith in her sighs + While he's dazzled by light from her fathomless eyes. + Ah, the dearest of voices delightfully sings + Through the wind intertwining of Cigarette Rings! + + How sweet was her song in the bright summer-time, + When winds whispered low 'neath the tremulous lime! + How sweet, too, that bunch of forget-me-nots blue-- + The love he thought lasting, the words he thought true! + _Ah, the words of a woman concerning such things_ + _Are weak and unstable as Cigarette Rings!_ + +J. ASHBY-STERRY. + + + + +SMOKING SPIRITUALIZED. + + + The following old poem was long ascribed, on apparently + sufficient grounds, to the Rev. Ralph Erskine, or, as he + designated himself, "Ralph Erskine, V.D.M." The peasantry + throughout the North of England always called it "Erskine + Song;" and not only is his name given as the author in + numerous chap-books, but in his own volume of "Gospel + Sonnets," from an early copy of which this version is + transcribed. The discovery, however, by Mr. Collier of the + First Part in a MSS. temp. James I., with the initials "G.W." + affixed to it, has disposed of Erskine's claim to the honor of + the entire authorship. G.W. is supposed to be George + Wither; but this is purely conjectural, and it is not at + all improbable that G.W. really stands for W.G., as it was + a common practice among anonymous writers to reverse their + initials. + + The history, then, of the poem seems to be this: that the + First Part, as it is now printed, originally constituted the + whole production, being complete in itself; that the Second + Part was afterwards added by the Rev. Ralph Erskine, and that + both parts came subsequently to be ascribed to him, as his + was the only name published in connection with the song. See + "Ballads of the Peasantry," Bell's edition. Variants of + this song will be found on pages 86 and 150 of the present + collection; the first is ascribed to George Wither, and + the other is taken from the first volume of "Pills to purge + Melancholy." + + +PART I. + + This Indian weed, now withered quite. + Tho' green at noon, cut down at night, + Shows thy decay, + All flesh is hay: + Thus think, and smoke tobacco. + + The pipe, so lily-like and weak, + Does thus thy mortal state bespeak; + Thou art e'en such-- + Gone with a touch: + Thus think, and smoke tobacco. + + And when the smoke ascends on high, + Then thou behold'st the vanity + Of worldly stuff-- + Gone with a puff: + Thus think, and smoke tobacco. + + And when the pipe grows foul within, + Think on thy soul defiled with sin; + For then the fire + It doth require: + Thus think, and smoke tobacco. + + And seest the ashes cast away, + Then to thyself thou mayest say, + That to the dust + Return thou must: + Thus think, and smoke tobacco. + + +PART II. + + Was this small plant for thee cut down? + So was the Plant of Great Renown, + Which Mercy sends + For nobler ends: + Thus think, and smoke tobacco. + + Does juice medicinal proceed + From such a naughty foreign weed? + Then what's the power + Of Jesse's Flower? + Thus think, and smoke tobacco. + + The promise, like the pipe, inlays, + And by the mouth of faith conveys + What virtue flows + From Sharon's Rose: + Thus think, and smoke tobacco. + + In vain the unlighted pipe you blow; + Your pains in outward means are so, + 'Till heavenly fire + Your heart inspire: + Thus think, and smoke tobacco. + + The smoke, like burning incense, towers: + So should a praying heart of yours, + With ardent cries, + Surmount the skies: + Thus think, and smoke tobacco. + + + + +TOBACCO IS AN INDIAN WEED. + + + Tobacco's but an Indian weed, + Grows green at morn, cut down at eve; + It shows decay; we are but clay; + Think of this when you smoke tobacco. + + The pipe that is so lily white, + Wherein so many take delight, + Is broke with a touch,--man's life is such; + Think of this when you smoke tobacco. + + The pipe that is so foul within + Shows how man's soul is stained with sin, + And then the fire it doth require; + Think of this when you smoke tobacco. + + The ashes that are left behind + Do serve to put us all in mind + That unto dust return we must; + Think of this when you smoke tobacco. + + The smoke that does so high ascend + Shews us man's life must have an end; + The vapor's gone,--man's life is done; + Think of this when you smoke tobacco. + +From "_Pills to Purge Melancholy_." + + + + +TOBACCO. + + + Let poets rhyme of what they will, + Youth, Beauty, Love, or Glory, still + My theme shall be Tobacco! + Hail, weed, eclipsing every flow'r, + Of thee I fain would make my bow'r, + When fortune frowns, or tempests low'r, + Mild comforter of woe! + + They say in truth an angel's foot + First brought to life thy precious root, + The source of every pleasure! + Descending from the skies he press'd + With hallowed touch Earth's yielding breast; + Forth sprang the plant, and then was bless'd, + As man's chief treasure! + + Throughout the world who knows thee not? + Of palace and of lowly cot + The universal guest,-- + The friend of Gentile, Turk, and Jew, + To all a stay, to none untrue, + The balm that can our ills subdue, + And soothe us into rest! + + With thee the poor man can abide + Oppression, want, the scorn of pride, + The curse of penury. + Companion of his lonely state, + He is no longer desolate, + And still can brave an adverse fate + With honest worth and thee! + + All honor to the patriot bold + Who brought, instead of promised gold, + Thy leaf to Britain's shore. + It cost him life; but thou shalt raise + A cloud of fragrance to his praise, + And bards shall hail in deathless lays + The valiant knight of yore. + + Ay, Raleigh! thou wilt live till Time + Shall ring his last oblivious chime, + The fruitful theme of story; + And man in ages hence shall tell + How greatness, virtue, wisdom, fell, + When England sounded out thy knell, + And dimmed her ancient glory. + + And thou, O plant! shalt keep his name + Unwithered in the scroll of fame, + And teach us to remember; + He gave with thee content and peace, + Bestow'd on life a longer lease, + And bidding every trouble cease, + Made summer of December. + +THOMAS JONES. + + + + +THE CIGAR. + + + Some sigh for this and that, + My wishes don't go far; + The world may wag at will, + So I have my cigar. + + Some fret themselves to death + With Whig and Tory jar; + I don't care which is in, + So I have my cigar. + + Sir John requests my vote, + And so does Mr. Marr; + I don't care how it goes, + So I have my cigar. + + Some want a German row, + Some wish a Russian war; + I care not. I'm at peace + So I have my cigar. + + I never see the "Post," + I seldom read the "Star;" + The "Globe" I scarcely heed, + So I have my cigar. + + Honors have come to men + My juniors at the Bar; + No matter--I can wait, + So I have my cigar. + + Ambition frets me not; + A cab or glory's car + Are just the same to me, + So I have my cigar. + + I worship no vain gods, + But serve the household Lar; + I'm sure to be at home, + So I have my cigar. + + I do not seek for fame, + A general with a scar; + A private let me be, + So I have my cigar. + + To have my choice among + The toys of life's bazaar, + The deuce may take them all + So I have my cigar. + + Some minds are often tost + By tempests like a tar; + I always seem in port, + So I have my cigar. + + The ardent flame of love, + My bosom cannot char, + I smoke but do not burn, + So I have my cigar. + + They tell me Nancy Low + Has married Mr. R.; + The jilt! but I can live, + So I have my cigar. + +THOMAS HOOD. + + + + +PIPE AND TOBACCO. + + + When my pipe burns bright and clear, + The gods I need not envy here; + And as the smoke fades in the wind, + Our fleeting life it brings to mind. + + Noble weed! that comforts life, + And art with calmest pleasures rife; + Heaven grant thee sunshine and warm rain, + And to thy planter health and gain. + + Through thee, friend of my solitude, + With hope and patience I'm endued, + Deep sinks thy power within my heart, + And cares and sorrows all depart. + + Then let non-smokers rail forever; + Shall their hard words true friends dissever? + Pleasure's too rare to cast away + My pipe, for what the railers say! + + When love grows cool, thy fire still warms me, + When friends are fled, thy presence charms me; + If thou art full, though purse be bare, + I smoke, and cast away all care! + +_German Folk Song._ + + + + +THE LATEST CONVERT. + + + I've been in love some scores of times, + With Amy, Nellie, Katie, Mary-- + To name them all would stretch my rhymes + From here as far as Demerary. + + But each has wed some other man,-- + Girls always do, I find, in real life,-- + And I am left alone to scan + The horizon of my own ideal life. + + I still survive. I was, I think, + Not born to run in double harness; + I did not shirk my food and drink + When Nellie married Harry Carnice. + + But I am wedded to my pipe! + That faithful friend, nought can provoke it; + Should it grow cold, I gently wipe + Its mouth, then fill it, light, and smoke it. + + But it is sweet to kiss; and I + Should love to kiss a wife and pet her-- + She scolds? Straight to my pipe I fly; + Her scowls through fragrant smoke look better. + + There's merry Maud--with her I'd dare + To brave the matrimonial ocean; + _She_ would not pout or fret, but wear + A constant smile of sweet devotion. + + How know I that she will not change, + My wishes at defiance set? Oh! + (Pray this in smallest type arrange) + She smokes--at times--a cigareto. + +F.W. LITTLETON HAY. + + + + +CONFESSION OF A CIGAR SMOKER. + + + I owe to smoking, more or less, + Through life the whole of my success; + With my cigar I'm sage and wise,-- + Without, I'm dull as cloudy skies. + When smoking, all my ideas soar, + When not, they sink upon the floor. + The greatest men have all been smokers, + And so were all the greatest jokers. + Then ye who'd bid adieu to care, + Come here and smoke it into air. + +ANON. + + + + + Sir Walter Raleigh! name of worth, + How sweet for thee to know + King James, who never smoked on earth, + Is smoking down below. + + + + +THE SMOKER'S CALENDAR. + + + When January's cold appears, + A glowing pipe my spirit cheers; + And still it glads the length'ning day + 'Neath February's milder sway. + When March's keener winds succeed, + What charms me like the burning weed + When April mounts the solar car, + I join him, puffing a cigar; + And May, so beautiful and bright, + Still finds the pleasing weed a-light. + To balmy zephyrs it gives zest + When June in gayest livery's drest. + Through July, Flora's offspring smile, + But still Nicotia's can beguile; + And August, when its fruits are ripe, + Matures my pleasure in a pipe. + September finds me in the garden, + Communing with a long churchwarden. + Even in the wane of dull October + I smoke my pipe and sip my "robar." + November's soaking show'rs require + The smoking pipe and blazing fire. + The darkest day in drear December's-- + That's lighted by their glowing embers. + +ANON. + + + + +AN OLD SWEETHEART OF MINE. + + + As one who cons at evening o'er an album all alone, + And muses on the faces of the friends that he has known, + So I turn the leaves of Fancy, till in shadowy design + I find the smiling features of an old sweetheart of mine. + + The lamplight seems to glimmer with a flicker of surprise, + As I turn it low, to rest me of the dazzle in my eyes, + And light my pipe in silence, save a sigh that seems to yoke + Its fate with my tobacco, and to vanish with the smoke. + + 'Tis a fragrant retrospection, for the loving thoughts that start + Into being are like perfumes from the blossom of the heart; + And to dream the old dreams over is a luxury divine-- + When my truant fancies wander with that old sweetheart of mine. + + Though I hear, beneath my study, like a fluttering of wings, + The voices of my children and the mother as she sings, + I feel no twinge of conscience to deny me any theme + When Care has cast her anchor in the harbor of a dream. + + In fact, to speak in earnest, I believe it adds a charm + To spice the good a trifle with a little dust of harm; + For I find an extra flavor in Memory's mellow wine + That makes me drink the deeper to that old sweetheart of mine. + + A face of lily-beauty, with a form of airy grace, + Floats out of my tobacco as the genii from the vase; + And I thrill beneath the glances of a pair of azure eyes, + As glowing as the summer and as tender as the skies. + + I can see the pink sunbonnet and the little checkered dress + She wore when first I kissed her, and she answered the caress + With the written declaration that, "as surely as the vine + Grew round the stump," she loved me,--that old sweetheart of mine! + + And again I feel the pressure of her slender little hand, + As we used to talk together of the future we had planned: + When I should be a poet, and with nothing else to do + But write the tender verses that she set the music to; + + When we should live together in a cozy little cot, + Hid in a nest of roses, with a fairy garden-spot, + Where the vines were ever fruited, and the weather ever fine, + And the birds were ever singing for that old sweetheart of mine; + + And I should be her lover forever and a day, + And she my faithful sweetheart till the golden hair was gray; + And we should be so happy that when either's lips were dumb + They would not smile in heaven till the other's kiss had come. + + But ah! my dream is broken by a step upon the stair, + And the door is softly opened, and my wife is standing there! + Yet with eagerness and rapture all my visions I resign + To greet the living presence of that old sweetheart of mine. + +JAMES WHITCOMB RILEY. + + + + +A PIPE OF TOBACCO. + + + Let the learned talk of books, + The glutton of cooks, + The lover of Celia's soft smack--O! + No mortal can boast + So noble a toast + As a pipe of accepted tobacco. + + Let the soldier for fame, + And a general's name, + In battle get many a thwack--O! + Let who will have most, + Who will rule the rooste, + Give me but a pipe of tobacco. + + Tobacco gives wit + To the dullest old cit, + And makes him of politics crack--O! + The lawyers i' the hall + Were not able to bawl, + Were it not for a whiff of tobacco. + + The man whose chief glory + Is telling a story, + Had never arrived at the smack--O! + Between ever heying, + And as I was saying, + Did he not take a whiff of tobacco. + + The doctor who places + Much skill in grimaces, + And feels your pulse running tic-tack--O! + Would you know his chief skill? + It is only to fill + And smoke a good pipe of tobacco. + + The courtiers alone + To this weed are not prone; + Would you know what 'tis makes them so slack--O? + 'Twas because it inclined + To be honest the mind, + And therefore they banished tobacco. + +HENRY FIELDING. + + + + + Friend of my youth, companion of my later days. + What needs my Muse to sing thy various praise? + In country or in town, on land or sea, + The weed is still delightful company. + In joy or sorrow, grief or racking pain, + We fly to thee for solace once again. + Delicious plant, by all the world consumed, + 'Tis pity thou, like man, to ashes too art doom'd. + +ANON. + + + + + Tobacco, some say, is a potent narcotic, + That rules half the world in a way quite despotic; + So, to punish him well for his wicked and merry tricks, + We'll burn him forthwith, as they used to do heretics. + + + + +TO MY CIGAR. + + The warmth of thy glow, + Well-lighted cigar, + Makes happy thoughts flow, + And drives sorrow afar. + + The stronger the wind blows, + The brighter thou burnest! + The dreariest of life's woes, + Less gloomy thou turnest! + + As I feel on my lip + Thy unselfish kiss, + Like thy flame-colored tip, + All is rosy-hued bliss. + + No longer does sorrow + Lay weight on my heart; + And all fears of the morrow, + In joy-dreams depart. + + Sweet cheerer of sadness! + Life's own happy star! + I greet thee with gladness, + My friendly cigar! + +FRIEDRICH MARC. + + + + +CIGARS AND BEER. + + + Here + With my beer + I sit, + While golden moments flit. + Alas! + They pass + Unheeded by; + And, as they fly, + I, + Being dry, + Sit idly sipping here + My beer. + + Oh, finer far + Than fame or riches are + The graceful smoke-wreaths of this cigar! + Why + Should I + Weep, wail, or sigh? + What if luck has passed me by? + What if my hopes are dead, + My pleasures fled? + Have I not still + My fill + Of right good cheer,-- + Cigars and beer? + + Go, whining youth, + Forsooth! + Go, weep and wail, + Sigh and grow pale, + Weave melancholy rhymes + On the old times, + Whose joys like shadowy ghosts appear,-- + But leave me to my beer! + Gold is dross, + Love is loss; + So, if I gulp my sorrows down, + Or see them drown + In foamy draughts of old nut-brown, + Then do I wear the crown + Without a cross! + +GEORGE ARNOLD. + + + + +EFFUSION BY A CIGAR SMOKER. + + + Warriors! who from the cannon's mouth blow fire, + Your fame to raise, + Upon its blaze, + Alas! ye do but light your funeral pyre! + Tempting Fate's stroke; + Ye fall, and all your glory ends in smoke. + Safe in my chair from wounds and woe, + _My_ fire and smoke from mine own mouth I blow. + + Ye booksellers! who deal, like me, in puffs, + The public smokes, + You and your hoax, + And turns your empty vapor to rebuffs. + Ye through the nose + Pay for each puff; when mine the same way flows, + It does not run me into debt; + And thus, the more I fume, the less I fret. + + Authors! created to be puff'd to death, + And fill the mouth + Of some uncouth + Bookselling wight, who sucks your brains and breath, + Your leaves thus far + (Without its fire) resemble my cigar; + But vapid, uninspired, and flat: + When, when, O Bards, will ye _compose_ like _that_? + + Since life and the anxieties that share + Our hopes and trust, + Are smoke and dust, + Give me the smoke and dust that banish care. + The roll'd leaf bring, + Which from its ashes, Phoenix-like, can spring; + The fragrant leaf whose magic balm + Can, like Nepenthe, all our sufferings charm. + + Oh, what supreme beatitude is this! + What soft and sweet + Sensations greet + My soul, and wrap it in Elysian bliss! + I soar above + Dull earth in these ambrosial clouds, like Jove, + And from my empyrean height + Look down upon the world with calm delight. + +HORACE SMITH. + + + + +A POT, AND A PIPE OF TOBACCO. + + + Some praise taking snuff; + And 'tis pleasant enough + To those who have got the right knack, O! + But give me, my boys, + Those exquisite joys, + A pot, and a pipe of tobacco. + + When fume follows fume + To the top of the room, + In circles pursuing their track, O! + How sweet to inhale + The health-giving gale + Of a pipe of Virginia tobacco. + + Let soldiers so bold + For fame or for gold + Their enemies cut, slash, and hack, O! + We have fire and smoke, + Though all but in joke, + In a peaceable pipe of tobacco. + + Should a mistress, unkind, + Be inconstant in mind, + And on your affections look black, O! + Let her wherrit and tiff, + 'Twill blow off in a whiff, + If you take but a pipe of tobacco. + + The miserly elf, + Who, in hoarding his pelf, + Keeps body and soul on the rack, O! + Would he bless and be blest, + He might open his chest + By taking a pipe of tobacco. + + Politicians so wise, + All ears and all eyes + For news, till their addled pates crack, O! + After puzzling their brains, + Will not get for their pains + The worth of a pipe of tobacco + + If your land in the claw + Of a limb of the law + You trust, or your health to a quack, O! + 'Tis fifty to one + They're both as soon gone + As you'd puff out a pipe of tobacco. + + Life's short, 'tis agreed; + So we'll try from the weed, + Of man a brief emblem to tack, O! + When his spirit ascends, + Die he must,--and he ends + In dust, like a pipe of tobacco. + +_From "The Universal Songster, or Museum of Mirth."_ + + + + +IF I WERE KING. + + + If I were king, my pipe should be premier. + The skies of time and chance are seldom clear, + We would inform them all, with bland blue weather. + Delight alone would need to shed a tear, + For dream and deed should war no more together. + + Art should aspire, yet ugliness be dear; + Beauty, the shaft, should speed with wit for feather; + And love, sweet love, should never fall to sere, + If I were king. + + But politics should find no harbour near; + The Philistine should fear to slip his tether; + Tobacco should be duty free, and beer; + In fact, in room of this, the age of leather, + An age of gold all radiant should appear, + If I were king. + +W.E. HENLEY. + + + + +THE PIPE YOU MAKE YOURSELF. + + + There's clay pipes an' briar pipes an' meerschaum pipes as well, + There's plain pipes an' fancy pipes--things jes made to sell; + But any pipe that kin be bought fer marbles, chalk, or pelf, + Ain't ekal to the flaver of th' pipe you make yourself. + + Jest take a common corn cob an' whittle out the middle, + Then plug up one end of it as tight as any fiddle; + Fit a stem into th' side an' lay her on th' shelf, + An' when she's dry you take her down, that pipe you made yourself. + + Cram her full clar to th' brim with nachral leaf, you bet-- + 'T will smoke a trifle better for bein' somewhat wet-- + Take your worms and fishin' pole, and a jug along for health, + An' you'll get a taste o' heaven from that pipe you made yourself. + + There's clay pipes an' briar pipes an' meerschaum pipes as well, + There's plain pipes an' fancy pipes--things jes made to sell; + But any pipe that kin be bought for marbles, chalk, or pelf, + Ain't ekal to th' flayer of the pipe you make yourself. + +HENRY E. BROWN. + + + + +CHIBOUQUE. + + + At Yeni-Djami, after Rhamadan, + The pacha in his palace lolls at ease; + Latakieh fumes his sensual palate please, + While round-limbed almees dance near his divan. + + Slaves lure away _ennui_ with flowers and fan; + And as his gem-tipped chibouque glows, he sees, + In dreamy trance, those marvellous mysteries + The prophet sings of in the Al-Koran! + + Pale, dusk-eyed girls, with sequin-studded hair, + Dart through the opal clouds like agile deer, + With sensuous curves his fancy to provoke,-- + Delicious houris, ravishing and fair, + Who to his vague and drowsy mind appear + Like fragrant phantoms arabesqued in smoke! + +FRANCIS S. SALTUS. + + + + +IN ROTTEN ROW. + + + In Rotten Row a cigarette + I sat and smoked, with no regret + For all the tumult that had been. + The distances were still and green, + And streaked with shadows cool and wet. + + Two sweethearts on a bench were set, + Two birds among the boughs were met; + So love and song were heard and seen + In Rotten Row. + + A horse or two there was to fret + The soundless sand; but work and debt, + Fair flowers and falling leaves between, + While clocks are chiming clear and keen, + A man may very well forget + In Rotten Row. + +W.E. HENLEY. + + + + +THE DUET. + + + I was smoking a cigarette; + Maud, my wife, and the tenor, McKey, + Were singing together a blithe duet, + And days it were better I should forget + Came suddenly back to me,-- + Days when life seemed a gay masque ball, + And to love and be loved was the sum of it all. + + As they sang together, the whole scene fled, + The room's rich hangings, the sweet home air, + Stately Maud, with her proud blond head, + And I seemed to see in her place instead + A wealth of blue-black hair, + And a face, ah! your face--yours, Lisette; + A face it were wiser I should forget. + + We were back--well, no matter when or where; + But you remember, I know, Lisette. + I saw you, dainty and debonair, + With the very same look that you used to wear + In the days I should forget. + And your lips, as red as the vintage we quaffed, + Were pearl-edged bumpers of wine when you laughed. + + Two small slippers with big rosettes + Peeped out under your kilt-skirt there, + While we sat smoking our cigarettes + (Oh, I shall be dust when my heart forgets!) + And singing that self-same air: + And between the verses, for interlude, + I kissed your throat and your shoulders nude. + + You were so full of a subtle fire, + You were so warm and so sweet, Lisette; + You were everything men admire; + And there were no fetters to make us tire, + For you were--a pretty grisette. + But you loved as only such natures can, + With a love that makes heaven or hell for a man. + + They have ceased singing that old duet, + Stately Maud and the tenor, McKey. + "You are burning your coat with your cigarette, + And _qu'avez vous_, dearest, your lids are wet," + Maud says, as she leans o'er me. + And I smile, and lie to her, husband-wise, + "Oh, it is nothing but smoke in my eyes." + +ELLA WHEELER WILCOX. + + + + +MY CIGARETTE. + + + Ma pauvre petite, + My little sweet, + Why do you cry? + Why this small tear, + So pure and clear, + In each blue eye? + + "My cigarette-- + I 'm smoking yet?" + (I'll be discreet.) + I toss it, see, + Away from me + Into the street. + + You see I do + All things for you. + Come, let us sup. + (But, oh, what joy + To be that boy + Who picked it up.) + +TOM HALL. + + + + +A BACHELOR'S VIEWS. + + + A pipe, a book, + A cosy nook, + A fire,--at least its embers; + A dog, a glass:-- + 'Tis thus we pass + Such hours as one remembers. + + Who'd wish to wed? + Poor Cupid's dead + These thousand years, I wager. + The modern maid + Is but a jade, + Not worth the time to cage her. + + In silken gown + To "take" the town + Her first and last ambition. + What good is she + To you or me + Who have but a "position"? + + So let us drink + To her,--but think + Of him who has to keep her; + And _sans_ a wife + Let's spend our life + In bachelordom,--it's cheaper. + +TOM HALL. + + + + +PIPES AND BEER. + + + Before I was famous I used to sit + In a dull old under-ground room I knew, + And sip cheap beer, and be glad for it, + With a wild Bohemian friend or two. + + And oh, it was joy to loiter thus, + At peace in the heart of the city's stir, + Entombed, while life hurried over us, + In our lazy bacchanal sepulchre. + + There was artist George, with the blond Greek head, + And the startling creeds, and the loose cravat; + There was splenetic journalistic Fred, + Of the sharp retort and the shabby hat; + + There was dreamy Frank, of the lounging gait, + Who lived on nothing a year, or less, + And always meant to be something great, + But only meant, and smoked to excess; + + And last myself, whom their funny sneers + Annoyed no whit as they laughed and said, + I listened to all their grand ideas + And wrote them out for my daily bread! + + The Teuton beer-bibbers came and went, + Night after night, and stared, good folk, + At our table, noisy with argument, + And our chronic aureoles of smoke. + + And oh, my life! but we all loved well + The talk,--free, fearless, keen, profound,-- + The rockets of wit that flashed and fell + In that dull old tavern under-ground! + + But there came a change in my days at last, + And fortune forgot to starve and stint, + And the people chose to admire aghast + The book I had eaten dirt to print. + + And new friends gathered about me then, + New voices summoned me there and here; + The world went down in my dingy den, + And drew me forth from the pipes and beer. + + I took the stamp of my altered lot, + As the sands of the certain seasons ran, + And slowly, whether I would or not, + I felt myself growing a gentleman. + + But now and then I would break the thrall, + I would yield to a pang of dumb regret, + And steal to join them, and find them all, + With the amber wassail near them yet,-- + + Find, and join them, and try to seem + A fourth for the old queer merry three, + With my fame as much of a yearning dream + As my morrow's dinner was wont to be. + + But the wit would lag, and the mirth would lack, + And the god of jollity hear no call, + And the prosperous broadcloth on my back + Hung over their spirits like a pall! + + It was not that they failed, each one, to try + Their warmth of welcome to speak and show; + I should just have risen and said good-bye, + With a haughty look, had they served me so. + + It was rather that each would seem, instead, + With not one vestige of spleen or pride, + Across a chasm of change to spread + His greeting hands to the further side. + + And our gladdest words rang strange and cold, + Like the echoes of other long-lost words; + And the nights were no more the nights of old + Than spring would be spring without the birds! + + So they waned and waned, these visits of mine, + 'Till I married the heiress, ending here. + For if caste approves the cigars and wine, + She must frown perforce upon pipes and beer. + + And now 'tis years since I saw these men, + Years since I knew them living yet. + And of this alone I am sure since then,-- + That none has gained what he toiled to get. + + For I keep strict watch on the world of art, + And George, with his wide, rich-dowered brain! + His fervent fancy, his ardent heart, + Though he greatly toiled, has toiled in vain. + + And Fred, for all he may sparkle bright + In caustic column, in clever quip, + Of a truth must still be hiding his light + Beneath the bushel of journalship. + + And dreamy Frank must be dreaming still, + Lounging through life, if yet alive, + Smoking his vast preposterous fill, + Lounging, smoking, striving to strive. + + And I, the fourth in that old queer throng, + Fourth and least, as my soul avows,-- + I alone have been counted strong, + I alone have the laurelled brows! + + Well, and what has it all been worth? + May not my soul to my soul confess + That "succeeding," here upon earth, + Does not alway assume success? + + I would cast, and gladly, from this gray head + Its crown, to regain one sweet lost year + With artist George, with splenetic Fred, + With dreamy Frank, with the pipes and beer! + +EDGAR FAWCETT. + + + + +A BACHELOR'S INVOCATION. + + + When all my plans have come to grief, + And every bill is due, + And every faith that's worth belief + Has proved itself untrue; + And when, as now, I've jilted been + By every girl I've met, + Ah! then I flee for peace to thee, + My darling cigarette. + + Hail, sorceress! whose cloudy spells + About my senses driven, + Alone can loose their prison cells + And waft my soul to heaven. + Above all earthly loves, I swear, + I hold thee best--and yet, + Would I could see a match for thee, + My darling cigarette. + + With lips unstained to thee I bring + A lover's gentle kiss, + And woo thee, see, with this fair ring, + And this, and this, and this. + But ah, the rings no sooner cease + (Inconstant, vain coquette!) + Than, like the rest, thou vanishest + In smoke, my cigarette. + +_Pall Mall Gazette_. + + + + + + + +End of the Project Gutenberg EBook of Pipe and Pouch, by Various + +*** END OF THIS PROJECT GUTENBERG EBOOK PIPE AND POUCH *** + +***** This file should be named 14887.txt or 14887.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/1/4/8/8/14887/ + +Produced by David Newman, William Flis, and the PG Online Distributed +Proofreading Team. + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. |
