summaryrefslogtreecommitdiff
path: root/14966.txt
diff options
context:
space:
mode:
Diffstat (limited to '14966.txt')
-rw-r--r--14966.txt1978
1 files changed, 1978 insertions, 0 deletions
diff --git a/14966.txt b/14966.txt
new file mode 100644
index 0000000..18a1044
--- /dev/null
+++ b/14966.txt
@@ -0,0 +1,1978 @@
+The Project Gutenberg EBook of Punch, or the London Charivari, Vol. 152,
+March 7, 1917., by Various
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Punch, or the London Charivari, Vol. 152, March 7, 1917.
+
+Author: Various
+
+Release Date: February 7, 2005 [EBook #14966]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK PUNCH ***
+
+
+
+
+Produced by Jonathan Ingram, Keith Edkins and the PG Online
+Distributed Proofreading Team.
+
+
+
+
+
+PUNCH, OR THE LONDON CHARIVARI.
+
+VOL. 152.
+
+
+
+March 7th, 1917.
+
+
+
+CHARIVARIA.
+
+"A motor car repairer," says Mr. Justice BRAY, "is like a plumber. Once you
+get him into the house you cannot get him out."... Unless, of course, you
+show him a burst bath pipe, when he will immediately go out to fetch his
+mate.
+
+ ***
+
+According to Herr WILDRUBE, a member of the Reichstag, Germans should
+"rejoice at the departure of Mr. GERARD and his pro-Entente espionage
+bureau." They have some rubes in the U.S.A., but nothing quite so wild as
+this.
+
+ ***
+
+An historical film, called "The Discovery of Germany," is being exhibited
+widely through the Fatherland under the auspices of the Government. A
+further discovery of Germany--that she has been fatally misled by her
+rulers--has not at present received the approval of the Imperial House.
+
+ ***
+
+The German Army authorities have issued an urgent warning to the public not
+to discuss military matters. Their own communiques are to be taken as a
+model of the right kind of reticence.
+
+ ***
+
+An American film syndicate have overcome their difficulty in finding a man
+to take the place of CHARLIE CHAPLIN. They have decided to do without.
+
+ ***
+
+In Vienna, so as not to infuriate the indigent poor, tables are no longer
+placed near the window of the dearer restaurants. Similar establishments in
+Germany for the same reason were long ago made sound-proof.
+
+ ***
+
+We note that German and Turkish diplomats have been engaged in conference
+for the purpose of drawing the two countries closer together. Any little
+pressure from outside (as on the Tigris and the Ancre) is doubtless welcome
+as contributing to this end.
+
+ ***
+
+"The right way to dissipate the submarine nightmare" is how a contemporary
+describes the new restrictions on imports. The embargo on tinned lobster
+should certainly have that effect.
+
+ ***
+
+A museum is to be established at Stuttgart "to interest the masses of the
+people in overseas Germans and their conditions of life." Several Foreign
+Governments, it is understood, have expressed their willingness to supply
+specimens in any reasonable quantity.
+
+ ***
+
+Lively satisfaction is being expressed among members of the younger set at
+the appointment of Mr. ALFRED BIGLAND, M.P., as Controller of Soap. They
+are now discussing a resolution calling for the abolition of nurse-maids,
+who are notorious for using soap to excess.
+
+ ***
+
+A Bill has been introduced into the House of Lords with the object of
+admitting women to practise as solicitors. The raising of the statutory fee
+for a consultation to 6_s._ 83/4_d._ is also under consideration.
+
+ ***
+
+At Old Street Police Court a man charged with bigamy pleaded that when a
+child he had a fall which affected his head. It is not known why other
+bigamists do it.
+
+ ***
+
+At Haweswater, Westmoreland, some sheep were recently dug out alive after
+being buried in a snow-drift forty days. It is thought that a morbid fear
+of being sold as New Zealand mutton caused the animals to make a supreme
+struggle for life.
+
+ ***
+
+A lady correspondent of _The Daily Telegraph_ suggests that tradesmen
+should economise paper by ceasing to send out a separate expression of
+thanks with every receipted bill. A further economy is suggested by a
+hardened creditor, who advocates the abolition of the absurd custom of
+sending out a quarterly statement of "account rendered."
+
+ ***
+
+Beer bottles are now said to be worth more than the beer they contain, and
+apprehension is being felt lest the practice shall develop of giving away
+the contents to those who consent to return the empty bottles.
+
+ ***
+
+Difficulty having been found in replacing firemen called up for military
+service, the Hendon Council, it is rumoured, are requesting the residents
+not to have any conflagrations for the present at least.
+
+ ***
+
+Mr. JOHN INNS, of Stevenage, has just purchased the whole parish of
+Caldecote, Herts; but the report that he had to do this in order to obtain
+a pound of sugar proves incorrect.
+
+ * * * * *
+
+
+NOTICE.
+
+In order to meet the national need for economy in the consumption of paper,
+the Proprietors of _Punch_ are compelled to reduce the number of its pages,
+but propose that the amount of matter published in _Punch_ shall by
+condensation and compression be maintained and even, it is hoped,
+increased.
+
+It is further necessary that means should be taken to restrict the
+circulation of _Punch_, and on and after March 14th its price will be
+Sixpence. The Proprietors believe that the public will prefer an increase
+of price to a reduction of matter.
+
+Readers are urged to place an order with their Newsagent for the regular
+delivery of copies, as _Punch_ may otherwise be unobtainable, the shortage
+of paper making imperative the withdrawal from Newsagents of the
+"on-sale-or-return" privilege.
+
+In consequence of the increase in the price of _Punch_ the period covered
+by subscriptions already paid direct to the _Punch_ Office will have to be
+proportionately shortened.
+
+ * * * * *
+
+APOLOGY OF A WARRIOR MINSTREL.
+
+ Lucasta, don't be cruel
+ If my bewildered lyre
+ Amidst such stores of fuel
+ Seems reft of sacred fire.
+
+ For if you know what France is
+ You know how it is hard
+ To blend, as in romances,
+ The warrior with the bard.
+
+ The troubadours of story
+ Knew no such woes as we,
+ Whose hopes of martial glory
+ Are built on F.A.T.[1]
+
+ With songs and swords and horses
+ They learned their careless role,
+ While we are sent on courses
+ That starve the poet's soul.
+
+ With gay anticipations
+ They feasted ere a fight,
+ But we in calculations
+ Wear out the chilly night.
+
+ And if some hour of leisure
+ Permits a lyric mood
+ My wretched Muse takes pleasure
+ In nothing else but food.
+
+ Thus when I am returning
+ Ice-cold from some O.P.,
+ And in the East is burning
+ Aurora's heraldry,
+
+ That spark she fails to waken
+ With which of yore I glowed,
+ Who, fain of eggs and bacon,
+ Tramp ravening down the road,
+
+ Aware, with self-despising,
+ Which interests me most--
+ The silvery mists a-rising
+ Or marmalade and toast.
+
+ Such are the War-bard's passions--
+ Rank seedlings of a time
+ That chokes with maths and rations
+ The bursting buds of rhyme.
+
+ [1]: Field Artillery Training
+
+ * * * * *
+
+A ROMANCE OF RATIONS.
+
+ "Not like to like, but like in difference."
+ "_The Princess._"
+
+I have always misjudged Victorine--I admit it now with shame. While other
+girls have become engaged--and disengaged quite soon after--she has
+remained unattached and solitary. As I watched the disappointed suitors
+turn sadly away I put it down to pride and self-sufficiency, but I was
+wrong. I see now that she always had the situation well in hand.
+
+As for Algernon, he is the sort of man who writes sonnets to lilies and
+butterflies and the rosy-fingered dawn--this last from hearsay as he really
+knows nothing about it. He is prematurely bald and suffers from the
+grossest form of astigmatism, and I thought that no woman would ever love
+him. I never dreamt that Victorine had even noticed he was there.
+
+One day I heard that they were engaged. It was too hard for me to
+understand.
+
+On the third morning I went to see her.
+
+"Victorine," I said, "you have never loved before?"
+
+"Never," she assented softly.
+
+"Now, this man you have chosen--you do not care overmuch for lilies and
+butterflies and rosy-fingered dawns?"
+
+"Not overmuch," she admitted sadly.
+
+"Then what is it brings you together? What strange link of the spirit has
+been forged between you? To speak quite plainly, what do you see in him?"
+
+"Yesterday we lunched together, and two days before that he got here in
+time for breakfast."
+
+"And the engagement still holds?" I am no optimist.
+
+"Before that we dined. Yes, I do not exaggerate. It was my suggestion. One
+sees so much unhappiness now-a-days, and I wished to be quite sure we were
+suited to one another."
+
+"And you are convinced of the sincerity of the attachment?"
+
+"Why, I feel for him as Mother does for the knife-and-boot boy, and Uncle
+Stephen for the charlady. We cannot be separated. It would be monstrous."
+
+I ceased to be articulate. Victorine suddenly became radiant.
+
+"We must always be together--at any rate for the duration of the War, you
+see. I eat under my meat and he is over. In flour and sugar--oh, how can I
+confess it?--I _exceed_. He is far, far below his ration. Apart we are
+failures; together we are perfect. We both saw it at once."
+
+I realised suddenly the inevitability of this mutual bond.
+
+"So marriage is the only thing?" I asked; but I was already conquered.
+
+She assented with a regal air.
+
+As I went away I saw a new and strange beauty in the problem of Food
+Shortage.
+
+ * * * * *
+
+SONGS OF FOOD PRODUCTION.
+
+IV.
+
+The Farmer's Boy (New Style).
+
+ The Hun was set on making us fret
+ For lack of food to eat,
+ When up there ran a City man
+ In gaiters trim and neat--
+ Oh, just tell me if a farm there be
+ Where I can get employ,
+ To plough and sow for PROTH-ER-O,
+ And he a farmer's boy,
+ And be a farmer's boy.
+
+ "In khaki dight my juniors fight--
+ I wish that I could too;
+ But since the land's in need of hands
+ There's work for me to do;
+ Though you call me a 'swell,' I would labour well--
+ I'm aware it's not pure joy--
+ To plough and sow for PROTH-ER-O
+ And be a farmer's boy,
+ And be a farmer's boy."
+
+ The farmer quoth, "I be mortal loth,
+ But the farm 'tis goin' back,
+ And I do declare as I can't a-bear
+ Any farming hands to lack;
+ So if you've got grit and be middlin' fit
+ An'll larn to cry, 'Ut hoy!'
+ And to plough and sow for PROTH-ER-O,
+ You shall be a farmer's boy,
+ You shall be a farmer's boy."
+
+ Bold farmers all, obey the call
+ Of townsfolk game and gay!
+ And you City men put by the pen
+ And hear me what I say:--
+ Get straight enrolled with a farmer bold,
+ And the Hun you'll straight annoy,
+ If you plough and sow for PROTH-ER-O
+ And be a farmer's boy,
+ And be a farmer's boy.
+
+ * * * * *
+
+The Sex-Problem Again.
+
+ "FOR SALE.--A 3-year-old Holstein gentleman cow."--_Canadian Paper_.
+
+ * * * * *
+
+ "A Liverpool master carter told the Tribunal that the last 'substitute'
+ sent him for one of his men backed a horse down a tip and landed him in
+ an expense of L50."--_Yorkshire Evening Post_.
+
+Many men have lost more by backing a horse _on_ a tip.
+
+ * * * * *
+
+A Bare Outlook.
+
+ "THINGS YOU HAVE GOT TO DO WITHOUT.
+ CLOTHES AND FOOD."--_Daily Sketch_.
+
+This seems to bring the War even closer than the PREMIER intended.
+
+ * * * * *
+
+MORE OR LESS.
+
+The fleet of Dutch merchantmen which has been sunk by a waiting submarine
+sailed, it now appears, under a German guarantee of "relative security":
+and the incident has been received in Holland with a widespread outburst of
+relative acquiescence. Germany, in the little ingenious arrangements that
+she is so fond of making for the safety and comfort of her neighbours, is
+so often misunderstood. It should be obvious by this time that her attitude
+to International Law has always been one of approximate reverence. The
+shells with which she bombarded Rheims Cathedral were contingent shells,
+and the _Lusitania_ was sunk by a relative torpedo.
+
+Neutrals all over the world who are smarting just now under a fresh
+manifestation of Germany's respective goodwill should try to realise before
+they take any action what is the precise situation of our chief enemy. He
+has (relatively) won the War; he has (virtually) broken the resistance of
+the Allies; he has (conditionally) ample supplies for his people; in
+particular, he is (morally) rich in potatoes. His finances at first sight
+appear to be pretty heavily involved, but that will soon be adjusted by
+(hypothetical) indemnities; he has enormous (proportional) reserves of men;
+he has (theoretically) blockaded Great Britain, and his final victory is
+(controvertibly) at hand.
+
+But his most impressive argument, which cannot fail to come home to
+hesitating Neutrals, is to be found in his latest exhibition of offensive
+power, namely, in his (putative) advance upon the Ancre.
+
+ * * * * *
+
+Realism.
+
+From a cinema announcement:--
+
+ "The management regret that 'The Lost Bridegroom' missed the boat on
+ Sunday."--_Guernsey Evening Express_.
+
+ * * * * *
+
+A Family Affair.
+
+From an account of a "gift sale":
+
+ "Alderman ---- advised the Committee to sell the donkey in the evening,
+ when there would be a lot present."--_Provincial Paper_.
+
+ * * * * *
+
+More Impending Apologies.
+
+I.
+
+"Mr. ---- writes from New Cross:--'Sir,--I was pleased to see that you do not
+intend increasing the price of 'The Daily News,' and hope that you will not
+have to reconsider your decision. If necessary I, for one, would be quite
+content with four pages only."--_Daily News_.
+
+II.
+
+"The nurses who have a seven minutes' walk to their home quarters, have
+never had a rude word said to them, 'even,' she added, 'when they have had
+too much to drink.'"--_Daily Province (Vancouver, B.C.)_.
+
+ * * * * *
+
+[Illustration: "THE FREEDOM OF THE SEA."
+
+HOLLAND. "YOU'VE TAKEN A GREAT LIBERTY WITH ME."
+
+GERMANY. "OF COURSE I HAVE. I'M THE APOSTLE OF LIBERTY."]
+
+ * * * * *
+
+[Illustration: THE THEATRE OF WAR.]
+
+ * * * * *
+
+THE SOLACE.
+
+Mr. William Wood, grocer, of Acton, was very tired. And no wonder, for not
+only had he lost his two assistants, both having been called up, but the
+girls who had taken their places were frivolous and slow. Moreover his
+errand boy had that day given notice. And, furthermore, the submarine
+campaign was making it every day more difficult to keep up the stock, and
+the rise in prices meant anything but the commensurate increase of profit
+of which he was accused by indignant customers.
+
+Mr. Wood, therefore, was not sorry when, the shutters up, he could retire
+to his sitting-room upstairs and rest. His one hobby being reading, and his
+favourite form of literature being Lives and Letters, he had normally no
+difficulty in dismissing the shop from his mind. He would open the latest
+memoir from the library and lose himself in whatever society it
+reconstructed, political for choice. But to-night the solace could not so
+easily be found. For one thing, he had no new books; for another, the cares
+of business were too recent and too real.
+
+He sank into his armchair, covered his eyes with his hand, and pondered.
+
+Then suddenly he had an idea. If there were no letters of the Great to
+read, he would himself write to the Great and thus escape grocerdom and
+worry. If he were not a person of importance, he would at least pretend to
+be, and thus be comforted.
+
+Seating himself at the table and taking up his pen, he composed with
+infinite care the following chapter from a biography of himself:--
+
+The year 1916 was a comparatively uneventful one in the life of our hero.
+The principal events were the marriage of his youngest daughter with the
+son of the Bishop of Brighton and the rebuilding of The Towers after the
+fire. Perhaps the most important of his new friends were the Archbishop of
+CANTERBURY and Sir HEDWORTH MEUX, but unfortunately Sir HEDWORTH has not
+kept any of the letters. Nor is there much correspondence; but a few
+letters may be printed here, all testifying to the multifarious interests
+of this remarkable man, who not only knew everyone worth knowing, but
+projected himself into their careers with so much sympathy and keenness.
+The first is to the then Prime Minister:--
+
+_To the Right Hon. H.H. ASQUITH, M.P._
+
+MY DEAR ASQUITH,--This is only a line to remind you that you lunch with me
+at the Primrose Club on Monday at one o'clock. I have asked two or three
+friends to meet you, all good fellows. With regard to that matter on which
+you were asking my advice, I think that the wisest course at present is (to
+use the phrase, now a little stale, which I invented for you) to wait and
+see. Let me say that I thought your speech at the Guildhall a fine effort.
+Kindly remember me to the wife and Miss ELIZABETH, and believe me,
+
+ Yours sincerely,
+ WILLIAM WOOD.
+
+P.S.--I wish you would call me William. I always think of you as Herbert.
+
+_To the Earl of ROSEBERY._
+
+MY DEAR ROSEBERY,--It is a great grief to me to have to decline your kind
+invite to Dalmeny, but there is an obstacle I cannot overcome. My youngest
+daughter is to be married next week to the son of the Bishop of Brighton, a
+most well-bred young fellow with perfect manners. Nothing but the necessity
+of my presence at the feast of Hymen could deprive me of the pleasure of
+seeing your country place. Do not stay away too long, I beg. The town is
+dull without you.
+
+ I am, dear ROSEBERY,
+ Yours most affectionately,
+ WILLIAM WOOD.
+
+_To Mr. RUDYARD KIPLING._
+
+MY DEAR KIPLING,--Just a line to say how much I admire your poem in this
+morning's _Times_. You have never voiced the feeling of the moment with
+more force or keener insight. But you will, I am sure, pardon me when I say
+that in the fifty-eighth stanza there is a regrettable flaw, which could
+however quickly be put right. To me, that fine appeal to Monaco to give up
+its neutrality is impaired by the use of the word "cope," which I have
+always understood should be avoided by good writers. "Deal" has the same
+meaning and is a truer word. You will, I am sure, agree with me in this
+criticism when you have leisure to think it over.
+
+Believe me, my dear KIPLING,
+
+ Yours sincerely,
+ WILLIAM WOOD.
+
+_To His Grace the Archbishop of CANTERBURY._
+
+MY DEAR ARCHBISHOP,--That was a very delightful dinner you gave me last
+night, and I was glad to have the opportunity of meeting Lord MORLEY and
+discussing with him the character of MARLBOROUGH. While not agreeing with
+everything that Lord MORLEY said, I am bound to admit that his views
+impressed me. Some day soon you must bring her Ladyship down to The Towers
+for a dine and sleep.
+
+ I am, my dear Archbishop,
+ Yours cordially,
+ WILLIAM WOOD.
+
+_To Lord NORTHCLIFFE._
+
+MY DEAR ALFRED,--You cannot, I am sure, do better than continue in the
+course you have chosen. What England needs is a vigilant observer from
+without; and who, as I have so often told you, is better fitted for such a
+part than you? You have all the qualities--high mobility, the courage to
+abandon convictions, and extreme youth. If you lack anything it is perhaps
+ballast, and here I might help you. Ring me up at any time, day or night,
+and I will come to you, just as I used to do years ago when you were
+beginning.
+
+ Think of me always as
+ Yours very sincerely,
+ WILLIAM WOOD.
+
+_To Sir ARTHUR WING PINERO._
+
+MY DEAR PINERO,--I am glad you liked my suggestion and are already at work
+upon it. No one could handle it so well as you. I write now because it has
+occurred to me that the proper place for Lord Scudamore to disown his
+guilty wife and for her impassioned reply is not, as we had it, the spare
+room, but the parlour.
+
+ I am, dear old fellow,
+ Always yours to command,
+ WILLIAM WOOD
+
+Having written thus far, Mr. William Wood went to bed, perfectly at peace
+with himself and the world.
+
+ * * * * *
+
+[Illustration: _Friend (to Professor, whose lecture, "How to Stop the War,"
+has just concluded)_. "CONGRATULATE YOU, OLD MAN--WENT SPLENDIDLY, AT ONE
+TIME DURING THE AFTERNOON I WAS RATHER ANXIOUS FOR YOU."
+
+_Professor._ "THANKS. BUT I DON'T KNOW WHY YOU SHOULD HAVE BEEN SO
+CONCERNED ON MY BEHALF."
+
+_Friend._ "WELL, A RUMOUR _DID_ GO ROUND THE ROOM THAT THE WAR WOULD BE
+OVER BEFORE YOUR LECTURE." ]
+
+ * * * * *
+
+THE GREAT BETRAYAL.
+
+ 'Twas night, and near the Boreal cliff
+ The monarch in seclusion lay,
+ A wondrous human hieroglyph,
+ Worshipped from Chile to Cathay;
+ When lo! a cry, "Sire, up and fly!
+ The pirate ships are in the bay!"
+
+ "Begone, ye cravens," straight replied
+ The monarch with his eyes ablaze;
+ "No pirate on the ocean wide
+ Can fright me, for I know their ways.
+ Shall I do less in times of stress
+ Than soldiers who have earned My praise?
+
+ "Yet stay," he paused awhile, and then--
+ "Let messengers the country scour
+ On pain of death forbidding men
+ To speak, in hut or hall or tower,
+ Of what I said this night of dread,
+ Or where I spent its darkest hour."
+
+ Swift flew the minions to obey;
+ The wearied monarch slumbered late;
+ Yet, in the Capital next day,
+ Writ large upon his palace gate,
+ A mighty scroll to every soul
+ Blazoned the words that challenged Fate.
+
+ The monarch's rage surpassed all bounds
+ When of this treachery he read;
+ A price of several million pounds
+ Was placed upon the miscreant's head;
+ But sceptics jibe--an odious tribe--
+ And swear that he will die in bed.
+
+ * * * * *
+
+A New Way to Pay Old Debts.
+
+ "The Inventor of British and American Patents is desirous to Sell or
+ License to Manufacturers, &c., &c.... The above Inventor and Patentee
+ will be greatly obliged if anyone that he owes money to will forward
+ the amount not later than this month, otherwise he will not acknowledge
+ after."--_Financial Times._
+
+ * * * * *
+
+ "LITTLE WAR PICTURES.
+ A NOBLE ARMY OF OPTIMISTS IN TRANCE."--_Straits Times (Singapore)._
+
+We wish our pessimists would join them.
+
+ * * * * *
+
+THE WATCH DOGS.
+
+LVII.
+
+My Dear Charles,--St. John, in 1914 a light-hearted lieut., advancing and
+retiring with his platoon as an all-seeing Providence or a short-spoken
+Company Commander might direct, and in 1915 a Brass-hat with a vast amount
+of knowledge and only a hundred buff slips or so to write it down on, is
+now Second in Command of his regiment. He tells me he is encamped with his
+little lot on the forward slope of a muddy and much pitted ravine. On the
+opposite slope are some nasty noisy guns, and at the bottom of the ravine
+are the cookers.
+
+When, after much forethought, he has found something to do and has begun
+doing it, there is a cry of "Stand clear!" and, with that prudence which
+even an Englishman will learn if you do not hustle him but give him a year
+or two to find by experience that care should sometimes be taken, all get
+to earth. The guns fire; the neighbourhood heaves and readjusts itself, and
+a man may then come out again. By the time, however, he has collected his
+senses and his materials there is another "Stand clear!" and back he must
+go to earth. This is what is technically known as Rest.
+
+It was not good enough for one of the battalion cooks. No man can do
+justice to a mess of pottage by lying on his belly at a distance and
+frowning at it. After many movements to and fro, he eventually said be
+damned to guns and "Stand clears;" stood on the top of his cooker (there
+was nowhere else to stand), and, holding a dixie lid in his hand and
+bestowing on the contents of the dixie that encouraging smile without which
+no stew can stew, defied all the artillery of the B.E.F. to do its worst.
+It did.
+
+The cook recovered to find himself among his dixies, frizzling pleasantly
+and browning nicely in certain parts. Even so, professional interests
+over-came any feeling of personal injury. Rising majestically, he stepped
+down and advanced upon the nearest gun crew. "Now you've done it, you
+blighters!" he shouted, waving an angry fist at them. "You've been and gone
+and blown all the pork out of the beans."
+
+The same man went on holiday to the neighbouring town, which is in reality
+an ordinarily dull and dirty provincial place, but to the tired warrior is
+a haven of rest and a paradise of gaiety and good things. Here he came into
+contact with the local A.P.M. in the following way. The latter was in his
+office after lunch, brooding no doubt, when in came a French policeman
+greatly excited in French. There was, it appeared, promise of a commotion
+at the Hotel de Ville. A British soldier had got mixed up in the queue of
+honest French civilians who were waiting outside for the delivery of their
+legal papers. There were no bi-linguists present, but it had been made
+quite clear to the Britisher that he must go, and it had been made quite
+clear by the Britisher that he should stay. Always outside the Hotel de
+Ville at 2.30 of an afternoon was this queue of natives, each waiting his
+turn to be admitted to the joyless sanctum of the Commissaire, there to
+receive those illegible documents without which no French home is complete.
+Never before had a British soldier fallen in with them, and, when requested
+to dismiss, showed signs of being obstreperous.
+
+The A.P.M. buckled on his Sam Browne belt and prepared for the worst, which
+he assumed to be but another example of the frailty of human nature when
+suddenly confronted with unaccustomed luxuries. When he got to his prey he
+found him not quite in the state expected. Usually at the sight of an
+A.P.M. a soldier, whatever the strength of his case, will express regret,
+promise reform, and make ready to pass on. This one stood his ground; on no
+account would he leave the queue. He explained to the A.P.M. that he was
+too used to the manifold and subtle devices of people who wanted to snaffle
+other people's places in queues. He was however quite prepared to parley,
+and was only too glad to find a fellow-countryman, speaking the right
+language and having the right sense of justice, to parley with.
+
+He said he had taken his proper place in the line, with no attempt to
+hustle or jostle anyone else. He meant to do no one any harm, and he was
+prepared to pay the due price, in current French notes, whatever it might
+be. But having got his place by right he refused to give it up to anyone
+else, be he French or English, Field Officer or even gendarme. He had been
+excessively restrained in resisting the unscrupulous attempts of the
+gendarme to dislodge him. If he had made any threat of knocking the
+gendarme down he had not really intended to take that course. The threat
+was only a formal reply to the gendarme's proposal to stick a sword through
+his middle.
+
+He was, he said most emphatically, not drunk. If the A.P.M., in whom he had
+all confidence, would occupy his place in the queue and keep it for him, he
+would demonstrate this by a practical test. In any case he ventured to
+insist on his point. Without claiming any special privileges for a man
+fighting and cooking for his country, he claimed the right of any human
+being, whatever his nationality, to witness any cinema show which might be
+in progress.
+
+The underlying good qualities of both nations were evidenced in the sequel.
+When the A.P.M. had interpreted the matter the gendarme insisted on an
+embrace, and the cook permitted it. Later, I have reason to believe, they
+witnessed a most moving cinema play together, but not in the Commissaire's
+office at the Hotel de Ville.
+
+ Yours ever,
+ HENRY.
+
+ * * * * *
+
+CHILDREN'S TALES FOR GROWN-UPS.
+
+I.
+
+CAUSE AND EFFECT.
+
+It hadn't rained for forty days and forty nights.
+
+"The reason it doesn't rain," said the guinea-fowl, "is that the barometer
+is very high."
+
+But no one listened to her.
+
+"The reason is," said the duck with the black wings, "that the pond is
+nearly empty. When the pond is empty it doesn't rain."
+
+"It's the hen-house," said the black hen. "Whenever the roof drips there is
+rain."
+
+"It is certainly the hen-house," said all the hens.
+
+"It comes from the trees," said the turkey. "The leaves drip and then there
+is rain, and the more they drip the heavier it rains."
+
+"It is my kennel," chuckled Bruno, the wise old dog. "The more it leaks the
+more it rains."
+
+At that very moment it began to rain in torrents.
+
+"The pond is full," quacked the ducks. "Look at the pond."
+
+"Oh, do look at the hen-house roof--dripping!" shrieked the hens.
+
+"The leaves--look at the leaves," gurgled the turkeys.
+
+"And my kennel leaks. I can feel it on my back," chuckled Bruno.
+
+"The barometer has gone down," said the guinea-fowl.
+
+But no one took any notice of her--quite properly.
+
+ * * * * *
+
+The Housing Problem.
+
+ "Three chicken coops, also pigeon-house, for pole; suitable for
+ lady."--_The Lady_.
+
+ * * * * *
+
+The Open-Air Cure.
+
+ "The _Telegraaf_ learns from its correspondent at the frontier that on
+ yesterday (Monday) afternoon a fresh air attack was made on
+ Zeebrugge."--_Morning Post_.
+
+A pleasant change from stuffy shells.
+
+ * * * * *
+
+[Illustration: THE ETERNAL FEMININE.
+
+"THAT SHADE. WOULDN'T 'ALF SUIT ME."
+
+"LOR LUMMY, LIL! WOT TISTE--AN' YOU A BLONDE!"]
+
+ * * * * *
+
+THE SONG OF THE MILL.
+
+ [Most of our water-mills have fallen into decay and disuse owing to the
+ unsuitability of their machinery to grind imported grain. Will the
+ revival of English grain production bring about a renewal of their
+ usefulness?]
+
+ As by the pool I wandered that lies so clear and still
+ With tall old trees about it, hard by the silent mill
+ Whose ancient oaken timbers no longer creak and groan
+ With roar of wheel and water, and grind of stone on stone,
+
+ The idle mill-race slumbered beneath the mouldering wheel,
+ The pale March sunlight gilded no motes of floating meal,
+ But the stream went singing onward, went singing by the weir--
+ And this, or something like it, was the song I seemed to hear:--
+
+ "By Teviot, Tees and Avon, by Esk and Ure and Tweed,
+ Here's many a trusty henchman would rally to your need;
+ By Itchen, Test and Waveney, by Tamar, Trent and Ouse,
+ Here's many a loyal servant will help you if you choose.
+
+ "Do they no longer need us who needed us of yore?
+ We stood not still aforetime when England marched to war;
+ Like those our wind-driven brothers, far seen o'er weald and fen,
+ We ground the wheat and barley to feed stout Englishmen.
+
+ "You call the men of England, their strength, their toil, their gold,
+ But us you have not summoned, who served your sires of old;
+ For service high or humble, for tribute great and small,
+ You call them and they answer--but us you do not call.
+
+ "Yet we no hoarded fuel of mine or well require,
+ That drives your fleets to battle or lights the poor man's fire;
+ We need no white-hot furnace for tending night and day,
+ No power of harnessed lightnings to speed us on our way.
+
+ "By Tavy, Dart and Derwent, by Wharfe and Usk and Nidd,
+ Here's many a trusty vassal is yours when you shall bid,
+ With the strength of English rivers to push the wheels along
+ And the roar of many a mill-race to join the victory song."
+ C.F.S.
+
+ * * * * *
+
+ "The Berlin Municipality has issued the following order. 'Despite the
+ present unfavourable conditions of production, it has become possible
+ that from Friday this week one shss will be available for every citizen
+ of Berlin,'"--_Egyptian Gazette_.
+
+Judging by the mystery surrounding it we infer that "shss" must be some
+kind of sausage.
+
+ * * * * *
+
+[Illustration: FOOD RESTRICTION.
+
+SCENE: _Hotel._
+
+_Little Girl._ "OH, MUMMY! THEY'VE GIVEN ME A DIRTY PLATE."
+
+_Mother._ "HUSH, DARLING. THAT'S THE SOUP."]
+
+ * * * * *
+
+ANSWERS TO CORRESPONDENTS.
+
+"MINSTREL BOY."--You are confusing TENNYSON'S "Brook" with the Tigris. Also
+it is the Turkish Army and not the river (which flows the other way) that
+is speaking in the famous lines--
+
+ "I come from haunts of Kut (return);
+ I make a sudden sally."
+
+"ANXIOUS INQUIRER."--No, we are without reliable news of FERDIE. But it is
+rumoured that he is preparing to conform to the general movement of the
+Central Allied Powers, and is therefore taking a little gentle running
+exercise in the Vulpedrome at Vienna.
+
+"V.T.C."--We rejoice with you that already--not more than 21/2 years since
+the revival of the Volunteer Force--the War Office has recognised the
+desirability of giving the Volunteer a rifle to shoot with; and it now
+seems almost certain that he will receive one, _free of charge_, before the
+conclusion of peace. We welcome this wise and generous decision, for though
+we have never pretended to be a military authority we have always held the
+view that in a tight corner a man with a rifle has an appreciable advantage
+over an unarmed man.
+
+"FORTUNE-TELLER."--Like you, we are greatly impressed by the convincing
+arguments advanced by our military experts in support of the view that the
+Germans are likely to put forth a great effort this year at some point on
+one of their fronts; and we share your belief that the time has come when
+the Government should supply a long-felt want by establishing a Department
+of Intelligent Anticipation. It is a happy suggestion of yours to offer,
+for a reasonable consideration, to place at the disposal of such a
+Department your admirably-equipped premises in Bond Street.
+
+"SCHNAPPS."--The correct version is:--
+
+ "In the matter of U-Boats the fault of the Dutch
+ Is protesting too little and standing too much."
+
+"CARILLON."--You ask how the Germans will manage for their joy-peals now
+that the military authorities have commandeered the church bells. It was
+very bright of you to think of this. The answer is that, in view of
+pressing national needs, they are going to give up having victories. After
+all, this is an age of sacrifice. EDITOR.
+
+ * * * * *
+
+Commercial Candour.
+
+ "Abandon housekeeping and live in comfort at the hotel ------.
+ Not too large to give the best of service, and not too small to be
+ uncomfortable."--_Morning Paper_.
+
+ * * * * *
+
+We feel it to be our patriotic duty to call the attention of the FOOD
+CONTROLLER to the conduct of a well-known restaurant which blatantly
+describes itself on a bill of fare as
+
+ "THE GORGE AND VULTURE."
+
+ * * * * *
+
+ "Women lamplighters will shortly be seen in the submarine districts of
+ London."--_Bradford Daily Argus_.
+
+But to prevent disappointment we ought to mention that this phenomenon can
+only be witnessed by the _Argus_-eyed.
+
+ * * * * *
+
+[Illustration: ALSO RAN.
+
+WILLIAM. "ARE YOUR LURING THEM ON, LIKE ME?" MEHMED. "I'M AFRAID I
+AM!"]
+
+ * * * * *
+
+ESSENCE OF PARLIAMENT.
+
+_Monday, February 26th._--The new Member for Roscommon has not yet appeared
+in the House, but he is nevertheless doing his bit more effectively,
+perhaps, than some of his compatriots. The SPEAKER'S ruling is "No seat, no
+salary"; so Count PLUNKETT will have the satisfaction of knowing that by
+his self-sacrificing absence he is paying the expenses of the War for at
+least five seconds.
+
+With suitable solemnity Sir EDWARD CARSON gave a brief account of the
+exploits of the German destroyer squadrons. One of them, comprising several
+vessels, had engaged a single British destroyer for several minutes before
+cleverly executing a strategic movement in the direction of the German
+coast; while another had simultaneously bombarded the strongholds of
+Broadstairs and Margate, completely demolishing two entire houses. The
+damage would have been still more serious but for the fortunate
+circumstance that the fortresses erected on the foreshore last summer by an
+army of youthful workpeople had been subsequently removed.
+
+Any gloom engendered by the fore-going announcement was quickly dissipated
+by Mr. BONAR LAW, who read a telegram from General MAUDE, announcing the
+fall of Kut-el-Amara.
+
+The rest of the afternoon was chiefly occupied by a further combat over the
+merits of Lord FISHER. Although, as Dr. MACNAMARA subsequently remarked,
+"this is not the time for fighting battles along the Whitehall front," I am
+afraid the House thoroughly enjoyed Sir HEDWORTH MEUX'S discursive account
+of his relations with the late FIRST SEA LORD, who really seems to be quite
+a forgiving person. At least it is not everybody who, after being greeted
+at a garden-party with "Come here, you wicked old sinner," would afterwards
+invite his accuser to lunch at the Ritz.
+
+In the first statement of policy made by Mr. LLOYD GEORGE after his
+appointment as Prime Minister he said that the primary step towards a
+settlement of an age-long Irish trouble would be the removal of the
+suspicion of Irishmen by Irishmen. Mr. DILLON'S notion of contributing to
+that desirable end is to accuse Sir BRYAN MAHON, who has had to deport
+certain recidivist Sinn Feiners, of being the tool of a Dublin Castle gang.
+Not, of course, that Mr. DILLON is in sympathy with Sinn Feiners; on the
+contrary he dislikes them so much that he would like to keep St. George's
+Channel between them and himself. But by his own speeches he has hypnotized
+himself into the belief that everything done by the British Government in
+Ireland must have a corrupt motive. His colleague from West Belfast is not
+much wiser, to judge by the tone of his speech to-night; and I think Mr.
+DUKE, who is doing his best to reconcile the irreconcilable, must have been
+tempted to adapt one of MR. DILLON'S phrases and to say that Ireland was
+between the DEVLIN and the deep sea.
+
+_Tuesday, February 27._--The capture of Kut has had an exhilarating effect
+upon Lord CREWE. Not long ago he was warning us against excessive
+jubilation over the British advance in that region. Now he justified his
+title by coming out as a regular _Chanticleer_, and invited Lord CURZON to
+tell the assembled Peers that we might be confident of regaining
+predominance in the whole of Mesopotamia.
+
+[Illustration: LORD BUCKMASTER'S DREAM OF A BRIGHTENED HOUSE OF LORDS.]
+
+In these times the Lords can refuse nothing to the Ladies. In moving the
+second reading of a Bill to enable women to become solicitors Lord
+BUCKMASTER may have approached his subject in the spirit of a cautious
+knight-errant, as Lord SUMNER said, but he carried his argument. He owed
+something, perhaps, to the unintentional assistance of his opponents. Lord
+BUCKMASTER had incidentally mentioned that a woman once sat on the
+Woolsack, and there administered such very odd law that the City of London
+rose in mutiny. This shocked the historical sense of Lord HALSBURY, who
+hastened to point out that the lady in question had left the Woolsack for a
+reason entirely creditable to her sex, namely to become the mother of one
+of our greatest Kings. Then Lord FINLAY, who now occupies the seat alleged
+to have been filled by ELEANOR of Provence, endeavoured to frighten their
+Lordships by the thin end of the wedge argument. If women were admitted
+solicitors they would next want to practise at the Bar, and even become
+Judges. But the Peers refused to be intimidated, and gave the Bill a second
+reading.
+
+Mr. MACCALLUM SCOTT'S colossal intellect, like the elephant's trunk, can
+grapple with the most minute objects. Yesterday it was the shortage of
+sausage-skins; this afternoon it was the grievance of Scottish bee-keepers,
+who are deprived of sugar for their charges, and compelled to put up with
+medicated candy at twice the price. In spite of the FOOD CONTROLLER, I
+understand that MR. SCOTT has no intention of parting with the very
+promising swarm that he carries in his national headgear.
+
+_Wednesday, February 28th._--Mr. WATT was seized with a bright idea this
+afternoon. The CHIEF SECRETARY FOR IRELAND had explained to Mr. GINNELL,
+that certain men had been convicted of having attempted to cause
+disaffection by singing disloyal songs. "Will the right hon. and learned
+gentleman give the House a sample?" interjected Mr. WATT. The notion of Mr.
+DUKE, _vir pietate gravis_, if ever there was one, indulging in ribald
+melody, caused much laughter, which was increased when the right hon.
+gentleman in his most portentous manner implied that his only reason for
+not granting the request was fear that the SPEAKER might intervene.
+
+[Illustration: SIR FREDERICK BANBURY AND COLONEL MARK LOCKWOOD CONSULT THE
+WATER LIST.]
+
+A brief recrudescence of the MEUX-CHURCHILL duel was not much to the taste
+of the House, which is evidently of opinion that LORD FISHER might now be
+left alone both by foes and by friends. Members were glad to seek solace in
+the drink question, and gave a sympathetic hearing to the proposal of Mr.
+WING that they should voluntarily submit to the same restricted hours of
+consumption as they had imposed on the outside world. Mr. WING is a
+temperance reformer, but on this occasion he had the redoubtable assistance
+of Mr. GEORGE FABER, a stout friend of the "trade" whose hair had grown
+white, he declared (though in other respects he still looks delightfully
+juvenile), in fighting the Licensing Bill of 1908. In his opinion the House
+could no longer keep itself in a compartment apart--especially as it was
+not a watertight compartment. Sir FREDERICK BANBURY, who is naturally a
+champion of cakes--and ale--made a despairing effort to preserve the
+privileges of the Palace of Westminster, but did not carry his protest to a
+division; and after a few valedictory remarks from Colonel LOCKWOOD,
+including two quotations from LUCRETIUS (derived from a crib, as he
+modestly explained), the House unanimously decided that its habits should
+be in conformity with its debates--dry with moist intervals.
+
+_Thursday, March 1st._--Copies of the unexpurgated edition of the Report of
+the Dardanelles Commission marked "confidential" are to be sent to the
+SPEAKER and to the leader of every political party in the House. If Mr.
+BONAR LAW thought by this announcement to allay curiosity he was
+disappointed. Requests for a definition of the term "political party"
+rained upon him from all quarters. It really is a rather nice point. Mr.
+ASQUITH, Mr. REDMOND and Mr. WARDLE will, of course, receive their copies
+of the _editio princeps_. But what about Mr. WILLIAM O'BRIEN, who commands
+a bare half-section, even if one includes Mr. T.M. HEALY as odd file? What,
+too, of the Peace-without-Victory party, which is all leaders? The case of
+Mr. PRINGLE and Mr. HOGGE, which was publicly mentioned, presents little
+difficulty. Much as they love one another, neither is prepared to
+acknowledge the other as his leader.
+
+The greatest crux is furnished by Mr. GINNELL and Mr. PEMBERTON-BILLING.
+Each of them leads a distinct party, making up by its activity and
+volubility for its comparative lack of size. Logically they may look
+forward to receiving copies of the "confidential" document too sacred for
+the inspection even of Peers and Privy Councillors. But I should not
+encourage them to hope.
+
+ * * * * *
+
+[Illustration: _Maid._ "THE DOCTOR HAS CALLED TO SEE YOU, SIR."
+
+_Government Official (faintly)._ "TELL HIM TO FILL UP A FORM, STATING THE
+NATURE OF HIS BUSINESS AND IF BY APPOINTMENT."]
+
+ * * * * *
+
+[Illustration: _Boss (to typist, a war flapper, who is very late)._ "EH,
+YE'VE COOM AT LAST. WE WERE JUST TALKIN' ABOOT YE."
+
+_Typist._ "AH, I WONDERED WHAT MADE MY EAR BURN." ]
+
+ * * * * *
+
+CLASSICAL AMERICA.
+
+ [A correspondent of _The Westminster Gazette_ remarks in a recent
+ issue, "I am told American students sing their Pindar."]
+
+ A WRITER in the evening Press
+ Lays quite unnecessary stress
+ Upon the fact that youthful scholars,
+ Residing in the land of dollars,
+ Where men are shrewd and level-headed,
+ Sing songs to PINDAR'S verses wedded.
+ Yet why this wonder, when you think
+ How strongly welded is the link
+ That binds Columbia and its glory
+ To lands renowned in classic story?
+ There's hardly any town of note
+ Mentioned by MOMMSEN or by GROTE
+ Except Byzantium, perhaps--
+ Which doesn't figure in our maps.
+ Of Ithacas we have a score,
+ And Troys and Uticas galore;
+ Chicago has a Punic sound,
+ And pretty often, I'll be bound,
+ Austere Bostonians heavenward send a
+ Petition calling her _delenda_;
+ While Philadelphia, Pennsylvania
+ Betray the classicising mania.
+ We have a Capitol, also,
+ As fine as Rome's of long ago;
+ Pompey and Romulus and Remus
+ (I'm not so sure of Polyphemus)
+ Are names with us more often worn
+ Than in the lands where they were born.
+ Then, as true classicists to stamp us,
+ Each College has its separate Campus,
+ And we have Senators whose mien
+ Might well have turned old BRENNUS green.
+ Why even the Bird that proudly soars
+ In majesty to guard our shores
+ Before migrating to these regions
+ Was followed by the Roman legions.
+ But we have writ enough to show
+ What everybody ought to know,
+ That, spite of hustle and skyscrapers,
+ And Tammany and yellow papers,
+ The spirit of both Greece and Rome
+ Has found a second lasting home
+ Across the wide Atlantic foam.
+
+ * * * * *
+
+More War Economy.
+
+ "Perambulator, cheap, for cash, as new; cost L9 15s., receipt shown;
+ owner getting rid of baby."--_Birmingham Daily Mail_.
+
+ * * * * *
+
+ "Turn to the annals of the period 1914-1917, everlastingly to be
+ remembered by the Meuse of History."--_Jamaica Paper_.
+
+The Meuse needs no reminder.
+
+ * * * * *
+
+"DOING WITHOUT."
+
+A valued correspondent writes:--
+"We are deluged in the Press just now with information on how to 'do
+without.' One morning a splendid recipe for making pancakes without eggs;
+another, a perfect Irish stew without potatoes; another, a Welsh rabbit
+without cheese. Meatless days are to be as natural as wireless telegraphy;
+and the other day we were asked seriously to consider the problem of a
+school without teachers! But there is a certain little corner of the daily
+paper headed, 'London Readings,' which could better, in war-time phrases,
+be expressed thus: 'Stern Facts must be Faced--How to do without Sunshine,'
+for all that the Meteorological expert can find to say is, 'Yesterday
+Sunshine, 0.0. Previous day Sunshine, 0.0.' O! O!"
+
+ * * * * *
+
+What a Woman Notices.
+
+ "Sears succeeded in cashing two of the cheques at the bank, the woman
+ cashier not noticing that they were crossed. When she came to the bank
+ a third time, however, the cashier recognised the hat she was wearing,
+ and caused her to be detained."--_Times_.
+
+ * * * * *
+
+PRIVILEGE.
+
+Mr. Jenkins, junior partner in the firm of Baldwin and Jenkins, antique
+dealers, Wigpole Street, was in the habit, on fine afternoons, of walking
+home from business to his flat in the Brompton Road.
+
+He invariably chose the path which runs parallel to Park Lane, just inside
+the Park railings.
+
+Being middle-aged and unmarried he walked slowly and methodically, and was
+careful, when he came level with an entrance, to note the particular gates
+marked "In" and "Out." He would, as he crossed the "Out" opening, look
+sharply to the right, and as he passed the "In" opening look sharply to the
+left. "Safety first" was a creed with him.
+
+One mild Spring afternoon, as he was passing by an "Out" aperture, with his
+whole attention fixed to the right, he was aware, amid the sound of
+motor-horns and shouts, that the roadway had risen up and struck him on the
+back of the neck, and that something like the Marble Arch had kicked him at
+the same moment.
+
+A week later Mr. Jenkins recovered consciousness in a beautiful clean ward
+of St. George's Hospital. A smiling nurse stood by his bed and, as he tried
+to sit up, she told him he must be quiet and not disturb the bandages.
+
+"Your friend Mr. Baldwin is coming to see you to-day at two o'clock," she
+told him. "No, it is not serious; you are out of danger. Now you have only
+to be quiet; so when your friend comes you mustn't talk too much."
+
+He lay still and thought, and it all came back to him. "But, good heavens!"
+was his reflection, "that car must have come _in_ by the '_Out_' gate! In
+that case," he continued, not without pleasure, "I can claim damages--very
+severe damages too."
+
+At two o'clock Mr. Baldwin, his grey-bearded friend and partner, entered.
+"Well, Jenkins," said he, "I'm glad to see you've turned the corner. You've
+had rather a narrow squeak."
+
+Mr. Jenkins looked at his friend for a moment. "Look here," he said, "I'm
+not allowed to speak much, but did you know that that car, when it struck
+me, was coming in through an 'Out' gate, and, as that can be proved, don't
+you see that I can get pretty good compensation?"
+
+His friend's face remained solemn. "I fear not," he said.
+
+"But I must," said Jenkins. "It's as clear as can be. Scores of people must
+have seen it."
+
+Mr. Baldwin shook his head horizontally.
+
+"Heavy damages," said Mr. Jenkins, "I repeat."
+
+"I've gone into it," his partner replied, "and it's hopeless."
+
+"Why?" asked the sick man.
+
+"I'll tell you," said Mr. Baldwin. "Because that car belonged to the Duke
+of Mudcaster."
+
+"The more reason," said Mr. Jenkins, "for heavy damages. Very heavy. The
+Duke's rolling."
+
+"Maybe he rolls," said Mr. Baldwin. "But that is not all. Listen. The Duke
+of Mudcaster is the only representative of the Pennecuiks, whose founder
+had the good fortune to be of some service to KING WILLIAM III. For this
+service he and his posterity were allowed the privilege of entering places
+by gates marked 'Out' and leaving by gates marked 'In.'"
+
+Mr. Jenkins sat half up, groaned and subsided again. He said nothing.
+
+"Well, I must say good-bye now," said Mr. Baldwin. "Sorry I've depressed
+you about compensation, but you never had an earthly. See you again soon.
+So long."
+
+For some minutes Mr. Jenkins remained as one stunned. Then he began to
+think again. "I wonder," he said once or twice, for he knew his
+partner,--"I wonder. Could it have been Baldwin himself in his old Ford?
+Could it?"
+
+ * * * * *
+
+[Illustration: _Old Lady_ (_ruminating_). "WHAT A POOR SUPPLY OF GAS THERE
+IS! AH, WELL, I MUSTN'T GRUMBLE. PERHAPS WE ARE ATTACKING WITH GAS AT THE
+FRONT TO-DAY." ]
+
+ * * * * *
+
+Extract from a schoolboy's letter:--
+
+ "Please do not send me a cake this term, or it will go to the Red Cross
+ Soldiers."
+
+ * * * * *
+
+ "MANAGERESS wanted immediately, small Blouse Factory, Harrogate; able
+ to cut out and control girls."--_Harrogate Advertiser._
+
+She will need to be careful. A girl who has been cut out is apt to be
+uncontrollable.
+
+ * * * * *
+
+HEART-TO-HEART TALKS.
+
+(_The German KAISER and a wounded Belgian Officer, a Prisoner._)
+
+_The Kaiser._ So, then, you are still in arms against me, still persisting
+in your insane desire for battle and bloodshed? Will nothing content you?
+Must you compel us to continue in our enmity when by a word peace might be
+established between us, and Belgium might take her place at the side of
+Germany as a sister-nation striving with us to promote the cause of true
+civilisation?
+
+_The Belgian._ It is useless, Sir, to say such things to any Belgian.
+
+_The Kaiser._ Why useless? Do you not wish that death and ruin and misery
+should cease?
+
+_The Belgian._ Certainly we do. No one more ardently than the Belgians, for
+it was not we who desired war or began the contest. But when you talk of
+stopping we must remind you that it was by your deliberate choice that war
+was treacherously forced on us. What could we do except defend ourselves
+against the dastardly blow that you aimed at our life? And after that it
+was not by us that Louvain was destroyed, that old men and women and
+children were ruthlessly massacred. Do you think such scenes can be wiped
+out of the memory of a nation, so that her men shall turn round and kiss
+the bloodstained hand that has tried to throttle them? Surely you expect
+too much.
+
+_The Kaiser._ You speak too freely. Remember in whose presence you are.
+
+_The Belgian._ There is not much fear that I shall forget. I am in the
+presence of one who has desired at all costs to concentrate on himself the
+gaze of the world, caring nothing as to the means by which he accomplished
+his object. This man, for he is, after all, only a poor human creature
+prone to anger, suspicion and foolish jealousy--this man has always gone
+about arrogating to himself the attributes of a god, calling upon his own
+people to worship him, and on all other peoples to be humble before him.
+Stung by his own restless vanity and the servile applause of those who are
+ever ready to prostrate themselves before an Emperor, he has rushed hither
+and thither seeking to make others the mere foils of his splendour and his
+wisdom, making mischief wherever he went and striving to irritate and
+depress his neighbours. This man in peace was a bad neighbour, and in war a
+base and treacherous foe, sanctioning by his enthusiastic approval such
+deeds as the meanest villain would have contemplated with shame.
+
+_The Kaiser._ This is too much. I gave you leave to speak, but not to
+revile me. You must not forget that you are in my power.
+
+_The Belgian._ A noble threat! But it is right and proper that men like
+you, who think they are infallible because their cringing flatterers tell
+them so, should sometimes hear the truth. You dare, forsooth, to talk to a
+Belgian of your magnanimity and your desire for peace. Cannot you realise
+that our nation has been tempered by outrage and ruin; that exile and the
+ruthless breaking of their homes only serve to make its men and women more
+resolute; that even if others were to cease fighting against you, and if
+her sword were broken, Belgium would dash its hilt in your face till breath
+and life were driven out of her mangled body; that, in short, we hate you
+for your cruelty and despise you for your baseness; and that for the
+future, wherever there is a Belgian, there is one who is the enemy of the
+thing called KAISER.
+
+_The Kaiser._ Enough, enough. I did not come here to be insulted. If you
+have suffered, you and your nation, it is because you have deserved to
+suffer for having dared to set yourself against Germany, whom our good old
+German god has appointed to lead the way in righteousness to the goal
+marked out for her.
+
+_The Belgian._ Sir, when you speak like that you are no doubt a marvel in
+your own eyes, but to others you are a laughing-stock, a mere scare-crow
+dressed up to resemble a man, a thing of shreds and patches to whom for a
+time the inscrutable decrees of Providence have permitted a dreadful power.
+But we are resolute to endure to the end, and your blandishments will avail
+as little as your threats.
+
+ * * * * *
+
+MY WATCH.
+
+ The Sage who above a Greek signature nightly
+ Emits a succession of eloquent screeds,
+ Instructing us firmly but also politely
+ How best to supply our material needs,
+ Has specially urged us of late, in a shining
+ Example of zeal for his frivolous flock,
+ With the object of "speed" and "precision" combining
+ To "work with our eye on the clock."
+
+ The precept is sound, and its due application
+ Is fraught with undoubted advantage to some,
+ But I'm free to remark that my own situation
+ Represents a recalcitrant re-sidu-um;
+ Clocks I cannot abide with their truculent ticking--
+ A nuisance I always have striven to scotch--
+ And I gain very little assistance in sticking
+ To work, if I'm watching my watch.
+
+ For my watch, which I treasure with ardent affection--
+ 'Twas given to me in my juvenile prime--
+ Exhibits a truly uncanny objection
+ To keeping an accurate count of the time;
+ In the matter of speed it's a regular sprinter;
+ Repairs are a farce; it invariably gains;
+ And in Spring and in Autumn, in Summer and Winter
+ Precision it never attains.
+
+ Mathematics to me are a terrible trial,
+ They plague me in age as they floored me in youth,
+ Or I might, when observing the hour on my dial,
+ Allow for the error and guess at the truth.
+ Then why do I keep it? Because it's a mascot,
+ And none of its vices can alter the fact
+ That the very first day that I wore it, at Ascot,
+ Three winners I happily backed.
+
+ * * * * *
+
+ "The annual meeting of the Court of Governors of the University of
+ Birmingham was held yesterday at the University, Edmund Street. The
+ Pro-Vice-Chancellor said the University had done its share in the
+ present awful state of Europe."--_Birmingham Daily Post_.
+
+We are sorry to hear this.
+
+ * * * * *
+
+ "The Government have apparently taken infinite pains to so 'cut their
+ coast according to their cloth' as to provide for the least possible
+ inconvenience and suffering to the people of these islands."--_Cork
+ Constitution._
+
+Thanks to this wise provision there is still just enough coast to go round.
+
+ * * * * *
+
+From the report of a schoolmasters' conference:--
+
+ "That we should spread our education wider, and not allow a boy to
+ spend too much time on specialising is a good idea, but it is rather
+ difficult to carry out in practice. It means switching the boy's mind
+ from one subject to another. The whole day is spent in this
+ way--switching from one subject to another, and therefore it is very
+ difficult."--_United Empire_.
+
+And it sounds painful too.
+
+ * * * * *
+
+[Illustration: _Jock._ "AND ME GIVIN' YON MAN AT THE STATION TWA BAWBEES
+TAE MIND MA GREATCOAT!"]
+
+ * * * * *
+
+OUR BOOKING-OFFICE.
+
+(_By Mr. Punch's Staff of Learned Clerks._)
+
+It is strange to find the inexhaustible Mr. W.E. NORRIS turning towards the
+supernatural. Yet there is at least more than a flavouring of this in the
+composition of _Brown Amber_ (HUTCHINSON), which partly concerns a
+remarkable bead, having the property of bringing good or evil luck to its
+various owners. As (after the manner of such things in stories) the charm
+was for ever being lost, and as the kind of fortune it conferred went in
+alternations, possession of it was rather in the nature of a gamble. All I
+have to observe about it is that such hazards consort somewhat better with
+the world of HANS ANDERSEN or the _Arabian Nights_ than with those quiet
+and well-bred inhabitants of South-Western London whom one has learnt to
+associate with the name of NORRIS. Thus, in considering the nice problem of
+whether _Clement Drake_ (as typical a Norrisian as ever buttoned spats)
+would or would not escape the entanglements of _Mrs. D'Esterre_, it simply
+irritated me to suppose that the event might be determined by the
+machinations of djins. In a word, East is East and S.W. is S.W., and never
+the twain shall, or should, be mixed up in a novel that pretends to
+anything more serious than burlesque. I am not sure also that, for
+different reasons, I did not regret the introduction of the War; though as
+a grand climax it has, I admit, a lure that must be almost irresistible to
+the novelist. For the rest, if you do not share my objection to the (dare I
+say it?) amberdexterity of the plot, you will find Mr. NORRIS as pleasant
+as ever in his scenes of drawing-room comedy.
+
+A volume of remarkable interest is _In Ruhleben _(HURST AND BLACKETT), into
+which Mr. DOUGLAS SLADEN has gathered a variety of information concerning
+the life of the English civilian prisoners in Germany, its many hardships
+and few ameliorations. The greater part of the book is filled with a series
+of letters sent by one of these prisoners to his mother. Perhaps (one
+suspects) the writer of these was not altogether an ordinary young man.
+From whatever reason, the fact remains that his letters are by no means
+uncheery reading; his books and study, most of all his friendships (with
+one fellow-captive especially), seem to have kept him contented and even
+happy. Of course some part of this may well have been coloured for the
+maternal eye; it is clear that he was greatly concerned that she should not
+be too anxious about him. A more impartial picture of the conditions at
+Ruhleben is given in the second part of the volume, and in a letter by Sir
+TIMOTHY EDEN, reprinted from _The Times_, on The Case for a wholesale
+Exchange of Civilian Prisoners. I should add that the book is illustrated
+with a number of drawings of Ruhleben made by Mr. STANLEY GRIMM, an artist
+of the Expressionist School (whatever that may mean). These are vigorous
+and arresting, if, to the unmodern eye, somewhat formless. But they are
+part of a record that all Englishmen can study with quickened sympathy and
+a great pride in the courage and resource of our race under conditions
+needlessly brutal at their worst, and never better than just endurable.
+
+ * * * * *
+
+Nothing will ever persuade me that _This Way Out_ (METHUEN) is an
+attractive title for a novel, however effective it may be as a notice in a
+railway station. The book itself, however, is intriguing in spite of its
+gloominess. The grandfather of _Jane_ and _John-Andrew Vaguener_ committed
+a most cold-blooded murder--this in a prologue. Then, when we get to the
+real story, we find _Jane_ tapping out popular fiction at an amazing pace,
+and her brother, _John-Andrew_, living on the proceeds thereof. _Jane_ is
+noisy, vulgar, and successful in her own line, and gets on _John-Andrew's_
+nerves; and when he discovers that she has for once turned aside from
+tawdry fiction and written a play that is really good he decides that he
+can stand it and her no longer. While she was pouring out literary garbage
+he could just manage to endure his position, but the thought that she would
+be hailed as a genius while he remained an utter failure was the final
+stroke that turned him from a mendicant into a madman. I am not going to
+tell you exactly what happened, but _Jane_ found a "way out," and with her
+departure from this life my interest in the book evaporated. Mrs. HENRY
+DUDENEY has notable gifts as a descriptive writer, and my only complaint
+against her is that vulgar _Jane_ was not allowed to live, for in the Army
+or out of it she was worth a whole platoon of _John-Andrews_. The
+_Vagueners_, I may add, were not a little mad, but then they were Cornish,
+and novelists persist in treating Cornwall as if it were a delirious duchy.
+
+ * * * * *
+
+I don't think I can honourably recommend Mr. HUGH ELLIOT'S volume on
+_Herbert Spencer_ (CONSTABLE) as light reading, though the ungodly may wax
+merry over the philosopher's first swear-word, at the age of thirty-six, in
+the matter of a tangled fishing-line, and may be kindled at the later
+picture of a middle-aged sportsman shinning, effectively too, after a
+Neapolitan who had pinched his opera-glasses. Fine human traits these in a
+character which will strike the normal man as bewilderingly unlike the
+general run of the species. The serious-flippant reader, tackling Mr.
+ELLIOT'S elaborate and acute analyses, may get an impression of an
+obstinate old apriorist, a sort of White Knight of Philosophyland, with all
+manner of reasoned-out "inventions" at his saddle-bow (labelled
+"Homogeneity-Heterogeneity," "Unknowable," "Ghost Theory,"
+"Presentative-Representative"), which don't seem, somehow, as helpful as
+their inventor assumes. And 'tis certain he took tosses into many of the
+pits of his dangerous deductive method. I don't present this as Mr.
+ELLIOT'S view. He is respectful-critical, and makes perhaps the best case
+for his old master's claim to greatness out of the assumption that SPENCER
+himself, stark enemy to authority and dogmatism, would have preferred his
+biographer's critical examination to any mere "master's-voice" reproduction
+of Spencerian doctrine. I wonder if he would!
+
+ * * * * *
+
+Miss F.E. MILLS YOUNG'S newest story has at least this much merit about it,
+that no one who has seen the title can complain thereafter of having been
+taken unawares by the course of the narrative. That is perhaps as well,
+for, having discovered in the opening chapters a sufficiently charming
+_Pamela_ living in perpetual honeymoon with a partner rich, good-looking
+and with no particular occupation to interfere with unlimited motor trips
+and dinner parties, we might have imagined the tale was going to remain a
+jolly meaningless thing like that all through, and so have been as much
+shocked as the heroine herself on reading the fatal letter. But, since we
+knew the book to be called straight out _The Bigamist_ (LANE), we could
+have no possible difficulty in foreseeing the emergence of that other wife
+from the buried past ready to pounce down on poor little _Pam_ at her
+happiest. And of course she duly appeared. Not that such happiness could in
+any case have lasted long, for the man was, flatly, a cur, not deserving
+the notice of any of the rather foolish women he managed to attract--there
+were three of them--and not particularly worth your attention either for
+that matter. Having said so much I can gladly leave the rest to your
+perusal, or, better perhaps, your imagination, only hinting that the
+conclusion has something of dignity that does a little to redeem the
+volume. But when all is said this is not Miss YOUNG at her best, the
+characters without exception being unusually stilted, the plot unpleasant,
+and the South African atmosphere, for which I have gladly praised her
+before now, so negligible that but for an occasional name and a page or two
+of railway journey the yarn might as well have been placed in a suburb of
+London or Manchester as in the land of delectable sunshine.
+
+ * * * * *
+
+Mr. JOHN S. MARGERISON, in _The Sure Shield_ (DUCKWORTH) sees to it that
+our national pride in our Fleet is thoroughly encouraged. Whether he is
+describing a race against the Germans in times of peace, or a fight against
+odds with them in these days of war, we always come out top dog. Very good.
+But, at the same time, I am bound to add that some of his stories compelled
+me to make considerable drafts on my reserves of credulity before I could
+swallow them. So improbable are the incidents in one or two of them that I
+am inclined to believe that they must be founded on fact. However that may
+be, their author is an expert in his subject, and writes with a vigour that
+is very bracing and infectious.
+
+ * * * * *
+
+[Illustration: _Tactful Customer (forestalling a rebuff at a coal order
+office)._ "OF COURSE, MISS, I DON'T EXPECT THAT YOU REALLY _SELL_ COALS,
+BUT I SUPPOSE YOU WOULD HAVE NO OBJECTION TO MAKING THEM A SUBJECT FOR
+CONVERSATION?" ]
+
+ * * * * *
+
+Music in Mesopotamia.
+
+Among the songs which have recently exhausted their popularity in the
+music-halls of Baghdad is:--
+
+ "Come into the Garden of Eden, MAUDE."
+
+ * * * * *
+
+ "The White Star Company, the Dominion Shipping Company, and other
+ Atlantic lines are now arranging to employ a certain number of Sea
+ Scouts on their boats. The shipping companies will certainly be
+ ducky."--_Manchester Guardian._
+
+Or perhaps they may even happen upon a DRAKE.
+
+
+
+
+
+
+
+End of the Project Gutenberg EBook of Punch, or the London Charivari, Vol.
+152, March 7, 1917., by Various
+
+*** END OF THIS PROJECT GUTENBERG EBOOK PUNCH ***
+
+***** This file should be named 14966.txt or 14966.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/1/4/9/6/14966/
+
+Produced by Jonathan Ingram, Keith Edkins and the PG Online
+Distributed Proofreading Team.
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.