summaryrefslogtreecommitdiff
path: root/14976.txt
diff options
context:
space:
mode:
Diffstat (limited to '14976.txt')
-rw-r--r--14976.txt2593
1 files changed, 2593 insertions, 0 deletions
diff --git a/14976.txt b/14976.txt
new file mode 100644
index 0000000..b8e30ba
--- /dev/null
+++ b/14976.txt
@@ -0,0 +1,2593 @@
+Project Gutenberg's Mob Rule in New Orleans, by Ida B. Wells-Barnett
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Mob Rule in New Orleans
+ Robert Charles and His Fight to Death, the Story of His Life, Burning
+ Human Beings Alive, Other Lynching Statistics
+
+
+Author: Ida B. Wells-Barnett
+
+Release Date: February 8, 2005 [EBook #14976]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK MOB RULE IN NEW ORLEANS ***
+
+
+
+
+Produced by Suzanne Shell, Melissa Er-Raqabi and the PG Online
+Distributed Proofreading Team at http://www.pgpd.net.
+
+
+
+
+
+
+
+
+MOB RULE IN NEW ORLEANS:
+ROBERT CHARLES AND HIS FIGHT TO DEATH,
+THE STORY OF HIS LIFE,
+BURNING HUMAN BEINGS ALIVE,
+OTHER LYNCHING STATISTICS
+
+BY
+
+IDA B. WELLS-BARNETT
+
+1900
+
+
+
+
+[Transcriber's Note: This pamphlet was first published in 1900 but was
+subsequently reprinted. It's not apparent if the curiosities in spelling
+date back to the original or were introduced later; they have been
+retained as found, and the reader is left to decide. Please verify with
+another source before quoting this material. Of special note are the names
+Cantrell/Cantrelle, Porteous/Porteus, and Ziegel/Zeigel.]
+
+
+
+
++INTRODUCTION+
+
+Immediately after the awful barbarism which disgraced the State of Georgia
+in April of last year, during which time more than a dozen colored people
+were put to death with unspeakable barbarity, I published a full report
+showing that Sam Hose, who was burned to death during that time, never
+committed a criminal assault, and that he killed his employer in
+self-defense.
+
+Since that time I have been engaged on a work not yet finished, which I
+interrupt now to tell the story of the mob in New Orleans, which,
+despising all law, roamed the streets day and night, searching for colored
+men and women, whom they beat, shot and killed at will.
+
+In the account of the New Orleans mob I have used freely the graphic
+reports of the _New Orleans Times-Democrat_ and the _New Orleans
+Picayune_. Both papers gave the most minute details of the week's
+disorder. In their editorial comment they were at all times most urgent in
+their defense of law and in the strongest terms they condemned the
+infamous work of the mob.
+
+It is no doubt owing to the determined stand for law and order taken by
+these great dailies and the courageous action taken by the best citizens
+of New Orleans, who rallied to the support of the civic authorities, that
+prevented a massacre of colored people awful to contemplate.
+
+For the accounts and illustrations taken from the above-named journals,
+sincere thanks are hereby expressed.
+
+[Illustration]
+
+The publisher hereof does not attempt to moralize over the deplorable
+condition of affairs shown in this publication, but simply presents the
+facts in a plain, unvarnished, connected way, so that he who runs may
+read. We do not believe that the American people who have encouraged such
+scenes by their indifference will read unmoved these accounts of
+brutality, injustice and oppression. We do not believe that the moral
+conscience of the nation--that which is highest and best among us--will
+always remain silent in face of such outrages, for God is not dead, and
+His Spirit is not entirely driven from men's hearts.
+
+When this conscience wakes and speaks out in thunder tones, as it must, it
+will need facts to use as a weapon against injustice, barbarism and wrong.
+It is for this reason that I carefully compile, print and send forth these
+facts. If the reader can do no more, he can pass this pamphlet on to
+another, or send to the bureau addresses of those to whom he can order
+copies mailed.
+
+Besides the New Orleans case, a history of burnings in this country is
+given, together with a table of lynchings for the past eighteen years.
+Those who would like to assist in the work of disseminating these facts,
+can do so by ordering copies, which are furnished at greatly reduced
+rates for gratuitous distribution. The bureau has no funds and is entirely
+dependent upon contributions from friends and members in carrying on the
+work.
+
+Ida B. Wells-Barnett
+Chicago, Sept. 1, 1900
+
+
+
+
+MOB RULE IN NEW ORLEANS
+
+
+
+
+
++SHOT AN OFFICER+
+
+The bloodiest week which New Orleans has known since the massacre of the
+Italians in 1892 was ushered in Monday, July 24, by the inexcusable and
+unprovoked assault upon two colored men by police officers of New Orleans.
+Fortified by the assurance born of long experience in the New Orleans
+service, three policemen, Sergeant Aucoin, Officer Mora and Officer
+Cantrelle, observing two colored men sitting on doorsteps on Dryades
+street, between Washington Avenue and 6th Streets, determined, without a
+shadow of authority, to arrest them. One of the colored men was named
+Robert Charles, the other was a lad of nineteen named Leonard Pierce. The
+colored men had left their homes, a few blocks distant, about an hour
+prior, and had been sitting upon the doorsteps for a short time talking
+together. They had not broken the peace in any way whatever, no warrant
+was in the policemen's hands justifying their arrest, and no crime had
+been committed of which they were the suspects. The policemen, however,
+secure in the firm belief that they could do anything to a Negro that they
+wished, approached the two men, and in less than three minutes from the
+time they accosted them attempted to put both colored men under arrest.
+The younger of the two men, Pierce, submitted to arrest, for the officer,
+Cantrelle, who accosted him, put his gun in the young man's face ready to
+blow his brains out if he moved. The other colored man, Charles, was made
+the victim of a savage attack by Officer Mora, who used a billet and then
+drew a gun and tried to kill Charles. Charles drew his gun nearly as
+quickly as the policeman, and began a duel in the street, in which both
+participants were shot. The policeman got the worst of the duel, and fell
+helpless to the sidewalk. Charles made his escape. Cantrelle took Pierce,
+his captive, to the police station, to which place Mora, the wounded
+officer, was also taken, and a man hunt at once instituted for Charles,
+the wounded fugitive.
+
+In any law-abiding community Charles would have been justified in
+delivering himself up immediately to the properly constituted authorities
+and asking a trial by a jury of his peers. He could have been certain that
+in resisting an unwarranted arrest he had a right to defend his life, even
+to the point of taking one in that defense, but Charles knew that his
+arrest in New Orleans, even for defending his life, meant nothing short of
+a long term in the penitentiary, and still more probable death by lynching
+at the hands of a cowardly mob. He very bravely determined to protect his
+life as long as he had breath in his body and strength to draw a hair
+trigger on his would-be murderers. How well he was justified in that
+belief is well shown by the newspaper accounts which were given of this
+transaction. Without a single line of evidence to justify the assertion,
+the New Orleans daily papers at once declared that both Pierce and Charles
+were desperadoes, that they were contemplating a burglary and that they
+began the assault upon the policemen. It is interesting to note how the
+two leading papers of New Orleans, the _Picayune_ and the
+_Times-Democrat_, exert themselves to justify the policemen in the
+absolutely unprovoked attack upon the two colored men. As these two papers
+did all in their power to give an excuse for the action of the policemen,
+it is interesting to note their versions. The _Times-Democrat_ of Tuesday
+morning, the twenty-fifth, says:
+
+ Two blacks, who are desperate men, and no doubt will be proven burglars,
+ made it interesting and dangerous for three bluecoats on Dryades street,
+ between Washington Avenue and Sixth Street, the Negroes using pistols
+ first and dropping Patrolman Mora. But the desperate darkies did not go
+ free, for the taller of the two, Robinson, is badly wounded and under
+ cover, while Leonard Pierce is in jail.
+
+ For a long time that particular neighborhood has been troubled with bad
+ Negroes, and the neighbors were complaining to the Sixth Precinct police
+ about them. But of late Pierce and Robinson had been camping on a door
+ step on the street, and the people regarded their actions as suspicious.
+ It got to such a point that some of the residents were afraid to go to
+ bed, and last night this was told Sergeant Aucoin, who was rounding up
+ his men. He had just picked up Officers Mora and Cantrell, on Washington
+ Avenue and Dryades Street, and catching a glimpse of the blacks on the
+ steps, he said he would go over and warn the men to get away from the
+ street. So the patrolmen followed, and Sergeant Aucoin asked the smaller
+ fellow, Pierce, if he lived there. The answer was short and impertinent,
+ the black saying he did not, and with that both Pierce and Robinson drew
+ up to their full height.
+
+ For the moment the sergeant did not think that the Negroes meant fight,
+ and he was on the point of ordering them away when Robinson slipped his
+ pistol from his pocket. Pierce had his revolver out, too, and he fired
+ twice, point blank at the sergeant, and just then Robinson began
+ shooting at the patrolmen. In a second or so the policemen and blacks
+ were fighting with their revolvers, the sergeant having a duel with
+ Pierce, while Cantrell and Mora drew their line of fire on Robinson, who
+ was working his revolver for all he was worth. One of his shots took
+ Mora in the right hip, another caught his index finger on the right
+ hand, and a third struck the small finger of the left hand. Poor Mora
+ was done for; he could not fight any more, but Cantrell kept up his
+ fire, being answered by the big black. Pierce's revolver broke down, the
+ cartridges snapping, and he threw up his hands, begging for quarter.
+
+ The sergeant lowered his pistol and some citizens ran over to where the
+ shooting was going on. One of the bullets that went at Robinson caught
+ him in the breast and he began running, turning out Sixth Street, with
+ Cantrell behind him, shooting every few steps. He was loading his
+ revolver again, but did not use it after the start he took, and in a
+ little while Officer Cantrell lost the man in the darkness.
+
+ Pierce was made a prisoner and hurried to the Sixth Precinct police
+ station, where he was charged with shooting and wounding. The sergeant
+ sent for an ambulance, and Mora was taken to the hospital, the wound in
+ the hip being serious.
+
+ A search was made for Robinson, but he could not be found, and even at 2
+ o'clock this morning Captain Day, with Sergeant Aucoin and Corporals
+ Perrier and Trenchard, with a good squad of men, were beating the weeds
+ for the black.
+
+The _New Orleans Picayune_ of the same date described the occurrence, and
+from its account one would think it was an entirely different affair. Both
+of the two accounts cannot be true, and the unquestioned fact is that
+neither of them sets out the facts as they occurred. Both accounts attempt
+to fix the beginning of hostilities upon the colored men, but both were
+compelled to admit that the colored men were sitting on the doorsteps
+quietly conversing with one another when the three policemen went up and
+accosted them. The _Times-Democrat_ unguardedly states that one of the two
+colored men tried to run away; that Mora seized him and then drew his
+billy and struck him on the head; that Charles broke away from him and
+started to run, after which the shooting began. The _Picayune_, however,
+declares that Pierce began the firing and that his two shots point blank
+at Aucoin were the first shots of the fight. As a matter of fact, Pierce
+never fired a single shot before he was covered by Aucoin's revolver.
+Charles and the officers did all the shooting. The _Picayune_'s account is
+as follows:
+
+ Patrolman Mora was shot in the right hip and dangerously wounded last
+ night at 11:30 o'clock in Dryades Street, between Washington and Sixth,
+ by two Negroes, who were sitting on a door step in the neighborhood.
+
+ The shooting of Patrolman Mora brings to memory the fact that he was one
+ of the partners of Patrolman Trimp, who was shot by a Negro soldier of
+ the United States government during the progress of the Spanish-American
+ war. The shooting of Mora by the Negro last night is a very simple
+ story. At the hour mentioned, three Negro women noticed two suspicious
+ men sitting on a door step in the above locality. The women saw the two
+ men making an apparent inspection of the building. As they told the
+ story, they saw the men look over the fence and examine the window
+ blinds, and they paid particular attention to the make-up of the
+ building, which was a two-story affair. About that time Sergeant J.C.
+ Aucoin and Officers Mora and J.D. Cantrell hove in sight. The women
+ hailed them and described to them the suspicious actions of the two
+ Negroes, who were still sitting on the step. The trio of bluecoats, on
+ hearing the facts, at once crossed the street and accosted the men. The
+ latter answered that they were waiting for a friend whom they were
+ expecting. Not satisfied with this answer, the sergeant asked them where
+ they lived, and they replied "down town," but could not designate the
+ locality. To other questions put by the officers the larger of the two
+ Negroes replied that they had been in town just three days.
+
+ As this reply was made, the larger man sprang to his feet, and Patrolman
+ Mora, seeing that he was about to run away, seized him. The Negro took a
+ firm hold on the officer, and a scuffle ensued. Mora, noting that he was
+ not being assisted by his brother officers, drew his billy and struck
+ the Negro on the head. The blow had but little effect upon the man, for
+ he broke away and started down the street. When about ten feet away, the
+ Negro drew his revolver and opened fire on the officer, firing three or
+ four shots. The third shot struck Mora in the right hip, and was
+ subsequently found to have taken an upward course. Although badly
+ wounded, Mora drew his pistol and returned the fire. At his third shot
+ the Negro was noticed to stagger, but he did not fall. He continued his
+ flight. At this moment Sergeant Aucoin seized the other Negro, who
+ proved to be a youth, Leon Pierce. As soon as Officer Mora was shot he
+ sank to the sidewalk, and the other officer ran to the nearest
+ telephone, and sent in a call for the ambulance. Upon its arrival the
+ wounded officer was placed in it and conveyed to the hospital. An
+ examination by the house surgeon revealed the fact that the bullet had
+ taken an upward course. In the opinion of the surgeon the wound was a
+ dangerous one.
+
+But the best proof of the fact that the officers accosted the two colored
+men and without any warrant or other justification attempted to arrest
+them, and did actually seize and begin to club one of them, is shown by
+Officer Mora's own statement. The officer was wounded and had every reason
+in the world to make his side of the story as good as possible. His
+statement was made to a _Picayune_ reporter and the same was published on
+the twenty-fifth inst., and is as follows:
+
+ I was in the neighborhood of Dryades and Washington Streets, with
+ Sergeant Aucoin and Officer Cantrell, when three Negro women came up and
+ told us that there were two suspicious-looking Negroes sitting on a step
+ on Dryades Street, between Washington and Sixth. We went to the place
+ indicated and found two Negroes. We interrogated them as to who they
+ were, what they were doing and how long they had been here. They replied
+ that they were working for some one and had been in town three days. At
+ about this stage the larger of the two Negroes got up and I grabbed him.
+ The Negro pulled, but I held fast, and he finally pulled me into the
+ street. Here I began using my billet, and the Negro jerked from my grasp
+ and ran. He then pulled a gun and fired. I pulled my gun and returned
+ the fire, each of us firing about three shots. I saw the Negro stumble
+ several times, and I thought I had shot him, but he ran away and I don't
+ know whether any of my shots took effect. Sergeant Aucoin in the
+ meantime held the other man fast. The man was about ten feet from me
+ when he fired, and the three Negresses who told us about the men stood
+ away about twenty-five feet from the shooting.
+
+Thus far in the proceeding the Monday night episode results in Officer
+Mora lying in the station wounded in the hip; Leonard Pierce, one of the
+colored men, locked up in the station, and Robert Charles, the other
+colored man, a fugitive, wounded in the leg and sought for by the entire
+police force of New Orleans. Not sought for, however, to be placed under
+arrest and given a fair trial and punished if found guilty according to
+the law of the land, but sought for by a host of enraged, vindictive and
+fearless officers, who were coolly ordered to kill him on sight. This
+order is shown by the _Picayune_ of the twenty-sixth inst., in which the
+following statement appears:
+
+ In talking to the sergeant about the case, the captain asked about the
+ Negro's fighting ability, and the sergeant answered that Charles, though
+ he called him Robinson then, was a desperate man, and it would be best
+ to shoot him before he was given a chance to draw his pistol upon any of
+ the officers.
+
+This instruction was given before anybody had been killed, and the only
+evidence that Charles was a desperate man lay in the fact that he had
+refused to be beaten over the head by Officer Mora for sitting on a step
+quietly conversing with a friend. Charles resisted an absolutely unlawful
+attack, and a gun fight followed. Both Mora and Charles were shot, but
+because Mora was white and Charles was black, Charles was at once declared
+to be a desperado, made an outlaw, and subsequently a price put upon his
+head and the mob authorized to shoot him like a dog, on sight.
+
+The New Orleans _Picayune_ of Wednesday morning said:
+
+ But he has gone, perhaps to the swamps, and the disappointment of the
+ bluecoats in not getting the murderer is expressed in their curses, each
+ man swearing that the signal to halt that will be offered Charles will
+ be a shot.
+
+In that same column of the _Picayune_ it was said:
+
+ Hundreds of policemen were about; each corner was guarded by a squad,
+ commanded either by a sergeant or a corporal, and every man had the word
+ to shoot the Negro as soon as he was sighted. He was a desperate black
+ and would be given no chance to take more life.
+
+Legal sanction was given to the mob or any man of the mob to kill Charles
+at sight by the Mayor of New Orleans, who publicly proclaimed a reward of
+two hundred and fifty dollars, not for the arrest of Charles, not at all,
+but the reward was offered for Charles's body, "dead or alive." The
+advertisement was as follows:
+
+ +$250 REWARD+
+
+ Under the authority vested in me by law, I hereby offer, in the name of
+ the city of New Orleans, $250 reward for the capture and delivery, dead
+ or alive, to the authorities of the city, the body of the Negro
+ murderer,
+
+ +ROBERT CHARLES+,
+
+ who, on Tuesday morning, July 24, shot and killed
+
+ Police Captain John T. Day and Patrolman Peter J. Lamb, and wounded
+
+ Patrolman August T. Mora.
+
+ PAUL CAPDEVIELLE, Mayor
+
+This authority, given by the sergeant to kill Charles on sight, would have
+been no news to Charles, nor to any colored man in New Orleans, who, for
+any purpose whatever, even to save his life, raised his hand against a
+white man. It is now, even as it was in the days of slavery, an
+unpardonable sin for a Negro to resist a white man, no matter how unjust
+or unprovoked the white man's attack may be. Charles knew this, and
+knowing to be captured meant to be killed, he resolved to sell his life as
+dearly as possible.
+
+The next step in the terrible tragedy occurred between 2:30 and 5 o'clock
+Tuesday morning, about four hours after the affair on Dryades Street. The
+man hunt, which had been inaugurated soon after Officer Mora had been
+carried to the station, succeeded in running down Robert Charles, the
+wounded fugitive, and located him at 2023 4th Street. It was nearly 2
+o'clock in the morning when a large detail of police surrounded the block
+with the intent to kill Charles on sight. Capt. Day had charge of the
+squad of police. Charles, the wounded man, was in his house when the
+police arrived, fully prepared, as results afterward showed, to die in his
+own home. Capt. Day started for Charles's room. As soon as Charles got
+sight of him there was a flash, a report, and Day fell dead in his tracks.
+In another instant Charles was standing in the door, and seeing Patrolman
+Peter J. Lamb, he drew his gun, and Lamb fell dead. Two other officers,
+Sergeant Aucoin and Officer Trenchard, who were in the squad, seeing their
+comrades, Day and Lamb, fall dead, concluded to raise the siege, and both
+disappeared into an adjoining house, where they blew out their lights so
+that their cowardly carcasses could be safe from Charles's deadly aim. The
+calibre of their courage is well shown by the fact that they concluded to
+save themselves from any harm by remaining prisoners in that dark room
+until daybreak, out of reach of Charles's deadly rifle. Sergeant Aucoin,
+who had been so brave a few hours before when seeing the two colored men
+sitting on the steps, talking together on Dryades Street, and supposing
+that neither was armed, now showed his true calibre. Now he knew that
+Charles had a gun and was brave enough to use it, so he hid himself in a
+room two hours while Charles deliberately walked out of his room and into
+the street after killing both Lamb and Day. It is also shown, as further
+evidence of the bravery of some of New Orleans' "finest," that one of
+them, seeing Capt. Day fall, ran seven blocks before he stopped,
+afterwards giving the excuse that he was hunting for a patrol box.
+
+At daybreak the officers felt safe to renew the attack upon Charles, so
+they broke into his room, only to find that--what they probably very well
+knew--he had gone. It appears that he made his escape by crawling through
+a hole in the ceiling to a little attic in his house. Here he found that
+he could not escape except by a window which led into an alley, which had
+no opening on 4th Street. He scaled the fence and was soon out of reach.
+
+It was now 5 o'clock Tuesday morning, and a general alarm was given.
+Sergeant Aucoin and Corporal Trenchard, having received a new supply of
+courage by returning daylight, renewed their effort to capture the man
+that they had allowed to escape in the darkness. Citizens were called upon
+to participate in the man hunt and New Orleans was soon the scene of
+terrible excitement. Officers were present everywhere, and colored men
+were arrested on all sides upon the pretext that they were impertinent and
+"game niggers." An instance is mentioned in the _Times-Democrat_ of the
+twenty-fifth and shows the treatment which unoffending colored men
+received at the hands of some of the officers. This instance shows
+Corporal Trenchard, who displayed such remarkable bravery on Monday night
+in dodging Charles's revolver, in his true light. It shows how brave a
+white man is when he has a gun attacking a Negro who is a helpless
+prisoner. The account is as follows:
+
+ The police made some arrests in the neighborhood of the killing of the
+ two officers. Mobs of young darkies gathered everywhere. These Negroes
+ talked and joked about the affair, and many of them were for starting a
+ race war on the spot. It was not until several of these little gangs
+ amalgamated and started demonstrations that the police commenced to
+ act. Nearly a dozen arrests were made within an hour, and everybody in
+ the vicinity was in a tremor of excitement.
+
+ It was about 1 o'clock that the Negroes on Fourth Street became very
+ noisy, and George Meyers, who lives on Sixth Street, near Rampart,
+ appeared to be one of the prime movers in a little riot that was rapidly
+ developing. Policeman Exnicios and Sheridan placed him under arrest, and
+ owing to the fact that the patrol wagon had just left with a number of
+ prisoners, they walked him toward St. Charles Avenue in order to get a
+ conveyance to take him to the Sixth Precinct station.
+
+ A huge crowd of Negroes followed the officers and their prisoners.
+ Between Dryades and Baronne, on Sixth, Corporal Trenchard met the trio.
+ He had his pistol in his hand and he came on them running. The Negroes
+ in the wake of the officers, and prisoner took to flight immediately.
+ Some disappeared through gates and some over fences and into yards, for
+ Trenchard, visibly excited, was waving his revolver in the air and was
+ threatening to shoot. He joined the officers in their walk toward St.
+ Charles Street, and the way he acted led the white people who were
+ witnessing the affair to believe that his prisoner was the wanted Negro.
+ At every step he would punch him or hit him with the barrel of his
+ pistol, and the onlookers cried, "Lynch him!" "Kill him!" and other
+ expressions until the spectators were thoroughly wrought up. At St.
+ Charles Street Trenchard desisted, and, calling an empty ice wagon,
+ threw the Negro into the body of the vehicle and ordered Officer
+ Exnicios to take him to the Sixth Precinct station.
+
+ The ride to the station was a wild one. Exnicios had all he could do to
+ watch his prisoner. A gang climbed into the wagon and administered a
+ terrible thrashing to the black en route. It took a half hour to reach
+ the police station, for the mule that was drawing the wagon was not
+ overly fast. When the station was reached a mob of nearly 200 howling
+ white youths was awaiting it. The noise they made was something
+ terrible. Meyers was howling for mercy before he reached the ground. The
+ mob dragged him from the wagon, the officer with him. Then began a
+ torrent of abuse for the unfortunate prisoner.
+
+ The station door was but thirty feet away, but it took Exnicios nearly
+ five minutes to fight his way through the mob to the door. There were no
+ other officers present, and the station seemed to be deserted. Neither
+ the doorman nor the clerk paid any attention to the noise on the
+ outside. As the result, the maddened crowd wrought their vengeance on
+ the Negro. He was punched, kicked, bruised and torn. The clothes were
+ ripped from his back, while his face after that few minutes was
+ unrecognizable.
+
+This was the treatment accorded and permitted to a helpless prisoner
+because he was black. All day Wednesday the man hunt continued. The
+excitement caused by the deaths of Day and Lamb became intense. The
+officers of the law knew they were trailing a man whose aim was deadly and
+whose courage they had never seen surpassed. Commenting upon the
+marksmanship of the man which the paper styled a fiend, the
+_Times-Democrat_ of Wednesday said:
+
+ One of the extraordinary features of the tragedy was the marksmanship
+ displayed by the Negro desperado. His aim was deadly and his coolness
+ must have been something phenomenal. The two shots that killed Captain
+ Day and Patrolman Lamb struck their victims in the head, a circumstance
+ remarkable enough in itself, considering the suddenness and fury of the
+ onslaught and the darkness that reigned in the alley way.
+
+ Later on Charles fired at Corporal Perrier, who was standing at least
+ seventy-five yards away. The murderer appeared at the gate, took
+ lightning aim along the side of the house, and sent a bullet whizzing
+ past the officer's ear. It was a close shave, and a few inches'
+ deflection would no doubt have added a fourth victim to the list.
+
+ At the time of the affray there is good reason to believe that Charles
+ was seriously wounded, and at any event he had lost quantities of blood.
+ His situation was as critical as it is possible to imagine, yet he shot
+ like an expert in a target range. The circumstance shows the desperate
+ character of the fiend, and his terrible dexterity with weapons makes
+ him one of the most formidable monsters that has ever been loose upon
+ the community.
+
+Wednesday New Orleans was in the hands of a mob. Charles, still sought for
+and still defending himself, had killed four policemen, and everybody knew
+that he intended to die fighting. Unable to vent its vindictiveness and
+bloodthirsty vengeance upon Charles, the mob turned its attention to other
+colored men who happened to get in the path of its fury. Even colored
+women, as has happened many times before, were assaulted and beaten and
+killed by the brutal hoodlums who thronged the streets. The reign of
+absolute lawlessness began about 8 o'clock Wednesday night. The mob
+gathered near the Lee statue and was soon making its way to the place
+where the officers had been shot by Charles. Describing the mob, the
+_Times-Democrat_ of Thursday morning says:
+
+ The gathering in the square, which numbered about 700, eventually became
+ in a measure quiet, and a large, lean individual, in poor attire and
+ with unshaven face, leaped upon a box that had been brought for the
+ purpose, and in a voice that under no circumstances could be heard at a
+ very great distance, shouted: "Gentlemen, I am the Mayor of Kenner." He
+ did not get a chance for some minutes to further declare himself, for
+ the voice of the rabble swung over his like a huge wave over a sinking
+ craft. He stood there, however, wildly waving his arms and demanded a
+ hearing, which was given him when the uneasiness of the mob was quieted
+ for a moment or so.
+
+ "I am from Kenner, gentlemen, and I have come down to New Orleans
+ tonight to assist you in teaching the blacks a lesson. I have killed a
+ Negro before, and in revenge of the wrong wrought upon you and yours, I
+ am willing to kill again. The only way that you can teach these Niggers
+ a lesson and put them in their place is to go out and lynch a few of
+ them as an object lesson. String up a few of them, and the others will
+ trouble you no more. That is the only thing to do--kill them, string
+ them up, lynch them! I will lead you, if you will but follow. On to the
+ Parish Prison and lynch Pierce!"
+
+ They bore down on the Parish Prison like an avalanche, but the avalanche
+ split harmlessly on the blank walls of the jail, and Remy Klock sent out
+ a brief message: "You can't have Pierce, and you can't get in." Up to
+ that time the mob had had no opposition, but Klock's answer chilled them
+ considerably. There was no deep-seated desperation in the crowd after
+ all, only, that wild lawlessness which leads to deeds of cruelty, but
+ not to stubborn battle. Around the corner from the prison is a row of
+ pawn and second-hand shops, and to these the mob took like the ducks to
+ the proverbial mill-pond, and the devastation they wrought upon Mr.
+ Fink's establishment was beautiful in its line.
+
+ Everything from breast pins to horse pistols went into the pockets of
+ the crowd, and in the melee a man was shot down, while just around the
+ corner somebody planted a long knife in the body of a little newsboy for
+ no reason as yet shown. Every now and then a Negro would be flushed
+ somewhere in the outskirts of the crowd and left beaten to a pulp. Just
+ how many were roughly handled will never be known, but the unlucky
+ thirteen had been severely beaten and maltreated up to a late hour, a
+ number of those being in the Charity Hospital under the bandages and
+ courtplaster of the doctors.
+
+The first colored man to meet death at the hands of the mob was a
+passenger on a street car. The mob had broken itself into fragments after
+its disappointment at the jail, each fragment looking for a Negro to
+kill. The bloodthirsty cruelty of one crowd is thus described by the
+_Times-Democrat_:
+
+ "We will get a Nigger down here, you bet!" was the yelling boast that
+ went up from a thousand throats, and for the first time the march of the
+ mob was directed toward the downtown sections. The words of the rioters
+ were prophetic, for just as Canal Street was reached a car on the
+ Villere line came along.
+
+ "Stop that car!" cried half a hundred men. The advance guard, heeding
+ the injunction, rushed up to the slowly moving car, and several, seizing
+ the trolley, jerked it down.
+
+ "Here's a Nigro!" said half a dozen men who sprang upon the car.
+
+ The car was full of passengers at the time, among them several women.
+ When the trolley was pulled down and the car thrown in total darkness,
+ the latter began to scream, and for a moment or so it looked as if the
+ life of every person in the car was in peril, for some of the crowd with
+ demoniacal yells of "There he goes!" began to fire their weapons
+ indiscriminately. The passengers in the car hastily jumped to the ground
+ and joined the crowd, as it was evidently the safest place to be.
+
+ "Where's that Nigger?" was the query passed along the line, and with
+ that the search began in earnest. The Negro, after jumping off the car,
+ lost himself for a few moments in the crowd, but after a brief search he
+ was again located. The slight delay seemed, if possible, only to whet
+ the desire of the bloodthirsty crowd, for the reappearance of the Negro
+ was the signal for a chorus of screams and pistol shots directed at the
+ fugitive. With the speed of a deer, the man ran straight from the corner
+ of Canal and Villere to Customhouse Street. The pursuers, closely
+ following, kept up a running fire, but notwithstanding the fact that
+ they were right at the Negro's heels their aim was poor and their
+ bullets went wide of the mark.
+
+ The Negro, on reaching Customhouse Street, darted from the sidewalk out
+ into the middle of the street. This was the worst maneuver that he could
+ have made, as it brought him directly under the light from an arc lamp,
+ located on a nearby corner. When the Negro came plainly in view of the
+ foremost of the closely following mob they directed a volley at him.
+ Half a dozen pistols flashed simultaneously, and one of the bullets
+ evidently found its mark, for the Negro stopped short, threw up his
+ hands, wavered for a moment, and then started to run again. This stop,
+ slight as it was, proved fatal to the Negro's chances, for he had not
+ gotten twenty steps farther when several of the men in advance of the
+ others reached his side. A burly fellow, grabbing him with one hand,
+ dealt him a terrible blow on the head with the other. The wounded man
+ sank to the ground. The crowd pressed around him and began to beat him
+ and stamp him. The men in the rear pressed forward and those beating the
+ man were shoved forward. The half-dead Negro, when he was freed from his
+ assailants, crawled over to the gutter. The men behind, however, stopped
+ pushing when those in front yelled, "We've got him," and then it was
+ that the attack on the bleeding Negro was resumed. A vicious kick
+ directed at the Negro's head sent him into the gutter, and for a moment
+ the body sank from view beneath the muddy, slimy water. "Pull him out;
+ don't let him drown," was the cry, and instantly several of the men
+ around the half-drowned Negro bent down and drew the body out. Twisting
+ the body around they drew the head and shoulders up on the street, while
+ from the waist down the Negro's body remained under the water. As soon
+ as the crowd saw that the Negro was still alive they again began to beat
+ and kick him. Every few moments they would stop and striking matches
+ look into the man's face to see if he still lived. To better see if he
+ was dead they would stick lighted matches to his eyes. Finally,
+ believing he was dead they left him and started out to look for other
+ Negroes. Just about this time some one yelled, "He ain't dead," and the
+ men came back and renewed the attack. While the men were beating and
+ pounding the prostrate form with stones and sticks a man in the crowd
+ ran up, and crying, "I'll fix the d--- Negro," poked the muzzle of a
+ pistol almost against the body and fired. This shot must have ended the
+ man's life, for he lay like a stone, and realizing that they were
+ wasting energy in further attacks, the men left their victim lying in
+ the street.
+
+The same paper, on the same day, July 26, describes the brutal butchery of
+an aged colored man early in the morning:
+
+ Baptiste Philo, a Negro, seventy-five years of age, was a victim of mob
+ violence at Kerlerec and North Peters Streets about 2:30 o'clock this
+ morning. The old man is employed about the French Market, and was on his
+ way there when he was met by a crowd and desperately shot. The old man
+ found his way to the Third Precinct police station, where it was found
+ that he had received a ghastly wound in the abdomen. The ambulance was
+ summoned and he was conveyed to the Charity Hospital. The students
+ pronounced the wound fatal after a superficial examination.
+
+Mob rule continued Thursday, its violence increasing every hour, until 2
+p.m., when the climax seemed to be reached. The fact that colored men and
+women had been made the victims of brutal mobs, chased through the
+streets, killed upon the highways and butchered in their homes, did not
+call the best element in New Orleans to active exertion in behalf of law
+and order. The killing of a few Negroes more or less by irresponsible mobs
+does not cut much figure in Louisiana. But when the reign of mob law
+exerts a depressing influence upon the stock market and city securities
+begin to show unsteady standing in money centers, then the strong arm of
+the good white people of the South asserts itself and order is quickly
+brought out of chaos.
+
+It was so with New Orleans on that Thursday. The better element of the
+white citizens began to realize that New Orleans in the hands of a mob
+would not prove a promising investment for Eastern capital, so the better
+element began to stir itself, not for the purpose of punishing the
+brutality against the Negroes who had been beaten, or bringing to justice
+the murderers of those who had been killed, but for the purpose of saving
+the city's credit. The _Times-Democrat_, upon this phase of the situation
+on Friday morning says:
+
+ When it became known later in the day that State bonds had depreciated
+ from a point to a point and a half on the New York market a new phase of
+ seriousness was manifest to the business community. Thinking men
+ realized that a continuance of unchecked disorder would strike a body
+ blow to the credit of the city and in all probability would complicate
+ the negotiation of the forthcoming improvement bonds. The bare thought
+ that such a disaster might be brought about by a few irresponsible boys,
+ tramps and ruffians, inflamed popular indignation to fever pitch. It was
+ all that was needed to bring to the aid of the authorities the active
+ personal cooperation of the entire better element.
+
+With the financial credit of the city at stake, the good citizens rushed
+to the rescue, and soon the Mayor was able to mobilize a posse of 1,000
+willing men to assist the police in maintaining order, but rioting still
+continued in different sections of the city. Colored men and women were
+beaten, chased and shot whenever they made their appearance upon the
+street. Late in the night a most despicable piece of villainy occurred on
+Rousseau Street, where an aged colored woman was killed by the mob. The
+_Times-Democrat_ thus describes, the murder:
+
+ Hannah Mabry, an old Negress, was shot and desperately wounded shortly
+ after midnight this morning while sleeping in her home at No. 1929
+ Rousseau Street. It was the work of a mob, and was evidently well
+ planned so far as escape was concerned, for the place was reached by
+ police officers, and a squad of the volunteer police within a very short
+ time after the reports of the shots, but not a prisoner was secured. The
+ square was surrounded, but the mob had scattered in several directions,
+ and, the darkness of the neighborhood aiding them, not one was taken.
+
+ At the time the mob made the attack on the little house there were also
+ in it David Mabry, the sixty-two-year-old husband of the wounded woman;
+ her son, Harry Mabry; his wife, Fannie, and an infant child. The young
+ couple with their babe could not be found after the whole affair was
+ over, and they either escaped or were hustled off by the mob. A careful
+ search of the whole neighborhood was made, but no trace of them could be
+ found.
+
+ The little place occupied by the Mabry family is an old cottage on the
+ swamp side of Rousseau Street. It is furnished with slat shutters to
+ both doors and windows. These shutters had been pulled off by the mob
+ and the volleys fired through the glass doors. The younger Mabrys,
+ father, mother and child, were asleep in the first room at the time.
+ Hannah Mabry and her old husband were sleeping in the next room. The old
+ couple occupied the same bed, and it is miraculous that the old man did
+ not share the fate of his spouse.
+
+ Officer Bitterwolf, who was one of the first on the scene, said that he
+ was about a block and a half away with Officers Fordyce and Sweeney.
+ There were about twenty shots fired, and the trio raced to the cottage.
+ They saw twenty or thirty men running down Rousseau Street. Chase was
+ given and the crowd turned toward the river and scattered into several
+ vacant lots in the neighborhood.
+
+ The volunteer police stationed at the Sixth Precinct had about five
+ blocks to run before they arrived. They also moved on the reports of the
+ firing, and in a remarkably short time the square was surrounded, but no
+ one could be taken. As they ran to the scene they were assailed on every
+ hand with vile epithets and the accusation of "Nigger lovers."
+
+ Rousseau Street, where the cottage is situated, is a particularly dark
+ spot, and no doubt the members of the mob were well acquainted with the
+ neighborhood, for the officers said that they seemed to sink into the
+ earth, so completely and quickly did they disappear after they had
+ completed their work, which was complete with the firing of the volley.
+
+ Hannah Mabry was taken to the Charity Hospital in the ambulance, where
+ it was found on examination that she had been shot through the right
+ lung, and that the wound was a particularly serious one.
+
+ Her old husband was found in the little wrecked home well nigh
+ distracted with fear and grief. It was he who informed the police that
+ at the time of the assault the younger Mabrys occupied the front room.
+ As he ran about the little home as well as his feeble condition would
+ permit he severely lacerated his feet on the glass broken from the
+ windows and door. He was escorted to the Sixth Precinct station, where
+ he was properly cared for. He could not realize why his little family
+ had been so murderously attacked, and was inconsolable when his wife was
+ driven off in the ambulance piteously moaning in her pain.
+
+ The search for the perpetrators of the outrage was thorough, but both
+ police and armed force of citizens had only their own efforts to rely
+ on. The residents of the neighborhood were aroused by the firing, but
+ they would give no help in the search and did not appear in the least
+ concerned over the affair. Groups were on almost every doorstep, and
+ some of them even jeered in a quiet way at the men who were voluntarily
+ attempting to capture the members of the mob. Absolutely no information
+ could be had from any of them, and the whole affair had the appearance
+ of being the work of roughs who either lived in the vicinity, or their
+ friends.
+
+
++DEATH OF CHARLES+
+
+Friday witnessed the final act in the bloody drama begun by the three
+police officers, Aucoin, Mora and Cantrelle. Betrayed into the hands of
+the police, Charles, who had already sent two of his would-be murderers to
+their death, made a last stand in a small building, 1210 Saratoga Street,
+and, still defying his pursuers, fought a mob of twenty thousand people,
+single-handed and alone, killing three more men, mortally wounding two
+more and seriously wounding nine others. Unable to get to him in his
+stronghold, the besiegers set fire to his house of refuge. While the
+building was burning Charles was shooting, and every crack of his
+death-dealing rifle added another victim to the price which he had placed
+upon his own life. Finally, when fire and smoke became too much for flesh
+and blood to stand, the long sought for fugitive appeared in the door,
+rifle in hand, to charge the countless guns that were drawn upon him.
+With a courage which was indescribable, he raised his gun to fire again,
+but this time it failed, for a hundred shots riddled his body, and he fell
+dead face fronting to the mob. This last scene in the terrible drama is
+thus described in the _Times-Democrat_ of July 26:
+
+ Early yesterday afternoon, at 3 o'clock or thereabouts, Police Sergeant
+ Gabriel Porteus was instructed by Chief Gaster to go to a house at No.
+ 1210 Saratoga Street, and search it for the fugitive murderer, Robert
+ Charles. A private "tip" had been received at the headquarters that the
+ fiend was hiding somewhere on the premises.
+
+ Sergeant Porteus took with him Corporal John R. Lally and Officers
+ Zeigel and Essey. The house to which they were directed is a small,
+ double frame cottage, standing flush with Saratoga Street, near the
+ corner of Clio. It has two street entrances and two rooms on each side,
+ one in front and one in the rear. It belongs to the type of cheap little
+ dwellings commonly tenanted by Negroes.
+
+ Sergeant Porteus left Ziegel and Essey to guard the outside and went
+ with Corporal Lally to the rear house, where he found Jackson and his
+ wife in the large room on the left. What immediately ensued is only
+ known by the Negroes. They say the sergeant began to question them about
+ their lodgers and finally asked them whether they knew anything about
+ Robert Charles. They strenuously denied all knowledge of his
+ whereabouts.
+
+ The Negroes lied. At that very moment the hunted and desperate murderer
+ lay concealed not a dozen feet away. Near the rear, left-hand corner of
+ the room is a closet or pantry, about three feet deep, and perhaps eight
+ feet long. The door was open and Charles was crouching, Winchester in
+ hand, in the dark further end.
+
+ Near the closet door was a bucket of water, and Jackson says that
+ Sergeant Porteous walked toward it to get a drink. At the next moment a
+ shot rang out and the brave officer fell dead. Lally was shot directly
+ afterward. Exactly how and where will never be known, but the
+ probabilities are that the black fiend sent a bullet into him before he
+ recovered from his surprise at the sudden onslaught. Then the murderer
+ dashed out of the back door and disappeared.
+
+ The neighborhood was already agog with the tragic events of the two
+ preceding days, and the sound of the shots was a signal for wild and
+ instant excitement. In a few moments a crowd had gathered and people
+ were pouring in by the hundred from every point of the compass. Jackson
+ and his wife had fled and at first nobody knew what had happened, but
+ the surmise that Charles had recommenced his bloody work was on every
+ tongue and soon some of the bolder found their way to the house in the
+ rear. There the bleeding forms of the two policemen told the story.
+
+ Lally was still breathing, and a priest was sent for to administer the
+ last rites. Father Fitzgerald responded, and while he was bending over
+ the dying man the outside throng was rushing wildly through the
+ surrounding yards and passageways searching for the murderer. "Where is
+ he?" "What has become of him?" were the questions on every lip.
+
+ Suddenly the answer came in a shot from the room directly overhead. It
+ was fired through a window facing Saratoga Street, and the bullet struck
+ down a young man named Alfred J. Bloomfield, who was standing in the
+ narrow passage-way between the two houses. He fell on his knees and a
+ second bullet stretched him dead.
+
+ When he fled from the closet Charles took refuge in the upper story of
+ the house. There are four windows on that floor, two facing toward
+ Saratoga Street and two toward Rampart. The murderer kicked several
+ breaches in the frail central partition, so he could rush from side to
+ side, and like a trapped beast, prepared to make his last stand.
+
+ Nobody had dreamed that he was still in the house, and when Bloomfield
+ was shot there was a headlong stampede. It was some minutes before the
+ exact situation was understood. Then rifles and pistols began to speak,
+ and a hail of bullets poured against the blind frontage of the old
+ house. Every one hunted some coign of vantage, and many climbed to
+ adjacent roofs. Soon the glass of the four upper windows was shattered
+ by flying lead. The fusillade sounded like a battle, and the excitement
+ upon the streets was indescribable.
+
+ Throughout all this hideous uproar Charles seems to have retained a
+ certain diabolical coolness. He kept himself mostly out of sight, but
+ now and then he thrust the gleaming barrel of his rifle through one of
+ the shattered window panes and fired at his besiegers. He worked the
+ weapon with incredible rapidity, discharging from three to five
+ cartridges each time before leaping back to a place of safety. These
+ replies came from all four windows indiscriminately, and showed that he
+ was keeping a close watch in every direction. His wonderful marksmanship
+ never failed him for a moment, and when he missed it was always by the
+ narrowest margin only.
+
+ On the Rampart Street side of the house there are several sheds,
+ commanding an excellent range of the upper story. Detective Littleton,
+ Andrew Van Kuren of the Workhouse force and several others climbed upon
+ one of these and opened fire on the upper windows, shooting whenever
+ they could catch a glimpse of the assassin. Charles responded with his
+ rifle, and presently Van Kuren climbed down to find a better position.
+ He was crossing the end of the shed when he was killed.
+
+ Another of Charles's bullets found its billet in the body of Frank
+ Evans, an ex-member of the police force. He was on the Rampart Street
+ side firing whenever he had an opportunity. Officer J.W. Bofill and A.S.
+ Leclerc were also wounded in the fusillade.
+
+ While the events thus briefly outlined were transpiring time was a-wing,
+ and the cooler headed in the crowd began to realize that some quick and
+ desperate expedient must be adopted to insure the capture of the fiend
+ and to avert what might be a still greater tragedy than any yet enacted.
+ For nearly two hours the desperate monster had held his besiegers at
+ bay, darkness would soon be at hand and no one could predict what might
+ occur if he made a dash for liberty in the dark.
+
+ At this critical juncture it was suggested that the house be fired. The
+ plan came as an inspiration, and was adopted as the only solution of the
+ situation. The wretched old rookery counted for nothing against the
+ possible continued sacrifice of human life, and steps were immediately
+ taken to apply the torch. The fire department had been summoned to the
+ scene soon after the shooting began; its officers were warned to be
+ ready to prevent a spread of the conflagration, and several men rushed
+ into the lower right-hand room and started a blaze in one corner.
+
+ They first fired an old mattress, and soon smoke was pouring out in
+ dense volumes. It filled the interior of the ramshackle structure, and
+ it was evident that the upper story would soon become untenable. An
+ interval of tense excitement followed, and all eyes were strained for a
+ glimpse of the murderer when he emerged.
+
+ Then came the thrilling climax. Smoked out of his den, the desperate
+ fiend descended the stairs and entered the lower room. Some say he
+ dashed into the yard, glaring around vainly for some avenue of escape;
+ but, however that may be, he was soon a few moments later moving about
+ behind the lower windows. A dozen shots were sent through the wall in
+ the hope of reaching him, but he escaped unscathed. Then suddenly the
+ door on the right was flung open and he dashed out. With head lowered
+ and rifle raised ready to fire on the instant, Charles dashed straight
+ for the rear door of the front cottage. To reach it he had to traverse a
+ little walk shaded by a vineclad arbor. In the back room, with a cocked
+ revolver in his hand, was Dr. C.A. Noiret, a young medical student, who
+ was aiding the citizens' posse. As he sprang through the door Charles
+ fired a shot, and the bullet whizzed past the doctor's head. Before it
+ could be repeated Noiret's pistol cracked and the murderer reeled,
+ turned half around and fell on his back. The doctor sent another ball
+ into his body as he struck the floor, and half a dozen men, swarming
+ into the room from the front, riddled the corpse with bullets.
+
+ Private Adolph Anderson of the Connell Rifles was the first man to
+ announce the death of the wretch. He rushed to the street door, shouted
+ the news to the crowd, and a moment later the bleeding body was dragged
+ to the pavement and made the target of a score of pistols. It was shot,
+ kicked and beaten almost out of semblance to humanity....
+
+ The limp dead body was dropped at the edge of the sidewalk and from
+ there dragged to the muddy roadway by half a hundred hands. There in the
+ road more shots were fired into the body. Corporal Trenchard, a
+ brother-in-law of Porteus, led the shooting into the inanimate clay.
+ With each shot there was a cheer for the work that had been done and
+ curses and imprecations on the inanimate mass of riddled flesh that was
+ once Robert Charles.
+
+ Cries of "Burn him! Burn him!" were heard from Clio Street all the way
+ to Erato Street, and it was with difficulty that the crowd was
+ restrained from totally destroying the wretched dead body. Some of those
+ who agitated burning even secured a large vessel of kerosene, which had
+ previously been brought to the scene for the purpose of firing Charles's
+ refuge, and for a time it looked as though this vengeance might be
+ wreaked on the body. The officers, however, restrained this move,
+ although they were powerless to prevent the stamping and kicking of the
+ body by the enraged crowd.
+
+ After the infuriated citizens had vented their spleen on the body of the
+ dead Negro it was loaded into the patrol wagon. The police raised the
+ body of the heavy black from the ground and literally chucked it into
+ the space on the floor of the wagon between the seats. They threw it
+ with a curse hissed more than uttered and born of the bitterness which
+ was rankling in their breasts at the thought of Charles having taken so
+ wantonly the lives of four of the best of their fellow-officers.
+
+ When the murderer's body landed in the wagon it fell in such a position
+ that the hideously mutilated head, kicked, stamped and crushed, hung
+ over the end.
+
+ As the wagon moved off, the followers, who were protesting against its
+ being carried off, declaring that it should be burned, poked and struck
+ it with sticks, beating it into such a condition that it was utterly
+ impossible to tell what the man ever looked like.
+
+ As the patrol wagon rushed through the rough street, jerking and
+ swaying from one side of the thoroughfare to the other, the gory,
+ mud-smeared head swayed and swung and jerked about in a sickening
+ manner, the dark blood dripping on the steps and spattering the body of
+ the wagon and the trousers of the policemen standing on the step.
+
+
++MOB BRUTALITY+
+
+The brutality of the mob was further shown by the unspeakable cruelty with
+which it beat, shot and stabbed to death an unoffending colored man, name
+unknown, who happened to be walking on the street with no thought that he
+would be set upon and killed simply because he was a colored man. The
+_Times-Democrat_'s description of the outrage is as follows:
+
+ While the fight between the Negro desperado and the citizens was in
+ progress yesterday afternoon at Clio and Saratoga Streets another
+ tragedy was being enacted downtown in the French quarter, but it was a
+ very one-sided affair. The object of the white man's wrath was, of
+ course, a Negro, but, unlike Charles, he showed no fight, but tried to
+ escape from the furious mob which was pursuing him, and which finally
+ put an end to his existence in a most cruel manner.
+
+ The Negro, whom no one seemed to know--at any rate no one could be found
+ in the vicinity of the killing who could tell who he was--was walking
+ along the levee, as near as could be learned, when he was attacked by a
+ number of white longshoremen or screwmen. For what reason, if there was
+ any reason other than the fact that he was a Negro, could not be
+ learned, and immediately they pounced upon him he broke ground and
+ started on a desperate run for his life.
+
+ The hunted Negro started off the levee toward the French Vegetable
+ Market, changed his course out the sidewalk toward Gallatin Street. The
+ angry, yelling mob was close at his heels, and increasing steadily as
+ each block was traversed. At Gallatin Street he turned up that
+ thoroughfare, doubled back into North Peters Street and ran into the
+ rear of No. 1216 of that street, which is occupied by Chris Reuter as a
+ commission store and residence.
+
+ He rushed frantically through the place and out on to the gallery on the
+ Gallatin Street side. From this gallery he jumped to the street and fell
+ flat on his back on the sidewalk. Springing to his feet as soon as
+ possible, with a leaden, hail fired by the angry mob whistling about
+ him, he turned to his merciless pursuers in an appealing way, and,
+ throwing up one hand, told them not to shoot any more, that they could
+ take him as he was.
+
+ But the hail of lead continued, and the unfortunate Negro finally
+ dropped to the sidewalk, mortally wounded. The mob then rushed upon him,
+ still continuing the fusillade, and upon reaching his body a number of
+ Italians, who had joined the howling mob, reached down and stabbed him
+ in the back and buttock with big knives. Others fired shots into his
+ head until his teeth were shot out, three shots having been fired into
+ his mouth. There were bullet wounds all over his body.
+
+ Others who witnessed the affair declared that the man was fired at as he
+ was running up the stairs leading to the living apartments above the
+ store, and that after jumping to the sidewalk and being knocked down by
+ a bullet he jumped up and ran across the street, then ran back and tried
+ to get back into the commission store. The Italians, it is said, were
+ all drunk, and had been shooting firecrackers. Tiring of this, they
+ began shooting at Negroes, and when the unfortunate man who was killed
+ ran by they joined in the chase.
+
+ No one was arrested for the shooting, the neighborhood having been
+ deserted by the police, who were sent up to the place where Charles was
+ fighting so desperately. No one could or would give the names of any of
+ those who had participated in the chase and the killing, nor could any
+ one be found who knew who the Negro was. The patrol wagon was called and
+ the terribly mutilated body sent to the morgue and the coroner notified.
+
+ The murdered Negro was copper colored, about 5 feet 11 inches in height,
+ about 35 years of age, and was dressed in blue overalls and a brown
+ slouch hat. At 10:30 o'clock the vicinity of the French Market was very
+ quiet. Squads of special officers were patrolling the neighborhood, and
+ there did not seem to be any prospects of disorder.
+
+During the entire time the mob held the city in its hands and went about
+holding up street cars and searching them, taking from them colored men to
+assault, shoot and kill, chasing colored men upon the public square,
+through alleys and into houses of anybody who would take them in, breaking
+into the homes of defenseless colored men and women and beating aged and
+decrepit men and women to death, the police and the legally constituted
+authorities showed plainly where their sympathies were, for in no case
+reported through the daily papers does there appear the arrest, trial and
+conviction of one of the mob for any of the brutalities which occurred.
+The ringleaders of the mob were at no time disguised. Men were chased,
+beaten and killed by white brutes, who boasted of their crimes, and the
+murderers still walk the streets of New Orleans, well known and absolutely
+exempt from prosecution. Not only were they exempt from prosecution by the
+police while the town was in the hands of the mob, but even now that law
+and order is supposed to resume control, these men, well known, are not
+now, nor ever will be, called to account for the unspeakable brutalities
+of that terrible week. On the other hand, the colored men who were beaten
+by the police and dragged into the station for purposes of intimidation,
+were quickly called up before the courts and fined or sent to jail upon
+the statement of the police. Instances of Louisiana justice as it is
+dispensed in New Orleans are here quoted from the _Times-Democrat_ of July
+26:
+
+ +Justice Dealt Out to Folk Who Talked Too Much+
+
+ All the Negroes and whites who were arrested in the vicinity of
+ Tuesday's tragedy had a hard time before Recorder Hughes yesterday. Lee
+ Jackson was the first prisoner, and the evidence established that he
+ made his way to the vicinity of the crime and told his Negro friends
+ that he thought a good many more policemen ought to be killed. Jackson
+ said he was drunk when he made the remark. He was fined $25 or thirty
+ days.
+
+ John Kennedy was found wandering about the street Tuesday night with an
+ open razor in his hand, and he was given $25 or thirty days.
+
+ Edward McCarthy, a white man, who arrived only four days since from New
+ York, went to the scene of the excitement at the corner of Third and
+ Rampart Streets, and told the Negroes that they were as good as any
+ white man. This remark was made by McCarthy, as another white man said
+ the Negroes should be lynched. McCarthy told the recorder that he
+ considered a Negro as good as a white in body and soul. He was fined $25
+ or thirty days.
+
+ James Martin, Simon Montegut, Eddie McCall, Alex Washington and Henry
+ Turner were up for failing to move on. Martin proved that he was at the
+ scene to assist the police and was discharged. Montegut, being a
+ cripple, was also released, but the others were fined $25 or thirty days
+ each.
+
+ Eddie Williams for refusing to move on was given $25 or thirty days.
+
+ Matilda Gamble was arrested by the police for saying that two officers
+ were killed and it was a pity more were not shot. She was given $25 or
+ thirty days.
+
+
++INSOLENT BLACKS+
+
+"Recorder Hughes received Negroes in the first recorder's office yesterday
+morning in a way that they will remember for a long time, and all of them
+were before the magistrate for having caused trouble through incendiary
+remarks concerning the death of Captain Day and Patrolman Lamb."
+
+"Lee Jackson was before the recorder and was fined $25 or thirty days. He
+was lippy around where the trouble happened Tuesday morning, and some
+white men punched him good and hard and the police took him. Then the
+recorder gave him a dose, and now he is in the parish prison."
+
+"John Kennedy was another black who got into trouble. He said that the
+shooting of the police by Charles was a good thing, and for this he was
+pounded. Patrolman Lorenzo got him and saved him from being lynched, for
+the black had an open razor. He was fined $25 or thirty days."
+
+"Edward McCarthy, a white man, mixed up with the crowd, and an expression
+of sympathy nearly cost him his head, for some whites about started for
+him, administering licks and blows with fists and umbrellas. The recorder
+fined him $25 or thirty days. He is from New York."
+
+"Then James Martin, a white man, and Simon Montegut, Eddie Call, Henry
+Turner and Alex Washington were before the magistrate for having failed to
+move on when the police ordered them from the square where the bluecoats
+were Tuesday, waiting in the hope of catching Charles. All save Martin and
+Montegut were fined."
+
+"Eddie Williams, a little Negro who was extremely fresh with the police,
+was fined $10 or ten days."
+
+
++SHOCKING BRUTALITY+
+
+The whole city was at the mercy of the mob and the display of brutality
+was a disgrace to civilization. One instance is described in the
+_Picayune_ as follows:
+
+ A smaller party detached itself from the mob at Washington and Rampart
+ Streets, and started down the latter thoroughfare. One of the foremost
+ spied a Negro, and immediately there was a rush for the unfortunate
+ black man. With the sticks they had torn from fences on the line of
+ march the young outlaws attacked the black and clubbed him unmercifully,
+ acting more like demons than human beings. After being severely beaten
+ over the head, the Negro started to run with the whole gang at his
+ heels. Several revolvers were brought into play and pumped their lead at
+ the refugee. The Negro made rapid progress and took refuge behind the
+ blinds of a little cottage in Rampart Street, but he had been seen, and
+ the mob hauled him from his hiding place and again commenced beating
+ him. There were more this time, some twenty or thirty, all armed with
+ sticks and heavy clubs, and under their incessant blows the Negro could
+ not last long. He begged for mercy, and his cries were most pitiful, but
+ a mob has no heart, and his cries were only answered with more blows.
+
+ "For God's sake, boss, I ain't done nothin'. Don't kill me. I swear I
+ ain't done nothin'."
+
+ The white brutes turned
+
++ A DEAF EAR TO THE PITYING CRIES+
+
+ of the black wretch and the drubbing continued. The cries subsided into
+ moans, and soon the black swooned away into unconsciousness. Still not
+ content with their heartless work, they pulled the Negro out and kicked
+ him into the gutter. For the time those who had beaten the black seemed
+ satisfied and left him groaning in the gutter, but others came up, and,
+ regretting that they had not had a hand in the affair, they determined
+ to evidence their bravery to their fellows and beat the man while he was
+ in the gutter, hurling rocks and stones at his black form. One
+ thoughtless white brute, worse even than the black slayer of the police
+ officers, thought to make himself a hero in the eyes of his fellows and
+ fired his revolver repeatedly into the helpless wretch. It was dark and
+ the fellow probably aimed carelessly. After firing three or four shots
+ he also left without knowing what extent of injury he inflicted on the
+ black wretch who was left lying in the gutter.
+
+
+
++MURDER ON THE LEVEE+
+
+
+One part of the crowd made a raid on the tenderloin district, hoping to
+find there some belated Negro for a sacrifice. They were urged on by the
+white prostitutes, who applauded their murderous mission. Says an account:
+
+ The red light district was all excitement. Women--that is, the white
+ women--were out on their stoops and peeping over their galleries and
+ through their windows and doors, shouting to the crowd to go on with
+ their work, and kill Negroes for them.
+
+ "Our best wishes, boys," they encouraged; and the mob answered with
+ shouts, and whenever a Negro house was sighted a bombardment was started
+ on the doors and windows.
+
+No colored men were found on the streets until the mob reached Custom
+House Place and Villiers Streets. Here a victim was found and brutally put
+to death. The _Picayune_ description is as follows:
+
+ Some stragglers had run a Negro into a car at the corner of Bienville
+ and Villere Streets. He was seeking refuge in the conveyance, and he
+ believed that the car would not be stopped and could speed along. But
+ the mob determined to stop the car, and ordered the motorman to halt. He
+ put on his brake. Some white men were in the car.
+
+ "Get out, fellows," shouted several of the mob.
+
+ "All whites fall out," was the second cry, and the poor Negro understood
+ that it was meant that he should stay in the car.
+
+ He wanted to save his life. The poor fellow crawled under the seats. But
+ some one in the crowd saw him and yelled that he was hiding. Two or
+ three men climbed through the windows with their pistols; others jumped
+ over the motorman's board, and dozens tumbled into the rear of the car.
+ Big, strong hands got the Negro by the shirt. He was dragged out of the
+ conveyance, and was pushed to the street. Some fellow ran up and struck
+ him with a club. The blow was heavy, but it did not fell him, and the
+ Negro ran toward Canal Street, stealing along the wall of the Tulane
+ Medical Building. Fifty men ran after him, caught the poor fellow and
+ hurried him back into the crowd. Fists were aimed at him, then clubs
+ went upon his shoulders, and finally the black plunged into the gutter.
+
+ A gun was fired, and the Negro, who had just gotten to his feet, dropped
+ again. He tried to get up, but a volley was sent after him, and in a
+ little while he was dead.
+
+ The crowd looked on at the terrible work. Then the lights in the houses
+ of ill-fame began to light up again, and women peeped out of the blinds.
+ The motorman was given the order to go on. The gong clanged and the
+ conveyance sped out of the way. For half an hour the crowd held their
+ place at the corner, then the patrol wagon came and the body was picked
+ up and hurried to the morgue.
+
+ Coroner Richard held an autopsy on the body of the Negro who was forced
+ out of car 98 of the Villere line and shot down. It was found that he
+ was wounded four times, the most serious wound being that which struck
+ him in the right side, passing through the lungs, and causing
+ hemorrhages, which brought about death.
+
+ Nobody tried to identify the poor fellow and his name is unknown.
+
+
++A VICTIM IN THE MARKET+
+
+
+Soon after the murder of the man on the street car many of the same mob
+marched down to the market place. There they found a colored market man
+named Louis Taylor, who had gone to begin his early morning's work. He was
+at once set upon by the mob and killed. The _Picayune_ account says:
+
+ Between 1 and 2 o'clock this morning a mob of several hundred men and
+ boys, made up of participants in many of the earlier affairs, marched on
+ the French Market. Louis Taylor, a Negro vegetable carrier, who is about
+ thirty years of age, was sitting at the soda water stand. As soon as the
+ mob saw him fire was opened and the Negro took to his heels. He ran
+ directly into another section of the mob and any number of shots were
+ fired at him. He fell, face down, on the floor of the market.
+
+ The police in the neighborhood rallied hurriedly and found the victim of
+ mob violence seemingly lifeless. Before they arrived the Negro had been
+ beaten severely about the head and body. The ambulance was summoned and
+ Taylor was carried to the charity hospital, where it was found that he
+ had been shot through the abdomen and arm. The examination was a hurried
+ one, but it sufficed to show that Taylor was mortally wounded.
+
+ After shooting Taylor the members of the mob were pluming themselves on
+ their exploit. "The Nigger was at the soda water stand and we commenced
+ shooting him," said one of the rioters. "He put his hands up and ran,
+ and we shot until he fell. I understand that he is still alive. If he
+ is, he is a wonder. He was certainly shot enough to be killed."
+
+ The members of the mob readily admitted that they had taken part in the
+ assaults which marked the earlier part of the evening.
+
+ "We were up on Jackson Avenue and killed a Nigger on Villere Street. We
+ came down here, saw a nigger and killed him, too." This was the way they
+ told the story.
+
+ "Boys, we are out of ammunition," said someone.
+
+ "Well, we will keep on like we are, and if we can't get some before
+ morning, we will take it. We have got to keep this thing up, now we have
+ started."
+
+ This declaration was greeted by a chorus of applauding yells, and the
+ crowd started up the levee. Half of the men in the crowd, and they were
+ all of them young, were drunk.
+
+ Taylor, when seen at the charity hospital, was suffering greatly, and
+ presented a pitiable spectacle. His clothing was covered with blood, and
+ his face was beaten almost into a pulp. He said that he had gone to the
+ market to work and was quietly sitting down when the mob came and began
+ to fire on him. He was not aware at first that the crowd was after him.
+ When he saw its purpose he tried to run, but fell. He didn't know any of
+ the men in the crowd. There is hardly a chance that Taylor will recover.
+
+ The police told the crowd to move on, but no attempt was made to arrest
+ anyone.
+
+
++A GRAY-HAIRED VICTIM+
+
+The bloodthirsty barbarians, having tasted blood, continued their hunt and
+soon ran across an old man of seventy-five years. His life had been spent
+in hard work about the French market, and he was well known as an
+unoffending, peaceable and industrious old man.
+
+But that made no difference to the mob. He was a Negro, and with a
+fiendishness that was worse than that of cannibals they beat his life out.
+The report says:
+
+ There was another gang of men parading the streets in the lower part of
+ the city, looking for any stray Negro who might be on the streets. As
+ they neared the corner of Dauphine and Kerlerec, a square below
+ Esplanade Avenue, they came upon Baptiste Thilo, an aged Negro, who
+ works in the French Market.
+
+ Thilo for years has been employed by the butchers and fish merchants to
+ carry baskets from the stalls to the wagons, and unload the wagons as
+ they arrive in the morning. He was on his way to the market, when the
+ mob came upon him. One of the gang struck the old Negro, and as he fell,
+ another in the crowd, supposed to be a young fellow, fired a shot. The
+ bullet entered the body just below the right nipple.
+
+ As the Negro fell the crowd looked into his face and they discovered
+ then that the victim was very old. The young man who did the shooting
+ said: "Oh, he is an old Negro. I'm sorry that I shot him."
+
+ This is all the old Negro received in the way of consolation.
+
+ He was left where he fell, but later staggered to his feet and made his
+ way to the third precinct station. There the police summoned the
+ ambulance and the students pronounced the wound very dangerous. He was
+ carried to the hospital as rapidly as possible.
+
+ There was no arrest.
+
+Just before daybreak the mob found another victim. He, too, was on his way
+to market, driving a meat wagon. But little is told of his treatment,
+nothing more than the following brief statement:
+
+ At nearly 3 o'clock this morning a report was sent to the Third Precinct
+ station that a Negro was lying on the sidewalk at the corner of Decatur
+ and St. Philip. The man had been pulled off of a meat wagon and riddled
+ with bullets.
+
+ When the police arrived he was insensible and apparently dying. The
+ ambulance students attended the Negro and pronounced the wounds fatal.
+
+ There was nothing found which would lead to the discovery of his
+ identity.
+
+
++FUN IN GRETNA+
+
+If there are any persons so deluded as to think that human life in the
+South is valued any more than the life of a brute, he will be speedily
+undeceived by reading the accounts of unspeakable barbarism committed by
+the mob in and around New Orleans. In no other civilized country in the
+world, nay, more, in no land of barbarians would it be possible to
+duplicate the scenes of brutality that are reported from New Orleans. In
+the heat of blind fury one might conceive how a mad mob might beat and
+kill a man taken red-handed in a brutal murder. But it is almost past
+belief to read that civilized white people, men who boast of their
+chivalry and blue blood, actually had fun in beating, chasing and shooting
+men who had no possible connection with any crime.
+
+But this actually happened in Gretna, a few miles from New Orleans. In its
+description of the scenes of Tuesday night, the _Picayune_ mentions the
+brutal chase of several colored men whom the mob sought to kill. In the
+instances mentioned, the paper said:
+
+ Gretna had its full share of excitement between 8 and 11 o'clock last
+ night, in connection with a report that spread through the town that a
+ Negro resembling the slayer of Police Captain Day, of New Orleans, had
+ been seen on the outskirts of the place.
+
+ It is true that a suspicious-looking Negro was observed by the residents
+ of Madison and Amelia Streets lurking about the fences of that
+ neighborhood just after dark, and shortly before 8 o'clock John Fist, a
+ young white man, saw the Negro on Fourth Street. He followed the darkey
+ a short distance, and, coming upon Robert Moore, who is known about town
+ as the "black detective," Fist pointed the Negro out and Moore at once
+ made a move toward the stranger. The latter observed Moore making in his
+ direction, and, without a word, he sped in the direction of the Brooklyn
+ pasture, Moore following and firing several shots at him. In a few
+ minutes a half hundred white men, including Chief of Police Miller,
+ Constable Dannenhauer, Patrolman Keegan and several special officers,
+ all well-armed, joined in the chase, but in the darkness the Negro
+ escaped.
+
+ Just as the pursuing party reached town again, two of the residents of
+ Lafayette Avenue, Peter Leson and Robert Henning, reported that they had
+ just chased and shot at a Negro, who had been seen in the yard of the
+ former's house. They were positive the Negro had not escaped from the
+ square. Their report was enough to set the appetite of the crowd on
+ edge, and the square was quickly surrounded, while several dozens of
+ men, armed with lanterns and revolvers, made a search of every yard and
+ under every house in the square. No Negro was found.
+
+ The crowd of armed men was constantly swelling, and at 10 o'clock it had
+ reached the proportions of a small army. At 10:30 o'clock an outbound
+ freight train is due to pass through Gretna on the Texas and Pacific
+ Road, and the crowd, believing that Captain Day's slayer might be aboard
+ one of the cars attempting to leave the scene of his crime, resolved to
+ inspect the train. As the train stopped at the Madison Street crossing
+ the engineer was requested to pull very slowly through the town, in
+ order that the trucks of the cars might be examined. There was a string
+ of armed men on each side of the railroad track and in a few moments a
+ Negro was espied riding between two cars. A half dozen weapons were
+ pointed at him and he was ordered to come out. He sprang out with
+ alacrity and was pounced upon almost before he reached the ground.
+ Robert Moore grabbed him and pushed an ugly-looking Derringer under his
+ nose and the Negro threw up both hands. Constable Dannenhauer and
+ Patrolman Keegan took charge of him and hustled him off to jail, where
+ he was locked up. The Negro does not at all resemble Robert Charles, but
+ it was best for his sake that he was placed under lock and key. The
+ crowd was not in a humor to let any Negro pass muster last night. The
+ prisoner gave his name as Luke Wallace.
+
+ But now came the real excitement. The train had slowed down almost to a
+ standstill, in the very heart of town. Somebody shouted: "There he goes,
+ on top of the train!" And sure enough, somebody was going. It was a
+ Negro, too, and he was making a bee-line for the front end of the train.
+ A veritable shower of bullets, shot and rifle balls greeted the flying
+ form, but on it sped. The locomotive had stopped in the middle of the
+ square between La voisier and Newton Streets, and the Negro, flying with
+ the speed of the wind along the top of the cars, reached the first car
+ of the train and jumped to the tender and then into the cab. As he did
+ several white men standing at the locomotive made a rush into the cab.
+ The Negro sprang swiftly out of the other side, on to the sidewalk. But
+ there were several more men, and as he realized that he was rushing
+ right into their arms he made a spring to leap over the fence of Mrs.
+ Linden's home, on the wood side of the track. Before the Negro got to
+ the top one white man had hold of his legs, while another rushed up,
+ pistol in hand. The man who was holding the darkey's legs was jostled
+ out of the way and the man with the pistol, standing directly beneath
+ the Negro, sent two bullets at him.
+
+ There was a wild scramble, and the vision of a fleeing form in the
+ Linden yard, but that was the last seen of the black man. The yard was
+ entered and searched, and neighboring yards were also searched, but not
+ even the trace of blood was found. It is almost impossible to believe
+ that the Negro was not wounded, for the man who fired at him held the
+ pistol almost against the Negro's body.
+
+ The shots brought out almost everybody--white--in town, and though there
+ was nothing to show for the exciting work, except the arrest of the
+ Negro, who doesn't answer the description of the man wanted, Gretna's
+ male population had its little fan and felt amply repaid for all the
+ trouble it was put to, and all the ammunition it wasted.
+
+
++BRUTALITY IN NEW ORLEANS+
+
+Mob rule reigned supreme Wednesday, and the scenes that were enacted
+challenge belief. How many colored men and women were abused and injured
+is not known, for those who escaped were glad to make a place of refuge
+and took no time to publish their troubles. The mob made no attempt to
+find Charles; its only purpose was to pursue, beat and kill any colored
+man or woman who happened to come in sight. Speaking editorially, the
+_Picayune_ of Thursday, the twenty-sixth of July, said:
+
+
++ESCAPED WITH THEIR LIVES+
+
+At the Charity Hospital Wednesday night more than a score of people were
+treated for wounds received at the hands of the mob. Some were able to
+tell of their mistreatment, and their recitals are briefly given in the
+_Picayune_ as follows:
+
+ Alex. Ruffin, who is quite seriously injured, is a Pullman car porter, a
+ native of Chicago. He reached New Orleans at 9:20 o'clock last night,
+ and after finishing his work, boarded a Henry Clay Avenue car to go to
+ Delachaise Street, where he has a sick son.
+
+ "I hadn't ridden any way," said he, "when I saw a lot of white folks.
+ They were shouting to 'Get the Niggers.' I didn't know they were after
+ every colored man they saw, and sat still. Two or three men jumped on
+ the car and started at me. One of them hit me over the head with a
+ slungshot, and they started to shooting at me. I jumped out of the car
+ and ran, although I had done nothing. They shot me in the arm and in the
+ leg. I would certainly have been killed had not some gentleman taken my
+ part. If I had known New Orleans was so excited I would never have left
+ my car."
+
+ George Morris is the name of a Negro who was badly injured by a mob
+ which went through the Poydras Market. Morris is employed as watchman
+ there. He heard the noise of the passing crowd and looked out to see
+ what the matter was. As soon as the mob saw him its members started
+ after him.
+
+ "One man hit me over the head with a club," said George, after his
+ wounds had been dressed, "and somebody cut me in the back. I didn't
+ hardly think what was the matter at first, but when I saw they were
+ after me I ran for my life. I ran to the coffee stand, where I work, for
+ protection, but they were right after me, and somebody shot me in the
+ back. At last the police got me away from the crowd. Just before I was
+ hit a friend of mine, who was in the crowd, said, 'You had better go
+ home, Nigger; they're after your kind.' I didn't know then what he
+ meant. I found out pretty quick."
+
+ Morris is at the hospital. He is a perfect wreck, and while he will
+ probably get well, he will have had a close call.
+
+ Esther Fields is a Negro washerwoman who lives at South Claiborne and
+ Toledano Streets. She was at home when she heard a big noise and went
+ out to investigate. She ran into the arms of the mob, and was beaten
+ into insensibility in less time than it takes to tell it. Esther is
+ being treated at the charity hospital, and should be able to get about
+ in a few days. The majority of her bruises are about the head.
+
+ T.P. Sanders fell at the hands of the Jackson Avenue mob. He lives at
+ 1927 Jackson Avenue, and was sitting in front of his home when he saw
+ the crowd marching out the street. He stayed to see what the excitement
+ was all about, and was shot in the knee and thorax and horribly beaten
+ about the head before the mob came to the conclusion that he had been
+ done for, and passed on. The ambulance was called and he was picked up
+ and carried to the charity hospital, where his wounds were dressed and
+ pronounced serious.
+
+ Oswald McMahon is nothing more than a boy. He was shot in the leg and
+ afterward carried to the hospital. His injuries are very slight.
+
+ Dan White is another charity hospital patient. He is a Negro roustabout
+ and was sitting in the bar room at Poydras and Franklin Streets when a
+ mob passed along and espied him. He was shot in the hand, and would have
+ been roughly dealt with had some policeman not been luckily near and
+ rescued him.
+
+ In addition to the Negroes who suffered from the violence of the mob
+ there were several patients treated at the hospital during the night who
+ had been with the rioters and had been struck by stray bullets or
+ injured in scuffles. None of this class were hurt to any extent. They
+ got their wounds dressed and went out again.
+
+
++WAS CHARLES A DESPERADO?+
+
+The press of the country has united in declaring that Robert Charles was a
+desperado. As usual, when dealing with a negro, he is assumed to be guilty
+because he is charged. Even the most conservative of journals refuse to
+ask evidence to prove that the dead man was a criminal, and that his life
+had been given over to lawbreaking. The minute that the news was flashed
+across the country that he had shot a white man it was at once declared
+that he was a fiend incarnate, and that when he was killed the community
+would be ridden of a black-hearted desperado. The reporters of the New
+Orleans papers, who were in the best position to trace the record of this
+man's life, made every possible effort to find evidence to prove that he
+was a villain unhung. With all the resources at their command, and
+inspired by intense interest to paint him as black a villain as possible,
+these reporters signally failed to disclose a single indictment which
+charged Robert Charles with a crime. Because they failed to find any legal
+evidence that Charles was a lawbreaker and desperado his accusers gave
+full license to their imagination and distorted the facts that they had
+obtained, in every way possible, to prove a course of criminality, which
+the records absolutely refuse to show.
+
+Charles had his first encounter with the police Monday night, in which he
+was shot in the street duel which was begun by the police after Officer
+Mora had beaten Charles three or four times over the head with his billy
+in an attempt to make an illegal arrest. In defending himself against the
+combined attack of two officers with a billy and their guns upon him,
+Charles shot Officer Mora and escaped.
+
+Early Tuesday morning Charles was traced to Dryades Street by officers who
+were instructed to kill him on sight. There, again defending himself, he
+shot and killed two officers. This, of course, in the eyes of the American
+press, made him a desperado. The New Orleans press, in substantiating the
+charges that he was a desperado, make statements which will be interesting
+to examine.
+
+In the first place the _New Orleans Times-Democrat_, of July 25, calls
+Charles a "ravisher and a daredevil." It says that from all sources that
+could be searched "the testimony was cumulative that the character of the
+murderer, Robert Charles, is that of a daredevil and a fiend in human
+form." Then in the same article it says:
+
+ The belongings of Robert Charles which were found in his room were a
+ complete index to the character of the man. Although the room and its
+ contents were in a state of chaos on account of the frenzied search for
+ clews by officers and citizens, an examination of his personal effects
+ revealed the mental state of the murderer and the rancor in his heart
+ toward the Caucasian race. Never was the adage, "A little learning is a
+ dangerous thing," better exemplified than in the case of the negro who
+ shot to death the two officers.
+
+His room was searched, and the evidence upon which the charge that he was
+a desperado consisted of pamphlets in support of Negro emigration to
+Liberia. On his mantel-piece there was found a bullet mold and an outfit
+for reloading cartridges. There were also two pistol scabbards and a
+bottle of cocaine. The other evidences that Charles was a desperado the
+writer described as follows:
+
+ In his room were found negro periodicals and other "race" propaganda,
+ most of which was in the interest of the negro's emigration to Liberia.
+ There were Police Gazettes strewn about his room and other papers of a
+ similar character. Well-worn textbooks, bearing his name written in his
+ own scrawling handwriting, and well-filled copybooks found in his trunk
+ showed that he had burnt the midnight oil, and was desirous of improving
+ himself intellectually in order that he might conquer the hated white
+ race. Much of the literature found among his chattels was of a
+ superlatively vituperative character, and attacked the white race in
+ unstinted language and asserted the equal rights of the Negro.
+
+ Charles was evidently the local agent of the _Voice of Missions_, a
+ "religious" paper, published at Atlanta, as great bundles of that sheet
+ were found. It is edited by one Bishop Turner, and seems to be the
+ official organ of all haters of the white race. Its editorials are
+ anarchistic in the extreme, and urge upon the negro that the sooner he
+ realizes that he is as good as the white man the better it will be for
+ him. The following verses were clipped from the journal; they were
+ marked "till forbidden," and appeared in several successive numbers:
+
+
+ OUR SENTIMENTS
+
+ H.M.T.
+
+ My country, 'tis of thee,
+ Dear land of Africa,
+ Of thee we sing.
+ Land where our fathers died,
+ Land of the Negro's pride,
+ God's truth shall ring.
+
+ My native country, thee,
+ Land of the black and free,
+ Thy name I love;
+ To see thy rocks and rills,
+ Thy woods and matchless hills,
+ Like that above.
+
+ When all thy slanderous ghouls,
+ In the bosom of sheol,
+ Forgotten lie,
+ Thy monumental name shall live,
+ And suns thy royal brow shall gild,
+ Upheaved to heaven high,
+ O'ertopping thrones.
+
+ There were no valuables in his room, and if he was a professional thief
+ he had his headquarters for storing his plunder at some other place than
+ his room on Fourth Street. Nothing was found in his room that could lead
+ to the belief that he was a thief, except fifty or more small bits of
+ soap. The inference was that every place he visited he took all of the
+ soap lying around, as all of the bits were well worn and had seen long
+ service on the washstand.
+
+ His wearing apparel was little more than rags, and financially he was
+ evidently not in a flourishing condition. He was in no sense a skilled
+ workman, and his room showed, in fact, that he was nothing more than a
+ laborer.
+
+ The "philosopher in the garret" was a dirty wretch, and his room, his
+ bedding and his clothing were nasty and filthy beyond belief. His object
+ in life seemed to have been the discomfiture of the white race, and to
+ this purpose he devoted himself with zeal. He declared himself to be a
+ "patriot," and wished to be the Moses of his race.
+
+Under the title of "The Making of a Monster," the reporter attempts to
+give "something of the personality of the archfiend, Charles." Giving his
+imagination full vent the writer says:
+
+ It is only natural that the deepest interest should attach to the
+ personality of Robert Charles. What manner of man was this fiend
+ incarnate? What conditions developed him? Who were his preceptors? From
+ what ancestral strain, if any, did he derive his ferocious hatred of the
+ whites, his cunning, his brute courage, the apostolic zeal which he
+ displayed in spreading the propaganda of African equality? These are
+ questions involving one of the most remarkable psychological problems of
+ modern times.
+
+In answer to the questions which he propounds, the reporter proceeds to
+admit that he did not learn anything of a very desperate nature connected
+with Charles. He says:
+
+ Although Charles was a familiar figure to scores of Negroes in New
+ Orleans, and they had been more or less intimately acquainted with him
+ for over two years, curiously little can be learned of his habits or
+ mode of life. Since the perpetration of his terrible series of crimes it
+ goes without saying that his former friends are inclined to be reticent,
+ but it is reasonably certain that they have very little to tell. In
+ regard to himself, Charles was singularly reticent for a Negro. He did
+ not even indulge in the usual lying about his prowess and his
+ adventures. This was possibly due to the knowledge that he was wanted
+ for a couple of murders. The man had sense enough to know that it would
+ be highly unwise to excite any curiosity about his past.
+
+ When Charles first came to New Orleans he worked here and there as a day
+ laborer. He was employed at different times in a sawmill, on the street
+ gangs, as a roustabout on the levee, as a helper at the sugar works and
+ as a coal shoveler in the engine room of the St. Charles Hotel. At each
+ of the places where he worked he was known as a quiet, rather surly
+ fellow, who had little to say to anybody, and generally performed his
+ tasks in morose silence. He managed to convey the impression, however,
+ of being a man of more than ordinary intelligence.
+
+ A Negro named William Butts, who drives a team on the levee and lives on
+ Washington Street, near Baronne, told a _Times-Democrat_ reporter
+ yesterday that Charles got a job about a year ago as agent for a
+ Liberian Immigration Society, which has headquarters at Birmingham, and
+ was much elated at the prospect of making a living without hard labor.
+
+According to the further investigations of this reporter, Charles was also
+agent for Bishop Turner's _Voice of Missions_, the colored missionary
+organ of the African Methodist Church, edited by H.M. Turner, of Atlanta,
+Georgia. Concerning his service as agent for the _Voice of Missions_, the
+reporter says:
+
+ He secured a number of subscribers and visited them once a month to
+ collect the installments. In order to insure regular payments it was
+ necessary to keep up enthusiasm, which was prone to wane, and Charles
+ consequently became an active and continual preacher of the propaganda
+ of hatred. Whatever may have been his private sentiments at the outset,
+ this constant harping on one string must eventually have had a powerful
+ effect upon his own mind.
+
+ Exactly how he received his remuneration is uncertain, but he told
+ several of his friends that he got a "big commission." Incidentally he
+ solicited subscribers for a Negro paper called the _Voice of the
+ Missions_, and when he struck a Negro who did not want to go to Africa
+ himself, he begged contributions for the "good of the cause."
+
+ In the course of time Charles developed into a fanatic on the subject of
+ the Negro oppression and neglected business to indulge in wild tirades
+ whenever he could find a listener. He became more anxious to make
+ converts than to obtain subscribers, and the more conservative darkies
+ began to get afraid of him. Meanwhile he got into touch with certain
+ agitators in the North and made himself a distributing agent for their
+ literature, a great deal of which he gave away. Making money was a
+ secondary consideration to "the cause."
+
+ One of the most enthusiastic advocates of the Liberian scheme is the
+ colored Bishop H.M. Turner, of Atlanta. Turner is a man of unusual
+ ability, has been over to Africa personally several times, and has made
+ himself conspicuous by denouncing laws which he claimed discriminated
+ against the blacks. Charles was one of the bishop's disciples and
+ evidence has been found that seems to indicate they were in
+ correspondence.
+
+This was all that the _Times-Democrat_'s reporters could find after the
+most diligent search to prove that Charles was the fiend incarnate which
+the press of New Orleans and elsewhere declared him to be.
+
+The reporters of the _New Orleans Picayune_ were no more successful than
+their brethren of the _Times-Democrat_. They, too, were compelled to
+substitute fiction for facts in their attempt to prove Charles a
+desperado. In the issue of the twenty-sixth of July it was said that
+Charles was well known in Vicksburg, and was there a consort of thieves.
+They mentioned that a man named Benson Blake was killed in 1894 or 1895,
+and that four Negroes were captured, and two escaped. Of the two escaped
+they claim that Charles was one. The four negroes who were captured were
+put in jail, and as usual, in the high state of civilization which
+characterizes Mississippi, the right of the person accused of crime to an
+indictment by legal process and a legal trial by jury was considered an
+useless formality if the accused happened to be black. A mob went to the
+jail that night, the four colored men were delivered to the mob, and all
+four were hanged in the court-house yard. The reporters evidently assumed
+that Charles was guilty, if, in fact, he was ever there, because the other
+four men were lynched. They did not consider it was a fact of any
+importance that Charles was never indicted. They called him a murderer on
+general principles.
+
+
++DIED IN SELF-DEFENSE+
+
+The life, character and death of Robert Charles challenges the thoughtful
+consideration of all fair-minded people. In the frenzy of the moment, when
+nearly a dozen men lay dead, the victims of his unerring and death-dealing
+aim, it was natural for a prejudiced press and for citizens in private
+life to denounce him as a desperado and a murderer. But sea depths are not
+measured when the ocean rages, nor can absolute justice be determined
+while public opinion is lashed into fury. There must be calmness to insure
+correctness of judgment. The fury of the hour must abate before we can
+deal justly with any man or any cause.
+
+That Charles was not a desperado is amply shown by the discussion in the
+preceding chapter. The darkest pictures which the reporters could paint of
+Charles were quoted freely, so that the public might find upon what
+grounds the press declared him to be a lawbreaker. Unquestionably the
+grounds are wholly insufficient. Not a line of evidence has been presented
+to prove that Charles was the fiend which the first reports of the New
+Orleans charge him to be.
+
+Nothing more should be required to establish his good reputation, for the
+rule is universal that a reputation must be assumed to be good until it is
+proved bad. But that rule does not apply to the Negro, for as soon as he
+is suspected the public judgment immediately determines that he is guilty
+of whatever crime he stands charged. For this reason, as a matter of duty
+to the race, and the simple justice to the memory of Charles, an
+investigation has been made of the life and character of Charles before
+the fatal affray which led to his death.
+
+Robert Charles was not an educated man. He was a student who faithfully
+investigated all the phases of oppression from which his race has
+suffered. That he was a student is amply shown by the _Times-Democrat_
+report of the twenty-fifth, which says:
+
+"Well-worn textbooks, bearing his name written in his own scrawling
+handwriting, and well-filled copy-books found in his trunk, showed that he
+had burned the midnight oil, and desired to improve himself intellectually
+in order that he might conquer the hated white race." From this quotation
+it will be seen that he spent the hours after days of hard toil in trying
+to improve himself, both in the study of textbooks and in writing.
+
+He knew that he was a student of a problem which required all the
+intelligence that a man could command, and he was burning his midnight
+oil gathering knowledge that he might better be able to come to an
+intelligent solution. To his aid in the study of this problem he sought
+the aid of a Christian newspaper, the _Voice of Missions_, the organ of
+the African Methodist Episcopal Church. He was in communication with its
+editor, who is a bishop, and is known all over this country as a man of
+learning, a lover of justice and the defender of law and order. Charles
+could receive from Bishop Turner not a word of encouragement to be other
+than an earnest, tireless and God-fearing student of the complex problems
+which affected the race.
+
+For further help and assistance in his studies, Charles turned to an
+organization which has existed and flourished for many years, at all times
+managed by men of high Christian standing and absolute integrity. These
+men believe and preach a doctrine that the best interests of the Negro
+will be subserved by an emigration from America back to the Fatherland,
+and they do all they can to spread the doctrine of emigration and to give
+material assistance to those who desire to leave America and make their
+future homes in Africa. This organization is known as "The International
+Migration Society." It has its headquarters in Birmingham, Alabama. From
+this place it issues pamphlets, some of which were found, in the home of
+Robert Charles, and which pamphlets the reporters of the New Orleans
+papers declare to be incendiary and dangerous in their doctrine and
+teaching.
+
+Nothing could be further from the truth. Copies of any and all of them may
+be secured by writing to D.J. Flummer, who is President and in charge of
+the home office in Birmingham, Alabama. Three of the pamphlets found in
+Charles's room are named respectively:
+
+First, _Prospectus of the Liberian Colonization Society_; which pamphlet
+in a few brief pages tells of the work of the society, plans, prices and
+terms of transportation of colored people who choose to go to Africa.
+These pages are followed by a short, conservative discussion of the Negro
+question, and close with an argument that Africa furnishes the best asylum
+for the oppressed Negroes in this country.
+
+The second pamphlet is entitled _Christian Civilization of Africa_. This
+is a brief statement of the advantages of the Republic of Liberia, and an
+argument in support of the superior conditions which colored people may
+attain to by leaving the South and settling in Liberia.
+
+The third pamphlet is entitled _The Negro and Liberia_. This is a larger
+document than the other two, and treats more exhaustively the question of
+emigration, but from the first page to the last there is not an
+incendiary line or sentence. There is not even a suggestion of violence in
+all of its thirty-two pages, and not a word which could not be preached
+from every pulpit in the land.
+
+If it is true that the workman is known by his tools, certainly no harm
+could ever come from the doctrines which were preached by Charles or the
+papers and pamphlets distributed by him. Nothing ever written in the
+_Voice of Missions_, and nothing ever published in the pamphlets above
+alluded to in the remotest way suggest that a peaceable man should turn
+lawbreaker, or that any man should dye his hands in his brother's blood.
+
+In order to secure as far as possible positive information about the life
+and character of Robert Charles, it was plain that the best course to
+pursue was to communicate with those with whom he had sustained business
+relations. Accordingly a letter was forwarded to Mr. D.J. Flummer, who is
+president of the colonization society, in which letter he was asked to
+state in reply what information he had of the life and character of Robert
+Charles. The result was a very prompt letter in response, the text of
+which is as follows:
+
+ Birmingham, Ala., Aug. 21, 1900
+
+ Mrs. Ida B. Wells Barnett, Chicago, Ill.:
+
+ Dear Madam--Replying to your favor of recent date requesting me to write
+ you giving such information as I may have concerning the life, habits
+ and character of Robert Charles, who recently shot and killed police
+ officers in New Orleans, I wish to say that my knowledge of him is only
+ such as I have gained from his business connection with the
+ International Migration Society during the past five or six years,
+ during which time I was president of the society.
+
+ He having learned that the purpose of this society was to colonize the
+ colored people in Liberia, West Africa, and thereby lessen or destroy
+ the friction and prejudice existing in this country between the two
+ races, set about earnestly and faithfully distributing the literature
+ that we issued from time to time. He always appeared to be mild but
+ earnest in his advocacy of emigration, and never to my knowledge used
+ any method or means that would in the least appear unreasonable, and had
+ always kept within the bounds of law and order in advocating emigration.
+
+ The work he performed for this society was all gratuitous, and
+ apparently prompted from his love of humanity, and desires to be
+ instrumental in building up a Negro Nationality in Africa.
+
+ If he ever violated a law before the killing of the policemen, I do not
+ know of it.
+
+ Yours, very truly,
+
+ D.J. Flummer
+
+Besides this statement, Mr. Flummer enclosed a letter received by the
+Society two days before the tragedy at New Orleans. This letter was
+written by Robert Charles, and it attests his devotion to the cause of
+emigration which he had espoused. Memoranda on the margin of the letter
+show that the order was filled by mailing the pamphlets. It is very
+probable that these were the identical pamphlets which were found by the
+mob which broke into the room of Robert Charles and seized upon these
+harmless documents and declared they were sufficient evidence to prove
+Charles a desperado. In the light of subsequent events the letter of
+Charles, which follows, sounds like a voice from the tomb:
+
+New Orleans, July 30,1900
+
+ Mr. D.J. Flummer:
+
+ Dear Sir--I received your last pamphlets and they are all given out. I
+ want you to send me some more, and I enclose you the stamps. I think I
+ will go over in Greenville, Miss., and give my people some pamphlets
+ over there.
+
+ Yours truly,
+
+ Robert Charles
+
+The latest word of information comes from New Orleans from a man who knew
+Charles intimately for six years. For obvious reasons, his name is
+withheld. In answer to a letter sent him he answers as follows:
+
+ New Orleans, Aug. 23, 1900
+
+ Mrs. Ida B. Wells-Barnett:
+
+ Dear Madam--It affords me great pleasure to inform you as far as I know
+ of Robert Charles. I have been acquainted with him about six years in
+ this city. He never has, as I know, given any trouble to anyone. He was
+ quiet and a peaceful man and was very frank in speaking. He was too much
+ of a hero to die; few call be found to equal him. I am very sorry to
+ say that I do not know anything of his birthplace, nor his parents, but
+ enclosed find letter from his uncle, from which you may find more
+ information. You will also find one of the circulars in which Charles
+ was in possession of which was styled as a crazy document. Let me say,
+ until our preachers preach this document we will always be slaves. If
+ you can help circulate this "crazy" doctrine I would be glad to have you
+ do so, for I shall never rest until I get to that heaven on earth; that
+ is, the west coast of Africa, in Liberia.
+
+ With best wishes to you I still remain, as always, for the good of the
+ race,
+
+ ----
+
+By only those whose anger and vindictiveness warp their judgment is Robert
+Charles a desperado. Their word is not supported by the statement of a
+single fact which justifies their judgment and no criminal record shows
+that he was ever indicted for any offense, much less convicted of crime.
+On the contrary, his work for many years had been with Christian people,
+circulating emigration pamphlets and active as agent for a mission
+publication. Men who knew him say that he was a law-abiding, quiet,
+industrious, peaceable man. So he lived.
+
+So he lived and so he would have died had not he raised his hand to resent
+unprovoked assault and unlawful arrest that fateful Monday night. That
+made him an outlaw, and being a man of courage he decided to die with his
+face to the foe. The white people of this country may charge that he was a
+desperado, but to the people of his own race Robert Charles will always be
+regarded as the hero of New Orleans.
+
+
++BURNING HUMAN BEINGS ALIVE +
+
+Not only has life been taken by mobs in the past twenty years, but the
+ordinary procedure of hanging and shooting have been improved upon during
+the past ten years. Fifteen human beings have been burned to death in the
+different parts of the country by mobs. Men, women and children have gone
+to see the sight, and all have approved the barbarous deeds done in the
+high light of the civilization and Christianity of this country.
+
+In 1891 Ed Coy was burned to death in Texarkana, Ark. He was charged with
+assaulting a white woman, and after the mob had securely tied him to a
+tree, the men and boys amused themselves for some time sticking knives
+into Coy's body and slicing off pieces, of flesh. When they had amused
+themselves sufficiently, they poured coal oil over him and the women in
+the case set fire to him. It is said that fifteen thousand people stood by
+and saw him burned. This was on a Sunday night, and press reports told how
+the people looked on while the Negro burned to death.
+
+Feb. 1, 1893, Henry Smith was burned to death in Paris, Texas. The entire
+county joined in that exhibition. The district attorney himself went for
+the prisoner and turned him over to the mob. He was placed upon a float
+and drawn by four white horses through the principal streets of the city.
+Men, women and children stood at their doors and waved their handkerchiefs
+and cheered the echoes. They knew that the man was to be burned to death
+because the newspaper had declared for three days previous that this would
+be so. Excursions were run by all the railroads, and the mayor of the town
+gave the children a holiday so that they might see the sight.
+
+Henry Smith was charged with having assaulted and murdered a little white
+girl. He was an imbecile, and while he had killed the child, there was no
+proof that he had criminally assaulted her. He was tied to a stake on a
+platform which had been built ten feet high, so that everybody might see
+the sight. The father and brother and uncle of the little white girl that
+had been murdered was upon that platform about fifty minutes entertaining
+the crowd of ten thousand persons by burning the victim's flesh with
+red-hot irons. Their own newspapers told how they burned his eyes out and,
+ran the red-hot iron down his throat, cooking his tongue, and how the
+crowd cheered wild delight. At last, having declared themselves satisfied,
+coal oil was poured over him and he was burned to death, and the mob
+fought over the ashes for bones and pieces of his clothes.
+
+July 7, 1893, in Bardwell, Ky., C.J. Miller was burned to ashes. Since his
+death this man has been found to be absolutely innocent of the murder of
+the two white girls with which he was charged. But the mob would wait for
+no justification. They insisted that, as they were not sure he was the
+right man, they would compromise the matter by hanging him instead of
+burning. Not to be outdone, they took the body down and made a huge
+bonfire out of it.
+
+July 22, 1893, at Memphis, Tenn., the body of Lee Walker was dragged
+through the street and burned before the court house. Walker had
+frightened some girls in a wagon along a country road by asking them to
+let him ride in their wagon. They cried out; some men working in a field
+near by said it was at attempt of assault, and of course began to look for
+their prey. There was never any charge of rape; the women only declared
+that he attempted an assault. After he was apprehended and put in jail and
+perfectly helpless, the mob dragged him out, shot him, cut him, beat him
+with sticks, built a fire and burned the legs off, then took the trunk of
+the body down and dragged further up the street, and at last burned it
+before the court house.
+
+Sept. 20, 1893, at Roanoke, Va., the body of a Negro who had quarreled
+with a white woman was burned in the presence of several thousand persons.
+These people also wreaked their vengeance upon this helpless victim of the
+mob's wrath by sticking knives into him, kicking him and beating him with
+stones and otherwise mutilating him before life was extinct.
+
+June 11, 1898, at Knoxville, Ark., James Perry was shut up in a cabin
+because he had smallpox and burned to death. He had been quarantined in
+this cabin when it was declared that he had this disease and the doctor
+sent for. When the physician arrived he found only a few smoldering
+embers. Upon inquiry some railroad hands who were working nearby revealed
+the fact that they had fastened the door of the cabin and set fire to the
+cabin and burned man and hut together.
+
+Feb. 22, 1898, at Lake City, S.C., Postmaster Baker and his infant child
+were burned to death by a mob that had set fire to his house. Mr. Baker's
+crime was that he had refused to give up the post office, to which he had
+been appointed by the National Government. The mob had tried to drive him
+away by persecution and intimidation. Finding that all else had failed,
+they went to his home in the dead of night and set fire to his house, and
+as the family rushed forth they were greeted by a volley of bullets. The
+father and his baby were shot through the open door and wounded so badly
+that they fell back in the fire and were burned to death. The remainder of
+the family, consisting of the wife and five children, escaped with their
+lives from the burning house, but all of them were shot, one of the number
+made a cripple for life.
+
+Jan. 7, 1898, two Indians were tied to a tree at Maud Post Office, Indian
+Territory, and burned to death by a white mob. They were charged with
+murdering a white woman. There was no proof of their guilt except the
+unsupported word of the mob. Yet they were tied to a tree and slowly
+roasted to death. Their names were Lewis McGeesy and Hond Martin. Since
+that time these boys have been found to be absolutely innocent of the
+charge. Of course that discovery is too late to be of any benefit to them,
+but because they were Indians the Indian Commissioner demanded and
+received from the United States Government an indemnity of $13,000.
+
+April 23, 1899, at Palmetto, Ga., Sam Hose was burned alive in the
+presence of a throng, on Sunday afternoon. He was charged with killing a
+man named Cranford, his employer, which he admitted he did because his
+employer was about to shoot him. To the fact of killing the employer was
+added the absolutely false charge that Hose assaulted the wife. Hose was
+arrested and no trial was given him. According to the code of reasoning of
+the mob, none was needed. A white man had been killed and a white woman
+was said to have been assaulted. That was enough. When Hose was found he
+had to die.
+
+The Atlanta Constitution, in speaking of the murder of Cranford, said that
+the Negro who was suspected would be burned alive. Not only this, but it
+offered $500 reward for his capture. After he had been apprehended, it was
+publicly announced that he would be burned alive. Excursion trains were
+run and bulletins were put up in the small towns. The Governor of Georgia
+was in Atlanta while excursion trains were being made up to take visitors
+to the burning. Many fair ladies drove out in their carriages on Sunday
+afternoon to witness the torture and burning of a human being. Hose's ears
+were cut off, then his toes and fingers, and passed round to the crowd.
+His eyes were put out, his tongue torn out and flesh cut in strips by
+knives. Finally they poured coal oil on him and burned him to death. They
+dragged his half-consumed trunk out of the flames, cut it open, extracted
+his heart and liver, and sold slices for ten cents each for souvenirs, all
+of which was published most promptly in the daily papers of Georgia and
+boasted over by the people of that section.
+
+Oct. 19, 1889, at Canton, Miss., Joseph Leflore was burned to death. A
+house had been entered and its occupants murdered during the absence of
+the husband and father. When the discovery was made, it was immediately
+supposed that the crime was the work of a Negro, and the motive that of
+assaulting white women.
+
+Bloodhounds were procured and they made a round of the village and
+discovered only one colored man absent from his home. This was taken to be
+proof sufficient that he was the perpetrator of the deed. When he returned
+home he was apprehended, taken into the yard of the house that had been
+burned down, tied to a stake, and was slowly roasted to death.
+
+Dec. 6, 1899, at Maysville, Ky., Wm. Coleman also was burned to death. He
+was slowly roasted, first one foot and then the other, and dragged out of
+the fire so that the torture might be prolonged. All of this without a
+shadow of proof or scintilla of evidence that the man had committed the
+crime.
+
+Thus have the mobs of this country taken the lives of their victims within
+the past ten years. In every single instance except one these burnings
+were witnessed by from two thousand to fifteen thousand people, and no one
+person in all these crowds throughout the country had the courage to raise
+his voice and speak out against the awful barbarism of burning human
+beings to death.
+
+Men and women of America, are you proud of this record which the
+Anglo-Saxon race has made for itself? Your silence seems to say that you
+are. Your silence encourages a continuance of this sort of horror. Only by
+earnest, active, united endeavor to arouse public sentiment can we hope to
+put a stop to these demonstrations of American barbarism.
+
+
++LYNCHING RECORD+
+
+The following table of lynchings has been kept year by year by the Chicago
+Tribune, beginning with 1882, and shows the list of Negroes that have been
+lynched during that time:
+
+1882, Negroes murdered by mobs 52
+1883, Negroes murdered by mobs 39
+1884, Negroes murdered by mobs 53
+1885, Negroes murdered by mobs 164
+1886, Negroes murdered by mobs 136
+1887, Negroes murdered by mobs 128
+1888, Negroes murdered by mobs 143
+1889, Negroes murdered by mobs 127
+1890, Negroes murdered by mobs 171
+1891, Negroes murdered by mobs 192
+1892, Negroes murdered by mobs 241
+1893, Negroes murdered by mobs 200
+1894, Negroes murdered by mobs 190
+1895, Negroes murdered by mobs 171
+1896, Negroes murdered by mobs 131
+1897, Negroes murdered by mobs 156
+1898, Negroes murdered by mobs 127
+1899, Negroes murdered by mobs 107
+
+Of these thousands of men and women who have been put to death without
+judge or jury, less than one-third of them have been even accused of
+criminal assault. The world at large has accepted unquestionably the
+statement that Negroes are lynched only for assaults upon white women. Of
+those who were lynched from 1882 to 1891, the first ten years of the
+tabulated lynching record, the charges are as follows:
+
+Two hundred and sixty-nine were charged with rape; 253 with murder; 44
+with robbery; 37 with incendiarism; 4 with burglary; 27 with race
+prejudice; 13 quarreled with white men; 10 with making threats; 7 with
+rioting; 5 with miscegenation; in 32 cases no reasons were given, the
+victims were lynched on general principles.
+
+During the past five years the record is as follows:
+
+Of the 171 persons lynched in 1895 only 34 were charged with this crime.
+In 1896, out of 131 persons who were lynched, only 34 were said to have
+assaulted women. Of the 156 in 1897, only 32. In 1898, out of 127 persons
+lynched, 24 were charged with the alleged "usual crime." In 1899, of the
+107 lynchings, 16 were said to be for crimes against women. These figures,
+of course, speak for themselves, and to the unprejudiced, fair-minded
+person it is only necessary to read and study them in order to show that
+the charge that the Negro is a moral outlaw is a false one, made for the
+purpose of injuring the Negro's good name and to create public sentiment
+against him.
+
+If public sentiment were alive, as it should be upon the subject, it would
+refuse to be longer hoodwinked, and the voice of conscience would refuse
+to be stilled by these false statements. If the laws of the country were
+obeyed and respected by the white men of the country who charge that the
+Negro has no respect for law, these things could not be, for every
+individual, no matter what the charge, would have a fair trial and an
+opportunity to prove his guilt or innocence before a tribunal of law.
+
+That is all the Negro asks--that is all the friends of law and order need
+to ask, for once the law of the land is supreme, no individual who commits
+crime will escape punishment.
+
+Individual Negroes commit crimes the same as do white men, but that the
+Negro race is peculiarly given to assault upon women, is a falsehood of
+the deepest dye. The tables given above show that the Negro who is saucy
+to white men is lynched as well as the Negro who is charged with assault
+upon women. Less than one-sixth of the lynchings last year, 1899, were
+charged with rape.
+
+The Negro points to his record during the war in rebuttal of this false
+slander. When the white women and children of the South had no protector
+save only these Negroes, not one instance is known where the trust was
+betrayed. It is remarkably strange that the Negro had more respect for
+womanhood with the white men of the South hundreds of miles away, than
+they have today, when surrounded by those who take their lives with
+impunity and burn and torture, even worse than the "unspeakable Turk."
+
+Again, the white women of the North came South years ago, threaded the
+forests, visited the cabins, taught the schools and associated only with
+the Negroes whom they came to teach, and had no protectors near at hand.
+They had no charge or complaint to make of the danger to themselves after
+association with this class of human beings. Not once has the country been
+shocked by such recitals from them as come from the women who are
+surrounded by their husbands, brothers, lovers and friends. If the Negro's
+nature is bestial, it certainly should have proved itself in one of these
+two instances. The Negro asks only justice and an impartial consideration
+of these facts.
+
+
+
+
+
+End of Project Gutenberg's Mob Rule in New Orleans, by Ida B. Wells-Barnett
+
+*** END OF THIS PROJECT GUTENBERG EBOOK MOB RULE IN NEW ORLEANS ***
+
+***** This file should be named 14976.txt or 14976.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/1/4/9/7/14976/
+
+Produced by Suzanne Shell, Melissa Er-Raqabi and the PG Online
+Distributed Proofreading Team at http://www.pgpd.net.
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.