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diff --git a/14987.txt b/14987.txt new file mode 100644 index 0000000..fc2b9ef --- /dev/null +++ b/14987.txt @@ -0,0 +1,929 @@ +The Project Gutenberg EBook of The Brochure Series of Architectural +Illustration, Vol. 1, No. 10, October 1895., by Various + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Brochure Series of Architectural Illustration, Vol. 1, No. 10, October 1895. + French Farmhouses. + +Author: Various + +Release Date: February 9, 2005 [EBook #14987] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK ARCHITECTURAL ILLUSTRATION *** + + + + +Produced by Juliet Sutherland, Alison Hadwin and the PG Online +Distributed Proofreading Team. + + + + + +[Illustration: LXXIII. Ferme de Turpe, Normandy.] + + + + +THE BROCHURE SERIES + +OF ARCHITECTURAL ILLUSTRATION. + +VOL. I. + +OCTOBER, 1895. + +No. 10 + + + + +FRENCH FARMHOUSES. + + +As it is the purpose of THE BROCHURE SERIES to cover as wide a field +as possible in choice of subject matter for its illustrations, and at +the same time hold rigidly to the idea of furnishing only what will +be useful to its subscribers, it has seemed desirable to present +something a little nearer our everyday life than the Italian work +which has thus far formed the greater part of the plate matter. + +The domestic architecture of France and England has naturally served +as a model for a great deal of our American work, and especially is +this noticeable during the present generation in the close relation +between the French chateaux and the more pretentious American +residences, as witness the recent productions of the late Mr. Hunt, +which have just been published since his death. We are, to be +sure, looking in all directions for suggestions, and it cannot help +appearing wonderful to a thoughtful observer how many and varied these +suggestions are. + +Our wealthy citizens are building chateaux in the style of Francis +I or of somebody else, Venetian or Florentine palaces, Roman +villas, Flemish guild-halls, Elizabethan half-timber houses. All, +if tastefully and skilfully designed and placed, have their special +points of beauty and excellence, and all may in the hands of an +architect of ability be made to harmonize with our modern ways of +living and the surroundings in which they must take a part. + +None of these models, however, are more adaptable to our ways than the +country houses of France. This, of course, should not be understood +as meaning that any of these buildings can be transplanted bodily to +American soil and still be satisfactory. Architectural borrowing of +this class is never satisfactory; but no architecture of which we have +any knowledge is independent of precedent, and it only behooves us to +adopt from the experience of others those features or ideas which are +most suited to our needs. The plans and the original uses of the rooms +of these French _manoirs_ may not prove directly adaptable to our +ways of living, but the general massing of the design and the rambling +arrangement of plan, as well as the picturesqueness of it all, are +characteristics which can well be embodied in our country houses. In +their way, no better models can be found than the two _manoirs_ from +Normandy which we illustrate in this number. They have both suffered +from the ravages of time and hard usage, and both are at present, and +for a long time have been, used as farmhouses. The Manoir d'Ango is +the finer and more important of the two, and is better preserved in +some of its more interesting features. + +[Illustration: LXXIV. Ferme de Turpe, Normandy.] + +It is one of the main beauties of the charming village of +Varengeville-sur-Mer, on the north coast of Normandy. It is now +converted into a farmhouse, but in it once a celebrated privateersman +of Dieppe received the ambassadors of the King of Portugual. There are +still many evidences of the former dignity and grandeur in its present +degradation. + +Ango was strictly a _manoir_ in the French sense, that is, a residence +of the second class--not a chateau, such as Chambord or Blois. + +The principal part of the building consists of but one story with +an open gallery beneath, supported by an arcade with columns bearing +finely carved caps ornamented with female heads, angels, etc. + +In the interior as well as on the exterior may be seen fragments of +sculpture which show much refinement. In one of the rooms of the tower +a monumental mantel carved in stone bears in its centre the bust of an +old man having in his hand a globe surmounted by a cross, the imperial +emblem. This may be the portrait of one of the founders of the Ango +family. + + +LXXIII to LXXVI. + +FERME DE TURPE, NORMANDY. + + +The Ferme de Turpe is situated near the town of Neuchatel-en-Bray, +famous for its cheese. It has fewer interesting details than the +Manoir d'Ango and is in even poorer repair, but in massing and general +picturesque effect it offers many suggestions which can be utilized to +advantage in our country houses. + +Of these four views very little need be said. The charming +picturesqueness of the two general views is sufficient excuse +for presenting them, but they contain much more to the student of +architecture who cares to look for it. The two detailed views give an +excellent idea of the simple, straightforward methods of the builders. + + +LXXVII to LXXX. + +MANOIR D'ANGO. NORMANDY. + + +This building was erected between the years 1530 and 1542. Its general +design and especially its detail are of the Francois I type, and very +beautifully executed, as will be seen from the larger scale details. +The materials as indicated are stone and brick. + +In Benoist's La Normandie Illustrie a remarkably interesting circular +brick dove-cote is shown in the courtyard of this _manoir_, but it +does not appear in any of our views, and may have been demolished +since M. Benoist's sketches were made in 1852. Its walls were +decorated with colored brick, laid in bands and diaper patterns. + + + + +Club Notes. + + +The Baltimore Architectural Club commenced its active work for +the season on the first of October. It has its rooms in the Wilson +Building, Saratoga and Charles Streets, which are always open for the +use of its members, and there will be regular meetings every Thursday +evening during the winter and spring. At these meetings various +subjects of interest will occupy the attention of the members, both of +a practical and aesthetic character. + +At one meeting of each month there will be an informal talk or +lecture on some of the mechanical, constructive or sanitary questions +connected with architecture. + +On one evening there will be sketching from the cast, and on another +an impromptu sketch projet, to be completed in an hour. In addition +to these there will be competed for three of the larger and more +important regular projets, such as were made last season by the Club, +and for which two prizes are offered to those obtaining the first and +second place in point of general merit. + +The present officers and Board of Control of the Baltimore +Architectural Club are J.B. Noel Wyatt, W. Emmart, Wm. G. Noelting, +Geo. Worthington, W.M. Ellicott, W.G. Keimig, and Charles Anderson. + + * * * * * + +The last meeting of the T Square Club of Philadelphia, was one of +unusual activity. The annual election of officers and the competition +of summer sketches as called for by the Club syllabus was found to be +too much for one evening, and consequently the judging of the sketches +was postponed a week. + +The following officers were elected: President, Albert Kelsey; +Vice-President, Edgar V. Seeler; Secretary, A.B. Lacey; Treasurer, +David K. Boyd; Executive Committee, Walter Cope, Louis C. Hickman, +William L. Price. + +The summer sketches, which were judged at one of the Club's Bohemian +Nights, were of unusual quality and quantity. Walter Cope, who won +first mention, had a large collection of pencil drawings representing +the fruits of his labor in Spain. + +Walter Price (who won third place) and John Bissegger had one end of +the room covered with sketches in color and line made during a recent +trip through England, and Wilson Eyre, Jr., the winner of the second +mention, had a variety of subjects beautifully rendered on quaint +paper, and in his well-known and ever novel way. + +[Illustration: LXXV. Ferme de Turpe, Normandy.] + +Music and beer were plentiful, and had a cheering effect upon Titus, +Dull, Kelsey, and Klauder, whose summer work failed to score a +mention. + +The syllabus of the Club's work for the coming year has just been +issued and contains some features of special interest. The problems in +design are chosen with much care and the programmes are more explicit +than is usual, and will doubtless contribute to the usefulness of the +work to be done. + +The T Square Club appears to be more fortunate than some of the other +architectural clubs in having interested and succeeded in holding the +interest of a number of the stronger of the older men among the local +architects. It now numbers about one hundred and twenty members, +and its work is necessarily having considerable influence in outside +circles. + +Its example is a good one to hold up before other and less influential +clubs. + + * * * * * + +Among the architectural clubs thus far noticed in this column no +account has been taken of the clubs connected with the architectural +schools. Of these there are at present several which are doing good +and effective work, but the only one of which we have data for a +description is that connected with Lehigh University. The school of +architecture, as it is called, is not a school of architecture at all, +but of engineering (which is a very different thing), but its work +is none the less dignified or important on this account, and the +opportunity open to the students' club is in consequence a wider and +more serious one than usual if they choose to concern themselves with +artistic considerations. + +Two years ago the first class in architecture graduated from the +Lehigh University, and since that time the classes have continually +increased, until now the course is a distinct one in the curriculum +of studies of the University. The objects of the department are to +provide a thorough training in architectural engineering, with such +additional studies in history, design, and drawing as must necessarily +accompany all architectural problems. + +The first year is of a preparatory nature in which no distinctively +architectural subject is taken up, and in the second year the subjects +are those closely related to civil engineering, including a very +complete course in higher mathematics. It is in the third year that +architectural subjects are brought in, and with studies and lectures +on the architectural styles, smaller problems in design, sanitary +engineering, and theory of roofs and bridges, the full course is +opened for the fourth year, of steel construction in office buildings +(design and computations), specifications by lectures, thorough study +of ventilation, designs for roof trusses and girders, and hydraulics, +finally ending with a thesis design. To supplement this prescribed +work the students have organized the Architectural Club of the +University. The objects of this society are to distribute blue prints +to members from a growing collection of negatives owned by the Club; +to collect specimens and models of building material; to aid in +securing a students' library, and to hold monthly competitions in +pen-and-ink rendering, besides managing any of the affairs of the +architectural course in which the students as a body desire to act. +It is an organization for mutual benefits and already has made itself +felt, although only two years old. + + * * * * * + +After a summer of more or less inactivity, during which, in June, +its quarters were moved to 77 City Hall, where it is much more +conveniently located, the Cleveland Architectural Club has taken +up its work with characteristic enthusiasm, and already a vigorous +winter's work has been planned, beginning on November 14, with the +annual banquet at the Hollenden Hotel, followed by the yearly meeting +for the reports of officers and the election of new officers. + +On the evening of January 9, 1896, the first annual exhibition of the +Club will be inaugurated, to continue during the balance of the week. +This will be the first distinctively architectural exhibition ever +held in Cleveland. + +In the last competition, "An Entrance to Lake View Cemetery," the +mentions were as follows: W.D. Benes, first; Chas. S. Schneider, +second; Wilbur M. Hall, third; Geo. W. Andrews, fourth; L.R. Rice, +fifth. + +The membership of the Club is rapidly increasing, a majority of the +members of the local chapter of the A.I.A. having already become +associate members. + +[Illustration: LXXVI. Ferme de Turpe, Normandy.] + + + + +The Brochure Series + +of Architectural Illustration. + +PUBLISHED MONTHLY BY + +BATES & GUILD, + +6 BEACON STREET, BOSTON, MASS. + + * * * * * + +Subscription Rates per year ... 50 cents, in advance Special Club +Rates for five subscriptions ... $2.00 + + * * * * * + +Entered at the Boston Post Office as Second-class Matter. + + * * * * * + +SPECIAL NOTICE. + +Back numbers of THE BROCHURE SERIES _are not_ kept in stock. All +subscriptions will be dated from the time received and subscribers who +wish for the current numbers must place their subscriptions at once. + +If not a subscriber, you are respectfully asked to carefully examine +this number of THE BROCHURE SERIES, and consider whether it is not +worth fifty cents a year to you. A subscription blank is enclosed. + + * * * * * + +It has been suggested by a correspondent prominently connected with +one of the principal architectural clubs of the country that a very +desirable and instructive exhibition could be made up of the year's +work of the various clubs. If collected by some concerted plan, to +include the premiated or mentioned designs in the club competitions, +and all sent to some one city or club, they could be exhibited and +then passed on to the next club in the circuit. + +Exchange of ideas and comparison of methods among the architectural +clubs is much to be desired and could not help resulting in +benefit. No more direct or easier way of opening relations of mutual +helpfulness could be found than this, and we trust that some one +will take it upon himself to take the initiative. Our correspondent +intimates that this might be the first step towards a national +federation of architectural clubs. It is rather unsafe to speculate +upon what might take place in such an event. + + + + +Reviews. + + + _Suggestions in Brickwork_ with illustrations from the + Architecture of Italy, together with a Catalogue of Bricks, + made by the Hydraulic-Press Brick Companies, Eastern + Hydraulic-Press Brick Co., Philadelphia, 1895. $3.00. + +To the architect who desires to use iron or steel in construction and +to figure out his own drawings for the purpose, nothing can take the +place of the handbooks furnished by the great iron and steel companies +to aid in this work; and the convenience of having all tables, +formulas, etc., together with a reliable catalogue of commercial +and practical possibilities, all in one little handbook is not to be +over-estimated. + +What has in the past been done for the users of constructional iron +and steel work has now been attempted in a very different field for +architects who may wish to design in brick, both plain, moulded and +ornamental. That this attempt is well considered and most thoroughly +carried out would be perfectly certain if for no other reason than for +the name of the compiler, Mr. Frank Miles Day, of Philadelphia. There +have been similar attempts made in the past, but they are crude in +comparison with the handsome volume now before us. It does not matter +that this beautifully printed and illustrated book is a perfectly +frank advertisement, put forward for purely business reasons. It has +a most important bearing upon the progress and development of the best +American architecture. + +The suggestions in designs are very largely taken from the buildings +in the north of Italy, adapted, of course, to the requirements of +modern bricks. They show at all times a most discriminating and +delicate taste and familiarity with the best architecture. + +The ostensible purpose of the book is to remedy the difficulty which +all who have attempted to use bricks in designing have experienced to +a greater or less extent, of finding forms suitable for a given space. + +The book is divided into two distinct parts, the first made up of +twenty-eight plates of designs with accompanying descriptive matter, +for arcades, loggias, doorways, windows, moulded bands, cornices, +brick mosaics, fireplaces, balconies, piers and columns, and gate +posts, all carefully drawn to scale and with the numbers of patterns +used in each case referring to the catalogue, which occupies the +second portion of the book. In the catalogue each pattern is shown +in isometric view, with shadows indicated where it will add to the +cleanness of the cut, and upon the opposite page the profile of the +brick is shown at half full size. This portion of the catalogue +is rendered much more useful than it would otherwise be, by the +classification which has been adopted. By this means it is easy to +find most any shape desired. + +The choice of the patterns themselves deserves the highest +commendation. + +[Illustration: LXXVII. Manoir d'Ango, Normandy.] + +[Illustration: SKETCH BY WILSON EYRE, JR. See The Architectural +Review, Vol. IV, No. 1.] + +The forthcoming number of _The Architectural Review_ (Vol. IV, No. 1) +will include several noteworthy features. The plates are of the same +class of subjects which has given the paper its present high standing. +The four gelatine plates are devoted to illustrating Messrs. Cram, +Wentworth & Goodhue's design for the Public Library to be erected in +Fall River, Mass. The two remaining line plates are devoted to the +Bowery Bank building in New York by Messrs. McKim, Mead & White. The +principal article in the text portion of the number is a sketch of a +trip across England from Liverpool to London by Wilson Eyre, Jr. +The delicate and, in the main, truthful reproductions of Mr. Eyre's +incomparable sketches give the article a more than common interest. +Of all American architects who have been attracted by the picturesque +features of English and French domestic work, no one has shown a +closer sympathy or been able in his sketches to render more of its +charm than Mr. Eyre. + +[Illustration: SKETCH BY WILSON EYRE, JR. See The Architectural +Review, Vol. IV, No. 1.] + +[Illustration: LXXVIII. Manoir d'Ango, Normandy.] + + + + +The "P.D's." + +(_Continued from page 123_.) [Transcriber's Note: issue 8] + + +And speaking of costumes reminds me of some very successful ones, and +particularly that of a Highlander, the whole of which was made on +the spot from the club's "props" and was complete even to a practical +bagpipe, which was composed of three tin horns, a penny whistle, a +piece of burlap, and a rubber tobacco pouch. Both in tone and looks it +was an exceedingly good imitation of the genuine article. + +One of the things that has afforded the P.D.'s a great deal of +amusement is a supposititious newspaper, wherein the members are +interviewed on any and all occasions and many interesting things +brought to light. In one of them, for instance, Ictinus confides to +the reporter that he was born in the shadow of the Parthenon. This +mixing up of one's peculiarities, habits, and nationality with those +of the illustrious individual whose name he bears, is capable of being +given many laughable twists and has been taken advantage of in many +amusing skits. + +Besides the interviews there are fashion notes, society and sporting +notes, architectural news, and receipts. Among the latter is a receipt +for making Welsh rare-bits that should be in the possession of every +one addicted to them. + +[Illustration: THE "P.D.'S" PREPARED FOR WORK.] + +The club has been regaled at various times with comic opera (with +scenery painted for the occasion), readings and recitations; and at +one of the annual dinners an illustrated history of the club and its +members was given on an ingeniously contrived miniature stage. + +Every dinner, every voyage of discovery, every reception, and in short +anything happening that would be of interest to the absent members, is +written up by some one for their edification. The P.D.'s out-Wegg Mr. +Wegg in the matter of dropping into poetry, and although its quality +cannot be presumed to approach that selected by that famous individual +for the delectation of Mr. Boffin, it being, not to mention the matter +of theme, very often afflicted with a deplorable weakness or strength +in its feet, yet it can be said of it, as in the case of Mercutio's +wound, that it serves. + +[Illustration: CORNER IN THE "P.D.'S" ROOMS.] + +Most of these literary efforts eventually find a place in the +scrapbook, and their perusal reminds us of many a joyous evening. + + "We seem to see, to taste, to hear, + Joys that have passed; who say too fleet + The rush of time? Things passed are dear." + +This, then, is a slight account of the P.D.'s, and if their doings be +branded as folly, it is to them at least a very innocent and delicious +sort of folly, and just the thing to free them from the perplexing +problems of the day and fit them to grapple with a freshened and +renewed energy those of the morrow. + + + + +Notes. + + +The new office building of the Chicago Varnish Company, now in the +course of erection at the corner of Dearborn Avenue and Kinzie Street, +Chicago, from the designs of Mr. Henry Ives Cobb, covers a plat of +ground 45 x 90 feet. It is in the style of the brick architecture of +Holland, which has been recently adopted in several instances in New +York and Philadelphia, notably by Mr. Frank Miles Day and Mr. R.W. +Gibson. It is to be built of St. Louis red pressed brick with Bedford +stone trimmings, and will be a noticeable building even in Chicago, +where there is so much of architectural interest. The interior will +be handsomely finished in natural woods. The company will occupy a +considerable part of the building, but a portion of it will be rented +for other office purposes. + +[Illustration: LXXIX. Manoir d'Ango, Normandy.] + +[Illustration: BUILDING OF CHICAGO VARNISH CO., CHICAGO.] + +Many a new building that is approaching its first winter will be found +lacking if its architect forgot the specification of the Folsom Snow +Guard. A great many buildings do not need this device, but where one +does, it needs it badly. It is so cheap, so simple and so perfectly +effective that it should be used where there is the least chance of +danger or inconvenience from snow sliding off the roof. + +The development of the kitchen range has been along certain well +defined lines, the ornament changed, new parts nickeled, dimensions +varied, etc., but it has remained the same old stove. The Walker +& Pratt Mfg. Co., of Boston, have made a move towards an entirely +different style, in their "Culinet," which is illustrated on this +page. It presents many good points. The cooking surface is at the +same height as an ordinary table. The oven is about the height of +the elbow, making it convenient of access, and greatly lessening +the danger of burning the arms in using it. The fire, broiler door, +clinker door, and ash-pan door are all in front. All holes are hot, +and the oven is heated on six sides, making it not only an even baker, +but a sure baker on the bottom. One damper does the whole regulating +business. A guard rail to keep the clothes from contact with the +heated surface and convenient towel driers are also provided. There is +no nickel finish, but solid bronze instead. These are features which +should recommend it to architects; besides which it is compact, and +occupies little floor space, durable, and made with the same care in +every detail that has characterized the Walker & Pratt goods for forty +years. It is a kitchen ornament, as well as a kitchen help. + +[Illustration] [Transcriber's Note: Lady using "Culinet."] + +"The Making of a Range" is a cleverly prepared little pamphlet, fully +illustrated, that was issued primarily for distribution from the +Mechanics' Fair (Boston) exhibit of the Walker & Pratt Mfg. Co. It +is well worth sending for, if one is interested in details of +manufacture. The "Culinet" was the only stove which was awarded a Gold +Medal at the Mechanics' Fair. + +[Illustration: LXXX. Manoir d'Ango, Normandy.] + + + + + + + +End of the Project Gutenberg EBook of The Brochure Series of Architectural +Illustration, Vol. 1, No. 10, October 1895., by Various + +*** END OF THIS PROJECT GUTENBERG EBOOK ARCHITECTURAL ILLUSTRATION *** + +***** This file should be named 14987.txt or 14987.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/1/4/9/8/14987/ + +Produced by Juliet Sutherland, Alison Hadwin and the PG Online +Distributed Proofreading Team. + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. 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