summaryrefslogtreecommitdiff
path: root/15177.txt
diff options
context:
space:
mode:
Diffstat (limited to '15177.txt')
-rw-r--r--15177.txt6226
1 files changed, 6226 insertions, 0 deletions
diff --git a/15177.txt b/15177.txt
new file mode 100644
index 0000000..80fcef4
--- /dev/null
+++ b/15177.txt
@@ -0,0 +1,6226 @@
+The Project Gutenberg EBook of Nocturne, by Frank Swinnerton
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Nocturne
+
+Author: Frank Swinnerton
+
+Release Date: February 26, 2005 [EBook #15177]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK NOCTURNE ***
+
+
+
+
+Produced by Audrey Longhurst, Mary Meehan and the PG Online
+Distributed Proofreading Team.
+
+
+
+
+
+
+ NOCTURNE
+
+ By FRANK SWINNERTON
+
+ 1917
+
+
+
+
+TO MARTIN SECKER
+
+THIS "NOCTURNE"
+
+
+
+
+INTRODUCTION BY H.G. WELLS
+
+"'But do I see afore me, him as I ever sported with in his times of
+happy infancy? And may I--_may_ I?'
+
+"This May I, meant might he shake hands?"
+
+--DICKENS, _Great Expectations_.
+
+I do not know why I should be so overpoweringly reminded of the
+immortal, if at times impossible, Uncle Pumblechook, when I sit down to
+write a short preface to Mr. Swinnerton's _Nocturne_. Jests come at
+times out of the backwoods of a writer's mind. It is part of the
+literary quality that behind the writer there is a sub-writer, making a
+commentary. This is a comment against which I may reasonably
+expostulate, but which nevertheless I am indisposed to ignore.
+
+The task of introducing a dissimilar writer to a new public has its own
+peculiar difficulties for the elder hand. I suppose logically a writer
+should have good words only for his own imitators. For surely he has
+chosen what he considers to be the best ways. What justification has he
+for praising attitudes he has never adopted and commending methods of
+treatment from which he has abstained? The reader naturally receives his
+commendations with suspicion. Is this man, he asks, stricken with
+penitence in the flower of his middle-age? Has he but just discovered
+how good are the results that the other game, the game he has never
+played, can give? Or has he been disconcerted by the criticism of the
+Young? The Fear of the Young is the beginning of his wisdom. Is he
+taking this alien-spirited work by the hand simply to say defensively
+and vainly: "I assure you, indeed, I am _not_ an old fogy; I _quite_
+understand it." (There it is, I fancy, that the Pumblechook quotation
+creeps in.) To all of which suspicions, enquiries and objections, I will
+quote, tritely but conclusively: "In my Father's house are many
+Mansions," or in the words of Mr. Kipling:
+
+"There are five and forty ways
+Of composing tribal lays
+And every blessed one of them is right."
+
+Indeed now that I come to think it over, I have never in all my life
+read a writer of closely kindred method to my own that I have greatly
+admired; the confessed imitators give me all the discomfort without the
+relieving admission of caricature; the parallel instances I have always
+wanted to rewrite; while, on the other hand, for many totally dissimilar
+workers I have had quite involuntary admirations. It isn't merely that I
+don't so clearly see how they are doing it, though that may certainly be
+a help; it is far more a matter of taste. As a writer I belong to one
+school and as a reader to another--as a man may like to make optical
+instruments and collect old china. Swift, Sterne, Jane Austen, Thackeray
+and the Dickens of _Bleak House_ were the idols of my youthful
+imitation, but the contemporaries of my early praises were Joseph
+Conrad, W.H. Hudson, and Stephen Crane, all utterly remote from that
+English tradition. With such recent admirations of mine as James Joyce,
+Mr. Swinnerton, Rebecca West, the earlier works of Mary Austen or Thomas
+Burke, I have as little kindred as a tunny has with a cuttlefish. We
+move in the same medium and that is about all we have in common.
+
+This much may sound egotistical, and the impatient reader may ask when I
+am coming to Mr. Swinnerton, to which the only possible answer is that I
+am coming to Mr. Swinnerton as fast as I can and that all this leads as
+straightly as possible to a definition of Mr. Swinnerton's position. The
+science of criticism is still crude in its classification, there are a
+multitude of different things being done that are all lumped together
+heavily as novels, they are novels as distinguished from romances, so
+long as they are dealing with something understood to be real. All that
+they have in common beyond that is that they agree in exhibiting a sort
+of story continuum. But some of us are trying to use that story
+continuum to present ideas in action, others to produce powerful
+excitements of this sort or that, as Burke and Mary Austen do, while
+others again concentrate upon the giving of life as it is, seen only
+more intensely. Personally I have no use at all for life as it is,
+except as raw material. It bores me to look at things unless there is
+also the idea of doing something with them. I should find a holiday,
+doing nothing amidst beautiful scenery, not a holiday, but a torture.
+The contemplative ecstacy of the saints would be hell to me. In the--I
+forget exactly how many--books I have written, it is always about life
+being altered I write, or about people developing schemes for altering
+life. And I have never once "presented" life. My apparently most
+objective books are criticisms and incitements to change. Such a writer
+as Mr. Swinnerton, on the contrary, sees life and renders it with a
+steadiness and detachment and patience quite foreign to my disposition.
+He has no underlying motive. He sees and tells. His aim is the
+attainment of that beauty which comes with exquisite presentation. Seen
+through his art, life is seen as one sees things through a crystal lens,
+more intensely, more completed, and with less turbidity. There the
+business begins and ends for him. He does not want you or any one to do
+anything.
+
+Mr. Swinnerton is not alone among recent writers in this clear, detached
+objectivity. We have in England a writer, Miss Dorothy Richardson, who
+has probably carried impressionism in fiction to its furthest limit. I
+do not know whether she will ever make large captures of the general
+reader, but she is certainly a very interesting figure for the critic
+and the amateur of fiction. In _Pointed Roofs_ and _Honeycomb_, for
+example, her story is a series of dabs of intense superficial
+impression; her heroine is not a mentality, but a mirror. She goes about
+over her facts like those insects that run over water sustained by
+surface tension. Her percepts never become concepts. Writing as I do at
+the extremest distance possible from such work, I confess I find it
+altogether too much--or shall I say altogether too little?--for me. But
+Mr. Swinnerton, like Mr. James Joyce, does not repudiate the depths for
+the sake of the surface. His people are not splashes of appearance, but
+living minds. Jenny and Emmy in this book are realities inside and out;
+they are imaginative creatures so complete that one can think with ease
+of Jenny ten years hence or of Emmy as a baby. The fickle Alf is one of
+the most perfect Cockneys--a type so easy to caricature and so hard to
+get true--in fiction. If there exists a better writing of vulgar
+lovemaking, so base, so honest, so touchingly mean and so touchingly
+full of the craving for happiness than this that we have here in the
+chapter called _After the Theatre_, I do not know of it. Only a
+novelist who has had his troubles can understand fully what a dance
+among china cups, what a skating over thin ice, what a tight-rope
+performance is achieved in this astounding chapter. A false note, one
+fatal line, would have ruined it all. On the one hand lay brutality; a
+hundred imitative louts could have written a similar chapter brutally,
+with the soul left out, we've loads of such "strong stuff" and it is
+nothing; on the other side was the still more dreadful fall into
+sentimentality, the tear of conscious tenderness, the redeeming glimpse
+of "better things" in Alf or Emmy that would at one stroke have
+converted their reality into a genteel masquerade. The perfection of Alf
+and Emmy is that at no point does a "nature's gentleman" or a "nature's
+lady" show through and demand our refined sympathy. It is only by
+comparison with this supreme conversation that the affair of Keith and
+Jenny seems to fall short of perfection. But that also is at last
+perfected, I think, by Jenny's final, "Keith.... Oh, Keith!..."
+
+Above these four figures again looms the majestic invention of "Pa."
+Every reader can appreciate the truth and humour of Pa, but I doubt if
+any one without technical experience can realise how the atmosphere is
+made and completed and rounded off by Pa's beer, Pa's needs, and Pa's
+accident, how he binds the bundle and makes the whole thing one, and
+what an enviable triumph his achievement is.
+
+But the book is before the reader and I will not enlarge upon its merits
+further. Mr. Swinnerton has written four or five other novels before
+this one, but none of them compare with it in quality. His earlier books
+were strongly influenced by the work of George Gissing; they have
+something of the same fatigued greyness of texture and little of the
+artistic completeness and intense vision of _Nocturne_. He has also made
+two admirable and very shrewd and thorough studies of the work and lives
+of Robert Louis Stevenson and George Gissing. Like these two, he has had
+great experience of illness. He is a young man of so slender a health,
+so frequently ill, that even for the most sedentary purposes of this
+war, his country will not take him. It was in connection with his
+Gissing volume, for which I possessed some material he needed, that I
+first made his acquaintance. He has had something of Gissing's
+restricted and grey experiences, but he has nothing of Gissing's almost
+perverse gloom and despondency. Indeed he is as gay a companion as he is
+fragile. He is a twinkling addition to any Christmas party, and the
+twinkle is here in the style. And having sported with him "in his times
+of happy infancy," I add an intimate and personal satisfaction to my
+pleasant task of saluting this fine work that ends a brilliant
+apprenticeship and ranks Swinnerton as Master. This is a book that will
+not die. It is perfect, authentic, and alive. Whether a large and
+immediate popularity will fall to it I cannot say, but certainly the
+discriminating will find it and keep it and keep it alive. If Mr.
+Swinnerton were never to write another word I think he might count on
+this much of his work living, as much of the work of Mary Austen, W.H.
+Hudson, and Stephen Crane will live, when many of the more portentous
+reputations of to-day may have served their purpose in the world and
+become no more than fading names.
+
+DECEMBER, 1917
+
+
+
+
+CONTENTS
+
+
+PART ONE: EVENING
+
+CHAPTER
+
+ I. SIX O'CLOCK
+
+ II. THE TREAT
+
+ III. ROWS
+
+ IV. THE WISH
+
+
+PART TWO: NIGHT
+
+ V. THE ADVENTURE
+
+ VI. THE YACHT
+
+ VII. MORTALS
+
+ VIII. PENALTIES
+
+ IX. WHAT FOLLOWED
+
+ X. CINDERELLA
+
+
+PART THREE: MORNING
+
+ XI. AFTER THE THEATRE
+
+ XII. CONSEQUENCES
+
+
+
+
+PART ONE
+
+EVENING
+
+
+
+
+CHAPTER I: SIX O'CLOCK
+
+
+i
+
+Six o'clock was striking. The darkness by Westminster Bridge was
+intense; and as the tramcar turned the corner from the Embankment Jenny
+craned to look at the thickly running water below. The glistening of
+reflected lights which spotted the surface of the Thames gave its rapid
+current an air of such mysterious and especially sinister power that she
+was for an instant aware of almost uncontrollable terror. She could feel
+her heart beating, yet she could not withdraw her gaze. It was nothing:
+no danger threatened Jenny but the danger of uneventful life; and her
+sense of sudden yielding to unknown force was the merest fancy, to be
+quickly forgotten when the occasion had passed. None the less, for that
+instant her dread was breathless. It was the fear of one who walks in a
+wood, at an inexplicable rustle. The darkness and the sense of moving
+water continued to fascinate her, and she slightly shuddered, not at a
+thought, but at the sensation of the moment. At last she closed her
+eyes, still, however, to see mirrored as in some visual memory the
+picture she was trying to ignore. In a faint panic, hardly conscious to
+her fear, she stared at her neighbour's newspaper, spelling out the
+headings to some of the paragraphs, until the need of such protection
+was past.
+
+As the car proceeded over the bridge, grinding its way through the still
+rolling echoes of the striking hour, it seemed part of an endless
+succession of such cars, all alike crowded with homeward-bound
+passengers, and all, to the curious mind, resembling ships that pass
+very slowly at night from safe harbourage to the unfathomable elements
+of the open sea. It was such a cold still night that the sliding windows
+of the car were almost closed, and the atmosphere of the covered upper
+deck was heavy with tobacco smoke. It was so dark that one could not see
+beyond the fringes of the lamplight upon the bridge. The moon was in its
+last quarter, and would not rise for several hours; and while the
+glitter of the city lay behind, and the sky was greyed with light from
+below, the surrounding blackness spread creeping fingers of night in
+every shadow.
+
+The man sitting beside Jenny continued to puff steadfastly at his pipe,
+lost in the news, holding mechanically in his further hand the return
+ticket which would presently be snatched by the hurrying tram-conductor.
+He was a shabby middle-aged clerk with a thin beard, and so he had not
+the least interest for Jenny, whose eye was caught by other beauties
+than those of assiduous labour. She had not even to look at him to be
+quite sure that he did not matter to her. Almost, Jenny did not care
+whether he had glanced sideways at herself or not. She presently gave a
+quiet sigh of relief as at length the river was left behind and the
+curious nervous tension--no more lasting than she might have felt at
+seeing a man balancing upon a high window-sill--was relaxed. She
+breathed more deeply, perhaps, for a few instants; and then, quite
+naturally, she looked at her reflection in the sliding glass. That hat,
+as she could see in the first sure speedless survey, had got the droops.
+"See about you!" she said silently and threateningly, jerking her head.
+The hat trembled at the motion, and was thereafter ignored. Stealthily
+Jenny went back to her own reflection in the window, catching the
+clearly-chiselled profile of her face, bereft in the dark mirror of all
+its colour. She could see her nose and chin quite white, and her lips as
+part of the general colourless gloom. A little white brooch at her neck
+stood boldly out; and that was all that could be seen with any
+clearness, as the light was not directly overhead. Her eyes were quite
+lost, apparently, in deep shadows. Yet she could not resist the delight
+of continuing narrowly to examine herself. The face she saw was hardly
+recognisable as her own; but it was bewitchingly pale, a study in black
+and white, the kind of face which, in a man, would at once have drawn
+her attention and stimulated her curiosity. She had longed to be pale,
+but the pallor she was achieving by millinery work in a stuffy room was
+not the marble whiteness which she had desired. Only in the sliding
+window could she see her face ideally transfigured. There it had the
+brooding dimness of strange poetic romance. You couldn't know about that
+girl, she thought. You'd want to know about her. You'd wonder all the
+time about her, as though she had a secret.... The reflection became
+curiously distorted. Jenny was smiling to herself.
+
+As soon as the tramcar had passed the bridge, lighted windows above the
+shops broke the magic mirror and gave Jenny a new interest, until, as
+they went onward, a shopping district, ablaze with colour, crowded with
+loitering people, and alive with din, turned all thoughts from herself
+into one absorbed contemplation of what was beneath her eyes. So
+absorbed was she, indeed, that the conductor had to prod her shoulder
+with his two fingers before he could recover her ticket and exchange it
+for another. "'Arf asleep, some people!" he grumbled, shoving aside the
+projecting arms and elbows which prevented his free passage between the
+seats. "Feyuss please!" Jenny shrugged her shoulder, which seemed as
+though it had been irritated at the conductor's touch. It felt quite
+bruised. "Silly old fool!" she thought, with a brusque glance. Then she
+went silently back to the contemplation of all the life that gathered
+upon the muddy and glistening pavements below.
+
+
+ii
+
+In a few minutes they were past the shops and once again in darkness,
+grinding along, pitching from end to end, the driver's bell clanging
+every minute to warn carts and people off the tramlines. Once, with an
+awful thunderous grating of the brakes, the car was pulled up, and
+everybody tried to see what had provoked the sense of accident. There
+was a little shouting, and Jenny, staring hard into the roadway, thought
+she could see as its cause a small girl pushing a perambulator loaded
+with bundles of washing. Her first impulse was pity--"Poor little
+thing"; but the words were hardly in her mind before they were chased
+away by a faint indignation at the child for getting in the tram's way.
+Everybody ought to look where they were going. Ev-ry bo-dy ought to look
+where they were go-ing, said the pitching tramcar. Ev-ry bo-dy.... Oh,
+sickening! Jenny looked at her neighbour's paper--her refuge. "Striking
+speech," she read. Whose? What did it matter? Talk, talk.... Why didn't
+they do something? What were they to do? The tram pitched to the refrain
+of a comic song: "Actions speak louder than words!" That kid who was
+wheeling the perambulator full of washing.... Jenny's attention drifted
+away like the speech of one who yawns, and she looked again at her
+reflection. The girl in the sliding glass wouldn't say much. She'd think
+the more. She'd say, when Sir Herbert pressed for his answer, "My
+thoughts are my own, Sir Herbert Mainwaring." What was it the girl in
+_One of the Best_ said? "You may command an army of soldiers; but you
+cannot still the beating of a woman's heart!" Silly fool, she was. Jenny
+had felt the tears in her eyes, burning, and her throat very dry, when
+the words had been spoken in the play; but Jenny at the theatre and
+Jenny here and now were different persons. Different? Why, there were
+fifty Jennys. But the shrewd, romantic, honest, true Jenny was behind
+them all, not stupid, not sentimental, bold as a lion, destructively
+experienced in hardship and endurance, very quick indeed to single out
+and wither humbug that was within her range of knowledge, but innocent
+as a child before any other sort of humbug whatsoever. That was why she
+could now sneer at the stage-heroine, and could play with the mysterious
+beauties of her own reflection; but it was why she could also be led
+into quick indignation by something read in a newspaper.
+
+Tum-ty tum-ty tum-ty tum, said the tram. There were some more shops.
+There were straggling shops and full-blazing rows of shops. There were
+stalls along the side of the road, women dancing to an organ outside a
+public-house. Shops, shops, houses, houses, houses ... light,
+darkness.... Jenny gathered her skirt. This was where she got down. One
+glance at the tragic lady of the mirror, one glance at the rising smoke
+that went to join the general cloud; and she was upon the iron-shod
+stairs of the car and into the greasy roadway. Then darkness, as she
+turned along beside a big building into the side streets among rows and
+rows of the small houses of Kennington Park.
+
+
+iii
+
+It was painfully dark in these side streets. The lamps drew beams such a
+short distance that they were as useless as the hidden stars. Only down
+each street one saw mild spots starting out of the gloom, fascinating in
+their regularity, like shining beads set at prepared intervals in a body
+of jet. The houses were all in darkness, because evening meals were laid
+in the kitchens: the front rooms were all kept for Sunday use, excepting
+when the Emeralds and Edwins and Geralds and Dorises were practising
+upon their mothers' pianos. Then you could hear a din! But not now. Now
+all was as quiet as night, and even doors were not slammed. Jenny
+crossed the street and turned a corner. On the corner itself was a small
+chandler's shop, with "Magnificent Tea, per 2/- lb."; "Excellent Tea, per
+1/8d. lb"; "Good Tea, per 1/4d. lb." advertised in great bills upon its
+windows above a huge collection of unlikely goods gathered together like
+a happy family in its tarnished abode. Jenny passed the dully-lighted
+shop, and turned in at her own gate. In a moment she was inside the
+house, sniffing at the warm odour-laden air within doors. Her mouth drew
+down at the corners. Stew to-night! An amused gleam, lost upon the dowdy
+passage, fled across her bright eyes. Emmy wouldn't have thanked her for
+that! Emmy--sick to death herself of the smell of cooking--would have
+slammed down the pot in despairing rage.
+
+In the kitchen a table was laid; and Emmy stretched her head back to
+peer from the scullery, where she was busy at the gas stove. She did not
+say a word. Jenny also was speechless; and went as if without thinking
+to the kitchen cupboard. The table was only half-laid as usual; but that
+fact did not make her action the more palatable to Emmy. Emmy, who was
+older than Jenny by a mysterious period--diminished by herself, but kept
+at its normal term of three years by Jenny, except in moments of some
+heat, when it grew for purposes of retort,--was also less effective in
+many ways, such as in appearance and in adroitness; and Jenny comprised
+in herself, as it were, the good looks of the family. Emmy was the
+housekeeper, who looked after Pa Blanchard; Jenny was the roving blade
+who augmented Pa's pension by her own fluctuating wages. That was
+another slight barrier between the sisters. Nevertheless, Emmy was quite
+generous enough, and was long-suffering, so that her resentment took the
+general form of silences and secret broodings upon their different
+fortunes. There was a great deal to be said about this difference, and
+the saying grew more and more remote from explicit utterance as thought
+of it ground into Emmy's mind through long hours and days and weeks of
+solitude. Pa could not hear anything besides the banging of pots, and he
+was too used to sudden noises to take any notice of such a thing; but
+the pots themselves, occasionally dented in savage dashes against each
+other or against the taps, might have heard vicious apostrophes if they
+had listened intently to Emmy's ejaculations. As it was, with the
+endurance of pots, they mutely bore their scars and waited dumbly for
+superannuation. And every bruise stood to Emmy when she renewed
+acquaintance with it as mark of yet another grievance against Jenny. For
+Jenny enjoyed the liberties of this life while Emmy stayed at home.
+Jenny sported while Emmy was engaged upon the hideous routine of kitchen
+affairs, and upon the nursing of a comparatively helpless old man who
+could do hardly anything at all for himself.
+
+Pa was in his bedroom,--the back room on the ground-floor, chosen
+because he could not walk up the stairs, but must have as little trouble
+in self-conveyance as possible,--staggeringly making his toilet for the
+meal to come, sitting patiently in front of his dressing-table by the
+light of a solitary candle. He would appear in due course, when he was
+fetched. He had been a strong man, a runner and cricketer in his youth,
+and rather obstreperously disposed; but that time was past, and his
+strength for such pursuits was as dead as the wife who had suffered
+because of its vagaries. He could no longer disappear on the Saturdays,
+as he had been used to do in the old days. His chair in the kitchen, the
+horse-hair sofa in the sitting-room, the bed in the bedroom, were the
+only changes he now had from one day's end to another. Emmy and Jenny,
+pledges of a real but not very delicate affection, were all that
+remained to call up the sorrowful thoughts of his old love, and those
+old times of virility, when Pa and his strength and his rough
+boisterousness had been the delight of perhaps a dozen regular
+companions. He sometimes looked at the two girls with a passionless
+scrutiny, as though he were trying to remember something buried in
+ancient neglect; and his eyes would thereafter, perhaps at the mere
+sense of helplessness, fill slowly with tears, until Emmy, smothering
+her own rough sympathy, would dab Pa's eyes with a harsh handkerchief
+and would rebuke him for his decay. Those were hard moments in the
+Blanchard home, for the two girls had grown almost manlike in abhorrence
+of tears, and with this masculine distaste had arisen a corresponding
+feeling of powerlessness in face of emotion which they could not share.
+It was as though Pa had become something like an old and beloved dog,
+unable to speak, pitied and despised, yet claiming by his very dumbness
+something that they could only give by means of pats and half-bullying
+kindness. At such times it was Jenny who left her place at the table and
+popped a morsel of food into Pa's mouth; but it was Emmy who best
+understood the bitterness of his soul. It was Emmy, therefore, who would
+snap at her sister and bid her get on with her own food; while Pa
+Blanchard made trembling scrapes with his knife and fork until the mood
+passed. But then it was Emmy who was most with Pa; it was Emmy who hated
+him in the middle of her love because he stood to her as the living
+symbol of her daily inescapable servitude in this household. Jenny
+could never have felt that she would like to kill Pa. Emmy sometimes
+felt that. She at times, when he had been provoking or obtuse, so shook
+with hysterical anger, born of the inevitable days in his society and in
+the kitchen, that she could have thrown at him the battered pot which
+she carried, or could have pushed him passionately against the
+mantelpiece in her fierce hatred of his helplessness and his occasional
+perverse stupidity. He was rarely stupid with Jenny, but giggled at her
+teasing.
+
+Jenny was taller than Emmy by several inches. She was tall and thin and
+dark, with an air of something like impudent bravado that made her
+expression sometimes a little wicked. Her nose was long and straight,
+almost sharp-pointed; her face too thin to be a perfect oval. Her eyes
+were wide open, and so full of power to show feeling that they seemed
+constantly alive with changing and mocking lights and shadows. If she
+had been stouter the excellent shape of her body, now almost too thick
+in the waist, would have been emphasised. Happiness and comfort, a
+decrease in physical as in mental restlessness, would have made her more
+than ordinarily beautiful. As it was she drew the eye at once, as though
+she challenged a conflict of will: and her movements were so swift and
+eager, so little clumsy or jerking, that Jenny had a carriage to
+command admiration. The resemblance between the sisters was ordinarily
+not noticeable. It would have needed a photograph--because photographs,
+besides flattening the features, also in some manner "compose" and
+distinguish them--to reveal the likenesses in shape, in shadow, even in
+outline, which were momentarily obscured by the natural differences of
+colouring and expression. Emmy was less dark, more temperamentally
+unadventurous, stouter, and possessed of more colour. She was
+twenty-eight or possibly twenty-nine, and her mouth was rather too hard
+for pleasantness. It was not peevish, but the lips were set as though
+she had endured much. Her eyes, also, were hard; although if she cried
+one saw her face soften remarkably into the semblance of that of a
+little girl. From an involuntary defiance her expression changed to
+something really pathetic. One could not help loving her then, not with
+the free give and take of happy affection, but with a shamed hope that
+nobody could read the conflict of sympathy and contempt which made one's
+love frigid and self-conscious. Jenny rarely cried: her cheeks reddened
+and her eyes grew full of tears; but she did not cry. Her tongue was too
+ready and her brain too quick for that. Also, she kept her temper from
+flooding over into the self-abandonment of angry weeping and
+vituperation. Perhaps it was that she had too much pride--or that in
+general she saw life with too much self-complacency, or that she was not
+in the habit of yielding to disappointment. It may have been that Jenny
+belonged to that class of persons who are called, self-sufficient. She
+plunged through a crisis with her own zest, meeting attack with
+counter-attack, keeping her head, surveying with the instinctive
+irreverence and self-protective wariness of the London urchin the
+possibilities and swaying fortunes of the fight. Emmy, so much slower,
+so much less self-reliant, had no refuge but in scolding that grew
+shriller and more shrill until it ended in violent weeping, a withdrawal
+from the field entirely abject. She was not a born fighter. She was
+harder on the surface, but weaker in powers below the surface. Her long
+solitudes had made her build up grievances, and devastating thoughts,
+had given her a thousand bitter things to fling into the conflict; but
+they had not strengthened her character, and she could not stand the
+strain of prolonged argument. Sooner or later she would abandon
+everything, exhausted, and beaten into impotence. She could bear more,
+endure more, than Jenny; she could bear much, so that the story of her
+life might be read as one long scene of endurance of things which Jenny
+would have struggled madly to overcome or to escape. But having borne
+for so long, she could fight only like a cat, her head as it were
+turned aside, her fur upon end, stealthily moving paw by paw, always
+keeping her front to the foe, but seeking for escape--until the pride
+perilously supporting her temper gave way and she dissolved into
+incoherence and quivering sobs.
+
+It might have been said roughly that Jenny more closely resembled her
+father, whose temperament in her care-free, happy-go-lucky way she
+understood very well (better than Emmy did), and that while she carried
+into her affairs a necessarily more delicate refinement than his she had
+still the dare-devil spirit that Pa's friends had so much admired. She
+had more humour than Emmy--more power to laugh, to be detached, to be
+indifferent. Emmy had no such power. She could laugh; but she could only
+laugh seriously, or at obviously funny things. Otherwise, she felt
+everything too much. As Jenny would have said, she "couldn't take a
+joke." It made her angry, or puzzled, to be laughed at. Jenny laughed
+back, and tried to score a point in return, not always scrupulously.
+Emmy put a check on her tongue. She was sometimes virtuously silent.
+Jenny rarely put a check on her tongue. She sometimes let it say
+perfectly outrageous things, and was surprised at the consequences. For
+her it was enough that she had not meant to hurt. She sometimes hurt
+very much. She frequently hurt Emmy to the quick, darting in one of her
+sure careless stabs that shattered Emmy's self-control. So while they
+loved each other, Jenny also despised Emmy, while Emmy in return hated
+and was jealous of Jenny, even to the point of actively wishing in
+moments of furtive and shamefaced savageness to harm her. That was the
+outward difference between the sisters in time of stress. Of their
+inner, truer, selves it would be more rash to speak, for in times of
+peace Jenny had innumerable insights and emotions that would be forever
+unknown to the elder girl. The sense of rivalry, however, was acute: it
+coloured every moment of their domestic life, unwinking and incessant.
+When Emmy came from the scullery into the kitchen bearing her precious
+dish of stew, and when Jenny, standing up, was measured against her,
+this rivalry could have been seen by any skilled observer. It rayed and
+forked about them as lightning might have done about two adjacent trees.
+Emmy put down her dish.
+
+"Fetch Pa, will you!" she said briefly. One could see who gave orders in
+the kitchen.
+
+
+iv
+
+Jenny found her father in his bedroom, sitting before the dressing-table
+upon which a tall candle stood in an equally tall candlestick. He was
+looking intently at his reflection in the looking-glass, as one who
+encounters and examines a stranger. In the glass his face looked red and
+ugly, and the tossed grey hair and heavy beard were made to appear
+startlingly unkempt. His mouth was open, and his eyes shaded by lowered
+lids. In a rather trembling voice he addressed Jenny upon her entrance.
+
+"Is supper ready?" he asked. "I heard you come in."
+
+"Yes, Pa," said Jenny. "Aren't you going to brush your hair? Got a fancy
+for it like that, have you? My! What a man! With his shirt unbuttoned
+and his tie out. Come here! Let's have a look at you!" Although her
+words were unkind, her tone was not, and as she rectified his omissions
+and put her arm round him Jenny gave her father a light hug. "All right,
+are you? Been a good boy?"
+
+"Yes ... a good boy...." he feebly and waveringly responded. "What's the
+noos to-night, Jenny?"
+
+Jenny considered. It made her frown, so concentrated was her effort to
+remember.
+
+"Well, somebody's made a speech," she volunteered. "They can all do
+that, can't they! And somebody's paid five hundred pounds transfer for
+Jack Sutherdon ... is it Barnsley or Burnley?... And--oh, a fire at
+Southwark.... Just the usual sort of news, Pa. No murders...."
+
+"Ah, they don't have the murders they used to have," grumbled the old
+man.
+
+"That's the police, Pa." Jenny wanted to reassure him.
+
+"I don't know how it is," he trembled, stiffening his body and rising
+from the chair.
+
+"Perhaps they hush 'em up!" That was a shock to him. He could not move
+until the notion had sunk into his head. "Or perhaps people are more
+careful.... Don't get leaving themselves about like they used to."
+
+Pa Blanchard had no suggestion. Such perilous ideas, so frequently
+started by Jenny for his mystification, joggled together in his brain
+and made there the subject of a thousand ruminations. They tantalised
+Pa's slowly revolving thoughts, and kept these moving through long hours
+of silence. Such notions preserved his interest in the world, and his
+senile belief in Magic, as nothing else could have done.
+
+Together, their pace suited to his step, the two moved slowly to the
+door. It took a long time to make the short journey, though Jenny
+supported her father on the one side and he used a stick in his right
+hand. In the passage he waited while she blew out his candle; and then
+they went forward to the meal. At the approach Pa's eyes opened wider,
+and luminously glowed.
+
+"Is there dumplings?" he quivered, seeming to tremble with excitement.
+
+"One for you, Pa!" cried Emmy from the kitchen. Pa gave a small chuckle
+of joy. His progress was accelerated. They reached the table, and Emmy
+took his right arm for the descent into a substantial chair. Upon Pa's
+plate glistened a fair dumpling, a glorious mountain of paste amid the
+wreckage of meat and gravy. "And now, perhaps," Emmy went on, smoothing
+back from her forehead a little streamer of hair, "you'll close the
+door, Jenny...."
+
+It was closed with a bang that made Pa jump and Emmy look savagely up.
+
+"Sorry!" cried Jenny. "How's that dumpling, Pa?" She sat recklessly at
+the table.
+
+
+v
+
+To look at the three of them sitting there munching away was a sight not
+altogether pleasing. Pa's veins stood out from his forehead, and the two
+girls devoted themselves to the food as if they needed it. There was
+none of the airy talk that goes on in the houses of the rich while maids
+or menservants come respectfully to right or left of the diners with
+decanters or dishes. Here the food was the thing, and there was no
+speech. Sometimes Pa's eyes rolled, sometimes Emmy glanced up with
+unconscious malevolence at Jenny, sometimes Jenny almost winked at the
+lithograph portrait of Edward the Seventh (as Prince of Wales) which
+hung over the mantelpiece above the one-and-tenpenny-ha'penny clock that
+ticked away so busily there. Something had happened long ago to Edward
+the Seventh, and he had a stain across his Field Marshal's uniform.
+Something had happened also to the clock, which lay upon its side, as if
+kicking in a death agony. Something had happened to almost everything in
+the kitchen. Even the plates on the dresser, and the cups and saucers
+that hung or stood upon the shelves, bore the noble scars of service.
+Every time Emmy turned her glance upon a damaged plate, as sharp as a
+stalactite, she had the thought: "Jenny's doing." Every time she looked
+at the convulsive clock Emmy said to herself: "That was Miss Jenny's
+cleverness when she chucked the cosy at Alf." And when Emmy said in this
+reflective silence of animosity the name "Alf" she drew a deep breath
+and looked straight up at Jenny with inscrutable eyes of pain.
+
+
+vi
+
+The stew being finished, Emmy collected the plates, and retired once
+again to the scullery. Now did Jenny show afresh that curiosity whose
+first flush had been so ill-satisfied by the meat course. When, however,
+Emmy reappeared with that most domestic of sweets, a bread pudding,
+Jenny's face fell once more; for of all dishes she most abominated bread
+pudding. Under her breath she adversely commented.
+
+"Oh lor!" she whispered. "Stew and b.p. What a life!"
+
+Emmy, not hearing, but second sighted on such matters, shot a malevolent
+glance from her place. In an awful voice, intended to be a trifle arch,
+she addressed her father.
+
+"Bready butter pudding, Pa?" she inquired. The old man whinnied with
+delight, and Emmy was appeased. She had one satisfied client, at any
+rate. She cut into the pudding with a knife, producing wedges with a
+dexterous hand.
+
+"Hey ho!" observed Jenny to herself, tastelessly beginning the work of
+laborious demolition.
+
+"Jenny thinks it's common. She ought to have the job of getting the
+meals!" cried Emmy, bitterly, obliquely attacking her sister by talking
+at her. "Something to talk about then!" she sneered with chagrin, up in
+arms at a criticism.
+
+"Well, the truth is," drawled Jenny.... "If you want it ... I don't like
+bread pudding." Somehow she had never said that before, in all the
+years; but it seemed to her that bread pudding was like ashes in the
+mouth. It was like duty, or funerals, or ... stew.
+
+"The stuff's _got_ to be finished up!" flared Emmy defiantly, with a
+sense of being adjudged inferior because she had dutifully habituated
+herself to the appreciation of bread pudding. "You might think of that!
+What else am I to do?"
+
+"That's just it, old girl. Just why I don't like it. I just _hate_ to
+feel I'm finishing it up. Same with stew. I know it's been something
+else first. It's not _fresh_. Same old thing, week in, week out.
+Finishing up the scraps!"
+
+"Proud stomach!" A quick flush came into Emmy's cheeks; and tears
+started to her eyes.
+
+"Perhaps it is. Oh, but Em! Don't you feel like that
+yourself.... Sometimes? O-o-h!..." She drawled the word wearily. "Oh
+for a bit more money! Then we could give stew to the cat's-meat man
+and bread to old Thompson's chickens. And then we could have nice things
+to eat. Nice birds and pastry ... and trifle, and ices, and wine.... Not
+all this muck!"
+
+"Muck!" cried Emmy, her lips seeming to thicken. "When I'm so
+hot.... And sick of it all! _You_ go out; you do just exactly what you
+like.... And then you come home and...." She began to gulp. "What about
+me?"
+
+"Well, it's just as bad for both of us!" Jenny did not think so really;
+but she said it. She thought Emmy had the bread and butter pudding
+nature, and that she did not greatly care what she ate as long as it was
+not too fattening. Jenny thought of Emmy as born for housework and
+cooking--of stew and bread puddings. For herself she had dreamed a
+nobler destiny, a destiny of romance, of delicious unknown things,
+romantic and indescribably exciting. She was to have the adventures,
+because she needed them. Emmy didn't need them. It was all very well for
+Emmy to say "What about me!" It was no business of hers what happened to
+Emmy. They were different. Still, she repeated more confidently because
+there had been no immediate retort:
+
+"Well, it's just as bad for both of us! _Just_ as bad!"
+
+"'Tisn't! You're out all day--doing what you like!"
+
+"Oh!" Jenny's eyes opened with theatrical wideness at such a perversion
+of the facts. "Doing what I like! The millinery!"
+
+"You are! You don't have to do all the scraping to make things go round,
+like I have to. No, you don't! Here have I ... been in this ... place,
+slaving! Hour after hour! I wish _you'd_ try and manage better. I bet
+you'd be thankful to finish up the scraps some way--any old way! I'd
+like to see _you_ do what I do!"
+
+Momentarily Jenny's picture of Emmy's nature (drawn accommodatingly by
+herself in order that her own might be differentiated and exalted by
+any comparison) was shattered. Emmy's vehemence had thus the temporary
+effect of creating a fresh reality out of a common idealisation of
+circumstance. The legend would re-form later, perhaps, and would
+continue so to re-form as persuasion flowed back upon Jenny's egotism,
+until it crystallised hard and became unchallengeable; but at any rate
+for this instant Jenny had had a glimmer of insight into that tamer
+discontent and rebelliousness that encroached like a canker upon Emmy's
+originally sweet nature. The shock of impact with unpleasant conviction
+made Jenny hasten to dissemble her real belief in Emmy's born
+inferiority. Her note was changed from one of complaint into one of
+persuasive entreaty.
+
+"It's not that. It's not that. Not at all. But wouldn't you like a
+change from stew and bread pudding yourself? Sometimes, I mean. You
+_seem_ to like it all right." At that ill-considered suggestion, made
+with unintentional savageness, Jenny so worked upon herself that her own
+colour rose high. Her temper became suddenly unmanageable. "You talk
+about me being out!" she breathlessly exclaimed. "When do I go out?
+When! Tell me!"
+
+"O-o-h! I _like_ that! What about going to the pictures with Alf
+Rylett?" Emmy's hands were, jerking upon the table in her anger. "You're
+always out with him!"
+
+"Me? Well I never! I'm not. When--"
+
+They were interrupted unexpectedly by a feeble and jubilant voice.
+
+"More bready butter pudding!" said Pa Blanchard, tipping his plate to
+show that he had finished.
+
+"Yes, Pa!" For the moment Emmy was distracted from her feud. In a
+mechanical way, as mothers sometimes, deep in conversation, attend to
+their children's needs, she put another wedge of pudding upon the plate.
+"Well, I say you _are_," she resumed in the same strained voice. "And
+tell me when _I_ go out! I go out shopping. That's all. But for that,
+I'm in the house day and night. You don't care tuppence about Alf--you
+wouldn't, not if he was walking the soles off his boots to come to you.
+You never think about him. He's like dirt, to you. Yet you go out with
+him time after time...." Her lips as she broke off were pursed into a
+trembling unhappy pout, sure forerunner of tears. Her voice was weak
+with feeling. The memory of lonely evenings surged into her mind,
+evenings when Jenny was out with Alf, while she, the drudge, stayed at
+home with Pa, until she was desperate with the sense of unutterable
+wrong. "Time after time, you go."
+
+"Sorry, I'm sure!" flung back Jenny, fairly in the fray, too quick not
+to read the plain message of Emmy's tone and expression, too cruel to
+relinquish the sudden advantage. "I never guessed you wanted him. I
+wouldn't have done it for worlds. You never _said_, you know!"
+Satirically, she concluded, with a studiously careful accent, which she
+used when she wanted to indicate scorn or innuendo, "I'm sorry. I ought
+to have asked if I might!" Then, with a dash into grimmer satire: "Why
+doesn't he ask you to go with him? Funny his asking me, isn't it?"
+
+Emmy grew violently crimson. Her voice had a roughness in it. She was
+mortally wounded.
+
+"Anybody'd know you were a lady!" she said warmly.
+
+"They're welcome!" retorted Jenny. Her eyes flashed, glittering in the
+paltry gaslight. "He's never ... Emmy, I didn't know you were such a
+silly little fool. Fancy going on like that ... about a man like him. At
+your age!"
+
+Vehement glances flashed between them. All Emmy's jealousy was in her
+face, clear as day. Jenny drew a sharp breath. Then, obstinately, she
+closed her lips, looking for a moment like the girl in the sliding
+window, inscrutable. Emmy, also recovering herself, spoke again, trying
+to steady her voice.
+
+"It's not what you think. But I can't bear to see you ... playing about
+with him. It's not fair. He thinks you mean it. You don't!"
+
+"Course I don't. I don't mean anything. A fellow like that!" Jenny
+laughed a little, woundingly.
+
+"What's the matter with him?" Savagely, Emmy betrayed herself again. She
+was trembling from head to foot, her mind blundering hither and thither
+for help against a quicker-witted foe. "It's only _you_ he's not good
+enough for," she said passionately. "What's the matter with him?"
+
+Jenny considered, her pale face now deadly white, all the heat gone from
+her cheeks, though the hard glitter remained in her eyes, cruelly
+indicating the hunger within her bosom.
+
+"Oh, he's all right in his way," she drawlingly admitted. "He's clean.
+That's in his favour. But he's quiet ... he's got no devil in him. Sort
+of man who tells you what he likes for breakfast. I only go with
+him ... well, you know why, as well as I do. He's all right enough, as
+far as he goes. But he's never on for a bit of fun. That's it: he's got
+no devil in him. I don't like that kind. Prefer the other sort."
+
+During this speech Emmy had kept back bitter interruptions by an
+unparalleled effort. It had seemed as though her fury had flickered,
+blazing and dying away as thought and feeling struggled together for
+mastery. At the end of it, however, and at Jenny's declared preference
+for men of devil, Emmy's face hardened.
+
+"You be careful, my girl," she prophesied with a warning glance of
+anger. "If that's the kind you're after. Take care you're not left!"
+
+"Oh, I can take care," Jenny said, with cold nonchalance. "Trust me!"
+
+
+vii
+
+Later, when they were both in the chilly scullery, washing up the supper
+dishes, they were again constrained. Somehow when they were alone
+together they could not quarrel: it needed the presence of Pa Blanchard
+to stimulate them to retort. In his rambling silences they found the
+spur for their unkind eloquence, and too often Pa was used as a
+stalking-horse for their angers. He could hardly hear, and could not
+follow the talk; but by directing a remark to him, so that it cannoned
+off at the other, each obtained satisfaction for the rivalry that
+endured from day to day between them. Their hungry hearts, all the
+latent bitternesses in their natures, yearning for expression, found it
+in his presence. But alone, whatever their angers, they were generally
+silent. It may have been that their love was strong, or that their
+courage failed, or that the energy required for conflict was not
+aroused. That they deeply loved one another was sure; there was rivalry,
+jealousy, irritation between them, but it did not affect their love.
+The jealousy was a part of their general discontent--a jealousy that
+would grow more intense as each remained frustrate and unhappy. Neither
+understood the forces at work within herself; each saw these perversely
+illustrated in the other's faults. In each case the cause of unhappiness
+was unsatisfied love, unsatisfied craving for love. It was more acute in
+Emmy's case, because she was older and because the love she needed was
+under her eyes being wasted upon Jenny--if it were love, and not that
+mixture of admiration and desire with self-esteem that goes to make the
+common formula to which the name of love is generally attached. Jenny
+could not be jealous of Emmy as Emmy was jealous of Jenny. She had no
+cause; Emmy was not her rival. Jenny's rival was life itself, as will be
+shown hereafter: she had her own pain.
+
+It was thus only natural that the two girls, having pushed Pa's chair to
+the side of the kitchen fire, and having loaded and set light to Pa's
+pipe, should work together in silence for a few minutes, clearing the
+table and washing the supper dishes. They were distant, both aggrieved;
+Emmy with labouring breath and a sense of bitter animosity, Jenny with
+the curled lip of one triumphant who does not need her triumph and would
+abandon it at the first move of forgiveness. They could not speak. The
+work was done, and Emmy was rinsing the washing basin, before Jenny
+could bring herself to say awkwardly what she had in her mind.
+
+"Em," she began. "I didn't know you ... you know." A silence. Emmy
+continued to swirl the water round with the small washing-mop, her face
+averted. Jenny's lip stiffened. She made another attempt, to be the
+last, restraining her irritation with a great effort. "If you like I
+won't ... I won't go out with him any more."
+
+"Oh, you needn't worry," Emmy doggedly said, with her teeth almost
+clenched. "I'm not worrying about it." She tried then to keep silent;
+but the words were forced from her wounded heart. With uncontrollable
+sarcasm she said: "It's very good of you, I'm sure!"
+
+"Em!" It was coaxing. Jenny went nearer. Still there was no reply.
+"Em ... don't be a silly cat. If he'd only ask _you_ to go once or twice.
+He'd always want to. You needn't worry about me being ... See, I like
+somebody else--another fellow. He's on a ship. Nowhere near here. I only
+go with Alf because ... well, after all, he's a man; and they're scarce.
+Suppose I leave off going with him...."
+
+Both knew she had nothing but kind intention, as in fact the betrayal of
+her own secret proved; but as Jenny could not keep out of her voice the
+slightest tinge of complacent pity, so Emmy could not accept anything
+so intolerable as pity.
+
+"Thanks," she said in perfunctory refusal; "but you can do what you
+like. Just what you like." She was implacable. She was drying the basin,
+her face hidden. "I'm not going to take your leavings." At that her
+voice quivered and had again that thread of roughness in it which had
+been there earlier. "Not likely!"
+
+"Well, I can't help it, can I!" cried Jenny, out of patience. "If he
+likes me best. If he _won't_ come to you. I mean, if I say I won't go
+out with him--will that put him on to you or send him off altogether?
+Em, do be sensible. Really, I never knew. Never dreamt of it. I've never
+wanted him. It's not as though he'd whistled and I'd gone trotting after
+him. Em! You get so ratty about--"
+
+"Superior!" cried Emmy, gaspingly. "Look down on me!" She was for an
+instant hysterical, speaking loudly and weepingly. Then she was close
+against Jenny; and they were holding each other tightly, while Emmy's
+dreadful quiet sobs shook both of them to the heart. And Jenny, above
+her sister's shoulder, could see through the window the darkness that
+lay without; and her eyes grew tender at an unbidden thought, which made
+her try to force herself to see through the darkness, as though she were
+sending a speechless message to the unknown. Then, feeling Emmy still
+sobbing in her arms, she looked down, laying her face against her
+sister's face. A little contemptuous smile appeared in her eyes, and her
+brow furrowed. Well, Emmy could cry. _She_ couldn't. She didn't want to
+cry. She wanted to go out in the darkness that so pleasantly enwrapped
+the earth, back to the stir and glitter of life somewhere beyond.
+Abruptly Jenny sighed. Her vision had been far different from this
+scene. It had carried her over land and sea right into an unexplored
+realm where there was wild laughter and noise, where hearts broke
+tragically and women in the hour of ruin turned triumphant eyes to the
+glory of life, and where blinding streaming lights and scintillating
+colours made everything seem different, made it seem romantic,
+rapturous, indescribable. From that vision back to the cupboard-like
+house in Kennington Park, and stodgy Alf Rylett, and supper of stew and
+bread and butter pudding, and Pa, and this little sobbing figure in her
+arms, was an incongruous flight. It made Jenny's mouth twist in a smile
+so painful that it was almost a grimace.
+
+"Oh lor!" she said again, under her breath, as she had said it earlier.
+"_What_ a life!"
+
+
+
+
+CHAPTER II: THE TREAT
+
+
+i
+
+Gradually Emmy's tearless sobs diminished; she began to murmur broken,
+meaningless ejaculations of self-contempt; and to strain away from
+Jenny. At last she pushed Jenny from her, feverishly freeing herself, so
+that they stood apart, while Emmy blew her nose and wiped her eyes. All
+this time they did not speak to each other, and when Emmy turned blindly
+away Jenny mechanically took hold of the kettle, filled it, and set it
+to boil upon the gas. Emmy watched her curiously, feeling that her nose
+was cold and her eyes were burning. Little dry tremors seemed to shake
+her throat; dreariness had settled upon her, pressing her down; making
+her feel ashamed of such a display of the long secret so carefully
+hoarded away from prying glances.
+
+"What's that for?" she miserably asked, indicating the kettle.
+
+"Going to steam my hat," Jenny said. "The brim's all floppy." There was
+now only a practical note in her voice. She, too, was ashamed. "You'd
+better go up and lie down for a bit. I'll stay with Pa, in case he falls
+into the fire. Just the sort of thing he _would_ do on a night like
+this. Just because you're upset."
+
+"I shan't go up. It's too cold. I'll sit by the fire a bit."
+
+They both went into the kitchen, where the old man was whistling under
+his breath.
+
+"Was there any noos on the play-cards?" he inquired after a moment,
+becoming aware of their presence. "Emmy--Jenny."
+
+"No, Pa. I told you. Have to wait till Sunday. Funny thing there's so
+much more news in the Sunday papers: I suppose people are all extra
+wicked on Saturdays. They get paid Friday night, I shouldn't wonder; and
+it goes to their heads."
+
+"Silly!" Emmy said under her breath. "It's the week's news."
+
+"That's all right, old girl," admonished Jenny. "I was only giving him
+something to think about. Poor old soul. Now, about this hat: the girls
+all go on at me.... Say I dress like a broker's-man. I'm going to
+smarten myself up. You never know what might happen. Why, I might get
+off with a Duke!"
+
+Emmy was overtaken by an impulse of gratitude.
+
+"You can have mine, if you like," she said. "The one you gave me ... on
+my birthday." Jenny solemnly shook her head. She did not thank her
+sister. Thanks were never given in that household, because they were a
+part of "peliteness," and were supposed to have no place in the domestic
+arena.
+
+"Not if I know it!" she humorously retorted. "I made it for you, and it
+suits you. Not my style at all. I'll just get out my box of bits. You'll
+see something that'll surprise you, my girl."
+
+The box proved to contain a large number of "bits" of all sizes and
+kinds--fragments of silk (plain and ribbed), of plush, of ribbon both
+wide and narrow; small sprays of marguerites, a rose or two, some
+poppies, and a bunch of violets; a few made bows in velvet and silk;
+some elastic, some satin, some feathers, a wing here and there ... the
+miscellaneous assortment of odds-and-ends always appropriated (or, in
+the modern military slang, "won") by assistants in the millinery. Some
+had been used, some were startlingly new. Jenny was more modest in such
+acquirements than were most of her associates; but she was affected, as
+all such must be, by the prevailing wind. Strangely enough, it was not
+her habit to wear very smart hats, for business or at any other time.
+She would have told you, in the event of any such remark, that when you
+had been fiddling about with hats all day you had other things to do in
+the evenings. Yet she had good taste and very nimble fingers when
+occasion arose. In bringing her box from the bedroom she brought also
+from the stand in the passage her drooping hat, against which she
+proceeded to lay various materials, trying them with her sure eye,
+seeking to compose a picture, with that instructive sense of cynosure
+which marks the crafty expert. Fascinated, with her lips parted in an
+expression of that stupidity which is so often the sequel to a fit of
+crying, Emmy watched Jenny's proceedings, her eyes travelling from the
+hat to the ever-growing heap of discarded ornaments. She was dully
+impressed with the swift judgment of her sister in consulting the
+secrets of her inner taste. It was a judgment unlike anything in her own
+nature of which she was aware, excepting the measurement of ingredients
+for a pudding.
+
+So they sat, all engrossed, while the kettle began to sing and the
+desired steam to pour from the spout, clouding the scullery. The only
+sound that arose was the gurgling of Pa Blanchard's pipe (for he was
+what is called in Kennington Park a wet smoker). He sat remembering
+something or pondering the insufficiency of news. Nobody ever knew what
+he thought about in his silences. It was a mystery over which the girls
+did not puzzle, because they were themselves in the habit of sitting for
+long periods without speech. Pa's broodings were as customary to them
+as the absorbed contemplativeness of a baby. "Give him his pipe," as
+Jenny said; "and he'll be quiet for hours--till it goes out. _Then_
+there's a fuss! My word, what a racket! Talk about a fire alarm!" And on
+such occasions she would mimic him ridiculingly, to diminish his
+complaints, while Emmy roughly relighted the hubble-bubble and patted
+her father once more into a contented silence. Pa was to them, although
+they did not know it, their bond of union. Without him, they would have
+fallen apart, like the outer pieces of a wooden boot-tree. For his sake,
+with all the apparent lack of sympathy shown in their behaviour to him,
+they endured a life which neither desired nor would have tolerated upon
+her own account. So it was that Pa's presence acted as a check and
+served them as company of a meagre kind, although he was less
+interesting or expansive than a little dog might have been.
+
+When Jenny went out to the scullery carrying her hat, after sweeping the
+scraps she had declined back into the old draper's cardboard box which
+amply contained such treasures and preserved them from dust, Emmy, now
+quite quiet again, continued to sit by the fire, staring at the small
+glowing strip that showed under the door of the kitchen grate. Every now
+and then she would sigh, wearily closing her eyes; and her breast would
+rise as if with a sob. And she would sometimes look slowly up at the
+clock, with her head upon one side in order to see the hands in their
+proper aspect, as if she were calculating.
+
+
+ii
+
+From the scullery came the sound of Jenny's whistle as she cheerily held
+the hat over the steam. Pa heard it as something far away, like a
+distant salvationists' band, and pricked up his ears; Emmy heard it, and
+her brow was contracted. Her expression darkened. Jenny began to hum:
+
+"'Oh Liza, sweet Liza,
+If you die an old maid you'll have only yourself to blame ...'"
+
+It was like a sudden noise in a forest at night, so poignant was the
+contrast of the radiating silences that succeeded. Jenny's voice stopped
+sharply. Perhaps it had occurred to her that her song would be
+overheard. Perhaps she had herself become affected by the meaning of the
+words she was so carelessly singing. There was once more an air of
+oblivion over all things. The old man sank back in his chair, puffing
+slowly, blue smoke from the bowl of the pipe, grey smoke from between
+his lips. Emmy looked again at the clock. She had the listening air of
+one who awaits a bewildering event. Once she shivered, and bent to the
+fire, raking among the red tumbling small coal with the bent kitchen
+poker. Jenny began to whistle again, and Emmy impatiently wriggled her
+shoulders, jarred by the noise. Suddenly she could bear no longer the
+whistle that pierced her thoughts and distracted her attention, but went
+out to the scullery.
+
+"How are you getting on?" she asked with an effort.
+
+"Fine. This gas leaks. Can't you whiff it? Don't know which one it is.
+Pa all right?"
+
+"Yes, he's all right. Nearly finished?"
+
+"Getting on. Tram nearly ran over a kid to-night. She was wheeling a pram
+full of washing on the line. There wasn't half a row about it--shouting
+and swearing. Anybody would have thought the kid had laid down on the
+line. I expect she was frightened out of her wits--all those men
+shouting at her. There, now I'll lay it on the plate rack over the gas
+for a bit.... Look smart, shan't I! With a red rose in it and a red
+ribbon...."
+
+"Not going to have those streamers, or any lace, are you?"
+
+"Not likely. You see the kids round here wearing them; but the kids
+round here are always a season late. Same with their costumes. They
+don't know any better. I do!"
+
+Jenny was cheerfully contemptuous. She knew what was being worn along
+Regent Street and in Bond Street, because she saw it with her own eyes.
+Then she came home and saw the girls of her own district swanking about
+like last year's patterns, as she said. She couldn't help laughing at
+them. It made her think of the tales of savages wearing top hats with
+strings of beads and thinking they were all in the latest European
+fashion. That is the constant amusement of the expert as she regards the
+amateur. She has all the satisfaction of knowing better, without the
+turmoil of competition, a fact which distinguishes the superior spirit
+from the struggling helot. Jenny took full advantage of her situation
+and her knowledge.
+
+"Yes, you know a lot," Emmy said dryly.
+
+"Ah, you've noticed it?" Jenny was not to be gibed at without retort.
+"I'm glad."
+
+"So _you_ think," Emmy added, as though she had not heard the reply.
+
+There came at this moment a knock at the front door. Emmy swayed, grew
+pale, and then slowly reddened until the colour spread to the very edges
+of her bodice. The two girls looked at one another, a deliberate
+interchange of glances that was at the same time, upon both sides, an
+intense scrutiny. Emmy was breathing heavily; Jenny's nostrils were
+pinched.
+
+"Well," at last said Jenny, drawlingly. "Didn't you hear the knock?
+Aren't you going to answer it?" She reached as she spoke to the hat
+lying upon the plate rack above the gas stove, looking fixedly away from
+her sister. Her air of gravity was unchanged. Emmy, hesitating, made as
+if to speak, to implore something; but, being repelled, she turned, and
+went thoughtfully across the kitchen to the front door. Jenny carried
+her hat into the kitchen and sat down at the table as before. The
+half-contemptuous smile had reappeared in her eyes; but her mouth was
+quite serious.
+
+
+iii
+
+Pa Blanchard had worked as a boy and man in a large iron foundry. He had
+been a very capable workman, and had received as the years went on the
+maximum amount (with overtime) to be earned by men doing his class of
+work. He had not been abstemious, and so he had spent a good deal of his
+earnings in what is in Kennington Park called "pleasure"; but he had
+also possessed that common kind of sense which leads men to pay money
+into sick and benefit clubs. Accordingly, his wife's illness and burial
+had, as he had been in the habit of saying, "cost him nothing." They
+were paid by his societies. Similarly, when he had himself been attacked
+by the paralytic seizure which had wrecked his life, the societies had
+paid; and now, in addition to the pension allowed by his old employers,
+he received a weekly dole from the societies which brought his income up
+to fifty shillings a week. The pension, of course, would cease upon his
+death; but so long as life was kept burning within him nothing could
+affect the amounts paid weekly into the Blanchard exchequer. Pa was
+fifty-seven, and normally would have had a respectable number of years
+before him; his wants were now few, and his days were carefully watched
+over by his daughters. He would continue to draw his pensions for
+several years yet, unless something unexpected happened to him.
+Meanwhile, therefore, his pipe was regularly filled and his old pewter
+tankard appeared at regular intervals, in order that Pa should feel as
+little as possible the change in his condition.
+
+Mrs. Blanchard had been dead ten years. She had been very much as Emmy
+now was, but a great deal more cheerful. She had been plump and
+fresh-coloured, and in spite of Pa Blanchard's ways she had led a happy
+life. In the old days there had been friends and neighbours, now all
+lost in course of removals from one part of London to another, so that
+the girls were without friends and knew intimately no women older than
+themselves. Mrs. Blanchard, perhaps in accord with her cheerfulness, had
+been a complacent, selfish little woman, very neat and clean, and
+disposed to keep her daughters in their place. Jenny had been her
+favourite; and even so early had the rivalry between them been
+established. Besides this, Emmy had received all the rebuffs needed to
+check in her the same complacent selfishness that distinguished her
+mother. She had been frustrated all along, first by her mother, then by
+her mother's preference for Jenny, finally (after a period during which
+she dominated the household after her mother's death) by Jenny herself.
+It was thus not upon a pleasant record of personal success that Emmy
+could look back, but rather upon a series of chagrins of which each was
+the harder to bear because of the history of its precursors. Emmy,
+between eighteen and nineteen at the time of her mother's death, had
+grasped her opportunity, and had made the care of the household her lot.
+She still bore, what was a very different reading of her ambition, the
+cares of the household. Jenny, as she grew up, had proved unruly; Pa
+Blanchard's illness had made home service compulsory; and so matters
+were like to remain indefinitely. Is it any wonder that Emmy was restive
+and unhappy as she saw her youth going and her horizons closing upon her
+with the passing of each year? If she had been wholly selfish that fact
+would have been enough to sour her temper. But another, emotionally
+more potent, fact produced in Emmy feelings of still greater stress. To
+that fact she had this evening given involuntary expression. Now, how
+would she, how could she, handle her destiny? Jenny, shrewdly thinking
+as she sat with her father in the kitchen and heard Emmy open the front
+door, pondered deeply as to her sister's ability to turn to account her
+own sacrifice.
+
+
+iv
+
+Within a moment Alf Rylett appeared in the doorway of the kitchen, Emmy
+standing behind him until he moved forward, and then closing the door
+and leaning back against it. His first glance was in the direction of
+Jenny, who, however, did not rise as she would ordinarily have done. He
+glanced quickly at her face and from her face to her hands, so busily
+engaged in manipulating the materials from which she was to re-trim her
+hat. Then he looked at Pa Blanchard, whom he touched lightly and
+familiarly upon the shoulder. Alf was a rather squarely built young man
+of thirty, well under six feet, but not ungainly. He had a florid,
+reddish complexion, and his hair was of a common but unnamed colour,
+between brown and grey, curly and crisp. He was clean-shaven. Alf was
+obviously one who worked with his hands: in the little kitchen he
+appeared to stand upon the tips of his toes, in order that his walk
+might not be too noisy. That fact might have suggested either mere
+nervousness or a greater liking for life out of doors. When he walked it
+was as though he did it all of a piece, so that his shoulders moved as
+well as his legs. The habit was shown as he lunged forward to grip
+Jenny's hand. When he spoke he shouted, and he addressed Pa as a boy
+might have done who was not quite completely at his ease, but who
+thought it necessary to pretend that he was so.
+
+"Good evening, Mr. Blanchard!" he cried boisterously. "Sitting by the
+fire, I see!"
+
+Pa looked at him rather vacantly, apparently straining his memory in
+order to recognise the new-comer. It was plain that as a personal matter
+he had no immediate use for Alf Rylett; but he presently nodded his
+head.
+
+"Sitting by the fire," he confirmed. "Getting a bit warm. It's cold
+to-night. Is there any noos, Alf Rylett?"
+
+"Lots of it!" roared Alf, speaking as if it had been to a deaf man or a
+foreigner. "They say this fire at Southwark means ten thousand pounds
+damage. Big factory there--gutted. Of course, no outside fire escapes.
+_As_ usual. Fully insured, though. It'll cost them nothing. You can't
+help wondering what causes these fires when they're heavily insured. Eh?
+Blazing all night, it was. Twenty-five engines. Twenty-five, mind you!
+That shows it was pretty big, eh? I saw the red in the sky, myself.
+'Well,' I thought to myself, 'there's somebody stands to lose
+something,' I thought. But the insurance companies are too wide to stand
+all the risk themselves. They share it out, you know. It's a mere
+flea-bite to them. And ... a ... well then there's a ... See, then
+there's a bigamy case."
+
+"Hey?" cried Pa sharply, brightening. "What's that about?"
+
+"Nothing much. Only a couple of skivvies. About ten pound three and
+fourpence between the pair of them. That was all he got." Pa's interest
+visibly faded. He gurgled at his pipe and turned his face towards the
+mantelpiece. "And ... a ... let's see, what else is there?" Alf racked
+his brains, puffing a little and arching his brows at the two girls, who
+seemed both to be listening, Emmy intently, as though she were repeating
+his words to herself. He went on: "Tram smash in Newcastle. Car went off
+the points. Eleven injured. Nobody killed...."
+
+"I don't call _that_ much," said Jenny, critically, with a pin in her
+mouth. "Not much more than I told him an hour ago. He wants a murder, or
+a divorce. All these little tin-pot accidents aren't worth printing at
+all. What he wants is the cross-examination of the man who found the
+bones."
+
+It was comical to notice the change on Alf at Jenny's interruption.
+From the painful concentration upon memory which had brought his
+eyebrows together there appeared in his expression the most delighted
+ease, a sort of archness that made his face look healthy and honest.
+
+"What's that you're doing?" he eagerly inquired, forsaking Pa, and
+obviously thankful at having an opportunity to address Jenny directly.
+He came over and stood by the table, in spite of the physical effort
+which Emmy involuntarily made to will that he should not do so. Emmy's
+eyes grew tragic at his intimate, possessive manner in speaking to
+Jenny. "I say!" continued Alf, admiringly. "A new hat, is it? Smart!
+Looks absolutely A1. Real West End style, isn't it? Going to have some
+chiffong?"
+
+"Sit down, Alf." It was Emmy who spoke, motioning him to a chair
+opposite to Pa. He took it, his shoulder to Jenny, while Emmy sat by the
+table, looking at him, her hands in her lap.
+
+"How is he?" Alf asked, jerking his head at Pa. "Perked up when I said
+'bigamy,' didn't he!"
+
+"He's been very good, I will say," answered Emmy. "Been quiet all
+day. And he ate his supper as good as gold." Jenny's smile and little
+amused crouching of the shoulders caught her eye. "Well, so he did!"
+she insisted. Jenny took no notice. "He's had his--mustn't say it,
+because he _always_ hears that word, and it's not time for his
+evening ... Eight o'clock he has it."
+
+"What's that?" said Alf, incautiously. "Beer?"
+
+"Beer!" cried Pa. "Beer!" It was the cry of one who had been malignantly
+defrauded, a piteous wail.
+
+"There!" said both the girls, simultaneously. Jenny added: "Now you've
+done it!"
+
+"All right, Pa! Not time yet!" But Emmy went to the kitchen cupboard as
+Pa continued to express the yearning that filled his aged heart.
+
+"Sorry!" whispered Alf. "Hold me hand out, naughty boy!"
+
+"He's like a baby with his titty bottle," explained Emmy. "Now he'll be
+quiet again."
+
+Alf fidgeted a little. This contretemps had unnerved him. He was less
+sure of himself.
+
+"Well," he said at last, darkly. "What I came in about ... Quarter to
+eight, is it? By Jove, I'm late. That's telling Mr. Blanchard all the
+news. The fact is, I've got a couple of tickets for the theatre down the
+road--for this evening, I thought ... erum ..."
+
+"Oh, extravagance!" cried Jenny, gaily, dropping the pin from between
+her lips and looking in an amused flurry at Emmy's anguished face
+opposite. It was as though a chill had struck across the room, as though
+both Emmy's heart and her own had given a sharp twist at the shock.
+
+"Ah, that's where you're wrong. That's what cleverness does for you."
+Alf nodded his head deeply and reprovingly. "Given to me, they were, by
+a pal o' mine who works at the theatre. They're for to-night. I
+thought--"
+
+Jenny, with her heart beating, was stricken for an instant with panic.
+She bent her head lower, holding the rose against the side of her hat,
+watching it with a zealous eye, once again to test the effect. He
+thought she was coquetting, and leaned a little towards her. He would
+have been ready to touch her face teasingly with his forefinger.
+
+"Oh," Jenny exclaimed, with a hurried assumption of matter of fact ease
+suddenly ousting her panic. "That's very good. So you thought you'd take
+_Emmy_! That was a very good boy!"
+
+"I thought ..." heavily stammered Alf, his eyes opening in a surprised
+way as he found himself thus headed off from his true intention. He
+stared blankly at Jenny, until she thought he looked like the bull on
+the hoardings who has "heard that they want more." Emmy stared at her
+also, quite unguardedly, a concentrated stare of agonised doubt and
+impatience. Emmy's face grew pinched and sallow at the unexpected strain
+upon her nerves.
+
+"That was what you thought, wasn't it?" Jenny went on impudently,
+shooting a sideways glance at him that made Alf tame with helplessness.
+"Poor old Em hasn't had a treat for ever so long. Do her good to go. You
+did mean that, didn't you?"
+
+"I ..." said Alf. "I ..." He was inclined for a moment to bluster. He
+looked curiously at Jenny's profile, judicial in its severity. Then some
+kind of tact got the better of his first impulse. "Well, I thought _one_
+of you girls ..." he said. "Will you come, Em? Have to look sharp."
+
+"Really?" Emmy jumped up, her face scarlet and tears of joy in her eyes.
+She did not care how it had been arranged. Her pride was unaroused; the
+other thought, the triumph of the delicious moment, was overwhelming.
+Afterwards--ah, no no! She would not think. She was going. She was
+actually going. In a blur she saw their faces, their kind eyes....
+
+"Good boy!" cried Jenny. "Buck up, Em, if you're going to change your
+dress. Seats! My word! How splendid!" She clapped her hands quickly,
+immediately again taking up her work so as to continue it. Into her eyes
+had come once more that strange expression of pitying contempt. Her
+white hands flashed in the wan light as she quickly threaded her needle
+and knotted the silk.
+
+
+
+
+CHAPTER III: ROWS
+
+
+i
+
+After Emmy had hurried out of the room to change her dress, Alf stood,
+still apparently stupefied at the unscrupulous rush of Jenny's feminine
+tactics, rubbing his hand against the back of his head. He looked
+cautiously at Pa Blanchard, and from him back to the mysterious unknown
+who had so recently defeated his object. Alf may or may not have
+prepared some kind of set speech of invitation on his way to the house.
+Obviously it is a very difficult thing, where there are two girls in a
+family, to invite one of them and not the other to an evening's orgy. If
+it had not previously occurred to Alf to think of the difficulty quite
+as clearly as he was now being made to do, that must have been because
+he thought of Emmy as imbedded in domestic affairs. After all, damn it,
+as he was thinking; if you want one girl it is rotten luck to be fobbed
+off with another. Alf knew quite well the devastating phrase, at one
+time freely used as an irresistible quip (like "There's hair" or "That's
+all right, tell your mother; it'll be ninepence") by which one suggested
+disaster--"And that spoilt his evening." The phrase was in his mind,
+horrible to feel. Yet what could he have done in face of the direct
+assault? "_Must_ be a gentleman." He could hardly have said, before
+Emmy: "No, it's _you_ I want!" He began to think about Emmy. She was all
+right--a quiet little piece, and all that. But she hadn't got Jenny's
+cheek! That was it! Jenny had got the devil's own cheek, and this was an
+example of it. But this was an unwelcome example of it. He ruminated
+still further; until he found he was standing on one foot and rubbing
+the back of his head, just like any stage booby.
+
+"Oh, damn!" he cried, putting his raised foot firmly on the ground and
+bringing his wandering fist down hard into the open palm of his other
+hand.
+
+"Here, here!" protested Jenny, pretending to be scandalised. "That's not
+the sort of language to use before Pa! He's not used to it. We're
+_awfully_ careful what we say when Pa's here!"
+
+"You're making a fool of me!" spluttered Alf, glaring at her. "That's
+about the size of it!"
+
+"What about your pa and ma!" she inquired, gibing at him. "I've done
+nothing. Why don't you sit down. Of course you feel a fool, standing. I
+always do, when the manager sends for me. Think I'm going to get the
+sack." She thought he was going to bellow at her: "I hear they want
+more!" The mere notion of it made her smile, and Alf imagined that she
+was still laughing at her own manoeuvre or at her impertinent jest.
+
+"What did you do it for?" he asked, coming to the table.
+
+"Cause it was all floppy. What did you think? Why, the girls all talk
+about me wearing it so long."
+
+"I'm not talking about that," he said, in a new voice of exasperated
+determination. "You know what I'm talking about. Oh, yes, you do! I'm
+talking about those tickets. And me. And you!"
+
+Jenny's eyes contracted. She looked fixedly at her work. Her hands
+continued busy.
+
+"Well, you're going to take Emmy, aren't you!" she prevaricated. "You
+asked her to go."
+
+"No!" he said. "I'm going with her, because she's said she'll go. But it
+was you that asked her."
+
+"Did I? How could I? They weren't mine. You're a man. You brought the
+tickets. You asked her yourself." Jenny shook her head. "Oh, no, Alf
+Rylett. You mustn't blame me. Take my advice, my boy. You be very glad
+Emmy's going. If you mean me, I should have said 'No,' because I've got
+to do this hat. Emmy's going to-night. You'll enjoy yourself far more."
+
+"Oh ----!" He did not use an oath, but it was implied. "What did you do
+it for? Didn't you want to come yourself? No, look here, Jenny: I want
+to know what's going on. You've always come with me before." He glared
+at her in perplexity, puzzled to the depths of his intelligence by a
+problem beyond its range. Women had always been reported to him as a
+mystery; but he had never heeded.
+
+"It's Emmy's turn, then," Jenny went on. She could not resist the
+display of a sisterly magnanimity, although it was not the true
+magnanimity, and in fact had no relation to the truth. "Poor old Em gets
+stuck in here day after day," she pleaded. "She's always with Pa till he
+thinks she's a fixture. Well, why shouldn't she have a little pleasure?
+You get her some chocs ... at that shop. ... _You_ know. It'll be the
+treat of her life. She'll be as grateful to you for it. ... Oh, I'm very
+glad she's got the chance of going. It'll keep her happy for days!"
+Jenny, trying with all her might to set the affair straight and satisfy
+everybody, was appealing to his vanity to salve his vanity. Alf saw
+himself recorded as a public benefactor. He perceived the true sublimity
+of altruism.
+
+"Yes," he said, doggedly, recovering himself and becoming a man,
+becoming Alf Rylett, once again. "That's all bally fine. Sounds well as
+you put it; but you knew as well as I did that I came to take _you_. I
+say nothing against Em. She's a good sort; but--"
+
+Jenny suddenly kindled. He had never seen her so fine.
+
+"She's the best sort!" she said, with animation. "And don't you forget
+it, Alf. Me--why, I'm as selfish as ... as _dirt_ beside her. Look a
+little closer, my lad. You'll see Em's worth two of me. Any day! You
+think yourself jolly lucky she's going with you. That's all I've got to
+say to you!"
+
+She had pushed her work back, and was looking up at him with an air of
+excitement. She had really been moved by a generous impulse. Her
+indifference to Alf no longer counted. It was swept away by a feeling of
+loyalty to Emmy. The tale she had told, the plea she had advanced upon
+Emmy's behalf, if it had not influenced him, had sent a warm thrill of
+conviction through her own heart. When she came thus to feel deeply she
+knew as if by instinct that Emmy, irritable unsatisfied Emmy, was as
+much superior to Alf as she herself was superior to him. A wave of
+arrogance swept her. Because he was a man, and therefore so delectable
+in the lives of two lonely girls, he was basely sure of his power to
+choose from among them at will. He had no such power at that moment, in
+Jenny's mind. He was the clay, for Emmy or herself to mould to their own
+advantage.
+
+"You can think yourself _jolly_ lucky; my lad!" she repeated. "I can
+tell you that much!"
+
+
+ii
+
+Jenny leant back in her chair exhausted by her excitement. Alf reached
+round for the chair he had left, and brought it to the table. He sat
+down, his elbows on the table and his hands clasped; and he looked
+directly at Jenny as though he were determined to explode this false
+bubble of misunderstanding which she was sedulously creating. As he
+looked at her, with his face made keen by the strength of his resolve,
+Jenny felt her heart turn to water. She was physically afraid of him,
+not because he had any power to move her, but because in sheer
+bullock-like strength he was too much for her, as in tenacity he had
+equally an advantage. As a skirmisher, or in guerrilla warfare, in which
+he might always retire to a hidden fastness, baffling pursuers by
+innumerable ruses and doublings, Jenny could hold her own. On the plain,
+in face of superior strength, she had not the solid force needed to
+resist strong will and clear issues. Alf looked steadily at her, his
+reddish cheeks more red, his obstinate mouth more obstinate, so that she
+could imagine the bones of his jaws cracking with his determination.
+
+"It won't do, Jen," he said. "And you know it."
+
+Jenny wavered. Her eyes flinched from the necessary task of facing him
+down. Where women of more breeding have immeasurable resources of
+tradition behind them, to quell any such inquisition, she was by
+training defenceless. She had plenty of pluck, plenty of adroitness; but
+she could only play the sex game with Alf very crudely because he was
+not fine enough to be diverted by such finesse as she could employ. All
+Jenny could do was to play for safety in the passage of time. If she
+could beat him off until Emmy returned she could be safe for to-night;
+and if she were safe now--anything might happen another day to bring
+about her liberation.
+
+"Bullying won't do. I grant that," she retorted defiantly. "You needn't
+think it will." She jerked her head.
+
+"We're going to have this out," Alf went on. Jenny darted a look of
+entreaty at the kicking clock which lay so helplessly upon its side. If
+only the clock would come to her aid, forgetting the episode of the
+tea-cosy!
+
+"Take you all your time," she said swiftly. "Why, the theatre's all full
+by now. The people are all in. They're tuning up for the overture. Look
+at it!" She pointed a wavering finger at the clock.
+
+"We're going to have this out--now!" repeated Alf. "You know why I
+brought the tickets here. It was because I wanted to take _you_. It's no
+good denying it. That's enough. Somehow--I don't know why--you don't
+want to go; and while I'm not looking you shove old Em on to me."
+
+"That's what you say," Jenny protested. Alf took no notice of her
+interruption. He doggedly proceeded.
+
+"As I say, Em's all right enough. No fault to find with her. But she's
+not you. And it's you I wanted. Now, if I take her--"
+
+"You'll enjoy it very much," she weakly asserted. "Ever so much.
+Besides, Alf,"--she began to appeal to him, in an attempt to
+wheedle--"Em's a real good sort.... You don't know half the things ..."
+
+"I know all about Em. I don't need you to tell me what she is. I can see
+for myself." Alf rocked a little with an ominous obstinacy. His eyes
+were fixed upon her with an unwinking stare. It was as though, having
+delivered a blow with the full weight of party bias, he were desiring
+her to take a common-sense view of a vehement political issue.
+
+"What can you see?" With a feeble dash of spirit, Jenny had attempted
+tactical flight. The sense of it made her feel as she had done, as a
+little girl, in playing touch; when, with a swerve, she had striven to
+elude the pursuer. So tense were her nerves on such occasions that she
+turned what is called "goosey" with the feel of the evaded fingers.
+
+Alf rolled his head again, slightly losing his temper at the
+inconvenient question, which, if he had tried to answer it, might have
+diverted him from the stern chase upon which he was engaged. The sense
+of that made him doubly resolved upon sticking to the point.
+
+"Oh, never you mind," he said, stubbornly. "Quite enough of that. Now
+the question is--and it's a fair one,--why did you shove Em on to me!"
+
+"I didn't! You did it yourself!"
+
+"Well, that's a flat lie!" he cried, slapping the table in a sudden
+fury, and glaring at her. "That's what that is."
+
+Jenny crimsoned. It made the words no better that Alf had spoken truly.
+She was deeply offended. They were both now sparkling with temper,
+restless with it, and Jenny's teeth showing.
+
+"I'm a liar, am I!" she exclaimed. "Well, you can just lump it, then.
+I shan't say another word. Not if you call me a liar. You've come
+here ..." Her breath caught, and for a second she could not speak.
+"You've come here _kindly_ to let us lick your boots, I suppose. Is that
+it? Well, we're not going to do it. We never have, and we never will.
+Never! It's a drop for you, you think, to take Emmy out. A bit of
+kindness on your part. She's not up to West End style. That it? But you
+needn't think you're too good for her. There's no reason, I'm sure.
+You're not!... All because you're a man. Auch! I'm sick of the men! You
+think you've only got to whistle. Yes, you do! You think if you crook
+your little finger.... Oh no, my lad. That's where you're wrong. You're
+making a big mistake there. We can look after ourselves, thank you! No
+chasing after the men! Pa's taught us that. We're not quite alone. We
+haven't got to take--we've neither of us got to take--whatever's offered
+to us ... as you think. We've got Pa still!"
+
+Her voice had risen. An unexpected interruption stopped the argument for
+the merest fraction of time.
+
+"Aye," said Pa. "They've got their old Pa!" He had taken his pipe out of
+his mouth and was looking towards the combatants with an eye that for
+one instant seemed the eye of perfect comprehension. It frightened Jenny
+as much as it disconcerted Alf. It was to both of them, but especially
+to Alf, like the shock of a cold sponge laid upon a heated brow.
+
+"I never said you hadn't!" he sulkily said, and turned round to look
+amazedly at Pa. But Pa had subsided once more, and was drinking with
+mournful avidity from his tankard. Occupied with the tankard, Pa had
+neither eye nor thought for anything else. Alf resumed after the baffled
+pause. "Yes. You've got him all right enough...." Then: "You're trying
+to turn it off with your monkey tricks!" he said suddenly. "But I see
+what it is. I was a fool not to spot it at once. You've got some other
+fellow in tow. I'm not good enough for you any longer. Got no use for me
+yourself; but you don't mind turning me over to old Em...." He shook his
+head. "Well, I don't understand it," he concluded miserably. "I used to
+think you was straight, Jen."
+
+"I am!" It was a desperate cry, from her heart. Alf sighed.
+
+"You're not playing the game, Jen old girl," he said, more kindly, more
+thoughtfully. "That's what's the matter. I don't know what it is, or
+what you're driving at; but that's what's wrong. What's the matter with
+me? Anything? I know I'm not much of a one to shout the odds about. I
+don't expect you to do that. Never did. But I never played you a trick
+like this. What is it? What's the game you think you're playing?" When
+she did not answer his urgent and humble appeal he went on in another
+tone: "I shall find out, mind you. It's not going to stop here. I shall
+ask Emmy. I can trust her."
+
+"You _can't_ ask her!" Jenny cried. It was wrung from her. "You just
+dare to ask her. If she knew you hadn't meant to take her to-night, it
+ud break her heart. It would. There!" Her voice had now the ring of
+intense sincerity. She was not afraid, not defiant. She was a woman,
+defending another woman's pride.
+
+Alf groaned. His cheeks became less ruddy. He looked quickly at the
+door, losing confidence.
+
+"No: I don't know what it is," he said again. "I don't understand it."
+He sat, biting his under lip, miserably undetermined. His grim front had
+disappeared. He was, from the conquering hero, become a crestfallen
+young man. He could not be passionate with Pa there. He felt that if
+only she were in his arms she could not be untruthful, could not resist
+him at all; but with the table between them she was safe from any
+attack. He was powerless. And he could not say he loved her. He would
+never be able to bring himself to say that to any woman. A woman might
+ask him if he loved her, and he would awkwardly answer that of course he
+did; but it was not in his nature to proclaim the fact in so many words.
+He had not the fluency, the dramatic sense, the imaginative power to
+sink and to forget his own self-consciousness. And so Jenny had won that
+battle--not gloriously, but through the sheer mischance of
+circumstances. Alf was beaten, and Jenny understood it.
+
+"Don't _think_ about me," she whispered, in a quick pity. Alf still
+shook his head, reproachfully eyeing her with the old bull-like concern.
+"I'm not worth thinking about. I'm only a beast. And you say you can
+trust Emmy.... She's ever so ..."
+
+"Ah, but she can't make me mad like you do!" he said simply. "Jen, will
+you come another night ... Do!" He was beseeching her, his hands
+stretched towards her across the table, as near to making love as he
+would ever be. It was his last faint hope for the changing of her heart
+towards him. But Jenny slowly shook her head from side to side, a judge
+refusing the prisoner's final desperate entreaties.
+
+"No," she said. "It's no good, Alf. It'll never be any good as long as I
+live."
+
+
+iii
+
+Alf put out his hand and covered Jenny's hand with it; and the hand he
+held, after a swift movement, remained closely imprisoned. And just at
+that moment, when the two were striving for mastery, the door opened and
+Emmy came back into the room. She was fully dressed for going out, her
+face charmingly set off by the hat she had offered earlier to Jenny, her
+eyes alight with happiness, her whole bearing unutterably changed.
+
+"_Now_ who's waiting!" she demanded; and at the extraordinary sight
+before her she drew a quick breath, paling. It did not matter that the
+clinging hands were instantly apart, or that Alf rose hurriedly to meet
+her. "What's that?" she asked, in a trembling tone. "What are you
+doing?" As though she felt sick and faint, she sat sharply down upon her
+old chair near the door. Jenny rallied.
+
+"Only a kid's game," she said. "Nothing at all." Alf said nothing,
+looking at neither girl. Emmy tried to speak again; but at first the
+words would not come. Finally she went on, with dreadful understanding.
+
+"Didn't you want to take me, Alf? Did you want her to go?"
+
+It was as though her short absence, perhaps even the change of costume,
+had worked a curious and cognate change in her mind. Perhaps it was that
+in her flushed happiness she had forgotten to be suspicious, or had
+blindly misread the meanings of the earlier colloquy, as a result of
+which the invitation had been given.
+
+"Don't be so silly!" quickly cried Jenny. "Of course he wanted you to
+go!"
+
+"Alf!" Emmy's eyes were fixed upon him with a look of urgent entreaty.
+She looked at Alf with all the love, all the extraordinary intimate
+confidence with which women of her class do so generally regard the men
+they love, ready to yield judgment itself to his decision. When he did
+not answer, but stood still before them like a red-faced boy, staring
+down at the floor, she seemed to shudder, and began despairingly to
+unfasten the buttons of her thick coat. Jenny darted up and ran to check
+the process.
+
+"Don't be a fool!" she breathed. "Like that! You've got no time for a
+scene." Turning to Alf, she motioned him with a swift gesture to the
+door. "Look sharp!" she cried.
+
+"I'm not going!" Emmy struggled with Jenny's restraining hands. "It's no
+good fussing me, Jenny.... I'm not going. He can take who he likes. But
+it's not me."
+
+Alf and Jenny exchanged angry glances, each bitterly blaming the other.
+
+"Em!" Jenny shouted. "You're mad!"
+
+"No, I'm not. Let me go! Let me go! He didn't want me to go. He wanted
+you. Oh, I knew it. I was a fool to think he wanted me." Then, looking
+with a sort of crazed disdain at Jenny, she said coolly, "Well, how is
+it you're not ready? Don't you see your _substitute's_ waiting! Your
+_land_ lover!"
+
+"Land!" cried Alf. "Land! A sailor!" He flushed deeply, raising his arms
+a little as if to ward off some further revelation. Jenny, desperate,
+had her hands higher than her head, protestingly quelling the scene. In
+a loud voice she checked them.
+
+"Do ... not ... be ... fools!" she cried. "What's all the fuss about?
+Simply because Alf's a born booby, standing there like a fool! I can't
+go. I wouldn't go--even if he wanted me. But he wants you!" She again
+seized Emmy, delaying once more Emmy's mechanical unfastening of the big
+buttons of her coat. "Alf! Get your coat. Get her out of the house! I
+never heard such rubbish! Alf, say ... tell her you meant her to go! Say
+it wasn't me!"
+
+"I shouldn't believe him," Emmy said, clearly. "I know I saw him holding
+your hand."
+
+Jenny laughed hysterically.
+
+"What a fuss!" she exclaimed. "He's been doing palmistry--reading it.
+All about ... what's going to happen to me. Wasn't it, Alf!"
+
+Emmy disregarded her, watching Alf's too-transparent uneasiness.
+
+"You always _were_ a little lying beast," she said, venomously. "A
+trickster."
+
+"You see?" Jenny said, defiantly to Alf. "What my own sister says?"
+
+"So you were. With your _sailor_.... And playing the fool with Alf!"
+Emmy's voice rose. "You always were.... I wonder Alf's never seen it
+long ago...."
+
+At this moment, with electrifying suddenness, Pa put down his tankard.
+
+"What, ain't you gone yet?" he trembled. "I thought you was going out!"
+
+"How did he know!" They all looked sharply at one another, sobered. So,
+for one instant, they stood, incapable of giving any explanation to the
+meekly inquiring old man who had disturbed their quarrel. Alf, so
+helpless before the girls, was steeled by the interruption. He took two
+steps towards Emmy.
+
+"We'll have this out later on," he said. "Meanwhile ... Come on, Em!
+It's just on eight. Come along, there's a good girl!" He stooped, took
+her hands, and drew her to her feet. Then, with uncommon tenderness, he
+re-buttoned her coat, and, with one arm about her, led Emmy to the door.
+She pressed back, but it was against him, within the magic circle of his
+arm, suddenly deliriously happy.
+
+Jenny, still panting, stood as she had stood for the last few minutes,
+and watched their departure. She heard the front door close as they left
+the house; and with shaky steps went and slammed the door of the
+kitchen. Trembling violently, she leant against the door, as Emmy had
+done earlier. For a moment she could not speak, could not think or feel;
+and only as a clock in the neighbourhood solemnly recorded the eighth
+hour did she choke down a little sob, and say with the ghost of her
+bereaved irony:
+
+"That's _done_ it!"
+
+
+
+
+CHAPTER IV: THE WISH
+
+
+i
+
+Waiting until she had a little recovered her self-control, Jenny
+presently moved from the door to the fireplace, and proceeded
+methodically to put coals on the fire. She was still shaking slightly,
+and the corners of her mouth were uncontrollably twitching with
+alternate smiles and other raiding emotions; so that she did not yet
+feel in a fit state to meet Pa's scrutiny. He might be the old fool he
+sometimes appeared to be, and, inconveniently, he might not. Just
+because she did not want him to be particularly bright it was quite
+probable that he would have a flourish of brilliance. That is as it
+occasionally happens, in the dullest of mortals. So Jenny was some time
+in attending to the fire, until she supposed that any undue redness of
+cheek might be imagined to have been occasioned by her strenuous
+activities. She then straightened herself and looked down at Pa with a
+curious mixture of protectiveness and anxiety.
+
+"Pleased with yourself, aren't you?" she inquired, more to make
+conversation which might engage the ancient mind in ruminant pastime
+than to begin any series of inquiries into Pa's mental states.
+
+"Eh, Jenny?" said Pa, staring back at her. "Ain't you gone out? Is it
+Emmy that's gone out? What did that fool Alf Rylett want? He was
+shouting.... I heard him."
+
+"Yes, Pa; but you shouldn't have listened," rebuked Jenny, with a fine
+colour.
+
+Pa shook his shaggy head. He felt cunningly for his empty tankard,
+hoping that it had been refilled by his benevolent genius. It was not
+until the full measure of his disappointment had been revealed that he
+answered her.
+
+"I wasn't listening," he quavered. "I didn't hear what he said.... Did
+Emmy go out with him?"
+
+"Yes, Pa. To the theatre. Alf brought tickets. Tickets! Tickets for
+seats.... Oh, dear! _Why_ can't you understand! Didn't have to pay at
+the door...."
+
+Pa suddenly understood.
+
+"Oh ah!" he said. "Didn't have to pay...." There was a pause. "That's
+like Alf Rylett," presently added Pa. Jenny sat looking at him in
+consternation at such an uncharitable remark.
+
+"It's not!" she cried. "I never _knew_ you were such a wicked old man!"
+
+Pa gave an antediluvian chuckle that sounded like a magical and
+appalling rattle from the inner recesses of his person. He was getting
+brighter and brighter, as the stars appear to do when the darkness
+deepens.
+
+"See," he proceeded. "Did Alf say there was any noos?" He admitted an
+uncertainty. Furtively he looked at her, suspecting all the time that
+memory had betrayed him; but in his ancient way continuing to trust to
+Magic.
+
+"Well, you didn't seem to think much of what he _did_ bring. But I'll
+tell you a bit of news, Pa. And that is, that you've got a pair of the
+rummiest daughters I ever struck!"
+
+Pa looked out from beneath his bushy grey eyebrows, resembling a worn
+and dilapidated perversion of Whistler's portrait of Carlyle. His
+eyelids seemed to work as he brooded upon her announcement. It was as
+though, together, these two explored the Blanchard archives for
+confirmation of Jenny's sweeping statement. The Blanchards of several
+generations might have been imagined as flitting across a fantastic
+horizon, keening for their withered laurels, thrown into the shades by
+these more brighter eccentrics. It was, or it might have been, a
+fascinating speculation. But Pa did not indulge this antique vein for
+very long. The moment and its concrete images beguiled him back to the
+daughter before him and the daughter who was engaged in an unexpected
+emotional treat. He said:
+
+"I know," and gave a wide grin that showed the gaps in his teeth as
+nothing else could have done--not even the profoundest yawn. Jenny was
+stunned by this evidence of brightness in her parent.
+
+"Well, you're a caution!" she cried. "And to think of you sitting there
+saying it! And I reckon they've got a pretty rummy old Pa--if the truth
+was only known."
+
+Pa's grin, if possible, stretched wider. Again that terrible chuckle,
+which suggested a derangement of his internal parts, or the running-down
+of an overwound clock, wheezed across the startled air.
+
+"Maybe," Pa said, with some unpardonable complacency. "Maybe."
+
+"Bless my soul!" exclaimed Jenny. She could not be sure, when his manner
+returned to one of vacancy, and when the kitchen was silent, whether Pa
+and she had really talked thus, or whether she had dreamed their talk.
+To her dying day she was never sure, for Pa certainly added nothing to
+the conversation thereafter. Was it real? Or had her too excited brain
+played her a trick? Jenny pinched herself. It was like a fairy tale, in
+which cats talk and little birds humanly sing, or the tiniest of fairies
+appear from behind clocks or from within flower-pots. She looked at Pa
+with fresh awe. There was no knowing where you had him! He had the
+interest, for her, of one returned by miracle from other regions,
+gifted with preposterous knowledges.... He became at this instant
+fabulous, like Rip Van Winkle, or the Sleeping Beauty ... or the White
+Cat....
+
+In her perplexity Jenny fell once more into a kind of dream, an
+argumentative dream. She went back over the earlier rows, re-living
+them, exaggerating unconsciously the noble unselfishness of her own acts
+and the pointed effectiveness of her speeches, until the scenes were
+transformed. They now appeared in other hues, in other fashionings. This
+is what volatile minds are able to do with all recent happenings
+whatsoever, re-casting them in form altogether more exquisite than the
+crude realities. The chiaroscuro of their experiences is thus so
+constantly changing and recomposing that--whatever the apparent result
+of the scene in fact--the dreamer is in retrospect always victor, in the
+heroic limelight. With Jenny this was a mood, not a preoccupation; but
+when she had been moved or excited beyond the ordinary she often did
+tend to put matters in a fresh aspect, more palatable to her self-love,
+and more picturesque in detail than the actual happening. That is one of
+the advantages of the rapidly-working brain, that its power of
+improvisation is, in solitude, very constant and reassuring. It is as
+though such a grain, upon this more strictly personal side, were a
+commonwealth of little cell-building microbes. The chief microbe comes,
+like the engineer, to estimate the damage to one's _amour propre_ and to
+devise means of repair. He then summons all his necessary workmen, who
+are tiny self-loves and ancient praises and habitual complacencies and
+the staircase words of which one thinks too late for use in the scene
+itself; and with their help he restores that proportion without which
+the human being cannot maintain his self-respect. Jenny was like the
+British type as recorded in legend; being beaten, she never admitted it;
+but even, five minutes later, through the adroitness of her special
+engineer and his handymen, would be able quite seriously to demonstrate
+a victory to herself.
+
+Defeat? Never! How Alf and Emmy shrank now before her increasing skill
+in argument. How were they shattered! How inept were their feebleness!
+How splendid Jenny had been, in act, in motive, in speech, in
+performance!
+
+"Er, yes!" Jenny said, beginning to ridicule her own highly coloured
+picture. "Well, it was _something_ like that!" She had too much sense of
+the ridiculous to maintain for long unquestioned the heroic vein as
+natural to her own actions. More justly, she resumed her consideration
+of the scenes, pondering over them in their nakedness and their
+meanings, trying to see how all these stupid little feelings had burst
+their way from overcharged hearts, and how each word counted as part of
+the mosaic of misunderstanding that had been composed.
+
+"Oh, blow!" Jenny impatiently ejaculated, with a sinking heart at the
+thought of any sequel. A sequel there was bound to be--however muffled.
+It did not rest with her. There were Emmy and Alf, both alike burning
+with the wish to avenge themselves--upon her! If only she could
+disappear--just drop out altogether, like a man overboard at night in a
+storm; and leave Emmy and Alf to settle together their own trouble. She
+couldn't drop out; nobody could, without dying, though they might often
+wish to do so; and even then their bodies were the only things that were
+gone, because for a long time they stubbornly survived in memory. No:
+she couldn't drop out. There was no chance of it. She was caught in the
+web of life; not alone, but a single small thing caught in the general
+mix-up of actions and inter-actions. She had just to go on as she was
+doing, waking up each morning after the events and taking her old place
+in the world; and in this instance she would have, somehow, to smooth
+matters over when the excitements and agitations of the evening were
+past. It would be terribly difficult. She could not yet see a clear
+course. If only Emmy didn't live in the same house! If only, by throwing
+Alf over as far as concerned herself, she could at the same time throw
+him into Emmy's waiting arms. Why couldn't everybody be sensible? If
+only they could all be sensible for half-an-hour everything could be
+arranged and happiness could be made real for each of them. No:
+misunderstandings were bound to come, angers and jealousies, conflicting
+desires, stupid suspicions.... Jenny fidgeted in her chair and eyed Pa
+with a sort of vicarious hostility. Why, even that old man was a
+complication! Nay, he was the worst thing of all! But for him, she
+_could_ drop out! There was no getting away from him! He was as much
+permanently there as the chair upon which he was drowsing. She saw him
+as an incubus. And then Emmy being so fussy! Standing on her dignity
+when she'd give her soul for happiness! And then Alf being so ... What
+was Alf? Well, Alf was stupid. That was the word for Alf. He was stupid.
+As stupid as any stupid member of his immeasurably stupid sex could be!
+
+"Great booby!" muttered Jenny. Why, look at the way he had behaved when
+Emmy had come into the room. It wasn't honesty, mind you; because he
+could tell any old lie when he wanted to. It was just funk. He hadn't
+known where to look, or what to say. Too slow, he was, to think of
+anything. What could you do with a man like that? Oh, what stupids men
+were! She expected that Alf would feel very fine and noble as he walked
+old Em along to the theatre--and afterwards, when the evening was over
+and he had gone off in a cloud of glory. He would think it all over and
+come solemnly to the conclusion that the reason for his mumbling
+stupidity, his toeing and heeling, and all that idiotic speechlessness
+that set Emmy on her hind legs, was sheer love of the truth. He couldn't
+tell a lie--to a woman. That would be it. He would pretend that Jenny
+had chivvied him into taking Em, that he was too noble to refuse to take
+Em, or to let Em really see point-blank that he didn't want to take her;
+but when it came to the pinch he hadn't been able to screw himself into
+the truly noble attitude needed for such an act of self-sacrifice. He
+had been speechless when a prompt lie, added to the promptitude and
+exactitude of Jenny's lie, would have saved the situation. Not Alf!
+
+"I cannot tell a lie," sneered Jenny. "To a woman. George Washington. I
+_don't_ think!"
+
+Yes; but then, said her secret complacency, preening itself, and
+suggesting that possibly a moment or two of satisfied pity might be at
+this point in place, he'd really wanted to take Jenny. He had taken the
+tickets because he had wanted to be in Jenny's company for the evening.
+Not Emmy's. There was all the difference. If you wanted a cream bun and
+got fobbed off with a scone! There was something in that. Jenny was
+rather flattered by her happy figure. She even excitedly giggled at the
+comparison of Emmy with a scone. Jenny did not like scones. She thought
+them stodgy. She had also that astounding feminine love of cream buns
+which no true man could ever acknowledge or understand. So Emmy became a
+scone, with not too many currents in it. Jenny's fluent fancy was
+inclined to dwell upon this notion. She a little lost sight of Alf's
+grievance in her pleasure at the figures she had drawn. Her mind was
+recalled with a jerk. Now: what was it? Alf had wanted to take
+her--Jenny. Right! He had taken Emmy. Because he had taken Emmy, he had
+a grievance. Right! But against whom? Against Emmy? Certainly not.
+Against himself? By no means. Against Jenny? A horribly exulting and yet
+nervously penitent little giggle shook Jenny at her inability to answer
+this point as she had answered the others. For Alf _had_ a grievance
+against Jenny, and she knew it. No amount of ingenious thought could
+hoodwink her sense of honesty for more than a debater's five minutes. No
+Alf had a grievance. Jenny could not, in strict privacy, deny the fact.
+She took refuge in a shameless piece of bluster.
+
+"Well, after all!" she cried, "he had the tickets given to him. It's not
+as though they _cost_ him anything! So what's all the row about?"
+
+
+ii
+
+Thereafter she began to think of Alf. He had taken her out several
+times--not as many times as Emmy imagined, because Emmy had thought
+about these excursions a great deal and not only magnified but
+multiplied them. Nevertheless, Alf had taken Jenny out several times. To
+a music hall once or twice; to the pictures, where they had sat and
+thrilled in cushioned darkness while acrobatic humans and grey-faced
+tragic creatures jerked and darted at top speed in and out of the most
+amazingly telescoped accidents and difficulties. And Alf had paid more
+than once, for all Pa said. It is true that Jenny had paid on her
+birthday for both of them; and that she had occasionally paid for
+herself upon an impulse of sheer independence. But there had been other
+times when Alf had really paid for both of them. He had been very decent
+about it. He had not tried any nonsense, because he was not a
+flirtatious fellow. Well, it had been very nice; and now it was all
+spoilt. It was spoilt because of Emmy. Emmy had spoilt it by wanting Alf
+for herself. Ugh! thought Jenny. Em had always been a jealous cat: if
+she had just seen Alf somewhere she wouldn't have wanted him. That was
+it! Em saw that Alf preferred Jenny; she saw that Jenny went out with
+him. And because she always wanted to do what Jenny did, and always
+wanted what Jenny had got, Em wanted to be taken out by Alf. Jenny, with
+the cruel unerringness of an exasperated woman, was piercing to Emmy's
+heart with fierce lambent flashes of insight. And if Alf had taken Em
+once or twice, and Jenny once or twice, not wanting either one or the
+other, or not wanting one of them more than the other, Em would have
+been satisfied. It would have gone no further. It would still have been
+sensible, without nonsense. But it wouldn't do for Em. So long as Jenny
+was going out Emmy stayed at home. She had said to herself: "Why should
+Jenny go, and not me ... having all this pleasure?" That had been the
+first stage--Jenny worked it all out. First of all, it had been envy of
+Jenny's going out. Then had come stage number two: "Why should Alf
+Rylett always take Jenny, and not me?" That had been the first stage of
+jealousy of Alf. And the next time Alf took Jenny, Em had stayed at
+home, and thought herself sick about it, supposing that Alf and Jenny
+were happy and that she was unhappy, supposing they had all the fun,
+envying them the fun, hating them for having what she had not got,
+hating Jenny for monopolising Alf, hating Alf had monopolising Jenny;
+then, as she was a woman, hating Jenny for being a more pleasing woman
+than herself, and having her wounded jealousy moved into a strong
+craving for Alf, driven deeper and deeper into her heart by
+long-continued thought and frustrated desire. And so she had come to
+look upon herself as one defrauded by Jenny of pleasure--of
+happiness--of love--of Alf Rylett.
+
+"And she calls it love!" thought Jenny bitterly. "If that's love, I've
+got no use for it. Love's giving, not getting. I know that much. Love's
+giving yourself; wanting to give all you've got. It's got nothing at all
+to do with envy, or hating people, or being jealous...." Then a swift
+feeling of pity darted through her, changing her thoughts, changing
+every shade of the portrait of Emmy which she had been etching with her
+quick corrosive strokes of insight. "Poor old Em!" she murmured. "She's
+had a rotten time. I know she has. Let her have Alf if she wants. I
+don't want him. I don't want anybody ... except ..." She closed her eyes
+in the most fleeting vision. "Nobody except just Keith...."
+
+Slowly Jenny raised her hand and pressed the back of her wrist to her
+lips, not kissing the wrist, but holding it against her lips so that
+they were forced hard back upon her teeth. She drew, presently, a deep
+breath, releasing her arm again and clasping her hands over her knees as
+she bent lower, staring at the glowing heart of the fire. Her lips were
+closely, seriously, set now; her eyes sorrowful. Alf and Emmy had
+receded from her attention as if they had been fantastic shadows. Pa,
+sitting holding his exhausted hubble-bubble, was as though he had no
+existence at all. Jenny was lost in memory and the painful aspirations
+of her own heart.
+
+
+iii
+
+How the moments passed during her reverie she did not know. For her it
+seemed that time stood still while she recalled days that were
+beautified by distance, and imagined days that should be still to come,
+made to compensate for that long interval of dullness that pressed her
+each morning into acquiescence. She bent nearer to the fire, smiling to
+herself. The fire showing under the little door of the kitchener was a
+bright red glowing ash, the redness that came into her imagination when
+the words "fire" or "heat" were used--the red heart, burning and
+consuming itself in its passionate immolation. She loved the fire. It
+was to her the symbol of rapturous surrender, that feminine ideal that
+lay still deeper than her pride, locked in the most secret chamber of
+her nature.
+
+And then, as the seconds ticked away, Jenny awoke from her dream and saw
+that the clock upon the mantelpiece said half-past eight. Half-past
+eight was what, in the Blanchard home, was called "time." When Pa was
+recalcitrant Jenny occasionally shouted very loud, with what might have
+appeared to some people an undesirable knowledge of customs, "Act of
+Parliament, gentlemen, please"--which is a phrase sometimes used in
+clearing a public-house. To-night there was no need for her to do that.
+She had only to look at Pa, to take from his hand the almost empty pipe,
+to knock out the ashes, and to say:
+
+"Time, Pa!" Obediently Pa held out his right hand and clutched in the
+other his sturdy walking-stick. Together they tottered into the bedroom,
+stood a moment while Jenny lighted the peep of gas which was Pa's
+guardian angel during the night, and then made their way to the bed. Pa
+sat upon the bed, like a child. Jenny took off Pa's collar and tie, and
+his coat and waistcoat; she took off his boots and his socks; she laid
+beside him the extraordinary faded scarlet nightgown in which Pa slept
+away the darkness. Then she left him to struggle out of his clothes as
+well as he could, which Pa did with a skill worthy of his best days. The
+cunning which replaces competence had shown him how the braces may be
+made to do their own work, how the shirt may with one hand be so
+manipulated as to be drawn swiftly over the head... Pa was adept at
+undressing. He was in bed within five minutes, after a panting,
+exhausted interval during which he sat in a kind of trance, and was then
+proudly as usual knocking upon the floor with his walking-stick for
+Jenny to come and tuck him in for the night.
+
+Jenny came, gave him a big kiss, and went back to the kitchen, where she
+resumed work upon her hat. It had lost its interest for her. She
+stitched quickly and roughly, not as one interested in needlework or
+careful for its own sake of the regularity of the stitch. Ordinarily she
+was accurate: to-night her attention was elsewhere. It had come back to
+the rows, because there is nothing either good or bad but thinking makes
+it ever so much more important than it really is. Loneliness with happy
+thoughts is perhaps an ideal state; but no torment could be greater than
+loneliness with thoughts that wound. Jenny's thoughts wounded her. The
+mood of complacency was gone: that of shame and discontent was upon her.
+Distress was uppermost in her mind--not the petulant wriggling of a
+spoilt child, but the sober consciousness of pain in herself and in
+others. In vain did Jenny give little gasps of annoyance, intended by
+her humour to disperse the clouds. The gasps and exclamations were
+unavailing. She was angry, chagrined, miserable. ...At last she could
+bear the tension no longer, but threw down her work, rose, and walked
+impatiently about the kitchen.
+
+"Oh, _do_ shut up!" she cried to her insistent thoughts. "Enough to
+drive anybody off their nut. And they're not worth it, either of them.
+Em's as stupid as she can be, thinking about herself.... And as for
+Alf--anybody'd think I'd tricked him. I haven't. I've gone out with him;
+but what's that? Lots of girls go out with fellows for months, and
+nobody expects them to marry. The girls may want it; but the fellows
+don't. They don't want to get settled down. And I don't blame them. Why
+is Alf different? I suppose it's me that's different. I'm not like other
+girls...." That notion cheered her. "No: I'm not like other girls. I
+want my bit of fun. I've never had any. And just because I don't want to
+settle down and have a lot of kids that mess the place to bits, of
+course I get hold of Alf! It's too bad! Why can't he choose the right
+sort of girl? Why can't he choose old Em? She's the sort that _does_
+want to get settled. She knows she'll have to buck up about it, too. She
+said I should get left. That's what she's afraid of, herself; only she's
+afraid of getting left on the shelf.... I wonder why it is the marrying
+men don't get hold of the marrying girls! They do, sometimes, I
+suppose...." Jenny shrugged restlessly and stood looking at nothing.
+"Oh, it's sickening! You can't do anything you like in this world.
+Nothing at all! You've always got to do what you _don't_ like. They say
+it's good for you. It's your 'duty.' Who to? And who are 'they,' to say
+such a thing? What are they after? Just to keep people like me in their
+place--do as you're told. Well, I'm not going to do as I'm told. They
+can lump it! That's what they can do. What does it matter--what happens
+to me? I'm me, aren't I? Got a right to live, haven't I? Why should I be
+somebody's servant all my life? I _won't!_ If Alf doesn't want to marry
+Emmy, he can go and whistle somewhere else. There's plenty of girls
+who'd jump at him. But just because I don't, he'll worry me to death. If
+I was to be all over him--see Alf sheer off! He'd think there was
+something funny about me. Well, there is! I'm Jenny Blanchard; and I'm
+going to keep Jenny Blanchard. If I've got no right to live, then
+nobody's got any right to keep me from living. If there's no rights,
+other people haven't got any more than I have. They can't make me do
+anything--by any right they've got. People--managing people--think that
+because there isn't a corner of the earth they haven't collared they can
+tell you what you've got to do. Give you a ticket and a number, get up
+at six, eat so much a day, have six children, do what you're told. That
+may do for some people; but it's slavery. And I'm not going to do it.
+See!" She began to shout in her excited indignation. "See!" she cried
+again. "Just because I'm poor, I'm to do what I'm told. They seem to
+think that because they like to do what they're told, everybody ought to
+be the same. They're afraid. They're afraid of themselves--afraid of
+being left alone in the dark. They think everybody ought to be
+afraid--in case anybody should find out that they're cowards! But I'm
+not afraid, and I'm not going to do what I'm told.... I won't!"
+
+In a frenzy she walked about the room, her eyes glittering, her face
+flushed with tumultuous anger. This was her defiance to life. She had
+been made into a rebel through long years in which she had unconsciously
+measured herself with others. Because she was a human being, Jenny
+thought she had a right to govern her own actions. With a whole
+priesthood against her, Jenny was a rebel against the world as it
+appeared to her--a crushing, numerically overwhelming pressure that
+would rob her of her one spiritual reality--the sense of personal
+freedom.
+
+"Oh, I can't stand it!" she said bitterly. "I shall go mad! And Em
+taking it all in, and ready to have Alf's foot on her neck for life. And
+Alf ready to have Em chained to his foot for life. The fools! Why, I
+wouldn't ... not even to Keith.... No, I wouldn't.... Fancy being boxed
+up and pretending I liked it--just because other people say they like
+it. Do as you're told. Do like other people. All be the same--a sticky
+mass of silly fools doing as they're told! All for a bit of bread,
+because somebody's bagged the flour for ever! And what's the good of it?
+If it was any good--but it's no good at all! And they go on doing it
+because they're cowards! Cowards, that's what they all are. Well, I'm
+not like that!"
+
+Exhausted, Jenny sat down again; but she could not keep still. Her feet
+would not remain quietly in the place she, as the governing
+intelligence, commanded. They too were rebels, nervous rebels,
+controlled by forces still stronger than the governing intelligence. She
+felt trapped, impotent, as though her hands were tied; as though only
+her whirling thoughts were unfettered. Again she took up the hat, but
+her hands so trembled that she could not hold the needle steady. It made
+fierce jabs into the hat. Stormily unhappy, she once more threw the work
+down. Her lips trembled. She burst into bitter tears, sobbing as though
+her heart were breaking. Her whole body was shaken with the deep and
+passionate sobs that echoed her despair.
+
+
+iv
+
+Presently, when she grew calmer, Jenny wiped her eyes, her face quite
+pale and her hands still convulsively trembling. She was worn out by
+the stress of the evening, by the vehemence of her rebellious feelings.
+When she again spoke to herself it was in a shamed, giggling way that
+nobody but Emmy had heard from her since the days of childhood. She gave
+a long sigh, looking through the blur at that clear glow from beneath
+the iron door of the kitchen grate. Miserably she refused to think
+again. She was half sick of thoughts that tore at her nerves and
+lacerated her heart. To herself Jenny felt that it was no good--crying
+was no good, thinking was no good, loving and sympathising and giving
+kindness--all these things were in this mood as useless as one another.
+There was nothing in life but the endless sacrifice of human spirit.
+
+"Oh!" she groaned passionately. "If only something would happen. I don't
+care _what!_ But something ... something new ... exciting. Something
+with a bite in it!"
+
+She stared at the kicking clock, which every now and again seemed to
+have a spasm of distaste for its steady record of the fleeting seconds.
+"Wound up to go all day!" she thought, comparing the clock with herself
+in an angry impatience.
+
+And then, as if it came in answer to her poignant wish for some untoward
+happening, there was a quick double knock at the front door of the
+Blanchard's dwelling, and a sharp whirring ring at the push-bell below
+the knocker. The sounds seemed to go violently through and through the
+little house in rapid waves of vibrant noise.
+
+
+
+
+PART TWO
+
+NIGHT
+
+
+
+
+CHAPTER V: THE ADVENTURE
+
+
+i
+
+So unexpected was this interruption of her loneliness that Jenny was for
+an instant stupefied. She took one step, and then paused, dread firmly
+in her mind, paralysing her. What could it be? She could not have been
+more frightened if the sound had been the turning of a key in the lock.
+Were they back already? Had her hope been spoiled by some accident?
+Surely not. It was twenty minutes to nine. They were safe in the theatre
+by now. Oh, she was afraid! She was alone in the house--worse than
+alone! Jenny cowered. She felt she could not answer the summons.
+Tick-tick-tick said the clock, striking across the silences. Again Jenny
+made a step forward. Then, terrifying her, the noise began once
+more--the thunderous knock, the ping-ping-ping-whir of the bell....
+
+Wrenching her mind away from apprehensiveness she moved quickly to the
+kitchen door and into the dimly-lighted dowdy passage-way. Somewhere
+beyond the gas flicker and the hat-stand lay--what? With all her
+determination she pushed forward, almost running to the door. Her hand
+hovered over the little knob of the lock: only horror of a renewal of
+that dreadful sound prompted her to open the door quickly. She peered
+into the darkness, faintly silhouetted against the wavering light of the
+gas. A man stood there.
+
+"Evening, miss," said the man. "Miss Jenny Blanchard?"
+
+She could see there something white. He was holding it out to her. A
+letter!
+
+"For me," she asked, her voice still unsteady. She took the letter, a
+large square envelope. Mechanically she thanked the man, puzzling at the
+letter. From whom could a letter be brought to her?
+
+"There's an answer," she heard. It came from ever so far away, in the
+dim distance beyond her vague wonderings. Jenny was lost, submerged in
+the sensations through which she had passed during the evening. She was
+quite unlike herself, timid and fearful, a frightened girl alone in an
+unhappy house.
+
+"Wait a bit!" she said. "Will you wait there?"
+
+"Yes," answered the man, startlingly enough. "I've got the car here."
+
+The car! What did it mean? She caught now, as her eyes were more used to
+the darkness, the sheen of light upon a peaked cap such as would be worn
+by a chauffeur. It filled her mind that this man was in uniform. But if
+so, why? From whom should the letter come? He had said "Miss Jenny
+Blanchard."
+
+"You _did_ say it was for me? I'll take it inside. ..." She left the
+door unfastened, but the man pulled it right to, so that the catch
+clicked. Then Jenny held the letter up under the flame of the passage
+gas. She read there by this meagre light her own name, the address,
+written in a large hand, very bold, with a sharp, sweeping stroke under
+all, such as a man of impetuous strength might make. There was a blue
+seal fastening the flap--a great pool of solid wax. Trembling so that
+she was hardly able to tear the envelope, Jenny returned to the kitchen,
+again scanning the address, the writing, the blue seal with its Minerva
+head. Still, in her perplexity, it seemed as though her task was first
+to guess the identity of the sender. Who could have written to her? It
+was unheard of, a think for wondering jest, if only her lips had been
+steady and her heart beating with normal pulsation. With a shrug, she
+turned back from the seal to the address. She felt that some curious
+mistake had been made, that the letter was not for her at all, but for
+some other Jenny Blanchard, of whom she had never until now heard. Then,
+casting such a fantastic thought aside with another impatient effort,
+she tore the envelope, past the seal, in a ragged dash. Her first
+glance was at the signature. "Yours always, KEITH."
+
+Keith! Jenny gave a sob and moved swiftly to the light. Her eyes were
+quite blurred with shining mist. She could not read the words. Keith!
+She could only murmur his name, holding the letter close against her.
+
+
+ii
+
+"MY DEAR JENNY," said the letter. "Do you remember? I said I should
+write to you when I got back. Well, here I am. I can't come to you
+myself. I'm tied here by the leg, and mustn't leave for a moment. But
+you said you'd come to me. Will you? Do! If you can come, you'll be a
+most awful dear, and I shall be out of my wits with joy. Not really out
+of my wits. _Do_ come, there's a dear good girl. It's my only chance, as
+I'm off again in the morning. The man who brings this note will bring
+you safely to me in the car, and will bring you quite safely home again.
+_Do_ come! I'm longing to see you. I trust you to come. I will explain
+everything when we meet. Yours always, KEITH."
+
+A long sigh broke from Jenny's lips as she finished reading. She
+was transfigured. Gone was the defiant look, gone were the sharpnesses
+that earlier had appeared upon her face. A soft colour flooded her
+cheeks; her eyes shone. Come to him! She would go to the end of the
+world.... Keith! She said it aloud, in a voice that was rich with her
+deep feeling, magically transformed.
+
+"Come to you, my dear!" said Jenny. "As if you need ask!"
+
+Then she remembered that Emmy was out, that she was left at home to look
+after her father, that to desert him would be a breach of trust. Quickly
+her face paled, and her eyes became horror-laden. She was shaken by the
+conflict of love and love, love that was pity and love that was the
+overwhelming call of her nature. The letter fluttered from her fingers,
+swooping like a wounded bird to the ground, and lay unheeded at her
+feet.
+
+
+iii
+
+"What _shall_ I do?" Nobody to turn to; no help from any hand. To stay
+was to give up the chance of happiness. To go--oh, she couldn't go! If
+Keith was tied, so was Jenny. Half demented, she left the letter where
+it had fallen, a white square upon the shabby rug. In a frenzy she wrung
+her hands. What could she do? It was a cry of despair that broke from
+her heart. She couldn't go, and Keith was waiting. That it should have
+happened upon this evening of all others! It was bitter! To send back a
+message, even though it be written with all her love, which still she
+must not express to Keith in case he should think her lightly won, would
+be to lose him for ever. He would never stand it. She saw his quick
+irritation, the imperious glance. ... He was a king among men. She must
+go! Whatever the failure in trust, whatever the consequences, she must
+go. She couldn't go! Whatever the loss to herself, her place was here.
+Emmy would not have gone to the theatre if she had not known that Jenny
+would stay loyally there. It was too hard! The months, the long months
+during which Keith had not written, were upon her mind like a weariness.
+She had had no word from him, and the little photograph that he had
+laughingly offered had been her only consolation. Yes, well, why hadn't
+he written? Quickly her love urged his excuse. She might accuse him of
+having forgotten her, but to herself she explained and pardoned all.
+That was not for this moment. Keith was not in fault. It was this
+dreadful difficulty of occasion, binding her here when her heart was
+with him. To sit moping here by the fire when Keith called to her!
+Duty--the word was a mockery. "They" would say she ought to stay. Hidden
+voices throbbed the same message into her consciousness. But every eager
+impulse, winged with love, bade her go. To whom was her heart given? To
+Pa? Pity ... pity. ... She pitied him, helpless at home. If anything
+happened to him! Nothing would happen. What could happen? Supposing she
+had gone to the chandler's shop: in those few minutes all might happen
+that could happen in all the hours she was away. Yet Emmy often ran out,
+leaving Pa alone. He was in bed, asleep; he would not awaken, and would
+continue to lie there at rest until morning. Supposing she had gone to
+bed--she would still be in the house; but in no position to look after
+Pa. He might die any night while they slept. It was only the idea of
+leaving him, the superstitious idea that just _because_ she was not
+there something would happen. Suppose she didn't go; but sat in the
+kitchen for two hours and then went to bed. Would she ever forgive
+herself for letting slip the chance of happiness that had come direct
+from the clouds'? Never! But if she went, and something _did_ happen,
+would she ever in that event know self-content again in all the days of
+her life? Roughly she shouldered away her conscience, those throbbing
+urgencies that told her to stay. She was to give up everything for a
+fear? She was to let Keith go for ever? Jenny wrung her hands, drawing
+sobbing breaths in her distress.
+
+Something made her pick the letter swiftly up and read it through a
+second time. So wild was the desire to go that she began to whimper,
+kissing the letter again and again, holding it softly to her cold
+cheek. Keith! What did it matter? What did anything matter but her love?
+Was she never to know any happiness? Where, then, was her reward? A
+heavenly crown of martyrdom? What was the good of that? Who was the
+better for it? Passionately Jenny sobbed at such a mockery of her
+overwhelming impulse. "They" hadn't such a problem to solve. "They"
+didn't know what it was to have your whole nature craving for the thing
+denied. "They" were cowards, enemies to freedom because they liked the
+music of their manacles! They could not understand what it was to love
+so that one adored the beloved. Not blood, but water ran in their veins!
+They didn't know. ... They couldn't feel. Jenny knew, Jenny felt; Jenny
+was racked with the sweet passion that blinds the eyes to consequences.
+She _must_ go! Wickedness might be her nature: what then? It was a sweet
+wickedness. It was her choice!
+
+Jenny's glance fell upon the trimmed hat which lay upon the table.
+Nothing but a cry from her father could have prevented her from taking
+it up and setting it upon her head. The act was her defiance. She was
+determined. As one deaf and blind, she went out of the kitchen, and to
+the hall-stand, fumbling there for her hatpins. She pinned her hat as
+deliberately as she might have done in leaving the house any morning.
+Her pale face was set. She had flung the gage. There remained only the
+acts consequential. And of those, since they lay behind the veil of
+night, who could now speak? Not Jenny!
+
+
+iv
+
+There was still Pa. He was there like a secret, lying snug in his warm
+bed, drowsily coaxing sleep while Jenny planned a desertion. Even when
+she was in the room, her chin grimly set and her lips quivering, a
+shudder seemed to still her heart. She was afraid. She could not forget
+him. He lay there so quiet in the semi-darkness, a long mound under the
+bedclothes; and she was almost terrified at speaking to him because her
+imagination was heightened by the sight of his dim outline. He was so
+helpless! Ah, if there had only been two Jennies, one to go, one to
+stay. The force of uncontrollable desire grappled with her pity. She
+still argued within herself, a weary echo of her earlier struggle. He
+would need nothing, she was sure. It would be for such a short time that
+she left him. He would hardly know she was not there. He would think she
+was in the kitchen. But if he needed her? If he called, if he knocked
+with his stick, and she did not come, he might be alarmed, or stubborn,
+and might try to find his way through the passage to the kitchen. If he
+fell! Her flesh crept as she imagined him helpless upon the floor,
+feebly struggling to rise.... It was of no use. She was bound to tell
+him....
+
+Jenny moved swiftly from the room, and returned with his nightly glass
+and jug of water. There could be nothing else that he would want during
+the night. It was all he ever had, and he would sleep so until morning.
+She approached the bed upon tiptoe.
+
+"Pa," she whispered. "Are you awake?" He stirred, and looked out from
+the bedclothes, and she was fain to bend over him and kiss the tumbled
+hair. "Pa, dear ... I want to go out. I've got to go out. Will you be
+all right if I leave you? Sure? You'll be a good boy, and not move! I
+shall be back before Emmy, and you won't be lonely, or frightened--will
+you!" She exhorted him. "See, I've _got_ to go out; and if I can't leave
+you.... You _are_ awake, Pa?"
+
+"Yes," breathed Pa, half asleep. "A good boy. Night, Jenny, my dearie
+girl."
+
+She drew back from the bed, deeply breathing, and stole to the door. One
+last glance she took, at the room and at the bed, closed the door and
+stood irresolute for a moment in the passage. Then she whipped her coat
+from the peg and put it on. She took her key and opened the front door.
+Everything was black, except that upon the roofs opposite the rising
+moon cast a glittering surface of light, and the chimney pots made
+slanting broad markings upon the silvered slates. The road was quite
+quiet but for the purring of a motor, and she could now, as her eyes
+were clearer, observe the outline of a large car drawn to the left of
+the door. As the lock clicked behind her and as she went forward the
+side lights of the motor blazed across her vision, blinding her again.
+
+"Are you there?" she softly called.
+
+"Yes, miss." The man's deep voice came sharply out of the darkness, and
+he jumped down from his seat to open the door of the car. The action
+startled Jenny. Why had the man done that?
+
+"Did you know I was coming?" she suddenly asked, drawing back with a
+sort of chill.
+
+"Yes, miss," said the man. Jenny caught her breath. She half turned
+away, like a shy horse that fears the friendly hand. He had been sure of
+her, then. Oh, that was a wretched thought! She was shaken to the heart
+by such confidence. He had been sure of her! There was a flash of time
+in which she determined not to go; but it passed with dreadful speed.
+Too late, now, to draw back. Keith was waiting: he expected her! The
+tears were in her eyes. She was more unhappy than she had been yet, and
+her heart was like water.
+
+The man still held open the door of the car. The inside was warm and
+inviting. His hand was upon her elbow; she was lost in the soft
+cushions, and drowned in the sweet scent of the great nosegay of flowers
+which hung before her in a shining holder. And the car was purring more
+loudly, and moving, moving as a ship moves when it glides so gently from
+the quay. Jenny covered her face with her hands, which cooled her
+burning cheeks as if they had been ice. Slowly the car nosed out of the
+road into the wider thoroughfare. Her adventure had begun in earnest.
+There was no drawing back now.
+
+
+
+
+CHAPTER VI: THE YACHT
+
+
+i
+
+To lie deep among cushions, and gently to ride out along streets and
+roads that she had so often tramped in every kind of weather, was enough
+to intoxicate Jenny. She heard the soft humming of the engine, and saw
+lamps and other vehicles flashing by, with a sense of effortless speed
+that was to her incomparable. If only she had been mentally at ease, and
+free from distraction, she would have enjoyed every instant of her
+journey. Even as it was, she could not restrain her eagerness as they
+overtook a tramcar, and the chauffeur honked his horn, and they glided
+nearer and nearer, and passed, and seemed to leave the tram standing.
+Each time this was in process of happening Jenny gave a small excited
+chuckle, thinking of the speed, and the ease, and of how the people in
+the tram must feel at being defeated in the race. Every such encounter
+became a race, in which she pressed physically forward as if to urge her
+steed to the final effort. Never had Jenny teen so eager for victory, so
+elated when its certainty was confirmed. It was worth while to live for
+such experience. How she envied her driver! With his steady hands upon
+the steering wheel.... Ah, he was like a sailor, like the sailor of
+romance, with the wind beating upon his face and his eyes ever-watchful.
+And under his hand the car rode splendidly to Keith.
+
+Jenny closed her eyes. She could feel her heart beating fast, and the
+blood heating her cheeks, reddening them. The blood hurt her, and her
+mouth seemed to hurt, too, because she had smiled so much. She lay back,
+thinking of Keith and of their meetings--so few, so long ago, so
+indescribably happy and beautiful. She always remembered him as he had
+been when first he had caught her eye, when he had stood so erect among
+other men who lounged by the sea, smoking and lolling at ease. He was
+different, as she was different. And she was going to him. How happy she
+was! And why did her breath come quickly and her heart sink? She could
+not bother to decide that question. She was too excited to do so. In all
+her life she had never known a moment of such breathless anticipation,
+of excitement which she believed was all happiness.
+
+There was one other thought that Jenny shirked, and that went on
+nevertheless in spite of her inattention, plying and moulding somewhere
+deep below her thrilling joy. The thought was, that she must not show
+Keith that she loved him, because while she knew--she felt sure--that He
+loved her, she must not be the smallest fraction of time before him in
+confession. She was too proud for that. He would tell her that he loved
+her; and the spell would be broken. Her shyness would be gone; her
+bravado immediately unnecessary. But until then she must beware. It was
+as necessary to Keith's pride as to her own that he should win her. The
+Keith she loved would not care for a love too easily won. The
+consciousness of this whole issue was at work below her thoughts; and
+her thoughts, from joy and dread, to the discomfort of doubt, raced
+faster than the car, speedless and headlong. Among them were two that
+bitterly corroded. They were of Pa and of Keith's confidence that she
+would come. Both were as poison in her mind.
+
+
+ii
+
+And then there came a curious sense that something had happened. The car
+stopped in darkness, and through the air there came in the huge tones of
+Big Ben the sound of a striking hour. It was nine o'clock. They were
+back at Westminster. Before her was the bridge, and above was the
+lighted face of the clock, like some faded sun. And the strokes rolled
+out in swelling waves that made the whole atmosphere feel soundladen.
+The chauffeur had opened the door of the car, and was offering his free
+hand to help Jenny to step down to the ground.
+
+"Are we _there?_" she asked in a bewildered way, as if she had been
+dreaming. "How quick we've been!"
+
+"Yes, miss. Mr. Redington's down the steps. You see them steps. Mr.
+Redington's down there in the dinghy. Mind how you go, miss. Hold tight
+to the rail...." He closed the door of the car and pointed to the steps.
+
+The dinghy! Those stone steps to the black water! Jenny was shaken by a
+shudder. The horror of the water which had come upon her earlier in the
+evening returned more intensely. The strokes of the clock were the same,
+the darkness, the feeling of the sinister water rolling there beneath
+the bridge, resistlessly carrying its burdens to the sea. If Keith had
+not been there she would have turned and run swiftly away, overcome by
+her fear. She timidly reached the steps, and stopped, peering down
+through the dimness. She put her foot forward so that it hung dubiously
+beyond the edge of the pavement.
+
+"What a coward!" she thought, violently, with self-contempt. It drove
+her forward. And at that moment she could see below, at the edge of the
+lapping water, the outline of a small boat and of a man who sat in it
+using the oars against the force of the current so as to keep the boat
+always near the steps. She heard a dear familiar voice call out with a
+perfect shout of welcome:
+
+"Jenny! Good girl! How are you! Come along; be careful how you come.
+That's it.... Six more, and then stop!" Jenny obeyed him--she desired
+nothing else, and her doubtings were driven away in a breath. She went
+quickly down. The back water lapped and wattled against the stone and
+the boat, and she saw Keith stand up, drawing the dinghy against the
+steps and offering her his hand. He had previously been holding up a
+small lantern that gilded the brown mud with a feeble colour and made
+the water look like oil. "Now!" he cried quickly. "Step!" The boat
+rocked, and Jenny crouched down upon the narrow seat, aflame with
+rapture, but terrified of the water. It was so near, so inescapably
+near. The sense of its smooth softness, its yieldingness, and the danger
+lurking beneath the flowing surface was acute. She tried more
+desperately to sit exactly in the middle of the boat, so that she should
+not overbalance it. She closed her eyes, sitting very still, and heard
+the water saying plup-plup-plup all round her, and she was afraid. It
+meant soft death: she could not forget that. Jenny could not swim. She
+was stricken between terror and joy that overwhelmed her. Then:
+
+"That's my boat," Keith said, pointing. "I say, you _are_ a sport to
+come!" Jenny saw lights shining from the middle of the river, and could
+imagine that a yacht lay there stubbornly resisting the current of the
+flowing Thames.
+
+
+iii
+
+Crouching still, she watched Keith bend to his oars, driving the boat's
+nose beyond the shadowy yacht because he knew that he must allow for the
+current. Her eyes devoured him, and her heart sang. Plup-plup-plup-plup
+said the water. The oars plashed gently. Jenny saw the blackness gliding
+beside her, thick and swift. They might go down, down, down in that
+black nothingness, and nobody would know of it.... The oars ground
+against the edge of the dinghy--wood against wood, grumbling and echoing
+upon the water. Behind everything she heard the roaring of London, and
+was aware of lights, moving and stationary, high above them. How low
+upon the water they were! It seemed to be on a level with the boat's
+edges. And how much alone they were, moving there in the darkness while
+the life of the city went on so far above. If the boat sank! Jenny
+shivered, for she knew that she would be drowned. She could imagine a
+white face under the river's surface, lanterns flashing, and
+then--nothing. It would be all another secret happening, a mystery, the
+work of a tragic instant; and Jenny Blanchard would be forgotten for
+ever, as if she had never been. It was a horrid sensation to her as she
+sat there, so near death.
+
+And all the time that Jenny was mutely enduring these terrors they were
+slowly nearing the yacht, which grew taller as they approached, and more
+clearly outlined against the sky. The moon was beginning to catch all
+the buildings and to lighten the heavens. Far above, and very pale, were
+stars; but the sky was still murky, so that the river remained in
+darkness. They came alongside the yacht. Keith shipped his oars, caught
+hold of something which Jenny could not see; and the dinghy was borne
+round, away from the yacht's side. He half rose, catching with both his
+hands at an object projecting from the yacht, and hastily knotting a
+rope. Jenny saw a short ladder hanging over the side, and a lantern
+shining.
+
+"There you are!" Keith cried. "Up you go! It's quite steady. Hold the
+brass rail...."
+
+After a second in which her knees were too weak to allow of her moving,
+Jenny conquered her tremors, rose unsteadily in the boat, and cast
+herself at the brass rail that Keith had indicated. To the hands that
+had been so tightly clasped together, steeling her, the rail was
+startlingly cold; but the touch of it nerved her, because it was firm.
+She felt the dinghy yield as she stepped from it, and she seemed for one
+instant to be hanging precariously in space above the terrifying
+waters. Then she was at the top of the ladder, ready for Keith's
+warning shout about the descent to the deck. She jumped down. She was
+aboard the yacht; and as she glanced around Keith was upon the deck
+beside her, catching her arm. Jenny's triumphant complacency was so
+great that she gave a tiny nervous laugh. She had not spoken at all
+until this moment: Keith had not heard her voice.
+
+"Well!" said Jenny. "_That's_ over!" And she gave an audible sigh of
+relief. "Thank goodness!"
+
+"And here you are!" Keith cried. "Aboard the _Minerva_."
+
+
+iv
+
+He led her to a door, and down three steps. And then it seemed to Jenny
+as if Paradise burst upon her. She had never before seen such a room as
+this cabin. It was a room such as she had dreamed about in those
+ambitious imaginings of a wondrous future which had always been so
+vaguely irritating to Emmy. It seemed, partly because the ceiling was
+low, to be very spacious; the walls and ceiling were of a kind of dusky
+amber hue; a golden brown was everywhere the prevailing tint. The tiny
+curtains, the long settees into which one sank, the chairs, the shades
+of the mellow lights--all were of some variety of this delicate golden
+brown. In the middle of the cabin stood a square table; and on the
+table, arrayed in an exquisitely white tablecloth, was laid a wondrous
+meal. The table was laid for two: candles with amber shades made silver
+shine and glasses glitter. Upon a fruit stand were peaches and
+nectarines; upon a tray she saw decanters; little dishes crowding the
+table bore mysterious things to eat such as Jenny had never before seen.
+Upon a side table stood other dishes, a tray bearing coffee cups and
+ingredients for the provision of coffee, curious silver boxes.
+Everywhere she saw flowers similar to those which had been in the motor
+car. Under her feet was a carpet so thick that she felt her shoes must
+be hidden in its pile. And over all was this air of quiet expectancy
+which suggested that everything awaited her coming. Jenny gave a deep
+sigh, glanced quickly at Keith, who was watching her, and turned away,
+her breath catching. The contrast was too great: it made her unhappy.
+She looked down at her skirt, at her hands; she thought of her hat and
+her hidden shoes. She thought of Emmy, the bread and butter pudding, of
+Alf Rylett ... of Pa lying at home in bed, alone in the house.
+
+
+v
+
+Keith drew her forward slightly, until she came within the soft radiance
+of the cabin lights.
+
+"I say, it _is_ sporting of you to come!" he said. "Let's have a look at
+you--do!"
+
+They stood facing one another. Keith saw Jenny, tall and pale, looking
+thin in her shabby dress, but indescribably attractive and beautiful
+even in her new shyness. And Jenny saw the man she loved: her eyes were
+veiled, but they were unfathomably those of one deeply in love. She did
+not know how to hide the emotions with which she was so painfully
+struggling. Pride and joy in him; shyness and a sort of dread; hunger
+and reserve--Keith might have read them all, so plainly were they
+written. Yet her first words were wounded and defiant.
+
+"The man ... that man.... He _knew_ I was coming," she said, in a voice
+of reproach. "You were pretty sure I should come, you know."
+
+Keith said quietly:
+
+"I _hoped_ you would." And then he lowered his eyes. She was disarmed,
+and they both knew.
+
+Keith Redington was nearly six feet in height. He was thin, and even
+bony; but he was very toughly and strongly built, and his face was as
+clean and brown as that of any healthy man who travels far by sea. He
+was less dark than Jenny, and his hair was almost auburn, so rich a
+chestnut was it. His eyes were blue and heavily lashed; his hands were
+long and brown, with small freckles between the knuckles. He stood with
+incomparable ease, his hands and arms always ready, but in perfect
+repose. His lips, for he was clean-shaven, were keen and firm. His
+glance was fearless. As the phrase is, he looked every inch a sailor,
+born to challenge the winds and the waters. To Jenny, who knew only
+those men who show at once what they think or feel, his greater breeding
+made Keith appear inscrutable, as if he had belonged to a superior race.
+She could only smile at him, with parted lips, not at all the baffling
+lady of the mirror, or the contemptuous younger sister, or the daring
+franctireur of her little home at Kennington Park. Jenny Blanchard she
+remained, but the simple, eager Jenny to whom these other Jennies were
+but imperious moods.
+
+"Well, I've come," she said. "But you needn't have been so sure."
+
+Keith gave an irrepressible grin. He motioned her to the table, shaking
+his head at her tone.
+
+"Come and have some grub," he said cheerfully. "I was about as sure as
+you were. You needn't worry about that, old sport. There's so little
+time. Come and sit down; there's a good girl. And presently I'll tell
+you all about it." He looked so charming as he spoke that Jenny
+obediently smiled in return, and the light came rushing into her eyes,
+chasing away the shadows, so that she felt for that time immeasurably
+happy and unsuspicious. She sat down at the laden table, smiling again
+at the marvels which it carried.
+
+"My word, what a feast!" she said helplessly. "Talk about the Ritz!"
+
+Keith busied himself with the dishes. The softly glowing cabin threw
+over Jenny its spell; the comfort, the faint slow rocking of the yacht,
+the sense of enclosed solitude, lulled her. Every small detail of ease,
+which might have made her nervous, merged with the others in a
+marvellous contentment because she was with Keith, cut off from the
+world, happy and at peace. If she sighed, it was because her heart was
+full. But she had forgotten the rest of the evening, her shabbiness,
+every care that troubled her normal days. She had cast these things off
+for the time and was in a glow of pleasure. She smiled at Keith with a
+sudden mischievousness. They both smiled, without guilt, and without
+guile, like two children at a reconciliation.
+
+
+vi
+
+"Soup?" said Keith, and laid before her a steaming plate. "All done by
+kindness."
+
+"Have you been cooking?" Some impulse made Jenny motherly. It seemed a
+strange reversal of the true order that he should cook for her. "It's
+like _The White Cat_ to have it...."
+
+"It's a secret," Keith laughed. "Tell you later. Fire away!" He tasted
+the soup, while Jenny looked at five little letter biscuits in her own
+plate. She spelt them out E T K I H--KEITH. He watched her, enjoying the
+spectacle of the naive mind in action as the light darted into her face.
+"I've got JENNY," he said, embarrassed. She craned, and read the letters
+with open eyes of marvel. They both beamed afresh at the primitive
+fancy.
+
+"How did you do it?" Jenny asked inquisitively. "But it's nice." They
+supped the soup. Followed, whitebait: thousands of little fish.... Jenny
+hardly liked to crunch them. Keith whipped away the plates, and dived
+back into the cabin with a huge pie that made her gasp. "My gracious!"
+said Jenny. "I can never eat it!"
+
+"Not _all_ of it," Keith admitted. "Just a bit, eh?" He carved.
+
+"Oh, thank goodness it's not stew and bread and butter pudding!" cried
+Jenny, as the first mouthful of the pie made her shut her eyes tightly.
+"It's like heaven!"
+
+"If they have pies there." Jenny had not meant that: she had meant only
+that her sensations were those of supreme contentment. "Give me the old
+earth; and supper with Jenny!"
+
+"Really?" Jenny was all brimming with delight.
+
+"What will you have to drink? Claret? Burgundy?" Keith was again upon
+his feet. He poured out a large glass of red wine and laid it before
+her. Jenny saw with marvel the reflections of light on the wine and of
+the wine upon the tablecloth. She took a timid sip, and the wine ran
+tingling into her being.
+
+"High life," she murmured. "Don't make me tipsy!" They exchanged
+overjoyed and intimate glances, laughing.
+
+There followed trifle. Trifle had always been Jenny's dream; and this
+trifle was her dream come true. It melted in the mouth; its flavours
+were those of innumerable spices. She was transported with happiness at
+the mere thought of such trifle. As her palate vainly tried to unravel
+the secrets of the dish, Keith, who was closely observant, saw that she
+was lost in a kind of fanatical adoration of trifle.
+
+"You like it?" he asked.
+
+"I shall never forget it!" cried Jenny. "Never as long as I live. When
+I'm an old ... great-aunt...." She had hesitated at her destiny. "I
+shall bore all the kids with tales about it. I shall say 'That night on
+the yacht ... when I first knew what trifle meant....' They won't half
+get sick of it. But I shan't."
+
+"You'll like to think about it?" asked Keith. "Like to remember
+to-night?"
+
+"Will _you_?" parried Jenny. "The night you had Jenny Blanchard to
+supper?" Their eyes met, in a long and searching glance, in which
+candour was not unmixed with a kind of measuring distrust.
+
+
+vii
+
+Keith's face might have been carven for all the truth that Jenny got
+from it then. There darted across her mind the chauffeur's certainty
+that she was to be his passenger. She took another sip of wine.
+
+"Yes," she said again, very slowly. "You _were_ sure I was coming. You
+got it all ready. Been a bit of a sell if I hadn't come. You'd have had
+to set to and eat it yourself.... Or get somebody else to help you."
+
+She meant "another girl," but she did not know she meant that until the
+words were spoken. Her own meaning stabbed her heart. That icy knowledge
+that Keith was sure of her was bitterest of all. It made her happiness
+defiant rather than secure. He was the only man for her. How did she
+know there were not other women for Keith! How could she ever know that?
+Rather, it sank into her consciousness that there must be other women.
+His very ease showed her that. The equanimity of his laughing expression
+brought her the unwelcome knowledge.
+
+"I should have looked pretty small if I'd made no preparations,
+shouldn't I?" Keith inquired in a dry voice. "If you'd come here and
+found the place cold and nothing to eat you'd have made a bit of a
+shindy."
+
+A reserve had fallen between them. Jenny knew she had been unwise. It
+pressed down upon her heart the feeling that he was somehow still a
+stranger to her. And all the time they had been apart he had not seemed
+a stranger, but one to whom her most fleeting and intimate thoughts
+might freely have been given. That had been the wonderful thought to
+her--that they had met so seldom and understood each other so well. She
+had made a thousand speeches to him in her dreams. Together, in these
+same dreams, they had seen and done innumerable things together, always
+in perfect confidence, in perfect understanding. Yet now, when she saw
+him afresh, all was different. Keith was different. He was browner,
+thinner, less warm in manner; and more familiar, too, as though he were
+sure of her. His clothes were different, and his carriage. He was not
+the same man. It was still Keith, still the man Jenny loved; but as
+though he were also somebody else whom she was meeting for the first
+time. Her love, the love intensified by long broodings, was as strong;
+but he was a stranger. All that intimacy which seemed to have been
+established between them once and for ever was broken by the new contact
+in unfamiliar surroundings. She was shy, uncertain, hesitating; and in
+her shyness she had blundered. She had been unwise, and he was offended
+when she could least afford to have him so offended. It took much
+resolution upon Jenny's part to essay the recovery of lost ground. But
+the tension was the worse for this mistake, and she suffered the more
+because of her anxious emotions.
+
+"Oh, well," she said at last, as calmly as she could. "I daresay we
+should have managed. I mightn't have come. But I've come, and you had
+all these beautiful things ready; and...." Her courage to be severe
+abruptly failed; and lamely she concluded: "And it's simply like
+fairyland.... I'm ever so happy."
+
+Keith grinned again, showing perfect white teeth. For a moment he
+looked, Jenny thought, quite eager. Or was that only her fancy because
+she so desired to see it? She shook her head; and that drew Keith's eye.
+
+"More trifle?" he suggested, with an arch glance. Jenny noticed he wore
+a gold ring upon the little finger of his right hand. It gleamed in the
+faint glow of the cabin. So, also, did the fascinating golden hairs upon
+the back of his hand. Gently the cabin rose and fell, rocking so slowly
+that she could only occasionally be sure that the movement was true. She
+shook her head in reply.
+
+"I've had one solid meal to-night," she explained. "Wish I hadn't! If
+I'd known I was coming out I'd have starved myself all day. Then you'd
+have been shocked at me!"
+
+Keith demurely answered, as if to reassure her:
+
+"Takes a lot to shock me. Have a peach?"
+
+"I must!" she breathed. "I can't let the chance slip. O-oh, what a
+scent!" She reached the peach towards him. "Grand, isn't it!" Jenny
+discovered for Keith's quizzical gaze an unexpected dimple in each pale
+cheek. He might have been Adam, and she the original temptress.
+
+"Shall I peel it?"
+
+"Seems a shame to take it off!" Jenny watched his deft fingers as he
+stripped the peach. The glowing skin of the fruit fell in lifeless
+peelings upon his plate, dying as it were under her eyes, Keith had
+poured wine for her in another, smaller, glass. She shook her head.
+
+"I shall be drunk!" she protested. "Then I should sing! Horrible, it
+would be!"
+
+"Not with a little port ... I'm not pressing you to a lot. Am I?" He
+brought coffee to the table, and she began to admire first of all the
+pattern of the silver tray. Jenny had never seen such a tray before,
+outside a shop, nor so delicately porcelain a coffee-service. It helped
+to give her the sense of strange, unforgettable experience.
+
+"You didn't say if you'd remember this evening," she slowly reflected.
+Keith looked sharply up from the coffee, which he was pouring, she saw,
+from a thermos flask.
+
+"Didn't I?" he said. "Of course I shall remember it. I've done better.
+I've looked forward to it. That's something you've not done. I've looked
+forward to it for weeks. You don't think of that. We've been in the
+Mediterranean, coasting about. I've been planning what I'd do when we
+got back. Then Templecombe said he'd be coming right up to London; and I
+planned to see you."
+
+"Templecombe?" Jenny queried. "Who's he?"
+
+"He's the lord who owns this yacht. Did you think it was my yacht?"
+
+"No.... I hoped it wasn't...." Jenny said slowly.
+
+
+viii
+
+Keith's eyes were upon her; but she looked at her peach stone, her hand
+still lightly holding the fruit knife, and her fingers half caught by
+the beam of a candle which stood beside her. He persisted:
+
+"Well, Templecombe took his valet, who does the cooking; and my
+hand--my sailorman--wanted to go and visit his wife ... and that left me
+to see after the yacht. D'you see? I had the choice of keeping Tomkins
+aboard, or staying aboard myself."
+
+"You might almost have given me longer notice," urged Jenny. "It seems
+to me."
+
+"No. I'm under instructions. I'm not a free man," said Keith soberly. "I
+was once; but I'm not now. I'm captain of a yacht. I do what I'm told."
+
+Jenny fingered her port-wine glass, and in looking at the light upon the
+wine her eyes became fixed.
+
+"Will you ever do anything else?" she asked. Keith shrugged slightly.
+
+"You want to know a lot," he said.
+
+"I don't know very much, do I?" Jenny answered, in a little dead voice.
+"Just somewhere about nothing at all. I have to pretend the rest."
+
+"D'you want to know it?"
+
+Jenny gave a quick look at his hands which lay upon the table. She could
+not raise her eyes further. She was afraid to do so. Her heart seemed to
+be beating in her throat.
+
+"It's funny me having to ask for it, isn't it!" she said, suddenly
+haggard.
+
+
+
+
+CHAPTER VII: MORTALS
+
+
+i
+
+Keith did not answer. That was the one certainty she had; and her heart
+sank. He did not answer. That meant that really she was nothing to him,
+that he neither wanted nor trusted her. And yet she had thought a moment
+before--only a moment before--that he was as moved as herself. They had
+seemed to be upon the brink of confidences; and now he had drawn back.
+Each instant deepened her sense of failure. When Jenny stealthily looked
+sideways, Keith sat staring before him, his expression unchanged. She
+had failed.
+
+"You don't trust me," she said, with her voice trembling. There was
+another silence. Then:
+
+"Don't I?" Keith asked, indifferently. He reached his hand out and
+patted hers, even holding it lightly for an instant. "I think I do. You
+don't think so?"
+
+"No." She merely framed the word, sighing.
+
+"You're wrong, Jenny." Keith's voice changed. He deliberately looked
+round the table at the little dishes that still lay there untouched.
+"Have some of these sweets, will you.... No?" Jenny could only draw her
+breath sharply, shaking her head. "Almonds, then?" She moved
+impatiently, her face distorted with wretched exasperation. As if he
+could see that, and as if fear of the outcome hampered his resolution,
+Keith hurried on. "Well, look here: we'll clear the table together, if
+you like. Take the things through the other cabin--_that_ one--to the
+galley; root up the table by its old legs--I'll show you how its'
+done;--and then we can have a talk. I'll ... I'll tell you as much as I
+can about everything you want to know. That do?"
+
+"I can't stay long. I've left Pa in bed." She could not keep the note of
+roughness from her pleading voice, although shame at being petulant was
+struggling with her deeper feeling.
+
+"Well, he won't want to get up again yet, will he?" Keith answered
+composedly. Oh, he had nerves of steel! thought Jenny. "I mean, this
+_is_ his bedtime, I suppose?" There was no answer. Jenny looked at the
+tablecloth, numbed by her sensations. "Do you have to look after him all
+the time? That's a bit rough..."
+
+"No," was forced from Jenny. "No, I don't ... not generally. But
+to-night--but that's a long story, too. With rows in it." Which made
+Keith laugh. He laughed not quite naturally, forcing the last several
+jerks of his laughter, so that she shuddered at the thought of his
+possible contempt. It was as if everything she said was lost before
+ever it reached his heart--as if the words were like weak blows against
+an overwhelming strength. Discouragement followed and deepened after
+every blow--every useless and baffled word. There was again silence,
+while Jenny set her teeth, forcing back her bitterness and her chagrin,
+trying to behave as usual, and to check the throbbing within her breast.
+He was trying to charm her, teasingly to wheedle her back into kindness,
+altogether misunderstanding her mood. He was guarded and considerate
+when she wanted only passionate and abject abandonment of disguise.
+
+"We'll toss up who shall begin first," Keith said in a jocular way.
+"How's that for an idea?"
+
+Jenny felt her lips tremble. Frantically she shook her head, compressing
+the unruly lips. Only by keeping in the same position, by making herself
+remain still, could she keep back the tears. Her thought went on, that
+Keith was cruelly playing with her, mercilessly watching the effect of
+his own coldness upon her too sensitive heart. Eh, but it was a lesson
+to her! What brutes men could be, at this game! And that thought gave
+her, presently, an unnatural composure. If he were cruel, she would
+never show her wounds. She would sooner die. But her eyes, invisible to
+him, were dark with reproach, and her face drawn with agony.
+
+"Well, we'd better do _something_," she said, in a sharp voice; and rose
+to her feet. "Where is it the things go?" Keith also rose, and Jenny
+felt suddenly sick and faint at the relaxation of her self-control.
+
+
+ii
+
+"Hullo, hullo!" Keith cried, and was at once by her side. "Here; have a
+drink of water." Jenny, steadying herself by the table, sipped a little
+of the water.
+
+"Is it the wine that's made me stupid?" she asked. "I feel as if my
+teeth were swollen, and my skin was too tight for my bones. Beastly!"
+
+"How horrid!" Keith said lightly, taking from her hand the glass of
+water. "If it's the wine you won't feel the effects long. Go on deck if
+you like. You'll feel all right in the air. I'll clear away." Jenny
+would not leave him. She shook her head decidedly. "Wait a minute, then.
+I'll come too!"
+
+They moved quickly about, leaving the fruit and little sweets and
+almonds upon the sidetable, but carrying everything else through a
+sleeping-cabin into the galley. It was this other cabin that still
+further deepened Jenny's sense of pain--of inferiority. That was the
+feeling now most painful. She had just realised it. She was a common
+girl; and Keith--ah, Keith was secure enough, she thought.
+
+In that moment Jenny deliberately gave him up. She felt it was
+impossible that he should love her. When she looked around it was with a
+sorrowfulness as of farewell. These things were the things that Keith
+knew and had known--that she would never again see but in the bitter
+memories of this night. The night would pass, but her sadness would
+remain. She would think of him here. She gave him up, quite humble in
+her perception of the disparity between them. And yet her own love would
+stay, and she must store her memory full of all that she would want to
+know when she thought of his every moment. Jenny ceased to desire him.
+She somehow--it may have been by mere exhausted cessation of
+feeling--wished only to understand his life and then never to see him
+again. It was a kind of numbness that seized her. Then she awoke once
+again, stirred by the bright light and by the luxury of her
+surroundings.
+
+"This where you sleep?" With passionate interest in everything that
+concerned him, Jenny looked eagerly about the cabin. She now indicated a
+broad bunk, with a beautifully white counterpane and such an eiderdown
+quilt as she might optimistically have dreamed about. The tiny cabin was
+so compact, and so marvellously furnished with beautiful things that it
+seemed to Jenny a kind of suite in tabloid form. She did not understand
+how she had done without all these luxurious necessities for
+five-and-twenty years.
+
+"Sometimes," Keith answered, having followed her marvelling eye from
+beauty to beauty. "When there's company I sleep forward with the
+others." He had been hurrying by with a cruet and the bread dish when
+her exclamation checked him.
+
+"Is this lord a friend of yours, then?" Jenny asked.
+
+"Sometimes," Keith dryly answered. "Understand?" Jenny frowned again at
+his tone.
+
+"No," she said. Keith passed on.
+
+Jenny stood surveying the sleeping-cabin. A whole nest of drawers
+attracted her eye, deep drawers that would hold innumerable things. Then
+she saw a hand-basin with taps for hot and cold water. Impulsively she
+tried the hot-water tap, and was both relieved and disappointed when it
+gasped and offered her cold water. There were monogramed toilet
+appointments beautiful to see; a leather-cased carriage clock, a shelf
+full of books that looked fascinating; towels; tiny rugs; a light above
+the hand-basin, and another to switch on above the bunk.... It was
+wonderful! And there was a looking-glass before her in which she could
+see her own reflection as clear as day--too clearly for her pleasure!
+
+The face she irresistibly saw in this genuine mirror looked pale and
+tired, although upon each white cheek there was a hard scarlet flush.
+Her eyes were liquid, the pupils dilated; her whole appearance was one
+of suppressed excitement. She had chagrin, not only because she felt
+that her appearance was unattractive, but because it seemed to her that
+her face kept no secrets. Had she seen it as that of another, Jenny
+would unerringly have read its painful message.
+
+"Eh, dear," she said aloud. "You give yourself away, old sport! Don't
+you, now!" The mirrored head shook in disparaging admission of its own
+shortcoming. Jenny bent nearer, meeting the eyes with a clear stare.
+There were wretched lines about her mouth. For the first time in her
+life she had a horrified fear of growing older. It was as though, when
+she shut her eyes, she saw herself as an old woman. She felt a curious
+stab at her heart.
+
+Keith, returning, found Jenny still before the mirror, engaged in this
+unsparing scrutiny; and, laughing gently, he caught her elbow with his
+fingers. In the mirror their glances met. At his touch Jenny thrilled,
+and unconsciously leaned towards him. From the mirrored glance she
+turned questioningly, to meet upon his face a beaming expression of
+tranquil enjoyment that stimulated her to candid remark. Somehow it
+restored some of her lost ease to be able to speak so.
+
+"I look funny, don't I?" She appealed to his judgment. Keith bent
+nearer, as for more detailed examination, retaining hold upon her elbow.
+His face was tantalisingly close to hers, and Jenny involuntarily turned
+her head away, not coquettishly, but through embarrassment at a mingling
+of desire and timidity.
+
+"Is that the word?" he asked. "You look all right, my dear."
+
+My dear! She knew that the words meant more to her than they did to him,
+so carelessly were they uttered; but they sent a shock through her. How
+Jenny wished that she might indeed be dear to Keith! He released her,
+and she followed him, laden, backwards and forwards until the table was
+cleared. Then he unscrewed the table legs, and the whole thing came
+gently away in his hands. There appeared four small brass sockets
+imbedded in the carpet's deep pile; and the centre of the room was
+clear. By the same dexterous use of his acquaintance with the cabin's
+mechanism, Keith unfastened one of the settees, and wheeled it forward
+so that it stood under the light, and in great comfort for the time when
+they should sit to hear his story.
+
+"Now!" he said. "We'll have a breather on deck to clear your old head."
+
+
+iii
+
+By this time the moon was silvering the river, riding high above the
+earth, serenely a thing of eternal mystery to her beholders. With the
+passing of clouds and the deepening of the night, those stars not
+eclipsed by the moon shone like swarmed throbbing points of silver. They
+seemed more remote, as though the clearer air had driven them farther
+off. Jenny, her own face and throat illumined, stared up at the moon,
+marvelling; and then she turned, without speaking, to the black shadows
+and the gliding, silent water. Upon every hand was the chequer of
+contrast, beautiful to the eye, and haunting to the spirit. A soft wind
+stirred her hair and made her bare her teeth in pleasure at the sweet
+contact.
+
+Keith led her to the wide wooden seat which ran by the side of the deck,
+and they sat together there. The noise of the city was dimmer; the lamps
+were yellowed in the moon's whiter light; there were occasional
+movements upon the face of the river. A long way away they heard a sharp
+panting as a motor boat rushed through the water, sending out a great
+surging wave that made all other craft rise and fall and sway as the
+river's agitation subsided. The boat came nearer, a coloured light
+showing; and presently it hastened past, a moving thing with a muffled
+figure at its helm; and the _Minerva_ rocked gently almost until the
+sound of the motor boat's tuff-tuff had been lost in the general noise
+of London. Nearer at hand, above them, Jenny could hear the clanging of
+tram-gongs and the clatter and slow boom of motor omnibuses; but these
+sounds were mellowed by the evening, and although they were near enough
+to be comforting they were too far away to interrupt this pleasant
+solitude with Keith. The two of them sat in the shadow, and Jenny craned
+to hear the chuckle of the water against the yacht's sides. It was a
+beautiful moment in her life.... She gave a little moan, and swayed
+against Keith, her delight succeeded by deadly languor.
+
+
+iv
+
+So for a moment they sat, Keith's arm around her shoulders; and then
+Jenny moved so as to free herself. She was restless and unhappy again,
+her nerves on edge. The moon and the water, which had soothed her, were
+now an irritation. Keith heard her breath come and go, quickly, heavily.
+
+"Sorry, Jenny," he said, in a tone of puzzled apology. She caught his
+fallen hand, pressing it eagerly.
+
+"It's nothing. Only that minute. Like somebody walking on my grave."
+
+"You're cold. We'll go down to the cabin again." He was again cool and
+unembarrassed. Together they stood upon the deck in the moonlight, while
+the water flowed rapidly beneath them and the night's mystery emphasised
+their remoteness from the rest of the world. They had no part, at this
+moment, in the general life; but were solitary, living only to
+themselves....
+
+Keith's arm was about her as they descended; but he let it drop as they
+stood once more in the golden-brown cabin. "Sit here!" He plumped a
+cushion for her, and Jenny sank into an enveloping softness that rose
+about her as water might have done, so that she might have been alarmed
+if Keith had not been there looking down with such an expression of
+concern.
+
+"I'm really all right," she told him, reassuringly. "Miserable for a
+tick--that's all!"
+
+"Sure?" He seemed genuinely alarmed, scanning her face. She had again
+turned sick and faint, so that her knees were without strength. Was he
+sincere? If only she could have been sure of him. It meant everything in
+the world to her. If only Keith would say he loved her: if only he would
+kiss her! He had never done that. The few short days of their earlier
+comradeship had been full of delight; he had taken her arm, he had even
+had her in his arms during a wild bluster of wind; but always the
+inevitable kiss had been delayed, had been averted; and only her eager
+afterthoughts had made romance of their meagre acquaintance. Yet now,
+when they were alone, together, when every nerve in her body seemed
+tense with desire for him, he was somehow aloof--not constrained (for
+then she would have been happy, at the profoundly affecting knowledge
+that she had carried the day), but unsympathetically and unlovingly at
+ease. She could not read his face: in his manner she read only a barren
+kindness that took all and gave nothing. If he didn't love her she need
+not have come. It would have been better to go on as she had been doing,
+dreaming of him until--until what? Jenny sighed at the grey vision. Only
+hunger had driven her to his side on this evening--the imperative hunger
+of her nature upon which Keith had counted. He had been sure she would
+come--that was unforgivable. He had welcomed her as he might have
+welcomed a man; but as he might also have welcomed any man or woman who
+would have relieved his loneliness upon the yacht. Not a loved friend.
+Jenny, with her brain restored by the gentle breeze to its normal
+quickness of action, seemed dartingly to seek in every direction for
+reassurance! and she found in everything no single tone or touch to feed
+her insatiable greed for tokens of his love. Oh, but she was miserable
+indeed--disappointed in her dearest and most secret aspirations. He was
+perhaps afraid that she wanted to attach herself to him? If that were
+so, why couldn't he be honest, and tell her so? That was all she wanted
+from him. She wanted only the truth. She felt she could bear anything
+but this kindness, this charming detached thought for her. He was giving
+her courtesy when all she needed was that his passion should approach
+her own. And when she should have been strong, mistress of herself, she
+was weak as water. Her strength was turned, her self-confidence mocked
+by his bearing. She trembled with the recurring vehemence of her love,
+that had been fed upon solitude, upon the dreariness in which she spent
+her mere calendared days. Her eyes were sombrely glowing, dark with
+pain; and Keith was leaning towards her as he might have leant towards
+any girl who was half fainting. She could have cried, but that she was
+too proud to cry. She was not Emmy, who cried. She was Jenny Blanchard,
+who had come upon this fool's trip because a force stronger than her
+pride had bidden her to forsake all but the impulse of her love. And
+Keith, secure and confident, was coolly, as it were, disentangling
+himself from the claim she had upon him by virtue of her love. It seemed
+to Jenny that he was holding her at a distance. Nothing could have hurt
+her more. It shamed her to think that Keith might suspect her honesty
+and her unselfishness. When she had thought of nothing but her love and
+the possibility of his own.
+
+She read now, in this moment of descent into misery, a dreadful blunder
+made by her own overweening eagerness. She saw Keith, alone, thinking
+that he would be at a loss to fill his time, suddenly remembering her,
+thinking in a rather contemptuous way of their days together, and
+supposing that she would do as well as another for an hour's talk to
+keep him from a stagnant evening. If that were so, good-bye to her
+dreams. If she were no more to him than that there was no hope left in
+her life. For Keith might ply from port to port, seeing in her only one
+girl for his amusement; but he had spoilt her for another man. No other
+man could escape the withering comparison with Keith. To Jenny he was a
+king among men, incomparable; and if he did not love her, then the proud
+Jenny Blanchard, who unhesitatingly saw life and character with an
+immovable reserve, was the merest trivial legend of Kennington Park. She
+was like every other girl, secure in her complacent belief that she
+could win love--until the years crept by, and no love came, and she must
+eagerly seek to accept whatever travesty of love sidled within the
+radius of her attractiveness.
+
+Suddenly Jenny looked at Keith.
+
+"Better now," she said harshly. "You'll have to buck up with your
+tale--won't you! If you're going to get it out before I have to toddle
+home again."
+
+"Oh," said Keith, in a confident tone. "You're here now. You'll stay
+until I've quite finished."
+
+"What do you mean?" asked Jenny sharply. "Don't talk rubbish!"
+
+Keith held up a warning forefinger. He stretched his legs and drew from
+his pocket a stout pipe.
+
+"I mean what I say." He looked sideways at her. "Don't be a fool,
+Jenny."
+
+Her heart was chilled at the menace of his words no less than by the
+hardness of his voice.
+
+
+v
+
+"I don't know what you're talking about, Keith; but you'll take me back
+to the steps when I say," she said. Keith filled his pipe. "I suppose
+you think it's funny to talk like that." Jenny looked straight in front
+of her, and her heart was fluttering. It was not her first tremor; but
+she was deeply agitated. Keith, with a look that was almost a smile,
+finished loading the pipe and struck a match. He then settled himself
+comfortably at her side.
+
+"Don't be a juggins, Jenny," he remarked, in a dispassionate way that
+made her feel helpless.
+
+"Sorry," she said quickly. "I've got the jumps. I've had awful rows
+to-night ... before coming out."
+
+"Tell me about them," Keith urged. "Get 'em off your chest." She shook
+her head. Oh no, she wanted something from him very different from such
+kindly sympathy.
+
+"Only make it worse," she claimed. "Drives it in more. Besides, I don't
+want to. I want to hear about you."
+
+"Oh, me!" he made a laughing noise. "There's nothing to tell."
+
+"You said you would." Jenny was alarmed at his perverseness; but they
+were not estranged now.
+
+Keith was smiling rather bitterly at his own thoughts, it seemed.
+
+"I wonder why it is women want to know such a lot," he said, drowsily.
+
+"All of them?" she sharply countered. "I suppose you ought to know."
+
+"You look seedy still.... Are you really feeling better?" Jenny took no
+notice. "Well, yes: I suppose all of them. They all want to take
+possession of you. They're never satisfied with what they've got."
+
+"Perhaps they haven't got anything," Jenny said. And after a painful
+pause: "Oh, well: I shall have to be going home." She wearily moved, in
+absolute despair, perhaps even with the notion of rising, though her
+mind was in turmoil.
+
+"Jenny!" He held her wrist, preventing any further movement. He was
+looking at her with an urgent gaze. Then, violently, with a rapid
+motion, he came nearer, and forced his arm behind Jenny's waist, drawing
+her close against his breast, her face averted until their cheeks
+touched, when the life seemed to go out of Jenny's body and she moved
+her head quickly in resting it on his shoulder, Keith's face against her
+hair, and their two hearts beating quickly. It was done in a second, and
+they sat so, closely embraced, without speech. Still Jenny's hands were
+free, as if they had been lifeless. Time seemed to stand still, and
+every noise to stop, during that long moment. And in her heart Jenny was
+saying over and over, utterly hopeless, "It's no good; it's no good;
+it's no good...." Wretchedly she attempted to press herself free, her
+elbow against Keith's breast. She could not get away; but each flying
+instant deepened her sense of bitter failure.
+
+"It's no use," she said at last, in a dreadful murmur. "You don't want
+me a bit. Far better let me go."
+
+Keith loosed his hold, and she sat away from him with a little sigh that
+was almost a shudder. Her hands went as if by instinct to her hair,
+smoothing it. Another instinct, perhaps, made her turn to him with the
+ghost of a reassuring smile.
+
+"Silly, we've been," she said, huskily. "I've been thinking about you
+all this time; and this is the end of it. Well, I was a fool to
+come...." She sat up straight, away from the back of the settee; but she
+did not look at Keith. She was looking at nothing. Only in her mind was
+going on the tumult of merciless self-judgment. Suddenly her composure
+gave way and she was again in his arms, not crying, but straining him to
+her. And Keith was kissing her, blessed kisses upon her soft lips, as if
+he truly loved her as she had all this time hoped. She clung to him in a
+stupor.
+
+
+
+
+CHAPTER VIII: PENALTIES
+
+
+i
+
+"Poor old Jenny," Keith was saying, stroking her arm and holding his
+cheek against hers.
+
+"You don't want me ..." groaned Jenny.
+
+"Yes."
+
+"I can tell you don't. You don't mean it. D'you think I can't tell!"
+
+Keith raised a finger and lightly touched her hair. He rubbed her cheek
+with his own, so that she could feel the soft bristles of his shaven
+beard. And he held her more closely within the circle of his arm.
+
+"Because I'm clumsy?" he breathed. "You know too much, Jenny."
+
+"No: I can tell.... It's all the difference in the world."
+
+"Well, then; how many others have kissed you?... Eh?"
+
+"Keith!" Jenny struggled a little. "Let me go now."
+
+"How many?" Keith kissed her cheek. "Tell the whole dreadful truth."
+
+"If I asked you how many girls ... what would you say then?" Jenny's
+sombre eyes were steadily watching him, prying into the secrets of his
+own. He gave a flashing smile, that lighted up his brown face.
+
+"We're both jealous," he told her. "Isn't that what's the matter?"
+
+"You don't trust me. You don't want me. You're only teasing." With a
+vehement effort she recovered some of her self-control. Pride was again
+active, the dominant emotion. "So am I only teasing," she concluded.
+"You're too jolly pleased with yourself."
+
+"How did you know I was clumsy?" Keith asked. "I shall bite your old
+face. I shall nibble it ... as if I was a horse ... and you were a bit
+of sugar. Fancy Jenny going home with half a face!" He laughed excitedly
+at his forced pleasantry, and the sound of his laugh was music to
+Jenny's ears. He was excited. He was moved. Quickly the melancholy
+pressed back upon her after this momentary surcease. He was excited
+because she was in his arms--not because he loved her.
+
+"Why did you send for me?" she suddenly said. "In your letter you said
+you'd explain everything. Then you said you'd tell me about yourself.
+You've done nothing but tease all the time.... Are you afraid, or what?
+Keith, dear: you don't know what it means to me. If you don't want
+me--let me go. I oughtn't to have come. I was silly to come; but I had
+to. But if you only wanted somebody to tease ... one of the others would
+have done quite as well."
+
+Again the smile spread across Keith's face, brightening his eyes and
+making his teeth glisten.
+
+"I said you were jealous," he murmured in her ear. "One of the others,
+indeed! Jenny, there's no other--nobody like you, my sweet. There
+couldn't be. Do you think there could be?"
+
+"Nobody such a fool," Jenny said, miserably.
+
+"Who's a fool? You?" He seemed to think for a moment; and then went on:
+"Well, I've told you I planned the supper.... That was true."
+
+"Let me go. I'm getting cramped." Jenny drew away; but he followed,
+holding her less vigorously, but in no way releasing her. "No: really
+let me go." Keith shook his head.
+
+"I shan't let you go," he said. "Make yourself comfortable."
+
+"I only make myself miserable." Jenny felt her hair, which was loosened.
+Her cheeks were hot.
+
+"Are you sorry you came?"
+
+"Yes." Keith pressed closer to her, stifling her breath. She saw his
+brown cheeks for an instant before she was again enveloped in his strong
+embrace; and then she heard a single word breathed in her ear.
+
+"Liar!" said Keith. In a moment he added: "Sorry be pole-axed."
+
+
+ii
+
+It was the second time in that evening that Jenny had been accused of
+lying; and when the charge had been brought by Alf she had flamed with
+anger. Now, however, she felt no anger. She felt through her unhappiness
+a dim motion of exulting joy. Half suffocated, she was yet thrilled with
+delight in Keith's strength, with belief in his love because it was
+ardently shown. Strength was her god. She worshipped strength as nearly
+all women worship it. And to Jenny strength, determination, manhood,
+were Keith's attributes. She loved him for being strong; she found in
+her own weakness the triumph of powerlessness, of humiliation.
+
+"You're suffocating me," she warned him, panting.
+
+"D'you love me a little?"
+
+"Yes. A little."
+
+"A lot! Say you love me a lot! And you're glad you came ..."
+
+Jenny held his face to hers, and kissed him passionately.
+
+"Dear!" she fiercely whispered.
+
+Keith slowly released her, and they both laughed breathlessly, with
+brimming, glowing eyes. He took her hand, still smiling and watching her
+face.
+
+"Old silly," Keith murmured. "Aren't you an old silly! Eh?"
+
+"So you say. You ought to know.... I suppose I am ..."
+
+"But a nice old silly.... And a good old girl to come to-night."
+
+"But then you _knew_ I should come," urged Jenny, drily, frowningly
+regarding him.
+
+"You can't forgive that, can you! You think I ought to have come
+grovelling to you. It's not proper to ask you to come to me ... to
+believe you might come ... to have everything ready in _case_ you might
+come. Prude, Jenny! That's what you are."
+
+"A prude wouldn't have come."
+
+"That's all you know," said Keith, teasingly. "She'd have come--out of
+curiosity; but she'd have made a fuss. That's what prudes are. That's
+what they do."
+
+"Well, I expect you know," Jenny admitted, sarcastically. The words
+wounded her more than they wounded him. Where Keith laughed, Jenny
+quivered. "You don't know what it means to me--" she began again, and
+checked her too unguarded tongue.
+
+"To come?" He bent towards her. "Of course, it's marvellous to me! Was
+that what you meant?"
+
+"No. To think ... other girls ..." She could not speak distinctly.
+
+"Other girls?" Keith appeared astonished. "Do you really believe ..." He
+too paused. "No other girls come on this yacht to see me. I've known
+other girls. I've made love to other girls--what man hasn't? You don't
+get to my age without ..."
+
+"Without what?" Jenny asked coolly.
+
+"I'm not pretending anything to you. I'm thirty and a bit over. A man
+doesn't get to my age...No man does, without having been made a fool
+of."
+
+"Oh, I don't mind that," Jenny said sharply. "It's the girls you've
+fooled."
+
+"Don't you believe it, Jenny. They've always been wiser than me. Say
+they've known a bit more. You're different ..." Jenny shook her head,
+sighing.
+
+"I bet they've all been that," she slowly said. "Till the next one." The
+old unhappiness had returned, gripping her heart. She no longer looked
+at him, but stared away, straight in front of her.
+
+"Well, what if they had all been different?" Keith persisted. "Supposing
+I were to tell you about them, each one.... There's no time for it,
+Jenny. You'll have to take my word for it. You'll do that if you want
+to. If you want to believe in me. Do you?"
+
+"Of course I do!" Jenny blazed. "I can't! Be different if I was at home.
+But I'm here, and you knew I'd come. D'you see what I mean?"
+
+"You're not in a trap, old girl," said Keith. "You can go home this
+minute if you think you are." His colour also rose. "You make too much
+fuss. You want me to tell you good fat lies to save your face. Don't be
+a juggins, Jenny! Show your spirit! Jenny!"
+
+Keith still held her hand. He drew it towards him, and Jenny was made to
+lean by his sudden movement. He slipped his arm again round her. Jenny
+did not yield herself. He was conscious of rebuff, although she did not
+struggle.
+
+"You want me to trust you blindfold," she said in a dreary voice. "It's
+not good enough, Keith. Really it isn't! When you don't trust me. You
+sent for me, and I came. As soon as I was here you ... you were as
+beastly as you could be ..." Her voice trembled.
+
+"Not really beastly ..." Keith urged, and his coaxing tone and concerned
+expression shook her. "Nice beastly, eh?"
+
+"You weren't nice. You weren't ..." Jenny hesitated. "You didn't ... you
+weren't nice."
+
+"I didn't want to frighten you."
+
+Jenny drew herself up, frantically angry.
+
+"_Now_ who's lying!" she savagely cried, and put her hands to disengage
+herself. "Oh Keith, I'm so sick of it!" He held her more tightly. All
+her efforts were unavailing against that slowly increased pressure from
+his strong arms.
+
+"Listen, Jenny," Keith said. "I love you. That's that. I wanted to see
+you more than anything on earth. I wanted to kiss you. Good God,
+Jen.... D'you think you're the easiest person in the world to manage?"
+
+
+iii
+
+The bewilderment that succeeded clove the silence. Jenny gasped against
+her will.
+
+"What do you mean?" she demanded.
+
+"You think I'm looking on you as cheap ... when I'm in an absolute funk
+of you!" Keith cried.
+
+"O-oh!" Her exclamation was incredulity itself. Keith persisted warmly:
+
+"I'm not lying. It's all true. And you're a termagant, Jenny. That's
+what you are. You want it all your own way! Anything that goes wrong is
+my fault--not yours! You don't think there's anything that's your fault.
+It's all mine. But, my good girl, that's ridiculous. What d'you think I
+know about _you?_ Eh? Nothing whatever! Absolutely nothing! You think
+you're as clear as day! You're not. You're a dark horse. I'm afraid of
+you--afraid of your temper ... your pride. You won't see that. You think
+it's my fault that ..." Keith's excitement almost convinced Jenny.
+
+"Shouting won't do any good," she said, deeply curious and overwhelmed
+by her bewilderment.
+
+"Pull yourself together, Jenny!" he urged. "Look at it from my side if
+you can. Try! Imagine I've got a side, that is. And now I'll tell you
+something about myself ... no lies; and you'll have to make the best of
+the truth. The Truth!" Laughing, he kissed her; and Jenny, puzzled but
+intrigued, withheld her indignation in order to listen to the promised
+account. Keith began. "Well, Jenny: I told you I was thirty. I'm
+thirty-one in a couple of months. I'll tell you the date, and you can
+work me a sampler. And I was born in a place you've never set eyes
+on--and I hope you never will set eyes on it. I was born in Glasgow. And
+there's a smelly old river there, called the Clyde, where they launch
+big ships ... a bit bigger than the _Minerva_. The _Minerva_ was built
+in Holland. Well, my old father was a tough old chap--not a Scotchman,
+though my mother was Scotch--with a big business in Glasgow. He was as
+rich as--well, richer than anybody you ever met. Work that out! And he
+was as tough as a Glasgow business man. They're a special kind. And I
+was his little boy. He had no other little boys. You interested?"
+
+Jenny nodded sharply, her breast against his, so that she felt every
+breath he drew.
+
+"Yes: well, my father was so keen that I should grow up into a Glasgow
+business man that he nearly killed me. He hated me. Simply because when
+I did anything it was always something away from the pattern--the plan.
+D'you see? And he'd nearly beat my head in each time.... Yes, wasn't
+it!... Well, when I was ten he and I had got into such a way that we
+were sworn enemies. He'd got a strong will; but so had I, even though I
+was such a kid. And I wouldn't--I couldn't--do what he told me to. And
+when I was thirteen, I ran away. I'd always loved the river, and boats,
+and so on; and I ran away from my old father. And he nearly went off his
+head...and he brought me back. Didn't take him long to find me! That was
+when I began to hate _him_. I'd only been afraid of him before; but I
+was growing up. Well, he put me to a school where they watched me all
+the time. I sulked, I worked, I did every blessed thing; and I grew
+older still, and more afraid of my father, and somehow less afraid of
+him, too. I got a sort of horror of him. I hated him. And when he said
+I'd got to go into the business I just told him I'd see him damned
+first. That was when he first saw that you can't make any man a
+slave--not even your own son--as long as he's got enough to eat. He
+couldn't starve me. It's starved men who are made slaves, Jenny. They've
+got no guts. Well, he threw me over. He thought I should starve myself
+and then go back to him, fawning. I didn't go. I was eighteen, and I
+went on a ship. I had two years of it; and my father died. I got
+nothing. All went to a cousin. I was nobody; but I was free. Freedom's
+the only thing that's worth while in this life. And I was twenty or so.
+It was then that I picked up a girl in London and tried to keep her--not
+honest, but straight to me. I looked after her for a year, working down
+by the river. But it was no good. She went off with other men because I
+got tired of her. I threw her over when I found that out. I mean, I told
+her she could stick to me or let me go. She wanted both. I went to sea
+again. It was then I met Templecombe. I met him in South America, and we
+got very pally. Then I came back to England. I got engaged to a
+girl--got married to her when I was twenty-three ..."
+
+"Married!" cried Jenny, pulling herself away. She had flushed deeply.
+Her heart was like lead.
+
+"I'm not lying. You're hearing it all. And she's dead."
+
+"What was her name?"
+
+"Adela.... She was little and fair; and she was a little sport. But I
+only married her because I was curious. I didn't care for her. In a
+couple of months I knew I'd made a mistake. She told me herself. She
+knew much more than I did. She was older than I was; and she knew a lot
+for her age--about men. She'd been engaged to one and another since she
+was fifteen; and in ten years you get to know a good deal. I think she
+knew everything about men--and I was a boy. She died two years ago.
+Well, after I'd been with her for a year I broke away. She only wanted
+me to fetch and carry.... She 'took possession' of me, as they say. I
+went into partnership with a man who let me in badly; and Adela went
+back to her work and I went back to sea. And a year later I went to
+prison because a woman I was living with was a jealous cat and got the
+blame thrown on to me for something I knew nothing about. D'you see?
+Prison. Never mind the details. When I came out of prison I was going
+downhill as fast as a barrel; and then I saw an advertisement of
+Templecombe's for a skipper. I saw him, and told him all about myself;
+and he agreed to overlook my little time in prison if I signed on with
+him to look after this yacht. Now you see I haven't got a very good
+record. I've been in prison; and I've lived with three women; and I've
+got no prospects except that I'm a good sailor and know my job. But I
+never did what I was sent to prison for; and, as I told you, the three
+women all knew more than I did. I've never done a girl any harm
+intentionally; and the last of them belongs to six years ago. Since then
+I've met other girls, and some of them have run after me because I was a
+sailorman. They do, you know. You're the girl I love; and I want you to
+remember that I was a kid when I got married. That's the tale, Jenny;
+and every word of it's true. And now what d'you think of it? Are you
+afraid of me now? Don't you think I'm a bit of a fool? Or d'you think
+I'm the sort of fellow that fools the girls?"
+
+There was no reply to his question for a long time; until Keith urged
+her afresh.
+
+"What I'm wondering," said Jenny, in a slow and rather puzzled way, "is,
+what you'd think of me if I'd lived with three different men. Because
+I'm twenty-five, you know."
+
+
+iv
+
+It might have checked Keith in mid-career. His tone had certainly not
+been one of apology. But along with a natural complacency he had the
+honesty that sometimes accompanies success in affairs.
+
+"Well," he said frankly, "I shouldn't like it, Jen."
+
+"How d'you think I like it?"
+
+"D'you love me? Jenny, dear!"
+
+"I don't know. I don't see why you should be different."
+
+"Nor do I. I am, though. I wish I wasn't. Can you see that? Have you
+ever wished you weren't yourself! Of course you have. So have I. Have
+you had men running after you all the time? Have you been free night and
+day, with time on your hands, and temptations going. You haven't. You
+don't know what it is. You've been at home. And what's more, you've been
+tied up because...because people think girls are safer if they're tied
+up."
+
+"_Men_ do!" flashed Jenny. "They like to have it all to themselves."
+
+"Well, if you'd ever been on your own for days together, and thinking as
+much about women as all young men do ..."
+
+"I wonder if I should boast of it," Jenny said drily. "To a girl I was
+pretending to love."
+
+Keith let his arm drop from her waist. He withdrew it, and sighed. Then
+he moved forward upon the settee, half rising, with his hands upon his
+knees.
+
+"Ah well, Jenny: perhaps I'd better be taking you ashore," he said in a
+constrained, exasperated tone.
+
+"You don't care if you break my heart," Jenny whispered. "It's all one
+to you."
+
+"That's simply not true.... But it's no good discussing it." He had lost
+his temper, and was full of impatience. He sat frowning, disliking her,
+with resentment and momentary aversion plainly to be seen in his
+bearing.
+
+"Just because I don't agree that it's mighty kind of you
+to ... condescend!" Jenny was choking. "You thought I should jump
+for joy because other women had had you. I don't know what sort of
+girl you thought I was."
+
+"Well, I thought ... I thought you were fond of me," Keith slowly said,
+making an effort to speak coldly. "That was what I thought."
+
+"Thought I'd stand anything!" she corrected. "And fall on your neck into
+the bargain."
+
+"Jenny, old girl.... That's not true. But I thought you'd understand
+better than you've done. I thought you'd understand _why_ I told you.
+You think I thought I was so sure of you.... I wish you'd try to see a
+bit further." He leaned back again, not touching her, but dejectedly
+frowning; his face pale beneath the tan. His anger had passed in a
+deeper feeling. "I told you because you wanted to know about me. If I'd
+been the sort of chap you're thinking I should have told a long George
+Washington yarn, pretending to be an innocent hero. Well, I didn't. I'm
+not an innocent hero. I'm a man who's knocked about for fifteen years.
+You've got the truth. Women don't like the truth. They want a yarn. A
+yappy, long, sugar-coated yarn, and lots of protestations. This is all
+because I haven't asked you to forgive me--because I haven't sworn not
+to do it again if only you'll forgive me. You want to see yourself
+forgiving me. On a pinnacle.... Graciously forgiving me--"
+
+"Oh, you're a beast!" cried Jenny. "Let me go home." She rose to her
+feet, and stood in deep thought. For a moment Keith remained seated:
+then he too rose. They did not look at one another, but with bent heads
+continued to reconsider all that had been said.
+
+
+v
+
+"I've all the time been trying to show you I'm not a beast," Keith urged
+at last. "But a human being. It takes a woman to be something above a
+human being." He was sneering, and the sneer chilled her.
+
+"If you'd been thinking of somebody for months," she began in a
+trembling tone. "Thinking about them all the time, living on it day
+after day ... just thinking about them and loving them with all your
+heart.... You don't know the way a woman does it. There's nothing else
+for them to think about. I've been thinking every minute of the
+day--about how you looked, and what you said; and telling myself--though
+I didn't believe it--that you were thinking about me just the same. And
+I've been planning how you'd look when I saw you again, and what we'd
+say and do.... You don't know what it's meant to me. You've never
+dreamed of it. And now to come to-night--when I ought to be at home
+looking after my dad. And to hear you talk about ... about a lot of
+other girls as if I was to take them for granted. Why, how do I know
+there haven't been lots of others since you saw me?"
+
+"Because I tell you it's not so," he interposed. "Because I've been
+thinking of you all the time."
+
+"How many days at the seaside was it? Three?"
+
+"It was enough for me. It was enough for you."
+
+"And now one evening's enough for both of us," Jenny cried sharply. "Too
+much!"
+
+"You'll cry your eyes out to-morrow," he warned.
+
+"Oh, to-night!" she assured him recklessly.
+
+"Because you don't love me. You throw all the blame on me; but it's your
+own pride that's the real trouble, Jenny. You want to come round
+gradually; and time's too short for it. Remember, I'm away again
+to-morrow. Did you forget that?"
+
+Jenny shivered. She had forgotten everything but her grievance.
+
+"How long will you be away?" she asked.
+
+"Three months at least. Does it matter?" She reproached his bitterness
+by a glance. "Jenny, dear," he went on; "when time's so short, is it
+worth while to quarrel? You see what it is: if you don't try and love me
+you'll go home unhappy, and we shall both be unhappy. I told you I'm not
+a free man. I'm not. I want to be free. I want to be free all the time;
+and I'm tied ..."
+
+"You're still talking about yourself," said Jenny, scornfully, on the
+verge of tears.
+
+
+vi
+
+Well, they had both made their unwilling attempts at reconciliation; and
+they were still further estranged. They were not loving one another;
+they were just quarrelsome and unhappy at being able to find no safe
+road of compromise. Jenny had received a bitter shock; Keith, with the
+sense that she was judging him harshly, was sullen with his deeply
+wounded heart. They both felt bruised and wretched, and deeply ashamed
+and offended. And then they looked at each other, and Jenny gave a
+smothered sob. It was all that was needed; for Keith was beside her in
+an instant, holding her unyielding body, but murmuring gentle coaxing
+words into her ear. In an instant more Jenny was crying in real earnest,
+buried against him; and her tears were tears of relief as much as of
+pain.
+
+
+
+
+CHAPTER IX: WHAT FOLLOWED
+
+
+i
+
+The _Minerva_ slowly and gently rocked with the motion of the current.
+The stars grew brighter. The sounds diminished. Upon the face of the
+river lights continued to twinkle, catching and mottling the wavelets.
+The cold air played with the water, and flickered upon the _Minerva's_
+deck; strong enough only to appear mischievous, too soft and wayward to
+make its presence known to those within. And in the _Minerva's_ cabin,
+set as it were in that softly rayed room of old gold and golden brown,
+Jenny was clinging to Keith, snatching once again at precarious
+happiness. Far off, in her aspirations, love was desired as synonymous
+with peace and contentment; but in her heart Jenny had no such pretence.
+She knew that it was otherwise. She knew that passive domestic enjoyment
+would not bring her nature peace, and that such was not the love she
+needed. Keith alone could give her true love. And she was in Keith's
+arms, puzzled and lethargic with something that was only not despair
+because she could not fathom her own feelings.
+
+"Keith," she said, presently. "I'm sorry to be a fool."
+
+"You're _not_ a fool, old dear," he assured her. "But I'm a beast."
+
+"Yes, I think you are," Jenny acknowledged. There was a long pause. She
+tried to wipe her eyes, and at last permitted Keith to do that for her,
+flinching at contact with the handkerchief, but aware all the time of
+some secret joy. When she could speak more calmly, she went on: "Suppose
+we don't talk any more about being...what we are...and forgiving, and
+all that. We don't mean it. We only say it..."
+
+"Well, I mean it--about being a beast," Keith said humbly. "That's
+because I made you cry."
+
+"Well," said Jenny, agreeingly, "you can be a beast--I mean, think you
+are one. And if I'm miserable I shall think I've been a fool. But we'll
+cut out about forgiving. Because I shall never really forgive you. I
+couldn't. It'll always be there, till I'm an old woman--"
+
+"Only till you're happy, dear," Keith told her. "That's all that means."
+
+"I can't think like that. I feel it's in my bones. But you're going
+away. Where are you going? D'you know? Is it far?"
+
+"We're going back to the South. Otherwise it's too cold for yachting.
+And Templecombe wants to keep out of England at the moment. He's safe on
+the yacht. He can't be got at. There's some wretched predatory woman of
+title pursuing him...."
+
+"Here ... here!" cried Jenny. "I can't understand if you talk
+pidgin-English, Keith."
+
+"Well ... you know what ravenous means? Hungry. And a woman of
+title--you know what a lord is.... Well, and she's chasing about,
+dropping little scented notes at every street corner for him."
+
+"Oh they are _awful_!" cried Jenny. "Countesses! Always in the divorce
+court, or something. Somebody ought to stop them. They don't have
+countesses in America, do they? Why don't we have a republic, and get
+rid of them all? If they'd got the floor to scrub they wouldn't have
+time to do anything wrong."
+
+"True," said Keith. "True. D'you like scrubbing floors?"
+
+"No. But I do it. And keep my hands nice, too." The hands were inspected
+and approved.
+
+"But then you're more free than most people," Keith presently remarked,
+in a tone of envy.
+
+"Free!" exclaimed Jenny. "Me! In the millinery! When I've got to be
+there every morning at nine sharp or get the sack, and often, busy
+times, stick at it till eight or later, for a few bob a week. And never
+have any time to myself except when I'm tired out! Who gets the fun?
+Why, it's _all_ work, for people like me; all work for somebody else.
+What d'you call being free? Aren't they free?"
+
+"Not one. They're all tied up. Templecombe's hawk couldn't come on this
+yacht without a troop of friends. They can't go anywhere they like
+unless it's 'the thing' to be done. They do everything because it's the
+right thing--because if they do something else people will think it's
+odd--think they're odd. And they can't stand that!"
+
+"Well, but Keith! Who is it that's free?"
+
+"Nobody," he said.
+
+"I thought perhaps it was only poor people ... just _because_ they were
+poor."
+
+"Well, Jenny.... That's so. But when people needn't do what they're told
+they invent a system that turns them into slaves. They have a religion,
+or they run like the Gadarine swine into a fine old lather and pretend
+that everybody's got to do the same for some reason or other. They call
+it the herd instinct, and all sorts of names. But there's nobody who's
+really free. Most of them don't want to be. If they were free they
+wouldn't know what to do. If their chains were off they'd fall down and
+die. They wouldn't be happy if there wasn't a system grinding them as
+much like each other as it can."
+
+"But why not? What's the good of being alive at all if you've got to do
+everything whether you want to do it or not? It's not sense!"
+
+"It's fact, though. From the king to the miner--all a part of a big
+complicated machine that's grinding us slowly to bits, making us all
+more and more wretched."
+
+"But who makes it like that, Keith?" cried Jenny. "Who says it's to be
+so?"
+
+Keith laughed grimly.
+
+"Don't let's talk about it," he urged. "No good talking about it. The
+only thing to do is to fight it--get out of the machine ..."
+
+"But there's nowhere to go, is there?" asked Jenny. "I was thinking
+about it this evening. 'They've' got every bit of the earth. Wherever
+you go 'they're' there ... with laws and police and things all ready for
+you. You've _got_ to give in."
+
+"I'm not going to," said Keith. "I'll tell you that, Jenny."
+
+"But Keith! Who is it that makes it so? There _must_ be somebody to
+start it. Is it God?"
+
+Keith laughed again, still more drily and grimly.
+
+
+ii
+
+Jenny was not yet satisfied. She still continued to revolve the matter
+in her mind.
+
+"You said nobody was free, Keith. But then you said you were free--when
+you got married."
+
+_"Till_ I got married. Then I wasn't. I fell into the machine and got
+badly chawed then."
+
+"Don't you want to get married?" Jenny asked. "Ever again?"
+
+"Not that way." Keith's jaw was set. "I've been there; and to me that's
+what hell is."
+
+How Jenny wished she could understand! She did not want to get married
+herself--that way. But she wanted to serve. She wanted Keith to be her
+husband; she wanted to make him happy, and to make his home comfortable.
+She felt that to work for the man she loved was the way to be truly
+happy. Did he not think that he could be happy in working for her? She
+_couldn't_ understand. It was all so hard that she sometimes felt that
+her brain was clamped with iron bolts and chains.
+
+"What way d'you want to get married?" Jenny asked.
+
+"I want to marry _you_. Any old way. And I want to take you to the other
+end of the world--where there aren't any laws and neighbours and rates
+and duties and politicians and imitations of life.... And I want to set
+you down on virgin soil and make a real life for you. In Labrador or
+Alaska ..." He glowed with enthusiasm. Jenny glowed too, infected by his
+enthusiasm.
+
+"Sounds fine!" she said. Keith exclaimed eagerly. He was alive with joy
+at her welcome.
+
+"Would you come?" he cried. "Really?"
+
+"To the end of the world?" Jenny said. "Rather!"
+
+They kissed passionately, carried away by their excitement, brimming
+with joy at their agreement in feeling and desire. The cabin seemed to
+expand into the virgin forest and the open plain. A new vision of life
+was opened to Jenny. Exultingly she pictured the future, bright, active,
+occupied--away from all the old cramping things. It was the life she had
+dreamed, away from men, away from stuffy rooms and endless millinery,
+away from regular hours and tedious meals, away from all that now made
+up her daily dullness. It was splendid! Her quick mind was at work,
+seeing, arranging, imagining as warm as life the changed days that would
+come in such a terrestrial Paradise. And then Keith, watching with
+triumph the mounting joy in her expression, saw the joy subside, the
+brilliance fade, the eagerness give place to doubt and then to dismay.
+
+"What is it?" he begged. "Jenny, dear!"
+
+"It's Pa!" Jenny said. "I couldn't leave him ... not for anything!"
+
+"Is that all? We'll take him with us!" cried Keith. Jenny sorrowfully
+shook her head.
+
+"No. He's paralysed," she explained, and sighed deeply at the faded
+vision.
+
+
+iii
+
+"Well, I'm not going to give up the idea for that," Keith resumed, after
+a moment. Jenny shook her head, and a wry smile stole into her face,
+making it appear thinner than before.
+
+"I didn't expect you would," she said quietly. "It's me that has to give
+it up."
+
+"Jenny!" He was astonished by her tone. "D'you think I meant that?
+Never! We'll manage something. Something can be done. When I come
+back ..."
+
+"Ah, you're going away!" Jenny cried in agony. "I shan't see you. I
+shall have every day to think of ... day after day. And you won't write.
+And I shan't see you...." She held him to her, her breast against his,
+desperate with the dread of being separated from him. "It's easy for
+you, at sea, with the wind and the sun; and something fresh to see, and
+something happening all the time. But me--in a dark room, poring over
+bits of straw and velvet to make hats for soppy women, and then going
+home to old Em and stew for dinner. There's not much fun in it,
+Keith.... No, I didn't mean to worry you by grizzling. It's too bad of
+me! But seeing you, and hearing that plan, it's made me remember how
+beastly I felt before your letter came this evening. I was nearly mad
+with it. I'd been mad before; but never as bad as this was. And then
+your letter came--and I wanted to come to you; and I came, and we've
+wasted such a lot of time not understanding each other. Even now, I
+can't be sure you love me--not _sure!_ I think you do; but you only say
+so. How's anyone ever to be sure, unless they know it in their bones?
+And I've been thinking about you every minute since we met. Because I
+never met anybody like you, or loved anybody before..."
+
+She broke off, her voice trembling, her face against his, breathless and
+exhausted.
+
+
+iv
+
+"Now listen, Jenny," said Keith. "This is this. I love you, and you love
+me. That's right, isn't it? Well. I don't care about marriage--I mean, a
+ceremony; but you do. So we'll be married when I come back in three
+months. That's all right, isn't it? And when we're married, we'll either
+take your father with us, whatever his health's like; or we'll do
+something with him that'll do as well. I should be ready to put him in
+somebody's care; but you wouldn't like that..."
+
+"I love him," Jenny said. "I couldn't leave him to somebody else for
+ever."
+
+"Yes. Well, you see there's nothing to be miserable about. It's all
+straightforward now. Nothing--except that we're going to be apart for
+three months. Now, Jen: don't let's waste any more time being miserable;
+but let's sit down and be happy for a bit...How's that?"
+
+Jenny smiled, and allowed him to bring her once again to the settee and
+to begin once more to describe their future life.
+
+"It's cold there, Jenny. Not warm at all. Snow and ice. And you won't
+see anybody for weeks and months--anybody but just me. And we shall have
+to do everything for ourselves--clothes, house-building, food catching
+and killing... Trim your own hats... Like the Swiss Family Robinson;
+only you won't have everything growing outside as they did. And we'll go
+out in canoes if we go on the water at all; and see Indians--'Heap big
+man bacca' sort of business--and perhaps hear wolves (I'm not quite sure
+of that); and go about on sledges... with dogs to draw them. But with
+all that we shall be free. There won't be any bureaucrats to tyrannise
+over us; no fashions, no regulations, no homemade laws to make dull boys
+of us. Just fancy, Jenny: nobody to _make_ us do anything. Nothing but
+our own needs and wishes..."
+
+"I expect we shall tyrannise--as you call it--over each other," Jenny
+said shrewdly. "It seems to me that's what people do."
+
+"Little wretch!" cried Keith. "To interrupt with such a thing. When I
+was just getting busy and eloquent. I tell you: there'll be
+inconveniences. You'll find you'll want somebody besides me to talk to
+and look after. But then perhaps you'll have somebody!"
+
+"Who?" asked Jenny, unsuspiciously. "Not Pa, I'm sure."
+
+Keith held her away from him, and looked into her eyes. Then he crushed
+her against him, laughing. It took Jenny quite a minute to understand
+what he meant.
+
+"Very dull, aren't you!" cried Keith. "Can't see beyond the end of your
+nose."
+
+"I shouldn't think it was hardly the sort of place for babies," Jenny
+sighed. "From what you say."
+
+
+v
+
+Keith roared with laughter, so that the _Minerva_ seemed to shake in
+sympathy with his mirth.
+
+"You're priceless!" he said. "My bonny Jenny. I shouldn't think there
+was ever anybody like you in the world!"
+
+"Lots of girls," Jenny reluctantly suggested, shaking a dolorous head at
+the ghost of a faded vanity. "I'm afraid." She revived even as she
+spoke; and encouragingly added: "Perhaps not exactly like."
+
+"I don't believe it! You're unique. The one and only Jenny Redington!"
+
+"Red--!" Jenny's colour flamed. "Sounds nice," she said; and was then
+silent.
+
+"When we're married," went on Keith, watching her; "where shall we go
+for our honeymoon? I say!... how would you like it if I borrowed the
+yacht from Templecombe and ran you off somewhere in it? I expect he'd
+let me have the old _Minerva._ Not a bad idea, eh what!"
+
+"_When_ we're married," Jenny said breathlessly, very pale.
+
+"What d'you mean?" Keith's eyes were so close to her own that she was
+forced to lower her lids. "When I come back from this trip. Templecombe
+says three months. It may be less."
+
+"It may be more." Jenny had hardly the will to murmur her warning--her
+distrust.
+
+"Very unlikely; unless the weather's bad. I'm reckoning on a mild
+winter. If it's cold and stormy then of course yachting's out of the
+question. But we'll be back before the winter, any way. And
+then--darling Jenny--we'll be married as soon as I can get the licence.
+There's something for you to look forward to, my sweet. Will you like to
+look forward to it?"
+
+Jenny could feel his breath upon her face; but she could not move or
+speak. Her breast was rising to quickened breathing; her eyes were
+burning; her mouth was dry. When she moistened her lips she seemed to
+hear a cracking in her mouth. It was as though fever were upon her, so
+moved was she by the expression in Keith's eyes. She was neither happy
+nor unhappy; but she was watching his face as if fascinated. She could
+feel his arm so gently about her shoulder, and his breast against hers;
+and she loved him with all her heart. She had at this time no thought of
+home; only the thought that they loved each other and that Keith would
+be away for three months; facing dangers indeed, but all the time loving
+her. She thought of the future, of that time when they both would be
+free, when they should no longer be checked and bounded by the fear of
+not having enough food. That was the thing, Jenny felt, that kept poor
+people in dread of the consequences of their own acts. And Jenny felt
+that if they might live apart from the busy world, enduring together
+whatever ills might come to them from their unsophisticated mode of
+life, they would be able to be happy. She thought that Keith would have
+no temptations that she did not share; no other men drawing him by
+imitativeness this way and that, out of the true order of his own
+character; no employer exacting in return for the weekly wage a
+servitude that was far from the blessed ideal of service. Jenny thought
+these things very simply--impulsively--and not in a form to be
+intelligible if set down as they occurred to her; but the notions swam
+in her head along with her love for Keith and her joy in the love which
+he returned. She saw his dear face so close to her own, and heard her
+own heart thumping vehemently, quicker and quicker, so that it sounded
+thunderously in her ears. She could see Keith's eyes, so easily to be
+read, showing out the impulses that crossed and possessed his mind. Love
+for her she was sure she read, love and kindness for her, and
+mystification, and curiosity, and the hot slumbering desire for her that
+made his breathing short and heavy. In a dream she thought of these
+things, and in a dream she felt her own love for Keith rising and
+stifling her, so that she could not speak, but could only rest there in
+his arms, watching that beloved face and storing her memory with its
+precious betrayals.
+
+Keith gently kissed her, and Jenny trembled. A thousand temptations were
+whirling in her mind--thoughts of his absence, their marriage, memory,
+her love... With an effort she raised her lips again to his, kissing him
+in passion, so that when he as passionately responded it seemed as
+though she fainted in his arms and lost all consciousness but that of
+her love and confidence in him and the eager desire of her nature to
+yield itself where love was given.
+
+
+
+
+CHAPTER X: CINDERELLA
+
+
+i
+
+Through the darkness, and into the brightness of the moon's light, the
+rolling notes of Big Ben were echoing and re-echoing, as each stroke
+followed and drove away the lingering waves of its predecessor and was
+in turn dispersed by the one that came after. The sounds made the street
+noises sharper, a mere rattle against the richness of the striking
+clock. It was an hour that struck; and the quarters were followed by
+twelve single notes. Midnight. And Jenny Blanchard was still upon the
+_Minerva;_ and Emmy and Alf had left the theatre; and Pa Blanchard was
+alone in the little house in Kennington Park.
+
+The silvered blackness of the _Minerva_ was disturbed. A long streak of
+yellow light showed from the door leading into the cabin while yet the
+sounds of the clock hung above the river. It became ghostly against the
+moonlight that bleached the deck, a long grey-yellow finger pointing the
+way to the yacht's side.
+
+Jenny and Keith made their way up the steps and to the deck, and Jenny
+shivered a little in the strong light. Her face was in shadow. She
+hurried, restored to sanity by the sounds and the thought of her
+father. Horror and self-blame were active in her mind--not from the fear
+of discovery; but from shame at having for so long deserted him.
+
+"Oh, hurry!" Jenny whispered, as Keith slipped over the side of the
+yacht into the waiting dinghy. There was a silence, and presently the
+heavy cludder of oars against the boat's side.
+
+"Jenny! Come along!" called Keith from the water.
+
+Not now did Jenny shrink from the running tide. Her one thought was to
+get home; and she had no inclination to think of what lay between her
+and Kennington Park. She hardly understood what Keith said as he rowed
+to the steps. She saw the bridge looming, its black shadow cutting the
+water that sparkled so dully in the moonlight; and then she saw the
+steps leading from the bridge to the river's edge. They were alongside;
+she was ashore; and Keith was pressing her hand in parting. Still she
+could not look at him until she was at the top of the steps, when she
+turned and raised her hand in farewell.
+
+
+ii
+
+She knew she had to walk for a little way down the road in the direction
+of her home, and then up a side street, where she had been told that
+she would find the motor car awaiting her. And for some seconds she
+could not bear the idea of speaking to the chauffeur, from the sense
+that he must know exactly how long she had been on board the yacht. The
+hesitation caused her to linger, as the cold air had caused her to
+think. It was as though she feared that when he was found the man would
+be impudent to her, and leer, behaving familiarly as he might have done
+to a common woman. Because she was alone and unprotected. It was
+terrible. Her secret filled her with the sense of irremediable guilt.
+Already she was staled with the evening's excitement. She stopped and
+wavered, her shadow, so black and small, hesitating as she did. Could
+she walk home? She looked at the black houses, and listened to the
+terrifying sinister roar that continued faintly to fill the air. Could
+she go by tram? If she did--whatever she did--the man might wait for her
+all night, and Keith would know how cowardly she had been. It might even
+come to the ears of Lord Templecombe, and disgrace Keith before him. To
+go or to stay was equally to bring acute distress upon herself, the
+breathless shame of being thought disgraced for ever. Already it seemed
+to her that the shadows were peopled with observers ready to spy upon
+her, to seize her, to bear her away into hidden places...
+
+At last, her mind resolved by her fears, which crowded upon her in a
+tumult, Jenny stepped fearfully forward. The car was there, dimly
+outlined, a single light visible to her eye. It was drawn upon at the
+side of the street; and the chauffeur was fast asleep, his head upon his
+arms, and his arms spread upon the steering-wheel.
+
+"I say!" cried Jenny in a panic, her glance quickly over her shoulder at
+unseen dangers. "Wake up! Wake up!"
+
+She stepped into the car, and it began to quiver with life as the engine
+was started. Then, as if drowned in the now familiar scent of the
+hanging bouquet, Jenny lay back once more in the soft cushions; bound
+for home, for Emmy and Alf and Pa; her evening's excursion at an end,
+and only its sequel to endure.
+
+
+
+
+PART THREE
+
+MORNING
+
+
+
+
+CHAPTER XI: AFTER THE THEATRE
+
+
+i
+
+After leaving the house Emmy and Alf pressed along in the darkness,
+Alf's arm still surrounding and supporting Emmy, Emmy still half
+jubilantly and half sorrowfully continuing to recognise her happiness
+and the smothered chagrin of her emotions. She was not able to feel
+either happy or miserable; but happiness was uppermost. Dislike of Jenny
+had its place, also; for she could account for every weakness of Alf's
+by reference to Jenny's baseness. But indeed Emmy could not think, and
+could only passively and excitedly endure the conflicting emotions of
+the moment. And Alf did not speak, but hurried her along as fast as his
+strong arm could secure her compliance with his own pace; and they
+walked through the night-ridden streets and full into the blaze of the
+theatre entrance without any words at all. Then, when the staring
+vehemence of the electric lights whitened and shadowed her face, Emmy
+drew away, casting down her eyes, alarmed at the disclosures which the
+brilliance might devastatingly make. She slipped from his arm, and stood
+rather forlornly while Alf fished in his pockets for the tickets. With
+docility she followed him, thrilled when he stepped aside in passing the
+commissionaire and took her arm. Together they went up the stairs, the
+heavy carpets with their drugget covers silencing every step, the gilded
+mirrors throwing their reflections backwards and forwards until the
+stairs seemed peopled with hosts of Emmys and Alfs. As they drew near
+the closed doors of the circle the hush filling the staircases and
+vestibules of the theatre was intensified. An aproned attendant seemed
+to Emmy's sensitiveness to look them up and down and superciliously to
+disapprove them. She moved with indignation. A dull murmur, as of single
+voices, disturbed the air somewhere behind the rustling attendant: and
+when the doors were quickly opened Emmy saw beyond the darkness and the
+intrusive flash of light caused by the opening doors a square of
+brilliance and a dashing figure upon the stage talking staccato. Those
+of the audience who were sitting near the doors turned angrily and with
+curiosity to view the new-comers; and the voice that Emmy had
+distinguished went more stridently on, with a strong American accent. In
+a flurry she found and crept into her seat, trying to understand the
+play, to touch Alf, to remove her hat, to discipline her excitements.
+And the staccato voice went on and on, detailing a plan of some sort
+which she could not understand because they had missed the first five
+minutes of the play. Emmy could not tell that the actor was only
+pretending to be an American; she could not understand why, having
+spoken twenty words, he must take six paces farther from the footlights
+until he had spoken thirteen more; but she could and did feel most
+overwhelmingly exuberant at being as it were alone in that half-silent
+multitude, sitting beside Alf, their arms touching, her head whirling,
+her heart beating, and a wholly exquisite warmth flushing her cheeks.
+
+
+ii
+
+The first interval found the play well advanced. A robbery had been
+planned--for it was a "crook" play--and the heroine had already received
+wild-eyed the advances of a fur-coated millionaire. When the lights of
+the theatre popped up, and members of the orchestra began once more
+unmercifully to tune their instruments, it was possible to look round at
+the not especially large audience. But in whichever direction Emmy
+looked she was always brought back as by a magnet to Alf, who sat
+ruminantly beside her. To Alf's sidelong eye Emmy was looking
+surprisingly lovely. The tired air and the slightly peevish mouth to
+which he was accustomed had given place to the flush and sparkle of an
+excited girl. Alf was aware of surprise. He blinked. He saw the lines
+smoothed away from round her mouth--the lines of weariness and
+dissatisfaction,--and was tempted by the softness of her cheek. As he
+looked quickly off again he thought how full Jenny would have been of
+comment upon the play, how he would have sat grinning with precious
+enjoyment at her merciless gibes during the whole of the interval. He
+had the sense of Jenny as all movement, as flashing and drawing him into
+quagmires of sensation, like a will-o'-the-wisp. Emmy was not like that.
+She sat tremulously smiling, humble before him, diffident, flattering.
+She was intelligent: that was it. Intelligent was the word. Not lively,
+but restful. Critically he regarded her. Rather a nice girl, Emmy....
+
+Alf roused himself, and looked around.
+
+"Here, miss!" he called; and "S-s-s-s" when she did not hear him. It was
+his way of summoning an attendant or a waitress. "S-s-s-s." The
+attendant brought chocolates, which Alf handed rather magnificently to
+his companion. He plunged into his pockets--in his rough-and-ready,
+muscular way--for the money, leaning far over the next seat, which was
+unoccupied. "Like some lemon?" he said to Emmy. Together they inspected
+the box of chocolates, which contained much imitation-lace paper and a
+few sweets. "Not half a sell," grumbled Alf to himself, thinking of the
+shilling he had paid; but he looked with gratification at Emmy's face
+as she enjoyingly ate the chocolates. As her excitement a little
+strained her nervous endurance Emmy began to pale under the eyes; her
+eyes seemed to grow larger; she lost the first air of sparkle, but she
+became more pathetic. "Poor little thing," thought Alf, feeling
+masculine. "Poor little thing: she's tired. Poor little thing."
+
+
+iii
+
+In the middle of this hot, excitedly-talking audience, they seemed to
+bask as in a warm pool of brilliant light. The brilliants in the dome of
+the theatre intensified all the shadows, heightened all the smiles,
+illumined all the silken blouses and silver bangles, the flashing eyes,
+the general air of fete.
+
+"All right?" Alf inquired protectively. Emmy looked in gratitude towards
+him.
+
+"Lovely," she said. "Have another?"
+
+"I meant _you_," he persisted. "Yourself, I mean." Emmy smiled, so
+happily that nobody could have been unmoved at the knowledge of having
+given such pleasure.
+
+"Oh, grand!" Emmy said. Then her eyes contracted. Memory came to her.
+The angry scene that had passed earlier returned to her mind, hurting
+her, and injuring her happiness. Alf hurried to engage her attention, to
+distract her from thoughts that had in them such discomfort as she so
+quickly showed.
+
+"Like the play? I didn't quite follow what it was this old general had
+done to him. Did you?"
+
+"Hadn't he kept him from marrying ..." Emmy looked conscious for a
+moment. "Marrying the right girl? I didn't understand it either. It's
+only a play."
+
+"Of course," Alf agreed. "See how that girl's eyes shone when old
+fur-coat went after her? Fair shone, they did. Like lamps. They'd got
+the limes on her... You couldn't see them. My--er--my friend's the
+electrician here. He says it drives him nearly crazy, the way he has to
+follow her about in the third act. She... she's got some pluck, he says;
+the way she fights three of them single-handed. They've all got
+revolvers. She's got one; but it's not loaded. Lights a cigarette, too,
+with them all watching her, ready to rush at her."
+
+"There!" said Emmy, admiringly. She was thinking: "It's only a play."
+
+"She gets hold of his fur coat, and puts it on.... Imitates his
+voice.... You can see it's her all the time, you know. So could they, if
+they looked a bit nearer. However, they don't.... I suppose there
+wouldn't be any play if they did...."
+
+Emmy was not listening to him: she was dreaming. She was as gauche and
+simple in his company as a young girl would have been; but her mind was
+different. It was practical in its dreams, and they had their disturbing
+unhappiness, as well, from the greater poignancy of her desire. She was
+not a young girl, to be agreeably fluttered and to pass on to the next
+admirer without a qualm. She loved him, blindly but painfully; without
+the ease of young love, but with all the sickness of first love. And she
+had jealousy, the feeling that she was not his first object, to poison
+her feelings. She could not think of Jenny without tremors of anger. And
+still, for pain, her thoughts went throbbing on about Jenny whenever, in
+happiness, she had seen a home and Alf and a baby and the other plain
+clear consequences of earning his love--of taking him from Jenny.
+
+And then the curtain rose, the darkness fell, and the orchestra's tune
+slithered into nothing. The play went on, about the crook and the
+general and the millionaire and the heroine and all their curiously
+simple-minded friends. And every moment something happened upon the
+stage, from fights to thefts, from kisses (which those in the gallery,
+not wholly absorbed by the play, generously augmented) to telephone
+calls, plots, speeches (many speeches, of irreproachable moral tone),
+shoutings, and sudden wild appeals to the delighted occupants of the
+gallery. And Emmy sat through it hardly heeding the uncommon events,
+aware of them as she would have been aware of distant shouting. Her
+attention was preoccupied with other matters. She had her own thoughts,
+serious enough in themselves. Above all, she was enjoying the thought
+that she was with Alf, and that their arms were touching; and she was
+wondering if he knew that.
+
+
+iv
+
+Through another interval they sat with silent embarrassment, the
+irreplaceable chocolates, which had earlier been consumed, having served
+their turn as a means of devouring attention. Alf was tempted to fly to
+the bar for a drink and composure, but he did not like to leave Emmy;
+and he could not think of anything which could safely be said to her in
+the middle of this gathering of hot and radiant persons. "To speak" in
+such uproar meant "to shout." He felt that every word he uttered would
+go echoing in rolls and rolls of sound out among the multitude. They
+were not familiar enough to make that a matter of indifference to him.
+He was in the stage of secretiveness. And Emmy, after trying once or
+twice to open various small topics, had fallen back upon her own
+thoughts, and could invent nothing to talk about until the difficulties
+that lay between them had been removed. Her brow contracted. She moved
+her shoulders, or sat pressed reservedly against the back of her seat.
+Her voice, whenever she did not immediately hear some word fall from
+Alf, became sharp and self-conscious--almost "managing."
+
+It was a relief to both of them, and in both the tension of sincere
+feeling had perceptibly slackened, when the ignored orchestra gave way
+before the rising curtain. Again the two drew together in the darkness,
+as all other couples were doing, comforted by proximity, and even by the
+unacknowledged mutual pleasure of it; again they watched the
+extraordinary happenings upon the stage. The fur coat was much used,
+cigarettes were lighted and flung away with prodigal recklessness,
+pistols were revealed--one of them was even fired into the air;--and
+jumping, trickling music heightened the effects of a number of strong
+speeches about love, and incorruptibility, and womanhood.... The climax
+was reached. In the middle of the climax, while yet the lover wooed and
+the villain died, the audience began to rustle, preparatory to going
+home. Even Emmy was influenced to the extent of discovering and
+beginning to adjust her hat. It was while she was pinning it, with her
+elbows raised, that the curtain fell. Both Emmy and Alf rose in the
+immediately successive re-illumination of the theatre; and Emmy looked
+so pretty with her arms up, and with the new hat so coquettishly askew
+upon her head, and with a long hatpin between her teeth, that Alf could
+not resist the impulse to put his arm affectionately round her in
+leading the way out.
+
+
+v
+
+And then, once in the street, he made no scruple about taking Emmy's arm
+within the crook of his as they moved from the staring whiteness of the
+theatre lamps out into the calmer moonshine. It was eleven o'clock. The
+night was fine, and the moon rode high above amid the twinkling stars.
+When Alf looked at Emmy's face it was transfigured in this beautiful
+light, and he drew her gently from the direct way back to the little
+house.
+
+"Don't let's go straight back," he said. "Stroll u'll do us good."
+
+Very readily Emmy obeyed his guidance. Her heart was throbbing; but her
+brain was clear. He wanted to be with her; and the knowledge of that
+made Emmy happier than she had been since early childhood.
+
+"It's been lovely," she said, with real warmth of gratitude, looking
+away from him with shyness.
+
+"Hm," growled Alf, in a voice of some confusion. "Er...you don't go much
+to the theatre, do you?"
+
+"Not much," Emmy agreed. "See, there's Pa. He always looks to me..."
+
+"Yes." Alf could not add anything to that for a long time. "Fine night,"
+he presently recorded. "D'you like a walk? I mean ... I'm very fond of
+it, a night like this. Mr. Blanchard's all right, I suppose?"
+
+"Oh, yes. _She's_ there." Emmy could not bring herself to name Jenny to
+him. Yet her mind was busy thinking of the earlier jar, recomposing the
+details, recalling the words that had passed. Memory brought tears into
+her eyes; but she would not allow Alf to see them, and soon she
+recovered her self-control. It had to be spoken of: the evening could
+not pass without reference to it; or it would spoil everything. Alf
+would think of her--he was bound to think of her--as a crying, petulant,
+jealous woman, to whom he had been merely kind. Patronising, even!
+Perhaps, even, the remembrance of it would prevent him from coming again
+to the house. Men like Alf were so funny in that respect. It took so
+little to displease them, to drive them away altogether. At last she
+ventured: "It was nice of you to take me."
+
+Alf fidgeted, jerking his head, and looking recklessly about him.
+
+"Not at all," he grumbled. "Not tired, are you?" Emmy reassured him.
+"What I mean, I'm very glad.... Now, look here, Em. May as well have
+it out...." Emmy's heart gave a bound: she walked mechanically beside
+him, her head as stiffly held as though the muscles of her neck had
+been paralysed. "May as well, er...have it out," repeated Alf. "That's
+how I am--I like to be all shipshape from the start. When I came along
+this evening I _did_ mean to ask young Jen to go with me. That was
+quite as you thought. I never thought you'd, you know, _care_ to come
+with me. I don't know why; but there it is. I never meant to put it like
+I did ... in that way... to have a fuss and upset anybody. I've ... I
+mean, she's been out with me half-a-dozen times; and so I sort of
+naturally thought of her."
+
+"Of course," agreed Emmy. "Of course."
+
+"But I 'm glad you came," Alf said. Something in his honesty, and the
+brusqueness of his rejoicing, touched Emmy, and healed her first
+wound--the thought that she might have been unwelcome to him. They went
+on a little way, more at ease; both ready for the next step in intimacy
+which was bound to be taken by one of them.
+
+"I thought she might have said something to you--about me not _wanting_
+to come," Emmy proceeded, tentatively. "Made you think I never wanted
+to go out."
+
+Alf shook his head. Emmy had there no opening for her resentment.
+
+"No," he said, with stubborn loyalty. "She's always talked very nice
+about you."
+
+"What does she say?" swiftly demanded Emmy.
+
+"I forget.... Saying you had a rough time at home. Saying it was rough
+on you. That you're one of the best...."
+
+_"She_ said that?" gasped Emmy. "It's not like her to say that. Did she
+really? She's so touchy about me, generally. Sometimes, the way she goes
+on, anybody'd think I was the miserablest creature in the world, and
+always on at her about something. I'm not, you know; only she thinks it.
+Well, I can't help it, can I? If you knew how I have to work in that
+house, you'd be... surprised. I'm always at it. The way the dirt comes
+in--you'd wonder where it all came from! And see, there's Pa and all.
+She doesn't take that into account. She gets on all right with him; but
+she isn't there all day, like I am. That makes a difference, you know.
+He's used to me. She's more of a change for him."
+
+Alf was cordial in agreement. He was seeing all the difference between
+the sisters. In his heart there still lingered a sort of cherished
+enjoyment of Jenny's greater spirit. Secretly it delighted him, like a
+forbidden joke. He felt that Jenny--for all that he must not, at this
+moment, mention her name--kept him on the alert all the time, so that he
+was ever in hazardous pursuit. There was something fascinating in such
+excitement as she caused him. He never knew what she would do or say
+next; and while that disturbed and distressed him it also lacerated his
+vanity and provoked his admiration. He admired Jenny more than he could
+ever admire Emmy. But he also saw Emmy as different from his old idea of
+her. He had seen her trembling defiance early in the evening, and that
+had moved him and made him a little afraid of her; he had also seen her
+flushed cheeks at the theatre, and Emmy had grown in his eyes suddenly
+younger. He could not have imagined her so cordial, so youthful, so
+interested in everything that met her gaze. Finally, he found her
+quieter, more amenable, more truly wifely than her sister. It was an
+important point in Alf's eyes. You had to take into account--if you were
+a man of common sense--relative circumstances. Devil was all very well
+in courtship; but mischief in a girl became contrariness in a domestic
+termagant. That was an idea that was very much in Alf's thoughts during
+this walk, and it lingered there like acquired wisdom.
+
+"Say she's going with a sailor!" he suddenly demanded.
+
+"So she told me. I've never seen him. She doesn't tell lies, though."
+
+"I thought you said she did!"
+
+Emmy flinched: she had forgotten the words spoken in her wild anger, and
+would have been ashamed to account for them in a moment of greater
+coolness.
+
+"I mean, if she says he's a sailor, that's true. She told me he was on a
+ship. I suppose she met him when she was away that time. She's been very
+funny ever since. Not funny--restless. Anything I've done for her she's
+made a fuss. I give her a thorough good meal; and oh! there's such a
+fuss about it. 'Why don't we have ice creams, and merangs, and wine, and
+grouse, and sturgeon--'"
+
+"Ph! Silly talk!" said Alf, in contemptuous wonder. "I mean to say..."
+
+"Oh, well: you know what flighty girls are. He's probably a swank-pot. A
+steward, or something of that sort. I expect he has what's left over,
+and talks big about it. But she's got ideas like that in her head, and
+she thinks she's too good for the likes of us. It's too much trouble to
+her to be pelite these days. I've got the fair sick of it, I can tell
+you. And then she's always out..._Somebody's_ got to be at home, just to
+look after Pa and keep the fire in. But Jenny--oh dear no! She's no
+sooner home than she's out again. Can't rest. Says it's stuffy indoors,
+and off she goes. I don't see her for hours. Well, I don't know ... but
+if she doesn't quiet down a bit she'll only be making trouble for
+herself later on. She can't keep house, you know! She can scrub; but she
+can't cook so very well, or keep the place nice. She hasn't got the
+patience. You think she's doing the dusting; and you find her groaning
+about what she'd do if she was rich. 'Yes,' I tell her; 'it's all very
+well to do that; but you'd far better be doing something _useful_,' I
+say. 'Instead of wasting your time on idle fancies.'"
+
+"Very sensible," agreed Alf, completely absorbed in such a discourse.
+
+"She's trying, you know. You can't leave her for a minute. She says I'm
+stodgy; but I say it's better to be practical than flighty. Don't you
+think so, Alf?"
+
+"Exackly!" said Alf, in a tone of the gravest assent. "Exackly."
+
+
+vi
+
+"I mean," pursued Emmy, "you must have a _little_ common-sense. But
+she's been spoilt--she's the youngest. I'm a little older than she
+is ... _wiser_, I say; but she won't have it.... And Pa's always made a
+fuss of her. Really, sometimes, you'd have thought she was a boy.
+Racing about! My word, such a commotion! And then going out to the
+millinery, and getting among a lot of other girls. You don't know _who_
+they are--if they're ladies or not. It's not a good influence for
+her...."
+
+"She ought to get out of it," Alf said. To Emmy it was a ghastly moment.
+
+"She'll never give it up," she hurriedly said. "You know, it's in her
+blood. Off she goes! And they make a fuss of her. She mimics everybody,
+and they laugh at it--they think it's funny to mimic people who can't
+help themselves--if they _are_ a bit comic. So she goes; and when she
+does come home Pa's so glad to see a fresh face that he makes a fuss of
+her, too. And she stuffs him up with all sorts of tales--things that
+never happened--to keep him quiet. She says it gives him something to
+think about.... Well, I suppose it does. I expect you think I'm very
+unkind to say such things about my own sister; but really I can't help
+seeing what's under my nose; and I sometimes get so--you know, worked
+up, that I don't know how to hold myself. She doesn't understand what it
+is to be cooped up indoors all day long, like I am; and it never occurs
+to her to say 'Go along, Em; you run out for a bit.' I have to say to
+her: 'You be in for a bit, Jen?' and then she p'tends she's always in.
+And then there's a rumpus...."
+
+Alf was altogether subdued by this account: it had that degree of
+intimacy which, when one is in a sentimental mood, will always be
+absorbing. He felt that he really was getting to the bottom of the
+mystery known to him as Jenny Blanchard. The picture had verisimilitude.
+He could see Jenny as he listened. He was seeing her with the close and
+searching eye of a sister, as nearly true, he thought, as any vision
+could be. Once the thought, "I expect there's another story" came
+sidling into his head; but it was quickly drowned in further
+reminiscence from Emmy, so that it was clearly a dying desire that he
+left for Jenny. Had Jenny been there, to fling her gage into the field,
+Alf might gapingly have followed her, lost again in admiration of her
+more sparkling tongue and equipments. But in such circumstances the
+arraigned party is never present. If Jenny had been there the tale could
+not have been told. Emmy's virtuous and destructive monologue would not
+merely have been interrupted: it would have been impossible. Jenny would
+have done all the talking. The others, all amaze, would have listened
+with feelings appropriate to each, though with feelings in common
+unpleasant to be borne.
+
+"I bet there's a rumpus," Alf agreed. "Old Jen's not one to take a blow.
+She ups and gets in the first one." He couldn't help admiring Jenny,
+even yet. So he hastened to pretend that he did not admire her; out of a
+kind of tact. "But of course ... that's all very well for a bit of
+sport, but it gets a bit wearisome after a time. I know what you
+mean...."
+
+"Don't think I've been complaining about her," Emmy said. "I wouldn't.
+Really, I wouldn't. Only I do think sometimes it's not quite fair that
+she should have all the fun, and me none of it. I don't want a lot. My
+tastes are very simple. But when it comes to none at all--well, Alf,
+what do _you_ think?"
+
+"It's a bit thick," admitted Alf. "And that's a fact."
+
+"See, she's always having her own way. Does just what she likes. There's
+no holding her."
+
+"Wants a man to do that," ruminated Alf, with a half chuckle. "Eh?"
+
+"Well," said Emmy, a little brusquely. "I pity the man who tries it on."
+
+
+vii
+
+Emmy was not deliberately trying to secure from Alf a proposal of
+marriage. She was trying to show him the contrast between Jenny and
+herself, and to readjust the balances as he appeared to have been
+holding them. She wanted to impress him. She was as innocent of any
+other intention as any girl could have been. It was jealousy that
+spoke; not scheme. And she was perfectly sincere in her depreciation of
+Jenny. She could not understand what it was that made the admiring look
+come into the faces of those who spoke to Jenny, nor why the unwilling
+admiration that started into her own heart should ever find a place
+there. She was baffled by character, and she was engaged in the common
+task of rearranging life to suit her own temperament.
+
+They had been walking for some little distance now along deserted
+streets, the moon shining upon them, their steps softly echoing, and
+Emmy's arm as warm as toast. It was like a real lover's walk, she could
+not help thinking, half in the shadow and wholly in the stillness of the
+quiet streets. She felt very contented; and with her long account of
+Jenny already uttered, and her tough body already reanimated by the
+walk, Emmy was at leisure to let her mind wander among sweeter things.
+There was love, for example, to think about; and when she glanced
+sideways Alf's shoulder seemed such a little distance from her cheek.
+And his hand was lightly clasping her wrist. A strong hand, was Alf's,
+with a broad thumb and big capable fingers. She could see it in the
+moonlight, and she had suddenly an extraordinary longing to press her
+cheek against the back of Alf's hand. She did not want any silly
+nonsense, she told herself; and the tears came into her eyes, and her
+nose seemed pinched and tickling with the cold at the mere idea of any
+nonsense; but she could not help longing with the most intense longing
+to press her cheek against the back of Alf's hand. That was all. She
+wanted nothing more. But that desire thrilled her. She felt that if it
+might be granted she would be content, altogether happy. She wanted so
+little!
+
+And as if Alf too had been thinking of somebody nearer to him than
+Jenny, he began:
+
+"I don't know if you've ever thought at all about me, Em. But your
+saying what you've done ... about yourself ... it's made me think a bit.
+I'm all on my own now--have been for years; but the way I live isn't
+good for anyone. It's a fact it's not. I mean to say, my rooms that I've
+got ... they're not big enough to swing a cat in; and the way the old
+girl at my place serves up the meals is a fair knock-out, if you notice
+things like I do. If I think of her, and then about the way you do
+things, it gives me the hump. Everything you do's so nice. But with
+her--the plates have still got bits of yesterday's mustard on them, and
+all fluffy from the dishcloth...."
+
+"Not washed prop'ly." Emmy interestedly remarked; "that's what that is."
+
+"Exackly. And the meat's raw inside. Cooks it too quickly. And when I
+have a bloater for my breakfast--I'm partial to a bloater--it's black
+outside, as if it was done in the cinders; and then inside--well, I like
+them done all through, like any other man. Then I can't get her to get
+me gammon rashers. She will get these little tiddy rashers, with little
+white bones in them. Why, while you're cutting them out the bacon gets
+cold. You may think I'm fussy ... fiddly with my food. I'm not, really;
+only I like it...."
+
+"Of course you do," Emmy said. "She's not interested, that's what it is.
+She thinks anything's food; and some people don't mind at all what they
+eat. They don't notice."
+
+"No. I _do_. If you go to a restaurant you get it different. You get
+more of it, too. Well, what with one thing and another I've got very
+fed up with Madame Bucks. It's all dirty and half baked. There's great
+holes in the carpet of my sitting-room--holes you could put your foot
+through. And I've done that, as a matter of fact. Put my foot through
+and nearly gone over. _Should_ have done, only for the table. Well, I
+mean to say ... you can't help being fed up with it. But she knows where
+I work, and I know she's hard up; so I don't like to go anywhere else,
+because if anybody asked me if he should go there, I couldn't honestly
+recommend him to; and yet, you see how it is, I shouldn't like to leave
+her in the lurch, if she knew I was just gone somewhere else down the
+street."
+
+"No," sympathetically agreed Emmy. "I quite see. It's very awkward for
+you. Though it's no use being too kind-hearted with these people;
+because they _don't_ appreciate it; and if you don't say anything they
+just go on in the same way, never troubling themselves about you. They
+think, as long as you don't say anything you're all right; and it's not
+their place to make any alteration. They're quite satisfied. Look at
+Jenny and me."
+
+"Is she satisfied!" asked Alf.
+
+"With herself, she is. She's never satisfied with me. She never tries to
+see it from my point of view."
+
+"No," Alf nodded his head wisely. "That's what it is. They don't." He
+nodded again.
+
+"Isn't it a lovely night," ventured Emmy. "See the moon over there."
+
+They looked up at the moon and the stars and the unfathomable sky. It
+took them at once away from the streets and the subject of their talk.
+Both sighed as they stared upwards, lost in the beauty before them. And
+when at last their eyes dropped, the street lamps had become so yellow
+and tawdry that they were like stupid spangles in contrast with the
+stars. Alf still held Emmy's arm so snugly within his own, and her wrist
+was within the clasp of his fingers. It was so little a thing to slide
+his fingers into a firm clasp of her hand, and they drew closer.
+
+"Lovely, eh!" Alf ejaculated, with a further upward lift of his eyes.
+Emmy sighed again.
+
+"Not like down here," she soberly said.
+
+"No, it's different. Down here's all right, though," Alf assured her.
+"Don't you think it is?" He gave a rather nervous little half laugh.
+"Don't you think it is?"
+
+"Grand!" Emmy agreed, with the slightest hint of dryness.
+
+"I say, it was awfully good of you to come to-night," said Alf.
+"I've ... you've enjoyed it, haven't you?" He was looking sharply at her,
+and Emmy's face was illumined. He saw her soft cheeks, her thin, soft
+little neck; he felt her warm gloved hand within his own. "D'you mind?"
+he asked, and bent abruptly so that their faces were close together. For
+a moment, feeling so daring that his breath caught, Alf could not carry
+out his threat. Then, roughly, he pushed his face against hers, kissing
+her. Quickly he released Emmy's arm, so that his own might be more
+protectingly employed; and they stood embraced in the moonlight.
+
+
+viii
+
+It was only for a minute, for Emmy, with instinctive secrecy, drew away
+into the shadow. At first Alf did not understand, and thought himself
+repelled; but Emmy's hands were invitingly raised. The first delight was
+broken. One more sensitive might have found it hard to recapture; but
+Alf stepped quickly to her side in the shadow, and they kissed again. He
+was surprised at her passion. He had not expected it, and the flattery
+was welcome. He grinned a little in the safe darkness, consciously and
+even sheepishly, but with eagerness. They were both clumsy and a little
+trembling, not very practised lovers, but curious and excited. Emmy felt
+her hat knocked a little sideways upon her head.
+
+It was Emmy who moved first, drawing herself away from him, she knew not
+why.
+
+"Where you going?" asked Alf, detaining her. "What is it? Too rough, am
+I?" He could not see Emmy's shaken head, and was for a moment puzzled at
+the ways of woman--so far from his grasp.
+
+"No," Emmy said. "It's wonderful."
+
+Peering closely, Alf could see her eyes shining.
+
+"D'you think you're fond enough of me, Emmy?" She demurred.
+
+"That's a nice thing to say! As if it was for me to tell you!" she
+whispered archly back.
+
+"What ought I to say? I'm not ... mean to say, I don't know how to say
+things, Emmy. You'll have to put up with my rough ways. Give us a kiss,
+old sport."
+
+"How many more! You _are_ a one!" Emmy was not pliant enough. In her
+voice there was the faintest touch of--something that was not
+self-consciousness, that was perhaps a sense of failure. Perhaps she was
+back again suddenly into her maturity, finding it somehow ridiculous to
+be kissed and to kiss with such abandon. Alf was not baffled, however.
+As she withdrew he advanced, so that his knuckle rubbed against the
+brick wall to which Emmy had retreated.
+
+"I say," he cried sharply. "Here's the wall."
+
+"Hurt yourself?" Emmy quickly caught his hand and raised it, examining
+the knuckle. The skin might have been roughened; but no blood was drawn.
+Painfully, exultingly, her dream realised, she pressed her cheek against
+the back of his hand.
+
+
+ix
+
+"What's that for?" demanded Alf.
+
+"Nothing. Never you mind. I wanted to do it." Emmy's cheeks were hot as
+she spoke; but Alf marvelled at the action, and at her confession of
+such an impulse.
+
+"How long had you ... wanted to do it?"
+
+"Mind your own business. The idea! Don't you know better than that?"
+Emmy asked. It made him chuckle delightedly to have such a retort from
+her. And it stimulated his curiosity.
+
+"I believe you're a bit fond of me," he said. "I don't see why. There's
+nothing about me to write home about, I shouldn't think. But there it
+is: love's a wonderful thing."
+
+"Is it?" asked Emma, distantly. Why couldn't he say he loved her? Too
+proud, was he? Or was he shy? He had only used the word "love" once, and
+that was in this general sense--as though there _was_ such a thing. Emmy
+was shy of the word, too; but not as shy as that. She was for a moment
+anxious, because she wanted him to say the word, or some equivalent. If
+it was not said, she was dependent upon his charity later, and would cry
+sleeplessly at night for want of sureness of him.
+
+"D'you love me?" she suddenly said. Alf whistled. He seemed for that
+instant to be quite taken aback by her inquiry. "There's no harm in me
+asking, I suppose." Into Emmy's voice there came a thread of roughness.
+
+"No harm at all," Alf politely said. "Not at all." He continued to
+hesitate.
+
+"Well?" Emmy waited, still in his arms, her ears alert.
+
+"We're engaged, aren't we?" Alf muttered shamefacedly. "Erum ... what
+sort of ring would you like? I don't say you'll get it ... and it's too
+late to go and choose one to-night."
+
+Emmy flushed again: he felt her tremble.
+
+"You _are_ in a hurry," she said, too much moved for her archness to
+take effect.
+
+"Yes, I am." Alf's quick answer was reassuring enough. Emmy's heart was
+eased. She drew him nearer with her arms about his neck, and they kissed
+again.
+
+"I wish you'd say you love me," she whispered. "Mean such a lot to me."
+
+"No!" cried Alf incredulously. "Really?"
+
+"Do you?"
+
+"I'll think about it. Do you--me?"
+
+"Yes. I don't mind saying it if you will."
+
+Alf gave a little whistle to himself, half under his breath. He looked
+carefully to right and left, and up at the house-wall against which they
+were standing. Nobody seemed to be in danger of making him feel an
+abject fool by overhearing such a confession as he was invited to make;
+and yet it was such a terrible matter. He was confronted with a
+difficulty of difficulties. He looked at Emmy, and knew that she was
+waiting, entreating him with her shining eyes.
+
+"Er," said Alf, reluctantly and with misgiving. "Er ... well,
+I ... a ... suppose I do...."
+
+Emmy gave a little cry, that was half a smothered laugh of happiness at
+her triumph. It was not bad! She had made him admit it on the first
+evening. Later, when she was more at ease, he should be more explicit.
+
+
+x
+
+"Well," said Alf, instantly regretting his admission, and inclined to
+bluster. "Now I suppose you're satisfied?"
+
+"Awfully!" breathed Emmy. "You're a dear good soul. You're splendid,
+Alf!"
+
+For a few minutes more they remained in that benign, unforgettable
+shadow; and then, very slowly, with Alf's arm about Emmy's waist, and
+Emmy's shoulder so confidingly against his breast, they began to return
+homewards. Both spoke very subduedly, and tried to keep their shoes from
+too loudly striking the pavement as they walked; and the wandering wind
+came upon them in glee round every corner and rustled like a busybody
+among all the consumptive bushes in the front gardens they passed.
+Sounds carried far. A long way away they heard the tramcars grinding
+along the main road. But here all was hush, and the beating of two
+hearts in unison; and to both of them happiness lay ahead. Their aims
+were similar, in no point jarring or divergent. Both wanted a home, and
+loving labour, and quiet evenings of pleasant occupation. To both the
+daily work came with regularity, not as an intrusion or a wrong to
+manhood and womanhood; it was inevitable, and was regarded as
+inevitable. Neither Emmy nor Alf ever wondered why they should be
+working hard when the sun shone and the day was fine. Neither compared
+the lot accorded by station with an ideal fortune of blessed ease. They
+were not temperamentally restless. They both thought, with a practical
+sense that is as convenient as it is generally accepted, "somebody must
+do the work: may as well be me." No discontent would be theirs. And Alf
+was a good worker at the bench, a sober and honest man; and Emmy could
+make a pound go as far as any other woman in Kennington Park. They had
+before them a faithful future of work in common, of ideals (workaday
+ideals) in common; and at this instant they were both marvellously
+content with the immediate outlook. Not for them to change the order of
+the world.
+
+"I feel it's so suitable," Emmy startlingly said, in a hushed tone, as
+they walked. "Your ... you know ... 'supposing you do' ... me; and
+me ... doing the same for you."
+
+Alf looked solemnly round at her. His Emmy skittish? It was not what he
+had thought. Still, it diverted him; and he ambled in pursuit.
+
+"Yes," he darkly said. "What do you 'suppose you do' for me?"
+
+"Why, love you," Emmy hurried to explain, trapping herself by speed into
+the use of the tabooed word. "Didn't you know? Though it seems funny to
+say it like that. It's so new. I've never dared to ... you know ... say
+it. I mean, we're both of us quiet, and reliable ... we're not either of
+us flighty, I mean. That's why I think we suit each other--better than
+if we'd been different. Not like we are."
+
+"I'm sure we do," Alf said.
+
+"Not like some people. You can't help wondering to yourself however they
+came to get married. They seem so unlike. Don't they! It's funny. Ah
+well, love's a wonderful thing--as you say!" She turned archly to him,
+encouragingly.
+
+"You seem happy," remarked Alf, in a critical tone. But he was not
+offended; only tingled into desire for her by the strange gleam of
+merriment crossing her natural seriousness, the jubilant note of happy
+consciousness that the evening's lovemaking had bred. Alf drew her more
+closely to his side, increasingly sure that he had done well. She was
+beginning to intrigue him. With an emotion that startled himself as
+much as it delighted Emmy, he said thickly in her ear, "D'you love
+me ... like this?"
+
+
+xi
+
+They neared the road in which the Blanchards lived: Emmy began to press
+forward as Alf seemed inclined to loiter. In the neighbourhood the
+church that had struck eight as they left the house began once again to
+record an hour.
+
+"By George!" cried Alf. "Twelve ... Midnight!" They could feel the day
+pass.
+
+They were at the corner, beside the little chandler's shop which
+advertised to the moon its varieties of tea; and Alf paused once again.
+
+"Half a tick," he said. "No hurry, is there?"
+
+"You'll come in for a bit of supper," Emmy urged. Then, plumbing his
+hesitation, she went on, in a voice that had steel somewhere in its
+depths. "They'll both be gone to bed. She won't be there."
+
+"Oh, I wasn't thinking of that," Alf declared, with unconvincing
+nonchalance.
+
+"I'll give you a drop of Pa's beer," Emmy said drily.
+
+She took out a key, and held it up for his inspection.
+
+"I say!" Alf pretended to be surprised at the sight of a key.
+
+"Quite a big girl, aren't I! Well, you see: there are two, and Pa never
+goes out. So we have one each. Saves a lot of bother." As she spoke Emmy
+was unlocking the door and entering the house. "See, you can have supper
+with me, and then it won't seem so far to walk home. And you can throw
+Madame Buck's rinds at the back of the fire. You'll like that; and so
+will she."
+
+Alf, now perfectly docile, and even thrilled with pleasure at the idea
+of being with her for a little while longer, followed Emmy into the
+passage, where the flickering gas showed too feeble a light to be of any
+service to them. Between the two walls they felt their way into the
+house, and Alf softly closed the door.
+
+"Hang your hat and coat on the stand," whispered Emmy, and went
+tiptoeing forward to the kitchen. It was in darkness. "Oo, she is a
+monkey! She's let the fire out," Emmy continued, in the same whisper.
+"Have you got a match? The gas is out." She opened the kitchen door
+wide, and stood there taking off her hat, while Alf fumbled his way
+along the passage. "Be quick," she said.
+
+Alf pretended not to be able to find the matches, so that he might give
+her a hearty kiss in the darkness. He was laughing to himself because he
+had only succeeded, in his random venture, in kissing her chin; and
+then, when she broke away with a smothered protest and a half laugh, he
+put his hand in his pocket again for the match-box. The first match
+fizzed along the box as it was struck, and immediately went out.
+
+"Oh, _do_ hurry up!" cried Emmy in a whisper, thinking he was still
+sporting with her. "Don't keep on larking about, Alf!"
+
+"I'm not!" indignantly answered the delinquent. "It wouldn't strike.
+Half a tick!"
+
+He moved forward in the darkness, to be nearer the gas; and as he took
+the step his foot caught against something upon the floor. He exclaimed.
+
+"Now what is it?" demanded Emmy. For answer Alf struck his match, and
+they both looked at the floor by Alf's feet. Emmy gave a startled cry
+and dropped to her knees.
+
+"Hul-lo!" said Alf; and with his lighted match raised he moved to the
+gas, stepping, as he did so, over the body of Pa Blanchard, which was
+lying at full length across the kitchen floor.
+
+
+
+
+CHAPTER XII: CONSEQUENCES
+
+
+i
+
+In the succeeding quietness, Emmy fumbled at the old man's hands; then
+quickly at his breast, near the heart. Trembling violently, she looked
+up at Alf, as if beseeching his aid. He too knelt, and Emmy took Pa's
+lolling head into her lap, as though by her caress she thought to
+restore colour and life to the features. The two discoverers did not
+speak nor reason: they were wholly occupied with the moment's horror. At
+last Alf said, almost in a whisper:
+
+"I think it's all right. He's hit his head. Feel his head, and see if
+it's bleeding."
+
+Emmy withdrew one hand. A finger was faintly smeared with blood. She
+shuddered, looking in horror at the colour against her hand; and Alf
+nodded sharply at seeing his supposition verified. His eye wandered from
+the insensible body, to a chair, to the open cupboard, to the topmost
+shelf of the cupboard. Emmy followed his glance point by point, and in
+conclusion they looked straight into each other's eyes, with perfect
+understanding. Alf's brows arched.
+
+"Get some water--quick!" Emmy cried sharply. She drew her handkerchief
+from her breast as Alf returned with a jugful of water; and, having
+folded it, she dangled the kerchief in the jug.
+
+"Slap it on!" urged Alf. "He can't feel it, you know."
+
+So instructed, Emmy first of all turned Pa's head to discover the wound,
+and saw that her skirt was already slightly stained by the oozing blood.
+With her wetted handkerchief she gently wiped the blood from Pa's hair.
+It was still quite moist, and more blood flowed at the touch. That fact
+made her realise instinctively that the accident, the stages of which
+had been indicated by Alf's wandering glances, had happened within a few
+minutes of their arrival. When Alf took the jug and threw some of its
+contents upon the old man's grey face, splashing her, she made an
+impatient gesture of protest.
+
+"No, no!" she cried. "It's all over _me!_" "Been after his beer, he
+has," Alf unnecessarily explained. "That's what it is. Got up on the
+chair, and fell off it, trying to get at it. Bad boy!"
+
+As she did not answer, from the irritation caused by nervous
+apprehensiveness, he soaked his own handkerchief and began to slap it
+across Pa's face, until the jug was empty. Alf thoughtfully sprinkled
+the last drops from it so that they fell cascading about Pa. He was
+turning away to refill the jug, when a notion occurred to him.
+
+"Any brandy in the house?" he asked. "Ought to have thought of it
+before. Pubs are all closed now."
+
+"See if there's any ... up there." Emmy pointed vaguely upwards. She was
+bent over Pa, gently wiping the trickles of water from his ghastly face,
+caressing with her wet handkerchief the closed eyes and the furrowed
+brow.
+
+Alf climbed upon the chair from which Pa had fallen, and reached his
+hand round to the back of the high shelf, feeling for whatever was
+there. With her face upturned, Emmy watched and listened. She heard a
+very faint clink, as if two small bottles had been knocked together, and
+then a little dump, as if one of them had fallen over.
+
+"Glory!" said Alf, still in the low voice that he had used earlier.
+"Believe I've got it!"
+
+"Got it? Is there any in it?" Emmy at the same instant was asking.
+
+Alf was sniffing at the little bottle which he had withdrawn from the
+cupboard. He then descended carefully from the chair, and held the
+uncorked bottle under her nose, for a corroborative sniff. It was about
+half full of brandy. Satisfied, he knelt as before, now trying, however,
+to force Pa's teeth apart, and rubbing some of the brandy upon the
+parted lips.
+
+"This'll do it!" Alf cheerfully and reassuringly cried. "Half a tick.
+I'll get some water to wet his head again." He stumbled once more out
+into the scullery, and the careful Emmy unconsciously flinched as she
+heard the jug struck hard in the darkness against the tap. Her eye was
+fixed upon the jug as it was borne brimming and splashing back to her
+side. She could not help feeling such housewifely anxiety even amid the
+tremors of her other acute concern. As Alf knelt he lavishly sprinkled
+some more water upon Pa's face, and set the jug ready to Emmy's hand,
+working with a quiet deftness that aroused her watchful admiration. He
+was here neither clumsy nor rough: if his methods were as primitive as
+the means at hand his gentle treatment of the senseless body showed him
+to be adaptable to an emergency. How she loved him! Pride gleamed in
+Emmy's eyes. She could see in him the eternal handy-man of her delight,
+made for husbandhood and as clearly without nonsense as any working wife
+could have wished.
+
+Pa's nightshirt was blackened with great splashes of water, and the
+soaked parts clung tightly to his breast. At the neck it was already
+open, and they both thought they could see at this moment a quick
+contraction of the throat. An additional augury was found in the fact
+that Alf simultaneously had succeeded in dribbling some of the brandy
+between Pa's teeth, and although some of it ran out at the corners of
+his mouth and out on to his cheeks, some also was retained and would
+help to revive him. Alf gave another quick nod, this time one of
+satisfaction.
+
+"Feel his heart!" Emmy whispered. He did so. "Can you feel it?"
+
+"It's all right. Famous!"
+
+Pa gave a little groan. He seemed to stir. Emmy felt his shoulders move
+against her knees; and she looked quickly up, a faint relieved smile
+crossing her anxious face. Then, as Alf returned her glance, his eyes
+became fixed, and he looked beyond her and up over her head. Jenny stood
+in the doorway, fully dressed, but without either hat or coat, her face
+blanched at the picture before her.
+
+
+ii
+
+To Jenny, coming with every precautionary quietness into the house, the
+sight came as the greatest shock. She found the kitchen door ajar, heard
+voices, and then burst upon the three feebly illumined figures. Emmy,
+still in her out-of-doors coat, knelt beside Alf upon the floor; and
+between them, with a face terribly grey, lay Pa, still in his old red
+nightshirt, with one of his bare feet showing. The stained shirt, upon
+which the marks of water, looking in this light perfectly black, might
+have been those of blood, filled Jenny with horror. It was only when she
+saw both Emmy and Alf staring mutely at her that she struggled against
+the deadly faintness that was thickening a veil of darkness before her
+eyes. It was a dreadful moment.
+
+"Hullo Jen!" Alf said. "Look here!"
+
+"I thought you must be in bed," Emmy murmured. "Isn't it awful!"
+
+Not a suspicion! Her heart felt as if somebody had sharply pinched it.
+They did not know she had been out! It made her tremble in a sudden
+flurry of excited relief. She quickly came forward, bending over Pa.
+Into his cheeks there had come the faintest wash of colour. His eyelids
+fluttered. Jenny stooped and took his hand, quite mechanically, pressing
+it between hers and against her heart. And at that moment Pa's eyes
+opened wide, and he stared up at her. With Alf at his side and Emmy
+behind him, supporting his head upon her lap, Pa could see only Jenny,
+and a twitching grin fled across his face--a grin of loving recognition.
+It was succeeded by another sign of recovery, a peculiar fumbling
+suggestion of remembered cunning.
+
+"Jenny, my dearie," whispered Pa, gaspingly. "A good ... boy!" His eyes
+closed again.
+
+Emmy looked in quick challenge at Alf, as if to say "You see how it is!
+She comes in last, and it's her luck that he should see her.... _Always_
+the same!" And Jenny was saying, very low:
+
+"It looks to me as if you'd been a bad boy!"
+
+"Can't be with him _all_ the time!" Emmy put in, having reached a point
+of general self-defence in the course of her mental explorations. She
+was recovering from her shock and her first horrible fears.
+
+"Shall we get him to bed? Carry him back in there?" Jenny asked. "The
+floor's soaking wet." She had not to receive any rebuke: Emmy, although
+shaken, was reviving in happiness and in graciousness with each second's
+diminution of her dread. She now agreed to Pa's removal; and they all
+stumbled into his bedroom and laid him upon his own bed. Alf went
+quickly back again to the kitchen for the brandy; and presently a good
+dose of this was sending its thrilling and reviving fire through Pa's
+person. Emmy had busied herself in making a bandage for his wounded
+head; and Jenny had arranged him more comfortably, drying his chest and
+laying a little towel between his body and the night-short lest he
+should take cold. Pa was very complacently aware of these ministrations,
+and by the time they were in full order completed he was fast asleep,
+having expressed no sort of contrition for his naughtiness or for the
+alarm he had given them all.
+
+Reassured, the party returned to the kitchen.
+
+
+iii
+
+Alf could not now wait to sit down to supper; but he drank a glass of
+beer, after getting it down for himself and rather humorously
+illustrating how Pa's designs must have been frustrated. He then, with a
+quick handshake with Jenny, hurried away.
+
+"I'll let you out," Emmy said. There were quick exchanged glances. Jenny
+was left alone in the kitchen for two or three minutes until Emmy
+returned, humming a little self-consciously, and no longer pale.
+
+"Quite a commotion," said Emmy, with assumed ease.
+
+Jenny was looking at her, and Jenny's heart felt as though it were
+bursting. She had never in her life known such a sensation of
+guilt--guilt at the suppression of a vital fact. Yet above that sense of
+guilt, which throbbed within all her consciousness, was a more
+superficial concern with the happenings of the moment.
+
+"Yes," Jenny said. "And.... Had you been in long?" she asked quickly.
+
+"Only a minute. We found him like that. We didn't come straight home."
+
+"Oh," said Jenny, significantly, though her heart was thudding. "You
+didn't come straight home." Emmy's colour rose still higher. She
+faltered slightly, and tears appeared in her eyes. She could not
+explain. Some return of her jealousy, some feeling of what Jenny would
+"think," checked her. The communication must be made by other means than
+words. The two sisters eyed each other. They were very near, and Emmy's
+lids were the first to fall. Jenny stepped forward, and put a protective
+arm round her; and as if Emmy had been waiting for that she began
+smiling and crying at one and the same moment.
+
+"Looks to me as if...." Jenny went on after this exchange.
+
+"I'm sorry I was a beast," Emmy said. "I'm as different as anything
+now."
+
+"You're a dear!" Jenny assured her. "Never mind about what you said."
+
+It was an expansive moment. Their hearts were charged. To both the
+evening had been the one poignant moment of their lives, an evening to
+provide reflections for a thousand other evenings. And Emmy was happy,
+for the first time for many days, with the thought of happy life before
+her. She described in detail the events of the theatre and the walk. She
+did not give an exactly true story. It was not to be expected that she
+would do so. Jenny did not expect it. She gave indications of her
+happiness, which was her main object; and she gave further indications,
+less intentional, of her character, as no author can avoid doing. And
+Jenny, immediately discounting, and in the light of her own temperament
+re-shaping and re-proportioning the form of Emmy's narrative, was like
+the eternal critic--apprehending only what she could personally
+recognise. But both took pleasure in the tale, and both saw forward into
+the future a very satisfactory ending to Emmy's romance.
+
+"And we got back just as twelve was striking," Emmy concluded.
+
+A deep flush overspread Jenny's face. She turned away quickly in order
+that it might not be seen. Emmy still continued busy with her thoughts.
+It occurred to her to be surprised that Jenny should be fully dressed.
+The surprise pressed her further onward with the narrative.
+
+"And then, of course, we found Pa. Wasn't it strange of him to do it? He
+couldn't have been there long.... He must have waited for you to go up.
+He must have listened. I must find another place to keep it, though he's
+never done such a thing before in his life. He must have listened for
+you going up, and then come creeping out here.... Why, there's his
+candle on the floor! Fancy that! Might have set fire to the whole house!
+See, you couldn't have been upstairs long.... I thought you must have
+been, seeing the fire was black out. Did you go to sleep in front of
+it? I thought you might have laid a bit of supper for us. I thought you
+_would_ have. But if you were asleep, I don't wonder. I thought you'd
+have been in bed hours. Did you hear anything? He must have made a
+racket falling off the chair. What made you come down again? Pa must
+have listened like anything."
+
+"I didn't come down," Jenny said, in a slow, passionless voice. "I
+hadn't gone to bed. I was out. I'd been out all the evening ... since
+quarter-to-nine."
+
+
+iv
+
+At first Emmy could not understand. She stood, puzzled, unable to
+collect her thoughts.
+
+"Jenny!" at last she said, unbelievingly. Accusing impulses showed in
+her face. The softer mood, just passing, was replaced by one of anger.
+"Well, I must say it's like you," Emmy concluded. "I'm not to have a
+_moment_ out of the house. I can't even leave you...."
+
+"Half-an-hour after you'd gone," urged Jenny, "I got a note from Keith."
+
+"Keith!" It was Emmy's sign that she had noted the name.
+
+"I told you.... He'd only got the one evening in London."
+
+"Couldn't he have come here?"
+
+"He mustn't leave his ship. I didn't know what to do. At first I thought
+I _couldn't_ go. But the man was waiting--"
+
+"Man!" cried Emmy. "What man?"
+
+"The chauffeur."
+
+Emmy's face changed. Her whole manner changed. She was outraged.
+
+"Jenny! Is he _that_ sort! Oh, I warned you.... There's never any good
+in it. He'll do you no good."
+
+"He's a captain of a little yacht. He's not what you think," Jenny
+protested, very pale, her heart sinking under such a rebuke, under such
+knowledge as she alone possessed.
+
+"Still, to go to him!" Emmy was returned to that aspect of the affair.
+"And leave Pa!"
+
+"I know. I know," Jenny cried. She was no longer protective. She was
+herself in need of comfort. "But I _had_ to go. You'd have gone
+yourself!" She met Emmy's gaze steadily, but without defiance.
+
+"No I shouldn't!" It was Emmy who became defiant. Emmy's jealousy was
+again awake. "However much I wanted to go. I should have stayed."
+
+"And lost him!" Jenny cried.
+
+"Are you sure of him now?" asked Emmy swiftly. "If he's gone again."
+
+With her cheeks crimson, Jenny turned upon her sister.
+
+"Yes, I'm sure of him. And I love him. I love him as much as you love
+Alf." She had the impulse, almost irresistible, to add "More!" but she
+restrained her tongue just in time. That was a possibility Emmy could
+never admit. It was only that they were different.
+
+"But to leave Pa!" Emmy's bewildered mind went back to what was the real
+difficulty. Jenny protested.
+
+"He was in bed. I thought he'd be safe. He was tucked up. Supposing I
+hadn't gone. Supposing I'd gone up to bed an hour ago. Still he'd have
+done the same."
+
+"You know he wouldn't," Emmy said, very quietly. Jenny felt a wave of
+hysteria pass through her. It died down. She held herself very firmly.
+It was true. She knew that she was only defending herself.
+
+"I don't know," she said, in a false, aggrieved voice. "How do I know?"
+
+"You do. He knew you were out. He very likely woke up and felt
+frightened."
+
+"Felt thirsty, more like it!" Jenny exclaimed.
+
+"Well, you did wrong," Emmy said. "However you like to put it to
+yourself, you did wrong."
+
+"I always manage to. Don't I!" Jenny's speech still was without
+defiance. She was humble. "It's a funny thing; but it's true...."
+
+"You always want to go your own way," Emmy reproved.
+
+"Oh, I don't think _that's_ wrong!" hastily said Jenny. "Why should you
+go anybody else's way?"
+
+"I don't know," admitted Emmy. "But it's safer."
+
+"Whose way do you go?" Jenny had stumbled upon a question so
+unanswerable that she was at liberty to answer it for herself. "I don't
+know whose way you go now; but I do know whose way you'll go soon.
+You'll go Alf's way."
+
+"Well?" demanded Emmy. "If it's a good way?"
+
+"Well, I go Keith's way!" Jenny answered, in a fine glow. "And he goes
+mine."
+
+Emmy looked at her, shaking her head in a kind of narrow wisdom.
+
+"Not if he sends a chauffeur," she said slowly. "Not that sort of man."
+
+
+v
+
+For a moment Jenny's heart burned with indignation. Then it turned cold.
+If Emmy were right! Supposing--just supposing.... Savagely she thrust
+doubt of Keith from her: her trust in him was forced by dread into still
+warmer and louder proclamation.
+
+"You don't understand!" she cried. "You _couldn't_. You've never seen
+him. Wait a minute!" She went quickly out of the kitchen and up to her
+bedroom. There, secretly kept from every eye, was the little photograph
+of Keith. She brought it down. In anxious triumph she showed it to Emmy.
+Emmy's three years' seniority had never been of so much account.
+"There," Jenny said. "That's Keith. Look at him!"
+
+Emmy held the photograph under the meagre light. She was astonished,
+although she kept outwardly calm; because Keith--besides being obviously
+what is called a gentleman--looked honest and candid. She could not find
+fault with the face.
+
+"He's very good-looking," she admitted, in a critical tone. "Very."
+
+"Not the sort of man you thought," emphasised Jenny, keenly elated at
+Emmy's dilemma.
+
+"Is he ... has he got any money?"
+
+"Never asked him. No--I don't think he has. It wasn't _his_ chauffeur. A
+lord's."
+
+"There! He knows lords.... Oh, Jenny!" Emmy's tone was still one of
+warning. "He won't marry you. I'm sure he won't."
+
+"Yes he will," Jenny said confidently. But the excitement had shaken
+her, and she was not the firm Jenny of custom. She looked imploringly at
+Emmy. "_Say_ you believe it!" she begged. Emmy returned her urgent
+gaze, and felt Jenny's arm round her. Their two faces were very close.
+"You'd have done the same," Jenny urged.
+
+Something in her tone awakened a suspicion in Emmy's mind. She tried to
+see what lay behind those glowing mysteries that were so close to hers.
+Her own eyes were shining as if from an inner brightness. The sisters,
+so unlike, so inexpressibly contrary in every phase of their outlook, in
+every small detail of their history, had this in common--that each, in
+her own manner, and with the consequences drawn from differences of
+character and aim, had spent happy hours with the man she loved. What
+was to follow remained undetermined. But Emmy's heart was warmed with
+happiness: she was for the first time filled only with impulses of
+kindness and love for Jenny. She would blame no more for Jenny's
+desertion. It was just enough, since the consequences of that desertion
+had been remedied, to enhance Emmy's sense of her own superiority. There
+remained only the journey taken by Jenny. She again took from her
+sister's hand the little photograph. Alf's face seemed to come between
+the photograph and her careful, poring scrutiny, more the jealous
+scrutiny of a mother than that of a sister.
+
+"He's rather _thin"_, Emmy ventured, dubiously. "What colour are his
+eyes?"
+
+"Blue. And his hair's brown.... He's lovely."
+
+"He _looks_ nice," Emmy said, relenting.
+
+"He _is_ nice. Em, dear.... Say you'd have done the same!"
+
+Emmy gave Jenny a great hug, kissing her as if Jenny had been her little
+girl. To Emmy the moment was without alloy. Her own future assured, all
+else fell into the orderly picture which made up her view of life. But
+she was not quite calm, and it even surprised her to feel so much warmth
+of love for Jenny. Still holding her sister, she was conscious of a
+quick impulse that was both exulting and pathetically shy.
+
+"It's funny us both being happy at once. Isn't it!" she whispered, all
+sparkling.
+
+
+vi
+
+To herself Jenny groaned a sufficient retort.
+
+"I don't know that I'm feeling so tremendously happy my own self," she
+thought. For the reaction had set in. She was glad enough to bring about
+by various movements their long-delayed bedward journey. She was
+beginning to feel that her head and her heart were both aching, and that
+any more confidences from Emmy would be unbearable. And where Emmy had
+grown communicative--since Emmy had nothing to conceal--Jenny had felt
+more and more that her happiness was staled as thought corroded it. By
+the time they turned out the kitchen gas the clock pointed to twenty
+minutes past two, and the darkest hour was already recorded. In three
+more hours the sun would rise, and Jenny knew that long before then she
+would see the sky greying as though the successive veils of the
+transformation were to reveal the crystal grotto. She preceded Emmy up
+the stairs, carrying a candle and lighting the way. At the top of the
+staircase Emmy would find her own candle, and they would part. They were
+now equally eager for the separation, Emmy because she wanted to think
+over and over again the details of her happiness, and to make plans for
+a kind of life that was to open afresh in days that lay ahead. Arrived
+at the landing the sisters did not pause or kiss, but each looked and
+smiled seriously as she entered her bedroom. With the closing of the
+doors noise seemed to depart from the little house, though Jenny heard
+Emmy moving in her room. The house was in darkness. Emmy was gone; Pa
+lay asleep in the dim light, his head bandaged and the water slowly
+soaking into the towel protectively laid upon his chest; in the kitchen
+the ailing clock ticked away the night. Everything seemed at peace but
+Jenny, who, when she had closed the door and set her candle down, went
+quickly to the bed, sitting upon its edge and looking straight before
+her with dark and sober eyes.
+
+She had much to think of. She would never forgive herself now for
+leaving Pa. It might have been a more serious accident that had happened
+during her absence; she could even plead, to Emmy, that the accident
+might have happened if she had not left the house at all; but nothing
+her quick brain could urge had really satisfied Jenny. The stark fact
+remained that she had been there under promise to tend Pa; and that she
+had failed in her acknowledged trust. He might have died. If he had
+died, she would have been to blame. Not Pa! He couldn't help himself! He
+was driven by inner necessity to do things which he must not be allowed
+to do. Jenny might have pleaded the same justification. She had done so
+before this. It had been a necessity to her to go to Keith. As far as
+that went she did not question the paramount power of impulse. Not will,
+but the strongest craving, had led her. Jenny could perhaps hardly
+discourse learnedly upon such things: she must follow the dictates of
+her nature. But she never accused Pa of responsibility. He was an
+irresponsible. She had been left to look after him. She had not stayed;
+and ill had befallen. A bitter smile curved Jenny's lips.
+
+"I suppose they'd say it was a punishment," she whispered. "They'd like
+to think it was."
+
+After that she stayed a long time silent, swaying gently while her
+candle flickered, her head full of a kind of formless musing. Then she
+rose from the bed and took her candle so that she could see her face in
+the small mirror upon the dressing-table. The candle flickered still
+more in the draught from the open window; and Jenny saw her breath hang
+like a cloud before her. In the mirror her face looked deadly pale; and
+her lips were slightly drawn as if she were about to cry. Dark shadows
+were upon her face, whether real or the work of the feeble light she did
+not think to question. She was looking straight at her own eyes, black
+with the dilation of pupil, and somehow struck with the horror which was
+her deepest emotion. Jenny was speaking to the girl in the glass.
+
+"I shouldn't have thought it of you," she was saying. "You come out
+of a respectable home and you do things like this. Silly little fool,
+you are. Silly little fool. Because you can't stand his not loving
+you ... you go and do that." For a moment she stopped, turning away,
+her lip bitten, her eyes veiled. "Oh, but he does love me!" she
+breathed. "_Quite_ as much ... quite as much ... nearly ... nearly as
+much...." She sighed deeply, standing lone in the centre of the room,
+her long, thin shadow thrown upon the wall in front of her. "And to leave
+Pa!" she was thinking, and shaking her head. "_That_ was wrong, when I'd
+promised. I shall always know it was wrong. I shall never be able to
+forget it as long as I live. Not as long as I live. And if I hadn't
+gone, I'd never have seen Keith again--never! He'd have gone off; and my
+heart would have broken. I should have got older and older, and hated
+everybody. Hated Pa, most likely. And now I just hate myself.... Oh,
+it's so difficult!" She moved impatiently, and at last went back to the
+mirror, not to look into it but to remove the candle, to blow it out,
+and to leave the room in darkness. This done, Jenny drew up the blind,
+so that she could see the outlines of the roofs opposite. It seemed to
+her that for a long distance there was no sound at all: only there, all
+the time, far behind all houses, somewhere buried in the heart of
+London, there was the same unintermittent low growl. It was always in
+her ears, even at night, like a sleepless pulse, beating steadily
+through the silences.
+
+Jenny was not happy. Her heart was cold. She continued to look from the
+window, her face full of gravity. She was hearing again Keith's voice as
+he planned their future; but she was not sanguine now. It all seemed too
+far away, and so much had happened. So much had happened that seemed as
+though it could never be realised, never be a part of memory at all, so
+blank and sheer did it now stand, pressing upon her like overwhelming
+darkness. She thought again of the bridge, and the striking hours; the
+knock, the letter, the hurried ride; she remembered her supper and the
+argument with Emmy; the argument with Alf; and her fleeting moods, so
+many, so painful, during her time with Keith. To love, to be loved: that
+was her sole commandment of life--how learned she knew not. To love and
+to work she knew was the theory of Emmy. But how different they were,
+how altogether unlike! Emmy with Alf; Jenny with Keith....
+
+"Yes, but she's got what she wants," Jenny whispered in the darkness.
+"That's what she wants. It wouldn't do for me. Only in this world you've
+all got to have one pattern, whether it suits you or not. Else you're
+not 'right.' 'They' don't like it. And I'm outside ... I'm a misfit. Eh,
+well: it's no good whimpering about it. What must be, must; as they
+say!"
+
+Soberly she moved from the window and began to undress in the darkness,
+stopping every now and then as if she were listening to that low humming
+far beyond the houses, when the thought of unresting life made her heart
+beat more quickly. Away there upon the black running current of the
+river was Keith, on that tiny yacht so open upon the treacherous sea to
+every kind of danger. And nothing between Keith and sudden, horrible
+death but that wooden hulk and his own seamanship. She was Keith's: she
+belonged to him; but he did not belong to her. To Keith she might, she
+would give all, as she had done; but he would still be apart from her.
+He might give his love, his care: but she knew that her pride and her
+love must be the love and pride to submit--not Keith's. Away from him,
+released from the spell, Jenny knew that she had yielded to him the
+freedom she so cherished as her inalienable right. She had given him her
+freedom. It was in his power. For her real freedom was her innocence and
+her desire to do right. It was not that she wanted to defy, so much as
+that she could bear no shackles, and that she had no respect for the
+belief that things should be done only because they were always done,
+and for no other reason but that of tradition. And she feared nothing
+but her own merciless judgment.
+
+It was not now that she dreaded Emmy's powerlessness to forgive her, or
+the opinion of anybody else in the world. It was that she could not
+forgive herself. Those who are strong enough to live alone in the world,
+so long as they are young and vigorous, have this rare faculty of
+self-judgment. It is only when they are exhausted that they turn
+elsewhere for judgment and pardon.
+
+Jenny sat once again upon the bed.
+
+"Oh Keith, my dearest...." she began. "My Keith...." Her thoughts flew
+swiftly to the yacht, to Keith. With unforgettable pain she heard his
+voice ringing in her ears, saw his clear eyes, as honest as the day,
+looking straight into her own. Pain mingled with love and pride; and
+battled there within her heart, making a fine tumult of sensation; and
+Jenny felt herself smiling in the darkness at such a conflict. She even
+began very softly to laugh. But as if the sound checked her and awoke
+the secret sadness that the tumultuous sensations were trying to hide,
+her courage suddenly gave way.
+
+"Keith!" she gently called, her voice barely audible. Only silence was
+there. Keith was far away--unreachable. Jenny pressed her hands to her
+lips, that were trembling uncontrollably. She rose, struggling for
+composure, struggling to get back to the old way of looking at
+everything. It seemed imperative that she should do so. In a forlorn,
+quivering voice she ventured:
+
+"What a life! Golly, what a life!"
+
+But the effort to pretend that she could still make fun of the events of
+the evening was too great for Jenny. She threw herself upon the bed,
+burying her face in the pillow.
+
+"Keith ... oh Keith!..."
+
+THE END
+
+
+
+
+
+End of the Project Gutenberg EBook of Nocturne, by Frank Swinnerton
+
+*** END OF THIS PROJECT GUTENBERG EBOOK NOCTURNE ***
+
+***** This file should be named 15177.txt or 15177.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/1/5/1/7/15177/
+
+Produced by Audrey Longhurst, Mary Meehan and the PG Online
+Distributed Proofreading Team.
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.