summaryrefslogtreecommitdiff
path: root/15192.txt
diff options
context:
space:
mode:
Diffstat (limited to '15192.txt')
-rw-r--r--15192.txt1302
1 files changed, 1302 insertions, 0 deletions
diff --git a/15192.txt b/15192.txt
new file mode 100644
index 0000000..c89743b
--- /dev/null
+++ b/15192.txt
@@ -0,0 +1,1302 @@
+The Project Gutenberg EBook of Salomy Jane, by Bret Harte
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Salomy Jane
+
+Author: Bret Harte
+
+Release Date: February 27, 2005 [EBook #15192]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK SALOMY JANE ***
+
+
+
+
+Produced by Audrey Longhurst, William Flis, and the PG Online
+Distributed Proofreading Team.
+
+
+
+
+
+[Illustration]
+
+SALOMY JANE
+
+BY
+
+BRET HARTE
+
+
+WITH ILLUSTRATIONS BY
+
+HARRISON FISHER AND
+
+ARTHUR I. KELLER
+
+
+BOSTON AND NEW YORK
+
+HOUGHTON MIFFLIN COMPANY
+
+THE RIVERSIDE PRESS CAMBRIDGE
+
+1910
+
+
+COPYRIGHT, 1898, BY BRET HARTE
+
+COPYRIGHT, 1900, BY HOUGHTON, MIFFLIN & CO.
+
+COPYRIGHT, 1910, BY HOUGHTON MIFFLIN COMPANY
+
+ALL RIGHTS RESERVED
+
+_Published October 1910_
+
+
+
+
+CONTENTS
+
+ I A KISS AND AN ESCAPE 1
+
+ II THE LADY'S REFLECTIONS 19
+
+ III THE KISS REPEATED 35
+
+ IV ANOTHER ESCAPE 59
+
+A KISS AND AN ESCAPE
+
+[Illustration]
+
+
+
+
+
+I
+
+
+Only one shot had been fired. It had gone wide of its mark,--the
+ringleader of the Vigilantes,--and had left Red Pete, who had fired
+it, covered by their rifles and at their mercy. For his hand had been
+cramped by hard riding, and his eye distracted by their sudden onset,
+and so the inevitable end had come. He submitted sullenly to his
+captors; his companion fugitive and horse-thief gave up the protracted
+struggle with a feeling not unlike relief. Even the hot and revengeful
+victors were content. They had taken their men alive. At any
+time during the long chase they could have brought them down by a
+rifle-shot, but it would have been unsportsmanlike, and have ended
+in a free fight, instead of an example. And, for the matter of that,
+their doom was already sealed. Their end, by a rope and a tree,
+although not sanctified by law, would have at least the deliberation
+of justice. It was the tribute paid by the Vigilantes to that order
+which they had themselves disregarded in the pursuit and capture. Yet
+this strange logic of the frontier sufficed them, and gave a certain
+dignity to the climax.
+
+"Ef you've got anything to say to your folks, say it _now_, and say it
+quick," said the ringleader.
+
+Red Pete glanced around him. He had been run to earth at his own cabin
+in the clearing, whence a few relations and friends, mostly women and
+children, non-combatants, had outflowed, gazing vacantly at the twenty
+Vigilantes who surrounded them. All were accustomed to scenes of
+violence, blood-feud, chase, and hardship; it was only the suddenness
+of the onset and its quick result that had surprised them. They looked
+on with dazed curiosity and some disappointment; there had been no
+fight to speak of--no spectacle! A boy, nephew of Red Pete, got upon
+the rain-barrel to view the proceedings more comfortably; a tall,
+handsome, lazy Kentucky girl, a visiting neighbor, leaned against the
+doorpost, chewing gum. Only a yellow hound was actively perplexed.
+He could not make out if a hunt were just over or beginning, and ran
+eagerly backwards and forwards, leaping alternately upon the captives
+and the captors.
+
+The ringleader repeated his challenge. Red Pete gave a reckless laugh
+and looked at his wife.
+
+At which Mrs. Red Pete came forward. It seemed that she had much to
+say, incoherently, furiously, vindictively, to the ringleader. His
+soul would roast in hell for that day's work! He called himself a man,
+skunkin' in the open and afraid to show himself except with a crowd
+of, other "Kiyi's" around a house of women and children. Heaping
+insult upon insult, inveighing against his low blood, his ancestors,
+his dubious origin, she at last flung out a wild taunt of his invalid
+wife, the insult of a woman to a woman, until his white face grew
+rigid, and only that Western-American fetich of the sanctity of
+sex kept his twitching fingers from the lock of his rifle. Even her
+husband noticed it, and with a half-authoritative "Let up on that,
+old gal," and a pat of his freed left hand on her back, took his last
+parting. The ringleader, still white under the lash of the woman's
+tongue, turned abruptly to the second captive. "And if _you_'ve got
+anybody to say 'good-by' to, now's your chance."
+
+The man looked up. Nobody stirred or spoke. He was a stranger there,
+being a chance confederate picked up by Red Pete, and known to no one.
+Still young, but an outlaw from his abandoned boyhood, of which father
+and mother were only a forgotten dream, he loved horses and
+stole them, fully accepting the frontier penalty of life for the
+interference with that animal on which a man's life so often depended.
+But he understood the good points of a horse, as was shown by the
+one he bestrode--until a few days before the property of Judge
+Boompointer. This was his sole distinction.
+
+The unexpected question stirred him for a moment out of the attitude
+of reckless indifference, for attitude it was, and a part of his
+profession. But it may have touched him that at that moment he was
+less than his companion and his virago wife. However, he only shook
+his head. As he did so his eye casually fell on the handsome girl by
+the doorpost, who was looking at him. The ringleader, too, may have
+been touched by his complete loneliness, for _he_ hesitated. At
+the same moment he saw that the girl was looking at his friendless
+captive.
+
+A grotesque idea struck him.
+
+"Salomy Jane, ye might do worse than come yere and say 'good-by' to a
+dying man, and him a stranger," he said.
+
+There seemed to be a subtle stroke of poetry and irony in this that
+equally struck the apathetic crowd. It was well known that Salomy
+Jane Clay thought no small potatoes of herself, and always held off
+the local swain with a lazy nymph-like scorn. Nevertheless, she
+slowly disengaged herself from the doorpost, and, to everybody's
+astonishment, lounged with languid grace and outstretched hand towards
+the prisoner. The color came into the gray reckless mask which the
+doomed man wore as her right hand grasped his left, just loosed by his
+captors. Then she paused; her shy, fawn-like eyes grew bold, and fixed
+themselves upon him. She took the chewing-gum from her mouth, wiped
+her red lips with the back of her hand, by a sudden lithe spring
+placed her foot on his stirrup, and, bounding to the saddle, threw her
+arms about his neck and pressed a kiss upon his lips.
+
+[Illustration]
+
+They remained thus for a hushed moment--the man on the threshold of
+death, the young woman in the fullness of youth and beauty--linked
+together. Then the crowd laughed; in the audacious effrontery of the
+girl's act the ultimate fate of the two men was forgotten. She slipped
+languidly to the ground; _she_ was the focus of all eyes,--she
+only! The ringleader saw it and his opportunity. He shouted: "Time's
+up--Forward!" urged his horse beside his captives, and the next moment
+the whole cavalcade was sweeping over the clearing into the darkening
+woods.
+
+Their destination was Sawyer's Crossing, the headquarters of the
+committee, where the council was still sitting, and where both
+culprits were to expiate the offense of which that council had already
+found them guilty. They rode in great and breathless haste,--a haste
+in which, strangely enough, even the captives seemed to join. That
+haste possibly prevented them from noticing the singular change which
+had taken place in the second captive since the episode of the kiss.
+His high color remained, as if it had burned through his mask of
+indifference; his eyes were quick, alert, and keen, his mouth half
+open as if the girl's kiss still lingered there. And that haste had
+made them careless, for the horse of the man who led him slipped in
+a gopher-hole, rolled over, unseated his rider, and even dragged the
+bound and helpless second captive from Judge Boompointer's favorite
+mare. In an instant they were all on their feet again, but in that
+supreme moment the second captive felt the cords which bound his arms
+had slipped to his wrists. By keeping his elbows to his sides, and
+obliging the others to help him mount, it escaped their notice. By
+riding close to his captors, and keeping in the crush of the throng,
+he further concealed the accident, slowly working his hands downwards
+out of his bonds. Their way lay through a sylvan wilderness, mid-leg
+deep in ferns, whose tall fronds brushed their horses' sides in their
+furious gallop and concealed the flapping of the captive's loosened
+cords. The peaceful vista, more suggestive of the offerings of nymph
+and shepherd than of human sacrifice, was in a strange contrast to
+this whirlwind rush of stern, armed men. The westering sun pierced
+the subdued light and the tremor of leaves with yellow lances; birds
+started into song on blue and dove-like wings, and on either side of
+the trail of this vengeful storm could be heard the murmur of hidden
+and tranquil waters. In a few moments they would be on the open ridge,
+whence sloped the common turnpike to "Sawyer's," a mile away. It
+was the custom of returning cavalcades to take this hill at headlong
+speed, with shouts and cries that heralded their coming. They withheld
+the latter that day, as inconsistent with their dignity; but, emerging
+from the wood, swept silently like an avalanche down the slope. They
+were well under way, looking only to their horses, when the second
+captive slipped his right arm from the bonds and succeeded in grasping
+the reins that lay trailing on the horse's neck. A sudden _vaquero_
+jerk, which the well-trained animal understood, threw him on his
+haunches with his forelegs firmly planted on the slope. The rest of
+the cavalcade swept on; the man who was leading the captive's horse
+by the _riata_, thinking only of another accident, dropped the line to
+save himself from being dragged backwards from his horse. The captive
+wheeled, and the next moment was galloping furiously up the slope.
+
+It was the work of a moment; a trained horse and an experienced hand.
+The cavalcade had covered nearly fifty yards before they could pull
+up; the freed captive had covered half that distance uphill. The road
+was so narrow that only two shots could be fired, and these broke dust
+two yards ahead of the fugitive. They had not dared to fire low; the
+horse was the more valuable animal. The fugitive knew this in his
+extremity also, and would have gladly taken a shot in his own leg to
+spare that of his horse. Five men were detached to recapture or kill
+him. The latter seemed inevitable. But he had calculated his chances;
+before they could reload he had reached the woods again; winding in
+and out between the pillared tree trunks, he offered no mark. They
+knew his horse was superior to their own; at the end of two hours they
+returned, for he had disappeared without track or trail. The end was
+briefly told in the "Sierra Record:"--
+
+"Red Pete, the notorious horse-thief, who had so long eluded justice,
+was captured and hung by the Sawyer's Crossing Vigilantes last week;
+his confederate, unfortunately, escaped on a valuable horse belonging
+to Judge Boompointer. The judge had refused one thousand dollars for
+the horse only a week before. As the thief, who is still at large,
+would find it difficult to dispose of so valuable an animal without
+detection, the chances are against either of them turning up again."
+
+
+
+
+THE LADY'S REFLECTIONS
+
+[Illustration]
+
+
+
+
+
+II
+
+
+Salomy Jane watched the cavalcade until it had disappeared. Then she
+became aware that her brief popularity had passed. Mrs. Red Pete,
+in stormy hysterics, had included her in a sweeping denunciation of
+the whole universe, possibly for simulating an emotion in which she
+herself was deficient. The other women hated her for her momentary
+exaltation above them; only the children still admired her as one who
+had undoubtedly "canoodled" with a man "a-going to be hung"--a daring
+flight beyond their wildest ambition. Salomy Jane accepted the change
+with charming unconcern. She put on her yellow nankeen sunbonnet,--a
+hideous affair that would have ruined any other woman, but which only
+enhanced the piquancy of her fresh brunette skin,--tied the strings,
+letting the blue-black braids escape below its frilled curtain behind,
+jumped on her mustang with a casual display of agile ankles in shapely
+white stockings, whistled to the hound, and waving her hand with a "So
+long, sonny!" to the lately bereft but admiring nephew, flapped and
+fluttered away in her short brown holland gown.
+
+Her father's house was four miles distant. Contrasted with the
+cabin she had just quitted, it was a superior dwelling, with a long
+"lean-to" at the rear, which brought the eaves almost to the ground
+and made it look like a low triangle. It had a long barn and cattle
+sheds, for Madison Clay was a "great" stockraiser and the owner of
+a "quarter section." It had a sitting-room and a parlor organ, whose
+transportation thither had been a marvel of "packing." These things
+were supposed to give Salomy Jane an undue importance, but the
+girl's reserve and inaccessibility to local advances were rather the
+result of a cool, lazy temperament and the preoccupation of a large,
+protecting admiration for her father, for some years a widower. For
+Mr. Madison Clay's life had been threatened in one or two feuds,--it
+was said, not without cause,--and it is possible that the pathetic
+spectacle of her father doing his visiting with a shotgun may
+have touched her closely and somewhat prejudiced her against the
+neighboring masculinity. The thought that cattle, horses, and "quarter
+section" would one day be hers did not disturb her calm. As for Mr.
+Clay, he accepted her as housewifely, though somewhat "interfering,"
+and, being one of "his own womankind," therefore not without some
+degree of merit.
+
+"Wot's this yer I'm hearin' of your doin's over at Red Pete's?
+Honey-foglin' with a horse-thief, eh?" said Mr. Clay two days later at
+breakfast.
+
+"I reckon you heard about the straight thing, then," said Salomy Jane
+unconcernedly, without looking round.
+
+"What do you kalkilate Rube will say to it? What are you goin' to tell
+_him_?" said Mr. Clay sarcastically.
+
+"Rube," or Reuben Waters, was a swain supposed to be favored
+particularly by Mr. Clay. Salomy Jane looked up.
+
+"I'll tell him that when _he's_ on his way to be hung, I'll kiss
+him,--not till then," said the young lady brightly.
+
+This delightful witticism suited the paternal humor, and Mr. Clay
+smiled; but, nevertheless, he frowned a moment afterwards.
+
+"But this yer hoss-thief got away arter all, and that's a hoss of a
+different color," he said grimly.
+
+Salomy Jane put down her knife and fork. This was certainly a new and
+different phase of the situation. She had never thought of it before,
+and, strangely enough, for the first time she became interested in the
+man. "Got away?" she repeated. "Did they let him off?"
+
+"Not much," said her father briefly. "Slipped his cords, and going
+down the grade pulled up short, just like a _vaquero_ agin a
+lassoed bull, almost draggin' the man leadin' him off his hoss, and
+then skyuted up the grade. For that matter, on that hoss o' Judge
+Boompointer's he mout have dragged the whole posse of 'em down on
+their knees ef he liked! Sarved 'em right, too. Instead of stringin'
+him up afore the door, or shootin' him on sight, they must allow to
+take him down afore the hull committee 'for an example.' 'Example' be
+blowed! Ther' 's example enough when some stranger comes unbeknownst
+slap onter a man hanged to a tree and plugged full of holes. _That's_
+an example, and _he_ knows what it means. Wot more do ye want? But
+then those Vigilantes is allus clingin' and hangin' onter some mere
+scrap o'the law they're pretendin' to despise. It makes me sick! Why,
+when Jake Myers shot your ole Aunt Viney's second husband, and I laid
+in wait for Jake afterwards in the Butternut Hollow, did _I_ tie him
+to his hoss and fetch him down to your Aunt Viney's cabin 'for an
+example' before I plugged him? No!" in deep disgust. "No! Why, I just
+meandered through the wood, careless-like, till he comes out, and I
+just rode up to him, and I said"--
+
+But Salomy Jane had heard her father's story before. Even one's
+dearest relatives are apt to become tiresome in narration. "I know,
+dad," she interrupted; "but this yer man,--this hoss-thief,--did _he_
+get clean away without gettin' hurt at all?"
+
+"He did, and unless he's fool enough to sell the hoss he kin keep
+away, too. So ye see, ye can't ladle out purp stuff about a 'dyin'
+stranger' to Rube. He won't swaller it."
+
+"All the same, dad," returned the girl cheerfully, "I reckon to say
+it, and say _more_; I'll tell him that ef _he_ manages to get away
+too, I'll marry him--there! But ye don't ketch Rube takin' any such
+risks in gettin' ketched, or in gettin' away arter!"
+
+Madison Clay smiled grimly, pushed back his chair, rose, dropped a
+perfunctory kiss on his daughter's hair, and, taking his shotgun from
+the corner, departed on a peaceful Samaritan mission to a cow who
+had dropped a calf in the far pasture. Inclined as he was to Reuben's
+wooing from his eligibility as to property, he was conscious that he
+was sadly deficient in certain qualities inherent in the Clay family.
+It certainly would be a kind of _mesalliance_.
+
+Left to herself, Salomy Jane stared a long while at the coffee-pot,
+and then called the two squaws who assisted her in her household
+duties, to clear away the things while she went up to her own room to
+make her bed. Here she was confronted with a possible prospect of that
+proverbial bed she might be making in her willfulness, and on which
+she must lie, in the photograph of a somewhat serious young man of
+refined features--Reuben Waters--stuck in her window-frame. Salomy
+Jane smiled over her last witticism regarding him and enjoyed it, like
+your true humorist, and then, catching sight of her own handsome face
+in the little mirror, smiled again. But wasn't it funny about that
+horse-thief getting off after all? Good Lordy! Fancy Reuben hearing he
+was alive and going round with that kiss of hers set on his lips! She
+laughed again, a little more abstractedly. And he had returned it like
+a man, holding her tight and almost breathless, and he going to be
+hung the next minute! Salomy Jane had been kissed at other times, by
+force, chance, or stratagem. In a certain ingenuous forfeit game of
+the locality known as "I'm a-pinin'," many had "pined" for a "sweet
+kiss" from Salomy Jane, which she had yielded in a sense of honor and
+fair play. She had never been kissed like this before--she would never
+again; and yet the man was alive! And behold, she could see in the
+mirror that she was blushing!
+
+She should hardly know him again. A young man with very bright eyes,
+a flushed and sunburnt cheek, a kind of fixed look in the face, and
+no beard; no, none that she could feel. Yet he was not at all like
+Reuben, not a bit. She took Reuben's picture from the window, and
+laid it on her work-box. And to think she did not even know this young
+man's name! That was queer. To be kissed by a man whom she might never
+know! Of course he knew hers. She wondered if he remembered it and
+her. But of course he was so glad to get off with his life that he
+never thought of anything else. Yet she did not give more than four or
+five minutes to these speculations, and, like a sensible girl, thought
+of something else. Once again, however, in opening the closet, she
+found the brown holland gown she had worn on the day before; thought
+it very unbecoming, and regretted that she had not worn her best gown
+on her visit to Red Pete's cottage. On such an occasion she really
+might have been more impressive.
+
+
+
+
+THE KISS REPEATED
+
+[Illustration]
+
+
+
+
+
+III
+
+
+When her father came home that night she asked him the news. No, they
+had _not_ captured the second horse-thief, who was still at large.
+Judge Boompointer talked of invoking the aid of the despised law. It
+remained, then, to see whether the horse-thief was fool enough to try
+to get rid of the animal. Red Pete's body had been delivered to his
+widow. Perhaps it would only be neighborly for Salomy Jane to ride
+over to the funeral. But Salomy Jane did not take to the suggestion
+kindly, nor yet did she explain to her father that, as the other man
+was still living, she did not care to undergo a second disciplining
+at the widow's hands. Nevertheless, she contrasted her situation with
+that of the widow with a new and singular satisfaction. It might have
+been Red Pete who had escaped. But he had not the grit of the nameless
+one. She had already settled his heroic quality.
+
+"Ye ain't harkenin' to me, Salomy."
+
+Salomy Jane started.
+
+"Here I'm askin' ye if ye've see that hound Phil Larrabee sneaking by
+yer to-day?"
+
+Salomy Jane had not. But she became interested and self-reproachful
+for she knew that Phil Larrabee was one of her father's enemies. "He
+wouldn't dare to go by here unless he knew you were out," she said
+quickly.
+
+"That's what gets me," he said, scratching his grizzled head. "I've
+been kind o' thinkin' o' him all day, and one of them Chinamen said he
+saw him at Sawyer's Crossing. He was a kind of friend o' Pete's wife.
+That's why I thought yer might find out ef he'd been there." Salomy
+Jane grew more self-reproachful at her father's self-interest in her
+"neighborliness." "But that ain't all," continued Mr. Clay. "Thar was
+tracks over the far pasture that warn't mine. I followed them, and
+they went round and round the house two or three times, ez ef they
+mout hev bin prowlin', and then I lost 'em in the woods again. It's
+just like that sneakin' hound Larrabee to hev bin lyin' in wait for me
+and afraid to meet a man fair and square in the open."
+
+"You just lie low, dad, for a day or two more, and let me do a little
+prowlin'," said the girl, with sympathetic indignation in her dark
+eyes. "Ef it's that skunk, I'll spot him soon enough and let you know
+whar he's hiding."
+
+"You'll just stay where ye are, Salomy," said her father decisively.
+"This ain't no woman's work--though I ain't sayin' you haven't got
+more head for it than some men I know." Nevertheless, that night,
+after her father had gone to bed, Salomy Jane sat by the open window
+of the sitting-room in an apparent attitude of languid contemplation,
+but alert and intent of eye and ear. It was a fine moonlit night. Two
+pines near the door, solitary pickets of the serried ranks of distant
+forest, cast long shadows like paths to the cottage, and sighed their
+spiced breath in the windows. For there was no frivolity of vine or
+flower round Salomy Jane's bower. The clearing was too recent, the
+life too practical for vanities like these. But the moon added a vague
+elusiveness to everything, softened the rigid outlines of the sheds,
+gave shadows to the lidless windows, and touched with merciful
+indirectness the hideous debris of refuse gravel and the gaunt scars
+of burnt vegetation before the door. Even Salomy Jane was affected by
+it, and exhaled something between a sigh and a yawn with the breath of
+the pines. Then she suddenly sat upright.
+
+Her quick ear had caught a faint "click, click," in the direction
+of the wood; her quicker instinct and rustic training enabled her to
+determine that it was the ring of a horse's shoe on flinty ground;
+her knowledge of the locality told her it came from the spot where
+the trail passed over an outcrop of flint scarcely a quarter of a mile
+from where she sat, and within the clearing. It was no errant "stock,"
+for the foot was _shod_ with iron; it was a mounted trespasser by
+night, and boded no good to a man like Clay.
+
+She rose, threw her shawl over her head, more for disguise than
+shelter, and passed out of the door. A sudden impulse made her seize
+her father's shotgun from the corner where it stood,--not that she
+feared any danger to herself, but that it was an excuse. She made
+directly for the wood, keeping in the shadow of the pines as long as
+she could. At the fringe she halted; whoever was there must pass her
+before reaching the house.
+
+Then there seemed to be a suspense of all nature. Everything was
+deadly still--even the moonbeams appeared no longer tremulous; soon
+there was a rustle as of some stealthy animal among the ferns,
+and then a dismounted man stepped into the moonlight. It was the
+horse-thief--the man she had kissed!
+
+For a wild moment a strange fancy seized her usually sane intellect
+and stirred her temperate blood. The news they had told her was _not_
+true; he had been hung, and this was his ghost! He looked as white and
+spirit-like in the moonlight, dressed in the same clothes, as when she
+saw him last. He had evidently seen her approaching, and moved quickly
+to meet her. But in his haste he stumbled slightly; she reflected
+suddenly that ghosts did not stumble, and a feeling of relief came
+over her. And it was no assassin of her father that had been prowling
+around--only this unhappy fugitive. A momentary color came into her
+cheek; her coolness and hardihood returned; it was with a tinge of
+sauciness in her voice that she said:--
+
+"I reckoned you were a ghost."
+
+"I mout have been," he said, looking at her fixedly; "but I reckon I'd
+have come back here all the same."
+
+"It's a little riskier comin' back alive," she said, with a levity
+that died on her lips, for a singular nervousness, half fear and half
+expectation, was beginning to take the place of her relief of a moment
+ago. "Then it was _you_ who was prowlin' round and makin' tracks in
+the far pasture?"
+
+"Yes; I came straight here when I got away."
+
+She felt his eyes were burning her, but did not dare to raise her own.
+"Why," she began, hesitated, and ended vaguely. "_How_ did you get
+here?"
+
+"You helped me!"
+
+"I?"
+
+"Yes. That kiss you gave me put life into me--gave me strength to get
+away. I swore to myself I'd come back and thank you, alive or dead."
+
+Every word he said she could have anticipated, so plain the situation
+seemed to her now. And every word he said she knew was the truth. Yet
+her cool common sense struggled against it.
+
+"What's the use of your escaping, ef you're comin' back here to be
+ketched again?" she said pertly.
+
+He drew a little nearer to her, but seemed to her the more awkward as
+she resumed her self-possession. His voice, too, was broken, as if by
+exhaustion, as he said, catching his breath at intervals:--
+
+"I'll tell you. You did more for me than you think. You made another
+man o' me. I never had a man, woman, or child do to me what you did.
+I never had a friend--only a pal like Red Pete, who picked me up 'on
+shares.' I want to quit this yer--what I'm doin'. I want to begin by
+doin' the square thing to you"--He stopped, breathed hard, and then
+said brokenly, "My hoss is over thar, staked out. I want to give him
+to you. Judge Boompointer will give you a thousand dollars for him. I
+ain't lyin'; it's God's truth! I saw it on the handbill agin a tree.
+Take him, and I'll get away afoot. Take him. It's the only thing I can
+do for you, and I know it don't half pay for what you did. Take it;
+your father can get a reward for you, if you can't."
+
+Such were the ethics of this strange locality that neither the man who
+made the offer nor the girl to whom it was made was struck by anything
+that seemed illogical or indelicate, or at all inconsistent with
+justice or the horse-thief's real conversion. Salomy Jane nevertheless
+dissented, from another and weaker reason.
+
+"I don't want your hoss, though I reckon dad might; but you're just
+starvin'. I'll get suthin'." She turned towards the house.
+
+"Say you'll take the hoss first," he said, grasping her hand. At
+the touch she felt herself coloring and struggled, expecting perhaps
+another kiss. But he dropped her hand. She turned again with a saucy
+gesture, said, "Hol' on; I'll come right back," and slipped away,
+the mere shadow of a coy and flying nymph in the moonlight, until she
+reached the house.
+
+Here she not only procured food and whiskey, but added a long
+dust-coat and hat of her father's to her burden. They would serve
+as a disguise for him and hide that heroic figure, which she
+thought everybody must now know as she did. Then she rejoined him
+breathlessly. But he put the food and whiskey aside.
+
+"Listen," he said; "I've turned the hoss into your corral. You'll find
+him there in the morning, and no one will know but that he got lost
+and joined the other hosses."
+
+Then she burst out. "But you--_you_--what will become of you? You'll
+be ketched!"
+
+"I'll manage to get away," he said in a low voice, "ef--ef"--
+
+"Ef what?" she said tremblingly.
+
+"Ef you'll put the heart in me again,--as you did!" he gasped.
+
+She tried to laugh--to move away. She could do neither. Suddenly he
+caught her in his arms, with a long kiss, which she returned again and
+again. Then they stood embraced as they had embraced two days before,
+but no longer the same. For the cool, lazy Salomy Jane had been
+transformed into another woman--a passionate, clinging savage. Perhaps
+something of her father's blood had surged within her at that supreme
+moment. The man stood erect and determined.
+
+"Wot's your name?" she whispered quickly. It was a woman's quickest
+way of defining her feelings.
+
+"Dart."
+
+"Yer first name?"
+
+"Jack."
+
+"Let me go now, Jack. Lie low in the woods till to-morrow sunup. I'll
+come again."
+
+He released her. Yet she lingered a moment. "Put on those things," she
+said, with a sudden happy flash of eyes and teeth, "and lie close till
+I come." And then she sped away home.
+
+But midway up the distance she felt her feet going slower, and
+something at her heartstrings seemed to be pulling her back. She
+stopped, turned, and glanced to where he had been standing. Had she
+seen him then, she might have returned. But he had disappeared. She
+gave her first sigh, and then ran quickly again. It must be nearly ten
+o'clock! It was not very long to morning!
+
+She was within a few steps of her own door, when the sleeping woods
+and silent air appeared to suddenly awake with a sharp "crack!"
+
+She stopped, paralyzed. Another "crack!" followed, that echoed over to
+the far corral. She recalled herself instantly and dashed off wildly
+to the woods again.
+
+As she ran she thought of one thing only. He had been "dogged" by one
+of his old pursuers and attacked. But there were two shots, and he was
+unarmed. Suddenly she remembered that she had left her father's gun
+standing against the tree where they were talking. Thank God! she may
+again have saved him. She ran to the tree; the gun was gone. She ran
+hither and thither, dreading at every step to fall upon his lifeless
+body. A new thought struck her; she ran to the corral. The horse was
+not there! He must have been able to regain it, and escaped, _after_
+the shots had been fired. She drew a long breath of relief, but it was
+caught up in an apprehension of alarm. Her father, awakened from his
+sleep by the shots, was hurriedly approaching her.
+
+"What's up now, Salomy Jane?" he demanded excitedly.
+
+"Nothin'," said the girl with an effort. "Nothin', at least, that _I_
+can find." She was usually truthful because fearless, and a lie stuck
+in her throat; but she was no longer fearless, thinking of _him_. "I
+wasn't abed; so I ran out as soon as I heard the shots fired," she
+answered in return to his curious gaze.
+
+"And you've hid my gun somewhere where it can't be found," he said
+reproachfully. "Ef it was that sneak Larrabee, and he fired them shots
+to lure me out, he might have potted me, without a show, a dozen times
+in the last five minutes."
+
+She had not thought since of her father's enemy! It might indeed
+have been he who had attacked Jack. But she made a quick point of the
+suggestion. "Run in, dad, run in and find the gun; you've got no show
+out here without it." She seized him by the shoulders from behind,
+shielding him from the woods, and hurried him, half expostulating,
+half struggling, to the house.
+
+But there no gun was to be found. It was strange; it must have been
+mislaid in some corner! Was he sure he had not left it in the barn?
+But no matter now. The danger was over; the Larrabee trick had failed;
+he must go to bed now, and in the morning they would make a search
+together. At the same time she had inwardly resolved to rise before
+him and make another search of the wood, and perhaps--fearful joy as
+she recalled her promise!--find Jack alive and well, awaiting her!
+
+
+
+
+ANOTHER ESCAPE
+
+[Illustration]
+
+
+
+
+IV
+
+
+Salomy Jane slept little that night, nor did her father. But towards
+morning he fell into a tired man's slumber until the sun was well up
+the horizon. Far different was it with his daughter: she lay with her
+face to the window, her head half lifted to catch every sound, from
+the creaking of the sun-warped shingles above her head to the far-off
+moan of the rising wind in the pine trees. Sometimes she fell into
+a breathless, half-ecstatic trance, living over every moment of the
+stolen interview; feeling the fugitive's arm still around her, his
+kisses on her lips; hearing his whispered voice in her ears--the birth
+of her new life! This was followed again by a period of agonizing
+dread--that he might even then be lying, his life ebbing away, in the
+woods, with her name on his lips, and she resting here inactive, until
+she half started from her bed to go to his succor. And this went on
+until a pale opal glow came into the sky, followed by a still paler
+pink on the summit of the white Sierras, when she rose and hurriedly
+began to dress. Still so sanguine was her hope of meeting him, that
+she lingered yet a moment to select the brown holland skirt and yellow
+sunbonnet she had worn when she first saw him. And she had only seen
+him twice! Only _twice_! It would be cruel, too cruel, not to see him
+again!
+
+She crept softly down the stairs, listening to the long-drawn
+breathing of her father in his bedroom, and then, by the light of a
+guttering candle, scrawled a note to him, begging him not to trust
+himself out of the house until she returned from her search, and
+leaving the note open on the table, swiftly ran out into the growing
+day.
+
+Three hours afterwards Mr. Madison Clay awoke to the sound of loud
+knocking. At first this forced itself upon his consciousness as his
+daughter's regular morning summons, and was responded to by a grunt of
+recognition and a nestling closer in the blankets. Then he awoke with
+a start and a muttered oath, remembering the events of last night, and
+his intention to get up early, and rolled out of bed. Becoming aware
+by this time that the knocking was at the outer door, and hearing the
+shout of a familiar voice, he hastily pulled on his boots, his jean
+trousers, and fastening a single suspender over his shoulder as he
+clattered downstairs, stood in the lower room. The door was open,
+and waiting upon the threshold was his kinsman, an old ally in many a
+blood-feud--Breckenridge Clay!
+
+"You _are_ a cool one, Mad!" said the latter in half-admiring
+indignation.
+
+"What's up?" said the bewildered Madison.
+
+"_You_ ought to be, and scootin' out o' this," said Breckenridge
+grimly. "It's all very well to 'know nothin';' but here Phil
+Larrabee's friends hev just picked him up, drilled through with slugs
+and deader nor a crow, and now they're lettin' loose Larrabee's two
+half-brothers on you. And you must go like a derned fool and leave
+these yer things behind you in the bresh," he went on querulously,
+lifting Madison Clay's dust-coat, hat, and shotgun from his horse,
+which stood saddled at the door. "Luckily I picked them up in the
+woods comin' here. Ye ain't got more than time to get over the state
+line and among your folks thar afore they'll be down on you. Hustle,
+old man! What are you gawkin' and starin' at?"
+
+Madison Clay had stared amazed and bewildered--horror-stricken.
+The incidents of the past night for the first time flashed upon him
+clearly--hopelessly! The shot; his finding Salomy Jane alone in
+the woods; her confusion and anxiety to rid herself of him; the
+disappearance of the shotgun; and now this new discovery of the taking
+of his hat and coat for a disguise! _She_ had killed Phil Larrabee
+in that disguise, after provoking his first harmless shot! She, his
+own child, Salomy Jane, had disgraced herself by a man's crime; had
+disgraced him by usurping his right, and taking a mean advantage, by
+deceit, of a foe!
+
+"Gimme that gun," he said hoarsely.
+
+Breckenridge handed him the gun in wonder and slowly gathering
+suspicion. Madison examined nipple and muzzle; one barrel had been
+discharged. It was true! The gun dropped from his hand.
+
+"Look here, old man," said Breckenridge, with a darkening face,
+"there's bin no foul play here. Thar's bin no hiring of men, no deputy
+to do this job. _You_ did it fair and square--yourself?"
+
+"Yes, by God!" burst out Madison Clay in a hoarse voice. "Who says I
+didn't?"
+
+Reassured, yet believing that Madison Clay had nerved himself for
+the act by an over-draught of whiskey, which had affected his memory,
+Breckenridge said curtly, "Then wake up and 'lite' out, ef ye want me
+to stand by you."
+
+"Go to the corral and pick me out a hoss," said Madison slowly, yet
+not without a certain dignity of manner. "I've suthin' to say to
+Salomy Jane afore I go." He was holding her scribbled note, which he
+had just discovered, in his shaking hand.
+
+Struck by his kinsman's manner, and knowing the dependent relations
+of father and daughter, Breckenridge nodded and hurried away. Left
+to himself, Madison Clay ran his fingers through his hair, and
+straightened out the paper on which Salomy Jane had scrawled her note,
+turned it over, and wrote on the back:--
+
+ You might have told me you did it, and not leave your ole
+ father to find it out how you disgraced yourself and him, too,
+ by a low-down, underhanded, woman's trick! I've said I done
+ it, and took the blame myself, and all the sneakiness of it
+ that folks suspect. If I get away alive--and I don't care much
+ which--you needn't foller. The house and stock are yours; but
+ you ain't any longer the daughter of your disgraced father,
+
+ MADISON CLAY.
+
+He had scarcely finished the note when, with a clatter of hoofs and a
+led horse, Breckenridge reappeared at the door elate and triumphant.
+"You're in nigger luck, Mad! I found that stole hoss of Judge
+Boompointer's had got away and strayed among your stock in the corral.
+Take him and you're safe; he can't be outrun this side of the state
+line."
+
+"I ain't no hoss-thief," said Madison grimly.
+
+"Nobody sez ye are, but you'd be wuss--a fool--ef you didn't take him.
+I'm testimony that you found him among your hosses; I'll tell Judge
+Boompointer you've got him, and ye kin send him back when you're safe.
+The judge will be mighty glad to get him back, and call it quits. So
+ef you've writ to Salomy Jane, come."
+
+Madison Clay no longer hesitated. Salomy Jane might return at any
+moment,--it would be part of her "fool womanishness,"--and he was
+in no mood to see her before a third party. He laid the note on
+the table, gave a hurried glance around the house, which he grimly
+believed he was leaving forever, and, striding to the door, leaped on
+the stolen horse, and swept away with his kinsman.
+
+But that note lay for a week undisturbed on the table in full view of
+the open door. The house was invaded by leaves, pine cones, birds,
+and squirrels during the hot, silent, empty days, and at night by shy,
+stealthy creatures, but never again, day or night, by any of the Clay
+family. It was known in the district that Clay had flown across the
+state line, his daughter was believed to have joined him the next day,
+and the house was supposed to be locked up. It lay off the main road,
+and few passed that way. The starving cattle in the corral at last
+broke bounds and spread over the woods. And one night a stronger blast
+than usual swept through the house, carried the note from the table
+to the floor, where, whirled into a crack in the flooring, it slowly
+rotted.
+
+But though the sting of her father's reproach was spared her, Salomy
+Jane had no need of the letter to know what had happened. For as she
+entered the woods in the dim light of that morning she saw the figure
+of Dart gliding from the shadow of a pine towards her. The unaffected
+cry of joy that rose from her lips died there as she caught sight of
+his face in the open light.
+
+"You are hurt," she said, clutching his arm passionately.
+
+"No," he said. "But I wouldn't mind that if"--
+
+"You're thinkin' I was afeard to come back last night when I heard the
+shootin', but I _did_ come," she went on feverishly. "I ran back here
+when I heard the two shots, but you were gone. I went to the corral,
+but your hoss wasn't there, and I thought you'd got away."
+
+"I _did_ get away," said Dart gloomily. "I killed the man, thinkin'
+he was huntin' _me_, and forgettin' I was disguised. He thought I was
+your father."
+
+"Yes," said the girl joyfully, "he was after dad, and _you_--you
+killed him." She again caught his hand admiringly.
+
+But he did not respond. Possibly there were points of honor which this
+horse-thief felt vaguely with her father. "Listen," he said grimly.
+"Others think it was your father killed him. When _I_ did it--for
+he fired at me first--I ran to the corral again and took my hoss,
+thinkin' I might be follered. I made a clear circuit of the house,
+and when I found he was the only one, and no one was follerin', I come
+back here and took off my disguise. Then I heard his friends find him
+in the wood, and I know they suspected your father. And then another
+man come through the woods while I was hidin' and found the clothes
+and took them away." He stopped and stared at her gloomily.
+
+But all this was unintelligible to the girl. "Dad would have got
+the better of him ef you hadn't," she said eagerly, "so what's the
+difference?"
+
+"All the same," he said gloomily, "I must take his place."
+
+She did not understand, but turned her head to her master. "Then
+you'll go back with me and tell him _all_?" she said obediently.
+
+"Yes," he said.
+
+She put her hand in his, and they crept out of the wood together. She
+foresaw a thousand difficulties, but, chiefest of all, that he did not
+love as she did. _She_ would not have taken these risks against their
+happiness.
+
+But alas for ethics and heroism. As they were issuing from the wood
+they heard the sound of galloping hoofs, and had barely time to
+hide themselves before Madison Clay, on the stolen horse of Judge
+Boompointer, swept past them with his kinsman.
+
+Salomy Jane turned to her lover.
+
+ * * * * *
+
+And here I might, as a moral romancer, pause, leaving the guilty,
+passionate girl eloped with her disreputable lover, destined to
+lifelong shame and misery, misunderstood to the last by a criminal,
+fastidious parent. But I am confronted by certain facts, on which this
+romance is based. A month later a handbill was posted on one of the
+sentinel pines, announcing that the property would be sold by auction
+to the highest bidder by Mrs. John Dart, daughter of Madison Clay,
+Esq., and it was sold accordingly. Still later--by ten years--the
+chronicler of these pages visited a certain "stock" or "breeding
+farm," in the "Blue Grass Country," famous for the popular racers
+it has produced. He was told that the owner was the "best judge of
+horse-flesh in the country." "Small wonder," added his informant, "for
+they say as a young man out in California he was a horse-thief, and
+only saved himself by eloping with some rich farmer's daughter. But
+he's a straight-out and respectable man now, whose word about horses
+can't be bought; and as for his wife, _she_'s a beauty! To see her at
+the 'Springs,' rigged out in the latest fashion, you'd never think
+she had ever lived out of New York or wasn't the wife of one of its
+millionaires."
+
+
+The Riverside Press
+
+CAMBRIDGE. MASSACHUSETTS
+
+U.S.A
+
+
+
+
+
+
+
+End of the Project Gutenberg EBook of Salomy Jane, by Bret Harte
+
+*** END OF THIS PROJECT GUTENBERG EBOOK SALOMY JANE ***
+
+***** This file should be named 15192.txt or 15192.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/1/5/1/9/15192/
+
+Produced by Audrey Longhurst, William Flis, and the PG Online
+Distributed Proofreading Team.
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.