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+The Project Gutenberg eBook, Punch, or the London Charivari, Vol. 103,
+October 1, 1892, by Various, Edited by F. C. Burnand
+
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+
+
+
+Title: Punch, or the London Charivari, Vol. 103, October 1, 1892
+
+
+Author: Various
+
+Release Date: March 22, 2005 [eBook #15439]
+
+Language: English
+
+Character set encoding: ISO-646-US (US-ASCII)
+
+
+***START OF THE PROJECT GUTENBERG EBOOK PUNCH, OR THE LONDON CHARIVARI,
+VOL. 103, OCTOBER 1, 1892***
+
+
+E-text prepared by Malcolm Farmer, William Flis, and the Project Gutenberg
+Online Distributed Proofreading Team
+
+
+
+Note: Project Gutenberg also has an HTML version of this
+ file which includes the original illustrations.
+ See 15439-h.htm or 15439-h.zip:
+ (https://www.gutenberg.org/dirs/1/5/4/3/15439/15439-h/15439-h.htm)
+ or
+ (https://www.gutenberg.org/dirs/1/5/4/3/15439/15439-h.zip)
+
+
+
+
+
+PUNCH, OR THE LONDON CHARIVARI
+
+VOL. 103
+
+OCTOBER 1, 1892
+
+
+
+
+
+
+
+"STUMPED!"
+
+(_A WOULD-BE LAUDATORY ODE. BY JINGLE JUNIOR._)
+
+ [The young Indian Gentleman, Mr. H. RANJITSINHJI, has "secured
+ his century" at Cricket no less than eleven times this
+ season.]
+
+ O H.S. RANJIT--(spelling a wild venture is!)
+ Wielder of willow, runner-up of "centuries"!
+ What's in a name? A name like RANJITSIN--
+ (_Can't_ finish it, was foolish to begin!)
+ How many miles was it you ran, O RAN--
+ (Bowled out again. Am sorry I began!)
+ In running out those hundreds, RANJITSINGHJ--
+ (A man were a patched fool, a perfect ninny,
+ Who'd try to spell that name, Ask _Bully Bottom!_)
+ With such a name to carry, how you got 'em,
+ O RANJ--(that sounds like Orange!)--those same "notches"
+ Is quite a wonder. Were they "bowls" or "cotches"
+ That got you out at last, those times eleven?
+ (Where is GRACE now? He has not scored _one_ even,
+ This season, though as close as ninety-nine to it.)
+ Applause has greeted you; let me add mine to it,
+ O RAN-JIT-SIN-HJI! (Those last three letters
+ What _do_ they spell?) Orthography's cold fetters
+ Shan't chill my admiration, smart young Hindoo!
+ Say, did you smite a sixer through a window,
+ Like Slogger THORNTON in _his_ boyish prime,
+ O RANJITSINHJI? Got it this time!
+ That is, it _spelt_ all right. E'en admiration
+ Shan't tempt me to attempt _pronunciation_!
+ Eleven centuries we to Indian skill owe!
+ Will the East lick the West at its own "Willow?"
+ Here's luck to India and young RAN--Och, murther!
+ RAN-JIT-SIN-SIN--How's that! _Out_? Can't get further!
+ * * * * *
+
+"OH NO, WE NEVER MENTION IT."--The KENDALS have got a Play by a young
+American Author with the very uncompromising name of DAM. He, or his
+Play, may be Dam good, or just the reverse: still, if he does turn out
+to be the "big, big D," then all the Dam family, such as Amsterdam,
+Rotterdam, Schiedam, and so forth, will be real proud of him. Future
+Dams will revere him as their worthy ancestral sire, and American
+Dam may become naturalised among us (we have a lot of English ones
+quite a _specialite_ in that line, so the French say), and become
+Dam-nationalised. What fame if the piece is successful, and DAM is
+on every tongue! So will it be too, if unsuccessful. Englishmen will
+welcome the new American playright with the name unmentionable to
+ears polite, and will recognise in him, as _the_ Dam _par excellence_,
+their brother, as one of the uncommon descendants of A-DAM. By the
+way, the appropriate night for its production would be Christmas
+Eve. Fancy the cries all over the House, calling for the successful
+Author!!
+
+ * * * * *
+
+[Illustration: IMMUNITIES OF THE SEA-SIDE.
+
+"COME UNDER THE UMBRELLA, JACK, IT'S BEGUN TO RAIN, AND YOU'LL CATCH
+COLD, AND MAMMA'LL BE VEXED!"
+
+"POOH! AS IF SALT WATER EVER GAVE ONE COLD!"]
+
+ * * * * *
+
+"PUNSCH"
+
+(_IN THE READING-ROOM OF THE BERNERHOF._)
+
+ Although thy name is wrongly spelt
+ Upon thy case, what joy I felt
+ To find a place where thou hast dwelt,
+ My Punsch!
+
+ Yet wit and wisdom, even thine,
+ Can't wake up Berne, where folks supine
+ All go to bed at half-past nine,
+ My Punsch!
+
+ What art or jokes could entertain,
+ Such sleepy people? True, they feign
+ It's later, for they say "_halb zehn_,"
+ My Punsch!
+
+ My German "_Punsch_," what gender thine?
+ They who accept, likewise decline,
+ "_Das Weib_" might feminine assign--
+ Die Punsch!
+
+ No matter which, if I behold
+ Thy pages, worth their weight in gold--
+ It's true they're more than three weeks old,
+ My Punsch!
+
+ * * * * *
+
+AN ODD FELLOW OUT.--The Church-breaking thief (_vide_ the _Standard's_
+provincial news) who was arrested at Oswestry (fitting that a
+Church-thief should have been arrested by Os-Westry-men--which sounds
+like a body of mounted ecclesiastical police), explained that he was
+a "monumental mason of Dublin." Perhaps the Jury will find him
+monu-mentally deranged.
+
+ * * * * *
+
+HEALTH AND HOPPINESS.
+
+ [It is reported that the latest move is for ladies to combine
+ profit and pleasure by going "hopping."]
+
+ Fair Woman longs for novelty,
+ Her daily task is apt to cloy her,
+ The pastimes that were wont to be
+ Diverting now do but annoy her.
+ The common joys of life are spent
+ So tired of tennis, shooting, shopping,
+ She turns in her despair to Kent,
+ And tries her 'prentice hand at hopping.
+
+ Now girls whom you would scarce believe
+ Would not turn up their nose at soiling
+ Their dainty hands, to dewy eve
+ From early morn keep ever toiling.
+ There's ETHEL of the golden hair
+ Who flutters through existence gaily
+ (Her father is a millionnaire),
+ Hops hard and does her twelve hours daily.
+
+ Then pretty MAUD, with laughing eyes,
+ Who hardly knew what daily wage meant,
+ To everybody's great surprise
+ Proceeds to cut this, that engagement.
+ Amid the vines she daily goes,
+ And picks till weary fingers tingle,
+ The sweetest music now she knows
+ Is hearing hard-earned sovereigns jingle.
+
+ This latest move, it's very true,
+ Appears to be a rather rum thing,
+ But yet for idle hands to do
+ We know that Someone will find something.
+ Will fashionable hopping last?
+ Well, this it's safe to lay your cash on,
+ Before another year has passed
+ There'll be another female fashion.
+
+ * * * * *
+
+VIVE LA RAIN DU BALLET A L'ALHAMBRA!--"Certainly," says MR. JOHN
+HOLLINGSHEAD, "Ve've la rain. It comes pouring down on the stage, and
+the people come pouring in to see it. I suppose," says he, "they'll
+now call me 'The Wetter'un?" The ballet is very effective, not a drop
+too much, and "not a drop in the business" in front of the house,
+though there is, as is evident, on the stage. If Manager JOHN liked
+to quote SHAKSPEARE with a difference, in his advertisements, he might
+say, "With a hey, ho, the Wind and the Rain! For the Rain it raineth
+every night!" For some time to come this show will be the raining
+favourite at the Alhambra. By the way, the _Sheffield Telegraph_,
+describing the alterations and improvements in front at the Alhambra,
+wrote--"The ceiling has been bevelled with porous plasters so as to
+hide the girders." We know that hand:--it's Our "Mrs. RAMSBOTHAM,"
+and she "comes from Sheffield." However, "porous plasters" would be
+another attraction at the Alhambra, or anywhere, as they certainly
+ought to _draw_.
+
+ * * * * *
+
+LADY GAY'S SELECTIONS.
+
+_Mount Street, Grosvenor Square_.
+
+DEAR MR. PUNCH,
+
+Unlucky Leicester was even more unlucky than usual--and when the big
+race was run last Wednesday, so thick was the rain, that the horses
+could only be seen for the last half mile! Of course this made all
+the difference to the horse I selected--_Windgall_--who finished
+second;--as he only gives his _best_ performances _in public_, and
+as he doubtless _knew he couldn't be seen_, he thought it was only a
+private trial until he got close home, when his gallant effort was too
+late to be of any use!--at least, this is how _I_ read the result of
+the race, and who can know more about a horse than the racing-prophet,
+I should like to know?
+
+I was told by Sir WALTER GREENINGTON, that the public "tumbled over
+each other" to back _Breach_, but I must say I didn't notice anything
+of the sort, and it was not the kind of day anyone would choose for
+a roll on the turf, the state of which was detrimental to any kind of
+_Breach_!--The believers in "coincidences"--(of which I need hardly
+say _I_ am one--a coincidence being a truly feminine reason for
+backing a horse)--had no option but to back the winner, _Rusticus_;
+as he drew the same berth he occupied in last year's race, which he
+alsop--(I mean also)--won for Mr. HAMAR BASS!--_Stuart_ was a great
+eleventh hour tip--(why _eleventh_ hour I wonder?--more than any
+other--and who fixes the precise moment when the _eleventh_ hour
+commences?)--but history tells us the STUARTS were mostly unreliable;
+and though I am told he ran a "great horse"--I thought him rather on
+the small side myself!
+
+I hear that Mr. LEONARD BOYNE has received a "licence to ride" from
+the Jockey Club, and that his ambition is to ride the winner of the
+"Grand National"--to which end he has started "schooling" a well-known
+chaser over the private training-ground in Drury Lane, belonging to
+Sir AUGUSTUS HARRIS--if he hopes to escape observation by training
+at night, I fear his design will be frustrated, as, on the evening, I
+went to witness this "new departure" in training, I found most of the
+London racing-touts present, with the inevitable field-glasses!
+
+Next week sees us once more at our beloved Newmarket First
+October--(this is a Jockey-Club joke, as the meeting _always_ takes
+place in _September_! But what does a little paradox of this kind
+matter to such an _August_ body!)--and I shall append my selection
+for the most important race of Wednesday, but I also wish to give a
+hint to the "Worldly Wise" not to miss the October Handicap, or the
+match, for which _Buccaneer_ will be favourite at the "fall of the
+flag!"--(The flag may _fall_, but such a _Buccaneer_ as this is will
+never "strike his flag" I feel sure!) Being absolutely overloaded
+with prophecy, I must also have a word to say on the Rutland
+Plate, which aristocratically-named race could only be won by the
+aristocratically-named _Buckingham_!--Yours devotedly, LADY GAY.
+
+GREAT-EASTERN RAILWAY HANDICAP SELECTION:--
+
+ Though good his chance to win the prize,
+ "Lord HENRY" soon detected,
+ That greatest danger would arise,
+ From Colonel NORTH's "_Selected._"
+
+ * * * * *
+
+[Illustration: "THE PERI AT THE ACADEMY GATES."
+
+"On July 4th, Lieutenant PEARY, in his great sledge journey, commenced
+on May 15th last, in Greenland, came on a glacier which he named The
+Academy Glacier."--_Times_.]
+
+ * * * * *
+
+SWORD AND PEN.
+
+A FABLE.
+
+(_TRANSLATED FROM THE RUSSO-FRENCH._)
+
+Pen was a busy personage. He was flying from place to place, and
+had much importance. He was pompous and mysterious, and puzzled many
+people. Pen was accompanied by a sheet of paper that he called Treaty.
+Pen took Treaty everywhere. To Russia, to France, to Rome, and to
+Turkey. No one knew exactly what Treaty was like. Pen said he was
+satisfied with Treaty, and as Pen and Treaty were such constant
+companions, Pen's word on the subject was accepted as authentic.
+
+But one fine day there was a breeze, and Treaty was blown away by the
+wind.
+
+"Can I not assist?" asked Pen. "Things seem to have gone wrong."
+
+"No, thanks," replied Sword, grimly; "when it comes to close quarters,
+we find ink not quite so useful as gunpowder!"
+
+ * * * * *
+
+SUGGESTION FOR AN OUTSIDE ADVERTISEMENT TO BE DISPLAYED AT THE DOOR OF
+THE STRAND THEATER.--"_Niobe_ all tiers" (full).
+
+ * * * * *
+
+BRIEF INTERVIEW.
+
+"And," asked our deferential Interviewer, "what did your Lordship
+reply to the deputation about Uganda?"
+
+Lord ROSEBERY at once answered, "I said little, but I--"
+
+"_Ment-more_," interrupted the Private Secretary, sticking a label on
+his Lordship's travelling bag.
+
+"Quite so," said Lord ROSEBERY, and off he went.
+
+ * * * * *
+
+BAD FOR WOULD-BE "ENGLISH WIVES"--It is reported that "Yankee Girls
+and American Belles were the feature of the Miscellaneous Market."
+This should put our young men on their mettle--tin, of course, for
+choice. No reasonable offer refused.
+
+ * * * * *
+
+[Illustration: "HOW IT'S DONE!"
+
+(_Hard on Sketchley, who was there at the time and in the thick of it,
+and has just had his Picture photographed._)
+
+"OH! MR. SKETCHLEY, HOW CLEVER OF YOU TO PAINT SUCH A LARGE PICTURE
+FROM SUCH A SMALL PHOTOGRAPH!"]
+
+ * * * * *
+
+LAYS OF MODERN HOME.
+
+NO. V.--MY BUTTONS!
+
+[Illustration]
+
+ It wasn't that he blacked the plate
+ And rouged the boots, and breathed, half-choking,
+ Half-snorting, when he leaned to wait;
+ Although these habits _are_ provoking.
+
+ It wasn't that he sang his fill,
+ Although his mouth with food was giving;
+ This latter, as a feat of skill,
+ Might have procured the lad a living.
+
+ It wasn't that he'd purchase hosts
+ Of squibs and sweets to mess the pantry;
+ That horrid boy, and broomstick-ghosts
+ On timid JANE would oft, and ANN try.
+
+ These petty peccadilloes might
+ Have all improved with careful training.--
+ It was his shameless appetite
+ That gave us cause for most complaining.
+
+ He swilled and stuffed as never mere
+ Adult voracity can own to;
+ He was a "growing boy," I fear;
+ I wonder much what he has grown to!
+
+ He wore away our forks and spoons
+ With hard, incessant gormandizing;
+ The Baker's, and, for some blue moons,
+ The Milkman's bill were quite surprising.
+
+[Illustration]
+
+ He cost us more in Butcher's meat
+ And Grocer's tea, and things from Cutlers,
+ He cost, I solemnly repeat,
+ Far more than two or three big Butlers.
+
+ And thus his fat increased until't
+ Became a show that sight bewilders;
+ We trembled for our mansion built,
+ You see, by noted Jerry-builders.
+
+ At length (you'll scarce the fact believe)
+ One evening, as we sat at dinner,
+ And strove our senses to deceive
+ By just imagining him thinner;
+
+ We heard a crack, a burst, a groan,
+ We felt a broadside round us battered,
+ We _saw_ his buttons fiercely blown
+ About our heads, and piecemeal scattered!
+
+ The suit had split; the boy was bare
+ Of clothes designed to last for ages;
+ We gave him notice then and there--
+ This _volume_, so to speak, of pages!
+
+ * * * * *
+
+SONG TO BE SUNG IN HAYMARKET ORCHESTRA DURING OVERTURE.--"Oh, why
+should we wait till to-morrow? See _Queen of Manoa_ to-night!"
+
+ * * * * *
+
+ON A GUERNSEY EXCURSION CAR.
+
+ _The car, drawn by four horses, and crowded with Excursionists
+ on pleasure bent, is toiling up the steep streets of St. Peter
+ Port, when it comes to a sudden halt._
+
+[Illustration: "Endeavours to assume a knowing and horsey
+expression."]
+
+_Excursionists_ (_impatiently_). Now then, what's this? What are we
+stopping here for?
+
+_The Driver_. Ladies and Gentlemen, you will thoroughly understand
+that it is customary for the car to stop here, in order that the
+party may be photographed, thus providing an agreeable souvenir of
+the trip, and a useful means of identification at Scotland Yard. (_A
+Photographer appears in the road with a camera, and the party prepare
+themselves for perpetuation in a pleased flutter_.) P'raps, Sir--(_to
+a Mild Man on the box-seat_)--you'd like to be taken 'andling the
+ribbons? Most of our Gentlemen do.
+
+ [_The Mild Man accepts the reins, and endeavours to assume a
+ knowing and horsey expression._
+
+_A Timid Lady_ (_behind_). I _do_ hope no Gentleman will take the
+reins, unless he is thoroughly accustomed to driving four-in-hand.
+Suppose they took it into their heads to run away suddenly!
+
+_Driver_ (_solemnly_). Don't you alarm yourself about that, Ma'am, in
+the very slightest degree. These 'osses take that pride in themselves,
+they'd stop here all day rather than spoil their own likenesses!
+
+ [_The M.M. intimates that he is no novice in the art of
+ driving, which is fairly true as regards a pony-trap--and the
+ fears of the_ T.L. _are allayed._
+
+_Photographer_. Now, steady all, please, those at the further ends of
+the seats stand up so as to come into the picture, a little more to
+the right, please, the gentleman in the straw 'at, turn your 'ead a
+trifle more towards the camera, the lady in the pink shirt,--that's
+better. Better take off your spectacles, Sir. Now then--are you ready?
+
+_A Comic Exc._ 'Old on a bit--I've a fly on my nose.
+
+ [_Some of the party giggle; the photograph is successfully
+ taken, and the car proceeds._
+
+_The Driver_. On your left, Ladies and Gentlemen, you have the
+Prison--the cheapest Hotel in the Island for parties who intend making
+a protracted stay here. On our right we are now passing "Paradise."
+You will observe that someone has 'ung his 'at and coat up at
+the entrance, not being certain of getting in. Notice the tree in
+front--the finest specimen on the island of the good old Guernsey
+hoak.
+
+ [_He keeps turning from time to time to address these
+ instructive remarks to the passengers behind him._
+
+_The Timid Lady._ I wish he wouldn't talk so much, and look more where
+he is going--we're _much_ too near the hedge!
+
+_Driver_ (_standing up, and turning his back on the horses, as they
+trot on_). Ladies and Gentlemen, you will all thoroughly understand
+that the roads in this Island are narrow. Consequently, you must look
+after the branches and briars yourselves. I've enough to do to look
+after my 'orses, I assure you, and it looks bad to see 'ats and
+bonnets decorating the 'edges after the car has passed. (_Some of the
+Excursionists look at one another uneasily._) The glass-'ouses you see
+in such quantities, are employed in the production of early grapes and
+tomators for the London Market. This Island alone exports annually--
+
+ [_Here the car rounds a corner rather sharply, and he sits
+ down again._
+
+_The Mild Man (with a Mild Man's thirst for information_). What are
+those buildings over there with the chimney?
+
+ [_Here he is conscious of being furtively prodded in the
+ back--but decides to take no notice._
+
+_Driver_ (_rising as before_). Those buildings, Ladies and Gentlemen,
+are Chemical works for extracting iodine from seaweed. The seaweed,
+after being dried, is then boiled, and from the ash--
+
+ [_Here the Mild Man, who has been listening with much
+ interest, is startled by receiving a folded piece of paper,
+ which it passed up to him from behind._
+
+_The M.M._ (_to himself, as he reads the message_). "Keep the Driver
+quiet. He is drunk." Good Gracious! I never noticed--and yet--dear me,
+I hope they don't expect _me_ to interfere!
+
+_The Timid Lady_ (_to the Driver_). For goodness sake never mind about
+iodine now--sit down and attend to your driving, like a good man!
+
+_Driver_. You will thoroughly understand, my horses require _no_
+attention. (_Sleepily._) No attention whatever. I assure you I am
+perfectly competent to drive this car and give you information
+going along at the same time. (_The car takes another corner rather
+abruptly._) Simply matter of habit. (_Gravely._) Matter'f habit!
+
+_A Serious Exc._ (_in an undertone._) A very _bad_ habit, I'm afraid.
+It's really time somebody else took the reins from him!
+
+_The M.M._ (_overhearing_). I'm afraid they mean me--I wish now I'd
+never touched the reins at all!
+
+_Driver_. The Church we are now coming to, is St. Martin's, built in
+the year eleven 'undred.
+
+_A Female Exc._ (_critically_). It _has_ got an old-fashioned look
+about it, certainly.
+
+_A Male Exc._ There's nothing to see inside of these old churches. I
+went in one the other day, and I was looking up at the rafters, and
+I saw a sort o' picture there, and I said, "Ullo--they've been
+advertising Pears' Soap here, or something." But when I looked again,
+it was only an old fresco. I was so little interested I walked out
+without tipping the Verger!
+
+_The Female Exc._ That Church we went to on Sunday evening is very
+old.
+
+_Her Comp._ Is it? How do you know?
+
+_The F.E._ Why, my dress was covered with bits of fluff out of the
+hassock!
+
+_Driver._ The carved stone figure you see by the gate, is supposed
+to be a portrait of Julius Caesar's Grandmother, and very like the
+old lady. (_The Excursionists nearest him smile in a sickly way, to
+avoid hurting his feelings, as the car moves on--to halt once more at
+Icart Point._) It is customary to alight here and go round the point,
+and I can assure you, Ladies and Gentlemen, the scenery is well worth
+your inspection and will give you a little idea of what the Island
+_is_.
+
+_Excursionists_ (_taking advantage of the opportunity to discuss the
+situation_). I noticed it the minute I set eyes on him--he never
+ought to have been sent out like this ... He's been to a wedding this
+morning, so I heard, and it's upset him a little, that's all ... Upset
+_him_--we're lucky if he doesn't upset _us_. What a fidget you are! I
+shan't take _you_ into Switzerland next year, if you're like this...
+If Switzerland's full of a lot of drunken men, I don't want to go...
+Well, what had we better _do_ about it? Perhaps _this_ gentleman
+would--Oh, no, I couldn't take the responsibility, really, not without
+knowing the way. Well, we can't _walk_ back, that's certain--we must
+trust to luck, that's all! Pretty bit of the coast you get here ...
+Oh, don't talk about the scenery _now_, when, for all we know!--&c.,
+&c.
+
+ [_The car starts again, and presently arrives at a winding
+ and precipitous road leading down to Petit Bot Bay, where the
+ Driver again rises with his back to the horses, and proceeds
+ to address the Excursionists, as they sit paralysed with
+ horror._
+
+_Driver_. Ladies and Gentlemen, at this point I shall explain the
+scenery. (_The Timid Lady protests that she is content to leave
+the scenery unexplained._) Pardon me, this is a portion of the
+scenery--(_Here his eyes close and reopen with an effort_)--a portion
+of the scenery that can only be properly enjoyed coming out on one of
+these cars. If you go out with ordinary drivers, they take you along
+the main roads, and you come away fancying you've seen the Island.
+Now the advantage of coming along with _me_--(_His eyes close once
+more--the Excursionists implore him to attend to his team_.) You will
+thoroughly understand there is not the slightest cause to apprehend
+any danger. I've driven this car fifteen years without least
+accident--up to _present_. So you can devote your whole attention
+to the scenery, without needing to keep an eye upon the Driver.
+(_He points to the abyss_.) That is the _shortest_ way down--on this
+occasion, however, I shall endeavour _not_ to take it. (_He whips up
+his horses, and accomplishes the descent at a brisk pace_.) There,
+didn't I _tell_ you there wouldn't be no accident? Very _well_, then.
+P'rhaps you'll believe me another time!
+
+_Mild Man_ (_alighting at Hotel for luncheon_). We've had a remarkably
+lucky escape--I never felt more thankful in my life!
+
+_A Gloomy Exc._ Don't you be in too great a hurry, Sir! We've got to
+get _back_--and he's bound to be worse after he's had his lunch!
+
+ [_The M.M.'s appetite for lobster is entirely destroyed by
+ this sinister prediction; but whether the Driver has been
+ unjustly maligned, or whether he has sobered himself in
+ the interval--he reappears in a more sedentary, and less
+ discursive mood, and the journey home proves agreeably devoid
+ of sensation._
+
+ * * * * *
+
+SIMPLE STORIES.
+
+"Be always kind to animals wherever you may be."
+
+RUBY AND THE ROOK.
+
+RUBY, although she was something of a tomboy, was a pretty and clever
+girl.
+
+But, like many pretty and clever little ladies, she was sometimes very
+naughty. When she was good, she was as good as gold, but when she was
+naughty, she was as naughty as pinchbeck.
+
+The other day, when her dear Mamma was away for the morning, it
+happened to be one of her pinchbeck times. Nothing would please
+her--she was cross with her governess at breakfast, she quarrelled
+with her bread-and-milk; and even when her favourite tame Rook,
+Cawcus, came hopping on her shoulder, she refused to give it anything
+to eat, but hit it on the beak with her spoon.
+
+[Illustration]
+
+Miss DUMBELL was very much grieved at the way in which her pupil
+lolled in her chair, gave sullen answers, and put flies in the
+milk-jug, and pinched the cat's tail. "Mind, RUBY," said Miss DUMBELL,
+"at eleven o'clock I shall expect you in the school-room with that
+page of French phrases quite perfect." RUBY's eyes flashed as she
+went out of the room; she pouted, she swung her skirts, and shook her
+shoulders, so that even Miss DUMBELL, the most patient and kindest of
+governesses, quite longed to slap her.
+
+RUBY went to the school-room; she immediately flung the French
+phrase-book from one end of the room to the other. She took some
+story-books, and a little basket full of apples, bath-buns and
+"three-corners," and ran down to a little plantation called the
+Wilderness, at the bottom of the garden. She selected one of the
+tallest elms, and as she could climb like a kitten, she was soon at
+the top of it, quite hidden from view among the leaves.
+
+"So much for old DUMMY and her French phrases!" said the naughty girl,
+as she settled herself in a comfortable position and brought out her
+story-book. The stable-clock had struck twelve, and she heard her
+name called in all directions, by JORGINS, the gardener, BRILLIT,
+the buttons, and long-suffering Miss DUMBELL. They could not find her
+anywhere, and her Most Serene Naughtiness sat screened by the leaves
+and shook with laughter.
+
+Presently "Cawcus," her pet Rook, came fluttering amid the leaves,
+and began to caw. RUBY offered him bits of Bath bun, and even a whole
+three-corner, in order to keep him quiet.
+
+But he remembered his treatment at breakfast, and refused all
+these bribes with scorn. He declined to be petted, he continued to
+hover over the tree, and circle around it, giving vent to the most
+discordant shrieks. Presently she heard the clear measured tones of
+her Mamma's voice saying, "RUBY, come down at once. I know you are
+up in the elm." Cawcus, whom she had maltreated, had betrayed her
+hiding-place.
+
+RUBY dared not disobey. Quite subdued, and with garments grievously
+greened, she descended. Mamma took her little daughter indoors, and
+improved the occasion. RUBY eventually appeared, with tears in her
+eyes, and subsequently apologised to her governess, recited the page
+of French phrases without a mistake, and promised to be a good girl.
+Though she sometimes forgot herself, and was rude to Miss DUMBELL
+afterwards, she never failed to treat Cawcus the Rook with most
+profound consideration and reverence.
+
+ * * * * *
+
+TO MELENDA.
+
+(_A SET OF VERSES ACCOMPANYING A PHOTOGRAPH._)
+
+[Illustration]
+
+ I remember--do you?--the remarkable sky light
+ That flooded the heavens one evening in May,
+ How together we talked _tete-a-tete_ in the twilight,
+ When the glow of the sunset had faded away.
+ Then you showed me your album. I looked at its pages.
+ With yourself as my guide and companion went through
+ Its contents--there were people of all sorts and ages,
+ But the portrait I fancied the most was--of you.
+
+ And you saw that I did. Which perhaps was the reason
+ Of your "No!" when I asked "May I have it?" You swore
+ You were going to be shot at the close of the season,
+ And you couldn't spare that, as there weren't any more.
+ But at length I prevailed, or at least you relented,
+ After ever so many excuses--in fine
+ We agreed to a compact, you only consented
+ On condition I gave you a portrait of mine.
+
+ Well, I promised, of course. And I write you these verses
+ With your face--you'll forgive me--quite close to my own.
+ There's a charm in your look that completely disperses
+ All my cares in a way that is yours, dear, alone.
+ And although I am pleased, since I won in the end--a
+ More ridiculous bargain has never, I vow,
+ Been arranged than a picture of pretty MELENDA,
+ In exchange for the photograph sent to you now.
+
+ We did not meet again through some horrible blunder,
+ Which a merciless Fate must be asked to explain,
+ And I sometimes sit smoking, and wearily wonder
+ If I ever _am_ destined to see you again.
+ Yet wherever the future may possibly find you,
+ To this final request do not answer me Nay,
+ When I ask that this gift of myself may remind you
+ Of the friend who was with you that evening in May.
+
+ * * * * *
+
+[Illustration: BREAKING THE ICE.
+
+SCENE--_Public Drawing-room of Hotel in the Engadine._
+
+_The Hon. Mrs. Snebbington_ (_to Fair Stranger_), "ENGLISH PEOPLE ARE
+SO UNSOCIABLE, AND NEVER SPEAK TO EACH OTHER WITHOUT AN INTRODUCTION.
+I ALWAYS MAKE A POINT OF BEING FRIENDLY WITH PEOPLE STAYING AT THE
+SAME HOTEL. ONE NEED NEVER KNOW THEM AFTERWARDS!"]
+
+ * * * * *
+
+ADVANCING YEARS.
+
+(_HOW IT STRIKES A CONTEMPORARY._)
+
+ ["Owing to advancing years, Mr. ---- has been compelled to
+ resign his position as ----" _Extract from any Daily Paper_."]
+
+ Advancing years! It cannot be.
+ What, JACK, the boy I've known--God bless me!
+ Why yes, it was in '43
+ That first we met, and--since you press me--
+ The time has sped without my knowledge,
+ That's close on fifty years ago;
+ Like some deep river's silent flow,
+ Since JACK and I first met at College.
+
+ 'Twas on a cloudy Autumn day.
+ Fast fading into misty twilight;
+ The freshmen, as they trooped to pray,
+ Stepped bolder in the evening's shy light.
+ As yet we did not break the rules
+ In which the College deans immesh men,
+ We fledglings from a score of schools,
+ That far October's brood of freshmen.
+
+ Like one who starts upon a race,
+ The Chaplain through the service scurried.
+ From prayer to prayer he sped apace;
+ I marked him less the more he hurried.
+ My prayer-book fell--my neighbour smiled;
+ Reversing NEWTON with the apple,
+ I, by that neighbour's eye beguiled,
+ Quite lost my gravity in chapel.
+
+ And so we smiled. I see him still,
+ Blue eyes, where darting gleams of fun shine,
+ A smile like some translucent rill
+ That sparkles in the summer sunshine,
+ A manly mien, and unafraid,
+ Crisp hair, fair face, and square-set shoulders,
+ That made him on the King's Parade
+ The cynosure of all beholders.
+
+ And from this slight irreverence,
+ Too small, I hope, to waste your blame on,
+ We grew, in quite a Cambridge sense,
+ A sort of PYTHIAS and DAMON.
+ Together "kept," together broke
+ Laws framed by elderly Draconians,
+ And I was six, and JACK was stroke,
+ That famous night we bumped the Johnians.
+
+ How strong he was, how fleet of foot,
+ Ye bull-dogs witness, and ye Proctors;
+ How bright his jests, how aptly put
+ His scorn of duns, and Dons, and Doctors.
+ We laughed at care, read now and then--
+ Though vexed by EUCLID on the same bridge--
+ Ah, men in those great days were men
+ When JACK and I wore gowns at Cambridge.
+
+ We paid our fines, we paid our fees,
+ And, though the Dons seemed stony-hearted,
+ We both got very fair degrees,
+ And then, like other friends, we parted.
+ And when we said good-bye at last
+ I vowed through life to be his brother--
+ And more than forty years have passed
+ Since each set eyes upon the other.
+
+ And so through all these changing years
+ With all their thousand changing faces,
+ Their failures, hopes, successes, fears,
+ In half a hundred different places,
+ JACK still has been the same to me,
+ As bright within my memory's fair book
+ As when we met in '43,
+ And smiled about that fallen prayer-book.
+
+ Ah well, the moments swiftly stream
+ Unheeded through the upturned hour-glass;
+ I've lived my life, and dreamed my dream,
+ And quaffed the sweet, as now the sour glass.
+ But old and spent my mind strays back
+ To pleasant paths fresh-strewn with roses,
+ And I would see my old friend JACK
+ Once more before the curtain closes.
+
+ * * * * *
+
+ANNOUNCEMENT.--The Earl of LATHOM (who, being quite six feet or
+more, cannot be described as Small and Earl-y) is to lay the
+foundation-stone of "The Cross Deaf and Dumb School for N. and E.
+Lancashire." Now the Deaf and Dumb are, as a rule, exceptionally
+cheerful and good-tempered. It is quite right, therefore, that
+exceptions to this rule should be treated in a separate establishment,
+and that the "Cross Deaf and Dumb" ones should have a house to
+themselves. _Prosit!_
+
+ * * * * *
+
+A HIGHLY-POLISH'D PERFORMANCE.--HENRY IRVING as _Le Juif Polonais_ in
+_The Bells._
+
+ * * * * *
+
+[Illustration: TUNING THE HARP.]
+
+ * * * * *
+
+A FRIEND TAKES ME FOR A QUIET DRIVE.
+
+[Illustration: 1. "Don't be alarmed, Jack--it's only her way. She
+always does this at starting. Never knew her to come over."]
+
+[Illustration: 2. "May as well get out. She always makes me walk up
+here."]
+
+[Illustration: 3. "Look sharp, Jack, and get the reins from under her
+tail or we'll have an accident!"]
+
+[Illustration: 4. "Curious thing how she hates trains!"]
+
+[Illustration: 5. "Better be on the look-out for a soft spot, old
+chap!"]
+
+[Illustration: 6. "Now this is the second time she has turned me out
+just here!"]
+
+ * * * * *
+
+IN THE MONKEY-HOUSE;
+
+_OR, CAGE VERSUS CLUB._
+
+ PROFESSOR GARNER goes to the Gaboon
+ To garner Monkey talk; a dubious boon!
+ Stucco Philistia shows in many shapes
+ The babble of baboons, the chat of apes.
+ Why hang, Sir, up a tree, in a big cage,
+ To study Simian speech, which in our age
+ May be o'erheard on Platform or in Pub,
+ And studied 'mid the comforts of a Club?
+ And yet perchance your forest apes would shrink
+ From Smoke-room chat of apes who _never_ think,
+ But cackle imitatively all round,
+ Till their speech hath an automatic sound.
+ Put the dread name of GL-DST-NE in the slot
+ SMELFUNGUS calls his mouth, and rabid rot
+ Will gurgle forth in a swift sewer-like gush
+ Of coarse abuse would make a bargee blush.
+ SMELFUNGUS is a soldier, and a swell,
+ But--the Gaboon can scarce surpass Pall-Mall
+ In vicious, gibbering vulgarity
+ Of coarse vituperation. Decency,
+ Courtesy, common-sense, all cast aside!
+ Pheugh! GARNER, in his cage, would open wide
+ His listening ears, did Jacko of the forest
+ So "slate" a foeman when his head was sorest.
+ Strange that to rave and rant, like scullion storm,
+ Like low virago scold, should seem "good form"
+ To our Society Simians, when one name
+ Makes vulgar spite oblivious of its shame!
+ "Voluntary and deliberate," their speech,
+ "Articulate too"--those Apes! Then could they teach
+ Their--say _descendants_,--much. Does Club or cage
+ Hear most of rabid and unreasoned rage?
+ "Apes' manner of delivery shows" (they say)
+ "They're conscious of the meaning they'd convey!"
+ Then pardon, GARNER! Apes, though found in clans.
+ Are _not_, of course, political partisans.
+ Tired of the Club-room's incoherent rage,
+ One pines for the Gaboon, and GARNER's cage.
+ For what arboreal ape _could_ rage and rail
+ Like him, with fierce Gladstonophobia pale,
+ That Smoke-room Simian, though without a tail!
+
+ * * * * *
+
+THE PICK OF THE BASKETS.
+
+The _Daily Graphic_ published a specific against cholera, alleged to
+have been invented by Doctor PICK, a German. Evidently "Our pick'd
+man of countries." As it is something to drink, and not to eat,
+the inventor is under no necessity to be known henceforth as Dr.
+PICK-AND-CHEWS. His remedy is to treat the _bacilli_ to Rhine
+Wine. The result of experiments has been "so much the worse for the
+_bacilli_." Substitute for the first vowel in "grapes" the third of
+the vowels, and it is of that the poor bacillus suffers, and dies. As
+the poet GROSSMITH sings of the German Rhine,--
+
+ "_That_ of the Fatherland,
+ The happy Fatherland,
+ Gives the greatest pain inside."
+
+However, the Bacillus is an enemy, and if he can be got rid of by
+_grape-shot_, pour it in and spare not.
+
+ * * * * *
+
+NEW PUBLICATION.--"_The Dumb D._" Musical Novel. Companion to _The
+Silent Sea_, by Mrs. MACLEOD.
+
+ * * * * *
+
+INNS AND OUTS.
+
+NO. IV.--THE WINDOW-SHUTTERS.
+
+"And efery time _he_ gif a shoomp, _he_ make de winders sound."
+
+I do not allude to the white wooden Venetian work that shades the
+Grand Hotel windows. It is of the clique who insist on shutting the
+windows that I write. Briefly speaking, the inmates of the Grand
+Hotel may be divided into two classes--the window-openers and the
+window-shutters. The former are all British. The same Britons who
+at the Club scowl at a suspicion of draught, and luxuriate in an
+asphyxiating atmosphere, band against "the foreigners" in this
+respect. We have a national reputation to keep up. We are the nation
+of soap, of fresh air, of condescending discontent; and when we are on
+the Continent every one else, including the native, is "a foreigner;"
+we carry our nationality about with us like a camp-stool; we squat on
+it; we are jealous of it; it is a case of "_Regardez, mais ne touchez
+pas!_"
+
+[Illustration: COMMERCIAL INSTINCT.
+
+_Original Genius_ (_soliloquising_). "Lor, it 'id bin a crool Shame to
+miss an Opportunity like this 'ere. The gov'nor oughter lemme 'ave Ten
+Bob on that job!"]
+
+This patriotic obtrusiveness culminates in the Battle of the Windows.
+It is an oppressive evening. The _Table d'Hote_-room is seething like
+a caldron; a few chosen conspirators and myself open the campaign
+early; we "tip" ADOLF "the wink." That diplomatist orders the great
+window to be half-opened. If things go smoothly, he will gradually
+open out other sources of ventilation. The Noah's Ark procession files
+in--all shapes and all languages, like the repast itself; DONNERWITZ,
+TARTARIN, SHIRTSOFF, SCAMPELINI; there is nothing in common
+between them--save the paper collar; they would hail international
+declarations of war to-morrow; but the sight of us, and that speck
+of air leagues them. "_Mein Gott, Die Englaender!_" coughs DONNERWITZ;
+"_Ce sont de fanatiques enrhumes!_" hisses TARTARIN; SHIRTSOFF sneezes
+the sneeze of All the Russias; "_Corpo di Bacco!_" cries SCAMPALINI;
+still nothing is done; the "_Potage a la reine_,"--so called from the
+predominance of rain-water--ebbs away in the commingled smacks and
+gulps of the infuriated Powers; "_Saumon du Rhin, sauce Tartare_"
+is being apportioned to the knives of all nations; it is perhaps
+the sight of his knife, from which soup only is sacred, that nerves
+the fuming DONNERWITZ to lead the attack. "Hst!" he shouts to the
+studiously unheeding ADOLF; "'nother bottil Pellell--ver' well sare!"
+chirrups ADOLF reassuringly to _me_; DONNERWITZ raises his knife;
+I fear for the consequences; he brings it down with a clang on
+the hardened tumbler of the Grand Hotel; the timid _pensionnaire_
+of numberless summers starts and grows pale; SHIRTSOFF looks with
+peremptory encouragement towards the Teuton; "_Ach, graesglich!_"
+rattles out DONNERWITZ, and strikes again; the cobra-like gutturality
+of that "_Ach_" is heart-rending; still no ADOLF; at a gold-fraught
+glance from my companions, he has ordered another detachment to the
+front; a fresh current of air invades the room. DONNERWITZ's knife is
+now brandishing peas; his offended napkin chokes him; with the yell
+and spring of a corpulent hyena, he rises and rushes to the windows.
+The timid _pensionnaire_ and her shrinking sisterhood follow him,
+under the misconception that he is summoning them to admire the
+sunset; the sunset is their evening excitement, and DONNERWITZ can be
+sentimental in his calmer moments; but no "_Wie wunder, wunderschoen!_"
+escapes him; a Saxon word, that even they can understand, is on his
+lips; the ring on his forefinger gleams luridly; bang, bang, bang; he
+opens fire; down go the windows, and DONNERWITZ resumes his seat of
+war, his napkin waving like a standard before him. It is now my turn;
+I don't like it; but my co-conspirators expect me to maintain the
+honour of our country: ADOLF cannot be trusted further; I advance
+furtively; the eyes of Europe are upon me; one by one I open them
+again and subside; a terrible silence supervenes. What next?--that is
+the question!
+
+But DONNERWITZ is not only a MOLTKE, he is also a BISMARCK; flushed
+and moist with exertion, he has foreseen this move; it is the hour of
+that inevitable "_Bavaroise_"; the fork has succeeded to the knife:
+his mouth is at last free to confabulate with his neighbour--the Lady
+from Chicago.
+
+"Wal, I call that slap-up rude," I hear her remark. "In Amur'ca we
+should just hev' him removed; but Englishmen are built that way; they
+fancy, I s'pose, they discovered CO-LUMBUS;" and then DONNERWITZ
+leans over the table and, grasping the united weapons of fork,
+knife, and spoon, addresses me with effervescent deliberation.
+"Pardon,--Mister,--but--dis--leddy,--haf--gatarrh; in a Sherman
+shentleman's house--most--keep--first--de--leddy zimmer; so!" I
+don't fully understand, but I feel that my chivalry is impugned. My
+confederates, too, round upon me; "Of course," they whisper, "had no
+idea the lady was an invalid." The brutes! I stutter an apology, and
+"climb down;" the windows are again hermetically sealed; and, as I
+slink away. I hear "_Viva_!" "_Hoch_!" and clinking glasses. Then
+ADOLF hurries up surreptitiously, and whispers, "Tell you vat, Sare:
+to-morrer you shoost dine on de terass; dere, plenty breeze, hein?"
+"Plenty breeze!"--and you pay three francs extra, and catch a cold.
+
+ * * * * *
+
+SIGH NO MORE, LOTTIE.
+
+ ["The disinfecting process has ruined all the dresses of Miss
+ COLLINS."--_New York Telegram_.]
+
+ Sigh no more, LOTTIE, sigh no more,
+ Those gowns have gone for ever;
+ You've cut some capers on that shore
+ That you expected never;
+ Then sigh not so, but let them go,
+ And be you blithe and bonny,
+ Converting all your sounds of woe
+ To Tarara--boom--de nonny.
+ Sing that vile ditty yet once more,
+ And win almighty dollars
+ From Yankees who have spoilt your store
+ Of frocks, frills, cuffs and collars;
+ The air will run in their heads like one
+ O'clock, till it makes the same ache.
+ While on you shines prosperity's sun.
+ Your Tarara-boom-de hay make!
+
+ * * * * *
+
+AT THE PATTENMAKERS' BANQUET.--At the Court Dinner of the
+Pattenmakers, held at the Metropole. the eulogies of the Worshipful
+Master, Sir AUGUSTUS DRURIOLANUS (now Master of Horse at Drury Lane),
+were plentiful, and he had a considerable amount of _patten_ on the
+back from all his guests. The great dish of the evening was _Partridge
+au Patten_, an English substitute for _Perdrix au chou_.
+
+ * * * * *
+
+[Illustration: FANCY PORTRAIT.]
+
+OUR GRAND YOUNG GARDNER (HERBERT II.),
+
+IN HIS NEW CHARACTER OF THE MINISTER OF AGRICULTURE.
+
+(_With Song_)--"_Here's to the Health of the Parley Mow_!"
+
+ * * * * *
+
+SONNET ON CHILLON.
+
+(_WHERE THE ELECTRIC LIGHT IS NOW INSTALLED IN THE DUNGEON OF
+BONIVARD._)
+
+ Electric lighting, dear to modern mind,
+ Bright in this dungeon! Switzerland, thou art
+ Too mad for things quite _fin-de-siecle_ smart!
+ Surely the trains, that rumble just behind,
+ And Vevey tramcars, in my thoughts consigned
+ To even hotter place, had been enough
+ To scare SAND, HUGO, SHELLEY, in a huff;
+ Make BYRON cast his poem to the wind!
+ Chillon, thy prison may become a place
+ With little marble tables in a row,
+ Where tourists, dressed with artless English grace,
+ May drink their _bock_ or _cafe_ down below,
+ And foreign penknives rapidly efface
+ The boasted names this light is meant to show.
+
+ * * * * *
+
+MUSICAL NOTE.--The most tranquillising, or even somniferous melodies
+ever composed, must have been those written by the celebrated LULLI.
+The first thing by LULLI was a "_Lulliby_."
+
+ * * * * *
+
+NEW WORDS TO AN OLD TUNE (AND A SYLLABLE TO SPARE).--Song for the
+SECRETARY for IRELAND:--"_'Tis all for good luck, quoth bould Rory
+O'Mor-ley._"
+
+ * * * * *
+
+ALL THE DIFFERENCE--between "_Sir_ G.O.M." and "_The_ G.O.M."
+
+ * * * * *
+
+EXAMINATION PAPER FOR A PRESS CANDIDATE.
+
+(_WITH A VIEW TO CARRYING OUT THE SUGGESTION OF THE INSTITUTE OF
+JOURNALISTS._)
+
+1. What are the principal duties of an Editor? State what you would do
+if you were visited by bores of the following kinds:--(1), a friend;
+(2), an enemy; (3), a proprietor.
+
+2. Show how a political article may be written, saying as little as
+possible in the greatest amount of space? Give specimens of "writing
+round a subject" without offending susceptibilities.
+
+3. What are the duties of a Dramatic Critic? Show, by a specimen
+article, how a critique of a bad play, indifferently performed, can
+yet be made to give satisfaction to the Author, the Manager, the
+Company, and the Public?
+
+4. What are the duties of a Special Correspondent at a Seat of War?
+Give a short descriptive article of a battle written in such a manner
+that the readers of your paper may learn everything without your
+getting shot as a spy, or drummed out of camp as an informer.
+
+5. What are the duties of a Reviewer? Describe the process of
+log-rolling, and give specimen of notices of books:--(1), when the
+Author is your friend, but you object to the Publisher; (2), when you
+hate the writer, but must not offend the gentleman whose name appears
+as the distributor, and (3), when you know nothing of the volume
+and its producer, but suspect that the Author reviews for another
+periodical, and that you may possibly get an order from his literary
+introducer.
+
+6. What are the duties of a Musical Critic? Show how it is feasible to
+write a most scientific notice without being able to distinguish the
+National Anthem, MASCAGNI's "_Intermezzo_," or "_The Wedding March_,"
+from "_The Slue Bells of Scotland_."
+
+7. Distinguish the difference between "Our Own Commissioner" and "Our
+Own Correspondent," and "Our Special Reporter" and "An Occasional
+Contributor." Give the rates of remuneration (if any) attaching to
+each office.
+
+8. What is "City Intelligence?" Is it affected by the rise and fall
+of the advertisement columns? State the difference between "News
+Specially Communicated" and a puff paragraph.
+
+9. Give the statistics (if you are able) of the number of aspirants to
+Journalism who have risen and fallen. Show that a small certainty in
+the City is better than an occasional ten-pound note earned in Fleet
+Street.
+
+10. Write an essay upon the subject that Journalism is better as a
+stick than a crutch, and show that it is useless to take up your pen
+if you have not already provided (from other sources) for the payment
+of your butcher's book.
+
+ * * * * *
+
+TO FOOTBALL.
+
+ Farewell to thee, Cricket,
+ Thy last match is o'er;
+ Thy bat, ball, and wicket,
+ Are needed no more.
+ To thy sister we turn,
+ For her coming we pray:
+ Her worshippers burn
+ For the heat of the fray.
+
+ Hail! Goddess of battle,
+ Yet hated of Ma(r)s,
+ How ceaseless their tattle
+ Of tumbles and scars!
+ Such warnings are vain,
+ For thy rites we prepare,
+ Youth is yearning again
+ In thy perils to share.
+
+ Broken limbs and black eyes,
+ May, perchance, be our lot;
+ But grant goals and ties
+ And we care not a jot.
+ Too sacred to name
+ With thy posts, ball, and field,
+ There is no winter game
+ To which thou canst yield.
+
+ * * * * *
+
+NEW TRANSLATION--"VERY CHOICE ITALIAN,"--"_Sotto voce_;" i.e., in a
+drunken tone of voice.
+
+ * * * * *
+
+AN EN-NOBBLING SPECTACLE!
+
+_BEING SOME ACCOUNT OF THE PRODIGAL DAUGHTER OF DRURY LANE._
+
+CHAPTER I.--_THE TEA-URN OF THE HUNTER._
+
+SIR JOHN HENRY NEVILLE WOODMERE was the most considerate of men, and
+he had a very considerate family, and a large circle of considerate
+acquaintances. He was obliging to the last degree, Among those he
+knew, and to whom he owed a deep debt of gratitude (for they had
+furnished him with an old family mansion, a stud of racers, and passes
+for himself and circle to Paris) were AUGUSTE LE GRAND, and HENRI LE
+PETTITT.
+
+[Illustration: Voluptuary, carrying weight, winning the Great
+Metropolitan Drury Lane Stakes. Everybody up.]
+
+"My good friend," said HENRI, "your daughter is charming. She has been
+well brought up, and has the finest sentiments; but it is necessary
+that she should run away to Paris, and dodge the parson. Otherwise,
+how could she be called _The Prodigal Daughter_?"
+
+Sir JOHN saw the force of this reasoning, and consented.
+
+"And stay," said AUGUSTE, "we must really have a good set, and you
+must go a fox-hunting. You must have armour, and a breakfast, and all
+of you must wear hunting-coats. And look here, we can't do without
+flowers, and coats-of-arms, and open windows."
+
+"But," objected Sir JOHN, "if I am going a fox-hunting, surely it
+should be in the winter or spring. And how about the flowers?"
+
+"You have got them from Nice," replied AUGUSTE.
+
+So it was thus arranged. Sir JOHN's daughter, who was called ROSE
+MILLWARD WOODMERE, eloped and broke her father's heart.
+
+"But," exclaimed her bereaved parent, preparing to mount a horse that
+was waiting for him on the lawn amongst the flower-beds, "although my
+heart is breaking, I will show the world I am a true English gentleman
+by starting off to head the chace!"
+
+And he said this out of consideration for AUGUSTE and HENRI, because
+he knew they wanted what is technically known as a Curtain. And by
+this means he gave them one. And a good one too.
+
+CHAPTER II.--_A LITTLE TRIP TO PARIS._
+
+And then Sir JOHN and all his considerate family and acquaintances
+went to Paris to stay at the Grand Hotel, which seemed to have been
+surrendered to them (at convenient times) for their special use. Sir
+JOHN was accompanied by a most useful villain, who showed the depth of
+his depravity by wearing a moustache of the deepest dye. So that this
+depth might be better known, he called himself DEEPWATER.
+
+"Sir JOHN," said this villain, "your daughter has come to Paris with
+Captain HARRY VERNON, and you should trounce him."
+
+"I will," replied Sir JOHN, heartily; "but surely I have seen my
+daughter, and my niece, and Captain HARRY BOYNE VERNON, and the Hon.
+JULIAN KNIGHT BELFORD, and Lord HARRY NICHOLLS BANBERRY (a comic
+Peer), and his wife (a converted Quakeress), and DUDLEY J.L. SHINE
+ROPER, a wicked but amusing Hebrew, hanging about. Cannot we meet for
+two minutes, and set everything to-rights?"
+
+"My dear Sir JOHN," returned MAURICE FERNANDEZ DEEPWATER, "pray
+consider yourself mistaken. As you say, if we all met together for
+two minutes in a room, the whole thing would be settled. But then I
+am distinctly under the impression that AUGUSTE LE GRAND and HENRI LE
+PETTITT would be confoundedly annoyed."
+
+"Oh," exclaimed Sir JOHN, "if you think _they_ would be annoyed, do
+not say another word about it!"
+
+So the various characters gave one another a clear berth, and missed
+each other at the nick of time.
+
+But after awhile ROSE was left alone with the Hon. JULIAN BELFORD.
+
+"It is not very clear to me why we haven't married," said he.
+
+"Nor to me either!" she replied. "We dawdled a bit, and I daresay put
+it off because what one knows can be done at any moment is often not
+done at all."
+
+"Well, hadn't we better go to the British Embassy?"
+
+"Why, yes." she replied, with some hesitation; "but I really think
+you had better say you will marry my cousin. I fancy it would please
+AUGUSTE and HENRI."
+
+"Anything to oblige them," returned the Hon. JULIAN.
+
+"That being settled, please leave me, as I have to fall in a dead
+faint--must get an effective Curtain, you know!"
+
+The HON. JULIAN KNIGHT BELFORD nodded his head, and then ROSE MILLWARD
+WOODMERE fainted--with the desired result.
+
+CHAPTER III.--_CACKLE_ V. _'OSSES. THE FAVOURITE WINS._
+
+And now Sir JOHN and his considerate circle had come to England, and
+were close to Liverpool.
+
+"My dear people," said HENRI, "never mind your love-making, never mind
+your plot, leave it to AUGUSTE, and he will pull you through."
+
+And HENRI was quite right. AUGUSTE went to work with a will, and did
+pull them through. He took them to the Grand National Steeple Chace,
+and showed them and all the world a sight the like of which they had
+never seen before. There were real horses, real touts, and a real
+winner. Oh, how it went! It was magnificent! And, before this great
+race, AUGUSTE (helped by HENRI this time) showed a training-stable,
+and how a favourite can be nobbled. It didn't in the least matter
+why it was done, or where it was done. It was a lovely sight to see
+somebody or other giving the wrong horse beans. And the horse liked
+them, and eat them with a zest, and felt none the worse for them. On
+the contrary, the beans seemed to give the creature sufficient vigour
+to carry on the running until Christmas at Drury Lane, with a trot
+to Covent Garden to follow, and then back again, perhaps to the old
+quarters, up to Easter.
+
+[Illustration: Oss-tentation; or, "Giving him Beans."]
+
+"Ah, that will make all things right!" cried AUGUSTE. "_Voluptuary_
+will carry the whole of us--Authors, Managers, and Actors--to
+victory!" And he was right--_Voluptuary_ did carry them to success--a
+gigantic one.
+
+CHAPTER IV.--_THE MEANS JUSTIFY THE END._
+
+And Sir JOHN and his considerate circle acted up to their principles
+to the very end.
+
+"ROSE, come to my arms!" said he, to his child; "you have
+been prodigal enough, it is now time for your reformation and
+conciliation."
+
+"Then may we marry?" asked the Hon. JULIAN.
+
+"Certainly!" was the reply.
+
+And the other couples were also satisfactorily accounted for.
+
+"Are you contented?" asked Sir JOHN, of AUGUSTE and HENRI.
+
+"How does it end?" was the answer, taking the shape of a question.
+
+"Happily for all. Not only for us, but for you and the Public
+generally."
+
+And AUGUSTE, HENRI, _Box_ and _Cox_, and in fact everybody who was
+anybody, were satisfied. As indeed they should be.
+
+ * * * * *
+
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+***END OF THE PROJECT GUTENBERG EBOOK PUNCH, OR THE LONDON CHARIVARI, VOL.
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