summaryrefslogtreecommitdiff
path: root/16265.txt
diff options
context:
space:
mode:
Diffstat (limited to '16265.txt')
-rw-r--r--16265.txt2969
1 files changed, 2969 insertions, 0 deletions
diff --git a/16265.txt b/16265.txt
new file mode 100644
index 0000000..79f0623
--- /dev/null
+++ b/16265.txt
@@ -0,0 +1,2969 @@
+The Project Gutenberg EBook of Riley Songs of Home, by James Whitcomb Riley
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Riley Songs of Home
+
+Author: James Whitcomb Riley
+
+Release Date: July 12, 2005 [EBook #16265]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK RILEY SONGS OF HOME ***
+
+
+
+
+Produced by Juliet Sutherland, Scott G. Sims and the Online
+Distributed Proofreading Team at https://www.pgdp.net
+
+
+
+
+
+
+[Illustration]
+
+RILEY
+SONGS OF HOME
+
+JAMES WHITCOMB RILEY
+
+
+WITH PICTURES BY
+WILL VAWTER
+
+
+NEW YORK
+GROSSET & DUNLAP
+PUBLISHERS
+
+
+
+1910
+BY JAMES WHITCOMB RILEY
+
+
+
+TO
+GEORGE A. CARR
+
+
+
+
+CONTENTS
+
+
+ AS CREATED 56
+ AS MY UNCLE USED TO SAY 126
+ AT SEA 160
+ BACKWARD LOOK, A 155
+ BEST IS GOOD ENOUGH, THE 123
+ BOYS, THE 104
+ "BRAVE REFRAIN, A" 113
+ DREAMER, SAY 61
+ FEEL IN THE CHRIS'MAS AIR, A 52
+ FOR YOU 50
+ GOOD MAN, A 132
+ HER BEAUTIFUL HANDS 189
+ HIS ROOM 38
+ HONEY DRIPPING FROM THE COMB 125
+ "HOW DID YOU REST, LAST NIGHT?" 94
+ IN THE EVENING 115
+ IT'S GOT TO BE 107
+ JACK-IN-THE-BOX 100
+ JIM 117
+ JOHN McKEEN 165
+ JUST TO BE GOOD 26
+ KNEELING WITH HERRICK 138
+ LAUGHTER HOLDING BOTH HIS SIDES 81
+ MULBERRY TREE, THE 46
+ MY DANCIN' DAYS IS OVER 184
+ MY FRIEND 29
+ NATURAL PERVERSITIES 70
+ NOT ALWAYS GLAD WHEN WE SMILE 36
+ OLD DAYS, THE 135
+ OLD GUITAR, THE 161
+ OLD TRUNDLE-BED, THE 64
+ OUR BOYHOOD HAUNTS 182
+ OUR KIND OF A MAN 92
+ OUR OWN 63
+ "OUT OF REACH?" 112
+ OUT OF THE HITHERWHERE 98
+ PLAINT HUMAN, THE 43
+ QUEST, THE 44
+ RAINY MORNING, THE 141
+ REACH YOUR HAND TO ME 143
+ SCRAWL, A 75
+ SONG OF PARTING 90
+ SONG OF YESTERDAY, THE 82
+ SPRING SONG AND A LATER, A 137
+ "THEM OLD CHEERY WORDS" 172
+ THINKIN' BACK 31
+ THROUGH SLEEPY-LAND 170
+ TO MY OLD FRIEND, WILLIAM LEACHMAN 145
+ TO THE JUDGE 177
+ WE MUST BELIEVE 130
+ WE MUST GET HOME 19
+ WHERE-AWAY 57
+ WHO BIDES HIS TIME 68
+ WRITIN' BACK TO THE HOME-FOLKS 76
+
+
+
+
+RILEY SONGS OF HOME
+
+
+
+
+[Illustration]
+
+WE MUST GET HOME
+
+
+We must get home! How could we stray like this?--
+So far from home, we know not where it is,--
+Only in some fair, apple-blossomy place
+Of children's faces--and the mother's face--
+We dimly dream it, till the vision clears
+Even in the eyes of fancy, glad with tears.
+
+We must get home--for we have been away
+So long, it seems forever and a day!
+And O so very homesick we have grown,
+The laughter of the world is like a moan
+In our tired hearing, and its song as vain,--
+We must get home--we must get home again!
+
+We must get home! With heart and soul we yearn
+To find the long-lost pathway, and return!...
+The child's shout lifted from the questing band
+Of old folk, faring weary, hand in hand,
+But faces brightening, as if clouds at last
+Were showering sunshine on us as we passed.
+
+We must get home: It hurts so staying here,
+Where fond hearts must be wept out tear by tear,
+And where to wear wet lashes means, at best,
+When most our lack, the least our hope of rest--
+When most our need of joy, the more our pain--
+We must get home--we must get home again!
+
+[Illustration]
+
+We must get home--home to the simple things--
+The morning-glories twirling up the strings
+And bugling color, as they blared in blue-
+And-white o'er garden-gates we scampered through;
+The long grape-arbor, with its under-shade
+Blue as the green and purple overlaid.
+
+We must get home: All is so quiet there:
+The touch of loving hands on brow and hair--
+Dim rooms, wherein the sunshine is made mild--
+The lost love of the mother and the child
+Restored in restful lullabies of rain,--
+We must get home--we must get home again!
+
+The rows of sweetcorn and the China beans
+Beyond the lettuce-beds where, towering, leans
+The giant sunflower in barbaric pride
+Guarding the barn-door and the lane outside;
+The honeysuckles, midst the hollyhocks,
+That clamber almost to the martin-box.
+
+We must get home, where, as we nod and drowse,
+Time humors us and tiptoes through the house,
+And loves us best when sleeping baby-wise,
+With dreams--not tear-drops--brimming our clenched eyes,--
+Pure dreams that know nor taint nor earthly stain--
+We must get home--we must get home again!
+
+We must get home! The willow-whistle's call
+Trills crisp and liquid as the waterfall--
+Mocking the trillers in the cherry-trees
+And making discord of such rhymes as these,
+That know nor lilt nor cadence but the birds
+First warbled--then all poets afterwards.
+
+We must get home; and, unremembering there
+All gain of all ambition otherwhere,
+Rest--from the feverish victory, and the crown
+Of conquest whose waste glory weighs us down.--
+Fame's fairest gifts we toss back with disdain--
+We must get home--we must get home again!
+
+We must get home again--we must--we must!--
+(Our rainy faces pelted in the dust)
+Creep back from the vain quest through endless strife
+To find not anywhere in all of life
+A happier happiness than blest us then ...
+We must get home--we must get home again!
+
+[Illustration]
+
+
+
+
+JUST TO BE GOOD
+
+
+Just to be good--
+ This is enough--enough!
+O we who find sin's billows wild and rough,
+Do we not feel how more than any gold
+Would be the blameless life we led of old
+While yet our lips knew but a mother's kiss?
+ Ah! though we miss
+ All else but this,
+ To be good is enough!
+
+It is enough--
+ Enough--just to be good!
+To lift our hearts where they are understood;
+To let the thirst for worldly power and place
+Go unappeased; to smile back in God's face
+With the glad lips our mothers used to kiss.
+ Ah! though we miss
+ All else but this,
+ To be good is enough!
+
+[Illustration]
+
+
+
+
+[Illustration]
+
+MY FRIEND
+
+
+"He is my friend," I said,--
+"Be patient!" Overhead
+The skies were drear and dim;
+And lo! the thought of him
+Smiled on my heart--and then
+The sun shone out again!
+
+"He is my friend!" The words
+Brought summer and the birds;
+And all my winter-time
+Thawed into running rhyme
+And rippled into song,
+Warm, tender, brave and strong.
+
+And so it sings to-day.--
+So may it sing alway!
+Though waving grasses grow
+Between, and lilies blow
+Their trills of perfume clear
+As laughter to the ear,
+Let each mute measure end
+With "Still he is thy friend."
+
+[Illustration]
+
+
+
+
+[Illustration]
+
+THINKIN' BACK
+
+
+I've ben thinkin' back, of late,
+S'prisin'!--And I'm here to state
+I'm suspicious it's a sign
+Of _age_, maybe, or decline
+Of my faculties,--and yit
+I'm not _feelin'_ old a bit--
+Any more than sixty-four
+Ain't no _young_ man any more!
+
+Thinkin' back's a thing 'at grows
+On a feller, I suppose--
+Older 'at he gits, i jack,
+More he keeps a-thinkin' back!
+Old as old men git to be,
+Er as middle-aged as me,
+Folks'll find us, eye and mind
+Fixed on what we've left behind--
+Rehabilitatin'-like
+Them old times we used to hike
+Out barefooted fer the crick,
+'Long 'bout _Aprile first_--to pick
+Out some "warmest" place to go
+In a-swimmin'--_Ooh! my-oh!_
+Wonder now we hadn't died!
+Grate horseradish on my hide
+Jes' _a-thinkin'_ how cold then
+That-'ere worter must 'a' ben!
+
+Thinkin' back--W'y, goodness me!
+I kin call their names and see
+Every little tad I played
+With, er fought, er was afraid
+Of, and so made _him_ the best
+Friend I had of all the rest!
+
+[Illustration]
+
+Thinkin' back, I even hear
+Them a-callin', high and clear,
+Up the crick-banks, where they seem
+Still hid in there--like a dream--
+And me still a-pantin' on
+The green pathway they have gone!
+Still they hide, by bend er ford--
+Still they hide--but, thank the Lord,
+(Thinkin' back, as I have said),
+I hear laughin' on ahead!
+
+[Illustration]
+
+
+
+
+NOT ALWAYS GLAD WHEN WE SMILE
+
+
+We are not always glad when we smile:
+ Though we wear a fair face and are gay,
+ And the world we deceive
+ May not ever believe
+ We could laugh in a happier way.--
+Yet, down in the deeps of the soul,
+ Ofttimes, with our faces aglow,
+ There's an ache and a moan
+ That we know of alone,
+And as only the hopeless may know.
+
+We are not always glad when we smile,--
+ For the heart, in a tempest of pain,
+ May live in the guise
+ Of a smile in the eyes
+ As a rainbow may live in the rain;
+And the stormiest night of our woe
+ May hang out a radiant star
+ Whose light in the sky
+ Of despair is a lie
+As black as the thunder-clouds are.
+
+We are not always glad when we smile!--
+ But the conscience is quick to record,
+ All the sorrow and sin
+ We are hiding within
+ Is plain in the sight of the Lord:
+And ever, O ever, till pride
+ And evasion shall cease to defile
+ The sacred recess
+ Of the soul, we confess
+We are not always glad when we smile.
+
+[Illustration]
+
+
+
+
+[Illustration]
+
+HIS ROOM
+
+
+"I'm home again, my dear old Room,
+ I'm home again, and happy, too,
+As, peering through the brightening gloom,
+ I find myself alone with you:
+ Though brief my stay, nor far away,
+ I missed you--missed you night and day--
+ As wildly yearned for you as now.--
+ Old Room, how are you, anyhow?
+
+"My easy chair, with open arms,
+ Awaits me just within the door;
+The littered carpet's woven charms
+ Have never seemed so bright before,--
+ The old rosettes and mignonettes
+ And ivy-leaves and violets,
+ Look up as pure and fresh of hue
+ As though baptized in morning dew.
+
+"Old Room, to me your homely walls
+ Fold round me like the arms of love,
+And over all my being falls
+ A blessing pure as from above--
+ Even as a nestling child caressed
+ And lulled upon a loving breast,
+ With folded eyes, too glad to weep
+ And yet too sad for dreams or sleep.
+
+"You've been so kind to me, old Room--
+ So patient in your tender care,
+My drooping heart in fullest bloom
+ Has blossomed for you unaware;
+ And who but you had cared to woo
+ A heart so dark, and heavy, too,
+ As in the past you lifted mine
+ From out the shadow to the shine?
+
+"For I was but a wayward boy
+ When first you gladly welcomed me
+And taught me work was truer joy
+ Than rioting incessantly:
+ And thus the din that stormed within
+ The old guitar and violin
+ Has fallen in a fainter tone
+ And sweeter, for your sake alone.
+
+"Though in my absence I have stood
+ In festal halls a favored guest,
+I missed, in this old quietude,
+ My worthy work and worthy rest--
+ By _this_ I know that long ago
+ You loved me first, and told me so
+ In art's mute eloquence of speech
+ The voice of praise may never reach.
+
+"For lips and eyes in truth's disguise
+ Confuse the faces of my friends,
+Till old affection's fondest ties
+ I find unraveling at the ends;
+ But as I turn to you, and learn
+ To meet my griefs with less concern,
+ Your love seems all I have to keep
+ Me smiling lest I needs must weep.
+
+"Yet I am happy, and would fain
+ Forget the world and all its woes;
+So set me to my tasks again,
+ Old Room, and lull me to repose:
+ And as we glide adown the tide
+ Of dreams, forever side by side,
+ I'll hold your hands as lovers do
+ Their sweethearts' and talk love to you."
+
+[Illustration]
+
+
+
+
+[Illustration]
+
+THE PLAINT HUMAN
+
+
+Season of snows, and season of flowers,
+ Seasons of loss and gain!--
+Since grief and joy must alike be ours,
+ Why do we still complain?
+
+Ever our failing, from sun to sun,
+ O my intolerant brother--
+We want just a little too little of one,
+ And much too much of the other.
+
+
+
+
+THE QUEST
+
+
+I am looking for Love. Has he passed this way,
+With eyes as blue as the skies of May,
+And a face as fair as the summer dawn?--
+You answer back, but I wander on,--
+For you say: "Oh, yes; but his eyes were gray,
+And his face as dim as a rainy day."
+
+Good friends, I query, I search for Love;
+His eyes are as blue as the skies above,
+And his smile as bright as the midst of May
+When the truce-bird pipes: Has he passed this way?
+And one says: "Ay; but his face, alack!
+Frowned as he passed, and his eyes were black."
+
+O who will tell me of Love? I cry!
+His eyes are as blue as the mid-May sky,
+And his face as bright as the morning sun;
+And you answer and mock me, every one,
+That his eyes were dark, and his face was wan,
+And he passed you frowning and wandered on.
+
+But stout of heart will I onward fare,
+Knowing _my_ Love is beyond--somewhere,--
+The Love I seek, with the eyes of blue,
+And the bright, sweet smile unknown of you;
+And on from the hour his trail is found
+I shall sing sonnets the whole year round.
+
+[Illustration]
+
+
+
+
+THE MULBERRY TREE
+
+
+It's many's the scenes which is dear to my mind
+As I think of my childhood so long left behind;
+The home of my birth, with it's old puncheon-floor,
+And the bright morning-glories that growed round the door;
+The warped clab-board roof whare the rain it run off
+Into streams of sweet dreams as I laid in the loft,
+Countin' all of the joys that was dearest to me,
+And a-thinkin' the most of the mulberry tree.
+
+And to-day as I dream, with both eyes wide-awake,
+I can see the old tree, and its limbs as they shake,
+And the long purple berries that rained on the ground
+Whare the pastur' was bald whare we trommpt it around.
+And again, peekin' up through the thick leafy shade,
+I can see the glad smiles of the friends when I strayed
+With my little bare feet from my own mother's knee
+To foller them off to the mulberry tree.
+
+[Illustration]
+
+Leanin' up in the forks, I can see the old rail,
+And the boy climbin' up it, claw, tooth, and toe-nail,
+And in fancy can hear, as he spits on his hands,
+The ring of his laugh and the rip of his pants.
+But that rail led to glory, as certin and shore
+As I'll never climb thare by that rout' any more--
+What was all the green lauruls of Fame unto me,
+With my brows in the boughs of the mulberry tree!
+
+Then it's who can fergit the old mulberry tree
+That he knowed in the days when his thoughts was as free
+As the flutterin' wings of the birds that flew out
+Of the tall wavin' tops as the boys come about?
+O, a crowd of my memories, laughin' and gay,
+Is a-climbin' the fence of that pastur' to-day,
+And, a-pantin' with joy, as us boys ust to be,
+They go racin' acrost fer the mulberry tree.
+
+
+
+
+[Illustration]
+
+FOR YOU
+
+
+For you, I could forget the gay
+ Delirium of merriment,
+And let my laughter die away
+ In endless silence of content.
+ I could forget, for your dear sake,
+ The utter emptiness and ache
+ Of every loss I ever knew.--
+ What could I not forget for you?
+
+I could forget the just deserts
+ Of mine own sins, and so erase
+The tear that burns, the smile that hurts,
+ And all that mars or masks my face.
+ For your fair sake I could forget
+ The bonds of life that chafe and fret,
+ Nor care if death were false or true.--
+ What could I not forget for you?
+
+What could I not forget? Ah me!
+ One thing, I know, would still abide
+Forever in my memory,
+ Though all of love were lost beside--
+ I yet would feel how first the wine
+ Of your sweet lips made fools of mine
+ Until they sung, all drunken through--
+ "What could I not forget for you?"
+
+[Illustration]
+
+
+
+
+[Illustration]
+
+A FEEL IN THE CHRIS'MAS-AIR
+
+
+They's a kind o' _feel_ in the air, to me.
+ When the Chris'mas-times sets in.
+That's about as much of a mystery
+ As ever I've run ag'in!--
+Fer instunce, now, whilse I gain in weight
+ And gineral health, I swear
+They's a _goneness_ somers I can't quite state--
+ A kind o' _feel_ in the air.
+
+[Illustration]
+
+They's a feel in the Chris'mas-air goes right
+ To the spot where a man _lives_ at!--
+It gives a feller a' appetite--
+ They ain't no doubt about _that_!--
+And yit they's _somepin_'--I don't know what--
+ That follers me, here and there,
+And ha'nts and worries and spares me not--
+ A kind o' feel in the air!
+
+They's a _feel_, as I say, in the air that's jest
+ As blame-don sad as sweet!--
+In the same ra-sho as I feel the best
+ And am spryest on my feet,
+They's allus a kind o' sort of a' _ache_
+ That I can't lo-cate no-where;--
+But it comes with _Chris'mas_, and no mistake!--
+ A kind o' feel in the air.
+
+Is it the racket the childern raise?--
+ W'y, _no_!--God bless 'em!--_no_!--
+Is it the eyes and the cheeks ablaze--
+ Like my _own_ wuz, long ago?--
+Is it the bleat o' the whistle and beat
+ O' the little toy-drum and blare
+O' the horn?--_No! no!_--it is jest the sweet--
+ The sad-sweet feel in the air.
+
+
+
+
+[Illustration]
+
+AS CREATED
+
+
+There's a space for good to bloom in
+ Every heart of man or woman,--
+And however wild or human,
+ Or however brimmed with gall,
+Never heart may beat without it;
+And the darkest heart to doubt it
+Has something good about it
+ After all.
+
+
+
+
+[Illustration]
+
+WHERE-AWAY
+
+
+O the Lands of Where-Away!
+Tell us--tell us--where are they?
+Through the darkness and the dawn
+We have journeyed on and on--
+From the cradle to the cross--
+From possession unto loss.--
+Seeking still, from day to day,
+For the Lands of Where-Away.
+
+When our baby-feet were first
+Planted where the daisies burst,
+And the greenest grasses grew
+In the fields we wandered through,--
+On, with childish discontent,
+Ever on and on we went,
+Hoping still to pass, some day,
+O'er the verge of Where-Away.
+
+Roses laid their velvet lips
+On our own, with fragrant sips;
+But their kisses held us not,
+All their sweetness we forgot;--
+Though the brambles in our track
+Plucked at us to hold us back--
+"Just ahead," we used to say,
+"Lie the Lands of Where-Away."
+
+Children at the pasture-bars,
+Through the dusk, like glimmering stars,
+Waved their hands that we should bide
+With them over eventide;
+Down the dark their voices failed
+Falteringly, as they hailed,
+And died into yesterday--
+Night ahead and--Where-Away?
+
+Twining arms about us thrown--
+Warm caresses, all our own,
+Can but stay us for a spell--
+Love hath little new to tell
+To the soul in need supreme,
+Aching ever with the dream
+Of the endless bliss it may
+Find in Lands of Where-Away!
+
+[Illustration]
+
+
+
+
+[Illustration]
+
+DREAMER, SAY
+
+
+Dreamer, say, will you dream for me
+ A wild sweet dream of a foreign land,
+Whose border sips of a foaming sea
+ With lips of coral and silver sand;
+Where warm winds loll on the shady deeps,
+ Or lave themselves in the tearful mist
+The great wild wave of the breaker weeps
+ O'er crags of opal and amethyst?
+
+Dreamer, say, will you dream a dream
+ Of tropic shades in the lands of shine,
+Where the lily leans o'er an amber stream
+ That flows like a rill of wasted wine,--
+Where the palm-trees, lifting their shields of green,
+ Parry the shafts of the Indian sun
+Whose splintering vengeance falls between
+ The reeds below where the waters run?
+
+Dreamer, say, will you dream of love
+ That lives in a land of sweet perfume,
+Where the stars drip down from the skies above
+ In molten spatters of bud and bloom?
+Where never the weary eyes are wet,
+ And never a sob in the balmy air,
+And only the laugh of the paroquette
+ Breaks the sleep of the silence there?
+
+[Illustration]
+
+
+
+
+
+[Illustration]
+
+OUR OWN
+
+
+They walk here with us, hand-in-hand;
+ We gossip, knee-by-knee;
+They tell us all that they have planned--
+ Of all their joys to be,--
+And, laughing, leave us: And, to-day,
+ All desolate we cry
+Across wide waves of voiceless graves--
+ Good-by! Good-by! Good-by!
+
+
+
+
+THE OLD TRUNDLE-BED
+
+
+O the old trundle-bed where I slept when a boy!
+What canopied king might not covet the joy?
+The glory and peace of that slumber of mine,
+Like a long, gracious rest in the bosom divine:
+The quaint, homely couch, hidden close from the light,
+But daintily drawn from its hiding at night.
+O a nest of delight, from the foot to the head,
+Was the queer little, clear little, old trundle-bed!
+
+O the old trundle-bed, where I wondering saw
+The stars through the window, and listened with awe
+To the sigh of the winds as they tremblingly crept
+Through the trees where the robin so restlessly slept:
+Where I heard the low, murmurous chirp of the wren,
+And the katydid listlessly chirrup again,
+Till my fancies grew faint and were drowsily led
+Through the maze of the dreams of the old trundle bed.
+
+[Illustration]
+
+O the old trundle-bed! O the old trundle-bed!
+With its plump little pillow, and old-fashioned spread;
+Its snowy-white sheets, and the blankets above,
+Smoothed down and tucked round with the touches of love;
+The voice of my mother to lull me to sleep
+With the old fairy-stories my memories keep
+Still fresh as the lilies that bloom o'er the head
+Once bowed o'er my own in the old trundle-bed.
+
+[Illustration]
+
+
+
+
+[Illustration]
+
+WHO BIDES HIS TIME
+
+
+Who bides his time, and day by day
+ Faces defeat full patiently,
+And lifts a mirthful roundelay,
+ However poor his fortunes be,--
+He will not fail in any qualm
+ Of poverty--the paltry clime
+It will grow golden in his palm,
+ Who bides his time.
+
+Who bides his time--he tastes the sweet
+ Of honey in the saltest tear;
+And though he fares with slowest feet,
+ Joy runs to meet him, drawing near;
+The birds are heralds of his cause;
+ And, like a never-ending rhyme,
+The roadsides bloom in his applause,
+ Who bides his time.
+
+Who bides his time, and fevers not
+ In the hot race that none achieves,
+Shall wear cool-wreathen laurel, wrought
+ With crimson berries in the leaves;
+And he shall reign a goodly king,
+ And sway his hand o'er every clime,
+With peace writ on his signet-ring,
+ Who bides his time.
+
+[Illustration]
+
+
+
+
+[Illustration]
+
+NATURAL PERVERSITIES
+
+
+I am not prone to moralize
+ In scientific doubt
+On certain facts that Nature tries
+ To puzzle us about,--
+For I am no philosopher
+ Of wise elucidation,
+But speak of things as they occur,
+ From simple observation.
+
+I notice _little_ things--to wit:--
+ I never missed a train
+Because I didn't _run_ for it;
+ I never knew it rain
+That my umbrella wasn't lent,--
+ Or, when in my possession,
+The sun but wore, to all intent,
+ A jocular expression.
+
+[Illustration]
+
+I never knew a creditor
+ To dun me for a debt
+But I was "cramped" or "busted;" or
+ I never knew one yet,
+When I had plenty in my purse,
+ To make the least invasion,--
+As I, accordingly perverse,
+ Have courted no occasion.
+
+Nor do I claim to comprehend
+ What Nature has in view
+In giving us the very friend
+ To trust we oughtn't to.--
+But so it is: The trusty gun
+ Disastrously exploded
+Is always sure to be the one
+ We didn't think was loaded.
+
+Our moaning is another's mirth,--
+ And what is worse by half,
+We say the funniest thing on earth
+ And never raise a laugh:
+Mid friends that love us overwell,
+ And sparkling jests and liquor,
+Our hearts somehow are liable
+ To melt in tears the quicker.
+
+We reach the wrong when most we seek
+ The right; in like effect,
+We stay the strong and not the weak--
+ Do most when we neglect.--
+Neglected genius--truth be said--
+ As wild and quick as tinder,
+The more we seek to help ahead
+ The more we seem to hinder.
+
+I've known the least the greatest, too--
+ And, on the selfsame plan,
+The biggest fool I ever knew
+ Was quite a little man:
+We find we ought, and then we won't--
+ We prove a thing, then doubt it,--
+Know _everything_ but when we don't
+ Know _anything_ about it.
+
+[Illustration]
+
+
+
+
+[Illustration]
+
+A SCRAWL
+
+
+I want to sing something--but this is all--
+ I try and I try, but the rhymes are dull
+As though they were damp, and the echoes fall
+ Limp and unlovable.
+
+Words will not say what I yearn to say--
+ They will not walk as I want them to,
+But they stumble and fall in the path of the way
+ Of my telling my love for you.
+
+Simply take what the scrawl is worth--
+ Knowing I love you as sun the sod
+On the ripening side of the great round earth
+ That swings in the smile of God.
+
+
+
+
+WRITIN' BACK TO THE HOME-FOLKS
+
+
+My dear old friends--It jes beats all,
+ The way you write a letter
+So's ever' _last_ line beats the _first_,
+ And ever' _next_-un's better!--
+W'y, ever' fool-thing you putt down
+ You make so inte_rest_in',
+A feller, readin' of 'em all,
+ Can't tell which is the _best_-un.
+
+It's all so comfortin' and good,
+ 'Pears-like I almost _hear_ ye
+And git more sociabler, you know,
+ And hitch my cheer up near ye
+And jes smile on ye like the sun
+ Acrosst the whole per-rairies
+In Aprile when the thaw's begun
+ And country couples marries.
+
+[Illustration]
+
+It's all so good-old-fashioned like
+ To _talk_ jes like we're _thinkin'_,
+Without no hidin' back o' fans
+ And giggle-un and winkin',
+Ner sizin' how each-other's dressed--
+ Like some is allus doin',--
+"_Is_ Marthy Ellen's basque ben _turned_
+ Er shore-enough a new-un!"--
+
+Er "ef Steve's city-friend haint jes
+ 'A _lee_tle kindo'-sorto'"--
+Er "wears them-air blame eye-glasses
+ Jes 'cause he hadn't ort to?"
+And so straight on, _dad-libitum_,
+ Tel all of us feels, _some_way,
+Jes like our "comp'ny" wuz the best
+ When we git up to come 'way!
+
+That's why I like _old_ friends like you,--
+ Jes 'cause you're so _abidin'_.--
+Ef I was built to live "_fer keeps_,"
+ My principul residin'
+Would be amongst the folks 'at kep'
+ Me allus _thinkin'_ of 'em,
+And sorto' eechin' all the time
+ To tell 'em how I love 'em.--
+
+Sich folks, you know, I jes love so
+ I wouldn't live without 'em,
+Er couldn't even drap asleep
+ But what I _dreamp'_ about 'em,--
+And ef we minded God, I guess
+ We'd _all_ love one-another
+Jes like one fam'bly,--me and Pap
+ And Madaline and Mother.
+
+[Illustration]
+
+
+
+
+[Illustration]
+
+LAUGHTER HOLDING BOTH HIS SIDES
+
+
+Ay, thou varlet!--Laugh away!
+All the world's a holiday!
+Laugh away, and roar and shout
+Till thy hoarse tongue lolleth out!
+Bloat thy cheeks, and bulge thine eyes
+Unto bursting; pelt thy thighs
+With thy swollen palms, and roar
+As thou never hast before!
+Lustier! wilt thou! peal on peal!
+Stiflest? Squat and grind thy heel--
+Wrestle with thy loins, and then
+Wheeze thee whiles, and whoop again!
+
+
+
+
+THE SONG OF YESTERDAY
+
+
+I
+
+But yesterday
+I looked away
+O'er happy lands, where sunshine lay
+In golden blots
+Inlaid with spots
+Of shade and wild forget-me-nots.
+
+My head was fair
+With flaxen hair,
+And fragrant breezes, faint and rare,
+And warm with drouth
+From out the south,
+Blew all my curls across my mouth.
+
+And, cool and sweet,
+My naked feet
+Found dewy pathways through the wheat;
+And out again
+Where, down the lane,
+The dust was dimpled with the rain.
+
+[Illustration]
+
+
+II
+
+But yesterday:--
+Adream, astray,
+From morning's red to evening's gray,
+O'er dales and hills
+Of daffodils
+And lorn sweet-fluting whippoorwills.
+
+I knew nor cares
+Nor tears nor prayers--
+A mortal god, crowned unawares
+With sunset--and
+A scepter-wand
+Of apple-blossoms in my hand!
+
+The dewy blue
+Of twilight grew
+To purple, with a star or two
+Whose lisping rays
+Failed in the blaze
+Of sudden fireflies through the haze.
+
+
+III
+
+But yesterday
+I heard the lay
+Of summer birds, when I, as they
+With breast and wing,
+All quivering
+With life and love, could only sing.
+
+My head was lent
+Where, with it, blent
+A maiden's o'er her instrument;
+While all the night,
+From vale to height,
+Was filled with echoes of delight.
+
+And all our dreams
+Were lit with gleams
+Of that lost land of reedy streams.
+Along whose brim
+Forever swim
+Pan's lilies, laughing up at him.
+
+[Illustration]
+
+
+IV
+
+But yesterday!...
+O blooms of May,
+And summer roses--where-away?
+O stars above;
+And lips of love,
+And all the honeyed sweets thereof!--
+
+O lad and lass,
+And orchard pass,
+And briered lane, and daisied grass!
+O gleam and gloom,
+And woodland bloom,
+And breezy breaths of all perfume!--
+
+No more for me
+Or mine shall be
+Thy raptures--save in memory,--
+No more--no more--
+Till through the Door
+Of Glory gleam the days of yore.
+
+
+
+
+[Illustration]
+
+SONG OF PARTING
+
+
+Say farewell, and let me go;
+ Shatter every vow!
+All the future can bestow
+ Will be welcome now!
+ And if this fair hand I touch
+ I have worshipped overmuch,
+ It was my mistake--and so,
+ Say farewell, and let me go.
+
+Say farewell, and let me go:
+ Murmur no regret,
+Stay your tear-drops ere they flow--
+ Do not waste them yet!
+ They might pour as pours the rain,
+ And not wash away the pain:
+ I have tried them and I know.--
+ Say farewell, and let me go.
+
+Say farewell, and let me go:
+ Think me not untrue--
+True as truth is, even so
+ I am true to you!
+ If the ghost of love may stay
+ Where my fond heart dies to-day,
+ I am with you alway--so,
+ Say farewell, and let me go.
+
+[Illustration]
+
+
+
+
+OUR KIND OF A MAN
+
+
+I
+
+The kind of a man for you and me!
+He faces the world unflinchingly,
+And smites, as long as the wrong resists,
+With a knuckled faith and force like fists:
+He lives the life he is preaching of,
+And loves where most is the need of love;
+His voice is clear to the deaf man's ears,
+And his face sublime through the blind man's tears;
+The light shines out where the clouds were dim,
+And the widow's prayer goes up for him;
+The latch is clicked at the hovel door
+And the sick man sees the sun once more,
+And out o'er the barren fields he sees
+Springing blossoms and waving trees,
+Feeling as only the dying may,
+That God's own servant has come that way,
+Smoothing the path as it still winds on
+Through the Golden Gate where his loved have gone.
+
+
+II
+
+The kind of a man for me and you!
+However little of worth we do
+He credits full, and abides in trust
+That time will teach us how more is just.
+He walks abroad, and he meets all kinds
+Of querulous and uneasy minds,
+And, sympathizing, he shares the pain
+Of the doubts that rack us, heart and brain;
+And, knowing this, as we grasp his hand,
+We are surely coming to understand!
+He looks on sin with pitying eyes--
+E'en as the Lord, since Paradise,--
+Else, should we read, "Though our sins should glow
+As scarlet, they shall be white as snow"?--
+And, feeling still, with a grief half glad,
+That the bad are as good as the good are bad,
+He strikes straight out for the Right--and he
+Is the kind of a man for you and me!
+
+
+
+
+[Illustration]
+
+"HOW DID YOU REST, LAST NIGHT?"
+
+
+"How did you rest, last night?"--
+ I've heard my gran'pap say
+Them words a thousand times--that's right--
+ Jes them words thataway!
+As punctchul-like as morning dast
+ To ever heave in sight
+Gran'pap 'ud allus haf to ast--
+ "How did you rest, last night?"
+
+[Illustration]
+
+Us young-uns used to grin,
+ At breakfast, on the sly,
+And mock the wobble of his chin
+ And eyebrows belt so high
+And kind: _"How did you rest, last night?"_
+ We'd mumble and let on
+Our voices trimbled, and our sight
+ Was dim, and hearin' gone.
+
+ * * * * *
+
+Bad as I used to be,
+ All I'm a-wantin' is
+As puore and ca'm a sleep fer me
+ And sweet a sleep as his!
+And so I pray, on Jedgment Day
+ To wake, and with its light
+See _his_ face dawn, and hear him say--
+ "How did you rest, last night?"
+
+[Illustration]
+
+
+
+
+[Illustration]
+
+OUT OF THE HITHERWHERE
+
+
+Out of the hitherwhere into the Yon--
+The land that the Lord's love rests upon;
+Where one may rely on the friends he meets,
+And the smiles that greet him along the streets:
+Where the mother that left you years ago
+Will lift the hands that were folded so,
+And put them about you, with all the love
+And tenderness you are dreaming of.
+
+Out of the hitherwhere into the Yon--
+Where all of the friends of your youth have gone,--
+Where the old schoolmate that laughed with you,
+Will laugh again as he used to do,
+Running to meet you, with such a face
+As lights like a moon the wondrous place
+Where God is living, and glad to live,
+Since He is the Master and may forgive.
+
+Out of the hitherwhere into the Yon!--
+Stay the hopes we are leaning on--
+You, Divine, with Your merciful eyes
+Looking down from the far-away skies,--
+Smile upon us, and reach and take
+Our worn souls Home for the old home's sake.--
+And so Amen,--for our all seems gone
+Out of the hitherwhere into the Yon.
+
+[Illustration]
+
+
+
+
+[Illustration]
+
+JACK-IN-THE-BOX
+
+_(Grandfather, musing.)_
+
+
+In childish days! O memory,
+ You bring such curious things to me!--
+Laughs to the lip--tears to the eye,
+In looking on the gifts that lie
+Like broken playthings scattered o'er
+Imagination's nursery floor!
+Did these old hands once click the key
+That let "Jack's" box-lid upward fly,
+And that blear-eyed, fur-whiskered elf
+Leap, as though frightened at himself,
+And quiveringly lean and stare
+At me, his jailer, laughing there?
+
+[Illustration]
+
+A child then! Now--I only know
+They call me very old; and so
+They will not let me have my way,--
+But uselessly I sit all day
+Here by the chimney-jamb, and poke
+The lazy fire, and smoke and smoke,
+And watch the wreaths swoop up the flue,
+And chuckle--ay, I often do--
+Seeing again, all vividly,
+Jack-in-the-box leap, as in glee
+To see how much he looks like me!
+
+... They talk. I can't hear what they say--
+But I am glad, clean through and through
+Sometimes, in fancying that they
+Are saying, "Sweet, that fancy strays
+In age back to our childish days!"
+
+[Illustration]
+
+
+
+THE BOYS
+
+
+Where are they?--the friends of my childhood enchanted--
+The clear, laughing eyes looking back in my own,
+And the warm, chubby fingers my palms have so wanted,
+ As when we raced over
+ Pink pastures of clover,
+And mocked the quail's whir and the bumblebee's drone?
+
+Have the breezes of time blown their blossomy faces
+ Forever adrift down the years that are flown?
+Am I never to see them romp back to their places,
+ Where over the meadow,
+ In sunshine and shadow,
+The meadow-larks trill, and the bumblebees drone?
+
+Where are they? Ah! dim in the dust lies the clover;
+ The whippoorwill's call has a sorrowful tone,
+And the dove's--I have wept at it over and over;--
+ I want the glad luster
+ Of youth, and the cluster
+Of faces asleep where the bumblebees drone!
+
+[Illustration]
+
+
+
+
+[Illustration]
+
+IT'S _GOT_ TO BE
+
+
+"When it's _got_ to be,"--like! always say,
+ As I notice the years whiz past,
+And know each day is a yesterday,
+ When we size it up, at last,--
+Same as I said when my _boyhood_ went
+ And I knowed _we_ had to quit,--
+"It's _got_ to be, and it's _goin'_ to be!"--
+ So I said "Good-by" to _it_.
+
+It's _got_ to be, and it's _goin'_ to be!
+ So at least I always try
+To kind o' say in a hearty way,--
+ "Well, it's _got_ to be. Good-by!"
+
+The time jes melts like a late, last snow,--
+ When it's _got_ to be, it melts!
+But I aim to keep a cheerful mind,
+ Ef I can't keep nothin' else!
+I knowed, when I come to twenty-one,
+ That I'd soon be twenty-two,--
+So I waved one hand at the soft young man,
+ And I said, "Good-by to _you_!"
+
+It's _got_ to be, and it's _goin'_ to be!
+ So at least I always try
+To kind o' say, in a cheerful way,--
+ "Well, it's _got_ to be.--Good-by!"
+
+They kep' a-goin', the years and years,
+ Yet still I smiled and smiled,--
+For I'd said "Good-by" to my single life,
+ And I now had a wife and child:
+Mother and son and the father--one,--
+ Till, last, on her bed of pain,
+She jes' smiled up, like she always done,--
+ And I said "Good-by" again.
+
+It's _got_ to be, and it's _goin'_ to be!
+ So at least I always try
+To kind o' say, in a humble way,--
+ "Well, it's _got_ to be. Good-by!"
+
+[Illustration]
+
+And then my boy--as he growed to be
+ Almost a man in size,--
+Was more than a pride and joy to me,
+ With his mother's smilin' eyes.--
+He gimme the slip, when the War broke out,
+ And followed me. And I
+Never knowed till the first right's end ...
+ I found him, and then, ... "Good-by."
+
+It's _got_ to be, and it's _goin'_ to be!
+ So at least I always try
+To kind o' say, in a patient way,
+ "Well, it's _got_ to be. Good-by!"
+
+I have said, "Good-by!--Good-by!--Good-by!"
+ With my very best good will,
+All through life from the first,--and I
+ Am a cheerful old man still:
+
+But it's _got_ to end, and it's _goin'_ to end!
+ And this is the thing I'll do,--
+With my last breath I will laugh, O Death,
+ And say "Good-by" to _you_!...
+
+It's _got_ to be! And again I say,--
+ When his old scythe circles high,
+I'll laugh--of course, in the kindest way,--
+ As I say "Good-by!--Good-by!"
+
+
+
+
+
+[Illustration]
+
+"OUT OF REACH?"
+
+
+You think them "out of reach," your dead?
+ Nay, by my own dead, I deny
+Your "out of reach."--Be comforted:
+ 'Tis not so far to die.
+
+O by their dear remembered smiles
+ And outheld hands and welcoming speech,
+They wait for us, thousands of miles
+ This side of "out-of-reach."
+
+
+
+
+[Illustration]
+
+"A BRAVE REFRAIN"
+
+
+When snow is here, and the trees look weird,
+ And the knuckled twigs are gloved with frost;
+When the breath congeals in the drover's beard,
+ And the old pathway to the barn is lost;
+When the rooster's crow is sad to hear,
+ And the stamp of the stabled horse is vain,
+And the tone of the cow-bell grieves the ear--
+ O then is the time for a brave refrain!
+
+When the gears hang stiff on the harness-peg,
+ And the tallow gleams in frozen streaks;
+And the old hen stands on a lonesome leg,
+ And the pump sounds hoarse and the handle squeaks;
+When the woodpile lies in a shrouded heap,
+ And the frost is scratched from the window-pane
+And anxious eyes from the inside peep--
+ O then is the time for a brave refrain!
+
+When the ax-helve warms at the chimney-jamb,
+ And hob-nailed shoes on the hearth below,
+And the house-cat curls in a slumber calm,
+ And the eight-day clock ticks loud and slow;
+When the harsh broom-handle jabs the ceil
+ 'Neath the kitchen-loft, and the drowsy brain
+Sniffs the breath of the morning meal--
+ O then is the time for a brave refrain!
+
+
+ENVOI
+
+When the skillet seethes, and a blubbering hot
+Tilts the lid of the coffee-pot,
+And the scent of the buckwheat cake grows plain--
+O then is the time for a brave refrain!
+
+
+
+
+[Illustration]
+
+IN THE EVENING
+
+
+I
+
+In the evening of our days,
+ When the first far stars above
+Glimmer dimmer, through the haze,
+ Than the dewy eyes of love,
+Shall we mournfully revert
+ To the vanished morns and Mays
+Of our youth, with hearts that hurt,--
+ In the evening of our days?
+
+
+II
+
+Shall the hand that holds your own
+ Till the twain are thrilled as now,
+Be withheld, or colder grown?
+ Shall my kiss upon your brow
+Falter from its high estate?
+ And, in all forgetful ways,
+Shall we sit apart and wait--
+ In the evening of our days?
+
+
+III
+
+Nay, my wife--my life!--the gloom
+ Shall enfold us velvetwise,
+And my smile shall be the groom
+ Of the gladness of your eyes:
+Gently, gently as the dew
+ Mingles with the darkening maze,
+I shall fall asleep with you--
+ In the evening of our days.
+
+
+
+
+[Illustration]
+
+JIM
+
+
+He was jes a plain, ever'-day, all-round kind of a jour.,
+ Consumpted-lookin'--but la!
+The jokiest, wittiest, story-tellin', song-singin', laughin'est, jolliest
+ Feller you ever saw!
+Worked at jes coarse work, but you kin bet he was fine enough in his talk,
+ And his feelin's, too!
+Lordy! ef he was on'y back on his bench ag'in to-day, a-carryin' on
+ Like he ust to do!
+
+Any shop-mate'll tell you there never was, on top o' dirt,
+ A better feller'n Jim!
+You want a favor, and couldn't git it anywheres else--
+ You could git it o' him!
+Most free-heartedest man thataway in the world, I guess!
+ Give up ever' nickel he's worth--
+And, ef you'd a-wanted it, and named it to him, and it was his,
+ He'd a-give you the earth!
+
+Allus a-reachin' out, Jim was, and a-he'ppin' some
+ Pore feller onto his feet--
+He'd a-never a-keered how hungry he was hisse'f,
+ So's _the feller_ got somepin' to eat!
+Didn't make no differ'nee at all to him how _he_ was dressed,
+ He ust to say to me,--
+"You togg out a tramp purty comfortable in winter-time, a-huntin' a job,
+ And he'll git along!" says he.
+
+[Illustration]
+
+Jim didn't have, ner never could git ahead, so overly much
+ O' this world's goods at a time.--
+'Fore now I've saw him, more'n one't, lend a dollar, and haf to, more'n like,
+ Turn round and borry a dime!
+Mebby laugh and joke about it hisse'f fer a while--then jerk his coat.
+ And kindo' square his chin,
+Tie on his apern, and squat hisse'f on his old shoe-bench,
+ And go to peggin' ag'in!
+
+Patientest feller, too, I reckon, 'at ever jes natchurly
+ Coughed hisse'f to death!
+Long enough after his voice was lost he'd laugh in a whisper and say
+ He could git ever'thing but his breath--
+"_You fellers_," he'd sorto' twinkle his eyes and say,
+ "Is a-pilin' onto me
+A mighty big debt fer that-air little weak-chested ghost o' mine to pack
+ Through all Eternity!"
+
+Now there was a man 'at jes 'peared-like, to me,
+ 'At ortn't _a-never_ a-died!
+"But death hain't a-showin' no favors," the old boss said--
+ "On'y to _Jim_!" and cried:
+And Wigger, who puts up the best sewed-work in the shop--
+ Er the whole blame neighborhood,--
+He says, "When God made Jim, I bet you He didn't do anything else that day
+ But jes set around and feel good!"
+
+[Illustration]
+
+
+
+
+[Illustration]
+
+THE BEST IS GOOD ENOUGH
+
+
+I quarrel not with Destiny,
+But make the best of everything--
+The best is good enough for me.
+
+Leave Discontent alone, and she
+Will shut her month and let _you_ sing.
+I quarrel not with Destiny.
+
+I take some things, or let 'em be--
+Good gold has always got the ring;
+The best is good enough for me.
+
+Since Fate insists on secrecy,
+I have no arguments to bring--
+quarrel not with Destiny.
+
+The fellow that goes "haw" for "gee"
+Will find he hasn't got full swing.
+The best is good enough for me.
+
+One only knows our needs, and He
+Does all of the distributing.
+I quarrel not with Destiny;
+The best is good enough for me.
+
+[Illustration]
+
+
+
+
+HONEY DRIPPING FROM THE COMB
+
+
+How slight a thing may set one's fancy drifting
+ Upon the dead sea of the Past!--A view--
+Sometimes an odor--or a rooster lifting
+ A far-off "_Ooh! ooh-ooh!_"
+
+And suddenly we find ourselves astray
+ In some wood's-pasture of the Long Ago--
+Or idly dream again upon a day
+ Of rest we used to know.
+
+I bit an apple but a moment since--
+ A wilted apple that the worm had spurned.--
+Yet hidden in the taste were happy hints
+ Of good old days returned.--
+
+And so my heart, like some enraptured lute,
+ Tinkles a tune so tender and complete,
+God's blessing must be resting on the fruit--
+ So bitter, yet so sweet!
+
+
+
+
+AS MY UNCLE USED TO SAY
+
+
+I've thought a power on men and things,
+ As my uncle ust to say,--
+And ef folks don't work as they pray, i jings!
+ W'y, they ain't no use to pray!
+Ef you want somepin', and jes dead-set
+A-pleadin' fer it with both eyes wet,
+And _tears_ won't bring it, w'y, you try _sweat_,
+ As my uncle ust to say.
+
+They's some don't know their A, B, C's,
+ As my uncle ust to say,
+And yit don't waste no candle-grease,
+ Ner whistle their lives away!
+But ef they can't write no book, ner rhyme
+No singin' song fer to last all time,
+They can blaze the way fer the march sublime,
+ As my uncle ust to say.
+
+[Illustration]
+
+Whoever's Foreman of all things here,
+ As my uncle ust to say,
+He knows each job 'at we're best fit fer,
+ And our round-up, night and day:
+And a-sizin' _His_ work, east and west,
+And north and south, and worst and best.
+I ain't got nothin' to suggest,
+ As my uncle ust to say.
+
+[Illustration]
+
+
+
+
+WE MUST BELIEVE
+
+_"Lord, I believe: help Thou mine unbelief."_
+
+
+We must believe--
+Being from birth endowed with love and trust--
+Born unto loving;--and how simply just
+That love--that faith!--even in the blossom-face
+The babe drops dreamward in its resting-place,
+Intuitively conscious of the sure
+Awakening to rapture ever pure
+And sweet and saintly as the mother's own,
+Or the awed father's, as his arms are thrown
+O'er wife and child, to round about them weave
+ And wind and bind them as one harvest-sheaf
+Of love--to cleave to, and _forever_ cleave....
+ Lord, I believe:
+ Help Thou mine unbelief.
+
+We must believe--
+Impelled since infancy to seek some clear
+Fulfillment, still withheld all seekers here;--
+For never have we seen perfection nor
+The glory we are ever seeking for:
+But we _have_ seen--all mortal souls as one--
+Have seen its _promise_, in the morning sun--
+Its blest assurance, in the stars of night;--
+The ever-dawning of the dark to light;--
+The tears down-falling from all eyes that grieve--
+ The eyes uplifting from all deeps of grief,
+Yearning for what at last we shall receive....
+ Lord, I believe:
+ Help Thou mine unbelief.
+
+We must believe--
+For still all unappeased our hunger goes,
+From life's first waking, to its last repose:
+The briefest life of any babe, or man
+Outwearing even the allotted span,
+Is each a life unfinished--incomplete:
+For these, then, of th' outworn, or unworn feet
+Denied one toddling step--O there must be
+Some fair, green, flowery pathway endlessly
+Winding through lands Elysian! Lord, receive
+ And lead each as Thine Own Child--even the Chief
+Of us who didst Immortal life achieve....
+ Lord, I believe:
+ Help Thou mine unbelief.
+
+
+
+
+A GOOD MAN
+
+
+I
+
+A good man never dies--
+ In worthy deed and prayer
+And helpful hands, and honest eyes,
+ If smiles or tears be there:
+Who lives for you and me--
+ Lives for the world he tries
+To help--he lives eternally.
+ A good man never dies.
+
+
+II
+
+Who lives to bravely take
+ His share of toil and stress,
+And, for his weaker fellows' sake,
+ Makes every burden less,--
+He may, at last, seem worn--
+ Lie fallen--hands and eyes
+Folded--yet, though we mourn and mourn,
+ A good man never dies.
+
+[Illustration]
+
+
+
+
+[Illustration]
+
+THE OLD DAYS
+
+
+The old days--the far days--
+ The overdear and fair!--
+The old days--the lost days--
+ How lovely they were!
+The old days of Morning,
+ With the dew-drench on the flowers
+And apple-buds and blossoms
+ Of those old days of ours.
+
+Then was the _real_ gold
+ Spendthrift Summer flung;
+Then was the _real_ song
+ Bird or Poet sung!
+There was never censure then,--
+ Only honest praise--
+And all things were worthy of it
+ In the old days.
+
+There bide the true friends--
+ The first and the best;
+There clings the green grass
+ Close where they rest:
+Would they were here? No;--
+ Would _we_ were _there_!...
+The old days--the lost days--
+ How lovely they were!
+
+[Illustration]
+
+
+
+
+[Illustration]
+
+A SPRING SONG AND A LATER
+
+
+She sang a song of May for me,
+ Wherein once more I heard
+The mirth of my glad infancy--
+ The orchard's earliest bird--
+The joyous breeze among the trees
+ New-clad in leaf and bloom,
+And there the happy honey-bees
+ In dewy gleam and gloom.
+
+So purely, sweetly on the sense
+ Of heart and spirit fell
+Her song of Spring, its influence--
+ Still irresistible,--
+Commands me here--with eyes ablur--
+ To mate her bright refrain.
+Though I but shed a rhyme for her
+ As dim as Autumn rain.
+
+
+
+
+KNEELING WITH HERRICK
+
+
+Dear Lord, to Thee my knee is bent--
+ Give me content--
+Full-pleasured with what comes to me,
+ Whate'er it be:
+An humble roof--a frugal board,
+ And simple hoard;
+The wintry fagot piled beside
+ The chimney wide,
+While the enwreathing flames up-sprout
+ And twine about
+The brazen dogs that guard my hearth
+ And household worth:
+Tinge with the ember's ruddy glow
+ The rafters low;
+And let the sparks snap with delight,
+ As fingers might
+That mark deft measures of some tune
+ The children croon:
+Then, with good friends, the rarest few
+ Thou boldest true,
+Ranged round about the blaze, to share
+ My comfort there,--
+Give me to claim the service meet
+ That makes each seat
+A place of honor, and each guest
+ Loved as the rest.
+
+[Illustration]
+
+
+
+
+[Illustration]
+
+THE RAINY MORNING
+
+
+The dawn of the day was dreary,
+ And the lowering clouds o'erhead
+Wept in a silent sorrow
+ Where the sweet sunshine lay dead;
+And a wind came out of the eastward
+ Like an endless sigh of pain,
+And the leaves fell down in the pathway
+ And writhed in the falling rain.
+
+I had tried in a brave endeavor
+ To chord my harp with the sun,
+But the strings would slacken ever,
+ And the task was a weary one:
+And so, like a child impatient
+ And sick of a discontent,
+I bowed in a shower of teardrops
+ And mourned with the instrument.
+
+And lo! as I bowed, the splendor
+ Of the sun bent over me,
+With a touch as warm and tender
+ As a father's hand might be:
+And even as I felt its presence,
+ My clouded soul grew bright,
+And the tears, like the rain of morning,
+ Melted in mists of light.
+
+[Illustration]
+
+
+
+
+[Illustration]
+
+REACH YOUR HAND TO ME
+
+
+Reach your hand to me, my friend,
+ With its heartiest caress--
+Sometime there will come an end
+ To its present faithfulness--
+ Sometime I may ask in vain
+ For the touch of it again,
+ When between us land or sea
+ Holds it ever back from me.
+
+Sometime I may need it so,
+ Groping somewhere in the night,
+It will seem to me as though
+ Just a touch, however light,
+ Would make all the darkness day,
+ And along some sunny way
+ Lead me through an April-shower
+ Of my tears to this fair hour.
+
+O the present is too sweet
+ To go on forever thus!
+Round the corner of the street
+ Who can say what waits for us?--
+ Meeting--greeting, night and day,
+ Faring each the selfsame way--
+ Still somewhere the path must end.--
+ Reach your hand to me, my friend!
+
+[Illustration]
+
+
+
+
+[Illustration]
+
+TO MY OLD FRIEND, WILLIAM LEACHMAN
+
+
+Fer forty year and better you have been a friend to me,
+Through days of sore afflictions and dire adversity,
+You allus had a kind word of counsul to impart,
+Which was like a healin' 'intment to the sorrow of my hart.
+
+When I burried my first womern, William Leachman, it was you
+Had the only consolation that I could listen to--
+Fer I knowed you had gone through it and had rallied from the blow,
+And when you said I'd do the same, I knowed you'd ort to know.
+
+But that time I'll long remember; how I wundered here and thare--
+Through the settin'-room and kitchen, and out in the open air--
+And the snowflakes whirlin', whirlin', and the fields a frozen glare,
+And the neghbors' sleds and wagons congergatin' ev'rywhare.
+
+I turned my eyes to'rds heaven, but the sun was hid away;
+I turned my eyes to'rds earth again, but all was cold and gray;
+And the clock, like ice a-crackin', clickt the icy hours in two--
+And my eyes'd never thawed out ef it hadn't been fer you!
+
+We set thare by the smoke-house--me and you out thare alone--
+Me a-thinkin'--you a-talkin' in a soothin' undertone--
+You a-talkin'--me a-thinkin' of the summers long ago,
+And a-writin' "Marthy--Marthy" with my finger in the snow!
+
+[Illustration]
+
+William Leachman, I can see you jest as plane as I could then;
+And your hand is on my shoulder, and you rouse me up again,
+And I see the tears a-drippin' from your own eyes, as you say:
+"Be rickonciled and bear it--we but linger fer a day!"
+
+At the last Old Settlers' Meetin' we went j'intly, you and me--
+Your hosses and my wagon, as you wanted it to be;
+And sence I can remember, from the time we've neghbored here,
+In all sich friendly actions you have double-done your sheer.
+
+It was better than the meetin', too, that nine-mile talk we had
+Of the times when we first settled here and travel was so bad;
+When we had to go on hoss-back, and sometimes on "Shanks's mare,"
+And "blaze" a road fer them behind that had to travel thare.
+
+And now we was a-trottin' 'long a level gravel pike,
+In a big two-hoss road-wagon, jest as easy as you like--
+Two of us on the front seat, and our wimmern-folks behind,
+A-settin' in theyr Winsor-cheers in perfect peace of mind!
+
+And we pinted out old landmarks, nearly faded out of sight:--
+Thare they ust to rob the stage-coach; thare Gash Morgan had the fight
+With the old stag-deer that pronged him--how he battled fer his life,
+And lived to prove the story by the handle of his knife.
+
+Thare the first griss-mill was put up in the Settlement, and we
+Had tuck our grindin' to it in the Fall of Forty-three--
+When we tuck our rifles with us, techin' elbows all the way,
+And a-stickin' right together ev'ry minute, night and day.
+
+[Illustration]
+
+Thare ust to stand the tavern that they called the "Travelers' Rest,"
+And thare, beyent the covered bridge, "The Counter-fitters' Nest"--
+Whare they claimed the house was ha'nted--that a man was murdered thare,
+And burried underneath the floor, er 'round the place somewhare.
+
+And the old Plank-road they laid along in Fifty-one er two--
+You know we talked about the times when that old road was new:
+How "Uncle Sam" put down that road and never taxed the State
+Was a problem, don't you rickollect, we couldn't _dim_-onstrate?
+
+Ways was devius, William Leachman, that me and you has past;
+But as I found you true at first, I find you true at last;
+And, now the time's a-comin' mighty nigh our jurney's end,
+I want to throw wide open all my soul to you, my friend.
+
+With the stren'th of all my bein', and the heat of hart and brane,
+And ev'ry livin' drop of blood in artery and vane,
+I love you and respect you, and I venerate your name,
+Fer the name of William Leachman and True Manhood's jest the same!
+
+[Illustration]
+
+
+
+
+A BACKWARD LOOK
+
+
+As I sat smoking, alone, yesterday,
+ And lazily leaning back in my chair,
+Enjoying myself in a general way--
+Allowing my thoughts a holiday
+ From weariness, toil and care,--
+My fancies--doubtless, for ventilation--
+ Left ajar the gates of my mind,--
+And Memory, seeing the situation,
+ Slipped out in street of "Auld Lang Syne."
+
+Wandering ever with tireless feet
+ Through scenes of silence, and jubilee
+Of long-hushed voices; and faces sweet
+Were thronging the shadowy side of the street
+ As far as the eye could see;
+Dreaming again, in anticipation,
+ The same old dreams of our boyhood's days
+That never come true, from the vague sensation
+ Of walking asleep in the world's strange ways.
+
+Away to the house where I was born!
+ And there was the selfsame clock that ticked
+From the close of dusk to the burst of morn,
+When life-warm hands plucked the golden corn
+ And helped when the apples were picked.
+And the "chany-dog" on the mantel-shelf,
+ With the gilded collar and yellow eyes,
+Looked just as at first, when I hugged myself
+ Sound asleep with the dear surprise.
+
+And down to the swing in the locust tree,
+ Where the grass was worn from the trampled ground
+And where "Eck" Skinner, "Old" Carr, and three
+Or four such other boys used to be
+ Doin' "sky-scrapers," or "whirlin' round:"
+And again Bob climbed for the bluebird's nest,
+ And again "had shows" in the buggy-shed
+Of Guymon's barn, where still, unguessed,
+ The old ghosts romp through the best days dead!
+
+And again I gazed from the old school-room
+ With a wistful look of a long June day,
+When on my cheek was the hectic bloom
+Caught of Mischief, as I presume--
+ He had such a "partial" way,
+It seemed, toward me.--And again I thought
+ Of a probable likelihood to be
+Kept in after school--for a girl was caught
+ Catching a note from me.
+
+[Illustration]
+
+And down through the woods to the swimming-hole--
+ Where the big, white, hollow, old sycamore grows,--
+And we never cared when the water was cold.
+And always "clucked" the boy that told
+ On the fellow that tied the clothes.--
+When life went so like a dreamy rhyme
+ That it seems to me now that then
+The world was having a jollier time
+ Than it ever will have again.
+
+[Illustration]
+
+
+
+
+[Illustration]
+
+AT SEA
+
+
+O we go down to sea in ships--
+ But Hope remains behind,
+And Love, with laughter on his lips,
+ And Peace, of passive mind;
+While out across the deeps of night,
+ With lifted sails of prayer,
+We voyage off in quest of light,
+ Nor find it anywhere.
+
+O Thou who wroughtest earth and sea,
+ Yet keepest from our eyes
+The shores of an eternity
+ In calms of Paradise,
+Blow back upon our foolish quest
+ With all the driving rain
+Of blinding tears and wild unrest,
+ And waft us home again.
+
+
+
+
+[Illustration]
+
+THE OLD GUITAR
+
+
+Neglected now is the old guitar
+ And moldering into decay;
+Fretted with many a rift and scar
+ That the dull dust hides away,
+While the spider spins a silver star
+ In its silent lips to-day.
+
+The keys hold only nerveless strings--
+ The sinews of brave old airs
+Are pulseless now; and the scarf that clings
+ So closely here declares
+A sad regret in its ravelings
+ And the faded hue it wears.
+
+But the old guitar, with a lenient grace,
+ Has cherished a smile for me;
+And its features hint of a fairer face
+ That comes with a memory
+Of a flower-and-perfume-haunted place
+ And a moonlit balcony.
+
+Music sweeter than words confess
+ Or the minstrel's powers invent,
+Thrilled here once at the light caress
+ Of the fairy hands that lent
+This excuse for the kiss I press
+ On the dear old instrument.
+
+The rose of pearl with the jeweled stem
+ Still blooms; and the tiny sets
+In the circle all are here; the gem
+ In the keys, and the silver frets;
+But the dainty fingers that danced o'er them--
+ Alas for the heart's regrets!--
+
+Alas for the loosened strings to-day,
+ And the wounds of rift and scar
+On a worn old heart, with its roundelay
+ Enthralled with a stronger bar
+That Fate weaves on, through a dull decay
+ Like that of the old guitar!
+
+[Illustration]
+
+
+
+
+[Illustration]
+
+JOHN McKEEN
+
+
+John McKeen, in his rusty dress,
+ His loosened collar, and swarthy throat;
+His face unshaven, and none the less,
+His hearty laugh and his wholesomeness,
+ And the wealth of a workman's vote!
+
+Bring him, O Memory, here once more,
+ And tilt him back in his Windsor chair
+By the kitchen-stove, when the day is o'er
+And the light of the hearth is across the floor,
+ And the crickets everywhere!
+
+And let their voices be gladly blent
+ With a watery jingle of pans and spoons,
+And a motherly chirrup of sweet content,
+And neighborly gossip and merriment,
+ And old-time fiddle-tunes!
+
+Tick the clock with a wooden sound,
+ And fill the hearing with childish glee
+Of rhyming riddle, or story found
+In the Robinson Crusoe, leather-bound
+ Old book of the Used-to-be!
+
+John McKeen of the Past! Ah, John,
+ To have grown ambitious in worldly ways!--
+To have rolled your shirt-sleeves down, to don
+A broadcloth suit, and, forgetful, gone
+ Out on election days!
+
+John, ah, John! did it prove your worth
+ To yield you the office you still maintain?
+To fill your pockets, but leave the dearth
+Of all the happier things on earth
+ To the hunger of heart and brain?
+
+[Illustration]
+
+Under the dusk of your villa trees,
+ Edging the drives where your blooded span
+Paw the pebbles and wait your ease,--
+Where are the children about your knees,
+ And the mirth, and the happy man?
+
+The blinds of your mansion are battened to;
+ Your faded wife is a close recluse;
+And your "finished" daughters will doubtless do
+Dutifully all that is willed of you,
+ And marry as you shall choose!--
+
+But O for the old-home voices, blent
+ With the watery jingle of pans and spoons,
+And the motherly chirrup of glad content,
+And neighborly gossip and merriment,
+ And the old-time fiddle-tunes!
+
+[Illustration]
+
+
+
+
+[Illustration]
+
+THROUGH SLEEPY-LAND
+
+
+Where do you go when you go to sleep,
+ Little Boy! Little Boy! where?
+'Way--'way in where's Little Bo-Peep,
+And Little Boy Blue, and the Cows and Sheep
+ A-wandering 'way in there;--in there--
+ A-wandering 'way in there!
+
+And what do you see when lost in dreams,
+ Little Boy, 'way in there?
+Firefly-glimmers and glowworm-gleams,
+And silvery, low, slow-sliding streams,
+ And mermaids, smiling out--'way in where
+ They're a-hiding--'way in there!
+
+Where do you go when the Fairies call,
+ Little Boy! Little Boy! where?
+Wade through the clews of the grasses tall,
+Hearing the weir and the waterfall
+ And the Wee Folk--'way in there--in there--
+ And the Kelpies--'way in there!
+
+And what do you do when you wake at dawn,
+ Little Boy! Little Boy! what?
+Hug my Mommy and kiss her on
+Her smiling eyelids, sweet and wan,
+ And tell her everything I've forgot
+ About, a-wandering 'way in there--
+ Through the blind-world 'way in there!
+
+[Illustration]
+
+
+
+
+"THEM OLD CHEERY WORDS"
+
+
+Pap he allus ust to say,
+ "Chris'mus comes but onc't a year!"
+Liked to hear him that-a-way,
+ In his old split-bottomed cheer
+By the fireplace here at night--
+Wood all in,--and room all bright,
+Warm and snug, and folks all here:
+"Chris'mus comes but onc't a year!"
+
+Me and 'Lize, and Warr'n and Jess
+ And Eldory home fer two
+Weeks' vacation; and, I guess,
+ Old folks tickled through and through,
+Same as _we_ was,--"Home onc't more
+Fer another Chris'mus--shore!"
+Pap 'u'd say, and tilt his cheer,--
+"Chris'mus comes but onc't a year!"
+
+Mostly Pap was ap' to be
+ Ser'ous in his "daily walk,"
+As he called it; giner'ly
+ Was no hand to joke er talk.
+Fac's is, Pap had never be'n
+Rugged-like at all--and then
+Three years in the army had
+Hepped to break him purty bad.
+
+[Illustration]
+
+Never _flinched_! but frost and snow
+ Hurt his wownd in winter. But
+You bet _Mother_ knowed it, though!--
+ Watched his feet, and made him putt
+On his flannen; and his knee,
+Where it never healed up, he
+Claimed was "well now--mighty near--
+Chris'mus comes but onc't a year!"
+
+"Chris'mus comes but onc't a year!"
+ Pap 'u'd say, and snap his eyes ...
+Row o' apples sputter'n' here
+ Round the hearth, and me and 'Lize
+Crackin' hicker'-nuts; and Warr'n
+And Eldory parchin' corn;
+And whole raft o' young folks here.
+"Chris'mus comes but onc't a year!"
+
+Mother tuk most comfort in
+ Jest a-heppin' Pap: She'd fill
+His pipe fer him, er his tin
+ O' hard cider; er set still
+And read fer him out the pile
+O' newspapers putt on file
+Whilse he was with Sherman--(She
+Knowed the whole war-history!)
+
+Sometimes he'd git het up some.--
+ "Boys," he'd say, "and you girls, too,
+Chris'mus is about to come;
+ So, as you've a right to do,
+_Celebrate_ it! Lots has died,
+Same as Him they crucified,
+That you might be happy here.
+Chris'mus comes but onc't a year!"
+
+Missed his voice last Chris'mus--missed
+ Them old cheery words, you know.
+Mother belt up tel she kissed
+ All of us--then had to go
+And break down! And I laughs: "Here!
+'Chris'mus comes but onc't a year!"
+"Them's his very words," sobbed she,
+"When he asked to marry me."
+
+"Chris'mus comes but onc't a year!"
+ "Chris'mus comes but onc't a year!"
+Over, over, still I hear,
+ "Chris'mus comes but onc't a year!"
+Yit, like him, I'm goin' to smile
+And keep cheerful all the while:
+_Allus_ Chris'mus _There_--And here
+"Chris'mus comes but onc't a year!"
+
+
+
+
+[Illustration]
+
+TO THE JUDGE
+
+_A Voice From the Interior of Old Hoop-Pole Township_
+
+
+Friend of my earliest youth,
+ Can't you arrange to come down
+And visit a fellow out here in the woods--
+ Out of the dust of the town?
+Can't you forget you're a Judge
+ And put by your dolorous frown
+And tan your wan face in the smile of a friend--
+ Can't you arrange to come down?
+
+Can't you forget for a while
+ The arguments prosy and drear,--
+To lean at full-length in indefinite rest
+ In the lap of the greenery here?
+Can't you kick over "the Bench,"
+ And "husk" yourself out of your gown
+To dangle your legs where the fishing is good--
+ Can't you arrange to come down?
+
+Bah! for your office of State!
+ And bah! for its technical lore!
+What does our President, high in his chair,
+ But wish himself low as before!
+Pick between peasant and king,--
+ Poke your bald head through a crown
+Or shadow it here with the laurels of Spring!--
+ Can't you arrange to come down?
+
+"Judge it" out _here_, if you will,--
+ The birds are in session by dawn;
+You can draw, not _complaints_, but a sketch of the hill
+ And a breath that your betters have drawn;
+You can open your heart, like a case,
+ To a jury of kine, white and brown,
+And their verdict of "Moo" will just satisfy you!--
+ Can't you arrange to come down?
+
+[Illustration]
+
+Can't you arrange it, old Pard?--
+ Pigeonhole Blackstone and Kent!--
+Here we have "Breitmann," and Ward,
+ Twain, Burdette, Nye, and content!
+Can't you forget you're a Judge
+ And put by your dolorous frown
+And tan your wan face in the smile of a friend--
+ Can't you arrange to come down?
+
+[Illustration]
+
+
+
+
+[Illustration]
+
+OUR BOYHOOD HAUNTS
+
+
+Ho! I'm going back to where
+We were youngsters.--Meet me there,
+Dear old barefoot chum, and we
+Will be as we used to be,--
+Lawless rangers up and down
+The old creek beyond the town--
+Little sunburnt gods at play,
+Just as in that far-away:--
+Water nymphs, all unafraid,
+Shall smile at us from the brink
+Of the old millrace and wade
+Tow'rd us as we kneeling drink
+At the spring our boyhood knew,
+Pure and clear as morning-dew:
+
+And, as we are rising there,
+Doubly dow'rd to hear and see,
+We shall thus be made aware
+Of an eerie piping, heard
+High above the happy bird
+In the hazel: And then we,
+Just across the creek, shall see
+(Hah! the goaty rascal!) Pan
+Hoof it o'er the sloping green,
+Mad with his own melody,
+Aye, and (bless the beasty man!)
+Stamping from the grassy soil
+Bruised scents of _fleur-de-lis_,
+Boneset, mint and pennyroyal.
+
+[Illustration]
+
+
+
+
+MY DANCIN'-DAYS IS OVER
+
+
+What is it in old fiddle-chunes 'at makes me ketch my breath
+And ripples up my backbone tel I'm tickled most to death?--
+ Kindo' like that sweet-sick feelin', in the long sweep of a swing,
+ The first you ever swung in, with yer first sweet-heart, i jing!--
+ Yer first picnic--yer first ice-cream--yer first o' _ever'thing_
+ 'At happened 'fore yer dancin'-days wuz over!
+
+I never understood it--and I s'pose I never can,--
+But right in town here, yisterd'y, I heerd a pore blindman
+ A-fiddlin' old "Gray Eagle"--_And_-sir! I jes stopped my load
+ O' hay and listened at him--yes, and watched the way he "bow'd,"--
+ And back I went, plum forty year', with boys and girls I knowed
+ And loved, long 'fore my dancin'-days wuz over!--
+
+[Illustration]
+
+At high noon in yer city,--with yer blame Magnetic-Cars
+A-hummin' and a-screetchin' past--and bands and G.A.R.'s
+ A-marchin'--and fire-ingines.--_All_ the noise, the whole street through,
+ Wuz lost on me!--I only heerd a whipperwill er two,
+ It 'peared-like, kindo' callin' 'crost the darkness and the dew,
+ Them nights afore my dancin'-days wuz over.
+
+T'uz Chused'y-night at Wetherell's, er We'nsd'y-night at Strawn's,
+Er Fourth-o'-July-night at uther Tomps's house er John's!--
+ With old Lew Church from Sugar Crick, with that old fiddle he
+ Had sawed clean through the Army, from Atlanty to the sea--
+ And yit he'd fetched, her home ag'in, so's he could play fer me
+ One't more afore my dancin'-days wuz over!
+
+The woods 'at's all ben cut away wuz growin' same as then;
+The youngsters all wuz boys ag'in 'at's now all oldish men;
+ And all the girls 'at _then_ wuz girls--I saw 'em, one and all,
+ As _plain_ as then--the middle-sized, the short-and-fat, and tall--
+ And, 'peared-like, I danced "Tucker" fer 'em up and down the wall
+ Jes like afore my dancin' days wuz over!
+
+ * * * * *
+
+Yer _po_-leece they can holler "Say! _you_, Uncle! drive ahead!--
+You can't use _all_ the right-o'-way!"--fer that wuz what they said!--
+ But, jes the same,--in spite of all 'at you call "interprise
+ And prog-gress of _you_-folks Today," we're all of _fambly-ties_--
+ We're all got feelin's fittin' fer the _tears_ 'at's in our eyes
+ Er the _smiles_ afore our dancin'-days is over.
+
+
+
+
+HER BEAUTIFUL HANDS
+
+
+O your hands--they are strangely fair!
+Fair--for the jewels that sparkle there,--
+Fair--for the witchery of the spell
+That ivory keys alone can tell;
+But when their delicate touches rest
+Here in my own do I love them best,
+As I clasp with eager acquisitive spans
+My glorious treasure of beautiful hands!
+
+Marvelous--wonderful--beautiful hands!
+They can coax roses to bloom in the strands
+Of your brown tresses; and ribbons will twine.
+Under mysterious touches of thine,
+Into such knots as entangle the soul,
+And fetter the heart under such a control
+As only the strength of my love understands--
+My passionate love for your beautiful hands.
+
+As I remember the first fair touch
+Of those beautiful hands that I love so much,
+I seem to thrill as I then was thrilled,
+Kissing the glove that I found unfilled--
+When I met your gaze, and the queenly bow,
+As you said to me, laughingly, "Keep it now!"
+And dazed and alone in a dream I stand
+Kissing this ghost of your beautiful hand.
+
+When first I loved, in the long ago,
+And held your hand as I told you so--
+Pressed and caressed it and gave it a kiss,
+And said "I could die for a hand like this!"
+Little I dreamed love's fulness yet
+Had to ripen when eyes were wet,
+And prayers were vain in their wild demands
+For one warm touch of your beautiful hands.
+
+Beautiful Hands! O Beautiful Hands!
+Could you reach out of the alien lands
+Where you are lingering, and give me, to-night,
+Only a touch--were it ever so light--
+My heart were soothed, and my weary brain
+Would lull itself into rest again;
+For there is no solace the world commands
+Like the caress of your beautiful hands.
+
+[Illustration]
+
+
+
+
+
+End of Project Gutenberg's Riley Songs of Home, by James Whitcomb Riley
+
+*** END OF THIS PROJECT GUTENBERG EBOOK RILEY SONGS OF HOME ***
+
+***** This file should be named 16265.txt or 16265.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/1/6/2/6/16265/
+
+Produced by Juliet Sutherland, Scott G. Sims and the Online
+Distributed Proofreading Team at https://www.pgdp.net
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.